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20795 (Some black and white illustrations)
(Many fine black and white illustrations)
(Not illustrated)

THE CRICKET ON THE HEARTH

By CHARLES DICKENS

ILLUSTRATED BY GEORGE ALFRED WILLIAMS

New York
THE PLATT & PECK CO.
Copyright, 1905, by Baker & Taylor

INTRODUCTION

The combined qualities of the realist and the idealist which Dickens possessed to a remarkable degree, together with his naturally jovial attitude toward life in general, seem to have given him a remarkably happy feeling toward Christmas, though the privations and hardships of his boyhood could have allowed him but little real experience with this day of days.

The blend of realism and idealism that Dickens had in abundance, along with his naturally cheerful outlook on life, seems to have given him a deep sense of joy around Christmas, even though the struggles and hardships of his childhood likely provided him with limited real experience of this special day.

Dickens gave his first formal expression to his Christmas thoughts in his series of small books, the first of which was the famous "Christmas Carol," the one perfect chrysolite. The success of the book was immediate. Thackeray wrote of it: "Who can listen to objections regarding such a book as this? It seems to me a national benefit, and to every man or woman who reads it, a personal kindness."

Dickens first formally shared his Christmas ideas in a series of small books, starting with the well-known "Christmas Carol," which stands out as a true gem. The book was an instant hit. Thackeray commented on it: "Who can argue against a book like this? It feels like a gift to the nation and a personal favor to anyone who reads it."

This volume was put forth in a very attractive manner, with illustrations by John Leech, who was the first artist to make these characters live, and his drawings were varied and spirited.

This book was presented in a really appealing way, with illustrations by John Leech, who was the first artist to bring these characters to life, and his drawings were diverse and lively.

There followed upon this four others: "The Chimes," "The Cricket on the Hearth," "The Battle of Life," and "The Haunted Man," with illustrations on their first appearance by Doyle, Maclise, and others. The five are known to-day as the "Christmas Books." Of them all the "Carol" is the best known and loved, and "The Cricket on the Hearth," although third in the series, is perhaps next in point of popularity, and is especially familiar to Americans through Joseph Jefferson's characterisation of Caleb Plummer.

There were four others that followed: "The Chimes," "The Cricket on the Hearth," "The Battle of Life," and "The Haunted Man," all illustrated by Doyle, Maclise, and others when they first came out. Today, these five are referred to as the "Christmas Books." Among them, "The Carol" is the most well-known and cherished, while "The Cricket on the Hearth," although third in the series, might be next in popularity and is particularly familiar to Americans thanks to Joseph Jefferson's portrayal of Caleb Plummer.

Dickens seems to have put his whole self into these glowing little stories. Whoever sees but a clever ghost story in the[iv] "Christmas Carol" misses its chief charm and lesson, for there is a different meaning in the movements of Scrooge and his attendant spirits. A new life is brought to Scrooge when he, "running to his window, opened it and put out his head. No fog, no mist; clear, bright, jovial, stirring cold; cold, piping for the blood to dance to; Golden sun-light; Heavenly sky; sweet fresh air; merry bells. Oh, glorious! Glorious!" All this brightness has its attendant shadow, and deep from the childish heart comes that true note of pathos, the ever memorable toast of Tiny Tim, "God bless Us, Every One!" "The Cricket on the Hearth" strikes a different note. Charmingly, poetically, the sweet chirping of the little cricket is associated with human feelings and actions, and at the crisis of the story decides the fate and fortune of the carrier and his wife.

Dickens really poured himself into these vibrant little stories. Anyone who sees just a clever ghost story in the [iv] "Christmas Carol" misses its main charm and lesson, because there’s a deeper meaning in Scrooge’s journey and his ghostly companions. Scrooge is given a fresh start when he, "running to his window, opened it and stuck out his head. No fog, no mist; clear, bright, cheerful, brisk cold; cold, urging the blood to dance; golden sunlight; heavenly sky; sweet fresh air; cheerful bells. Oh, glorious! Glorious!" But all this brightness comes with its own shadow, and from the innocent heart comes that touching note, the unforgettable toast of Tiny Tim, "God bless Us, Every One!" "The Cricket on the Hearth" strikes a different chord. Lovingly and poetically, the sweet chirping of the little cricket is connected to human emotions and actions, and at the turning point of the story, it determines the fate of the carrier and his wife.

Dickens's greatest gift was characterization, and no English writer, save Shakespeare, has drawn so many and so varied characters. It would be as absurd to interpret all of these as caricatures as to deny Dickens his great and varied powers of creation. Dickens exaggerated many of his comic and satirical characters, as was his right, for caricature and satire are very closely related, while exaggeration is the very essence of comedy. But there remains a host of characters marked by humour and pathos. Yet the pictorial presentation of Dickens's characters has ever tended toward the grotesque. The interpretations in this volume aim to eliminate the grosser phases of the caricature in favour of the more human. If the interpretations seem novel, if Scrooge be not as he has been pictured, it is because a more human Scrooge was desired—a Scrooge not wholly bad, a Scrooge of a better heart, a Scrooge to whom the resurrection described in this story was possible. It has been the illustrator's whole aim to make these people live in some form more fully consistent with their types.

Dickens's greatest talent was creating characters, and no English writer, except Shakespeare, has created so many diverse characters. It would be just as ridiculous to view all of these as caricatures as it would be to deny Dickens his vast and varied creative powers. Dickens did exaggerate many of his comic and satirical characters, which was his prerogative, since caricature and satire are closely related, and exaggeration is central to comedy. However, there are plenty of characters that exhibit both humor and deep emotion. Still, the way Dickens portrayed his characters often leaned towards the grotesque. The interpretations in this volume aim to minimize the more extreme aspects of caricature in favor of a more human portrayal. If the interpretations seem fresh, and if Scrooge doesn’t look as he has traditionally been depicted, it's because a more relatable Scrooge was intended—a Scrooge who isn't entirely bad, a Scrooge with a better heart, a Scrooge for whom the resurrection described in this story is possible. The illustrator's entire goal has been to make these characters feel more alive in a way that aligns better with their true selves.

George Alfred Williams.

George Alfred Williams.

Chatham, N.J.
[v]

Chatham, NJ


THE CRICKET ON THE HEARTH

Table of Contents

Chirp the First103
Chirp the Second132
Chirp the Third165

List of Illustrations

"Father, I am lonely in the dark. I want my eyes, my patient, willing eyes."103
"A dot and—" here he glanced at the baby—"A dot and carry—I won't say it, for fear I should spoil it; but I was very near a joke."108
Tilly Slowboy112
"That's the way I found him, sitting by the roadside! Upright as a milestone."118
When suddenly, the struggling fire illuminated the whole chimney with a glow of light; and the Cricket on the Hearth began to chirp!166

THE CRICKET ON THE HEARTH

A FAIRY TALE OF HOME

CHIRP THE FIRST

The kettle began it! Don't tell me what Mrs. Peerybingle said. I know better. Mrs. Peerybingle may leave it on record to the end of time that she couldn't say which of them began it; but I say the kettle did. I ought to know, I hope? The kettle began it, full five minutes by the little waxy-faced Dutch clock in the corner, before the Cricket uttered a chirp.

The kettle started it! Don’t tell me what Mrs. Peerybingle said. I know better. Mrs. Peerybingle can claim forever that she couldn’t say who started it; but I say the kettle did. I should know, right? The kettle started it, a good five minutes by the little waxy-faced Dutch clock in the corner, before the Cricket made a sound.

As if the clock hadn't finished striking, and the convulsive little Hay-maker at the top of it, jerking away right and left with a scythe in front of a Moorish Palace, hadn't mowed down half an acre of imaginary grass before the Cricket joined in at all!

As if the clock hadn't finished chiming, and the twitching little Hay-maker on top of it, swinging a scythe in front of a Moorish Palace, hadn't cut down half an acre of imaginary grass before the Cricket jumped in at all!

Why, I am not naturally positive. Every one knows that I wouldn't set my own opinion against the opinion of Mrs. Peerybingle, unless I were quite sure, on any account whatever. Nothing should induce me. But, this is a question of fact. And the fact is, that the kettle began it at least five minutes before the Cricket gave any sign of being in existence. Contradict me, and I'll say ten.

Why, I'm not naturally optimistic. Everyone knows that I wouldn't oppose Mrs. Peerybingle's opinion unless I was absolutely certain, for any reason. Nothing could persuade me to do that. But, this is a matter of fact. And the fact is, the kettle started it at least five minutes before the Cricket showed any signs of being there. Disagree with me, and I'll say it was ten.

Let me narrate exactly how it happened. I should have proceeded to do so, in my very first word, but for this plain consideration—if I am to tell a story I must begin at the beginning;[104] and how is it possible to begin at the beginning without beginning at the kettle?

Let me explain exactly how it happened. I should have started with that from the very first word, but for one simple reason—if I'm going to tell a story, I need to start at the beginning;[104] and how can I start at the beginning without starting with the kettle?

It appeared as if there were a sort of match, or trial of skill, you must understand, between the kettle and the Cricket. And this is what led to it, and how it came about.

It seemed like there was a kind of competition or challenge between the kettle and the Cricket. And this is what caused it and how it happened.

Mrs. Peerybingle, going out into the raw twilight, and clicking over the wet stones in a pair of pattens that worked innumerable rough impressions of the first proposition in Euclid all about the yard—Mrs. Peerybingle filled the kettle at the water-butt. Presently returning, less the pattens (and a good deal less, for they were tall, and Mrs. Peerybingle was but short), she set the kettle on the fire. In doing which she lost her temper, or mislaid it for an instant; for, the water being uncomfortably cold, and in that slippy, slushy, sleety sort of state wherein it seems to penetrate through every kind of substance, patten rings included—had laid hold of Mrs. Peerybingle's toes, and even splashed her legs. And when we rather plume ourselves (with reason too) upon our legs, and keep ourselves particularly neat in point of stockings, we find this, for the moment, hard to bear.

Mrs. Peerybingle stepped out into the chilly twilight, clicking over the wet stones in a pair of pattens that left countless rough marks all around the yard. She filled the kettle at the water-butt. When she returned, having taken off the pattens (which were tall and Mrs. Peerybingle was quite short), she put the kettle on the fire. In doing so, she lost her temper for a moment because the water was uncomfortably cold and in that slippery, slushy, icy state that seemed to seep through everything, including the patten rings. It splashed onto Mrs. Peerybingle's toes and even got her legs wet. And when we take pride (with good reason) in keeping our legs looking nice and our stockings especially neat, this can be hard to handle.

Besides, the kettle was aggravating and obstinate. It wouldn't allow itself to be adjusted on the top bar; it wouldn't hear of accommodating itself kindly to the knobs of coal; it would lean forward with a drunken air, and dribble, a very Idiot of a kettle, on the hearth. It was quarrelsome, and hissed and spluttered morosely at the fire. To sum up all, the lid, resisting Mrs. Peerybingle's fingers, first of all turned topsy-turvy, and then, with an ingenious pertinacity deserving of a better cause, dived sideways in—down to the very bottom of the kettle. And the hull of the Royal George has never made half the monstrous resistance to coming out of the water which the lid of that kettle employed against Mrs. Peerybingle before she got it up again.

Besides, the kettle was frustrating and stubborn. It wouldn’t settle on the top bar; it wouldn’t hear of fitting neatly with the coal knobs; it would lean forward with a tipsy look and spill, a real fool of a kettle, on the hearth. It was argumentative, hissing and sputtering grumpily at the fire. To sum it all up, the lid, resisting Mrs. Peerybingle's fingers, first turned upside down, and then, with a clever determination that deserved a better cause, dove sideways down to the very bottom of the kettle. And the hull of the Royal George has never put up half the monstrous fight to come out of the water that the lid of that kettle showed against Mrs. Peerybingle before she finally got it back up again.

It looked sullen and pig-headed enough, even then; carrying[105] its handle with an air of defiance, and cocking its spout pertly and mockingly at Mrs. Peerybingle, as if it said, "I won't boil. Nothing shall induce me!"

It looked gloomy and stubborn enough, even then; holding[105] its handle with a defiant attitude, and tilting its spout playfully and mockingly at Mrs. Peerybingle, as if to say, "I won’t boil. Nothing will make me!"

But, Mrs. Peerybingle, with restored good-humour, dusted her chubby little hands against each other, and sat down before the kettle laughing. Meantime, the jolly blaze uprose and fell, flashing and gleaming on the little Hay-maker at the top of the Dutch clock, until one might have thought he stood stock-still before the Moorish Palace, and nothing was in motion but the flame.

But Mrs. Peerybingle, feeling cheerful again, dusted her chubby little hands together and sat down in front of the kettle, laughing. Meanwhile, the cheerful fire flickered and danced, shining and reflecting on the little Hay-maker at the top of the Dutch clock, making it seem like he stood perfectly still in front of the Moorish Palace, with nothing moving except the flames.

He was on the move, however; and had his spasms, two to the second, all right and regular. But his sufferings when the clock was going to strike were frightful to behold; and when a Cuckoo looked out of a trap-door in the Palace, and gave note six times, it shook him, each time, like a spectral voice—or like a something wiry plucking at his legs.

He was definitely on the move, and he had his spasms, two every second, just like clockwork. But his agony when the clock was about to strike was terrifying to see; and when a Cuckoo popped out of a trap-door in the Palace and called out six times, it rattled him each time, like a ghostly voice—or like something thin grabbing at his legs.

It was not until a violent commotion and a whirring noise among the weights and ropes below him had quite subsided that this terrified Hay-maker became himself again. Nor was he startled without reason; for these rattling, bony skeletons of clocks are very disconcerting in their operation, and I wonder very much how any set of men, but most of all how Dutchmen, can have had a liking to invent them. There is a popular belief that Dutchmen love broad cases and much clothing for their own lower selves; and they might know better than to leave their clocks so very lank and unprotected, surely.

It wasn't until the loud noise and whirring sound from the weights and ropes below him finally calmed down that the terrified Hay-maker started to feel normal again. He wasn’t panicked for no reason; those rattling, bony skeleton clocks are really unsettling in how they work, and I seriously wonder how any group of people—especially the Dutch—could have wanted to create them. There's a common belief that Dutch people prefer broad cases and heavy clothing for themselves, so they should really think twice about leaving their clocks looking so bare and unprotected.

Now it was, you observe, that the kettle began to spend the evening. Now it was that the kettle, growing mellow and musical, began to have irrepressible gurglings in its throat, and to indulge in short vocal snorts, which it checked in the bud, as if it hadn't quite made up its mind yet to be good company. Now it was that after two or three such vain attempts to stifle its convivial sentiments, it threw off all moroseness, all reserve,[106] and burst into a stream of song so cosy and hilarious as never maudlin nightingale yet formed the least idea of.

Now, you see, the kettle started to unwind for the evening. It became more relaxed and musical, making uncontrollable bubbling sounds and letting out little snorts, which it quickly stifled, as if it wasn't quite ready to join in the fun. After a couple of failed attempts to hide its cheerful feelings, it let go of all its grumpiness and reserve, and burst into a delightful and cheerful song that no sentimental nightingale could ever imagine. [106]

So plain, too! Bless you, you might have understood it like a book—better than some books you and I could name, perhaps. With its warm breath gushing forth in a light cloud which merrily and gracefully ascended a few feet, then hung about the chimney-corner as its own domestic Heaven, it trolled its song with that strong energy of cheerfulness, that its iron body hummed and stirred upon the fire; and the lid itself, the recently rebellious lid—such is the influence of a bright example—performed a sort of jig, and clattered like a deaf and dumb young cymbal that had never known the use of its twin brother.

So simple, too! You could have understood it like a book—better than some books we could name, probably. With its warm breath puffing out in a light cloud that happily and gracefully rose a few feet before settling around the chimney corner like its own cozy Heaven, it sang its song with such strong cheerfulness that its metal body hummed and moved on the fire; and the lid itself, the recently stubborn lid—such is the power of a good example—did a sort of dance, clattering like a mute cymbal that had never learned the use of its twin.

That this song of the kettle's was a song of invitation and welcome to somebody out of doors: to somebody at that moment coming on towards the snug small home and the crisp fire: there is no doubt whatever. Mrs. Peerybingle knew it perfectly, as she sat musing before the hearth. It's a dark night, sang the kettle, and the rotten leaves are lying by the way; and, above, all is mist and darkness, and, below, all is mire and clay; and there's only one relief in all the sad and murky air; and I don't know that it is one, for it's nothing but a glare; of deep and angry crimson, where the sun and wind together; set a brand upon the clouds for being guilty of such weather; and the widest open country is a long dull streak of black; and there's hoar frost on the finger-post, and thaw upon the track; and the ice it isn't water, and the water isn't free; and you couldn't say that anything is what it ought to be; but he's coming, coming, coming!—

That the kettle's song was an invitation and a warm welcome to someone outside: to someone making their way towards the cozy little home and the crackling fire: there's no doubt about it. Mrs. Peerybingle knew it well as she sat lost in thought by the hearth. It's a dark night, sang the kettle, and the rotten leaves are scattered along the path; above, everything is mist and darkness, and below, it's just mud and clay; and there's only one break in all the gloomy air; and I'm not sure it's even a break, because it's just a glare; of deep and angry crimson, where the sun and wind together; marked the clouds for being guilty of such weather; and the wide open country is just a long dull stretch of black; and there's frost on the signpost, and melting on the path; and the ice isn’t water, and the water isn’t clear; and you couldn't say that anything is as it should be; but he’s coming, coming, coming!—

And here, if you like, the Cricket DID chime in! with a Chirrup, Chirrup, Chirrup of such magnitude, by way of chorus; with a voice so astoundingly disproportionate to its size, as compared with the kettle; (size! you couldn't see it!) that, if it had then and there burst itself like an overcharged gun, if it had[107] fallen a victim on the spot, and chirruped its little body into fifty pieces, it would have seemed a natural and inevitable consequence, for which it had expressly laboured.

And here, if you want, the Cricket DONE join in! with a Chirp, Chirp, Chirp of such intensity, as a sort of chorus; with a voice so incredibly loud compared to its size, next to the kettle; (size! you couldn't see it!) that, if it had suddenly exploded like an overcharged gun, if it had[107] broken apart right then and there, and chirped its little body into fifty pieces, it would have seemed a natural and inevitable outcome, for which it had clearly worked so hard.

The kettle had had the last of its solo performance. It persevered with undiminished ardour; but the Cricket took first fiddle, and kept it. Good Heaven, how it chirped! Its shrill, sharp, piercing voice resounded through the house, and seemed to twinkle in the outer darkness like a star. There was an indescribable little trill and tremble in it at its loudest, which suggested its being carried off its legs, and made to leap again, by its own intense enthusiasm. Yet they went very well together, the Cricket and the kettle. The burden of the song was still the same; and louder, louder, louder still, they sang it in their emulation.

The kettle had finished its solo act. It kept going with the same energy, but the Cricket took the lead and held onto it. Goodness, how it chirped! Its sharp, piercing voice echoed throughout the house and seemed to twinkle in the darkness outside like a star. At its loudest, there was an indescribable little trill and tremble that suggested it was almost knocked off its feet, propelled by its own overwhelming enthusiasm. But the Cricket and the kettle complemented each other well. The main melody remained unchanged, and they sang it louder, louder, louder still in their rivalry.

The fair little listener—for fair she was, and young; though something of what is called the dumpling shape; but I don't myself object to that—lighted a candle, glanced at the Hay-maker on the top of the clock, who was getting in a pretty average crop of minutes; and looked out of the window, where she saw nothing, owing to the darkness, but her own face imaged in the glass. And my opinion is (and so would yours have been) that she might have looked a long way and seen nothing half so agreeable. When she came back, and sat down in her former seat, the Cricket and the kettle were still keeping it up, with a perfect fury of competition. The kettle's weak side clearly being that he didn't know when he was beat.

The lovely young listener—she truly was lovely and young; even if she had a bit of what people call a dumpling shape; but I personally don’t mind that—lit a candle, glanced at the Hay-maker on the clock, who was gathering an average crop of minutes; and looked out the window, where she couldn't see anything due to the darkness, except her own reflection in the glass. And I believe (and you would too) that she could have looked far and wide and not found anything half as pleasant. When she returned to her seat, the Cricket and the kettle were still going at it, competing fiercely. The kettle clearly didn’t know when to back down.

There was all the excitement of a race about it. Chirp, chirp, chirp! Cricket a mile ahead. Hum, hum, hum—m—m! Kettle making play in the distance, like a great top. Chirp, chirp, chirp! Cricket round the corner. Hum, hum, hum—m—m! Kettle sticking to him in his own way; no idea of giving in. Chirp, chirp, chirp! Cricket fresher than ever. Hum, hum, hum—m—m! Kettle slow and steady. Chirp, chirp, chirp! Cricket going in to finish him. Hum, hum, hum—m[108]—m! Kettle not to be finished. Until at last they got so jumbled together, in the hurry-skurry, helter-skelter, of the match, that whether the kettle chirped and the Cricket hummed, or the Cricket chirped and the kettle hummed, or they both chirped and both hummed, it would have taken a clearer head than yours or mine to have decided with anything like certainty. But of this there is no doubt: that, the kettle and the Cricket, at one and the same moment, and by some power of amalgamation best known to themselves, sent, each, his fireside song of comfort streaming into a ray of the candle that shone out through the window, and a long way down the lane. And this light, bursting on a certain person who, on the instant, approached towards it through the gloom, expressed the whole thing to him, literally in a twinkling, and cried, "Welcome home, old fellow! Welcome home, my boy!"

There was all the excitement of a race to it. Chirp, chirp, chirp! Cricket was a mile ahead. Hum, hum, hum—m—m! The kettle was playing in the distance, like a big top. Chirp, chirp, chirp! Cricket was around the corner. Hum, hum, hum—m—m! The kettle stuck with him in its own way; it had no intention of giving up. Chirp, chirp, chirp! Cricket was fresher than ever. Hum, hum, hum—m—m! The kettle was slow and steady. Chirp, chirp, chirp! Cricket was coming in to finish him. Hum, hum, hum—m[108]—m! The kettle wasn't going to be finished. Eventually, they got so mixed up together, in the hurry and chaos of the match, that whether the kettle chirped and the cricket hummed, or the cricket chirped and the kettle hummed, or if they both chirped and both hummed, it would have taken a clearer head than yours or mine to figure it out with any certainty. But there’s no doubt: the kettle and the cricket, at the same moment, by some mysterious power only known to them, sent their cozy fireside songs streaming into a beam of the candlelight that shone out through the window and down the lane. And this light, bursting on a certain person who was approaching through the darkness, conveyed the whole thing to him in an instant and said, "Welcome home, old friend! Welcome home, my boy!"

This end attained, the kettle, being dead beat, boiled over, and was taken off the fire. Mrs. Peerybingle then went running to the door, where, what with the wheels of a cart, the tramp of a horse, the voice of a man, the tearing in and out of an excited dog, and the surprising and mysterious appearance of a baby, there was soon the very What's-his-name to play.

This done, the kettle, completely exhausted, boiled over and was removed from the heat. Mrs. Peerybingle then rushed to the door, where, with the sounds of a cart's wheels, the thud of a horse, a man's voice, the frantic movements of an excited dog, and the unexpected and mysterious arrival of a baby, there was soon quite a scene unfolding.

Where the baby came from, or how Mrs. Peerybingle got hold of it in that flash of time, I don't know. But a live baby there was in Mrs. Peerybingle's arms; and a pretty tolerable amount of pride she seemed to have in it, when she was drawn gently to the fire, by a sturdy figure of a man, much taller and much older than herself, who had to stoop a long way down to kiss her. But she was worth the trouble. Six foot six, with the lumbago, might have done it.

I don’t know where the baby came from or how Mrs. Peerybingle got it so quickly. But there was definitely a live baby in Mrs. Peerybingle's arms, and she looked pretty proud of it as a tall man, much older than her, gently pulled her toward the fire, bending down a lot to kiss her. But she was worth the effort. Even six foot six, with back pain, would have done it.

"Oh goodness, John!" said Mrs. P. "What a state you're in with the weather!"

"Oh wow, John!" said Mrs. P. "What a mess you're in with the weather!"

He was something the worse for it undeniably. The thick mist hung in clots upon his eyelashes like candied thaw; and, [109]between the fog and fire together, there were rainbows in his very whiskers.

He was definitely worse off for it. The thick mist clung to his eyelashes like melted candy; and, [109]between the fog and fire, there were rainbows in his whiskers.

"Why, you see, Dot," John made answer slowly, as he unrolled a shawl from about his throat, and warmed his hands; "it—it an't exactly summer weather. So no wonder."

"Well, you see, Dot," John replied slowly, as he took off a shawl from around his neck and warmed his hands, "it—it isn't really summer weather. So it’s no surprise."

"I wish you wouldn't call me Dot, John. I don't like it," said Mrs. Peerybingle: pouting in a way that clearly showed she did like it very much.

"I wish you wouldn't call me Dot, John. I don't like it," said Mrs. Peerybingle, pouting in a way that clearly showed she did like it very much.

"Why, what else are you?" returned John, looking down upon her with a smile, and giving her waist as light a squeeze as his huge hand and arm could give. "A dot and"—here he glanced at the baby—"a dot and carry—I won't say it, for fear I should spoil it; but I was very near a joke. I don't know as ever I was nearer."

"Why, what else are you?" John replied, looking down at her with a smile and giving her waist a gentle squeeze with his large hand and arm. "A dot and”—he glanced at the baby—“a dot and carry—I won’t say it, because I might ruin it; but I was really close to making a joke. I don't think I've ever been closer."

He was often near to something or other very clever, by his own account: this lumbering, slow, honest John; this John so heavy, but so light of spirit; so rough upon the surface, but so gentle at the core; so dull without, so quick within; so stolid, but so good! Oh, Mother Nature, give thy children the true poetry of heart that hid itself in this poor Carrier's breast—he was but a Carrier, by the way—and we can bear to have them talking prose, and leading lives of prose; and bear to bless thee for their company!

He often felt close to something really clever, at least in his own opinion: this clumsy, slow, honest John; this John who was so heavy but had such a light spirit; so rough on the surface but so gentle inside; so dull on the outside, yet so sharp on the inside; so stoic, but so kind! Oh, Mother Nature, give your children the true poetry of the heart that hides within this poor Carrier's soul—he was just a Carrier, by the way—and we can tolerate their conversations in prose, living lives of prose; and still thank you for their company!

It was pleasant to see Dot, with her little figure and her baby in her arms: a very doll of a baby: glancing with a coquettish thoughtfulness at the fire, and inclining her delicate little head just enough on one side to let it rest in an odd, half-natural, half-affected, wholly nestling and agreeable manner, on the great rugged figure of the Carrier. It was pleasant to see him, with his tender awkwardness, endeavouring to adapt his rude support to her slight need, and make his burly middle age a leaning-staff not inappropriate to her blooming youth. It was pleasant to observe how Tilly Slowboy, waiting in the background for the baby, took special cognizance (though in her[110] earliest teens) of this grouping; and stood with her mouth and eyes wide open, and her head thrust forward, taking it in as if it were air. Nor was it less agreeable to observe how John the Carrier, reference being made by Dot to the aforesaid baby, checked his hand when on the point of touching the infant, as if he thought he might crack it; and, bending down, surveyed it from a safe distance, with a kind of puzzled pride, such as an amiable mastiff might be supposed to show if he found himself, one day, the father of a young canary.

It was nice to see Dot, with her petite frame and her baby in her arms: a real doll of a baby: glancing thoughtfully at the fire with a playful expression, tilting her delicate little head just enough to rest in a charming, cozy way on the strong figure of the Carrier. It was heartwarming to watch him, with his gentle awkwardness, trying to offer his sturdy support to her slight frame, making his burly middle age a comforting presence for her youthful bloom. It was also delightful to notice how Tilly Slowboy, waiting in the background for the baby, paid close attention (even though she was only in her early teens) to this scene; she stood with her mouth and eyes wide open, leaning forward as if she were breathing it in. And it was equally enjoyable to see John the Carrier, when Dot mentioned the baby, pause his hand just before touching the little one, as if he was afraid he might break it; bending down, he looked at it from a safe distance, with a kind of confused pride, much like a friendly mastiff might feel if he suddenly found himself the father of a young canary.

"An't he beautiful, John? Don't he look precious in his sleep?"

"Isn't he beautiful, John? Doesn't he look adorable while he sleeps?"

"Very precious," said John. "Very much so. He generally is asleep, an't he?"

"Very precious," John said. "Definitely. He usually is asleep, right?"

"Lor, John! Good gracious, no!"

"Lor, John! Oh my gosh, no!"

"Oh!" said John, pondering. "I thought his eyes was generally shut. Halloa!"

"Oh!" said John, thinking. "I thought his eyes were usually closed. Hey!"

"Goodness, John, how you startle one!"

"Wow, John, you really know how to catch someone off guard!"

"It an't right for him to turn 'em up in that way," said the astonished Carrier, "is it? See how he's winking with both of 'em at once! and look at his mouth! Why, he's gasping like a gold and silver fish!"

"It’s not right for him to act like that," said the amazed Carrier, "is it? Look how he’s winking with both eyes at the same time! And check out his mouth! He’s gasping like a goldfish!"

"You don't deserve to be a father, you don't," said Dot, with all the dignity of an experienced matron. "But how should you know what little complaints children are troubled with, John? You wouldn't so much as know their names, you stupid fellow." And when she had turned the baby over on her left arm, and had slapped its back as a restorative, she pinched her husband's ear, laughing.

"You don't deserve to be a dad, you really don't," said Dot, with all the dignity of a seasoned pro. "But how could you possibly know what little issues kids have, John? You wouldn't even know their names, you silly man." And after she placed the baby on her left arm and gave its back a little pat to soothe it, she playfully pinched her husband's ear, laughing.

"No," said John, pulling off his outer coat. "It's very true, Dot. I don't know much about it. I only know that I've been fighting pretty stiffly with the wind to-night. It's been blowing north-east, straight into the cart, the whole way home."

"No," said John, taking off his outer coat. "It's really true, Dot. I don’t know much about it. I just know that I've been battling the wind pretty hard tonight. It’s been blowing north-east, right into the cart, all the way home."

"Poor old man, so it has!" cried Mrs. Peerybingle, instantly becoming very active. "Here, take the precious darling, Tilly,[111] while I make myself of some use. Bless it, I could smother it with kissing it, I could! Hie then, good dog! Hie, Boxer, boy! Only let me make the tea first, John; and then I'll help you with the parcels, like a busy bee. 'How doth the little'—and all the rest of it, you know, John. Did you ever learn 'How doth the little,' when you went to school, John?"

"Poor old man, it really has!" exclaimed Mrs. Peerybingle, quickly getting into gear. "Here, take the precious darling, Tilly,[111] while I put myself to some good use. Oh, I could just smother it with kisses, I really could! Come on, good dog! Come here, Boxer, boy! Just let me make the tea first, John; then I'll help you with the packages, like a little busy bee. 'How doth the little'—and all the rest of it, you know, John. Did you ever learn 'How doth the little' when you were in school, John?"

"Not to quite know it," John returned. "I was very near it once. But I should only have spoilt it, I dare say."

"Not to really know it," John replied. "I was really close to it once. But I probably would have messed it up, I suppose."

"Ha, ha!" laughed Dot. She had the blithest little laugh you ever heard. "What a dear old darling of a dunce you are, John, to be sure!"

"Ha, ha!" laughed Dot. She had the happiest little laugh you’ve ever heard. "What a sweet old darling of a fool you are, John, for sure!"

Not at all disputing this position, John went out to see that the boy with the lantern, which had been dancing to and fro before the door and window, like a Will of the Wisp, took due care of the horse; who was fatter than you would quite believe, if I gave you his measure, and so old that his birthday was lost in the mists of antiquity. Boxer, feeling that his attentions were due to the family in general, and must be impartially distributed, dashed in and out with bewildering inconstancy; now describing a circle of short barks round the horse, where he was being rubbed down at the stable door; now feigning to make savage rushes at his mistress, and facetiously bringing himself to sudden stops; now eliciting a shriek from Tilly Slowboy, in the low nursing-chair near the fire, by the unexpected application of his moist nose to her countenance; now exhibiting an obtrusive interest in the baby; now going round and round upon the hearth, and lying down as if he had established himself for the night; now getting up again, and taking that nothing of a fag-end of a tail of his out into the weather, as if he had just remembered an appointment, and was off at a round trot, to keep it.

Not at all disagreeing with this view, John went out to ensure that the boy with the lantern, who had been moving back and forth in front of the door and window like a Will-o'-the-Wisp, was taking proper care of the horse, who was fatter than you'd believe if I told you his size, and so old that his exact birthday was lost in the mists of time. Boxer, feeling that his attention was owed to the family as a whole and should be shared fairly, dashed in and out with confusing unpredictability; now circling the horse with quick barks while he was being brushed down at the stable door; now pretending to charge at his owner, then comically stopping short; now causing Tilly Slowboy, sitting in the low nursing chair by the fire, to shriek when he unexpectedly nudged her face with his wet nose; now showing an annoying interest in the baby; now circling around the hearth, lying down as if he had decided to settle in for the night; now getting up again and taking that little bit of a tail of his out into the weather, as if he had just remembered an appointment and was off at a brisk trot to keep it.

"There! There's the teapot, ready on the hob!" said Dot; as briskly busy as a child at play at keeping house. "And there's the cold knuckle of ham; and there's the butter; and there's the[112] crusty loaf, and all! Here's a clothes basket for the small parcels, John, if you've got any there. Where are you, John? Don't let the dear child fall under the grate, Tilly, whatever you do!"

"There! The teapot is ready on the stove!" said Dot, bustling around like a kid playing house. "And here's the cold ham; and there's the butter; and there's the[112] crusty loaf, too! Here’s a laundry basket for the small packages, John, if you have any. Where are you, John? Make sure the little one doesn’t fall into the fireplace, Tilly, whatever you do!"

It may be noted of Miss Slowboy, in spite of her rejecting the caution with some vivacity, that she had a rare and surprising talent for getting this baby into difficulties: and had several times imperilled its short life in a quiet way peculiarly her own. She was of a spare and straight shape, this young lady, insomuch that her garments appeared to be in constant danger of sliding off those sharp pegs, her shoulders, on which they were loosely hung. Her costume was remarkable for the partial development, on all possible occasions, of some flannel vestment of a singular structure; also for affording glimpses, in the region of the back, of a corset, or a pair of stays, in colour a dead green. Being always in a state of gaping admiration at everything, and absorbed, besides, in the perpetual contemplation of her mistress's perfections and the baby's, Miss Slowboy, in her little errors of judgment, may be said to have done equal honour to her head and to her heart; and though these did less honour to the baby's head, which they were the occasional means of bringing into contact with deal doors, dressers, stair-rails, bed-posts, and other foreign substances, still they were the honest results of Tilly Slowboy's constant astonishment at finding herself so kindly treated, and installed in such a comfortable home. For the maternal and paternal Slowboy were alike unknown to Fame, and Tilly had been bred by public charity, a foundling; which word, though only differing from fondling by one vowel's length, is very different in meaning, and expresses quite another thing.

It’s worth mentioning that Miss Slowboy, despite quickly rejecting the warning, had an unusual and surprising knack for getting this baby into trouble. She had nearly risked its short life several times in her own quiet way. This young lady had a slim, straight figure, to the point that her clothes seemed in constant danger of slipping off her sharp shoulders, where they hung loosely. Her outfit was notable for often revealing some uniquely structured flannel garment and for exposing glimpses of a corset or stays in a dull green color at her back. Always in a state of wide-eyed wonder at everything around her, and consumed with admiration for her mistress's and the baby’s qualities, Miss Slowboy, despite her small misjudgments, seemed to balance both her intelligence and her emotions. Although her actions sometimes brought the baby’s head in contact with hard doors, dressers, stair rails, bedposts, and other foreign objects, they genuinely reflected Tilly Slowboy's constant amazement at being treated so kindly and having such a cozy home. Since both Mr. and Mrs. Slowboy were unknown to fame, Tilly had been raised by public charity as a foundling—a term that may sound similar to "fondling" but means something entirely different.

