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Transcriber's Note:

Transcriber's Note:

This text contains both footnotes and endnotes.
The three footnotes are marked with an upper case letter (i.e., [A]).
The endnotes are marked with both a page number and a note number (i.e., [126-1]).

This text includes footnotes and endnotes.
The three footnotes are indicated with a capital letter (for example, [A]).
The endnotes are indicated with a page number and a note number (for example, [126-1]).

 


 

Photograph of JAMES MATTHEW BARRIE

Photograph of JAMES MATTHEW BARRIE


Merrill's English Texts

SHORT STORIES OF VARIOUS TYPES


EDITED WITH AN INTRODUCTION AND NOTES BY
LAURA F. FRECK,
HEAD OF THE ENGLISH DEPARTMENT IN THE HIGH SCHOOL,
JAMESTOWN, NEW YORK


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CHARLES E. MERRILL COMPANY
NEW YORK AND CHICAGO



Merrill's English Texts

Merrill's English Books

This series of books includes in complete editions those masterpieces of English Literature that are best adapted for the use of schools and colleges. The editors of the several volumes are chosen for their special qualifications in connection with the texts issued under their individual supervision, but familiarity with the practical needs of the classroom, no less than sound scholarship, characterizes the editing of every book in the series.

This series of books features complete editions of the greatest works of English Literature that are best suited for schools and colleges. The editors of each volume are selected for their specific expertise related to the texts they oversee, and they bring both an understanding of classroom needs and solid scholarship to the editing of every book in the series.

In connection with each text, the editor has provided a critical and historical introduction, including a sketch of the life of the author and his relation to the thought of his time, critical opinions of the work in question chosen from the great body of English criticism, and, where possible, a portrait of the author. Ample explanatory notes of such passages in the text as call for special attention are supplied, but irrelevant annotation and explanations of the obvious are rigidly excluded.

In relation to each text, the editor has included a critical and historical introduction, featuring a brief overview of the author's life and his connection to the ideas of his time, critical assessments of the selected work drawn from the extensive body of English criticism, and, where possible, a portrait of the author. Comprehensive explanatory notes are provided for specific passages in the text that require special attention, but irrelevant annotations and explanations of the obvious are strictly avoided.

CHARLES E. MERRILL COMPANY

CHARLES E. MERRILL CO.


Copyright, 1920
BY
CHARLES E. MERRILL CO.


TO THE TEACHER

These stories have been chosen from authors of varied style and nationalities for use in high schools. The editor has had especially in mind students of the first year of the high school or the last year of the junior high school. The plots are of various types and appeal to the particular interests and awakening experiences of young readers. For instance, there will be found among these tales the detective story by the inimitable Conan Doyle; the true story of adventure, with an animal for the central figure, by Katherine Mayo; the fanciful story by the great stylist Hawthorne; tales of humor or pathos; of simple human love; of character; of nature; of realism; and of idealism. The settings give glimpses of the far West, the middle West, the East, of several foreign countries, of great cities, of little villages, and of the open country.

These stories have been selected from authors with different styles and backgrounds for use in high schools. The editor specifically focused on first-year high school students and those in their last year of junior high school. The plots vary in type and cater to the specific interests and experiences of young readers. For example, included are a detective story by the remarkable Conan Doyle; an adventurous true story featuring an animal as the main character by Katherine Mayo; a whimsical tale by the talented Hawthorne; stories filled with humor or emotion; of simple human love; of character; of nature; of realism; and of idealism. The settings offer glimpses of the far West, the Midwest, the East, various foreign countries, big cities, small towns, and the countryside.

Each story should be read for the first time at a single sitting so that the pupil's mind may receive the single dramatic effect in its unity of impression as the author desired, and more especially that the pupil may enjoy the story first of all as a story, not as a lesson. The pupil of this age, however, will not arrive at the other desirable points to be gained unless he then studies each story with the help of the study questions, of the related biographical sketch, and of the introductory notes, as the teacher feels they are needed for the closer study of the particular story.

Each story should be read in one sitting so the student's mind can take in the overall dramatic effect as the author intended, and especially so the student can appreciate the story for what it is, not just as a lesson. However, at this age, the student won’t reach the other important insights unless they then examine each story using the study questions, the related biographical sketch, and the introductory notes, as the teacher thinks are necessary for a deeper understanding of the specific story.

The stories may be studied happily in connection with the student's composition work. For example, when he has read an adventure story and his mind is stirred by it, why not assign for his next composition, a story of an adventure in which he has been interested or has figured? The mechanics of composition, moreover, are more interestingly learned in connection with an admired author's work.

The stories can be enjoyed alongside the student's writing assignments. For instance, after reading an adventure story that excites him, why not have him write about an adventure he’s interested in or has been part of for his next assignment? Additionally, the technical aspects of writing are more engaging when related to a favorite author’s work.

It is to be hoped that the students may be led to read other stories by the same and by different authors. A supplementary list of short stories has been added to the book for this purpose.

It is hoped that the students will be encouraged to read other stories by both the same and different authors. A supplementary list of short stories has been added to the book for this reason.

ACKNOWLEDGMENTS

Acknowledgment for permission to use the stories printed in this book is gratefully made to Doubleday, Page and Company for "The Gift of the Magi" from Stories of the Four Million by O. Henry; to Hamlin Garland for "A Camping Trip" from Boy Life on the Prairie, published by Harper and Brothers; to Henry Holt and Company for "A Thread without a Knot" from The Real Motive, by Dorothy Canfield Fisher; to Charles Scribner's Sons for "Friends" from Little Aliens by Myra Kelly, and for the story, "American, Sir," by Mary Raymond Shipman Andrews; to Booth Tarkington for "A Reward of Merit" from Penrod and Sam. The stories by Katherine Mayo, Bret Harte, and Nathaniel Hawthorne are used by permission of, and by special arrangement with, Houghton Mifflin Company, the authorized publishers.

Acknowledgment for permission to use the stories printed in this book is gratefully given to Doubleday, Page and Company for "The Gift of the Magi" from Stories of the Four Million by O. Henry; to Hamlin Garland for "A Camping Trip" from Boy Life on the Prairie, published by Harper and Brothers; to Henry Holt and Company for "A Thread without a Knot" from The Real Motive, by Dorothy Canfield Fisher; to Charles Scribner's Sons for "Friends" from Little Aliens by Myra Kelly, and for the story, "American, Sir," by Mary Raymond Shipman Andrews; to Booth Tarkington for "A Reward of Merit" from Penrod and Sam. The stories by Katherine Mayo, Bret Harte, and Nathaniel Hawthorne are used by permission and special arrangement with Houghton Mifflin Company, the authorized publishers.

Special acknowledgment should be made to Mr. Garland for so kindly revising the selection from Boy Life on the Prairie, to meet our needs; and to Mr. Carlson for the translation from the Swedish of Miss Lagerlöf's story.

Special acknowledgment should be made to Mr. Garland for generously revising the selection from Boy Life on the Prairie to suit our needs; and to Mr. Carlson for translating Miss Lagerlöf's story from Swedish.


