This is a modern-English version of A Thin Ghost and Others, originally written by James, M. R. (Montague Rhodes).
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A THIN GHOST
AND OTHERS
A THIN GHOST
AND OTHERS
BY
MONTAGUE RHODES JAMES, Lit.D.
PROVOST OF ETON COLLEGE
Eton College Provost
Author of "Ghost Stories of an Antiquary," "More Ghost Stories," etc.
Author of "Ghost Stories of an Antiquary," "More Ghost Stories," etc.
THIRD IMPRESSION
Third Impression
NEW YORK
LONGMANS, GREEN & CO.
LONDON: EDWARD ARNOLD
NEW YORK
LONGMANS, GREEN & CO.
LONDON: EDWARD ARNOLD
1920
1920s
(All rights reserved)
(All rights reserved)
PREFACE
Two of these stories, the third and fourth, have appeared in print in the Cambridge Review, and I wish to thank the proprietor for permitting me to republish them here.
Two of these stories, the third and fourth, have been published in the Cambridge Review, and I want to thank the owner for allowing me to republish them here.
I have had my doubts about the wisdom of publishing a third set of tales; sequels are, not only proverbially but actually, very hazardous things. However, the tales make no pretence but to amuse, and my friends have not seldom asked for the publication. So not a great deal is risked, perhaps, and perhaps also some one's Christmas may be the cheerfuller for a storybook which, I think, only once mentions the war.
I’ve questioned the wisdom of putting out a third collection of stories; sequels are, as the saying goes, quite risky. Still, these stories aim solely to bring joy, and my friends have frequently requested their release. So maybe there isn’t much to lose, and perhaps someone’s Christmas will be brighter because of a storybook that, I believe, only mentions the war once.
CONTENTS
PAGE | |
THE RESIDENCE AT WHITMINSTER | 1 |
THE DIARY OF MR. POYNTER | 49 |
AN EPISODE OF CATHEDRAL HISTORY | 73 |
THE STORY OF A DISAPPEARANCE AND AN APPEARANCE | 107 |
TWO DOCTORS | 135 |
THE RESIDENCE AT WHITMINSTER
A Thin Ghost and Others
THE RESIDENCE AT WHITMINSTER
Dr. Ashton—Thomas Ashton, Doctor of Divinity—sat in his study, habited in a dressing-gown, and with a silk cap on his shaven head—his wig being for the time taken off and placed on its block on a side table. He was a man of some fifty-five years, strongly made, of a sanguine complexion, an angry eye, and a long upper lip. Face and eye were lighted up at the moment when I picture him by the level ray of an afternoon sun that shone in upon him through a tall sash window, giving on the west. The room into which it shone was also tall, lined with book-cases, and, where the wall showed between them, panelled. On the table near the doctor's elbow was a green cloth, and upon it what he would have called a silver standish—a tray with inkstands—quill pens, a calf-bound book or two, some papers, a churchwarden pipe and brass tobacco-box, a flask cased in plaited straw, and a liqueur glass.[Pg 4] The year was 1730, the month December, the hour somewhat past three in the afternoon.
Dr. Ashton—Thomas Ashton, Doctor of Divinity—was sitting in his study, dressed in a robe and wearing a silk cap on his shaved head, having set his wig aside on a block on a side table. He was around fifty-five years old, well-built, with a ruddy complexion, an intense gaze, and a prominent upper lip. His face and eyes were highlighted by the warm glow of the afternoon sun streaming through a tall sash window facing west. The room was also tall, filled with bookcases, and where the walls showed between them, they were paneled. On the table next to the doctor's elbow was a green cloth covering a tray equipped with ink pots, quill pens, a couple of calf-bound books, some papers, a churchwarden pipe and brass tobacco box, a flask wrapped in woven straw, and a liqueur glass.[Pg 4] The year was 1730, the month was December, and the time was just after three in the afternoon.
I have described in these lines pretty much all that a superficial observer would have noted when he looked into the room. What met Dr. Ashton's eye when he looked out of it, sitting in his leather arm-chair? Little more than the tops of the shrubs and fruit-trees of his garden could be seen from that point, but the red brick wall of it was visible in almost all the length of its western side. In the middle of that was a gate—a double gate of rather elaborate iron scroll-work, which allowed something of a view beyond. Through it he could see that the ground sloped away almost at once to a bottom, along which a stream must run, and rose steeply from it on the other side, up to a field that was park-like in character, and thickly studded with oaks, now, of course, leafless. They did not stand so thick together but that some glimpse of sky and horizon could be seen between their stems. The sky was now golden and the horizon, a horizon of distant woods, it seemed, was purple.
I’ve covered pretty much everything a casual observer would notice when they looked into the room. What did Dr. Ashton see when he looked out from his leather armchair? From that angle, he could hardly see anything more than the tops of the shrubs and fruit trees in his garden, but he could see the red brick wall stretching along most of its western side. In the middle of that wall was a double gate with some intricate iron scrollwork, which offered a glimpse beyond. Through it, he noticed the ground sloped down almost immediately to a bottom where a stream likely flowed, then rose steeply on the other side up to a park-like field, thickly dotted with oak trees, which were, of course, leafless at the moment. The trees weren't so closely packed that he couldn't see a bit of sky and horizon between their trunks. The sky had a golden hue, and the distant woodlands on the horizon appeared purple.
But all that Dr. Ashton could find to say, after contemplating this prospect for many minutes, was: "Abominable!"[Pg 5]
But all that Dr. Ashton could come up with after thinking about this for many minutes was: "Awful!"[Pg 5]
A listener would have been aware, immediately upon this, of the sound of footsteps coming somewhat hurriedly in the direction of the study: by the resonance he could have told that they were traversing a much larger room. Dr. Ashton turned round in his chair as the door opened, and looked expectant. The incomer was a lady—a stout lady in the dress of the time: though I have made some attempt at indicating the doctor's costume, I will not enterprise that of his wife—for it was Mrs. Ashton who now entered. She had an anxious, even a sorely distracted, look, and it was in a very disturbed voice that she almost whispered to Dr. Ashton, putting her head close to his, "He's in a very sad way, love, worse, I'm afraid." "Tt—tt, is he really?" and he leaned back and looked in her face. She nodded. Two solemn bells, high up, and not far away, rang out the half-hour at this moment. Mrs. Ashton started. "Oh, do you think you can give order that the minster clock be stopped chiming to-night? 'Tis just over his chamber, and will keep him from sleeping, and to sleep is the only chance for him, that's certain." "Why, to be sure, if there were need, real need, it could be done, but not upon any[Pg 6] light occasion. This Frank, now, do you assure me that his recovery stands upon it?" said Dr. Ashton: his voice was loud and rather hard. "I do verily believe it," said his wife. "Then, if it must be, bid Molly run across to Simpkins and say on my authority that he is to stop the clock chimes at sunset: and—yes—she is after that to say to my lord Saul that I wish to see him presently in this room." Mrs. Ashton hurried off.
A listener would have immediately noticed the sound of footsteps coming quickly toward the study; from the echo, they could tell that the person was moving through a much larger space. Dr. Ashton turned in his chair as the door opened, looking expectantly. The person entering was a woman—a stout lady dressed in the fashion of the time. While I've made some effort to describe the doctor's outfit, I won't attempt to detail his wife's attire—because it was Mrs. Ashton who came in. She had a worried, almost frantic expression, and in a very shaken voice, she nearly whispered to Dr. Ashton, leaning in close, "He's in a really bad way, love, worse than I'm afraid." "Oh, really?" he said, leaning back to look at her face. She nodded. At that moment, two solemn bells, high up and not far away, rang out the half-hour. Mrs. Ashton flinched. "Oh, do you think you can arrange for the minster clock to stop chiming tonight? It's right above his room, and it will keep him from sleeping, and to sleep is his only real chance, that's for sure." "Well, certainly, if there’s a real need, it can be done, but not for any frivolous reason. Now, about Frank, do you assure me that his recovery depends on this?" Dr. Ashton asked, his voice loud and rather firm. "I truly believe it does," his wife replied. "Then, if it must be done, tell Molly to run over to Simpkins and let him know on my authority that he’s to stop the clock chimes at sunset; and—yes—after that, she should tell my lord Saul that I want to see him shortly in this room." Mrs. Ashton quickly left.
Before any other visitor enters, it will be well to explain the situation.
Before any other visitor arrives, it's important to explain the situation.
Dr. Ashton was the holder, among other preferments, of a prebend in the rich collegiate church of Whitminster, one of the foundations which, though not a cathedral, survived dissolution and reformation, and retained its constitution and endowments for a hundred years after the time of which I write. The great church, the residences of the dean and the two prebendaries, the choir and its appurtenances, were all intact and in working order. A dean who flourished soon after 1500 had been a great builder, and had erected a spacious quadrangle of red brick adjoining the church for the residence of the officials. Some of these persons were no longer required: their offices had[Pg 7] dwindled down to mere titles, borne by clergy or lawyers in the town and neighbourhood; and so the houses that had been meant to accommodate eight or ten people were now shared among three, the dean and the two prebendaries. Dr. Ashton's included what had been the common parlour and the dining-hall of the whole body. It occupied a whole side of the court, and at one end had a private door into the minster. The other end, as we have seen, looked out over the country.
Dr. Ashton held a prebend, among other positions, in the wealthy collegiate church of Whitminster. This foundation, while not a cathedral, managed to survive the dissolution and reformation, keeping its structure and funding for a hundred years after the time I’m discussing. The grand church, the homes of the dean and the two prebendaries, the choir, and its related facilities were all intact and functioning. A dean who thrived shortly after 1500 was a significant builder who constructed a large red-brick quadrangle next to the church for the officials' residence. Some of these officials were no longer needed; their roles had dwindled to mere titles held by clergy or lawyers in town and surrounding areas. As a result, the residences that were supposed to accommodate eight or ten people were now shared among three: the dean and the two prebendaries. Dr. Ashton’s residence included what had once been the common parlour and dining hall for everyone. It took up an entire side of the courtyard and had a private door leading into the minster at one end. The other end, as we noted, overlooked the countryside.
So much for the house. As for the inmates, Dr. Ashton was a wealthy man and childless, and he had adopted, or rather undertaken to bring up, the orphan son of his wife's sister. Frank Sydall was the lad's name: he had been a good many months in the house. Then one day came a letter from an Irish peer, the Earl of Kildonan (who had known Dr. Ashton at college), putting it to the doctor whether he would consider taking into his family the Viscount Saul, the Earl's heir, and acting in some sort as his tutor. Lord Kildonan was shortly to take up a post in the Lisbon Embassy, and the boy was unfit to make the voyage: "not that he is sickly," the Earl wrote, "though you'll find him whimsical, or of late I've thought[Pg 8] him so, and to confirm this, 'twas only to-day his old nurse came expressly to tell me he was possess'd: but let that pass; I'll warrant you can find a spell to make all straight. Your arm was stout enough in old days, and I give you plenary authority to use it as you see fit. The truth is, he has here no boys of his age or quality to consort with, and is given to moping about in our raths and graveyards: and he brings home romances that fright my servants out of their wits. So there are you and your lady forewarned." It was perhaps with half an eye open to the possibility of an Irish bishopric (at which another sentence in the Earl's letter seemed to hint) that Dr. Ashton accepted the charge of my Lord Viscount Saul and of the 200 guineas a year that were to come with him.
So much for the house. As for the people living there, Dr. Ashton was a wealthy man without children, and he had adopted, or rather taken on the responsibility of raising, the orphan son of his wife’s sister. The boy's name was Frank Sydall, and he had been living in the house for several months. Then one day, Dr. Ashton received a letter from an Irish nobleman, the Earl of Kildonan, who had known him at college. The Earl asked if Dr. Ashton would consider bringing the Viscount Saul, the Earl's heir, into his family and acting as his tutor. Lord Kildonan was about to take a position at the Lisbon Embassy, and the boy wasn’t fit to make the journey: "not that he is sickly," the Earl wrote, "though I’ve found him rather moody lately, and to confirm this, just today his old nurse came specifically to tell me he was possessed: but let that go; I’m sure you can figure out a way to make things right. You were strong enough back in the day, and I give you full authority to handle it as you see fit. The truth is, he has no boys his age or quality to hang out with here, and he tends to mope around our raths and graveyards. Plus, he brings home stories that scare my servants out of their wits. So, consider yourselves warned." It was perhaps with an eye on the possibility of an Irish bishopric (which another line in the Earl’s letter seemed to suggest) that Dr. Ashton accepted the responsibility for my Lord Viscount Saul along with the 200 guineas a year that would come with him.
So he came, one night in September. When he got out of the chaise that brought him, he went first and spoke to the postboy and gave him some money, and patted the neck of his horse. Whether he made some movement that scared it or not, there was very nearly a nasty accident, for the beast started violently, and the postilion being unready was thrown and lost his fee, as he found afterwards, and the[Pg 9] chaise lost some paint on the gateposts, and the wheel went over the man's foot who was taking out the baggage. When Lord Saul came up the steps into the light of the lamp in the porch to be greeted by Dr. Ashton, he was seen to be a thin youth of, say, sixteen years old, with straight black hair and the pale colouring that is common to such a figure. He took the accident and commotion calmly enough, and expressed a proper anxiety for the people who had been, or might have been, hurt: his voice was smooth and pleasant, and without any trace, curiously, of an Irish brogue.
So he arrived one night in September. When he got out of the carriage that brought him, he first talked to the postboy, gave him some money, and stroked the horse's neck. Whether he did something that scared it or not, there was almost a serious accident, as the horse bolted, and the postilion, caught off guard, was thrown and lost his fee, as he later discovered. The carriage also lost some paint on the gateposts, and one of the wheels ran over the foot of the man who was unloading the luggage. When Lord Saul stepped up the stairs into the lamplight on the porch to be welcomed by Dr. Ashton, he appeared to be a thin young man of about sixteen, with straight black hair and the pale complexion typical of such a figure. He took the accident and chaos fairly calmly and showed genuine concern for the people who had been, or could have been, hurt; his voice was smooth and pleasant, with no hint of an Irish accent.
Frank Sydall was a younger boy, perhaps of eleven or twelve, but Lord Saul did not for that reject his company. Frank was able to teach him various games he had not known in Ireland, and he was apt at learning them; apt, too, at his books, though he had had little or no regular teaching at home. It was not long before he was making a shift to puzzle out the inscriptions on the tombs in the minster, and he would often put a question to the doctor about the old books in the library that required some thought to answer. It is to be supposed that he made himself very agreeable to the servants, for within ten days of his coming they were almost[Pg 10] falling over each other in their efforts to oblige him. At the same time, Mrs. Ashton was rather put to it to find new maidservants; for there were several changes, and some of the families in the town from which she had been accustomed to draw seemed to have no one available. She was forced to go further afield than was usual.
Frank Sydall was a younger boy, maybe eleven or twelve, but Lord Saul didn’t mind having him around. Frank was able to teach him various games he hadn’t known in Ireland, and he picked them up quickly; he was also good with his studies, even though he hadn’t had much formal education at home. It wasn’t long before he was trying to figure out the inscriptions on the tombs in the minster, and he often asked the doctor questions about the old books in the library that required some thought to answer. It’s safe to say he became quite popular with the servants because within ten days of his arrival, they were nearly tripping over themselves trying to help him. At the same time, Mrs. Ashton had a bit of a struggle finding new maids; there were several changes, and some of the families in town she usually relied on didn’t have anyone available. She had to search further afield than usual.
These generalities I gather from the doctor's notes in his diary and from letters. They are generalities, and we should like, in view of what has to be told, something sharper and more detailed. We get it in entries which begin late in the year, and, I think, were posted up all together after the final incident; but they cover so few days in all that there is no need to doubt that the writer could remember the course of things accurately.
These general points I collect from the doctor's notes in his diary and from letters. They are broad observations, and we would prefer something more specific and detailed, considering what needs to be conveyed. We find this in entries that start later in the year, which I believe were all compiled together after the final event; however, they span such a short timeframe that there's no reason to think the writer couldn't recall the sequence of events accurately.
On a Friday morning it was that a fox, or perhaps a cat, made away with Mrs. Ashton's most prized black cockerel, a bird without a single white feather on its body. Her husband had told her often enough that it would make a suitable sacrifice to Æsculapius; that had discomfited her much, and now she would hardly be consoled. The boys looked everywhere for traces of it: Lord Saul brought in a few feathers, which seemed to have been[Pg 11] partially burnt on the garden rubbish-heap. It was on the same day that Dr. Ashton, looking out of an upper window, saw the two boys playing in the corner of the garden at a game he did not understand. Frank was looking earnestly at something in the palm of his hand. Saul stood behind him and seemed to be listening. After some minutes he very gently laid his hand on Frank's head, and almost instantly thereupon, Frank suddenly dropped whatever it was that he was holding, clapped his hands to his eyes, and sank down on the grass. Saul, whose face expressed great anger, hastily picked the object up, of which it could only be seen that it was glittering, put it in his pocket, and turned away, leaving Frank huddled up on the grass. Dr. Ashton rapped on the window to attract their attention, and Saul looked up as if in alarm, and then springing to Frank, pulled him up by the arm and led him away. When they came in to dinner, Saul explained that they had been acting a part of the tragedy of Radamistus, in which the heroine reads the future fate of her father's kingdom by means of a glass ball held in her hand, and is overcome by the terrible events she has seen. During this explanation[Pg 12] Frank said nothing, only looked rather bewilderedly at Saul. He must, Mrs. Ashton thought, have contracted a chill from the wet of the grass, for that evening he was certainly feverish and disordered; and the disorder was of the mind as well as the body, for he seemed to have something he wished to say to Mrs. Ashton, only a press of household affairs prevented her from paying attention to him; and when she went, according to her habit, to see that the light in the boys' chamber had been taken away, and to bid them good-night, he seemed to be sleeping, though his face was unnaturally flushed, to her thinking: Lord Saul, however, was pale and quiet, and smiling in his slumber.
On a Friday morning, a fox, or maybe a cat, took Mrs. Ashton's beloved black cockerel, a bird with not a single white feather. Her husband had often said it would be a good sacrifice to Æsculapius, which had upset her a lot, and now she could hardly be comforted. The boys searched everywhere for clues: Lord Saul brought in a few feathers that appeared to be partially burned on the garden trash pile. It was the same day that Dr. Ashton, looking out from an upper window, saw the two boys playing in a corner of the garden with a game he didn’t get. Frank was intently staring at something in his palm. Saul stood behind him, seemingly listening. After a few minutes, Saul gently placed his hand on Frank's head, and almost instantly, Frank dropped whatever he was holding, covered his eyes, and sank down on the grass. Saul, his face showing intense anger, quickly picked up the sparkling object, put it in his pocket, and walked away, leaving Frank curled up on the grass. Dr. Ashton tapped on the window to get their attention, causing Saul to look up in alarm, then rush to Frank, pulling him up by the arm and leading him away. When they came in for dinner, Saul explained that they had been reenacting a scene from the tragedy of Radamistus, where the heroine sees her father’s kingdom's future through a glass ball and is overwhelmed by the terrible events she witnessed. During this explanation, Frank said nothing and only looked a bit confused at Saul. Mrs. Ashton thought he might have caught a chill from the wet grass, as he was definitely feverish and upset that evening; and the distress was both physical and mental, since he seemed to want to say something to Mrs. Ashton, but she was too busy with household duties to pay attention. When she went, as usual, to check that the boys' room light was out and to say goodnight, he looked like he was sleeping, though his face seemed unnaturally flushed to her. Lord Saul, on the other hand, appeared pale and calm, smiling in his sleep.
Next morning it happened that Dr. Ashton was occupied in church and other business, and unable to take the boys' lessons. He therefore set them tasks to be written and brought to him. Three times, if not oftener, Frank knocked at the study door, and each time the doctor chanced to be engaged with some visitor, and sent the boy off rather roughly, which he later regretted. Two clergymen were at dinner this day, and both remarked—being fathers of families—that the lad seemed sickening for a fever, in which they were too near the truth,[Pg 13] and it had been better if he had been put to bed forthwith: for a couple of hours later in the afternoon he came running into the house, crying out in a way that was really terrifying, and rushing to Mrs. Ashton, clung about her, begging her to protect him, and saying, "Keep them off! keep them off!" without intermission. And it was now evident that some sickness had taken strong hold of him. He was therefore got to bed in another chamber from that in which he commonly lay, and the physician brought to him: who pronounced the disorder to be grave and affecting the lad's brain, and prognosticated a fatal end to it if strict quiet were not observed, and those sedative remedies used which he should prescribe.
The next morning, Dr. Ashton was busy with church and other commitments, so he couldn't take the boys' lessons. He assigned them writing tasks to bring to him. Frank knocked on the study door three times, if not more, but each time the doctor was tied up with a visitor and sent the boy away rather roughly, which he regretted later. Two clergymen were having dinner that day, and both noticed—being fathers themselves—that the boy seemed to be coming down with a fever, which was unfortunately quite accurate.
We are now come by another way to the point we had reached before. The minster clock has been stopped from striking, and Lord Saul is on the threshold of the study.
We have now arrived at the same point we reached earlier through a different path. The minister's clock has stopped chiming, and Lord Saul is standing at the entrance of the study.
"What account can you give of this poor lad's state?" was Dr. Ashton's first question. "Why, sir, little more than you know already, I fancy. I must blame myself, though, for giving him a fright yesterday when we were acting that foolish play you saw. I fear I made him take it more to heart than I meant."[Pg 14] "How so?" "Well, by telling him foolish tales I had picked up in Ireland of what we call the second sight." "Second sight! What kind of sight might that be?" "Why, you know our ignorant people pretend that some are able to foresee what is to come—sometimes in a glass, or in the air, maybe, and at Kildonan we had an old woman that pretended to such a power. And I daresay I coloured the matter more highly than I should: but I never dreamed Frank would take it so near as he did." "You were wrong, my lord, very wrong, in meddling with such superstitious matters at all, and you should have considered whose house you were in, and how little becoming such actions are to my character and person or to your own: but pray how came it that you, acting, as you say, a play, should fall upon anything that could so alarm Frank?" "That is what I can hardly tell, sir: he passed all in a moment from rant about battles and lovers and Cleodora and Antigenes to something I could not follow at all, and then dropped down as you saw." "Yes: was that at the moment when you laid your hand on the top of his head?" Lord Saul gave a quick look at his questioner—quick and spiteful—and for the first time seemed unready with[Pg 15] an answer. "About that time it may have been," he said. "I have tried to recollect myself, but I am not sure. There was, at any rate, no significance in what I did then." "Ah!" said Dr. Ashton, "well, my lord, I should do wrong were I not to tell you that this fright of my poor nephew may have very ill consequences to him. The doctor speaks very despondingly of his state." Lord Saul pressed his hands together and looked earnestly upon Dr. Ashton. "I am willing to believe you had no bad intention, as assuredly you could have no reason to bear the poor boy malice: but I cannot wholly free you from blame in the affair." As he spoke, the hurrying steps were heard again, and Mrs. Ashton came quickly into the room, carrying a candle, for the evening had by this time closed in. She was greatly agitated. "O come!" she cried, "come directly. I'm sure he is going." "Going? Frank? Is it possible? Already?" With some such incoherent words the doctor caught up a book of prayers from the table and ran out after his wife. Lord Saul stopped for a moment where he was. Molly, the maid, saw him bend over and put both hands to his face. If it were the last words she had to speak, she said afterwards,[Pg 16] he was striving to keep back a fit of laughing. Then he went out softly, following the others.
"What can you tell me about this poor kid's condition?" was Dr. Ashton's first question. "Well, sir, not much more than you already know, I think. I have to blame myself a bit for scaring him yesterday during that silly play you saw. I fear I made him take it more seriously than I intended." [Pg 14] "How's that?" "Well, by telling him silly stories I picked up in Ireland about what we call second sight." "Second sight? What kind of sight is that?" "Well, you know our uninformed folks think that some people can predict what will happen—sometimes in a glass, or in the air, perhaps. And at Kildonan, we had an old woman who claimed to have that power. I probably exaggerated the matter more than I should have, but I never imagined Frank would take it as seriously as he did." "You were wrong, my lord, very wrong, to get involved with such superstitious nonsense at all, and you should have thought about whose house you were in and how inappropriate such behavior is for both my character and yours: but tell me, how did you, performing as you say in a play, end up saying something that could alarm Frank like that?" "I can hardly say, sir: he suddenly switched from talking about battles and lovers and Cleodora and Antigenes to something I couldn't follow at all, and then he just collapsed like you saw." "Yes: was that at the moment you placed your hand on the top of his head?" Lord Saul shot a quick, spiteful look at Dr. Ashton and seemed caught off guard for the first time. "It might have been around that time," he said. "I've tried to recall, but I'm not sure. There was no significance in what I did then, anyway." "Ah!" said Dr. Ashton, "well, my lord, I would be wrong not to inform you that this fright of my poor nephew could have very serious consequences for him. The doctor is quite pessimistic about his condition." Lord Saul pressed his hands together and looked intently at Dr. Ashton. "I want to believe you had no bad intentions, as you certainly had no reason to wish harm upon the poor boy: but I can't completely absolve you of blame in this situation." As he spoke, hurried footsteps were heard again, and Mrs. Ashton rushed into the room, carrying a candle, as night had fallen. She was visibly shaken. "Oh come!" she exclaimed, "come right now. I'm sure he's leaving." "Leaving? Frank? Is that possible? Already?" With such incoherent words, the doctor grabbed a book of prayers from the table and rushed out after his wife. Lord Saul paused for a moment where he stood. Molly, the maid, saw him bend over and cover his face with both hands. If those were the last words she had to share, she said later, he looked like he was trying to suppress a laugh. Then he quietly followed the others out.
Mrs. Ashton was sadly right in her forecast. I have no inclination to imagine the last scene in detail. What Dr. Ashton records is, or may be taken to be, important to the story. They asked Frank if he would like to see his companion, Lord Saul, once again. The boy was quite collected, it appears, in these moments. "No," he said, "I do not want to see him; but you should tell him I am afraid he will be very cold." "What do you mean, my dear?" said Mrs. Ashton. "Only that;" said Frank, "but say to him besides that I am free of them now, but he should take care. And I am sorry about your black cockerel, Aunt Ashton; but he said we must use it so, if we were to see all that could be seen."
Mrs. Ashton was unfortunately correct in her prediction. I don’t want to picture the last scene in detail. What Dr. Ashton writes down is, or can be considered, important to the story. They asked Frank if he wanted to see his friend, Lord Saul, one more time. The boy seemed quite composed during these moments. "No," he said, "I don't want to see him; but you should tell him I'm worried he'll be very cold." "What do you mean, my dear?" asked Mrs. Ashton. "Just that," Frank replied, "but also tell him I’m free from them now, but he should be careful. And I’m sorry about your black cockerel, Aunt Ashton; but he said we had to use it like that if we wanted to see everything that could be seen."
Not many minutes after, he was gone. Both the Ashtons were grieved, she naturally most; but the doctor, though not an emotional man, felt the pathos of the early death: and, besides, there was the growing suspicion that all had not been told him by Saul, and that there was something here which was out of his beaten track. When he left the chamber of death, it was to walk across the quadrangle of the residence to the[Pg 17] sexton's house. A passing bell, the greatest of the minster bells, must be rung, a grave must be dug in the minster yard, and there was now no need to silence the chiming of the minster clock. As he came slowly back in the dark, he thought he must see Lord Saul again. That matter of the black cockerel—trifling as it might seem—would have to be cleared up. It might be merely a fancy of the sick boy, but if not, was there not a witch-trial he had read, in which some grim little rite of sacrifice had played a part? Yes, he must see Saul.
Not long after, he was gone. Both the Ashtons were upset, with her being the most affected; but the doctor, even though he wasn't an emotional person, felt the sadness of the young death. Additionally, he had a growing suspicion that Saul hadn’t told him everything, and that there was something unusual going on. After leaving the room where death had occurred, he walked across the courtyard of the residence to the[Pg 17] sexton's house. The largest bell of the minster needed to be rung, a grave had to be dug in the minster yard, and there was no longer a need to silence the chiming of the minster clock. As he slowly returned in the dark, he realized he needed to see Lord Saul again. The issue with the black cockerel—trivial as it might seem—needed to be resolved. It could just be a figment of the sick boy's imagination, but if not, didn’t he recall a witch trial that involved some grim little sacrificial rite? Yes, he had to see Saul.
I rather guess these thoughts of his than find written authority for them. That there was another interview is certain: certain also that Saul would (or, as he said, could) throw no light on Frank's words: though the message, or some part of it, appeared to affect him horribly. But there is no record of the talk in detail. It is only said that Saul sat all that evening in the study, and when he bid good-night, which he did most reluctantly, asked for the doctor's prayers.
I think I’m more guessing at his thoughts than actually finding any written proof of them. It's certain there was another conversation: also certain that Saul would (or, as he put it, could) shed no light on Frank's words, even though the message, or part of it, seemed to disturb him greatly. But there’s no detailed record of that discussion. It’s just noted that Saul spent the entire evening in the study, and when he reluctantly said goodnight, he asked for the doctor’s prayers.
The month of January was near its end when Lord Kildonan, in the Embassy at Lisbon, received a letter that for once gravely disturbed that vain man and neglectful father. Saul was[Pg 18] dead. The scene at Frank's burial had been very distressing. The day was awful in blackness and wind: the bearers, staggering blindly along under the flapping black pall, found it a hard job, when they emerged from the porch of the minster, to make their way to the grave. Mrs. Ashton was in her room—women did not then go to their kinsfolk's funerals—but Saul was there, draped in the mourning cloak of the time, and his face was white and fixed as that of one dead, except when, as was noticed three or four times, he suddenly turned his head to the left and looked over his shoulder. It was then alive with a terrible expression of listening fear. No one saw him go away: and no one could find him that evening. All night the gale buffeted the high windows of the church, and howled over the upland and roared through the woodland. It was useless to search in the open: no voice of shouting or cry for help could possibly be heard. All that Dr. Ashton could do was to warn the people about the college, and the town constables, and to sit up, on the alert for any news, and this he did. News came early next morning, brought by the sexton, whose business it was to open the church for early prayers at seven, and who[Pg 19] sent the maid rushing upstairs with wild eyes and flying hair to summon her master. The two men dashed across to the south door of the minster, there to find Lord Saul clinging desperately to the great ring of the door, his head sunk between his shoulders, his stockings in rags, his shoes gone, his legs torn and bloody.
The month of January was almost over when Lord Kildonan, at the Embassy in Lisbon, received a letter that seriously unsettled that vain man and neglectful father. Saul was[Pg 18]dead. The scene at Frank's burial had been very distressing. The day was terrible, with darkness and wind: the bearers, stumbling blindly under the flapping black pall, found it difficult to make their way to the grave after they emerged from the porch of the minster. Mrs. Ashton was in her room—back then, women didn't attend their relatives' funerals—but Saul was there, draped in the mourning cloak of the time, and his face was pale and stiff like that of a dead person, except for the times when, as was noticed three or four times, he suddenly turned his head to the left and looked over his shoulder. In those moments, his expression was filled with a terrifying sense of listening fear. No one saw him leave, and no one could find him that evening. All night, the gale battered the high windows of the church, howled over the hills, and roared through the woods. It was pointless to search outside; no shout or cry for help could be heard. All Dr. Ashton could do was to alert the people at the college and the town constables, and to stay up, ready for any news, which he did. News arrived early the next morning, brought by the sexton, whose job was to open the church for early prayers at seven, and who[Pg 19]sent the maid racing upstairs with wild eyes and disheveled hair to summon her master. The two men rushed to the south door of the minster, where they found Lord Saul desperately clinging to the large door ring, his head slumped between his shoulders, his stockings in tatters, his shoes missing, and his legs torn and bloody.
This was what had to be told to Lord Kildonan, and this really ends the first part of the story. The tomb of Frank Sydall and of the Lord Viscount Saul, only child and heir to William Earl of Kildonan, is one: a stone altar tomb in Whitminster churchyard.
This was what needed to be told to Lord Kildonan, and this truly wraps up the first part of the story. The tomb of Frank Sydall and the Lord Viscount Saul, the only child and heir of William Earl of Kildonan, is one: a stone altar tomb in Whitminster churchyard.
