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HISTORY OF EGYPT
CHALDEA, SYRIA, BABYLONIA, AND ASSYRIA IN THE LIGHT OF RECENT DISCOVERY BY L. W. KING and H. R. HALL
CHALDEA, SYRIA, BABYLONIA, AND ASSYRIA IN THE LIGHT OF RECENT DISCOVERY BY L. W. KING and H. R. HALL
Department of Egyptian and Assyrian Antiquities, British Museum
Department of Egyptian and Assyrian Antiquities, British Museum
Containing over 1200 colored plates and illustrations.
Containing over 1,200 colored plates and illustrations.
Copyright 1906
Copyright 1906




PUBLISHERS’ NOTE
It should be noted that many of the monuments and sites of excavations in Egypt, Mesopotamia, Persia, and Kurdistan described in this volume have been visited by the authors in connection with their own work in those countries. The greater number of the photographs here published were taken by the authors themselves. Their thanks are due to M. Ernest Leroux, of Paris, for his kind permission to reproduce a certain number of plates from the works of M. de Morgan, illustrating his recent discoveries in Egypt and Persia, and to Messrs. W. A. Mansell & Co., of London, for kindly allowing them to make use of a number of photographs issued by them.
It’s important to note that many of the monuments and excavation sites in Egypt, Mesopotamia, Persia, and Kurdistan described in this volume have been visited by the authors as part of their work in those regions. Most of the photographs published here were taken by the authors themselves. They would like to thank M. Ernest Leroux of Paris for his generous permission to reproduce several plates from the works of M. de Morgan, showcasing his recent discoveries in Egypt and Persia, and to Messrs. W. A. Mansell & Co. of London for kindly allowing them to use some of the photographs published by them.
PREFACE
The present volume contains an account of the most important additions which have been made to our knowledge of the ancient history of Egypt and Western Asia during the few years which have elapsed since the publication of Prof. Maspero’s Histoire Ancienne des Peuples de l’Orient Classique, and includes short descriptions of the excavations from which these results have been obtained. It is in no sense a connected and continuous history of these countries, for that has already been written by Prof. Maspero, but is rather intended as an appendix or addendum to his work, briefly recapitulating and describing the discoveries made since its appearance. On this account we have followed a geographical rather than a chronological system of arrangement, but at the same time the attempt has been made to suggest to the mind of the reader the historical sequence of events.
The current volume provides an overview of the most significant updates to our understanding of the ancient history of Egypt and Western Asia over the past few years since the release of Prof. Maspero’s Histoire Ancienne des Peuples de l’Orient Classique. It includes brief descriptions of the excavations that led to these findings. This is not meant to be a complete and continuous history of these regions—Prof. Maspero has already done that—but rather serves as an appendix or addendum to his work, summarizing and outlining the discoveries made since it was published. For this reason, we've organized the content geographically instead of chronologically; however, we've also tried to convey the historical sequence of events to the reader.
At no period have excavations been pursued with more energy and activity, both in Egypt and Western Asia, than at the present time, and every season’s work obliges us to modify former theories, and extends our knowledge of periods of history which even ten years ago were unknown to the historian. For instance, a whole chapter has been added to Egyptian history by the discovery of the Neolithic culture of the primitive Egyptians, while the recent excavations at Susa are revealing a hitherto totally unsuspected epoch of proto-Elamite civilization. Further than this, we have discovered the relics of the oldest historical kings of Egypt, and we are now enabled to reconstitute from material as yet unpublished the inter-relations of the early dynasties of Babylon. Important discoveries have also been made with regard to isolated points in the later historical periods. We have therefore attempted to include the most important of these in our survey of recent excavations and their results. We would again remind the reader that Prof. Maspero’s great work must be consulted for the complete history of the period, the present volume being, not a connected history of Egypt and Western Asia, but a description and discussion of the manner in which recent discovery and research have added to and modified our conceptions of ancient Egyptian and Mesopotamian civilization.
Right now, no time has seen excavations being carried out with more energy and activity, both in Egypt and Western Asia, than today. Each season's work forces us to change previous theories and expands our understanding of historical periods that were unknown to historians just ten years ago. For example, the discovery of the Neolithic culture of the early Egyptians has added an entire chapter to Egyptian history, while recent digs at Susa are uncovering a previously unknown era of proto-Elamite civilization. Additionally, we have found relics of Egypt's earliest historical kings, and we can now reconstruct, using unpublished materials, the relationships among the early dynasties of Babylon. Significant discoveries have also been made regarding specific points in the later historical periods. Therefore, we have tried to include the most important of these in our overview of recent excavations and their results. We want to remind readers that Prof. Maspero's extensive work should be consulted for the complete history of the period; this volume is not a continuous history of Egypt and Western Asia, but rather a description and discussion of how recent discoveries and research have increased and changed our understanding of ancient Egyptian and Mesopotamian civilization.
Contents
List of Illustrations
EGYPT AND MESOPOTAMIA
In the Light of Recent Excavation and Research
CHAPTER I—THE DISCOVERY OF PREHISTORIC EGYPT
During the last ten years our conception of the beginnings of Egyptian antiquity has profoundly altered. When Prof. Maspero published the first volume of his great Histoire Ancienne des Peuples des l’Orient Classique, in 1895, Egyptian history, properly so called, still began with the Pyramid-builders, Sne-feru, Khufu, and Khafra (Cheops and Chephren), and the legendary lists of earlier kings preserved at Abydos and Sakkara were still quoted as the only source of knowledge of the time before the IVth Dynasty. Of a prehistoric Egypt nothing was known, beyond a few flint flakes gathered here and there upon the desert plateaus, which might or might not tell of an age when the ancestors of the Pyramid-builders knew only the stone tools and weapons of the primeval savage.
Over the last ten years, our understanding of the origins of ancient Egypt has changed significantly. When Prof. Maspero released the first volume of his major work, Histoire Ancienne des Peuples des l’Orient Classique, in 1895, Egyptian history, as we know it, still started with the Pyramid-builders: Sneferu, Khufu, and Khafra (Cheops and Chephren). The legendary lists of earlier kings, found at Abydos and Sakkara, were still seen as the only information available about the time before the Fourth Dynasty. We knew almost nothing about prehistoric Egypt, except for a few flint chips scattered across the desert plateaus, which may or may not indicate a time when the ancestors of the Pyramid-builders only had basic stone tools and weapons.
Now, however, the veil which has hidden the beginnings of Egyptian civilization from us has been lifted, and we see things, more or less, as they actually were, unobscured by the traditions of a later day. Until the last few years nothing of the real beginnings of history in either Egypt or Mesopotamia had been found; legend supplied the only material for the reconstruction of the earliest history of the oldest civilized nations of the globe. Nor was it seriously supposed that any relics of prehistoric Egypt or Mesopotamia ever would be found. The antiquity of the known history of these countries already appeared so great that nobody took into consideration the possibility of our discovering a prehistoric Egypt or Mesopotamia; the idea was too remote from practical work. And further, civilization in these countries had lasted so long that it seemed more than probable that all traces of their prehistoric age had long since been swept away. Yet the possibility, which seemed hardly worth a moment’s consideration in 1895, is in 1905 an assured reality, at least as far as Egypt is concerned. Prehistoric Babylonia has yet to be discovered. It is true, for example, that at Mukay-yar, the site of ancient Ur of the Chaldees, burials in earthenware coffins, in which the skeletons lie in the doubled-up position characteristic of Neolithic interments, have been found; but there is no doubt whatever that these are burials of a much later date, belonging, quite possibly, to the Parthian period. Nothing that may rightfully be termed prehistoric has yet been found in the Euphrates valley, whereas in Egypt prehistoric antiquities are now almost as well known and as well represented in our museums as are the prehistoric antiquities of Europe and America.
Now, however, the veil that has hidden the beginnings of Egyptian civilization from us has been lifted, and we can see things, more or less, as they actually were, free from the traditions of later times. Until the last few years, nothing of the true beginnings of history in either Egypt or Mesopotamia had been found; legend provided the only material for reconstructing the earliest history of the oldest civilized nations on the globe. It wasn't seriously thought that any relics of prehistoric Egypt or Mesopotamia would ever be found. The antiquity of the known history of these countries already seemed so vast that nobody considered the possibility of discovering a prehistoric Egypt or Mesopotamia; the idea felt too far-fetched for practical work. Furthermore, civilization in these countries had lasted so long that it seemed likely that all traces of their prehistoric age had long been erased. Yet, the possibility that seemed hardly worth a moment’s thought in 1895 is, in 1905, a confirmed reality, at least regarding Egypt. Prehistoric Babylonia has yet to be discovered. It is true, for instance, that at Mukay-yar, the site of ancient Ur of the Chaldees, burials in earthenware coffins have been found, where the skeletons lie in the curled-up position typical of Neolithic interments; but there's no doubt that these are burials from a much later date, possibly from the Parthian period. Nothing that can rightfully be called prehistoric has yet been found in the Euphrates valley, whereas in Egypt, prehistoric antiquities are now almost as well known and as well represented in our museums as the prehistoric antiquities of Europe and America.
With the exception of a few palasoliths from the surface of the Syrian desert, near the Euphrates valley, not a single implement of the Age of Stone has yet been found in Southern Mesopotamia, whereas Egypt has yielded to us the most perfect examples of the flint-knapper’s art known, flint tools and weapons more beautiful than the finest that Europe and America can show. The reason is not far to seek. Southern Mesopotamia is an alluvial country, and the ancient cities, which doubtless mark the sites of the oldest settlements in the land, are situated in the alluvial marshy plain between the Tigris and the Euphrates; so that all traces of the Neolithic culture of the country would seem to have disappeared, buried deep beneath city-mounds, clay and marsh. It is the same in the Egyptian Delta, a similar country; and here no traces of the prehistoric culture of Egypt have been found. The attempt to find them was made last year at Buto, which is known to be one of the most antique centres of civilization, and probably was one of the earliest settlements in Egypt, but without success. The infiltration of water had made excavation impossible and had no doubt destroyed everything belonging to the most ancient settlement. It is not going too far to predict that exactly the same thing will be found by any explorer who tries to discover a Neolithic stratum beneath a city-mound of Babylonia. There is little hope that prehistoric Chaldæa will ever be known to us. But in Egypt the conditions are different. The Delta is like Babylonia, it is true; but in the Upper Nile valley the river flows down with but a thin border of alluvial land on either side, through the rocky and hilly desert, the dry Sahara, where rain falls but once in two or three years. Antiquities buried in this soil in the most remote ages are preserved intact as they were first interred, until the modern investigator comes along to look for them. And it is on the desert margin of the valley that the remains of prehistoric Egypt have been found. That is the reason for their perfect preservation till our own day, and why we know prehistoric Egypt so well.
Aside from a few stone tools found on the surface of the Syrian desert near the Euphrates valley, not a single tool from the Stone Age has been discovered in Southern Mesopotamia. In contrast, Egypt has given us the most exquisite examples of flint craftsmanship, with tools and weapons that are more beautiful than anything Europe and America offer. The reason is clear. Southern Mesopotamia is an alluvial region, and the ancient cities, which probably represent the oldest settlements in the area, are located in the marshy alluvial plain between the Tigris and Euphrates rivers. As a result, all evidence of the region's Neolithic culture seems to have vanished, buried deep beneath mounds of cities, clay, and marsh. The situation is similar in the Egyptian Delta, which is a comparable environment; no signs of Egypt's prehistoric culture have been found here either. An attempt to locate these artifacts was made last year at Buto, recognized as one of the oldest centers of civilization and likely one of Egypt's earliest settlements, but it was unsuccessful. Water infiltration made excavation impossible and probably destroyed everything from the ancient settlement. It's safe to say that explorers searching for a Neolithic layer beneath any city mound in Babylonia will encounter the same challenges. The likelihood of uncovering prehistoric Chaldæa is slim. However, conditions are different in Egypt. While the Delta is akin to Babylonia, the Upper Nile valley is bordered by only a narrow strip of alluvial land on either side, flowing through the rocky, hilly desert of the dry Sahara, where rain falls only once every two to three years. Artifacts buried in this soil from the most distant eras remain untouched, preserved as they were initially buried until modern researchers arrive to uncover them. It is in the desert fringes of the valley that the remnants of prehistoric Egypt have been found. This is why they are so well-preserved up to now, and why we have such a clear understanding of prehistoric Egypt.
The chief work of Egyptian civilization was the proper irrigation of the alluvial soil, the turning of marsh into cultivated fields, and the reclamation of land from the desert for the purposes of agriculture. Owing to the rainless character of the country, the only means of obtaining water for the crops is by irrigation, and where the fertilizing Nile water cannot be taken by means of canals, there cultivation ends and the desert begins. Before Egyptian civilization, properly so called, began, the valley was a great marsh through which the Nile found its way north to the sea. The half-savage, stone-using ancestors of the civilized Egyptians hunted wild fowl, crocodiles, and hippopotami in the marshy valley; but except in a few isolated settlements on convenient mounds here and there (the forerunners of the later villages), they did not live there. Their settlements were on the dry desert margin, and it was here, upon low tongues of desert hill jutting out into the plain, that they buried their dead. Their simple shallow graves were safe from the flood, and, but for the depredations of jackals and hyenas, here they have remained intact till our own day, and have yielded up to us the facts from which we have derived our knowledge of prehistoric Egypt. Thus it is that we know so much of the Egyptians of the Stone Age, while of their contemporaries in Mesopotamia we know nothing, nor is anything further likely to be discovered.
The main achievement of Egyptian civilization was effectively managing the irrigation of the fertile soil, converting marshland into farmland, and reclaiming land from the desert for agriculture. Because the country lacks rain, the only way to get water for crops is through irrigation, and where the nutrient-rich water from the Nile can't be delivered through canals, farming stops and the desert starts. Before true Egyptian civilization began, the valley was mostly a large marsh through which the Nile flowed north to the sea. The primitive, stone-using ancestors of the Egyptians hunted wild birds, crocodiles, and hippos in the marshy valley; however, they didn’t settle there except in a few isolated communities on raised areas (the precursors to later villages). Their homes were on the dry edges of the desert, and it was here, on low hills jutting into the plain, that they buried their dead. Their simple, shallow graves were safe from flooding, and aside from the scavenging by jackals and hyenas, they have remained intact until today, providing us with information that has shaped our understanding of prehistoric Egypt. This is why we know so much about the Egyptians of the Stone Age, while we have no information about their contemporaries in Mesopotamia, and it seems unlikely that we'll discover anything more.
But these desert cemeteries, with their crowds of oval shallow graves, covered by only a few inches of surface soil, in which the Neolithic Egyptians lie crouched up with their flint implements and polished pottery beside them, are but monuments of the later age of prehistoric Egypt. Long before the Neolithic Egyptian hunted his game in the marshes, and here and there essayed the work of reclamation for the purposes of an incipient agriculture, a far older race inhabited the valley of the Nile. The written records of Egyptian civilization go back four thousand years before Christ, or earlier, and the Neolithic Age of Egypt must go back to a period several thousand years before that. But we can now go back much further still, to the Palaeolithic Age of Egypt. At a time when Europe was still covered by the ice and snows of the Glacial Period, and man fought as an equal, hardly yet as a superior, with cave-bear and mammoth, the Palaeolithic Egyptians lived on the banks of the Nile. Their habitat was doubtless the desert slopes, often, too, the plateaus themselves; but that they lived entirely upon the plateaus, high up above the Nile marsh, is improbable. There, it is true, we find their flint implements, the great pear-shaped weapons of the types of Chelles, St. Acheul, and Le Moustier, types well known to all who are acquainted with the flint implements of the “Drift” in Europe. And it is there that the theory, generally accepted hitherto, has placed the habitat of the makers and users of these implements.
But these desert cemeteries, with their rows of oval shallow graves, covered by just a few inches of soil, where the Neolithic Egyptians are buried with their flint tools and polished pottery beside them, are simply reminders of a later phase in prehistoric Egypt. Long before the Neolithic Egyptians hunted in the marshes and started to reclaim land for early agriculture, a much older population lived in the Nile Valley. The written records of Egyptian civilization date back four thousand years before Christ or even earlier, and the Neolithic Age in Egypt must stretch several thousand years before that. But we can trace it back even further to the Palaeolithic Age of Egypt. At a time when Europe was still blanketed in ice and snow from the Glacial Period, and humans battled against cave bears and mammoths as equals, the Palaeolithic Egyptians lived along the banks of the Nile. They likely made their homes in the desert slopes and occasionally on the plateaus, but it’s unlikely they lived solely on the plateaus high above the Nile marsh. There, we do find their flint tools, the large pear-shaped weapons typical of the Chelles, St. Acheul, and Le Moustier styles, which are familiar to anyone who knows the flint tools from the “Drift” in Europe. And it's here that the accepted theory has historically placed the homes of those who made and used these tools.
The idea was that in Palaeolithic days, contemporary with the Glacial Age of Northern Europe and America, the climate of Egypt was entirely different from that of later times and of to-day. Instead of dry desert, the mountain plateaus bordering the Nile valley were supposed to have been then covered with forest, through which flowed countless streams to feed the river below. It was suggested that remains of these streams were to be seen in the side ravines, or wadis, of the Nile valley, which run up from the low desert on the river level into the hills on either hand. These wadis undoubtedly show extensive traces of strong water action; they curve and twist as the streams found their easiest way to the level through the softer strata, they are heaped up with great water-worn boulders, they are hollowed out where waterfalls once fell. They have the appearance of dry watercourses, exactly what any mountain burns would be were the water-supply suddenly cut off for ever, the climate altered from rainy to eternal sun-glare, and every plant and tree blasted, never to grow again. Acting on the supposition that this idea was a correct one, most observers have concluded that the climate of Egypt in remote periods was very different from the dry, rainless one now obtaining. To provide the water for the wadi streams, heavy rainfall and forests are desiderated. They were easily supplied, on the hypothesis. Forests clothed the mountain plateaus, heavy rains fell, and the water rushed down to the Nile, carving out the great watercourses which remain to this day, bearing testimony to the truth. And the flints, which the Palaeolithic inhabitants of the plateau-forests made and used, still lie on the now treeless and sun-baked desert surface.
The idea is that during the Paleolithic era, around the same time as the Ice Age in Northern Europe and America, Egypt's climate was completely different from later times and today. Instead of a dry desert, the mountain plateaus surrounding the Nile Valley were believed to be covered with forests, through which numerous streams flowed to nourish the river below. It's suggested that remnants of these streams can be seen in the side ravines, or wadis, of the Nile Valley, which rise from the low desert at the river level into the hills on either side. These wadis clearly show extensive signs of strong water action; they curve and twist as the streams found the easiest paths through the softer layers, they are filled with large water-worn boulders, and they are shaped where waterfalls once existed. They look like dry riverbeds, just like any mountain stream would if the water supply was suddenly cut off forever, the climate changed from rainy to perpetually sunny, and every plant and tree withered away, never to grow again. Based on the assumption that this idea is correct, most observers have concluded that Egypt's climate in ancient times was very different from the dry, rainless climate we have now. To provide water for the wadi streams, heavy rainfall and forests are necessary. On this hypothesis, they were easily supplied. Forests covered the mountain plateaus, heavy rains fell, and the water flowed down to the Nile, creating the significant watercourses that still exist today, bearing witness to this truth. And the flints that the Paleolithic inhabitants of the plateau forests made and used still lie on the now treeless and sun-baked desert surface.

This is certainly a very weak conclusion. In fact, it seriously damages the whole argument, the water-courses to the contrary notwithstanding. The palæoliths are there. They can be picked up by any visitor. There they lie, great flints of the Drift types, just like those found in the gravel-beds of England and Belgium, on the desert surface where they were made. Undoubtedly where they were made, for the places where they lie are the actual ancient flint workshops, where the flints were chipped. Everywhere around are innumerable flint chips and perfect weapons, burnt black and patinated by ages of sunlight. We are taking one particular spot in the hills of Western Thebes as an example, but there are plenty of others, such as the Wadi esh-Shêkh on the right bank of the Nile opposite Maghagha, whence Mr. H. Seton-Karr has brought back specimens of flint tools of all ages from the Palaeolithic to the Neolithic periods.
This is definitely a very weak conclusion. In fact, it seriously undermines the whole argument, despite the contrary water-courses. The paleoliths are right there. Any visitor can pick them up. They lie there, large flints of the Drift types, just like those found in the gravel beds of England and Belgium, on the surface of the desert where they were created. Undoubtedly, that's where they were made, because the locations where they lie are the actual ancient flint workshops where the flints were chipped. Everywhere around are countless flint chips and complete tools, burnt black and weathered by ages of sunlight. We're using one specific spot in the hills of Western Thebes as an example, but there are many others, like the Wadi esh-Shêkh on the right bank of the Nile opposite Maghagha, where Mr. H. Seton-Karr has collected flint tool specimens from all periods, from the Paleolithic to the Neolithic.
The Palæolithic flint workshops on the Theban hills have been visited of late years by Mr. Seton-Karr, by Prof. Schweinfurth, Mr. Allen Sturge, and Dr. Blanckenhorn, by Mr. Portch, Mr. Ayrton, and Mr. Hall. The weapons illustrated here were found by Messrs. Hall and Ayrton, and are now preserved in the British Museum. Among these flints shown we notice two fine specimens of the pear-shaped type of St. Acheul, with curious adze-shaped implements of primitive type to left and right. Below, to the right, is a very primitive instrument of Chellean type, being merely a sharpened pebble. Above, to left and right, are two specimens of the curious half-moon-shaped instruments which are characteristic of the Theban flint field and are hardly known elsewhere. All have the beautiful brown patina, which only ages of sunburn can give. The “poignard” type to the left, at the bottom of the plate, is broken off short.
The Paleolithic flint workshops on the Theban hills have recently been visited by Mr. Seton-Karr, Prof. Schweinfurth, Mr. Allen Sturge, and Dr. Blanckenhorn, as well as by Mr. Portch, Mr. Ayrton, and Mr. Hall. The weapons illustrated here were found by Messrs. Hall and Ayrton and are now kept in the British Museum. Among these flints, we see two fine examples of the pear-shaped type from St. Acheul, with interesting adze-shaped tools of a primitive design on the left and right. Below, to the right, is a very basic Chellean-type tool, which is simply a sharpened pebble. Above, to the left and right, are two examples of the unique half-moon-shaped tools that are typical of the Theban flint field and are rarely found elsewhere. All of them have a beautiful brown patina that only ages of sun exposure can create. The "poignard" type on the left, at the bottom of the plate, is broken off short.


In the smaller illustration we see some remarkable types: two scrapers or knives with strongly marked “bulb of percussion” (the spot where the flint-knapper struck and from which the flakes flew off), a very regular coup-de-poing which looks almost like a large arrowhead, and on the right a much weathered and patinated scraper which must be of immemorial age. This came from the top plateau, not from the slopes (or subsidiary plateaus at the head of the wadis), as did the great St. Acheulian weapons. The circular object is very remarkable: it is the half of the ring of a “morpholith “(a round flinty accretion often found in the Theban limestone) which has been split, and the split (flat) side carefully bevelled. Several of these interesting objects have been found in conjunction with Palæolithic implements at Thebes. No doubt the flints lie on the actual surface where they were made. No later water action has swept them away and covered them with gravel, no later human habitation has hidden them with successive deposits of soil, no gradual deposit of dust and rubbish has buried them deep. They lie as they were left in the far-away Palæolithic Age, and they have lain there till taken away by the modern explorer.
In the smaller illustration, we see some impressive examples: two scrapers or knives with a clearly defined "bulb of percussion" (the point where the flint-knapper struck and from which the flakes came off), a very regular coup-de-poing that almost resembles a large arrowhead, and on the right, a heavily worn and patinated scraper that must be ancient. This one came from the top plateau, not from the slopes (or smaller plateaus at the heads of the wadis), like the great St. Acheulian tools. The circular object is particularly noteworthy: it's half of the ring of a “morpholith” (a round flinty formation often found in Theban limestone) that has been split, and the split (flat) side has been carefully beveled. Several of these fascinating objects have been discovered alongside Paleolithic tools in Thebes. It's clear that the flints are lying right where they were made. No later water action has washed them away and covered them with gravel, no subsequent human settlement has hidden them under layers of soil, and no gradual accumulation of dust and debris has buried them deep. They remain exactly as they were left in the distant Paleolithic Age, and they have stayed there until taken by the modern explorer.
But this is not the case with all the Palæolithic flints of Thebes. In the year 1882 Maj.-Gen. Pitt-Rivers discovered Palæolithic flints in the deposit of diluvial detritus which lies between the cultivation and the mountains on the west bank of the Nile opposite Luxor. Many of these are of the same type as those found on the surface of the mountain plateau which lies at the head of the great wadi of the Tombs of the Kings, while the diluvial deposit is at its mouth. The stuff of which the detritus is composed evidently came originally from the high plateau, and was washed down, with the flints, in ancient times.
But this isn't true for all the Paleolithic flints of Thebes. In 1882, Maj.-Gen. Pitt-Rivers discovered Paleolithic flints in the layer of sedimentary debris that lies between the farmland and the mountains on the west bank of the Nile across from Luxor. Many of these are similar to those found on the surface of the mountain plateau at the head of the great wadi of the Tombs of the Kings, while the sedimentary deposit is at its mouth. The material making up the detritus clearly originated from the high plateau and was washed down, along with the flints, in ancient times.
This is quite conceivable, but how is it that the flints left behind on the plateau remain on the original ancient surface? How is it conceivable that if (on the old theory) these plateaus were in Palæolithic days clothed with forest, the Palæolithic flints could even in a single instance remain undisturbed from Palæolithic times to the present day, when the forest in which they were made and the forest soil on which they reposed have entirely disappeared? If there were woods and forests On the heights, it would seem impossible that we should find, as we do, Palæolithic implements lying in situ on the desert surface, around the actual manufactories where they were made. Yet if the constant rainfall and the vegetation of the Libyan desert area in Palæolithic days is all a myth (as it most probably is), how came the embedded palaeoliths, found by Gen. Pitt-Rivers, in the bed of diluvial detritus which is apparently débris from the plateau brought down by the Palæolithic wadi streams?
This is quite conceivable, but how is it that the flints left behind on the plateau remain on the original ancient surface? How can it be possible that if, according to the old theory, these plateaus were covered with forests in the Paleolithic era, the Paleolithic flints could, in even a single case, stay undisturbed from Paleolithic times to now, when the forest in which they were made and the forest soil beneath them have completely vanished? If there were woods and forests on the heights, it seems impossible that we would find, as we do, Paleolithic tools lying in situ on the barren surface, around the actual sites where they were created. Yet, if the constant rainfall and vegetation of the Libyan desert during Paleolithic times is just a myth (which it most likely is), how did the embedded paleoliths, discovered by Gen. Pitt-Rivers, end up in the layer of diluvial debris that seems to be leftovers from the plateau brought down by the Paleolithic wadi streams?
Water erosion has certainly formed the Theban wadis. But this water erosion was probably not that which would be the result of perennial streams flowing down from wooded heights, but of torrents like those of to-day, which fill the wadis once in three years or so after heavy rain, but repeated at much closer intervals. We may in fact suppose just so much difference in meteorological conditions as would make it possible for sudden rain-storms to occur over the desert at far more frequent intervals than at present. That would account for the detritus bed at the mouth of the wadi, and its embedded flints, and at the same time maintain the general probability of the idea that the desert plateaus were desert in Palæolithic days as now, and that early man only knapped his flints up there because he found the flint there. He himself lived on the slopes and nearer the marsh.
Water erosion has definitely shaped the Theban wadis. However, this erosion probably didn’t come from continuous streams running down from forested heights, but rather from sudden torrents like we see today, which fill the wadis approximately once every three years after heavy rain, but would happen much more frequently back then. We can imagine that the meteorological conditions might have allowed for sudden rainstorms to strike the desert more often than they do now. This would explain the debris at the mouth of the wadi and the flints found there, while also supporting the idea that the desert plateaus were just as arid during the Paleolithic era as they are today, and that early humans only worked with flint up there because it was available. They lived on the slopes and closer to the marsh.
This new view seems to be much sounder and more probable than the old one, maintained by Flinders Petrie and Blanckenhorn, according to which the high plateau was the home of man in Palæolithic times, when the rainfall, as shown by the valley erosion and waterfalls, must have caused an abundant vegetation on the plateau, where man could live and hunt his game.[1] Were this so, it is patent that the Palæolithic flints could not have been found on the desert surface as they are. Mr. H. J. L. Beadnell, of the Geological Survey of Egypt, to whom we are indebted for the promulgation of the more modern and probable view, says: “Is it certain that the high plateau was then clothed with forests? What evidence is there to show that it differed in any important respect from its present aspect? And if, as I suggest, desert conditions obtained then as now, and man merely worked his flints along the edges of the plateaus overlooking the Nile valley, I see no reason why flint implements, dating even from Palæolithic times should not in favourable cases still be found in the spots where they were left, surrounded by the flakes struck off in manufacture. On the flat plateaus the occasional rains which fall—once in three or four years—can effect but little transport of material, and merely lower the general level by dissolving the underlying limestone, so that the plateau surface is left with a coating of nodules and blocks of insoluble flint and chert. Flint implements might thus be expected to remain in many localities for indefinite periods, but they would certainly become more or less ‘patinated,’ pitted on the surface, and rounded at the angles after long exposure to heat, cold, and blown sand.” This is exactly the case of the Palæolithic flint tools from the desert plateau.
This new perspective appears to be much more valid and likely than the old one put forward by Flinders Petrie and Blanckenhorn, which claimed that the high plateau was the home of humans during the Paleolithic era, when rainfall, indicated by valley erosion and waterfalls, would have resulted in lush vegetation on the plateau, allowing people to live and hunt for game. [1] If this were the case, it's clear that the Paleolithic flints couldn't have ended up on the desert surface as they currently do. Mr. H. J. L. Beadnell from the Geological Survey of Egypt, to whom we owe the introduction of this more modern and plausible idea, states: “Is it certain that the high plateau was then covered with forests? What evidence do we have to suggest that it was significantly different from its present state? And if, as I propose, desert conditions were in place then just as they are now, and humans simply crafted their flints along the edges of the plateaus overlooking the Nile valley, I see no reason why flint tools, even from the Paleolithic period, shouldn’t still be found in the places where they were left, amid the flakes made during their production. On the flat plateaus, the occasional rains that fall—every three or four years—barely transport any materials and merely lower the overall level by dissolving the underlying limestone, leaving the plateau surface coated with nodules and blocks of insoluble flint and chert. Hence, we could expect flint tools to remain in various locations for extended periods, but they would inevitably become more or less ‘patinated,’ pitted on the surface, and rounded at the edges after prolonged exposure to heat, cold, and windblown sand.” This is precisely the situation with the Paleolithic flint tools found on the desert plateau.
[1] Petrie, Nagada and Ballas, p. 49.

We do not know whether Palæolithic man in Egypt was contemporary with the cave-man of Europe. We have no means of gauging the age of the Palæolithic Egyptian weapons, as we have for the Neolithic period. The historical (dynastic) period of Egyptian annals began with the unification of the kingdom under one head somewhere about 4500 B.C. At that time copper as well as stone weapons were used, so that we may say that at the beginning of the historical age the Egyptians were living in the “Chalcolithic” period. We can trace the use of copper back for a considerable period anterior to the beginning of the Ist Dynasty, so that we shall probably not be far wrong if we do not bring down the close of the purely Neolithic Age in Egypt—the close of the Age of Stone, properly so called—later than +5000 B.C. How far back in the remote ages the transition period between the Palæolithic and Neolithic Ages should be placed, it is utterly impossible to say. The use of stone for weapons and implements continued in Egypt as late as the time of the XIIth Dynasty, about 2500-2000 B.C. But these XIIth Dynasty stone implements show by their forms how late they are in the history of the Stone Age. The axe heads, for instance, are in form imitations of the copper and bronze axe heads usual at that period; they are stone imitations of metal, instead of the originals on whose model the metal weapons were formed. The flint implements of the XIIth Dynasty were a curious survival from long past ages. After the time of the XIIth Dynasty stone was no longer used for tools or weapons, except for the sacred rite of making the first incision in the dead bodies before beginning the operations of embalming; for this purpose, as Herodotus tells us, an “Ethiopian stone” was used. This was no doubt a knife of flint or chert, like those of the Neolithic ancestors of the Egyptians, and the continued use of a stone knife for this one purpose only is a very interesting instance of a ceremonial survival. We may compare the wigs of British judges.
We don't know if Paleolithic humans in Egypt lived at the same time as the cave-dwellers in Europe. We have no way of determining the age of the Paleolithic Egyptian tools, unlike those from the Neolithic period. The historical (dynastic) period in Egyptian history began with the unification of the kingdom under a single leader around 4500 B.C. At that time, both copper and stone weapons were in use, so we can say that at the start of the historical era, Egyptians were in the “Chalcolithic” period. We can trace copper use back for a significant time before the beginning of the 1st Dynasty, so we’re likely correct in saying that the end of the purely Neolithic Age in Egypt—the end of the true Stone Age—was not later than 5000 B.C. It's impossible to determine how far back the transitional period between the Paleolithic and Neolithic Ages should be placed. The use of stone for tools and weapons continued in Egypt until around the 12th Dynasty, about 2500-2000 B.C. However, the stone tools from the 12th Dynasty show their late status in the history of the Stone Age. For example, the axe heads are designed to imitate the copper and bronze axe heads common at that time; they are stone replicas of metal tools, rather than the original models that inspired the metal weapons. The flint tools of the 12th Dynasty were an odd survival from much earlier times. After the 12th Dynasty, stone was no longer used for tools or weapons, except for the specific ritual of making the first cut on the bodies before embalming began; for this, as Herodotus tells us, an “Ethiopian stone” was used. This was likely a knife made from flint or chert, similar to those used by the Neolithic ancestors of the Egyptians, and the continued use of a stone knife for this single purpose is a fascinating example of a ceremonial survival. We might compare this to the wigs worn by British judges.

We have no specimen of a flint knife which can definitely be asserted to have belonged to an embalmer, but of the archaistic flint weapons of the XIIth Dynasty we have several specimens. They were found by Prof. Petrie at the place named by him “Kahun,” the site of a XIIth Dynasty town built near the pyramid of King Usertsen (or Senusret) II at Illahun, at the mouth of the canal leading from the Nile valley into the oasis-province of the Payyum. These Kahun flints, and others of probably the same period found by Mr. Seton-Karr at the very ancient flint works in the Wadi esh-Shêkh, are of very coarse and poor workmanship as compared with the stone-knapping triumphs of the late Neolithic and early Chalcolithic periods. The delicacy of the art had all been lost. But the best flint knives of the early period—dating to just a little before the time of the Ist Dynasty, when flint-working had attained its apogee, and copper had just begun to be used—are undoubtedly the most remarkable stone weapons ever made in the world. The grace and utility of the form, the delicacy of the fluted chipping on the side, and the minute care with which the tiny serrations of the cutting edge, serrations so small that often they can hardly be seen with the naked eye, are made, can certainly not be parallelled elsewhere. The art of flint-knapping reached its zenith in Ancient Egypt. The specimen illustrated has a handle covered with gold decorated with incised designs representing animals.
We don't have a definite example of a flint knife that belonged to an embalmer, but we do have several examples of the archaic flint weapons from the XIIth Dynasty. They were discovered by Prof. Petrie at a site he called “Kahun,” which was a town built during the XIIth Dynasty near the pyramid of King Usertsen (or Senusret) II at Illahun, located at the entrance of the canal that leads from the Nile valley into the oasis-province of the Fayoum. These Kahun flints, along with others from the same period found by Mr. Seton-Karr at the very ancient flint works in the Wadi esh-Shêkh, are made with very coarse and poor craftsmanship compared to the incredible stone-knapping achievements of the late Neolithic and early Chalcolithic periods. The finesse of the craft had completely faded. However, the best flint knives from the earlier period—dating just a little before the Ist Dynasty, when flint-working had reached its peak and copper was just starting to be used—are undoubtedly the most remarkable stone weapons ever created in the world. The elegance and functionality of their design, the delicate fluted chipping on the sides, and the meticulous attention given to the tiny serrations on the cutting edge, which are so small they can hardly be seen with the naked eye, truly have no equal. The art of flint-knapping reached its peak in Ancient Egypt. The specimen shown has a handle covered in gold adorned with incised designs of animals.
The prehistoric Egyptians may also fairly be said to have attained greater perfection than other peoples in the Neolithic stage of culture, in other arts besides the making of stone tools and weapons. Their pottery is of remarkable perfection. Now that the sites of the Egyptian prehistoric settlements have been so thoroughly explored by competent archæologists (and, unhappily, as thoroughly pillaged by incompetent natives), this prehistoric Egyptian pottery has become extremely well known. In fact, it is so common that good specimens may be bought anywhere in Egypt for a few piastres. Most museums possess sets of this pottery, of which great quantities have been brought back from Egypt by Prof. Petrie and other explorers. It is of very great interest, artistically as well as historically. The potter’s wheel was not yet invented, and all the vases, even those of the most perfect shape, were built up by hand. The perfection of form attained without the aid of the wheel is truly marvellous.
The prehistoric Egyptians can be fairly credited for achieving a higher level of skill than other peoples in the Neolithic era across various arts, beyond just making stone tools and weapons. Their pottery is exceptionally well-crafted. Now that archaeological sites of ancient Egyptian settlements have been thoroughly investigated by skilled archaeologists (and unfortunately, just as thoroughly looted by untrained locals), this prehistoric Egyptian pottery has become widely recognized. In fact, it's so prevalent that good pieces can be purchased anywhere in Egypt for just a few piastres. Most museums have collections of this pottery, with substantial amounts brought back from Egypt by Professor Petrie and other explorers. It holds significant artistic and historical interest. The potter's wheel had not yet been invented, and all the vases, even those with the most perfect shapes, were constructed by hand. The level of perfection achieved without the wheel is truly remarkable.
The commonest type of this pottery is a red polished ware vase with black top, due to its having been baked mouth downward in a fire, the ashes of which, according to Prof. Petrie, deoxidized the hæmatite burnishing, and so turned the red colour to black. “In good examples the hæmatite has not only been reduced to black magnetic oxide, but the black has the highest polish, as seen on fine Greek vases. This is probably due to the formation of carbonyl gas in the smothered fire. This gas acts as a solvent of magnetic oxide, and hence allows it to assume a new surface, like the glassy surface of some marbles subjected to solution in water.” This black and red ware appears to be the most ancient prehistoric Egyptian pottery known. Later in date are a red ware and a black ware with rude geometrical incised designs, imitating basketwork, and with the incised lines filled in with white. Later again is a buff ware, either plain or decorated with wavy lines, concentric circles, and elaborate drawings of boats sailing on the Nile, ostriches, fish, men and women, and so on.
The most common type of this pottery is a red polished vase with a black top, which was baked upside down in a fire. The ashes from the fire, according to Prof. Petrie, deoxidized the hematite burnishing, changing the red color to black. “In high-quality pieces, the hematite has not only turned into black magnetic oxide, but the black also has a high polish, similar to fine Greek vases. This is likely because carbonyl gas formed in the smothered fire acts as a solvent for magnetic oxide, allowing it to take on a new surface, much like the glassy surface of some marbles when they dissolve in water.” This black and red pottery seems to be the oldest known prehistoric Egyptian pottery. Later, there are examples of red ware and black ware with simple geometric designs carved to look like basketwork, and the carved lines filled in with white. Even later, there’s buff ware, which can be plain or decorated with wavy lines, concentric circles, and detailed drawings of boats sailing on the Nile, ostriches, fish, and people, among other things.

These designs are in deep red. With this elaborate pottery the Neolithic ceramic art of Egypt reached its highest point; in the succeeding period (the beginning of the historic age) there was a decline in workmanship, exhibiting clumsy forms and bad colour, and it is not until the time of the IVth Dynasty that good pottery (a fine polished red) is once more found. Meanwhile the invention of glazed pottery, which was unknown to the prehistoric Egyptians, had been made (before the beginning of the Ist Dynasty). The unglazed ware of the first three dynasties was bad, but the new invention of light blue glazed faience (not porcelain properly so called) seems to have made great progress, and we possess fine specimens at the beginning of the Ist Dynasty. The prehistoric Egyptians were also proficient in other arts. They carved ivory and they worked gold, which is known to have been almost the first metal worked by man; certainly in Egypt it was utilized for ornament even before copper was used for work. We may refer to the illustration of a flint knife with gold handle, already given.[2]
These designs are a deep red. With this intricate pottery, the Neolithic ceramic art of Egypt reached its peak; in the following period (the start of the historic age), there was a decline in craftsmanship, showing clumsy shapes and poor colors. It wasn't until the time of the IV Dynasty that quality pottery (a fine polished red) reemerged. In the meantime, the invention of glazed pottery, which the prehistoric Egyptians didn’t know about, was created (before the start of the Ist Dynasty). The unglazed ceramics of the first three dynasties were poor, but the new development of light blue glazed faience (not true porcelain) seems to have advanced significantly, and we have fine examples from the beginning of the Ist Dynasty. The prehistoric Egyptians were also skilled in other arts. They carved ivory and worked with gold, which was one of the first metals used by humans; indeed, in Egypt, it was used for adornment even before copper was utilized. We can refer to the illustration of a flint knife with a gold handle, as mentioned earlier.[2]
[2] See illustration.
See illustration.
The date of the actual introduction of copper for tools and weapons into Egypt is uncertain, but it seems probable that copper was occasionally used at a very early period. Copper weapons have been found in pre-dynastic graves beside the finest buff pottery with elaborate red designs, so that we may say that when the flint-working and pottery of the Neolithic Egyptians had reached its zenith, the use of copper was already known, and copper weapons were occasionally employed. We can thus speak of the “Chalcolithic” period in Egypt as having already begun at that time, no doubt several centuries before the beginning of the historical or dynastic age. Strictly speaking, the Egyptians remained in the “Chalcolithic” period till the end of the XIIth Dynasty, but in practice it is best to speak of this period, when the word is used, as extending from the time of the finest flint weapons and pottery of the prehistoric age (when the “Neolithic” period may be said to close) till about the IId or IIId Dynasty. By that time the “Bronze,” or, rather, “Copper,” Age of Egypt had well begun, and already stone was not in common use.
The exact date when copper was first introduced for tools and weapons in Egypt is unclear, but it's likely that copper was used occasionally at a very early period. Copper weapons have been discovered in pre-dynastic graves alongside the finest buff pottery featuring intricate red designs. This indicates that by the time the Neolithic Egyptians had perfected their flint-working and pottery, they were already familiar with copper and occasionally used copper weapons. Therefore, we can refer to this time in Egypt as the beginning of the "Chalcolithic" period, which likely started several centuries before the historical or dynastic age. Technically, the Egyptians stayed in the "Chalcolithic" period until the end of the XII Dynasty, but it's more practical to describe this phase as spanning from the peak of flint weapons and prehistoric pottery (marking the end of the "Neolithic" period) up to around the II or III Dynasty. By that point, the "Bronze," or more accurately, "Copper," Age in Egypt had clearly started, and stone was becoming less common.
The prehistoric pottery is of the greatest value to the archæologist, for with its help some idea may be obtained of the succession of periods within the late Neolithic-Chalcolithic Age. The enormous number of prehistoric graves which have been examined enables us to make an exhaustive comparison of the different kinds of pottery found in them, so that we can arrange them in order according to pottery they contained. By this means we obtain an idea of the development of different types of pottery, and the sequence of the types. Thus it is that we can say with some degree of confidence that the black and red ware is the most ancient form, and that the buff with red designs is one of the latest forms of prehistoric pottery. Other objects found in the graves can be classified as they occur with different pottery types.
The prehistoric pottery is incredibly valuable to archaeologists because it helps us understand the timeline of the late Neolithic-Chalcolithic Age. The vast number of prehistoric graves that have been studied allows us to make thorough comparisons of the various pottery types found within them, letting us organize them based on the pottery they contained. This approach gives us insight into how different pottery styles evolved and the order in which they appeared. Thus, we can confidently say that the black and red pottery is the oldest type, and that the buff pottery with red designs is one of the more recent types of prehistoric pottery. Other items found in the graves can also be categorized according to the different pottery types they were found with.
With the help of the pottery we can thus gain a more or less reliable conspectus of the development of the late “Neolithic” culture of Egypt. This system of “sequence-dating” was introduced by Prof. Petrie, and is certainly very useful. It must not, however, be pressed too far or be regarded as an iron-bound system, with which all subsequent discoveries must be made to fit in by force. It is not to be supposed that all prehistoric pottery developed its series of types in an absolutely orderly manner without deviations or throws-back. The work of man’s hands is variable and eccentric, and does not develop or evolve in an undeviating course as the work of nature does. It is a mistake, very often made by anthropologists and archæologists, who forget this elementary fact, to assume “curves of development,” and so forth, or semi-savage culture, on absolutely even and regular lines. Human culture has not developed either evenly or regularly, as a matter of fact. Therefore we cannot always be sure that, because the Egyptian black and red pottery does not occur in graves with buff and red, it is for this reason absolutely earlier in date than the latter. Some of the development-sequences may in reality be contemporary with others instead of earlier, and allowance must always be made for aberrations and reversions to earlier types.
With the help of pottery, we can get a fairly reliable overview of the development of late “Neolithic” culture in Egypt. This system of “sequence-dating” was introduced by Prof. Petrie, and it’s definitely useful. However, it shouldn't be pushed too far or treated as a strict system that all future discoveries must fit into by force. We can't assume that all prehistoric pottery evolved its types in a completely orderly way without any variations or setbacks. Human craftsmanship is variable and unpredictable, and it doesn’t develop in a straightforward path like nature does. This is a common mistake made by anthropologists and archaeologists who overlook this basic fact, assuming “curves of development” and so forth, or semi-savage culture, follows perfectly even and regular patterns. In reality, human culture hasn't developed evenly or regularly. So, we can't always be sure that just because Egyptian black and red pottery doesn't appear in graves with buff and red, it’s definitely older than the latter. Some development sequences might actually be contemporary rather than earlier, and we must always account for deviations and returns to earlier types.
This caveat having been entered, however, we may provisionally accept Prof. Petrie’s system of sequence-dating as giving the best classification of the prehistoric antiquities according to development. So it may fairly be said that, as far as we know, the black and red pottery (“sequence-date 30—“) is the most ancient Neolithic Egyptian ware known; that the buff and red did not begin to be used till about “sequence-date 45;” that bone and ivory carvings were commonest in the earlier period (“sequence-dates 30-50”); that copper was almost unknown till “sequence-date 50,” and so on. The arbitrary numbers used range from 30 to 80, in order to allow for possible earlier and later additions, which may be rendered necessary by the progress of discovery. The numbers are of course as purely arbitrary and relative as those of the different thermometrical systems, but they afford a convenient system of arrangement. The products of the prehistoric Egyptians are, so to speak, distributed on a conventional plan over a scale numbered from 30 to 80, 30 representing the beginning and 80 the close of the term, so far as its close has as yet been ascertained. It is probable that “sequence-date 80” more or less accurately marks the beginning of the dynastic or historical period.
This warning noted, we can provisionally accept Prof. Petrie’s system of sequence-dating as providing the best classification of prehistoric artifacts based on their development. So, it can fairly be stated that, as far as we know, the black and red pottery (“sequence-date 30—”) is the oldest known Neolithic Egyptian ware; that the buff and red pottery wasn’t used until around “sequence-date 45;” that bone and ivory carvings were most common in the earlier period (“sequence-dates 30-50”); that copper was hardly known until “sequence-date 50,” and so on. The arbitrary numbers range from 30 to 80, which allow for possible earlier or later additions as discoveries are made. These numbers are as arbitrary and relative as the various temperature scales, but they provide a convenient method of organization. The products of prehistoric Egyptians are, in a sense, organized on a conventional scale numbered from 30 to 80, with 30 representing the beginning and 80 representing the end of this period, as far as it has been determined. It’s likely that “sequence-date 80” marks the beginning of the dynastic or historical era with reasonable accuracy.
This hypothetically chronological classification is, as has been said, due to Prof. Petrie, and has been adopted by Mr. Randall-Maclver and other students of prehistoric Egypt in their work.[3] To Prof. Petrie then is due the credit of systematizing the study of Egyptian prehistoric antiquities; but the further credit of having discovered these antiquities themselves and settled their date belongs not to him but to the distinguished French archæologist, M. J. de Morgan, who was for several years director of the museum at Giza, and is now chief of the French archæological delegation in Persia, which has made of late years so many important discoveries. The proof of the prehistoric date of this class of antiquities was given, not by Prof. Petrie after his excavations at Dendera in 1897-8, but by M. de Morgan in his volume, Recherches sur les Origines de l’Égypte: l’Âge de la Pierre et les Métaux, published in 1895-6. In this book the true chronological position of the prehistoric antiquities was pointed out, and the existence of an Egyptian Stone Age finally decided. M. de Morgan’s work was based on careful study of the results of excavations carried on for several years by the Egyptian government in various parts of Egypt, in the course of which a large number of cemeteries of the primitive type had been discovered. It was soon evident to M. de Morgan that these primitive graves, with their unusual pottery and flint implements, could be nothing less than the tombs of the prehistoric Egyptians, the Egyptians of the Stone Age.
This hypothetical chronological classification, as noted by Prof. Petrie, has been adopted by Mr. Randall-Maclver and other scholars of prehistoric Egypt in their work.[3] Prof. Petrie deserves credit for systematizing the study of Egyptian prehistoric artifacts; however, the true credit for discovering these artifacts and establishing their date belongs to the renowned French archaeologist, M. J. de Morgan, who served as the director of the museum at Giza for several years and is now the head of the French archaeological delegation in Persia, which has made many significant discoveries in recent years. The evidence for the prehistoric date of this category of artifacts was provided, not by Prof. Petrie after his excavations at Dendera in 1897-98, but by M. de Morgan in his book, Recherches sur les Origines de l’Égypte: l’Âge de la Pierre et les Métaux, published in 1895-96. In this work, he identified the accurate chronological context of the prehistoric artifacts and confirmed the existence of a Stone Age in Egypt. M. de Morgan's research was founded on a thorough analysis of the findings from excavations conducted for several years by the Egyptian government in various locations across Egypt, during which many primitive-type cemeteries were uncovered. M. de Morgan quickly realized that these primitive graves, characterized by their distinct pottery and flint tools, could only be the burial sites of prehistoric Egyptians, the Egyptians of the Stone Age.
[3] El Amra and Abydos, Egypt Exploration Fund, 1902.
[3] El Amra and Abydos, Egypt Exploration Fund, 1902.
Objects of the prehistoric period had been known to the museums for many years previously, but owing to the uncertainty of their provenance and the absence of knowledge of the existence of the primitive cemeteries, no scientific conclusions had been arrived at with regard to them; and it was not till the publication of M. de Morgan’s book that they were recognized and classified as prehistoric. The necropoles investigated by M. de Morgan and his assistants extended from Kawâmil in the north, about twenty miles north of Abydos, to Edfu in the south. The chief cemeteries between these two points were those of Bât Allam, Saghel el-Baglieh, el-’Amra, Nakâda, Tûkh, and Gebelên. All the burials were of simple type, analogous to those of the Neolithic races in the rest of the world. In a shallow, oval grave, excavated often but a few inches below the surface of the soil, lay the body, cramped up with the knees to the chin, sometimes in a rough box of pottery, more often with only a mat to cover it. Ready to the hand of the dead man were his flint weapons and tools, and the usual red and black, or buff and red, pots lay beside him; originally, no doubt, they had been filled with the funeral meats, to sustain the ghost in the next world. Occasionally a simple copper weapon was found. With the body were also buried slate palettes for grinding the green eye-paint which the Egyptians loved even at this early period. These are often carved to suggest the forms of animals, such as birds, bats, tortoises, goats, etc.; on others are fantastic creatures with two heads. Combs of bone, too, are found, ornamented in a similar way with birds’ or goats’ heads, often double. And most interesting of all are the small bone and ivory figures of men and women which are also found. These usually have little blue beads for eyes, and are of the quaintest and naivest appearance conceivable. Here we have an elderly man with a long pointed beard, there two women with inane smiles upon their countenances, here another woman, of better work this time, with a child slung across her shoulder. This figure, which is in the British Museum, must be very late, as prehistoric Egyptian antiquities go. It is almost as good in style as the early Ist Dynasty objects. Such were the objects which the simple piety of the early Egyptian prompted him to bury with the bodies of his dead, in order that they might find solace and contentment in the other world.
Objects from the prehistoric period had been known to museums for many years, but due to the uncertainty about where they came from and the lack of knowledge about primitive cemeteries, no scientific conclusions had been drawn about them. It wasn't until the publication of M. de Morgan’s book that they were recognized and classified as prehistoric. The necropolises studied by M. de Morgan and his assistants stretched from Kawâmil in the north, about twenty miles north of Abydos, to Edfu in the south. The main cemeteries between these two locations were Bât Allam, Saghel el-Baglieh, el-’Amra, Nakâda, Tûkh, and Gebelên. All the burials were of a simple type, similar to those of Neolithic cultures around the world. In a shallow, oval grave, often just a few inches below the surface, lay the body, curled up with knees to chest, sometimes in a rough pottery box, but more often covered only by a mat. The deceased had their flint weapons and tools at hand, and the usual red and black, or buff and red pots were placed beside them; these originally likely held food for the ghost in the afterlife. Occasionally, a simple copper weapon was found. Alongside the body were also buried slate palettes for grinding the green eye-paint that the Egyptians favored even at this early stage. These palettes were often carved to resemble animals, such as birds, bats, tortoises, goats, etc.; others displayed fantastical creatures with two heads. Bone combs were also found, decorated similarly with bird or goat heads, often in pairs. Most interesting were the small bone and ivory figures of men and women that were also discovered. These usually had little blue beads for eyes and appeared quite quaint and primitive. Here was an elderly man with a long pointed beard, there were two women with silly smiles, and here was another woman, crafted with more skill, carrying a child on her shoulder. This figure, located in the British Museum, must be quite late in the context of prehistoric Egyptian artifacts. It is nearly as well-made as early Ist Dynasty items. These were the objects that the simple devotion of early Egyptians led them to bury with their dead, so that they might find comfort and happiness in the afterlife.
All the prehistoric cemeteries are of this type, with the graves pressed closely together, so that they often impinge upon one another. The nearness of the graves to the surface is due to the exposed positions, at the entrances to wadis, in which the primitive cemeteries are usually found. The result is that they are always swept by the winds, which prevent the desert sand from accumulating over them, and so have preserved the original level of the ground. From their proximity to the surface they are often found disturbed, more often by the agency of jackals than that of man.
All the prehistoric cemeteries are like this, with the graves packed closely together, so they often overlap. The graves are close to the surface because they are usually located at the entrances to wadis. As a result, they’re constantly exposed to the winds, which keep the desert sand from piling up on them, preserving the original ground level. Because they are near the surface, they are often disturbed, mostly by jackals rather than by humans.
Contemporaneously with M. de Morgan’s explorations, Prof. Flinders Petrie and Mr. J. Quibell had, in the winter of 1894-5, excavated in the districts of Tukh and Nakada, on the west bank of the Nile opposite Koptos, a series of extensive cemeteries of the primitive type, from which they obtained a large number of antiquities, published in their volume Nagada and Dallas. The plates giving representations of the antiquities found were of the highest interest, but the scientific value of the letter-press is vitiated by the fact that the true historical position of the antiquities was not perceived by their discoverers, who came to the conclusion that these remains were those of a “New Pace” of Libyan invaders. This race, they supposed, had entered Egypt after the close of the flourishing period of the “Old Kingdom” at the end of the VIth Dynasty, and had occupied part of the Nile valley from that time till the period of the Xth Dynasty.
At the same time as M. de Morgan's explorations, Prof. Flinders Petrie and Mr. J. Quibell excavated in the Tukh and Nakada regions, on the west bank of the Nile opposite Koptos, during the winter of 1894-5. They uncovered a series of extensive primitive cemeteries, from which they collected a large number of artifacts, published in their book "Nagada and Dallas." The plates showing the artifacts found were incredibly interesting, but the scientific value of the text is diminished because the discoverers didn't accurately understand the historical context of the artifacts. They concluded that these remains belonged to a "New Pace" of Libyan invaders. This group, they believed, had entered Egypt after the prosperous period of the "Old Kingdom" at the end of the VIth Dynasty and occupied part of the Nile valley until the period of the Xth Dynasty.
This conclusion was proved erroneous by M. de Morgan almost as soon as made, and the French archæologist’s identification of the primitive remains as pre-dynastic was at once generally accepted. It was obvious that a hypothesis of the settlement of a stone-using barbaric race in the midst of Egypt at so late a date as the period immediately preceding the XIIth Dynasty, a race which mixed in no way with the native Egyptians themselves, and left no trace of their influence upon the later Egyptians, was one which demanded greater faith than the simple explanation of M. de Morgan.
This conclusion was shown to be incorrect by M. de Morgan almost as soon as it was made, and the French archaeologist’s identification of the ancient remains as pre-dynastic was quickly accepted. It was clear that the idea of a stone-using barbaric group settling in the heart of Egypt so late as just before the XII Dynasty, a group that had no interaction with the native Egyptians and left no mark on the later Egyptians, required more belief than M. de Morgan's straightforward explanation.
The error of the British explorers was at once admitted by Mr. Quibell, in his volume on the excavations of 1897 at el-Kab, published in 1898.[4] Mr. Quibell at once found full and adequate confirmation of M. de Morgan’s discovery in his diggings at el-Kab. Prof. Petrie admitted the correctness of M. de Morgan’s views in the preface to his volume Diospolis Parva, published three years later in 1901.[5] The preface to the first volume of M. de Morgan’s book contained a generous recognition of the method and general accuracy of Prof. Petrie’s excavations, which contrasted favourably, according to M. de Morgan, with the excavations of others, generally carried on without scientific control, and with the sole aim of obtaining antiquities or literary texts.[6] That M. de Morgan’s own work was carried out as scientifically and as carefully is evident from the fact that his conclusions as to the chronological position of the prehistoric antiquities have been shown to be correct. To describe M. de Morgan’s discovery as a “happy guess,” as has been done, is therefore beside the mark.
The mistake made by the British explorers was immediately acknowledged by Mr. Quibell in his book on the excavations at el-Kab conducted in 1897, published in 1898.[4] Mr. Quibell quickly found complete and sufficient confirmation of M. de Morgan’s discovery in his digs at el-Kab. Prof. Petrie acknowledged the accuracy of M. de Morgan’s views in the preface to his book, Diospolis Parva, published three years later in 1901.[5] The preface to the first volume of M. de Morgan’s book included a generous acknowledgment of the method and overall precision of Prof. Petrie’s excavations, which, according to M. de Morgan, stood in favorable contrast to the work of others that were generally conducted without scientific oversight and aimed solely at retrieving antiquities or literary texts.[6] That M. de Morgan's own work was conducted just as scientifically and meticulously is evident from the fact that his conclusions regarding the chronological placement of prehistoric antiquities have been proven correct. Describing M. de Morgan’s discovery as a “happy guess,” as some have done, is therefore off base.
[4] El-Kab. Egyptian Research Account, 1897, p. 11.
[4] El-Kab. Egyptian Research Account, 1897, p. 11.
[5] Diospolis Parva. Egypt Exploration Fund, 1901, p. 2.
[5] Diospolis Parva. Egypt Exploration Fund, 1901, p. 2.
[6] Recherches: Age de la Pierre, p. xiii.
Another most important British excavation was that carried on by Messrs. Randall-Maclver and Wilkin at el-’Amra. The imposing lion-headed promontory of el-’Amra stands out into the plain on the west bank of the Nile about five miles south of Abydos. At the foot of this hill M. de Morgan found a very extensive prehistoric necropolis, which he examined, but did not excavate to any great extent, and the work of thoroughly excavating it was performed by Messrs. Randall-MacIver and Wilkin for the Egypt Exploration Fund. The results have thrown very great light upon the prehistoric culture of Egypt, and burials of all prehistoric types, some of them previously unobserved, were found. Among the most interesting are burials in pots, which have also been found by Mr. Garstang in a predynastic necropolis at Ragagna, north of Abydos. One of the more remarkable observations made at el-’Amra was the progressive development of the tombs from the simplest pot-burial to a small brick chamber, the embryo of the brick tombs of the Ist Dynasty. Among the objects recovered from this site may be mentioned a pottery model of oxen, a box in the shape of a model hut, and a slate “palette” with what is perhaps the oldest Egyptian hieroglyph known, a representation of the fetish-sign of the god Min, in relief. All these are preserved in the British Museum. The skulls of the bodies found were carefully preserved for craniometric examination.
Another important British excavation was conducted by Messrs. Randall-Maclver and Wilkin at el-’Amra. The striking lion-headed promontory of el-’Amra extends into the plain on the west bank of the Nile, about five miles south of Abydos. At the base of this hill, M. de Morgan discovered a large prehistoric burial ground, which he studied but did not excavate extensively. The thorough excavation was carried out by Messrs. Randall-MacIver and Wilkin for the Egypt Exploration Fund. The findings have provided significant insights into Egypt's prehistoric culture, revealing burials of various prehistoric types, some of which had never been seen before. Among the most fascinating are burials in pots, which Mr. Garstang also found in a predynastic burial ground at Ragagna, north of Abydos. One of the more notable observations made at el-’Amra was the progressive evolution of the tombs, from simple pot-burials to small brick chambers, which are the precursors of the brick tombs of the 1st Dynasty. Some of the objects recovered from this site include a pottery model of oxen, a box shaped like a model hut, and a slate “palette” featuring what may be the oldest known Egyptian hieroglyph, a depiction of the fetish sign of the god Min, in relief. All these artifacts are preserved in the British Museum. The skulls of the bodies found were carefully kept for craniometric analysis.
In 1901 an extensive prehistoric cemetery was being excavated by Messrs. Reisner and Lythgoe at Nag’ed-Dêr, opposite Girga, and at el-Ahaiwa, further north, another prehistoric necropolis has been excavated by these gentlemen, working for the University of California.
In 1901, a large prehistoric cemetery was being excavated by Messrs. Reisner and Lythgoe at Nag’ed-Dêr, across from Girga. Additionally, at el-Ahaiwa, further north, these gentlemen, working for the University of California, have excavated another prehistoric necropolis.

The cemetery of Nag’ed-Dêr is of the usual prehistoric type, with its multitudes of small oval graves, excavated just a little way below the surface. Graves of this kind are the most primitive of all. Those at el-’Amra are usually more developed, often, as has been noted, rising to the height of regular brick tombs. They are evidently later, nearer to the time of the Ist Dynasty. The position of the Nag’ed-Dêr cemetery is also characteristic. It lies on the usual low ridge at the entrance to a desert wadi, which is itself one of the most picturesque in this part of Egypt, with its chaos of great boulders and fallen rocks. An illustration of the camp of Mr. Reisner’s expedition at Nag’ed-Dêr is given above. The excavations of the University of California are carried out with the greatest possible care and are financed with the greatest possible liberality. Mr. Reisner has therefore been able to keep an absolutely complete photographic record of everything, even down to the successive stages in the opening of a tomb, which will be of the greatest use to science when published.
The Nag’ed-Dêr cemetery is the typical prehistoric kind, featuring many small oval graves dug just below the surface. These types of graves are the most basic of all. In contrast, the graves at el-’Amra tend to be more sophisticated, often rising to the level of standard brick tombs, indicating they are from a later period, closer to the time of the Ist Dynasty. The location of the Nag’ed-Dêr cemetery is also typical, situated on a low ridge at the entrance of a desert wadi, which is one of the most scenic areas in this part of Egypt, filled with large boulders and fallen rocks. Above is an illustration of Mr. Reisner’s expedition camp at Nag’ed-Dêr. The excavations by the University of California are conducted with extreme care and are funded very generously. This has allowed Mr. Reisner to maintain a comprehensive photographic record of everything, including all the steps in opening a tomb, which will be immensely valuable to science when published.
For a detailed study of the antiquities of the prehistoric period the publications of Prof. Petrie, Mr. Quibell, and Mr. Randall-Maclver are more useful than that of M. de Morgan, who does not give enough details. Every atom of evidence is given in the publications of the British explorers, whereas it is a characteristic of French work to give brilliant conclusions, beautifully illustrated, without much of the evidence on which the conclusions are based. This kind of work does not appeal to the Anglo-Saxon mind, which takes nothing on trust, even from the most renowned experts, and always wants to know the why and wherefore. The complete publication of evidence which marks the British work will no doubt be met with, if possible in even more complete detail, in the American work of Messrs. Reisner, Lythgoe, and Mace (the last-named is an Englishman) for the University of California, when published. The question of speedy versus delayed publication is a very vexing one. Prof. Petrie prefers to publish as speedily as possible; six months after the season’s work in Egypt is done, the full publication with photographs of everything appears. Mr. Reisner and the French explorers prefer to publish nothing until they have exhaustively studied the whole of the evidence, and can extract nothing more from it. This would be admirable if the French published their discoveries fully, but they do not. Even M. de Morgan has not approached the fulness of detail which characterizes British work and which will characterize Mr. Reisner’s publication when it appears. The only drawback to this method is that general interest in the particular excavations described tends to pass away before the full description appears.
For a detailed study of prehistoric artifacts, the publications by Prof. Petrie, Mr. Quibell, and Mr. Randall-Maclver are much more informative than those by M. de Morgan, who lacks sufficient details. The British explorers provide every bit of evidence, while French publications tend to showcase impressive conclusions and beautiful illustrations without enough supporting evidence. This approach doesn't appeal to the Anglo-Saxon mindset, which demands proof even from the most respected experts and always seeks to understand the reasons behind claims. The comprehensive evidence provided in British publications will likely be matched, and perhaps even surpassed, in the upcoming American work by Messrs. Reisner, Lythgoe, and Mace (the latter being English) for the University of California. The debate over fast versus delayed publication is quite frustrating. Prof. Petrie favors rapid publication; six months after the excavation season in Egypt concludes, everything, including photographs, is published. In contrast, Mr. Reisner and the French explorers choose to withhold publication until they have thoroughly analyzed all the evidence and can draw no more from it. This approach would be ideal if the French fully published their findings, but they do not. Even M. de Morgan hasn’t matched the level of detail seen in British publications, which we can expect from Mr. Reisner's upcoming work. The only downside to this method is that public interest in specific excavations often fades before the complete descriptions are released.
Prof. Petrie has explored other prehistoric sites at Abadiya, and Mr. Quibell at el-Kab. M. de Morgan and his assistants have examined a large number of sites, ranging from the Delta to el-Kab. Further research has shown that some of the sites identified by M. de Morgan as prehistoric are in reality of much later date, for example, Kahun, where the late flints of XIIth Dynasty date were found. He notes that “large numbers of Neolithic flint weapons are found in the desert on the borders of the Fayyum, and at Helwan, south of Cairo,” and that all the important necropoles and kitchen-middens of the predynastic people are to be found in the districts of Abydos and Thebes, from el-Kawamil in the North to el-Kab in the South. It is of course too soon to assert with confidence that there are no prehistoric remains in any other part of Egypt, especially in the long tract between the Fayyûm and the district of Abydos, but up to the present time none have been found in this region.
Prof. Petrie has investigated other prehistoric sites at Abadiya, and Mr. Quibell at el-Kab. M. de Morgan and his team have looked into a large number of sites, stretching from the Delta to el-Kab. Further research has indicated that some of the sites M. de Morgan identified as prehistoric are actually from a much later period, like Kahun, where late flints from the XIIth Dynasty were discovered. He observes that “large numbers of Neolithic flint weapons are found in the desert on the borders of the Fayyum, and at Helwan, south of Cairo,” and that all the key burial sites and kitchen middens of the predynastic people are located in the areas of Abydos and Thebes, from el-Kawamil in the North to el-Kab in the South. It’s still too early to confidently claim that there are no prehistoric remains anywhere else in Egypt, particularly in the extensive area between the Fayyûm and the Abydos district, but so far, none have been found in this region.
This geographical distribution of the prehistoric remains fits in curiously with the ancient legend concerning the origin of the ancestors of the Egyptians in Upper Egypt, and supports the much discussed theory that they came originally to the Nile valley from the shores of the Red Sea by way of the Wadi Hammamat, which debouches on to the Nile in the vicinity of Koptos and Kus, opposite Ballas and Tûkh. The supposition seems a very probable one, and it may well be that the earliest Egyptians entered the valley of the Nile by the route suggested and then spread northwards and southwards in the valley. The fact that their remains are not found north of el-Kawâmil nor south of el-Kab might perhaps be explained by the supposition that, when they had extended thus far north and south from their original place of arrival, they passed from the primitive Neolithic condition to the more highly developed copper-using culture of the period which immediately preceded the establishment of the monarchy. The Neolithic weapons of the Fayyûm and Hel-wân would then be the remains of a different people, which inhabited the Delta and Middle Egypt in very early times. This people may have been of Mediterranean stock, akin to the primitive inhabitants of Palestine, Greece, Italy, and Spain; and they no doubt were identical with the inhabitants of Lower Egypt who were overthrown and conquered by Kha-sekhem and the other Southern founders of the monarchy (who belonged to the race which had come from the Red Sea by the Wadi Hammamat), and so were the ancestors of the later natives of Lower Egypt. Whether the Southerners, whose primitive remains we find from el-Kawâmil to el-Kab, were of the same race as the Northerners whom they conquered, cannot be decided. The skull-form of the Southerners agrees with that of the Mediterranean races. But we have no nécropoles of the Northerners to tell us much of their peculiarities. We have nothing but their flint arrowheads.
This geographical spread of prehistoric remains interestingly aligns with the ancient legend about the ancestors of the Egyptians in Upper Egypt. It supports the widely discussed theory that they originally arrived in the Nile valley from the Red Sea shores via the Wadi Hammamat, which connects to the Nile near Koptos and Kus, across from Ballas and Tûkh. This theory seems quite plausible, and it's likely that the earliest Egyptians entered the Nile valley following this route and then expanded north and south within the valley. The absence of their remains north of el-Kawâmil and south of el-Kab might be explained by the idea that, after moving that far from their initial arrival point, they transitioned from a primitive Neolithic lifestyle to the more advanced copper-using culture just before the monarchy was established. The Neolithic tools found in the Fayyûm and Hel-wân may be leftovers from a different group that lived in the Delta and Middle Egypt during very early times. This group could have been of Mediterranean descent, similar to the early inhabitants of Palestine, Greece, Italy, and Spain. They were likely the same people in Lower Egypt who were defeated and conquered by Kha-sekhem and the other Southern founders of the monarchy, who belonged to the lineage that traveled from the Red Sea via the Wadi Hammamat, and thus they were the ancestors of the later Lower Egyptian natives. Whether the Southerners, whose ancient remains we find from el-Kawâmil to el-Kab, shared the same race as the Northerners they conquered is uncertain. The skull shape of the Southerners matches that of Mediterranean races, but we lack cemeteries of the Northerners to provide insights into their characteristics. All we have are their flint arrowheads.
But it should be observed that, in spite of the present absence of all primitive remains (whether mere flints, or actual graves with bodies and relics) of the primeval population between the Fayyûm and el-Kawâmil, there is no proof that the primitive race of Upper Egypt was not coterminous and identical with that of the lower country. It might therefore be urged that the whole Neolithic population was “Mediterranean” by its skull-form and body-structure, and specifically “Nilotic” (indigenous Egyptian) in its culture-type. This is quite possible, but we have again to account for the legends of distant origin on the Red Sea coast, the probability that one element of the Egyptian population was of extraneous origin and came from the east into the Nile valley near Koptos, and finally the historical fact of an advance of the early dynastic Egyptians from the South to the conquest of the North. The latter fact might of course be explained as a civil war analogous to that between Thebes and Asyût in the time of the IXth Dynasty, but against this explanation is to be set the fact that the contemporary monuments of the Southerners exhibit the men of the North as of foreign and non-Egyptian ethnic type, resembling Libyans. It is possible that they were akin to the Libyans; and this would square very well with the first theory, but it may also be made to fit in with a development of the second, which has been generally accepted.
But it's important to note that, despite the current lack of any primitive remains (whether just flint tools or actual graves with human remains and artifacts) from the early population between the Fayyûm and el-Kawâmil, there’s no evidence to suggest that the original race of Upper Egypt wasn’t the same as that of the lower region. Therefore, one could argue that the entire Neolithic population had a “Mediterranean” skull shape and body structure, while their cultural type was specifically “Nilotic” (indigenous Egyptian). This is certainly possible, but we also need to consider the legends of origins from the Red Sea coast, the likelihood that one group within the Egyptian population had foreign origins and migrated from the east into the Nile valley near Koptos, and the historical fact that the early dynastic Egyptians moved from the South to conquer the North. This latter point could be interpreted as a civil war similar to the one between Thebes and Asyût during the IXth Dynasty; however, it must be balanced against the evidence that the monuments from the Southern Egyptians depicted the Northern people as having a foreign and non-Egyptian ethnic appearance, resembling Libyans. They may have been related to the Libyans, which would align well with the first theory, but it could also support the second theory, which has been widely accepted.
According to this view, the whole primitive Neolithic population of North and South was Miotic, indigenous in origin, and akin to the “Mediterraneans “of Prof. Sergi and the other ethnologists. It was not this population, the stone-users whose nécropoles have been found by Messrs. de Morgan, Pétrie, and Maclver, that entered the Nile valley by the Wadi Hammamat. This was another race of different ethnic origin, which came from the Red Sea toward the end of the Neolithic period, and, being of higher civilization than the native Nilotes, assumed the lordship over them, gave a great impetus to the development of their culture, and started at once the institution of monarchy, the knowledge of letters, and the use of metals. The chiefs of this superior tribe founded the monarchy, conquered the North, unified the kingdom, and began Egyptian history. From many indications it would seem probable that these conquerors were of Babylonian origin, or that the culture they brought with them (possibly from Arabia) was ultimately of Babylonian origin. They themselves would seem to have been Semites, or rather proto-Semites, who came from Arabia to Africa by way of the straits of Bab el-Mandeb, and proceeded up the coast to about the neighbourhood of Kusêr, whence the Wadi Hammamat offered them an open road to the valley of the Nile. By this route they may have entered Egypt, bringing with them a civilization, which, like that of the other Semites, had been profoundly influenced and modified by that of the Sumerian inhabitants of Babylonia. This Semitic-Sumerian culture, mingling with that of the Nilotes themselves, produced the civilization of Ancient Egypt as we know it.
According to this perspective, the entire early Neolithic population of North and South was Miotic, indigenous in origin, and similar to the “Mediterraneans” described by Prof. Sergi and other ethnologists. It wasn't this population, the stone tool users whose burial sites were discovered by Messrs. de Morgan, Pétrie, and Maclver, that entered the Nile valley through the Wadi Hammamat. That was a different race with a distinct ethnic background, arriving from the Red Sea toward the end of the Neolithic period. Being more advanced in civilization than the native Nilotes, they took control, significantly boosting the development of their culture, and immediately established a monarchy, introduced writing, and began using metals. The leaders of this more advanced tribe formed the monarchy, conquered the North, unified the kingdom, and initiated Egyptian history. Various indicators suggest that these conquerors were likely of Babylonian descent or that the culture they brought with them (possibly from Arabia) was ultimately Babylonian. They appeared to be Semites, or rather proto-Semites, who traveled from Arabia to Africa via the Bab el-Mandeb strait, moving up the coast to near Kusêr, from where the Wadi Hammamat provided an easy route into the Nile valley. Through this path, they may have entered Egypt, carrying a civilization that, like that of other Semites, had been deeply influenced and shaped by the Sumerian culture of Babylonia. This blending of Semitic-Sumerian culture with that of the Nilotes led to the civilization of Ancient Egypt as we know it.
This is a very plausible hypothesis, and has a great deal of evidence in its favour. It seems certain that in the early dynastic period two races lived in Egypt, which differed considerably in type, and also, apparently, in burial customs. The later Egyptians always buried the dead lying on their backs, extended at full length. During the period of the Middle Kingdom (XIth-XIIIth Dynasties) the head was usually turned over on to the left side, in order that the dead man might look through the two great eyes painted on that side of the coffin. Afterward the rigidly extended position was always adopted. The Neolithic Egyptians, however, buried the dead lying wholly on the left side and in a contracted position, with the knees drawn up to the chin. The bodies were not embalmed, and the extended position and mummification were never used. Under the IVth Dynasty we find in the necropolis of Mêdûm (north of the Payyûm) the two positions used simultaneously, and the extended bodies are mummified. The contracted bodies are skeletons, as in the case of most of the predynastic bodies. When these are found with flesh, skin, and hair intact, their preservation is due to the dryness of the soil and the preservative salts it contains, not to intentional embalming, which was evidently introduced by those who employed the extended position in burial. The contracted position is found as late as the Vth Dynasty at Dashasha, south of the Eayyûm, but after that date it is no longer found.
This is a very plausible hypothesis, with a lot of evidence supporting it. It seems clear that during the early dynastic period, two distinct races lived in Egypt, which differed significantly in type and, apparently, in burial customs. The later Egyptians always buried the dead lying on their backs, fully extended. During the Middle Kingdom (11th-13th Dynasties), the head was typically turned to the left side so that the deceased could look through the two large eyes painted on that side of the coffin. After that, the body was always laid out in the extended position. However, the Neolithic Egyptians buried their dead lying entirely on the left side and in a curled-up position, with the knees drawn up to the chin. The bodies weren’t embalmed, and the extended position and mummification were never used. In the 4th Dynasty, in the necropolis of Mêdûm (north of the Faiyum), we see both burial positions used at the same time, with the extended bodies being mummified. The contracted bodies are skeletons, similar to most predynastic remains. When these are found with intact flesh, skin, and hair, their preservation is due to the dryness of the soil and its natural preservative salts, not to any intentional embalming, which was clearly introduced by those who used the extended position for burial. The contracted position was still seen as late as the 5th Dynasty at Dashasha, south of the Faiyum, but after that, it disappears.
The conclusion is obvious that the contracted position without mummification, which the Neolithic people used, was supplanted in the early dynastic period by the extended position with mummification, and by the time of the VIth Dynasty it was entirely superseded. This points to the supersession of the burial customs of the indigenous Neolithic race by those of another race which conquered and dominated the indigenes. And, since the extended burials of the IVth Dynasty are evidently those of the higher nobles, while the contracted ones are those of inferior people, it is probable that the customs of extended burial and embalming were introduced by a foreign race which founded the Egyptian monarchical state, with its hierarchy of nobles and officials, and in fact started Egyptian civilization on its way. The conquerors of the North were thus not the descendants of the Neolithic people of the South, but their conquerors; in fact, they dominated the indigenes both of North and South, who will then appear (since we find the custom of contracted burial in the North at Dashasha and Mêdûm) to have originally belonged to the same race.
The conclusion is clear that the contracted burial style without mummification, used by the Neolithic people, was replaced in the early dynastic period by the extended burial style with mummification, and by the time of the VI Dynasty, it was completely replaced. This indicates that the burial practices of the indigenous Neolithic people were overtaken by those of another group that conquered and dominated them. Moreover, since the extended burials from the IV Dynasty clearly belong to the higher nobles, while the contracted ones are associated with lower-status individuals, it’s likely that the customs of extended burial and embalming were brought in by a foreign group that established the Egyptian monarchy, along with its hierarchy of nobles and officials, effectively launching Egyptian civilization. The conquerors from the North were not the descendants of the Neolithic people of the South, but rather their conquerors; indeed, they dominated both the northern and southern indigenous populations, who seem to have originally belonged to the same group, as evidenced by the presence of contracted burials in the North at Dashasha and Mêdûm.
The conquering race is that which is supposed to have been of Semitic or proto-Semitic origin, and to have brought elements of Sumerian culture to savage Egypt. The reasons advanced for this supposition are the following:—
The conquering race is thought to have been of Semitic or proto-Semitic origin and to have introduced aspects of Sumerian culture to primitive Egypt. The reasons given for this belief are the following:—
(1) Just as the Egyptian race was evidently compounded of two elements, of conquered “Mediterraneans” and conquering x, so the Egyptian language is evidently compounded of two elements, the one Nilotic, perhaps related in some degree to the Berber dialects of North Africa, the other not x, but evidently Semitic.
(1) Just like the Egyptian people were clearly made up of two groups, the conquered “Mediterraneans” and the conquering x, the Egyptian language is also clearly made up of two parts: one is Nilotic, possibly connected in some way to the Berber dialects of North Africa, and the other is not x, but clearly Semitic.
(2) Certain elements of the early dynastic civilization, which do not appear in that of the earlier pre-dynastic period, resemble well-known elements of the civilization of Babylonia. We may instance the use of the cylinder-seal, which died out in Egypt in the time of the XVIIIth Dynasty, but was always used in Babylonia from the earliest to the latest times. The early Egyptian mace-head is of exactly the same type as the early Babylonian one. In the British Museum is an Egyptian mace-head of red breccia, which is identical in shape and size with one from Babylonia (also in the museum) bearing the name of Shargani-shar-ali (i.e. Sargon, King of Agade), one of the earliest Chaldæan monarchs, who must have lived about the same time as the Egyptian kings of the IId-IIId Dynasties, to which period the Egyptian mace-head may also be approximately assigned. The Egyptian art of the earliest dynasties bears again a remarkable resemblance to that of early Babylonia. It is not till the time of the IId Dynasty that Egyptian art begins to take upon itself the regular form which we know so well, and not till that of the IVth that this form was finally crystallized. Under the 1st Dynasty we find the figure of man or, to take other instances, that of a lion, or a hawk, or a snake, often treated in a style very different from that in which we are accustomed to see a man, a lion, a hawk, or a snake depicted in works of the later period. And the striking thing is that these early representations, which differ so much from what we find in later Egyptian art, curiously resemble the works of early Babylonian art, of the time of the patesis of Shirpurla or the Kings Shargani-shar-ali and Narâm-Sin. One of the best known relics of the early art of Babylonia is the famous “Stele of Vultures” now in Paris. On this we see the enemies of Eannadu, one of the early rulers of Shirpurla, cast out to be devoured by the vultures. On an Egyptian relief of slate, evidently originally dedicated in a temple record of some historical event, and dating from the beginning of the Ist Dynasty (practically contemporary, according to our latest knowledge, with Eannadu), we have an almost exactly similar scene of captives being cast out into the desert, and devoured by lions and vultures. The two reliefs are curiously alike in their clumsy, naïve style of art. A further point is that the official represented on the stele, who appears to be thrusting one of the bound captives out to die, wears a long fringed garment of Babylonish cut, quite different from the clothes of the later Egyptians.
(2) Certain aspects of the early dynastic civilization that weren’t present in the earlier pre-dynastic period resemble well-known features of Babylonian civilization. For instance, the use of the cylinder seal, which stopped being used in Egypt during the XVIIIth Dynasty, was continuously used in Babylonia from the earliest to the latest times. The early Egyptian mace-head is exactly the same type as the early Babylonian one. In the British Museum, there's an Egyptian mace-head made of red breccia that matches in shape and size with another one from Babylonia (also in the museum) that bears the name Shargani-shar-ali (i.e., Sargon, King of Agade), one of the earliest Chaldæan kings, who likely lived around the same time as the Egyptian kings of the IId-IIId Dynasties, to which the Egyptian mace-head can also be roughly dated. The Egyptian art from the early dynasties shows a striking resemblance to early Babylonian art. It isn’t until the time of the IId Dynasty that Egyptian art starts to take on a familiar form, and it isn’t until the IVth Dynasty that this style is fully established. During the 1st Dynasty, we find representations of a man or, in other instances, a lion, a hawk, or a snake, often depicted in a style very different from what we expect in later periods. Interestingly, these early representations, which vary significantly from later Egyptian art, bear a curious resemblance to early Babylonian art from the time of the patesis of Shirpurla or the kings Shargani-shar-ali and Narâm-Sin. One of the most famous relics of early Babylonian art is the renowned “Stele of Vultures,” now in Paris. This stele depicts the enemies of Eannadu, one of the early rulers of Shirpurla, being cast out to be eaten by vultures. An Egyptian slate relief, clearly originally dedicated in a temple to commemorate some historical event and dating from the beginning of the Ist Dynasty (almost contemporary with Eannadu, according to our latest knowledge), shows a nearly identical scene of captives being thrown into the desert, where they are devoured by lions and vultures. The two reliefs are surprisingly similar in their awkward, naïve art style. Another point is that the official on the stele, who appears to be pushing one of the bound captives out to die, is wearing a long fringed garment of Babylonian style, quite different from what later Egyptians wore.
(3) There are evidently two distinct and different main strata in the fabric of Egyptian religion. On the one hand we find a mass of myth and religious belief of very primitive, almost savage, cast, combining a worship of the actual dead in their tombs—which were supposed to communicate and thus form a veritable “underworld,” or, rather, “under-Egypt”—with veneration of magic animals, such as jackals, cats, hawks, and crocodiles. On the other hand, we have a sun and sky worship of a more elevated nature, which does not seem to have amalgamated with the earlier fetishism and corpse-worship until a comparatively late period. The main seats of the sun-worship were at Heliopolis in the Delta and at Edfu in Upper Egypt. Heliopolis seems always to have been a centre of light and leading in Egypt, and it is, as is well known, the On of the Bible, at whose university the Jewish lawgiver Moses is related to have been educated “in all the wisdom of the Egyptians.” The philosophical theories of the priests of the Sun-gods, Râ-Harmachis and Turn, at Heliopolis seem to have been the source from which sprang the monotheistic heresy of the Disk-Worshippers (in the time of the XVIIIth Dynasty), who, under the guidance of the reforming King Akhunaten, worshipped only the disk of the sun as the source of all life, the door in heaven, so to speak, through which the hidden One Deity poured forth heat and light, the origin of life upon the earth. Very early in Egyptian history the Heliopolitans gained the upper hand, and the Râ-worship (under the Vth Dynasty, the apogee of the Old Kingdom) came to the front, and for the first time the kings took the afterwards time-honoured royal title of “Son of the Sun.” It appears then as a more or less foreign importation into the Nile valley, and bears most undoubtedly a Semitic impress. Its two chief seats were situated, the one, Heliopolis, in the North on the eastern edge of the Delta,—just where an early Semitic settlement from over the desert might be expected to be found,—the other, Edfu, in the Upper Egyptian territory south of the Thebaïd, Koptos, and the Wadi Ham-mamat, and close to the chief settlement of the earliest kings and the most ancient capital of Upper Egypt.
(3) There are clearly two distinct and different main layers in the fabric of Egyptian religion. On one side, we see a mix of myths and religious beliefs that are quite primitive, almost savage, involving the worship of the actual dead in their tombs—which were thought to communicate and thus create a real “underworld,” or “under-Egypt”—along with reverence for magical animals, like jackals, cats, hawks, and crocodiles. On the other side, there's a sun and sky worship of a more refined nature, which doesn’t seem to have merged with the earlier fetishism and corpse-worship until a relatively later time. The main centers of sun worship were at Heliopolis in the Delta and at Edfu in Upper Egypt. Heliopolis always appeared to be a center of light and leadership in Egypt, and it is well-known as the On of the Bible, where it is said that the Jewish lawgiver Moses was educated “in all the wisdom of the Egyptians.” The philosophical ideas of the priests of the Sun-gods, Râ-Harmachis and Turn, at Heliopolis seem to have inspired the monotheistic heresy of the Disk-Worshippers (during the XVIIIth Dynasty), who, led by the reforming King Akhunaten, worshipped only the disk of the sun as the source of all life, the gateway to heaven, through which the hidden One Deity emitted heat and light, the origin of life on earth. Early in Egyptian history, the Heliopolitans gained power, and Râ-worship (under the Vth Dynasty, the peak of the Old Kingdom) became prominent, marking the first time that kings adopted the traditional royal title of “Son of the Sun.” It seems to be a more or less foreign import into the Nile valley and undoubtedly has a Semitic influence. Its two main centers were, one, Heliopolis, in the North on the eastern edge of the Delta—just where an early Semitic settlement from across the desert might be expected to be found—and the other, Edfu, in Upper Egypt, south of Thebes, Koptos, and Wadi Hammamat, and close to the main settlement of the earliest kings and the oldest capital of Upper Egypt.
(4) The custom of burying at full length was evidently introduced into Egypt by the second, or x race. The Neolithic Egyptians buried in the cramped position. The early Babylonians buried at full length, as far as we know. On the same “Stele of Vultures,” which has already been mentioned, we see the burying at full length of dead warriors.[7] There is no trace of any early burial in Babylonia in the cramped position. The tombs at Warka (Erech) with cramped bodies in pottery coffins are of very late date. A further point arises with regard to embalming. The Neolithic Egyptians did not embalm the dead. Usually their cramped bodies are found as skeletons. When they are mummified, it is merely owing to the preservative action of the salt in the soil, not to any process of embalming. The second, or x race, however, evidently introduced the custom of embalming as well as that of burial at full length and the use of coffins. The Neolithic Egyptian used no box or coffin, the nearest approach to this being a pot, which was inverted over the coiled up body. Usually only a mat was put over the body.
(4) The practice of burying bodies stretched out fully was clearly brought to Egypt by the second, or x race. The Neolithic Egyptians buried their dead in a curled position. As far as we know, the early Babylonians buried their dead fully stretched out. On the same "Stele of Vultures," which we’ve mentioned before, we can see dead warriors being buried at full length. There’s no evidence of any early burials in Babylonia where the bodies were curled up. The tombs at Warka (Erech) that contain curled-up bodies in pottery coffins are from a much later period. Another point to consider is embalming. The Neolithic Egyptians did not embalm their dead. Typically, their curled bodies are discovered as skeletons. When the bodies are mummified, it’s simply due to the preservative effect of the salt in the soil, not because of any embalming process. The second, or x race, clearly introduced the practice of embalming along with the burial at full length and the use of coffins. Neolithic Egyptians didn’t use any boxes or coffins; the closest thing was a pot that was turned upside down over the curled-up body. Usually, just a mat was laid over the body.
[7] See illustration.
See the illustration.


Now it is evident that Babylonians and Assyrians, who buried the dead at full length in chests, had some knowledge of embalming. An Assyrian king tells us how he buried his royal father:—
Now it’s clear that the Babylonians and Assyrians, who buried their dead lying flat in coffins, had some understanding of embalming. An Assyrian king explains how he buried his royal father:—
“Within the grave, the secret place,
In kingly oil, I gently laid him.
The grave-stone marketh his resting-place.
With mighty bronze I sealed its entrance,
And I protected it with an incantation.”
“Inside the grave, the hidden spot,
In royal oil, I softly laid him down.
The gravestone marks where he rests.
With strong bronze, I sealed the entrance,
And I safeguarded it with a spell.”
The “kingly oil” was evidently used with the idea of preserving the body from decay. Salt also was used to preserve the dead, and Herodotus says that the Babylonians buried in honey, which was also used by the Egyptians. No doubt the Babylonian method was less perfect than the Egyptian, but the comparison is an interesting one, when taken in connection with the other points of resemblance mentioned above.
The “kingly oil” was clearly used to keep the body from decaying. Salt was also used to preserve the dead, and Herodotus mentions that the Babylonians buried their dead in honey, which the Egyptians also used. While the Babylonian method was probably not as effective as the Egyptian one, the comparison is intriguing, especially when considering the other similarities
We find, then, that an analysis of the Egyptian language reveals a Semitic element in it; that the early dynastic culture had certain characteristics which were unknown to the Neolithic Egyptians but are closely parallelled in early Babylonia; that there were two elements in the Egyptian religion, one of which seems to have originally belonged to the Neolithic people, while the other has a Semitic appearance; and that there were two sets of burial customs in early Egypt, one, that of the Neolithic people, the other evidently that of a conquering race, which eventually prevailed over the former; these later rites were analogous to those of the Babylonians and Assyrians, though differing from them in points of detail. The conclusion is that the x or conquering race was Semitic and brought to Egypt the Semitic elements in the Egyptian religion and a culture originally derived from that of the Sumerian inhabitants of Babylonia, the non-Semitic parent of all Semitic civilizations.
We find that an analysis of the Egyptian language shows a Semitic influence; that the early dynastic culture had certain features unknown to the Neolithic Egyptians but closely resembles early Babylonian culture; that there were two aspects in Egyptian religion, one of which seems to have originated with the Neolithic people, while the other appears Semitic; and that there were two types of burial customs in early Egypt, one belonging to the Neolithic people and the other clearly from a conquering race that ultimately took over the former. These later customs were similar to those of the Babylonians and Assyrians, though they varied in specific details. The conclusion is that the conquering group was Semitic and introduced the Semitic elements into Egyptian religion as well as a culture based on that of the Sumerians in Babylonia, the non-Semitic foundation of all Semitic civilizations.
The question now arises, how did this Semitic people reach Egypt? We have the choice of two points of entry: First, Heliopolis in the North, where the Semitic sun-worship took root, and, second, the Wadi Hamma-mat in the South, north of Edfu, the southern centre of sun-worship, and Hierakonpolis (Nekheb-Nekhen), the capital of the Upper Egyptian kingdom which existed before the foundation of the monarchy. The legends which seem to bring the ancestors of the Egyptians from the Red Sea coast have already been mentioned. They are closely connected with the worship of the Sky and Sun god Horus of Edfu. Hathor, his nurse, the “House of Horus,” the centre of whose worship was at Dendera, immediately opposite the mouth of the Wadi Hammamat, was said to have come from Ta-neter, “The Holy Land,” i.e. Abyssinia or the Red Sea coast, with the company or paut of the gods. Now the Egyptians always seem to have had some idea that they were connected racially with the inhabitants of the Land of Punt or Puenet, the modern Abyssinia and Somaliland. In the time of the XVIIIth Dynasty they depicted the inhabitants of Punt as greatly resembling themselves in form, feature, and dress, and as wearing the little turned-up beard which was worn by the Egyptians of the earliest times, but even as early as the IVth Dynasty was reserved for the gods. Further, the word Punt is always written without the hieroglyph determinative of a foreign country, thus showing that the Egyptians did not regard the Punites as foreigners. This certainly looks as if the Punites were a portion of the great migration from Arabia, left behind on the African shore when the rest of the wandering people pressed on northwards to the Wadi Hammamat and the Nile. It may be that the modern Gallas and Abyssinians are descendants of these Punites.
The question now comes up: how did this Semitic people get to Egypt? We have two possible points of entry: First, Heliopolis in the North, where the Semitic sun worship started, and second, Wadi Hammamat in the South, north of Edfu, the southern center of sun worship, and Hierakonpolis (Nekheb-Nekhen), the capital of the Upper Egyptian kingdom that existed before the monarchy was established. The legends suggesting that the ancestors of the Egyptians came from the Red Sea coast have already been mentioned. These legends are closely linked to the worship of the Sky and Sun god Horus of Edfu. Hathor, his nurse, known as the “House of Horus,” which was primarily worshipped at Dendera, right across from the mouth of Wadi Hammamat, was said to have come from Ta-neter, “The Holy Land,” meaning Abyssinia or the Red Sea coast, along with a company or paut of the gods. The Egyptians always seemed to have some notion that they were racially connected to the people of the Land of Punt or Puenet, which are modern Abyssinia and Somaliland. During the XVIIIth Dynasty, they illustrated the inhabitants of Punt as looking very much like themselves in shape, features, and clothing, and as wearing the small turned-up beard that was typical of the earliest Egyptians, which by the IVth Dynasty had already become associated only with the gods. Additionally, the word Punt is consistently written without the hieroglyph that indicates a foreign country, showing that the Egyptians did not see the Punites as foreigners. This strongly suggests that the Punites were part of the significant migration from Arabia, left behind on the African coast while the rest of the wandering people continued northward to the Wadi Hammamat and the Nile. It’s possible that the modern Gallas and Abyssinians are descendants of these Punites.
Now the Sky-god of Edfu is in legend a conquering hero who advances down the Nile valley, with his Mesniu, or “Smiths,” to overthrow the people of the North, whom he defeats in a great battle near Dendera. This may be a reminiscence of the first fights of the invaders with the Neolithic inhabitants. The other form of Horus, “Horus, son of Isis,” has also a body of retainers, the Shemsu-Heru, or “Followers of Horns,” who are spoken of in late texts as the rulers of Egypt before the monarchy. They evidently correspond to the dynasties of Manes, Νεκύες or “Ghosts,” of Manetho, and are probably intended for the early kings of Hierakonpolis. The mention of the Followers of Horus as “Smiths” is very interesting, for it would appear to show that the Semitic conquerors were notable as metal-users, that, in fact, their conquest was that old story in the dawn of the world’s history, the utter overthrow and subjection of the stone-users by the metal-users, the primeval tragedy of the supersession of flint by copper. This may be, but if the “Smiths” were the Semitic conquerors who founded the kingdom, it would appear that the use of copper was known in Egypt to some extent before their arrival, for we find it in the graves of the late Neolithic Egyptians, very sparsely from “sequence-date 30” to “45,” but afterwards more commonly. It was evidently becoming known. The supposition, however, that the “Smiths” were the Semitic conquerors, and that they won their way by the aid of their superior weapons of metal, may be provisionally accepted.
Now, the Sky-god of Edfu is known in legend as a conquering hero who travels down the Nile valley with his Mesniu, or "Smiths," to defeat the northern peoples in a great battle near Dendera. This might recall the initial conflicts between the invaders and the Neolithic inhabitants. The other version of Horus, “Horus, son of Isis,” also has a group of followers, the Shemsu-Heru, or “Followers of Horus,” who are mentioned in later texts as the rulers of Egypt prior to the monarchy. They clearly correspond to the dynasties of Manes, Νεκύες or “Ghosts,” according to Manetho, and likely represent the early kings of Hierakonpolis. The reference to the Followers of Horus as “Smiths” is intriguing, as it suggests that the Semitic conquerors were known for their metalworking skills, indicating that their conquest reflects the ancient story of the complete dominance of metal users over stone users, the age-old tragedy of flint being replaced by copper. While this may be true, if the “Smiths” were indeed the Semitic conquerors who established the kingdom, it also seems that the use of copper was known in Egypt to some degree before they arrived, as it appears in the graves of late Neolithic Egyptians, albeit very rarely from "sequence-date 30" to "45," but more commonly afterward. It was clearly becoming recognized. However, the idea that the “Smiths” were the Semitic conquerors and that they succeeded thanks to their superior metal weapons can be tentatively accepted.
In favour of the view which would bring the conquerors by way of the Wadi Hammamat, an interesting discovery may be quoted. Immediately opposite Den-dera, where, according to the legend, the battle between the Mesniu and the aborigines took place, lies Koptos, at the mouth of the Wadi Hammamat. Here, in 1894, underneath the pavement of the ancient temple, Prof. Petrie found remains which he then diagnosed as belonging to the most ancient epoch of Egyptian history. Among them were some extremely archaic statues of the god Min, on which were curious scratched drawings of bears, crioceras-shells, elephants walking over hills, etc., of the most primitive description. With them were lions’ heads and birds of a style then unknown, but which we now know to belong to the period of the beginning of the Ist Dynasty. But the statues of Min are older. The crioceras-shells belong to the Red Sea. Are we to see in these statues the holy images of the conquerors from the Red Sea who reached the Nile valley by way of the Wadi Hammamat, and set up the first memorials of their presence at Koptos? It may be so, or the Min statues may be older than the conquerors, and belong to the Neolithic race, since Min and his fetish (which we find on the slate palette from el-’Amra, already mentioned) seem to belong to the indigenous Nilotes. In any case we have in these statues, two of which are in the Ashmolean Museum at Oxford, probably the most ancient cult-images in the world:
In support of the idea that the conquerors came through the Wadi Hammamat, an interesting discovery can be mentioned. Directly across from Dendera, where legend suggests the battle between the Mesniu and the native people took place, is Koptos, located at the entrance of the Wadi Hammamat. In 1894, beneath the floor of the ancient temple, Professor Petrie found remains that he identified as belonging to the earliest period of Egyptian history. Among these were some very primitive statues of the god Min, featuring unusual scratched drawings of bears, crioceras shells, and elephants walking over hills, all quite basic in style. Alongside them were lions’ heads and birds in a style not previously known, which we now recognize as belonging to the beginning of the 1st Dynasty. However, the statues of Min are older. The crioceras shells come from the Red Sea. Should we interpret these statues as sacred images of the conquerors from the Red Sea who entered the Nile valley via the Wadi Hammamat and erected the first memorials of their presence at Koptos? It's possible, or the Min statues might be older than the conquerors and belong to the Neolithic people since Min and his associated fetish (seen on the slate palette from el-’Amra, mentioned earlier) seem to relate to the indigenous Nilotes. In any case, we have in these statues, two of which are in the Ashmolean Museum at Oxford, likely the oldest cult images in the world:
This theory, which would make all the Neolithic inhabitants of Egypt one people, who were conquered by a Semitic race, bringing a culture of Sumerian origin to Egypt by way of the Wadi Hammamat, is that generally accepted at the present time. It may, however, eventually prove necessary to modify it. For reasons given above, it may well be that the Neolithic population was itself not indigenous, and that it reached the Nile valley by way of the Wadi Hammamat, spreading north and south from the mouth of the wadi. It may also be considered probable that a Semitic wave invaded Egypt by way of the Isthmus of Suez, where the early sun-cultus of Heliopolis probably marks a primeval Semitic settlement. In that case it would seem that the Mesniu or “Smiths,” who introduced the use of metal, would have to be referred to the originally Neolithic pre-Semitic people, who certainly were acquainted with the use of copper, though not to any great extent. But this is not a necessary supposition. The Mesniu are closely connected with the Sky-god Horus, who was possibly of Semitic origin, and another Semitic wave, quite distinct from that which entered Egypt by way of the Isthmus, may very well also have reached Egypt by the Wadi Hammamat, or, equally possibly, from the far south, coming down to the Nile from the Abyssinian mountains. The legend of the coming of Hathor from Ta-neter may refer to some such wandering, and we know that the Egyptians of the Old Kingdom communicated with the Land of Punt, not by way of the Red Sea coast as Hatshepsut did, but by way of the Upper Nile. This would tally well with the march of the Mesniu northwards from Edfu to their battle with the forces of Set at Dendera.
This theory, which suggests that all the Neolithic inhabitants of Egypt were one people who were conquered by a Semitic race bringing Sumerian culture to Egypt through the Wadi Hammamat, is widely accepted today. However, it may eventually need adjustments. For the reasons mentioned earlier, it’s possible that the Neolithic population wasn't indigenous and arrived in the Nile Valley via the Wadi Hammamat, spreading north and south from its mouth. It's also likely that a Semitic wave invaded Egypt through the Isthmus of Suez, where the early sun cult of Heliopolis probably indicates an ancient Semitic settlement. If that's the case, the Mesniu, or "Smiths," who introduced metalworking might actually trace back to the original Neolithic pre-Semitic people, who were familiar with copper, though not extensively. But this assumption isn’t mandatory. The Mesniu are closely linked to the Sky-god Horus, who might have Semitic origins, and another distinct Semitic wave could have reached Egypt via the Wadi Hammamat or possibly from the south, coming down to the Nile from the Abyssinian mountains. The legend of Hathor's arrival from Ta-neter could reference such movement, and we know that the Egyptians of the Old Kingdom communicated with the Land of Punt not via the Red Sea coast like Hatshepsut did, but through the Upper Nile. This aligns well with the Mesniu's march from Edfu northward to their battle with Set's forces at Dendera.
In any case, at the dawn of connected Egyptian history, we find two main centres of civilization in Egypt, Heliopolis and Buto in the Delta in the North, and Edfu and Hierakonpolis in the South. Here were established at the beginning of the Chalcolithic stage of culture, we may say, two kingdoms, of Lower and Upper Egypt, which were eventually united by the superior arms of the kings of Upper Egypt, who imposed their rule upon the North but at the same time removed their capital thither. The dualism of Buto and Hierakonpolis really lasted throughout Egyptian history. The king was always called “Lord of the Two Lands,” and wore the crowns of Upper and Lower Egypt; the snakes of Buto and Nekhebet (the goddess of Nekheb, opposite Nekhen or Hierakonpolis) always typified the united kingdom. This dualism of course often led to actual division and reversion to the predynastic order of things, as, for instance, in the time of the XXIst Dynasty.
At the beginning of connected Egyptian history, there were two main centers of civilization in Egypt: Heliopolis and Buto in the northern Delta, and Edfu and Hierakonpolis in the south. During the early Chalcolithic period, we can say that two kingdoms were established, Lower and Upper Egypt, which were eventually unified by the stronger armies of the kings of Upper Egypt. They took control of the North while relocating their capital there. The duality of Buto and Hierakonpolis persisted throughout Egyptian history. The king was always referred to as "Lord of the Two Lands" and wore the crowns of both Upper and Lower Egypt; the snakes of Buto and Nekhebet (the goddess of Nekheb, across from Nekhen or Hierakonpolis) symbolized the united kingdom. This dualism often led to actual division and a return to the predynastic state, as seen during the time of the 21st Dynasty.
It might well seem that both the impulses to culture development in the North and South came from Semitic inspiration, and that it was to the Semitic invaders in North and South that the founding of the two kingdoms was due. This may be true to some extent, but it is at the same time very probable that the first development of political culture at Hierakonpolis was really of pre-Semitic origin. The kingdom of Buto, since its capital is situated so near to the seacoast, may have owed its origin to oversea Mediterranean connections. There is much in the political constitution of later Egypt which seems to have been of indigenous and pre-Semitic origin. Especially does this seem to be so in the case of the division and organization of the country into nomes. It is obvious that so soon as agriculture began to be practised on a large scale, boundaries would be formed, and in the unique conditions of Egypt, where all boundaries disappear beneath the inundation every year, it is evident that the fixing of division-lines as permanently as possible by means of landmarks was early essayed. We can therefore with confidence assign the formation of the nomes to very early times. Now the names of the nomes and the symbols or emblems by which they were distinguished are of very great interest in this connection. They are nearly all figures of the magic animals of the primitive religion, and fetish-emblems of the older deities. The names are, in fact, those of the territories of the Neolithic Egyptian tribes, and their emblems are those of the protecting tribal demons. The political divisions of the country seem, then, to be of extremely ancient origin, and if the nomes go back to a time before the Semitic invasions, so may also the kingdoms of the South and North.
It might seem that both the drives for cultural development in the North and South were inspired by Semitic influences, and that the establishment of the two kingdoms can be attributed to the Semitic invaders in those regions. This may be partially true, but it’s also quite likely that the initial development of political culture at Hierakonpolis was actually of pre-Semitic origin. The kingdom of Buto, located so close to the coast, may have originated from connections overseas in the Mediterranean. There are many aspects of the political structure in later Egypt that appear to be indigenous and pre-Semitic in nature. This seems particularly true for how the country was divided and organized into nomes. Clearly, once agriculture began to be practiced on a large scale, boundaries would have to be established. Given Egypt's unique situation, where all boundaries disappear underwater every year, it’s evident that early efforts were made to set up permanent division-lines using landmarks. We can thus confidently attribute the formation of the nomes to very ancient times. The names of the nomes and the symbols or emblems used to distinguish them are particularly interesting in this context. Almost all of them are representations of the magical animals from primitive religion and fetish-emblems of older deities. The names reflect the territories of Neolithic Egyptian tribes, and their emblems represent the protective tribal demons. It appears that the political divisions of the country have extremely ancient origins, and if the nomes date back to a time before the Semitic invasions, then the kingdoms of the South and North may also have similar roots.
Of these predynastic kingdoms we know very little, except from legendary sources. The Northerners who were conquered by Aha, Narmer, and Khâsekhehiui do not look very much like Egyptians, but rather resemble Semites or Libyans. On the “Stele of Palermo,” a chronicle of early kings inscribed in the period of the Vth Dynasty, we have a list of early kings of the North,—Seka, Desau, Tiu, Tesh, Nihab, Uatjântj, Mekhe. The names are primitive in form. We know nothing more about them. Last year Mr. C. T. Currelly attempted to excavate at Buto, in order to find traces of the predynastic kingdom, but owing to the infiltration of water his efforts were unsuccessful. It is improbable that anything is now left of the most ancient period at that site, as the conditions in the Delta are so very different from those obtaining in Upper Egypt. There, at Hierakonpolis, and at el-Kab on the opposite bank of the Nile, the sites of the ancient cities Nekhen and Nekheb, the excavators have been very successful. The work was carried out by Messrs. Quibell and Green, in the years 1891-9. Prehistoric burials were found on the hills near by, but the larger portion of the antiquities were recovered from the temple-ruins, and date back to the beginning of the 1st Dynasty, exactly the time when the kings of Hierakonpolis first conquered the kingdom of Buto and founded the united Egyptian monarchy.
We know very little about these predynastic kingdoms, except from legendary sources. The Northerners who were conquered by Aha, Narmer, and Khâsekhehiui don't resemble Egyptians much; they look more like Semites or Libyans. On the “Stele of Palermo,” a record of early kings inscribed during the Vth Dynasty, there’s a list of early kings from the North—Seka, Desau, Tiu, Tesh, Nihab, Uatjântj, Mehe. The names are quite primitive. We don’t have any additional information about them. Last year, Mr. C. T. Currelly tried to excavate at Buto to find evidence of the predynastic kingdom, but his efforts failed due to water infiltration. It’s unlikely that anything from the earliest period remains at that site, as the conditions in the Delta are very different from those in Upper Egypt. In Hierakonpolis and at el-Kab on the opposite bank of the Nile, where the ancient cities of Nekhen and Nekheb once stood, excavators had much more success. The work was conducted by Messrs. Quibell and Green between 1891 and 1899. They found prehistoric burials on nearby hills, but most of the artifacts were recovered from the temple ruins and date back to the beginning of the 1st Dynasty, the exact time when the kings of Hierakonpolis first conquered the kingdom of Buto and founded the united Egyptian monarchy.
The ancient temple, which was probably one of the earliest seats of Egyptian civilization, was situated on a mound, now known as el-Kom el-ahmar, “the Red Hill,” from its colour. The chief feature of the most ancient temple seems to have been a circular mound, revetted by a wall of sandstone blocks, which was apparently erected about the end of the predynastic period. Upon this a shrine was probably erected. This was the ancient shrine of Nekhen, the cradle of the Egyptian monarchy. Close by it were found some of the most valuable relics of the earliest Pharaonic age, the great ceremonial mace-heads and vases of Narmer and “the Scorpion,” the shields or “palettes” of the same Narmer, the vases and stelas of Khâsekhemui, and, of later date, the splendid copper colossal group of King Pepi I and his son, which is now at Cairo. Most of the 1st Dynasty objects are preserved in the Ashmo-lean Museum at Oxford, which is one of the best centres for the study of early Egyptian antiquities. Narmer and Khâsekhemui are, as we shall see, two of the first monarchs of all Egypt. These sculptured and inscribed mace-heads, shields, etc., are monuments dedicated by them in the ancestral shrine at Hierakonpolis as records of their deeds. Both kings seem to have waged war against the Northerners, the Anu of Heliopolis and the Delta, and on these votive monuments from Hierakonpolis we find hieroglyphed records of the defeat of the Anu, who have very definitely Semitic physiognomies.
The ancient temple, likely one of the first centers of Egyptian civilization, was located on a mound now called el-Kom el-ahmar, which means “the Red Hill” due to its color. The main feature of the earliest temple seems to have been a circular mound surrounded by a wall of sandstone blocks, apparently built around the end of the predynastic period. A shrine was likely erected on top of this mound. This was the ancient shrine of Nekhen, the birthplace of the Egyptian monarchy. Nearby, some of the most valuable artifacts from the earliest Pharaonic era were discovered, including the great ceremonial mace-heads and vases of Narmer and “the Scorpion,” as well as the shields or “palettes” of Narmer, and the vases and stelas of Khâsekhemui. Later, there was the magnificent copper statue group of King Pepi I and his son, which is now in Cairo. Most of the 1st Dynasty artifacts are housed in the Ashmolean Museum at Oxford, which is one of the leading places for the study of early Egyptian antiquities. Narmer and Khâsekhemui, as we will see, are among the first monarchs of all Egypt. These sculptured and inscribed mace-heads, shields, and so on, are monuments dedicated by them in the ancestral shrine at Hierakonpolis to commemorate their achievements. Both kings appear to have fought against the Northerners, the Anu of Heliopolis and the Delta, and on these votive monuments from Hierakonpolis, we find hieroglyphic records of the defeat of the Anu, who clearly had Semitic facial features.
On one shield or palette we see Narmer clubbing a man of Semitic appearance, who is called the “Only One of the Marsh” (Delta), while below two other Semites fly, seeking “fortress-protection.” Above is a figure of a hawk, symbolizing the Upper Egyptian king, holding a rope which is passed through the nose of a Semitic head, while behind is a sign which may be read as “the North,” so that the whole symbolizes the leading away of the North into captivity by the king of the South. It is significant, in view of what has been said above with regard to the probable Semitic origin of the Heliopolitan Northerners, to find the people typical of the North-land represented by the Southerners as Semites. Equally Semitic is the overthrown Northerner on the other side of this well-known monument which we are describing; he is being trampled under the hoofs and gored by the horns of a bull, who, like the hawk, symbolizes the king. The royal bull has broken down the wall of a fortified enclosure, in which is the hut or tent of the Semite, and the bricks lie about promiscuously.
On one shield or palette, we see Narmer striking a man who looks Semitic, referred to as the “Only One of the Marsh” (Delta), while below, two other Semitic figures are fleeing, looking for “fortress-protection.” Above, there's a hawk representing the Upper Egyptian king, holding a rope that's threaded through the nose of a Semitic head. Behind him is a sign that can be interpreted as “the North,” symbolizing the North’s capture by the king of the South. It's noteworthy, considering the earlier discussion about the likely Semitic background of the Heliopolitan Northerners, that the people typically associated with the North are depicted by the Southerners as Semitic. Similarly Semitic is the Northerner who has been overthrown on the opposite side of this well-known monument we're describing; he is being trampled by the hooves and gored by the horns of a bull, which, like the hawk, symbolizes the king. The royal bull has demolished the wall of a fortified enclosure containing the hut or tent of the Semite, with bricks scattered around carelessly.
In connection with the Semitic origin of the Northerners, the form of the fortified enclosures on both sides of this monument (that to whose protection the two Semites on one side fly, and that out of which the kingly bull has dragged the chief on the other) is noticeable. As usual in Egyptian writing, the hieroglyph of these buildings takes the form of a plan. The plan shows a crenelated enclosure, resembling the walls of a great Babylonian palace or temple, such as have been found at Telloh, Warka, or Mukayyar. The same design is found in Egypt at the Shuret ez-Zebib, an Old Kingdom fortress at Abydos, in the tomb of King Aha at Nakâda, and in many walls of mastaba-tombs of the early time. This is another argument in favour of an early connection between Egypt and Babylonia. We illustrate a fragment of another votive shield or palette of the same kind, now in the museum of the Louvre, which probably came originally from Hierakonpolis. It is of exactly similar workmanship to that of Narmer, and is no doubt a fragment of another monument of that king. On it we see the same subject of the overthrowing of a Northerner (of Semitic aspect) by the royal bull. On one side, below, is a fortified enclosure with crenelated walls of the type we have described, and within it a lion and a vase; below this another fort, and a bird within it. These signs may express the names of the two forts, but, owing to the fact that at this early period Egyptian orthography was not yet fixed, we cannot read them. On the other side we see a row of animated nome-standards of Upper Egypt, with the symbols of the god Min of Koptos, the hawk of Horus of Edfu, the ibis of Thot of Eshmunên, and the jackals of Anubis of Abydos, which drag a rope; had we the rest of the monument, we should see, bound at the end of the rope, some prisoner, king, or animal symbolic of the North. On another slate shield, which we also reproduce, we see a symbolical representation of the capture of seven Northern cities, whose names seem to mean the “Two Men,” the “Heron,” the “Owl,” the “Palm,” and the “Ghost” Cities.
In relation to the Semitic roots of the Northerners, the structure of the fortified enclosures on either side of this monument stands out (the one that the two Semites are fleeing towards for protection, and the one from which the kingly bull has captured the chief on the other side). As is typical in Egyptian writing, the hieroglyph representing these buildings appears as a floor plan. The plan depicts a crenelated enclosure, similar to the walls of a large Babylonian palace or temple found at sites like Telloh, Warka, or Mukayyar. This same design is present in Egypt at Shuret ez-Zebib, an Old Kingdom fortress at Abydos, in the tomb of King Aha at Nakâda, and in many early mastaba-tomb walls. This provides further evidence of an early connection between Egypt and Babylonia. We showcase a fragment of another votive shield or palette of the same type, now housed in the Louvre, which likely originated from Hierakonpolis. It shares the same craftsmanship as that of Narmer and is clearly a fragment of another monument from that king. It depicts the same theme of the royal bull defeating a Northerner (who appears Semitic). On one side, below, there is a fortified enclosure with crenelated walls of the type we described, containing a lion and a vase; beneath this is another fort and a bird inside it. These symbols may represent the names of the two forts, but since Egyptian orthography was not yet standardized at this early stage, we cannot decipher them. On the other side, we see a series of lively nome-standards from Upper Egypt, featuring symbols of the god Min from Koptos, Horus’s hawk from Edfu, Thoth’s ibis from Eshmunên, and Anubis's jackals from Abydos, who are pulling a rope; had we the rest of the monument, we would see tied at the end of the rope some prisoner, king, or animal symbolizing the North. On another slate shield, which we also show, there is a symbolic depiction of the capture of seven Northern cities, whose names appear to mean the “Two Men,” the “Heron,” the “Owl,” the “Palm,” and the “Ghost” Cities.
“Ghost City” is attacked by a lion, “Owl City” by a hawk, “Palm City” by two hawk nome-standards, and another, whose name we cannot guess at, is being opened up by a scorpion.
“Ghost City” is attacked by a lion, “Owl City” by a hawk, “Palm City” by two hawk insignias, and another, whose name we can’t figure out, is being attacked by a scorpion.
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The operating animals evidently represent nomes and tribes of the Upper Egyptians. Here again we see the same crenelated walls of the Northern towns, and there is no doubt that this slate fragment also, which is preserved in the Cairo Museum, is a monument of the conquests of Narmer. It is executed in the same archaic style as those from Hierakonpolis. The animals on the other side no doubt represent part of the spoil of the North.
The operating animals clearly symbolize the nomes and tribes of the Upper Egyptians. Once again, we notice the same crenelated walls of the Northern towns, and it's certain that this slate fragment, which is kept in the Cairo Museum, is a monument commemorating Narmer's conquests. It’s crafted in the same ancient style as those from Hierakonpolis. The animals on the opposite side likely represent a portion of the spoils from the North.
Returning to the great shield or palette found by Mr. Quibell, we see the king coming out, followed by his sandal-bearer, the Hen-neter or “God’s Servant,”[8] to view the dead bodies of the slain Northerners which lie arranged in rows, decapitated, and with their heads between their feet. The king is preceded by a procession of nome-standards.
Returning to the large shield or palette discovered by Mr. Quibell, we see the king stepping out, followed by his sandal-bearer, the Hen-neter or “God’s Servant,”[8] to observe the bodies of the fallen Northerners, which are laid out in rows, beheaded, with their heads placed between their feet. The king is preceded by a procession of nome standards.
Above the dead men are symbolic representations of a hawk perched on a harpoon over a boat, and a hawk and a door, which doubtless again refer to the fights of the royal hawk of Upper Egypt on the Nile and at the gate of the North. The designs on the mace-heads refer to the same conquest of the North.
Above the dead men are symbolic images of a hawk perched on a harpoon over a boat, and a hawk next to a door, which likely refers again to the battles of the royal hawk of Upper Egypt on the Nile and at the northern gate. The designs on the mace-heads relate to the same victory in the North.
[8] In his commentary (Hierakonpolis, i. p. 9) on this scene, Prof. Petrie supposes that the seven-pointed star sign means “king,” and compares the eight-pointed star “used for king in Babylonia.” The eight-pointed star of the cuneiform script does not mean “king,” but “god.” The star then ought to mean “god,” and the title “servant of a god,” and this supposition may be correct. Hen-neter, “god’s servant,” was the appellation of a peculiar kind of priest in later days, and was then spelt with the ordinary sign for a god, the picture of an axe. But in the archaic period, with which we are dealing, a star like the Babylonian sign may very well have been used for “god,” and the title of Narmer’s sandal-bearer may read Hen-neter. He was the slave of the living god Narmer. All Egyptian kings were regarded as deities, more or less.
[8] In his commentary (Hierakonpolis, i. p. 9) on this scene, Prof. Petrie suggests that the seven-pointed star represents “king,” drawing a comparison to the eight-pointed star used for “king” in Babylonia. However, the eight-pointed star in cuneiform script actually means “god.” Therefore, the star should indicate “god,” leading to the title “servant of a god,” and this assumption could be correct. Hen-neter, meaning “god’s servant,” was the title for a specific type of priest in later times, and it was spelled with the common symbol for a god, which is the image of an axe. But in the archaic period we're examining, a star similar to the Babylonian symbol might have been used to signify “god,” and Narmer’s sandal-bearer could very well be referred to as Hen-neter. He was the servant of the living god Narmer. All Egyptian kings were seen as deities, to varying degrees.
The monuments Khâsekhemui, a king, show us that he conquered the North also and slew 47,209 “Northern Enemies.” The contorted attitudes of the dead Northerners were greatly admired and sketched at the time, and were reproduced on the pedestal of the king’s statue found by Mr. Quibell, which is now at Oxford. It was an age of cheerful savage energy, like most times when kingdoms and peoples are in the making. About 4000 B.C. is the date of these various monuments.
The monuments of Khâsekhemui, a king, show us that he also conquered the North and killed 47,209 “Northern Enemies.” The twisted poses of the dead Northerners were highly admired and sketched at the time, and they were reproduced on the pedestal of the king’s statue found by Mr. Quibell, which is now in Oxford. It was a time of vibrant, wild energy, like most periods when kingdoms and peoples are being formed. This variety of monuments dates back to around 4000 B.C.


Khâsekhemui probably lived later than Narmer, and we may suppose that his conquest was in reality a re-conquest. He may have lived as late as the time of the IId Dynasty, whereas Narmer must be placed at the beginning of the Ist, and his conquest was probably that which first united the two kingdoms of the South and North. As we shall see in the next chapter, he is probably one of the originals of the legendary “Mena,” who was regarded from the time of the XVIIIth Dynasty onwards as the founder of the kingdom, and was first made known to Europe by Herodotus, under the name of “Menés.”
Khâsekhemui probably lived later than Narmer, and we can assume that his conquest was actually a re-conquest. He might have lived as late as the time of the II Dynasty, while Narmer is placed at the beginning of the I Dynasty, and his conquest likely was the one that first united the two kingdoms of the South and North. As we will see in the next chapter, he is probably one of the originals of the legendary “Mena,” who has been regarded since the time of the XVIII Dynasty as the founder of the kingdom and was first introduced to Europe by Herodotus under the name “Menés.”
Narmer is therefore the last of the ancient kings of Hierakonpolis, the last of Manetho’s “Spirits.” We may possibly have recovered the names of one or two of the kings anterior to Narmer in the excavations at Abydos (see Chapter II), but this is uncertain. To all intents and purposes we have only legendary knowledge of the Southern kingdom until its close, when Narmer the mighty went forth to strike down the Anu of the North, an exploit which he recorded in votive monuments at Hierakonpolis, and which was commemorated henceforward throughout Egyptian history in the yearly “Feast of the Smiting of the Anu.” Then was Egypt for the first time united, and the fortress of the “White Wall,” the “Good Abode” of Memphis, was built to dominate the lower country. The Ist Dynasty was founded and Egyptian history began.
Narmer is the last of the ancient kings of Hierakonpolis, the last of Manetho’s “Spirits.” We might have uncovered the names of one or two kings who came before Narmer in the excavations at Abydos (see Chapter II), but this isn’t certain. Essentially, we only have legendary knowledge of the Southern kingdom until it ended when the powerful Narmer went out to defeat the Anu of the North, an achievement he recorded on votive monuments at Hierakonpolis, and which was celebrated from then on throughout Egyptian history in the annual “Feast of the Smiting of the Anu.” It was then that Egypt was united for the first time, and the fortress of the “White Wall,” the “Good Abode” in Memphis, was built to control the lower country. The Ist Dynasty was founded, marking the beginning of Egyptian history.