CONTENTS

    PAGE
Intro   7
Chapter    
I O. Henry: The Gift of the Magi 11
II Booth Tarkington: A Reward of Merit 19
III Mary Raymond Shipman Andrews: "American, Sir!" 48
IV Katherine Mayo: John G. 68
V Myra Kelly: Friends 77
VI Hamlin Garland: A Camping Trip 97
VII Dorothy Canfield Fisher: A Thread Without a Knot 114
VIII Francis Bret Harte: Chu Chu 141
IX Nathaniel Hawthorne: Feathertop 173
X Arthur Conan Doyle: The Red-Headed League 203
XI James M. Barrie: The Inconsiderate Waiter 238
XII Alphonse Daudet: The Siege of Berlin 266
XIII Selma Lagerlöf: The Silver Mine 276
Notes   295
Recommended Reading List of Short Stories 317
Study Tips 321

The Short Story. In the rush of modern life, particularly in America, the short story has come to be the most popular type of fiction. Just as the quickly seen, low-priced moving picture show is taking the place of the drama, with the average person, so the short stories that are found so plentifully in the numerous periodicals of the day are supplanting the novel.

The Short Story. In the fast pace of modern life, especially in America, short stories have become the most popular form of fiction. Just as inexpensive, quick-view movies are replacing traditional plays for most people, the short stories that are widely available in today’s various magazines are taking the place of novels.

The short story may be read at a single sitting. It is a distinct type of literature; that is, it is not just a novel made short or condensed; it is in its inner plan of a wholly different nature. It relates only some single important incident or a closely related series of events, taking place usually in a short space of time, and acted out by a single chief character. It is like a cross section of life, however, from which one may judge much of the earlier as well as the later life of the character.

The short story can be read in one sitting. It's a unique genre of literature; it’s not just a shortened or condensed version of a novel; it has a fundamentally different structure. It focuses on a single important event or a closely related series of events, usually occurring over a brief period of time and centered around one main character. It’s like a snapshot of life that allows you to understand both the character’s past and future.

Its History. The idea of the short story is a decidedly modern conception. It was in the first half of the last century that Edgar Allan Poe worked out the idea that the short story should create a single effect. In his story, "The Fall of the House of Usher," for example, the single effect is a feeling of horror. In the first sentence of the story he begins to create this effect by words that suggest to the reader's imagination gloom and foreboding. This he consciously carries out just as an artist creates the picture of his dreams with many skillful strokes of his brush. Poe gave attention also to compressing all the details of the plot of the story instead of expanding them as in a long story or novel. He believed, too, that the plot should be original or else worked out in some new way. The single incident given, moreover, should reveal to the imagination of the reader the entire life of the chief character. Almost at the same time, Nathaniel Hawthorne, with a less conscious effort to create a single effect, based his tales upon the same ideas, with a tendency towards romance.

Its History. The concept of the short story is a distinctly modern idea. It was in the first half of the last century that Edgar Allan Poe developed the notion that a short story should create a single effect. In his tale, "The Fall of the House of Usher," for instance, the single effect is a sense of horror. He begins to build this effect in the first sentence with words that evoke gloom and foreboding in the reader's mind. He intentionally crafts this, just as an artist paints the image of his dreams with many skillful strokes of his brush. Poe also focused on condensing all the plot details instead of expanding them like in a long story or novel. He believed the plot should be original or presented in a new way. The single incident should also reveal the entire life of the main character to the reader's imagination. Around the same time, Nathaniel Hawthorne, with a less deliberate focus on creating a single effect, based his stories on similar ideas, leaning toward romance.

In the latter part of the nineteenth century, Guy de Maupassant, a French author without acquaintance with the work of the American writers, conceived the same idea of the short story, adding to it the quality of dramatic effect; that is, the idea that the single main incident should appeal to the imagination of the reader just as if it were a little play presented to him.

In the late nineteenth century, Guy de Maupassant, a French writer unfamiliar with the works of American authors, came up with the same idea for the short story, enhancing it with dramatic impact; that is, he believed that the main event should engage the reader's imagination as if it were a short play performed for them.

Bret Harte followed in this country with short stories that brought out, less precisely, the same idea of the short story, with the addition of local color, the atmosphere of California and the West.

Bret Harte contributed to American literature with short stories that, while not as precise, conveyed a similar idea of the short story, incorporating local color and the vibe of California and the West.

Rudyard Kipling, who became a master of the technique of the short story in England, has colored his stories with the atmosphere of India and the far East, while O. Henry, the American master, has given us character types of the big cities, particularly of New York.

Rudyard Kipling, who became a master of the short story technique in England, infused his stories with the vibe of India and the Far East, while O. Henry, the American master, portrayed character types from the big cities, especially New York.

Its Composition. You, no doubt, have written stories for your composition work, but so far they have probably been chronological narratives; that is, stories told, as the newspapers tell them, by relating a series of events in the order of time. The real short story, has, like the novel, a plot. The word plot here means the systematic plan or pattern into which the author weaves the events of the story up to some finishing point of intense interest or of great importance to the story. This vital part of the narrative is called the climax or crucial point. If you note the pattern or design in wall paper, carpet, or dress ornament, you will see that all the threads or lines are usually worked together to form a harmonious whole, but there is some special center of the design toward which everything works. In the short story, as soon as the author arrives at the crucial point he is through, often having no other conclusion. This ending is so important that it must always be thought out or planned for from the very beginning. This is true even in a surprise ending, such as O. Henry delights in.

Its Composition. You’ve probably written stories for your composition work, but they have likely been chronological narratives; in other words, stories told like newspapers do, by presenting a series of events in the order they happened. The true short story, like the novel, has a plot. The word plot here refers to the structured plan or pattern that the author uses to weave the events of the story together, leading to a final point of intense interest or significant importance. This crucial part of the narrative is called the climax or key point. If you look at the pattern or design on wallpaper, carpet, or clothing, you’ll notice that all the elements usually come together to create a cohesive whole, but there’s a specific focal point in the design that everything leads to. In the short story, once the author reaches this crucial point, they are done, often not going beyond that conclusion. This ending is so essential that it must always be planned from the very beginning. This holds true even for surprise endings, like those O. Henry enjoys.

Unlike the novel, the short story works its plot out in some single main incident, which is usually acted out by one chief character in a short space of time, and all but the necessary details are omitted. Thus the short story, which is read in a brief time, has a better opportunity than the novel to produce a complete unity of effect upon the mind of the reader, such as the effect of horror in Poe's "The Fall of the House of Usher."

Unlike a novel, a short story develops its plot through a single main incident, typically featuring one main character over a short period, with all but essential details left out. Because a short story can be read quickly, it has a greater chance than a novel to create a complete emotional impact on the reader, like the feeling of horror in Poe's "The Fall of the House of Usher."

The short story consists of setting, characterization, and narrative. Any one of these may be emphasized more than the other two. To illustrate from the stories included in this book: Mr. Garland has emphasized setting, or time, place, and atmosphere, in "The Camping Trip." That is, the greatest interest in the story lies in the beautiful background of the out-of-doors in Iowa in the month of June. In "Friends," on the other hand, Myra Kelly has emphasized characterization, for Mrs. Mowgelewsky, Morris, and Miss Bailey present the real interest of the story. In "The Red-Headed League" by Conan Doyle the attention centers upon the action.

