This is a modern-English version of Punch, or the London Charivari, Volume 159, December 22, 1920, originally written by Various. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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PUNCH, OR THE LONDON CHARIVARI.

VOL. 159.


December 22, 1920.


[pg 481]

CHARIVARIA.

It is pointed out that the display of December meteors is more than usually lavish. Send a postcard to your M.P. about it.

It’s noted that the display of December meteors is more impressive than usual. Send a postcard to your MP about it.


Mr. Lloyd George recently stated that the first prize he ever won was for singing. It is only fair to say that this happened in the pre-Northcliffe era.

Mr. Lloyd George recently mentioned that the first prize he ever won was for singing. It’s only fair to note that this took place in the pre-Northcliffe era.


An elderly Londoner recalls a Christmas when the cold was so intense that in a Soho restaurant the ices froze.

An elderly Londoner remembers a Christmas when it was so cold that the ice cream froze in a Soho restaurant.


There has arrived at the Zoo a bird akin to the partridge and excellent for the table, but unable to fly. The very thing for the estate of a sporting profiteer.

There has arrived at the Zoo a bird similar to the partridge and great for the table, but unable to fly. Just perfect for the estate of a hunting enthusiast.


"What is the best fire preventative?" asks a weekly journal. The answer is, the present price of coal.

"What is the best way to prevent fires?" asks a weekly journal. The answer is the current price of coal.


The National Rat Campaign this year, we are told, was a great success. On the other hand we gather that several rats have threatened to issue a minority report.

The National Rat Campaign this year, we're told, was a great success. On the other hand, we've heard that several rats have threatened to file a minority report.


"There is nothing so enjoyable," says a newspaper correspondent, "as a trip across the water to Ireland." Except, of course, a trip back again.

"There’s nothing more enjoyable," says a newspaper correspondent, "than a trip across the water to Ireland." Except, of course, a trip back again.


A number of Huns are receiving Iron Crosses through the post inscribed "Your Fatherland does not forget you." How like Germany! She won't even allow bygones to be bygones.

A bunch of Huns are getting Iron Crosses in the mail that say, "Your Fatherland does not forget you." How typical of Germany! She won’t even let things go.


"Let Christmas come," says a contemporary headline. We have arranged to do so.

"Let Christmas come," says a modern headline. We've made plans for it.


A Minneapolis judge rules that a man has the right to declare himself head of the household. Opinion in this country agrees that he has the right but rarely the pluck.

A judge in Minneapolis rules that a man has the right to call himself the head of the household. Public opinion in this country agrees he has that right but rarely the courage.


"My faith in the League of Nations is not shaken," says Lord Robert Cecil. This is the dogged spirit which is going to make this country what it used to be.

"My faith in the League of Nations is unshaken," says Lord Robert Cecil. This determined attitude is what will restore this country to its former glory.


"It may yet be possible," according to the Water Power Resources Committee, "to harness the moon." This of course would depend upon whether Sir Eric Geddes would let them have it or not.

"It might still be possible," said the Water Power Resources Committee, "to harness the moon." This would, of course, depend on whether Sir Eric Geddes would allow them to do so or not.


Cinema stunt actors, says The Manchester Guardian, expect to be paid fifty pounds for a motor smash. It seems an injustice that ordinary pedestrians should have to take part in this sort of thing for nothing.

Cinema stunt actors, according to The Manchester Guardian, expect to get fifty pounds for a car crash. It feels unfair that regular pedestrians have to participate in this kind of activity for free.


The continued disappearance of notepaper from a well-known club has now been traced to a large female cat, and most of the paper has been recovered from her sleeping-basket. It is thought that she was probably preparing to write her memoirs.

The ongoing disappearance of notepaper from a well-known club has now been linked to a large female cat, and most of the paper has been found in her sleeping basket. It seems she was likely gearing up to write her memoirs.


A burglar who broke into a private house near Hitchin helped himself to a good supper before leaving. It is pleasing to learn, however, that, judging by the disordered state in which the pantry was left, the Stilton cheese must have put up a splendid fight.

A burglar who broke into a private house near Hitchin helped himself to a nice dinner before leaving. It’s nice to hear, though, that judging by the messy state of the pantry, the Stilton cheese must have put up a great fight.


It was most unfortunate that Mr. "Fatty" Arbuckle's visit to London should have clashed with the Cattle Show at the Royal Agricultural Hall.

It was really unfortunate that Mr. "Fatty" Arbuckle's visit to London coincided with the Cattle Show at the Royal Agricultural Hall.


During a recent revue performance in London the conductor accidentally turned over two pages of music at once and the orchestra suddenly ceased playing. Several words of the chorus were actually heard by those sitting in front before the mistake could be rectified.

During a recent revue performance in London, the conductor accidentally turned over two pages of music at once, causing the orchestra to suddenly stop playing. A few words of the chorus were actually heard by those sitting in front before the mistake could be fixed.


Green peas in excellent condition, says a contemporary, have been picked at Pentlow, Sussex. It serves them right.

Green peas in great shape, says a modern source, have been harvested at Pentlow, Sussex. They deserve it.


"Although Labour extremists are now much quieter it would take very little to set the ball of discontent into motion once again," states a writer in the Sunday Press. This being so, is it not rather unwise to let Christmas Day fall this year on the workmen's half holiday?

"Even though Labour extremists are much quieter now, it wouldn't take much to spark discontent again," states a writer in the Sunday Press. Given this, is it not somewhat unwise to let Christmas Day coincide with the workers' half holiday this year?


We question the wisdom of drawing the attention of Parliament to the silence of the Poet Laureate. If he is goaded into breaking it we shall know whom to blame.

We wonder if it's smart to bring Parliament's attention to the silence of the Poet Laureate. If he is pushed into speaking out, we'll know who to blame.


"If people at home only knew how grateful we are for anything that is sent us," writes a lady from the island of Tristan d'Acunha. If they are as easily pleased as that, the idea of sending them Lieut.-Commander Kenworthy should not be lost sight of.

"If people at home only knew how grateful we are for anything that is sent to us," writes a woman from the island of Tristan d'Acunha. If they are that easily pleased, the idea of sending them Lieut.-Commander Kenworthy shouldn’t be overlooked.


"The Hexathlon," we read, "is a form of contest new to this country." Mind you get one for the children at Christmas.

"The Hexathlon," we read, "is a type of competition that's new to this country." Make sure to get one for the kids at Christmas.


A new type of American warship is expected to be able to cross the Atlantic in a little over three days. It will be remembered that the fastest of the 1914 lot took nearly three years.

A new kind of American warship is expected to be able to cross the Atlantic in just over three days. It's worth noting that the fastest ships from 1914 took almost three years.


Large numbers of Filipinos are resisting an edict requiring them to wear trousers. Unfortunately it is impossible to offer to accommodate them all in the ranks of the Chicago Scottish.

Large numbers of Filipinos are pushing back against a rule that requires them to wear trousers. Unfortunately, it's impossible to include everyone in the ranks of the Chicago Scottish.


Riverside residents remarked that just before the cold set in large flocks of seagulls passed up the Thames. Well, what did they expect? Flamingoes?

Riverside residents noted that just before the cold arrived, large groups of seagulls flew up the Thames. Well, what did they expect? Flamingos?


Mr. A. B. Walkley has remarked that a prejudice against actors is as old as the stage. It is satisfactory to think that it is no older and that in many cases it may be removed by a change of profession.

Mr. A. B. Walkley has pointed out that bias against actors is as ancient as the theater. It's reassuring to believe that it's not any older than that and that, in many instances, it can be cleared up by switching careers.


"I never dreamed of anything like this when I invented the telephone," said Dr. Bell after a demonstration. Neither as a matter of fact did we when we hired ours.

"I never imagined anything like this when I invented the telephone," said Dr. Bell after a demonstration. Actually, neither did we when we got ours.


Owing to the fact that Dr. Bell has experienced no unpleasantness during his stay over here, it is thought that the American genius who invented revues may now risk a visit to our shores.

Owing to the fact that Dr. Bell has experienced no unpleasantness during his stay over here, it is thought that the American genius who invented revues may now risk a visit to our shores.



It is with the deepest sorrow that we record the death of F. H. Townsend, which occurred, without any warning, on December 11th. Their personal loss is keenly felt by his colleagues of the Punch Table, to whom the fresh candour of his nature and his brave gaiety of spirit, not less than his technical skill and resourcefulness, were a constant delight and will remain an inspiration. As Art Editor he will be greatly missed by the many contributors who have been helped by his kindly counsel and encouragement. Of the gap that he leaves in the world of Art they are sadly conscious who followed and appreciated his fine work not only in the pages of Punch but in his book-illustrations and in those appeals for charity to which he always gave freely of his best.

It is with great sadness that we announce the passing of F. H. Townsend, who died unexpectedly on December 11th. His loss is deeply felt by his colleagues at the Punch Table, who found joy in his genuine nature, bright spirit, and exceptional skills. As the Art Editor, he will be greatly missed by the many contributors who benefited from his kind guidance and support. Those who admired his outstanding work, not just in the pages of Punch but also in his book illustrations and charitable efforts, are acutely aware of the void he leaves in the art world.

To his nearest and dearest among the wide circle that loved him we ask leave to offer the sympathy of friends who truly share their grief. With them we mourn a life untimely closed, and great gifts lost to us while still in their fulness; but we take comfort in the thought that death touched him with swift and gentle hand, and that he died with harness on, as a man would choose to die.

To his closest family and friends in the large circle that loved him, we would like to express our heartfelt sympathy. We share in their grief as we mourn a life that ended too soon, along with the incredible talents that were taken from us while they were still vibrant. However, we find solace in knowing that death approached him quickly and gently, and that he passed away doing what he loved, just as any person would hope to.




[pg 482]

"THE CHRISTMAS SPIRIT."

In Loving Memory of F. H. Townsend.

Only a few days before the sudden tragedy which took from us our colleague of the Punch Staff, he made me a small request, very characteristic of his kindly heart. It was that I should put in these pages a notice of The Christmas Spirit, the illustrated annual published in aid of the work of Talbot House ("Toc. H."), in which he had taken a practical interest. In carrying out his wish I want not only to plead in behalf of a good cause, but also to associate this appeal with the memory of one with whom for over fourteen years I have worked in close and happy comradeship.

Only a few days before the sudden tragedy that took our colleague from the Punch Staff, he asked me for a small favor, which really showed his kind heart. He wanted me to include a notice about The Christmas Spirit, the illustrated annual published to support the work of Talbot House ("Toc. H."), in which he was actively involved. By fulfilling his request, I aim not only to advocate for a good cause but also to connect this appeal with the memory of someone with whom I've had the pleasure of working closely and happily for over fourteen years.

In case any reader of Punch has yet to be introduced to the idea of Talbot House, let me explain that its purpose is to carry on in peace-time the work that was done by the original "Toc. H.," which from 1915 to 1918, under the management of the Rev. P. R. Clayton, M.C., Garrison Chaplain, provided the comforts of a club and rest-house at Poperinghe for soldiers passing to and fro in the deadly Salient of Ypres. Its objects—I quote from The Christmas Spirit—are:

In case any reader of Punch hasn't heard of Talbot House yet, let me clarify that its aim is to continue in peacetime the work originally done by "Toc. H." From 1915 to 1918, under the guidance of Rev. P. R. Clayton, M.C., Garrison Chaplain, it provided a club and rest house in Poperinghe for soldiers traveling through the dangerous Salient of Ypres. Its goals—I’m quoting from The Christmas Spirit—are:

"(1)  To preserve among ex-Service men and to transmit to the younger generation the traditions of Christian Fellowship and Service manifested on Active Service.

(1) To keep alive the traditions of Christian Fellowship and Service experienced during Active Service among veterans and pass them on to the younger generation.

(2)  To offer opportunities for recreation and the making of friendships to thousands of men who find life a difficult salient to hold.

(2) To offer opportunities for recreation and friendship for thousands of men who find life to be a tough struggle.

(3)  To provide opportunities for men of all kinds to come together in the Spirit of Service, to study, to discuss and, if possible, to solve the problems of their time.

(3) To create opportunities for all kinds of men to come together in the Spirit of Service, to learn, engage in discussions, and, if possible, tackle the issues of their time.

(4)  To offer the help and happiness of club life at a low rate by establishing clubs in many centres throughout the country as the focus of the brotherhood."

(4) To deliver the benefits and enjoyment of club life at a reasonable cost by establishing clubs in various locations across the country as community hubs.

The noble work done by Talbot House in Poperinghe and Ypres was gratefully recognised by the scores of thousands of our troops whose needs it served in those hard days, but it was only when the War was over that its story was made known to the public at home in Tales of Talbot House (Chatto and Windus), which received a warm welcome in the review columns of Punch. This was followed recently by The Pilgrim's Guide to the Ypres Salient (Reiach), a little book compiled and written, as a labour of love, entirely by ex-Service men. Besides being actually a present-day guide to the Salient, it contains special articles illustrating the life that was there lived during the War by various branches of the service. And now we have the annual of "Toc. H."—The Christmas Spirit—to which the Prince of Wales has given a foreword and a host of brilliant authors and artists have freely contributed. Here are Rudyard Kipling, Stephen Graham, G. K. Chesterton, E. F. Benson, Ian Hay, Gilbert Frankau, W. Rothenstein, "Spy," Derwent Wood, Heath Robinson and, of Punch artists, F. H. Townsend, Lewis Baumer, G. L. Stampa, George Morrow, G. D. Armour, E. H. Shepard, "Fougasse," Wallis Mills and H. M. Bateman.

The important work done by Talbot House in Poperinghe and Ypres was appreciated by the thousands of troops whose needs it met during those tough times, but it wasn't until after the War that its story was shared with the public back home in Tales of Talbot House (Chatto & Windus), which was well-received in the review columns of Punch. This was later followed by The Pilgrim's Guide to the Ypres Salient (Reiach), a small book created and written as a labor of love entirely by ex-Service men. Besides being a current guide to the Salient, it includes special articles showcasing the life lived there during the War by various branches of the service. And now we have the annual of "Toc. H."—The Christmas Spirit—which includes a foreword by the Prince of Wales and contributions from a host of brilliant authors and artists. Among them are Rudyard Kipling, Stephen Graham, G. K. Chesterton, E. F. Benson, Ian Hay, Gilbert Frankau, W. Rothenstein, "Spy," Derwent Wood, Heath Robinson and, from Punch, F. H. Townsend, Lewis Baumer, G. L. Stampa, George Morrow, G. D. Armour, E. H. Shepard, "Fougasse," Wallis Mills and H.M. Bateman.

The four contributions of F. H. Townsend include a "first study" for a drawing that appeared recently in Punch and a delightful sketch of "The Christmas Spirit," as typified by a St. Bernard dog from whose little keg of brandy a traveller, up to the neck in snow, is reviving himself.

The four contributions of F.H. Townsend include a "first study" for a drawing that appeared recently in Punch and a charming sketch of "The Christmas Spirit," represented by a St. Bernard dog from whose small keg of brandy a traveler, buried up to his neck in snow, is revitalizing himself.

