This is a modern-English version of Daisy Miller: A Study, originally written by James, Henry.
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DAISY MILLER: A STUDY
IN TWO PARTS
By Henry James
The text is that of the first American appearance in book form, 1879.
Contents
PART I
At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake—a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the “grand hotel” of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of “stylish” young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the “Trois Couronnes” and are transported in fancy to the Ocean House or to Congress Hall. But at the “Trois Couronnes,” it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.
In the small town of Vevey, Switzerland, there’s a particularly cozy hotel. In fact, there are many hotels because catering to tourists is the main business here, which, as many travelers recall, is located on the edge of a remarkably blue lake—a lake that every tourist should visit. The lakefront features a continuous line of establishments of all types, from the trendy “grand hotel” with its bright white facade, a hundred balconies, and dozens of flags waving from the roof, to the charming old Swiss guesthouses, with their names painted in German-style letters on pastel walls and a quaint gazebo tucked in the garden. One hotel in Vevey, however, stands out as famous and classic, boasting an air of both luxury and experience that sets it apart from its flashy neighbors. In this area during June, American travelers are particularly abundant; one might say that Vevey takes on some aspects of an American resort at this time. There are sights and sounds that recall memories of Newport and Saratoga. You can see stylish young women fluttering about, hear the rustle of muslin skirts, the upbeat music of dance bands in the mornings, and the sounds of high-pitched voices at all hours. You get a sense of all this at the excellent inn of the “Trois Couronnes,” which transports you mentally to the Ocean House or Congress Hall. However, it should be noted that the “Trois Couronnes” also has other features that contrast sharply with these impressions: tidy German waiters resembling embassy secretaries; Russian princesses lounging in the garden; little Polish boys walking hand in hand with their nannies; and a view of the sunlit summit of the Dent du Midi and the stunning towers of the Castle of Chillon.
I hardly know whether it was the analogies or the differences that were uppermost in the mind of a young American, who, two or three years ago, sat in the garden of the “Trois Couronnes,” looking about him, rather idly, at some of the graceful objects I have mentioned. It was a beautiful summer morning, and in whatever fashion the young American looked at things, they must have seemed to him charming. He had come from Geneva the day before by the little steamer, to see his aunt, who was staying at the hotel—Geneva having been for a long time his place of residence. But his aunt had a headache—his aunt had almost always a headache—and now she was shut up in her room, smelling camphor, so that he was at liberty to wander about. He was some seven-and-twenty years of age; when his friends spoke of him, they usually said that he was at Geneva “studying.” When his enemies spoke of him, they said—but, after all, he had no enemies; he was an extremely amiable fellow, and universally liked. What I should say is, simply, that when certain persons spoke of him they affirmed that the reason of his spending so much time at Geneva was that he was extremely devoted to a lady who lived there—a foreign lady—a person older than himself. Very few Americans—indeed, I think none—had ever seen this lady, about whom there were some singular stories. But Winterbourne had an old attachment for the little metropolis of Calvinism; he had been put to school there as a boy, and he had afterward gone to college there—circumstances which had led to his forming a great many youthful friendships. Many of these he had kept, and they were a source of great satisfaction to him.
I can’t tell if it was the similarities or the differences that stood out to a young American who, a couple of years ago, sat in the garden of the “Trois Couronnes,” looking around idly at some of the elegant things I’ve mentioned. It was a beautiful summer morning, and no matter how he viewed things, they must have seemed lovely to him. He had traveled from Geneva the day before on a small steamer to visit his aunt, who was staying at the hotel—Geneva had been his home for quite a while. But his aunt had a headache—she often had headaches—and now she was locked in her room, inhaling camphor, leaving him free to explore. He was about twenty-seven years old; when his friends talked about him, they usually mentioned he was “studying” in Geneva. When his enemies spoke of him, they said—but actually, he had no enemies; he was a really nice guy and was liked by everyone. What I should mention is that when certain people talked about him, they claimed the reason he spent so much time in Geneva was that he was deeply devoted to a woman living there—a foreign woman—someone older than he was. Very few Americans—actually, I think none—had ever encountered this woman, who was the subject of some odd stories. However, Winterbourne had a long-standing affection for the little city of Calvinism; he had been sent to school there as a child, and later attended college there—experiences that led to many youthful friendships. He had maintained many of these, and they were a great source of happiness for him.
After knocking at his aunt’s door and learning that she was indisposed, he had taken a walk about the town, and then he had come in to his breakfast. He had now finished his breakfast; but he was drinking a small cup of coffee, which had been served to him on a little table in the garden by one of the waiters who looked like an attache. At last he finished his coffee and lit a cigarette. Presently a small boy came walking along the path—an urchin of nine or ten. The child, who was diminutive for his years, had an aged expression of countenance, a pale complexion, and sharp little features. He was dressed in knickerbockers, with red stockings, which displayed his poor little spindle-shanks; he also wore a brilliant red cravat. He carried in his hand a long alpenstock, the sharp point of which he thrust into everything that he approached—the flowerbeds, the garden benches, the trains of the ladies’ dresses. In front of Winterbourne he paused, looking at him with a pair of bright, penetrating little eyes.
After knocking on his aunt’s door and finding out she was unavailable, he took a walk around town and then went in for breakfast. He had just finished eating, but he was sipping a small cup of coffee served to him on a little table in the garden by a waiter who looked like an attaché. Finally, he finished his coffee and lit a cigarette. Soon, a small boy came walking down the path—an urchin about nine or ten. The child, who was small for his age, had an old-looking face, a pale complexion, and sharp little features. He was dressed in knickerbockers with red stockings that showed off his skinny little legs and wore a bright red scarf. He held a long walking stick in his hand, poking it into everything he passed—the flowerbeds, garden benches, and the trains of the ladies' dresses. In front of Winterbourne, he stopped and looked at him with a pair of bright, piercing little eyes.
“Will you give me a lump of sugar?” he asked in a sharp, hard little voice—a voice immature and yet, somehow, not young.
“Can you give me a piece of sugar?” he asked in a sharp, harsh little voice—a voice that felt immature and yet, somehow, not young.
Winterbourne glanced at the small table near him, on which his coffee service rested, and saw that several morsels of sugar remained. “Yes, you may take one,” he answered; “but I don’t think sugar is good for little boys.”
Winterbourne looked at the small table next to him, where his coffee service was sitting, and noticed that a few pieces of sugar were left. “Yes, you can have one,” he replied, “but I don’t think sugar is good for little boys.”
This little boy stepped forward and carefully selected three of the coveted fragments, two of which he buried in the pocket of his knickerbockers, depositing the other as promptly in another place. He poked his alpenstock, lance-fashion, into Winterbourne’s bench and tried to crack the lump of sugar with his teeth.
This little boy stepped forward and carefully picked three of the prized pieces, two of which he tucked into the pocket of his knickerbockers, promptly putting the other in a different spot. He jabbed his alpenstock, like a lance, into Winterbourne’s bench and tried to break the lump of sugar with his teeth.
“Oh, blazes; it’s har-r-d!” he exclaimed, pronouncing the adjective in a peculiar manner.
“Oh, man; it’s ha-a-r-d!” he exclaimed, pronouncing the adjective in a peculiar manner.
Winterbourne had immediately perceived that he might have the honor of claiming him as a fellow countryman. “Take care you don’t hurt your teeth,” he said, paternally.
Winterbourne quickly realized that he could have the honor of calling him a fellow countryman. “Be careful not to hurt your teeth,” he said, in a fatherly way.
“I haven’t got any teeth to hurt. They have all come out. I have only got seven teeth. My mother counted them last night, and one came out right afterward. She said she’d slap me if any more came out. I can’t help it. It’s this old Europe. It’s the climate that makes them come out. In America they didn’t come out. It’s these hotels.”
“I don’t have any teeth left to hurt. They’ve all come out. I only have seven teeth now. My mom counted them last night, and one came out right after that. She said she’d slap me if any more came out. I can’t help it. It’s this old Europe. The climate is what makes them come out. They didn’t come out in America. It’s these hotels.”
Winterbourne was much amused. “If you eat three lumps of sugar, your mother will certainly slap you,” he said.
Winterbourne was quite entertained. “If you eat three sugar cubes, your mom will definitely give you a smack,” he said.
“She’s got to give me some candy, then,” rejoined his young interlocutor. “I can’t get any candy here—any American candy. American candy’s the best candy.”
“She has to give me some candy, then,” replied his young conversation partner. “I can’t get any candy here—any American candy. American candy is the best candy.”
“And are American little boys the best little boys?” asked Winterbourne.
“Are American little boys the best?” asked Winterbourne.
“I don’t know. I’m an American boy,” said the child.
“I don’t know. I’m an American kid,” said the child.
“I see you are one of the best!” laughed Winterbourne.
“I see you’re one of the best!” laughed Winterbourne.
“Are you an American man?” pursued this vivacious infant. And then, on Winterbourne’s affirmative reply—“American men are the best,” he declared.
“Are you an American man?” this lively child pressed. And then, upon Winterbourne's affirmative answer—“American men are the best,” he stated.
His companion thanked him for the compliment, and the child, who had now got astride of his alpenstock, stood looking about him, while he attacked a second lump of sugar. Winterbourne wondered if he himself had been like this in his infancy, for he had been brought to Europe at about this age.
His friend thanked him for the compliment, and the child, who had now straddled his walking stick, looked around while he went for a second piece of sugar. Winterbourne thought about whether he had been like this in his childhood since he had come to Europe at about this age.
“Here comes my sister!” cried the child in a moment. “She’s an American girl.”
“Here comes my sister!” shouted the child suddenly. “She’s an American girl.”
Winterbourne looked along the path and saw a beautiful young lady advancing. “American girls are the best girls,” he said cheerfully to his young companion.
Winterbourne looked down the path and saw a beautiful young woman coming toward them. "American girls are the best," he said happily to his young companion.
“My sister ain’t the best!” the child declared. “She’s always blowing at me.”
“My sister isn’t the best!” the child said. “She’s always yelling at me.”
“I imagine that is your fault, not hers,” said Winterbourne. The young lady meanwhile had drawn near. She was dressed in white muslin, with a hundred frills and flounces, and knots of pale-colored ribbon. She was bareheaded, but she balanced in her hand a large parasol, with a deep border of embroidery; and she was strikingly, admirably pretty. “How pretty they are!” thought Winterbourne, straightening himself in his seat, as if he were prepared to rise.
“I think that's your fault, not hers,” said Winterbourne. The young lady had come closer. She was wearing a white muslin dress, covered in frills and flounces, adorned with pale-colored ribbons. She wasn't wearing a hat, but she held a large parasol with a deeply embroidered edge; and she was strikingly, beautifully pretty. “How pretty they are!” Winterbourne thought, sitting up straighter, as if he was ready to get up.
The young lady paused in front of his bench, near the parapet of the garden, which overlooked the lake. The little boy had now converted his alpenstock into a vaulting pole, by the aid of which he was springing about in the gravel and kicking it up not a little.
The young woman stopped in front of his bench, close to the edge of the garden that overlooked the lake. The little boy had now turned his walking stick into a vaulting pole, using it to spring around in the gravel and kicking it up quite a bit.
“Randolph,” said the young lady, “what ARE you doing?”
“Randolph,” said the young woman, “what are you doing?”
“I’m going up the Alps,” replied Randolph. “This is the way!” And he gave another little jump, scattering the pebbles about Winterbourne’s ears.
“I’m heading up the Alps,” Randolph said. “This is the way!” He then gave another small jump, sending pebbles flying around Winterbourne’s ears.
“That’s the way they come down,” said Winterbourne.
"That's how they come down," Winterbourne said.
“He’s an American man!” cried Randolph, in his little hard voice.
“He's an American guy!” shouted Randolph, in his sharp little voice.
The young lady gave no heed to this announcement, but looked straight at her brother. “Well, I guess you had better be quiet,” she simply observed.
The young woman paid no attention to this announcement and looked directly at her brother. “Well, I guess you should stay quiet,” she simply said.
It seemed to Winterbourne that he had been in a manner presented. He got up and stepped slowly toward the young girl, throwing away his cigarette. “This little boy and I have made acquaintance,” he said, with great civility. In Geneva, as he had been perfectly aware, a young man was not at liberty to speak to a young unmarried lady except under certain rarely occurring conditions; but here at Vevey, what conditions could be better than these?—a pretty American girl coming and standing in front of you in a garden. This pretty American girl, however, on hearing Winterbourne’s observation, simply glanced at him; she then turned her head and looked over the parapet, at the lake and the opposite mountains. He wondered whether he had gone too far, but he decided that he must advance farther, rather than retreat. While he was thinking of something else to say, the young lady turned to the little boy again.
It seemed to Winterbourne that he had been introduced in some way. He got up and slowly walked toward the young girl, discarding his cigarette. “This little boy and I have met,” he said politely. In Geneva, he knew very well that a young man couldn't talk to an unmarried young woman except in certain rare situations; but here in Vevey, what better circumstances could there be than this?—a pretty American girl standing in front of you in a garden. This pretty American girl, however, upon hearing Winterbourne’s comment, simply glanced at him; then she turned her head and looked over the edge at the lake and the mountains on the other side. He wondered if he had pushed it too far, but he decided he had to press on rather than back off. While he was trying to think of something else to say, the young lady turned back to the little boy again.
“I should like to know where you got that pole,” she said.
"I'd like to know where you got that pole," she said.
“I bought it,” responded Randolph.
"I bought it," said Randolph.
“You don’t mean to say you’re going to take it to Italy?”
“You're not actually planning to take it to Italy, are you?”
“Yes, I am going to take it to Italy,” the child declared.
“Yes, I’m going to take it to Italy,” the child declared.
The young girl glanced over the front of her dress and smoothed out a knot or two of ribbon. Then she rested her eyes upon the prospect again. “Well, I guess you had better leave it somewhere,” she said after a moment.
The young girl looked down at the front of her dress and straightened out a couple of knots in her ribbon. Then she focused on the view again. “Well, I think you should leave it somewhere,” she said after a moment.
“Are you going to Italy?” Winterbourne inquired in a tone of great respect.
“Are you going to Italy?” Winterbourne asked respectfully.
The young lady glanced at him again. “Yes, sir,” she replied. And she said nothing more.
The young woman looked at him again. “Yes, sir,” she responded. And she said nothing else.
“Are you—a—going over the Simplon?” Winterbourne pursued, a little embarrassed.
“Are you heading over the Simplon?” Winterbourne asked, feeling a bit awkward.
“I don’t know,” she said. “I suppose it’s some mountain. Randolph, what mountain are we going over?”
“I don’t know,” she said. “I guess it’s some mountain. Randolph, which mountain are we crossing?”
“Going where?” the child demanded.
"Going where?" the child asked.
“To Italy,” Winterbourne explained.
"To Italy," Winterbourne said.
“I don’t know,” said Randolph. “I don’t want to go to Italy. I want to go to America.”
“I don’t know,” Randolph said. “I don’t want to go to Italy. I want to go to America.”
“Oh, Italy is a beautiful place!” rejoined the young man.
“Oh, Italy is such a beautiful place!” replied the young man.
“Can you get candy there?” Randolph loudly inquired.
“Can you buy candy there?” Randolph asked loudly.
“I hope not,” said his sister. “I guess you have had enough candy, and mother thinks so too.”
“I hope not,” said his sister. “I think you’ve had enough candy, and mom thinks so too.”
“I haven’t had any for ever so long—for a hundred weeks!” cried the boy, still jumping about.
“I haven’t had any for so long—like a hundred weeks!” shouted the boy, still hopping around.
The young lady inspected her flounces and smoothed her ribbons again; and Winterbourne presently risked an observation upon the beauty of the view. He was ceasing to be embarrassed, for he had begun to perceive that she was not in the least embarrassed herself. There had not been the slightest alteration in her charming complexion; she was evidently neither offended nor flattered. If she looked another way when he spoke to her, and seemed not particularly to hear him, this was simply her habit, her manner. Yet, as he talked a little more and pointed out some of the objects of interest in the view, with which she appeared quite unacquainted, she gradually gave him more of the benefit of her glance; and then he saw that this glance was perfectly direct and unshrinking. It was not, however, what would have been called an immodest glance, for the young girl’s eyes were singularly honest and fresh. They were wonderfully pretty eyes; and, indeed, Winterbourne had not seen for a long time anything prettier than his fair countrywoman’s various features—her complexion, her nose, her ears, her teeth. He had a great relish for feminine beauty; he was addicted to observing and analyzing it; and as regards this young lady’s face he made several observations. It was not at all insipid, but it was not exactly expressive; and though it was eminently delicate, Winterbourne mentally accused it—very forgivingly—of a want of finish. He thought it very possible that Master Randolph’s sister was a coquette; he was sure she had a spirit of her own; but in her bright, sweet, superficial little visage there was no mockery, no irony. Before long it became obvious that she was much disposed toward conversation. She told him that they were going to Rome for the winter—she and her mother and Randolph. She asked him if he was a “real American”; she shouldn’t have taken him for one; he seemed more like a German—this was said after a little hesitation—especially when he spoke. Winterbourne, laughing, answered that he had met Germans who spoke like Americans, but that he had not, so far as he remembered, met an American who spoke like a German. Then he asked her if she should not be more comfortable in sitting upon the bench which he had just quitted. She answered that she liked standing up and walking about; but she presently sat down. She told him she was from New York State—“if you know where that is.” Winterbourne learned more about her by catching hold of her small, slippery brother and making him stand a few minutes by his side.
The young woman adjusted her frills and smoothed her ribbons again; and Winterbourne soon took a chance to comment on the beauty of the view. He was starting to feel less awkward since he noticed that she wasn't the least bit uncomfortable herself. There was no change in her lovely complexion; she clearly wasn’t offended or flattered. If she looked away when he spoke to her and didn’t seem to really hear him, it was just her habit, her style. However, as he talked a bit more and pointed out some interesting things in the view that she seemed unfamiliar with, she gradually gave him more of her attention; and he then noticed that her gaze was completely direct and unflinching. It wasn't, though, what you'd call an inappropriate glance, as the young girl's eyes were refreshingly honest and genuine. They were incredibly beautiful eyes; indeed, Winterbourne hadn't seen anything as pretty in a long time as the various features of this lovely woman—her complexion, her nose, her ears, her teeth. He had a strong appreciation for feminine beauty; he enjoyed observing and analyzing it; and regarding this young lady's face, he made several notes. It wasn't bland at all, but it wasn't exactly expressive either; and while it was very delicate, Winterbourne mentally noted—rather forgivingly—that it lacked a bit of refinement. He thought it quite possible that Master Randolph's sister was a flirt; he was sure she had a personality of her own; yet in her bright, sweet, simple little face, there was no hint of mockery or irony. Soon it became clear that she was quite eager to chat. She told him they were going to Rome for the winter—she, her mother, and Randolph. She asked him if he was a “real American”; she wouldn’t have guessed it—she thought he seemed more like a German—she mentioned this after a bit of hesitation—especially when he spoke. Winterbourne laughed and replied that he had met Germans who spoke like Americans, but he hadn’t, as far as he knew, met an American who spoke like a German. Then he asked her if she wouldn’t be more comfortable sitting on the bench he had just left. She said she preferred standing up and walking around; but she soon sat down. She told him she was from New York State—“if you know where that is.” Winterbourne learned more about her by grabbing her small, squirmy brother and making him stand by his side for a few minutes.
“Tell me your name, my boy,” he said.
“What's your name, kid?” he asked.
“Randolph C. Miller,” said the boy sharply. “And I’ll tell you her name;” and he leveled his alpenstock at his sister.
"Randolph C. Miller," the boy said sharply. "And I'll tell you her name;" and he pointed his alpenstock at his sister.
“You had better wait till you are asked!” said this young lady calmly.
“You should probably wait until you're asked!” said the young lady calmly.
“I should like very much to know your name,” said Winterbourne.
“I would really like to know your name,” Winterbourne said.
“Her name is Daisy Miller!” cried the child. “But that isn’t her real name; that isn’t her name on her cards.”
“Her name is Daisy Miller!” the child exclaimed. “But that isn’t her real name; that isn’t what’s on her cards.”
“It’s a pity you haven’t got one of my cards!” said Miss Miller.
“It’s a shame you don’t have one of my cards!” said Miss Miller.
“Her real name is Annie P. Miller,” the boy went on.
“Her real name is Annie P. Miller,” the boy continued.
“Ask him HIS name,” said his sister, indicating Winterbourne.
“Ask him his name,” said his sister, pointing at Winterbourne.
But on this point Randolph seemed perfectly indifferent; he continued to supply information with regard to his own family. “My father’s name is Ezra B. Miller,” he announced. “My father ain’t in Europe; my father’s in a better place than Europe.”
But on this point, Randolph seemed completely uninterested; he kept sharing information about his own family. “My dad’s name is Ezra B. Miller,” he said. “My dad isn’t in Europe; my dad’s in a better place than Europe.”
Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, “My father’s in Schenectady. He’s got a big business. My father’s rich, you bet!”
Winterbourne briefly thought that this was how the child had been taught to suggest that Mr. Miller had been taken to a heavenly place. But Randolph quickly added, “My dad’s in Schenectady. He’s got a big business. My dad’s rich, you bet!”
“Well!” ejaculated Miss Miller, lowering her parasol and looking at the embroidered border. Winterbourne presently released the child, who departed, dragging his alpenstock along the path. “He doesn’t like Europe,” said the young girl. “He wants to go back.”
“Well!” exclaimed Miss Miller, lowering her parasol and examining the embroidered border. Winterbourne eventually let the child go, and he walked away, dragging his hiking pole along the path. “He doesn’t like Europe,” said the young girl. “He wants to go back.”
“To Schenectady, you mean?”
"Are you referring to Schenectady?"
“Yes; he wants to go right home. He hasn’t got any boys here. There is one boy here, but he always goes round with a teacher; they won’t let him play.”
“Yes; he wants to go straight home. He doesn’t have any friends here. There’s one kid here, but he always hangs out with a teacher; they won’t let him play.”
“And your brother hasn’t any teacher?” Winterbourne inquired.
“And your brother doesn’t have a teacher?” Winterbourne asked.
“Mother thought of getting him one, to travel round with us. There was a lady told her of a very good teacher; an American lady—perhaps you know her—Mrs. Sanders. I think she came from Boston. She told her of this teacher, and we thought of getting him to travel round with us. But Randolph said he didn’t want a teacher traveling round with us. He said he wouldn’t have lessons when he was in the cars. And we ARE in the cars about half the time. There was an English lady we met in the cars—I think her name was Miss Featherstone; perhaps you know her. She wanted to know why I didn’t give Randolph lessons—give him ‘instruction,’ she called it. I guess he could give me more instruction than I could give him. He’s very smart.”
“Mom thought about getting him a tutor to travel with us. A woman told her about a great teacher, an American lady—maybe you know her—Mrs. Sanders. I think she’s from Boston. She mentioned this teacher, and we considered having him travel with us. But Randolph said he didn’t want a tutor coming along. He claimed he wouldn’t do any lessons while we were in the cars. And we ARE in the cars about half the time. There was an English woman we met on the train—I think her name was Miss Featherstone; maybe you know her. She asked why I didn’t give Randolph lessons—she called it ‘instruction.’ I think he could teach me more than I could teach him. He’s really smart.”
“Yes,” said Winterbourne; “he seems very smart.”
"Yeah," said Winterbourne; "he seems really sharp."
“Mother’s going to get a teacher for him as soon as we get to Italy. Can you get good teachers in Italy?”
“Mom’s going to find a teacher for him as soon as we get to Italy. Can you get good teachers in Italy?”
“Very good, I should think,” said Winterbourne.
“Sounds great, I would say,” Winterbourne replied.
“Or else she’s going to find some school. He ought to learn some more. He’s only nine. He’s going to college.” And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. “That English lady in the cars,” she said—“Miss Featherstone—asked me if we didn’t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many—it’s nothing but hotels.” But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed—not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe.
“Or else she’s going to find some school. He should learn more. He’s only nine. He’s going to college.” And with that, Miss Miller kept talking about her family and other topics. She sat there with her really pretty hands, adorned with shiny rings, folded in her lap, and her beautiful eyes moving from Winterbourne’s gaze to the garden, the passersby, and the stunning view. She spoke to Winterbourne like they had known each other for a long time, which he found very enjoyable. It had been years since he’d heard a young girl talk so much. It could be said about this unknown young lady, who had come and taken a seat next to him on a bench, that she was chatty. She was very composed; she sat elegantly, but her lips and eyes were always in motion. She had a soft, slender, pleasant voice, and her tone was definitely friendly. She shared with Winterbourne the details of her travels and plans, as well as those of her mother and brother in Europe, listing the various hotels where they had stayed. “That English lady in the train,” she said—“Miss Featherstone—asked me if we all lived in hotels in America. I told her I had never stayed in so many hotels in my life since coming to Europe. I’ve never seen so many—it’s nothing but hotels.” But Miss Miller didn’t say this with a complaining tone; she seemed to be in a great mood about everything. She claimed the hotels were very nice once you got used to them, and that Europe was absolutely lovely. She wasn't disappointed—not at all. Maybe it was because she had heard so much about it beforehand. She had a ton of close friends who had been there many times. Plus, she had a lot of dresses and things from Paris. Whenever she wore a Parisian dress, she felt like she was in Europe.