The short story includes setting, characters, and narrative. One of these elements can be more prominent than the others. For example, in the stories in this book: Mr. Garland focuses on setting, specifically time, place, and atmosphere, in "The Camping Trip." Here, the main interest of the story is in the beautiful outdoor scenery of Iowa in June. In "Friends," however, Myra Kelly highlights characterization, as Mrs. Mowgelewsky, Morris, and Miss Bailey are what truly make the story interesting. In "The Red-Headed League" by Conan Doyle, the focus is on the action.

The technical details of the short story may be summed up and made clearer to you by illustrating them from the first story given in this collection, "The Gift of the Magi." The story is "set" in an eight-dollar-a-week apartment in New York City on the day before Christmas of some recent year, in an atmosphere of poverty, but a poverty made radiant by unselfish love. The plot of one main incident—Della's sacrifice of her hair in order to get a Christmas present for her husband—takes place in the short space of a few hours, and works out to a half-humorous, half-pathetic climax, when Della and Jim display their Christmas gifts for each other. This story has a conclusion of one paragraph in length where the author reflects upon what makes a real Christmas giver.

The technical details of the short story can be summarized and clarified by using the first story in this collection, "The Gift of the Magi." The story is set in a cramped apartment in New York City that costs eight dollars a week, on the day before Christmas in a recent year. It paints a picture of poverty, but one illuminated by selfless love. The main plot revolves around Della's sacrifice of her hair to buy a Christmas gift for her husband. This event unfolds in just a few hours and builds to a climax that is both funny and sad, as Della and Jim reveal their Christmas gifts to each other. The story ends with a single paragraph where the author reflects on what makes someone a true Christmas giver.

This is the skeleton of the story, but when you think it over, you will realize that the real charm and interest for you lay in something that the genius and style of the writer infused into this framework of the story.

This is the basic outline of the story, but when you reflect on it, you'll see that the true appeal and fascination for you come from what the talent and style of the writer added to this structure of the story.

Suggestions. In the composition work that you do during the weeks that you are reading the short stories in this volume would it not be interesting to you to try to write stories with little plots that lead up to some high point of interest, stories of a single main incident or a closely related series of events covering a short space of time?

Suggestions. During the time you’re reading the short stories in this volume, wouldn’t it be interesting to try writing your own stories with simple plots that build up to a key moment? Stories that focus on one main event or a closely connected series of events happening over a short period of time?

You will find that the stories in this collection are of different types with settings that take you in imagination all over our own country and into foreign lands. Try writing a story with a surprise ending like "The Gift of the Magi," a character story with the theme of unselfish love, and its setting in a big city. Again, "John G," the story of adventure with an animal for the hero, might suggest to you an adventuresome incident in your own experience. If you have a vivid imagination, it might be interesting to write a fanciful story like "Feathertop." All of you have heard of true and thrilling incidents of the recent Great War. Try to weave one into a good war story as did Daudet or Mrs. Andrews. Almost every young person loves nature or the open country. After you have read Mr. Garland's, "The Camping Trip," see how well you can tell a story of your own experience in the out-of-doors. Or, best of all, see if you can equal the great Conan Doyle in a detective story.

You’ll find that the stories in this collection vary widely, taking you through your imagination across our country and into other lands. Try writing a story with a surprise ending like "The Gift of the Magi," a character-driven piece focused on the theme of selfless love, set in a big city. Similarly, "John G," an adventure story featuring an animal as the hero, might inspire you with an adventurous incident from your own life. If you have a vivid imagination, it might be fun to write a whimsical story like "Feathertop." You’ve all heard about true and exciting events from the recent Great War. Try to turn one into a compelling war story like Daudet or Mrs. Andrews did. Most young people love nature or the countryside. After reading Mr. Garland's "The Camping Trip," see how well you can narrate a story based on your own outdoor experiences. Or, even better, see if you can match the great Conan Doyle in creating a detective story.

With the help of the biographical sketches and study notes, see if you can classify, as types, the stories that have not been classified in the preceding paragraph.

With the help of the biographical sketches and study notes, try to categorize the stories that haven't been classified in the previous paragraph into types.


SHORT STORIES

The Gift of the Magi [11-1]

The Gift of the Magi __A_TAG_PLACEHOLDER_0__

One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one's cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.

One dollar and eighty-seven cents. That was it. And sixty cents of that was in pennies. Pennies saved one or two at a time by haggling with the grocer, the vegetable vendor, and the butcher until her cheeks burned from the unspoken accusation of stinginess that such close dealing suggested. Della counted it three times. One dollar and eighty-seven cents. And tomorrow would be Christmas.

There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.

There was really nothing else to do but collapse on the worn-out little couch and cry. So Della did just that. This leads to the thought that life consists of tears, sniffles, and smiles, with sniffles being the most common.

While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.

While the lady of the house is slowly moving from the first stage to the second, take a look at the home. A furnished apartment for $8 a week. It wasn't exactly lacking in character, but it definitely had that feeling of being watched by the oversight squad.

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name "Mr. James Dillingham Young."

In the hallway below was a mailbox that no letter would fit into, and an electric button that no human finger could make ring. There was also a card with the name "Mr. James Dillingham Young."

The "Dillingham" had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, the letters of "Dillingham" looked blurred, as though they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called "Jim" and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.

The "Dillingham" had been proudly displayed during a previous time of prosperity when its owner was earning $30 a week. Now, with the income reduced to $20, the letters of "Dillingham" appeared smudged, as if they were contemplating shrinking down to a simple D. But whenever Mr. James Dillingham Young came home and reached his apartment above, he was called "Jim" and warmly embraced by Mrs. James Dillingham Young, whom you've already met as Della. And that's all very nice.

Della finished her cry and attended her cheeks with the powder rag. She stood by the window and looked out dully at a gray cat walking a gray fence in a gray backyard. To-morrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn't go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling—something just a little bit near to being worthy of the honor of being owned by Jim.

Della wiped her tears and touched up her cheeks with a powder rag. She stood by the window and looked out blankly at a gray cat walking along a gray fence in a gray backyard. Tomorrow would be Christmas Day, and she only had $1.87 to buy Jim a present. She had been saving every penny she could for months, and this was all she had managed. Twenty dollars a week doesn’t stretch very far. Her expenses had been higher than she expected. They always are. Just $1.87 to buy a gift for Jim. Her Jim. She had spent many happy hours dreaming up something nice for him. Something special, unique, and valuable—something just a bit deserving of the honor of being owned by Jim.

There was a pier-glass between the windows of the room. Perhaps you have seen a pier-glass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.

There was a pier glass between the windows of the room. Maybe you’ve seen a pier glass in an $8 apartment. A very slim and quick person can catch their reflection in a fast sequence of long strips and get a pretty decent idea of their appearance. Della, being slender, had gotten the hang of it.

Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its color within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.

Suddenly, she spun away from the window and stood in front of the mirror. Her eyes sparkled brightly, but her face had gone pale in just twenty seconds. Quickly, she let her hair down and let it fall to its full length.

Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim's gold watch that had been his father's and his grandfather's. The other was Della's hair. Had the Queen of Sheba[13-1] lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

Now, there were two possessions that Jim and Della Dillingham Young were really proud of. One was Jim's gold watch that had belonged to his father and grandfather. The other was Della's hair. If the Queen of Sheba had lived in the apartment across the airshaft, Della would have let her hair hang out the window to dry just to overshadow Her Majesty's jewels and gifts. If King Solomon had been the janitor, with all his treasures stacked up in the basement, Jim would have taken out his watch every time he walked by, just to see Solomon tug at his beard out of jealousy.