Dr. Ashton lived on for over thirty years in his prebendal house, I do not know how quietly, but without visible disturbance. His successor preferred a house he already owned in the town, and left that of the senior prebendary vacant. Between them these two men saw the eighteenth century out and the nineteenth in; for Mr. Hindes, the successor of Ashton, became prebendary at nine-and-twenty and died at nine-and-eighty. So that it was not till 1823 or 1824 that any one succeeded to the post who intended to make the house his home. The man who did was Dr. Henry Oldys, whose name may be known to some of my readers[Pg 20] as that of the author of a row of volumes labelled Oldys's Works, which occupy a place that must be honoured, since it is so rarely touched, upon the shelves of many a substantial library.
Dr. Ashton lived for over thirty years in his prebendal house, I’m not sure how quietly, but without any noticeable disruption. His successor chose a house he already owned in town and left the senior prebendary’s residence empty. Between them, these two men witnessed the end of the eighteenth century and the start of the nineteenth; Mr. Hindes, Ashton’s successor, became prebendary at twenty-nine and lived to be eighty-nine. It wasn't until 1823 or 1824 that someone took over the position who actually planned to make the house his home. That person was Dr. Henry Oldys, whose name might be familiar to some of my readers[Pg 20] as the author of a series of volumes titled Oldys's Works, which holds a significant place—rarely occupied—on the shelves of many substantial libraries.
Dr. Oldys, his niece, and his servants took some months to transfer furniture and books from his Dorsetshire parsonage to the quadrangle of Whitminster, and to get everything into place. But eventually the work was done, and the house (which, though untenanted, had always been kept sound and weather-tight) woke up, and like Monte Cristo's mansion at Auteuil, lived, sang, and bloomed once more. On a certain morning in June it looked especially fair, as Dr. Oldys strolled in his garden before breakfast and gazed over the red roof at the minster tower with its four gold vanes, backed by a very blue sky, and very white little clouds.
Dr. Oldys, his niece, and his staff spent several months moving furniture and books from his parsonage in Dorsetshire to the quadrangle of Whitminster, getting everything set up. But eventually, they finished the job, and the house (which, although unoccupied, had always been kept in good repair and weatherproof) came to life, like Monte Cristo's mansion in Auteuil, thriving, singing, and flourishing once again. One morning in June, it looked particularly lovely as Dr. Oldys walked through his garden before breakfast, gazing over the red roof at the minster tower with its four golden weather vanes, set against a bright blue sky and fluffy white clouds.
"Mary," he said, as he seated himself at the breakfast table and laid down something hard and shiny on the cloth, "here's a find which the boy made just now. You'll be sharper than I if you can guess what it's meant for." It was a round and perfectly smooth tablet—as much as an inch thick—of what seemed clear glass. "It is rather attractive at all events," said Mary:[Pg 21] she was a fair woman, with light hair and large eyes, rather a devotee of literature. "Yes," said her uncle, "I thought you'd be pleased with it. I presume it came from the house: it turned up in the rubbish-heap in the corner." "I'm not sure that I do like it, after all," said Mary, some minutes later. "Why in the world not, my dear?" "I don't know, I'm sure. Perhaps it's only fancy." "Yes, only fancy and romance, of course. What's that book, now—the name of that book, I mean, that you had your head in all yesterday?" "The Talisman, Uncle. Oh, if this should turn out to be a talisman, how enchanting it would be!" "Yes, The Talisman: ah, well, you're welcome to it, whatever it is: I must be off about my business. Is all well in the house? Does it suit you? Any complaints from the servants' hall?" "No, indeed, nothing could be more charming. The only soupçon of a complaint besides the lock of the linen closet, which I told you of, is that Mrs. Maple says she cannot get rid of the sawflies out of that room you pass through at the other end of the hall. By the way, are you sure you like your bedroom? It is a long way off from any one else, you know." "Like[Pg 22] it? To be sure I do; the further off from you, my dear, the better. There, don't think it necessary to beat me: accept my apologies. But what are sawflies? will they eat my coats? If not, they may have the room to themselves for what I care. We are not likely to be using it." "No, of course not. Well, what she calls sawflies are those reddish things like a daddy-longlegs, but smaller,[1] and there are a great many of them perching about that room, certainly. I don't like them, but I don't fancy they are mischievous." "There seem to be several things you don't like this fine morning," said her uncle, as he closed the door. Miss Oldys remained in her chair looking at the tablet, which she was holding in the palm of her hand. The smile that had been on her face faded slowly from it and gave place to an expression of curiosity and almost strained attention. Her reverie was broken by the entrance of Mrs. Maple, and her invariable opening, "Oh, Miss, could I speak to you a minute?"
"Mary," he said, as he sat down at the breakfast table and placed something hard and shiny on the cloth, "here's something the boy just found. You'll be sharper than I am if you can guess what it’s for." It was a round, perfectly smooth tablet—about an inch thick—made of what looked like clear glass. "It's quite attractive, anyway," said Mary, who was a light-haired, fair woman with large eyes and a love for literature. "Yes," her uncle replied, "I thought you'd like it. I assume it came from the house; it appeared in the rubbish pile in the corner." "I'm not sure I like it after all," Mary said a few minutes later. "Why on earth not, my dear?" "I don’t know, really. Maybe it’s just my imagination." "Yes, just imagination and romance, of course. What’s that book you were engrossed in all yesterday?" "The Talisman, Uncle. Oh, if this turns out to be a talisman, how enchanting that would be!" "Yes, The Talisman: well, you're welcome to it, whatever it is; I have to get going with my business. Is everything alright at the house? Does it suit you? Any complaints from the servants’ hall?" "No, nothing could be more lovely. The only slight issue, apart from the lock on the linen closet that I mentioned, is that Mrs. Maple says she can't get rid of the sawflies from that room at the other end of the hall. By the way, are you sure you like your bedroom? It's quite far away from everyone else, you know." "Like it? Of course I do; the further away from you, my dear, the better. There, don’t feel you need to scold me: accept my apologies. But what are sawflies? Will they eat my coats? If not, they can have the room to themselves for all I care. We probably won’t be using it." "No, definitely not. Well, what she calls sawflies are those reddish things that look like daddy-longlegs, but smaller, and there are quite a few of them hanging around that room, for sure. I don’t like them, but I don’t think they’re harmful." "Seems like there are several things you don’t like this lovely morning," her uncle said as he closed the door. Miss Oldys remained in her chair, gazing at the tablet that she held in her palm. The smile on her face slowly faded, replaced by curiosity and almost strained attention. Her daydreaming was interrupted by Mrs. Maple’s entrance, along with her usual opening line, "Oh, Miss, could I speak to you for a minute?"
A letter from Miss Oldys to a friend in Lichfield, begun a day or two before, is the next source for this story. It is not devoid of[Pg 23] traces of the influence of that leader of female thought in her day, Miss Anna Seward, known to some as the Swan of Lichfield.
A letter from Miss Oldys to a friend in Lichfield, started a day or two earlier, is the next source for this story. It shows some influence from the leader of female thought of her time, Miss Anna Seward, who is sometimes called the Swan of Lichfield.
"My sweetest Emily will be rejoiced to hear that we are at length—my beloved uncle and myself—settled in the house that now calls us master—nay, master and mistress—as in past ages it has called so many others. Here we taste a mingling of modern elegance and hoary antiquity, such as has never ere now graced life for either of us. The town, small as it is, affords us some reflection, pale indeed, but veritable, of the sweets of polite intercourse: the adjacent country numbers amid the occupants of its scattered mansions some whose polish is annually refreshed by contact with metropolitan splendour, and others whose robust and homely geniality is, at times, and by way of contrast, not less cheering and acceptable. Tired of the parlours and drawing-rooms of our friends, we have ready to hand a refuge from the clash of wits or the small talk of the day amid the solemn beauties of our venerable minster, whose silvern chimes daily 'knoll us to prayer,' and in the shady walks of whose tranquil graveyard we muse with softened heart, and ever and anon with moistened eye,[Pg 24] upon the memorials of the young, the beautiful, the aged, the wise, and the good."
"My dearest Emily will be thrilled to hear that, at long last, my beloved uncle and I have settled into the house that now calls us master and mistress, just as it has done for so many others in the past. Here, we enjoy a mix of modern elegance and ancient charm like we’ve never experienced before. The town, though small, offers us a glimpse—however faint—of the pleasures of polite society: the nearby countryside has residents in its scattered mansions, some of whom refresh their sophistication through contact with city life, while others bring a warm and down-to-earth charm that is sometimes even more uplifting in contrast. Tired of the salons and drawing rooms of our friends, we have a peaceful escape from the banter and small talk of the day in the solemn beauty of our historic minster, whose silver bells daily call us to prayer, and in the shaded paths of its tranquil graveyard, we contemplate with softened hearts and often with teary eyes the memorials of the young, the beautiful, the old, the wise, and the good.[Pg 24]"
Here there is an abrupt break both in the writing and the style.
Here, there's a sudden shift in both the writing and the style.
"But my dearest Emily, I can no longer write with the care which you deserve, and in which we both take pleasure. What I have to tell you is wholly foreign to what has gone before. This morning my uncle brought in to breakfast an object which had been found in the garden; it was a glass or crystal tablet of this shape (a little sketch is given), which he handed to me, and which, after he left the room, remained on the table by me. I gazed at it, I know not why, for some minutes, till called away by the day's duties; and you will smile incredulously when I say that I seemed to myself to begin to descry reflected in it objects and scenes which were not in the room where I was. You will not, however, be surprised that after such an experience I took the first opportunity to seclude myself in my room with what I now half believed to be a talisman of mickle might. I was not disappointed. I assure you, Emily, by that memory which is dearest to both of us, that what I went through this afternoon transcends the limits of what I had[Pg 25] before deemed credible. In brief, what I saw, seated in my bedroom, in the broad daylight of summer, and looking into the crystal depth of that small round tablet, was this. First, a prospect, strange to me, of an enclosure of rough and hillocky grass, with a grey stone ruin in the midst, and a wall of rough stones about it. In this stood an old, and very ugly, woman in a red cloak and ragged skirt, talking to a boy dressed in the fashion of maybe a hundred years ago. She put something which glittered into his hand, and he something into hers, which I saw to be money, for a single coin fell from her trembling hand into the grass. The scene passed—I should have remarked, by the way, that on the rough walls of the enclosure I could distinguish bones, and even a skull, lying in a disorderly fashion. Next, I was looking upon two boys; one the figure of the former vision, the other younger. They were in a plot of garden, walled round, and this garden, in spite of the difference in arrangement, and the small size of the trees, I could clearly recognize as being that upon which I now look from my window. The boys were engaged in some curious play, it seemed. Something was smouldering on the ground.[Pg 26] The elder placed his hands upon it, and then raised them in what I took to be an attitude of prayer: and I saw, and started at seeing, that on them were deep stains of blood. The sky above was overcast. The same boy now turned his face towards the wall of the garden, and beckoned with both his raised hands, and as he did so I was conscious that some moving objects were becoming visible over the top of the wall—whether heads or other parts of some animal or human forms I could not tell. Upon the instant the elder boy turned sharply, seized the arm of the younger (who all this time had been poring over what lay on the ground), and both hurried off. I then saw blood upon the grass, a little pile of bricks, and what I thought were black feathers scattered about. That scene closed, and the next was so dark that perhaps the full meaning of it escaped me. But what I seemed to see was a form, at first crouching low among trees or bushes that were being threshed by a violent wind, then running very swiftly, and constantly turning a pale face to look behind him, as if he feared a pursuer: and, indeed, pursuers were following hard after him. Their shapes were but dimly seen, their number—three or four,[Pg 27] perhaps, only guessed. I suppose they were on the whole more like dogs than anything else, but dogs such as we have seen they assuredly were not. Could I have closed my eyes to this horror, I would have done so at once, but I was helpless. The last I saw was the victim darting beneath an arch and clutching at some object to which he clung: and those that were pursuing him overtook him, and I seemed to hear the echo of a cry of despair. It may be that I became unconscious: certainly I had the sensation of awaking to the light of day after an interval of darkness. Such, in literal truth, Emily, was my vision—I can call it by no other name—of this afternoon. Tell me, have I not been the unwilling witness of some episode of a tragedy connected with this very house?"
"But my dearest Emily, I can no longer write with the attention you deserve, and that we both enjoy. What I have to share with you is entirely different from what I've mentioned before. This morning, my uncle brought in something he found in the garden for breakfast; it was a glass or crystal tablet shaped like this (a little sketch is provided), which he handed to me. After he left the room, it stayed on the table next to me. I stared at it for some time, unsure why, until I was called away by the day's responsibilities. You’ll probably smile skeptically when I say that I began to see objects and scenes reflected in it that were not in the room. However, you won't be surprised that after such an experience, I quickly secluded myself in my room with what I now half believed to be a powerful talisman. I wasn’t disappointed. I promise you, Emily, by the memory we both cherish most, that what I experienced this afternoon goes beyond anything I had before considered believable. In short, what I saw while sitting in my bedroom, in the bright summer daylight, looking into the crystal depths of that small round tablet was this. First, I saw a strange view of an area with rough, uneven grass, featuring a grey stone ruin in the middle and a wall made of rough stones. In this area stood an old, very ugly woman in a red cloak and ragged skirt, talking to a boy dressed like someone from maybe a hundred years ago. She handed him something shiny, and he gave her something in return, which I recognized as money, as a single coin fell from her trembling hand into the grass. That scene faded away—I should note that I could see bones, and even a skull, lying disorderly on the rough walls of the enclosure. Next, I was looking at two boys; one was the same from the previous vision, and the other was younger. They were in a garden surrounded by walls, and despite the different layout and smaller trees, I instantly recognized it as the garden I can see from my window. The boys were engaged in a curious game. Something was smoldering on the ground. The older boy put his hands on it and then raised them as if in prayer, and I was startled to see that they were stained with blood. The sky above was cloudy. The same boy then turned to face the garden wall and beckoned with both his raised hands. As he did, I noticed some moving figures becoming visible over the wall—whether they were heads or other parts of animals or humans, I couldn't tell. At that moment, the older boy turned abruptly, grabbed the younger boy’s arm (who had been focused on the ground), and they both hurried away. I then saw blood on the grass, a small pile of bricks, and what I thought were black feathers scattered around. That scene ended, and the next was so dark that I may have missed its full meaning. But what I appeared to see was a figure, initially crouching low among trees or bushes being buffeted by a strong wind, then running very fast, constantly glancing back with a pale face as if he feared being chased: indeed, there were pursuers close behind him. Their shapes were only vaguely visible, possibly three or four of them, I could only guess. They seemed more like dogs than anything else, but definitely not like any dogs we’ve ever seen. If I could have closed my eyes to this horror, I would have, but I felt powerless. The last I saw was the victim dashing beneath an arch and grabbing onto something he held onto: those chasing him caught up, and I thought I heard an echo of a cry of despair. It’s possible I lost consciousness; I certainly felt like I woke up to daylight after a period of darkness. So, in all honesty, Emily, that was my vision—I can’t call it anything else—this afternoon. Tell me, haven’t I unwillingly witnessed a tragic event connected with this very house?"
The letter is continued next day. "The tale of yesterday was not completed when I laid down my pen. I said nothing of my experiences to my uncle—you know, yourself, how little his robust common-sense would be prepared to allow of them, and how in his eyes the specific remedy would be a black draught or a glass of port. After a silent evening, then—silent, not sullen—I retired to rest. Judge[Pg 28] of my terror, when, not yet in bed, I heard what I can only describe as a distant bellow, and knew it for my uncle's voice, though never in my hearing so exerted before. His sleeping-room is at the further extremity of this large house, and to gain access to it one must traverse an antique hall some eighty feet long and a lofty panelled chamber, and two unoccupied bedrooms. In the second of these—a room almost devoid of furniture—I found him, in the dark, his candle lying smashed on the floor. As I ran in, bearing a light, he clasped me in arms that trembled for the first time since I have known him, thanked God, and hurried me out of the room. He would say nothing of what had alarmed him. 'To-morrow, to-morrow,' was all I could get from him. A bed was hastily improvised for him in the room next to my own. I doubt if his night was more restful than mine. I could only get to sleep in the small hours, when daylight was already strong, and then my dreams were of the grimmest—particularly one which stamped itself on my brain, and which I must set down on the chance of dispersing the impression it has made. It was that I came up to my room with a heavy foreboding of evil oppressing me, and went with[Pg 29] a hesitation and reluctance I could not explain to my chest of drawers. I opened the top drawer, in which was nothing but ribbons and handkerchiefs, and then the second, where was as little to alarm, and then, O heavens, the third and last: and there was a mass of linen neatly folded: upon which, as I looked with curiosity that began to be tinged with horror, I perceived a movement in it, and a pink hand was thrust out of the folds and began to grope feebly in the air. I could bear it no more, and rushed from the room, clapping the door after me, and strove with all my force to lock it. But the key would not turn in the wards, and from within the room came a sound of rustling and bumping, drawing nearer and nearer to the door. Why I did not flee down the stairs I know not. I continued grasping the handle, and mercifully, as the door was plucked from my hand with an irresistible force, I awoke. You may not think this very alarming, but I assure you it was so to me.
The letter continues the next day. "The story from yesterday wasn’t finished when I put down my pen. I didn’t share any of my experiences with my uncle—you know how little his strong common sense would tolerate them, and how he would see a specific remedy as just a strong drink or a glass of wine. After a quiet evening—quiet, not moody—I went to bed. Imagine my terror when, not yet in bed, I heard what I can only describe as a distant roar, and I recognized it as my uncle’s voice, though I had never heard it so loud before. His bedroom is at the far end of this large house, and to get to it, you have to walk through an old hall about eighty feet long, a tall paneled room, and two empty bedrooms. In the second one—almost completely bare of furniture—I found him, in the dark, with his candle smashed on the floor. As I rushed in with a light, he grabbed me with arms that trembled for the first time since I’ve known him, thanked God, and hurried me out of the room. He wouldn’t say what had scared him. 'Tomorrow, tomorrow,' was all I could get out of him. A bed was quickly set up for him in the room next to mine. I doubt his night was any more restful than mine. I only managed to fall asleep in the early hours, when the sunlight was already strong, and then my dreams were the darkest—especially one that stuck in my mind, which I have to write down in hopes of shaking off the feeling it left me with. It was that I came back to my room with a heavy sense of dread weighing me down, feeling an unexplainable hesitation and reluctance as I approached my chest of drawers. I opened the top drawer, which held only ribbons and handkerchiefs, then the second, which had nothing alarming either, and then, oh heavens, the third and final drawer: and there was a pile of neatly folded linen. As I looked with curiosity that began to turn into horror, I noticed something moving in it, and a pink hand emerged from the folds, groping weakly in the air. I couldn’t handle it anymore, and I rushed out of the room, slamming the door behind me, trying with all my strength to lock it. But the key wouldn’t turn in the lock, and from inside the room came sounds of rustling and thumping, getting closer and closer to the door. I don't know why I didn’t run down the stairs. I kept holding onto the handle, and mercifully, just as the door was yanked from my grasp with an unstoppable force, I woke up. You might not find this very alarming, but I assure you it was terrifying to me."
"At breakfast to-day my uncle was very uncommunicative, and I think ashamed of the fright he had given us; but afterwards he inquired of me whether Mr. Spearman was still in town, adding that he thought that was a[Pg 30] young man who had some sense left in his head. I think you know, my dear Emily, that I am not inclined to disagree with him there, and also that I was not unlikely to be able to answer his question. To Mr. Spearman he accordingly went, and I have not seen him since. I must send this strange budget of news to you now, or it may have to wait over more than one post."
"At breakfast today, my uncle was pretty quiet and seemed embarrassed about the scare he had given us; but later, he asked me if Mr. Spearman was still in town, adding that he thought he was a[Pg 30]young man who still had some common sense. I think you know, my dear Emily, that I’m not one to disagree with him on that, and I was also likely able to answer his question. So, he went to see Mr. Spearman, and I haven’t seen him since. I need to send you this strange bunch of news now, or it might have to wait for more than one mailing."
The reader will not be far out if he guesses that Miss Mary and Mr. Spearman made a match of it not very long after this month of June. Mr. Spearman was a young spark, who had a good property in the neighbourhood of Whitminster, and not unfrequently about this time spent a few days at the "King's Head," ostensibly on business. But he must have had some leisure, for his diary is copious, especially for the days of which I am telling the story. It is probable to me that he wrote this episode as fully as he could at the bidding of Miss Mary.
The reader wouldn't be too far off if they guessed that Miss Mary and Mr. Spearman became a couple shortly after this month of June. Mr. Spearman was a young man with a good property near Whitminster, and around this time, he often spent a few days at the "King's Head," supposedly on business. But he must have had some free time because his diary is quite detailed, especially for the days I’m recounting. I think he wrote this episode as thoroughly as possible at Miss Mary’s request.
"Uncle Oldys (how I hope I may have the right to call him so before long!) called this morning. After throwing out a good many short remarks on indifferent topics, he said 'I wish, Spearman, you'd listen to an odd story and keep a close tongue about it just[Pg 31] for a bit, till I get more light on it.' 'To be sure,' said I, 'you may count on me.' 'I don't know what to make of it,' he said. 'You know my bedroom. It is well away from every one else's, and I pass through the great hall and two or three other rooms to get to it.' 'Is it at the end next the minster, then?' I asked. 'Yes, it is: well, now, yesterday morning my Mary told me that the room next before it was infested with some sort of fly that the housekeeper couldn't get rid of. That may be the explanation, or it may not. What do you think?' 'Why,' said I, 'you've not yet told me what has to be explained.' 'True enough, I don't believe I have; but by-the-by, what are these sawflies? What's the size of them?' I began to wonder if he was touched in the head. 'What I call a sawfly,' I said very patiently, 'is a red animal, like a daddy-longlegs, but not so big, perhaps an inch long, perhaps less. It is very hard in the body, and to me'—I was going to say 'particularly offensive,' but he broke in, 'Come, come; an inch or less. That won't do.' 'I can only tell you,' I said, 'what I know. Would it not be better if you told me from first to last what it is that has puzzled you, and then I may be able to[Pg 32] give you some kind of an opinion.' He gazed at me meditatively. 'Perhaps it would,' he said. 'I told Mary only to-day that I thought you had some vestiges of sense in your head.' (I bowed my acknowledgements.) 'The thing is, I've an odd kind of shyness about talking of it. Nothing of the sort has happened to me before. Well, about eleven o'clock last night, or after, I took my candle and set out for my room. I had a book in my other hand—I always read something for a few minutes before I drop off to sleep. A dangerous habit: I don't recommend it: but I know how to manage my light and my bed curtains. Now then, first, as I stepped out of my study into the great half that's next to it, and shut the door, my candle went out. I supposed I had clapped the door behind me too quick, and made a draught, and I was annoyed, for I'd no tinder-box nearer than my bedroom. But I knew my way well enough, and went on. The next thing was that my book was struck out of my hand in the dark: if I said twitched out of my hand it would better express the sensation. It fell on the floor. I picked it up, and went on, more annoyed than before, and a little startled. But as you know, that hall has many windows[Pg 33] without curtains, and in summer nights like these it is easy to see not only where the furniture is, but whether there's any one or anything moving, and there was no one—nothing of the kind. So on I went through the hall and through the audit chamber next to it, which also has big windows, and then into the bedrooms which lead to my own, where the curtains were drawn, and I had to go slower because of steps here and there. It was in the second of those rooms that I nearly got my quietus. The moment I opened the door of it I felt there was something wrong. I thought twice, I confess, whether I shouldn't turn back and find another way there is to my room rather than go through that one. Then I was ashamed of myself, and thought what people call better of it, though I don't know about "better" in this case. If I was to describe my experience exactly, I should say this: there was a dry, light, rustling sound all over the room as I went in, and then (you remember it was perfectly dark) something seemed to rush at me, and there was—I don't know how to put it—a sensation of long thin arms, or legs, or feelers, all about my face, and neck, and body. Very little strength in them, there seemed to be, but[Pg 34] Spearman, I don't think I was ever more horrified or disgusted in all my life, that I remember: and it does take something to put me out. I roared out as loud as I could, and flung away my candle at random, and, knowing I was near the window, I tore at the curtain and somehow let in enough light to be able to see something waving which I knew was an insect's leg, by the shape of it: but, Lord, what a size! Why the beast must have been as tall as I am. And now you tell me sawflies are an inch long or less. What do you make of it, Spearman?'
"Uncle Oldys (I really hope I can call him that soon!) came by this morning. After chatting about a bunch of random topics, he said, 'I wish, Spearman, you'd listen to a strange story and keep it to yourself for a bit until I figure it out.' 'Of course,' I replied, 'you can count on me.' 'I don't know what to make of it,' he continued. 'You know my bedroom. It's pretty isolated from everyone else's, and I have to go through the great hall and a couple of other rooms to get there.' 'Is it at the end by the minster, then?' I asked. 'Yes, it is. So, yesterday morning, my Mary told me that the room right before mine had some kind of fly that the housekeeper couldn't get rid of. That might be the explanation, or maybe not. What do you think?' 'Well,' I said, 'you haven't told me what needs explaining yet.' 'True enough, I haven't; but by the way, what are these sawflies? How big are they?' I started to wonder if he was losing it. 'What I call a sawfly,' I said patiently, 'is a red bug, a bit like a daddy-longlegs, but not as big—maybe an inch long, maybe less. It's very hard-bodied, and to me'—I was going to say 'particularly disgusting,' but he interrupted, 'Come on; an inch or less. That won't work.' 'I can only tell you what I know,' I replied. 'Wouldn't it be better if you told me the whole story from the beginning? Then maybe I could give you some sort of opinion.' He stared at me thoughtfully. 'Maybe that's a good idea,' he said. 'I told Mary just today that I thought you still had some sense left.' (I acknowledged with a nod.) 'The thing is, I feel oddly shy about discussing this. Nothing like this has ever happened to me before. So, around eleven o'clock last night, or a little after, I took my candle and headed to my room. I had a book in my other hand—I always read a little before I fall asleep. It's a risky habit; I don't recommend it, but I know how to manage my light and my bed curtains. So, first, when I stepped out of my study into the great hall next to it and shut the door, my candle went out. I thought I must have closed the door too quickly and made a draft, which annoyed me since I had no tinder-box closer than my bedroom. But I knew my way well enough and kept going. Then, my book was knocked out of my hand in the dark; if I say it was 'tugged' out of my hand, it would better express how it felt. It fell on the floor. I picked it up and continued, even more annoyed and a little startled this time. But as you know, that hall has many windows without curtains, and on summer nights like this, it's easy to see not only where the furniture is but also if there's anyone or anything moving, and there was nothing—nothing at all. So I moved on through the hall and into the audit chamber next to it, which also has big windows, and then into the bedrooms that lead to mine, where the curtains were drawn, so I had to go slower because of various steps. It was in the second of those rooms that I nearly met my end. The moment I opened the door, I felt something was off. I hesitated, seriously considering whether I should turn back and find another way to my room instead of going through that one. Then I felt foolish and thought better of it, though I'm not sure "better" is the right term here. If I had to describe my experience exactly, I'd say this: there was a dry, light, rustling sound all over the room as I entered, and then (remember, it was pitch dark) something seemed to rush at me, and there was—I can't quite explain it—a sensation of long, thin arms, legs, or feelers all around my face, neck, and body. They didn't seem very strong, but, Spearman, I don't think I've ever been more horrified or disgusted in my life, and it takes a lot to rattle me. I yelled out as loud as I could, threw my candle away randomly, and knowing I was near the window, I ripped open the curtain and somehow let in enough light to see something waving, which I recognized as an insect's leg by its shape: but, good heavens, what a size! That thing must have been as tall as I am. And now you tell me sawflies are an inch long or less. What do you make of that, Spearman?"
"'For goodness sake finish your story first,' I said. 'I never heard anything like it.' 'Oh,' said he, 'there's no more to tell. Mary ran in with a light, and there was nothing there. I didn't tell her what was the matter. I changed my room for last night, and I expect for good.' 'Have you searched this odd room of yours?' I said. 'What do you keep in it?' 'We don't use it,' he answered. 'There's an old press there, and some little other furniture.' 'And in the press?' said I. 'I don't know; I never saw it opened, but I do know that it's locked.' 'Well, I should have it looked into, and, if you had time, I own to having some curiosity to see the place myself.' 'I didn't exactly like to[Pg 35] ask you, but that's rather what I hoped you'd say. Name your time and I'll take you there.' 'No time like the present,' I said at once, for I saw he would never settle down to anything while this affair was in suspense. He got up with great alacrity, and looked at me, I am tempted to think, with marked approval. 'Come along,' was all he said, however; and was pretty silent all the way to his house. My Mary (as he calls her in public, and I in private) was summoned, and we proceeded to the room. The Doctor had gone so far as to tell her that he had had something of a fright there last night, of what nature he had not yet divulged; but now he pointed out and described, very briefly, the incidents of his progress. When we were near the important spot, he pulled up, and allowed me to pass on. 'There's the room,' he said. 'Go in, Spearman, and tell us what you find.' Whatever I might have felt at midnight, noonday I was sure would keep back anything sinister, and I flung the door open with an air and stepped in. It was a well-lighted room, with its large window on the right, though not, I thought, a very airy one. The principal piece of furniture was the gaunt old press of dark wood. There was, too,[Pg 36] a four-post bedstead, a mere skeleton which could hide nothing, and there was a chest of drawers. On the window-sill and the floor near it were the dead bodies of many hundred sawflies, and one torpid one which I had some satisfaction in killing. I tried the door of the press, but could not open it: the drawers, too, were locked. Somewhere, I was conscious, there was a faint rustling sound, but I could not locate it, and when I made my report to those outside, I said nothing of it. But, I said, clearly the next thing was to see what was in those locked receptacles. Uncle Oldys turned to Mary. 'Mrs. Maple,' he said, and Mary ran off—no one, I am sure, steps like her—and soon came back at a soberer pace, with an elderly lady of discreet aspect.
"'For heaven's sake, finish your story first,' I said. 'I've never heard anything like it.' 'Oh,' he replied, 'there's nothing more to tell. Mary ran in with a light, and there was nothing there. I didn’t tell her what was wrong. I switched rooms last night, and I plan to do that for good now.' 'Have you checked out this strange room of yours?' I asked. 'What do you keep in it?' 'We don’t use it,' he said. 'There’s an old cabinet in there, and some other small furniture.' 'And what's in the cabinet?' I pressed. 'I don’t know; I’ve never seen it opened, but I do know it’s locked.' 'Well, I think you should have it checked out, and if you have time, I’d admit that I’m curious to see the place myself.' 'I didn’t want to ask you outright, but that’s exactly what I was hoping you’d say. Just let me know when, and I’ll take you there.' 'There's no time like the present,' I said immediately, knowing he wouldn’t settle down to anything while this was hanging over him. He got up eagerly, and I thought he looked at me with unmistakable approval. 'Come along,' was all he said, though he was pretty quiet all the way to his house. My Mary (as he calls her publicly, and I call her in private) was called, and we headed to the room. The Doctor mentioned to her that he’d had a bit of a scare there last night, though he hadn’t explained the details yet; but now he pointed out and briefly described the incidents he had experienced. When we got close to the crucial spot, he paused and let me go ahead. 'There’s the room,' he said. 'Go in, Spearman, and tell us what you find.' Whatever I might have felt at midnight, I was sure that the daylight would keep anything sinister at bay, so I flung the door open confidently and stepped inside. It was a well-lit room, with a large window on the right, though it didn’t feel very airy to me. The main piece of furniture was the tall old cabinet made of dark wood. There was also a four-poster bed, just a frame that couldn’t hide anything, and a chest of drawers. On the window sill and the floor nearby were the dead bodies of many hundreds of sawflies, along with one sluggish one that I took some satisfaction in killing. I tried the cabinet door, but it wouldn’t budge: the drawers were locked too. Somewhere, I sensed a faint rustling sound, but I couldn’t pinpoint it; when I reported back to those outside, I didn’t mention it. But I did say that the next step was to see what was in those locked places. Uncle Oldys turned to Mary. 'Mrs. Maple,' he said, and Mary darted off—no one, I’m sure, moves like she does—and soon returned at a more measured pace, accompanied by an elderly lady who seemed quite respectable."
