This is a modern-English version of Old Christmas, originally written by Irving, Washington.
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OLD CHRISTMAS
by Washington Irving
But is old, old, good old Christmas gone? Nothing but the hair of his good, gray, old head and beard left? Well, I will have that, seeing that I cannot have more of him.
Hue and Cry after Christmas.
But is the classic, wonderful Christmas really lost? Is it only the hair from his good, gray head and beard that remains? Well, I’ll accept that since I can’t have more of him.
Call for Christmas.
Contents
A man might then behold At Christmas, in each hall Good fires to curb the cold, And meat for great and small. The neighbours were friendly bidden, And all had welcome true, The poor from the gates were not chidden, When this old cap was new. Old Song
A man could then see At Christmas, in every hall Warm fires to fight the chill, And food for everyone. Neighbors were genuinely invited, And all received a warm welcome, The needy were not scolded away, When this old cap was new. Old Song
Christmas
There is nothing in England that exercises a more delightful spell over my imagination than the lingerings of the holiday customs and rural games of former times. They recall the pictures my fancy used to draw in the May morning of life, when as yet I only knew the world through books, and believed it to be all that poets had painted it; and they bring with them the flavour of those honest days of yore, in which, perhaps with equal fallacy, I am apt to think the world was more home-bred, social, and joyous than at present. I regret to say that they are daily growing more and more faint, being gradually worn away by time, but still more obliterated by modern fashion. They resemble those picturesque morsels of Gothic architecture which we see crumbling in various parts of the country, partly dilapidated by the waste of ages, and partly lost in the additions and alterations of latter days. Poetry, however, clings with cherishing fondness about the rural game and holiday revel, from which it has derived so many of its themes,—as the ivy winds its rich foliage about the Gothic arch and mouldering tower, gratefully repaying their support by clasping together their tottering remains, and, as it were, embalming them in verdure.
There’s nothing in England that captures my imagination quite like the old holiday customs and rural games from the past. They remind me of the colorful images I used to create in my mind during the bright mornings of my youth, when I only understood the world through books and thought it was just as poets described it. They bring back the essence of those honest days gone by, when I like to believe the world was more rooted in community, social, and joyful than it is now. Unfortunately, these traditions are slowly fading, worn away by time and even more so by modern trends. They’re like the beautiful pieces of Gothic architecture that we see crumbling in various places, partly ruined by the passage of time and partly lost in the changes of recent years. However, poetry still lovingly clings to the rural games and holiday celebrations, from which it has drawn many of its themes—much like ivy wraps its lush leaves around a Gothic arch and crumbling tower, gratefully holding together their fragile structures and, in a way, preserving them in greenery.
Of all the old festivals, however, that of Christmas awakens the strongest and most heartfelt associations. There is a tone of solemn and sacred feeling that blends with our conviviality, and lifts the spirit to a state of hallowed and elevated enjoyment. The services of the church about this season are extremely tender and inspiring. They dwell on the beautiful story of the origin of our faith, and the pastoral scenes that accompanied its announcement. They gradually increase in fervour and pathos during the season of Advent, until they break forth in full jubilee on the morning that brought peace and good-will to men. I do not know a grander effect of music on the moral feelings than to hear the full choir and the pealing organ performing a Christmas anthem in a cathedral, and filling every part of the vast pile with triumphant harmony.
Of all the old festivals, Christmas brings out the strongest and most heartfelt memories. There's a mix of solemn and sacred feelings that comes together with our joyful celebrations, lifting our spirits into a place of cherished and elevated enjoyment. The church services during this time are incredibly touching and inspiring. They focus on the beautiful story of the origins of our faith and the pastoral scenes that came with its announcement. The intensity and emotion build up during Advent, reaching a peak in full celebration on the morning that brought peace and goodwill to all. I can't think of a more powerful experience of music impacting our emotions than hearing a full choir and the booming organ performing a Christmas anthem in a cathedral, filling every corner of the enormous space with triumphant harmony.
It is a beautiful arrangement, also derived from days of yore, that this festival, which commemorates the announcement of the religion of peace and love, has been made the season for gathering together of family connections, and drawing closer again those bands of kindred hearts which the cares and pleasures and sorrows of the world are continually operating to cast loose; of calling back the children of a family who have launched forth in life, and wandered widely asunder, once more to assemble about the paternal hearth, that rallying-place of the affections, there to grow young and loving again among the endearing mementoes of childhood.
It’s a lovely tradition, rooted in the past, that this festival, celebrating the message of peace and love, brings families together and reconnects those close relationships that the challenges and joys of life often pull apart. It’s a time to welcome back family members who have gone out into the world and drifted apart, allowing them to gather once again around the family hearth, that center of affection, where they can feel young and loving again among the cherished memories of their childhood.
There is something in the very season of the year that gives a charm to the festivity of Christmas. At other times we derive a great portion of our pleasures from the mere beauties of nature. Our feelings sally forth and dissipate themselves over the sunny landscape, and we "live abroad and everywhere." The song of the bird, the murmur of the stream, the breathing fragrance of spring, the soft voluptuousness of summer, the golden pomp of autumn; earth with its mantle of refreshing green, and heaven with its deep delicious blue and its cloudy magnificence, all fill us with mute but exquisite delight, and we revel in the luxury of mere sensation. But in the depth of winter, when nature lies despoiled of every charm, and wrapped in her shroud of sheeted snow, we turn for our gratifications to moral sources. The dreariness and desolation of the landscape, the short gloomy days and darksome nights, while they circumscribe our wanderings, shut in our feelings also from rambling abroad, and make us more keenly disposed for the pleasures of the social circle. Our thoughts are more concentrated; our friendly sympathies more aroused, we feel more sensibly the charm of each other's society, and are brought more closely together by dependence on each other for enjoyment. Heart calleth unto heart; and we draw our pleasures from the deep wells of living kindness, which lie in the quiet recesses of our bosoms: and which when resorted to, furnish forth the pure element of domestic felicity.
There's something about the season of the year that adds a special charm to the celebration of Christmas. During other times, we find a lot of our joy in the simple beauty of nature. Our feelings overflow and spread over the sunny landscape, and we feel like we "live everywhere." The songs of the birds, the gentle sound of the stream, the sweet scents of spring, the warm embrace of summer, the golden beauty of autumn; the earth, covered in refreshing green, and the sky, with its deep, delicious blue and stunning clouds, all fill us with quiet yet profound joy, allowing us to indulge in the luxury of pure sensation. But in the deep winter, when nature is stripped of all its charm and wrapped in a blanket of snow, we turn to moral sources for our happiness. The bleakness and emptiness of the landscape, the short, gloomy days and dark nights, while limiting our movements, also draw us inward, making us more eager for the pleasures of being with others. Our thoughts become more focused; our friendly connections are heightened, and we feel the joy of each other's company more deeply, bringing us closer together as we rely on one another for enjoyment. Heart calls out to heart; we draw our happiness from the deep wells of kindness that reside in the quiet corners of our hearts, which, when accessed, provide the pure essence of domestic happiness.
The pitchy gloom without makes the heart dilate on entering the room filled with the glow and warmth of the evening fire. The ruddy blaze diffuses an artificial summer and sunshine through the room, and lights up each countenance into a kindlier welcome. Where does the honest face of hospitality expand into a broader and more cordial smile—where is the shy glance of love more sweetly eloquent—than by the winter fireside? and as the hollow blast of wintry wind rushes through the hall, claps the distant door, whistles about the casement, and rumbles down the chimney, what can be more grateful than that feeling of sober and sheltered security with which we look around upon the comfortable chamber and the scene of domestic hilarity?
The dark gloom outside makes your heart swell when you enter the room filled with the glow and warmth of the evening fire. The bright flames create a cozy summer vibe and sunshine throughout the space, lighting up everyone’s face with a friendlier welcome. Where does the genuine face of hospitality break into a warmer and more heartfelt smile—where is the shy glance of love more sweetly expressive—than by the winter fireside? And as the fierce winter wind rushes through the hall, slams the distant door, whistles around the window, and rumbles down the chimney, what could feel more comforting than that sense of calm and protected security as we look around at the cozy room and the scene of homey joy?
The English, from the great prevalence of rural habits throughout every class of society, have always been fond of those festivals and holidays which agreeably interrupt the stillness of country life; and they were, in former days, particularly observant of the religious and social rites of Christmas. It is inspiring to read even the dry details which some antiquarians have given of the quaint humours, the burlesque pageants, the complete abandonment to mirth and good-fellowship with which this festival was celebrated. It seemed to throw open every door, and unlock every heart. It brought the peasant and the peer together, and blended all ranks in one warm generous flow of joy and kindness. The old halls of castles and manor-houses resounded with the harp and the Christmas carol, and their ample boards groaned under the weight of hospitality. Even the poorest cottage welcomed the festive season with green decorations of bay and holly—the cheerful fire glanced its rays through the lattice, inviting the passenger to raise the latch, and join the gossip knot huddled around the hearth, beguiling the long evening with legendary jokes and oft-told Christmas tales.
The English, with rural life being so common across all social classes, have always cherished festivals and holidays that pleasantly break the tranquility of country living. In earlier times, they especially paid attention to the religious and social traditions of Christmas. It's uplifting to read even the straightforward accounts that some historians have provided about the quirky antics, humorous parades, and complete joy and camaraderie with which this holiday was celebrated. It seemed to open every door and warm every heart. It brought together farmers and nobility, blending all classes in a shared flow of joy and kindness. The grand halls of castles and manor houses echoed with the sounds of the harp and Christmas carols, and their banquet tables overflowed with hospitality. Even the humblest cottage celebrated the season with decorations of bay and holly—the cheerful fire cast its glow through the window, inviting passersby to come in and join the circle gathered around the hearth, entertaining the long evening with legendary jokes and familiar Christmas stories.
One of the least pleasing effects of modern refinement is the havoc it has made among the hearty old holiday customs. It has completely taken off the sharp touchings and spirited reliefs of these embellishments of life, and has worn down society into a more smooth and polished, but certainly a less characteristic surface. Many of the games and ceremonials of Christmas have entirely disappeared, and like the sherris sack of old Falstaff, are become matters of speculation and dispute among commentators. They flourished in times full of spirit and lustihood, when men enjoyed life roughly, but heartily and vigorously; times wild and picturesque, which have furnished poetry with its richest materials, and the drama with its most attractive variety of characters and manners. The world has become more worldly. There is more of dissipation, and less of enjoyment. Pleasure has expanded into a broader, but a shallower stream, and has forsaken many of those deep and quiet channels where it flowed sweetly through the calm bosom of domestic life. Society has acquired a more enlightened and elegant tone; but it has lost many of its strong local peculiarities, its homebred feelings, its honest fireside delights. The traditionary customs of golden-hearted antiquity, its feudal hospitalities, and lordly wassailings, have passed away with the baronial castles and stately manor-houses in which they were celebrated. They comported with the shadowy hall, the great oaken gallery, and the tapestried parlour, but are unfitted to the light showy saloons and gay drawing-rooms of the modern villa.
One of the least appealing effects of modern refinement is the chaos it has caused among the hearty old holiday traditions. It has completely stripped away the sharp touches and lively details of these aspects of life, and has smoothed society into a more polished surface that is undeniably less distinctive. Many of the games and ceremonies of Christmas have completely vanished, becoming topics of speculation and debate among commentators, much like the sherris sack of old Falstaff. They thrived in times full of energy and vitality, when people enjoyed life roughly yet wholeheartedly; times that were wild and picturesque, providing poetry with its richest materials and drama with its most varied characters and manners. The world has become more materialistic. There is more excess and less true enjoyment. Pleasure has broadened into a wider but shallower stream, leaving behind many of those deep and serene channels where it flowed sweetly through the calm heart of domestic life. Society has gained a more refined and sophisticated tone, but it has also lost many of its strong local traits, its homegrown feelings, and its genuine fireside joys. The traditional customs of warm-hearted antiquity, with its feudal hospitality and lavish celebrations, have disappeared along with the baronial castles and grand manor houses where they were once held. They fit well with the shadowy halls, large oak galleries, and richly decorated parlors, but are ill-suited to the bright, flashy rooms and cheerful drawing-rooms of today’s villas.
Shorn, however, as it is, of its ancient and festive honours, Christmas is still a period of delightful excitement in England. It is gratifying to see that home feeling completely aroused which seems to hold so powerful a place in every English bosom. The preparations making on every side for the social board that is again to unite friends and kindred; the presents of good cheer passing and repassing, those tokens of regard, and quickeners of kind feelings; the evergreens distributed about houses and churches, emblems of peace and gladness; all these have the most pleasing effect in producing fond associations, and kindling benevolent sympathies. Even the sound of the waits, rude as may be their minstrelsy, breaks upon the mid-watches of a winter night with the effect of perfect harmony. As I have been awakened by them in that still and solemn hour, "when deep sleep falleth upon man," I have listened with a hushed delight, and, connecting them with the sacred and joyous occasion, have almost fancied them into another celestial choir, announcing peace and good-will to mankind.
Though stripped of its old festive traditions, Christmas is still a time of joyful excitement in England. It’s heartwarming to see that sense of homecoming come alive, which holds such an important place in every English heart. The preparations happening everywhere for gatherings that will once again bring friends and family together; the gifts of food and drink being shared, those signs of affection that spark kind feelings; the evergreens decorating homes and churches, symbols of peace and joy—all these create wonderful memories and ignite generous emotions. Even the sound of street musicians, rough as their music might be, breaks through the quiet of a winter night like a perfect melody. When I’ve been awakened by them in that still and solemn hour, "when deep sleep falleth upon man," I’ve listened with quiet joy, and, connecting their tunes with the sacred and joyful occasion, have almost imagined them to be a heavenly choir, announcing peace and goodwill to all.
How delightfully the imagination, when wrought upon by these moral influences, turns everything to melody and beauty: The very crowing of the cock, who is sometimes heard in the profound repose of the country, "telling the night-watches to his feathery dames," was thought by the common people to announce the approach of this sacred festival:
How wonderfully the imagination, when influenced by these moral elements, transforms everything into music and beauty: Even the crowing of the rooster, sometimes heard in the deep quiet of the countryside, "telling the night-watches to his feathered ladies," was believed by ordinary people to signal the arrival of this sacred celebration:
"Some say that ever 'gainst that season comes Wherein our Saviour's birth is celebrated, This bird of dawning singeth all night long: And then, they say, no spirit dares stir abroad; The nights are wholesome—then no planets strike, No fairy takes, no witch hath power to charm, So hallow'd and so gracious is the time."
"Some say that every time that season comes When we celebrate our Savior's birth, This bird of dawn sings all night long: And then, they say, no spirit dares to roam; The nights are good—then no planets are harmful, No fairy tricks, no witch has the power to charm, So sacred and so blessed is this time."
Amidst the general call to happiness, the bustle of the spirits, and stir of the affections, which prevail at this period, what bosom can remain insensible? It is, indeed, the season of regenerated feeling—the season for kindling, not merely the fire of hospitality in the hall, but the genial flame of charity in the heart.
Amid the general call for happiness, the excitement of the spirits, and the stir of emotions that are present at this time, who could remain unaffected? It is truly the season of renewed feelings—the time to ignite not just the fire of hospitality in the home, but also the warm flame of kindness in the heart.
The scene of early love again rises green to memory beyond the sterile waste of years; and the idea of home, fraught with the fragrance of home-dwelling joys, reanimates the drooping spirit,—as the Arabian breeze will sometimes waft the freshness of the distant fields to the weary pilgrim of the desert.
The memory of young love comes back vividly, despite the lifeless years that have passed; and the thought of home, filled with the sweet scents of joy, lifts the tired spirit—just like a warm breeze can sometimes carry the freshness of faraway fields to a weary traveler lost in the desert.
Stranger and sojourner as I am in the land,—though for me no social hearth may blaze, no hospitable roof throw open its doors, nor the warm grasp of friendship welcome me at the threshold,—yet I feel the influence of the season beaming into my soul from the happy looks of those around me. Surely happiness is reflective, like the light of heaven; and every countenance, bright with smiles, and glowing with innocent enjoyment, is a mirror transmitting to others the rays of a supreme and ever shining benevolence. He who can turn churlishly away from contemplating the felicity of his fellow beings, and sit down darkling and repining in his loneliness when all around is joyful, may have his moments of strong excitement and selfish gratification, but he wants the genial and social sympathies which constitute the charm of a merry Christmas.
Stranger and traveler that I am in this land—though I have no warm hearth to gather around, no welcoming home to open its doors for me, nor the friendly embrace of companionship to greet me at the entrance—I still feel the season's warmth shining into my spirit from the joyful faces of those around me. Happiness must be contagious, like sunlight; and every face bright with smiles and glowing with pure enjoyment is a mirror reflecting the rays of a deep and everlasting kindness. Anyone who can turn away coldly from witnessing the joy of others and wallow in their own loneliness while everyone else is celebrating may have fleeting moments of intense excitement and selfish pleasure, but they lack the warm and social connections that make a joyful Christmas truly special.
The Stage-coach
Omne bene Sine poena Tempus est ludendi; Venit hora, Absque mora Libros deponendi. —Old Holiday School Song.
Everything is good Without punishment It’s time to play; The hour has come, Without delay To put down our books. —Old Holiday School Song.
In the preceding paper I have made some general observations on the Christmas festivities of England, and am tempted to illustrate them by some anecdotes of a Christmas passed in the country; in perusing which, I would most courteously invite my reader to lay aside the austerity of wisdom, and to put on that genuine holiday spirit which is tolerant of folly, and anxious only for amusement.
In the previous paper, I shared some general insights about the Christmas celebrations in England, and I'm inspired to share some anecdotes from a Christmas spent in the countryside. As you read through these stories, I kindly invite you to set aside the seriousness of wisdom and embrace the true holiday spirit, which is open to fun and only seeks enjoyment.
In the course of a December tour in Yorkshire, I rode for a long distance in one of the public coaches, on the day preceding Christmas. The coach was crowded, both inside and out, with passengers, who, by their talk, seemed principally bound to the mansions of relations or friends to eat the Christmas dinner. It was loaded also with hampers of game, and baskets and boxes of delicacies; and hares hung dangling their long ears about the coachman's box,—presents from distant friends for the impending feast. I had three fine rosy-cheeked schoolboys for my fellow passengers inside, full of the buxom health and manly spirit which I have observed in the children of this country. They were returning home for the holidays in high glee, and promising themselves a world of enjoyment. It was delightful to hear the gigantic plans of pleasure of the little rogues, and the impracticable feats they were to perform during their six weeks' emancipation from the abhorred thraldom of book, birch, and pedagogue. They were full of anticipations of the meeting with the family and household, down to the very cat and dog; and of the joy they were to give their little sisters by the presents with which their pockets were crammed; but the meeting to which they seemed to look forward with the greatest impatience was with Bantam, which I found to be a pony, and, according to their talk, possessed of more virtues than any steed since the days of Bucephalus. How he could trot! how he could run! and then such leaps as he would take—there was not a hedge in the whole country that he could not clear.
During a December trip in Yorkshire, I rode for a long time in one of the public coaches on the day before Christmas. The coach was packed, both inside and out, with passengers who were mainly headed to relatives' or friends' homes for Christmas dinner, judging by their conversations. It was also filled with hampers of game and baskets and boxes of treats, while hares were hanging with their long ears over the coachman's box—gifts from faraway friends for the upcoming feast. Inside, I had three cheerful rosy-cheeked schoolboys for fellow passengers, bursting with the health and spirit I’ve noticed in children from this country. They were headed home for the holidays, full of excitement and dreaming of all the fun they were going to have. It was a joy to listen to the grand plans for enjoyment from the little rascals and the outrageous things they intended to do during their six weeks away from the dreaded bondage of books, canes, and teachers. They were eagerly anticipating reuniting with their family and pets, right down to the cat and dog; but the reunion they seemed to be most excited about was with Bantam, which I learned was a pony, and according to their chatter, had more qualities than any horse since Bucephalus. Just how he could trot! How he could run! And the jumps he would take—there wasn't a hedge in the entire countryside that he couldn't clear.