CHAPTER II—ABYDOS AND THE FIRST THREE DYNASTIES
Until the recent discoveries had been made, which have thrown so much light upon the early history of Egypt, the traditional order and names of the kings of the first three Egyptian dynasties were, in default of more accurate information, retained by all writers on the history of the period. The names were taken from the official lists of kings at Abydos and elsewhere, and were divided into dynasties according to the system of Manetho, whose names agree more or less with those of the lists and were evidently derived from them ultimately. With regard to the fourth and later dynasties it was clear that the king-lists were correct, as their evidence agreed entirely with that of the contemporary monuments. But no means existed of checking the lists of the first three dynasties, as no contemporary monuments other than a IVth Dynasty mention of a IId Dynasty king, Send, had been found. The lists dated from the time of the XVIIIth and XIXth Dynasties, so that it was very possible that with regard to the earliest dynasties they might not be very correct. This conclusion gained additional weight from the fact that no monuments of these earliest kings were ever discovered; it therefore seemed probable that they were purely legendary figures, in whose time (if they ever did exist) Egypt was still a semi-barbarous nation. The jejune stories told about them by Manetho seemed to confirm this idea. Mena, the reputed founder of the monarchy, was generally regarded as a historical figure, owing to the persistence of his name in all ancient literary accounts of the beginnings of Egyptian history; for it was but natural to suppose that the name of the man who unified Egypt and founded Memphis would endure in the mouths of the people. But with regard to his successors no such supposition seemed probable, until the time of Sneferu and the pyramid-builders.
Until recent discoveries shed light on the early history of Egypt, writers on this period relied on the traditional order and names of the kings from the first three Egyptian dynasties due to a lack of more accurate information. The names were sourced from official lists of kings at Abydos and other locations and were categorized into dynasties based on Manetho’s system, whose names generally matched those on the lists and were ultimately derived from them. As for the fourth dynasty and those that followed, it was evident that the king lists were accurate since their evidence matched completely with contemporary monuments. However, there was no way to verify the lists of the first three dynasties, as no contemporary monuments had been found other than one mention from the fourth dynasty referring to a second dynasty king named Send. These lists dated from the time of the eighteenth and nineteenth dynasties, making it quite possible that the records of the earliest dynasties were not very reliable. This idea gained further support from the fact that no monuments commemorating these early kings had ever been discovered; it seemed likely that they were purely legendary figures, and if they did exist, it was during a time when Egypt was still somewhat primitive. The simplistic stories told about them by Manetho appeared to reinforce this notion. Mena, the supposed founder of the monarchy, was mostly considered a historical figure due to the lasting presence of his name in ancient literary accounts of the origins of Egyptian history; it was only natural to think the name of the man who unified Egypt and founded Memphis would be remembered by the people. However, regarding his successors, no such assumption seemed likely until the time of Sneferu and the pyramid builders.
This was the critical view. Another school of historians accepted all the kings of the lists as historical en bloc, simply because the Egyptians had registered their names as kings. To them Teta, Ateth, and Ata were as historical as Mena.
This was the critical view. Another group of historians accepted all the kings on the lists as historical en bloc, just because the Egyptians had recorded their names as kings. To them, Teta, Ateth, and Ata were just as historical as Mena.
Modern discovery has altered our view, and truth is seen to lie between the opposing schools, as usual. The kings after Mena do not seem to be such entirely unhistorical figures as the extreme critics thought; the names of several of them, e.g. Merpeba, of the Ist Dynasty, are correctly given in the later lists, and those of others were simply misread, e. g. that of Semti of the same dynasty, misread “Hesepti” by the list-makers. On the other hand, Mena himself has become a somewhat doubtful quantity. The real names of most of the early monarchs of Egypt have been recovered for us by the latest excavations, and we can now see when the list-makers of the XIXth Dynasty were right and when they were wrong, and can distinguish what is legendary in their work from what is really historical. It is true that they very often appear to have been wrong, but, on the other hand, they were sometimes unexpectedly near the mark, and the general number and arrangement of their kings seems correct; so that we can still go to them for assistance in the arrangement of the names which are communicated to us by the newly discovered monuments. Manetho’s help, too, need never be despised because he was a copyist of copyists; we can still use him to direct our investigations, and his arrangement of dynasties must still remain the framework of our chronological scheme, though he does not seem to have been always correct as to the places in which the dynasties originated.
Modern discoveries have changed our perspective, showing that the truth often lies between the opposing viewpoints, as usual. The kings after Mena don’t seem to be as entirely mythical as the extreme critics believed; the names of several of them, like Merpeba from the Ist Dynasty, are correctly listed in the later records, while others were simply misinterpreted, such as Semti from the same dynasty, who was misread as “Hesepti” by the list-makers. On the flip side, Mena himself has become somewhat uncertain. Excavations have uncovered the real names of most of Egypt's early rulers, allowing us to see when the list-makers of the XIXth Dynasty were accurate and when they were off-base, helping us separate the legendary aspects of their work from the genuine historical ones. While they often seem to be mistaken, they were sometimes surprisingly close to the truth, and the overall number and order of their kings appears accurate; we can still rely on them to help organize the names from the newly discovered monuments. We shouldn’t overlook Manetho, either, just because he was a copyist of copyists; we can still utilize his work to guide our research, and his arrangement of dynasties should remain the basis of our chronological framework, even though he doesn’t always seem accurate regarding where the dynasties originated.
More than the names of the kings have the new discoveries communicated to us. They have shed a flood of light on the beginnings of Egyptian civilization and art, supplementing the recently ascertained facts concerning the prehistoric age which have been described in the preceding chapter. The impulse to these discoveries was given by the work of M. de Morgan, who excavated sites of the early dynastic as well as of the predynastic age. Among these was a great mastaba-tomb at Nakâda, which proved to be that of a very early king who bore the name of Aha, “the Fighter.” The walls of this tomb are crenelated like those of the early Babylonian palaces and the forts of the Northerners, already referred to. M. de Morgan early perceived the difference between the Neolithic antiquities and those of the later archaic period of Egyptian civilization, to which the tomb at Nakâda belonged. In the second volume of his great work on the primitive antiquities of Egypt (L’Age des Métaux et lé Tombeau Royale de Négadeh), he described the antiquities of the Ist Dynasty which had been found at the time he wrote. Antiquities of the same primitive period and even of an earlier date had been discovered by Prof. Flinders Petrie, as has already been said, at Koptos, at the mouth of the Wadi Hammamat. But though Prof. Petrie correctly diagnosed the age of the great statues of the god Min which he found, he was led, by his misdating of the “New Race” antiquities from Ballas and Tûkh, also to misdate several of the primitive antiquities,—the lions and hawks, for instance, found at Koptos, he placed in the period between the VIIth and Xth Dynasties; whereas they can now, in the light of further discoveries at Abydos, be seen to date to the earlier part of the Ist Dynasty, the time of Narmer and Aha.
More than just the names of the kings, the new discoveries have revealed a wealth of information about the beginnings of Egyptian civilization and art, adding to the recently uncovered facts about the prehistoric age described in the previous chapter. These discoveries were sparked by the work of M. de Morgan, who excavated sites from both the early dynastic and predynastic periods. One notable site was a large mastaba tomb at Nakâda, which turned out to belong to an early king named Aha, “the Fighter.” The walls of this tomb are crenelated, similar to those of early Babylonian palaces and the forts of the Northerners mentioned earlier. M. de Morgan quickly recognized the difference between Neolithic artifacts and those from the later archaic period of Egyptian civilization, to which the Nakâda tomb belonged. In the second volume of his significant work on the primitive antiquities of Egypt (L’Age des Métaux et lé Tombeau Royale de Négadeh), he detailed the artifacts of the Ist Dynasty that had been found by the time he wrote. Artifacts from the same primitive period, and even earlier, had also been discovered by Prof. Flinders Petrie at Koptos, near the mouth of the Wadi Hammamat, as previously mentioned. However, although Prof. Petrie accurately identified the age of the large statues of the god Min that he found, he mistakenly dated the “New Race” artifacts from Ballas and Tûkh, which led him to misdate several primitive artifacts as well—like the lions and hawks found at Koptos, which he placed between the VIIth and Xth Dynasties. In light of further discoveries at Abydos, we now understand that these artifacts actually date to the earlier part of the Ist Dynasty, during the time of Narmer and Aha.
It is these discoveries at Abydos, coupled with those (already described) of Mr. Quibell at Hierakonpolis, which have told us most of what we know with regard to the history of the first three dynasties. At Abydos Prof. Petrie was not himself the first in the field, the site having already been partially explored by a French Egyptologist, M. Amélineau. The excavations of M. Amélineau were, however, perhaps not conducted strictly on scientific lines, and his results have been insufficiently published with very few photographs, so that with the best will in the world we are unable to give M. Amélineau the full credit which is, no doubt, due to him for his work. The system of Prof. Petrie’s publications has been often, and with justice, criticized, but he at least tells us every year what he has been doing, and gives us photographs of everything he has found. For this reason the epoch-making discoveries at Abydos have been coupled chiefly with the name of Prof. Petrie, while that of M. Amélineau is rarely heard in connection with them. As a matter of fact, however, M. Amélineau first excavated the necropolis of the early kings at Abydos, and discovered most of the tombs afterwards worked over by Prof. Petrie and Mr. Mace. Yet most of the important scientific results are due to the later explorers, who were the first to attempt a classification of them, though we must add that this classification has not been entirely accepted by the scientific world.
The discoveries at Abydos, along with those made by Mr. Quibell at Hierakonpolis, have provided us with much of what we know about the history of the first three dynasties. When Prof. Petrie arrived at Abydos, he wasn’t the first to dig there; a French Egyptologist, M. Amélineau, had already explored the site partially. However, M. Amélineau’s excavations may not have followed strict scientific methods, and his findings were published inadequately with very few photographs. Because of this, we can't fully credit him for his contributions despite his efforts. Prof. Petrie's publication system has faced criticism, but he at least updates us every year on his work and shares photographs of his discoveries. This is why the groundbreaking finds at Abydos are mainly associated with Prof. Petrie's name, while M. Amélineau’s is seldom mentioned. In reality, M. Amélineau was the first to excavate the early kings’ necropolis at Abydos and uncovered most of the tombs that Prof. Petrie and Mr. Mace later worked on. Still, the significant scientific results are credited to the later explorers who were the first to attempt a classification of these findings, even though this classification hasn’t been universally accepted by the scientific community.
The necropolis of the earliest kings of Egypt is situated in the great bay in the hills which lies behind Abydos, to the southwest of the main necropolis. Here, at holy Abydos, where every pious Egyptian wished to rest after death, the bodies of the most ancient kings were buried. It is said by Manetho that the original seat of their dominion was This, a town in the vicinity of Abydos, now represented by the modern Grîrga, which lies a few miles distant from its site (el-Birba). This may be a fact, but we have as yet obtained no confirmation of it. It may well be that the attribution of a Thinite origin to the Ist and IId Dynasties was due simply to the fact that the kings of these dynasties were buried at Abydos, which lay within the Thinite nome. Manetho knew that they were buried at Abydos, and so jumped to the conclusion that they lived there also, and called them “Thinites.”
The burial site of Egypt's earliest kings is located in the large bay in the hills behind Abydos, to the southwest of the main burial grounds. Here, at sacred Abydos, where every devout Egyptian wanted to be buried after death, the remains of the ancient kings were laid to rest. Manetho claims that their original center of power was This, a town near Abydos, which is now represented by the modern town of Grîrga, situated a few miles away from its original location (el-Birba). This may be true, but we haven't confirmed it yet. It's also possible that the idea of the Ist and IId Dynasties having Thinite origins simply came from the fact that the kings of these dynasties were buried at Abydos, which was within the Thinite nome. Manetho knew they were buried at Abydos and assumed they lived there as well, calling them “Thinites.”

Their real place of origin must have been Hierakonpolis, where the pre-dynastic kingdom of the South had its seat. The Hid Dynasty was no doubt of Memphite origin, as Manetho says. It is certain that the seat of the government of the IVth Dynasty was at Memphis, where the pyramid-building kings were buried, and we know that the sepulchres of two Hid Dynasty kings, at least, were situated in the necropolis of Memphis (Sakkâra-Mêdûm). So that probably the seat of government was transferred from Hierakonpolis to Memphis by the first king of the Hid Dynasty. Thenceforward the kings were buried in the Memphite necropolis.
Their real place of origin was likely Hierakonpolis, which was the center of the pre-dynastic kingdom of the South. The Hid Dynasty probably had its roots in Memphis, as Manetho mentioned. It's clear that the government of the IVth Dynasty was based in Memphis, where the pyramid-building kings were interred, and we know that the tombs of at least two kings from the Hid Dynasty were located in the necropolis of Memphis (Sakkâra-Mêdûm). Therefore, it’s likely that the first king of the Hid Dynasty moved the seat of government from Hierakonpolis to Memphis. From that point on, the kings were buried in the Memphite necropolis.
The two great nécropoles of Memphis and Abydos were originally the seats of the worship of the two Egyptian gods of the dead, Seker and Khentamenti, both of whom were afterwards identified with the Busirite god Osiris. Abydos was also the centre of the worship of Anubis, an animal-deity of the dead, the jackal who prowls round the tombs at night. Anubis and Osiris-Khentamenti, “He who is in the West,” were associated in the minds of the Egyptians as the protecting deities of Abydos. The worship of these gods as the chief Southern deities of the dead, and the preeminence of the necropolis of Abydos in the South, no doubt date back before the time of the Ist Dynasty, so that it would not surprise us were burials of kings of the predynastic Hierakonpolite kingdom discovered at Abydos. Prof. Petrie indeed claims to have discovered actual royal relics of that period at Abydos, but this seems to be one of the least certain of his conclusions. We cannot definitely state that the names “Ro,” “Ka,” and “Sma” (if they are names at all, which is doubtful) belong to early kings of Hierakonpolis who were buried at Abydos. It may be so, but further confirmation is desirable before we accept it as a fact; and as yet such confirmation has not been forthcoming. The oldest kings, who were certainly buried at Abydos, seem to have been the first rulers of the united kingdom of the North and South, Aha and his successors. N’armer is not represented. It may be that he was not buried at Abydos, but in the necropolis of Hierakonpolis. This would point to the kings of the South not having been buried at Abydos until after the unification of the kingdom.
The two major necropolises of Memphis and Abydos were originally where the Egyptians worshipped their two gods of the dead, Seker and Khentamenti, who were later associated with the Busirite god Osiris. Abydos was also the center for the worship of Anubis, the jackal god of the dead, who roams around tombs at night. Anubis and Osiris-Khentamenti, known as "He who is in the West," were viewed by the Egyptians as the protective deities of Abydos. The worship of these gods, regarded as the primary Southern deities of the dead, and Abydos's prominence as a necropolis likely dates back to before the Ist Dynasty, so it wouldn't be surprising if remains of kings from the predynastic Hierakonpolite kingdom were found at Abydos. Prof. Petrie claims to have discovered royal relics from that period at Abydos, but this conclusion is one of the less certain ones. We can't definitively say that the names “Ro,” “Ka,” and “Sma” (if they are indeed names) belonged to early kings of Hierakonpolis buried at Abydos. It might be true, but we need more confirmation before accepting it as fact, and so far, that confirmation hasn't materialized. The earliest kings definitely buried at Abydos seem to be the first rulers of the unified kingdom of the North and South, Aha and his successors. N'armer is not included among them. It's possible that he wasn't buried at Abydos but rather in the necropolis of Hierakonpolis. This suggests that the kings of the South may not have been buried at Abydos until after the kingdom was unified.
That Aha possessed a tomb at Abydos as well as another at Nakâda seems peculiar, but it is a phenomenon not unknown in Egypt. Several kings, whose bodies were actually buried elsewhere, had second tombs at Abydos, in order that they might possess last resting-places near the tomb of Osiris, although they might not prefer to use them. Usertsen (or Senusret) III is a case in point. He was really buried in a pyramid at Illahun, up in the North, but he had a great rock tomb cut for him in the cliffs at Abydos, which he never occupied, and probably had never intended to occupy. We find exactly the same thing far back at the beginning of Egyptian history, when Aha possessed not only a great mastaba-tomb at Nakâda, but also a tomb-chamber in the great necropolis of Abydos. It may be that other kings of the earliest period also had second sepulchres elsewhere. It is noteworthy that in none of the early tombs at Abydos were found any bodies which might be considered those of the kings themselves. M. Amélineau discovered bodies of attendants or slaves (who were in all probability purposely strangled and buried around the royal chamber in order that they should attend the king in the next world), but no royalties. Prof. Petrie found the arm of a female mummy, who may have been of royal blood, though there is nothing to show that she was. And the quaint plait and fringe of false hair, which were also found, need not have belonged to a royal mummy. It is therefore quite possible that these tombs at Abydos were not the actual last resting-places of the earliest kings, who may really have been buried at Hierakonpolis or elsewhere, as Aha was. Messrs. Newberry and Gtarstang, in their Short History of Egypt, suppose that Aha was actually buried at Abydos, and that the great tomb with objects bearing his name, found by M. de Morgan at Nakâda, is really not his, but belonged to a royal princess named Neit-hetep, whose name is found in conjunction with his at Abydos and Nakâda. But the argument is equally valid turned round the other way: the Nakâda tomb might just as well be Aha’s and the Abydos one Neit-hetep’s. Neit-hetep, who is supposed by Messrs. Newberry and Garstang to have been Narmer’s daughter and Aha’s wife, was evidently closely connected with Aha, and she may have been buried with him at Nakâda and commemorated with him at Abydos.[1] It is probable that the XIXth Dynasty list-makers and Manetho considered the Abydos tombs to have been the real graves of the kings, but it is by no means impossible that they were wrong.
That Aha had a tomb at Abydos as well as another at Nakâda seems strange, but it's not uncommon in Egypt. Several kings, whose bodies were actually buried elsewhere, had additional tombs at Abydos so they could have final resting places near the tomb of Osiris, even if they didn't actually use them. Usertsen (or Senusret) III is a good example. He was actually buried in a pyramid at Illahun in the North, but he had a huge rock tomb carved for him in the cliffs at Abydos that he never used and probably never intended to use. We find a similar situation dating back to the earliest days of Egyptian history, when Aha had not only a large mastaba tomb at Nakâda but also a tomb chamber in the major necropolis of Abydos. Other kings from the earliest period may have also had extra burial sites elsewhere. It's interesting that none of the early tombs at Abydos contained bodies that could be identified as those of the kings themselves. M. Amélineau found bodies of attendants or slaves (who were likely deliberately strangled and buried around the royal chamber to serve the king in the afterlife), but no royalty. Prof. Petrie discovered the arm of a female mummy, who might have had royal blood, though there's no evidence to confirm that. The unique braid and fringe of false hair also found may not have belonged to a royal mummy. Therefore, it's quite possible that these tombs at Abydos were not the true final resting places of the earliest kings, who may have actually been buried at Hierakonpolis or elsewhere, just like Aha was. Messrs. Newberry and Garstang, in their Short History of Egypt, theorize that Aha was actually buried at Abydos and that the large tomb with items bearing his name found by M. de Morgan at Nakâda doesn’t actually belong to him but to a royal princess named Neit-hetep, whose name appears alongside his at Abydos and Nakâda. However, the argument can be easily reversed: the Nakâda tomb could just as well be Aha’s and the Abydos one Neit-hetep’s. Neit-hetep, who Messrs. Newberry and Garstang believe was Narmer’s daughter and Aha’s wife, was clearly closely associated with Aha, and she may have been buried with him at Nakâda and honored with him at Abydos.[1] It’s likely that the XIXth Dynasty record keepers and Manetho considered the Abydos tombs to be the actual graves of the kings, but it's certainly possible they were mistaken.
[1] A princess named Bener-ab (“Sweet-heart”), who may have been Aha’s daughter, was actually buried beside his tomb at Abydos.
[1] A princess named Bener-ab (“Sweet-heart”), who might have been Aha’s daughter, was actually buried next to his tomb at Abydos.
This view of the royal tombs at Abydos tallies to a great extent with that of M. Naville, who has energetically maintained the view that M. Amélineau and Prof. Petrie have not discovered the real tombs of the early kings, but only their contemporary commemorative “tombs” at Abydos. The only real tomb of the Ist Dynasty, therefore, as yet discovered is that of Aha at Nakâda, found by M. de Morgan. The fact that attendant slaves were buried around the Abydos tombs is no bar to the view that the tombs were only the monuments, not the real graves, of the kings. The royal ghosts would naturally visit their commemorative chambers at Abydos, in order to be in the company of the great Osiris, and ghostly servants would be as necessary to their Majesties at Abydos as elsewhere.
This perspective on the royal tombs at Abydos largely aligns with that of M. Naville, who strongly argues that M. Amélineau and Prof. Petrie have not found the actual tombs of the early kings, but just their contemporary commemorative "tombs" at Abydos. Therefore, the only real tomb of the 1st Dynasty discovered so far is that of Aha at Nakâda, found by M. de Morgan. The presence of attendant slaves buried around the Abydos tombs doesn't undermine the idea that these tombs were merely monuments, not the actual graves of the kings. The royal spirits would naturally visit their commemorative chambers at Abydos to be in the company of the great Osiris, and ghostly servants would be just as necessary for their Majesties at Abydos as anywhere else.
It must not be thought that this revised opinion of the Abydos tombs detracts in the slightest degree from the importance of the discovery of M. Amélineau and its subsequent and more detailed investigation by Prof. Petrie. These monuments are as valuable for historical purposes as the real tombs themselves. The actual bodies of these primeval kings themselves we are never likely to find. The tomb of Aha at Nakâda had been completely rifled in ancient times.
It shouldn't be assumed that this updated view of the Abydos tombs takes away from the significance of M. Amélineau's discovery or the more thorough investigation by Prof. Petrie. These monuments are just as important for historical study as the actual tombs. We probably won’t ever find the remains of these early kings. The tomb of Aha at Nakâda was completely looted in ancient times.
The commemorative tombs of the kings of the Ist and IId Dynasties at Abydos lie southwest of the great necropolis, far within the bay in the hills. Their present aspect is that of a wilderness of sand hillocks, covered with masses of fragments of red pottery, from which the site has obtained the modern Arab name of Umm el-Ga’ab, “Mother of Pots.” It is impossible to move a step in any direction without crushing some of these potsherds under the heel. They are chiefly the remains of the countless little vases of rough red pottery, which were dedicated here as ex-votos by the pious, between the XIXth and XXVIth Dynasties, to the memory of the ancient kings and of the great god Osiris, whose tomb, as we shall see, was supposed to have been situated here also.
The commemorative tombs of the kings of the 1st and 2nd Dynasties at Abydos are located southwest of the great necropolis, deep within the bay in the hills. Currently, they appear as a wilderness of sandy mounds, dotted with piles of fragments of red pottery, which is how the site got its modern Arab name, Umm el-Ga’ab, meaning “Mother of Pots.” It’s impossible to take a step in any direction without stepping on some of these potsherds underfoot. Most of them are the remains of the countless small vases made of rough red pottery that were offered here as ex-votos by the faithful, between the 19th and 26th Dynasties, in memory of the ancient kings and the great god Osiris, whose tomb, as we will see, was also thought to be located here.

Intermingled with these later fragments are pieces of the original Ist Dynasty vases, which were filled with wine and provisions and were placed in the tombs, for the refreshment and delectation of the royal ghosts when they should visit their houses at Abydos. These were thrown out and broken when the tombs were violated. Here and there one sees a dip in the sand, out of which rise four walls of great bricks, forming a rectangular chamber, half-filled with sand. This is one of the royal tomb-chambers of the Ist Dynasty. That of King Den is illustrated above. A straight staircase descends into it from the ground-level above. In several of the tombs the original flooring of wooden beams is still preserved. Den’s is the most magnificent of all, for it has a floor of granite blocks; we know of no other instance of stone being used for building in this early age. Almost every tomb has been burnt at some period unknown. The brick walls are burnt red, and many of the alabaster vases are almost calcined. This was probably the work of some unknown enemy.
Intertwined with these later pieces are fragments from the original 1st Dynasty vases, which were filled with wine and food and placed in the tombs for the enjoyment and refreshment of the royal spirits when they visited their homes in Abydos. These items were discarded and broken when the tombs were disturbed. Here and there, you can see a dip in the sand, revealing four walls made of large bricks, forming a rectangular chamber that’s half-filled with sand. This is one of the royal tomb chambers of the 1st Dynasty. King Den's chamber is illustrated above. A straight staircase leads down into it from the ground level above. In several of the tombs, the original wooden beam flooring is still intact. Den's tomb is the most impressive of all, featuring a floor made of granite blocks; we’re not aware of any other examples of stone being used for construction in this early period. Almost every tomb has been burned at some unknown time. The brick walls are charred red, and many of the alabaster vases are nearly melted. This was likely caused by some unidentified enemy.
The wide complicated tombs have around the main chamber a series of smaller rooms, which were used to store what was considered necessary for the use of the royal ghost. Of these necessaries the most interesting to us are the slaves, who were, as there is little reason to doubt, purposely killed and buried round the royal chamber so that their spirits should be on the spot when the dead king came to Abydos; thus they would be always ready to serve him with the food and other things which had been stored in the tomb with them and placed under their charge. There were stacks of great vases of wine, corn, and other food; these were covered up with masses of fat to preserve the contents, and they were corked with a pottery stopper, which was protected by a conical clay sealing, stamped with the impress of the royal cylinder-seal. There were bins of corn, joints of oxen, pottery dishes, copper pans, and other things which might be useful for the ghostly cuisine of the tomb. There were numberless small objects, used, no doubt, by the dead monarch during life, which he would be pleased to see again in the next world,—carved ivory boxes, little slabs for grinding eye-paint, golden buttons, model tools, model vases with gold tops, ivory and pottery figurines, and other objets d’art; the golden royal seal of judgment of King Den in its ivory casket, and so forth. There were memorials of the royal victories in peace and war, little ivory plaques with inscriptions commemorating the founding of new buildings, the institution of new religious festivals in honour of the gods, the bringing of the captives of the royal bow and spear to the palace, the discomfiture of the peoples of the North-land.
The large, elaborate tombs have a series of smaller rooms surrounding the main chamber, which were used to store what was deemed essential for the service of the royal spirit. Among these essentials, the most fascinating to us are the slaves, who were, without much doubt, intentionally killed and buried around the royal chamber so their spirits would be present when the deceased king arrived at Abydos; this way, they would always be ready to serve him with the food and other items that had been stored in the tomb with them and entrusted to their care. There were stacks of large vases filled with wine, grain, and other food; these were covered with layers of fat to preserve the contents and sealed with a pottery stopper, protected by a conical clay seal stamped with the impression of the royal cylinder seal. There were bins of grain, cuts of beef, pottery dishes, copper pans, and various items that could be useful for the spectral kitchen of the tomb. Countless small objects, undoubtedly used by the deceased king in life, would bring him joy in the afterlife—carved ivory boxes, small slabs for grinding eye makeup, golden buttons, model tools, model vases with gold tops, ivory and pottery figurines, and other objets d’art; the golden royal seal of judgment belonging to King Den in its ivory casket, and so on. There were memorials of the royal victories in peace and war, small ivory plaques with inscriptions celebrating the founding of new buildings, the establishment of new religious festivals in honor of the gods, the capture of enemy soldiers by the royal bow and spear, and the defeat of the peoples from the North.

All these things, which have done so much to reconstitute for us the history of the earliest period of the Egyptian monarchy, were placed under the care of the dead slaves whose bodies were buried round the empty tomb-chamber of their royal master in Abydos.
All these things, which have contributed significantly to our understanding of the early history of the Egyptian monarchy, were entrusted to the deceased slaves whose bodies were buried around the empty tomb chamber of their royal master in Abydos.
The killing and entombment of the royal servants is of the highest anthropological interest, for it throws a vivid light upon the manners of the time. It shows the primeval Egyptians as a semi-barbaric people of childishly simple ways of thought. The king was dead. For all his kingship he was a man, and no man was immortal in this world. But yet how could one really die? Shadows, dreams, all kinds of phenomena which the primitive mind could not explain, induced the belief that, though the outer man might rot, there was an inner man which could not die and still lived on. The idea of total death was unthinkable. And where should this inner man still live on but in the tomb to which the outer man was consigned? And here, doubtless it was believed, in the house to which the body was consigned, the ghost lived on. And as each ghost had his house with the body, so no doubt all ghosts could communicate with one another from tomb to tomb; and so there grew up the belief in a tomb-world, a subterranean Egypt of tombs, in which the dead Egyptians still lived and had their being. Later on the boat of the sun, in which the god of light crossed the heavens by day, was thought to pass through this dead world between his setting and his rising, accompanied by the souls of the righteous. But of this belief we find no trace yet in the ideas of the Ist Dynasty. All we can see is that the sahus, or bodies of the dead, were supposed to reside in awful majesty in the tomb, while the ghosts could pass from tomb to tomb through the mazes of the underworld. Over this dread realm of dead men presided a dead god, Osiris of Abydos; and so the necropolis of Abydos was the necropolis of the underworld, to which all ghosts who were not its rightful citizens would come from afar to pay their court to their ruler. Thus the man of substance would have a monumental tablet put up to himself in this necropolis as a sort of pied-à-terre, even if he could not be buried there; for the king, who, for reasons chiefly connected with local patriotism, was buried near the city of his earthly abode, a second tomb would be erected, a stately mansion in the city of Osiris, in which his ghost could reside when it pleased him to come to Abydos.
The killing and burial of the royal servants is of great anthropological interest because it provides clear insight into the customs of that time. It portrays the ancient Egyptians as a somewhat barbaric society with very simplistic ways of thinking. The king had died. Despite his status, he was still a man, and no man was immortal in this world. But how could someone truly die? Shadows, dreams, and all sorts of phenomena that the primitive mind couldn't explain led to the belief that, even though the physical body might decay, there was an inner self that could not die and continued to exist. The idea of complete death was unthinkable. And where would this inner self continue to live if not in the tomb where the body was laid to rest? It was likely believed that the spirit lived on within the tomb, where the body was interred. There was also a notion that as each spirit had its own house with the body, all spirits could probably communicate with one another from tomb to tomb; thus, the belief in a world of tombs emerged, a subterranean Egypt where the deceased Egyptians still existed. Later on, it was thought that the sun god, who traveled across the sky during the day, passed through this realm of the dead between his setting and rising, accompanied by the souls of the righteous. However, we don't find evidence of this belief in the ideas of the First Dynasty. What we do see is that the sahus, or bodies of the dead, were believed to exist in grand dignity within the tomb, while the spirits roamed from tomb to tomb through the labyrinth of the underworld. Over this terrifying realm of the dead presided a deceased god, Osiris of Abydos; thus, the necropolis of Abydos was the necropolis of the underworld, where all spirits not rightfully belonging there would come from far and wide to pay their respects to their ruler. Consequently, a person of means would have a monumental tablet erected in this necropolis as a sort of pied-à-terre, even if they could not be buried there. The king, who, due to local patriotism, was buried close to his earthly city, would have a second tomb constructed, an impressive residence in the city of Osiris, where his spirit could reside whenever he chose to visit Abydos.
Now none could live without food, and men living under the earth needed it as much as men living on the earth. The royal tomb was thus provided with an enormous amount of earthly food for the use of the royal ghost, and with other things as well, as we have seen. The same provision had also to be made for the royal resting-place at Abydos. And in both cases royal slaves were needed to take care of all this provision, and to serve the ghost of the king, whether in his real tomb at Nakâda, or elsewhere, or in his second tomb at Abydos. Ghosts only could serve ghosts, so that of the slaves ghosts had to be made. That was easily done; they died when their master died and followed him to the tomb. No doubt it seemed perfectly natural to all concerned, to the slaves as much as to anybody else. But it shows the child’s idea of the value of life. An animate thing was hardly distinguished at this period from an inanimate thing. The most ancient Egyptians buried slaves with their kings as naturally as they buried jars of wine and bins of corn with them. Both were buried with a definite object. The slaves had to die before they were buried, but then so had the king himself. They all had to die sometime or other. And the actual killing of them was no worse than killing a dog, no worse even than “killing” golden buttons and ivory boxes. For, when the buttons and boxes were buried with the king, they were just as much dead as the slaves. Of the sanctity of human life as distinct from other life, there was probably no idea at all. The royal ghost needed ghostly servants, and they were provided as a matter of course.
Now, no one can live without food, and people living underground needed it just as much as those living on the surface. The royal tomb was stocked with a huge amount of earthly food for the royal spirit, along with other items, as we've seen. The same arrangements had to be made for the royal resting place at Abydos. In both situations, royal servants were necessary to manage all this supply and to serve the king's spirit, whether in his actual tomb at Nakâda, somewhere else, or in his secondary tomb at Abydos. Only spirits could serve spirits, so the servants had to be turned into spirits. This happened easily; they died when their master died and followed him to the tomb. It likely felt completely normal to everyone involved, including the servants. But it reflects a childlike view of the value of life. Back then, living beings were hardly seen as different from inanimate objects. The earliest Egyptians buried servants with their kings just as naturally as they buried jars of wine and bins of grain with them. Both were buried for a specific purpose. The servants had to die before being buried, but so did the king. Eventually, everyone had to die at some point. And actually killing them was no worse than killing a dog, not even worse than “killing” golden buttons and ivory boxes. When the buttons and boxes were buried with the king, they were just as lifeless as the servants. There was likely no concept of the sanctity of human life separate from other forms of life. The royal spirit needed ghostly servants, and they were provided as a routine matter.
But as civilization progressed, the ideas of the Egyptians changed on these points, and in the later ages of the ancient world they were probably the most humane of the peoples, far more so than the Greeks, in fact. The cultured Hellenes murdered their prisoners of war without hesitation. Who has not been troubled in mind by the execution of Mkias and Demosthenes after the surrender of the Athenian army at Syracuse? When we compare this with Grant’s refusal even to take Lee’s sword at Appomattox, we see how we have progressed in these matters; while Gylippus and the Syracusans were as much children as the Ist Dynasty Egyptians. But the Egyptians of Gylippus’s time had probably advanced much further than the Greeks in the direction of rational manhood. When Amasis had his rival Apries in his power, he did not put him to death, but kept him as his coadjutor on the throne. Apries fled from him, allied himself with Greek pirates, and advanced against his generous rival. After his defeat and murder at Momemphis, Amasis gave him a splendid burial. When we compare this generosity to a beaten foe with the savagery of the Assyrians, for instance, we see how far the later Egyptians had progressed in the paths of humanity.
But as civilization evolved, the ideas of the Egyptians changed on these matters, and in the later stages of the ancient world, they were likely the most humane people, far more so than the Greeks, in fact. The cultured Greeks executed their prisoners of war without hesitation. Who hasn’t been troubled by the execution of Mkias and Demosthenes after the surrender of the Athenian army at Syracuse? When we compare this with Grant's refusal to even take Lee's sword at Appomattox, we can see how much we have advanced in these areas; while Gylippus and the Syracusans were as naïve as the Egyptians of the First Dynasty. But the Egyptians during Gylippus's time had likely progressed much further than the Greeks toward a more rational humanity. When Amasis had his rival Apries in his power, he didn’t kill him but kept him as a partner on the throne. Apries fled, allied himself with Greek pirates, and advanced against his generous rival. After his defeat and murder at Momemphis, Amasis arranged a splendid burial for him. When we compare this generosity to a beaten enemy with the brutality of the Assyrians, for instance, we see how far the later Egyptians had advanced in terms of humanity.
The ancient custom of killing slaves was first discontinued at the death of the lesser chieftains, but we find a possible survival of it in the case of a king, even as late as the time of the XIth Dynasty; for at Thebes, in the precinct of the funerary temple of King Neb-hapet-Râ Mentuhetep and round the central pyramid which commemorated his memory, were buried a number of the ladies of his harîm. They were all buried at one and the same time, and there can be little doubt that they were all killed and buried round the king, in order to be with him in the next world. Now with each of these ladies, who had been turned into ghosts, was buried a little waxen human figure placed in a little model coffin. This was to replace her own slave. She who went to accompany the king in the next world had to have her own attendant also. But, not being royal, a real slave was not killed for her; she only took with her a waxen figure, which by means of charms and incantations would, when she called upon it, turn into a real slave, and say, “Here am I,” and do whatever work might be required of her. The actual killing and burial of the slaves had in all cases except that of the king been long “commuted,” so to speak, into a burial with the dead person of ushabtis, or “Answerers,” little figures like those described above, made more usually of stone, and inscribed with the name of the deceased. They were called “Answerers” because they answered the call of their dead master or mistress, and by magic power became ghostly servants. Later on they were made of wood and glazed faïence, as well as stone. By this means the greater humanity of a later age sought a relief from the primitive disregard of the death of others.
The ancient practice of killing slaves was first stopped at the death of lesser chieftains, but it seems to have lingered with kings, even as late as the XIth Dynasty. In Thebes, at the funerary temple of King Neb-hapet-Râ Mentuhetep and around the central pyramid built in his honor, several of the women from his harem were buried. They were all buried at the same time, and there’s a strong likelihood that they were killed and buried alongside the king to accompany him in the afterlife. Each of these women, now turned into spirits, was buried with a small wax figure placed in a miniature coffin. This figure was meant to stand in for her own slave. The woman who went to join the king in the next world needed to have her own attendant, but since she wasn't royal, a real slave wasn’t killed for her; instead, she took a wax figure that, through spells and incantations, would become a real slave when she called for it, responding with “Here I am” and performing any tasks she needed. The actual execution and burial of slaves had been mostly replaced by burying them with their deceased alongside ushabtis, or “Answerers,” which were small figures like the ones described earlier, usually made of stone, inscribed with the deceased's name. They were called “Answerers” because they would respond to the call of their dead owner and, through magical means, become ghostly servants. Over time, these figures were also made of wood and glazed faience, as well as stone. In this way, the greater humanity of a later era sought to alleviate the primitive indifference toward the deaths of others.
Anthropologically interesting as are the results of the excavations at Umm el-Gra’ab, they are no less historically important. There is no need here to weary the reader with the details of scientific controversy; it will suffice to set before him as succinctly and clearly as possible the net results of the work which has been done.
As fascinating as the findings from the excavations at Umm el-Gra’ab are from an anthropological standpoint, they are equally significant from a historical perspective. There's no need to burden the reader with the details of scientific debates; it's enough to present the overall results of the work that has been accomplished as clearly and succinctly as possible.
Messrs. Amélineau and Petrie have found the secondary tombs and have identified the names of the following primeval kings of Egypt. We arrange them in their apparent historical order.
Messrs. Amélineau and Petrie have discovered the secondary tombs and have identified the names of the following early kings of Egypt. We list them in their likely historical order.
1. Aha Men (?).
Aha Men?
2. Narmer (or Betjumer) Sma (?).
2. Narmer (or Betjumer) Sma (?).
3. Tjer (or Khent). Besh.
3. Tjer (or Khent). Best.
4. Tja Ati.
4. Yeah, what's up?
5. Den Semti.
5. Den Semti.
6. Atjab Merpeba.
6. Atjab Merpeba.
7. Semerkha Nekht.
7. Semerkha Nekht.
8. Qâ Sen.
8. Q&A Sen.
9. Khâsekhem (Khâsekhemui)
9. Khâsekhem (Khâsekhemui)
10. Hetepsekhemui.
10. Hetepsekhemui.
11. Räneb.
11. Räneb.
12. Neneter.
12. Neneter.
13. Sekhemab Perabsen.
13. Sekhemab Perabsen.
Two or three other names are ascribed by Prof. Petrie to the Hierakonpolite dynasty of Upper Egypt, which, as it occurs before the time of Mena and the Ist Dynasty, he calls “Dynasty 0.” Dynasty 0, however, is no dynasty, and in any case we should prefer to call the “predynastic” dynasty “Dynasty I.” The names of “Dynasty minus One,” however, remain problematical, and for the present it would seem safer to suspend judgment as to the place of the supposed royal names “Ro” and “Ka”(Men-kaf), which Prof. Petrie supposes to have been those of two of the kings of Upper Egypt who reigned before Mena. The king “Sma”(“Uniter”) is possibly identical with Aha or Narmer, more probably the latter. It is not necessary to detail the process by which Egyptologists have sought to identify these thirteen kings with the successors of Mena in the lists of kings and the Ist and IId Dynasties of Manetho. The work has been very successful, though not perhaps quite so completely accomplished as Prof. Petrie himself inclines to believe. The first identification was made by Prof. Sethe, of Gottingen, who pointed out that the names Semti and Merpeba on a vase-fragment found by M. Amélineau were in reality those of the kings Hesepti and Merbap of the lists, the Ousaphaïs and Miebis of Manetho. The perfectly certain identifications are these:—
Two or three other names are attributed by Prof. Petrie to the Hierakonpolite dynasty of Upper Egypt, which he refers to as “Dynasty 0” since it predates Mena and the 1st Dynasty. However, “Dynasty 0” isn't technically a dynasty, and it would be better to label the “predynastic” dynasty as “Dynasty I.” The names from “Dynasty minus One” remain uncertain, and for now, it seems safer to withhold judgment on the supposed royal names “Ro” and “Ka” (Men-kaf), which Prof. Petrie suggests belonged to two kings of Upper Egypt who ruled before Mena. The king “Sma” (“Uniter”) is possibly the same as Aha or Narmer, with a higher likelihood of being the latter. It isn't necessary to go into detail about how Egyptologists have tried to connect these thirteen kings to the successors of Mena in the lists of kings and the 1st and 2nd Dynasties of Manetho. The effort has been quite successful, though it might not be as complete as Prof. Petrie believes. The first identification was made by Prof. Sethe from Göttingen, who pointed out that the names Semti and Merpeba on a vase fragment found by M. Amélineau were actually those of the kings Hesepti and Merbap from the lists, the Ousaphaïs and Miebis from Manetho. The certain identifications are as follows:—
5. Den Semti = Hesepti, Ousaphaïs, Ist Dynasty.
5. Den Semti = Hesepti, Ousaphaïs, First Dynasty.
6. Atjab Merpeba = Merbap, Miebis, Ist Dynasty.
6. Atjab Merpeba = Merbap, Miebis, Ist Dynasty.
7. Semerkha Nekht= Shemsu or Semsem (?), Semempres, Ist Dynasty.
7. Semerkha Nekht= Shemsu or Semsem (?), Semempres, 1st Dynasty.
8. Qâ Sen = Qebh, Bienehhes, Ist Dynasty.
8. Qâ Sen = Qebh, Bienehhes, 1st Dynasty.
9. Khâsekhemui Besh = Betju-mer (?), Boethos, IId Dynasty.
9. Khâsekhemui Besh = Betju-mer (?), Boethos, 2nd Dynasty.
10. Neneter = Bineneter, Binothris, IId Dynasty.
10. Neneter = Bineneter, Binothris, 2nd Dynasty.
Six of the Abydos kings have thus been identified with names in the lists and in Manetho; that is to say, we now know the real names of six of the earliest Egyptian monarchs, whose appellations are given us under mutilated forms by the later list-makers. Prof. Petrie further identifies (4) Tja Ati with Ateth, (3) Tjer with Teta, and (1) Aha with Mena. Mena, Teta, Ateth, Ata, Hesepti, Merbap, Shemsu (?), and Qebh are the names of the 1st Dynasty as given in the lists. The equivalent of Ata Prof. Petrie finds in the name “Merneit,” which is found at Umm el-Ga’ab. But there is no proof whatever that Merneit was a king; he was much more probably a prince or other great personage of the reign of Den, who was buried with the kings. Prof. Petrie accepts the identification of the personal name of Aha as “Men,” and so makes him the only equivalent of Mena. But this reading of the name is still doubtful. Arguing that Aha must be Mena, and having all the rest of the kings of the Ist Dynasty identified with the names in the lists, Prof. Petrie is compelled to exclude Narmer from the dynasty, and to relegate him to “Dynasty 0,” before the time of Mena. It is quite possible, however, that Narmer was the successor, not the predecessor, of Mena. He was certainly either the one or the other, as the style of art in his time was exactly the same as that in the time of Aha. The “Scorpion,” too, whose name is found at Hierakonpolis, certainly dates to the same time as Narmer and Aha, for the style of his work is the same. And it may well be that he is not to be counted as a separate king, belonging to “Dynasty 0 “(or “Dynasty -I”) at all, but as identical with Narmer, just as “Sma” may also be. We thus find that the two kings who left the most developed remains at Hierakonpolis are the two whose monuments at Abydos are the oldest of all on that site. That is to say, the kings whose monuments record the conquest of the North belong to the period of transition from the old Hierakonpolite dominion of Upper Egypt to the new kingdom of all Egypt. They, in fact, represent the “Mena” or Menés of tradition. It may be that Aha bore the personal name of Men, which would thus be the original of Mena, but this is uncertain. In any case both Aha and Narmer must be assigned to the Ist Dynasty, with the result that we know of more kings belonging to the dynasty than appear in the lists.
Six of the Abydos kings have now been identified by names found in the lists and in Manetho; in other words, we now know the actual names of six of the earliest Egyptian rulers, whose names appear in incomplete forms in later lists. Professor Petrie further identifies (4) Tja Ati with Ateth, (3) Tjer with Teta, and (1) Aha with Mena. Mena, Teta, Ateth, Ata, Hesepti, Merbap, Shemsu (?), and Qebh are the names of the 1st Dynasty as listed. The equivalent of Ata that Professor Petrie finds is the name “Merneit,” which appears at Umm el-Ga’ab. However, there’s no evidence that Merneit was a king; he was most likely a prince or significant figure during the reign of Den, buried alongside the kings. Professor Petrie accepts the identification of the personal name Aha as “Men,” thus making him the only equivalent of Mena. But this interpretation of the name is still uncertain. Arguing that Aha must be Mena, and having identified all the other kings of the 1st Dynasty with names in the lists, Professor Petrie feels compelled to exclude Narmer from the dynasty and place him in “Dynasty 0,” before Mena’s time. However, it’s quite possible that Narmer was actually the successor, not the predecessor, of Mena. He was certainly one or the other, as the style of art during his reign closely resembles that of Aha’s time. The “Scorpion,” whose name is found at Hierakonpolis, also dates to the same period as Narmer and Aha, as the style of his work is similar. It’s possible that he shouldn’t be counted as a separate king belonging to “Dynasty 0” (or “Dynasty -I”) at all, but rather as identical to Narmer, just as “Sma” may also be. We thus find that the two kings who left the most developed remains at Hierakonpolis are the two whose monuments at Abydos are the oldest on that site. In other words, the kings whose monuments record the conquest of the North belong to the transitional period from the old Hierakonpolite rule of Upper Egypt to the new unified kingdom of all Egypt. They essentially represent the “Mena” or Menés of tradition. It’s possible that Aha had the personal name of Men, which would be the original of Mena, but this is uncertain. In any case, both Aha and Narmer must be categorized under the 1st Dynasty, which results in our knowledge of more kings belonging to this dynasty than are listed.
Nor is this improbable. Manetho’s list is evidently based upon old Egyptian lists derived from the authorities upon which the king-lists of Abydos and Sakkâra were based. These old lists were made under the XIXth Dynasty, when an interest in the oldest kings seems to have been awakened, and the ruling monarchs erected temples at Abydos in their honour. This phenomenon can only have been due to a discovery of Umm el-Ga’ab and its treasures, the tombs of which were recognized as the burial-places (real or secondary) of the kings before the pyramid-builders. Seti I. and his son Ramses then worshipped the kings of Umm el-Ga’ab, with their names set before them in the order, number, and spelling in which the scribes considered they ought to be inscribed. It is highly probable that the number known at that time was not quite correct. We know that the spelling of the names was very much garbled (to take one example only, the signs for Sen were read as one sign Qebh), so that one or two kings may have been omitted or displaced. This may be the case with Narmer, or, as his name ought possibly to be read, Betjumer. His monuments show by their style that he belongs to the very beginning of the Ist Dynasty. No name in the Ist Dynasty list corresponds to his. But one of the lists gives for the first king of the IId Dynasty (the successor of “Qebh” = Sen) a name which may also be read Betjumer, spelt syllabically this time, not ideographically. On this account Prof. Naville wishes to regard the Hierakonpolite monuments of Narmer as belonging to the IId Dynasty, but, as we have seen, they are among the most archaic known, and certainly must belong to the beginning of the Ist Dynasty. It is therefore probable that Khasekhemui Besh and Narmer (Betjumer?) were confused by this list-maker, and the name Betjumer was given to the first king of the IId Dynasty, who was probably in reality Khasekhemui. The resemblance of Betju to Besh may have contributed to this confusion.
This isn't unlikely. Manetho’s list clearly comes from ancient Egyptian records that relied on the sources used for the king-lists of Abydos and Sakkâra. These old lists were created during the XIX Dynasty, when interest in the earliest kings seemed to surge, and the current rulers built temples at Abydos in their honor. This must have been prompted by the discovery of Umm el-Ga’ab and its treasures, with the tombs recognized as the burial sites (either actual or secondary) of the kings who predate the pyramid builders. Seti I and his son Ramses then honored the kings of Umm el-Ga’ab, using the names provided to them in the order, numbering, and spelling that the scribes thought was appropriate. It's quite likely that the count known at that time was not entirely accurate. We know that the spelling of the names was quite jumbled (for instance, the signs for Sen were interpreted as a single sign Qebh), which means one or two kings may have been omitted or misplaced. This could apply to Narmer, or, as his name might possibly be read, Betjumer. His monuments, based on their style, indicate he belongs to the very start of the Ist Dynasty. No name in the Ist Dynasty list matches his. However, one of the lists names the first king of the IId Dynasty (the successor of “Qebh” = Sen) with a name that can also be read as Betjumer, this time spelled using syllables rather than ideograms. For this reason, Prof. Naville wants to classify the Hierakonpolite monuments of Narmer as belonging to the IId Dynasty, but as we've seen, they are among the most ancient known and certainly belong to the start of the Ist Dynasty. Therefore, it’s likely that Khasekhemui Besh and Narmer (Betjumer?) were mixed up by this list-maker, and the name Betjumer was attributed to the first king of the IId Dynasty, who was probably actually Khasekhemui. The similarity between Betju and Besh may have contributed to this confusion.
So Narmer (or Betjumer) found his way out of his proper place at the beginning of the 1st Dynasty. Whether Aha was also called “Men” or not, it seems evident that he and Narmer were jointly the originals of the legendary Mena. Narmer, who possibly also bore the name of Sma, “the Uniter,” conquered the North. Aha, “the Fighter,” also ruled both South and North at the same period. Khasekhemui, too, conquered the North, but the style of his monuments shows such an advance upon that of the days of Aha and Narmer that it seems best to make him the successor of Sen (or “Qebh “), and, explaining the transference of the name Betjumer to the beginning of the IId Dynasty as due to a confusion with Khasekhemui’s personal name Besh, to make Khasekhemui the founder of the IId Dynasty. The beginning of a new dynasty may well have been marked by a reassertion of the new royal power over Lower Egypt, which may have lapsed somewhat under the rule of the later kings of the Ist Dynasty.
So Narmer (or Betjumer) found his way out of his rightful place at the beginning of the 1st Dynasty. Whether Aha was also called “Men” or not, it’s clear that he and Narmer were the original inspirations for the legendary Mena. Narmer, who might have also had the name Sma, “the Uniter,” conquered the North. Aha, “the Fighter,” ruled both the South and North during the same period. Khasekhemui also conquered the North, but the style of his monuments shows such an advancement compared to the times of Aha and Narmer that it makes sense to consider him the successor of Sen (or “Qebh”). It appears that the transfer of the name Betjumer to the beginning of the II Dynasty is due to confusion with Khasekhemui’s personal name Besh, making Khasekhemui the founder of the II Dynasty. The start of a new dynasty may have been marked by a reassertion of the new royal power over Lower Egypt, which might have faded somewhat under the rule of the later kings of the I Dynasty.
Semti is certainly the “Hesepti” of the lists, and Tja Ati is probably “Ateth.” “Ata” is thus unidentified. Prof. Petrie makes him = Merneit, but, as has already been said, there is no proof that the tomb of Merneit is that of a king. “Teta” may be Tjer or Khent, but of this there is no proof. It is most probable that the names “Teta,” “Ateth,” and “Ata” are all founded on Ati, the personal name of Tja. The king Tjer is then not represented in the lists, and “Mena” is a compound of the two oldest Abydos kings, Narmer (Betjumer) Sma (?) and Aha Men (?).
Semti is definitely the "Hesepti" in the lists, and Tja Ati is probably "Ateth." "Ata" is still unknown. Professor Petrie equates him with Merneit, but, as already mentioned, there's no evidence that the tomb of Merneit belonged to a king. "Teta" might refer to Tjer or Khent, but there's no proof of that either. It's most likely that the names "Teta," "Ateth," and "Ata" are all derived from Ati, the personal name of Tja. Therefore, King Tjer is not included in the lists, and "Mena" is a combination of the two earliest Abydos kings, Narmer (Betjumer) Sma (?) and Aha Men (?).
These are the bare historical results that have been attained with regard to the names, identity, and order of the kings. The smaller memorials that have been found with them, especially the ivory plaques, have told us of events that took place during their reigns; but, with the exception of the constantly recurring references to the conquest of the North, there is little that can be considered of historical interest or importance. We will take one as an example. This is the tablet No. 32,650 of the British Museum, illustrated by Prof. Petrie, Royal Tombs i (Egypt Exploration Fund), pi. xi, 14, xv, 16. This is the record of a single year, the first in the reign of Semti, King of Upper and Lower Egypt. On it we see a picture of a king performing a religious dance before the god Osiris, who is seated in a shrine placed on a dais. This religious dance was performed by all the kings in later times. Below we find hieroglyphic (ideographic) records of a river expedition to fight the Northerners and of the capture of a fortified town called An. The capture of the town is indicated by a broken line of fortification, half-encircling the name, and the hoe with which the emblematic hawks on the slate reliefs already described are armed; this signifies the opening and breaking down of the wall.
These are the basic historical facts we've gathered about the names, identities, and sequence of the kings. The smaller artifacts found with them, especially the ivory plaques, have shared details about events during their reigns; however, aside from the frequent mentions of the conquest of the North, there's not much that holds significant historical interest. Let's look at one example: this is tablet No. 32,650 from the British Museum, illustrated by Prof. Petrie, Royal Tombs i (Egypt Exploration Fund), pi. xi, 14, xv, 16. It records a single year, the first of Semti's reign, King of Upper and Lower Egypt. On it, we see an image of a king performing a religious dance before the god Osiris, who is seated in a shrine on a raised platform. This religious dance was later performed by all kings. Below, we find hieroglyphic records of a river expedition to fight the Northerners and the capture of a fortified town called An. The capture of the town is shown by a broken line of fortifications that partly encircles the name, along with the hoe that the symbolic hawks in the slate reliefs are depicted holding; this signifies the breaching of the wall.
On the other half of the tablet we find the viceroy of Lower Egypt, Hemaka, mentioned; also “the Hawk (i. e. the king) seizes the seat of the Libyans,” and some unintelligible record of a jeweller of the palace and a king’s carpenter. On a similar tablet (of Sen) we find the words “the king’s carpenter made this record.” All these little tablets are then the records of single years of a king’s life, and others like them, preserved no doubt in royal archives, formed the base of regular annals, which were occasionally carved upon stone. We have an example of one of these in the “Stele of Palermo,” a fragment of black granite, inscribed with the annals of the kings up to the time of the Vth Dynasty, when the monument itself was made. It is a matter for intense regret that the greater portion of this priceless historical monument has disappeared, leaving us but a piece out of the centre, with part of the records of only six kings before Snefru. Of these six the name of only one, Neneter, of the lid Dynasty, whose name is also found at Abydos, is mentioned. The only important historical event of Neneter’s reign seems to have occurred in his thirteenth year, when the towns or palaces of Ha (“North”) and Shem-Râ (“The Sun proceeds”) were founded. Nothing but the institution and celebration of religious festivals is recorded in the sixteen yearly entries preserved to us out of a reign of thirty-five years. The annual height of the Nile is given, and the occasions of numbering the people are recorded (every second year): nothing else. Manetho tells us that in the reign of Binothris, who is Neneter, it was decreed that women could hold royal honours and privileges. This first concession of women’s rights is not mentioned on the strictly official “Palermo Stele.”
On the other side of the tablet, we find the viceroy of Lower Egypt, Hemaka, mentioned, along with “the Hawk (meaning the king) takes control of the Libyans,” and some unclear record of a palace jeweler and a king’s carpenter. On a similar tablet (of Sen), we see the phrase “the king’s carpenter created this record.” All these small tablets represent records of individual years in a king’s life, and others like them, likely kept in royal archives, formed the foundation of regular annals, which were sometimes carved in stone. An example of this is the “Stele of Palermo,” a fragment of black granite inscribed with the annals of the kings up to the time of the 5th Dynasty, when the monument was created. It’s very unfortunate that much of this invaluable historical monument is missing, leaving us only a section from the middle that includes part of the records of just six kings before Snefru. Of these six, only one name, Neneter, from the lid Dynasty, whose name is also found at Abydos, is mentioned. The only significant historical event of Neneter’s reign seems to have occurred in his thirteenth year, when the towns or palaces of Ha (“North”) and Shem-Râ (“The Sun proceeds”) were established. The records preserved to us from his thirty-five-year reign only document the establishment and celebration of religious festivals. They provide the annual height of the Nile and the occasions of population counts (every second year): nothing more. Manetho tells us that during the reign of Binothris, who is Neneter, it was decided that women could hold royal honors and privileges. This initial granting of women’s rights is not mentioned on the strictly official “Palermo Stele.”
More regrettable than aught else is the absence from the “Palermo Stele” of that part of the original monument which gave the annals of the earliest kings. At any rate, in the lines of annals which still exist above that which contains the chronicle of the reign of Neneter no entry can be definitely identified as belonging to the reigns of Aha or Narmer. In a line below there is a mention of the “birth of Khâsekhemui,” apparently a festival in honour of the birth of that king celebrated in the same way as the reputed birthday of a god. This shows the great honour in which Khâsekhemui was held, and perhaps it was he who really finally settled the question of the unification of North and South and consolidated the work of the earlier kings.
More regrettable than anything else is the absence from the “Palermo Stele” of that part of the original monument which recorded the history of the earliest kings. In any case, among the surviving lines of annals above the one that chronicles the reign of Neneter, no entry can be clearly identified as belonging to the reigns of Aha or Narmer. In a line below, there’s a mention of the “birth of Khâsekhemui,” which seems to be a festival honoring the birth of that king, celebrated in a way similar to how a god's birthday is observed. This indicates the high esteem in which Khâsekhemui was held, and perhaps he was the one who truly resolved the matter of unifying North and South and solidified the achievements of the earlier kings.
As far as we can tell, then, Aha and Narmer were the first conquerors of the North, the unifiers of the kingdom, and the originals of the legendary Mena. In their time the kingdom’s centre of gravity was still in the South, and Narmer (who is probably identical with “the Scorpion”) dedicated the memorials of his deeds in the temple of Hierakonpolis. It may be that the legend of the founding of Memphis in the time of “Menés” is nearly correct (as we shall see, historically, the foundation may have been due to Merpeba), but we have the authority of Manetho for the fact that the first two dynasties were “Thinite” (that is, Upper Egyptian), and that Memphis did not become the capital till the time of the Hid Dynasty. With this statement the evidence of the monuments fully agrees. The earliest royal tombs in the pyramid-field of Memphis date from the time of the Hid Dynasty, so that it is evident that the kings had then taken up their abode in the Northern capital. We find that soon after the time of Khâsekhemui the king Perabsen was especially connected with Lower Egypt. His personal name is unknown to us (though he may be the “Uatjnes” of the lists), but we do know that he had two banner-names, Sekhem-ab and Perabsen. The first is his hawk or Horus-name, the second his Set-name; that is to say, while he bore the first name as King of Upper Egypt under the special patronage of Horus, the hawk-god of the Upper Country, he bore the second as King of Lower Egypt, under the patronage of Set, the deity of the Delta, whose fetish animal appears above this name instead of the hawk. This shows how definitely Perabsen wished to appear as legitimate King of Lower as well as Upper Egypt. In later times the Theban kings of the XIIth Dynasty, when they devoted themselves to winning the allegiance of the Northerners by living near Memphis rather than at Thebes, seem to have been imitating the successors of Khâsekhemui.
As far as we know, Aha and Narmer were the first conquerors of the North, the unifiers of the kingdom, and the origins of the legendary Mena. During their time, the center of the kingdom was still in the South, and Narmer (who is likely the same as “the Scorpion”) commemorated his achievements in the temple at Hierakonpolis. The legend of the founding of Memphis during the time of “Menés” might be fairly accurate (historically, the foundation may have been due to Merpeba), but we have Manetho's authority stating that the first two dynasties were “Thinite” (meaning Upper Egyptian), and that Memphis didn’t become the capital until the Hid Dynasty. This aligns with the evidence from the monuments. The earliest royal tombs in the pyramid field of Memphis are from the time of the Hid Dynasty, making it clear that the kings had established their residence in the Northern capital. We see that shortly after Khâsekhemui's time, King Perabsen was particularly linked with Lower Egypt. His personal name is unknown to us (though he might be the “Uatjnes” listed), but we do know he had two banner names, Sekhem-ab and Perabsen. The first is his hawk or Horus name, and the second is his Set name; this means that while he used the first name as King of Upper Egypt under the special patronage of Horus, the hawk god of the Upper Country, he used the second as King of Lower Egypt, under the patronage of Set, the deity of the Delta, whose fetish animal is shown above this name instead of the hawk. This demonstrates how clearly Perabsen wanted to present himself as the legitimate King of both Lower and Upper Egypt. In later times, the Theban kings of the XIIth Dynasty, when they sought to win the loyalty of the Northerners by living near Memphis instead of at Thebes, seemed to be following the example of Khâsekhemui’s successors.
Moreover, we now find various evidences of increasing connection with the North. A princess named Ne-maat-hap, who seems to have been the mother of Sa-nekht, the first king of the Hid Dynasty, bears the name of the sacred Apis of Memphis, her name signifying “Possessing the right of Apis.” According to Manetho, the kings of the Hid Dynasty are the first Memphites, and this seems to be quite correct. With Ne-maat-hap the royal right seems to have been transferred to a Memphite house. But the Memphites still had associations with Upper Egypt: two of them, Tjeser Khet-neter and Sa-nekht, were buried near Abydos, in the desert at Bêt Khallâf, where their tombs were discovered and excavated by Mr. Garstang in 1900. The tomb of Tjeser is a great brick-built mastaba, forty feet high and measuring 300 feet by 150 feet. The actual tomb-chambers are excavated in the rock, twenty feet below the ground-level and sixty feet below the top of the mastaba. They had been violated in ancient times, but a number of clay jar-sealings, alabaster vases, and bowls belonging to the tomb furniture were found by the discoverer. Sa-nekht’s tomb is similar. In it was found the preserved skeleton of its owner, who was a giant seven feet high.
Moreover, we now see various signs of increasing connections with the North. A princess named Ne-maat-hap, who appears to have been the mother of Sa-nekht, the first king of the Hid Dynasty, carries the name of the sacred Apis of Memphis, her name meaning “Possessing the right of Apis.” According to Manetho, the kings of the Hid Dynasty are the first Memphites, and this seems to be quite accurate. With Ne-maat-hap, the royal authority seems to have shifted to a Memphite family. However, the Memphites still maintained ties with Upper Egypt: two of them, Tjeser Khet-neter and Sa-nekht, were buried near Abydos, in the desert at Bêt Khallâf, where their tombs were discovered and excavated by Mr. Garstang in 1900. The tomb of Tjeser is a large brick-built mastaba, forty feet high and measuring 300 feet by 150 feet. The actual tomb chambers are cut into the rock, twenty feet below ground level and sixty feet below the top of the mastaba. They had been robbed in ancient times, but a number of clay jar sealings, alabaster vases, and bowls belonging to the tomb’s furnishings were found by the discoverer. Sa-nekht’s tomb is similar. Inside, the preserved skeleton of its owner was discovered, who was a giant standing seven feet tall.

It is remarkable that Manetho chronicles among the kings of the early period a king named Sesokhris, who was five cubits high. This may have been Sa-nekht.
It’s interesting that Manetho records a king from the early period named Sesokhris, who was five cubits tall. This might have been Sa-nekht.
Tjeser had two tombs, one, the above-mentioned, near Abydos, the other at Sakkâra, in the Memphite pyramid-field. This is the famous Step-Pyramid. Since Sa-nekht seems really to have been buried at Bêt Khal-laf, probably Tjeser was, too, and the Step-Pyramid may have been his secondary or sham tomb, erected in the necropolis of Memphis as a compliment to Seker, the Northern god of the dead, just as Aha had his secondary tomb at Abydos in compliment to Khentamenti. Sne-feru, also, the last king of the Hid Dynasty, seems to have had two tombs. One of these was the great Pyramid of Mêdûm, which was explored by Prof. Petrie in 1891, the other was at Dashûr. Near by was the interesting necropolis already mentioned, in which was discovered evidence of the continuance of the cramped position of burial and of the absence of mummification among a certain section of the population even as late as the time of the IVth Dynasty. This has been taken to imply that the fusion of the primitive Neolithic and invading sub-Semitic races had not been effected at that time.
Tjeser had two tombs: the first, mentioned earlier, was near Abydos, and the second was at Sakkâra, in the Memphite pyramid area. This is the well-known Step Pyramid. Since Sa-nekht appears to have actually been buried at Bêt Khal-laf, it’s likely that Tjeser was also buried there, and the Step Pyramid may have served as his secondary or symbolic tomb, built in the Memphis necropolis as a tribute to Seker, the Northern god of the dead, just as Aha had his secondary tomb at Abydos in honor of Khentamenti. Sne-feru, the last king of the Hid Dynasty, also seems to have had two tombs. One was the great Pyramid of Mêdûm, which was explored by Prof. Petrie in 1891, and the other was at Dashûr. Nearby was the intriguing necropolis mentioned earlier, where evidence was found showing that some people were still buried in a cramped position and that mummification was absent among certain groups even during the IVth Dynasty. This suggests that the mixing of the primitive Neolithic and invading sub-Semitic peoples had not occurred at that time.
With the IVth Dynasty the connection of the royal house with the South seems to have finally ceased. The governmental centre of gravity was finally transferred to Memphis, and the kings were thenceforth for several centuries buried in the great pyramids which still stand in serried order along the western desert border of Egypt, from the Delta to the province of the Fayyum. With the latest discoveries in this Memphite pyramid-field we shall deal in the next chapter.
With the Fourth Dynasty, the royal family's ties to the South appear to have completely ended. The political center shifted to Memphis, and for several centuries after that, the kings were buried in the massive pyramids that still stand in a line along Egypt's western desert border, from the Delta to the Fayyum province. We'll discuss the latest discoveries in this Memphite pyramid area in the next chapter.
The transference of the royal power to Memphis under the Hid Dynasty naturally led to a great increase of Egyptian activity in the Northern lands. We read in Manetho of a great Libyan war in the reign of Neche-rophes, and both Sa-nekht and Tjeser seem to have finally established Egyptian authority in the Sinaitic peninsula, where their rock-inscriptions have been found.
The transfer of royal power to Memphis during the Hid Dynasty naturally resulted in a significant boost in Egyptian activity in the northern regions. Manetho mentions a major Libyan war during the reign of Neche-rophes, and both Sa-nekht and Tjeser appear to have firmly established Egyptian control in the Sinaitic peninsula, where their rock inscriptions have been discovered.
In 1904 Prof. Petrie was despatched to Sinai by the Egypt Exploration Fund, in order finally to record the inscriptions of the early kings in the Wadi Maghara, which had been lately very much damaged by the operations of the turquoise-miners. It seems almost incredible that ignorance and vandalism should still be so rampant in the twentieth century that the most important historical monuments are not safe from desecration in order to obtain a few turquoises, but it is so. Prof. Petrie’s expedition did not start a day too soon, and at the suggestion of Sir William Garstin, the adviser to the Ministry of the Interior, the majority of the inscriptions have been removed to the Cairo Museum for safety and preservation. Among the new inscriptions discovered is one of Sa-nekht, which is now in the British Museum. Tjeser and Sa-nekht were not the first Egyptian kings to visit Sinai. Already, in the days of the 1st Dynasty, Semerkha had entered that land and inscribed his name upon the rocks. But the regular annexation, so to speak, of Sinai to Egypt took place under the Memphites of the Hid Dynasty.
In 1904, Professor Petrie was sent to Sinai by the Egypt Exploration Fund to record the inscriptions of the early kings in Wadi Maghara, which had recently suffered significant damage from the turquoise-miners. It's almost unbelievable that ignorance and vandalism were still so widespread in the twentieth century that the most important historical monuments weren't safe from destruction just to get a few turquoises, but that's the reality. Professor Petrie's expedition couldn’t have come soon enough, and at the suggestion of Sir William Garstin, the advisor to the Ministry of the Interior, most of the inscriptions were moved to the Cairo Museum for safety and preservation. Among the new inscriptions found is one of Sa-nekht, which is now in the British Museum. Tjeser and Sa-nekht were not the first Egyptian kings to explore Sinai; back in the days of the 1st Dynasty, Semerkha had entered that land and carved his name on the rocks. However, the regular annexation of Sinai to Egypt really started with the Memphites of the Hid Dynasty.
With the Hid Dynasty we have reached the age of the pyramid-builders. The most typical pyramids are those of the three great kings of the IVth Dynasty, Khufu, Khafra, and Menkaura, at Giza near Cairo. But, as we have seen, the last king of the Hid Dynasty, Snefru, also had one pyramid, if not two; and the most ancient of these buildings known to us, the Step-Pyramid of Sakkâra, was erected by Tjeser at the beginning of that dynasty. The evolution of the royal tombs from the time of the 1st Dynasty to that of the IVth is very interesting to trace. At the period of transition from the predynastic to the dynastic age we have the great mastaba of Aha at Nakâda, and the simplest chamber-tombs at Abydos. All these were of brick; no stone was used in their construction. Then we find the chamber-tomb of Den Semti at Abydos with a granite floor, the walls being still of brick. Above each of the Abydos tombs was probably a low mound, and in front a small chapel, from which a flight of steps descended into the simple chamber. On one of the little plaques already mentioned, which were found in these tombs, we have an archaic inscription, entirely written in ideographs, which seems to read, “The Big-Heads (i. e. the chiefs) come to the tomb.” The ideograph for “tomb” seems to be a rude picture of the funerary chapel, but from it we can derive little information as to its construction. Towards the end of the Ist Dynasty, and during the lid, the royal tombs became much more complicated, being surrounded with numerous chambers for the dead slaves, etc. Khâsekhemui’s tomb has thirty-three such chambers, and there is one large chamber of stone. We know of no other instance of the use of stone work for building at this period except in the royal tombs. No doubt the mason’s art was still so difficult that it was reserved for royal use only.
With the Hid Dynasty, we enter the era of the pyramid builders. The most iconic pyramids are those of the three great kings of the IV Dynasty: Khufu, Khafra, and Menkaura, located at Giza near Cairo. However, as we've noted, the last king of the Hid Dynasty, Snefru, also had one pyramid, if not two. The oldest of these structures known to us, the Step Pyramid of Sakkâra, was built by Tjeser at the beginning of that dynasty. Tracing the evolution of royal tombs from the 1st Dynasty to the IV is quite fascinating. During the transition from the predynastic to the dynastic age, there's the great mastaba of Aha at Nakâda, along with the simplest chamber tombs at Abydos. All of these were made of brick; no stone was used in their construction. Then we see the chamber tomb of Den Semti at Abydos, which has a granite floor, while the walls are still made of brick. Above each of the Abydos tombs, there was likely a low mound, and in front, a small chapel, which had a flight of steps leading down into the simple chamber. On one of the small plaques already mentioned, found in these tombs, there's an archaic inscription entirely written in ideographs, which seems to say, “The Big-Heads (i.e., the chiefs) come to the tomb.” The ideograph for “tomb” appears to be a crude picture of the funerary chapel, but we can gather little information about its construction from it. Towards the end of the 1st Dynasty, and during the 2nd, royal tombs became much more elaborate, surrounded by numerous chambers for the dead slaves, etc. Khâsekhemui’s tomb has thirty-three of these chambers, along with one large stone chamber. We don't know of any other examples of stonework being used in construction during this period, except in royal tombs. It’s likely that the mason’s craft was still so challenging that it was reserved for royal use only.
Under the Hid Dynasty we find the last brick mastabas built for royalty, at Bêt Khallâf, and the first pyramids, in the Memphite necropolis. In the mastaba of Tjeser at Bêt Khallâf stone was used for the great portcullises which were intended to bar the way to possible plunderers through the passages of the tomb. The Step-Pyramid at Sakkâra is, so to speak, a series of mastabas of stone, imposed one above the other; it never had the continuous casing of stone which is the mark of a true pyramid. The pyramid of Snefru at Mêdûm is more developed. It also originated in a mastaba, enlarged, and with another mastaba-like erection on the top of it; but it was given a continuous sloping casing of fine limestone from bottom to top, and so is a true pyramid. A discussion of recent theories as to the building of the later pyramids of the IVth Dynasty will be found in the next chapter.
Under the Hid Dynasty, we see the last brick mastabas built for royalty at Bêt Khallâf, along with the first pyramids in the Memphite necropolis. In the mastaba of Tjeser at Bêt Khallâf, stone was used for the large portcullises meant to block possible thieves from accessing the tomb passages. The Step-Pyramid at Sakkâra is essentially a series of stone mastabas stacked on top of each other; it never had the continuous stone casing that characterizes a true pyramid. The pyramid of Snefru at Mêdûm is more advanced. It also started as a mastaba, which was expanded and topped with another mastaba-like structure; however, it was given a continuous sloping casing of fine limestone from bottom to top, making it a true pyramid. A discussion of recent theories regarding the construction of the later pyramids of the IVth Dynasty can be found in the next chapter.
In the time of the Ist Dynasty the royal tomb was known by the name of “Protection-around-the-Hawk, i.e. the king”(Sa-ha-heru); but under the Hid and IVth Dynasties regular names, such as “the Firm,” “the Glorious,” “the Appearing,” etc., were given to each pyramid.
In the time of the 1st Dynasty, the royal tomb was called "Protection-around-the-Hawk," which referred to the king (Sa-ha-heru); however, during the 3rd and 4th Dynasties, specific names like "the Firm," "the Glorious," and "the Appearing," among others, were assigned to each pyramid.

We must not omit to note an interesting point in connection with the royal tombs at Abydos, In that of King Khent or Tjer (the reading of the ideograph is doubtful) M. Amélineau found a large bed or bier of granite, with a figure of the god Osiris lying in state sculptured in high relief upon it. This led him to jump to the conclusion that he had found the tomb of the god Osiris himself, and that a skull he found close by was the veritable cranium of the primeval folk-hero, who, according to the euhemerist theory, was the deified original of the god. The true explanation is given by Dr. Wallis Budge in his History of Egypt, i, p. 19. It is a fact that the tomb of Tjer was regarded by the Egyptians of the XIXth Dynasty as the veritable tomb of Osiris. They thought they had discovered it, just as M. Amélineau did. When the ancient royal tombs of Umm el-Ga’ab were rediscovered and identified at the beginning of the XIXth Dynasty, and Seti I built the great temple of Abydos to the divine ancestors in honour of the discovery, embellishing it with a relief of himself and his son Ramses making offerings to the names of his predecessors (the “Tablet of Abydos “), the name of King Khent or Tjer (which is perhaps the really correct original form) was read by the royal scribes as “Khent” and hastily identified with the first part of the name of the god Khent-amenti Osiris, the lord of Abydos. The tomb was thus regarded as the tomb of Osiris himself, and it was furnished with a great stone figure of the god lying on his bier, attended by the two hawks of Isis and Nephthys; ever after the site was visited by crowds of pilgrims, who left at Umm el-Ga’ab the thousands of little votive vases whose fragments have given the place its name of the “Mother of Pots.” This is the explanation of the discovery of the “Tomb of Osiris.” We have not found what M. Amélineau seems rather naively to have thought possible, a confirmation of the ancient view that Osiris was originally a man who ruled over Egypt and was deified after his death; but we have found that the Egyptians themselves were more or less euhemerists, and did think so.
We should note an interesting point regarding the royal tombs at Abydos. In King Khent or Tjer's tomb (the reading of the ideograph is uncertain), M. Amélineau discovered a large granite bed or bier with a figure of the god Osiris lying in state sculpted in high relief on it. This led him to conclude that he had found the tomb of Osiris himself and that a skull he found nearby was the actual cranium of the original folk-hero, who, according to the euhemerist theory, was the deified version of the god. The real explanation is provided by Dr. Wallis Budge in his History of Egypt, i, p. 19. It's a fact that Tjer's tomb was considered by the Egyptians of the XIXth Dynasty to be the true tomb of Osiris. They believed they had discovered it, just as M. Amélineau did. When the ancient royal tombs of Umm el-Ga’ab were rediscovered and identified at the start of the XIXth Dynasty, and Seti I built the grand temple of Abydos to honor the divine ancestors in recognition of the discovery, enhancing it with a relief of himself and his son Ramses making offerings to the names of their predecessors (the “Tablet of Abydos”), the royal scribes interpreted the name of King Khent or Tjer (which may be the correct original form) as “Khent.” They quickly identified it with the first part of the name of the god Khent-amenti Osiris, the lord of Abydos. Thus, the tomb was viewed as the tomb of Osiris himself, and it was adorned with a large stone figure of the god lying on his bier, accompanied by the two hawks of Isis and Nephthys; thereafter, the site attracted crowds of pilgrims, who left thousands of small votive vases at Umm el-Ga’ab, making the place known as the “Mother of Pots.” This explains the discovery of the “Tomb of Osiris.” We have not found what M. Amélineau seemed to naively think was possible, a confirmation of the old belief that Osiris was originally a man who ruled over Egypt and was made a god after his death; but we have found that the Egyptians themselves were somewhat euhemerists and did believe that.
It may seem remarkable that all this new knowledge of ancient Egypt is derived from tombs and has to do with the resting-places of the kings when dead, rather than with their palaces or temples when living. Of temples at this early period we have no trace. The oldest temple in Egypt is perhaps the little chapel in front of the pyramid of Snefru at Mêdûm. We first hear of temples to the gods under the IVth Dynasty, but of the actual buildings of that period we have recovered nothing but one or two inscribed blocks of stone. Prof. Petrie has traced out the plan of the oldest temple of Osiris at Abydos, which may be of the time of Khufu, from scanty evidences which give us but little information. It is certain, however, that this temple, which is clearly one of the oldest in Egypt, goes back at least to his time. Its site is the mound called Kom es-Sultan, “The Mound of the King,” close to the village of el-Kherba, and on the borders of the cultivation northeast of the royal tombs at Umm el-Oa’ab.
It might seem surprising that all this new knowledge about ancient Egypt comes from tombs and focuses on the resting places of the kings after their deaths, rather than their palaces or temples during their lives. We have no evidence of temples from this early period. The oldest temple in Egypt is probably the small chapel in front of Snefru's pyramid at Mêdûm. We first hear about temples dedicated to the gods during the IVth Dynasty, but we have found nothing from that time except for one or two inscribed stone blocks. Professor Petrie has outlined the plan of the oldest temple of Osiris at Abydos, which might date back to the time of Khufu, based on limited evidence that provides very little information. However, it's certain that this temple, clearly one of the oldest in Egypt, dates back at least to his era. Its location is on the mound called Kom es-Sultan, “The Mound of the King,” near the village of el-Kherba, bordering the cultivated land northeast of the royal tombs at Umm el-Oa’ab.
Of royal palaces we have more definite information. North of the Kom es-Sultan are two great fortress-enclosures of brick: the one is known as Sûnet es-Zebîb, “the Storehouse of Dried Orapes;” the other is occupied by the Coptic monastery of Dêr Anba Musâs. Both are certainly fortress-palaces of the earliest period of the Egyptian monarchy. We know from the small record-plaques of this period that the kings were constantly founding or repairing places of this kind, which were always great rectangular enclosures with crenelated brick walls like those of early Babylonian buildings.
We have more concrete information about royal palaces. To the north of the Kom es-Sultan, there are two large brick fortress enclosures: one is called Sûnet es-Zebîb, meaning "the Storehouse of Dried Grapes," and the other is home to the Coptic monastery of Dêr Anba Musâs. Both are definitely fortress-palaces from the earliest days of the Egyptian monarchy. From small record plaques of that time, we know that the kings were always founding or repairing places like these, which were large rectangular enclosures with crenelated brick walls similar to those of early Babylonian structures.
We have seen that the Northern Egyptian possessed similar fortress-cities which were captured by Narmer. These were the seats of the royal residence in various parts of the country. Behind their walls was the king’s house, and no doubt also a town of nobles and retainers, while the peasants lived on the arable land without.
We have seen that the Northern Egyptians had similar fortress cities that were taken by Narmer. These were the locations of the royal residence in different areas of the country. Behind their walls was the king’s palace, and undoubtedly there was also a town for nobles and retainers, while the peasants lived on the farmland outside.

The Shûnet ez-Zebîb and its companion fortress were evidently the royal cities of the 1st and IId Dynasties at Abydos. The former has been excavated by Mr. E. R. Ayrton for the Egypt Exploration Fund, under the supervision of Prof. Petrie. He found jar-sealings of Khâsekhemui and Perabsen. In later times the place was utilized as a burial-place for ibis-mummies (it had already been abandoned as a city before the time of the XIIth Dynasty), and from this fact it received the name of Shenet deb-hib, or “Storehouse of Ibis Burials.” The Arab invaders adapted this name to their own language in the nearest form which would have any meaning, as Shûnet ez-Zebïb, “the Storehouse of Dried Grapes.” The Arab word shûna (“Barn” or “Storehouse”) was, it should be noted, taken over from the Coptic sheune, which is the old-Egyptian shenet. The identity of sheune or shûna with the German “Scheune” is a quaint and curious coincidence. In the illustration of the Shûnet ez-Zebib the curved line of crenelated wall, following the contour of the hill, should be noted, as it is a remarkable example of the building of this early period.
The Shûnet ez-Zebîb and its nearby fortress were clearly the royal cities of the 1st and 2nd Dynasties at Abydos. The former was excavated by Mr. E. R. Ayrton for the Egypt Exploration Fund, overseen by Prof. Petrie. He discovered jar-sealings of Khâsekhemui and Perabsen. Later on, the site was used as a burial ground for ibis mummies (it had already been abandoned as a city before the time of the 12th Dynasty), leading to its name, Shenet deb-hib, or “Storehouse of Ibis Burials.” The Arab invaders adapted this name into their language in the closest form that made sense, as Shûnet ez-Zebïb, meaning “the Storehouse of Dried Grapes.” Interestingly, the Arab word shûna (“Barn” or “Storehouse”) was borrowed from the Coptic sheune, which traces back to the old Egyptian shenet. The similarity between sheune or shûna and the German “Scheune” is a quirky coincidence. In the illustration of the Shûnet ez-Zebib, pay attention to the curved line of crenelated wall that follows the hill's shape, as it is an outstanding example of early architectural style.
It will have been seen from the foregoing description of what far-reaching importance the discoveries at Abydos have been. A new chapter of the history of the human race has been opened, which contains information previously undreamt of, information which Egyptologists had never dared to hope would be recovered. The sand of Egypt indeed conceals inexhaustible treasures, and no one knows what the morrow’s work may bring forth.
It has become clear from the earlier description just how significant the discoveries at Abydos are. A new chapter in human history has begun, filled with information that was previously unimaginable—knowledge that Egyptologists never even dreamed could be uncovered. The sands of Egypt truly hide endless treasures, and no one knows what tomorrow's efforts might reveal.
Ex Africa semper aliquid novi!
Something new always comes from Africa!
CHAPTER III—MEMPHIS AND THE PYRAMIDS
Memphis, the “beautiful abode,” the “City of the White Wall,” is said to have been founded by the legendary Menés, who in order to build it diverted the stream of the Nile by means of a great dyke constructed near the modern village of Koshêsh, south of the village of Mitrahêna, which marks the central point of the ancient metropolis of Northern Egypt. It may be that the city was founded by Aha or Narmer, the historical originals of Mena or Menés; but we have another theory with regard to its foundation, that it was originally built by King Merpeba Atjab, whose tomb was also discovered at Abydos near those of Aha and Narmer. Merpeba is the oldest king whose name is absolutely identified with one occurring in the XIXth Dynasty king-lists and in Manetho. He is certainly the “Merbap” or “Merbepa” (“Merbapen”) of the lists and the Miebis of Manetho. In both the lists and in Manetho he stands fifth in order from Mena, and he was therefore the sixth king of the Ist Dynasty. The lists, Manetho, and the small monuments in his own tomb agree in making him the immediate successor of Semti Den (Ousaphaïs), and from the style of these latter it is evident that he comes after Tja, Tjer, Narmer, and Aha. That is to say, the contemporary evidence makes him the fifth king from Aha, the first original of “Menés.”
Memphis, the "beautiful home," the "City of the White Wall," is believed to have been founded by the legendary Menés. To create it, he diverted the Nile's flow by building a large dike near the modern village of Koshêsh, south of Mitrahêna, which marks the center of the ancient metropolis of Northern Egypt. Some think the city may have been established by Aha or Narmer, who are the historical figures behind Mena or Menés. However, there's another theory suggesting it was originally founded by King Merpeba Atjab, whose tomb was also found at Abydos alongside Aha and Narmer. Merpeba is the earliest king whose name is definitely linked to one found in the king lists of the XIX Dynasty and in Manetho's writings. He is likely the "Merbap" or "Merbepa" (“Merbapen”) listed, and the Miebis in Manetho. According to both the lists and Manetho, he is fifth in line from Mena, making him the sixth king of the Ist Dynasty. The lists, Manetho, and small artifacts in his own tomb all agree that he was the direct successor of Semti Den (Ousaphaïs), indicating he follows Tja, Tjer, Narmer, and Aha. In other words, the contemporary evidence positions him as the fifth king after Aha, the original “Menés.”
Now after the piety of Seti I had led him to erect a great temple at Abydos in memory of the ancient kings, whose sepulchres had probably been brought to light shortly before, and to compile and set up in the temple a list of his predecessors, a certain pious snobbery or snobbish piety impelled a worthy named Tunure, who lived at Memphis, to put up in his own tomb at Sakkâra a tablet of kings like the royal one at Abydos. If Osiris-Khentamenti at Abydos had his tablet of kings, so should Osiris-Seker at Sakkâra. But Tunure does not begin his list with Mena; his initial king is Merpeba. For him Merpeba was the first monarch to be commemorated at Sakkâra. Does not this look very much as if the strictly historical Merpeba, not the rather legendary and confused Mena, was regarded as the first Memphite king? It may well be that it was in the reign of Merpeba, not in that of Aha or Narmer, that Memphis was founded.
Now, after Seti I's devotion led him to build a grand temple at Abydos in honor of the ancient kings—whose tombs had likely been discovered not long before—and to create a list of his predecessors to display in the temple, a certain pious snob named Tunure, who lived in Memphis, felt compelled to put up a tablet of kings in his own tomb at Sakkâra, similar to the royal one at Abydos. If Osiris-Khentamenti at Abydos had his tablet of kings, then Osiris-Seker at Sakkâra should have one too. However, Tunure doesn’t start his list with Mena; instead, his first king is Merpeba. For him, Merpeba was the first ruler to be honored at Sakkâra. Doesn’t this strongly suggest that the historically accurate Merpeba, rather than the somewhat legendary and unclear Mena, was seen as the first king of Memphis? It’s quite possible that Memphis was founded during the reign of Merpeba, not during that of Aha or Narmer.
The XIXth Dynasty lists of course say nothing about Mena or Merpeba having founded Memphis; they only give the names of the kings, nothing more. The earliest authority for the ascription of Memphis to “Menés”, is Herodotus, who was followed in this ascription, as in many other matters, by Manetho; but it must be remembered that Manetho was writing for the edification of a Greek king (Ptolemy Philadelphus) and his Greek court at Alexandria, and had therefore to evince a respect for the great Greek classic which he may not always have really felt. Herodotus is not, of course, accused of any wilful misstatement in this or in any other matter in which his accuracy is suspected. He merely wrote down what he was told by the Egyptians themselves, and Merpeba was sufficiently near in time to Aha to be easily confounded with him by the scribes of the Persian period, who no doubt ascribed everything to “Mena” that was done by the kings of the Ist and IId Dynasties. Therefore it may be considered quite probable that the “Menés” who founded Memphis was Merpeba, the fifth or sixth king of the Ist Dynasty, whom Tunure, a thousand years before the time of Herodotus and his informants, placed at the head of the Memphite “List of Sakkâra.”
The lists from the XIXth Dynasty don’t mention Mena or Merpeba founding Memphis; they only list the names of the kings, nothing more. The earliest source that attributes Memphis to “Menés” is Herodotus, who was echoed by Manetho in this regard, as he was in many other topics. However, it’s important to note that Manetho wrote for the enlightenment of a Greek king (Ptolemy Philadelphus) and his Greek court in Alexandria, so he had to show respect for the great Greek classic, even if he didn’t genuinely feel it at all times. Herodotus isn’t accused of deliberately misrepresenting this or any other matter that raises doubts about his accuracy. He simply recorded what was told to him by the Egyptians, and since Merpeba lived close enough to Aha’s time, the scribes of the Persian period likely confused the two, attributing everything done by the kings of the Ist and IId Dynasties to “Mena.” Thus, it’s quite plausible that the “Menés” who founded Memphis was Merpeba, the fifth or sixth king of the Ist Dynasty, whom Tunure placed at the top of the Memphite “List of Sakkâra” a thousand years before Herodotus and his sources.
The reconquest of the North by Khâsekhemui doubtless led to a further strengthening of Memphis; and it is quite possible that the deeds of this king also contributed to make up the sum total of those ascribed to the Herodotean and Manethonian Menés.
The reconquest of the North by Khâsekhemui definitely helped strengthen Memphis even more; and it’s quite likely that this king's actions also added to the total of achievements attributed to the Herodotean and Manethonian Menés.
It may be that a town of the Northerners existed here before the time of the Southern Conquest, for Phtah, the local god of Memphis, has a very marked character of his own, quite different from that of Khen-tamenti, the Osiris of Abydos. He is always represented as a little bow-legged hydrocephalous dwarf very like the Phoenician Kabeiroi. It may be that here is another connection between the Northern Egyptians and the Semites. The name “Phtah,” the “Opener,” is definitely Semitic. We may then regard the dwarf Phtah as originally a non-Egyptian god of the Northerners, probably Semitic in origin, and his town also as antedating the conquest. But it evidently was to the Southerners that Memphis owed its importance and its eventual promotion to the position of capital of the united kingdom. Then the dwarf Phtah saw himself rivalled by another Phtah of Southern Egyptian origin, who had been installed at Memphis by the Southerners. This Phtah was a sort of modified edition of Osiris, in mummy-form and holding crook and whip, but with a refined edition of the Kabeiric head of the indigenous Phtah. The actual god of “the White Wall” was undoubtedly confused vith the dead god of the necropolis, whose name was Seker or Sekri (Sokari), “the Coffined.” The original form of this deity was a mummied hawk upon a coffin, and it is very probable that he was imported from the South, like the second Phtah, at the time of the conquest, when the great Northern necropolis began to grow up as a duplicate of that at Abydos. Later on we find Seker confused with the ancient dwarf-god, and it is the latter who was afterwards chiefly revered as Phtah-Socharis-Osiris, the protector of the necropolis, the mummied Phtah being the generally recognized ruler of the City of the White Wall.
There might have been a Northern town here before the Southern Conquest, since Phtah, the local god of Memphis, has a distinct character that's quite different from Khen-tamenti, the Osiris of Abydos. He’s usually depicted as a short, bow-legged, hydrocephalous dwarf, very similar to the Phoenician Kabeiroi. This could suggest another link between the Northern Egyptians and the Semites. The name “Phtah,” meaning “Opener,” is definitely Semitic. We can consider the dwarf Phtah as originally a non-Egyptian god from the North, likely of Semitic origin, and his town may have existed before the conquest. However, it was clearly the Southerners who gave Memphis its significance and ultimately elevated it to the capital of the united kingdom. Then, the dwarf Phtah found himself competing with another Phtah of Southern Egyptian origin, who had been established at Memphis by the Southerners. This Phtah was a kind of altered version of Osiris, depicted in mummy form and holding a crook and whip, but with a refined version of the Kabeiric head of the indigenous Phtah. The actual god of “the White Wall” was certainly confused with the dead god of the necropolis, known as Seker or Sekri (Sokari), meaning “the Coffined.” The original depiction of this deity was a mummified hawk resting on a coffin, and it's quite likely he was brought in from the South, much like the second Phtah, during the conquest when the great Northern necropolis began to develop as a counterpart to that at Abydos. Later on, we see Seker confused with the ancient dwarf-god, and it is this latter figure who was mainly honored as Phtah-Socharis-Osiris, the guardian of the necropolis, while the mummified Phtah became the generally accepted ruler of the City of the White Wall.
It is from the name of Seker that the modern Sak-kâra takes its title. Sakkâra marks the central point of the great Memphite necropolis, as it is the nearest point of the western desert to Memphis. Northwards the necropolis extended to Griza and Abu Roâsh, southwards, to Daslmr; even the nécropoles of Lisht and Mêdûm may be regarded as appanages of Sakkâra. At Sakkâra itself Tjeser of the IIId Dynasty had a pyramid, which, as we have seen, was probably not his real tomb (which was the great mastaba at Bêt Khallâf), but a secondary or sham tomb corresponding to the “tombs” of the earliest kings at Umm el-Ga’ab in the necropolis of Abydos. Many later kings, however, especially of the Vith Dynasty, were actually buried at Sakkâra. Their tombs have all been thoroughly described by their discoverer, Prof. Maspero, in his history. The last king of the Hid Dynasty, Snefru, was buried away down south at Mêdûm, in splendid isolation, but he may also have had a second pyramid at Sakkâra or Abu Roash.
It is from the name of Seker that the modern Sak-kâra gets its title. Sakkâra is the central point of the great Memphite necropolis because it is the closest point of the western desert to Memphis. To the north, the necropolis stretched to Griza and Abu Roâsh, and to the south, to Daslmr; even the necropolises of Lisht and Mêdûm can be considered extensions of Sakkâra. At Sakkâra itself, Tjeser of the IIIrd Dynasty had a pyramid, which, as we've seen, probably wasn't his actual tomb (that was the great mastaba at Bêt Khallâf), but a secondary or fake tomb similar to the “tombs” of the earliest kings at Umm el-Ga’ab in the necropolis of Abydos. Many later kings, however, especially from the Vth Dynasty, were actually buried at Sakkâra. Their tombs have all been thoroughly described by their discoverer, Prof. Maspero, in his history. The last king of the IVth Dynasty, Snefru, was buried far to the south at Mêdûm, in splendid isolation, but he may also have had a second pyramid at Sakkâra or Abu Roash.
The kings of the IVth Dynasty were the greatest of the pyramid builders, and to them belong the huge edifices of Griza. The Vth Dynasty favoured Abusîr, between Cîza and Sakkâra; the Vith, as we have said, preferred Sakkâra itself. With them the end of the Old Kingdom and of Memphite dominion was reached; the sceptre fell from the hands of the Memphite kings and was taken up by the princes of Herakleopolis (Ahnasyet el-Medina, near Béni Suêf, south of the Eayyûm) and Thebes. Where the Herakleopolite kings were buried we do not know; probably somewhere in the local necropolis of the Gebel es-Sedment, between Ahnasya and the Fayyûm. The first Thebans (the XIth Dynasty) were certainly buried at Thebes, but when the Herakleopolites had finally disappeared, and all Egypt was again united under one strong sceptre, the Theban kings seem to have been drawn northwards. They removed to the seat of the dominion of those whom they had supplanted, and they settled in the neighbourhood of Herakleopolis, near the fertile province of the Fayyûm, and between it and Memphis. Here, in the royal fortress-palace of Itht-taui, “Controlling the Two Lands,” the kings of the XIIth Dynasty lived, and they were buried in the nécropoles of Dashûr, Lisht, and Illahun (Hawara), in pyramids like those of the old Memphite kings. These facts, of the situation of Itht-taui, of their burial in the southern an ex of the old necropolis of Memphis, and of the fori of their tombs (the true Upper Egyptian and Thebian form was a rock-cut gallery and chamber driven deep into the hill), show how solicitous were the Amenemhats and Senusrets of the suffrages of Lower Egypt, how anxious they were to conciliate the ancient royal pride of Memphis.
The kings of the Fourth Dynasty were the greatest pyramid builders, and they created the massive structures at Giza. The Fifth Dynasty focused on Abusir, located between Cairo and Saqqara; the Sixth Dynasty, as previously mentioned, preferred Saqqara itself. This marked the end of the Old Kingdom and the reign of the Memphis kings, as they lost power to the princes of Herakleopolis (Ahnasyet el-Medina, near Beni Suef, south of the Fayyum) and Thebes. We don’t know where the Herakleopolite kings were buried; it was probably somewhere in the local cemetery of Gebel es-Sedment, between Ahnasya and the Fayyum. The first Thebans (from the Eleventh Dynasty) were definitely buried in Thebes, but after the Herakleopolites vanished and all of Egypt was united under one strong ruler again, the Theban kings seemingly moved north. They relocated to where the dominion of those they had replaced had been and settled near Herakleopolis, close to the fertile region of the Fayyum and between it and Memphis. Here, in the royal palace-fortress of Itht-taui, “Controlling the Two Lands,” the kings of the Twelfth Dynasty lived, and they were buried in the necropolises of Dashur, Lisht, and Illahun (Hawara), in pyramids similar to those of the old Memphis kings. These details about the location of Itht-taui, their burials in the southern part of the old Memphis necropolis, and the structure of their tombs (the true Upper Egyptian and Theban design was a rock-cut gallery and chamber deep in the hillside) illustrate how concerned the Amenemhats and Senusrets were about gaining the support of Lower Egypt and how eager they were to win the ancient royal pride of Memphis.
Where the kings of the XIIIth Dynasty and the Hyksos or “Shepherds” were buried, we do not know. The kings of the restored Theban empire were all interred at Thebes. There are, in fact, no known royal sepulchres between the Fayyûm and Abydos. The great kings were mostly buried in the neighbourhood of Memphis, Abydos, and Thebes. The sepulchres of the “Middle Empire”—the XIth to XIIIth Dynasties—in the neighbourhood of the Fayyûm may fairly be grouped with those of the same period at Dashûr, which belongs to the necropolis of Memphis, since it is only a mile or two south of Sakkâra.
We don't know where the kings of the XIIIth Dynasty and the Hyksos, also known as the “Shepherds,” were buried. The kings of the restored Theban empire were all buried in Thebes. In fact, there are no known royal tombs between the Fayyûm and Abydos. Most of the great kings were buried near Memphis, Abydos, and Thebes. The tombs from the “Middle Empire”—the XIth to XIIIth Dynasties—in the Fayyûm area can be fairly grouped with those from the same period at Dashûr, which is part of the Memphis necropolis, as it's only a mile or two south of Sakkâra.
It is chiefly with regard to the sepulchres of the kings that the most momentous discoveries of recent years have been made at Thebes, and at Sakkâra, Abusîr, Dashûr, and Lisht, as at Abydos. For this reason we deal in succession with the finds in the nécropoles of Abydos, Memphis, and Thebes respectively. And with the sepulchres of the “Old Kingdom,” in the Memphite necropolis proper, we have naturally grouped those of the “Middle Kingdom” at Dashûr, Lisht, Illahun, and Hawara.
It is mainly concerning the tombs of the kings that the most significant discoveries of recent years have been made at Thebes, as well as at Sakkâra, Abusîr, Dashûr, and Lisht, and also at Abydos. For this reason, we will discuss in order the finds in the cemeteries of Abydos, Memphis, and Thebes, respectively. Along with the tombs of the “Old Kingdom” in the main Memphite necropolis, we have naturally grouped those of the “Middle Kingdom” at Dashûr, Lisht, Illahun, and Hawara.
Some of these modern discoveries have been commented on and illustrated by Prof. Maspero in his great history. But the discoveries that have been made since this publication have been very important,—those at Abusîr, indeed, of first-rate importance, though not so momentous as those of the tombs of the Ist and IId Dynasties at Abydos, already described. At Abu Roash and at Gîza, at the northern end of the Memphite necropolis, several expeditions have had considerable success, notably those of the American Dr. Reisner, assisted by Mr. Mace, who excavated the royal tombs at Umm el-Ga’ab for Prof. Petrie, those of the German Drs. Steindorff and Borchardt,—the latter working for the Beutsch-Orient Gesellschaft,—and those of other American excavators. Until the full publication of the results of these excavations appears, very little can be said about them. Many mastaba-tombs have, it is understood, been found, with interesting remains. Nothing of great historical importance seems to have been discovered, however. It is otherwise when we come to the discoveries of Messrs. Borchardt and Schâfer at Abusîr, south of Gîza and north of Sakkâra. At this place results of first-rate historical importance have been attained.
Some of these modern discoveries have been discussed and illustrated by Prof. Maspero in his comprehensive history. However, the discoveries made since that publication are very significant—those at Abusîr are indeed quite important, though not as groundbreaking as the tombs of the Ist and IId Dynasties at Abydos, which have already been described. At Abu Roash and Gîza, in the northern part of the Memphite necropolis, several expeditions have seen considerable success, particularly those by American Dr. Reisner, supported by Mr. Mace, who excavated the royal tombs at Umm el-Ga’ab for Prof. Petrie, as well as those of German Drs. Steindorff and Borchardt—the latter working for the Beutsch-Orient Gesellschaft—and other American excavators. Until the complete publication of the findings from these excavations is available, little can be said about them. Many mastaba-tombs have reportedly been found, along with interesting remains. However, nothing of major historical importance seems to have been uncovered. This is not the case with the discoveries made by Messrs. Borchardt and Schâfer at Abusîr, located south of Gîza and north of Sakkâra, where results of significant historical importance have been achieved.
The main group of pyramids at Abusir consists of the tombs of the kings Sahurà, Neferarikarâ, and Ne-user-Râ, of the Vth Dynasty. The pyramids themselves are smaller than those of Gîza, but larger than those of Sakkâra. In general appearance and effect they resemble those of Gîza, but they are not so imposing, as the desert here is low. Those of Gîza, Sakkâra, and Dashûr owe much of their impressiveness to the fact that they are placed at some height above the cultivated land. The excavation and planning of these pyramids were carried out by Messrs. Borchardt and Schâfer at the expense of Baron von Bissing, the well-known Egyptologist of Munich, and of the Deutsch-Orient Gesell-schaft of Berlin. The antiquities found have been divided between the museums of Berlin and Cairo.
The main group of pyramids at Abusir includes the tombs of kings Sahurà, Neferarikarâ, and Ne-user-Râ from the Vth Dynasty. These pyramids are smaller than those at Gîza but larger than those at Sakkâra. In overall appearance and impact, they are similar to the Gîza pyramids, but they’re less impressive due to the lower desert here. The pyramids at Gîza, Sakkâra, and Dashûr gain a lot of their grandeur from being situated above the surrounding farmland. The excavation and planning of these pyramids were conducted by Messrs. Borchardt and Schâfer, funded by Baron von Bissing, the famous Egyptologist from Munich, and the Deutsch-Orient Gesellschaft of Berlin. The artifacts discovered have been divided between the museums in Berlin and Cairo.
One of the most noteworthy discoveries was that of the funerary temple of Ne-user-Râ, which stood at the base of his pyramid. The plan is interesting, and the granite lotus-bud columns found are the most ancient yet discovered in Egypt. Much of the paving and the wainscoting of the walls was of fine black marble, beautifully polished. An interesting find was a basin and drain with lion’s-head mouth, to carry away the blood of the sacrifices. Some sculptures in relief were discovered, including a gigantic representation of the king and the goddess Isis, which shows that in the early days of the Vth Dynasty the king and the gods were already depicted in exactly the same costume as they wore in the days of the Ramses and the Ptolemies. The hieratic art of Egypt had, in fact, now taken on itself the final outward appearance which it retained to the very end. There is no more of the archaism and absence of conventionality, which marks the art of the earliest dynasties.
One of the most notable discoveries was the funerary temple of Ne-user-Râ, which stood at the base of his pyramid. The layout is intriguing, and the granite lotus-bud columns found are the oldest yet discovered in Egypt. Much of the flooring and the wall paneling was made of fine black marble, beautifully polished. An interesting find was a basin and drain with a lion’s-head mouth, used to carry away the blood from the sacrifices. Some relief sculptures were discovered, including a massive depiction of the king and the goddess Isis, which shows that in the early days of the Vth Dynasty, the king and the gods were already shown in the same attire they wore during the times of the Ramses and the Ptolemies. The hieratic art of Egypt had, in fact, now achieved the final outward appearance that it would retain until the very end. There is no longer any of the archaic style and lack of convention that characterized the art of the earliest dynasties.
We can trace by successive steps the swift development of Egyptian art from the rude archaism of the Ist Dynasty to its final consummation under the Vth, when the conventions became fixed. In the time of Khäsekhemui, at the beginning of the IId Dynasty, the archaic character of the art has already begun to wear off. Under the same dynasty we still have styles of unconventional naïveté, such as the famous Statue “No. 1” of the Cairo Museum, bearing the names of Kings Hetepahaui, Neb-râ, and Neneter. But with the IVth Dynasty we no longer look for unconventionality. Prof. Petrie discovered at Abydos a small ivory statuette of Khufu or Cheops, the builder of the Great Pyramid of Gîza. The portrait is a good one and carefully executed. It was not till the time of the XVIIIth Dynasty, indeed, that the Egyptians ceased to portray their kings as they really were, and gave them a purely conventional type of face. This convention, against which the heretical King Amenhetep IV (Akhunaten) rebelled, in order to have himself portrayed in all his real ungainliness and ugliness, did not exist till long after the time of the IVth and Vth Dynasties.
We can follow the rapid development of Egyptian art through its stages, starting from the crude style of the 1st Dynasty to its final form in the 5th, when the artistic conventions were established. By the time of Khäsekhemui, at the start of the 2nd Dynasty, the primitive nature of the art was already starting to fade. During the same dynasty, we still see styles of unconventional simplicity, like the famous Statue “No. 1” in the Cairo Museum, which features the names of Kings Hetepahaui, Neb-râ, and Neneter. However, in the 4th Dynasty, we no longer search for unconventional styles. Professor Petrie found a small ivory statuette of Khufu, or Cheops, the builder of the Great Pyramid of Giza, at Abydos. The likeness is quite good and meticulously crafted. It wasn’t until the 18th Dynasty that the Egyptians stopped depicting their kings as they truly were and began giving them a purely conventional type of face. This convention, which the controversial King Amenhetep IV (Akhunaten) opposed by choosing to be portrayed in all his awkwardness and unattractiveness, did not emerge until long after the 4th and 5th Dynasties.

The kings of the XIIth Dynasty especially were most careful that their statues should be accurate portraits; indeed, the portraits of Usertsen (Senusret) III vary from a young face to an old one, showing that the king was faithfully depicted at different periods of his life.
The kings of the XIIth Dynasty were especially attentive to ensuring that their statues were true-to-life representations; in fact, the portraits of Usertsen (Senusret) III range from a young face to an old one, demonstrating that the king was accurately portrayed at various stages of his life.
But the general conventions of dress and deportment were finally fixed under the Vth Dynasty. After this time we no longer have such absolutely faithful and original presentments as the other little ivory statuette found by Prof. Petrie at Abydos (now in the British Museum), which shows us an aged monarch of the Ist Dynasty. It is obvious that the features are absolutely true to life, and the figure wears an unconventionally party-coloured and bordered robe of a kind which kings of a later day may have worn in actual life, but which they would assuredly never be depicted as wearing by the artists of their day. To the end of Egyptian history, the kings, even the Roman emperors, were represented on the monuments clothed in the official costume of their ancestors of the IVth and Vth Dynasties, in the same manner as we see Khufu wearing his robe in the little figure from Abydos, and Ne-user-Rà on the great relief from Abusîr. There are one or two exceptions, such as the representations of the original genius Akhunaten at Tell el-Amarna and the beautiful statue of Ramses II at Turin, in which we see these kings wearing the real costume of their time, but such exceptions are very rare.
But the general rules of dress and behavior were finally established during the Vth Dynasty. After this period, we no longer have such completely accurate and original depictions as the small ivory statuette found by Prof. Petrie at Abydos (now in the British Museum), which shows us an elderly king from the Ist Dynasty. It's clear that the features are lifelike, and the figure wears an unusually colorful and bordered robe, a style that kings of later times may have actually worn, but which artists of their era would certainly not depict them wearing. Throughout Egyptian history, kings, including the Roman emperors, were portrayed on monuments dressed in the official attire of their ancestors from the IVth and Vth Dynasties, just like we see Khufu in his robe in the small figure from Abydos and Ne-user-Rà in the grand relief from Abusîr. There are a couple of exceptions, such as the representations of the original genius Akhunaten at Tell el-Amarna and the beautiful statue of Ramses II at Turin, where we see these kings in the authentic clothing of their time, but such cases are very rare.
The art of Abusîr is therefore of great interest, since it marks the end of the development of the priestly art. Secular art might develop as it liked, though the crystallizing influence of the ecclesiastical canon is always evident here also. But henceforward it was an impiety, which only an Akhunaten could commit, to depict a king or a god on the walls of a temple otherwise (except so far as, the portrait was concerned) than as he had been depicted in the time of the Vth Dynasty.
The art of Abusîr is really significant because it represents the conclusion of the evolution of priestly art. Secular art could grow freely, but the enduring impact of the religious standards was still noticeable here as well. From this point on, it became a disrespectful act, which only someone like Akhunaten could attempt, to portray a king or a god on temple walls in any way other than how they were depicted during the time of the 5th Dynasty.
Other buildings have been excavated by the Germans at Abusîr, notably the usual town of mastaba-tombs belonging to the chief dignitaries of the reign, which is always found at the foot of a royal pyramid of this period. Another building of the highest interest, belonging to the same age, was also excavated, and its true character was determined. This is a building at a place called er-Rîgha or Abû Ghuraib, “Father of Crows,” between Abusîr and Gîza. It was formerly supposed to be a pyramid, but the German excavations have shown that it is really a temple of the Sun-god Râ of Heliopolis, specially venerated by the kings of the Vth Dynasty, who were of Heliopolitan origin. The great pyramid-builders of the IVth Dynasty seem to have been the last true Memphites. At the end of the reign of Shepseskaf, the last monarch of the dynasty, the sceptre passed to a Heliopolitan family. The following VIth Dynasty may again have been Memphite, but this is uncertain. The capital continued to be Memphis, and from the beginning of the Hid Dynasty to the end of the Old Kingdom and the rise of Herakle-opolis and Thebes, Memphis remained the chief city of Egypt.
Other buildings have been excavated by the Germans at Abusîr, including the usual town of mastaba tombs belonging to the top officials of the era, which is always found at the base of a royal pyramid from this period. Another extremely important structure from the same time was also uncovered, and its true nature was revealed. This is a building located at a place called er-Rîgha or Abû Ghuraib, “Father of Crows,” between Abusîr and Gîza. It was previously thought to be a pyramid, but the German excavations have shown that it is actually a temple dedicated to the Sun-god Râ of Heliopolis, especially revered by the kings of the 5th Dynasty, who hailed from Heliopolis. The great pyramid builders of the 4th Dynasty appear to have been the last true Memphites. At the end of the reign of Shepseskaf, the last king of that dynasty, the power shifted to a Heliopolitan family. The subsequent 6th Dynasty might have been Memphite again, but this is uncertain. Memphis continued to serve as the capital, and from the beginning of the 5th Dynasty to the end of the Old Kingdom and the rise of Herakle-opolis and Thebes, Memphis remained the principal city of Egypt.
The Heliopolitans were naturally the servants of the Sun-god above all other gods, and they were the first to call themselves “Sons of the Sun,” a title retained by the Pharaohs throughout all subsequent history. It was Ne-user-Râ who built the Sun-temple of Abu Ghuraib, on the edge of the desert, north of his pyramid and those of his two immediate predecessors at Abusir. As now laid bare by the excavations of 1900, it is seen to consist of an artificial mound, with a great court in front to the eastward. On the mound was erected a truncated obelisk, the stone emblem of the Sun-god. The worshippers in the court below looked towards the Sun’s stone erected upon its mound in the west, the quarter of the sun’s setting; for the Sun-god of Heliopolis was primarily the setting sun, Tum-Râ, not Râ Harmachis, the rising sun, whose emblem is the Great Sphinx at Gîza, which looks towards the east. The sacred emblem of the Heliopolitan Sun-god reminds us forcibly of the Semitic bethels or baetyli, the sacred stones of Palestine, and may give yet another hint of the Semitic origin of the Heliopolitan cult. In the court of the temple is a huge circular altar of fine alabaster, several feet across, on which slain oxen were offered to the Sun, and behind this, at the eastern end of the court, are six great basins of the same stone, over which the beasts were slain, with drains running out of them by which their blood was carried away. This temple is a most interesting monument of the civilization of the “Old Kingdom” at the time of the Vth Dynasty.
The Heliopolitans were naturally the servants of the Sun-god above all other gods, and they were the first to call themselves “Sons of the Sun,” a title that the Pharaohs kept throughout history. It was Ne-user-Râ who built the Sun-temple of Abu Ghuraib, located on the edge of the desert, north of his pyramid and those of his two immediate predecessors at Abusir. As revealed by the excavations of 1900, it consists of an artificial mound with a large court in front to the east. A truncated obelisk, the stone symbol of the Sun-god, was erected on the mound. The worshippers in the court below faced the Sun's stone on its mound in the west, the direction of the sun's setting; for the Sun-god of Heliopolis was primarily the setting sun, Tum-Râ, not Râ Harmachis, the rising sun, whose emblem is the Great Sphinx at Gîza, which looks towards the east. The sacred emblem of the Heliopolitan Sun-god strikingly reminds us of the Semitic bethels or baetyli, the sacred stones of Palestine, and may hint at the Semitic origin of the Heliopolitan cult. In the temple court is a massive circular altar made of fine alabaster, several feet across, where slain oxen were offered to the Sun, and behind this, at the eastern end of the court, are six large basins made of the same stone, where the animals were slaughtered, with drains to carry away their blood. This temple is a fascinating monument of the civilization of the “Old Kingdom” during the time of the Vth Dynasty.
At Sakkâra itself, which lies a short distance south of Abusir, no new royal tombs have, as has been said, been discovered of late years. But a great deal of work has been done among the private mastaba-tombs by the officers of the Service des Antiquités, which reserves to itself the right of excavation here and at Dashûr. The mastaba of the sage and writer Kagernna (or rather Gemnika, “I-have-found-a-ghost,” which sounds very like an American Indian appellation) is very fine. “I-have-found-a-ghost” lived in the reign of the king Tatkarâ Assa, the “Tancheres” of Manetho, and he wrote maxims like his great contemporary Phtahhetep (“Offered to Phtah”), who was also buried at Sakkâra. The officials of the Service des Antiquités who cleaned the tomb unluckily misread his name Ka-bi-n (an impossible form which could only mean, literally translated, “Ghost-soul-of” or “Ghost-soul-to-me”), and they have placed it in this form over the entrance to his tomb. This mastaba, like those, already known, of Mereruka (sometimes misnamed “Mera”) and the famous Ti, both also at Sakkâra, contains a large number of chambers, ornamented with reliefs. In the vicinity M. Grébaut, then Director of the Service of Antiquities, discovered a very interesting Street of Tombs, a regular Via Sacra, with rows of tombs of the dignitaries of the VIth Dynasty on either side of it. They are generally very much like one another; the workmanship of the reliefs is fine, and the portrait of the owner of the tomb is always in evidence.
At Sakkâra, which is just south of Abusir, no new royal tombs have been found recently, as has been previously mentioned. However, a lot of work has been done on the private mastaba-tombs by the officers of the Service des Antiquités, who hold the exclusive right to excavate here and at Dashûr. The mastaba of the sage and writer Kagernna (or rather Gemnika, meaning "I-have-found-a-ghost," which resembles an American Indian name) is quite impressive. “I-have-found-a-ghost” lived during the reign of King Tatkarâ Assa, known as the “Tancheres” in Manetho’s writings, and he wrote maxims like his renowned contemporary Phtahhetep (“Offered to Phtah”), who was also buried at Sakkâra. Unfortunately, the officials of the Service des Antiquités misread his name Ka-bi-n (an unlikely form that could only mean, literally translated, “Ghost-soul-of” or “Ghost-soul-to-me”), and they have inscribed it in this incorrect form above the entrance to his tomb. This mastaba, similar to those already known, like Mereruka’s (sometimes mistakenly called “Mera”) and the famous Ti, also located at Sakkâra, features numerous chambers decorated with reliefs. Nearby, M. Grébaut, who was then the Director of the Service of Antiquities, discovered a very interesting Street of Tombs, a sort of Via Sacra, lined with tombs of the dignitaries from the VIth Dynasty on both sides. They generally look quite alike; the craftsmanship of the reliefs is excellent, and the portrait of the tomb's owner is always prominently displayed.
Several of the smaller mastabas have lately been disposed of to the various museums, as they are liable to damage if they remain where they stand; moreover, they are not of great value to the Museum of Cairo, but are of considerable value to various museums which do not already possess complete specimens of this class of tombs. A fine one, belonging to the chief Uerarina, is now exhibited in the Assyrian Basement of the British Museum; another is in the Museum of Leyden; a third at Berlin, and so on. Most of these are simple tombs of one chamber. In the centre of the rear wall we always see the stele or gravestone proper, built into the fabric of the tomb. Before this stood the low table of offerings with a bowl for oblations, and on either side a tall incense-altar. From the altar the divine smoke (senetr) arose when the hen-ka, or priest of the ghost (literally, “Ghost’s Servant”), performed his duty of venerating the spirits of the deceased, while the Kher-heb, or cantor, enveloped in the mystic folds of the leopard-skin and with bronze incense-burner in hand, sang the holy litanies and spells which should propitiate the ghost and enable him to win his way to ultimate perfection in the next world.
Several of the smaller mastabas have recently been transferred to various museums, as they risk damage if left in their current locations; additionally, they aren’t particularly valuable to the Museum of Cairo but hold significant value for several museums that lack complete examples of this type of tomb. A notable one, belonging to the chief Uerarina, is now on display in the Assyrian Basement of the British Museum; another is at the Museum of Leyden, a third one is in Berlin, and so on. Most of these are simple one-chamber tombs. In the middle of the back wall, we always see the stele or gravestone, built into the structure of the tomb. Before this, there was a low offering table with a bowl for offerings, and on each side stood a tall incense altar. From the altar, the divine smoke (senetr) rose when the hen-ka, or priest of the ghost (literally, "Ghost’s Servant"), performed his duty of honoring the spirits of the deceased, while the Kher-heb, or cantor, wrapped in the mystical folds of the leopard skin and holding a bronze incense burner, sang the sacred litanies and spells meant to appease the ghost and help him achieve ultimate perfection in the next world.
The stele is always in the form of a door with pyloni-form cornice. On either side is a figure of the deceased, and at the sides are carved prayers to Anubis, and at a later date to Osiris, who are implored to give the funerary meats and “everything good and pure on which the god there (as the dead man in the tomb has been constituted) lives;” often we find that the biography and list of honorary titles and dignities of the deceased have been added.
The stele is always shaped like a door with a pylon-style top. On either side, there’s a figure of the deceased, and along the edges are carved prayers to Anubis, and later to Osiris, who are called upon to provide the funerary offerings and “everything good and pure that the god there (as the deceased in the tomb has been made) lives on;” we often see that the biography and a list of the deceased's honorary titles and dignities have also been included.
Sakkâra was used as a place of burial in the latest as well as in the earliest time. The Egyptians of the XXVIth Dynasty, wearied of the long decadence and devastating wars which had followed the glorious epoch of the conquering Pharaohs of the XVIIIth and XIXth Dynasties, turned for a new and refreshing inspiration to the works of the most ancient kings, when Egypt was a simple self-contained country, holding no intercourse with outside lands, bearing no outside burdens for the sake of pomp and glory, and knowing nothing of the decay and decadence which follows in the train of earthly power and grandeur. They deliberately turned their backs on the worn-out and discredited imperial trappings of the Thothmes and Ramses, and they took the supposed primitive simplicity of the Snefrus, the Khufus, and the Ne-user-Râs for a model and ensampler to their lives. It was an age of conscious and intended archaism, and in pursuit of the archaistic ideal the Mem-phites of the Saïte age had themselves buried in the ancient necropolis of Sakkâra, side by side with their ancestors of the time of the Vth and VIth Dynasties. Several of these tombs have lately been discovered and opened, and fitted with modern improvements. One or two of them, of the Persian period, have wells (leading to the sepulchral chamber) of enormous depth, down which the modern tourist is enabled to descend by a spiral iron staircase. The Serapeum itself is lit with electricity, and in the Tombs of the Kings at Thebes nothing disturbs the silence but the steady thumping pulsation of the dynamo-engine which lights the ancient sepulchres of the Pharaohs. Thus do modern ideas and inventions help us to see and so to understand better the works of ancient Egypt. But it is perhaps a little too much like the Yankee at the Court of King Arthur. The interiors of the later tombs are often decorated with reliefs which imitate those of the early period, but with a kind of delicate grace which at once marks them for what they are, so that it is impossible to confound them with the genuine ancient originals from which they were adapted.
Sakkâra served as a burial site both in ancient and more recent times. The Egyptians of the 26th Dynasty, exhausted by the long decline and destructive wars that followed the celebrated era of the conquering Pharaohs of the 18th and 19th Dynasties, sought inspiration in the works of the earliest kings. Back when Egypt was a simple, self-sufficient land with no connections to other countries, free from the burdens of flaunting power and glory, and unaware of the decay that accompanies earthly dominance. They intentionally rejected the outdated and discredited imperial symbols of Thothmes and Ramses, instead choosing to model their lives on the supposed primitive simplicity of figures like Snefru, Khufu, and Ne-user-Râ. This was a time of purposeful and deliberate retro style, and in pursuit of this archaic ideal, the people of Memphis during the Saite era chose to be buried in the ancient necropolis of Sakkâra, alongside their ancestors from the 5th and 6th Dynasties. Recently, several of these tombs have been discovered and opened, updated with modern amenities. A few of them, dating from the Persian period, feature deep wells that lead to the burial chamber, allowing modern tourists to descend via a spiral iron staircase. The Serapeum is now illuminated with electricity, and in the Tombs of the Kings at Thebes, the only sound disturbing the silence is the rhythmic pulsing of the dynamo engine lighting the ancient tombs of the Pharaohs. Modern ideas and innovations give us a better understanding of ancient Egyptian works. However, it resembles the American at the Court of King Arthur a bit too much. The interiors of the later tombs often showcase decorations that mimic those from earlier periods, but with a certain delicate elegance that distinguishes them, making it impossible to confuse them with the genuine ancient originals they were inspired by.
Riding from Sakkâra southwards to Dashûr, we pass on the way the gigantic stone mastaba known as the Mastabat el-Fara’ûn, “Pharaoh’s Bench.” This was considered to be the tomb of the Vth Dynasty king, Unas, until his pyramid was found by Prof. Maspero at Sakkâra. From its form it might be thought to belong to a monarch of the Hid Dynasty, but the great size of the stone blocks of which it is built seems to point rather to the XIIth. All attempts to penetrate its secret by actual excavation have been unavailing.
Riding south from Sakkâra to Dashûr, we pass by the massive stone mastaba known as the Mastabat el-Fara’ûn, or “Pharaoh’s Bench.” It used to be thought to be the tomb of the Vth Dynasty king, Unas, until his pyramid was discovered by Prof. Maspero at Sakkâra. Based on its shape, one might assume it belongs to a ruler of the Hid Dynasty, but the large stone blocks it's made from suggest it’s actually from the XIIth Dynasty. All efforts to uncover its secrets through excavation have been unsuccessful.
Further south across the desert we see from the Mastabat el-Fara’ûn four distinct pyramids, symmetrically arranged in two lines, two in each line. The two to the right are great stone erections of the usual type, like those of Gîza and Abusîr, and the southernmost of them has a peculiar broken-backed appearance, due to the alteration of the angle of inclination of its sides during construction. Further, it is covered almost to the ground by the original casing of polished white limestone blocks, so that it gives a very good idea of the original appearance of the other pyramids, which have lost their casing. These two pyramids very probably belong to kings of the Hid Dynasty, as does the Step-Pyramid of Sakkâra. They strongly resemble the Gîza type, and the northernmost of the two looks very like an understudy of the Great Pyramid. It seems to mark the step in the development of the royal pyramid which was immediately followed by the Great Pyramid. But no excavations have yet proved the accuracy of this view. Both pyramids have been entered, but nothing has been found in them. It is very probable that one of them is the second pyramid of Snefru.
Further south across the desert, we can see from the Mastabat el-Fara’ûn four distinct pyramids, arranged symmetrically in two lines, with two in each line. The two on the right are large stone structures of the usual type, like those at Gîza and Abusîr, and the southernmost one has a unique broken-backed look because the angle of its sides was changed during construction. Additionally, it is covered almost to the ground by the original casing of polished white limestone blocks, giving a clear idea of what the other pyramids looked like before they lost their casing. These two pyramids likely belong to kings of the Hid Dynasty, just like the Step Pyramid of Sakkâra. They strongly resemble the Gîza type, and the northernmost one looks very much like a smaller version of the Great Pyramid. It seems to represent a step in the evolution of royal pyramids that directly preceded the Great Pyramid, but no excavations have yet confirmed this theory. Both pyramids have been accessed, but nothing was found inside. It’s very likely that one of them is the second pyramid of Snefru.
The other two pyramids, those nearest the cultivation, are of very different appearance. They are half-ruined, they are black in colour, and their whole effect is quite different from that of the stone pyramids. For they are built of brick, not of stone. They are pyramids, it is true, but of a different material and of a different date from those which we have been describing. They are built above the sepulchres of kings of the XIIth Dynasty, the Theban house which transferred its residence northwards to the neighbourhood of the ancient Northern capital. We have, in fact, reached the end of the Old Kingdom at Sakkâra; at Dashûr begin the sepulchres of the Middle Kingdom. Pyramids are still built, but they are not always of stone; brick is used, usually with stone in the interior. The general effect of these brick pyramids, when new, must have been indistinguishable from that of the stone ones, and even now, when it has become half-ruined, such a great brick pyramid as that of Usertsen (Senusret) III at Dashûr is not without impressiveness. After all, there is no reason why a brick building should be less admirable than a stone one. And in its own way the construction of such colossal masses of bricks as the two eastern pyramids of Dashûr must have been as arduous, even as difficult, as that of building a moderate-sized stone pyramid. The photograph of the brick pyramids of Dashûr on this page shows well the great size of these masses of brickwork, which are as impressive as any of the great brick structures of Babylonia and Assyria.
The other two pyramids, the ones closest to the farmland, look completely different. They are partly ruined, black in color, and have a totally different vibe from the stone pyramids. They’re made of brick, not stone. Yes, they are pyramids, but they're built from different materials and date from a different time than the ones we've been discussing. These are constructed over the tombs of kings from the XIIth Dynasty, the Theban lineage that moved its residence north to the area near the ancient Northern capital. We have essentially reached the end of the Old Kingdom at Sakkâra; the tombs of the Middle Kingdom begin at Dashûr. Pyramids are still being built, but they aren't always made of stone; brick is also used, often with stone inside. The overall look of these brick pyramids, when they were new, must have been indistinguishable from that of the stone ones, and even now, when they've become partly ruined, the large brick pyramid of Usertsen (Senusret) III at Dashûr is still quite impressive. After all, there’s no reason a brick building can’t be just as admirable as a stone one. In its own way, constructing huge structures out of bricks like the two eastern pyramids of Dashûr must have been just as challenging, if not more so, than building a medium-sized stone pyramid. The photograph of the brick pyramids of Dashûr on this page clearly shows the immense size of these brick structures, which are as striking as any of the great brick buildings of Babylonia and Assyria.