To have seen little Mrs. Peerybingle come back with her husband, tugging at the clothes basket, and making the most strenuous exertions to do nothing at all (for he carried it), would have amused you almost as much as it amused him. It may [113]have entertained the Cricket, too, for anything I know; but, certainly, it now began to chirp again vehemently.

To see little Mrs. Peerybingle come back with her husband, pulling at the laundry basket and putting in a serious effort to do absolutely nothing (since he was the one carrying it), would have made you laugh as much as it made him. It might have entertained the Cricket too, for all I know; but definitely, it started to chirp loudly again.

"Heyday!" said John in his slow way. "It's merrier than ever to-night, I think."

"Wow!" said John in his laid-back way. "I think it's more fun than ever tonight."

"And it's sure to bring us good fortune, John! It always has done so. To have a Cricket on the Hearth is the luckiest thing in all the world!"

"And it’s definitely going to bring us good luck, John! It always has. Having a Cricket on the Hearth is the luckiest thing in the world!"

John looked at her as if he had very nearly got the thought into his head that she was his Cricket in chief, and he quite agreed with her. But it was probably one of his narrow escapes, for he said nothing.

John looked at her as if he was just about to realize that she was his main support, and he completely agreed with her. But it was probably one of his close calls, because he said nothing.

"The first time I heard its cheerful little note, John, was on that night when you brought me home—when you brought me to my new home here; its little mistress. Nearly a year ago. You recollect, John?"

"The first time I heard its cheerful little note, John, was on that night when you brought me home—when you brought me to my new home here; its little mistress. Almost a year ago. You remember, John?"

Oh, yes! John remembered. I should think so!

Oh, yes! John remembered. I guess that makes sense!

"Its chirp was such a welcome to me! It seemed so full of promise and encouragement. It seemed to say, you would be kind and gentle with me, and would not expect (I had a fear of that, John, then) to find an old head on the shoulders of your foolish little wife."

"Its chirp was such a warm welcome to me! It felt so full of promise and support. It seemed to say that you'd be kind and gentle with me and wouldn’t expect (I was worried about that, John, back then) to find an old head on the shoulders of your silly little wife."

John thoughtfully patted one of the shoulders, and then the head, as though he would have said No, no; he had had no such expectation; he had been quite content to take them as they were. And really he had reason. They were very comely.

John thoughtfully patted one of the shoulders, and then the head, as if to say, "No, no; I never expected that." He was actually quite happy to accept them just as they were. And honestly, he had good reason. They were very attractive.

"It spoke the truth, John, when it seemed to say so: for you have ever been, I am sure, the best, the most considerate, the most affectionate of husbands to me. This has been a happy home, John; and I love the Cricket for its sake!"

"It spoke the truth, John, when it appeared to say that: for you have always been, I’m sure, the best, the most thoughtful, the most loving husband to me. This has been a happy home, John; and I love the Cricket because of it!"

"Why, so do I, then," said the Carrier. "So do I, Dot."

"Me too," said the Carrier. "Me too, Dot."

"I love it for the many times I have heard it, and the many thoughts its harmless music has given me. Sometimes, in the twilight, when I have felt a little solitary and down-hearted, John—before baby was here, to keep me company and make[114] the house gay—when I have thought how lonely you would be if I should die; how lonely I should be, if I could know that you had lost me, dear; its Chirp, Chirp, Chirp upon the hearth has seemed to tell me of another little voice, so sweet, so very dear to me, before whose coming sound my trouble vanished like a dream. And when I used to fear—I did fear once, John; I was very young, you know—that ours might prove to be an ill-assorted marriage, I being such a child, and you more like my guardian than my husband; and that you might not, however hard you tried, be able to learn to love me, as you hoped and prayed you might; its Chirp, Chirp, Chirp has cheered me up again, and filled me with new trust and confidence. I was thinking of these things to-night, dear, when I sat expecting you; and I love the Cricket for their sake!"

"I love it for all the times I've heard it and the many thoughts its simple music has given me. Sometimes, in the evening, when I've felt a bit lonely and down, John—before the baby came to keep me company and brighten the house—I've thought about how lonely you would be if I were to die; how lonely I would be if I knew you had lost me, dear. Its Chirp, Chirp, Chirp on the hearth seems to remind me of another little voice, so sweet and so special to me, that made my troubles disappear like a dream. And when I used to worry—I really did worry once, John; I was very young, you know—that we might not be a good match, me being such a child and you more like my protector than my husband; and that no matter how hard you tried, you might not be able to learn to love me like you hoped and prayed you would; its Chirp, Chirp, Chirp has lifted my spirits again and filled me with new trust and confidence. I was thinking about these things tonight, dear, when I was waiting for you; and I love the Cricket for that reason!"

"And so do I," repeated John. "But, Dot! I hope and pray that I might learn to love you? How you talk! I had learnt that long before I brought you here, to be the Cricket's little mistress, Dot!"

"And so do I," John repeated. "But, Dot! I hope and pray that I can learn to love you. What are you saying! I figured that out long before I brought you here, to be the Cricket's little mistress, Dot!"

She laid her hand, an instant, on his arm, and looked up at him with an agitated face, as if she would have told him something. Next moment, she was down upon her knees before the basket; speaking in a sprightly voice, and busy with the parcels.

She placed her hand for a moment on his arm and looked up at him with a worried expression, as if she wanted to say something. In the next instant, she was on her knees in front of the basket, speaking cheerfully and sorting through the packages.

"There are not many of them to-night, John, but I saw some goods behind the cart just now; and though they give more trouble, perhaps, still they pay as well; so we have no reason to grumble, have we? Besides, you have been delivering, I dare say, as you came along?"

"There aren't many out tonight, John, but I just saw some goods behind the cart; and even though they might cause more trouble, they pay just as well, so we have no reason to complain, right? Plus, I bet you've been delivering as you went along?"

"Oh, yes!" John said. "A good many."

"Oh, definitely!" John said. "Quite a few."

"Why, what's this round box? Heart alive, John, it's a wedding-cake!"

"Why, what's this round box? Oh my gosh, John, it's a wedding cake!"

"Leave a woman alone to find out that," said John admiringly. "Now, a man would never have thought of it! Whereas, it's my belief that if you was to pack a wedding-cake up in a tea-chest, or a turn-up bedstead, or a pickled-salmon[115] keg, or any unlikely thing, a woman would be sure to find it out directly. Yes; I called for it at the pastrycook's."

"Leave a woman to figure that out," John said admiringly. "A man would never have thought of it! I believe that if you packed a wedding cake in a tea chest, a folding bed, or a pickled salmon keg, or anything just as unlikely, a woman would definitely discover it right away. Yes, I went to get it at the pastry shop."

"And it weighs I don't know what—whole hundredweights!" cried Dot, making a great demonstration of trying to lift it. "Whose is it, John? Where is it going?"

"And it weighs, I don’t even know—hundreds of pounds!" cried Dot, putting on a big show of trying to lift it. "Whose is it, John? Where is it headed?"

"Read the writing on the other side," said John.

"Read the writing on the other side," John said.

"Why, John! My Goodness, John!"

"Wow, John! Oh my goodness, John!"

"Ah! who'd have thought it?" John returned.

"Wow! Who would have guessed?" John replied.

"You never mean to say," pursued Dot, sitting on the floor and shaking her head at him, "that it's Gruff and Tackleton the toymaker!"

"You can't be serious," Dot continued, sitting on the floor and shaking her head at him. "You're talking about Gruff and Tackleton the toymaker!"

John nodded.

John agreed.

Mrs. Peerybingle nodded also, fifty times at least. Not in assent—in dumb and pitying amazement; screwing up her lips, the while, with all their little force (they were never made for screwing up; I am clear of that), and looking the good Carrier through and through, in her abstraction. Miss Slowboy, in the meantime, who had a mechanical power of reproducing scraps of current conversation for the delectation of the baby, with all the sense struck out of them, and all the nouns changed into the plural number, inquired aloud of that young creature, Was it Gruffs and Tackletons the toymakers then, and Would it call at Pastrycooks for wedding-cakes, and Did its mothers know the boxes when its fathers brought them home; and so on.

Mrs. Peerybingle nodded at least fifty times. Not in agreement—in a silent, pitying shock; pursing her lips, despite the fact that they were never meant to be pursed (I’m sure of that), and staring at the good Carrier, lost in her own thoughts. Meanwhile, Miss Slowboy, who had a knack for repeating bits of everyday conversation for the amusement of the baby, stripping them of all their meaning and changing every noun to plural, asked that little one if it was Gruffs and Tackletons the toy makers then, and if it would stop by the pastry shop for wedding cakes, and if its mothers knew the boxes when its fathers brought them home; and so on.

"And that is really to come about!" said Dot. "Why, she and I were girls at school together, John."

"And that's really going to happen!" said Dot. "You know, she and I were in school together, John."

He might have been thinking of her, or nearly thinking of her, perhaps, as she was in that same school-time. He looked upon her with a thoughtful pleasure, but he made no answer.

He might have been thinking about her, or almost thinking about her, maybe, just as she was back in school. He looked at her with a thoughtful pleasure, but he didn’t say anything.

"And he's as old! As unlike her!—Why, how many years older than you is Gruff and Tackleton, John?"

"And he's just as old! So different from her!—So, how many years older than you are Gruff and Tackleton, John?"

"How many more cups of tea shall I drink to-night, at one sitting, than Gruff and Tackleton ever took in four, I wonder?" replied John good-humouredly, as he drew a chair to the round[116] table, and began at the cold ham. "As to eating, I eat but little; but that little I enjoy, Dot."

"How many more cups of tea will I drink tonight, in one sitting, than Gruff and Tackleton ever did in four, I wonder?" replied John cheerfully as he pulled a chair to the round[116] table and started on the cold ham. "As for eating, I don’t eat much; but the little I do enjoy, Dot."

Even this, his usual sentiment at meal-times, one of his innocent delusions (for his appetite was always obstinate, and flatly contradicted him), awoke no smile in the face of his little wife, who stood among the parcels, pushing the cake-box slowly from her with her foot, and never once looked, though her eyes were cast down too, upon the dainty shoe she generally was so mindful of. Absorbed in thought, she stood there, heedless alike of the tea and John (although he called to her and rapped the table with his knife to startle her), until he rose and touched her on the arm; when she looked at him for a moment, and hurried to her place behind the tea-board, laughing at her negligence. But not as she had laughed before. The manner and the music were quite changed.

Even this, his usual feeling at mealtime, one of his innocent misconceptions (since his appetite was always stubborn and completely contradicted him), didn't bring a smile to his little wife's face. She was standing among the packages, slowly pushing the cake box away with her foot, and didn't look at it, even though her eyes were downcast, away from the cute shoe she usually paid so much attention to. Lost in thought, she stood there, oblivious to both the tea and John (even when he called her name and tapped the table with his knife to get her attention), until he stood up and touched her arm. Then she looked at him for a moment and hurried to her spot behind the tea table, laughing at her forgetfulness. But it wasn't the same kind of laugh as before. The tone and the vibe had completely changed.

The Cricket, too, had stopped. Somehow, the room was not so cheerful as it had been. Nothing like it.

The Cricket had also fallen silent. Somehow, the room didn't feel as cheerful as it had before. Not at all.

"So, these are all the parcels, are they, John?" she said, breaking a long silence, which the honest Carrier had devoted to the practical illustration of one part of his favourite sentiment—certainly enjoying what he ate, if it couldn't be admitted that he ate but little. "So these are all the parcels, are they, John?"

"So, these are all the packages, right, John?" she said, breaking a long silence, which the honest Carrier had spent on highlighting one aspect of his favorite belief—definitely enjoying what he ate, even if it couldn't be said that he ate a lot. "So these are all the packages, right, John?"

"That's all," said John. "Why—no—I"—laying down his knife and fork, and taking a long breath—"I declare—I've clean forgotten the old gentleman!"

"That's it," said John. "Why—no—I"—putting down his knife and fork, and taking a deep breath—"I can't believe it—I completely forgot about the old guy!"

"The old gentleman?"

"The old guy?"

"In the cart," said John. "He was asleep among the straw, the last time I saw him. I've very nearly remembered him, twice, since I came in; but he went out of my head again. Halloa! Yahip there! Rouse up! That's my hearty!"

"In the cart," said John. "He was asleep in the straw the last time I saw him. I almost remembered him twice since I came in, but he slipped my mind again. Hey! Yahip there! Wake up! That's my buddy!"

John said these latter words outside the door, whither he had hurried with the candle in his hand.

John said these last words outside the door, where he had rushed with the candle in his hand.

Miss Slowboy, conscious of some mysterious reference to The Old Gentleman, and connecting, in her mystified imagina[117]tion, certain associations of a religious nature with the phrase, was so disturbed, that hastily rising from the low chair by the fire to seek protection near the skirt of her mistress, and coming into contact, as she crossed the doorway, with an ancient Stranger, she instinctively made a charge or butt at him with the only offensive instrument within her reach. This instrument happening to be the baby, great commotion and alarm ensued, which the sagacity of Boxer rather tended to increase; for that good dog, more thoughtful than his master, had, it seemed, been watching the old gentleman in his sleep, lest he should walk off with a few young poplar-trees that were tied up behind the cart; and he still attended on him very closely, worrying his gaiters, in fact, and making dead sets at the buttons.

Miss Slowboy, aware of some vague connection to The Old Gentleman and linking certain religious associations to the phrase in her puzzled mind, was so unsettled that she quickly stood up from the low chair by the fire to seek comfort near her mistress. As she stepped through the doorway, she accidentally bumped into an ancient Stranger and instinctively charged at him with the only thing she could use as a weapon. This happened to be the baby, which caused a huge fuss and panic. Boxer, the wise dog, only made it worse; more thoughtful than his owner, he had apparently been keeping an eye on the old gentleman while he slept, worried he might take off with a few young poplar trees tied up behind the cart. He stayed close to him, nipping at his gaiters and making direct attempts at the buttons.

"You're such an undeniably good sleeper, sir," said John, when tranquillity was restored (in the meantime the old gentleman had stood, bareheaded and motionless, in the centre of the room), "that I have half a mind to ask you where the other six are—only that would be a joke, and I know I should spoil it. Very near, though," murmured the Carrier with a chuckle; "very near!"

"You're such a great sleeper, sir," John said, once things settled down (during which the old gentleman stood in the center of the room, without a hat and completely still), "that I'm tempted to ask where the other six are—though that would just be a joke, and I know I’d ruin it. Very close, though," the Carrier chuckled; "very close!"

The Stranger, who had long white hair, good features, singularly bold and well defined for an old man, and dark, bright, penetrating eyes, looked round with a smile, and saluted the Carrier's wife by gravely inclining his head.

The Stranger, with long white hair and attractive features—remarkably bold and well-defined for an old man—had dark, bright, piercing eyes. He glanced around with a smile and respectfully nodded to the Carrier's wife.

His garb was very quaint and odd—a long, long way behind the time. Its hue was brown, all over. In his hand he held a great brown club or walking-stick; and, striking this upon the floor, it fell asunder, and became a chair. On which he sat down quite composedly.

His outfit was really strange and outdated—a long way from modern fashion. It was completely brown. In his hand, he held a big brown club or walking stick; when he slammed it on the floor, it broke apart and became a chair. He sat down on it very calmly.

"There!" said the Carrier, turning to his wife. "That's the way I found him, sitting by the roadside! Upright as a milestone. And almost as deaf."

"There!" said the Carrier, turning to his wife. "That's how I found him, sitting by the side of the road! Straight up like a milestone. And nearly as deaf."

"Sitting in the open air, John?"

"Are you sitting outside, John?"

"In the open air," replied the Carrier, "just at dusk. 'Car[118]riage Paid,' he said; and gave me eighteen-pence. Then he got in. And there he is."

"In the open air," replied the Carrier, "just at dusk. 'Car[118]riage Paid,' he said; and gave me eighteen pence. Then he got in. And there he is."

"He's going, John, I think!"

"He's leaving, John, I think!"

Not at all. He was only going to speak.

Not at all. He was just going to speak.

"If you please, I was to be left till called for," said the Stranger mildly. "Don't mind me."

"If you don’t mind, I was supposed to wait until someone calls for me," said the Stranger calmly. "Just ignore me."

With that he took a pair of spectacles from one of his large pockets, and a book from another, and leisurely began to read. Making no more of Boxer than if he had been a house lamb!

With that, he pulled out a pair of glasses from one of his big pockets and a book from another, and casually started reading. He treated Boxer as if he were just a household pet!

The Carrier and his wife exchanged a look of perplexity. The Stranger raised his head; and, glancing from the latter to the former, said:

The Carrier and his wife shared a confused glance. The Stranger lifted his head and, looking from one to the other, said:

"Your daughter, my good friend?"

"Your daughter, my dear friend?"

"Wife," returned John.

"Wife," replied John.

"Niece?" said the Stranger.

"Niece?" asked the Stranger.

"Wife!" roared John.

"Hey, wife!" yelled John.

"Indeed?" observed the Stranger. "Surely? Very young!"

"Really?" the Stranger said. "Are you sure? So young!"

He quietly turned over, and resumed his reading. But, before he could have read two lines, he again interrupted himself to say:

He quietly rolled over and went back to reading. But before he could get through two lines, he interrupted himself again to say:

"Baby yours?"

"Is this your baby?"

John gave him a gigantic nod: equivalent to an answer in the affirmative, delivered through a speaking trumpet.

John gave him a huge nod: the kind that clearly meant yes, as if he were using a megaphone.

"Girl?"

"Girl?"

"Bo-o-oy!" roared John.

"Hey!" roared John.

"Also very young, eh?"

"Also very young, right?"

Mrs. Peerybingle instantly struck in. "Two months and three da-ays. Vaccinated just six weeks ago-o! Took very fine-ly! Considered, by the doctor, a remarkably beautiful chi-ild! Equal to the general run of children at five months o-ld! Takes notice in a way quite wonder-ful! May seem impossible to you, but feels his legs al-ready!"

Mrs. Peerybingle immediately jumped in. "Two months and three days. Vaccinated just six weeks ago! Did really well! The doctor thinks he’s a remarkably beautiful child! On par with the average child at five months old! Notices things in a truly amazing way! It might seem impossible, but he’s already feeling his legs!"

Here, the breathless little mother, who had been shrieking these short sentences into the old man's ear, until her pretty [119]face was crimsoned, held up the Baby before him as a stubborn and triumphant fact; while Tilly Slowboy, with a melodious cry of "Ketcher, Ketcher"—which sounded like some unknown words, adapted to a popular Sneeze—performed some cow-like gambols around that all unconscious Innocent.

Here, the out-of-breath young mother, who had been shouting these short sentences into the old man's ear until her beautiful [119]face turned bright red, held the Baby up in front of him as a defiant and victorious reality; while Tilly Slowboy, with a cheerful shout of "Ketcher, Ketcher"—which sounded like some unfamiliar phrase suited for a popular Sneeze—did some playful, cow-like prances around that completely unaware Innocent.

"Hark! He's called for, sure enough," said John. "There's somebody at the door. Open it, Tilly."

"Listen! He's definitely calling," said John. "There’s someone at the door. Open it, Tilly."

Before she could reach it, however, it was opened from without; being a primitive sort of door, with a latch that any one could lift if he chose—and a good many people did choose, for all kinds of neighbours liked to have a cheerful word or two with the Carrier, though he was no great talker himself. Being opened, it gave admission to a little, meagre, thoughtful, dingy-faced man, who seemed to have made himself a great-coat from the sackcloth covering of some old box; for, when he turned to shut the door and keep the weather out, he disclosed upon the back of that garment the inscription G & T in large black capitals. Also the word GLASS in bold characters.

Before she could get to it, though, it was opened from the outside. It was a simple kind of door, with a latch that anyone could lift if they wanted to—and many did, since all sorts of neighbors liked to exchange a friendly word or two with the Carrier, even though he wasn't much of a talker himself. When the door swung open, it revealed a small, thin, thoughtful man with a worn face, who appeared to have turned the sackcloth from an old box into a great coat. As he turned to close the door to keep out the weather, the back of his coat showed the letters G & T in large black capitals, as well as the word GLASS in bold text.

"Good evening, John!" said the little man. "Good evening, mum! Good evening, Tilly! Good evening, Unbeknown! How's Baby, mum? Boxer's pretty well I hope?"

"Good evening, John!" said the little man. "Good evening, mom! Good evening, Tilly! Good evening, Unknown! How's the baby, mom? I hope Boxer is doing well?"

"All thriving, Caleb," replied Dot. "I am sure you need only look at the dear child, for one, to know that."

"All good, Caleb," replied Dot. "I'm sure if you just look at the sweet child, that'll tell you everything."

"And I'm sure I need only look at you for another," said Caleb.

"And I'm sure I just need to look at you for another," said Caleb.

He didn't look at her, though; he had a wandering and thoughtful eye, which seemed to be always projecting itself into some other time and place, no matter what he said; a description which will equally apply to his voice.

He didn’t look at her, though; he had a wandering and thoughtful gaze that always seemed to be focused on some other time and place, no matter what he said; this also describes his voice perfectly.

"Or at John for another," said Caleb. "Or at Tilly, as far as that goes. Or certainly at Boxer."

"Or maybe John again," said Caleb. "Or Tilly, for that matter. Or definitely Boxer."

"Busy just now, Caleb?" asked the Carrier.

"Are you busy right now, Caleb?" asked the Carrier.

"Why, pretty well, John," he returned, with the distraught air of a man who was casting about for the Philosopher's stone,[120] at least. "Pretty much so. There's rather a run on Noah's Arks at present. I could have wished to improve on the Family, but I don't see how it's to be done at the price. It would be a satisfaction to one's mind to make it clearer which was Shems and Hams, and which was Wives. Flies an't on that scale, neither, as compared with elephants, you know! Ah, well! Have you got anything in the parcel line for me, John?"

"Well, pretty good, John," he replied, looking distressed like a man searching for the Philosopher's Stone, at least. "Pretty much. There’s quite a demand for Noah's Arks right now. I wish I could improve on the Family, but I don't see how that's possible at this price. It would really help to clarify which ones were Shem and Ham and which were the wives. Flies aren't on that scale either, especially when you think about elephants, you know! Oh, well! Do you have anything in the package line for me, John?"

The Carrier put his hand into a pocket of the coat he had taken off; and brought out, carefully preserved in moss and paper, a tiny flower-pot.

The Carrier reached into a pocket of the coat he had removed and pulled out, carefully wrapped in moss and paper, a small flower pot.

"There it is!" he said, adjusting it with great care. "Not so much as a leaf damaged. Full of buds!"

"There it is!" he said, adjusting it carefully. "Not even a single leaf damaged. Full of buds!"

Caleb's dull eye brightened as he took it, and thanked him.

Caleb's dull eye lit up as he took it and thanked him.

"Dear, Caleb," said the Carrier. "Very dear at this season."

"Dear Caleb," said the Carrier. "It's very dear at this time of year."

"Never mind that. It would be cheap to me, what ever it cost," returned the little man. "Anything else, John?"

"Forget about it. It would be a small price for me, no matter what it cost," replied the little man. "Anything else, John?"

"A small box," replied the Carrier. "Here you are!"

"A small box," the Carrier said. "Here you go!"

"'For Caleb Plummer,'" said the little man, spelling out the direction. "'With Cash.' With Cash, John? I don't think it's for me."

"'For Caleb Plummer,'" said the little man, spelling out the address. "'With Cash.' With Cash, John? I don’t think it’s for me."

"With Care," returned the Carrier, looking over his shoulder. "Where do you make out cash?"

"With care," the Carrier replied, glancing back over his shoulder. "Where do you keep the cash?"

"Oh! To be sure!" said Caleb. "It's all right. With care! Yes, yes; that's mine. It might have been with cash, indeed, if my dear Boy in the Golden South Americas had lived, John. You loved him like a son; didn't you? You needn't say you did. I know, of course. 'Caleb Plummer. With care.' Yes, yes, it's all right. It's a box of dolls' eyes for my daughters' work. I wish it was her own sight in a box, John."

"Oh! Absolutely!" said Caleb. "It’s all good. Carefully! Yes, yes; that’s mine. It could have been cash, you know, if my dear Boy in the Golden South Americas had lived, John. You loved him like a son, didn’t you? No need to say it. I know you did, of course. 'Caleb Plummer. With care.' Yes, yes, it’s all good. It’s a box of doll's eyes for my daughters' work. I wish it was her own sight in a box, John."

"I wish it was, or could be!" cried the Carrier.

"I wish it were, or could be!" cried the Carrier.

"Thankee," said the little man. "You speak very hearty. To think that she should never see the Dolls—and them a staring at her, so bold, all day long! That's where it cuts. What's the damage, John?"[121]

"Thanks," said the little man. "You sound really sincere. To think she’ll never see the Dolls—and they’re staring at her, so boldly, all day long! That’s what really hurts. What’s the cost, John?"[121]

"I'll damage you," said John, "if you inquire. Dot! Very near?"

"I'll hurt you," John said, "if you ask. Dot! Really close?"

"Well! it's like you to say so," observed the little man. "It's your kind way. Let me see. I think that's all."

"Well! It's just like you to say that," the little man remarked. "It's your thoughtful nature. Now, let me see. I think that's everything."

"I think not," said the Carrier. "Try again."

"I don't think so," said the Carrier. "Give it another shot."

"Something for our Governor, eh?" said Caleb after pondering a little while. "To be sure. That's what I came for; but my head's so running on them Arks and things! He hasn't been here, has he?"

"Something for our Governor, huh?" Caleb said after thinking for a moment. "Definitely. That's what I came for; but my mind's been so focused on those Arks and stuff! He hasn't been here, has he?"

"Not he," returned the Carrier. "He's too busy, courting."

"Not him," replied the Carrier. "He's too busy dating."

"He's coming round, though," said Caleb; "for he told me to keep on the near side of the road going home, and it was ten to one he'd take me up. I had better go, by-the-bye.—You couldn't have the goodness to let me pinch Boxer's tail, mum, for half a moment, could you?"

"He's getting better, though," said Caleb; "because he told me to stick to the side of the road on my way home, and it was likely he'd pick me up. I should probably head out, by the way.—Would you mind if I quickly grabbed Boxer's tail, ma'am?"

"Why, Caleb, what a question!"

"Wow, Caleb, what a question!"

"Oh, never mind, mum!" said the little man. "He mightn't like it, perhaps. There's a small order just come in for barking dogs; and I should wish to go as close to Natur' as I could for sixpence. That's all. Never mind, mum."

"Oh, forget it, mom!" said the little man. "He might not like it, maybe. There's a small order just came in for barking dogs; and I’d like to get as close to Nature as I can for sixpence. That’s all. Forget it, mom."

It happened opportunely that Boxer, without receiving the proposed stimulus, began to bark with great zeal. But, as this implied the approach of some new visitor, Caleb, postponing his study from the life to a more convenient season, shouldered the round box, and took a hurried leave. He might have spared himself the trouble, for he met the visitor upon the threshold.

It was convenient that Boxer, without getting the suggested motivation, started barking energetically. But since this signaled the arrival of a new guest, Caleb decided to put off his study for a better time, picked up the round box, and quickly left. He could have saved himself the effort, as he encountered the visitor right at the door.

"Oh! You are here, are you? Wait a bit. I'll take you home. John Peerybingle, my service to you. More of my service to your pretty wife. Handsomer every day! Better too, if possible! And younger," mused the speaker in a low voice, "that's the devil of it!"

"Oh! You're here, huh? Hold on a second. I'll take you home. John Peerybingle, glad to see you. And my compliments to your lovely wife. She's getting more beautiful every day! Even better, if that's possible! And younger," the speaker thought to himself quietly, "that's the tricky part!"

"I should be astonished at your paying compliments, Mr. Tackleton," said Dot, not with the best grace in the world, "but for your condition."[122]

"I should be surprised by your compliments, Mr. Tackleton," said Dot, not very graciously, "but considering your situation."[122]

"You know all about it, then?"

"You know all about it, right?"

"I have got myself to believe it somehow," said Dot.

"I've managed to convince myself of it somehow," said Dot.

"After a hard struggle, I suppose?"

"After a tough struggle, I guess?"

"Very."

"Very."

Tackleton the Toy merchant, pretty generally known as Gruff and Tackleton—for that was the firm, though Gruff had been bought out long ago; only leaving his name, and, as some said, his nature, according to its Dictionary meaning, in the business—Tackleton the Toy merchant was a man whose vocation had been quite misunderstood by his Parents and Guardians. If they had made him a Money Lender, or a sharp Attorney, or a Sheriff's Officer, or a Broker, he might have sown his discontented oats in his youth, and, after having had the full run of himself in ill-natured transactions, might have turned out amiable, at last, for the sake of a little freshness and novelty. But, cramped and chafing in the peaceable pursuit of toymaking, he was a domestic Ogre, who had been living on children all his life, and was their implacable enemy. He despised all toys; wouldn't have bought one for the world; delighted, in his malice, to insinuate grim expressions into the faces of brown-paper farmers who drove pigs to market, bellmen who advertised lost lawyers' consciences, movable old ladies who darned stockings or carved pies; and other like samples of his stock-in-trade. In appalling masks; hideous, hairy, red-eyed Jacks in Boxes; Vampire Kites; demoniacal Tumblers who wouldn't lie down, and were perpetually flying forward, to stare infants out of countenance; his soul perfectly revelled. They were his only relief, and safety-valve. He was great in such inventions. Anything suggestive of a Pony nightmare was delicious to him. He had even lost money (and he took to that toy very kindly) by getting up Goblin slides for magic lanterns, whereon the Powers of Darkness were depicted as a sort of supernatural shell-fish, with human faces. In intensifying the portraiture of Giants, he had sunk quite a little capital; and, though no[123] painter himself, he could indicate, for the instruction of his artists, with a piece of chalk, a certain furtive leer for the countenances of those monsters, which was safe to destroy the peace of mind of any young gentleman between the ages of six and eleven, for the whole Christmas or Midsummer Vacation.

Tackleton the Toy Merchant, commonly known as Gruff and Tackleton—since that was the name of the company, although Gruff had been bought out a long time ago, leaving only his name and, some said, his personality in the business—was a man whose calling had been completely misunderstood by his parents and guardians. If they had made him a moneylender, or a sharp attorney, or a sheriff's officer, or a broker, he might have had his share of youthful wildness, and after indulging himself in unpleasant dealings, could have become friendly in the end, simply for a bit of variety. But, stifled and restless in the peaceful work of toy-making, he became a domestic monster, feeding off children throughout his life, acting as their relentless foe. He looked down on all toys; wouldn’t buy one for anything; and found joy, in his spite, in putting grim expressions on the faces of brown-paper farmers driving pigs to market, bellmen advertising lost lawyers' consciences, moving old ladies darning stockings or making pies; and other similar examples of his inventory. In terrifying masks; ugly, hairy, red-eyed Jacks in Boxes; Vampire Kites; demonic Tumblers who wouldn’t lie down, always moving forward to frighten infants; his soul was genuinely delighted. They were his only escape and pressure release. He was skilled at creating such horrors. Anything that hinted at a nightmarish pony was a treat for him. He even lost money (which he took rather well) by setting up Goblin slides for magic lanterns, where the Powers of Darkness were shown as some kind of supernatural shellfish with human faces. In enhancing the imagery of Giants, he had invested a small amount of capital; and although he wasn’t a painter, he could demonstrate, with a piece of chalk, a certain sneaky grin for the faces of those monsters, guaranteed to ruin the peace of mind of any young boy between the ages of six and eleven throughout the entire Christmas or Midsummer vacation.

What he was in toys, he was (as most men are) in other things. You may easily suppose, therefore, that within the great green cape, which reached down to the calves of his legs, there was buttoned up to the chin an uncommonly pleasant fellow; and that he was about as choice a spirit, and as agreeable a companion, as ever stood in a pair of bull-headed-looking boots with mahogany-coloured tops.

What he was like with toys, he was (like most men) in other aspects of life. So, you can easily imagine that under the big green cape, which reached down to his calves, there was a really nice guy buttoned up to the chin; and he was as great a person and as friendly a companion as ever stood in a pair of bull-headed-looking boots with mahogany-colored tops.

Still, Tackleton, the toy merchant, was going to be married. In spite of all this, he was going to be married. And to a young wife too, a beautiful young wife.

Still, Tackleton, the toy merchant, was going to get married. Despite everything, he was going to tie the knot. And to a young wife too, a beautiful young wife.

He didn't look much like a Bridegroom, as he stood in the Carrier's kitchen, with a twist in his dry face, and a screw in his body, and his hat jerked over the bridge of his nose, and his hands tucked down into the bottoms of his pockets, and his whole sarcastic, ill-conditioned self peering out of one little corner of one little eye, like the concentrated essence of any number of ravens. But a Bridegroom he designed to be.

He didn’t really look like a groom as he stood in the carrier’s kitchen, with a twist in his dry face, a stiffness in his body, his hat tilted over the bridge of his nose, and his hands shoved deep into his pockets. His whole sarcastic, grumpy self was peeking out from one small corner of one little eye, like the concentrated essence of a bunch of ravens. But he intended to be a groom.

"In three days' time. Next Thursday. The last day of the first month in the year. That's my wedding-day," said Tackleton.

"In three days. Next Thursday. The last day of the first month of the year. That’s my wedding day," said Tackleton.

Did I mention that he had always one eye wide open, and one eye nearly shut; and that the one eye nearly shut was always the expressive eye? I don't think I did.

Did I mention that he always had one eye wide open and one eye almost shut; and that the almost shut eye was always the one that expressed the most? I don’t think I did.

"That's my wedding-day!" said Tackleton, rattling his money.

"That's my wedding day!" said Tackleton, shaking his money.

"Why, it's our wedding-day too," exclaimed the Carrier.

"Why, it's our wedding day too," the Carrier exclaimed.

"Ha, ha!" laughed Tackleton. "Odd! You're just such another couple. Just!"

"Ha, ha!" laughed Tackleton. "What a coincidence! You two are just like that couple."

The indignation of Dot at this presumptuous assertion is not[124] to be described. What next? His imagination would compass the possibility of just such another Baby, perhaps. The man was mad.

The outrage Dot felt at this bold claim is not[124] something that can be explained. What will happen next? He might even consider the chance of another Baby like this one. The guy was insane.

"I say! A word with you," murmured Tackleton, nudging the Carrier with his elbow, and taking him a little apart. "You'll come to the wedding? We're in the same boat, you know."

"I say! Can I have a word with you?" murmured Tackleton, nudging the Carrier with his elbow and pulling him aside a bit. "Are you coming to the wedding? We're in the same boat, you know."

"How in the same boat?" inquired the Carrier.

"How are we in the same boat?" asked the Carrier.

"A little disparity, you know," said Tackleton with another nudge. "Come and spend an evening with us beforehand."

"A little difference, you know," said Tackleton with another nudge. "Come and hang out with us one evening before."

"Why?" demanded John, astonished at this pressing hospitality.

"Why?" John asked, amazed by this overwhelming hospitality.

"Why?" returned the other. "That's a new way of receiving an invitation. Why, for pleasure—sociability, you know, and all that."

"Why?" the other replied. "That's a new way of getting an invitation. Well, for fun—sociability, you know, and all that."

"I thought you were never sociable," said John in his plain way.

"I thought you weren't the social type," John said bluntly.

"Tchah! It's of no use to be anything but free with you, I see," said Tackleton. "Why, then, the truth is, you have a—what tea-drinking people call a sort of a comfortable appearance together, you and your wife. We know better, you know, but——"

"Tchah! It’s pointless to pretend around you, I see," said Tackleton. "Well, the truth is, you and your wife have what tea-drinking folks call a sort of cozy vibe together. We know better, though, but——"

"No, we don't know better," interposed John. "What are you talking about?"

"No, we don't know better," John interjected. "What are you talking about?"

"Well! We don't know better, then," said Tackleton. "We'll agree that we don't. As you like; what does it matter? I was going to say, as you have that sort of appearance, your company will produce a favourable effect on Mrs. Tackleton that will be. And, though I don't think your good lady's very friendly to me in this matter, still she can't help herself from falling into my views, for there's a compactness and cosiness of appearance about her that always tells, even in an indifferent case. You'll say you'll come?"