They were under the particular guardianship of the coachman, to whom, whenever an opportunity presented, they addressed a host of questions, and pronounced him one of the best fellows in the whole world. Indeed, I could not but notice the more than ordinary air of bustle and importance of the coachman, who wore his hat a little on one side, and had a large bunch of Christmas greens stuck in the button-hole of his coat. He is always a personage full of mighty care and business, but he is particularly so during this season, having so many commissions to execute in consequence of the great interchange of presents.
They were under the special care of the coachman, to whom they asked a ton of questions whenever they got the chance and considered him one of the best guys in the world. Honestly, I couldn't help but notice the unusual sense of urgency and significance about the coachman, who wore his hat slightly tilted and had a big bunch of Christmas greens pinned in the buttonhole of his coat. He’s always someone filled with a lot of responsibility and work, but he’s especially busy during this season, with so many deliveries to make because of the large exchange of gifts.
And here, perhaps, it may not be unacceptable to my untravelled readers to have a sketch that may serve as a general representation of this very numerous and important class of functionaries who have a dress, a manner, a language, an air, peculiar to themselves, and prevalent throughout the fraternity; so that, wherever an English stage-coachman may be seen, he cannot be mistaken for one of any other craft or mystery.
And here, maybe, it won’t be too much to ask my readers who haven't traveled much to get a brief overview of this large and significant group of workers who have their own style, demeanor, language, and presence that sets them apart and is common throughout their community. So, wherever you see an English stagecoach driver, you’ll easily recognize them as being from their particular trade.
He has commonly a broad, full face, curiously mottled with red, as if the blood had been forced by hard feeding into every vessel of the skin; he is swelled into jolly dimensions by frequent potations of malt liquors, and his bulk is still further increased by a multiplicity of coats, in which he is buried like a cauliflower, the upper one reaching to his heels. He wears a broad-brimmed, low-crowned hat; a huge roll of coloured handkerchief about his neck, knowingly knotted and tucked in at the bosom; and has in summer-time a large bouquet of flowers in his buttonhole; the present, most probably, of some enamoured country lass. His waistcoat is commonly of some bright colour, striped; and his small-clothes extend far below the knees, to meet a pair of jockey boots which reach about half-way up his legs.
He usually has a broad, full face, oddly mottled with red, as if the blood has been pushed into every little vessel in his skin from eating too much; he’s puffed up by regularly drinking a lot of beer, and his size is further increased by wearing multiple coats, which make him look like a cauliflower, with the top coat reaching his heels. He sports a wide-brimmed, low-crowned hat; a big roll of colorful handkerchief around his neck, expertly knotted and tucked into his chest; and during summer, he has a large bouquet of flowers in his buttonhole, likely a gift from some smitten local girl. His vest is often a bright color with stripes, and his trousers extend well below his knees, meeting a pair of jockey boots that come halfway up his calves.
All this costume is maintained with much precision; he has a pride in having his clothes of excellent materials; and, notwithstanding the seeming grossness of his appearance, there is still discernible that neatness and propriety of person which is almost inherent in an Englishman. He enjoys great consequence and consideration along the road; has frequent conferences with the village housewives, who look upon him as a man of great trust and dependence; and he seems to have a good understanding with every bright-eyed country lass. The moment he arrives where the horses are to be changed, he throws down the reins with something of an air, and abandons the cattle to the care of the hostler; his duty being merely to drive from one stage to another.
He keeps his outfit in great condition and takes pride in wearing high-quality clothes. Despite his rough appearance, you can still see the neatness and propriety that is almost natural for an Englishman. He holds a significant position and respect along the road, often chatting with the village housewives, who see him as someone they can trust and rely on. He also seems to have a good rapport with every bright-eyed local girl. As soon as he arrives at the stop to change horses, he casually tosses down the reins and leaves the horses in the hostler's care, as his job is just to drive from one place to the next.
When off the box, his hands are thrust in the pockets of his greatcoat, and he rolls about the inn-yard with an air of the most absolute lordliness. Here he is generally surrounded by an admiring throng of hostlers, stable-boys, shoe-blacks, and those nameless hangers-on that infest inns and taverns, and run errands, and do all kinds of odd jobs, for the privilege of battening on the drippings of the kitchen and the leakage of the tap-room. These all look up to him as to an oracle; treasure up his cant phrases; echo his opinions about horses and other topics of jockey lore; and, above all, endeavour to imitate his air and carriage. Every ragamuffin that has a coat to his back thrusts his hands in the pockets, rolls in his gait, talks slang, and is an embryo Coachey.
When he's off the box, his hands are shoved into his greatcoat pockets, and he strolls around the inn yard with an attitude of complete authority. Typically, he’s surrounded by a group of admirers—hostlers, stable boys, shoe shiners, and those unidentifiable hangers-on who linger around inns and taverns, running errands and doing odd jobs for the chance to feast on scraps from the kitchen and sip from the taproom. They all look up to him as if he’s some kind of oracle; they memorize his catchphrases, repeat his opinions about horses and other jockey topics, and, most importantly, try to mimic his style and demeanor. Every ragged kid with a coat on his back shoves his hands into his pockets, struts with a roll, talks slang, and is an aspiring Coachey.
Perhaps it might be owing to the pleasing serenity that reigned in my own mind, that I fancied I saw cheerfulness in every countenance throughout the journey. A stage-coach, however, carries animation always with it, and puts the world in motion as it whirls along. The horn, sounded at the entrance of a village, produces a general bustle. Some hasten forth to meet friends; some with bundles and bandboxes to secure places, and in the hurry of the moment can hardly take leave of the group that accompanies them. In the meantime, the coachman has a world of small commissions to execute. Sometimes he delivers a hare or pheasant; sometimes jerks a small parcel or newspaper to the door of a public-house; and sometimes, with knowing leer and words of sly import, hands to some half-blushing, half-laughing housemaid an odd-shaped billet-doux from some rustic admirer. As the coach rattles through the village, every one runs to the window, and you have glances on every side of fresh country faces, and blooming, giggling girls. At the corners are assembled juntas of village idlers and wise men, who take their stations there for the important purpose of seeing company pass; but the sagest knot is generally at the blacksmith's, to whom the passing of the coach is an event fruitful of much speculation. The smith, with the horse's heel in his lap, pauses as the vehicle whirls by; the Cyclops round the anvil suspend their ringing hammers, and suffer the iron to grow cool; and the sooty spectre in brown paper cap, labouring at the bellows, leans on the handle for a moment, and permits the asthmatic engine to heave a long-drawn sigh, while he glares through the murky smoke and sulphureous gleams of the smithy.
Maybe it's because of the nice calm I felt in my own mind that I thought I saw happiness on everyone’s face during the journey. A stagecoach always brings some excitement and gets people moving as it speeds along. The horn that sounds when entering a village creates a lively atmosphere. Some people rush out to meet friends; others hurry with their bags and boxes to grab a seat, barely saying goodbye to their companions in the chaos. Meanwhile, the driver has a bunch of little errands to run. Sometimes he delivers a hare or pheasant, sometimes drops off a small parcel or newspaper at a pub, and sometimes, with a knowing grin and sly words, hands an oddly shaped love note to a half-shy, half-laughing maid from a rustic admirer. As the coach rattles through the village, everyone rushes to the window, and you catch quick glimpses of fresh country faces and cheerful, giggling girls. At the corners, groups of village loafers and wise guys gather to watch people pass by; but the smartest crowd usually hangs out at the blacksmith's, where the coach’s passing sparks a lot of speculation. The smith, with a horse's hoof in his lap, stops as the coach rushes by; the Cyclops around the anvil put down their ringing hammers and let the iron cool; and the grim figure in a brown paper cap, working the bellows, leans on the handle for a moment, allowing the wheezing machine to let out a long sigh as he peeks through the smoky air and yellowish glimmers of the forge.
Perhaps the impending holiday might have given a more than usual animation to the country, for it seemed to me as if everybody was in good looks and good spirits. Game, poultry, and other luxuries of the table, were in brisk circulation in the villages; the grocers', butchers', and fruiterers' shops were thronged with customers. The housewives were stirring briskly about, putting their dwellings in order; and the glossy branches of holly, with their bright red berries, began to appear at the windows. The scene brought to mind an old writer's account of Christmas preparations:—"Now capons and hens, besides turkeys, geese, and ducks, with beef and mutton—must all die; for in twelve days a multitude of people will not be fed with a little. Now plums and spice, sugar and honey, square it among pies and broth. Now or never must music be in tune, for the youth must dance and sing to get them a heat, while the aged sit by the fire. The country maid leaves half her market, and must be sent again, if she forgets a pack of cards on Christmas eve. Great is the contention of Holly and Ivy, whether master or dame wears the breeches. Dice and cards benefit the butler; and if the cook do not lack wit, he will sweetly lick his fingers."
Maybe the upcoming holiday brought an extra level of excitement to the country, because it felt like everyone was looking great and feeling happy. Game, poultry, and other table delights were flying off the shelves in the villages; the shops for groceries, meat, and fruits were packed with customers. The housewives were bustling around, tidying up their homes; and the shiny branches of holly, with their bright red berries, started to show up in the windows. This scene reminded me of an old writer's description of Christmas preparations: “Now capons and hens, along with turkeys, geese, and ducks, plus beef and mutton—must all be prepared; for in twelve days, a crowd of people can't be fed with just a little. Now plums and spices, sugar and honey, should be mixed into pies and broth. Now or never must the music be at the right pitch, so the young ones can dance and sing to warm themselves while the older folks sit by the fire. The country girl leaves half of her shopping undone and needs to be sent back if she forgets a pack of cards on Christmas Eve. There’s a big debate between Holly and Ivy about whether the man or woman is in charge. Dice and cards are good for the butler; and if the cook is clever enough, he’ll happily lick his fingers.”
I was roused from this fit of luxurious meditation by a shout from my little travelling companions. They had been looking out of the coach-windows for the last few miles, recognising every tree and cottage as they approached home, and now there was a general burst of joy—"There's John! and there's old Carlo! and there's Bantam!" cried the happy little rogues, clapping their hands.
I was jolted from this moment of blissful reflection by a shout from my little travel buddies. They had been gazing out of the coach windows for the last few miles, spotting every tree and cottage as we got closer to home, and now there was a collective cheer—"There's John! and there's old Carlo! and there's Bantam!" the delighted little rascals exclaimed, clapping their hands.
At the end of a lane there was an old sober-looking servant in livery waiting for them: he was accompanied by a superannuated pointer, and by the redoubtable Bantam, a little old rat of a pony, with a shaggy mane and long, rusty tail, who stood dozing quietly by the roadside, little dreaming of the bustling times that awaited him.
At the end of the lane, there was an old, serious-looking servant in uniform waiting for them. He was with an aging pointer and the formidable Bantam, a little old pony who resembled a rat, with a shaggy mane and a long, rusty tail. He stood dozing quietly by the side of the road, unaware of the busy times that lay ahead for him.
I was pleased to see the fondness with which the little fellows leaped about the steady old footman, and hugged the pointer, who wriggled his whole body for joy. But Bantam was the great object of interest; all wanted to mount at once; and it was with some difficulty that John arranged that they should ride by turns, and the eldest should ride first.
I was happy to see how much the little kids loved jumping around the steady old footman and hugging the pointer, who wiggled his whole body in excitement. But Bantam was the main attraction; everyone wanted to ride at the same time. It took some effort for John to organize it so they could take turns, with the oldest riding first.
Off they set at last; one on the pony, with the dog bounding and barking before him, and the others holding John's hands; both talking at once, and overpowering him by questions about home, and with school anecdotes. I looked after them with a feeling in which I do not know whether pleasure or melancholy predominated: for I was reminded of those days when, like them, I had neither known care nor sorrow, and a holiday was the summit of earthly felicity. We stopped a few moments afterward to water the horses, and on resuming our route, a turn of the road brought us in sight of a neat country seat. I could just distinguish the forms of a lady and two young girls in the portico, and I saw my little comrades, with Bantam, Carlo, and old John, trooping along the carriage road. I leaned out of the coach-window, in hopes of witnessing the happy meeting, but a grove of trees shut it from my sight.
Finally, they set off; one on the pony, with the dog bouncing and barking ahead, and the others holding John's hands, both talking at the same time and bombarding him with questions about home and school stories. I watched them leave with a mix of feelings that I couldn’t quite place—was it happiness or sadness? It reminded me of the days when, like them, I had neither worries nor troubles, and a day off was the peak of happiness. We stopped a little while later to water the horses, and as we continued down the road, a bend revealed a lovely country house. I could barely make out a woman and two young girls on the porch, and I saw my little friends, along with Bantam, Carlo, and old John, walking down the carriage path. I leaned out of the coach window, hoping to see their joyful reunion, but a grove of trees blocked my view.
In the evening we reached a village where I had determined to pass the night. As we drove into the great gateway of the inn, I saw on one side the light of a rousing kitchen fire beaming through a window. I entered, and admired, for the hundredth time, that picture of convenience, neatness, and broad, honest enjoyment, the kitchen of an English inn. It was of spacious dimensions, hung round with copper and tin vessels, highly polished, and decorated here and there with a Christmas green. Hams, tongues, and flitches of bacon were suspended from the ceiling; a smoke-jack made its ceaseless clanking beside the fireplace, and a clock ticked in one corner. A well scoured deal table extended along one side of the kitchen, with a cold round of beef and other hearty viands upon it, over which two foaming tankards of ale seemed mounting guard.
In the evening, we arrived at a village where I had decided to spend the night. As we drove through the large entrance of the inn, I noticed a warm kitchen fire glowing through a window on one side. I stepped inside and admired, for the hundredth time, that scene of comfort, cleanliness, and genuine enjoyment that embodies the kitchen of an English inn. It was spacious, adorned with shiny copper and tin cookware, and decorated here and there with festive greenery. Hams, tongues, and strips of bacon hung from the ceiling; a smoke-jack clanked continuously next to the fireplace, and a clock ticked in one corner. A well-scrubbed wooden table stretched along one side of the kitchen, featuring a cold roast beef and other hearty dishes, with two frothy tankards of ale standing guard over them.
Travellers of inferior order were preparing to attack this stout repast, while others sat smoking and gossiping over their ale on two high-backed oaken seats beside the fire. Trim house-maids were hurrying backwards and forwards under the directions of a fresh, bustling landlady; but still seizing an occasional moment to exchange a flippant word, and have a rallying laugh, with the group round the fire. The scene completely realised Poor Robin's humble idea of the comforts of midwinter.
Travelers of a lower class were getting ready to dig into a hearty meal, while others were sitting back, smoking and chatting over their drinks on two tall wooden chairs by the fire. Neat housemaids were scurrying back and forth under the guidance of an energetic landlady, but still finding time to share a playful remark and enjoy a good laugh with the group gathered around the fire. The scene perfectly captured Poor Robin's simple vision of midwinter comforts.
"Now trees their leafy hats do bare, To reverence Winter's silver hair; A handsome hostess, merry host, A pot of ale now and a toast, Tobacco and a good coal fire, Are things this season doth require."*
"Now trees are shedding their leafy hats To honor Winter's silver hair; A lovely hostess, cheerful host, A pot of ale now and a toast, Tobacco and a cozy fire, Are things this season needs."
* Poor Robin's Almanack, 1684.
* Poor Robin's Almanac, 1684.
I had not been long at the inn when a postchaise drove up to the door. A young gentleman stepped out, and by the light of the lamps I caught a glimpse of a countenance which I thought I knew. I moved forward to get a nearer view, when his eye caught mine. I was not mistaken; it was Frank Bracebridge, a sprightly, good-humoured young fellow, with whom I had once travelled on the Continent. Our meeting was extremely cordial; for the countenance of an old fellow traveller always brings up the recollection of a thousand pleasant scenes, odd adventures, and excellent jokes. To discuss all these in a transient interview at an inn was impossible; and finding that I was not pressed for time, and was merely making a tour of observation, he insisted that I should give him a day or two at his father's country-seat, to which he was going to pass the holidays, and which lay at a few miles' distance. "It is better than eating a solitary Christmas dinner at an inn," said he; "and I can assure you of a hearty welcome in something of the old-fashion style." His reasoning was cogent; and I must confess the preparation I had seen for universal festivity and social enjoyment had made me feel a little impatient of my loneliness. I closed, therefore, at once with his invitation: the chaise drove up to the door; and in a few moments I was on my way to the family mansion of the Bracebridges.
I hadn’t been at the inn long when a carriage rolled up to the door. A young man got out, and by the light of the lamps, I caught a glimpse of a face I thought I recognized. I stepped closer for a better look when his eyes met mine. I wasn’t mistaken; it was Frank Bracebridge, a lively, good-natured guy I had traveled with in Europe. Our reunion was very warm, as seeing an old travel buddy always brings back memories of countless enjoyable moments, strange adventures, and great jokes. It was impossible to cover everything in a brief chat at an inn, and since I had plenty of time and was just touring for fun, he insisted I spend a day or two at his family’s country home, where he was heading to spend the holidays, just a few miles away. "It's better than having a lonely Christmas dinner at an inn," he said, "and I can promise you a warm welcome in the traditional way." His reasoning was convincing, and I have to admit, seeing all the preparations for festive gatherings made me a bit restless with my solitude. So, I readily accepted his invitation: the carriage pulled up to the door; and in a few moments, I was on my way to the Bracebridge family home.
Christmas Eve
Saint Francis and Saint Benedight Blesse this house from wicked wight, From the night-mare and the goblin, That is hight good-fellow Robin; Keep it from all evil spirits. Fairies, weezels, rats, and ferrets: From curfew time To the next prime. —CARTWRIGHT.
Saint Francis and Saint Benedict Bless this house from wicked beings, From nightmares and goblins, That is known as good-fellow Robin; Keep it safe from all evil spirits. Fairies, weasels, rats, and ferrets: From curfew time To the next prime. —CARTWRIGHT.
It was a brilliant moonlight night, but extremely cold; our chaise whirled rapidly over the frozen ground; the post-boy smacked his whip incessantly, and a part of the time his horses were on a gallop. "He knows where he is going," said my companion, laughing, "and is eager to arrive in time for some of the merriment and good cheer of the servants' hall. My father, you must know, is a bigoted devotee of the old school, and prides himself upon keeping up something of old English hospitality. He is a tolerable specimen of what you will rarely meet with nowadays in its purity, the old English country gentleman; for our men of fortune spend so much of their time in town, and fashion is carried so much into the country, that the strong, rich peculiarities of ancient rural life are almost polished away. My father, however, from early years, took honest Peacham* for his textbook, instead of Chesterfield: he determined, in his own mind, that there was no condition more truly honourable and enviable than that of a country gentleman on his paternal lands, and, therefore, passes the whole of his time on his estate. He is a strenuous advocate for the revival of the old rural games and holiday observances, and is deeply read in the writers, ancient and modern, who have treated on the subject. Indeed, his favourite range of reading is among the authors who flourished at least two centuries since; who, he insists, wrote and thought more like true Englishmen than any of their successors. He even regrets sometimes that he had not been born a few centuries earlier, when England was itself, and had its peculiar manners and customs. As he lives at some distance from the main road, in rather a lonely part of the country, without any rival gentry near him, he has that most enviable of all blessings to an Englishman, an opportunity of indulging the bent of his own humour without molestation. Being representative of the oldest family in the neighbourhood, and a great part of the peasantry being his tenants, he is much looked up to, and, in general, is known simply by the appellation of 'The Squire;' a title which has been accorded to the head of the family since time immemorial. I think it best to give you these hints about my worthy old father, to prepare you for any little eccentricities that might otherwise appear absurd."
It was a beautiful moonlit night, but freezing cold; our carriage sped quickly over the frozen ground; the driver cracked his whip constantly, and for part of the time, his horses were galloping. "He knows where he's going," my companion said with a laugh, "and he can't wait to get there for some of the fun and good food in the servants' hall. My dad, you should know, is a firm believer in the old ways and takes pride in maintaining some old-fashioned English hospitality. He's a decent example of the old English country gentleman, which you rarely see in its pure form these days; our wealthy folks spend so much time in the city, and trends have invaded the countryside so much that the rich traditions of rural life have nearly faded away. My dad, though, has always taken honest Peacham* as his guide instead of Chesterfield: he believes there's no more honorable and enviable position than that of a country gentleman on his family land, and so, he spends all his time on his estate. He strongly supports bringing back the old rural games and holiday traditions, and he's well-read in both ancient and modern writers on the topic. In fact, he mostly enjoys reading authors from at least two centuries ago, who he claims wrote and thought more like true Englishmen than their later counterparts. Sometimes he even wishes he'd been born a few hundred years earlier, when England had its own unique customs and ways. Since he lives a bit off the main road, in a rather isolated part of the countryside, without any neighboring gentry to compete with, he enjoys the rare freedom to express his own personality without interference. Being the representative of the oldest family in the area, and with a large portion of the local farmers being his tenants, he is greatly respected, and generally, he’s just known as 'The Squire;' a title that has been passed down through the family for generations. I thought it would be good to give you these details about my wonderful old dad, to help you understand any quirks he might have that could otherwise seem odd."
