This is a modern-English version of Punch, or the London Charivari, Volume 159, July 21, 1920, originally written by Various.
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PUNCH,
OR THE LONDON CHARIVARI.
VOL. 159.
July 21, 1920.
CHARIVARIA.
[pg 41] To judge by the Spa Conference it looks as if we might be going to have a peace to end peace.
[pg 41] From what we can see at the Spa Conference, it seems like we might end up with a peace that brings an end to peace.
It will soon be necessary for the Government to arrange an old-age pension scheme for Peace Conference delegates.
It will soon be essential for the government to set up a pension plan for delegates at the Peace Conference.
It is difficult to know whom or what to blame for the exceptionally wet weather we have been having, says an evening paper. Pending a denial from Mr. Lloyd George, The Times has its own opinion as to who is at the bottom of it.
It’s hard to figure out who or what to blame for the extremely wet weather we’ve been experiencing, says an evening paper. Until there’s a denial from Mr. Lloyd George, The Times has its own views on who's responsible.
Mr. Stanton pointed out in the House of Commons that, unless increased salaries are given to Members, there will be a strike. Fears are entertained, however, that a settlement will be reached.
Mr. Stanton pointed out in the House of Commons that unless Members receive higher salaries, there will be a strike. However, there are concerns that a resolution will be found.
"The Derry shirt-cutters," says a news item, "have decided to continue to strike." The Derry throat-cutters, on the other hand, have postponed striking to a more favourable opportunity.
"The Derry shirt-cutters," says a news article, "have chosen to keep striking." The Derry throat-cutters, however, have decided to put off their strike for a better opportunity.
The way to bring down the price of home-killed meat, the Ministry of Food announces officially, is for the public not to buy it. You can't have your cheap food and eat it.
The Ministry of Food officially states that the way to lower the price of home-killed meat is for the public to stop buying it. You can't have affordable food and enjoy it too.
Harborough Rocks, one of the few Druid Circles in the kingdom, has been sold. Heading-for-the-Rocks, the famous Druid Circle at Westminster, has also been sold on several occasions by the Chief Wizard.
Harborough Rocks, one of the few Druid Circles in the kingdom, has been sold. Heading-for-the-Rocks, the famous Druid Circle at Westminster, has also been sold multiple times by the Chief Wizard.
A gossip writer states that he saw a man carrying two artificial legs while travelling in a Tube train. There is nothing like being prepared for all emergencies while travelling.
A gossip writer says he saw a man with two prosthetic legs while riding on the Tube. It’s always good to be ready for anything while traveling.
"The ex-Kaiser," says an American journal, "makes his own clothes to pass the time away." This is better than his old hobby of making wars to pass other people's time away.
"The ex-Kaiser," says an American magazine, "makes his own clothes to pass the time." This is better than his old hobby of starting wars to waste other people's time.
"Danger of infection from Treasury notes," says The Weekly Dispatch, "has been exaggerated." Whenever we see a germ on one of our notes we pat it on the back and tell it to lie down.
"Danger of infection from Treasury notes," says The Weekly Dispatch, "has been exaggerated." Whenever we spot a germ on one of our bills, we give it a little pat and tell it to settle down.
A West Riding paper states that a postman picked up a pound Treasury note last week. It is said that he intends to have it valued by an expert.
A West Riding newspaper reports that a postman found a pound Treasury note last week. It’s said that he plans to get it appraised by an expert.
An engineer suggests that all roads might be made of rubber. For pedestrians who are knocked down by motor-cars the resilience of this material would be a great boon.
An engineer suggests that all roads could be made of rubber. For pedestrians who get hit by cars, the shock-absorbing nature of this material would be a huge advantage.
According to The Evening News a bishop was seen the other day passing the House of Commons smoking a briar pipe. We can only suppose that he did not recognise the House of Commons.
According to The Evening News, a bishop was spotted the other day walking past the House of Commons while smoking a briar pipe. We can only assume that he didn't recognize the House of Commons.
"We can find work for everybody and everything," says a Chicago journal. But what about corkscrews?
"We can find jobs for everyone and everything," says a Chicago newspaper. But what about corkscrews?
How strong is the force of habit was illustrated at Liverpool Docks the other day when two Americans, on reaching our shores, immediately fainted, and only recovered when it was explained that spirits were not sold here solely for medical purposes.
How powerful the force of habit is was shown at Liverpool Docks the other day when two Americans, upon arriving on our shores, immediately fainted and only came to when it was explained that alcohol isn't sold here just for medicinal purposes.
"Watches are often affected by electrical storms such as we have experienced of late," states a science journal. Only yesterday we heard of a plumber and his mate who arrived at a job simultaneously.
"Watches can be influenced by electrical storms like the ones we’ve had recently," says a science journal. Just yesterday, we learned about a plumber and his assistant who got to a job at the same time.
We sympathise with the unfortunate housewife who cannot obtain a servant because her reference is considered unsatisfactory. It appears she was only six weeks with her last maid.
We feel for the unfortunate housewife who can't find a servant because her reference isn't seen as good enough. It seems she only had her last maid for six weeks.
A pedestrian knocked down by a taxi in Oxford Street last Tuesday managed to regain his feet only to be again bowled over by a motor-bus. Luckily, however, noticing a third vehicle standing by to complete the job, the unfortunate fellow had the presence of mind to remain on the ground.
A pedestrian hit by a taxi on Oxford Street last Tuesday got back up, only to be knocked down again by a bus. Fortunately, seeing a third vehicle nearby ready to finish the job, the poor guy smartly decided to stay on the ground.
According to a local paper cat-skins are worth about 5½d. each. Of course it must be plainly understood that the accuracy of this estimate is not admitted by the cats themselves.
According to a local newspaper, cat skins are valued at around 5½d. each. Of course, it should be clearly understood that the cats themselves do not agree with this estimate.
"Too much room is taken up by motor-vehicles when turning corners," declares a weekly journal. This is a most unfair charge against those self-respecting motorists who negotiate all corners on the two inside wheels only.
"Too much space is taken up by cars when turning corners," declares a weekly journal. This is a very unfair accusation against those self-respecting drivers who navigate all corners on just the two inside wheels.
An American named J. Thomas Looney has written a book to prove that Shakspeare was really the Earl of Oxford. We cannot help thinking that Shakspeare, who went out of his way to prove that Ophelia was one of the original Looneys, has brought this on himself.
An American named J. Thomas Looney has written a book to prove that Shakespeare was actually the Earl of Oxford. We can’t help but think that Shakespeare, who went out of his way to show that Ophelia was one of the original Looneys, has done this to himself.
Fashionable Parisians, says a correspondent, have decided that the correct thing this year is to be invited to Scotland for July. It may be correct, but it won't be an easy matter if we know our Scotland.
Fashionable Parisians, as a correspondent mentions, have decided that this year it's trendy to be invited to Scotland in July. It might be trendy, but it won’t be an easy task if we know anything about Scotland.
American women-bathers with an inclination to embonpoint, it is stated, have taken to painting dimples on their knees. The report that a fashionable New Yorker who does not care for the water has created the necessary illusion by having a lobster painted on her toe is probably premature.
American women who like to relax at the beach and have a tendency to gain weight, apparently, have started painting dimples on their knees. The rumor that a trendy New Yorker, who isn’t fond of swimming, has made the necessary illusion by having a lobster painted on her toe is likely exaggerated.
A Bridgewater, Somerset, man of eighty (or octogeranium) has cancelled his wedding on the morning of the ceremony. A few more exhibitions of that kind and he will end up by being a bachelor.
A man from Bridgewater, Somerset, who is eighty years old, has called off his wedding on the morning of the ceremony. If he keeps this up, he’s going to end up a bachelor.

First Indian Chief (of travelling show). "Brother
Bellowing-Papoose, which is the way back to the circus?"
Second Ditto. "I know not. Let us ask this paleface."
First Indian Chief (of travelling show). "Hey Brother Loud-Crying-Baby, which way do we go back to the circus?" Second Ditto. "I’m not sure. Let’s ask this white person."
There was a young lady of Beccles
There was a young woman from Beccles
Whose face was infested with freckles,
Whose face was covered in freckles,
But nobody saw
But no one saw
Any facial flaw,
Any facial imperfection,
For she had an abundance of shekels.
For she had a lot of money.
THE GRASSHOPPER.
Yet he is one of the most interesting of British creatures. The Encyclopædia Britannica is as terse and simple as ever about him. "Grasshoppers," it says, "are specially remarkable for their saltatory powers, due to the great development of the hind legs; and also for their stridulation, which is not always an attribute of the male only." To translate, grasshoppers have a habit of hopping ("saltatory powers") and chirping ("stridulation").
Yet he is one of the most fascinating British creatures. The Encyclopædia Britannica is as brief and straightforward as ever about him. "Grasshoppers," it states, "are especially notable for their jumping ability, thanks to their highly developed hind legs; and also for their chirping, which is not always a trait exclusive to the males." To put it simply, grasshoppers tend to hop ("jumping ability") and chirp ("chirping").
It is commonly supposed that the grasshopper stridulates by rubbing his back legs together; but this is not the case. For one thing I have tried it myself and failed to make any kind of noise; and for another, after exhaustive observations, I have established the fact that, though he does move his back legs every time he stridulates, his back legs do not touch each other. Now it is a law of friction that you cannot have friction between two back legs if the back legs are not touching; in other words the grasshopper does not rub his back legs together to produce stridulation, or, to put it quite shortly, he does not rub his back legs together at all. I hope I have made this point quite clear. If not, a more detailed treatment will be found in the Paper which I read to the Royal Society in 1912.
It's commonly believed that grasshoppers make noise by rubbing their back legs together, but that's not true. For one, I tried it myself and couldn’t produce any sound; and also, after thorough observations, I’ve confirmed that while grasshoppers do move their back legs when they stridulate, their back legs do not touch each other. According to the laws of friction, you can’t create friction between two back legs if they aren’t touching; in other words, grasshoppers don’t rub their back legs together to stridulate, or to put it simply, they don’t rub their back legs together at all. I hope I’ve made this clear. If not, you can find a more detailed explanation in the paper I presented to the Royal Society in 1912.
Nevertheless I have always felt that there was something fishy about the grasshopper's back legs. I mean, why should he wave his back legs about when he is stridulating? My own theory is that it is purely due to the nervous excitement produced by the act of singing. The same phenomenon can be observed in many singers and public speakers. I do not think myself that we need seek for a more elaborate hypothesis. The Encyclopædia Britannica, of course, says that "the stridulation or song in the Acridiidæ is produced by friction of the hind legs against portions of the wings or wing-covers," but that is just the sort of statement which the scientific man thinks he can pass off on the public with impunity. Considering that stridulation takes place about every ten seconds, I calculate that the grasshopper must require a new set of wings every ten days. It would be more in keeping with the traditions of our public life if the scientific man simply confessed that he was baffled by this problem of the grasshopper's back legs. Yet, as I have said, if a public speaker may fidget with his back legs while he is stridulating, why not a public grasshopper? The more I see of science the more it strikes me as one large mystification.
Nevertheless, I've always felt there was something off about the grasshopper's back legs. I mean, why should he wave his back legs around when he's stridulating? My theory is that it’s purely due to the nervous excitement from singing. You can see the same thing in many singers and public speakers. I don’t think we need to look for a more complicated explanation. The Encyclopædia Britannica says that "the stridulation or song in the Acridiidæ is produced by friction of the hind legs against portions of the wings or wing-covers," but that’s exactly the kind of statement that a scientist thinks he can get away with. Since stridulation happens about every ten seconds, I estimate that the grasshopper would need a new set of wings every ten days. It would be more in line with the traditions of our public life if scientists just admitted they were puzzled by the issue of the grasshopper's back legs. Yet, as I’ve said, if a public speaker can fidget with his back legs while he’s stridulating, why can’t a public grasshopper? The more I learn about science, the more it seems like one big mystery.
But I ought to have mentioned that "the Acridiidæ have the auditory organs on the first abdominal segment," while "the Locustidæ have the auditory organ on the tibia of the first leg." In other words one kind of grasshopper hears with its stomach and the other kind listens with its leg. When a scientific man has committed himself to that kind of statement he would hardly have qualms about a little invention like the back-legs legend.
But I should have pointed out that "the Acridiidæ have their hearing organs on the first abdominal segment," while "the Locustidæ have their hearing organ on the tibia of the first leg." In other words, one type of grasshopper hears with its stomach and the other hears with its leg. Once a scientist makes a claim like that, they wouldn’t hesitate to create a little story like the back-legs legend.
With this scientific preliminary we now come to the really intriguing part of our subject, and that is the place of the grasshopper in modern politics. And the first question is, Why did Mr. Lloyd George call Lord Northcliffe a grasshopper? I think it was in a speech about Russia that Mr. Lloyd George said, in terms, that Lord Northcliffe was a grasshopper. And he didn't leave it at that. He said that Lord Northcliffe was not only a grasshopper but a something something grasshopper, grasshopping here and grasshopping there—that sort of thing. There was nothing much in the accusation, of course, and Lord Northcliffe made no reply at the time; in fact, so far as I know, he has never publicly stated that he is not a grasshopper; for all we know it may be true. But I know a man whose wife's sister was in service at a place where there was a kitchen-maid whose young man was once a gardener at Lord Northcliffe's, and this man told me—the first man, I mean—that Lord Northcliffe took it to heart terribly. No grasshoppers were allowed in the garden from that day forth; no green that was at all like grasshopper-green was tolerated in the house, and the gardener used to come upon his Lordship muttering in the West Walk: "A grasshopper! He called me a grasshopper—me—a Grasshopper!" The gardener said that his Lordship used to finish up with, "I'll teach him;" but that is hardly the kind of thing a lord would say, and I don't believe it. In fact I don't believe any of it. It is a stupid story.
With this scientific introduction, we now get to the really interesting part of our topic: the role of the grasshopper in modern politics. The first question is, why did Mr. Lloyd George call Lord Northcliffe a grasshopper? I think in a speech about Russia, Mr. Lloyd George explicitly said that Lord Northcliffe was a grasshopper. And he didn’t stop there. He claimed that Lord Northcliffe was not just a grasshopper but a something something grasshopper, hopping here and there—that kind of thing. Of course, there wasn't much substance to the accusation, and Lord Northcliffe didn't respond at the time; in fact, as far as I know, he has never publicly said that he is not a grasshopper; for all we know, it could be true. But I know a guy whose wife's sister worked at a place where there was a kitchen maid whose boyfriend used to be a gardener at Lord Northcliffe's, and this guy told me—the first guy, I mean—that Lord Northcliffe was really upset about it. From that day on, no grasshoppers were allowed in the garden; no green that looked at all like grasshopper green was tolerated in the house, and the gardener would catch his Lordship muttering in the West Walk: "A grasshopper! He called me a grasshopper—me—a Grasshopper!" The gardener said his Lordship would finish with, "I'll teach him;" but that hardly sounds like something a lord would say, and I don't believe it. In fact, I don’t believe any of it. It's a silly story.
But this crisis we keep having with France owing to Mr. Lloyd George's infamous conduct does make the story interesting. The suggestion is, you see, that Lord Northcliffe lay low for a long time, till everybody had forgotten about the grasshopper and Mr. Lloyd George thought that Lord Northcliffe had forgotten about the grasshopper, and then, when Mr. Lloyd George was in a hole, Lord Northcliffe said, "Now we'll see if I am a grasshopper or not," and started stridulating at high speed about Mr. Lloyd George. A crude suggestion. But if it were true it would mean that the grasshopper had become a figure of national and international importance. It is wonderful to think that we might stop being friends with France just because of a grasshopper; and, if Lord Northcliffe arranged for a new Government to come in, it might very well be called "The Grasshopper Government." That would look fine in the margins of the history-books.