"Well! We don't know any better, then," said Tackleton. "We'll agree that we don't. Whatever you say; what does it matter? I was going to say, since you have that kind of vibe, your presence will have a positive effect on Mrs. Tackleton. And, even though I don't think your lovely wife is very supportive of me in this situation, she can't help but be swayed by my perspective, because there's a charm and warmth about her that always makes an impression, even in a neutral situation. You'll say you'll come?"

"We have arranged to keep our Wedding-day (as far as[125] that goes) at home," said John. "We have made the promise to ourselves these six months. We think, you see, that home—"

"We've decided to have our wedding day (as far as[125] that goes) at home," John said. "We've made this promise to ourselves for the past six months. We believe, you see, that home—"

"Bah! what's home?" cried Tackleton. "Four walls and a ceiling! (Why don't you kill that Cricket? I would! I always do. I hate their noise.) There are four walls and a ceiling at my house. Come to me!"

"Bah! What's home?" yelled Tackleton. "Just four walls and a ceiling! (Why don't you get rid of that Cricket? I would! I always do. I can't stand their noise.) There are four walls and a ceiling at my place. Come on over!"

"You kill your Crickets, eh?" said John.

"You kill your crickets, huh?" said John.

"Scrunch 'em, sir," returned the other, setting his heel heavily on the floor. "You'll say you'll come? It's as much your interest as mine, you know, that the women should persuade each other that they're quiet and contented, and couldn't be better off. I know their way. Whatever one woman says, another woman is determined to clinch always. There's that spirit of emulation among 'em, sir, that if your wife says to my wife, 'I'm the happiest woman in the world, and mine's the best husband in the world, and I dote on him,' my wife will say the same to yours, or more, and half believe it."

"Scrunch 'em, sir," the other replied, stamping his heel heavily on the floor. "Will you say you'll come? It’s just as much in your interest as mine that the women convince each other they're happy and satisfied, and couldn't be better off. I know how they are. Whatever one woman says, another will always insist on agreeing. There’s this competitive spirit among them, sir, that if your wife tells my wife, 'I'm the happiest woman in the world, and my husband is the best in the world, and I adore him,' my wife will say the same to yours, or even more, and she might actually half-believe it."

"Do you mean to say she don't, then?" asked the Carrier.

"Are you saying she doesn't, then?" asked the Carrier.

"Don't!" cried Tackleton with a short, sharp laugh. "Don't what?"

"Don't!" Tackleton shouted with a quick, mocking laugh. "Don't what?"

The Carrier had some faint idea of adding, "dote upon you." But, happening to meet the half-closed eye, as it twinkled upon him over the turned-up collar of the cape, which was within an ace of poking it out, he felt it such an unlikely part and parcel of anything to be doted on, that he substituted, "that she don't believe it?"

The Carrier had some vague notion of saying, "adore you." But, catching sight of the half-closed eye, as it sparkled at him over the turned-up collar of the cape, which was almost poking it out, he found it hard to believe that anything could be adored like that, so he changed it to, "that she doesn't believe it?"

"Ah, you dog! You're joking," said Tackleton.

"Ah, you dog! You're kidding," said Tackleton.

But the Carrier, though slow to understand the full drift of his meaning, eyed him in such a serious manner, that he was obliged to be a little more explanatory.

But the Carrier, although slow to grasp the complete meaning of what he said, looked at him so seriously that he had to be a bit more clear.

"I have the humour," said Tackleton: holding up the fingers of his left hand, and tapping the forefinger, to imply, "There I am, Tackleton to wit": "I have the humour, sir, to marry a young wife, and a pretty wife": here he rapped his[126] little finger, to express the Bride; not sparingly, but sharply; with a sense of power. "I'm able to gratify that humour, and I do. It's my whim. But—now look there!"

"I have a sense of humor," said Tackleton, holding up the fingers of his left hand and tapping the forefinger to indicate, "Here I am, Tackleton, just so": "I have a sense of humor, sir, to marry a young wife, and a pretty one": here he tapped his[126] little finger to represent the Bride; not gently, but sharply; with a sense of power. "I can satisfy that humor, and I do. It's my choice. But—now look there!"

He pointed to where Dot was sitting, thoughtfully before the fire: leaning her dimpled chin upon her hand, and watching the bright blaze. The Carrier looked at her, and then at him, and then at her, and then at him again.

He pointed to where Dot was sitting, deep in thought before the fire: resting her dimpled chin on her hand and watching the bright flames. The Carrier looked at her, then back at him, then at her again, and then back at him.

"She honours and obeys, no doubt, you know," said Tackleton; "and that, as I am not a man of sentiment, is quite enough for me. But do you think there's anything more in it?"

"She respects and complies, that’s for sure, you know," said Tackleton; "and that, since I'm not a sentimental guy, is totally enough for me. But do you think there's something deeper to it?"

"I think," observed the Carrier, "that I should chuck any man out of window who said there wasn't."

"I think," said the Carrier, "that I should throw anyone out of the window who claimed there isn't."

"Exactly so," returned the other with an unusual alacrity of assent. "To be sure! Doubtless you would. Of course. I'm certain of it. Good night. Pleasant dreams!"

"Exactly," the other replied with an unexpected eagerness. "Definitely! You probably would. Of course. I'm sure of it. Good night. Sweet dreams!"

The Carrier was puzzled, and made uncomfortable and uncertain, in spite of himself. He couldn't help showing it in his manner.

The Carrier was confused and felt uneasy and uncertain, despite himself. He couldn't help but show it in his demeanor.

"Good night, my dear friend!" said Tackleton compassionately. "I'm off. We're exactly alike in reality, I see. You won't give us to-morrow evening? Well! Next day you go out visiting, I know. I'll meet you there, and bring my wife that is to be. It'll do her good. You're agreeable? Thankee. What's that?"

"Good night, my dear friend!" Tackleton said kindly. "I'm leaving now. I see we're actually very similar. You won't be free tomorrow evening? Well! The day after, you're going out visiting, right? I'll catch up with you there and bring my future wife. It'll be good for her. Sounds good? Thanks. What's that?"

It was a loud cry from the Carrier's wife: a loud, sharp, sudden cry, that made the room ring like a glass vessel. She had risen from her seat, and stood like one transfixed by terror and surprise. The Stranger had advanced towards the fire to warm himself, and stood within a short stride of her chair. But quite still.

It was a loud scream from the Carrier's wife: a loud, sharp, sudden scream that made the room echo like a glass jar. She had gotten up from her seat and stood there, frozen in fear and shock. The Stranger had moved closer to the fire to warm up, standing just a short step away from her chair. But completely still.

"Dot!" cried the Carrier. "Mary! Darling! What's the matter?"

"Dot!" shouted the Carrier. "Mary! Sweetheart! What's wrong?"

They were all about her in a moment. Caleb, who had been dozing on the cake-box, in the first imperfect recovery of his[127] suspended presence of mind, seized Miss Slowboy by the hair of her head, but immediately apologised.

They all surrounded her in no time. Caleb, who had been dozing on the cake box, in the first shaky return of his[127] suspended awareness, grabbed Miss Slowboy by the hair, but quickly apologized.

"Mary!" exclaimed the Carrier, supporting her in his arms. "Are you ill? What is it? Tell me dear!"

"Mary!" the Carrier exclaimed, holding her in his arms. "Are you sick? What’s wrong? Please tell me, dear!"

She only answered by beating her hands together, and falling into a wild fit of laughter. Then, sinking from his grasp upon the ground, she covered her face with her apron, and wept bitterly. And then, she laughed again, and then she cried again, and then she said how cold she was, and suffered him to lead her to the fire, where she sat down as before. The old man standing, as before, quite still.

She just responded by clapping her hands and bursting into wild laughter. Then, slipping out of his hold, she dropped to the ground, covered her face with her apron, and cried hard. After that, she laughed again, then cried again, and mentioned how cold she felt, allowing him to guide her to the fire, where she sat down like before. The old man stood still, just like before.

"I'm better, John," she said. "I'm quite well now—I——"

"I'm better, John," she said. "I'm doing really well now—I——"

"John!" But John was on the other side of her. Why turn her face towards the strange old gentleman, as if addressing him. Was her brain wandering?

"John!" But John was on the other side of her. Why turn her face towards the strange old man, as if she were talking to him? Was her mind wandering?

"Only a fancy, John dear—a kind of shock—a something coming suddenly before my eyes—I don't know what it was. It's quite gone, quite gone."

"Just a fancy, John dear—a kind of shock—something that appeared suddenly in front of my eyes—I can’t explain what it was. It's completely gone, completely gone."

"I'm glad it's gone," muttered Tackleton, turning the expressive eye all round the room. "I wonder where it's gone, and what it was. Humph! Caleb, come here! Who's that with the grey hair?"

"I'm glad it's gone," muttered Tackleton, glancing around the room with a scrutinizing eye. "I wonder where it went and what it was. Hmph! Caleb, come here! Who's that with the gray hair?"

"I don't know, sir," returned Caleb in a whisper. "Never see him before in all my life. A beautiful figure for a nut-cracker; quite a new model. With a screw-jaw opening down into his waistcoat, he'd be lovely."

"I don’t know, sir," Caleb replied quietly. "I’ve never seen him before in my life. He’d make a gorgeous nutcracker; it's a totally new design. With a screw-jaw that opens into his waistcoat, he’d be amazing."

"Not ugly enough," said Tackleton.

"Not ugly enough," Tackleton said.

"Or for a fire-box either," observed Caleb in deep contemplation, "what a model! Unscrew his head to put the matches in; turn him heels up'ards for the light; and what a fire-box for a gentleman's mantel-shelf, just as he stands!"

"Or for a firebox too," Caleb said, lost in thought, "what a design! Unscrew his head to put the matches in; turn him upside down for the light; and what a firebox for a gentleman's mantel, just as he is!"

"Not half ugly enough," said Tackleton. "Nothing in him at all. Come! Bring that box! All right now, I hope?"[128]

"Not ugly enough," said Tackleton. "There's nothing to him at all. Come on! Bring that box! Everything good now, I hope?"[128]

"Oh, quite gone! Quite gone!" said the little woman, waving him hurriedly away. "Good night!"

"Oh, he's completely gone! Totally gone!" said the little woman, waving him off quickly. "Good night!"

"Good night!" said Tackleton. "Good night, John Peerybingle! Take care how you carry that box, Caleb. Let it fall, and I'll murder you! Dark as pitch, and weather worse than ever, eh? Good night!"

"Good night!" said Tackleton. "Good night, John Peerybingle! Be careful with that box, Caleb. If you drop it, I'll kill you! It's pitch dark, and the weather is worse than ever, right? Good night!"

So, with another sharp look round the room, he went out at the door; followed by Caleb with the wedding-cake on his head.

So, with another quick glance around the room, he stepped out the door, followed by Caleb with the wedding cake balanced on his head.

The Carrier had been so much astounded by his little wife, and so busily engaged in soothing and tending her, that he had scarcely been conscious of the Stranger's presence until now, when he again stood there, their only guest.

The Carrier had been so amazed by his little wife, and so focused on comforting and taking care of her, that he had barely noticed the Stranger's presence until now, when he stood there again, their only guest.

"He don't belong to them, you see," said John. "I must give him a hint to go."

"He doesn't belong to them, you see," said John. "I have to give him a hint to leave."

"I beg your pardon, friend," said the old gentleman, advancing to him; "the more so as I fear your wife has not been well; but the Attendant whom my infirmity," he touched his ears, and shook his head, "renders almost indispensable, not having arrived, I fear there must be some mistake. The bad night which made the shelter of your comfortable cart (may I never have a worse!) so acceptable, is still as bad as ever. Would you, in your kindness, suffer me to rent a bed here?"

"I’m sorry to intrude, my friend," said the old man, walking up to him; "especially since I’m worried your wife hasn’t been well. But my caretaker," he touched his ears and shook his head, "who I really need, hasn’t shown up, and I’m afraid there’s been some sort of mix-up. The rough night that made your cozy cart so welcoming (I hope I never have a worse one!) is still just as bad. Would you, out of kindness, allow me to rent a bed here?"

"Yes, yes," cried Dot. "Yes! Certainly!"

"Yeah, yeah," shouted Dot. "Definitely! For sure!"

"Oh!" said the Carrier, surprised by the rapidity of this consent. "Well! I don't object; but still I'm not quite sure that——"

"Oh!" said the Carrier, surprised by how quickly this was agreed to. "Well! I don't mind; but I'm still not entirely sure that——"

"Hush!" she interrupted. "Dear John!"

"Shh!" she interrupted. "Dear John!"

"Why, he's stone deaf," urged John.

"Why, he's completely deaf," urged John.

"I know he is, but——Yes, sir, certainly. Yes, certainly! I'll make him up a bed directly, John."

"I know he is, but—Yes, sir, of course. Yes, definitely! I'll get him a bed ready right away, John."

As she hurried off to do it, the flutter of her spirits, and the agitation of her manner, were so strange, that the Carrier stood looking after her, quite confounded.

As she rushed off to do it, the excitement in her mood and the way she carried herself were so unusual that the Carrier stood there watching her, completely baffled.

"Did its mothers make it up a Beds, then!" cried Miss[129] Slowboy to the Baby; "and did its hair grow brown and curly when its caps was lifted off, and frighten it, a precious Pets, a sitting by the fires!"

"Did its mothers make it a bed, then!" cried Miss[129] Slowboy to the baby; "and did its hair turn brown and curly when its cap was taken off, scaring it, a precious pet, sitting by the fire!"

With that unaccountable attraction of the mind to trifles, which is often incidental to a state of doubt and confusion, the Carrier, as he walked slowly to and fro, found himself mentally repeating even these absurd words, many times. So many times, that he got them by heart, and was still conning them over and over, like a lesson, when Tilly, after administering as much friction to the little bald head with her hand as she thought wholesome (according to the practice of nurses), had once more tied the Baby's cap on.

With that inexplicable pull of the mind towards small things, which often happens during times of doubt and confusion, the Carrier, as he walked back and forth slowly, found himself mentally repeating these ridiculous words over and over again. So many times that he memorized them and was still going over them in his head, like a lesson, when Tilly, after giving the little bald head a good rub with her hand, as she thought was healthy (following the usual nursing practice), had tied the Baby's cap on again.

"And frighten it, a precious Pets, a sitting by the fires. What frightened Dot, I wonder?" mused the Carrier, pacing to and fro.

"And scare it, a beloved pet, sitting by the fire. What scared Dot, I wonder?" thought the Carrier, walking back and forth.

He scouted, from his heart, the insinuations of the toy merchant, and yet they filled him with a vague, indefinite uneasiness. For Tackleton was quick and sly; and he had that painful sense, himself, of being a man of slow perception, that a broken hint was always worrying to him. He certainly had no intention in his mind of linking anything that Tackleton had said with the unusual conduct of his wife, but the two subjects of reflection came into his mind together, and he could not keep them asunder.

He considered, deep down, the suggestions from the toy merchant, but they left him with a vague, undefined anxiety. Tackleton was cunning and sly; he felt, himself, the frustrating awareness of being someone who was slow to catch on, and even the slightest hint nagged at him. He definitely didn’t plan to connect anything Tackleton had said with his wife's strange behavior, but the two topics came to his mind at the same time, and he couldn’t separate them.

The bed was soon made ready; and the visitor, declining all refreshment but a cup of tea, retired. Then, Dot—quite well again, she said, quite well again—arranged the great chair in the chimney-corner for her husband; filled his pipe and gave it him; and took her usual little stool beside him on the hearth.

The bed was soon prepared, and the visitor, refusing any refreshments except for a cup of tea, left. Then, Dot—who said she was completely better, really—set up the big chair in the corner by the fireplace for her husband; filled his pipe and handed it to him; and took her usual small stool beside him on the hearth.

She always would sit on that little stool. I think she must have had a kind of notion that it was a coaxing, wheedling little stool.

She always would sit on that little stool. I think she must have had a feeling that it was a charming, persuasive little stool.

She was, out and out, the very best filler of a pipe, I should[130] say, in the four quarters of the globe. To see her put that chubby little finger in the bowl, and then blow down the pipe to clear the tube, and, when she had done so, affect to think that there was really something in the tube, and blow a dozen times, and hold it to her eye like a telescope, with a most provoking twist in her capital little face, as she looked down it, was quite a brilliant thing. As to the tobacco, she was perfect mistress of the subject; and her lighting of the pipe, with a wisp of paper, when the Carrier had it in his mouth—going so very near his nose, and yet not scorching it—was Art, high Art.

She was, without a doubt, the absolute best at filling a pipe, I would say, in the whole world. Watching her put that chubby little finger in the bowl, then blow down the pipe to clear it, and after that pretend to believe there was really something in there, blowing a dozen times, and holding it to her eye like a telescope, with a really teasing expression on her adorable little face as she looked down it, was truly impressive. As for the tobacco, she was a total expert; her technique for lighting the pipe with a piece of paper while the Carrier held it in his mouth—getting so close to his nose but not burning it—was pure art, high art.

And the Cricket and the Kettle, turning up again, acknowledged it! The bright fire, blazing up again, acknowledged it! The little Mower on the clock, in his unheeded work, acknowledged it! The Carrier, in his smoothing forehead and expanding face, acknowledged it, the readiest of all.

And the Cricket and the Kettle, showing up again, recognized it! The bright fire, flaring up again, recognized it! The little Mower on the clock, in his unnoticed task, recognized it! The Carrier, with his smooth forehead and broadening face, recognized it, the quickest of all.

And as he soberly and thoughtfully puffed at his old pipe, and as the Dutch clock ticked, and as the red fire gleamed, and as the Cricket chirped, that Genius of his Hearth and Home (for such the Cricket was) came out, in fairy shape, into the room, and summoned many forms of Home about him. Dots of all ages and all sizes filled the chamber. Dots who were merry children, running on before him, gathering flowers in the fields; coy Dots, half shrinking from, half yielding to, the pleading of his own rough image; newly-married Dots, alighting at the door, and taking wondering possession of the household keys; motherly little Dots, attended by fictitious Slowboys, bearing babies to be christened; matronly Dots, still young and blooming, watching Dots of daughters, as they danced at rustic balls; fat Dots, encircled and beset by troops of rosy grandchildren; withered Dots, who leaned on sticks, and tottered as they crept along. Old Carriers, too, appeared with blind old Boxers lying at their feet; and newer carts with younger drivers ("Peerybingle Brothers" on the tilt); and sick old Carriers, tended by the gentlest hands; and graves of dead and gone old[131] Carriers, green in the churchyard. And as the Cricket showed him all these things—he saw them plainly, though his eyes were fixed upon the fire—the Carrier's heart grew light and happy, and he thanked his Household Gods with all his might, and cared no more for Gruff and Tackleton than you do.

And as he thoughtfully puffed at his old pipe, and as the Dutch clock ticked, and as the red fire glowed, and as the Cricket chirped—his own little spirit of home (that's what the Cricket was) appeared in a fairy form in the room and called forth many scenes of home around him. Dots of all ages and sizes filled the space. Dots who were joyful children, running ahead of him, picking flowers in the fields; shy Dots, half hiding from, half giving in to, the pleas of his own rugged image; newlywed Dots, arriving at the door, with a mix of wonder as they took the household keys; nurturing little Dots, followed by imaginary Slowboys, carrying babies to be christened; matronly Dots, still youthful and vibrant, watching their daughters dance at country balls; plump Dots, surrounded by groups of rosy grandchildren; frail Dots, leaning on canes, unsteady as they moved along. Old Carriers showed up too, with blind old Boxers resting at their feet; newer carts with younger drivers (labeled "Peerybingle Brothers" on the side); and sick old Carriers, cared for by the gentlest hands; and graves of long-gone old Carriers, green in the churchyard. And as the Cricket revealed all these images—he saw them clearly, even though his gaze was fixed on the fire—the Carrier's heart felt light and joyful, and he thanked his household spirits with all his might, caring no more for Gruff and Tackleton than you do.


But what was that young figure of a man, which the same Fairy Cricket set so near Her stool, and which remained there, singly and alone? Why did it linger still, so near her, with its arm upon the chimney-piece, ever repeating "Married! and not to me!"

But who was that young man, whom the same Fairy Cricket placed so close to her stool, and who stayed there all alone? Why did he stick around, so near her, with his arm on the mantelpiece, constantly saying, "Married! and not to me!"

Oh, Dot! Oh, failing Dot! There is no place for it in all your husband's visions. Why has its shadow fallen on his hearth?[132]

Oh, Dot! Oh, struggling Dot! There’s no room for it in all your husband’s dreams. Why has its shadow cast itself over his home?[132]


CHIRP THE SECOND

Caleb Plummer and his Blind Daughter lived all alone by themselves, as the Story Books say—and my blessing, with yours, to back it I hope, on the Story Books, for saying anything in this work-a-day world!—Caleb Plummer and his Blind Daughter lived all alone by themselves, in a little cracked nutshell of a wooden house, which was, in truth, no better than a pimple on the prominent red-brick nose of Gruff and Tackleton. The premises of Gruff and Tackleton were the great feature of the street; but you might have knocked down Caleb Plummer's dwelling with a hammer or two, and carried off the pieces in a cart.

Caleb Plummer and his blind daughter lived completely by themselves, just like the storybooks say—and I hope you’ll join me in that wish, based on what the storybooks say, for saying anything in this everyday world!—Caleb Plummer and his blind daughter lived all alone in a little, cracked wooden house that was really no better than a blemish on the big, red-brick nose of Gruff and Tackleton. The property of Gruff and Tackleton was the main feature of the street, but you could have easily knocked down Caleb Plummer's home with a couple of swings of a hammer and carted off the pieces.

If any one had done the dwelling-house of Caleb Plummer the honour to miss it after such an inroad, it would have been, no doubt, to commend its demolition as a vast improvement. It stuck to the premises of Gruff and Tackleton like a barnacle to a ship's keel, or a snail to a door, or a little bunch of toadstools to the stem of a tree. But it was the germ from which the full-grown trunk of Gruff and Tackleton had sprung; and, under its crazy roof, the Gruff before last had, in a small way, made toys for a generation of old boys and girls, who had played with them, and found them out, and broken them, and gone to sleep.

If anyone had noticed Caleb Plummer's house after such an attack, they would probably consider its destruction a major improvement. It clung to Gruff and Tackleton's property like a barnacle on a ship's keel, or a snail on a door, or a little cluster of mushrooms on a tree trunk. But it was the source from which Gruff and Tackleton had developed; and under its rickety roof, the previous Gruff had, on a small scale, created toys for a generation of kids who played with them, discovered their flaws, broke them, and then went to sleep.

I have said that Caleb and his poor Blind Daughter lived here. I should have said that Caleb lived here, and his poor Blind Daughter somewhere else—in an enchanted home of Caleb's furnishing, where scarcity and shabbiness were not, and trouble never entered. Caleb was no sorcerer; but in the only magic art that still remains to us, the magic of devoted,[133] deathless love, Nature had been the mistress of his study; and, from her teaching, all the wonder came.

I mentioned that Caleb and his poor Blind Daughter lived here. I should have clarified that Caleb lived here, while his poor Blind Daughter was somewhere else—in a magical home furnished by Caleb, where there was no scarcity or shabbiness, and trouble never set foot. Caleb wasn't a sorcerer; but in the one magic art that still exists for us, the magic of devoted,[133] everlasting love, Nature had been his teacher; and from her lessons, all the wonder emerged.

The Blind Girl never knew that ceilings were discoloured, walls blotched and bare of plaster here and there, high crevices unstopped and widening every day, beams mouldering and tending downward. The Blind Girl never knew that iron was rusting, wood rotting, paper peeling off; the size, and shape, and true proportion of the dwelling, withering away. The Blind Girl never knew that ugly shapes of delf and earthenware were on the board; that sorrow and faint-heartedness were in the house; that Caleb's scanty hairs were turning greyer and more grey before her sightless face. The Blind Girl never knew they had a master, cold, exacting, and uninterested—never knew that Tackleton was Tackleton, in short; but lived in the belief of an eccentric humorist, who loved to have his jest with them, and who, while he was the Guardian Angel of their lives, disdained to hear one word of thankfulness.

The Blind Girl never realized that the ceilings were stained, the walls patchy and missing plaster in spots, with high cracks that kept getting bigger each day, and beams that were rotting and sagging. The Blind Girl never knew that the iron was rusting, the wood was decaying, and the wallpaper was peeling away; the size, shape, and true structure of the home were deteriorating. The Blind Girl never saw the ugly pieces of pottery and earthenware on the table; that sadness and despair filled the house; that Caleb’s thinning hair was turning gray more and more in front of her sightless eyes. The Blind Girl never knew they had a master—cold, demanding, and indifferent—never knew that Tackleton was Tackleton, in fact; instead, she believed he was an eccentric jokester who liked to have fun at their expense, and who, while being the Guardian Angel of their lives, refused to hear a single word of gratitude.

And all was Caleb's doing; all the doing of her simple father! But he, too, had a Cricket on his Hearth; and listening sadly to its music when the motherless Blind Child was very young that Spirit had inspired him with the thought that even her great deprivation might be almost changed into a blessing, and the girl made happy by these little means. For all the Cricket tribe are potent Spirits, even though the people who hold converse with them do not know it (which is frequently the case), and there are not in the unseen world voices more gentle and more true, that may be so implicitly relied on, or that are so certain to give none but tenderest counsel, as the Voices in which the Spirits of the Fireside and the Hearth address themselves to humankind.

And everything was Caleb's doing; all from her simple father! But he, too, had a Cricket on his Hearth; and listening sadly to its music when the motherless Blind Child was very young, that Spirit had inspired him with the idea that even her significant loss could almost be turned into a blessing, making the girl happy through these small means. Because all the Cricket tribe are powerful Spirits, even if the people who talk to them don't realize it (which is often the case), and there are no voices in the unseen world more gentle and true, ones that can be trusted completely, or that are more certain to offer nothing but the kindest advice, than the Voices in which the Spirits of the Fireside and the Hearth speak to humanity.

Caleb and his daughter were at work together in their usual working-room, which served them for their ordinary living-room as well; and a strange place it was. There were houses in it, finished and unfinished, for Dolls of all stations in life. Sub[134]urban tenements for Dolls of moderate means; kitchens and single apartments for Dolls of the lower classes; capital town residences for Dolls of high estate. Some of these establishments were already furnished according to estimate, with a view to the convenience of Dolls of limited income; others could be fitted on the most expensive scale, at a moment's notice, from whole shelves of chairs and tables, sofas, bedsteads, and upholstery. The nobility and gentry and public in general, for whose accommodation these tenements were designed, lay here and there, in baskets, staring straight up at the ceiling; but in denoting their degrees in society, and confining them to their respective stations (which experience shows to be lamentably difficult in real life), the makers of these Dolls had far improved on Nature, who is often froward and perverse; for they, not resting on such arbitrary marks as satin, cotton print, and bits of rag, had superadded striking personal differences which allowed of no mistake. Thus, the Doll-lady of distinction had wax limbs of perfect symmetry; but only she and her compeers. The next grade in the social scale being made of leather, and the next of coarse linen stuff. As to the common people, they had just so many matches out of tinder-boxes for their arms and legs, and there they were—established in their sphere at once, beyond the possibility of getting out of it.

Caleb and his daughter were working together in their usual workspace, which also served as their living room. It was a strange place. There were houses in it, some finished and some still being built, for Dolls of all kinds. There were suburban apartments for Dolls with moderate means, kitchens and single rooms for Dolls from the lower class, and upscale townhomes for Dolls of high status. Some of these homes were already furnished to fit the needs of Dolls on a budget; others could be outfitted at a moment’s notice with a whole array of chairs, tables, sofas, beds, and decorations. The nobility, gentry, and the general public, for whom these homes were designed, were lying around in baskets, staring up at the ceiling. However, in distinguishing their social ranks and keeping them in their rightful places—something that is unfortunately tricky in real life—the creators of these Dolls improved significantly on nature, which can often be unpredictable. They didn’t rely on random markers like satin, cotton print, and scraps of cloth; instead, they added noticeable personal traits that made it clear. The distinguished Doll lady had perfectly shaped wax limbs, but only she and her equals. The next level down was made of leather, and below that, of rough linen. As for the common folks, their arms and legs were just made from random pieces of wood, firmly establishing them in their social class without any chance of escaping it.

There were various other samples of his handicraft besides Dolls in Caleb Plummer's room. There were Noah's arks, in which the Birds and Beasts were an uncommonly tight fit, I assure you; though they could be crammed in, anyhow, at the roof, and rattled and shaken into the smallest compass. By a bold poetical licence, most of these Noah's arks had knockers on the doors; inconsistent appendages, perhaps, as suggestive of morning callers and a Postman, yet a pleasant finish to the outside of the building. There were scores of melancholy little carts, which, when the wheels went round, performed most doleful music. Many small fiddles, drums, and other[135] instruments of torture; no end of cannon, shields, swords, spears, and guns. There were little tumblers in red breeches, incessantly swarming up high obstacles of red tape, and coming down, head first, on the other side; and there were innumerable old gentlemen of respectable, not to say venerable appearance, insanely flying over horizontal pegs, inserted, for the purpose, in their own street-doors. There were beasts of all sorts; horses, in particular, of every breed, from the spotted barrel on four pegs with a small tippet for a mane, to the thorough-bred rocker on his highest mettle. As it would have been hard to count the dozens upon dozens of grotesque figures that were ever ready to commit all sorts of absurdities on the turning of a handle, so it would have been no easy task to mention any human folly, vice, or weakness that had not its type, immediate or remote, in Caleb Plummer's room. And not in an exaggerated form, for very little handles will move men and women to as strange performances as any Toy was ever made to undertake.

There were various other examples of his craftsmanship besides dolls in Caleb Plummer's room. There were Noah's arks, where the birds and animals were squeezed in tightly, I promise you; though they could be crammed in somehow at the roof and jostled into the smallest space. By a bold poetic liberty, most of these Noah's arks had knockers on the doors; possibly inconsistent additions, suggesting morning visitors and a postman, yet they added a nice touch to the outside of the structure. There were tons of sad little carts that played the most mournful music when the wheels turned. Many small fiddles, drums, and other instruments of torture; countless cannons, shields, swords, spears, and guns. There were little acrobats in red pants, constantly climbing up high obstacles of red tape and coming down, headfirst, on the other side; and there were countless old gentlemen with respectable, if not venerable, looks, madly flying over horizontal pegs stuck in their own front doors. There were all kinds of animals; horses, in particular, of every type, from the spotted barrel on four pegs with a small tuft for a mane, to the thoroughbred rocker at full speed. It would have been hard to count the dozens upon dozens of bizarre figures ready to perform all sorts of ridiculous acts at the turn of a handle, just as it would have been challenging to name any human folly, vice, or weakness that didn’t have its version, near or far, in Caleb Plummer's room. And not in an exaggerated way, as very little handles can prompt people to as strange performances as any toy was ever designed to undertake.

In the midst of all these objects, Caleb and his daughter sat at work. The Blind Girl busy as a Doll's dressmaker; Caleb painting and glazing the four-pair front of a desirable family mansion.

In the middle of all these items, Caleb and his daughter were hard at work. The Blind Girl was as focused as a doll's dressmaker, while Caleb painted and glazed the front of a four-apartment family house that looked great.

The care imprinted in the lines of Caleb's face, and his absorbed and dreamy manner, which would have sat well on some alchemist or abstruse student, were at first sight an odd contrast to his occupation and the trivialities about him. But trivial things, invented and pursued for bread, become very serious matters of fact: and, apart from this consideration, I am not at all prepared to say, myself, that if Caleb had been a Lord Chamberlain, or a Member of Parliament, or a lawyer, or even a great speculator, he would have dealt in toys one whit less whimsical, while I have a very great doubt whether they would have been as harmless.

The care etched in the lines of Caleb's face, along with his absorbed and dreamy demeanor that would suit an alchemist or a deep-thinking scholar, initially seemed like a strange contrast to his job and the trivial things around him. However, trivial matters pursued for a living can become serious issues, and aside from that, I can’t say that if Caleb had been a Lord Chamberlain, a Member of Parliament, a lawyer, or even a big-time investor, he would have created toys that were any less whimsical. In fact, I seriously doubt they would have been as harmless.

"So you were out in the rain last night, father, in your beautiful new great-coat," said Caleb's daughter.[136]

"So you were out in the rain last night, Dad, in your gorgeous new coat," said Caleb's daughter.[136]

"In my beautiful new great-coat," answered Caleb, glancing towards a clothes-line in the room, on which the sackcloth garment previously described was carefully hung up to dry.

"In my nice new coat," replied Caleb, looking over at a clothesline in the room where the rough garment he had described earlier was hanging up to dry.

"How glad I am you bought it, father!"

"How happy I am you bought it, Dad!"

"And of such a tailor too," said Caleb. "Quite a fashionable tailor. It's too good for me."

"And of such a tailor too," Caleb said. "A really stylish tailor. It's way too good for me."

The Blind Girl rested from her work, and laughed with delight. "Too good, father! What can be too good for you?"

The Blind Girl took a break from her work and laughed joyfully. "Too good, dad! What could be too good for you?"

"I'm half ashamed to wear it, though," said Caleb, watching the effect of what he said upon her brightening face, "upon my word! When I hear the boys and people say behind me, 'Halloa! Here's a swell!' I don't know which way to look. And when the beggar wouldn't go away last night; and, when I said I was a very common man, said, 'No, your Honour! Bless your Honour, don't say that!' I was quite ashamed. I really felt as if I hadn't a right to wear it."

"I'm a bit embarrassed to wear it, though," said Caleb, observing how her face lit up at his words. "Honestly! When I hear the guys and others saying behind me, 'Hey! Look at the fancy guy!' I don’t know where to look. And when the homeless guy wouldn't leave me alone last night; and when I told him I was just an ordinary guy, he said, 'No, your Honor! Please don’t say that!' I felt really ashamed. I actually felt like I didn’t deserve to wear it."

Happy Blind Girl! How merry she was in her exultation!

Happy Blind Girl! How joyful she was in her celebration!

"I see you, father," she said, clasping her hands, "as plainly as if I had the eyes I never want when you are with me. A blue coat——"

"I see you, Dad," she said, clasping her hands, "just as clearly as if I had the eyes I never want when you're here with me. A blue coat——"

"Bright blue," said Caleb.

"Bright blue," Caleb said.

"Yes, yes! Bright blue!" exclaimed the girl, turning up her radiant face; "the colour I can just remember in the blessed sky! You told me it was blue before! A bright blue coat——"

"Yes, yes! Bright blue!" the girl exclaimed, lifting her shining face. "The color I can just remember from the beautiful sky! You told me it was blue before! A bright blue coat—"

"Made loose to the figure," suggested Caleb.

"Made loose to fit," suggested Caleb.

"Yes! loose to the figure!" cried the Blind Girl, laughing heartily; "and in it, you, dear father, with your merry eye, your smiling face, your free step, and your dark hair—looking so young and handsome!"

"Yes! Look at you in the picture!" the Blind Girl exclaimed, laughing joyfully; "and there you are, dear Dad, with your cheerful eyes, your smiling face, your easy stride, and your dark hair—looking so young and handsome!"

"Halloa! Halloa!" said Caleb. "I shall be vain presently!"

"Hello! Hello!" said Caleb. "I'll be feeling pretty proud soon!"

"I think you are already," cried the Blind Girl, pointing at him in her glee. "I know you, father! Ha, ha, ha! I've found you out, you see!"

"I think you are already," shouted the Blind Girl, pointing at him in her excitement. "I know you, father! Ha, ha, ha! I've figured you out, you see!"

How different the picture in her mind, from Caleb, as he sat[137] observing her! She had spoken of his free step. She was right in that. For years and years he had never once crossed that threshold at his own slow pace, but with a footfall counterfeited for her ear; and never had he, when his heart was heaviest, forgotten the light tread that was to render hers so cheerful and courageous!

How different her mental image of Caleb was as he sat[137] observing her! She had mentioned his confident stride. She was right about that. For years and years, he had never crossed that threshold at his own leisurely pace, but rather with a step tailored for her to hear; and he had never, even when his heart felt the heaviest, forgotten to tread lightly so that hers could be so cheerful and brave!