“It was a kind of a wishing cap,” said Winterbourne.
“It was like a wishing cap," Winterbourne said.
“Yes,” said Miss Miller without examining this analogy; “it always made me wish I was here. But I needn’t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don’t like,” she proceeded, “is the society. There isn’t any society; or, if there is, I don’t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven’t seen anything of it. I’m very fond of society, and I have always had a great deal of it. I don’t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society. Last winter I had seventeen dinners given me; and three of them were by gentlemen,” added Daisy Miller. “I have more friends in New York than in Schenectady—more gentleman friends; and more young lady friends too,” she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. “I have always had,” she said, “a great deal of gentlemen’s society.”
“Yes,” Miss Miller said without considering the comparison. “It always made me wish I was here. But I didn’t need to do that for dresses. I'm sure they send all the pretty ones to America; you see the most awful things here. The only thing I don’t like,” she continued, “is the society. There isn’t any society; or if there is, I don’t know where it is hiding. Do you? I suppose there is some society somewhere, but I haven't seen any of it. I really enjoy socializing, and I’ve always had a lot of it. I don’t just mean in Schenectady, but in New York. I used to go to New York every winter. In New York, I had a lot of social engagements. Last winter, I had seventeen dinner invitations; and three of them were from gentlemen,” Daisy Miller added. “I have more friends in New York than in Schenectady—more male friends; and more female friends too,” she said after a moment. She paused again for an instant, looking at Winterbourne with all her charm in her lively eyes and her light, slightly monotonous smile. “I’ve always had,” she said, “a lot of male company.”
Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva so long that he had lost a good deal; he had become dishabituated to the American tone. Never, indeed, since he had grown old enough to appreciate things, had he encountered a young American girl of so pronounced a type as this. Certainly she was very charming, but how deucedly sociable! Was she simply a pretty girl from New York State? Were they all like that, the pretty girls who had a good deal of gentlemen’s society? Or was she also a designing, an audacious, an unscrupulous young person? Winterbourne had lost his instinct in this matter, and his reason could not help him. Miss Daisy Miller looked extremely innocent. Some people had told him that, after all, American girls were exceedingly innocent; and others had told him that, after all, they were not. He was inclined to think Miss Daisy Miller was a flirt—a pretty American flirt. He had never, as yet, had any relations with young ladies of this category. He had known, here in Europe, two or three women—persons older than Miss Daisy Miller, and provided, for respectability’s sake, with husbands—who were great coquettes—dangerous, terrible women, with whom one’s relations were liable to take a serious turn. But this young girl was not a coquette in that sense; she was very unsophisticated; she was only a pretty American flirt. Winterbourne was almost grateful for having found the formula that applied to Miss Daisy Miller. He leaned back in his seat; he remarked to himself that she had the most charming nose he had ever seen; he wondered what were the regular conditions and limitations of one’s intercourse with a pretty American flirt. It presently became apparent that he was on the way to learn.
Poor Winterbourne was amused, confused, and definitely charmed. He had never heard a young girl express herself like this before; at least not unless it seemed to show some sort of loose behavior. But should he accuse Miss Daisy Miller of any actual or possible misbehavior, as they might say in Geneva? He felt like he’d been in Geneva long enough to have lost a lot; he had become unaccustomed to the American way of speaking. Never, in fact, since he was old enough to notice these things, had he met a young American girl of such a distinct type as her. She was certainly very charming, but also incredibly sociable! Was she just a pretty girl from New York State? Were all the pretty girls like that who spent a lot of time with gentlemen? Or was she also a manipulative, bold, and unscrupulous young woman? Winterbourne had lost his intuition in this area, and his reasoning wasn’t helping him. Miss Daisy Miller looked very innocent. Some people had told him that American girls were very innocent, while others said they weren’t at all. He was starting to think Miss Daisy Miller was a flirt—a pretty American flirt. He had never had any experience with girls like her before. He had known two or three older women in Europe—married for the sake of respectfulness—who were great flirts—dangerous, terrible women, with whom relationships could easily get serious. But this young girl wasn’t a flirt in that sense; she was very naive; she was just a pretty American flirt. Winterbourne felt almost grateful for having found the right label for Miss Daisy Miller. He leaned back in his seat, noting that she had the most charming nose he had ever seen and wondering what the usual boundaries were for interacting with a pretty American flirt. It soon became clear that he was about to find out.
“Have you been to that old castle?” asked the young girl, pointing with her parasol to the far-gleaming walls of the Chateau de Chillon.
“Have you been to that old castle?” asked the young girl, pointing with her parasol to the shining walls of the Chateau de Chillon.
“Yes, formerly, more than once,” said Winterbourne. “You too, I suppose, have seen it?”
“Yes, I have, more than once,” Winterbourne said. “You’ve seen it too, I guess?”
“No; we haven’t been there. I want to go there dreadfully. Of course I mean to go there. I wouldn’t go away from here without having seen that old castle.”
“No; we haven’t been there. I really want to go there. Of course I plan to go there. I wouldn’t leave here without having seen that old castle.”
“It’s a very pretty excursion,” said Winterbourne, “and very easy to make. You can drive, you know, or you can go by the little steamer.”
“It’s a really nice trip,” said Winterbourne, “and it’s super easy to do. You can drive, or you can take the little steamer.”
“You can go in the cars,” said Miss Miller.
“You can get in the cars,” said Miss Miller.
“Yes; you can go in the cars,” Winterbourne assented.
“Yeah; you can get in the cars,” Winterbourne agreed.
“Our courier says they take you right up to the castle,” the young girl continued. “We were going last week, but my mother gave out. She suffers dreadfully from dyspepsia. She said she couldn’t go. Randolph wouldn’t go either; he says he doesn’t think much of old castles. But I guess we’ll go this week, if we can get Randolph.”
“Our courier says they take you straight to the castle,” the young girl continued. “We were supposed to go last week, but my mom couldn't make it. She has really bad indigestion. She said she just couldn’t go. Randolph didn’t want to go either; he says he doesn’t care much for old castles. But I think we’ll go this week, if we can convince Randolph.”
“Your brother is not interested in ancient monuments?” Winterbourne inquired, smiling.
“Your brother isn’t into ancient monuments?” Winterbourne asked with a smile.
“He says he don’t care much about old castles. He’s only nine. He wants to stay at the hotel. Mother’s afraid to leave him alone, and the courier won’t stay with him; so we haven’t been to many places. But it will be too bad if we don’t go up there.” And Miss Miller pointed again at the Chateau de Chillon.
“He says he doesn’t care much about old castles. He’s only nine. He wants to stay at the hotel. Mom’s afraid to leave him alone, and the courier won’t stay with him; so we haven’t been to many places. But it would be a shame if we don’t go up there.” And Miss Miller pointed again at the Chateau de Chillon.
“I should think it might be arranged,” said Winterbourne. “Couldn’t you get some one to stay for the afternoon with Randolph?”
“I think we could work something out,” said Winterbourne. “Couldn’t you have someone stay with Randolph for the afternoon?”
Miss Miller looked at him a moment, and then, very placidly, “I wish YOU would stay with him!” she said.
Miss Miller looked at him for a moment, and then, very calmly, “I wish YOU would stay with him!” she said.
Winterbourne hesitated a moment. “I should much rather go to Chillon with you.”
Winterbourne paused for a moment. “I’d much rather go to Chillon with you.”
“With me?” asked the young girl with the same placidity.
“With me?” asked the young girl, looking just as calm.
She didn’t rise, blushing, as a young girl at Geneva would have done; and yet Winterbourne, conscious that he had been very bold, thought it possible she was offended. “With your mother,” he answered very respectfully.
She didn't get up, blushing, like a young girl from Geneva would have; and yet Winterbourne, aware that he had been quite forward, wondered if she might be upset. “With your mom,” he replied very respectfully.
But it seemed that both his audacity and his respect were lost upon Miss Daisy Miller. “I guess my mother won’t go, after all,” she said. “She don’t like to ride round in the afternoon. But did you really mean what you said just now—that you would like to go up there?”
But it seemed that both his boldness and his respect were lost on Miss Daisy Miller. “I guess my mom won’t go, after all,” she said. “She doesn’t like to ride around in the afternoon. But did you really mean what you just said—that you would like to go up there?”
“Most earnestly,” Winterbourne declared.
"Very sincerely," Winterbourne declared.
“Then we may arrange it. If mother will stay with Randolph, I guess Eugenio will.”
“Then we can set it up. If mom stays with Randolph, I think Eugenio will too.”
“Eugenio?” the young man inquired.
“Eugenio?” the guy asked.
“Eugenio’s our courier. He doesn’t like to stay with Randolph; he’s the most fastidious man I ever saw. But he’s a splendid courier. I guess he’ll stay at home with Randolph if mother does, and then we can go to the castle.”
“Eugenio is our courier. He doesn’t like being around Randolph; he’s the most particular person I’ve ever seen. But he’s an excellent courier. I guess he’ll stay home with Randolph if mom does, and then we can go to the castle.”
Winterbourne reflected for an instant as lucidly as possible—“we” could only mean Miss Daisy Miller and himself. This program seemed almost too agreeable for credence; he felt as if he ought to kiss the young lady’s hand. Possibly he would have done so and quite spoiled the project, but at this moment another person, presumably Eugenio, appeared. A tall, handsome man, with superb whiskers, wearing a velvet morning coat and a brilliant watch chain, approached Miss Miller, looking sharply at her companion. “Oh, Eugenio!” said Miss Miller with the friendliest accent.
Winterbourne paused for a moment, thinking as clearly as he could—“we” could only mean Miss Daisy Miller and himself. This idea felt almost too good to be true; he thought he should kiss the young lady’s hand. He might have done so and completely ruined the moment, but just then, another person, likely Eugenio, showed up. A tall, attractive man with impressive facial hair, wearing a velvet morning coat and a flashy watch chain, came up to Miss Miller, casting a sharp glance at her companion. “Oh, Eugenio!” Miss Miller exclaimed in the friendliest tone.
Eugenio had looked at Winterbourne from head to foot; he now bowed gravely to the young lady. “I have the honor to inform mademoiselle that luncheon is upon the table.”
Eugenio had looked at Winterbourne from head to toe; he now bowed respectfully to the young lady. “I have the honor to inform mademoiselle that lunch is served.”
Miss Miller slowly rose. “See here, Eugenio!” she said; “I’m going to that old castle, anyway.”
Miss Miller slowly got up. “Listen, Eugenio!” she said; “I’m going to that old castle, no matter what.”
“To the Chateau de Chillon, mademoiselle?” the courier inquired. “Mademoiselle has made arrangements?” he added in a tone which struck Winterbourne as very impertinent.
“To the Chateau de Chillon, miss?” the courier asked. “Have you made arrangements, miss?” he added in a tone that seemed very rude to Winterbourne.
Eugenio’s tone apparently threw, even to Miss Miller’s own apprehension, a slightly ironical light upon the young girl’s situation. She turned to Winterbourne, blushing a little—a very little. “You won’t back out?” she said.
Eugenio’s tone seemed to cast a slightly ironic light on the young girl’s situation, which even made Miss Miller a bit uneasy. She looked at Winterbourne, blushing just a little. “You won’t back out?” she asked.
“I shall not be happy till we go!” he protested.
“I won’t be happy until we leave!” he protested.
“And you are staying in this hotel?” she went on. “And you are really an American?”
“And you're staying in this hotel?” she continued. “And you're really American?”
The courier stood looking at Winterbourne offensively. The young man, at least, thought his manner of looking an offense to Miss Miller; it conveyed an imputation that she “picked up” acquaintances. “I shall have the honor of presenting to you a person who will tell you all about me,” he said, smiling and referring to his aunt.
The courier stood there, glaring at Winterbourne. The young man thought his way of looking was disrespectful to Miss Miller; it suggested that she was the type to "pick up" acquaintances. “I’ll have the honor of introducing you to someone who can tell you all about me,” he said, smiling and nodding toward his aunt.
“Oh, well, we’ll go some day,” said Miss Miller. And she gave him a smile and turned away. She put up her parasol and walked back to the inn beside Eugenio. Winterbourne stood looking after her; and as she moved away, drawing her muslin furbelows over the gravel, said to himself that she had the tournure of a princess.
“Oh, well, we’ll go some day,” said Miss Miller. She smiled at him and turned away. She raised her parasol and walked back to the inn with Eugenio. Winterbourne stood watching her; as she walked away, trailing her light fabric over the gravel, he thought to himself that she had the grace of a princess.
He had, however, engaged to do more than proved feasible, in promising to present his aunt, Mrs. Costello, to Miss Daisy Miller. As soon as the former lady had got better of her headache, he waited upon her in her apartment; and, after the proper inquiries in regard to her health, he asked her if she had observed in the hotel an American family—a mamma, a daughter, and a little boy.
He had, however, committed to doing more than was practical, by promising to introduce his aunt, Mrs. Costello, to Miss Daisy Miller. As soon as she recovered from her headache, he visited her in her room; and after checking in on her health, he asked her if she had noticed an American family at the hotel—a mom, a daughter, and a little boy.
“And a courier?” said Mrs. Costello. “Oh yes, I have observed them. Seen them—heard them—and kept out of their way.” Mrs. Costello was a widow with a fortune; a person of much distinction, who frequently intimated that, if she were not so dreadfully liable to sick headaches, she would probably have left a deeper impress upon her time. She had a long, pale face, a high nose, and a great deal of very striking white hair, which she wore in large puffs and rouleaux over the top of her head. She had two sons married in New York and another who was now in Europe. This young man was amusing himself at Hamburg, and, though he was on his travels, was rarely perceived to visit any particular city at the moment selected by his mother for her own appearance there. Her nephew, who had come up to Vevey expressly to see her, was therefore more attentive than those who, as she said, were nearer to her. He had imbibed at Geneva the idea that one must always be attentive to one’s aunt. Mrs. Costello had not seen him for many years, and she was greatly pleased with him, manifesting her approbation by initiating him into many of the secrets of that social sway which, as she gave him to understand, she exerted in the American capital. She admitted that she was very exclusive; but, if he were acquainted with New York, he would see that one had to be. And her picture of the minutely hierarchical constitution of the society of that city, which she presented to him in many different lights, was, to Winterbourne’s imagination, almost oppressively striking.
“And a courier?” Mrs. Costello asked. “Oh yes, I’ve noticed them. Seen them—heard them—and stayed out of their way.” Mrs. Costello was a wealthy widow, a woman of high status who often hinted that if she weren’t so prone to severe migraines, she would likely have made a bigger impact in her time. She had a long, pale face, a prominent nose, and a lot of very striking white hair, styled in large puffs and rolls on top of her head. She had two sons married in New York and another who was currently in Europe. This young man was having fun in Hamburg and, although he was traveling, rarely seemed to visit any specific city at the time his mother chose to go there. Her nephew, who had come to Vevey specifically to see her, was therefore more attentive than those who, as she put it, were closer to her. He had picked up at Geneva that one should always be considerate of one’s aunt. Mrs. Costello hadn’t seen him in many years, and she was very pleased with him, showing her approval by sharing many of the secrets of the social influence she claimed to have in the American capital. She admitted she was quite selective; but if he knew New York, he would understand that it was necessary. Her description of the precise hierarchical structure of that city’s society, which she presented to him in many different ways, was almost oppressively striking to Winterbourne’s imagination.
He immediately perceived, from her tone, that Miss Daisy Miller’s place in the social scale was low. “I am afraid you don’t approve of them,” he said.
He quickly sensed from her tone that Miss Daisy Miller was not very high on the social ladder. “I’m afraid you don’t approve of them,” he said.
“They are very common,” Mrs. Costello declared. “They are the sort of Americans that one does one’s duty by not—not accepting.”
“They're pretty common,” Mrs. Costello said. “They're the kind of Americans that you do your duty by not—by not accepting.”
“Ah, you don’t accept them?” said the young man.
“Ah, you don't take them?" said the young man.
“I can’t, my dear Frederick. I would if I could, but I can’t.”
“I can’t, my dear Frederick. I would if I could, but I can’t.”
“The young girl is very pretty,” said Winterbourne in a moment.
“The young girl is really pretty,” Winterbourne said after a moment.
“Of course she’s pretty. But she is very common.”
"Of course she's pretty. But she's very basic."
“I see what you mean, of course,” said Winterbourne after another pause.
“I get what you're saying, of course,” Winterbourne replied after another pause.
“She has that charming look that they all have,” his aunt resumed. “I can’t think where they pick it up; and she dresses in perfection—no, you don’t know how well she dresses. I can’t think where they get their taste.”
“She has that charming look that all of them have,” his aunt continued. “I can’t figure out where they get it; and her style is flawless—no, you don’t understand how well she dresses. I can’t imagine where they get their taste.”
“But, my dear aunt, she is not, after all, a Comanche savage.”
“But, my dear aunt, she isn’t, after all, a savage Comanche.”
“She is a young lady,” said Mrs. Costello, “who has an intimacy with her mamma’s courier.”
“She is a young woman,” said Mrs. Costello, “who has a close relationship with her mom’s courier.”
“An intimacy with the courier?” the young man demanded.
“An intimacy with the courier?” the young man asked.
“Oh, the mother is just as bad! They treat the courier like a familiar friend—like a gentleman. I shouldn’t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady’s idea of a count. He sits with them in the garden in the evening. I think he smokes.”
“Oh, the mother is just as bad! They treat the courier like a close friend—like a gentleman. I wouldn’t be surprised if he dines with them. It’s very likely they’ve never seen a man with such good manners, such nice clothes, so much like a gentleman. He probably fits the young lady’s idea of a count. He sits with them in the garden in the evening. I think he smokes.”
Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. “Well,” he said, “I am not a courier, and yet she was very charming to me.”
Winterbourne listened with interest to these revelations; they helped him decide what he thought about Miss Daisy. Clearly, she was a bit wild. “Well,” he said, “I’m not a courier, but she was very charming to me.”
“You had better have said at first,” said Mrs. Costello with dignity, “that you had made her acquaintance.”
“You should have said from the start,” Mrs. Costello said with dignity, “that you had met her.”
“We simply met in the garden, and we talked a bit.”
“We just met in the garden and had a little chat.”
“Tout bonnement! And pray what did you say?”
“Absolutely! And what did you say?”
“I said I should take the liberty of introducing her to my admirable aunt.”
“I thought I’d go ahead and introduce her to my wonderful aunt.”
“I am much obliged to you.”
"Thanks so much!"
“It was to guarantee my respectability,” said Winterbourne.
“It was to ensure my respectability,” said Winterbourne.
“And pray who is to guarantee hers?”
“And who is supposed to guarantee hers?”
“Ah, you are cruel!” said the young man. “She’s a very nice young girl.”
“Ah, you’re being really harsh!” said the young man. “She’s a really nice girl.”
“You don’t say that as if you believed it,” Mrs. Costello observed.
"You don't say that like you actually believe it," Mrs. Costello remarked.
“She is completely uncultivated,” Winterbourne went on. “But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon.”
“She is totally uncultured,” Winterbourne continued. “But she is incredibly pretty, and, to put it simply, she is very nice. To show that I believe this, I'm going to take her to the Chateau de Chillon.”
“You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven’t been twenty-four hours in the house.”
“You two are going off there together? I should say that's completely the opposite. How long had you known her, if I may ask, when this intriguing plan came about? You haven't even been in the house for twenty-four hours.”
“I have known her half an hour!” said Winterbourne, smiling.
"I've known her for half an hour!" said Winterbourne, smiling.
“Dear me!” cried Mrs. Costello. “What a dreadful girl!”
“Wow!” exclaimed Mrs. Costello. “What a terrible girl!”
Her nephew was silent for some moments. “You really think, then,” he began earnestly, and with a desire for trustworthy information—“you really think that—” But he paused again.
Her nephew was quiet for a moment. “So, you really think, then,” he started seriously, wanting reliable information—“you really think that—” But he paused again.
“Think what, sir?” said his aunt.
"Think what, sir?" his aunt asked.
“That she is the sort of young lady who expects a man, sooner or later, to carry her off?”
"Is she the kind of young woman who thinks a guy will come along and take her away someday?"
“I haven’t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent.”
“I have no idea what young ladies expect from a man. But I honestly think you’d be better off not getting involved with those little American girls that you describe as uncultivated. You’ve been away from the country for too long. You’re bound to make a big mistake. You’re too naïve.”
“My dear aunt, I am not so innocent,” said Winterbourne, smiling and curling his mustache.
“My dear aunt, I’m not that innocent,” said Winterbourne, smiling and curling his mustache.
“You are guilty too, then!”
“You're guilty too, then!”
Winterbourne continued to curl his mustache meditatively. “You won’t let the poor girl know you then?” he asked at last.
Winterbourne kept twisting his mustache thoughtfully. “So, you’re not going to let the poor girl know about you then?” he finally asked.
“Is it literally true that she is going to the Chateau de Chillon with you?”
“Is it really true that she’s going to Chateau de Chillon with you?”
“I think that she fully intends it.”
“I think she really means it.”
“Then, my dear Frederick,” said Mrs. Costello, “I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!”
“Then, my dear Frederick,” Mrs. Costello said, “I must decline the honor of meeting her. I may be an old woman, but I’m not too old, thank Heaven, to be shocked!”
“But don’t they all do these things—the young girls in America?” Winterbourne inquired.
“But don’t all the young girls in America do these things?” Winterbourne asked.
Mrs. Costello stared a moment. “I should like to see my granddaughters do them!” she declared grimly.
Mrs. Costello stared for a moment. “I would like to see my granddaughters do them!” she said sternly.
This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were “tremendous flirts.” If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly.
This seemed to clarify things a bit for Winterbourne because he recalled hearing that his attractive cousins in New York were known for being “serious flirts.” So, if Miss Daisy Miller was even more flirtatious than those young women, it was likely that anything could be expected from her. Winterbourne was eager to see her again, and he was frustrated with himself for not instinctively appreciating her the way he should.
Though he was impatient to see her, he hardly knew what he should say to her about his aunt’s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o’clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave of her till the morrow. Miss Daisy Miller seemed very glad to see him; she declared it was the longest evening she had ever passed.
Though he was eager to see her, he wasn't sure what to say about his aunt's refusal to get to know her. However, he quickly realized that there was no need to be overly cautious with Miss Daisy Miller. That evening, he found her in the garden, wandering around in the warm starlight like a relaxed spirit, swinging the largest fan he had ever seen. It was ten o’clock. He had eaten dinner with his aunt, spent time with her afterward, and had just said goodbye until the next day. Miss Daisy Miller seemed really happy to see him; she said it was the longest evening she had ever experienced.
“Have you been all alone?” he asked.
"Have you been by yourself?" he asked.
“I have been walking round with mother. But mother gets tired walking round,” she answered.
“I’ve been walking around with mom. But mom gets tired of walking,” she replied.
“Has she gone to bed?”
"Did she go to bed?"
“No; she doesn’t like to go to bed,” said the young girl. “She doesn’t sleep—not three hours. She says she doesn’t know how she lives. She’s dreadfully nervous. I guess she sleeps more than she thinks. She’s gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn’t like to go to bed.”
“No; she doesn’t want to go to bed,” said the young girl. “She doesn’t sleep—not even three hours. She says she doesn’t know how she survives. She’s really anxious. I think she sleeps more than she believes. She’s gone somewhere looking for Randolph; she wants to try to get him to go to bed. He doesn’t like to go to bed.”
“Let us hope she will persuade him,” observed Winterbourne.
“Let’s hope she can convince him,” Winterbourne said.
“She will talk to him all she can; but he doesn’t like her to talk to him,” said Miss Daisy, opening her fan. “She’s going to try to get Eugenio to talk to him. But he isn’t afraid of Eugenio. Eugenio’s a splendid courier, but he can’t make much impression on Randolph! I don’t believe he’ll go to bed before eleven.” It appeared that Randolph’s vigil was in fact triumphantly prolonged, for Winterbourne strolled about with the young girl for some time without meeting her mother. “I have been looking round for that lady you want to introduce me to,” his companion resumed. “She’s your aunt.” Then, on Winterbourne’s admitting the fact and expressing some curiosity as to how she had learned it, she said she had heard all about Mrs. Costello from the chambermaid. She was very quiet and very comme il faut; she wore white puffs; she spoke to no one, and she never dined at the table d’hote. Every two days she had a headache. “I think that’s a lovely description, headache and all!” said Miss Daisy, chattering along in her thin, gay voice. “I want to know her ever so much. I know just what YOUR aunt would be; I know I should like her. She would be very exclusive. I like a lady to be exclusive; I’m dying to be exclusive myself. Well, we ARE exclusive, mother and I. We don’t speak to everyone—or they don’t speak to us. I suppose it’s about the same thing. Anyway, I shall be ever so glad to know your aunt.”