But this ongoing crisis with France because of Mr. Lloyd George's notorious behavior definitely makes the situation intriguing. The idea is that Lord Northcliffe stayed quiet for a long time, waiting until everyone had forgotten about the grasshopper and Mr. Lloyd George believed that Lord Northcliffe had forgotten too. Then, when Mr. Lloyd George found himself in a tough spot, Lord Northcliffe said, "Now we’ll see if I’m a grasshopper or not," and started loudly criticizing Mr. Lloyd George. It’s a crude thought. But if it were true, it would mean that the grasshopper had become a significant figure both nationally and internationally. It’s remarkable to think we could stop being friends with France over a grasshopper; and if Lord Northcliffe managed to bring in a new Government, it could very well be called "The Grasshopper Government." That would look great in the margins of history books.
Yes, it is all very "dramatic." It is exciting to think of an English lord nursing a grievance about a grasshopper for months and months, seeing grasshoppers in every corner, dreaming about grasshoppers.... But we must not waste time over the fantastic tale. We have not yet solved our principal problem. Why did Mr. Lloyd George call him a grasshopper—a modest friendly little grasshopper? Did he mean to suggest that Lord Northcliffe hears with his stomach or stridulates with his back legs?
Yes, it’s all very “dramatic.” It’s exciting to imagine an English lord holding a grudge about a grasshopper for months, seeing grasshoppers everywhere, dreaming about grasshoppers.... But we shouldn't waste time on this fanciful story. We still haven't figured out our main issue. Why did Mr. Lloyd George refer to him as a grasshopper—a modest, friendly little grasshopper? Was he implying that Lord Northcliffe listens with his stomach or makes noise with his back legs?
Why not an earwig, or a black-beetle, or a wood-louse, or a centipede? There are lots of insects more offensive than the grasshopper, and personally I would much rather be called a grasshopper than an earwig, which gets into people's sponges and frightens them to death.
Why not an earwig, or a black beetle, or a woodlouse, or a centipede? There are plenty of insects that are worse than a grasshopper, and honestly, I'd much rather be called a grasshopper than an earwig, which gets into people's sponges and scares them to death.
Perhaps he had been reading that nice passage in the Prophet Nahum: "Thy captains are as the great grasshoppers, which camp in the hedges in the cold day, but when the sun ariseth they flee away, and their place is not known where they are." I do not know. But The Encyclopædia has a suggestive sentence: "All grasshoppers are vegetable feeders and have an incomplete metamorphosis, so that their destructive powers are continuous from the moment of emergence from the egg until death."
Perhaps he had been reading that nice passage in the Prophet Nahum: "Your captains are like great grasshoppers that sit in the hedges on a cold day, but when the sun rises, they flee away, and their location is forgotten." I don’t know. But The Encyclopædia has an interesting line: "All grasshoppers feed on plants and go through incomplete metamorphosis, meaning their destructive abilities last from the moment they hatch until they die."
A.P.H.
A.P.H.
"The Mayor provided details demonstrating how the Engineer's salary rose from £285 when he was hired in 1811 to £600 today."—Local Paper.
And think what he must have saved the ratepayers by not taking a pension years ago.
And imagine how much he must have saved the taxpayers by not taking a pension years ago.
"Mr.—— believed that the entire Committee would like to join the Cemeteries Sub-Committee in congratulating Alderman—— on his marriage."—Local Paper.
We do not quite see why this particular sub-committee should have taken the initiative.
We don't really understand why this specific sub-committee chose to take the lead.

EVIL COMMUNICATIONS
The Telephone. "I'M GOING TO COST YOU MORE."
The Phone. "I'M GOING TO BE MORE EXPENSIVE FOR YOU."
Householder. "WHY?"
Homeowner. "WHY?"
The Telephone. "OH, THE USUAL REASON—INCREASING INEFFICIENCY."
The Phone. "OH, THE USUAL REASON—GROWING INEFFECTIVENESS."

A QUESTION OF TASTE
The Wife. "You Must Get Yourself a Straw 'at, George. A bowler don't seem to go with a camembert."
The Wife. "You need to get a straw hat, George. A bowler just doesn’t go with a camembert."
AT THE PLAY.
"French Leave."
[pg 44] The Mandarins of the Theatre, who are no wiser than other mandarins (on the contrary), have been long repeating the formula that the public won't look at a War play. If I'm not mistaken it will for many moons be looking at Captain Reginald Berkeley's French Leave. He labels it a "light comedy." That's an understatement. It is, as a matter of fact, a very skilful, uproarious and plausible farce, almost too successful in that you can't hear one-third of the jokes because of the laughter at the other two-thirds (and a little because of the indistinct articulation of one or two of the players). Of course when I say "plausible" I don't exactly mean that any Brigade Headquarters was run on the sketchy lines of General Archibald Root's, or that the gallant author or anybody else who was in the beastly thing ever thought of the Great War as a devastating joke, but rather that if it be true, as has been rumoured, that not all generals were miracles of wisdom and forbearance; that British subalterns and privates sometimes put on the mask of humour; that Venus did wander, as the observatories punctually reported she did occasionally wander, into the orbit of Mars—then French Leave is a piece of artistically justifiable selection. Its absurdity seems the most natural thing in the world and its machinery (rare virtue!) does not creak.
[pg 44] The theater critics, who aren't any smarter than other critics (in fact, they're not), have been insisting for a long time that audiences won’t watch a war play. If I’m not mistaken, for many months they will be watching Captain Reginald Berkeley's French Leave. He calls it a "light comedy." That’s an understatement. It’s actually a very clever, hilarious, and believable farce, almost too successful since you can’t catch a third of the jokes due to the laughter over the other two-thirds (and partly because a couple of the actors mumbled a bit). Of course, when I say "believable," I don’t mean to suggest that any Brigade Headquarters operated like General Archibald Root's, or that the brave author or anyone involved thought the Great War was a devastating joke, but rather that if it’s true, as rumored, that not all generals were wise and patient; that British subalterns and privates sometimes used humor as a mask; that Venus did wander into the realm of Mars, as the observatories regularly reported—then French Leave is a piece of artistically justified storytelling. Its absurdity feels completely natural and its mechanics (a rare quality!) run smoothly.
Rooty Tooty's brigade then was resting—if in the circumstances you can call it resting. The rather stodgy Brigade-Major's leave being due, his wife has come over to Paris to wait for him. The leave being cancelled (and you could see how desperately overworked Headquarters was) there suddenly appears what purports to be a niece of the billet landlady's, a Mdlle. Juliette, of the Paris stage, with a distinctly coming-on disposition (and frock). The uxorious Brigade-Major, weakly consenting to the deception, suffers the tortures of the damned by reason of the gallantries of the precocious Staff-Captain and the old-enough-to-know-better Brigadier. There is marching and counter-marching of detached units in the small hours; arrival of the Brigade Interpreter with Intelligence's reports; sorrowful conviction in the Brigadier's mind that Juliette is Olga—Olga Thingummy, the famous German spy. Confusions; explosions; solutions.
Rooty Tooty's brigade was taking a break—if you can really call it a break under the circumstances. The rather stuffy Brigade-Major’s leave was up, and his wife had come to Paris to wait for him. But with the leave canceled (and you could tell how overworked Headquarters was), a woman claiming to be the landlady’s niece, Mdlle. Juliette, from the Paris stage, suddenly shows up with a very flirtatious manner (and dress). The lovesick Brigade-Major weakly goes along with the deception, suffering through the antics of the overly charming Staff-Captain and the should-know-better Brigadier. There’s marching and counter-marching of detached units during the early hours; the arrival of the Brigade Interpreter with Intelligence reports; and the Brigadier’s grim realization that Juliette is actually Olga—Olga Thingummy, the infamous German spy. Chaos ensues; explosions happen; and somehow, things get resolved.
That's a dull account of a bright matter. The players were not, with the exception of Miss Renée Kelly, of the star class and (I don't necessarily say therefore) were almost uniformly admirable. I suppose the honours must go to Mr. M.R. Morand's excellently studied Brigadier—the most laughter-compelling performance I have seen on the "legitimate" for some years. But the Mess Corporal (Mr. Charles Groves), the Staff-Captain (Mr. Henry Kendall), the Brigade-Major (Mr. Hylton Allen), the Interpreter (Mr. George de Warfaz) and the Mess Waiter (Mr. Arthur Riscoe)—all deserve mention in despatches. As for the "business" it was positively inspired at times, as when the Mess Corporal retrieved the red-hat (which the passionate Brigade-Major had kicked in his jealous fury) with an address which would have done credit to the admirable Grock. Miss Renée Kelly had her pretty and effective moments, but somebody should ask her (no doubt in vain) to be less tearful in the tearful and just a little less bright in the bright parts—a little less fidgetty and fidgetting and out of key, in fact.
That's a boring description of an exciting topic. The actors weren’t, except for Miss Renée Kelly, top-tier performers, but they were almost all impressive. I think the spotlight should be on Mr. M.R. Morand's brilliantly executed Brigadier—the funniest performance I’ve seen on a legitimate stage in years. But the Mess Corporal (Mr. Charles Groves), the Staff-Captain (Mr. Henry Kendall), the Brigade-Major (Mr. Hylton Allen), the Interpreter (Mr. George de Warfaz), and the Mess Waiter (Mr. Arthur Riscoe)—all deserve to be recognized. As for the "business," it was truly inspired at times, like when the Mess Corporal retrieved the red hat (which the passionate Brigade-Major had kicked away in jealousy) with an finesse that would impress the great Grok. Miss Renée Kelly had her charming and effective moments, but someone should probably tell her (though I doubt it would make a difference) to be less dramatic during the emotional scenes and just a little less dazzling during the happy ones—she could tone down the fidgeting and find her rhythm, really.
I should say in general that author and producer (Mr. Eille Norwood) would do well to watch the serious passages—always the danger-points in farce. As nobody on our side of the footlights takes these seriously the folk on the other side must substantially dilute the seriousness. The tragically uttered, "O God!" at the end of the Second Act ruined an otherwise excellent curtain. But I must not end on a note of censure. I was much too thoroughly entertained for that. Here's a quite first-rate piece of fooling, with dialogue of humorous rather than smart sayings. And humour's a much rarer and less cheap a gift than smartness.
I should say overall that the author and producer (Mr. Eille Norwood) would be wise to pay attention to the serious moments—those are always the risky points in a farce. Since no one on our side of the stage takes these seriously, the people on the other side have to tone down the seriousness significantly. The tragically delivered, "O God!" at the end of the Second Act ruined what was otherwise a fantastic ending. But I don’t want to finish on a negative note. I really enjoyed myself too much for that. This is a truly excellent piece of comedy, with dialogue that leans more towards humor than clever remarks. And humor is a much rarer and more valuable gift than cleverness.
T.
T.

First Newly-Rich. "It's a great secret, but I must
tell you. My husband has been offered a peerage."
First Newly-Rich. "It's a big secret, but I need to share it with you. My husband has been given a title."
Second ditto. "Really! That's rather interesting. We thought of having one, but they're so expensive and we are economising just now."
Second ditto. "Really! That's super interesting. We thought about getting one, but they’re pretty expensive and we’re trying to save money right now."
Our Considerate Scribes.
"Presumptuous is a tough word that I wouldn't easily use for any man."—Daily Paper.
"PASSIVE PESSIMISM.
BERLIN'S VIEW ON THE SPAR CONDITIONS."
Sunday Paper.
Sunday News.
But, after all, Berlin does not seem to have taken them lying down.
But, after all, Berlin doesn’t seem to have taken this lying down.
"At first, he scored most of his runs with smart shots on the leg side, but once he got settled, he drove the ball with great strength." Sunday Paper.
Cricketers need to be amphibious in these days.
Cricketers need to be adaptable these days.
SONGS OF AN OVALITE.
There was a young man who said, "Hobbs
There was a young man who said, "Hobbs
Should never be tempted with lobs;
Should never be tempted with lobs;
He would knock them about
He would push them around
Till the bowlers gave out
Until the bowlers ran out
And watered the pitch with their sobs."
And soaked the ground with their tears.
There is no one so dreadful as Fender
There is no one as terrible as Fender guitar
For batmen whose bodies are tender;
For batmen with delicate bodies;
He gets on their nerves
He annoys them.
With his murderous swerves
With his deadly swerves
That insist upon death or surrender.
That insist on death or giving up.
When people try googlies on Sandham
When people try googling on Sandham
You can see he will soon understand 'em;
You can see he will soon get it;
With a laugh at their slows
With a laugh at their slowness
He will murmur, "Here goes,"
He'll say, "Here goes,"
And over the railings will land 'em.
And they'll land over the railings.
I am always attracted by Harrison
I'm always drawn to Harrison
When arrayed in his batting caparison;
When dressed in his batting gear;
If others look worried
If others seem concerned
He never gets flurried,
He never gets flustered,
But quite unconcernedly carries on.
But continues on without worry.
All classes of bowlers have stuck at
All types of bowlers have gotten stuck at
Their efforts to dislocate Ducat
Their efforts to disrupt Ducat
Their wiliest tricks
Their cleverest tricks
He despatches for six,
He sends for six,
Which is what they decidedly buck at.
Which is what they definitely push against.
You should never be down in the dumps
You should never feel down in the dumps.
When Strudwick is guarding the stumps;
When Strudwick is behind the wicket;
His opponents depart
His opponents leave
One by one at the start,
One by one at the start,
But later in twos or in clumps.
But later in pairs or in groups.
"Like father like son," says the fable,
"Like father like son," says the fable,
And is justified clearly in Abel
And is clearly justified in Abel
No bowling he fears
No bowling he worries about
And his surname appears
And his last name appears
An extremely appropriate label.
A very fitting label.
If I were tremendously rich
If I were super rich
I would buy a cathedral in which
I would buy a cathedral where
I would build me a shrine
I would build myself a shrine
Of a noble design
Of an elegant design
And worship a statue of Hitch
And worship a statue of Hitch
Our Sleuths Again.
"His wrists were bound with a piece of webbing, there were two bricks in his coat pockets, and, most notably, the soles of his boots were nailed to his toes... The police suspect that someone 'held a grudge against the deceased.'"—Provincial Paper.
AUTHORSHIP FOR ALL.
[These are examples of the work from Mr. Punch's newly established Literary Ghost Bureau, which provides suitable press contributions on any topic and under any name.]
III.—Are we going to the dogs?
By Vice-Admiral (Retd.) Sir Boniface Bludger, K.C.B.
By Vice-Admiral (Ret.) Sir Boniface Bludger, K.C.B.
I was standing the other day at the window of the only Club in London where they understand (or used to understand) what devilled kidneys really are, musing in post-prandial gloom on the vanished glories of this England of ours. "Ichabod!" I cried aloud to the unheeding stream of Piccadilly wayfarers; and echo answered, "Bod."
I was standing the other day at the window of the only club in London that understands (or used to understand) what devilled kidneys really are, lost in post-meal gloom over the lost greatness of our England. "Ichabod!" I shouted to the oblivious crowd on Piccadilly; and the echo replied, "Bod."