* Peacham's "Complete Gentleman," 1622.
Peacham's "Complete Gentleman," 1622.
We had passed for some time along the wall of a park, and at length the chaise stopped at the gate. It was in a heavy, magnificent old style, of iron bars, fancifully wrought at top into flourishes and flowers. The huge square columns that supported the gate were surmounted by the family crest. Close adjoining was the porter's lodge, sheltered under dark fir-trees, and almost buried in shrubbery.
We had been walking alongside the park wall for a while, and eventually the carriage came to a stop at the gate. It was a grand old design made of heavy iron bars, intricately shaped at the top with decorative flourishes and flowers. The large square columns supporting the gate displayed the family crest. Nearby was the porter's lodge, nestled under tall dark fir trees and almost hidden in the surrounding shrubs.
The post-boy rang a large porter's bell, which resounded through the still, frosty air, and was answered by the distant barking of dogs, with which the mansion-house seemed garrisoned. An old woman immediately appeared at the gate. As the moonlight fell strongly upon her, I had full view of a little primitive dame, dressed very much in the antique taste, with a neat kerchief and stomacher, and her silver hair peeping from under a cap of snowy whiteness. She came curtseying forth, with many expressions of simple joy at seeing her young master. Her husband, it seems, was up at the house keeping Christmas eve in the servants' hall; they could not do without him, as he was the best hand at a song and story in the household.
The courier rang a big porter’s bell, which echoed through the still, chilly air, and was met with the distant barking of dogs that seemed to guard the mansion. An elderly woman quickly appeared at the gate. As the moonlight shone brightly on her, I got a clear look at a little old lady, dressed in a very old-fashioned style, with a tidy kerchief and a bodice, and her silver hair peeking out from under a cap as white as snow. She came out curtsying, filled with simple joy at seeing her young master. Apparently, her husband was up at the house celebrating Christmas Eve in the servants' hall; they couldn’t do without him since he was the best at singing and telling stories in the household.
My friend proposed that we should alight and walk through the park to the hall, which was at no great distance, while the chaise should follow on. Our road wound through a noble avenue of trees, among the naked branches of which the moon glittered as she rolled through the deep vault of a cloudless sky. The lawn beyond was sheeted with a slight covering of snow, which here and there sparkled as the moonbeams caught a frosty crystal; and at a distance might be seen a thin, transparent vapour, stealing up from the low grounds, and threatening gradually to shroud the landscape.
My friend suggested that we get out and walk through the park to the hall, which wasn’t too far away, while the carriage followed behind us. Our path wound through an impressive avenue of trees, with the moon shining through the bare branches as it moved across the deep expanse of a clear sky. The lawn ahead was lightly covered with snow, which sparkled here and there as the moonlight hit the frosty crystals; in the distance, you could see a thin, transparent mist rising from the low ground, slowly threatening to cover the landscape.
My companion looked round him with transport:—"How often," said he, "have I scampered up this avenue, on returning home on school vacations! How often have I played under these trees when a boy! I feel a degree of filial reverence for them, as we look up to those who have cherished us in childhood. My father was always scrupulous in exacting our holidays, and having us around him on family festivals. He used to direct and superintend our games with the strictness that some parents do the studies of their children. He was very particular that we should play the old English games according to their original form and consulted old books for precedent and authority for every 'merrie disport;' yet I assure you there never was pedantry so delightful. It was the policy of the good old gentleman to make his children feel that home was the happiest place in the world; and I value this delicious home-feeling as one of the choicest gifts a parent can bestow."
My friend looked around with excitement: "How often," he said, "have I rushed up this path returning home from school breaks! How many times did I play under these trees as a kid! I have a sense of fondness for them, like we feel for those who cared for us in our childhood. My dad was always careful to ensure we had our holidays and that we spent time together during family gatherings. He would oversee our games with the same intensity that some parents apply to their kids' studies. He was very particular that we played traditional English games the way they were meant to be played and would refer to old books for guidance and examples for every fun activity; yet I promise you, there was never such delightful strictness. The good old man wanted to make his kids feel that home was the happiest place in the world, and I cherish that wonderful sense of home as one of the best gifts a parent can give."
We were interrupted by the clangour of a troop of dogs of all sorts and sizes, "mongrel, puppy, whelp, and hound, and curs of low degree," that, disturbed by the ringing of the porter's bell, and the rattling of the chaise, came bounding, open-mouthed, across the lawn.
We were interrupted by the noise of a bunch of dogs of all kinds and sizes—"mixed breeds, puppies, pups, and hounds, plus all the less impressive ones"—who, disturbed by the sound of the porter’s bell and the clattering of the carriage, came running with their mouths wide open across the lawn.
"The little dogs and all, Tray, Blanch, and Sweetheart—see, they bark at me!"
"The little dogs and all, Tray, Blanch, and Sweetheart—look, they're barking at me!"
cried Bracebridge, laughing. At the sound of his voice the bark was changed into a yelp of delight, and in a moment he was surrounded and almost overpowered by the caresses of the faithful animals.
“Cried Bracebridge, laughing. At the sound of his voice, the bark turned into a yelp of delight, and in no time he was surrounded and nearly overwhelmed by the affection of the loyal animals.”
We had now come in full view of the old family mansion, partly thrown in deep shadow, and partly lit up by the cold moonshine. It was an irregular building of some magnitude, and seemed to be of the architecture of different periods. One wing was, evidently very ancient, with heavy stone-shafted bow windows jutting out and overrun with ivy, from among the foliage of which the small diamond-shaped panes of glass glittered with the moonbeams. The rest of the house was in the French taste of Charles the Second's time, having been repaired and altered, as my friend told me, by one of his ancestors, who returned with that monarch at the Restoration. The grounds about the house were laid out in the old formal manner of artificial flower-beds, clipped shrubberies, raised terraces, and heavy stone balustrades, ornamented with urns, a leaden statue or two, and a jet of water. The old gentleman, I was told, was extremely careful to preserve this obsolete finery in all its original state. He admired this fashion in gardening; it had an air of magnificence, was courtly and noble, and befitting good old family style. The boasted imitation of nature in modern gardening had sprung up with modern republican notions, but did not suit a monarchical government; it smacked of the levelling system. I could not help smiling at this introduction of politics into gardening, though I expressed some apprehension that I should find the old gentleman rather intolerant in his creed. Frank assured me, however, that it was almost the only instance in which he had ever heard his father meddle with politics; and he believed that he had got this notion from a member of Parliament who once passed a few weeks with him. The Squire was glad of any argument to defend his clipped yew-trees and formal terraces, which had been occasionally attacked by modern landscape gardeners.
We had now come into full view of the old family mansion, partly in deep shadow and partly illuminated by the cold moonlight. It was an irregular building of some size, showing signs of different architectural styles from various periods. One wing was clearly very old, with heavy stone bow windows jutting out, covered in ivy, from which the small diamond-shaped panes of glass sparkled in the moonbeams. The rest of the house was designed in the French style from the era of Charles the Second, having been repaired and altered, as my friend told me, by one of his ancestors who returned with that king after the Restoration. The grounds around the house were laid out in the old formal style, featuring artificial flower beds, trimmed shrubs, raised terraces, and heavy stone balustrades adorned with urns, a couple of lead statues, and a fountain. The elderly gentleman, I was informed, was very meticulous about maintaining this outdated decor in its original form. He loved this style of gardening; it had an air of grandeur, was elegant and stately, fitting for a distinguished family. The praised imitation of nature in modern gardening had emerged with modern democratic ideas, but didn’t align well with a monarchy; it felt too leveling. I couldn’t help but smile at this mix of politics with gardening, although I expressed some concern that I might find the old gentleman somewhat rigid in his beliefs. Frank assured me, however, that it was nearly the only time he had ever heard his father discuss politics; and he thought he had gotten this idea from a member of Parliament who had spent a few weeks with him. The Squire was eager for any excuse to defend his trimmed yew trees and formal terraces, which had occasionally been criticized by contemporary landscape designers.
As we approached the house, we heard the sound of music, and now and then a burst of laughter from one end of the building. This, Bracebridge said, must proceed from the servants' hall, where a great deal of revelry was permitted, and even encouraged, by the Squire throughout the twelve days of Christmas, provided everything was done comformably to ancient usage. Here were kept up the old games of hoodman blind, shoe the wild mare, hot cockles, steal the white loaf, bob apple and snapdragon: the Yule log and Christmas candle were regularly burnt, and the mistletoe, with its white berries, hung up to the imminent peril of all the pretty housemaids.*
As we neared the house, we heard music and occasional bursts of laughter coming from one side of the building. Bracebridge said this must be from the servants' hall, where a lot of partying was allowed, and even encouraged, by the Squire during the twelve days of Christmas, as long as it followed traditional customs. They kept the old games alive, like blind man's buff, shoe the wild mare, hot cockles, steal the white loaf, bobbing for apples, and snapdragon. The Yule log and Christmas candle were regularly burned, and mistletoe with its white berries was hung up, putting all the pretty housemaids at risk.*
*1 See Note A.
*__A_TAG_PLACEHOLDER_0__ See Note A.*
So intent were the servants upon their sports, that we had to ring repeatedly before we could make ourselves heard. On our arrival being announced, the Squire came out to receive us, accompanied by his two other sons; one a young officer in the army, home on leave of absence; the other an Oxonian, just from the University. The Squire was a fine, healthy-looking old gentleman, with silver hair curling lightly round an open, florid countenance; in which a physiognomist, with the advantage, like myself, of a previous hint or two, might discover a singular mixture of whim and benevolence.
So focused were the servants on their games that we had to ring the bell multiple times before they could hear us. When our arrival was announced, the Squire came out to greet us, along with his two other sons; one was a young officer in the army, home on leave, and the other just graduated from Oxford. The Squire was a healthy-looking old man, with silver hair softly curling around his open, rosy face; in which a keen observer, like me, with a little prior insight, might note a unique blend of humor and kindness.
The family meeting was warm and affectionate; as the evening was far advanced, the Squire would not permit us to change our travelling dresses, but ushered us at once to the company, which was assembled in a large old-fashioned hall. It was composed of different branches of a numerous family connection, where there were the usual proportion of old uncles and aunts, comfortably married dames, superannuated spinsters, blooming country cousins, half-fledged striplings, and bright-eyed boarding-school hoydens. They were variously occupied; some at a round game of cards; others conversing around the fireplace; at one end of the hall was a group of the young folks, some nearly grown up, others of a more tender and budding age, fully engrossed by a merry game; and a profusion of wooden horses, penny trumpets, and tattered dolls, about the floor, showed traces of a troop of little fairy beings, who, having frolicked through a happy day, had been carried off to slumber through a peaceful night.
The family meeting was warm and welcoming. Since it was already late, the Squire didn't let us change out of our travel clothes but led us straight to the group that had gathered in a large, old-fashioned hall. The gathering included various branches of a big family, featuring the usual mix of old uncles and aunts, happily married couples, retired single women, lively country cousins, young teens, and bright-eyed boarding school girls. They were engaged in different activities; some were sitting around playing cards, while others chatted by the fireplace. At one end of the hall, a group of young people, some almost adults and others still quite young, were completely absorbed in a fun game. Scattered across the floor were plenty of wooden horses, toy trumpets, and worn dolls, remnants of a playful bunch of little ones who had enjoyed a joyful day and were now carried off to sleep peacefully at night.
While the mutual greetings were going on between Bracebridge and his relatives, I had time to scan the apartment. I have called it a hall, for so it had certainly been in old times, and the Squire had evidently endeavoured to restore it to something of its primitive state. Over the heavy projecting fireplace was suspended a picture of a warrior in armour standing by a white horse, and on the opposite wall hung helmet, buckler, and lance. At one end an enormous pair of antlers were inserted in the wall, the branches serving as hooks on which to suspend hats, whips, and spurs; and in the corners of the apartment were fowling-pieces, fishing-rods, and other sporting implements. The furniture was of the cumbrous workmanship of former days, though some articles of modern convenience had been added, and the oaken floor had been carpeted; so that the whole presented an odd mixture of parlour and hall.
While Bracebridge was greeting his relatives, I took the chance to look around the apartment. I’ve called it a hall because that’s what it used to be, and the Squire had clearly tried to bring it back to its original state. Above the large, protruding fireplace hung a picture of a warrior in armor standing next to a white horse, and on the opposite wall there were a helmet, a shield, and a lance. At one end, a huge pair of antlers was mounted on the wall, with the branches serving as hooks for hats, whips, and spurs; and in the corners of the room were shotguns, fishing rods, and other sports gear. The furniture was clunky and characteristic of earlier times, although a few modern conveniences had been added, and the oak floor was covered with a carpet, giving the whole place a strange mix of living room and hall.
The grate had been removed from the wide overwhelming fireplace, to make way for a fire of wood, in the midst of which was an enormous log glowing and blazing, and sending forth a vast volume of light and heat; this I understood was the Yule-log, which the Squire was particular in having brought in and illumined on a Christmas eve, according to ancient custom.*
The grate had been taken out of the large, imposing fireplace to make room for a wood fire, in the center of which was a huge log that glowed and burned brightly, radiating a lot of light and heat; I realized this was the Yule log, which the Squire insisted on having brought in and lit on Christmas Eve, following old tradition.*
*2 See Note B.
*__A_TAG_PLACEHOLDER_0__ Check Note B.
It was really delightful to see the old Squire seated in his hereditary elbow-chair by the hospitable fireside of his ancestors, and looking around him like the sun of a system, beaming warmth and gladness to every heart. Even the very dog that lay stretched at his feet, as he lazily shifted his position and yawned, would look fondly up in his master's face, wag his tail against the floor, and stretch himself again to sleep, confident of kindness and protection. There is an emanation from the heart in genuine hospitality which cannot be described, but is immediately felt, and puts the stranger at once at his ease. I had not been seated many minutes by the comfortable hearth of the worthy cavalier before I found myself as much at home as if I had been one of the family.
It was truly delightful to see the old Squire settled in his family’s elbow chair by the welcoming fireplace of his ancestors, looking around like the sun of a system, radiating warmth and happiness to everyone. Even the dog lying stretched out at his feet would look up at his master with affection, wag his tail on the floor, and stretch back out to sleep, assured of kindness and protection. There’s an energy that comes from the heart in genuine hospitality that can’t be described but is instantly felt, making a stranger feel at ease right away. I hadn’t been sitting by the cozy hearth of the good knight for many minutes before I felt completely at home, as if I were part of the family.
Supper was announced shortly after our arrival. It was served up in a spacious oaken chamber, the panels of which shone with wax, and around which were several family portraits decorated with holly and ivy. Beside the accustomed lights, two great wax tapers, called Christmas candles, wreathed with greens, were placed on a highly-polished buffet among the family plate. The table was abundantly spread with substantial fare; but the Squire made his supper of frumenty, a dish made of wheat cakes boiled in milk with rich spices, being a standing dish in old times for Christmas eve. I was happy to find my old friend, minced-pie, in the retinue of the feast; and finding him to be perfectly orthodox, and that I need not be ashamed of my predilection, I greeted him with all the warmth wherewith we usually greet an old and very genteel acquaintance.
Supper was called shortly after we arrived. It was served in a spacious oak room, the panels glowing with wax, and adorned with several family portraits decorated with holly and ivy. Alongside the usual lights, two large wax candles, known as Christmas candles, were placed on a shiny buffet among the family silverware, wreathed with greens. The table was filled with hearty dishes; however, the Squire had a supper of frumenty, a dish made of wheat cakes boiled in milk with rich spices, which used to be a traditional dish for Christmas Eve. I was pleased to see my old friend, minced pie, among the feast; and finding him to be perfectly acceptable, I wasn’t ashamed of my fondness for him, so I greeted him with all the warmth we usually reserve for an old and very refined acquaintance.
The mirth of the company was greatly promoted by the humours of an eccentric personage whom Mr. Bracebridge always addressed with the quaint appellation of Master Simon. He was a tight, brisk little man, with the air of an arrant old bachelor. His nose was shaped like the bill of a parrot; his face slightly pitted with the smallpox, with a dry perpetual bloom on it, like a frost-bitten leaf in autumn. He had an eye of great quickness and vivacity, with a drollery and lurking waggery of expression that was irresistible. He was evidently the wit of the family, dealing very much in sly jokes and innuendoes with the ladies, and making infinite merriment by harpings upon old themes; which, unfortunately, my ignorance of the family chronicles did not permit me to enjoy. It seemed to be his great delight during supper to keep a young girl next him in a continual agony of stifled laughter, in spite of her awe of the reproving looks of her mother, who sat opposite. Indeed, he was the idol of the younger part of the company, who laughed at everything he said or did, and at every turn of his countenance. I could not wonder at it; for he must have been a miracle of accomplishments in their eyes. He could imitate Punch and Judy; make an old woman of his hand, with the assistance of a burnt cork and pocket-handkerchief: and cut an orange into such a ludicrous caricature, that the young folks were ready to die with laughing.
The laughter of the group was really boosted by the antics of an eccentric character whom Mr. Bracebridge always called Master Simon. He was a small, lively man who had the vibe of a confirmed bachelor. His nose looked like a parrot’s beak, and his face was slightly scarred from smallpox, with a dry, constant blush like a frostbitten leaf in autumn. He had a quick, lively eye and an expression full of playful mischief that was impossible to resist. He was clearly the family’s comedian, often making sly jokes and innuendos with the ladies, and bringing endless laughter with his riffs on old topics, which unfortunately I couldn’t fully appreciate because I didn’t know the family history. It seemed to be his greatest joy during dinner to keep a young girl next to him in constant fits of suppressed laughter, despite her mother’s disapproving looks from across the table. In fact, he was adored by the younger crowd, who laughed at everything he said, did, and at every change in his expression. I couldn’t blame them; to them, he must have been a wonder with his many talents. He could imitate Punch and Judy, turn his hand into an old woman with just a burnt cork and a handkerchief, and carve an orange into such a funny caricature that the kids were nearly in tears from laughing.
I was let briefly into his history by Frank Bracebridge. He was an old bachelor of a small independent income, which by careful management was sufficient for all his wants. He revolved through the family system like a vagrant comet in its orbit; sometimes visiting one branch, and sometimes another quite remote; as is often the case with gentlemen of extensive connections and small fortunes in England. He had a chirping, buoyant disposition, always enjoying the present moment; and his frequent change of scene and company prevented his acquiring those rusty unaccommodating habits with which old bachelors are so uncharitably charged. He was a complete family chronicle, being versed in the genealogy, history, and intermarriages of the whole house of Bracebridge, which made him a great favourite with the old folks; he was a beau of all the elder ladies and superannuated spinsters, among whom he was habitually considered rather a young fellow, and he was a master of the revels among the children; so that there was not a more popular being in the sphere in which he moved than Mr. Simon Bracebridge. Of late years he had resided almost entirely with the Squire, to whom he had become a factotum, and whom he particularly delighted by jumping with his humour in respect to old times, and by having a scrap of an old song to suit every occasion. We had presently a specimen of his last mentioned talent; for no sooner was supper removed, and spiced wines and other beverages peculiar to the season introduced, than Master Simon was called on for a good old Christmas song. He bethought himself for a moment, and then, with a sparkle of the eye, and a voice that was by no means bad, excepting that it ran occasionally into a falsetto, like the notes of a split reed, he quavered forth a quaint old ditty:
I got a glimpse into his past from Frank Bracebridge. He was an old bachelor with a small independent income that, with careful budgeting, was enough for all his needs. He moved through the family like a wandering comet, sometimes visiting one branch and sometimes another quite distant, which is common for men with broad connections and modest means in England. He had a cheerful, lively personality and always enjoyed the moment; his frequent changes in scenery and social circles kept him from developing the grumpy, unyielding habits that old bachelors are often unfairly accused of. He was a complete family historian, knowledgeable about the genealogy, history, and marriages of the entire Bracebridge clan, which made him a favorite among the older generation. He was a charmer for all the older ladies and aging spinsters, whom he was always considered rather young among, and he was the life of the party for the children, making him one of the most popular people in his social circle. In recent years, he had mostly lived with the Squire, becoming his right-hand man, and he particularly entertained him with his humor about the old days and his ability to pull out a snippet of an old song for every occasion. We soon got a taste of this talent; as soon as supper was over and the spiced wines and seasonal drinks were served, Master Simon was asked for a good old Christmas song. He paused for a moment, then, with a twinkle in his eye and a voice that was decent except for the occasional falsetto that sounded like a split reed, he began to sing an amusing old tune:
"Now Christmas is come, Let us beat up the drum, And call all our neighbours together; And when they appear, Let us make them such cheer As will keep out the wind and the weather," etc.