Out of the great scheme in whose aid this remarkable annual has been published have already sprung two Talbot Houses, one in Queen's Gate Gardens, and one in St. George's Square. There is still need of a main headquarters in London and hostels for its branches, more than sixty of them, spread all over the country. "'Toc. H.,'" says its Padre, "is not a charity. Once opened our Hostel Clubs are self-supporting, as our experience already proves. In Edinburgh, Liverpool, Manchester, Bristol, Newcastle, Birmingham, Leeds, Sheffield, two thousand pounds will open a house for which our branches in each of these places are crying out. It is only the original outlay, the furniture and the first quarter's rent, which stand between us and a whole series of such houses in the great provincial centres. Fifty pounds will endow a bedroom, where a lad can live cheaper than in the dingiest lodgings, and know something better of a great city than that it is a place where all evil is open to him and all good is behind closed doors.... 'Toc. H.,' we repeat, is not another recurrent charity. It is a wise way of helping to meet our debt of honour; it is a living and growing memorial, charged with the task of making reincarnate in the younger world the qualities which saved us."

Out of the larger plan that led to the publication of this amazing annual, two Talbot Houses have already been established, one in Queen's Gate Gardens and another in St. George's Square. There is still a need for a main headquarters in London and hostels for its branches, which number over sixty and are spread across the country. "'Toc. H.," says its Padre, "is not a charity. Once opened, our Hostel Clubs are self-sustaining, as our experience has already shown. In Edinburgh, Liverpool, Manchester, Bristol, Newcastle, Birmingham, and Leeds, two thousand pounds will open a house that our branches in each of these places are desperately asking for. It’s just the initial investment—furniture and the first quarter's rent—that stands between us and a whole series of these houses in major provincial centers. Fifty pounds will fund a bedroom where a young man can live more affordably than in the grimiest lodgings, and experience something better about a major city than just seeing it as a place where all bad things are visible and all good is hidden behind closed doors.... 'Toc. H.,' we say again, is not another fleeting charity. It is a smart way to help fulfill our obligation of honor; it serves as a living and growing memorial, tasked with reinvigorating the qualities that once saved us in the younger generation."

Punch ventures to add his voice to this claim upon our honour and gratitude; and, if I may, I would like to make appeal to all who loved the work of our friend who is dead, that they should send some offering to this good cause as a personal tribute to the memory of a man who, in his own form of service, did so much to cheer the hearts of our fighting men in the dark hours that are over.

Punch wants to join in on this appeal for our honor and gratitude; and, if I may, I’d like to encourage everyone who appreciated the work of our late friend to contribute something to this worthy cause as a personal tribute to a man who, in his own way, did so much to uplift the spirits of our soldiers during the dark times we’ve left behind.

Contributions should be addressed to the Rev. P. B. Clayton, M.C., Effingham House, Arundel Street, Strand, W.C.2.

Contributions should be sent to Rev. P. B. Clayton, M.C., Effingham House, Arundel Street, Strand, W.C.2.

O. S.

O. S.


THE FAIRY TAILOR

.

Sitting on the flower-bed beneath the hollyhocks

Sitting on the flower bed under the hollyhocks

I spied the tiny tailor who makes the fairies' frocks;

I spotted the little tailor who makes the fairies' dresses;

There he sat a-stitching all the afternoon

There he sat sewing all afternoon.

And sang a little ditty to a quaint wee tune:

And sang a little song to a cute little tune:

"Grey for the goblins, blue for the elves,

"Grey for the goblins, blue for the elves,

Brown for the little gnomes that live by themselves,

Brown for the little gnomes who live alone,

White for the pixies that dance upon the green,

White for the fairies that dance on the grass,

But where shall I find me a robe for the Queen?"

But where can I find a dress for the Queen?

All about the garden his little men he sent,

All around the garden, he sent his little guys,

Up and down and in and out unceasingly they went;

Up and down and in and out they went nonstop;

Here they stole a blossom, there they pulled a leaf,

Here they took a flower, there they picked a leaf,

And bound them up with gossamer into a glowing sheaf.

And tied them together with delicate threads into a shining bundle.

Petals of the pansy for little velvet shoon,

Petals of the pansy for little velvet shoes,

Silk of the poppy for a dance beneath the moon,

Silk from the poppy for a dance under the moon,

Lawn of the jessamine, damask of the rose,

Lawn of the jasmine, fabric of the rose,

To make their pretty kirtles and airy furbelows.

To create their nice dresses and delicate embellishments.

Never roving pirates back from Southern seas

Never wandering pirates returning from the Southern seas

Brought a store of treasures home beautiful as these;

Brought home a collection of treasures as beautiful as these;

They heaped them all about him in a sweet gay pile,

They piled them all around him in a cheerful, colorful heap,

But still he kept a-stitching and a-singing all the while:

But he continued to stitch and sing the whole time:

"Grey for the goblins, blue for the elves,

"Grey for the goblins, blue for the elves,

Brown for the little gnomes that live by themselves,

Brown for the little gnomes who live on their own,

White for the pixies that dance on the green,

White for the fairies that dance on the grass,

But who shall make a royal gown to deck the Fairy Queen?"

But who will make a royal gown to dress the Fairy Queen?

R. F.

R.F.


"Unless he wishes to raise a hornet's nest about his ears we would advise him to let sleeping dogs lie."

"If he doesn't want to cause himself problems, we recommend that he just let it be."

Local Paper.

Local Paper.

Personally we never keep a dog that harbours hornets.

Personally, we never keep a dog that has hornets.


From a concert-programme:—

"Fantastic Symphony ... Berlioz in a Vodka Shop ... Bax."

"Amazing Symphony ... Berlioz in a Vodka Shop ... Bax."

Birmingham Paper.

Birmingham Paper.

This should help to combat the current opinion that Berlioz is dry.

This should help to challenge the current belief that Berlioz is dull.


"Sir Johnston Forbes-Robertson said there were, in certain places, some forms of light entertainments which, to say the least, wanted carefully watching."

"Sir Johnston Forbes-Robertson noted that in some areas, there were specific kinds of light entertainment that, to say the least, required careful oversight."

Daily Paper.

Daily Paper.

At present, we gather, the wrong people do the watching.

At the moment, we're gathered here, and the wrong people are in charge of watching.


[pg 483]
SING A SONG OF DRACHMAS.

SING A SONG OF DRACHMAS.

(TINO AT ATHENS.)

THE KING WAS IN HIS COUNTING-HOUSE LOOKING FOR HIS MONEY.

THE KING WAS IN HIS OFFICE LOOKING FOR HIS MONEY.




[pg 484]
Yes, but none of the other boys have to be called 'Skunky.'

Man of Wealth (to his son just home for the holidays). "And why don't you like your fur coat? I'll bet none of the other boys 'ave got one."

Wealthy Man (to his son just home for the holidays). "Why don’t you like your fur coat? I bet none of the other guys have one."

Son. "Yes, but none of the other boys have to be called 'Skunky.'"

Son. "Yeah, but none of the other guys have to be called 'Skunky.'"




THOUGHTS IN A COLD SNAP.

It is going to be very cold when I get up, which will be almost immediately—very cold indeed. It was zero yesterday; it may be below the line to-day, twenty or thirty below the line—even more. A little slam, perhaps, in spades. There are icicles hanging from the window-frame; and it is a curious thing, when one comes to think of it, what a lot of things there are that rhyme with icicle: tricycle, bicycle, phthisical, psychical—no, I am wrong, not psychical ...

It’s going to be really cold when I wake up, which will be pretty soon—really cold for sure. It was zero yesterday; it might drop below freezing today, maybe twenty or thirty degrees below zero—even more. A little extra bite in the air, perhaps. There are icicles hanging from the window frame; and it’s interesting to consider how many things rhyme with icicle: tricycle, bicycle, phthisical, psychical—wait, I’m mistaken, not psychical ...

Anyhow, it is going to be very cold. Some people do not mind the cold. There are people bathing in the Serpentine at this moment, I suppose, and apparently nothing can be done about it. They ju-just break the ice and ju-jump in. And yet it is not their ice; it is the King's. It seems to me that it ought to be made illegal, this breaking of the King's ice, like the breaking of windows in Whitehall. These ice-breakers seem to me as bad as the people who say, "It's going to be a nice old-fashioned Christmas, with Yule-logs and things." Not that I object to Yule-logs. I have some in my own Yule-shed, hand-sawn by myself, though I am not a good hand-sawyer. When I get about halfway through, the saw begins to gnash its teeth and groan at me. It seems to me that what is wanted is a machine for turning the logs round and round while one holds the saw steady. But there is something beautiful in burning the Yule-logs of one's own fashioning that makes one feel like the sculptor when at last the living beauty has burst forth under his chisel from the shapeless stone. Besides, they are cheaper than coal.

Anyway, it’s going to be really cold. Some people don’t mind the cold. There are people swimming in the Serpentine right now, I guess, and apparently, there’s nothing that can be done about it. They just break the ice and jump in. Yet, it’s not their ice; it’s the King's. It seems like this ice-breaking should be made illegal, like breaking windows in Whitehall. These ice-breakers seem just as bad as those who say, "It’s going to be a nice old-fashioned Christmas, with Yule logs and stuff." Not that I have anything against Yule logs. I have some in my own Yule shed, hand-sawn by me, though I’m not great at using a hand saw. When I get about halfway through, the saw starts to groan and gnash its teeth at me. It seems what’s really needed is a machine to spin the logs around while you hold the saw steady. But there’s something beautiful about burning Yule logs that you’ve made yourself, which makes you feel like a sculptor when the living beauty finally breaks free from the shapeless stone under their chisel. Plus, they’re cheaper than coal.

As I say, when people talk of "Yule-logs and things," it is not the Yule-logs that I object to. It is the things. Nasty cold things like clean shirts and collars and bedroom door-handles—there ought to be hot water in bedroom door-handles—nasty cold things that make one say "Ugh." I have a theory that the word "Ugh" was invented on some such morning as this. Previously people had been contented with noises like "Ouch" and "Ouf" and "Ur-r," though they realised how inadequate they were. And then one day, one very cold 040 day, inspiration came to the frenzied brain of a genius, and he wrote down that single exquisite heart-cry and hurried it off to the printer. People knew then that the supreme mating of sound and sense, which we have agreed to call poetry, had once more been achieved.

As I said, when people mention "Yule-logs and stuff," it's not the Yule-logs that bother me. It's the stuff. Those nasty cold things like clean shirts and collars and bedroom door handles—there should be hot water in bedroom door handles—those nasty cold things that make you say "Ugh." I have a theory that the word "Ugh" was created on a morning like this. Before that, people were okay with sounds like "Ouch" and "Ouf" and "Ur-r," even though they knew how lacking they were. Then one day, on a very cold 0⁄40 day, a flash of inspiration struck the frantic mind of a genius, and he wrote down that perfect expression of frustration and rushed it off to the printer. People realized then that the perfect blend of sound and meaning, which we’ve come to call poetry, had been achieved once again.

But I have wandered a little from the Serpentine. Has it ever struck you what people who bathe in the Serpentine on days like this are like during the rest of the year?

But I've strayed a bit from the Serpentine. Have you ever thought about what people who swim in the Serpentine on days like this are like the rest of the year?

Suppose it is a balmy spring morning, a mild temperate afternoon in early summer, a soft autumn twilight when everyone else is happy and content, what are they doing then? Positively bathed in perspiration, groaning under the burden of the sun, mopping their shining foreheads and putting cabbage-leaves under their hats. And then at last comes the day they have longed for and looked forward to all through the twelve-months' heat-wave, a beautiful [pg 485] day forty degrees below the belt. They spring out of bed and fling wide the casement. That is what they intend to do, at least. As a matter of fact, of course, it is stuck, and they have to bash it out with a bolster, sending the icicles clinking into the basement. "Delicious!" they say, leaning out and breathing deep. Then they chip a piece of ice out of the water-jug with a hammer, rub it on their faces and begin to shave.

Imagine it's a warm spring morning, a nice afternoon in early summer, or a gentle autumn evening when everyone else is feeling happy and satisfied. What are they up to during those times? They’re probably sweating, struggling under the heat of the sun, wiping their sweaty foreheads, and placing cabbage leaves under their hats. Then finally comes the day they’ve been dreaming of all through the year’s heat—a perfect day that’s forty degrees below freezing. They jump out of bed and fling open the window. That’s the plan, at least. But in reality, it’s stuck, and they have to bang it open with a pillow, sending the icicles clattering down to the basement. “Awesome!” they say, leaning out and taking a deep breath. Then they chip a piece of ice out of the water jug with a hammer, rub it on their faces, and start shaving.

They shave in their cotton pyjamas, with bare feet, humming a song. Then they put on old flannels and a blazer, wrap a towel round their neck, light a cigarette, pick up a mattock and stroll to Hyde Park. When they get there they feloniously break the King's ice. Then they "ugh." The mere thought of these people ughing with a great splash into the Serpentine makes me feel ill. When I think of them afterwards sitting lazily on the bank and letting the blizzard dry their hair, basking in the snow for an hour or two and reading their morning paper, and every now and then throwing a snowball or a piece of "ugh" into the water, I hate them. Nobody ought to be allowed to bathe in the Serpentine on days like this except the swans, who paddle all night to hold the ice at bay. I wonder if I could get a swan and keep it in the water-jug.

They shave in their cotton pajamas, barefoot, humming a tune. Then they throw on some old sweatpants and a blazer, wrap a towel around their neck, light a cigarette, grab a pickaxe, and stroll to Hyde Park. Once they get there, they illegally break the King's ice. Then they make an "ugh" sound. Just thinking about these people making a big splash in the Serpentine makes me feel sick. When I picture them afterwards lounging on the bank, letting the freezing wind dry their hair, soaking in the snow for an hour or two while reading their morning paper, and occasionally throwing a snowball or something "ugh" into the water, I can't stand them. Nobody should be allowed to swim in the Serpentine on days like this except for the swans, who paddle all night to keep the ice away. I wonder if I could get a swan and keep it in the water jug.

Half-past eight? Yes, I did hear, thank you. I am really going to get up very soon now.

Half past eight? Yes, I heard you, thank you. I'm really going to get up very soon now.

What I am going to do is to make one tiger-like leap—tiger-like leap, I say—for the bathroom door and turn the hot-water tap full on until the whole of the upper part of the house is filled with steam.

What I'm going to do is make a big leap—big leap, I say—toward the bathroom door and turn the hot-water tap all the way on until the entire upstairs is filled with steam.

I am going to do it this very moment. I—yes—ugh.

I’m going to do it right now. I—yeah—ugh.

Now I come to think of it a tiger-like leap would be quite the wrong idea. I am glad I did not do it. Tigers are not cold when they leap. "Tiger, tiger, burning bright." Tiger, tiger——

Now that I think about it, a tiger-like leap would be totally the wrong idea. I'm glad I didn't do it. Tigers aren’t cold when they leap. "Tiger, tiger, burning bright." Tiger, tiger——

What did you say? A quarter to nine? What? And the water-pipes frozen? Are they?

What did you say? A quarter to nine? What? And the water pipes are frozen? Are they?

Thankugh.

Thanks.

K.

K.


"WIDOW KISSED BY BURGLAR."

Adventure with a Soft-Voiced Giant.

The gurglar took nothing away with him."

The burglar left empty-handed.

Scots Paper.

Scots Paper.

"Gurglar" seems the mot juste.

"Gurglar" seems the perfect term.


"—— Club.

Monthly medal competition. Returns:—

Monthly medal competition. Results:—

  Gross. Hep. Nett.
F. Slicer 92  84 
W. H. Putter 103  16  87"

Provincial Paper.