EXTERIOR OF THE SOUTHERN BRICK PYRAMID OF DASHÛR:
XIITH DYNASTY.
Excavated by M. de Morgan, 1895. This is the secondary tomb of Amenemhat III;
about 2200 B.C.
EXTERIOR OF THE SOUTHERN BRICK PYRAMID OF DASHÛR:
XIITH DYNASTY.
Excavated by M. de Morgan, 1895. This is the secondary tomb of Amenemhat III; about 2200 B.C.
The XIIth Dynasty use of brick for the royal tombs was a return to the custom of earlier days, for from the time of Aha to that Tjeser, from the 1st Dynasty to the Hid, brick had been used for the building of the royal mastaba-tombs, out of which the pyramids had developed.
The 12th Dynasty's use of brick for royal tombs marked a return to an earlier practice. From the time of Aha to Tjeser, spanning the 1st Dynasty to the 5th, brick was commonly used to construct royal mastaba tombs, which eventually evolved into pyramids.
At this point, where we take leave of the great pyramids of the Old Kingdom, we may notice the latest theory as to the building of these monuments, which has of late years been enunciated by Dr. Borchardt, and is now generally accepted. The great Prussian explorer Lepsius, when he examined the pyramids in the ‘forties, came to the conclusion that each king, when he ascended the throne, planned a small pyramid for himself. This was built in a few years’ time, and if his reign were short, or if he were unable to enlarge the pyramid for other reasons, it sufficed for his tomb. If, however, his reign seemed likely to be one of some length, after the first plan was completed he enlarged his pyramid by building another and a larger one around it and over it. Then again, when this addition was finished, and the king still reigned and was in possession of great resources, yet another coating, so to speak, was put on to the pyramid, and so on till colossal structures like the First and Second Pyramid of Giza, which, we know, belonged to kings who were unusually long-lived, were completed. And finally the aged monarch died, and was buried in the huge tomb which his long life and his great power had enabled him to erect. This view appeared eminently reasonable at the time, and it seemed almost as though we ought to be able to tell whether a king had reigned long or not by the size of his pyramid, and even to obtain a rough idea of the length of his reign by counting the successive coats or accretions which it had received, much as we tell the age of a tree by the rings in its bole. A pyramid seemed to have been constructed something after the manner of an onion or a Chinese puzzle-box.
At this point, as we bid farewell to the great pyramids of the Old Kingdom, we can notice the latest theory about how these monuments were built, which has recently been proposed by Dr. Borchardt and is now widely accepted. The great Prussian explorer Lepsius, when he studied the pyramids in the ‘40s, concluded that each king, upon taking the throne, designed a small pyramid for himself. This would be constructed in a few years, and if his reign was short, or if he couldn't expand the pyramid for other reasons, it would serve as his tomb. However, if his reign seemed likely to last a while, he would enlarge his pyramid by building another, larger one around and above it once the first plan was complete. Then, when this addition was finished, and if the king was still in power and had ample resources, yet another layer was added to the pyramid, continuing this process until colossal structures, like the First and Second Pyramid of Giza—which, as we know, belonged to kings who lived unusually long—were completed. Eventually, the aged monarch would die and be buried in the vast tomb that his long life and great power had allowed him to build. This perspective seemed very reasonable at the time, and it felt almost as if we could tell whether a king had a long reign by the size of his pyramid, and even get a rough idea of the length of his reign by counting the successive layers or additions it received, much like estimating a tree's age by its growth rings. A pyramid appeared to have been constructed similarly to an onion or a Chinese puzzle box.

Prof. Pétrie, however, who examined the Griza pyramids in 1881, and carefully measured them all up and finally settled their trigonometrical relation, came to the conclusion that Lepsius’s theory was entirely erroneous, and that every pyramid was built and now stands as it was originally planned. Dr.Borchardt, however, who is an architect by profession, has examined the pyramids again, and has come to the conclusion that Prof. Pétrie’s statement is not correct, and that there is an element of truth in Lepsius’s hypothesis. He has shown that several of the pyramids, notably the First and Second at Giza, show unmistakable signs of a modified, altered, and enlarged plan; in fact, long-lived kings like Khufu seem to have added considerably to their pyramids and even to have entirely remodelled them on a larger scale. This has certainly been the case with the Great Pyramid. We can, then, accept Lepsius’s theory as modified by Dr. Borchardt.
Prof. Pétrie, who studied the Griza pyramids in 1881 and took precise measurements, concluded that Lepsius’s theory was completely wrong and that each pyramid was built exactly as originally intended. However, Dr. Borchardt, an architect, has reexamined the pyramids and found that Prof. Pétrie’s claim is incorrect. He believes there is some truth to Lepsius’s hypothesis. He demonstrated that several of the pyramids, especially the First and Second at Giza, show clear signs of having been modified, altered, and expanded. In fact, long-reigning kings like Khufu appear to have significantly added to their pyramids and even completely redesigned them on a larger scale. This is certainly true for the Great Pyramid. Therefore, we can accept Lepsius’s theory as revised by Dr. Borchardt.
Another interesting point has arisen in connection with the Great Pyramid. Considerable difference of opinion has always existed between Egyptologists and the professors of European archaeology with regard to the antiquity of the knowledge of iron in Egypt. The majority of the Egyptologists have always maintained, on the authority of the inscriptions, that iron was known to the ancient Egyptians from the earliest period. They argued that the word for a certain metal in old Egyptian was the same as the Coptic word for “iron.” They stated that in the most ancient religious texts the Egyptians spoke of the firmament of heaven as made of this metal, and they came to the conclusion that it was because this metal was blue in colour, the hue of iron or steel; and they further pointed out that some of the weapons in the tomb-paintings were painted blue and others red, some being of iron, that is to say, others of copper or bronze. Finally they brought forward as incontrovertible evidence an actual fragment of worked iron, which had been found between two of the inner blocks, down one of the air-shafts, in the Great Pyramid. Here was an actual piece of iron of the time of the IVth Dynasty, about 3500 B.C.
Another interesting point has come up regarding the Great Pyramid. There has always been significant disagreement between Egyptologists and European archaeology professors about how ancient the knowledge of iron was in Egypt. Most Egyptologists have consistently claimed, based on inscriptions, that the ancient Egyptians were aware of iron from their earliest periods. They argued that the term for a certain metal in old Egyptian was the same as the Coptic word for "iron." They noted that in the oldest religious texts, the Egyptians referred to the heavens as being made of this metal, concluding that it was due to its blue color, resembling iron or steel. They also pointed out that some weapons in the tomb paintings were depicted in blue while others were red, indicating some were made of iron and others of copper or bronze. Finally, they cited as undeniable evidence a fragment of worked iron, which was discovered between two inner blocks, down one of the air shafts, in the Great Pyramid. This was an actual piece of iron from the time of the IV Dynasty, around 3500 B.C.
This conclusion was never accepted by the students of the development of the use of metal in prehistoric Europe, when they came to know of it. No doubt their incredulity was partly due to want of appreciation of the Egyptological evidence, partly to disinclination to accept a conclusion which did not at all agree with the knowledge they had derived from their own study of prehistoric Europe. In Southern Europe it was quite certain that iron did not come into use till about 1000 B.C.; in Central Europe, where the discoveries at Hallstatt in the Salzkammergut exhibit the transition from the Age of Bronze to that of Iron, about 800 B.C. The exclusively Iron Age culture of La Tène cannot be dated earlier than the eighth century, if as early as that. How then was it possible that, if iron had been known to the Egyptians as early as 3500 B.C., its knowledge should not have been communicated to the Europeans until over two thousand years later? No; iron could not have been really known to the Egyptians much before 1000 B.C. and the Egyptological evidence was all wrong. This line of argument was taken by the distinguished Swedish archaeologist, Prof. Oscar Montelius, of Upsala, whose previous experience in dealing with the antiquities of Northern Europe, great as it was, was hardly sufficient to enable him to pronounce with authority on a point affecting far-away African Egypt. And when dealing with Greek prehistoric antiquities Prof. Montelius’s views have hardly met with that ready agreement which all acknowledge to be his due when he is giving us the results of his ripe knowledge of Northern antiquities. He has, in fact, forgotten, as most “prehistoric” archaeologists do forget, that the antiquities of Scandinavia, Greece, Egypt, the Semites, the bronze-workers of Benin, the miners of Zimbabwe, and the Ohio mound-builders are not to be treated all together as a whole, and that hard and fast lines of development cannot be laid down for them, based on the experience of Scandinavia.
This conclusion was never accepted by the students studying the use of metal in prehistoric Europe when they learned about it. Their disbelief was likely due to a lack of appreciation for the Egyptological evidence and a reluctance to accept a conclusion that contradicted their own understanding of prehistoric Europe. In Southern Europe, it was clear that iron didn’t come into use until around 1000 B.C.; in Central Europe, discoveries at Hallstatt in the Salzkammergut show the transition from the Bronze Age to the Iron Age around 800 B.C. The strictly Iron Age culture of La Tène cannot be dated earlier than the eighth century, if that early at all. So how was it possible that if iron was known to the Egyptians as early as 3500 B.C., this knowledge didn’t reach Europeans until more than two thousand years later? No, iron likely wasn’t known to the Egyptians before 1000 B.C., and the Egyptological evidence was all wrong. This argument was made by the renowned Swedish archaeologist, Prof. Oscar Montelius from Upsala, whose extensive experience with Northern Europe's antiquities didn’t sufficiently qualify him to make authoritative statements about distant African Egypt. When analyzing Greek prehistoric antiquities, Prof. Montelius's views have not gained the same unanimous agreement that he generally receives when sharing his deep understanding of Northern antiquities. In fact, he has, like many “prehistoric” archaeologists, overlooked the fact that the antiquities of Scandinavia, Greece, Egypt, the Semites, the bronze-workers of Benin, the miners of Zimbabwe, and the Ohio mound-builders can't be treated as a single entity, and rigid lines of development can't be established for them based solely on Scandinavian experiences.
We may perhaps trace this misleading habit of thought to the influence of the professors of natural science over the students of Stone Age and Bronze Age antiquities. Because nature moves by steady progression and develops on even lines—nihil facit per sal-tum—it seems to have been assumed that the works of man’s hands have developed in the same way, in a regular and even scheme all over the world. On this supposition it would be impossible for the great discovery of the use of iron to have been known in Egypt as early as 3500 B.C. for this knowledge to have remained dormant there for two thousand years, and then to have been suddenly communicated about 1000 B.C. to Greece, spreading with lightning-like rapidity over Europe and displacing the use of bronze everywhere. Yet, as a matter of fact, the work of man does develop in exactly this haphazard way, by fits and starts and sudden leaps of progress after millennia of stagnation. Throwsback to barbarism are just as frequent. The analogy of natural evolution is completely inapplicable and misleading.
We can probably trace this misleading way of thinking back to the influence of natural science professors on students studying Stone Age and Bronze Age artifacts. Since nature progresses steadily and develops along consistent paths—nihil facit per sal-tum—it seems to have been assumed that human creations evolved in the same regular and smooth manner worldwide. Based on this assumption, it would be impossible for the significant discovery of iron use to have been known in Egypt as early as 3500 B.C., then to have remained dormant there for two thousand years, only to be suddenly shared with Greece around 1000 B.C., spreading rapidly across Europe and replacing bronze everywhere. Yet, in reality, human work does develop in this unpredictable manner, with fits and starts and sudden leaps forward after long periods of stagnation. Regression to primitive conditions happens just as often. The comparison to natural evolution is completely inappropriate and misleading.
Prof. Montelius, however, following the “evolutionary” line of thought, believed that because iron was not known in Europe till about 1000 B.C. it could not have been known in Egypt much earlier; and in an important article which appeared in the Swedish ethnological journal Ymer in 1883, entitled Bronsaldrn i Egypten (“The Bronze Age in Egypt”), he essayed to prove the contrary arguments of the Egyptologists wrong. His main points were that the colour of the weapons in the frescoes was of no importance, as it was purely conventional and arbitrary, and that the evidence of the piece of iron from the Great Pyramid was insufficiently authenticated, and therefore valueless, in the absence of other definite archaeological evidence in the shape of iron of supposed early date. To this article the Swedish Egyptologist, Dr. Piehl, replied in the same periodical, in an article entitled Bronsaldem i Egypten, in which he traversed Prof. Montelius’s conclusions from the Egyptological point of view, and adduced other instances of the use of iron in Egypt, all, it is true, later than the time of the IVth Dynasty. But this protest received little notice, owing to the fact that it remained buried in a Swedish periodical, while Prof. Montelius’s original article was translated into French, and so became well-known.
Prof. Montelius, however, following the "evolutionary" line of thought, believed that because iron wasn't known in Europe until around 1000 B.C., it couldn't have been known in Egypt much earlier. In an important article published in the Swedish ethnological journal Ymer in 1883, titled Bronsaldrn i Egypten ("The Bronze Age in Egypt"), he attempted to prove the opposing arguments of the Egyptologists wrong. His main points were that the color of the weapons in the frescoes was insignificant, as it was purely conventional and arbitrary, and that the evidence of the piece of iron from the Great Pyramid wasn't sufficiently authenticated and, therefore, was worthless without other clear archaeological evidence of iron from an early date. In response to this article, the Swedish Egyptologist Dr. Piehl wrote a reply in the same journal, in an article titled Bronsaldem i Egypten, where he challenged Prof. Montelius’s conclusions from an Egyptological perspective and presented other examples of iron use in Egypt, all admittedly later than the time of the IVth Dynasty. However, this protest received little attention since it remained published in a Swedish journal, while Prof. Montelius’s original article was translated into French and became well-known.
For the time Prof. Montelius’s conclusions were generally accepted, and when the discoveries of the prehistoric antiquities were made by M. de Morgan, it seemed more probable than ever that Egypt had gone through a regular progressive development from the Age of Stone through those of copper and bronze to that of iron, which was reached about 1100 or 1000 B.C. The evidence of the iron fragment from the Great Pyramid was put on one side, in spite of the circumstantial account of its discovery which had been given by its finders. Even Prof. Pétrie, who in 1881 had accepted the pyramid fragment as undoubtedly contemporary with that building, and had gone so far as to adduce additional evidence for its authenticity, gave way, and accepted Montelius’s view, which held its own until in 1902 it was directly controverted by a discovery of Prof. Pétrie at Abydos. This discovery consisted of an undoubted fragment of iron found in conjunction with bronze tools of VIth Dynasty date; and it settled the matter.[1] The VIth Dynasty date of this piece of iron, which was more probably worked than not (since it was buried with tools), was held to be undoubted by its discoverer and by everybody else, and, if this were undoubted, the IVth Dynasty date of the Great Pyramid fragment was also fully established. The discoverers of the earlier fragment had no doubt whatever as to its being contemporary with the pyramid, and were supported in this by Prof. Pétrie in 1881. Therefore it is now known to be the fact that iron was used by the Egyptians as early as 3500 B.C.[2]
By the time Prof. Montelius’s conclusions were widely accepted, and with the discoveries of prehistoric artifacts made by M. de Morgan, it seemed more likely than ever that Egypt had undergone a clear progressive development from the Stone Age through the Copper and Bronze Ages to the Iron Age, which began around 1100 or 1000 B.C. The evidence of the iron fragment from the Great Pyramid was set aside, despite the detailed account of its discovery provided by its finders. Even Prof. Pétrie, who in 1881 had accepted the pyramid fragment as clearly contemporary with that structure and even presented additional evidence for its authenticity, changed his stance and embraced Montelius’s view, which remained dominant until it was directly challenged in 1902 by a discovery made by Prof. Pétrie at Abydos. This discovery included a definitive fragment of iron found alongside bronze tools dating from the VIth Dynasty, and it resolved the issue. The VIth Dynasty dating of this piece of iron, which was more likely worked than not (since it was buried with tools), was considered indisputable by its discoverer and everyone else, and if this was certain, then the IVth Dynasty dating of the Great Pyramid fragment was also firmly established. The discoverers of the earlier fragment had no doubt at all that it was contemporary with the pyramid, and Prof. Pétrie supported this view in 1881. Thus, it is now established that iron was used by the Egyptians as early as 3500 B.C.
[1] See H. R. Hall’s note on “The Early Use of Iron in Egypt,” in Man (the organ of the Anthropological Society of London), iii (1903), No. 86.
[1] See H. R. Hall’s note on “The Early Use of Iron in Egypt,” in Man (the journal of the Anthropological Society of London), iii (1903), No. 86.
[2] Prof. Montelius objected to these conclusions in a review of the British Museum “Guide to the Antiquities of the Bronze Age,” which was published in Man, 1005 (Jan.), No 7. For an answer to these objections, see Hall, ibid., No. 40.
[2] Professor Montelius disagreed with these conclusions in a review of the British Museum “Guide to the Antiquities of the Bronze Age,” which was published in Man, 1005 (Jan.), No 7. For a response to these objections, see Hall, ibid., No. 40.
It would thus appear that though the Egyptians cannot be said to have used iron generally and so to have entered the “Iron Age” before about 1300 B.C. (reign of Ramses II), yet iron was well known to them and had been used more than occasionally by them for tools and building purposes as early as the time of the IVth Dynasty, about 3500 B.C. Certainly dated examples of its use occur under the IVth, VIth, and XIIIth Dynasties. Why this knowledge was not communicated to Europe before about 1000 B.C. we cannot say, nor are Egyptologists called upon to find the reason. So the Great Pyramid has played an interesting part in the settlement of a very important question.
It seems that while the Egyptians didn't commonly use iron and thus didn't enter the "Iron Age" until around 1300 B.C. (during the reign of Ramses II), they were well aware of it and had used it more than a few times for tools and construction as early as the IV Dynasty, around 3500 B.C. Definitely dated examples of its use exist from the IV, VI, and XIII Dynasties. We can't explain why this knowledge didn't reach Europe until about 1000 B.C., nor are Egyptologists expected to find the answer. Therefore, the Great Pyramid has played a significant role in addressing a very important question.
It was supposed by Prof. Pétrie that the piece of iron from the Great Pyramid had been part of some arrangement employed for raising the stones into position. Herodotus speaks of the machines, which were used to raise the stones, as made of little pieces of wood. The generally accepted explanation of his meaning used to be that a small crane or similar wooden machine was used for hoisting the stone by means of pulley and rope; but M. Legrain, the director of the works of restoration in the Great Temple of Karnak, has explained it differently. Among the “foundation deposits” of the XVIIIth Dynasty at Dêr el-Bahari and elsewhere, beside the little plaques with the king’s name and the model hoes and vases, was usually found an enigmatic wooden object like a small cradle, with two sides made of semicircular pieces of wood, joined along the curved portion by round wooden bars. M. Legrain has now explained this as a model of the machine used to raise heavy stones from tier to tier of a pyramid or other building, and illustrations of the method of its use may be found in Choisy’s Art de Bâtir chez les anciens Egyptiens. There is little doubt that this primitive machine is that to which Herodotus refers as having been used in the erection of the pyramids.
Prof. Pétrie suggested that the piece of iron from the Great Pyramid was part of some setup used to lift the stones into place. Herodotus mentions machines that were used to raise the stones, describing them as made of small pieces of wood. The common understanding of his meaning used to be that a small crane or similar wooden device was employed to lift the stones using pulleys and ropes; however, M. Legrain, the director of restoration at the Great Temple of Karnak, has provided a different interpretation. Among the “foundation deposits” of the XVIII Dynasty at Dêr el-Bahari and other locations, alongside the small plaques with the king’s name and model hoes and vases, there was often an enigmatic wooden object resembling a small cradle, with two sides made of semicircular pieces of wood, connected along the curved part by round wooden bars. M. Legrain has now described this as a model of the machine used to lift heavy stones from one level to another in a pyramid or other structure, and examples of how it was used can be found in Choisy’s Art de Bâtir chez les anciens Egyptiens. There is little doubt that this primitive machine is what Herodotus referred to as being used in the construction of the pyramids.
The later historian, Diodorus, also tells us that great mounds or ramps of earth were used as well, and that the stones were dragged up these to the requisite height. There is no doubt that this statement also is correct. We know that the Egyptians did build in this very way, and the system has been revived by M. Legrain for his work at Karnak, where still exist the remains of the actual mounds and ramps by which the great western pylon was erected in Ptolemaïc times. Work carried on in this way is slow and expensive, but it is eminently suited to the country and understood by the people. If they wish to put a great stone architrave weighing many tons across the top of two columns, they do not hoist it up into position; they rear a great ramp or embankment of earth against the two pillars, half-burying them in the process, then drag the architrave up the ramp by means of ropes and men, and put it into position. Then the ramp is cleared away. This is the ancient system which is now followed at Karnak, and it is the system by which, with the further aid of the wooden machines, the Great Pyramid and its compeers were erected in the days of the IVth Dynasty. Plus cela change, plus c’est la même chose.
The later historian, Diodorus, also points out that large mounds or ramps of earth were used, and that the stones were dragged up these to the necessary height. There's no doubt that this statement is accurate. We know that the Egyptians built in this way, and this method has been revived by M. Legrain for his work at Karnak, where remnants of the actual mounds and ramps that supported the great western pylon built during Ptolemaic times still exist. Working in this manner is slow and costly, but it's well-suited to the landscape and understood by the people. If they want to place a massive stone architrave weighing several tons across the tops of two columns, they don't lift it up; instead, they build a large ramp or embankment of earth against the two pillars, partially burying them in the process, then drag the architrave up the ramp using ropes and manpower, and set it in place. Afterward, the ramp is removed. This is the ancient method still used at Karnak, and it's also the technique through which, with the further aid of wooden machines, the Great Pyramid and its counterparts were constructed during the Fourth Dynasty. Plus ça change, plus c’est la même chose.
The brick pyramids of the XIIth Dynasty were erected in the same way, for the Egyptians had no knowledge of the modern combination of wooden scaffolding and ladders. There was originally a small stone pyramid of the same dynasty at Dashûr, half-way between the two brick ones, but this has now almost disappeared. It belonged to the king Amenemhat II, while the others belonged, the northern to Usertsen (Sen-usret) III, the southern to Amenemhat III. Both these latter monarchs had other tombs elsewhere, Usertsen a great rock-cut gallery and chamber in the cliff at Abydos, Amenemhat a pyramid not very far to the south, at Hawara, close to the Fayyûm. It is uncertain whether the Hawara pyramid or that of Dashûr was the real burial-place of the king, as at neither place is his name found alone. At Hawara it is found in conjunction with that of his daughter, the queen-regnant Se-bekneferurâ (Skemiophris), at Dashûr with that of a king Auabrâ Hor, who was buried in a small tomb near that of the king, and adjoining the tombs of the king’s children. Who King Hor was we do not quite know. His name is not given in the lists, and was unknown until M. de Morgan’s discoveries at Dashûr. It is most probable that he was a prince who was given royal honours during the lifetime of Amenemhat III, whom he predeceased.[3] In the beautiful wooden statue of him found in his tomb, which is now in the Cairo Museum, he is represented as quite a youth. Amenemhat III was certainly succeeded by Amenemhat IV, and it is impossible to intercalate Hor between them.
The brick pyramids of the 12th Dynasty were built in the same manner, as the Egyptians didn’t have knowledge of the modern techniques using wooden scaffolding and ladders. There used to be a small stone pyramid from the same dynasty at Dashûr, located halfway between the two brick ones, but it has now almost vanished. It belonged to King Amenemhat II, while the others belonged to Usertsen (Sen-usret) III in the north and Amenemhat III in the south. Both of these later kings had other tombs elsewhere; Usertsen had a large rock-cut gallery and chamber in the cliff at Abydos, and Amenemhat had a pyramid not far to the south at Hawara, close to the Fayyûm. It’s unclear whether the Hawara pyramid or that of Dashûr was the actual burial place of the king, since neither site has his name alone. At Hawara, his name appears alongside that of his daughter, the queen-regnant Se-bekneferurâ (Skemiophris), while at Dashûr, it's with that of a king Auabrâ Hor, who was buried in a small tomb near the king’s tomb and next to the tombs of the king's children. We don't know much about King Hor. His name doesn't appear in the lists and was unknown until M. de Morgan’s discoveries at Dashûr. It's likely he was a prince who received royal honors during Amenemhat III's lifetime, before he passed away. In the beautiful wooden statue of him found in his tomb, which is now in the Cairo Museum, he is depicted as quite young. Amenemhat III was definitely succeeded by Amenemhat IV, and it’s impossible to place Hor between them.
[3] See below, p. 121. Possibly he was a son of Amenemhat III.
[3] See below, p. 121. He might have been a son of Amenemhat III.
The identification of the owners of the three western pyramids of Dashûr is due to M. de Morgan and his assistants, Messrs. Legrain and Jéquier, who excavated them from 1894 till 1896. The northern pyramid, that of Usertsen (Senusret) III, is not so well preserved as the southern. It is more worn away, and does not present so imposing an appearance. In both pyramids the outer casing of white stone has entirely disappeared, leaving only the bare black bricks. Each stood in the midst of a great necropolis of dignitaries of the period, as was usually the case. Many of the mastabas were excavated by M. de Morgan. Some are of older periods than the XIIth Dynasty, one belonging to a priest of King Snefru, Aha-f-ka (“Ghost-fighter”), who bore the additional titles of “director of prophets and general of infantry.” There were pluralists even in those days. And the distinction between the privy councillor (Geheimrat) and real privy councillor (Wirk-licher-Greheimrat) was quite familiar; for we find it actually made, many an old Egyptian officially priding himself in his tomb on having been a real privy councillor! The Egyptian bureaucracy was already ancient and had its survivals and its anomalies even as early as the time of the pyramid-builders.
The identification of the owners of the three western pyramids of Dashûr is credited to M. de Morgan and his team, including Messrs. Legrain and Jéquier, who excavated them from 1894 to 1896. The northern pyramid, built for Usertsen (Senusret) III, is not as well preserved as the southern one. It shows more wear and doesn’t have such an imposing look. In both pyramids, the outer casing of white stone has completely vanished, leaving only the bare black bricks. Each one was surrounded by a large necropolis for dignitaries of the time, which was typical. Many of the mastabas were excavated by M. de Morgan. Some date back to periods earlier than the XIIth Dynasty, including one belonging to a priest of King Snefru, Aha-f-ka (“Ghost-fighter”), who also held the titles of “director of prophets and general of infantry.” There were already pluralists back then. The distinction between a privy councillor (Geheimrat) and a real privy councillor (Wirk-licher-Greheimrat) was well known; many old Egyptians even boasted in their tombs about being real privy councillors! The Egyptian bureaucracy was already ancient and had its quirks and oddities, even during the time of the pyramid-builders.
In front of the pyramid of Usertsen (Senusret) III at one time stood the usual funerary temple, but it has been totally destroyed. By the side of the pyramid were buried some of the princesses of the royal family, in a series of tombs opening out of a subterranean gallery, and in this gallery were found the wonderful jewels of the princesses Sit-hathor and Merit, which are among the greatest treasures of the Cairo Museum. Those who have not seen them can obtain a perfect idea of their appearance from the beautiful water-colour paintings of them by M. Legrain, which are published in M. de Morgan’s work on the “Fouilles à Dahchour” (Vienna, 1895). Altogether one hundred and seven objects were recovered, consisting of all kinds of jewelry in gold and coloured stones. Among the most beautiful are the great “pectorals,” or breast-ornaments, in the shape of pylons, with the names of Usertsen II, Usertsen III, and Amenemhat III; the names are surrounded by hawks standing on the sign for gold, gryphons, figures of the king striking down enemies, etc., all in cloisonné work, with beautiful stones such as lapis lazuli, green felspar, and carnelian taking the place of coloured enamels. The massive chains of golden beads and cowries are also very remarkable. These treasures had been buried in boxes in the floor of the subterranean gallery, and had luckily escaped the notice of plunderers, and so by a fortunate chance have survived to tell us what the Egyptian jewellers could do in the days of the XIIth Dynasty. Here also were found two great Nile barges, full-sized boats, with their oars and other gear complete. They also may be seen in the Museum of Cairo. It can only be supposed that they had served as the biers of the royal mummies, and had been brought up in state on sledges. The actual royal chamber was not found, although a subterranean gallery was driven beneath the centre of the pyramid.
In front of the pyramid of Usertsen (Senusret) III, there used to be the usual funerary temple, but it has been completely destroyed. Next to the pyramid, some of the princesses from the royal family were buried in a series of tombs leading out from a subterranean gallery, where the stunning jewels of the princesses Sit-hathor and Merit were discovered. These jewels are considered among the greatest treasures of the Cairo Museum. Those who haven't seen them can get a great idea of how they look from the beautiful watercolor paintings by M. Legrain, published in M. de Morgan’s work on the “Fouilles à Dahchour” (Vienna, 1895). A total of one hundred and seven items were recovered, including various types of jewelry made of gold and colored stones. Among the most beautiful pieces are the large “pectorals,” or breast ornaments, shaped like pylons, featuring the names of Usertsen II, Usertsen III, and Amenemhat III; these names are surrounded by hawks perched on the symbol for gold, gryphons, and figures of the king defeating enemies, all crafted in cloisonné work, using gorgeous stones like lapis lazuli, green felspar, and carnelian instead of colored enamels. The massive chains made of golden beads and cowries are also quite remarkable. These treasures were buried in boxes on the floor of the subterranean gallery and fortunately escaped the attention of thieves, allowing them to survive and showcase the skills of Egyptian jewelers from the XIIth Dynasty. Additionally, two large Nile barges, full-sized boats complete with oars and gear, were found here. They can also be seen in the Cairo Museum. It is assumed that these boats served as biers for the royal mummies and were transported in state on sleds. The actual royal burial chamber was not discovered, although a subterranean gallery was constructed beneath the center of the pyramid.
The southern brick pyramid was constructed in the same way as the northern one. At the side of it were also found the tombs of members of the royal house, including that of the king Hor, already mentioned, with its interesting contents. The remains of the mummy of this ephemeral monarch, known only from his tomb, were also found. The entrails of the king were placed in the usual “canopic jars,” which were sealed with the seal of Amenemhat III; it is thus that we know that Hor died before him. In many of the inscriptions of this king, on his coffin and stelo, a peculiarly affected manner of writing the hieroglyphs is found,—the birds are without their legs, the snake has no tail, the bee no head. Birds are found without their legs in other inscriptions of this period; it was a temporary fashion and soon discarded.
The southern brick pyramid was built in the same way as the northern one. Next to it, they also found the tombs of royal family members, including that of King Hor, who has already been mentioned, along with his fascinating belongings. The remains of the mummy of this short-lived ruler, known only from his tomb, were also discovered. The king's entrails were placed in the typical “canopic jars,” which were sealed with the seal of Amenemhat III; this tells us that Hor died before him. In many of the inscriptions by this king, on his coffin and stela, there's a strangely affected way of writing the hieroglyphs—birds without legs, a snake without a tail, and a bee without a head. Birds are shown without legs in other inscriptions from this time; it was a passing trend that was quickly abandoned.
In the tomb of a princess named Nubhetep, near at hand, were found more jewels of the same style as those of Sit-hathor and Merit. The pyramid itself contained the usual passages and chambers, which were reached with much difficulty and considerable tunnelling by M. de Morgan. In fact, the search for the royal death-chambers lasted from December 5, 1894, till March 17, 1895, when the excavators’ gallery finally struck one of the ancient passages, which were found to be unusually extensive, contrasting in this respect with the northern pyramid. The royal tomb-chamber had, of course, been emptied of what it contained. It must be remembered that, in any case, it is probable that the king was not actually buried here, but in the pyramid of Hawara.
In the tomb of a princess named Nubhetep, nearby, more jewels of the same style as those of Sit-hathor and Merit were discovered. The pyramid itself had the typical passages and chambers, which were reached with great difficulty and considerable tunneling by M. de Morgan. In fact, the search for the royal burial chambers lasted from December 5, 1894, to March 17, 1895, when the excavators finally hit one of the ancient passages, which turned out to be unusually extensive, contrasting with the northern pyramid in this respect. The royal tomb chamber had, of course, been cleared of its contents. It must be noted that, in any case, it's likely that the king was not actually buried here but in the pyramid of Hawara.
The pyramid of Amenemhat II, which lies between the two brick pyramids, was built entirely of stone. Nothing of it remains above ground, but the investigation of the subterranean portions showed that it was remarkable for the massiveness of its stones and the care with which the masonry was executed. The same characteristics are found in the dependent tombs of the princesses Ha and Khnumet, in which more jewelry was found. This splendid stonework is characteristic of the Middle Kingdom; we find it also in the temple of Mentuhetep III at Thebes.
The pyramid of Amenemhat II, located between the two brick pyramids, was built entirely of stone. Nothing remains above ground, but exploring the underground sections revealed it was impressive for its large stones and the precision of the masonry. The same features are seen in the tombs of the princesses Ha and Khnumet, where even more jewelry was discovered. This exceptional stonework is typical of the Middle Kingdom; we also see it in the temple of Mentuhetep III at Thebes.
Some distance south of Dashûr is Mêdûm, where the pyramid of Sneferu reigns in solitude, and beyond this again is Lisht, where in the years 1894-6 MM. Gautier and Jéquier excavated the pyramid of Usertsen (Sen-usret) I. The most remarkable find was a cache of the seated statues of the king in white limestone, in absolutely perfect condition. They were found lying on their sides, just as they had been hidden. Six figures of the king in the form of Osiris, with the face painted red, were also found. Such figures seem to have been regularly set up in front of a royal sepulchre; several were found in front of the funerary temple of Mentu-hetep III, Thebes, which we shall describe later. A fine altar of gray granite, with representations in relief of the nomes bringing offerings, was also recovered. The pyramid of Lisht itself is not built of bricks, like those of Dashûr, but of stone. It was not, however, erected in so solid a fashion as those of earlier days at Gîza or Abusîr, and nothing is left of it now but a heap of débris. The XIIth Dynasty architects built walls of magnificent masonry, as we have seen, and there is no doubt that the stone casing of their pyramids was originally very fine, but the interior is of brick or rubble; the wonderful system of building employed by kings of the IVth Dynasty at Giza was not practised.
Some distance south of Dashûr is Mêdûm, where the pyramid of Sneferu stands alone, and beyond this is Lisht, where from 1894 to 1896, MM. Gautier and Jéquier excavated the pyramid of Usertsen (Sen-usret) I. The most remarkable find was a cache of the king's seated statues carved from white limestone, all in perfect condition. They were found lying on their sides, exactly as they had been hidden. Six figures of the king in the form of Osiris, with red-painted faces, were also discovered. These figures seem to have been regularly placed in front of a royal tomb; several were found in front of the funerary temple of Mentu-hetep III in Thebes, which we will describe later. A beautiful altar made of gray granite, featuring relief representations of the nomes bringing offerings, was also recovered. The pyramid of Lisht itself is not built from bricks like those in Dashûr, but rather from stone. However, it was not constructed as solidly as the earlier ones at Giza or Abusîr, and now nothing remains but a pile of debris. The architects of the XIIth Dynasty built walls of magnificent masonry, as we’ve seen, and there’s no doubt that the stone casing of their pyramids was originally very impressive, but the interior consists of brick or rubble; the incredible building techniques used by the kings of the IVth Dynasty at Giza were not employed.
South of Lisht is Illahun, and at the entrance to the province of the Fayyûm, and west of this, nearer the Fayyûm, is Hawara, where Prof. Petrie excavated the pyramids of Usertsen (Senusret) II and Amenem-hat III. His discoveries have already been described by Prof. Maspero in his history, so that it will suffice here merely to compare them with the results of M. de Morgan’s later work at Dashûr and that of MM. Gautier and Jéquier at Lisht, to note recent conclusions in connection with them, and to describe the newest discoveries in the same region.
South of Lisht is Illahun, and at the entrance to the Fayyûm province, and west of that, closer to the Fayyûm, is Hawara, where Prof. Petrie dug up the pyramids of Usertsen (Senusret) II and Amenem-hat III. Prof. Maspero has already detailed his discoveries in his history, so here it’s enough to compare them with the findings of M. de Morgan’s later work at Dashûr and those of MM. Gautier and Jéquier at Lisht, to highlight recent conclusions related to them, and to discuss the latest discoveries in the same area.
Both pyramids are of brick, lined with stone, like those of Dashûr, with some differences of internal construction, since stone walls exist in the interior. The central chambers and passages leading to them were discovered; and in both cases the passages are peculiarly complex, with dumb chambers, great stone portcullises, etc., in order to mislead and block the way to possible plunderers. The extraordinary sepulchral chamber of the Hawara pyramid, which, though it is over twenty-two feet long by ten feet wide over all, is hewn out of one solid block of hard yellow quartzite, gives some idea of the remarkable facility of dealing with huge stones and the love of utilizing them which is especially characteristic of the XIIth Dynasty. The pyramid of Hawara was provided with a funerary temple the like of which had never been known in Egypt before and was never known afterwards. It was a huge building far larger than the pyramid itself, and built of fine limestone and crystalline white quartzite, in a style eminently characteristic of the XIIth Dynasty. In actual superficies this temple covered an extent of ground within which the temples of Karnak, Luxor, and the Ramesseum, at Thebes, could have stood, but has now almost entirely disappeared, having been used as a quarry for two thousand years. In Roman times this destroying process had already begun, but even then the building was still magnificent, and had been noted with wonder by all the Greek visitors to Egypt from the time of Herodotus downwards. Even before his day it had received the name of the “Labyrinth,” on account of its supposed resemblance to the original labyrinth in Crete.
Both pyramids are made of brick, lined with stone, similar to those at Dashûr, though there are some differences in their internal construction, as there are stone walls inside. The central chambers and the passages leading to them were uncovered; in both cases, the passages are notably complex, featuring hidden chambers, large stone portcullises, etc., designed to confuse and block potential thieves. The remarkable burial chamber of the Hawara pyramid, which measures over twenty-two feet long and ten feet wide, is carved from a single solid block of hard yellow quartzite, showcasing the incredible skill in handling large stones and the preference for using them, particularly typical of the XIIth Dynasty. The Hawara pyramid was equipped with a funerary temple unlike any seen in Egypt before or since. It was a massive structure, much larger than the pyramid itself, constructed of fine limestone and crystalline white quartzite, in a style that is distinctly characteristic of the XIIth Dynasty. The area this temple covered was so vast that it could have accommodated the temples of Karnak, Luxor, and the Ramesseum in Thebes, but it has now almost entirely disappeared, having been used as a quarry for two thousand years. The process of destruction had already begun in Roman times, yet even then the building was still impressive and had been admired by all Greek visitors to Egypt from Herodotus's time onward. Even before that, it was known as the "Labyrinth" due to its supposed resemblance to the original labyrinth in Crete.
That the Hawara temple was the Egyptian labyrinth was pointed out by Lepsius in the ‘forties of the last century. Within the last two or three years attention has again been drawn to it by Mr. Arthur Evans’s discovery of the Cretan labyrinth itself in the shape of the Minoan or early Mycenæan palace of Knossos, near Candia in Crete. It is impossible to enter here into all the arguments by which it has been proved that the Knossian palace is the veritable labyrinth of the Minotaur legend, nor would it be strictly germane to our subject were we to do so; but it may suffice to say here that the word
That the Hawara temple was the Egyptian labyrinth was noted by Lepsius in the 1840s. Recently, in the last two or three years, attention has been brought back to it by Mr. Arthur Evans’s discovery of the Cretan labyrinth itself, represented by the Minoan or early Mycenaean palace of Knossos, near Candia in Crete. It’s not possible here to delve into all the arguments that prove the Knossian palace is the actual labyrinth from the Minotaur legend, nor would it be entirely relevant to our topic to do so; however, it might be enough to say here that the word

has been proved to be of Greek-or rather of pre-Hellenic-origin, and would mean in Karian “Place of the Double-Axe,” like La-braunda in Karia, where Zeus was depicted with a double axe (labrys) in his hand. The non-Aryan, “Asianic,” group of languages, to which certainly Lycian and probably Karian belong, has been shown by the German philologer Kretschmer to have spread over Greece into Italy in the period before the Aryan Greeks entered Hellas, and to have left undoubted traces of its presence in Greek place-names and in the Greek language itself. Before the true Hellenes reached Crete, an Asianic dialect must have been spoken there, and to this language the word “labyrinth” must originally have belonged. The classical labyrinth was “in the Knossian territory.” The palace of Knossos was emphatically the chief seat of the worship of a god whose emblem was the double-axe; it was the Knossian “Place of the Double-Axe,” the Cretan “Labyrinth.”
has been shown to have Greek—or more accurately, pre-Hellenic—origins, and would translate in Karian to “Place of the Double-Axe,” similar to La-braunda in Karia, where Zeus was depicted holding a double axe (labrys). The non-Aryan, “Asianic,” group of languages, which includes Lycian and likely Karian, has been demonstrated by the German philologist Kretschmer to have spread throughout Greece and into Italy before the Aryan Greeks arrived in Hellas, leaving clear traces of its influence in Greek place names and the Greek language itself. Before the true Hellenes arrived in Crete, an Asianic dialect was probably spoken there, and the word “labyrinth” most likely originated from this language. The classical labyrinth was located “in the Knossian territory.” The palace of Knossos was notably the primary site of worship for a god whose symbol was the double axe; it was the Knossian “Place of the Double-Axe,” the Cretan “Labyrinth.”
It used to be supposed that the Cretan labyrinth had taken its name from the Egyptian one, and the, word itself was supposed to be of Egyptian origin. An Egyptian etymology was found for it as “Ro-pi-ro-henet,” “Temple-mouth-canal,” which might be interpreted, with some violence to Egyptian construction, as “The temple at the mouth of the canal,” i.e. the Bahr Yusuf, which enters the Fayyûm at Hawara. But unluckily this word would have been pronounced by the natives of the vicinity as “Elphilahune,” which is not very much like
It was once thought that the Cretan labyrinth got its name from the Egyptian one, and that the word itself originated in Egypt. An Egyptian etymology was suggested as “Ro-pi-ro-henet,” meaning “Temple-mouth-canal,” which could be loosely interpreted as “The temple at the mouth of the canal,” referring to the Bahr Yusuf, which flows into the Fayyûm at Hawara. However, unfortunately, this word would have been pronounced by the locals as “Elphilahune,” which doesn't sound very similar.

“Ro-pi-ro-henet” is, in fact, a mere figment of the philological imagination, and cannot be proved ever to have existed. The element Ro-henet, “canal-mouth” (according to the local pronunciation of the Fayyûm and Middle Egypt, called La-hunè), is genuine; it is the origin of the modern Illahun (el-Lahun), which is situated at the “canal-mouth.” However, now that we know that the word labyrinth can be explained satisfactorily with the help of Karian, as evidently of Greek (pre-Aryan) origin, and as evidently the original name of the Knossian labyrinth, it is obvious that there is no need to seek a far-fetched explanation of the word in Egypt, and to suppose that the Greeks called the Cretan labyrinth after the Egyptian one.
Ro-pi-ro-henet is actually just a product of linguistic imagination and cannot be proven to have ever existed. The element Ro-henet, which means “canal-mouth” (according to the local pronunciation of the Fayyûm and Middle Egypt, known as La-hunè), is real; it is the source of the modern name Illahun (el-Lahun), located at the “canal-mouth.” However, now that we understand that the word labyrinth can be satisfactorily explained with the help of Karian, which is clearly of Greek (pre-Aryan) origin and evidently the original name for the Knossian labyrinth, it’s clear that there’s no need to look for an unlikely explanation of the word in Egypt or to assume that the Greeks named the Cretan labyrinth after the Egyptian one.
The contrary is evidently the case. Greek visitors to Egypt found a resemblance between the great Egyptian building, with its numerous halls and corridors, vast in extent, and the Knossian palace. Even if very little of the latter was visible in the classical period, as seems possible, yet the site seems always to have been kept holy and free from later building till Roman times, and we know that the tradition of the mazy halls and corridors of the labyrinth was always clear, and was evidently based on a vivid reminiscence. Actually, one of the most prominent characteristics of the Knossian palace is its mazy and labyrinthine system of passages and chambers. The parallel between the two buildings, which originally caused the Greek visitors to give the pyramid-temple of Hawara the name of “labyrinth,” has been traced still further. The white limestone walls and the shining portals of “Parian marble,” described by Strabo as characteristic of the Egyptian labyrinth, have been compared with the shining white selenite or gypsum used at Knossos, and certain general resemblances between the Greek architecture of the Minoan age and the almost contemporary Egyptian architecture of the XIIth Dynasty have been pointed out.[4] Such resemblances may go to swell the amount of evidence already known, which tells us that there was a close connection between Egyptian and Minoan art and civilization, established at least as early as 2500 B.C.
The opposite is clearly true. Greek visitors to Egypt noticed a similarity between the impressive Egyptian structures, with their many halls and extensive corridors, and the palace at Knossos. Even though not much of the latter was visible during the classical period, which is possible, the site seems to have always been kept sacred and clear of later construction until Roman times. We know that the memory of the confusing halls and corridors of the labyrinth was always vivid and was clearly based on a strong recollection. In fact, one of the most notable features of the palace at Knossos is its intricate and maze-like system of passages and rooms. The connection between the two structures, which initially led Greek visitors to call the pyramid-temple of Hawara the "labyrinth," has been investigated even further. The white limestone walls and gleaming entrances of “Parian marble,” noted by Strabo as typical of the Egyptian labyrinth, have been likened to the brilliant white selenite or gypsum used at Knossos. Additionally, some general similarities between the Greek architecture of the Minoan period and the nearly contemporaneous Egyptian architecture of the XII Dynasty have been highlighted. Such similarities may add to the already substantial evidence that indicates a close relationship between Egyptian and Minoan art and civilization, going back at least to 2500 B.C.
[4] See H. R. Hall, Journal of Hellenic Studies, 1905 (Pt. ii). The Temple of the Sphinx at Gîza may also be compared with those of Hawara and Knossos. It seems most probable that the Temple of the Sphinx is a XIIth Dynasty building.
[4] See H. R. Hall, Journal of Hellenic Studies, 1905 (Pt. ii). The Temple of the Sphinx at Giza can also be compared with those at Hawara and Knossos. It is most likely that the Temple of the Sphinx is a XIIth Dynasty structure.
For it must be remembered that within the last few years we have learned from the excavations in Crete a new chapter of ancient history, which, it might almost seem, shows us Greece and Egypt in regular communication from nearly the beginnings of Egyptian history. As the excavations which have told us this were carried on in Crete, not in Egypt, to describe them does not lie within the scope of this book, though a short sketch of their results, so far as they affect Egyptian history in later days, is given in Chapter VII. Here it may suffice to say that, as far as the early period is concerned, Egypt and Crete were certainly in communication in the time of the XIIth Dynasty, and quite possibly in that of the VIth or still earlier. We have IIId Dynasty Egyptian vases from Knossos, which were certainly not imported in later days, for no ancient nation had antiquarian tastes till the time of the Saïtes in Egypt and of the Romans still later. In fact, this communication seems to go so far back in time that we are gradually being led to perceive the possibility that the Minoan culture of Greece was in its origin an offshoot from that of primeval Egypt, probably in early Neolithic times. That is to say, the Neolithic Greeks and Neolithic Egyptians were both members of the same “Mediterranean” stock, which quite possibly may have had its origin in Africa, and a portion of which may have crossed the sea to Europe in very early times, taking with it the seeds of culture which in Egypt developed in the Egyptian way, in Greece in the Greek way. Actual communication and connection may not have been maintained at first, and probably they were not. Prof. Petrie thinks otherwise, and would see in the boats painted on the predynastic Egyptian vases (see Chapter I) the identical galleys by which, in late Neolithic times, commerce between Crete and Egypt was carried on across the Mediterranean. It is certain, however, that these boats are ordinary little river craft, the usual Nile felûkas and gyassas of the time; they are depicted together with emblems of the desert and cultivated land,-ostriches, antelopes, hills, and palm-trees,-and the thoroughly inland and Upper Egyptian character of the whole design springs to the eye. There can be no doubt whatever that the predynastic boats were not seagoing galleys.
We should remember that in recent years, excavations in Crete have revealed a new chapter of ancient history that suggests Greece and Egypt were regularly in contact almost since the beginnings of Egyptian history. Since these excavations occurred in Crete and not in Egypt, detailing them isn't the focus of this book; however, a brief overview of their results, particularly regarding their impact on later Egyptian history, is provided in Chapter VII. For now, it's enough to say that at least during the XII Dynasty, Egypt and Crete were definitely in communication, and possibly even during the VI Dynasty or even earlier. We have III Dynasty Egyptian vases from Knossos that couldn't have been imported later because no ancient civilization had an interest in antiquities until the Saïtes in Egypt and later the Romans. In fact, this connection appears to reach so far back in time that we are beginning to consider the possibility that Minoan culture in Greece originated from early Egyptian culture, likely during Neolithic times. This means that Neolithic Greeks and Neolithic Egyptians were likely part of the same "Mediterranean" lineage, which may have originated in Africa, with some of them crossing the sea to Europe in very early times, bringing with them seeds of culture that evolved differently in Egypt and Greece. Initial communication and connection may not have been consistent, and likely were not. Professor Petrie has a different view and believes that the boats depicted on predynastic Egyptian vases (see Chapter I) represent the same types of galleys used for trade between Crete and Egypt in late Neolithic times across the Mediterranean. However, it's clear that these boats were just ordinary small river vessels, the usual Nile felûkas and gyassas of that time; they are shown alongside symbols of the desert and farmland—ostriches, antelopes, hills, and palm trees—and the distinctly inland Upper Egyptian nature of the entire design is evident. There is no doubt at all that the predynastic boats were not seagoing vessels.
It was probably not till the time of the pyramid-builders that connection between the Greek Mediterraneans and the Nilotes was re-established. Thence-forward it increased, and in the time of the XIIth Dynasty, when the labyrinth of Amenemhat III was built, there seems to have been some kind of more or less regular communication between the two countries.
It was likely not until the time of the pyramid builders that the link between the Greeks around the Mediterranean and the people of the Nile was re-established. From that point on, it grew, and during the XII Dynasty, when Amenemhat III's labyrinth was built, there appears to have been a fairly regular exchange between the two countries.
It is certain that artistic ideas were exchanged between them at this period. How communication was carried on we do not know, but it was probably rather by way of Cyprus and the Syrian coast than directly across the open sea. We shall revert to this point when we come to describe the connection between Crete and Egypt in the time of the XVIIIth Dynasty, when Cretan ambassadors visited the Egyptian court and were depicted in tomb paintings at Thebes. Between the time of the XIIth Dynasty and that of the XVIIIth this connection seems to have been very considerably strengthened; for at Knossos have been found an Egyptian statuette of an Egyptian named Abnub, who from his name must have lived about the end of the XIIIth Dynasty, and the top of an alabastron with the royal name of Khian, one of the Hyksos kings.
It's clear that artistic ideas were shared between them during this time. We don't know exactly how they communicated, but it likely happened through Cyprus and the Syrian coast rather than directly across the open sea. We'll come back to this when we discuss the connection between Crete and Egypt during the XVIIIth Dynasty, when Cretan ambassadors visited the Egyptian court and were illustrated in tomb paintings at Thebes. Between the XIIth Dynasty and the XVIIIth, this connection appears to have significantly strengthened; an Egyptian statuette of a man named Abnub, who likely lived around the end of the XIIIth Dynasty, has been found at Knossos, as well as the top of an alabastron with the royal name of Khian, one of the Hyksos kings.
Quite close to Hawara, at Illahun, in the ruins of the town which was built by Usertsen’s workmen when they were building his pyramid, Prof. Petrie found fragments of pottery of types which we now know well from excavations in Crete and Cyprus, though they were then unknown. They are fragments of the polychrome Cretan ware called, after the name of the place where it was first found in Crete, Kamares ware, and of a black ware ornamented with small punctures, which are often filled up with white. This latter ware has been found elsewhere associated with XIIIth Dynasty antiquities. The former is known to belong in Crete to the “early Minoan” period, long anterior to the “late Minoan” or “Palace” period, which was contemporary with the Egyptian XVIIIth Dynasty. We have here another interesting proof of a connection between XIIth Dynasty Egypt and early Minoan Crete. The later connection, under the XVIIIth and following dynasties, is also illustrated in the same reign by Prof. Petrie’s finds of late Mycenaean objects and foreign graves at Medinet Gurob.[5]
Quite close to Hawara, at Illahun, in the ruins of the town built by Usertsen’s workers while constructing his pyramid, Prof. Petrie found fragments of pottery types that we now recognize well from excavations in Crete and Cyprus, although they were unknown at the time. These include pieces of the colorful Cretan pottery known as Kamares ware, named after the location in Crete where it was first discovered, and a black ware decorated with small punctures often filled with white. This black ware has been found elsewhere alongside XIIIth Dynasty artifacts. The Kamares ware is known to date back to the "early Minoan" period, which is much earlier than the "late Minoan" or "Palace" period, contemporaneous with the Egyptian XVIIIth Dynasty. Here, we have another intriguing piece of evidence connecting XIIth Dynasty Egypt and early Minoan Crete. The later connection, during the XVIIIth Dynasty and subsequent dynasties, is also illustrated in this same reign by Prof. Petrie’s discoveries of late Mycenaean objects and foreign graves at Medinet Gurob.[5]
[5] One man who was buried here bore the name An-Tursha, “Pillar of the Tursha.” The Tursha were a people of the Mediterranean, possibly Tylissians of Crete.
[5] One man buried here was named An-Tursha, “Pillar of the Tursha.” The Tursha were a Mediterranean people, possibly Tylissians from Crete.
These excavations at Hawara, Illahun, Kahun, and Gurob were carried out in the years 1887-9. Since then Prof. Petrie and his co-workers have revisited the same district, and Gurob has been re-examined (in 1904) by Messrs. Loat and Ayrton, who discovered there a shrine devoted to the worship of fish. This work was carried on at the same time as Prof. Petrie’s main excavation for the Egypt Exploration Fund at Annas, or Ahnas-yet el-Medina, the site of the ancient Henensu, the Herakleopolis of the Greeks. Prof. Naville had excavated there for the Egypt Exploration Fund in 1892, but had not completely cleared the temple. This work was now taken up by Prof. Petrie, who laid the whole building bare. It is dedicated to Hershefi, the local deity of Herakleopolis. This god, who was called Ar-saphes by the Greeks, and identified with Herakles, was in fact a form of Horus with the head of a ram; his name means “Terrible-Face.” The greater part of the temple dates to the time of the XIXth Dynasty, and nothing of the early period is left. We know, however, that the Middle Kingdom was the flourishing period of the city of Hershefi. For a comparatively brief period, between the age of Memphite hegemony and that of Theban dominion, Herakleopolis was the capital city of Egypt. The kings of the IXth and Xth Dynasties were Herakleopolites, though we know little of them. One, Kheti, is said to have been a great tyrant. Another, Nebkaurâ, is known only as a figure in the “Legend of the Eloquent Peasant,” a classical story much in vogue in later days. Another, Merikarâ, is a more real personage, for we have contemporary records of his days in the inscriptions of the tombs at Asyût, from which we see that the princes of Thebes were already wearing down the Northerners, in spite of the resistance of the adherents of Herakleopolis, among whom the most valiant were the chiefs of Asyût. The civil war eventuated in favour of Thebes, and the Theban XIth Dynasty assumed the double crown. The sceptre passed from Memphis and the North, and Thebes enters upon the scene of Egyptian history.
The excavations at Hawara, Illahun, Kahun, and Gurob took place between 1887 and 1889. Since then, Professor Petrie and his team have returned to the same area, and Gurob was re-examined in 1904 by Messrs. Loat and Ayrton, who found a shrine dedicated to the worship of fish. This work coincided with Professor Petrie’s main excavation for the Egypt Exploration Fund at Annas, or Ahnas-yet el-Medina, the site of the ancient Henensu, known as Herakleopolis to the Greeks. Professor Naville had excavated there for the Egypt Exploration Fund in 1892 but hadn't fully cleared the temple. Professor Petrie took on this work and exposed the entire building. It is dedicated to Hershefi, the local god of Herakleopolis. This god, called Ar-saphes by the Greeks and identified with Herakles, was actually a form of Horus with a ram's head; his name means “Terrible-Face.” Most of the temple dates back to the time of the XIXth Dynasty, and nothing from the earlier period remains. However, we know that the Middle Kingdom was a prosperous time for the city of Hershefi. For a relatively short period, between the dominance of Memphis and that of Thebes, Herakleopolis was the capital of Egypt. The kings of the IXth and Xth Dynasties were from Herakleopolis, although we know little about them. One, Kheti, is described as a great tyrant. Another, Nebkaurâ, is remembered only as a character in the “Legend of the Eloquent Peasant,” a popular story later on. Merikarâ is a more substantial figure, as we have contemporary records from the inscriptions in the tombs at Asyût, which show that the princes of Thebes were already overpowering the Northerners, despite the resistance from the followers of Herakleopolis, particularly the brave leaders of Asyût. The civil war ultimately favored Thebes, and the Theban XIth Dynasty took the double crown. Power shifted from Memphis and the North, marking the rise of Thebes in Egyptian history.
With this event the Nile-land also entered upon a new era of development. The metropolis of the kingdom was once more shifted to the South, and, although the kings of the XIIth Dynasty actually resided in the North, their Theban origin was never forgotten, and Thebes was regarded as the chief city of the country. The XIth Dynasty kings actually reigned at Thebes, and there the later kings of the XIIIth Dynasty retired after the conquest of the Hyksos. The fact that with Thebes were associated all the heroic traditions of the struggle against the Hyksos ensured the final stability of the capital there when the hated Semites were finally driven out, and the national kingdom was re-established in its full extent from north to south. But for occasional intervals, as when Akhunaten held his court at Tell el-Amarna and Ramses II at Tanis, Thebes remained the national capital for six hundred years, till the time of the XXIId Dynasty.
With this event, the Nile region entered a new era of development. The capital of the kingdom was once again moved south. Although the kings of the XII Dynasty actually lived in the north, they never forgot their Theban roots, and Thebes was viewed as the main city of the country. The kings of the XI Dynasty ruled from Thebes, and it was there that later kings of the XIII Dynasty retreated after defeating the Hyksos. The association of Thebes with all the heroic traditions from the fight against the Hyksos ensured its stability as the capital when the despised Semites were finally expelled, allowing the national kingdom to be fully reestablished from north to south. Except for brief periods, like when Akhenaten held his court at Tell el-Amarna and Ramses II at Tanis, Thebes remained the national capital for six hundred years, until the time of the XXIId Dynasty.
Another great change which differentiates the Middle Kingdom (XIth-XIIIth Dynasties) from the Old Kingdom was caused by Egypt’s coming into contact with other outside nations at this period. During the whole history of the Old Kingdom, Egyptian relations with the outer world had been nil. We have some inkling of occasional connection with the Mediterranean peoples, the Ha-nebu or Northerners; we have accounts of wars with the people of Sinai and other Bedawin and negroes; and expeditions were also sent to the land of Punt (Somaliland) by way of the Upper Nile. But we have not the slightest hint of any connection with, or even knowledge of, the great nations of the Euphrates valley or the peoples of Palestine. The Babylonian king Narâm-Sin invaded the Sinaitic peninsula (the land of Magan) as early as 3750 b. c, about the time of the IIId Egyptian Dynasty. The great King Tjeser, of that dynasty, also invaded Sinai, and so did Snefru, the last king of the dynasty. But we have no hint of any collision between Babylonians and Egyptians at that time, nor do either of them betray the slightest knowledge of one another’s existence. It can hardly be that the two civilized peoples of the world in those days were really absolutely ignorant of each other, but we have no trace of any connection between them, other than the possible one before the founding of the Egyptian monarchy.
Another significant change that sets the Middle Kingdom (11th–13th Dynasties) apart from the Old Kingdom was Egypt's interaction with other nations during this time. Throughout the entire Old Kingdom, Egypt had no relations with the outside world. There’s some evidence of occasional contact with Mediterranean peoples, the Ha-nebu or Northerners; reports exist of conflicts with the people of Sinai and other Bedouins and Africans; and expeditions were sent to the land of Punt (Somaliland) via the Upper Nile. However, we have no indication of any connection with, or even awareness of, the great nations of the Euphrates Valley or the peoples of Palestine. The Babylonian king Narâm-Sin invaded the Sinai Peninsula (the land of Magan) as early as 3750 B.C., around the time of the 3rd Egyptian Dynasty. The great King Tjeser of that dynasty also invaded Sinai, and so did Snefru, the last king of the dynasty. Yet, there’s no sign of any clash between Babylonians and Egyptians at that time, nor do either show any awareness of each other's existence. It seems unlikely that these two advanced civilizations were completely unaware of each other, but we have no evidence of any connection between them, other than possibly before the establishment of the Egyptian monarchy.
This early connection, however, is very problematical. We have seen that there seems to be in early Egyptian civilization an element ultimately of Babylonian origin, and that there are two theories as to how it reached Egypt. One supposes that it was brought by a Semitic people of Arab affinities (represented by the modern Grallas), who crossed the Straits of Bab el-Man-deb and reached Egypt either by way of the Wadi Hammamat or by the Upper Nile. The other would bring it across the Isthmus of Suez to the Delta, where, at Heliopolis, there certainly seems to have been a settlement of a Semitic type of very ancient culture. In both cases we should have Semites bringing Babylonian culture to Egypt. This, as we may remind the reader, was not itself of Semitic origin, but was a development due to a non-Semitic people, the Sumerians as they are called, who, so far as we know, were the aboriginal inhabitants of Babylonia. The Sumerian language was of agglutinative type, radically distinct both from the pure Semitic idioms and from Egyptian. The Babylonian elements of culture which the early Semitic invaders brought with them to Egypt were, then, ultimately of Sumerian origin. Sumerian civilization had profoundly influenced the Semitic tribes for centuries before the Semitic conquest of Babylonia, and when the Sumerians became more and more a conquered race, finally amalgamating with their conquerors and losing their racial and linguistic individuality, they were conquered by an alien race but not by an alien culture. For the culture of the Semites was Sumerian, the Semitic races owing their civilization to the Sumerians. That is as much as to say that a great deal of what we call Semitic culture is fundamentally non-Semitic.
This early connection, however, is quite complicated. We've seen that there seems to be an element in early Egyptian civilization that ultimately comes from Babylon, and there are two theories about how it arrived in Egypt. One theory suggests it was brought by a Semitic group with Arab ties (represented by today's Grallas), who crossed the Straits of Bab el-Mandeb and reached Egypt either through the Wadi Hammamat or along the Upper Nile. The other theory proposes that it came across the Isthmus of Suez to the Delta, where, at Heliopolis, there appears to have been a settlement of very ancient Semitic culture. In both scenarios, we have Semites introducing Babylonian culture to Egypt. It's worth noting that this culture was not originally Semitic; it developed from a non-Semitic group known as the Sumerians, who were likely the original inhabitants of Babylonia. The Sumerian language was agglutinative, which is fundamentally different from both pure Semitic languages and Egyptian. The Babylonian cultural elements that the early Semitic invaders brought to Egypt were ultimately derived from Sumerian origins. Sumerian civilization had significantly influenced Semitic tribes for centuries before the Semitic conquest of Babylonia. As the Sumerians increasingly became a conquered people, they eventually mixed with their conquerors and lost their racial and linguistic identity; they were overcome by a foreign race but not by a foreign culture. The culture of the Semites was Sumerian, and the Semitic peoples owed their civilization to the Sumerians. This means a lot of what we refer to as Semitic culture is fundamentally non-Semitic.
In the earliest days, then, Egypt received elements of Sumerian culture through a Semitic medium, which introduced Semitic elements into the language of the people, and a Semitic racial strain. It is possible. that both theories as to the routes of these primeval conquerors are true, and that two waves of Semites entered the Nile valley towards the close of the Neolithic period, one by way of the Upper Nile or Wadi Hammamat, the other by way of Heliopolis.
In the earliest days, Egypt absorbed aspects of Sumerian culture through a Semitic channel, which infused Semitic elements into the local language and introduced a Semitic racial influence. It’s possible that both theories regarding the routes of these ancient conquerors are accurate, and that two groups of Semites entered the Nile valley towards the end of the Neolithic period—one via the Upper Nile or Wadi Hammamat, and the other through Heliopolis.
After the reconsolidation of the Egyptian people, with perhaps an autocratic class of Semitic origin and a populace of indigenous Nilotic race, we have no trace of further connection with the far-away centre of Semitic culture in Babylonia till the time of the Theban hegemony. Under the XIIth Dynasty we see Egyptians in friendly relations with the Bedawin of Idumsea and Southern Palestine. Thus Sanehat, the younger son of Amenemhat I, when the death of his royal father was announced, fled from the new king Usertsen (Senusret) into Palestine, and there married the daughter of the chief Ammuanshi and became a Syrian chief himself, only finally returning to Egypt as an old man on the assurance of the royal pardon and favour. We have in the reign of Usertsen (Senusret) II the famous visit of the Arab chief Abisha (Abêshu’) with his following to the court of Khnumhetep, the prince of the Oryx nome in Middle Egypt, as we see it depicted on the walls of Khnumhetep’s tomb at Beni Hasan. We see Usertsen (Senusret) III invading Palestine to chastise the land of Sekmem and the vile Syrians.[6]
After the unification of the Egyptian people, likely led by an autocratic class of Semitic origin along with a local Nilotic population, we see no signs of further connection with the distant center of Semitic culture in Babylonia until the period of Theban dominance. During the XII Dynasty, we observe Egyptians maintaining friendly relations with the Bedouins of Idumea and Southern Palestine. For instance, Sanehat, the younger son of Amenemhat I, fled to Palestine after the announcement of his father’s death and the rise of the new king Usertsen (Senusret). In Palestine, he married the daughter of the chief Ammuanshi and eventually became a chief himself, only returning to Egypt as an elderly man after being assured of royal pardon and favor. During the reign of Usertsen (Senusret) II, we have the notable visit of the Arab chief Abisha (Abêshu’) and his entourage to the court of Khnumhetep, the ruler of the Oryx nome in Middle Egypt, as depicted on the walls of Khnumhetep’s tomb at Beni Hasan. Usertsen (Senusret) III is also seen invading Palestine to punish the land of Sekmem and the wicked Syrians.[6]
[6] We know of this campaign from the interesting historical stele of the general Sebek-khu (who took part in it), which was found during Mr. Garstang’s excavations at Abydos, not previously referred to above. They were carried out in 1900, and resulted in the complete clearance of a part of the great cemetery which had been created during the XIIth Dynasty. The group of objects from the tombs of this cemetery, and those of XVIIIth Dynasty tombs also found, is especially valuable as showing the styles of objects in use at these two periods (see Garstang, el-Ardbah, 1901).
[6] We know about this campaign from the fascinating historical stele of General Sebek-khu, who participated in it. This stele was discovered during Mr. Garstang's excavations at Abydos in 1900, which cleared a section of the great cemetery established during the XII Dynasty. The collection of artifacts from the tombs in this cemetery, along with those from XVIII Dynasty tombs found during the excavations, is particularly important because it showcases the styles of objects used during these two periods (see Garstang, el-Ardbah, 1901).
The arm of Egypt was growing longer, and its weight was being felt in regions where it had previously been entirely unknown. Eventually the collision came. Egypt collided with an Asiatic power, and got the worst of the encounter. So much the worse that the Theban monarchy of the Middle Kingdom was overthrown, and Northern Egypt was actually conquered by the Asiatic foreigners and ruled by a foreign house for several centuries. Who these conquering Hyksos, or Shepherd Kings, were no recent discovery has told us. An old idea was that they were Mongols. It was supposed that the remarkable faces of the sphinxes of Tanis, now in the Cairo Museum, which bore the names of Hyksos kings, were of Mongolian type, as also those of two colossal royal heads discovered by M. Naville at Bubastis. But M. Golénischeff has now shown that these heads are really those of XIIth Dynasty kings, and not of Hyksos at all. Messrs. Newberry and Garstang have lately endeavoured to show that this type was foreign, and probably connected with that of the Kheta, or Hittites, of Northern Syria, who came into prominence as enemies of Egypt at a later period. They think that the type was introduced into the Egyptian royal family by Nefret, the queen of Usertsen (Senusret) II, whom they suppose to have been a Hittite princess. At the same time they think it probable that the type was also that of the Hyksos, whom they consider to have been practically Hittites. They therefore revive the theory of de Cara, which connects the Hyksos with the Hittites and these with the Pelasgi and Tyrseni.
The influence of Egypt was expanding, and its presence was being felt in areas where it had previously been completely unknown. Eventually, a clash occurred. Egypt faced an Asian power and suffered significant losses in the encounter. It was so severe that the Theban monarchy of the Middle Kingdom was toppled, and Northern Egypt was actually taken over by the foreign invaders, who ruled for several centuries. Recent findings have revealed more about these conquering Hyksos, or Shepherd Kings. An older belief suggested that they were Mongols; it was thought that the distinctive features of the sphinxes from Tanis, now in the Cairo Museum, which bore the names of Hyksos kings, were of Mongolian descent, as were those of two massive royal heads found by M. Naville at Bubastis. However, M. Golénischeff has now demonstrated that these heads actually belonged to XIIth Dynasty kings, not Hyksos at all. Recently, Messrs. Newberry and Garstang have attempted to prove that this facial type was foreign and likely related to the Kheta, or Hittites, from Northern Syria, who became known as enemies of Egypt later on. They believe that this type was introduced into the Egyptian royal family by Nefret, the queen of Usertsen (Senusret) II, whom they suggest was a Hittite princess. At the same time, they find it likely that this type also characterizes the Hyksos, whom they view as essentially Hittites. Therefore, they revive the theory of de Cara, linking the Hyksos to the Hittites and connecting them to the Pelasgi and Tyrseni.
This is a very interesting theory, which, when carried out to its logical conclusion, would connect the Hyksos and Hittites racially with the pre-Hellenic “Minoan” Mycenseans of Greece, as well as with the Etruscans of Italy. But there is little of certainty in it. It is by no means impossible that we may eventually come to know that the Hittites (Kheta, the Khatte of the Assyrians) and other tribes of Asia Minor were racially akin to the “Minoans” of Greece, but the connection between the Hyksos and the Hittites is to seek. The countenances of the Kheta on the Egyptian monuments of Ramses II’s time have an angular cast, and so have those of the Tanis sphinxes, of Queen Nefret, of the Bubastis statues, and the statues of Usertsen (Senusret) III and Amenemhat III. We might then suppose, with Messrs. Newberry and Garstang, that Nefret was a Kheta princess, who gave her peculiar racial traits to her son Usertsen (Senusret) III and his son Amenem-hat, were it not far more probable that the resemblance between this peculiar XIIth Dynasty type and the Kheta face is purely fortuitous.
This is a really interesting theory that, if taken to its logical conclusion, would link the Hyksos and Hittites racially to the pre-Hellenic “Minoan” Mycenaeans of Greece, as well as to the Etruscans of Italy. However, there’s not much certainty in it. It’s certainly possible that we might eventually learn that the Hittites (Kheta, the Khatte of the Assyrians) and other tribes from Asia Minor were racially related to the “Minoans” of Greece, but the connection between the Hyksos and the Hittites is tenuous. The faces of the Kheta on the Egyptian monuments from Ramses II’s era have an angular shape, similar to those of the Tanis sphinxes, Queen Nefret, the Bubastis statues, and the statues of Usertsen (Senusret) III and Amenemhat III. We might then consider, along with Messrs. Newberry and Garstang, that Nefret was a Kheta princess who passed her distinctive racial features to her son Usertsen (Senusret) III and his son Amenem-hat, but it’s more likely that the similarity between this particular XIIth Dynasty type and the Kheta face is purely coincidental.
There is really no reason to suppose that the type of face presented by Nefret, Usertsen, and Amenemhat is not purely Egyptian. It may be seen in many a modern fellah, and the truth probably is that the sculptors have in the case of these rulers very faithfully and carefully depicted their portraits, and that their faces happen to have been of a rather hard and forbidding type. But, if we grant the contention of Messrs. Newberry and Garstang for the moment, where is the connection between these XIIth Dynasty kings and the Hyksos? All the Tanite monuments with this peculiar facial type which would be considered Hyksos are certainly of the XIIth Dynasty. The only statue of a Hyksos king, which was undoubtedly originally made for him and is not one of the XIIth Dynasty usurped, is the small one of Khian at Cairo, discovered by M. Naville at Bubastis, and this has no head. So that we have not the slightest idea of what a Hyksos looked like. Moreover, the evidence of the Hyksos names which are known to us points in quite a different direction. The Kheta, or Hittites, were certainly not Semites, yet the Hyksos names are definitely Semitic. In fact it is most probable that the Hyksos, or Shepherd Kings, were, as the classical authorities say they were, and as their name (hiku-semut or hihu-shasu,) “princes of the deserts” or (“princes of the Bedawîn”) also testifies, purely and simply Arabs.
There’s really no reason to think that the type of face shown by Nefret, Usertsen, and Amenemhat isn’t purely Egyptian. You can see it in many modern fellahin, and the truth is likely that the sculptors accurately and carefully portrayed their faces, which happened to have a rather tough and stern look. But if we temporarily accept the argument of Messrs. Newberry and Garstang, what connection is there between these XIIth Dynasty kings and the Hyksos? All the Tanite monuments with this distinctive facial type that would be considered Hyksos are certainly from the XIIth Dynasty. The only statue of a Hyksos king that was definitely made for him and isn't one usurped from the XIIth Dynasty is the small one of Khian in Cairo, discovered by M. Naville at Bubastis, and it doesn’t have a head. So, we don't have the slightest idea of what a Hyksos looked like. Furthermore, the evidence from the known Hyksos names suggests a completely different origin. The Kheta, or Hittites, were definitely not Semites, yet the Hyksos names are clearly Semitic. In fact, it’s most likely that the Hyksos, or Shepherd Kings, were, as the classical sources state, and as their name (hiku-semut or hihu-shasu), meaning “princes of the deserts” or “princes of the Bedouins,” also indicates, simply Arabs.
Now it is not a little curious that almost at the same time that a nomad Arab race conquered Lower Egypt and settled in it as rulers (just as ‘Amr and the followers of Islam did over two thousand years later), another Arab race may have imposed its rule upon Babylonia. Yet this may have been the case; for the First Dynasty of Babylon, to which the famous Hammurabi belonged, was very probably of Arab origin, to judge by the forms of some of the royal names. It is by no means impossible that there was some connection between these two conquests, and that both Babylonia and Egypt fell, in the period before the year 2000 B.C. before some great migratory movement from Arabia, which overran Babylonia, Palestine, and even the Egyptian Delta.
It's quite interesting that almost simultaneously, a nomadic Arab group conquered Lower Egypt and settled there as rulers (just like ‘Amr and the followers of Islam did over two thousand years later), while another Arab group may have taken control of Babylonia. This could very well have been the case; the First Dynasty of Babylon, to which the famous Hammurabi belonged, was likely of Arab descent, based on the forms of some royal names. It's definitely possible that there was some link between these two conquests, and that both Babylonia and Egypt fell, prior to 2000 B.C., to a significant migratory movement from Arabia that swept through Babylonia, Palestine, and even the Egyptian Delta.
In this manner Egypt and Babylonia may have been brought together in common subjection to the Arab. We do not know whether any regular communication between Egypt, under Semitic rule, and Babylonia was now established; but we do know that during the Hyksos period there were considerable relations between Egypt and over-sea Crete, and relations with Mesopotamia may possibly have been established. At any rate, when the war of liberation, which was directed by the princes of Thebes, was finally brought to a successful conclusion and the Arabs were expelled, we find the Egyptians a much changed nation. They had adopted for war the use of horse and chariot, which they learnt from their Semitic conquerors, whose victory was in all probability largely gained by their use, and, generally speaking, they had become much more like the Western Asiatic nations. Egypt was no longer isolated, for she had been forcibly brought into contact with the foreign world, and had learned much. She was no longer self-contained within her own borders. If the Semites could conquer her, so could she conquer the Semites. Armed with horse and chariot, the Egyptians went forth to battle, and their revenge was complete. All Palestine and Syria were Egyptian domains for five hundred years after the conquest by Thothmes I and III, and Ashur and Babel sent tribute to the Pharaoh of Egypt.
In this way, Egypt and Babylonia may have been brought together under Arab control. We don’t know if there was any regular communication between Egypt, now under Semitic rule, and Babylonia; however, we do know that during the Hyksos period, there were significant connections between Egypt and Crete, and it’s possible that relations with Mesopotamia were established as well. Regardless, when the war of liberation led by the princes of Thebes finally succeeded and the Arabs were expelled, the Egyptians had transformed significantly. They had adopted the use of horses and chariots for warfare, learning this from their Semitic conquerors, whose victory was likely aided by these innovations. In general, they had become much more comparable to the nations of Western Asia. Egypt was no longer isolated; it had been forcibly connected with the outside world and had gained a lot of knowledge. It was no longer self-contained within its own borders. If the Semites could conquer Egypt, then Egyptians could conquer the Semites too. Armed with horses and chariots, the Egyptians marched into battle, and their vengeance was total. All of Palestine and Syria were under Egyptian control for five hundred years after the conquests by Thothmes I and III, and Ashur and Babel sent tribute to the Pharaoh of Egypt.
The reaction came, and Egypt was thrown prostrate beneath the feet of Assyria; but her claim to dominion over the Western Asiatics was never abandoned, and was revived in all its pomp by Ptolemy Euergetes, who brought back in triumph to Egypt the images of the gods which had been removed by Assyrians and Babylonians centuries before. This claim was never allowed by the Asiatics, it is true, and their kings wrote to the proudest Pharaoh as to an absolute equal. Even the King of Cyprus calls the King of Egypt his brother. But Palestine was admitted to be an Egyptian possession, and the Phoenicians were always energetic supporters of the Egyptian régime against the lawless Bedawîn tribes, who were constantly intriguing with the Kheta or Hittite power to the north against Egypt.
The reaction came, and Egypt was brought low before Assyria; however, she never gave up her claim to rule over the Western Asiatics, which was revived in all its glory by Ptolemy Euergetes, who triumphantly returned to Egypt with the images of the gods that had been taken by the Assyrians and Babylonians centuries earlier. It's true that the Asiatics never accepted this claim, and their kings addressed even the proudest Pharaoh as an equal. Even the King of Cyprus referred to the King of Egypt as his brother. But Palestine was recognized as an Egyptian territory, and the Phoenicians consistently supported the Egyptian rule against the lawless Bedouin tribes, who were always attempting to ally with the Kheta or Hittite power to the north against Egypt.
The existence of this extra-Egyptian imperial possession meant that the eyes of the Egyptians were now permanently turned in the direction of Western Asia, with which they were henceforth in constant and intimate communication. The first Theban period and the Hyksos invasion, therefore, mark a turning-point in Egyptian history, at which we may fitly leave it for a time in order to turn our attention to those peoples of Western Asia with whom the Egyptians had now come into permanent contact.
The presence of this foreign imperial territory meant that the Egyptians were now always looking toward Western Asia, with which they were now in ongoing and close communication. The first Theban period and the Hyksos invasion mark a crucial point in Egyptian history, and at this time, we can pause our focus on Egypt to turn our attention to the peoples of Western Asia who had now established lasting contact with the Egyptians.
Just as new discoveries have been made in Egypt, which have modified our previous conception of her history, so also have the excavators of the ancient sites in the Mesopotamian valley made, during the last few years, far-reaching discoveries, which have enabled us to add to and revise much of our knowledge of the history of Babylonia and Assyria. In Palestine and the Sinaitic peninsula also the spade has been used with effect, but a detailed account of work in Sinai and Palestine falls within the limits of a description of Biblical discoveries rather than of this book. The following chapters will therefore deal chiefly with modern discoveries which have told us new facts with regard to the history of the ancient Sumerians themselves, and of the Babylonians, Elamites, Kassites, and Assyrians, the inheritors of the ancient Sumerian civilization, which was older than that of Egypt, and which, as we have seen, probably contributed somewhat to its formation. These were the two primal civilizations of the ancient world. For two thousand years each marched upon a solitary road, without meeting the other. Eventually the two roads converged. We have hitherto dealt with the road of the Egyptians; we now describe that of the Mesopotamians, up to the point of convergence.
Just as new discoveries in Egypt have changed our understanding of its history, the excavators of ancient sites in the Mesopotamian valley have made significant findings in recent years that have allowed us to enhance and revise much of what we know about the history of Babylonia and Assyria. In Palestine and the Sinai Peninsula, excavations have also been successful, but a detailed account of work in Sinai and Palestine is more relevant to a discussion of Biblical discoveries rather than this book. The following chapters will primarily focus on modern discoveries that have provided us with new insights into the history of the ancient Sumerians, as well as the Babylonians, Elamites, Kassites, and Assyrians, who inherited the ancient Sumerian civilization—older than that of Egypt and likely having contributed to its emergence. These were the two foundational civilizations of the ancient world. For two thousand years, each followed its own distinct path without encountering the other. Eventually, these paths converged. We have previously discussed the path of the Egyptians; now, we will describe that of the Mesopotamians, leading up to the point of convergence.
CHAPTER IV—RECENT EXCAVATIONS IN WESTERN ASIA
AND THE DAWN OF
CHALDÆAN HISTORY
In the preceding pages it has been shown how recent excavations in Egypt have revealed an entirely new chapter in the history of that country, and how, in consequence, our theories with regard to the origin of Egyptian civilization have been entirely remodelled. Excavations have been and are being carried out in Mesopotamia and the adjacent countries with no less enthusiasm and energy than in Egypt itself, and, although it cannot be said that they have resulted in any sweeping modification of our conceptions with regard to the origin and kinship of the early races of Western Asia, yet they have lately added considerably to our knowledge of the ancient history of the countries in that region of the world. This is particularly the case in respect of the Sumerians, who, so far as we know at present, were the earliest inhabitants of the fertile plains of Mesopotamia. The beginnings of this ancient people stretch back into the remote past, and their origin is still shrouded in the mists of antiquity. When first we come across them they have already attained a high level of civilization. They have built temples and palaces and houses of burnt and unburnt brick, and they have reduced their system of agriculture to a science, intersecting their country with canals for purposes of irrigation and to ensure a good supply of water to their cities. Their sculpture and pottery furnish abundant evidence that they have already attained a comparatively high level in the practice of the arts, and finally they have evolved a complicated system of writing which originally had its origin in picture-characters, but afterwards had been developed along phonetic lines. To have attained to this pitch of culture argues long periods of previous development, and we must conclude that they had been settled in Southern Babylonia many centuries before the period to which we must assign the earliest of their remains at present discovered.
In the previous pages, it's been shown how recent excavations in Egypt have uncovered a whole new chapter in the history of that country, and as a result, our theories about the origins of Egyptian civilization have been completely reworked. Excavations are also being conducted in Mesopotamia and neighboring countries with as much enthusiasm and energy as in Egypt, and although they haven't led to major changes in our understanding of the origins and connections of early Western Asian peoples, they have significantly expanded our knowledge of the ancient history of that region. This is especially true for the Sumerians, who, as far as we currently know, were the earliest inhabitants of the fertile plains of Mesopotamia. The origins of this ancient people reach back into the distant past, and their beginnings remain unclear. When we first encounter them, they've already reached a high level of civilization. They have built temples, palaces, and houses from both fired and unfired bricks, and they've turned their agricultural practices into a science, creating a network of canals for irrigation and to ensure a reliable water supply for their cities. Their sculpture and pottery provide plenty of evidence that they have already achieved a relatively advanced level in the arts, and they have developed a complex writing system that originated from pictograms but later evolved along phonetic lines. Achieving this level of culture suggests long periods of prior development, and we must conclude that they had been settled in Southern Babylonia many centuries before the time period we currently associate with their earliest discovered remains.
That this people were not indigenous to Babylonia is highly probable, but we have little data by which to determine the region from which they originally came. Prom the fact that they built their ziggurats, or temple towers, of huge masses of unburnt brick which rose high above the surrounding plain, and that their ideal was to make each “like a mountain,” it has been argued that they were a mountain race, and the home from which they sprang has been sought in Central Asia. Other scholars have detected signs of their origin in their language and system of writing, and, from the fact that they spoke an agglutinative tongue and at the earliest period arranged the characters of their script in vertical lines like the Chinese, it has been urged that they were of Mongol extraction. Though a case may be made out for this hypothesis, it would be rash to dogmatize for or against it, and it is wiser to await the discovery of further material on which a more certain decision may be based. But whatever their origin, it is certain that the Sumerians exercised an extraordinary influence on all races with which, either directly or indirectly, they came in contact. The ancient inhabitants of Elam at a very early period adopted in principle their method of writing, and afterwards, living in isolation in the mountainous districts of Persia, developed it on lines of their own. [* See Chap. V, and note.] On their invasion of Babylonia the Semites fell absolutely under Sumerian influence, and, although they eventually conquered and absorbed the Sumerians, their civilization remained Sumerian to the core. Moreover, by means of the Semitic inhabitants of Babylonia Sumerian culture continued to exert its influence on other and more distant races. We have already seen how a Babylonian element probably enters into Egyptian civilization through Semitic infiltration across the Straits of Bab el-Mandeb or by way of the Isthmus of Suez, and it was Sumerian culture which these Semites brought with them. In like manner, through the Semitic Babylonians, the Assyrians, the Kassites, and the inhabitants of Palestine and Syria, and of some parts of Asia Minor, Armenia, and Kurdistan, all in turn experienced indirectly the influence of Sumerian civilization and continued in a greater or less degree to reproduce elements of this early culture.
It's highly likely that this people weren't originally from Babylonia, but we have little information to pinpoint where they came from. The fact that they built their ziggurats, or temple towers, using large blocks of unburned brick that stood tall above the surrounding land, and that their goal was to make each one "like a mountain," suggests they might have been a mountain-dwelling people, with their origins traced back to Central Asia. Some scholars have found hints of their origins in their language and writing system, noting that they spoke an agglutinative language and, in the earliest times, arranged the characters of their script in vertical lines like the Chinese, leading to the idea that they may have had Mongol roots. While there's an argument to support this theory, it would be unwise to firmly decide one way or the other, and it’s better to wait for more evidence for a clearer conclusion. Regardless of their background, it's clear that the Sumerians had a significant influence on all cultures they came into contact with, directly or indirectly. The ancient people of Elam adopted their writing system early on, and later, while living in the isolated mountainous regions of Persia, they developed it in their own way. [* See Chap. V, and note.] When the Semites invaded Babylonia, they were completely influenced by Sumerian culture, and although they eventually conquered and absorbed the Sumerians, their civilization remained fundamentally Sumerian. Additionally, through the Semitic people of Babylonia, Sumerian culture continued to impact other and more distant groups. We've already noted how Babylonian elements likely entered Egyptian civilization through Semitic migration across the Bab el-Mandeb Straits or via the Isthmus of Suez, bringing Sumerian culture along. Similarly, through the Semitic Babylonians, the Assyrians, the Kassites, and the people of Palestine, Syria, and parts of Asia Minor, Armenia, and Kurdistan all experienced the influence of Sumerian civilization and continued to reflect various aspects of this early culture to varying degrees.
It will be seen that the influence of the Sumerians furnishes us with a key to much that would otherwise prove puzzling in the history of the early races of Western Asia. It is therefore all the more striking to recall the fact that but a few years ago the very existence of this ancient people was called in question. At that time the excavations in Mesopotamia had not revealed many traces of the race itself, and its previous existence had been mainly inferred from a number of Sumerian compositions inscribed upon Assyrian tablets found in the library of Ashur-bani-pal at Nineveh. These compositions were furnished with Assyrian translations upon the tablets on which they were inscribed, and it was correctly argued by the late Sir Henry Rawlinson, the late M. Oppert, Prof. Schrader, Prof. Sayce, and other scholars that they were written in the language of the earlier inhabitants of the country whom the Semitic Babylonians had displaced. But M. Halévy started a theory to the effect that Sumerian was not a language at all, in the proper sense of the term, but was a cabalistic method of writing invented by the Semitic Babylonian priests.
It will be clear that the Sumerians' influence provides us with a key to much that would otherwise be confusing in the history of the early peoples of Western Asia. It's even more striking to remember that just a few years ago, the very existence of this ancient civilization was questioned. At that time, excavations in Mesopotamia hadn't uncovered many signs of the people themselves, and their existence was mainly inferred from several Sumerian texts inscribed on Assyrian tablets found in the library of Ashur-bani-pal in Nineveh. These texts included Assyrian translations on the tablets they were written on, and it was correctly argued by the late Sir Henry Rawlinson, the late M. Oppert, Prof. Schrader, Prof. Sayce, and other scholars that they were written in the language of the earlier inhabitants of the region who were displaced by the Semitic Babylonians. However, M. Halévy proposed a theory suggesting that Sumerian wasn't a language in the true sense but a mystical way of writing created by the Semitic Babylonian priests.

Drawn up by an Assyrian scribe to assist him in his studies
of early texts. Photograph by Messrs. Mansell & Co.
Drawn up by an Assyrian scribe to help him with his studies of early texts. Photograph by Messrs. Mansell & Co.
The argument on which the upholders of this theory mainly relied was that many of the phonetic values of the Sumerian signs were obviously derived from Semitic equivalents, and they hastily jumped to the conclusion that the whole language was similarly derived from Semitic Babylonian, and was, in fact, a purely arbitrary invention of the Babylonian priests. This theory ignored all questions of inherent probability, and did not attempt to explain why the Babylonian priests should have troubled themselves to make such an invention and afterwards have stultified themselves by carefully appending Assyrian translations to the majority of the Sumerian compositions which they copied out. Moreover, the nature of these compositions is not such as we should expect to find recorded in a cabalistic method of writing. They contain no secret lore of the Babylonian priests, but are merely hymns and prayers and religious compositions similar to those employed by the Babylonians and Assyrians themselves.
The main argument that supporters of this theory relied on was that many of the phonetic values of the Sumerian signs obviously came from Semitic equivalents. They quickly concluded that the entire language was derived from Semitic Babylonian and was, in fact, just an arbitrary product of the Babylonian priests. This theory overlooked any inherent probability and didn't try to explain why the Babylonian priests would bother to create such an invention only to contradict themselves by carefully adding Assyrian translations to most of the Sumerian works they copied. Furthermore, the nature of these works isn't what we would expect to find in a mysterious writing system. They don't contain secret teachings of the Babylonian priests; rather, they are just hymns and prayers and religious texts similar to those used by the Babylonians and Assyrians themselves.
But in spite of its inherent improbabilities, M. Halévy succeeded in making many converts to his theory, including Prof. Friedrich Delitzsch and a number of the younger school of German Assyriologists. More conservative scholars, such as Sir Henry Rawlinson, M. Oppert, and Prof. Schrader, stoutly opposed the theory, maintaining that Sumerian was a real language and had been spoken by an earlier race whom the Semitic Babylonians had conquered; and they explained the resemblance of some of the Sumerian values to Semitic roots by supposing that Sumerian had not been suddenly superseded by the language of the Semitic invaders of Babylonia, but that the two tongues had been spoken for long periods side by side and that each had been strongly influenced by the other. This very probable and sane explanation has been fully corroborated by subsequent excavations, particularly those that were carried out at Telloh in Southern Babylonia by the late M. de Sarzec. In these mounds, which mark the site of the ancient Sumerian city of Shirpurla, were found thousands of clay tablets inscribed in archaic characters and in the Sumerian language, proving that it had actually been the language of the early inhabitants of Babylonia; while the examples of their art and the representations of their form and features, which were also afforded by the diggings at Telloh, proved once for all that the Sumerians were a race of strongly marked characteristics and could not be ascribed to a Semitic stock.
But despite its inherent improbabilities, M. Halévy managed to gain many supporters for his theory, including Prof. Friedrich Delitzsch and several younger German Assyriologists. More conservative scholars, like Sir Henry Rawlinson, M. Oppert, and Prof. Schrader, strongly opposed the theory. They insisted that Sumerian was a real language spoken by an earlier race that the Semitic Babylonians had conquered. They explained the similarity of some Sumerian values to Semitic roots by suggesting that Sumerian wasn't abruptly replaced by the language of the Semitic invaders in Babylonia; instead, both languages were spoken alongside each other for extended periods, with each significantly influencing the other. This very plausible and rational explanation has been fully supported by later excavations, especially those conducted at Telloh in Southern Babylonia by the late M. de Sarzec. In these mounds, which mark the site of the ancient Sumerian city of Shirpurla, thousands of clay tablets inscribed in archaic characters and the Sumerian language were discovered, proving that it was indeed the language of the early inhabitants of Babylonia. Moreover, the artistic finds and representations of their form and features from the diggings at Telloh definitively showed that the Sumerians had distinct characteristics and could not be classified as part of a Semitic lineage.
The system of writing invented by the ancient Sumerians was adopted by the Semitic Babylonians, who modified it to suit their own language. Moreover, the archaic forms of the characters, many of which under the Sumerians still retained resemblances to the pictures of objects from which they were descended, were considerably changed. The lines, of which they were originally composed, gave way to wedges, and the number of the wedges of which each sign consisted was gradually diminished, so that in the time of the Assyrians and the later Babylonians many of the characters bore small resemblance to the ancient Sumerian forms from which they had been derived. The reading of Sumerian and early Babylonian inscriptions by the late Assyrian scribes was therefore an accomplishment only to be acquired as the result of long study, and it is interesting to note that as an assistance to the reading of these early texts the scribes compiled lists of archaic signs. Sometimes opposite each archaic character they drew a picture of the object from which they imagined it was derived. This fact is significant as proving that the Assyrian scribes recognized the pictorial origin of cuneiform writing, but the pictures they drew opposite the signs are rather fanciful, and it cannot be said that their guesses were very successful. That we are able to criticize the theories of the Assyrians as to the origin and forms of the early characters is in the main due to M. de Sarzec’s labours, from whose excavations many thousands of inscriptions of the Sumerians have been recovered.
The writing system created by the ancient Sumerians was adopted by the Semitic Babylonians, who adjusted it to fit their own language. Additionally, the ancient forms of the characters, many of which still resembled the pictures of the objects they originated from, underwent significant changes. The lines that originally made up the characters were replaced by wedges, and the number of wedges in each sign gradually decreased, so that by the time of the Assyrians and the later Babylonians, many characters looked very different from the original Sumerian forms. Because of this evolution, reading Sumerian and early Babylonian inscriptions became a skill that required extensive study for late Assyrian scribes. Interestingly, to help with reading these early texts, the scribes created lists of archaic signs. Often, next to each old character, they drew a picture of the object they thought it was derived from. This indicates that the Assyrian scribes acknowledged the pictorial roots of cuneiform writing, but the pictures they created were rather imaginative, and it’s safe to say their guesses weren’t particularly accurate. Our ability to challenge the Assyrians' theories about the origins and forms of the early characters is largely thanks to the work of M. de Sarzec, who recovered thousands of Sumerian inscriptions through excavations.
The main results of M. de Sarzec’s diggings at Telloh have already been described by M. Maspero in his history, and therefore we need not go over them again, but will here confine ourselves to the results which have been obtained from recent excavations at Telloh and at other sites in Western Asia. With the death of M. de Sarzec, which occurred in his sixty-fifth year, on May 31, 1901, the wonderfully successful series of excavations which he had carried out at Telloh was brought to an end. In consequence it was feared at the time that the French diggings on this site might be interrupted for a considerable period. Such an event would have been regretted by all those who are interested in the early history of the East, for, in spite of the treasures found by M. de Sarzec in the course of his various campaigns, it was obvious that the site was far from being exhausted, and that the tells as yet unexplored contained inscriptions and antiquities extending back to the very earliest periods of Sumerian history.
The main findings from M. de Sarzec’s excavations at Telloh have already been explained by M. Maspero in his history, so we won’t go over them again. Instead, we'll focus on the results from recent digs at Telloh and other locations in Western Asia. With the passing of M. de Sarzec, who died at the age of sixty-five on May 31, 1901, his impressive series of excavations at Telloh came to an end. At the time, there were concerns that French excavations at this site might be paused for a long time. That would have been unfortunate for anyone interested in the early history of the East, because despite the treasures M. de Sarzec uncovered during his various excavations, it was clear that the site still had much to offer and that the unexplored tells contained inscriptions and artifacts dating back to the earliest periods of Sumerian history.

Opposite each the scribe has drawn a picture of the object
from which he imagined it was derived. Photograph by Messrs.
Mansell & Co.
Opposite each, the scribe has sketched a picture of the object that he believed it came from. Photo by Mansell & Co.
The announcement which was made in 1902, that the French government had appointed Capt. Gaston Cros as the late M. de Sarzec’s successor, was therefore received with general satisfaction. The fact that Capt. Cros had already successfully carried out several difficult topographical missions in the region of the Sahara was a sufficient guarantee that the new diggings would be conducted on a systematic and exhaustive scale.
The announcement made in 1902 that the French government had appointed Capt. Gaston Cros as the successor to the late M. de Sarzec was met with widespread approval. The fact that Capt. Cros had already successfully completed several challenging topographical missions in the Sahara was a solid indication that the new excavations would be carried out in a thorough and organized manner.
The new director of the French mission in Chaldæa arrived at Telloh in January, 1903, and one of his first acts was to shift the site of the mission’s settlement from the bank of the Shatt el-Hai, where it had always been established in the time of M. de Sarzec, to the mounds where the actual digging took place. The Shatt el-Hai had been previously chosen as the site of the settlement to ensure a constant supply of water, and as it was more easily protected against attack by night. But the fact that it was an hour’s ride from the diggings caused an unnecessary loss of time, and rendered the strict supervision of the diggers a matter of considerable difficulty. During the first season’s work rough huts of reeds, surrounded by a wall of earth and a ditch, served the new expedition for its encampment among the mounds of Telloh, but last year these makeshift arrangements were superseded by a regular house built out of the burnt bricks which are found in abundance on the site. A reservoir has also been built, and caravans of asses bring water in skins from the Shatt el-Hai to keep it filled with a constant supply of water, while the excellent relations which Capt. Cros has established with the Karagul Arabs, who occupy Telloh and its neighbourhood, have proved to be the best kind of protection for the mission engaged in scientific work upon the site.
The new director of the French mission in Chaldæa arrived at Telloh in January 1903, and one of his first actions was to move the mission's settlement from the bank of the Shatt el-Hai, where it had always been established during M. de Sarzec's time, to the mounds where the actual digging occurred. The Shatt el-Hai had been previously chosen for the settlement to ensure a constant water supply and better protection against nighttime attacks. However, being an hour's ride from the diggings caused unnecessary delays and made it hard to closely supervise the diggers. During the first season's work, rough huts made of reeds, surrounded by an earthen wall and a ditch, served as the new expedition's camp among the mounds of Telloh. In the previous year, these makeshift arrangements were replaced by a proper house built from the abundant burnt bricks found at the site. A reservoir has also been constructed, and caravans of donkeys bring water in skins from the Shatt el-Hai to keep it filled. The excellent relationships that Capt. Cros has built with the Karagul Arabs, who occupy Telloh and the surrounding area, have provided the best protection for the mission engaged in scientific work at the site.
The group of mounds and hillocks, known as Telloh, which marks the site of the ancient Sumerian city of Shirpurla, is easily distinguished from the flat surrounding desert. The mounds extend in a rough oval formation running north and south, about two and a half miles long and one and a quarter broad. In the early spring, when the desert is covered with a light green verdure, the ruins are clearly marked out as a yellow spot in the surrounding green, for vegetation does not grow upon them. In the centre of this oval, which approximately marks the limits of the ancient city and its suburbs, are four large tells or mounds running, roughly, north and south, their sides descending steeply on the east, but with their western slopes rising by easier undulations from the plain. These four principal tells are known as the “Palace Tell,” the “Tell of the Fruit-house,” the “Tell of the Tablets,” and the “Great Tell,” and, rising as they do in the centre of the site, they mark the position of the temples and the other principal buildings of the city.
The group of mounds and hills, called Telloh, marks the site of the ancient Sumerian city of Shirpurla and stands out against the flat surrounding desert. The mounds stretch in a rough oval shape running north and south, about two and a half miles long and one and a quarter miles wide. In early spring, when the desert is covered with light green vegetation, the ruins appear as a yellow spot in the surrounding green, since plants don’t grow on them. In the middle of this oval, which roughly outlines the ancient city and its suburbs, are four large mounds running generally north and south. Their eastern sides slope steeply down, while their western sides rise more gently from the plain. These four main mounds are known as the “Palace Tell,” the “Tell of the Fruit-house,” the “Tell of the Tablets,” and the “Great Tell.” Situated in the center of the site, they indicate where the temples and other major buildings of the city were located.
An indication of the richness of the site in antiquities was afforded to the new mission before it had started regular excavation and while it was yet engaged in levelling its encampment and surrounding it with a wall and ditch. The spot selected for the camp was a small mound to the south of the site of Telloh, and here, in the course of preparing the site for the encampment and digging the ditch, objects were found at a depth of less than a foot beneath the surface of the soil. These included daggers, copper vases, seal-cylinders, rings of lapis and cornelian, and pottery. M. de Sarzec had carried out his latest diggings in the Tell of the Tablets, and here Capt. Cros continued the excavations and came upon the remains of buildings and recovered numerous objects, dating principally from the period of Gudea and the kings of Ur. The finds included small terra-cotta figures, a boundary-stone of Gamil-Sin, and a new statue of Gudea, to which we will refer again presently.
An indication of how rich the site was in ancient artifacts was revealed to the new team before they began regular excavations and while they were still setting up their camp and surrounding it with a wall and ditch. The chosen location for the camp was a small mound to the south of the Telloh site, and during the preparation for the camp and digging the ditch, items were discovered less than a foot below the surface of the soil. These included daggers, copper vases, seal cylinders, lapis and cornelian rings, and pottery. M. de Sarzec had conducted his latest digs in the Tell of the Tablets, and here Capt. Cros continued the excavations, uncovering remains of buildings and retrieving numerous items, primarily from the era of Gudea and the kings of Ur. The discoveries included small terracotta figures, a boundary stone of Gamil-Sin, and a new statue of Gudea, which we will discuss further shortly.
In the Tell of the Fruit-house M. de Sarzec had already discovered numbers of monuments dating from the earlier periods of Sumerian history before the conquest and consolidation of Babylonia under Sargon of Agade, and had excavated a primitive terrace built by the early king Ur-Ninâ. Both on and around this large mound Capt. Cros cut an extensive series of trenches, and in digging to the north of the mound he found a number of objects, including an alabaster tablet of Ente-mena which had been blackened by fire. At the foot of the tell he found a copper helmet like those represented on the famous Stele of Vultures discovered by M. de Sarzec, and among the tablets here recovered was one with an inscription of the time of Urukagina, which records the complete destruction of the city of Shirpurla during his reign, and will be described in greater detail later on in this chapter. On the mound itself a considerable area was uncovered with remains of buildings still in place, the use of which appears to have been of an industrial character. They included flights of steps, canals with raised banks, and basins for storing water. Not far off are the previously discovered wells of Bannadu, so that it is legitimate to suppose that Capt. Cros has here come upon part of the works which were erected at a very early period of Sumerian history for the distribution of water to this portion of the city.
In the Tell of the Fruit-house, M. de Sarzec had already found several monuments from the earlier periods of Sumerian history before Babylonia was conquered and unified under Sargon of Agade. He had also uncovered a basic terrace built by the early king Ur-Ninâ. Capt. Cros dug an extensive series of trenches on and around this large mound, and while excavating to the north of it, he discovered various objects, including a fire-damaged alabaster tablet belonging to Ente-mena. At the base of the tell, he found a copper helmet similar to those depicted on the famous Stele of Vultures discovered by M. de Sarzec. Among the tablets retrieved was one inscribed from the time of Urukagina, which documents the complete destruction of the city of Shirpurla during his reign and will be discussed in more detail later in this chapter. On the mound itself, a significant area was uncovered, revealing the remains of buildings that seem to have served industrial purposes. These included staircases, canals with raised banks, and water storage basins. Nearby are the previously found wells of Bannadu, leading us to reasonably assume that Capt. Cros has stumbled upon part of the infrastructure built in the early Sumerian period for distributing water to this area of the city.

An early Semitic king of the city of Kish in Babylonia. The
photograph is taken from M. de Morgan’s Délégation en Perse,
Mém., t. i, pi. ix.
An early Semitic king of the city of Kish in Babylonia. The photograph is taken from M. de Morgan’s Délégation en Perse, Mém., t. i, pi. ix.
In the Palace Tell Capt. Cros has sunk a series of deep shafts to determine precisely the relations which the buildings of Ur-Bau and Gudea, found already on this part of the site, bear to each other, and to the building of Adad-nadin-akhê, which had been erected there at a much later period. Prom this slight sketch of the work carried out during the last two years at Telloh it will have been seen that the Prench mission in Chaldæa is at present engaged in excavations of a most important character, which are being conducted in a regular and scientific manner. As the area of the excavations marks the site of the chief city of the Sumerians, the diggings there have yielded and are yielding material of the greatest interest and value for the reconstruction of the early history of Chaldæa. After briefly describing the character and results of other recent excavations in Mesopotamia and the neighbouring lands, we will return to the discoveries at Telloh and sketch the new information they supply on the history of the earliest inhabitants of the country.
In the Palace at Tell Capt. Cros has created a series of deep shafts to accurately determine how the buildings of Ur-Bau and Gudea, which were already found in this area, relate to each other and to the structure of Adad-nadin-akhê, which was built there much later. From this brief overview of the work done over the past two years at Telloh, it’s clear that the French mission in Chaldæa is currently engaged in significant excavations that are being carried out in a systematic and scientific way. Since the area of the excavations is the site of the main city of the Sumerians, the digs there have produced and continue to produce material of immense interest and value for reconstructing the early history of Chaldæa. After briefly discussing the nature and results of other recent excavations in Mesopotamia and nearby regions, we will return to the discoveries at Telloh and outline the new insights they provide about the history of the earliest inhabitants of the area.
Another French mission that is carrying out work of the very greatest interest to the student of early Babylonian history is that which is excavating at Susa in Persia, under the direction of M. J. de Morgan, whose work on the prehistoric and early dynastic sites in Egypt has already been described. M. de Morgan’s first season’s digging at Susa was carried out in the years 1897-8, and the success with which he met from the very first, when cutting trenches in the mound which marks the acropolis of the ancient city, has led him to concentrate his main efforts in this part of the ruins ever since. Provisional trenches cut in the part of the ruins called “the Royal City,” and in others of the mounds at Susa, indicate that many remains may eventually be found there dating from the period of the Achæmenian Kings of Persia. But it is in the mound of the acropolis at Susa that M. de Morgan has found monuments of the greatest historical interest and value, not only in the history of ancient Elam, but also in that of the earliest rulers of Chaldæa.
Another French mission that is conducting highly significant work for those studying early Babylonian history is the one excavating at Susa in Persia, led by M. J. de Morgan. His previous work on prehistoric and early dynastic sites in Egypt has already been mentioned. M. de Morgan's first season of digging at Susa took place in 1897-98, and he experienced success right from the start when he began cutting trenches in the mound that signifies the acropolis of the ancient city. This success has prompted him to focus his primary efforts in this area of the ruins ever since. Provisional trenches dug in the section known as “the Royal City” and other mounds at Susa suggest that many artifacts from the period of the Achaemenian Kings of Persia may eventually be uncovered. However, it is in the mound of the acropolis at Susa that M. de Morgan has discovered monuments of great historical importance and value, not only for the history of ancient Elam but also for that of the earliest rulers of Chaldea.
In the diggings carried out during the first season’s work on the site, an obelisk was found inscribed on four sides with a long text of some sixty-nine columns, written in Semitic Babylonian by the orders of Manishtusu, a very early Semitic king of the city of Kish in Babylonia.[* See illustration.] The text records the purchase by the King of Kish of immense tracts of land situated at Kish and in its neighbourhood, and its length is explained by the fact that it enumerates full details of the size and position of each estate, and the numbers and some of the names of the dwellers on the estates who were engaged in their cultivation. After details have been given of a number of estates situated in the same neighbourhood, a summary is appended referring to the whole neighbourhood, and the fact is recorded that the district dealt with in the preceding catalogue and summary had been duly acquired by purchase by Manishtusu, King of Kish. The long text upon the obelisk is entirely taken up with details of the purchase of the territory, and therefore its subject has not any great historical value. Mention is made in it of two personages, one of whom may possibly be identified with a Babylonian ruler whose name is known from other sources. If the proposed identification t should prove to be correct, it would enable us to assign a more precise date to Manishtusu than has hitherto been possible. One of the personages in question was a certain Urukagina, the son of Engilsa, patesi of Shirpurla, and it has been suggested that he is the same Urukagina who is known to have occupied the throne of Shirpurla, though this identification would bring Manishtusu down somewhat later than is probable from the general character of his inscriptions. The other personage mentioned in the text is the son of Manishtusu, named Mesalim, and there is more to be said for the identification of this prince with Mesilim, the early King of Kish, who reigned at a period anterior to that of Eannadu, patesi of Shirpurla.
During the first season of excavations at the site, an obelisk was discovered that was inscribed on all four sides with a lengthy text consisting of about sixty-nine columns, written in Semitic Babylonian by order of Manishtusu, an early Semitic king of the city of Kish in Babylonia. [* See illustration.] The text details the King of Kish's purchase of large areas of land located in and around Kish, and its length is due to the detailed descriptions of the size and location of each estate, as well as the names and numbers of the individuals living on these estates who were responsible for their farming. After describing several estates in the same area, a summary section refers to the entire neighborhood, noting that the territory covered in the earlier detailed description had been officially acquired through purchase by Manishtusu, King of Kish. The long text on the obelisk focuses entirely on the details of the land purchase, which limits its historical significance. It mentions two individuals, one of whom may be linked to a Babylonian ruler known from other records. If this identification proves accurate, it could help pinpoint a more specific date for Manishtusu than has previously been possible. One of the individuals mentioned is Urukagina, the son of Engilsa, the patesi of Shirpurla, and it has been proposed that he is the same Urukagina who is known to have ruled Shirpurla. However, this identification would suggest that Manishtusu lived later than is generally inferred from the nature of his inscriptions. The other individual mentioned in the text is Manishtusu's son, named Mesalim, and there is a stronger case for identifying this prince with Mesilim, an early King of Kish, who ruled before Eannadu, the patesi of Shirpurla.
The mere fact of so large and important an obelisk, inscribed with a Semitic text by an early Babylonian king, being found at Susa was an indication that other monuments of even greater interest might be forthcoming from the same spot; and this impression was intensified when a stele of victory was found bearing an inscription of Naram-Sin, the early Semitic King of Agade, who reigned about 3750 B.C. One face of this stele is sculptured with a representation of the king conquering his enemies in a mountainous country. [* See illustration.] The king himself wears a helmet adorned with the horns of a bull, and he carries his battle-axe and his bow and an arrow. He is nearly at the summit of a high mountain, and up its steep sides, along paths through the trees which clothe the mountain, climb his allies and warriors bearing standards and weapons. The king’s enemies are represented suing for mercy as they turn to fly before him. One grasps a broken spear, while another, crouching before the king, has been smitten in the throat by an arrow from the king’s bow. On the plain surface of the stele above the king’s head may be seen traces of an inscription of Narâm-Sin engraved in three columns in the archaic characters of his period. From the few signs of the text that remain, we gather that Narâm-Sin had conducted a campaign with the assistance of certain allied princes, including the Princes of Sidur, Saluni, and Lulubi, and it is not improbable that they are to be identified with the warriors represented on the stele as climbing the mountain behind Narâm-Sin.
The discovery of such a large and significant obelisk, inscribed with a Semitic text by an early Babylonian king, at Susa suggested that there could be even more interesting monuments found in the same area; this feeling was strengthened when a victory stele was uncovered featuring an inscription from Naram-Sin, the early Semitic King of Agade, who ruled around 3750 B.C. One side of this stele shows the king defeating his enemies in a mountainous region. The king is depicted wearing a helmet with bull horns, carrying a battle-axe, a bow, and an arrow. He is nearly at the top of a high mountain, and up its steep slopes, along paths through the trees, his allies and warriors climb, carrying standards and weapons. The king’s enemies are shown begging for mercy as they turn to flee from him. One is holding a broken spear, while another, crouching before the king, has been struck in the throat by an arrow from the king’s bow. On the flat surface of the stele above the king’s head, there are remnants of an inscription from Narâm-Sin carved in three columns using the archaic characters of his time. From the few remaining signs of the text, we learn that Narâm-Sin had led a campaign with the help of certain allied princes, including the Princes of Sidur, Saluni, and Lulubi, and it’s likely that these allies are represented by the warriors shown climbing the mountain behind Narâm-Sin.
In reference to this most interesting stele of Narâm-Sin we may here mention another inscription of this king, found quite recently at Susa and published only this year, which throws additional light on Narâm-Sin’s allies and on the empire which he and his father Sargon founded. The new inscription was engraved on the base of a diorite statue, which had been broken to pieces so that only the base with a portion of the text remained. From this inscription we learn that Narâm-Sin was the head of a confederation of nine chief allies, or vassal princes, and waged war on his enemies with their assistance. Among these nine allies of course the Princes of Sidur, Saluni, and Lulubi are to be included. The new text further records that Narâm-Sin made an expedition against Magan (the Sinaitic peninsula), and defeated Manium, the lord of that region, and that he cut blocks of stone in the mountains there and transported them to his city of Agade, where from one of them he made the statue on the base of which the text was inscribed. It was already known from the so-called “Omens of Sargon and Narâm-Sin” (a text inscribed on a clay tablet from Ashur-bani-pal’s library at Nineveh which associates the deeds of these two early rulers with certain augural phenomena) that Narâm-Sin had made an expedition to Sinai in the course of his reign and had conquered the king of the country. The new text gives contemporary confirmation of this assertion and furnishes us with additional information with regard to the name of the conquered ruler of Sinai and other details of the campaign.
Regarding the fascinating stele of Narâm-Sin, we should mention another inscription of this king that was recently discovered in Susa and published just this year. This new finding provides further insight into Narâm-Sin's allies and the empire that he and his father, Sargon, established. The inscription was carved on the base of a diorite statue that was shattered, leaving only the base with part of the text intact. From this inscription, we learn that Narâm-Sin led a coalition of nine main allies, or vassal princes, who assisted him in fighting against his enemies. Among these nine allies were the Princes of Sidur, Saluni, and Lulubi. The new text also notes that Narâm-Sin launched an expedition against Magan (the Sinai Peninsula) and defeated Manium, the lord of that area. He cut stone blocks from the mountains there and transported them to his city of Agade, using one of these blocks to create the statue on which the text was inscribed. It was already documented in the so-called “Omens of Sargon and Narâm-Sin” (a text on a clay tablet from Ashur-bani-pal’s library in Nineveh that links the actions of these two early rulers with certain omens) that Narâm-Sin had undertaken an expedition to Sinai during his reign and had conquered the king of that region. The new text provides contemporary confirmation of this claim and offers additional details about the name of the defeated ruler of Sinai and other aspects of the campaign.
That monuments of such great interest to the early history of Chaldæa should have been found at Susa in Persia was sufficiently startling, but an easy explanation was at first forthcoming from the fact that Narâm-Sin’s stele of victory had been used by the later Elamite king, Shutruk-Nakhkhunte, for an inscription of his own; this he had engraved in seven long lines along the great cone in front of Narâm-Sin, which is probably intended to represent the peak of the mountain. From the fact that it had been used in this way by Shutruk-Nakhkhunte, it seemed permissible to infer that it had been captured in the course of a campaign and brought to Susa as a trophy of war. But we shall see later on that the existence of early Babylonian inscriptions and monuments in the mound of the acropolis at Susa is not to be explained in this way, but was due to the wide extension of both Sumerian and Semitic influence throughout Western Asia from the very earliest periods. This subject will be treated more fully in the chapter dealing with the early history of Blam.
That monuments of such great significance to the early history of Chaldæa should have been found at Susa in Persia was quite surprising, but it was initially easy to explain. Narâm-Sin’s stele of victory was used by the later Elamite king, Shutruk-Nakhkhunte, who added his own inscription in seven long lines along the large cone in front of Narâm-Sin, which likely represents the peak of the mountain. Since Shutruk-Nakhkhunte used it this way, it seemed reasonable to conclude that it had been captured during a campaign and brought to Susa as a war trophy. However, we will see later that the presence of early Babylonian inscriptions and monuments in the mound of the acropolis at Susa cannot be explained this way; it resulted from the extensive influence of both Sumerian and Semitic cultures throughout Western Asia from the earliest times. This topic will be explored in more detail in the chapter on the early history of Blam.
The upper surface of the tell of the acropolis at Susa for a depth of nearly two metres contains remains of the buildings and antiquities of the Achæmenian kings and others of both later and earlier dates. In these upper strata of the mound are found remains of the Arab, Sassanian, Parthian, Seleucian, and Persian periods, mixed indiscriminately with one another and with Elamite objects and materials of all ages, from that of the earliest patesis down to that of the Susian kings of the seventh century B.C.
The top layer of the tell at the acropolis in Susa, about two meters deep, holds remains of buildings and artifacts from the Achaemenid kings and others from later and earlier times. In these upper layers of the mound, you can find remnants from the Arab, Sassanian, Parthian, Seleucid, and Persian periods, randomly mixed with each other and with Elamite objects and materials from all eras, starting from the time of the earliest patesis to that of the Susian kings in the seventh century B.C.

The most northern of the mounds which now mark the site of
the ancient city of Babylon; used for centuries as a quarry
for building materials.
The northernmost of the mounds that now indicate the location of the ancient city of Babylon, which has been used for centuries as a source of building materials.
The reason of this mixture of the remains of many races and periods is that the later builders on the mound made use of the earlier building materials which they found preserved within it. Along the skirts of the mound may still be seen the foundations of the wall which formed the principal defence of the acropolis in the time of Xerxes, and in many places not only are the foundations preserved but large pieces of the wall itself still rise above the surface of the soil.
The reason for this mixture of remains from various races and time periods is that later builders on the mound reused earlier building materials they found preserved within it. Along the edges of the mound, you can still see the foundations of the wall that served as the main defense of the acropolis during the time of Xerxes, and in many spots, not only are the foundations intact, but large sections of the wall itself still stand above the surface of the soil.


Stele of Narâm-Sin, an early Semitic King of Agade in
Babylonia, who reigned about B. C. 3750. From the photograph
by Messrs. Mansell & Co.
Stele of Narâm-Sin, an early Semitic king of Agade in Babylonia, who ruled around 3750 B.C. From the photograph by Messrs. Mansell & Co.
The plan of the wall is quite irregular, following the contours of the mound, and, though it is probable that the wall was strengthened and defended at intervals by towers, no trace of these now remains. The wall is very thick and built of unburnt bricks, and the system of fortification seems to have been extremely simple at this period.
The layout of the wall is pretty irregular, following the shape of the mound, and while it’s likely that the wall was reinforced and protected at various points by towers, there’s no sign of them remaining now. The wall is very thick and made of unbaked bricks, and the fortification method appears to have been quite basic during this time.

The group probably represents Babylon or the Babylonian king
triumphing over the country’s enemies. The Arabs regard the
figure as an evil spirit, and it is pitted with the marks of
bullets shot at it. They also smear it with filth when they
can do so unobserved; in the photograph some newly smeared
filth may be seen adhering to the side of the lion.
The group likely symbolizes Babylon or the Babylonian king conquering the nation's foes. The Arabs see the figure as a malevolent spirit, and it is pocked with bullet holes. They also cover it with dirt whenever they can do so without being seen; in the photograph, some fresh dirt can be seen sticking to the side of the lion.
The earlier citadel or fortress of the city of Susa was built at the top of the mound and must have been a more formidable stronghold than that of the Achæmenian kings, for, besides its walls, it had the additional protection of the steep slopes of the mound.
The earlier fortress of the city of Susa was built at the top of the mound and must have been a tougher stronghold than that of the Achaemenid kings, because, in addition to its walls, it had the extra protection of the steep slopes of the mound.
Below the depth of two metres from the surface of the mound are found strata in which Elamite objects and materials are, no longer mixed with the remains of later ages, but here the latest Elamite remains are found mingled with objects and materials dating from the earliest periods of Elam’s history. The use of un-burnt bricks as the principal material for buildings erected on the mound in all ages has been another cause of this mixture of materials, for it has little power of resistance to water, and a considerable rain-storm will wash away large portions of the surface and cause the remains of different strata to be mixed indiscriminately with one another. In proportion as the trenches were cut deeper into the mound the strata which were laid bare showed remains of earlier ages than those in the upper layers, though here also remains of different periods are considerably mixed. The only building that has hitherto been discovered at Susa by M. de Morgan, the ground plan of which was in a comparatively good state of preservation, was a small temple of the god Shu-shinak, and this owed its preservation to the fact that it was not built of unburnt brick, but was largely composed of burnt brick and plaques and tiles of enamelled terra-cotta.
Below a depth of two meters from the surface of the mound, researchers found layers containing Elamite objects and materials that are no longer mixed with remains from later periods. However, the most recent Elamite remains are found alongside objects and materials from the earliest times in Elam's history. The use of unburnt bricks as the main building material for structures on the mound throughout various periods has contributed to this mixture of materials. Unburnt bricks are not very water-resistant, so a heavy rain can wash away large areas of the surface and mix remains from different layers together. As the trenches were dug deeper into the mound, the exposed layers revealed remains from earlier periods than those found in the upper layers, although remains from different periods are still mixed considerably. The only building so far discovered at Susa by M. de Morgan, which had a relatively well-preserved ground plan, was a small temple dedicated to the god Shu-shinak. Its preservation can be attributed to the fact that it was made primarily of burnt brick and enamelled terra-cotta plaques and tiles, rather than unburnt brick.
But although the diggings of M. de Morgan at Susa have so far afforded little information on the subject of Elamite architecture, the separate objects found have enabled us to gain considerable knowledge of the artistic achievements of the race during the different periods of its existence. Moreover, the stelæ and stone records that have been recovered present a wealth of material for the study of the long history of Elam and of the kings who ruled in Babylonia during the earliest ages.
But even though M. de Morgan's excavations at Susa haven't provided much information about Elamite architecture so far, the individual objects discovered have given us significant insights into the artistic accomplishments of the people throughout different periods of their history. In addition, the stelae and stone records that have been found offer a rich source of material for studying the extensive history of Elam and the kings who ruled in Babylonia during ancient times.