What is wrong with us? Or what is wrong with me? Are we actually going to the dogs, or is it merely that the Club kidneys are going to the devil? Jeremiah or Mrs. Gummidge—which am I? Let the facts attest and let posterity decide; thank Heaven I shall not be there to hear the verdict.
What’s wrong with us? Or what’s wrong with me? Are we really going downhill, or is it just that the Club’s standards are dropping? Jeremiah or Mrs. Gummidge—which one am I? Let the facts speak for themselves, and let future generations decide; thank goodness I won’t be around to hear the judgment.
After our half-baked victory over the Hun the popular watchword was "Reconstruction." We have now enjoyed a year and more of this "building-up" process, and the net result is that houses for those that lack them are as scarce as iced soda-fountains in the Sahara.
After our half-hearted victory over the enemy, the popular phrase was "Reconstruction." We've now had over a year of this "building-up" process, and the end result is that houses for those who need them are as rare as iced soda fountains in the Sahara.
In this work of restoration, we were told, our women voters and legislators would play a leading part. What part are they in truth playing? Their main object apparently is still further to embitter the Drink question, although if they would only put a little more bitter into our national beverage they might help to lubricate matters. Is it not a significant fact that the slackness evidenced in every phase of industry manifests itself at a time when it becomes more and more difficult to get a decent drink? In this respect our progress is not so much to the dogs as to the cats, who sneak along on the padded paws of Prohibition.
In this restoration effort, we were told that our women voters and lawmakers would take on a major role. What role are they really playing? Their main goal seems to be to make the Drink issue even more divisive, although if they would just add a bit more bitterness to our national drink, they might actually help improve things. Isn’t it telling that the laziness seen in every area of industry is occurring at a time when it’s becoming harder to find a decent drink? In this regard, our progress isn’t heading to the dogs; it’s more like the cats, who quietly sneak around on the soft paws of Prohibition.
The crazy conditions to be observed in the industrial world are well matched by the state of anarchy that prevails in the sphere of the arts. Take music, for example. I do not lay claim to more than a nodding acquaintance with Euterpe, and at a classical concert, I am afraid, the nodding character of the relation becomes especially marked. To me the sweetest music in the world is the roar of a fifteen-inch gun on a day when the visibility is good and plentiful. But I do know enough to be able to say that the wild asses who with their jazz-bands "stamp o'er our heads and will not let us sleep" (slightly to amend my old friend FitzGerald) are nothing less than musical Trotskys.
The chaotic conditions in the industrial world are perfectly matched by the state of anarchy that exists in the arts. Take music, for instance. I can only claim to have a basic familiarity with Euterpe, and at a classical concert, that familiarity really shows. To me, the sweetest music in the world is the blast of a fifteen-inch gun on a clear and sunny day. But I know enough to say that the wild guys with their jazz bands "trample over our heads and won't let us sleep" (a slight twist on my old friend Fitzgerald) are nothing short of musical Trotskys.
Music was once regarded as the staple nourishment of the tender passion, and in my younger days the haunting strains of "The Blue Danube" assisted many a budding love-affair to blossom. But these non-stop stridencies of the modern ballroom, even if they left a man with breath enough to propose, would effectually prevent the girl from catching the drift of the avowal. You can't roar, "Will you be mine?" into a maiden's ear as if you were conversing from the quarterdeck, and if you did she'd only think you were ecstatically emulating the coloured gentleman in the orchestra with the implements of torture and the misguided voice.
Music used to be seen as the essential fuel for young love, and back in my younger days, the beautiful melodies of "The Blue Danube" helped many a romance bloom. But the loud beats of today’s dance halls, even if they leave a guy with enough breath to propose, would totally drown out what he’s trying to say. You can’t just shout, "Will you be mine?" into a girl’s ear like you’re shouting from a ship’s deck, and if you did, she’d probably think you were just trying to mimic the performer in the band with the loud instruments and a voice that's all over the place.
I will pass over in the silence of despair such other symptoms of national decadence as zigzag painting, whirlpool poetry, cinema star-gazing and the impossibility of procuring a self-respecting Stilton (which assuredly is not "living at this hour"). Nor can I trust myself to speak of the spirit of Bolshevism that seems to animate our so-called Labour Party, though I comfort myself with the conviction that this doctrine will not wash, any more than will its authors.
I’ll skip over the other signs of national decline, like zigzag art, chaotic poetry, celebrity worship, and the inability to find a decent Stilton (which definitely isn't "good enough these days"). I also can't bring myself to talk about the spirit of Bolshevism that seems to drive our so-called Labour Party, although I take comfort in the belief that this ideology won’t hold up, just like its proponents.
I will conclude these few reflections by drawing attention to the manners of the modern girl, who is so busily engaged in kicking over the traces that formerly kept her in her proper place. Nowadays flappers who should still be in the schoolroom consider themselves called upon to teach their grandmothers how to conduct their lives; and, to complete the chaos, the grandmothers are eagerly lapping it up, and in the matter of dress and deportment are even bettering the instruction. Si vieillesse savait!
I’ll wrap up these thoughts by highlighting the behavior of today’s young women, who are so focused on breaking free from the constraints that used to keep them in check. Nowadays, young women who should still be in school believe they’ve got the right to teach their grandmothers how to run their lives; and, to add to the confusion, the grandmothers are eagerly embracing these lessons, even improving on them when it comes to fashion and behavior. Si vieillesse savait!
Oh for a prophet's tongue to lash our visionless leaders into a realisation of the rocks on to which we are drifting! We need the scourge of a Savonarola, but all we get is the boom of a Bottomley.
Oh, how I wish we had a prophet's voice to slap our blind leaders into understanding the dangers ahead! We need the criticism of a Savonarola, but all we hear is the noise of a Bottomley.
"Gone are our country's glories.
Our country's glories are gone.
O tempora, O mores!"
"O times, O customs!"
ALL SORTS.
It takes all sorts to make the world, an' the same to make a crew;
It takes all kinds of people to make the world, and the same goes for making a team;
It takes the good an' middlin' an' the rotten bad uns too;
It includes the good, the average, and the really bad ones too;
The same's there are on land (says Bill) you'll find 'em all at sea—
The same as you find on land (says Bill) you'll find them all at sea—
The freaks an' fads an' crooks an' cads an' ornery chaps like me.
The weirdos, trends, criminals, scoundrels, and difficult guys like me.
It takes a man for all the jobs—the skippers and the mates,
It takes a person for all the jobs—the captains and the crew,
A chap to give the orders an' a chap to chip the plates;
A guy to give the orders and a guy to chip the plates;
It takes the brass-bound 'prentices—an' ruddy plagues they be—
It takes the brass-bound apprentices—and what a nuisance they are—
An' chaps as shirk an' chaps as work—just ornery chaps like me.
An' guys who slack off and guys who work—just difficult guys like me.
It takes the stiffs an' deadbeats an' the decent shell-backs too,
It involves the losers and deadbeats, as well as the good guys too,
The chaps as always pull their weight an' them as never do;
The guys, as always, pull their weight and those who never do;
The sort the Lord 'as made 'em knows what bloomin' use they be,
The kind that the Lord has made knows what good use they are.
An' crazy folks an' musical blokes an' ornery chaps like me.
An' crazy people an' musicians an' stubborn guys like me.
It takes a deal o' fancy breeds—the Dagoes an' the Dutch,
It takes a lot of fancy types—the Italians and the Dutch,
The Lascars an' calashees an' the seedy boys an' such;
The Lascars and calash-wearers and the shady guys and all that;
It takes the greasers an' the Chinks, the Jap and Portugee,
It takes the greasers and the Chinese, the Japanese and Portuguese,
The blacks an' yellers an' half-bred fellers and ornery folk like me.
The Black people, the Native Americans, the mixed-race guys, and difficult people like me.
It takes all sorts to make the world an' the same to make a crew,
It takes all kinds to make the world and the same goes for making a crew,
It takes more kinds o' people than there's creeters in the Zoo;
It takes more types of people than there are creatures in the zoo;
You meet 'em all ashore (says Bill) an' you find 'em all at sea—
You meet them all on land (says Bill) and you find them all at sea—
But do me proud if most o' the crowd ain't ornery chaps like me! C.F.S.
But make me proud if most of the crowd isn't a bunch of grumpy guys like me! C.F.S.
"—— UNITED FREE CHURCH.
Evening—Monthly Sermon for Young Men and Women.
'Love, Courtship, and Marriage.'
Anthem—'And it shall come to pass.'"
Scotch Paper.
The organist seems to be a sympathetic soul.
The organist seems to be a kind-hearted person.
"Burial fees will be doubled in the future to cover the rising cost of living today."—Parish Magazine.
At this rate we shall soon be unable to afford either to live or to die, and must try a state of suspended animation.
At this rate, we won't be able to afford to live or die, and we'll have to consider a state of suspended animation.
"As Lady—— was getting on board, she dropped a waterproof bag with a pair of the Queen's shoes inside, and Their Majesties laughed heartily at her embarrassment. One of the sailors skillfully retrieved the bag using a boot-hook." Scotch Paper.
The handy-man! Prepared for all eventualities.
The handyman! Prepared for anything.
THE HOUSE THAT JACK WANTS BUILT.
This is the landowner who (if the talk of a railway
being made over this bit of land doesn't come to anything, and the
corporation cannot, after all, be induced to buy it as a
recreation-ground, and no one makes a better offer) is willing to sell
the ground to carry the house that Jack wants built.
This is the property owner who (if the discussions about building a railway on this piece of land don't lead anywhere, and the corporation can't be persuaded to purchase it as a park, and no one comes forward with a better offer) is ready to sell the land needed for the house that Jack wants to build.
This is the architect and surveyor who (as soon as he
has finished his designs for the new Town Hall, the proposed County
Hospital, the Cathedral Extension, the Borough power station and the
drinking-fountain, and provided that no more important commission turns
up) is going to design the house to go on the ground of the landowner
who ...
This is the architect and surveyor who, as soon as he wraps up his designs for the new Town Hall, the proposed County Hospital, the Cathedral Extension, the Borough power station, and the drinking fountain, and as long as no more pressing projects come up, is going to design the house to be built on the land belonging to the landowner who ...





CONVERTED CASTLES.
Rural England, I learn, is rapidly changing hands—not for the first time, by the way, but we cannot go into that just now. Excellent treatises on feudal tenure, wapentake, the dissolution of the monasteries and the enclosure of common lands may be picked up dirt cheap at any second-hand bookshop in the Charing Cross Road with the words "Presentation Copy" erased from the flyleaf by a special and ingenious process. What is happening now is that farmers are buying up the big estates in pieces, and Norman piles or Elizabethan manors are beginning to be too expensive to maintain, what with coal and the rise in the minimum wage of vassals and one thing and another.
Rural England, I find out, is quickly changing hands—not for the first time, by the way, but we can't get into that right now. You can easily find great books on feudal landholding, wapentake, the dissolution of the monasteries, and the enclosure of common lands at any second-hand bookstore on Charing Cross Road, with the words "Presentation Copy" removed from the flyleaf by a clever process. What’s happening now is that farmers are buying up the large estates piece by piece, and those Norman mansions or Elizabethan manors are starting to become too costly to maintain, especially with rising coal prices and the increase in the minimum wage for workers, among other issues.
"The stately homes of England
"The grand homes of England"
How beautiful they stood
How beautiful they looked
Before their recent owners
Before their new owners
Relinquished them for good,"
Gave them up for good,”
as the poet justly observes. And even if there is enough money to keep up the castle without the broad acres (though as a matter of fact an acre is not any broader than it is long) there is no fun in having a castle at all when the deer park has been divided into allotments and the Dutch garden is under swedes.
as the poet rightly points out. And even if there’s enough money to maintain the castle without the large estate (though, in reality, an acre isn’t any wider than it is long), there’s no enjoyment in having a castle at all when the deer park has been divided into plots and the Dutch garden is covered in turnips.
The question is then what is going to happen to Montmorency (pronounced "Mumsie") Castle, and The Towers at Barley Melling?
The question now is what will happen to Montmorency (pronounced "Mumsie") Castle and The Towers at Barley Melling?
In London the difficulty of dealing with huge houses has been solved in a very subtle manner by turning them into a couple of maisonettes apiece, so that under the portico of what used to be 105 Myrtle Crescent you discover two perfectly good doors, marked 105a and 105b. Into the letter-box of the door marked 105a the postman invariably puts the letters intended for 105b, and vice versá, but, as these are always letters addressed to the last tenant but two, it does not really very much matter. Both are desirable maisonettes, though the tenants of 105a have the sole enjoyment of the lincrusta dadoes in the original dining-room. In some cases there are as many as three maisonettes, and the notice on the area gate says, "105c. Mrs. Orlando Smith," where it used to say simply "No bottles." I never really understood that notice myself, for whenever I am walking along with an empty bottle that I want to get rid of I do not throw it down into an area, where it would make a most horrible crash, but softly into the thick shrubs of the Crescent Gardens.
In London, the challenge of managing large houses has been cleverly addressed by dividing them into a couple of maisonettes each. So, under the portico of what used to be 105 Myrtle Crescent, you’ll find two perfectly good doors labeled 105a and 105b. The postman always puts the letters meant for 105b into the letterbox of the door marked 105a, and the same goes the other way around, but since these letters are usually addressed to the tenant who lived there two people ago, it doesn't really matter. Both are nice maisonettes, although the tenants of 105a get exclusive use of the decorative lincrusta paneling in the original dining room. In some cases, there are even three maisonettes, and the sign on the area gate reads, "105c. Mrs. Orlando Smith," where it used to simply say "No bottles allowed." I never quite understood that sign myself, because whenever I’m walking with an empty bottle I want to dispose of, I don’t drop it into the area where it would make a terrible crash, but gently into the thick bushes of the Crescent Gardens.
This brings me back to the country again.
This brings me back to the country once more.
There will not be enough of the new rich to purchase a castellated mansion apiece, partly because of the Excess Profits Duty, which is crippling this kind of enterprise, and partly because so many baronial seats, romantic and picturesque in their way, are terribly under-garaged. On the other hand you cannot expect a farmer who happens to be buying the fields round Badgery Mortimer to have any use for a dungeon keep or the haunted picture-gallery in the west wing. No, there is only one thing to do and that is to break these places up into a number of self-contained homes.
There won't be enough of the new wealthy to buy a lavish mansion each, partly because the Excess Profits Duty is making this kind of endeavor difficult, and partly because many grand estates, charming and scenic in their own way, have serious parking issues. On the other hand, you can't expect a farmer who's purchasing the fields around Badgery Mortimer to have any need for a dungeon or the haunted gallery in the west wing. No, the only option is to divide these properties into several self-contained homes.
MODERN AND ANCIENT.
Young Cricketer. "Yes, I cocked one off the splice in the gully and the blighter gathered it."
Young Cricketer. "Yeah, I hit one off the splice in the gully and that guy caught it.."
Father. "Yes, but how did you get out? Were you caught, stumped or bowled, or what?"
Father. "Yes, but how did you get away? Did you get caught, mixed up, or what went down?"
HISTORIC FLATS TO LET
is the house-agents' advertisement which I seem to see, and what you will actually find will be a sort of concentrated hamlet where modern improvements are mixed with ancient grandeur and the white-haired seneschal is kept on to operate the electric lift.
is the real estate ad that I keep seeing, and what you’ll actually discover will be a kind of compact estate where modern upgrades blend with historical elegance, and the elderly steward is still around to operate the electric lift.