Heaven knows! But I think Caleb's vague bewilderment of manner may have half originated in his having confused himself about himself and everything around him, for the love of his Blind Daughter. How could the little man be otherwise than bewildered, after labouring for so many years to destroy his own identity, and that of all the objects that had any bearing on it?

Heaven knows! But I think Caleb's vague confusion might partly come from his having mixed up his own identity and everything around him because of his love for his Blind Daughter. How could the little man not be confused after working for so many years to erase his own sense of self and everything related to it?

"There we are," said Caleb, falling back a pace or two to form the better judgment of his work; "as near the real thing as sixpenn'orth of halfpence is to sixpence. What a pity that the whole front of the house opens at once! If there was only a staircase in it now, and regular doors to the rooms to go in at! But that's the worst of my calling, I'm always deluding myself, and swindling myself."

"There we are," said Caleb, stepping back a bit to assess his work better. "It's as close to the real deal as a handful of pennies is to a proper sixpence. What a shame that the entire front of the house opens up all at once! If only there were a staircase in here and proper doors to go into the rooms! But that's the problem with my job; I'm always fooling myself and getting taken in by my own tricks."

"You are speaking quite softly. You are not tired, father?"

"You’re speaking really softly. You’re not tired, dad?"

"Tired!" echoed Caleb with a great burst of animation. "What should tire me, Bertha? I was never tired. What does it mean?"

"Tired!" Caleb exclaimed with a burst of energy. "What should make me tired, Bertha? I was never tired. What does that even mean?"

To give the greater force to his words, he checked himself in an involuntary imitation of two half-length stretching and yawning figures on the mantel-shelf, who were represented as in one eternal state of weariness from the waist upwards; and hummed a fragment of a song. It was a Bacchanalian song, something about a Sparkling Bowl. He sang it with an assumption of a Devil-may-care voice, that made his face a thousand times more meagre and more thoughtful than ever.

To emphasize his words, he caught himself mimicking two half-length stretching and yawning figures on the mantel, who looked perpetually tired from the waist up; and he hummed a bit of a song. It was a party anthem, something about a Sparkling Bowl. He sang it with a carefree tone that made his face seem a thousand times thinner and more pensive than usual.

"What! You're singing, are you?" said Tackleton, putting his head in at the door. "Go it! I can't sing."[138]

"What! You're singing, huh?" said Tackleton, sticking his head in the door. "Keep it up! I can’t sing."[138]

Nobody would have suspected him of it. He hadn't what is generally termed a singing face, by any means.

Nobody would have guessed it. He definitely didn’t have what you would generally call a singing face.

"I can't afford to sing," said Tackleton. "I'm glad you can. I hope you can afford to work too. Hardly time for both, I should think?"

"I can't afford to sing," Tackleton said. "I’m glad you can. I hope you can afford to work too. I would think there’s hardly time for both?"

"If you could only see him, Bertha, how he's winking at me!" whispered Caleb. "Such a man to joke! You'd think, if you didn't know him, he was in earnest—wouldn't you now?"

"If you could just see him, Bertha, how he's winking at me!" Caleb whispered. "What a guy for jokes! You'd think, if you didn't know him, he was serious—wouldn't you?"

The Blind Girl smiled and nodded.

The Blind Girl smiled and nodded.

"The bird that can sing and won't sing must be made to sing, they say," grumbled Tackleton. "What about the owl that can't sing, and oughtn't to sing, and will sing; is there anything that he should be made to do?"

"The bird that can sing and won't sing must be made to sing, they say," grumbled Tackleton. "What about the owl that can't sing, shouldn't sing, and will sing; is there anything that he should be made to do?"

"The extent to which he's winking at this moment!" whispered Caleb to his daughter. "Oh, my gracious!"

"The extent to which he's winking at this moment!" Caleb whispered to his daughter. "Oh, my goodness!"

"Always merry and light-hearted with us!" cried the smiling Bertha.

"Always cheerful and happy with us!" exclaimed the smiling Bertha.

"Oh! you're there, are you?" answered Tackleton. "Poor Idiot!"

"Oh! You're here, are you?" replied Tackleton. "Poor fool!"

He really did believe she was an Idiot; and he founded the belief, I can't say whether consciously or not, upon her being fond of him.

He honestly thought she was an idiot, and he based that belief, whether he realized it or not, on her being fond of him.

"Well! and being there,—how are you?" said Tackleton in his grudging way.

"Well! So, now that we're here—how are you?" said Tackleton in his begrudging tone.

"Oh! well; quite well! And as happy as even you can wish me to be. As happy as you would make the whole world, if you could!"

"Oh! well; really good! And as happy as you could possibly want me to be. As happy as you’d make the entire world, if you had the chance!"

"Poor Idiot!" muttered Tackleton. "No gleam of reason. Not a gleam!"

"Poor idiot!" muttered Tackleton. "Not a bit of reason. Not a bit!"

The Blind Girl took his hand and kissed it; held it for a moment in her own two hands; and laid her cheek against it tenderly before releasing it. There was such unspeakable affection and such fervent gratitude in the act, that Tackleton himself was moved to say, in a milder growl than usual:[139]

The Blind Girl took his hand and kissed it; held it for a moment in her two hands; and pressed her cheek against it gently before letting it go. There was such deep love and intense gratitude in the gesture that Tackleton was moved to say, in a softer growl than usual:[139]

"What's the matter now?"

"What's wrong now?"

"I stood it close beside my pillow when I went to sleep last night, and remembered it in my dreams. And when the day broke, and the glorious red sun—the red sun, father?"

"I placed it right next to my pillow when I went to sleep last night and thought about it in my dreams. And when morning came, and the beautiful red sun—the red sun, dad?"

"Red in the mornings and the evenings, Bertha," said poor Caleb with a woeful glance at his employer.

"Red in the mornings and the evenings, Bertha," said poor Caleb with a sad look at his boss.

"When it rose, and the bright light I almost fear to strike myself against in walking, came into the room, I turned the little tree towards it, and blessed Heaven for making things so precious, and blessed you for sending them to cheer me!"

"When it rose, and the bright light I almost fear to walk into came into the room, I turned the little tree towards it, and thanked Heaven for making things so precious, and thanked you for sending them to cheer me!"

"Bedlam broke loose!" said Tackleton under his breath. "We shall arrive at the strait-waistcoat and mufflers soon. We're getting on!"

"Chaos erupted!" said Tackleton quietly. "We'll be at the straightjacket and restraints soon. We're making progress!"

Caleb, with his hands hooked loosely in each other, stared vacantly before him while his daughter spoke, as if he really were uncertain (I believe he was) whether Tackleton had done anything to deserve her thanks or not. If he could have been a perfectly free agent at that moment, required, on pain of death, to kick the toy merchant, or fall at his feet, according to his merits, I believe it would have been an even chance which course he would have taken. Yet Caleb knew that with his own hands he had brought the little rose-tree home for her so carefully, and that with his own lips he had forged the innocent deception which should help to keep her from suspecting how much, how very much, he every day denied himself, that she might be happier.

Caleb, with his hands loosely intertwined, stared blankly ahead while his daughter spoke, as if he genuinely didn't know (I think he didn't) whether Tackleton had done anything to earn her gratitude or not. If he had been completely free to choose at that moment, forced to either kick the toy merchant or fall at his feet based on his worth, I believe it could have gone either way. Yet Caleb was aware that he had carefully brought the little rose-tree home for her himself, and that he had created the innocent lie to help her not realize just how much, how very much, he sacrificed every day for her happiness.

"Bertha!" said Tackleton, assuming, for the nonce, a little cordiality. "Come here."

"Bertha!" said Tackleton, pretending to be a bit friendly for a moment. "Come here."

"Oh, I can come straight to you! You needn't guide me!" she rejoined.

"Oh, I can come right to you! You don't need to lead me!" she replied.

"Shall I tell you a secret, Bertha?"

"Can I share a secret with you, Bertha?"

"If you will!" she answered eagerly.

"If you will!" she replied eagerly.

How bright the darkened face! How adorned with light the listening head![140]

How bright the shadowed face! How decorated with light the attentive head![140]

"This is the day on which little what's-her-name, the spoilt child, Peerybingle's wife, pays her regular visit to you—makes her fantastic Picnic here, an't it?" said Tackleton with a strong expression of distaste for the whole concern.

"This is the day when that little what's-her-name, the spoiled kid, Peerybingle's wife, comes over to visit you—sets up her ridiculous Picnic here, right?" said Tackleton with a clear look of disgust for the whole situation.

"Yes," replied Bertha. "This is the day."

"Yeah," Bertha replied. "This is the day."

"I thought so," said Tackleton. "I should like to join the party."

"I thought so," Tackleton said. "I'd like to join the group."

"Do you hear that, father?" cried the Blind Girl in an ecstasy.

"Do you hear that, Dad?" exclaimed the Blind Girl excitedly.

"Yes, yes, I hear it," murmured Caleb with the fixed look of a sleep-walker; "but I don't believe it. It's one of my lies, I've no doubt."

"Yeah, yeah, I hear it," murmured Caleb with the blank expression of a sleepwalker; "but I don't believe it. It's definitely one of my lies."

"You see I—I want to bring the Peerybingles a little more into company with May Fielding," said Tackleton. "I'm going to be married to May."

"You see, I—I want to get the Peerybingles to spend a bit more time with May Fielding," said Tackleton. "I'm going to marry May."

"Married!" cried the Blind Girl, starting from him.

"Married!" exclaimed the Blind Girl, pulling back from him.

"She's such a con-founded idiot," muttered Tackleton, "that I was afraid she'd never comprehend me. Ah, Bertha! Married! Church, parson, clerk, beadle, glass coach, bells, breakfast, bridecake, favours, marrow-bones, cleavers, and all the rest of the tomfoolery. A wedding, you know; a wedding. Don't you know what a wedding is?"

"She's such a damn idiot," muttered Tackleton, "that I was worried she'd never get what I meant. Ah, Bertha! Married! Church, minister, clerk, beadle, fancy carriage, bells, breakfast, wedding cake, favors, marrow bones, cleavers, and all that nonsense. A wedding, you know; a wedding. Don’t you know what a wedding is?"

"I know," replied the Blind Girl in a gentle tone. "I understand!"

"I know," replied the Blind Girl softly. "I get it!"

"Do you?" muttered Tackleton. "It's more than I expected. Well! On that account I want to join the party, and to bring May and her mother. I'll send in a little something or other, before the afternoon. A cold leg of mutton, or some comfortable trifle of that sort. You'll expect me?"

"Do you?" muttered Tackleton. "It's more than I expected. Well! Because of that, I want to join the party and bring May and her mother. I'll send over a little something before the afternoon. A cold leg of mutton, or some nice snack like that. You'll be expecting me?"

"Yes," she answered.

"Yeah," she replied.

She had drooped her head, and turned away; and so stood, with her hands crossed, musing.

She had lowered her head and turned away; and there she stood, with her arms crossed, lost in thought.

"I don't think you will," muttered Tackleton, looking at her; "for you seem to have forgotten all about it already. Caleb!"[141]

"I don't think you will," muttered Tackleton, looking at her; "because it seems like you've already forgotten all about it. Caleb!"[141]

"I may venture to say I'm here, I suppose," thought Caleb. "Sir!"

"I guess I can say I'm here," thought Caleb. "Sir!"

"Take care she don't forget what I've been saying to her."

"Make sure she doesn't forget what I've been telling her."

"She never forgets," returned Caleb. "It's one of the few things she an't clever in."

"She never forgets," Caleb replied. "It's one of the few things she isn't good at."

"Every man thinks his own geese swans," observed the toy merchant with a shrug. "Poor devil!"

"Everyone thinks their own geese are swans," the toy merchant said with a shrug. "What a poor guy!"

Having delivered himself of which remark with infinite contempt, old Gruff and Tackleton withdrew.

Having expressed his disdain with utter contempt, old Gruff and Tackleton left.

Bertha remained where he had left her, lost in meditation. The gaiety had vanished from her downcast face, and it was very sad. Three or four times she shook her head, as if bewailing some remembrance or some loss; but her sorrowful reflections found no vent in words.

Bertha stayed where he had left her, deep in thought. The happiness had disappeared from her sad face, and it looked very bleak. A few times she shook her head, as if mourning some memory or loss; but her sorrowful thoughts didn’t come out in words.

It was not until Caleb had been occupied some time in yoking a team of horses to a waggon by the summary process of nailing the harness to the vital parts of their bodies, that she drew near to his working-stool, and, sitting down beside him, said:

It wasn't until Caleb had spent a while getting a team of horses hitched to a wagon by the straightforward method of nailing the harness to their crucial body parts that she walked over to his workbench, sat down next to him, and said:

"Father, I am lonely in the dark. I want my eyes, my patient, willing eyes."

"Father, I feel so alone in the dark. I want my eyes, my patient, willing eyes."

"Here they are," said Caleb. "Always ready. They are more yours than mine, Bertha, any hour in the four-and-twenty. What shall your eyes do for you, dear?"

"Here they are," said Caleb. "Always ready. They belong to you more than to me, Bertha, at any hour of the day. What can I do for you, dear?"

"Look round the room, father."

"Look around the room, Dad."

"All right," said Caleb. "No sooner said than done, Bertha."

"Okay," said Caleb. "As soon as you say it, it's done, Bertha."

"Tell me about it."

"Tell me more."

"It's much the same as usual," said Caleb. "Homely, but very snug. The gay colours on the walls; the bright flowers on the plates and dishes; the shining wood, where there are beams or panels; the general cheerfulness and neatness of the building,—make it very pretty."

"It's pretty much the same as always," said Caleb. "Cozy, but very comfortable. The vibrant colors on the walls, the bright flowers on the plates and dishes, the polished wood on the beams or panels, and the overall cheerfulness and tidiness of the place—make it really nice."

Cheerful and neat it was, wherever Bertha's hands could[142] busy themselves. But nowhere else were cheerfulness and neatness possible in the old crazy shed which Caleb's fancy so transformed.

Cheerful and tidy it was, wherever Bertha's hands could[142] keep busy. But nowhere else could cheerfulness and tidiness thrive in the old, chaotic shed that Caleb's imagination had so changed.

"You have your working dress on, and are not so gallant as when you wear the handsome coat?" said Bertha, touching him.

"You have your work clothes on, and you're not as stylish as when you wear that nice coat?" said Bertha, reaching out to him.

"Not quite so gallant," answered Caleb. "Pretty brisk, though."

"Not exactly that brave," replied Caleb. "But definitely quick."

"Father," said the Blind Girl, drawing close to his side, and stealing one arm round his neck, "tell me something about May. She is very fair?"

"Father," said the Blind Girl, moving closer to him and wrapping one arm around his neck, "tell me something about May. She's really beautiful, right?"

"She is indeed," said Caleb. And she was indeed. It was quite a rare thing to Caleb not to have to draw on his invention.

"She really is," said Caleb. And she really was. It was pretty rare for Caleb not to have to rely on his imagination.

"Her hair is dark," said Bertha pensively, "darker than mine. Her voice is sweet and musical, I know. I have often loved to hear it. Her shape——"

"Her hair is dark," Bertha said thoughtfully, "darker than mine. Her voice is sweet and melodic, I know. I've often loved to hear it. Her figure——"

"There's not a Doll's in all the room to equal it," said Caleb. "And her eyes!——"

"There's no doll in the whole room that can compare," Caleb said. "And her eyes!—"

He stopped; for Bertha had drawn closer round his neck, and, from the arm that clung about him, came a warning pressure which he understood too well.

He stopped; because Bertha had moved closer around his neck, and from the arm that was wrapped around him, he felt a warning pressure that he understood all too well.

He coughed a moment, hammered for a moment, and then fell back upon the song about the sparkling bowl, his infallible resource in all such difficulties.

He coughed for a second, paused for a moment, and then fell back on the song about the sparkling bowl, his reliable go-to in all these tough situations.

"Our friend, father, our benefactor. I am never tired, you know, of hearing about him.—Now, was I ever?" she said hastily.

"Our friend, father, our supporter. I'm never tired, you know, of hearing about him.—Now, was I ever?" she said quickly.

"Of course not," answered Caleb, "and with reason."

"Of course not," Caleb replied, "and for good reason."

"Ah! With how much reason!" cried the Blind Girl. With such fervency, that Caleb, though his motives were so pure, could not endure to meet her face; but dropped his eyes, as if she could have read in them his innocent deceit.

"Ah! How right you are!" exclaimed the Blind Girl. With such intensity that Caleb, despite his pure intentions, couldn’t bring himself to look her in the eyes; he lowered his gaze, as if she could see the innocent trickery in them.

"Then tell me again about him, dear father," said Bertha. "Many times again! His face is benevolent, kind, and tender.[143] Honest and true, I am sure it is. The manly heart that tries to cloak all favours with a show of roughness and unwillingness, beats in its every look and glance."

"Then tell me about him again, dear dad," said Bertha. "How many times do you want to hear? His face is friendly, kind, and gentle.[143] I’m sure he’s honest and genuine. The strong heart that tries to hide all kindness behind a tough exterior is evident in every look and glance."

"And makes it noble," added Caleb in his quiet desperation.

"And makes it noble," Caleb added, his quiet desperation evident.

"And makes it noble," cried the Blind Girl. "He is older than May, father."

"And makes it noble," shouted the Blind Girl. "He's older than May, dad."

"Ye-es," said Caleb reluctantly. "He's a little older than May. But that don't signify."

"Yeah," said Caleb hesitantly. "He's a bit older than May. But that doesn't matter."

"Oh, father, yes! To be his patient companion in infirmity and age; to be his gentle nurse in sickness, and his constant friend in suffering and sorrow; to know no weariness in working for his sake; to watch him, tend him, sit beside his bed and talk to him awake, and pray for him asleep; what privileges these would be! What opportunities for proving all her truth and her devotion to him! Would she do all this, dear father?"

"Oh, dad, yes! To be his caring companion in illness and old age; to be his kind nurse when he’s sick, and his loyal friend in times of pain and sadness; to never feel tired working for him; to watch over him, take care of him, sit by his bed and talk to him when he’s awake, and pray for him when he’s asleep; what amazing privileges these would be! What chances to show all her love and commitment to him! Would she really do all this, dear dad?"

"No doubt of it," said Caleb.

"No doubt about it," said Caleb.

"I love her, father; I can love her from my soul!" exclaimed the Blind Girl. And, saying so, she laid her poor blind face on Caleb's shoulder, and so wept and wept, that he was almost sorry to have brought that tearful happiness upon her.

"I love her, Dad; I can love her with all my heart!" the Blind Girl exclaimed. As she said this, she rested her poor, blind face on Caleb's shoulder and cried and cried, leaving him almost regretting that he had brought her this tearful happiness.

In the meantime there had been a pretty sharp commotion at John Peerybingle's, for little Mrs. Peerybingle naturally couldn't think of going anywhere without the Baby; and to get the Baby under way took time. Not that there was much of the Baby, speaking of it as a thing of weight and measure, but there was a vast deal to do about and about it, and it all had to be done by easy stages. For instance, when the Baby was got, by hook and by crook, to a certain point of dressing, and you might have rationally supposed that another touch or two would finish him off, and turn him out a tiptop Baby challenging the world, he was unexpectedly extinguished in a flannel cap, and hustled off to bed; where he simmered (so to speak) between two blankets for the best part of an hour. From this state of inaction he was then recalled, shining very much and roaring[144] violently, to partake of—well? I would rather say, if you'll permit me to speak generally—of a slight repast. After which he went to sleep again. Mrs. Peerybingle took advantage of this interval, to make herself as smart in a small way as ever you saw anybody in all your life; and, during the same short truce, Miss Slowboy insinuated herself into a spencer of a fashion so surprising and ingenious, that it had no connection with herself, or anything else in the universe, but was a shrunken, dog's-eared, independent fact, pursuing its lonely course without the least regard to anybody. By this time, the Baby, being all alive again, was invested, by the united efforts of Mrs. Peerybingle and Miss Slowboy, with a cream-coloured mantle for its body, and a sort of nankeen raised pie for its head; and so, in course of time, they all three got down to the door, where the old horse had already taken more than the full value of his day's toll out of the Turnpike Trust, by tearing up the road with his impatient autographs; and whence Boxer might be dimly seen in the remote perspective, standing looking back, and tempting him to come on without orders.

In the meantime, things had gotten pretty hectic at John Peerybingle's house because little Mrs. Peerybingle naturally couldn't think of going anywhere without the Baby; and getting the Baby ready took time. Not that the Baby was particularly heavy, but there was a lot to do in relation to it, and everything had to be done in easy steps. For instance, when they finally managed to get the Baby dressed to a certain point, and you might have reasonably thought that just a touch or two more would make him look like a first-rate Baby ready to take on the world, he was unexpectedly wrapped up in a flannel cap and rushed off to bed, where he simmered (so to speak) between two blankets for the best part of an hour. After this period of stillness, he was then brought back, looking quite shiny and screaming loudly, to enjoy—well? I'd rather say, if you'll allow me to be vague—just a light meal. After that, he went to sleep again. Mrs. Peerybingle took advantage of this pause to tidy herself up as neatly as anyone could possibly look; and during this brief respite, Miss Slowboy managed to put on a spencer in such a surprising and clever way that it had nothing to do with her, or anything else in the world, but was a shrunken, dog-eared, independent item, following its own path without any regard for anyone else. By this time, the Baby, wide awake again, had been dressed by the combined efforts of Mrs. Peerybingle and Miss Slowboy in a cream-colored mantle for its body and a sort of nankeen pie for its head; and eventually, the three of them made their way to the door, where the old horse had already gotten more than his fair share of the day's toll from the Turnpike Trust by tearing up the road with his impatient hoofprints; and from there, Boxer could be seen in the distance, looking back and urging him to come on without waiting for orders.

As to a chair, or anything of that kind for helping Mrs. Peerybingle into the cart, you know very little of John, if you think that was necessary. Before you could have seen him lift her from the ground, there she was in her place, fresh and rosy, saying, "John! How can you? Think of Tilly!"

As for a chair or anything like that to help Mrs. Peerybingle into the cart, you don't know John very well if you think that was needed. Before you could even see him lift her off the ground, she was already in her spot, looking fresh and rosy, saying, "John! How can you? Think of Tilly!"

If I might be allowed to mention a young lady's legs on any terms, I would observe of Miss Slowboy's that there was a fatality about them which rendered them singularly liable to be grazed; and that she never effected the smallest ascent or descent without recording the circumstance upon them with a notch, as Robinson Crusoe marked the days upon his wooden calendar. But, as this might be considered ungenteel, I'll think of it.

If I can mention a young lady's legs at all, I would say that Miss Slowboy's legs had an unfortunate tendency to get scraped; and she never made the slightest climb or descent without leaving a mark on them, just like Robinson Crusoe marked the days on his wooden calendar. But since this might be seen as impolite, I'll keep that to myself.

"John! You've got the basket with the Veal and Ham Pie and things, and the bottles of Beer?" said Dot. "If you haven't you must turn round again this very minute."[145]

"John! Do you have the basket with the Veal and Ham Pie and everything else, along with the bottles of Beer?" Dot asked. "If not, you need to turn around right now."[145]

"You're a nice little article," returned the Carrier, "to be talking about turning round, after keeping me a full quarter of an hour behind my time."

"You're a nice little piece," said the Carrier, "to be talking about turning around after keeping me a whole fifteen minutes late."

"I am sorry for it, John," said Dot in a great bustle, "but I really could not think of going to Bertha's—I would not do it, John, on any account—without the Veal and Ham Pie and things, and the bottles of Beer. Way!"

"I’m really sorry about this, John," Dot said, flustered, "but I honestly can’t think about going to Bertha’s—I wouldn’t do it, John, for anything—without the Veal and Ham Pie and all that, and the bottles of Beer. Seriously!"

This monosyllable was addressed to the horse, who didn't mind it at all.

This single syllable was directed at the horse, who didn't care at all.

"Oh, do way, John!" said Mrs. Peerybingle. "Please!"

"Oh, come on, John!" said Mrs. Peerybingle. "Please!"

"It'll be time enough to do that," returned John, "when I begin to leave things behind me. The basket's safe enough."

"It'll be the right time to do that," John replied, "when I start to leave things behind. The basket's safe enough."

"What a hard-hearted monster you must be, John, not to have said so at once, and save me such a turn! I declare I wouldn't go to Bertha's without the Veal and Ham Pie and things, and the bottles of Beer, for any money. Regularly once a fortnight ever since we have been married, John, have we made our little Picnic there. If anything was to go wrong with it, I should almost think we were never to be lucky again."

"What a callous jerk you must be, John, for not saying so right away and saving me from this surprise! I swear I wouldn't go to Bertha's without the Veal and Ham Pie and stuff, and the bottles of Beer, for any amount of money. We've gone there for our little Picnic every other week since we got married, John. If anything goes wrong with it, I would almost think we’d never be lucky again."

"It was a kind thought in the first instance," said the Carrier; "and I honour you for it, little woman."

"It was a thoughtful gesture at first," said the Carrier; "and I respect you for it, little lady."

"My dear John!" replied Dot, turning very red. "Don't talk about honouring me. Good gracious!"

"My dear John!" replied Dot, turning bright red. "Don't talk about honoring me. Good gracious!"

"By-the-bye"—observed the Carrier—"that old gentleman——"

"By the way"—observed the Carrier—"that old man——"

Again so visibly and instantly embarrassed!

Again so clearly and quickly embarrassed!

"He's an odd fish," said the Carrier, looking straight along the road before them. "I can't make him out. I don't believe there's any harm in him."

"He's a strange guy," said the Carrier, staring straight down the road in front of them. "I can't figure him out. I don't think he means any harm."

"None at all. I'm—I'm sure there's none at all."

"Not at all. I—I'm sure there's none whatsoever."

"Yes," said the Carrier, with his eyes attracted to her face by the great earnestness of her manner. "I am glad you feel so certain of it, because it's a confirmation to me. It's curious[146] that he should have taken it into his head to ask leave to go on lodging with us; an't it? Things come about so strangely."

"Yeah," said the Carrier, his attention drawn to her face by her intense seriousness. "I’m glad you’re so sure about it because it confirms what I was thinking. It’s strange[146] that he decided to ask to continue staying with us, isn’t it? Things happen in such weird ways."

"So very strangely," she rejoined in a low voice, scarcely audible.

"So very strangely," she replied in a low voice, barely audible.

"However, he's a good-natured old gentleman," said John, "and pays as a gentleman, and I think his word is to be relied upon, like a gentleman's. I had quite a long talk with him this morning: he can hear me better already, he says, as he gets more used to my voice. He told me a great deal about himself, and I told him a good deal about myself, and a rare lot of questions he asked me. I gave him information about my having two beats, you know, in my business; one day to the right from our house and back again; another day to the left from our house and back again (for he's a stranger, and don't know the names of places about here); and he seemed quite pleased. 'Why, then I shall be returning home to-night your way,' he says, 'when I thought you'd be coming in an exactly opposite direction. That's capital! I may trouble you for another lift, perhaps, but I'll engage not to fall so sound asleep again.' He was sound asleep, sure-ly!—Dot! what are you thinking of?"

"However, he's a really nice old guy," said John, "and he pays like a gentleman, and I think his word is trustworthy, just like any gentleman's. I had quite a long chat with him this morning: he says he can hear me better now that he's getting used to my voice. He shared a lot about himself, and I shared quite a bit about me, and he asked me a ton of questions. I gave him details about my having two routes, you know, for my work; one day I go to the right from our house and back, and the next day to the left and back (since he's new around here and doesn’t know the names of places); and he seemed pretty happy about that. 'Well, I’ll be heading home tonight your way,' he says, 'when I thought you’d be coming from the opposite direction. That's great! I might ask you for a ride again, but I promise not to fall so deeply asleep this time.' He was out cold, for sure!—Dot! what are you thinking about?"

"Thinking of, John? I—I was listening to you."

"Thinking about, John? I—I was hearing you."

"Oh! That's all right!" said the honest Carrier. "I was afraid, from the look of your face, that I had gone rambling on so long as to set you thinking about something else. I was very near it, I'll be bound."

"Oh! That's fine!" said the honest Carrier. "I was worried, from the look on your face, that I had been talking for so long that it made you start thinking about something else. I was really close to that, I’m sure."

Dot making no reply, they jogged on, for some little time, in silence. But, it was not easy to remain silent very long in John Peerybingle's cart, for everybody on the road had something to say. Though it might only be "How are you?" and, indeed, it was very often nothing else, still, to give that back again in the right spirit of cordiality, required, not merely a nod and a smile, but as wholesome an action of the lungs withal as a long-winded Parliamentary speech. Sometimes, passengers on foot, or horseback, plodded on a little way beside the cart, for[147] the express purpose of having a chat; and then there was a great deal to be said on both sides.

Dot didn't say anything, so they kept going in silence for a little while. But it wasn't easy to stay quiet for long in John Peerybingle's cart since everyone on the road had something to say. Even if it was just "How are you?"—which was often the case—responding in a genuinely friendly way took more than just a nod and a smile; it called for a good, hearty effort, almost like delivering a long-winded speech in Parliament. Sometimes, people on foot or horseback would walk alongside the cart for the specific reason of having a chat, and then there was plenty to discuss on both sides.

Then, Boxer gave occasion to more good-natured recognitions of, and by, the Carrier, than half-a-dozen Christians could have done! Everybody knew him all along the road—especially the fowls and pigs, who, when they saw him approaching, with his body all on one side, and his ears pricked up inquisitively, and that knob of a tail making the most of itself in the air, immediately withdrew into remote back-settlements, without waiting for the honour of a nearer acquaintance. He had business elsewhere; going down all the turnings, looking into all the wells, bolting in and out of all the cottages, dashing into the midst of all the Dame Schools, fluttering all the pigeons, magnifying the tails of all the cats, and trotting into the public-houses like a regular customer. Wherever he went, somebody or other might have been heard to cry, "Halloa! here's Boxer!" and out came that somebody forthwith, accompanied by at least two or three other somebodies, to give John Peerybingle and his pretty wife Good day.

Then, Boxer got more friendly recognition from the Carrier and others than a dozen people could manage! Everyone knew him along the road—especially the fowls and pigs, who, when they spotted him coming with his body leaning to one side, ears perked up curiously, and that tail of his proudly wagging in the air, quickly retreated to distant spots, not waiting to get to know him better. He had things to do; checking all the paths, peering into every well, popping in and out of all the cottages, rushing into all the Dame Schools, startling all the pigeons, making all the cats puff up their tails, and walking into the pubs like he was a regular. Wherever he went, you could hear someone yell, "Hey! there's Boxer!" and out would come that someone right away, usually with two or three others, to greet John Peerybingle and his lovely wife.

The packages and parcels for the errand cart were numerous; and there were many stoppages to take them in and give them out, which were not by any means the worst parts of the journey. Some people were so full of expectation about their parcels, and other people were so full of wonder about their parcels, and other people were so full of inexhaustible directions about their parcels, and John had such a lively interest in all the parcels, that it was as good as a play. Likewise, there were articles to carry, which required to be considered and discussed, and in reference to the adjustment and disposition of which councils had to be holden by the Carrier and the senders: at which Boxer usually assisted, in short fits of the closest attention, and long fits of tearing round and round the assembled sages, and barking himself hoarse. Of all these little incidents, Dot was the amused and open-eyed spectatress from her chair in the cart;[148] and as she sat there, looking on—a charming little portrait framed to admiration by the tilt—there was no lack of nudgings and glancings and whisperings and envyings among the younger men. And this delighted John the Carrier beyond measure; for he was proud to have his little wife admired, knowing that she didn't mind it—that, if anything, she rather liked it perhaps.

The packages and parcels for the delivery cart were plentiful, and there were many stops to pick them up and drop them off, which were definitely not the worst parts of the trip. Some people were so eager about their packages, while others were filled with curiosity about them, and some were giving endless instructions about their parcels. John had such a keen interest in all the packages that it felt like a performance. There were also items to carry that needed to be considered and discussed, and decisions had to be made by the Carrier and the senders about how to organize them; in these meetings, Boxer usually helped, alternating between being intensely focused and running around barking hoarsely at the gathered group. Amid all these little moments, Dot watched with amusement from her seat in the cart; and as she sat there, framed by the tilt of the cart—a charming little portrait—there was no shortage of nudges, glances, whispers, and envy among the younger men. This delighted John the Carrier immensely because he was proud to see his little wife admired, knowing she didn’t mind it—and if anything, she perhaps enjoyed it a little.

The trip was a little foggy, to be sure, in the January weather; and was raw and cold. But who cared for such trifles? Not Dot, decidedly. Not Tilly Slowboy, for she deemed sitting in a cart, on any terms, to be the highest point of human joys; the crowning circumstance of earthly hope. Not the Baby, I'll be sworn; for it's not in Baby nature to be warmer or more sound asleep, though its capacity is great in both respects, than that blessed young Peerybingle was, all the way.

The trip was definitely a bit foggy in the January weather and pretty chilly. But who cared about little things like that? Not Dot, for sure. Not Tilly Slowboy, because she thought sitting in a cart, no matter what, was the absolute best joy in life; the ultimate experience of hope. And not the Baby, I can assure you; because it’s just not in a Baby’s nature to be any warmer or more deeply asleep, though it has a great capacity for both, than that lucky young Peerybingle was the entire way.

You couldn't see very far in the fog, of course; but you could see a great deal! It's astonishing how much you may see in a thicker fog than that, if you will only take the trouble to look for it. Why, even to sit watching for the Fairyrings in the fields, and for the patches of hoar frost still lingering in the shade, near hedges and by trees, was a pleasant occupation, to make no mention of the unexpected shapes in which the trees themselves came starting out of the mist, and glided into it again. The hedges were tangled and bare, and waved a multitude of blighted garlands in the wind; but there was no discouragement in this. It was agreeable to contemplate; for it made the fireside warmer in possession, and the summer greener in expectancy. The river looked chilly; but it was in motion, and moving at a good pace—which was a great point. The canal was rather slow and torpid; that must be admitted. Never mind. It would freeze the sooner when the frost set fairly in, and then there would be skating and sliding; and the heavy old barges, frozen up somewhere near a wharf, would smoke their rusty iron chimney-pipes all day, and have a lazy time of it.[149]

You couldn't see very far in the fog, of course; but you could see a lot! It's amazing how much you can notice in a denser fog than this, if you just take the time to look for it. Honestly, even sitting and waiting for the fairy rings in the fields and the patches of frost still hanging around in the shade, near the hedges and trees, was a nice way to spend time—not to mention the unexpected shapes of the trees appearing out of the mist and vanishing back into it. The hedges were tangled and bare, swaying with a bunch of withered garlands in the wind; but that was no reason to feel down. It was nice to think about; it made the fireside feel warmer and the summer seem greener in anticipation. The river looked chilly; but it was flowing, moving along at a good pace—which was a big plus. The canal was a bit slow and sluggish; I'll grant that. But who cares? It would freeze sooner when the frost set in for real, and then there would be skating and sliding, and the heavy old barges, stuck somewhere near a wharf, would puff out their rusty iron chimney smoke all day and take it easy.[149]

In one place there was a great mound of weeds or stubble burning; and they watched the fire, so white in the daytime, flaring through the fog, with only here and there a dash of red in it, until, in consequence, as she observed, of the smoke "getting up her nose," Miss Slowboy choked—she could do anything of that sort, on the smallest provocation—and woke the Baby, who wouldn't go to sleep again. But Boxer, who was in advance some quarter of a mile or so, had already passed the outposts of the town, and gained the corner of the street where Caleb and his daughter lived; and, long before they had reached the door, he and the Blind Girl were on the pavement waiting to receive them.

In one place, there was a huge pile of weeds or stubble burning, and they stood watching the fire, which was so bright in the daytime, flaring through the fog, with just a few hints of red mixed in. Because of the smoke "getting up her nose," as Miss Slowboy pointed out, she started choking—she had a talent for that under the slightest provocation—and woke the Baby, who wouldn't settle down again. Meanwhile, Boxer, who was a quarter of a mile ahead, had already passed the outskirts of the town and reached the corner of the street where Caleb and his daughter lived. By the time they got to the door, he and the Blind Girl were already on the sidewalk waiting to greet them.