"Now that Christmas has arrived, Let's drum up some excitement, And gather all our neighbors together; And when they show up, Let's give them a warm welcome That will keep out the cold and bad weather," etc.
The supper had disposed every one to gaiety, and an old harper was summoned from the servants' hall, where he had been strumming all the evening, and to all appearance comforting himself with some of the Squire's home-brewed. He was a kind of hanger-on, I was told, of the establishment, and though ostensibly a resident of the village, was oftener to be found in the Squire's kitchen than his own home, the old gentleman being fond of the sound of "harp in hall."
The dinner had put everyone in a good mood, and an old harp player was called up from the servants' area, where he had been playing music all evening, seemingly enjoying some of the Squire's homemade brew. I was told he was sort of a regular around the place, and even though he was technically a villager, he spent more time in the Squire's kitchen than at his own home, the old man enjoying the sound of a "harp in the hall."
The dance, like most dances after supper, was a merry one; some of the older folks joined in it, and the Squire himself figured down several couples with a partner with whom he affirmed he had danced at every Christmas for nearly half a century. Master Simon, who seemed to be a kind of connecting link between the old times and the new, and to be withal a little antiquated in the taste of his accomplishments, evidently piqued himself on his dancing, and was endeavouring to gain credit by the heel and toe, rigadoon, and other graces of the ancient school; but he had unluckily assorted himself with a little romping girl from boarding-school, who, by her wild vivacity, kept him continually on the stretch, and defeated all his sober attempts at elegance;—such are the ill-assorted matches to which antique gentlemen are unfortunately prone!
The dance, like most dances after dinner, was a lively one; some of the older folks joined in, and the Squire himself danced with a partner he claimed he had danced with every Christmas for nearly fifty years. Master Simon, who seemed to be a bridge between the old times and the new and had somewhat outdated tastes in his skills, clearly took pride in his dancing and was trying to impress with his heel-and-toe steps, rigadoons, and other classic moves; but he had unfortunately paired up with a lively girl from boarding school, who, with her wild energy, kept him on his toes and ruined all his serious attempts at grace—such are the mismatched pairs that older gentlemen often find themselves in!
The young Oxonian, on the contrary, had led out one of his maiden aunts, on whom the rogue played a thousand little knaveries with impunity; he was full of practical jokes, and his delight was to tease his aunts and cousins; yet, like all madcap youngsters, he was a universal favourite among the women. The most interesting couple in the dance was the young officer and a ward of the Squire's, a beautiful blushing girl of seventeen. From several shy glances which I had noticed in the course of the evening, I suspected there was a little kindness growing up between them; and, indeed, the young soldier was just the hero to captivate a romantic girl. He was tall, slender, and handsome, and like most young British officers of late years, had picked up various small accomplishments on the Continent—he could talk French and Italian—draw landscapes,—sing very tolerably—dance divinely; but above all he had been wounded at Waterloo;—what girl of seventeen, well read in poetry and romance, could resist such a mirror of chivalry and perfection!
The young guy from Oxford, on the other hand, had taken one of his maiden aunts out, on whom he played all sorts of little tricks without getting in trouble; he was full of practical jokes, and loved to tease his aunts and cousins. Yet, like all mischievous young men, he was a favorite among the women. The most interesting couple on the dance floor was the young officer and a ward of the Squire's, a beautiful, blushing girl of seventeen. From several shy looks I noticed throughout the evening, I suspected some affection was developing between them; and indeed, the young soldier was just the kind of guy to charm a romantic girl. He was tall, slim, and good-looking, and like most young British officers in recent years, had picked up various skills while abroad—he could speak French and Italian, draw landscapes, sing pretty well, and dance beautifully; but most importantly, he had been wounded at Waterloo—what girl of seventeen, well-versed in poetry and romance, could resist such a paragon of chivalry and perfection!
The moment the dance was over, he caught up a guitar, and lolling against the old marble fireplace, in an attitude which I am half inclined to suspect was studied, began the little French air of the Troubadour. The Squire, however, exclaimed against having anything on Christmas eve but good old English; upon which the young minstrel, casting up his eye for a moment, as if in an effort of memory, struck into another strain, and, with a charming air of gallantry, gave Herrick's "Night-Piece to Julia:"
As soon as the dance ended, he grabbed a guitar and leaned against the old marble fireplace in a way that I suspect was intentional. He started playing a little French tune of the Troubadour. However, the Squire protested, saying there should be no music on Christmas Eve except for good old English songs. At this, the young musician glanced up for a moment, as if trying to recall something, then switched to another melody and, with a charming sense of gallantry, played Herrick's "Night-Piece to Julia:"
"Her eyes the glow-worm lend thee, The shooting stars attend thee, And the elves also, Whose little eyes glow Like the sparks of fire, befriend thee. "No Will-o'-the-Wisp mislight thee; Nor snake or glow-worm bite thee; But on, on thy way, Not making a stay, Since ghost there is none to affright thee. "Then let not the dark thee cumber; What though the moon does slumber, The stars of the night Will lend thee their light, Like tapers clear without number. "Then, Julia, let me woo thee, Thus, thus to come unto me; And when I shall meet Thy silvery feet, My soul I'll pour into thee."
"May the glow of her eyes guide you, May shooting stars accompany you, And the elves too, Whose little eyes shine Like sparks of fire, be your friends. "May no Will-o'-the-Wisp mislead you; Nor snake or glow-worm harm you; But keep moving ahead, Without stopping, Since no ghost is there to scare you. "So don’t let the dark overwhelm you; Even if the moon is asleep, The stars of the night Will give you their light, Like countless flickering candles. "So, Julia, let me woo you, Come to me like this; And when I meet Your silvery feet, I’ll pour my soul into you."
The song might have been intended in compliment to the fair Julia, for so I found his partner was called, or it might not; she, however, was certainly unconscious of any such application, for she never looked at the singer, but kept her eyes cast upon the floor. Her face was suffused, it is true, with a beautiful blush, and there was a gentle heaving of the bosom, but all that was doubtless caused by the exercise of the dance; indeed, so great was her indifference, that she was amusing herself with plucking to pieces a choice bouquet of hothouse flowers, and by the time the song was concluded, the nosegay lay in ruins on the floor.
The song might have been meant as a compliment to the lovely Julia, which is what I learned his partner was called, or maybe it wasn’t; however, she definitely seemed unaware of any such intention, since she never looked at the singer and kept her gaze on the floor. Her face was flushed with a lovely blush, and there was a slight rise and fall of her chest, but all of that was probably just from dancing; in fact, she was so indifferent that she entertained herself by pulling apart a prized bouquet of greenhouse flowers, and by the time the song ended, the bouquet was in shambles on the floor.
The party now broke up for the night with the kind-hearted old custom of shaking hands. As I passed through the hall, on the way to my chamber, the dying embers of the Yule-clog still sent forth a dusky glow; and had it not been the season when "no spirit dares stir abroad," I should have been half tempted to steal from my room at midnight, and peep whether the fairies might not be at their revels about the hearth.
The party wrapped up for the night with the nice old tradition of shaking hands. As I walked through the hall to my room, the fading embers of the Yule log still gave off a dim glow; and if it hadn’t been the time when “no spirit dares stir abroad,” I might have been tempted to sneak out of my room at midnight and see if the fairies were having their celebrations around the fireplace.
My chamber was in the old part of the mansion, the ponderous furniture of which might have been fabricated in the days of the giants. The room was panelled with cornices of heavy carved work, in which flowers and grotesque faces were strangely intermingled; and a row of black looking portraits stared mournfully at me from the walls. The bed was of rich though faded damask, with a lofty tester, and stood in a niche opposite a bow window. I had scarcely got into bed when a strain of music seemed to break forth in the air just below the window. I listened, and found it proceeded from a band, which I concluded to be the waits from some neighbouring village. They went round the house, playing under the windows.
My room was in the old part of the mansion, and the heavy furniture looked like it was made during the time of giants. The walls were paneled with intricate carvings that featured flowers and strange faces mixed together; a row of dark, somber portraits stared sadly at me from the walls. The bed, covered in rich but faded damask, had a tall canopy and was positioned in a nook opposite a bow window. I had barely settled into bed when I heard music coming from just below the window. I listened and realized it was from a band, which I guessed was the local waits from a nearby village. They were going around the house, playing under the windows.
I drew aside the curtains, to hear them more distinctly. The moonbeams fell through the upper part of the casement, partially lighting up the antiquated apartment. The sounds, as they receded, became more soft and aerial, and seemed to accord with quiet and moonlight. I listened and listened—they became more and more tender and remote, and, as they gradually died away, my head sank upon the pillow and I fell asleep.
I pulled back the curtains to hear them more clearly. The moonlight streamed through the top of the window, casting a soft glow on the old room. The sounds faded into the distance, becoming softer and more ethereal, blending with the calm and the moonlight. I kept listening—they grew more tender and distant, and as they slowly faded away, my head rested on the pillow and I fell asleep.
Christmas Day
Dark and dull night, flie hence away, And give the honour to this day That Sees December turn'd to May. . . . . . . . . Why does the chilling winter's morne Smile like a field beset with corn? Or smell like to a meade new-shorne, Thus on the sudden?—Come and see The cause why things thus fragrant be. —HERRICK.
Dark and dreary night, go away, And let this day have its honor That sees December turn into May. . . . . . . . . Why does the cold winter morning Smile like a field full of grain? Or smell like a freshly cut meadow, Suddenly like this?—Come and see The reason things are so fragrant. —HERRICK.
When I awoke the next morning, it seemed as if all the events of the preceding evening had been a dream, and nothing but the identity of the ancient chamber convinced me of their reality. While I lay musing on my pillow, I heard the sound of little feet pattering outside of the door, and a whispering consultation. Presently a choir of small voices chanted forth an old Christmas carol, the burden of which was:
When I woke up the next morning, it felt like everything that happened the night before had been a dream, and the only thing that confirmed it was the old room I was in. As I lay there thinking on my pillow, I heard tiny feet running outside the door and a soft conversation. Soon, a group of small voices started singing an old Christmas carol, the main line of which was:
"Rejoice, our Saviour he was born On Christmas Day in the morning."
"Celebrate, our Savior was born On Christmas Day in the morning."
I rose softly, slipped on my clothes, opened the door suddenly, and beheld one of the most beautiful little fairy groups that a painter could imagine.
I quietly got up, put on my clothes, opened the door quickly, and saw one of the most beautiful little fairy groups that any artist could dream of.
It consisted of a boy and two girls, the eldest not more than six, and lovely as seraphs. They were going the rounds of the house, and singing at every chamber-door; but my sudden appearance frightened them into mute bashfulness. They remained for a moment playing on their lips with their fingers, and now and then stealing a shy glance, from under their eyebrows, until, as if by one impulse, they scampered away, and as they turned an angle of the gallery, I heard them laughing in triumph at their escape.
It was a boy and two girls, the oldest no more than six, and beautiful like angels. They were going from room to room, singing at each door; but when I suddenly appeared, they fell silent and shy. For a moment, they played with their lips using their fingers, occasionally stealing a quick glance from beneath their brows, until, as if they all had the same idea, they dashed away. As they turned a corner in the hallway, I could hear them laughing in triumph at having gotten away.
Everything conspired to produce kind and happy feelings in this stronghold of old-fashioned hospitality. The window of my chamber looked out upon what in summer would have been a beautiful landscape. There was a sloping lawn, a fine stream winding at the foot of it, and a tract of park beyond, with noble clumps of trees, and herds of deer. At a distance was a neat hamlet, with the smoke from the cottage chimneys hanging over it; and a church with its dark spire in strong relief against the clear, cold sky. The house was surrounded with evergreens, according to the English custom, which would have given almost an appearance of summer; but the morning was extremely frosty; the light vapour of the preceding evening had been precipitated by the cold, and covered all the trees and every blade of grass with its fine crystallisations. The rays of a bright morning sun had a dazzling effect among the glittering foliage. A robin, perched upon the top of a mountain-ash that hung its clusters of red berries just before my window, was basking himself in the sunshine, and piping a few querulous notes; and a peacock was displaying all the glories of his train, and strutting with the pride and gravity of a Spanish grandee on the terrace-walk below.
Everything came together to create a warm and joyful atmosphere in this stronghold of traditional hospitality. My room's window looked out onto what would have been a stunning landscape in summer. There was a sloping lawn, a lovely stream winding at its base, and a stretch of parkland beyond, filled with magnificent clusters of trees and herds of deer. In the distance, there was a tidy village, with smoke rising from the cottage chimneys; and a church with its dark spire standing out against the clear, cold sky. The house was surrounded by evergreens, as is customary in England, giving the place almost a summery feel; however, the morning was extremely frosty. The light mist from the previous evening had frozen in the cold, covering all the trees and every blade of grass with delicate crystals. The rays of the bright morning sun created a dazzling effect among the sparkling foliage. A robin perched atop a mountain-ash with its clusters of red berries right outside my window, was soaking up the sunshine and singing a few complaining notes; and a peacock was proudly displaying his beautiful feathers, strutting with the confidence and seriousness of a Spanish nobleman on the terrace below.
I had scarcely dressed myself, when a servant appeared to invite me to family prayers. He showed me the way to a small chapel in the old wing of the house, where I found the principal part of the family already assembled in a kind of gallery, furnished with cushions, hassocks, and large prayer-books; the servants were seated on benches below. The old gentleman read prayers from a desk in front of the gallery, and Master Simon acted as clerk, and made the responses; and I must do him the justice to say that he acquitted himself with great gravity and decorum.
I had just finished getting dressed when a servant came to invite me to family prayers. He led me to a small chapel in the old part of the house, where I found most of the family already gathered in a kind of gallery, complete with cushions, hassocks, and large prayer books; the servants were seated on benches below. The elderly gentleman led the prayers from a desk in front of the gallery, and Master Simon served as the clerk and responded during the prayers; I have to give him credit for handling his role with great seriousness and respect.
The service was followed by a Christmas carol, which Mr. Bracebridge himself had constructed from a poem of his favourite author, Herrick; and it had been adapted to an old church melody by Master Simon. As there were several good voices among the household, the effect was extremely pleasing; but I was particularly gratified by the exaltation of heart, and sudden sally of grateful feeling, with which the worthy Squire delivered one stanza: his eyes glistening, and his voice rambling out of all the bounds of time and tune:
The service was followed by a Christmas carol that Mr. Bracebridge had created from a poem by his favorite author, Herrick, and it had been set to an old church melody by Master Simon. Since there were several good voices among the household, the effect was really enjoyable; but I was especially touched by the heartfelt joy and sudden outburst of gratitude that the good Squire expressed in one stanza: his eyes shining and his voice drifting far beyond time and tune.
"'Tis thou that crown'st my glittering hearth With guiltlesse mirth, And giv'st me wassaile bowles to drink, Spiced to the brink: Lord, 'tis Thy plenty-dropping hand, That soiles my land; And giv'st me for my bushell sowne, Twice ten for one."
"'Tis you who crowns my shining hearth With innocent joy, And gives me festive bowls to drink, Full of spice: Lord, it’s Your bountiful hand, That blesses my land; And gives me for my seed planted, Twice ten for one."
I afterwards understood that early morning service was read on every Sunday and saint's day throughout the year, either by Mr. Bracebridge or by some member of the family. It was once almost universally the case at the seats of the nobility and gentry of England, and it is much to be regretted that the custom is fallen into neglect; for the dullest observer must be sensible of the order and serenity prevalent in those households, where the occasional exercise of a beautiful form of worship in the morning gives, as it were, the key-note to every temper for the day, and attunes every spirit to harmony.
I later realized that an early morning service was held every Sunday and on every saint's day throughout the year, either by Mr. Bracebridge or a family member. This used to be the norm at the homes of the nobility and wealthy classes in England, and it’s truly a shame that the tradition has fallen out of practice. Even the most casual observer can see the sense of order and calm that exists in those households, where the occasional practice of a beautiful morning worship sets the tone for everyone’s mood for the rest of the day and brings everyone together in harmony.
Our breakfast consisted of what the Squire denominated true old English fare. He indulged in some bitter lamentations over modern breakfasts of tea-and-toast, which he censured as among the causes of modern effeminacy and weak nerves, and the decline of old English heartiness; and though he admitted them to his table to suit the palates of his guests, yet there was a brave display of cold meats, wine, and ale, on the sideboard.
Our breakfast was what the Squire called true old English food. He passionately complained about modern breakfasts of tea and toast, which he blamed for contributing to modern softness and weak nerves, and the decline of traditional English robustness. Although he allowed these dishes at his table to please his guests, there was still a bold spread of cold meats, wine, and ale on the sideboard.
After breakfast I walked about the grounds with Frank Bracebridge and Master Simon, or Mr. Simon as he was called by everybody but the Squire. We were escorted by a number of gentleman-like dogs, that seemed loungers about the establishment; from the frisking spaniel to the steady old staghound; the last of which was of a race that had been in the family time out of mind: they were all obedient to a dog-whistle which hung to Master Simon's buttonhole, and in the midst of their gambols would glance an eye occasionally upon a small switch he carried in his hand.
After breakfast, I strolled around the grounds with Frank Bracebridge and Master Simon, or Mr. Simon as everyone called him except the Squire. We were joined by a group of gentlemanly dogs that seemed to lounge around the place, from the playful spaniel to the steady old staghound, the last of which belonged to a breed that had been in the family for ages. They all responded to a dog-whistle that hung from Master Simon's buttonhole, and amid their playful antics, they would occasionally glance at a small switch he held in his hand.
The old mansion had a still more venerable look in the yellow sunshine than by pale moonlight; and I could not but feel the force of the Squire's idea, that the formal terraces, heavily moulded balustrades, and clipped yew-trees, carried with them an air of proud aristocracy. There appeared to be an unusual number of peacocks about the place, and I was making some remarks upon what I termed a flock of them, that were basking under a sunny wall, when I was gently corrected in my phraseology by Master Simon, who told me that, according to the most ancient and approved treatise on hunting, I must say a MUSTER of peacocks. "In the same way," added he, with a slight air of pedantry, "we say a flight of doves or swallows, a bevy of quails, a herd of deer, of wrens, or cranes, a skulk of foxes, or a building of rooks." He went on to inform me, that, according to Sir Anthony Fitzherbert, we ought to ascribe, to this bird "both understanding and glory; for, being praised, he will presently set up his tail chiefly against the sun, to the intent you may the better behold the beauty thereof. But at the fall of the leaf, when his tail falleth, he will mourn and hide himself in corners, till his tail come again as it was."
The old mansion looked even more dignified in the bright sunshine than it did under the pale moonlight; and I couldn’t help but appreciate the Squire's point that the formal terraces, intricately carved balustrades, and trimmed yew trees exuded an air of proud nobility. There seemed to be an unusual number of peacocks around, and I was commenting on what I referred to as a flock of them lounging under a sunny wall when Master Simon politely corrected my terminology, telling me that, according to the oldest and most respected hunting guide, I should say a MUSTER of peacocks. "Similarly," he added, with a slight air of pretension, "we say a flight of doves or swallows, a bevy of quails, a herd of deer, a wrens or cranes, a skulk of foxes, or a building of rooks." He went on to explain that, according to Sir Anthony Fitzherbert, we should attribute to this bird "both intelligence and glory; for, when praised, he will immediately raise his tail towards the sun, so you can better appreciate its beauty. But when the leaves fall, and his tail droops, he will mourn and hide in corners until his tail returns to what it was."