Let us take, for instance, the case of Soping Hall. There will be none of that untidy straggling arrangement about it which detracts so largely from the beauty of Soping Barnet, Little Soping and Soping Monachorum. In Soping Hall the billiard-room will be the village club, the armoury the blacksmith's shop, the housekeeper's room the place where you buy buttons and balls of string and barley-sugar, the cellars the village tavern, and very nice too. In the state-saloon, with a few trifling alterations, such as the introduction of a geyser and a sink, will live Mrs. Ponsonby-Smith, who will sniff a little at the Jeffries in their attic suite and the Mutts who live in the moat. But Mrs. Jeffries will have compensations, because the air is really so much more bracing, my dear, on the higher ground, and on fine days one can walk about the roof and peep through the boiling-oil holes, while as for the Mutts they are protected, at any rate, from those bitterly piercing east winds and have an excellent view of the draw-bridge.
Let’s consider Soping Hall, for example. It won’t have that messy, sprawling layout that takes away from the charm of Soping Barnet, Little Soping, and Soping Monachorum. In Soping Hall, the billiard room will serve as the village club, the armory will be the blacksmith's shop, the housekeeper's room will be where you can buy buttons, balls of string, and barley sugar, and the cellars will function as the village tavern, which is quite nice. In the state saloon, with a few minor changes like adding a geyser and a sink, Mrs. Ponsonby-Smith will live there, looking down her nose at the Jeffries in their attic suite and the Mutts living in the moat. But Mrs. Jeffries will have her perks, because the air is really much fresher, my dear, up on the higher ground, and on clear days, you can walk on the roof and peek through the boiling-oil holes. As for the Mutts, at least they’re shielded from those biting east winds and have a great view of the drawbridge.
A further advantage of residing at Soping Hall will be that you can do all your shopping and pay your calls without going out-of-doors on a wet day, and, if you like, have a communal dining-room or restaurant, where only those who have been recognised by the county should sit above the salt. And if your friends come to visit you in expensive motor-cars they will have the privilege of passing through the great iron gates on the main road and up the large gravel drive planted on each side with the cedars of Lebanon which Roger de Soping brought back in his haversack from the Second Crusade.
Another benefit of living at Soping Hall is that you can do all your shopping and make your visits without stepping outside on a rainy day. Plus, if you want, there's a communal dining room or restaurant where only those recognized by the county can sit above the salt. And if your friends come to visit you in fancy cars, they'll enjoy the privilege of passing through the grand iron gates on the main road and up the spacious gravel driveway flanked by the cedars of Lebanon that Roger de Soping brought back in his backpack from the Second Crusade.
I am quite aware that when federal devolution becomes really infectious and every county insists on a legislative assembly of its own it may be necessary to turn some of these great houses into Parliament chambers, and the rural civil service will also no doubt insist on having offices comparable with the vast hotels which their parent bodies occupy in London. But this will not account for nearly all the ancestral seats, and, in calling the attention of the Minister of Health and Housing to this little memorandum of mine, I would specially urge him to note how it will solve some of the most difficult problems which confront him to-day.
I know that when federal powers really catch on and every county demands its own legislative assembly, it might be necessary to convert some of these grand homes into Parliament chambers. The rural civil service will probably also want offices that match the large hotels their main offices occupy in London. However, this won't account for all the ancestral homes. In bringing this brief memo to the Minister of Health and Housing's attention, I particularly want to emphasize how it can address some of the toughest challenges he faces today.
There will be a rush upon these potted villages, and that will ease the situation in towns and free a number of cottages for agricultural labourers too. There will be a rush, not only because of the advantages which I have already enumerated, but because all the people who live in Soping Hall will be able to put "Soping Hall" on their notepaper, and, if they like to pay for it, two wyverns rampant as well, and everyone outside the circle of their immediate friends will imagine that they have not only bought the whole place but even become the possessors of the flock of wyverns that used to be pastured on the Home Farm.
There will be a surge of interest in these small villages, which will help relieve some pressure in towns and open up more cottages for farmworkers as well. This rush will happen not just because of the benefits I’ve already mentioned, but also because everyone living in Soping Hall will get to put "Soping Hall" on their stationery, and if they want to pay for it, they can also add two wyverns rampant. People outside their close circle will think that they’ve not only bought the entire place but have also acquired the flock of wyverns that used to graze on the Home Farm.
Three acres and a cow was all very well in its way, but what about two wyverns and a flat? Evoe.
Three acres and a cow sounded good, but what about two wyverns and a place to live? Evoe.
Dame (seeing the signpost). "Stop, Jenkins—stop! I think it would be safer to turn back. They may have catapults or something dangerous."
Dame (noticing the signpost). "Stop, Jenkins—stop! I think it’s safer to head back. They might have catapults or other dangerous things."
TIPS FOR UNCLES.
[pg 49] Dear Mr. Punch,—I am writing to you about uncles because you are in a way a kind of general uncle. Uncles are much more useful than aunts, because uncles always give money and aunts mostly give advice. Only, as the Head always says when he jaws our form, "I regret to see in this form a serious deterioration"—I mean in uncles. They come down here and trot us round and say what a luxurious place it is compared with the stern old Spartan days. They know something, though. They ask us to have meals with them at an hotel. They take care not to face a luxurious house-dinner. And while we dine they tell yarns about the hardness of the old days and how it toughened a fellow. And then, because about 1870 it was the custom to tip a boy five bob, they fork out five bob and tell you not to waste it.
[pg 49] Dear Mr. Punch,—I’m writing to you about uncles because you’re kind of like a general uncle. Uncles are way more helpful than aunts since uncles always give money and aunts mostly give advice. Still, as the Head usually says when he talks to our group, "I regret to see a serious decline in this group"—I mean in uncles. They come down here, show us around, and talk about how luxurious it is compared to the tough old Spartan days. They do know a thing or two, though. They invite us to have meals with them at a hotel. They make sure to avoid a fancy home-cooked dinner. While we eat, they share stories about how tough the old days were and how it built character. And then, since around 1870 it was customary to give a boy five shillings, they hand over five shillings and tell you not to waste it.
If the Head had any sense—only you can't expect sense from Heads—he'd put up a notice at the school gates: "Parents, Uncles and Friends are respectfully reminded that the cost of tuck has increased three hundred per cent. since 1914." Why, old Badham, my bedroom prefect, who was a fag in 1914, turned up the other day and declared that then he could buy four pounds of strawberries for a bob, and that a fag could get enough chocolate for two bob to give him a week in the sick-room.
If the Head had any common sense—though you can't expect that from heads of schools—he'd put a sign at the school gates: "Parents, Uncles, and Friends are kindly reminded that the price of snacks has gone up three hundred percent since 1914." Just the other day, old Badham, my bedroom prefect, who was a junior in 1914, came by and said that back then he could buy four pounds of strawberries for a shilling, and that a junior could get enough chocolate for two shillings to last a week in the infirmary.
Yet we have uncles coming down in trains (fare fifty per cent. extra), smoking cigars (costing two hundred per cent. extra), cabbing it up to school (a hundred-and-fifty per cent. extra) and then tipping as if the old Kaiser was still swanking in Potsdam.
Yet we have uncles arriving by train (costing fifty percent more), smoking cigars (costing two hundred percent more), taking cabs to school (a hundred and fifty percent more), and then tipping as if the old Kaiser were still showing off in Potsdam.
Now Sutton minor, who has a positive beast of a house-master and is practically a Bolshevist, says that we ought to go on strike against the tipping system and demand a regular living wage from relations. He says that if a scavenger gets four quid a week a fellow who has to tackle Greek aorists ought to get eight quid a week.
Now Sutton minor, who has an absolute beast of a housemaster and is practically a socialist, says that we should go on strike against the tipping system and demand a regular living wage from our families. He argues that if a garbage collector earns four pounds a week, someone who has to deal with Greek aorists should earn eight pounds a week.
But I'm afraid a strike might aggravate uncles. It's no use upsetting the goose that lays the silver eggs, so I thought it better to write to you, pointing out that there was one luxury still at pre-war prices and that uncles should never miss a chance of indulging in it, and whenever high prices bothered them they should write us a bright cheerful letter enclosing a postal order—they're still quite cheap.
But I'm worried a strike might annoy the uncles. It's not worth upsetting the goose that lays the golden eggs, so I thought it would be better to write to you, pointing out that there’s still one luxury at pre-war prices and that the uncles shouldn't miss the chance to enjoy it. Whenever high prices get to them, they should just send us a cheerful letter with a postal order—they're still pretty affordable.
Chalmers major, who has read this and leads a sad life, having only aunts, says that the only hope for him is in fixing a standard tip of 9s. 11¾d. or, better still, 19s. 11¾d., that women couldn't help giving.
Chalmers' major, who has read this and leads a miserable life, with only aunts, says that his only hope is in establishing a standard tip of 9s. 11¾d. or, even better, 19s. 11¾d., that women couldn't help but give.
So hoping that all uncles will put their hands to the plough—I mean in their pockets—and then the bitter cry of the New Poor will cease in our public schools,
So I hope all the uncles will chip in—I mean financially—and then the painful cries of the New Poor will stop in our public schools,
Yours respectfully, Bruce Tertius.
Best regards, Bruce Tertius.
"Notice.
Notice.
My wife, Roxie M.——, has left our home, so I will not be responsible for any bills incurred after today, June 21, 1920. Fred——." American Paper.
"Notice.
Notice.
The person signing below wants to say that I had a good reason to leave, but I didn't abandon my living situation since I provided my own meals, and the bed was mine, so I took it with me. Roxie——." Same Paper, next day.
A good example of what Touchstone calls "The lie with circumstance."
A great example of what Touchstone refers to as "The lie with circumstance."
"Tonight at 9:30. ONLY THE TRUTH.
For the first time in Calcutta."
Indian Paper.
Where was the Censor?
Where was the moderator?
Bridegroom-Elect."—and we wants to have the hymn, 'The flag that waved o'er Eden.'"
Bridegroom-Elect."—and we want to have the hymn, 'The flag that waved over Eden.'"
THE STATE AND THE SCREEN.
(By a Student of Film Politics.)
(By a Student of Film Politics.)
Great satisfaction has been evinced in film circles over the conferment of a signal honour on Signor Pavanelli, the outstanding Italian screen luminary. The rank of Chevalier of the Crown of Italy is equivalent to a knighthood in this country, and Pavanelli's elevation is a gratifying proof of the paramount position which the cinema is assuming in Italian national affairs. But gratification is sadly tempered by the deplorable lack of State recognition from which film-artists suffer in this country. The joint co-starring Sovereigns of the Screen, though acclaimed by the populace with an enthusiasm unparalleled in the annals of adoration, were allowed to depart from our shores without a single official acknowledgment of their services to humanity. No vote of congratulation was passed by the Houses of Parliament; no honorary degree was conferred on them by any University; no ode of welcome was forthcoming from the pen of the Poet Laureate.
There has been great satisfaction in film circles over the significant honor granted to Signor Pavanelli, the prominent Italian movie star. Being named a Chevalier of the Crown of Italy is similar to receiving a knighthood in this country, and Pavanelli's recognition is a satisfying testament to the important role cinema is playing in Italian national affairs. However, this satisfaction is sadly overshadowed by the unfortunate lack of State recognition that film artists face in this country. The joint leading stars of the Screen, despite being celebrated by the public with unmatched enthusiasm, were allowed to leave our country without any official acknowledgment of their contributions to humanity. There was no congratulatory vote from the Houses of Parliament, no honorary degree awarded to them by any University, and no welcoming poem penned by the Poet Laureate.
The discontent caused by the indifference of the Government to the wishes of the people is fraught with formidable possibilities. Already there are serious rumours of the summoning of a Special Trade Union Congress to discuss the desirability of direct action as a means of compelling the Government to abandon their attitude of hostility to the only form of monarchy which the working-classes can conscientiously support. It is further reported that Lieutenant-Commander Kenworthy, M.P., will seize the first opportunity to move the impeachment of Dr. Bridges. The indignation in Printing House Square has reached boiling-point, and it is reported that the authorities are only awaiting the delivery of a huge consignment of small pica type to launch a fresh and final onslaught on the Coalition.
The dissatisfaction caused by the Government's indifference to the people's wishes is full of serious potential. There are already serious rumors about calling a Special Trade Union Congress to discuss whether direct action is a viable way to push the Government to change their hostile stance towards the only type of monarchy that the working class can genuinely support. Additionally, it's reported that Lieutenant-Commander Kenworthy, M.P., will take the first chance to propose the impeachment of Dr. Bridges. The anger in Printing House Square has reached a tipping point, and it's said that the authorities are just waiting for a massive delivery of small pica type to launch a new and final attack on the Coalition.
BAD FOR THE BULL.
The provocation has undoubtedly been intense. It was proved in an article of studied moderation and exquisite taste that the time had come to revise our estimates of bygone grandeur and substitute for the devotion to a Queen of tarnished fame and disastrous tendencies the spontaneous and chivalrous worship of her beneficent and prosperous namesake. Yet in spite of this dignified and convincing appeal no invitation was sent to the one person whose presence at the recent proceedings at Holyrood would have lent them a crowning lustre. The action or inaction of the Lord Chamberlain is inexplicable, except on the assumption that Queen Pickford's engagement to attend the Spa Conference would have rendered it impossible for her to accept the invitation to Edinburgh. None the less the invitation should have been sent. Besides, the resources of aviation might have surmounted the difficulty. In any case this deplorable oversight has knocked one more nail in the coffin of the Prime Minister.
The provocation has undoubtedly been intense. An article of thoughtful moderation and exquisite taste demonstrated that it was time to rethink our views on past greatness and replace the loyalty to a Queen of tarnished reputation and harmful tendencies with the genuine and gallant admiration for her kind and successful namesake. Yet, despite this dignified and compelling invitation, no invitation was sent to the one person whose presence at the recent events at Holyrood would have added a special touch. The actions or inaction of the Lord Chamberlain are baffling, unless we assume that Queen Pickford's commitment to attend the Spa Conference would have made it impossible for her to accept the invitation to Edinburgh. Nevertheless, the invitation should have been extended. Furthermore, advancements in aviation could have overcome the logistical issues. In any case, this unfortunate oversight has driven one more nail into the coffin of the PM.
"On the fifth hole, each player took an incredible tee shot. Hodgson once again used his favorite spoon."—Provincial Paper.
Obviously the right club for the purpose.
Obviously the right club for the job.
"'The Tongue Can no Man Tame.'
St. Peter."
Heading in Daily Paper.
'No One Can Tame the Tongue.'
St. Peter.
Headline in Daily News.
A clear case of robbing James to pay Peter.
A clear example of taking from James to give to Peter.
ESSENCE OF PARLIAMENT.
Monday, July 12th.—Viscount Curzon's complaint about "crawling" taxi-cabs was ostensibly based upon the obstruction thus caused to more rapidly moving traffic. But I fancy that it was really due to an inherent belief that the motor-car is a noble creature, only happy when exceeding the speed-limit and dashing through police-controls, and that to compel the poor thing to crawl is "agin natur'" and ought to be dealt with by the R.S.P.C.A.
Monday, July 12th.—Viscount Curzon Cinema's complaint about "slow" taxi cabs seemed to stem from the block they caused for faster-moving traffic. However, I suspect it was actually because of a deep-seated belief that the motor car is a majestic being, only truly content when it's speeding and zooming past police checkpoints, and that forcing it to go slow is against nature and should be handled by the R.S.P.C.A.