Local News.

If only the Judicious Hooker had been playing he might have downed them both.

If only the wise Sex worker had been playing, he might have taken them both down.


AT THE NATURAL HISTORY MUSEUM.

AT THE NATURAL HISTORY MUSEUM.

Mother (trying to calm her lachrymose offspring). "'Ere, Albert—look at the pretty fishes."

Mom (trying to calm her tearful child). ""Hey, Albert—check out the pretty fish.""




NEW RHYMES FOR OLD CHILDREN.

The Pig.

The way in which he eats and drinks

The way he eats and drinks

Is so extremely crude

Is very crude

That nearly everybody thinks

That almost everyone thinks

The pig enjoys his food.

The pig loves his food.

But when I see how very fast,

But when I see how quickly,

Without one single chew,

Without a single bite,

He gobbles up his huge repast,

He devours his massive meal,

I'm sure it isn't true.

I’m sure it’s not true.

Far nobler than your Uncle Joe,

Far nobler than your Uncle Joe,

Who simply sits and sits,

Who just sits and sits,

Revolving, gluttonous and slow,

Slow and gluttonous,

The more attractive bits;

The most appealing parts;

Far nobler than your Uncle Dick,

Far nobler than your Uncle Dick,

Who likes the choicest food,

Who likes the best food,

And, if he doesn't have the pick,

And, if he doesn't have the pick,

Is very, very rude;

Is extremely rude;

The pig has not a word to say

The pig doesn't have anything to say.

To subtleties of taste;

To nuances of flavor;

He eats whatever comes his way

He eats whatever is put in front of him.

With admirable haste.

With impressive speed.

In fact, the pig may well resent

In fact, the pig might really resent

The insult to his line

The insult to his lineage

When certain of the affluent

When certain of the wealthy

Are said to eat like swine.

Are said to eat like pigs.

A. P. H.

A.P.H.


"None are much better than others, and some are much worse."

"None are really better than the others, and some are definitely worse."

New Zealand Paper.

New Zealand Paper.

We fear the writer is a pessimist.

We think the writer is a pessimist.


[pg 486]

TAFFY THE FOX.

[Mr. Horatio Bottomley has complained of the war-time efforts of the Poet Laureate, and desires the appointment of a national bard whose mind is more attuned to the soul of the British nation. Recent political events are not of course a very inspiring subject for serious verse, but we have tried to do our feeble best here in faint imitation of one of the manners of Mr. John Masefield.]

[Mr. Horatio Bottomley is unhappy with the Poet Laureate's contributions during the war and seeks a national poet whose ideas better reflect the spirit of the British people. Recent political occurrences might not inspire serious poetry, but we've tried our best here, even if it's a weak effort, to mimic the style of Mr. John Masefield.]

Safe and snug from the wind and rain

Safe and cozy from the wind and rain

In a thick of gorse with a tranquil brain

In a thicket of gorse with a calm mind

The fox had slept, and his dreams were all

The fox had slept, and his dreams were all

Of the wild Welsh hills and the country's call;

Of the wild Welsh hills and the call of the country;

He slept all night in the Wan Tun Waste,

He slept all night in the Wan Tun Waste,

He woke at dawn and about he faced,

He woke up at dawn and looked around,

He flexed his ears and he flaired the breeze

He moved his ears and enjoyed the breeze.

And scratched with his foot some poor wee fleas;

And scratched away some poor little fleas with his foot;

He sat on his haunches, doubted, stood;

He squatted, hesitated, then stood up;

To his left were the lairs of his native wood,

To his left were the dens of his home forest,

The deep yew darkness of Cowall Itchen;

The deep, dark yew of Cowall Itchen;

He flaired, I say, with his nostrils twitching

He flaunted, I say, with his nostrils twitching.

Till he smelt the sound of the Fleet Street stunt

Till he heard the sound of the Fleet Street stunt

And over the hillside came the Hunt.

And over the hill came the Hunt.


Over the hillside, clop, clip, clep,

Over the hillside, clop, clip, clep,

And the dappled beauties, Ginger and Pep,

And the spotted beauties, Ginger and Pep,

Live Wire, Thruster, Fetch Him and Snatch Him,

Live Wire, Thruster, Fetch Him and Snatch Him,

They were coming to bite him and pinch him and scratch him,

They were coming to bite him, pinch him, and scratch him,

Whimpering, nosing, scenting his crimes,

Whimpering, sniffing, sensing his crimes,

The Evening News and The Morning Times.

The Evening News and The Morning Times.

"Yooi! On to him! Yooi there!" Hounds were in;

"Yoo-hoo! Over here! Yoo-hoo!" The hounds were in;

He slunk like a ghost to the edge of the whin;

He crept like a ghost to the edge of the gorse;

"Hark! Holloa! Hoick!" They were on his trail.

"Hear that? Hey! Look out!" They were on his trail.


The huntsman, Alfred, rode The Mail,

The huntsman, Alfred, rode The Mail,

A bright bay mount, his best of prancers,

A bright bay horse, his finest performer,

Out of Forget-me-not by Answers.

Out of Forget-me-not by Answers.

A thick-set man was Alf, and hard;

A muscular man was Alf, and tough;

He chewed a straw from the stable-yard;

He chewed on a straw from the barnyard;

He owned a chestnut, The Dispatch,

He owned a chestnut horse named The Dispatch,

With one white sock and one white patch;

With one white sock and one white spot;

And had bred a mare called Comic Cuts;

And had raised a mare named Comic Cuts;

He was a man with fearful guts.

He was a man with anxious instincts.

So too was Rother, the first whip,

So was Rother, the first whip,

Nothing could give this man the pip;

Nothing could annoy this man;

He rode The Mirror, a raking horse,

He rode The Mirror, a fast horse,

A piebald full of points and force.

A piebald full of spots and strength.

All that was best in English life,

All that was best in English life,

All that appealed to man or wife,

All that appealed to husband or wife,

Sweet peas or standard bread or sales

Sweet peas or regular bread or sales

These two men loved. They hated Wales.

These two guys were in love. They disliked Wales.


The fox burst out with a flair of cunning,

The fox sprang out with a touch of cleverness,

He ran like mad and he went on running;

He ran like crazy and kept running;

He made his point for the Heroes' Pleasance,

He made his case for the Heroes' Pleasance,

By Hang Bill Copse, where he roused the pheasants.

By Hang Bill Copse, where he stirred up the pheasants.

They rose with a whirr and kuk, kuk, kukkered;

They rose with a whirr and clucked, clucked, clucked;

The fox ran on with a mask unpuckered

The fox ran on with a smooth mask.

By Boshale Stump and Uttermost Penny,

By Boshale Stump and Uttermost Penny,

Where the grass was short and the tracks were many.

Where the grass was short and the paths were numerous.

He tried the clay and he tried the marl,

He tried the clay and he tried the marl,

A workman's whippet began to snarl;

A worker's whippet started to growl;

Into the Dodder a splash he went;

Into the Dodder, he jumped in with a splash;

All that he cared was to change the scent,

All he cared about was changing the scent,

And half of the pack from the line he shook

And he shook half of the pack from the line.

By paddling about in the Beaver Brook.

By paddling around in Beaver Brook.


He swerved to the left at Maynard Keynes,

He swerved left at Maynard Keynes,

With an eye to sheep and an eye to drains;

With one eye on the sheep and the other on the drains;

By Old Cole Smiley and Clere St. Thomas,

By Old Cole Smiley and Clere St. Thomas,

Without any stops and without any commas;

Without any stops and without any commas;

At Addison's Cots he went so quick,

At Addison's Cots, he got there so quickly,

He startled a bricklayer laying a brick;

He surprised a bricklayer while he was laying a brick;

He ran over oats and he ran over barleys,

He ran over oats and he ran over barleys,

By Moss Cow Puddle and Rushen Parleys;

By Moss Cow Puddle and Rushen Parleys;

By Lympne Sassoon and Limpet Farm

By Lympne Sassoon and Limpet Farm

He scattered the geese in wild alarm;

He startled the geese, sending them into a frenzy;

He ran with a pain growing under his pinny

He ran with a pain increasing beneath his apron.

Till he heard the sound of a war-horse whinny,

Till he heard the sound of a war horse neigh,

And tried for an earth in the Tory Holts.

And tried for land in the Tory Holts.


The earth was stopped. It was barred with bolts.

The earth was at a standstill. It was secured with locks.


He turned again and he passed Spen Valley,

He turned again and passed Spen Valley,

By Paisley Shawls and Leamington Raleigh;

By Paisley Shawls and Leamington Raleigh;

His flanks were wet, he was mire-beslobbered

His sides were damp, and he was covered in mud.

By Hatfield Yew and by Hatfield Robert;

By Hatfield Yew and by Hatfield Robert;

He tried a hen-coop, he tried a tub,

He tried a chicken coop, he tried a tub,

He tried the National Liberal Club—

He tried the National Liberal Club—

A terrier barked and turned him out.

A terrier barked and chased him away.


He tried the end of an old drain-spout.

He checked the end of an old drainpipe.


It was much too small. With a bursting heart

It was way too small. With a pounding heart

He thought of the home where he made his start;

He remembered the home where he got his start;

His flanks were heaving, his soul despairing,

His sides were heaving, his spirit in despair,

He flaired again—he was always flairing

He showed off again—he was always showing off.

To find the best way of escape and nab it,

To find the best escape route and grab it,

He couldn't get out of this flairing habit;

He couldn't break this flashy habit;

He felt at his back the fiery breath

He felt the fiery breath on his back

Of the Kill Gorge pack that had vowed his death;

Of the Kill Gorge pack that had promised to kill him;

He turned once more for the shelter good

He turned once more for the good shelter.

Of the Wan Tun Waste and the dark yew wood,

Of the Wan Tun Waste and the dark yew forest,

The deep yew fastness of Cowall Itchen

The deep yew forest of Cowall Itchen

And the scuts and heads of hens in his kitchen.

And the carcasses and heads of chickens in his kitchen.

The hounds grew weak and The Mail was blowing;

The hounds got tired and the wind was blowing;

Rother said, "Alf, this is bad going!"

Rother said, "Alf, this is really tough!"

Past Pemberton Billing, past Kenworthy,

Past Pemberton Billing, past Kenworthy,

He shook them off, he was damp and earthy;

He shook them off, he was wet and muddy;

By Molton Lambert and Platting Clynes——

By Molton Lambert and Platting Clynes——

But I can't go on with these difficult lines.

But I can't continue with these tough lines.


The night closed down and the hunt was dead,

The night fell, and the hunt was over,

Alfred and Rother were tucked in bed;

Alfred and Rother were snuggled up in bed;

The cold moon rose on a fox's snore

The cold moon rose to the sound of a fox snoring.

And everything much as it was before.

And everything was pretty much the same as it had been before.

Evoe.

Evoe.


Our Erudite Contemporaries.

"'Her feet beneath her petticoat like little mice peep in and out.'

"'Her feet under her petticoat were like little mice, peeking in and out.'"

Yes, but when Bobbie Burns wrote that the lassies of Scotland didn't wear Louis heels and extremely short skirts."

True, but when Bobbie Burns wrote that, the girls of Scotland weren't wearing high heels and super short skirts.

Ladies' Paper.

Ladies' Paper.

Any more than they did when Sir John Suckling apostrophised the "wee, sleekit, cow'rin', tim'rous beastie."

Any more than they did when Sir John Suckling addressed the "little, sleek, cowering, timid creature."


Our Sleuths.

"A Sheffield firm of solicitors have, this week, had stolen from one of the pegs in the hall an overcoat belonging to one of the principals. The solicitor concerned is of the opinion that someone removed it between his arrival at the office the other morning and going to find it in the evening, when it was missing."

"A law firm in Sheffield had a partner's overcoat stolen from a coat rack in the hallway this week. The lawyer believes someone took it sometime between when he arrived at the office that morning and when he went to look for it in the evening, only to discover it was missing."

Provincial Paper.

Provincial Paper.


The Sandringham Hat.

"Many women are making surprise presents of hats to their husbands, and will take great pleasure in seeing them worn for the first time on Christmas Day."

"Many women are surprising their husbands with gifts of hats, and they will enjoy seeing them worn for the first time on Christmas Day."

Daily Mail.

Daily Mail.

We understand that it will be the quietest Christmas on record, many family men having decided to spend the day in the seclusion of their own homes.

We understand that this will be the quietest Christmas ever, with many family men choosing to spend the day in the comfort of their own homes.


[pg 487]
What I like

"What I enjoy

about Switzerland is

about Switzerland is

the complete change

the total transformation

from London life

from London living

and all that

and everything

needless dressing-up.

unnecessary dressing up."


[pg 488]
He m'nopolised my engine last Christmas; I thought he'd like one for himself this year.

Doris. "But, Jimmy, I thought you came to buy a present for Daddy?"

Doris. "But, Jimmy, I thought you were here to get a gift for Dad.?"

Jimmy. "Yes, it's all right, Sis, I am doing. He m'nopolised my engine last Christmas; I thought he'd like one for himself this year."

Jimmy. "Yeah, it's all good, Sis. I am doing well. He took my engine last Christmas; I thought he’d want one for himself this year."




THE HUMOURIST.

"Here's Alan," said Cecilia; "good."

"Here's Alan," said Cecilia; "cool."

"Really," I said, stopping and bowing slightly in several directions, "I am touched. Such a reception.... I find no words——"

"Honestly," I said, pausing and nodding slightly in several directions, "I’m really moved. Such an welcome... I don’t have the words—"

"Don't be funny," said Margery cuttingly, "we shan't laugh. What we want to know is what are you going to do?"

"Don't be ridiculous," Margery said sharply, "we're not going to laugh. What we want to know is what you're going to do?"

"Well," I said, "I did think of sitting by the fire and—er—just watching it burn."

"Well," I said, "I thought about just sitting by the fire and—um—watching it burn."

"Oh, dear," said Margery, "please don't be dense. I mean, what are you going to do at the show?"

"Oh, come on," Margery said, "don't be clueless. I mean, what are you planning to do at the show?"

I passed my hand over my eyes.

I ran my hand over my eyes.

"I'm sorry," I said; "I'm afraid I don't.... Have I been to sleep for ten years or anything?"

"I'm sorry," I said; "I'm afraid I don't.... Have I been asleep for ten years or something?"

"Tell him," said Margery impatiently. "You'll have to start right at the beginning."

"Tell him," Margery said, impatiently. "You need to start from the very beginning."

I sat down expectantly.

I sat down, eager.

"Well," began Cecilia, "Christmas is coming and we shall be full up."

"Well," Cecilia started, "Christmas is coming, and we’re going to be fully booked."

"Of course, of course," I murmured deprecatingly. "You want me to get some medicine ready for you?"

"Sure, sure," I said, downplaying it. "Do you want me to get some medicine ready for you?"

"I mean the house will be full up," explained Cecilia coldly. "The point is we must arrange something beforehand—some sort of entertainment."

"I mean the house will be packed," Cecilia explained coldly. "The point is we need to plan something in advance—some kind of entertainment."

"Good heavens," I said, "you're not going to hire the Sisters Sprightly or anything, are you?"

"Good heavens," I said, "you're not going to hire the Sisters Sprightly or anything, are you?"