Showing the depth in the mound to which the diggings are
carried.
Showing the depth of the mound that has been excavated.
The most famous of M. de Morgan’s recent finds is the long code of laws drawn up by Hammurabi, the greatest king of the First Dynasty of Babylon.[1] This was engraved upon a huge block of black diorite, and was found in the tell of the acropolis in the winter of 1901-2. This document in itself has entirely revolutionized current theories as to the growth and origin of the principal ancient legal codes. It proves that Babylonia was the fountainhead from which many later races borrowed portions of their legislative systems. Moreover, the subjects dealt with in this code of laws embrace most of the different classes of the Babylonian people, and it regulates their duties and their relations to one another in their ordinary occupations and pursuits. It therefore throws much light upon early Babylonian life and customs, and we shall return to it in the chapter dealing with these subjects.
The most famous of M. de Morgan’s recent discoveries is the extensive code of laws created by Hammurabi, the greatest king of the First Dynasty of Babylon.[1] This was carved into a massive block of black diorite, found in the tell of the acropolis during the winter of 1901-2. This document alone has completely changed current theories about the development and origins of major ancient legal codes. It shows that Babylonia was the source from which many later civilizations borrowed elements of their legal systems. Furthermore, the topics covered in this code of laws address most of the different classes of the Babylonian people, regulating their duties and interactions in their everyday jobs and activities. It thus provides significant insight into early Babylonian life and customs, and we will revisit it in the chapter focused on these topics.
[1] It will be noted that the Babylonian dynasties are referred to throughout this volume as “First Dynasty,” “Second Dynasty,” “Third Dynasty,” etc. They are thus distinguished from the Egyptian dynasties, the order of which is indicated by Roman numerals, e.g. “Ist Dynasty,” “IId Dynasty,” “IIId Dynasty.”
[1] It’s important to note that the Babylonian dynasties are mentioned in this book as “First Dynasty,” “Second Dynasty,” “Third Dynasty,” etc. This distinguishes them from the Egyptian dynasties, which are labeled with Roman numerals, such as “Ist Dynasty,” “IId Dynasty,” “IIId Dynasty.”
The American excavators at Nippur, under the direction of Mr. Haynes, have done much in the past to increase our knowledge of Sumerian and early Babylonian history, but the work has not been continued in recent years, and, unfortunately, little progress has been made in the publication of the material already accumulated. In fact, the leadership in American excavation has passed from the University of Pennsylvania to that of Chicago. This progressive university has sent out an expedition, under the general direction of Prof. R. F. Harper (with Dr. E. J. Banks as director of excavations), which is doing excellent work at Bismya, and, although it is too early yet to expect detailed accounts of their achievements, it is clear that they have already met with considerable success. One of their recent finds consists of a white marble statue of an early Sumerian king named Daudu, which was set up in the temple of E-shar in the city of Udnun, of which he was ruler. From its archaic style of workmanship it may be placed in the earliest period of Sumerian history, and may be regarded as an earnest of what may be expected to follow from the future labours of Prof. Harper’s expedition.
The American excavators at Nippur, led by Mr. Haynes, have significantly contributed in the past to our understanding of Sumerian and early Babylonian history, but the work hasn't continued in recent years, and sadly, little progress has been made in publishing the already gathered material. In fact, American excavation leadership has shifted from the University of Pennsylvania to the University of Chicago. This forward-thinking university has sent out an expedition under the general direction of Prof. R. F. Harper (with Dr. E. J. Banks managing the excavations), which is doing excellent work at Bismya. Although it’s still too early to expect detailed reports of their findings, it's evident that they have achieved considerable success already. One of their recent discoveries is a white marble statue of an early Sumerian king named Daudu, which was placed in the temple of E-shar in the city of Udnun, where he ruled. Due to its archaic craftsmanship, it can be dated to the earliest period of Sumerian history and may indicate what is to come from Prof. Harper’s future work.

At Fâra and at Abû Hatab in Babylonia, the Deutsch-Orient Gesellschaft, under Dr. Koldewey’s direction, has excavated Sumerian and Babylonian remains of the early period. At the former site they unearthed the remains of many private houses and found some Sumerian tablets of accounts and commercial documents, but little of historical interest; and an inscription, which seems to have come from Abu Hatab, probably proves that the Sumerian name of the city whose site it marks was Kishurra. But the main centre of German activity in Babylonia is the city of Babylon itself, where for the last seven years Dr. Koldewey has conducted excavations, unearthing the palaces of Nebuchadnezzar II on the mound termed the Kasr, identifying the temple of E-sagila under the mound called Tell Amran ibn-Ali, tracing the course of the sacred way between E-sagila and the palace-mound, and excavating temples dedicated to the goddess Ninmakh and the god Ninib.
At Fâra and Abû Hatab in Babylonia, the Deutsch-Orient Gesellschaft, led by Dr. Koldewey, has excavated early Sumerian and Babylonian remains. At the first site, they discovered the foundations of many private homes and found some Sumerian accounting tablets and commercial documents, but not much of historical significance; an inscription, likely from Abû Hatab, probably indicates that the Sumerian name of the city it marks was Kishurra. However, the main focus of German activities in Babylonia is the city of Babylon itself, where Dr. Koldewey has been leading excavations for the past seven years, uncovering the palaces of Nebuchadnezzar II at the mound known as the Kasr, identifying the temple of E-sagila under the mound called Tell Amran ibn-Ali, tracing the sacred way between E-sagila and the palace mound, and excavating temples dedicated to the goddess Ninmakh and the god Ninib.

In the middle distance may be seen the metal trucks running on light rails which are employed on the work for the removal of the débris from the diggings.
In the distance, you can see the metal trucks running on light rails that are used to clear away the debris from the diggings.
Dr. Andrae, Dr. Koldewey’s assistant, has also completed the excavation of the temple dedicated to Nabû at Birs Nimrud. On the principal mound at this spot, which marks the site of the ancient city of Borsippa, traces of the ziggurat, or temple tower, may still be seen rising from the soil, the temple of Nabû lying at a lower level below the steep slope of the mound, which is mainly made up of débris from the ziggurat. Dr. Andrae has recently left Babylonia for Assyria, where his excavations at Sher-ghat, the site of the ancient Assyrian city of Ashur, are confidently expected to throw considerable light on the early history of that country and the customs of the people, and already he has made numerous finds of considerable interest.
Dr. Andrae, Dr. Koldewey’s assistant, has finished digging up the temple dedicated to Nabû at Birs Nimrud. On the main mound at this location, which marks the site of the ancient city of Borsippa, you can still see remnants of the ziggurat, or temple tower, rising from the ground, with the temple of Nabû situated at a lower level below the steep slope of the mound, mainly composed of debris from the ziggurat. Dr. Andrae has recently left Babylonia for Assyria, where his excavations at Sher-ghat, the site of the ancient Assyrian city of Ashur, are expected to shed significant light on the early history of that region and the customs of the people. He has already made numerous interesting discoveries.

Since the early spring of 1903 excavations have been conducted at Kuyunjik, the site of the city of Nineveh, by Messrs. L. W. King and R. C. Thompson on behalf of the Trustees of the British Museum, and have resulted in the discovery of many early remains in the lower strata of the mound, in addition to the finding of new portions of the two palaces already known and partly excavated, the identification of a third palace, and the finding of an ancient temple dedicated to Nabû, whose existence had already been inferred from a study of the Assyrian inscriptions.[2] All these diggings at Babylon, at Ashur, and at Nineveh throw more light upon the history of the country during the Assyrian and Neo-Babylonian periods, and will be referred to later in the volume.
Since early spring 1903, excavations have been taking place at Kuyunjik, the site of the city of Nineveh, by L. W. King and R. C. Thompson on behalf of the Trustees of the British Museum. These efforts have led to the discovery of many early remains in the lower layers of the mound, as well as new sections of the two already known and partially excavated palaces, the identification of a third palace, and the discovery of an ancient temple dedicated to Nabû, which had already been suggested by the study of Assyrian inscriptions.[2] All these digs in Babylon, Ashur, and Nineveh provide more insight into the history of the region during the Assyrian and Neo-Babylonian periods and will be discussed later in the volume.
[2] It may be noted that excavations are also being actively carried on in Palestine at the present time. Mr. Macalister has for some years been working for the Palestine Exploration Fund at Gezer; Dr. Schumacher is digging at Megiddo for the German Palestine Society; and Prof. Sellin is at present excavating at Taanach (Ta’annak) and will shortly start work at Dothan. Good work on remains of later historical periods is also being carried on under the auspices of the Deutsch-Orient Gesellschaft at Ba’albek and in Galilee. It would be tempting to include here a summary of the very interesting results that have recently been achieved in this fruitful field of archaeological research, for it is true that these excavations may strictly be said to bear on the history of a portion of Western Asia. But the problems which they raise would more naturally be discussed in a work dealing with recent excavation and research in relation to the Bible, and to have summarized them adequately would have increased the size of the present volume considerably beyond its natural limits. They have therefore not been included within the scope of the present work.
[2] It's worth mentioning that excavations are currently happening in Palestine. Mr. Macalister has been working for the Palestine Exploration Fund at Gezer for several years; Dr. Schumacher is digging at Megiddo for the German Palestine Society; and Prof. Sellin is currently excavating at Taanach (Ta’annak) and will soon begin work at Dothan. Significant work on remains from later historical periods is also being done under the Deutsch-Orient Gesellschaft in Ba’albek and Galilee. It would be tempting to include a summary of the fascinating findings that have emerged from this productive field of archaeological research, as these excavations genuinely relate to the history of a part of Western Asia. However, the issues they raise would be better explored in a work focused on recent excavations and research concerning the Bible, and summarizing them adequately would have significantly increased the length of this volume beyond its intended scope. Therefore, they have not been included in this work.

Meanwhile, we will return to the diggings described at the beginning of this chapter, as affording new information concerning the earliest periods of Chaldæan history.
Meanwhile, let's go back to the diggings mentioned at the start of this chapter, as they provide new insights into the earliest periods of Chaldæan history.
A most interesting inscription has recently been discovered by Capt. Cros at Telloh, which throws considerable light on the rivalry which existed between the cities of Shirpurla and Gishkhu, and at the same time furnishes valuable material for settling the chronology of the earliest rulers whose inscriptions have been found at Mppur and their relations to contemporary rulers in Shirpurla.
A very interesting inscription has recently been found by Capt. Cros at Telloh, which sheds light on the rivalry between the cities of Shirpurla and Gishkhu. At the same time, it provides valuable information for establishing the timeline of the earliest rulers whose inscriptions have been discovered at Mppur and their relationships with contemporary rulers in Shirpurla.

The cities of Gishkhu and Shirpurla were probably situated not far from one another, and their rivalry is typical of the history of the early city-states of Babylonia. The site of the latter city, as has already been said, is marked by the mounds of Telloh on the east bank of the Shatt el-Hai, the natural stream joining the Tigris and Euphrates, which has been improved and canalized by the dwellers in Southern Babylonia from the earliest period.
The cities of Gishkhu and Shirpurla were likely located close to each other, and their competition is typical of the history of the early city-states of Babylonia. The site of Shirpurla, as mentioned earlier, is marked by the mounds of Telloh on the east bank of the Shatt el-Hai, the natural stream that connects the Tigris and Euphrates, which has been enhanced and channeled by the inhabitants of Southern Babylonia since ancient times.

The site of Gishkhu may be set with considerable probability not far to the north of Telloh on the opposite bank of the Shatt el-Hai. These two cities, situated so close to one another, exercised considerable political influence, and though less is known of Gishkhu than of the more famous Babylonian cities such as Ur, Brech, and Larsam, her proximity to Shirpurla gave her an importance which she might not otherwise have possessed. The earliest knowledge we possess of the relations existing between Gishkhu and Shirpurla refers to the reign of Mesilim, King of Kish, the period of whose rule may be provisionally set before that of Sargon of Agade, i.e, about 4000 B.C.
The location of Gishkhu is likely just north of Telloh, on the opposite bank of the Shatt el-Hai. These two cities, being so close to each other, had significant political influence. While we know less about Gishkhu compared to the more renowned Babylonian cities like Ur, Brech, and Larsam, its nearness to Shirpurla gave it an importance it might not have had otherwise. The earliest information we have about the relationship between Gishkhu and Shirpurla dates back to the reign of Mesilim, King of Kish, whose rule is tentatively placed before that of Sargon of Agade, around 4000 B.C.
At this period there was rivalry between the two cities, in consequence of which Mesilim, King of Kish, was called in as arbitrator. A record of the treaty of delimitation that was drawn up on this occasion has been preserved upon the recently discovered cone of Entemena. This document tells us that at the command of the god Enlil, described as “the king of the countries,” Ningirsu, the chief god of Shirpurla, and the god of Gishkhu decided to draw up a line of division between their respective territories, and that Mesilim, King of Kish, acting under the direction of his own god Kadi, marked out the frontier and set up a stele between the two territories to commemorate the fixing of the boundary.
During this time, there was rivalry between the two cities, which led to Mesilim, the King of Kish, being called in as an arbitrator. A record of the treaty that was created on this occasion has been preserved on the recently discovered cone of Entemena. This document reveals that at the command of the god Enlil, referred to as “the king of the countries,” Ningirsu, the chief god of Shirpurla, along with the god of Gishkhu, decided to establish a boundary between their territories. Mesilim, King of Kish, under the guidance of his own god Kadi, marked the border and erected a stele between the two territories to commemorate the establishment of the boundary.
This policy of fixing the boundary by arbitration seems to have been successful, and to have secured peace between Shirpurla and Gishkhu for some generations. But after a period which cannot be accurately determined a certain patesi of Gishkhu, named Ush, was filled with ambition to extend his territory at the expense of Shirpurla. He therefore removed the stele which Mesilim had set up, and, invading the plain of Shirpurla, succeeded in conquering and holding a district named Gu-edin. But Ush’s successful raid was not of any permanent benefit to his city, for he was in his turn defeated by the forces of Shirpurla, and his successor upon the throne, a patesi named Enakalli, abandoned a policy of aggression, and concluded with Eannadu, patesi of Shirpurla, a solemn treaty concerning the boundary between their realms, the text of which has been preserved to us upon the famous Stele of Vultures in the Louvre.[3]
This policy of settling boundary disputes through arbitration seems to have worked well, maintaining peace between Shirpurla and Gishkhu for several generations. However, after an undetermined period, a certain leader of Gishkhu, named Ush, became ambitious to expand his territory at Shirpurla's expense. He therefore removed the stele that Mesilim had erected and invaded Shirpurla's plains, successfully conquering a district called Gu-edin. Yet, Ush’s successful raid didn’t bring any lasting advantage to his city, as he was eventually defeated by Shirpurla’s forces. His successor, a leader named Enakalli, shifted away from aggressive policies and made a formal treaty with Eannadu, the leader of Shirpurla, regarding the boundary between their realms, the text of which has been preserved on the famous Stele of Vultures in the Louvre.[3]
[3] A fragment of this stele is also preserved in the British Museum. It is published in Cuneiform Texts in the British Museum, Pt. vii.
[3] A piece of this stele is also kept in the British Museum. It's listed in Cuneiform Texts in the British Museum, Pt. vii.
According to this treaty Gu-edin was restored to Shirpurla, and a deep ditch was dug between the two territories which should permanently indicate the line of demarcation. The stele of Mesilim was restored to its place, and a second stele was inscribed and set up as a memorial of the new treaty. Enakalli did not negotiate the treaty on equal terms with Eannadu, for he only secured its ratification by consenting to pay heavy tribute in grain for the supply of the great temples of Nin-girsu and Ninâ in Shirpurla. It would appear that under Eannadu the power and influence of Shirpurla were extended over the whole of Southern Babylonia, and reached even to the borders of Elam. At any rate, it is clear that during his lifetime the city of Gishkhu was content to remain in a state of subjection to its more powerful neighbour. But it was always ready to seize any opportunity of asserting itself and of attempting to regain its independence.
According to this treaty, Gu-edin was restored to Shirpurla, and a deep ditch was dug between the two territories to permanently mark the boundary. The stele of Mesilim was returned to its original spot, and a second stele was inscribed and erected as a memorial of the new treaty. Enakalli did not negotiate the treaty on equal terms with Eannadu; he only secured its approval by agreeing to pay heavy tribute in grain for the supply of the major temples of Nin-girsu and Ninâ in Shirpurla. It seems that under Eannadu, Shirpurla's power and influence extended over all of Southern Babylonia, reaching even to the borders of Elam. Regardless, it is clear that during his lifetime, the city of Gishkhu was willing to remain in a state of subjection to its more powerful neighbor but was always prepared to seize any opportunity to assert itself and try to regain its independence.

The characters of the inscription well illustrate the pictorial origin of the Sumerian system of writing. Photograph by Messrs. Mansell & Co.
The characters of the inscription clearly show the pictorial roots of the Sumerian writing system. Photograph by Messrs. Mansell & Co.
Accordingly, after Eannadu’s death the men of Gishkhu again took the offensive. At this time Urlumma, the son and successor of Enakalli, was on the throne of Gishkhu, and he organized the forces of the city and led them out to battle. His first act was to destroy the frontier ditches named after Ningirsu and Ninâ, the principal god and goddess of Shirpurla, which Eannadu, the powerful foe of Gishkhu, had caused to be dug. He then tore down the stele on which the terms of Eannadu’s treaty had been engraved and broke it into pieces by casting it into the fire, and the shrines which Eannadu had built near the frontier, and had consecrated to the gods of Shirpurla, he razed to the ground. But again Shirpurla in the end proved too strong for Gishkhu. The ruler in Shirpurla at this time was Enannadu, who had succeeded his brother Eannadu upon the throne. He marched out to meet the invading forces of the men of Gishkhu, and a battle was fought in the territory of Shirpurla. According to one account, the forces of Shirpurla were victorious, while on the cone of Ente-mena no mention is made of the issue of the combat. The result may not have been decisive, but Enannadu’s action at least checked Urlumma’s encroachments for the time.
After Eannadu’s death, the men of Gishkhu went on the attack again. At this time, Urlumma, the son and successor of Enakalli, was ruling Gishkhu, and he organized the city’s forces and led them into battle. His first move was to destroy the frontier ditches named after Ningirsu and Ninâ, the main god and goddess of Shirpurla, which Eannadu, Gishkhu’s powerful enemy, had had dug. He then knocked down the stele that had the terms of Eannadu’s treaty written on it and destroyed it by throwing it into the fire. He also tore down the shrines that Eannadu had built near the frontier and dedicated to the gods of Shirpurla. But in the end, Shirpurla proved too strong for Gishkhu once again. The ruler of Shirpurla at this time was Enannadu, who had taken over the throne after his brother Eannadu. He marched out to confront the invading Gishkhu forces, and a battle took place in Shirpurla's territory. According to one account, the Shirpurla forces won, while the cone of Ente-mena doesn’t mention the battle's outcome. The result might not have been decisive, but Enannadu’s actions at least slowed Urlumma’s advances for the time being.
It would appear that the death of the reigning patesi in Shirpurla was always the signal for an attack upon that city by the men of Gishkhu. They may have hoped that the new ruler would prove a less successful leader than the last, or that the accession of a new monarch might give rise to internal dissensions in the city which would weaken Shirpurla’s power of resisting a sudden attack. As Eannadu’s death had encouraged Urlumma to lead out the men of Gishkhu, so the death of Enannadu seemed to him a good opportunity to make another bid for victory. But this time the result of the battle was not indecisive. Entemena had succeeded his father Enannadu, and he led out to victory the forces of Shir-purla. The battle was fought near the canal Lumma-girnun-ta, and when the men of Gishkhu were put to flight they left sixty of their fellows lying dead upon the banks of the canal. Entemena tells us that the bones of these warriors were left to bleach in the open plain, but he seems to have buried those of the men of Gishkhu who fell in the pursuit, for he records that in five separate places he piled up burial-mounds in which the bodies of the slain were interred. Entemena was not content with merely inflicting a defeat upon the army of Gishkhu and driving it back within its own borders, for he followed up his initial advantage and captured the capital itself. He deposed and imprisoned Urlumma, and chose one of his own adherents to rule as patesi of Gishkhu in his stead. The man he appointed for this high office was named Hi, and he had up to that time been priest in Ninâb. Entemena summoned him to his presence, and, after marching in a triumphal procession from Girsu in the neighbourhood of Shirpurla to the conquered city, proceeded to invest him with the office of patesi of Gishkhu.
It seems that whenever the current patesi of Shirpurla died, it triggered an attack on the city by the people of Gishkhu. They might have thought the new ruler would be less competent than the previous one, or that the rise of a new monarch could spark internal conflicts in the city that would weaken Shirpurla’s ability to fend off a surprise attack. Just as Eannadu's death motivated Urlumma to rally the Gishkhu forces, Enannadu's death appeared to him as a good chance to attempt victory again. However, this battle had a clear outcome. Entemena succeeded his father Enannadu and led the forces of Shirpurla to victory. The battle took place near the Lumma-girnun-ta canal, and when the Gishkhu soldiers were routed, they left sixty of their comrades dead on the canal banks. Entemena noted that the bones of these warriors were left to bleach in the open field, but he seemed to have buried the Gishkhu soldiers who died during the chase, as he recorded that he created burial mounds in five separate locations for the slain. Entemena was not satisfied with just defeating the Gishkhu army and pushing them back; he capitalized on his advantage and captured the capital itself. He overthrew and imprisoned Urlumma, appointing one of his own supporters as the new patesi of Gishkhu in his place. The person he chose for this important role was named Hi, who had been a priest in Ninâb until that point. Entemena summoned him to his presence and, after a triumphant parade from Girsu near Shirpurla to the conquered city, formally invested him as the patesi of Gishkhu.
Entemena also repaired the frontier ditches named after Ningirsu and Ninâ, which had been employed for purposes of irrigation as well as for marking the frontier; and he gave instructions to Hi to employ the men dwelling in the district of Karkar on this work, as a punishment for the active part they had taken in the recent raid into the territory of Shirpurla. Entemena also restored and extended the system of canals in the region between the Tigris and the Euphrates, lining one of the principal channels with stone.
Entemena also fixed the border ditches named after Ningirsu and Ninâ, which were used for irrigation and marking the border; he instructed Hi to put the men living in the Karkar area to work on this project as a punishment for their involvement in the recent raid into Shirpurla's territory. Entemena also renewed and expanded the canal system in the region between the Tigris and Euphrates, lining one of the main channels with stone.

Marble Gate-Socket Bearing An Inscription Of Entemena, A Powerful
Patesi, Or Viceroy, Of Shirpurla.
In the photograph the gate-socket is resting on its side so as to show the
inscription, but when in use it was set flat upon the ground and partly
buried below the level of the pavement of the building in which it was
used. It was fixed at the side of a gateway and the pivot of the heavy
gate revolved in the shallow hole or depression in its centre. As stone is
not found in the alluvial soil of Babylonia, the blocks for gate-sockets
had to be brought from great distances and they were consequently highly
prized. The kings and patesis who used them in their buildings generally
had their names and titles engraved upon them, and they thus form a
valuable class of inscriptions for the study of the early history.
Photograph by Messrs. Man-sell & Co.
Marble Gate-Socket Bearing an Inscription of Entemena, a Powerful Patesi, or Viceroy, of Shirpurla.
In the photograph, the gate-socket is lying on its side to show the inscription, but when in use, it was set flat on the ground and partly buried below the level of the pavement of the building it was used in. It was placed at the side of a gateway, and the pivot of the heavy gate rotated in the shallow hole or depression in its center. Since stone is not found in the alluvial soil of Babylonia, the blocks for gate-sockets had to be transported from far away, making them highly valued. The kings and patesis who used them in their buildings typically had their names and titles engraved on them, which makes them a valuable resource for studying early history. Photograph by Messrs. Man-sell & Co.
He thus added greatly to the wealth of Shirpurla by increasing the area of territory under cultivation, and he continued to exercise authority in Gishkhu by means of officers appointed by himself. A record of his victory over Gishkhu was inscribed by Entemena upon a number of clay cones, that the fame of it might be preserved in future days to the honour of Ningirsu and the goddess Ninâ. He ends this record with a prayer for the preservation of the frontier. If ever in time to come the men of Gishkhu should break out across the frontier-ditch of Ningirsu, or the frontier-ditch of Ninâ, in order to seize or lay waste the lands of Shirpurla, whether they be men of the city of Gishkhu itself or men of the mountains, he prays that Enlil may destroy them and that Ningirsu may lay his curse upon them; and if ever the warriors of his own city should be called upon to defend it, he prays that they may be full of courage and ardour for their task.
He significantly increased the wealth of Shirpurla by expanding the area of land being farmed, and he maintained control over Gishkhu through officers he appointed. Entemena recorded his victory over Gishkhu on several clay cones so that its glory would be remembered for the future in honor of Ningirsu and the goddess Ninâ. He concludes this record with a prayer for the protection of the borders. If in the future the people of Gishkhu should cross the boundary ditch of Ningirsu or the boundary ditch of Ninâ to attack or destroy the lands of Shirpurla, whether they are from the city of Gishkhu or from the mountains, he prays that Enlil may annihilate them and that Ningirsu may curse them; and if the warriors of his own city are ever called to defend it, he prays that they may be filled with courage and enthusiasm for their duty.
The greater part of this information with regard to the struggles between Gishkhu and Shirpurla, between the period of Mesilim, King of Kish, and that of Entemena, is supplied by the inscription of the latter ruler which has been found written around a small cone of clay. There is little doubt that the text was also engraved by the orders of Entemena upon a stone stele which was set up, like those of Mesilim and Eannadu, upon the frontier. Other copies of the inscription were probably engraved and erected in the cities of Gishkhu and Shirpurla, and to ensure the preservation of the record Entemena probably had numerous copies of it made upon small cones of clay which were preserved and possibly buried in the structure of the temples of Shirpurla. Entemena’s foresight in this matter has been justified by results, for, while his great memorials of stone have perished, the preservation of one of his small cones has sufficed to make known to later ages his own and his forefathers’ prowess in their continual contests with their ancient rival Gishkhu.
Most of the information about the conflicts between Gishkhu and Shirpurla, during the time of Mesilim, King of Kish, and Entemena, comes from the inscription of the latter ruler found on a small clay cone. It's clear that the text was also carved by Entemena's orders onto a stone stele, which was erected, like those of Mesilim and Eannadu, on the frontier. Other copies of the inscription were likely made and displayed in the cities of Gishkhu and Shirpurla, and to ensure the record's preservation, Entemena probably had many copies created on small clay cones, which were kept and possibly buried within the structures of the temples of Shirpurla. Entemena’s foresight in this matter has proven valuable, as, while his grand stone memorials have been lost, the survival of one of his small cones has been enough to inform later generations about his and his ancestors’ strength in their ongoing battles with their longtime rival Gishkhu.
After the reign of Entemena we have little information with regard to the relations between Gishkhu and Shirpurla, though it is probable that the effects of his decisive victory continued to exercise a moderating influence on Gishkhu’s desire for expansion and secured a period of peaceful development for Shirpurla without the continual fear of encroachments on the part of her turbulent neighbour. We may assume that this period of tranquillity continued during the reigns of Enannadu II, Enlitarzi, and Lugal-anda, but, when in the reign of Urukagina the men of Gishkhu once more emerge from their temporary obscurity, they appear as the authors of deeds of rapine and bloodshed committed on a scale that was rare even in that primitive age.
After Entemena's reign, we have limited information about the relationship between Gishkhu and Shirpurla. However, it's likely that the impact of his significant victory continued to keep Gishkhu's ambitions in check, allowing Shirpurla to experience a period of peaceful growth without the constant threat of invasions from its restless neighbor. We can assume that this calm period lasted through the reigns of Enannadu II, Enlitarzi, and Lugal-anda. But when Urukagina took over, the people of Gishkhu emerged from their relative obscurity and were seen committing acts of violence and plunder on a scale that was unusual even for that early time.
In the earlier stages of their rivalry Gishkhu had always been defeated, or at any rate checked, in her actual conflicts with Shirpurla. When taking the aggressive the men of Gishkhu seem generally to have confined themselves to the seizure of territory, such as the district of Gu-edin, which was situated on the western bank of the Shaft el-Hai and divided from their own lands only by the frontier-ditch. If they ever actually crossed the Shaft el-Hai and raided the lands on its eastern bank, they never ventured to attack the city of Shirpurla itself. And, although their raids were attended with some success in their initial stages, the ruling patesis of Shirpurla were always strong enough to check them; and on most occasions they carried the war into the territory of Gishkhu, with the result that they readjusted the boundary on their own terms. But it would appear that all these primitive Chalæan cities were subject to alternate periods of expansion and defeat, and Shirpurla was not an exception to the rule. It was probably not due so much to Urukagina’s personal qualities or defects as a leader that Shirpurla suffered the greatest reverse in her history during his reign, but rather to Gishkhu’s gradual increase in power at a time when Shirpurla herself remained inactive, possibly lulled into a false sense of security by the memory of her victories in the past. Whatever may have been the cause of Gishkhu’s final triumph, it is certain that it took place in Urukagina’s reign, and that for many years afterwards the hegemony of Southern Babylonia remained in her hands, while Shirpurla for a long period passed completely out of existence as an independent or semi-independent state.
In the early days of their rivalry, Gishkhu was always defeated, or at least held back, in its direct conflicts with Shirpurla. When they took the offensive, the men of Gishkhu generally focused on seizing territory, like the district of Gu-edin, which was located on the western bank of the Shaft el-Hai and separated from their own lands only by a frontier ditch. If they ever crossed the Shaft el-Hai to raid the lands on the eastern bank, they never dared to attack the city of Shirpurla itself. Although their raids were somewhat successful at first, the ruling patesis of Shirpurla were always strong enough to fend them off. Most of the time, they took the fight into Gishkhu's territory, resulting in a redefinition of their border on their own terms. However, it seemed that all these early Chaldean cities experienced cycles of expansion and defeat, and Shirpurla was no exception. The significant setback Shirpurla faced during Urukagina’s reign was likely less about his personal leadership qualities and more about Gishkhu's gradual rise in power at a time when Shirpurla remained stagnant, possibly lulled into complacency by memories of past victories. Regardless of the reasons for Gishkhu’s eventual success, it’s clear that it occurred during Urukagina’s reign, and for many years afterward, the dominance of Southern Babylonia was in Gishkhu's hands, while Shirpurla faded from existence as an independent or semi-independent state.
The evidence of the catastrophe that befell Shirpurla at this period is furnished by a small clay tablet recently found at Telloh during Captain Cros’s excavations on that site. The document on which the facts in question are recorded had no official character, and in all probability it had not been stored in any library or record chamber. The actual spot at Telloh where it was found was to the north of the mound in which the most ancient buildings have been recovered, and at the depth of two metres below the surface. No other tablets appear to have been found near it, but that fact in itself would not be sufficient evidence on which to base any theory as to its not having originally formed part of the archives of the city. Its unofficial character is attested by the form of the tablet and the manner in which the information upon it is arranged. In shape there is little to distinguish the document from the tablets of accounts inscribed in the reign of Urukagina, great numbers of which have been found recently at Telloh. Roughly square in shape, its edges are slightly convex, and the text is inscribed in a series of narrow columns upon both the obverse and the reverse. The text itself is not a carefully arranged composition, such as are the votive and historical inscriptions of early Sumerian rulers. It consists of a series of short sentences enumerating briefly and without detail the separate deeds of violence and sacrilege performed by the men of Gishkhu after their capture of the city. It is little more than a catalogue or list of the shrines and temples destroyed during the sack of the city, or defiled by the blood of the men of Shirpurla who were slain therein. No mention is made in the list of the palace of the Urukagina, or of any secular building, or of the dwellings of the citizens themselves. There is little doubt that these also were despoiled and destroyed by the victorious enemy, but the writer of the tablet is not concerned for the moment with the fate of his city or his fellow citizens. He appears to be overcome with the thought of the deeds of sacrilege committed against his gods; his mind is entirely taken up with the magnitude of the insult offered to the god Ningirsu, the city-god of Shirpurla. His bare enumeration of the deeds of sacrilege and violence loses little by its brevity, and, when he has ended the list of his accusations against the men of Gishkhu, he curses the goddess to whose influence he attributes their success.
The evidence of the disaster that struck Shirpurla during this time comes from a small clay tablet recently discovered at Telloh during Captain Cros’s excavations at the site. The document recording these facts was unofficial and likely wasn’t kept in any library or records room. It was found to the north of the mound where the oldest buildings were excavated, at a depth of two meters below the surface. No other tablets seem to have been found nearby, but that alone isn't enough evidence to suggest it wasn't originally part of the city's records. Its unofficial nature is evident in the tablet’s shape and how the information is organized. There's not much to set this document apart from the account tablets from the reign of Urukagina, many of which have been uncovered recently at Telloh. It's roughly square with slightly rounded edges, and the text is inscribed in narrow columns on both sides. The text isn’t a carefully crafted piece like the votive and historical inscriptions of early Sumerian rulers; instead, it consists of short sentences briefly listing the violent acts and sacrileges committed by the men of Gishkhu after they captured the city. It’s mostly a catalog of the shrines and temples destroyed during the city's sacking or tainted by the blood of the men of Shirpurla who were killed there. The list doesn’t mention the palace of Urukagina, any public buildings, or the homes of the citizens. There’s little doubt that these too were looted and destroyed by the conquering enemy, but the writer of the tablet isn’t focused on the fate of his city or his fellow citizens at the moment. He seems consumed by thoughts of the sacrilegious acts committed against his gods; his mind is entirely centered on the impact of the offense against the god Ningirsu, the city-god of Shirpurla. The simple list of sacrilegious deeds loses little in its brevity, and when he finishes detailing his accusations against the men of Gishkhu, he curses the goddess he blames for their success.
No composition at all like this document has yet been recovered, and as it is not very long we may here give a translation of the text. It will be seen that the writer plunges at once into the subject of his charges against the men of Gishkhu. No historical résumé prefaces his accusations, and he gives no hint of the circumstances that have rendered their delivery possible. The temples of his city have been profaned and destroyed, and his indignation finds vent in a mere enumeration of their titles. To his mind the facts need no comment, for to him it is barely conceivable that such sacred places of ancient worship should have been defiled. He launches his indictment against Gishkhu in the following terms: “The men of Gishkhu have set fire to the temple of E-ki [... ], they have set fire to Antashura, and they have carried away the silver and the precious stones therefrom! They have shed blood in the palace of Tirash, they have shed blood in Abzubanda, they have shed blood in the shrine of Enlil and in the shrine of the Sun-god, they have shed blood in Akhush, and they have carried away the silver and the precious stones therefrom! They have shed blood in the Gikana of the sacred grove of the goddess Ninmakh, and they have carried away the silver and the precious stones therefrom! They have shed blood in Baga, and they have carried away the silver and the precious stones therefrom! They have shed blood in Abzu-ega, they have set fire to the temple of Gatumdug, and they have carried away the silver and the precious stones therefrom, and have destroyed her statue! They have set fire to the.... of the temple E-anna of the goddess Ninni, and they have carried away the silver and the precious stones therefrom, and have destroyed her statue! They have shed blood in Shapada, and they have carried away the silver and precious stones therefrom! They have.... in Khenda, they have shed blood in the temple of Nindar in the town of Kiab, and they have carried away the silver and the precious stones therefrom! They have set fire to the temple of Dumuzi-abzu in the town of Kinunir, and they have carried away the silver and the precious stones therefrom! They have set fire to the temple of Lugaluru, and they have carried away the silver and the precious stones therefrom! They have shed blood in E-engura, the temple of the goddess Ninâ, and they have carried away the silver and the precious stones therefrom! They have shed blood in Sag..., the temple of Amageshtin, and the silver and the precious stones of Amageshtin have they carried away! They have removed the grain from Ginarbaniru, the field of the god Ningirsu, so much of it as was under cultivation! The men of Gishkhu, by the despoiling of Shirpurla, have committed a transgression against the god Ningirsu! The power that is come unto them, from them shall be taken away! Of transgression on the part of Urukagina, King of Girsu, there is none. As for Lugalzaggisi, patesi of Gishkhu, may his goddess Ni-daba bear on her head (the weight of) this transgression!”
No document like this one has been found yet, and since it’s not very long, we can provide a translation of the text here. It’s clear that the writer immediately dives into his accusations against the people of Gishkhu. There’s no historical overview before his charges, and he doesn’t give any context for why he is making these accusations. The temples in his city have been desecrated and destroyed, and his anger is expressed through a simple list of their names. To him, the facts speak for themselves; it’s almost unimaginable that such sacred sites of ancient worship could be violated. He presents his charges against Gishkhu as follows: “The people of Gishkhu have set fire to the temple of E-ki [...], they have set fire to Antashura, and they have taken away the silver and precious stones from there! They have shed blood in the palace of Tirash, they have shed blood in Abzubanda, they have shed blood in the shrine of Enlil and in the shrine of the Sun-god, they have shed blood in Akhush, and they have taken away the silver and precious stones from there! They have shed blood in the Gikana of the sacred grove of the goddess Ninmakh, and they have taken away the silver and precious stones from there! They have shed blood in Baga, and they have taken away the silver and precious stones from there! They have shed blood in Abzu-ega, they have set fire to the temple of Gatumdug, and they have taken away the silver and precious stones from there, and have destroyed her statue! They have set fire to the.... of the temple E-anna of the goddess Ninni, and they have taken away the silver and precious stones from there, and have destroyed her statue! They have shed blood in Shapada, and they have taken away the silver and precious stones from there! They have.... in Khenda, they have shed blood in the temple of Nindar in the town of Kiab, and they have taken away the silver and precious stones from there! They have set fire to the temple of Dumuzi-abzu in the town of Kinunir, and they have taken away the silver and precious stones from there! They have set fire to the temple of Lugaluru, and they have taken away the silver and precious stones from there! They have shed blood in E-engura, the temple of the goddess Ninâ, and they have taken away the silver and precious stones from there! They have shed blood in Sag..., the temple of Amageshtin, and they have taken away the silver and precious stones of Amageshtin! They have removed the grain from Ginarbaniru, the field of the god Ningirsu, all of it that was under cultivation! The people of Gishkhu, by pillaging Shirpurla, have sinned against the god Ningirsu! The power that has come to them will be taken away! There is no transgression on the part of Urukagina, King of Girsu. As for Lugalzaggisi, the patesi of Gishkhu, may his goddess Ni-daba bear the burden of this transgression!”
Such is the account, which has come down to us from the rough tablet of some unknown scribe, of the greatest misfortune experienced by Shirpurla during the long course of her history. Many of the great temples mentioned in the text as among those which were burnt down and despoiled of their treasures are referred to more than once in the votive and historical inscriptions of earlier rulers of Shirpurla, who occupied the throne before the ill-fated Urukagina. The names of some of them, too, are to be found in the texts of the later pate-sis of that city, so that it may be concluded that in course of time they were rebuilt and restored to their former splendour. But there is no doubt that the despoiling and partial destruction of Shirpurla in the reign of Urukagina had a lasting effect upon the fortunes of that city, and effectively curtailed her influence among the greater cities of Southern Babylonia.
This is the account that has been passed down to us from the rough tablet of an unknown scribe, detailing the greatest misfortune that befell Shirpurla throughout her long history. Many of the significant temples mentioned in the text, which were burned down and robbed of their treasures, are referenced multiple times in the votive and historical inscriptions of earlier rulers of Shirpurla, who reigned before the unfortunate Urukagina. The names of some of these rulers can also be found in the texts of the later pate-sis of that city, suggesting that over time, the temples were rebuilt and restored to their former glory. However, it is clear that the looting and partial destruction of Shirpurla during Urukagina’s reign had a lasting impact on the city's fortunes and significantly diminished her influence among the larger cities of Southern Babylonia.
We may now turn our attention to the leader of the men of Gishkhu, under whose direction they achieved their final triumph over their ancient, and for long years more powerful, rival Shirpurla. The writer of our tablet mentions his name in the closing words of his text when he curses him and his goddess for the destruction and sacrilege that they have wrought. “As for Lugalzaggisi,” he says, “patesi of Gishkhu, may his goddess Nidaba bear on her head (the weight of ) this transgression!” Now the name of Lugalzaggisi has been found upon a number of fragments of vases made of white calcite stalagmite which were discovered by Mr. Haynes during his excavations at Nippur. All the vases were engraved with the same inscription, so that it was possible by piecing the fragments of text together to obtain a more or less complete copy of the records which were originally engraved upon each of them. From these records we learned for the first time, not only the name of Lugalzaggisi, but the fact that he founded a powerful coalition of cities in Babylonia at what was obviously a very early period in the history of the country. In the text he describes himself as “King of Erech, king of the world, the priest of Ana, the hero of Nidaba, the son of Ukush, patesi of Gishkhu, the hero of Nidaba, the man who was favourably regarded by the sure eye of the King of the Lands (i.e. the god Enlil), the great patesi of Enlil, unto whom understanding was granted by Enki, the chosen of the Sun-god, the exalted minister of Enzu, endowed with strength by the Sun-god, the worshipper of Ninni, the son who was conceived by Nidaba, who was nourished by Ninkharsag with the milk of life, the attendant of Umu, priestess of Erech, the servant who was trained by Ninâgidkhadu, the mistress of Erech, the great minister of the gods.” Lugalzaggisi then goes on to describe the extent of his dominion, and he says: “When the god Enlil, the lord of the countries, bestowed upon Lugalzaggisi the kingdom of the world, and granted unto him success in the sight of the world, when he filled the lands with his power, and conquered them from the rising of the sun unto the setting of the same, at that time he made straight his path from the Lower Sea of the Tigris and Euphrates unto the Upper Sea, and he granted him dominion over all from the rising of the sun unto the setting of the same, so that he caused the lands to dwell in peace.”
We can now focus on the leader of the men of Gishkhu, under whose guidance they finally defeated their long-time, more powerful rival Shirpurla. The author of our tablet mentions him at the end of his text when he curses him and his goddess for the destruction and sacrilege they caused. “As for Lugalzaggisi,” he writes, “patesi of Gishkhu, may his goddess Nidaba bear the burden of this wrongdoing!” The name Lugalzaggisi has been found on several fragments of white calcite stalagmite vases discovered by Mr. Haynes during his digs at Nippur. All the vases had the same inscription, which allowed us to piece together a mostly complete version of the records originally engraved on each of them. From these records, we learned for the first time, not only the name of Lugalzaggisi, but that he founded a powerful coalition of cities in Babylonia at a very early stage in the country's history. In the text, he describes himself as “King of Erech, king of the world, the priest of Ana, the hero of Nidaba, the son of Ukush, patesi of Gishkhu, the hero of Nidaba, the man favored by the keen sight of the King of the Lands (the god Enlil), the great patesi of Enlil, who was granted understanding by Enki, the chosen of the Sun-god, the exalted minister of Enzu, endowed with strength by the Sun-god, the worshipper of Ninni, the son conceived by Nidaba, who was nourished by Ninkharsag with the milk of life, the attendant of Umu, priestess of Erech, the servant trained by Ninâgidkhadu, the mistress of Erech, the great minister of the gods.” Lugalzaggisi then describes the extent of his rule, saying: “When the god Enlil, the lord of the countries, gave Lugalzaggisi the kingdom of the world and granted him success in the eyes of all, when he filled the lands with his power and conquered them from sunrise to sunset, at that time he made a straight path from the Lower Sea of the Tigris and Euphrates to the Upper Sea, granting him dominion over everything from dawn to dusk, ensuring peace throughout the lands.”
Now when first the text of this inscription was published there existed only vague indications of the date to be assigned to Lugalzaggisi and the kingdom that he founded. It was clear from the titles which he bore, that, though Gishkhu was his native place, he had extended his authority far beyond that city and had chosen Erech as his capital. Moreover, he claimed an empire extending from “the Lower Sea of the Tigris and Euphrates unto the Upper Sea.” There is no doubt that the Lower Sea here mentioned is the Persian Gulf, and it has been suggested that the Upper Sea may be taken to be the Mediterranean, though it may possibly have been Lake Van or Lake Urmi. But whichever of these views might be adopted, it was clear that Lugalzaggisi was a great conqueror, and had achieved the right to assume the high-sounding title of lugal halama, “king of the world.” In these circumstances it was of the first importance for the study of primitive Chaldæan history and chronology to ascertain approximately the period at which Lugalzaggisi reigned.
Now, when the text of this inscription was first published, there were only vague hints about the date for Lugalzaggisi and the kingdom he founded. It was clear from the titles he held that, although Gishkhu was his hometown, he had extended his power well beyond that city and chose Erech as his capital. Furthermore, he claimed an empire that stretched from “the Lower Sea of the Tigris and Euphrates to the Upper Sea.” There's no doubt that the Lower Sea referenced here is the Persian Gulf, and some have suggested that the Upper Sea could refer to the Mediterranean, though it might also be Lake Van or Lake Urmi. But regardless of which interpretation is accepted, it was obvious that Lugalzaggisi was a great conqueror who earned the impressive title of lugal halama, “king of the world.” Given the circumstances, it was crucial for the study of early Chaldæan history and chronology to determine approximately when Lugalzaggisi ruled.
The evidence on which such a question could be provisionally settled was of the vaguest and most uncertain character, but such as it was it had to suffice, in the absence of more reliable data. In settling all problems connected with early Chaldæan chronology, the starting-point was, and in fact still is, the period of Sargon I, King of Agade, inasmuch as the date of his reign is settled, according to the reckoning of the scribes of Nabonidus, as about 3800 B.C. It is true that this date has been called in question, and ingenious suggestions for amending it have been made by some writers, while others have rejected it altogether, holding that it merely represented a guess on the part of the late Babylonians and could be safely ignored in the chronological schemes which they brought forward. But nearly every fresh discovery made in the last few years has tended to confirm some point in the traditions current among the later Babylonians with regard to the earlier history of their country. Consequently, reliance may be placed with increased confidence on the truth of such traditions as a whole, and we may continue to accept those statements which yet await confirmation from documents more nearly contemporary with the early period to which they refer. It is true that such a date as that assigned by Nabonidus to Sargon is not to be regarded as absolutely fixed, for Nabonidus is obviously speaking in round numbers, and we may allow for some minor inaccuracies in the calculations of his scribes. But it is certain that the later Babylonian priests and scribes had a wealth of historical material at their disposal which has not come down to us. We may therefore accept the date given by Nabonidus for Sargon of Agade and his son Narâm-Sin as approximately accurate, and this is also the opinion of the majority of writers on early Babylonian history.
The evidence that could help answer this question was quite vague and uncertain, but it had to do for now, as there were no more reliable data available. When dealing with early Chaldæan chronology, the starting point has been, and still is, the reign of Sargon I, King of Agade, since the date of his rule is estimated to be around 3800 B.C. according to the records of Nabonidus' scribes. Although this date has been questioned and some writers have proposed changes, while others have completely dismissed it, arguing that it was simply a guess by later Babylonians and could be ignored in chronological frameworks they suggested. However, nearly every new discovery in the past few years has tended to support at least some aspects of the traditions upheld by later Babylonians about their country's early history. Therefore, we can have increased confidence in the overall validity of these traditions, and we may continue to accept statements that still need validation from documents that are closer in time to the early period they reference. It’s true that the date given by Nabonidus for Sargon shouldn't be seen as absolutely fixed, as Nabonidus was clearly using rounded figures, and we should consider some minor inaccuracies in his scribes' calculations. But it's certain that the later Babylonian priests and scribes had a lot of historical material available that hasn't survived to the present day. Thus, we can consider the date provided by Nabonidus for Sargon of Agade and his son Narâm-Sin to be approximately accurate, and this is also the belief of most scholars studying early Babylonian history.
The diggings at Nippur furnished indications that certain inscriptions found on that site and written in a very archaic form of script were to be assigned to a period earlier than that of Sargon. One class of evidence was obtained from a careful study of the different levels at which the inscriptions and the remains of buildings were found. At a comparatively deep level in the mound inscriptions of Sargon himself were recovered, along with bricks stamped with the name of Narâm-Sin, his son. It was, therefore, a reasonable conclusion roughly to date the particular stratum in which these objects were found to the period of the empire established by Sargon, with its centre at Agade. Later on excavations were carried to a lower level, and remains of buildings were discovered which appeared to belong to a still earlier period of civilization. An altar was found standing in a small enclosure surrounded by a kind of curb. Near by were two immense clay vases which appeared to have been placed on a ramp or inclined plane leading up to the altar, and remains were also found of a massive brick building in which was an arch of brick. No inscriptions were actually found at this level, but in the upper level assigned to Sargon were a number of texts which might very probably be assigned to the pre-Sargonic period. None of these were complete, and they had the appearance of having been intentionally broken into small fragments. There was therefore something to be said for the theory that they might have been inscribed by the builders of the construction in the lowest levels of the mound, and that they were destroyed and scattered by some conqueror who had laid their city in ruins.
The excavations at Nippur revealed evidence that certain inscriptions found at the site, written in a very old form of script, should be dated to a time before Sargon. One type of evidence came from a detailed analysis of the different layers where the inscriptions and building remains were discovered. At a relatively deep level in the mound, inscriptions of Sargon himself were found, along with bricks stamped with the name of Narâm-Sin, his son. Therefore, it was reasonable to conclude that the specific layer where these objects were located dated back to the period of the empire established by Sargon, centered in Agade. Later excavations were conducted at a lower level, revealing building remains that seemed to belong to an even earlier phase of civilization. An altar was found within a small enclosure surrounded by a kind of curb. Nearby were two huge clay vases that seemed to have been placed on a ramp leading up to the altar, along with the remains of a large brick structure that included a brick arch. While no inscriptions were found at this lower level, several texts discovered at the upper level associated with Sargon could likely be assigned to the time before Sargon. None of these texts were complete, and they appeared to have been intentionally broken into small pieces. This supported the theory that they might have been inscribed by the builders of the structures in the lowest layers of the mound and were subsequently destroyed and scattered by a conquering force that reduced their city to ruins.
But all such evidence derived from noting the levels at which inscriptions are found is in its nature extremely uncertain and liable to many different interpretations, especially if the strata show signs of having been disturbed. Where a pavement or building is still intact, with the inscribed bricks of the builder remaining in their original positions, conclusions may be confidently drawn with regard to the age of the building and its relative antiquity to the strata above and below it. But the strata in the lowest levels at Nippur, as we have seen, were not in this condition, and such evidence as they furnished could only be accepted if confirmed by independent data. Such confirmation was to be found by examination of the early inscriptions themselves.
But all the evidence gathered from observing the levels at which inscriptions are found is inherently very uncertain and open to multiple interpretations, especially if the layers show signs of having been disturbed. When a pavement or building is still intact, with the inscribed bricks of the builder in their original positions, we can confidently determine the age of the building and how it relates to the layers above and below it. However, the lowest levels at Nippur, as we’ve seen, were not in this condition, and any evidence from them could only be accepted if backed up by independent data. This confirmation was found by examining the early inscriptions themselves.
It has been remarked that most of them were broken into small pieces, as though by some invader of the country; but this was not the case with certain gate-sockets and great blocks of diorite which were too hard and big to be easily broken. Moreover, any conqueror of a city would be unlikely to spend time and labour in destroying materials which might be usefully employed in the construction of other buildings which he himself might erect. Stone could not be obtained in the alluvial plains of Babylonia and had to be quarried in the mountains and brought great distances.
It has been noted that most of them were shattered into small pieces, as if by some invader; however, this wasn’t true for certain gate sockets and large blocks of diorite, which were too tough and massive to be easily destroyed. Additionally, any conqueror of a city would probably not waste time and effort destroying materials that could be useful for constructing other buildings he might build himself. Stone wasn’t available in the alluvial plains of Babylonia and had to be quarried in the mountains and transported over long distances.

Stone Gate-Socket Bearing An Inscription of Uk-Engur, An Early King of The City Of Ur. Photograph by Messrs. Mansell & Co.
Stone Gate-Socket Bearing an Inscription of Uk-Engur, an Early King of the City of Ur. Photograph by Mansell & Co.
From any building of his predecessors which he razed to the ground, an invader would therefore remove the gate-sockets and blocks of stone for his own use, supposing he contemplated building on the site. If he left the city in ruins and returned to his own country, some subsequent king, when clearing the ruined site for building operations, might come across the stones, and he would not leave them buried, but would use them for his own construction. And this is what actually did happen in the case of some of the building materials of one of these early kings, from the lower strata of Nippur. Certain of the blocks which bore the name of Lugalkigubnidudu had been used again by Sargon, King of Agade, who engraved his own name upon them without obliterating the name of the former king.
From any building that his predecessors constructed and destroyed, an invader would take the gate-sockets and stone blocks for his own use, assuming he planned to build on that site. If he left the city in ruins and returned home, a later king, when preparing the site for new construction, might find the stones and wouldn’t leave them buried, but would use them for his own projects. This actually happened with some building materials from one of these early kings, from the lower layers of Nippur. Some of the blocks that had the name Lugalkigubnidudu were reused by Sargon, King of Agade, who carved his own name on them without erasing the name of the former king.
It followed that Lugalkigubnidudu belonged to the pre-Sargonic period, and, although the same conclusive evidence was not forthcoming in the case of Lugalzag-gisi, he also without much hesitation was set in this early period, mainly on the strength of the archaic forms of the characters employed in his inscriptions. In fact, they were held to be so archaic that, not only was he said to have reigned before Sargon of Agade, but he was set in the very earliest period of Chaldæan history, and his empire was supposed to have been contemporaneous with the very earliest rulers of Shirpurla. The new inscription found by Captain Cros will cause this opinion to be considerably modified. While it corroborates the view that Lugalzaggisi is to be set in the pre-Sargonic period, it proves that he lived and reigned very shortly before him. As we have already seen, he was the contemporary of Urukagina, who belongs to the middle period of the history of Shirpurla. Lugalzaggisi’s capture and sack of the city of Shirpurla was only one of a number of conquests which he achieved. His father Ukush had been merely patesi of the city of Gish-khu, but he himself was not content with the restricted sphere of authority which such a position implied, and he eventually succeeded in enforcing his authority over the greater part of Babylonia. From the fact that he styles himself King of Erech, we may conclude that he removed his capital from Ukush to that city, after having probably secured its submission by force of arms. In fact, his title of “king of the world” can only have been won as the result of many victories, and Captain Cros’s tablet gives us a glimpse of the methods by which he managed to secure himself against the competition of any rival. The capture of Shirpurla must have been one of his earliest achievements, for its proximity to Gish-khu rendered its reduction a necessary prelude to any more extensive plan of conquest. But the kingdom which Lugalzaggisi founded cannot have endured long.
Lugalkigubnidudu belongs to the pre-Sargonic period, and while we don’t have the same solid evidence for Lugalzag-gisi, he’s also categorized in this early period, mainly due to the ancient writing styles used in his inscriptions. In fact, they were considered so old that not only was he said to have ruled before Sargon of Agade, but he was placed in the very beginning of Chaldean history, with his empire thought to have existed alongside the very first rulers of Shirpurla. However, the new inscription discovered by Captain Cros will significantly change this view. While it supports the idea that Lugalzag-gisi belongs to the pre-Sargonic period, it also shows that he lived and ruled just before Sargon. As we’ve seen, he was a contemporary of Urukagina, who is from the middle period of Shirpurla’s history. Lugalzag-gisi’s capture and looting of the city of Shirpurla was just one of many conquests he accomplished. His father, Ukush, was only the patesi of Gish-khu, but Lugalzag-gisi was not satisfied with such limited power, and he eventually established his dominance over much of Babylonia. Since he calls himself King of Erech, we can infer that he moved his capital from Ukush to that city, probably after conquering it. His title of “king of the world” must have been achieved through numerous victories, and Captain Cros’s tablet gives us insight into the ways he managed to defend himself against rivals. The capture of Shirpurla was likely one of his earliest successes, as its closeness to Gish-khu made it essential for any broader conquest plans. However, the kingdom that Lugalzag-gisi established likely didn’t last long.
Under Sargon of Agade, the Semites gained the upper hand in Babylonia, and Erech, Grishkhu, and Shirpurla, as well as the other ancient cities in the land, fell in turn under his domination and formed part of the extensive empire which he ruled.
Under Sargon of Agade, the Semites came out on top in Babylonia, and Erech, Grishkhu, and Shirpurla, along with other ancient cities in the area, successively fell under his control and became part of the vast empire he governed.
Concerning the later rulers of city-states of Babylonia which succeeded the disruption of the empire founded by Sargon of Agade and consolidated by Narâm-Sin, his son, the excavations have little to tell us which has not already been made use of by Prof. Maspero in his history of this period.[4]
Concerning the later rulers of the city-states of Babylonia that came after the fall of the empire established by Sargon of Agade and strengthened by his son Narâm-Sin, the excavations have little to reveal that hasn’t already been utilized by Prof. Maspero in his history of this period.[4]
[4] The tablets found at Telloh by the late M. de Sarzec, and published during his lifetime, fall into two main classes, which date from different periods in early Chaldæan history. The great majority belong to the period when the city of Ur held pre-eminence among the cities of Southern Babylonia, and they are dated in the reigns of Dungi, Bur- Sin, Gamil-Sin, and Ine-Sin. The other and smaller collection belongs to the earlier period of Sargon and Narâm-Sin; while many of the tablets found in M. de Sarzec’s last diggings, which were published after his death, are to be set in the great gap between these two periods. Some of those recently discovered, which belong to the period of Dungi, contain memoranda concerning the supply of food for the maintenance of officials stopping at Shirpurla in the course of journeys in Babylonia and Elam, and they throw an interesting light on the close and constant communication which took place at this time between the great cities of Mesopotamia and the neighbouring countries.
[4] The tablets discovered at Telloh by the late M. de Sarzec and published during his lifetime can be categorized into two main groups, which originate from different periods in early Chaldean history. The vast majority belong to the time when the city of Ur was the leading city in Southern Babylonia, and they are dated to the reigns of Dungi, Bur-Sin, Gamil-Sin, and Ine-Sin. The other, smaller collection is from the earlier period of Sargon and Narâm-Sin. Many of the tablets found in M. de Sarzec’s last excavations, which were published after his death, fit into the significant gap between these two periods. Some of the recently uncovered tablets, belonging to the time of Dungi, include notes regarding the supply of food for officials staying in Shirpurla during their travels in Babylonia and Elam, and they provide interesting insights into the ongoing and frequent communication that occurred at this time between the major cities of Mesopotamia and the surrounding regions.

The most famous of the later patesis, or viceroys, of Shirpurla, the Sumerian city in Southern Babylonia now marked by the mounds of Telloh. Photograph by Messrs. Mansell & Co.
The most famous of the later patesis, or viceroys, of Shirpurla, the Sumerian city in Southern Babylonia now marked by the mounds of Telloh. Photograph by Messrs. Mansell & Co.
Ur, Isin, and,Larsam succeeded one another in the position of leading city in Babylonia, holding Mppur, Eridu, Erech, Shirpurla, and the other chief cities in a condition of semi-dependence upon themselves. We may note that the true reading of the name of the founder of the dynasty of Ur has now been ascertained from a syllabary to be Ur-Engur; and an unpublished chronicle in the British Museum relates that his son Dungi cared greatly for the city of Eridu, but sacked Babylon and carried off its spoil, together with the treasures from E-sagila, the great temple of Marduk. Such episodes must have been common at this period when each city was striving for hegemony. Meanwhile, Shirpurla remained the centre of Sumerian influence in Babylonia, and her patesis were content to owe allegiance to so powerful a ruler as Dungi, King of Ur, while at all times exercising complete authority within their own jurisdiction.
Ur, Isin, and Larsam took turns being the leading city in Babylonia, keeping Mppur, Eridu, Erech, Shirpurla, and other major cities in a state of semi-dependence. It's now been confirmed from a syllabary that the correct name of the founder of the Ur dynasty is Ur-Engur. An unpublished chronicle in the British Museum states that his son Dungi had a strong affection for Eridu but attacked Babylon, seizing its riches along with treasures from E-sagila, the grand temple of Marduk. Such incidents were likely frequent during this time when each city was vying for dominance. Meanwhile, Shirpurla remained the hub of Sumerian influence in Babylonia, and its patesis were happy to pay loyalty to a powerful ruler like Dungi, King of Ur, while still exercising full authority in their own regions.
During the most recent diggings that have been carried out at Telloh a find of considerable value to the history of Sumerian art has been made. The find is also of great general interest, since it enables us to identify a portrait of Gudea, the most famous of the later Sumerian patesis. In the course of excavating the Tell of Tablets Captain Cros found a little seated statue made of diorite. It was not found in place, but upside down, and appeared to have been thrown with other débris scattered in that portion of the mound. On lifting it from the trench it was seen that the head of the statue was broken off, as is the case with all the other statues of Gudea found at Telloh. The statue bore an inscription of Gudea, carefully executed and well preserved, but it was smaller than other statues of the same ruler that had been already recovered, and the absence of the head thus robbed it of any extraordinary interest. On its arrival at the Louvre, M. Léon Heuzey was struck by its general resemblance to a Sumerian head of diorite formerly discovered by M. de Sarzec at Telloh, which has been preserved in the Louvre for many years. On applying the head to the newly found statue, it was found to fit it exactly, and to complete the monument, and we are thus enabled to identify the features of Gudea. Prom a photographic reproduction of this statue, it is seen that the head is larger than it should be, in proportion to the body, a characteristic which is also apparent in a small Sumerian statue preserved in the British Museum.
During the latest excavations at Telloh, a significant discovery was made that holds great value for the history of Sumerian art. This find is also of considerable general interest because it allows us to identify a portrait of Gudea, the most renowned of the later Sumerian patesis. While excavating the Tell of Tablets, Captain Cros uncovered a small seated statue made of diorite. It was discovered upside down and seemed to have been discarded along with other debris scattered in that area of the mound. When it was lifted from the trench, it was noticed that the head of the statue was broken off, just like all the other statues of Gudea found at Telloh. The statue had an inscription of Gudea that was carefully executed and well preserved, but it was smaller than other statues of the same ruler that had already been recovered, and the missing head diminished its extraordinary significance. When it arrived at the Louvre, M. Léon Heuzey noticed its striking resemblance to a Sumerian diorite head previously discovered by M. de Sarzec at Telloh, which has been kept in the Louvre for many years. When the head was placed on the newly found statue, it fit perfectly and completed the monument, allowing us to identify Gudea's features. A photographic reproduction of this statue shows that the head is proportionately larger than it should be compared to the body, a trait that is also evident in a smaller Sumerian statue housed in the British Museum.

Probably situated in the neighbourhood of Telloh. The circular shape is very unusual, and appears to have been used only for survey-tablets. Photograph by Messrs. Mansell & Co.
Probably located near Telloh. The circular shape is quite unusual and seems to have been used only for survey tablets. Photo by Mansell & Co.
Gudea caused many statues of himself to be made out of the hard diorite which he brought for that purpose from the Sinaitic peninsula, and from the inscriptions preserved upon them it is possible to ascertain the buildings in which they were originally placed. Thus one of the statues previously found was set up in the temple of Ninkharsag, two others in E-ninnû, the temple of the god Ningirsu, three more in the temple of the goddess Bau, one in E-anna, the temple of the goddess Ninni, and another in the temple of Gatumdug. The newly found statue of the king was made to be set up in the temple erected by Gudea at Girsu in honour of the god Ningishzida, as is recorded in the inscription engraved on the front of the king’s robe, which reads as follows:
Gudea had many statues of himself made from hard diorite, which he brought from the Sinai Peninsula for that purpose. The inscriptions on these statues reveal the buildings where they were originally placed. For example, one statue was set up in the temple of Ninkharsag, two others in E-ninnû, the temple of the god Ningirsu, three in the temple of the goddess Bau, one in E-anna, the temple of the goddess Ninni, and another in the temple of Gatumdug. The newly found statue of the king was meant for the temple Gudea built at Girsu in honor of the god Ningishzida, as mentioned in the inscription engraved on the front of the king’s robe, which reads as follows:
“In the day when the god Ningirsu, the strong warrior of Enlil, granted unto the god Ningishzida, the son of Ninâzu, the beloved of the gods, (the guardianship of) the foundation of the city and of the hills and valleys, on that day Gudea, patesi of Shirpurla, the just man who loveth his god, who for his master Ningirsu hath constructed his temple E-ninnu, called the shining Imgig, and his temple E-pa, the temple of-the seven zones of heaven, and for the goddess Ninâ, the queen, his lady, hath constructed the temple Sirara-shum, which riseth higher than (all) the temples in the world, and hath constructed their temples for the great gods of Lagash, built for his god Ningishzida his temple in Girsu. Whosoever shall proclaim the god Ningirsu as his god, even as I proclaim him, may he do no harm unto the temple of my god! May he proclaim the name of this temple! May that man be my friend, and may he proclaim my name! Gudea hath made the statue, and ‘Unto - Gudea - the - builder - of - the - temple - hath life-been-given hath he called its name, and he hath brought it into the temple.”
“On the day when the god Ningirsu, the powerful warrior of Enlil, entrusted the god Ningishzida, the son of Ninâzu, who is loved by the gods, with the care of the city's foundation along with the hills and valleys, Gudea, the governor of Shirpurla, the righteous man who loves his god, built his temple E-ninnu, known as the shining Imgig, and his temple E-pa, the temple of the seven zones of heaven, and for the goddess Ninâ, his queen, he constructed the temple Sirara-shum, which rises higher than any other temple in the world. He also built temples for the great gods of Lagash and dedicated a temple to his god Ningishzida in Girsu. Whoever acknowledges the god Ningirsu as their god, just as I do, may they hold no ill will toward the temple of my god! May they proclaim the name of this temple! May that person be my ally, and may they declare my name! Gudea made the statue, and he named it ‘Life has been given to Gudea, the builder of the temple,’ and he placed it in the temple.”
The long name which Gudea gave to the statue, “Unto - Gudea - the - builder - of - the - temple - hath - life-been-given,” is characteristic of the practice of the Sumerian patesis, who always gave long and symbolical names to statues, stelae, and sacred objects dedicated and set up in their temples. The occasion on which the temple was built, and this statue erected within it, seems to have been the investiture of the god Ningishzida with special and peculiar powers, and it possibly inaugurated his introduction into the pantheon of Shirpurla. Ningishzida is called in the inscription the son of Ninazu, who was the husband of the Queen of the Underworld.
The long name that Gudea gave to the statue, “Life has been given to Gudea, the builder of the temple,” reflects the tradition of the Sumerian leaders, who always gave lengthy and symbolic names to statues, stelae, and sacred objects dedicated and placed in their temples. The event for which the temple was built and this statue was erected within it seems to have been the investiture of the god Ningishzida with unique and special powers, possibly marking his introduction into the pantheon of Shirpurla. In the inscription, Ningishzida is referred to as the son of Ninazu, who was the husband of the Queen of the Underworld.
In one of his aspects he was therefore probably a god of the underworld himself, and it is in this character that he was appointed by Ningirsu as guardian of the city’s foundations. But “the hills and valleys” (i.e. the open country) were also put under his jurisdiction, so that in another aspect he was a god of vegetation. It is therefore not improbable that, like the god Dumuzi, or Tammuz, he was supposed to descend into the underworld in winter, ascending to the surface of the earth with the earliest green shoots of vegetation in the spring.[5]
In one of his roles, he was likely a god of the underworld himself, and it was in this capacity that Ningirsu appointed him as the guardian of the city’s foundations. However, “the hills and valleys” (meaning the open country) were also under his authority, so in another role, he was a god of vegetation. It’s not unlikely that, similar to the god Dumuzi, or Tammuz, he was believed to descend into the underworld in winter, reemerging with the first green shoots of plants in spring.[5]
[5] Cf. Thureau-Dangin, Rev. d’Assyr., vol. vi. (1904), p. 24.
[5] See Thureau-Dangin, Rev. d’Assyr., vol. vi. (1904), p. 24.
A most valuable contribution has recently been made to our knowledge of Sumerian religion and of the light in which these early rulers regarded the cult and worship of their gods, by the complete interpretation of the long texts inscribed upon the famous cylinders of Gudea, the patesi of Shirpurla, which have been preserved for many years in the Louvre. These two great cylinders of baked clay were discovered by the late M. de Sarzec so long ago as the year 1877, during the first period of his diggings at Telloh, and, although the general nature of their contents has long been recognized, no complete translation of the texts inscribed upon them had been published until a few months ago. M. Thureau-Dangin, who has made the early Sumerian texts his special study, has devoted himself to their interpretation for some years past, and he has just issued the first part of his monograph upon them. In view of the importance of the texts and of the light they throw upon the religious beliefs and practices of the early Sumerians, a somewhat detailed account of their contents may here be given.
A significant contribution has recently been made to our understanding of Sumerian religion and how these early rulers viewed the worship and rituals of their gods, thanks to the complete interpretation of the long texts engraved on the famous cylinders of Gudea, the ruler of Shirpurla, which have been preserved in the Louvre for many years. These two large baked clay cylinders were discovered by the late M. de Sarzec back in 1877 during his initial excavations at Telloh, and while the general nature of their contents has been known for a long time, a complete translation of the texts inscribed on them hadn't been published until just a few months ago. M. Thureau-Dangin, who has focused his studies on early Sumerian texts, has dedicated several years to their interpretation and has just released the first part of his monograph on them. Considering the significance of the texts and the insights they provide into the religious beliefs and practices of the early Sumerians, a somewhat detailed account of their contents may be presented here.
The occasion on which the cylinders were made was the rebuilding by Gudea of E-ninnû, the great temple of the god Ningirsu, in the city of Shirpurla. The two cylinders supplement one another, one of them having been inscribed while the work of construction was still in progress, the other after the completion of the temple, when the god Ningirsu had been installed within his shrine with due pomp and ceremony. It would appear that Southern Babylonia had been suffering from a prolonged drought, and that the water in the rivers and canals had fallen, so that the crops had suffered and the country was threatened with famine. Gudea was at a loss to know by what means he might restore prosperity to his country, when one night he had a dream, and it was in consequence of this dream that he eventually erected one of the most sumptuously appointed of Sumerian temples. By this means he secured the return of Ningirsu’s favour and that of the other gods, and his country once more enjoyed the blessings of peace and prosperity.
The cylinders were created during the rebuilding of E-ninnû, the grand temple of the god Ningirsu, in the city of Shirpurla by Gudea. The two cylinders complement each other; one was inscribed while the construction was still ongoing, and the other after the temple was finished, when Ningirsu was ceremoniously installed in his shrine. It seems that Southern Babylonia had been facing a long drought, causing the rivers and canals to dry up, which harmed the crops and put the country at risk of famine. Gudea was unsure how to bring prosperity back to his land when he had a dream one night, and it was this dream that led him to build one of the most lavish Sumerian temples. Through this, he regained the favor of Ningirsu and the other gods, and his country once again experienced peace and prosperity.
In the opening words of the first of his cylinders Gudea describes how the great gods themselves took counsel and decreed that he should build the temple of E-ninnû and thereby restore to his city the supply of water it had formerly enjoyed. He records that on the day on which the destinies were fixed in heaven and upon earth, Enlil, the chief of the gods, and Ningirsu, the city-god of Shirpurla, held converse. And Enlil, turning to Ningirsu, said: “In my city that which is fitting is not done. The stream doth not rise. The stream of Enlil doth not rise. The high waters shine not, neither do they show their splendour. The stream of Enlil bringeth not good water like the Tigris. Let the King (i.e. Ningirsu) therefore proclaim the temple. Let the decrees of the temple E-ninnû be made illustrious in heaven and upon earth!” The great gods did not communicate their orders directly to Gudea, but conveyed their wishes to him by means of a dream. And while the patesi slept a vision of the night came to him, and he beheld a man whose stature was so great that it equalled the heavens and the earth. And by the crown he wore upon his head Gudea knew that the figure must be a god. And by his side was the divine eagle, the emblem of Shirpurla, and his feet rested upon the whirlwind, and a lion was crouching upon his right hand and upon his left. And the figure spoke to the patesi, but he did not understand the meaning of the words. Then it seemed to Gudea that the sun rose from the earth and he beheld a woman holding in her hand a pure reed, and she carried also a tablet on which was a star of the heavens, and she seemed to take counsel with herself. And while Gudea was gazing he seemed to see a second man who was like a warrior; and he carried a slab of lapis lazuli and on it he drew out the plan of a temple. And before the patesi himself it seemed that a fair cushion was placed, and upon the cushion was set a mould, and within the mould was a brick, the brick of destiny. And on the right hand the patesi beheld an ass which lay upon the ground.
In the opening lines of his first cylinder, Gudea describes how the great gods themselves conferred and decided that he should build the temple of E-ninnû, restoring the water supply that his city had once enjoyed. He notes that on the day when destinies were set in heaven and on earth, Enlil, the chief god, and Ningirsu, the city god of Shirpurla, spoke to each other. Enlil turned to Ningirsu and said: “In my city, what should be done isn’t happening. The stream isn’t flowing. The stream of Enlil isn’t flowing. The high waters don’t shine, nor do they display their beauty. The stream of Enlil doesn’t bring good water like the Tigris. So let the King (meaning Ningirsu) declare the temple. Let the decrees of the temple E-ninnû be honored in heaven and on earth!” The great gods didn’t communicate their orders directly to Gudea, but expressed their wishes through a dream. While the patesi was asleep, a night vision came to him, and he saw a man whose height matched that of the heavens and the earth. Gudea recognized the figure was a god by the crown on his head. Beside him was the divine eagle, symbol of Shirpurla, with his feet resting on a whirlwind, and a lion crouched on either side of him. The figure spoke to the patesi, but he didn’t understand the words. Then it appeared to Gudea that the sun rose from the earth, and he saw a woman holding a pure reed and also carrying a tablet with a star from the heavens, as if she were contemplating something. As Gudea was watching, he thought he saw a second man resembling a warrior, who carried a slab of lapis lazuli and sketched the plans for a temple on it. Before the patesi, a beautiful cushion seemed to be placed, and on the cushion was a mold, with a brick inside it, the brick of destiny. To the right, Gudea saw a donkey lying on the ground.
Such was the dream which Gudea beheld in a vision of the night, and he was troubled because he could not interpret it. So he decided to go to the goddess Ninâ, who could divine all mysteries of the gods, and beseech her to tell him the meaning of the vision. But before applying to the goddess for her help, he thought it best to secure the mediation of the god Ningirsu and the goddess Gatumdug, in order that they should use their influence with Ninâ to induce her to reveal the interpretation of the dream. So the patesi set out to the temple of Ningirsu, and, having offered a sacrifice and poured out fresh water, he prayed to the god that his sister, Ninâ, the child of Eridu, might be prevailed upon to give him help. And the god hearkened to his prayer. Then Gudea made offerings, and before the sleeping-chamber of the goddess Gatumdug he offered a sacrifice and poured out fresh water. And he prayed to the goddess, calling her his queen and the child of the pure heaven, who gave life to the countries and befriended and preserved the people or the man on whom she looked with favour.
Gudea had a dream one night that troubled him because he couldn’t understand it. So, he decided to go to the goddess Ninâ, who could interpret all divine mysteries, and ask her to explain the dream. But before seeking her help, he thought it best to get the support of the god Ningirsu and the goddess Gatumdug, so they could persuade Ninâ to reveal the meaning. So, he headed to the temple of Ningirsu, where he offered a sacrifice and poured out fresh water, praying that his sister, Ninâ, the child of Eridu, would be moved to help him. The god listened to his prayer. Then, Gudea made more offerings, and in front of the sleeping chamber of the goddess Gatumdug, he offered a sacrifice and poured out fresh water as well. He prayed to her, calling her his queen and the child of pure heaven, who gave life to the lands and looked after the people or the man she favored.
“I have no mother,” cried Gudea, “but thou art my mother! I have no father, but thou art a father to me!” And the goddess Gatumdug gave ear to the patesi’s prayer. Thus encouraged by her favour and that of Ningirsu, Gudea set out for the temple of the goddess Ninâ.
“I have no mother,” cried Gudea, “but you are my mother! I have no father, but you are a father to me!” And the goddess Gatumdug listened to the patesi’s prayer. Encouraged by her support and that of Ningirsu, Gudea set out for the temple of the goddess Ninâ.
On his arrival at the temple, the patesi offered a sacrifice and poured out fresh water, as he had already done when approaching the presence of Ningirsu and Gatumdug. And he prayed to Ninâ, as the goddess who divines the secrets of the gods, beseeching her to interpret the vision that had been sent to him; and he then recounted to her the details of his dream. When the patesi had finished his story, the goddess addressed him and told him that she would explain the meaning of his dream to him. And this was the interpretation of the dream. The man whose stature was so great that it equalled the heavens and the earth, whose head was that of a god, at whose side was the divine eagle, whose feet rested on the whirlwind, while a lion couched on his right hand and on his left, was her brother, the god Ningirsu. And the words which he uttered were an order to the patesi that he should build the temple E-ninnû. And the sun which rose from the earth before the patesi was the god Ningishzida, for like the sun he goes forth from the earth. And the maiden who held a pure reed in her hand, and carried the tablet with the star, was her sister, the goddess Nidaba: the star was the pure star of the temple’s construction, which she proclaimed. And the second man, who was like a warrior and carried the slab of lapis lazuli, was the god Nindub, and the plan of the temple which he drew was the plan of E-ninnû. And the brick which rested in its mould upon the cushion was the sacred brick of E-ninnû. And as for the ass which lay upon the ground, that, the goddess said, was the patesi himself.
Upon arriving at the temple, the patesi made a sacrifice and poured out fresh water, just like he had when he approached Ningirsu and Gatumdug. He prayed to Ninâ, the goddess who reveals the secrets of the gods, asking her to interpret the vision that had come to him; then he shared the details of his dream with her. Once the patesi finished his story, the goddess spoke to him and said she would explain his dream to him. Here is the interpretation: The man whose stature was immense, reaching both heaven and earth, with the head of a god, accompanied by a divine eagle, whose feet were on the whirlwind, and a lion resting on either side, was her brother, the god Ningirsu. The words he spoke were an order to the patesi to build the temple E-ninnû. The sun that rose from the earth before the patesi was Ningishzida, for he emerges from the earth like the sun. The maiden holding a pure reed and carrying the tablet with the star was her sister, the goddess Nidaba; the star represented the pure star of the temple's construction, which she declared. The second man, resembling a warrior and carrying the lapis lazuli slab, was the god Nindub, and the temple plan he drew was the design for E-ninnû. The brick resting in its mold on the cushion was the sacred brick of E-ninnû. As for the donkey lying on the ground, the goddess said that represented the patesi himself.
Having interpreted the meaning of the dream, the goddess Ninâ proceeded to give Gudea instruction as to how he should go to work to build the temple. She told him first of all to go to his treasure-house and bring forth his treasures from their sealed cases, and out of these to make certain offerings which he was to place near the god Ningirsu, in the temple in which he was dwelling at that time. The offerings were to consist of a chariot, adorned with pure metal and precious stones; bright arrows in a quiver; the weapon of the god, his sacred emblem, on which Gudea was to inscribe his own name; and finally a lyre, the music of which was wont to soothe the god when he took counsel with himself. Ninâ added that if the patesi carried out her instructions and made the offerings she had specified, Ningirsu would reveal to him the plan on which the temple was to be built, and would also bless him. Gudea bowed himself down in token of his submission to the commands of the goddess, and proceeded to execute them forthwith. He brought out his treasures, and from the precious woods and metals which he possessed his craftsmen fashioned the objects he was to present, and he set them in Ningirsu’s temple near to the god. He worked day and night, and, having prepared a suitable spot in the precincts of the temple at the place of judgment, he spread out upon it as offerings a fat sheep and a kid and the skin of a young female kid. Then he built a fire of cypress and cedar and other aromatic woods, to make a sweet savour, and, entering the inner chamber of the temple, he offered a prayer to Ningirsu. He said that he wished to build the temple, but he had received no sign that this was the will of the god, and he prayed for a sign.
After figuring out the meaning of the dream, the goddess Ninâ instructed Gudea on how to start building the temple. She told him first to go to his treasure house and bring out his treasures from their sealed containers, using some of these to make specific offerings that he should place near the god Ningirsu in the temple where he was residing at that time. The offerings were to include a chariot decorated with pure metal and precious stones, bright arrows in a quiver, the god's weapon, his sacred symbol, on which Gudea was to write his own name, and lastly, a lyre, whose music often calmed the god when he was in deep thought. Ninâ added that if the patesi followed her instructions and made the specified offerings, Ningirsu would show him the plans for the temple's construction and would also bless him. Gudea humbled himself to show his obedience to the goddess's commands and immediately set out to fulfill them. He brought out his treasures, and with the precious woods and metals he had, his craftsmen created the items he was to present, placing them in Ningirsu's temple nearby. He worked tirelessly, day and night, and after preparing an appropriate area in the temple precincts at the judgment site, he laid out offerings of a fat sheep, a kid, and the skin of a young female kid. Then he built a fire of cypress, cedar, and other fragrant woods to create a lovely aroma, and entering the inner chamber of the temple, he prayed to Ningirsu. He expressed his desire to build the temple but mentioned that he hadn't received any sign indicating the god's will, so he prayed for a sign.
While he prayed the patesi was stretched out upon the ground, and the god, standing near his head, then answered him. He said that he who should build his temple was none other than Gudea, and that he would give him the sign for which he asked. But first he described the plan on which the temple was to be built, naming its various shrines and chambers and describing the manner in which they were to be fashioned and adorned. And the god promised that when Gudea should build the temple, the land would once more enjoy abundance, for Ningirsu would send a wind which should proclaim to the heavens the return of the waters. And on that day the waters would fall from the heavens, the water in the ditches and canals would rise, and water would gush out from the dry clefts in the ground. And the great fields would once more produce their crops, and oil would be poured out plenteously in Sumer[sp.] and wool would again be weighed in great abundance. In that day the god would go to the mountain where dwelt the whirlwind, and he would himself direct the wind which should give the land the breath of life. Gudea must therefore work day and night at the task of building the temple. One company of men was to relieve another at its toil, and during the night the men were to kindle lights so that the plain should be as bright as day. Thus the builders would build continuously. Men were also to be sent to the mountains to cut down cedars and pines and other trees and bring their trunks to the city, while masons were to go to the mountains and were to cut and transport huge blocks of stone to be used in the construction of the temple. Finally the god gave Gudea the sign for which he asked. The sign was that he should feel his side touched as by a flame, and thereby he should know that he was the man chosen by Ningirsu to carry out his commands.
While he prayed, the patesi lay stretched out on the ground, and the god, standing near his head, answered him. He said that the one who would build his temple was none other than Gudea, and that he would provide the sign he requested. But first, he outlined the plan for the temple, naming its various shrines and chambers and explaining how they were to be constructed and decorated. The god promised that when Gudea built the temple, the land would experience abundance again, for Ningirsu would send a wind to announce the return of the waters to the heavens. On that day, rain would fall from the sky, water in the ditches and canals would rise, and streams would burst forth from the dry cracks in the ground. The great fields would once again bear crops, oil would flow plentifully in Sumer, and wool would again be measured in great quantities. On that day, the god would go to the mountain where the whirlwind lived and would personally guide the wind that would give life to the land. Therefore, Gudea had to work day and night to build the temple. One group of workers would take over from another, and during the night, the men would light torches so the plain would be as bright as day. This way, the builders could work continuously. Men were also to be sent to the mountains to cut down cedars, pines, and other trees and bring their trunks back to the city, while masons would go to the mountains to cut and transport large blocks of stone for the temple's construction. Finally, the god gave Gudea the sign he had asked for. The sign was that he would feel a flame-like touch on his side, allowing him to know he was the one chosen by Ningirsu to carry out his commands.
Gudea bowed his head in submission, and his first act was to consult the omens, and the omens were favourable. He then proceeded to purify the city by special rites, so that the mother when angered did not chide her son, and the master did not strike his servant’s head, and the mistress, though provoked by her handmaid, did not smite her face. And Gudea drove all the evil wizards and sorcerers from the city, and he purified and sanctified the city completely. Then he kindled a great fire of cedar and other aromatic woods, to make a sweet savour for the gods, and prayers were offered day and night; and the patesi addressed a prayer to the Anun-naki, or Spirits of the Earth, who dwelt in Shirpurla, and assigned a place to them in the temple. Then, having completed his purification of the city itself, he consecrated its immediate surroundings. Thus he consecrated the district of Gu-edin, whence the revenues of Ningirsu were derived, and the lands of the goddess Ninâ with their populous villages. And he consecrated the wild and savage bulls which no man could turn aside, and the cedars which were sacred to Ningirsu, and the cattle of the plains. And he consecrated the armed men, and the famous warriors, and the warriors of the Sun-god. And the emblems of the god Ningirsu, and of the two great goddesses, Ninâ and Ninni, he installed before them in their shrines.
Gudea lowered his head in humility, and his first action was to check the omens, which turned out to be positive. He then went on to purify the city with special rituals, so that the mother, when upset, wouldn’t scold her son, the master wouldn’t hit his servant, and the mistress, even if annoyed by her maid, wouldn’t strike her. Gudea expelled all the evil wizards and sorcerers from the city and completely purified and sanctified it. He then lit a large fire of cedar and other fragrant woods to create a pleasing scent for the gods, and prayers were offered day and night. The patesi prayed to the Anun-naki, or Spirits of the Earth, who lived in Shirpurla, giving them a place in the temple. After completing the purification of the city, he also dedicated the surrounding areas. He consecrated the district of Gu-edin, where the revenues for Ningirsu came from, and the lands of the goddess Ninâ with their many villages. He sanctified the wild and untamed bulls that couldn’t be redirected, the cedars sacred to Ningirsu, and the livestock of the plains. He also dedicated the armed men, the renowned warriors, and the warriors of the Sun-god. Finally, he placed the emblems of the god Ningirsu and the two great goddesses, Ninâ and Ninni, in their shrines.
Then Gudea sent far and wide to fetch materials for the construction of the temple. And the Elamite came from Elani, and men of Susa came from Susa, and men brought wood from the mountains of Sinai and Melukh-kha. And into the mountain of cedars, where no man before had penetrated, the patesi cut a road, and he brought cedars and beams of other precious woods in great quantities to the city. And he also made a road into the mountain where stone was quarried, into places where no man before had penetrated. And he carried great blocks of stone down from the mountain and loaded them into barges and brought them to the city. And the barges brought bitumen and plaster, and they were loaded as though they were carrying grain, and all manner of great things were brought to the city. Copper ore was brought from the mountain of copper in the land of Kimash, and gold was brought in powder from the mountains, and silver was brought from the mountains and porphyry from the land of Melukhkha, and marble from the mountain of marble. And the patesi installed goldsmiths and silversmiths, who wrought in these precious metals, for the adornment of the temple; and he brought smiths who worked in copper and lead, who were priests of Nin-tu-kalama. In his search for fitting materials for the building of the temple, Gudea journeyed from the lower country to the upper country, and from the upper country to the lower country he returned.
Then Gudea sent out messages everywhere to gather materials for building the temple. The Elamite came from Elani, and people from Susa came from Susa, and others brought wood from the mountains of Sinai and Melukh-kha. Gudea cut a path into the cedar mountains, places no one had been before, and brought back cedar and beams of other precious woods in large amounts to the city. He also created a road to the mountain where stone was quarried, into areas no one had entered previously. He transported massive blocks of stone down from the mountain, loaded them onto barges, and brought them to the city. The barges also carried bitumen and plaster, loaded as if they were transporting grain, along with all sorts of valuable items brought to the city. Copper ore came from the copper mountain in the land of Kimash, gold arrived in powder form from the mountains, silver was mined from the mountains, porphyry came from the land of Melukhkha, and marble was taken from the marble mountain. Gudea brought in goldsmiths and silversmiths to work with these precious metals for the temple's decoration; he also hired smiths who crafted copper and lead, who were priests of Nin-tu-kalama. In searching for suitable materials for the temple's construction, Gudea traveled from the lower country to the upper country and back again.
The only other materials now wanting for the construction of the temple were the sun-dried bricks of clay, of which the temple platform and the structure of the temple itself were in the main composed. Their manufacture was now inaugurated by a symbolical ceremony carried out by the patesi in person. At dawn he performed an ablution with the fitting rites that accompanied it, and when the day was more advanced he slew a bull and a kid as sacrifices, and he then entered the temple of Ningirsu, where he prostrated himself. And he took the sacred mould and the fair cushion on which it rested in the temple, and he poured a libation into the mould. Afterwards, having made offerings of honey and butter, and having burnt incense, he placed the cushion and the mould upon his head and carried it to the appointed place. There he placed clay in the mould, shaping it into a brick, and he left the brick in its mould within the temple. And last of all he sprinkled oil of cedar-wood around.
The only other materials needed for building the temple were the sun-dried clay bricks, which mostly made up the temple platform and the temple structure itself. Their production started with a symbolic ceremony led by the patesi himself. At dawn, he performed a cleansing ritual with the appropriate rites that went along with it. Later in the day, he sacrificed a bull and a kid, then entered the temple of Ningirsu to bow down. He took the sacred mold and the nice cushion it rested on in the temple and poured a libation into the mold. After making offerings of honey and butter and burning incense, he put the cushion and the mold on his head and carried them to the designated place. There, he filled the mold with clay, forming it into a brick, and left the brick in the mold inside the temple. Finally, he sprinkled cedar wood oil around.
The next day at dawn Gudea broke the mould and set the brick in the sun. And the Sun-god was rejoiced at the brick that he had fashioned. And Gudea took the brick and raised it on high towards the heavens, and he carried the brick to his people. In this way the patesi inaugurated the manufacture of the sun-dried bricks for the temple, the sacred brick which he had made being the symbol and pattern of the innumerable bricks to be used in its construction. He then marked out the plan of the temple, and the text states that he devoted himself to the building of the temple like a young man who has begun building a house and allows no pleasure to interfere with his task. And he chose out skilled workmen and employed them on the building, and he was filled with joy. The gods, too, are stated to have helped with the building, for Enki fixed the temennu of the temple, and the goddess Ninâ looked after its oracles, and Gatumdug, the mother of Shir-purla, fashioned bricks for it morning and evening, while the goddess Bau sprinkled aromatic oil of cedar-wood. Gudea himself laid its foundations, and as he did so he blessed the temple seven times, comparing it to the sacred brick, to the holy libation-vase, to the divine eagle of Shirpurla, to a terrible couching panther, to the beautiful heavens, to the day of offerings, and to the morning light which brightens the land. He caused the temple to rise towards heaven like a mountain, or like a cedar growing in the desert. He built it of bricks of Sumer, and the timbers which he set in place were as strong as the dragon of the deep.
The next day at dawn, Gudea broke the mold and set the brick in the sun. The Sun-god was pleased with the brick he had created. Gudea lifted the brick up high towards the sky and carried it to his people. This way, the patesi started the production of sun-dried bricks for the temple, with the sacred brick he made serving as the model for the countless bricks needed for its construction. He then outlined the temple’s design, and the text notes that he dedicated himself to building the temple like a young man who has just begun constructing a house and won’t let any distractions interfere with his work. He selected skilled workers and put them to work on the building, filling him with joy. The gods are said to have aided in the construction as well, for Enki established the temple's foundation, and the goddess Ninâ managed its oracles. Gatumdug, the mother of Shir-purla, made bricks for it morning and evening, while the goddess Bau anointed it with fragrant cedar oil. Gudea himself laid its foundations, blessing the temple seven times as he did so, comparing it to the sacred brick, the holy libation-vase, the divine eagle of Shirpurla, a fierce crouching panther, the beautiful heavens, the day of offerings, and the morning light that brightens the land. He made the temple rise toward the heavens like a mountain or a cedar tree growing in the desert. He built it with Sumerian bricks, and the timbers he placed were as strong as the dragon of the deep.
While he was engaged on the building Gudea took counsel of the god Enki, and he built a fountain for the gods, where they might drink. With the great stones which he had brought and fashioned he built a reservoir and a basin for the temple. And seven of the great stones he set up as stelæ, and he gave them favourable names. The text then recounts the various parts and shrines of the temple, and it describes their splendours in similes drawn from the heavens and the earth and the abyss, or deep, beneath the earth. The temple itself is described as, being like the crescent of the new moon, or like the sun in the midst of the stars, or like a mountain of lapis lazuli, or like a mountain of shining marble. Parts of it are said to have been terrible and strong as a savage bull, or a lion, or the antelope of the abyss, or the monster Lakhamu who dwells in the abyss, or the sacred leopard that inspires terror. One of the doors of the temple was guarded by a figure of the hero who slew the monster with six heads, and at another door was a good dragon, and at another a lion; opposite the city were set figures of the seven heroes, and facing the rising sun was fixed the emblem of the Sun-god. Figures of other heroes and favourable monsters were set up as guardians of other portions of the temple. The fastenings of the main entrance were decorated with dragons shooting out their tongues, and the bolt of the great door was fashioned like a raging hound.
While he was working on the construction, Gudea sought guidance from the god Enki and built a fountain for the gods to drink from. With the large stones he had transported and shaped, he created a reservoir and a basin for the temple. He erected seven of the great stones as stelæ, giving them favorable names. The text then describes the various parts and shrines of the temple, illustrating their splendor with comparisons drawn from the heavens, the earth, and the depths beneath the earth. The temple itself is depicted as resembling the crescent of a new moon, the sun among the stars, a mountain of lapis lazuli, or a mountain of shining marble. Some parts are said to be as formidable and strong as a fierce bull, a lion, the antelope of the abyss, the monster Lakhamu who resides in the deep, or the sacred leopard that instills fear. One of the temple's doors was guarded by a statue of the hero who killed the six-headed monster, and another door featured a good dragon, while yet another had a lion; facing the city were statues of the seven heroes, and facing the rising sun was the emblem of the Sun-god. Statues of other heroes and favorable monsters were positioned as guardians over different sections of the temple. The main entrance's fastenings were adorned with dragons extending their tongues, and the bolt of the grand door was designed to resemble a fierce hound.
After this description of the construction and adornment of the temple the text goes on to narrate how Gudea arranged for its material endowment. He stalled oxen and sheep, for sacrifice and feasting, in the outhouses and pens within the temple precincts, and he heaped up grain in its granaries. Its storehouses he filled with spices so that they were like the Tigris when its waters are in flood, and in its treasure-chambers he piled up precious stones, and silver, and lead in abundance. Within the temple precincts he planted a sacred garden which was like a mountain covered with vines; and on the terrace he built a great reservoir, or tank, lined with lead, in addition to the great stone reservoir within the temple itself. He constructed a special dwelling-place for the sacred doves, and among the flowers of the temple garden and under the shade of the great trees the birds of heaven flew about unmolested.
After this description of the temple's construction and decoration, the text continues to tell how Gudea arranged for its material support. He gathered oxen and sheep for sacrifices and feasts in the outhouses and pens within the temple grounds and stored up grain in its granaries. He filled the storehouses with spices, making them overflow like the Tigris River during a flood, and in its treasure chambers, he stacked precious stones, silver, and lead in plenty. Within the temple grounds, he planted a sacred garden that resembled a mountain covered in vines; on the terrace, he built a large reservoir, or tank, lined with lead, in addition to a significant stone reservoir within the temple itself. He constructed a special place for the sacred doves, and among the flowers in the temple garden and beneath the shade of the great trees, the birds of the sky flew freely.
The first of the two great cylinders of Gudea ends at this point in the description of the temple, and it is evident that its text was composed while the work of building was still in progress. Moreover, the writing of the cylinder was finished before the actual work of building the temple was completed, for the last column of the text concludes with a prayer to Ningirsu to make it glorious during the progress of the work, the prayer ending with the words, “O Ningirsu, glorify it! Glorify the temple of Ningirsu during its construction!” The text of the second of the two great cylinders is shorter than that of the first, consisting of twenty-four instead of thirty columns of writing, and it was composed and written after the temple was completed. Like the first of the cylinders, it concludes with a prayer to Ningirsu on behalf of the temple, ending with the similar refrain, “O Ningirsu, glorify it! Glorify the temple of Ningirsu after its construction!” The first cylinder, as we have seen, records how it came about that Gudea decided to rebuild the temple E-ninnû in honour of Ningirsu. It describes how, when the land was suffering from drought and famine, Gudea had a dream, how Ninâ interpreted the dream to mean that he must rebuild the temple, and how Ningirsu himself promised that this act of piety would restore abundance and prosperity to the land. Its text ends with the long description of the sumptuous manner in which the patesi carried out the work, the most striking points of which we have just summarized. The narrative of the second cylinder begins at the moment when the building of the temple was finished, and when all was ready for the great god Nin-girsu to be installed therein, and its text is taken up with a description of the ceremonies and rites with which this solemn function was carried out. It presents us with a picture, drawn from life, of the worship and cult of the ancient Sumerians in actual operation. In view of its importance from the point of view of the study and comparison of the Sumerian and Babylonian religious systems, its contents also may be summarized. We will afterwards discuss briefly the information furnished by both the cylinders on the Sumerian origin of many of the religious beliefs and practices which were current among the later Semitic inhabitants of Babylonia and Assyria.
The first of the two great cylinders of Gudea ends here in its description of the temple, and it’s clear that its text was created while the building was still underway. Furthermore, the writing of this cylinder was completed before the actual construction of the temple was finished, as the last column of text concludes with a prayer to Ningirsu to bless the temple during its construction, ending with the words, “O Ningirsu, glorify it! Glorify the temple of Ningirsu as it’s being built!” The text of the second great cylinder is shorter than the first, containing twenty-four columns of writing instead of thirty, and it was written after the temple was finished. Like the first cylinder, it ends with a prayer to Ningirsu for the temple, concluding with the similar refrain, “O Ningirsu, glorify it! Glorify the temple of Ningirsu after its construction!” The first cylinder, as we’ve seen, records how Gudea decided to rebuild the temple E-ninnû in honor of Ningirsu. It tells how, during a time of drought and famine, Gudea had a dream, how Ninâ interpreted the dream as a call to rebuild the temple, and how Ningirsu himself promised that this act of devotion would bring abundance and prosperity back to the land. Its text ends with a detailed account of the magnificent way in which the patesi carried out the work, the most notable points of which we've just summarized. The narrative of the second cylinder begins right after the temple was finished and everything was ready for the great god Nin-girsu to be installed, focusing on the ceremonies and rituals that accompanied this important event. It gives us a vivid picture of the worship and practices of the ancient Sumerians in action. Given its significance for studying and comparing Sumerian and Babylonian religious systems, its contents will also be summarized. We’ll later briefly discuss the information provided by both cylinders regarding the Sumerian origins of many of the religious beliefs and practices that were present among the later Semitic inhabitants of Babylonia and Assyria.
When Gudea had finished building the new temple of E-ninnû, and had completed the decoration and adornment of its shrines, and had planted its gardens and stocked its treasure-chambers and storehouses, he applied himself to the preliminary ceremonies and religious preparations which necessarily preceded the actual function of transferring the statue of the god Ningirsu from his old temple to his new one. Gudea’s first act was to install the Anunnaki, or Spirits of the Earth, in the new temple, and when he had done this, and had supplied additional sheep for their sacrifices and food in abundance for their offerings, he prayed to them to give him their assistance and to pronounce a prayer at his side when he should lead Ningirsu into his new dwelling-place. The text then describes how Gudea went to the old temple of Ningirsu, accompanied by his protecting spirits who walked before him and behind him. Into the old temple he carried sumptuous offerings, and when he had set them before the god, he addressed him in prayer and said: “O my King, Ningirsu! O Lord, who curbest the raging waters! O Lord, whose word surpasseth all others! O Son of Enlil, O warrior, what commands shall I faithfully carry out? O Ningirsu, I have built thy temple, and with joy would I lead thee therein, and my goddess Bau would install at thy side.” We are told that the god accepted Gudea’s prayer, and thereby he gave his consent to be removed from the old temple of E-ninnû to his new one which bore the same name.
When Gudea finished building the new temple of E-ninnû, decorating its shrines, planting its gardens, and stocking its treasure rooms and storerooms, he focused on the initial ceremonies and religious preparations that needed to happen before moving the statue of the god Ningirsu from his old temple to the new one. Gudea’s first action was to install the Anunnaki, or Spirits of the Earth, in the new temple. After doing this, he provided extra sheep for their sacrifices and plenty of food for their offerings. He prayed for their support and asked them to join him in prayer as he brought Ningirsu into his new home. The text then tells how Gudea went to the old temple of Ningirsu, accompanied by his protective spirits who walked in front of him and behind him. He brought lavish offerings into the old temple, and after placing them before the god, he prayed, saying: “O my King, Ningirsu! O Lord who calms the raging waters! O Lord whose word is beyond all others! O Son of Enlil, O warrior, what commands should I faithfully follow? O Ningirsu, I have built your temple, and with joy, I wish to bring you inside, and my goddess Bau will be by your side.” It is said that the god accepted Gudea’s prayer, thus granting his permission to be moved from the old temple of E-ninnû to the new one with the same name.
But the ceremony of the god’s removal was not carried out at once, for the due time had not arrived. The year ended, and the new year came, and then “the month of the temple” began. The third day of the month was that appointed for the installation of Ningirsu. Gudea meanwhile had sprinkled the ground with oil, and set out offerings of honey and butter and wine, and grain mixed with milk, and dates, and food untouched by fire, to serve as food for the gods; and the gods themselves had assisted in the preparations for the reception of Ningirsu. The god Asaru made ready the temple itself, and Ninmada performed the ceremony of purification. The god Enki issued oracles, and the god Nindub, the supreme priest of Eridu, brought incense. Ninâ performed chants within the temple, and brought black sheep and holy cows to its folds and stalls. This record of the help given by the other gods we may interpret as meaning that the priests attached to the other great Sumerian temples took part in the preparation of the new temple, and added their offerings to the temple stores. To many of the gods, also, special shrines within the temple were assigned.
But the ceremony for the god's removal wasn't done immediately since the right time hadn't come yet. The year came to a close, and a new year began, marking "the month of the temple." The third day of the month was designated for Ningirsu's installation. In the meantime, Gudea had sprinkled the ground with oil and set out offerings of honey, butter, wine, grain mixed with milk, dates, and food that hadn't been cooked, to serve as sustenance for the gods; and the gods themselves had helped prepare for Ningirsu's arrival. The god Asaru arranged the temple itself, and Ninmada conducted the purification ceremony. The god Enki delivered oracles, and Nindub, the high priest of Eridu, brought incense. Ninâ sang chants inside the temple and brought black sheep and sacred cows to its pens and stalls. We can understand this record of help from the other gods to mean that the priests from the great Sumerian temples participated in preparing the new temple and contributed their offerings to its supplies. Additionally, special shrines within the temple were dedicated to many of the gods.
When the purification of E-ninnû was completed and the way between the old temple and the new made ready, all the inhabitants of the city prostrated themselves on the ground. “The city,” says Gudea, “was like the mother of a sick man who prepareth a potion for him, or like the cattle of the plain which lie down together, or like the fierce lion, the master of the plain, when he coucheth.” During the day and the night before the ceremony of removal, prayers and supplications were uttered, and at the first light of dawn on the appointed day the god Ningirsu went into his new temple “like a whirlwind,” the goddess Bau entering at his side “like the sun rising over Shirpurla.” She entered beside his couch, like a faithful wife, whose cares are for her own household, and she dwelt beside his ear and bestowed abundance upon Shirpurla.
When the purification of E-ninnû was finished and the path between the old temple and the new was ready, all the people of the city bowed down to the ground. “The city,” says Gudea, “was like a mother preparing a healing potion for her sick child, or like the cattle in the field that lie down together, or like a fierce lion, the king of the plains, as he rests.” Throughout the day and night before the relocation ceremony, prayers and pleas were made, and at the first light of dawn on the chosen day, the god Ningirsu entered his new temple “like a whirlwind,” with the goddess Bau beside him “like the sun rising over Shirpurla.” She approached his couch like a devoted wife, whose concern is for her home, and she stayed close to him, bringing plenty to Shirpurla.
As the day began to brighten and the sun rose, Gudea set out as offerings in the temple a fat ox and a fat sheep, and he brought a vase of lead and filled it with wine, which he poured out as a libation, and he performed incantations. Then, having duly established Ningirsu and Bau in the chief shrine, he turned his attention to the lesser gods and installed them in their appointed places in the temple, where they would be always ready to assist Ningirsu in the temple ceremonies and in the issue of his decrees for the welfare of the city and its inhabitants. Thus he established the god Galalim, the son of Ningirsu, in a chosen spot in the great court in front of the temple, where, under the orders of his father, he should direct the just and curb the evil-doer; he would also by his presence strengthen and preserve the temple, while his special duty was to guard the throne of destiny and, on behalf of Ningirsu, to place the sceptre in the hands of the reigning patesi. Near to Ningirsu and under his orders Gudea also established the god Dunshaga, whose function it was to sanctify the temple and to look after its libations and offerings, and to see to the due performance of the ceremonies of ablution. This god would offer water to Ningirsu with a pure hand, he would pour out libations of wine and strong drink, and would tend the oxen, sheep, kids, and other offerings which were brought to the temple night and day. To the god Lugalkurdub, who was also installed in the temple, was assigned the privilege of holding in his hand the mace with the seven heads, and it was his duty to open the door of the Gate of Combat. He guarded the sacred weapons of Ningirsu and destroyed the countries of his enemies. He was Ningirsu’s chief leader in battle, and another god with lesser powers was associated with him as his second leader.
As the day began to brighten and the sun rose, Gudea set out a fat ox and a fat sheep as offerings in the temple. He brought a lead vase, filled it with wine, poured it out as a libation, and performed incantations. After properly establishing Ningirsu and Bau in the main shrine, he focused on the lesser gods, placing them in their designated spots in the temple, so they would always be ready to assist Ningirsu with temple ceremonies and in issuing his decrees for the city’s welfare. He set up the god Galalim, the son of Ningirsu, in a special spot in the great courtyard in front of the temple, where he would direct the just and restrain wrongdoers under his father's command. He would also strengthen and preserve the temple, while his main duty was to guard the throne of destiny and, on behalf of Ningirsu, place the scepter in the hands of the reigning patesi. Close to Ningirsu and under his orders, Gudea also established the god Dunshaga, who was responsible for sanctifying the temple, overseeing its libations and offerings, and ensuring that the purification ceremonies were performed correctly. This god would offer water to Ningirsu with clean hands, pour out wine and strong drink as libations, and tend to the oxen, sheep, kids, and other offerings that were brought to the temple day and night. The god Lugalkurdub, who was also established in the temple, was given the honor of holding the mace with the seven heads and was tasked with opening the door of the Gate of Combat. He protected Ningirsu's sacred weapons and defeated the lands of his enemies. He was Ningirsu’s main leader in battle, with another god of lesser power serving as his second-in-command.
Ningirsu’s counsellor was the god Lugalsisa, and he also had his appointed place in E-ninnû. It was his duty to receive the prayers of Shirpurla and render them propitious; he superintended and blessed Ningirsu’s journey when he visited Eridu or returned from that city, and he made special intercessions for the life of Gudea. The minister of Ningirsu’s harîm was the god Shakanshabar, and he was installed near to Nin-girsu that he might issue his commands, both great and small. The keeper of the harîm was the god Urizu, and it was his duty to purify the water and sanctify the grain, and he tended Ningirsu’s sleeping-chamber and saw that all was arranged therein as was fitting. The driver of Ningirsu’s chariot was the god Ensignun; it was his duty to keep the sacred chariot as bright as the stars of heaven, and morning and evening to tend and feed Ningirsu’s sacred ass, called Ug-kash, and the ass of Eridu. The shepherd of Ningirsu’s kids was the god Enlulim, and he tended the sacred she-goat who suckled the kids, and he guarded her so that the serpent should not steal her milk. This god also looked after the oil and the strong drink of E-ninnû, and saw that its store increased.
Ningirsu’s counselor was the god Lugalsisa, and he had his designated spot in E-ninnû. It was his responsibility to receive the prayers from Shirpurla and make them favorable; he oversaw and blessed Ningirsu’s journey when he visited Eridu or returned from there, and he made special prayers for Gudea's life. The minister of Ningirsu’s household was the god Shakanshabar, and he was positioned close to Nin-girsu so he could give his commands, both major and minor. The keeper of the household was the god Urizu, and it was his job to purify the water and sanctify the grain, and he looked after Ningirsu’s sleeping quarters, ensuring everything was properly arranged. The driver of Ningirsu’s chariot was the god Ensignun; his duty was to keep the sacred chariot shining like the stars in the sky, and to tend to and feed Ningirsu’s sacred donkey, called Ug-kash, as well as the donkey from Eridu, every morning and evening. The shepherd of Ningirsu’s kids was the god Enlulim, and he took care of the sacred she-goat that nursed the kids, protecting her so the serpent couldn’t steal her milk. This god also managed the oil and the strong drink of E-ninnû, ensuring that the supply kept growing.
Ningirsu’s beloved musician was the god Ushum-gabkalama, and he was installed in E-ninnû that he might take his flute and fill the temple court with joy. It was his privilege to play to Ningirsu as he listened in his harîm, and to render the life of the god pleasant in E-ninnû. Ningirsu’s singer was the god Lugaligi-khusham, and he had his appointed place in E-ninnû, for he could appease the heart and soften anger; he could stop the tears which flowed from weeping eyes, and could lessen sorrow in the sighing heart. Gudea also installed in E-ninnû the seven twin-daughters of the goddess Bau, all virgins, whom Ningirsu had begotten. Their names were Zarzaru, Impaë, Urenuntaëa, Khegir-nuna, Kheshaga, Gurmu, and Zarmu. Gudea installed them near their father that they might offer favourable prayers.
Ningirsu’s favorite musician was the god Ushum-gabkalama, and he was appointed in E-ninnû so he could play his flute and fill the temple courtyard with joy. It was his privilege to perform for Ningirsu while the god listened in his harîm, making life more enjoyable for him in E-ninnû. Ningirsu’s singer was the god Lugaligi-khusham, who had his designated spot in E-ninnû, as he could calm hearts and soothe anger; he could stop the tears flowing from sad eyes and ease the sorrow in a troubled heart. Gudea also appointed the seven twin daughters of the goddess Bau, all virgins, whom Ningirsu had fathered, to E-ninnû. Their names were Zarzaru, Impaë, Urenuntaëa, Khegir-nuna, Kheshaga, Gurmu, and Zarmu. Gudea placed them near their father so they could offer positive prayers.
The cultivator of the district of Gu-edin was the god Gishbare, and he was installed in the temple that he might cause the great fields to be fertile, and might make the wheat glisten in Gu-edin, the plain assigned to Ningirsu for his revenues. It was this god’s duty also to tend the machines for irrigation, and to raise the water into the canals and ditches of Shirpurla, and thus to keep the city’s granaries well filled. The god Kal was the guardian of the fishing in Gu-edin, and his chief duty was to place fish in the sacred pools. The steward of Gu-edin was the god Dimgalabzu, whose duty it was to keep the plain in good order, so that the birds might abound there and the beasts might raise their young in peace; he also guarded the special privilege, which the plain enjoyed, of freedom from any tax levied upon the increase of the cattle pastured there. Last of all Gudea installed in E-ninnû the god Lugalenurua-zagakam, who looked after the construction of houses in the city and the building of fortresses upon the city wall; in the temple it was his privilege to raise on high a battle-axe made of cedar.
The main deity in the district of Gu-edin was Gishbare, and he was placed in the temple to ensure the fields remained fertile and the wheat shone brightly in Gu-edin, the land designated to Ningirsu for his income. It was also this god's responsibility to manage the irrigation systems, raising water into the canals and ditches of Shirpurla, thus keeping the city's granaries well-stocked. The god Kal was the protector of fishing in Gu-edin, whose primary role was to populate the sacred pools with fish. The overseer of Gu-edin was the god Dimgalabzu, tasked with maintaining the plain so that birds could thrive and animals could raise their young in peace; he also safeguarded the special privilege of the plain, which was exempt from taxes on the increase of livestock grazed there. Finally, Gudea appointed in E-ninnû the god Lugalenurua-zagakam, who was responsible for constructing houses in the city and building fortifications along the city wall; in the temple, he was honored to elevate a battle-axe made of cedar.
All these lesser deities, having close relations to the god Ningirsu, were installed by Gudea in his temple in close proximity to him, that they might be always ready to perform their special functions. But the greater deities also had their share in the inauguration of the temple, and of these Gudea specially mentions Ana, Enlil, Ninkharsag, Enki, and Enzu, who all assisted in rendering the temple’s lot propitious. For at least three of the greater gods (Ana, Enlil, and the goddess Nin-makh) Gudea erected shrines near one another and probably within the temple’s precincts, and, as the passage which records this fact is broken, it is possible that the missing portion of the text recorded the building of shrines to other deities. In any case, it is clear that the composer of the text represents all the great gods as beholding the erection and inauguration of Ningirsu’s new temple with favour.
All these lesser deities, closely connected to the god Ningirsu, were brought into his temple by Gudea, so they would always be ready to perform their specific duties. However, the greater deities also played a role in the temple's inauguration, and Gudea specifically mentions Ana, Enlil, Ninkharsag, Enki, and Enzu, who all helped make the temple's lot favorable. For at least three of the greater gods (Ana, Enlil, and the goddess Nin-makh), Gudea built shrines near each other, probably within the temple grounds. Since the section that details this is damaged, it’s possible that the missing part of the text mentioned building shrines for other deities. Regardless, it’s clear that the author of the text depicts all the great gods as looking upon the construction and inauguration of Ningirsu’s new temple favorably.
After the account of the installation of Ningirsu, and his spouse Bau, and his attendant deities, the text records the sumptuous offerings which Gudea placed within Ningirsu’s shrine. These included another chariot drawn by an ass, a seven-headed battle-axe, a sword with nine emblems, a bow with terrible arrows and a quiver decorated with wild beasts and dragons shooting out their tongues, and a bed which was set within the god’s sleeping-chamber. On the couch in the shrine the goddess Bau reclined beside her lord Ningirsu, and ate of the great victims which were sacrificed in their honour.
After the account of the installation of Ningirsu and his wife Bau, along with his attending deities, the text describes the lavish offerings that Gudea placed in Ningirsu’s shrine. These included another chariot pulled by a donkey, a seven-headed battle axe, a sword with nine symbols, a bow with deadly arrows, and a quiver decorated with wild animals and dragons sticking out their tongues, as well as a bed set up in the god’s sleeping chamber. In the shrine, the goddess Bau lay beside her husband Ningirsu, enjoying the great sacrifices made in their honor.
When the ceremony of installation had been successfully performed, Gudea rested, and for seven days he feasted with his people. During this time the maid was the equal of her mistress, and master and servant consorted together as friends. The powerful and the humble man lay down side by side, and in place of evil speech only propitious words were heard. The rich man did not wrong the orphan and the strong man did not oppress the widow. The laws of Ninâ and Ningirsu were observed, justice was bright in the sunlight, and the Sun-god trampled iniquity under foot. The building of the temple also restored material prosperity to the land, for the canals became full of water and fish swarmed in the pools, the granaries were filled with grain and the flocks and herds brought forth their increase. The city of Shirpurla was satiated with abundance.
After the installation ceremony was successfully completed, Gudea took a break and celebrated with his people for seven days. During this time, the maid was treated as an equal to her mistress, and the master and servant mingled as friends. The powerful and the humble lay down side by side, and instead of harsh words, only kind ones were spoken. The rich man did not take advantage of the orphan, and the strong man did not oppress the widow. The laws of Ninâ and Ningirsu were followed, justice shone brightly in the light of day, and the Sun-god crushed wrongdoing underfoot. The construction of the temple also brought material prosperity to the land, as the canals filled with water, fish thrived in the pools, the granaries overflowed with grain, and the flocks and herds multiplied. The city of Shirpurla was filled with abundance.
Such is a summary of the account which Gudea has left us of his rebuilding of the temple E-ninnû, of the reasons which led him to undertake the work, and of the results which followed its completion. It has often been said that the inscriptions of the ancient Sumerians are without much intrinsic value, that they mainly consist of dull votive formulæ, and that for general interest the best of them cannot be compared with the later inscriptions of the Semitic inhabitants of Mesopotamia. This reproach, for which until recently there was considerable justification, has been finally removed by the working out of the texts upon Gudea’s cylinders. For picturesque narrative, for wealth of detail, and for striking similes, it would be hard to find their superior in Babylonian and Assyrian literature. They are, in fact, very remarkable compositions, and in themselves justify the claim that the Sumerians were possessed of a literature in the proper sense of the term.
This is a summary of the account that Gudea left us about his rebuilding of the temple E-ninnû, the reasons that motivated him to take on the project, and the outcomes that followed its completion. It's often been said that the inscriptions of the ancient Sumerians lack much real value, that they mostly consist of dull votive phrases, and that, in terms of general interest, even the best of them can't compare to the later inscriptions from the Semitic people of Mesopotamia. This criticism, which had considerable justification until recently, has now been largely addressed through the analysis of Gudea’s cylinder texts. When it comes to vivid storytelling, detailed descriptions, and striking comparisons, it’s hard to find anything better in Babylonian and Assyrian literature. They are, in fact, very impressive works that confirm that the Sumerians had a literature in the true sense of the word.
But that is not their only value, for they give a vivid picture of ancient Sumerian life and of the ideals and aims which actuated the people and their rulers. The Sumerians were essentially an unmilitary race. That they could maintain a stubborn fight for their territory is proved by the prolonged struggle maintained by Shirpurla against her rival Gishkhu, but neither ruler nor people was inflamed by love of conquest for its own sake. They were settled in a rich and fertile country, which supplied their own wants in abundance, and they were content to lead a peaceful life therein, engaged in agricultural and industrial pursuits, and devoted wholly to the worship of their gods. Gudea’s inscriptions enable us to realize with what fervour they carried out the rebuilding of a temple, and how the whole resources of the nation were devoted to the successful completion of the work. It is true that the rebuilding of E-ninnû was undertaken in a critical period when the land was threatened with famine, and the peculiar magnificence with which the work was carried out may be partly explained as due to the belief that such devotion would ensure a return of material prosperity. But the existence of such a belief is in itself an index to the people’s character, and we may take it that the record faithfully represents the relations of the Sumerians to their gods, and the important place which worship and ritual occupied in the national life.
But that’s not their only value; they provide a vivid picture of ancient Sumerian life and the ideals and goals that motivated the people and their rulers. The Sumerians were mainly a non-military society. Their fierce defense of their territory is shown by the prolonged struggle of Shirpurla against its rival Gishkhu, but neither the rulers nor the people were driven by a desire for conquest for its own sake. They lived in a rich and fertile land that met their needs abundantly, and they were happy to lead a peaceful life, focused on farming and industry, while devoting themselves completely to the worship of their gods. Gudea’s inscriptions help us understand the passion with which they approached the rebuilding of a temple, and how all the resources of the nation were dedicated to successfully completing the project. It's true that the rebuilding of E-ninnû occurred during a critical time when the land faced famine, and the unique grandeur with which the work was done may partly reflect the belief that such devotion would bring back material prosperity. However, the existence of such a belief itself indicates the character of the people, and we can conclude that the record accurately represents the relationship of the Sumerians with their gods and the important role worship and ritual played in their national life.
Moreover, the inscriptions of Gudea furnish much valuable information with regard to the details of Sumerian worship and the elaborate organization of the temples. From them we can reconstruct a picture of one of these immense buildings, with its numerous shrines and courts, surrounded by sacred gardens and raising its ziggurat, or temple tower, high above the surrounding city. Within its dark chambers were the mysterious figures of the gods, and what little light could enter would have been reflected in the tanks of sacred water sunk to the level of the pavement. The air within the shrines must have been heavy with the smell of incense and of aromatic woods, while the deep silence would have been broken only by the chanting of the priests and the feet of those that bore offerings. Outside in the sunlight cedars and other rare trees cast a pleasant shade, and birds flew about among the flowers and bushes in the outer courts and on the garden terraces. The area covered by the temple buildings must have been enormous, for they included the dwellings of the priests, stables and pens for the cattle, sheep, and kids employed for sacrifice, and treasure-chambers and storehouses and granaries for the produce from the temple lands.
Moreover, the inscriptions of Gudea provide a lot of valuable information about the details of Sumerian worship and the complex organization of the temples. From them, we can piece together an image of one of these massive buildings, with its many shrines and courtyards, surrounded by sacred gardens and featuring a ziggurat, or temple tower, rising high above the surrounding city. Inside its dim chambers were the mysterious figures of the gods, and the little light that came in would have been reflected in the pools of sacred water set at the level of the floor. The air within the shrines must have been thick with the scent of incense and aromatic woods, with the deep silence only occasionally interrupted by the chanting of the priests and the footsteps of those carrying offerings. Outside, in the sunlight, cedars and other rare trees provided pleasant shade, while birds flitted among the flowers and bushes in the outer courts and on the garden terraces. The area occupied by the temple buildings must have been vast, as it included the homes of the priests, stables and pens for the cattle, sheep, and goats used for sacrifices, as well as treasure chambers, storerooms, and granaries for the produce from the temple lands.
We also get much information with regard to the nature of the offerings and the character of the ceremonies which were performed. We may mention as of peculiar interest Gudea’s symbolical rite which preceded the making of the sun-dried bricks, and the ceremony of the installation of Ningirsu in the presence of the prostrate city. The texts also throw an interesting light on the truly Oriental manner in which, when approaching one deity for help, the cooperation and assistance of other deities were first secured. Thus Gudea solicited the intercession of Ningirsu and Gatumdug before applying to the goddess Ninâ to interpret his dream. The extremely human character of the gods themselves is also well illustrated. Thus we gather from the texts that Ningirsu’s temple was arranged like the palace of a Sumerian ruler and that he was surrounded by gods who took the place of the attendants and ministers of his human counterpart. His son was installed in a place of honour and shared with him the responsibility of government. Another god was his personal attendant and cupbearer, who offered him fair water and looked after the ablutions. Two more were his generals, who secured his country against the attacks of foes. Another was his counsellor, who received and presented petitions from his subjects and superintended his journeys. Another was the head of his harîm, a position of great trust and responsibility, while a keeper of the harîm looked after the practical details. Another god was the driver of his chariot, and it is interesting to note that the chariot was drawn by an ass, for horses were not introduced into Western Asia until a much later period. Other gods performed the functions of head shepherd, chief musician, chief singer, head cultivator and inspector of irrigation, inspector of the fishing, land steward, and architect. His household also included his wife and his seven virgin daughters. In addition to the account of the various functions performed by these lesser deities, the texts also furnish valuable facts with regard to the characters and attributes of the greater gods and goddesses, such as the attributes of Ningirsu himself, and the character of Ninâ as the goddess who divined and interpreted the secrets of the gods.
We also receive a lot of information about the nature of the offerings and the character of the ceremonies that were performed. Notably, we can mention Gudea’s symbolic ritual that took place before the creation of the sun-dried bricks, and the ceremony for installing Ningirsu in front of the prostrate city. The texts also provide an intriguing insight into the distinctly Eastern approach where, when seeking help from one deity, the support and cooperation of other deities were first secured. For instance, Gudea asked for the intercession of Ningirsu and Gatumdug before turning to the goddess Ninâ to interpret his dream. The very human nature of the gods themselves is also well illustrated. From the texts, we learn that Ningirsu’s temple was arranged like a Sumerian ruler's palace and that he was surrounded by gods who acted as the attendants and ministers of his human counterpart. His son held a position of honor and shared the responsibilities of governance with him. Another god served as his personal attendant and cupbearer, providing him with clean water and managing his rituals. Two more acted as his generals, defending his territory against enemies. Another was his advisor, handling and presenting petitions from his subjects and overseeing his journeys. Additionally, there was the head of his harem, a role of significant trust and responsibility, while a keeper of the harem managed the daily details. Another god drove his chariot, which is interestingly noted to be pulled by a donkey, as horses were not introduced to Western Asia until much later. Other gods took on roles such as chief shepherd, lead musician, primary singer, head cultivator and irrigation inspector, fishing inspector, land steward, and architect. His household also included his wife and seven virgin daughters. Besides detailing the various roles fulfilled by these lesser deities, the texts also provide valuable information about the characteristics and attributes of the greater gods and goddesses, like the qualities of Ningirsu himself, and the nature of Ninâ as the goddess who divined and interpreted the secrets of the gods.
But perhaps the most interesting conclusions to be drawn from the texts relate to the influence exerted by the ancient Sumerians upon Semitic beliefs and practices. It has, of course, long been recognized that the later Semitic inhabitants of Babylonia and Assyria drew most of their culture from the Sumerians, whom they displaced and absorbed. Their system of writing, the general structure of their temples, the ritual of their worship, the majority of their religious compositions, and many of their gods themselves are to be traced to a Sumerian origin, and much of the information obtained from the cylinders of Gudea merely confirms or illustrates the conclusions already deduced from other sources. As instances we may mention the belief in spirits, which is illustrated by the importance attached to the placating of the Anunnaki, or Spirits of the Earth, to whom a special place and special offerings were assigned in E-ninnû. The Sumerian origin of ceremonies of purification is confirmed by Gudea’s purification of the city before beginning the building of the temple, and again before the transference of the god from his old temple to the new one. The consultation of omens, which was so marked a feature of Babylonian and Assyrian life, is seen in actual operation under the Sumerians; for, even after Gudea had received direct instructions from Ningirsu to begin building his temple, he did not proceed to carry them out until he had consulted the omens and found that they were favourable. Moreover, the references to mythological beings, such as the seven heroes, the dragon of the deep, and the god who slew the dragon, confirm the opinion that the creation legends and other mythological compositions of the Babylonians were derived by them from Sumerian sources. But there are two incidents in the narrative which are on a rather different plane and are more startling in their novelty. One is the story of Gudea’s dream, and the other the sign which he sought from his god. The former is distinctly apocalyptic in character, and both may be parallelled in what is regarded as purely Semitic literature. That such conceptions existed among the Sumerians is a most interesting fact, and although the theory of independent origin is possible, their existence may well have influenced later Semitic beliefs.
But perhaps the most intriguing conclusions from the texts involve the impact the ancient Sumerians had on Semitic beliefs and practices. It's long been acknowledged that the later Semitic people in Babylonia and Assyria drew much of their culture from the Sumerians, whom they displaced and absorbed. Their writing system, the general design of their temples, their worship rituals, most of their religious texts, and many of their deities all trace back to Sumerian origins. Much of the information from Gudea's cylinders just confirms or illustrates conclusions we've already drawn from other sources. For example, the belief in spirits is shown by the significance placed on appeasing the Anunnaki, or Spirits of the Earth, for whom a special space and offerings were dedicated in E-ninnû. The Sumerian origin of purification ceremonies is backed by Gudea’s cleansing of the city before starting the temple construction and again before moving the god from the old temple to the new one. The practice of consulting omens, a key aspect of Babylonian and Assyrian life, is clearly seen among the Sumerians; even after Gudea received direct orders from Ningirsu to start building the temple, he waited to act until he checked the omens and confirmed they were favorable. Additionally, references to mythical beings, like the seven heroes, the dragon of the deep, and the god who killed the dragon, support the idea that Babylonian creation myths and other mythological texts were derived from Sumerian sources. However, there are two incidents in the narrative that stand out and are more surprising in their novelty. One is Gudea’s dream, and the other is the sign he sought from his god. The former has a distinctly apocalyptic quality, and both can be compared to what is seen in purely Semitic literature. The fact that such ideas existed among the Sumerians is quite fascinating, and while the theory of independent origin is possible, their presence likely influenced later Semitic beliefs.
CHAPTER V—ELAM AND BABYLON,
THE COUNTRY OF THE SEA AND THE
KASSITES
Up to five years ago our knowledge of Elam and of the part she played in the ancient world was derived, in the main, from a few allusions to the country to be found in the records of Babylonian and Assyrian kings. It is true that a few inscriptions of the native rulers had been found in Persia, but they belonged to the late periods of her history, and the majority consisted of short dedicatory formulae and did not supply us with much historical information. But the excavations carried on since then by M. de Morgan at Susa have revealed an entirely new chapter of ancient Oriental history, and have thrown a flood of light upon the position occupied by Elam among the early races of the East.
Up to five years ago, our understanding of Elam and its role in the ancient world mainly came from a few mentions in the records of Babylonian and Assyrian kings. While a handful of inscriptions from local rulers had been discovered in Persia, they were from the later periods of its history and mostly consisted of brief dedicatory phrases, providing little historical information. However, the excavations conducted by M. de Morgan at Susa since then have uncovered an entirely new chapter of ancient Eastern history and have illuminated Elam's position among the early cultures of the East.
Lying to the north of the Persian Gulf and to the east of the Tigris, and rising from the broad plains nearer the coast to the mountainous districts within its borders on the east and north, Elam was one of the nearest neighbours of Chaldæa. A few facts concerning her relations with Babylonia during certain periods of her history have long been known, and her struggles with the later kings of Assyria are known in some detail; but for her history during the earliest periods we have had to trust mainly to conjecture. That in the earlier as in the later periods she should have been in constant antagonism with Babylonia might legitimately be suspected, and it is not surprising that we should find an echo of her early struggles with Chaldæa in the legends which were current in the later periods of Babylonian history. In the fourth and fifth tablets, or sections, of the great Babylonian epic which describes the exploits of the Babylonian hero Gilgamesh, a story is told of an expedition undertaken by Gilgamesh and his friend Ba-bani against an Elamite despot named Khum-baba. It is related in the poem that Khumbaba was feared by all who dwelt near him, for his roaring was like the storm, and any man perished who was rash enough to enter the cedar-wood in which he dwelt. But Gilgamesh, encouraged by a dream sent him by Sha-mash, the Sun-god, pressed on with his friend, and, having entered the wood, succeeded in slaying Khumbaba and in cutting off his head. This legend is doubtless based on episodes in early Babylonian and Elamite history. Khumbaba may not have been an actual historical ruler, but at least he represents or personifies the power of Elam, and the success of Gilgamesh no doubt reflects the aspirations with which many a Babylonian expedition set out for the Elamite frontier.
Lying to the north of the Persian Gulf and to the east of the Tigris, and rising from the wide plains near the coast to the mountainous areas within its borders to the east and north, Elam was one of the closest neighbors of Chaldea. Some details about its interactions with Babylonia during specific periods have been known for a long time, and its conflicts with the later kings of Assyria are documented in some detail; however, for its history in the earliest periods, we mainly have to rely on guesswork. It could be reasonably assumed that, just like in later times, Elam was continuously in conflict with Babylonia. It’s not surprising that we find hints of its early struggles with Chaldea in the legends that circulated in later periods of Babylonian history. In the fourth and fifth tablets, or sections, of the great Babylonian epic detailing the adventures of the Babylonian hero Gilgamesh, there is a tale about an expedition led by Gilgamesh and his friend Ba-bani against an Elamite tyrant named Khum-baba. The poem tells that Khumbaba was feared by everyone living nearby, for his roar was like a storm, and any man who dared enter the cedar forest where he lived would perish. But Gilgamesh, inspired by a dream sent to him by Shamash, the Sun-god, pressed on with his friend and, entering the woods, managed to kill Khumbaba and cut off his head. This legend is certainly based on events in early Babylonian and Elamite history. Khumbaba may not have been a real historical figure, but he at least symbolizes the power of Elam, and Gilgamesh’s success likely reflects the ambitions with which many Babylonian expeditions were launched towards the Elamite border.
Incidentally it may be noted that the legend possibly had a still closer historical parallel, for the name of Khumbaba occurs as a component in a proper name upon one of the Elamite contracts found recently by M. de Morgan at Mai-Amir. The name in question is written Khumbaba-arad-ili, “Khumbaba, the servant of God,” and it proves that at the date at which the contract was written (about 1300-1000 B.C.) the name of Khumbaba was still held in remembrance, possibly as that of an early historical ruler of the country.
Incidentally, it’s worth mentioning that the legend might have an even closer historical connection, as the name Khumbaba appears as part of a proper name on one of the Elamite contracts recently discovered by M. de Morgan at Mai-Amir. The name in question is written Khumbaba-arad-ili, meaning “Khumbaba, the servant of God,” and it shows that at the time the contract was created (around 1300-1000 B.C.), the name Khumbaba was still remembered, possibly as that of an early historical ruler of the region.
In her struggles with Chaldæa, Elam was not successful during the earliest historical period of which we have obtained information; and, so far as we can tell at present, her princes long continued to own allegiance to the Semitic rulers whose influence was predominant from time to time in the plains of Lower Mesopotamia. Tradition relates that two of the earliest Semitic rulers whose names are known to us, Sargon and Narâm-Sin, kings of Agade, held sway in Elam, for in the “Omens” which were current in a later period concerning them, the former is credited with the conquest of the whole country, while of the latter it is related that he conquered Apirak, an Elamite district, and captured its king. Some doubts were formerly cast upon these traditions inasmuch as they were found in a text containing omens or forecasts, but these doubts were removed by the discovery of contemporary documents by which the later traditions were confirmed. Sargon’s conquest of Elam, for instance, was proved to be historical by a reference to the event in a date-formula upon tablets belonging to his reign. Moreover, the event has received further confirmation from an unpublished tablet in the British Museum, containing a copy of the original chronicle from which the historical extracts in the “Omens” were derived. The portion of the composition inscribed upon this tablet does not contain the lines referring to Sargon’s conquest of Elam, for these occurred in an earlier section of the composition; but the recovery of the tablet puts beyond a doubt the historical character of the traditions preserved upon the omen-tablet as a whole, and the conquest of Elam is thus confirmed by inference. The new text does recount the expedition undertaken by Narâm-Sin, the son of Sargon, against Apirak, and so furnishes a direct confirmation of this event.
In her struggles with Chaldæa, Elam didn't find success during the earliest historical period for which we have information; and, as far as we can tell, her leaders continued to pledge allegiance to the Semitic rulers whose influence frequently dominated the plains of Lower Mesopotamia. Tradition states that two of the earliest known Semitic rulers, Sargon and Narâm-Sin, kings of Agade, ruled over Elam. In the later “Omens” that mention them, Sargon is credited with conquering the entire region, while Narâm-Sin is said to have conquered Apirak, an Elamite area, and captured its king. Some skepticism was previously directed at these traditions because they appeared in a text containing omens or predictions, but this skepticism was alleviated by the discovery of contemporary documents that confirmed the later traditions. For instance, Sargon’s conquest of Elam was validated by a reference to the event in a date-formula on tablets from his reign. Additionally, this event received further confirmation from an unpublished tablet in the British Museum, which includes a copy of the original chronicle from which the historical extracts in the “Omens” were taken. The part of the composition inscribed on this tablet does not include the lines about Sargon’s conquest of Elam, as those were in an earlier section; however, the recovery of the tablet definitively establishes the historical nature of the traditions preserved in the omen-tablet as a whole, thus confirming the conquest of Elam by implication. The new text does recount the expedition led by Narâm-Sin, Sargon’s son, against Apirak, providing direct confirmation of this event.
Another early conqueror of Elam, who was probably of Semitic origin, was Alu-usharshid, king of the city of Kish, for, from a number of his inscriptions found near those of Sargon at Nippur in Babylonia, we learn that he subdued Elam and Para’se, the district in which the city of Susa was probably situated. From a small mace-head preserved in the British Museum we know of another conquest of Elam by a Semitic ruler of this early period. The mace-head was made and engraved by the orders of Mutabil, an early governor of the city of Dûr-ilu, to commemorate his own valour as the man “who smote the head of the hosts” of Elam. Mutabil was not himself an independent ruler, and his conquest of Elam must have been undertaken on behalf of the suzerain to whom he owed allegiance, and thus his victory cannot be classed in the same category as those of his predecessors. A similar remark applies to the success against the city of Anshan in Elam, achieved by Grudea, the Sumerian ruler of Shirpurla, inasmuch as he was a patesi, or viceroy, and not an independent king. Of greater duration was the influence exercised over Elam by the kings of Ur, for bricks and contract-tablets have been found at Susa proving that Dungi, one of the most powerful kings of Ur, and Bur-Sin, Ine-Sin, and Oamil-Sin, kings of the second dynasty in that city, all in turn included Elam within the limits of their empire.
Another early conqueror of Elam, likely of Semitic descent, was Alu-usharshid, king of the city of Kish. From several inscriptions discovered alongside those of Sargon at Nippur in Babylonia, we learn that he conquered Elam and Para’se, the area where the city of Susa was likely located. A small mace-head preserved in the British Museum also reveals another conquest of Elam by a Semitic ruler from this early period. The mace-head was created and engraved by order of Mutabil, an early governor of the city of Dûr-ilu, to celebrate his bravery as the man “who smote the head of the hosts” of Elam. Mutabil was not an independent ruler, and his conquest of Elam must have been carried out on behalf of the suzerain to whom he was loyal, meaning his victory cannot be compared to those of his predecessors. The same applies to the success against the city of Anshan in Elam, achieved by Grudea, the Sumerian ruler of Shirpurla, since he was a patesi, or viceroy, not an independent king. The influence of the kings of Ur over Elam was more lasting; bricks and contract-tablets found at Susa show that Dungi, one of the most powerful kings of Ur, along with Bur-Sin, Ine-Sin, and Oamil-Sin from the second dynasty of that city, all included Elam within their empire.
Such are the main facts which until recently had been ascertained with regard to the influence of early Babylonian rulers in Elam. The information is obtained mainly from Babylonian sources, and until recently we have been unable to fill in any details of the picture from the Elamite side. But this inability has now been removed by M. de Morgan’s discoveries. From the inscribed bricks, cones, stelæ, and statues that have been brought to light in the course of his excavations at Susa, we have recovered the name of a succession of native Elamite rulers. All those who are to be assigned to this early period, during which Elam owed allegiance to the kings of Babylonia, ascribe to themselves the title of patesi, or viceroy, of Susa, in acknowledgment of their dependence. Their records consist principally of building inscriptions and foundation memorials, and they commemorate the construction or repair of temples, the cutting of canals, and the like. They do not, therefore, throw much light upon the problems connected with the external history of Elam during this early period, but we obtain from them a glimpse of the internal administration of the country. We see a nation without ambition to extend its boundaries, and content, at any rate for the time, to owe allegiance to foreign rulers, while the energies of its native princes are devoted exclusively to the cultivation of the worship of the gods and to the amelioration of the conditions of the life of the people in their charge.
These are the primary facts that, until recently, had been established about the influence of early Babylonian rulers in Elam. The information mainly comes from Babylonian sources, and until now, we haven’t been able to fill in any details from the Elamite perspective. However, this gap has been addressed by M. de Morgan’s discoveries. From the inscribed bricks, cones, stelæ, and statues uncovered during his excavations at Susa, we have retrieved the names of several native Elamite rulers. All those from this early period, when Elam was under Babylonian rule, referred to themselves as patesi, or viceroy, of Susa, acknowledging their dependence. Their records mainly consist of building inscriptions and foundation memorials, which celebrate the construction or repair of temples, digging canals, and similar activities. Therefore, they don’t provide much insight into the external history of Elam during this early time, but they do offer a glimpse into the internal administration of the country. We see a nation without ambition to expand its territory, content, at least for the time being, to remain loyal to foreign rulers, while the efforts of its native princes were focused solely on advancing the worship of the gods and improving the living conditions of the people in their care.
A difficult but interesting problem presents itself for solution at the outset of our inquiry into the history of this people as revealed by their lately recovered inscriptions,—the problem of their race and origin. Found at Susa in Elam, and inscribed by princes bearing purely Elamite names, we should expect these votive and memorial texts to be written entirely in the Elamite language. But such is not the case, for many of them are written in good Semitic Babylonian. While some are entirely composed in the tongue which we term Elamite or Anzanite, others, so far as their language and style is concerned, might have been written by any early Semitic king ruling in Babylonia. Why did early princes of Susa make this use of the Babylonian tongue?
A challenging yet fascinating problem arises at the beginning of our exploration into the history of this people as revealed by their recently discovered inscriptions—the question of their race and origin. Found at Susa in Elam and inscribed by rulers with distinctly Elamite names, we would expect these votive and memorial texts to be entirely in the Elamite language. However, that's not the case, as many of them are written in fluent Semitic Babylonian. While some texts are completely composed in what we call Elamite or Anzanite, others could just as easily have been written by any early Semitic king governing in Babylonia, based on their language and style. Why did early princes of Susa choose to use the Babylonian language?
At first sight it might seem possible to trace a parallel in the use of the Babylonian language by kings and officials in Egypt and Syria during the fifteenth century B.C., as revealed in the letters from Tell el-Amarna. But a moment’s thought will show that the cases are not similar. The Egyptian or Syrian scribe employed Babylonian as a medium for his official foreign correspondence because Babylonian at that period was the lingua franca of the East. But the object of the early Elamite rulers was totally different. Their inscribed bricks and memorial stelæ were not intended for the eyes of foreigners, but for those of their own descendants. Built into the structure of a temple, or buried beneath the edifice, one of their principal objects was to preserve the name and deeds of the writer from oblivion. Like similar documents found on the sites of Assyrian and Babylonian cities, they sometimes include curses upon any impious man, who, on finding the inscription after the temple shall have fallen into ruins, should in any way injure the inscription or deface the writer’s name. It will be obvious that the writers of these inscriptions intended that they should be intelligible to those who might come across them in the future. If, therefore, they employed the Babylonian as well as the Elamite language, it is clear that they expected that their future readers might be either Babylonian or Elamite; and this belief can only be explained on the supposition that their own subjects were of mixed race.
At first glance, it might seem possible to draw a parallel between the use of the Babylonian language by kings and officials in Egypt and Syria during the fifteenth century B.C., as shown in the letters from Tell el-Amarna. However, a moment's reflection will reveal that the situations are not alike. The Egyptian or Syrian scribe used Babylonian as a means for his official foreign correspondence because, at that time, Babylonian was the lingua franca of the East. In contrast, the purpose of the early Elamite rulers was completely different. Their inscribed bricks and memorial stelæ were meant not for foreigners but for their own descendants. Incorporated into a temple's structure or buried beneath the building, one of their main aims was to preserve the writer's name and deeds from being forgotten. Similar to documents found at Assyrian and Babylonian sites, they sometimes included curses against anyone who, upon discovering the inscription after the temple had fallen into ruins, would harm the inscription or deface the writer's name. It is clear that the writers of these inscriptions intended for them to be understandable to those who might find them in the future. Therefore, if they used both Babylonian and Elamite languages, it suggests that they anticipated their future readers might be either Babylonian or Elamite; this assumption can only be explained by the belief that their own subjects were of mixed heritage.
It is therefore certain that at this early period of Elamite history Semitic Babylonians and Elamites dwelt side by side in Susa and retained their separate languages. The problem therefore resolves itself into the inquiry: which of these two peoples occupied the country first? Were the Semites at first in sole possession, which was afterwards disputed by the incursion of Elamite tribes from the north and east? Or were the Elamites the original inhabitants of the land, into which the Semites subsequently pressed from Babylonia?
It is clear that during this early stage of Elamite history, Semitic Babylonians and Elamites lived alongside each other in Susa while keeping their distinct languages. The issue, therefore, comes down to this question: which of these two groups lived in the region first? Were the Semites the original settlers, later challenged by the arrival of Elamite tribes from the north and east? Or were the Elamites the first inhabitants of the land, with the Semites later moving in from Babylonia?
A similar mixture of races is met with in Babylonia itself in the early period of the history of that country. There the early Sumerian inhabitants were gradually dispossessed by the invading Semite, who adopted the civilization of the conquered race, and took over the system of cuneiform writing, which he modified to suit his own language. In Babylonia the Semites eventually predominated and the Sumerians as a race disappeared, but during the process of absorption the two languages were employed indiscriminately. The kings of the First Babylonian Dynasty wrote their votive inscriptions sometimes in Sumerian, sometimes in Semitic Babylonian; at other times they employed both languages for the same text, writing the record first in Sumerian and afterwards appending a Semitic translation by the side; and in the legal and commercial documents of the period the old Sumerian legal forms and phrases were retained intact. In Elam we may suppose that the use of the Sumerian and Semitic languages was the same.
A similar mix of races is found in Babylonia during the early period of its history. There, the early Sumerian inhabitants were gradually replaced by invading Semites, who adopted the culture of the conquered people and took over the system of cuneiform writing, which they modified to fit their own language. In Babylonia, the Semites eventually became the dominant group, and the Sumerians as a race vanished. However, during the integration process, both languages were used interchangeably. The kings of the First Babylonian Dynasty wrote their votive inscriptions in both Sumerian and Semitic Babylonian at times; sometimes they used one language for the entire text, and other times they wrote the record first in Sumerian and then added a Semitic translation alongside it. In the legal and commercial documents from this period, the traditional Sumerian legal terms and phrases were preserved unchanged. We can assume that the use of the Sumerian and Semitic languages in Elam was similar.
It may be surmised, however, that the first Semitic incursions into Elam took place at a much later period than those into Babylonia, and under very different conditions. When overrunning the plains and cities of the Sumerians, the Semites were comparatively uncivilized, and, so far as we know, without a system of writing of their own. The incursions into Elam must have taken place under the great Semitic conquerors, such as Sar-gon and Narâm-Sin and Alu-usharshid. At this period they had fully adopted and modified the Sumerian characters to express their own Semitic tongue, and on their invasion of Elam they brought their system of writing with them. The native princes of Elam, whom they conquered, adopted it in turn for many of their votive texts and inscribed monuments when they wished to write them in the Babylonian language.
It can be inferred, however, that the first Semitic invasions into Elam happened much later than those into Babylonia, and under quite different circumstances. When they took over the plains and cities of the Sumerians, the Semites were relatively uncivilized and, as far as we know, lacked their own writing system. The invasions into Elam must have occurred under major Semitic conquerors like Sargon, Narâm-Sin, and Alu-usharshid. By this time, they had fully adopted and adapted Sumerian characters to express their own Semitic language, and during their invasion of Elam, they brought their writing system with them. The local rulers of Elam, whom they conquered, later adopted this system for many of their votive texts and inscribed monuments when they wanted to write in the Babylonian language.
Such is the most probable explanation of the occurrence in Elam of inscriptions in the Old Babylonian language, written by native princes concerning purely domestic matters. But a further question now suggests itself. Assuming that this was the order in which events took place, are we to suppose that the first Semitic invaders of Elam found there a native population in a totally undeveloped stage of civilization? Or did they find a population enjoying a comparatively high state of culture, different from their own, which they proceeded to modify and transform! Luckily, we have not to fall back on conjecture for an answer to these questions, for a recent discovery at Susa has furnished material from which it is possible to reconstruct in outline the state of culture of these early Elamites.
This is the most likely explanation for the presence of inscriptions in the Old Babylonian language in Elam, written by local rulers about purely domestic issues. However, another question arises. If this is the sequence of events, should we think that the first Semitic invaders of Elam encountered a native population that was completely undeveloped in terms of civilization? Or did they find a community with a relatively advanced culture, different from their own, which they then modified and transformed? Fortunately, we don’t have to rely on speculation to answer these questions, as a recent discovery in Susa has provided material that allows us to outline the cultural state of these early Elamites.
This interesting discovery consists of a number of clay tablets inscribed in the proto-Elamite system of writing, a system which was probably the only one in use in the country during the period before the Semitic invasion. The documents in question are small, roughly formed tablets of clay very similar to those employed in the early periods of Babylonian history, but the signs and characters impressed upon them offer the greatest contrast to the Sumerian and early Babylonian characters with which we are familiar. Although they cannot be fully deciphered at present, it is probable that they are tablets of accounts, the signs upon them consisting of lists of figures and what are probably ideographs for things. Some of the ideographs, such as that for “tablet,” with which many of the texts begin, are very similar to the Sumerian or Babylonian signs for the same objects; but the majority are entirely different and have been formed and developed upon a system of their own.
This fascinating discovery includes several clay tablets written in the proto-Elamite writing system, which was likely the only one in use in the region before the Semitic invasion. The tablets are small, roughly shaped pieces of clay that resemble those used in the early days of Babylonian history, but the symbols and characters engraved on them are quite different from the Sumerian and early Babylonian characters we know. While they can’t be fully understood at this time, it’s likely that they are accounting tablets, featuring lists of numbers and what are probably ideographs for various items. Some of the ideographs, like the one for “tablet,” which many of the texts start with, closely resemble the Sumerian or Babylonian symbols for the same objects; however, most are completely different and have evolved within their own unique system.