So now Della's beautiful hair fell about her, rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still where a tear or two splashed on the worn red carpet.

So now Della's beautiful hair flowed around her, glimmering and shining like a stream of brown water. It fell below her knee and almost turned into a kind of clothing for her. Then she quickly and nervously tied it back up. For a moment, she hesitated and stopped where a tear or two splashed onto the worn red carpet.

On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.

On went her old brown jacket; on went her old brown hat. With a swirl of skirts and the bright sparkle still in her eyes, she flitted out the door and down the stairs to the street.

Where she stopped the sign read: "Mme. Sofronie, Hair Goods of All Kinds." One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the "Sofronie."

Where she stopped, the sign read: "Mme. Sofronie, Hair Goods of All Kinds." Della ran up one flight, catching her breath. Madame, large, very pale, and cold, hardly resembled the "Sofronie."

"Will you buy my hair?" asked Della.

"Will you buy my hair?" Della asked.

"I buy hair," said Madame. "Take yer hat off and let's have a sight at the looks of it."

"I buy hair," said Madame. "Take off your hat and let’s see what it looks like."

Down rippled the brown cascade.

Down flowed the brown waterfall.

"Twenty dollars," said Madame, lifting the mass with a practiced hand.

"Twenty dollars," said Madame, lifting the bundle with a skilled hand.

"Give it to me quick," said Della.

"Give it to me fast," Della said.

Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim's present.

Oh, and the next two hours flew by on happy wings. Forget the awkward metaphor. She was searching the stores for Jim's gift.

She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain, simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation—as all good things should do. It was even worthy of The Watch. As soon as she saw it she knew that it must be Jim's. It was like him. Quietness and value—the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the eighty-seven cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap he used in place of a chain.

She finally found it. It was clearly made for Jim and no one else. There was nothing else like it in any of the stores, and she had checked all of them thoroughly. It was a platinum fob chain, simple and elegant in design, showcasing its value through its substance alone and not through flashy decorations—just like all good things should. It was even worthy of The Watch. As soon as she saw it, she knew it had to be Jim's. It was just like him. Quiet and valuable—the description fit both. They charged her twenty-one dollars for it, and she hurried home with the eighty-seven cents. With that chain on his watch, Jim could confidently keep track of time in any company. Even though the watch was impressive, he sometimes checked it discreetly because of the old leather strap he was using instead of a chain.

When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends—a mammoth task.

When Della got home, her excitement faded a bit into caution and logic. She took out her curling irons, turned on the gas, and began repairing the damage caused by her generous love. It's always a huge job, dear friends—a massive task.

Within forty minutes her head was covered with tiny close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror, long, carefully, and critically.

Within forty minutes, her head was filled with tiny, tight curls that made her look remarkably like a mischievous schoolboy. She gazed at her reflection in the mirror, studying it intently and critically.

"If Jim doesn't kill me," she said to herself, "before he takes a second look at me, he'll say I look like a Coney Island chorus girl. But what could I do—Oh! what could I do with a dollar and eighty-seven cents?"

"If Jim doesn't kill me," she thought, "before he takes a second look at me, he'll say I look like a Coney Island chorus girl. But what can I do—oh! what can I do with a dollar and eighty-seven cents?"

At seven o'clock the coffee was made and the frying-pan was on the back of the stove hot and ready to cook the chops.

At seven o'clock, the coffee was brewed, and the frying pan was on the back of the stove, hot and ready to cook the chops.

Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit of saying little silent prayers about the simplest everyday things, and now she whispered: "Please, God, make him think I am still pretty."

Jim was never late. Della twisted the fob chain in her hand and sat on the corner of the table by the door he always came through. Then she heard his footsteps on the stairs far down on the first floor, and she turned pale for a moment. She often said little silent prayers about the simplest, everyday things, and now she whispered, "Please, God, make him think I'm still pretty."

The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two—and to be burdened with a family! He needed a new overcoat and he was without gloves.

The door swung open and Jim walked in, shutting it behind him. He looked lean and quite serious. Poor guy, he was only twenty-two—and weighed down with a family! He needed a new overcoat and didn’t have any gloves.

Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.

Jim stood just inside the door, as still as a dog on point when it catches the scent of quail. His gaze was locked on Della, and there was something in his eyes that she couldn't understand, which frightened her. It wasn't anger, surprise, disapproval, horror, or any of the reactions she had been expecting. He just stared at her intensely with that strange look on his face.

Della wriggled off the table and went for him.

Della scrambled off the table and made her way toward him.

"Jim, darling," she cried, "don't look at me that way. I had my hair cut off and sold it because I couldn't live through Christmas without giving you a present. It'll grow out again—you won't mind, will you? I just had to do it. My hair grows awfully fast. Say 'Merry Christmas,' Jim, and let's be happy. You don't know what a nice—what a beautiful, nice gift I've got for you."

"Jim, sweetheart," she exclaimed, "please don’t look at me like that. I cut off my hair and sold it because I couldn’t get through Christmas without giving you a present. It’ll grow back—I hope that’s okay with you? I just had to do it. My hair grows really fast. Say 'Merry Christmas,' Jim, and let’s just be happy. You have no idea what a lovely—what a beautiful, amazing gift I have for you."

"You've cut off your hair?" asked Jim laboriously, as if he had not arrived at that patent fact yet, even after the hardest mental labor.

"You cut your hair?" Jim asked slowly, as if he still hadn't grasped that obvious fact, even after trying really hard to think it through.

"Cut it off and sold it," said Della. "Don't you like me just as well, anyhow? I'm me without my hair, ain't I?"

"Cut it off and sold it," Della said. "Don't you like me just the same, anyway? I'm still me without my hair, right?"

Jim looked about the room curiously.

Jim looked around the room with interest.

"You say your hair is gone?" he said, with an air almost of idiocy.

"You say your hair is gone?" he asked, sounding almost foolish.

"You needn't look for it," said Della. "It's sold, I tell you—sold and gone, too. It's Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered," she went on with a sudden serious sweetness, "but nobody could ever count my love for you. Shall I put the chops on, Jim?"

"You don’t need to search for it," Della said. "It's sold, I promise you—sold and gone, too. It's Christmas Eve, Jim. Please be good to me, because I sold it for you. Maybe the hairs on my head are numbered," she continued with a sudden serious sweetness, "but no one could ever count my love for you. Should I put the chops on, Jim?"

Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts but that was not among them. This dark assertion will be illuminated later.

Out of his daze, Jim quickly came to. He held Della close. For ten seconds, let’s discreetly focus on some unimportant object over there. Eight dollars a week or a million a year—what’s the difference? A mathematician or a clever person would give you the wrong answer. The magi brought valuable gifts, but that wasn’t one of them. This dark statement will be clarified later.

Jim drew a package from his overcoat pocket and threw it upon the table.

Jim pulled a package from his coat pocket and tossed it onto the table.

"Don't make any mistake, Dell," he said, "about me. I don't think there is anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you'll unwrap that package you may see why you had me going a while at first."