"'Have you the keys of these things, Mrs. Maple?' said Uncle Oldys. His simple words let loose a torrent (not violent, but copious) of speech: had she been a shade or two higher in the social scale, Mrs. Maple might have stood as the model for Miss Bates.
"'Do you have the keys to these things, Mrs. Maple?' Uncle Oldys asked. His straightforward question sparked a flood (not fierce, but plentiful) of conversation: if she were a bit higher on the social ladder, Mrs. Maple could have been seen as the inspiration for Miss Bates."
"'Oh, Doctor, and Miss, and you too, sir,' she said, acknowledging my presence with a bend, 'them keys! who was that again that come when first we took over things in this house—a[Pg 37] gentleman in business it was, and I gave him his luncheon in the small parlour on account of us not having everything as we should like to see it in the large one—chicken, and apple-pie, and a glass of madeira—dear, dear, you'll say I'm running on, Miss Mary; but I only mention it to bring back my recollection; and there it comes—Gardner, just the same as it did last week with the artichokes and the text of the sermon. Now that Mr. Gardner, every key I got from him were labelled to itself, and each and every one was a key of some door or another in this house, and sometimes two; and when I say door, my meaning is door of a room, not like such a press as this is. Yes, Miss Mary, I know full well, and I'm just making it clear to your uncle and you too, sir. But now there was a box which this same gentleman he give over into my charge, and thinking no harm after he was gone I took the liberty, knowing it was your uncle's property, to rattle it: and unless I'm most surprisingly deceived, in that box there was keys, but what keys, that, Doctor, is known Elsewhere, for open the box, no that I would not do.'
"'Oh, Doctor, and Miss, and you too, sir,' she said, nodding to acknowledge my presence, 'those keys! Who was it again that came by when we first took over this house—a gentleman in business, I believe? I gave him his lunch in the small parlor since we didn’t have everything set up as we’d like in the large one—chicken, apple pie, and a glass of Madeira. Well, dear me, you’ll think I’m rambling on, Miss Mary; but I mention it to jog my memory; and here it comes—Gardner, just like last week with the artichokes and the sermon text. Now that Mr. Gardner, every key I got from him was labeled, and each one belonged to some door or another in this house, sometimes even two. And when I say door, I mean a room, not something like this cupboard. Yes, Miss Mary, I know very well, and I’m just explaining it for your uncle and you too, sir. But there was a box that this same gentleman entrusted to me, and thinking it would be harmless after he left, I took the liberty, knowing it was your uncle’s property, to shake it. And unless I’m greatly mistaken, there were keys inside that box, but what keys, Doctor, is known elsewhere, for opening the box? No, I wouldn’t do that.'
"I wondered that Uncle Oldys remained as quiet as he did under this address. Mary, I[Pg 38] knew, was amused by it, and he probably had been taught by experience that it was useless to break in upon it. At any rate he did not, but merely said at the end, 'Have you that box handy, Mrs. Maple? If so, you might bring it here.' Mrs. Maple pointed her finger at him, either in accusation or in gloomy triumph. 'There,' she said, 'was I to choose out the very words out of your mouth, Doctor, them would be the ones. And if I've took it to my own rebuke one half-a-dozen times, it's been nearer fifty. Laid awake I have in my bed, sat down in my chair I have, the same you and Miss Mary gave me the day I was twenty year in your service, and no person could desire a better—yes, Miss Mary, but it is the truth, and well we know who it is would have it different if he could. "All very well," says I to myself, "but pray, when the Doctor calls you to account for that box, what are you going to say?" No, Doctor, if you was some masters I've heard of and I was some servants I could name, I should have an easy task before me, but things being, humanly speaking, what they are, the one course open to me is just to say to you that without Miss Mary comes to my room and helps me to my recollection, which her wits may[Pg 39] manage what's slipped beyond mine, no such box as that, small though it be, will cross your eyes this many a day to come.'
"I was surprised that Uncle Oldys stayed as quiet as he did during this conversation. Mary, I knew, found it amusing, and he probably learned from experience that it was pointless to interrupt. At any rate, he didn’t, but simply said at the end, 'Do you have that box handy, Mrs. Maple? If so, you could bring it here.' Mrs. Maple pointed at him, either accusingly or with a sense of gloomy triumph. 'There,' she said, 'if I were to select the very words out of your mouth, Doctor, those would be the ones. And if I've taken it to heart one half a dozen times, it’s been closer to fifty. I’ve laid awake in my bed, sat down in my chair, the same one you and Miss Mary gave me the day I turned twenty in your service, and no one could want a better—yes, Miss Mary, but it is the truth, and we all know who it is that would want it different if they could. "All very well," I say to myself, "but when the Doctor asks you about that box, what are you going to say?" No, Doctor, if you were some masters I’ve heard about and I was some servants I could name, I would have an easier job ahead of me, but given that things are, humanly speaking, what they are, the only option open to me is to tell you that unless Miss Mary comes to my room and helps me remember, which her wits might[Pg 39] manage when mine have slipped, no such box as that, small as it is, will come into your sight for a long time to come.'
"'Why, dear Mrs. Maple, why didn't you tell me before that you wanted me to help you to find it?' said my Mary. 'No, never mind telling me why it was: let us come at once and look for it.' They hastened off together. I could hear Mrs. Maple beginning an explanation which, I doubt not, lasted into the furthest recesses of the housekeeper's department. Uncle Oldys and I were left alone. 'A valuable servant,' he said, nodding towards the door. 'Nothing goes wrong under her: the speeches are seldom over three minutes.' 'How will Miss Oldys manage to make her remember about the box?' I asked.
"'Why, dear Mrs. Maple, why didn’t you tell me earlier that you wanted my help to find it?' said my Mary. 'No, forget explaining why: let’s just go and look for it right now.' They rushed off together. I could hear Mrs. Maple starting an explanation that, I’m sure, went on well into the depths of the housekeeper's area. Uncle Oldys and I were left alone. 'A valuable servant,' he said, nodding towards the door. 'Nothing goes wrong with her around: the speeches are rarely longer than three minutes.' 'How will Miss Oldys get her to remember the box?' I asked."
"'Mary? Oh, she'll make her sit down and ask her about her aunt's last illness, or who gave her the china dog on the mantel-piece—something quite off the point. Then, as Maple says, one thing brings up another, and the right one will come round sooner than you could suppose. There! I believe I hear them coming back already.'
"'Mary? Oh, she'll make her sit down and ask her about her aunt's last illness, or who gave her the china dog on the mantelpiece—something totally irrelevant. Then, as Maple says, one thing leads to another, and the right topic will come up sooner than you expect. There! I think I hear them coming back already.'"
"It was indeed so, and Mrs. Maple was hurrying on ahead of Mary with the box in her [Pg 40]outstretched hand, and a beaming face. 'What was it,' she cried as she drew near, 'what was it as I said, before ever I come out of Dorsetshire to this place? Not that I'm a Dorset woman myself, nor had need to be. "Safe bind, safe find," and there it was in the place where I'd put it—what?—two months back, I daresay.' She handed it to Uncle Oldys, and he and I examined it with some interest, so that I ceased to pay attention to Mrs. Ann Maple for the moment, though I know that she went on to expound exactly where the box had been, and in what way Mary had helped to refresh her memory on the subject.
It was true, and Mrs. Maple was rushing ahead of Mary with the box in her [Pg 40]outstretched hand and a big smile. "What was it," she shouted as she got closer, "what did I say before I even left Dorsetshire for this place? Not that I’m a Dorset woman myself, nor did I need to be. 'Safe bind, safe find,' and there it was in the spot where I’d put it—what?—two months ago, I bet." She handed it to Uncle Oldys, and he and I looked it over with some interest, so I stopped paying attention to Mrs. Ann Maple for a moment, though I know she continued to explain exactly where the box had been and how Mary had helped jog her memory about it.
"It was an oldish box, tied with pink tape and sealed, and on the lid was pasted a label inscribed in old ink, 'The Senior Prebendary's House, Whitminster.' On being opened it was found to contain two keys of moderate size, and a paper, on which, in the same hand as the label, was 'Keys of the Press and Box of Drawers standing in the disused Chamber.' Also this: 'The Effects in this Press and Box are held by me, and to be held by my successors in the Residence, in trust for the noble Family of Kildonan, if claim be made by any survivor of it. I having made all the Enquiry possible[Pg 41] to myself am of the opinion that that noble House is wholly extinct: the last Earl having been, as is notorious, cast away at sea, and his only Child and Heire deceas'd in my House (the Papers as to which melancholy Casualty were by me repos'd in the same Press in this year of our Lord 1753, 21 March). I am further of opinion that unless grave discomfort arise, such persons, not being of the Family of Kildonan, as shall become possess'd of these keys, will be well advised to leave matters as they are: which opinion I do not express without weighty and sufficient reason; and am Happy to have my Judgment confirm'd by the other Members of this College and Church who are conversant with the Events referr'd to in this Paper. Tho. Ashton, S.T.P., Præb. senr. Will. Blake, S.T.P., Decanus. Hen. Goodman, S.T.B., Præb. junr.'
"It was an old box, tied with pink tape and sealed, and on the lid was a label written in faded ink, 'The Senior Prebendary's House, Whitminster.' When opened, it was found to contain two moderately sized keys and a paper, which, in the same handwriting as the label, read 'Keys of the Press and Box of Drawers in the unused Chamber.' It also included this note: 'The items in this Press and Box are held by me, and to be held by my successors in the Residence, in trust for the noble Family of Kildonan, should any survivor make a claim. Having made all possible inquiries, I believe that noble House is entirely extinct: the last Earl, as is well-known, was lost at sea, and his only Child and Heir passed away in my House (the documents regarding that unfortunate incident were placed by me in the same Press this year of our Lord 1753, on March 21). I also believe that unless serious issues arise, individuals not belonging to the Kildonan Family who acquire these keys would be wise to leave things as they are: I do not express this opinion without substantial and sufficient reason; I am pleased to have my judgment confirmed by the other Members of this College and Church who are familiar with the events referred to in this Paper. Tho. Ashton, S.T.P., Præb. senr. Will. Blake, S.T.P., Decanus. Hen. Goodman, S.T.B., Præb. junr.'
"'Ah!' said Uncle Oldys, 'grave discomfort! So he thought there might be something. I suspect it was that young man,' he went on, pointing with the key to the line about the 'only Child and Heire.' 'Eh, Mary? The viscounty of Kildonan was Saul.' 'How do you know that, Uncle?' said Mary. 'Oh, why not? it's all in Debrett—two little fat[Pg 42] books. But I meant the tomb by the lime walk. He's there. What's the story, I wonder? Do you know it, Mrs. Maple? and, by the way, look at your sawflies by the window there.'
"'Ah!' said Uncle Oldys, 'serious discomfort! So he thought there might be something. I suspect it was that young man,' he continued, pointing with the key to the line about the 'only Child and Heir.' 'Eh, Mary? The viscounty of Kildonan was Saul.' 'How do you know that, Uncle?' asked Mary. 'Oh, why not? it's all in Debrett—two little fat[Pg 42] books. But I meant the tomb by the lime walk. He's there. What's the story, I wonder? Do you know it, Mrs. Maple? And, by the way, look at your sawflies by the window there.'
"Mrs. Maple, thus confronted with two subjects at once, was a little put to it to do justice to both. It was no doubt rash in Uncle Oldys to give her the opportunity. I could only guess that he had some slight hesitation about using the key he held in his hand.
"Mrs. Maple, faced with two topics at once, found it a bit challenging to address both properly. It was certainly bold of Uncle Oldys to put her in that position. I could only assume he had some slight doubt about using the key he was holding."
"'Oh them flies, how bad they was, Doctor and Miss, this three or four days: and you, too, sir, you wouldn't guess, none of you! And how they come, too! First we took the room in hand, the shutters was up, and had been, I daresay, years upon years, and not a fly to be seen. Then we got the shutter bars down with a deal of trouble and left it so for the day, and next day I sent Susan in with the broom to sweep about, and not two minutes hadn't passed when out she come into the hall like a blind thing, and we had regular to beat them off her. Why her cap and her hair, you couldn't see the colour of it, I do assure you, and all clustering round her eyes, too. Fortunate enough she's not a girl with fancies, else if it had been me, why only the tickling of[Pg 43] the nasty things would have drove me out of my wits. And now there they lay like so many dead things. Well, they was lively enough on the Monday, and now here's Thursday, is it, or no, Friday. Only to come near the door and you'd hear them pattering up against it, and once you opened it, dash at you, they would, as if they'd eat you. I couldn't help thinking to myself, "If you was bats, where should we be this night?" Nor you can't cresh 'em, not like a usual kind of a fly. Well, there's something to be thankful for, if we could but learn by it. And then this tomb, too,' she said, hastening on to her second point to elude any chance of interruption, 'of them two poor young lads. I say poor, and yet when I recollect myself, I was at tea with Mrs. Simpkins, the sexton's wife, before you come, Doctor and Miss Mary, and that's a family has been in the place, what? I daresay a hundred years in that very house, and could put their hand on any tomb or yet grave in all the yard and give you name and age. And his account of that young man, Mr. Simpkins's I mean to say—well!' She compressed her lips and nodded several times. 'Tell us, Mrs. Maple,' said Mary. 'Go on,' said Uncle Oldys. 'What[Pg 44] about him?' said I. 'Never was such a thing seen in this place, not since Queen Mary's times and the Pope and all,' said Mrs. Maple. 'Why, do you know he lived in this very house, him and them that was with him, and for all I can tell in this identical room' (she shifted her feet uneasily on the floor). 'Who was with him? Do you mean the people of the house?' said Uncle Oldys suspiciously. 'Not to call people, Doctor, dear no,' was the answer; 'more what he brought with him from Ireland, I believe it was. No, the people in the house was the last to hear anything of his goings-on. But in the town not a family but knew how he stopped out at night: and them that was with him, why they were such as would strip the skin from the child in its grave; and a withered heart makes an ugly thin ghost, says Mr. Simpkins. But they turned on him at the last, he says, and there's the mark still to be seen on the minster door where they run him down. And that's no more than the truth, for I got him to show it to myself, and that's what he said. A lord he was, with a Bible name of a wicked king, whatever his godfathers could have been thinking of.' 'Saul was the name,' said Uncle Oldys. 'To be sure[Pg 45] it was Saul, Doctor, and thank you; and now isn't it King Saul that we read of raising up the dead ghost that was slumbering in its tomb till he disturbed it, and isn't that a strange thing, this young lord to have such a name, and Mr. Simpkins's grandfather to see him out of his window of a dark night going about from one grave to another in the yard with a candle, and them that was with him following through the grass at his heels: and one night him to come right up to old Mr. Simpkins's window that gives on the yard and press his face up against it to find out if there was any one in the room that could see him: and only just time there was for old Mr. Simpkins to drop down like, quiet, just under the window and hold his breath, and not stir till he heard him stepping away again, and this rustling-like in the grass after him as he went, and then when he looked out of his window in the morning there was treadings in the grass and a dead man's bone. Oh, he was a cruel child for certain, but he had to pay in the end, and after.' 'After?' said Uncle Oldys, with a frown. 'Oh yes, Doctor, night after night in old Mr. Simpkins's time, and his son, that's our Mr. Simpkins's father, yes, and our own Mr. Simpkins too.[Pg 46] Up against that same window, particular when they've had a fire of a chilly evening, with his face right on the panes, and his hands fluttering out, and his mouth open and shut, open and shut, for a minute or more, and then gone off in the dark yard. But open the window at such times, no, that they dare not do, though they could find it in their heart to pity the poor thing, that pinched up with the cold, and seemingly fading away to a nothink as the years passed on. Well, indeed, I believe it is no more than the truth what our Mr. Simpkins says on his own grandfather's word, "A withered heart makes an ugly thin ghost."' 'I daresay,' said Uncle Oldys suddenly: so suddenly that Mrs. Maple stopped short. 'Thank you. Come away, all of you.' 'Why, Uncle,' said Mary, 'are you not going to open the press after all?' Uncle Oldys blushed, actually blushed. 'My dear,' he said, 'you are at liberty to call me a coward, or applaud me as a prudent man, whichever you please. But I am neither going to open that press nor that chest of drawers myself, nor am I going to hand over the keys to you or to any other person. Mrs. Maple, will you kindly see about getting a man or two to move those pieces of[Pg 47] furniture into the garret?' 'And when they do it, Mrs. Maple,' said Mary, who seemed to me—I did not then know why—more relieved than disappointed by her uncle's decision, 'I have something that I want put with the rest; only quite a small packet.'
"'Oh those flies, they've been awful, Doctor and Miss, for the last three or four days: and you too, sir, you wouldn't believe it! And how they showed up, too! We took the room in hand, the shutters were closed, and had been, I bet, for years, and not a fly in sight. Then we finally got the shutter bars down with a lot of effort and left it open for the day, and the next day I sent Susan in with a broom to clean up, and not even two minutes passed before she darted out into the hall like a startled rabbit, and we had to beat the flies off her. Her cap and her hair, you couldn't even see their color, I assure you, and there were flies clustering around her eyes too. Thankfully, she's not the type to get flustered; if it had been me, just the tickling from those nasty things would have driven me crazy. And now there they lie like so many dead things. Well, they were buzzing around plenty on Monday, and now here’s Thursday, or is it Friday? Just by getting close to the door, you could hear them pattering against it, and once you opened it, they would rush at you like they wanted to eat you. I couldn't help but think, 'If you were bats, where would we be tonight?' You can’t squash them like regular flies either. Well, that's something to be grateful for, if we could just learn from it. And then about this tomb too,' she said, quickly moving to her next point to avoid being interrupted, 'of those two poor young lads. I say poor, and yet when I think about it, I was having tea with Mrs. Simpkins, the sexton’s wife, before you arrived, Doctor and Miss Mary, and that family has been in the area, what? I’d guess for a hundred years in that very house, and they could point to any tomb or grave in the yard and tell you the name and age. And his account of that young man, Mr. Simpkins's I mean to say—well!' She pressed her lips together and nodded several times. 'Tell us, Mrs. Maple,' said Mary. 'Go on,' said Uncle Oldys. 'What[Pg 44] about him?' I asked. 'Never was such a thing seen in this place, not since Queen Mary’s times and the Pope and all,' said Mrs. Maple. 'Well, do you know he lived in this very house, he and those who were with him, and for all I can tell, in this exact room' (she shifted her feet awkwardly on the floor). 'Who was with him? Do you mean the people of the house?' Uncle Oldys asked suspiciously. 'Not to call people, Doctor, dear no,' she replied; 'more like what he brought with him from Ireland, I believe. No, the people in the house were the last to know about his activities. But in town, every family knew how he was out all night: and those who were with him, well, they were the type who would strip the skin off a child in its grave; and a withered heart makes an ugly thin ghost, says Mr. Simpkins. But they turned on him in the end, he says, and there's still a mark on the minster door where they caught him. And that's no more than the truth, because I had him show it to me myself, and that's what he said. He was a lord, with a Bible name of a wicked king, whatever his godfathers were thinking.' 'Saul was the name,' Uncle Oldys said. 'Of course[Pg 45] it was Saul, Doctor, and thank you; and isn't it King Saul that we read about raising the dead ghost that was sleeping in its tomb until he disturbed it, and isn't that a strange thing, this young lord having such a name, and Mr. Simpkins’s grandfather seeing him from his window one dark night going from grave to grave in the yard with a candle, and those who were with him following through the grass at his feet: and one night he came right up to old Mr. Simpkins's window that faces the yard and pressed his face against it to see if anyone in the room could see him: and there was just enough time for old Mr. Simpkins to drop down quietly, just below the window and hold his breath, not moving until he heard him stepping away again, and the rustling in the grass as he left, and then when he looked out of his window in the morning there were footprints in the grass and a dead man's bone. Oh, he was certainly a cruel child, but he had to face the consequences in the end, and afterward.' 'Afterward?' said Uncle Oldys, frowning. 'Oh yes, Doctor, night after night in old Mr. Simpkins's time, and his son, who is our Mr. Simpkins’s father, yes, and our Mr. Simpkins too.[Pg 46] Up against that same window, especially when there's been a fire on a chilly evening, with his face right on the panes, and hands fluttering out, and his mouth open and shut, open and shut, for a minute or more, and then gone off into the dark yard. But opening the window at those times, no, they wouldn’t dare do that, though they could find it in their hearts to pity the poor thing, freezing and seemingly fading away to nothing as the years went by. Well, indeed, I believe it's no more than the truth what our Mr. Simpkins says based on his own grandfather's word, 'A withered heart makes an ugly thin ghost.' 'I suppose,' Uncle Oldys said suddenly: so suddenly that Mrs. Maple stopped. 'Thank you. Come away, all of you.' 'Why, Uncle,' Mary said, 'are you not going to open the wardrobe after all?' Uncle Oldys blushed, actually blushed. 'My dear,' he said, 'you are free to call me a coward, or praise me as a wise man, whichever you prefer. But I am neither going to open that wardrobe nor that chest of drawers myself, nor will I hand over the keys to you or anyone else. Mrs. Maple, would you please arrange to get a man or two to move those pieces of[Pg 47] furniture into the attic?' 'And when they do, Mrs. Maple,' said Mary, who seemed to me—I did not then know why—more relieved than disappointed by her uncle's decision, 'I have something I want to put with the rest; just a small packet.'"
"We left that curious room not unwillingly, I think. Uncle Oldys's orders were carried out that same day. And so," concludes Mr. Spearman, "Whitminster has a Bluebeard's chamber, and, I am rather inclined to suspect, a Jack-in-the-box, awaiting some future occupant of the residence of the senior prebendary."
"We left that strange room without much hesitation, I think. Uncle Oldys's orders were carried out that same day. And so," Mr. Spearman concludes, "Whitminster has a Bluebeard's chamber, and I can’t help but think, a Jack-in-the-box, waiting for some future resident of the senior prebendary's home."
FOOTNOTES:
THE DIARY OF MR. POYNTER
THE DIARY OF MR. POYNTER
The sale-room of an old and famous firm of book auctioneers in London is, of course, a great meeting-place for collectors, librarians, dealers: not only when an auction is in progress, but perhaps even more notably when books that are coming on for sale are upon view. It was in such a sale-room that the remarkable series of events began which were detailed to me not many months ago by the person whom they principally affected, namely, Mr. James Denton, M.A., F.S.A., etc., etc., some time of Trinity Hall, now, or lately, of Rendcomb Manor in the county of Warwick.
The auction room of an old and well-known book auction house in London is, of course, a major gathering spot for collectors, librarians, and dealers: not only during an auction, but even more so when books that are going up for sale are on display. It was in such an auction room that the remarkable series of events began, which were shared with me not long ago by the person most affected by them, Mr. James Denton, M.A., F.S.A., etc., etc., formerly of Trinity Hall, now, or recently, of Rendcomb Manor in Warwickshire.
He, on a certain spring day not many years since, was in London for a few days upon business connected principally with the furnishing of the house which he had just finished building at Rendcomb. It may be a disappointment to you to learn that Rendcomb Manor was new; that I cannot help. There had, no doubt, been an old house; but it was not remarkable for[Pg 52] beauty or interest. Even had it been, neither beauty nor interest would have enabled it to resist the disastrous fire which about a couple of years before the date of my story had razed it to the ground. I am glad to say that all that was most valuable in it had been saved, and that it was fully insured. So that it was with a comparatively light heart that Mr. Denton was able to face the task of building a new and considerably more convenient dwelling for himself and his aunt who constituted his whole ménage.
He, on a spring day not long ago, was in London for a few days on business mainly related to furnishing the house he had just finished building in Rendcomb. You might be disappointed to find out that Rendcomb Manor was new; there's nothing I can do about that. There was definitely an old house before, but it wasn't particularly beautiful or interesting. Even if it had been, beauty or interest wouldn't have been enough to save it from the disastrous fire that had destroyed it about two years before my story starts. I'm happy to report that all the valuable things inside had been saved and that it was fully insured. So, Mr. Denton was able to approach the task of building a new and much more convenient home for himself and his aunt, who made up his entire ménage, with a relatively light heart.
Being in London, with time on his hands, and not far from the sale-room at which I have obscurely hinted, Mr. Denton thought that he would spend an hour there upon the chance of finding, among that portion of the famous Thomas collection of MSS., which he knew to be then on view, something bearing upon the history or topography of his part of Warwickshire.
Being in London with some free time and not far from the auction house I mentioned, Mr. Denton thought he would spend an hour there hoping to find something related to the history or geography of his area in Warwickshire among the famous Thomas collection of manuscripts that he knew was on display.
He turned in accordingly, purchased a catalogue and ascended to the sale-room, where, as usual, the books were disposed in cases and some laid out upon the long tables. At the shelves, or sitting about at the tables, were figures, many of whom were familiar to him.[Pg 53] He exchanged nods and greetings with several, and then settled down to examine his catalogue and note likely items. He had made good progress through about two hundred of the five hundred lots—every now and then rising to take a volume from the shelf and give it a cursory glance—when a hand was laid on his shoulder, and he looked up. His interrupter was one of those intelligent men with a pointed beard and a flannel shirt, of whom the last quarter of the nineteenth century was, it seems to me, very prolific.
He checked in as usual, bought a catalog, and went up to the auction room, where, like always, the books were arranged in cases and some were laid out on the long tables. At the shelves or seated around the tables were people, many of whom he recognized.[Pg 53] He exchanged nods and hellos with several, then settled in to look over his catalog and note potential items. He had made good progress through about two hundred of the five hundred lots—occasionally getting up to grab a book from the shelf and give it a quick look—when someone put a hand on his shoulder, and he looked up. His interrupter was one of those sharp-minded guys with a pointed beard and a flannel shirt, of whom the last quarter of the nineteenth century seemed to produce quite a few.
It is no part of my plan to repeat the whole conversation which ensued between the two. I must content myself with stating that it largely referred to common acquaintances, e.g., to the nephew of Mr. Denton's friend who had recently married and settled in Chelsea, to the sister-in-law of Mr. Denton's friend who had been seriously indisposed, but was now better, and to a piece of china which Mr. Denton's friend had purchased some months before at a price much below its true value. From which you will rightly infer that the conversation was rather in the nature of a monologue. In due time, however, the friend bethought himself that Mr. Denton was there for a purpose, and said[Pg 54] he, "What are you looking out for in particular? I don't think there's much in this lot." "Why, I thought there might be some Warwickshire collections, but I don't see anything under Warwick in the catalogue." "No, apparently not," said the friend. "All the same, I believe I noticed something like a Warwickshire diary. What was the name again? Drayton? Potter? Painter—either a P or a D, I feel sure." He turned over the leaves quickly. "Yes, here it is. Poynter. Lot 486. That might interest you. There are the books, I think: out on the table. Some one has been looking at them. Well, I must be getting on. Good-bye, you'll look us up, won't you? Couldn't you come this afternoon? we've got a little music about four. Well, then, when you're next in town." He went off. Mr. Denton looked at his watch and found to his confusion that he could spare no more than a moment before retrieving his luggage and going for the train. The moment was just enough to show him that there were four largish volumes of the diary—that it concerned the years about 1710, and that there seemed to be a good many insertions in it of various kinds. It seemed quite worth while to leave a commission of[Pg 55] five and twenty pounds for it, and this he was able to do, for his usual agent entered the room as he was on the point of leaving it.
It’s not my intention to go over the entire conversation that took place between the two of them. I can only mention that it mainly talked about mutual acquaintances, such as the nephew of Mr. Denton's friend, who recently got married and moved to Chelsea, the sister-in-law of Mr. Denton's friend, who had been seriously ill but was now recovering, and a piece of china that Mr. Denton's friend had bought a few months back for much less than its actual worth. From this, you can rightly conclude that the conversation was more of a monologue. However, eventually, the friend remembered that Mr. Denton was there for a reason and asked[Pg 54] him, "What are you specifically looking for? I don't think there's much in this collection." "Well, I thought there might be some Warwickshire items, but I don’t see anything listed under Warwick in the catalog.” “No, apparently not,” said the friend. “Still, I believe I noticed something that looked like a Warwickshire diary. What was the name again? Drayton? Potter? Painter—either a P or a D, I’m sure.” He quickly flipped through the pages. “Yes, here it is. Poynter. Lot 486. That might interest you. The books are out on the table. Someone has been looking at them. Anyway, I should get going. Goodbye, you’ll come visit us, right? Couldn’t you come this afternoon? We have some music around four. Well, then, when you’re next in town.” He left. Mr. Denton checked his watch and, to his embarrassment, realized he only had a moment before he needed to pick up his luggage and head for the train. That moment was just enough for him to see that there were four sizable volumes of the diary—that it covered the years around 1710, and that it appeared to have a lot of various insertions. It seemed worthwhile to leave a commission of[Pg 55] twenty-five pounds for it, and he was able to do so, as his usual agent walked into the room just as he was about to leave.
That evening he rejoined his aunt at their temporary abode, which was a small dower-house not many hundred yards from the Manor. On the following morning the two resumed a discussion that had now lasted for some weeks as to the equipment of the new house. Mr. Denton laid before his relative a statement of the results of his visit to town—particulars of carpets, of chairs, of wardrobes, and of bedroom china. "Yes, dear," said his aunt, "but I don't see any chintzes here. Did you go to ----?" Mr. Denton stamped on the floor (where else, indeed, could he have stamped?). "Oh dear, oh dear," he said, "the one thing I missed. I am sorry. The fact is I was on my way there and I happened to be passing Robins's." His aunt threw up her hands. "Robins's! Then the next thing will be another parcel of horrible old books at some outrageous price. I do think, James, when I am taking all this trouble for you, you might contrive to remember the one or two things which I specially begged you to see after. It's not as if I was asking it for myself. I don't know whether you think[Pg 56] I get any pleasure out of it, but if so I can assure you it's very much the reverse. The thought and worry and trouble I have over it you have no idea of, and you have simply to go to the shops and order the things." Mr. Denton interposed a moan of penitence. "Oh, aunt——" "Yes, that's all very well, dear, and I don't want to speak sharply, but you must know how very annoying it is: particularly as it delays the whole of our business for I can't tell how long: here is Wednesday—the Simpsons come to-morrow, and you can't leave them. Then on Saturday we have friends, as you know, coming for tennis. Yes, indeed, you spoke of asking them yourself, but, of course, I had to write the notes, and it is ridiculous, James, to look like that. We must occasionally be civil to our neighbours: you wouldn't like to have it said we were perfect bears. What was I saying? Well, anyhow it comes to this, that it must be Thursday in next week at least, before you can go to town again, and until we have decided upon the chintzes it is impossible to settle upon one single other thing."
That evening he rejoined his aunt at their temporary home, which was a small dower-house not far from the Manor. The next morning, they continued a discussion that had been going on for weeks about furnishing the new house. Mr. Denton presented his relative with a summary of his visit to town—details about carpets, chairs, wardrobes, and bedroom china. "Yes, dear," his aunt said, "but I don’t see any chintzes here. Did you go to ----?" Mr. Denton stamped his foot on the floor (where else could he have stamped?). "Oh dear, oh dear," he said, "that’s the one thing I forgot. I really am sorry. The truth is, I was on my way there and ended up passing Robins's." His aunt threw up her hands. "Robins's! So the next thing will be another pile of awful old books at some ridiculous price. I do think, James, since I’m putting in all this effort for you, you could at least remember the one or two items I specifically asked you to check on. It’s not like I’m asking for myself. I don’t know if you think I get any joy out of this, but I assure you it’s quite the opposite. The thought, worry, and trouble I have over it is beyond what you can imagine, while you just have to go to the shops and order the things." Mr. Denton let out a groan of regret. "Oh, aunt—" "Yes, that’s nice and all, dear, and I don’t want to sound harsh, but you must understand how incredibly frustrating this is, especially since it's holding up everything for I don’t know how long. Here it is Wednesday—the Simpsons are coming tomorrow, and you can’t leave them. Then on Saturday, we have friends coming for tennis, as you know. Yes, indeed, you mentioned inviting them yourself, but of course, I had to write the notes, and it’s silly, James, to look like that. We have to be somewhat polite to our neighbors; you wouldn’t want it said that we’re complete bears. What was I saying? Well, anyway, it means that it won't be until at least Thursday next week before you can go to town again, and until we decide on the chintzes, we can’t settle on a single other thing."