"No, we are not," said Cecilia; "not the Sisters Sprightly nor the Brothers Bung. We are going to do it ourselves."

"No, we aren't," said Cecilia; "not the Sprightly Sisters or the Bung Brothers. We're going to do it ourselves."

"What—a Sisters Sprightly Act? Have a little shame, Cecilia. What will Christopher think when he sees his mother in a ballet skirt, kicking about all over the drawing-room?"

"What—a Sisters Sprightly Act? Have a little shame, Cecilia. What will Christopher think when he sees his mom in a ballet skirt, dancing around the living room?"

"He'd think I looked very nice," said Cecilia hotly, "if I was going to wear one; but I'm not."

"He'd think I looked really nice," Cecilia said angrily, "if I was going to wear one; but I'm not."

"Not going to wear a ballet skirt?" I said. "You surely don't mean to appear in——"

"Not going to wear a ballet skirt?" I said. "You can't seriously mean to show up in——"

"We're not going to do a Sisters Sprightly turn at all," shouted Margery: "nobody ever thought of them but you."

"We're not going to do a Sisters Sprightly thing at all," shouted Margery. "Nobody ever thought of them but you."

"Then I give it up," I said helplessly; "I quite understood you to say—— Then what are you going to do, anyway?"

"Then I give up," I said, feeling defeated; "I thought you said— So what are you going to do, anyway?"

"Well, we thought at first we'd do a play, but there were difficulties in the way."

"Well, we initially thought we’d put on a play, but there were some obstacles."

"Too true," I said; "none of us can act to begin with."

"That's so true," I said; "none of us can really act to start with."

"Speak for yourself," said Margery.

"Speak for yourself," Margery said.

"Pardon, Miss Thorndike," I apologised.

"Excuse me, Miss Thorndike," I apologized.

"No, the difficulty is that we haven't really room for theatricals. We should have to use the drawing-room, and by the time you've got a stage and scenery and rooms for changing, well, there's simply no space left for the audience," explained Cecilia.

"No, the problem is we don’t really have space for a play. We’d have to use the living room, and by the time you set up a stage and scenery and have changing rooms, there’s just no space left for the audience," explained Cecilia.

"That's no objection at all," I said; "rather an advantage, in fact."

"That’s no problem at all," I said; "actually, it’s a benefit."

"And anyhow," continued Margery, "we haven't got a play to do."

"And anyway," Margery continued, "we don't have a play to perform."

"And so," said Cecilia, "we've decided to have a concert party."

"And so," Cecilia said, "we've decided to have a concert party."

I gasped.

I gasped.

"Not a concert party," I implored.

"Not a concert party," I urged.

"Yes," said Cecilia, "a costume concert party. It isn't any use groaning like that. It's all arranged. Sheila and Arthur Davies, Margery, John, you and I are in it. The question is what are you going to do?"

"Yes," Cecilia said, "a costume concert party. There's no point in groaning like that. It's all set. Sheila, Arthur Davies, Margery, John, you, and I are in it. The question is, what are you going to do?"

"Nothing. I never heard of such a horrible idea."

"Nothing. I've never heard of such a terrible idea."

"Don't be a pig, Alan," said Margery.

"Don't be greedy, Alan," Margery said.

"Really, Cecilia," I said, "let me plead with you. Not a costume concert party, please. A simple glee perhaps—just four of us—in evening dress; or even a conjurer. I'll agree to anything. But not, not Pierrots, Cecilia."

"Honestly, Cecilia," I said, "let me just ask you. Not a costume concert party, please. How about a simple gathering—just the four of us—in evening attire; or maybe even a magician. I'm open to anything. But no, not Pierrots, Cecilia."

"Pierrots it is," said Cecilia defiantly.

"That's what we are, Pierrots," Cecilia said boldly.

"Then I wash my hands of it. To think that our family——"

"Then I'm done with it. To think that our family——"

"You can wash your hands if you like," said Cecilia; "we should prefer it, in fact; but you are certainly going to take part."

"You can wash your hands if you want," said Cecilia; "we would actually prefer it; but you are definitely going to join in."

I know the futility of arguing with Cecilia.

I know how pointless it is to argue with Cecilia.

"Then tell me the worst," I begged; "what am I to be? Can I show people to their seats, or am I the good-looking tenor with gentlemanly features and long hair?"

"Then tell me the worst," I pleaded; "what am I going to be? Can I help people to their seats, or am I the attractive tenor with charming features and long hair?"

"We thought of making you the funny man," said Cecilia.

"We thought about making you the funny guy," Cecilia said.

I buried my head in my hands and shuddered.

I buried my head in my hands and shuddered.

At this moment John came into the room. "Talking about the 'Merry Maggots'?" he said. "Splendid idea of Cecilia's, isn't it? I've just been thinking it over, and what we must decide on first of all is who is to be the—the humourist. He's the really important man; must be someone really first-class."

At that moment, John walked into the room. "Are we talking about the 'Merry Maggots'?" he asked. "Cecilia had a great idea, right? I've been thinking about it, and the first thing we need to decide is who will be the—well, the humorist. He's the crucial one; it has to be someone top-notch."

"We've also been discussing it," I said quickly, "and we came to the conclusion that there's only one man for the job—yourself."

"We've also been talking about it," I said quickly, "and we came to the conclusion that you're the only one for the job."

John nodded complacently.

John nodded contentedly.

"I'm glad to hear you say so, because I was going to suggest it myself. It's my belief that I should be a devilish funny fellow if I had a chance. I've just tried a few jokes on myself upstairs, and I've been simply roaring with laughter. Haven't enjoyed myself so much for years."

"I'm happy to hear you say that because I was going to suggest it myself. I really think I could be a hilarious guy if I had the opportunity. I just tried a few jokes on myself upstairs, and I've been laughing so hard. I haven't had this much fun in years."

"Splendid fellow!" I said heartily; "you shall tell them to me later on and I'll roar with laughter too. Cecilia, put your husband down for the funny man."

"Awesome guy!" I said warmly; "you can tell me all about it later and I'll laugh my head off too. Cecilia, make sure your husband is the funny one."

"H'm—humourist," corrected John with a slight cough.

"Hmm—humorist," John corrected with a slight cough.

"'Humourist,'" I agreed; "and thank goodness that's settled."

"'Humorist,'" I agreed; "and thank goodness that's settled."

"But," said Cecilia, "you said you were going to do a dramatic recitation."

"But," Cecilia said, "you said you were going to do a dramatic reading."

[pg 489]

"So I am, so I am," said John; "I'm going to do that as well. Contrast, my dear Cecilia. Laughter and tears. Double them up with sly wit one moment and have them sobbing into their handkerchiefs the next. I'm going to do it all, Cecilia."

"So I am, so I am," said John; "I'm going to do that too. Just think about it, my dear Cecilia. Laughter and tears. Mix in some clever humor one moment and have them crying into their handkerchiefs the next. I'm going to do it all, Cecilia."

"So it appears," said Cecilia; "it hardly seems worth while to have anybody else in the show."

"So it looks," said Cecilia; "it barely seems worth having anyone else in the show."

"Now, now," said John, wagging his forefinger at her, "no jealousy. You ought to be glad to have someone really good in the party. Good funny men aren't to be found just anywhere."

"Now, now," said John, shaking his finger at her, "no jealousy. You should be happy to have someone really good in the group. Good funny guys aren't easy to find."

"But we don't know that you are a good funny man," said Margery.

"But we don't know that you're a good funny man," Margery said.

"Of course you don't," said John; "I've never had a chance to prove it. For years I have been kept in the background by your family. I'm never allowed to make a joke, and if I do nobody laughs. This is my chance. I'm going to be in the limelight now. I shall be the life of the party, and it's no good trying to stop me. In fact," he finished confidentially, "I shan't be surprised if I take it up professionally. You should have heard me laughing upstairs."

"Of course you don't," John said; "I've never had a chance to prove it. For years, your family has kept me in the background. I'm never allowed to make a joke, and if I do, nobody laughs. This is my moment. I'm going to be in the spotlight now. I'm going to be the life of the party, and there's no stopping me. Actually," he added confidentially, "I wouldn't be surprised if I took it up as a profession. You should have heard me laughing upstairs."

"But, John," began Margery.

"But, John," Margery started.

"Sh—!" said Cecilia; "it's no use arguing with him while he's in this mood. That's all right, John. You shall be everything you like. But as you've selected such a lot of parts for yourself perhaps you'll suggest what we can do with Alan."

"Sh—!" said Cecilia; "there's no point in arguing with him while he's feeling this way. That's fine, John. You can be whatever you want. But since you've picked so many roles for yourself, maybe you could suggest what we should do about Alan."

"Ah," said John; "Alan! Yes, he's a problem, certainly. If he had any voice, now. I'm not sure that we want him at all. Could he do a clog-dance, do you think?"

"Ah," said John; "Alan! Yeah, he's a problem for sure. If only he could sing. I'm not even sure we want him at all. Do you think he could do a clog dance?"

"Don't worry," I interrupted; "I've thought of a fine part for me. All the best concert parties have a chap who sits in the corner and does nothing but look miserable. I could do that splendidly."

"Don't worry," I cut in; "I've come up with a great role for myself. All the best concert groups have a guy who just sits in the corner and looks miserable. I could do that perfectly."

"That's quite true," said John approvingly; "it tickles the audience, you know, to see a fellow looking glum while everyone else is having hysterics at the funny—at the humourist. It isn't as easy as it looks, though, Alan. I shall keep saying things to make you laugh, you know. You'll find it jolly difficult to keep looking miserable once I get going."

"That's absolutely right," John said with a nod; "it entertains the crowd, you know, to see someone looking all sad while everyone else is cracking up at the funny guy. It’s not as simple as it seems, though, Alan. I’m going to keep throwing out jokes to make you laugh, you know. You’ll find it really tough to keep looking unhappy once I get started."

"Not at all," I said. "That is, I shall do my best to keep serious. I shall try not to listen to you being funny."

"Not at all," I said. "I mean, I’ll do my best to stay serious. I’ll try not to let your jokes get to me."

John looked at me and considered whether it was worth following up. He decided it was not.

John looked at me and thought about whether it was worth it to follow up. He decided it wasn't.

"I daresay he'll do," he said loftily to Cecilia; "the fellow has no sense of humour anyway."

"I dare say he'll be fine," he said arrogantly to Cecilia; "the guy has no sense of humor anyway."


So long, old chap! I'm off to Charing Cross.

"So long, old chap! I'm off to Charing Cross."

"Catch you later, my friend! I'm off to Charing Cross."

"Hospital, I presume."

"Hospital, I assume."




Commercial Modesty.

"This system develops such valuable qualities as:—

"This system fosters important qualities such as:—

—Forgetfulness —Timidity
—Mind Wandering —Weakness of Will
—Brain Fag —Lack of System
—Indecision —Lack of Initiative
—Dullness —Indefiniteness
—Shyness —Mental Flurry."

Advt. in Sunday Paper.

Ad for Sunday Paper.


"It is announced that, starting with next week, 'Ways and means' and 'Common Sense' will be amalgamated."

"It's announced that, starting next week, 'Ways and Means' and 'Common Sense' will be combined."

Evening Paper.

Evening Paper.

Will the Government please note?

Can the Government please note?


"Army biscuits, suitable for bed-chair cushions. 3s. reserve. ——'s Auction Sale."

"Army biscuits, ideal for bed-chair cushions. 3s. reserve. ——'s Auction Sale."

Provincial Paper.

Provincial Paper.

They seem to have lost something of their war-time hardihood.

They seem to have lost some of their wartime toughness.


[pg 490]
I say, isn't there anything with a bit more buck in it than this lemonade?

Small Boy. "I say, isn't there anything with a bit more buck in it than this lemonade?"

Small Boy. "Hey, isn't there something with a bit more kick than this lemonade?"




PUSS AT THE PALACE.

[The Daily Telegraph, in a report of the Cat Show at the Crystal Palace, remarks that "the cat has 'come back' as a hobby."]

[The Daily Telegraph reports on the Cat Show at the Crystal Palace, mentioning that "cats have become popular again as a hobby."]

O all ye devoted cat-lovers,

Oh, all you devoted cat lovers,

Ere spending the cheques you have cashed,

Ere spending the checks you’ve cashed,

Leave a trifle for tickets to enter the wickets

Leave a small amount for tickets to get into the gates.

That ope on the Temple of Pasht.

That open on the Temple of Pasht.

For to-day in the Palace of Paxton

For today in the Palace of Paxton

Cats gathered from every zone—

Cats gathered from every area—

Manx, Persian, Sardinian, Chinese, Abyssinian—

Manx, Persian, Sardinian, Chinese, Abyssinian—

Are now being splendidly shown.

Are now being showcased beautifully.

The names of the winners and owners

The names of the winners and owners

Inspire me with joy and delight;

Inspire me with happiness and pleasure;

E.g., Blue-eyed Molly, John Bull (Madame Dolli)

E.g., Blue-eyed Molly, John Bull (Madame Dolli)

And Snowflake, the champion white.

And Snowflake, the white champion.

And then the adorable kittens!

And then the cute kittens!

Too high-bred to gambol or skip,

Too refined to play around or dance,

With names that are mighty, like Inglewood Clytie,

With powerful names like Inglewood Clytie,

Or comic, like Holme Ruddy Pip.

Or funny, like Holme Ruddy Pip.

It is pleasant to learn Mr. Shakespeare's

It is pleasant to learn Mr. Shakespeare

Success with his Siamese strain,

Success with his Siamese cat,

For his namesake the poet, so far as we know it,

For his namesake, the poet, as far as we know,

Held "poor, harmless" puss in disdain.

Held "poor, harmless" cat in disdain.

Yes, the cat has "come back" as a hobby,

Yes, the cat has "returned" as a hobby,

Oh, let us be thankful for that,

Oh, let’s be grateful for that,

For it might be the coon or the blue-nosed baboon,

For it could be the raccoon or the blue-nosed baboon,

Or the deadly Norwegian rat.

Or the dangerous Norway rat.


THE FINE OLD FRUITY.

Wine merchants must be kind men. So many of those who have sent me their circulars this Christmas-time have announced that they are "giving their clients the benefit of some exceptionally advantageous purchases which they have made."

Wine merchants must be nice people. So many of those who have sent me their newsletters this Christmas season have announced that they are "giving their clients the benefit of some exceptionally advantageous purchases they've made."

But it is not the humanity of wine merchants of which I wish to speak. It is the intriguing epithets which they apply to their wines. And I have entertained myself by applying these to my relatives, an exercise which I find attended by the happiest results.

But it's not the kindness of wine merchants that I want to talk about. It's the fascinating names they give to their wines. I’ve amused myself by using these names for my relatives, and I find it leads to the most enjoyable outcomes.

"Fine old style, rich," is, of course, obvious. It applies to more than one of my Victorian uncles. "Medium rich" to a cousin or so. More subtle is "medium body." This must be Uncle Hilary; he takes little exercise nowadays and his figure is suffering. Soon he will be "full-bodied" or "full and round." "Elegant, high class" is my Cousin Isabel. "Pretty flavour" also is hers. "Fresh and brisk" is Aunt Hannah. And could anything be more descriptive of Aunt Geraldine than "delicate and generous"?