The photograph is taken from M. de Morgan’s Délégation en Perse, Mém., t. vi, pi. 23.
The photograph is taken from M. de Morgan’s Délégation en Perse, Mém., t. vi, pi. 23.
On these tablets, in fact, we have a new class of cuneiform writing in an early stage of its development, when the hieroglyphic or pictorial character of the ideographs was still prominent.
On these tablets, we actually have a new type of cuneiform writing in an early stage of its development, when the hieroglyphic or pictorial aspects of the ideographs were still noticeable.

The photograph is reproduced from M. de Morgan’s Délégation en Perse, Mém., t. vi, pi. 22.
The photograph is reproduced from M. de Morgan’s Délégation en Perse, Mém., t. vi, pi. 22.
Although the meaning of the majority of these ideographs has not yet been identified, Père Scheil, who has edited the texts, has succeeded in making out the system of numeration. He has identified the signs for unity, 10, 100, and 1,000, and for certain fractions, and the signs for these figures are quite different from those employed by the Sumerians.
Although the meanings of most of these ideographs haven't been determined yet, Père Scheil, who has edited the texts, has managed to understand the numbering system. He has identified the symbols for one, ten, a hundred, and a thousand, as well as for some fractions, and the symbols for these numbers are quite different from those used by the Sumerians.

The system, too, is different, for it is a decimal, and not a sexagesimal, system of numeration.
The system is also different because it's a decimal system, not a sexagesimal one.
That in its origin this form of writing had some connection with that employed and, so far as we know, invented by the ancient Sumerians is possible.[1] But it shows small trace of Sumerian influence, and the disparity in the two systems of numeration is a clear indication that, at any rate, it broke off and was isolated from the latter at a very early period. Having once been adopted by the early Elamites, it continued to be used by them for long periods with but small change or modification. Employed far from the centre of Sumerian civilization, its development was slow, and it seems to have remained in its ideographic state, while the system employed by the Sumerians, and adopted by the Semitic Babylonians, was developed along syllabic lines.
That this form of writing originally had some connection with what was used and, as far as we know, invented by the ancient Sumerians is possible. However, it shows little trace of Sumerian influence, and the differences between the two numbering systems clearly indicate that, at least, it diverged and became isolated from the latter at a very early stage. Once adopted by the early Elamites, it continued to be used by them for long periods with minimal change or modification. Used far from the heart of Sumerian civilization, its development was slow, and it seems to have stayed in its ideographic form, while the system used by the Sumerians, and adopted by the Semitic Babylonians, evolved along syllabic lines.
[1] It is, of course, also possible that the system of writing had no connection in its origin with that of the Sumerians, and was invented independently of the system employed in Babylonia. In that case, the signs which resemble certain of the Sumerian characters must have been adopted in a later stage of its development. Though it would be rash to dogmatize on the subject, the view that connects its origin with the Sumerians appears on the whole to fit in best with the evidence at present available.
[1] It's also possible that the writing system originated independently from the Sumerians and had no connection to the one used in Babylonia. In that case, the signs that look like some Sumerian characters might have been adopted later in its development. While it would be unwise to state this definitively, the idea that links its origins to the Sumerians seems to align best with the current evidence available.
It was without doubt this proto-Elamite system of writing which the Semites from Babylonia found employed in Elam on their first incursions into that country. They brought with them their own more convenient form of writing, and, when the country had once been finally subdued, the subject Elamite princes adopted the foreign system of writing and language from their conquerors for memorial and monumental inscriptions. But the ancient native writing was not entirely ousted, and continued to be employed by the common people of Elam for the ordinary purposes of daily life. That this was the case at least until the reign of Karibu-sha-Shu-shinak, one of the early subject native rulers, is clear from one of his inscriptions engraved upon a block of limestone to commemorate the dedication of what were probably some temple furnishings in honour of the god Shu-shinak.
It was definitely this proto-Elamite writing system that the Semites from Babylonia found in use in Elam during their first invasions of the region. They brought their own, more convenient writing style, and once the area was finally conquered, the Elamite princes began using the foreign writing system and language from their conquerors for public and monumental inscriptions. However, the ancient native writing wasn't completely replaced and remained in use by the everyday people of Elam for regular daily activities. This continued at least until the reign of Karibu-sha-Shu-shinak, one of the early native rulers under foreign control, as evident from one of his inscriptions carved into a limestone block to commemorate the dedication of what were likely temple furnishings in honor of the god Shu-shinak.

The photograph is taken from M. de Morgan’s Délégation en Perse, Mém., t. vi, pi. 2.
The photograph is taken from M. de Morgan’s Délégation en Perse, Mém., vol. vi, plate 2.
The main part of the inscription is written in Semitic Babylonian, and below there is an addition to the text written in proto-Elamite characters, probably enumerating the offerings which the Karibu-sha-Shushinak decreed should be made for the future in honour of the god.[2] In course of time this proto-Elamite system of writing by means of ideographs seems to have died out, and a modified form of the Babylonian system was adopted by the Elamites for writing their own language phonetically. It is in this phonetic character that the so-called “Anzanite” texts of the later Elamite princes were composed.
The main part of the inscription is written in Semitic Babylonian, and below it, there's an addition to the text written in proto-Elamite characters, likely listing the offerings that Karibu-sha-Shushinak ordered to be made in the future in honor of the god.[2] Over time, this proto-Elamite writing system using ideographs seems to have faded away, and the Elamites adopted a modified version of the Babylonian system to write their own language phonetically. It is in this phonetic script that the so-called "Anzanite" texts of the later Elamite princes were created.
[2] We have assumed that both inscriptions were the work of Karibu-sha-Shushinak. But it is also possible that the second one in proto-Elamite characters was added at a later period. From its position on the stone it is clear that it was written after and not before Karibu-sha-Shushinak’s inscription in Semitic Babylonian. See the photographic reproduction.
[2] We assume that both inscriptions were created by Karibu-sha-Shushinak. However, it's also possible that the second one in proto-Elamite characters was added later. Its placement on the stone shows that it was written after, not before, Karibu-sha-Shushinak’s inscription in Semitic Babylonian. Check the photographic reproduction.
Karibu-sha-Shushinak, whose recently discovered bilingual inscription has been referred to above, was one of the earlier of the subject princes of Elam, and he probably reigned at Susa not later than B.C. 3000. He styles himself “patesi of Susa, governor of the land of Elam,” but we do not know at present to what contemporary king in Babylonia he owed allegiance. The longest of his inscriptions that have been recovered is engraved upon a stele of limestone and records the building of the Gate of Shushinak at Susa and the cutting of a canal; it also recounts the offerings which Karibu-sha-Shushinak dedicated on the completion of the work. It may here be quoted as an example of the class of votive inscriptions from which the names of these early Elamite rulers have been recovered. The inscription runs as follows: “For the god Shushinak, his lord, Karibu-sha-Shushinak, the son of Shimbi-ish-khuk, patesi of Susa, governor of the land of Elam,—when he set the (door) of his Gate in place,... in the Gate of the god Shushinak, his lord, and when he had opened the canal of Sidur, he set up in face thereof his canopy, and he set planks of cedar-wood for its gate. A sheep in the interior thereof, and sheep without, he appointed (for sacrifice) to him each day. On days of festival he caused the people to sing songs in the Gate of the god Shushinak. And twenty measures of fine oil he dedicated to make his gate beautiful. Four magi of silver he dedicated; a censer of silver and gold he dedicated for a sweet odour; a,sword he dedicated; an axe with four blades he dedicated, and he dedicated silver in addition for the mounting thereof.... A righteous judgment he judged in the city! As for the man who shall transgress his judgment or shall remove his gift, may the gods Shushinak and Shamash, Bel and Ea, Ninni and Sin, Mnkharsag and Nati—may all the gods uproot his foundation, and his seed may they destroy!”
Karibu-sha-Shushinak, whose recently discovered bilingual inscription has been mentioned earlier, was one of the earlier princes of Elam, and he probably ruled at Susa no later than 3000 B.C. He refers to himself as “patesi of Susa, governor of the land of Elam,” but we currently don't know which contemporary king in Babylonia he was loyal to. The longest of his recovered inscriptions is carved on a limestone stele and documents the construction of the Gate of Shushinak at Susa and the digging of a canal; it also lists the offerings that Karibu-sha-Shushinak made upon completing the work. This inscription serves as an example of the type of votive inscriptions from which we have obtained the names of these early Elamite rulers. The inscription reads: “For the god Shushinak, his lord, Karibu-sha-Shushinak, the son of Shimbi-ish-khuk, patesi of Susa, governor of the land of Elam—when he set the (door) of his Gate in place,... in the Gate of the god Shushinak, his lord, and when he had opened the canal of Sidur, he set up his canopy in front of it, and he placed cedar planks for its gate. A sheep inside the gate, and sheep outside, he appointed (for sacrifice) to him each day. On festival days, he had the people sing songs in the Gate of the god Shushinak. And he dedicated twenty measures of fine oil to beautify his gate. He dedicated four silver magi; he dedicated a silver and gold censer for a sweet scent; he dedicated a sword; he dedicated an axe with four blades, and he dedicated additional silver for its mounting.... A righteous judgment he rendered in the city! As for anyone who breaks his judgment or removes his gift, may the gods Shushinak and Shamash, Bel and Ea, Ninni and Sin, Mnkharsag and Nati—may all the gods destroy his foundation and wipe out his descendants!”
It will be seen that Karibu-sha-Shushinak takes a delight in enumerating the details of the offerings he has ordained in honour of his city-god Shushinak, and this religious temper is peculiarly characteristic of the princes of Elam throughout the whole course of their history. Another interesting point to notice in the inscription is that, although the writer invokes Shushinak, his own god, and puts his name at the head of the list of deities whose vengeance he implores upon the impious, he also calls upon the gods of the Babylonians. As he wrote the inscription itself in Babylonian, in the belief that it might be recovered by some future Semitic inhabitant of his country, so he included in his imprecations those deities whose names he conceived would be most reverenced by such a reader. In addition to Karibu-sha-Shushinak the names of a number of other patesis, or viceroys, have recently been recovered, such as Khutran-tepti, and Idadu I and his son Kal-Rukhu-ratir, and his grandson Idadu II. All these probably ruled after Karibu-sha-Shushinak, and may be set in the early period of Babylonian supremacy in Elam.
Karibu-sha-Shushinak clearly enjoys listing the details of the offerings he has established in honor of his city-god, Shushinak. This religious devotion is a distinctive trait of the princes of Elam throughout their history. Another interesting aspect of the inscription is that, while the author calls upon Shushinak, his own god, and places his name at the top of the list of deities whose wrath he seeks against the wicked, he also invokes the gods of the Babylonians. He wrote the inscription in Babylonian, believing it might be found by some future Semitic resident of his land, thus he included in his curses those deities whose names he thought would be most respected by such a reader. Besides Karibu-sha-Shushinak, several other patesis, or viceroys, have recently been discovered, like Khutran-tepti, Idadu I and his son Kal-Rukhu-ratir, along with his grandson Idadu II. All these likely ruled after Karibu-sha-Shushinak and may be dated to the early era of Babylonian dominance in Elam.
It has been stated above that the allegiance which these early Elamite princes owed to their overlords in Babylonia was probably reflected in the titles which they bear upon their inscriptions recently found at Susa. These titles are “patesi of Susa, shakkannak of Elam,” which may be rendered as “viceroy of Susa, governor of Elam.” But inscriptions have been found on the same site belonging to another series of rulers, to whom a different title is applied. Instead of referring to themselves as viceroys of Susa and governors of Elam, they bear the title of sukkal of Elam, of Siparki, and of Susa. Siparki, or Sipar, was probably the name of an important section of Elamite territory, and the title sukkalu, “ruler,” probably carries with it an idea of independence of foreign control which is absent from the title of patesi. It is therefore legitimate to trace this change of title to a corresponding change in the political condition of Elam; and there is much to be said for the view that the rulers of Elam who bore the title of sukkalu reigned at a period when Elam herself was independent, and may possibly have exercised a suzerainty over the neighbouring districts of Babylonia.
It has been mentioned earlier that the loyalty these early Elamite princes had to their overlords in Babylonia was likely shown in the titles they used in their recently discovered inscriptions at Susa. These titles are “patesi of Susa, shakkannak of Elam,” which can be understood as “viceroy of Susa, governor of Elam.” However, inscriptions have also been found at the same site belonging to a different group of rulers who used a different title. Instead of calling themselves viceroys of Susa and governors of Elam, they identified as sukkal of Elam, of Siparki, and of Susa. Siparki, or Sipar, was likely the name of a significant part of Elamite territory, and the title sukkalu, meaning “ruler,” likely implies a sense of independence from foreign control that isn't present in the title of patesi. Therefore, it makes sense to link this change in title to a corresponding change in the political situation of Elam; and there is a strong argument that the rulers of Elam who held the title sukkalu ruled during a time when Elam was independent and may have even held influence over nearby regions of Babylonia.
The worker of this change in the political condition of Elam and the author of her independence was a king named Kutir-Nakhkhunte or Kutir-Na’khunde, whose name and deeds have been preserved in later Assyrian records, where he is termed Kudur-Nankhundi and Kudur-Nakhundu.[3] This ruler, according to the Assyrian king Ashur-bani-pal, was not content with throwing off the yoke under which his land had laboured for so long, but carried war into the country of his suzerain and marched through Babylonia devastating and despoiling the principal cities. This successful Elamite campaign took place, according to the computation of the later Assyrian scribes, about the year 2280 B. c, and it is probable that for many years afterwards the authority of the King of Elam extended over the plains of Babylonia. It has been suggested that Kutir-Nakh-khunte, after including Babylonia within his empire, did not remain permanently in Elam, but may have resided for a part of each year, at least, in Lower Mesopotamia. His object, no doubt, would have been to superintend in person the administration of his empire and to check any growing spirit of independence among his local governors. He may thus have appointed in Susa itself a local governor who would carry on the business of the country during his absence, and, under the king himself, would wield supreme authority. Such governors may have been the sukkali, who, unlike the patesi, were independent of foreign control, but yet did not enjoy the full title of “king.”
The person who changed the political landscape of Elam and secured its independence was a king named Kutir-Nakhkhunte or Kutir-Na’khunde. His name and achievements have been recorded in later Assyrian documents, where he is referred to as Kudur-Nankhundi and Kudur-Nakhundu.[3] According to the Assyrian king Ashur-bani-pal, this ruler wasn't satisfied just with shaking off the long-standing oppression over his land; he also took the fight to his suzerain's territory, marching through Babylonia and wreaking havoc on the main cities. This successful campaign by the Elamites happened around 2280 B.C., based on the calculations of later Assyrian scribes, and it’s likely that, for many years afterward, the authority of the King of Elam covered the plains of Babylonia. It's been suggested that after bringing Babylonia into his empire, Kutir-Nakhkhunte didn't stay permanently in Elam but might have spent part of each year in Lower Mesopotamia. His goal would have been to personally oversee the administration of his empire and curb any rising independence among his local governors. Therefore, he may have appointed a local governor in Susa itself to manage the country's affairs during his absence, who would wield supreme authority under the king. These governors might have been the sukkali, who, unlike the patesi, were independent of foreign control, but still did not hold the full title of “king.”
[3] For references to the passages where the name occurs, see King, Letters of Hammurabi, vol. i, p. Ivy.
[3] For references to the sections where the name appears, see King, Letters of Hammurabi, vol. i, p. Ivy.
It is possible that the sukkalu who ruled in Elam during the reign of Kutir-Nakhkhunte was named Temti-agun, for a short inscription of this ruler has been recovered, in which he records that he built and dedicated a certain temple with the object of ensuring the preservation of the life of Kutir-Na’khundi. If we may identify the Kutir-Va’khundi of this text with the great Elamite conqueror, Kutir-Nakhkhunte, it follows that Temti-agun, the sukkal of Susa, was his subordinate. The inscription mentions other names which are possibly those of rulers of this period, and reads as follows: “Temti-agun, sukkal of Susa, the son of the sister of Sirukdu’, hath built a temple of bricks at Ishme-karab for the preservation of the life of Kutir-Na’khundi, and for the preservation of the life of Lila-irtash, and for the preservation of his own life, and for the preservation of the life of Temti-khisha-khanesh and of Pil-kishamma-khashduk.” As Lila-irtash is mentioned immediately after Kutir-Na’khundi, he was possibly his son, and he may have succeeded him as ruler of the empire of Elam and Babylonia, though no confirmation of this view has yet been discovered. Temti-khisha-khanesh is mentioned immediately after the reference to the preservation of the life of Temti-agun himself, and it may be conjectured that the name was that of Temti-agun’s son, or possibly that of his wife, in which event the last two personages mentioned in the text may have been the sons of Temti-agun.
It’s possible that the sukkalu who ruled in Elam during Kutir-Nakhkhunte's reign was named Temti-agun, as a brief inscription from this ruler has been found. In it, he notes that he built and dedicated a specific temple to ensure the preservation of Kutir-Na’khundi's life. If we can link Kutir-Va’khundi mentioned in this text to the great Elamite conqueror, Kutir-Nakhkhunte, it suggests that Temti-agun, the sukkal of Susa, was his subordinate. The inscription includes other names that might belong to rulers from this period, and it reads as follows: “Temti-agun, sukkal of Susa, the son of the sister of Sirukdu’, has built a brick temple at Ishme-karab for the preservation of the life of Kutir-Na’khundi, and for the preservation of the life of Lila-irtash, and for the preservation of his own life, and for the preservation of the life of Temti-khisha-khanesh and of Pil-kishamma-khashduk.” Since Lila-irtash is mentioned right after Kutir-Na’khundi, he was likely his son and may have succeeded him as the ruler of the Elam and Babylonia empires, though there's no confirmation of this theory yet. Temti-khisha-khanesh is referenced right after the mention of ensuring the life of Temti-agun, leading to speculation that this name could belong to Temti-agun's son, or possibly his wife. In that case, the last two individuals mentioned in the text might have been Temti-agun's sons.
This short text affords a good example of one class of votive inscriptions from which it is possible to recover the names of Elamite rulers of this period, and it illustrates the uncertainty which at present attaches to the identification of the names themselves and the order in which they are to be arranged. Such uncertainty necessarily exists when only a few texts have been recovered, and it will disappear with the discovery of additional monuments by which the results already arrived at may be checked. We need not here enumerate all the names of the later Elamite rulers which have been found in the numerous votive inscriptions recovered during the recent excavations at Susa. The order in which they should be arranged is still a matter of considerable uncertainty, and the facts recorded by them in such inscriptions as we possess mainly concern the building and restoration of Elamite temples and the decoration of shrines, and they are thus of no great historical interest. These votive texts are well illustrated by a remarkable find of foundation deposits made last year by M. de Morgan in the temple of Shushinak at Susa, consisting of figures and jewelry of gold and silver, and objects of lead, bronze, iron, stone, and ivory, cylinder-seals, mace-heads, vases, etc. This is the richest foundation deposit that has been recovered on any ancient site, and its archaeological interest in connection with the development of Elamite art is great. But in no other way does the find affect our conception of the history of the country, and we may therefore pass on to a consideration of such recent discoveries as throw new light upon the course of history in Western Asia.
This short text provides a good example of a type of votive inscription that helps us recover the names of Elamite rulers from this period. It also shows the current uncertainty surrounding the identification of these names and their correct order. Such uncertainty is inevitable when only a few texts have been found, and it will be resolved with the discovery of more monuments that can validate the results we've reached so far. We don’t need to list all the names of the later Elamite rulers found in the many votive inscriptions collected during recent excavations at Susa. The sequence in which they should be organized remains quite uncertain, and the facts recorded in the inscriptions we do have mainly relate to the construction and restoration of Elamite temples and the decoration of shrines, which are not particularly significant historically. These votive texts are well exemplified by an extraordinary find of foundation deposits made last year by M. de Morgan in the temple of Shushinak at Susa, which included figures and jewelry made of gold and silver, as well as items made of lead, bronze, iron, stone, and ivory, and cylinder-seals, mace-heads, vases, etc. This is the richest foundation deposit ever found at any ancient site, and its archaeological significance related to the development of Elamite art is substantial. However, this discovery doesn’t really change our understanding of the country’s history, so we can move on to considering more recent discoveries that shed new light on historical developments in Western Asia.
With the advent of the First Dynasty in Babylon Elam found herself face to face with a power prepared to dispute her claims to exercise a suzerainty over the plains of Mesopotamia. It is held by many writers that the First Dynasty of Babylon was of Arab origin, and there is much to be said for this view. M. Pognon was the first to start the theory that its kings were not purely Babylonian, but were of either Arab or Aramaean extraction, and he based his theory on a study of the forms of the names which some of them bore. The name of Samsu-imna, for instance, means “the sun is our god,” but the form of the words of which the name is composed betray foreign influence. Thus in Babylonian the name for “sun” or the Sun-god would be Shamash or Shamshu, not Samsu; in the second half of the name, while ilu (“god”) is good Babylonian, the ending na, which is the pronominal suffix of the first person plural, is not Babylonian, but Arabic. We need not here enter into a long philological discussion, and the instance already cited may suffice to show in what way many of the names met in the Babylonian inscriptions of this period betray a foreign, and possibly an Arabic, origin. But whether we assign the forms of these names to Arabic influence or not, it may be regarded as certain that, the First Dynasty of Babylon had its origin in the incursion into Babylonia of a new wave of Semitic immigration.
With the rise of the First Dynasty in Babylon, Elam found itself up against a power ready to challenge its claims of control over the plains of Mesopotamia. Many scholars believe that the First Dynasty of Babylon was of Arab origin, and this perspective has some merit. M. Pognon was the first to propose that its kings were not entirely Babylonian, but rather of Arab or Aramaean descent, basing his theory on the variations in the names some of them had. For instance, the name Samsu-imna means “the sun is our god,” but the structure of the words in the name suggests foreign influence. In Babylonian, the word for “sun” or the Sun-god would be Shamash or Shamshu, not Samsu; in the second part of the name, while ilu (“god”) is typical Babylonian, the ending na, which is the first person plural pronoun suffix, is not Babylonian but Arabic. We don’t need to dive into a lengthy language analysis, and the example already mentioned is enough to demonstrate how many names found in Babylonian inscriptions from this period show signs of foreign, possibly Arabic, origins. Regardless of whether we attribute these names to Arabic influence, it is clear that the First Dynasty of Babylon emerged from a new wave of Semitic immigration into Babylonia.

The invading Semites brought with them fresh blood and unexhausted energy, and, finding many of their own race in scattered cities and settlements throughout the country, they succeeded in establishing a purely Semitic dynasty, with its capital at Babylon, and set about the task of freeing the country from any vestiges of foreign control. Many centuries earlier Semitic kings had ruled in Babylonian cities, and Semitic empires had been formed there. Sargon and Narâm-Sin, having their capital at Agade, had established their control over a considerable area of Western Asia and had held Elam as a province. But so far as Elam was concerned Kutir-Nakhkhunte had reversed the balance and had raised Elam to the position of the predominant power.
The invading Semites brought new blood and fresh energy, and as they found many of their own people in scattered cities and settlements across the region, they successfully established a purely Semitic dynasty with its capital in Babylon. They set out to rid the country of any remnants of foreign control. Many centuries before, Semitic kings had ruled in Babylonian cities, and Semitic empires had been built there. Sargon and Narâm-Sin, with their capital in Agade, had extended their influence over a large part of Western Asia and had included Elam as a province. However, concerning Elam, Kutir-Nakhkhunte had changed the game and elevated Elam to the status of the dominant power.
Of the struggles and campaigns of the earlier kings of the First Dynasty of Babylon we know little, for, although we possess a considerable number of legal and commercial documents of the period, we have recovered no strictly historical inscriptions. Our main source of information is the dates upon these documents, which are not dated by the years of the reigning king, but on a system adopted by the early Babylonian kings from their Sumerian predecessors. In the later periods of Babylonian history tablets were dated in the year of the king who was reigning at the time the document was drawn up, but this simple system had not been adopted at this early period. In place of this we find that each year was cited by the event of greatest importance which occurred in that year. This event might be the cutting of a canal, when the year in which this took place might be referred to as “the year in which the canal named Ai-khegallu was cut;” or it might be the building of a temple, as in the date-formula, “the year in which the great temple of the Moon-god was built;” or it might be “the conquest of a city, such as the year in which the city of Kish was destroyed.” Now it will be obvious that this system of dating had many disadvantages. An event might be of great importance for one city, while it might never have been heard of in another district; thus it sometimes happened that the same event was not adopted throughout the whole country for designating a particular year, and the result was that different systems of dating were employed in different parts of Babylonia. Moreover, when a particular system had been in use for a considerable time, it required a very good memory to retain the order and period of the various events referred to in the date-formulae, so as to fix in a moment the date of a document by its mention of one of them. In order to assist themselves in their task of fixing dates in this manner, the scribes of the First Dynasty of Babylon drew up lists of the titles of the years, arranged in chronological order under the reigns of the kings to which they referred. Some of these lists have been recovered, and they are of the greatest assistance in fixing the chronology, while at the same time they furnish us with considerable information concerning the history of the period of which we should otherwise have been in ignorance.
We don't know much about the struggles and campaigns of the early kings of the First Dynasty of Babylon, because even though we have a lot of legal and commercial documents from that time, we haven't found any strictly historical inscriptions. Our main source of information comes from the dates on these documents, which aren't dated by the years of the reigning king, but instead follow a system that the early Babylonian kings took from their Sumerian predecessors. Later on, Babylonian tablets were dated by the year of the reigning king when the document was created, but this simpler system wasn't in use during this early period. Instead, each year was named after the most significant event that happened in that year. This event could be the cutting of a canal, which might be referred to as “the year the canal named Ai-khegallu was cut;” or it could be the construction of a temple, as in the date-formula, “the year the great temple of the Moon-god was built;” or it might refer to “the conquest of a city, such as the year the city of Kish was destroyed.” It's clear that this dating system had many downsides. An event could be very important for one city while being completely unknown in another area; as a result, the same event might not be used across the whole country to mark a specific year, leading to different dating systems in different parts of Babylonia. Additionally, once a particular system had been in use for a long time, it took a really good memory to remember the order and time of the various events referred to in the date-formulae, so one could quickly pinpoint the date of a document based on one of those events. To help with this task, the scribes of the First Dynasty of Babylon created lists of the yearly events, organized chronologically under the reigns of the kings they referred to. Some of these lists have been recovered, and they are extremely helpful for establishing the chronology, while also providing us with a lot of information about the history of that time, which we otherwise wouldn't have known.
From these lists of date-formulæ, and from the dates themselves which are found upon the legal and commercial tablets of the period, we learn that Kish, Ka-sallu, and Isin all gave trouble to the earlier kings of the First Dynasty, and had in turn to be subdued. Elam did not watch the diminution of her influence in Babylonia without a struggle to retain it. Under Kudur-mabug, who was prince or governor of the districts lying along the frontier of Elam, the Elamites struggled hard to maintain their position in Babylonia, making the city of Ur the centre from which they sought to check the growing power of Babylon. From bricks that have been recovered from Mukayyer, the site of the city of Ur, we learn that Kudur-mabug rebuilt the temple in that city dedicated to the Moon-god, which is an indication of the firm hold he had obtained upon the city. It was obvious to the new Semitic dynasty in Babylon that, until Ur and the neighbouring city of Larsam had been captured, they could entertain no hope of removing the Elamite yoke from Southern Babylonia. It is probable that the earlier kings of the dynasty made many attempts to capture them, with varying success. An echo of one of their struggles in which they claimed the victory may be seen in the date-formula for the fourteenth year of the reign of Sin-muballit, Hammurabi’s father and predecessor on the throne of Babylon. This year was referred to in the documents of the period as “the year in which the people of Ur were slain with the sword.” It will be noted that the capture of the city is not commemorated, so that we may infer that the slaughter of the Elamites which is recorded did not materially reduce their influence, as they were left in possession of their principal stronghold. In fact, Elam was not signally defeated in the reign of Kudur-mabug, but in that of his son Rim-Sin. From the date-formulæ of Hammurabi’s reign we learn that the struggle between Elam and Babylon was brought to a climax in the thirtieth year of his reign, when it is recorded in the formulas that he defeated the Elamite army and overthrew Rim-Sin, while in the following year we gather that he added the land of E’mutbal, that is, the western district of Elam, to his dominions.
From these lists of date formulas, and from the dates found on the legal and commercial tablets of the time, we learn that Kish, Ka-sallu, and Isin all caused problems for the earlier kings of the First Dynasty, and in turn had to be subdued. Elam didn't let the decline of its influence in Babylonia happen without a fight to maintain it. Under Kudur-mabug, the prince or governor of the regions along the Elam frontier, the Elamites worked hard to keep their foothold in Babylonia, using the city of Ur as the base from which they tried to counter Babylon's growing strength. Recovered bricks from Mukayyer, the site of Ur, reveal that Kudur-mabug rebuilt the temple dedicated to the Moon-god, indicating the strong control he had over the city. It was clear to the new Semitic dynasty in Babylon that, until they captured Ur and the nearby city of Larsam, there was no hope of freeing Southern Babylonia from Elamite control. It's likely that the early kings of the dynasty made numerous attempts to capture them, with mixed success. A reflection of one of their battles, in which they claimed victory, can be seen in the date formula for the fourteenth year of Sin-muballit’s reign, who was Hammurabi’s father and predecessor. This year was noted in period documents as “the year in which the people of Ur were slain by the sword.” It’s worth noting that the capture of the city wasn't celebrated, leading us to believe that the slaughter of the Elamites did not significantly diminish their power since they remained in control of their main stronghold. In fact, Elam was not significantly defeated during Kudur-mabug's reign, but rather during that of his son Rim-Sin. From Hammurabi’s reign date formulas, we see that the conflict between Elam and Babylon reached its peak in the thirtieth year of his reign, when it states that he defeated the Elamite army and overthrew Rim-Sin, and in the following year, we learn that he annexed the land of E’mutbal, which is the western region of Elam, to his territories.
An unpublished chronicle in the British Museum gives us further details of Hammurabi’s victory over the Elamites, and at the same time makes it clear that the defeat and overthrow of Rim-Sin was not so crushing as has hitherto been supposed. This chronicle relates that Hammurabi attacked Rim-Sin, and, after capturing the cities of Ur and Larsam, carried their spoil to Babylon. Up to the present it has been supposed that Hammurabi’s victory marked the end of Elamite influence in Babylonia, and that thenceforward the supremacy of Babylon was established throughout the whole of the country. But from the new chronicle we gather that Hammurabi did not succeed in finally suppressing the attempts of Elam to regain her former position. It is true that the cities of Ur and Larsam were finally incorporated in the Babylonian empire, and the letters of Hammurabi to Sin-idinnam, the governor whom he placed in authority over Larsam, afford abundant evidence of the stringency of the administrative control which he established over Southern Babylonia. But Rîm-Sin was only crippled for the time, and, on being driven from Ur and Larsam, he retired beyond the Elamite frontier and devoted his energies to the recuperation of his forces against the time when he should feel himself strong enough again to make a bid for victory in his struggle against the growing power of Babylon. It is probable that he made no further attempt to renew the contest during the life of Hammurabi, but after Samsu-iluna, the son of Hammurabi, had succeeded to the Babylonian throne, he appeared in Babylonia at the head of the forces he had collected, and attempted to regain the cities and territory he had lost.
An unpublished manuscript in the British Museum provides more details about Hammurabi’s victory over the Elamites and reveals that the defeat of Rim-Sin wasn’t as devastating as previously thought. This manuscript states that Hammurabi attacked Rim-Sin and, after capturing the cities of Ur and Larsam, took their spoils to Babylon. Until now, it has been believed that Hammurabi’s victory ended Elamite influence in Babylonia and that Babylon's dominance was secured throughout the region. However, the new manuscript shows that Hammurabi did not completely eliminate Elam’s attempts to regain its former power. While the cities of Ur and Larsam were ultimately integrated into the Babylonian empire, Hammurabi’s letters to Sin-idinnam, the governor he appointed over Larsam, clearly demonstrate the strict administrative control he enforced in Southern Babylonia. Yet, Rîm-Sin was only temporarily weakened, and after being pushed from Ur and Larsam, he retreated beyond the Elamite border to rebuild his strength for a future attempt to reclaim his power against Babylon’s rising influence. It seems likely that he didn’t try to renew the conflict during Hammurabi’s lifetime, but after Hammurabi’s son, Samsu-iluna, took the Babylonian throne, Rîm-Sin returned to Babylonia with his assembled forces, trying to recover the cities and lands he had lost.

Inscribed in the reign of Hammurabi with a deed recording the division of property. The actual tablet is on the right; that which appears to be another and larger tablet on the left is the hollow clay case in which the tablet on the right was originally enclosed. Photograph by Messrs. Mansell & Co.
Inscribed during Hammurabi's reign, this document records the division of property. The tablet on the right is the actual one; the larger item on the left is the hollow clay case that originally held the tablet on the right. Photograph by Messrs. Mansell & Co.
The portion of the text of the chronicle relating to the war between Rîm-Sin and Samsu-iluna is broken so that it is not possible to follow the campaign in detail, but it appears that Samsu-iluna defeated Rim-Sin, and possibly captured him or burnt him alive in a palace in which he had taken refuge.
The section of the chronicle that discusses the war between Rîm-Sin and Samsu-iluna is incomplete, making it difficult to trace the campaign in detail. However, it seems that Samsu-iluna defeated Rîm-Sin and may have captured him or burned him alive in a palace where he had sought refuge.
With the final defeat of Rîm-Sin by Samsu-iluna it is probable that Elam ceased to be a thorn in the side of the kings of Babylon and that she made no further attempts to extend her authority beyond her own frontiers. But no sooner had Samsu-iluna freed his country from all danger from this quarter than he found himself faced by a new foe, before whom the dynasty eventually succumbed. This fact we learn from the unpublished chronicle to which reference has already been made, and the name of this new foe, as supplied by the chronicle, will render it necessary to revise all current schemes of Babylonian chronology. Samsu-iluna’s new foe was no other than Iluma-ilu, the first king of the Second Dynasty, and, so far from having been regarded as Samsu-iluna’s contemporary, hitherto it has been imagined that he ascended the throne of Babylon one hundred and eighteen years after Samsu-iluna’s death. The new information supplied by the chronicle thus proves two important facts: first, that the Second Dynasty, instead of immediately succeeding the First Dynasty, was partly contemporary with it; second, that during the period in which the two dynasties were contemporary they were at war with one another, the Second Dynasty gradually encroaching on the territory of the First Dynasty, until it eventually succeeded in capturing Babylon and in getting the whole of the country under its control. We also learn from the new chronicle that this Second Dynasty at first established itself in “the Country of the Sea,” that is to say, the districts in the extreme south of Babylonia bordering on the Persian Gulf, and afterwards extended its borders northward until it gradually absorbed the whole of Babylonia. Before discussing the other facts supplied by the new chronicle, with regard to the rise and growth of the Country of the Sea, whose kings formed the so-called “Second Dynasty,” it will be well to refer briefly to the sources from which the information on the period to be found in the current histories is derived.
With the final defeat of Rîm-Sin by Samsu-iluna, Elam likely stopped being a problem for the kings of Babylon and made no further attempts to expand her power beyond her borders. However, just as Samsu-iluna had freed his country from this threat, he was faced with a new enemy that ultimately led to the downfall of his dynasty. We learn this from an unpublished chronicle previously mentioned, and the identity of this new foe, as indicated by the chronicle, will require a reassessment of current Babylonian timelines. Samsu-iluna’s new enemy was none other than Iluma-ilu, the first king of the Second Dynasty. Contrary to being seen as a contemporary of Samsu-iluna, it had previously been thought that he took the throne of Babylon one hundred and eighteen years after Samsu-iluna's death. The new information from the chronicle reveals two important points: first, that the Second Dynasty did not immediately follow the First Dynasty but was partly contemporary with it; second, during the time the two dynasties coexisted, they were at war, with the Second Dynasty gradually encroaching on the territory of the First Dynasty until it succeeded in capturing Babylon and gaining control over the entire region. We also learn from the new chronicle that the Second Dynasty initially established itself in "the Country of the Sea," which refers to the areas in the far south of Babylonia along the Persian Gulf, and later expanded its borders northward until it gradually took over all of Babylonia. Before discussing other details from the new chronicle regarding the rise and development of the Country of the Sea and its kings, known as the "Second Dynasty," it is worth briefly referencing the sources of information used in current historical accounts from this period.
All the schemes of Babylonian chronology that have been suggested during the last twenty years have been based mainly on the great list of kings which is preserved in the British Museum. This document was drawn up in the Neo-Babylonian or Persian period, and when complete it gave a list of the names of all the Babylonian kings from the First Dynasty of Babylon down to the time in which it was written. The names of the kings are arranged in dynasties, and details are given as to the length of their reigns and the total number of years each dynasty lasted. The beginning of the list which gave the names of the First Dynasty is wanting, but the missing portion has been restored from a smaller document which gives a list of the kings of the First and Second Dynasties only. In the great list of kings the dynasties are arranged one after the other, and it was obvious that its compiler imagined that they succeeded one another in the order in which he arranged them. But when the total number of years the dynasties lasted is learned, we obtain dates for the first dynasties in the list which are too early to agree with other chronological information supplied by the historical inscriptions. The majority of writers have accepted the figures of the list of kings and have been content to ignore the discrepancies; others have sought to reconcile the available data by ingenious emendations of the figures given by the list and the historical inscriptions, or have omitted the Second Dynasty entirely from their calculations. The new chronicle, by showing that the First and Second Dynasties were partly contemporaneous, explains the discrepancies that have hitherto proved so puzzling.
All the theories of Babylonian chronology that have been proposed over the last twenty years have mainly relied on the extensive list of kings preserved in the British Museum. This document was created during the Neo-Babylonian or Persian period, and when complete, it provided a list of all the Babylonian kings from the First Dynasty of Babylon up to the time it was written. The kings' names are organized by dynasty, with details on the length of their reigns and how long each dynasty lasted in total. The beginning of the list, which included the names from the First Dynasty, is missing, but this has been restored from a smaller document that only lists the kings of the First and Second Dynasties. In the comprehensive list of kings, the dynasties follow one another, suggesting the compiler intended for them to be in chronological order. However, when the total years that each dynasty lasted are calculated, the dates for the early dynasties appear much earlier than what other historical inscriptions indicate. Most scholars have accepted the figures from the list of kings and chosen to overlook the inconsistencies; others have attempted to reconcile the data by creatively altering the figures provided in the list and the historical inscriptions, or have completely excluded the Second Dynasty from their analyses. The new chronicle clarifies the inconsistencies that have been so confusing by showing that the First and Second Dynasties were partly contemporaneous.
It would be out of place here to enter into a detailed discussion of Babylonian chronology, and therefore we will confine ourselves to a brief description of the sequence of events as revealed by the new chronicle. According to the list of kings, Iluma-ilu’s reign was a long one, lasting for sixty years, and the new chronicle gives no indication as to the period of his reign at which active hostilities with Babylon broke out. If the war occurred in the latter portion of his reign, it would follow that he had been for many years organizing the forces of the new state he had founded in the south of Babylonia before making serious encroachments in the north; and in that case the incessant campaigns carried on by Babylon against Blam in the reigns of Hammurabi and Samsu-iluna would have afforded him the opportunity of establishing a firm foothold in the Country of the Sea without the risk of Babylonian interference. If, on the other hand, it was in the earlier part of his reign that hostilities with Babylon broke out, we may suppose that, while Samsu-iluna was devoting all his energies to crush Bim-Sin, the Country of the Sea declared her independence of Babylonian control. In this case we may imagine Samsu-iluna hurrying south, on the conclusion of his Elamite campaign, to crush the newly formed state before it had had time to organize its forces for prolonged resistance.
It wouldn’t be appropriate to dive into a detailed discussion of Babylonian chronology here, so we will stick to a brief overview of the sequence of events revealed by the new chronicle. According to the list of kings, Iluma-ilu had a long reign that lasted sixty years, and the new chronicle doesn’t specify when during his reign hostilities with Babylon began. If the war started later in his reign, it suggests he spent many years building up the forces of the new state he founded in southern Babylonia before making any serious moves in the north. In that case, the ongoing campaigns by Babylon against Blam during the reigns of Hammurabi and Samsu-iluna would have allowed him to establish a solid presence in the Country of the Sea without worrying about Babylonian interference. On the other hand, if hostilities with Babylon began early in his reign, we can assume that while Samsu-iluna focused all his efforts on defeating Bim-Sin, the Country of the Sea declared its independence from Babylonian control. In this scenario, we might picture Samsu-iluna rushing south after his Elamite campaign to take down the newly established state before it had a chance to organize for a prolonged fight.
Whichever of these alternatives eventually may prove to be correct, it is certain that Samsu-iluna took the initiative in Babylon’s struggle with the Country of the Sea, and that his action was due either to her declaration of independence or to some daring act of aggression on the part of this small state which had hitherto appeared too insignificant to cause Babylon any serious trouble. The new chronicle tells us that Samsu-iluna undertook two expeditions against the Country of the Sea, both of which proved unsuccessful. In the first of these he penetrated to the very shores of the Persian Gulf, where a battle took place in which Samsu-iluna was defeated, and the bodies of many of the Babylonian soldiers were washed away by the sea. In the second campaign Iluma-ilu did not await Samsu-iluna’s attack, but advanced to meet him, and again defeated the Babylonian army. In the reign of Abêshu’, Samsu-iluna’s son and successor, Iluma-ilu appears to have undertaken fresh acts of aggression against Babylon; and it was probably during one of his raids in Babylonian territory that Abêshu’ attempted to crush the growing power of the Country of the Sea by the capture of its daring leader, Iluma-ilu himself. The new chronicle informs us that, with this object in view, Abêshu’ dammed the river Tigris, hoping by this means to cut off Iluma-ilu and his army, but his stratagem did not succeed, and Iluma-ilu got back to his own territory in safety.
Whichever of these options ends up being right, it's clear that Samsu-iluna took the lead in Babylon’s fight with the Country of the Sea, and his actions were either a response to their declaration of independence or a bold act of aggression from this small state that had seemed too minor to pose any serious threat to Babylon. The new chronicle tells us that Samsu-iluna launched two campaigns against the Country of the Sea, both of which failed. In the first, he reached the shores of the Persian Gulf, where a battle occurred in which Samsu-iluna was defeated, and many Babylonian soldiers’ bodies were washed away by the sea. In the second campaign, Iluma-ilu didn’t wait for Samsu-iluna to attack but moved to confront him, again defeating the Babylonian army. During the reign of Abêshu’, Samsu-iluna’s son and successor, Iluma-ilu seems to have carried out fresh acts of aggression against Babylon; and it was likely during one of his raids into Babylonian territory that Abêshu’ attempted to diminish the rising power of the Country of the Sea by capturing its bold leader, Iluma-ilu. The new chronicle indicates that, with this goal in mind, Abêshu’ blocked the river Tigris, hoping to trap Iluma-ilu and his army, but his plan failed, and Iluma-ilu returned safely to his territory.
The new chronicle does not supply us with further details of the struggle between Babylon and the Country of the Sea, but we may conclude that all similar attempts on the part of the later kings of the First Dynasty to crush or restrain the power of the new state were useless. It is probable that from this time forward the kings of the First Dynasty accepted the independence of the Country of the Sea upon their southern border as an evil which they were powerless to prevent. They must have looked back with regret to the good times the country had enjoyed under the powerful sway of Hammurabi, whose victorious arms even their ancient foes, the Blamites, had been unable to withstand. But, although the chronicle does not recount the further successes achieved by the Country of the Sea, it records a fact which undoubtedly contributed to hasten the fall of Babylon and bring the First Dynasty to an end. It tells us that in the reign of Samsu-ditana, the last king of the First Dynasty, the men of the land of Khattu (the Hittites from Northern Syria) marched against him in order to conquer the land of Akkad; in other words, they marched down the Euphrates and invaded Northern Babylonia. The chronicle does not state how far the invasion was successful, but the appearance of a new enemy from the northwest must have divided the Babylonian forces and thus have reduced their power of resisting pressure from the Country of the Sea. Samsu-ditana may have succeeded in defeating the Hittites and in driving them from his country; but the fact that he was the last king of the First Dynasty proves that in his reign Babylon itself fell into the hands of the king of the Country of the Sea.
The new chronicle doesn’t give us more details about the conflict between Babylon and the Country of the Sea, but we can conclude that all similar efforts by the later kings of the First Dynasty to crush or control the power of the new state were pointless. It’s likely that from this point on, the kings of the First Dynasty accepted the independence of the Country of the Sea on their southern border as a problem they couldn’t avoid. They must have looked back wistfully at the better times the country had enjoyed under Hammurabi, whose military victories even quelled their old foes, the Blamites. However, while the chronicle doesn’t recount further successes of the Country of the Sea, it does note a fact that likely sped up Babylon's downfall and brought the First Dynasty to an end. It tells us that during the reign of Samsu-ditana, the last king of the First Dynasty, the men from the land of Khattu (the Hittites from Northern Syria) marched against him to conquer the land of Akkad; in other words, they moved down the Euphrates and invaded Northern Babylonia. The chronicle doesn’t specify how successful the invasion was, but the emergence of a new enemy from the northwest must have split the Babylonian forces and weakened their ability to resist pressure from the Country of the Sea. Samsu-ditana may have managed to defeat the Hittites and drive them from his territory, but the fact that he was the last king of the First Dynasty indicates that during his reign, Babylon itself fell into the hands of the king of the Country of the Sea.
The question now arises, To what race did the people of the Country of the Sea belong? Did they represent an advance-guard of the Kassite tribes, who eventually succeeded in establishing themselves as the Third Dynasty in Babylon? Or were they the Elamites who, when driven from Ur and Larsam, retreated southwards and maintained their independence on the shores of the Persian Gulf? Or did they represent some fresh wave of Semitic immigration’? That they were not Kassites is proved by the new chronicle which relates how the Country of the Sea was conquered by the Kassites, and how the dynasty founded by Iluma-ilu thus came to an end. There is nothing to show that they were Elamites, and if the Country of the Sea had been colonized by fresh Semitic tribes, so far from opposing their kindred in Babylon, most probably they would have proved to them a source of additional strength and support. In fact, there are indications that the people of the Country of the Sea are to be referred to an older stock than the Elamites, the Semites, or the Kassites. In the dynasty of the Country of the Sea there is no doubt that we may trace the last successful struggle of the ancient Sumerians to retain possession of the land which they had held for so many centuries before the invading Semites had disputed its possession with them.
The question now is, what race did the people of the Country of the Sea belong to? Were they an advance guard of the Kassite tribes, who eventually established themselves as the Third Dynasty in Babylon? Or were they the Elamites, who, when pushed out of Ur and Larsam, retreated south and maintained their independence along the shores of the Persian Gulf? Or did they represent a new wave of Semitic immigration? The fact that they were not Kassites is shown by the new chronicle that tells how the Country of the Sea was conquered by the Kassites, leading to the end of the dynasty founded by Iluma-ilu. There's nothing to indicate that they were Elamites, and if the Country of the Sea had been settled by new Semitic tribes, they likely would have strengthened their kin in Babylon rather than opposed them. In fact, there are signs that the people of the Country of the Sea are linked to an older stock than the Elamites, Semites, or Kassites. The dynasty of the Country of the Sea likely marks the last successful effort of the ancient Sumerians to hold on to the land they had occupied for so many centuries before the invading Semites challenged their control.
Evidence of the Sumerian origin of the kings of the Country of the Sea may be traced in the names which several of them bear. Ishkibal, Grulkishar, Peshgal-daramash, A-dara-kalama, Akur-ul-ana, and Melam-kur-kura, the names of some of them, are all good Sumerian names, and Shushshi, the brother of Ishkibal, may also be taken as a Sumerian name. It is true that the first three kings of the dynasty, Iluma-ilu, Itti-ili-nibi, and Damki-ilishu, and the last king of the dynasty, Ea-gamil, bear Semitic Babylonian names, but there is evidence that at least one of these is merely a Semitic rendering of a Sumerian equivalent. Iluma-ilu, the founder of the dynasty, has left inscriptions in which his name is written in its correct Sumerian form as Dingir-a-an, and the fact that he and some of his successors either bore Semitic names or appear in the late list of kings with their Sumerian names translated into Babylonian form may be easily explained by supposing that the population of the Country of the Sea was mixed and that the Sumerian and Semitic tongues were to a great extent employed indiscriminately. This supposition is not inconsistent with the suggestion that the dynasty of the Country of the Sea was Sumerian, and that under it the Sumerians once more became the predominant race in Babylonia.
Evidence of the Sumerian origins of the kings from the Country of the Sea can be seen in the names of several of them. Ishkibal, Grulkishar, Peshgal-daramash, A-dara-kalama, Akur-ul-ana, and Melam-kur-kura are all strong Sumerian names, and Shushshi, the brother of Ishkibal, can also be considered a Sumerian name. While it’s true that the first three kings of the dynasty, Iluma-ilu, Itti-ili-nibi, and Damki-ilishu, along with the last king of the dynasty, Ea-gamil, have Semitic Babylonian names, there’s evidence that at least one of these is just a Semitic version of a Sumerian equivalent. Iluma-ilu, the founder of the dynasty, has left inscriptions where his name is written correctly in Sumerian as Dingir-a-an, and the fact that he and some of his successors either had Semitic names or appear in the later list of kings with their Sumerian names translated into Babylonian can likely be explained by the idea that the population of the Country of the Sea was mixed, using both Sumerian and Semitic languages somewhat interchangeably. This idea doesn’t contradict the suggestion that the dynasty of the Country of the Sea was Sumerian, and that under it, the Sumerians once again became the dominant group in Babylonia.
The new chronicle also relates how the dynasty of the Country of the Sea succumbed in its turn before the incursions of the Kassites. We know that already under the First Dynasty the Kassite tribes had begun to make incursions into Babylonia, for the ninth year of Samsu-iluna was named in the date-formulae after a Kassite invasion, which, as it was commemorated in this manner by the Babylonians, was probably successfully repulsed. Such invasions must have taken place from time to time during the period of supremacy attained by the Country of the Sea, and it was undoubtedly with a view to stopping such incursions—for the future that Ea-gamil—the last king of the Second Dynasty, decided to invade Elam and conquer the mountainous districts in which the Kassite tribes had built their strongholds. This Elamite campaign of Ea-gamil is recorded by the new chronicle, which relates how he was defeated and driven from the country by Ulam-Buriash, the brother of Bitiliash the Kassite. Ulam-Buriash did not rest content with repelling Ea-gamil’s invasion of his land, but pursued him across the border and succeeded in conquering the Country of the Sea and in establishing there his own administration. The gradual conquest of the whole of Babylonia by the Kassites no doubt followed the conquest of the Country of the Sea, for the chronicle relates how the process of subjugation, begun by Ulam-Buriash, was continued by his nephew Agum, and we know from the lists of kings that Ea-gamil was the last king of the dynasty founded by Iluma-ilu. In this fashion the Second Dynasty was brought to an end, and the Sumerian element in the mixed population of Babylonia did not again succeed in gaining control of the government of the country.
The new chronicle also recounts how the dynasty of the Country of the Sea eventually fell to the invasions of the Kassites. We know that even during the First Dynasty, Kassite tribes had started to invade Babylonia, as shown by the fact that the ninth year of Samsu-iluna was marked in the date-formulas after a Kassite invasion, which, since it was commemorated this way by the Babylonians, was likely successfully pushed back. Such invasions must have happened from time to time during the period when the Country of the Sea was dominant, and it was clearly to prevent further incursions that Ea-gamil—the last king of the Second Dynasty—decided to invade Elam and take control of the mountainous areas where the Kassite tribes had established their strongholds. This Elamite campaign by Ea-gamil is noted by the new chronicle, which tells how he was defeated and expelled from the country by Ulam-Buriash, the brother of Bitiliash the Kassite. Ulam-Buriash did not simply repel Ea-gamil's invasion but pursued him across the border and succeeded in conquering the Country of the Sea and setting up his own administration there. The gradual takeover of Babylonia by the Kassites likely followed the conquest of the Country of the Sea, as the chronicle describes how the subjugation, initiated by Ulam-Buriash, continued under his nephew Agum, and we know from the king lists that Ea-gamil was the last king of the dynasty started by Iluma-ilu. This is how the Second Dynasty came to an end, and the Sumerian element in the mixed population of Babylonia never regained control of the country's government.
It will be noticed that the account of the earliest Kassite rulers of Babylonia which is given by the new chronicle does not exactly tally with the names of the kings of the Third Dynasty as found upon the list of kings. On this document the first king of the dynasty is named Gandash, with whom we may probably identify Ulam-Buriash, the Kassite conqueror of the Country of the Sea; the second king is Agum, and the third is Bitiliashi. According to the new chronicle Agum was the son of Bitiliashi, and it would be improbable that he should have ruled in Babylonia before his father. But this difficulty is removed by supposing that the two names were transposed by some copyist. The different names assigned to the founder of the Kassite dynasty may be due to the existence of variant traditions, or Ulam-Buriash may have assumed another name on his conquest of Babylonia, a practice which was usual with the later kings of Assyria when they occupied the Babylonian throne.
It’s important to note that the account of the earliest Kassite rulers of Babylonia provided by the new chronicle doesn’t exactly match up with the names of the kings of the Third Dynasty listed in the king’s list. In this document, the first king of the dynasty is named Gandash, who we can likely associate with Ulam-Buriash, the Kassite conqueror of the Country of the Sea; the second king is Agum, and the third is Bitiliashi. According to the new chronicle, Agum was the son of Bitiliashi, which makes it unlikely that he ruled in Babylonia before his father. However, this issue could be resolved by suggesting that the two names were switched by a copyist. The different names given to the founder of the Kassite dynasty might be due to varying traditions, or Ulam-Buriash may have taken on another name when he conquered Babylonia, a common practice among later Assyrian kings when they took the Babylonian throne.
The information supplied by the new chronicle with regard to the relations of the first three dynasties to one another is of the greatest possible interest to the student of early Babylonian history. We see that the Semitic empire founded at Babylon by Sumu-abu, and consolidated by Hammurabi, was not established on so firm a basis as has hitherto been believed. The later kings of the dynasty, after Elam had been conquered, had to defend their empire from encroachments on the south, and they eventually succumbed before the onslaught of the Sumerian element, which still remained in the population of Babylonia and had rallied in the Country of the Sea. This dynasty in its turn succumbed before the invasion of the Kassites from the mountains in the western districts of Elam, and, although the city of Babylon retained her position as the capital of the country throughout these changes of government, she was the capital of rulers of different races, who successively fought for and obtained the control of the fertile plains of Mesopotamia.
The information provided by the new chronicle about the relationships among the first three dynasties is extremely interesting for anyone studying early Babylonian history. It shows that the Semitic empire founded in Babylon by Sumu-abu and strengthened by Hammurabi wasn’t as stable as previously thought. The later kings of the dynasty, after defeating Elam, had to protect their empire from southern invasions, and they ultimately fell to the Sumerian groups that remained in the population of Babylonia and rallied in the Country of the Sea. This dynasty eventually fell to the invasion of the Kassites from the mountains in western Elam. Even though the city of Babylon continued to be the capital throughout these changes in leadership, it was the capital of rulers from different ethnic backgrounds, who fought for and gained control over the fertile plains of Mesopotamia.
It is probable that the Kassite kings of the Third Dynasty exercised authority not only over Babylonia but also over the greater part of Elam, for a number of inscriptions of Kassite kings of Babylonia have been found by M. de Morgan at Susa. These inscriptions consist of grants of land written on roughly shaped stone stelæ, a class which the Babylonians themselves called kudurru, while they have been frequently referred to by modern writers as “boundary-stones.” This latter term is not very happily chosen, for it suggests that the actual monuments themselves were set up on the limits of a field or estate to mark its boundary. It is true that the inscription on a kudurru enumerates the exact position and size of the estate with which it is concerned, but the kudurru was never actually used to mark the boundary. It was preserved as a title-deed, in the house of the owner of the estate or possibly in the temple of his god, and formed his charter or title-deed to which he could appeal in case of any dispute arising as to his right of ownership. One of the kudurrus found by M. de Morgan records the grant of a number of estates near Babylon by Nazimaruttash, a king of the Third or Kassite Dynasty, to the god Marduk, that is to say they were assigned by the king to the service of E-sagila, the great temple of Marduk at Babylon.
It's likely that the Kassite kings of the Third Dynasty had control not just over Babylonia but also over most of Elam, as several inscriptions from Kassite kings of Babylonia were discovered by M. de Morgan at Susa. These inscriptions are land grants written on roughly carved stone stelæ, a type that the Babylonians referred to as kudurru. Modern authors often call them "boundary-stones," but this term isn't entirely fitting since it implies the actual stones were placed at the edges of fields or estates to mark boundaries. While it's true that the inscription on a kudurru details the exact location and size of the estate it pertains to, the kudurru was never used to physically mark the boundary. Instead, it was kept as a title deed, either in the owner's home or possibly in the temple of their god, serving as their charter or title document to which they could refer in case any ownership disputes arose. One of the kudurrus found by M. de Morgan notes the grant of several estates near Babylon by Nazimaruttash, a king of the Third or Kassite Dynasty, to the god Marduk, meaning they were dedicated by the king for the service of E-sagila, the great temple of Marduk in Babylon.

All the crops and produce from the land were granted for the supply of the temple, which was to enjoy the property without the payment of any tax or tribute. The text also records the gift of considerable tracts of land in the same district to a private individual named Kashakti-Shugab, who was to enjoy a similar freedom from taxation so far as the lands bestowed upon him were concerned.
All the crops and produce from the land were allocated for the temple, which was to benefit from the property without paying any taxes or tributes. The text also mentions the donation of significant areas of land in the same region to a private individual named Kashakti-Shugab, who would also enjoy similar tax exemptions for the lands given to him.
This freedom from taxation is specially enacted by the document in the words: “Whensoever in the days that are to come the ruler of the country, or one of the governors, or directors, or wardens of these districts, shall make any claim with regard to these estates, or shall attempt to impose the payment of a tithe or tax upon them, may all the great gods whose names are commemorated, or whose arms are portrayed, or whose dwelling-places are represented, on this stone, curse him with an evil curse and blot out his name!”
This exemption from taxation is specifically established by the document in the words: “Whenever in the future the ruler of the country, or one of the governors, directors, or wardens of these regions, makes any claim regarding these estates, or tries to impose a tithe or tax on them, may all the great gods whose names are honored, or whose symbols are depicted, or whose homes are represented on this stone, curse him with a terrible curse and erase his name!”
Incidentally, this curse illustrates one of the most striking characteristics of the kudurrus, or “boundary-stones,” viz. the carved figures of gods and representations of their emblems, which all of them bare in addition to the texts inscribed upon them. At one time it was thought that these symbols were to be connected with the signs of the zodiac and various constellations and stars, and it was suggested that they might have been intended to represent the relative positions of the heavenly bodies at the time the document was drawn up. But this text of Nazimaruttash and other similar documents that have recently been discovered prove that the presence of the figures and emblems of the gods upon the stones is to be explained on another and far more simple theory. They were placed there as guardians of the property to which the kudurru referred, and it was believed that the carving of their figures or emblems upon the stone would ensure their intervention in case of any attempted infringement of the rights and privileges which it was the object of the document to commemorate and preserve. A photographic reproduction of one side of the kudurru of Nazi-maruttash is shown in the accompanying illustration. There will be seen a representation of Gula or Bau, the mother of the gods, who is portrayed as seated on her throne and wearing the four-horned head-dress and a long robe that reaches to her feet. In the field are emblems of the Sun-god, the Moon-god, Ishtar, and other deities, and the representation of divine emblems and dwelling-places is continued on another face of the stone round the corner towards which Grula is looking. The other two faces of the document are taken up with the inscription.
By the way, this curse highlights one of the most notable features of the kudurrus, or "boundary-stones," specifically the carved images of gods and their symbols, which all of them display along with the texts inscribed on them. At one point, it was believed that these symbols were related to the zodiac signs and various constellations and stars, suggesting that they might have been meant to represent the positions of celestial bodies at the time the document was created. However, this text of Nazimaruttash and other similar documents recently discovered demonstrate that the presence of the figures and symbols of the gods on the stones can be explained by a different and much simpler theory. They were placed there as protectors of the property referenced by the kudurru, and it was thought that carving their images or symbols onto the stone would ensure their intervention in the event of any attempts to infringe upon the rights and privileges that the document aimed to commemorate and protect. A photographic reproduction of one side of the kudurru of Nazimaruttash is shown in the accompanying illustration. Here, you can see a depiction of Gula or Bau, the mother of the gods, who is shown sitting on her throne, wearing a four-horned headdress and a long robe that reaches her feet. The field features symbols of the Sun-god, the Moon-god, Ishtar, and other deities, and the representation of divine symbols and homes continues on another side of the stone around the corner towards which Gula is looking. The other two sides of the document are filled with the inscription.
An interesting note is appended to the text inscribed upon the stone, beginning under the throne and feet of Marduk and continuing under the emblems of the gods upon the other side. This note relates the history of the document in the following words: “In those days Kashakti-Shugab, the son of Nusku-na’id, inscribed (this document) upon a memorial of clay, and he set it before his god. But in the reign of Marduk-aplu-iddina, king of hosts, the son of Melishikhu, King of Babylon, the wall fell upon this memorial and crushed it. Shu-khuli-Shugab, the son of Nibishiku, wrote a copy of the ancient text upon a new stone stele, and he set it (before the god).” It will be seen, therefore, that this actual stone that has been recovered was not the document drawn up in the reign of Nazimaruttash, but a copy made under Marduk-aplu-iddina, a later king of the Third Dynasty. The original deed was drawn up to preserve the rights of Kashakti-Shugab, who shared the grant of land with the temple of Marduk. His share was less than half that of the temple, but, as both were situated in the same district, he was careful to enumerate and describe the temple’s share, to prevent any encroachment on his rights by the Babylonian priests.
An interesting note is added to the text inscribed on the stone, starting under the throne and feet of Marduk and continuing under the symbols of the gods on the other side. This note tells the history of the document in these words: “In those days, Kashakti-Shugab, the son of Nusku-na’id, inscribed (this document) on a clay memorial and placed it before his god. But during the reign of Marduk-aplu-iddina, king of the hosts, the son of Melishikhu, King of Babylon, the wall fell on this memorial and crushed it. Shu-khuli-Shugab, the son of Nibishiku, wrote a copy of the ancient text on a new stone stele and set it (before the god).” Therefore, it will be clear that this actual stone that has been recovered was not the document created during the reign of Nazimaruttash, but a copy made under Marduk-aplu-iddina, a later king of the Third Dynasty. The original deed was created to preserve the rights of Kashakti-Shugab, who shared the land grant with the temple of Marduk. His share was less than half of the temple's, but since both were located in the same area, he was careful to list and describe the temple’s share to prevent the Babylonian priests from encroaching on his rights.
It is probable that such grants of land were made to private individuals in return for special services which they had rendered to the king. Thus a broken kudurru among M. de Morgan’s finds records the confirmation of a man’s claims to certain property by Biti-liash II, the claims being based on a grant made to the man’s ancestor by Kurigalzu for services rendered to the king during his war with Assyria. One of the finest specimens of this class of charters or title-deeds has been found at Susa, dating from the reign of Melishikhu, a king of the Third Dynasty. The document in question records a grant of certain property in the district of Bît-Pir-Shadû-rabû, near the cities Agade and Dûr-Kurigalzu, made by Melishikhu to Marduk-aplu-iddina, his son, who succeeded him upon the throne of Babylon. The text first gives details with regard to the size and situation of the estates included in the grant of land, and it states the names of the high officials who were entrusted with the duty of measuring them. The remainder of the text defines and secures the privileges granted to Marduk-aplu-iddina together with the land, and, as it throws considerable light upon the system of land tenure at the period, an extract from it may here be translated:
It’s likely that these land grants were given to individuals in exchange for special services they provided to the king. For example, a damaged kudurru from M. de Morgan’s discoveries documents the recognition of a man’s claims to specific property by Biti-liash II, which were based on a grant made to the man’s ancestor by Kurigalzu for services rendered to the king during his conflict with Assyria. One of the best examples of this type of charter or title deed has been found at Susa, dating back to the reign of Melishikhu, a king from the Third Dynasty. This document outlines the grant of certain property in the area of Bît-Pir-Shadû-rabû, located near the cities of Agade and Dûr-Kurigalzu, which was awarded by Melishikhu to Marduk-aplu-iddina, his son, who later took the throne of Babylon. The text first provides details about the size and location of the estates included in the land grant, and lists the high officials responsible for measuring them. The rest of the text defines and protects the privileges granted to Marduk-aplu-iddina along with the land, and since it sheds significant light on the land ownership system of the time, an excerpt from it will be translated here:
“To prevent the encroachment on his land,” the inscription runs, “thus hath he (i.e. the king) established his (Marduk-aplu-iddina’s) charter. On his land taxes and tithes shall they not impose; ditches, limits, and boundaries shall they not displace; there shall be no plots, stratagems, or claims (with regard to his possession); for forced labour or public work for the prevention of floods, for the maintenance and repair of the royal canal under the protection of the towns of Bit-Sikkamidu and Damik-Adad, among the gangs levied in the towns of the district of Ninâ-Agade, they shall not call out the people of his estate; they are not liable to forced labour on the sluices of the royal canal, nor are they liable for building dams, nor for closing the canal, nor for digging out the bed thereof.”
“To prevent the takeover of his land,” the inscription states, “the king has established his charter for Marduk-aplu-iddina. They shall not impose taxes or tithes on his land; they shall not alter ditches, boundaries, or limits; there shall be no claims, schemes, or disputes regarding his property; for forced labor or public work aimed at flood prevention, or for the maintenance and repair of the royal canal protected by the towns of Bit-Sikkamidu and Damik-Adad, they shall not summon the people from his estate; they are not required to do forced labor on the sluices of the royal canal, nor are they obligated to build dams, close the canal, or dig its bed.”

“A cultivator of his lands, whether hired or belonging to the estate, and the men who receive his instructions (i.e. his overseers) shall no governor of Bît-Pir-Shadû-rabû cause to leave his lands, whether by the order of the king, or by the order of the governor, or by the order of whosoever may be at Bît-Pir-Shadû-rabû. On wood, grass, straw, corn, and every other sort of crop, on his carts and yoke, on his ass and man-servant, shall they make no levy. During the scarcity of water in the canal running between the Bati-Anzanim canal and the canal of the royal district, on the waters of his ditch for irrigation shall they make no levy; from the ditch of his reservoir shall they not draw water, neither shall they divert (his water for) irrigation, and other land shall they not irrigate nor water therewith. The grass of his lands shall they not mow; the beasts belonging to the king or to a governor, which may be assigned to the district of Bît-Pir-Shadû-rabû, shall they not drive within his boundary, nor shall they pasture them on his grass. He shall not be forced to build a road or a bridge, whether for the king, or for the governor who may be appointed in the district of Bît-Pir-Shadû-rabû, neither shall he be liable for any new form of forced labour, which in the days that are to come a king, or a governor appointed in the district of Bît-Pir-Shadû-rabû, shall institute and exact, nor for forced labour long fallen into disuse which may be revived anew. To prevent encroachment on his land the king hath fixed the privileges of his domain, and that which appertaineth unto it, and all that he hath granted unto him; and in the presence of Shamash, and Marduk, and Anunitu, and the great gods of heaven and earth, he hath inscribed them upon a stone, and he hath left it as an everlasting memorial with regard to his estate.”
A cultivator of his lands, whether hired or part of the estate, and the people who follow his orders (his overseers) shall not be forced by any governor of Bît-Pir-Shadû-rabû to leave his lands, whether by the king’s directive, a governor’s order, or anyone else associated with Bît-Pir-Shadû-rabû. They shall not impose any taxes on his wood, grass, straw, corn, or any other crops, on his carts, yoke, donkey, or servant. During the times of water scarcity in the canal between the Bati-Anzanim canal and the royal district canal, they shall not tax the water from his irrigation ditch; they shall not draw water from his reservoir ditch, nor divert his water for irrigation, and they shall not use it to water any other land. They shall not cut the grass from his lands; the animals belonging to the king or a governor assigned to the Bît-Pir-Shadû-rabû district shall not be driven onto his property, nor shall they graze on his grass. He shall not be compelled to build a road or bridge, whether for the king or a governor appointed in the Bît-Pir-Shadû-rabû district, nor shall he be subject to any new form of forced labor that a king or governor may establish in the future, or to any long-abandoned forced labor that may be revived. To protect his land, the king has defined the privileges of his domain and everything that comes with it, and all that he has granted to him; in the presence of Shamash, Marduk, Anunitu, and the great gods of heaven and earth, he has inscribed these on a stone and left it as an everlasting memorial regarding his estate.
The whole of the text is too long to quote, and it will suffice to note here that Melishikhu proceeds to appeal to future kings to respect the land and privileges which he has granted to his son, Marduk-aplu-iddina, even as he himself has respected similar grants made by his predecessors on the throne; and the text ends with some very vivid curses against any one, whatever his station, who should make any encroachments on the privileges granted to Marduk-aplu-iddina, or should alter or do any harm to the memorial-stone itself. The emblems of the gods whom Melishikhu invokes to avenge any infringement of his grant are sculptured upon one side of the stone, for, as has already been remarked, it was believed that by carving them upon the memorial-stone their help in guarding the stone itself and its enactments was assured.
The entire text is too long to quote, so it’s enough to note that Melishikhu calls on future kings to respect the land and privileges he granted to his son, Marduk-aplu-iddina, just as he has honored similar grants from previous kings. The text wraps up with some very intense curses against anyone, regardless of their status, who tries to encroach on the privileges given to Marduk-aplu-iddina or makes any changes or harm to the memorial stone itself. The symbols of the gods that Melishikhu invokes to punish any violation of his grant are carved on one side of the stone, as it was believed that by engraving them on the memorial stone, their protection over the stone and its laws would be ensured.
From the portion of the text inscribed upon the stone which has just been translated it is seen that the owner of land in Babylonia in the period of the Kassite kings, unless he was granted special exemption, was liable to furnish forced labour for public works to the state or to his district, to furnish grazing and pasture for the flocks and herds of the king or governor, and to pay various taxes and tithes on his land, his water for irrigation, and his crops. From the numerous documents of the First Dynasty of Babylon that have been recovered and published within the last few years we know that similar customs were prevalent at that period, so that it is clear that the successive conquests to which the country was subjected, and the establishment of different dynasties of foreign kings at Babylon, did not to any appreciable extent affect the life and customs of the inhabitants of the country or even the general character of its government and administration. Some documents of a commercial and legal nature, inscribed upon clay tablets during the reigns of the Kassite kings of Babylon, have been found at Nippur, but they have not yet been published, and the information we possess concerning the life of the people in this period is obtained indirectly from kudurrus or boundary-stones, such as those of Nazimaruttash and Melishikhu which have been already described. Of documents relating to the life of the people under the rule of the kings of the Country of the Sea we have none, and, with the exception of the unpublished chronicle which has been described earlier in this chapter, our information for this period is confined to one or two short votive inscriptions. But the case is very different with regard to the reigns of the Semitic kings of the First Dynasty of Babylon. Thousands of tablets relating to legal and commercial transactions during this period have been recovered, and more recently a most valuable series of royal letters, written by Hammurabi and other kings of his dynasty, has been brought to light.
From the part of the text carved on the stone that has just been translated, it’s clear that landowners in Babylonia during the time of the Kassite kings, unless given a special exemption, were required to provide forced labor for public projects to the state or their district, supply grazing land for the king's or governor's flocks and herds, and pay various taxes and tithes on their land, irrigation water, and crops. From the many documents of the First Dynasty of Babylon that have been found and published in recent years, we see that similar customs were common then. This indicates that the series of conquests the region underwent and the establishment of different dynasties of foreign kings in Babylon did not significantly change the lives and customs of the local people or even the overall character of their government and administration. Some documents related to commerce and law, written on clay tablets during the reign of the Kassite kings of Babylon, have been discovered at Nippur, but they haven't been published yet. The information we have about people's lives during this time comes indirectly from kudurrus or boundary stones, like those of Nazimaruttash and Melishikhu that have already been discussed. We have no documents concerning the lives of people under the rule of the kings from the Country of the Sea, and apart from the unpublished chronicle mentioned earlier in this chapter, our knowledge of this period is limited to one or two short votive inscriptions. However, the situation is quite different regarding the reigns of the Semitic kings of the First Dynasty of Babylon. Thousands of tablets relating to legal and commercial activities from this period have been found, and more recently, a highly valuable series of royal letters written by Hammurabi and other kings of his dynasty has come to light.


The stele is inscribed with his great code of laws. The Sun- god is represented as seated on a throne in the form of a temple façade, and his feet are resting upon the mountains. Photograph by Messrs. Mansell & Co.
The stele is engraved with his significant set of laws. The Sun-god is shown sitting on a throne that looks like a temple front, and his feet rest on the mountains. Photograph by Messrs. Mansell & Co.
Moreover, the recently discovered code of laws drawn up by Hammurabi contains information of the greatest interest with regard to the conditions of life that were prevalent in Babylonia at that period. From these three sources it is possible to draw up a comparatively full account of early Babylonian life and customs.
Moreover, the recently discovered code of laws created by Hammurabi contains information of significant interest about the living conditions that were common in Babylonia at that time. From these three sources, it's possible to create a fairly complete account of early Babylonian life and customs.
CHAPTER VI—EARLY BABYLONIAN LIFE AND CUSTOMS
In tracing the ancient history of Mesopotamia and the surrounding countries it is possible to construct a narrative which has the appearance of being comparatively full and complete. With regard to Babylonia it may be shown how dynasty succeeded dynasty, and for long periods together the names of the kings have been recovered and the order of their succession fixed with certainty. But the number and importance of the original documents on which this connected narration is based vary enormously for different periods. Gaps occur in our knowledge of the sequence of events, which with some ingenuity may be bridged over by means of the native lists of kings and the genealogies furnished by the historical inscriptions. On the other hand, as if to make up for such parsimony, the excavations have yielded a wealth of material for illustrating the conditions of early Babylonian life which prevailed in such periods. The most fortunate of these periods, so far as the recovery of its records is concerned, is undoubtedly the period of the Semitic kings of the First Dynasty of Babylon, and in particular the reign of its greatest ruler, Hammurabi. When M. Maspero wrote his history, thousands of clay tablets, inscribed with legal and commercial documents and dated in the reigns of these early kings, had already been recovered, and the information they furnished was duly summarized by him.[1] But since that time two other sources of information have been made available which have largely increased our knowledge of the constitution of the early Babylonian state, its system of administration, and the conditions of life of the various classes of the population.
In exploring the ancient history of Mesopotamia and the nearby countries, we can create a narrative that seems fairly full and complete. When it comes to Babylonia, we can see how different dynasties replaced one another, and for long stretches, we've recovered the names of kings and confirmed their order of succession. However, the number and significance of the original documents that support this narrative differ greatly across different time periods. There are gaps in our understanding of the sequence of events, but with some creativity, we can fill these gaps using the native king lists and genealogies provided by historical inscriptions. On the flip side, to compensate for this scarcity, excavations have uncovered a wealth of material that illustrates the conditions of early Babylonian life during those times. The luckiest of these periods, in terms of our ability to recover its records, is undoubtedly the era of the Semitic kings of the First Dynasty of Babylon, particularly during the reign of its most famous ruler, Hammurabi. When M. Maspero wrote his history, thousands of clay tablets containing legal and commercial documents, dated from the reigns of these early kings, had already been found, and he summarized the information they provided. But since then, two additional sources of information have been uncovered that have significantly expanded our understanding of the early Babylonian state's structure, its administrative system, and the living conditions of different social classes.
[1] Most of these tablets are preserved in the British Museum. The principal?works in which they have been published are Cuneiform Texts in the British Museum (1896, etc.), Strassmaier’s Altbabylonischen Vertràge aus Warka, and Meissner’s Beitràge zum altbabylonischen Privatrecht. A number of similar tablets of this period, preserved in the Pennsylvania Museum, will shortly be published by Dr. Ranke.
[1] Most of these tablets are kept in the British Museum. The main works where they've been published include Cuneiform Texts in the British Museum (1896, etc.), Strassmaier’s Altbabylonischen Vertràge aus Warka, and Meissner’s Beitràge zum altbabylonischen Privatrecht. A number of similar tablets from this period, stored in the Pennsylvania Museum, will soon be published by Dr. Ranke.
One of these new sources of information consists of a remarkable series of royal letters, written by kings of the First Dynasty, which has been recovered and is now preserved in the British Museum. The letters were addressed to the governors and high officials of various great cities in Babylonia, and they contain the king’s orders with regard to details of the administration of the country which had been brought to his notice. The range of subjects with which they deal is enormous, and there is scarcely one of them which does not add to our knowledge of the period.[2] The other new source of information is the great code of laws, drawn up by Hammurabi for the guidance of his people and defining the duties and privileges of all classes of his subjects, the discovery of which at Susa has been described in a previous chapter. The laws are engraved on a great stele of diorite in no less than forty-nine columns of writing, of which forty-four are preserved,[3] and at the head of the stele is sculptured a representation of the king receiving them from Shamash, the Sun-god.
One of these new sources of information is a fascinating series of royal letters written by the kings of the First Dynasty, which has been recovered and is now kept in the British Museum. The letters were sent to the governors and high officials of various major cities in Babylonia, and they include the king’s orders regarding administrative details that he had been made aware of. The range of topics they cover is vast, and there’s hardly one that doesn’t enhance our understanding of the period.[2] The other new source of information is the significant code of laws created by Hammurabi for the guidance of his people, outlining the responsibilities and privileges of all classes of his subjects; the discovery of this at Susa has been discussed in a previous chapter. The laws are carved on a large diorite stele with no less than forty-nine columns of writing, of which forty-four are intact,[3] and at the top of the stele is a sculpture showing the king receiving them from Shamash, the Sun-god.
[2] See King, Letters and Inscriptions of Hammurabi, 3 vols. (1898-1900).
[2] See King, Letters and Inscriptions of Hammurabi, 3 vols. (1898-1900).
[3] See Scheil, Délégationen perse, Mémoires, tome iv (1902).
[3] See Scheil, Délégationen perse, Mémoires, volume iv (1902).
This code shows to what an extent the administration of law and justice had been developed in Babylonia in the time of the First Dynasty. From the contracts and letters of the period we already knew that regular judges and duly appointed courts of law were in existence, and the code itself was evidently intended by the king to give the royal sanction to a great body of legal decisions and enactments which already possessed the authority conferred by custom and tradition. The means by which such a code could have come into existence are illustrated by the system of procedure adopted in the courts at this period. After a case had been heard and judgment had been given, a summary of the case and of the evidence, together with the judgment, was drawn up and written out on tablets in due legal form and phraseology. A list of the witnesses was appended, and, after the tablet had been dated and sealed, it was stored away among the legal archives of the court, where it was ready for production in the event of any future appeal or case in which the recorded decision was involved. This procedure represents an advanced stage in the system of judicial administration, but the care which was taken for the preservation of the judgments given was evidently traditional, and would naturally give rise in course of time to the existence of a recognized code of laws.
This code illustrates how advanced the administration of law and justice was in Babylonia during the time of the First Dynasty. From the contracts and letters of that era, we already knew that there were regular judges and officially appointed courts. The code itself was clearly meant by the king to provide royal approval for a significant body of legal decisions and regulations that were already recognized due to custom and tradition. The way this code was established is shown by the court procedures at the time. After a case was heard and a judgment was made, a summary of the case and evidence, along with the judgment, was written out on tablets in the proper legal format and language. A list of witnesses was included, and once the tablet was dated and sealed, it was stored in the court's legal archives, ready to be accessed if there was a future appeal or case involving the recorded decision. This process reflects a mature stage in judicial administration, indicating that the careful preservation of judgments was clearly a tradition, which would naturally lead over time to a recognized code of laws.
Moreover, when once a judgment had been given and had been duly recorded it was irrevocable, and if any judge attempted to alter such a decision he was severely punished. For not only was he expelled from his judgment-seat, and debarred from exercising judicial functions in the future, but, if his judgment had involved the infliction of a penalty, he was obliged to pay twelve times the amount to the man he had condemned. Such an enactment must have occasionally given rise to hardship or injustice, but at least it must have had the effect of imbuing the judges with a sense of their responsibility and of instilling a respect for their decisions in the minds of the people. A further check upon injustice was provided by the custom of the elders of the city, who sat with the judge and assisted him in the carrying out of his duties; and it was always open to a man, if he believed that he could not get justice enforced, to make an appeal to the king. It is not our present purpose to give a technical discussion of the legal contents of the code, but rather to examine it with the object of ascertaining what light it throws upon ancient Babylonian life and customs, and the conditions under which the people lived.
Moreover, once a judgment was made and properly recorded, it was final, and if any judge tried to change that decision, he faced serious consequences. Not only was he removed from his position and barred from holding any judicial role in the future, but if his judgment had involved a penalty, he had to pay twelve times the amount to the person he had condemned. This rule likely caused some hardships or injustices at times, but it must have promoted a sense of responsibility among judges and encouraged the public to respect their decisions. Another safeguard against injustice came from the custom of having the city's elders sit with the judge and assist him in his duties. If someone believed they couldn’t get a fair outcome, they were allowed to appeal to the king. Our goal here is not to provide a detailed analysis of the legal aspects of the code, but rather to look at it to see what it reveals about ancient Babylonian life, customs, and the conditions in which the people lived.
The code gives a good deal of information with regard to the family life of the Babylonians, and, above all, proves the sanctity with which the marriage-tie was invested. The claims that were involved by marriage were not lightly undertaken. Any marriage, to be legally binding, had to be accompanied by a duly executed and attested marriage-contract. If a man had taken a woman to wife without having carried out this necessary preliminary, the woman was not regarded as his wife in the legal sense. On the other hand, when once such a marriage-contract had been drawn up, its inviolability was stringently secured. A case of proved adultery on the part of a man’s wife was punished by the drowning of the guilty parties, though the husband of the woman, if he wished to save his wife, could do so by an appeal to the king. Similarly, death was the penalty for a man who ravished another man’s betrothed wife while she was still living in her father’s house, but in this case the girl’s innocence and inexperience were taken into account, and no penalty was enforced against her and she was allowed to go free. Where the adultery of a wife was not proved, and only depended on the accusation of the husband, the woman could clear herself by swearing her own innocence; if, however, the accusation was not brought by the husband himself, but by others, the woman could clear herself by submitting to the ordeal by water; that is to say, she would plunge into the Euphrates; if the river carried her away and she were drowned, it was regarded as proof that the accusation was well founded; if, on the contrary, she survived and got safely to the bank, she was considered innocent and was forthwith allowed to return to her household completely vindicated.
The code provides a lot of insights into the family life of the Babylonians and demonstrates the seriousness with which marriage was treated. The obligations that came with marriage were taken seriously. For a marriage to be legally recognized, it had to include a properly executed and signed marriage contract. If a man married a woman without this contract in place, she was not considered his wife in a legal sense. However, once the marriage contract was established, its validity was strictly upheld. If a man's wife was proven to have committed adultery, both she and her partner could be punished by drowning. Yet, if the woman’s husband wanted to save her, he could appeal to the king. Similarly, a man who raped another man's engaged wife while she was still living at her father’s house faced the death penalty, but the girl's innocence and lack of experience were taken into account, and she faced no punishment and was allowed to go free. If a wife's adultery was not proven and was merely based on her husband's accusation, she could prove her innocence by swearing an oath. If the accusation came from someone other than her husband, she could clear herself by undergoing a water ordeal, which meant she would jump into the Euphrates River; if the river swept her away and she drowned, it was taken as evidence that the accusation was true. Conversely, if she survived and reached the shore, she was deemed innocent and allowed to return home fully vindicated.
It will have been seen that the duty of chastity on the part of a married woman was strictly enforced, but the husband’s responsibility to properly maintain his wife was also recognized, and in the event of his desertion she could under certain circumstances become the wife of another man. Thus, if he left his city and fled from it of his own free will and deserted his wife, he could not reclaim her on his return, since he had not been forced to leave the city, but had done so because he hated it. This rule did not apply to the case of a man who was taken captive in battle. In such circumstances the wife’s action was to be guided by the condition of her husband’s affairs. If the captive husband possessed sufficient property on which his wife could be maintained during his captivity in a strange land, she had no reason nor excuse for seeking another marriage. If under these circumstances she became another man’s wife, she was to be prosecuted at law, and, her action being the equivalent of adultery, she was to be drowned. But the case was regarded as altered if the captive husband had not sufficient means for the maintenance of his wife during his absence. The woman would then be thrown on her own resources, and if she became the wife of another man she incurred no blame. On the return of the captive he could reclaim his wife, but the children of the second marriage would remain with their own father. These regulations for the conduct of a woman, whose husband was captured in battle, give an intimate picture of the manner in which the constant wars of this early period affected the lives of those who took part in them.
It has been observed that a married woman was expected to remain chaste, but her husband also had a duty to support her. If he abandoned her, she could, under certain conditions, marry someone else. For instance, if he left the city voluntarily and deserted his wife, he could not reclaim her upon his return, as he had not been forced to leave but did so out of his own hatred for the place. However, this rule did not apply if a man was captured in battle. In such cases, the wife's actions depended on the husband's situation. If the captured husband had enough resources to support her during his captivity in a foreign land, she had no reason to seek another marriage. If she did marry another man under these circumstances, she would face legal prosecution, and her actions would be considered adultery, punishable by drowning. However, if the captive husband lacked the means to support his wife while he was gone, she would have to rely on herself, and marrying another man would not be seen as wrong. Should the captive return, he could reclaim his wife, but the children from her second marriage would stay with their biological father. These rules regarding a woman whose husband was captured reveal how the ongoing wars of this early period impacted the lives of those involved.
Under the Babylonians at the period of the First Dynasty divorce was strictly regulated, though it was far easier for the man to obtain one than for the woman. If we may regard the copies of Sumerian laws, which have come down to us from the late Assyrian period, as parts of the code in use under the early Sumerians, we must conclude that at this earlier period the law was still more in favour of the husband, who could divorce his wife whenever he so desired, merely paying her half a mana as compensation. Under the Sumerians the wife could not obtain a divorce at all, and the penalty for denying her husband was death. These regulations were modified in favour of the woman in Hammurabi’s code; for under its provisions, if a man divorced his wife or his concubine, he was obliged to make proper provision for her maintenance. Whether she were barren or had borne him children, he was obliged to return her marriage portion; and in the latter case she had the custody of the children, for whose maintenance and education he was obliged to furnish the necessary supplies. Moreover, at the man’s death she and her children would inherit a share of his property. When there had been no marriage portion, a sum was fixed which the husband was obliged to pay to his divorced wife, according to his status. In cases where the wife was proved to have wasted her household and to have entirely failed in her duty, her husband could divorce her without paying any compensation, or could make her a slave in his house, and the extreme penalty for this offence was death. On the other hand, a woman could not be divorced because she had contracted a permanent disease; and, if she desired to divorce her husband and could prove that her past life had been seemly, she could do so, returning to her father’s house and taking her marriage portion with her.
Under the Babylonians during the First Dynasty, divorce was strictly regulated, but it was much easier for men to get a divorce than for women. If we consider the Sumerian laws that survived from the late Assyrian period as part of the code used in early Sumer, we can conclude that in that earlier time the laws favored husbands even more. A husband could divorce his wife whenever he wanted, simply paying her half a mana as compensation. Under the Sumerians, a wife couldn't obtain a divorce at all, and the penalty for denying her husband was death. These rules were altered in Hammurabi’s code to be more favorable to women; if a man divorced his wife or concubine, he was required to ensure her financial support. Regardless of whether she was unable to have children or had given him children, he had to return her marriage portion. If she had borne him children, she got custody of the kids, and he was responsible for providing for their upkeep and education. Additionally, when he died, she and her children would inherit a portion of his property. If there was no marriage portion, a fixed sum based on his status was mandated for him to pay to his divorced wife. If a wife was proven to have mismanaged the household and failed in her duties, her husband could divorce her without compensating her or could make her a slave in his house, with death being the ultimate penalty for this offense. Conversely, a woman could not be divorced simply for having a permanent disease; if she wanted to divorce her husband and could demonstrate that she had lived respectably, she could do so, returning to her father’s house with her marriage portion.
It is not necessary here to go very minutely into the regulations given by the code with regard to marriage portions, the rights of widows, the laws of inheritance, and the laws regulating the adoption and maintenance of children. The customs that already have been described with regard to marriage and divorce may serve to indicate the spirit in which the code is drawn up and the recognized status occupied by the wife in the Babylonian household. The extremely independent position enjoyed by women in the early Babylonian days is illustrated by the existence of a special class of women, to which constant reference is made in the contracts and letters of the period. When the existence of this class of women was first recognized from the references to them in the contract-tablets inscribed at the time of the First Dynasty, they were regarded as priestesses, but the regulations concerning them which occur in the code of Hammurabi prove that their duties were not strictly sacerdotal, but that they occupied the position of votaries. The majority of those referred to in the inscriptions of this period were vowed to the service of E-bab-bara, the temple of the Sun-god at Sippara, and of E-sagila, the great temple of Marduk at Babylon, but it is probable that all the great temples in the country had classes of female votaries attached to them. From the evidence at present available it may be concluded that the functions of these women bore no resemblance to that of the sacred prostitutes devoted to the service of the goddess Ishtar in the city of Erech. They seem to have occupied a position of great influence and independence in the community, and their duties and privileges were defined and safeguarded by special legislation.
It's not necessary to go into detail about the regulations in the code regarding marriage dowries, widow rights, inheritance laws, and the rules governing the adoption and care of children. The customs previously described about marriage and divorce indicate the spirit in which the code was written and the recognized status of wives in Babylonian households. The highly independent position women had in early Babylonian times is shown by the existence of a special class of women frequently mentioned in contracts and letters from that era. Initially, when this class was acknowledged from references in the contract-tablets from the time of the First Dynasty, they were seen as priestesses. However, the regulations regarding them in Hammurabi's code prove that their roles weren't strictly religious; instead, they acted as votaries. Most of those mentioned in inscriptions from this period were dedicated to the service of E-bab-bara, the Sun-god's temple at Sippara, and E-sagila, the great temple of Marduk in Babylon. It's likely that all major temples in the country had groups of female votaries associated with them. Based on the evidence available, it appears that the roles of these women were quite different from those of the sacred prostitutes serving the goddess Ishtar in the city of Erech. They seemed to hold significant influence and independence in the community, and their roles and privileges were defined and protected by specific laws.
Generally they lived together in a special building, or convent, attached to the temple, but they had considerable freedom and could leave the convent and also contract marriage. Their vows, however, while securing them special privileges, entailed corresponding responsibilities. Even when married a votary was still obliged to remain a virgin, and, should her husband desire to have children, she could not bear them herself, but must provide him with a maid or concubine. Also she had to maintain a high standard of moral conduct, for any breach of which severe penalties were enforced. Thus, if a votary who was not living in the convent opened a beer-shop, or should enter one for drink, she ran the risk of being put to death. But the privileges she enjoyed were also considerable, for even when unmarried she enjoyed the status of a married woman, and if any man slandered her he incurred the penalty of branding on the forehead. Moreover, a married votary, though she could not bear her husband children, was secured in her position as the permanent head of his household. The concubine she might give to her husband was always the wife’s inferior, even after bearing him children, and should the former attempt to put herself on a level of equality with the votary, the latter might brand her as a slave and put her with the female slaves. If the concubine proved barren she could be sold. The votary could also possess property, and on taking her vows was provided with a portion by her father exactly as though she were being given in marriage. Her portion was vested in herself and did not become the property of the order of votaries, nor of the temple to which she was attached. The proceeds of her property were devoted to her own maintenance, and on her father’s death her brothers looked after her interests, or she might farm the property out. Under certain circumstances she could inherit property and was not obliged to pay taxes on it, and such property she could bequeath at her own death; but upon her death her portion returned to her own family unless her father had assigned her the privilege of bequeathing it. That the social position enjoyed by a votary was considerable is proved by the fact that many women of good family, and even members of the royal house, took vows. The existence of the order and its high repute indicate a very advanced conception of the position of women among the early Babylonians.
Generally, they lived together in a special building or convent attached to the temple, but they had quite a bit of freedom and could leave the convent as well as marry. Their vows, however, while giving them special privileges, also came with responsibilities. Even when married, a votary was still required to remain a virgin, and if her husband wanted to have kids, she couldn’t have them herself but had to provide him with a maid or concubine. Additionally, she had to maintain a high standard of moral conduct, as any violations could result in severe penalties. For example, if a votary who was not living in the convent opened a beer shop or entered one for a drink, she risked being put to death. Nonetheless, the privileges she had were significant, as even when unmarried, she held the status of a married woman, and if any man slandered her, he faced the penalty of having his forehead branded. Furthermore, a married votary, though she couldn’t bear her husband children, held a secure position as the permanent head of his household. The concubine she provided to her husband was always regarded as inferior, even after having children, and if the concubine tried to elevate herself to the same status as the votary, the votary could brand her as a slave and put her with the female slaves. If the concubine was barren, she could be sold. The votary could also own property, and when she took her vows, her father would provide her with a portion just as if she were getting married. Her portion belonged to her and didn’t become the property of the order of votaries or the temple she was associated with. The income from her property was used for her own support, and upon her father’s death, her brothers would look after her interests, or she could lease the property. Under certain circumstances, she could inherit property without being required to pay taxes on it, and she could bequeath that property upon her death; however, upon her death, her portion would return to her family unless her father had granted her the right to pass it on. The fact that many women from good families, including members of the royal house, took vows proves that the social position held by a votary was significant. The existence of the order and its esteemed reputation show a very progressive view of women's roles among the early Babylonians.
From the code of Hammurabi we also gather considerable information with regard to the various classes of which the community was composed and to their relative social positions. For the purposes of legislation the community was divided into three main classes or sections, which corresponded to well-defined strata in the social system. The lowest of these classes consisted of the slaves, who must have formed a considerable portion of the population. The class next above them comprised the large body of free men, who were possessed of a certain amount of property but were poor and humble, as their name, muslikênu, implied. These we may refer to as the middle class. The highest, or upper class, in the Babylonian community embraced all the officers and ministers attached to the court, the higher officials and servants of the state, and the owners of considerable lands and estates. The differences which divided and marked off from one another the two great classes of free men in the population of Babylonia is well illustrated by the scale of payments as compensation for injury which they were obliged to make or were entitled to receive. Thus, if a member of the upper class were guilty of stealing an ox, or a sheep, or an ass, or a pig, or a boat, from a temple or a private house, he had to pay the owner thirty times its value as compensation, whereas if the thief were a member of the middle class he only had to pay ten times its price, but if he had no property and so could not pay compensation he was put to death. The penalty for manslaughter was less if the assailant was a man of the middle class, and such a man could also divorce his wife more cheaply, and was privileged to pay his doctor or surgeon a smaller fee for a successful operation.
From the Code of Hammurabi, we learn a lot about the different classes that made up the community and their social standings. For legislative purposes, the community was divided into three main classes, which reflected clear social layers. The lowest class included slaves, who likely made up a significant part of the population. The next group consisted of free men who owned a small amount of property but were still considered poor and humble, known as muslikênu. We can call them the middle class. The top, or upper class, included all the court officials, higher government workers, and landowners with substantial estates. The differences between the two main classes of free men in Babylonian society are highlighted by the compensation they owed or were entitled to for injuries. For example, if someone from the upper class stole an ox, sheep, donkey, pig, or boat from a temple or private home, they had to pay thirty times its value in compensation. In contrast, if a middle-class thief stole the same items, they owed only ten times the value; however, if they couldn't pay because they had no property, they faced execution. The punishment for manslaughter was lighter for middle-class assailants, and they also had cheaper divorce options and lower fees for doctors or surgeons after a successful operation.
But the privileges enjoyed by a man of the middle class were counterbalanced by a corresponding diminution of the value at which his life and limbs were assessed. Thus, if a doctor by carrying out an operation unskilfully caused the death of a member of the upper class, or inflicted a serious injury upon him, such as the loss of an eye, the punishment was the amputation of both hands, but no such penalty seems to have been exacted if the patient were a member of the middle class. If, however, the patient were a slave of a member of the middle class, in the event of death under the operation, the doctor had to give the owner another slave, and in the event of the slave losing his eye, he had to pay the owner half the slave’s value. Penalties for assault were also regulated in accordance with the social position and standing of the parties to the quarrel. Thus, if one member of the upper class knocked out the eye or the tooth of one of his equals, his own eye or his own tooth was knocked out as a punishment, and if he broke the limb of one of the members of his own class, he had his corresponding limb broken; but if he knocked out the eye of a member of the middle class, or broke his limb, he suffered no punishment in his own person, but was fined one mana of silver, and for knocking out the tooth of such a man he was fined one-third of a mana. If two members of the same class were engaged in a quarrel, and one of them made a peculiarly improper assault upon the other, the assailant was only fined, the fine being larger if the quarrel was between members of the upper class. But if such an assault was made by one man upon another who was of higher rank than himself, the assailant was punished by being publicly beaten in the presence of the assembly, when he received sixty stripes from a scourge of ox-hide. These regulations show the privileges and responsibilities which pertained to the two classes of free men in the Babylonian community, and they indicate the relative social positions which they enjoyed.
But the privileges that a middle-class man had were balanced out by a corresponding decrease in the value assigned to his life and body. So, if a doctor negligently caused the death of someone from the upper class, or seriously injured them, like making them lose an eye, the punishment was that the doctor would have both hands amputated. However, if the patient was from the middle class, there doesn’t appear to be any such punishment. But if the patient was a slave belonging to a middle-class person, and the slave died during the operation, the doctor had to provide the owner with another slave. If the slave lost an eye, the doctor had to compensate the owner half the slave’s value. Penalties for assault also depended on the social status of the people involved in the fight. For instance, if someone from the upper class knocked out the eye or tooth of a fellow upper-class person, they would have their own eye or tooth knocked out as punishment, and if they broke a limb of someone in their own class, they’d have their corresponding limb broken too. But if they knocked out the eye or broke a limb of a middle-class person, they wouldn’t face personal punishment; instead, they would just be fined one mana of silver, and if they knocked out a tooth, the fine would be one-third of a mana. If two people from the same class were in a fight and one committed a particularly offensive assault on the other, the attacker would only be fined, with a higher fine if both were upper-class. However, if one person assaulted someone of higher rank, the attacker would be publicly beaten in front of an assembly, receiving sixty lashes with an ox-hide whip. These rules demonstrate the privileges and responsibilities associated with the two classes of free men in Babylonian society, indicating their relative social standings.
Both classes of free men could own slaves, though it is obvious that they were more numerous in the households and on the estates of members of the upper class. The slave was the absolute property of his master and could be bought and sold and employed as a deposit for a debt, but, though slaves as a class had few rights of their own, in certain circumstances they could acquire them. Thus, if the owner of a female slave had begotten children by her he could not use her as the payment for a debt, and in the event of his having done so he was obliged to ransom her by paying the original amount of the debt in money. It was also possible for a male slave, whether owned by a member of the upper or of the middle class, to marry a free woman, and if he did so, his children were free and did not become the property of his master. Also, if the free woman whom the slave married brought with her a marriage portion from her father’s house, this remained her own property on the slave’s death, and supposing the couple had acquired other property during the time they lived together as man and wife, the owner of the slave could only claim half of such property, the other half being retained by the free woman for her own use and for that of her children.
Both classes of free men could own slaves, although it's clear that there were more slaves in the homes and estates of the upper class. A slave was the complete property of their master and could be bought, sold, or used as collateral for a debt. Even though slaves had very few rights, there were certain situations in which they could obtain some. For instance, if the owner of a female slave had children with her, he couldn’t use her to settle a debt. If he did, he had to pay the original debt amount in cash to get her back. Additionally, a male slave, whether owned by someone in the upper or middle class, could marry a free woman. If he did, their children would be free and wouldn’t belong to his master. Moreover, if the free woman brought a dowry from her father's house when they married, it would remain her property after the slave's death. If the couple acquired any other property while living together as husband and wife, the slave’s owner could only claim half of that property; the other half would belong to the free woman for her own use and for their children.
Generally speaking, the lot of the slave was not a particularly hard one, for he was a recognized member of his owner’s household, and, as a valuable piece of property, it was obviously to his owner’s interest to keep him healthy and in good condition. In fact, the value of the slave is attested by the severity of the penalty imposed for abducting a male or female slave from the owner’s house and removing him or her from the city; for a man guilty of this offence was put to death. The same penalty was imposed for harbouring and taking possession of a runaway slave, whereas a fixed reward was paid by the owner to any one by whom a runaway slave was captured and brought back. Special legislation was also devised with the object of rendering the theft of slaves difficult and their detection easy. Thus, if a brander put a mark upon a slave without the owner’s consent, he was liable to have his hands cut off, and if he could prove that he did so through being deceived by another man, that man was put to death. For bad offences slaves were liable to severe punishments, such as cutting off the ear, which was the penalty for denying his master, and also for making an aggravated assault on a member of the upper class of free men. But it is clear that on the whole the slave was well looked after. He was also not condemned to remain perpetually a slave, for while still in his master’s service it was possible for him, under certain conditions, to acquire property of his own, and if he did so he was able with his master’s consent to purchase his freedom. If a slave were captured by the enemy and taken to a foreign land and sold, and were then brought back by his new owner to his own country, he could claim his liberty without having to pay any purchase-money to either of his masters.
In general, a slave's life wasn't especially harsh, as they were recognized members of their owner’s household, and since they were valuable property, it was in the owner’s best interest to keep them healthy and in good shape. The value of a slave is highlighted by the severe penalties for kidnapping a male or female slave from the owner's home and taking them out of the city; anyone guilty of this crime faced execution. The same punishment applied to those who harbored or claimed a runaway slave, while the owner would pay a fixed reward to anyone who captured and returned a runaway. Special laws were also created to make it difficult to steal slaves and to facilitate their detection. For instance, if someone marked a slave without the owner's permission, they faced having their hands cut off, and if they could prove they were tricked by someone else, that person would be executed. For serious offenses, slaves could face harsh punishments, like having an ear cut off for denying their master or for committing aggravated assault against a free man of higher status. However, it’s evident that overall, slaves were generally well cared for. They weren't condemned to be slaves for life; while still serving their master, they could, under certain conditions, acquire their own property, and if they did, with their master’s consent, they could buy their freedom. If a slave was captured by an enemy and sold in a foreign land but then returned by their new owner to their homeland, they could claim their liberty without having to pay anything to either owner.
The code of Hammurabi also contains detailed regulations concerning the duties of debtors and creditors, and it throws an interesting light on the commercial life of the Babylonians at this early period. For instance, it reveals the method by which a wealthy man, or a merchant, extended his business and obtained large profits by trading with other towns. This he did by employing agents who were under certain fixed obligations to him, but acted independently so far as their trading was concerned. From the merchant these agents would receive money or grain or wool or oil or any sort of goods wherewith to trade, and in return they paid a fixed share of their profits, retaining the remainder as the recompense for their own services. They were thus the earliest of commercial travellers. In order to prevent fraud between the merchant and the agent special regulations were framed for the dealings they had with one another. Thus, when the agent received from the merchant the money or goods to trade with, it was enacted that he should at the time of the transaction give a properly executed receipt for the amount he had received. Similarly, if the agent gave the merchant money in return for the goods he had received and in token of his good faith, the merchant had to give a receipt to the agent, and in reckoning their accounts after the agent’s return from his journey, only such amounts as were specified in the receipts were to be regarded as legal obligations. If the agent forgot to obtain his proper receipt he did so at his own risk.
The Code of Hammurabi also includes detailed rules about the responsibilities of debtors and creditors, shedding light on the economic activities of the Babylonians during this early period. For example, it shows how a wealthy person or a merchant expanded their business and made significant profits by trading with other towns. They did this by hiring agents who had specific obligations to them but operated independently in their trading. The agents would receive money, grain, wool, oil, or various goods from the merchant to trade, and in return, they would pay a fixed portion of their profits, keeping the rest as compensation for their services. They were essentially the first commercial travelers. To prevent fraud between the merchant and the agent, special regulations were established for their interactions. When the agent received money or goods from the merchant for trading, it was required that they provide a properly executed receipt at that moment. Likewise, if the agent paid the merchant money for the goods received as a sign of good faith, the merchant also had to give the agent a receipt. When settling accounts after the agent returned from their journey, only the amounts specified in the receipts were considered valid obligations. If the agent forgot to get their receipt, they did so at their own risk.