Mr. Denton ventured to suggest that as the paint and wallpapers had been dealt with,[Pg 57] this was too severe a view: but this his aunt was not prepared to admit at the moment. Nor, indeed, was there any proposition he could have advanced which she would have found herself able to accept. However, as the day went on, she receded a little from this position: examined with lessening disfavour the samples and price lists submitted by her nephew, and even in some cases gave a qualified approval to his choice.
Mr. Denton dared to suggest that since they had already dealt with the paint and wallpaper,[Pg 57] this was too harsh a stance. However, his aunt wasn’t willing to agree with him at the moment. In fact, there wasn’t any argument he could have made that she could accept. Nonetheless, as the day went on, she softened her stance a bit: she looked at the samples and price lists his nephew provided with less disapproval, and in some cases even gave a hesitant approval of his choices.
As for him, he was naturally somewhat dashed by the consciousness of duty unfulfilled, but more so by the prospect of a lawn-tennis party, which, though an inevitable evil in August, he had thought there was no occasion to fear in May. But he was to some extent cheered by the arrival on the Friday morning of an intimation that he had secured at the price of £12 10s. the four volumes of Poynter's manuscript diary, and still more by the arrival on the next morning of the diary itself.
As for him, he felt a bit down about not having completed his duties, but he was even more bothered by the thought of a lawn-tennis party. While it was a given in August, he had thought he wouldn’t have to worry about it in May. However, he was somewhat uplifted by the news that arrived on Friday morning that he had obtained Poynter's four-volume manuscript diary for £12 10s. Even better was the arrival of the diary itself the following morning.
The necessity of taking Mr. and Mrs. Simpson for a drive in the car on Saturday morning and of attending to his neighbours and guests that afternoon prevented him from doing more than open the parcel until the party had retired to bed on the Saturday night. It was then[Pg 58] that he made certain of the fact, which he had before only suspected, that he had indeed acquired the diary of Mr. William Poynter, Squire of Acrington (about four miles from his own parish)—that same Poynter who was for a time a member of the circle of Oxford antiquaries, the centre of which was Thomas Hearne, and with whom Hearne seems ultimately to have quarrelled—a not uncommon episode in the career of that excellent man. As is the case with Hearne's own collections, the diary of Poynter contained a good many notes from printed books, descriptions of coins and other antiquities that had been brought to his notice, and drafts of letters on these subjects, besides the chronicle of everyday events. The description in the sale-catalogue had given Mr. Denton no idea of the amount of interest which seemed to lie in the book, and he sat up reading in the first of the four volumes until a reprehensibly late hour.
The need to take Mr. and Mrs. Simpson for a drive on Saturday morning and to attend to his neighbors and guests that afternoon kept him from doing anything more than opening the parcel until the party had gone to bed that Saturday night. It was then[Pg 58] that he confirmed something he had only suspected before: he had indeed acquired the diary of Mr. William Poynter, Squire of Acrington (about four miles from his own parish)—the same Poynter who was once part of the group of Oxford antiquarians, which Thomas Hearne was at the center of, and with whom Hearne ultimately had a falling out—a common occurrence in that excellent man’s life. Like Hearne's own collections, Poynter's diary contained many notes from printed books, descriptions of coins and other antiquities he had encountered, drafts of letters on these topics, and a record of everyday events. The description in the sale catalog hadn’t given Mr. Denton any idea of the interesting content of the book, and he stayed up reading the first of the four volumes until a shamefully late hour.
On the Sunday morning, after church, his aunt came into the study and was diverted from what she had been going to say to him by the sight of the four brown leather quartos on the table. "What are these?" she said suspiciously. "New, aren't they? Oh! are[Pg 59] these the things that made you forget my chintzes? I thought so. Disgusting. What did you give for them, I should like to know? Over Ten Pounds? James, it is really sinful. Well, if you have money to throw away on this kind of thing, there can be no reason why you should not subscribe—and subscribe handsomely—to my anti-Vivisection League. There is not, indeed, James, and I shall be very seriously annoyed if——. Who did you say wrote them? Old Mr. Poynter, of Acrington? Well, of course, there is some interest in getting together old papers about this neighbourhood. But Ten Pounds!" She picked up one of the volumes—not that which her nephew had been reading—and opened it at random, dashing it to the floor the next instant with a cry of disgust as a earwig fell from between the pages. Mr. Denton picked it up with a smothered expletive and said, "Poor book! I think you're rather hard on Mr. Poynter." "Was I, my dear? I beg his pardon, but you know I cannot abide those horrid creatures. Let me see if I've done any mischief." "No, I think all's well: but look here what you've opened him on." "Dear me, yes, to be sure! how very interesting. Do unpin it, James, and let me look at it."[Pg 60]
On Sunday morning, after church, his aunt walked into the study and got sidetracked from what she was about to say when she noticed the four brown leather books on the table. "What are these?" she asked, suspicious. "They’re new, aren’t they? Oh! Are[Pg 59] these what made you forget my chintzes? I thought so. Disgusting. How much did you pay for them, if you don’t mind me asking? Over Ten Pounds? James, that's really sinful. If you have money to waste on this kind of thing, then you should definitely support—and generously contribute to—my anti-Vivisection League. You really should, James, and I’ll be quite upset if——. Who did you say wrote them? Old Mr. Poynter from Acrington? Well, sure, there’s some value in collecting old papers about this area. But Ten Pounds!" She grabbed one of the volumes—not the one her nephew had been reading—and opened it randomly, only to drop it to the floor the next second with a disgusted shout as a earwig scuttled out from between the pages. Mr. Denton picked it up with a suppressed curse and said, "Poor book! I think you're being a bit harsh on Mr. Poynter." "Was I, dear? I apologize, but you know I can’t stand those awful creatures. Let me check if I did any damage." "No, I think everything's fine: but look what you’ve opened it to." "Oh my, yes, of course! How very interesting. Unpin it, James, and let me see it."[Pg 60]
It was a piece of patterned stuff about the size of the quarto page, to which it was fastened by an old-fashioned pin. James detached it and handed it to his aunt, carefully replacing the pin in the paper.
It was a piece of patterned fabric roughly the size of a quarto page, attached with an old-fashioned pin. James took it off and handed it to his aunt, carefully putting the pin back in the paper.
Now, I do not know exactly what the fabric was; but it had a design printed upon it, which completely fascinated Miss Denton. She went into raptures over it, held it against the wall, made James do the same, that she might retire to contemplate it from a distance: then pored over it at close quarters, and ended her examination by expressing in the warmest terms her appreciation of the taste of the ancient Mr. Poynter who had had the happy idea of preserving this sample in his diary. "It is a most charming pattern," she said, "and remarkable too. Look, James, how delightfully the lines ripple. It reminds one of hair, very much, doesn't it. And then these knots of ribbon at intervals. They give just the relief of colour that is wanted. I wonder——" "I was going to say," said James with deference, "I wonder if it would cost much to have it copied for our curtains." "Copied? how could you have it copied, James?" "Well, I don't know the details, but I suppose that is a printed[Pg 61] pattern, and that you could have a block cut from it in wood or metal." "Now, really, that is a capital idea, James. I am almost inclined to be glad that you were so—that you forgot the chintzes on Monday. At any rate, I'll promise to forgive and forget if you get this lovely old thing copied. No one will have anything in the least like it, and mind, James, we won't allow it to be sold. Now I must go, and I've totally forgotten what it was I came in to say: never mind, it'll keep."
Now, I don't know exactly what the fabric was, but it had a design printed on it that completely fascinated Miss Denton. She was thrilled about it, held it against the wall, made James do the same so she could step back and view it from a distance. Then she examined it closely and finished by expressing her appreciation in the warmest terms for the taste of the late Mr. Poynter, who had the brilliant idea of keeping this sample in his diary. "It's a really charming pattern," she said, "and remarkable too. Look, James, how beautifully the lines ripple. It really reminds me of hair, doesn't it? And then these knots of ribbon at intervals give just the right touch of color. I wonder—” "I was going to say," James replied politely, "I wonder if it would cost much to have it copied for our curtains." "Copied? How could you have it copied, James?" "Well, I’m not sure about the details, but I guess it’s a printed[Pg 61] pattern, and you could have a block cut from it in wood or metal." "Now, really, that’s a great idea, James. I’m almost glad you—well, that you forgot the chintzes on Monday. Anyway, I promise to forgive and forget if you get this lovely old thing copied. No one will have anything even close to it, and remember, James, we won’t let it be sold. Now I must go, and I’ve completely forgotten what I came in to say: never mind, it’ll keep."
After his aunt had gone James Denton devoted a few minutes to examining the pattern more closely than he had yet had a chance of doing. He was puzzled to think why it should have struck Miss Denton so forcibly. It seemed to him not specially remarkable or pretty. No doubt it was suitable enough for a curtain pattern: it ran in vertical bands, and there was some indication that these were intended to converge at the top. She was right, too, in thinking that these main bands resembled rippling—almost curling—tresses of hair. Well, the main thing was to find out by means of trade directories, or otherwise, what firm would undertake the reproduction of an old pattern of this kind. Not to delay the reader over[Pg 62] this portion of the story, a list of likely names was made out, and Mr. Denton fixed a day for calling on them, or some of them, with his sample.
After his aunt left, James Denton spent a few minutes looking at the pattern more closely than he had before. He was puzzled about why it had impressed Miss Denton so much. To him, it didn't seem especially remarkable or beautiful. Sure, it was a fitting design for a curtain: it had vertical bands, and it looked like they were meant to come together at the top. She was also right in thinking that these main bands looked like flowing—almost curling—strands of hair. Well, the main task was to find out through trade directories or other means which company would reproduce an old pattern like this. Not to keep the reader waiting over[Pg 62]this part of the story, he created a list of potential names and Mr. Denton scheduled a day to visit them, or some of them, with his sample.
The first two visits which he paid were unsuccessful: but there is luck in odd numbers. The firm in Bermondsey which was third on his list was accustomed to handling this line. The evidence they were able to produce justified their being entrusted with the job. "Our Mr. Cattell" took a fervent personal interest in it. "It's 'eartrending, isn't it, sir," he said, "to picture the quantity of reelly lovely medeevial stuff of this kind that lays well-nigh unnoticed in many of our residential country 'ouses: much of it in peril, I take it, of being cast aside as so much rubbish. What is it Shakespeare says—unconsidered trifles. Ah, I often say he 'as a word for us all, sir. I say Shakespeare, but I'm well aware all don't 'old with me there—I 'ad something of an upset the other day when a gentleman came in—a titled man, too, he was, and I think he told me he'd wrote on the topic, and I 'appened to cite out something about 'Ercules and the painted cloth. Dear me, you never see such a pother. But as to this, what you've[Pg 63] kindly confided to us, it's a piece of work we shall take a reel enthusiasm in achieving it out to the very best of our ability. What man 'as done, as I was observing only a few weeks back to another esteemed client, man can do, and in three to four weeks' time, all being well, we shall 'ope to lay before you evidence to that effect, sir. Take the address, Mr. 'Iggins, if you please."
The first two visits he made were unsuccessful, but there's luck in odd numbers. The firm in Bermondsey that was third on his list was used to dealing with this type of work. The evidence they provided justified trusting them with the job. "Our Mr. Cattell" took a keen personal interest in it. "It's heart-wrenching, isn't it, sir," he said, "to think about all the really lovely medieval pieces like this that lie almost unnoticed in many of our country homes: so much of it is in danger, I imagine, of being tossed aside as junk. What is it Shakespeare says—unconsidered trifles? Ah, I often say he has a word for us all, sir. I mention Shakespeare, but I know not everyone agrees with me there—I had a bit of a stir the other day when a gentleman came in—a titled man, too, and I think he told me he had written on the subject. I happened to mention something about Hercules and the painted cloth. Goodness, you never saw such a fuss. But as for what you've[Pg 63] kindly shared with us, it's a piece of work we will be genuinely excited to carry out to the best of our ability. What man has done, as I was saying just a few weeks ago to another valued client, man can do. In three to four weeks’ time, all being well, we hope to present to you evidence of that, sir. Please take the address, Mr. Higgins."
Such was the general drift of Mr. Cattell's observations on the occasion of his first interview with Mr. Denton. About a month later, being advised that some samples were ready for his inspection, Mr. Denton met him again, and had, it seems, reason to be satisfied with the faithfulness of the reproduction of the design. It had been finished off at the top in accordance with the indication I mentioned, so that the vertical bands joined. But something still needed to be done in the way of matching the colour of the original. Mr. Cattell had suggestions of a technical kind to offer, with which I need not trouble you. He had also views as to the general desirability of the pattern which were vaguely adverse. "You say you don't wish this to be supplied excepting to personal friends equipped with a authorization[Pg 64] from yourself, sir. It shall be done. I quite understand your wish to keep it exclusive: lends a catchit, does it not, to the suite? What's every man's, it's been said, is no man's."
Mr. Cattell's thoughts during his first meeting with Mr. Denton had a clear direction. About a month later, after being told that some samples were ready for him to check out, Mr. Denton met with him again and seemed pleased with how accurately the design was reproduced. It had been topped off according to the instructions I mentioned, ensuring the vertical bands connected. However, there was still work to be done to match the color of the original. Mr. Cattell had some technical suggestions, which I won’t go into. He also had some vague concerns about the overall appeal of the pattern. "You mentioned you want this supplied only to personal friends who have your authorization[Pg 64], sir. That can be arranged. I understand your desire to keep it exclusive: it adds a certain flair to the suite, doesn’t it? It’s been said that what belongs to everyone belongs to no one."
"Do you think it would be popular if it were generally obtainable?" asked Mr. Denton.
"Do you think it would be popular if it were easily available?" asked Mr. Denton.
"I 'ardly think it, sir," said Cattell, pensively clasping his beard. "I 'ardly think it. Not popular: it wasn't popular with the man that cut the block, was it, Mr. 'Iggins?"
"I hardly think so, sir," said Cattell, thinking deeply as he stroked his beard. "I hardly think so. It wasn't popular; it definitely wasn't popular with the guy who cut the block, was it, Mr. Higgins?"
"Did he find it a difficult job?"
"Did he think it was a tough job?"
"He'd no call to do so, sir; but the fact is that the artistic temperament—and our men are artists, sir, every man of them—true artists as much as many that the world styles by that term—it's apt to take some strange 'ardly accountable likes or dislikes, and here was an example. The twice or thrice that I went to inspect his progress: language I could understand, for that's 'abitual to him, but reel distaste for what I should call a dainty enough thing, I did not, nor am I now able to fathom. It seemed," said Mr. Cattell, looking narrowly upon Mr. Denton, "as if the man scented something almost Hevil in the design."
"He had no reason to do that, sir; but the truth is that the artistic temperament—and our men are artists, sir, every single one of them—true artists just as much as many that the world calls by that name—it can lead to some strange, hardly explainable likes or dislikes, and here was an example. The two or three times I went to see his progress: language I could understand, since that's usual for him, but the real aversion he had towards what I would call a fairly delicate thing, I couldn't, and still can't, understand. It seemed," said Mr. Cattell, looking closely at Mr. Denton, "as if the man sensed something almost evil in the design."
"Indeed? did he tell you so? I can't say I see anything sinister in it myself."[Pg 65]
"Really? Did he say that to you? I can't say that I see anything wrong with it myself."[Pg 65]
"Neether can I, sir. In fact I said as much. 'Come, Gatwick,' I said, 'what's to do here? What's the reason of your prejudice—for I can call it no more than that?' But, no! no explanation was forthcoming. And I was merely reduced, as I am now, to a shrug of the shoulders, and a cui bono. However, here it is," and with that the technical side of the question came to the front again.
"Neither can I, sir. In fact, I already said that. 'Come on, Gatwick,' I said, 'what’s going on here? What’s the reason for your bias—because I can call it nothing less than that?' But, no! No explanation was given. And I was just left, as I am now, with a shrug of my shoulders and a cui bono. Anyway, here it is," and with that, the technical aspect of the issue became the focus once more.
The matching of the colours for the background, the hem, and the knots of ribbon was by far the longest part of the business, and necessitated many sendings to and fro of the original pattern and of new samples. During part of August and September, too, the Dentons were away from the Manor. So that it was not until October was well in that a sufficient quantity of the stuff had been manufactured to furnish curtains for the three or four bedrooms which were to be fitted up with it.
The matching of the colors for the background, the hem, and the ribbon knots was by far the longest part of the process and required a lot of back-and-forth with the original pattern and new samples. During part of August and September, the Dentons were away from the Manor. So, it wasn't until well into October that enough fabric had been produced to make curtains for the three or four bedrooms that were going to be decorated with it.
On the feast of Simon and Jude the aunt and nephew returned from a short visit to find all completed, and their satisfaction at the general effect was great. The new curtains, in particular, agreed to admiration with their surroundings. When Mr. Denton was dressing for dinner, and took stock of his room, in which[Pg 66] there was a large amount of the chintz displayed, he congratulated himself over and over again on the luck which had first made him forget his aunt's commission and had then put into his hands this extremely effective means of remedying his mistake. The pattern was, as he said at dinner, so restful and yet so far from being dull. And Miss Denton—who, by the way, had none of the stuff in her own room—was much disposed to agree with him.
On the feast of Simon and Jude, the aunt and nephew came back from a short visit to find everything done, and they were really pleased with how it all turned out. The new curtains, in particular, looked great with the rest of the room. When Mr. Denton was getting ready for dinner and surveyed his room, where there was a lot of the chintz on display, he kept congratulating himself on the luck that had made him forget his aunt’s request and then provided him with this really effective way to fix his mistake. The pattern was, as he mentioned at dinner, both calming and anything but boring. And Miss Denton—who, by the way, didn’t have any of the fabric in her own room—was very inclined to agree with him.
At breakfast next morning he was induced to qualify his satisfaction to some extent—but very slightly. "There is one thing I rather regret," he said, "that we allowed them to join up the vertical bands of the pattern at the top. I think it would have been better to leave that alone."
At breakfast the next morning, he felt prompted to temper his satisfaction a bit—but just a little. "There's one thing I slightly regret," he said, "that we let them connect the vertical bands of the pattern at the top. I think it would have been better to leave it as it was."
"Oh?" said his aunt interrogatively.
"Oh?" his aunt asked.
"Yes: as I was reading in bed last night they kept catching my eye rather. That is, I found myself looking across at them every now and then. There was an effect as if some one kept peeping out between the curtains in one place or another, where there was no edge, and I think that was due to the joining up of the bands at the top. The only other thing that troubled me was the wind."[Pg 67]
"Yeah, while I was reading in bed last night, they kept grabbing my attention. I found myself glancing over at them every now and then. It felt like someone was peeking out from between the curtains in spots where there was no edge, and I think that was because of how the bands connected at the top. The only other thing that bothered me was the wind." [Pg 67]
"Why, I thought it was a perfectly still night."
"Wow, I thought it was a completely calm night."
"Perhaps it was only on my side of the house, but there was enough to sway my curtains and rustle them more than I wanted."
"Maybe it was just on my side of the house, but there was enough to move my curtains and make them rustle more than I wanted."
That night a bachelor friend of James Denton's came to stay, and was lodged in a room on the same floor as his host, but at the end of a long passage, halfway down which was a red baize door, put there to cut off the draught and intercept noise.
That night, a bachelor friend of James Denton's came to stay and was given a room on the same floor as his host, but at the end of a long hallway. Halfway down the hall was a red baize door, placed there to block the draft and reduce noise.
The party of three had separated. Miss Denton a good first, the two men at about eleven. James Denton, not yet inclined for bed, sat him down in an arm-chair and read for a time. Then he dozed, and then he woke, and bethought himself that his brown spaniel, which ordinarily slept in his room, had not come upstairs with him. Then he thought he was mistaken: for happening to move his hand which hung down over the arm of the chair within a few inches of the floor, he felt on the back of it just the slightest touch of a surface of hair, and stretching it out in that direction he stroked and patted a rounded something. But the feel of it, and still more the fact that instead of a responsive movement, absolute stillness[Pg 68] greeted his touch, made him look over the arm. What he had been touching rose to meet him. It was in the attitude of one that had crept along the floor on its belly, and it was, so far as could be collected, a human figure. But of the face which was now rising to within a few inches of his own no feature was discernible, only hair. Shapeless as it was, there was about it so horrible an air of menace that as he bounded from his chair and rushed from the room he heard himself moaning with fear: and doubtless he did right to fly. As he dashed into the baize door that cut the passage in two, and—forgetting that it opened towards him—beat against it with all the force in him, he felt a soft ineffectual tearing at his back which, all the same, seemed to be growing in power, as if the hand, or whatever worse than a hand was there, were becoming more material as the pursuer's rage was more concentrated. Then he remembered the trick of the door—he got it open—he shut it behind him—he gained his friend's room, and that is all we need know.
The group of three had split up. Miss Denton went to bed early, while the two men stayed up until around eleven. James Denton, not ready for sleep yet, sat down in an armchair and read for a while. Then he dozed off, woke up, and realized that his brown spaniel, who usually slept in his room, hadn’t followed him upstairs. He thought maybe he was mistaken; as he moved his hand that was hanging over the arm of the chair close to the floor, he felt a slight touch of fur and stretched out to stroke whatever it was. But the texture, and more importantly, the complete lack of movement in response to his touch, made him look over the armrest. What he had been touching was rising to meet him. It was in the position of something that had slithered along the floor, and, as far as he could tell, it was a human figure. However, as the face rose to within a few inches of his own, he couldn’t make out any features—just hair. Despite its formlessness, it had a horrifying air of threat that made him jump up from his chair and rush out of the room, moaning in fear. He was right to flee. As he burst through the baize door that separated the corridor, forgetting that it opened toward him, he slammed into it with all his strength. He felt a soft but persistent tug at his back, which seemed to grow stronger, as if a hand—or something worse—was becoming more substantial as the intensity of his panic increased. Then he remembered how the door worked—he managed to get it open, shut it behind him, and reached his friend’s room, and that’s all we need to know.
It seems curious that, during all the time that had elapsed since the purchase of Poynter's diary, James Denton should not have sought an explanation of the presence of the pattern[Pg 69] that had been pinned into it. Well, he had read the diary through without finding it mentioned, and had concluded that there was nothing to be said. But, on leaving Rendcomb Manor (he did not know whether for good), as he naturally insisted upon doing on the day after experiencing the horror I have tried to put into words, he took the diary with him. And at his seaside lodgings he examined more narrowly the portion whence the pattern had been taken. What he remembered having suspected about it turned out to be correct. Two or three leaves were pasted together, but written upon, as was patent when they were held up to the light. They yielded easily to steaming, for the paste had lost much of its strength, and they contained something relevant to the pattern.
It seems strange that, during all the time since James Denton bought Poynter's diary, he never tried to find out why the pattern[Pg 69] was pinned inside it. He had read through the diary without seeing anything about it and figured there was nothing to explain. But, after leaving Rendcomb Manor (not sure if it was for good), which he felt he had to do the day after the terrifying experience I’ve tried to describe, he took the diary with him. Once at his seaside lodging, he took a closer look at the part from which the pattern had been removed. What he had suspected turned out to be true. Two or three pages were glued together but had writing on them, which was clear when held up to the light. They came apart easily with steam since the glue had weakened, and they contained information related to the pattern.
The entry was made in 1707.
The entry was made in 1707.
"Old Mr. Casbury, of Acrington, told me this day much of young Sir Everard Charlett, whom he remember'd Commoner of University College, and thought was of the same Family as Dr. Arthur Charlett, now master of ye Coll. This Charlett was a personable young gent., but a loose atheistical companion, and a great Lifter, as they then call'd the hard[Pg 70] drinkers, and for what I know do so now. He was noted, and subject to severall censures at different times for his extravagancies: and if the full history of his debaucheries had bin known, no doubt would have been expell'd ye Coll., supposing that no interest had been imploy'd on his behalf, of which Mr. Casbury had some suspicion. He was a very beautiful person, and constantly wore his own Hair, which was very abundant, from which, and his loose way of living, the cant name for him was Absalom, and he was accustom'd to say that indeed he believ'd he had shortened old David's days, meaning his father, Sir Job Charlett, an old worthy cavalier.
"Old Mr. Casbury from Acrington told me today quite a bit about young Sir Everard Charlett, who he remembered as a Commoner at University College, and thought was from the same family as Dr. Arthur Charlett, the current master of the College. This Charlett was a handsome young man, but a bit of a reckless atheist and a notorious drunkard, as they used to call heavy drinkers back then. He was frequently noted and criticized for his wild behavior, and if his full history of debauchery had been revealed, he certainly would have been expelled from the College, assuming no influence had been used to protect him, which Mr. Casbury suspected. He was very good-looking and always wore his own hair, which was quite thick, leading to the nickname Absalom, and he used to joke that he truly believed he had shortened old David's life, referring to his father, Sir Job Charlett, a respectable old cavalier."
"Note that Mr. Casbury said that he remembers not the year of Sir Everard Charlett's death, but it was 1692 or 3. He died suddenly in October. [Several lines describing his unpleasant habits and reputed delinquencies are omitted.] Having seen him in such topping spirits the night before, Mr. Casbury was amaz'd when he learn'd the death. He was found in the town ditch, the hair as was said pluck'd clean off his head. Most bells in Oxford rung out for him, being a nobleman, and he was buried next night in St. Peter's in the East.[Pg 71] But two years after, being to be moved to his country estate by his successor, it was said the coffin, breaking by mischance, proved quite full of Hair: which sounds fabulous, but yet I believe precedents are upon record, as in Dr. Plot's History of Staffordshire.
"Note that Mr. Casbury mentioned that he doesn’t remember the exact year of Sir Everard Charlett's death, but it was either 1692 or 1693. He died suddenly in October. [Several lines describing his unpleasant habits and rumored wrongdoings are omitted.] After having seen him in such high spirits the night before, Mr. Casbury was shocked when he heard of the death. He was found in the town ditch, with his hair reportedly completely pulled off his head. Most bells in Oxford rang for him, since he was a nobleman, and he was buried the next night in St. Peter's in the East.[Pg 71] However, two years later, when plans were made to move him to his country estate by his successor, it was said that the coffin, breaking by accident, was found to be completely full of hair: which sounds unbelievable, but I believe there are records of similar cases, as noted in Dr. Plot's History of Staffordshire."
"His chambers being afterwards stripp'd, Mr. Casbury came by part of the hangings of it, which 'twas said this Charlett had design'd expressly for a memoriall of his Hair, giving the Fellow that drew it a lock to work by, and the piece which I have fasten'd in here was parcel of the same, which Mr. Casbury gave to me. He said he believ'd there was a subtlety in the drawing, but had never discover'd it himself, nor much liked to pore upon it."
"After his rooms were stripped, Mr. Casbury came across some of the hangings, which, it was said, Charlett had specifically designed as a tribute to his hair, giving the artist a lock to use as a reference. The piece I've included here was part of that same collection, which Mr. Casbury gave to me. He mentioned that he believed there was some nuance in the drawing but had never figured it out himself and didn't really enjoy staring at it."
The money spent upon the curtains might as well have been thrown into the fire, as they were. Mr. Cattell's comment upon what he heard of the story took the form of a quotation from Shakespeare. You may guess it without difficulty. It began with the words "There are more things."
The money spent on the curtains might as well have been tossed into the fire, because that's what they were worth. Mr. Cattell's reaction to what he heard about the story was to quote Shakespeare. You can probably guess which line it was. It started with the words "There are more things."
AN EPISODE OF CATHEDRAL HISTORY
AN EPISODE OF CATHEDRAL HISTORY
There was once a learned gentleman who was deputed to examine and report upon the archives of the Cathedral of Southminster. The examination of these records demanded a very considerable expenditure of time: hence it became advisable for him to engage lodgings in the city: for though the Cathedral body were profuse in their offers of hospitality, Mr. Lake felt that he would prefer to be master of his day. This was recognized as reasonable. The Dean eventually wrote advising Mr. Lake, if he were not already suited, to communicate with Mr. Worby, the principal Verger, who occupied a house convenient to the church and was prepared to take in a quiet lodger for three or four weeks. Such an arrangement was precisely what Mr. Lake desired. Terms were easily agreed upon, and early in December, like another Mr. Datchery (as he remarked to himself), the investigator found himself in the occupation of a very[Pg 76] comfortable room in an ancient and "cathedraly" house.
There was once a knowledgeable man who was sent to review and report on the archives of the Southminster Cathedral. This examination required a significant amount of time, so it was wise for him to find a place to stay in the city. Although the Cathedral offered plenty of hospitality, Mr. Lake preferred to be in charge of his own schedule. This was seen as reasonable. The Dean eventually wrote to suggest that Mr. Lake get in touch with Mr. Worby, the main Verger, if he hadn’t already found a place. Mr. Worby had a house close to the church and was willing to take in a quiet tenant for three or four weeks. This arrangement was exactly what Mr. Lake wanted. They easily agreed on terms, and early in December, like another Mr. Datchery (as he noted to himself), the investigator found himself settled in a very[Pg 76] comfortable room in an old and "cathedral-like" house.
One so familiar with the customs of Cathedral churches, and treated with such obvious consideration by the Dean and Chapter of this Cathedral in particular, could not fail to command the respect of the Head Verger. Mr. Worby even acquiesced in certain modifications of statements he had been accustomed to offer for years to parties of visitors. Mr. Lake, on his part, found the Verger a very cheery companion, and took advantage of any occasion that presented itself for enjoying his conversation when the day's work was over.
One who is well acquainted with the traditions of Cathedral churches and is treated with such clear respect by the Dean and Chapter of this Cathedral, in particular, was sure to earn the respect of the Head Verger. Mr. Worby even agreed to make certain adjustments to statements he had been giving to visitors for years. Mr. Lake, for his part, found the Verger to be a very cheerful companion and seized any opportunity after work to enjoy his company.
One evening, about nine o'clock, Mr. Worby knocked at his lodger's door. "I've occasion," he said, "to go across to the Cathedral, Mr. Lake, and I think I made you a promise when I did so next I would give you the opportunity to see what it looks like at night time. It is quite fine and dry outside, if you care to come."
One evening, around nine o'clock, Mr. Worby knocked on his lodger's door. "I have a reason," he said, "to head over to the Cathedral, Mr. Lake, and I think I promised you that the next time I went, I'd give you the chance to see what it looks like at night. It’s quite nice and dry outside, if you want to come."
"To be sure I will; very much obliged to you, Mr. Worby, for thinking of it, but let me get my coat."
"Of course I will; I really appreciate it, Mr. Worby, for thinking of it, but let me grab my coat."
"Here it is, sir, and I've another lantern here that you'll find advisable for the steps, as there's no moon."[Pg 77]
"Here it is, sir, and I have another lantern here that you'll find useful for the steps since there's no moon." [Pg 77]
"Any one might think we were Jasper and Durdles, over again, mightn't they," said Lake, as they crossed the close, for he had ascertained that the Verger had read Edwin Drood.
"Anyone might think we were Jasper and Durdles all over again, right?" said Lake as they walked through the courtyard, since he had found out that the Verger had read Edwin Drood.
"Well, so they might," said Mr. Worby, with a short laugh, "though I don't know whether we ought to take it as a compliment. Odd ways, I often think, they had at that Cathedral, don't it seem so to you, sir? Full choral matins at seven o'clock in the morning all the year round. Wouldn't suit our boys' voices nowadays, and I think there's one or two of the men would be applying for a rise if the Chapter was to bring it in—particular the alltoes."
"Well, I guess they might," Mr. Worby said with a short laugh, "though I’m not sure we should take it as a compliment. They had some strange practices at that Cathedral, don’t you think, sir? Full choral matins at seven in the morning all year round. That wouldn’t work for our boys’ voices these days, and I bet a couple of the men would be asking for a raise if the Chapter decided to start that up—especially the altos."
They were now at the south-west door. As Mr. Worby was unlocking it, Lake said, "Did you ever find anybody locked in here by accident?"
They were now at the southwest door. As Mr. Worby was unlocking it, Lake said, "Have you ever accidentally found anyone locked in here?"