"Fine old style, rich," is obviously a compliment. It fits more than one of my Victorian uncles. "Medium rich" applies to a cousin or two. More subtle is "medium body." This must be Uncle Hilary; he doesn’t exercise much these days, and his figure is suffering. Soon he’ll be "full-bodied" or "full and round." "Elegant, high class" describes my Cousin Isabel. "Pretty flavor" also belongs to her. "Fresh and brisk" is Aunt Hannah. And could anything be more fitting for Aunt Geraldine than "delicate and generous"?

For "great breed and style" (used, I see, of a claret) I should, I fear, be obliged to go outside the family; and "recommended for present consumption and for laying down" I only mention because it leaves me wondering to what other uses a fine fruity Burgundy could be put. But here is a noble one: "Of very high class, stylish, good body and fine character." I have tried this on several relations without being entirely satisfied about it, and I have finally decided that I shall keep it for myself.

For "great breed and style" (which I see is used to describe a claret), I’m afraid I would have to look beyond the family. And when it comes to "recommended for immediate enjoyment and for aging," I only bring it up because it makes me curious about what other uses a fine, fruity Burgundy might have. But here's a notable one: "Of very high class, stylish, good body, and fine character." I’ve tested this on several relatives without feeling completely satisfied, and I’ve finally decided to keep it for myself.


"Only a few visitors braved the first fall of the snow yesterday and adventured as far as the Zoological Gardens. They found there a depressed-looking collection of animals in the open-air cages, but a perfect holocaust of sparrows."

"Only a handful of visitors braved the first snowfall yesterday and made their way to the Zoo. They discovered a gloomy group of animals in the open-air enclosures, along with a large flock of sparrows."

Sunday Paper.

Sunday Paper.

The sparrows must have been warm enough, anyway.

The sparrows must have been warm enough, anyway.


[pg 491]
VERDUN.

VERDUN.

London (to her adopted daughter). "YOU WILL LET ME PASS—TO YOUR HEART?"

London (to her adopted daughter). "YOU'RE GOING TO LET ME PASS—TO YOUR HEART?"




[pg 493]

ESSENCE OF PARLIAMENT.

And to think it was the best Irish linen!

The Lord Chancellor. "And to think it was the best Irish linen!"

The Lord Chancellor. "And to think it was the best Irish linen!"

Monday, December 13th.—Since the House of Lords took the bit in its teeth and bolted with the Government of Ireland Bill the Lord Chancellor has practically thrown the reins on the creature's neck and confined himself to occasional mild remonstrance when it kicked over the Government traces. The most he could do when rival amendments were put forward was to secure the passage of the less objectionable. Thus when Lord Shandon, for purely sentimental reasons—Ireland knew him as "a most susceptible Chancellor"—desired that the unifying body should be called a Senate Lord Birkenhead laughed the proposal out of court with the remark that "a man might as well purchase a mule with the object of founding a stud," and persuaded the Peers to accept the word "Council." He was at first inclined to oppose Lord Wicklow's amendment providing that neither Irish Parliament should take private property without compensation; but when he found that an old Home Ruler, Lord Bryce, was in favour of imposing this curb on Irish exuberance he, as "a very young Home Ruler," gracefully withdrew his objection.

Monday, December 13th.—Since the House of Lords took charge and rushed ahead with the Government of Ireland Bill, the Chancellor has basically let go of the reins and only occasionally expressed mild disapproval when things got out of hand. The most he could do when rival amendments were proposed was to ensure the passage of the less contentious ones. For instance, when Lord Shandon, for sentimental reasons—Ireland regarded him as "a very sensitive Chancellor"—wanted the united body to be called a Senate, Lord Birkenhead dismissed the idea with a comment that "a man might as well buy a mule with the intention of starting a breeding farm," and convinced the Peers to go with the term "Council." Initially, he was set to oppose Lord Wicklow's amendment stating that neither Irish Parliament could take private property without compensation; but when he discovered that an old Home Ruler, Lord Bryce, supported this restriction on Irish enthusiasm, he, as "a very young Home Ruler," gracefully withdrew his objection.

Sir John Baird revealed the names of the members of the Central Control Board (Liquor Traffic). The muffled groans that followed the announcement of the first of them, Mr. Waters-Butler, were quite uncalled for, as I understand that the gentleman in question preserves a strict impartiality between two branches of his patronymic.

Sir John Baird announced the names of the members of the Central Control Board (Liquor Traffic). The quiet groans that followed the announcement of the first member, Mr. Waters-Butler, were completely unnecessary, as I believe the man in question maintains a strict impartiality between the two sides of his family name.

Sir Eric Geddes was not too sympathetic to the complaints of overcrowding on the suburban railways; but I cannot think that Mr. Martin had fully thought out the consequences of his suggestion that the right hon. gentleman should take a trip one night from Aldgate to Barking and see for himself. Imagine the feelings of the strap-hangers when Sir Eric essayed "little by little" to wedge himself into their midst.

Sir Eric Geddes wasn’t very sympathetic to the complaints about overcrowding on the suburban trains; however, I don’t think Mr. Martin really considered the implications of his suggestion that the right hon. gentleman should take a night trip from Aldgate to Barking and see for himself. Just imagine how the commuters would feel when Sir Eric tried to squeeze himself in "little by little" among them.

If the Opposition desired a really satisfactory discussion on the origin of the fires in Cork it should have chosen some other spokesman than Lieut.-Commander Kenworthy. The hon. and gallant gentleman was less aggressive in manner than usual, but even so he encountered a good many interruptions. He was answered in a characteristic speech by Mr. Claude Lowther; and the debate as a whole never rose much above the level where it was left by these "Burnt Cork Comedians."

If the Opposition wanted a truly satisfactory discussion on the causes of the fires in Cork, they should have picked someone other than Lieut.-Commander Kenworthy as their spokesperson. The honorable and brave gentleman was less confrontational than usual, but still faced quite a few interruptions. Mr. Claude Lowther responded to him with a typical speech; overall, the debate never progressed much beyond the point where it was left by these "Burnt Cork Comedians."

Tuesday, December 14th.—Despite the protests of Lord Braye, who demanded full self-determination for Ireland, the Peers gave a Third Reading to the Government of Ireland Bill. Lord Crewe so far modified his previous attitude as to congratulate the Government on having held on their course in the face of the discouraging events in Ireland, and to express the hope that the measure would be worked for all it was worth, though, in his lordship's estimation, it was not worth much.

Tuesday, December 14th.—Despite Lord Bray's objections, who insisted on full self-determination for Ireland, the Peers passed the Government of Ireland Bill in its Third Reading. Lord Crewe changed his earlier stance enough to applaud the Government for staying the course despite the discouraging developments in Ireland and to hope that the measure would be utilized to its fullest potential, although he believed it wasn't worth much.

THE END OF THE OMNIBUS.

THE END OF THE OMNIBUS.

Conductor Addison. "A nice old mess you've been and gone and made!"

Conductor Addison. "What a lovely mess you've made!"

Driver Curzon. "Me? If you hadn't been so late in turning out I shouldn't have had to cut things so fine."

Driver Curzon. "Me? If you hadn't taken so long to start, I wouldn't have had to hurry."

The Ministry of Health Bill found the Peers in a much less accommodating mood. Lord Strachie moved its rejection, chiefly on the ground of the financial strain it would impose upon local authorities, and was supported by Lord Galway, who thought it an insult to Parliament to bring forward so ambitious a measure at the fag-end of the Session. Lord Curzon vainly endeavoured to avert the coming storm by accepting a suggestion that the Bill should be carried over till next Session. The majority of the Peers were out for blood, and they defeated the Second Reading by 57 to 41. Dr. Addison, from the steps of the Throne, gloomily watched the overturn of his omnibus. It is understood that, following the example of his distinguished namesake, he is going to write to The Spectator about Lord Strachie.

The Ministry of Health Bill found the Peers in a much less agreeable mood. Lord Strachie proposed its rejection, mainly because of the financial burden it would place on local authorities, and he was backed by Lord Galway City, who thought it was an insult to Parliament to bring forth such an ambitious measure at the end of the Session. Lord Curzon tried unsuccessfully to prevent the upcoming backlash by accepting a suggestion to postpone the Bill until the next Session. The majority of the Peers were determined to challenge it, and they defeated the Second Reading by 57 to 41. Dr. Addison, from the steps of the Throne, gloomily watched the collapse of his proposal. It is understood that, following the example of his notable namesake, he plans to write to The Spectator about Lord Strachie.

So many of the Commons appeared to have anticipated the Christmas holidays that Questions were run through at a great pace. Mr. Hogge, however, was in his place all right to know how it was, after all the protestations of the Government, that an official motor-car containing an officer and a lady had been seen outside a toy-shop in Regent Street. "Mark how a plain tale shall set you down," said Mr. Churchill in effect. The officer was on his way from an outlying branch of the War Office to an important conference [pg 494] in Whitehall; the lady was his private secretary; the natural route of the car was viâ Regent Street, and the officer had merely seized the opportunity to pick up a parcel.

So many members of the Commons seemed to be looking forward to the Christmas holidays that questions were answered at lightning speed. Mr. Hog was there, eager to find out how it was possible that, despite all the Government’s denials, an official car with an officer and a lady had been spotted outside a toy shop on Regent Street. "Just see how a simple story reveals everything," said Mr. Churchill essentially. The officer was traveling from a distant War Office branch to an important meeting [pg 494] in Whitehall; the lady was his personal secretary; the car's usual route went via Regent Street, and the officer just took the chance to grab a package.

A Supplementary Estimate of six and a-half millions for the Navy gave the economists their chance. Mr. G. Lambert could not understand why we were employing more men at the dockyards than before the War, and suggested that three or four of the yards might be sold. This proposal was received with singularly little enthusiasm by most of the Members for dockyard constituencies; but Sir B. Falle (Portsmouth) handsomely remarked that Chatham might well be leased for private enterprise. The Member for Chatham was not present, or he would, no doubt, have returned the compliment.

A Supplementary Estimate of six and a half million for the Navy gave the economists their chance. Mr. G. Lambert couldn’t understand why we were hiring more workers at the dockyards than before the War, and suggested that three or four of the yards could be sold. Most Members representing dockyard areas were surprisingly unenthusiastic about this proposal; however, Sir B. Fallen (Portsmouth) commented that Chatham could easily be leased for private enterprise. The Member for Chatham wasn’t there, or he would have likely returned the compliment.

Wednesday, December 15th.—A less adventurous Minister than Mr. Churchill might have funked the task of justifying to a House of Economists a Supplementary Army Estimate of forty millions. But he boldly tackled the job, and proved to his own satisfaction that half the liability was a mere book-entry, and the other half inevitable, in view of the Empire's commitments. Sir Charles Townshend, in a maiden speech which in the more flamboyant passages suggested the collaboration of the Editor of John Bull, announced his intention of supporting the Government "for all I am worth," and proceeded to demonstrate that their policy in Mesopotamia had been wrong from start to finish.

Wednesday, December 15th.—A less daring minister than Mr. Churchill might have hesitated to justify to a House of Economists a Supplementary Army Estimate of forty million. But he confidently took on the task and showed to his own satisfaction that half of the liability was just a bookkeeping entry, and the other half was unavoidable, given the Empire's commitments. Sir Charles Townshend, in a debut speech that, in its more dramatic moments, hinted at the involvement of the Editor of John Bull, declared his intention to support the Government "for all I'm worth," and went on to prove that their strategy in Mesopotamia had been wrong from the very beginning.

Thursday, December 16th.—I don't know whether the current rumours of the Prime Minister's delicacy are put about by malignant enemies who hope that Nature will accomplish what they have failed to achieve, or by well-meaning friends who desire to convince the Aberystwith Sabbatarians that Sunday golf is essential to his well-being. In his answers to Questions this afternoon he showed no signs of failing powers. When Mr. Billing accused him of breaking his pledge that there should be no more secret diplomacy he modestly replied that that was not his but President Wilson's phrase; and a little later he informed the same cocksure questioner that a certain problem was "not so simple as my hon. friend imagines most problems are."

Thursday, December 16th.—I’m not sure if the current gossip about the PM's health is spread by malicious enemies hoping that Nature will do what they can’t, or by well-meaning friends trying to convince the Aberystwith Sabbatarians that Sunday golf is crucial for his well-being. In his responses to Questions this afternoon, he showed no signs of weakness. When Mr. Billing accused him of going back on his promise that there would be no more secret diplomacy, he modestly replied that it was not his phrase, but President Wilson's; and shortly after, he told the same overconfident questioner that a certain issue was "not as simple as my hon. friend thinks most issues are."

An inquiry about the Franco-British boundaries in the Holy Land led the Prime Minister to observe that the territory delimited was "the old historic Palestine—Dan to Beersheba." It was, of course, a mere coincidence that the next Question on the Paper related to the destruction of calves, though not the golden kind.

An inquiry about the Franco-British boundaries in the Holy Land led the PM to note that the area defined was "the old historic Palestine—Dan to Beersheba." It was, of course, just a coincidence that the next question on the agenda was about the destruction of calves, though not the golden ones.

The quarter-deck voice in which Rear-Admiral Adair thundered for information regarding the Jutland Papers so startled Sir James Craig that, fearing another salvo if he temporised with the question, he promptly promised immediate publication.

The quarter-deck voice in which Rear-Admiral Adair demanded information about the Jutland Papers startled Sir James Craig so much that, worried about facing another outburst if he hesitated on the question, he quickly agreed to publish it right away.

Despite a characteristic protest from Mr. Devlin, who, as Mr. Bonar Law observed, treats his opponents as if they were "not only morally bad but intellectually contemptible," the House proceeded to consider the Lords' Amendments to the Home Rule Bill, and dealt with them by the time-honoured device of "splitting the difference."

Despite a typical objection from Mr. Devlin, who, as Mr. Bonar Law pointed out, views his opponents as if they were "not just morally wrong but also intellectually inferior," the House moved forward to review the Lords' Amendments to the Home Rule Bill, addressing them with the age-old tactic of "splitting the difference."


Noa, thankee. I only got pound notes on me, ye see, an' I doan't want to break into another.

Dealer. "Well, there she is, Guv'nor, an' yours at a rock-bottom price."

Dealer. "Well, there she is, boss, and you can get her for a really low price."

Farmer. "Noa, thankee. I only got pound notes on me, ye see, an' I doan't want to break into another."

Farmer. "Noa, thanks. I only have pound notes with me, and I don't want to break another one."




"Maleswoman Wanted.—Competent to take charge of Millinery establishment."

"Wanted: Female Employee.—Must be able to manage a Millinery business."

Trade Paper.

Trade Paper.

A sort of Mannequin, we presume.

A kind of mannequin, we assume.


[pg 495]
The Viking's Wife ...

The Viking's Wife (to husband, who is setting off to raid the coast of Britain). "Good-bye, Sigurd darling. Don't forget what I said about getting your feet wet. And, by the way, I'm greatly in need of a cook-general, if you happen to see one. But remember she must be capable and plain—not like the hussies you usually fetch."

The Viking's Wife (to husband, who is setting off to raid the coast of Britain). "Goodbye, Sigurd, my love. Don’t forget what I told you about getting your feet wet. Also, I really need a head cook if you come across one. But remember, she has to be capable and plain—not like the flashy women you usually bring back.."




A FOUL GAME.

It is Christmas, and here is a nice little cricket story for the hearth. The funny thing about it is that it is true. And the other funny thing about it is that it was told to me by a huge Rugger Blue called Eric. (I understand people can change their names at Confirmation. Why don't they?)