"Don't get it wrong, Dell," he said, "about me. I don't think there's anything like a haircut, shave, or shampoo that could ever make me like my girl any less. But if you unwrap that package, you might understand why you had me fooled for a bit at first."

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

White fingers and nimble hands tore at the string and paper. Then, an ecstatic scream of joy erupted; but, alas! it quickly turned into hysterical tears and wails, requiring the immediate attention of the lord of the flat to offer comfort.

For there lay The Combs—the set of combs, side and back, that Della had worshipped for long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims—just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

For there were The Combs—the set of side and back combs that Della had admired for a long time in a Broadway window. Gorgeous combs, made of pure tortoise shell, with jeweled edges—just the right color to wear in her beautiful, now-gone hair. She knew they were pricey, and her heart had longed for them with no hope of ever owning them. And now, they were hers, but the hair that should have complemented the desired accessories was gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: "My hair grows so fast, Jim!"

But she hugged them close to her chest, and eventually she was able to look up with blurry eyes and a smile and say, "My hair is growing so fast, Jim!"

And then Della leaped up like a little singed cat and cried, "Oh, Oh!"

And then Della jumped up like a little burnt cat and exclaimed, "Oh, Oh!"

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

Jim had not yet seen his stunning gift. She eagerly held it out to him on her open palm. The dull precious metal seemed to shine with a reflection of her vibrant and passionate spirit.

"Isn't it a dandy, Jim? I hunted all over town to find it. You'll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it."

"Isn't it great, Jim? I searched all over town to find it. You're going to have to check the time a hundred times a day now. Hand me your watch. I want to see how it looks on it."

Instead of obeying, Jim tumbled down on the couch and put his hand under the back of his head and smiled.

Instead of listening, Jim fell back onto the couch, placed his hand behind his head, and smiled.

"Dell," said he, "let's put our Christmas presents away and keep 'em a while. They're too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on."

"Dell," he said, "let's put our Christmas presents away and hold onto them for a bit. They're too nice to use right now. I sold the watch to get the money to buy your combs. So how about you put the chops on?"

The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are the wisest. They are the magi.

The magi, as you know, were wise men—truly wise men—who brought gifts to the baby in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were undoubtedly thoughtful, maybe even with the option for exchange in case of duplicates. And here I have clumsily shared with you the uneventful story of two foolish kids in a small apartment who foolishly sacrificed the greatest treasures of their home for each other. But let it be said for the wise of today that among all who give gifts, these two were the wisest. Among all who give and receive gifts, they are the wisest. Everywhere, they are the wisest. They are the magi.


A Reward of Merit

A Merit Reward

I

I

Penrod and Sam made a gloomy discovery one morning in mid-October. All the week had seen amiable breezes and fair skies until Saturday, when, about breakfast-time, the dome of heaven filled solidly with gray vapor and began to drip. The boys' discovery was that there is no justice about the weather.

Penrod and Sam made a disappointing discovery one morning in mid-October. All week there had been nice breezes and clear skies, but on Saturday, around breakfast time, the sky turned completely gray and started to rain. The boys realized that there's no fairness when it comes to the weather.

They sat in the carriage-house of the Schofields' empty stable; the doors upon the alley were open, and Sam and Penrod stared torpidly at the thin but implacable drizzle which was the more irritating because there was barely enough of it to interfere with a number of things they had planned to do.

They sat in the carriage house of the Schofields' empty stable; the doors to the alley were open, and Sam and Penrod stared lazily at the light but relentless drizzle, which was even more annoying because there wasn't quite enough of it to stop them from doing several things they had planned.

"Yes; this is nice!" Sam said, in a tone of plaintive sarcasm. "This is a perty way to do!" (He was alluding to the personal spitefulness of the elements.) "I'd like to know what's the sense of it—ole sun pourin' down every day in the week when nobody needs it, then cloud up and rain all Saturday! My father said it's goin' to be a three days' rain."

"Yeah, this is great!" Sam said, with a tone of bitter sarcasm. "This is a perfect way to do things!" (He was referring to the personal spite of the weather.) "I just don’t get the logic—old sun shining down every day when no one needs it, then it clouds over and rains all Saturday! My dad said it's going to rain for three days."

"Well, nobody with any sense cares if it rains Sunday and Monday," said Penrod. "I wouldn't care if it rained every Sunday as long as I lived; but I just like to know what's the reason it had to go and rain to-day. Got all the days o' the week to choose from and goes and picks on Saturday. That's a fine biz'nuss!"

"Well, nobody sensible cares if it rains on Sunday and Monday," said Penrod. "I wouldn't mind if it rained every Sunday for the rest of my life; but I just want to know why it had to rain today. There are seven days in the week to choose from, and it picks Saturday. That's just great!"

"Well, in vacation——" Sam began, but at a sound from a source invisible to him he paused. "What's that?" he said, somewhat startled.

"Well, on vacation——" Sam started, but he stopped at a sound from somewhere he couldn't see. "What's that?" he asked, a bit surprised.

It was a curious sound, loud and hollow and unhuman, yet it seemed to be a cough. Both boys rose, and Penrod asked uneasily, "Where'd that noise come from?"

It was a strange sound, loud and hollow and inhuman, yet it seemed to be a cough. Both boys stood up, and Penrod asked nervously, "Where did that noise come from?"

"It's in the alley," said Sam.

"It's in the alley," Sam said.

Perhaps if the day had been bright, both of them would have stepped immediately to the alley doors to investigate; but their actual procedure was to move a little distance in the opposite direction. The strange cough sounded again.

Perhaps if the day had been sunny, both of them would have quickly gone to the alley doors to check it out; but what they actually did was move a bit in the opposite direction. The strange cough sounded again.

"Say!" Penrod quavered. "What is that?"

"Hey!" Penrod quavered. "What is that?"

Then both boys uttered smothered exclamations and jumped, for the long, gaunt head which appeared in the doorway was entirely unexpected. It was the cavernous and melancholy head of an incredibly thin, old, whitish horse. This head waggled slowly from side to side; the nostrils vibrated; the mouth opened, and the hollow cough sounded again.

Then both boys exclaimed in surprise and jumped, because the long, thin head that appeared in the doorway was completely unexpected. It was the hollow and sad head of an incredibly skinny, old, light-colored horse. This head swayed slowly from side to side; the nostrils quivered; the mouth opened, and the hollow cough echoed once more.

Recovering themselves, Penrod and Sam underwent the customary human reaction from alarm to indignation.

Recovering from their shock, Penrod and Sam went through the usual human response from fear to anger.

"What you want, you ole horse, you?" Penrod shouted. "Don't you come coughin' around me!"

"What do you want, you old horse?" Penrod shouted. "Don't you come coughing around me!"

And Sam, seizing a stick, hurled it at the intruder.

And Sam, grabbing a stick, threw it at the intruder.

"Get out o' here!" he roared.

"Get out of here!" he shouted.

The aged horse nervously withdrew his head, turned tail, and made a rickety flight up the alley, while Sam and Penrod, perfectly obedient to inherited impulse,[21-1] ran out into the drizzle and uproariously pursued. They were but automatons of instinct,[21-2] meaning no evil. Certainly they did not know the singular and pathetic history of the old horse who had wandered into the alley and ventured to look through the open door.