I could not help smiling at this display of small erudition on so whimsical a subject; but I found that the peacocks were birds of some consequence at the Hall, for Frank Bracebridge informed me that they were great favourites with his father, who was extremely careful to keep up the breed; partly because they belonged to chivalry, and were in great request at the stately banquets of the olden time; and partly because they had a pomp and magnificence about them, highly becoming an old family mansion. Nothing, he was accustomed to say, had an air of greater state and dignity than a peacock perched upon an antique stone balustrade.
I couldn't help but smile at this bit of knowledge about such a quirky topic; but I learned that the peacocks were quite important at the Hall, as Frank Bracebridge told me they were his father's favorites, who was very dedicated to maintaining their breed. This was partly because they were associated with chivalry and were highly sought after at the grand banquets of the past, and partly because they had a flair and grandeur that suited an old family mansion perfectly. He often said that nothing looked more impressive and dignified than a peacock resting on an old stone railing.
Master Simon had now to hurry off, having an appointment at the parish church with the village choristers, who were to perform some music of his selection. There was something extremely agreeable in the cheerful flow of animal spirits of the little man; and I confess I had been somewhat surprised at his apt quotations from authors who certainly were not in the range of every-day reading. I mentioned this last circumstance to Frank Bracebridge, who told me with a smile that Master Simon's whole stock of erudition was confined to some half-a-dozen old authors, which the Squire had put into his hands, and which he read over and over, whenever he had a studious fit; as he sometimes had on a rainy day, or a long winter evening. Sir Anthony Fitzherbert's "Book of Husbandry;" Markham's "Country Contentments;" the "Tretyse of Hunting," by Sir Thomas Cockayne, Knight; Izaak Walton's "Angler," and two or three more such ancient worthies of the pen, were his standard authorities; and, like all men who know but a few books, he looked up to them with a kind of idolatry, and quoted them on all occasions. As to his songs, they were chiefly picked out of old books in the Squire's library, and adapted to tunes that were popular among the choice spirits of the last century. His practical application of scraps of literature, however, had caused him to be looked upon as a prodigy of book-knowledge by all the grooms, huntsmen, and small sportsmen of the neighbourhood.
Master Simon had to rush off, as he had an appointment at the parish church with the village choristers, who were going to perform some music he had chosen. There was something really pleasant about the cheerful energy of the little man; and I admit I was a bit surprised by his relevant quotes from authors who definitely weren’t part of everyday reading. I mentioned this to Frank Bracebridge, who smiled and told me that Master Simon’s entire collection of knowledge came from about half a dozen old authors that the Squire had given him, which he reread whenever he felt like studying; and he sometimes did so on a rainy day or a long winter evening. Sir Anthony Fitzherbert's "Book of Husbandry," Markham's "Country Contentments," the "Treatise of Hunting" by Sir Thomas Cockayne, Knight, Izaak Walton's "Angler," and two or three other ancient classics were his go-to references; and, like all people who only know a few books, he regarded them with a sort of reverence and quoted them at every opportunity. As for his songs, they were mostly selected from old books in the Squire's library and set to tunes that were popular among the refined crowds of the last century. His practical use of snippets of literature, however, made him seem like a literary genius to all the grooms, huntsmen, and casual sportsmen in the area.
While we were talking we heard the distant toll of the village bell, and I was told that the Squire was a little particular in having his household at church on a Christmas morning; considering it a day of pouring out of thanks and rejoicing; for, as old Tusser observed:
While we were talking, we heard the distant sound of the village bell, and I was told that the Squire was a bit particular about having his household at church on Christmas morning; he saw it as a day to give thanks and celebrate; for, as old Tusser noted:
"At Christmas be merry, and thankful withal, And feast thy poor neighbours, the great and the small."
"At Christmas, be cheerful and grateful, And share a feast with your neighbors, both big and small."
"If you are disposed to go to church," said Frank Bracebridge, "I can promise you a specimen of my cousin Simon's musical achievements. As the church is destitute of an organ, he has formed a band from the village amateurs, and established a musical club for their improvement; he has also sorted a choir, as he sorted my father's pack of hounds, according to the directions of Jervaise Markham, in his 'Country Contentments;' for the bass he has sought out all the 'deep solemn mouths,' and for the tenor the 'loud ringing mouths,' among the country bumpkins; and for 'sweet mouths,' he has culled with curious taste among the prettiest lasses in the neighbourhood; though these last, he affirms, are the most difficult to keep in tune; your pretty female singer being exceedingly wayward and capricious, and very liable to accident."
"If you're up for a church visit," said Frank Bracebridge, "I can guarantee you’ll get to hear my cousin Simon's musical talents. Since the church doesn’t have an organ, he’s put together a band of local amateurs and started a musical club for their development. He’s also assembled a choir, just like he organized my father's pack of hounds, following the advice of Jervaise Markham in his 'Country Contentments.' For the bass, he's gathered all the 'deep solemn voices,' and for the tenor, the 'loud ringing voices,' from the local guys; and for the 'sweet voices,' he’s carefully chosen from among the cutest girls in the area. Although he claims these last ones are the hardest to keep in tune, since a pretty female singer tends to be really unpredictable and fragile."
As the morning, though frosty, was remarkably fine and clear, the most of the family walked to the church, which was a very old building of gray stone, and stood near a village, about half a mile from the park gate. Adjoining it was a low snug parsonage, which seemed coeval with the church. The front of it was perfectly matted with a yew-tree that had been trained against its walls, through the dense foliage of which apertures had been formed to admit light into the small antique lattices. As we passed this sheltered nest, the parson issued forth and preceded us.
As the morning, though chilly, was incredibly nice and clear, most of the family walked to the church, which was a very old gray stone building located near a village about half a mile from the park gate. Next to it was a cozy little parsonage that seemed to be as old as the church. The front of the parsonage was completely covered with a yew tree that had been trained against its walls, with openings created in the dense leaves to let light into the small old windows. As we walked past this cozy spot, the parson came out and led the way.
I had expected to see a sleek, well-conditioned pastor, such as is often found in a snug living in the vicinity of a rich patron's table; but I was disappointed. The parson was a little, meagre, black-looking man, with a grizzled wig that was too wide, and stood off from each ear; so that his head seemed to have shrunk away within it, like a dried filbert in its shell. He wore a rusty coat, with great skirts, and pockets that would have held the church Bible and prayer-book; and his small legs seemed still smaller, from being planted in large shoes decorated with enormous buckles.
I expected to see a slick, well-groomed pastor, like the ones you often find living comfortably near a rich patron’s table; but I was let down. The parson was a tiny, frail-looking man with a grizzled wig that was too big, sticking out from each ear, making his head look like it had shrunk inside it, like a dried hazelnut in its shell. He wore a worn-out coat with long flaps and pockets that could have fit the church Bible and prayer book; and his small legs looked even smaller because they were shoved into large shoes adorned with huge buckles.
I was informed by Frank Bracebridge that the parson had been a chum of his father's at Oxford, and had received this living shortly after the latter had come to his estate. He was a complete black-letter hunter, and would scarcely read a work printed in the Roman character. The editions of Caxton and Wynkin de Worde were his delight; and he was indefatigable in his researches after such old English writers as have fallen into oblivion from their worthlessness. In deference, perhaps, to the notions of Mr. Bracebridge, he had made diligent investigations into the festive rites and holiday customs of former times; and had been as zealous in the inquiry as if he had been a boon companion; but it was merely with that plodding spirit with which men of adust temperament follow up any track of study, merely because it is denominated learning; indifferent to its intrinsic nature, whether it be the illustration of the wisdom, or of the ribaldry and obscenity of antiquity. He had pored over these old volumes so intensely, that they seemed to have been reflected into his countenance indeed; which, if the face be an index of the mind, might be compared to a title-page of black-letter.
I was told by Frank Bracebridge that the parson had been a friend of his father's at Oxford and had gotten this position shortly after his father came into his estate. He was really into old books and hardly ever read anything printed in modern type. The editions of Caxton and Wynkin de Worde fascinated him; he tirelessly searched for those old English writers who had been forgotten because they weren't very good. Out of respect for Mr. Bracebridge's ideas, he had researched the festive rituals and holiday traditions of the past and was as enthusiastic in his inquiries as if he were just enjoying himself; but it was really just the determined nature of someone who pursues a subject out of a sense of duty rather than passion, regardless of whether it showcased wisdom or the crude and filthy aspects of history. He had studied those old books so intensely that they seemed to reflect in his face; if the face is a reflection of the mind, it could be likened to a title page in old-fashioned type.
On reaching the church porch, we found the parson rebuking the gray-headed sexton for having used mistletoe among the greens with which the church was decorated. It was, he observed, an unholy plant, profaned by having been used by the Druids in their mystic ceremonies; and though it might be innocently employed in the festive ornamenting of halls and kitchens, yet it had been deemed by the Fathers of the Church as unhallowed, and totally unfit for sacred purposes. So tenacious was he on this point, that the poor sexton was obliged to strip down a great part of the humble trophies of his taste, before the parson would consent to enter upon the service of the day.
As we reached the church porch, we saw the pastor scolding the gray-haired sexton for using mistletoe among the greenery that decorated the church. He pointed out that it was an impure plant, tainted by its use in Druidic rituals; and although it could be harmlessly used for festive decorations in homes, the Church Fathers had declared it unholy and completely unsuitable for sacred purposes. He was so adamant about this that the poor sexton had to take down a large portion of his modest decorations before the pastor would agree to start the day's service.
The interior of the church was venerable but simple; on the walls were several mural monuments of the Bracebridges, and just beside the altar was a tomb of ancient workmanship, on which lay the effigy of a warrior in armour, with his legs crossed, a sign of his having been a crusader. I was told it was one of the family who had signalised himself in the Holy Land, and the same whose picture hung over the fireplace in the hall.
The inside of the church was old but straightforward; on the walls were several memorials dedicated to the Bracebridges, and right next to the altar was a tomb crafted long ago, featuring the figure of a warrior in armor, with his legs crossed, indicating he was a crusader. I was told it belonged to a family member who distinguished himself in the Holy Land, and it was the same person whose portrait hung above the fireplace in the hall.
During service, Master Simon stood up in the pew, and repeated the responses very audibly; evincing that kind of ceremonious devotion punctually observed by a gentleman of the old school, and a man of old family connections. I observed, too, that he turned over the leaves of a folio prayer-book with something of a flourish; possibly to show off an enormous seal-ring which enriched one of his fingers, and which had the look of a family relic. But he was evidently most solicitous about the musical part of the service, keeping his eye fixed intently on the choir, and beating time with much gesticulation and emphasis.
During the service, Master Simon stood up in the pew and recited the responses very loudly, showing the kind of formal devotion that was typical of a gentleman from the old school and someone from a family with a long history. I also noticed that he turned the pages of a large prayer book with a bit of a flourish, possibly to show off a big seal ring on one of his fingers, which looked like a family heirloom. However, he was clearly most focused on the musical part of the service, keeping a close eye on the choir and dramatically keeping the beat with his gestures.
The orchestra was in a small gallery, and presented a most whimsical grouping of heads, piled one above the other, among which I particularly noticed that of the village tailor, a pale fellow with a retreating forehead and chin, who played on the clarionet, and seemed to have blown his face to a point; and there was another, a short pursy man, stooping and labouring at a bass viol, so as to show nothing but the top of a round bald head, like the egg of an ostrich. There were two or three pretty faces among the female singers, to which the keen air of a frosty morning had given a bright rosy tint; but the gentlemen choristers had evidently been chosen, like old Cremona fiddles, more for tone than looks; and as several had to sing from the same book, there were clusterings of odd physiognomies, not unlike those groups of cherubs we sometimes see on country tombstones.
The orchestra was in a small gallery, presenting a whimsical arrangement of heads stacked one above the other. I especially noticed the village tailor, a pale guy with a receding forehead and chin, playing the clarinet, who looked like he had puffed his face to a point. Next to him was a short, chubby man, hunched over a bass viol, showing nothing but the top of his round bald head, like an ostrich egg. There were a couple of attractive faces among the female singers, brightened by the chilly morning air, giving them a rosy glow. In contrast, the male choristers seemed to have been picked more for their sound than their looks, similar to old Cremona violins; and since several had to sing from the same book, there were clusters of unique faces, not unlike those groups of cherubs we sometimes see on country gravestones.
The usual services of the choir were managed tolerably well, the vocal parts generally lagging a little behind the instrumental, and some loitering fiddler now and then making up for lost time by travelling over a passage with prodigious celerity, and clearing more bars than the keenest fox-hunter to be in at the death. But the great trial was an anthem that had been prepared and arranged by Master Simon, and on which he had founded great expectation. Unluckily there was a blunder at the very outset; the musicians became flurried; Master Simon was in a fever; everything went on lamely and irregularly until they came to a chorus beginning "Now let us sing with one accord," which seemed to be a signal for parting company: all became discord and confusion; each shifted for himself, and got to the end as well, or rather as soon, as he could, excepting one old chorister in a pair of horn spectacles bestriding and pinching a long sonorous nose; who, happening to stand a little apart, and being wrapped up in his own melody, kept on a quavering course, wriggling his head, ogling his book, and winding all up by a nasal solo of at least three bars' duration.
The usual choir performances were managed fairly well, but the vocal parts often lagged a bit behind the instruments. Occasionally, a fiddler would make up for lost time by speeding through a section, surpassing even the most dedicated fox hunter in trying to be in at the finish. However, the big challenge was an anthem arranged by Master Simon, which he had high hopes for. Unfortunately, there was a mistake right at the start; the musicians got flustered, Master Simon was anxious, and everything went poorly and out of sync until they reached a chorus that started with "Now let us sing with one accord," which seemed to trigger chaos. It turned into complete discord and confusion; everyone just did their own thing and finished as best they could, except for one old chorister in horn-rimmed glasses who was standing slightly apart. He was so absorbed in his own melody that he continued on a shaky path, swaying his head, peering at his book, and ending with a nasal solo that lasted at least three bars.
The parson gave us a most erudite sermon on the rites and ceremonies of Christmas, and the propriety of observing it not merely as a day of thanksgiving, but of rejoicing; supporting the correctness of his opinions by the earliest usages of the Church, and enforcing them by the authorities of Theophilus of Cesarea, St. Cyprian, St. Chrysostom, St. Augustine, and a cloud more of Saints and Fathers, from whom he made copious quotations. I was a little at a loss to perceive the necessity of such a mighty array of forces to maintain a point which no one present seemed inclined to dispute; but I soon found that the good man had a legion of ideal adversaries to contend with; having, in the course of his researches on the subject of Christmas, got completely embroiled in the sectarian controversies of the Revolution, when the Puritans made such a fierce assault upon the ceremonies of the Church, and poor old Christmas was driven out of the land by proclamation of Parliament.* The worthy parson lived but with times past, and knew but a little of the present.
The pastor gave us a really insightful sermon about the traditions and practices of Christmas, arguing that it should be observed not just as a day of thanks but as a day of celebration. He backed up his views with the earliest customs of the Church and referenced well-known figures like Theophilus of Caesarea, St. Cyprian, St. Chrysostom, St. Augustine, and many other Saints and Fathers, quoting them extensively. I was a bit confused about why he needed such a strong lineup of support for a point no one seemed to disagree with; but I quickly realized that the good man was battling a whole host of imaginary opponents. In his research on Christmas, he had gotten completely caught up in the sectarian disputes of the Revolution, when the Puritans fiercely attacked Church ceremonies, leading to poor old Christmas being banished from the land by Parliament's decree.* The well-meaning pastor was stuck in the past and knew very little about the present.
*3 See Note C.
*__A_TAG_PLACEHOLDER_0__ See Note C.*
Shut up among worm-eaten tomes in the retirement of his antiquated little study, the pages of old times were to him as the gazettes of the day; while the era of the Revolution was mere modern history. He forgot that nearly two centuries had elapsed since the fiery persecution of poor mince-pie throughout the land; when plum-porridge was denounced as "mere popery," and roast beef as antichristian; and that Christmas had been brought in again triumphantly with the merry court of King Charles at the Restoration. He kindled into warmth with the ardour of his contest, and the host of imaginary foes with whom he had to combat; had a stubborn conflict with old Prynne and two or three other forgotten champions of the Round-heads, on the subject of Christmas festivity; and concluded by urging his hearers, in the most solemn and affecting manner, to stand to the traditionary customs of their fathers, and feast and make merry on this joyful anniversary of the Church.
Shut away among dusty old books in his outdated little study, the pages of history felt as current to him as today's news; the Revolutionary era was just modern history. He didn't realize that nearly two centuries had passed since the harsh persecution of poor mince pie across the country; when plum porridge was labeled as "just popery," and roast beef was seen as anti-Christian; and that Christmas had made a triumphant return with the joyful court of King Charles at the Restoration. He became passionate about his arguments and the imaginary enemies he had to face; he had a stubborn debate with old Prynne and a few other forgotten champions of the Roundheads about Christmas celebrations; and he concluded by urging his listeners in the most serious and touching way to uphold the traditional customs of their ancestors and celebrate and enjoy this joyful anniversary of the Church.
I have seldom known a sermon attended apparently with more immediate effects; for, on leaving the church, the congregation seemed one and all possessed with the gaiety of spirit so earnestly enjoined by their pastor. The elder folks gathered in knots in the churchyard, greeting and shaking hands; and the children ran about crying, Ule! Ule! and repeating some uncouth rhymes,* which the parson, who had joined us, informed me had been handed down from days of yore. The villagers doffed their hats to the Squire as he passed, giving him the good wishes of the season with every appearance of heartfelt sincerity, and were invited by him to the Hall, to take something to keep out the cold of the weather; and I heard blessings uttered by several of the poor, which convinced me that, in the midst of his enjoyments, the worthy old cavalier had not forgotten the true Christmas virtue of charity.
I’ve rarely seen a sermon have such immediate effects; when the congregation left the church, they all seemed filled with the joy of spirit that their pastor had encouraged. The older folks gathered in small groups in the churchyard, greeting each other and shaking hands, while the children ran around shouting, “Ule! Ule!” and repeating some strange rhymes, which the parson, who had joined us, told me were traditions passed down from long ago. The villagers took off their hats for the Squire as he walked by, wishing him well for the season with genuine warmth, and he invited them to the Hall for something to warm them against the cold weather. I heard blessings from several of the poor, which made it clear to me that, amidst his enjoyment, the kind old gentleman hadn’t forgotten the true Christmas virtue of charity.
* "Ule! Ule! Three puddings in a pule; Crack nuts and cry ule!"
* "Ule! Ule! Three puddings in a bowl; Crack nuts and shout ule!"
On our way homeward his heart seemed overflowing with generous and happy feelings. As we passed over a rising ground which commanded something of a prospect, the sounds of rustic merriment now and then reached our ears; the Squire paused for a few moments, and looked around with an air of inexpressible benignity. The beauty of the day was of itself sufficient to inspire philanthropy. Notwithstanding the frostiness of the morning, the sun in his cloudless journey had acquired sufficient power to melt away the thin covering of snow from every southern declivity, and to bring out the living green which adorns an English landscape even in midwinter. Large tracts of smiling verdure contrasted with the dazzling whiteness of the shaded slopes and hollows. Every sheltered bank on which the broad rays rested yielded its silver rill of cold and limpid water, glittering through the dripping grass; and sent up slight exhalations to contribute to the thin haze that hung just above the surface of the earth. There was something truly cheering in this triumph of warmth and verdure over the frosty thraldom of winter; it was, as the Squire observed, an emblem of Christmas hospitality, breaking through the chills of ceremony and selfishness, and thawing every heart into a flow. He pointed with pleasure to the indications of good cheer reeking from the chimneys of the comfortable farmhouses and low, thatched cottages. "I love," said he, "to see this day well kept by rich and poor; it is a great thing to have one day in the year, at least, when you are sure of being welcome wherever you go, and of having, as it were, the world all thrown open to you; and I am almost disposed to join with Poor Robin, in his malediction of every churlish enemy to this honest festival:
On our way home, his heart seemed full of generous and happy feelings. As we went over a rise that had a nice view, we could hear sounds of laughter and joy coming from the countryside every now and then. The Squire paused for a moment and looked around with a look of pure kindness. The beauty of the day alone was enough to inspire goodwill. Despite the coldness of the morning, the sun, on its cloudless path, had gained enough strength to melt away the thin layer of snow from every southern slope and to reveal the vibrant green that decorates an English landscape, even in midwinter. Large areas of cheerful greenery stood in contrast to the bright whiteness of the shaded hills and valleys. Every sheltered bank where the sunlight hit offered a silver stream of cold, clear water, sparkling through the dripping grass, sending up little wisps of vapor to add to the thin haze that hung just above the ground. There was something truly uplifting about this victory of warmth and greenery over the frosty grip of winter; as the Squire noted, it was a symbol of Christmas hospitality, breaking through the coldness of formalities and selfishness, and melting every heart. He pointed with delight to the signs of good cheer rising from the chimneys of cozy farmhouses and quaint thatched cottages. "I love," he said, "to see this day celebrated by both rich and poor; it’s a wonderful thing to have at least one day a year when you know you’ll be welcomed wherever you go, as if the world is completely open to you; and I'm almost tempted to join Poor Robin in his curse against anyone grumpy about this honest celebration."