It’s Christmas, and here’s a nice little cricket story for the fireplace. The funny thing is that it’s true. And the other funny thing is that it was shared with me by a big Rugby player named Eric. (I hear people can change their names during Confirmation. Why don’t they?)

It was in a College match—not, I gather, a particularly serious one. Eric and his friend Charles were playing for Balbus College against Caramel College. Caramel had an "A" team out, and Balbus, I should think, must have had about a "K" team ... anyhow, Eric and Charles were both playing. Eric, as he modestly said, doesn't bat much, and Charles doesn't bowl much. Eric said to Charles, "I bet you a fiver you won't get six wickets." Charles said to Eric, "All right; and I bet you a fiver you won't get a hundred runs."

It was during a college match—not exactly a high-stakes game. Eric and his friend Charles were playing for Balbus College against Caramel College. Caramel had their top team out, while Balbus, I’d guess, was fielding something closer to a “K” team... anyway, both Eric and Charles were playing. Eric, in his humble way, mentioned that he doesn’t bat much, and Charles doesn’t bowl much. Eric said to Charles, “I bet you five bucks you won’t get six wickets.” Charles replied, “Fine; and I bet you five bucks you won’t score a hundred runs.”

Then began a hideous series of intrigues. Caramel were to bat first, and Eric went to the Balbus captain and said, "There's a sovereign* for you if Charles doesn't go on to bowl at all."

Then started a terrible series of plots. Caramel was supposed to bat first, and Eric approached the Balbus captain and said, "I'll give you a pound* if Charles doesn’t bowl at all."

* This is a pre-war story.

This is a pre-war story.

"Very well," said the captain, with a glance of sinister understanding. "Wouldn't have anyhow," he added as he pocketed the stake.

"Alright," said the captain, with a look of knowing malice. "I wouldn't have anyway," he added as he put the stake in his pocket.

Then Charles arrived.

Then Charles showed up.

"Two pounds," said the captain.

"Two bucks," said the captain.

"What for?" said Charles.

"Why?" said Charles.

"For ten overs—four bob an over."

"For ten overs—four dollars an over."

"It's too much," said Charles; "but there's a sovereign for you if Eric goes in ninth wicket down."

"It's too much," Charles said, "but here’s a pound for you if Eric comes in at ninth wicket."

"Very well," said the captain, with a glance of devilish cunning. "It's only one lower than usual. Thank you."

"All right," said the captain, with a look of wicked cleverness. "It's just one less than usual. Thanks."

Acting on intuition and their knowledge of the captain, Eric and Charles then hotly accused each other of bribery. Both confessed, and it was agreed to start fair. Charles was to bowl first change and Eric was to bat first wicket. The captain said he would want a lot of bribing to go back on the original arrangement, especially if it meant Charles bowling, but he would do it for the original price; and, as he already held the money, Eric and Charles had to concede the point.

Acting on instinct and what they knew about the captain, Eric and Charles quickly accused each other of bribery. Both admitted their wrongdoing, and they decided to start fresh. Charles was supposed to bowl first and Eric was set to bat first. The captain said he would need a lot of bribery to go back on the original plan, especially if it meant Charles bowling, but he would stick to the initial deal; since he already had the money, Eric and Charles had to accept the decision.

By the way, I am afraid the captain doesn't come very well out of this, and I'm afraid it is rather an immoral story; but my object is to show up the evils of commercialism, so it is all right.

By the way, I'm afraid the captain doesn't come off too well in this, and it seems like a pretty immoral story; but my goal is to highlight the downsides of commercialism, so it's all good.

Pallas Athene came down and stood by the bowler's umpire while Charles was bowling, and he got five wickets quite easily. It was incredible. The Caramel batsmen seemed to be paralysed. Then the last man came in, and the first thing he did was to send up a nice little dolly catch to Eric at cover-point. Eric missed it. When I say he missed it I mean he practically flung it on the ground. Indeed he rather over-did it, and the batsman, who was a sportsman and knew Charles, appealed to the umpire to say he was really out. Pallas Athene grabbed the umpire by the throat, and he said firmly that no catch had been made.

Pallas Athene came down and stood beside the bowler's umpire while Charles was bowling, and he easily took five wickets. It was amazing. The Caramel batsmen looked totally frozen. Then the last guy came in, and the first thing he did was hit an easy catch to Eric at cover-point. Eric missed it. When I say he missed it, I mean he practically threw it on the ground. In fact, he really overdid it, and the batsman, who was a good sport and knew Charles, asked the umpire to call him out. Pallas Athene grabbed the umpire by the throat, and he firmly stated that no catch had been made.

Then the batsmen made a muddle about a run and found themselves in the common but embarrassing position of being both at the wicket-keeper's end. The ball had gone to Eric and he had only to throw it in to Charles, who was bowling, for Charles to put the wicket down. But in one of those flashes of inspiration which betray true genius he realised that in the circumstances that was just what Charles would not do. Direct action was the only thing. So, ball in hand, he started at high velocity towards the wicket himself.

Then the batsmen made a mess of a run and found themselves in the awkward situation of both being at the wicket-keeper's end. The ball had gone to Eric, and he just needed to throw it to Charles, who was bowling, for Charles to knock the wicket down. But in a moment of brilliance that showed true genius, he realized that in this situation, that was exactly what Charles would not do. Taking direct action was the only option. So, with the ball in hand, he took off at high speed toward the wicket himself.

He was a Rugger Blue (I told you) and a three-quarter at that, so he went fairly fast. However, the batsman saw that he had a faint hope after all, and he ran too. It was an heroic race, but the batsman had less distance to go. Eric saw that he was losing, and from a few yards' range he madly flung the ball at the wicket. He missed the wicket, but he hit Charles very hard on the shin, which was something. I fancy he must have hit Pallas Athene as [pg 496] well, for with the very next ball she gave Charles his sixth wicket.

He was a Rugger Blue (I told you) and a three-quarter at that, so he was pretty fast. However, the batsman realized he had a glimmer of hope after all, and he started running too. It was an epic race, but the batsman had less distance to cover. Eric noticed he was losing, and from a few yards away, he wildly threw the ball at the wicket. He missed the wicket but hit Charles really hard on the shin, which was something. I imagine he must have hit Pallas Athene as well, because on the very next ball, she got Charles his sixth wicket. [pg 496]

By this time the game had resolved itself into an Homeric combat between the two protagonists, of which the main bodies of the Balbus and Caramel armies were merely neutral spectators—neutral, that is, so far as they had not been hired out for some dastard service by one or other of the duellists.

By this point, the game had turned into an epic showdown between the two main characters, while the bulk of the Balbus and Caramel armies were just neutral onlookers—neutral, that is, unless they had been hired for some underhanded task by one of the duelists.

When Eric went in it was clear that Juno had come down to help him, for he made three runs in eight balls without being bowled once. Then Charles came in. His first ball he hit slowly between mid-off and cover, and he called for a run. All unsuspecting, Eric cantered down the pitch. When he was half-way Charles seemed to be seized with the sort of panic which sometimes possesses a batsman. "No, no!" he cried. "Go back! go back!" And he scuttled back himself. Juno fortunately intervened and Eric just got home in time. But he realised now what he was up against. His next ball he hit towards mid-wicket, and shouting "Come on!" he galloped up the pitch. Charles came on gingerly, expecting to be sent back, but Eric duly passed him; he then turned round and just raced Charles back to the wicket-keeper's end. Charles was only a Soccer Blue (and a goal-keeper at that), and Eric won.

When Eric stepped in, it was clear that Juno had come down to help him because he scored three runs in eight balls without getting out. Then Charles came in. He hit his first ball slowly between mid-off and cover and called for a run. Unaware of the situation, Eric jogged down the pitch. When he was halfway there, Charles got hit by a sudden panic that sometimes affects a batsman. "No, no!" he shouted. "Go back! go back!" And he scurried back himself. Fortunately, Juno stepped in, and Eric just made it home in time. But he realized what he was up against. On his next ball, he hit it toward mid-wicket and yelled, "Come on!" as he dashed up the pitch. Charles came on carefully, expecting to be sent back, but Eric passed him; then he quickly turned and raced Charles back to the wicket-keeper's end. Charles was only a Soccer Blue (and a goalkeeper at that), and Eric won.

"After that," said Eric with his usual modesty, "it was easy." Eyewitnesses, however, have told me more. Juno dealt with the Caramel bowlers, but Eric had to compete with Charles. And Charles resorted to every kind of devilish expedient. Nearly all the Balbus batsmen were bribed to run Eric out, and whenever he hit a boundary Eric had to stop and reason with them in the middle of the pitch. Sometimes he tried to outbid Charles, but he usually found that he couldn't afford it. So he collared the bowling as much as possible and tried not to hit anything but boundaries. Juno helped him a good bit in that way.

"After that," Eric said with his usual modesty, "it was easy." However, eyewitnesses have shared more details with me. Juno dealt with the Caramel bowlers, but Eric had to go up against Charles. And Charles used every kind of underhanded tactic. Almost all the Balbus batsmen were bribed to run Eric out, and whenever he hit a boundary, Eric had to stop and reason with them in the middle of the pitch. Sometimes he tried to outbid Charles, but he usually realized he couldn’t afford it. So he took control of the bowling as much as possible and aimed to hit only boundaries. Juno helped him quite a bit in that regard.

When he had made seventy he got a ball on the knee. Charles ran out and offered to run for him, but Eric said he could manage, thank you. Then Charles went and walked rapidly up and down in front of the screen; but Eric wasn't the sort of batsman who minded that.

When he turned seventy, he took a ball to the knee. Charles rushed out and offered to run for him, but Eric said he could handle it, thanks. Then Charles went and paced back and forth in front of the screen, but Eric wasn’t the kind of batsman who was bothered by that.

At about ninety, Eric's knee was pretty bad, so he called out for somebody to run for him—not Charles. Five of Charles's hirelings rushed out of the pavilion, but the captain said he would go himself, as that wasn't fair. Besides, he had money on Eric himself.

At around ninety years old, Eric's knee was pretty bad, so he called out for someone to run for him—not Charles. Five of Charles's workers rushed out of the pavilion, but the captain said he would go himself, as that wasn't fair. Plus, he had money on Eric himself.

At this point I gather that Pallas Athene must have deserted Charles altogether, for he seems to have entertained for a moment or two the ignoble notion of tampering with the scorer. I am glad to be able to say that even the members of the Balbus College "K." Team, eaten up as they were by this time with commercialism, declined to be parties to that particular wickedness. With every circumstance of popular excitement Eric's hundredth run—a mis-cue through the slips—was finally made, scored and added up. In fact, he carried his bat.

At this point, it seems that Pallas Athene must have completely abandoned Charles, as he briefly entertained the shameful idea of messing with the scorer. I'm pleased to report that even the members of the Balbus College "K." Team, consumed as they were by commercialism at this stage, refused to participate in that particular wrongdoing. Amid all the excitement, Eric finally reached his hundredth run—a mis-hit that slipped through the fielders—was officially scored and recorded. In fact, he carried his bat.

"So you were all square," I said, not without admiration.

"So you were all square," I said, not without some admiration.

"By no means," said Eric. "It cost me forty shillings."

"Not at all," said Eric. "It cost me forty shillings."

"And Charles?"

"And what about Charles?"

"It cost him seven pounds."

"It cost him seven quid."

A. P. H.

A.P.H.


"SUGGESTIONS."

A heads-up.

Entering as we are upon the season of games, it might be well to utter an urgent appeal to hostesses not to play "Suggestions." For "Suggestions," though it may begin as a game, is really a wrangle. Under the guise of a light-hearted pastime it offers little but opportunities for misunderstanding, general conversation, allegations of unfairness, and disappointment.

As we head into game season, it’s a good idea to make a strong request to hostesses to skip playing "Suggestions." While "Suggestions" might start as a game, it often turns into an argument. Behind the fun exterior, it usually leads to misunderstandings, random chatter, accusations of unfairness, and letdowns.

"Suggestions" ought to be played like this: You sit in a semicircle and the first player says something—anything—a single word. Let us suppose it is (as it probably will be in thousands of cases) "Margot." The next player has to say what "Margot" suggests—"reticence," for example—and the next player, shutting his mind completely to the word "Margot," has to say what "reticence" suggests—perhaps Grimaud, in The Three Musketeers—and the fourth player has to disregard "reticence" and announce whatever mental reaction the name of Grimaud produces. It maybe that he has never heard of Grimaud and the similarity of sound suggests only Grimaldi the clown. Then he ought to say, "Grimaldi the clown," which might in its turn suggest "melancholy" or "the circus." All the time no one should speak but the players in their turn, and they should speak instantly and should say nothing but the thing that is honestly suggested by the previous word. At the end of, say, a dozen rounds the process of unwinding the coil begins, each player in rotation taking part in the backward process until "Margot" is again reached.

"Suggestions" should be played like this: You sit in a semicircle and the first player says something—anything—a single word. Let’s say it is (as it probably will be in thousands of cases) "Margot." The next player has to say what "Margot" makes them think of—"reticence," for example—and the next player, completely ignoring the word "Margot," has to say what "reticence" makes them think of—maybe Grimaud from The Three Musketeers—and the fourth player has to forget "reticence" and share whatever mental reaction the name Grimaud brings up. It might be that he’s never heard of Grimaud and the similarity in sound only makes him think of Grimaldi the clown. Then he should say, "Grimaldi the clown," which might then suggest "melancholy" or "the circus." Throughout the game, only the players in turn should speak, and they should respond immediately, saying only what is honestly suggested by the previous word. After, say, a dozen rounds, the unwinding process begins, with each player taking turns going back through the chain until "Margot" is reached again.

That is how the game should be played.

That’s how the game should be played.

This is how it is played:—

This is how it's played:—

First Player. Let me see; what shall I say?

First Player. Let me think; what should I say?

Various other Players (together). Surely there's no difficulty in beginning? Say "anything," etc., etc.

Various other Players (together). Surely there’s no problem starting? Just say “anything,” etc., etc.

A Player (looking round). Say—say "fireplace."

A Player (looking around). Say—say "fireplace."

First Player. But that's so silly.

First Player. But that's so ridiculous.

Master of Ceremonies (who wishes he had never proposed the game). It doesn't matter. All that is needed is a start.

Master of Ceremonies (who wishes he had never suggested the game). It doesn't matter. All that matters is getting started.

Another player. Say "Margot."

Another player. Say "Margot."

(Roars of laughter.)

(Laughter.)

All. Oh, yes, say "Margot."

All. Oh, yes, say "Margot."

First Player. Very well, then—"Margot."

First Player. Alright, then—"Margot."

(More laughter.)

(More laughs.)

Second Player (trying to be clever). "Reticence."

Second Player (trying to be clever). "Being reserved."

(Shouts of laughter.)

(Laughter.)

Other Players. How could "Margot" suggest "reticence"?

Other Players. How could "Margot" imply "keeping things to herself"?

M. C. Never mind; the point is that it did. Now then—and please everyone be silent—now, then, Third Player?

M. C. Never mind; the important thing is that it did. Now then—and can everyone please be quiet—now, Third Player?

Third Player. "Audacity."

Third Player. "Boldness."

M. C. I'm afraid you're not playing quite fairly. You see "reticence" cannot suggest "audacity." The First Player's word not impossibly might. Could it be that you were still thinking of that?