“She’s going to talk to him as much as she can, but he doesn't want her to,” said Miss Daisy, opening her fan. “She’s going to try to get Eugenio to talk to him. But he’s not intimidated by Eugenio. Eugenio’s a great courier, but he doesn’t make much of an impression on Randolph! I doubt he’ll go to bed before eleven.” It seemed that Randolph’s watch was indeed going on, as Winterbourne walked around with the young girl for a while without running into her mother. “I’ve been looking for that lady you want me to meet,” his companion continued. “She’s your aunt.” Then, when Winterbourne acknowledged this and expressed curiosity about how she knew, she said she had heard all about Mrs. Costello from the chambermaid. She was very quiet and very proper; she wore white puffs; she didn’t speak to anyone, and she never dined at the main dining room. Every couple of days, she had a headache. “I think that’s a lovely description, headache and all!” said Miss Daisy, chattering in her light, cheerful voice. “I’m really eager to meet her. I know exactly what YOUR aunt would be like; I know I would like her. She would be very exclusive. I love a lady to be exclusive; I’m dying to be exclusive myself. Well, we ARE exclusive, my mother and I. We don’t talk to everyone—or they don’t talk to us. I guess it’s pretty much the same thing. Anyway, I’ll be really happy to meet your aunt.”
Winterbourne was embarrassed. “She would be most happy,” he said; “but I am afraid those headaches will interfere.”
Winterbourne felt awkward. “She’d be really happy,” he said; “but I’m worried those headaches will get in the way.”
The young girl looked at him through the dusk. “But I suppose she doesn’t have a headache every day,” she said sympathetically.
The young girl looked at him through the twilight. “But I guess she doesn’t have a headache every day,” she said with empathy.
Winterbourne was silent a moment. “She tells me she does,” he answered at last, not knowing what to say.
Winterbourne was quiet for a moment. “She says she does,” he finally replied, unsure of what to say.
Miss Daisy Miller stopped and stood looking at him. Her prettiness was still visible in the darkness; she was opening and closing her enormous fan. “She doesn’t want to know me!” she said suddenly. “Why don’t you say so? You needn’t be afraid. I’m not afraid!” And she gave a little laugh.
Miss Daisy Miller stopped and stared at him. Her beauty was still noticeable in the dark; she was opening and closing her large fan. “She doesn’t want to know me!” she exclaimed suddenly. “Why don’t you just say it? You don’t need to be scared. I’m not scared!” And she let out a small laugh.
Winterbourne fancied there was a tremor in her voice; he was touched, shocked, mortified by it. “My dear young lady,” he protested, “she knows no one. It’s her wretched health.”
Winterbourne thought he sensed a quiver in her voice; he was affected, shocked, and embarrassed by it. “My dear young lady,” he said, “she doesn’t know anyone. It’s her terrible health.”
The young girl walked on a few steps, laughing still. “You needn’t be afraid,” she repeated. “Why should she want to know me?” Then she paused again; she was close to the parapet of the garden, and in front of her was the starlit lake. There was a vague sheen upon its surface, and in the distance were dimly seen mountain forms. Daisy Miller looked out upon the mysterious prospect and then she gave another little laugh. “Gracious! she IS exclusive!” she said. Winterbourne wondered whether she was seriously wounded, and for a moment almost wished that her sense of injury might be such as to make it becoming in him to attempt to reassure and comfort her. He had a pleasant sense that she would be very approachable for consolatory purposes. He felt then, for the instant, quite ready to sacrifice his aunt, conversationally; to admit that she was a proud, rude woman, and to declare that they needn’t mind her. But before he had time to commit himself to this perilous mixture of gallantry and impiety, the young lady, resuming her walk, gave an exclamation in quite another tone. “Well, here’s Mother! I guess she hasn’t got Randolph to go to bed.” The figure of a lady appeared at a distance, very indistinct in the darkness, and advancing with a slow and wavering movement. Suddenly it seemed to pause.
The young girl walked a few steps, still laughing. “You don’t have to be scared,” she said again. “Why would she want to know me?” Then she paused again; she was near the garden wall, and in front of her was the starlit lake. There was a soft glow on its surface, and in the distance, there were faint mountain shapes. Daisy Miller looked out at the mysterious view and then let out another little laugh. “Wow! she IS exclusive!” she exclaimed. Winterbourne wondered if she was genuinely upset, and for a moment, he almost wished that her feeling of hurt would be enough for him to try to reassure and comfort her. He had a nice sense that she would be very open to some consolation. He felt, just for that instant, totally ready to sacrifice his aunt in conversation; to admit that she was a proud, rude woman, and to say that they shouldn’t let her bother them. But before he could commit to this risky mix of charm and disrespect, the young lady resumed her walk and exclaimed, in a completely different tone, “Well, here’s Mother! I guess she hasn’t gotten Randolph to go to bed.” A woman’s figure appeared in the distance, very blurry in the darkness, and approached with a slow and unsteady movement. Suddenly it seemed to stop.
“Are you sure it is your mother? Can you distinguish her in this thick dusk?” Winterbourne asked.
“Are you sure that’s your mom? Can you see her in this thick darkness?” Winterbourne asked.
“Well!” cried Miss Daisy Miller with a laugh; “I guess I know my own mother. And when she has got on my shawl, too! She is always wearing my things.”
“Well!” laughed Miss Daisy Miller, “I know my own mother. And look, she’s wearing my shawl again! She’s always taking my stuff.”
The lady in question, ceasing to advance, hovered vaguely about the spot at which she had checked her steps.
The lady in question stopped moving and lingered uncertainly around the place where she had paused.
“I am afraid your mother doesn’t see you,” said Winterbourne. “Or perhaps,” he added, thinking, with Miss Miller, the joke permissible—“perhaps she feels guilty about your shawl.”
“I’m afraid your mom doesn’t notice you,” Winterbourne said. “Or maybe,” he added, considering that it was a joke allowed with Miss Miller—“maybe she feels guilty about your shawl.”
“Oh, it’s a fearful old thing!” the young girl replied serenely. “I told her she could wear it. She won’t come here because she sees you.”
“Oh, it’s a scary old thing!” the young girl replied calmly. “I told her she could wear it. She won’t come here because she sees you.”
“Ah, then,” said Winterbourne, “I had better leave you.”
“Ah, in that case,” said Winterbourne, “I should probably go.”
“Oh, no; come on!” urged Miss Daisy Miller.
“Oh, no; come on!” urged Daisy Miller.
“I’m afraid your mother doesn’t approve of my walking with you.”
"I'm afraid your mom doesn't approve of me walking with you."
Miss Miller gave him a serious glance. “It isn’t for me; it’s for you—that is, it’s for HER. Well, I don’t know who it’s for! But mother doesn’t like any of my gentlemen friends. She’s right down timid. She always makes a fuss if I introduce a gentleman. But I DO introduce them—almost always. If I didn’t introduce my gentlemen friends to Mother,” the young girl added in her little soft, flat monotone, “I shouldn’t think I was natural.”
Miss Miller gave him a serious look. “It’s not for me; it’s for you—that is, it’s for HER. Well, I’m not sure who it’s for! But my mom doesn’t like any of my guy friends. She’s really shy. She always makes a scene if I introduce a guy. But I DO introduce them—almost always. If I didn’t introduce my guy friends to Mom,” the young girl added in her soft, flat voice, “I wouldn’t feel normal.”
“To introduce me,” said Winterbourne, “you must know my name.” And he proceeded to pronounce it.
“To introduce me,” Winterbourne said, “you need to know my name.” And he went on to say it.
“Oh, dear, I can’t say all that!” said his companion with a laugh. But by this time they had come up to Mrs. Miller, who, as they drew near, walked to the parapet of the garden and leaned upon it, looking intently at the lake and turning her back to them. “Mother!” said the young girl in a tone of decision. Upon this the elder lady turned round. “Mr. Winterbourne,” said Miss Daisy Miller, introducing the young man very frankly and prettily. “Common,” she was, as Mrs. Costello had pronounced her; yet it was a wonder to Winterbourne that, with her commonness, she had a singularly delicate grace.
“Oh, come on, I can't say all that!” her friend laughed. By this point, they had reached Mrs. Miller, who, as they approached, walked over to the garden wall and leaned against it, gazing intently at the lake and turning her back on them. “Mom!” the young girl said firmly. At this, the older woman turned around. “Mr. Winterbourne,” Miss Daisy Miller said, introducing the young man in a very straightforward and charming way. “Common,” as Mrs. Costello had described her; yet Winterbourne was amazed that, despite her ordinariness, she had an unusually delicate grace.
Her mother was a small, spare, light person, with a wandering eye, a very exiguous nose, and a large forehead, decorated with a certain amount of thin, much frizzled hair. Like her daughter, Mrs. Miller was dressed with extreme elegance; she had enormous diamonds in her ears. So far as Winterbourne could observe, she gave him no greeting—she certainly was not looking at him. Daisy was near her, pulling her shawl straight. “What are you doing, poking round here?” this young lady inquired, but by no means with that harshness of accent which her choice of words may imply.
Her mother was a petite, slender woman with a wandering eye, a very narrow nose, and a high forehead, topped with some thin, heavily frizzed hair. Like her daughter, Mrs. Miller was dressed with great elegance; she had huge diamonds in her ears. As far as Winterbourne could tell, she didn’t acknowledge him—she certainly wasn’t looking his way. Daisy was close by, straightening her shawl. “What are you doing, wandering around here?” this young lady asked, though not with the harshness that her choice of words might suggest.
“I don’t know,” said her mother, turning toward the lake again.
“I don’t know,” her mother said, turning back to the lake.
“I shouldn’t think you’d want that shawl!” Daisy exclaimed.
“I don’t think you’d want that shawl!” Daisy exclaimed.
“Well I do!” her mother answered with a little laugh.
"Well, I do!" her mother replied with a small laugh.
“Did you get Randolph to go to bed?” asked the young girl.
“Did you get Randolph to go to bed?” the young girl asked.
“No; I couldn’t induce him,” said Mrs. Miller very gently. “He wants to talk to the waiter. He likes to talk to that waiter.”
“No; I couldn’t persuade him,” Mrs. Miller said softly. “He wants to talk to the waiter. He enjoys chatting with that waiter.”
“I was telling Mr. Winterbourne,” the young girl went on; and to the young man’s ear her tone might have indicated that she had been uttering his name all her life.
“I was telling Mr. Winterbourne,” the young girl continued; and to the young man’s ear, her tone suggested that she had been saying his name all her life.
“Oh, yes!” said Winterbourne; “I have the pleasure of knowing your son.”
“Oh, yes!” said Winterbourne; “I know your son.”
Randolph’s mamma was silent; she turned her attention to the lake. But at last she spoke. “Well, I don’t see how he lives!”
Randolph's mom was quiet; she focused on the lake. But finally, she spoke. "Well, I don’t see how he survives!”
“Anyhow, it isn’t so bad as it was at Dover,” said Daisy Miller.
“Anyway, it’s not as bad as it was in Dover,” said Daisy Miller.
“And what occurred at Dover?” Winterbourne asked.
“And what happened at Dover?” Winterbourne asked.
“He wouldn’t go to bed at all. I guess he sat up all night in the public parlor. He wasn’t in bed at twelve o’clock: I know that.”
“He wouldn’t go to bed at all. I guess he stayed up all night in the public parlor. He wasn’t in bed at twelve o’clock: I know that.”
“It was half-past twelve,” declared Mrs. Miller with mild emphasis.
“It was 12:30,” Mrs. Miller said with a slight emphasis.
“Does he sleep much during the day?” Winterbourne demanded.
“Does he sleep a lot during the day?” Winterbourne asked.
“I guess he doesn’t sleep much,” Daisy rejoined.
“I guess he doesn’t sleep much,” Daisy replied.
“I wish he would!” said her mother. “It seems as if he couldn’t.”
“I wish he would!” her mother said. “It seems like he can’t.”
“I think he’s real tiresome,” Daisy pursued.
"I think he's really exhausting," Daisy continued.
Then, for some moments, there was silence. “Well, Daisy Miller,” said the elder lady, presently, “I shouldn’t think you’d want to talk against your own brother!”
Then, for a few moments, there was silence. “Well, Daisy Miller,” said the older woman after a bit, “I wouldn’t think you’d want to speak ill of your own brother!”
“Well, he IS tiresome, Mother,” said Daisy, quite without the asperity of a retort.
“Well, he is annoying, Mom,” said Daisy, without the harshness of a comeback.
“He’s only nine,” urged Mrs. Miller.
“He's only nine,” Mrs. Miller insisted.
“Well, he wouldn’t go to that castle,” said the young girl. “I’m going there with Mr. Winterbourne.”
“Well, he’s not going to that castle,” said the young girl. “I’m going there with Mr. Winterbourne.”
To this announcement, very placidly made, Daisy’s mamma offered no response. Winterbourne took for granted that she deeply disapproved of the projected excursion; but he said to himself that she was a simple, easily managed person, and that a few deferential protestations would take the edge from her displeasure. “Yes,” he began; “your daughter has kindly allowed me the honor of being her guide.”
To this announcement, made very calmly, Daisy’s mom said nothing. Winterbourne assumed she strongly disapproved of the planned outing; however, he thought to himself that she was a straightforward, manageable person, and that a few polite reassurances would soften her displeasure. “Yes,” he started; “your daughter has graciously allowed me the honor of being her guide.”
Mrs. Miller’s wandering eyes attached themselves, with a sort of appealing air, to Daisy, who, however, strolled a few steps farther, gently humming to herself. “I presume you will go in the cars,” said her mother.
Mrs. Miller’s wandering eyes landed on Daisy with an inviting look, but Daisy strolled a few steps ahead, softly humming to herself. “I guess you’ll be going in the cars,” her mother said.
“Yes, or in the boat,” said Winterbourne.
“Yes, or in the boat,” Winterbourne said.
“Well, of course, I don’t know,” Mrs. Miller rejoined. “I have never been to that castle.”
“Well, of course, I don’t know,” Mrs. Miller replied. “I’ve never been to that castle.”
“It is a pity you shouldn’t go,” said Winterbourne, beginning to feel reassured as to her opposition. And yet he was quite prepared to find that, as a matter of course, she meant to accompany her daughter.
“It’s a shame you’re not going,” Winterbourne said, starting to feel more at ease about her refusal. Still, he was fully prepared to discover that, naturally, she intended to go along with her daughter.
“We’ve been thinking ever so much about going,” she pursued; “but it seems as if we couldn’t. Of course Daisy—she wants to go round. But there’s a lady here—I don’t know her name—she says she shouldn’t think we’d want to go to see castles HERE; she should think we’d want to wait till we got to Italy. It seems as if there would be so many there,” continued Mrs. Miller with an air of increasing confidence. “Of course we only want to see the principal ones. We visited several in England,” she presently added.
“We’ve been thinking a lot about going,” she went on; “but it feels like we can’t. Of course, Daisy—she wants to explore. But there’s a lady here—I don’t know her name—who says she doesn’t think we’d want to see castles HERE; she thinks we should wait until we get to Italy. It seems like there would be so many there,” Mrs. Miller continued, sounding more confident. “Of course, we only want to see the main ones. We visited several in England,” she added.
“Ah yes! in England there are beautiful castles,” said Winterbourne. “But Chillon here, is very well worth seeing.”
“Ah yes! In England, there are beautiful castles,” said Winterbourne. “But Chillon here is definitely worth seeing.”
“Well, if Daisy feels up to it—” said Mrs. Miller, in a tone impregnated with a sense of the magnitude of the enterprise. “It seems as if there was nothing she wouldn’t undertake.”
“Well, if Daisy is up for it—” said Mrs. Miller, in a tone filled with a sense of the importance of the task. “It seems like there’s nothing she wouldn’t take on.”
“Oh, I think she’ll enjoy it!” Winterbourne declared. And he desired more and more to make it a certainty that he was to have the privilege of a tete-a-tete with the young lady, who was still strolling along in front of them, softly vocalizing. “You are not disposed, madam,” he inquired, “to undertake it yourself?”
“Oh, I think she'll love it!” Winterbourne said. And he increasingly wanted to ensure that he would have the chance for a one-on-one conversation with the young lady, who was still walking in front of them, quietly singing. “Aren't you interested, ma'am,” he asked, “in taking it on yourself?”
Daisy’s mother looked at him an instant askance, and then walked forward in silence. Then—“I guess she had better go alone,” she said simply. Winterbourne observed to himself that this was a very different type of maternity from that of the vigilant matrons who massed themselves in the forefront of social intercourse in the dark old city at the other end of the lake. But his meditations were interrupted by hearing his name very distinctly pronounced by Mrs. Miller’s unprotected daughter.
Daisy’s mother gave him a sideways glance for a moment, then walked ahead in silence. Then—“I think she should go alone,” she said plainly. Winterbourne thought to himself that this was a very different kind of motherhood than that of the watchful mothers who gathered in the forefront of social life in the old city at the other end of the lake. But his thoughts were interrupted when he heard his name clearly spoken by Mrs. Miller’s unaccompanied daughter.
“Mr. Winterbourne!” murmured Daisy.
“Mr. Winterbourne!” whispered Daisy.
“Mademoiselle!” said the young man.
“Miss!” said the young man.
“Don’t you want to take me out in a boat?”
“Don’t you want to take me out on a boat?”
“At present?” he asked.
"Right now?" he asked.
“Of course!” said Daisy.
"Definitely!" said Daisy.
“Well, Annie Miller!” exclaimed her mother.
“Well, Annie Miller!” her mother exclaimed.
“I beg you, madam, to let her go,” said Winterbourne ardently; for he had never yet enjoyed the sensation of guiding through the summer starlight a skiff freighted with a fresh and beautiful young girl.
“I beg you, ma’am, to let her go,” Winterbourne said passionately; he had never experienced the thrill of steering a small boat under the summer stars with a fresh and lovely young girl on board.
“I shouldn’t think she’d want to,” said her mother. “I should think she’d rather go indoors.”
“I don’t think she’d want to,” said her mother. “I think she’d rather go inside.”
“I’m sure Mr. Winterbourne wants to take me,” Daisy declared. “He’s so awfully devoted!”
“I’m sure Mr. Winterbourne wants to take me,” Daisy said. “He’s so incredibly devoted!”
“I will row you over to Chillon in the starlight.”
“I'll row you over to Chillon under the stars.”
“I don’t believe it!” said Daisy.
“I can't believe it!” said Daisy.
“Well!” ejaculated the elder lady again.
“Well!” the older woman exclaimed again.
“You haven’t spoken to me for half an hour,” her daughter went on.
“You haven’t talked to me for half an hour,” her daughter continued.
“I have been having some very pleasant conversation with your mother,” said Winterbourne.
“I’ve been having some really nice conversations with your mom,” said Winterbourne.
“Well, I want you to take me out in a boat!” Daisy repeated. They had all stopped, and she had turned round and was looking at Winterbourne. Her face wore a charming smile, her pretty eyes were gleaming, she was swinging her great fan about. No; it’s impossible to be prettier than that, thought Winterbourne.
“Well, I want you to take me out in a boat!” Daisy said again. Everyone had stopped, and she turned around to look at Winterbourne. She had a lovely smile on her face, her beautiful eyes sparkling, and she was waving her large fan around. No, it’s impossible to be prettier than that, Winterbourne thought.
“There are half a dozen boats moored at that landing place,” he said, pointing to certain steps which descended from the garden to the lake. “If you will do me the honor to accept my arm, we will go and select one of them.”
“There are about six boats tied up at that landing spot,” he said, pointing to the steps that led down from the garden to the lake. “If you’d do me the honor of taking my arm, we can go pick one of them.”
Daisy stood there smiling; she threw back her head and gave a little, light laugh. “I like a gentleman to be formal!” she declared.
Daisy stood there smiling; she tossed her head back and let out a light laugh. “I like a gentleman to be formal!” she said.
“I assure you it’s a formal offer.”
“I promise you it’s an official offer.”
“I was bound I would make you say something,” Daisy went on.
"I was determined to get you to say something," Daisy continued.
“You see, it’s not very difficult,” said Winterbourne. “But I am afraid you are chaffing me.”
“You see, it’s not very hard,” said Winterbourne. “But I’m worried you’re teasing me.”
“I think not, sir,” remarked Mrs. Miller very gently.
"I don't think so, sir," Mrs. Miller said softly.
“Do, then, let me give you a row,” he said to the young girl.
“Come on, let me give you a row,” he said to the young girl.
“It’s quite lovely, the way you say that!” cried Daisy.
“It’s really nice the way you say that!” exclaimed Daisy.
“It will be still more lovely to do it.”
“It will be even more beautiful to do it.”
“Yes, it would be lovely!” said Daisy. But she made no movement to accompany him; she only stood there laughing.
“Yes, that would be great!” said Daisy. But she didn’t make any move to join him; she just stood there laughing.
“I should think you had better find out what time it is,” interposed her mother.
"I think you should find out what time it is," her mother suggested.
“It is eleven o’clock, madam,” said a voice, with a foreign accent, out of the neighboring darkness; and Winterbourne, turning, perceived the florid personage who was in attendance upon the two ladies. He had apparently just approached.
“It’s eleven o’clock, ma’am,” said a voice with a foreign accent from the nearby darkness; and Winterbourne, turning around, noticed the well-dressed man who was attending to the two ladies. He had seemingly just arrived.
“Oh, Eugenio,” said Daisy, “I am going out in a boat!”
“Oh, Eugenio,” Daisy said, “I’m going out on a boat!”
Eugenio bowed. “At eleven o’clock, mademoiselle?”
Eugenio bowed. “At eleven o’clock, miss?”
“I am going with Mr. Winterbourne—this very minute.”
“I’m going with Mr. Winterbourne—right now.”
“Do tell her she can’t,” said Mrs. Miller to the courier.
“Go ahead and tell her she can’t,” said Mrs. Miller to the courier.
“I think you had better not go out in a boat, mademoiselle,” Eugenio declared.
“I think it’s best if you don’t go out in a boat, miss,” Eugenio declared.
Winterbourne wished to Heaven this pretty girl were not so familiar with her courier; but he said nothing.
Winterbourne wished to God this pretty girl wasn't so familiar with her courier; but he said nothing.
“I suppose you don’t think it’s proper!” Daisy exclaimed. “Eugenio doesn’t think anything’s proper.”
“I guess you don’t think it’s right!” Daisy exclaimed. “Eugenio doesn’t believe anything’s right.”
“I am at your service,” said Winterbourne.
“I’m here to help,” said Winterbourne.
“Does mademoiselle propose to go alone?” asked Eugenio of Mrs. Miller.
“Is Miss planning to go alone?” Eugenio asked Mrs. Miller.
“Oh, no; with this gentleman!” answered Daisy’s mamma.
“Oh, no; with this guy!” answered Daisy’s mom.
The courier looked for a moment at Winterbourne—the latter thought he was smiling—and then, solemnly, with a bow, “As mademoiselle pleases!” he said.
The courier glanced at Winterbourne for a moment—Winterbourne thought he saw a smile—and then, seriously, with a bow, he said, “As you wish, mademoiselle!”
“Oh, I hoped you would make a fuss!” said Daisy. “I don’t care to go now.”
“Oh, I was hoping you would make a scene!” said Daisy. “I’m not in the mood to go now.”
“I myself shall make a fuss if you don’t go,” said Winterbourne.
“I'll make a big deal about it if you don’t go,” Winterbourne said.
“That’s all I want—a little fuss!” And the young girl began to laugh again.
"That’s all I want—a little drama!" And the young girl started to laugh again.
“Mr. Randolph has gone to bed!” the courier announced frigidly.
“Mr. Randolph has gone to bed!” the courier announced coldly.
“Oh, Daisy; now we can go!” said Mrs. Miller.
“Oh, Daisy; now we can go!” Mrs. Miller said.
Daisy turned away from Winterbourne, looking at him, smiling and fanning herself. “Good night,” she said; “I hope you are disappointed, or disgusted, or something!”
Daisy turned away from Winterbourne, looking at him, smiling and fanning herself. “Goodnight,” she said; “I hope you’re disappointed, or grossed out, or something!”
He looked at her, taking the hand she offered him. “I am puzzled,” he answered.
He looked at her and took the hand she offered him. “I’m confused,” he replied.