"Twice I did. One was a drunk sailor; however he got in I don't know. I s'pose he went to sleep in the service, but by the time I got to him he was praying fit to bring the roof in. Lor'! what a noise that man did make! said it was the first time he'd been inside a church for ten years, and blest if ever he'd try it again. The other was an old sheep: them boys it was, up to their games. That was the last time they tried it on, though. There, sir,[Pg 78] now you see what we look like; our late Dean used now and again to bring parties in, but he preferred a moonlight night, and there was a piece of verse he'd coat to 'em, relating to a Scotch cathedral, I understand; but I don't know; I almost think the effect's better when it's all dark-like. Seems to add to the size and heighth. Now if you won't mind stopping somewhere in the nave while I go up into the choir where my business lays, you'll see what I mean."
"Twice I've encountered that. One was a drunk sailor; I have no idea how he got in. I guess he fell asleep while serving, but by the time I found him, he was praying loudly enough to bring the roof down. Wow! What a racket that guy made! He said it was the first time he'd been inside a church in ten years, and he swore he would never do it again. The other was an old sheep: those boys were just messing around. That was the last time they tried that, though. There, sir,[Pg 78] now you can see what we look like; our former Dean used to bring groups in every now and then, but he preferred a moonlit night, and there was a piece of verse he'd recite to them about a Scottish cathedral, I believe; but I'm not sure; I almost think the atmosphere is better when it’s completely dark. It seems to enhance the size and height. Now, if you don’t mind waiting somewhere in the nave while I head up to the choir where I need to be, you’ll see what I mean."
Accordingly Lake waited, leaning against a pillar, and watched the light wavering along the length of the church, and up the steps into the choir, until it was intercepted by some screen or other furniture, which only allowed the reflection to be seen on the piers and roof. Not many minutes had passed before Worby reappeared at the door of the choir and by waving his lantern signalled to Lake to rejoin him.
Accordingly, Lake waited, leaning against a pillar, watching the light flicker along the length of the church and up the steps into the choir, until it was cut off by some screen or piece of furniture, which only let the reflection be visible on the columns and ceiling. Not long after, Worby showed up at the choir door and waved his lantern to signal Lake to come back to him.
"I suppose it is Worby, and not a substitute," thought Lake to himself, as he walked up the nave. There was, in fact, nothing untoward. Worby showed him the papers which he had come to fetch out of the Dean's stall, and asked him what he thought of the spectacle: Lake agreed that it was well worth seeing. "I suppose," he said, as they walked towards the[Pg 79] altar-steps together, "that you're too much used to going about here at night to feel nervous—but you must get a start every now and then, don't you, when a book falls down or a door swings to."
"I guess it is Worby, and not a stand-in," thought Lake to himself as he walked up the nave. There was really nothing unusual. Worby showed him the papers he had come to get from the Dean's stall and asked him what he thought of the show: Lake agreed it was definitely worth seeing. "I suppose," he said as they walked towards the [Pg 79] altar steps together, "that you're so used to being around here at night that you don’t feel nervous—but I bet you still get startled every now and then, don't you, when a book falls or a door slams shut?"
"No, Mr. Lake, I can't say I think much about noises, not nowadays: I'm much more afraid of finding an escape of gas or a burst in the stove pipes than anything else. Still there have been times, years ago. Did you notice that plain altar-tomb there—fifteenth century we say it is, I don't know if you agree to that? Well, if you didn't look at it, just come back and give it a glance, if you'd be so good." It was on the north side of the choir, and rather awkwardly placed: only about three feet from the enclosing stone screen. Quite plain, as the Verger had said, but for some ordinary stone panelling. A metal cross of some size on the northern side (that next to the screen) was the solitary feature of any interest.
"No, Mr. Lake, I can't say I think much about noises anymore. I'm way more worried about a gas leak or a stove pipe bursting than anything else. But there were times, years ago. Did you notice that plain altar-tomb over there? We say it's from the fifteenth century; I don't know if you agree? Well, if you didn't take a look at it, just come back and give it a glance, if you wouldn't mind." It was on the north side of the choir, and somewhat awkwardly positioned, only about three feet from the enclosing stone screen. Quite plain, as the Verger had said, except for some ordinary stone paneling. A sizable metal cross on the northern side (the one next to the screen) was the only feature of any interest.
Lake agreed that it was not earlier than the Perpendicular period: "but," he said, "unless it's the tomb of some remarkable person, you'll forgive me for saying that I don't think it's particularly noteworthy."
Lake agreed that it wasn't earlier than the Perpendicular period: "but," he said, "unless it's the tomb of some notable person, you'll forgive me for saying that I don't think it's particularly impressive."
"Well, I can't say as it is the tomb of [Pg 80]anybody noted in 'istory," said Worby, who had a dry smile on his face, "for we don't own any record whatsoever of who it was put up to. For all that, if you've half an hour to spare, sir, when we get back to the house, Mr. Lake, I could tell you a tale about that tomb. I won't begin on it now; it strikes cold here, and we don't want to be dawdling about all night."
"Well, I can't say it's the tomb of [Pg 80]anyone mentioned in history," said Worby, with a dry smile on his face. "We don't have any record of who it was made for. Still, if you've got half an hour to spare, sir, when we get back to the house, Mr. Lake, I could tell you a story about that tomb. I won't start now; it's chilly here, and we don't want to be hanging around all night."
"Of course I should like to hear it immensely."
"Of course, I would love to hear it a lot."
"Very well, sir, you shall. Now if I might put a question to you," he went on, as they passed down the choir aisle, "in our little local guide—and not only there, but in the little book on our Cathedral in the series—you'll find it stated that this portion of the building was erected previous to the twelfth century. Now of course I should be glad enough to take that view, but—mind the step, sir—but, I put it to you—does the lay of the stone 'ere in this portion of the wall (which he tapped with his key) does it to your eye carry the flavour of what you might call Saxon masonry? No, I thought not; no more it does to me: now, if you'll believe me, I've said as much to those men—one's the librarian of our Free Libry here, and the other came down from London on purpose—fifty times, if I have once, but I[Pg 81] might just as well have talked to that bit of stonework. But there it is, I suppose every one's got their opinions."
"Sure thing, sir, you can. Now, if I could ask you something," he continued as they walked down the choir aisle, "in our local guide—and not just there, but in the little book about our Cathedral in the series—you'll see it says that this part of the building was built before the twelfth century. Now, of course, I'd love to believe that, but—watch your step, sir—but I ask you—does the way the stone is laid in this part of the wall (which he tapped with his key) look to you like what you'd call Saxon masonry? No, I didn't think so; it doesn't seem like that to me either: now, if you’ll believe me, I’ve told those guys—one’s the librarian at our Free Library here, and the other came down from London just for this—fifty times, if I’ve said it once, but I might as well have been talking to that piece of stone. But there it is; I guess everyone has their opinions."
The discussion of this peculiar trait of human nature occupied Mr. Worby almost up to the moment when he and Lake re-entered the former's house. The condition of the fire in Lake's sitting-room led to a suggestion from Mr. Worby that they should finish the evening in his own parlour. We find them accordingly settled there some short time afterwards.
The conversation about this strange aspect of human nature kept Mr. Worby engaged right up until he and Lake went back into Mr. Worby's house. The state of the fire in Lake's living room prompted Mr. Worby to suggest that they wrap up the evening in his own parlor. We later find them comfortably settled there a little while later.
Mr. Worby made his story a long one, and I will not undertake to tell it wholly in his own words, or in his own order. Lake committed the substance of it to paper immediately after hearing it, together with some few passages of the narrative which had fixed themselves verbatim in his mind; I shall probably find it expedient to condense Lake's record to some extent.
Mr. Worby told a lengthy story, and I won't try to recount it entirely in his own words or in the order he shared it. Lake wrote down the main points right after hearing it, along with a few parts of the narrative that stuck in his mind verbatim; I'll probably need to summarize Lake's account a bit.
Mr. Worby was born, it appeared, about the year 1828. His father before him had been connected with the Cathedral, and likewise his grandfather. One or both had been choristers, and in later life both had done work as mason and carpenter respectively about the fabric. Worby himself, though possessed, as he frankly acknowledged, of an indifferent voice, had been[Pg 82] drafted into the choir at about ten years of age.
Mr. Worby was born around 1828. His father and grandfather were both associated with the Cathedral. One or both had been choir members, and later in life, both worked as a mason and a carpenter in connection with the building. Worby himself, although he honestly admitted to having a mediocre voice, was drafted into the choir when he was about ten years old.[Pg 82]
It was in 1840 that the wave of the Gothic revival smote the Cathedral of Southminster. "There was a lot of lovely stuff went then, sir," said Worby, with a sigh. "My father couldn't hardly believe it when he got his orders to clear out the choir. There was a new dean just come in—Dean Burscough it was—and my father had been 'prenticed to a good firm of joiners in the city, and knew what good work was when he saw it. Crool it was, he used to say: all that beautiful wainscot oak, as good as the day it was put up, and garlands-like of foliage and fruit, and lovely old gilding work on the coats of arms and the organ pipes. All went to the timber yard—every bit except some little pieces worked up in the Lady Chapel, and 'ere in this overmantel. Well—I may be mistook, but I say our choir never looked as well since. Still there was a lot found out about the history of the church, and no doubt but what it did stand in need of repair. There was very few winters passed but what we'd lose a pinnicle." Mr. Lake expressed his concurrence with Worby's views of restoration, but owns to a fear about this point lest the story proper[Pg 83] should never be reached. Possibly this was perceptible in his manner.
It was in 1840 that the wave of the Gothic revival hit the Cathedral of Southminster. "There was a lot of beautiful stuff taken away back then, sir," said Worby, with a sigh. "My father could hardly believe it when he got the orders to clear out the choir. There was a new dean just appointed—Dean Burscough, it was—and my father had been apprenticed to a good joinery firm in the city, so he knew good work when he saw it. It was cruel, he used to say: all that beautiful wainscot oak, as good as the day it was installed, and garlands of foliage and fruit, and lovely old gilding on the coats of arms and the organ pipes. All of it went to the timber yard—every bit except for some little pieces that were worked into the Lady Chapel, and here in this overmantel. Well—I might be mistaken, but I say our choir hasn’t looked as good since. Still, a lot was learned about the history of the church, and there's no doubt it needed repairs. Very few winters went by without us losing a pinnacle." Mr. Lake agreed with Worby’s views on restoration, but admitted to a concern that this point might prevent the actual story from being reached. Perhaps this was noticeable in his manner.
Worby hastened to reassure him, "Not but what I could carry on about that topic for hours at a time, and do do when I see my opportunity. But Dean Burscough he was very set on the Gothic period, and nothing would serve him but everything must be made agreeable to that. And one morning after service he appointed for my father to meet him in the choir, and he came back after he'd taken off his robes in the vestry, and he'd got a roll of paper with him, and the verger that was then brought in a table, and they begun spreading it out on the table with prayer books to keep it down, and my father helped 'em, and he saw it was a picture of the inside of a choir in a Cathedral; and the Dean—he was a quick spoken gentleman—he says, 'Well, Worby, what do you think of that?' 'Why', says my father, 'I don't think I 'ave the pleasure of knowing that view. Would that be Hereford Cathedral, Mr. Dean?' 'No, Worby,' says the Dean, 'that's Southminster Cathedral as we hope to see it before many years.' 'In-deed, sir,' says my father, and that was all he did say—leastways to the Dean—but he used to tell me he felt really faint in[Pg 84] himself when he looked round our choir as I can remember it, all comfortable and furnished-like, and then see this nasty little dry picter, as he called it, drawn out by some London architect. Well, there I am again. But you'll see what I mean if you look at this old view."
Worby quickly reassured him, "I could talk about that topic for hours and I often do when I get the chance. But Dean Burscough was very focused on the Gothic period, and he insisted that everything must align with that. One morning after service, he scheduled a meeting with my father in the choir. He returned after taking off his robes in the vestry, carrying a roll of paper with him, and the verger brought in a table. They started spreading the paper out on the table, using prayer books to weigh it down, and my father helped them. He noticed it was a picture of the inside of a cathedral choir. The Dean—who spoke quickly—asked, 'Well, Worby, what do you think of that?' 'Well,' my father replied, 'I don’t think I’ve seen that view before. Is it Hereford Cathedral, Mr. Dean?' 'No, Worby,' the Dean said, 'that's Southminster Cathedral as we hope to see it in a few years.' 'Indeed, sir,' my father said, and that was all he said—at least to the Dean. But he used to tell me he felt really faint when he looked around our choir as I remember it, all cozy and nicely furnished, and then saw this awful little dry picture, as he called it, drawn by some London architect. Well, there I go again. But you'll understand what I mean if you look at this old view."
Worby reached down a framed print from the wall. "Well, the long and the short of it was that the Dean he handed over to my father a copy of an order of the Chapter that he was to clear out every bit of the choir—make a clean sweep—ready for the new work that was being designed up in town, and he was to put it in hand as soon as ever he could get the breakers together. Now then, sir, if you look at that view, you'll see where the pulpit used to stand: that's what I want you to notice, if you please." It was, indeed, easily seen; an unusually large structure of timber with a domed sounding-board, standing at the east end of the stalls on the north side of the choir, facing the bishop's throne. Worby proceeded to explain that during the alterations, services were held in the nave, the members of the choir being thereby disappointed of an anticipated holiday, and the organist in particular incurring the suspicion of having wilfully damaged the mechanism of[Pg 85] the temporary organ that was hired at considerable expense from London.
Worby took a framed print off the wall. "So, the gist of it was that the Dean handed my father a copy of an order from the Chapter stating that he needed to clear out everything in the choir—make a complete cleanout—preparing for the new work being planned in town, and he was to get started as soon as he could gather the crew. Now, if you look at that view, you'll see where the pulpit used to be: that's what I want you to focus on, if you could." It was indeed clear; a surprisingly large wooden structure with a domed sounding board stood at the east end of the stalls on the north side of the choir, facing the bishop's throne. Worby went on to explain that during the renovations, services were held in the nave, disappointing the choir members who had been looking forward to a break, and the organist, in particular, faced suspicion of intentionally damaging the mechanism of[Pg 85] the temporary organ that had been rented at a significant cost from London.
The work of demolition began with the choir screen and organ loft, and proceeded gradually eastwards, disclosing, as Worby said, many interesting features of older work. While this was going on, the members of the Chapter were, naturally, in and about the choir a great deal, and it soon became apparent to the elder Worby—who could not help overhearing some of their talk—that, on the part of the senior Canons especially, there must have been a good deal of disagreement before the policy now being carried out had been adopted. Some were of opinion that they should catch their deaths of cold in the return-stalls, unprotected by a screen from the draughts in the nave: others objected to being exposed to the view of persons in the choir aisles, especially, they said, during the sermons, when they found it helpful to listen in a posture which was liable to misconstruction. The strongest opposition, however, came from the oldest of the body, who up to the last moment objected to the removal of the pulpit. "You ought not to touch it, Mr. Dean," he said with great emphasis one morning, when the two were standing before it: "you[Pg 86] don't know what mischief you may do." "Mischief? it's not a work of any particular merit, Canon." "Don't call me Canon," said the old man with great asperity, "that is, for thirty years I've been known as Dr. Ayloff, and I shall be obliged, Mr. Dean, if you would kindly humour me in that matter. And as to the pulpit (which I've preached from for thirty years, though I don't insist on that) all I'll say is, I know you're doing wrong in moving it." "But what sense could there be, my dear Doctor, in leaving it where it is, when we're fitting up the rest of the choir in a totally different style? What reason could be given—apart from the look of the thing?" "Reason! reason!" said old Dr. Ayloff; "if you young men—if I may say so without any disrespect, Mr. Dean—if you'd only listen to reason a little, and not be always asking for it, we should get on better. But there, I've said my say." The old gentleman hobbled off, and as it proved, never entered the Cathedral again. The season—it was a hot summer—turned sickly on a sudden. Dr. Ayloff was one of the first to go, with some affection of the muscles of the thorax, which took him painfully at night. And at many services the number of choirmen and boys was very thin.[Pg 87]
The demolition work started with the choir screen and the organ loft, gradually moving eastward and revealing, as Worby mentioned, many fascinating features of older architecture. While this was happening, the Chapter members were often in and around the choir, and it quickly became clear to the older Worby—who couldn't help but overhear some of their conversations—that, particularly among the senior Canons, there had been significant disagreements before the current policy was implemented. Some believed they would catch a cold in the return stalls, unprotected from the drafts in the nave: others were against being visible to people in the choir aisles, especially during sermons, when they found it easier to listen in a position that could easily be misunderstood. However, the strongest opposition came from the oldest member, who objected to the removal of the pulpit until the very end. "You shouldn't touch it, Mr. Dean," he insisted one morning as they stood in front of it, "you[Pg 86] don't realize the trouble you might cause." "Trouble? It's not particularly significant, Canon." "Don’t call me Canon," the old man snapped sharply, "for thirty years, I've been known as Dr. Ayloff, and I would appreciate it, Mr. Dean, if you could humor me in that regard. And regarding the pulpit (which I've preached from for thirty years, though I don't insist on that), all I'll say is I know you're making a mistake by moving it." "But what sense does it make, my dear Doctor, to leave it where it is when we're renovating the rest of the choir in a completely different style? What justification could there be—aside from appearances?" "Justification! Justification!" old Dr. Ayloff exclaimed; "if you young men—if I may say this without disrespect, Mr. Dean—if you'd only listen to reason a little, instead of constantly demanding it, we would progress more smoothly. But there, I've said my piece." The old gentleman hobbled away and, as it turned out, never returned to the Cathedral. That season—it was a hot summer—suddenly turned sickly. Dr. Ayloff was among the first to go, suffering from some chest muscle condition that caused him pain at night. During many services, the number of choir members and boys was noticeably low.[Pg 87]
Meanwhile the pulpit had been done away with. In fact, the sounding-board (part of which still exists as a table in a summer-house in the palace garden) was taken down within an hour or two of Dr. Ayloff's protest. The removal of the base—not effected without considerable trouble—disclosed to view, greatly to the exultation of the restoring party, an altar-tomb—the tomb, of course, to which Worby had attracted Lake's attention that same evening. Much fruitless research was expended in attempts to identify the occupant; from that day to this he has never had a name put to him. The structure had been most carefully boxed in under the pulpit-base, so that such slight ornament as it possessed was not defaced; only on the north side of it there was what looked like an injury; a gap between two of the slabs composing the side. It might be two or three inches across. Palmer, the mason, was directed to fill it up in a week's time, when he came to do some other small jobs near that part of the choir.
Meanwhile, the pulpit was removed. In fact, the sounding-board (part of which still exists as a table in a summer house in the palace garden) was taken down within an hour or two of Dr. Ayloff's protest. The removal of the base—not done without a lot of effort—revealed an altar-tomb, much to the delight of the restoration team. This was the tomb that Worby had pointed out to Lake that same evening. A lot of pointless searching was done to try and identify the occupant; since that day, he has never been given a name. The structure had been carefully enclosed under the pulpit base, so any slight decoration it had remained intact; only on the north side was there what looked like damage—a gap between two of the slabs forming the side. It was about two or three inches wide. Palmer, the mason, was instructed to fill it in within a week when he came to handle some other small jobs near that part of the choir.
The season was undoubtedly a very trying one. Whether the church was built on a site that had once been a marsh, as was suggested, or for whatever reason, the residents in its immediate neighbourhood had, many of them,[Pg 88] but little enjoyment of the exquisite sunny days and the calm nights of August and September. To several of the older people—Dr. Ayloff, among others, as we have seen—the summer proved downright fatal, but even among the younger, few escaped either a sojourn in bed for a matter of weeks, or at the least, a brooding sense of oppression, accompanied by hateful nightmares. Gradually there formulated itself a suspicion—which grew into a conviction—that the alterations in the Cathedral had something to say in the matter. The widow of a former old verger, a pensioner of the Chapter of Southminster, was visited by dreams, which she retailed to her friends, of a shape that slipped out of the little door of the south transept as the dark fell in, and flitted—taking a fresh direction every night—about the close, disappearing for a while in house after house, and finally emerging again when the night sky was paling. She could see nothing of it, she said, but that it was a moving form: only she had an impression that when it returned to the church, as it seemed to do in the end of the dream, it turned its head: and then, she could not tell why, but she thought it had red eyes. Worby remembered hearing the old lady[Pg 89] tell this dream at a tea-party in the house of the chapter clerk. Its recurrence might, perhaps, he said, be taken as a symptom of approaching illness; at any rate before the end of September the old lady was in her grave.
The season was definitely a tough one. Whether the church was built on a site that used to be a marsh, as was suggested, or for other reasons, many of the residents nearby had little enjoyment of the beautiful sunny days and peaceful nights of August and September. For several of the older folks—Dr. Ayloff, among others, as we've seen—the summer turned out to be deadly, but even among the younger crowd, few escaped either spending weeks in bed or at least feeling a heavy sense of gloom, accompanied by disturbing nightmares. Gradually, a suspicion formed that the changes to the Cathedral had something to do with it. The widow of a former old verger, a pensioner of the Chapter of Southminster, often shared dreams with her friends about a shape that slipped out of the little door of the south transept as darkness settled in, flitting around the close in a different direction every night, disappearing for a while into various houses, and finally reappearing when the night sky began to lighten. She couldn't see much of it, she said, just that it was a moving figure; only she had the impression that when it returned to the church, as it seemed to do at the end of her dream, it turned its head—and then, for reasons she couldn't explain, she thought it had red eyes. Worby remembered hearing the old lady talk about this dream at a tea party in the house of the chapter clerk. Its recurrence might, he said, be seen as a sign of an upcoming illness; in any case, by the end of September, the old lady was buried.
The interest excited by the restoration of this great church was not confined to its own county. One day that summer an F.S.A., of some celebrity, visited the place. His business was to write an account of the discoveries that had been made, for the Society of Antiquaries, and his wife, who accompanied him, was to make a series of illustrative drawings for his report. In the morning she employed herself in making a general sketch of the choir; in the afternoon she devoted herself to details. She first drew the newly exposed altar-tomb, and when that was finished, she called her husband's attention to a beautiful piece of diaper-ornament on the screen just behind it, which had, like the tomb itself, been completely concealed by the pulpit. Of course, he said, an illustration of that must be made; so she seated herself on the tomb and began a careful drawing which occupied her till dusk.
The excitement surrounding the restoration of this great church extended well beyond its county. One day that summer, a well-known F.S.A. visited the site. His task was to write a report on the discoveries made for the Society of Antiquaries, and his wife, who was with him, planned to create a series of illustrative drawings for his report. In the morning, she worked on a general sketch of the choir; in the afternoon, she focused on details. She began by drawing the newly uncovered altar-tomb, and once that was done, she drew her husband's attention to a beautiful piece of decorative pattern on the screen right behind it, which had, like the tomb itself, been completely hidden by the pulpit. "Of course, we need to illustrate that," he said, so she sat on the tomb and started a detailed drawing that kept her busy until dusk.
Her husband had by this time finished his work of measuring and description, and they[Pg 90] agreed that it was time to be getting back to their hotel. "You may as well brush my skirt, Frank," said the lady, "it must have got covered with dust, I'm sure." He obeyed dutifully; but, after a moment, he said, "I don't know whether you value this dress particularly, my dear, but I'm inclined to think it's seen its best days. There's a great bit of it gone." "Gone? Where?" said she. "I don't know where it's gone, but it's off at the bottom edge behind here." She pulled it hastily into sight, and was horrified to find a jagged tear extending some way into the substance of the stuff; very much, she said, as if a dog had rent it away. The dress was, in any case, hopelessly spoilt, to her great vexation, and though they looked everywhere, the missing piece could not be found. There were many ways, they concluded, in which the injury might have come about, for the choir was full of old bits of woodwork with nails sticking out of them. Finally, they could only suppose that one of these had caused the mischief, and that the workmen, who had been about all day, had carried off the particular piece with the fragment of dress still attached to it.
Her husband had finished his work of measuring and describing, and they[Pg 90] agreed it was time to head back to their hotel. "You might as well brush off my skirt, Frank," the lady said. "I'm sure it's covered in dust." He complied dutifully, but after a moment, he remarked, "I don't know if you particularly like this dress, my dear, but I think it's seen better days. A big piece is missing." "Missing? Where?" she asked. "I don’t know where it’s gone, but there’s a tear at the bottom edge in the back." She quickly pulled it into view and was horrified to discover a jagged tear extending deep into the fabric; it looked like a dog had torn it. The dress was, in any case, ruined, much to her annoyance, and despite searching everywhere, they couldn't find the missing piece. They concluded there were many ways the damage could have happened since the choir was full of old wooden pieces with nails sticking out. In the end, they could only assume that one of those had caused the damage, and that the workers, who had been there all day, took off the piece with the fabric still attached.
It was about this time, Worby thought, that[Pg 91] his little dog began to wear an anxious expression when the hour for it to be put into the shed in the back yard approached. (For his mother had ordained that it must not sleep in the house.) One evening, he said, when he was just going to pick it up and carry it out, it looked at him "like a Christian, and waved its 'and, I was going to say—well, you know 'ow they do carry on sometimes, and the end of it was I put it under my coat, and 'uddled it upstairs—and I'm afraid I as good as deceived my poor mother on the subject. After that the dog acted very artful with 'iding itself under the bed for half-an-hour or more before bed-time came, and we worked it so as my mother never found out what we'd done." Of course Worby was glad of its company anyhow, but more particularly when the nuisance that is still remembered in Southminster as "the crying" set in.
It was around this time, Worby thought, that[Pg 91] his little dog started to look anxious when it was time for it to be put in the shed in the backyard. (His mother had decided it couldn’t sleep in the house.) One evening, he said, just as he was about to pick it up and carry it out, it looked at him "like a Christian and waved its paw. I was going to say—well, you know how they can be sometimes, and in the end, I tucked it under my coat and snuck it upstairs—and I’m afraid I basically deceived my poor mother about it. After that, the dog was clever, hiding under the bed for half an hour or more before bedtime, and we managed to keep it a secret from my mother." Of course, Worby was glad to have the company anyway, especially when the nuisance that is still remembered in Southminster as "the crying" began.
"Night after night," said Worby, "that dog seemed to know it was coming; he'd creep out, he would, and snuggle into the bed and cuddle right up to me shivering, and when the crying come he'd be like a wild thing, shoving his head under my arm, and I was fully near as bad. Six or seven times we'd hear it, not more, and[Pg 92] when he'd dror out his 'ed again I'd know it was over for that night. What was it like, sir? Well, I never heard but one thing that seemed to hit it off. I happened to be playing about in the Close, and there was two of the Canons met and said 'Good morning' one to another. 'Sleep well last night?' says one—it was Mr. Henslow that one, and Mr. Lyall was the other—'Can't say I did,' says Mr. Lyall, 'rather too much of Isaiah 34. 14 for me.' '34. 14,' says Mr. Henslow, 'what's that?' 'You call yourself a Bible reader!' says Mr. Lyall. (Mr. Henslow, you must know, he was one of what used to be termed Simeon's lot—pretty much what we should call the Evangelical party.) 'You go and look it up.' I wanted to know what he was getting at myself, and so off I ran home and got out my own Bible, and there it was: 'the satyr shall cry to his fellow.' Well, I thought, is that what we've been listening to these past nights? and I tell you it made me look over my shoulder a time or two. Of course I'd asked my father and mother about what it could be before that, but they both said it was most likely cats: but they spoke very short, and I could see they was troubled. My word! that was a noise—'ungry-like, as[Pg 93] if it was calling after some one that wouldn't come. If ever you felt you wanted company, it would be when you was waiting for it to begin again. I believe two or three nights there was men put on to watch in different parts of the Close; but they all used to get together in one corner, the nearest they could to the High Street, and nothing came of it.
"Night after night," said Worby, "that dog seemed to know what was coming; he'd sneak out and snuggle into my bed, shivering next to me. When the crying started, he acted like a wild animal, shoving his head under my arm, and I was just as bad. We'd hear it six or seven times, maybe not more, and when he'd poke his head out again, I'd know it was over for the night. What was it like, sir? Well, I only heard one thing that seemed to make sense of it. I was playing around in the Close when I saw two of the Canons meet and say 'Good morning' to each other. 'Did you sleep well last night?' one asked—Mr. Henslow was one, and Mr. Lyall was the other. 'Can't say I did,' replied Mr. Lyall, 'rather too much of Isaiah 34:14 for me.' '34:14?' said Mr. Henslow, 'what's that?' 'You call yourself a Bible reader!' said Mr. Lyall. (You should know Mr. Henslow was one of what used to be called Simeon's lot—what we would now refer to as the Evangelical party.) 'You go look it up.' I wanted to know what he meant, so I ran home, got my Bible, and there it was: 'the satyr shall cry to his fellow.' I thought, is that what we've been listening to these past nights? and it made me look over my shoulder a couple of times. Of course, I'd asked my parents what it could be before that, but they both said it was probably just cats; they were short with me, and I could tell they were worried. My goodness! that was a sound—it felt hungry, like it was calling out for someone who wouldn’t come. If you ever wanted company, it was while you were waiting for it to start again. I think two or three nights there were men posted to watch in different parts of the Close, but they all ended up gathering in one corner, as close as they could get to the High Street, and nothing came of it."
"Well, the next thing was this. Me and another of the boys—he's in business in the city now as a grocer, like his father before him—we'd gone up in the Close after morning service was over, and we heard old Palmer the mason bellowing to some of his men. So we went up nearer, because we knew he was a rusty old chap and there might be some fun going. It appears Palmer'd told this man to stop up the chink in that old tomb. Well, there was this man keeping on saying he'd done it the best he could, and there was Palmer carrying on like all possessed about it. 'Call that making a job of it?' he says. 'If you had your rights you'd get the sack for this. What do you suppose I pay you your wages for? What do you suppose I'm going to say to the Dean and Chapter when they come round, as come they may do any time, and see where you've been bungling about[Pg 94] covering the 'ole place with mess and plaster and Lord knows what?' 'Well, master, I done the best I could,' says the man; 'I don't know no more than what you do 'ow it come to fall out this way. I tamped it right in the 'ole,' he says, 'and now it's fell out,' he says, 'I never see.'
"Well, here’s what happened next. Me and another guy—he's running a grocery business in the city now, just like his dad did—we went up to the Close after the morning service was over, and we heard old Palmer the mason shouting at some of his workers. So we got a little closer because we knew he was a grumpy old guy, and there might be some entertainment. It turns out Palmer had told this guy to seal up the gap in that old tomb. The guy kept insisting he had done his best, and Palmer was going off like he was possessed over it. 'You call that doing a proper job?' he yelled. 'If you had any sense, you'd get fired for this. What do you think I pay you for? What do you think I'm going to tell the Dean and Chapter when they come around, which they might at any time, and see how you've messed up covering the whole place with junk and plaster and God knows what?' 'Well, boss, I did my best,' said the guy; 'I don’t know any more than you do how it ended up like this. I packed it tight into the hole,' he said, 'and now it fell out. I’ve never seen anything like it.'"