"'Those who at Christmas do repine, And would fain hence despatch him, May they with old Duke Humphry dine, Or else may Squire Ketch catch 'em.'"
"'Those who feel down at Christmas, And wish to get rid of it, May they dine with old Duke Humphry, Or else may Squire Ketch catch them.'"
The Squire went on to lament the deplorable decay of the games and amusements which were once prevalent at this season among the lower orders, and countenanced by the higher: when the old halls of castles and manor-houses were thrown open at daylight; when the tables were covered with brawn, and beef, and humming ale; when the harp and the carol resounded all day long, and when rich and poor were alike welcome to enter and make merry.* "Our old games and local customs," said he, "had a great effect in making the peasant fond of his home, and the promotion of them, by the gentry made him fond of his lord. They made the times merrier, and kinder, and better; and I can truly say, with one of our old poets:
The Squire went on to complain about the sad decline of the games and festivities that used to be common during this season among the lower classes and supported by the upper classes: when the grand halls of castles and manor houses would open at dawn; when the tables were filled with meats and hearty ale; when music and singing filled the air all day, and rich and poor were equally welcomed to join in the celebration. "Our traditional games and local customs," he said, "really helped the peasant appreciate his home, and their promotion by the gentry made him appreciate his lord. They brought joy, kindness, and improvement to our times; and I can truly say, with one of our old poets:
"'I like them well—the curious preciseness And all-pretended gravity of those That seek to banish hence these harmless sports, Have thrust away much ancient honesty.'
"'I really appreciate them—the strange exactness And all the fake seriousness of those Who try to eliminate these innocent activities, Have pushed aside a lot of old-fashioned honesty.'
*4 See Note D.
*__A_TAG_PLACEHOLDER_0__ See Note D.*
"The nation," continued he, "is altered; we have almost lost our simple, true-hearted peasantry. They have broken asunder from the higher classes, and seem to think their interests are separate. They have become too knowing, and begin to read newspapers, listen to alehouse politicians, and talk of reform. I think one mode to keep them in good humour in these hard times would be for the nobility and gentry to pass more time on their estates, mingle more among the country people, and set the merry old English games going again."
"The country," he continued, "has changed; we've nearly lost our genuine, down-to-earth farmers. They've broken away from the upper classes and now believe their interests are different. They've become too knowledgeable and are starting to read newspapers, listen to barroom politicians, and discuss reform. I think one way to keep them in a good mood during these tough times would be for the nobility and gentry to spend more time on their estates, mix more with the local people, and bring back the traditional English games."
Such was the good Squire's project for mitigating public discontent; and, indeed, he had once attempted to put his doctrine in practice, and a few years before had kept open house during the holidays in the old style. The country people, however, did not understand how to play their parts in the scene of hospitality; many uncouth circumstances occurred; the manor was overrun by all the vagrants of the country, and more beggars drawn into the neighbourhood in one week than the parish officers could get rid of in a year. Since then, he had contented himself with inviting the decent part of the neighbouring peasantry to call at the Hall on Christmas Day, and distributing beef, and bread, and ale, among the poor, that they might make merry in their own dwellings.
This was the good Squire's plan for easing public discontent; in fact, he had once tried to put his idea into action and a few years earlier had hosted an open house during the holidays in the traditional way. However, the local people didn’t quite know how to participate in the hospitality scene; many awkward situations arose, the manor was overwhelmed by all the drifters in the area, and more beggars showed up in one week than the parish officers could handle in a year. Since then, he had settled on inviting the respectable locals to visit the Hall on Christmas Day, distributing beef, bread, and ale among the poor so they could celebrate in their own homes.
We had not been long home when the sound of music was heard from a distance. A band of country lads, without coats, their shirt-sleeves fancifully tied with ribands, their hats decorated with greens, and clubs in their hands, were seen advancing up the avenue, followed by a large number of villagers and peasantry. They stopped before the hall door, where the music struck up a peculiar air, and the lads performed a curious and intricate dance, advancing, retreating, and striking their clubs together, keeping exact time to the music; while one, whimsically crowned with a fox's skin, the tail of which flaunted down his back, kept capering around the skirts of the dance, and rattling a Christmas-box with many antic gesticulations.
We had just gotten home when we heard music in the distance. A group of country guys, without coats, their shirt sleeves playfully tied with ribbons, their hats adorned with greenery, and holding clubs, was making its way up the driveway, followed by a large crowd of villagers and farmers. They stopped in front of the hall door, where the music began to play a unique tune, and the guys performed a strange and complex dance, stepping forward, stepping back, and clashing their clubs together, perfectly in sync with the music; meanwhile, one of them, humorously wearing a fox's skin as a crown, with the tail hanging down his back, danced around the edges of the performance, shaking a Christmas box while making all sorts of funny movements.
The Squire eyed this fanciful exhibition with great interest and delight, and gave me a full account of its origin, which he traced to the times when the Romans held possession of the island; plainly proving that this was a lineal descendant of the sword-dance of the ancients. "It was now," he said, "nearly extinct, but he had accidentally met with traces of it in the neighbourhood, and had encouraged its revival; though, to tell the truth, it was too apt to be followed up by rough cudgel-play and broken heads in the evening."
The Squire watched this colorful display with great interest and enjoyment, and he gave me a detailed account of its origins, tracing it back to the times when the Romans occupied the island; clearly showing that this was a direct descendant of the ancient sword-dance. “It’s now,” he said, “almost extinct, but I’ve come across remnants of it in the area and have encouraged its revival; although, to be honest, it's usually followed by heavy stick-fighting and injuries later in the evening.”
After the dance was concluded, the whole party was entertained with brawn and beef, and stout home-brewed. The Squire himself mingled among the rustics, and was received with awkward demonstrations of deference and regard.
After the dance ended, everyone at the party enjoyed some brawn and beef, along with some strong home-brewed beer. The Squire himself interacted with the locals and was met with clumsy displays of respect and appreciation.
It is true, I perceived two or three of the younger peasants, as they were raising their tankards to their mouths when the Squire's back was turned, making something of a grimace, and giving each other the wink; but the moment they caught my eye they pulled grave faces, and were exceedingly demure. With Master Simon, however, they all seemed more at their ease.
It’s true, I saw two or three of the younger peasants making faces and winking at each other as they lifted their tankards to their mouths when the Squire’s back was turned. But as soon as they noticed me, they put on serious expressions and acted very proper. With Master Simon, though, they all seemed more relaxed.
His varied occupations and amusements had made him well known throughout the neighbourhood. He was a visitor at every farmhouse and cottage; gossiped with the farmers and their wives; romped with their daughters; and, like that type of a vagrant bachelor, the bumblebee, tolled the sweets from all the rosy lips of the country around.
His different jobs and hobbies made him famous in the neighborhood. He visited every farmhouse and cottage, chatted with the farmers and their wives, played around with their daughters, and, like that kind of wandering bachelor, the bumblebee, gathered the sweet moments from all the lovely people in the area.
The bashfulness of the guests soon gave way before good cheer and affability. There is something genuine and affectionate in the gaiety of the lower orders, when it is excited by the bounty and familiarity of those above them; the warm glow of gratitude enters into their mirth, and a kind word or a small pleasantry, frankly uttered by a patron, gladdens the heart of the dependant more than oil and wine. When the Squire had retired, the merriment increased, and there was much joking and laughter, particularly between Master Simon and a hale, ruddy-faced, white-headed farmer, who appeared to be the wit of the village; for I observed all his companions to wait with open mouths for his retorts, and burst into a gratuitous laugh before they could well understand them.
The shyness of the guests quickly faded in the face of good vibes and friendliness. There's something real and heartfelt about the joy of the lower classes when it's sparked by the generosity and closeness of those above them; the warm feeling of thankfulness becomes part of their fun, and a kind word or a little joke shared by a benefactor brings more joy to a dependent than wine and rich food. When the Squire left, the fun grew even more, and there was lots of joking and laughing, especially between Master Simon and a strong, cheerful, white-haired farmer who seemed to be the village comedian; I noticed all his friends hanging on his every word, bursting into laughter even before they fully got his jokes.
The whole house, indeed, seemed abandoned to merriment. As I passed to my room to dress for dinner, I heard the sound of music in a small court, and, looking through a window that commanded it, I perceived a band of wandering musicians, with pandean pipes and tambourine; a pretty, coquettish housemaid was dancing a jig with a smart country lad, while several of the other servants were looking on. In the midst of her sport the girl caught a glimpse of my face at the window, and, colouring up, ran off with an air of roguish affected confusion.
The whole house really seemed filled with laughter. As I walked to my room to get ready for dinner, I heard music coming from a small courtyard. Looking through a window that overlooked it, I saw a group of wandering musicians with pan flutes and a tambourine. A cute, flirtatious maid was dancing a jig with a charming country boy, while several other servants watched. In the middle of her dancing, the girl spotted me at the window, blushed, and hurried away with a playful, feigned shyness.
The Christmas Dinner
Lo, now is come the joyful'st feast! Let every man be jolly, Eache roome with yvie leaves is drest, And every post with holly. Now all our neighbours' chimneys smoke, And Christmas blocks are burning; Their ovens they with bak't meats choke, And all their spits are turning. Without the door let sorrow lie, And if, for cold, it hap to die, We'll bury't in a Christmas pye, And evermore be merry. —WITHERS'S Juvenilia.
Look, now the happiest feast has arrived! Let everyone be cheerful, Each room is dressed with ivy leaves, And every post with holly. Now all our neighbors' chimneys are smoking, And Christmas logs are burning; Their ovens are filled with baked meats, And all their spits are turning. Outside the door, let sorrow stay, And if it happens to die from the cold, We'll bury it in a Christmas pie, And always be merry. —WITHERS'S Juvenilia.
I had finished my toilet, and was loitering with Frank Bracebridge in the library, when we heard a distant thwacking sound, which he informed me was a signal for the serving up of the dinner. The Squire kept up old customs in kitchen as well as hall; and the rolling-pin, struck upon the dresser by the cook, summoned the servants to carry in the meats.
I had finished getting ready and was hanging out with Frank Bracebridge in the library when we heard a distant thwack, which he told me was a signal for dinner to be served. The Squire maintained old traditions in both the kitchen and the dining hall; the cook would hit the rolling pin against the dresser to call the servants to bring in the dishes.
"Just in this nick the cook knock'd thrice, And all the waiters in a trice His summons did obey; Each serving man, with dish in hand, March'd boldly up, like our train-band, Presented and away."*
"Just at that moment, the cook knocked three times, And all the waiters quickly responded to his call; Each server, with a dish in hand, Approached confidently, like our local militia, Presented the food and then left."*
* Sir John Suckling.
Sir John Suckling.
The dinner was served up in the great hall, where the Squire always held his Christmas banquet. A blazing, crackling fire of logs had been heaped on to warm the spacious apartment, and the flame went sparkling and wreathing up the wide-mouthed chimney. The great picture of the crusader and his white horse had been profusely decorated with greens for the occasion; and holly and ivy had likewise been wreathed around the helmet and weapons on the opposite wall, which I understood were the arms of the same warrior. I must own, by the by, I had strong doubts about the authenticity of painting and armour as having belonged to the crusader, they certainly having the stamp of more recent days; but I was told that the painting had been so considered time out of mind; and that as to the armour, it had been found in a lumber room, and elevated to its present situation by the Squire, who at once determined it to be the armour of the family hero; and as he was absolute authority on all such subjects to his own household, the matter had passed into current acceptation. A sideboard was set out just under this chivalric trophy, on which was a display of plate that might have vied (at least in variety) with Belshazzar's parade of the vessels of the Temple: "flagons, cans, cups, beakers, goblets, basins, and ewers;" the gorgeous utensils of good companionship, that had gradually accumulated through many generations of jovial housekeepers. Before these stood the two Yule candles, beaming like two stars of the first magnitude: other lights were distributed in branches, and the whole array glittered like a firmament of silver.
The dinner was served in the great hall, where the Squire always hosted his Christmas banquet. A blazing, crackling fire of logs was piled high to warm the spacious room, and the flames sparkled and danced up the wide chimney. The large painting of the crusader and his white horse was lavishly decorated with greenery for the occasion, and holly and ivy were also draped around the helmet and weapons on the opposite wall, which I gathered belonged to the same warrior. I must admit, though, I had serious doubts about the authenticity of the painting and armor being linked to the crusader, as they seemed to have a more modern touch; however, I was told that the painting had been regarded as such for a long time. As for the armor, it had been discovered in a storage room and was moved to its current display by the Squire, who decided it must be the armor of the family hero. Since he was the final word on such matters in his household, the notion became widely accepted. A sideboard was set out directly beneath this chivalric trophy, showcasing a collection of silverware that could rival (at least in variety) Belshazzar's display of temple vessels: "flagons, cans, cups, beakers, goblets, basins, and ewers;" the beautiful utensils of good company that had accumulated over many generations of cheerful hosts. In front of these were the two Yule candles, shining like two stars of the brightest magnitude: other lights were arranged on branches, and the entire setup sparkled like a silver sky.
We were ushered into this banqueting scene with the sound of minstrelsy, the old harper being seated on a stool beside the fireplace, and twanging his instrument with a vast deal more power than melody. Never did Christmas board display a more goodly and gracious assemblage of countenances; those who were not handsome were, at least, happy; and happiness is a rare improver of your hard-favoured visage.
We were led into this feast with the sound of musicians playing, the old harpist sitting on a stool by the fireplace, strumming his instrument with way more energy than melody. Never have I seen a Christmas table show such a lovely and cheerful gathering of faces; those who weren't good-looking were, at least, joyful; and joy is a rare enhancer of your less-than-attractive features.
I always consider an old English family as well worth studying as a collection of Holbein's portraits or Albert Durer's prints. There is much antiquarian lore to be acquired; much knowledge of the physiognomies of former times. Perhaps it may be from having continually before their eyes those rows of old family portraits, with which the mansions of this country are stocked; certain it is, that the quaint features of antiquity are often most faithfully perpetuated in these ancient lines; and I have traced an old family nose through a whole picture-gallery, legitimately handed down from generation to generation, almost from the time of the Conquest. Something of the kind was to be observed in the worthy company around me. Many of their faces had evidently originated in a Gothic age, and been merely copied by succeeding generations; and there was one little girl, in particular, of staid demeanour, with a high Roman nose, and an antique vinegar aspect, who was a great favourite of the Squire's, being, as he said, a Bracebridge all over, and the very counterpart of one of his ancestors who figured in the court of Henry VIII.
I always think an old English family is just as interesting to study as a collection of Holbein's portraits or Albert Durer's prints. There’s a lot of historical knowledge to be gained; plenty of insights into the appearances of people from the past. Maybe it’s because they constantly see those rows of old family portraits that fill the mansions in this country; it's clear that the quirky features of the past are often preserved in these age-old lines. I've followed an old family nose through an entire art gallery, passed down through generations, almost since the time of the Conquest. I noticed something similar in the good company around me. Many of their faces clearly have roots in the Gothic era, merely replicated by later generations; and there was one little girl in particular, who was very serious, with a high Roman nose and an old-fashioned vinegar expression, who was a favorite of the Squire, because, as he put it, she was a true Bracebridge through and through, and a perfect match for one of his ancestors who was part of Henry VIII’s court.
The parson said grace, which was not a short, familiar one, such as is commonly addressed to the Deity, in these unceremonious days; but a long, courtly, well-worded one of the ancient school.
The pastor said grace, which wasn’t a quick, casual one like those usually said to God these days; instead, it was a long, formal, well-crafted one from the old school.
There was now a pause, as if something was expected; when suddenly the butler entered the hall with some degree of bustle; he was attended by a servant on each side with a large wax-light, and bore a silver dish, on which was an enormous pig's head, decorated with rosemary, with a lemon in its mouth, which was placed with great formality at the head of the table. The moment this pageant made its appearance, the harper struck up a flourish; at the conclusion of which the young Oxonian, on receiving a hint from the Squire, gave, with an air of the most comic gravity, an old carol, the first verse of which was as follows:
There was a moment of silence, as if everyone was waiting for something; then the butler rushed into the hall, a bit flustered. He was flanked by a servant on each side holding a large candle, and he carried a silver platter that held a massive pig's head, decorated with rosemary and a lemon in its mouth, which was placed with great ceremony at the head of the table. As soon as this spectacle appeared, the harper began to play a lively tune; at the end of it, the young man from Oxford, taking a cue from the Squire, solemnly performed an old carol, starting with these words:
"Caput apri defero Reddens laudes Domino. The boar's head in hand bring I, With garlands gay and rosemary. I pray you all synge merily Qui estis in convivio."
"I bring the boar's head in hand, Giving praises to the Lord. With cheerful garlands and rosemary, I ask you all to sing merrily, You who are in the feast."
Though prepared to witness many of these little eccentricities, from being apprised of the peculiar hobby of mine host; yet, I confess, the parade with which so odd a dish was introduced somewhat perplexed me, until I gathered from the conversation of the Squire and the parson that it was meant to represent the bringing in of the boar's head: a dish formerly served up with much ceremony, and the sound of minstrelsy and song, at great tables on Christmas Day. "I like the old custom," said the Squire, "not merely because it is stately and pleasing in itself, but because it was observed at the College of Oxford, at which I was educated. When I hear the old song chanted, it brings to mind the time when I was young and gamesome—and the noble old college-hall—and my fellow students loitering about in their black gowns; many of whom, poor lads, are now in their graves!"
Although I was ready to see many of these little quirks, thanks to hearing about my host's unusual hobby, I admit that the grand way this strange dish was presented caught me off guard until I realized from the conversation between the Squire and the parson that it was meant to symbolize the bringing in of the boar's head: a dish that was once served with much ceremony, along with music and singing, at grand feasts on Christmas Day. "I appreciate the old tradition," said the Squire, "not just because it's impressive and enjoyable in itself, but because it was practiced at the College of Oxford, where I studied. When I hear the old song sung, it takes me back to when I was young and lively—and the magnificent old college hall—and my fellow students hanging around in their black gowns; many of whom, unfortunately, are now gone!"
The parson, however, whose mind was not haunted by such associations, and who was always more taken up with the text than the sentiment, objected to the Oxonian's version of the carol: which he affirmed was different from that sung at college. He went on, with the dry perseverance of a commentator, to give the college reading, accompanied by sundry annotations: addressing himself at first to the company at large; but finding their attention gradually diverted to other talk, and other objects, he lowered his tone as his number of auditors diminished, until he concluded his remarks, in an under voice, to a fat-headed old gentleman next him, who was silently engaged in the discussion of a huge plateful of turkey.*
The parson, whose mind wasn’t troubled by such thoughts and who was always more focused on the text than the feelings, objected to the Oxonian's version of the carol. He claimed it was different from the one sung at college. He then proceeded, with the dry persistence of a commentator, to present the college version, adding various notes. He initially addressed the whole group, but as he noticed their attention drifting to other conversations and distractions, he lowered his voice as his audience shrank, until he finished his comments in a quiet tone to a heavyset old gentleman next to him, who was silently busy with a large plate of turkey.*
*5 See Note E.