Dating from the period of the First Dynasty of Babylon.
Dating from the time of the First Dynasty of Babylon.
Travelling at this period was attended with some risk, as it is in the East at the present day, and the caravan with which an agent travelled was liable to attack from brigands, or it might be captured by enemies of the country from which it set out. It was right that loss from this cause should not be borne by the agent, who by trading with the goods was risking his own life, but should fall upon the merchant who had merely advanced the goods and was safe in his own city. It is plain, however, that disputes frequently arose in consequence of the loss of goods through a caravan being attacked and robbed, for the code states clearly the responsibility of the merchant in the matter. If in the course of his journey an enemy had forced the agent to give up some of the goods he was carrying, on his return the agent had to specify the amount on oath, and he was then acquitted of all responsibility in the matter. If he attempted to cheat his employer by misappropriating the money or goods advanced to him, on being convicted of the offence before the elders of the city, he was obliged to repay the merchant three times the amount he had taken. On the other hand, if the merchant attempted to defraud his agent by denying that the due amount had been returned to him, he was obliged on conviction to pay the agent six times the amount as compensation. It will thus be seen that the law sought to protect the agent from the risk of being robbed by his more powerful employer.
Traveling during this time came with some risks, much like it does in the East today. The caravan that an agent traveled with could be attacked by bandits or captured by enemies of the country they left. It was fair that any loss due to this should not fall on the agent, who was putting their life on the line by trading the goods, but rather on the merchant, who had only advanced the goods and was safe back in their city. However, it’s clear that disputes often arose because of the loss of goods from an attacked and robbed caravan, as the code clearly outlines the merchant's responsibilities in these situations. If during their journey an enemy forced the agent to surrender some of the goods they were carrying, the agent had to report the amount under oath on their return, and then they were freed from any responsibility for it. If the agent tried to defraud their employer by pocketing the money or goods given to them, upon being found guilty before the city's elders, they had to repay the merchant three times the amount taken. Conversely, if the merchant tried to cheat the agent by claiming that the amount owed hadn’t been returned, they would have to pay the agent six times the amount as compensation if found guilty. Thus, it’s evident that the law aimed to protect the agent from being robbed by their more powerful employer.
The merchant sometimes furnished the agent with goods which he was to dispose of in the best markets he could find in the cities and towns along his route, and sometimes he would give the agent money with which to purchase goods in foreign cities for sale on his return. If the venture proved successful the merchant and his agent shared the profits between them, but if the agent made bad bargains he had to refund to the merchant the value of the goods he had received; if the merchant had not agreed to risk losing any profit, the amount to be refunded to him was fixed at double the value of the goods advanced.
The merchant sometimes supplied the agent with goods to sell in the best markets he could find in the cities and towns along his route, and sometimes he would give the agent money to buy goods in foreign cities for resale on his return. If the venture was successful, the merchant and his agent would split the profits, but if the agent made poor deals, he had to pay the merchant back the value of the goods he had received; if the merchant hadn't agreed to risk losing any profit, the amount to be refunded was set at double the value of the goods provided.

This last enactment gives an indication of the immense profits which were obtained by both the merchant and the agent from this system of foreign trade, for it is clear that what was regarded fair profit for the merchant was double the value of the goods disposed of. The profits of a successful journey would also include a fair return to the agent for the trouble and time involved in his undertaking. Many of the contract tablets of this early period relate to such commercial journeys, which show that various bargains were made between the different parties interested, and sometimes such contracts, or partnerships, were entered into, not for a single journey only, but for long periods. We may therefore conclude that at the time of the First Dynasty of Babylon, and probably for long centuries before that period, the great trade-routes of the East were crowded with traffic. With the exception that donkeys and asses were employed for beasts of burden and were not supplemented by horses and camels until a much later period, a camping-ground in the desert on one of the great trade-routes must have presented a scene similar to that of a caravan camping in the desert at the present day.
This last law shows the huge profits that both the merchant and the agent made from this foreign trade system, as it's obvious that what was considered a fair profit for the merchant was double the value of the goods sold. The profits from a successful journey would also include a reasonable return for the agent for the effort and time spent on the job. Many of the contract tablets from this early time refer to such commercial journeys, revealing that various deals were made between the interested parties. Sometimes these contracts or partnerships were formed not just for a single journey but for extended periods. Therefore, we can conclude that during the First Dynasty of Babylon, and likely for many centuries before, the major trade routes of the East were busy with activity. Aside from the use of donkeys and asses for carrying loads, with horses and camels being added much later, a campsite in the desert along one of the great trade routes must have looked a lot like the scene of a caravan camping in the desert today.

The rough tracks beaten by the feet of men and beasts are the same to-day as they were in that remote period. We can imagine a body of these early travellers approaching a walled city at dusk and hastening their pace to get there before the gates were shut. Such a picture as that of the approach to the city of Samarra, with its mediaeval walls, may be taken as having had its counterpart in many a city of the early Babylonians. The caravan route leads through the desert to the city gate, and if we substitute two massive temple towers for the domes of the mosques that rise above the wall, little else in the picture need be changed.
The rough paths worn by the feet of people and animals are just as they were back then. We can picture a group of these early travelers nearing a walled city at dusk, quickening their pace to arrive before the gates closed. That image of approaching the city of Samarra, with its medieval walls, likely mirrored many cities of the early Babylonians. The caravan route leads through the desert to the city gate, and if we replace the domes of the mosques towering above the wall with two massive temple towers, not much else in the scene would need to change.

A small caravan is here seen approaching the city at sunset before the gates are shut. Samarra was only founded in A. D. 834, by the Khalif el-Motasim, the son of Harûn er-Rashîd, but customs in the East do not change, and the photograph may be used to illustrate the approach of an early Babylonian caravan to a walled city of the period.
A small caravan is seen approaching the city at sunset before the gates close. Samarra was only founded in A.D. 834 by Khalif el-Motasim, the son of Harûn er-Rashîd, but customs in the East don’t change, and the photograph can illustrate how an early Babylonian caravan approached a walled city of that time.
The houses, too, at this period must have resembled the structures of unburnt brick of the present day, with their flat mud tops, on which the inmates sleep at night during the hot season, supported on poles and brushwood. The code furnishes evidence that at that time, also, the houses were not particularly well built and were liable to fall, and, in the event of their doing so, it very justly fixes the responsibility upon the builder. It is clear from the penalties for bad workmanship enforced upon the builder that considerable abuses had existed in the trade before the time of Hammurabi, and it is not improbable that the enforcement of the penalties succeeded in stamping them out. Thus, if a builder built a house for a man, and his work was not sound and the house fell and crushed the owner so that he died, it was enacted that the builder himself should be put to death. If the fall of the house killed the owner’s son, the builder’s own son was to be put to death.
The houses at that time likely looked similar to today’s structures made of unbaked brick, featuring flat mud roofs where people would sleep at night during the hot season, supported by poles and brushwood. Historical records show that these houses weren’t very well constructed and could easily collapse, and if they did, the builder was held responsible. The penalties for poor craftsmanship indicate that there had been significant issues in the building trade before Hammurabi's era, and it’s likely that enforcing these penalties helped eliminate those issues. For instance, if a builder constructed a house for someone and it was poorly built, causing it to collapse and kill the owner, the builder could face death. If the collapse killed the owner's son instead, the builder's own son would be put to death.

If one or more of the owner’s slaves were killed, the builder had to restore him slave for slave. Any damage which the owner’s goods might have suffered from the fall of the house was to be made good by the builder. In addition to these penalties the builder was obliged to rebuild the house, or any portion of it that had fallen through not being properly secured, at his own cost. On the other hand, due provisions were made for the payment of the builder for sound work; and as the houses of the period rarely, if ever, consisted of more than one story, the scale of payment was fixed by the area of ground covered by the building.
If one or more of the owner's slaves were killed, the builder had to replace them slave for slave. Any damage to the owner's property caused by the collapse of the house had to be compensated by the builder. Besides these penalties, the builder was required to rebuild the house or any part of it that fell due to improper securing, at his own expense. On the other hand, there were specific provisions for paying the builder for quality work; and since houses at the time usually had only one story, the payment scale was based on the area of land the building covered.

Situated on the right bank of the Tigris opposite the mounds which mark the site of the ancient city of Nineveh. The flat-roof ednouses which may be distinguished in the photograph are very similar in form and construction to those employed by the ancient Assyrians and Babylonians.
Located on the right bank of the Tigris, across from the mounds marking the site of the ancient city of Nineveh. The flat-roofed houses visible in the photograph are very similar in design and construction to those used by the ancient Assyrians and Babylonians.
From the code of Hammurabi we also gain considerable information with regard to agricultural pursuits in ancient Babylonia, for elaborate regulations are given concerning the landowner’s duties and responsibilities, and his relations to his tenants. The usual practice in hiring land for cultivation was for the tenant to pay his rent in kind, by assigning a certain proportion of the crop, generally a third or a half, to the owner. If a tenant hired certain land for cultivation he was bound to till it and raise a crop, and should he neglect to do so he had to pay the owner what was reckoned as the average rent of the land, and he had also to break up the land and plough it before handing it back. As the rent of a field was usually reckoned at harvest, and its amount depended on the size of the crop, it was only fair that damage to the crop from flood or storm should not be made up by the tenant; thus it was enacted by the code that any loss from such a cause should be shared equally by the owner of the field and the farmer, though if the latter had already paid his rent at the time the damage occurred he could not make a claim for repayment.
From the Code of Hammurabi, we also learn a lot about farming in ancient Babylonia, since it provides detailed rules about the landowner's duties and responsibilities, as well as their relationship with tenants. Typically, when tenants rented land for farming, they paid their rent in kind by giving a portion of the crop, usually a third or a half, to the landowner. If a tenant rented land for farming, they were required to cultivate it and grow a crop. If they failed to do so, they had to pay the landowner the average rent for that land and also had to plow the land before returning it. Since the rent for a field was usually determined at harvest time and depended on the crop size, it was only fair that any damage to the crop from floods or storms wasn’t the tenant’s responsibility. Therefore, the code stated that losses from such events should be shared equally between the landowner and the farmer, although if the farmer had already paid their rent when the damage happened, they couldn’t request a refund.

Built on one of the mounds marking the site of the Assyrian city of Nineveh. The mosque in the photograph is built over the traditional site of the prophet Jonah’s tomb. The flat- roofed houses of the modern dwellers on the mound can be well seen in the picture.
Built on one of the mounds that mark the site of the Assyrian city of Nineveh, the mosque in the photograph is constructed over the traditional site of the prophet Jonah’s tomb. The flat-roofed houses of the modern residents on the mound are clearly visible in the picture.
It is clear from the enactments of the code that disputes were frequent, not only between farmers and landowners, but also between farmers and shepherds. It is certain that the latter, in the attempt to find pasture for the flocks, often allowed their sheep to feed off the farmers’ fields in the spring. This practice the code set itself to prevent by fixing a scale of compensation to be paid by any shepherd who caused his sheep to graze on cultivated land without the owner’s consent. If the offence was committed in the early spring, when the crop was still small, the farmer was to harvest the crop and receive a considerable price in kind as compensation for the shepherd. But if it occurred later on in the spring, when the sheep had been brought in from the meadows and turned into the great common field at the city gate, the offence would less probably be due to accident and the damage to the crop would be greater. In these circumstances the shepherd had to take over the crop and pay the farmer very heavily for his loss.
It's clear from the laws in the code that arguments were common, not just between farmers and landowners, but also between farmers and shepherds. It's certain that the shepherds, in their quest to find pasture for their flocks, often let their sheep graze on the farmers' fields in the spring. The code aimed to stop this by setting a compensation scale that a shepherd would have to pay if his sheep grazed on cultivated land without the owner's permission. If the offense happened in early spring, when the crops were still small, the farmer would harvest the crop and receive a good amount of payment in kind from the shepherd. But if it happened later in the spring, when the sheep had been brought in from the meadows and herded into the large common field at the city gate, it would be less likely to be an accident, and the damage to the crops would be greater. In this case, the shepherd would have to take over the crop and pay the farmer a significant amount for the loss.

From a stone slab in the British Museum.
From a stone slab in the British Museum.
The planting of gardens and orchards was encouraged, and a man was allowed to use a field for this purpose without paying a yearly rent. He might plant it and tend it for four years, and in the fifth year of his tenancy the original owner of the field took half of the garden in payment, while the other half the planter of the garden kept for himself. If a bare patch had been left in the garden it was to be reckoned in the planter’s half. Regulations were framed to ensure the proper carrying out of the planting, for if the tenant neglected to do this during the first four years, he was still liable to plant the plot he had taken without receiving his half, and he had to pay the owner compensation in addition, which varied in amount according to the original condition of the land. If a man hired a garden, the rent he paid to the owner was fixed at two-thirds of its produce. Detailed regulations are also given in the code concerning the hire of cattle and asses, and the compensation to be paid to the owner for the loss or ill-treatment of his beasts. These are framed on the just principle that the hirer was responsible only for damage or loss which he could have reasonably prevented. Thus, if a lion killed a hired ox or ass in the open country, or if an ox was killed by lightning, the loss fell upon the owner and not on the man who hired the beast. But if the hirer killed the ox through carelessness or by beating it unmercifully, or if the beast broke its leg while in his charge, he had to restore another ox to the owner in place of the one he had hired. For lesser damages to the beast the hirer had to pay compensation on a fixed scale. Thus, if the ox had its eye knocked out during the period of its hire, the man who hired it had to pay to the owner half its value; while for a broken horn, the loss of the tail, or a torn muzzle, he paid a quarter of the value of the beast.
The planting of gardens and orchards was encouraged, and a person could use a field for this purpose without paying annual rent. They could plant and care for it for four years, and in the fifth year, the original owner of the field would take half of the produce in exchange, while the planter kept the other half for themselves. Any bare spots left in the garden counted as part of the planter’s share. Rules were established to make sure planting was done properly, because if the tenant failed to plant during the first four years, they still had to cultivate the plot they had taken without receiving their half, and they also had to pay the owner compensation, which varied based on the original condition of the land. If a person rented a garden, the rent they paid to the owner was set at two-thirds of its produce. Detailed regulations are also included in the code regarding the hiring of animals and donkeys, and the compensation owed to the owner for loss or mistreatment of their animals. These rules were based on the fair principle that the hirer was only responsible for damage or loss that they could have reasonably prevented. So, if a lion killed a rented ox or donkey in the field, or if an ox was struck by lightning, the loss would be the owner's responsibility, not the person who rented the animal. However, if the hirer killed the ox through negligence or by abusing it, or if the animal broke a leg while under their care, they had to replace it with another ox for the owner. For minor injuries to the animal, the hirer had to pay compensation according to a set scale. For example, if the ox lost an eye during the rental period, the hirer had to pay the owner half its value; for a broken horn, a lost tail, or a torn muzzle, they would pay a quarter of the animal's value.
Fines were also levied for carelessness in looking after cattle, though in cases of damage or injury, where carelessness could not be proved, the owner of a beast was not held responsible. A bull might go wild at any time and gore a man, however careful and conscientious the owner might be, and in these circumstances the injured man could not bring an action against the owner. But if a bull had already gored a man, and, although it was known to be vicious, the owner had not blunted its horns or shut it up, in the event of its goring and killing a free man, he had to pay half a mana of silver. One-third of a mana was the price paid for a slave who was killed. A landed proprietor who might hire farmers to cultivate his fields inflicted severe fines for acts of dishonesty with regard to the cattle, provender, or seed-corn committed to their charge. If a man stole the provender for the cattle he had to make it good, and he was also liable to the punishment of having his hands cut off. In the event of his being convicted of letting out the oxen for hire, or stealing the seed-corn so that he did not produce a crop, he had to pay very heavy compensation, and, if he could not pay, he was liable to be torn to pieces by the oxen in the field he should have cultivated.
Fines were imposed for neglecting to take care of cattle, but if damage or injury occurred and it couldn’t be proven that carelessness was the cause, the owner of the animal wouldn’t be held liable. A bull could go wild at any time and injure someone, no matter how careful and responsible the owner was, and in those situations, the injured person couldn’t sue the owner. However, if a bull had already attacked someone and was known to be dangerous, but the owner didn’t blunt its horns or secure it, and it ended up goring and killing a free person, the owner had to pay half a mana of silver. The compensation for a slave killed was one-third of a mana. A landowner who hired farmers to work their fields imposed hefty fines for dishonesty regarding the cattle, feed, or seeds they were responsible for. If someone stole feed for the cattle, they had to repay it, and they also faced the punishment of having their hands chopped off. If they were found guilty of renting out oxen or stealing seeds that resulted in no crop being produced, they had to pay a substantial amount in compensation, and if they couldn’t pay, they risked being torn apart by the oxen in the field they were supposed to cultivate.
In a dry land like Babylonia, where little rain falls and that in only one season of the year, the irrigation of his fields forms one of the most important duties of the agriculturist. The farmer leads the water to his fields along small irrigation-canals or channels above the level of the soil, their sides being formed of banks of earth. It is clear that similar methods were employed by the early Babylonians. One such channel might supply the fields of several farmers, and it was the duty of each man through whose land the channel flowed to keep its banks on his land in repair. If he omitted to strengthen his bank or dyke, and the water forced a breach and flooded his neighbour’s field, he had to pay compensation in kind for any crop that was ruined; while if he could not pay, he and his goods were sold, and his neighbours, whose fields had been damaged through his carelessness, shared the money.
In a dry region like Babylonia, where rain is scarce and only falls during one season, irrigating the fields is one of the farmer's most crucial responsibilities. The farmer directs water to his fields through small irrigation canals or channels that are raised above the soil, supported by earth banks. It's clear that the early Babylonians used similar methods. One channel could serve the fields of several farmers, and it was each person's responsibility to maintain the banks of the channel that ran through their land. If someone neglected to reinforce their bank or levee and the water caused a breach that flooded a neighbor’s field, they had to compensate for any ruined crops. If they couldn’t pay, they and their possessions would be sold, and the neighbors, whose fields were damaged by their negligence, would divide the proceeds.
The land of Babylonian farmers was prepared for irrigation before it was sown by being divided into a number of small square or oblong tracts, each separated from the others by a low bank of earth, the seed being afterwards sown within the small squares or patches. Some of the banks running lengthwise through the field were made into small channels, the ends of which were carried up to the bank of the nearest main irrigation canal. No system of gates or sluices was employed, and when the farmer wished to water one of his fields he simply broke away the bank opposite one of his small channels and let the water flow into it. He would let the water run along this small channel until it reached the part of his land he wished to water. He then blocked the channel with a little earth, at the same time breaking down its bank so that the water flowed over one of the small squares and thoroughly soaked it. When this square was finished he filled up the bank and repeated the process for the next square, and so on until he had watered the necessary portion of the field. When this was finished he returned to the main channel and stopped the flow of the water by blocking up the hole he had made in the dyke. The whole process was, and to-day still is, extremely simple, but it needs care and vigilance, especially in the case of extensive irrigation when water is being carried into several parts of an estate at once. It will be obvious that any carelessness on the part of the irrigator in not shutting off the water in time may lead to extensive damage, not only to his own fields, but to those of his neighbours. In the early Babylonian period, if a farmer left the water running in his channel, and it flooded his neighbour’s field and hurt his crop, he had to pay compensation according to the amount of damage done.
The land of Babylonian farmers was set up for irrigation before planting by dividing it into several small square or rectangular patches, each separated by low earth banks. The seeds were then sown in these small squares or patches. Some of the banks running through the field were turned into small channels, with the ends leading to the nearest main irrigation canal. There were no gates or sluices used; when a farmer wanted to water one of his fields, he would simply break away the bank next to one of his small channels and let the water flow into it. He would allow the water to run down the channel until it reached the area he wanted to water. Then he would block the channel with a bit of earth, breaking down the bank so that the water flowed over one of the small squares and soaked it thoroughly. Once that square was completed, he would repair the bank and repeat the process for the next square, continuing until he had watered the necessary parts of the field. When finished, he would return to the main channel and stop the water flow by sealing up the gap he’d made in the bank. The entire process is, and even today remains, very straightforward, but it requires careful attention, especially with large-scale irrigation when water is being directed to multiple areas at once. It’s clear that any negligence from the irrigator in shutting off the water promptly could cause significant damage, not only to his own fields but to those of his neighbors. In the early Babylonian period, if a farmer left water running in his channel and it flooded his neighbor’s field and damaged the crops, he had to pay compensation based on the extent of the damage done.
It was stated above that the irrigation-canals and little channels were made above the level of the soil so that the water could at any point be tapped and allowed to flow over the surrounding land; and in a flat country like Babylonia it will be obvious that some means had to be employed for raising the water from its natural level to the higher level of the land. As we should expect, reference is made in the Babylonian inscriptions to irrigation-machines, and, although their exact form and construction are not described, they must have been very similar to those employed at the present day. The modern inhabitants of Mesopotamia employ four sorts of contrivances for raising the water into their irrigation-channels; three of these are quite primitive, and are those most commonly employed. The method which gives the least trouble and which is used wherever the conditions allow is a primitive form of water-wheel. This can be used only in a river with a good current. The wheel is formed of rough boughs and branches nailed together, with spokes joining the outer rims to a roughly hewn axle. A row of rough earthenware cups or bottles are tied round the outer rim for picking up the water, and a few rough paddles are fixed so that they stick out beyond the rim. The wheel is then fixed in place near the bank of the river, its axle resting in pillars of rough masonry.
It's been mentioned earlier that the irrigation canals and small channels were built above the soil level so that water could be accessed at any point and allowed to flow over the surrounding land. In a flat area like Babylonia, it’s clear that some method was needed to raise the water from its natural level to the higher ground. As expected, Babylonian inscriptions refer to irrigation machines, and while their exact design and construction aren't detailed, they likely resembled those used today. The current inhabitants of Mesopotamia use four types of devices to lift water into their irrigation channels; three of these are quite basic and the ones most commonly used. The method that involves the least effort and is used whenever conditions permit is a simple version of a water wheel. This can only be used in a river with a strong current. The wheel consists of rough branches and boughs nailed together, with spokes connecting the outer rims to a roughly carved axle. A line of rough earthen cups or bottles is attached around the outer rim to scoop up the water, and a few rough paddles are positioned to extend beyond the rim. The wheel is then secured near the riverbank, with its axle resting on pillars made of rough masonry.

As the current turns the wheel, the bottles on the rim dip below the surface and are raised up full. At the top of the wheel is fixed a trough made by hollowing half the trunk of a date-palm, and into this the bottles pour their water, which is conducted from the trough by means of a small aqueduct into the irrigation-channel on the bank.
As the current turns the wheel, the bottles on the edge dip under the surface and come up full. At the top of the wheel, there's a trough made by hollowing out half of a date-palm trunk, and the bottles pour their water into this. The water is then channeled from the trough through a small aqueduct into the irrigation ditch on the bank.
The convenience of the water-wheel will be obvious, for the water is raised without the labour of man or beast, and a constant supply is secured day and night so long as the current is strong enough to turn the wheel. The water can be cut off by blocking the wheel or tying it up. These wheels are most common on the Euphrates, and are usually set up where there is a slight drop in the river bed and the water runs swiftly over shallows. As the banks are very high, the wheels are necessarily huge contrivances in order to reach the level of the fields, and their very rough construction causes them to creak and groan as they turn with the current. In a convenient place in the river several of these are sometimes set up side by side, and the noise of their combined creakings can be heard from a great distance. Some idea of what one of these machines looks like can be obtained from the illustration. At Hit on the Euphrates a line of gigantic water-wheels is built across the river, and the noise they make is extraordinary.
The convenience of the water wheel is clear, as it lifts water without manual labor or animal effort, providing a constant supply day and night as long as the current is strong enough to keep it turning. Water can be stopped by blocking the wheel or tying it up. These wheels are commonly found on the Euphrates, typically placed where the river bed has a slight drop and the water flows quickly over the shallows. Since the banks are very high, the wheels are large structures to reach the level of the fields, and their rough design makes them creak and groan as they turn with the current. In a suitable spot in the river, several of these wheels are sometimes arranged side by side, and their combined creaking can be heard from a great distance. You can get an idea of what one of these machines looks like from the illustration. At Hit on the Euphrates, a line of giant water wheels spans the river, creating an incredible noise.
Where there is no current to turn one of these wheels, or where the bank is too high, the water must be raised by the labour of man or beast. The commonest method, which is the one employed generally on the Tigris, is to raise it in skins, which are drawn up by horses, donkeys, or cattle. A recess with perpendicular sides is cut into the bank, and a wooden spindle on wooden struts is supported horizontally over the recess. A rope running over the spindle is fastened to the skin, while the funnel end of the skin is held up by a second rope, running over a lower spindle, until its mouth is opposite the trough into which the water is to be poured. The beasts which are employed for raising the skin are fastened to the ends of the ropes, and they get a good purchase for their pull by being driven down a short cutting or inclined plane in the bank. To get a constant flow of water, two skins are usually employed, and as one is drawn up full the other is let down empty.
Where there’s no current to turn one of these wheels, or if the bank is too high, the water has to be lifted by the work of people or animals. The most common method, generally used on the Tigris, is to lift it in bags, which are pulled up by horses, donkeys, or cattle. A notch with steep sides is cut into the bank, and a wooden spindle on wooden supports is held horizontally over the notch. A rope that goes over the spindle is tied to the bag, while the funnel end of the bag is held up by a second rope that goes over a lower spindle until the opening is positioned over the trough where the water will be poured. The animals used to lift the bag are attached to the ends of the ropes, and they get a strong grip for their pull by being led down a short slope or inclined path on the bank. To maintain a steady flow of water, two bags are usually used, and as one is pulled up full, the other is let down empty.
The third primitive method of raising water, which is commoner in Egypt than in Mesopotamia at the present day, is the shadduf, and is worked by hand. It consists of a beam supported in the centre, at one end of which is tied a rope with a bucket or vessel for raising the water, and at the other end is fixed a counterweight.[4] On an Assyrian bas-relief found at Kuyunjik are representations of the shadduf in operation, two of them being used, the one above the other, to raise the water to successive levels. These were probably the contrivances usually employed by the early Babylonians for raising the water to the level of their fields, and the fact that they were light and easily removed must have made them tempting objects to the dishonest farmer. Hammurabi therefore fixed a scale of compensation to be paid to the owner by a detected thief, which varied according to the class and value of the machine he stole. The rivers and larger canals of Babylonia were used by the ancient inhabitants not only for the irrigation of their fields, but also as waterways for the transport of heavy materials. The recently published letters of Hammurabi and Abêshu’ contain directions for the transportation of corn, dates, sesame seed, and wood, which were ordered to be brought in ships to Babylon, and the code of Hammurabi refers to the transportation by water of wool and oil. It is therefore clear that at this period considerable use was made of vessels of different size for conveying supplies in bulk by water. The method by which the size of such ships and barges was reckoned was based on the amount of grain they were capable of carrying, and this was measured by the gur, the largest measure of capacity. Thus mention is made in the inscriptions of vessels of five, ten, fifteen, twenty, thirty, forty, fifty, sixty, and seventy-five gur capacity. A boat-builder’s fee for building a vessel of sixty gur was fixed at two shekels of silver, and it was proportionately less for boats of smaller capacity. To ensure that the boat-builder should not scamp his work, regulations were drawn up to fix on him the responsibility for unsound work. Thus if a boat-builder were employed to build a vessel, and he put faulty work into its construction so that it developed defects within a year of its being launched, he was obliged to strengthen and rebuild it at his own expense.
The third old-school method of raising water, which is more common in Egypt than in Mesopotamia today, is the shadduf, and it’s operated by hand. It consists of a beam balanced in the center; at one end, there's a rope with a bucket for lifting the water, and at the other end, there’s a counterweight. [4] An Assyrian bas-relief found at Kuyunjik shows the shadduf in action, with two of them used one above the other to elevate the water to different levels. These were likely the devices usually employed by early Babylonians for raising water to their fields, and since they were light and easy to move, they could be tempting targets for dishonest farmers. To address this, Hammurabi set a compensation scale that a thief had to pay to the owner, which varied based on the type and value of the stolen machine. The rivers and larger canals in Babylon were used not only for watering their fields but also as routes for transporting heavy materials. Recently published letters from Hammurabi and Abêshu' include instructions for transporting corn, dates, sesame seeds, and wood, all of which were to be delivered by boat to Babylon. The code of Hammurabi also mentions the water transport of wool and oil. It’s clear that during this time, there was significant use of vessels of various sizes for moving bulk supplies by water. The size of these ships and barges was measured by the amount of grain they could carry, based on the gur, the largest measure of capacity. In inscriptions, vessels are noted with capacities of five, ten, fifteen, twenty, thirty, forty, fifty, sixty, and seventy-five gur. The fee for a boat-builder to construct a vessel of sixty gur was set at two shekels of silver, and it was proportionately lower for smaller boats. To make sure that boat-builders did a proper job, regulations were put in place making them responsible for any substandard work. So, if a boat-builder was hired to build a vessel and used poor materials or techniques that led to defects within a year of its launch, he had to repair and rebuild it at his own cost.
[4] The fourth class of machine for raising water employed in Mesopotamia at the present day consists of an endless chain of iron buckets running over a wheel. This is geared by means of rough wooden cogs to a horizontal wheel, the spindle of which has long poles fixed to it, to which horses or cattle are harnessed. The beasts go round in a circle and so turn the machine. The contrivance is not so primitive as the three described above, and the iron buckets are of European importation.
[4] The fourth type of water-raising machine used in Mesopotamia today is an endless chain of iron buckets that moves over a wheel. This is connected to a horizontal wheel through rough wooden gears, which has long poles attached to it where horses or cattle are harnessed. The animals walk in a circle, turning the machine. This device is more advanced than the three described earlier, and the iron buckets are imported from Europe.
The hire of a boatman was fixed at six gur of corn to be paid him yearly, but it is clear that some of the larger vessels carried crews commanded by a chief boatman, or captain, whose pay was probably on a larger scale. If a man let his boat to a boatman, the latter was responsible for losing or sinking it, and he had to replace it. A boatman was also responsible for the safety of his vessel and of any goods, such as corn, wool, oil, or dates, which he had been hired to transport, and if they were sunk through his carelessness he had to make good the loss. If he succeeded in refloating the boat after it had been sunk, he was only under obligation to pay the owner half its value in compensation for the damage it had sustained. In the case of a collision between two vessels, if one was at anchor at the time, the owner of the other vessel had to pay compensation for the boat that was sunk and its cargo, the owner of the latter estimating on oath the value of what had been sunk. Boats were also employed as ferries, and they must have resembled the primitive form of ferry-boat in use at the present day, which is heavily built of huge timbers, and employed for transporting beasts as well as men across a river.
The payment for hiring a boatman was set at six gur of corn each year, but it's clear that some of the larger boats had crews led by a chief boatman or captain, who likely earned a higher salary. If someone rented out their boat to a boatman, the boatman was responsible for any loss or sinking of the boat and had to replace it. A boatman was also in charge of the safety of his vessel and any goods, like corn, wool, oil, or dates, that he was hired to transport, and if they were lost due to his negligence, he had to cover the loss. If he managed to refloat the boat after it sank, he only had to pay the owner half of its value as compensation for the damage. In the event of a collision between two vessels, if one was anchored at the time, the owner of the other vessel had to pay compensation for the sunken boat and its cargo, with the owner of the cargo estimating its value under oath. Boats were also used as ferries, resembling the basic ferry boats we see today, which are sturdy, made of large timbers, and used for transporting both animals and people across rivers.

Employed for ferrying caravans across the river.
Employed to transport caravans across the river.
There is evidence that under the Assyrians rafts floated on inflated skins were employed for the transport of heavy goods, and these have survived in the keleks of the present day. They are specially adapted for the transportation of heavy materials, for they are carried down by the current, and are kept in the course by means of huge sweeps or oars. Being formed only of logs of wood and skins, they are not costly, for wood is plentiful in the upper reaches of the rivers. At the end of their journey, after the goods are landed, they are broken up. The wood is sold at a profit, and the skins, after being deflated, are packed on to donkeys to return by caravan.
There is evidence that during the Assyrian period, rafts made of inflated skins were used to transport heavy goods, and these have evolved into the modern keleks. They are specifically designed for carrying heavy materials, as they drift downriver with the current and are guided by large poles or oars. Made only from logs and skins, they are inexpensive since wood is abundant in the upper parts of the rivers. Once they reach their destination and the goods are unloaded, the rafts are taken apart. The wood is sold for a profit, and the deflated skins are loaded onto donkeys for the return journey via caravan.

It is not improbable that such rafts were employed on the Tigris and the Euphrates from the earliest periods of Chaldæan history, though boats would have been used on the canals and more sluggish waterways.
It’s likely that such rafts were used on the Tigris and Euphrates since the earliest days of Chaldæan history, although boats would have been utilized on the canals and slower waterways.
In the preceding pages we have given a sketch of the more striking aspects of early Babylonian life, on which light has been thrown by recently discovered documents belonging to the period of the First Dynasty of Babylon. We have seen that, in the code of laws drawn up by Hammurabi, regulations were framed for settling disputes and fixing responsibilities under almost every condition and circumstance which might arise among the inhabitants of the country at that time; and the question naturally arises as to how far the code of laws was in actual operation.
In the previous pages, we've provided an overview of the most notable features of early Babylonian life, informed by recently discovered documents from the First Dynasty of Babylon. We've observed that in the code of laws established by Hammurabi, rules were created to resolve disputes and define responsibilities for almost every situation and circumstance that could occur among the people at that time. This raises the question of how effectively the code of laws was enforced.

It is conceivable that the king may have held admirable convictions, but have been possessed of little power to carry them out and to see that his regulations were enforced. Luckily, we have not to depend on conjecture for settling the question, for Hammurabi’s own letters which are now preserved in the British Museum afford abundant evidence of the active control which the king exercised over every department of his administration and in every province of his empire. In the earlier periods of history, when each city lived independently of its neighbours and had its own system of government, the need for close and frequent communication between them was not pressing, but this became apparent as soon as they were welded together and formed parts of an extended empire. Thus in the time of Sargon of Agade, about 3800 B.C., an extensive system of royal convoys was established between the principal cities. At Telloh the late M. de Sarzec came across numbers of lumps of clay bearing the seal impressions of Sargon and of his son Narâm-Sin, which had been used as seals and labels upon packages sent from Agade to Shirpurla. In the time of Dungi, King of Ur, there was a constant interchange of officials between the various cities of Babylonia and Elam, and during the more recent diggings at Telloh there have been found vouchers for the supply of food for their sustenance when stopping at Shirpurla in the course of their journeys. In the case of Hammurabi we have recovered some of the actual letters sent by the king himself to Sin-idinnam, his local governor in the city of Larsam, and from them we gain considerable insight into the principles which guided him in the administration of his empire.
It’s possible that the king had admirable beliefs but lacked the power to implement them and ensure his rules were followed. Fortunately, we don’t have to rely on speculation to answer this question, as Hammurabi’s own letters, now preserved in the British Museum, provide plenty of evidence of the active control he exercised over all parts of his administration and throughout his empire. In earlier periods of history, when each city operated independently and had its own government, the need for close and regular communication among them wasn’t urgent. However, this need became clear once they were united as part of a larger empire. During the time of Sargon of Agade, around 3800 B.C., a vast system of royal convoys was set up between the major cities. At Telloh, the late M. de Sarzec discovered many clay lumps with the seal impressions of Sargon and his son Narâm-Sin, which had been used as seals and labels on packages sent from Agade to Shirpurla. In the era of Dungi, King of Ur, there was ongoing exchange of officials between the various cities of Babylonia and Elam, and during more recent excavations at Telloh, vouchers were found for the food supplied for their needs when they stopped at Shirpurla during their travels. As for Hammurabi, we have some of the actual letters he sent to Sin-idinnam, his local governor in the city of Larsam, which give us significant insight into the principles that guided his administration of the empire.
The letters themselves, in their general characteristics, resembled the contract tablets of the period which have been already described. They were written on small clay tablets oblong in shape, and as they were only three or four inches long they could easily be carried about the person of the messenger into whose charge they were delivered. After the tablet was written it was enclosed in a thin envelope of clay, having been first powdered with dry clay to prevent its sticking to the envelope. The name of the person for whom the letter was intended was written on the outside of the envelope, and both it and the tablet were baked hard to ensure that they should not be broken on their travels. The recipient of the letter, on its being delivered to him, broke the outer envelope by tapping it sharply, and it then fell away in pieces, leaving the letter and its message exposed. The envelopes were very similar to those in which the contract tablets of the period were enclosed, of which illustrations have already been given, their only difference being that the text of the tablet was not repeated on the envelope, as was the case with the former class of documents.
The letters generally resembled the contract tablets from that time which have already been described. They were written on small, oblong clay tablets, about three to four inches long, making them easy for the messenger to carry. Once the tablet was written, it was wrapped in a thin envelope of clay, which was first dusted with dry clay to prevent sticking. The name of the intended recipient was written on the outside of the envelope, and both the envelope and the tablet were baked hard to ensure they wouldn’t break during travel. When the recipient received the letter, they broke the outer envelope by tapping it sharply, causing it to fall away in pieces and exposing the letter and its message. The envelopes were very similar to those used for the contract tablets of the time, which have also been illustrated, with the only difference being that the text of the tablet was not repeated on the envelope, unlike the previous type of documents.
The royal letters that have been recovered throw little light on military affairs and the prosecution of campaigns, for, being addressed to governors of cities and civil officials, most of them deal with matters affecting the internal administration of the empire. One letter indeed contains directions concerning the movements of two hundred and forty soldiers of “the King’s Company” who had been stationed in Assyria, and another letter mentions certain troops who were quartered in the city of Ur. A third deals with the supply of clothing and oil for a section of the Babylonian army, and troops are also mentioned as having formed the escort for certain goddesses captured from the Elamites; while directions are sent to others engaged in a campaign upon the Elamite frontier. The letter which contains directions for the safe escort of the captured Elamite goddesses, and the one ordering the return of these same goddesses to their own shrines, show that foreign deities, even when captured from an enemy, were treated by the Babylonians with the same respect and reverence that was shown by them to their own gods and goddesses. Hammurabi gave directions in the first letter for the conveyance of the goddesses to Babylon with all due pomp and ceremony, sheep being supplied for sacrifice upon the journey, and their usual rites being performed by their own temple-women and priestesses. The king’s voluntary restoration of the goddesses to their own country may have been due to the fact that, after their transference to Babylon, the army of the Babylonians suffered defeat in Elam. This misfortune would naturally have been ascribed by the king and the priests to the anger of the Elamite goddesses at being detained in a foreign land, and Hammurabi probably arrived at his decision that they should be escorted back in the hope of once more securing victory for the Babylonian arms.
The royal letters that were found shed little light on military matters and the conduct of campaigns because, being addressed to city governors and civil officials, most of them focus on issues related to the internal management of the empire. One letter actually gives instructions about the movements of two hundred and forty soldiers from “the King’s Company” who were stationed in Assyria, and another mentions certain troops that were based in the city of Ur. A third letter discusses the supply of clothing and oil for a part of the Babylonian army, and troops are also noted as having acted as escorts for certain goddesses taken from the Elamites, while directions are issued to others involved in a campaign on the Elamite border. The letter detailing the safe escort of the captured Elamite goddesses, along with the one instructing the return of these same goddesses to their own shrines, shows that foreign deities, even when taken from an enemy, were treated by the Babylonians with the same respect and reverence they showed their own gods and goddesses. Hammurabi instructed in the first letter that the goddesses be taken to Babylon with all due pomp and ceremony, with sheep provided for sacrifice during the journey and their usual rites conducted by their own temple women and priestesses. The king’s decision to voluntarily return the goddesses to their own land may have been influenced by the fact that, after they were moved to Babylon, the Babylonian army faced defeat in Elam. This setback would likely have been blamed by the king and the priests on the anger of the Elamite goddesses for being held in a foreign land, and Hammurabi probably made his choice to send them back in hopes of restoring victory for the Babylonian forces.
The care which the king exercised for the due worship of his own gods and the proper supply of their temples is well illustrated from the letters that have been recovered, for he superintended the collection of the temple revenues, and the herdsmen and shepherds attached to the service of the gods sent their reports directly to him. He also took care that the observances of religious rites and ceremonies were duly carried out, and on one occasion he postponed the hearing of a lawsuit concerning the title to certain property which was in dispute, as it would have interfered with the proper observance of a festival in the city of Ur. The plaintiff in the suit was the chief of the temple bakers, and it was his duty to superintend the preparation of certain offerings for the occasion. In order that he should not have to leave his duties, the king put off the hearing of the case until after the festival had been duly celebrated. The king also exercised a strict control over the priests themselves, and received reports from the chief priests concerning their own subordinates, and it is probable that the royal sanction was obtained for all the principal appointments. The guild of soothsayers was an important religious class at this time, and they also were under the king’s direct control. A letter written by Ammiditana, one of the later kings of the First Dynasty, to three high officials of the city of Sippar, contains directions with regard to certain duties to be carried out by the soothsayers attached to the service of the city, and indicates the nature of their functions. Ammiditana wrote to the officials in question, stating that there was a scarcity of corn in the city of Shagga, and he therefore ordered them to send a supply thither. But before the corn was brought into the city they were told to consult the soothsayers, who were to divine the future and ascertain whether the omens were favourable. If they proved to be so, the corn was to be brought in. We may conjecture that the king took this precaution, as he feared the scarcity of corn in Shagga was due to the anger of some local deity or spirit, and that, if this were the case, the bringing in of the corn would only lead to fresh troubles. This danger it was the duty of the soothsayers to prevent.
The care the king took for the proper worship of his gods and the supply of their temples is clearly shown in the recovered letters. He oversaw the collection of temple revenues, and the herdsmen and shepherds serving the gods sent their reports directly to him. He also made sure that religious rites and ceremonies were properly conducted. On one occasion, he postponed a lawsuit about the title to disputed property because it would have interfered with a festival in the city of Ur. The plaintiff was the chief baker of the temple, responsible for preparing certain offerings for the event. To ensure he wouldn’t have to abandon his duties, the king delayed the hearing until after the festival was celebrated. The king exercised strict control over the priests and received updates from the chief priests about their subordinates. It’s likely that royal approval was required for all major appointments. The guild of soothsayers was an important religious group at this time, and they were also under the king's direct authority. A letter written by Ammiditana, one of the later kings of the First Dynasty, to three high officials in the city of Sippar includes instructions for the soothsayers serving the city and outlines their responsibilities. Ammiditana informed the officials about a corn shortage in Shagga and ordered them to send a supply there. However, before bringing the corn into the city, they were instructed to consult the soothsayers to predict the future and see if the omens were favorable. If they were, the corn could be brought in. It can be assumed that the king took this precaution because he feared that the corn shortage in Shagga was a result of a local deity's anger, and that bringing in the corn could lead to more problems. This was the sooths
Another class of the priesthood, which we may infer was under the king’s direct control, was the astrologers, whose duty it probably was to make reports to the king of the conjunctions of the heavenly bodies, with a view to ascertaining whether they portended good or evil to the state. No astrological reports written in this early period have been recovered, but at a later period under the Assyrian empire the astrologers reported regularly to the king on such matters, and it is probable that the practice was one long established. One of Hammurabi’s letters proves that the king regulated the calendar, and it is legitimate to suppose that he sought the advice of his astrologers as to the times when intercalary months were to be inserted. The letter dealing with the calendar was written to inform Sin-idinnam, the governor of Larsam, that an intercalary month was to be inserted. “Since the year (i.e. the calendar) hath a deficiency,” he writes, “let the month which is now beginning be registered as a second Elul,” and the king adds that this insertion of an extra month will not justify any postponement in the payment of the regular tribute due from the city of Larsam, which had to be paid a month earlier than usual to make up for the month that was inserted. The intercalation of additional months was due to the fact that the Babylonian months were lunar, so that the calendar had to be corrected at intervals to make it correspond to the solar year.
Another group within the priesthood, which we can assume was directly controlled by the king, was the astrologers. Their job was likely to report to the king about the positions of the stars and planets to determine if they indicated good or bad outcomes for the state. No astrological reports from this early time have been found, but later, during the Assyrian empire, astrologers regularly updated the king on such matters, suggesting that this practice was well established. One of Hammurabi’s letters shows that the king managed the calendar, and it’s reasonable to think he consulted his astrologers about when to add extra months. The letter regarding the calendar was sent to Sin-idinnam, the governor of Larsam, to inform him that an extra month would be added. “Since the year (i.e. the calendar) has a deficiency,” he writes, “let the month that is now beginning be recorded as a second Elul.” The king also notes that this addition will not allow for any delay in the payment of the regular tribute from the city of Larsam, which now had to be paid a month earlier to account for the added month. The insertion of extra months was necessary because the Babylonian months were lunar, requiring periodic adjustments to keep the calendar aligned with the solar year.
From the description already given of the code of laws drawn up by Hammurabi it will have been seen that the king attempted to incorporate and arrange a set of regulations which should settle any dispute likely to arise with regard to the duties and privileges of all classes of his subjects. That this code was not a dead letter, but was actively administered, is abundantly proved by many of the letters of Hammurabi which have been recovered. From these we learn that the king took a very active part in the administration of justice in the country, and that he exercised a strict supervision, not only over the cases decided in the capital, but also over those which were tried in the other great cities and towns of Babylonia. Any private citizen was entitled to make a direct appeal to the king for justice, if he thought he could not obtain it in his local court, and it is clear from Hammurabi’s letters that he always listened to such an appeal and gave it adequate consideration. The king was anxious to stamp out all corruption on the part of those who were invested with authority, and he had no mercy on any of his officers who were convicted of taking bribes. On one occasion when he had been informed of a case of bribery in the city of Dûr-gurgurri, he at once ordered the governor of the district in which Dûr-gurgurri lay to investigate the charge and send to Babylon those who were proved to be guilty, that they might be punished. He also ordered that the bribe should be confiscated and despatched to Babylon under seal, a wise provision which must have tended to discourage those who were inclined to tamper with the course of justice, while at the same time it enriched the state. It is probable that the king tried all cases of appeal in person when it was possible to do so. But if the litigants lived at a considerable distance from Babylon, he gave directions to his local officials on the spot to try the case. When he was convinced of the justice of any claim, he would decide the case himself and send instructions to the local authorities to see that his decision was duly carried out. It is certain that many disputes arose at this period in consequence of the extortions of money-lenders. These men frequently laid claim in a fraudulent manner to fields and estates which they had received in pledge as security for seed-corn advanced by them. In cases where fraud was proved Hammurabi had no mercy, and summoned the money-lender to Babylon to receive punishment, however wealthy and powerful he might be.
From the description already provided of the laws created by Hammurabi, it's clear that the king aimed to establish and organize a set of rules to resolve any disputes regarding the responsibilities and rights of all classes of his subjects. This code wasn’t just a formality; it was actively enforced, as shown by many letters written by Hammurabi that have been discovered. From these letters, we learn that the king was heavily involved in the administration of justice in the land and closely monitored not only the cases decided in the capital but also those handled in other major cities and towns of Babylonia. Any citizen could appeal directly to the king for justice if they felt they couldn’t obtain it in their local court, and Hammurabi’s letters clearly indicate that he always listened to these appeals and considered them carefully. The king was determined to eliminate corruption among those in power and showed no mercy to any of his officials who were found guilty of accepting bribes. On one occasion, when he learned of a bribery case in the city of Dûr-gurgurri, he immediately ordered the district governor to investigate the accusation and send the guilty parties to Babylon for punishment. He also instructed that the bribe be confiscated and sent to Babylon under seal, a smart move that likely discouraged those who might be tempted to interfere with justice while simultaneously benefiting the state. It’s likely that the king personally handled all appeals when possible, but if the litigants were far from Babylon, he would instruct his local officials to handle the case. When he was convinced of the validity of any claim, he would make the decision himself and send orders to the local authorities to ensure his ruling was enforced. Many disputes during this time likely arose due to the exploitation by moneylenders. These individuals often made fraudulent claims to land and property they had received as collateral for loans provided for seed-corn. In cases where fraud was proven, Hammurabi showed no leniency and summoned the moneylender to Babylon for punishment, regardless of how wealthy or powerful they were.
A subject frequently referred to in Hammurabi’s letters is the collection of revenues, and it is clear that an elaborate system was in force throughout the country for the levying and payment of tribute to the state by the principal cities of Babylonia, as well as for the collection of rent and revenue from the royal estates and from the lands which were set apart for the supply of the great temples. Collectors of both secular and religious tribute sent reports directly to the king, and if there was any deficit in the supply which was expected from a collector he had to make it up himself; but the king was always ready to listen to and investigate a complaint and to enforce the payment of tribute or taxes so that the loss should not fall upon the collector. Thus, in one of his letters Hammurabi informs the governor of Larsam that a collector named Sheb-Sin had reported to him, saying “Enubi-Marduk hath laid hands upon the money for the temple of Bît-il-kittim (i.e. the great temple of the Sun-god at Larsam) which is due from the city of Dûr-gurgurri and from the (region round about the) Tigris, and he hath not rendered the full sum; and Gimil-Marduk hath laid hands upon the money for the temple of Bît-il-kittim which is due from the city.of Rakhabu and from the region round about that city, and he hath not (paid) the full amount. But the palace hath exacted the full sum from me.” It is probable that both Enubi-Marduk and Gimil-Marduk were money-lenders, for we know from another letter that the former had laid claim to certain property on which he had held a mortgage, although the mortgage had been redeemed. In the present case they had probably lent money or seed-corn to certain cultivators of land near Dûr-gurgurri and Rakhabu and along the Tigris, and in settlement of their claims they had seized the crops and had, moreover, refused to pay to the king’s officer the proportion of the crops that was due to the state as taxes upon the land. The governor of Larsam, the principal city in the district, had rightly, as the representative of the palace (i.e. the king), caused the tax-collector to make up the deficiency, but Hammurabi, on receiving the subordinate officer’s complaint, referred the matter back to the governor. The end of the letter is wanting, but we may infer that Hammurabi condemned the defaulting money-lenders to pay the taxes due, and fined them in addition, or ordered them to be sent to the capital for punishment.
A common topic in Hammurabi’s letters is the collection of taxes, and it's clear that there was a complex system established across the country for collecting tribute to the state from the major cities of Babylonia, as well as for gathering rent and revenue from royal lands and those dedicated to the major temples. Both secular and religious tax collectors reported directly to the king, and if a collector fell short of what's expected, they had to cover the difference themselves; however, the king was always willing to listen to complaints and investigate them to ensure the payment of tribute or taxes wouldn't fall on the collector. In one of his letters, Hammurabi tells the governor of Larsam that a collector named Sheb-Sin reported to him that "Enubi-Marduk has taken possession of the money for the temple of Bît-il-kittim (the great temple of the Sun-god at Larsam) that was due from the city of Dûr-gurgurri and from the area around the Tigris, and he hasn't delivered the full amount; and Gimil-Marduk has taken possession of the money for the temple of Bît-il-kittim that was due from the city of Rakhabu and from the region surrounding that city, and he hasn't paid the full sum. But the palace has demanded the full amount from me." It's likely that both Enubi-Marduk and Gimil-Marduk were moneylenders, as we know from another letter that the former claimed certain property on which he held a mortgage, even though the mortgage had been paid off. In this case, they had likely lent money or seed to some farmers near Dûr-gurgurri and Rakhabu and along the Tigris, and to settle their claims, they seized the crops and refused to pay the king’s officer the tax portion due to the state. The governor of Larsam, the main city in the district, had rightly ordered the tax collector to cover the shortfall as the representative of the palace (the king), but Hammurabi, upon receiving the complaint from the officer, sent the issue back to the governor. The letter ends abruptly, but we can assume that Hammurabi decided that the defaulting moneylenders should pay the taxes owed and possibly fined them as well, or ordered them to be sent to the capital for punishment.
On another occasion Sheb-Sin himself and a second tax-collector named Sin-mushtal appear to have been in fault and to have evaded coming to Babylon when summoned thither by the king. It had been their duty to collect large quantities of sesame seed as well as taxes paid in money. When first summoned, they had made the excuse that it was the time of harvest and they would come after the harvest was over. But as they did not then make their appearance, Hammurabi wrote an urgent letter insisting that they should be despatched with the full amount of the taxes due, in the company of a trustworthy officer who would see that they duly arrived at the capital.
On another occasion, Sheb-Sin and another tax collector named Sin-mushtal seemed to have messed up by not showing up in Babylon when the king called for them. They were supposed to collect large amounts of sesame seed and taxes paid in cash. When they were first summoned, they claimed it was harvest time and promised to come after the harvest was done. But since they didn't show up, Hammurabi sent an urgent letter insisting that they be sent with the full amount of taxes owed, along with a reliable officer to ensure they arrived at the capital.
Tribute on flocks and herds was also levied by the king, and collectors or assessors of the revenue were stationed in each district, whose duty it was to report any deficit in the revenue accounts. The owners of flocks and herds were bound to bring the young cattle and lambs that were due as tribute to the central city of the district in which they dwelt, and they were then collected into large bodies and added to the royal flocks and herds; but, if the owners attempted to hold back any that were due as tribute, they were afterwards forced to incur the extra expense and trouble of driving the beasts to Babylon. The flocks and herds owned by the king and the great temples were probably enormous, and yielded a considerable revenue in themselves apart from the tribute and taxes due from private owners. Shepherds and herdsmen were placed in charge of them, and they were divided into groups under chief shepherds, who arranged the districts in which the herds and flocks were to be grazed, distributing them when possible along the banks and in the neighbourhood of rivers and canals which would afford good pasturage and a plentiful supply of water. The king received reports from the chief shepherds and herdsmen, and it was the duty of the governors of the chief cities and districts of Babylonia to make tours of inspection and see that due care was taken of the royal flocks and sheep. The sheep-shearing for all the flocks that were pastured near the capital took place in Babylon, and the king used to send out summonses to his chief shepherds to inform them of the day when the shearing would take place; and it is probable that the governors of the other great cities sent out similar orders to the shepherds of flocks under their charge. Royal and priestly flocks were often under the same chief officer, a fact which shows the very strict control the king exercised over the temple revenues.
The king also imposed a tribute on livestock, and revenue collectors were assigned to each district to monitor any shortfalls in the revenue accounts. Livestock owners had to take their young cattle and lambs that were owed as tribute to the central city of their district, where they were gathered into large groups and added to the royal herds. If the owners tried to withhold any tribute, they would later have to deal with the added cost and hassle of transporting the animals to Babylon. The king's and the major temples' flocks and herds were likely vast and generated significant income beyond the tribute and taxes from private owners. Shepherds and herdsmen were responsible for their care, organized into groups led by chief shepherds. These chief shepherds arranged grazing areas and sought out locations along rivers and canals that provided good pasture and ample water. The king received updates from the chief shepherds and herdsmen, and the governors of major cities and districts in Babylonia were responsible for inspecting the royal livestock to ensure proper care was taken. Sheep-shearing for all flocks grazing near the capital happened in Babylon, and the king would send notices to his chief shepherds to inform them of the shearing date. It's likely that governors of other major cities issued similar notices to shepherds managing their flocks. Often, royal and temple flocks were overseen by the same chief officer, highlighting the strict control the king maintained over temple revenues.
The interests of the agricultural population were strictly looked after by the king, who secured a proper supply of water for purposes of irrigation by seeing that the canals and waterways were kept in a proper state of repair and cleaned out at regular intervals. There is also evidence that nearly every king of the First Dynasty of Babylon cut new canals, and extended the system of irrigation and transportation which had been handed down to him from his fathers. The draining of the marshes and the proper repair of the canals could only be carried out by careful and continuous supervision, and it was the duty of the local governors to see that the inhabitants of villages and owners of land situated on the banks of a canal should keep it in proper order. When this duty had been neglected complaints were often sent to the king, who gave orders to the local governor to remedy the defect. Thus on one occasion it had been ordered that a canal at Erech which had silted up should be deepened, but the dredging had not been carried out thoroughly, so that the bed of the canal soon silted up again and boats were prevented from entering the city. In these circumstances Hammurabi gave pressing orders that the obstruction was to be removed and the canal made navigable within three days.
The king took great care of the agricultural population by ensuring a steady supply of water for irrigation. He made sure that the canals and waterways were properly maintained and cleaned out regularly. There’s evidence that almost every king of the First Dynasty of Babylon dug new canals and expanded the irrigation and transportation system passed down from his ancestors. Draining the marshes and properly maintaining the canals required careful and ongoing supervision, and it was the local governors' responsibility to ensure that the villagers and landowners along the canal kept it in good condition. When this responsibility was neglected, complaints often reached the king, who would instruct the local governor to fix the issue. For instance, it was once ordered that a silted-up canal in Erech be deepened, but the dredging wasn’t done thoroughly, leading to the canal silting up again and blocking boats from entering the city. In this situation, Hammurabi urgently ordered that the obstruction be removed and the canal be made navigable within three days.
Damage was often done to the banks of canals by floods which followed the winter rains, and a letter of Abêshu’ gives an interesting account of a sudden rise of the water in the Irnina canal so that it overflowed its banks. The king was building a palace at the city of Kâr-Irnina, which was supplied by the Irnina canal, and every year it was possible to put so much work into the building. But one year, when little more than a third of the year’s work was done, the building operations were stopped by flood, the canal having overflowed its banks so that the water rose right up to the wall of the town. In return for the duty of keeping the canals in order, the villagers along the banks had the privilege of fishing in its waters in the portion which was in their charge, and any poaching by other villagers in this part of the stream was strictly forbidden. On one occasion, in the reign of Samsu-iluna, Hammurabi’s son and successor, the fishermen of the district of Rabim went down in their boats to the district of Shakanim and caught fish there contrary to the law. So the inhabitants of Shakanim complained of this poaching to the king, who sent a palace official to the authorities of Sippar, near which city the districts in question lay, with orders to inquire into the matter and take steps to prevent all such poaching for the future.
Damage to the banks of canals often occurred due to floods that followed the winter rains. A letter from Abêshu’ provides an interesting account of a sudden rise in the Irnina canal, causing it to overflow. The king was building a palace in the city of Kâr-Irnina, which relied on the Irnina canal, and each year, a significant amount of work could be done. However, one year, when just over a third of the year’s work was completed, construction was halted by a flood that caused the canal to overflow, with water rising right up to the town wall. In exchange for maintaining the canals, the villagers along the banks had the right to fish in their section of the waterway, and poaching by other villagers in that area was strictly prohibited. During the reign of Samsu-iluna, Hammurabi’s son and successor, the fishermen from the Rabim district went down to the Shakanim district in their boats and caught fish there illegally. The Shakanim residents reported this poaching to the king, who sent a palace official to the authorities of Sippar, the city near the affected districts, instructing them to investigate the matter and implement measures to prevent any future poaching.
The regulation of transportation on the canals was also under the royal jurisdiction. The method of reckoning the size of ships has already been described, and there is evidence that the king possessed numerous vessels of all sizes for the carrying of grain, wool, and dates, as well as for the wood and stone employed in his building operations. Each ship seems to have had its own crew, under the command of a captain, and it is probable that officials who regulated the transportation from the centres where they were stationed were placed in charge of separate sections of the rivers and of the canals.
The regulation of transportation on the canals was also under royal control. The way of measuring the size of ships has already been explained, and there is proof that the king owned many vessels of various sizes for transporting grain, wool, and dates, as well as the wood and stone used for his construction projects. Each ship appeared to have its own crew, led by a captain, and it’s likely that officials overseeing transportation from the areas where they were based were in charge of different sections of the rivers and canals.
It is obvious, from the account that has been given of the numerous operations directly controlled and superintended by the king, that he had need of a very large body of officials, by whose means he was enabled to carry out successfully the administration of the country. In the course of the account we have made mention of the judges and judicial officers, the assessors and collectors of revenue, and the officials of the palace who were under the king’s direct orders. It is also obvious that different classes of officers were in charge of all the departments of the administration. Two classes of officials, who were placed in charge of the public works and looked after and controlled the public slaves, and probably also had a good deal to do with the collection of the revenue, had special privileges assigned to them, and special legislation was drawn up to protect them in the enjoyment of the same. As payment for their duties they were each granted land with a house and garden, they were assigned the use of certain sheep and cattle with which to stock their land, and in addition they received a regular salary. They were in a sense personal retainers of the king and were liable to be sent at any moment on a special mission to carry out the king’s commands. Disobedience was severely punished; for, if such an officer, when detailed for a special mission, did not go but hired a substitute, he was liable to be put to death and the substitute he had hired could take his office. Sometimes an officer was sent for long periods some distance from his home to take charge of a garrison, and when this was done his home duties were performed by another man, who temporarily occupied his house and land, but gave it back to the officer on his return. If such an officer had a son old enough to perform his duty in his father’s absence, he was allowed to do so and to till his father’s lands; but if the son was too young, the substitute who took the officer’s place had to pay one-third of the produce of the land to the child’s mother for his education. Before departing on his journey to the garrison it was the officer’s duty to arrange for the proper cultivation of his land and the discharge of his local duties during his absence. If he omitted to do so and left his land and duties neglected for more than a year, and another had meanwhile taken his place, on his return he could not reclaim his land and office. It will be obvious, therefore, that his position was a specially favoured one and much sought after, and these regulations ensured that the duties attaching to the office were not neglected.
It’s clear from the description of the many operations directly overseen by the king that he required a large number of officials to manage the country’s administration effectively. Throughout the account, we've mentioned judges and judicial officers, tax assessors and collectors, and palace officials who answered directly to the king. It’s also apparent that different types of officials were responsible for all areas of administration. Two types of officials managed public works, supervised public laborers, and likely played a significant role in collecting taxes; they were given special privileges, and specific laws were created to protect those privileges. For their services, each of them was granted land with a house and garden, given access to certain sheep and cattle for their land, and received a regular salary. In a way, they were personal attendants of the king and could be sent on special missions at any time to fulfill the king’s orders. Disobedience was harshly punished; if an officer assigned to a special mission didn’t go and instead hired someone else, he could be executed, and the replacement could take his position. Sometimes, an officer would be dispatched for extended periods far from home to manage a garrison, and during this time, another person would temporarily take over his home and responsibilities, returning them once the officer came back. If the officer had an old enough son to take on his duties while he was away, the son could take charge of the land; if the son was too young, the person substituting for the officer had to pay one-third of the land’s produce to the child’s mother for his education. Before heading off to the garrison, the officer was responsible for ensuring his land was properly managed and that local duties were attended to during his absence. If he failed to do this and left his land and responsibilities neglected for over a year, and someone else had taken his place in the meantime, he would lose the right to reclaim his land and position upon returning. It’s evident, then, that his position was particularly desirable, and these rules ensured that the responsibilities of the office were taken seriously.
In the course of his garrison duty or when on special service, these officers ran some risk of being captured by the enemy, and in that event regulations were drawn up for their ransom. If the captured officer was wealthy and could pay for his own ransom, he was bound to do so, but if he had not the necessary means his ransom was to be paid out of the local temple treasury, and, when the funds in the temple treasury did not suffice, he was to be ransomed by the state. It was specially enacted that his land and garden and house were in no case to be sold in order to pay for his ransom. These were inalienably attached to the office which he held, and he was not allowed to sell them or the sheep and cattle with which they were stocked. Moreover, he was not allowed to bequeath any of this property to his wife or daughter, so that his office would appear to have been hereditary and the property attached to it to have been entailed on his son if he succeeded him. Such succession would not, of course, have taken place if the officer by his own neglect or disobedience had forfeited his office and its privileges during his lifetime.
While on garrison duty or special assignments, these officers faced some risk of being captured by the enemy, in which case regulations were established for their ransom. If the captured officer was wealthy enough to pay for his own ransom, he was required to do so; however, if he couldn’t afford it, his ransom would be covered by the local temple treasury. If the temple funds were insufficient, the state would pay for his ransom. It was specifically mandated that his land, garden, and house could never be sold to cover his ransom. These assets were inseparably linked to the office he held, and he was prohibited from selling them or the livestock that came with them. Additionally, he was not permitted to leave any of this property to his wife or daughter, ensuring that his office appeared hereditary and the property tied to it would pass to his son if he succeeded him. This succession wouldn’t happen if the officer lost his position and its privileges due to his own negligence or disobedience while he was still alive.
It has been suggested with considerable probability that these officials were originally personal retainers and follows of Sumu-abu, the founder of the First Dynasty of Babylon. They were probably assigned lands throughout the country in return for their services to the king, and their special duties were to preserve order and uphold the authority of their master. In the course of time their duties were no doubt modified, but they retained their privileges and they must have continued to be a very valuable body of officers, on whose personal loyalty the king could always rely. In the preceding chapter we have already seen how grants of considerable estates were made by the Kassite kings of the Third Dynasty to followers who had rendered conspicuous services, and at the same time they received the privilege of holding such lands free of all liability to forced labour and the payment of tithes and taxes. We may conclude that the class of royal officers under the kings of the First Dynasty had a similar origin.
It has been suggested with a good amount of likelihood that these officials were originally personal attendants and followers of Sumu-abu, the founder of the First Dynasty of Babylon. They were likely given lands across the country in exchange for their services to the king, and their main responsibilities were to maintain order and support their master's authority. Over time, their roles were probably adjusted, but they kept their privileges and must have been a very valuable group of officials on whom the king could always depend for loyalty. In the previous chapter, we have already seen how the Kassite kings of the Third Dynasty granted significant estates to followers who had provided outstanding services, while also allowing them the privilege of holding such lands without any obligation to perform forced labor or pay tithes and taxes. We can conclude that the class of royal officials under the kings of the First Dynasty had a similar background.
In the present chapter, from information recently made available, we have given some account of the system of administration adopted by the early kings of Babylon, and we have described in some detail the various classes of the Babylonian population, their occupations, and the conditions under which they lived. In the two preceding chapters we have dealt with the political history of Western Asia from the very earliest period of the Sumerian city-states down to the time of the Kassite kings. In the course of this account we have seen how Mesopotamia in the dawn of history was in the sole possession of the Sumerian race and how afterwards it fell in turn under the dominion of the Semites and the kings of Elam. The immigration of fresh Semitic tribes at the end of the third millennium before Christ resulted in the establishment in Babylon of the Semitic kings who are known as First Dynasty kings; and under the sway of Hammurabi, the greatest of this group of kings, the empire thus established in Western Asia had every appearance of permanence. Although Elam no longer troubled Babylon, a great danger arose from a new and unexpected quarter. In the Country of the Sea—which comprised the districts in the extreme south of Babylonia on the shores of the Persian Gulf—the Sumerians had rallied their forces, and they now declared themselves independent of Babylonian control. A period of conflict followed between the kings of the First Dynasty and the kings of the Country of the Sea, in which the latter more than held their own; and, when the Hittite tribes of Syria invaded Northern Babylonia in the reign of Samsu-ditana, Babylon’s power of resistance was so far weakened that she fell an easy prey to the rulers of the Country of the Sea. But the reappearance of the Sumerians in the rôle of leading race in Western Asia was destined not to last long, and was little more than the last flicker of vitality exhibited by this ancient and exhausted race. Thus the Second Dynasty fell in its turn before the onslaught of the Kassite tribes who descended from the mountainous districts in the west of Elam, and, having overrun the whole of Mesopotamia, established a new dynasty at Babylon, and adopted Babylonian civilization.
In this chapter, based on recently available information, we've outlined the administrative system used by the early kings of Babylon and described in detail the different classes of the Babylonian population, their jobs, and their living conditions. In the previous two chapters, we've discussed the political history of Western Asia, starting from the earliest days of the Sumerian city-states to the time of the Kassite kings. Throughout this account, we've observed how Mesopotamia, at the dawn of history, was exclusively occupied by the Sumerian people and later came under the control of the Semites and the kings of Elam. The migration of new Semitic tribes at the end of the third millennium BC led to the rise of the Semitic kings known as the First Dynasty kings in Babylon; under Hammurabi, the most prominent of these kings, the empire established in Western Asia seemed likely to last. Although Elam no longer threatened Babylon, a major danger arose from an unexpected direction. In the Country of the Sea—which included the regions in the far south of Babylonia along the Persian Gulf—the Sumerians regrouped and declared their independence from Babylonian rule. This led to a period of conflict between the First Dynasty kings and the kings of the Country of the Sea, where the latter proved to be quite formidable; and, when the Hittite tribes from Syria invaded Northern Babylonia during the reign of Samsu-ditana, Babylon's capacity to resist was significantly weakened, making it susceptible to the rulers of the Country of the Sea. However, the resurgence of the Sumerians as the leading race in Western Asia was not meant to last long and was merely the last fleeting sign of life from this ancient and worn-out civilization. Thus, the Second Dynasty also collapsed under the attack of the Kassite tribes, who emerged from the mountainous areas in the west of Elam, overran all of Mesopotamia, established a new dynasty in Babylon, and embraced Babylonian culture.
With the advent of the Kassite kings a new chapter opens in the history of Western Asia. Up to that time Egypt and Babylon, the two chief centres of ancient civilization, had no doubt indirectly influenced one another, but they had not come into actual contact. During the period of the Kassite kings both Babylon and Assyria established direct relations with Egypt, and from that time forward the influence they exerted upon one another was continuous and unbroken. We have already traced the history of Babylon up to this point in the light of recent discoveries, and a similar task awaits us with regard to Assyria. Before we enter into a discussion of Assyria’s origin and early history in the light of recent excavation and research, it is necessary that we should return once more to Egypt, and describe the course of her history from the period when Thebes succeeded in displacing Memphis as the capital city.
With the rise of the Kassite kings, a new chapter begins in the history of Western Asia. Until that point, Egypt and Babylon, the two main centers of ancient civilization, had certainly influenced each other indirectly, but they had never interacted directly. During the time of the Kassite kings, both Babylon and Assyria established direct relations with Egypt, and from then on, their influence on each other was continuous and unbroken. We've already traced Babylon's history up to this moment with the help of recent discoveries, and now a similar task awaits us for Assyria. Before we delve into a discussion of Assyria's origins and early history based on new excavations and research, we need to return to Egypt and outline her history from the point when Thebes became the new capital city, replacing Memphis.
CHAPTER VII—TEMPLES AND TOMBS OF THEBES
We have seen that it was in the Theban period that Egypt emerged from her isolation, and for the first time came into contact with Western Asia. This grand turning-point in Egyptian history seemed to be the appropriate place at which to pause in the description of our latest knowledge of Egyptian history, in order to make known the results of archaeological discovery in Mesopotamia and Western Asia generally. The description has been carried down past the point of convergence of the two originally isolated paths of Egyptian and Babylonian civilization, and what new information the latest discoveries have communicated to us on this subject has been told in the preceding chapters. We now have to retrace our steps to the point where we left Egyptian history and resume the thread of our Egyptian narrative.
We have seen that it was during the Theban period that Egypt broke free from its isolation and first interacted with Western Asia. This significant moment in Egyptian history is a fitting point to pause and share what we've learned about archaeological discoveries in Mesopotamia and the wider Western Asia. The narrative has continued beyond the junction where the previously isolated paths of Egyptian and Babylonian civilizations met, and the new insights from recent findings have been detailed in the chapters before this one. Now, we need to go back to where we paused in Egyptian history and continue the story of Egypt.
The Hyksos conquest and the rise of Thebes are practically contemporaneous. The conquest took place perhaps three or four hundred years after the first advancement of Thebes to the position of capital of Egypt, but it must be remembered that this position was not retained during the time of the XIIth Dynasty. The kings of that dynasty, though they were Thebans, did not reign at Thebes. Their royal city was in the North, in the neighbourhood of Lisht and Mêdûm, where their pyramids were erected, and their chief care was for the lake province of the Fayyûm, which was largely the creation of Amenemhat III, the Moeris of the Greeks. It was not till Thebes became the focus of the national resistance to the Hyksos that its period of greatness began. Henceforward it was the undisputed capital of Egypt, enlarged and embellished by the care and munificence of a hundred kings, enriched by the tribute of a hundred conquered nations.
The Hyksos conquest and the rise of Thebes happened around the same time. The conquest likely occurred three or four hundred years after Thebes first became the capital of Egypt, but it's important to note that this status wasn't maintained during the XII Dynasty. Although the kings of that dynasty were from Thebes, they didn’t rule from there. Their royal city was in the North, near Lisht and Mêdûm, where they built their pyramids, and they focused on the lake region of the Fayyûm, largely developed by Amenemhat III, known as Moeris by the Greeks. It wasn’t until Thebes emerged as the center of national resistance against the Hyksos that it began its era of greatness. From that point on, it became the unquestioned capital of Egypt, expanded and decorated by the efforts and generosity of numerous kings, enriched by the tribute from many conquered nations.
But were we to confine ourselves to the consideration only of the latest discoveries of Theban greatness after the expulsion of the Hyksos, we should be omitting much that is of interest and importance. For the Egyptians the first grand climacteric in their history (after the foundation of the monarchy) was the transference of the royal power from Memphis and Herakleopolis to a Theban house. The second, which followed soon after, was the Hyksos invasion. The two are closely connected in Theban history; it is Thebes that defeated Herakleopolis and conquered Memphis; it is Theban power that was overthrown by the Hyksos; it is Thebes that expelled them and initiated the second great period of Egyptian history. We therefore resume our narrative at a point before the great increase of Theban power at the time of the expulsion of the Hyksos, and will trace this power from its rise, which followed the defeat of Herakleopolis and Memphis. It is upon this epoch—the beginning of Theban power—that the latest discoveries at Thebes have thrown some new light.
But if we only focus on the recent discoveries about Theban greatness after the Hyksos were driven out, we would miss a lot of interesting and important information. For the Egyptians, the first major turning point in their history (after the monarchy was established) was when royal power shifted from Memphis and Herakleopolis to a Theban dynasty. The second turning point, which came soon after, was the invasion by the Hyksos. These two events are closely linked in Theban history; it was Thebes that defeated Herakleopolis and took control of Memphis; it was Theban power that was toppled by the Hyksos; and it was Thebes that expelled them and marked the start of the second major era in Egyptian history. Therefore, we’ll continue our story from a time before the significant rise of Theban power during the Hyksos expulsion and will trace this power from its beginning, which followed the defeat of Herakleopolis and Memphis. It is in this period—the start of Theban power—that recent discoveries at Thebes have provided some new insights.
More than anywhere else in Egypt excavations have been carried on at Thebes, on the site of the ancient capital of the country. And here, if anywhere, it might have been supposed that there was nothing more to be found, no new thing to be exhumed from the soil, no new fact to be added to our knowledge of Egyptian history. Yet here, no less than at Abydos, has the archaeological exploration of the last few years been especially successful, and we have seen that the ancient city of Thebes has a great deal more to tell us than we had expected.
More than anywhere else in Egypt, excavations have been happening at Thebes, the site of the ancient capital. Here, if anywhere, it might have seemed that there was nothing left to discover, no new artifacts to unearth from the ground, and no new insights to add to our understanding of Egyptian history. Yet, similarly to Abydos, the archaeological work of recent years has been particularly fruitful, revealing that the ancient city of Thebes has much more to share with us than we initially thought.
The most ancient remains at Thebes were discovered by Mr. Newberry in the shape of two tombs of the VIth Dynasty, cut upon the face of the well-known hill of Shêkh Abd el-Kûrna, on the west bank of the Nile opposite Luxor. Every winter traveller to Egypt knows, well the ride from the sandy shore opposite the Luxor temple, along the narrow pathway between the gardens and the canal, across the bridges and over the cultivated land to the Ramesseum, behind which rises Shêkh Abd el-Kûrna, with its countless tombs, ranged in serried rows along the scarred and scarped face of the hill. This hill, which is geologically a fragment of the plateau behind which some gigantic landslip was sent sliding in the direction of the river, leaving the picturesque gorge and cliffs of Dêr el-Bahari to mark the place from which it was riven, was evidently the seat of the oldest Theban necropolis. Here were the tombs of the Theban chiefs in the period of the Old Kingdom, two of which have been found by Mr. Newberry. In later times, it would seem, these tombs were largely occupied and remodelled by the great nobles of the XVIIIth Dynasty, so that now nearly all the tombs extant on Shêkh Abd el-Kûrna belong to that dynasty.
The oldest remains at Thebes were found by Mr. Newberry in the form of two tombs from the VI Dynasty, carved into the well-known hill of Shêkh Abd el-Kûrna, on the west bank of the Nile across from Luxor. Every winter traveler to Egypt is familiar with the ride from the sandy shore opposite the Luxor temple, along the narrow path between the gardens and the canal, across the bridges and over the cultivated land to the Ramesseum, behind which rises Shêkh Abd el-Kûrna, with its countless tombs lined up in rows along the rugged hillside. This hill, which is geologically a piece of the plateau that experienced a massive landslide towards the river, leaving behind the scenic gorge and cliffs of Dêr el-Bahari as a reminder of where it broke away, was clearly the site of the oldest Theban necropolis. Here were the tombs of the Theban leaders during the Old Kingdom, two of which have been discovered by Mr. Newberry. Later on, it seems these tombs were mainly taken over and remodeled by the high-ranking nobles of the XVIII Dynasty, so that now nearly all the tombs still standing on Shêkh Abd el-Kûrna belong to that dynasty.
Of the Thebes of the IXth and Xth Dynasties, when the Herakleopolites ruled, we have in the British Museum two very remarkable statues—one of which is here illustrated—of the steward of the palace, Mera. The tomb from which they came is not known. Both are very beautiful examples of the Egyptian sculptor’s art, and are executed in a style eminently characteristic of the transition period between the work of the Old and Middle Kingdoms. As specimens of the art of the Hierakonpolite period, of which we have hardly any examples, they are of the greatest interest. Mera is represented wearing a different head-dress in each figure; in one he has a short wig, in the other a skullcap.
From the Thebes of the IXth and Xth Dynasties, when the Herakleopolites were in charge, the British Museum has two very notable statues—one of which is shown here—of the palace steward, Mera. We don’t know the tomb they came from. Both are beautiful examples of the Egyptian sculptor’s skill and are made in a style that clearly represents the transition between the Old and Middle Kingdoms. As examples of art from the Hierakonpolite period, which we have very few of, they are extremely valuable. Mera is depicted with a different headpiece in each statue; in one, he has a short wig, and in the other, a skullcap.

When the Herakleopolite dominion was finally overthrown, in spite of the valiant resistance of the princes of Asyût, and the Thebans assumed the Pharaonic dignity, thus founding the XIth Dynasty, the Theban necropolis was situated in the great bay in the cliffs, immediately north of Shêkh Abd el-Kûrna, which is known as Dêr el-Bahari. In this picturesque part of Western Thebes, in many respects perhaps the most picturesque place in Egypt, the greatest king of the XIth Dynasty, Neb-hapet-Râ Mentuhetep, excavated his tomb and built for the worship of his ghost a funerary temple, which he called Akh-aset, “Glorious-is-its- Situation,” a name fully justified by its surroundings. This temple is an entirely new discovery, made by Prof. Naville and Mr. Hall in 1903. The results obtained up to date have been of very great importance, especially with regard to the history of Egyptian art and architecture, for our sources of information were few and we were previously not very well informed as to the condition of art in the time of the XIth Dynasty.
When the Herakleopolite rule was finally overthrown, despite the brave resistance from the princes of Asyût, the Thebans took on the title of Pharaoh, thus starting the XIth Dynasty. The Theban necropolis was located in the beautiful bay in the cliffs, just north of Shêkh Abd el-Kûrna, which is known as Dêr el-Bahari. In this picturesque area of Western Thebes, arguably the most beautiful spot in Egypt, the greatest king of the XIth Dynasty, Neb-hapet-Râ Mentuhetep, created his tomb and built a funerary temple for the worship of his spirit, which he named Akh-aset, meaning “Glorious-is-its- Situation,” a title that perfectly reflects its beautiful setting. This temple is a completely new discovery, made by Prof. Naville and Mr. Hall in 1903. The findings so far have been extremely significant, especially for understanding the history of Egyptian art and architecture, as we had very few sources of information and were previously not well informed about the state of art during the XIth Dynasty.
The new temple lies immediately to the south of the great XVIIIth Dynasty temple at Dêr el-Bahari, which has always been known, and which was excavated first by Mariette and later by Prof. Naville, for the Egypt Exploration Fund. To the results of the later excavations we shall return. When they were finally completed, in the year 1898, the great XVIIIth Dynasty temple, which was built by Queen Hatshepsu, had been entirely cleared of débris, and the colonnades had been partially restored (under the care of Mr. Somers Clarke) in order to make a roof under which to protect the sculptures on the walls. The whole mass of débris, consisting largely of fallen talus from the cliffs above, which had almost hidden the temple, was removed; but a large tract lying to the south of the temple, which was also covered with similar mounds of débris, was not touched, but remained to await further investigation. It was here, beneath these heaps of débris, that the new temple was found when work was resumed by the Egypt Exploration Fund in 1903. The actual tomb of the king has not yet been revealed, although that of Neb-hetep Mentuhetep, who may have been his immediate predecessor, was discovered by Mr. Carter in 1899. It was known, however, and still uninjured in the reign of Ramses IX of the XXth Dynasty. Then, as we learn from the report of the inspectors sent to examine the royal tombs, which is preserved in the Abbott Papyrus, they found the pyramid-tomb of King Xeb-hapet-Râ which is in Tjesret (the ancient Egyptian name for Dêr el-Bahari); it was intact. We know, therefore, that it was intact about 1000 B.C. The description of it as a pyramid-tomb is interesting, for in the inscription of Tetu, the priest of Akh-aset, who was buried at Abydos, Akh-aset is said to have been a pyramid. That the newly discovered temple was called Akh-aset we know from several inscriptions found in it. And the most remarkable thing about this temple is that in its centre there was a pyramid. This must be the pyramid-tomb which was found intact by the inspectors, so that the tomb itself must be close by. But it does not seem to have been beneath the pyramid, below which is only solid rock. It is perhaps a gallery cut in the cliffs at the back of the temple.
The new temple is located just south of the well-known great XVIIIth Dynasty temple at Dêr el-Bahari, which was initially excavated by Mariette and later by Prof. Naville for the Egypt Exploration Fund. We'll revisit the findings from the later excavations. By the time they wrapped up in 1898, the great XVIIIth Dynasty temple, built by Queen Hatshepsut, had been completely cleared of debris, and the colonnades had been partially restored (under Mr. Somers Clarke's supervision) to create a roof to protect the wall sculptures. The entire mass of debris, mainly consisting of fallen rocks from the cliffs above that had nearly obscured the temple, was removed. However, a large area to the south, also covered with similar debris, was left untouched, pending further investigation. It was beneath these piles of debris that the new temple was discovered when work resumed by the Egypt Exploration Fund in 1903. The actual tomb of the king has not yet been uncovered, although that of Neb-hetep Mentuhetep, who may have been his direct predecessor, was found by Mr. Carter in 1899. It was known to be intact during the reign of Ramses IX of the XXth Dynasty. According to the inspectors' report on the royal tombs preserved in the Abbott Papyrus, they found the pyramid-tomb of King Xeb-hapet-Râ, located in Tjesret (the ancient Egyptian name for Dêr el-Bahari), and it was intact. Thus, we know it was untouched around 1000 B.C. The description of it as a pyramid-tomb is intriguing, as in the inscription of Tetu, the priest of Akh-aset, who was buried at Abydos, Akh-aset is described as a pyramid. We know from several inscriptions found in the newly discovered temple that it was called Akh-aset. The most remarkable feature of this temple is that there was a pyramid at its center. This must be the pyramid-tomb that was found intact by the inspectors, indicating that the tomb itself is likely nearby. However, it doesn't appear to be beneath the pyramid, which sits on solid rock. It might be a gallery carved into the cliffs at the back of the temple.
The pyramid was then a dummy, made of rubble within a revetment of heavy flint nodules, which was faced with fine limestone. It was erected on a pyloni-form base with heavy cornice of the usual Egyptian pattern. This central pyramid was surrounded by a roofed hall or ambulatory of small octagonal pillars, the outside wall of which was decorated with coloured reliefs, depicting various scenes connected with the sed-heb or jubilee-festival of the king, processions of the warriors and magnates of the realm, scenes of husbandry, boat-building, and so forth, all of which were considered appropriate to the chapel of a royal tomb at that period. Outside this wall was an open colonnade of square pillars. The whole of this was built upon an artificially squared rectangular platform of natural rock, about fifteen feet high. To north and south of this were open courts. The southern is bounded by the hill; the northern is now bounded by the Great Temple of Hat-shepsu, but, before this was built, there was evidently a very large open court here. The face of the rock platform is masked by a wall of large rectangular blocks of fine white limestone, some of which measure six feet by three feet six inches. They are beautifully squared and laid in bonded courses of alternate sizes, and the walls generally may be said to be among the finest yet found in Egypt. We have already remarked that the architects of the Middle Kingdom appear to have been specially fond of fine masonry in white stone. The contrast between these splendid XIth Dynasty walls, with their great base-stones of sandstone, and the bad rough masonry of the XVIIIth Dynasty temple close by, is striking. The XVIIIth Dynasty architects and masons had degenerated considerably from the standard of the Middle Kingdom.
The pyramid was essentially a structure made of rubble within a framework of heavy flint nodules, which was covered with fine limestone. It was built on a pyloni-form base with a heavy cornice featuring the typical Egyptian design. This central pyramid was encircled by a roofed hall or walkway supported by small octagonal pillars, with the outer wall adorned with colored reliefs showing various scenes related to the sed-heb or jubilee festival of the king, including processions of warriors and nobles, scenes of farming, boat-building, and so on, all of which were considered fitting for a royal tomb chapel at that time. Outside this wall was an open colonnade of square pillars. The entire structure was constructed on an artificially leveled rectangular platform of natural rock, standing about fifteen feet high. To the north and south of this were open courts. The southern court is bordered by a hill; the northern court is now alongside the Great Temple of Hatshepsut, but before this was built, there was clearly a large open area here. The face of the rock platform is covered by a wall of large rectangular blocks of fine white limestone, some measuring six feet by three feet six inches. They are beautifully squared and arranged in bonded courses of different sizes, and the walls can generally be regarded as some of the finest found in Egypt. We have already noted that the architects of the Middle Kingdom seemed to have a particular affinity for exquisite masonry in white stone. The contrast between these impressive XIth Dynasty walls, with their large base stones of sandstone, and the poor, rough masonry of the nearby XVIIIth Dynasty temple is striking. The architects and masons of the XVIIIth Dynasty had significantly declined from the standards of the Middle Kingdom.
This rock platform was approached from the east in the centre by an inclined plane or ramp, of which part of the original pavement of wooden beams remains in situ.
This rock platform was accessed from the east in the center by a sloped pathway or ramp, with some of the original wooden beam pavement still remaining in situ.

Excavated by Mr. Hall, 1904, for the Egypt Exploration Fund.
Excavated by Mr. Hall in 1904 for the Egypt Exploration Fund.
To right and left of this ramp are colonnades, each of twenty-two square pillars, all inscribed with the name and titles of Mentuhetep. The walls masking the platform in these colonnades were sculptured with various scenes, chiefly representing boat processions and campaigns against the Aamu or nomads of the Sinaitic peninsula. The design of the colonnades is the same as that of the Great Temple, and the whole plan of this part, with its platform approached by a ramp flanked by colonnades, is so like that of the Great Temple that we cannot but assume that the peculiar design of the latter, with its tiers of platforms approached by ramps flanked by colonnades, is not an original idea, but was directly copied by the XVIIIth Dynasty architects from the older XIth Dynasty temple which they found at Dêr el-Bahari when they began their work.
To the right and left of this ramp are colonnades, each with twenty-two square pillars, all engraved with the name and titles of Mentuhetep. The walls surrounding the platform in these colonnades were carved with various scenes, mainly showing boat processions and campaigns against the Aamu, or nomads from the Sinaitic peninsula. The design of the colonnades is the same as that of the Great Temple, and the entire layout of this area, with its platform accessed by a ramp lined with colonnades, closely resembles that of the Great Temple. This leads us to conclude that the unique design of the latter, with its tiers of platforms served by ramps bordered by colonnades, is not an original concept but was directly copied by the XVIII Dynasty architects from the older XI Dynasty temple they encountered at Dêr el-Bahari when they started their work.

Excavated by M. Naville, 1896; repaired by Mr. Howard Carter, 1904.
Excavated by M. Naville, 1896; restored by Mr. Howard Carter, 1904.
The supposed originality of Hatshepsu’s temple is then non-existent; it was a copy of the older design, in fact, a magnificent piece of archaism. But Hatshepsu’s architects copied this feature only; the actual arrangements on the platforms in the two temples are as different as they can possibly be. In the older we have a central pyramid with a colonnade round it, in the newer may be found an open court in front of rock-cave shrines.
The claimed originality of Hatshepsut’s temple doesn't really exist; it was just a remake of an older design, essentially a stunning example of archaism. However, Hatshepsut’s architects copied only that feature; the actual layouts on the platforms of the two temples are completely different. In the older temple, there is a central pyramid surrounded by a colonnade, while the newer one has an open court in front of rock-cave shrines.

Before the XIth Dynasty temple was set up a series of statues of King Mentuhetep and of a later king, Amenhetep I, in the form of Osiris, like those of Usertsen (Senusret) I at Lisht already mentioned. One of these statues is in the British Museum. In the south court were discovered six statues of King Usertsen (Senusret) III, depicting him at different periods of his life. Pour of the heads are preserved, and, as the expression of each differs from that of the other, it is quite evident that some show him as a young, others as an old, man.
Before the XIth Dynasty temple was established, a series of statues of King Mentuhetep and a later king, Amenhetep I, were created in the form of Osiris, similar to those of Usertsen (Senusret) I at Lisht mentioned earlier. One of these statues is in the British Museum. In the south court, six statues of King Usertsen (Senusret) III were found, showing him at various stages of his life. Four of the heads are preserved, and since each expression is different from the others, it's clear that some depict him as a young man, while others show him as an older man.

Of The XIth Dynasty Temple At Dêr El-Bahari. About 2500 B.C.
Of The XIth Dynasty Temple At Dêr El-Bahari. About 2500 B.C.
The face is of the well-known hard and lined type which is seen also in the portraits of Amenemhat III, and was formerly considered to be that of the Hyksos. Messrs. Newberry and Garstang, as we have seen, consider it to be so, indirectly, as they regard the type as having been introduced into the XIIth Dynasty by Queen Nefret, the mother of Usertsen (Sen-usret) III. This queen, they think, was a Hittite princess, and the Hittites were practically the same thing as the Hyksos. We have seen, however, that there is very little foundation for this view, and it is more than probable that this peculiar physiognomy is of a type purely Egyptian in character.
The face is of the well-known hard and lined type that can also be seen in the portraits of Amenemhat III, and it was previously thought to belong to the Hyksos. Messrs. Newberry and Garstang, as we've noted, indirectly consider it to be so since they believe this type was brought into the XIIth Dynasty by Queen Nefret, the mother of Usertsen (Sen-usret) III. This queen, they think, was a Hittite princess, and the Hittites were pretty much the same as the Hyksos. However, we've established that there's very little basis for this view, and it's more than likely that this unique physiognomy is purely Egyptian in nature.

On The Platform Of The XIth Dynasty Temple, Dêr El-Bahari, 1904.
On the Platform of the 11th Dynasty Temple, Dêr El-Bahari, 1904.
On the platform, around the central pyramid, were buried in small chamber-tombs a number of priestesses of the goddess Hathor, the mistress of the desert and special deity of Dêr el-Bahari. They were all members of the king’s harîm, and they bore the title of “King’s Favourite.” As told in a previous chapter, all were buried at one time, before the final completion of the temple, and it is by no means impossible that they were strangled at the king’s death and buried round him in order that their ghosts might accompany him in the next world, just as the slaves were buried around the graves (or secondary graves) of the 1st Dynasty kings at Aby-dos. They themselves, as also already related, took with them to the next world little waxen figures which when called upon could by magic be turned into ghostly slaves. These images were ushabtiu, “answerers,” the predecessors of the little figures of wood, stone, and pottery which are found buried with the dead in later times. The priestesses themselves were, so to speak, human ushabtiu, for royal use only, and accompanied the kings to their final resting-place.
On the platform, surrounding the central pyramid, were buried in small chamber-tombs several priestesses of the goddess Hathor, the lady of the desert and special deity of Dêr el-Bahari. They were all part of the king’s harem and held the title of “King’s Favorite.” As mentioned in a previous chapter, they were all buried at once, before the temple was fully completed. It’s quite possible they were strangled at the king’s death and buried around him so their spirits could accompany him in the afterlife, similar to how slaves were buried around the graves (or secondary graves) of the 1st Dynasty kings at Abydos. As previously mentioned, they took small wax figures with them to the afterlife, which could magically transform into ghostly servants when needed. These figures were called ushabtiu, “answerers,” the predecessors of the little wooden, stone, and pottery figures found buried with the dead in later periods. The priestesses themselves were, in a sense, living ushabtiu, meant solely for royal use, and accompanied the kings to their final resting place.
With the priestesses was buried the usual funerary furniture characteristic of the period. This consisted of little models of granaries with the peasants bringing in the corn, models of bakers and brewers at work, boats with their crews, etc., just as we find them in the XIth and XIIth Dynasty tombs at el-Bersha and Beni Hasan. These models, too, were supposed to be transformed by magic into actual workmen who would work for the deceased, heap up grain for her, brew beer for her, ferry her over the ghostly Nile into the tomb-world, or perform any other services required.
With the priestesses, they buried the typical funerary items common for that time. This included small models of granaries with peasants bringing in the corn, models of bakers and brewers at work, boats with their crews, and so on, similar to what we see in the XIth and XIIth Dynasty tombs at el-Bersha and Beni Hasan. These models were also believed to magically transform into actual workers who would serve the deceased—gathering grain for her, brewing beer for her, ferrying her across the ghostly Nile into the afterlife, or providing any other needed services.
Some of the stone sarcophagi of the priestesses are very elaborately decorated with carved and painted reliefs depicting each deceased receiving offerings from priests, one of whom milks the holy cows of Hathor to give her milk. The sarcophagi were let down into the tomb in pieces and there joined together, and they have been removed in the same way. The finest is a unique example of XIth Dynasty art, and it is now preserved in the Museum of Cairo.
Some of the stone sarcophagi of the priestesses are intricately decorated with carved and painted reliefs showing each deceased person receiving offerings from priests. One of the priests is depicted milking the sacred cows of Hathor to provide her milk. The sarcophagi were lowered into the tomb in separate pieces and then assembled there, and they have been taken out in the same manner. The finest one is a one-of-a-kind example of XIth Dynasty art, and it's now housed in the Museum of Cairo.

In memory of the priestesses there were erected on the platform behind the pyramid a number of small shrines, which were decorated with the most delicately coloured carvings in high relief, representing chiefly the same subjects as those on the sarcophagi. The peculiar style of these reliefs was previously unknown. In connection with them a most interesting possibility presents itself.
In memory of the priestesses, several small shrines were built on the platform behind the pyramid, decorated with beautifully colored carvings in high relief that mainly depicted the same themes as those on the sarcophagi. The unique style of these reliefs had never been seen before. Along with them, a very interesting possibility arises.

We know the name of the chief artist of Mentuhetep’s reign. He was called Mertisen, and he thus describes himself on his tombstone from Abydos, now in the Louvre: “I was an artist skilled in my art. I knew my art, how to represent the forms of going forth and returning, so that each limb may be in its proper place. I knew how the figure of a man should walk and the carriage of a woman, the poising of the arm to bring the hippopotamus low, the going of the runner. I knew how to make amulets, which enable us to go without fire burning us and without the flood washing us away. No man could do this but I, and the eldest son of my body. Him has the god decreed to excel in art, and I have seen the perfections of the work of his hands in every kind of rare stone, in gold and silver, in ivory and ebony.” Now since Mertisen and his son were the chief artists of their day, it is more than probable that they were employed to decorate their king’s funerary chapel. So that in all probability the XIth Dynasty reliefs from Dêr el-Bahari are the work of Mertisen and his son, and in them we see the actual “forms of going forth and returning, the poising of the arm to bring the hippopotamus low, the going of the runner,” to which he refers on his tombstone. This adds a note of personal interest to the reliefs, an interest which is often sadly wanting in Egypt, where we rarely know the names of the great artists whose works we admire so much. We have recovered the names of the sculptor and painter of Seti I’s temple at Abydos and that of the sculptor of some of the tombs at Tell el-Amarna, but otherwise very few names of the artists are directly associated with the temples and tombs which they decorated, and of the architects we know little more. The great temple of Dêr el-Bahari was, however, we know, designed by Senmut, the chief architect to Queen Hatshepsu.
We know the name of the main artist during Mentuhetep's reign. He was called Mertisen, and he describes himself on his tombstone from Abydos, now in the Louvre: “I was an artist skilled in my craft. I understood my art, how to represent the forms of going out and coming back, so that each limb is in its correct place. I knew how a man should walk, how a woman carries herself, how to position the arm to bring down a hippopotamus, the movement of a runner. I knew how to make amulets that protect us from fire and keep the flood away. No one else could do this except me and my firstborn son. God has destined him to excel in art, and I have seen the perfection of his work with every kind of rare stone, in gold and silver, in ivory and ebony.” Since Mertisen and his son were the top artists of their time, it's likely they were hired to decorate their king's funerary chapel. Therefore, it's probable that the XI Dynasty reliefs from Dêr el-Bahari are the work of Mertisen and his son, showcasing the actual “forms of going forth and returning, the poising of the arm to bring the hippopotamus low, the movement of the runner,” as he mentioned on his tombstone. This adds a personal touch to the reliefs, a kind of interest that's often lacking in Egypt, where we rarely know the names of the great artists whose works we admire. We have recovered the names of the sculptor and painter from Seti I’s temple at Abydos and the sculptor of some tombs at Tell el-Amarna, but very few names are connected directly to the temples and tombs they decorated, and we know little more about the architects. However, we do know that the great temple of Dêr el-Bahari was designed by Senmut, the chief architect for Queen Hatshepsut.
It is noticeable that Mertisen’s art, if it is Mertisen’s, is of a peculiar character. It is not quite so fully developed as that of the succeeding XIIth Dynasty. The drawing of the figures is often peculiar, strange lanky forms taking the place of the perfect proportions of the IVth-VIth and the XIIth Dynasty styles. Great elaboration is bestowed upon decoration, which is again of a type rather archaic in character when compared with that of the XIIth Dynasty. We are often reminded of the rude sculptures which used to be regarded as typical of the art of the XIth Dynasty, while at the same time we find work which could not be surpassed by the best XIIth Dynasty masters. In fact, the art of Neb-hapet-Râ’s reign was the art of a transitional period. Under the decadent Memphites of the VIIth and VIIIth Dynasties, Egyptian art rapidly fell from the high estate which it had attained under the Vth Dynasty, and, though good work was done under the Hierakonpolites, the chief characteristic of Egyptian art at the time of the Xth and early XIth Dynasties is its curious roughness and almost barbaric appearance. When, however, the kings of the XIth Dynasty reunited the whole land under one sceptre, and the long reign of Neb-hapet-Râ Mentuhetep enabled the reconsolidation of the realm to be carried out by one hand, art began to revive, and, just as to Neb-hapet-Râ must be attributed the renascence of the Egyptian state under the hegemony of Thebes, so must the revival of art in his reign be attributed to his great artists, Mertisen and his son. They carried out in the realm of art what their king had carried out in the political realm, and to them must be attributed the origin of the art of the Middle Kingdom which under the XIIth Dynasty attained so high a pitch of excellence. The sculptures of the king’s temple at Dêr el-Bahari, then, are monuments of the renascence of Egyptian art, after the state of decadence into which it had fallen during the long civil wars between South and North; it is a reviving art, struggling out of barbarism to regain perfection, and therefore has much about it that seems archaic, stiff, and curious when compared with later work. To the XVIIIth Dynasty Egyptian it would no doubt have seemed hopelessly old-fashioned and even semi-barbarous, and he had no qualms about sweeping it aside whenever it appeared in the way of the work of his own time; but to us this very strangeness gives additional charm and interest, and we can only be thankful that Mertisen’s work has lasted (in fragments only, it is true) to our own day, to tell us the story of a little known chapter in the history of ancient Egyptian art.
It’s clear that Mertisen’s art, if it is indeed his, has a distinct style. It’s not as fully developed as that of the later XIIth Dynasty. The figures often have an unusual quality, with lanky shapes instead of the perfect proportions found in the IVth-VIth and XIIth Dynasty styles. There is a lot of attention to decoration, which appears rather archaic when compared to that of the XIIth Dynasty. We often think of the crude sculptures typically associated with the art of the XIth Dynasty, while at the same time, there are works that could compete with the best masters of the XIIth Dynasty. In fact, the art during Neb-hapet-Râ’s reign reflects a transitional phase. Under the declining Memphites of the VIIth and VIIIth Dynasties, Egyptian art quickly deteriorated from the high standards it had reached during the Vth Dynasty. Although some quality work was done under the Hierakonpolites, the main characteristic of Egyptian art in the Xth and early XIth Dynasties is its strange roughness and almost barbaric look. However, when the kings of the XIth Dynasty brought the entire land under one ruler, and the long reign of Neb-hapet-Râ Mentuhetep allowed for a unified approach, art began to flourish again. Just as Neb-hapet-Râ is credited for the resurgence of the Egyptian state under Thebes, the revival of art during his reign can be attributed to great artists like Mertisen and his son. They accomplished in art what their king achieved politically, and they are responsible for the beginnings of Middle Kingdom art, which reached extraordinary heights in the XIIth Dynasty. The sculptures in the king’s temple at Dêr el-Bahari stand as monuments to the revival of Egyptian art after the period of decline during the long civil wars between the South and North; it represents a recovering art, emerging from barbarism to reclaim its excellence, and therefore has aspects that seem archaic, rigid, and intriguing compared to later works. To someone from the XVIIIth Dynasty, it would likely have appeared hopelessly outdated and even somewhat barbaric, without hesitation to dismiss it when it got in the way of contemporary art; but for us today, this very peculiarity adds charm and interest. We can only be grateful that remnants of Mertisen’s work have survived, albeit in fragments, to tell us about a lesser-known chapter in the history of ancient Egyptian art.
From this description it will have been seen that the temple is an important monument of the Egyptian art and architecture of the Middle Kingdom. It is the only temple of that period of which considerable traces have been found, and on that account the study of it will be of the greatest interest. It is the best preserved of the older temples of Egypt, and at Thebes it is by far the most ancient building recovered. Historically it has given us a new king of the XIth Dynasty, Sekhâhe-tep-Râ Mentuhetep, and the name of the queen of Neb-hapet-Râ Mentuhetep, Aasheit, who seems to have been an Ethiopian, to judge from her portrait, which has been discovered. It is interesting to note that one of the priestesses was a negress.
From this description, it's clear that the temple is an important monument of Egyptian art and architecture from the Middle Kingdom. It's the only temple from that period where significant remains have been found, making its study particularly fascinating. It’s the best-preserved of the older temples in Egypt, and at Thebes, it’s the oldest building that has been uncovered. Historically, it has revealed a new king from the XIth Dynasty, Sekhâhe-tep-Râ Mentuhetep, and the name of the queen of Neb-hapet-Râ Mentuhetep, Aasheit, who appears to have been Ethiopian based on her discovered portrait. It’s also notable that one of the priestesses was a Black woman.
The name Neb-hapet-Râ may be unfamiliar to those readers who are acquainted with the lists of the Egyptian kings. It is a correction of the former reading, “Neb-kheru-Râ,” which is now known from these excavations to be erroneous. Neb-hapet-Râ (or, as he used to be called, Neb-kheru-Râ) is Mentuhetep III of Prof. Petrie’s arrangement. Before him there seem to have come the kings Mentuhetep Neb-hetep (who is also commemorated in this temple) and Neb-taui-Râ; after him, Sekhâhetep-Râ Mentuhetep IV and Seânkhkarâ Mentuhetep V, who were followed by an Antef, bearing the banner or hawk-name Uah-ânkh. This king was followed by Amenemhat I, the first king of the XIIth Dynasty. Antef Uah-ânkh may be numbered Antef I, as the prince Antefa, who founded the XIth Dynasty, did not assume the title of king.
The name Neb-hapet-Râ might not ring a bell for readers familiar with the lists of Egyptian kings. It's a correction of the earlier reading, “Neb-kheru-Râ,” which recent excavations have shown to be wrong. Neb-hapet-Râ (formerly known as Neb-kheru-Râ) is Mentuhetep III in Prof. Petrie’s lineup. Before him, it appears that the kings Mentuhetep Neb-hetep (who is also honored in this temple) and Neb-taui-Râ came first; after him were Sekhâhetep-Râ Mentuhetep IV and Seânkhkarâ Mentuhetep V, followed by an Antef with the banner or hawk-name Uah-ânkh. This king was succeeded by Amenemhat I, the first king of the XIIth Dynasty. Antef Uah-ânkh could be considered Antef I, as the prince Antefa, who founded the XIth Dynasty, never took the title of king.
Other kings of the name of Antef also ruled over Egypt, and they used to be regarded as belonging to the XIth Dynasty; but Prof. Steindorff has now proved that they really reigned after the XIIIth Dynasty, and immediately before the Sekenenrâs, who were the fighters of the Hyksos and predecessors of the XVIIIth Dynasty. The second names of Antef III (Seshes-Râ-up-maat) and Antef IV (Seshes-Râ-her-her-maat) are exactly similar to those of the XIIIth Dynasty kings and quite unlike those of the Mentuheteps; also at Koptos a decree of Antef II (Nub-kheper-Râ) has been found inscribed on a doorway of Usertsen (Senusret) I; so that he cannot have preceded him. Prof. Petrie does not yet accept these conclusions, and classes all the Antefs together with the Mentuheteps in the XIth Dynasty. He considers that he has evidence from Herakleopolis that Antef Xub-kheper-Râ (whom he numbers Antef V) preceded the XIIth Dynasty, and he supposes that the decree of Nub-kheper-Râ at Koptos is a later copy of the original and was inscribed during the XIIth Dynasty. But this is a difficult saying. The probabilities are that Prof. Steindorff is right. Antef Uah-ânkh must, however, have preceded the XIIth Dynasty, since an official of that period refers to his father’s father as having lived in Uah-ânkh ‘s time.
Other kings named Antef also ruled over Egypt, and they were typically thought to belong to the XIth Dynasty. However, Professor Steindorff has now demonstrated that they actually reigned after the XIIIth Dynasty, right before the Sekenenrâs, who fought the Hyksos and were predecessors of the XVIIIth Dynasty. The names of Antef III (Seshes-Râ-up-maat) and Antef IV (Seshes-Râ-her-her-maat) are very similar to those of the XIIIth Dynasty kings and quite different from those of the Mentuheteps. Additionally, at Koptos, a decree from Antef II (Nub-kheper-Râ) has been found inscribed on a doorway of Usertsen (Senusret) I, which means he can't have come before him. Professor Petrie hasn’t accepted these conclusions yet and groups all the Antefs along with the Mentuheteps in the XIth Dynasty. He believes he has evidence from Herakleopolis that Antef Xub-kheper-Râ (whom he calls Antef V) came before the XIIth Dynasty, and he speculates that the decree of Nub-kheper-Râ at Koptos is a later copy made during the XIIth Dynasty. But this is quite a tricky assertion. The odds are that Professor Steindorff is correct. Antef Uah-ânkh, however, must have come before the XIIth Dynasty, as an official from that time refers to his grandfather as having lived during Uah-ânkh's period.
The necropolis of Dêr el-Bahari was no doubt used all through the period of the XIth and XIIth Dynasties, and many tombs of that period have been found there. A large number of these were obliterated by the building of the great temple of Queen Hatshepsu, in the northern part of the cliff-bay. We know of one queen’s tomb of that period which runs right underneath this temple from the north, and there is another that is entered at the south side which also runs down underneath it. Several tombs were likewise found in the court between it and the XIth Dynasty temple. We know that the XVIIIth Dynasty temple was largely built over this court, and we can see now the XIth Dynasty mask-wall on the west of the court running northwards underneath the mass of the XVIIIth Dynasty temple. In all probability, then, when the temple of Hatshepsu was built, the larger portion of the Middle Kingdom necropolis (of chamber-tombs reached by pits), which had filled up the bay to the north of the Mentuhetep temple, was covered up and obliterated, just as the older VIth Dynasty gallery tombs of Shêkh Abd el-Kûrna had been appropriated and altered at the same period.
The necropolis of Dêr el-Bahari was definitely in use during the XIth and XIIth Dynasties, and many tombs from that time have been discovered there. A significant number of these were destroyed when the grand temple of Queen Hatshepsut was built in the northern part of the cliff-bay. We know of one queen’s tomb from that period that runs directly beneath this temple from the north, and there’s another that can be accessed from the south side, which also extends underneath it. Several tombs were also found in the courtyard between this temple and the XIth Dynasty temple. We know that the XVIIIth Dynasty temple was mainly constructed over this courtyard, and we can now see the XIth Dynasty mask-wall on the west side of the courtyard running north beneath the structure of the XVIIIth Dynasty temple. Most likely, when Hatshepsut's temple was built, a large portion of the Middle Kingdom necropolis (which consisted of chamber-tombs accessed by pits) that had filled up the bay to the north of the Mentuhetep temple was covered and destroyed, just as the older VIth Dynasty gallery tombs of Shêkh Abd el-Kûrna were taken over and modified during the same period.
The kings of the XIIth and XIIIth Dynasties were not buried at Thebes, as we have seen, but in the North, at Dashûr, Lisht, and near the Fayymn, with which their royal city at Itht-taui had brought them into contact. But at the end of the XIIIth Dynasty the great invasion of the Hyksos probably occurred, and all Northern Egypt fell under the Arab sway. The native kings were driven south from the Fayymn to Abydos, Koptos, and Thebes, and at Thebes they were buried, in a new necropolis to the north of Dêr el-Bahari (probably then full), on the flank of a long spur of hill which is now called Dra’ Abu-’l-Negga, “Abu-’l-Negga’s Arm.” Here the Theban kings of the period between the XIIIth and XVIIth Dynasties, Upuantemsaf, Antef Nub-kheper-Râ, and his descendants, Antefs III and IV, were buried. In their time the pressure of foreign invasion seems to have been felt, for, to judge from their coffins, which show progressive degeneration of style and workmanship, poverty now afflicted Upper Egypt and art had fallen sadly from the high standard which it had reached in the days of the XIth and XIIth Dynasties. Probably the later Antefs and Sebekemsafs were vassals of the Hyksos. Their descendants of the XVIIth Dynasty were buried in the same necropolis of Dra’ Abu-’l-Negga, and so were the first two kings of the XVIIIth Dynasty, Aahmes and Amenhetep I. The tombs of the last two have not yet been found, but we know from the Abbott Papyrus that Amenhetep’s was here, for, like that of Menttihetep III, it was found intact by the inspectors. It was a gallery-tomb of very great length, and will be a most interesting find when it is discovered, as it no doubt eventually will be. Aahmes had a tomb at Abydos, which was discovered by Mr. Currelly, working for the Egypt Exploration Fund. This, however, like the Abydene tomb of Usert-sen (Senusret) III, was in all likelihood a sham or secondary tomb, the king having most probably been buried at Thebes, in the Dra’ Abu-’l-Negga. The Abydos tomb is of interesting construction. The entrance is by a simple pit, from which a gallery runs round in a curving direction to a great hall supported by eighteen square pillars, beyond which is a further gallery which was never finished. Nothing was found in the tomb. On the slope of the mountain, due west of and in a line with the tomb, Mr. Currelly found a terrace-temple analogous to those of Dêr el-Bahari, approached not by means of a ramp but by stairways at the side. It was evidently the funerary temple of the tomb.
The kings of the 12th and 13th Dynasties weren’t buried in Thebes, as we’ve seen, but in the North, at Dashûr, Lisht, and near the Fayum, which their royal city Itht-taui connected them with. However, towards the end of the 13th Dynasty, the major invasion of the Hyksos likely occurred, leading all of Northern Egypt to come under Arab control. The native kings were forced south from the Fayum to Abydos, Koptos, and Thebes, where they were buried in a new necropolis to the north of Dêr el-Bahari (which was probably already full), along the slope of a long hill now called Dra’ Abu-’l-Negga, meaning “Abu-’l-Negga’s Arm.” Here, the Theban kings from between the 13th and 17th Dynasties, such as Upuantemsaf, Antef Nub-kheper-Râ, and his descendants, Antefs III and IV, were interred. During their reigns, the threat of foreign invasion seemed to be felt, as indicated by their coffins, which display a gradual decline in style and craftsmanship; Upper Egypt was likely experiencing poverty, and art had significantly declined from the high standards achieved during the 11th and 12th Dynasties. The later Antefs and Sebekemsafs were probably vassals of the Hyksos. Their descendants from the 17th Dynasty were buried in the same necropolis at Dra’ Abu-’l-Negga, along with the first two kings of the 18th Dynasty, Aahmes and Amenhetep I. The tombs of these last two haven’t been found yet, but evidence from the Abbott Papyrus shows that Amenhetep’s tomb was located here, as it remained intact when inspected, similar to Menttihetep III’s. It was a long gallery tomb that will certainly be a fascinating find once discovered. Aahmes had a tomb at Abydos, discovered by Mr. Currelly, working for the Egypt Exploration Fund. However, like the Abydos tomb of Usert-sen (Senusret) III, it was likely a false or secondary tomb, with the king having probably been buried at Thebes, in Dra’ Abu-’l-Negga. The Abydos tomb features an interesting design, with a simple pit entrance from which a gallery curves around to a large hall supported by eighteen square pillars, beyond which is an unfinished additional gallery. Nothing was found in the tomb. On the slope of the mountain, directly west and aligned with the tomb, Mr. Currelly discovered a terrace-temple similar to those at Dêr el-Bahari, accessed by stairways on the side rather than a ramp. It clearly served as the funerary temple for the tomb.

Statue of Queen Teta-shera
Grandmother of Aahmes, the conqueror of the Hyksos and
founder of the XVIIIth Dynasty. About 1700 B. C. British
Museum. From the photograph by Messrs. Mansell & Co.
Statue of Queen Teta-shera
Grandmother of Aahmes, the conqueror of the Hyksos and
founder of the 18th Dynasty. Around 1700 B.C. British
Museum. From the photograph by Mansell & Co.
The secondary tomb of Usertsen (Senusret) III at Abydos, which has already been mentioned, was discovered in the preceding year by Mr. A. E. P. Weigall, and excavated by Mr. Currelly in 1903. It lies north of the Aahmes temple, between it and the main cemetery of Abydos. It is a great bâb or gallery-tomb, like those of the later kings at Thebes, with the usual apparatus of granite plugs, barriers, pits, etc., to defy plunderers. The tomb had been plundered, nevertheless, though it is probable that the robbers were vastly disappointed with what they found in it. Mr. Currelly ascribes the absence of all remains to the plunderers, but the fact is that there probably never was anything in it but an empty sarcophagus. Near the tomb Mr. Weigall discovered some dummy mastabas, a find of great interest. Just as the king had a secondary tomb, so secondary mastabas, mere dummies of rubble like the XIth Dynasty pyramid at Dêr el-Bahari, were erected beside it to look like the tombs of his courtiers. Some curious sinuous brick walls which appear to act as dividing lines form a remarkable feature of this sham cemetery. In a line with the tomb, on the edge of the cultivation, is the funerary temple belonging to it, which was found by Mr. Randall-Maclver in 1900. Nothing remains but the bases of the fluted limestone columns and some brick walls. A headless statue of Usertsen was found.
The secondary tomb of Usertsen (Senusret) III at Abydos, which has been previously mentioned, was discovered last year by Mr. A. E. P. Weigall and excavated by Mr. Currelly in 1903. It is located north of the Aahmes temple, between it and the main cemetery of Abydos. It is a large bâb or gallery-tomb, similar to those of the later kings at Thebes, featuring the usual granite plugs, barriers, pits, etc., designed to deter thieves. The tomb had been looted, however, and it's likely the robbers were quite disappointed with what they found. Mr. Currelly attributes the absence of any remains to the thieves, but the truth is that there probably was never anything inside except for an empty sarcophagus. Near the tomb, Mr. Weigall discovered some false mastabas, which is a significant find. Just as the king had a secondary tomb, secondary mastabas, mere rubble dummies like the XIth Dynasty pyramid at Dêr el-Bahari, were constructed beside it to mimic the tombs of his courtiers. Some interesting curvy brick walls, which seem to act as boundaries, are a notable feature of this fake cemetery. In line with the tomb, at the edge of the cultivated land, is the funerary temple associated with it, which Mr. Randall-Maclver found in 1900. Only the bases of the fluted limestone columns and some brick walls remain. A headless statue of Usertsen was discovered.
We have an interesting example of the custom of building a secondary tomb for royalties in these two nécropoles of Dra’ Abu-’l-Negga and Abydos. Queen Teta-shera, the grandmother of Aahmes, a beautiful statuette of whom may be seen in the British Museum, had a small pyramid at Abydos, eastward of and in a line with the temple and secondary tomb of Aahmes. In 1901 Mr. Mace attempted to find the chamber, but could not. In the next year Mr. Currelly found between it and the Aahmes tomb a small chapel, containing a splendid stele, on which Aahmes commemorates his grandmother, who, he says, was buried at Thebes and had a mer-âhât at Abydos, and he records his determination to build her also a pyramid at Abydos, out of his love and veneration for her memory. It thus appeared that the pyramid to the east was simply a dummy, like Usertsen’s mastabas, or the Mentuhetep pyramid at Dêr el-Bahari. Teta-shera was actually buried at Dra’ Abu-’l-Negga. Her secondary pyramid, like that of Aahmes himself, was in the “holy ground” at Abydos, though it was not an imitation bâb, but a dummy pyramid of rubble. This well illustrates the whole custom of the royal primary and secondary tombs, which, as we have seen, had obtained in the case of royal personages from the time of the 1st Dynasty, when Aha had two tombs, one at Nakâda and the other at Abydos. It is probable that all the 1st Dynasty tombs at Abydos are secondary, the kings being really buried elsewhere. After their time we know for certain that Tjeser and Snefru had duplicate tombs, possibly also Unas, and certainly Usertsen (Senusret) III, Amenemhat III, and Aahmes; while Mentuhetep III and Queen Teta-shera had dummy pyramids as well as their tombs. Ramses III also had two tombs, both at Thebes. The reasons for this custom were two: first, the desire to elude plunderers, and second, the wish to give the ghost a pied-à-terre on the sacred soil of Abydos or Sakkâra.
We have an interesting example of the custom of building a secondary tomb for royals in these two necropolises of Dra’ Abu-’l-Negga and Abydos. Queen Teta-shera, the grandmother of Aahmes, whose beautiful statuette can be seen in the British Museum, had a small pyramid at Abydos, east of and aligned with the temple and secondary tomb of Aahmes. In 1901, Mr. Mace tried to locate the chamber but was unsuccessful. The following year, Mr. Currelly discovered a small chapel between it and the Aahmes tomb, containing a splendid stele, where Aahmes honors his grandmother. He mentions that she was buried at Thebes and had a mer-âhât at Abydos, and he records his intention to build her a pyramid at Abydos out of his love and respect for her memory. It turns out that the pyramid to the east was merely a dummy, similar to Usertsen’s mastabas or the Mentuhetep pyramid at Dêr el-Bahari. Teta-shera was actually buried at Dra’ Abu-’l-Negga. Her secondary pyramid, like Aahmes's, was in the "holy ground" at Abydos, although it wasn’t a real bâb, but a dummy pyramid made of rubble. This clearly illustrates the whole practice of royal primary and secondary tombs, which have been seen with royal figures since the 1st Dynasty, when Aha had two tombs, one at Nakâda and another at Abydos. It’s likely that all the 1st Dynasty tombs at Abydos are secondary, with the kings being buried somewhere else. After that time, we know that Tjeser and Snefru had duplicate tombs, possibly also Unas, and certainly Usertsen (Senusret) III, Amenemhat III, and Aahmes; while Mentuhetep III and Queen Teta-shera also had dummy pyramids along with their tombs. Ramses III also had two tombs, both at Thebes. The reasons for this custom were twofold: first, the desire to avoid looters, and second, the wish to provide the spirit a pied-à-terre on the sacred soil of Abydos or Sakkâra.
As the inscription of Aahmes which records the building of the dummy pyramid of Teta-shera is of considerable interest, it may here be translated. The text reads: “It came to pass that when his Majesty the king, even the king of South and North, Neb-pehti-Râ, Son of the Sun, Aahmes, Giver of Life, was taking his pleasure in the tjadu-hall, the hereditary princess greatly favoured and greatly prized, the king’s daughter, the king’s sister, the god’s wife and great wife of the king, Nefret-ari-Aahmes, the living, was in the presence of his Majesty. And the one spake unto the other, seeking to do honour to These There,[1] which consisteth in the pouring of water, the offering upon the altar, the painting of the stele at the beginning of each season, at the Festival of the New Moon, at the feast of the month, the feast of the going-forth of the Sem-priest, the Ceremonies of the Night, the Feasts of the Fifth Day of the Month and of the Sixth, the Hak-festival, the Uag-festival, the feast of Thoth, the beginning of every season of heaven and earth. And his sister spake, answering him: ‘Why hath one remembered these matters, and wherefore hath this word been said? Prithee, what hath come into thy heart?’ The king spake, saying: ‘As for me, I have remembered the mother of my mother, the mother of my father, the king’s great wife and king’s mother Teta-shera, deceased, whose tomb-chamber and mer-ahât are at this moment upon the soil of Thebes and Abydos. I have spoken thus unto thee because my Majesty desireth to cause a pyramid and chapel to be made for her in the Sacred Land, as a gift of a monument from my Majesty, and that its lake should be dug, its trees planted, and its offerings prescribed; that it should be provided with slaves, furnished with lands, and endowed with cattle, with hen-ka priests and kher-heb priests performing their duties, each man knowing what he hath to do.’ Behold! when his Majesty had thus spoken, these things were immediately carried out. His Majesty did these things on account of the greatness of the love which he bore her, which was greater than anything. Never had ancestral kings done the like for their mothers. Behold! his Majesty extended his arm and bent his hand, and made for her the king’s offering to Geb, to the Ennead of Gods, to the lesser Ennead of Gods... [to Anubis] in the God’s Shrine, thousands of offerings of bread, beer, oxen, geese, cattle... to [the Queen Teta-shera].” This is one of the most interesting inscriptions discovered in Egypt in recent years, for the picturesqueness of its diction is unusual.
As the inscription of Aahmes, which records the construction of the dummy pyramid for Teta-shera, is quite interesting, it can be translated here. The text reads: “It happened that when His Majesty the king, Neb-pehti-Râ, Son of the Sun, Aahmes, Giver of Life, was enjoying himself in the tjadu-hall, the hereditary princess, highly favored and cherished, the king’s daughter, the king’s sister, the god’s wife and great wife of the king, Nefret-ari-Aahmes, the living, was in the presence of His Majesty. And they spoke to each other, wishing to honor These There, which involves pouring water, making offerings on the altar, painting the stele at the start of each season, during the Festival of the New Moon, the monthly feast, the feast for the Sem-priest, the Night Ceremonies, the Feasts of the Fifth and Sixth Days of the Month, the Hak-festival, the Uag-festival, the feast of Thoth, and the beginning of every season of heaven and earth. And his sister replied, asking him: ‘Why have these matters been remembered, and why has this been said? Please, what has come into your heart?’ The king said: ‘I have remembered my maternal grandmother, the mother of my father, the great wife of the king and king’s mother, Teta-shera, who has passed away, whose tomb and mer-ahât are currently in the soil of Thebes and Abydos. I tell you this because my Majesty wishes to have a pyramid and chapel built for her in the Sacred Land, as a gift from my Majesty, with a lake dug, trees planted, and offerings arranged; that it should be supplied with slaves, provided with lands, and endowed with cattle, with hen-ka priests and kher-heb priests performing their duties, each knowing what they have to do.’ Look! When His Majesty spoke thus, these things were immediately carried out. His Majesty did these things out of the immense love he had for her, which surpassed all else. Never had previous kings done so much for their mothers. Look! His Majesty extended his arm and bent his hand, and made for her the king’s offering to Geb, to the Ennead of Gods, to the lesser Ennead of Gods... [to Anubis] in the God’s Shrine, thousands of offerings of bread, beer, oxen, geese, cattle... to [Queen Teta-shera].” This is one of the most intriguing inscriptions discovered in Egypt in recent years, noted for its unusual and vivid language.
As has already been said, the king Amenhetep I was also buried in the Dra’ Abu-’l-Negga, but the tomb has not yet been found. Amenhetep I and his mother, Queen Nefret-ari-Aahmes, who is mentioned in the inscription translated above, were both venerated as tutelary demons of the Western Necropolis of Thebes after their deaths, as also was Mentuhetep III. At Dêr el-Bahari both kings seem to have been worshipped with Hathor, the Mistress of the Waste. The worship of Amen-Râ in the XVIIIth Dynasty temple of Dêr el-Bahari was a novelty introduced by the priests of Amen at that time. But the worship of Hathor went on side by side with that of Amen in a chapel with a rock-cut shrine at the side of the Great Temple. Very possibly this was the original cave-shrine of Hathor, long before Mentuhetep’s time, and was incorporated with the Great Temple and beautified with the addition of a pillared hall before it, built over part of the XIth Dynasty north court and wall, by Hatshepsu’s architects.
As mentioned earlier, King Amenhetep I was also buried in the Dra’ Abu-’l-Negga, but his tomb has not been discovered yet. Amenhetep I and his mother, Queen Nefret-ari-Aahmes, who is noted in the inscription translated above, were both honored as protective spirits of the Western Necropolis of Thebes after they died, along with Mentuhetep III. At Dêr el-Bahari, it seems both kings were worshipped alongside Hathor, the Mistress of the Waste. The worship of Amen-Râ in the XVIIIth Dynasty temple of Dêr el-Bahari was a new practice introduced by the priests of Amen during that period. However, the veneration of Hathor continued alongside that of Amen in a chapel with a rock-cut shrine next to the Great Temple. This might have been the original cave-shrine of Hathor, existing long before Mentuhetep’s time, which was integrated into the Great Temple and enhanced with the addition of a pillared hall in front of it, built over parts of the XIth Dynasty north court and wall by Hatshepsut’s architects.
The Great Temple, the excavation of which for the Egypt Exploration Fund was successfully brought to an end by Prof. Naville in 1898, was erected by Queen Hatshepsu in honour of Amen-Râ, her father Thothmes I, and her brother-husband Thothmes II, and received a few additions from Thothmes III, her successor. He, however, did not complete it, and it fell into disrepair, besides suffering from the iconoclastic zeal of the heretic Akhunaten, who hammered out some of the beautifully painted scenes upon its walls. These were badly restored by Ramses II, whose painting is easily distinguished from the original work by the dulness and badness of its colour.
The Great Temple, which was successfully excavated for the Egypt Exploration Fund by Prof. Naville in 1898, was built by Queen Hatshepsut in honor of Amen-Ra, her father Thothmes I, and her brother-husband Thothmes II, and received some additions from Thothmes III, her successor. However, he didn’t finish it, and it fell into disrepair, also suffering from the destructive zeal of the heretic Akhenaten, who erased some of the beautifully painted scenes on its walls. These were poorly restored by Ramses II, whose painting can easily be distinguished from the original work due to its dullness and poor quality.
The peculiar plan and other remarkable characteristics of this temple are well known. Its great terraces, with the ramps leading up to them, flanked by colonnades, which, as we have seen, were imitated from the design of the old XIth Dynasty temple at its side, are familiar from a hundred illustrations, and the marvellously preserved colouring of its delicate reliefs is known to every winter visitor to Egypt, and can be realized by those who have never been there through the medium of Mr. Howard Carter’s wonderful coloured reproductions, published in Prof. Naville’s edition of the temple by the Egypt Exploration Fund. The Great Temple stands to-day clear of all the débris which used to cover it, a lasting monument to the work of the greatest of the societies which busy themselves with the unearthing of the relics of the ancient world.
The unique design and other impressive features of this temple are widely recognized. Its massive terraces, complete with ramps leading up to them and flanked by colonnades, which we have noted were inspired by the layout of the old XIth Dynasty temple next to it, are well-known from countless illustrations. The beautifully preserved colors of its intricate reliefs are familiar to every winter traveler in Egypt, and even those who have never visited can appreciate them through Mr. Howard Carter’s stunning colored reproductions, published in Prof. Naville’s edition of the temple by the Egypt Exploration Fund. The Great Temple today stands free of all the debris that once covered it, serving as a lasting testament to the efforts of the greatest societies dedicated to uncovering the relics of the ancient world.