“Well, I hope it won’t keep you awake!” she said very smartly; and, under the escort of the privileged Eugenio, the two ladies passed toward the house.
“Well, I hope it won’t keep you up!” she said with a sharp tone; and, under the escort of the privileged Eugenio, the two ladies walked toward the house.
Winterbourne stood looking after them; he was indeed puzzled. He lingered beside the lake for a quarter of an hour, turning over the mystery of the young girl’s sudden familiarities and caprices. But the only very definite conclusion he came to was that he should enjoy deucedly “going off” with her somewhere.
Winterbourne stood watching them; he was really confused. He hung around the lake for about fifteen minutes, mulling over the mystery of the young girl’s sudden friendliness and quirks. But the only clear conclusion he reached was that he would really enjoy going away with her somewhere.
Two days afterward he went off with her to the Castle of Chillon. He waited for her in the large hall of the hotel, where the couriers, the servants, the foreign tourists, were lounging about and staring. It was not the place he should have chosen, but she had appointed it. She came tripping downstairs, buttoning her long gloves, squeezing her folded parasol against her pretty figure, dressed in the perfection of a soberly elegant traveling costume. Winterbourne was a man of imagination and, as our ancestors used to say, sensibility; as he looked at her dress and, on the great staircase, her little rapid, confiding step, he felt as if there were something romantic going forward. He could have believed he was going to elope with her. He passed out with her among all the idle people that were assembled there; they were all looking at her very hard; she had begun to chatter as soon as she joined him. Winterbourne’s preference had been that they should be conveyed to Chillon in a carriage; but she expressed a lively wish to go in the little steamer; she declared that she had a passion for steamboats. There was always such a lovely breeze upon the water, and you saw such lots of people. The sail was not long, but Winterbourne’s companion found time to say a great many things. To the young man himself their little excursion was so much of an escapade—an adventure—that, even allowing for her habitual sense of freedom, he had some expectation of seeing her regard it in the same way. But it must be confessed that, in this particular, he was disappointed. Daisy Miller was extremely animated, she was in charming spirits; but she was apparently not at all excited; she was not fluttered; she avoided neither his eyes nor those of anyone else; she blushed neither when she looked at him nor when she felt that people were looking at her. People continued to look at her a great deal, and Winterbourne took much satisfaction in his pretty companion’s distinguished air. He had been a little afraid that she would talk loud, laugh overmuch, and even, perhaps, desire to move about the boat a good deal. But he quite forgot his fears; he sat smiling, with his eyes upon her face, while, without moving from her place, she delivered herself of a great number of original reflections. It was the most charming garrulity he had ever heard. He had assented to the idea that she was “common”; but was she so, after all, or was he simply getting used to her commonness? Her conversation was chiefly of what metaphysicians term the objective cast, but every now and then it took a subjective turn.
Two days later, he left with her for the Castle of Chillon. He waited for her in the large hotel lobby, where couriers, staff, and foreign tourists lounged around and stared. It wasn’t the place he would have chosen, but she selected it. She came tripping down the stairs, buttoning her long gloves and squeezing her folded parasol against her lovely figure, dressed perfectly in a simple yet elegant travel outfit. Winterbourne was a man of imagination and, as people used to say, sensitivity; as he looked at her outfit and her quick, trusting steps down the grand staircase, he felt like something romantic was happening. He could almost believe he was about to elope with her. As they stepped out among all the idle onlookers, they were all staring at her intently; she began chatting away as soon as she joined him. Winterbourne preferred to take a carriage to Chillon, but she expressed a strong desire to go by the little steamboat; she said she had a passion for steamboats. There was always such a nice breeze on the water, and there were so many people to see. The ride wasn’t long, but Winterbourne's companion managed to say a lot during their brief excursion. To him, this little trip felt like a daring adventure—though he expected her to see it the same way given her usual sense of freedom. But he had to admit he was disappointed on that front. Daisy Miller was very lively, and in great spirits; however, she didn’t seem at all excited. She didn’t shy away from his gaze or anyone else’s; she didn’t blush at him or when she knew people were looking at her. People kept staring at her, and Winterbourne took great pleasure in his pretty companion’s poise. He had been a bit worried that she would speak loudly, laugh too much, or want to move around the boat a lot. But he completely forgot his fears; he sat there smiling, his eyes on her face, while she, without leaving her spot, shared a wealth of original thoughts. It was the most delightful chatter he had ever heard. He had agreed with the idea that she was “common”—but was she really, or was he just getting used to her commonness? Her conversation mostly focused on what metaphysicians call the objective aspect, but now and then it turned subjective.
“What on EARTH are you so grave about?” she suddenly demanded, fixing her agreeable eyes upon Winterbourne’s.
“What on EARTH are you so serious about?” she suddenly asked, focusing her friendly eyes on Winterbourne’s.
“Am I grave?” he asked. “I had an idea I was grinning from ear to ear.”
“Am I serious?” he asked. “I thought I was smiling from ear to ear.”
“You look as if you were taking me to a funeral. If that’s a grin, your ears are very near together.”
"You look like you're taking me to a funeral. If that's a smile, your ears are really close together."
“Should you like me to dance a hornpipe on the deck?”
“Would you like me to dance a hornpipe on the deck?”
“Pray do, and I’ll carry round your hat. It will pay the expenses of our journey.”
“Please, let me carry your hat. It will cover the costs of our trip.”
“I never was better pleased in my life,” murmured Winterbourne.
“I’ve never been happier in my life,” Winterbourne murmured.
She looked at him a moment and then burst into a little laugh. “I like to make you say those things! You’re a queer mixture!”
She looked at him for a moment and then burst into a small laugh. “I love making you say those things! You’re such a funny mix!”
In the castle, after they had landed, the subjective element decidedly prevailed. Daisy tripped about the vaulted chambers, rustled her skirts in the corkscrew staircases, flirted back with a pretty little cry and a shudder from the edge of the oubliettes, and turned a singularly well-shaped ear to everything that Winterbourne told her about the place. But he saw that she cared very little for feudal antiquities and that the dusky traditions of Chillon made but a slight impression upon her. They had the good fortune to have been able to walk about without other companionship than that of the custodian; and Winterbourne arranged with this functionary that they should not be hurried—that they should linger and pause wherever they chose. The custodian interpreted the bargain generously—Winterbourne, on his side, had been generous—and ended by leaving them quite to themselves. Miss Miller’s observations were not remarkable for logical consistency; for anything she wanted to say she was sure to find a pretext. She found a great many pretexts in the rugged embrasures of Chillon for asking Winterbourne sudden questions about himself—his family, his previous history, his tastes, his habits, his intentions—and for supplying information upon corresponding points in her own personality. Of her own tastes, habits, and intentions Miss Miller was prepared to give the most definite, and indeed the most favorable account.
In the castle, after they arrived, the personal vibe definitely took over. Daisy skipped around the arched rooms, swooshed her skirts on the spiral staircases, flirted back with a cute little gasp and a shiver from the edge of the dungeons, and listened intently to everything that Winterbourne said about the place. But he noticed she didn't care much for the historical stuff and that the dark legends of Chillon barely made an impact on her. Luckily, they were able to explore with just the custodian for company; Winterbourne made sure with this guy that they wouldn’t be rushed—that they could take their time and pause whenever they wanted. The custodian understood the deal well—Winterbourne had been generous—and eventually left them totally alone. Miss Miller's comments weren't particularly logical; she always found a reason to say whatever was on her mind. She discovered plenty of reasons in the rugged openings of Chillon to ask Winterbourne sudden questions about himself—his family, his background, his likes, his habits, his plans—and share details about her own personality in return. Miss Miller was ready to give a very clear and definitely positive account of her own tastes, habits, and intentions.
“Well, I hope you know enough!” she said to her companion, after he had told her the history of the unhappy Bonivard. “I never saw a man that knew so much!” The history of Bonivard had evidently, as they say, gone into one ear and out of the other. But Daisy went on to say that she wished Winterbourne would travel with them and “go round” with them; they might know something, in that case. “Don’t you want to come and teach Randolph?” she asked. Winterbourne said that nothing could possibly please him so much, but that he had unfortunately other occupations. “Other occupations? I don’t believe it!” said Miss Daisy. “What do you mean? You are not in business.” The young man admitted that he was not in business; but he had engagements which, even within a day or two, would force him to go back to Geneva. “Oh, bother!” she said; “I don’t believe it!” and she began to talk about something else. But a few moments later, when he was pointing out to her the pretty design of an antique fireplace, she broke out irrelevantly, “You don’t mean to say you are going back to Geneva?”
“Well, I hope you know enough!” she said to her companion after he had told her the story of the unfortunate Bonivard. “I’ve never met anyone who knew so much!” Clearly, the story of Bonivard had gone in one ear and out the other. But Daisy continued, saying she wished Winterbourne would travel with them and “hang out” with them; they might learn something, then. “Don’t you want to come and teach Randolph?” she asked. Winterbourne replied that nothing would please him more, but unfortunately, he had other commitments. “Other commitments? I don’t believe it!” said Miss Daisy. “What do you mean? You’re not in business.” The young man confessed he wasn’t in business, but he had engagements that would soon require him to return to Geneva. “Oh, come on!” she said; “I don’t believe it!” and she started talking about something else. But a few moments later, as he was showing her the lovely design of an antique fireplace, she suddenly exclaimed, “You don’t mean you’re going back to Geneva?”
“It is a melancholy fact that I shall have to return to Geneva tomorrow.”
"It’s a sad reality that I have to go back to Geneva tomorrow."
“Well, Mr. Winterbourne,” said Daisy, “I think you’re horrid!”
“Well, Mr. Winterbourne,” Daisy said, “I think you’re awful!”
“Oh, don’t say such dreadful things!” said Winterbourne—“just at the last!”
“Oh, don’t say such terrible things!” said Winterbourne—“right at the end!”
“The last!” cried the young girl; “I call it the first. I have half a mind to leave you here and go straight back to the hotel alone.” And for the next ten minutes she did nothing but call him horrid. Poor Winterbourne was fairly bewildered; no young lady had as yet done him the honor to be so agitated by the announcement of his movements. His companion, after this, ceased to pay any attention to the curiosities of Chillon or the beauties of the lake; she opened fire upon the mysterious charmer in Geneva whom she appeared to have instantly taken it for granted that he was hurrying back to see. How did Miss Daisy Miller know that there was a charmer in Geneva? Winterbourne, who denied the existence of such a person, was quite unable to discover, and he was divided between amazement at the rapidity of her induction and amusement at the frankness of her persiflage. She seemed to him, in all this, an extraordinary mixture of innocence and crudity. “Does she never allow you more than three days at a time?” asked Daisy ironically. “Doesn’t she give you a vacation in summer? There’s no one so hard worked but they can get leave to go off somewhere at this season. I suppose, if you stay another day, she’ll come after you in the boat. Do wait over till Friday, and I will go down to the landing to see her arrive!” Winterbourne began to think he had been wrong to feel disappointed in the temper in which the young lady had embarked. If he had missed the personal accent, the personal accent was now making its appearance. It sounded very distinctly, at last, in her telling him she would stop “teasing” him if he would promise her solemnly to come down to Rome in the winter.
“The last!” cried the young girl; “I call it the first. I’m seriously thinking about just leaving you here and going back to the hotel on my own.” And for the next ten minutes, she did nothing but call him awful. Poor Winterbourne was completely confused; no young woman had ever reacted to him with such agitation over his plans. After this, his companion stopped paying attention to the sights of Chillon or the beauty of the lake; she launched into a conversation about the mysterious charmer in Geneva, whom she seemed convinced he was rushing back to see. How did Miss Daisy Miller know there was a charmer in Geneva? Winterbourne, who insisted such a person didn’t exist, couldn’t figure it out, and he was torn between being amazed at how quickly she jumped to conclusions and amused by her straightforward teasing. To him, she seemed like an odd combination of innocence and bluntness. “Does she never let you take more than three days at a time?” Daisy asked sarcastically. “Doesn’t she give you a summer vacation? No one works so hard that they can’t take time off during the season. I bet if you stay another day, she’ll row over to get you. Please stay until Friday, and I’ll go down to the dock to see her arrive!” Winterbourne started to think he had been wrong to feel disappointed by the young lady’s initial attitude. If he had missed the personal touch, it was now showing itself. It finally came through when she told him she would stop “teasing” him if he promised her, seriously, that he would come down to Rome in the winter.
“That’s not a difficult promise to make,” said Winterbourne. “My aunt has taken an apartment in Rome for the winter and has already asked me to come and see her.”
"That's not a hard promise to keep," said Winterbourne. "My aunt has rented an apartment in Rome for the winter and has already invited me to come visit her."
“I don’t want you to come for your aunt,” said Daisy; “I want you to come for me.” And this was the only allusion that the young man was ever to hear her make to his invidious kinswoman. He declared that, at any rate, he would certainly come. After this Daisy stopped teasing. Winterbourne took a carriage, and they drove back to Vevey in the dusk; the young girl was very quiet.
“I don’t want you to visit because of your aunt,” Daisy said; “I want you to come for me.” This was the only time the young man would ever hear her mention his troublesome relative. He assured her that he would definitely come. After that, Daisy stopped teasing. Winterbourne took a carriage, and they drove back to Vevey as night fell; the young girl was very quiet.
In the evening Winterbourne mentioned to Mrs. Costello that he had spent the afternoon at Chillon with Miss Daisy Miller.
In the evening, Winterbourne told Mrs. Costello that he had spent the afternoon at Chillon with Miss Daisy Miller.
“The Americans—of the courier?” asked this lady.
“The Americans—of the courier?” asked the woman.
“Ah, happily,” said Winterbourne, “the courier stayed at home.”
“Ah, thankfully,” said Winterbourne, “the courier stayed home.”
“She went with you all alone?”
“She went with you by herself?”
“All alone.”
"All by myself."
Mrs. Costello sniffed a little at her smelling bottle. “And that,” she exclaimed, “is the young person whom you wanted me to know!”
Mrs. Costello took a sniff from her smelling bottle. “And that,” she exclaimed, “is the young person you wanted me to meet!”
PART II
Winterbourne, who had returned to Geneva the day after his excursion to Chillon, went to Rome toward the end of January. His aunt had been established there for several weeks, and he had received a couple of letters from her. “Those people you were so devoted to last summer at Vevey have turned up here, courier and all,” she wrote. “They seem to have made several acquaintances, but the courier continues to be the most intime. The young lady, however, is also very intimate with some third-rate Italians, with whom she rackets about in a way that makes much talk. Bring me that pretty novel of Cherbuliez’s—Paule Mere—and don’t come later than the 23rd.”
Winterbourne, who had returned to Geneva the day after his trip to Chillon, went to Rome at the end of January. His aunt had been there for several weeks, and he had received a couple of letters from her. “Those people you were so fond of last summer in Vevey have shown up here, courier and all,” she wrote. “They seem to have made several friends, but the courier remains the closest. The young lady, though, is also pretty close with some second-rate Italians, with whom she socializes in a way that attracts a lot of attention. Bring me that nice novel by Cherbuliez—Paule Mere—and don’t come after the 23rd.”
In the natural course of events, Winterbourne, on arriving in Rome, would presently have ascertained Mrs. Miller’s address at the American banker’s and have gone to pay his compliments to Miss Daisy. “After what happened at Vevey, I think I may certainly call upon them,” he said to Mrs. Costello.
In the usual course of things, when Winterbourne got to Rome, he would have quickly found out Mrs. Miller's address through the American banker and gone to visit Miss Daisy. "After what happened in Vevey, I definitely feel I can pay them a visit," he told Mrs. Costello.
“If, after what happens—at Vevey and everywhere—you desire to keep up the acquaintance, you are very welcome. Of course a man may know everyone. Men are welcome to the privilege!”
“If, after everything that happens at Vevey and everywhere else, you want to keep in touch, you’re more than welcome. Of course, a man can know everyone. Men have that privilege!”
“Pray what is it that happens—here, for instance?” Winterbourne demanded.
“Can you tell me what’s going on—like right here, for example?” Winterbourne asked.
“The girl goes about alone with her foreigners. As to what happens further, you must apply elsewhere for information. She has picked up half a dozen of the regular Roman fortune hunters, and she takes them about to people’s houses. When she comes to a party she brings with her a gentleman with a good deal of manner and a wonderful mustache.”
“The girl wanders around with her foreign friends. For what happens next, you’ll have to look elsewhere for details. She’s gathered a handful of the usual Roman fortune seekers and takes them to people’s homes. When she attends a party, she brings along a gentleman with great charm and an impressive mustache.”
“And where is the mother?”
“Where’s the mom?”
“I haven’t the least idea. They are very dreadful people.”
“I have no idea at all. They are really terrible people.”
Winterbourne meditated a moment. “They are very ignorant—very innocent only. Depend upon it they are not bad.”
Winterbourne thought for a moment. “They’re just very naive—very innocent, really. Trust me, they’re not bad.”
“They are hopelessly vulgar,” said Mrs. Costello. “Whether or no being hopelessly vulgar is being ‘bad’ is a question for the metaphysicians. They are bad enough to dislike, at any rate; and for this short life that is quite enough.”
“They’re completely tacky,” said Mrs. Costello. “Whether being completely tacky means they’re ‘bad’ is a question for philosophers. They’re unlikable enough to be disliked, anyway; and for this short life, that’s more than enough.”
The news that Daisy Miller was surrounded by half a dozen wonderful mustaches checked Winterbourne’s impulse to go straightway to see her. He had, perhaps, not definitely flattered himself that he had made an ineffaceable impression upon her heart, but he was annoyed at hearing of a state of affairs so little in harmony with an image that had lately flitted in and out of his own meditations; the image of a very pretty girl looking out of an old Roman window and asking herself urgently when Mr. Winterbourne would arrive. If, however, he determined to wait a little before reminding Miss Miller of his claims to her consideration, he went very soon to call upon two or three other friends. One of these friends was an American lady who had spent several winters at Geneva, where she had placed her children at school. She was a very accomplished woman, and she lived in the Via Gregoriana. Winterbourne found her in a little crimson drawing room on a third floor; the room was filled with southern sunshine. He had not been there ten minutes when the servant came in, announcing “Madame Mila!” This announcement was presently followed by the entrance of little Randolph Miller, who stopped in the middle of the room and stood staring at Winterbourne. An instant later his pretty sister crossed the threshold; and then, after a considerable interval, Mrs. Miller slowly advanced.
The news that Daisy Miller was with a bunch of handsome guys stopped Winterbourne from rushing over to see her. He might not have truly believed he had made a lasting impression on her heart, but he felt frustrated to hear about a situation that didn’t match the image that had recently popped into his mind: a very pretty girl looking out of an old Roman window and urgently wondering when Mr. Winterbourne would show up. However, if he decided to wait a bit before reminding Miss Miller of his intentions, he soon went to visit a few other friends. One of these friends was an American woman who had spent several winters in Geneva, where she had sent her kids to school. She was a very cultured person, living on Via Gregoriana. Winterbourne found her in a little crimson living room on the third floor, filled with southern sunlight. He hadn’t been there ten minutes when the servant came in, announcing “Madame Mila!” This was soon followed by the entrance of little Randolph Miller, who stopped in the middle of the room and stared at Winterbourne. A moment later, his pretty sister walked in; and then, after a noticeable delay, Mrs. Miller slowly made her way in.
“I know you!” said Randolph.
“I know you!” Randolph said.
“I’m sure you know a great many things,” exclaimed Winterbourne, taking him by the hand. “How is your education coming on?”
“I’m sure you know a lot of things,” Winterbourne said, shaking his hand. “How’s your education going?”
Daisy was exchanging greetings very prettily with her hostess, but when she heard Winterbourne’s voice she quickly turned her head. “Well, I declare!” she said.
Daisy was chatting charmingly with her hostess, but when she heard Winterbourne’s voice, she swiftly turned her head. “Well, I can’t believe it!” she said.
“I told you I should come, you know,” Winterbourne rejoined, smiling.
“I told you I should come, you know,” Winterbourne replied, smiling.
“Well, I didn’t believe it,” said Miss Daisy.
“Well, I didn’t believe it,” said Miss Daisy.
“I am much obliged to you,” laughed the young man.
“I really appreciate it,” laughed the young man.
“You might have come to see me!” said Daisy.
“You could have come to see me!” said Daisy.
“I arrived only yesterday.”
"I just arrived yesterday."
“I don’t believe that!” the young girl declared.
“I don’t believe that!” the young girl said.
Winterbourne turned with a protesting smile to her mother, but this lady evaded his glance, and, seating herself, fixed her eyes upon her son. “We’ve got a bigger place than this,” said Randolph. “It’s all gold on the walls.”
Winterbourne turned with a reluctant smile to her mother, but she avoided his gaze and, sitting down, focused her attention on her son. “We have a bigger place than this,” Randolph said. “It's all gold on the walls.”
Mrs. Miller turned uneasily in her chair. “I told you if I were to bring you, you would say something!” she murmured.
Mrs. Miller shifted uncomfortably in her chair. “I told you that if I brought you, you would say something!” she murmured.
“I told YOU!” Randolph exclaimed. “I tell YOU, sir!” he added jocosely, giving Winterbourne a thump on the knee. “It IS bigger, too!”
“I told you!” Randolph exclaimed. “I tell you, sir!” he added playfully, giving Winterbourne a pat on the knee. “It is bigger, too!”
Daisy had entered upon a lively conversation with her hostess; Winterbourne judged it becoming to address a few words to her mother. “I hope you have been well since we parted at Vevey,” he said.
Daisy was having a lively chat with her hostess; Winterbourne thought it was appropriate to say a few words to her mother. “I hope you’ve been well since we last saw each other in Vevey,” he said.
Mrs. Miller now certainly looked at him—at his chin. “Not very well, sir,” she answered.
Mrs. Miller definitely looked at him—at his chin. “Not too well, sir,” she replied.
“She’s got the dyspepsia,” said Randolph. “I’ve got it too. Father’s got it. I’ve got it most!”
"She’s got indigestion," Randolph said. "I’ve got it too. Dad's got it. I’ve got it the worst!"
This announcement, instead of embarrassing Mrs. Miller, seemed to relieve her. “I suffer from the liver,” she said. “I think it’s this climate; it’s less bracing than Schenectady, especially in the winter season. I don’t know whether you know we reside at Schenectady. I was saying to Daisy that I certainly hadn’t found any one like Dr. Davis, and I didn’t believe I should. Oh, at Schenectady he stands first; they think everything of him. He has so much to do, and yet there was nothing he wouldn’t do for me. He said he never saw anything like my dyspepsia, but he was bound to cure it. I’m sure there was nothing he wouldn’t try. He was just going to try something new when we came off. Mr. Miller wanted Daisy to see Europe for herself. But I wrote to Mr. Miller that it seems as if I couldn’t get on without Dr. Davis. At Schenectady he stands at the very top; and there’s a great deal of sickness there, too. It affects my sleep.”
This announcement, instead of embarrassing Mrs. Miller, seemed to relieve her. “I have liver issues,” she said. “I think it’s this climate; it’s not as refreshing as Schenectady, especially during the winter. I don’t know if you’re aware that we live in Schenectady. I was telling Daisy that I definitely haven’t found anyone like Dr. Davis, and I didn’t think I would. Oh, in Schenectady, he’s the best; they all think highly of him. He has so much going on, yet there’s nothing he wouldn’t do for me. He said he’d never seen anything like my indigestion, but he was determined to fix it. I’m sure there was nothing he wouldn’t try. He was just about to try something new when we left. Mr. Miller wanted Daisy to see Europe for herself. But I wrote to Mr. Miller that it feels like I can’t manage without Dr. Davis. In Schenectady, he’s at the very top; and there’s a lot of illness there, too. It’s affecting my sleep.”
Winterbourne had a good deal of pathological gossip with Dr. Davis’s patient, during which Daisy chattered unremittingly to her own companion. The young man asked Mrs. Miller how she was pleased with Rome. “Well, I must say I am disappointed,” she answered. “We had heard so much about it; I suppose we had heard too much. But we couldn’t help that. We had been led to expect something different.”
Winterbourne had quite the intense gossip session with Dr. Davis's patient while Daisy chatted non-stop with her own companion. The young man asked Mrs. Miller how she liked Rome. “Honestly, I have to say I'm disappointed,” she replied. “We had heard so much about it; I guess we heard too much. But we couldn't help that. We were expecting something different.”
“Ah, wait a little, and you will become very fond of it,” said Winterbourne.
“Hey, just wait a bit, and you’ll really start to like it,” said Winterbourne.
“I hate it worse and worse every day!” cried Randolph.
“I hate it more and more every day!” cried Randolph.
“You are like the infant Hannibal,” said Winterbourne.
“You're like baby Hannibal,” Winterbourne said.