*__A_TAG_PLACEHOLDER_0__ Check Note E.*
The table was literally loaded with good cheer, and presented an epitome of country abundance, in this season of overflowing larders. A distinguished post was allotted to "ancient sirloin," as mine host termed it; being, as he added, "the standard of old English hospitality, and a joint of goodly presence, and full of expectation."
The table was packed with good vibes and showcased the essence of rural plenty during this time of overflowing supplies. A prominent spot was reserved for "ancient sirloin," as the host called it; adding that it was "the hallmark of traditional English hospitality, a impressive roast, and full of promise."
There were several dishes quaintly decorated, and which had evidently something traditionary in their embellishments; but about which, as I did not like to appear over curious, I asked no questions. I could not, however, but notice a pie, magnificently decorated with peacocks' feathers, in imitation of the tail of that bird, which overshadowed a considerable tract of the table. This, the Squire confessed, with some little hesitation, was a pheasant-pie, though a peacock-pie was certainly the most authentical; but there had been such a mortality among the peacocks this season, that he could not prevail upon himself to have one killed.*
There were several dishes charmingly decorated, clearly with some traditional touches; but since I didn’t want to seem overly curious, I refrained from asking questions. I couldn't help but notice a pie, beautifully adorned with peacock feathers, mimicking that bird's tail, taking up a significant portion of the table. The Squire admitted, with a bit of hesitation, that this was a pheasant pie, though a peacock pie would have been more authentic; however, there had been such a loss of peacocks this season that he couldn't bring himself to have one killed.*
*6 See Note F.
*__A_TAG_PLACEHOLDER_0__ See Note F.*
It would be tedious, perhaps, to my wiser readers, who may not have that foolish fondness for odd and obsolete things to which I am a little given, were I to mention the other makeshifts of this worthy old humourist, by which he was endeavouring to follow up, though at humble distance, the quaint customs of antiquity. I was pleased, however, to see the respect shown to his whims by his children and relatives; who, indeed, entered readily into the full spirit of them, and seemed all well versed in their parts; having doubtless been present at many a rehearsal. I was amused, too, at the air of profound gravity with which the butler and other servants executed the duties assigned them, however eccentric. They had an old-fashioned look; having, for the most part, been brought up in the household, and grown into keeping with the antiquated mansion, and the humours of its lord; and most probably looked upon all his whimsical regulations as the established laws of honourable housekeeping. When the cloth was removed, the butler brought in a huge silver vessel of rare and curious workmanship, which he placed before the Squire. Its appearance was hailed with acclamation; being the Wassail Bowl, so renowned in Christmas festivity. The contents had been prepared by the Squire himself; for it was a beverage in the skilful mixture of which he particularly prided himself, alleging that it was too abstruse and complex for the comprehension of an ordinary servant. It was a potation, indeed, that might well make the heart of a toper leap within him; being composed of the richest and raciest wines, highly spiced and sweetened, with roasted apples bobbing about the surface.*
It might be boring, I suppose, for my wiser readers, who may not have that silly fondness for quirky and outdated things that I have a bit of, if I were to mention the other quirky things this worthy old humorist was trying to embrace, even if it was from a distance, the unique customs of the past. I was pleased, however, to see how his children and relatives respected his whims; they really got into the spirit of them and seemed well acquainted with their roles, likely having attended many rehearsals. I was also amused by the serious demeanor with which the butler and other servants performed the tasks assigned to them, no matter how eccentric. They had an old-fashioned vibe, having mostly grown up in the household, aligning with the vintage mansion and its lord’s quirks; they probably saw all of his odd rules as the standard principles of honorable housekeeping. When the table was cleared, the butler brought in a large silver vessel of rare and intricate craftsmanship, which he set before the Squire. Its appearance was met with cheers, as it was the Wassail Bowl, famous for Christmas celebrations. The Squire had prepared its contents himself, as it was a drink he took particular pride in crafting, claiming it was too intricate and complicated for an ordinary servant to understand. It was indeed a drink that could make a heavy drinker’s heart race, made from the richest and most flavorful wines, heavily spiced and sweetened, with roasted apples floating on top.
*7 See Note G.
*__A_TAG_PLACEHOLDER_0__ See Note G.*
The old gentleman's whole countenance beamed with a serene look of indwelling delight, as he stirred this mighty bowl. Having raised it to his lips, with a hearty wish of a merry Christmas to all present, he sent it brimming, around the board, for every one to follow his example, according to the primitive style; pronouncing it "the ancient fountain of good feeling, where all hearts met together."*
The old man's face lit up with a peaceful smile of pure joy as he stirred the big bowl. After lifting it to his lips and wishing everyone a merry Christmas, he passed it around the table, encouraging everyone to do the same in the traditional way, calling it "the old fountain of good feelings, where all hearts come together."*
*8 See Note H.
*__A_TAG_PLACEHOLDER_0__ See Note H.*
There was much laughing and rallying, as the honest emblem of Christmas joviality circulated, and was kissed rather coyly by the ladies. When it reached Master Simon he raised it in both hands, and with the air of a boon companion struck up an old Wassail chanson:
There was a lot of laughter and excitement as the true symbol of Christmas cheer went around, and the ladies shyly kissed it. When it got to Master Simon, he held it up with both hands and, feeling festive, started singing an old wassail song:
The browne bowle, The merry browne bowle, As it goes round about-a, Fill Still, Let the world say what it will, And drink your fill all out-a. The deep canne, The merry deep canne, As thou dost freely quaff-a, Sing, Fling, Be as merry as a king, And sound a lusty laugh-a.*
The brown bowl, The cheerful brown bowl, As it goes around, Fill Up, Let the world say what it wants, And drink your fill all around. The deep cup, The joyful deep cup, As you drink freely, Sing, Play, Be as happy as a king, And let out a hearty laugh.*
* From "Poor Robin's Almanack."
From "Poor Robin's Almanac."
Much of the conversation during dinner turned upon family topics, to which I was a stranger. There was, however, a great deal of rallying of Master Simon about some gay widow, with whom he was accused of having a flirtation. This attack was commenced by the ladies; but it was continued throughout the dinner by the fat-headed old gentleman next the parson, with the persevering assiduity of a slow-hound; being one of those long-winded jokers, who, though rather dull at starting game, are unrivalled for their talents in hunting it down. At every pause in the general conversation, he renewed his bantering in pretty much the same terms; winking hard at me with both eyes whenever he gave Master Simon what he considered a home thrust. The latter, indeed, seemed fond of being teased on the subject, as old bachelors are apt to be; and he took occasion to inform me, in an undertone, that the lady in question was a prodigiously fine woman, and drove her own curricle.
Most of the dinner conversation revolved around family matters, which I didn't really understand. However, there was a lot of teasing directed at Master Simon about some cheerful widow he was rumored to be flirting with. The ladies kicked it off, but the old, somewhat clueless gentleman next to the parson kept it going throughout dinner, like a slow hound that’s not very good at starting the chase but excels at keeping it up. At every pause in the general chat, he’d jump back in with the same jokes, winking at me with both eyes whenever he thought he hit Master Simon with a good one. Master Simon seemed to enjoy the teasing, which is common for older bachelors, and he subtly let me know that the lady in question was incredibly attractive and even drove her own curricle.
The dinner-time passed away in this flow of innocent hilarity; and, though the old hall may have resounded in its time with many a scene of broader rout and revel, yet I doubt whether it ever witnessed more honest and genuine enjoyment. How easy it is for one benevolent being to diffuse pleasure around him; and how truly is a kind heart a fountain of gladness, making everything in its vicinity to freshen into smiles! The joyous disposition of the worthy Squire was perfectly contagious; he was happy himself, and disposed to make all the world happy; and the little eccentricities of his humour did but season, in a manner, the sweetness of his philanthropy.
The dinner time flew by in a wave of innocent fun, and while the old hall may have echoed with many grand parties and celebrations in the past, I doubt it has ever seen more genuine and heartfelt enjoyment. It's amazing how one kind person can spread happiness to those around them; truly, a kind heart is like a fountain of joy, making everything nearby blossom into smiles! The cheerful nature of the good Squire was completely contagious; he was happy himself and eager to make everyone else happy too, and his little quirks only added to the charm of his generosity.
When the ladies had retired, the conversation, as usual, became still more animated; many good things were broached which had been thought of during dinner, but which would not exactly do for a lady's ear; and though I cannot positively affirm that there was much wit uttered, yet I have certainly heard many contests of rare wit produce much less laughter. Wit, after all, is a mighty tart, pungent ingredient, and much too acid for some stomachs; but honest good humour is the oil and wine of a merry meeting, and there is no jovial companionship equal to that where the jokes are rather small, and the laughter abundant. The Squire told several long stories of early college pranks and adventures, in some of which the parson had been a sharer; though in looking at the latter, it required some effort of imagination to figure such a little dark anatomy of a man into the perpetrator of a madcap gambol. Indeed, the two college chums presented pictures of what men may be made by their different lots in life. The Squire had left the university to live lustily on his paternal domains, in the vigorous enjoyment of prosperity and sunshine, and had flourished on to a hearty and florid old age; whilst the poor parson, on the contrary, had dried and withered away, among dusty tomes, in the silence and shadows of his study.
Once the ladies left, the conversation, as always, became even more lively; many great topics came up that had been thought of during dinner but weren't quite appropriate for a lady's ears. I can't say for sure that there was a lot of wit shared, but I've definitely heard battles of cleverness that resulted in much less laughter. Wit, after all, is a strong, sharp ingredient, and it's often too much for some people to handle; but good humor is like the oil and wine of a fun gathering, and there's no camaraderie quite like that where the jokes are small and the laughter is plenty. The Squire shared several long stories about his old college pranks and adventures, in some of which the parson had also participated; though looking at the parson, it took a stretch of imagination to picture such a small, dark man as the instigator of wild antics. Indeed, the two old college friends reflected how different life circumstances can shape men. The Squire had left the university to live fully on his family estate, enjoying a prosperous and sunny life, and had thrived into a robust and colorful old age; while the poor parson, on the other hand, had faded away among dusty books in the quiet and shadows of his study.
Still there seemed to be a spark of almost extinguished fire, feebly glimmering in the bottom of his soul; and as the Squire hinted at a sly story of the parson and a pretty milkmaid, whom they once met on the banks of the Isis, the old gentleman made an "alphabet of faces," which, as far as I could decipher his physiognomy, I verily believe was indicative of laughter;—indeed, I have rarely met with an old gentleman who took absolutely offence at the imputed gallantries of his youth.
Still, there seemed to be a flicker of barely burning embers deep within him; and when the Squire alluded to a cheeky tale about the parson and a charming milkmaid they once encountered by the banks of the Isis, the old gentleman made a series of facial expressions that, as far as I could read his face, I genuinely believe showed amusement;—in fact, I have rarely come across an older man who actually took offense at the rumored flirtations of his younger days.
I found the tide of wine and wassail fast gaining on the dry land of sober judgment. The company grew merrier and louder as their jokes grew duller. Master Simon was in as chirping a humour as a grasshopper filled with dew; his old songs grew of a warmer complexion, and he began to talk maudlin about the widow. He even gave a long song about the wooing of a widow, which he informed me he had gathered from an excellent black-letter work, entitled "Cupid's Solicitor for Love," containing store of good advice for bachelors, and which he promised to lend me. The first verse was to this effect:
I noticed that the flow of wine and cheer was quickly overtaking the dry ground of clear thinking. The group became more cheerful and louder as their jokes became more boring. Master Simon was as lively as a dew-filled grasshopper; his old songs took on a warmer tone, and he started to get sentimental about the widow. He even sang a long song about courting a widow, which he told me he had found in a great old book called "Cupid's Solicitor for Love," filled with plenty of good advice for single men, and he promised to lend it to me. The first verse was something like this:
"He that will woo a widow must not dally, He must make hay while the sun doth shine; He must not stand with her, Shall I, Shall I? But boldly say, Widow, thou must be mine."
"Whoever wants to win over a widow shouldn't waste time, They need to seize the moment while they can; They shouldn't hesitate with her, Should I, Should I? But confidently say, Widow, you must be mine."
This song inspired the fat-headed old gentleman, who made several attempts to tell a rather broad story out of Joe Miller, that was pat to the purpose; but he always stuck in the middle, everybody recollecting the latter part excepting himself. The parson, too, began to show the effects of good cheer, having gradually settled down into a doze, and his wig sitting most suspiciously on one side. Just at this juncture we were summoned to the drawing-room, and, I suspect, at the private instigation of mine host, whose joviality seemed always tempered with a proper love of decorum.
This song inspired the bald old gentleman, who made several attempts to tell a pretty funny story about Joe Miller that was right on point; but he always got stuck in the middle, with everyone remembering the end except him. The parson also started to show signs of good spirits, having gradually settled into a nap, and his wig was sitting rather suspiciously to one side. Just at this moment, we were called to the drawing room, and I suspect it was at the private request of our host, whose cheerfulness always seemed balanced with a proper sense of decorum.
After the dinner-table was removed, the hall was given up to the younger members of the family, who, prompted to all kind of noisy mirth by the Oxonian and Master Simon, made its old walls ring with their merriment, as they played at romping games. I delight in witnessing the gambols of children, and particularly at this happy holiday-season, and could not help stealing out of the drawing-room on hearing one of their peals of laughter. I found them at the game of blind-man's buff. Master Simon, who was the leader of their revels, and seemed on all occasions to fulfil the office of that ancient potentate, the Lord of Misrule,* was blinded in the midst of the hall. The little beings were as busy about him as the mock fairies about Falstaff; pinching him, plucking at the skirts of his coat, and tickling him with straws. One fine blue-eyed girl of about thirteen, with her flaxen hair all in beautiful confusion, her frolic face in a glow, her frock half torn off her shoulders, a complete picture of a romp, was the chief tormentor; and from the slyness with which Master Simon avoided the smaller game, and hemmed this wild little nymph in corners, and obliged her to jump shrieking over chairs, I suspected the rogue of being not a whit more blinded than was convenient.
After the dinner table was taken away, the hall was turned over to the younger members of the family, who, encouraged by the Oxonian and Master Simon, filled the old walls with their laughter as they played rowdy games. I love watching children have fun, especially during this joyful holiday season, and I couldn't resist sneaking out of the drawing room when I heard one of their bursts of laughter. I found them playing blind man's buff. Master Simon, the ringleader of their festivities, seemed to take on the role of the ancient Lord of Misrule; he was blindfolded in the middle of the hall. The little ones swarmed around him like playful fairies surrounding Falstaff, pinching him, tugging at the hem of his coat, and tickling him with straws. One pretty blue-eyed girl about thirteen, with her tousled flaxen hair, a flushed face, and her dress half off her shoulders—a perfect picture of mischief—was the main instigator. From the sneaky way Master Simon avoided the smaller kids and cornered this wild little sprite, forcing her to jump, shrieking, over chairs, I suspected the trickster was only as blind as he needed to be.
*9 See Note I.
*__A_TAG_PLACEHOLDER_0__ See Note 1.*
When I returned to the drawing-room, I found the company seated around the fire, listening to the parson, who was deeply ensconced in a high-backed oaken chair, the work of some cunning artificer of yore, which had been brought from the library for his particular accommodation. From this venerable piece of furniture, with which his shadowy figure and dark weazen face so admirably accorded, he was dealing forth strange accounts of popular superstitions and legends of the surrounding country, with which he had become acquainted in the course of his antiquarian researches. I am half inclined to think that the old gentleman was himself somewhat tinctured with superstition, as men are very apt to be who live a recluse and studious life in a sequestered part of the country, and pore over black-letter tracts, so often filled with the marvellous and supernatural. He gave us several anecdotes of the fancies of the neighbouring peasantry, concerning the effigy of the crusader which lay on the tomb by the church altar. As it was the only monument of the kind in that part of the country, it had always been regarded with feelings of superstition by the goodwives of the village. It was said to get up from the tomb and walk the rounds of the churchyard in stormy nights, particularly when it thundered; and one old woman, whose cottage bordered on the churchyard, had seen it, through the windows of the church, when the moon shone, slowly pacing up and down the aisles. It was the belief that some wrong had been left unredressed by the deceased, or some treasure hidden, which kept the spirit in a state of trouble and restlessness. Some talked of gold and jewels buried in the tomb, over which the spectre kept watch; and there was a story current of a sexton in old times who endeavoured to break his way to the coffin at night; but just as he reached it, received a violent blow from the marble hand of the effigy, which stretched him senseless on the pavement. These tales were often laughed at by some of the sturdier among the rustics, yet when night came on, there were many of the stoutest unbelievers that were shy of venturing alone in the footpath that led across the churchyard. From these and other anecdotes that followed, the crusader appeared to be the favourite hero of ghost stories throughout the vicinity. His picture, which hung up in the hall, was thought by the servants to have something supernatural about it; for they remarked that, in whatever part of the hall you went, the eyes of the warrior were still fixed on you. The old porter's wife, too, at the lodge, who had been born and brought up in the family, and was a great gossip among the maid servants, affirmed that in her young days she had often heard say that on Midsummer eve, when it is well known all kinds of ghosts, goblins, and fairies become visible and walk abroad, the crusader used to mount his horse, come down from his picture, ride about the house, down the avenue, and so to the church to visit the tomb; on which occasion the church door most civilly swung open of itself: not that he needed it; for he rode through closed gates and even stone walls, and had been seen by one of the dairymaids to pass between two bars of the great park gate, making himself as thin as a sheet of paper.
When I got back to the living room, I found everyone gathered around the fire, listening to the parson, who was comfortably settled in a high-backed oak chair, crafted by some skilled artisan long ago, that had been brought from the library just for him. From this old piece of furniture, which matched his shadowy figure and thin, dark face perfectly, he was sharing strange stories about local superstitions and legends he had learned about during his research into the past. I can't help but think the old gentleman might have been a bit superstitious himself, like many people who lead quiet, studious lives in secluded areas and immerse themselves in old texts full of the marvelous and supernatural. He recounted various anecdotes relating to the beliefs of the nearby villagers about the effigy of a crusader lying on the tomb by the church altar. Since it was the only monument of its kind in the area, it had always been surrounded by superstition among the village women. People said it would rise from the tomb and walk around the churchyard during stormy nights, especially when there was thunder; one elderly woman, whose cottage was next to the churchyard, claimed to have seen it through the church windows, slowly pacing the aisles in the moonlight. The belief was that some wrong had been left unresolved by the deceased or some treasure was hidden, which kept the spirit restless. Some said there was gold and jewels buried in the tomb, which the specter guarded; there was even a tale about a sexton in the past who tried to reach the coffin at night. Just as he got there, he was struck hard by the marble hand of the effigy, knocking him unconscious on the ground. Many of the tougher villagers laughed at these stories, yet when night fell, even the most hardened skeptics hesitated to walk alone along the path through the churchyard. From these and other stories that followed, it seemed the crusader was the favorite character in ghost stories around the area. His portrait, hanging in the hall, was thought by the servants to have something eerie about it because they noticed that no matter where you stood in the hall, the warrior's eyes seemed to follow you. The old porter's wife at the lodge, who grew up in the family and was a notorious gossip among the maids, claimed that in her younger days, she often heard that on Midsummer eve, when all kinds of ghosts, goblins, and fairies are said to appear, the crusader would ride his horse, come down from his painting, ride around the house, down the avenue, and to the church to visit the tomb; on those occasions, the church door would kindly swing open by itself, not that he needed it, since he could ride through closed gates and even stone walls, and one of the dairymaids claimed to have seen him slip between the bars of the big park gate, making himself as thin as a sheet of paper.
All these superstitions, I found, had been very much countenanced by the Squire, who, though not superstitious himself, was very fond of seeing others so. He listened to every goblin tale of the neighbouring gossips with infinite gravity, and held the porter's wife in high favour on account of her talent for the marvellous. He was himself a great reader of old legends and romances, and often lamented that he could not believe in them; for a superstitious person, he thought, must live in a kind of fairyland.
All these superstitions, I found, had been heavily supported by the Squire, who, although not superstitious himself, really enjoyed seeing others be. He listened to every goblin story from the local gossip with complete seriousness and held the porter's wife in high regard for her skill in telling fantastic tales. He was also a big reader of old legends and romances and often wished he could genuinely believe in them; for he thought a superstitious person must live in a sort of fairyland.