The two temples of Dêr el-Bahari will soon stand side by side, as they originally stood, and will always be associated with the name of the society which rescued them from oblivion, and gave us the treasures of the royal tombs at Abydos. The names of the two men whom the Egypt Exploration Fund commissioned to excavate Dêr el-Bahari and Abydos, and for whose work it exclusively supplied the funds, Profs. Naville and Petrie, will live chiefly in connection with their work at Dêr el-Bahari and Abydos.
The two temples of Dêr el-Bahari will soon be back to standing side by side, just like they originally did, and they'll always be linked to the society that brought them out of obscurity and revealed the treasures of the royal tombs at Abydos. The names of the two men, Profs. Naville and Petrie, who were commissioned by the Egypt Exploration Fund to excavate Dêr el-Bahari and Abydos, and for whose work the fund provided all the money, will primarily be remembered for their contributions at Dêr el-Bahari and Abydos.
The Egyptians called the two temples Tjeserti, “the two holy places,” the new building receiving the name of Tjeser-tjesru, “Holy of Holies,” and the whole tract of Dêr el-Bahari the appellation Tjesret, “the Holy.” The extraordinary beauty of the situation in which they are placed, with its huge cliffs and rugged hillsides, may be appreciated from the photograph which is taken from a steep path half-way up the cliff above the Great Temple. In it we see the Great Temple in the foreground with the modern roofs of two of its colonnades, devised in order to protect the sculptures beneath them, the great trilithon gate leading to the upper court, and the entrance to the cave-shrine of Amen-Râ, with the niches of the kings on either side, immediately at the foot of the cliff. In the middle distance is the duller form of the XIth Dynasty temple, with its rectangular platform, the ramp leading up to it, and the pyramid in the centre of it, surrounded by pillars, half-emerging from the great heaps of sand and débris all around. The background of cliffs and hills, as seen in the photograph, will serve to give some idea of the beauty of the surroundings,—an arid beauty, it is true, for all is desert. There is not a blade of vegetation near; all is salmon-red in colour beneath a sky of ineffable blue, and against the red cliffs the white temple stands out in vivid contrast.
The Egyptians referred to the two temples as Tjeserti, meaning “the two holy places.” The new building was named Tjeser-tjesru, or “Holy of Holies,” and the entire area of Dêr el-Bahari was known as Tjesret, meaning “the Holy.” The stunning beauty of their location, with towering cliffs and rugged hillsides, can be appreciated from a photo taken from a steep path halfway up the cliff above the Great Temple. In the image, the Great Temple is in the foreground, showing the modern roofs of two of its colonnades designed to protect the sculptures below, the grand trilithon gate leading to the upper court, and the entrance to the cave-shrine of Amen-Râ, flanked by the niches of the kings at the base of the cliff. A little further back, you can see the more subdued XIth Dynasty temple, featuring its rectangular platform, a ramp leading up to it, and a pyramid in the center, partially emerging from the piles of sand and debris all around. The background of cliffs and hills, as captured in the photo, conveys some sense of the area's beauty—albeit an arid beauty, since everything is desert. There’s not a hint of vegetation nearby; everything is salmon-red under a brilliantly blue sky, and the white temple stands out starkly against the red cliffs.
The second illustration gives a nearer view of the great trilithon gate in the upper court, at the head of the ramp. The long hill of Dra’ Abu-’l-Negga is seen bending away northward behind the gate.
The second illustration provides a closer look at the impressive trilithon gate in the upper court, located at the top of the ramp. The long hill of Dra’ Abu-’l-Negga can be seen curving northward behind the gate.

Of The Xviiith Dynasty Temple At Dêk El-Bahari. About 1500 B.C.
Of The 18th Dynasty Temple At Deir El-Bahari. About 1500 B.C.
This is the famous gate on which the jealous Thothmes III chiselled out Hatshepsu’s name in the royal cartouches and inserted his own in its place; but he forgot to alter the gender of the pronouns in the accompanying inscription, which therefore reads “King Thothmes III, she made this monument to her father Amen.”
This is the famous gate where the jealous Thothmes III carved out Hatshepsut’s name from the royal cartouches and replaced it with his own; however, he forgot to change the gender of the pronouns in the accompanying inscription, which still reads, “King Thothmes III, she made this monument to her father Amen.”
Among Prof. Naville’s discoveries here one of the most important is that of the altar in a small court to the north, which, as the inscription says, was made in honour of the god Râ-Harmachis “of beautiful white stone of Anu.” It is of the finest white limestone known. Here also were found the carved ebony doors of a shrine, now in the Cairo Museum. One of the most beautiful parts of the temple is the Shrine of Anubis, with its splendidly preserved paintings and perfect columns and roof of white limestone. The effect of the pure white stone and simplicity of architecture is almost Hellenic.
Among Prof. Naville's discoveries here, one of the most significant is the altar in a small courtyard to the north, which, as the inscription states, was created in honor of the god Râ-Harmachis "of beautiful white stone of Anu." It is made of the finest white limestone known. Also discovered were the carved ebony doors of a shrine, which are now housed in the Cairo Museum. One of the most stunning parts of the temple is the Shrine of Anubis, featuring its beautifully preserved paintings and perfect columns and roof of white limestone. The combination of the pure white stone and the simplicity of the architecture has an almost Hellenic feel.
The Shrine of Hathor has been known since the time of Mariette, but in connection with it some interesting discoveries have been made during the excavation of the XIth Dynasty temple. In the court between the two temples were found a large number of small votive offerings, consisting of scarabs, beads, little figures of cows and women, etc., of blue glazed faïence and rough pottery, bronze and wood, and blue glazed ware ears, eyes, and plaques with figures of the sacred cow, and other small objects of the same nature. These are evidently the ex-votos of the XVIIIth Dynasty fellahîn to the goddess Hathor in the rock-shrine above the court. When the shrine was full or the little ex-votos broken, the sacristans threw them over the wall into the court below, which thus became a kind of dust-heap. Over this heap the sand and débris gradually collected, and thus they were preserved. The objects found are of considerable interest to anthropological science.
The Shrine of Hathor has been known since Mariette's time, but some fascinating discoveries have come to light during the excavation of the XIth Dynasty temple. In the courtyard between the two temples, a large number of small votive offerings were found, including scarabs, beads, small figures of cows and women, and more, made of blue glazed faience and rough pottery, as well as bronze and wood. There were also blue glazed ears, eyes, and plaques featuring images of the sacred cow, along with other similar small items. These are clearly the ex-votos from the XVIIIth Dynasty farmers dedicated to the goddess Hathor in the rock shrine above the courtyard. When the shrine became full or the little ex-votos were broken, the sacristans would toss them over the wall into the courtyard below, turning it into a sort of dump. Over time, sand and debris accumulated over this pile, preserving the objects. The items discovered are of significant interest to anthropological science.
The Great Temple was built, as we have said, in honour of Thothmes I and II, and the deities Amen-Râ and Hathor. More especially it was the funerary chapel of Thothmes I. His tomb was excavated, not in the Dra’ Abu-l-Negga, which was doubtless now too near the capital city and not in a sufficiently dignified position of aloofness from the common herd, but at the end of the long valley of the Wadiyên, behind the cliff-hill above Dêr el-Bahari. Hence the new temple was oriented in the direction of his tomb. Immediately behind the temple, on the other side of the hill, is the tomb which was discovered by Lepsius and cleared in 1904 for Mr. Theodore N. Davis by Mr. Howard Carter, then chief inspector of antiquities at Thebes. Its gallery is of very small dimensions, and it winds about in the hill in corkscrew fashion like the tomb of Aahmes at Aby-dos. Owing to its extraordinary length, the heat and foul air in the depths of the tomb were almost insupportable and caused great difficulty to the excavators. When the sarcophagus-chamber was at length reached, it was found to contain the empty sarcophagi of Thothmes I and of Hatshepsu. The bodies had been removed for safe-keeping in the time of the XXIst Dynasty, that of Thothmes I having been found with those of Set! I and Ramses II in the famous pit at Dêr el-Bahari, which was discovered by M. Maspero in 1881. Thothmes I seems to have had another and more elaborate tomb (No. 38) in the Valley of the Tombs of the Kings, which was discovered by M. Loret in 1898. Its frescoes had been destroyed by the infiltration of water.
The Great Temple was built, as we mentioned, in honor of Thothmes I and II, and the gods Amen-Râ and Hathor. Specifically, it served as the funerary chapel for Thothmes I. His tomb was not located in Dra’ Abu-l-Negga because that site was likely too close to the capital and didn't provide the dignified distance from the common people. Instead, it was situated at the end of the long valley of the Wadiyên, behind the cliff-hill above Dêr el-Bahari. Therefore, the new temple was aligned with the direction of his tomb. Just behind the temple, on the other side of the hill, is the tomb that was discovered by Lepsius and cleared in 1904 for Mr. Theodore N. Davis by Mr. Howard Carter, who was then the chief inspector of antiquities at Thebes. The tomb's gallery is quite small and winds through the hill in a corkscrew shape, similar to the tomb of Aahmes at Abydos. Due to its remarkable length, the heat and bad air deep inside the tomb were nearly unbearable and posed significant challenges for the excavators. When they finally reached the sarcophagus chamber, they found the empty sarcophagi of Thothmes I and Hatshepsut. The bodies had been relocated for safekeeping during the XXIst Dynasty, with Thothmes I’s found alongside those of Seti I and Ramses II in the famous pit at Dêr el-Bahari, which was discovered by M. Maspero in 1881. Thothmes I also appears to have had another, more elaborate tomb (No. 38) in the Valley of the Tombs of the Kings, which was uncovered by M. Loret in 1898. Its frescoes had been damaged by water infiltration.
The fashion of royal burial in the great valley behind Dêr el-Bahari was followed during the XVIIIth, XIXth, and XXth Dynasties. Here in the eastern branch of the Wadiyên, now called the Bibân el-Mulûk, “the Tombs of the Kings,” the greater number of the mightiest Theban Pharaohs were buried. In the western valley rested two of the kings of the XVIIIth Dynasty, who desired even more remote burial-places, Amenhetep III and Ai. The former chose for his last home a most kingly site. Ancient kings had raised great pyramids of artificial stone over their graves. Amenhetep, perhaps the greatest and most powerful Pharaoh of them all, chose to have a natural pyramid for his grave, a mountain for his tumulus. The illustration shows us the tomb of this monarch, opening out of the side of one of the most imposing hills in the Western Valley. No other king but Amenhetep rested beneath this hill, which thus marks his grave and his only.
The tradition of royal burial in the great valley behind Dêr el-Bahari was practiced during the XVIII, XIX, and XX Dynasties. Here in the eastern branch of the Wadiyên, now known as the Bibân el-Mulûk, “the Tombs of the Kings,” most of the powerful Theban Pharaohs were buried. In the western valley lay two kings of the XVIII Dynasty, Amenhetep III and Ai, who preferred even more secluded burial sites. Amenhetep chose an incredibly regal location for his final resting place. Ancient kings built massive pyramids of artificial stone over their graves, but Amenhetep, arguably the greatest and most powerful Pharaoh of all, opted for a natural pyramid as his grave, selecting a mountain for his tomb. The illustration shows the tomb of this monarch, carved into the side of one of the most impressive hills in the Western Valley. No other king but Amenhetep was buried beneath this hill, marking it as solely his burial site.
It is in the Eastern Valley, the Valley of the Tombs of the Kings properly speaking, that the tombs of Thothmes I and Hatshepsu lie, and here the most recent discoveries have been made. It is a desolate spot. As we come over the hill from Dêr el-Bahari we see below us in the glaring sunshine a rocky canon, with sides sometimes sheer cliff, sometimes sloped by great falls of rock in past ages. At the bottom of these slopes the square openings of the many royal tombs can be descried. [See illustration.] Far below we see the forms of tourists and the tomb-guards accompanying them, moving in and out of the openings like ants going in and out of an ants’ nest. Nothing is heard but the occasional cry of a kite and the ceaseless rhythmical throbbing of the exhaust-pipe of the electric light engine in the unfinished tomb of Ramses XI. Above and around are the red desert hills. The Egyptians called it “The Place of Eternity.”
It’s in the Eastern Valley, specifically the Valley of the Tombs of the Kings, where the tombs of Thothmes I and Hatshepsut are located, and this is where the latest discoveries have been made. It’s a barren area. As we come over the hill from Dêr el-Bahari, we see below us in the bright sunshine a rocky canyon, with sides that are sometimes sheer cliffs and sometimes sloped by massive rockfalls from ages past. At the bottom of these slopes, we can make out the square openings of many royal tombs. [See illustration.] Far below, we see tourists and their tomb-guards moving in and out of the openings like ants coming and going from an anthill. The only sounds are the occasional call of a kite and the steady rhythmic throbbing of the exhaust pipe from the electric light engine in the unfinished tomb of Ramses XI. Above and around us are the red desert hills. The Egyptians referred to it as “The Place of Eternity.”

In this valley some remarkable discoveries have been made during the last few years. In 1898 M. Grébaut discovered the tomb of Amenhetep II, in which was found the mummy of the king, intact, lying in its sarcophagus in the depths of the tomb. The royal body now lies there for all to see. The tomb is lighted with electricity, as are all the principal tombs of the kings. At the head of the sarcophagus is a single lamp, and, when the party of visitors is collected in silence around the place of death, all the lights are turned out, and then the single light is switched on, showing the royal head illuminated against the surrounding blackness. The effect is indescribably weird and impressive. The body has only twice been removed from the tomb since its burial, the second time when it was for a brief space taken up into the sunlight to be photographed by Mr.. Carter, in January, 1902. The temporary removal was carefully carried out, the body of his Majesty being borne up through the passages of the tomb on the shoulders of the Italian electric light workmen, preceded and followed by impassive Arab candle-bearers. The workmen were most reverent in their handling of the body of “ il gran ré,” as they called him.
In this valley, some incredible discoveries have been made over the past few years. In 1898, M. Grébaut discovered the tomb of Amenhetep II, where the intact mummy of the king was found lying in its sarcophagus deep within the tomb. The royal body is now on display for everyone to see. The tomb is illuminated with electricity, as are all the main tombs of the kings. At the head of the sarcophagus sits a single lamp, and when a group of visitors gathers in silence around the place of death, all the lights are turned off, and then the single light is switched on, revealing the royal head glowing against the surrounding darkness. The effect is indescribably eerie and impressive. The body has only been removed from the tomb twice since it was buried, the second time for a brief moment in January 1902, when Mr. Carter took it into the sunlight for photographs. This temporary removal was done carefully, with the body of His Majesty being carried up through the tomb's passages on the shoulders of Italian electric light workers, followed by impassive Arab candle-bearers. The workers were very respectful in their handling of the body of “il gran ré,” as they referred to him.
In the tomb were found some very interesting objects, including a model boat (afterwards stolen), across which lay the body of a woman. This body now lies, with others found close by, in a side chamber of the tomb. One may be that of Hatshepsu. The walls of the tomb-chamber are painted to resemble papyrus, and on them are written chapters of the “Book of What Is in the Underworld,” for the guidance of the royal ghost.
In the tomb, some really fascinating items were discovered, including a model boat (which was later stolen), positioned over the body of a woman. This body now rests, along with others found nearby, in a side chamber of the tomb. One of them might belong to Hatshepsut. The walls of the tomb chamber are painted to look like papyrus, and on them are inscribed chapters from the “Book of What Is in the Underworld,” to guide the royal spirit.
In 1902-3 Mr. Theodore Davis excavated the tomb of Thothmes IV. It yielded a rich harvest of antiquities belonging to the funeral state of the king, including a chariot with sides of embossed and gilded leather, decorated with representations of the king’s warlike deeds, and much fine blue pottery, all of which are now in the Cairo Museum. The tomb-gallery returns upon itself, describing a curve. An interesting point with regard to it is that it had evidently been violated even in the short time between the reigns of its owner and Horem-heb, probably in the period of anarchy which prevailed at Thebes during the reign of the heretic Akhunaten; for in one of the chambers is a hieratic inscription recording the repair of the tomb in the eighth year of Horemheb by Maya, superintendent of works in the Tombs of the Kings. It reads as follows: “In the eighth year, the third month of summer, under the Majesty of King Tjeser-khepru-Râ Sotp-n-Râ, Son of the Sun, Horemheb Meriamen, his Majesty (Life, health, and wealth unto him!) commanded that orders should be sent unto the Fanbearer on the King’s Left Hand, the King’s Scribe and Overseer of the Treasury, the Overseer of the Works in the Place of Eternity, the Leader of the Festivals of Amen in Karnak, Maya, son of the judge Aui, born of the Lady Ueret, that he should renew the burial of King Men-khepru-Râ, deceased, in the August Habitation in Western Thebes.” Men-khepru-Râ was the prenomen or throne-name of Thothmes IV. Tied round a pillar in the tomb is still a length of the actual rope used by the thieves for crossing the chasm, which, as in many of the tombs here, was left open in the gallery to bar the way to plunderers. The mummy of the king was found in the tomb of Amenhetep II, and is now at Cairo.
In 1902-3, Mr. Theodore Davis excavated the tomb of Thothmes IV. It uncovered a wealth of artifacts related to the king's burial arrangements, including a chariot with embossed and gilded leather sides, featuring depictions of the king's military achievements, as well as a lot of fine blue pottery, all of which are now in the Cairo Museum. The tomb gallery curves back on itself. An interesting aspect is that it had clearly been disturbed even in the short time between the reigns of its owner and Horem-heb, likely during the period of chaos that occurred in Thebes during the reign of the heretical Akhunaten; for in one of the chambers, there is a hieratic inscription documenting the repair of the tomb in the eighth year of Horemheb by Maya, the superintendent of works in the Tombs of the Kings. It states: “In the eighth year, the third month of summer, under the Majesty of King Tjeser-khepru-Râ Sotp-n-Râ, Son of the Sun, Horemheb Meriamen, his Majesty (life, health, and wealth unto him!) ordered that instructions be sent to the Fanbearer on the King’s Left Hand, the King’s Scribe and Overseer of the Treasury, the Overseer of the Works in the Place of Eternity, the Leader of the Festivals of Amen in Karnak, Maya, son of the judge Aui, born of the Lady Ueret, to renew the burial of King Men-khepru-Râ, deceased, in the August Habitation in Western Thebes.” Men-khepru-Râ was the throne name of Thothmes IV. Tied around a pillar in the tomb is still a piece of the actual rope used by the thieves to cross the chasm, which, like in many other tombs, was left open in the gallery to block the way for robbers. The king's mummy was found in the tomb of Amenhetep II and is now in Cairo.
The discovery of the tomb of Thothmes I and Hat-shepsu has already been described. In 1905 Mr. Davis made his latest find, the tomb of Iuaa and Tuaa, the father and mother of Queen Tii, the famous consort of Amenhetep III and mother of Akhunaten the heretic. Readers of Prof. Maspero’s history will remember that Iuaa and Tuaa are mentioned on one of the large memorial scarabs of Amenhetep III, which commemorates his marriage. The tomb has yielded an almost incredible treasure of funerary furniture, besides the actual mummies of Tii’s parents, including a chariot overlaid with gold. Gold overlay of great thickness is found on everything, boxes, chairs, etc. It was no wonder that Egypt seemed the land of gold to the Asiatics, and that even the King of Babylon begs this very Pharaoh Amenhetep to send him gold, in one of the letters found at Tell el-Amarna, “for gold is as water in thy land.” It is probable that Egypt really attained the height of her material wealth and prosperity in the reign of Amenhetep III. Certainly her dominion reached its farthest limits in his time, and his influence was felt from the Tigris to the Sudan. He hunted lions for his pleasure in Northern Mesopotamia, and he built temples at Jebel Barkal beyond Dongola. We see the evidence of lavish wealth in the furniture of the tomb of Iuaa and Tuaa. Yet, fine as are many of these gold-overlaid and overladen objects of the XVIIIth Dynasty, they have neither the good taste nor the charm of the beautiful jewels from the XIIth Dynasty tombs at Dashûr. It is mere vulgar wealth. There is too much gold thrown about. “For gold is as water in thy land.” In three hundred years’ time Egypt was to know what poverty meant, when the poor priest-kings of the XXIst Dynasty could hardly keep body and soul together and make a comparatively decent show as Pharaohs of Egypt. Then no doubt the latter-day Thebans sighed for the good old times of the XVIIIth Dynasty, when their city ruled a considerable part of Africa and Western Asia and garnered their riches into her coffers. But the days of the XIIth Dynasty had really been better still. Then there was not so much wealth, but what there was (and there was as much gold then, too) was used sparingly, tastefully, and simply. The XIIth Dynasty, not the XVIIIth, was the real Golden Age of Egypt.
The discovery of the tomb of Thothmes I and Hat-shepsu has already been described. In 1905, Mr. Davis made his latest find, the tomb of Iuaa and Tuaa, the parents of Queen Tii, the famous wife of Amenhetep III and mother of the heretic Akhunaten. Readers of Prof. Maspero’s history will remember that Iuaa and Tuaa are mentioned on one of the large memorial scarabs of Amenhetep III, which celebrates his marriage. The tomb has produced an almost unbelievable treasure of funerary items, along with the actual mummies of Tii’s parents, including a chariot covered in gold. Thick layers of gold can be found on everything: boxes, chairs, and so on. It’s no wonder that to the Asiatics, Egypt seemed like the land of gold, and even the King of Babylon requested this very Pharaoh Amenhetep to send him gold, in one of the letters found at Tell el-Amarna, “for gold is as water in thy land.” It’s likely that Egypt truly reached the peak of her material wealth and prosperity during the reign of Amenhetep III. Certainly, her control extended to its farthest limits during his time, and his influence was felt from the Tigris to the Sudan. He enjoyed lion hunts in Northern Mesopotamia and built temples at Jebel Barkal beyond Dongola. We see the signs of abundant wealth in the furniture from the tomb of Iuaa and Tuaa. Yet, as impressive as many of these gold-covered objects from the XVIIIth Dynasty are, they lack the elegance and charm of the beautiful jewelry found in the XIIth Dynasty tombs at Dashûr. It’s simply ostentatious wealth. There’s too much gold on display. “For gold is as water in thy land.” In just three hundred years, Egypt would experience true poverty, when the struggling priest-kings of the XXIst Dynasty could barely survive, trying to maintain a decent image as Pharaohs of Egypt. Undoubtedly, the later Thebans longed for the good old days of the XVIIIth Dynasty when their city controlled a significant part of Africa and Western Asia, amassing wealth in her coffers. But the times of the XIIth Dynasty were even better. There wasn’t as much wealth, but what existed (and there was plenty of gold then, too) was used more thoughtfully, tastefully, and simply. The XIIth Dynasty, not the XVIIIth, was the true Golden Age of Egypt.
From the funeral panoply of a tomb like that of Iuaa and Tuaa we can obtain some idea of the pomp and state of Amenhetep III. But the remains of his Theban palace, which have been discovered and excavated by Mr. C. Tytus and Mr. P. E. Newberry, do not bear out this idea of magnificence. It is quite possible that the palace was merely a pleasure house, erected very hastily and destined to fall to pieces when its owner tired of it or died, like the many palaces of the late Khedive Ismail. It stood on the border of an artificial lake, whereon the Pharaoh and his consort Tii sailed to take their pleasure in golden barks. This is now the cultivated rectangular space of land known as the Birket Habû, which is still surrounded by the remains of the embankment built to retain its waters, and becomes a lake during the inundation. On the western shore of this lake Amenhetep erected the “stately pleasure dome,” the remains of which still cover the sandy tract known as el-Malkata, “the Salt-pans,” south of the great temple of Medînet Habû. These remains consist merely of the foundations and lowest wall-courses of a complicated and rambling building of many chambers, constructed of common unburnt brick and plastered with white stucco on walls and floors, on which were painted beautiful frescoes of fighting bulls, birds of the air, water-fowl, fish-ponds, etc., in much the same style as the frescoes of Tell el-Amarna executed in the next reign. There were small pillared halls, the columns of which were of wood, mounted on bases of white limestone. The majority still remain in position. In several chambers there are small daïses, and in one the remains of a throne, built of brick and mud covered with plaster and stucco, upon which the Pharaoh Amenhetep sat. This is the palace of him whom the Greeks called Memnon, who ruled Egypt when Israel was in bondage and when the dynasty of Minos reigned in Crete. Here by the side of his pleasure-lake the most powerful of Egyptian Pharaohs whiled away his time during the summer heats. Evidently the building was intended to be of the lightest construction, and never meant to last; but to our ideas it seems odd that an Egyptian Pharaoh should live in a mud palace. Such a building is, however, quite suited to the climate of Egypt, as are the modern crude brick dwellings of the fellahîn. In the ruins of the palace were found several small objects of interest, and close by was an ancient glass manufactory of Amenhetep III’s time, where much of the characteristic beautifully coloured and variegated opaque glass of the period was made.
From the funeral display of a tomb like that of Iuaa and Tuaa, we can get an idea of the grandeur and status of Amenhetep III. However, the remains of his Theban palace, which have been uncovered and excavated by Mr. C. Tytus and Mr. P. E. Newberry, do not support this idea of magnificence. It's quite possible that the palace was just a pleasure house, built quickly and meant to fall apart once its owner grew tired of it or passed away, similar to the many palaces of the late Khedive Ismail. It was located on the edge of an artificial lake, where the Pharaoh and his wife Tii would sail for leisure in golden boats. This area is now the cultivated rectangular land known as the Birket Habû, still bordered by the remnants of the embankment that was constructed to hold its waters and turns into a lake during the flooding season. On the western shore of this lake, Amenhetep built the “stately pleasure dome,” the remains of which still cover the sandy area known as el-Malkata, “the Salt-pans,” situated south of the great temple of Medînet Habû. These remains consist only of the foundations and lower wall courses of a complex and sprawling building with many rooms, made of common unburnt brick and finished with white stucco on the walls and floors, which were adorned with beautiful frescoes of fighting bulls, birds, waterfowl, fish ponds, etc., in a style similar to the frescoes of Tell el-Amarna created in the next reign. There were small pillared halls, with wooden columns resting on bases of white limestone. Most of these still remain in place. In several rooms, there are small platforms, and in one, the remnants of a throne made of brick and mud covered with plaster and stucco, on which the Pharaoh Amenhetep sat. This is the palace of the man the Greeks called Memnon, who ruled Egypt when Israel was in bondage and when the dynasty of Minos was in power in Crete. Here, by his pleasure lake, the most powerful of Egyptian Pharaohs spent his time during the summer heat. Clearly, the building was designed to be lightly constructed and never intended to last; however, it seems strange to us that an Egyptian Pharaoh would live in a mud palace. Such a building is, nonetheless, quite suitable for the climate of Egypt, just like the modern simple brick homes of the fellahîn. In the palace ruins, several small intriguing objects were found, and nearby was an ancient glass factory from Amenhetep III's era, where much of the distinctive beautifully colored and patterned opaque glass of the time was produced.

The tombs of the magnates of Amenhetep III’s reign and of the reigns of his immediate predecessors were excavated, as has been said, on the eastern slope of the hill of Shêkh ‘Abd el-Kûrna, where was the earliest Theban necropolis. No doubt many of the early tombs of the time of the VIth Dynasty were appropriated and remodelled by the XVIIIth Dynasty magnates. We have an instance of time’s revenge in this matter, in the case of the tomb of Imadua, a great priestly official of the time of the XXth Dynasty. This tomb previously belonged to an XVIIIth Dynasty worthy, but Imadua appropriated it three hundred years later and covered up all its frescoes with the much begilt decoration fashionable in his period. Perhaps the XVIIIth Dynasty owner had stolen it from an original owner of the time of the VIth Dynasty. The tomb has lately been cleared out by Mr. Newberry.
The tombs of the powerful figures from Amenhetep III’s reign and his immediate predecessors were excavated, as mentioned, on the eastern slope of the hill of Shêkh ‘Abd el-Kûrna, which was the earliest Theban necropolis. It's likely that many of the early tombs from the VIth Dynasty were taken over and remodeled by the magnates of the XVIIIth Dynasty. We have an example of time's irony in this case, in the tomb of Imadua, a high-ranking priest during the XXth Dynasty. This tomb originally belonged to a prominent figure from the XVIIIth Dynasty, but Imadua took it three hundred years later and covered all its frescoes with the heavily gilded decoration popular in his time. It's possible that the XVIIIth Dynasty owner had taken it from an original owner from the VIth Dynasty. The tomb has recently been cleared out by Mr. Newberry.
Much work of the same kind has been done here of late years by Messrs. Newberry and R. L. Mond, in succession. To both we are indebted for the excavation of many known tombs, as well as for the discovery of many others previously unknown. Among the former was that of Sebekhetep, cleared by Mr. Newberry. Se-bekhetep was an official of the time of Thothmes III. From his tomb, and from others in the same hill, came many years ago the fine frescoes shown in the illustration, which are among the most valued treasures of the Egyptian department of the British Museum. They are typical specimens of the wall-decoration of an XVIIIth Dynasty tomb. On one may be seen a bald-headed peasant, with staff in hand, pulling an ear of corn from the standing crop in order to see if it is ripe. He is the “Chief Reaper,” and above him is a prayer that the “great god in heaven” may increase the crop. To the right of him is a charioteer standing beside a car and reining back a pair of horses, one black, the other bay. Below is another charioteer with two white horses. He sits on the floor of the car with his back to them, eating or resting, while they nibble the branches of a tree close by. Another scene is that of a scribe keeping tally of offerings brought to the tomb, while fellahm are bringing flocks of geese and other fowl, some in crates. The inscription above is apparently addressed by the goose-herd to the man with the crates. It reads: “Hasten thy feet because of the geese! Hearken! thou knowest not the next minute what has been said to thee!” Above, a reïs with a stick bids other peasants squat on the ground before addressing the scribe, and he is saying to them: “Sit ye down to talk.” The third scene is in another style; on it may be seen Semites bringing offerings of vases of gold, silver, and copper to the royal presence, bowing themselves to the ground and kissing the dust before the throne. The fidelity and accuracy with which the racial type of the tribute-bearers is given is most extraordinary; every face seems a portrait, and each one might be seen any day now in the Jewish quarters of Whitechapel.
Much recent work of the same kind has been carried out here by Messrs. Newberry and R. L. Mond, in succession. We owe both of them for excavating many known tombs and discovering several others that were previously unknown. One of the known tombs was that of Sebekhetep, which was cleared by Mr. Newberry. Sebekhetep was an official during the time of Thothmes III. From his tomb, as well as from others in the same area, came the beautiful frescoes shown in the illustration, which are among the most prized possessions of the Egyptian department of the British Museum. These frescoes are typical examples of wall decoration from an XVIIIth Dynasty tomb. One fresco depicts a bald-headed peasant with a staff, pulling an ear of corn from a standing crop to check if it's ripe. He is the “Chief Reaper,” and above him is a prayer asking the “great god in heaven” to increase the crop. To his right stands a charioteer beside a chariot, holding back a pair of horses—one black and one bay. Below him is another charioteer with two white horses, sitting in the chariot's floor with his back to them, either eating or resting while they nibble on the branches of a nearby tree. Another scene shows a scribe keeping track of offerings brought to the tomb, while farmers are bringing flocks of geese and other birds, some in crates. The inscription above seems to be a message from the goose-herd to the man with the crates, reading: “Hurry up because of the geese! Listen! You never know what has been said to you in the next moment!” Above them, a supervisor with a stick tells other peasants to sit down before speaking to the scribe, saying: “Sit down to talk.” The third scene, depicted in a different style, shows Semites bringing offerings of vases made of gold, silver, and copper to the royal presence, bowing to the ground and kissing the dust before the throne. The fidelity and accuracy with which the racial type of the tribute-bearers is portrayed is extraordinary; every face looks like a portrait, and each one could be seen today in the Jewish quarters of Whitechapel.

The first two paintings are representative of a very common style of fresco-pictures in these tombs. The care with which the animals are depicted is remarkable. Possibly one of the finest Egyptian representations of an animal is the fresco of a goat in the tomb of Gen-Amen, discovered by Mr. Mond. There is even an attempt here at chiaroscuro, which is unknown to Egyptian art generally, except at Tell el-Amarna. Evidently the Egyptian painters reached the apogee of their art towards the end of the XVIIIth Dynasty. The third, the representation of tribute-bearers, is of a type also well known at this period. In all the chief tombs we have processions of Egyptians, Westerners, Northerners, Easterners, and Southerners, bringing tribute to the Pharaoh. The North is represented by the Semites, the East by the Punites (when they occur), the South by negroes, the West by the Keftiu or people of Crete and Cyprus. The representations of the last-named people have become of the very highest interest during the last few years, on account of the discoveries in Crete, which have revealed to us the state and civilization of these very Keftiu. Messrs. Evans and Halbherr have discovered at Knossos and Phaistos the cities and palace-temples of the king who sent forth their ambassadors to far-away Egypt with gifts for the mighty Pharaoh; these ambassadors were painted in the tombs of their hosts as representative of the quarter of the world from which they came.
The first two paintings are examples of a common style of frescoes found in these tombs. The detail in the animal depictions is impressive. One of the best representations of an animal in Egyptian art is the fresco of a goat in the tomb of Gen-Amen, discovered by Mr. Mond. There's even an attempt at chiaroscuro here, which is rare in Egyptian art, except at Tell el-Amarna. Clearly, Egyptian painters reached the peak of their skill toward the end of the XVIIIth Dynasty. The third painting, showing tribute-bearers, is also well-known from this period. In all the main tombs, we see processions of Egyptians, Westerners, Northerners, Easterners, and Southerners bringing tribute to the Pharaoh. The North is represented by the Semites, the East by the Punites (when they are depicted), the South by Black Africans, and the West by the Keftiu, or people from Crete and Cyprus. The depictions of the Keftiu have become particularly interesting in recent years due to discoveries in Crete that reveal their society and culture. Messrs. Evans and Halbherr have uncovered the cities and palace-temples at Knossos and Phaistos, linked to the king who sent ambassadors with gifts to distant Egypt for the powerful Pharaoh; these ambassadors were illustrated in their hosts' tombs to represent their region of origin.
The two chief Egyptian representations of these people, who since they lived in Greece may be called Greeks, though their more proper title would be “Pe-lasgians,” are to be found in the tombs of Rekhmarâ and Senmut, the former a vizier under Thothmes III, the latter the architect of Hatshepsu’s temple at Dêr el-Bahari. Senmut’s tomb is a new rediscovery. It was known, as Rekhmarâ’s was, in the early days of Egyptological science, and Prisse d’Avennes copied its paintings. It was afterwards lost sight of until rediscovered by Mr. Newberry and Prof. Steindorff.
The two main Egyptian depictions of these people, who lived in Greece and can be referred to as Greeks though their more accurate label would be “Pe-lasgians,” are found in the tombs of Rekhmarâ and Senmut. The former was a vizier under Thothmes III, and the latter was the architect of Hatshepsut’s temple at Dêr el-Bahari. Senmut’s tomb has recently been rediscovered. It was known, just like Rekhmarâ’s, in the early days of Egyptology, and Prisse d’Avennes documented its paintings. It was later lost until it was found again by Mr. Newberry and Prof. Steindorff.

The tomb of Rekhmarâ (No. 35) is well known to every visitor to Thebes, but it is difficult to get at that of Senmut (No. 110); it lies at the top of the hill round to the left and overlooking Dêr el-Bahari, an appropriate place for it, by the way. In some ways Senmut’s representations are more interesting than Rekhmarâ’s. They are more easily seen, since they are now in the open air, the fore hall of the tomb having been ruined; and they are better preserved, since they have not been subjected to a century of inspection with naked candles and pawing with greasy hands, as have Rekhmarâ’s frescoes. Further, there is no possibility of mistaking what they represent. From right to left, walking in procession, we see the Minoan gift-bearers from Crete, carrying in their hands and on their shoulders great cups of gold and silver, in shape like the famous gold cups found at Vaphio in Lakonia, but much larger, also a ewer of gold and silver exactly like one of bronze discovered by Mr. Evans two years ago at Knossos, and a huge copper jug with four ring-handles round the sides. All these vases are specifically and definitely Mycenaean, or rather, following the new terminology, Minoan. They are of Greek manufacture and are carried on the shoulders of Pelasgian Greeks. The bearers wear the usual Mycenaean costume, high boots and a gaily ornamented kilt, and little else, just as we see it depicted in the fresco of the Cupbearer at Knossos and in other Greek representations. The coiffure, possibly the most characteristic thing about the Mycenaean Greeks, is faithfully represented by the Egyptians both here and in Rekhmarâ’s tomb. The Mycenaean men allowed their hair to grow to its full natural length, like women, and wore it partly hanging down the back, partly tied up in a knot or plait (the kepas of the dandy Paris in the Iliad) on the crown of the head. This was the universal fashion, and the Keftiu are consistently depicted by the XVIIIth Dynasty Egyptians as following it. The faces in the Senmut fresco are not so well portrayed as those in the Rekhmarâ fresco. There it is evident that the first three ambassadors are faithfully depicted, as the portraits are marked. The procession advances from left to right. The first man, “the Great Chief of the Kefti and the Isles of the Green Sea,” is young, and has a remarkably small mouth with an amiable expression. His complexion is fair rather than dark, but his hair is dark brown. His lieutenant, the next in order, is of a different type,—elderly, with a most forbidding visage, Roman nose, and nutcracker jaws. Most of the others are very much alike,—young, dark in complexion, and with long black hair hanging below their waists and twisted up into fantastic knots and curls on the tops of their heads. One, carrying on his shoulder a great silver vase with curving handles and in one hand a dagger of early European Bronze Age type, is looking back to hear some remark of his next companion. Any one of these gift-bearers might have sat for the portrait of the Knossian Cupbearer, the fresco discovered by Mr. Evans in the palace-temple of Minos; he has the same ruddy brown complexion, the same long black hair dressed in the same fashion, the same parti-coloured kilt, and he bears his vase in much the same way. We have only to allow for the difference of Egyptian and Mycenaean ways of drawing. There is no doubt whatever that these Keftiu of the Egyptians were Cretans of the Minoan Age. They used to be considered Phoenicians, but this view was long ago exploded. They are not Semites, and that is quite enough. Neither are they Asiatics of any kind. They are purely and simply Mycenaean, or rather Minoan, Greeks of the pre-Hellenic period—Pelasgi, that is to say.
The tomb of Rekhmarâ (No. 35) is familiar to every visitor in Thebes, but it’s hard to reach the tomb of Senmut (No. 110); it’s located at the top of the hill to the left and overlooks Dêr el-Bahari, which is a fitting spot for it. In some ways, Senmut’s depictions are more fascinating than those of Rekhmarâ. They are easier to see since they’re now in the open air, the fore hall of the tomb having been destroyed; and they’re better preserved as they haven’t been exposed to a century of inspection with naked candles and handling by greasy hands like Rekhmarâ’s frescoes. Moreover, there’s no chance of misinterpreting what they show. From right to left, walking in procession, we see the Minoan gift-bearers from Crete, carrying large gold and silver cups in their hands and on their shoulders, shaped like the famous gold cups found at Vaphio in Lakonia but much larger, along with a gold and silver ewer exactly like a bronze one Mr. Evans discovered two years ago at Knossos, and a huge copper jug with four ring handles around its sides. All these vases are specifically Mycenaean—or, as the new terminology suggests, Minoan. They are of Greek creation and are carried on the shoulders of Pelasgian Greeks. The bearers wear the usual Mycenaean outfit: high boots and an elaborately decorated kilt, with little else, just as we see in the fresco of the Cupbearer at Knossos and other Greek artworks. The hairstyle, likely the most distinctive feature of the Mycenaean Greeks, is accurately represented by the Egyptians here and in Rekhmarâ’s tomb. Mycenaean men allowed their hair to grow long like women, wearing it partly down their backs and partly tied up in a knot or braid (the kepas of the dandy Paris in the Iliad) on top of their heads. This was the standard style, and the Keftiu are consistently depicted by the XVIIIth Dynasty Egyptians as following it. The faces in the Senmut fresco aren’t as well-rounded as those in the Rekhmarâ fresco. There, it’s clear that the first three ambassadors are accurately portrayed, as their faces are labeled. The procession moves from left to right. The first man, “the Great Chief of the Kefti and the Isles of the Green Sea,” is young and has a surprisingly small mouth with a friendly look. His complexion is more fair than dark, but his hair is dark brown. His second-in-command, the next in line, is from a different type—older, with an intimidating face, a Roman nose, and strong jaws. Most of the others look quite similar—young, dark-skinned, with long black hair hanging below their waists and twisted into elaborate knots and curls on top of their heads. One of them, carrying a large silver vase with curving handles on his shoulder and a dagger of early European Bronze Age design in one hand, is looking back to catch a comment from his next companion. Any of these gift-bearers could have posed for the Knossian Cupbearer, the fresco uncovered by Mr. Evans in the palace-temple of Minos; he has the same ruddy brown skin, the same long black hair styled identically, the same multicolored kilt, and he carries his vase much the same way. We just need to account for the different styles of drawing between Egyptians and Mycenaeans. There’s no doubt that these Keftiu, according to the Egyptians, were Cretans from the Minoan Age. They used to be thought of as Phoenicians, but that idea was debunked long ago. They are not Semites, and that’s enough. They are also not Asiatics of any kind. They are purely and simply Mycenaean, or rather Minoan, Greeks from the pre-Hellenic period—Pelasgians, in other words.
Probably no discovery of more far-reaching importance to our knowledge of the history of the world generally and of our own culture especially has ever been made than the finding of Mycenæ by Schliemann, and the further finds that have resulted therefrom, culminating in the discoveries of Mr. Arthur Evans at Knossos. Naturally, these discoveries are of extraordinary interest to us, for they have revealed the beginnings and first bloom of the European civilization of to-day. For our culture-ancestors are neither the Egyptians, nor the Assyrians, nor the Hebrews, but the Hellenes, and they, the Aryan-Greeks, derived most of their civilization from the pre-Hellenic people whom they found in the land before them, the Pelasgi or “Mycenæan” Greeks, “Minoans,” as we now call them, the Keftiu of the Egyptians. These are the ancient Greeks of the Heroic Age, to which the legends of the Hellenes refer; in their day were fought the wars of Troy and of the Seven against Thebes, in their day the tragedy of the Atridse was played out to its end, in their day the wise Minos ruled Knossos and the Ægean. And of all the events which are at the back of these legends we know nothing. The hiéroglyphed tablets of the pre-Hellenic Greeks lie before us, but we cannot read them; we can only see that the Minoan writing in many ways resembled the Egyptian, thus again confirming our impression of the original early connection of the two cultures.
Probably no discovery has had a more significant impact on our understanding of world history in general and our own culture in particular than Schliemann's discovery of Mycenæ, along with the subsequent finds that followed, culminating in Arthur Evans' discoveries at Knossos. Naturally, these discoveries are incredibly interesting to us because they have revealed the origins and early development of today's European civilization. Our cultural ancestors are not the Egyptians, Assyrians, or Hebrews, but the Hellenes, and these Aryan Greeks derived much of their civilization from the pre-Hellenic people they encountered in the land before them, known as the Pelasgi or "Mycenæan" Greeks, now referred to as "Minoans," the Keftiu of the Egyptians. These are the ancient Greeks of the Heroic Age that the legends of the Hellenes refer to; during their time, the wars of Troy and the Seven against Thebes were fought, the tragedy of the Atridæ unfolded, and the wise Minos ruled over Knossos and the Ægean. Yet, we know nothing about the events that inspired these legends. The hieroglyphic tablets of the pre-Hellenic Greeks lie before us, but we can't read them; we can only observe that Minoan writing resembled Egyptian writing in many ways, further confirming our impression of the early connection between the two cultures.
In view of this connection, and the known close relations between Crete and Egypt, from the end of the XIIth Dynasty to the end of the XVIIIth, we might have hoped to recover at Knossos a bilingual inscription in Cretan and Egyptian hieroglyphs which would give us the key to the Minoan script and tell us what we so dearly wish to know. But this hope has not yet been realized. Two Egyptian inscriptions have been found at Knossos, but no bilingual one. A list of Keftian names is preserved in the British Museum upon an Egyptian writing-board from Thebes with what is perhaps a copy of a single Cretan hieroglyph, a vase; but again, nothing bilingual. A list of “Keftian words” occurs at the head of a papyrus, also in the British Museum, but they appear to be nonsense, a mere imitation of the sounds of a strange tongue. Still we need not despair of finding the much desired Cretan-Egyptian bilingual inscription yet. Perhaps the double text of a treaty between Crete and Egypt, like that of Ramses II with the Hittites, may come to light. Meanwhile we can only do our best with the means at our hand to trace out the history of the relations of the oldest European culture with the ancient civilization of Egypt. The tomb-paintings at Thebes are very important material. Eor it is due to them that the voice of the doubter has finally ceased to be heard, and that now no archaeologist questions that the Egyptians were in direct communication with the Cretan Mycenæans in the time of the XVIIIth Dynasty, some fifteen hundred years before Christ, for no one doubts that the pictures of the Keftiu are pictures of Mycenaeans.
Given this connection, and the known close ties between Crete and Egypt from the end of the 12th Dynasty to the end of the 18th, we might have hoped to find a bilingual inscription in Cretan and Egyptian hieroglyphs at Knossos that would unlock the mystery of the Minoan script and reveal what we desperately want to know. Unfortunately, this hope has not come true yet. Two Egyptian inscriptions have been discovered at Knossos, but none that are bilingual. A list of Keftian names is kept in the British Museum on an Egyptian writing board from Thebes, with what might be a copy of a single Cretan hieroglyph, a vase; but again, there's nothing bilingual. A list of "Keftian words" appears at the top of a papyrus in the British Museum as well, but they seem to be nonsense, just a mimicry of the sounds of a foreign language. However, we shouldn't lose hope of finding that much-desired Cretan-Egyptian bilingual inscription. Perhaps a dual text of a treaty between Crete and Egypt, similar to Ramses II's with the Hittites, will surface. In the meantime, we can only do our best with the resources we have to trace the history of the relationships between the oldest European culture and the ancient civilization of Egypt. The tomb paintings at Thebes are very significant. It's thanks to them that the voice of skepticism has finally quieted, and now no archaeologist questions that the Egyptians were in direct contact with the Cretan Mycenaeans during the 18th Dynasty, around fifteen hundred years before Christ, as no one doubts that the images of the Keftiu are indeed depictions of Mycenaeans.
As we have seen, we know that this connection was far older than the time of the XVIIIth Dynasty, but it is during that time and the Hyksos period that we have the clearest documentary proof of its existence, from the statuette of Abnub and the alabastron lid of King Khian, found at Knossos, down to the Mycenaean pottery fragments found at Tell el-Amarna, a site which has been utterly abandoned since the time of the heretic Akhunaten (B.C. 1430), so that there is no possibility of anything found there being later than his time. That the connection existed as late as the time of the XXth Dynasty we know from the representations of golden Bügelkannen or false-necked vases of Mycenaean form in the tomb of Ramses III in the Bibân el-Mulûk, and of golden cups of Vaphio type in the tomb of Imadua, already mentioned. This brings the connection down to about 1050 B.C.
As we've seen, we know that this connection was much older than the time of the 18th Dynasty, but it’s during that period and the Hyksos era that we have the clearest documentary evidence of its existence, from the statuette of Abnub and the alabastron lid of King Khian, discovered at Knossos, to the Mycenaean pottery fragments found at Tell el-Amarna, a site that has been completely deserted since the time of the heretic Akhenaten (circa 1430 B.C.), so anything found there cannot be later than his time. We can confirm that the connection lasted into the 20th Dynasty from the depictions of golden Bügelkannen or false-necked vases of Mycenaean style in the tomb of Ramses III in the Bibân el-Mulûk, as well as golden cups of Vaphio type in the previously mentioned tomb of Imadua. This brings the connection down to around 1050 B.C.
After that date we cannot hope to find any certain evidence of connection, for by that time the Mycenaean civilization had probably come to an end. In the days of the XIIth and XVIIIth Dynasties a great and splendid power evidently existed in Crete, and sent its peaceful ambassadors, the Keftiu who are represented in the Theban tombs, to Egypt. But with the XIXth Dynasty the name of the Keftiu disappears from Egyptian records, and their place is taken by a congeries of warring seafaring tribes, whose names as given by the Egyptians seem to be forms of tribal and place names well known to us in the Greece of later days. We find the Akaivasha (Axaifol, Achaians), Shakalsha (Sagalassians of Pisidia), Tursha (Tylissians of Crete?), and Shardana (Sardians) allied with the Libyans and Mashauash (Maxyes) in a land attack upon Egypt in the days of Meneptah, the successor of Ramses II—just as in the later days of the XXVIth Dynasty the Northern pirates visited the African shore of the Mediterranean, and in alliance with the predatory Libyans attacked Egypt.
After that date, we can't expect to find any definite evidence of a connection, because by then, the Mycenaean civilization likely came to an end. During the XIIth and XVIIIth Dynasties, there was clearly a powerful and impressive presence in Crete that sent its peaceful representatives, the Keftiu, depicted in the Theban tombs, to Egypt. However, by the XIXth Dynasty, the name Keftiu vanishes from Egyptian records, replaced by a mix of warring seafaring tribes. The names mentioned by the Egyptians seem to correspond to tribal and place names we recognize from later Greek history. We encounter the Akaivasha (Axaifol, Achaians), Shakalsha (Sagalassians of Pisidia), Tursha (Tylissians of Crete?), and Shardana (Sardians) allied with the Libyans and Mashauash (Maxyes) in a land attack on Egypt during the reign of Meneptah, who succeeded Ramses II—similar to how in the later days of the XXVIth Dynasty, Northern pirates raided the African coast of the Mediterranean and joined forces with the predatory Libyans to assault Egypt.
Prof. Petrie has lately [History of Egypt, iii, pp. Ill, I12.] proffered an alternative view, which would make all these tribes Tunisians and Algerians, thus disposing of the identification of the Akaivasha with the Achaians, and making them the ancient representatives of the town of el-Aghwat (Roman Agbia) in Tunis. But several difficulties might be pointed out which are in the way of an acceptance of this view, and it is probable that the older identifications with Greek tribes must still be retained, so that Meneptah’s Akaivasha are evidently the ancient representatives of the Achai(v)ans, the Achivi of the Roman poets. The terminations sha and na, which appear in these names, are merely ethnic and locative affixes belonging to the Asianic language system spoken by these tribes at that time, to which the language of the Minoan Cretans (which is written in the Knossian hieroglyphs) belonged. They existed in ancient Lycian in the forms azzi and nna, and we find them enshrined in the Asia Minor place-names terminating in assos and nda, as Halikarnassos, Sagalassos (Shakalasha in Meneptah’s inscription), Oroanda, and Labraunda (which, as we have seen, is the same as the [Greek word], a word of pre-Hellenic origin, both meaning “Place of the Double Axe”) The identification of these sha and nal terminations in the Egyptian transliterations of the foreign names, with the Lycian affixes referred to, was made some five years ago,[2] and is now generally accepted. We have, then, to find the equivalents of these names, to strike off the final termination, as in the case of Akaiva-sha, where Akaiva only is the real name, and this seems to be the Egyptian equivalent of Axaifol, Achivi. It is strange to meet with this great name on an Egyptian monument of the thirteenth century B.C. But yet not so strange, when we recollect that it is precisely to that period that Greek legend refers the war of Troy, which was an attack by Greek tribes from all parts of the Ægean upon the Asianic city at Hissarlik in the Troad, exactly parallel to the attacks of the Northerners on Egypt. And Homer preserves many a reminiscence of early Greek visits, peaceful and the reverse, to the coast of Egypt at this period. The reader will have noticed that one no longer treats the siege of Troy as a myth. To do so would be to exhibit a most uncritical mind; even the legends of King Arthur have a historic foundation, and those of the Nibelungen are still more probable.
Prof. Petrie has recently [History of Egypt, iii, pp. Ill, I12.] suggested a different perspective, claiming that all these tribes were Tunisian and Algerian. This would eliminate the connection between the Akaivasha and the Achaians, suggesting instead that they were the ancient representatives of the town of el-Aghwat (Roman Agbia) in Tunis. However, there are several challenges to accepting this view, and it seems likely that the earlier identifications with Greek tribes should still be maintained. Thus, Meneptah’s Akaivasha clearly represent the ancient Achai(v)ans, the Achivi mentioned by Roman poets. The endings sha and na found in these names are just ethnic and locative suffixes from the Asianic language spoken by these tribes at that time, which included the language of the Minoan Cretans (written in the Knossian hieroglyphs). These suffixes appeared in ancient Lycian as azzi and nna, and we can see them reflected in place names in Asia Minor that end with assos and nda, like Halikarnassos, Sagalassos (Shakalasha in Meneptah’s inscription), Oroanda, and Labraunda (which, as we have noted, is the same as the [Greek word], a pre-Hellenic term meaning “Place of the Double Axe”). The connection between these sha and nal suffixes in the Egyptian transliterations of foreign names and the Lycian suffixes mentioned was established about five years ago, [2] and is now widely accepted. Therefore, we need to locate the equivalents of these names, removing the final suffix, as in the case of Akaiva-sha, where Akaiva is the actual name, and this appears to be the Egyptian equivalent of Axaifol, Achivi. It’s surprising to find such a significant name on an Egyptian monument from the thirteenth century B.C. Yet, it's not too strange when we remember that Greek legend dates the war of Troy to that period, which involved Greek tribes from all over the Aegean attacking the Asian city at Hissarlik in the Troad, quite similar to the invasions of the Northerners into Egypt. Homer also captures many memories of early Greek interactions—both friendly and hostile—with the coast of Egypt during this time. You may have noticed that the siege of Troy is no longer dismissed as a myth. To do so would indicate a lack of critical thinking; even the legends of King Arthur are rooted in history, and those of the Nibelungen are even more plausible.
[2] See Hall, Oldest Civilization of Greece, p. 178 f.
[2] See Hall, Oldest Civilization of Greece, p. 178 f.




In the eighth year of Ramses III the second Northern attack was made, by the Pulesta (Pelishtim, Philistines), Tjakaray, Shakalasha (Sagalassians), Vashasha, and Danauna or Daanau, in alliance with North Syrian tribes. The Danauna are evidently the ancient representatives of the Aavaoî, the Danaans who formed the bulk of the Greek army against Troy under the leadership of the long-haired Achaians, [Greek words] (like the Keftiu). The Vashasha have been identified by the writer with the Axians, the [Greek word] of Crete. Prof. Petrie compares the name of the Tjakaray with that of the (modern) place Zakro in Crete. Identifications with modern place-names are of doubtful value; for instance, we cannot but hold that Prof. Petrie errs greatly in identifying the name of the Pidasa (another tribe mentioned in Ramses II’s time) with that of the river Pidias in Cyprus. “Pidias” is a purely modern corruption of the ancient Pediseus, which means the “plain-river” (because it flows through the central plain of the island), from the Greek [Greek word]. If, then, we make the Pidasa Cypriotes we assume that pure Greek was spoken in Cyprus as early as 1100 b. c, which is highly improbable. The Pidasa were probably Le-leges (Pedasians); the name of Pisidia may be the same, by metathesis. Pedasos is a name always connected with the much wandering tribe of the Leleges, where-ever they are found in Lakonia or in Asia Minor. We believe them to have been known to the Egyptians as Pidasa. The identification of the Tjakaray with Zakro is very tempting. The name was formerly identified with that of the Teukrians, but the v in the word Tewpot lias always been a stumbling-block in the way. Perhaps Zakro is neither more nor less than the Tetkpoc-name, since the legendary Teucer, the archer, was connected with the eastern or Eteokretan end of Crete, where Zakro lies. In Mycenæan times Zakro was an important place, so that the Tjakaray may be the Teukroi, after all, and Zakro may preserve the name. At any rate, this identification is most alluring and, taken in conjunction with the other cumulative identifications, is very probable; but the identification of the Pidæa with the river Pediæus in Cyprus is neither alluring nor probable.
In the eighth year of Ramses III, the second Northern attack was launched by the Pulesta (Philistines), Tjakaray, Shakalasha (Sagalassians), Vashasha, and Danauna or Daanau, who all teamed up with North Syrian tribes. The Danauna are clearly the ancient representatives of the Aavaoî, the Danaans who made up most of the Greek army against Troy under the leadership of the long-haired Achaians, [Greek words] (similar to the Keftiu). The Vashasha have been linked by the author to the Axians, the [Greek word] of Crete. Professor Petrie compares the name Tjakaray with the modern place Zakro in Crete. However, connections to modern place names are often questionable; for instance, we must disagree with Professor Petrie's significant error in linking the name Pidasa (another tribe mentioned during Ramses II’s time) to the river Pidias in Cyprus. “Pidias” is a purely modern distortion of the ancient Pediseus, which means the “plain-river” (because it flows through the central plain of the island), from the Greek [Greek word]. If we consider the Pidasa as Cypriots, we assume that pure Greek was spoken in Cyprus as early as 1100 B.C., which is highly unlikely. The Pidasa were likely Le-leges (Pedasians); the name of Pisidia might be related, through metathesis. Pedasos is a name consistently associated with the nomadic tribe of the Leleges, wherever they appear in Lakonia or Asia Minor. We believe they were known to the Egyptians as Pidasa. The link between the Tjakaray and Zakro is very appealing. The name was previously connected with the Teukrians, but the 'v' in Tewpot has always posed a difficulty. Perhaps Zakro is simply the Tetkpoc-name, since the legendary Teucer, the archer, was associated with the eastern or Eteokretan part of Crete, where Zakro is located. During Mycenaean times, Zakro was an important site, so the Tjakaray may indeed be the Teukroi, and Zakro might preserve that name. In any case, this identification is quite tempting and, when considered with other cumulative identifications, seems very plausible; but the identification of the Pidæa with the river Pediæus in Cyprus is neither attractive nor likely.
In the time of Ramses II some of these Asia Minor tribes had marched against Egypt as allies of the Hittites. We find among them the Luka or Lycians, the Dardenui (Dardanians, who may possibly have been at that time in the Troad, or elsewhere, for all these tribes were certainly migratory), and the Masa (perhaps the Mysians). With the Cretans of Ramses Ill’s time must be reckoned the Pulesta, who are certainly the Philistines, then most probably in course of their traditional migration from Crete to Palestine. In Philistia recent excavations by Mr. Welch have disclosed the unmistakable presence of a late Mycenæan culture, and we can only ascribe this to the Philistines, who were of Cretan origin.
In the time of Ramses II, some of the tribes from Asia Minor had teamed up with the Hittites to attack Egypt. Among them were the Luka or Lycians, the Dardenui (Dardanians, who might have been in the Troad at that time, or possibly somewhere else, since all these tribes were definitely migratory), and the Masa (likely the Mysians). Also counted among the Cretans during Ramses III’s era are the Pulesta, who are definitely the Philistines, who were probably in the middle of their traditional migration from Crete to Palestine. In Philistia, recent digs by Mr. Welch have revealed clear evidence of a late Mycenaean culture, which we can only attribute to the Philistines, who originated from Crete.
Thus we see that all these Northern tribal names hold together with remarkable persistence, and in fact refuse to be identified with any tribes but those of Asia Minor and the Ægean. In them we see the broken remnants of the old Minoan (Keftian) power, driven hither and thither across the seas by intestinal feuds, and “winding the skein of grievous wars till every man of them perished,” as Homer says of the heroes after the siege of Troy. These were in fact the wanderings of the heroes, the period of Sturm und Drang which succeeded the great civilized epoch of Minos and his thalassocracy, of Knossos, Phaistos, and the Keftius. On the walls of the temple of Medînet Habû, Ramses III depicted the portraits of the conquered heroes who had fallen before the Egyptian onslaught, and he called them heroes, tuher in Egyptian, fully recognizing their Berserker gallantry. Above all in interest are the portraits of the Philistines, those Greeks who at this very time seized part of Palestine (which takes its name from them), and continued to exist there as a separate people (like the Normans in France) for at least two centuries. Goliath the giant was, then, a Greek; certainly he was of Cretan descent, and so a Pelasgian.
Thus, we see that all these Northern tribal names stay connected with remarkable consistency, and actually refuse to be linked to any tribes other than those of Asia Minor and the Aegean. In them, we observe the broken remnants of the old Minoan (Keftian) power, scattered across the seas due to internal conflicts, and “winding the skein of grievous wars till every man of them perished,” as Homer describes the heroes after the siege of Troy. These were indeed the wanderings of the heroes, the period of Sturm und Drang that followed the great civilized era of Minos and his maritime empire, of Knossos, Phaistos, and the Keftius. On the walls of the temple of Medînet Habû, Ramses III depicted the portraits of the defeated heroes who had fallen before the Egyptian assault, and he referred to them as heroes, tuher in Egyptian, fully acknowledging their Berserker bravery. Most intriguing are the portraits of the Philistines, those Greeks who at that time took part of Palestine (which is named after them), and remained there as a distinct people (like the Normans in France) for at least two centuries. Goliath the giant was, therefore, a Greek; he was certainly of Cretan descent, and thus a Pelasgian.
Such are the conclusions to which modern discovery in Crete has impelled us with regard to the pictures of the Keftiu at Shêkh ‘Abd el-Kûrna. It is indeed a new chapter in the history of the relations of ancient Egypt with the outside world that Dr. Arthur Evans has opened for us. And in this connection some American work must not be overlooked. An expedition sent out by the University of Pennsylvania, under Miss Harriet Boyd, has discovered much of importance to Mycenæan study in the ruins of an ancient town at Gournia in Crete, east of Knossos. Here, however, little has been found that will bear directly on the question of relations between Mycenaean Greece and Egypt.
These are the conclusions that modern discoveries in Crete have led us to regarding the images of the Keftiu at Shêkh ‘Abd el-Kûrna. Dr. Arthur Evans has really opened a new chapter in understanding the relationships between ancient Egypt and the outside world. In this context, we must also acknowledge some important American work. An expedition from the University of Pennsylvania, led by Miss Harriet Boyd, has uncovered significant findings related to Mycenaean studies in the ruins of an ancient town at Gournia in Crete, east of Knossos. However, not much has been found here that directly relates to the connections between Mycenaean Greece and Egypt.
The Theban nécropoles of the New Empire are by no means exhausted by a description of the Tombs of the Kings and Shêkh ‘Abd el-Kûrna; but few new discoveries have been made anywhere except in the picturesque valley of the Tombs of the Queens, south of Shêkh ‘Abd el-Kûrna. Here the Italian Egyptologist, Prof. Schiaparelli, has lately discovered and excavated some very fine tombs of the XIXth and XXth Dynasties. The best is that of Queen Nefertari, one of the wives of Ramses II. The colouring of the reliefs upon these walls is extraordinarily bright, and the portraits of the queen, who has a very beautiful face, with aquiline nose, are wonderfully preserved. She was of the dark type, while another queen, Titi by name, who was buried close by, was fair, and had a retroussé nose. Prof. Schiaparelli also discovered here the tombs of some princes of the XXth Dynasty, who died young. All the tombs are much alike, with a single short gallery, on the walls of which are mythological scenes, figures of the prince and of his father, the king, etc., painted in a crude style, which shows a great degeneration from that of the XVIIIth Dynasty tombs.
The Theban necropolises of the New Empire aren't fully covered by just talking about the Tombs of the Kings and Sheik Abd el-Kurna; however, there haven't been many new discoveries made anywhere else except in the scenic valley of the Tombs of the Queens, south of Sheik Abd el-Kurna. Here, the Italian Egyptologist, Prof. Schiaparelli, has recently found and excavated some impressive tombs from the 19th and 20th Dynasties. The most notable is that of Queen Nefertari, one of Ramses II's wives. The colors of the reliefs on these walls are incredibly bright, and the portraits of the queen, who has a beautiful face with an aquiline nose, are remarkably well-preserved. She belonged to the darker-skinned type, while another nearby queen named Titi was fair-skinned and had a turned-up nose. Prof. Schiaparelli also uncovered the tombs of several young princes from the 20th Dynasty who died early. All the tombs are quite similar, featuring a single short gallery, with the walls depicting mythological scenes and figures of the prince and his father, the king, among others, painted in a rough style that shows a significant decline from the artwork of the 18th Dynasty tombs.
We now leave the great necropolis and turn to the later temples of the Western Bank at Thebes. These were of a funerary character, like those of Dêr el-Bahari, already described. The most imposing of all in some respects is the Ramesseum, where lies the huge granite colossus of Ramses II, prostrate and broken, which Diodorus knew as the statue of Osymandyas. This name is a late corruption of Ramses II’s throne-name, User-maat-Rà, pronounced Ûsimare. The temple has been cleared by Mr. Howard Carter for the Egyptian government, and the small town of priests’ houses, magazines, and cellars, to the west of it, has been excavated by him. This is quite a little Pompeii, with its small streets, its houses with the stucco still clinging to the walls, its public altar, its market colonnade, and its gallery of statues. The statues are only of brick like the walls, and roughly shaped and plastered, but they were portraits, undoubtedly, of celebrities of the time, though we do not know of whom. On either side are the long magazines in which were kept the possessions of the priests of the Ramesseum, the grain from the lands with which they were endowed, and everything meet to be offered to the ghost of the king whom they served. The plan of the place had evidently been altered after the time of Ramses II, as remains of overbuilding were found here and there. The magazines were first investigated in 1896 by Prof. Petrie, who also found in the neighbourhood the remains of a number of small royal funerary temples of the XVIIIth Dynasty, all looking in the direction of the hill, beyond which lay the tombs of the kings.
We now leave the great cemetery and turn to the later temples on the Western Bank at Thebes. These were built for funerary purposes, similar to those at Dêr el-Bahari that we’ve already discussed. The most impressive one in many ways is the Ramesseum, which contains the massive granite statue of Ramses II, lying broken and prone, which Diodorus referred to as the statue of Osymandyas. This name is a later distortion of Ramses II’s throne name, User-maat-Rà, pronounced Ûsimare. The temple has been cleared by Mr. Howard Carter for the Egyptian government, and he has also excavated the small town of priests' houses, stores, and cellars to the west of it. This resembles a small Pompeii, with its narrow streets, houses with stucco still clinging to the walls, a public altar, a market colonnade, and a gallery of statues. The statues are made of brick like the walls, roughly shaped and plastered, but they were undoubtedly portraits of notable figures from that time, though we don’t know exactly who they are. On either side are the long storage areas where the belongings of the priests of the Ramesseum were kept, along with the grain from the lands they were given, and everything meant to be offered to the spirit of the king they served. It’s clear that the layout of the place was altered after Ramses II’s time, as signs of later construction were found here and there. The storage areas were first investigated in 1896 by Prof. Petrie, who also discovered nearby the remains of several small royal funerary temples from the XVIIIth Dynasty, all oriented towards the hill that lies beyond, where the kings' tombs are located.

In which Prof. Schiaparelli discovered the tomb of Ramses II’s wife (1904).
In which Prof. Schiaparelli discovered the tomb of Ramses II's wife (1904).
We may now turn to Luxor, where immediately above the landing-place of the steamers and dahabiyas rise the stately coloured colonnades of the Temple of Luxor. Unfortunately, modern excavations have not been allowed to pursue their course to completion here, as in the first great colonnaded court, which was added by Ramses II to the original building of Amenhetep III, Tutankhamen, and Horemheb, there still remains the Mohammedan Mosque of Abu-’l-Haggâg, which may not be removed. Abu-’l-Haggâg, “the Father of Pilgrims” (so called on account of the number of pilgrims to his shrine), was a very holy shêkh, and his memory is held in the greatest reverence by the Luksuris. It is unlucky that this mosque was built within the court of the Great Temple, and it cannot be removed till Moslem religious prejudices become at least partially ameliorated, and then the work of completely excavating the Temple of Luxor may be carried out.
We can now focus on Luxor, where right above the landing area for the steamers and dahabiyas are the impressive, colorful columns of the Temple of Luxor. Unfortunately, modern excavations haven't been allowed to finish here. In the first grand colonnaded court, which was added by Ramses II to the original structure built by Amenhotep III, Tutankhamun, and Horemheb, there still stands the Mohammedan Mosque of Abu-’l-Haggâg, which cannot be removed. Abu-’l-Haggâg, “the Father of Pilgrims” (named for the many pilgrims visiting his shrine), was a very revered shêkh, and his memory is highly respected among the people of Luxor. It's unfortunate that this mosque was built within the court of the Great Temple, and it won't be able to be removed until Muslim religious attitudes change at least somewhat; after that, the work of fully excavating the Temple of Luxor can be completed.
Between Luxor and Karnak lay the temple of the goddess Mut, consort of Amen and protectress of Thebes. It stood in the part of the city known as Asheru. This building was cleared in 1895 at the expense and under the supervision of two English ladies, Miss Benson and Miss Gourlay.
Between Luxor and Karnak was the temple of the goddess Mut, wife of Amen and protector of Thebes. It was located in the area of the city known as Asheru. This building was excavated in 1895 at the expense and under the supervision of two English women, Miss Benson and Miss Gourlay.

With A Dahabîya And A Steamer Of The Anglo-American Nile Company.
With a Dahabiya and a steamer from the Anglo-American Nile Company.
The temple had always been remarkable on account of the prodigious number of seated figures of the lioness-headed goddess Sekhemet, or Pakhet, which it contains, dedicated by Amenhetep III and Sheshenk I; most of those in the British Museum were brought from this temple. The excavators found many more of them, and also some very interesting portrait-statues of the late period which had been dedicated there. The most important of these was the head and shoulders of a statue of Mentuemhat, governor of Thebes at the time of the sack of the city by Ashur-bani-pal of Assyria in 668 B.C. In Miss Benson’s interesting book, The Temple of Mut in Asher, it is suggested, on the authority of Prof. Petrie, that his facial type is Cypriote, but this speculation is a dangerous one, as is also the similar speculation that the wonderful portrait-head of an old man found by Miss Benson [* Plate vii of her book.] is of Philistine type. We have only to look at the faces of elderly Egyptians to-day to see that the types presented by Mentuemhat and Miss Benson’s “Philistine” need be nothing but pure Egyptian. The whole work of the clearing was most efficiently carried out, and the Cairo Museum obtained from it some valuable specimens of Egyptian sculpture.
The temple was always impressive because of the huge number of seated figures of the lioness-headed goddess Sekhemet, or Pakhet, found there, dedicated by Amenhetep III and Sheshenk I; most of those in the British Museum came from this temple. The excavators discovered many more of them, along with some very interesting portrait statues from the late period that were dedicated there. The most significant of these was the head and shoulders of a statue of Mentuemhat, the governor of Thebes during the sack of the city by Ashur-bani-pal of Assyria in 668 B.C. In Miss Benson’s engaging book, The Temple of Mut in Asher, it is suggested, based on Prof. Petrie's authority, that his facial type is Cypriote, but this speculation is risky, as is the similar idea that the remarkable portrait head of an old man found by Miss Benson [* Plate vii of her book.] is of Philistine type. Just looking at the faces of elderly Egyptians today demonstrates that the types shown by Mentuemhat and Miss Benson’s “Philistine” could be nothing but distinctly Egyptian. The entire clearing process was handled very efficiently, and the Cairo Museum received some valuable examples of Egyptian sculpture from it.
The Great Temple of Karnak is one of the chief cares of the Egyptian Department of Antiquities. Its paramount importance, so to speak, as the cathedral temple of Egypt, renders its preservation and exploration a work of constant necessity, and its great extent makes this work one which is always going on and which probably will be going on for many years to come. The Temple of Karnak has cost the Egyptian government much money, yet not a piastre of this can be grudged. For several years past the works have been under the charge of M. Georges Legrain, the well-known engineer and draughtsman who was associated with M. de Morgan in the work at Dashûr. His task is to clear out the whole temple thoroughly, to discover in it what previous investigators have left undiscovered, and to restore to its original position what has fallen.
The Great Temple of Karnak is a top priority for the Egyptian Department of Antiquities. Its significance as the main cathedral temple of Egypt makes it essential to preserve and explore, and its vast size means this work is ongoing and will likely continue for many years. The Egyptian government has invested a lot of money into the Temple of Karnak, but none of this expenditure is regrettable. For several years now, the work has been overseen by M. Georges Legrain, a well-known engineer and draftsman who previously collaborated with M. de Morgan at Dashûr. His mission is to thoroughly clear out the entire temple, uncover what earlier researchers missed, and restore what has fallen back to its original place.

The left-hand obelisk is the highest in Egypt, and was erected by Hatshepsu; the right-hand obelisk was put up by Thothmes III.
The left obelisk is the tallest in Egypt, and was built by Hatshepsut; the right obelisk was put up by Thutmose III.
No general work of restoration is contemplated, nor would this be in the slightest degree desirable. Up to the present M. Legrain has certainly carried out all three branches of his task with great success. An unforeseen event has, however, considerably complicated and retarded the work. In October, 1899, one of the columns of the side aisles of the great Hypostyle Hall fell, bringing down with it several others. The whole place was a chaotic ruin, and for a moment it seemed as though the whole of the Great Hall, one of the wonders of the world, would collapse. The disaster was due to the gradual infiltration of water from the Nile beneath the structure, whose foundations, as is usual in Egypt, were of the flimsiest description. Even the most imposing Egyptian temples have jerry-built foundations; usually they are built on the top of the wall-stumps of earlier buildings of different plan, filled in with a confused mass of earlier slabs and weak rubbish of all kinds. Had the Egyptian buildings been built on sure foundations, they would have been preserved to a much greater extent even than they are. In such a climate as that of Egypt a stone building well built should last for ever.
No major restoration work is planned, nor would that be desirable in any way. So far, M. Legrain has successfully completed all three parts of his task. However, an unexpected event has significantly complicated and delayed the work. In October 1899, one of the columns in the side aisles of the great Hypostyle Hall collapsed, taking several others down with it. The entire area became a chaotic mess, and for a moment, it looked like the entire Great Hall, one of the wonders of the world, might collapse. The disaster occurred because of the gradual infiltration of water from the Nile beneath the structure, whose foundations, as is common in Egypt, were quite flimsy. Even the most impressive Egyptian temples are built on poorly constructed foundations; they are typically placed atop the remains of earlier buildings with different designs, filled in with a confusing mix of earlier slabs and weak debris of all kinds. If Egyptian buildings had been built on solid foundations, they would have been preserved to a much greater extent than they are now. In Egypt's climate, a well-built stone structure should last forever.
M. Legrain has for the last five years been busy repairing the damage. All the fallen columns are now restored to the perpendicular, and the capitals and architraves are in process of being hoisted into their original positions. The process by which M. Legrain carries out this work has been already described. He works in the old Egyptian fashion, building great inclines or ramps of earth up which the pillar-drums, the capitals, and the architrave-blocks are hauled by manual labour, and then swung into position. This is the way in which the Egyptians built Karnak, and in this way, too, M. Le-grain is rebuilding it. It is a slow process, but a sure one, and now it will not be long before we shall see the hall, except its roof, in much the same condition as it was when Seti built it. Lovers of the picturesque will, however, miss the famous leaning column, hanging poised across the hall, which has been a main feature in so many pictures and photographs of Karnak. This fell in the catastrophe of 1899, and naturally it has not been possible to restore it to its picturesque, but dangerous, position.
M. Legrain has been working for the last five years to fix the damage. All the fallen columns are now upright again, and the capitals and architraves are being raised back to their original spots. The method M. Legrain uses for this work has already been explained. He employs the ancient Egyptian technique, constructing large earth ramps up which the pillar sections, capitals, and architrave blocks are pulled by manual labor, and then positioned carefully. This is how the Egyptians built Karnak, and M. Legrain is using the same approach to rebuild it. It’s a slow process, but effective, and soon we will see the hall, except for its roof, in much the same state as it was when Seti constructed it. However, fans of the picturesque will miss the iconic leaning column, poised across the hall, which has been a prominent feature in many pictures and photographs of Karnak. This column fell during the disaster of 1899, and understandably, it hasn’t been possible to restore it to its visually striking, yet precarious, position.
The work at Karnak has been distinguished during the last two years by two remarkable discoveries. Outside the main temple, to the north of the Hypostyle Hall, M. Legrain found a series of private sanctuaries or shrines, built of brick by personages of the XVIIIth Dynasty and later, in order to testify their devotion to Amen. In these small cells were found some remarkable statues, one of which is illustrated. It is one of the most perfect of its kind. A great dignitary of the XVIIIth Dynasty is seen seated with his wife, their daughter standing between them. Round his neck are four chains of golden rings, with which he had been decorated by the Pharaoh for his services. It is a remarkable group, interesting for its style and workmanship as well as for its subject. As an example of the formal hieratic type of portraiture it is very fine.
The work at Karnak has been highlighted over the past two years by two remarkable discoveries. Outside the main temple, north of the Hypostyle Hall, M. Legrain uncovered a series of private sanctuaries or shrines, made of brick by individuals from the XVIIIth Dynasty and later, to show their devotion to Amen. Inside these small cells, some impressive statues were found, one of which is illustrated. It is one of the most perfect of its kind. A high-ranking official from the XVIIIth Dynasty is depicted seated with his wife, their daughter standing between them. Around his neck are four chains of gold rings, which he received from the Pharaoh for his services. It is an extraordinary group, notable for its style and craftsmanship as well as its subject matter. As an example of the formal hieratic style of portraiture, it is very fine.
The other and more important discovery of the two was made by M. Legrain on the south side of the Hypo-style Hall.
The other, and more significant, discovery of the two was made by M. Legrain on the south side of the Hypo-style Hall.

The left-hand obelisk is the highest in Egypt, and was erected by Hatshepsu; the right-hand obelisk was put up by Thothmes III.
The left obelisk is the tallest in Egypt and was built by Hatshepsut; the right obelisk was raised by Thutmose III.
M. de Morgan in the work at Dashûr. His task is to clear out the whole temple thoroughly, to discover in it what previous investigators have left undiscovered, and to restore to its original position what has fallen. Tentative excavations, begun in an unoccupied tract under the wall of the hall, resulted in the discovery of parts of statues; the place was then regularly excavated, and the result has been amazing. The ground was full of statues, large and small, at some unknown period buried pell-mell, one on the top of another. Some are broken, but the majority are perfect, which is in itself unusual, and is due very much to the soft, muddy soil in which they have lain. Statues found on dry desert land are often terribly cracked, especially when they are of black granite, the crystals of which seem to have a greater tendency to disintegration than have those of the red syenite. The Karnak statues are figures of pious persons, who had dedicated portraits of themselves in the temple of Amen, together with those of great men whom the king had honoured by ordering their statues placed in the temple during their lives.
M. de Morgan in the work at Dashûr. His task is to completely clear out the temple, to uncover what earlier investigators missed, and to restore anything that has fallen to its original position. Initial excavations, started in an unoccupied area under the wall of the hall, uncovered parts of statues; the site was then systematically excavated, and the results have been remarkable. The ground was filled with statues, large and small, buried together at some unknown time, one stacked on top of another. Some are broken, but most are intact, which is quite unusual and largely thanks to the soft, muddy soil where they have rested. Statues found on dry desert land often have significant cracks, especially those made of black granite, whose crystals seem more prone to break down than those of red syenite. The Karnak statues are likenesses of devout individuals who dedicated portraits of themselves in the temple of Amen, along with those of notable figures whom the king honored by having their statues placed in the temple during their lifetimes.
Of this number was the great sage Amenhetep, son of Hapi, the founder of the little desert temple of Dêr el-Medîna, near Dêr el-Bahari, who was a sort of prime minister under Amenhetep III, and was venerated in later days as a demigod. His statue was found with the others by M. Legrain. Among them is a figure made entirely of green felspar, an unusual material for so large a statuette. A fine portrait of Thothmes III was also found. The illustration shows this wonderfully fruitful excavation in progress, with the diggers at work in the black mud soil, in the foreground the basket-boys carrying away the rubbish on their shoulders, and the massive granite walls of the Great Hypostyle Hall of Seti in the background. The huge size of the roof-blocks is noticeable. These are not the actual uppermost roof-blocks, but only the architraves from pillar to pillar; the original roof consisted of similar blocks laid across in the transverse direction from architrave to architrave. An Egyptian granite temple was in fact built upon the plan of a child’s box of bricks; it was but a modified and beautified Stonehenge.
Among them was the great sage Amenhetep, son of Hapi, who founded the small desert temple of Dêr el-Medîna, near Dêr el-Bahari. He served as something like a prime minister under Amenhetep III and was later worshipped as a demigod. His statue was discovered along with others by M. Legrain. Among these is a figure made entirely of green felspar, which is an unusual material for such a large statuette. A fine portrait of Thothmes III was also found. The illustration shows this incredibly fruitful excavation underway, with the workers digging in the black mud soil. In the foreground, the basket-boys are carrying away the dirt on their shoulders, while the massive granite walls of the Great Hypostyle Hall of Seti loom in the background. The huge size of the roof blocks is noticeable. These aren’t the topmost roof blocks, but only the architraves that connect the pillars; the original roof consisted of similar blocks laid across in the transverse direction from architrave to architrave. An Egyptian granite temple was actually designed like a child’s box of bricks; it was just a modified and enhanced version of Stonehenge.

Of The Time Of The Xviiith Dynasty. Discovered by M. Legrain at Karnak.
Of The Time Of The 18th Dynasty. Discovered by M. Legrain at Karnak.
Other important discoveries have been made by M. Legrain in the course of his work.
Other important discoveries have been made by M. Legrain during his work.

The Tomb of Pentu (No. 5) at Tell el-Amarna, inhabited by Mr. de G. Davies during his work for the Archaeological Survey of Egypt (Egypt Exploration Fund). About 1400 B.C.
The Tomb of Pentu (No. 5) at Tell el-Amarna was lived in by Mr. de G. Davies while he was working for the Archaeological Survey of Egypt (Egypt Exploration Fund). Around 1400 B.C.
Among them are statues of the late Middle Kingdom, including one of King Usertsen (Senusret) IV of the XIIIth Dynasty. There are also reliefs of the reign of Amenhetep I, which are remarkable for the delicacy of their workmanship and the sureness of their technique.
Among them are statues from the late Middle Kingdom, including one of King Usertsen (Senusret) IV from the XIIIth Dynasty. There are also reliefs from the reign of Amenhetep I, which are notable for the delicacy of their craftsmanship and the confidence of their technique.
We know that the temple was built as early as the time of TJsertsen, for in it have been found one or two of his blocks; and no doubt the original shrine, which was rebuilt in the time of Philip Arrhidseus, was of the same period, but hitherto no remains of the centuries between his time and that of Hatshepsu had been found. With M. Legrain’s work in the greatest temple of Thebes we finish our account of the new discoveries in the chief city of ancient Egypt, as we began it with the work of M. Naville in the oldest temple there.
We know that the temple was built as early as the time of TJsertsen, because one or two of his blocks have been found in it. The original shrine, which was rebuilt during the time of Philip Arrhidseus, likely dates from the same period, but so far, no remains from the centuries between his time and that of Hatshepsut have been discovered. With M. Legrain’s work in the largest temple of Thebes, we conclude our account of the new discoveries in the main city of ancient Egypt, just as we started it with M. Naville’s work in the oldest temple there.
One of the most interesting questions connected with the archaeology of Thebes is that which asks whether the heretical disk-worshipper Akhunaten (Amenhetep IV) erected buildings there, and whether any trace of them has ever been discovered. To those who are interested in Egyptian history and religion the transitory episode of the disk-worship heresy is already familiar. The precise character of the heretical dogma, which Amenhetep IV proclaimed and desired his subjects to. accept, has lately been well explained by Mr. de Garis Davies in his volumes, published by the “Archaeological Survey of Egypt” branch of the Egypt Exploration Fund, on the tombs of el-Amarna. He shows that the heretical doctrine was a monotheism of a very high order. Amenhetep IV (or as he preferred to call himself, Akhunaten, “Glory of the Disk”) did not, as has usually been supposed, merely worship the Sun-disk itself as the giver of life, and nothing more. He venerated the glowing disk merely as the visible emanation of the deity behind it, who dispensed heat and life to all living things through its medium. The disk was, so to speak, the window in heaven through which the unknown God, the “Lord of the Disk,” shed a portion of his radiance on the world. Now, given an ignorance of the true astronomical character of the sun, we see how eminently rational a religion this was. In effect, the sun is the source of all life upon this earth, and so Akhunaten caused its rays to be depicted each with a hand holding out the sign of life to the earth. The monotheistic worship of the sun alone is certainly the highest form of pagan religion, but Akhunaten saw further than this. His doctrine was that there was a deity behind the sun, whose glory shone through it and gave us life. This deity was unnamed and unnamable; he was “the Lord of the Disk.” We see in his heresy, therefore, the highest attitude to which religious ideas had attained before the days of the Hebrew prophets.
One of the most fascinating questions related to the archaeology of Thebes is whether the heretical disk-worshipper Akhenaten (Amenhotep IV) built structures there, and if any evidence of them has ever been found. For those interested in Egyptian history and religion, the brief period of disk-worship heresy is already well-known. The specific nature of the heretical belief that Amenhotep IV promoted and wanted his people to accept has recently been clearly explained by Mr. de Garis Davies in his volumes published by the “Archaeological Survey of Egypt” branch of the Egypt Exploration Fund, regarding the tombs of el-Amarna. He shows that the heretical doctrine was a monotheism of a very high level. Amenhotep IV (or as he preferred to be called, Akhenaten, “Glory of the Disk”) did not just worship the Sun-disk itself as the source of life, as is commonly believed. He revered the glowing disk merely as the visible manifestation of the deity beyond it, who distributed heat and life to all living things through its medium. The disk was, in a sense, the window in heaven through which the unknown God, the “Lord of the Disk,” radiated some of his light onto the world. Given the lack of understanding of the true astronomical nature of the sun, we can see how this religion was remarkably rational. Essentially, the sun is the source of all life on earth, and so Akhenaten had its rays depicted each with a hand reaching out, offering the sign of life to the earth. The worship of the sun alone in a monotheistic manner is undoubtedly the highest form of pagan religion, but Akhenaten looked beyond that. His belief was that there was a deity behind the sun, whose glory shone through it and provided us with life. This deity was unnamed and unnameable; he was “the Lord of the Disk.” Therefore, in his heresy, we see the most advanced perspective on religious ideas that had developed prior to the era of the Hebrew prophets.
This religion seems to have been developed out of the philosophical speculations of the priests of the Sun at Heliopolis. Akhunaten with unwise iconoclastic zeal endeavoured to root out the worship of the ancient gods of Egypt, and especially that of Amen-Bà, the ruler of the Egyptian pantheon, whose primacy in the hearts of the people made him the most redoubtable rival of the new doctrine. But the name of the old Sun-god Bà-Harmaehis was spared, and it is evident that Akhunaten regarded him as more or less identical with his god.
This religion seems to have emerged from the philosophical ideas of the Sun priests at Heliopolis. Akhenaten, with misguided fervor, tried to eliminate the worship of Egypt's ancient gods, especially Amen-Ra, the leader of the Egyptian pantheon, whose importance to the people made him a significant opponent of the new belief system. However, the name of the old Sun-god Ra-Harakhte was preserved, indicating that Akhenaten saw him as somewhat identical to his own god.
It has been supposed by Prof. Petrie that Queen Tii, the mother of Akhunaten, was of Mitannian (Armenian) origin, and that she brought the Aten religion to Egypt from her native land, and taught it to her son. Certainly it seems as though the new doctrine had made some headway before the death of Amenhetep III, but we have no reason to attribute it to Tii, or to suppose that she brought it with her from abroad. There is no proof whatever that she was not a native Egyptian, and the mummies of her parents, Iuaa and Tuaa, are purely Egyptian in facial type. It seems undoubted that the Aten cult was a development of pure Egyptian religious thought.
Prof. Petrie has suggested that Queen Tii, the mother of Akhunaten, was of Mitannian (Armenian) descent and that she brought the Aten religion to Egypt from her homeland, teaching it to her son. It certainly appears that the new doctrine gained some traction before the death of Amenhetep III, but there's no reason to credit Tii or assume she introduced it from outside. There’s no evidence at all that she wasn’t a native Egyptian, and the mummies of her parents, Iuaa and Tuaa, show a distinctly Egyptian facial type. It seems clear that the Aten cult emerged from genuine Egyptian religious ideas.
At first Akhunaten tried to establish his religion at Thebes alongside that of Amen and his attendant pantheon. He seems to have built a temple to the Aten there, and we see that his courtiers began to make tombs for themselves in the new realistic style of sculptural art, which the king, heretical in art as in religion, had introduced. The tomb of Barnes at Shêkh ‘Abd el-Kûrna has on one side of the door a representation of the king in the old regular style, and on the other side one in the new realistic style, which depicts him in all the native ugliness in which this strange truth-loving man seems to have positively gloried. We find, too, that he caused a temple to the Aten to be erected in far-away Napata, the capital of Nubia, by Jebel Barkal in the Sudan. The facts as to the Theban and Napata temples have been pointed out by Prof. Breasted, of Chicago.
At first, Akhenaten tried to establish his religion in Thebes alongside that of Amen and his surrounding gods. He seems to have built a temple to the Aten there, and we see that his courtiers started making tombs for themselves in the new realistic style of sculpture that the king, who was unconventional in both art and religion, had introduced. The tomb of Barnes at Shêkh ‘Abd el-Kûrna features a depiction of the king in the traditional style on one side of the door, and on the other side, one in the new realistic style, which shows him in all his natural imperfections that this unusual truth-loving man seemed to embrace. We also find that he ordered a temple to the Aten to be built in distant Napata, the capital of Nubia, near Jebel Barkal in the Sudan. The details about the Theban and Napata temples have been noted by Prof. Breasted from Chicago.
But the opposition of the Theban priesthood was too strong. Akhunaten shook the dust of the capital off his feet and retired to the isolated city of Akhet-aten, “the Glory of the Disk,” at the modern Tell el-Amarna, where he could philosophize in peace, while his kingdom was left to take care of itself. He and his wife Nefret-iti, who seems to have been a faithful sharer of his views, reigned over a select court of Aten-worship-ping nobles, priests, and artists. The artists had under Akhunaten an unrivalled opportunity for development, of which they had already begun to take considerable advantage before the end of his reign and the restoration of the old order of ideas. Their style takes on itself an almost bizarre freedom, which reminds us strongly of the similar characteristic in Mycenaean art. There is a strange little relief in the Berlin Museum of the king standing cross-legged, leaning on a staff, and languidly smelling a flower, while the queen stands by with her garments blown about by the wind. The artistic monarch’s graceful attitude is probably a faithful transcript of a characteristic pose.
But the resistance from the Theban priesthood was too powerful. Akhunaten left the capital behind and moved to the secluded city of Akhet-aten, “the Glory of the Disk,” at what is now Tell el-Amarna, where he could think freely while his kingdom managed itself. He and his wife Nefret-iti, who appeared to share his views loyally, ruled over a select group of Aten-worshiping nobles, priests, and artists. The artists had an incredible opportunity for growth under Akhunaten, and they started making significant progress before his reign ended and the old ways were restored. Their style displayed an almost surreal freedom that strongly resembles a similar trait in Mycenaean art. There’s a peculiar little relief in the Berlin Museum showing the king standing cross-legged, leaning on a staff, and lazily smelling a flower, while the queen stands nearby with her clothes blowing in the wind. The artistic king’s graceful pose is likely a true reflection of a typical stance.
We see from this what an Egyptian artist could do when his shackles were removed, but unluckily Egypt never produced another king who was at the same time an original genius, an artist, and a thinker. When Akhunaten died, the Egyptian artists’ shackles were riveted tighter than ever. The reaction was strong. The kingdom had fallen into anarchy, and the foreign empire which his predecessors had built up had practically been thrown to the winds by Akhunaten. The whole is an example of the confusion and disorganization which ensue when a philosopher rules. Not long after the heretic’s death the old religion was fully restored, the cult of the disk was blotted out, and the Egyptians returned joyfully to the worship of their myriad deities. Akhunaten’s ideals were too high for them. The débris of the foreign empire was, as usual in such cases, put together again, and customary law and order restored by the conservative reactionaries who succeeded him. Henceforth Egyptian civilization runs an uninspired and undeveloping course till the days of the Saïtes and the Ptolemies. This point in the history of Egypt, therefore, forms a convenient stopping-place at which to pause, while we turn once more to Western Asia, and ascertain to what extent recent excavations and research have thrown new light upon the problems connected with the rise and history of the Assyrian and Neo-Babylonian Empires.
We can see from this what an Egyptian artist could achieve when he was freed from restrictions, but unfortunately, Egypt never produced another king who was also an original genius, an artist, and a thinker. When Akhunaten died, the Egyptian artists’ restrictions tightened more than ever. The backlash was significant. The kingdom had fallen into chaos, and the foreign empire that his predecessors had built had practically been dismantled by Akhunaten. This demonstrates the confusion and disorder that arise when a philosopher is in power. Not long after the heretic’s death, the old religion was fully restored, the worship of the disk was erased, and the Egyptians happily returned to the veneration of their many deities. Akhunaten’s ideals were too lofty for them. The remnants of the foreign empire were, as usual in such situations, pieced back together, and traditional law and order were reestablished by the conservative reactionaries who followed him. From this point on, Egyptian civilization continued on an uninspired and stagnant path until the time of the Saïtes and the Ptolemies. Therefore, this moment in Egypt’s history serves as a convenient point to pause while we turn back to Western Asia and see how much new discoveries and research have shed light on the issues surrounding the rise and history of the Assyrian and Neo-Babylonian Empires.

CHAPTER VIII—THE ASSYRIAN AND NEO-BABYLONIAN EMPIRES IN THE LIGHT OF RECENT RESEARCH
The early history of Assyria has long been a subject on which historians were obliged to trust largely to conjecture, in their attempts to reconstruct the stages by which its early rulers obtained their independence and laid the foundations of the mighty empire over which their successors ruled. That the land was colonized from Babylonia and was at first ruled as a dependency of the southern kingdom have long been regarded as established facts, but until recently little was known of its early rulers and governors, and still less of the condition of the country and its capital during the early periods of their existence. Since the excavations carried out by the British Museum at Kala Sherghat, on the western bank of the Tigris, it has been known that the mounds at that spot mark the site of the city of Ashur, the first capital of the Assyrians, and the monuments and records recovered during those excavations have hitherto formed our principal source of information for the early history of the country.[1] Some of the oldest records found in the course of these excavations were short votive texts inscribed by rulers who bore the title of ishshakku, corresponding to the Sumerian and early Babylonian title of patesi, and with some such meaning as “viceroy.” It was rightly conjectured from the title which they bore that these early rulers owed allegiance to the kings of Babylon and were their nominees, or at any rate their tributaries. The names of a few of these early viceroys were recovered from their votive inscriptions and from notices in later historical texts, but it was obvious that our knowledge of early Assyrian history would remain very fragmentary until systematic excavations in Assyria were resumed. Three years ago (1902) the British Museum resumed excavations at Kuyunjik, the site of Nineveh. The work was begun and carried out under the direction of Mr. L. W. King, but since last summer has been continued by Mr. R. C. Thompson. Last year, too, excavations were reopened at Sherghat by the Deutsch-Orient Ge-sellschaft, at first under the direction of Dr. Koldewey, and afterwards under that of Dr. Andrae, by whom they are at present being carried on. This renewed activity on the sites of the ancient cities of Assyria is already producing results of considerable interest, and the veil which has so long concealed the earlier periods in the history of that country is being lifted.
The early history of Assyria has always required historians to rely heavily on speculation when trying to piece together how its early rulers gained independence and established the foundations of the powerful empire that their successors governed. It's long been accepted that the region was colonized from Babylonia and initially functioned as a dependency of the southern kingdom. However, until recently, little was known about its early rulers and governors, and even less about the state of the country and its capital during those early years. Thanks to the excavations conducted by the British Museum at Kala Sherghat, located on the western bank of the Tigris, we now know that the mounds there mark the site of the city of Ashur, the first capital of the Assyrians. The monuments and records recovered during these excavations have been our primary source of information about the early history of the region. Some of the oldest records unearthed during these digs were short votive texts inscribed by rulers with the title ishshakku, which corresponds to the Sumerian and early Babylonian title patesi, meaning "viceroy." It's reasonable to assume from this title that these early rulers were loyal to the kings of Babylon and were either their appointed representatives or at least their tributaries. The names of a few of these early viceroys have been identified from their votive inscriptions and mentions in later historical texts, but it was clear that our understanding of early Assyrian history would remain incomplete until systematic excavations in Assyria were taken up again. Three years ago (1902), the British Museum resumed excavations at Kuyunjik, the site of Nineveh. The work was started and initially conducted by Mr. L. W. King, but has been continued by Mr. R. C. Thompson since last summer. Additionally, excavations were reopened at Sherghat by the Deutsch-Orient Gesellschaft, first led by Dr. Koldewey and now by Dr. Andrae, who is currently carrying out the work. This renewed activity at the sites of ancient Assyrian cities is already yielding results of significant interest, and the obscurity that has long shrouded the early periods of the region's history is starting to lift.
[1] For the texts and translations of these documents, see Budge and King, Annals of the Kings of Assyria, pp. iff.
[1] For the texts and translations of these documents, see Budge and King, Annals of the Kings of Assyria, pp. iff.
Shortly before these excavations in Assyria were set on foot an indication was obtained from an early Babylonian text that the history of Assyria as a dependent state or province of Babylon must be pushed back to a far more remote period than had hitherto been supposed. In one of Hammurabi’s letters to Sin-idinnam, governor of the city of Larsam, to which reference has already been made, directions are given for the despatch to the king of “two hundred and forty men of ‘the King’s Company’ under the command of Nannar-iddina... who have left the country of Ashur and the district of Shitullum.” From this most interesting reference it followed that the country to the north of Babylonia was known as Assyria at the time of the kings of the First Dynasty of Babylon, and the fact that Babylonian troops were stationed there by Hammurabi proved that the country formed an integral part of the Babylonian empire.
Shortly before the excavations in Assyria began, an early Babylonian text suggested that Assyria's history as a dependent state or province of Babylon goes back much further than previously thought. In one of Hammurabi’s letters to Sin-idinnam, the governor of the city of Larsam, which has been mentioned before, instructions were given to send “two hundred and forty men of ‘the King’s Company’ under the command of Nannar-iddina... who have left the country of Ashur and the district of Shitullum” to the king. This interesting reference indicates that the region north of Babylonia was known as Assyria during the reign of the First Dynasty of Babylon. The fact that Hammurabi stationed Babylonian troops there confirmed that Assyria was an essential part of the Babylonian empire.
These conclusions were soon after strikingly confirmed by two passages in the introductory sections of Hammurabi’s code of laws which was discovered at Susa. Here Hammurabi records that he “restored his (i.e. the god Ashur’s) protecting image unto the city of Ashur,” and a few lines farther on he describes himself as the king “who hath made the names of Ishtar glorious in the city of Nineveh in the temple of E-mish-mish.” That Ashur should be referred to at this period is what we might expect, inasmuch as it was known to have been the earliest capital of Assyria; more striking is the reference to Nineveh, proving as it does that it was a flourishing city in Hammurabi’s time and that the temple of Ishtar there had already been long established. It is true that Gudea, the Sumerian patesi of Shirpurla, records that he rebuilt the temple of the goddess Ninni (Ishtar) at a place called Nina. Now Nina may very probably be identified with Nineveh, but many writers have taken it to be a place in Southern Babylonia and possibly a district of Shirpurla itself. No such uncertainty attaches to Hammurabi’s reference to Nineveh, which is undoubtedly the Assyrian city of that name. Although no account has yet been published of the recent excavations carried out at Nineveh by the British Museum, they fully corroborate the inference drawn with regard to the great age of the city. The series of trenches which were cut deep into the lower strata of Kuyunjik revealed numerous traces of very early habitations on the mound.
These conclusions were soon confirmed by two passages in the introductory sections of Hammurabi’s code of laws discovered at Susa. Here, Hammurabi notes that he “restored his (i.e., the god Ashur’s) protective image to the city of Ashur,” and a few lines later, he describes himself as the king “who has made the names of Ishtar glorious in the city of Nineveh in the temple of E-mish-mish.” It’s expected that Ashur would be mentioned at this time, as it was known to have been the earliest capital of Assyria; more notably, the mention of Nineveh shows that it was already a thriving city during Hammurabi’s era and that the temple of Ishtar there had been well established for some time. It is true that Gudea, the Sumerian patesi of Shirpurla, records that he rebuilt the temple of the goddess Ninni (Ishtar) at a place called Nina. Nina is likely identified with Nineveh, but many scholars have interpreted it as a location in Southern Babylonia, possibly a district of Shirpurla itself. There is no such uncertainty regarding Hammurabi’s mention of Nineveh, which clearly refers to the Assyrian city of that name. Although no report has yet been published on the recent excavations at Nineveh by the British Museum, they fully support the conclusions regarding the city’s ancient origins. The series of trenches cut deep into the lower layers of Kuyunjik revealed numerous signs of very early settlements on the mound.
Neither in Hammurabi’s letters, nor upon the stele inscribed with his code of laws, is any reference made to the contemporary governor or ruler of Assyria, but on a contract tablet preserved in the Pennsylvania Museum a name has been recovered which will probably be identified with that of the ruler of Assyria in Hammurabi’s reign. In legal and commercial documents of the period of the First Dynasty of Babylon the contracting parties frequently swore by the names of two gods (usually Shamash and Marduk) and also that of the reigning king. Now it has been found by Dr. Banke that on this document in the Pennsylvania Museum the contracting parties swear by the name of Hammurabi and also by that of Shamshi-Adad. As only gods and kings are mentioned in the oath formulas of this period, it follows that Shamshi-Adad was a king, or at any rate a patesi or ishshakku. Now from its form the name Shamshi-Adad must be that of an Assyrian, not that of a Babylonian, and, since he is associated in the oath formula with Hammurabi, it is legitimate to conclude that he governed Assyria in the time of Hammurabi as a dependency of Babylon. An early Assyrian ishshakku of this name, who was the son of Ishme-Dagan, is mentioned by Tiglath-Pileser I, but he cannot be identified with the ruler of the time of Hammurabi, since, according to Tiglath-Pileser, he ruled too late, about 1800 B.C. A brick-inscription of another Shamshi-Adad, however, the son of Igur-kapkapu, is preserved in the British Museum, and it is probable that we may identify him with Hammurabi’s Assyrian viceroy. Erishum and his son Ikunum, whose inscriptions are also preserved in the British Museum, should certainly be assigned to an early period of Assyrian history.
Neither in Hammurabi’s letters nor on the stele inscribed with his code of laws is there any mention of the current governor or ruler of Assyria. However, on a contract tablet preserved in the Pennsylvania Museum, a name has been recovered that will likely be identified with the ruler of Assyria during Hammurabi’s reign. In legal and commercial documents from the period of the First Dynasty of Babylon, the parties involved often swore by the names of two gods (usually Shamash and Marduk) as well as the reigning king. Dr. Banke discovered that on this document in the Pennsylvania Museum, the contracting parties swear by the name of Hammurabi and also by that of Shamshi-Adad. Since only gods and kings are mentioned in the oath formulas of this period, it follows that Shamshi-Adad was a king, or at least a patesi or ishshakku. Given its form, the name Shamshi-Adad must belong to an Assyrian, not a Babylonian, and since he is associated in the oath formula with Hammurabi, it is reasonable to conclude that he governed Assyria as a dependency of Babylon during Hammurabi’s time. An early Assyrian ishshakku of this name, who was the son of Ishme-Dagan, is mentioned by Tiglath-Pileser I, but he can't be identified with the ruler from Hammurabi’s era, as he ruled too late, around 1800 B.C. A brick inscription of another Shamshi-Adad, the son of Igur-kapkapu, is preserved in the British Museum, and it is likely that we can identify him as Hammurabi’s Assyrian viceroy. Erishum and his son Ikunum, whose inscriptions are also kept in the British Museum, should definitely be placed in an early period of Assyrian history.
The recent excavations at Sherghat are already yielding the names of other early Assyrian viceroys, and, although the texts of the inscriptions in which their names occur have not yet been published, we may briefly enumerate the more important of the discoveries that have been made. Last year a small cone or cylinder was found which, though it bears only a few lines of inscription, restores the names of no less than seven early Assyrian viceroys whose existence was not previously known. The cone was inscribed by Ashir-rîm-nishêshu, who gives his own genealogy and records the restoration of the wall of the city of Ashur, which he states had been rebuilt by certain of his predecessors on the throne. The principal portion of the inscription reads as follows: “Ashir-rîm-nishêshu, the viceroy of the god Ashir, the son of Ashir-nirari, the viceroy of the god Ashir, the son of Ashir-rabi, the viceroy. The city wall which Kikia, Ikunum, Shar-kenkate-Ashir, and Ashir-nirari, the son of Ishme-Dagan, my forefathers, had built, was fallen, and for the preservation of my life... I rebuilt it.” Perhaps no inscription has yet been recovered in either Assyria or Babylonia which contained so much new information packed into so small a space. Of the names of the early viceroys mentioned in it only one was previously known, i.e. the name of Ikunum, the son of Erishum, is found in a late copy of a votive text preserved in the British Museum. Thus from these few lines the names of three rulers in direct succession have been recovered, viz., Ashir-rabi, Ashir-nirari, and Ashur-rîm-nishêshu, and also those of four earlier rulers, viz., Kikia, Shar-kenkate-Ashir, Ishme-Dagan, and his son Ashir-nirari. Another interesting point about the inscription is the spelling of the name of the national god of the Assyrians. In the later periods it is always written Ashur, but at this early time we see that the second vowel is changed and that at first the name was written Ashir, a form that was already known from the Cappadocian cuneiform inscriptions. The form Ashir is a good participial construction and signifies “the Beneficent,” “the Merciful One.”
The recent digs at Sherghat are already uncovering the names of other early Assyrian viceroys. Even though the texts of the inscriptions that include these names haven't been published yet, we can briefly list some of the significant discoveries made. Last year, a small cone or cylinder was found that, though it has only a few lines of inscription, reveals the names of seven early Assyrian viceroys whose existence was previously unknown. The cone was inscribed by Ashir-rîm-nishêshu, who shares his genealogy and notes the restoration of the wall of the city of Ashur, stating it was rebuilt by some of his predecessors on the throne. The main part of the inscription reads: “Ashir-rîm-nishêshu, the viceroy of the god Ashir, the son of Ashir-nirari, the viceroy of the god Ashir, the son of Ashir-rabi, the viceroy. The city wall that Kikia, Ikunum, Shar-kenkate-Ashir, and Ashir-nirari, the son of Ishme-Dagan, my ancestors, had built fell, and for my preservation... I rebuilt it.” Perhaps no inscription has been found in either Assyria or Babylonia that contains so much new information packed into such a small space. Of the early viceroys mentioned, only one was previously known, namely Ikunum, the son of Erishum, whose name appears in a late copy of a votive text preserved in the British Museum. From these few lines, we recover the names of three successive rulers: Ashir-rabi, Ashir-nirari, and Ashur-rîm-nishêshu, as well as the names of four earlier rulers: Kikia, Shar-kenkate-Ashir, Ishme-Dagan, and his son Ashir-nirari. Another interesting aspect of the inscription is the spelling of the name of the national god of the Assyrians. In later periods, it is always written Ashur, but at this early time, we see that the second vowel was changed, and the name was initially written Ashir, a form also known from the Cappadocian cuneiform inscriptions. The form Ashir is a good participial construction and means “the Beneficent,” “the Merciful One.”
Another interesting find, which was also made last year, consists of four stone tablets, each engraved with the same building-inscription of Shalmaneser I, a king who reigned over Assyria about 1300 B.C. In recording his rebuilding of E-kharsag-kurkura, the temple of the god Ashur in the city of Ashur, he gives a brief summary of the temple’s history with details as to the length of time which elapsed between the different periods during which it had been previously restored. The temple was burned in Shalmaneser’s time, and, when recording this fact and the putting out of the fire, he summarizes the temple’s history in a long parenthesis, as will be seen from the following translation of the extract: “When E-kharsag-kurkura, the temple of Ashur, my lord, which Ushpia (variant Aushpia), the priest of Ashur, my forefather, had built aforetime,—and it fell into decay and Erishu, my forefather, the priest of Ashur, rebuilt it; 159 years passed by after the reign of Erishu, and that temple fell into decay, and Shamshi-Adad, the priest of Ashur, rebuilt it; (during) 580 years that temple which Shamshi-Adad, the priest of Ashur, had built, grew hoary and old—(when) fire broke out in the midst thereof..., at that time I drenched that temple (with water) in (all) its circuit.”
Another interesting find made last year includes four stone tablets, each engraved with the same building inscription of Shalmaneser I, a king who ruled over Assyria around 1300 B.C. In recording his renovation of E-kharsag-kurkura, the temple of the god Ashur in the city of Ashur, he briefly summarizes the temple’s history and details the time that passed between the different periods when it was previously restored. The temple was burned during Shalmaneser’s reign, and when noting this fact and the extinguishing of the fire, he summarizes the temple’s history in a long parenthesis, as shown in the following translation of the excerpt: “When E-kharsag-kurkura, the temple of Ashur, my lord, which Ushpia (variant Aushpia), the priest of Ashur, my ancestor, had built long ago,—and it fell into disrepair and Erishu, my ancestor, the priest of Ashur, rebuilt it; 159 years went by after the reign of Erishu, and that temple fell into disrepair, and Shamshi-Adad, the priest of Ashur, rebuilt it; (during) 580 years that temple which Shamshi-Adad, the priest of Ashur, had built grew old and weathered—(when) a fire broke out in the middle of it..., at that time I doused that temple (with water) all around.”
From this extract it will be seen that Shalmaneser gives us, in Ushpia or Aushpia, the name of a very early Assyrian viceroy, who in his belief was the founder of the great temple of the god Ashur. He also tells us that 159 years separated Erishu from a viceroy named Shamshi-Adad, and that 580 years separated Shamshi-Adad from his own time. When these inscriptions were first found they were hailed with considerable satisfaction by historians, as they gave what seemed to be valuable information for settling the chronology of the early patesis. But confidence in the accuracy of Shalmaneser’s reckoning was somewhat shaken a few months afterwards by the discovery of a prism of Esarhaddon, who gave in it a history of the same temple, but ascribed totally different figures for the periods separating the reigns of Erishu and Shamshi-Adad, and the temple’s destruction by fire. Esarhaddon agrees with Shalmaneser in ascribing the founding of the temple to Ushpia, but he states that only 126 years (instead of 159 years) separated Erishu (whom he spells Irishu), the son of Ilu-shumma, from Shamshi-Adad, the son of Bêl-kabi; and he adds that 434 years (instead of 580 years) elapsed between Shamshi-Adad’s restoration of the temple and the time when it was burned down. As Shalmaneser I lived over six hundred years earlier than Esarhaddon, he was obviously in a better position to ascertain the periods at which the events recorded took place, but the discrepancy between the figures he gives and those of Esarhaddon is disconcerting. It shows that Assyrian scribes could make bad mistakes in their reckoning, and it serves to cast discredit on the absolute accuracy of the chronological notices contained in other late Assyrian inscriptions. So far from helping to settle the unsolved problems of Assyrian chronology, these two recent finds at Sherghat have introduced fresh confusion, and Assyrian chronology for the earlier periods is once more cast into the melting pot.
From this extract, we can see that Shalmaneser mentions Ushpia or Aushpia, the name of an early Assyrian viceroy who he believed founded the great temple of the god Ashur. He also states that 159 years separated Erishu from a viceroy named Shamshi-Adad, and that 580 years separated Shamshi-Adad from his own time. When these inscriptions were discovered, historians were quite pleased because they seemed to provide valuable information for establishing the chronology of the early patesis. However, confidence in Shalmaneser’s calculations was somewhat shaken a few months later by the discovery of a prism of Esarhaddon, who provided a history of the same temple but gave completely different figures for the periods separating the reigns of Erishu and Shamshi-Adad, as well as for the temple’s destruction by fire. Esarhaddon agrees with Shalmaneser in crediting Ushpia for founding the temple, but he claims that only 126 years (instead of 159) separated Erishu (whom he spells Irishu), the son of Ilu-shumma, from Shamshi-Adad, the son of Bêl-kabi; and he adds that 434 years (instead of 580) passed between Shamshi-Adad’s restoration of the temple and the time when it was burned down. Since Shalmaneser I lived over six hundred years before Esarhaddon, he was clearly in a better position to determine the timeframes of the recorded events, but the discrepancy between his figures and Esarhaddon’s is troubling. It demonstrates that Assyrian scribes could make significant errors in their calculations, which undermines the absolute accuracy of the chronological information in other late Assyrian inscriptions. Rather than helping to resolve the unresolved issues of Assyrian chronology, these two recent discoveries at Sherghat have created more confusion, and Assyrian chronology for the earlier periods is once again thrown into uncertainty.
In addition to the recovery of the names of hitherto unknown early rulers of Assyria, the recent excavations at Sherghat have enabled us to ascertain the true reading of the name of Shalmaneser I’s grandfather, who reigned a considerable time after Assyria had gained her independence. The name of this king has hitherto been read as Pudi-ilu, but it is now shown that the signs composing the first part of the name are not to be taken phonetically, but as ideographs, the true reading of the name being Arik-dên-ilu, the signification of which is “Long (i.e. far-reaching) is the judgment of God.” Arik-dên-ilu was a great conqueror, as were his immediate descendants, all of whom extended the territory of Assyria. By strengthening the country and increasing her resources they enabled Arik-dên-ilu ‘s great-grandson, Tukulti-Ninib I, to achieve the conquest of Babylon itself. Concerning Tukulti-Ninib’s reign and achievements an interesting inscription has recently been discovered. This is now preserved in the British Museum, and before describing it we may briefly refer to another phase of the excavations at Sherghat.
Along with uncovering the names of previously unknown early rulers of Assyria, the recent digs at Sherghat have allowed us to find out the correct reading of the name of Shalmaneser I’s grandfather, who ruled quite a while after Assyria became independent. This king's name was previously read as Pudi-ilu, but it's now clear that the signs making up the first part of the name shouldn't be interpreted phonetically; instead, they are ideographs. The correct reading of the name is Arik-dên-ilu, which means “Long (i.e. far-reaching) is the judgment of God.” Arik-dên-ilu was a great conqueror, like his direct descendants, all of whom expanded Assyria's territory. By strengthening the country and boosting its resources, they enabled Arik-dên-ilu’s great-grandson, Tukulti-Ninib I, to conquer Babylon itself. An interesting inscription related to Tukulti-Ninib’s reign and accomplishments has been recently found. It is now housed in the British Museum, and before we describe it, we can briefly mention another aspect of the excavations at Sherghat.

An early independent King of Assyria, who reigned about B.C. 1350. Photograph by Messrs. Mansell & Co.
An early independent King of Assyria, who ruled around 1350 B.C. Photograph by Messrs. Mansell & Co.
The mounds of Sherghat rise a considerable height above the level of the plain, and are to a great extent of natural and not of artificial formation. In fact, the existence of a group of high natural mounds at this point on the bank of the Tigris must have led to its selection by the early Assyrians as the site on which to build their first stronghold. The mounds were already so high, from their natural formation, that there was no need for the later Assyrian kings to increase their height artificially (as they raised the chief palace-mound at Nineveh), and the remains of the Assyrian buildings of the early period are thus only covered by a few feet of débris and not by masses of unburnt brick and artificially piled up soil. This fact has considerably facilitated the systematic uncovering of the principal mound that is now being carried out by Dr. Andrae.
The mounds of Sherghat rise significantly above the plain and are mostly natural rather than man-made. Actually, the presence of a group of tall natural mounds along the Tigris likely influenced the early Assyrians to choose this location for their first stronghold. The mounds were already elevated enough from their natural formation, so later Assyrian kings didn't need to artificially increase their height (like they did with the main palace mound at Nineveh), which means that the remains of the early Assyrian buildings are only covered by a few feet of debris instead of large amounts of unbaked bricks and piled-up soil. This has greatly aided the systematic excavation of the main mound that Dr. Andrae is currently conducting.