Boxer, by the way, made certain delicate distinctions of his own, in his communication with Bertha, which persuade me fully that he knew her to be blind. He never sought to attract her attention by looking at her, as he often did with other people, but touched her invariably. What experience he could ever have had of blind people or blind dogs I don't know. He had never lived with a blind master; nor had Mr. Boxer the elder, nor Mrs. Boxer, nor any of his respectable family on either side, ever been visited with blindness, that I am aware of. He may have found it out for himself, perhaps, but he had got hold of it somehow; and therefore he had hold of Bertha too, by the skirt, and kept hold, until Mrs. Peerybingle and the Baby, and Miss Slowboy and the basket, were all got safely within doors.

Boxer, by the way, made some careful distinctions in how he communicated with Bertha, which makes me believe he knew she was blind. He never tried to get her attention by looking at her, like he often did with others, but instead always touched her. I have no idea what experience he had with blind people or blind dogs. He had never lived with a blind master; nor had Mr. Boxer Sr., Mrs. Boxer, or any respectable family members on either side ever been blind, as far as I know. He might have figured it out on his own, but he somehow understood it; and so he held onto Bertha by the skirt and kept hold until Mrs. Peerybingle, the Baby, Miss Slowboy, and the basket were all safely inside.

May Fielding was already come; and so was her mother—a little querulous chip of an old lady with a peevish face, who, in right of having preserved a waist like a bedpost, was supposed to be a most transcendent figure; and who, in consequence of having once been better off, or of labouring under an impression that she might have been, if something had happened which never did happen, and seemed to have never been particularly likely to come to pass—but it's all the same—was very genteel and patronising indeed. Gruff and Tackleton was also there,[150] doing the agreeable, with the evident sensation of being as perfectly at home, and as unquestionably in his own element, as a fresh young salmon on the top of the Great Pyramid.

May Fielding had already arrived, and so had her mother—a slightly complaining old lady with a fussy face, who, because she managed to keep a waist like a bedpost, was thought to be quite an impressive figure; and who, due to having once been better off, or from believing she could have been if something that never happened had actually occurred, and seemed unlikely to ever happen—was very refined and condescending indeed. Gruff and Tackleton was also there,[150] making small talk, clearly feeling as completely at ease, and as undeniably in his comfort zone, as a fresh young salmon on top of the Great Pyramid.

"May! My dear old friend!" cried Dot, running up to meet her. "What a happiness to see you!"

"May! My dear old friend!" shouted Dot, rushing over to meet her. "What a joy it is to see you!"

Her old friend was, to the full, as hearty and as glad as she; and it really was, if you'll believe me, quite a pleasant sight to see them embrace. Tackleton was a man of taste, beyond all question. May was very pretty.

Her old friend was just as cheerful and happy as she was, and it was honestly a lovely sight to see them hug. Tackleton was definitely a man of good taste, no doubt about it. May was really beautiful.

You know sometimes, when you are used to a pretty face, how, when it comes into contact and comparison with another pretty face, it seems for the moment to be homely and faded, and hardly to deserve the high opinion you have had of it. Now, this was not at all the case, either with Dot or May; for May's face set off Dot's, and Dot's face set off May's, so naturally and agreeably, that, as John Peerybingle was very near saying when he came into the room, they ought to have been born sisters—which was the only improvement you could have suggested.

You know how sometimes, when you're used to seeing a really attractive face, it can seem less appealing when you compare it to another pretty face? For a moment, it feels almost plain and not as deserving of the admiration you had for it. But that wasn’t the case at all with Dot or May. May's face complemented Dot's, and Dot's face complemented May's so perfectly and pleasantly that, as John Peerybingle was about to say when he walked into the room, they should have been born sisters—which is the only improvement you could suggest.

Tackleton had brought his leg of mutton, and, wonderful to relate, a tart besides—but we don't mind a little dissipation when our brides are in the case; we don't get married every day—and, in addition to these dainties, there were the Veal and Ham Pie, and "things," as Mrs. Peerybingle called them; which were chiefly nuts and oranges, and cakes, and such small deer. When the repast was set forth on the board, flanked by Caleb's contribution, which was a great wooden bowl of smoking potatoes (he was prohibited, by solemn compact, from producing any other viands), Tackleton led his intended mother-in-law to the post of honour. For the better gracing of this place at the high festival, the majestic old soul had adorned herself with a cap, calculated to inspire the thoughtless with sentiments of awe. She also wore her gloves. But let us be genteel, or die!

Tackleton brought his leg of mutton and, surprisingly, a tart too—but who cares about a little indulgence when we're celebrating our weddings; we don't get married every day—and, on top of these treats, there was the Veal and Ham Pie, along with "things," as Mrs. Peerybingle called them, which mostly included nuts, oranges, cakes, and other small snacks. When the meal was laid out on the table, surrounded by Caleb's contribution, a big wooden bowl of steaming potatoes (he was strictly forbidden, by a serious agreement, from bringing any other dishes), Tackleton escorted his future mother-in-law to the seat of honor. To better adorn this spot at the grand celebration, the majestic old lady had dressed herself in a hat designed to instill a sense of awe in onlookers. She also wore her gloves. But let's keep it classy, or perish!

Caleb sat next his daughter; Dot and her old schoolfellow were side by side; the good Carrier took care of the bottom of the[151] table. Miss Slowboy was isolated, for the time being, from every article of furniture but the chair she sat on, that she might have nothing else to knock the Baby's head against.

Caleb sat next to his daughter; Dot and her old classmate were sitting together; the good Carrier made sure to occupy the end of the [151] table. Miss Slowboy was temporarily isolated from any furniture except for the chair she was in, so she wouldn't have anything else to bump the Baby's head against.

As Tilly stared about her at the dolls and toys, they stared at her and at the company. The venerable old gentlemen at the street-doors (who were all in full action) showed especial interest in the party, pausing occasionally before leaping, as if they were listening to the conversation, and then plunging wildly over and over, a great many times, without halting for breath—as in a frantic state of delight with the whole proceedings.

As Tilly looked around at the dolls and toys, they seemed to look back at her and the group. The elderly gentlemen at the street doors (who were all fully engaged) took a particular interest in the gathering, stopping occasionally before jumping, as if they were eavesdropping on the conversation, and then diving in repeatedly, many times over, without stopping to catch their breath, as if in a frenzied state of joy over everything happening.

Certainly, if these old gentlemen were inclined to have a fiendish joy in the contemplation of Tackleton's discomfiture, they had good reason to be satisfied. Tackleton couldn't get on at all; and the more cheerful his intended bride became in Dot's society, the less he liked it, though he had brought them together for that purpose. For he was a regular dog in the manger, was Tackleton; and, when they laughed and he couldn't, he took it into his head, immediately, that they must be laughing at him.

Certainly, if these old gentlemen were enjoying Tackleton's misery, they had every reason to feel satisfied. Tackleton couldn't get along at all; and the cheerier his future wife became in Dot's company, the more annoyed he got, even though he had arranged for them to be together for that reason. Tackleton was a real dog in the manger; when they laughed and he couldn't, he instantly thought they must be laughing at him.

"Ah, May!" said Dot. "Dear, dear, what changes! To talk of those merry school days makes one young again."

"Ah, May!" Dot said. "Wow, what changes! Just talking about those happy school days makes you feel young again."

"Why, you an't particularly old at any time, are you?" said Tackleton.

"Well, you're not really old at all, are you?" said Tackleton.

"Look at my sober, plodding husband there," returned Dot. "He adds twenty years to my age at least. Don't you, John?"

"Look at my serious, steady husband over there," Dot replied. "He adds at least twenty years to my age. Right, John?"

"Forty," John replied.

"40," John replied.

"How many you'll add to Mary's, I am sure I don't know," said Dot, laughing. "But she can't be much less than a hundred years of age on her next birthday."

"How many you’ll add to Mary’s, I really don’t know," said Dot, chuckling. "But she can’t be much less than a hundred years old on her next birthday."

"Ha, ha!" laughed Tackleton. Hollow as a drum that laugh, though. And he looked as if he could have twisted Dot's neck comfortably.

"Ha, ha!" laughed Tackleton. It was a laugh as empty as a drum, though. And he looked like he could have easily twisted Dot's neck.

"Dear, dear!" said Dot. "Only to remember how we used[152] to talk, at school, about the husbands we would choose. I don't know how young, and how handsome, and how gay, and how lively mine was not to be! And as to May's!—Ah dear! I don't know whether to laugh or cry, when I think what silly girls we were."

"Wow!" said Dot. "Just remembering how we used[152] to talk in school about the husbands we would pick. I can’t even tell you how young, handsome, fun, and lively mine was supposed to be! And as for May's!—Oh wow! I can’t decide whether to laugh or cry when I think about how silly we were as girls."

May seemed to know which to do; for the colour flashed into her face, and tears stood in her eyes.

May appeared to know what to do; color rushed to her face, and tears filled her eyes.

"Even the very persons themselves—real live young men—we fixed on sometimes," said Dot. "We little thought how things would come about. I never fixed on John, I'm sure; I never so much as thought of him. And, if I had told you you were ever to be married to Mr. Tackleton, why, you'd have slapped me. Wouldn't you, May?"

"Even the actual people—real live young men—we sometimes focused on," said Dot. "We had no idea how things would turn out. I never focused on John, I swear; I never even thought about him. And if I had told you that you were ever going to marry Mr. Tackleton, you would have slapped me. Right, May?"

Though May didn't say yes, she certainly didn't say no, or express no, by any means.

Though May didn't say yes, she definitely didn't say no either, or express rejection in any way.

Tackleton laughed—quite shouted, he laughed so loud. John Peerybingle laughed too, in his ordinary good-natured and contented manner; but his was a mere whisper of a laugh to Tackleton's.

Tackleton laughed—he laughed so loudly it was like he was shouting. John Peerybingle laughed as well, in his usual good-natured and content way; but his laugh was just a faint echo compared to Tackleton's.

"You couldn't help yourselves, for all that. You couldn't resist us, you see," said Tackleton. "Here we are! Here we are! Where are your gay young bridegrooms now?"

"You couldn't help yourselves at all. You couldn't resist us, you know," said Tackleton. "Here we are! Here we are! Where are your cheerful young bridegrooms now?"

"Some of them are dead," said Dot; "and some of them forgotten. Some of them, if they could stand among us at this moment, would not believe we were the same creatures; would not believe that what they saw and heard was real, and we could forget them so. No! they would not believe one word of it!"

"Some of them are dead," Dot said, "and some of them are forgotten. Some of them, if they could stand among us right now, wouldn’t believe we’re the same people; wouldn’t believe that what they saw and heard was real, and that we could forget them like this. No! They wouldn’t believe a word of it!"

"Why, Dot!" exclaimed the Carrier. "Little woman!"

"Wow, Dot!" shouted the Carrier. "Little lady!"

She had spoken with such earnestness and fire, that she stood in need of some recalling to herself, without doubt. Her husband's check was very gentle, for he merely interfered, as he supposed, to shield old Tackleton; but it proved effectual, for she stopped, and said no more. There was an uncommon agitation, even in her silence, which the wary Tackleton, who[153] had brought his half-shut eye to bear upon her, noted closely, and remembered to some purpose too.

She had spoken with so much passion and intensity that she definitely needed to collect herself. Her husband's interruption was very gentle; he only stepped in, as he thought, to protect old Tackleton. But it worked, because she stopped and said nothing more. There was an unusual tension, even in her silence, which the observant Tackleton, who[153] had narrowed his eyes to watch her, noted carefully and remembered for a reason.

May uttered no word, good or bad, but sat quite still, with her eyes cast down, and made no sign of interest in what had passed. The good lady her mother now interposed, observing, in the first instance, that girls were girls, and bygones bygones, and that, so long as young people were young and thoughtless, they would probably conduct themselves like young and thoughtless persons: with two or three other positions of a no less sound and incontrovertible character. She then remarked, in a devout spirit, that she thanked Heaven she had always found in her daughter May a dutiful and obedient child: for which she took no credit to herself, though she had every reason to believe it was entirely owing to herself. With regard to Mr. Tackleton, she said, That he was in a moral point of view an undeniable individual, and That he was in an eligible point of view a son-in-law to be desired, no one in their senses could doubt. (She was very emphatic here.) With regard to the family into which he was so soon about, after some solicitation, to be admitted, she believed Mr. Tackleton knew that, although reduced in purse, it had some pretensions to gentility; and that if certain circumstances, not wholly unconnected, she would go so far as to say, with the Indigo Trade, but to which she would not more particularly refer, had happened differently, it might perhaps have been in possession of wealth. She then remarked that she would not allude to the past, and would not mention that her daughter had for some time rejected the suit of Mr. Tackleton; and that she would not say a great many other things which she did say at great length. Finally, she delivered it as the general result of her observation and experience, that those marriages in which there was least of what was romantically and sillily called love, were always the happiest; and that she anticipated the greatest possible amount of bliss—not rapturous bliss; but the solid, steady-going article—from the approach[154]ing nuptials. She concluded by informing the company that to-morrow was the day she had lived for expressly; and that, when it was over, she would desire nothing better than to be packed up and disposed of in any genteel place of burial.

May said nothing, good or bad, but sat quietly with her eyes downcast, showing no interest in what had happened. Her good mother then stepped in, first noting that girls will be girls and that what’s past is past. She pointed out that as long as young people are young and careless, they’ll likely act like typical young people, along with two or three other reasonable points. She then expressed with gratitude that she was thankful to Heaven for having always found her daughter May to be a dutiful and obedient child; she took no credit for this, even though she had every reason to believe it was entirely due to her influence. Regarding Mr. Tackleton, she said he was undeniably a moral individual and that no one in their right mind could doubt he would be a desirable son-in-law. (She was very emphatic about this.) As for the family he was soon to join, she believed Mr. Tackleton knew that, despite being financially strapped, they had some claims to respectability. She mentioned that if certain circumstances, which she hinted were related to the Indigo Trade, had played out differently, they might have been wealthy. She then stated that she wouldn’t bring up the past or mention that her daughter had previously turned down Mr. Tackleton; nor would she discuss many other points she had previously elaborated on at length. Finally, she concluded that, based on her observations and experiences, marriages that involve the least amount of what is naively and foolishly called love tend to be the happiest. She expected the greatest possible level of happiness—not ecstatic happiness, but the solid, reliable kind—from the upcoming wedding. She wrapped up by telling everyone that tomorrow was the day she had been looking forward to, and once it was over, she would want nothing more than to be put away and buried in a respectable final resting place.

As these remarks were quite unanswerable—which is the happy property of all remarks that are sufficiently wide of the purpose—they changed the current of the conversation, and diverted the general attention to the Veal and Ham Pie, the cold mutton, the potatoes, and the tart. In order that the bottled beer might not be slighted, John Peerybingle proposed To-morrow: the Wedding-day; and called upon them to drink a bumper to it, before he proceeded on his journey.

As these comments were completely irrefutable—which is the fortunate quality of all remarks that are far off the mark—they shifted the flow of the conversation and redirected everyone’s attention to the Veal and Ham Pie, the cold mutton, the potatoes, and the tart. To ensure the bottled beer didn’t get overlooked, John Peerybingle suggested a toast to tomorrow: the Wedding day; and urged everyone to raise a glass to it before he continued on his journey.

For you ought to know that he only rested there, and gave the old horse a bait. He had to go some four or five miles farther on; and, when he returned in the evening, he called for Dot, and took another rest on his way home. This was the order of the day on all the Picnic occasions, and had been ever since their institution.

For you should know that he just stopped there and fed the old horse. He had to travel about four or five more miles; and when he got back in the evening, he asked for Dot and took another break on his way home. This was the routine on all the picnic days and had been ever since they started.

There were two persons present, besides the bride and bridegroom elect, who did but indifferent honour to the toast. One of these was Dot, too flushed and discomposed to adapt herself to any small occurrence of the moment; the other, Bertha, who rose up hurriedly before the rest, and left the table.

There were two people there, besides the bride and groom-to-be, who didn’t really do justice to the toast. One was Dot, who was too flustered and unsettled to handle anything happening at the moment; the other was Bertha, who quickly got up before everyone else and left the table.

"Good-bye!" said stout John Peerybingle, pulling on his dreadnought coat. "I shall be back at the old time. Good-bye all!"

"Goodbye!" said hefty John Peerybingle, putting on his warm coat. "I'll be back at the usual time. Goodbye everyone!"

"Good-bye, John," returned Caleb.

"Goodbye, John," replied Caleb.

He seemed to say it by rote, and to wave his hand in the same unconscious manner; for he stood observing Bertha with an anxious wondering face, that never altered its expression.

He seemed to say it automatically and waved his hand in the same unconscious way; he was watching Bertha with a worried, curious look on his face that never changed.

"Good-bye, young shaver!" said the jolly Carrier, bending down to kiss the child; which Tilly Slowboy, now intent upon her knife and fork, had deposited asleep (and, strange to say, without damage) in a little cot of Bertha's furnishing; "good[155]-bye! Time will come, I suppose, when you'll turn out into the cold, my little friend, and leave your old father to enjoy his pipe and his rheumatics in the chimney-corner; eh? Where's Dot?"

"Goodbye, young lad!" said the cheerful Carrier, leaning down to kiss the child, whom Tilly Slowboy had carefully placed asleep (and, oddly enough, without any harm) in a little crib furnished by Bertha; "goodbye! I guess there will be a time when you venture out into the cold, my little friend, leaving your old dad to relax with his pipe and deal with his rheumatics by the fireplace; right? Where's Dot?"

"I'm here, John!" she said, starting.

"I'm here, John!" she said, startled.

"Come, come!" returned the Carrier, clapping his sounding hands. "Where's the pipe?"

"Come on, come on!" said the Carrier, clapping his hands loudly. "Where's the pipe?"

"I quite forgot the pipe, John."

"I totally forgot the pipe, John."

Forgot the pipe! Was such a wonder ever heard of? She! Forgot the pipe!

Forgot the pipe! Has anyone ever heard of such a wonder? She! Forgot the pipe!

"I'll—I'll fill it directly. It's soon done."

"I'll fill it up right now. It won't take long."

But it was not so soon done, either. It lay in the usual place—the Carrier's dreadnought pocket—with the little pouch, her own work, from which she was used to fill it; but her hand shook so, that she entangled it (and yet her hand was small enough to have come out easily, I am sure), and bungled terribly. The filling of the pipe and lighting it, those little offices in which I have commended her discretion, were vilely done from first to last. During the whole process, Tackleton stood looking on maliciously with the half-closed eye; which, whenever it met hers—or caught it, for it can hardly be said to have ever met another eye: rather being a kind of trap to snatch it up—augmented her confusion in a most remarkable degree.

But it didn’t happen quickly either. It was in the usual spot—the Carrier's big pocket—along with the little pouch she had made herself to fill it; but her hand shook so much that she got it tangled (and yet her hand was small enough to have gotten it out easily, I’m sure), and messed it up completely. Filling the pipe and lighting it, those little tasks where I’ve praised her skills, were done terribly from start to finish. Throughout the entire process, Tackleton stood there watching with a sneaky glance; whenever his eyes met hers—or caught them, since it hardly ever truly met another’s: it was more like a trap that snatched them up—it made her feel even more confused in a really noticeable way.

"Why, what a clumsy Dot you are this afternoon!" said John. "I could have done it better myself, I verily believe!"

"Why, what a clumsy Dot you are this afternoon!" John said. "I honestly think I could have done it better myself!"

With these good-natured words, he strode away, and presently was heard, in company with Boxer, and the old horse, and the cart, making lively music down the road. What time the dreamy Caleb still stood, watching his blind daughter, with the same expression on his face.

With these friendly words, he walked away, and soon after was heard, along with Boxer, the old horse, and the cart, making cheerful sounds down the road. Meanwhile, the thoughtful Caleb remained standing, watching his blind daughter, with the same expression on his face.

"Bertha!" said Caleb, softly. "What has happened? How changed you are, my darling, in a few hours—since this morning! You silent and dull all day! What is it? Tell me!"

"Bertha!" Caleb said softly. "What’s happened? You’ve changed so much, my dear, in just a few hours—since this morning! You’ve been so quiet and down all day! What's going on? Please tell me!"

"Oh, father, father!" cried the Blind Girl, bursting into tears. "Oh, my hard, hard fate!"[156]

"Oh, dad, dad!" cried the Blind Girl, breaking down in tears. "Oh, my tough, tough luck!"[156]

Caleb drew his hand across his eyes before he answered her.

Caleb wiped his eyes before he replied to her.

"But think how cheerful and how happy you have been, Bertha! How good, and how much loved, by many people."

"But think about how cheerful and happy you have been, Bertha! How kind and how loved by so many people."

"That strikes me to the heart, dear father! Always so mindful of me! Always so kind to me!"

"That really hits me hard, dear dad! Always thinking of me! Always so nice to me!"

Caleb was very much perplexed to understand her.

Caleb was really confused trying to understand her.

"To be—to be blind, Bertha, my poor dear," he faltered, "is a great affliction; but——"

"To be—to be blind, Bertha, my poor dear," he hesitated, "is a huge burden; but——"

"I have never felt it!" cried the Blind Girl. "I have never felt it in its fulness. Never! I have sometimes wished that I could see you, or could see him—only once, dear father, only for one little minute—that I might know what it is I treasure up," she laid her hands upon her breast, "and hold here! That I might be sure I have it right! And sometimes (but then I was a child) I have wept in my prayers at night, to think that, when your images ascended from my heart to Heaven, they might not be the true resemblance of yourselves. But I have never had these feelings long. They have passed away, and left me tranquil and contented."

"I've never felt it!" cried the Blind Girl. "I've never felt it fully. Never! Sometimes I've wished I could see you, or see him—just once, dear father, even for a minute—so I could understand what it is I hold dear," she placed her hands on her chest, "and keep right here! So I could be sure I have it right! And sometimes (but then I was a child) I cried in my prayers at night, thinking that when your images rose from my heart to Heaven, they might not truly represent you. But I haven't held onto those feelings for long. They passed away, leaving me calm and content."

"And they will again," said Caleb.

"And they will again," Caleb said.

"But, father! Oh, my good gentle father, bear with me, if I am wicked!" said the Blind Girl. "This is not the sorrow that so weighs me down!"

"But, Dad! Oh, my kind father, please be patient with me, even if I'm being bad!" said the Blind Girl. "This isn't the sadness that's really weighing me down!"

Her father could not choose but let his moist eyes overflow; she was so earnest and pathetic. But he did not understand her yet.

Her father couldn't help but let his tear-filled eyes spill over; she was so sincere and heartbreaking. But he still didn't understand her.

"Bring her to me," said Bertha. "I cannot hold it closed and shut within myself. Bring her to me, father!"

"Bring her to me," Bertha said. "I can't keep it all inside. Bring her to me, Dad!"

She knew he hesitated, and said, "May. Bring May!"

She knew he was hesitating, and said, "Get May. Bring May!"

May heard the mention of her name, and, coming quietly towards her, touched her on the arm. The Blind Girl turned immediately, and held her by both hands.

May heard her name mentioned, and, approaching quietly, touched her on the arm. The Blind Girl turned right away and took her hands.

"Look into my face, Dear heart, Sweet heart!" said Bertha.[157] "Read it with your beautiful eyes, and tell me if the truth is written on it."

"Look into my face, my dear, sweet love!" said Bertha.[157] "Read it with your beautiful eyes and tell me if the truth is there."

"Dear Bertha, yes!"

"Yes, dear Bertha!"

The Blind Girl, still upturning the blank sightless face, down which the tears were coursing fast, addressed her in these words:

The Blind Girl, still turning her sightless face, down which tears were flowing quickly, said to her:

"There is not, in my soul, a wish or thought that is not for your good, bright May! There is not, in my soul, a grateful recollection stronger than the deep remembrance which is stored there of the many many times when, in the full pride of sight and beauty, you have had consideration for Blind Bertha, even when we two were children, or when Bertha was as much a child as ever blindness can be! Every blessing on your head! Light upon your happy course! Not the less, my dear May,"—and she drew towards her in a closer grasp,—"not the less, my bird, because, to-day, the knowledge that you are to be His wife has wrung my heart almost to breaking! Father, May, Mary! Oh, forgive me that it is so, for the sake of all he has done to relieve the weariness of my dark life: and for the sake of the belief you have in me, when I call Heaven to witness that I could not wish him married to a wife more worthy of his goodness!"

“There isn’t a wish or thought in my heart that isn’t for your good, dear May! There’s no memory I cherish more than the countless times you’ve shown kindness to Blind Bertha, even when we were just kids, or when Bertha was as much of a child as anyone can be despite being blind! May every blessing be upon you! May light shine on your joyful journey! But, my dear May,”—and she pulled her in for a tighter embrace,—“it hurts me more today than ever because knowing you’re going to be His wife almost breaks my heart! Father, May, Mary! Please forgive me for feeling this way, considering everything he’s done to ease the burden of my dark life: and for the faith you have in me when I swear to Heaven that I couldn’t wish him a wife who’s more deserving of his goodness!”

While speaking, she had released May Fielding's hands, and clasped her garments in an attitude of mingled supplication and love. Sinking lower and lower down, as she proceeded in her strange confession, she dropped at last at the feet of her friend, and hid her blind face in the folds of her dress.

While she was speaking, she let go of May Fielding's hands and gripped her clothes in a mix of pleading and affection. As she continued her unusual confession, she sank lower and lower until she finally dropped to her friend's feet and buried her blind face in the fabric of her dress.

"Great Power!" exclaimed her father, smitten at one blow with the truth, "have I deceived her from her cradle, but to break her heart at last?"

"Great Power!" her father exclaimed, struck in an instant by the truth. "Have I misled her since she was born, only to shatter her heart in the end?"

It was well for all of them that Dot, that beaming, useful, busy little Dot—for such she was, whatever faults she had, and however you may learn to hate her, in good time—it was well for all of them, I say, that she was there, or where this would have ended, it were hard to tell. But Dot, recovering[158] her self-possession, interposed, before May could reply, or Caleb say another word.

It was fortunate for all of them that Dot, that cheerful, helpful, busy little Dot—for that’s what she was, despite any faults she had, and no matter how much you might come to dislike her over time—it was fortunate for all of them, I say, that she was there, or it’s hard to say how this would have ended. But Dot, regaining her composure, stepped in before May could respond or Caleb could say another word.

"Come, come, dear Bertha! come away with me! Give her your arm, May! So. How composed she is, you see, already; and how good it is of her to mind us," said the cheery little woman, kissing her upon the forehead. "Come away, dear Bertha! Come! and here's her good father will come with her, won't you, Caleb? To—be—sure!"

"Come on, dear Bertha! Come with me! Give her your arm, May! There we go. Look how calm she is already, and how nice of her to listen to us," said the cheerful little woman, kissing her on the forehead. "Come on, dear Bertha! Let's go! And her good father will come with her, right Caleb? Of course!"

Well, well! she was a noble little Dot in such things, and it must have been an obdurate nature that could have withstood her influence. When she had got poor Caleb and his Bertha away, that they might comfort and console each other, as she knew they only could, she presently came bouncing back,—the saying is, as fresh as any daisy; I say fresher—to mount guard over that bridling little piece of consequence in the cap and gloves, and prevent the dear old creature from making discoveries.

Well, well! She was a wonderful little Dot in these matters, and it must have been a really tough person to resist her charm. After she helped poor Caleb and his Bertha get away, so they could comfort and support each other like only they could, she quickly came bouncing back—people say she's as fresh as any daisy; I’d say even fresher—to keep watch over that haughty little person with the cap and gloves, and to stop the dear old soul from making any discoveries.

"So bring me the precious Baby, Tilly," said she, drawing a chair to the fire; "and while I have it in my lap, here's Mrs. Fielding, Tilly, will tell me all about the management of Babies, and put me right in twenty points where I'm as wrong as can be. Won't you, Mrs. Fielding?"

"So bring me the precious baby, Tilly," she said, pulling a chair up to the fire. "And while I hold it in my lap, here’s Mrs. Fielding, Tilly, who will tell me all about how to take care of babies and correct me on twenty things where I’m totally mistaken. Won't you, Mrs. Fielding?"

Not even the Welsh Giant, who, according to the popular expression, was so "slow" as to perform a fatal surgical operation upon himself, in emulation of a juggling trick achieved by his arch enemy at breakfast-time; not even he fell half so readily into the snare prepared for him as the old lady into this artful pitfall. The fact of Tackleton having walked out; and furthermore, of two or three people having been talking together at a distance, for two minutes, leaving her to her own resources; was quite enough to have put her on her dignity, and the bewailment of that mysterious convulsion in the Indigo Trade, for four-and-twenty hours. But this becoming deference to her experience, on the part of the young mother, was so irresistible,[159] that after a short affectation of humility, she began to enlighten her with the best grace in the world; and, sitting bolt upright before the wicked Dot, she did, in half an hour, deliver more infallible domestic recipes and precepts than would (if acted on) have utterly destroyed and done up that Young Peerybingle, though he had been an Infant Samson.

Not even the Welsh Giant, who, according to the saying, was so "slow" that he performed a fatal surgery on himself to mimic a juggling trick done by his arch-enemy at breakfast, fell into the trap laid for him as easily as the old lady fell into this clever pitfall. The fact that Tackleton had gone out and that two or three people had been chatting at a distance for two minutes, leaving her to her own devices, was more than enough to make her feel important and lament the mysterious crisis in the Indigo Trade for twenty-four hours. But this newfound respect for her experience from the young mother was so compelling that after a brief show of humility, she began to share her wisdom with incredible grace. Sitting straight up before the mischievous Dot, in half an hour, she shared more foolproof domestic recipes and advice than would have completely overwhelmed and ruined that Young Peerybingle, even if he had been an Infant Samson.

To change the theme, Dot did a little needlework—she carried the contents of a whole workbox in her pocket; however she contrived it, I don't know—then did a little nursing; then a little more needlework; then had a little whispering chat with May, while the old lady dozed; and so in little bits of bustle, which was quite her manner always, found it a very short afternoon. Then, as it grew dark, and as it was a solemn part of this Institution of the Picnic that she should perform all Bertha's household tasks, she trimmed the fire, and swept the hearth, and set the tea-board out, and drew the curtain, and lighted a candle. Then she played an air or two on a rude kind of harp, which Caleb had contrived for Bertha, and played them very well; for Nature had made her delicate little ear as choice a one for music as it would have been for jewels, if she had had any to wear. By this time it was the established hour for having tea; and Tackleton came back again to share the meal, and spend the evening.

To change the vibe, Dot did some sewing—she had the entire contents of a sewing box in her pocket; how she managed it, I don’t know—then did a bit of nursing; then some more sewing; then had a quiet chat with May while the old lady napped; and so, in her usual little bursts of activity, she found the afternoon flew by. As it got dark, and since it was a tradition of the Picnic for her to handle all of Bertha’s household chores, she stoked the fire, swept the hearth, set the tea table, drew the curtain, and lit a candle. Then she played a couple of tunes on a makeshift harp that Caleb had made for Bertha, and she played them beautifully; Nature had given her a delicate ear for music as refined as a taste for jewels, if she’d had any to wear. By this time, it was the usual hour for tea; and Tackleton returned to join the meal and spend the evening.

Caleb and Bertha had returned some time before, and Caleb had sat down to his afternoon's work. But he couldn't settle to it, poor fellow, being anxious and remorseful for his daughter. It was touching to see him sitting idle on his working stool, regarding her so wistfully, and always saying in his face, "Have I deceived her from her cradle, but to break her heart?"

Caleb and Bertha had come back a while ago, and Caleb had started his work for the afternoon. But he couldn't focus, poor guy, feeling worried and guilty about his daughter. It was moving to see him sitting there on his stool, looking at her with such longing, and his face always seemed to ask, "Have I misled her from the start, only to break her heart?"

When it was night, and tea was done, and Dot had nothing more to do in washing up the cups and saucers; in a word—for I must come to it, and there is no use in putting it off—when the time drew nigh for expecting the Carrier's return in every sound of distant wheels, her manner changed again, her[160] colour came and went, and she was very restless. Not as good wives are when listening for their husbands. No, no, no. It was another sort of restlessness from that.

When night fell and tea was finished, and Dot had no more cups and saucers to wash, I have to get to the point—there’s no avoiding it—when the time came to expect the Carrier's return with every sound of far-off wheels, her mood shifted again, her color fluctuated, and she became quite restless. Not the kind of restlessness that good wives feel while waiting for their husbands. No, it was a different kind of restlessness altogether.

Wheels heard. A horse's feet. The barking of a dog. The gradual approach of all the sounds. The scratching paw of Boxer at the door!

Wheels were heard. A horse's hooves. The barking of a dog. The sounds gradually coming closer. Boxer's paw scratching at the door!

"Whose step is that?" cried Bertha, starting up.

"Who’s that coming?" shouted Bertha, jumping up.

"Whose step?" returned the Carrier, standing in the portal, with his brown face ruddy as a winter berry from the keen night air. "Why, mine."

"Whose step?" the Carrier replied, standing in the doorway, his brown face flushed like a winter berry from the crisp night air. "It's mine."

"The other step," said Bertha. "The man's tread behind you!"

"The other step," Bertha said. "The guy's footsteps are right behind you!"

"She is not to be deceived," observed the Carrier, laughing. "Come along, sir. You'll be welcome, never fear!"

"She won't be fooled," the Carrier said, laughing. "Come on, sir. You'll be welcomed, don’t worry!"

He spoke in a loud tone; and, as he spoke, the deaf old gentleman entered.

He spoke loudly; and, as he was talking, the deaf old man walked in.

"He's not so much a stranger that you haven't seen him once, Caleb," said the Carrier. "You'll give him house room till we go?"

"He's not really a stranger since you've seen him before, Caleb," said the Carrier. "Will you let him stay at your place until we leave?"

"Oh, surely, John, and take it as an honour!"

"Oh, of course, John, and see it as a compliment!"

"He's the best company on earth to talk secrets in," said John. "I have reasonable good lungs, but he tries 'em I can tell you. Sit down, sir. All friends here, and glad to see you!"

"He's the best person on earth to share secrets with," John said. "I have pretty good lungs, but he really tests them, I can tell you. Sit down, sir. We're all friends here, and we’re glad to see you!"

When he had imparted this assurance, in a voice that amply corroborated what he had said about his lungs, he added in his natural tone, "A chair in the chimney-corner, and leave to sit quite silent and look pleasantly about him, is all he cares for. He's easily pleased."

When he had given this reassurance, with a voice that clearly proved what he had said about his lungs, he added in his usual tone, "A chair by the fireplace, and the chance to sit quietly and look around pleasantly, is all he wants. He's easy to please."

Bertha had been listening intently. She called Caleb to her side, when he had set the chair, and asked him, in a low voice, to describe their visitor. When he had done so (truly now, with scrupulous fidelity), she moved, for the first time since he had come in, and sighed, and seemed to have no further interest concerning him.[161]

Bertha had been paying close attention. She called Caleb over to her after he had positioned the chair and softly asked him to describe their visitor. When he finished (honestly, with great care), she shifted for the first time since he arrived, let out a sigh, and seemed no longer interested in him.[161]

The Carrier was in high spirits, good fellow that he was, and fonder of his little wife than ever.

The Carrier was in great spirits, being the good guy that he was, and he loved his little wife more than ever.

"A clumsy Dot she was, this afternoon!" he said, encircling her with his rough arm, as she stood, removed from the rest; "and yet I like her somehow. See yonder, Dot!"

"A clumsy Dot she was this afternoon!" he said, wrapping his rough arm around her as she stood apart from everyone else; "and yet I like her for some reason. Look over there, Dot!"

He pointed to the old man. She looked down. I think she trembled.

He pointed to the old man. She glanced down. I think she shivered.

"He's—ha, ha, ha!—he's full of admiration for you!" said the Carrier. "Talked of nothing else the whole way here. Why, he's a brave old boy! I like him for it!"

"He's—ha, ha, ha!—he's full of admiration for you!" said the Carrier. "He talked about nothing else the whole way here. Seriously, he's a brave old guy! I really like him for that!"

"I wish he had a better subject, John," she said with an uneasy glance about the room. At Tackleton especially.

"I wish he had a better topic, John," she said, glancing around the room nervously. Especially at Tackleton.