As usual much of Question-time was devoted to Russian affairs. Colonel Wedgwood wanted to know whether the Cabinet had approved a message from Mr. Churchill to the late Admiral Kolchak, advising him how to commend his Administration to the Prime Minister, who was described in the telegram as "all-powerful, a convinced democrat and particularly devoted to advanced views on the land question." Mr. Law, while provisionally promising a Blue-book on Siberia, declined to pick out a single message from a whole bunch.
As usual, a lot of the Question Time was focused on Russian affairs. Colonel Wedgwood wanted to know if the Cabinet had approved a message from Mr. Churchill to the late Admiral Kolchak, advising him on how to present his Administration to the PM, who was described in the telegram as "all-powerful, a committed democrat, and particularly supportive of progressive views on the land issue." Mr. Law, while tentatively promising a Blue Book on Siberia, refused to highlight a single message from a whole bunch.
The news that the Soviet Government had accepted the British conditions with regard to the resumption of trade and had thereupon been requested to conclude an armistice with Poland did not seem particularly welcome to any section of the House. Those whom Mr. Stanton in stentorian whispers daily describes as the "Bolshies" evidently feared that the request had been accompanied by a threat, while others were horrified at the idea of recognising the present régime in Russia, and drew from Mr. Law a hasty disclaimer. The House as a whole would, I think, have liked to learn how you can do business with a person whom you do not recognise?
The news that the Soviet government had agreed to the British terms about resuming trade and was then asked to negotiate an armistice with Poland didn’t seem to sit well with any part of the House. Those whom Mr. Stanton describes in loud whispers as the "Bolshies" clearly worried that the request came with a threat, while others were appalled at the thought of acknowledging the current régime in Russia, prompting a quick denial from Mr. Law. Overall, I think the House wanted to know how you can do business with someone you don’t recognize.
The Chancellor of the Exchequer refused to accept Mr. George Terrell's proposal to reduce the Excess Profits Tax from sixty per cent. to forty, but, in reply to Sir G. Younger—who "has such a way wid him"—promised that next year he would make the reduction. He admitted that it was in many ways an unsatisfactory tax, but the Government could not afford to part with it unless a substitute was provided. Somebody suggested "Economy," and Sir F. Banbury proved to his own satisfaction that the present estimates could be reduced by a hundred-and-fifty millions. But unexpected support for the Government came from Mr. Asquith, who as the original sponsor of the tax felt it his duty to support it.
The Chancellor of the Treasury refused to accept Mr. George Terrell's proposal to lower the Excess Profits Tax from sixty percent to forty. However, in response to Sir G. Younger—who "has such a charm about him"—he promised that he would make the reduction next year. He acknowledged that it was an unsatisfactory tax in many ways, but the Government couldn't afford to let it go unless a replacement was found. Someone suggested "Economy," and Sir F. Banbury convinced himself that the current estimates could be cut by a hundred and fifty million. But unexpected support for the Government came from Mr. Asquith, who, as the original advocate for the tax, felt it was his duty to back it.
SIR FREDERICK BANBURY SHOWS HOW IT'S DONE.
"To produce a saving of one hundred-and-fifty millions you merely have to hold the hat firmly in the left hand—thus."
To save one hundred and fifty million, all you need to do is hold the hat securely in your left hand—like this.
There was a perfect E.P.D.mic of criticism, but it was brilliantly countered by Mr. Baldwin, who declared that the Chancellor, far from leading the country down the rapids, "was the one man who had seized a rock in m[pg 50]id-stream and was hanging on to it with hands and feet." The Amendment was rejected by 289 to 117, and the clause as a whole was passed by 202 to 16.
There was a lot of criticism, but Mr. Baldwin responded brilliantly, stating that the Chancellor, instead of leading the country into danger, "was the one person who had grabbed onto a rock in m[pg 50]id-stream and was holding on for dear life." The Amendment was rejected by a vote of 289 to 117, and the entire clause was approved by 202 to 16.
THE LIMPET OF THE EXCHEQUER.
Mr. Baldwin portrays his chief "hanging to a rock with hands and feet."
Mr. Baldwin shows his main character "clinging to a rock with hands and feet."
Tuesday, July 13th.—Lord O'Hagan was one of the Peers who helped to outvote the Government a few days ago on a motion excusing them of extravagance. Yet that did not prevent him to-day from saying that the War Office should be more generous in their financial treatment of the Territorial Force, and particularly of the Cadet Corps. Naturally Lord Peel did not refrain from calling attention to this inconsistency—common to most of the financial critics of the Administration—but nevertheless he made a reply indicating that the grants for the Territorial Force were being revised, presumably in an upward direction, since Lord O'Hagan expressed himself grateful.
Tuesday, July 13th.—Lord O'Hagan was among the Peers who managed to overrule the Government a few days ago on a motion to excuse them for their excessive spending. However, that didn’t stop him today from stating that the War Office should be more generous in their financial support of the Territorial Force, especially the Cadet Corps. Naturally, Lord Peel the skin. pointed out this inconsistency—often seen among financial critics of the Administration—but he nonetheless responded by indicating that the funding for the Territorial Force was under review, presumably to be increased, as Lord O'Hagan expressed his gratitude.
The Commons, like the Lords, are all for economy collectively, if not individually. General cheers greeted Mr. Bonar Law's announcement that all war-subsidies—save that on wheat—were to be brought to an end as soon as possible, but then there were similar cheers for those Members who urged the substitution of ex-service men for the less highly-paid women in various Public Departments.
The Commons, just like the Lords, are all for saving money together, even if not everyone feels the same way individually. People cheered when Mr. Bonar Law announced that all war subsidies—except for the one on wheat—would be ended as soon as possible, but there were also cheers for those Members who suggested replacing the less paid women in various Public Departments with ex-service men.
The House enjoyed the unusual experience of hearing from Lieut.-Commander Kenworthy an apology—and a very handsome one too—for something that he had said in debate about Colonel Croft. It was accompanied by a tribute to his military efficiency which made that gallant warrior blush. It only now remains for the Leader of the National Party to reciprocate by rescuing from the Naval archives some equally complimentary reference to the services of Lieut.-Commander Kenworthy.
The House had the rare experience of hearing an apology from Lieut.-Commander Kenworthy—and a very gracious one at that—for something he had said during the debate about Colonel Farm. It was paired with a compliment on his military skill that made the brave soldier blush. Now it’s up to the Leader of the National Party to return the favor by digging up some equally flattering mention of Lieut.-Commander Kenworthy's services from the Naval archives.
A new sport has been invented by Colonel Guinness. It consists in sending two telegrams simultaneously to Paris, one viâ London and the other viâ New York, and seeing which gets there first. At present New York wins by twenty minutes. Mr. Illingworth excused himself from giving an immediate explanation on the ground that he had not had time to check the facts. No doubt he hopes that in the interim other Members will follow Colonel Guinness's example and, by joining in the new pastime, bring grist to the Post-Office mill.
A new sport has been created by Colonel Guinness beer. It involves sending two telegrams at the same time to Paris, one via London and the other via New York, and seeing which one arrives first. Right now, New York is winning by twenty minutes. Mr. Illingworth declined to give an immediate explanation because he hadn't had time to verify the details. I'm sure he hopes that in the meantime, other Members will follow Colonel Guinness beer's lead and, by getting in on the new activity, help the Post Office make some money.
Wednesday, July 14th.—Lord Milner must have thought he was back in the era of "Chinese Slavery" when he found himself assailed on all sides because the Chief Native Commissioner in Kenya Colony (late British East Africa) had issued a circular instructing the chiefs to influence their followers in the direction of honest toil. Lord Islington described this as "perilously near forced labour;" His Grace of Canterbury facetiously suggested that the chiefs' idea of influence would be the sjambok; and Lord Emmott talked of "Prussianism."
Wednesday, July 14th.—Lord Milner must have felt like he was back in the days of "Chinese Slavery" when he was criticized from all sides because the Chief Native Commissioner in Kenya Colony (formerly British East Africa) had sent out a circular instructing the chiefs to encourage their followers to engage in honest work. Lord Islington called this "dangerously close to forced labor;" His Grace of Canterbury jokingly suggested that the chiefs' idea of influence would involve the sjambok; and Lord Emmott mentioned "Prussianism."
Taught by past experience Lord Milner did not make light of the accusations, but set himself to show how little real substance they contained. The Chief Native Commissioner was "not a Prussian"; on the contrary the local white population thought him too great an upholder of native privileges. But he was very keen on getting the black man to work, and had therefore issued this circular, which was open to misinterpretation. An explanatory document would be issued shortly.
Taught by his past experiences, Lord Milner didn't dismiss the accusations but aimed to demonstrate how little real substance they had. The Chief Native Commissioner was "not a Prussian"; on the contrary, the local white population regarded him as too much of a supporter of native privileges. However, he was very focused on getting black people to work, which is why he had issued this circular that could be misinterpreted. An explanatory document would be released soon.
Echoes of the Dyer debate are still reverberating through the Commons, and Mr. Montagu was put through a searching cross-examination regarding his relations with Mr. Gandhi. Apparently that gentleman has a very simple plan of campaign. He agitates more and more dangerously until he is threatened with prosecution. Then he says "Sorry!" and Mr. Montagu begs him off. After a brief interval of quiescence he starts again. Just now he is once more nearing the imaginary line that separates proper from [pg 51] impropa-Gandhism.
Echoes of the Dyer debate are still resonating in the Commons, and Mr. Montague faced intense questioning about his relationship with Mr. Gandhi. Apparently, this gentleman has a very straightforward strategy. He stirs up more and more unrest until he’s faced with the threat of legal action. Then he says, "Sorry!" and Mr. Montague convinces everyone to let him off the hook. After a short break of calm, he starts all over again. Right now, he is once again approaching the imaginary line that divides acceptable actions from [pg 51] improper Gandhism.
B.C. 1920. Sir Alfred Mond. "What a [pg 52] topping idea! They'll never get a more suitable design from the Office of Works—not if they wait 3840 Years."
B.C. 1920. Sir Alfred Mond. "What a great idea! They'll never come up with a better design from the Office of Works—not even if they wait 3840 years."
The House was delighted to see Mr. Devlin and Mr. MacVeagh back in their places. A little honest Irish obstruction would be a refreshing change after the feeble imitations of the Kenworthies and Wedgwoods. But the Speaker could not accept the proposition that a speech delivered three weeks ago, in which an Irish official was alleged to have prophesied some dreadful things which as a matter of fact had not happened, could be regarded as "a definite matter of urgent public importance."
The House was pleased to see Mr. Devlin and Mr. MacVeagh back in their seats. A little genuine Irish opposition would be a welcome change after the weak imitations from the Kenworthies and Wedgwoods. However, the Speaker could not agree that a speech given three weeks ago, where an Irish official was accused of predicting some terrible outcomes that actually didn't occur, could be seen as "a definite matter of urgent public importance."
It is unfortunate that the Prime Minister was unable to get back from Spa in order to assist in the final suppression of his famous land-duties. Most of the speeches delivered were made up of excerpts from his old orations of ten years ago—that almost prehistoric era known as the Limehouse Period—and it would have been an object-lesson in political gymnastics to see him explaining himself away.
It’s too bad that the PM couldn’t return from Spa to help with the final cancellation of his infamous land-duties. Most of the speeches given were just snippets from his old talks from ten years ago—that almost ancient time known as the Limehouse Period—and it would have been a great example of political maneuvering to see him trying to justify his actions.
The land-taxers made a gallant effort to frighten their opponents away by chanting the "Land Song" in the Lobby, but it is supposed that the Government supporters had copied Ulysses' method with the Sirens, for enough of them remained faithful to defeat the land-taxers by 190 to 68.
The land-tax supporters made a bold attempt to scare their opponents off by singing the "Land Song" in the Lobby, but it's believed that the Government supporters had borrowed Ulysses' tactic against the Sirens, as enough of them stayed loyal to beat the land-taxers by a score of 190 to 68.
Thursday, July 15th.—Mr. Neal's announcement that the proposed increase in rail way fares had been postponed until August 5th, in order not to spoil the Bank Holiday, was far from satisfying the House. Mr. Clynes pointed out that large numbers of the working-classes now took their long holidays in August. Mr. Palmer was of opinion that the working-classes could pay well enough; it was the middle-class that would suffer most; and Mr. R. McNeill, following up this assertion, suggested (without success) that for the sake of poverty-stricken M.P.'s the House should adjourn before the fateful date.
Thursday, July 15th.—Mr. Neal's announcement that the proposed increase in train fares had been delayed until August 5th, so as not to ruin the Bank Holiday, did not satisfy the House at all. Mr. Clynes pointed out that many working-class people now took their extended holidays in August. Mr. Palmer believed that the working-class could manage just fine; it was the middle-class that would be hit hardest. Mr. R. McNeill, supporting this claim, suggested (unsuccessfully) that to help out struggling M.P.'s, the House should take a break before the crucial date.
Sir H. Greenwood gave particulars of the Sinn Fein raid on the Dublin Post-Office, but declined to give an opinion as to whether there had been any collusion with the staff inside. Judging by the promptitude and efficiency of the raiders' procedure it seems highly improbable that postal officials had anything to do with it.
Sir H. Greenwood provided details about the Sinn Fein raid on the Dublin Post Office but refused to comment on whether there was any collusion with the staff inside. Given the speed and efficiency of the raiders' actions, it seems very unlikely that postal officials were involved.
"Every day, the barometer looks like it’s slipping a bit lower, and the rain seems to be coming down more steadily and heavily."—Provincial Paper.
It is this persistent wetness that is so annoying. Nobody would mind a little dry rain.
It’s this constant dampness that’s really frustrating. No one would care if there was just a little dry rain.
Farmer. "I wonder what some of these London folks 'ud say to this?"
Farmer. "I’m curious about what some of these people from London would think about this."
Farm-hand. "Zay? They'd zay as we must be makin' our fortunes out o' mushrooms."
Farm-hand. "Zay? They’d say we should be getting rich off mushrooms."
TWENTY YEARS ON.
We were sitting in the verandah, Ernest and I. On the greensward before us Ernest Junior and James Junior (I am James) disported themselves as became their years, which were respectively 1¾ and 1 5/8. In the middle distance, or as middle as the size of our lawn permits, might be seen the mothers of Ernest Junior and James Junior deep in conversation, discussing, perhaps, the military prowess of their lords, though I rather fear I caught the word "jumper" every now and then.
We were sitting on the porch, Ernest and I. In the grass in front of us, Ernest Junior and James Junior (I’m James) were playing around like kids their age should, which were 1¾ and 1 5/8 respectively. In the distance, or at least as far as our lawn allows, we could see the mothers of Ernest Junior and James Junior engaged in deep conversation, possibly discussing the military skills of their husbands, although I thought I heard the word "jumper" coming up every now and then.
A loud difference of opinion between James II. and Ernest II. as to the possession of a wooden horse momentarily disturbed the peaceful scene. It was left to Ernest and myself to settle it, our incomparable wives being still completely engrossed with the subject of our military [pg 53] prowess (or of jumpers). When quiet reigned once more Ernest said, "Have you ever looked twenty years on?"
A loud argument between James II and Ernest II about who gets the wooden horse briefly disrupted the peaceful scene. It was up to Ernest and me to sort it out, while our incredible wives were still fully absorbed in discussing our military skills (or jumpers). Once things quieted down again, Ernest said, "Have you ever thought about twenty years from now?" [pg 53]
"Practically never," I answered. "It is too exhausting."
"Hardly ever," I replied. "It's way too tiring."