The old horse nervously pulled back his head, turned around, and made a shaky escape down the alley, while Sam and Penrod, completely driven by instinct, [21-1] ran out into the drizzle and happily chased after him. They were just reacting on impulse, [21-2] meaning no harm. They definitely didn’t know the unique and sad story of the old horse who had wandered into the alley and dared to peek through the open door.

This horse, about twice the age of either Penrod or Sam, had lived to find himself in a unique position. He was nude, possessing neither harness nor halter; all he had was a name, Whitey, and he would have answered to it by a slight change of expression if any one had thus properly addressed him. So forlorn was Whitey's case, he was actually an independent horse; he had not even an owner. For two days and a half he had been his own master.

This horse, almost twice as old as either Penrod or Sam, found himself in a unique situation. He was completely naked, without any harness or halter; all he had was a name, Whitey, which he would acknowledge with a slight change in expression if someone had called him that correctly. Whitey's situation was so sad that he was truly an independent horse; he didn’t even have an owner. For two and a half days, he had been his own master.

Previous to that period he had been the property of one Abalene Morris, a person of color, who would have explained himself as engaged in the hauling business. On the contrary, the hauling business was an insignificant side line with Mr. Morris, for he had long ago given himself, as utterly as fortune permitted, to that talent which, early in youth, he had recognized as the greatest of all those surging in his bosom. In his waking thoughts and in his dreams, in health and in sickness, Abalene Morris was the dashing and emotional practitioner of an art[22-1] probably more than Roman in antiquity. Abalene was a crap-shooter. The hauling business was a disguise.

Before that time, he belonged to Abalene Morris, a person of color, who would have described himself as being in the hauling business. However, the hauling business was a minor side gig for Mr. Morris, as he had long ago dedicated himself, as much as his circumstances allowed, to that talent he recognized in his youth as the greatest of all those stirring within him. In his conscious thoughts and in his dreams, in both good health and illness, Abalene Morris was a daring and passionate practitioner of an art—A_TAG_PLACEHOLDER_0__ probably dating back further than Roman times. Abalene was a gambler. The hauling business was just a cover.

A concentration of events had brought it about that, at one and the same time, Abalene, after a dazzling run of the dice, found the hauling business an actual danger to the preservation of his liberty. He won seventeen dollars and sixty cents, and within the hour found himself in trouble with an officer of the Humane Society on account of an altercation with Whitey. Abalene had been offered four dollars for Whitey some ten days earlier; wherefore he at once drove to the shop of the junk-dealer who had made the offer and announced his acquiescence in the sacrifice.

A series of events led to the situation where Abalene, after a lucky streak, realized that the hauling business was actually jeopardizing his freedom. He won seventeen dollars and sixty cents, but within an hour, he found himself in trouble with an officer from the Humane Society due to a disagreement with Whitey. Abalene had been offered four dollars for Whitey about ten days earlier, so he immediately went to the junk dealer who made the offer and said he was willing to make the sacrifice.

"No, suh!" said the junk-dealer, with emphasis. "I awready done got me a good mule fer my deliv'ry-hoss, 'n'at ole Whitey hoss ain' wuff no fo' dollah nohow! I 'uz a fool when I talk 'bout th'owin' money roun' that a-way. I know what you up to, Abalene. Man come by here li'l bit ago tole me all 'bout white man try to 'rest you, ovah on the avvynoo. Yessuh; he say white man goin' to git you yit an' th'ow you in jail 'count o' Whitey. White man tryin' to fine out who you is. He say, nemmine, he'll know Whitey ag'in, even if he don' know you! He say he ketch you by the hoss; so you come roun' tryin' fix me up with Whitey so white man grab me, th'ow me in 'at jail. G'on 'way f'um hyuh, you Abalene! You cain' sell an' you cain' give Whitey to no cullud man 'in 'is town. You go an' drowned 'at ole hoss, 'cause you sutny goin' to jail if you git ketched drivin' him."

"No, sir!" said the junk dealer, emphasizing his point. "I’ve already got a good mule for my delivery horse, and that old Whitey horse isn’t worth four dollars anyway! I was a fool when I talked about throwing money around like that. I know what you are up to, Abalene. A guy came by here a little while ago and told me all about the white man trying to arrest you over on the avenue. Yes, sir; he said the white man is going to get you and throw you in jail because of Whitey. The white man is trying to find out who you are. He said, never mind, he’ll recognize Whitey again, even if he doesn’t know you! He said he’d catch you by the horse; so you come around trying to set me up with Whitey so the white man grabs me and throws me in that jail. Go on away from here, you Abalene! You can’t sell and you can’t give Whitey to any colored man in this town. You go drown that old horse because you’re definitely going to jail if you get caught driving him."

The substance of this advice seemed good to Abalene, especially as the seventeen dollars and sixty cents in his pocket lent sweet colors to life out of jail at this time. At dusk he led Whitey to a broad common at the edge of town, and spoke to him finally.

The advice sounded good to Abalene, especially since the seventeen dollars and sixty cents in his pocket made life outside of jail feel a bit brighter right now. At dusk, he took Whitey to a large open area at the edge of town and finally spoke to him.

"G'on 'bout you biz'nis," said Abalene; "you ain' my hoss. Don' look roun' at me, 'cause I ain' got no 'quaintance wif you. I'm a man o' money, an' I got my own frien's; I'm a-lookin' fer bigger cities, hoss. You got you' biz'nis an' I got mine. Mista' Hoss, good-night!"

"Gone about your business," said Abalene; "you aren't my horse. Don’t look at me, because I don’t have any connection with you. I’m a man of means, and I have my own friends; I’m looking for bigger cities, horse. You have your business and I have mine. Mister Horse, good night!"

Whitey found a little frosted grass upon the common and remained there all night. In the morning he sought the shed where Abalene had kept him, but that was across the large and busy town, and Whitey was hopelessly lost. He had but one eye; a feeble one; and his legs were not to be depended upon; but he managed to cover a great deal of ground, to have many painful little adventures, and to get monstrously hungry and thirsty before he happened to look in upon Penrod and Sam.

Whitey found a little frosted grass in the common and stayed there all night. In the morning, he looked for the shed where Abalene had kept him, but it was on the other side of the large, busy town, and Whitey was completely lost. He had only one eye, a weak one, and his legs weren’t reliable, but he managed to cover a lot of ground, have many painful little adventures, and got extremely hungry and thirsty before he finally stumbled upon Penrod and Sam.

When the two boys chased him up the alley, they had no intention to cause pain; they had no intention at all. They were no more cruel than Duke, Penrod's little old dog, who followed his own instincts, and, making his appearance hastily through a hole in the back fence, joined the pursuit with sound and fury. A boy will nearly always run after anything that is running, and his first impulse is to throw a stone at it. This is a survival of primeval man, who must take every chance to get his dinner. So, when Penrod and Sam drove the hapless Whitey up the alley, they were really responding to an impulse thousands and thousands of years old—an impulse founded upon the primordial observation that whatever runs is likely to prove edible. Penrod and Sam were not "bad"; they were never that. They were something which was not their fault; they were historic.