"A better subject!" cried the jovial John. "There's no such thing. Come! off with the great-coat, off with the thick shawl, off with the heavy wrappers! and a cosy half-hour by the fire. My humble service, mistress. A game at cribbage, you and I? That's hearty. The cards and board, Dot. And a glass of beer here, if there's any left, small wife!"

"A better topic!" exclaimed the cheerful John. "There's nothing like it. Come on! Take off the big coat, the thick shawl, and all those heavy layers! Let's enjoy a cozy half-hour by the fire. My humble service to you, madam. How about a game of cribbage, just you and me? That sounds good. Get the cards and board, Dot. And if there's any beer left, bring me a glass, little wife!"

His challenge was addressed to the old lady, who, accepting it with gracious readiness, they were soon engaged upon the game. At first, the Carrier looked about him sometimes with a smile, or now and then called Dot to peep over his shoulder at his hand, and advise him on some knotty point. But his adversary being a rigid disciplinarian, and subject to an occasional weakness in respect of pegging more than she was entitled to, required such vigilance on his part, as left him neither eyes nor ears to spare. Thus, his whole attention gradually became absorbed upon the cards; and he thought of nothing else, until a hand upon his shoulder restored him to a consciousness of Tackleton.

His challenge was directed at the old lady, who accepted it with gracious eagerness, and soon they were deep into the game. At first, the Carrier glanced around with a smile and occasionally called Dot to peek over his shoulder at his hand, asking for her advice on tricky situations. However, his opponent was a strict disciplinarian and sometimes cheated by pegging more than she was allowed, which meant he had to stay very alert, leaving him no extra attention for anything else. As a result, he became completely focused on the cards, thinking of nothing else, until a hand on his shoulder brought him back to reality and he realized Tackleton was there.

"I am sorry to disturb you—but a word directly."

"I'm sorry to interrupt you—but I need to say a quick word."

"I'm going to deal," returned the Carrier. "It's a crisis."

"I'm going to handle it," the Carrier replied. "It's a big deal."

"It is," said Tackleton. "Come here, man!"

"It is," said Tackleton. "Come over here, man!"

There was that in his pale face which made the other rise immediately, and ask him, in a hurry, what the matter was.[162]

There was something in his pale face that made the other person get up right away and ask him, in a rush, what was wrong.[162]

"Hush! John Peerybingle," said Tackleton, "I am sorry for this. I am indeed. I have been afraid of it. I have suspected it from the first."

"Hush! John Peerybingle," Tackleton said, "I’m sorry about this. I really am. I’ve been worried about it. I suspected it right from the beginning."

"What is it?" asked the Carrier with a frightened aspect.

"What is it?" asked the Carrier, looking scared.

"Hush! I'll show you, if you'll come with me."

"Hush! I’ll show you, if you come with me."

The Carrier accompanied him without another word. They went across a yard, where the stars were shining, and by a little side-door, into Tackleton's own counting-house, where there was a glass window, commanding the ware-room, which was closed for the night. There was no light in the counting-house itself, but there were lamps in the long narrow ware-room; and consequently the window was bright.

The Carrier went with him silently. They crossed a yard, where the stars were shining, and entered through a small side door into Tackleton's counting-house, which had a glass window overlooking the warehouse that was closed for the night. The counting-house itself was dark, but the long, narrow warehouse was lit with lamps, making the window glow.

"A moment!" said Tackleton. "Can you bear to look through that window, do you think?"

"A moment!" said Tackleton. "Do you think you can handle looking through that window?"

"Why not?" returned the Carrier.

"Why not?" replied the Carrier.

"A moment more," said Tackleton. "Don't commit any violence. It's of no use. It's dangerous too. You're a strong-made man; and you might do murder before you know it."

"A moment longer," said Tackleton. "Don't do anything violent. It's pointless. It's also risky. You're a strong guy, and you could end up killing someone before you even realize it."

The Carrier looked him in the face, and recoiled a step as if he had been struck. In one stride he was at the window, and he saw——

The Carrier looked him in the eye and stepped back, as if he had been hit. In one stride, he was at the window, and he saw——

Oh, Shadow on the Hearth! Oh, truthful Cricket! Oh, perfidious wife!

Oh, Shadow on the Hearth! Oh, honest Cricket! Oh, deceitful wife!

He saw her with the old man—old no longer, but erect and gallant—bearing in his hand the false white hair that had won his way into their desolate and miserable home. He saw her listening to him, as he bent his head to whisper in her ear; and suffering him to clasp her round the waist, as they moved slowly down the dim wooden gallery towards the door by which they had entered it. He saw them stop, and saw her turn—to have the face, the face he loved so, so presented to his view!—and saw her, with her own hands, adjust the lie upon his head, laughing, as she did it, at his unsuspicious nature!

He saw her with the old man—no longer just old, but standing tall and charming—holding the fake white hair that had weaseled its way into their lonely and miserable home. He saw her listening to him as he leaned in to whisper in her ear, allowing him to wrap his arms around her waist as they walked slowly down the dim wooden hallway toward the door through which they had entered. He saw them stop and watched her turn—to have the face, the face he loved so much, right in front of him!—and watched her, with her own hands, adjust the lie on his head, laughing as she did it at his unsuspecting nature!

He clenched his strong right hand at first, as if it would[163] have beaten down a lion. But, opening it immediately again, he spread it out before the eyes of Tackleton (for he was tender of her even then), and so, as they passed out, fell down upon a desk, and was as weak as any infant.

He first clenched his strong right hand, as if he could have taken down a lion. But, opening it right away, he spread it out in front of Tackleton (because he was still protective of her), and then, as they left, he collapsed onto a desk and was as weak as a baby.

He was wrapped up to the chin, and busy with his horse and parcels, when she came into the room, prepared for going home.

He was bundled up to the chin, focused on his horse and packages, when she walked into the room, ready to go home.

"Now, John dear! Good night, May! Good night, Bertha!"

"Now, John, dear! Good night, May! Good night, Bertha!"

Could she kiss them? Could she be blithe and cheerful in her parting? Could she venture to reveal her face to them without a blush? Yes. Tackleton observed her closely, and she did all this.

Could she kiss them? Could she be carefree and happy in her farewell? Could she dare to show her face to them without turning red? Yes. Tackleton watched her closely, and she did all of this.

Tilly was hushing the baby, and she crossed and recrossed Tackleton a dozen times, repeating drowsily:

Tilly was calming the baby, and she crossed and recrossed Tackleton a dozen times, repeating sleepily:

"Did the knowledge that it was to be its wives, then, wring its hearts almost to breaking; and did its fathers deceive it from its cradles but to break its hearts at last!"

"Did the realization that it was meant to be their wives, then, almost tear their hearts apart; and did their fathers mislead them from the very beginning just to break their hearts in the end!"

"Now, Tilly, give me the Baby! Good night, Mr. Tackleton. Where's John, for goodness' sake?"

"Now, Tilly, hand me the Baby! Good night, Mr. Tackleton. Where's John, for heaven's sake?"

"He's going to walk beside the horse's head," said Tackleton; who helped her to her seat.

"He's going to walk next to the horse's head," said Tackleton; who helped her into her seat.

"My dear John! Walk? To-night?"

"Hey John! Walk tonight?"

The muffled figure of her husband made a hasty sign in the affirmative; and, the false stranger and the little nurse being in their places, the old horse moved off. Boxer, the unconscious Boxer, running on before, running back, running round and round the cart, and barking as triumphantly and merrily as ever.

The muted figure of her husband quickly nodded yes; and, with the false stranger and the little nurse in their spots, the old horse started to move. Boxer, the oblivious Boxer, ran ahead, dashed back, circled the cart, barking as happily and cheerfully as ever.

When Tackleton had gone off likewise, escorting May and her mother home, poor Caleb sat down by the fire beside his daughter; anxious and remorseful at the core; and still saying, in his wistful contemplation of her, "Have I deceived her from her cradle, but to break her heart at last?"

When Tackleton had left too, taking May and her mom home, poor Caleb sat down by the fire next to his daughter, anxious and full of regret; still thinking, as he gazed at her, "Have I misled her since she was born, only to end up breaking her heart?"

The toys that had been set in motion for the Baby had all stopped and run down long ago. In the faint light and silence, the imperturbably calm dolls, the agitated rocking-horses with[164] distended eyes and nostrils, the old gentlemen at the street-doors, standing half doubled up upon their failing knees and ankles, the wry-faced nut-crackers, the very Beasts upon their way into the Ark, in twos, like a Boarding-School out walking, might have been imagined to be stricken motionless with fantastic wonder at Dot being false, or Tackleton beloved, under any combination of circumstances.[165]

The toys that had been set in motion for the baby had all stopped and faded away long ago. In the dim light and silence, the unbothered dolls, the restless rocking horses with distended eyes and nostrils, the old men at the street doors, hunched over on their weak knees and ankles, the grim-faced nutcrackers, and the very animals on their way into the Ark, paired up like a school group out for a walk, might have seemed frozen in place with bizarre astonishment at Dot being untrue or Tackleton being loved under any circumstances.


CHIRP THE THIRD

The Dutch clock in the corner struck Ten when the Carrier sat down by his fireside. So troubled and grief-worn that he seemed to scare the Cuckoo, who, having cut his ten melodious announcements as short as possible, plunged back into the Moorish Palace again, and clapped his little door behind him, as if the unwonted spectacle were too much for his feelings.

The Dutch clock in the corner struck ten when the Carrier sat down by his fireside. He looked so troubled and weary that he seemed to frighten the Cuckoo, who, after quickly delivering his ten cheerful announcements, darted back into the Moorish Palace and shut his little door behind him, as if the unusual sight was too much for him to handle.

If the little Hay-maker had been armed with the sharpest of scythes, and had cut at every stroke into the Carrier's heart, he never could have gashed and wounded it as Dot had done.

If the little Hay-maker had been wielding the sharpest scythe and had struck at every swing into the Carrier's heart, he never could have hurt it as much as Dot had.

It was a heart so full of love for her; so bound up and held together by innumerable threads of winning remembrance, spun from the daily working of her many qualities of endearment; it was a heart in which she had enshrined herself so gently and so closely; a heart so single and so earnest in its Truth, so strong in right, so weak in wrong,—that it could cherish neither passion nor revenge at first, and had only room to hold the broken image of its Idol.

It was a heart completely filled with love for her; tightly woven and held together by countless threads of fond memories, created from the daily presence of her many lovable qualities; it was a heart where she had quietly and closely made her place; a heart so sincere and earnest in its truth, so strong in what was right, so fragile when it came to wrong—that it could initially hold neither passion nor revenge, and had only space to keep the shattered image of its idol.

But, slowly, slowly, as the Carrier sat brooding on his hearth, now cold and dark, other and fiercer thoughts began to rise within him, as an angry wind comes rising in the night. The Stranger was beneath his outraged roof. Three steps would take him to his chamber door. One blow would beat it in. "You might do murder before you know it," Tackleton had said. How could it be murder, if he gave the villain time to grapple with him hand to hand? He was the younger man.

But slowly, gradually, as the Carrier sat thinking in his now cold and dark hearth, other, more intense thoughts began to surge within him, like an angry wind rising in the night. The Stranger was under his outraged roof. Three steps would take him to his bedroom door. One blow could break it down. "You could commit murder before you even realize it," Tackleton had said. How could it be murder if he gave the guy a chance to fight him one-on-one? He was the younger man.

It was an ill-timed thought, bad for the dark mood of his mind. It was an angry thought, goading him to some avenging act, that should change the cheerful house into a haunted place[166] which lonely travellers would dread to pass by night; and where the timid would see shadows struggling in the ruined windows when the moon was dim, and hear wild noises in the stormy weather.

It was a poorly timed thought, adding to the dark mood in his mind. It was an angry thought, pushing him toward some act of revenge that would turn the cheerful house into a haunted place[166] that lonely travelers would dread to pass by at night; where the timid would see shadows moving in the broken windows when the moon was low, and hear eerie noises in stormy weather.

He was the younger man! Yes, yes; some lover who had won the heart that he had never touched. Some lover of her early choice, of whom she had thought and dreamed, for whom she had pined and pined, when he had fancied her so happy by his side. Oh, agony to think of it!

He was the younger guy! Yes, yes; some guy who had won the heart that he had never reached. Some guy from her early choice, whom she had thought about and dreamed of, for whom she had longed and longed, while he thought she was so happy by his side. Oh, the pain of thinking about it!

She had been above-stairs with the Baby; getting it to bed. As he sat brooding on the hearth, she came close beside him, without his knowledge—in the turning of the rack of his great misery, he lost all other sounds—and put her little stool at his feet. He only knew it when he felt her hand upon his own, and saw her looking up into his face.

She had been upstairs with the baby, putting it to bed. While he sat lost in thought by the fire, she quietly came over to him, without him noticing—in the midst of his deep sadness, he blocked out all other sounds—and placed her small stool at his feet. He only realized she was there when he felt her hand on his own and saw her looking up at him.

With wonder? No. It was his first impression, and he was fain to look at her again, to set it right. No, not with wonder. With an eager and inquiring look; but not with wonder. At first it was alarmed and serious; then, it changed into a strange, wild, dreadful smile of recognition of his thoughts; then, there was nothing but her clasped hands on her brow, and her bent head, and falling hair.

With curiosity? No. That was his first impression, and he was eager to look at her again, to clear things up. No, not with curiosity. With an eager and questioning gaze; but not with curiosity. At first, it was anxious and serious; then, it transformed into a strange, wild, terrifying smile that recognized his thoughts; then, there was nothing but her hands clasped on her forehead, her bowed head, and her cascading hair.

Though the power of Omnipotence had been his to wield at that moment, he had too much of its diviner property of Mercy in his breast, to have turned one feather's weight of it against her. But he could not bear to see her crouching down upon the little seat where he had often looked on her, with love and pride, so innocent and gay; and, when she rose and left him, sobbing as she went, he felt it a relief to have the vacant place beside him rather than her so long-cherished presence. This in itself was anguish keener than all, reminding him how desolate he was become, and how the great bond of his life was rent asunder.

Though he had the power of Omnipotence at that moment, he felt too much of its divine aspect of Mercy in his heart to lift even a feather’s weight against her. But he couldn't stand to see her hunched over on the little seat where he had often watched her, full of love and pride, so innocent and joyful; and when she stood up and walked away, sobbing as she went, he felt relief at having the empty space beside him rather than her long-cherished presence. This alone caused him a deeper anguish than anything else, reminding him how lonely he had become and how the fundamental bond of his life was torn apart.

The more he felt this, and the more he knew he could have [167]better borne to see her lying prematurely dead before him with her little child upon her breast, the higher and the stronger rose his wrath against his enemy. He looked about him for a weapon.

The more he felt this, and the more he realized he could have [167]better handled seeing her lying dead too soon in front of him with her little child on her chest, the stronger and more intense his anger against his enemy became. He searched around for a weapon.

There was a gun hanging on the wall. He took it down, and moved a pace or two towards the door of the perfidious Stranger's room. He knew the gun was loaded. Some shadowy idea that it was just to shoot this man like a wild beast seized him, and dilated in his mind until it grew into a monstrous demon in complete possession of him, casting out all milder thoughts, and setting up its undivided empire.

There was a gun hanging on the wall. He took it down and moved a step or two toward the door of the treacherous Stranger's room. He knew the gun was loaded. A vague thought that it was meant to shoot this man like a wild animal took hold of him and grew in his mind until it transformed into a monstrous demon that completely consumed him, driving out all milder thoughts and establishing its total control.

That phrase is wrong. Not casting out his milder thoughts, but artfully transforming them. Changing them into scourges to drive him on. Turning water into blood, love into hate, gentleness into blind ferocity. Her image, sorrowing, humbled, but still pleading to his tenderness and mercy with resistless power, never left his mind; but, staying there, it urged him to the door; raised the weapon to his shoulder; fitted and nerved his fingers to the trigger; and cried "Kill him! In his bed!"

That phrase is incorrect. Not pushing away his softer thoughts, but skillfully changing them. Turning them into weapons to push him forward. Converting water into blood, love into hate, kindness into unrestrained rage. Her image, sorrowful and humbled, yet still pleading for his compassion and mercy with unstoppable force, never left his mind; instead, it compelled him toward the door; lifted the weapon to his shoulder; readied and steeled his fingers on the trigger; and shouted, "Kill him! While he's in bed!"

He reversed the gun to beat the stock upon the door; he already held it lifted in the air; some indistinct design was in his thoughts of calling out to him to fly, for God's sake, by the window——

He turned the gun around to bang the butt against the door; he was already holding it up in the air; some vague thought crossed his mind about shouting to him to escape, for God’s sake, through the window——

When suddenly, the struggling fire illuminated the whole chimney with a glow of light; and the Cricket on the Hearth began to Chirp!

When suddenly, the flickering fire lit up the entire chimney with a warm glow; and the Cricket on the Hearth started to chirp!

No sound he could have heard, no human voice, not even hers, could so have moved and softened him. The artless words in which she had told him of her love for this same Cricket were once more freshly spoken; her trembling, earnest manner at the moment was again before him; her pleasant voice—oh, what a voice it was for making household music at the fireside of an honest man!—thrilled through and through his better nature, and awoke it into life and action.

No sound he could have heard, no human voice, not even hers, could have touched and softened him like this. The sincere words in which she had expressed her love for this same Cricket replayed in his mind; her nervous, heartfelt demeanor at that moment was vivid in his memory; her lovely voice—what a voice it was for creating warmth and harmony at the fireside of a good man!—echoed through his better self, bringing it to life and action.

He recoiled from the door, like a man walking in his sleep,[168] awakened from a frightful dream; and put the gun aside. Clasping his hands before his face, he then sat down again beside the fire, and found relief in tears.

He pulled away from the door, like someone sleepwalking, awakened from a terrifying dream; and set the gun aside. Covering his face with his hands, he sat down again next to the fire and found comfort in tears.[168]

The Cricket on the Hearth came out into the room, and stood in Fairy shape before him.

The Cricket on the Hearth came into the room and stood in a Fairy form before him.

"'I love it,'" said the Fairy Voice, repeating what he well remembered, "'for the many times I have heard it, and the many thoughts its harmless music has given me.'"

"'I love it,'" said the Fairy Voice, echoing a memory, "'for all the times I've heard it and the countless thoughts its gentle music has inspired in me.'"

"She said so!" cried the Carrier. "True!"

"She said so!" shouted the Carrier. "That's right!"

"'This has been a happy home, John! and I love the Cricket for its sake!'"

"'This has been a happy home, John! I love the Cricket because of that!'"

"It has been, Heaven knows," returned the Carrier. "She made it happy, always,—until now."

"It has been, God knows," replied the Carrier. "She always made it happy—until now."

"So gracefully sweet-tempered; so domestic, joyful, busy, and light-hearted!" said the Voice.

"So wonderfully cheerful; so homey, happy, active, and carefree!" said the Voice.

"Otherwise I never could have loved her as I did," returned the Carrier.

"Otherwise, I never could have loved her the way I did," replied the Carrier.

The Voice, correcting him, said "do."

The Voice, correcting him, said "do."

The Carrier repeated "as I did." But not firmly. His faltering tongue resisted his control, and would speak in its own way for itself and him.

The Carrier said, "just like I did." But he didn't sound very sure. His unsteady tongue didn't cooperate and wanted to express itself in its own way, both for him and by itself.

The Figure, in an attitude of invocation, raised its hand and said:

The Figure, in a gesture of summoning, raised its hand and said:

"Upon your own hearth——"

"At your own home——"

"The hearth she has blighted," interposed the Carrier.

"The hearth she has ruined," interrupted the Carrier.

"The hearth she has—how often!—blessed and brightened," said the Cricket; "the hearth which, but for her, were only a few stones and bricks and rusty bars, but which has been, through her, the Altar of your Home; on which you have nightly sacrificed some petty passion, selfishness, or care, and offered up the homage of a tranquil mind, a trusting nature, and an overflowing heart; so that the smoke from this poor chimney has gone upward with a better fragrance than the richest incense that is burnt before the richest shrines in all the gaudy temples[169] of this world!—Upon your own hearth; in its quiet sanctuary; surrounded by its gentle influences and associations; hear her! Hear me! Hear everything that speaks the language of your hearth and home!"

"The hearth she has—how often!—been a source of warmth and light," said the Cricket. "The hearth that, without her, would just be a few stones and bricks and rusty bars, but has become, because of her, the heart of your Home; on which you have nightly laid down some petty passion, selfishness, or worry, and offered up the peace of a calm mind, a trusting spirit, and a full heart; so that the smoke from this humble chimney has risen with a better fragrance than the finest incense burned before the grandest shrines in all the flashy temples[169] of this world!—On your own hearth; in its peaceful sanctuary; surrounded by its gentle influences and memories; listen to her! Listen to me! Listen to everything that speaks the language of your hearth and home!"

"And pleads for her?" inquired the Carrier.

"And is she begging for her?" the Carrier asked.

"All things that speak the language of your hearth and home must plead for her!" returned the Cricket. "For they speak the truth."

"Everything that speaks the language of your heart and home must stand up for her!" replied the Cricket. "Because they tell the truth."

And while the Carrier, with his head upon his hands, continued to sit meditating in his chair, the Presence stood beside him, suggesting his reflections by its power, and presenting them before him, as in a glass or picture. It was not a solitary Presence. From the hearth-stone, from the chimney, from the clock, the pipe, the kettle, and the cradle; from the floor, the walls, the ceiling, and the stairs; from the cart without, and the cupboard within, and the household implements; from everything and every place with which she had ever been familiar, and with which she had ever entwined one recollection of herself in her unhappy husband's mind,—Fairies came trooping forth. Not to stand beside him as the Cricket did, but to busy and bestir themselves. To do all honour to her image. To pull him by the skirts, and point to it when it appeared. To cluster round it, and embrace it, and strew flowers for it to tread on. To try to crown its fair head with their tiny hands. To show that they were fond of it, and loved it; and that there was not one ugly, wicked, or accusatory creature to claim knowledge of it—none but their playful and approving selves.

And while the Carrier, with his head resting on his hands, kept sitting in his chair lost in thought, the Presence stood beside him, inspiring his reflections with its power and displaying them before him like in a mirror or a picture. It wasn’t a solitary Presence. From the hearth, the chimney, the clock, the pipe, the kettle, and the cradle; from the floor, the walls, the ceiling, and the stairs; from the cart outside, and the cupboard inside, and the household items; from everything and every place she had ever known and with which she had ever intertwined a memory of herself in her unhappy husband's mind—Fairies came flocking forth. Not to stand beside him like the Cricket did, but to get busy and active. To honor her image. To tug at his sleeves and point to it when it appeared. To gather around it, and embrace it, and scatter flowers for it to walk on. To attempt to crown its lovely head with their tiny hands. To show that they adored it and loved it; and that there wasn’t a single ugly, wicked, or accusatory creature that claimed to know it—only their playful and approving selves.

His thoughts were constant to her image. It was always there.

His thoughts were always focused on her image. It was constantly there.

She sat plying her needle, before the fire, and singing to herself. Such a blithe, thriving, steady little Dot! The Fairy figures turned upon him all at once, by one consent, with one prodigious concentrated stare, and seemed to say, "Is this the light wife you are mourning for?"[170]

She sat stitching by the fire, humming to herself. What a cheerful, lively, steady little Dot! The Fairy figures suddenly turned to him together, with one intense stare, as if to say, "Is this the lovely wife you’re grieving for?"[170]

There were sounds of gaiety outside, musical instruments, and noisy tongues, and laughter. A crowd of young merry-makers came pouring in, among whom were May Fielding and a score of pretty girls. Dot was the fairest of them all; as young as any of them too. They came to summon her to join their party. It was a dance. If ever little foot were made for dancing, hers was, surely. But she laughed, and shook her head, and pointed to her cookery on the fire, and her table ready spread; with an exulting defiance that rendered her more charming than she was before. And so she merrily dismissed them, nodding to her would-be partners, one by one, as they passed out, with a comical indifference, enough to make them go and drown themselves immediately if they were her admirers—and they must have been so, more or less; they couldn't help it. And yet indifference was not her character. Oh no! For presently there came a certain Carrier to the door; and, bless her, what a welcome she bestowed upon him!

There were sounds of joy outside—musical instruments, loud voices, and laughter. A crowd of lively young people came rushing in, including May Fielding and a bunch of pretty girls. Dot was the prettiest of them all, just as young as any of them. They came to invite her to join their party, which was a dance. If any little foot was made for dancing, it was definitely hers. But she laughed, shook her head, and pointed to her cooking on the stove and her table set up; her defiant joyfulness made her even more charming. And so she cheerfully sent them off, nodding to each of her would-be partners as they passed by, with a playful indifference that could have made them want to drown their sorrows if they were in love with her—and they must have been, to some extent; it was inevitable. However, indifference wasn't really her nature. Oh no! Because soon after, a certain Carrier arrived at the door; and, oh my, what a warm welcome she gave him!

Again the staring figures turned upon him all at once, and seemed to say, "Is this the wife who has forsaken you?"

Again, the staring figures turned to him all at once and seemed to say, "Is this the wife who has abandoned you?"

A shadow fell upon the mirror or the picture: call it what you will. A great shadow of the Stranger, as he first stood underneath their roof; covering its surface, and blotting out all other objects. But, the nimble Fairies worked like bees to clear it off again. And Dot again was there. Still bright and beautiful.

A shadow fell over the mirror or the picture: whatever you prefer to call it. A huge shadow of the Stranger, as he initially stood under their roof; it covered the surface, blocking out everything else. But the quick Fairies worked like bees to clear it away again. And Dot was there once more. Still bright and beautiful.

Rocking her little Baby in its cradle, singing to it softly, and resting her head upon a shoulder which had its counterpart in the musing figure by which the Fairy Cricket stood.

Rocking her little baby in its crib, singing softly to it, and resting her head on a shoulder that mirrored the thoughtful figure next to which the Fairy Cricket stood.

The night—I mean the real night: not going by Fairy clocks—was wearing now; and, in this stage of the Carrier's thoughts, the moon burst out, and shone brightly in the sky. Perhaps some calm and quiet light had risen also in his mind; and he could think more soberly of what had happened.

The night—I mean the real night: not following Fairy clocks—was fading now; and, at this point in the Carrier's thoughts, the moon appeared and shone brightly in the sky. Maybe some calm and peaceful light had also emerged in his mind; and he could consider more clearly what had happened.

Although the shadow of the Stranger fell at intervals upon[171] the glass—always distinct, and big, and thoroughly defined—it never fell so darkly as at first. Whenever it appeared, the Fairies uttered a general cry of consternation, and plied their little arms and legs with inconceivable activity to rub it out. And whenever they got at Dot again, and showed her to him once more, bright and beautiful, they cheered in the most inspiring manner.

Although the shadow of the Stranger occasionally fell on[171] the glass—always clear, large, and well-defined—it never cast such a gloomy presence as it did at the beginning. Whenever it showed up, the Fairies let out a collective gasp and worked their tiny arms and legs with unbelievable energy to wipe it away. And every time they got to Dot again and revealed her to him once more, glowing and gorgeous, they cheered in the most uplifting way.

They never showed her otherwise than beautiful and bright, for they were Household Spirits to whom falsehood is an annihilation; and being so, what Dot was there for them, but the one active, beaming, pleasant little creature who had been the light and sun of the Carrier's Home?

They always saw her as beautiful and cheerful, since they were Household Spirits for whom lying is a total loss; and because of that, what else was Dot to them but the lively, radiant, cheerful little being who had been the light and sunshine of the Carrier's Home?

The Fairies were prodigiously excited when they showed her, with the Baby, gossipping among a knot of sage old matrons, and affecting to be wondrous old and matronly herself, and leaning in a staid demure old way upon her husband's arm, attempting—she! such a bud of a little woman—to convey the idea of having abjured the vanities of the world in general, and of being the sort of person to whom it was no novelty at all to be a mother; yet, in the same breath, they showed her laughing at the Carrier for being awkward, and pulling up his shirt collar to make him smart, and mincing merrily about that very room to teach him how to dance!

The Fairies were incredibly excited when they showed her with the Baby, gossiping among a group of wise old women, and pretending to be wonderfully old and matronly herself. She leaned on her husband’s arm in a serious and modest way, trying—she! such a young little woman—to give the impression that she had given up all the vanities of the world and was the kind of person for whom being a mother was nothing new; yet, at the same time, they showed her laughing at the Carrier for being clumsy, tugging at his shirt collar to make him look sharp, and playfully dancing around that very room to teach him how to move!

They turned, and stared immensely at him when they showed her with the Blind Girl; for, though she carried cheerfulness and animation with her wheresoever she went, she bore those influences into Caleb Plummer's home, heaped up and running over. The Blind Girl's love for her, and trust in her, and gratitude to her; her own good busy way of setting Bertha's thanks aside; her dexterous little arts for filling up each moment of the visit in doing something useful to the house, and really working hard while feigning to make holiday; her bountiful provision of those standing delicacies, the Veal and Ham Pie and the bottles of Beer; her radiant little face arriving at the door, and[172] taking leave; the wonderful expression in her whole self, from her neat foot to the crown of her head, of being a part of the establishment—a something necessary to it, which it couldn't be without,—all this the Fairies revelled in, and loved her for. And once again they looked upon him all at once, appealingly, and seemed to say, while some among them nestled in her dress and fondled her, "Is this the wife who has betrayed your confidence?"

They turned and stared at him in amazement when they saw her with the Blind Girl; for even though she brought cheerfulness and energy wherever she went, she filled Caleb Plummer's home with those feelings, overflowing. The Blind Girl's love for her, trust in her, and gratitude towards her; her own endearing habit of brushing aside Bertha's thanks; her clever little ways of making every moment of the visit purposeful by doing something helpful around the house, truly working hard while pretending to relax; her generous supply of those comforting treats, the Veal and Ham Pie and bottles of Beer; her bright little face appearing at the door, and saying goodbye; the incredible way she embodied being part of the household—a crucial element that it couldn't do without— all this delighted the Fairies, and they adored her for it. Once again, they looked at him all together, pleadingly, as some nestled into her dress and fondled her, seeming to ask, "Is this the wife who has betrayed your trust?"

More than once, or twice, or thrice, in the long thoughtful night, they showed her to him sitting on her favourite seat, with her bent head, her hands clasped on her brow, her falling hair. As he had seen her last. And when they found her thus, they neither turned nor looked upon him, but gathered close round her, and comforted and kissed her, and pressed on one another, to show sympathy and kindness to her, and forgot him altogether.

More than once, or twice, or three times, during the long, contemplative night, they showed her to him sitting in her favorite spot, with her head bent, her hands clasped on her forehead, her hair spilling down. Just like he had seen her last. And when they found her like that, they neither turned nor looked at him, but gathered closely around her, comforting and kissing her, urging one another to show her sympathy and kindness, completely forgetting about him.

Thus the night passed. The moon went down; the stars grew pale; the cold day broke; the sun rose. The Carrier still sat, musing, in the chimney-corner. He had sat there, with his head upon his hands, all night. All night the faithful Cricket had been Chirp, Chirp, Chirping on the Hearth. All night he had listened to its voice. All night the Household Fairies had been busy with him. All night she had been amiable and blameless in the glass, except when that one shadow fell upon it.

Thus the night passed. The moon set; the stars faded; the chilly day began; the sun rose. The Carrier still sat, lost in thought, in the corner by the fireplace. He had been there, with his head in his hands, all night. All night the loyal Cricket had been Chirp, Chirp, Chirping on the Hearth. He had listened to its voice the entire time. All night the Household Fairies had been hard at work with him. All night she had looked kind and innocent in the glass, except when that one shadow appeared.

He rose up when it was broad day, and washed and dressed himself. He couldn't go about his customary cheerful avocations—he wanted spirit for them—but it mattered the less that it was Tackleton's wedding-day, and he had arranged to make his rounds by proxy. He had thought to have gone merrily to church with Dot. But such plans were at an end. It was their own wedding-day too. Ah! how little he had looked for such a close to such a year!

He got up when it was bright out, washed up, and got dressed. He couldn't engage in his usual cheerful activities—he needed the energy for that—but it mattered less because it was Tackleton's wedding day, and he had planned to make his rounds through someone else. He had thought about going happily to church with Dot. But those plans were over now. It was their own wedding day too. Ah! How little he had expected such a twist to such a year!

The Carrier expected that Tackleton would pay him an early visit; and he was right. He had not walked to and fro before his own door many minutes, when he saw the toy merchant[173] coming in his chaise along the road. As the chaise drew nearer, he perceived that Tackleton was dressed out sprucely for his marriage, and that he had decorated his horse's head with flowers and favours.

The Carrier thought Tackleton would stop by for a visit soon, and he was right. He had only paced back and forth in front of his own door for a few minutes when he saw the toy merchant[173] approaching in his carriage. As the carriage got closer, he noticed that Tackleton was all dressed up for his wedding and had adorned his horse's head with flowers and decorations.

The horse looked much more like a bridegroom than Tackleton, whose half-closed eye was more disagreeably expressive than ever. But the Carrier took little heed of this. His thoughts had other occupation.

The horse looked way more like a groom than Tackleton, whose half-closed eye was more unpleasantly expressive than ever. But the Carrier paid little attention to this. His thoughts were occupied elsewhere.

"John Peerybingle!" said Tackleton with an air of condolence. "My good fellow, how do you find yourself this morning?"

"John Peerybingle!" Tackleton said, sounding sympathetic. "My friend, how are you doing this morning?"

"I have had but a poor night, Master Tackleton," returned the Carrier, shaking his head: "for I have been a good deal disturbed in my mind. But it's over now! Can you spare me half an hour or so, for some private talk?"

"I didn't sleep well last night, Master Tackleton," replied the Carrier, shaking his head. "I was feeling pretty unsettled. But that's behind me now! Can you give me about half an hour for a private chat?"

"I came on purpose," returned Tackleton, alighting. "Never mind the horse. He'll stand quiet enough, with the reins over this post, if you'll give him a mouthful of hay."

"I came here on purpose," Tackleton replied as he got down. "Don't worry about the horse. He'll stand still enough with the reins over this post if you give him a bit of hay."

The Carrier having brought it from his stable and set it before him, they turned into the house.

The Carrier brought it from his stable and placed it in front of him, and then they went into the house.

"You are not married before noon," he said, "I think?"

"You’re not married until after noon," he said, "I think?"

"No," answered Tackleton. "Plenty of time. Plenty of time."

"No," Tackleton replied. "There's plenty of time. Plenty of time."

When they entered the kitchen, Tilly Slowboy was rapping at the Stranger's door; which was only removed from it by a few steps. One of her very red eyes (for Tilly had been crying all night long, because her mistress cried) was at the keyhole; and she was knocking very loud, and seemed frightened.

When they walked into the kitchen, Tilly Slowboy was knocking at the Stranger's door, which was just a few steps away. One of her very red eyes (because Tilly had been crying all night since her mistress was crying) was at the keyhole, and she was banging loudly, looking quite scared.

"If you please I can't make nobody hear," said Tilly, looking round. "I hope nobody an't gone and been and died if you please!"

"If you don’t mind, I can't get anyone to listen," Tilly said, looking around. "I hope nobody has gone and died, if you don’t mind!"

This philanthropic wish Miss Slowboy emphasized with various new raps and kicks at the door, which led to no result whatever.[174]

This charitable desire that Miss Slowboy highlighted with several new knocks and kicks at the door led to absolutely no result.[174]

"Shall I go?" said Tackleton. "It's curious."

"Should I leave?" Tackleton asked. "That's interesting."

The Carrier, who had turned his face from the door, signed him to go if he would.

The Carrier, who had turned his face away from the door, gestured for him to leave if he wanted to.

So Tackleton went to Tilly Slowboy's relief; and he too kicked and knocked; and he too failed to get the least reply. But he thought of trying the handle of the door; and, as it opened easily, he peeped in, looked in, went in, and soon came running out again.

So Tackleton went to help Tilly Slowboy; and he also kicked and knocked; and he also didn’t get any response. But he decided to try the door handle; and when it opened easily, he peeked inside, looked around, went in, and soon came running out again.

"John Peerybingle," said Tackleton in his ear, "I hope there has been nothing—nothing rash in the night?"

"John Peerybingle," Tackleton whispered in his ear, "I hope there hasn't been anything—anything reckless during the night?"