M. C. I'm afraid you're not being very fair. You see, "reticence" can't really mean "audacity." The First Player's word might, but yours doesn't. Were you perhaps still thinking about that?

Third Player. I'm sorry. But "reticence" doesn't suggest anything.

Third Player. I'm sorry. But "reticence" doesn't mean anything.

Other Players (together). Oh, yes, it does—"silence," "grumpiness," "oysters," "Trappists."

Other Players (together). Oh, yes, it really does—"silence," "grumpiness," "oysters," "Trappists."

M. C. If a word suggests nothing whatever to you, you should say, "Blank mind."

M. C. If a word doesn't bring anything to mind, you should say, "Blank mind."

Third Player. Ah, but I've thought of something now—"reticule."

Third Player. Ah, but I've thought of something now—"purse."

(Roars of laughter.)

(Bursts of laughter.)

M. C. It's all right. That's how the mind does work. Now, next player.

M. C. It's okay. That's just how the mind works. Now, next player.

Fourth Player. Have I got to say something that "reticule" suggests?

Fourth Player. Do I have to say something that "reticule" implies?

M. C. That's the idea—yes.

M. C. That's the plan—yes.

A Player. Say "vanity-bag."

A Player. Say "status bag."

Another Player. Say "powder-puff."

Another Player. Say "softie."

(Roars of laughter.)

(Bursts of laughter.)

M. C. Please, please—either the game is worth playing or it isn't. If it is worth playing it is worth playing seriously, and then you can get some very funny effects—it's a psychological exhibition; but if other players talk at the same time and try to help it's useless. Now, next player, please. The word is "reticule."

M. C. Please, please—either the game is worth playing or it isn't. If it is worth playing, then it’s worth playing seriously, and that’s when you can get some really funny effects—it’s a psychological showcase. But if other players are talking at the same time and trying to help, it’s pointless. Now, next player, please. The word is "reticule."

Fourth Player (after a long silence). "Bond Street."

Fourth Player (after a long silence). "Bond Street."

Fifth Player. Ah, "Bond Street"! That's better. That suggests heaps of things. Which shall I choose? "Chocolates"? No. "Furs"? No. "Diamonds"? No. Oh, yes—"Old Masters."

Fifth Player. Ah, "Bond Street"! That's better. That brings to mind a lot of things. Which one should I pick? "Chocolates"? No. "Furs"? No. "Diamonds"? No. Oh, yes—"Old Masters."

M. C. (with resignation). But you know you mustn't select. The whole point of the game is that you must say [pg 497] what comes automatically into your mind as you hear the word.

M. C. (with resignation). But you know you can’t choose. The whole point of the game is that you must say [pg 497] whatever comes to mind automatically when you hear the word.

Fifth Player. I'm sorry. Shall I go back to "diamonds"?

Fifth Player. I'm sorry. Should I go back to "diamonds"?

M. C. No; you had better stick to "Old Masters."

M. C. No; you should probably just stick with "Old Masters."

Fifth Player. "Old Masters."

Fifth Player. "Classic Artists."

Sixth Player (deaf). What did you say—"mustard-plasters"?

Sixth Player (deaf). What did you say—"mustard wraps"?

Fifth Player. No; "Old Masters."

Fifth Player. No; "Classic Masters."

Sixth Player. I've heard of new men and old acres, but I've never heard of Old Pastures. What are they?

Sixth Player. I've heard of new guys and old land, but I've never heard of Old Pastures. What are those?

Fifth Player (shouting). No, no; "Old Masters." Pictures of the Old Masters—Raphael, Titian.

Fifth Player (shouting). No, no; "Old Masters." Artwork by the Old Masters—Raphael, Titian.

Sixth Player. Ah, yes! "Old Masters." Well, that suggests to me—— Yes (triumphantly), "the National Gallery."

Sixth Player. Ah, yes! "Old Masters." Well, that makes me think—— Yes (triumphantly), "the National Gallery."

Seventh Player (who has been waiting sternly). "Trafalgar Square."

Seventh Player (who has been waiting sternly). "Trafalgar Square."

Eighth Player (instantly). "Nelson."

"Nelson."

Ninth Player (even more quickly). "Nelson Keys."

Ninth Player (even faster). "Nelson Keys."

M. C. (beaming). That's better. It's going well now.

M. C. (smiling). That's better. It's going well now.

Tenth Player. "England expects——"

Tenth Player. "England expects—"

Ninth Player. No, you can't say that. I could have said that, but you can't.

Ninth Player. No, you can't say that. I could've said that, but you can't.

Tenth Player. Why not?

Tenth Player. Why not?

Ninth Player. Because "Nelson" is all over and done with. The new name is "Nelson Keys." You ought to have thought of something connected with him.

Ninth Player. Because "Nelson" is in the past. The new name is "Nelson Keys." You should have thought of something related to him.

Tenth Player. If you'd said "Keys" I might have done. But you said "Nelson Keys," and the "Nelson" touched a spot. Isn't that right?

Tenth Player. If you had said "Keys" I might have considered it. But you said "Nelson Keys," and the name "Nelson" hit a nerve. Don't you think?

M. C. Quite right. It's the only way to play. But may I once more ask that there should be no talking? We shall never be able to unwind if there is. Now, please—"England expects——"

M. C. Absolutely. That's the only way to enjoy. But can I ask again that we keep the talking to a minimum? We won't be able to relax if we do. Now, please—"England expects——"

Eleventh Player. "Duty."

Eleventh Player. "Responsibility."

Twelfth Player. "Bore."

Twelfth Player. "Boring."

Thirteenth Player. "The Marne."

13th Player. "The Marne."

(Cries of astonishment.)

(Shouts of surprise.)

Various Players. How can "bore" suggest "the Marne"?

Various Players. How can "bore" imply "the Marne"?

M. C. But it did. You mustn't mind.

M. C. But it did. You shouldn't worry about it.

Twelfth Player. How did it? Just for fun I'd like to know.

Twelfth Player. How did it happen? Just for fun, I'd like to know.

Thirteenth Player. Well, when I was on the Marne I used to see the marks on the ground made by them.

Thirteenth Player. Well, when I was by the Marne, I used to see the marks on the ground left by them.

Twelfth Player. By who?

Twelfth Player. By whom?

Thirteenth Player. The wild boars.

13th Player. The wild boars.

(Roars of laughter.)

(Bursts of laughter.)

Twelfth Player. But I meant that duty is a bore—b-o-r-e.

Twelfth Player. But I meant that duty is a drag—d-r-a-g.

M. C. (frantic). It doesn't matter. It's what you think—not what is—in this game. But really we're in such a muddle, wouldn't it be better to begin again? You all know the rules now.

M. C. (frantic). It doesn't matter. It's what you think—not what is—in this game. But honestly, we're in such a mess, wouldn't it be better to start over? You all know the rules now.

Hostess. Perhaps "Clumps" might be better, don't you think?

Host.

M. C. Just as you like. "Clumps," then.

M. C. Sure, whatever you prefer. "Clumps," then.

The Deaf Player. What is the word now?

The Deaf Player. What's the word now?

A Player. We're going to play "Clumps" instead.

A Player. We're going to play "Clumps" instead.

The Deaf Player. Mumps in bed? I'm sure I don't know what that suggests. That's very difficult. But I like this game. It ought to be great fun when we unwind.

The Deaf Player. Mumps in bed? I really don't know what that means. That's quite challenging. But I enjoy this game. It should be a lot of fun when we relax.

(They separate for "Clumps.")

They separate for "Clumps."

E. V. L.

E. V. L.


Well, if Royalty can bite 'em I s'pose I can. I'll 'ave it.

Fruiterer. "Royalty 'isself, Madam, couldn't wish for a better pineapple than that."

Fruit seller. "Even royalty themselves, ma'am, couldn't ask for a better pineapple than that.."

Newly-rich Matron. "Well, if Royalty can bite 'em I s'pose I can. I'll 'ave it."

Newly-rich Matron. "Well, if royalty can go for it, I guess I can too. I'll take it."




Headline to an article on ladies' fashions:—

Headline to an article on women's fashion:—

"Stockings Coming Down."

This should make the hosiers pull up their socks.

This should make the sockmakers step up their game.


"Several reasons, besides the claims of humanity, made the Eugenist favour schemes for abolishing the eugenist."

"Several reasons, beyond worries about humanity, motivated the Eugenist to back plans for getting rid of the eugenist."

Daily Paper.

Daily Paper.

We are inclined to agree with the Eugenist.

We tend to agree with the Eugenist.


[pg 498]
AT A FAT STOCK SHOW.

AT A FAT STOCK SHOW.

"They're two smart 'ogs, I admit. But look at the price o' food-stuffs. You know yerself it don't pay anyone to feed these days."

"They're two clever dogs, I have to admit. But just look at the cost of food. You know it doesn't make sense for anyone to feed them these days."




MISPLACED BENEVOLENCE.

Dear Mr. Punch,—From your earliest years you have preached sound and wholesome doctrine on the duty of man to birds and beasts. Indeed, I remember your pushing it to extreme lengths in a poem entreating people not to mention mint-sauce when conversing with a lamb. Still, I wonder whether even you would approve of the title of an article in Nature on "The Behaviour of Beetles." Of course I know that "behaviour" is a colourless word, still I am rather inclined to doubt whether beetles know how to behave at all. I may be prejudiced by my own experiences, but they certainly have been unfortunate. They began early—at my private school, to be precise. I shall never forget the conversation I had, when a new boy, with a sardonic senior who, after putting me through the usual catechism, asked me what I was going to be. I replied that I had not yet decided, whereupon my tormentor, after looking at my feet, which I have never succeeded in growing up to, observed, "Well, if I were you, I think I should emigrate to Colorado and help to crush the beetle." Later on in life I was the victim of a cruel hoax, carried out with triumphant ingenuity by a confirmed practical joker, who with the aid of a thread caused what appeared to be a gigantic blackbeetle to perform strange and unholy evolutions in my sitting-room. Worst of all, I was victimised by the presence of a blackbeetle in a plate of clear soup served me at my club. I backed my bill, but it was too late, for I am very shortsighted.

Dear Mr. Punch,—From an early age, you have preached sound and healthy ideas about the responsibility of humans towards animals. In fact, I remember you took it to extremes in a poem urging people not to mention mint sauce when talking about lambs. Still, I wonder if even you would be on board with the title of an article in Nature about "The Behavior of Beetles." Of course, I know that "behavior" is a bland term, yet I can't help but doubt whether beetles even understand how to behave. I might be biased by my own experiences, but they have certainly been unfortunate. They started early—at my private school, to be specific. I'll never forget the conversation I had as a new boy with a sarcastic senior who, after grilling me with the usual questions, asked what I planned to be. I said I hadn’t made up my mind yet, to which my tormentor, glancing at my feet, which I've never managed to grow into, remarked, "Well, if I were you, I think I’d emigrate to Colorado and help to crush the beetle." Later in life, I was the target of a cruel prank, cleverly executed by a notorious practical joker, who, using a thread, made what looked like a gigantic black beetle perform bizarre and unnatural actions in my living room. Worst of all, I was victimized by the discovery of a black beetle in a bowl of clear soup served to me at my club. I tried to complain, but it was too late, as I'm very shortsighted.

No, Mr. Punch, I am prepared to discuss the Ethics of Eels, the Altruism of Adders, the Piety of Pintails, or even the Benevolence of Bluebottles, but (to deviate into doggerel)—

No, Mr. Punch, I'm ready to talk about the Ethics of Eels, the Altruism of Adders, the Piety of Pintails, or even the Kindness of Bluebottles, but (to stray into rhymes)—

"Let Lankesters, Lubbocks and Cheatles

Let Lankesters, Lubbocks, and Cheatles

Dilate with a rapturous bliss

Expand with pure joy

On the noble behaviour of beetles—

On the noble behavior of beetles—

I give them a miss."

"I'll pass on them."

I am, Mr. Punch, with much respect,

I am, Mr. Punch, with great respect,

Yours faithfully,

Best regards,

Philander Blamphin.

Philander Blamphin.


THREE TRAGEDIES AND A MORAL.

There was an imperious old Sage

There was a commanding old Sage

Who upheld the dominion of Age,

Who maintained the authority of Age,

But his son, a grim youth,

But his son, a serious young man,

Red in claw and in tooth,

Red in claw and in tooth,

Shut him up in a chloroformed cage.

Shut him up in a cage drenched in chloroform.

There was also a Child full of beans

There was also a kid full of energy.

Who bombarded nine great magazines,

Who targeted nine major magazines,

But not one of the nine

But not one of the nine

Ever published a line,

Ever published a post,

For the Child was not yet in its teens.

For the child was not yet a teenager.

There was thirdly, to round off these rhymes,

There was a third point, to finish up these rhymes,

A Matron who railed at the crimes

A Matron who criticized the crimes

Of designers of frocks

Fashion designers

Who in smart fashion "blocks"

Who in cool fashion "blocks"

Left middle-age out of The Times.

Left middle age out of The Times.

The moral—if morals one seeks

The moral—if morals are sought

In an age of sensation and shrieks—

In a time of excitement and loud cries—

Is this: Even still

Still

Things are apt to go ill

Things often go wrong.

With old, young and middle-aged freaks.

With old, young, and middle-aged oddballs.


Our Erudite Contemporaries.

"The Grecian women were forbidden entrance to the stadium where the [Olympic] games were being held, and any woman found therein was thrown from the Tarpeian rock."

"Greek women weren't allowed to enter the stadium where the [Olympic] games were taking place, and any woman caught there was thrown off the Tarpeian rock."

Canadian Paper.

Canadian Paper.


"The French are thinking of building straw houses to remedy the present housing crisis. The first straw house has already been built at Montargis."

"The French are thinking about building straw houses to tackle the ongoing housing crisis. The first straw house has already been built in Montargis."

Evening Paper.

Evening Paper.

Where, presumably, they are trying it on the well-known local Dog.

Where, presumably, they are testing it on the well-known local dog.


"Negotiating the intricate traffic of the City was quite easy, the engine being responsive to the slightest touch of the steering wheel. It is just the car for the owner-driver."

"Getting around the crowded streets of the City was quite easy, with the engine responding to the slightest touch of the steering wheel. It's the perfect car for someone who drives themselves."

Financial Paper.

Financial Paper.

Our chauffeur agrees. He says he wouldn't undertake to drive it down the village street, let alone the City.

Our driver agrees. He says he wouldn't take the chance of driving it down the village street, much less into the City.


"Is Singing Declining?
A Tenor's Great Advice.
'Never Mess with the Brass.'"

Morning Paper.

Morning news.

It is, we believe, the experience of most impresarios that great tenors almost invariably fight for the brass.

It is, we believe, the experience of most promoters that great tenors almost always compete for the money.


[pg 499]
Quick, Mummie! Come and help Bobbie - he's fallen into the Lucky Dip.

"Quick, Mummie! Come and help Bobbie—he's fallen into the Lucky Dip."

"Hurry, Mom! Come help Bobbie—he's fallen into the Lucky Dip."




OUR BOOKING-OFFICE.

(By Mr. Punch's Staff of Learned Clerks.)