Whilst we were all attention to the parson's stories, our ears were suddenly assailed by a burst of heterogeneous sounds from the hall, in which was mingled something like the clang of rude minstrelsy, with the uproar of many small voices and girlish laughter. The door suddenly flew open, and a train came trooping into the room, that might almost have been mistaken for the breaking up of the court of Fairy. That indefatigable spirit, Master Simon, in the faithful discharge of his duties as Lord of Misrule, had conceived the idea of a Christmas mummery, or masking; and having called in to his assistance the Oxonian and the young officer, who were equally ripe for anything that should occasion romping and merriment, they had carried it into instant effect. The old housekeeper had been consulted; the antique clothes-presses and wardrobes rummaged and made to yield up the relics of finery that had not seen the light for several generations; the younger part of the company had been privately convened from the parlour and hall, and the whole had been bedizened out, into a burlesque imitation of an antique masque.*
While we were all focused on the parson's stories, our ears were suddenly overwhelmed by a mix of sounds from the hall, which included something like the noise of rough musicians along with the chatter of many small voices and girlish laughter. The door burst open, and a group came rushing into the room, almost like the spread of a fairy court. That tireless spirit, Master Simon, in his role as Lord of Misrule, had the idea for a Christmas mummery, or masquerade; and having enlisted the help of the Oxonian and the young officer, who were both eager for some fun and merriment, they put it into action right away. The old housekeeper had been consulted; the old clothes-presses and wardrobes had been rummaged through to reveal treasures of finery that hadn’t seen the light for generations; the younger members of the party had been secretly gathered from the parlor and hall, and they had all been decked out in a humorous imitation of an old masque.*
*10 See Note J.
*__A_TAG_PLACEHOLDER_0__ See Note J.*
Master Simon led the van, as "Ancient Christmas," quaintly apparelled in a ruff, a short cloak, which had very much the aspect of one of the old housekeeper's petticoats, and a hat that might have served for a village steeple, and must indubitably have figured in the days of the Covenanters. From under this his nose curved boldly forth, flushed with a frost-bitten bloom, that seemed the very trophy of a December blast. He was accompanied by the blue-eyed romp, dished up as "Dame Mince-Pie," in the venerable magnificence of faded brocade, long stomacher, peaked hat, and high-heeled shoes. The young officer appeared as Robin Hood, in a sporting dress of Kendal green and a foraging cap with a gold tassel. The costume, to be sure, did not bear testimony to deep research, and there was an evident eye to the picturesque, natural to a young gallant in the presence of his mistress. The fair Julia hung on his arm in a pretty rustic dress, as "Maid Marian." The rest of the train had been metamorphosed in various ways; the girls trussed up in the finery of the ancient belles of the Bracebridge line, and the striplings bewhiskered with burnt cork, and gravely clad in broad skirts, hanging sleeves, and full-bottomed wigs, to represent the characters of Roast Beef, Plum Pudding, and other worthies celebrated in ancient maskings. The whole was under the control of the Oxonian, in the appropriate character of Misrule; and I observed that he exercised rather a mischievous sway with his wand over the smaller personages of the pageant.
Master Simon led the group, dressed as "Ancient Christmas," wearing a ruff, a short cloak that looked a lot like one of the old housekeeper's petticoats, and a hat that could have been used for a village steeple, definitely something from the days of the Covenanters. His nose poked out boldly from under the hat, flushed with a frost-bitten glow that seemed to show off the aftermath of a December chill. He was joined by the blue-eyed girl, dressed as "Dame Mince-Pie," in the faded grandeur of old brocade, a long bodice, a pointed hat, and high-heeled shoes. The young officer was dressed as Robin Hood, in a sporty outfit of Kendal green and a foraging cap with a gold tassel. The costume, of course, didn’t show deep research, and it was clear he was going for a picturesque look, natural for a young man in front of his sweetheart. The lovely Julia hung onto his arm in a charming rustic outfit, as "Maid Marian." The rest of the group had been transformed in various ways; the girls were dressed up in the finery of the old beauties of the Bracebridge line, while the young men were smeared with burnt cork and seriously dressed in broad skirts, hanging sleeves, and full-bottomed wigs, representing characters like Roast Beef, Plum Pudding, and other figures famous in old celebrations. The whole thing was managed by the Oxonian, who played the role of Misrule; I noticed he had quite a mischievous hold over the smaller characters in the pageant with his wand.
The irruption of this motley crew, with beat of drum, according to ancient custom, was the consummation of uproar and merriment. Master Simon covered himself with glory by the stateliness with which, as Ancient Christmas, he walked a minuet with the peerless, though giggling, Dame Mince-Pie. It was followed by a dance of all the characters, which, from its medley of costumes, seemed as though the old family portraits had skipped down from their frames to join in the sport. Different centuries were figuring at cross hands and right and left; the dark ages were cutting pirouettes and rigadoons; and the days of Queen Bess jigging merrily down the middle, through a line of succeeding generations.
The arrival of this diverse group, with drums playing as was the tradition, brought about a total explosion of chaos and fun. Master Simon shone bright as the stately Ancient Christmas, walking a minuet with the delightful, albeit giggling, Dame Mince-Pie. This was followed by a dance featuring all the characters, which, with its mix of costumes, made it seem like the old family portraits had jumped out of their frames to join in the celebration. People from different centuries were forming pairs and dancing; the dark ages were spinning and doing lively dances, while the era of Queen Elizabeth was joyfully strutting down the middle, among a line of subsequent generations.
The worthy Squire contemplated these fantastic sports, and this resurrection of his old wardrobe, with the simple relish of childish delight. He stood chuckling and rubbing his hands, and scarcely hearing a word the parson said, notwithstanding that the latter was discoursing most authentically on the ancient and stately dance at the Paon, or Peacock, from which he conceived the minuet to be derived.* For my part, I was in a continual excitement, from the varied scenes of whim and innocent gaiety passing before me. It was inspiring to see wild-eyed frolic and warm-hearted hospitality breaking out from among the chills and glooms of winter, and old age throwing off his apathy, and catching once more the freshness of youthful enjoyment. I felt also an interest in the scene, from the consideration that these fleeting customs were posting fast into oblivion, and that this was, perhaps, the only family in England in which the whole of them were still punctiliously observed. There was a quaintness, too, mingled with all this revelry that gave it a peculiar zest; it was suited to the time and place; and as the old Manor House almost reeled with mirth and wassail, it seemed echoing back the joviality of long-departed years.
The worthy Squire watched these fantastic festivities and the revival of his old wardrobe with the simple joy of a child. He stood chuckling and rubbing his hands, hardly paying attention to what the parson was saying, even though he was talking passionately about the ancient and dignified dance at the Paon, or Peacock, which he believed was the origin of the minuet.* For my part, I was constantly excited by the variety of whimsical and innocent fun unfolding before me. It was uplifting to see wild-eyed playfulness and warm-hearted hospitality breaking through the chill and gloom of winter, and old age shaking off its indifference and once again embracing the freshness of youthful enjoyment. I also felt a connection to the scene, knowing that these fleeting customs were quickly fading into oblivion, and that this might be the only family in England where all of them were still carefully upheld. There was a charming quality to all this revelry that gave it a unique flavor; it fit the time and place perfectly, and as the old Manor House almost vibrated with laughter and festivities, it seemed to echo the joy of long-gone years.
*11 See Note K.
*__A_TAG_PLACEHOLDER_0__ See Note K.*
But enough of Christmas and its gambols; it is time for me to pause in this garrulity. Methinks I hear the questions asked by my graver readers, "To what purpose is all this?—how is the world to be made wiser by this talk?" Alas! is there not wisdom enough extant for the instruction of the world? And if not, are there not thousands of abler pens labouring for its improvement?—It is so much pleasanter to please than to instruct—to play the companion rather than the preceptor.
But enough about Christmas and its festivities; it’s time for me to stop this chatter. I can almost hear the questions from my more serious readers, “What’s the point of all this? How is this talk going to make the world any wiser?” Unfortunately, isn’t there already enough wisdom out there for the world to learn from? And if not, aren’t there thousands of more capable writers working on that? It’s much more enjoyable to entertain than to teach—to be a friend rather than a teacher.
What, after all, is the mite of wisdom that I could throw into the mass of knowledge? or how am I sure that my sagest deductions may be safe guides for the opinions of others? But in writing to amuse, if I fail, the only evil is my own disappointment. If, however, I can by any lucky chance, in these days of evil, rub out one wrinkle from the brow of care, or beguile the heavy heart of one moment of sorrow; if I can now and then penetrate through the gathering film of misanthropy, prompt a benevolent view of human nature, and make my reader more in good humour with his fellow beings and himself, surely, surely, I shall not then have written entirely in vain.
What, after all, is the little bit of wisdom that I could contribute to the vast amount of knowledge? Or how can I be sure that my best insights will serve as reliable guides for others? But if I'm writing just to entertain, and I miss the mark, the only downside is my own disappointment. However, if by some fortunate chance, during these troubled times, I can ease one wrinkle from the face of worry, or lighten someone's heavy heart for even a moment of sadness; if I can occasionally break through the growing negativity, encourage a kinder perspective of human nature, and make my reader feel better about people and themselves, then surely, I won't have written in vain.
Notes
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[ NOTE A.
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[ NOTE A.
The misletoe is still hung up in farmhouses and kitchens at Christmas; and the young men have the privilege of kissing the girls under it, plucking each time a berry from the bush. When the berries are all plucked, the privilege ceases.]
The mistletoe is still hung up in farmhouses and kitchens at Christmas, and the young men have the right to kiss the girls under it, picking a berry from the bush each time. When all the berries are gone, the right ends.
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[ NOTE B.
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[ NOTE B.
The Yule-clog is a great log of wood, sometimes the root of a tree, brought into the house with great ceremony, on Christmas eve, laid in the fireplace, and lighted with the brand of last year's clog. While it lasted there was great drinking, singing, and telling of tales. Sometimes it was accompanied by Christmas candles, but in the cottages the only light was from the ruddy blaze of the great wood fire. The Yule-clog was to burn all night; if it went out, it was considered a sign of ill luck.
The Yule-log is a large piece of wood, sometimes the root of a tree, brought into the house with much fanfare on Christmas Eve, placed in the fireplace, and lit with the remnants of last year's log. While it burned, there was plenty of drinking, singing, and storytelling. Sometimes it came with Christmas candles, but in the cottages, the only light came from the warm glow of the big fire. The Yule-log was meant to burn all night; if it went out, it was seen as a sign of bad luck.
Herrick mentions it in one of his songs:
Herrick talks about it in one of his songs:
"Come, bring with a noise My merrie, merrie boyes, The Christmas log to the firing: While my good dame, she Bids ye all be free, And drink to your hearts' desiring."
"Come, bring with a cheer My merry, merry boys, The Christmas log for the fire: While my good lady, she Tells you all to enjoy yourselves, And drink to your heart's content."
The Yule-clog is still burnt in many farmhouses and kitchens in England, particularly in the north, and there are several superstitions connected with it among the peasantry. If a squinting person come to the house while it is burning, or a person barefooted, it is considered an ill omen. The brand remaining from the Yule-clog is carefully put away to light the next year's Christmas fire.]
The Yule log is still burned in many farmhouses and kitchens in England, especially in the north, and there are several superstitions associated with it among the locals. If a person who squints comes to the house while it’s burning, or someone who is barefoot, it's seen as a bad sign. The ember left from the Yule log is carefully saved to light the next year's Christmas fire.
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[ NOTE C.
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[ NOTE C.
From the Flying Eagle, a small gazette, published December 24, 1652: "The House spent much time this day about the business of the Navy, for settling the affairs at sea; and before they rose, were presented with a terrible remonstrance against Christmas day, grounded upon divine Scriptures, 2 Cor. v. 16; 1 Cor. xv. 14, 17; and in honour of the Lord's Day, grounded upon these Scriptures, John xx. I; Rev. i. 10; Psalm cxviii. 24; Lev. xxiii. 7, 11; Mark xvi. 8; Psalm lxxxiv. 10, in which Christmas is called Anti-Christ's masse, and those Mass-mongers and Papists who observe it, etc. In consequence of which Parliament spent some time in consultation about the abolition of Christmas day, passed orders to that effect, and resolved to sit on the following day, which was commonly called Christmas day."]
From the Flying Eagle, a small newspaper, published December 24, 1652: "The House spent a lot of time today discussing naval matters to sort out issues at sea; and before they adjourned, they were presented with a strong appeal against Christmas Day, based on divine scriptures, 2 Cor. 5:16; 1 Cor. 15:14, 17; and in honor of the Lord's Day, backed by these scriptures, John 20:1; Rev. 1:10; Psalm 118:24; Lev. 23:7, 11; Mark 16:8; Psalm 84:10, in which Christmas is referred to as Anti-Christ's mass, criticizing those who observe it, such as Mass-mongers and Papists. As a result, Parliament spent some time debating the abolition of Christmas Day, issued orders to that effect, and decided to meet the following day, which was commonly known as Christmas Day."
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[ NOTE D.
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[ NOTE D.
An English gentleman at the opening of the great day, i. e. on Christmas day in the morning, had all his tenants and neighbours enter his hall by daybreak. The strong beer was broached, and the black jacks went plentifully about with toast, sugar, nutmeg, and good Cheshire cheese. The hackin (the great sausage) must be boiled by daybreak, or else two young men must take the maiden (i.e. the cook) by the arms and run her round the market-place till she is shamed of her laziness.—Round about our Sea-coal Fire.]
An English gentleman at the start of the big day, that is, on Christmas morning, had all his tenants and neighbors gather in his hall at daybreak. The strong beer was tapped, and the black jacks circulated generously with toast, sugar, nutmeg, and good Cheshire cheese. The hackin (the large sausage) had to be cooked by sunrise, or else two young men would take the maiden (the cook) by the arms and run her around the market place until she felt embarrassed about her laziness.—Round about our Sea-coal Fire.]
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[ NOTE E.
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[ NOTE E.
The old ceremony of serving up the boar's head on Christmas day is still observed in the hall of Queen's College, Oxford. I was favoured by the parson with a copy of the carol as now sung, and as it may be acceptable to such of my readers as are curious in these grave and learned matters, I give it entire.
The traditional ceremony of serving the boar's head on Christmas Day is still celebrated in the hall of Queen's College, Oxford. The parson kindly provided me with a copy of the carol as it's sung today, and since it might interest some of my readers who are curious about these serious and scholarly topics, I’m sharing it in full.
"The boar's head in hand bear I, Bedeck'd with bays and rosemary; And I pray you, my masters, be merry, Quot estia in convivio. Caput apri defero Reddens laudes Domino.
"I hold the boar's head in my hand, Adorned with bays and rosemary; And I ask you, my friends, to be cheerful, As it is fitting at a feast. I bring the boar's head Giving praises to the Lord.
"The boar's head, as I understand, Is the rarest dish in all this land, Which thus bedeck'd with a gay garland Let us servire cantico. Caput apri defero, etc.
"The boar's head, as I get it, Is the most unique dish in this whole area, Which, decorated with a bright garland, Let us serve in song. Caput apri defero, etc.
"Our Steward hath provided this In honour of the King of Bliss, Which on this day to be served is In Reginensi Atrio. Caput apri defero," Etc., etc., etc.]
"Our Steward has arranged this In honor of the King of Bliss, Which is to be served today In the Reginensi Atrio. I bring the head of the boar," Etc., etc., etc.]
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[ NOTE F.
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[ NOTE F.
The peacock was anciently in great demand for stately entertainments. Sometimes it was made into a pie, at one end of which the head appeared above the crust in all its plumage, with the beak richly gilt; at the other end the tail was displayed. Such pies were served up at the solemn banquets of chivalry, when knights-errant pledged themselves to undertake any perilous enterprise; whence came the ancient oath, used by Justice Shallow, "by cock and pie."
The peacock was historically very popular for grand events. Sometimes it was turned into a pie, with its head sticking out from one end of the crust in all its colorful feathers, the beak beautifully gilded; at the other end, the tail was shown off. These pies were served at formal banquets during chivalric occasions, when knights would pledge to take on any dangerous quest; this is where the old saying used by Justice Shallow, "by cock and pie," originated.
The peacock was also an important dish for the Christmas feast; and Massinger, in his "City Madam," gives some idea of the extravagance with which this, as well as other dishes, was prepared for the gorgeous revels of the olden times:
The peacock was also a significant dish for the Christmas feast; and Massinger, in his "City Madam," provides some insight into the extravagance with which this and other dishes were prepared for the lavish celebrations of the past:
"Men may talk of country Christmasses, Their thirty pound butter'd eggs, their pies of carps' tongues: Their pheasants drench'd with ambergris; the carcases of three fat wethers bruised for gravy, to make sauce for a single peacock!"]
"Guys might brag about country Christmases, their thirty-pound buttered eggs, their pies made with fish tongues; their pheasants soaked in ambergris; the bodies of three fat lambs smashed for gravy, just to make sauce for one peacock!"
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[ NOTE G.
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[NOTE G.
The Wassail Bowl was sometimes composed of ale instead of wine; with nutmeg, sugar, toast, ginger, and roasted crabs; in this way the nut-brown beverage is still prepared in some old families, and round the hearths of substantial farmers at Christmas. It is also called Lambs' Wool, and is celebrated by Herrick in his "Twelfth Night:"
The Wassail Bowl was sometimes made with ale instead of wine, mixed with nutmeg, sugar, toast, ginger, and roasted crab apples. This traditional, nut-brown drink is still made by some old families and around the fireplaces of well-off farmers during Christmas. It’s also known as Lambs' Wool and is featured by Herrick in his "Twelfth Night:"
"Next crowne the bowle full With gentle Lambs' Wool, Add sugar, nutmeg, and ginger, With store of ale too; And thus ye must doe To make the Wassaile a swinger."]
"Next, fill the bowl full With soft Lamb's Wool, Add sugar, nutmeg, and ginger, Along with plenty of ale too; And this is how you must do To make the Wassail a hit."
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[ NOTE H.
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[NOTE H.
The custom of drinking out of the same cup gave place to each having his cup. When the steward came to the doore with the Wassel, he was to cry three times, Wassel, Wassel, Wassel, and then the chappel (chaplain) was to answer with a song.—Archaeologia.]
The tradition of sharing a cup made way for everyone to have their own cup. When the steward arrived at the door with the wassail, he was to call out three times, "Wassail, Wassail, Wassail," and then the chaplain was to respond with a song.—Archaeologia.]
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[ NOTE I.
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[ NOTE I.
At Christmasse there was in the Kings's house, wheresoever hee was lodged, a lorde of misrule, or mayster of merry disportes; and the like had ye in the house of every nobleman of honour, or good worshippe, were he spirituall or temporall.—Stow.]
At Christmas, there was in the king's house, wherever he stayed, a lord of misrule, or master of merry sports; and you had the same in the house of every nobleman of honor or good reputation, whether they were spiritual or temporal.—Stow.
10 (return)
[ NOTE J.
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[ NOTE J.
Maskings or mummeries were favourite sports at Christmas in old times; and the wardrobes at halls and manor-houses were often laid under contribution to furnish dresses and fantastic disguisings. I strongly suspect Master Simon to have taken the idea of his from Ben Jonson's "Masque of Christmas."]
Maskings or mummeries were popular activities at Christmas in the old days, and the wardrobes in halls and manor houses were often raided to provide costumes and elaborate disguises. I have a strong feeling that Master Simon got his idea from Ben Jonson's "Masque of Christmas."
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[ NOTE K.
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[ NOTE K.
Sir John Hawkins, speaking of the dance called the Pavon, from pavo, a peacock, says: "It is a grave and majestic dance; the method of dancing it anciently was by gentlemen dressed with caps and swords, by those of the long robe in their gowns, by the peers in their mantles, and by the ladies in gowns with long trains, the motion whereof, in dancing, resembled that of a peacock."—History of Music.]
Sir John Hawkins, discussing the dance known as the Pavon, which means peacock, says: "It's a serious and impressive dance; traditionally, it was performed by gentlemen wearing caps and swords, by those in the long robe in their gowns, by the peers in their mantles, and by ladies in gowns with long trains, whose movements while dancing resembled that of a peacock."—History of Music.]
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