“No, I ain’t!” Randolph declared at a venture.
“No, I’m not!” Randolph declared confidently.
“You are not much like an infant,” said his mother. “But we have seen places,” she resumed, “that I should put a long way before Rome.” And in reply to Winterbourne’s interrogation, “There’s Zurich,” she concluded, “I think Zurich is lovely; and we hadn’t heard half so much about it.”
“You're not really like a baby,” his mom said. “But we've been to places,” she continued, “that I would rank way above Rome.” And in response to Winterbourne’s question, “There’s Zurich,” she finished, “I think Zurich is beautiful; and we hadn’t heard nearly as much about it.”
“The best place we’ve seen is the City of Richmond!” said Randolph.
“The best place we've seen is Richmond!” said Randolph.
“He means the ship,” his mother explained. “We crossed in that ship. Randolph had a good time on the City of Richmond.”
“He means the ship,” his mother explained. “We traveled on that ship. Randolph had a great time on the City of Richmond.”
“It’s the best place I’ve seen,” the child repeated. “Only it was turned the wrong way.”
“It’s the best place I’ve ever seen,” the child said again. “But it was facing the wrong way.”
“Well, we’ve got to turn the right way some time,” said Mrs. Miller with a little laugh. Winterbourne expressed the hope that her daughter at least found some gratification in Rome, and she declared that Daisy was quite carried away. “It’s on account of the society—the society’s splendid. She goes round everywhere; she has made a great number of acquaintances. Of course she goes round more than I do. I must say they have been very sociable; they have taken her right in. And then she knows a great many gentlemen. Oh, she thinks there’s nothing like Rome. Of course, it’s a great deal pleasanter for a young lady if she knows plenty of gentlemen.”
"Well, we have to head the right way eventually," Mrs. Miller said with a little laugh. Winterbourne expressed hope that her daughter was at least enjoying her time in Rome, and she said that Daisy was completely taken in by it. "It's because of the social scene—it's fantastic. She goes everywhere; she has made a lot of friends. Of course, she goes out more than I do. I must say, they've been very welcoming; they've embraced her completely. And she knows a lot of gentlemen. Oh, she believes there's nothing like Rome. It's definitely much nicer for a young woman when she knows plenty of guys."
By this time Daisy had turned her attention again to Winterbourne. “I’ve been telling Mrs. Walker how mean you were!” the young girl announced.
By this point, Daisy had focused her attention back on Winterbourne. “I’ve been telling Mrs. Walker how rude you were!” the young girl said.
“And what is the evidence you have offered?” asked Winterbourne, rather annoyed at Miss Miller’s want of appreciation of the zeal of an admirer who on his way down to Rome had stopped neither at Bologna nor at Florence, simply because of a certain sentimental impatience. He remembered that a cynical compatriot had once told him that American women—the pretty ones, and this gave a largeness to the axiom—were at once the most exacting in the world and the least endowed with a sense of indebtedness.
“And what evidence do you have?” asked Winterbourne, somewhat annoyed at Miss Miller’s lack of appreciation for the enthusiasm of an admirer who, on his way to Rome, hadn’t stopped in Bologna or Florence due to a certain sentimental impatience. He recalled that a cynical fellow countryman had once told him that American women—the pretty ones, which made the statement more substantial—were simultaneously the most demanding in the world and the least aware of their obligations.
“Why, you were awfully mean at Vevey,” said Daisy. “You wouldn’t do anything. You wouldn’t stay there when I asked you.”
“Why, you were really mean at Vevey,” said Daisy. “You wouldn’t do anything. You wouldn’t stay there when I asked you.”
“My dearest young lady,” cried Winterbourne, with eloquence, “have I come all the way to Rome to encounter your reproaches?”
“My dear young lady,” exclaimed Winterbourne, with passion, “did I travel all the way to Rome just to face your complaints?”
“Just hear him say that!” said Daisy to her hostess, giving a twist to a bow on this lady’s dress. “Did you ever hear anything so quaint?”
“Just listen to him!” Daisy said to her hostess, adjusting a bow on the lady’s dress. “Have you ever heard anything so funny?”
“So quaint, my dear?” murmured Mrs. Walker in the tone of a partisan of Winterbourne.
“So charming, my dear?” murmured Mrs. Walker with a tone that clearly sided with Winterbourne.
“Well, I don’t know,” said Daisy, fingering Mrs. Walker’s ribbons. “Mrs. Walker, I want to tell you something.”
“Well, I don’t know,” Daisy said, fiddling with Mrs. Walker’s ribbons. “Mrs. Walker, I need to tell you something.”
“Mother-r,” interposed Randolph, with his rough ends to his words, “I tell you you’ve got to go. Eugenio’ll raise—something!”
“Mom,” Randolph interrupted, with a gruff tone, “I'm telling you, you have to go. Eugenio will cause—something!”
“I’m not afraid of Eugenio,” said Daisy with a toss of her head. “Look here, Mrs. Walker,” she went on, “you know I’m coming to your party.”
“I’m not scared of Eugenio,” Daisy said with a flick of her hair. “Listen, Mrs. Walker,” she continued, “you know I’m going to your party.”
“I am delighted to hear it.”
“I’m really happy to hear that.”
“I’ve got a lovely dress!”
“I have a nice dress!”
“I am very sure of that.”
"I'm totally sure about that."
“But I want to ask a favor—permission to bring a friend.”
“But I want to ask for a favor—can I bring a friend?”
“I shall be happy to see any of your friends,” said Mrs. Walker, turning with a smile to Mrs. Miller.
“I’d be glad to see any of your friends,” Mrs. Walker said, turning to Mrs. Miller with a smile.
“Oh, they are not my friends,” answered Daisy’s mamma, smiling shyly in her own fashion. “I never spoke to them.”
“Oh, they’re not my friends,” Daisy’s mom replied, smiling shyly in her own way. “I’ve never talked to them.”
“It’s an intimate friend of mine—Mr. Giovanelli,” said Daisy without a tremor in her clear little voice or a shadow on her brilliant little face.
“It’s a close friend of mine—Mr. Giovanelli,” Daisy said without a quiver in her clear little voice or a hint of worry on her bright little face.
Mrs. Walker was silent a moment; she gave a rapid glance at Winterbourne. “I shall be glad to see Mr. Giovanelli,” she then said.
Mrs. Walker was quiet for a moment; she quickly glanced at Winterbourne. “I’ll be happy to see Mr. Giovanelli,” she then said.
“He’s an Italian,” Daisy pursued with the prettiest serenity. “He’s a great friend of mine; he’s the handsomest man in the world—except Mr. Winterbourne! He knows plenty of Italians, but he wants to know some Americans. He thinks ever so much of Americans. He’s tremendously clever. He’s perfectly lovely!”
“He’s Italian,” Daisy continued with the sweetest calm. “He’s a great friend of mine; he’s the most handsome man in the world—except for Mr. Winterbourne! He knows a lot of Italians, but he wants to get to know some Americans. He really admires Americans. He’s incredibly intelligent. He’s absolutely lovely!”
It was settled that this brilliant personage should be brought to Mrs. Walker’s party, and then Mrs. Miller prepared to take her leave. “I guess we’ll go back to the hotel,” she said.
It was decided that this impressive individual should be brought to Mrs. Walker’s party, and then Mrs. Miller got ready to leave. “I guess we’ll head back to the hotel,” she said.
“You may go back to the hotel, Mother, but I’m going to take a walk,” said Daisy.
“You can go back to the hotel, Mom, but I’m going to take a walk,” said Daisy.
“She’s going to walk with Mr. Giovanelli,” Randolph proclaimed.
"She’s going to walk with Mr. Giovanelli," Randolph said.
“I am going to the Pincio,” said Daisy, smiling.
“I’m heading to the Pincio,” Daisy said with a smile.
“Alone, my dear—at this hour?” Mrs. Walker asked. The afternoon was drawing to a close—it was the hour for the throng of carriages and of contemplative pedestrians. “I don’t think it’s safe, my dear,” said Mrs. Walker.
“Alone, sweetheart—at this time?” Mrs. Walker asked. The afternoon was winding down—it was the time for the rush of carriages and reflective pedestrians. “I don't think it's safe, sweetheart,” Mrs. Walker said.
“Neither do I,” subjoined Mrs. Miller. “You’ll get the fever, as sure as you live. Remember what Dr. Davis told you!”
“Me neither,” added Mrs. Miller. “You’ll catch the fever, just like Dr. Davis warned you!”
“Give her some medicine before she goes,” said Randolph.
“Give her some medicine before she leaves,” said Randolph.
The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. “Mrs. Walker, you are too perfect,” she said. “I’m not going alone; I am going to meet a friend.”
The company had gotten back on their feet; Daisy, still flashing her beautiful smile, leaned over and kissed her hostess. “Mrs. Walker, you’re just too awesome,” she said. “I’m not going solo; I’m going to meet a friend.”
“Your friend won’t keep you from getting the fever,” Mrs. Miller observed.
“Your friend won’t stop you from getting sick,” Mrs. Miller remarked.
“Is it Mr. Giovanelli?” asked the hostess.
“Is this Mr. Giovanelli?” asked the hostess.
Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, “Mr. Giovanelli—the beautiful Giovanelli.”
Winterbourne was watching the young girl; at this question, his interest sharpened. She stood there, smiling and adjusting her bonnet ribbons; she looked at Winterbourne. Then, while smiling and glancing, she answered, without any hesitation, “Mr. Giovanelli—the handsome Giovanelli.”
“My dear young friend,” said Mrs. Walker, taking her hand pleadingly, “don’t walk off to the Pincio at this hour to meet a beautiful Italian.”
“My dear young friend,” said Mrs. Walker, taking her hand earnestly, “please don’t head off to the Pincio at this hour to meet a handsome Italian.”
“Well, he speaks English,” said Mrs. Miller.
“Well, he speaks English,” said Mrs. Miller.
“Gracious me!” Daisy exclaimed, “I don’t to do anything improper. There’s an easy way to settle it.” She continued to glance at Winterbourne. “The Pincio is only a hundred yards distant; and if Mr. Winterbourne were as polite as he pretends, he would offer to walk with me!”
“Goodness!” Daisy exclaimed, “I don’t want to do anything inappropriate. There’s an easy way to resolve this.” She kept looking at Winterbourne. “The Pincio is only a hundred yards away; and if Mr. Winterbourne were as courteous as he acts, he would offer to walk with me!”
Winterbourne’s politeness hastened to affirm itself, and the young girl gave him gracious leave to accompany her. They passed downstairs before her mother, and at the door Winterbourne perceived Mrs. Miller’s carriage drawn up, with the ornamental courier whose acquaintance he had made at Vevey seated within. “Goodbye, Eugenio!” cried Daisy; “I’m going to take a walk.” The distance from the Via Gregoriana to the beautiful garden at the other end of the Pincian Hill is, in fact, rapidly traversed. As the day was splendid, however, and the concourse of vehicles, walkers, and loungers numerous, the young Americans found their progress much delayed. This fact was highly agreeable to Winterbourne, in spite of his consciousness of his singular situation. The slow-moving, idly gazing Roman crowd bestowed much attention upon the extremely pretty young foreign lady who was passing through it upon his arm; and he wondered what on earth had been in Daisy’s mind when she proposed to expose herself, unattended, to its appreciation. His own mission, to her sense, apparently, was to consign her to the hands of Mr. Giovanelli; but Winterbourne, at once annoyed and gratified, resolved that he would do no such thing.
Winterbourne’s politeness quickly showed itself, and the young girl graciously allowed him to accompany her. They went downstairs past her mother, and at the door, Winterbourne noticed Mrs. Miller’s carriage parked, with the decorative courier he had met at Vevey sitting inside. “Goodbye, Eugenio!” Daisy called; “I’m going for a walk.” The distance from the Via Gregoriana to the beautiful garden at the other end of the Pincian Hill is actually covered quickly. However, since the day was lovely and there were many vehicles, pedestrians, and people lounging around, the young Americans found their progress greatly delayed. This fact pleased Winterbourne, even though he was aware of his unusual situation. The slow-moving, curious Roman crowd paid a lot of attention to the very pretty young foreign woman walking beside him; and he wondered what on earth Daisy had been thinking when she decided to expose herself, unaccompanied, to their scrutiny. To her, his purpose seemed to be to hand her over to Mr. Giovanelli; but Winterbourne, feeling both annoyed and pleased, resolved that he wouldn’t do that at all.
“Why haven’t you been to see me?” asked Daisy. “You can’t get out of that.”
“Why haven’t you come to see me?” Daisy asked. “You can’t avoid that.”
“I have had the honor of telling you that I have only just stepped out of the train.”
“I’m honored to tell you that I just stepped off the train.”
“You must have stayed in the train a good while after it stopped!” cried the young girl with her little laugh. “I suppose you were asleep. You have had time to go to see Mrs. Walker.”
“You must have stayed on the train for quite a while after it stopped!” the young girl exclaimed with a little laugh. “I guess you were asleep. You’ve had time to go visit Mrs. Walker.”
“I knew Mrs. Walker—” Winterbourne began to explain.
“I knew Mrs. Walker—” Winterbourne started to explain.
“I know where you knew her. You knew her at Geneva. She told me so. Well, you knew me at Vevey. That’s just as good. So you ought to have come.” She asked him no other question than this; she began to prattle about her own affairs. “We’ve got splendid rooms at the hotel; Eugenio says they’re the best rooms in Rome. We are going to stay all winter, if we don’t die of the fever; and I guess we’ll stay then. It’s a great deal nicer than I thought; I thought it would be fearfully quiet; I was sure it would be awfully poky. I was sure we should be going round all the time with one of those dreadful old men that explain about the pictures and things. But we only had about a week of that, and now I’m enjoying myself. I know ever so many people, and they are all so charming. The society’s extremely select. There are all kinds—English, and Germans, and Italians. I think I like the English best. I like their style of conversation. But there are some lovely Americans. I never saw anything so hospitable. There’s something or other every day. There’s not much dancing; but I must say I never thought dancing was everything. I was always fond of conversation. I guess I shall have plenty at Mrs. Walker’s, her rooms are so small.” When they had passed the gate of the Pincian Gardens, Miss Miller began to wonder where Mr. Giovanelli might be. “We had better go straight to that place in front,” she said, “where you look at the view.”
“I know where you met her. You met her in Geneva. She told me. Well, you met me in Vevey. That’s just as good. So you should have come.” She didn’t ask him anything else; she started talking about her own situation. “We have great rooms at the hotel; Eugenio says they’re the best in Rome. We’re going to stay all winter, unless we catch the fever; and I guess we’ll stay anyway. It’s much nicer than I expected; I thought it would be really quiet; I was sure it would be super boring. I was convinced we’d spend all our time with some dreadful old man explaining the paintings and stuff. But we only had about a week of that, and now I’m having a great time. I know a lot of people, and they’re all so lovely. The social scene is very exclusive. There are all sorts—English, Germans, and Italians. I think I like the English the most. I enjoy their way of talking. But there are some wonderful Americans. I’ve never seen such hospitality. There’s something happening every day. There’s not much dancing; but I have to say I never thought dancing was everything. I’ve always preferred conversation. I’m sure I’ll have plenty at Mrs. Walker’s; her rooms are so small.” When they passed through the gate of the Pincian Gardens, Miss Miller started to wonder where Mr. Giovanelli was. “We should go straight to that spot up front,” she said, “where you can see the view.”
“I certainly shall not help you to find him,” Winterbourne declared.
“I definitely won’t help you find him,” Winterbourne said.
“Then I shall find him without you,” cried Miss Daisy.
“Then I’ll find him without you,” shouted Miss Daisy.
“You certainly won’t leave me!” cried Winterbourne.
“You definitely won’t leave me!” Winterbourne exclaimed.
She burst into her little laugh. “Are you afraid you’ll get lost—or run over? But there’s Giovanelli, leaning against that tree. He’s staring at the women in the carriages: did you ever see anything so cool?”
She let out her little laugh. “Are you scared you’ll get lost—or get hit by a car? But there’s Giovanelli, leaning against that tree. He’s looking at the women in the carriages: have you ever seen anything so chill?”
Winterbourne perceived at some distance a little man standing with folded arms nursing his cane. He had a handsome face, an artfully poised hat, a glass in one eye, and a nosegay in his buttonhole. Winterbourne looked at him a moment and then said, “Do you mean to speak to that man?”
Winterbourne noticed a small man standing a bit away with his arms crossed and holding his cane. He had a good-looking face, a stylish hat, a monocle in one eye, and a flower in his buttonhole. Winterbourne stared at him for a moment and then asked, “Are you planning to talk to that guy?”
“Do I mean to speak to him? Why, you don’t suppose I mean to communicate by signs?”
“Am I supposed to talk to him? Do you really think I mean to communicate through gestures?”
“Pray understand, then,” said Winterbourne, “that I intend to remain with you.”
“Please understand, then,” said Winterbourne, “that I plan to stay with you.”
Daisy stopped and looked at him, without a sign of troubled consciousness in her face, with nothing but the presence of her charming eyes and her happy dimples. “Well, she’s a cool one!” thought the young man.
Daisy stopped and looked at him, her face showing no signs of anxiety, just the sparkle of her lovely eyes and her cheerful dimples. “Wow, she’s something else!” thought the young man.
“I don’t like the way you say that,” said Daisy. “It’s too imperious.”
“I don’t like the way you say that,” Daisy said. “It’s too bossy.”
“I beg your pardon if I say it wrong. The main point is to give you an idea of my meaning.”
"I apologize if I say it incorrectly. The main point is to convey my meaning."
The young girl looked at him more gravely, but with eyes that were prettier than ever. “I have never allowed a gentleman to dictate to me, or to interfere with anything I do.”
The young girl stared at him more seriously, but with eyes that were prettier than ever. “I’ve never let a gentleman tell me what to do or interfere with anything I do.”
“I think you have made a mistake,” said Winterbourne. “You should sometimes listen to a gentleman—the right one.”
“I think you’ve made a mistake,” Winterbourne said. “You should sometimes listen to a gentleman—the right one.”
Daisy began to laugh again. “I do nothing but listen to gentlemen!” she exclaimed. “Tell me if Mr. Giovanelli is the right one?”
Daisy started laughing again. “All I do is listen to guys!” she exclaimed. “Can you tell me if Mr. Giovanelli is the right one?”
The gentleman with the nosegay in his bosom had now perceived our two friends, and was approaching the young girl with obsequious rapidity. He bowed to Winterbourne as well as to the latter’s companion; he had a brilliant smile, an intelligent eye; Winterbourne thought him not a bad-looking fellow. But he nevertheless said to Daisy, “No, he’s not the right one.”
The guy with the flower in his chest pocket had now spotted our two friends and was quickly making his way to the young girl with a polite eagerness. He bowed to Winterbourne as well as to his companion; he had a bright smile and a sharp gaze; Winterbourne thought he was pretty good-looking. Still, he said to Daisy, “No, he’s not the right one.”
Daisy evidently had a natural talent for performing introductions; she mentioned the name of each of her companions to the other. She strolled alone with one of them on each side of her; Mr. Giovanelli, who spoke English very cleverly—Winterbourne afterward learned that he had practiced the idiom upon a great many American heiresses—addressed her a great deal of very polite nonsense; he was extremely urbane, and the young American, who said nothing, reflected upon that profundity of Italian cleverness which enables people to appear more gracious in proportion as they are more acutely disappointed. Giovanelli, of course, had counted upon something more intimate; he had not bargained for a party of three. But he kept his temper in a manner which suggested far-stretching intentions. Winterbourne flattered himself that he had taken his measure. “He is not a gentleman,” said the young American; “he is only a clever imitation of one. He is a music master, or a penny-a-liner, or a third-rate artist. D__n his good looks!” Mr. Giovanelli had certainly a very pretty face; but Winterbourne felt a superior indignation at his own lovely fellow countrywoman’s not knowing the difference between a spurious gentleman and a real one. Giovanelli chattered and jested and made himself wonderfully agreeable. It was true that, if he was an imitation, the imitation was brilliant. “Nevertheless,” Winterbourne said to himself, “a nice girl ought to know!” And then he came back to the question whether this was, in fact, a nice girl. Would a nice girl, even allowing for her being a little American flirt, make a rendezvous with a presumably low-lived foreigner? The rendezvous in this case, indeed, had been in broad daylight and in the most crowded corner of Rome, but was it not impossible to regard the choice of these circumstances as a proof of extreme cynicism? Singular though it may seem, Winterbourne was vexed that the young girl, in joining her amoroso, should not appear more impatient of his own company, and he was vexed because of his inclination. It was impossible to regard her as a perfectly well-conducted young lady; she was wanting in a certain indispensable delicacy. It would therefore simplify matters greatly to be able to treat her as the object of one of those sentiments which are called by romancers “lawless passions.” That she should seem to wish to get rid of him would help him to think more lightly of her, and to be able to think more lightly of her would make her much less perplexing. But Daisy, on this occasion, continued to present herself as an inscrutable combination of audacity and innocence.
Daisy clearly had a natural talent for making introductions; she mentioned the name of each of her companions to the other. She strolled with one of them on each side; Mr. Giovanelli, who spoke English quite well—Winterbourne later learned that he had practiced the language with many American heiresses—spoke to her a lot of very polite nonsense; he was very suave, and the young American, who said nothing, thought about the depth of Italian cleverness that allows people to appear more gracious the more disappointed they actually are. Giovanelli had, of course, hoped for something more personal; he hadn’t expected a party of three. But he kept his cool in a way that suggested he had long-term plans. Winterbourne believed he had figured him out. “He is not a gentleman,” said the young American; “he's just a clever fake. He’s a music teacher, or a hack writer, or a third-rate artist. D__n his good looks!” Mr. Giovanelli definitely had a very handsome face; but Winterbourne felt a superior anger that his beautiful fellow countrywoman didn’t recognize the difference between a fake gentleman and a real one. Giovanelli chatted and joked and made himself quite charming. It was true that if he was a fake, it was a brilliant one. “Still,” Winterbourne told himself, “a nice girl should know!” And then he returned to the question of whether this was, in fact, a nice girl. Would a nice girl, even considering that she might be a bit of an American flirt, meet up with a presumably low-class foreigner? The meeting had indeed taken place in broad daylight and in the busiest part of Rome, but wasn’t it impossible to see the choice of those circumstances as a sign of extreme cynicism? Strange though it may be, Winterbourne was annoyed that the young girl, in joining her admirer, didn’t seem more eager to be rid of him, and he was annoyed because of his own feelings. It was impossible to see her as a perfectly well-behaved young lady; she lacked a certain essential delicacy. It would make things so much easier to treat her as the object of one of those feelings that romantics call “forbidden passions.” If she had seemed to want to get rid of him, it would help him think more lightly of her, and being able to think more lightly of her would make her much less confusing. But Daisy, on this occasion, continued to present herself as an unfathomable mix of boldness and innocence.
She had been walking some quarter of an hour, attended by her two cavaliers, and responding in a tone of very childish gaiety, as it seemed to Winterbourne, to the pretty speeches of Mr. Giovanelli, when a carriage that had detached itself from the revolving train drew up beside the path. At the same moment Winterbourne perceived that his friend Mrs. Walker—the lady whose house he had lately left—was seated in the vehicle and was beckoning to him. Leaving Miss Miller’s side, he hastened to obey her summons. Mrs. Walker was flushed; she wore an excited air. “It is really too dreadful,” she said. “That girl must not do this sort of thing. She must not walk here with you two men. Fifty people have noticed her.”
She had been walking for about fifteen minutes, accompanied by her two companions, and responding with a very playful tone, as it seemed to Winterbourne, to the charming comments from Mr. Giovanelli, when a carriage that had pulled away from the moving train stopped next to the path. At that moment, Winterbourne noticed that his friend Mrs. Walker—the woman whose house he had just left—was sitting in the vehicle and waving to him. Leaving Miss Miller’s side, he quickly went to her. Mrs. Walker looked flushed and had an agitated expression. “This is really too awful,” she said. “That girl shouldn’t be doing this. She shouldn’t walk here with you two men. Fifty people have seen her.”
Winterbourne raised his eyebrows. “I think it’s a pity to make too much fuss about it.”
Winterbourne raised his eyebrows. “I think it’s a shame to make such a big deal out of it.”
“It’s a pity to let the girl ruin herself!”
“It’s a shame to let the girl mess up her life!”
“She is very innocent,” said Winterbourne.
"She’s really innocent," Winterbourne said.
“She’s very crazy!” cried Mrs. Walker. “Did you ever see anything so imbecile as her mother? After you had all left me just now, I could not sit still for thinking of it. It seemed too pitiful, not even to attempt to save her. I ordered the carriage and put on my bonnet, and came here as quickly as possible. Thank Heaven I have found you!”