"It is exhausting, but with my usual energy I do it all the same," said Ernest, who is as a fact the world's champion lotus-eater. "Last night I was picturing a little scene in the year 1940. Shall I tell you of it?" And without waiting for my assent he proceeded:—
"It’s tiring, but I push through with my usual energy," said Ernest, who is basically the world champion at just lounging around. "Last night, I was imagining a little scene in the year 1940. Want to hear about it?" Without waiting for my answer, he continued:—
"The scene is laid in an undergraduate's rooms. Ernest Junior and James Junior are discovered in négligé attitudes and the conversation proceeds something like this:—
"The scene is set in a college student's room. Ernest Junior and James Junior are found in casual attire, and the conversation goes something like this:—"
"Ernest Junior. What are you going to do with yourself in the Vac.?
Ernest Junior. What are you planning to do during the break?
"James Junior. I shall go abroad, in spite of my choice of objectives being so terribly restricted.
James Junior. I'm going to go abroad, even though my options are really limited.
"Ernest Junior. Why restricted?
"Ernest Junior. Why the restrictions?"
"James Junior. Well, I wouldn't say this to anybody else, but to tell you the truth it is impossible for me to go to either France, Belgium or Italy. You see my dear old father was in these countries during the first Great War, and if I were so much as to mention them he'd never stop talking. If I were to say that I proposed spending a fortnight in the Ardennes it would let loose such a flood of reminiscence that I should hardly get away before next term begins.
James Junior. Well, I wouldn’t say this to anyone else, but honestly, it’s impossible for me to go to France, Belgium, or Italy. You see, my dear old dad was in those countries during the first World War, and if I even mentioned them, he’d go on and on. If I said I was planning to spend two weeks in the Ardennes, it would trigger such a flood of memories that I wouldn’t be able to escape before the next term starts.
"He gets a little confused too at times. He told me the other day a long story about the relief of Ypres, and he also boasted of having himself captured a large number of Turks on the Somme.
"He gets a bit confused sometimes too. He told me the other day a long story about the relief of Ypres, and he also bragged about having captured a large number of Turks on the Somme."
"And it isn't only that. My mother was a V.A.D. in France, you know. And when the old man had done talking of Ypres and the Somme she'd begin about Rouen and Etaples."
"And that's not all. My mom was a V.A.D. in France, you know. And when the old man finished talking about Ypres and the Somme, she'd start in on Rouen and Etaples."
I laughed, but without mirth, for I did not really think this at all funny. And after all I might have said just the same about Ernest, if only I'd thought of it first.
I laughed, but it wasn't genuine because I didn't actually find it funny. And honestly, I could have said the same about Ernest if I had just thought of it first.
"CHAR-À"-VARIA.
[The Manchester Daily Dispatch provides a very concerning report on the excessive drinking and unruly behavior that is growing more common week by week among coach day-trippers.]
The patrons of the charabang
The passengers of the coach
Employ the most outrageous slang
Use the wildest slang
And talk with an appalling twang.
And speak with a terrible accent.
Their manners ape the wild orang;
Their behavior mimics that of the wild orangutan;
They do not care a single hang
They don’t care at all.
For sober folk on foot who gang,
For sober people on foot who gather,
But as they roll, with jolt and clang,
But as they roll, with a jolt and a clang,
For parasang on parasang,
For mile on mile,
They cause a vulgar Sturm und Drang.
They create a crass Sturm und Drang.
They never heard of Andrew Lang,
They’ve never heard of Andrew Lang,
Or even Mr. William Strang;
Or even Mr. William Strang;
They are, I say it with a pang,
They are, I say it with a sharp feeling,
A most intolerable gang;
An unbearable group;
In fact I wish them at Penang
In fact, I wish they were in Penang.
Or on the banks of Yang-tse-Kiang—
Or on the banks of the Yangtze River—
Some folk who use the charabang.
Some people who use the bus.
"Looking for a reliable, neat General for private hire."—Provincial Paper.
Discipline is going to the dogs.
Discipline is declining.
POINTS OF VIEW.
The manager had seen to it that the party of young men, being very obviously rich, at any rate for this night, had some of the best attendance in the restaurant. Several waiters had been told off specially to look after them, the least and busiest of whom was little more than a boy—a slender pale boy, who was working very hard to give satisfaction. The cynic might think—and say, for cynics always say what they think—that this zeal was the result of his youth; but the cynic for once would be only partly right. The zeal also had sartorial springs, this eventful day being the first on which the boy had been promoted to full waiter-hood, and the first therefore on which he had ever worn a suit of evening dress; which by dint of hard saving his family had been able to obtain for him. Wearing a uniform of such dignity and conscious that he was on the threshold of his career, he was trying very hard to make good and hoping very fervently that he would get through without any drops or splashes to impair the freshness of his new and wonderful attire.
The manager made sure that the group of young men, obviously wealthy at least for that night, received some of the best service in the restaurant. Several waiters had been specifically assigned to take care of them, the least experienced and busiest of whom was just a boy—a slender, pale teenager who was working hard to please. A cynic might think—and would definitely say, since cynics are always outspoken—that his eagerness was just due to his youth; but this time, the cynic would only be partially correct. His enthusiasm also had to do with the fact that this was the first day he had been promoted to full waiter, and the first time he was wearing a formal suit, which his family had managed to buy for him through hard saving. Dressed in such a dignified uniform and aware that he was at the start of his career, he was striving to do well and hoping earnestly not to spill anything that might ruin the freshness of his new and amazing outfit.
The party of young men, who had been at a very illustrious English school together and now were either at a university or in the world, were celebrating an annual event and were very merry about it. For the [pg 54] most part they had, between the past and the present, as many topics of conversation as were needed, but now and then came a lull, during which some of them would look around at the other tables, note the prettier of the girls or the odder of the men and comment upon them; and it chanced that in such a pause one of the diners happened for the first time to notice with any attention the assiduous young waiter. Although not old enough to have given any thought to the anomaly of youth (though lowly) attending upon youth (though gilded) at its meals in this way—not old enough indeed to have pondered at all upon the relations of Capital and Labour or of the domineering and the servile—he had reflected a good deal upon the cut and fit of clothes, and there was something about the waiting-boy's evening coat that outraged his critical sense. Nor did the fact that the other's indifferent tailoring throw the perfection of his own into such brilliant contrast—the similarity between the livery of service and the male costume de luxe fostering such comparisons—make him any more lenient.
The group of young men, who had attended a prestigious English school together and were now either at a university or in the working world, were celebrating an annual event and were in high spirits. For the most part, they had plenty of topics to discuss about the past and the present, but every now and then there would be a lull, during which some of them would glance around at the other tables, noticing the more attractive girls or the more unusual men and commenting on them; and it so happened that in one such pause, one of the diners noticed for the first time the diligent young waiter. Although he wasn’t old enough to reflect on the oddity of a young person (though working in a menial job) attending to other young people (though privileged) during their meals—not old enough to have contemplated at all the dynamics of Capital and Labor or the relationship between the powerful and the submissive—he had thought quite a bit about fashion and fit, and there was something about the waiter’s evening coat that offended his critical eye. The fact that the waiter’s poorly tailored outfit contrasted so sharply with his own impeccable style—the resemblance between service uniforms and high-class men's clothing prompting such comparisons—didn't make him any more forgiving.
"Did you ever see," he asked his neighbour, "such a coat-collar as that waiting Johnnie's? I ask you. How can anyone, even a waiter, wear a thing like that? Don't they ever see themselves in the glass, or if they do can't they see straight? Why, it covers his collar altogether."
"Did you ever see," he asked his neighbor, "a coat collar like that on waiting Johnnie? Seriously. How can anyone, even a waiter, wear something like that? Don't they ever look in the mirror, or if they do, can't they see properly? It completely covers his collar."
His companion agreed. "And the shoulders! You'd have thought that in a restaurant like this the management would be more particular. By George, that's a jolly pretty girl coming in! Look—over there, just under the clock, with the red hair." And the waiter was forgotten. Only, however, by his table critics, for at that moment a little woman who had made friends with the hall-porter for this express purpose was peering through the window of the entrance, searching the room for her son. She had never yet seen him at his work at all, and certainly not in his grand waiting clothes, and naturally she wanted to.
His companion nodded in agreement. "And the shoulders! You'd think that in a restaurant like this, the management would be more careful. Wow, there's a really pretty girl coming in! Look—over there, right under the clock, with the red hair." And they forgot about the waiter. Well, at least the table critics did, because at that moment, a petite woman who had made friends with the hall porter for this specific reason was peeking through the entrance window, scanning the room for her son. She had never seen him at work before, especially not in his fancy waiter uniform, and of course, she was eager to.
"Ah!" she said at last, pointing the boy out to the porter, "there he is! At that table with all the young gentlemen. Doesn't he look fine? And don't they fit him beautifully? Why, no one would know the difference if he were to sit down and one of those young gentlemen were to wait on him."
"Ah!" she finally said, pointing the boy out to the porter, "there he is! At that table with all the young guys. Doesn't he look great? And don’t those clothes fit him perfectly? Honestly, no one would be able to tell the difference if he sat down and one of those young guys served him."
E.V.L.
E.V.L.
PIGLETS.
While waiting for proof-sheets of my book on The Dynamic Force of Modern Art I thought I might get a certain amount of amusement out of a little correspondence with my neighbour, Mr. Gibbs, small farmer and dairyman, between whom and myself letters had passed a short time ago on the subject of a noisy cow, since removed from the field below the study window of the house that has been lent me by my friend Hobson. With this end in view I wrote to Mr. Gibbs as follows:—
While I was waiting for the proof sheets of my book on The Dynamic Force of Modern Art, I figured I could find some entertainment in corresponding with my neighbor, Mr. Gibbs, a small farmer and dairyman. We had exchanged letters not long ago about a loud cow that has since been removed from the field below the study window of the house my friend Hobson has lent me. With that in mind, I wrote to Mr. Gibbs as follows:—
My dear Mr. Gibbs,—The field of the uproarious cow has, I notice, suddenly become tenanted again, this time by what appears to be a school, herd or murrain of swine. Their number seems to vary. Sometimes I count ten younglings, sometimes as many as thirteen, and once I made it as much as fourteen.
Dear Mr. Gibbs,—I see that the noisy cow's field has suddenly been taken over again, this time by what looks like a school or a herd of pigs. The number seems to change. Sometimes I count ten piglets, other times as many as thirteen, and once I counted as many as fourteen.
Did you know they were there, or are they a crop? Or is the field suffering from swine fever, of which they are the outward manifestation? Anyhow, whether they are friends of yours or have merely just happened, as it were, they are distinctly intriguing.
Did you know they were there, or are they just a product of the land? Or is the field facing issues because of swine fever, which they represent? Either way, whether they are your friends or just appeared out of nowhere, they are definitely interesting.
My wife was remarking to me only yesterday how nice some pork would be as a change from the eternal verities, beef and mutton, and I told her that if she would look out of my window she would see the pork running about, simply asking for it. There are so many of these piglets that I don't think the old sow would miss one. Swine can't count, can they?
My wife was just saying yesterday how nice it would be to have some pork instead of the usual beef and mutton, and I told her that if she looked out my window, she would see the pigs running around, practically begging for it. There are so many of these piglets that I doubt the old sow would even notice if one went missing. Pigs can’t count, right?
But apart from food values they interest me as subjects for the Cubist, the Vorticist and other exploiters of dynamic force in the Art of to-day (I fancy I told you in a previous letter that I am engaged upon a tome on this subject).
But aside from their nutritional value, I'm interested in them as subjects for Cubist, Vorticist, and other artists who are exploring dynamic force in today's art (I think I mentioned in a previous letter that I'm working on a book about this topic).
Figure to yourself, mon ami, what delightful rhomboidal figures Wyndham Lewis and his school would make of these budding porkers with the sleek torso and the well-poised angular snout, and, having visualised their treatment of the theme, compare it with the painted effigies of such animals by George Morland, which were merely pigs, Sir, and nothing more. No symbolism, no force. You get me—what?
Imagine, my friend, how amazing the geometric shapes that Wyndham Lewis and his group would create with these young pigs that have smooth bodies and well-defined, angular snouts. Once you picture their approach to the subject, think about how it contrasts with the painted images of these animals by George Morland, which were simply pigs, Sir, and nothing beyond that. No symbolism, no impact. Do you understand—what?
But looking at these piglets from a more intimate point of view, don't you think (if they should happen to be yours, and you have any influence with their parents) that something should be done about their faces? They have such a pushed-in appearance. Can this be normal? If so, it must seriously interfere with their truffling. But perhaps this is not good truffle-hunting country. I'm sorry if this is so, as I could do with a nice brace of truffles now and again.
But if you take a closer look at these piglets, don’t you think (especially if they belong to you and you have any say with their parents) that something should be done about their faces? They look so squished in. Is this normal? If it is, it must make it hard for them to hunt for truffles. But maybe this just isn’t the right place for finding truffles. I’d be disappointed if that’s the case because I could really use a nice stash of truffles now and then.
Remember me kindly to our mooing friend, and believe me, dear Mr. Gibbs,
Remember me fondly to our mooing friend, and trust me, dear Mr. Gibbs,
How this early touch of Spring has got into the blood, to be sure.
How this early hint of Spring has gotten into the blood, for sure.
To this letter Mr. Gibbs replied thus:—
To this letter, Mr. Gibbs replied:—
Dear Sir,—i cant make much of your letter except a riglemerole about pigs and dinamite and pictures but what they have to do with one another i dont know if you want some pork why dont you say so strait out like mr Hobson does i shall be killing one this week shall i send you a nice leg and remain
Dear Sir,—I can't make much sense of your letter except for some rambling about pigs, dynamite, and pictures. I'm not sure how those things are connected. If you want some pork, why don't you just say so directly like Mr. Hobson does? I’ll be butchering one this week; should I send you a nice leg? Let me know.
Yours obedient
Henry Gibbs.
Yours respectfully
Henry Gibbs.
My reply, given in the affirmative, resulted in the arrival of a succulent-looking joint with a bill for leg of pork special 5½ lbs. at 2s. per lb. 11s.
My yes led to the delivery of a delicious-looking roast with a bill for a 5½ lbs. leg of pork special at 2s. per lb. 11s.
As the price too was rather special I returned the bill with the following:—
As the price was also quite unusual, I sent the bill back with the following:—
My dear Mr. Gibbs,—What a rapturous piece of pork! Lovely in life, and oh, how beautiful in death. I count the hours till 7.30 to-morrow.
Dear Mr. Gibbs,—What an amazing piece of pork! Gorgeous in life, and oh, how beautiful in death. I’m counting down the hours until 7:30 tomorrow.
I am truly sorry you couldn't read my letter with comfort. I have derived great pleasure from yours. You appear to have a strong leaning towards phonetic orthography which is very refreshing and seems to bear the same relation to the generally accepted rules of the art that the modern dynamic art (a favourite topic of mine, as you know) does to the academics of the late nineteenth century.
I’m really sorry you couldn’t read my letter comfortably. I’ve really enjoyed yours. You seem to really favor phonetic spelling, which is refreshing and seems to connect with the generally accepted rules of the craft in the same way that modern dynamic art (a topic I really like, as you know) relates to the academic styles of the late nineteenth century.
When the proof-sheets of my book arrive I should be glad of your assistance in going through them. My tendency, I think, is to over-punctuate, and your proclivity would, I believe, counteract this.
When the proof-sheets of my book arrive, I would appreciate your help in reviewing them. I tend to over-punctuate, and I think your inclination would balance that out.