"'Fell out?' says old Palmer, 'why it's nowhere near the place. Blowed out, you mean,' and he picked up a bit of plaster, and so did I, that was laying up against the screen, three or four feet off, and not dry yet; and old Palmer he looked at it curious-like, and then he turned round on me and he says, 'Now then, you boys, have you been up to some of your games here?' 'No,' I says, 'I haven't, Mr. Palmer; there's none of us been about here till just this minute,' and while I was talking the other boy, Evans, he got looking in through the chink, and I heard him draw in his breath, and he came away sharp and up to us, and says he, 'I believe there's something in there. I saw something shiny.' 'What! I daresay,' says old Palmer; 'Well, I ain't got time to stop about there. You, William, you go off and get some more stuff and make a job of it this time; if not, there'll be trouble in my yard,' he says.[Pg 95]
"'Fell out?' says old Palmer, 'you mean it blew out.' He picked up a piece of plaster, and I did too, that was lying against the screen, three or four feet away, and still damp. Old Palmer looked at it curiously, then turned to me and said, 'Alright, you boys, have you been up to your usual tricks here?' 'No,' I replied, 'I haven't, Mr. Palmer; none of us have been around here until just now.' While I was talking, the other boy, Evans, started peeking through the crack, and I heard him take a sharp breath. He quickly came back to us and said, 'I think there's something in there. I saw something shiny.' 'What? Really?' says old Palmer; 'Well, I don't have time to mess around with that. William, you go get some more supplies and do a proper job this time; if you don't, there will be trouble in my yard,' he said.[Pg 95]
"So the man he went off, and Palmer too, and us boys stopped behind, and I says to Evans, 'Did you really see anything in there?' 'Yes,' he says, 'I did indeed.' So then I says, 'Let's shove something in and stir it up.' And we tried several of the bits of wood that was laying about, but they were all too big. Then Evans he had a sheet of music he'd brought with him, an anthem or a service, I forget which it was now, and he rolled it up small and shoved it in the chink; two or three times he did it, and nothing happened. 'Give it me, boy,' I said, and I had a try. No, nothing happened. Then, I don't know why I thought of it, I'm sure, but I stooped down just opposite the chink and put my two fingers in my mouth and whistled—you know the way—and at that I seemed to think I heard something stirring, and I says to Evans, 'Come away,' I says; 'I don't like this.' 'Oh, rot,' he says, 'Give me that roll,' and he took it and shoved it in. And I don't think ever I see any one go so pale as he did. 'I say, Worby,' he says, 'it's caught, or else some one's got hold of it.' 'Pull it out or leave it,' I says, 'Come and let's get off.' So he gave a good pull, and it came away. Leastways most of it did, but the end[Pg 96] was gone. Torn off it was, and Evans looked at it for a second and then he gave a sort of a croak and let it drop, and we both made off out of there as quick as ever we could. When we got outside Evans says to me, 'Did you see the end of that paper.' 'No,' I says, 'only it was torn.' 'Yes, it was,' he says, 'but it was wet too, and black!' Well, partly because of the fright we had, and partly because that music was wanted in a day or two, and we knew there'd be a set-out about it with the organist, we didn't say nothing to any one else, and I suppose the workmen they swept up the bit that was left along with the rest of the rubbish. But Evans, if you were to ask him this very day about it, he'd stick to it he saw that paper wet and black at the end where it was torn."
"So the man left, and Palmer did too, while us boys stayed behind. I said to Evans, 'Did you actually see anything in there?' 'Yes,' he replied, 'I really did.' So I said, 'Let's put something in and mix it up.' We tried a few pieces of wood lying around, but they were all too big. Then Evans remembered he had a sheet of music with him, an anthem or a service, I can't remember which, and he rolled it up small and pushed it into the crack; he did it two or three times, and nothing happened. 'Give it to me, boy,' I said, and I gave it a try. Nope, nothing happened. Then, for some reason, I decided to bend down right by the crack and put two fingers in my mouth and whistled—you know the way—and at that moment, I thought I heard something moving, so I said to Evans, 'Let’s get out of here,' I said; 'I don’t like this.' 'Oh, come on,' he said, 'Give me that roll,' and he took it and shoved it in again. I don’t think I’ve ever seen anyone go so pale as he did. 'I say, Worby,' he said, 'it’s stuck, or someone’s got hold of it.' 'Pull it out or leave it,' I said, 'Let’s just go.' So he pulled hard, and it came out. Well, most of it did, but the end[Pg 96] was gone. It was torn off, and Evans looked at it for a second before he made a sort of croak and dropped it, and we both ran out of there as fast as we could. Once we were outside, Evans said to me, 'Did you see the end of that paper?' 'No,' I said, 'only that it was torn.' 'Yeah, it was,' he said, 'but it was wet too, and black!' Well, partly because we were scared, and partly because that music was needed in a day or two, and we knew there would be a fuss about it with the organist, we didn’t tell anyone else, and I guess the workers swept up the piece that was left with the rest of the junk. But Evans, if you were to ask him today, would insist he saw that paper wet and black at the torn end."
After that the boys gave the choir a wide berth, so that Worby was not sure what was the result of the mason's renewed mending of the tomb. Only he made out from fragments of conversation dropped by the workmen passing through the choir that some difficulty had been met with, and that the governor—Mr. Palmer to wit—had tried his own hand at the job. A little later, he happened to see Mr. Palmer himself knocking at the door of the Deanery[Pg 97] and being admitted by the butler. A day or so after that, he gathered from a remark his father let fall at breakfast that something a little out of the common was to be done in the Cathedral after morning service on the morrow. "And I'd just as soon it was to-day," his father added, "I don't see the use of running risks." "'Father,' I says, 'what are you going to do in the Cathedral to-morrow?' and he turned on me as savage as I ever see him—he was a wonderful good-tempered man as a general thing, my poor father was. 'My lad,' he says, 'I'll trouble you not to go picking up your elders' and betters' talk: it's not manners and it's not straight. What I'm going to do or not going to do in the Cathedral to-morrow is none of your business: and if I catch sight of you hanging about the place to-morrow after your work's done, I'll send you home with a flea in your ear. Now you mind that.' Of course I said I was very sorry and that, and equally of course I went off and laid my plans with Evans. We knew there was a stair up in the corner of the transept which you can get up to the triforium, and in them days the door to it was pretty well always open, and even if it wasn't we knew the key usually laid under a[Pg 98] bit of matting hard by. So we made up our minds we'd be putting away music and that, next morning while the rest of the boys was clearing off, and then slip up the stairs and watch from the triforium if there was any signs of work going on.
After that, the boys gave the choir a wide berth, so Worby wasn't sure what the mason's latest repairs to the tomb resulted in. He only gathered from bits of conversation dropped by the workmen passing through the choir that they had encountered some issues, and that the governor—Mr. Palmer, to be specific—had tried to fix it himself. A little later, he saw Mr. Palmer himself knocking at the Deanery door[Pg 97] and being let in by the butler. A day or so after that, he picked up from a comment his father made at breakfast that something a bit unusual was going to happen in the Cathedral after morning service the next day. "And I'd prefer it to happen today," his father added, "I don't see the point of taking chances." "'Father,' I said, 'what are you going to do in the Cathedral tomorrow?' and he turned on me as angrily as I’d ever seen him—he was usually a really good-natured man, my poor father. 'My boy,' he said, 'I’d prefer you not to go eavesdropping on your elders' and betters' conversations: it's neither polite nor right. What I'm going to do or not do in the Cathedral tomorrow is none of your concern: and if I see you hanging around there tomorrow after your work's done, I'll send you home with a warning. So remember that.' Of course, I said I was very sorry and all that, and naturally, I went off and made my plans with Evans. We knew there was a staircase in the corner of the transept that leads up to the triforium, and back then, the door to it was usually open, and even if it wasn't, we knew the key was often under a[Pg 98] piece of matting nearby. So we decided we'd be putting away music and such the next morning while the rest of the boys were clearing out, and then sneak up the stairs and watch from the triforium to see if there were any signs of work going on.
"Well, that same night I dropped off asleep as sound as a boy does, and all of a sudden the dog woke me up, coming into the bed, and thought I, now we're going to get it sharp, for he seemed more frightened than usual. After about five minutes sure enough came this cry. I can't give you no idea what it was like; and so near too—nearer than I'd heard it yet—and a funny thing, Mr. Lake, you know what a place this Close is for an echo, and particular if you stand this side of it. Well, this crying never made no sign of an echo at all. But, as I said, it was dreadful near this night; and on the top of the start I got with hearing it, I got another fright; for I heard something rustling outside in the passage. Now to be sure I thought I was done; but I noticed the dog seemed to perk up a bit, and next there was some one whispered outside the door, and I very near laughed out loud, for I knew it was my father and mother that had got out of bed with the noise. 'Whatever is it?' says my[Pg 99] mother. 'Hush! I don't know,' says my father, excited-like, 'don't disturb the boy. I hope he didn't hear nothing.'
"That same night, I fell asleep as soundly as a boy does, and suddenly the dog woke me up by jumping into the bed. I thought, here comes the trouble, because he seemed more scared than usual. Sure enough, after about five minutes, I heard this cry. I can't describe what it was like; it was so close—closer than I'd ever heard it before—and it was strange, Mr. Lake, you know how this Close is for echoes, especially if you stand on this side. Well, this cry didn’t echo at all. But, as I said, it was horrifyingly close that night; and just as I was startled by hearing it, I got another scare because I heard something rustling outside in the hallway. Honestly, I thought I was done for; but I noticed the dog seemed to perk up a bit, and then I heard someone whispering outside the door. I almost laughed out loud because I realized it was my parents who had gotten out of bed because of the noise. 'What’s going on?' my mother said. 'Shh! I don't know,' my father replied, sounding excited, 'don’t wake the boy. I hope he didn’t hear anything.'"
"So, me knowing they were just outside, it made me bolder, and I slipped out of bed across to my little window—giving on the Close—but the dog he bored right down to the bottom of the bed—and I looked out. First go off I couldn't see anything. Then right down in the shadow under a buttress I made out what I shall always say was two spots of red—a dull red it was—nothing like a lamp or a fire, but just so as you could pick 'em out of the black shadow. I hadn't but just sighted 'em when it seemed we wasn't the only people that had been disturbed, because I see a window in a house on the left-hand side become lighted up, and the light moving. I just turned my head to make sure of it, and then looked back into the shadow for those two red things, and they were gone, and for all I peered about and stared, there was not a sign more of them. Then come my last fright that night—something come against my bare leg—but that was all right: that was my little dog had come out of bed, and prancing about, making a great to-do, only holding his tongue, and me seeing he was quite in spirits again,[Pg 100] I took him back to bed and we slept the night out!
"So, knowing they were just outside made me feel braver, so I slipped out of bed and went to my little window overlooking the Close. The dog had burrowed right down to the bottom of the bed, and I looked out. At first, I couldn’t see anything. Then, right down in the shadow under a buttress, I noticed what I will always say were two spots of red—a dull red—not like a lamp or a fire, but just enough to make them stand out against the black shadow. I had barely spotted them when it seemed we weren't the only ones disturbed, because I saw a window in a house on the left side light up, and the light was moving. I just turned my head to confirm it, and then when I looked back into the shadow for those two red spots, they were gone. No matter how much I peered and stared, there was no sign of them. Then came my last scare that night—something brushed against my bare leg—but it was okay: it was my little dog who had gotten out of bed, prancing around and making a big fuss, but staying quiet. Seeing he was in good spirits again, I took him back to bed, and we slept through the night![Pg 100]"
"Next morning I made out to tell my mother I'd had the dog in my room, and I was surprised, after all she'd said about it before, how quiet she took it. 'Did you?' she says. 'Well, by good rights you ought to go without your breakfast for doing such a thing behind my back: but I don't know as there's any great harm done, only another time you ask my permission, do you hear?' A bit after that I said something to my father about having heard the cats again. 'Cats,' he says, and he looked over at my poor mother, and she coughed and he says, 'Oh! ah! yes, cats. I believe I heard 'em myself.'
"Next morning, I decided to tell my mom that I had the dog in my room, and I was surprised, considering everything she had said about it before, how calmly she took it. 'Did you?' she asked. 'Well, technically, you should skip breakfast for doing something like that behind my back, but I don't think there's any real harm done. Just next time, please ask for my permission, okay?' A little while later, I mentioned to my dad that I had heard the cats again. 'Cats,' he said, looking over at my poor mom, who coughed, and then he added, 'Oh! right! yes, cats. I think I heard them myself.'"
"That was a funny morning altogether: nothing seemed to go right. The organist he stopped in bed, and the minor Canon he forgot it was the 19th day and waited for the Venite; and after a bit the deputy he set off playing the chant for evensong, which was a minor; and then the Decani boys were laughing so much they couldn't sing, and when it came to the anthem the solo boy he got took with the giggles, and made out his nose was bleeding, and shoved the book at me what hadn't practised the verse and wasn't much of a singer if I had known[Pg 101] it. Well, things was rougher, you see, fifty years ago, and I got a nip from the counter-tenor behind me that I remembered.
"That was a hilarious morning overall: nothing seemed to go right. The organist stayed in bed, and the minor Canon forgot it was the 19th and waited for the Venite; then after a while, the deputy started playing the chant for evensong, which was a minor; and the Decani boys were laughing so much they couldn't sing. When it came time for the anthem, the solo boy couldn’t stop giggling, pretended his nose was bleeding, and shoved the book at me, even though I wasn’t prepared for the verse and wasn’t much of a singer if I had known[Pg 101]. Well, things were tougher, you see, fifty years ago, and I got a jab from the counter-tenor behind me that I still remember."
"So we got through somehow, and neither the men nor the boys weren't by way of waiting to see whether the Canon in residence—Mr. Henslow it was—would come to the vestries and fine 'em, but I don't believe he did: for one thing I fancy he'd read the wrong lesson for the first time in his life, and knew it. Anyhow Evans and me didn't find no difficulty in slipping up the stairs as I told you, and when we got up we laid ourselves down flat on our stomachs where we could just stretch our heads out over the old tomb, and we hadn't but just done so when we heard the verger that was then, first shutting the iron porch-gates and locking the south-west door, and then the transept door, so we knew there was something up, and they meant to keep the public out for a bit.
"So we made it through somehow, and neither the men nor the boys were waiting to see if the Canon in residence—Mr. Henslow, that is—would come to the vestries and fine them, but I don't think he did: for one thing, I suspect he read the wrong lesson for the first time in his life and knew it. Anyway, Evans and I didn't have any trouble sneaking up the stairs like I mentioned, and when we got up there, we laid down flat on our stomachs where we could just stretch our heads out over the old tomb, and we had barely done that when we heard the verger at the time, first shutting the iron porch gates and locking the south-west door, and then the transept door, so we knew something was going on, and they intended to keep the public out for a while."
"Next thing was, the Dean and the Canon come in by their door on the north, and then I see my father, and old Palmer, and a couple of their best men, and Palmer stood a talking for a bit with the Dean in the middle of the choir. He had a coil of rope and the men had crows. All of 'em looked a bit nervous. So there they stood talking, and at last I heard[Pg 102] the Dean say, 'Well, I've no time to waste, Palmer. If you think this'll satisfy Southminster people, I'll permit it to be done; but I must say this, that never in the whole course of my life have I heard such arrant nonsense from a practical man as I have from you. Don't you agree with me, Henslow?' As far as I could hear Mr. Henslow said something like 'Oh! well we're told, aren't we, Mr. Dean, not to judge others?' and the Dean he gave a kind of sniff, and walked straight up to the tomb, and took his stand behind it with his back to the screen, and the others they come edging up rather gingerly. Henslow, he stopped on the south side and scratched on his chin, he did. Then the Dean spoke up: 'Palmer,' he says, 'which can you do easiest, get the slab off the top, or shift one of the side slabs?'
"Next thing, the Dean and the Canon walked in through their door on the north, and then I spotted my father, old Palmer, and a couple of their best guys. Palmer chatted for a bit with the Dean in the middle of the choir. He had a coil of rope, and the men had crowbars. They all looked a bit nervous. So there they stood talking, and finally I heard[Pg 102] the Dean say, 'Well, I don’t have time to waste, Palmer. If you think this will satisfy the people of Southminster, I'll allow it; but I must say, never in my whole life have I heard such utter nonsense from a practical man as I have from you. Don’t you agree with me, Henslow?' As far as I could hear, Mr. Henslow replied something like, 'Oh! well, we’re told not to judge others, aren’t we, Mr. Dean?' The Dean gave a bit of a sniff and walked straight up to the tomb, standing behind it with his back to the screen, and the others moved up a bit cautiously. Henslow stopped on the south side and scratched his chin. Then the Dean spoke up: 'Palmer,' he said, 'which is easier for you, to get the slab off the top, or to shift one of the side slabs?'"
"Old Palmer and his men they pottered about a bit looking round the edge of the top slab and sounding the sides on the south and east and west and everywhere but the north. Henslow said something about it being better to have a try at the south side, because there was more light and more room to move about in. Then my father, who'd been watching of them, went round to the north side, and knelt down and felt of the slab by the chink, and he got[Pg 103] up and dusted his knees and says to the Dean: 'Beg pardon, Mr. Dean, but I think if Mr. Palmer'll try this here slab he'll find it'll come out easy enough. Seems to me one of the men could prize it out with his crow by means of this chink.' 'Ah! thank you, Worby,' says the Dean; 'that's a good suggestion. Palmer, let one of your men do that, will you?'
"Old Palmer and his guys were messing around a bit, checking out the edges of the top slab and tapping the sides on the south, east, and west, but completely ignoring the north. Henslow mentioned it would be better to focus on the south side since there was more light and space to work with. Then my father, who had been observing them, moved to the north side, knelt down, and felt the slab by the crack. He stood up, dusted off his knees, and said to the Dean, 'Excuse me, Mr. Dean, but I think if Mr. Palmer tries this slab, he’ll find it’ll come out pretty easily. It seems to me one of the guys could pry it out with a crowbar through this crack.' 'Ah! Thank you, Worby,' says the Dean; 'that's a good suggestion. Palmer, can you have one of your men do that?'"
"So the man come round, and put his bar in and bore on it, and just that minute when they were all bending over, and we boys got our heads well out over the edge of the triforium, there come a most fearful crash down at the west end of the choir, as if a whole stack of big timber had fallen down a flight of stairs. Well, you can't expect me to tell you everything that happened all in a minute. Of course there was a terrible commotion. I heard the slab fall out, and the crowbar on the floor, and I heard the Dean say 'Good God!'
"So the guy came around, put his bar in, and started working on it, and just at that moment when everyone was leaning over, and we boys had our heads way out over the edge of the triforium, there was a huge crash down at the west end of the choir, like a whole bunch of heavy timber had tumbled down a flight of stairs. Well, you can’t expect me to tell you everything that happened all at once. There was definitely a lot of chaos. I heard the slab drop, the crowbar hit the floor, and I heard the Dean exclaim, 'Good God!'”
"When I looked down again I saw the Dean tumbled over on the floor, the men was making off down the choir, Henslow was just going to help the Dean up, Palmer was going to stop the men, as he said afterwards, and my father was sitting on the altar step with his face in his hands. The Dean he was very cross. 'I wish to goodness you'd look where you're[Pg 104] coming to, Henslow,' he says. 'Why you should all take to your heels when a stick of wood tumbles down I cannot imagine,' and all Henslow could do, explaining he was right away on the other side of the tomb, would not satisfy him.
"When I looked down again, I saw the Dean sprawled on the floor, the men were rushing out of the choir, Henslow was just about to help the Dean up, Palmer was going to stop the men, as he said later, and my father was sitting on the altar step with his face in his hands. The Dean was very angry. 'I wish you’d watch where you’re going, Henslow,' he said. 'I can't understand why all of you ran away when a piece of wood fell down,' and all Henslow could do, explaining that he was right on the other side of the tomb, didn’t satisfy him."
"Then Palmer came back and reported there was nothing to account for this noise and nothing seemingly fallen down, and when the Dean finished feeling of himself they gathered round—except my father, he sat where he was—and some one lighted up a bit of candle and they looked into the tomb. 'Nothing there,' says the Dean, 'what did I tell you? Stay! here's something. What's this: a bit of music paper, and a piece of torn stuff—part of a dress it looks like. Both quite modern—no interest whatever. Another time perhaps you'll take the advice of an educated man'—or something like that, and off he went, limping a bit, and out through the north door, only as he went he called back angry to Palmer for leaving the door standing open. Palmer called out 'Very sorry, sir,' but he shrugged his shoulders, and Henslow says, 'I fancy Mr. Dean's mistaken. I closed the door behind me, but he's a little upset.' Then Palmer says, 'Why, where's Worby?' and they saw him sitting on the step and went up to him. He[Pg 105] was recovering himself, it seemed, and wiping his forehead, and Palmer helped him up on to his legs, as I was glad to see.
"Then Palmer came back and reported that there was no reason for the noise and nothing appeared to have fallen. Once the Dean finished checking himself, they gathered around—except for my father, who stayed where he was—and someone lit a little candle, and they looked into the tomb. 'Nothing there,' said the Dean, 'what did I tell you? Wait! Here's something. What's this: a piece of music paper and some torn fabric—looks like part of a dress. Both are quite modern—no interest whatsoever. Maybe next time you'll take the advice of an educated man'—or something like that, and off he went, limping a bit, out through the north door. But as he left, he called back angrily to Palmer for leaving the door wide open. Palmer shouted, 'Very sorry, sir,' but he just shrugged, and Henslow said, 'I think Mr. Dean is mistaken. I closed the door behind me, but he's a little rattled.' Then Palmer asked, 'Wait, where's Worby?' and they saw him sitting on the step and went up to him. He[Pg 105] was recovering, it seemed, and wiping his forehead, and Palmer helped him get back on his feet, which I was glad to see."
"They were too far off for me to hear what they said, but my father pointed to the north door in the aisle, and Palmer and Henslow both of them looked very surprised and scared. After a bit, my father and Henslow went out of the church, and the others made what haste they could to put the slab back and plaster it in. And about as the clock struck twelve the Cathedral was opened again and us boys made the best of our way home.
"They were too far away for me to hear what they were saying, but my dad pointed to the north door in the aisle, and both Palmer and Henslow looked really surprised and scared. After a while, my dad and Henslow left the church, and the others hurried as best they could to put the slab back and plaster it in. And just as the clock struck twelve, the Cathedral was opened again, and we boys made our way home as quickly as we could."
"I was in a great taking to know what it was had given my poor father such a turn, and when I got in and found him sitting in his chair taking a glass of spirits, and my mother standing looking anxious at him, I couldn't keep from bursting out and making confession where I'd been. But he didn't seem to take on, not in the way of losing his temper. 'You was there, was you? Well did you see it?' 'I see everything, father,' I said, 'except when the noise came.' 'Did you see what it was knocked the Dean over?' he says, 'that what come out of the monument? You didn't? Well, that's a mercy.' 'Why, what was it, father?' I said. 'Come, you must have seen it,' he says.[Pg 106] 'Didn't you see? A thing like a man, all over hair, and two great eyes to it?'
"I was really worried about what had upset my poor father so much, and when I walked in and found him sitting in his chair taking a drink, with my mother looking anxiously at him, I couldn’t help but blurt out where I had been. But he didn’t seem to get angry or anything. 'You were there, huh? Well, did you see it?' 'I saw everything, Father,' I said, 'except when the noise happened.' 'Did you see what knocked the Dean over?' he asked, 'that thing that came out of the monument? You didn’t? Well, that’s a relief.' 'Why, what was it, Father?' I asked. 'Come on, you must have seen it,' he said. 'Didn’t you see? It looked like a man, covered in hair, with two big eyes?' [Pg 106]"
"Well, that was all I could get out of him that time, and later on he seemed as if he was ashamed of being so frightened, and he used to put me off when I asked him about it. But years after, when I was got to be a grown man, we had more talk now and again on the matter, and he always said the same thing. 'Black it was,' he'd say, 'and a mass of hair, and two legs, and the light caught on its eyes.'
"Well, that was all I could get out of him that time, and later on he seemed embarrassed about being so scared, and he would brush me off when I asked him about it. But years later, when I had become a grown man, we talked about it more often, and he always said the same thing. 'It was black,' he'd say, 'and a bunch of hair, and two legs, and the light reflected off its eyes.'"
"Well, that's the tale of that tomb, Mr. Lake; it's one we don't tell to our visitors, and I should be obliged to you not to make any use of it till I'm out of the way. I doubt Mr. Evans'll feel the same as I do, if you ask him."
"Well, that's the story of that tomb, Mr. Lake; it's one we don’t share with our visitors, and I would appreciate it if you could keep it to yourself until I'm not around anymore. I doubt Mr. Evans will feel the same way if you ask him."
This proved to be the case. But over twenty years have passed by, and the grass is growing over both Worby and Evans; so Mr. Lake felt no difficulty about communicating his notes—taken in 1890—to me. He accompanied them with a sketch of the tomb and a copy of the short inscription on the metal cross which was affixed at the expense of Dr. Lyall to the centre of the northern side. It was from the Vulgate of Isaiah xxxiv., and consisted merely of the three words—
This turned out to be true. But over twenty years have gone by, and the grass is covering both Worby and Evans; so Mr. Lake had no problem sharing his notes—taken in 1890—with me. He included a sketch of the tomb and a copy of the short inscription on the metal cross that Dr. Lyall paid for, which was placed in the middle of the northern side. It was from the Vulgate of Isaiah xxxiv., and it only contained three words—
IBI CUBAVIT LAMIA.
IBI CUBAVIT LAMIA.
THE STORY OF A DISAPPEARANCE
AND AN APPEARANCE
THE STORY OF A DISAPPEARANCE
AND AN APPEARANCE
The letters which I now publish were sent to me recently by a person who knows me to be interested in ghost stories. There is no doubt about their authenticity. The paper on which they are written, the ink, and the whole external aspect put their date beyond the reach of question.
The letters I'm publishing now were recently sent to me by someone who knows I'm interested in ghost stories. There's no doubt about their authenticity. The paper they're written on, the ink, and the entire look of them confirm their date without question.
The only point which they do not make clear is the identity of the writer. He signs with initials only, and as none of the envelopes of the letters are preserved, the surname of his correspondent—obviously a married brother—is as obscure as his own. No further preliminary explanation is needed, I think. Luckily the first letter supplies all that could be expected.
The only thing they don’t clarify is who the writer is. He only signs with initials, and since none of the envelopes are kept, the last name of his correspondent—clearly a married brother—is just as unclear as his. I don’t think any more background information is necessary. Fortunately, the first letter provides everything we could want.
LETTER I
Great Chrishall, Dec. 22, 1837.
Great Chrishall, Dec. 22, 1837.
My Dear Robert,—It is with great regret for the enjoyment I am losing, and for a reason which you will deplore equally with myself,[Pg 110] that I write to inform you that I am unable to join your circle for this Christmas: but you will agree with me that it is unavoidable when I say that I have within these few hours received a letter from Mrs. Hunt at B——, to the effect that our Uncle Henry has suddenly and mysteriously disappeared, and begging me to go down there immediately and join the search that is being made for him. Little as I, or you either, I think, have ever seen of Uncle, I naturally feel that this is not a request that can be regarded lightly, and accordingly I propose to go to B—— by this afternoon's mail, reaching it late in the evening. I shall not go to the Rectory, but put up at the King's Head, and to which you may address letters. I enclose a small draft, which you will please make use of for the benefit of the young people. I shall write you daily (supposing me to be detained more than a single day) what goes on, and you may be sure, should the business be cleared up in time to permit of my coming to the Manor after all, I shall present myself. I have but a few minutes at disposal. With cordial greetings to you all, and many regrets, believe me, your affectionate Bro.,
Dear Robert,—I’m really sorry to miss out on the fun this Christmas, and for a reason that I know you’ll regret just as much as I do,[Pg 110] so I’m writing to let you know that I can’t join your group. But you’ll agree it can’t be avoided when I tell you that I just received a letter from Mrs. Hunt in B——, saying that Uncle Henry has suddenly and mysteriously disappeared and asking me to come down immediately to help search for him. Although neither of us, I think, has spent much time with Uncle, I feel this is a request that can’t be taken lightly. So, I plan to take the afternoon mail to B—— and arrive late this evening. I won’t go to the Rectory but will stay at the King’s Head, and you can send letters there. I’ve enclosed a small draft to use for the younger folks. I’ll write to you every day (assuming I’m stuck there more than a day) to let you know what’s happening, and if everything gets resolved in time for me to make it to the Manor, I’ll definitely come. I only have a few minutes to spare. Sending warm regards to you all, and many regrets, your affectionate Bro.,
W. R.
W.R.
LETTER II
King's Head, Dec. 23, '37.
King's Head, Dec. 23, '37.
My Dear Robert,—In the first place, there is as yet no news of Uncle H., and I think you may finally dismiss any idea—I won't say hope—that I might after all "turn up" for Xmas. However, my thoughts will be with you, and you have my best wishes for a really festive day. Mind that none of my nephews or nieces expend any fraction of their guineas on presents for me.
Dear Robert,—First of all, there’s still no news about Uncle H., and I think you should finally give up any thought—I won’t say hope—that I might unexpectedly show up for Christmas. However, I’ll be thinking of you, and you have my best wishes for a truly festive day. Please make sure that none of my nephews or nieces spend any of their money on presents for me.
Since I got here I have been blaming myself for taking this affair of Uncle H. too easily. From what people here say, I gather that there is very little hope that he can still be alive; but whether it is accident or design that carried him off I cannot judge. The facts are these. On Friday the 19th, he went as usual shortly before five o'clock to read evening prayers at the Church; and when they were over the clerk brought him a message, in response to which he set off to pay a visit to a sick person at an outlying cottage the better part of two miles away. He paid the visit, and started on his return journey at about half-past six. This is the last that is known of him. The people[Pg 112] here are very much grieved at his loss; he had been here many years, as you know, and though, as you also know, he was not the most genial of men, and had more than a little of the martinet in his composition, he seems to have been active in good works, and unsparing of trouble to himself.
Since I got here, I’ve been blaming myself for taking Uncle H.'s situation too lightly. From what people are saying, it seems there’s very little hope that he’s still alive; but whether it was an accident or something more deliberate that took him away, I can't tell. Here are the facts. On Friday the 19th, he left as usual just before five o'clock to read evening prayers at the church; after that, the clerk brought him a message, and in response, he went to visit a sick person at a cottage about two miles away. He made the visit and started his way back around half-past six. That’s the last anyone knows of him. The people[Pg 112] here are deeply saddened by his loss; he had been here for many years, as you know, and although, as you also know, he wasn’t the friendliest person and had quite a bit of the martinet in him, he seems to have been involved in good deeds and didn’t shy away from putting in the effort.
Poor Mrs. Hunt, who has been his housekeeper ever since she left Woodley, is quite overcome: it seems like the end of the world to her. I am glad that I did not entertain the idea of taking quarters at the Rectory; and I have declined several kindly offers of hospitality from people in the place, preferring as I do to be independent, and finding myself very comfortable here.
Poor Mrs. Hunt, who has been his housekeeper since she left Woodley, is really upset: it feels like the end of the world to her. I'm glad I didn’t think about staying at the Rectory; I've turned down several generous offers of hospitality from people in town because I prefer to be independent, and I find it very comfortable here.
You will, of course, wish to know what has been done in the way of inquiry and search. First, nothing was to be expected from investigation at the Rectory; and to be brief, nothing has transpired. I asked Mrs. Hunt—as others had done before—whether there was either any unfavourable symptom in her master such as might portend a sudden stroke, or attack of illness, or whether he had ever had reason to apprehend any such thing: but both she, and also his medical man, were clear that this was[Pg 113] not the case. He was quite in his usual health. In the second place, naturally, ponds and streams have been dragged, and fields in the neighbourhood which he is known to have visited last, have been searched—without result. I have myself talked to the parish clerk and—more important—have been to the house where he paid his visit.
You’ll definitely want to know what we’ve found out from our search and inquiries. First off, there wasn’t much to expect from investigating the Rectory, and to keep it short, nothing has come up. I asked Mrs. Hunt—like others have done before—if there were any signs in her master that might suggest a sudden stroke or illness, or if he had ever worried about anything like that. But both she and his doctor were certain that wasn’t the case. He was perfectly healthy. Secondly, we’ve also dragged the ponds and streams, and searched the fields nearby that he was known to have visited last—again, without any results. I’ve personally spoken to the parish clerk and—more importantly—visited the house where he last went.
There can be no question of any foul play on these people's part. The one man in the house is ill in bed and very weak: the wife and the children of course could do nothing themselves, nor is there the shadow of a probability that they or any of them should have agreed to decoy poor Uncle H. out in order that he might be attacked on the way back. They had told what they knew to several other inquirers already, but the woman repeated it to me. The Rector was looking just as usual: he wasn't very long with the sick man—"He ain't," she said, "like some what has a gift in prayer; but there, if we was all that way, 'owever would the chapel people get their living?" He left some money when he went away, and one of the children saw him cross the stile into the next field. He was dressed as he always was: wore his bands—I gather he is nearly the last[Pg 114] man remaining who does so—at any rate in this district.
There’s no way these people did anything wrong. The only man in the house is sick in bed and very weak; the wife and kids couldn’t help at all, and there’s no chance they would have planned to lure poor Uncle H. out so he could be attacked on his way back. They’ve already told several other people what they knew, but the woman repeated it to me. The Rector looked just like he always does; he didn’t spend much time with the sick man—“He isn’t,” she said, “like some who have a gift for prayer; but hey, if we were all like that, how would the chapel folks make a living?” He left some money when he left, and one of the kids saw him cross the stile into the next field. He was dressed like usual: wore his bands—I hear he’s nearly the last[Pg 114] man around here who does that—at least in this area.