“She’s completely out of her mind!” exclaimed Mrs. Walker. “Have you ever seen anything so foolish as her mother? After you all left me just now, I couldn’t sit still because I kept thinking about it. It felt too tragic not to at least try to help her. I called for the carriage, put on my hat, and came here as quickly as I could. Thank goodness I found you!”
“What do you propose to do with us?” asked Winterbourne, smiling.
“What do you plan to do with us?” asked Winterbourne, smiling.
“To ask her to get in, to drive her about here for half an hour, so that the world may see she is not running absolutely wild, and then to take her safely home.”
"To ask her to get in, to drive her around for half an hour, so that everyone can see she’s not completely out of control, and then to take her home safely."
“I don’t think it’s a very happy thought,” said Winterbourne; “but you can try.”
"I don’t think it’s a very cheerful thought," said Winterbourne; "but you can give it a shot."
Mrs. Walker tried. The young man went in pursuit of Miss Miller, who had simply nodded and smiled at his interlocutor in the carriage and had gone her way with her companion. Daisy, on learning that Mrs. Walker wished to speak to her, retraced her steps with a perfect good grace and with Mr. Giovanelli at her side. She declared that she was delighted to have a chance to present this gentleman to Mrs. Walker. She immediately achieved the introduction, and declared that she had never in her life seen anything so lovely as Mrs. Walker’s carriage rug.
Mrs. Walker made an effort. The young man chased after Miss Miller, who had just nodded and smiled at the person in the carriage before continuing on her way with her friend. When Daisy found out that Mrs. Walker wanted to talk to her, she gladly turned back with Mr. Giovanelli beside her. She said she was thrilled to introduce this gentleman to Mrs. Walker. She quickly made the introduction and claimed that she had never seen anything as beautiful as Mrs. Walker's carriage rug.
“I am glad you admire it,” said this lady, smiling sweetly. “Will you get in and let me put it over you?”
“I’m glad you like it,” the lady said with a sweet smile. “Will you get in so I can put it over you?”
“Oh, no, thank you,” said Daisy. “I shall admire it much more as I see you driving round with it.”
“Oh, no, thank you,” said Daisy. “I’ll appreciate it a lot more when I see you driving around with it.”
“Do get in and drive with me!” said Mrs. Walker.
“Come on in and drive with me!” said Mrs. Walker.
“That would be charming, but it’s so enchanting just as I am!” and Daisy gave a brilliant glance at the gentlemen on either side of her.
"That would be nice, but I'm already enchanting just the way I am!" Daisy said, flashing a bright smile at the guys on either side of her.
“It may be enchanting, dear child, but it is not the custom here,” urged Mrs. Walker, leaning forward in her victoria, with her hands devoutly clasped.
“It might be charming, dear child, but it's not the way things are done here,” urged Mrs. Walker, leaning forward in her carriage, with her hands reverently clasped.
“Well, it ought to be, then!” said Daisy. “If I didn’t walk I should expire.”
“Then it definitely should be!” said Daisy. “If I didn’t walk, I’d just collapse.”
“You should walk with your mother, dear,” cried the lady from Geneva, losing patience.
“You should walk with your mom, dear,” shouted the lady from Geneva, losing her patience.
“With my mother dear!” exclaimed the young girl. Winterbourne saw that she scented interference. “My mother never walked ten steps in her life. And then, you know,” she added with a laugh, “I am more than five years old.”
“With my mom!” exclaimed the young girl. Winterbourne noticed that she detected interference. “My mom has never walked ten steps in her life. And, you know,” she added with a laugh, “I am more than five years old.”
“You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about.”
“You're old enough to be more sensible. You're old enough, dear Miss Miller, to be the topic of conversation.”
Daisy looked at Mrs. Walker, smiling intensely. “Talked about? What do you mean?”
Daisy looked at Mrs. Walker, smiling brightly. “Talked about? What do you mean?”
“Come into my carriage, and I will tell you.”
“Come into my carriage, and I’ll tell you.”
Daisy turned her quickened glance again from one of the gentlemen beside her to the other. Mr. Giovanelli was bowing to and fro, rubbing down his gloves and laughing very agreeably; Winterbourne thought it a most unpleasant scene. “I don’t think I want to know what you mean,” said Daisy presently. “I don’t think I should like it.”
Daisy quickly looked from one of the men next to her to the other. Mr. Giovanelli was bowing back and forth, adjusting his gloves, and laughing pleasantly; Winterbourne found the whole situation quite uncomfortable. “I don’t think I want to know what you mean,” Daisy said after a moment. “I don’t think I’d like it.”
Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. “Should you prefer being thought a very reckless girl?” she demanded.
Winterbourne wished Mrs. Walker would just tuck in her carriage rug and drive off, but this woman didn’t like being challenged, as she later told him. “Would you rather be seen as a really reckless girl?” she asked.
“Gracious!” exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. “Does Mr. Winterbourne think,” she asked slowly, smiling, throwing back her head, and glancing at him from head to foot, “that, to save my reputation, I ought to get into the carriage?”
“Wow!” exclaimed Daisy. She looked back at Mr. Giovanelli, then turned to Winterbourne. A slight pink flush spread across her cheek; she was incredibly pretty. “Does Mr. Winterbourne think,” she asked slowly, smiling, tilting her head back, and glancing at him from head to toe, “that, to protect my reputation, I should get into the carriage?”
Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her “reputation.” But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker’s advice. He looked at her exquisite prettiness, and then he said, very gently, “I think you should get into the carriage.”
Winterbourne blushed and hesitated for a moment. It felt so unusual to hear her talk that way about her “reputation.” But he knew he had to respond with courtesy. The best way to be courteous, in this case, was simply to tell her the truth; and for Winterbourne, as I’ve hinted before, the truth was that Daisy Miller should listen to Mrs. Walker’s advice. He admired her delicate beauty, then said softly, “I think you should get into the carriage.”
Daisy gave a violent laugh. “I never heard anything so stiff! If this is improper, Mrs. Walker,” she pursued, “then I am all improper, and you must give me up. Goodbye; I hope you’ll have a lovely ride!” and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away.
Daisy laughed loudly. “I’ve never heard anything so formal! If this is inappropriate, Mrs. Walker,” she continued, “then I’m completely inappropriate, and you’ll have to ignore me. Goodbye; I hope you have a wonderful ride!” With that, she turned away with Mr. Giovanelli, who gave a ridiculously flattering bow.
Mrs. Walker sat looking after her, and there were tears in Mrs. Walker’s eyes. “Get in here, sir,” she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon Mrs. Walker declared that if he refused her this favor she would never speak to him again. She was evidently in earnest. Winterbourne overtook Daisy and her companion, and, offering the young girl his hand, told her that Mrs. Walker had made an imperious claim upon his society. He expected that in answer she would say something rather free, something to commit herself still further to that “recklessness” from which Mrs. Walker had so charitably endeavored to dissuade her. But she only shook his hand, hardly looking at him, while Mr. Giovanelli bade him farewell with a too emphatic flourish of the hat.
Mrs. Walker sat watching her, and there were tears in Mrs. Walker's eyes. "Get in here, sir," she told Winterbourne, pointing to the spot next to her. The young man replied that he felt obligated to stay with Miss Miller, to which Mrs. Walker insisted that if he refused her this request, she would never speak to him again. She was clearly serious. Winterbourne caught up to Daisy and her friend, and, offering the young girl his hand, said that Mrs. Walker had made an urgent request for his company. He expected her response would be something more flirtatious, something that would draw her further into the "recklessness" that Mrs. Walker had so kindly tried to steer her away from. But she simply shook his hand, barely looking at him, while Mr. Giovanelli waved goodbye with an overly dramatic flourish of his hat.
Winterbourne was not in the best possible humor as he took his seat in Mrs. Walker’s victoria. “That was not clever of you,” he said candidly, while the vehicle mingled again with the throng of carriages.
Winterbourne wasn't in the best mood as he settled into Mrs. Walker’s carriage. “That wasn’t very smart of you,” he said honestly, as the carriage mixed back into the crowd of vehicles.
“In such a case,” his companion answered, “I don’t wish to be clever; I wish to be EARNEST!”
“In that case,” his companion replied, “I don’t want to be clever; I want to be EARNEST!”
“Well, your earnestness has only offended her and put her off.”
“Well, your sincerity has just upset her and turned her away.”
“It has happened very well,” said Mrs. Walker. “If she is so perfectly determined to compromise herself, the sooner one knows it the better; one can act accordingly.”
“It’s worked out really well,” said Mrs. Walker. “If she’s so completely set on making a fool of herself, the sooner we know it, the better; we can act accordingly.”
“I suspect she meant no harm,” Winterbourne rejoined.
“I think she meant well,” Winterbourne replied.
“So I thought a month ago. But she has been going too far.”
“So I thought a month ago. But she has gone too far.”
“What has she been doing?”
"What has she been up to?"
“Everything that is not done here. Flirting with any man she could pick up; sitting in corners with mysterious Italians; dancing all the evening with the same partners; receiving visits at eleven o’clock at night. Her mother goes away when visitors come.”
“Everything that's happening here: flirting with any man she can find; sitting in corners with mysterious Italians; dancing all night with the same partners; having visitors at eleven o’clock at night. Her mother leaves when the visitors arrive.”
“But her brother,” said Winterbourne, laughing, “sits up till midnight.”
“But her brother,” Winterbourne said, laughing, “stays up until midnight.”
“He must be edified by what he sees. I’m told that at their hotel everyone is talking about her, and that a smile goes round among all the servants when a gentleman comes and asks for Miss Miller.”
“He must be impressed by what he sees. I've heard that at their hotel, everyone is talking about her, and that a smile spreads among all the staff when a gentleman comes and asks for Miss Miller.”
“The servants be hanged!” said Winterbourne angrily. “The poor girl’s only fault,” he presently added, “is that she is very uncultivated.”
“The servants can go to hell!” said Winterbourne angrily. “The poor girl's only flaw,” he continued, “is that she's just very unrefined.”
“She is naturally indelicate,” Mrs. Walker declared.
“She is just naturally tactless,” Mrs. Walker said.
“Take that example this morning. How long had you known her at Vevey?”
“Take that example from this morning. How long had you known her in Vevey?”
“A couple of days.”
"A few days."
“Fancy, then, her making it a personal matter that you should have left the place!”
“Just imagine, she took it personally that you left the place!”
Winterbourne was silent for some moments; then he said, “I suspect, Mrs. Walker, that you and I have lived too long at Geneva!” And he added a request that she should inform him with what particular design she had made him enter her carriage.
Winterbourne was quiet for a few moments; then he said, “I think, Mrs. Walker, that you and I have been in Geneva for too long!” He then asked her to explain why she had him get into her carriage.
“I wished to beg you to cease your relations with Miss Miller—not to flirt with her—to give her no further opportunity to expose herself—to let her alone, in short.”
"I wanted to ask you to stop seeing Miss Miller—not to flirt with her—to give her no more chances to reveal herself—to just leave her alone, basically."
“I’m afraid I can’t do that,” said Winterbourne. “I like her extremely.”
“I’m sorry, but I can’t do that,” Winterbourne said. “I really like her a lot.”
“All the more reason that you shouldn’t help her to make a scandal.”
“All the more reason for you not to help her create a scandal.”
“There shall be nothing scandalous in my attentions to her.”
"There will be nothing inappropriate in how I treat her."
“There certainly will be in the way she takes them. But I have said what I had on my conscience,” Mrs. Walker pursued. “If you wish to rejoin the young lady I will put you down. Here, by the way, you have a chance.”
"There definitely will be in how she handles them. But I've said what was on my mind," Mrs. Walker continued. "If you want to reconnect with the young lady, I can drop you off. By the way, you have an opportunity here."
The carriage was traversing that part of the Pincian Garden that overhangs the wall of Rome and overlooks the beautiful Villa Borghese. It is bordered by a large parapet, near which there are several seats. One of the seats at a distance was occupied by a gentleman and a lady, toward whom Mrs. Walker gave a toss of her head. At the same moment these persons rose and walked toward the parapet. Winterbourne had asked the coachman to stop; he now descended from the carriage. His companion looked at him a moment in silence; then, while he raised his hat, she drove majestically away. Winterbourne stood there; he had turned his eyes toward Daisy and her cavalier. They evidently saw no one; they were too deeply occupied with each other. When they reached the low garden wall, they stood a moment looking off at the great flat-topped pine clusters of the Villa Borghese; then Giovanelli seated himself, familiarly, upon the broad ledge of the wall. The western sun in the opposite sky sent out a brilliant shaft through a couple of cloud bars, whereupon Daisy’s companion took her parasol out of her hands and opened it. She came a little nearer, and he held the parasol over her; then, still holding it, he let it rest upon her shoulder, so that both of their heads were hidden from Winterbourne. This young man lingered a moment, then he began to walk. But he walked—not toward the couple with the parasol; toward the residence of his aunt, Mrs. Costello.
The carriage was moving through the part of the Pincian Garden that overlooks the wall of Rome and has a view of the beautiful Villa Borghese. It’s lined with a large parapet, near which there are several benches. One of the benches in the distance was occupied by a man and a woman, towards whom Mrs. Walker nodded her head. At the same moment, these two stood up and walked toward the parapet. Winterbourne had asked the driver to stop; he now got out of the carriage. His companion looked at him in silence for a moment; then, while he tipped his hat, she drove off elegantly. Winterbourne stood there, turning his gaze towards Daisy and her companion. They clearly didn’t notice anyone else; they were too engrossed in each other. When they reached the low garden wall, they paused for a moment to admire the great pine clusters of the Villa Borghese; then Giovanelli casually sat on the broad ledge of the wall. The setting sun opposite sent a brilliant ray through a gap in the clouds, at which point Daisy’s companion took her parasol from her and opened it. She stepped a bit closer, and he held the parasol over her; then, still holding it, he let it rest on her shoulder, hiding both of their heads from Winterbourne. This young man lingered for a moment, then he began to walk. But he walked—not toward the couple with the parasol; he headed toward his aunt Mrs. Costello’s house.
He flattered himself on the following day that there was no smiling among the servants when he, at least, asked for Mrs. Miller at her hotel. This lady and her daughter, however, were not at home; and on the next day after, repeating his visit, Winterbourne again had the misfortune not to find them. Mrs. Walker’s party took place on the evening of the third day, and, in spite of the frigidity of his last interview with the hostess, Winterbourne was among the guests. Mrs. Walker was one of those American ladies who, while residing abroad, make a point, in their own phrase, of studying European society, and she had on this occasion collected several specimens of her diversely born fellow mortals to serve, as it were, as textbooks. When Winterbourne arrived, Daisy Miller was not there, but in a few moments he saw her mother come in alone, very shyly and ruefully. Mrs. Miller’s hair above her exposed-looking temples was more frizzled than ever. As she approached Mrs. Walker, Winterbourne also drew near.
The next day, he took pride in the fact that there was no smiling among the staff when he asked for Mrs. Miller at her hotel. However, she and her daughter were not home; and the day after that, when he repeated his visit, Winterbourne again had the unfortunate luck of not finding them. Mrs. Walker’s party was scheduled for the evening of the third day, and despite the coldness of his last encounter with the hostess, Winterbourne was among the guests. Mrs. Walker was one of those American women who, while living abroad, make it a point to study European society, and for this occasion, she had gathered several examples of her diverse fellow humans to serve, so to speak, as textbooks. When Winterbourne arrived, Daisy Miller was not there, but a few moments later, he saw her mother walk in alone, looking very shy and a bit sad. Mrs. Miller’s hair above her exposed temples was frizzier than ever. As she approached Mrs. Walker, Winterbourne moved closer as well.
“You see, I’ve come all alone,” said poor Mrs. Miller. “I’m so frightened; I don’t know what to do. It’s the first time I’ve ever been to a party alone, especially in this country. I wanted to bring Randolph or Eugenio, or someone, but Daisy just pushed me off by myself. I ain’t used to going round alone.”
“You see, I’ve come all alone,” said poor Mrs. Miller. “I’m so scared; I don’t know what to do. It’s the first time I’ve ever been to a party by myself, especially in this country. I wanted to bring Randolph or Eugenio, or someone, but Daisy just sent me off by myself. I’m not used to going around alone.”
“And does not your daughter intend to favor us with her society?” demanded Mrs. Walker impressively.
“And doesn’t your daughter plan to join us?” asked Mrs. Walker emphatically.
“Well, Daisy’s all dressed,” said Mrs. Miller with that accent of the dispassionate, if not of the philosophic, historian with which she always recorded the current incidents of her daughter’s career. “She got dressed on purpose before dinner. But she’s got a friend of hers there; that gentleman—the Italian—that she wanted to bring. They’ve got going at the piano; it seems as if they couldn’t leave off. Mr. Giovanelli sings splendidly. But I guess they’ll come before very long,” concluded Mrs. Miller hopefully.
“Well, Daisy’s all dressed,” said Mrs. Miller in her usual cool, almost philosophical tone as she talked about her daughter's latest events. “She got dressed on purpose before dinner. But she has a friend here; that guy—the Italian—that she wanted to bring. They’re going at the piano; it seems like they can’t stop. Mr. Giovanelli sings beautifully. But I think they’ll come back soon,” Mrs. Miller concluded with optimism.
“I’m sorry she should come in that way,” said Mrs. Walker.
“I’m sorry she came in like that,” said Mrs. Walker.
“Well, I told her that there was no use in her getting dressed before dinner if she was going to wait three hours,” responded Daisy’s mamma. “I didn’t see the use of her putting on such a dress as that to sit round with Mr. Giovanelli.”
“Well, I told her that there was no point in getting dressed before dinner if she was just going to wait three hours,” Daisy’s mom replied. “I didn’t see the point in her wearing a dress like that to just hang out with Mr. Giovanelli.”
“This is most horrible!” said Mrs. Walker, turning away and addressing herself to Winterbourne. “Elle s’affiche. It’s her revenge for my having ventured to remonstrate with her. When she comes, I shall not speak to her.”
“This is so horrible!” said Mrs. Walker, turning away and speaking to Winterbourne. “She’s showing off. It’s her way of getting back at me for trying to talk to her. When she arrives, I won’t say a word to her.”
Daisy came after eleven o’clock; but she was not, on such an occasion, a young lady to wait to be spoken to. She rustled forward in radiant loveliness, smiling and chattering, carrying a large bouquet, and attended by Mr. Giovanelli. Everyone stopped talking and turned and looked at her. She came straight to Mrs. Walker. “I’m afraid you thought I never was coming, so I sent mother off to tell you. I wanted to make Mr. Giovanelli practice some things before he came; you know he sings beautifully, and I want you to ask him to sing. This is Mr. Giovanelli; you know I introduced him to you; he’s got the most lovely voice, and he knows the most charming set of songs. I made him go over them this evening on purpose; we had the greatest time at the hotel.” Of all this Daisy delivered herself with the sweetest, brightest audibleness, looking now at her hostess and now round the room, while she gave a series of little pats, round her shoulders, to the edges of her dress. “Is there anyone I know?” she asked.
Daisy arrived after eleven o’clock; but on this occasion, she wasn’t the kind of young lady to wait to be acknowledged. She glided in with radiant beauty, smiling and chatting, holding a large bouquet, and accompanied by Mr. Giovanelli. Everyone stopped talking and turned to look at her. She walked straight up to Mrs. Walker. “I’m sorry you thought I wasn’t coming, so I sent my mom to let you know. I wanted Mr. Giovanelli to practice a few things before he came; you know he sings beautifully, and I want you to ask him to sing. This is Mr. Giovanelli; I introduced him to you before; he has the most wonderful voice, and he knows the most charming collection of songs. I made him go over them this evening just for that; we had the best time at the hotel.” Daisy delivered all of this with the sweetest, brightest clarity, glancing at her hostess and then around the room, while she gave a few light pats along the edges of her dress. “Is there anyone I know?” she asked.
“I think every one knows you!” said Mrs. Walker pregnantly, and she gave a very cursory greeting to Mr. Giovanelli. This gentleman bore himself gallantly. He smiled and bowed and showed his white teeth; he curled his mustaches and rolled his eyes and performed all the proper functions of a handsome Italian at an evening party. He sang very prettily half a dozen songs, though Mrs. Walker afterward declared that she had been quite unable to find out who asked him. It was apparently not Daisy who had given him his orders. Daisy sat at a distance from the piano, and though she had publicly, as it were, professed a high admiration for his singing, talked, not inaudibly, while it was going on.
“I think everyone knows you!” Mrs. Walker said meaningfully, giving Mr. Giovanelli a quick, dismissive greeting. He carried himself with charm. He smiled, bowed, and flashed his white teeth; he curled his mustache, rolled his eyes, and did all the right things for a handsome Italian at a party. He sang beautifully a handful of songs, although Mrs. Walker later claimed she had no idea who asked him to perform. It didn't seem to be Daisy who had made the request. Daisy sat away from the piano, and even though she had publicly expressed a great admiration for his singing, she whispered to others during the performance.
“It’s a pity these rooms are so small; we can’t dance,” she said to Winterbourne, as if she had seen him five minutes before.
“It’s a shame these rooms are so small; we can’t dance,” she said to Winterbourne, as if she had just seen him five minutes ago.
“I am not sorry we can’t dance,” Winterbourne answered; “I don’t dance.”
“I’m not upset that we can’t dance,” Winterbourne replied; “I don’t dance.”
“Of course you don’t dance; you’re too stiff,” said Miss Daisy. “I hope you enjoyed your drive with Mrs. Walker!”
“Of course you don’t dance; you’re too stiff,” said Miss Daisy. “I hope you enjoyed your drive with Mrs. Walker!”
“No. I didn’t enjoy it; I preferred walking with you.”
“No. I didn’t like it; I preferred walking with you.”
“We paired off: that was much better,” said Daisy. “But did you ever hear anything so cool as Mrs. Walker’s wanting me to get into her carriage and drop poor Mr. Giovanelli, and under the pretext that it was proper? People have different ideas! It would have been most unkind; he had been talking about that walk for ten days.”
“We paired off; that was way better,” said Daisy. “But did you ever hear anything as crazy as Mrs. Walker wanting me to hop into her carriage and ditch poor Mr. Giovanelli, all under the excuse that it was proper? People have different views! That would have been really unkind; he had been looking forward to that walk for ten days.”
“He should not have talked about it at all,” said Winterbourne; “he would never have proposed to a young lady of this country to walk about the streets with him.”
“He shouldn’t have mentioned it at all,” said Winterbourne; “he would never have asked a young woman from this country to walk around the streets with him.”
“About the streets?” cried Daisy with her pretty stare. “Where, then, would he have proposed to her to walk? The Pincio is not the streets, either; and I, thank goodness, am not a young lady of this country. The young ladies of this country have a dreadfully poky time of it, so far as I can learn; I don’t see why I should change my habits for THEM.”
“About the streets?” Daisy exclaimed with her charming gaze. “Where exactly would he have suggested she walk? The Pincio isn’t the streets, either; and thankfully, I’m not a young lady from this country. The young women here seem to have a terribly boring time, from what I can tell; I don’t see why I should change my habits for THEM.”
“I am afraid your habits are those of a flirt,” said Winterbourne gravely.
“I’m afraid your habits are those of a flirt,” Winterbourne said earnestly.
“Of course they are,” she cried, giving him her little smiling stare again. “I’m a fearful, frightful flirt! Did you ever hear of a nice girl that was not? But I suppose you will tell me now that I am not a nice girl.”
“Of course they are,” she exclaimed, giving him her little smiling look again. “I’m a terrible flirt! Have you ever met a nice girl who wasn’t? But I guess you’re going to tell me now that I’m not a nice girl.”
“You’re a very nice girl; but I wish you would flirt with me, and me only,” said Winterbourne.
“You're a really nice girl, but I wish you would flirt with me and only me,” said Winterbourne.
“Ah! thank you—thank you very much; you are the last man I should think of flirting with. As I have had the pleasure of informing you, you are too stiff.”
“Ah! thank you—thank you so much; you’re the last person I’d think about flirting with. As I’ve mentioned before, you’re just too uptight.”
“You say that too often,” said Winterbourne.
"You say that too much," Winterbourne said.
Daisy gave a delighted laugh. “If I could have the sweet hope of making you angry, I should say it again.”
Daisy laughed happily. “If I thought I could make you mad, I’d say it again.”
“Don’t do that; when I am angry I’m stiffer than ever. But if you won’t flirt with me, do cease, at least, to flirt with your friend at the piano; they don’t understand that sort of thing here.”
“Don’t do that; when I’m angry, I’m more rigid than ever. But if you're not going to flirt with me, at least stop flirting with your friend at the piano; they don’t get that kind of thing here.”
“I thought they understood nothing else!” exclaimed Daisy.
“I thought they didn’t understand anything else!” exclaimed Daisy.
“Not in young unmarried women.”