Mais revenons à nos moutons (mutatis mutandis, of course). The specialist who superintends my diet allows me to eat pork at 1s. 9d. per lb., but does not approve of my indulgence in it at a higher figure. If you will meet his views (and I am sure you will) I shall absorb my full share of the dainty you have provided. Otherwise I must return it with many exquisite regrets.
But let's get back to the main point (mutatis mutandis, of course). The specialist overseeing my diet lets me eat pork at 1s. 9d. per lb., but doesn't approve of my having it at a higher price. If you can agree with his views (and I’m sure you will), I’ll gladly enjoy my full portion of the treat you provided. Otherwise, I’ll have to return it with many sincere regrets.
Anticipating your favourable recognition of my specialist's absurd prejudice, I enclose a cheque for 9s. 8d.
Anticipating your favorable acknowledgment of my specialist's ridiculous bias, I’m enclosing a check for 9s. 8d.
Accept my word for it that I am
Yours ever most truly,
Arthur K. Wilkinson.
Believe me when I say that I am
Forever yours,
Arthur K. Wilkinson.
To this Mr. Gibbs offered the following reply:—
To this, Mr. Gibbs responded with the following:—
Deer Sir,—i thought being a friend of mr Hobson you was a gentleman as wouldn't mind paying a bit extra for something special like this pork which these pigs was by Barnsley Champion III i cant charge less. i dont know who your specialist is but he dont know much about pork the bests the safest. please send ballance and remain
Dear [Name],—I thought that since you were a friend of Mr. Hobson, you would be the kind of gentleman who wouldn’t mind paying a little extra for something special like this pork, which comes from Barnsley Champion III. I can't charge any less. I’m not sure who your specialist is, but they don’t seem to know much about pork; the best is the safest. Please send the balance and take care.
Yours obedient,
Henry Gibbs.
Yours faithfully,
Henry Gibbs.
We were still in March and pork had not yet been decontrolled, so I returned the bill again with this brief but incisive note:—
We were still in March and pork hadn’t been deregulated yet, so I sent the bill back with this short but pointed note:—
My dear Mr. Gibbs,—I have never met your friend from Barnsley, but am surprised that you haven't come across my specialist, whose address is the Local Food Control Office at Harbury. Would you like to meet him? He is very interested in pigs, also in milk and other things in which you specialise expensively, so you would have lots to talk about, no doubt.
Dear Mr. Gibbs,—I’ve never met your friend from Barnsley, but I'm surprised you haven’t run into my specialist, who can be found at the Local Food Control Office in Harbury. Would you like to meet him? He’s really interested in pigs, as well as milk and other things you specialize in, so I’m sure you’d have plenty to discuss.
Yours sincerely,
Arthur K. Wilkinson.
Yours sincerely,
Arthur K. Wilkinson.
The receipt in full, which reached me in reply, was very satisfactory. The pork was delicious.
The full receipt I received in response was really satisfying. The pork was tasty.
Country Postman. "I'm sorry, Ma'am, I seem to have lost your postcard; but it only said Muriel thanked you for the parcel, and so did John, and they were both very well and the children are happy and she'll give your message to Margery. That'll be your other daughter, I'm thinkin'?"
Country Postman. "I'm sorry, ma'am, but it seems I've lost your postcard. It only said that Muriel thanked you for the package, and John did too. They’re both doing well, the kids are happy, and she’ll pass your message along to Margery. That’s your other daughter, correct?"
FLOWERS' NAMES.
Lady's Bedstraw.
Under two secret arching hedges
Under two hidden arching hedges
Masses of Bedstraw grow,
Bedstraw grows in abundance,
Silvery-white among the sedges,
Silver-white among the grasses,
Like drifts of fairy-snow;
Like flurries of fairy snow;
Deep's the middle, fringed the edges;
Deep’s the middle, fringed the edges;
Who sleeps there? Do you know?
Who sleeps there? Do you know?
Do you? Or you?
Do you? Or are you?
Hark! for the breezes know.
Listen! for the breezes know.
"Oh, there my Lady Summer lies
"Oh, there my Lady Summer lies
Adream beneath cool April skies;
Dreaming under cool April skies;
About her blossoms fall
About her flowers fall
On her long limbs and secret eyes.
On her long arms and hidden eyes.
Still she sleeps, virginal;
Still she sleeps, pure;
Then—hark! June's clarion call!
Then—listen! June's announcement!
She lifts her wistful wilful eyes,
She raises her dreamy, determined eyes,
Springs light afoot and away she flies.
Springs light on her feet, and off she goes.
But her Bedstraw dies."
But her Bedstraw is dying.
"We have received from—— Manufacturing Company, New York, makers of Destructive Stationery for Social Correspondence, copies of their artistic Wall Calendars." West Indian Paper.
The calendars don't interest us, but a few samples of the "distructive stationery" would come in useful for answering bores.
The calendars don't interest us, but a few examples of the "destructive stationery" would be useful for dealing with annoying people.
NOCTURNE.
Of course I suppose I ought to be grateful for the opportunity of having a front seat at one of Nature's romances, but I imagine she reaps more applause at matinées than at soirées. I know that I—But judge for yourself.
Of course, I guess I should be thankful for the chance to have a front-row seat at one of Nature's stories, but I think she gets more cheers at matinées than at soirées. I know that I—But you can decide for yourself.
The dramatis personæ were corncrakes, neighbours of mine. The heroine—a neat line in spring birdings—I labelled "Thisbe," and she had evidently inspired affection of no mean degree in the hearts of two enthusiastic swains, Strong-i'-th'-lung and Eugène. I know all this because Thisbe's home is a small tuft of grass not distant from my bedroom, and her admirers wooed her at long range from opposite corners of my field.
The dramatis personæ were corncrakes, my neighbors. The heroine—a tidy little spring bird—I named "Thisbe," and she clearly sparked quite a bit of love in the hearts of two eager suitors, Strong-i'-th'-lung and Eugène. I know all this because Thisbe's home is a small patch of grass not far from my bedroom, and her admirers serenaded her from opposite corners of my field.
Now, as a cursory study of ornithology will tell you, the corncrake's method of attracting his bride is by song, and the criterion of excellence in C.C. circles is that the song shall be protracted, consistent and perfectly monotonous. To those who are unacquainted with his note I would describe it as rather similar to the intermittent buzzing noise which an inexperienced telephone operator lets loose when she can't think of a wrong number to give you. It has also points of resemblance to the periodic thud of the valve of a motor-tube when one is running on a deflated tyre. But there is no real standard of comparison. As a musical feat it is unique, and I for one am glad it is.
Now, a quick look into birdwatching will tell you that the corncrake attracts his mate through song, and the standard of excellence in corncrake communities is that the song should be long, steady, and totally monotonous. For those who aren't familiar with his call, I would say it resembles the irregular buzzing sound that a rookie telephone operator makes when she can't come up with the right number to give you. It also has similarities to the rhythmic thud of a valve in a car tire when you're driving on a flat. But there's no real point of comparison. As a musical performance, it's one of a kind, and I, for one, am glad it is.
It was night. Eugène was in possession of the stage when I began to take an interest in the romance. I cannot say for how long he had serenaded his divinity before I became conscious of his lay, but I do know that thereafter he put in one and a half hours of good solid craking before he desisted. I then felt grateful for the silence, rolled over and prepared to get on with my postponed slumber.
It was night. Eugène had the spotlight when I started to pay attention to the romance. I can’t say how long he had been serenading his goddess before I noticed his song, but I do know that after that, he put in an hour and a half of solid crooning before he stopped. I then felt thankful for the silence, rolled over, and got ready to continue my interrupted sleep.
But Strong-i'-th'-lung decreed otherwise. With a contemptuous snort at his rival's performance he opened his epic. He was splendid. For one and three-ninths hours he descanted on the glories of field life, on the freshness of the night, on the brilliance of the June foliage; for the next two hours he ardently proclaimed the surpassing beauty of Thisbe's eye, the glossiness of her plumage, the neatness of her claw, and he wound up with a mad twenty minutes of piercing monotony as he depicted the depth of his devotion for her.
But Strong-i'-th'-lung decided differently. With a dismissive snort at his competitor's performance, he began his epic. He was magnificent. For one hour and fifteen minutes, he spoke passionately about the wonders of life in the fields, the freshness of the night, and the vibrant June foliage; for the next two hours, he enthusiastically declared the unmatched beauty of Thisbe's eye, the shine of her feathers, the neatness of her claw, and he wrapped up with a wild twenty minutes of exhausting redundancy as he described the depth of his love for her.
When he ceased, in a silence which was almost deafening, I could visualise Thisbe dimpling with satisfaction and undoubtedly filled with tenderness toward a lover capable of expressing himself so eloquently. I turned over with a sigh of relief and closed my eyes in pleasurable anticipation of rest.
When he stopped, in a silence that was almost deafening, I could picture Thisbe smiling with satisfaction and surely filled with tenderness for a lover who could express himself so eloquently. I rolled over with a sigh of relief and closed my eyes, looking forward to some much-needed rest.
But Eugène felt it necessary to reply. I think his intention was to crake disbelief of his rival's sincerity, to throw cold water on his burning professions, perhaps even to question the excellence of his intentions. But his nerve was obviously shaken by his competitor's undoubtedly fine performance, and he craked indecisively. At 4.30 a.m. I distinctly heard him utter a flat note. At 4.47 he missed the second part of a bar entirely. Thisbe's beak, I must believe, curled derisively; Strong-i'-th'-lung laughed contemptuously, and at 5.10 a.m. Eugène faltered, stammered and fled from the field defeated.
But Eugène felt he had to respond. I think he wanted to challenge his rival's sincerity, dampen his intense declarations, and maybe even question the quality of his intentions. However, he was clearly shaken by his competitor's undeniably impressive performance, and he hesitated. At 4:30 AM, I distinctly heard him hit a flat note. At 4:47, he completely missed the second part of a measure. Thisbe's beak, I must believe, curled in mockery; Strong-i'-th'-lung laughed disdainfully, and at 5:10 AM, Eugène stumbled, stammered, and left the stage defeated.
The sequel I have had to build up on rather fragmentary data, but it appears that Eugène fled as far as Pudberry Parva, and endeavoured to cool his discomfiture in a dewy hayfield.
The sequel I've had to piece together from rather sparse information, but it seems that Eugène ran all the way to Pudberry Parva and tried to calm his embarrassment in a dewy hayfield.
To him there came an old crone, the "father and mother" of all corncrakes, who comforted him, cossetted him, and from a fund of deep experience offered him hints on voice production. She also gave him of a nostrum of toadwort and garlic, which mollified his lacerated chords, and she prescribed massage of the throat by rubbing against a young beech stem.
To him came an old woman, the "father and mother" of all corncrakes, who comforted him, pampered him, and from her wealth of experience, gave him tips on how to improve his voice. She also gave him a remedy made of toadwort and garlic, which soothed his sore vocal cords, and she recommended massaging his throat by rubbing it against a young beech tree.
Within two days Eugène was back in my field. In tones that feigned to falter he craked a few bars to open the performance. Strong-i'-th'-lung at once rose full of pitying confidence and craked for two and a half hours the song of the practically accepted suitor. It was a good song, and Thisbe seemed pleased, though I fancy she rather resented the note of assurance which he imparted to his ballad.
Within two days, Eugène was back in my area. He pretended to hesitate as he started to play a few bars to kick off the performance. Strong-i'-th'-lung immediately stood up full of empathetic confidence and sang the song of the almost accepted suitor for two and a half hours. It was a good song, and Thisbe seemed pleased, though I think she was a bit put off by the air of confidence he added to his ballad.
Then Eugène came on. Bearing well in mind all the instruction of his recent benefactress, he commenced at 11.45 p.m. such a masterpiece as has never before been heard in the bird world. His consistency of period was masterly, his iteration superb and his even monotony incomparable. Crake succeeded crake with dull regular inevitability. So far as I know he carried his bat. He was still playing strongly when I fell on a troubled sleep about 5.30....
Then Eugène started. Keeping in mind all the advice from his recent benefactor, he began at 11:45 p.m. a performance like nothing ever heard in the bird world. His rhythm was exceptional, his repetition outstanding, and his smooth monotony unmatched. Each crake followed another with tedious consistency. As far as I know, he was still going strong when I finally drifted into a restless sleep around 5:30....
The next day, walking through the field, I put up two birds which flew away together. One was Thisbe. And the other? Well, not Strong-i'-th'-lung. I stumbled across him a little later, dead without a wound.
The next day, while walking through the field, I startled two birds that flew away together. One was Thisbe. And the other? Not Strong-i'-th'-lung. I found him a bit later, dead without a mark on him.
"Looking for a Music Master for 2 girls; also a Mincing Machine."—Local Paper.
One way or another they seem determined that the poor girls shall be "put through it."
One way or another, they seem set on making sure the poor girls go through it.
SHOULD MILLIONAIRES READ HOMER?
The recent discovery of a London millionaire, who not only lives in a small suburban villa, where his wife dispenses with servants, goes to bed at 7.30 p.m. and rises at 3 a.m., but reads Homer in the Greek, has caused a sensation.
The recent discovery of a London millionaire, who not only lives in a small suburban villa, where his wife does without servants, goes to bed at 7:30 p.m. and wakes up at 3 morning, but also reads Homer in Greek, has created quite a stir.
His endeavours to prove to a doubting world the truth of a favourite British adage is admirable; and his modest establishment only bears out what the millionaires keep on telling us, that, owing to high taxation and the abnormal cost of luxuries, they must really be reckoned as poor [pg 57] men. But his study of Homer provokes a difference of opinion.
His efforts to show a skeptical world the truth of a favorite British saying are commendable; and his modest setup only supports what millionaires keep telling us, that because of high taxes and the outrageous cost of luxuries, they really have to be considered poor [pg 57] people. But his study of Homer sparks a debate.
Our representative, in interviewing a venerable sociologist on the subject, was told that the study of Greek for millionaires is, within proper limits, comparatively harmless, but that Homer contains the elements of danger.
Our representative, while interviewing a respected sociologist on the topic, was informed that studying Greek for wealthy individuals is, within reasonable boundaries, relatively harmless, but that Homer contains elements of risk.
"It is in Homer's apotheosis of heroism in human combat that the peril lies," he said. "Having regard to the part played in the past by financiers in the wars between civilised nations, the security of the League of Nations will be threatened if the millionaires of to-day come under the spell of that great poet, who, with all his excellent qualities, directed his genius so persistently to the praise of warfare."
"It is in Homer's glorification of heroism in human conflict that the danger lies," he said. "Considering the role that financiers have played in the wars between civilized nations, the safety of the League of Nations could be at risk if today's millionaires become enchanted by that great poet, who, despite his many admirable qualities, channeled his genius so deeply into the celebration of warfare."
One of the millionaire class was next approached, and was asked what he thought of millionaires reading Homer.
One of the wealthy individuals was approached next and asked what he thought about millionaires reading Homer.
"Why not?" he asked. "Some millionaires are great readers. I am one myself. There are not half-a-dozen of Oppenheim's I haven't read; and I like Hall Caine—and Ethel Dell's not bad. Who is this Homer? If he's any good I may as well order him."
"Why not?" he asked. "Some millionaires are avid readers. I am one myself. I've read nearly all of Oppenheimer's works; I enjoy Hall Caine—and Ethel Dell isn't bad either. Who is this Homer? If he's worth it, I might as well order some of his books."