You see I am putting down everything. The fact is that I have nothing else to do, having brought no business papers with me; and, moreover, it serves to clear my own mind, and may suggest points which have been overlooked. So I shall continue to write all that passes, even to conversations if need be—you may read or not as you please, but pray keep the letters. I have another reason for writing so fully, but it is not a very tangible one.
You see, I'm writing everything down. The truth is, I have nothing else to occupy my time since I didn't bring any work with me. Plus, it helps me organize my thoughts and might bring up things that have been missed. So, I’ll keep writing down everything that happens, even conversations if necessary—you can choose to read it or not, but please hold on to the letters. I have one more reason for being so detailed in my writing, but it's not really a concrete one.
You may ask if I have myself made any search in the fields near the cottage. Something—a good deal—has been done by others, as I mentioned; but I hope to go over the ground to-morrow. Bow Street has now been informed, and will send down by to-night's coach, but I do not think they will make much of the job. There is no snow, which might have helped us. The fields are all grass. Of course I was on the qui vive for any indication to-day both going and returning; but there was a thick mist on the way back, and I was not in trim for wandering about unknown pastures, especially on an evening when bushes looked like men, and a cow lowing in the[Pg 115] distance might have been the last trump. I assure you, if Uncle Henry had stepped out from among the trees in a little copse which borders the path at one place, carrying his head under his arm, I should have been very little more uncomfortable than I was. To tell you the truth, I was rather expecting something of the kind. But I must drop my pen for the moment: Mr. Lucas, the curate, is announced.
You might wonder if I’ve personally searched the fields near the cottage. Some search has definitely been done by others, as I mentioned before, but I plan to go over the area tomorrow. Bow Street has been informed and will send someone down on tonight's coach, but I don't think they'll do much with it. There's no snow, which could have helped us. The fields are all grassy. I was definitely on the lookout for any signs today, both going and coming back; however, there was a thick mist on the way back, and I wasn't in the mood for wandering around unfamiliar fields, especially on an evening where bushes looked like people, and a cow mooing in the distance could have sounded like an ominous sign. I assure you, if Uncle Henry had emerged from among the trees in a little grove that borders the path, carrying his head under his arm, I wouldn’t have been much more unsettled than I was. To be honest, I was half-expecting something like that. But I need to put down my pen for now: Mr. Lucas, the curate, has arrived.
Later. Mr. Lucas has been, and gone, and there is not much beyond the decencies of ordinary sentiment to be got from him. I can see that he has given up any idea that the Rector can be alive, and that, so far as he can be, he is truly sorry. I can also discern that even in a more emotional person than Mr. Lucas, Uncle Henry was not likely to inspire strong attachment.
Later. Mr. Lucas has come and gone, and there’s not much more than ordinary courtesy to be expected from him. I can see that he has accepted that the Rector is probably not alive, and that, as far as he can be, he genuinely feels regret. I also notice that even in someone more emotional than Mr. Lucas, Uncle Henry was not likely to inspire strong affection.
Besides Mr. Lucas, I have had another visitor in the shape of my Boniface—mine host of the "King's Head"—who came to see whether I had everything I wished, and who really requires the pen of a Boz to do him justice. He was very solemn and weighty at first. "Well, sir," he said, "I suppose we must bow our 'ead beneath the blow, as my poor wife had used to say. So far as I can gather there's[Pg 116] been neither hide nor yet hair of our late respected incumbent scented out as yet; not that he was what the Scripture terms a hairy man in any sense of the word."
Besides Mr. Lucas, I've had another visitor in the form of my landlord—mine host of the "King's Head"—who came to check if I had everything I needed and who really needs the writing skills of a Boz to do him justice. He was very serious and heavy at first. "Well, sir," he said, "I guess we must bow our heads beneath the blow, as my poor wife used to say. From what I can tell, there's[Pg 116] been no sign of our late respected incumbent found yet; not that he was what the Scripture calls a hairy man in any sense of the word."
I said—as well as I could—that I supposed not, but could not help adding that I had heard he was sometimes a little difficult to deal with. Mr. Bowman looked at me sharply for a moment, and then passed in a flash from solemn sympathy to impassioned declamation. "When I think," he said, "of the language that man see fit to employ to me in this here parlour over no more a matter than a cask of beer—such a thing as I told him might happen any day of the week to a man with a family—though as it turned out he was quite under a mistake, and that I knew at the time, only I was that shocked to hear him I couldn't lay my tongue to the right expression."
I said, as best as I could, that I didn’t think so, but I had to add that I heard he could be a bit difficult to deal with. Mr. Bowman looked at me sharply for a moment, then quickly shifted from serious sympathy to passionate speech. "When I think," he said, "about the way that guy chose to talk to me in this parlor over something as small as a cask of beer—something I told him could happen any day to a man with a family—even though he was completely wrong about it, and I knew that at the time, I was just so shocked to hear him that I couldn’t find the right words."
He stopped abruptly and eyed me with some embarrassment. I only said, "Dear me, I'm sorry to hear you had any little differences; I suppose my uncle will be a good deal missed in the parish?" Mr. Bowman drew a long breath. "Ah, yes!" he said; "your uncle! You'll understand me when I say that for the moment it had slipped my remembrance that[Pg 117] he was a relative; and natural enough, I must say, as it should, for as to you bearing any resemblance to—to him, the notion of any such a thing is clean ridiculous. All the same, 'ad I 'ave bore it in my mind, you'll be among the first to feel, I'm sure, as I should have abstained my lips, or rather I should not have abstained my lips with no such reflections."
He suddenly stopped and looked at me, a bit embarrassed. I just said, "Oh dear, I'm sorry to hear you had any disagreements; I guess my uncle will be missed quite a bit in the community?" Mr. Bowman took a deep breath. "Oh, yes!" he replied; "your uncle! You’ll understand when I say that for a moment I completely forgot he was a relative; and that's understandable, I must say, because as for you resembling—well—him, the idea of that is totally absurd. Even so, had I kept that in mind, you would be among the first to feel that I would have held my tongue, or rather, I would not have held my tongue without such thoughts."
I assured him that I quite understood, and was going to have asked him some further questions, but he was called away to see after some business. By the way, you need not take it into your head that he has anything to fear from the inquiry into poor Uncle Henry's disappearance—though, no doubt, in the watches of the night it will occur to him that I think he has, and I may expect explanations to-morrow.
I assured him that I completely understood, and was about to ask him some more questions, but he got called away to handle some business. By the way, don't get the idea that he has anything to worry about regarding the investigation into poor Uncle Henry's disappearance—though, I'm sure during the night it will cross his mind that I think he does, and I can expect some explanations tomorrow.
I must close this letter: it has to go by the late coach.
I have to wrap up this letter: it needs to go out with the last coach.
LETTER III
Dec. 25, '37.
Dec 25, '37.
My Dear Robert,—This is a curious letter to be writing on Christmas Day, and yet after all there is nothing much in it. Or there may be—you shall be the judge. At least, nothing[Pg 118] decisive. The Bow Street men practically say that they have no clue. The length of time and the weather conditions have made all tracks so faint as to be quite useless: nothing that belonged to the dead man—I'm afraid no other word will do—has been picked up.
Dear Robert,—It's quite the strange letter to write on Christmas Day, but honestly, there’s not much to it. Or maybe there is—you can decide. At least, nothing[Pg 118] conclusive. The Bow Street guys basically say they have no leads. The passage of time and the weather have made all traces so faint that they’re pretty much useless: nothing belonging to the deceased man—I'm sorry, no other word fits—has been found.
As I expected, Mr. Bowman was uneasy in his mind this morning; quite early I heard him holding forth in a very distinct voice—purposely so, I thought—to the Bow Street officers in the bar, as to the loss that the town had sustained in their Rector, and as to the necessity of leaving no stone unturned (he was very great on this phrase) in order to come at the truth. I suspect him of being an orator of repute at convivial meetings.
As I expected, Mr. Bowman was anxious this morning; quite early, I heard him speaking very clearly—intentionally, I thought—to the Bow Street officers in the bar about the loss the town had faced with their Rector, and about the need to leave no stone unturned (he emphasized this phrase a lot) to uncover the truth. I suspect he’s a well-regarded speaker at social gatherings.
When I was at breakfast he came to wait on me, and took an opportunity when handing a muffin to say in a low tone, "I 'ope, sir, you reconize as my feelings towards your relative is not actuated by any taint of what you may call melignity—you can leave the room, Eliza, I will see the gentleman 'as all he requires with my own hands—I ask your pardon, sir, but you must be well aware a man is not always master of himself: and when that man has been 'urt in his mind by the application of[Pg 119] expressions which I will go so far as to say 'ad not ought to have been made use of (his voice was rising all this time and his face growing redder); no, sir; and 'ere, if you will permit of it, I should like to explain to you in a very few words the exact state of the bone of contention. This cask—I might more truly call it a firkin—of beer—"
When I was having breakfast, he came to serve me and took a moment while handing me a muffin to say in a quiet voice, "I hope, sir, you understand that my feelings towards your relative aren’t influenced by any kind of malice—you can leave the room, Eliza, I will handle everything the gentleman needs myself—I apologize, sir, but you must know that a man doesn't always have control over himself: and when that man has been hurt in his mind by the use of[Pg 119] words that really shouldn’t have been used (his voice was getting louder the whole time and his face was getting redder); no, sir; and here, if you’ll allow me, I’d like to explain to you in just a few words the exact issue at stake. This cask—I might more accurately call it a firkin—of beer—"
I felt it was time to interpose, and said that I did not see that it would help us very much to go into that matter in detail. Mr. Bowman acquiesced, and resumed more calmly:
I felt it was time to step in and said that I didn't think it would really help us much to dive into that issue in detail. Mr. Bowman agreed and continued more calmly:
"Well, sir, I bow to your ruling, and as you say, be that here or be it there, it don't contribute a great deal, perhaps, to the present question. All I wish you to understand is that I am prepared as you are yourself to lend every hand to the business we have afore us, and—as I took the opportunity to say as much to the Orficers not three-quarters of an hour ago—to leave no stone unturned as may throw even a spark of light on this painful matter."
"Well, sir, I respect your decision, and as you say, whether it’s here or there, it doesn’t really contribute much to the current issue. All I want you to know is that I’m ready, just like you, to do everything we can for the task ahead of us, and—as I mentioned to the Officers not long ago—to leave no stone unturned that might shed even a little light on this difficult situation."
In fact, Mr. Bowman did accompany us on our exploration, but though I am sure his genuine wish was to be helpful, I am afraid he did not contribute to the serious side of it. He appeared to be under the impression that[Pg 120] we were likely to meet either Uncle Henry or the person responsible for his disappearance, walking about the fields—and did a great deal of shading his eyes with his hand and calling our attention, by pointing with his stick, to distant cattle and labourers. He held several long conversations with old women whom we met, and was very strict and severe in his manner—but on each occasion returned to our party saying, "Well, I find she don't seem to 'ave no connexion with this sad affair. I think you may take it from me, sir, as there's little or no light to be looked for from that quarter; not without she's keeping somethink back intentional."
Actually, Mr. Bowman did join us on our exploration, but while I’m sure he genuinely wanted to help, I’m afraid he didn’t add much to the serious side of it. He seemed to think that we were likely to see either Uncle Henry or the person responsible for his disappearance wandering around the fields—and spent a lot of time shading his eyes with his hand and pointing out distant cattle and workers with his stick. He had several long conversations with the old women we encountered and was very strict and stern in his demeanor—but each time he came back to our group, saying, “Well, I find she doesn’t seem to have any connection with this sad affair. I think you can take my word for it, sir, that there's little or no insight to be gained from that direction; not unless she’s hiding something on purpose.”
We gained no appreciable result, as I told you at starting; the Bow Street men have left the town, whether for London or not, I am not sure.
We didn’t get any significant results, as I mentioned at the beginning; the Bow Street officers have left town, though I’m not sure if it’s for London or somewhere else.
This evening I had company in the shape of a bagman, a smartish fellow. He knew what was going forward, but though he has been on the roads for some days about here, he had nothing to tell of suspicious characters—tramps, wandering sailors or gipsies. He was very full of a capital Punch and Judy Show he had seen this same day at W——, and asked if it had[Pg 121] been here yet, and advised me by no means to miss it if it does come. The best Punch and the best Toby dog, he said, he had ever come across. Toby dogs, you know, are the last new thing in the shows. I have only seen one myself, but before long all the men will have them.
This evening, I had company in the form of a bagman, a pretty sharp guy. He was in the know about what was happening, but despite being around here for the past few days, he had nothing to share about any suspicious characters—tramps, wandering sailors, or gypsies. He was really enthusiastic about a fantastic Punch and Judy Show he had seen today at W—— and asked if it had [Pg 121] been here yet, urging me not to miss it if it comes. He claimed it had the best Punch and the best Toby dog he had ever seen. Toby dogs, you see, are the latest trend in shows. I've only seen one myself, but soon enough, all the performers will have them.
Now why, you will want to know, do I trouble to write all this to you? I am obliged to do it, because it has something to do with another absurd trifle (as you will inevitably say), which in my present state of rather unquiet fancy—nothing more, perhaps—I have to put down. It is a dream, sir, which I am going to record, and I must say it is one of the oddest I have had. Is there anything in it beyond what the bagman's talk and Uncle Henry's disappearance could have suggested? You, I repeat, shall judge: I am not in a sufficiently cool and judicial frame to do so.
Now, you might be wondering why I'm bothering to write all this to you. I feel compelled to do it because it relates to another ridiculous little thing (as you’ll probably call it), which, in my current state of restless thought—nothing more, I suppose—I have to jot down. It’s a dream, sir, that I’m about to share, and I have to say it’s one of the strangest I’ve experienced. Is there anything in it beyond what the bagman's chatter and Uncle Henry's disappearance might have hinted at? You, I repeat, will be the judge: I’m not in a clear enough state of mind to decide that for myself.
It began with what I can only describe as a pulling aside of curtains: and I found myself seated in a place—I don't know whether in doors or out. There were people—only a few—on either side of me, but I did not recognize them, or indeed think much about them. They never spoke, but, so far as I remember,[Pg 122] were all grave and pale-faced and looked fixedly before them. Facing me there was a Punch and Judy Show, perhaps rather larger than the ordinary ones, painted with black figures on a reddish-yellow ground. Behind it and on each side was only darkness, but in front there was a sufficiency of light. I was "strung up" to a high degree of expectation and listened every moment to hear the panpipes and the Roo-too-too-it. Instead of that there came suddenly an enormous—I can use no other word—an enormous single toll of a bell, I don't know from how far off—somewhere behind. The little curtain flew up and the drama began.
It started with what I can only describe as the pulling aside of curtains, and I found myself seated in a place—I couldn't tell if it was indoors or outdoors. There were a few people on either side of me, but I didn't recognize them or really think much about them. They didn’t speak, but as far as I remember,[Pg 122] they all looked serious and pale, gazing straight ahead. In front of me was a Punch and Judy Show, maybe a bit larger than usual, painted with black figures on a reddish-yellow background. Behind it and on either side was just darkness, but in front, there was plenty of light. I was really eager and listened intently for the panpipes and the Roo-too-too-it. Instead, there suddenly came an enormous—I can’t think of a better word—an enormous single toll of a bell, I have no idea how far away—somewhere behind me. The little curtain flew up, and the show began.
I believe someone once tried to re-write Punch as a serious tragedy; but whoever he may have been, this performance would have suited him exactly. There was something Satanic about the hero. He varied his methods of attack: for some of his victims he lay in wait, and to see his horrible face—it was yellowish white, I may remark—peering round the wings made me think of the Vampyre in Fuseli's foul sketch. To others he was polite and carneying—particularly to the unfortunate alien who can only say Shallabalah—though what Punch said[Pg 123] I never could catch. But with all of them I came to dread the moment of death. The crack of the stick on their skulls, which in the ordinary way delights me, had here a crushing sound as if the bone was giving way, and the victims quivered and kicked as they lay. The baby—it sounds more ridiculous as I go on—the baby, I am sure, was alive. Punch wrung its neck, and if the choke or squeak which it gave were not real, I know nothing of reality.
I think someone once tried to remake Punch as a serious tragedy; but whoever that was, this show would have been perfect for him. There was something evil about the hero. He changed his ways of attack: for some of his victims, he ambushed them, and seeing his horrifying face—it was a yellowish-white, by the way—peeking around the wings reminded me of the Vampyre in Fuseli's twisted sketch. To others, he was polite and crafty—especially to the poor foreigner who can only say Shallabalah—although I could never catch what Punch said[Pg 123]. But with all of them, I started to dread the moment of death. The crack of the stick on their skulls, which usually gives me joy, had here a crushing sound as if the bone was breaking, and the victims shuddered and kicked as they lay. The baby—it sounds more ridiculous as I write this—the baby, I'm sure, was alive. Punch twisted its neck, and if the choke or squeak it made wasn't real, then I don't understand reality at all.
The stage got perceptibly darker as each crime was consummated, and at last there was one murder which was done quite in the dark, so that I could see nothing of the victim, and took some time to effect. It was accompanied by hard breathing and horrid muffled sounds, and after it Punch came and sat on the foot-board and fanned himself and looked at his shoes, which were bloody, and hung his head on one side, and sniggered in so deadly a fashion that I saw some of those beside me cover their faces, and I would gladly have done the same. But in the meantime the scene behind Punch was clearing, and showed, not the usual house front, but something more ambitious—a grove of trees and the gentle slope of a hill, with a very natural—in fact, I should say a real—moon[Pg 124] shining on it. Over this there rose slowly an object which I soon perceived to be a human figure with something peculiar about the head—what, I was unable at first to see. It did not stand on its feet, but began creeping or dragging itself across the middle distance towards Punch, who still sat back to it; and by this time, I may remark (though it did not occur to me at the moment) that all pretence of this being a puppet show had vanished. Punch was still Punch, it is true, but, like the others, was in some sense a live creature, and both moved themselves at their own will.
The stage grew noticeably darker as each crime unfolded, and finally, there was one murder that happened completely in the dark, so I couldn't see the victim, and it took some time to complete. It was accompanied by heavy breathing and horrible muffled sounds, and after it, Punch came and sat on the footboard, fanning himself and looking at his shoes, which were bloody, tilting his head to one side, snickering in such a deadly way that I saw some people around me cover their faces, and I would have gladly done the same. Meanwhile, the scene behind Punch was clearing, revealing not the usual house front, but something more elaborate—a grove of trees and a gentle hill, with a very realistic—in fact, I’d say a real—moon[Pg 124] shining down. Slowly rising over this was something that I soon realized was a human figure with something unusual about its head—though at first, I couldn't see what it was. It didn’t stand up but started creeping or dragging itself toward Punch, who still had his back to it; and at this point, I should mention (though it didn’t occur to me at the time) that any pretense that this was a puppet show had disappeared. Punch was still Punch, that’s true, but like the others, he was in some way a living creature, and they all moved of their own accord.
When I next glanced at him he was sitting in malignant reflection; but in another instant something seemed to attract his attention, and he first sat up sharply and then turned round, and evidently caught sight of the person that was approaching him and was in fact now very near. Then, indeed, did he show unmistakable signs of terror: catching up his stick, he rushed towards the wood, only just eluding the arm of his pursuer, which was suddenly flung out to intercept him. It was with a revulsion which I cannot easily express that I now saw more or less clearly what this pursuer was like. He was a sturdy figure clad in black, and,[Pg 125] as I thought, wearing bands: his head was covered with a whitish bag.
When I looked at him again, he was sitting there, lost in dark thoughts. But a moment later, something seemed to grab his attention; he straightened up and turned around, clearly spotting someone who was coming toward him and was now very close. At that point, he showed clear signs of fear: he grabbed his stick and rushed into the woods, just barely avoiding the arm of his pursuer, which suddenly shot out to block him. With a feeling I can't quite describe, I began to see more clearly what this pursuer looked like. He was a solid figure dressed in black, and, I thought, wearing some kind of bands; his head was covered with a whitish hood.
The chase which now began lasted I do not know how long, now among the trees, now along the slope of the field, sometimes both figures disappearing wholly for a few seconds, and only some uncertain sounds letting one know that they were still afoot. At length there came a moment when Punch, evidently exhausted, staggered in from the left and threw himself down among the trees. His pursuer was not long after him, and came looking uncertainly from side to side. Then, catching sight of the figure on the ground, he too threw himself down—his back was turned to the audience—with a swift motion twitched the covering from his head, and thrust his face into that of Punch. Everything on the instant grew dark.
The chase that began now went on for I don't know how long, weaving between the trees and along the slope of the field, sometimes both figures completely disappearing for a few seconds, with only some vague sounds indicating they were still moving. Eventually, there was a moment when Punch, clearly exhausted, stumbled in from the left and collapsed among the trees. His pursuer was not far behind and appeared to search nervously from side to side. Then, spotting the figure on the ground, he flung himself down too—his back was to the audience—quickly pulled the covering off his head, and thrust his face into Punch's. Everything suddenly went dark.
There was one long, loud, shuddering scream, and I awoke to find myself looking straight into the face of—what in all the world do you think?—but a large owl, which was seated on my window-sill immediately opposite my bed-foot, holding up its wings like two shrouded arms. I caught the fierce glance of its yellow eyes, and then it was gone. I heard the single[Pg 126] enormous bell again—very likely, as you are saying to yourself, the church clock; but I do not think so—and then I was broad awake.
There was one long, loud, shuddering scream, and I woke up to find myself staring right into the face of—what do you think it was?—a large owl, sitting on my window-sill directly across from the foot of my bed, spreading its wings like two covered arms. I caught its fierce yellow-eyed gaze, and then it was gone. I heard that single enormous bell again—probably, as you're thinking, the church clock; but I don't think so—and then I was fully awake.
All this, I may say, happened within the last half-hour. There was no probability of my getting to sleep again, so I got up, put on clothes enough to keep me warm, and am writing this rigmarole in the first hours of Christmas Day. Have I left out anything? Yes, there was no Toby dog, and the names over the front of the Punch and Judy booth were Kidman and Gallop, which were certainly not what the bagman told me to look out for.
All of this, I should mention, happened in the last half-hour. There was no chance I could fall asleep again, so I got up, dressed warmly, and am writing this jumble of thoughts in the early hours of Christmas Day. Did I forget anything? Yes, there was no Toby dog, and the names on the front of the Punch and Judy booth were Kidman and Gallop, which definitely weren't what the bagman told me to watch for.
By this time, I feel a little more as if I could sleep, so this shall be sealed and wafered.
By now, I feel like I could get some sleep, so this will be sealed and stamped.
LETTER IV
Dec. 26, '37.
Dec 26, '37.
My Dear Robert,—All is over. The body has been found. I do not make excuses for not having sent off my news by last night's mail, for the simple reason that I was incapable of putting pen to paper. The events that attended the discovery bewildered me so completely that I needed what I could get of a night's rest to enable me to face the situation at all. Now I can give you my journal of the[Pg 127] day, certainly the strangest Christmas Day that ever I spent or am likely to spend.
Dear Robert,—It's all over. The body has been found. I won't make excuses for not sending my news with last night's mail because I simply couldn't bring myself to write anything. The events surrounding the discovery left me so completely bewildered that I needed whatever rest I could get to face the situation at all. Now I can share my journal from the[Pg 127] day, without a doubt the strangest Christmas Day I've ever experienced or will likely experience.
The first incident was not very serious. Mr. Bowman had, I think, been keeping Christmas Eve, and was a little inclined to be captious: at least, he was not on foot very early, and to judge from what I could hear, neither men or maids could do anything to please him. The latter were certainly reduced to tears; nor am I sure that Mr. Bowman succeeded in preserving a manly composure. At any rate, when I came downstairs, it was in a broken voice that he wished me the compliments of the season, and a little later on, when he paid his visit of ceremony at breakfast, he was far from cheerful: even Byronic, I might almost say, in his outlook on life.
The first incident wasn’t very serious. Mr. Bowman had, I think, been celebrating Christmas Eve, and was a bit grumpy; at least, he didn’t get up very early, and from what I could hear, neither the men nor the women could do anything to satisfy him. The women were definitely in tears; I’m not sure Mr. Bowman managed to stay composed. Anyway, when I came downstairs, he greeted me with a broken voice, wishing me the compliments of the season, and a little later, during his formal visit at breakfast, he was far from cheerful; I might even say he had a Byronic attitude towards life.
"I don't know," he said, "if you think with me, sir; but every Christmas as comes round the world seems a hollerer thing to me. Why, take an example now from what lays under my own eye. There's my servant Eliza—been with me now for going on fifteen years. I thought I could have placed my confidence in Elizar, and yet this very morning—Christmas morning too, of all the blessed days in the year—with the bells a ringing and—and—all like[Pg 128] that—I say, this very morning, had it not have been for Providence watching over us all, that girl would have put—indeed I may go so far to say, 'ad put the cheese on your breakfast table——" He saw I was about to speak, and waved his hand at me. "It's all very well for you to say, 'Yes, Mr. Bowman, but you took away the cheese and locked it up in the cupboard,' which I did, and have the key here, or if not the actual key one very much about the same size. That's true enough, sir, but what do you think is the effect of that action on me? Why it's no exaggeration for me to say that the ground is cut from under my feet. And yet when I said as much to Eliza, not nasty, mind you, but just firm like, what was my return? 'Oh,' she says: 'Well,' she says, 'there wasn't no bones broke, I suppose.' Well, sir, it 'urt me, that's all I can say: it 'urt me, and I don't like to think of it now."
"I don’t know,” he said, “if you see it my way, sir; but every Christmas that comes around, the world feels emptier to me. For example, take my servant Eliza—she’s been with me for almost fifteen years. I thought I could trust Eliza, and yet this very morning—Christmas morning, of all days, with the bells ringing and everything—I say, this very morning, if it hadn’t been for Providence looking out for us all, that girl would have put—indeed, I can go so far as to say, 'would have put the cheese on your breakfast table——" He noticed I was about to speak and waved his hand at me. “It’s all very well for you to say, 'Yes, Mr. Bowman, but you took the cheese and locked it in the cupboard,’ which I did, and I have the key right here, or if not the actual key, one that’s pretty much the same size. That’s true enough, sir, but what do you think the effect of that action is on me? It’s no exaggeration to say that the ground is cut from under my feet. And yet when I told Eliza this, not in a nasty way, mind you, just firmly like, what did I get back? 'Oh,' she says, 'Well,' she says, 'there weren’t any bones broken, I suppose.' Well, sir, it hurt me, that’s all I can say: it hurt me, and I don’t like to think about it now.”
There was an ominous pause here, in which I ventured to say something like, "Yes, very trying," and then asked at what hour the church service was to be. "Eleven o'clock," Mr. Bowman said with a heavy sigh. "Ah, you won't have no such discourse from poor Mr. Lucas as what you would have done from[Pg 129] our late Rector. Him and me may have had our little differences, and did do, more's the pity."
There was a heavy pause here, during which I managed to say something like, "Yeah, very challenging," and then I asked what time the church service was. "Eleven o'clock," Mr. Bowman replied with a deep sigh. "Ah, you won't get the same kind of talk from poor Mr. Lucas as you would have from[Pg 129] our late Rector. He and I may have had our differences, and we definitely did, sadly."
I could see that a powerful effort was needed to keep him off the vexed question of the cask of beer, but he made it. "But I will say this, that a better preacher, nor yet one to stand faster by his rights, or what he considered to be his rights—however, that's not the question now—I for one, never set under. Some might say, 'Was he a eloquent man?' and to that my answer would be: 'Well, there you've a better right per'aps to speak of your own uncle than what I have.' Others might ask, 'Did he keep a hold of his congregation?' and there again I should reply, 'That depends.' But as I say—Yes, Eliza, my girl, I'm coming—eleven o'clock, sir, and you inquire for the King's Head pew." I believe Eliza had been very near the door, and shall consider it in my vail.
I could see that a strong effort was necessary to keep him away from the frustrating topic of the cask of beer, but he managed. "But I will say this, I've never sat under a better preacher or one who stood more firmly by his rights, or what he thought were his rights—though that’s not really the issue right now. Some might ask, ‘Was he an eloquent man?’ and my response would be: ‘Well, you probably have a better right to speak about your own uncle than I do.’ Others might wonder, ‘Did he hold on to his congregation?’ and again, I would say, ‘That depends.’ But as I was saying—Yes, Eliza, my girl, I'm coming—it's eleven o'clock, sir, and you're asking for the King's Head pew." I believe Eliza was very close to the door, and I’ll keep that in mind.
The next episode was church: I felt Mr. Lucas had a difficult task in doing justice to Christmas sentiments, and also to the feeling of disquiet and regret which, whatever Mr. Bowman might say, was clearly prevalent. I do not think he rose to the occasion. I was[Pg 130] uncomfortable. The organ wolved—you know what I mean: the wind died—twice in the Christmas Hymn, and the tenor bell, I suppose owing to some negligence on the part of the ringers, kept sounding faintly about once in a minute during the sermon. The clerk sent up a man to see to it, but he seemed unable to do much. I was glad when it was over. There was an odd incident, too, before the service. I went in rather early, and came upon two men carrying the parish bier back to its place under the tower. From what I overheard them saying, it appeared that it had been put out by mistake, by some one who was not there. I also saw the clerk busy folding up a moth-eaten velvet pall—not a sight for Christmas Day.
The next episode was church: I felt Mr. Lucas had a tough job trying to capture the Christmas spirit, along with the sense of unease and regret that, no matter what Mr. Bowman might say, was clearly in the air. I don’t think he managed to rise to the occasion. I was[Pg 130] uncomfortable. The organ struggled—you know what I mean: the wind stopped—twice during the Christmas Hymn, and the tenor bell, probably due to some oversight by the ringers, kept ringing faintly about once a minute during the sermon. The clerk sent someone up to check on it, but he didn’t seem to be of much help. I was relieved when it was finally over. There was also a strange incident before the service. I arrived a bit early and came across two men returning the parish bier to its spot under the tower. From what I overheard, it seemed it had been taken out by mistake, by someone who wasn’t there. I also noticed the clerk busy folding a moth-eaten velvet pall—not the best sight for Christmas Day.
I dined soon after this, and then, feeling disinclined to go out, took my seat by the fire in the parlour, with the last number of Pickwick, which I had been saving up for some days. I thought I could be sure of keeping awake over this, but I turned out as bad as our friend Smith. I suppose it was half-past two when I was roused by a piercing whistle and laughing and talking voices outside in the market-place. It was a Punch and Judy—I had no doubt the[Pg 131] one that my bagman had seen at W——. I was half delighted, half not—the latter because my unpleasant dream came back to me so vividly; but, anyhow, I determined to see it through, and I sent Eliza out with a crown-piece to the performers and a request that they would face my window if they could manage it.
I had dinner shortly after that, and then, not feeling like going out, I settled by the fire in the living room with the latest issue of Pickwick, which I had been saving for a few days. I thought I could definitely stay awake reading it, but I ended up dozing off just like our friend Smith. I think it was around two-thirty when I was jolted awake by a loud whistle and the sound of laughing and talking outside in the marketplace. It was a Punch and Judy show—I was pretty sure it was the same one my bagman had seen at W——. I felt half excited, half annoyed—the annoyed part because my unsettling dream came flooding back to me; but still, I decided to take it all in, so I sent Eliza out with a crown coin to the performers and asked if they could set up by my window.
The show was a very smart new one; the names of the proprietors, I need hardly tell you, were Italian, Foresta and Calpigi. The Toby dog was there, as I had been led to expect. All B—— turned out, but did not obstruct my view, for I was at the large first-floor window and not ten yards away.
The show was a really clever new one; the owners' names, I shouldn’t need to tell you, were Italian, Foresta and Calpigi. The Toby dog was there, just as I had expected. Everyone from B—— showed up, but they didn’t block my view, since I was at the big first-floor window and not ten yards away.
The play began on the stroke of a quarter to three by the church clock. Certainly it was very good; and I was soon relieved to find that the disgust my dream had given me for Punch's onslaughts on his ill-starred visitors was only transient. I laughed at the demise of the Turncock, the Foreigner, the Beadle, and even the baby. The only drawback was the Toby dog's developing a tendency to howl in the wrong place. Something had occurred, I suppose, to upset him, and something considerable: for, I forget exactly at what point, he[Pg 132] gave a most lamentable cry, leapt off the foot board, and shot away across the market-place and down a side street. There was a stage-wait, but only a brief one. I suppose the men decided that it was no good going after him, and that he was likely to turn up again at night.