"Not in young single women."
“It seems to me much more proper in young unmarried women than in old married ones,” Daisy declared.
“It seems way more appropriate for young single women than for older married ones,” Daisy declared.
“Well,” said Winterbourne, “when you deal with natives you must go by the custom of the place. Flirting is a purely American custom; it doesn’t exist here. So when you show yourself in public with Mr. Giovanelli, and without your mother—”
“Well,” said Winterbourne, “when you're dealing with locals, you have to follow the customs of the area. Flirting is an exclusively American thing; it doesn’t happen here. So when you go out in public with Mr. Giovanelli, and without your mother—”
“Gracious! poor Mother!” interposed Daisy.
"Wow! Poor Mom!" interjected Daisy.
“Though you may be flirting, Mr. Giovanelli is not; he means something else.”
“Even if you’re just flirting, Mr. Giovanelli is not; he has other intentions.”
“He isn’t preaching, at any rate,” said Daisy with vivacity. “And if you want very much to know, we are neither of us flirting; we are too good friends for that: we are very intimate friends.”
“He isn’t preaching, anyway,” Daisy said brightly. “And if you really want to know, we’re not flirting at all; we’re too good friends for that: we’re very close friends.”
“Ah!” rejoined Winterbourne, “if you are in love with each other, it is another affair.”
“Ah!” replied Winterbourne, “if you two are in love with each other, that’s a whole different story.”
She had allowed him up to this point to talk so frankly that he had no expectation of shocking her by this ejaculation; but she immediately got up, blushing visibly, and leaving him to exclaim mentally that little American flirts were the queerest creatures in the world. “Mr. Giovanelli, at least,” she said, giving her interlocutor a single glance, “never says such very disagreeable things to me.”
She had let him talk so openly that he didn’t think he could surprise her with this outburst; but she immediately stood up, blushing noticeably, leaving him to mentally exclaim that little American flirts were the strangest creatures in the world. “Mr. Giovanelli, at least,” she said, giving her conversation partner a quick glance, “never says such unpleasant things to me.”
Winterbourne was bewildered; he stood, staring. Mr. Giovanelli had finished singing. He left the piano and came over to Daisy. “Won’t you come into the other room and have some tea?” he asked, bending before her with his ornamental smile.
Winterbourne was confused; he stood there, staring. Mr. Giovanelli had finished singing. He left the piano and approached Daisy. “Would you like to come into the other room and have some tea?” he asked, bending toward her with his charming smile.
Daisy turned to Winterbourne, beginning to smile again. He was still more perplexed, for this inconsequent smile made nothing clear, though it seemed to prove, indeed, that she had a sweetness and softness that reverted instinctively to the pardon of offenses. “It has never occurred to Mr. Winterbourne to offer me any tea,” she said with her little tormenting manner.
Daisy turned to Winterbourne, starting to smile again. He was still more confused, as this random smile didn’t clarify anything, though it seemed to show that she had a sweetness and softness that instinctively forgave mistakes. “Mr. Winterbourne has never thought to offer me any tea,” she said in her teasing way.
“I have offered you advice,” Winterbourne rejoined.
“I’ve given you some advice,” Winterbourne replied.
“I prefer weak tea!” cried Daisy, and she went off with the brilliant Giovanelli. She sat with him in the adjoining room, in the embrasure of the window, for the rest of the evening. There was an interesting performance at the piano, but neither of these young people gave heed to it. When Daisy came to take leave of Mrs. Walker, this lady conscientiously repaired the weakness of which she had been guilty at the moment of the young girl’s arrival. She turned her back straight upon Miss Miller and left her to depart with what grace she might. Winterbourne was standing near the door; he saw it all. Daisy turned very pale and looked at her mother, but Mrs. Miller was humbly unconscious of any violation of the usual social forms. She appeared, indeed, to have felt an incongruous impulse to draw attention to her own striking observance of them. “Good night, Mrs. Walker,” she said; “we’ve had a beautiful evening. You see, if I let Daisy come to parties without me, I don’t want her to go away without me.” Daisy turned away, looking with a pale, grave face at the circle near the door; Winterbourne saw that, for the first moment, she was too much shocked and puzzled even for indignation. He on his side was greatly touched.
“I prefer weak tea!” Daisy exclaimed, and she went off with the charming Giovanelli. She sat with him in the window nook of the next room for the rest of the evening. There was an engaging performance at the piano, but neither of them paid any attention to it. When Daisy came to say goodbye to Mrs. Walker, this lady intentionally corrected the slight she had committed when Daisy first arrived. She turned her back on Miss Miller and left her to leave with whatever dignity she could muster. Winterbourne was standing by the door and witnessed the whole thing. Daisy turned pale and glanced at her mother, but Mrs. Miller seemed blissfully unaware of any breach of social norms. In fact, she appeared to feel an awkward urge to highlight her own noteworthy adherence to them. “Good night, Mrs. Walker,” she said; “we’ve had a lovely evening. You see, if I let Daisy attend parties without me, I don’t want her to leave without me.” Daisy turned away, her face pale and serious as she looked at the group near the door; Winterbourne noticed that, for the first time, she was too shocked and confused to feel angry. He was deeply moved by it.
“That was very cruel,” he said to Mrs. Walker.
"That was really cruel," he said to Mrs. Walker.
“She never enters my drawing room again!” replied his hostess.
“She never comes into my living room again!” replied his hostess.
Since Winterbourne was not to meet her in Mrs. Walker’s drawing room, he went as often as possible to Mrs. Miller’s hotel. The ladies were rarely at home, but when he found them, the devoted Giovanelli was always present. Very often the brilliant little Roman was in the drawing room with Daisy alone, Mrs. Miller being apparently constantly of the opinion that discretion is the better part of surveillance. Winterbourne noted, at first with surprise, that Daisy on these occasions was never embarrassed or annoyed by his own entrance; but he very presently began to feel that she had no more surprises for him; the unexpected in her behavior was the only thing to expect. She showed no displeasure at her tete-a-tete with Giovanelli being interrupted; she could chatter as freshly and freely with two gentlemen as with one; there was always, in her conversation, the same odd mixture of audacity and puerility. Winterbourne remarked to himself that if she was seriously interested in Giovanelli, it was very singular that she should not take more trouble to preserve the sanctity of their interviews; and he liked her the more for her innocent-looking indifference and her apparently inexhaustible good humor. He could hardly have said why, but she seemed to him a girl who would never be jealous. At the risk of exciting a somewhat derisive smile on the reader’s part, I may affirm that with regard to the women who had hitherto interested him, it very often seemed to Winterbourne among the possibilities that, given certain contingencies, he should be afraid—literally afraid—of these ladies; he had a pleasant sense that he should never be afraid of Daisy Miller. It must be added that this sentiment was not altogether flattering to Daisy; it was part of his conviction, or rather of his apprehension, that she would prove a very light young person.
Since Winterbourne didn't meet her in Mrs. Walker’s drawing room, he went to Mrs. Miller’s hotel as often as he could. The ladies were rarely home, but when he did find them, the devoted Giovanelli was always around. Very often, the charming young Roman was alone in the drawing room with Daisy, while Mrs. Miller seemed to constantly believe that discretion was better than surveillance. Winterbourne initially noted, with some surprise, that Daisy was never embarrassed or annoyed by his arrival; but he quickly began to feel that she had no more surprises left for him; unpredictability became the only thing to expect from her. She didn’t seem bothered when her time with Giovanelli was interrupted; she could chat just as comfortably and openly with two men as she could with one. In her conversation, there was always the same strange blend of boldness and childishness. Winterbourne thought to himself that if she was genuinely interested in Giovanelli, it was odd that she didn’t try harder to maintain the privacy of their meetings; and he liked her even more for her seemingly indifferent innocence and her apparently endless good humor. He couldn’t quite articulate why, but she struck him as a girl who would never feel jealous. At the risk of drawing a somewhat mocking smile from the reader, I can say that when it came to the women who had previously intrigued him, Winterbourne often felt that, under certain circumstances, he might be afraid—literally afraid—of these ladies; he had a comforting sense that he would never be afraid of Daisy Miller. It should be noted that this feeling wasn’t entirely flattering to Daisy; it was part of his belief, or rather his worry, that she would turn out to be a very flighty young woman.
But she was evidently very much interested in Giovanelli. She looked at him whenever he spoke; she was perpetually telling him to do this and to do that; she was constantly “chaffing” and abusing him. She appeared completely to have forgotten that Winterbourne had said anything to displease her at Mrs. Walker’s little party. One Sunday afternoon, having gone to St. Peter’s with his aunt, Winterbourne perceived Daisy strolling about the great church in company with the inevitable Giovanelli. Presently he pointed out the young girl and her cavalier to Mrs. Costello. This lady looked at them a moment through her eyeglass, and then she said:
But she clearly seemed very interested in Giovanelli. She watched him whenever he spoke; she was always telling him to do this and that; she was constantly teasing and poking fun at him. It seemed like she completely forgot that Winterbourne had said anything to upset her at Mrs. Walker’s little gathering. One Sunday afternoon, after attending St. Peter’s with his aunt, Winterbourne spotted Daisy wandering around the grand church with the ever-present Giovanelli. He pointed out the young girl and her companion to Mrs. Costello. She examined them for a moment through her eyeglass, and then she said:
“That’s what makes you so pensive in these days, eh?”
"That's what makes you so thoughtful these days, huh?"
“I had not the least idea I was pensive,” said the young man.
“I had no idea I was deep in thought,” said the young man.
“You are very much preoccupied; you are thinking of something.”
“You seem really distracted; there's something on your mind.”
“And what is it,” he asked, “that you accuse me of thinking of?”
“And what is it,” he asked, “that you think I'm guilty of?”
“Of that young lady’s—Miss Baker’s, Miss Chandler’s—what’s her name?—Miss Miller’s intrigue with that little barber’s block.”
“About that young lady’s—Miss Baker’s, Miss Chandler’s—what’s her name?—Miss Miller’s situation with that little barber pole.”
“Do you call it an intrigue,” Winterbourne asked—“an affair that goes on with such peculiar publicity?”
“Do you really call it an intrigue?” Winterbourne asked. “An affair that’s so publicly known?”
“That’s their folly,” said Mrs. Costello; “it’s not their merit.”
"That's their foolishness," Mrs. Costello said; "it's not their achievement."
“No,” rejoined Winterbourne, with something of that pensiveness to which his aunt had alluded. “I don’t believe that there is anything to be called an intrigue.”
“No,” replied Winterbourne, with a sense of that thoughtfulness his aunt had mentioned. “I don’t think there’s anything that could be called an intrigue.”
“I have heard a dozen people speak of it; they say she is quite carried away by him.”
“I’ve heard a dozen people talk about it; they say she’s really into him.”
“They are certainly very intimate,” said Winterbourne.
“They're definitely very close,” Winterbourne said.
Mrs. Costello inspected the young couple again with her optical instrument. “He is very handsome. One easily sees how it is. She thinks him the most elegant man in the world, the finest gentleman. She has never seen anything like him; he is better, even, than the courier. It was the courier probably who introduced him; and if he succeeds in marrying the young lady, the courier will come in for a magnificent commission.”
Mrs. Costello looked over the young couple again with her glasses. “He is very handsome. It’s easy to see how it is. She thinks he’s the most elegant man in the world, the best gentleman. She’s never seen anyone like him; he’s even better than the courier. It’s probably the courier who introduced him, and if he manages to marry the young lady, the courier will get a great commission.”
“I don’t believe she thinks of marrying him,” said Winterbourne, “and I don’t believe he hopes to marry her.”
“I don’t think she’s considering marrying him,” said Winterbourne, “and I don’t think he’s counting on marrying her.”
“You may be very sure she thinks of nothing. She goes on from day to day, from hour to hour, as they did in the Golden Age. I can imagine nothing more vulgar. And at the same time,” added Mrs. Costello, “depend upon it that she may tell you any moment that she is ‘engaged.’”
“You can be sure she thinks of nothing. She goes through her days, from hour to hour, just like they did in the Golden Age. I can't think of anything more crass. And at the same time,” Mrs. Costello added, “count on it that she might tell you at any moment that she is ‘engaged.’”
“I think that is more than Giovanelli expects,” said Winterbourne.
“I think that's more than Giovanelli expects,” said Winterbourne.
“Who is Giovanelli?”
“Who’s Giovanelli?”
“The little Italian. I have asked questions about him and learned something. He is apparently a perfectly respectable little man. I believe he is, in a small way, a cavaliere avvocato. But he doesn’t move in what are called the first circles. I think it is really not absolutely impossible that the courier introduced him. He is evidently immensely charmed with Miss Miller. If she thinks him the finest gentleman in the world, he, on his side, has never found himself in personal contact with such splendor, such opulence, such expensiveness as this young lady’s. And then she must seem to him wonderfully pretty and interesting. I rather doubt that he dreams of marrying her. That must appear to him too impossible a piece of luck. He has nothing but his handsome face to offer, and there is a substantial Mr. Miller in that mysterious land of dollars. Giovanelli knows that he hasn’t a title to offer. If he were only a count or a marchese! He must wonder at his luck, at the way they have taken him up.”
“The little Italian. I’ve asked questions about him and learned a bit. He seems to be a perfectly respectable man. I believe he’s somewhat of a knight lawyer. But he doesn’t socialize in what are called the top circles. I think it’s not entirely impossible that the courier introduced him. He’s clearly very taken with Miss Miller. If she thinks he’s the best gentleman in the world, he’s never encountered such splendor, luxury, and extravagance as this young lady’s. To him, she must look incredibly beautiful and fascinating. I doubt he dreams of marrying her, though. That would probably seem like too much good luck to him. He has nothing to offer but his good looks, while there’s a wealthy Mr. Miller in that mysterious land of dollars. Giovanelli knows he doesn’t have a title to offer. If only he were a count or a marquis! He must be amazed by his fortune, by how they have embraced him.”
“He accounts for it by his handsome face and thinks Miss Miller a young lady qui se passe ses fantaisies!” said Mrs. Costello.
“He attributes it to his good looks and believes Miss Miller is a young lady living out her fantasies!” said Mrs. Costello.
“It is very true,” Winterbourne pursued, “that Daisy and her mamma have not yet risen to that stage of—what shall I call it?—of culture at which the idea of catching a count or a marchese begins. I believe that they are intellectually incapable of that conception.”
“It’s definitely true,” Winterbourne continued, “that Daisy and her mom haven't reached that level of—what should I say?—of culture where the idea of snagging a count or a marquis comes into play. I believe they just can't grasp that concept.”
“Ah! but the avvocato can’t believe it,” said Mrs. Costello.
“Ah! but the lawyer can’t believe it,” said Mrs. Costello.
Of the observation excited by Daisy’s “intrigue,” Winterbourne gathered that day at St. Peter’s sufficient evidence. A dozen of the American colonists in Rome came to talk with Mrs. Costello, who sat on a little portable stool at the base of one of the great pilasters. The vesper service was going forward in splendid chants and organ tones in the adjacent choir, and meanwhile, between Mrs. Costello and her friends, there was a great deal said about poor little Miss Miller’s going really “too far.” Winterbourne was not pleased with what he heard, but when, coming out upon the great steps of the church, he saw Daisy, who had emerged before him, get into an open cab with her accomplice and roll away through the cynical streets of Rome, he could not deny to himself that she was going very far indeed. He felt very sorry for her—not exactly that he believed that she had completely lost her head, but because it was painful to hear so much that was pretty, and undefended, and natural assigned to a vulgar place among the categories of disorder. He made an attempt after this to give a hint to Mrs. Miller. He met one day in the Corso a friend, a tourist like himself, who had just come out of the Doria Palace, where he had been walking through the beautiful gallery. His friend talked for a moment about the superb portrait of Innocent X by Velasquez which hangs in one of the cabinets of the palace, and then said, “And in the same cabinet, by the way, I had the pleasure of contemplating a picture of a different kind—that pretty American girl whom you pointed out to me last week.” In answer to Winterbourne’s inquiries, his friend narrated that the pretty American girl—prettier than ever—was seated with a companion in the secluded nook in which the great papal portrait was enshrined.
Of the attention sparked by Daisy’s “intrigue,” Winterbourne gathered enough evidence that day at St. Peter’s. A dozen American expatriates in Rome came to chat with Mrs. Costello, who sat on a small portable stool at the base of one of the great pillars. The evening service was happening nearby with beautiful chants and organ music in the choir, and meanwhile, between Mrs. Costello and her friends, there was a lot of discussion about poor little Miss Miller going really “too far.” Winterbourne wasn’t happy with what he heard, but when he came out onto the grand steps of the church and saw Daisy, who had come out ahead of him, get into an open cab with her accomplice and drive off through the cynical streets of Rome, he couldn’t deny that she was going too far indeed. He felt very sorry for her—not exactly because he thought she had completely lost her mind, but because it was painful to hear so much that was lovely, innocent, and natural be put in a vulgar category of chaos. After this, he tried to hint to Mrs. Miller. One day he ran into a friend in the Corso, another tourist like him, who had just come out of the Doria Palace, where he had been walking through the beautiful gallery. His friend briefly talked about the stunning portrait of Innocent X by Velasquez that hangs in one of the palace's rooms and then said, “And in the same room, by the way, I had the pleasure of seeing a picture of a different kind—that pretty American girl you pointed out to me last week.” In response to Winterbourne’s questions, his friend explained that the pretty American girl—prettier than ever—was sitting with a companion in the cozy corner where the great papal portrait was displayed.
“Who was her companion?” asked Winterbourne.
“Who was she with?” asked Winterbourne.
“A little Italian with a bouquet in his buttonhole. The girl is delightfully pretty, but I thought I understood from you the other day that she was a young lady du meilleur monde.”
“A little Italian with a flower in his lapel. The girl is really pretty, but I thought you mentioned the other day that she was a young lady from the best circles.”
“So she is!” answered Winterbourne; and having assured himself that his informant had seen Daisy and her companion but five minutes before, he jumped into a cab and went to call on Mrs. Miller. She was at home; but she apologized to him for receiving him in Daisy’s absence.
“So she is!” replied Winterbourne; and after confirming that his informant had just seen Daisy and her friend five minutes ago, he jumped into a cab and headed to visit Mrs. Miller. She was home but apologized for seeing him while Daisy wasn't there.
“She’s gone out somewhere with Mr. Giovanelli,” said Mrs. Miller. “She’s always going round with Mr. Giovanelli.”
“She’s gone out somewhere with Mr. Giovanelli,” said Mrs. Miller. “She’s always hanging out with Mr. Giovanelli.”
“I have noticed that they are very intimate,” Winterbourne observed.
"I've noticed that they seem really close," Winterbourne said.
“Oh, it seems as if they couldn’t live without each other!” said Mrs. Miller. “Well, he’s a real gentleman, anyhow. I keep telling Daisy she’s engaged!”
“Oh, it looks like they can't live without each other!” said Mrs. Miller. “Well, he's a true gentleman, anyway. I keep telling Daisy she's engaged!”
“And what does Daisy say?”
“And what does Daisy say?”
“Oh, she says she isn’t engaged. But she might as well be!” this impartial parent resumed; “she goes on as if she was. But I’ve made Mr. Giovanelli promise to tell me, if SHE doesn’t. I should want to write to Mr. Miller about it—shouldn’t you?”
“Oh, she says she isn’t engaged. But she might as well be!” this neutral parent continued; “she acts like she is. But I’ve made Mr. Giovanelli promise to tell me if she doesn’t. I really want to write to Mr. Miller about it—don’t you?”
Winterbourne replied that he certainly should; and the state of mind of Daisy’s mamma struck him as so unprecedented in the annals of parental vigilance that he gave up as utterly irrelevant the attempt to place her upon her guard.
Winterbourne replied that he definitely would; and he found Daisy’s mom's state of mind so unusual in the history of parental concern that he considered it completely pointless to try to warn her.
After this Daisy was never at home, and Winterbourne ceased to meet her at the houses of their common acquaintances, because, as he perceived, these shrewd people had quite made up their minds that she was going too far. They ceased to invite her; and they intimated that they desired to express to observant Europeans the great truth that, though Miss Daisy Miller was a young American lady, her behavior was not representative—was regarded by her compatriots as abnormal. Winterbourne wondered how she felt about all the cold shoulders that were turned toward her, and sometimes it annoyed him to suspect that she did not feel at all. He said to himself that she was too light and childish, too uncultivated and unreasoning, too provincial, to have reflected upon her ostracism, or even to have perceived it. Then at other moments he believed that she carried about in her elegant and irresponsible little organism a defiant, passionate, perfectly observant consciousness of the impression she produced. He asked himself whether Daisy’s defiance came from the consciousness of innocence, or from her being, essentially, a young person of the reckless class. It must be admitted that holding one’s self to a belief in Daisy’s “innocence” came to seem to Winterbourne more and more a matter of fine-spun gallantry. As I have already had occasion to relate, he was angry at finding himself reduced to chopping logic about this young lady; he was vexed at his want of instinctive certitude as to how far her eccentricities were generic, national, and how far they were personal. From either view of them he had somehow missed her, and now it was too late. She was “carried away” by Mr. Giovanelli.
After that, Daisy was never at home, and Winterbourne stopped seeing her at the homes of their mutual friends because he realized that these perceptive people had decided she was going too far. They stopped inviting her, and they made it clear that they wanted to show observant Europeans the important truth that, although Miss Daisy Miller was a young American lady, her behavior was not typical—it was seen by her fellow countrymen as unusual. Winterbourne wondered how she felt about all the cold shoulders she was getting, and sometimes he found it frustrating to think that she might not feel anything at all. He told himself that she was too carefree and childish, too unrefined and unthinking, too naive, to have thought about her exclusion, or even to have noticed it. Then at other times, he believed that she had a defiant, passionate, perfectly aware sense of the impression she made. He pondered whether Daisy’s defiance came from a sense of innocence or from her being, fundamentally, a young woman of the reckless sort. It must be acknowledged that maintaining a belief in Daisy’s “innocence” increasingly felt to Winterbourne like a delicate act of gallantry. As I have mentioned before, he was frustrated to find himself reduced to logical debates about this young woman; he was irritated by his lack of instinctive certainty about how much of her eccentricities were general, national, and how much were personal. From both perspectives, he had somehow missed her, and now it was too late. She was “carried away” by Mr. Giovanelli.
A few days after his brief interview with her mother, he encountered her in that beautiful abode of flowering desolation known as the Palace of the Caesars. The early Roman spring had filled the air with bloom and perfume, and the rugged surface of the Palatine was muffled with tender verdure. Daisy was strolling along the top of one of those great mounds of ruin that are embanked with mossy marble and paved with monumental inscriptions. It seemed to him that Rome had never been so lovely as just then. He stood, looking off at the enchanting harmony of line and color that remotely encircles the city, inhaling the softly humid odors, and feeling the freshness of the year and the antiquity of the place reaffirm themselves in mysterious interfusion. It seemed to him also that Daisy had never looked so pretty, but this had been an observation of his whenever he met her. Giovanelli was at her side, and Giovanelli, too, wore an aspect of even unwonted brilliancy.
A few days after his short meeting with her mom, he ran into her at that stunning place of blooming decay called the Palace of the Caesars. The early Roman spring filled the air with flowers and fragrance, and the rough ground of the Palatine was covered in soft greenery. Daisy was walking along the top of one of those large mounds of ruins, lined with mossy marble and decorated with grand inscriptions. It seemed to him that Rome had never looked so beautiful as it did right then. He stood there, gazing at the captivating blend of shapes and colors that surrounded the city, breathing in the gentle, damp scents, and feeling the freshness of the season mixed with the ancient vibe of the place. He also thought Daisy had never looked so beautiful, but that was something he felt every time they met. Giovanelli was next to her, and even he seemed unusually vibrant.
“Well,” said Daisy, “I should think you would be lonesome!”
“Well,” said Daisy, “I would think you’d be lonely!”
“Lonesome?” asked Winterbourne.
“Lonely?” asked Winterbourne.
“You are always going round by yourself. Can’t you get anyone to walk with you?”
“You're always going around by yourself. Can't you find anyone to walk with you?”
“I am not so fortunate,” said Winterbourne, “as your companion.”
“I’m not as lucky,” said Winterbourne, “as your friend.”
Giovanelli, from the first, had treated Winterbourne with distinguished politeness. He listened with a deferential air to his remarks; he laughed punctiliously at his pleasantries; he seemed disposed to testify to his belief that Winterbourne was a superior young man. He carried himself in no degree like a jealous wooer; he had obviously a great deal of tact; he had no objection to your expecting a little humility of him. It even seemed to Winterbourne at times that Giovanelli would find a certain mental relief in being able to have a private understanding with him—to say to him, as an intelligent man, that, bless you, HE knew how extraordinary was this young lady, and didn’t flatter himself with delusive—or at least TOO delusive—hopes of matrimony and dollars. On this occasion he strolled away from his companion to pluck a sprig of almond blossom, which he carefully arranged in his buttonhole.