So charged is it with liable-to-go-off controversy that I should hardly have been astonished to see Mr. H. G. Wells's latest volume, Russia in the Shadows (Hodder and Stoughton), embellished with the red label of "Explosives." Probably everyone knows by now the circumstances of its origin, and how Mr. Wells and his son are (for the moment) the rearguard in that long procession of unprejudiced and undeceivable observers who have essayed to pluck the truth about Russia from the bottom of the Bolshevist pit. What Mr. Wells found is much what was to be expected: red ruin, want and misery unspeakable. The difference between his report and those of most of his forerunners is that, being (as one is apt to forget) a highly-trained writer, he is able to present it with a technical skill that enormously helps the effect. Our author having been unable to deny the shadow, like everyone else save perhaps the preposterous Mr. Lansbury, the only outstanding question is who casts it. The ordinary man would probably have little hesitation about his answer to that. Mr. Wells has even less. He unhesitatingly names you and me and the French investors and several editors. Well, I have no space for more than an indication of what you will find in this undeniably vigorous and vehement little volume. But I must not forget the photographs. Some of these, of devastated streets and the like, have rather lost their novelty. Unfortunately, however, for Mr. Wells as propagandist he has also included a number of the most revealing portraits yet available of the men who are hag-riding a once great nation to the abyss. I can only say that for me those portraits put the finishing touch to Mr. Wells's argument. They extinguish it.

It's so filled with potentially explosive controversy that I wouldn't have been surprised to see Mr. H.G. Wells' latest book, Russia in the Shadows (Hodder & Stoughton), marked with a red label that says "Explosives." By now, everyone probably knows the story behind its creation, and how Mr. Wells and his son are currently part of that ongoing effort of unbiased and insightful observers trying to uncover the truth about Russia from the depths of the Bolshevik chaos. What Mr. Wells discovered is pretty much what we expected: widespread destruction, extreme poverty, and unimaginable suffering. The difference between his account and those of most of his predecessors is that, being (as we often forget) a highly skilled writer, he presents it with a technical proficiency that greatly enhances the impact. Our author, having been unable to deny the shadow, like everyone else except perhaps the absurd Mr. Lansbury, now faces the question of who casts it. The average person probably wouldn’t hesitate to answer that. Mr. Wells is even more straightforward. He directly names you and me, the French investors, and several editors. I can't elaborate too much on what you’ll find in this undeniably powerful and passionate little book. But I must mention the photographs. Some of these, like the ones of destroyed streets, have lost their shock factor. Unfortunately for Mr. Wells as a propagandist, he has also included some of the most revealing portraits available of the individuals driving a once great nation towards disaster. I can only say that for me, those portraits complete Mr. Wells's argument. They undermine it.


The pictorial wrapper of A Man of the Islands (Hutchinson) is embellished with a drawing of a coffee-coloured lady in a costume that it would be an under-statement to call curtailed, also (inset, as the picture-papers say) the portrait of a respectable-looking gentleman in a beard. In the printed synopsis that occupies the little tuck-in part of the same wrapper you are promised "an entrancing picture of breaking seas on lonely islands and tropical nights beneath the palms." In other words Mr. H. de Vere Stacpoole as before. Lest however you should suppose the insularity of this attractive pen-artist to be in danger of becoming overdone, I will say at once that the six tales from which the book takes its name occupy not much more than a third of it, the rest being filled with stories of varied setting bearing such titles as "The Queen's Necklace," "The Box of Bonbons," and the like—all frankly to be grouped under the head of "Financial Measures." This said, it is only fair to add that the half-dozen Sigurdson adventures—he was the Man of the Islands, a bearded trader, murderer, pearl thief and what not—seem to me a group of as rattling good yarns as of their kind one need wish to meet, every one with some original and thrilling situation that lifts it far above pot-boiling status. I could wish (despite anything above having a contrary sound) that Mr. Stacpoole had given us a whole volume with that South Sea setting that so happily stimulates his fancy.

The colorful cover of A Man of the Islands (Hutchinson) features a drawing of a coffee-colored woman in a costume that would be an understatement to call short, and also (inserted, as the picture papers say) a portrait of a respectable-looking gentleman with a beard. In the printed synopsis that fills the little tuck-in part of the same cover, you’re promised "an enchanting picture of crashing waves on lonely islands and tropical nights beneath the palms." In other words, Mr. H. de Vere Stacpoole as usual. However, to prevent you from thinking this charming writer's focus on islands is becoming repetitive, I should mention right away that the six stories that give the book its title make up only about a third of it, with the rest filled with tales set in various locations under titles like "The Queen's Necklace," "The Box of Bonbons," and others—all openly categorized as "Financial Measures." That said, it's only fair to add that the six Sigurdson adventures—he was the Man of the Islands, a bearded trader, murderer, pearl thief, and more—seem to me a collection of really good stories as far as their type goes, each with some original and exciting situation that lifts it far above the level of typical writing. I wish (despite any contrary implications in the above) that Mr. Stacpoole had provided us with a whole book featuring that South Sea setting that so wonderfully inspires his imagination.


Mr. S. P. B. Mais has not yet extricated himself from the groove into which he has fallen. It is not a wholesome groove, and even if it were I should not wish an author of his capacity to remain a perpetual tenant of it. In Colour Blind (Grant Richards) we are given the promiscuous amours of a schoolmaster, a subject which has apparently a peculiar attraction for Mr. Mais. Jimmy Penruddocke, who tells the story, left the Army and could not find a job until he was offered a mastership at a public school. The school rather than Jimmy has my sympathies. There was [pg 500] nothing peculiarly alluring about this philanderer to account for the devastating magnetism which he exerted upon the female heart. To describe all this orgy of caresses could hardly have been worth anyone's time and trouble; certainly it was not worth Mr. Mais's. I say this with all the more assurance because, greatly as I dislike the main theme of this novel, there are many good things in it. There is, for example, Mark Champernowne (Jimmy's friend), a finely and consistently drawn character, and there are descriptive passages which are vividly beautiful and also some delightful gleams of humour. I think that when Mr. Mais's sense of humour has developed further he will agree with me that a man who loved as promiscuously as Jimmy and then wrote over three hundred pages about it could, without much straining of the truth, be called a cad.

Mr. S. P. B. Mais has yet to break free from the pattern he has fallen into. It's not a healthy one, and even if it were, I wouldn’t want an author of his talent to remain stuck in it. In Colour Blind (Grant Richards), we are presented with the careless affairs of a schoolmaster, a topic that seems to particularly draw in Mr. But. Jimmy Penruddocke, the narrator, left the Army and struggled to find a job until he got a teaching position at a public school. I feel more sympathy for the school than for Jimmy. There was nothing especially charming about this womanizer that could explain the overwhelming attraction he had for women. Detailing this parade of flirtations hardly seems worth anyone’s time, and certainly not Mr. Mais's. I say this with confidence because, despite my dislike for the main theme of this novel, it contains many positive aspects. For instance, Mark Champernowne (Jimmy's friend) is a well-developed and consistently portrayed character, and there are vividly beautiful descriptive passages along with some delightful moments of humor. I believe that as Mr. Mais's sense of humor continues to evolve, he'll agree with me that a man who loved as recklessly as Jimmy and then wrote over three hundred pages about it could, with little exaggeration, be called a cad.


For many reasons I could wish that England were China. It would be nice, for instance, to address the Home Secretary as "Redoubtable Hunter of Criminals" and to call the Board of Exterior Affairs (if we had one) "Wai-wo-poo." I should like my house also to be named "The Palace of the Hundred Flowers." I think there are about a hundred, though I have not counted them. But in China it is above all things necessary to be an ancestor, and this may lead to complications if Mr. G. S. de Morant, who appears to be much more at home with the French and the Oriental idiom than the English, is to be trusted. In the Claws of the Dragon (Allen and Unwin) describes the experiences of a young lady named Monique, who married the Secretary to the Chinese Embassy in Paris and was obliged, after visiting her relations-in-law, to reconcile herself to the introduction of a second wife into the family, in order that their notions of propriety might be respected and an heir born to the line. When she had consented she returned to Paris and wrote the following cablegram from her own mother's house: "You have acted as a good son and a faithful husband. Bring back with you the mother of our (sic) child." And so, the author evidently feels, it all ended happily. His book is an interesting and amusing presentment of an older civilisation, but if it won't strain the Entente I am bound to say that I disagree with his conclusions.

For many reasons, I wish England were more like China. It would be nice, for example, to address the Home Secretary as "Fearless Hunter of Criminals" and to call the Board of Exterior Affairs (if we had one) "Wai-wo-poo." I would also love my house to be named "The Palace of the Hundred Flowers." I think there are about a hundred, though I haven’t counted them. But in China, it’s really important to be an ancestor, and this could lead to complications if Mr. G. S. de Morant, who seems much more comfortable with French and Oriental languages than English, can be trusted. In the Claws of the Dragon (Allen & Unwin) talks about the experiences of a young woman named Monique, who married the Secretary to the Chinese Embassy in Paris and had to accept a second wife into the family after visiting her in-laws, to respect their ideas of propriety and ensure an heir was born. After she agreed, she went back to Paris and sent the following telegram from her mother’s house: "You have acted like a good son and a faithful husband. Bring back the mother of our (sic) child." And so, the author seems to think it all ended happily. His book is an interesting and entertaining look at an older civilization, but if it won't jeopardize the Entente, I must say I disagree with his conclusions.


I fear it may sound an unkindly criticism, but my abiding trouble with Broken Colour (Lane) was an inability to get any of the characters, with perhaps one exception, to come alive or behave otherwise than as parts of a thoroughly nice-mannered and unsensational story. Perhaps it was my own fault. Mr. Harold Ohlson (whose previous book I liked) has obviously, perhaps a little too obviously, done his best for these people. It is a tale of two rivalries: that for the heroine, between the penniless artist-hero and a pound-full other; and that in the breast of the p.a.h., between the flesh-pots of commerce and the world-well-lost-for-Chelsea. It is typical of Mr. Ohlson's care that, though one would in such a situation nine times out of ten be safe in backing Art for the double event, he makes so even a match of it between Hubert and Ralph that he leaves the heroine ringing the door-bell of the one immediately after kissing the other. You observe that I was perhaps really more interested in the contest than my opening words would suggest, but it was always in a detached story-book way; except in the case of a mildly unsympathetic secretary, represented as having spent too much time in the contemplation of other persons' affluence, also as owning an expensive-looking stick that made him long to be as rich as it caused him to appear. I hate to think that there can have been anything here to touch a chord in the reviewing breast, but the fact remains that Mr. Burnham stands out for me as the only genuinely human figure in the book.

I worry this might come off as an unkind criticism, but my ongoing issue with Broken Colour (Lane) was that I couldn’t get any of the characters, except maybe one, to feel real or act beyond being parts of a very polite and uneventful story. Maybe that’s on me. Mr. Harold Ohlson (who I liked in his previous book) has clearly, maybe a bit too obviously, put in effort for these characters. The story revolves around two rivalries: one for the heroine, between the broke artist-hero and a wealthy alternative; and the other within the artist-hero himself, torn between the temptations of success and his lost artistic dreams for Chelsea. Mr. Ohlson shows his typical care because, although you’d usually bet on Art emerging victorious in these situations, he balances it so well between Hubert and Ralph that the heroine ends up ringing one doorbell right after kissing the other. You might notice I was actually more invested in the rivalry than my opening words suggest, but it was always in a detached, storybook way; except for the mildly unlikable secretary, who seemed to spend too much time envying others’ wealth and owned an expensive stick that made him wish he were as rich as he appeared. I hate to think anything here might resonate with the reviewing audience, but the truth is that Mr. Burnham stands out to me as the only genuinely relatable character in the book.


Blessed, no doubt, is the nation or the man without a history, but blessed too is the biographer who has something definite to write about. Mr. C. Carlisle Taylor, in putting together his Life of Admiral Mahan (Murray), the American naval philosopher and prophet, must have felt this keenly, for rarely can a man whose work was so important that he simply had to have a biography have done so few things of the kind that help to fill up a book. The Admiral not only foresaw the great War before 1914; he even suggested definite details of it—for instance, the loyalty of Italy to Western civilisation and the final surrender of the German fleet; yet in himself, though the writer draws an attractive picture of his home and religious life, he was only a kindly Christian gentleman who lectured to a few naval students. This is not the stuff to turn into a thrilling life-story, yet his studies on Sea-Power in relation to national greatness must certainly be reckoned among the prime causes of world-war. They set the Germans trying to outbuild the British fleet; more fortunately they were an inspiration to naval enthusiasts in this country also. Mr. Taylor has a pleasant chapter describing the immediate recognition and welcome his hero received in England, while it has taken quite a number of chapters to do justice to all the written tributes to his genius that the energetic author has collected. Personally, if ever I had been in doubt about it, I should have been quite willing to take that genius for granted some time before the end, and could indeed recommend the volume much more happily if it were reduced by about half. It will be valuable mainly as a necessary work of reference.

No doubt, the nation or person without a history is fortunate, but so is the biographer who has something substantial to write about. Mr. C. Carlisle Taylor, while compiling his Life of Admiral Mahan (Murray), the American naval thinker and visionary, must have felt this acutely, as it’s rare for someone whose work was so significant that he simply needed a biography to have done so few things that typically fill a book. The Admiral not only predicted the great War before 1914; he even proposed specific details about it—for example, Italy’s loyalty to Western civilization and the eventual surrender of the German fleet. Yet personally, even though the writer paints an appealing picture of his home and religious life, he was just a kind Christian gentleman who lectured to a few naval students. This isn't exactly the foundation for a captivating life story; however, his studies on Sea-Power in relation to national strength are undoubtedly among the key reasons for world war. They prompted the Germans to try to outbuild the British fleet; fortunately, they also inspired naval enthusiasts here in this country. Mr. Taylor includes a nice chapter discussing the immediate recognition and warm welcome his hero received in England, while it takes quite a few chapters to cover all the written tributes to his genius that the diligent author has gathered. Personally, if I had ever doubted it, I would have been quite willing to accept that genius as a given long before the end, and I could indeed recommend the book much more enthusiastically if it were shortened by about half. It will mainly serve as an essential reference work.


No, it certainly isn't. But who told you?

Artist (condescendingly). "I did this last summer. It really isn't much good."

Artist (patronizingly). "I made this last summer. It's not that impressive."

Candid Friend. "No, it certainly isn't. But who told you?"

Candid Friend. "No, it definitely isn't. But who told you?"




Our Well-Informed Press.

"At Kensington Palace the ground frost registered 9 deg. Fahr., which represents 23 degrees below zero."

"At Kensington Palace, the ground frost was 9°F, which is 23 degrees below zero."

Evening Paper.

Evening Paper.


"Wells Responds to Churchill."

Sunday Paper.

Sunday Paper.

Not the Bombardier, as you might think, but Bert Wells.

Not the Bombardier, as you might think, but Bert Wells.





Transcriber's notes:

Page 481: Tristan d'Acunha—this spelling also appears in the previous issue of 'Punch'.

Page 481: Tristan da Cunha—this spelling also appears in the previous issue of 'Punch'.

Page 488: Single quote corrected to double quote.

Page 488: Single quote corrected to double quote.

Page 493: Replaced missing double quote.

Page 493: Replaced missing double quote.

Page 494: Replaced missing opening quote.

Page 494: Replaced the missing opening quote.

Page 498: Removed extraneous closing quote.

Page 498: Removed unnecessary closing quote.

 



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