The Carrier turned upon him quickly.

The Carrier turned to him swiftly.

"Because he's gone!" said Tackleton; "and the window's open. I don't see any marks—to be sure, it's almost on a level with the garden: but I was afraid there might have been some—some scuffle. Eh?"

"Because he's gone!" Tackleton said. "And the window's open. I don’t see any marks—sure, it's almost even with the garden: but I was afraid there might have been some—some struggle. Right?"

He nearly shut up the expressive eye altogether; he looked at him so hard. And he gave his eye, and his face, and his whole person, a sharp twist. As if he would have screwed the truth out of him.

He almost completely closed off his expressive eye; he stared at him so intensely. He contorted his eye, face, and whole body sharply, as if he were trying to pry the truth out of him.

"Make yourself easy," said the Carrier. "He went into that room last night, without harm in word or deed from me, and no one has entered it since. He is away of his own free-will. I'd go out gladly at that door, and beg my bread from house to house, for life, if I could so change the past that he had never come. But he has come and gone. And I have done with him!"

"Take it easy," said the Carrier. "He went into that room last night, without any harm from me, and no one has gone in since. He left of his own accord. I'd happily walk out that door and beg for food from door to door for the rest of my life if I could change the past so that he had never come. But he did come and he’s gone. I'm done with him!"

"Oh!—Well, I think he has got off pretty easy," said Tackleton, taking a chair.

"Oh!—Well, I think he got off pretty easy," said Tackleton, taking a chair.

The sneer was lost upon the Carrier, who sat down too, and shaded his face with his hand, for some little time, before proceeding.

The sneer was wasted on the Carrier, who also sat down and covered his face with his hand for a while before continuing.

"You showed me last night," he said at length, "my wife—my wife that I love—secretly——"

"You showed me last night," he said after a pause, "my wife—my wife that I love—secretly——"

"And tenderly," insinuated Tackleton.[175]

"And gently," insinuated Tackleton.[175]

"—Conniving at that man's disguise, and giving him opportunities of meeting her alone. I think there's no sight I wouldn't have rather seen than that. I think there's no man in the world I wouldn't have rather had to show it me."

"—Scheming to let that guy hide who he is and giving him chances to be alone with her. I can’t think of anything I would have preferred to see than that. There’s no guy I would have rather had show it to me."

"I confess to having had my suspicions always," said Tackleton. "And that has made me objectionable here, I know."

"I admit I’ve always had my doubts," Tackleton said. "And I know that’s made me hard to deal with here."

"But, as you did show it me," pursued the Carrier, not minding him; "and as you saw her, my wife, my wife that I love"—his voice, and eye, and hand grew steadier and firmer as he repeated these words: evidently in pursuance of a steadfast purpose—"as you saw her at this disadvantage, it is right and just that you should also see with my eyes, and look into my breast, and know what my mind is upon the subject. For it's settled," said the Carrier, regarding him attentively. "And nothing can shake it now."

"But, as you showed it to me," the Carrier continued, ignoring him; "and as you saw her, my wife, the woman I love"—his voice, gaze, and hand became steadier and stronger as he repeated these words, clearly determined—"since you saw her in that situation, it's fair and right that you should also see things from my perspective, understand what I feel, and know what's on my mind about this. Because it's decided," said the Carrier, looking at him closely. "And nothing can change that now."

Tackleton muttered a few general words of assent about its being necessary to vindicate something or other; but he was overawed by the manner of his companion. Plain and unpolished as it was, it had a something dignified and noble in it, which nothing but the soul of generous honour dwelling in the man could have imparted.

Tackleton mumbled a few vague words of agreement about the need to justify something or other; however, he was intimidated by his companion's demeanor. Though straightforward and unrefined, there was something dignified and noble about it, which could only come from the presence of genuine honor within the man.

"I am a plain, rough man," pursued the Carrier "with very little to recommend me. I am not a clever man, as you very well know. I am not a young man. I loved my little Dot, because I had seen her grow up, from a child, in her father's house; because I knew how precious she was; because she had been my life for years and years. There's many men I can't compare with, who never could have loved my little Dot like me, I think!"

"I’m just a simple, rugged guy," the Carrier continued, "with not much to offer. I’m not particularly clever, as you know. I’m not young anymore. I loved my little Dot because I watched her grow up from a child in her dad's house; I knew how valuable she was; she had been my whole life for years and years. There are many men I can’t measure up to who could never have loved my little Dot the way I do, I believe!"

He paused, and softly beat the ground a short time with his foot, before resuming:

He paused and gently tapped the ground with his foot for a moment before continuing:

"I often thought that though I wasn't good enough for her, I should make her a kind husband, and perhaps know her value better than another; and in this way I reconciled it to myself,[176] and came to think it might be possible that we should be married. And, in the end, it came about, and we were married!"

"I often thought that even though I wasn't good enough for her, I could be a kind husband and maybe appreciate her value more than others; in this way, I came to terms with it,[176] and started to believe that it might actually be possible for us to get married. And in the end, it happened, and we were married!"

"Hah!" said Tackleton with a significant shake of his head.

"Hah!" said Tackleton, shaking his head meaningfully.

"I had studied myself; I had had experience of myself; I knew how much I loved her, and how happy I should be," pursued the Carrier. "But I had not—I feel it now—sufficiently considered her."

"I had reflected on myself; I had experienced myself; I knew how much I loved her and how happy I would be," continued the Carrier. "But I had not—I realize it now—thought about her enough."

"To be sure," said Tackleton. "Giddiness, frivolity, fickleness, love of admiration! Not considered! All left out of sight! Hah!"

"Sure," said Tackleton. "Dizziness, silliness, unpredictability, craving for attention! Not taken into account! All ignored! Hah!"

"You had best not interrupt me," said the Carrier with some sternness, "till you understand me; and you're wide of doing so. If, yesterday, I'd have struck that man down at a blow, who dared to breathe a word against her, to-day I'd set my foot upon his face, if he was my brother!"

"You better not interrupt me," said the Carrier with some seriousness, "until you get what I'm saying; and you're far off from that. If yesterday I would have knocked that guy down who dared to say anything against her, today I’d step on his face, even if he was my brother!"

The toy merchant gazed at him in astonishment. He went on in a softer tone:

The toy merchant looked at him in shock. He continued in a gentler tone:

"Did I consider," said the Carrier, "that I took her—at her age, and with her beauty—from her young companions, and the many scenes of which she was the ornament; in which she was the brightest little star that ever shone, to shut her up from day to day in my dull house, and keep my tedious company? Did I consider how little suited I was to her sprightly humour, and how wearisome a plodding man like me must be to one of her quick spirit? Did I consider that it was no merit in me, or claim in me, that I loved her, when everybody must who knew her? Never. I took advantage of her hopeful nature and her cheerful disposition; and I married her. I wish I never had! For her sake; not for mine!"

"Did I think," said the Carrier, "about how I took her—at her age and with her beauty—from her young friends, and the many places where she shone as the brightest little star? I brought her to my dull house and kept her in my boring company day after day. Did I think about how poorly suited I was to her lively spirit, and how exhausting a tedious person like me must be for someone as quick-witted as her? Did I think that it was no achievement or entitlement on my part to love her, since anyone who knew her would? Never. I took advantage of her optimistic nature and her cheerful personality; and I married her. I wish I hadn't! For her sake; not mine!"

The toy merchant gazed at him without winking. Even the half-shut eye was open now.

The toy seller stared at him without blinking. Even the half-closed eye was wide open now.

"Heaven bless her!" said the Carrier, "for the cheerful constancy with which she has tried to keep the knowledge of this from me! And Heaven help me, that, in my slow mind, I have[177] not found it out before! Poor child! Poor Dot! I not to find it out, who have seen her eyes fill with tears when such a marriage as our own was spoken of! I, who have seen the secret trembling on her lips a hundred times, and never suspected it, till last night! Poor girl! That I could ever hope she would be fond of me! That I could ever believe she was!"

"Heaven bless her!" said the Carrier, "for the cheerful way she has tried to keep this from me! And Heaven help me that, in my slow mind, I have[177] not figured it out before! Poor child! Poor Dot! How did I not realize, when I’ve seen her eyes fill with tears whenever a marriage like ours was mentioned! I’ve seen the secret flickering on her lips a hundred times and never suspected it until last night! Poor girl! That I could ever hope she would care for me! That I could ever believe she did!"

"She made a show of it," said Tackleton. "She made such a show of it, that, to tell you the truth, it was the origin of my misgivings."

"She put on quite a performance," said Tackleton. "She put on such a performance that, to be honest, it was what made me start to feel uneasy."

And here he asserted the superiority of May Fielding, who certainly made no sort of show of being fond of him.

And here he claimed that May Fielding was better, even though she definitely didn't act like she was into him.

"She has tried," said the poor Carrier with greater emotion than he had exhibited yet; "I only now begin to know how hard she has tried, to be my dutiful and zealous wife. How good she has been; how much she has done; how brave and strong a heart she has; let the happiness I have known under this roof bear witness! It will be some help and comfort to me when I am here alone."

"She has tried," said the poor Carrier with more emotion than he had shown before; "I only now start to realize how hard she has tried to be my devoted and caring wife. How good she has been; how much she has done; how brave and strong her heart is; let the happiness I've experienced under this roof be proof! It will provide some help and comfort to me when I'm here alone."

"Here alone?" said Tackleton. "Oh! Then you do mean to take some notice of this?"

"Here by yourself?" Tackleton said. "Oh! So you do plan to acknowledge this?"

"I mean," returned the Carrier, "to do her the greatest kindness, and make her the best reparation, in my power. I can release her from the daily pain of an unequal marriage, and the struggle to conceal it. She shall be as free as I can render her."

"I mean," replied the Carrier, "to do her the greatest kindness and make the best amends I can. I can free her from the daily pain of an unequal marriage and the struggle to hide it. She will be as free as I can make her."

"Make her reparation!" exclaimed Tackleton, twisting and turning his great ears with his hands. "There must be something wrong here. You didn't say that, of course."

"Make her pay for what she did!" shouted Tackleton, twisting and turning his big ears with his hands. "Something is definitely off here. You didn’t say that, right?"

The Carrier set his grip upon the collar of the toy merchant, and shook him like a reed.

The Carrier grabbed the collar of the toy merchant and shook him like a ragdoll.

"Listen to me!" he said. "And take care that you hear me right. Listen to me. Do I speak plainly?"

"Listen to me!" he said. "And make sure you hear me clearly. Listen to me. Am I being clear?"

"Very plainly indeed," answered Tackleton.

"Very plainly," answered Tackleton.

"As if I meant it?"[178]

"As if I meant that?"[178]

"Very much as if you meant it."

"Exactly as if you really meant it."

"I sat upon that hearth, last night, all night," exclaimed the Carrier. "On the spot where she has often sat beside me, with her sweet face looking into mine. I called up her whole life day by day. I had her dear self, in its every passage, in review before me. And, upon my soul, she is innocent, if there is One to judge the innocent and guilty!"

"I sat on that hearth last night, all night," the Carrier exclaimed. "Right where she used to sit next to me, her sweet face looking into mine. I went through her entire life day by day. I had every moment of her dear self in front of me. And, I swear, she is innocent, if there is anyone to judge the innocent and guilty!"

Staunch Cricket on the Hearth! Loyal Household Fairies!

Staunch Cricket on the Hearth! Loyal Household Fairies!

"Passion and distrust have left me!" said the Carrier; "and nothing but my grief remains. In an unhappy moment some old lover, better suited to her tastes and years than I, forsaken, perhaps, for me, against her will, returned. In an unhappy moment, taken by surprise, and wanting time to think of what she did, she made herself a party to his treachery by concealing it. Last night she saw him, in the interview we witnessed. It was wrong. But, otherwise than this, she is innocent, if there is truth on earth!"

"Passion and distrust are gone!" said the Carrier; "and all that’s left is my grief. In a moment of bad luck, some old lover, who fits her better in taste and age than I do, maybe left her for me against her will. Caught off guard and needing time to think about her actions, she got involved in his betrayal by keeping it a secret. Last night she met with him during the encounter we saw. It was wrong. But other than that, she’s innocent, if there's any truth in this world!"

"If that is your opinion——" Tackleton began.

"If that's how you feel——" Tackleton started.

"So, let her go!" pursued the Carrier. "Go, with my blessing for the many happy hours she has given me, and my forgiveness for any pang she has caused me. Let her go, and have the peace of mind I wish her! She'll never hate me. She'll learn to like me better when I'm not a drag upon her, and she wears the chain I have riveted more lightly. This is the day on which I took her, with so little thought for her enjoyment, from her home. To-day she shall return to it, and I will trouble her no more. Her father and mother will be here to-day—we had made a little plan for keeping it together—and they shall take her home. I can trust her there, or anywhere. She leaves me without blame, and she will live so I am sure. If I should die—I may perhaps while she is still young; I have lost some courage in a few hours—she'll find that I remembered her, and loved her to the last! This is the end of what you showed me. Now, it's over!"[179]

"So, let her go!" the Carrier insisted. "Go, with my blessing for all the happy times she's given me, and my forgiveness for any pain she's caused. Let her go and find the peace of mind I wish for her! She'll never hate me. She'll come to like me more when I'm not a burden to her, and she wears the chain I’ve fastened more lightly. Today is the day I took her from her home without thinking about her happiness. Today, she’ll go back, and I won't trouble her anymore. Her father and mother will be here today—we had planned to keep it together—and they’ll take her home. I can trust her there or anywhere. She leaves me without blame, and I know she'll be fine. If I should die—I might while she’s still young; I’ve lost some courage in just a few hours—she’ll see that I remembered her and loved her until the end! This is the conclusion of what you showed me. Now, it's over!"[179]

"Oh no, John, not over! Do not say it's over yet! Not quite yet. I have heard your noble words. I could not steal away, pretending to be ignorant of what has affected me with such deep gratitude. Do not say it's over till the clock has struck again!"

"Oh no, John, not yet! Don’t say it’s over! Not quite yet. I’ve heard your noble words. I couldn’t just walk away, acting like I didn’t know what has impacted me with such deep gratitude. Don’t say it’s over until the clock strikes again!"

She had entered shortly after Tackleton, and had remained there. She never looked at Tackleton, but fixed her eyes upon her husband. But she kept away from him, setting as wide a space as possible between them; and, though she spoke with most impassioned earnestness, she went no nearer to him even then. How different in this from her old self!

She came in shortly after Tackleton and stayed there. She never glanced at Tackleton but kept her gaze on her husband. However, she stayed away from him, putting as much distance as she could between them; and even though she spoke with intense passion, she still didn't move closer to him. How different this was from her former self!

"No hand can make the clock which will strike again for me the hours that are gone," replied the Carrier with a faint smile. "But let it be so, if you will, my dear. It will strike soon. It's of little matter what we say. I'd try to please you in a harder case than that."

"No hand can create the clock that will ring again for me the hours that are lost," replied the Carrier with a slight smile. "But fine, if that's how you want it, my dear. It will ring soon. It doesn't really matter what we say. I'd do my best to make you happy in a tougher situation than this."

"Well!" muttered Tackleton. "I must be off, for, when the clock strikes again, it'll be necessary for me to be upon my way to church. Good morning, John Peerybingle. I'm sorry to be deprived of the pleasure of your company. Sorry for the loss, and the occasion of it too!"

"Well!" muttered Tackleton. "I have to go, because when the clock strikes again, I need to head to church. Good morning, John Peerybingle. I'm sorry to miss out on spending time with you. Sorry for the loss and the reason for it too!"

"I have spoken plainly?" said the Carrier, accompanying him to the door.

"I've been clear?" said the Carrier, walking him to the door.

"Oh, quite!"

"Oh, totally!"

"And you'll remember what I have said?"

"And you'll remember what I've said?"

"Why, if you compel me to make the observation," said Tackleton, previously taking the precaution of getting into his chaise, "I must say that it was so very unexpected, that I'm far from being likely to forget it."

"Well, if you're making me point this out," said Tackleton, having the foresight to get into his carriage first, "I have to say it was so surprising that I’m definitely not going to forget it."

"The better for us both," returned the Carrier. "Good-bye. I give you joy!"

"The better for us both," replied the Carrier. "Goodbye. Wishing you happiness!"

"I wish I could give it to you," said Tackleton. "As I can't, thankee. Between ourselves (as I told you before, eh?) I don't much think I shall have the less joy in my married life[180] because May hasn't been too officious about me, and too demonstrative. Good-bye! Take care of yourself."

"I wish I could give it to you," said Tackleton. "Since I can't, thanks anyway. Just between us (like I mentioned before, right?), I don't really think I'll have any less joy in my married life[180] just because May hasn't been overly concerned about me or too showy. Bye! Take care of yourself."

The Carrier stood looking after him until he was smaller in the distance than his horse's flowers and favours near at hand; and then, with a deep sigh, went strolling like a restless, broken man, among some neighbouring elms; unwilling to return until the clock was on the eve of striking.

The Carrier stood watching him until he was smaller in the distance than the flowers and decorations on his horse right in front of him; and then, with a deep sigh, he wandered like a restless, broken man among some nearby elms, reluctant to go back until just before the clock was about to strike.

His little wife, being left alone, sobbed piteously; but often dried her eyes and checked herself, to say how good he was, how excellent he was! and once or twice she laughed; so heartily, triumphantly, and incoherently (still crying all the time), that Tilly was quite horrified.

His little wife, left alone, cried sadly; but she often dried her tears and pulled herself together to say how good he was, how wonderful he was! And a couple of times she laughed; so heartily, triumphantly, and incoherently (still crying the whole time), that Tilly was completely shocked.

"Ow, if you please, don't!" said Tilly. "It's enough to dead and bury the Baby, so it is if you please."

"Ow, please don’t!" said Tilly. "That’s enough to kill the Baby, seriously."

"Will you bring him sometimes to see his father, Tilly," inquired her mistress, drying her eyes,—"when I can't live here, and have gone to my old home?"

"Will you sometimes take him to see his father, Tilly?" asked her mistress, wiping her tears, "when I can't stay here and have gone back to my old home?"

"Ow, if you please, don't!" cried Tilly, throwing back her head, and bursting out into a howl—she looked at the moment uncommonly like Boxer. "Ow, if you please, don't! Ow, what has everybody gone and been and done with everybody, making everybody else so wretched? Ow-w-w-w!"

"Ow, please don’t!" cried Tilly, tossing her head back and bursting into tears—she looked at that moment surprisingly like Boxer. "Ow, please don’t! Ow, what has everyone done to everybody, making everyone else so miserable? Ow-w-w-w!"

The soft-hearted Slowboy tailed off at this juncture into such a deplorable howl, the more tremendous from its long suppression, that she must infallibly have awakened the Baby, and frightened him into something serious (probably convulsions), if her eyes had not encountered Caleb Plummer leading in his daughter. This spectacle restoring her to a sense of the proprieties, she stood for some few moments silent, with her mouth wide open; and then, posting off to the bed on which the Baby lay asleep, danced in a weird, St. Vitus manner on the floor, and at the same time rummaged with her face and head among the bedclothes, apparently deriving much relief from those extraordinary operations.[181]

The soft-hearted Slowboy suddenly let out a heartbreaking wail, so intense from being held back for so long, that she would have definitely woken the Baby and scared him into something serious (probably convulsions), if her eyes hadn't caught sight of Caleb Plummer bringing in his daughter. This sight brought her back to reality, and she stood there for a few moments in silence, with her mouth wide open; then, rushing over to the bed where the Baby lay sleeping, she began dancing awkwardly on the floor, like someone with St. Vitus dance, while also burying her face and head in the bedclothes, seemingly finding a lot of comfort in those strange actions.[181]

"Mary!" said Bertha. "Not at the marriage!"

"Mary!" Bertha exclaimed. "Not at the wedding!"

"I told her you would not be there, mum," whispered Caleb. "I heard as much last night. But bless you," said the little man, taking her tenderly by both hands, "I don't care for what they say. I don't believe them. There an't much of me, but that little should be torn to pieces sooner than I'd trust a word against you!"

"I told her you wouldn't be there, Mom," Caleb whispered. "I heard that last night. But bless you," said the little man, taking her gently by both hands, "I don't care what they say. I don't believe them. There's not much to me, but that little should be torn to pieces before I’d trust a word against you!"

He put his arms about her neck and hugged her, as a child might have hugged one of his own dolls.

He wrapped his arms around her neck and hugged her like a child would hug one of their dolls.

"Bertha couldn't stay at home this morning," said Caleb. "She was afraid, I know, to hear the bells ring, and couldn't trust herself to be so near them on their wedding-day. So we started in good time, and came here. I have been thinking of what I have done," said Caleb after a moment's pause; "I have been blaming myself till I hardly knew what to do, or where to turn, for the distress of mind I have caused her; and I've come to the conclusion that I'd better, if you'll stay with me, mum, the while, tell her the truth. You'll stay with me the while?" he inquired, trembling from head to foot. "I don't know what effect it may have upon her; I don't know what she'll think of me; I don't know that she'll ever care for her poor father afterwards. But it's best for her that she should be undeceived, and I must bear the consequences as I deserve!"

"Bertha couldn’t stay home this morning," said Caleb. "She was scared, I know, to hear the bells ring, and couldn’t trust herself to be so close to them on her wedding day. So we left on time and came here. I’ve been thinking about what I’ve done," Caleb said after a brief pause. "I’ve been blaming myself so much that I hardly knew what to do or where to turn because of the distress I’ve caused her. I’ve come to the conclusion that it’s best, if you’ll stay with me, Mum, to just tell her the truth. Will you stay with me while I do?" he asked, shaking all over. "I don’t know how she’ll react; I don’t know what she’ll think of me; I don’t know if she’ll ever care about her poor father again. But it’s best for her to know the truth, and I have to face the consequences as I deserve!"

"Mary," said Bertha, "where is your hand? Ah! Here it is; here it is!" pressing it to her lips with a smile, and drawing it through her arm. "I heard them speaking softly among themselves last night of some blame against you. They were wrong."

"Mary," Bertha said, "where's your hand? Ah! Here it is; here it is!" She pressed it to her lips with a smile and slipped her arm through it. "I overheard them whispering about some blame directed at you last night. They were mistaken."

The Carrier's wife was silent. Caleb answered for her.

The Carrier's wife didn't say anything. Caleb spoke for her.

"They were wrong," he said.

"They're wrong," he said.

"I knew it!" cried Bertha, proudly. "I told them so. I scorned to hear a word! Blame her with justice!" she pressed the hand between her own, and the soft cheek against her face. "No, I am not so blind as that."[182]

"I knew it!" Bertha exclaimed proudly. "I told them so. I refused to listen to a word! Blame her fairly!" She held the hand between her own and pressed the soft cheek against her face. "No, I’m not that blind."[182]

Her father went on one side of her, while Dot remained upon the other, holding her hand.

Her father stood on one side of her, while Dot stayed on the other, holding her hand.

"I know you all," said Bertha, "better than you think. But none so well as her. Not even you, father. There is nothing half so real and so true about me as she is. If I could be restored to sight this instant, and not a word were spoken, I could choose her from a crowd! My sister!"

"I know all of you," said Bertha, "better than you think. But no one as well as her. Not even you, Dad. There is nothing half as real and true about me as she is. If I could see again right now, and not a word was said, I could pick her out from a crowd! My sister!"

"Bertha, my dear!" said Caleb. "I have something on my mind I want to tell you while we three are alone. Hear me kindly! I have a confession to make to you, my darling!"

"Bertha, my dear!" said Caleb. "I have something on my mind that I want to share with you while it’s just the three of us. Please listen! I have a confession to make to you, my love!"

"A confession, father?"

"Want to confess, Father?"

"I have wandered from the truth, and lost myself, my child," said Caleb with a pitiable expression in his bewildered face. "I have wandered from the truth, intending to be kind to you; and have been cruel."

"I've strayed from the truth and lost myself, my child," Caleb said, his face showing a look of distress. "I meant to be kind to you, but I've ended up being cruel."

She turned her wonder-stricken face towards him, and repeated "Cruel!"

She turned her amazed face towards him and repeated, "Cruel!"

"He accuses himself too strongly, Bertha," said Dot. "You'll say so presently. You'll be the first to tell him so."

"He blames himself way too much, Bertha," said Dot. "You'll see. You'll be the first to tell him that."

"He cruel to me!" cried Bertha with a smile of incredulity.

"He was cruel to me!" cried Bertha with a smile of disbelief.

"Not meaning it, my child," said Caleb. "But I have been: though I never suspected it till yesterday. My dear blind daughter, hear me and forgive me. The world you live in, heart of mine, doesn't exist as I have represented it. The eyes you have trusted in have been false to you."

"Honestly, my child," Caleb said. "But it’s true: I never realized it until yesterday. My dear blind daughter, listen to me and forgive me. The world you live in, my heart, isn’t what I made it out to be. The eyes you trusted have deceived you."

She turned her wonder-stricken face towards him still; but drew back, and clung closer to her friend.

She turned her amazed face toward him still, but then pulled back and held on tighter to her friend.

"Your road in life was rough, my poor one," said Caleb, "and I meant to smooth it for you. I have altered objects, changed the characters of people, invented many things that never have been, to make you happier. I have had concealments from you, put deceptions on you, God forgive me! and surrounded you with fancies."

"Your journey through life has been tough, my dear," Caleb said, "and I wanted to make it easier for you. I've changed things, altered people's personalities, and created many things that don't exist, all to bring you happiness. I have kept things from you, deceived you, God forgive me! and surrounded you with illusions."

"But living people are not fancies?" she said hurriedly, and[183] turning very pale, and still retiring from him. "You can't change them."

"But living people aren't just fantasies?" she said quickly, turning very pale and still backing away from him. "You can't change them."

"I have done so, Bertha," pleaded Caleb. "There is one person that you know, my dove——"

"I have done that, Bertha," Caleb pleaded. "There's one person you know, my dove——"

"Oh, father! why do you say, I know?" she answered in a term of keen reproach. "What and whom do I know? I who have no leader! I so miserably blind!"

"Oh, Dad! Why do you say, I know?" she replied with a sharp tone of accusation. "What and who do I know? Me, who has no guidance! I'm so hopelessly lost!"

In the anguish of her heart, she stretched out her hands, as if she were groping her way; then spread them, in a manner most forlorn and sad, upon her face.

In the pain of her heart, she reached out her hands, as if she were trying to find her way; then she spread them, in a way that was really sad and hopeless, across her face.

"The marriage that takes place to-day," said Caleb, "is with a stern, sordid, grinding man. A hard master to you and me, my dear, for many years. Ugly in his looks, and in his nature. Cold and callous always. Unlike what I have painted him to you in everything, my child. In everything."

"The marriage happening today," said Caleb, "is with a harsh, greedy, and controlling man. A tough master for both you and me, my dear, for many years. He's unpleasant in his appearance and in his character. Always cold and indifferent. He’s not at all like I’ve described him to you in every way, my child. In every way."

"Oh, why," cried the Blind Girl, tortured, as it seemed, almost beyond endurance, "why did you ever do this? Why did you ever fill my heart so full, and then come in like Death, and tear away the objects of my love? O Heaven, how blind I am! How helpless and alone!"

"Oh, why," cried the Blind Girl, clearly in pain and almost at her limit, "why did you ever do this? Why did you fill my heart so full, and then come in like Death and take away the things I love? Oh God, how blind I am! How helpless and alone!"

Her afflicted father hung his head, and offered no reply but in his penitence and sorrow.

Her troubled father lowered his head and said nothing, only expressing his remorse and sadness.

She had been but a short time in this passion of regret when the Cricket on the Hearth, unheard by all but her, began to chirp. Not merrily, but in a low, faint, sorrowing way. It was so mournful, that her tears began to flow; and, when the Presence which had been beside the Carrier all night, appeared behind her, pointing to her father, they fell down like rain.

She had only been feeling this intense regret for a short while when the Cricket on the Hearth, heard by no one but her, started to chirp. Not cheerfully, but in a soft, faint, sorrowful manner. It was so sad that her tears started to fall; and when the figure that had been with the Carrier all night appeared behind her, pointing to her father, they flowed down like rain.

She heard the Cricket-voice more plainly soon, and was conscious, through her blindness, of the Presence hovering about her father.

She soon heard the sound of the cricket more clearly and was aware, despite her blindness, of the presence hovering around her father.

"Mary," said the Blind Girl, "tell me what my home is. What it truly is."

"Mary," said the Blind Girl, "tell me what my home is. What it really is."

"It is a poor place, Bertha; very poor and bare indeed.[184] The house will scarcely keep out wind and rain another winter. It is as roughly shielded from the weather, Bertha," Dot continued in a low, clear voice, "as your poor father in his sackcloth coat."

"It’s a really bad place, Bertha; very poor and bare for sure.[184] The house can hardly protect against the wind and rain for another winter. It’s as poorly sheltered from the weather, Bertha," Dot continued in a low, clear voice, "as your poor father in his ragged coat."

The Blind Girl, greatly agitated, rose, and led the Carrier's little wife aside.

The Blind Girl, feeling very upset, got up and took the Carrier's little wife aside.

"Those presents that I took such care of; that came almost at my wish, and were so dearly welcome to me," she said, trembling; "where did they come from? Did you send them?"

"Those gifts that I took such care of; that came almost at my request, and were so warmly welcomed by me," she said, trembling; "where did they come from? Did you send them?"

"No."

"Nope."

"Who, then?"

"Who is it, then?"

Dot saw she knew already, and was silent. The Blind Girl spread her hands before her face again. But in quite another manner now.

Dot realized she already knew and stayed quiet. The Blind Girl raised her hands in front of her face again, but this time it was completely different.

"Dear Mary, a moment. One moment. More this way. Speak softly to me. You are true I know. You'd not deceive me now; would you?"

"Dear Mary, just a moment. One moment. This way, please. Talk to me gently. I know you’re honest. You wouldn’t mislead me now; would you?"

"No, Bertha, indeed!"

"No way, Bertha!"

"No, I am sure you would not. You have too much pity for me. Mary, look across the room to where we were just now—to where my father is—my father, so compassionate and loving to me—and tell me what you see."

"No, I'm sure you wouldn't. You have too much sympathy for me. Mary, look across the room to where we just were—where my father is—my father, who is so caring and loving towards me—and tell me what you see."

"I see," said Dot, who understood her well, "an old man sitting in a chair, and leaning sorrowfully on the back, with his face resting on his hand. As if his child should comfort him, Bertha."

"I get it," said Dot, who understood her well, "an old man sitting in a chair, leaning sadly on the back, with his face resting on his hand. As if his child should comfort him, Bertha."

"Yes, yes. She will. Go on."

"Yeah, yeah. She will. Go ahead."

"He is an old man, worn with care and work. He is a spare, dejected, thoughtful, grey-haired man. I see him now, despondent and bowed down, and striving against nothing. But, Bertha, I have seen him many times before, and striving hard in many ways, for one great sacred object. And I honour his grey head, and bless him!"

"He’s an old man, weathered by worry and hard work. He’s a thin, downcast, reflective man with grey hair. I see him now, feeling hopeless and defeated, struggling against nothing. But, Bertha, I’ve seen him many times before, working hard in many ways for one important, noble goal. I respect his grey hair and appreciate him!"

The Blind Girl broke away from her; and, throwing her[185]self upon her knees before him, took the grey head to her breast.

The Blind Girl pulled away from her and, dropping to her knees in front of him, held the grey head to her chest.

"It is my sight restored. It is my sight!" she cried. "I have been blind, and now my eyes are open. I never knew him! To think I might have died, and never truly seen the father who has been so loving to me!"

"It’s my sight restored. It’s my sight!" she shouted. "I was blind, and now my eyes are open. I never knew him! To think I could have died without truly seeing the father who has been so loving to me!"

There were no words for Caleb's emotion.

There were no words for Caleb's feelings.

"There is not a gallant figure on this earth," exclaimed the Blind Girl, holding him in her embrace, "that I would love so dearly, and would cherish so devotedly, as this! The greyer, and more worn, the dearer, father! Never let them say I am blind again. There's not a furrow in his face, there's not a hair upon his head, that shall be forgotten in my prayers and thanks to Heaven!"

"There isn't a noble figure on this earth," exclaimed the Blind Girl, holding him tightly, "that I would love as deeply, and cherish as devotedly, as this! The greyer and more worn he is, the more I love him, father! Never let them say I'm blind again. There isn't a wrinkle on his face, there isn't a hair on his head, that I won't remember in my prayers and gratitude to Heaven!"

Caleb managed to articulate, "My Bertha!"

Caleb managed to say, "My Bertha!"

"And in my blindness I believed him," said the girl, caressing him with tears of exquisite affection, "to be so different. And having him beside me day by day, so mindful of me always, never dreamed of this!"

"And in my blindness, I believed him," said the girl, stroking him with tears of deep affection, "to be so different. And having him by my side every day, so thoughtful of me all the time, I never dreamed of this!"

"The fresh smart father in the blue coat, Bertha," said poor Caleb. "He's gone!"

"The cool dad in the blue coat, Bertha," said poor Caleb. "He’s gone!"

"Nothing is gone," she answered. "Dearest father, no! Everything is here—in you. The father that I loved so well; the father that I never loved enough, and never knew; the benefactor whom I first began to reverence and love, because he had such sympathy for me,—all are here in you. Nothing is dead to me. The soul of all that was most dear to me is here—here, with the worn face, and the grey head. And I am not blind, father, any longer!"

"Nothing is lost," she replied. "Dear dad, no! Everything is right here—in you. The father I loved so much; the father I never loved enough and never truly knew; the person I first came to respect and love because he had such compassion for me—all of them are here in you. Nothing is dead to me. The essence of everything I held dear is right here—with the worn face and the gray hair. And I am not blind, dad, anymore!"

Dot's whole attention had been concentrated, during this discourse, upon the father and daughter; but looking, now, towards the little Hay-maker in the Moorish meadow, she saw that the clock was within a few minutes of striking, and fell, immediately, into a nervous and excited state.[186]

Dot's full attention had been focused, during this conversation, on the father and daughter; but now, looking toward the little Hay-maker in the Moorish meadow, she saw that the clock was just a few minutes away from striking, and she immediately became nervous and anxious.[186]

"Father!" said Bertha, hesitating. "Mary!"

"Dad!" said Bertha, hesitating. "Mary!"

"Yes, my dear," returned Caleb. "Here she is."

"Yes, my dear," Caleb replied. "Here she is."

"There is no change in her. You never told me anything of her that was not true?"

"There’s nothing different about her. You never told me anything about her that wasn’t true?"

"I should have done it, my dear, I'm afraid," returned Caleb, "if I could have made her better than she was. But I must have changed her for the worse, if I had changed her at all. Nothing could improve her, Bertha."

"I should have done it, my dear, I'm afraid," said Caleb, "if I could have made her better than she was. But I would have only made her worse if I had changed her at all. Nothing could improve her, Bertha."

Confident as the Blind Girl had been when she asked the question, her delight and pride in the reply, and her renewed embrace of Dot, were charming to behold.

Confident as the Blind Girl had been when she asked the question, her delight and pride in the reply, and her renewed embrace of Dot, were charming to behold.

"More changes than you think for may happen, though, my dear," said Dot. "Changes for the better, I mean; changes for great joy to some of us. You mustn't let them startle you too much, if any such should ever happen, and affect you. Are those wheels upon the road? You've a quick ear, Bertha. Are they wheels?"

"More changes than you might think could happen, though, my dear," Dot said. "I mean, changes for the better; changes that could bring great joy to some of us. You shouldn’t let them surprise you too much if any of those happen and affect you. Are those wheels on the road? You have a sharp ear, Bertha. Are they wheels?"

"Yes. Coming very fast."

"Yes. Coming in hot."

"I—I—I know you have a quick ear," said Dot, placing her hand upon her heart, and evidently talking on as fast as she could, to hide its palpitating state, "because I have noticed it often, and because you were so quick to find out that strange step last night. Though why you should have said, as I very well recollect you did say, Bertha, 'Whose step is that?' and why you should have taken any greater observation of it than of any other step, I don't know. Though, as I said just now, there are great changes in the world: great changes: and we can't do better than prepare ourselves to be surprised at hardly anything."