When the two boys chased him up the alley, they didn’t mean to hurt him; they had no intention of doing so at all. They were no more cruel than Duke, Penrod's old dog, who followed his instincts and, bursting through a hole in the back fence, joined the chase with noise and excitement. A boy will almost always run after anything that’s running, and his first instinct is to throw a stone at it. This goes back to primordial times when early humans had to seize every chance to get their food. So, when Penrod and Sam pushed the unfortunate Whitey up the alley, they were really reacting to an impulse that’s thousands of years old—an instinct based on the basic idea that whatever runs could be good to eat. Penrod and Sam weren’t "bad"; they never were. They were just something beyond their control; they were a product of history.

At the next corner Whitey turned to the right into the cross-street; thence, turning to the right again and still warmly pursued, he zigzagged down a main thoroughfare until he reached another cross-street, which ran alongside the Schofields' yard and brought him to the foot of the alley he had left behind in his flight. He entered the alley, and there his dim eye fell upon the open door he had previously investigated. No memory of it remained, but the place had a look associated in his mind with hay, and as Sam and Penrod turned the corner of the alley in panting yet still vociferous pursuit, Whitey stumbled up the inclined platform before the open doors, staggered thunderously across the carriage-house and through another open door into a stall, an apartment vacant since the occupancy of Mr. Schofield's last horse, now several years deceased.

At the next corner, Whitey turned right onto the cross street; then, turning right again and still being chased, he zigzagged down a main road until he reached another cross street that ran next to the Schofields' yard, bringing him to the edge of the alley he had left during his escape. He went into the alley, and his blurry vision landed on the open door he had checked out before. He didn't remember it, but the place had a vibe that reminded him of hay, and as Sam and Penrod turned the corner of the alley, still breathing heavily and shouting, Whitey stumbled up the sloped platform in front of the open doors, thundered across the carriage house, and went through another open door into a stall, a space that had been empty since Mr. Schofield's last horse, which had died several years ago.

II

II

The two boys shrieked with excitement as they beheld the coincidence of this strange return. They burst into the stable, making almost as much noise as Duke, who had become frantic at the invasion. Sam laid hands upon a rake.

The two boys screamed with excitement as they saw the strange return happening. They ran into the stable, making almost as much noise as Duke, who was going crazy at the intrusion. Sam picked up a rake.

"You get out o' there, you ole horse, you!" he bellowed. "I ain't afraid to drive him out. I——"

"You get out of there, you old horse, you!" he shouted. "I'm not afraid to drive him out. I——"

"Wait a minute!" shouted Penrod. "Wait till I——"

"Hold on a second!" shouted Penrod. "Wait until I——"

Sam was manfully preparing to enter the stall.

Sam was bravely getting ready to enter the stall.

"You hold the doors open," he commanded, "so's they won't blow shut and keep him in here. I'm goin' to hit him with——"

"You hold the doors open," he ordered, "so they won't slam shut and trap him in here. I'm going to hit him with——"

"Quee-yut!" Penrod shouted, grasping the handle of the rake so that Sam could not use it. "Wait a minute, can't you?" He turned with ferocious voice and gestures upon Duke. "Duke!" And Duke, in spite of his excitement, was so impressed that he prostrated himself in silence, and then unobtrusively withdrew from the stable. Penrod ran to the alley doors and closed them.

"Quee-yut!" Penrod yelled, holding onto the rake so that Sam couldn't grab it. "Hold on a minute, can you?" He turned with a fierce voice and wild gestures toward Duke. "Duke!" And Duke, despite his excitement, was so taken aback that he quietly laid himself down and then discreetly left the stable. Penrod rushed over to the alley doors and shut them.

"My gracious!" Sam protested. "What you goin' to do?"

"My goodness!" Sam protested. "What are you planning to do?"

"I'm goin' to keep this horse," said Penrod, whose face showed the strain of a great idea.

"I'm going to keep this horse," said Penrod, whose face showed the strain of a big idea.

"What for?"

"What for?"

"For the reward," said Penrod simply.

"For the reward," Penrod said plainly.

Sam sat down in the wheelbarrow and stared at his friend almost with awe.

Sam sat down in the wheelbarrow and looked at his friend almost in awe.

"My gracious," he said, "I never thought o' that! How—how much do you think we'll get, Penrod?"

"My goodness," he said, "I never thought of that! How—how much do you think we’ll get, Penrod?"

Sam's thus admitting himself to a full partnership in the enterprise met no objection from Penrod, who was absorbed in the contemplation of Whitey.

Sam's admission of full partnership in the venture didn’t face any objections from Penrod, who was preoccupied with watching Whitey.

"Well," he said judicially, "we might get more and we might get less."

"Well," he said thoughtfully, "we might get more or we might get less."

Sam rose and joined his friend in the doorway opening upon the two stalls. Whitey had preëmpted the nearer, and was hungrily nuzzling the old frayed hollows in the manger.

Sam got up and joined his friend in the doorway that opened to the two stalls. Whitey had claimed the closer one and was eagerly nuzzling the old, worn-out hollows in the manger.

"May be a hundred dollars—or sumpthing?" Sam asked in a low voice.

"Maybe a hundred dollars—or something?" Sam asked quietly.

Penrod maintained his composure and repeated the new-found expression which had sounded well to him a moment before. He recognized it as a symbol of the non-committal attitude that makes people looked up to. "Well"—he made it slow, and frowned—"we might get more and we might get less."

Penrod kept his cool and repeated the new phrase that had sounded good to him just moments before. He saw it as a sign of the laid-back attitude that earns people respect. "Well"—he dragged it out and frowned—"we might get more, or we might get less."

"More'n a hundred dollars?" Sam gasped.

"More than a hundred dollars?" Sam gasped.

"Well," said Penrod, "we might get more and we might get less." This time, however, he felt the need of adding something. He put a question in an indulgent tone, as though he were inquiring, not to add to his own information but to discover the extent of Sam's. "How much do you think horses are worth, anyway?"

"Well," Penrod said, "we could get more or we could get less." This time, though, he felt the need to add something. He asked a question in a friendly tone, as if he were trying to find out how much Sam knew, not just for himself. "How much do you think horses are worth, anyway?"

"I don't know," said Sam frankly, and, unconsciously, he added, "They might be more and they might be less."

"I don't know," Sam said honestly, and without realizing it, he added, "They could be more or they could be less."

"Well, when our ole horse died," said Penrod, "papa said he wouldn't taken five hundred dollars for him. That's how much horses are worth!"

"Well, when our old horse died," said Penrod, "dad said he wouldn't have taken five hundred dollars for him. That's how much horses are worth!"

"My gracious!" Sam exclaimed. Then he had a practical afterthought. "But maybe he was a better horse than this'n. What color was he?"

"My goodness!" Sam exclaimed. Then he had a practical thought. "But maybe he was a better horse than this one. What color was he?"

"He was bay. Looky here, Sam"—and now Penrod's manner changed from the superior to the eager—"you look what kind of horses they have in a circus, and you bet a circus has the best horses, don't it? Well, what kind of horses do they have in a circus? They have some black and white ones, but the best they have are white all over. Well, what kind of a horse is this we got here? He's perty near white right now, and I bet if we washed him off and got him fixed up nice he would be white. Well, a bay horse is worth five hundred dollars, because that's what papa said, and this horse——"

"He was bay. Look at this, Sam"—and now Penrod's attitude shifted from superior to enthusiastic—"you see what kind of horses they have in a circus, and you know a circus has the best horses, right? So, what kind of horses do they have in a circus? They have some black and white ones, but the best ones are completely white. Now, what kind of horse do we have here? He's pretty much white right now, and I bet if we washed him off and got him all cleaned up he would be white. Well, a bay horse is worth five hundred dollars, because that's what Dad said, and this horse——"

Sam interrupted rather timidly.