The play started right at a quarter to three by the church clock. It was really good, and I was quickly relieved to realize that the disgust I felt from my dream about Punch's attacks on his unfortunate visitors was just temporary. I laughed at the demise of the Turncock, the Foreigner, the Beadle, and even the baby. The only downside was that Toby the dog was starting to howl at the wrong moments. Something must have upset him, and it must have been something big: because, I can't remember exactly when, he[Pg 132] let out a very sad cry, jumped off the footboard, and dashed across the marketplace and down a side street. There was a brief pause in the action, but it wasn't long. I think the men decided it wasn't worth chasing after him and figured he would probably show up again later at night.
We went on. Punch dealt faithfully with Judy, and in fact with all comers; and then came the moment when the gallows was erected, and the great scene with Mr. Ketch was to be enacted. It was now that something happened of which I can certainly not yet see the import fully. You have witnessed an execution, and know what the criminal's head looks like with the cap on. If you are like me, you never wish to think of it again, and I do not willingly remind you of it. It was just such a head as that, that I, from my somewhat higher post, saw in the inside of the show-box; but at first the audience did not see it. I expected it to emerge into their view, but instead of that there slowly rose for a few seconds an uncovered face, with an expression of terror upon it, of which I have never imagined the like. It seemed as if the man, whoever he was, was being forcibly lifted, with his arms somehow[Pg 133] pinioned or held back, towards the little gibbet on the stage. I could just see the nightcapped head behind him. Then there was a cry and a crash. The whole show-box fell over backwards; kicking legs were seen among the ruins, and then two figures—as some said; I can only answer for one—were visible running at top speed across the square and disappearing in a lane which leads to the fields.
We moved on. Punch treated Judy, and really everyone else, just as he always did; then came the moment when the gallows was set up, and the big scene with Mr. Ketch was about to happen. It was at this point that something occurred which I still can’t fully understand. You’ve seen an execution and know what the criminal's head looks like with the cap on. If you’re like me, you never want to think about it again, and I don’t want to remind you of it. It was exactly that kind of head that I saw from my slightly higher position inside the show-box; but at first, the audience couldn’t see it. I expected it to come into their view, but instead, an uncovered face slowly appeared for a few seconds, showing a look of terror like I’ve never imagined before. It looked as though the man, whoever he was, was being forcibly lifted, with his arms somehow pinned or held back, toward the little gallows on the stage. I could just see a nightcapped head behind him. Then there was a shout and a crash. The entire show-box toppled over backwards; kicking legs were visible among the debris, and then two figures—some said there were two; I can only confirm one—were seen sprinting across the square and disappearing down a lane that led to the fields.
Of course everybody gave chase. I followed; but the pace was killing, and very few were in, literally, at the death. It happened in a chalk pit: the man went over the edge quite blindly and broke his neck. They searched everywhere for the other, until it occurred to me to ask whether he had ever left the market-place. At first everyone was sure that he had; but when we came to look, he was there, under the show-box, dead too.
Of course, everyone ran after him. I followed, but the pace was brutal, and very few made it in, literally, at the last moment. It happened in a chalk pit: the guy went over the edge without realizing it and broke his neck. They searched everywhere for the other one until I thought to ask if he had ever left the marketplace. At first, everyone was convinced he had, but when we checked, he was there, under the showbox, dead too.
But in the chalk pit it was that poor Uncle Henry's body was found, with a sack over the head, the throat horribly mangled. It was a peaked corner of the sack sticking out of the soil that attracted attention. I cannot bring myself to write in greater detail.
But in the chalk pit, that's where poor Uncle Henry's body was found, with a sack over his head and his throat brutally mangled. It was a pointed corner of the sack sticking out of the ground that caught people's attention. I can’t bring myself to describe it in more detail.
I forgot to say the men's real names were Kidman and Gallop. I feel sure I have heard[Pg 134] them, but no one here seems to know anything about them.
I forgot to mention that the men's real names were Kidman and Gallop. I'm pretty sure I've heard[Pg 134] of them, but no one here seems to know anything about them.
I am coming to you as soon as I can after the funeral. I must tell you when we meet what I think of it all.
I’ll see you as soon as I can after the funeral. I need to share my thoughts about everything when we meet.
TWO DOCTORS
TWO DOCTORS
It is a very common thing, in my experience, to find papers shut up in old books; but one of the rarest things to come across any such that are at all interesting. Still it does happen, and one should never destroy them unlooked at. Now it was a practice of mine before the war occasionally to buy old ledgers of which the paper was good, and which possessed a good many blank leaves, and to extract these and use them for my own notes and writings. One such I purchased for a small sum in 1911. It was tightly clasped, and its boards were warped by having for years been obliged to embrace a number of extraneous sheets. Three-quarters of this inserted matter had lost all vestige of importance for any living human being: one bundle had not. That it belonged to a lawyer is certain, for it is endorsed: The strangest case I have yet met, and bears initials, and an address in Gray's Inn. It is only materials for a case, and consists of[Pg 138] statements by possible witnesses. The man who would have been the defendant or prisoner seems never to have appeared. The dossier is not complete, but, such as it is, it furnishes a riddle in which the supernatural appears to play a part. You must see what you can make of it.
It's quite common, in my experience, to find papers tucked away in old books; however, it's rare to find any that are genuinely interesting. Still, it does happen, and one should never discard them without checking. Before the war, I used to occasionally buy old ledgers with good paper and plenty of blank pages, extracting them for my own notes and writings. I bought one such ledger for a small price in 1911. It was tightly bound, and its covers were warped from years of holding several extra sheets. Three-quarters of this inserted material had lost all relevance for anyone living: one bundle had not. It's clear that it belonged to a lawyer since it’s marked: The strangest case I have yet met, and it has initials and an address in Gray's Inn. It's just materials for a case, consisting of [Pg 138] statements from potential witnesses. The man who would have been the defendant or prisoner seems never to have shown up. The dossier isn’t complete, but, as it is, it presents a puzzle in which the supernatural seems to play a role. You should see what you can make of it.
The following is the setting and the tale as I elicit it.
The following is the setting and the story as I unfold it.
Dr. Abell was walking in his garden one afternoon waiting for his horse to be brought round that he might set out on his visits for the day. As the place was Islington, the month June, and the year 1718, we conceive the surroundings as being countrified and pleasant. To him entered his confidential servant, Luke Jennett, who had been with him twenty years.
Dr. Abell was walking in his garden one afternoon, waiting for his horse to be brought around so he could start his visits for the day. Since it was June 1718 in Islington, we imagine the surroundings were rural and lovely. His trusted servant, Luke Jennett, who had been with him for twenty years, came in.
"I said I wished to speak to him, and what I had to say might take some quarter of an hour. He accordingly bade me go into his study, which was a room opening on the terrace path where he was walking, and came in himself and sat down. I told him that, much against my will, I must look out for another place. He inquired what was my reason, in consideration I had been so long with him. I said if he would excuse me he would do me a[Pg 139] great kindness, because (this appears to have been common form even in 1718) I was one that always liked to have everything pleasant about me. As well as I can remember, he said that was his case likewise, but he would wish to know why I should change my mind after so many years, and, says he, 'you know there can be no talk of a remembrance of you in my will if you leave my service now.' I said I had made my reckoning of that.
"I said I wanted to talk to him, and that what I had to say might take about fifteen minutes. He then told me to go into his study, which was a room that opened onto the terrace path where he was walking, and he came in himself and sat down. I told him that, much against my wishes, I needed to look for another job. He asked why, considering I had been with him for so long. I said if he could excuse me, it would be a huge favor because (this seems to have been common back in 1718) I always liked to have everything nice around me. As far as I remember, he said that was true for him too, but he wanted to know why I would change my mind after so many years, and he added, 'You know there won't be any mention of you in my will if you leave my service now.' I said I had already thought about that."
"'Then,' says he, 'you must have some complaint to make, and if I could I would willingly set it right.' And at that I told him, not seeing how I could keep it back, the matter of my former affidavit and of the bedstaff in the dispensing-room, and said that a house where such things happened was no place for me. At which he, looking very black upon me, said no more, but called me fool, and said he would pay what was owing me in the morning; and so, his horse being waiting, went out. So for that night I lodged with my sister's husband near Battle Bridge and came early next morning to my late master, who then made a great matter that I had not lain in his house and stopped a crown out of my wages owing.
"'Then,' he says, 'you must have some complaint to make, and I would gladly fix it if I could.' So I told him, unable to hold back, about my previous statement and the issue with the bedstaff in the dispensing room, and I said that a place where such things happened was not where I wanted to be. He glared at me, said nothing more, called me a fool, and mentioned he would pay me what I was owed in the morning; then, with his horse waiting, he left. That night, I stayed with my sister's husband near Battle Bridge and came back early the next morning to my former boss, who made a big deal about the fact that I hadn’t stayed at his house and deducted a crown from the wages I was owed.
"After that I took service here and there,[Pg 140] not for long at a time, and saw no more of him till I came to be Dr. Quinn's man at Dodds Hall in Islington."
"After that, I worked here and there,[Pg 140] but not for long at any place, and I didn't see him again until I became Dr. Quinn's assistant at Dodds Hall in Islington."
There is one very obscure part in this statement, namely, the reference to the former affidavit and the matter of the bedstaff. The former affidavit is not in the bundle of papers. It is to be feared that it was taken out to be read because of its special oddity, and not put back. Of what nature the story was may be guessed later, but as yet no clue has been put into our hands.
There’s one really unclear part in this statement, specifically the mention of the previous affidavit and the issue with the bedstaff. The previous affidavit isn’t in the stack of papers. It’s likely that it was removed to be read because of its unusual nature and wasn’t put back. We can infer what the story might be later, but for now, we have no clues.
The Rector of Islington, Jonathan Pratt, is the next to step forward. He furnishes particulars of the standing and reputation of Dr. Abell and Dr. Quinn, both of whom lived and practised in his parish.
The Rector of Islington, Jonathan Pratt, is the next to speak up. He provides details about the status and reputation of Dr. Abell and Dr. Quinn, both of whom lived and worked in his parish.
"It is not to be supposed," he says, "that a physician should be a regular attendant at morning and evening prayers, or at the Wednesday lectures, but within the measure of their ability I would say that both these persons fulfilled their obligations as loyal members of the Church of England. At the same time (as you desire my private mind) I must say, in the language of the schools, distinguo. Dr. A. was to me a source of perplexity, Dr. Q. to my[Pg 141] eye a plain, honest believer, not inquiring over closely into points of belief, but squaring his practice to what lights he had. The other interested himself in questions to which Providence, as I hold, designs no answer to be given us in this state: he would ask me, for example, what place I believed those beings now to hold in the scheme of creation which by some are thought neither to have stood fast when the rebel angels fell, nor to have joined with them to the full pitch of their transgression.
"It shouldn't be assumed," he says, "that a physician must regularly attend morning and evening prayers, or the Wednesday lectures, but to the best of their ability, I would argue that both of these individuals met their obligations as faithful members of the Church of England. At the same time (since you want my personal thoughts), I have to say, in academic terms, distinguo. Dr. A. was a source of confusion for me, while Dr. Q. appeared to me as a straightforward, sincere believer who didn't scrutinize belief too closely but aligned his actions with the understanding he had. The other engaged in questions to which, in my opinion, Providence designed no answers for us in this life: he would ask me, for instance, what role I believed those beings now play in the structure of creation—beings who some think neither stood firm when the rebel angels fell nor fully joined them in their rebellion."
"As was suitable, my first answer to him was a question, What warrant he had for supposing any such beings to exist? for that there was none in Scripture I took it he was aware. It appeared—for as I am on the subject, the whole tale may be given—that he grounded himself on such passages as that of the satyr which Jerome tells us conversed with Antony; but thought too that some parts of Scripture might be cited in support. 'And besides,' said he, 'you know 'tis the universal belief among those that spend their days and nights abroad, and I would add that if your calling took you so continuously as it does me about the country lanes by night, you might not be so surprised as I see you to be by my suggestion.' 'You[Pg 142] are then of John Milton's mind,' I said, 'and hold that
"As was fitting, my first response to him was a question: what reason did he have for thinking such beings existed? I assumed he knew there was none in Scripture. It seemed—since I'm already on the topic, I might as well share the whole story—that he based his belief on passages like the one about the satyr that Jerome said spoke with Antony; but he also thought some parts of Scripture might support it. 'Besides,' he said, 'you know it's the common belief among those who spend their days and nights outside, and I would add that if your work took you as often as it does me through the countryside at night, you might not be so surprised by my suggestion.' 'So you agree with John Milton,' I said, 'and believe that"
Millions of spiritual creatures walk the earth
Unseen, both when we wake and when we sleep.'
Millions of spiritual beings live on earth.
Invisible, whether we’re awake or asleep.
"'I do not know,' he said, 'why Milton should take upon himself to say "unseen"; though to be sure he was blind when he wrote that. But for the rest, why, yes, I think he was in the right.' 'Well,' I said, 'though not so often as you, I am not seldom called abroad pretty late; but I have no mind of meeting a satyr in our Islington lanes in all the years I have been here; and if you have had the better luck, I am sure the Royal Society would be glad to know of it.'
"'I don’t know,' he said, 'why Milton would say "unseen"; though to be fair, he was blind when he wrote that. But overall, yes, I think he was right.' 'Well,' I replied, 'even though I’m not out as often as you are, I’ve certainly been out pretty late; but I have no desire to run into a satyr in our Islington streets during all the years I've lived here; and if you’ve had better luck, I’m sure the Royal Society would love to hear about it.'"
"I am reminded of these trifling expressions because Dr. A. took them so ill, stamping out of the room in a huff with some such word as that these high and dry parsons had no eyes but for a prayerbook or a pint of wine.
"I remember these petty remarks because Dr. A. reacted so badly, storming out of the room in a huff, muttering something like these stuck-up ministers only care about a prayer book or a drink."
"But this was not the only time that our conversation took a remarkable turn. There was an evening when he came in, at first seeming gay and in good spirits, but afterwards as he sat and smoked by the fire falling into a musing way; out of which to rouse him I said pleasantly[Pg 143] that I supposed he had had no meetings of late with his odd friends. A question which did effectually arouse him, for he looked most wildly, and as if scared, upon me, and said, 'You were never there? I did not see you. Who brought you?' And then in a more collected tone, 'What was this about a meeting? I believe I must have been in a doze.' To which I answered that I was thinking of fauns and centaurs in the dark lane, and not of a witches' Sabbath; but it seemed he took it differently.
"But this wasn’t the only time our conversation took a surprising turn. One evening, he came in looking cheerful and in good spirits, but after sitting and smoking by the fire, he slipped into a thoughtful mood. To draw him out, I casually mentioned[Pg 143] that I guessed he hadn’t seen his unusual friends lately. My question effectively shook him out of his reverie, as he looked at me wildly and appeared frightened, asking, 'You were never there? I didn’t see you. Who brought you?' Then, in a calmer tone, he said, 'What was this about a meeting? I think I must have dozed off.' I responded that I was thinking about fauns and centaurs in the dark lane, not a witches' Sabbath; but it seemed he interpreted it differently."
"'Well,' said he, 'I can plead guilty to neither; but I find you very much more of a sceptic than becomes your cloth. If you care to know about the dark lane you might do worse than ask my housekeeper that lived at the other end of it when she was a child.' 'Yes,' said I, 'and the old women in the almshouse and the children in the kennel. If I were you, I would send to your brother Quinn for a bolus to clear your brain.' 'Damn Quinn,' says he; 'talk no more of him: he has embezzled four of my best patients this month; I believe it is that cursed man of his, Jennett, that used to be with me, his tongue is never still; it should be nailed to the pillory[Pg 144] if he had his deserts.' This, I may say, was the only time of his showing me that he had any grudge against either Dr. Quinn or Jennett, and as was my business, I did my best to persuade him he was mistaken in them. Yet it could not be denied that some respectable families in the parish had given him the cold shoulder, and for no reason that they were willing to allege. The end was that he said he had not done so ill at Islington but that he could afford to live at ease elsewhere when he chose, and anyhow he bore Dr. Quinn no malice. I think I now remember what observation of mine drew him into the train of thought which he next pursued. It was, I believe, my mentioning some juggling tricks which my brother in the East Indies had seen at the court of the Rajah of Mysore. 'A convenient thing enough,' said Dr. Abell to me, 'if by some arrangement a man could get the power of communicating motion and energy to inanimate objects.' 'As if the axe should move itself against him that lifts it; something of that kind?' 'Well, I don't know that that was in my mind so much; but if you could summon such a volume from your shelf or even order it to open at the right page.'[Pg 145]
"'Well,' he said, 'I can't admit to either; but I find you much more of a skeptic than your position allows. If you're curious about the dark lane, you might want to ask my housekeeper who lived at the other end of it when she was a child.' 'Sure,' I replied, 'and the old women in the old age home and the kids in the street. If I were you, I'd ask your brother Quinn for something to clear your head.' 'Damn Quinn,' he said; 'don't talk about him: he’s taken four of my best patients this month; I think it's that cursed guy of his, Jennett, who used to be with me, his mouth is never shut; he should be punished for it[Pg 144] if he got what he deserves.' I can say this was the only time he showed any resentment towards either Dr. Quinn or Jennett, and as was my role, I did my best to convince him he was wrong about them. Yet it couldn't be denied that some respectable families in the area had turned their backs on him, and for no reason they were willing to share. In the end, he said he hadn’t done so poorly at Islington that he couldn't afford to live comfortably elsewhere when he wanted, and anyway he held no grudge against Dr. Quinn. I think I remember what I said that led him to the train of thought he pursued next. It was, I believe, when I mentioned some magic tricks my brother in the East Indies had seen at the court of the Rajah of Mysore. 'A pretty handy thing,' Dr. Abell said to me, 'if a man could somehow get the ability to give motion and energy to inanimate objects.' 'Like if the axe moved itself against the person lifting it; something like that?' 'Well, that wasn't exactly what I had in mind; but if you could summon such a book from your shelf or even make it open to the right page.'[Pg 145]
"He was sitting by the fire—it was a cold evening—and stretched out his hand that way, and just then the fire-irons, or at least the poker, fell over towards him with a great clatter, and I did not hear what else he said. But I told him that I could not easily conceive of an arrangement, as he called it, of such a kind that would not include as one of its conditions a heavier payment than any Christian would care to make; to which he assented. 'But,' he said, 'I have no doubt these bargains can be made very tempting, very persuasive. Still, you would not favour them, eh, Doctor? No, I suppose not.'
"He was sitting by the fire—it was a chilly evening—and reached out his hand that way, and just then the fire tools, or at least the poker, fell over toward him with a loud clatter, and I didn’t catch what else he said. But I told him that I couldn’t easily imagine an arrangement, as he called it, of such a kind that wouldn’t include as one of its terms a heavier payment than any Christian would be willing to make; to which he agreed. ‘But,’ he said, ‘I have no doubt these deals can be made very tempting, very persuasive. Still, you wouldn’t support them, right, Doctor? No, I suppose not.’"
"This is as much as I know of Dr. Abell's mind, and the feeling between these men. Dr. Quinn, as I said, was a plain, honest creature, and a man to whom I would have gone—indeed I have before now gone to him for advice on matters of business. He was, however, every now and again, and particularly of late, not exempt from troublesome fancies. There was certainly a time when he was so much harassed by his dreams that he could not keep them to himself, but would tell them to his acquaintances and among them to me. I was at supper at his house, and he was not inclined to let me[Pg 146] leave him at my usual time. 'If you go,' he said, 'there will be nothing for it but I must go to bed and dream of the chrysalis.' 'You might be worse off,' said I. 'I do not think it,' he said, and he shook himself like a man who is displeased with the complexion of his thoughts. 'I only meant,' said I, 'that a chrysalis is an innocent thing.' 'This one is not,' he said, 'and I do not care to think of it.'
"This is all I know about Dr. Abell's mind and the relationship between these men. Dr. Quinn, as I mentioned, was a straightforward, honest guy, and someone I would have turned to—actually, I have gone to him for advice on business matters in the past. However, he has had some troubling thoughts lately. There was definitely a time when he was so bothered by his dreams that he couldn't keep them to himself and would share them with his friends, including me. I was having dinner at his place, and he wasn’t ready to let me leave at my usual time. 'If you go,' he said, 'I'll just have to go to bed and dream about the chrysalis.' 'It could be worse,' I replied. 'I don’t think so,' he said, shaking himself like he was unhappy with his thoughts. 'I only meant,' I explained, 'that a chrysalis is a harmless thing.' 'Not this one,' he said, 'and I don't want to think about it.'"
"However, sooner than lose my company he was fain to tell me (for I pressed him) that this was a dream which had come to him several times of late, and even more than once in a night. It was to this effect, that he seemed to himself to wake under an extreme compulsion to rise and go out of doors. So he would dress himself and go down to his garden door. By the door there stood a spade which he must take, and go out into the garden, and at a particular place in the shrubbery somewhat clear and upon which the moon shone, for there was always in his dream a full moon, he would feel himself forced to dig. And after some time the spade would uncover something light-coloured, which he would perceive to be a stuff, linen or woollen, and this he must clear with his hands. It was always the same: of[Pg 147] the size of a man and shaped like the chrysalis of a moth, with the folds showing a promise of an opening at one end.
"However, rather than lose my company, he reluctantly told me (since I pressed him) that this was a dream he had been having several times lately, sometimes even more than once a night. In the dream, he felt an overwhelming urge to get up and go outside. So he would get dressed and head down to his garden door. By the door, there was a spade that he had to take and go out into the garden. There was a specific spot in the shrubbery that was somewhat clear and lit by the moonlight, as there was always a full moon in his dream. He felt compelled to dig there. After a while, the spade would uncover something light-colored that he recognized as fabric, either linen or wool, and he had to clear it with his hands. It was always the same: about the size of a man and shaped like a moth's chrysalis, with folds that hinted at an opening at one end."
"He could not describe how gladly he would have left all at this stage and run to the house, but he must not escape so easily. So with many groans, and knowing only too well what to expect, he parted these folds of stuff, or, as it sometimes seemed to be, membrane, and disclosed a head covered with a smooth pink skin, which breaking as the creature stirred, showed him his own face in a state of death. The telling of this so much disturbed him that I was forced out of mere compassion to sit with him the greater part of the night and talk with him upon indifferent subjects. He said that upon every recurrence of this dream he woke and found himself, as it were, fighting for his breath."
"He couldn't explain how much he would have loved to leave everything behind and run to the house at this moment, but he couldn't just escape like that. So, with many groans, and knowing exactly what was coming, he pushed apart the layers of fabric, or what sometimes seemed like skin, revealing a head covered in smooth pink skin, which broke open as the creature moved, showing him his own face as if it were lifeless. The shock of this upset him so much that I had to stay with him for most of the night just out of compassion, talking about random topics. He mentioned that every time he had this dream, he would wake up feeling like he was fighting for his breath."
Another extract from Luke Jennett's long continuous statement comes in at this point.
Another excerpt from Luke Jennett's long ongoing statement comes in at this point.
"I never told tales of my master, Dr. Abell, to anybody in the neighbourhood. When I was in another service I remember to have spoken to my fellow-servants about the matter of the bedstaff, but I am sure I never said either I or he were the persons concerned, and[Pg 148] it met with so little credit that I was affronted and thought best to keep it to myself. And when I came back to Islington and found Dr. Abell still there, who I was told had left the parish, I was clear that it behoved me to use great discretion, for indeed I was afraid of the man, and it is certain I was no party to spreading any ill report of him. My master, Dr. Quinn, was a very just, honest man, and no maker of mischief. I am sure he never stirred a finger nor said a word by way of inducement to a soul to make them leave going to Dr. Abell and come to him; nay, he would hardly be persuaded to attend them that came, until he was convinced that if he did not they would send into the town for a physician rather than do as they had hitherto done.
"I never shared stories about my boss, Dr. Abell, with anyone in the neighborhood. When I worked for someone else, I remember mentioning the bedstaff to my coworkers, but I am certain I never said either I or he were involved, and[Pg 148] it was received with such disbelief that I felt insulted and decided it was best to keep it to myself. When I returned to Islington and found Dr. Abell still there, despite being told he had left the parish, I knew I had to be very careful, as I was genuinely afraid of him, and I definitely didn’t contribute to any bad rumors about him. My boss, Dr. Quinn, was a very fair and honest man, and he didn't cause trouble. I’m sure he never did anything to encourage anyone to stop seeing Dr. Abell and come to him; in fact, he was often reluctant to help those who did come to him until he was convinced that if he didn’t, they would just send for a doctor from town instead of continuing as they had been."
"I believe it may be proved that Dr. Abell came into my master's house more than once. We had a new chambermaid out of Hertfordshire, and she asked me who was the gentleman that was looking after the master, that is Dr. Quinn, when he was out, and seemed so disappointed that he was out. She said whoever he was he knew the way of the house well, running at once into the study and then into the dispensing-room, and last into the [Pg 149]bed-chamber. I made her tell me what he was like, and what she said was suitable enough to Dr. Abell; but besides she told me she saw the same man at church and some one told her that was the Doctor.
"I believe it can be proven that Dr. Abell visited my master's house more than once. We had a new chambermaid from Hertfordshire, and she asked me who the gentleman was who was watching over the master, meaning Dr. Quinn, when he was out, and she seemed really disappointed that he wasn't around. She said that whoever he was, he was very familiar with the house, going straight into the study, then into the dispensing room, and finally into the [Pg 149]bedroom. I made her describe what he looked like, and what she said matched Dr. Abell pretty well; but she also mentioned that she saw the same man at church, and someone told her that was the Doctor."
"It was just after this that my master began to have his bad nights, and complained to me and other persons, and in particular what discomfort he suffered from his pillow and bedclothes. He said he must buy some to suit him, and should do his own marketing. And accordingly brought home a parcel which he said was of the right quality, but where he bought it we had then no knowledge, only they were marked in thread with a coronet and a bird. The women said they were of a sort not commonly met with and very fine, and my master said they were the comfortablest he ever used, and he slept now both soft and deep. Also the feather pillows were the best sorted and his head would sink into them as if they were a cloud: which I have myself remarked several times when I came to wake him of a morning, his face being almost hid by the pillow closing over it.
"It was right after this that my master started having bad nights and complained to me and others, especially about the discomfort from his pillow and bedclothes. He said he needed to buy some that suited him and would handle his own shopping. So, he brought home a package that he claimed had the right quality, but we didn’t know where he got it from; all we saw was that it was marked with a coronet and a bird in thread. The women said they were a kind not commonly found and very fine, and my master said they were the most comfortable he had ever used, and he was now sleeping both softly and deeply. The feather pillows were the best quality, and his head would sink into them like they were a cloud; I noticed this several times when I came to wake him in the morning, with his face almost hidden by the pillow enveloping it."
"I had never any communication with Dr. Abell after I came back to Islington, but one[Pg 150] day when he passed me in the street and asked me whether I was not looking for another service, to which I answered I was very well suited where I was, but he said I was a fickle-minded fellow and he doubted not he should soon hear I was on the world again, which indeed proved true."
"I never spoke to Dr. Abell after I got back to Islington, but one[Pg 150] day, he saw me on the street and asked if I was looking for another job. I told him I was happy where I was, but he said I was pretty indecisive and that he wouldn't be surprised if he heard I was out in the world again soon, which turned out to be true."
Dr. Pratt is next taken up where he left off.
Dr. Pratt picks up right where he left off.
"On the 16th I was called up out of my bed soon after it was light—that is about five—with a message that Dr. Quinn was dead or dying. Making my way to his house I found there was no doubt which was the truth. All the persons in the house except the one that let me in were already in his chamber and standing about his bed, but none touching him. He was stretched in the midst of the bed, on his back, without any disorder, and indeed had the appearance of one ready laid out for burial. His hands, I think, were even crossed on his breast. The only thing not usual was that nothing was to be seen of his face, the two ends of the pillow or bolster appearing to be closed quite over it. These I immediately pulled apart, at the same time rebuking those present, and especially the man, for not at once coming to the assistance of his master. He, however, only[Pg 151] looked at me and shook his head, having evidently no more hope than myself that there was anything but a corpse before us.
"On the 16th, I was called out of bed just after it got light—around five—with a message that Dr. Quinn was dead or dying. As I made my way to his house, it became clear what the truth was. Everyone in the house except the person who let me in was already in his room, standing around his bed, but nobody was touching him. He was lying in the middle of the bed, on his back, looking so composed that he seemed ready for burial. His hands were even crossed over his chest. The only unusual thing was that his face was entirely hidden, with the two ends of the pillow covering it completely. I immediately pulled the pillow apart, rebuking those present—especially the man—for not coming to their master's aid sooner. However, he just looked at me and shook his head, clearly having no more hope than I did that this was anything but a corpse before us."
"Indeed it was plain to any one possessed of the least experience that he was not only dead, but had died of suffocation. Nor could it be conceived that his death was accidentally caused by the mere folding of the pillow over his face. How should he not, feeling the oppression, have lifted his hands to put it away? whereas not a fold of the sheet which was closely gathered about him, as I now observed, was disordered. The next thing was to procure a physician. I had bethought me of this on leaving my house, and sent on the messenger who had come to me to Dr. Abell; but I now heard that he was away from home, and the nearest surgeon was got, who however could tell no more, at least without opening the body, than we already knew.
"Anyone with even a bit of experience could see that he was not just dead but had died from suffocation. It was hard to believe that his death was simply caused by folding the pillow over his face. How could he not have lifted his hands to push it away if he felt it pressing down? Not a single fold of the tightly wrapped sheet around him was disturbed, as I now noticed. The next step was to get a doctor. I had thought of this when I left my house and sent the messenger who had come to me to Dr. Abell; but I found out that he was away, so we got the nearest surgeon, who, however, could tell us nothing more, at least without examining the body, than what we already knew."
"As to any person entering the room with evil purpose (which was the next point to be cleared), it was visible that the bolts of the door were burst from their stanchions, and the stanchions broken away from the door-post by main force; and there was a sufficient body of witness, the smith among them, to testify[Pg 152] that this had been done but a few minutes before I came. The chamber being moreover at the top of the house, the window was neither easy of access nor did it show any sign of an exit made that way, either by marks upon the sill or footprints below upon soft mould."
"As for anyone entering the room with bad intentions (which was the next issue to address), it was clear that the door bolts had been forced from their supports, and the supports had broken away from the door frame with considerable strength; there were enough witnesses, including the blacksmith, to confirm[Pg 152] that this happened just a few minutes before I arrived. Additionally, with the room located at the top of the house, the window was not only hard to reach, but there were also no signs of anyone having exited that way, whether through marks on the sill or footprints in the soft soil below."
The surgeon's evidence forms of course part of the report of the inquest, but since it has nothing but remarks upon the healthy state of the larger organs and the coagulation of blood in various parts of the body, it need not be reproduced. The verdict was "Death by the visitation of God."
The surgeon's evidence is included in the inquest report, but since it only contains observations about the healthy condition of the major organs and the blood clots in different parts of the body, it doesn't need to be repeated. The verdict was "Death by the visitation of God."
Annexed to the other papers is one which I was at first inclined to suppose had made its way among them by mistake. Upon further consideration I think I can divine a reason for its presence.
Annexed to the other papers is one that I initially thought had been included by mistake. After giving it more thought, I believe I can figure out why it's there.
It relates to the rifling of a mausoleum in Middlesex which stood in a park (now broken up), the property of a noble family which I will not name. The outrage was not that of an ordinary resurrection man. The object, it seemed likely, was theft. The account is blunt and terrible. I shall not quote it. A dealer in the North of London suffered heavy penalties as a receiver of stolen goods in connexion with the affair.
It relates to the disturbing act of robbing a mausoleum in Middlesex that used to be in a park (now divided up), owned by a noble family I won’t name. This was not the act of a typical grave robber. The intention, it appeared, was theft. The account is straightforward and horrific. I won’t quote it. A dealer in North London faced severe penalties as a receiver of stolen goods related to the incident.
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