"I—I—I know you have a good ear," said Dot, placing her hand on her heart and clearly trying to talk as fast as she could to hide how nervous she felt, "because I've noticed it often, and because you were so quick to identify that strange step last night. But why you said, as I clearly remember you did, Bertha, 'Whose step is that?' and why you paid more attention to it than to any other step, I don’t get. Still, as I just mentioned, there are huge changes in the world: huge changes: and we might as well prepare ourselves to be surprised by just about anything."

Caleb wondered what this meant; perceiving that she spoke to him, no less than to his daughter. He saw her, with astonishment, so fluttered and distressed that she could scarcely breathe; and holding to a chair, to save herself from falling.

Caleb wondered what this meant; realizing that she was speaking not just to him, but also to his daughter. He saw her, astonished, so shaken and upset that she could barely breathe, gripping a chair to keep from falling.

"They are wheels indeed!" she panted. "Coming nearer![187] Nearer! Very close! And now you hear them stopping at the garden-gate! And now you hear a step outside the door—the same step, Bertha, is it not?—and now——!"

"They really are wheels!" she gasped. "Getting closer![187] Closer! Very near! And now you can hear them stopping at the garden gate! And now you can hear a footstep outside the door—the same footstep, Bertha, right?—and now——!"

She uttered a wild cry of uncontrollable delight; and running up to Caleb, put her hands upon his eyes, as a young man rushed into the room, and, flinging away his hat into the air, came sweeping down upon them.

She let out a wild scream of pure joy; and running over to Caleb, covered his eyes with her hands, just as a young man burst into the room, tossing his hat into the air and rushing toward them.

"Is it over?" cried Dot.

"Is it over?" shouted Dot.

"Yes!"

"Absolutely!"

"Happily over?"

"Is it over happily?"

"Yes!"

"Absolutely!"

"Do you recollect the voice, dear Caleb? Did you ever hear the like of it before?" cried Dot.

"Do you remember the voice, dear Caleb? Have you ever heard anything like it before?" cried Dot.

"If my boy in the Golden South Americas was alive——!" said Caleb, trembling.

"If my son in the Golden South Americas was alive—!" said Caleb, trembling.

"He is alive!" shrieked Dot, removing her hands from his eyes, and clapping them in ecstasy. "Look at him! See where he stands before you, healthy and strong! Your own dear son. Your own dear living, loving brother, Bertha!"

"He’s alive!" screamed Dot, pulling her hands away from his eyes and clapping in excitement. "Look at him! See where he stands in front of you, healthy and strong! Your own dear son. Your own dear living, loving brother, Bertha!"

All honour to the little creature for her transports! All honour to her tears and laughter, when the three were locked in one another's arms! All honour to the heartiness with which she met the sunburnt sailor-fellow, with his dark streaming hair, half-way, and never turned her rosy little mouth aside, but suffered him to kiss it freely, and to press her to his bounding heart!

All the respect goes to the little creature for her excitement! All the respect for her tears and laughter when the three of them were wrapped in each other's arms! All the respect for how openly she greeted the sunburnt sailor with his dark, flowing hair, not turning her rosy little mouth away, allowing him to kiss it freely, and pulling her close to his strong heart!

And honour to the Cuckoo too—why not?—for bursting out of the trap-door in the Moorish Palace like a housebreaker, and hiccoughing twelve times on the assembled company, as if he had got drunk for joy!

And respect to the Cuckoo too—why not?—for breaking out of the trapdoor in the Moorish Palace like a thief, and hiccuping twelve times in front of the gathered crowd, as if he had gotten drunk with joy!

The Carrier, entering, started back. And well he might, to find himself in such good company.

The Carrier walked in and was taken aback. And it's no surprise, finding himself in such great company.

"Look, John!" said Caleb, exultingly, "look here! My own boy from the Golden South Americas! My own son![188] Him that you fitted out, and sent away yourself! Him that you were always such a friend to!"

"Look, John!" Caleb said excitedly, "check this out! My own boy from the Golden South Americas! My own son![188] The one you equipped and sent off yourself! The one you were always such a good friend to!"

The Carrier advanced to seize him by the hand; but, recoiling, as some feature in his face awakened a remembrance of the Deaf Man in the Cart, said:

The Carrier moved in to grab his hand; however, stepping back, as something about his face reminded him of the Deaf Man in the Cart, said:

"Edward! Was it you?"

"Edward! Was that you?"

"Now tell him all!" cried Dot. "Tell him all, Edward; and don't spare me, for nothing shall make me spare myself in his eyes, ever again."

"Now tell him everything!" shouted Dot. "Tell him everything, Edward; and don't hold back, because nothing will make me hold back in his eyes, ever again."

"I was the man," said Edward.

"I was the man," Edward said.

"And could you steal, disguised, into the house of your old friend?" rejoined the Carrier. "There was a frank boy once—how many years is it, Caleb, since we heard that he was dead, and had it proved, we thought?—who never would have done that."

"And could you sneak in, wearing a disguise, to the home of your old friend?" the Carrier replied. "There was a straightforward boy once—how many years has it been, Caleb, since we found out he was dead, and we thought it was confirmed?—who would never have done that."

"There was a generous friend of mine once; more a father to me than a friend," said Edward; "who never would have judged me, or any other man, unheard. You were he. So I am certain you will hear me now."

"There was a generous friend of mine once; more like a father to me than a friend," said Edward; "who would never judge me, or anyone else, without hearing them out first. You were that friend. So I know you'll listen to me now."

The Carrier, with a troubled glance at Dot, who still kept far away from him, replied, "Well! that's but fair. I will."

The Carrier, casting a worried look at Dot, who was still keeping her distance from him, replied, "Alright! That seems fair. I will."

"You must know that when I left here a boy," said Edward, "I was in love, and my love was returned. She was a very young girl, who perhaps (you may tell me) didn't know her own mind. But I knew mine, and I had a passion for her."

"You should know that when I left here as a boy," said Edward, "I was in love, and my love was reciprocated. She was a very young girl, who maybe (you can tell me) didn’t really know what she wanted. But I knew what I wanted, and I was passionate about her."

"You had!" exclaimed the Carrier. "You!"

"You did!" shouted the Carrier. "You!"

"Indeed I had," returned the other. "And she returned it. I have ever since believed she did, and now I am sure she did."

"Yes, I did," the other replied. "And she gave it back. I've always believed she did, and now I'm certain she did."

"Heaven help me!" said the Carrier. "This is worse than all."

"Heaven help me!" said the Carrier. "This is the worst of all."

"Constant to her," said Edward, "and returning, full of hope, after many hardships and perils, to redeem my part of our old contract, I heard, twenty miles away, that she was false to me; that she had forgotten me; and had bestowed herself[189] upon another and a richer man. I had no mind to reproach her; but I wished to see her, and to prove beyond dispute that this was true. I hoped she might have been forced into it against her own desire and recollection. It would be small comfort, but it would be some, I thought, and on I came. That I might have the truth, the real truth, observing freely for myself, and judging for myself, without obstruction on the one hand, or presenting my own influence (if I had any) before her, on the other, I dressed myself unlike myself—you know how; and waited on the road—you know where. You had no suspicion of me; neither had—had she," pointing to Dot, "until I whispered in her ear at that fireside, and she so nearly betrayed me."

"True to her," said Edward, "and returning, full of hope, after facing many hardships and dangers to fulfill my part of our old agreement, I heard, twenty miles away, that she had been unfaithful to me; that she had forgotten me; and had given herself[189] to another man who was richer. I didn’t want to blame her; but I needed to see her and confirm for myself that this was true. I hoped she might have been forced into it against her own will and memory. It would be a small comfort, but it would be something, I thought, and so I continued my journey. I wanted to find out the truth, the real truth, observing for myself and making my own judgment, without any interference on one end, or influencing her (if I could) on the other. So, I dressed differently—you know how it is; and waited by the road—you know where. You had no idea it was me; nor did—did she," he pointed to Dot, "until I whispered in her ear by that fireside, and she almost gave me away."

"But when she knew that Edward was alive, and had come back," sobbed Dot, now speaking for herself, as she had burned to do, all through this narrative; "and when she knew his purpose, she advised him by all means to keep his secret close; for his old friend John Peerybingle was much too open in his nature, and too clumsy in all artifice—being a clumsy man in general," said Dot, half laughing and half crying—"to keep it for him. And when she—that's me, John," sobbed the little woman—"told him all, and how his sweetheart had believed him to be dead; and how she had at last been over-persuaded by her mother into a marriage which the silly, dear old thing called advantageous; and when she—that's me again, John—told him they were not yet married (though close upon it), and that it would be nothing but a sacrifice if it went on, for there was no love on her side; and when he went nearly mad with joy to hear it,—then she—that's me again—said she would go between them, as she had often done before in old times, John, and would sound his sweetheart, and be sure that what she—me again, John—said and thought was right. And it WAS right, John! And they were brought together, John! And they were married, John, an hour ago! And here's the[190] Bride! And Gruff and Tackleton may die a bachelor! And I'm a happy little woman, May, God bless you!"

"But when she found out that Edward was alive and had come back," Dot sobbed, now finally speaking for herself, as she had wanted to do all along; "and when she learned his purpose, she advised him to keep his secret safe; because his old friend John Peerybingle was just too open and clumsy—he was just a clumsy guy in general," said Dot, half laughing and half crying—"to keep it for him. And when she—that's me, John," sobbed the little woman—"told him everything, and how his sweetheart thought he was dead; and how she had eventually been convinced by her mother into a marriage that the silly, sweet old thing called advantageous; and when she—that's me again, John—told him they weren’t married yet (though they were very close), and that it would just be a sacrifice if it continued, since there was no love on her side; and when he nearly went mad with joy to hear that,—then she—that's me again—said she would intervene, as she had often done before in the past, John, and would check in with his sweetheart, to make sure that what she—me again, John—said and thought was right. And it WAS right, John! And they were brought together, John! And they were married, John, an hour ago! And here's the[190] Bride! And Gruff and Tackleton can stay single! And I'm a happy little woman, May, God bless you!"

She was an irresistible little woman, if that be anything to the purpose; and never so completely irresistible as in her present transports. There never were congratulations so endearing and delicious as those she lavished on herself and on the Bride.

She was an enchanting little woman, if that matters at all; and she was never more completely captivating than in her current excitement. There had never been such touching and delightful congratulations as those she showered on herself and on the Bride.

Amid the tumult of emotions in his breast, the honest Carrier had stood confounded. Flying, now, towards her, Dot stretched out her hand to stop him, and retreated as before.

Amid the chaos of emotions inside him, the honest Carrier stood stunned. Now running toward her, Dot reached out her hand to stop him and pulled back as before.

"No, John, no! Hear all! Don't love me any more, John, till you've heard every word I have to say. It was wrong to have a secret from you, John. I'm very sorry. I didn't think it any harm, till I came and sat down by you on the little stool last night. But when I knew, by what was written in your face, that you had seen me walking in the gallery with Edward, and when I knew what you thought, I felt how giddy and how wrong it was. But oh, dear John, how could you, could you think so?"

"No, John, no! Listen to me! Please don’t love me anymore until you’ve heard everything I need to say. It was a mistake to keep a secret from you, John. I’m really sorry. I didn’t think it was a big deal until I sat down next to you on that little stool last night. But when I saw in your expression that you had seen me walking in the gallery with Edward, and when I realized what you were thinking, I felt how naïve and wrong it was. But oh, dear John, how could you think that?"

Little woman, how she sobbed again! John Peerybingle would have caught her in his arms. But no; she wouldn't let him.

Little woman, how she cried again! John Peerybingle would have pulled her into his arms. But no; she wouldn't allow it.

"Don't love me yet, please, John! Not for a long time yet! When I was sad about this intended marriage, dear, it was because I remembered May and Edward such young lovers; and knew that her heart was far away from Tackleton. You believe that, now, don't you, John?"

"Please don’t love me yet, John! Not for a long time! When I felt sad about this upcoming marriage, it was because I thought about May and Edward as young lovers; and I knew her heart was so far from Tackleton. You believe that, right, John?"

John was going to make another rush at this appeal; but she stopped him again.

John was about to make another attempt at this appeal, but she stopped him once more.

"No; keep there, please, John! When I laugh at you, as I sometimes do, John, and call you clumsy and a dear old goose, and names of that sort, it's because I love you, John, so well, and take such pleasure in your ways, and wouldn't see you altered in the least respect to have you made a king to-morrow."[191]

"No; please stay right there, John! When I laugh at you, like I sometimes do, and call you clumsy and a silly old goose, and things like that, it’s only because I love you so much, John. I enjoy who you are, and I wouldn’t want you to change at all, even if it meant making you a king tomorrow." [191]

"Hooroar!" said Caleb with unusual vigour. "My opinion!"

"Hooray!" said Caleb with unusual energy. "My opinion!"

"And when I speak of people being middle-aged and steady, John, and pretend that we are a humdrum couple, going on in a jog-trot sort of way, it's only because I'm such a silly little thing, John, that I like, sometimes, to act as a kind of Play with Baby, and all that: and make believe."

"And when I talk about people being middle-aged and stable, John, and pretend that we're a boring couple, just going through life in a mundane way, it’s only because I’m such a silly little thing, John, that I sometimes like to play pretend, like it’s a game with a baby, and just make believe."

She saw that he was coming; and stopped him again. But she was very nearly too late.

She noticed he was approaching and stopped him again. But she was almost too late.

"No, don't love me for another minute or two, if you please, John! What I want most to tell you, I have kept to the last. My dear, good, generous John, when we were talking the other night about the Cricket, I had it on my lips to say, that at first I did not love you quite so dearly as I do now; when I first came home here, I was half afraid that I mightn't learn to love you every bit as well as I hoped and prayed I might—being so very young, John! But, dear John, every day and hour I loved you more and more. And if I could have loved you better than I do, the noble words I heard you say this morning would have made me. But I can't. All the affection that I had (it was a great deal, John) I gave you, as you well deserve, long, long ago, and I have no more left to give. Now, my dear husband, take me to your heart again! That's my home, John; and never, never think of sending me to any other!"

"No, please don’t love me for just another minute or two, John! What I really want to tell you, I’ve saved for last. My dear, kind, generous John, when we were talking the other night about the Cricket, I almost mentioned that at first I didn’t love you as deeply as I do now; when I first came home here, I was a bit afraid that I might not learn to love you as much as I hoped and prayed I would—being so very young, John! But, dear John, every day and hour I loved you more and more. And if I could have loved you any more than I do, the wonderful words I heard you say this morning would have made me. But I can't. All the love I had (which was a lot, John) I gave you, as you truly deserve, a long time ago, and I have no more left to give. Now, my dear husband, take me into your heart again! That’s my home, John; and never, never think of sending me anywhere else!"

You never will derive so much delight from seeing a glorious little woman in the arms of a third party as you would have felt if you had seen Dot run into the Carrier's embrace. It was the most complete, unmitigated, soul-fraught little piece of earnestness that ever you beheld in all your days.

You’ll never feel as much joy watching a wonderful little woman in someone else’s arms as you would have felt seeing Dot run into the Carrier's embrace. It was the most genuine, heartfelt moment you’ve ever witnessed in your life.

You may be sure the Carrier was in a state of perfect rapture; and you may be sure Dot was likewise; and you may be sure they all were, inclusive of Miss Slowboy, who wept copiously for joy, and, wishing to include her young charge in the general interchange of congratulations, handed round the Baby to everybody in succession, as if it were something to drink.[192]

You can bet the Carrier was completely overjoyed; and you can bet Dot was too; and you can bet they all were, including Miss Slowboy, who cried tears of happiness and, wanting to include her young charge in the shared congratulations, passed the Baby around to everyone in turn, as if it were something to toast with.[192]

But, now, the sound of wheels was heard again outside the door; and somebody exclaimed that Gruff and Tackleton was coming back. Speedily that worthy gentleman appeared, looking warm and flustered.

But now, the sound of wheels was heard again outside the door, and someone shouted that Gruff and Tackleton was coming back. Quickly, that distinguished gentleman appeared, looking warm and flustered.

"Why, what the Devil's this, John Peerybingle?" said Tackleton. "There's some mistake. I appointed Mrs. Tackleton to meet me at the church, and I'll swear I passed her on the road, on her way here. Oh! here she is! I beg your pardon, sir; I haven't the pleasure of knowing you; but, if you can do me the favour to spare this young lady, she has rather a particular engagement this morning."

"What's going on here, John Peerybingle?" said Tackleton. "There must be some mistake. I told Mrs. Tackleton to meet me at the church, and I'm pretty sure I saw her on the road coming here. Oh! There she is! I apologize, sir; I don't know you, but if you could do me the favor of letting this young lady go, she has a pretty important commitment this morning."

"But I can't spare her," returned Edward. "I couldn't think of it."

"But I can't let her go," Edward replied. "I can't even imagine it."

"What do you mean, you vagabond?" said Tackleton.

"What do you mean, you drifter?" said Tackleton.

"I mean that, as I can make allowance for your being vexed," returned the other with a smile, "I am as deaf to harsh discourse this morning as I was to all discourse last night."

"I get that you're upset," the other replied with a smile, "but I'm just as deaf to harsh words this morning as I was to everything last night."

The look that Tackleton bestowed upon him, and the start he gave!

The look that Tackleton gave him and the surprise he caused!

"I am sorry, sir," said Edward, holding out May's left hand, and especially the third finger, "that the young lady can't accompany you to church; but, as she has been there once this morning, perhaps you'll excuse her."

"I’m sorry, sir," said Edward, extending May's left hand, particularly the third finger, "but the young lady can’t join you at church; since she’s already been there once this morning, maybe you’ll understand."

Tackleton looked hard at the third finger, and took a little piece of silver paper, apparently containing a ring, from his waistcoat pocket.

Tackleton looked closely at the third finger and pulled out a small piece of silver paper, which seemed to hold a ring, from his waistcoat pocket.

"Miss Slowboy," said Tackleton, "will you have the kindness to throw that in the fire? Thankee."

"Miss Slowboy," said Tackleton, "could you please throw that in the fire? Thanks."

"It was a previous engagement, quite an old engagement, that prevented my wife from keeping her appointment with you, I assure you," said Edward.

"It was an earlier commitment, quite an old one, that kept my wife from meeting with you, I promise," said Edward.

"Mr. Tackleton will do me the justice to acknowledge that I revealed it to him faithfully; and that I told him, many times, I never could forget it," said May, blushing.[193]

"Mr. Tackleton will give me the credit for honestly sharing it with him; and I told him, more than once, that I could never forget it," said May, blushing.[193]

"Oh, certainly!" said Tackleton. "Oh, to be sure! Oh, it's all right, it's quite correct! Mrs. Edward Plummer, I infer?"

"Oh, absolutely!" said Tackleton. "Oh, definitely! Oh, it’s all good, it’s completely right! Mrs. Edward Plummer, I assume?"

"That's the name," returned the bridegroom.

"That's the name," the groom replied.

"Ah! I shouldn't have known you, sir," said Tackleton, scrutinising his face narrowly, and making a low bow. "I give you joy, sir!"

"Ah! I shouldn't have recognized you, sir," said Tackleton, closely examining his face and making a slight bow. "Congratulations, sir!"

"Thankee."

"Thank you."

"Mrs. Peerybingle," said Tackleton, turning suddenly to where she stood with her husband; "I'm sorry. You haven't done me a very great kindness, but, upon my life, I am sorry. You are better than I thought you. John Peerybingle, I am sorry. You understand me; that's enough. It's quite correct, ladies and gentlemen all, and perfectly satisfactory. Good morning!"

"Mrs. Peerybingle," Tackleton said, suddenly facing her and her husband; "I'm sorry. You didn't do me a huge favor, but honestly, I am sorry. You're better than I thought. John Peerybingle, I'm sorry. You get what I mean; that's all that matters. It's completely right, everyone, and totally fine. Good morning!"

With these words he carried it off, and carried himself off too: merely stopping at the door to take the flowers and favours from his horse's head, and to kick that animal once in the ribs, as a means of informing him that there was a screw loose in his arrangements.

With these words, he took off, along with himself: just stopping at the door to grab the flowers and decorations from his horse's head, and to give that animal a kick in the ribs, as a way of letting it know that something was off in his plans.

Of course, it became a serious duty now to make such a day of it as should mark these events for a high Feast and Festival in the Peerybingle Calendar for evermore. Accordingly, Dot went to work to produce such an entertainment as should reflect undying honour on the house and on every one concerned; and, in a very short space of time, she was up to her dimpled elbows in flour, and whitening the Carrier's coat, every time he came near her, by stopping him to give him a kiss. That good fellow washed the greens, and peeled the turnips, and broke the plates, and upset iron pots full of cold water on the fire, and made himself useful in all sorts of ways: while a couple of professional assistants, hastily called in from somewhere in the neighbourhood, as on a point of life or death, ran against each other in all the doorways and round all the corners, and everybody tumbled[194] over Tilly Slowboy and the Baby, everywhere. Tilly never came out in such force before. Her ubiquity was the theme of general admiration. She was a stumbling-block in the passage at five-and-twenty minutes past two; a man-trap in the kitchen at half-past two precisely; and a pitfall in the garret at five-and-twenty minutes to three. The Baby's head was, as it were, a test and touchstone for every description of matter, animal, vegetable, and mineral. Nothing was in use that day that didn't come, at some time or other, into close acquaintance with it.

Of course, it became a serious responsibility now to make the day memorable enough to mark these events as a grand Feast and Festival in the Peerybingle Calendar forever. So, Dot got to work creating an entertainment that would bring lasting honor to the home and everyone involved; and, in no time, she had her dimpled hands deep in flour, and was accidentally whitening the Carrier's coat every time he came near her by stopping him for a kiss. That good guy washed the greens, peeled the turnips, broke plates, and accidentally spilled pots of cold water on the fire, making himself helpful in all sorts of ways. Meanwhile, a couple of hired helpers, urgently called in from somewhere nearby as if it were a matter of life or death, kept bumping into each other in all the doorways and around every corner, while everyone kept tripping over Tilly Slowboy and the Baby everywhere. Tilly had never shown up in such numbers before. Her presence was the talk of the town. She was a roadblock in the hallway at twenty-five minutes past two; a hazard in the kitchen exactly at half-past two; and a tripping hazard in the attic at twenty-five minutes to three. The Baby's head became a sort of test and benchmark for every kind of thing: animal, vegetable, and mineral. Nothing that day was used that didn’t, at some point, come into close contact with it.

Then there was a great Expedition set on foot to go and find out Mrs. Fielding; and to be dismally penitent to that excellent gentlewoman; and to bring her back, by force, if needful, to be happy and forgiving. And when the Expedition first discovered her, she would listen to no terms at all, but said, an unspeakable number of times, that ever she should have lived to see the day! and couldn't be got to say anything else, except "Now carry me to the grave": which seemed absurd, on account of her not being dead, or anything at all like it. After a time she lapsed into a state of dreadful calmness, and observed that, when that unfortunate train of circumstances had occurred in the Indigo Trade, she had foreseen that she would be exposed, during her whole life, to every species of insult and contumely; and that she was glad to find it was the case; and begged they wouldn't trouble themselves about her,—for what was she?—oh dear! a nobody!—but would forget that such a being lived, and would take their course in life without her. From this bitterly sarcastic mood she passed into an angry one, in which she gave vent to the remarkable expression that the worm would turn if trodden on; and, after that, she yielded to a soft regret, and said, if they had only given her their confidence, what might she not have had it in her power to suggest! Taking advantage of this crisis in her feelings, the Expedition embraced her; and she very soon had her gloves on, and was on her way to John Peerybingle's in a state of unimpeachable gentility; with a paper[195] parcel at her side containing a cap of state, almost as tall, and quite as stiff, as a mitre.

Then there was a big expedition launched to go find Mrs. Fielding; to be seriously sorry to that wonderful lady; and to bring her back, by force if necessary, to be happy and forgiving. When the expedition first found her, she wouldn't listen to any offers at all, repeatedly saying, "I can't believe I’m actually seeing this day!" and wouldn’t say anything else, except "Now take me to my grave," which seemed silly since she wasn’t dead, or even close to it. After a while, she fell into a state of dreadful calm and remarked that when that unfortunate situation in the Indigo Trade happened, she had predicted that she would face all kinds of insults and disrespect for her whole life; and she was glad to see it was true; and she asked them not to worry about her—what was she?—oh dear! a nobody!—but to forget she existed and carry on with their lives without her. From this bitterly sarcastic mood, she shifted into anger, remarking that a worm would eventually fight back if stepped on; and after that, she softened into a sense of regret, saying that if they had just given her their trust, imagine what she could have suggested! Seizing on this emotional moment, the expedition welcomed her; and she quickly put on her gloves and set off to John Peerybingle’s looking perfectly respectable, with a paper[195] package at her side holding a formal cap, almost as tall and just as stiff as a mitre.

Then, there were Dot's father and mother to come in another little chaise; and they were behind their time; and fears were entertained; and there was much looking out for them down the road; and Mrs. Fielding always would look in the wrong and morally impossible direction; and, being apprised thereof, hoped she might take the liberty of looking where she pleased. At last they came; a chubby little couple, jogging along in a snug and comfortable little way that quite belonged to the Dot family; and Dot and her mother, side by side, were wonderful to see. They were so like each other.

Then, Dot's mom and dad arrived in another small carriage, but they were running late, which caused some worry, and everyone kept watching down the road for them. Mrs. Fielding always seemed to look in the completely wrong direction, and when she was told about it, she hoped she could look wherever she wanted. Finally, they showed up—a plump little couple, bouncing along in a cozy and comfortable manner that really suited the Dot family. It was amazing to see Dot and her mom side by side. They looked so much alike.

Then Dot's mother had to renew her acquaintance with May's mother; and May's mother always stood on her gentility; and Dot's mother never stood on anything but her active little feet. And old Dot—so to call Dot's father, I forgot it wasn't his right name, but never mind—took liberties, and shook hands at first sight, and seemed to think a cap but so much starch and muslin, and didn't defer himself at all to the Indigo Trade, but said there was no help for it now; and, in Mrs. Fielding's summing up, was a good-natured kind of man—but coarse, my dear.

Then Dot's mom had to reconnect with May's mom, who always emphasized her social status, while Dot's mom just stood on her active little feet. And old Dot—referring to Dot's dad, I forgot it wasn't his real name, but whatever—took liberties, shook hands right away, and seemed to think a cap was just a bit of starch and fabric. He didn't show any respect for the Indigo Trade and said it was too late for that now. In Mrs. Fielding's opinion, he was a good-natured kind of guy—just a bit rough around the edges, dear.

I wouldn't have missed Dot, doing the honours in her wedding-gown, my benison on her bright face! for any money. No! nor the good Carrier, so jovial and so ruddy, at the bottom of the table. Nor the brown, fresh sailor-fellow, and his handsome wife. Nor any one among them. To have missed the dinner would have been to miss as jolly and as stout a meal as man need eat; and to have missed the overflowing cups in which they drank The Wedding Day would have been the greatest miss of all.

I wouldn't have missed Dot, looking beautiful in her wedding dress, with my blessing on her cheerful face, for any amount of money. No! nor the cheerful and rosy Carrier, sitting at the end of the table. Nor the tanned, lively sailor and his lovely wife. Nor anyone else there. Missing the dinner would have meant missing an incredibly enjoyable and hearty meal; and skipping the overflowing cups in which they toasted The Wedding Day would have been the biggest loss of all.

After dinner Caleb sang the song about the Sparkling Bowl. As I'm a living man, hoping to keep so for a year or two, he sang it through.[196]

After dinner, Caleb sang the song about the Sparkling Bowl. As I'm a living man, hoping to stay that way for a year or two, he sang it all the way through.[196]

And, by-the-bye, a most unlooked-for incident occurred, just as he finished the last verse.

And, by the way, a totally unexpected event happened right as he finished the last verse.

There was a tap at the door; and a man came staggering in, without saying with your leave, or by your leave, with something heavy on his head. Setting this down in the middle of the table, symmetrically in the centre of the nuts and apples, he said:

There was a knock at the door, and a man came stumbling in without asking for permission, carrying something heavy on his head. He placed it down in the middle of the table, right in the center of the nuts and apples, and said:

"Mr. Tackleton's compliments, and, as he hasn't got no use for the cake himself, p'raps you'll eat it."

"Mr. Tackleton sends his regards, and since he has no use for the cake himself, maybe you'll enjoy it."

And, with those words, he walked off.

And with those words, he walked away.

There was some surprise among the company, as you may imagine. Mrs. Fielding, being a lady of infinite discernment, suggested that the cake was poisoned, and related a narrative of a cake which, within her knowledge, had turned a seminary for young ladies blue. But she was overruled by acclamation; and the cake was cut by May with much ceremony and rejoicing.

There was some surprise among the group, as you can imagine. Mrs. Fielding, being a woman of great insight, suggested that the cake was poisoned and shared a story about a cake that, to her knowledge, had made a girls' school go blue. But she was quickly dismissed by everyone; and the cake was ceremoniously cut by May with a lot of celebration and joy.

I don't think any one had tasted it, when there came another tap at the door, and the same man appeared again, having under his arm a vast brown-paper parcel.

I don't think anyone had tasted it when there was another knock at the door, and the same guy showed up again, carrying a large brown paper package under his arm.

"Mr. Tackleton's compliments, and he's sent a few toys for the Babby. They ain't ugly."

"Mr. Tackleton sends his regards and has sent a few toys for the baby. They're not bad-looking."

After the delivery of which expressions, he retired again.

After delivering those remarks, he withdrew again.

The whole party would have experienced great difficulty in finding words for their astonishment, even if they had had ample time to seek them. But they had none at all; for the messenger had scarcely shut the door behind him, when there came another tap, and Tackleton himself walked in.

The entire group would have struggled to find words to express their shock, even if they had all the time in the world to look for them. But they had no time at all; the messenger had barely closed the door behind him when there was another knock, and Tackleton himself walked in.

"Mrs. Peerybingle!" said the toy merchant, hat in hand, "I'm sorry. I'm more sorry than I was this morning. I have had time to think of it. John Peerybingle! I am sour by disposition; but I can't help being sweetened, more or less, by coming face to face with such a man as you. Caleb! This unconscious little nurse gave me a broken hint last night, of which I have found the thread. I blush to think how easily I[197] might have bound you and your daughter to me, and what a miserable idiot I was when I took her for one! Friends, one and all, my house is very lonely to-night. I have not so much as a Cricket on my Hearth. I have scared them all away. Be gracious to me: let me join this happy party!"

"Mrs. Peerybingle!" said the toy merchant, holding his hat, "I'm really sorry. I'm more sorry than I was this morning. I've had time to think about it. John Peerybingle! I tend to be a bit grumpy; but I can’t help feeling uplifted, at least a little, when I’m face to face with someone like you. Caleb! This unaware little nurse gave me a subtle hint last night, and I've managed to unravel it. I’m embarrassed to realize how easily I could have connected you and your daughter to me, and how foolish I was when I took her for granted! Friends, everyone, my place feels so empty tonight. I don’t even have a Cricket on my Hearth. I've chased them all away. Please be kind to me: let me join this happy gathering!"

He was at home in five minutes. You never saw such a fellow. What had he been doing with himself all his life, never to have known before his great capacity of being jovial? Or what had the Fairies been doing with him, to have effected such a change?

He was home in five minutes. You’ve never seen anyone like him. What had he been doing all his life that he never realized his amazing ability to be cheerful? Or what had the Fairies done to him to bring about such a change?

"John! you won't send me home this evening, will you?" whispered Dot.

"John! You’re not going to send me home tonight, are you?" whispered Dot.

He had been very near it, though.

He had come really close to it, though.

There wanted but one living creature to make the party complete; and, in the twinkling of an eye, there he was, very thirsty with hard running, and engaged in hopeless endeavours to squeeze his head into a narrow pitcher. He had gone with the cart to its journey's end, very much disgusted with the absence of his master, and stupendously rebellious to the Deputy. After lingering about the stable for some little time, vainly attempting to incite the old horse to the mutinous act of returning on his own account, he had walked into the taproom, and laid himself down before the fire. But, suddenly yielding to the conviction that the Deputy was a humbug, and must be abandoned, he had got up again, turned tail, and come home.

There was only one creature missing to make the party complete; and in the blink of an eye, there he was, very thirsty from running hard and trying in vain to squeeze his head into a narrow pitcher. He had gone with the cart to its destination, feeling quite annoyed about his master’s absence and seriously defiant toward the Deputy. After hanging around the stable for a bit, unsuccessfully trying to motivate the old horse to make a rebellious return on his own, he walked into the taproom and settled down by the fire. But then, suddenly convinced that the Deputy was a fraud and that he needed to abandon him, he got back up, turned around, and headed home.

There was a dance in the evening. With which general mention of that recreation, I should have left it alone, if I had not some reason to suppose that it was quite an original dance, and one of a most uncommon figure. It was formed in an odd way; in this way.

There was a dance in the evening. With that general mention of the event, I would have left it at that if I didn't have some reason to believe it was a totally unique dance and had a very unusual shape. It was made in a strange way; in this way.

Edward, that sailor-fellow—a good free dashing sort of fellow he was—had been telling them various marvels concerning parrots, and mines, and Mexicans, and gold dust, when all at once he took it in his head to jump up from his seat and[198] propose a dance; for Bertha's harp was there, and she such a hand upon it as you seldom hear. Dot (sly little piece of affectation when she chose) said her dancing days were over; I think because the Carrier was smoking his pipe, and she liked sitting by him best. Mrs. Fielding had no choice, of course, but to say her dancing days were over, after that; and everybody said the same, except May; May was ready.

Edward, that sailor guy—a really adventurous sort—had been sharing all sorts of amazing stories about parrots, mines, Mexicans, and gold dust when, suddenly, he decided to leap up from his chair and[198] suggest a dance; after all, Bertha had her harp, and she played it beautifully. Dot (a coy little diva when she wanted to be) claimed her dancing days were behind her; I think it was because the Carrier was smoking his pipe, and she preferred sitting next to him. Mrs. Fielding had no choice but to say her dancing days were over too, and everyone followed suit, except for May; May was all in.

So, May and Edward get up, amid great applause, to dance alone; and Bertha plays her liveliest tune.

So, May and Edward stand up, to a lot of applause, to dance by themselves; and Bertha plays her most lively tune.

Well! if you'll believe me, they had not been dancing five minutes, when suddenly the Carrier flings his pipe away, takes Dot round the waist, dashes out into the room, and starts off with her, toe and heel, quite wonderfully. Tackleton no sooner sees this than he skims across to Mrs. Fielding, takes her round the waist, and follows suit. Old Dot no sooner sees this than up he is, all alive, whisks off Mrs. Dot into the middle of the dance, and is foremost there. Caleb no sooner sees this than he clutches Tilly Slowboy by both hands, and goes off at score; Miss Slowboy, firm in the belief that diving hotly in among the other couples, and effecting any number of concussions with them, is your only principle of footing it.

Well! If you believe me, they had been dancing for just five minutes when suddenly the Carrier throws his pipe aside, wraps his arms around Dot, rushes into the room, and starts dancing with her, toe and heel, in a fantastic way. Tackleton sees this and quickly heads over to Mrs. Fielding, takes her around the waist, and follows suit. Old Dot spots this and jumps up, full of energy, whisks off Mrs. Dot into the middle of the dance, and leads the way. Caleb notices this and grabs Tilly Slowboy by both hands, diving right into the dance; Miss Slowboy, convinced that crashing into the other couples and creating a bunch of collisions is the best way to dance.

Hark! how the Cricket joins the music with its Chirp, Chirp, Chirp; and how the kettle hums!

Listen! How the cricket adds to the music with its chirp, chirp, chirp; and how the kettle hums!


But what is this? Even as I listen to them blithely, and turn towards Dot, for one last glimpse of a little figure very pleasant to me, she and the rest have vanished into air, and I am left alone. A Cricket sings upon the Hearth; a broken child's toy lies upon the ground: and nothing else remains.

But what’s happening? Even as I listen to them happily and turn to Dot for one last look at the small figure I find so nice, she and the others have disappeared into thin air, and I’m left all alone. A cricket is chirping on the hearth; a broken toy lies on the ground: and nothing else is left.




        
        
    
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