"Well, Homer was a poet, you know, a—"
"Well, Homer was a poet, you know, a—"
"I've no use for poetry," said the millionaire.
"I have no use for poetry," said the millionaire.
"A Greek poet, who lived—"
"A Greek poet who lived—"
"Greek. A Greek, did you say?" A shrewd look came into his eyes. "Some of the cutest devils I know are Greeks." He pulled down a shirt-cuff and took a diamond-studded pencil from his waistcoat pocket. "How do you spell it? With an H?"
"Greek. A Greek, did you say?" A clever glint appeared in his eyes. "Some of the cutest troublemakers I know are Greeks." He rolled down a shirt cuff and pulled out a diamond-studded pencil from his waistcoat pocket. "How do you spell it? With an H?"
"POULTRY AND EGGS.
Poultry and eggs.
Belfast or Neighborhood.—Looking for a locum tenens or someone to cover Sunday duty for a well-known rector during the holidays."—Irish Paper.
It looks as if he had been mistaken for a Lay-reader.
It seems he was mistaken for a lay reader.
"There's nothing left of the church's scoundrel, but the choir is still intact."—Scotch Paper.
We are glad they discarded the knave.
We’re glad they got rid of the jerk.
Country Cousin (who suffers from his wife's elbow at each crossing)."Oo! lawks, Maria! Next time we've to cross lemme be roon ower!"
Country Cousin (who suffers from his wife's elbow at each crossing)."Oh wow, Maria! Next time we meet, let me be on the other side!"
OUR BOOKING-OFFICE.
(By Mr. Punch's Team of Knowledgeable Writers.)
Double Life (Grant Richards) is a story that unblushingly bases its appeal on the love of almost everyone for a fairy-tale of good fortune. The matter of it is to show how a lady amateur, wife of a novelist, herself hardly knowing one end of a horse from the other, might make forty thousand pounds in a year on the Turf, without even her own husband so much as suspecting her activities. The thing isn't likely, is indeed a fantasy of the wildest improbability; but, told with the zest imparted to it here by Mr. Grant Richards, it provides first-rate fun. Some danger of monotony there was bound to be in what is really a variation upon a single theme. Though the author cunningly avoids this, I think it might justly be observed that he has made Olivia's plunges almost too uniformly successful. But perhaps not; after all, while you are handling fairy-gold, why be niggardly of it? The heroine's introduction to horse-racing comes about through the unconscious agency of her husband, who takes her with him on a visit to Newmarket in search of local colour for a "sporting" novel. The resulting situation reaches its climax in what is the best scene of the book, when Geoffrey, returning from a race that he has visited alone, but upon which Olivia, unknown to him, has risked thousands, recounts its progress in the best manner of realistic fiction, wholly ignorant of the true cause of what seems such flattering agitation in the listener. Altogether a happy if not very subtle story which I am glad that Mr. Grant Richards could persuade himself to publish.
Double Life (Grant Richards) is a story that confidently draws its charm from everyone’s love for a fairy-tale involving good luck. It shows how a woman, an amateur who is married to a novelist and barely knows anything about horses, could make forty thousand pounds in a year on the racetrack, all without her husband suspecting her activities. It’s unlikely, really a fantasy of the highest improbability; but when told with the excitement that Mr. Grant Richards brings here, it offers great entertainment. There’s bound to be some risk of monotony since it’s essentially a variation on a single theme. Though the author skillfully avoids this, one might fairly say that he has made Olivia's bets almost too uniformly successful. But then again, if you’re dealing with fairy-gold, why be stingy? The heroine gets introduced to horse racing through her husband, who takes her along on a trip to Newmarket to gather local color for a "sporting" novel. The resulting situation reaches its peak in what is the best scene of the book, when Geoffrey, returning from a race he attended alone, but upon which Olivia has secretly wagered thousands, recounts the race in the most realistic fictional manner, completely unaware of the real reason behind the listener's apparent excitement. Overall, it’s a happy, if not very subtle, story that I’m glad Mr. Grant Richards was willing to publish.
To write, as Mr. R.W. Chambers has written, fifty-two novels, many of them excellent and all readable, while still on the right side of sixty, is an achievement of intelligent industry that entitles any novelist, at the latter end, to take matters a little easily. The Moonlit Way (Appleton) has neither the imaginative qualities of The King in Yellow, the humour of In Search of the Unknown, nor the adventurous tang of Ashes of Empire, but it is a good live story that will carry the reader's interest to the last page. Mr. Chambers is at his best when dealing with spies and secret service agents and scheming chancellors and the other subterranean apparatus of war and diplomacy; at his least interesting when depicting affluent young America on its native heath of New York bricks and mortar. The Moonlit Way deals with all these things and more. We are whisked from the Bosphorus to the Welland Canal on the heels of Germany's "War in the United States," and French Secret Service officers, German saloon keepers and Sinn Fein revolutionaries jostle one another for a place in our interest. The novel-reading public knows that it is quite safe in buying any story by Mr. Chambers, and, if it does not expect too much of The Moonlit Way, it will not be disappointed.
To write, as Mr. R.W. Chambers has done, fifty-two novels, many of which are excellent and all of which are readable, while still under sixty, is a remarkable feat of hard work that allows any novelist, in their later years, to take things a bit easier. The Moonlit Way (Appleton) doesn’t have the imaginative flair of The King in Yellow, the humor of In Search of the Unknown, or the adventurous spirit of Ashes of Empire, but it’s a solid, engaging story that keeps the reader hooked until the final page. Mr. Rooms shines when exploring spies, secret agents, scheming politicians, and the other undercurrents of war and diplomacy; he’s least compelling when portraying wealthy young Americans in their familiar New York settings. The Moonlit Way covers all these topics and more. We're taken on a journey from the Bosphorus to the Welland Canal amidst Germany’s "War in the United States," with French secret agents, German bar owners, and Sinn Fein revolutionaries all competing for our attention. The reading public knows it is safe in purchasing any story by Mr. Rooms, and as long as it doesn’t expect too much from The Moonlit Way, it won’t be let down.
Lately, volumes of individual memorial to dead youth seem to have become less frequent. Perhaps there was a suggestion that the making of them, or rather their publication for the eyes of strangers, was in danger of being overdone. However this may be, I think that, quite apart from the appeal of circumstance, there would always have been a welcome for such a bright-natured book as one that Father Ronald Knox has put together, mostly from diaries and letters, about Patrick Shaw-Stewart (Collins). Eton and Balliol will agree that there could be no biographer better fitted to record the life, as happy seemingly as it was fated to be short, of one who combined success with popularity at both these places, was caught by the War on the threshold of a wider career, served his country with very notable distinction and was killed in the winter of 1917. Though he met death in France, the most of Shaw-Stewart's war-service was on the Eastern front; in particular he saw more than most soldiers of the whole Gallipoli adventure, to which he went as a member of that amazing company—surely the very flower of this country's war contribution—the Hood Battalion of the R.N.V.R. Here he was the comrade of many of those whom England has especially delighted to honour: Rupert Brooke, Denis-Browne, Charles Lister and others, all of whom figure in these vivid and most attractive letters; from which also one gathers an engaging picture of Shaw-Stewart himself, a generously admiring, humorous and entirely independent young Tory in a band of brilliant revolutionaries. In fine a book (despite its theme of promise sacrificed) full of laughter and a singularly charming character-study of one who, in his biographer's phrase, was assuredly "not one of the passengers of his generation."
Lately, individual memorials for young people who have died seem to have become less common. Maybe there was a sense that creating them, or sharing them with strangers, was getting a little too much. Regardless of this, I believe that, aside from the circumstances, there would always be an audience for such a bright and uplifting book as the one that Father Ronald Knox has compiled, mostly from diaries and letters, about Patrick Shaw-Stewart (Collins). Both Eton and Balliol would agree that there could be no better biographer to tell the story of a life that was seemingly happy but tragically short, one who achieved success and popularity at both institutions, was caught by the War just as he was about to embark on a broader career, served his country with remarkable distinction, and was killed in the winter of 1917. Although he died in France, most of Shaw-Stewart's military service was on the Eastern Front; specifically, he experienced more of the Gallipoli campaign than most soldiers, having gone there as part of that extraordinary group—the very best of this country’s wartime contributions—the Hood Battalion of the R.N.V.R. There, he was a comrade to many of those whom England has especially honored: Rupert Brooke, Denis-Browne brace, Charles Lister, and others, all of whom are featured in these vivid and very appealing letters; from which one also gets a delightful picture of Shaw-Stewart himself, a generously admiring, humorous, and completely independent young Tory among a group of brilliant revolutionaries. In short, it's a book (despite its theme of dreams dashed) filled with laughter and an exceptionally charming character study of someone who, in his biographer's words, was undoubtedly "not one of the passengers of his generation."
THE SPECIALIST.
Eminent Botanist on scientific expedition. "Dear me! Why didn't I take up Zoology instead of Botany? This seems such an interesting specimen."
Eminent Botanist on scientific expedition. "Oh no! Why didn’t I pick Zoology instead of Botany? This looks like such an interesting specimen."
Miss Ella Sykes, after going with her brother and a camera on his special mission to Kashgar during the earlier days of the War, has detailed in charming fashion, under the title Through Deserts and Oases of Central Asia (Macmillan), their travels in lands still almost unknown. Sir Percy Sykes himself has added some chapters on the history and customs of the district in order to allow himself the [pg 58] pleasure of referring affectionately to his hunting of the giant sheep—the Ovis poli—of the Pamirs. Between them they have given me a good deal of information, with a lot of really capital photographs, about a country—Chinese Turkestan—that one may have just heard of before, though it is impossible to be sure. Resisting a burning desire to pass on newly-acquired learning to the first listener, I will be content to say that a more readable volume of its kind has not come my way for a long time, and incidentally the country itself seems surprisingly desirable. For one thing it is free from the mosquitoes that spoil so many books of travel, while the people are peaceful, reasonably contented and not liable to jar on the reader's nerves, in the time-honoured fashion, with spears and poisoned arrows. Even the yaks, that one had supposed to be fearsome beasts, are mild benevolent pacifists. The authors do not suggest that it is all Paradise, of course, though for the Moslem there may be something of that sort in it. "Praise be to Allah! I have four obedient wives, who spend all their days in trying to please me," said a Kirghiz farmer to Sir Percy. But even Paradise may be a matter of taste.
Miss Ella Sykes, after accompanying her brother on a special mission to Kashgar with a camera during the early days of the War, has beautifully documented their travels in lands that are still mostly unknown, under the title Through Deserts and Oases of Central Asia (Macmillan). Sir Percy Sykes himself has contributed some chapters on the history and customs of the area, which allows him to fondly recount his adventures hunting the giant sheep—the Ovis poli—of the Pamirs. Together, they’ve provided me with plenty of information, along with some really great photographs, about a place—Chinese Turkestan—that I might have heard of before, though I can't be certain. Despite the urge to share my newfound knowledge with anyone who'll listen, I’ll just say that a more enjoyable book of this kind hasn’t come my way in a long time, and incidentally, the country itself seems surprisingly appealing. For one thing, it is free of the mosquitoes that ruin so many travel accounts, and the people are peaceful, reasonably happy, and not likely to annoy the reader with traditional threats like spears and poisoned arrows. Even the yaks, which one might assume are fierce creatures, turn out to be gentle pacifists. The authors don’t claim it’s all perfect, of course, though for Muslims, there might be a bit of that. "Praise be to Allah! I have four obedient wives, who spend all their days trying to please me," a Kirghiz farmer told Sir Percy. But even paradise can be a matter of personal taste.
If War in the Garden of Eden (Murray) cannot be numbered among the books which must be read by a serious war-student it is in its unassuming way very attractive. Captain Kermit Roosevelt made many friends while serving as a Captain with the Motor Machine-Gun Corps in Mesopotamia, and here he reveals himself as a keen soldier and a pleasant companion. In style he is perhaps a shade too jerky; his frequent failure to make his connections gives one a sense of being in the hands of a rather rambling guide. But the important points are that he is an engaging rambler, and that he can describe his experiences both of war and peace with so clear a simplicity that they can be easily visualized. When the American Army arrived in France Captain Roosevelt naturally wished to join it, and his last chapter is called "With the First Division in France and Germany." But for us the main interest of his book lies in the work he did with the British in Mesopotamia, and to thank him for this would seem to be an impertinence.
If War in the Garden of Eden (Murray) isn't considered a must-read for serious students of war, it is still quite appealing in its own modest way. Captain Kermit Roosevelt made many friends while serving as a Captain with the Motor Machine-Gun Corps in Mesopotamia, and here he shows himself to be a sharp soldier and a great companion. His writing style is a bit choppy; his frequent jumps between topics can feel like being led by a somewhat meandering guide. However, what's important is that he is an engaging storyteller, and he can describe his experiences of both war and peace with such clear simplicity that they're easy to visualize. When the American Army arrived in France, Captain Roosevelt naturally wanted to join, and his last chapter is titled "With the First Division in France and Germany." But for us, the main appeal of his book lies in the work he did with the British in Mesopotamia, and thanking him for this might seem a bit rude.
Mr. Arnold Bennett's From the Log of the Velsa (Chatto) deals with some vague period before the War (dates are most carefully concealed), when the versatile author undertook certain cruises up and down Dutch canals, the Baltic, French, Flemish and Danish coasts and East Anglian estuaries with companions about whom he preserves an equally mysterious silence. (Was it secret service, I wonder?) A delightful book, produced with something like pre-war attention to æsthetic appearance—a pleasant quarto with roomy pages faithfully printed in a fair type. You ought to enjoy the owner's evident enjoyment (he was never bored and therefore never boring), his charmingly ingenuous pride of possession, his shrewd, humorous and excessively didactic utterances about painters, pictures, architecture and female beauty, his zeal for water-colour sketching and his apparently profound contempt of other exponents of the craft. Nothing could be less like (I thank Heaven) the ordinary yachtsman's recollections of his travels, and I get an impression that Mr. Bennett was not ill-pleased to leave most of the work and the technical knowledge to his skipper.
Mr. Arnold Bennett’s From the Log of the Velsa (Chatto) talks about a vague time before the War (the dates are kept a secret), when the talented author went on various cruises through Dutch canals, the Baltic, and along the French, Flemish, and Danish coasts and East Anglian estuaries with companions about whom he also remains mysteriously silent. (I wonder if it was secret service?) It's a delightful book, produced with a level of care for aesthetics typical of the pre-war era—a lovely quarto with spacious pages printed in a clear typeface. You’ll appreciate the owner’s obvious enjoyment (he was never bored and thus never boring), his charmingly naive pride in ownership, his sharp, humorous, and overly didactic comments about painters, art, architecture, and female beauty, his passion for watercolor sketching, and his seemingly deep disdain for other practitioners of the craft. Nothing could be less like (thankfully) the usual yachtsman’s travel accounts, and I get the sense that Mr. Bennett was quite happy to leave most of the work and the technical knowledge to his skipper.
Canning must have had a premonition of the modern fashions when he wrote in The New Morality, "Black's not so black, nor white so very white."
Preserving food must have sensed the modern trends when he wrote in The New Morality, "Black's not that black, nor white so very white."
From a bookseller's advertisement:—
From a bookseller's ad:—
"Mr.—— has a way with his most interesting books that makes it impossible to stop reading once you finish one." Newfoundland Paper.
Not being quite sure whether this is a compliment or not we have suppressed the distinguished author's name.
Not being entirely sure if this is a compliment or not, we have left out the distinguished author's name.
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