Work has hitherto been confined to the northwest corner of the mound around the ziggurat, or temple tower, and already considerable traces of Assyrian buildings have been laid bare in this portion of the site. The city wall on the northern side has been uncovered, as well as quays with steps leading down to the water along the river front. Part of the great temple of the god Ashur has been excavated, though a considerable portion of it must be still covered by the modern Turkish fort at the extreme northern point of the mounds; also part of a palace erected by Ashur-nasir-pal has been identified. In fact, the work at Sherghat promises to add considerably to our knowledge of ancient Assyrian architecture.
So far, work has been focused on the northwest corner of the mound near the ziggurat, or temple tower, and we've already uncovered substantial remains of Assyrian buildings in this area. The city wall on the northern side has been revealed, along with quays that have steps leading down to the water along the riverfront. We've excavated part of the great temple dedicated to the god Ashur, but a significant portion is likely still hidden under the modern Turkish fort at the far northern edge of the mounds; we've also identified part of a palace built by Ashur-nasir-pal. In fact, the excavation at Sherghat is set to greatly enhance our understanding of ancient Assyrian architecture.
The inscription of Tukulti-Ninib I, which was referred to above as having been recently acquired by the trustees of the British Museum, affords valuable information for the reconstruction of the history of Assyria during the first half of the thirteenth century B.C.[2] It is seen from the facts summarized that for our knowledge of the earlier history of the country we have to depend to a large extent on short brick-inscriptions and votive texts supplemented by historical references in inscriptions of the later period. The only historical inscription of any length belonging to the early Assyrian period, which had been published up to a year ago, was the famous memorial slab containing an inscription of Adad-nirari I, which was acquired by the late Mr. George Smith some thirty years ago. Although purchased in Mosul, the slab had been found by the natives in the mounds at Sherghat, for the text engraved upon it in archaic Assyrian characters records the restoration of a part of the temple of the god Ashur in the ancient city of Ashur, the first capital of the Assyrians, now marked by the mounds of Sherghat, which have already been described. The object of Adad-nirari in causing the memorial slab to be inscribed was to record the restoration of the portion of the temple which he had rebuilt, but the most important part of the inscription was contained in the introductory phrases with which the text opens. They recorded the conquests achieved not only by Adad-nirari but by his father Arik-dên-ilu, his grandfather Bél-nirari, and his great-grandfather Ashur-uballit. They thus enabled the historian to trace the gradual extension and consolidation of the Assyrian empire during a critical period in its early history.
The inscription of Tukulti-Ninib I, which was mentioned earlier as recently acquired by the trustees of the British Museum, provides valuable information for reconstructing the history of Assyria during the first half of the thirteenth century B.C.[2] From the summarized facts, we see that our understanding of the country's earlier history relies heavily on short brick inscriptions and votive texts, along with historical references found in later inscriptions. The only lengthy historical inscription from the early Assyrian period that had been published up to a year ago was the famous memorial slab inscribed by Adad-nirari I, which was obtained by the late Mr. George Smith about thirty years ago. Although it was purchased in Mosul, the slab had actually been discovered by locals in the mounds at Sherghat, as the text engraved on it in archaic Assyrian characters documents the restoration of part of the temple of the god Ashur in the ancient city of Ashur, the first capital of the Assyrians, now marked by the mounds of Sherghat, which have already been described. Adad-nirari's purpose for having the memorial slab inscribed was to record the restoration of the section of the temple he rebuilt, but the key part of the inscription is found in the introductory phrases with which the text begins. These phrases document the conquests achieved not just by Adad-nirari, but also by his father Arik-dên-ilu, his grandfather Bél-nirari, and his great-grandfather Ashur-uballit. This allows historians to trace the gradual expansion and consolidation of the Assyrian empire during a crucial period in its early history.
[2] For the text and translation of the inscription, see King, Studies it Eastern History, i (1904).
[2] For the text and translation of the inscription, see King, Studies in Eastern History, vol. 1 (1904).
The recently recovered memorial slab of Tukulti-Ninib I is similar to that of his grandfather Adad-nirari I, and ranks in importance with it for the light it throws on the early struggles of Assyria. Tukulti-Ninib ‘s slab, like that of Adad-nirari, was a foundation memorial intended to record certain building operations carried out by order of the king. The building so commemorated was not the restoration of a portion of a temple, but the founding of a new city, in which the king erected no less than eight temples dedicated to various deities, while he also records that he built a palace therein for his own habitation, that he protected the city by a strongly fortified wall, and that he cut a canal from the Tigris by which he ensured a continuous supply of fresh water. These were the facts which the memorial was primarily intended to record, but, like the text of Adad-nirari I, the most interesting events for the historian are those referred to in the introductory portions of the inscription. Before giving details concerning the founding of the new city, named Kar-Tukulti-Mnib, “the Fortress of Tukulti-Mnib,” the king supplies an account of the military expeditions which he had conducted during the course of his reign up to the time when the foundation memorial was inscribed. These introductory paragraphs record how the king gradually conquered the peoples to the north and northeast of Assyria, and how he finally undertook a successful campaign against Babylon, during which he captured the city and completely subjugated both Northern and Southern Babylonia. Tukulti-Mnib’s reign thus marks an epoch in the history of his country.
The recently recovered memorial slab of Tukulti-Ninib I is similar to that of his grandfather Adad-nirari I and is equally important for what it reveals about the early struggles of Assyria. Tukulti-Ninib's slab, like Adad-nirari's, was a foundation memorial meant to record certain construction projects authorized by the king. The building commemorated was not just the restoration of part of a temple, but the establishment of a new city, where the king built eight temples dedicated to different deities. He also noted that he constructed a palace for himself, fortified the city with strong walls, and dug a canal from the Tigris to ensure a steady supply of fresh water. These were the key facts the memorial aimed to document, but, like the text of Adad-nirari I, the most intriguing events for historians are mentioned in the opening sections of the inscription. Before detailing the founding of the new city named Kar-Tukulti-Mnib, “the Fortress of Tukulti-Mnib,” the king provides an account of the military campaigns he led during his reign up to the time the foundation memorial was inscribed. These introductory paragraphs describe how the king gradually conquered the peoples to the north and northeast of Assyria and ultimately launched a successful campaign against Babylon, where he captured the city and fully subdued both Northern and Southern Babylonia. Tukulti-Mnib’s reign thus marks a significant period in the history of his country.
We have already seen how, during the early ages of her history, Assyria had been merely a subject province of the Babylonian empire. Her rulers had been viceroys owing allegiance to their overlords in Babylon, under whose orders they administered the country, while garrisons of Babylonian soldiers, and troops commanded by Babylonian officers, served to keep the country in a state of subjection. Gradually, however, the country began to feel her feet and long for independence. The conquest of Babylon by the kings of the Country of the Sea afforded her the opportunity of throwing off the Babylonian yoke. In the fifteenth century the Assyrian kings were powerful enough to have independent relations with the kings of Egypt, and, during the two centuries which preceded Tukulti-Mnib’s reign.
We have already seen how, in the early parts of its history, Assyria was just a subject province of the Babylonian empire. Its rulers were viceroys who owed loyalty to their superiors in Babylon, following their orders to govern the region, while garrisons of Babylonian soldiers and troops led by Babylonian officers kept the area under control. Over time, though, the country started to gain confidence and desired independence. The conquest of Babylon by the kings of the Country of the Sea gave Assyria the chance to break free from Babylonian rule. By the fifteenth century, the Assyrian kings were strong enough to establish independent relations with the kings of Egypt, especially during the two centuries leading up to Tukulti-Mnib’s reign.
Assyria’s relations with Babylon were the cause of constant friction due to the northern kingdom’s growth in power and influence. The frontier between the two countries was constantly in dispute, and, though sometimes rectified by treaty, the claims of Assyria often led to war between the two countries. The general result of these conflicts was that Assyria gradually extended her authority farther southwards, and encroached upon territory which had previously been Babylonian. The successes gained by Ashur-uballit, Bêl-nirari, and Adad-nirari I against the contemporary Babylonian kings had all resulted in the cession of fresh territory to Assyria and in an increase of her international importance. Up to the time of Tukulti-Mnib no Assyrian king had actually seated himself upon the Babylonian throne. This feat was achieved by Tukulti-Mnib, and his reign thus marks an important step in the gradual advance of Assyria to the position which she later occupied as the predominant power in Western Asia.
Assyria’s relationship with Babylon was a constant source of tension due to the northern kingdom's increasing power and influence. The border between the two nations was always contested, and although sometimes settled by treaties, Assyria's claims often led to wars between them. The outcome of these conflicts was that Assyria gradually extended its control further south, taking over land that had once belonged to Babylon. The victories achieved by Ashur-uballit, Bêl-nirari, and Adad-nirari I against contemporary Babylonian kings all resulted in the transfer of new territories to Assyria and an increase in its international significance. Until Tukulti-Mnib, no Assyrian king had actually taken the Babylonian throne. Tukulti-Mnib accomplished this, and his reign marked a significant step in Assyria's gradual rise to the status of the dominant power in Western Asia.
Before undertaking his campaign against Babylon, Tukulti-Mnib secured himself against attack from other quarters, and his newly discovered memorial inscription supplies considerable information concerning the steps he took to achieve this object. In his inscription the king does not number his military expeditions, and, with the exception of the first one, he does not state the period of his reign in which they were undertaken. The results of his campaigns are summarized in four paragraphs of the text, and it is probable that they are not described in chronological order, but are arranged rather according to the geographical position of the districts which he invaded and subdued. Tukulti-Ninib records that his first campaign took place at the beginning of his sovereignty, in the first year of his reign, and it was directed against the tribes and peoples inhabiting the territory on the east of Assyria. Of the tribes which he overran and conquered on this occasion the most important was the Kuti, who probably dwelt in the districts to the east of the Lower Zâb. They were a turbulent race and they had already been conquered by Arik-dên-ilu and Adad-nirari I, but on neither occasion had they been completely subdued, and they had soon regained their independence. Their subjugation by Tukulti-Ninib was a necessary preliminary to any conquest in the south, and we can well understand why it was undertaken by the king at the beginning of his reign. Other conquests which were also made in the same region were the Ukumanî and the lands of Elkhu-nia, Sharnida, and Mekhri, mountainous districts which probably lay to the north of the Lower Zâb. The country of Mekhri took its name from the mekhru-tree, a kind of pine or fir, which grew there in abundance upon the mountainsides, and was highly esteemed by the Assyrian kings as affording excellent wood for building purposes. At a later period Ashur-nasir-pal invaded the country in the course of his campaigns and brought back beams of mekhru-wood, which he used in the construction of the temple dedicated to the goddess Ishtar in Nineveh.
Before starting his campaign against Babylon, Tukulti-Mnib made sure he was protected from attacks from other areas, and his newly uncovered memorial inscription provides a lot of details about the steps he took to accomplish this. In his inscription, the king doesn't list his military campaigns numerically, and besides the first one, he doesn't mention which year of his reign they took place. The outcomes of his campaigns are summarized in four sections of the text, and they're likely not arranged chronologically but rather by the geographical locations of the regions he invaded and subdued. Tukulti-Ninib notes that his first campaign happened at the start of his rule, in the first year of his reign, targeting the tribes and peoples living east of Assyria. Among the tribes he defeated in this campaign, the most significant was the Kuti, who probably lived in areas east of the Lower Zâb. They were a rebellious group and had already been conquered by Arik-dên-ilu and Adad-nirari I, but neither time had they been fully subdued, and they quickly regained their independence. Their defeat by Tukulti-Ninib was essential for any conquests in the south, which explains why he chose to tackle this at the beginning of his reign. Other victories in the same area included the Ukumanî and the territories of Elkhu-nia, Sharnida, and Mekhri, mountainous regions that likely lay north of the Lower Zâb. The land of Mekhri got its name from the mekhru-tree, a type of pine or fir that grew plentifully on the mountainsides and was highly valued by the Assyrian kings for making excellent building materials. Later on, Ashur-nasir-pal invaded this area during his campaigns and brought back beams of mekhru-wood, which he used to build the temple dedicated to the goddess Ishtar in Nineveh.
The second group of tribes and districts enumerated by Tukulti-Ninib as having been subdued in his early years, before his conquest of Babylon, all lay probably to the northwest of Assyria. The most powerful among these peoples were the Shubari, who, like the Kutî on the eastern border of Assyria, had already been conquered by Adad-nirari I, but had regained their independence and were once more threatening the border on this side. The third group of his conquests consisted of the districts ruled over by forty kings of the lands of Na’iri, which was a general term for the mountainous districts to the north of Assyria, including territory to the west of Lake Van and extending eastwards to the districts around Lake Urmi. The forty kings in this region whom Tukulti-Ninib boasts of having subdued were little more than chieftains of the mountain tribes, each one possessing authority over a few villages scattered among the hills and valleys. But the men of Na’iri were a warlike and hardy race, and, if left long in undisturbed possession of their native fastnesses, they were tempted to make raids into the fertile plains of Assyria. It was therefore only politic for Tukulti-Ninib to traverse their country with fire and sword, and, by exacting heavy tribute, to keep the fear of Assyrian power before their eyes. From the king’s records we thus learn that he subdued and crippled the semi-independent races living on his borders to the north, to the northwest, and to the east. On the west was the desert, from which region he need fear no organized attack when he concentrated his army elsewhere, for his permanent garrisons were strong enough to repel and punish any incursion of nomadic tribes. He was thus in a position to try conclusions with his hereditary foe in the south, without any fear of leaving his land open to invasion in his absence.
The second group of tribes and regions listed by Tukulti-Ninib as having been defeated in his early years, before he conquered Babylon, was probably located to the northwest of Assyria. The most powerful among these groups were the Shubari, who, like the Kutî on Assyria's eastern border, had already been conquered by Adad-nirari I but had regained their independence and were once again threatening the border on this side. The third group of his conquests included the areas ruled by forty kings of Na’iri, a general term for the mountainous regions north of Assyria, which included land to the west of Lake Van and extended eastward to the areas around Lake Urmi. The forty kings in this region that Tukulti-Ninib claimed to have subdued were mostly chieftains of the mountain tribes, each holding authority over a few villages scattered in the hills and valleys. However, the people of Na’iri were a fierce and tough race, and if they were left undisturbed in their rugged homeland, they were likely to raid the fertile plains of Assyria. Therefore, it was wise for Tukulti-Ninib to travel through their territory with force and to demand heavy tribute to keep the fear of Assyrian power in their minds. From the king’s records, we learn that he subdued and weakened the semi-independent groups living along his northern, northwestern, and eastern borders. To the west was the desert, from which he had little to fear in terms of organized attacks while he focused his army elsewhere, since his permanent garrisons were strong enough to repel or punish any incursions by nomadic tribes. This allowed him to confront his longstanding enemy in the south without worrying about leaving his territory open to invasion in his absence.
The campaign against Babylon was the most important one undertaken by Tukulti-Ninib, and its successful issue was the crowning point of his military career. The king relates that the great gods Ashur, Bel, and Shamash, and the goddess Ishtar, the queen of heaven and earth, marched at the head of his warriors when he set out upon the expedition. After crossing the border and penetrating into Babylonian territory he seems to have had some difficulty in forcing Bitiliashu, the Kassite king who then occupied the throne of Babylon, to a decisive engagement. But by a skilful disposition of his forces he succeeded in hemming him in, so that the Babylonian army was compelled to engage in a pitched battle. The result of the fighting was a complete victory for the Assyrian arms. Many of the Babylonian warriors fell fighting, and Bitiliashu himself was captured by the Assyrian soldiers in the midst of the battle. Tukulti-Ninib boasts that he trampled his lordly neck beneath his feet, and on his return to Assyria he carried his captive back in fetters to present him with the spoils of the campaign before Ashur, the national god of the Assyrians.
The campaign against Babylon was the most significant effort led by Tukulti-Ninib, and its successful outcome marked the peak of his military career. The king states that the great gods Ashur, Bel, and Shamash, along with the goddess Ishtar, the queen of heaven and earth, led his warriors as he set out on the expedition. After crossing the border and moving into Babylonian territory, he encountered some challenges in forcing Bitiliashu, the Kassite king who then ruled Babylon, into a decisive battle. However, through a clever arrangement of his forces, he managed to corner him, compelling the Babylonian army to fight in a pitched battle. The outcome was a total victory for the Assyrians. Many Babylonian warriors were killed in combat, and Bitiliashu himself was captured by the Assyrian soldiers during the battle. Tukulti-Ninib boasts that he stepped on his lordly neck, and upon returning to Assyria, he brought his captive back in chains to present him as a trophy of the campaign before Ashur, the national god of the Assyrians.
Before returning to Assyria, however, Tukulti-Ninib marched with his army throughout the length and breadth of Babylonia, and achieved the subjugation of the whole of the Sumer and Akkad. He destroyed the fortifications of Babylon to ensure that they should not again be used against himself, and all the inhabitants who did not at once submit to his decrees he put co the sword. He then appointed his own officers to rule the country and established his own system of administration, adding to his previous title of “King of Assyria,” those of “King of Karduniash (i. e. Babylonia)” and “King of Sumer and Akkad.” It was probably from this period that he also adopted the title of “King of the Poor Quarters of the World.” As a mark of the complete subjugation of their ancient foe, Tukulti-Ninib and his army carried back with them to Assyria not only the captive Babylonian king, but also the statue of Marduk, the national god of Babylon. This they removed from B-sagila, his sumptuous temple in Babylon, and they looted the sacred treasures from the treasure-chambers, and carried them off together with the spoil of the city.
Before returning to Assyria, however, Tukulti-Ninib marched with his army across all of Babylonia and successfully conquered all of Sumer and Akkad. He tore down the fortifications of Babylon to make sure they couldn’t be used against him again, and anyone who didn’t immediately comply with his orders was executed. He then placed his own officials in charge of the country and set up his own administration, adding to his original title of “King of Assyria” the titles “King of Karduniash (i.e., Babylonia)” and “King of Sumer and Akkad.” It’s likely that it was during this time he also took on the title “King of the Poor Quarters of the World.” To signify the total defeat of their longtime enemy, Tukulti-Ninib and his army returned to Assyria not only with the captured Babylonian king but also with the statue of Marduk, the national god of Babylon. They took it from B-sagila, his grand temple in Babylon, and pillaged the sacred treasures from the treasure chambers, carrying everything back along with the spoils of the city.
Tukulti-Ninib no doubt left a sufficient proportion of his army in Babylon to garrison the city and support the governors and officials into whose charge he committed the administration of the land, but he himself returned to Assyria with the rich spoil of the campaign, and it was probably as a use for this large increase of wealth and material that he decided to found another city which should bear his own name and perpetuate it for future ages. The king records that he undertook this task at the bidding of Bel (i.e. the god Ashur), who commanded that he should found a new city and build a dwelling-place for him therein. In accordance with the desire of Ashur and the gods, which was thus conveyed to him, the king founded the city of Kar-Tukulti-Ninib, and he erected therein temples dedicated not only to Ashur, but also to the gods Adad, and Sha-mash, and Ninib, and Nusku, and Nergal, and Imina-bi, and the goddess Ishtar. The spoils from Babylon and the temple treasures from E-sagila were doubtless used for the decoration of these temples and the adornment of their shrines, and the king endowed the temples and appointed regular offerings, which he ordained should be their property for ever. He also built a sumptuous palace for his own abode when he stayed in the city, which he constructed on a mound or terrace of earth, faced with brick, and piled high above the level of the city. Finally, he completed its fortification by the erection of a massive wall around it, and the completion of this wall was the occasion on which his memorial tablet was inscribed.
Tukulti-Ninib likely left a significant portion of his army in Babylon to garrison the city and assist the governors and officials he entrusted with managing the land. However, he returned to Assyria with the wealth gained from the campaign. This increase in riches and resources probably inspired him to establish a new city named after himself, ensuring his legacy would endure through the ages. The king reported that he took on this project at the command of Bel (the god Ashur), who instructed him to create a new city and build a dwelling for him there. Following Ashur's wishes, the king founded the city of Kar-Tukulti-Ninib and constructed temples dedicated not just to Ashur, but also to the gods Adad, Shamash, Ninib, Nusku, Nergal, Imina-bi, and the goddess Ishtar. The spoils from Babylon and the treasures from the E-sagila temple were likely used to decorate these temples and adorn their shrines. The king funded the temples and established regular offerings, which he decreed would be theirs forever. He also built an impressive palace for himself to stay in when visiting the city, built on a raised mound or terrace of earth, faced with brick, and elevated above the city level. Finally, he fortified it by constructing a massive wall around it, and it was during the completion of this wall that his memorial tablet was inscribed.
The memorial tablet was buried and bricked up within the actual structure of the wall, in order that in future ages it might be read by those who found it, and so it might preserve his name and fame. After finishing the account of his building operations in the new city and recording the completion of the city wall from its foundation to its coping stone, the king makes an appeal to any future ruler who should find it, in the following words: “In the days that are to come, when this wall shall have grown old and shall have fallen into ruins, may a future prince repair the damaged parts thereof, and may he anoint my memorial tablet with oil, and may he offer sacrifices and restore it unto its place, and then Ashur will hearken unto his prayers. But whosoever shall destroy this wall, or shall remove my memorial tablet or my name that is inscribed thereon, or shall leave Kar-Tukulti-Ninib, the city of my dominion, desolate, or shall destroy it, may the lord Ashur overthrow his kingdom, and may he break his weapons, and may he cause his warriors to be defeated, and may he diminish his boundaries, and may he ordain that his rule shall be cut off, and on his days may he bring sorrow, and his years may he make evil, and may he blot out his name and his seed from the land!”
The memorial tablet was buried and sealed within the wall itself so that in future times, it could be discovered and read by those who find it, ensuring that his name and legacy are preserved. After detailing his construction projects in the new city and noting the completion of the city wall from its foundation to its highest point, the king makes a request to any future ruler who might discover it: “In the days to come, when this wall has aged and begun to fall apart, may a future prince repair the damaged sections, anoint my memorial tablet with oil, offer sacrifices, and restore it to its rightful place, and then Ashur will listen to his prayers. But whoever destroys this wall, removes my memorial tablet or my name written on it, leaves Kar-Tukulti-Ninib, the city of my rule, in ruins, or destroys it, may Lord Ashur overthrow his kingdom, break his weapons, defeat his warriors, shrink his borders, cut off his reign, bring him sorrow during his days, make his years evil, and erase his name and descendants from the land!”
By such blessings and curses Tukulti-Ninib hoped to ensure the preservation of his name and the rebuilding of his city, should it at any time be neglected and fall into decay. Curiously enough, it was in this very city that Tukulti-Ninib met his own fate less than seven years after he had founded it. At that time one of his own sons, who bore the name of Ashur-nasir-pal, conspired against his father and stirred up the nobles to revolt. The insurrection was arranged when Tukulti-Ninib was absent from his capital and staying in Kar-Tukulti-Ninib, where he was probably protected by only a small bodyguard, the bulk of his veteran warriors remaining behind in garrison at Ashur. The insurgent nobles, headed by Ashur-nasir-pal, fell upon the king without warning when he was passing through the city without any suspicion of risk from a treacherous attack. The king defended himself and sought refuge in a neighbouring house, but the conspirators surrounded the building and, having forced an entrance, slew him with the sword. Thus Tukulti-Ninib perished in the city he had built and beautified with the spoils of his campaigns, where he had looked forward to passing a peaceful and secure old age. Of the fate of the city itself we know little except that its site is marked to-day by a few mounds which rise slightly above the level of the surrounding desert. The king’s memorial tablet only has survived. For some 3,200 years it rested undisturbed in the foundations of the wall of unburnt brick, where it was buried by Tukulti-Ninib on the completion of the city wall.
By these blessings and curses, Tukulti-Ninib hoped to secure the lasting memory of his name and rebuild his city if it ever fell into neglect and decay. Interestingly, it was in this very city that Tukulti-Ninib met his end less than seven years after founding it. At that time, one of his sons, named Ashur-nasir-pal, plotted against his father and rallied the nobles to revolt. The uprising was orchestrated while Tukulti-Ninib was away from his capital, staying in Kar-Tukulti-Ninib, probably with only a small group of bodyguards, as most of his veteran warriors were stationed at Ashur. The rebel nobles, led by Ashur-nasir-pal, ambushed the king without warning as he walked through the city unsuspecting of any treachery. The king fought back and sought refuge in a nearby house, but the conspirators surrounded the building, broke in, and killed him with a sword. In this way, Tukulti-Ninib died in the city he had built and adorned with the spoils from his campaigns, where he had hoped to enjoy a peaceful and secure old age. We know little about the fate of the city itself, except that today its location is marked by a few mounds that rise slightly above the surrounding desert. Only the king's memorial tablet has survived. For about 3,200 years, it lay undisturbed in the foundations of the unburnt brick wall that Tukulti-Ninib buried upon finishing the city wall.

King of Assyria, about B. C. 1275.
King of Assyria, around 1275 B.C.
Thence it was removed by the hands of modern Arabs, and it is now preserved in the British Museum, where the characters of the inscription may be seen to be as sharp and uninjured as on the day when the Assyrian graver inscribed them by order of the king.
It was then taken by modern Arabs, and it is now preserved in the British Museum, where you can see that the characters of the inscription are as sharp and intact as they were on the day the Assyrian engraver carved them at the king's command.
In the account of his first campaign, which is preserved upon the memorial tablet, it is stated that the peoples conquered by Tukulti-Ninib brought their yearly tribute to the city of Ashur. This fact is of considerable interest, for it proves that Tukulti-Ninib restored the capital of Assyria to the city of Ashur, removing it from Calah, whither it had been transferred by his father Shalmaneser I. The city of Calah had been founded and built by Shalmaneser I in the same way that his son Tukulti-Ninib built the city of Kar-Tukulti-Ninib, and the building of both cities is striking evidence of the rapid growth of Assyria and her need of expansion around fresh centres prepared for administration and defence. The shifting of the Assyrian capital to Calah by Shalmaneser I was also due to the extension of Assyrian power in the north, in consequence of which there was need of having the capital nearer the centre of the country so enlarged. Ashur’s recovery of her old position under Tukulti-Ninib I was only a temporary check to this movement northwards, and, so long as Babylon remained a conquered province of the Assyrian empire, obviously the need for a capital farther north than Ashur would not have been pressing.
In the account of his first campaign, which is recorded on the memorial tablet, it is mentioned that the peoples conquered by Tukulti-Ninib brought their annual tribute to the city of Ashur. This detail is quite significant, as it shows that Tukulti-Ninib restored the capital of Assyria to Ashur, moving it from Calah, where it had been relocated by his father, Shalmaneser I. The city of Calah was founded and built by Shalmaneser I in the same manner that his son, Tukulti-Ninib, constructed the city of Kar-Tukulti-Ninib. The establishment of both cities clearly indicates the rapid growth of Assyria and its need for expansion around new centers designed for administration and defense. Shalmaneser I's decision to shift the Assyrian capital to Calah was also influenced by the expansion of Assyrian power in the north, which necessitated having the capital closer to the now larger central region. Ashur’s regain of its former status under Tukulti-Ninib I was merely a temporary pause in this movement northward, and as long as Babylon remained a conquered province of the Assyrian empire, there obviously wasn't an urgent need for a capital situated further north than Ashur.

But with Tukulti-Ninib’s death Babylon regained her independence and freed herself from Assyrian control, and the centre of the northern kingdom was once more subject to the influences which eventually resulted in the permanent transference of her capital to Nineveh. To the comparative neglect into which Ashur and Calah consequently fell, we may probably trace the extensive remains of buildings belonging to the earlier periods of Assyrian history which have been recovered and still remain to be found, in the mounds that mark their sites.
But after Tukulti-Ninib died, Babylon regained its independence and freed itself from Assyrian control. The center of the northern kingdom was once again influenced by factors that eventually led to the permanent relocation of the capital to Nineveh. The relative neglect that Ashur and Calah fell into likely explains the extensive remains of buildings from the earlier periods of Assyrian history that have been uncovered and still await discovery in the mounds that mark their locations.
We have given some account of the results already achieved from the excavations carried out during the last two years at Sherghat, the site of the city of Ashur. That much remains to be done on the site of Calah, the other early capital of Assyria, is evident from even a cursory examination of the present condition of the mounds that mark the location of the city. These mounds are now known by the name of Nimrûd and are situated on the left or eastern bank of the Tigris, a short distance above the point at which it is joined by the stream of the Upper Zâb, and the great mound which still covers the remains of the ziggurat, or temple tower, can be seen from a considerable distance across the plain. During the excavations formerly carried out here for the British Museum, remains of palaces were recovered which had been built or restored by Shal-maneser I, Ashur-nasir-pal, Shalmaneser II, Tiglath-pileser III, Sargon, Esarhaddon, and Ashur-etil-ilâni. After the conclusion of the diggings and the removal of many of the sculptures to England, the site was covered again with earth, in order to protect the remains of Assyrian buildings which were left in place. Since that time the soil has sunk and been washed away by the rains so that many of the larger sculptures are now protruding above the soil, an example of which is seen in the two winged bulls in the palace of Ashur-nasir-pal. It is improbable that the mounds of Nimrûd will yield such rich results as Sherghat, but the site would probably well repay prolonged and systematic excavation.
We have shared some details about the results achieved from the excavations conducted over the last two years at Sherghat, the site of the city of Ashur. It's clear that there’s still a lot to be done at Calah, the other early capital of Assyria, especially when you take a quick look at the current state of the mounds that mark the location of the city. These mounds are now called Nimrûd and are located on the left, or eastern, bank of the Tigris, just upstream from where it meets the Upper Zâb. The large mound that still covers the remains of the ziggurat, or temple tower, can be seen from quite a distance across the plain. During earlier excavations carried out for the British Museum, remains of palaces built or restored by Shal-maneser I, Ashur-nasir-pal, Shalmaneser II, Tiglath-pileser III, Sargon, Esarhaddon, and Ashur-etil-ilâni were uncovered. After the excavations were finished and many sculptures were sent to England, the site was covered back over with earth to protect the remains of the Assyrian buildings left behind. Since then, the soil has settled and been washed away by rain, causing many of the larger sculptures to now stick out above the ground, such as the two winged bulls from the palace of Ashur-nasir-pal. It’s unlikely that the mounds of Nimrûd will provide results as rich as Sherghat, but the site could still be very rewarding with extended and systematic excavation.
We have hitherto summarized and described the principal facts, with regard to the early history of Babylonia and Assyria and the neighbouring countries, which have been obtained from the excavations conducted recently on the sites of ancient cities. From the actual remains of the buildings that have been unearthed we have secured information with regard to the temples and palaces of ancient rulers and the plans on which they were designed. Erom the objects of daily life and of religious use which have been recovered, such as weapons of bronze and iron, and vessels of metal, stone, and clay, it is possible for the archaeologist to draw conclusions with regard to the customs of these early peoples; while from a study of their style and workmanship and of such examples of their sculpture as have been brought to light, he may determine the stage of artistic development at which they had arrived. The clay tablets and stone monuments that have been recovered reveal the family life of the people, their commercial undertakings, their system of legislation and land tenure, their epistolary correspondence, and the administration under which they lived, while the royal inscriptions and foundation-memorials throw light on the religious and historical events of the period in which they were inscribed. Information on all these points has been acquired as the result of excavation, and is based on the discoveries in the ruins of early cities which have remained buried beneath the soil for some thousands of years. But for the history of Assyria and of the other nations in the north there is still another source of information to which reference must now be made.
We have summarized and outlined the key facts regarding the early history of Babylonia, Assyria, and neighboring countries, based on recent excavations at ancient city sites. From the actual remains of buildings unearthed, we have gathered information about the temples and palaces of ancient rulers and their designs. By examining everyday items and religious artifacts that have been recovered, such as bronze and iron weapons, and metal, stone, and clay vessels, archaeologists can draw conclusions about the customs of these early peoples. Additionally, by studying their styles, craftsmanship, and examples of their sculpture that have come to light, they can assess the level of artistic development achieved. The clay tablets and stone monuments that have been found reveal details about the family life of the people, their commercial activities, their legal system and land ownership, their letters, and the administration they lived under, while royal inscriptions and foundation memorials provide insight into the religious and historical events of the time they were created. All this information has been gathered as a result of excavation and is based on discoveries from ruins of ancient cities that have been buried for thousands of years. However, for the history of Assyria and other northern nations, there is another source of information that needs to be addressed.
The kings of Assyria were not content with recording their achievements on the walls of their buildings, on stelae set up in their palaces and temples, on their tablets of annals preserved in their archive-chambers, and on their cylinders and foundation-memorials concealed within the actual structure of the buildings themselves. They have also left records graven in the living rock, and these have never been buried, but have been exposed to wind and weather from the moment they were engraved. Records of irrigation works and military operations successfully undertaken by Assyrian kings remain to this day on the face of the mountains to the north and east of Assyria. The kings of one great mountain race that had its capital at Van borrowed from the Assyrians this method of recording their achievements, and, adopting the Assyrian character, have left numerous rock-inscriptions in their own language in the mountains of Armenia and Kurdistan. In some instances the action of rain and frost has nearly if not quite obliterated the record, and a few have been defaced by the hand of man. But as the majority are engraved in panels cut on the sheer face of the rock, and are inaccessible except by means of ropes and tackle, they have escaped mutilation. The photograph reproduced will serve to show the means that must be adopted for reaching such rock-inscriptions in order to examine or copy them.
The kings of Assyria weren’t satisfied just displaying their accomplishments on the walls of their buildings, on stelae set up in their palaces and temples, on their annal tablets kept in their archives, and on their cylinders and foundation memorials hidden within the buildings themselves. They also left records carved into the living rock, which have always been exposed to the elements since the moment they were engraved. Records of irrigation projects and military campaigns carried out by Assyrian kings still exist today on the mountainsides to the north and east of Assyria. The kings of a powerful mountain tribe based in Van adopted this method from the Assyrians to document their achievements and, using the Assyrian script, created multiple rock inscriptions in their own language in the mountains of Armenia and Kurdistan. In some cases, rain and frost have almost completely erased the inscriptions, and a few have been damaged by human hands. However, since most are carved into flat rock faces and are only accessible by ropes and equipment, they have largely avoided defacement. The accompanying photograph will illustrate the methods needed to access these rock inscriptions for examination or copying.

In The Gorge Of The River Gomel, Near Bavian.
In the gorge of the Gomel River, close to Bavian.
The inscription shown in the photograph is one of those cut by Sennacherib in the gorge near Bavian, through which the river Gomel flows, and can be reached only by climbing down ropes fixed to the top of the cliff. The choice of such positions by the kings who caused the inscriptions to be engraved was dictated by the desire to render it difficult to destroy them, but it has also had the effect of delaying to some extent their copying and decipherment by modern workers.
The inscription seen in the photo was carved by Sennacherib in the gorge near Bavian, where the river Gomel flows. It can only be accessed by climbing down ropes attached to the top of the cliff. The kings who had these inscriptions engraved chose such hard-to-reach locations to make them harder to destroy, but this decision has also made it somewhat challenging for modern researchers to copy and decode them.

Near Bavian In Assyria.
Near Baboon in Assyria.
Considerable progress, however, has recently been made in identifying and copying these texts, and we may here give a short account of what has been done and of the information furnished by the inscriptions that have been examined.
Significant progress has recently been made in identifying and copying these texts, and we can provide a brief overview of what has been accomplished and the information gathered from the inscriptions that have been examined.
Recently considerable additions have been made to our knowledge of the ancient empire of Van and of its relation to the later kings of Assyria by the labours of Prof Lehmann and Dr. Belck on the inscriptions which the kings of that period caused to be engraved upon the rocks among the mountains of Armenia.
Recently, we have gained significant insights into the ancient empire of Van and its connection to the later kings of Assyria, thanks to the work of Prof Lehmann and Dr. Belck on the inscriptions that the kings of that time had carved into the rocks in the mountains of Armenia.

The flat roofs of the houses of the city of Van may be seen to the left of the photograph nestling below the rock.
The flat roofs of the houses in the city of Van can be seen to the left of the photo, nestled below the rock.
The centre and capital of this empire was the ancient city which stood on the site of the modern town of Van at the southwest corner of the lake which bears the same name. The city was built at the foot of a natural rock which rises precipitously from the plain, and must have formed an impregnable stronghold against the attack of the foe.
The center and capital of this empire was the ancient city located where the modern town of Van is, at the southwest corner of the lake that shares its name. The city was constructed at the base of a steep natural rock that rises dramatically from the plain, making it a nearly invulnerable stronghold against enemy attacks.
In this citadel at the present day remain the ancient galleries and staircases and chambers which were cut in the living rock by the kings who made it their fortress, and their inscriptions, engraved upon the face of the rock on specially prepared and polished surfaces, enable us to reconstruct in some degree the history of that ancient empire. From time to time there have been found and copied other similar texts, which are cut on the mountainsides or on the massive stones which formed part of the construction of their buildings and fortifications. A complete collection of these texts, together with translations, will shortly be published by Prof. Lehmann. Meanwhile, this scholar has discussed and summarized the results to be obtained from much of his material, and we are thus already enabled to sketch the principal achievements of the rulers of this mountain race, who were constantly at war with the later kings of Assyria, and for two centuries at least disputed her claim to supremacy in this portion of Western Asia.
In this fortress today, the ancient galleries, staircases, and chambers carved into the living rock by the kings who made it their stronghold still exist. Their inscriptions, etched into polished surfaces of the rock, allow us to piece together the history of that ancient empire to some extent. Occasionally, other similar texts have been discovered and copied, located on mountainsides or on the massive stones that were part of their buildings and fortifications. A complete collection of these texts, along with translations, will soon be published by Prof. Lehmann. In the meantime, this scholar has discussed and summarized much of his findings, enabling us to outline the main achievements of the rulers of this mountain culture, who were constantly battling the later kings of Assyria and, for at least two centuries, contested her claim to dominance in this part of Western Asia.
The country occupied by this ancient people of Van was the great table-land which now forms Armenia. The people themselves cannot be connected with the Armenians, for their language presents no characteristics of those of the Indo-European family, and it is equally certain that they are not to be traced to a Semitic origin. It is true that they employed the Assyrian method of writing their inscriptions, and their art differs only in minor points from that of the Assyrians, but in both instances this similarity of culture was directly borrowed at a time when the less civilized race, having its centre at Van, came into direct contact with the Assyrians.
The area inhabited by the ancient people of Van was the vast plateau that is now Armenia. This group cannot be linked to the Armenians because their language doesn’t show any features of the Indo-European family, and it’s clear they don’t have Semitic roots either. While they did use the Assyrian writing style for their inscriptions, and their art is only slightly different from that of the Assyrians, this cultural similarity was borrowed during a time when the less advanced group, centered in Van, interacted directly with the Assyrians.

The exact date at which this influence began to be exerted is not certain, but we have records of immediate relations with Assyria in the second half of the ninth century before Christ. The district inhabited by the Vannic people was known to the Assyrians by the name of Urartu, and although the inscriptions of the earlier Assyrian kings do not record expeditions against that country, they frequently make mention of campaigns against princes and petty rulers of the land of Na’iri. They must therefore for long have exercised an indirect, if not a direct, influence on the peoples and tribes which lay more to the north.
The exact date when this influence started is unclear, but we have records of direct interactions with Assyria in the second half of the ninth century BCE. The area inhabited by the Vannic people was known to the Assyrians as Urartu, and while the inscriptions of earlier Assyrian kings don't document military campaigns against that region, they often mention campaigns against the princes and minor rulers of the land of Na’iri. Therefore, they must have had a long-standing indirect, if not direct, influence on the peoples and tribes to the north.
The earliest evidence of direct contact between the Assyrians and the land of Urartu which we at present possess dates from the reign of Ashur-nasir-pal, and in the reign of his son Shalmaneser II three expeditions were undertaken against the people of Van. The name of the king of Urartu at this time was Arame, and his capital city, Arzasku, probably lay to the north of Lake Van. On all three occasions the Assyrians were victorious, forcing Arame to abandon his capital and capturing his cities as far as the sources of the Euphrates. Subsequently, in the year 833 B.C., Shalmaneser II made another attack upon the country, which at that time was under the sway of Sarduris I. Under this monarch the citadel of Van became the great stronghold of the people of Urartu, for he added to the natural strength of the position by the construction of walls built between the rock of Van and the harbour. The massive blocks of stone of which his fortifications were composed are standing at the present day, and they bear eloquent testimony to the energy with which this monarch devoted himself to the task of rendering his new citadel impregnable. The fortification and strengthening of Van and its citadel was carried on during the reigns of his direct successors and descendants, Ispui-nis, Menuas, and Argistis I, so that when Tiglath-pile-ser III brought fire and sword into the country and laid siege to Van in the reign of Sarduris II, he could not capture the citadel.
The earliest evidence of direct contact between the Assyrians and the land of Urartu that we currently have dates back to the reign of Ashur-nasir-pal. During the reign of his son Shalmaneser II, three expeditions were launched against the people of Van. At that time, the king of Urartu was Arame, and his capital city, Arzasku, likely sat north of Lake Van. In all three instances, the Assyrians won, forcing Arame to flee his capital and capturing his cities all the way to the sources of the Euphrates. Later, in 833 B.C., Shalmaneser II attacked the region, which was then controlled by Sarduris I. Under this king, the citadel of Van became the main stronghold of the Urartians, as he enhanced the natural defenses by building walls between the rock of Van and the harbor. The massive stone blocks used for his fortifications still stand today, serving as a powerful reminder of the effort he put into making his new citadel impregnable. The fortification and enhancement of Van and its citadel continued under his immediate successors and descendants, Ispui-nis, Menuas, and Argistis I. So, when Tiglath-pile-ser III stormed into the area and besieged Van during the reign of Sarduris II, he was unable to capture the citadel.

It was not difficult for the Assyrian king to assault and capture the city itself, which lay at the foot of the citadel as it does at the present day, but the latter, within the fortifications of which Sarduris and his garrison withdrew, proved itself able to withstand the Assyrian attack. The expedition of Tiglath-pileser III did not succeed in crushing the Vannic empire, for Rusas I, the son and successor of Sarduris II, allied himself to the neighbouring mountain races and gave considerable trouble to Sargon, the Assyrian king, who was obliged to undertake an expedition to check their aggressions.
It wasn't hard for the Assyrian king to attack and take the city itself, which sat at the base of the citadel just like it does today. However, the citadel, where Sarduris and his troops retreated, managed to withstand the Assyrian assault. Tiglath-pileser III's campaign didn't manage to crush the Vannic empire because Rusas I, the son and successor of Sarduris II, teamed up with the neighboring mountain tribes and caused Sargon, the Assyrian king, a lot of trouble, forcing him to launch an expedition to counter their attacks.
It was probably Rusas I who erected the buildings on Toprak Kala, the hill to the east of Van, traces of which remain to the present day. He built a palace and a temple, and around them he constructed a new city with a reservoir to supply it with water, possibly because the slopes of Toprak Kala rendered it easier of defence than the city in the plain (beneath the rock and citadel) which had fallen an easy prey to Tiglath-pileser III. The site of the temple on Toprak Kala has been excavated by the trustees of the British Museum, and our knowledge of Vannic art is derived from the shields and helmets of bronze and small bronze figures and fittings which were recovered from this building. One of the shields brought to the British Museum from the Toprak Kala, where it originally hung with others on the temple walls, bears the name of Argistis II, who was the son and successor of Rusas I, and who attempted to give trouble to the Assyrians by stirring the inhabitants of the land of Kummukh (Kommagene) to revolt against Sargon. His son, Rusas II, was the contemporary of Esarhaddon, and from some recently discovered rock-inscriptions we learn that he extended the limits of his kingdom on the west and secured victories against Mushki (Meshech) to the southeast of the Halys and against the Hittites in Northern Syria. Rusas III rebuilt the temple on Toprak Kala, as we know from an inscription of his on one of the shields from that place in the British Museum. Both he and Sarduris III were on friendly terms with the Assyrians, for we know that they both sent embassies to Ashur-bani-pal.
It was likely Rusas I who built the structures on Toprak Kala, the hill east of Van, remnants of which still exist today. He constructed a palace and a temple, and around them, he created a new city with a reservoir for its water supply, possibly because the slopes of Toprak Kala made it easier to defend than the city in the plain (beneath the rock and citadel) that had fallen easily to Tiglath-pileser III. The site of the temple on Toprak Kala has been excavated by the trustees of the British Museum, and our understanding of Vannic art comes from the bronze shields and helmets, along with small bronze figures and fittings recovered from this building. One of the shields brought to the British Museum from Toprak Kala, where it originally hung among others on the temple walls, is inscribed with the name of Argistis II, the son and successor of Rusas I, who tried to cause problems for the Assyrians by inciting the people of Kummukh (Kommagene) to revolt against Sargon. His son, Rusas II, was a contemporary of Esarhaddon, and recent rock inscriptions reveal that he expanded his kingdom to the west and achieved victories over Mushki (Meshech) to the southeast of the Halys and against the Hittites in Northern Syria. Rusas III rebuilt the temple on Toprak Kala, as evidenced by an inscription from him on one of the shields from that location in the British Museum. Both he and Sarduris III had good relations with the Assyrians, as it is known that they both sent embassies to Ashur-bani-pal.
By far the larger number of rock-inscriptions that have yet been found and copied in the mountainous districts bordering on Assyria were engraved by this ancient Vannic people, and Drs. Lehmann and Belck have done good service by making careful copies and collations of all those which are at present known. Work on other classes of rock-inscriptions has also been carried on by other travellers. A new edition of the inscriptions of Sennacherib in the gorge of the Gomel, near the village of Bavian, has been made by Mr. King, who has also been fortunate enough to find a number of hitherto unknown inscriptions in Kurdistan on the Judi Dagh and at the sources of the Tigris. The inscriptions at the mouth of the Nahr el-Kelb, “the Dog River,” in Syria, have been reexamined by Dr. Knudtzon, and the long inscription which Nebuchadnezzar II cut on the rocks at Wadi Brissa in the Lebanon, formerly published by M. Pognon, has been recopied by Dr. Weissbach. Finally, the great trilingual inscription of Darius Hystaspes on the rock at Bisutun in Persia, which was formerly copied by the late Sir Henry Raw-linson and used by him for the successful decipherment of the cuneiform inscriptions, was completely copied last year by Messrs. King and Thompson.[3]
The majority of the rock inscriptions discovered and documented in the mountainous areas near Assyria were carved by this ancient Vannic people. Drs. Lehmann and Belck have provided valuable contributions by carefully copying and collating all the known inscriptions. Other travelers have also worked on different types of rock inscriptions. Mr. King has released a new edition of the Sennacherib inscriptions found in the gorge of the Gomel, close to the village of Bavian, and he has been fortunate to uncover several previously unknown inscriptions in Kurdistan on the Judi Dagh and at the sources of the Tigris. Dr. Knudtzon has reexamined the inscriptions at the mouth of the Nahr el-Kelb, known as "the Dog River," in Syria. The long inscription carved by Nebuchadnezzar II at Wadi Brissa in Lebanon, which M. Pognon published earlier, has been recopied by Dr. Weissbach. Finally, the significant trilingual inscription of Darius Hystaspes on the rock at Bisutun in Persia, which the late Sir Henry Rawlinson had previously copied and used for the successful decipherment of cuneiform inscriptions, was completely copied last year by Messrs. King and Thompson.[3]
[3] Messrs. King and Thompson are preparing a new edition of this inscription.
[3] Mr. King and Mr. Thompson are working on a new version of this inscription.
The main facts of the history of Assyria under her later kings and of Babylonia during the Neo-Babylonian and Persian periods were many years ago correctly ascertained, and recent excavation and research have done little to add to our knowledge of the history of these periods. It was hoped that the excavations conducted by Dr. Koldewey at Babylon would result in the recovery of a wealth of inscriptions and records referring to the later history of the country, but unfortunately comparatively few tablets or inscriptions have been found, and those that have been recovered consist mainly of building-inscriptions and votive texts. One such building-inscription contains an interesting historical reference. It occurs on a barrel-cylinder of clay inscribed with a text of Nabopolassar, and it was found in the temple of Ninib and records the completion and restoration of the temple by the king. In addition to recording the building operations he had carried out in the temple, Nabopolassar boasts of his opposition to the Assyrians. He says: “As for the Assyrians who had ruled all peoples from distant days and had set the people of the land under a heavy yoke, I, the weak and humble man who worshippeth the Lord of Lords (i.e. the god Marduk), through the mighty power of Nabû and Marduk, my lords, held back their feet from the land of Akkad and cast off their yoke.”
The main facts about the history of Assyria under its later kings and of Babylonia during the Neo-Babylonian and Persian periods were established many years ago, and recent excavations and research haven’t significantly added to our knowledge of these times. There was hope that the excavations led by Dr. Koldewey in Babylon would uncover a wealth of inscriptions and records about the later history of the region, but unfortunately, only a few tablets or inscriptions have been found, and most of those recovered are mainly building inscriptions and votive texts. One of these building inscriptions contains an interesting historical note. It appears on a clay barrel-cylinder inscribed with a text from Nabopolassar, found in the temple of Ninib, which notes the completion and restoration of the temple by the king. In addition to detailing the building work he did in the temple, Nabopolassar also highlights his opposition to the Assyrians. He states: “As for the Assyrians who had ruled all peoples from ancient times and had placed a heavy burden on the people of the land, I, the weak and humble man who worships the Lord of Lords (i.e., the god Marduk), through the mighty power of Nabû and Marduk, my lords, held back their feet from the land of Akkad and threw off their yoke.”
It is not yet certain whether the Babylonians under Nabopolassar actively assisted Cyaxares and the Medes in the siege and in the subsequent capture of Nineveh in 606 B.C. but this newly discovered reference to the Assyrians by Nabopolassar may possibly be taken to imply that the Babylonians were passive and not active allies of Cyaxares. If the cylinder were inscribed after the fall of Nineveh we should have expected Nabopolassar, had he taken an active part in the capture of the city, to have boasted in more definite terms of his achievement. On his stele which is preserved at Constantinople, Nabonidus, the last king of the Neo-Babylonian empire, who himself suffered defeat at the hands of Cyrus, King of Persia, ascribed the fall of Nineveh to the anger of Marduk and the other gods of Babylon because of the destruction of their city and the spoliation of their temples by Sennacherib in 689 B.C. We see the irony of fate in the fact that Cyrus also ascribed the defeat and deposition of Nabonidus and the fall of Babylon to Marduk’s intervention, whose anger he alleges was aroused by the attempt of Nabonidus to concentrate the worship of the local city-gods in Babylon.
It’s still unclear whether the Babylonians under Nabopolassar actively helped Cyaxares and the Medes during the siege and later capture of Nineveh in 606 B.C. However, this newly found mention of the Assyrians by Nabopolassar might suggest that the Babylonians were more passive than active allies of Cyaxares. If the cylinder was inscribed after Nineveh fell, we would expect Nabopolassar to have proudly detailed his involvement in the capture of the city. On his stele, which is kept in Constantinople, Nabonidus, the last king of the Neo-Babylonian empire, who himself was defeated by Cyrus, King of Persia, attributed Nineveh's downfall to the anger of Marduk and the other gods of Babylon due to the destruction of their city and the plundering of their temples by Sennacherib in 689 B.C. The irony here is that Cyrus also blamed Marduk’s intervention for Nabonidus's defeat and the fall of Babylon, claiming that Marduk was angered by Nabonidus's efforts to centralize the worship of local city-gods in Babylon.
Thus it will be seen that recent excavation and research have not yet supplied the data for filling in such gaps as still remain in our knowledge of the later history of Assyria and Babylon. The closing years of the Assyrian empire and the military achievements of the great Neo-Babylonian rulers, Nabopolassar, Nerig-lissar, and Nebuchadnezzar II, have not yet been found recorded in any published Assyrian or Babylonian inscription, but it may be expected that at any moment some text will be discovered that will throw light upon the problems connected with the history of those periods which still await solution. Meanwhile, the excavations at Babylon, although they have not added much to our knowledge of the later history of the country, have been of immense service in revealing the topography of the city during the Neo-Babylonian period, as well as the positions, plans, and characters of the principal buildings erected by the later Babylonian kings. The discovery of the palaces of Nebuchadnezzar II on the mound of the Kasr, of the small but complete temple E-makh, of the temple of the goddess Nin-makh to the northeast of the palaces, and of the sacred road dividing them and passing through the Great Gate of Ishtar (adorned with representations of lions, bulls, and dragons in raised brick upon its walls) has enabled us to form some conception of the splendour and magnificence of the city as it appeared when rebuilt by its last native rulers. Moreover, the great temple E-sagila, the famous shrine of the god Marduk, has been identified and partly excavated beneath the huge mound of Tell Amran ibn-Ali, while a smaller and less famous temple of Ninib has been discovered in the lower mounds which lie to the eastward. Finally, the sacred way from E-sagila to the palace mound has been traced and uncovered. We are thus enabled to reconstitute the scene of the most solemn rite of the Babylonian festival of the New Year, when the statue of the god Marduk was carried in solemn procession along this road from the temple to the palace, and the Babylonian king made his yearly obeisance to the national god, placing his own hands within those of Marduk, in token of his submission to and dependence on the divine will.
Recent excavations and research have not yet provided enough information to fill the gaps in our understanding of the later history of Assyria and Babylon. The final years of the Assyrian empire and the military accomplishments of the great Neo-Babylonian rulers, Nabopolassar, Nerig-lissar, and Nebuchadnezzar II, have not been documented in any published Assyrian or Babylonian inscriptions. However, it is likely that a relevant text will be discovered at any moment that will shed light on the historical issues from those periods that still need addressing. In the meantime, while the excavations at Babylon haven't significantly enhanced our knowledge of the later history of the region, they have been incredibly valuable in revealing the layout of the city during the Neo-Babylonian period and the designs, placements, and features of the key buildings constructed by the later Babylonian kings. The discovery of Nebuchadnezzar II's palaces on the mound of the Kasr, as well as the small but complete temple E-makh, the temple of the goddess Nin-makh to the northeast of the palaces, and the sacred road that divides them and runs through the Great Gate of Ishtar (which is decorated with raised brick images of lions, bulls, and dragons on its walls) has allowed us to form an impression of the city's grandeur and magnificence as it appeared when rebuilt by its last indigenous rulers. Additionally, the great temple E-sagila, the renowned shrine of the god Marduk, has been identified and partially excavated beneath the large mound of Tell Amran ibn-Ali, while a smaller, less well-known temple of Ninib has been found in the lower mounds to the east. Finally, the sacred way from E-sagila to the palace mound has been traced and uncovered. This allows us to recreate the scene of the most significant ceremony of the Babylonian New Year festival, when the statue of the god Marduk was carried in a solemn procession along this road from the temple to the palace, and the Babylonian king would pay his annual respects to the national god, placing his hands within those of Marduk as a sign of his submission to and dependence on divine will.

Though recent excavations have not led to any startling discoveries with regard to the history of Western Asia during the last years of the Babylonian empire, research among the tablets dating from the Neo-Babylonian and Persian periods has lately added considerably to our knowledge of Babylonian literature. These periods were marked by great literary activity on the part of the priests at Babylon, Sippar, and elsewhere, who, under the royal orders, scoured the country for all remains of the early literature which was preserved in the ancient temples and archives of the country, and made careful copies and collections of all they found. Many of these tablets containing Neo-Babylonian copies of earlier literary texts are preserved in the British Museum, and have been recently published, and we have thus recovered some of the principal grammatical, religious, and magical compositions of the earlier Babylonian period.
Although recent excavations haven't resulted in any major discoveries about the history of Western Asia during the final years of the Babylonian empire, research on tablets from the Neo-Babylonian and Persian periods has significantly increased our understanding of Babylonian literature. These periods saw a surge in literary activity by priests in Babylon, Sippar, and other locations, who, under royal orders, searched the country for remnants of early literature preserved in the ancient temples and archives. They carefully copied and compiled everything they found. Many of these tablets, which include Neo-Babylonian versions of earlier literary texts, are housed in the British Museum and have been recently published, allowing us to recover some of the key grammatical, religious, and magical works from the earlier Babylonian period.

Between The Mound Of The Kasr And Tell Amran Ibn-Ali, Showing A Section Of The Paved Sacred Way.
Between the Mound of the Kasr and Tell Amran Ibn-Ali, Showing a section of the paved sacred way.
Among the most interesting of such recent finds is a series of tablets inscribed with the Babylonian legends concerning the creation of the world and man, which present many new and striking parallels to the beliefs on these subjects embodied in Hebrew literature. We have not space to treat this subject at greater length in the present work, but we may here note that discovery and research in its relation to the later empires that ruled at Babylon have produced results of literary rather than of historical importance. But we should exceed the space at our disposal if we attempted even to skim this fascinating field of study in which so much has recently been achieved. For it is time we turned once more to Egypt and directed our inquiry towards ascertaining what recent research has to tell us with regard to her inhabitants during the later periods of her existence as a nation of the ancient world.
One of the most intriguing recent discoveries is a collection of tablets inscribed with Babylonian legends about the creation of the world and humanity, which show many new and striking similarities to beliefs on these topics found in Hebrew literature. We don't have enough space to explore this topic in depth in this work, but it's worth noting that discoveries and research related to the later empires that ruled Babylon have produced more literary than historical insights. However, we would exceed our available space if we tried to even briefly cover this captivating area of study in which so much has been accomplished recently. It's time to turn our attention back to Egypt and focus our inquiry on what recent research reveals about its inhabitants during the later periods of its existence as an ancient nation.
CHAPTER IX—THE LAST DAYS OF ANCIENT EGYPT
Before we turned from Egypt to summarize the information, afforded by recent discoveries, upon the history of Western Asia under the kings of the Assyrian and Neo-Babylonian periods, we noted that the Asiatic empire of Egypt was regained by the reactionary kings of the XIXth Dynasty, after its temporary loss owing to the vagaries of Akhunaten. Palestine remained Egyptian throughout the period of the judges until the foundation of the kingdom of Judah. With the decline of military spirit in Egypt and the increasing power of the priesthood, authority over Asia became less and less a reality. Tribute was no longer paid, and the tribes wrangled without a restraining hand, during the reigns of the successors of Ramses III. By the time of the priest-kings of Thebes (the XXIst Dynasty) the authority of the Pharaohs had ceased to be exercised in Syria. Egypt was itself divided into two kingdoms, the one ruled by Northern descendants of the Ramessids at Tanis, the other by the priestly monarchs at Thebes, who reigned by right of inheritance as a result of the marriage of the daughter of Ramses with the high priest Amenhetep, father of Herhor, the first priest-king. The Thebans fortified Gebelên in the South and el-Hêbi in the North against attack, and evidently their relations with the Tanites were not always friendly.
Before we shifted focus from Egypt to summarize the information gained from recent discoveries about the history of Western Asia during the reigns of the Assyrian and Neo-Babylonian kings, we observed that the Asian empire of Egypt was reclaimed by the conservative kings of the 19th Dynasty after its temporary loss due to the eccentricities of Akhenaten. Palestine remained under Egyptian control throughout the period of the judges until the establishment of the kingdom of Judah. As Egypt's military spirit waned and the power of the priesthood grew, control over Asia became increasingly illusory. Tribute was no longer collected, and the tribes quarreled without any authority to impose order during the reigns of Ramses III's successors. By the time of the priest-kings of Thebes (the 21st Dynasty), the Pharaohs had stopped exercising control in Syria. Egypt itself was divided into two kingdoms: one ruled by the northern descendants of the Ramessids in Tanis, and the other by the priestly monarchs in Thebes, who ruled by right of inheritance due to the marriage of Ramses' daughter to the high priest Amenhotep, father of Herhor, the first priest-king. The Thebans fortified Gebelên in the South and el-Hêbi in the North for defense, and it was clear that their relationship with the Tanites was not always amicable.
In Syria nothing of the imperial power remained. The prestige of the god Amen of Thebes, however, was still very great. We see this clearly from a very interesting papyrus of the reign of Herhor, published in 1899 by Mr. Golenischeff, which describes the adventures of Uenuamen, an envoy sent (about 1050 B.C.) to Phoenicia to bring wood from the mountains of Lebanon for the construction of a great festival bark of the god Amen at Thebes. In the course of his mission he was very badly treated (We cannot well imagine Thothmes III or Amenhetep III tolerating ill-treatment of their envoy!) and eventually shipwrecked on the coast of the land of Alashiya or Cyprus. He tells us in the papyrus, which seems to be the official report of his mission, that, having been given letters of credence to the Prince of Byblos from the King of Tanis, “to whom Amen had given charge of his North-land,” he at length reached Phoenicia, and after much discussion and argument was able to prevail upon the prince to have the wood which he wanted brought down from Lebanon to the seashore.
In Syria, nothing of the imperial power was left. However, the prestige of the god Amen of Thebes was still very strong. This is clearly shown in an interesting papyrus from the reign of Herhor, published in 1899 by Mr. Golenischeff, which details the adventures of Uenuamen, an envoy sent (around 1050 B.C.) to Phoenicia to collect wood from the mountains of Lebanon for building a grand festival barge for the god Amen in Thebes. During his mission, he was treated very poorly (It’s hard to imagine Thothmes III or Amenhetep III allowing such disrespect towards their envoy!) and ultimately ended up shipwrecked on the coast of the land of Alashiya or Cyprus. He explains in the papyrus, which appears to be an official report of his mission, that, having received letters of credence to the Prince of Byblos from the King of Tanis, “to whom Amen had given charge of his North-land,” he eventually made it to Phoenicia and, after much discussion and negotiation, convinced the prince to have the wood he needed brought down from Lebanon to the shore.
Here, however, a difficulty presented itself,—the harbour was filled with the piratical ships of the Cretan Tjakaray, who refused to allow Uenuamen to return to Egypt. They said, ‘Seize him; let no ship of his go unto the land of Egypt!’ “Then,” says Uenuamen in the papyrus, “I sat down and wept. The scribe of the prince came out unto me; he said unto me, ‘What ail-eth thee?’ I replied, ‘Seest thou not the birds which fly, which fly back unto Egypt? Look at them, they go unto the cool canal, and how long do I remain abandoned here? Seest thou not those who would prevent my return?’ He went away and spoke unto the prince, who began to weep at the words which were told unto him and which were so sad. He sent his scribe out unto me, who brought me two measures of wine and a deer. He sent me Tentnuet, an Egyptian singing-girl who was with him, saying unto her, ‘Sing unto him, that he may not grieve!’ He sent word unto me, ‘Eat, drink, and grieve not! To-morrow shalt thou hear all that I shall say.’ On the morrow he had the people of his harbour summoned, and he stood in the midst of them, and he said unto the Tjakaray, ‘What aileth you?’ They answered him, ‘We will pursue the piratical ships which thou sendest unto Egypt with our unhappy companions.’ He said unto them, ‘I cannot seize the ambassador of Amen in my land. Let me send him away and then do ye pursue after him to seize him!’ He sent me on board, and he sent me away... to the haven of the sea. The wind drove me upon the land of Alashiya. The people of the city came out in order to slay me. I was dragged by them to the place where Hatiba, the queen of the city, was. I met her as she was going out of one of her houses into the other. I greeted her and said unto the people who stood by her, ‘Is there not one among you who understandeth the speech of Egypt?’ One of them replied, ‘I understand it.’ I said unto him, ‘Say unto thy mistress: even as far as the city in which Amen dwelleth (i. e. Thebes) have I heard the proverb, “In all cities is injustice done; only in Alashiya is justice to be found,” and now is injustice done here every day!’ She said, ‘What is it that thou sayest?’ I said unto her, ‘Since the sea raged and the wind drove me upon the land in which thou livest, therefore thou wilt not allow them to seize my body and to kill me, for verily I am an ambassador of Amen. Remember that I am one who will be sought for always. And if these men of the Prince of Byblos whom they seek to kill (are killed), verily if their chief finds ten men of thine, will he not kill them also?’ She summoned the men, and they were brought before her. She said unto me, ‘Lie down and sleep...’”
Here, however, a challenge came up—the harbor was crowded with the pirate ships of the Cretan Tjakaray, who wouldn’t let Uenuamen return to Egypt. They said, ‘Seize him; don’t let any of his ships go to Egypt!’ “Then,” Uenuamen writes in the papyrus, “I sat down and cried. The prince’s scribe came out to me; he asked, ‘What’s wrong?’ I replied, ‘Don’t you see the birds flying back to Egypt? Look at them, they’re heading to the cool canal, and how long will I be left abandoned here? Don’t you see those who want to stop my return?’ He went away and spoke to the prince, who began to weep at the sad news he received. He sent his scribe to me, who brought me two jars of wine and a deer. He sent me Tentnuet, an Egyptian singer who was with him, telling her, ‘Sing to him, so he won’t be sad!’ He sent word to me, ‘Eat, drink, and don’t grieve! Tomorrow you will hear all that I will say.’ The next day, he called his harbor people together, and he stood among them, saying to the Tjakaray, ‘What’s wrong with you?’ They answered, ‘We will pursue the pirate ships you send to Egypt with our unfortunate companions.’ He said to them, ‘I cannot seize the ambassador of Amen here. Let me send him away, and then you can go after him to capture him!’ He put me on board and sent me away... to the sea harbor. The wind drove me onto the land of Alashiya. The people of the city came out to kill me. I was dragged to the place where Hatiba, the queen of the city, was. I met her as she was moving from one of her houses to another. I greeted her and said to the people standing by her, ‘Is there anyone among you who understands the speech of Egypt?’ One of them replied, ‘I understand it.’ I said to him, ‘Tell your mistress: as far as the city where Amen dwells (i.e. Thebes), I have heard the saying, “In all cities, injustice occurs; only in Alashiya is justice found,” and now injustice happens here every day!’ She asked, ‘What are you saying?’ I said to her, ‘Since the sea raged and the wind brought me to the land where you live, you will not let them capture my body and kill me, because I am truly an ambassador of Amen. Remember, I am someone who will always be sought after. And if these men from the Prince of Byblos whom they want to kill are killed, if their leader finds ten men of yours, won’t he kill them too?’ She called the men, and they were brought before her. She said to me, ‘Lie down and sleep...’”
At this point the papyrus breaks off, and we do not know how Uenuamen returned to Egypt with his wood. The description of his casting-away and landing on Alashiya is quite Homeric, and gives a vivid picture of the manners of the time. The natural impulse of the islanders is to kill the strange castaway, and only the fear of revenge and of the wrath of a distant foreign deity restrains them. Alashiya is probably Cyprus, which also bore the name Yantinay from the time of Thothmes III until the seventh century, when it is called Yatnan by the Assyrians. A king of Alashiya corresponded with Amenhetep III in cuneiform on terms of perfect equality, three hundred years before: “Brother,” he writes, “should the small amount of the copper which I have sent thee be displeasing unto thy heart, it is because in my land the hand of Nergal my lord slew all the men of my land (i.e. they died of the plague), and there was no working of copper; and this was, my brother, not pleasing unto thy heart. Thy messenger with my messenger swiftly will I send, and whatsoever amount of copper thou hast asked for, O my brother, I, even I, will send it unto thee.” The mention by Herhor’s envoy of Nesibinebdad (Smendes), the King of Tanis, a powerful ruler who in reality constantly threatened the existence of the priestly monarchy at Thebes, as “him to whom Amen has committed the wardship of his North-land,” is distinctly amusing. The hard fact of the independence of Lower Egypt had to be glozed somehow.
At this point, the papyrus stops, and we don’t know how Uenuamen made it back to Egypt with his wood. His journey of being cast away and landing in Alashiya has a distinctly epic feel to it and paints a vivid picture of the customs of the time. The islanders’ instinct is to kill the strange newcomer, but they are held back only by the fear of retaliation and the anger of a distant foreign deity. Alashiya is likely Cyprus, which was also known as Yantinay from the time of Thothmes III until the seventh century, when the Assyrians referred to it as Yatnan. A king of Alashiya communicated with Amenhetep III in cuneiform language as equals three hundred years earlier: “Brother,” he writes, “if the small amount of copper I've sent you is unsatisfactory to you, it’s because in my land the hand of Nergal, my lord, killed all the men there (in other words, they died from a plague), and there was no copper production; this, my brother, is not pleasing to you. I will quickly send your messenger back with my messenger, and whatever amount of copper you requested, I will, indeed, send it to you.” The reference by Herhor’s envoy to Nesibinebdad (Smendes), the king of Tanis, a powerful ruler who always posed a threat to the priestly monarchy in Thebes, as “the one to whom Amen has entrusted the protection of his North-land” is particularly amusing. The stark reality of Lower Egypt’s independence had to be dressed up somehow.
The days of Theban power were coming to an end and only the prestige of the god Amen remained strong for two hundred years more. But the alliance of Amen and his priests with a band of predatory and destroying foreign conquerors, the Ethiopians (whose rulers were the descendants of the priest-kings, who retired to Napata on the succession of the powerful Bubastite dynasty of Shishak to that of Tanis, abandoning Thebes to the Northerners), did much to destroy the prestige of Amen and of everything connected with him. An Ethiopian victory meant only an Assyrian reconquest, and between them Ethiopians and Assyrians had well-nigh ruined Egypt. In the Saïte period Thebes had declined greatly in power as well as in influence, and all its traditions were anathema to the leading people of the time, although not of course in Akhunaten’s sense.
The days of Theban power were coming to an end, and only the prestige of the god Amen remained strong for another two hundred years. However, the alliance between Amen and his priests with a group of ruthless foreign conquerors, the Ethiopians (whose rulers were descendants of the priest-kings who moved to Napata when the powerful Bubastite dynasty of Shishak took over from that of Tanis, leaving Thebes to the Northerners), greatly damaged the prestige of Amen and everything associated with him. An Ethiopian victory only led to Assyrian reconquest, and together, the Ethiopians and Assyrians nearly destroyed Egypt. During the Saïte period, Thebes significantly declined in power and influence, and all its traditions were rejected by the leading people of that time, although not in Akhunaten’s sense.
With the Saïte period we seem almost to have retraced our steps and to have reentered the age of the Pyramid Builders. All the pomp and glory of Thothmes, Amenhetep, and Ramses were gone. The days of imperial Egypt were over, and the minds of men, sickened of foreign war, turned for peace and quietness to the simpler ideals of the IVth and Vth Dynasties. We have already seen that an archaistic revival of the styles of the early dynasties is characteristic of this late period, and that men were buried at Sakkâra and at Thebes in tombs which recall in form and decoration those of the courtiers of the Pyramid Builders. Everywhere we see this fashion of archaism. A Theban noble of this period named Aba was buried at Thebes. Long ago, nearly three thousand years before, under the VIth Dynasty, there had lived a great noble of the same name, who was buried in a rock-tomb at Dêr el-Gebrâwî, in Middle Egypt. This tomb was open and known in the days of the second Aba, who caused to be copied and reproduced in his tomb in the Asasîf at Thebes most of the scenes from the bas-relief with which it had been decorated. The tomb of the VIth Dynasty Aba has lately been copied for the Archaeological Survey of Egypt (Egypt Exploration Fund) by Mr. de Garis Davies, who has found the reliefs of the XXVIth Dynasty Aba of considerable use to him in reconstituting destroyed portions of their ancient originals.
With the Saïte period, it feels like we've almost gone back in time to the era of the Pyramid Builders. All the grandeur of Thothmes, Amenhetep, and Ramses had faded away. The era of imperial Egypt was finished, and people, tired of constant wars, looked for peace and simplicity, turning back to the ideals of the IVth and Vth Dynasties. We've already noticed that this late period is marked by a revival of styles from the early dynasties, with people being buried at Sakkâra and Thebes in tombs that resemble in form and decoration those of the Pyramid Builders' courtiers. This trend of archaism is everywhere. A Theban noble from this time named Aba was buried in Thebes. Long before, nearly three thousand years ago during the VIth Dynasty, there had been a prominent noble with the same name, who was buried in a rock-tomb at Dêr el-Gebrâwî in Middle Egypt. This tomb was known and accessible during the time of the second Aba, who had the scenes from the bas-reliefs that decorated it copied and reproduced in his own tomb in the Asasîf at Thebes. The tomb of the VIth Dynasty Aba has recently been documented for the Archaeological Survey of Egypt (Egypt Exploration Fund) by Mr. de Garis Davies, who found the reliefs from the XXVIth Dynasty Aba quite helpful in reconstructing the lost sections of the original tombs.
During late years important discoveries of objects of this era have been few. One of the most noteworthy is that of a contemporary inscription describing the battle of Momemphis, which is mentioned by Herodotus (ii, 163, 169). We now have the official account of this battle, and know that it took place in the third year of the reign of Amasis—not before he became king. This was the fight in which the unpatriotic king, Apries, who had paid for his partiality for the Greeks of Nau-kratis with the loss of his throne, was finally defeated. As we see from this inscription, he was probably murdered by the country people during his flight.
In recent years, there have been few important discoveries from this era. One notable finding is a contemporary inscription that describes the battle of Momemphis, which is referenced by Herodotus (ii, 163, 169). We now have the official account of this battle and know it occurred in the third year of Amasis’s reign—not before he became king. This was the battle in which the traitorous king, Apries, who had lost his throne due to his favoritism towards the Greeks of Naukratis, was ultimately defeated. As indicated by this inscription, he was likely killed by the locals during his escape.
The following are the most important passages of the inscription: “His Majesty (Amasis) was in the Festival-Hall, discussing plans for his whole land, when one came to say unto him, ‘Hââ-ab-Râ (Apries) is rowing up; he hath gone on board the ships which have crossed over. Haunebu (Greeks), one knows not their number, are traversing the North-land, which is as if it had no master to rule it; he (Apries) hath summoned them, they are coming round him. It is he who hath arranged their settlement in the Peh-ân (the An-dropolite name); they infest the whole breadth of Egypt, those who are on thy waters fly before them!’... His Majesty mounted his chariot, having taken lance and bow in his hand... (the enemy) reached Andropolis; the soldiers sang with joy on the roads... they did their duty in destroying the enemy. His Majesty fought like a lion; he made victims among them, one knows not how many. The ships and their warriors were overturned, they saw the depths as do the fishes. Like a flame he extended, making a feast of fighting. His heart rejoiced.... The third year, the 8th Athyr, one came to tell Majesty: ‘Let their vile-ness be ended! They throng the roads, there are thousands there ravaging the land; they fill every road. Those who are in ships bear thy terror in their hearts. But it is not yet finished.’ Said his Majesty unto his soldiers: ‘...Young men and old men, do this in the cities and nomes!’... Going upon every road, let not a day pass without fighting their galleys!’... The land was traversed as by the blast of a tempest, destroying their ships, which were abandoned by the crews. The people accomplished their fate, killing the prince (Apries) on his couch, when he had gone to repose in his cabin. When he saw his friend overthrown... his Majesty himself buried him (Apries), in order to establish him as a king possessing virtue, for his Majesty decreed that the hatred of the gods should be removed from him.”
The following are the most important parts of the inscription: “His Majesty (Amasis) was in the Festival Hall, discussing plans for his entire realm, when someone came to tell him, ‘Hââ-ab-Râ (Apries) is rowing up; he has boarded the ships that have crossed over. Haunebu (Greeks), whose number is unknown, are moving through the North land, as if it has no one to rule it; he (Apries) has called them, and they are gathering around him. He is the one who has arranged their settlement in the Peh-ân (the An-dropolite name); they infest all of Egypt, and those on your waters are fleeing before them!’... His Majesty got into his chariot, taking his lance and bow... (the enemy) reached Andropolis; the soldiers sang with joy on the roads... they fulfilled their duty in destroying the enemy. His Majesty fought like a lion; he made countless victims among them. The ships and their warriors were overturned; they saw the depths like fish do. Like a flame, he spread out, reveling in battle. His heart rejoiced.... In the third year, on the 8th of Athyr, someone came to tell His Majesty: ‘Let their wickedness come to an end! They swarm the roads; there are thousands ravaging the land; they fill every path. Those in ships carry your terror in their hearts. But it is not over yet.’ His Majesty said to his soldiers: ‘...Young men and old men, do this in the cities and provinces!’... Going down every road, let not a day go by without fighting their ships!’... The land was swept like a storm, destroying their ships, which were abandoned by the crews. The people fulfilled their fate, killing the prince (Apries) on his couch, when he had gone to rest in his cabin. When he saw his friend overthrown... His Majesty himself buried him (Apries), to establish him as a king of virtue, for His Majesty decreed that the gods' hatred should be lifted from him.”
This is the event to which we have already referred in a preceding chapter, as proving the great amelioration of Egyptian ideas with regard to the treatment of a conquered enemy, as compared with those of other ancient nations. Amasis refers to the deposed monarch as his “friend,” and buries him in a manner befitting a king at the charges of Amasis himself. This act warded off from the spirit of Apries the just anger of the gods at his partiality for the “foreign devils,” and ensured his reception by Osiris as a king neb menkh, “possessing virtues.”
This is the event we mentioned earlier in a previous chapter, highlighting the significant improvement in Egyptian attitudes toward the treatment of a conquered enemy compared to other ancient nations. Amasis calls the deposed king his “friend” and buries him in a way that befits a king, covering the costs himself. This act spared Apries from the rightful anger of the gods for favoring the “foreign devils” and guaranteed his acceptance by Osiris as a king neb menkh, “possessing virtues.”
The town of Naukratis, where Apries established himself, had been granted to the Greek traders by Psametik I a century or more before. Mr. D. G. Hogarth’s recent exploration of the site has led to a considerable modification of our first ideas of the place, which were obtained from Prof. Petrie ‘s excavations. Prof. Petrie was the discoverer of Naukratis, and his diggings told us what Naukratis was like in the first instance, but Mr. Hogarth has shown that several of his identifications were erroneous and that the map of the place must be redrawn. The chief error was in the placing of the Hellenion (the great meeting-place of the Greeks), which is now known to be in quite a different position from that assigned to it by Prof. Petrie. The “Great Temenos” of Prof. Petrie has now been shown to be non-existent. Mr. Hogarth has also pointed out that an old Egyptian town existed at Nau-kratis long before the Greeks came there. This town is mentioned on a very interesting stele of black basalt (discovered at Tell Gaif, the site of Naukratis, and now in the Cairo Museum), under the name of “Permerti, which is called Nukrate.” The first is the old Egyptian name, the second the Greek name adapted to Egyptian hieroglyphs. The stele was erected by Tekhtnebf, the last native king of Egypt, to commemorate his gifts to the temples of Neïth on the occasion of his accession at Sais. It is beautifully cut, and the inscription is written in a curious manner, with alphabetic spellings instead of ideographs, and ideographs instead of alphabetic spellings, which savours fully of the affectation of the learned pedant who drafted it; for now, of course, in the fourth century before Christ, nobody but a priestly antiquarian could read hieroglyphics. Demotic was the only writing for practical purposes.
The town of Naukratis, where Apries set up his base, was given to the Greek traders by Psametik I over a century ago. Mr. D. G. Hogarth’s recent exploration of the site has significantly changed our earlier understanding of the place, which was initially derived from Prof. Petrie’s excavations. Prof. Petrie discovered Naukratis, and his digs provided an early picture of the town, but Mr. Hogarth has shown that several of his identifications were incorrect and that the map needs to be redrawn. The main mistake was in locating the Hellenion (the main gathering place of the Greeks), which is now known to be in a completely different spot than what Prof. Petrie indicated. The “Great Temenos” proposed by Prof. Petrie has now been shown to not exist. Mr. Hogarth also noted that an ancient Egyptian town existed at Naukratis long before the Greeks arrived. This town is referenced on a fascinating stele of black basalt (discovered at Tell Gaif, the site of Naukratis, and now in the Cairo Museum), known as “Permerti, which is called Nukrate.” The first name is the original Egyptian name, and the second is the Greek name adapted to Egyptian hieroglyphs. The stele was erected by Tekhtnebf, the last native king of Egypt, to commemorate his gifts to the temples of Neïth at the time of his accession at Sais. It is beautifully carved, and the inscription is written in a peculiar style, using alphabetic spellings instead of ideographs, and ideographs instead of alphabetic spellings, reflecting the pretentiousness of the learned scholar who drafted it; since, of course, in the fourth century before Christ, only a priestly scholar could read hieroglyphics. Demotic was the only writing used for practical purposes.
We see this fact well illustrated in the inscriptions of the Ptolemaïc temples. The accession of the Ptolemies marked a great increase in the material wealth of Egypt, and foreign conquest again came in fashion. Ptolemy Euergetes marched into Asia in the grand style of a Ramses and brought back the images of gods which had been carried off by Esarhaddon or Nebuchadnezzar II centuries before. He was received on his return to Egypt with acclamations as a true successor of the Pharaohs. The imperial spirit was again in vogue, and the archaistic simplicity and independence of the Saïtes gave place to an archaistic imperialism, the first-fruits of which were the repair and building of temples in the great Pharaonic style. On these we see the Ptolemies masquerading as Pharaohs, and the climax of absurdity is reached when Ptolemy Auletes (the Piper) is seen striking down Asiatic enemies in the manner of Amen-hetep or Ramses! This scene is directly copied from a Ramesside temple, and we find imitations of reliefs of Ramses II so slavish that the name of the earlier king is actually copied, as well as the relief, and appears above the figure of a Ptolemy. The names of the nations who were conquered by Thothmes III are repeated on Ptolemaic sculptures to do duty for the conquered of Euergetes, with all sorts of mistakes in spelling, naturally, and also with later interpolations. Such an inscription is that in the temple of Kom Ombo, which Prof. Say ce has held to contain the names of “Caphtor and Casluhim” and to prove the knowledge of the latter name in the fourteenth century before Christ. The name of Caphtor is the old Egyptian Keftiu (Crete); that of Casluhim is unknown in real Old Egyptian inscriptions, and in this Ptolemaic list at Kom Ombo it may be quite a late interpolation in the lists, perhaps no older than the Persian period, since we find the names of Parsa (Persia) and Susa, which were certainly unknown to Thothmes III, included in it. We see generally from the Ptolemaic inscriptions that nobody could read them but a few priests, who often made mistakes. One of the most serious was the identification of Keftiu with Phoenicia in the Stele of Canopus. This misled modern archaeologists down to the time of Dr. Evans’s discoveries at Knossos, though how these utterly un-Semitic looking Keftiu could have been Phoenicians was a puzzle to everybody. We now know, of course, that they were Mycenaean or Minoan Cretans, and that the Ptolemaic antiquaries made a mistake in identifying the land of Keftiu with Phoenicia.
We see this clearly shown in the inscriptions of the Ptolemaic temples. The rise of the Ptolemies brought a significant boost to the material wealth of Egypt, and foreign conquests became popular again. Ptolemy Euergetes marched into Asia in a grand style reminiscent of Ramses and brought back the statues of gods that had been taken by Esarhaddon or Nebuchadnezzar II centuries earlier. He was welcomed back to Egypt with cheers, celebrated as a true successor to the Pharaohs. The imperial spirit was back in style, and the straightforward simplicity and independence of the Saïtes were replaced by a more grandiose imperialism. The initial fruits of this were the restoration and construction of temples in the grand Pharaonic style. In these, we see the Ptolemies pretending to be Pharaohs, and the height of absurdity is reached when Ptolemy Auletes (the Piper) is depicted defeating Asian enemies just like Amenhotep or Ramses! This scene is directly copied from a Ramesside temple, and there are imitations of reliefs from Ramses II that are so slavish that the name of the earlier king is literally copied and appears above the figure of a Ptolemy. The names of the nations conquered by Thutmose III are repeated in Ptolemaic sculptures to stand in for those defeated by Euergetes, complete with all sorts of spelling mistakes and later additions. One such inscription is found in the temple of Kom Ombo, which Prof. Sayce argued contains the names of “Caphtor and Casluhim” and demonstrates the familiarity with the latter name in the fourteenth century BCE. The name Caphtor is the old Egyptian Keftiu (Crete); Casluhim is not found in any genuine Old Egyptian inscriptions, and in this Ptolemaic list at Kom Ombo, it might be a late addition, possibly no older than the Persian period, since the names Parsa (Persia) and Susa, which were certainly unknown to Thutmose III, are included as well. Generally, we see from the Ptolemaic inscriptions that very few people could actually read them, mostly just a handful of priests, who often made errors. One of the biggest mistakes was identifying Keftiu with Phoenicia in the Stele of Canopus. This misled modern archaeologists until Dr. Evans's discoveries at Knossos, even though the idea that these clearly non-Semitic Keftiu could have been Phoenicians puzzled everyone. We now understand, of course, that they were Mycenaean or Minoan Cretans and that the Ptolemaic scholars mistakenly identified the land of Keftiu with Phoenicia.
We must not, however, say too much in dispraise of the Ptolemaic Egyptians and their works. We have to be grateful to them indeed for the building of the temples of Edfu and Dendera, which, owing to their later date, are still in good preservation, while the best preserved of the old Pharaonic fanes, such as Medinet Habû, have suffered considerably from the ravages of time. Eor these temples show us to-day what an old Egyptian temple, when perfect, really looked like. They are, so to speak, perfect mummies of temples, while of the old buildings we have nothing but the disjointed and damaged skeletons.
We shouldn't be too harsh in criticizing the Ptolemaic Egyptians and their achievements. We should actually be thankful for the construction of the temples at Edfu and Dendera, which, because they were built later, are still well-preserved. In contrast, the best-preserved ancient Pharaonic temples, like Medinet Habû, have been significantly affected by the passage of time. These temples give us a clear picture of what an ancient Egyptian temple looked like when it was intact. They are, in a way, perfect mummies of temples, while the remains of the older structures are just fragmented and damaged skeletons.
A good deal of repairing has been done to these buildings, especially to that at Edfu, of late years. But the main archaeological interest of Ptolemaic and Roman times has been found in the field of epigraphy and the study of papyri, with which the names of Messrs. Kenyon, Grenfell, and Hunt are chiefly connected. The treasures which have lately been obtained by the British Museum in the shape of the manuscripts of Aristotle’s “Constitution of Athens,” the lost poems of Bacchylides, and the Mimes of Herondas, all of which have been published for the trustees of that institution by Mr. Kenyon, are known to those who are interested in these subjects. The long series of publications of Messrs. Grenfell and Hunt, issued at the expense of the Egypt Exploration Fund (Graeco-Roman branch), with the exception of the volume of discoveries at Teb-tunis, which was issued by the University of California, is also well known.
A lot of repairs have been made to these buildings, especially the one in Edfu, in recent years. However, the main archaeological interest from the Ptolemaic and Roman periods has been in the field of epigraphy and the study of papyri, primarily associated with Messrs. Kenyon, Grenfell, and Hunt. The treasures recently acquired by the British Museum, such as the manuscripts of Aristotle’s “Constitution of Athens,” the lost poems of Bacchylides, and the Mimes of Herondas, which have all been published for the museum's trustees by Mr. Kenyon, are well-known to those interested in these topics. The extensive series of publications by Messrs. Grenfell and Hunt, funded by the Egypt Exploration Fund (Graeco-Roman branch), excluding the volume of discoveries at Teb-tunis published by the University of California, is also well recognized.
The two places with which Messrs. Grenfell and Hunt’s work has been chiefly connected are the Fayyûm and Behnesâ, the site of the ancient Permje or Oxyr-rhynchus. The lake-province of the Fayyûm, which attained such prominence in the days of the XIIth Dynasty, seems to have had little or no history during the whole period of the New Empire, but in Ptolemaic times it revived and again became one of the richest and most important provinces of Egypt. The town of Arsinoë was founded at Crocodilopolis, where are now the mounds of Kom el-Fâris (The Mound of the Horseman), near Medinet el-Payyum, and became the capital of the province. At Illahûn, just outside the entrance to the Fayyûm, was the great Nile harbour and entrepôt of the lake-district, called Ptolemaïs Hormos.
The two places mainly associated with the work of Messrs. Grenfell and Hunt are the Fayyûm and Behnesâ, the location of the ancient Permje or Oxyrhynchus. The lake-province of the Fayyûm, which was prominent during the 12th Dynasty, seems to have had little to no history during the entire period of the New Empire, but in Ptolemaic times, it revived and once again became one of the richest and most important provinces of Egypt. The town of Arsinoë was established at Crocodilopolis, where the mounds of Kom el-Fâris (The Mound of the Horseman) are now located, near Medinet el-Payyum, and it became the capital of the province. At Illahûn, just outside the entrance to the Fayyûm, was the major Nile harbor and trading post of the lake district, called Ptolemaïs Hormos.
The explorations of Messrs. Hogarth, Grenfell, and Hunt in the years of 1895-6 and 1898-9 resulted in the identification of the sites of the ancient cities of Karanis (Kom Ushîm), Bacchias (Omm el-’Atl), Euhemeria (Kasr el-Banât), Theadelphia (Harît), and Philoteris (Wadfa). The work for the University of California in 18991900 at Umm el-Baragat showed that this place was Tebtunis. Dime, on the northern coast of the Birket Karûn, the modern representative of the ancient Lake Moeris, is now known to be the ancient Sokno-paiou Nesos (the Isle of Soknopaios), a local form of Sebek, the crocodile-god of the Fayyûm. At Karanis this god was worshipped under the name of Petesuchos (“He whom Sebek has given”), in conjunction with Osiris Pnepherôs (P-nefer-ho, “the beautiful of face”); at Tebtunis he became Seknebtunis., i.e. Sebek-neb-Teb-tunis (Sebek, lord of Tebtunis). This is a typical example of the portmanteau pronunciations of the latter-day Egyptians.
The explorations by Hogarth, Grenfell, and Hunt in the years 1895-96 and 1898-99 led to the discovery of the locations of the ancient cities of Karanis (Kom Ushîm), Bacchias (Omm el-’Atl), Euhemeria (Kasr el-Banât), Theadelphia (Harît), and Philoteris (Wadfa). The work for the University of California in 1899-1900 at Umm el-Baragat revealed that this site was Tebtunis. Dime, located on the northern shore of the Birket Karûn, which is the modern equivalent of the ancient Lake Moeris, is now recognized as the ancient Sokno-paiou Nesos (the Isle of Soknopaios), a local representation of Sebek, the crocodile god of the Fayyûm. In Karanis, this god was worshipped as Petesuchos (“He whom Sebek has given”), alongside Osiris Pnepherôs (P-nefer-ho, “the beautiful of face”); in Tebtunis, he was referred to as Seknebtunis, meaning Sebek-neb-Teb-tunis (Sebek, lord of Tebtunis). This is a typical example of the blended pronunciations of later Egyptians.
Many very interesting discoveries were made during the course of the excavations of these places (besides Mr. Hogarth’s find of the temple of Petesuchos and Pnepherôs at Karanis), consisting of Roman pottery of varied form and Roman agricultural implements, including a perfect plough.[1] The main interest of all, however, lies, both here and at Behnesâ, in the papyri. They consist of Greek and Latin documents of all ages from the early Ptolemaic to the Christian. In fact, Messrs. Grenfell and Hunt have been unearthing and sifting the contents of the waste-paper baskets of the ancient Ptolemaic and Roman Egyptians, which had been thrown out on to dust-heaps near the towns. Nothing perishes in,, the dry climate and soil of Egypt, so the contents of the ancient dust-heaps have been preserved intact until our own day, and have been found by Messrs. Grenfell and Hunt, just as the contents of the houses of the ancient Indian rulers of Chinese Turkestan, at Niya and Khotan, with their store of Kha-roshthi documents, have been preserved intact in the dry Tibetan desert climate and have been found by Dr. Stein.[2] There is much analogy between the discoveries of Messrs. Grenfell and Hunt in Egypt and those of Dr. Stein in Turkestan.
Many interesting discoveries were made during the excavations at these sites (besides Mr. Hogarth’s discovery of the temple of Petesuchos and Pnepherôs at Karanis), including Roman pottery of various shapes and Roman farming tools, featuring a perfectly intact plough.[1] The main point of interest, however, at both this site and Behnesâ, is the papyri. They include Greek and Latin documents from all periods, ranging from the early Ptolemaic era to the Christian period. In fact, Messrs. Grenfell and Hunt have been digging up and sifting through the contents of the waste-paper bins of the ancient Ptolemaic and Roman Egyptians, which were discarded onto garbage piles near the towns. Nothing decays in the dry climate and soil of Egypt, so the ancient refuse has been preserved perfectly until today, and was uncovered by Messrs. Grenfell and Hunt, much like how the contents of the homes of ancient Indian rulers in Chinese Turkestan, at Niya and Khotan, with their collection of Kha-roshthi documents, have been preserved in the dry Tibetan desert climate and discovered by Dr. Stein.[2] There is a strong similarity between the findings of Messrs. Grenfell and Hunt in Egypt and those of Dr. Stein in Turkestan.
[1] Illustrated on Plate IX of Fayûm Towns and Their Papyri.
[1] Shown on Plate IX of Fayûm Towns and Their Papyri.
[2] See Dr. Stein’s Sand-buried Ruins of Khotan, London, 1903.
[2] See Dr. Stein’s Sand-buried Ruins of Khotan, London, 1903.
The Græco-Egyptian documents are of all kinds, consisting of letters, lists, deeds, notices, tax-assessments, receipts, accounts, and business records of every sort and kind, besides new fragments of classical authors and the important “Sayings of Jesus,” discovered at Behnesâ, which have been published in a special popular form by the Egypt Exploration Fund.[3]
The Græco-Egyptian documents come in various forms, including letters, lists, deeds, notices, tax assessments, receipts, accounts, and all types of business records, along with new fragments from classical authors and the significant “Sayings of Jesus,” found in Behnesâ, which have been released in a special accessible format by the Egypt Exploration Fund.[3]
[3] * Aoyla ‘Itjffov, 1897, and New Sayings of Jesus, 1904.
[3] * Aoyla ‘Itjffov, 1897, and New Sayings of Jesus, 1904.
These last fragments of the oldest Christian literature, which are of such great importance and interest to all Christians, cannot be described or discussed here. The other documents are no less important to the student of ancient literature, the historian, and the sociologist. The classical fragments include many texts of lost authors, including Menander. We will give a few specimens of the private letters and documents, which will show how extremely modern the ancient Egyptians were, and how little difference there actually is between our civilization and theirs, except in the-matter of mechanical invention. They had no locomotives and telephones; otherwise they were the same. We resemble them much more than we resemble our mediaeval ancestors or even the Elizabethans.
These final pieces of the oldest Christian writings, which are very important and interesting to all Christians, can't be described or talked about here. The other documents are equally significant for students of ancient literature, historians, and sociologists. The classical fragments include many texts from lost authors, like Menander. We’ll provide a few examples of private letters and documents that will illustrate just how modern the ancient Egyptians were, and how little difference there is between our civilization and theirs, aside from advancements in mechanical invention. They didn’t have trains or telephones; otherwise, they were quite similar to us. We are much more like them than we are like our medieval ancestors or even the people from the Elizabethan era.
This is a boy’s letter to his father, who would not take him up to town with him to see the sights: “Theon to his father Theon, greeting. It was a fine thing of you not to take me with you to the city! If you won’t take me with you to Alexandria, I won’t write you a letter, or speak to you, or say good-bye to you; and if you go to Alexandria I won’t take your hand or ever greet you again. That is what will happen if you won’t take me. Mother said to Archelaus, ‘It quite upsets him to be left behind.’ It was good of you to send me presents on the 12th, the day you sailed. Send me a lyre, I implore you. If you don’t, I won’t eat, I won’t drink: there now!’” Is not this more like the letter of a spoiled child of to-day than are the solemnly dutiful epistles of even our grandfathers and grandmothers when young? The touch about “Mother said to Archelaus, ‘It quite upsets him to be left behind’” is delightfully like the modern small boy, and the final request and threat are also eminently characteristic.
This is a boy’s letter to his father, who wouldn’t take him to the city to see the sights: “Theon to his dad Theon, hi! It was really nice of you not to take me with you to the city! If you won’t take me with you to Alexandria, I won’t write you a letter, or talk to you, or say goodbye to you; and if you go to Alexandria, I won’t hold your hand or ever greet you again. That’s what will happen if you don’t take me. Mom told Archelaus, ‘It really upsets him to be left behind.’ It was generous of you to send me gifts on the 12th, the day you left. Please send me a lyre, I’m begging you. If you don’t, I won’t eat, I won’t drink: there you go!” Isn’t this more like the letter of a spoiled child today than the seriously dutiful letters of even our grandparents when they were young? The part about “Mom told Archelaus, ‘It really upsets him to be left behind’” is so much like a modern little boy, and the final request and threat are also really typical.
Here is a letter asking somebody to redeem the writer’s property from the pawnshop: “Now please redeem my property from Sarapion. It is pledged for two minas. I have paid the interest up to the month Epeiph, at the rate of a stater per mina. There is a casket of incense-wood, and another of onyx, a tunic, a white veil with a real purple border, a handkerchief, a tunic with a Laconian stripe, a garment of purple linen, two armlets, a necklace, a coverlet, a figure of Aphrodite, a cup, a big tin flask, and a wine-jar. From Onetor get the two bracelets. They have been pledged since the month Tybi of last year for eight... at the rate of a stater per mina. If the cash is insufficient owing to the carelessness of Theagenis, if, I say, it is insufficient, sell the bracelets and make up the money.” Here is an affectionate letter of invitation: “Greeting, my dear Serenia, from Petosiris. Be sure, dear, to come up on the 20th for the birthday festival of the god, and let me know whether you are coming by boat or by donkey, that we may send for you accordingly. Take care not to forget.”
Here is a letter asking someone to get the writer’s property back from the pawnshop: “Please redeem my property from Sarapion. It’s pledged for two minas. I’ve paid the interest up to the month of Epeiph, at the rate of a stater per mina. There’s a casket of incense wood, another of onyx, a tunic, a white veil with a real purple border, a handkerchief, a tunic with a Laconian stripe, a garment of purple linen, two armlets, a necklace, a coverlet, a figure of Aphrodite, a cup, a large tin flask, and a wine jar. From Onetor, get the two bracelets. They’ve been pledged since the month of Tybi last year for eight... at the rate of a stater per mina. If there’s not enough cash because of Theagenis’s carelessness, I say, if there’s not enough, sell the bracelets to make up the money.” Here is a warm letter of invitation: “Hello, my dear Serenia, from Petosiris. Please make sure to come on the 20th for the birthday festival of the god, and let me know whether you’re coming by boat or by donkey, so we can send for you accordingly. Don’t forget.”
Here is an advertisement of a gymnastic display:
Here is an ad for a gymnastics show:
“The assault-at-arms by the youths will take place to-morrow, the 24th. Tradition, no less than the distinguished character of the festival, requires that they should do their utmost in the gymnastic display. Two performances.” Signed by Dioskourides, magistrate of Oxyrrhynchus.
“The youth tournament will happen tomorrow, the 24th. Tradition, along with the prestigious nature of the festival, demands that they put forth their best effort in the athletic showcase. Two performances.” Signed by Dioskourides, magistrate of Oxyrrhynchus.
Here is a report from a public physician to a magistrate: “To Claudianus, the mayor, from Dionysos, public physician. I was to-day instructed by you, through Herakleides your assistant, to inspect the body of a man who had been found hanged, named Hierax, and to report to you my opinion of it. I therefore inspected the body in the presence of the aforesaid Herakleides at the house of Epagathus in the Broadway ward, and found it hanged by a noose, which fact I accordingly report.” Dated in the twelfth year of Marcus Aurelius (A.D. 173).
Here is a report from a public doctor to a magistrate: “To Claudianus, the mayor, from Dionysos, public doctor. Today, you instructed me, through your assistant Herakleides, to examine the body of a man named Hierax, who was found hanged, and to give you my opinion on it. I examined the body in the presence of Herakleides at the house of Epagathus in the Broadway ward and found that he was hanged by a noose, which I am reporting to you. Dated in the twelfth year of Marcus Aurelius (A.D. 173).”
The above translations are taken, slightly modified, from those in The Oxyrrhynchus Papyri, vol. i. The next specimen, a quaint letter, is translated from the text in Mr. Grenfell’s Greek Papyri (Oxford, 1896), p. 69: “To Noumen, police captain and mayor, from Pokas son of Onôs, unpaid policeman. I have been maltreated by Peadius the priest of the temple of Sebek in Crocodilopolis. On the first epagomenal day of the eleventh year, after having abused me about... in the aforesaid temple, the person complained against sprang upon me and in the presence of witnesses struck me many blows with a stick which he had. And as part of my body was not covered, he tore my shirt, and this fact I called upon the bystanders to bear witness to. Wherefore I request that if it seems proper you will write to Klearchos the headman to send him to you, in order that, if what I have written is true, I may obtain justice at your hands.”
The translations above are slightly updated versions of those in The Oxyrrhynchus Papyri, vol. i. The next example, an unusual letter, is translated from the text in Mr. Grenfell’s Greek Papyri (Oxford, 1896), p. 69: “To Noumen, police captain and mayor, from Pokas son of Onôs, unpaid policeman. I have been mistreated by Peadius, the priest of the temple of Sebek in Crocodilopolis. On the first epagomenal day of the eleventh year, after he insulted me about... in the said temple, the person I’m complaining about jumped on me and, in front of witnesses, hit me repeatedly with a stick he had. And since part of my body was exposed, he tore my shirt, which I called upon those nearby to witness. Therefore, I request that if it seems appropriate, you write to Klearchos the headman to send him to you, so that if what I’ve written is true, I can receive justice from you.”
A will of Hadrian’s reign, taken from the Oxyrrhynchus Papyri (i, p. 173), may also be of interest: “This is the last will and testament, made in the street (i.e. at a street notary’s stand), of Pekysis, son of Hermes and Didyme, an inhabitant of Oxyrrhynchus, being sane and in his right mind. So long as I live, I am to have powers over my property, to alter my will as I please. But if I die with this will unchanged, I devise my daughter Ammonous whose mother is Ptolema, if she survive me, but if not then her children, heir to my shares in the common house, court, and rooms situate in the Cretan ward. All the furniture, movables, and household stock and other property whatever that I shall leave, I bequeath to the mother of my children and my wife Ptolema, the freedwoman of Demetrius, son of Hermippus, with the condition that she shall have for her lifetime the right of using, dwelling in, and building in the said house, court, and rooms. If Ammonous should die without children and intestate, the share of the fixtures shall belong to her half-brother on the mother’s side, Anatas, if he survive, but if not, to... No one shall violate the terms of this my will under pain of paying to my daughter and heir Ammonous a fine of 1,000 drachmae and to the treasury an equal sum.” Here follow the signatures of testator and witnesses, who are described, as in a passport, one of them as follows: “I, Dionysios, son of Dionysios of the same city, witness the will of Pekysis. I am forty-six years of age, have a curl over my right temple, and this is my seal of Dionysoplaton.”
A will from Hadrian’s reign, taken from the Oxyrrhynchus Papyri (i, p. 173), might also be of interest: “This is the last will and testament, made on the street (meaning at a street notary’s stand), of Pekysis, son of Hermes and Didyme, a resident of Oxyrrhynchus, being sane and in my right mind. As long as I live, I have control over my property and can change my will as I wish. But if I die with this will unchanged, I leave my daughter Ammonous, whose mother is Ptolema, as the heir if she outlives me; if not, then her children will inherit my shares in the common house, courtyard, and rooms located in the Cretan ward. All the furniture, personal items, household supplies, and any other property I leave behind will go to the mother of my children and my wife Ptolema, the freedwoman of Demetrius, son of Hermippus, with the condition that she has the right to use, live in, and build upon the said house, courtyard, and rooms for her lifetime. If Ammonous dies without children and intestate, her share of the fixtures will belong to her half-brother on her mother’s side, Anatas, if he survives; if not, to... No one shall violate the terms of this will, under penalty of paying my daughter and heir Ammonous a fine of 1,000 drachmae and an equal amount to the treasury.” Here follow the signatures of the testator and witnesses, one described, similar to a passport, as: “I, Dionysios, son of Dionysios of the same city, witness the will of Pekysis. I am forty-six years old, have a curl over my right temple, and this is my seal of Dionysoplaton.”
During the Roman period, which we have now reached in our survey, the temple building of the Ptolemies was carried on with like energy. One of the best-known temples of the Roman period is that at Philse, which is known as the “Kiosk,” or “Pharaoh’s Bed.” Owing to the great picturesqueness of its situation, this small temple, which was built in the reign of Trajan, has been a favourite subject for the painters of the last fifty years, and next to the Pyramids, the Sphinx, and Karnak, it is probably the most widely known of all Egyptian buildings. Recently it has come very much to the front for an additional reason. Like all the other temples of Philse, it had been archæologically surveyed and cleared by Col. H. Gr. Lyons and Dr. Borchardt, but further work of a far-reaching character was rendered necessary by the building of the great Aswân dam, below the island of Philse, one of the results of which has been the partial submergence of the island and its temples, including the picturesque Kiosk. The following account, taken from the new edition (1906) of Murray’s Guide to Egypt and the Sudan, will suffice better than any other description to explain what the dam is, how it has affected Philse, and what work has been done to obviate the possibility of serious damage to the Kiosk and other buildings.
During the Roman period, which we’re now examining, the temple construction of the Ptolemies continued with the same vigor. One of the most famous temples from this time is the one at Philse, known as the “Kiosk” or “Pharaoh’s Bed.” Due to its stunning location, this small temple, built during Trajan's reign, has been a favorite subject for painters over the past fifty years, and after the Pyramids, the Sphinx, and Karnak, it is likely the most recognized of all Egyptian structures. Recently, it has gained even more attention for another reason. Like the other temples at Philse, it had been archaeologically surveyed and cleared by Col. H. Gr. Lyons and Dr. Borchardt. However, extensive work became necessary due to the construction of the massive Aswân dam below the island of Philse, which has led to the partial flooding of the island and its temples, including the picturesque Kiosk. The following account, taken from the new edition (1906) of Murray’s Guide to Egypt and the Sudan, will better explain what the dam is, how it has impacted Philse, and what measures have been taken to prevent significant damage to the Kiosk and other structures.
“In 1898 the Egyptian government signed a contract with Messrs. John Aird & Co. for the construction of the great reservoir and dam at Shellâl, which serves for the storage of water at the time of the flood Nile. The river is ‘held up’ here sixty-five feet above its old normal level. A great masonry dyke, 150 feet high in places, has been carried across the Bab el-Kebir of the First Cataract, and a canal and four locks, two hundred feet long and thirty feet wide, allow for the passage of traffic up and down the river.
“In 1898, the Egyptian government signed a contract with John Aird & Co. to build the large reservoir and dam at Shellâl, which stores water during the flooding of the Nile. The river is raised here sixty-five feet above its previous normal level. A huge masonry dyke, reaching heights of 150 feet in some areas, has been constructed across the Bab el-Kebir of the First Cataract, and a canal with four locks—each two hundred feet long and thirty feet wide—facilitates the movement of traffic up and down the river.”

Showing Water Rushing Through The Sluices
Showing Water Rushing Through the Sluices
The dam is 2,185 yards long and over ninety feet thick at the base; in places it rises one hundred feet above the bed of the river. It is built of the local red granite, and at each end the granite dam is built into the granite hillside. Seven hundred and eight thousand cubic yards of masonry were used. The sluices are 180 in number, and are arranged at four different levels. The sight of the great volume of water pouring through them is a very fine one. The Nile begins to rise in July, and at the end of November it is necessary to begin closing the sluice-gates to hold up the water. By the end of February the reservoir is usually filled and Philæ partially submerged, so that boats can sail in and out of the colonnades and Pharaoh’s Bed. By the beginning of July the water has been distributed, and it then falls to its normal level.
The dam is 2,185 yards long and over ninety feet thick at the base; in some places, it rises one hundred feet above the riverbed. It's made from local red granite, and at each end, the dam is built into the granite hillside. Seven hundred and eight thousand cubic yards of masonry were used. There are 180 sluices arranged at four different levels. Watching the massive volume of water pouring through them is an impressive sight. The Nile starts to rise in July, and by the end of November, it's necessary to start closing the sluice gates to hold back the water. By the end of February, the reservoir is typically full, and Philæ is partially submerged, allowing boats to sail in and out of the colonnades and Pharaoh’s Bed. By the start of July, the water has been distributed, and it then drops back to its normal level.
“It is of course regrettable that the engineers were unable to find another site for the dam, as it seemed inevitable that some damage would result to the temples of Philæ from their partial submergence. Korosko was proposed as a site, but was rejected for cogent reasons, and apparently Shellâl was the only possible place. Further, no serious person, who places the greatest good of the greatest number above considerations of the picturesque and the ‘interesting,’ will deny that if it is necessary to sacrifice Philæ to the good of the people of Egypt, Philæ must go. ‘Let the dead bury their dead.’ The concern of the rulers of Egypt must be with the living people of Egypt rather than with the dead bones of the past; and they would not be doing their duty did they for a moment allow artistic and archaeological considerations to outweigh in their minds the practical necessities of the country. This does not in the least imply that they do not owe a lesser duty to the monuments of Egypt, which are among the most precious relics of the past history of mankind. They do owe this lesser duty, and with regard to Philæ it has been conscientiously fulfilled. The whole temple, in order that its stability may be preserved under the stress of submersion, has been braced up and underpinned, under the superintendence of Mr. Ball, of the Survey Department, who has most efficiently carried out this important work, at a cost of £22,000.
It’s unfortunate that the engineers couldn’t find another location for the dam, as some damage to the temples of Philæ from their partial flooding seemed unavoidable. Korosko was suggested as a site but was dismissed for valid reasons, and Shellâl appeared to be the only viable option. Additionally, no serious individual who prioritizes the greatest good for the greatest number over aesthetic and ‘interesting’ considerations would deny that if you have to sacrifice Philæ for the benefit of the people of Egypt, then Philæ must be given up. ‘Let the dead bury their dead.’ The focus of Egypt’s leaders should be on the living populace rather than the remnants of the past; they wouldn’t be fulfilling their responsibilities if they let artistic and archaeological concerns overshadow the practical needs of the country. This doesn’t mean they don’t owe some duty to Egypt’s monuments, which are among the most valuable artifacts of human history. They do owe this lesser duty, and regarding Philæ, it has been responsibly addressed. The entire temple has been reinforced and supported to ensure its stability during submersion, supervised by Mr. Ball from the Survey Department, who has effectively managed this crucial task at a cost of £22,000.

Steel girders have been fixed across the island from quay to quay, and these have been surrounded by cement masonry, made water-tight by forcing in cement grout. Pharaoh’s Bed and the colonnade have been firmly underpinned in cement masonry, and there is little doubt that the actual stability of Philæ is now more certain than that of any other temple in Egypt. The only possible damage that can accrue to it is the partial discolouration of the lower courses of the stonework of Pharaoh’s Bed, etc., which already bear a distinct high-water mark. Some surface disintegration from the formation of salt crystals is perhaps inevitable here, but the effects of this can always be neutralized by careful washing, which it should be an important charge of the Antiquities Department to regularly carry out.”
Steel beams have been installed across the island from dock to dock, and they’ve been surrounded by cement masonry, made watertight by injecting cement grout. Pharaoh’s Bed and the colonnade have been securely supported with cement masonry, and there’s no doubt that the stability of Philæ is now more certain than that of any other temple in Egypt. The only potential damage that could happen is the partial discoloration of the lower layers of the stonework of Pharaoh’s Bed, which already show a noticeable high-water mark. Some surface degradation from the formation of salt crystals is probably unavoidable here, but its effects can always be mitigated through careful washing, which should be a key responsibility of the Antiquities Department to regularly manage.

This is entirely covered when the reservoir is full, and the palm-trees are farther submerged.
This is completely covered when the reservoir is full, and the palm trees are further submerged.
The photographs accompanying the present chapter show the dam, the Kiosk in process of conservation and underpinning (1902), and the shores of the island as they now appear in the month of November, with the water nearly up to the level of the quays. A view is also given of the island of Konosso, with its inscriptions, as it is now. The island is simply a huge granite boulder of the kind characteristic of the neighbourhood of Shellâl (Phila?) and Aswân.
The photos in this chapter show the dam, the kiosk being restored and supported (1902), and the island's shores as they look now in November, with the water almost reaching the quay level. There’s also a view of the island of Konosso, complete with its inscriptions, as it stands today. The island is just a massive granite boulder typical of the area around Shellâl (Phila?) and Aswân.
On the island of Elephantine, opposite Aswân, an interesting discovery has lately been made by Mr. Howard Carter. This is a remarkable well, which was supposed by the ancients to lie immediately on the tropic. It formed the basis of Eratosthenes’ calculations of the measurement of the earth. Important finds of documents written in Aramaic have also been made here; they show that there was on the island in Ptolemaic times a regular colony of Syrian merchants.
On the island of Elephantine, across from Aswân, an intriguing discovery has recently been made by Mr. Howard Carter. This is a significant well, which was believed by the ancients to be located directly on the tropic. It served as the foundation for Eratosthenes’ calculations for measuring the earth. Important finds of documents written in Aramaic have also been uncovered here; they demonstrate that there was a regular colony of Syrian merchants on the island during Ptolemaic times.
South of Aswân and Philse begins Nubia. The Nubian language, which is quite different from Arabic, is spoken by everybody on the island of Elephantine, and its various dialects are used as far south as Dongola, where Arabic again is generally spoken till we reach the land of the negroes, south of Khartum. In Ptolemaic and Roman days the Nubians were a powerful people, and the whole of Nubia and the modern North Sudan formed an independent kingdom, ruled by queens who bore the title or name of Candace. It was the eunuch of a Candace who was converted to Christianity as he was returning from a mission to Jerusalem to salute Jehovah. “Go and join thyself unto his chariot” was the command to Philip, and when the Ethiopian had heard the gospel from his lips he went on his way rejoicing. The capital of this Candace was at Meroë, the modern Bagarawiya, near Shendi. Here, and at Naga not far off, are the remains of the temples of the Can-daces, great buildings of semi-barbaric Egyptian style. For the civilization of the Nubians, such as it was, was of Egyptian origin. Ever since Egyptian rule had been extended southwards to Jebel Barkal, beyond Dongola, in the time of Amenhetep II, Egyptian culture had influenced the Nubians. Amenhetep III built a temple to Amen at Napatà, the capital of Nubia, which lay under the shadow of Mount Barkal; Akhunaten erected a sanctuary of the Sun-Disk there; and Ramses II also built there.
South of Aswân and Philse is Nubia. The Nubian language, which is quite different from Arabic, is spoken by everyone on Elephantine Island, and its various dialects are used as far south as Dongola, where Arabic is generally spoken again until we reach the territory of the black Africans, south of Khartum. During the Ptolemaic and Roman periods, the Nubians were a strong people, and all of Nubia and modern North Sudan formed an independent kingdom, ruled by queens who held the title of Candace. It was a eunuch of a Candace who converted to Christianity while returning from a mission to Jerusalem to honor Jehovah. “Go and join thyself unto his chariot” was the command to Philip, and when the Ethiopian heard the gospel from him, he went on his way rejoicing. The capital of this Candace was at Meroë, now called Bagarawiya, near Shendi. Here, and at Naga not far away, are the remains of the temples of the Candaces, impressive structures in a semi-barbaric Egyptian style. The civilization of the Nubians, as it was, had Egyptian roots. Ever since Egyptian rule extended southward to Jebel Barkal, past Dongola, during the time of Amenhetep II, Egyptian culture had impacted the Nubians. Amenhetep III built a temple to Amen at Napatà, the capital of Nubia, which lay under the shadow of Mount Barkal; Akhenaten erected a sanctuary for the Sun-Disk there; and Ramses II also constructed buildings in that area.

The place in fact was a sort of appanage of the priests of Amen at Thebes, and when the last priest-king evacuated Thebes, leaving it to the Bubastites of the XXIId Dynasty, it was to distant Napata that he retired. Here a priestly dynasty continued to reign until, two centuries later, the troubles and misfortunes of Egypt seemed to afford an opportunity for the reassertion of the exiled Theban power. Piankhi Mera-men returned to Egypt in triumph as its rightful sovereign, but his successors, Shabak, Shabatak, and Tirha-kah, had to contend constantly with the Assyrians. Finally ITrdamaneh, Tirhakah’s successor, returned to Nubia, leaving Egypt, in the decadence of the Assyrian might, free to lead a quiet existence under Psametik I and the succeeding monarchs of the XXVIth Dynasty. When Cambyses conquered Egypt he aspired to conquer Nubia also, but his army was routed and destroyed by the Napatan king, who tells us in an inscription how he defeated “the man Kambasauden,” who had attacked him. At Napata the Nubian monarchs, one of the greatest of whom in Ptolemaic times was Ergam-enes, a contemporary of Ptolemy Philopator, continued to reign. But the first Roman governor of Egypt, Ælius Gallus, destroyed Napata, and the Nubians removed their capital to Meroë, where the Candaces reigned.
The place was basically a sort of territory for the priests of Amen in Thebes, and when the last priest-king left Thebes, handing it over to the Bubastites of the 22nd Dynasty, he moved to the distant Napata. There, a priestly dynasty kept ruling until, two centuries later, the issues and misfortunes in Egypt created an opportunity for the exiled Theban power to regain influence. Piankhi Mera-men came back to Egypt in triumph as its rightful ruler, but his successors, Shabak, Shabatak, and Tirhakah, had to constantly fight against the Assyrians. Eventually, ITrdamaneh, Tirhakah’s successor, returned to Nubia, leaving Egypt, weakened by the Assyrian power, to live a peaceful existence under Psametik I and the following kings of the 26th Dynasty. When Cambyses conquered Egypt, he also wanted to take Nubia, but his army was defeated and destroyed by the Napatan king, who recorded in an inscription how he defeated “the man Kambasauden,” who had attacked him. In Napata, the Nubian kings continued to rule, one of the greatest among them during Ptolemaic times being Ergam-enes, who was a contemporary of Ptolemy Philopator. However, the first Roman governor of Egypt, Ælius Gallus, destroyed Napata, prompting the Nubians to move their capital to Meroë, where the Candaces ruled.
The monuments of this Nubian kingdom, the temples of Jebel Barkal, the pyramids of Nure close by, the pyramids of Bagarawiya, the temples of Wadi Ben Naga, Mesawwarat en-Naga, and Mesawwarat es-Sufra (“Mesawwarat” proper), were originally investigated by Cailliaud and afterwards by Lepsius. During the last few years they and the pyramids excavated by Dr. E. A. Wallis-Budge, of the British Museum, for the Sudan government, have been again explored. As the results of his work are not yet fully published, it is possible at present only to quote the following description from Cook’s Handbook for Egypt and the Sudan (by Dr. Budge), p. 6, of work on the pyramids of Jebel Barkal: “the writer excavated the shafts of one of the pyramids here in 1897, and at the depth of about twenty-five cubits found a group of three chambers, in one of which were a number of bones of the sheep which was sacrificed there about two thousand years ago, and also portions of a broken amphora which had held Rho-dian wine. A second shaft, which led to the mummy-chamber, was partly emptied, but at a further depth of twenty cubits water was found. The high-water mark of the reservoir when full is ——— and, as there were no visible means for pumping it out, the mummy-chamber could not be entered.” With regard to the Bagarawîya pyramids, Dr. Budge writes, on p. 700 of the same work, à propos of the story of the Italian Ferlini that he found Roman jewelry in one of these pyramids: “In 1903 the writer excavated a number of the pyramids of Meroë for the Governor-General of the Sudan, Sir F. R. Wingate, and he is convinced that the statements made by Ferlini are the result of misapprehension on his part. The pyramids are solid throughout, and the bodies are buried under them. When the details are complete the proofs for this will be published.” Dr. Budge has also written upon the subject of the orientation of the Jebel Barkal and Nure pyramids.
The monuments of this Nubian kingdom, the temples of Jebel Barkal, the nearby pyramids of Nure, the pyramids of Bagarawiya, the temples of Wadi Ben Naga, Mesawwarat en-Naga, and Mesawwarat es-Sufra (referred to as "Mesawwarat"), were originally examined by Cailliaud and later by Lepsius. In recent years, they and the pyramids excavated by Dr. E. A. Wallis-Budge from the British Museum for the Sudan government have been re-explored. As the results of his work are not yet fully published, we can currently only reference the following description from Cook’s Handbook for Egypt and the Sudan (by Dr. Budge), p. 6, regarding the work on the pyramids of Jebel Barkal: “The author excavated the shafts of one of the pyramids here in 1897, and at a depth of about twenty-five cubits found a group of three chambers, one of which contained several bones of the sheep that was sacrificed there around two thousand years ago, along with parts of a broken amphora that had held Rhodian wine. A second shaft, which led to the mummy-chamber, was partially emptied, but at a greater depth of twenty cubits water was encountered. The high-water mark of the reservoir when full is ——— and, since there were no visible means to pump it out, the mummy-chamber could not be accessed.” Regarding the Bagarawiya pyramids, Dr. Budge states on p. 700 of the same work, concerning the claim by the Italian Ferlini that he found Roman jewelry in one of these pyramids: “In 1903, I excavated several of the pyramids of Meroë for the Governor-General of the Sudan, Sir F. R. Wingate, and I am convinced that Ferlini's statements stemmed from a misunderstanding on his part. The pyramids are solid throughout, and the bodies are buried beneath them. Once the details are finalized, we will publish proof of this.” Dr. Budge has also addressed the topic of the orientation of the Jebel Barkal and Nure pyramids.

It is very curious to find the pyramids reappearing in Egyptian tomb-architecture in the very latest period of Egyptian history. We find them when Egyptian civilization was just entering upon its vigorous manhood, then they gradually disappear, only to revive in its decadent and exiled old age. The Ethiopian pyramids are all of much more elongated form than the old Egyptian ones. It is possible that they may be a survival of the archaistic movement of the XXVIth Dynasty, to which we have already referred.
It’s quite interesting to see the pyramids coming back in Egyptian tomb architecture during the latest period of Egyptian history. We see them when Egyptian civilization is just coming into its prime, then they gradually fade away, only to return in its decline and old age. The Ethiopian pyramids are all much more elongated than the ancient Egyptian ones. It’s possible that they might be a remnant of the archaistic movement of the 26th Dynasty, which we’ve already mentioned.
These are not the latest Egyptian monuments in the Sudan, nor are the temples of Naga and Mesawwarat the most ancient, though they belong to the Roman period and are decidedly barbarian as to their style and, especially, as to their decoration. The southernmost as well as latest relic of Egypt in the Sudan is the Christian church of Soba, on the Blue Mie, a few miles above Khartum. In it was found a stone ram, an emblem of Amen-Râ, which had formerly stood in the temple of Naga and had been brought to Soba perhaps under the impression that it was the Christian Lamb. It was removed to the garden of the governor-general’s palace at Khartum, where it now stands.
These aren’t the most recent Egyptian monuments in Sudan, nor are the temples of Naga and Mesawwarat the oldest, even though they’re from the Roman period and have a distinctly crude style, particularly in their decoration. The southernmost and latest relic of Egypt in Sudan is the Christian church of Soba, located on the Blue Nile, just a few miles north of Khartoum. Inside, a stone ram was found, which symbolizes Amen-Râ and had previously been in the temple of Naga. It’s believed it was brought to Soba under the mistaken belief that it represented the Christian Lamb. Now, it’s been moved to the garden of the governor-general’s palace in Khartoum, where it currently stands.
The church at Soba is a relic of the Christian kingdom of Alua, which succeeded the realm of the Candaces. One of its chief seats was at Dongola, and all Nubia is covered with the ruins of its churches. It was, of course, an offshoot of the Christianity of Egypt, but a late one, since Isis was still worshipped at Philse in the sixth century, long after the Edict of Theodosius had officially abolished paganism throughout the Roman world, and the Nubians were at first zealous votaries of the goddess of Philo. So also when Egypt fell beneath the sway of the Moslem in the seventh century, Nubia remained an independent Christian state, and continued so down to the twelfth century, when the soldiers of Islam conquered the country.
The church at Soba is a remnant of the Christian kingdom of Alua, which followed the reign of the Candaces. One of its main locations was in Dongola, and all of Nubia has the ruins of its churches. It was, of course, an extension of Egyptian Christianity, but a later one, since Isis was still worshipped at Philae in the sixth century, long after the Edict of Theodosius had officially put an end to paganism across the Roman world, and the Nubians were initially devoted followers of the goddess of Philae. Similarly, when Egypt came under Muslim rule in the seventh century, Nubia remained an independent Christian state and continued to be one until the twelfth century, when the forces of Islam conquered the region.
Of late pagan and early Christian Egypt very much that is new has been discovered during the last few years. The period of the Lower Empire has yielded much to the explorers of Oxyrrhynchus, and many papyri of interest belonging to this period have been published by Mr. Kenyon in his Catalogue of the Greek Papyri in the British Museum, especially the letters of Flavius Abinæus, a military officer of the fourth century. The papyri of this period are full of the high-flown titles and affected phraseology which was so beloved of Byzantine scribes. “Glorious Dukes of the Thebaïd,” “most magnificent counts and lieutenants,” “all-praiseworthy secretaries,” and the like strut across the pages of the letters and documents which begin “In the name of Our Lord and Master, Jesus Christ, the God and Saviour of us all, in the year x of the reign of the most divine and praised, great, and beneficent Lord Flavius Heraclius (or other) the eternal Augustus and Auto-krator, month x, year x of the In diction.” It is an extraordinary period, this of the sixth and seventh centuries, which we have now entered, with its bizarre combination of the official titulary of the divine and eternal Cæsars Imperatores Augusti with the initial invocation of Christ and the Trinity. It is the transition from the ancient to the modern world, and as such has an interest all its own.
Recently, a lot has been discovered in pagan and early Christian Egypt over the past few years. The period of the Lower Empire has provided many findings for the explorers of Oxyrrhynchus, and numerous interesting papyri from this time have been published by Mr. Kenyon in his Catalogue of the Greek Papyri in the British Museum, especially the letters of Flavius Abinæus, a military officer from the fourth century. The papyri from this era are filled with the grand titles and elaborate language that Byzantine scribes adored. “Glorious Dukes of the Thebaïd,” “most magnificent counts and lieutenants,” “all-praiseworthy secretaries,” and similar phrases dominate the letters and documents, which often begin with “In the name of Our Lord and Master, Jesus Christ, the God and Saviour of us all, in the year x of the reign of the most divine and praised, great, and beneficent Lord Flavius Heraclius (or another) the eternal Augustus and Auto-krator, month x, year x of the Indiction.” This extraordinary period of the sixth and seventh centuries we have now entered presents a strange mix of the official titles of the divine and eternal Cæsars Imperatores Augusti alongside the initial invocation of Christ and the Trinity. It's a transition from the ancient to the modern world, making it uniquely interesting.
In Egypt the struggle between the adherents of Chalcedon, the “Melkites” or Imperialists of the orthodox Greek rite, and the Eutychians or Mono-physites, the followers of the patriarch Dioskoros, who rejected Chalcedon, was going on with unabated fury, and was hardly stopped even by the invasion of the pagan Persians. The last effort of the party of Constantinople to stamp out the Monophysite heresy was made when Cyril was patriarch and governor of Egypt. According to an ingenious theory put forward by Mr. Butler, in his Arab Conquest of Egypt, it is Cyril the patriarch who was the mysterious Mukaukas, the [Greek word], or “Great and Magnificent One,” who played so doubtful a part in the epoch-making events of the Arab conquest by Amr in A.D. 639-41. Usually this Mukaukas has been regarded as a “noble Copt,” and the Copts have generally been credited with having assisted the Islamites against the power of Constantinople. This was a very natural and probable conclusion, but Mr. Butler will have it that the Copts resisted the Arabs valiantly, and that the treacherous Mukaukas was none other than the Constantinopolitan patriarch himself.
In Egypt, the conflict between the supporters of Chalcedon, known as the “Melkites” or Imperialists of the orthodox Greek rite, and the Eutychians or Mono-physites, followers of Patriarch Dioskoros who rejected Chalcedon, continued with relentless intensity and was barely interrupted even by the invasion of the pagan Persians. The final attempt by the party from Constantinople to eliminate the Monophysite heresy occurred when Cyril was the patriarch and governor of Egypt. According to an interesting theory proposed by Mr. Butler in his Arab Conquest of Egypt, it was Cyril the patriarch who was the enigmatic Mukaukas, the [Greek word], or “Great and Magnificent One,” who played a questionable role in the significant events of the Arab conquest by Amr in A.D. 639-41. Traditionally, this Mukaukas has been seen as a “noble Copt,” and the Copts are generally believed to have supported the Muslims against the power of Constantinople. This was a logical and reasonable conclusion, but Mr. Butler argues that the Copts valiantly resisted the Arabs and that the traitorous Mukaukas was actually the patriarch of Constantinople himself.
In the papyri it is interesting to note the gradual increase of Arab names after the conquest, more especially in those of the Archduke Rainer ‘s collection from the Fayyûm, which was so near the new capital city, Fustât. In Upper Egypt the change was not noticeable for a long time, and in the great collection of Coptic ostraka (inscriptions on slips of limestone and sherds of pottery, used as a substitute for paper or parchment), found in the ruins of the Coptic monastery established, on the temple site of Dêr el-Bahari, we find no Arab names. These documents, part of which have been published by Mr. W. E. Crum for the Egypt Exploration Fund, while another part will shortly be issued for the trustees of the British Museum by Mr. Hall, date to the seventh and eighth centuries. Their contents resemble those of the earlier papyri from Oxyrrhynchus, though they are not of so varied a nature and are generally written by persons of less intelligence, i.e. the monks and peasants of the monasteries and villages of Tjême, or Western Thebes. During the late excavation of the XIth Dynasty temple of Dêr el-Bahari, more of these ostraka were found, which will be published for the Egypt Exploration Fund by Messrs. Naville and Hall. Of actual buildings of the Coptic period the most important excavations have been those of the French School of Cairo at Bâwît, north of Asyût. This work, which was carried on by M. Jean Clédat, has resulted in the discovery of very important frescoes and funerary inscriptions, belonging to the monastery of a famous martyr, St. Apollo. With these new discoveries of Christian Egypt our work reaches its fitting close. The frontier which divides the ancient from the modern world has almost been crossed. We look back from the monastery of Bâwît down a long vista of new discoveries until, four thousand years before, we see again the Great Heads coming to the Tomb of Den, Narmer inspecting the bodies of the dead Northerners, and, far away in Babylonia, Narâm-Sin crossing the mountains of the East to conquer Elam, or leading his allies against the prince of Sinai.
In the papyri, it's interesting to see the gradual rise of Arab names after the conquest, especially in the collection of Archduke Rainer from the Fayyûm, which was close to the new capital city, Fustât. In Upper Egypt, the change wasn’t noticeable for a long time, and in the large collection of Coptic ostraka (inscriptions on pieces of limestone and pottery, used as a substitute for paper or parchment), found in the ruins of the Coptic monastery on the temple site of Dêr el-Bahari, no Arab names appear. Some of these documents have been published by Mr. W. E. Crum for the Egypt Exploration Fund, while another part will soon be released for the trustees of the British Museum by Mr. Hall, dating back to the seventh and eighth centuries. Their contents are similar to those of the earlier papyri from Oxyrrhynchus, although they are less varied and typically written by less educated individuals, like the monks and peasants from the monasteries and villages of Tjême, or Western Thebes. During the recent excavation of the XIth Dynasty temple of Dêr el-Bahari, more of these ostraka were discovered, which will be published for the Egypt Exploration Fund by Messrs. Naville and Hall. The most significant excavations of Coptic period buildings have been conducted by the French School of Cairo at Bâwît, north of Asyût. This work, led by M. Jean Clédat, has uncovered very important frescoes and funerary inscriptions linked to the monastery of a renowned martyr, St. Apollo. With these new findings in Christian Egypt, our work comes to a fitting conclusion. The boundary between the ancient and modern world has nearly been crossed. From the monastery of Bâwît, we look back through a long series of new discoveries until, four thousand years earlier, we see the Great Heads coming to the Tomb of Den, Narmer inspecting the bodies of the deceased Northerners, and, far in Babylonia, Narâm-Sin crossing the eastern mountains to conquer Elam, or leading his allies against the prince of Sinai.
THE END.
THE END.
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