Giovanelli had always treated Winterbourne with great politeness. He listened respectfully to his comments, laughed politely at his jokes, and clearly wanted to show that he thought Winterbourne was a distinguished young man. He didn’t come across as a jealous suitor at all; instead, he had a lot of tact and didn’t mind if people expected a bit of humility from him. At times, it even seemed to Winterbourne that Giovanelli would find some relief in having an unspoken agreement with him— to acknowledge, as two smart men, that he knew how remarkable this young woman was and didn’t indulge himself in unrealistic— or at least not overly unrealistic— hopes of marriage or wealth. On this occasion, he walked away from his companion to pick a sprig of almond blossom, which he carefully placed in his buttonhole.
“I know why you say that,” said Daisy, watching Giovanelli. “Because you think I go round too much with HIM.” And she nodded at her attendant.
“I know why you say that,” Daisy said, glancing at Giovanelli. “Because you think I spend too much time with HIM.” And she nodded at her companion.
“Every one thinks so—if you care to know,” said Winterbourne.
"Everyone thinks so—if you want to know," said Winterbourne.
“Of course I care to know!” Daisy exclaimed seriously. “But I don’t believe it. They are only pretending to be shocked. They don’t really care a straw what I do. Besides, I don’t go round so much.”
“Of course I want to know!” Daisy exclaimed earnestly. “But I don’t believe it. They’re just pretending to be shocked. They don’t actually care at all about what I do. Besides, I don’t go out that much.”
“I think you will find they do care. They will show it disagreeably.”
“I think you'll see that they do care. They'll just show it in a not-so-pleasant way.”
Daisy looked at him a moment. “How disagreeably?”
Daisy looked at him for a moment. “How unpleasantly?”
“Haven’t you noticed anything?” Winterbourne asked.
“Haven’t you noticed anything?” Winterbourne asked.
“I have noticed you. But I noticed you were as stiff as an umbrella the first time I saw you.”
“I've seen you. But I noticed you were as stiff as an umbrella the first time I saw you.”
“You will find I am not so stiff as several others,” said Winterbourne, smiling.
“You'll see I'm not as uptight as many others,” Winterbourne said with a smile.
“How shall I find it?”
"How do I find it?"
“By going to see the others.”
"By visiting others."
“What will they do to me?”
“What are they going to do to me?”
“They will give you the cold shoulder. Do you know what that means?”
“They will ignore you. Do you know what that means?”
Daisy was looking at him intently; she began to color. “Do you mean as Mrs. Walker did the other night?”
Daisy was staring at him closely; she started to blush. “Are you talking about the way Mrs. Walker did the other night?”
“Exactly!” said Winterbourne.
“Exactly!” Winterbourne said.
She looked away at Giovanelli, who was decorating himself with his almond blossom. Then looking back at Winterbourne, “I shouldn’t think you would let people be so unkind!” she said.
She glanced over at Giovanelli, who was adorning himself with his almond blossom. Then looking back at Winterbourne, she said, “I can’t imagine you would allow people to be so unkind!”
“How can I help it?” he asked.
“How can I help it?” he asked.
“I should think you would say something.”
“I would think you’d say something.”
“I do say something;” and he paused a moment. “I say that your mother tells me that she believes you are engaged.”
“I have to say something;” he paused for a moment. “Your mother told me that she thinks you’re engaged.”
“Well, she does,” said Daisy very simply.
"Well, she does," Daisy replied straightforwardly.
Winterbourne began to laugh. “And does Randolph believe it?” he asked.
Winterbourne started to laugh. "And does Randolph really think that?" he asked.
“I guess Randolph doesn’t believe anything,” said Daisy. Randolph’s skepticism excited Winterbourne to further hilarity, and he observed that Giovanelli was coming back to them. Daisy, observing it too, addressed herself again to her countryman. “Since you have mentioned it,” she said, “I AM engaged.” * * * Winterbourne looked at her; he had stopped laughing. “You don’t believe!” she added.
“I guess Randolph doesn’t believe anything,” Daisy said. Randolph’s skepticism amused Winterbourne even more, and he noticed Giovanelli was coming back to them. Daisy saw it too and turned to her fellow countryman again. “Since you brought it up,” she said, “I AM engaged.” * * * Winterbourne looked at her; he had stopped laughing. “You don’t believe!” she added.
He was silent a moment; and then, “Yes, I believe it,” he said.
He was quiet for a moment, then said, "Yeah, I believe it."
“Oh, no, you don’t!” she answered. “Well, then—I am not!”
“Oh, no, you don’t!” she replied. “Well, then—I’m not!”
The young girl and her cicerone were on their way to the gate of the enclosure, so that Winterbourne, who had but lately entered, presently took leave of them. A week afterward he went to dine at a beautiful villa on the Caelian Hill, and, on arriving, dismissed his hired vehicle. The evening was charming, and he promised himself the satisfaction of walking home beneath the Arch of Constantine and past the vaguely lighted monuments of the Forum. There was a waning moon in the sky, and her radiance was not brilliant, but she was veiled in a thin cloud curtain which seemed to diffuse and equalize it. When, on his return from the villa (it was eleven o’clock), Winterbourne approached the dusky circle of the Colosseum, it recurred to him, as a lover of the picturesque, that the interior, in the pale moonshine, would be well worth a glance. He turned aside and walked to one of the empty arches, near which, as he observed, an open carriage—one of the little Roman streetcabs—was stationed. Then he passed in, among the cavernous shadows of the great structure, and emerged upon the clear and silent arena. The place had never seemed to him more impressive. One-half of the gigantic circus was in deep shade, the other was sleeping in the luminous dusk. As he stood there he began to murmur Byron’s famous lines, out of “Manfred,” but before he had finished his quotation he remembered that if nocturnal meditations in the Colosseum are recommended by the poets, they are deprecated by the doctors. The historic atmosphere was there, certainly; but the historic atmosphere, scientifically considered, was no better than a villainous miasma. Winterbourne walked to the middle of the arena, to take a more general glance, intending thereafter to make a hasty retreat. The great cross in the center was covered with shadow; it was only as he drew near it that he made it out distinctly. Then he saw that two persons were stationed upon the low steps which formed its base. One of these was a woman, seated; her companion was standing in front of her.
The young girl and her guide were on their way to the gate of the enclosure, so Winterbourne, who had just arrived, took his leave of them. A week later, he went to dinner at a beautiful villa on the Caelian Hill and, upon arriving, dismissed his hired vehicle. The evening was lovely, and he looked forward to the pleasure of walking home beneath the Arch of Constantine and past the softly lit monuments of the Forum. A waning moon hung in the sky, its light not very bright but softened by a thin curtain of clouds that seemed to spread and balance it. When Winterbourne returned from the villa at eleven o’clock, he approached the dim outline of the Colosseum and thought, as a lover of picturesque scenes, that the interior, bathed in pale moonlight, would be worth a look. He diverted his path and walked to one of the empty arches, where he noticed an open carriage—one of the small Roman street cabs—waiting nearby. Then he stepped inside the cavernous shadows of the massive structure and emerged onto the clear and quiet arena. The place had never felt more impressive. Half of the enormous circus was shrouded in deep shadow, while the other half basked in a soft dusk. Standing there, he began to recite Byron’s famous lines from "Manfred," but before he finished, he recalled that while poets recommend nocturnal meditations in the Colosseum, doctors advise against it. The historic atmosphere was certainly present; however, when viewed scientifically, it was no better than a foul mist. Winterbourne walked to the center of the arena for a better look, planning to make a quick exit afterward. The large cross in the center was shrouded in shadow; he only clearly saw it when he got closer. Then he noticed two people standing on the low steps that formed its base. One was a woman sitting down, and her companion was standing in front of her.
Presently the sound of the woman’s voice came to him distinctly in the warm night air. “Well, he looks at us as one of the old lions or tigers may have looked at the Christian martyrs!” These were the words he heard, in the familiar accent of Miss Daisy Miller.
Presently, he could clearly hear the woman's voice in the warm night air. "Well, he looks at us like one of those old lions or tigers might have looked at the Christian martyrs!" These were the words he heard, in the familiar accent of Miss Daisy Miller.
“Let us hope he is not very hungry,” responded the ingenious Giovanelli. “He will have to take me first; you will serve for dessert!”
“Let’s hope he’s not too hungry,” replied the clever Giovanelli. “He’ll have to take me first; you’ll be the dessert!”
Winterbourne stopped, with a sort of horror, and, it must be added, with a sort of relief. It was as if a sudden illumination had been flashed upon the ambiguity of Daisy’s behavior, and the riddle had become easy to read. She was a young lady whom a gentleman need no longer be at pains to respect. He stood there, looking at her—looking at her companion and not reflecting that though he saw them vaguely, he himself must have been more brightly visible. He felt angry with himself that he had bothered so much about the right way of regarding Miss Daisy Miller. Then, as he was going to advance again, he checked himself, not from the fear that he was doing her injustice, but from a sense of the danger of appearing unbecomingly exhilarated by this sudden revulsion from cautious criticism. He turned away toward the entrance of the place, but, as he did so, he heard Daisy speak again.
Winterbourne stopped, feeling a mix of horror and, honestly, relief. It was as if a sudden clarity had shed light on Daisy’s confusing behavior, making it easy to understand. She was a young woman that a gentleman no longer needed to respect so much. He stood there, watching her—watching her friend—and not realizing that even though they appeared blurry to him, he must have been much more visible. He felt frustrated with himself for having worried so much about how to view Miss Daisy Miller. Then, just as he was about to step forward again, he paused, not out of fear of misjudging her, but because he sensed the risk of seeming inappropriately thrilled by this sudden shift away from careful judgment. He turned towards the entrance, but as he did, he heard Daisy speak again.
“Why, it was Mr. Winterbourne! He saw me, and he cuts me!”
“Wow, it was Mr. Winterbourne! He saw me, and he’s ignoring me!”
What a clever little reprobate she was, and how smartly she played at injured innocence! But he wouldn’t cut her. Winterbourne came forward again and went toward the great cross. Daisy had got up; Giovanelli lifted his hat. Winterbourne had now begun to think simply of the craziness, from a sanitary point of view, of a delicate young girl lounging away the evening in this nest of malaria. What if she WERE a clever little reprobate? that was no reason for her dying of the perniciosa. “How long have you been here?” he asked almost brutally.
What a clever little troublemaker she was, and how skillfully she acted all innocent! But he wasn’t going to dismiss her. Winterbourne stepped forward again and walked toward the big cross. Daisy had stood up; Giovanelli took off his hat. Winterbourne was starting to think about how crazy it was, from a health perspective, for a delicate young girl to spend the evening in this malaria-infested place. So what if she WAS a clever little troublemaker? That didn’t mean she should suffer from the illness. “How long have you been here?” he asked almost harshly.
Daisy, lovely in the flattering moonlight, looked at him a moment. Then—“All the evening,” she answered, gently. * * * “I never saw anything so pretty.”
Daisy, beautiful in the soft moonlight, looked at him for a moment. Then—“All evening,” she replied softly. * * * “I've never seen anything so beautiful.”
“I am afraid,” said Winterbourne, “that you will not think Roman fever very pretty. This is the way people catch it. I wonder,” he added, turning to Giovanelli, “that you, a native Roman, should countenance such a terrible indiscretion.”
“I’m afraid,” said Winterbourne, “that you won’t find Roman fever very appealing. This is how people get it. I wonder,” he added, turning to Giovanelli, “how you, a native Roman, can support such a terrible mistake.”
“Ah,” said the handsome native, “for myself I am not afraid.”
“Ah,” said the attractive local, “I’m not scared for myself.”
“Neither am I—for you! I am speaking for this young lady.”
“Neither am I—for you! I’m speaking for this young woman.”
Giovanelli lifted his well-shaped eyebrows and showed his brilliant teeth. But he took Winterbourne’s rebuke with docility. “I told the signorina it was a grave indiscretion, but when was the signorina ever prudent?”
Giovanelli lifted his well-defined eyebrows and displayed his bright smile. But he accepted Winterbourne's reprimand calmly. “I told the signorina it was a serious mistake, but when has the signorina ever been cautious?”
“I never was sick, and I don’t mean to be!” the signorina declared. “I don’t look like much, but I’m healthy! I was bound to see the Colosseum by moonlight; I shouldn’t have wanted to go home without that; and we have had the most beautiful time, haven’t we, Mr. Giovanelli? If there has been any danger, Eugenio can give me some pills. He has got some splendid pills.”
“I’ve never been sick, and I don’t plan to be!” the young lady declared. “I may not look like much, but I’m healthy! I was determined to see the Colosseum by moonlight; I wouldn’t want to go home without that; and we’ve had the most wonderful time, haven’t we, Mr. Giovanelli? If there’s been any danger, Eugenio can give me some pills. He has some great pills.”
“I should advise you,” said Winterbourne, “to drive home as fast as possible and take one!”
“I recommend,” said Winterbourne, “that you drive home as quickly as you can and take one!”
“What you say is very wise,” Giovanelli rejoined. “I will go and make sure the carriage is at hand.” And he went forward rapidly.
“What you say is really insightful,” Giovanelli responded. “I’ll go make sure the carriage is ready.” And he quickly moved ahead.
Daisy followed with Winterbourne. He kept looking at her; she seemed not in the least embarrassed. Winterbourne said nothing; Daisy chattered about the beauty of the place. “Well, I HAVE seen the Colosseum by moonlight!” she exclaimed. “That’s one good thing.” Then, noticing Winterbourne’s silence, she asked him why he didn’t speak. He made no answer; he only began to laugh. They passed under one of the dark archways; Giovanelli was in front with the carriage. Here Daisy stopped a moment, looking at the young American. “DID you believe I was engaged, the other day?” she asked.
Daisy walked alongside Winterbourne. He kept glancing at her; she didn’t seem the least bit awkward. Winterbourne stayed quiet; Daisy chatted about how beautiful the place was. “Well, I’VE seen the Colosseum by moonlight!” she exclaimed. “That’s one good thing.” Then, noticing Winterbourne wasn’t saying anything, she asked him why he didn’t talk. He didn’t respond; he just started to laugh. They went under one of the dark archways; Giovanelli was ahead with the carriage. Here, Daisy paused for a moment, looking at the young American. “DID you think I was engaged the other day?” she asked.
“It doesn’t matter what I believed the other day,” said Winterbourne, still laughing.
“It doesn’t matter what I thought the other day,” said Winterbourne, still laughing.
“Well, what do you believe now?”
“Well, what do you think now?”
“I believe that it makes very little difference whether you are engaged or not!”
“I think it doesn't really matter whether you're engaged or not!”
He felt the young girl’s pretty eyes fixed upon him through the thick gloom of the archway; she was apparently going to answer. But Giovanelli hurried her forward. “Quick! quick!” he said; “if we get in by midnight we are quite safe.”
He felt the young girl’s pretty eyes on him through the dark of the archway; she was clearly about to respond. But Giovanelli urged her along. “Hurry up! Hurry up!” he said; “if we get in by midnight, we’re totally safe.”
Daisy took her seat in the carriage, and the fortunate Italian placed himself beside her. “Don’t forget Eugenio’s pills!” said Winterbourne as he lifted his hat.
Daisy got into the carriage, and the lucky Italian sat next to her. “Don’t forget Eugenio’s pills!” Winterbourne said as he tipped his hat.
“I don’t care,” said Daisy in a little strange tone, “whether I have Roman fever or not!” Upon this the cab driver cracked his whip, and they rolled away over the desultory patches of the antique pavement.
“I don’t care,” Daisy said in a slightly odd tone, “if I have Roman fever or not!” At this, the cab driver cracked his whip, and they drove off across the uneven patches of the old pavement.
Winterbourne, to do him justice, as it were, mentioned to no one that he had encountered Miss Miller, at midnight, in the Colosseum with a gentleman; but nevertheless, a couple of days later, the fact of her having been there under these circumstances was known to every member of the little American circle, and commented accordingly. Winterbourne reflected that they had of course known it at the hotel, and that, after Daisy’s return, there had been an exchange of remarks between the porter and the cab driver. But the young man was conscious, at the same moment, that it had ceased to be a matter of serious regret to him that the little American flirt should be “talked about” by low-minded menials. These people, a day or two later, had serious information to give: the little American flirt was alarmingly ill. Winterbourne, when the rumor came to him, immediately went to the hotel for more news. He found that two or three charitable friends had preceded him, and that they were being entertained in Mrs. Miller’s salon by Randolph.
Winterbourne, to be fair, didn’t tell anyone that he had run into Miss Miller at midnight in the Colosseum with a man; however, a couple of days later, everyone in the small American circle knew she had been there under those circumstances and commented on it. Winterbourne realized they must have known at the hotel, and that, after Daisy returned, there had been some muttering between the porter and the cab driver. But the young man also felt that it no longer bothered him seriously that the little American flirt was being “talked about” by lowly staff. A day or two later, these same people had serious news to share: the little American flirt was quite ill. When Winterbourne heard the rumor, he immediately went to the hotel for more details. He discovered that two or three kind friends had arrived before him and were being entertained in Mrs. Miller’s sitting room by Randolph.
“It’s going round at night,” said Randolph—“that’s what made her sick. She’s always going round at night. I shouldn’t think she’d want to, it’s so plaguy dark. You can’t see anything here at night, except when there’s a moon. In America there’s always a moon!” Mrs. Miller was invisible; she was now, at least, giving her daughter the advantage of her society. It was evident that Daisy was dangerously ill.
“It goes around at night,” Randolph said. “That’s what made her sick. She’s always out at night. I wouldn’t think she’d want to, it’s so painfully dark. You can’t see anything here at night, except when there’s a moon. In America, there’s always a moon!” Mrs. Miller was out of sight; she was now, at least, giving her daughter the benefit of her company. It was clear that Daisy was seriously ill.
Winterbourne went often to ask for news of her, and once he saw Mrs. Miller, who, though deeply alarmed, was, rather to his surprise, perfectly composed, and, as it appeared, a most efficient and judicious nurse. She talked a good deal about Dr. Davis, but Winterbourne paid her the compliment of saying to himself that she was not, after all, such a monstrous goose. “Daisy spoke of you the other day,” she said to him. “Half the time she doesn’t know what she’s saying, but that time I think she did. She gave me a message she told me to tell you. She told me to tell you that she never was engaged to that handsome Italian. I am sure I am very glad; Mr. Giovanelli hasn’t been near us since she was taken ill. I thought he was so much of a gentleman; but I don’t call that very polite! A lady told me that he was afraid I was angry with him for taking Daisy round at night. Well, so I am, but I suppose he knows I’m a lady. I would scorn to scold him. Anyway, she says she’s not engaged. I don’t know why she wanted you to know, but she said to me three times, ‘Mind you tell Mr. Winterbourne.’ And then she told me to ask if you remembered the time you went to that castle in Switzerland. But I said I wouldn’t give any such messages as that. Only, if she is not engaged, I’m sure I’m glad to know it.”
Winterbourne often stopped by to check on her, and once he ran into Mrs. Miller. She seemed really worried but, to his surprise, was completely composed and appeared to be a very effective and sensible nurse. She talked quite a bit about Dr. Davis, but Winterbourne thought to himself that she wasn’t as much of a ditz as he originally thought. “Daisy mentioned you the other day,” she told him. “Half the time she doesn’t know what she’s saying, but that time I think she did. She gave me a message to give you. She said to tell you that she was never engaged to that handsome Italian. I’m really glad; Mr. Giovanelli hasn’t come by since she got sick. I thought he was quite the gentleman, but I don’t think that’s very polite! A lady told me he was worried I was upset with him for taking Daisy out at night. Well, I am, but I guess he knows I’m a lady. I would never scold him. Anyway, she says she’s not engaged. I’m not sure why she wanted you to know, but she told me three times, ‘Make sure you tell Mr. Winterbourne.’ And then she asked if you remembered the time you went to that castle in Switzerland. But I said I wouldn’t pass on any messages like that. Still, if she isn’t engaged, I’m really glad to hear it.”
But, as Winterbourne had said, it mattered very little. A week after this, the poor girl died; it had been a terrible case of the fever. Daisy’s grave was in the little Protestant cemetery, in an angle of the wall of imperial Rome, beneath the cypresses and the thick spring flowers. Winterbourne stood there beside it, with a number of other mourners, a number larger than the scandal excited by the young lady’s career would have led you to expect. Near him stood Giovanelli, who came nearer still before Winterbourne turned away. Giovanelli was very pale: on this occasion he had no flower in his buttonhole; he seemed to wish to say something. At last he said, “She was the most beautiful young lady I ever saw, and the most amiable;” and then he added in a moment, “and she was the most innocent.”
But, as Winterbourne had said, it didn't really matter much. A week after that, the poor girl died; it had been a terrible case of fever. Daisy’s grave was in the small Protestant cemetery, tucked into a corner of the wall of imperial Rome, under the cypress trees and the lush spring flowers. Winterbourne stood there next to it, with a number of other mourners, more than the scandal surrounding the young lady’s life would have led you to expect. Nearby, Giovanelli was standing, coming closer before Winterbourne turned away. Giovanelli looked very pale: he wasn't wearing a flower in his buttonhole this time; he seemed like he wanted to say something. Finally, he said, “She was the most beautiful young lady I ever saw, and the most kind-hearted;” and then he added after a moment, “and she was the most innocent.”
Winterbourne looked at him and presently repeated his words, “And the most innocent?”
Winterbourne looked at him and then repeated his words, “And the most innocent?”
“The most innocent!”
"So innocent!"
Winterbourne felt sore and angry. “Why the devil,” he asked, “did you take her to that fatal place?”
Winterbourne felt hurt and angry. “Why on earth,” he asked, “did you take her to that dangerous place?”
Mr. Giovanelli’s urbanity was apparently imperturbable. He looked on the ground a moment, and then he said, “For myself I had no fear; and she wanted to go.”
Mr. Giovanelli’s politeness seemed unshakeable. He glanced at the ground for a moment, and then he said, “I wasn’t afraid; and she wanted to go.”
“That was no reason!” Winterbourne declared.
“That was no reason!” Winterbourne exclaimed.
The subtle Roman again dropped his eyes. “If she had lived, I should have got nothing. She would never have married me, I am sure.”
The subtle Roman looked down again. “If she had lived, I wouldn’t have gotten anything. I’m sure she would never have married me.”
“She would never have married you?”
“She would never have married you?”
“For a moment I hoped so. But no. I am sure.”
“For a moment, I thought that could be true. But no. I’m sure.”
Winterbourne listened to him: he stood staring at the raw protuberance among the April daisies. When he turned away again, Mr. Giovanelli, with his light, slow step, had retired.
Winterbourne listened to him; he stood staring at the rough bump among the April daisies. When he turned away again, Mr. Giovanelli, with his light, leisurely step, had walked away.
Winterbourne almost immediately left Rome; but the following summer he again met his aunt, Mrs. Costello at Vevey. Mrs. Costello was fond of Vevey. In the interval Winterbourne had often thought of Daisy Miller and her mystifying manners. One day he spoke of her to his aunt—said it was on his conscience that he had done her injustice.
Winterbourne quickly left Rome; however, the next summer he ran into his aunt, Mrs. Costello, in Vevey. Mrs. Costello loved Vevey. During the time apart, Winterbourne often thought about Daisy Miller and her puzzling behavior. One day, he mentioned her to his aunt, saying he felt guilty for having treated her unfairly.
“I am sure I don’t know,” said Mrs. Costello. “How did your injustice affect her?”
“I really don’t know,” said Mrs. Costello. “How did your unfairness impact her?”
“She sent me a message before her death which I didn’t understand at the time; but I have understood it since. She would have appreciated one’s esteem.”
“She sent me a message before she died that I didn’t understand at the time, but I get it now. She would have valued someone’s respect.”
“Is that a modest way,” asked Mrs. Costello, “of saying that she would have reciprocated one’s affection?”
“Is that a subtle way,” asked Mrs. Costello, “of saying that she would have returned someone's affection?”
Winterbourne offered no answer to this question; but he presently said, “You were right in that remark that you made last summer. I was booked to make a mistake. I have lived too long in foreign parts.”
Winterbourne didn't answer the question, but he soon said, “You were right about what you said last summer. I was bound to make a mistake. I've spent too long living abroad.”
Nevertheless, he went back to live at Geneva, whence there continue to come the most contradictory accounts of his motives of sojourn: a report that he is “studying” hard—an intimation that he is much interested in a very clever foreign lady.
Nevertheless, he returned to live in Geneva, where there are still conflicting stories about his reasons for staying: one report says he’s “studying” hard—another hints that he’s quite taken with a very clever foreign lady.
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