Sam timidly interrupted.

"He—he's awful bony, Penrod. You don't guess that'd make any——"

"He—he's really skinny, Penrod. Do you think that would make any——"

Penrod laughed contemptuously.

Penrod scoffed.

"Bony! All he needs is a little food and he'll fill right up and look good as ever. You don't know much about horses, Sam, I expect. Why, our ole horse——"

"Bony! All he needs is a little food and he'll fill out and look great again. You probably don't know much about horses, Sam. Well, our old horse——"

"Do you expect he's hungry now?" asked Sam, staring at Whitey.

"Do you think he's hungry now?" asked Sam, looking at Whitey.

"Let's try him," said Penrod. "Horses like hay and oats the best, but they'll eat most anything."

"Let's give him a shot," said Penrod. "Horses prefer hay and oats, but they'll eat just about anything."

"I guess they will. He's tryin' to eat that manger up right now, and I bet it ain't good for him."

"I guess they will. He's trying to eat that manger right now, and I bet it isn't good for him."

"Come on," said Penrod, closing the door that gave entrance to the stalls. "We got to get this horse some drinkin'-water and some good food."

"Come on," said Penrod, shutting the door to the stalls. "We need to get this horse some drinking water and some good food."

They tried Whitey's appetite first with an autumnal branch which they wrenched from a hardy maple in the yard. They had seen horses nibble leaves, and they expected Whitey to nibble the leaves of this branch, but his ravenous condition did not allow him time for cool discriminations. Sam poked the branch at him from the passageway, and Whitey, after one backward movement of alarm, seized it venomously. "Here! You stop that!" Sam shouted. "You stop that, you ole horse, you!"

They first tested Whitey's hunger with a branch they pulled from a sturdy maple tree in the yard. They had seen horses eat leaves before, and they thought Whitey would do the same with this branch, but he was so hungry that he didn't take the time to be picky. Sam pushed the branch at him from the doorway, and after a brief moment of hesitation, Whitey grabbed it fiercely. "Hey! Stop that!" Sam yelled. "You stop that, you old horse, you!"

"What's the matter?" called Penrod from the hydrant, where he was filling a bucket. "What's he doin' now?"

"What's wrong?" shouted Penrod from the fire hydrant, where he was filling a bucket. "What’s he up to now?"

"Doin'! He's eatin' the wood part, too! He's chewin' up sticks as big as baseball bats! He's crazy!"

"Dude! He's eating the wood part too! He's chewing on sticks as big as baseball bats! He's insane!"

Penrod rushed to see this sight, and stood aghast.

Penrod hurried to see this scene and stood in shock.

"Take it away from him, Sam!" he commanded sharply.

"Take it away from him, Sam!" he ordered sharply.

"Go on, take it away from him yourself!" was the prompt retort of his comrade.

"Go on, take it away from him yourself!" was the quick response from his friend.

"You had no biz'nuss to give it to him," said Penrod. "Anybody with any sense ought to know it'd make him sick. What'd you want to go and give it to him for?"

"You had no business giving it to him," said Penrod. "Anyone with any common sense should know it would make him sick. Why did you want to give it to him?"

"Well, you didn't say not to."

"Well, you didn't tell me not to."

"Well, what if I didn't? I never said I did, did I? You go on in that stall and take it away from him."

"Well, what if I didn't? I never said I did, did I? You go in that stall and take it away from him."

"Yes, I will!" Sam returned bitterly. Then, as Whitey had dragged the remains of the branch from the manger to the floor of the stall, Sam scrambled to the top of the manger and looked over. "There ain't much left to take away! He's swallered it all except some splinters. Better give him the water to try and wash it down with." And, as Penrod complied, "My gracious, look at that horse drink!"

"Yes, I will!" Sam replied bitterly. Then, as Whitey dragged the leftover branch from the manger to the stall floor, Sam climbed to the top of the manger and peered over. "There's not much left to take away! He's swallowed it all except for a few splinters. You'd better give him some water to try and wash it down." And, as Penrod did so, "Wow, look at that horse drink!"

They gave Whitey four buckets of water, and then debated the question of nourishment. Obviously, this horse could not be trusted with branches, and, after getting their knees black and their backs sodden, they gave up trying to pull enough grass to sustain him. Then Penrod remembered that horses like apples, both "cooking-apples" and "eating-apples," and Sam mentioned the fact that every autumn his father received a barrel of "cooking-apples" from a cousin who owned a farm. That barrel was in the Williams' cellar now, and the cellar was providentially supplied with "outside doors," so that it could be visited without going through the house. Sam and Penrod set forth for the cellar.

They gave Whitey four buckets of water and then debated what to feed him. Clearly, this horse couldn't be trusted with branches, and after getting their knees dirty and their backs wet, they gave up trying to pull enough grass to keep him fed. Then Penrod remembered that horses like apples, both "cooking apples" and "eating apples," and Sam mentioned that every autumn, his dad got a barrel of "cooking apples" from a cousin who owned a farm. That barrel was in the Williams' cellar now, and the cellar fortunately had "outside doors," so they could get to it without going through the house. Sam and Penrod headed for the cellar.

They returned to the stable bulging, and, after a discussion of Whitey's digestion (Sam claiming that eating the core and seeds, as Whitey did, would grow trees in his inside), they went back to the cellar for supplies again—and again. They made six trips, carrying each time a capacity cargo of apples, and still Whitey ate in a famished manner. They were afraid to take more apples from the barrel, which began to show conspicuously the result of their raids, wherefore Penrod made an unostentatious visit to the cellar of his own house. From the inside he opened a window and passed vegetables out to Sam, who placed them in a bucket and carried them hurriedly to the stable, while Penrod returned in a casual manner through the house. Of his sang-froid[30-1] under a great strain it is sufficient to relate that, in the kitchen, he said suddenly to Della, the cook, "Oh, look behind you!" and by the time Della discovered that there was nothing unusual behind her, Penrod was gone, and a loaf of bread from the kitchen table was gone with him.

They came back to the stable overloaded, and after talking about Whitey's digestion (Sam joked that eating the core and seeds like Whitey would grow trees inside him), they went back to the cellar for supplies again—and again. They made six trips, each time hauling a full load of apples, and still Whitey was eating like he was starving. They were nervous about taking more apples from the barrel, which was clearly showing the signs of their heists, so Penrod made a discreet trip to his own house's cellar. From inside, he opened a window and handed vegetables out to Sam, who put them in a bucket and rushed them to the stable while Penrod casually walked back through the house. About his composure[30-1] under pressure, it’s enough to say that in the kitchen, he suddenly said to Della, the cook, "Oh, look behind you!" and by the time Della realized there was nothing out of the ordinary behind her, Penrod had vanished, taking a loaf of bread from the kitchen table with him.

Whitey now ate nine turnips, two heads of lettuce, one cabbage, eleven raw potatoes, and the loaf of bread. He ate the loaf of bread last and he was a long time about it; so the boys came to a not unreasonable conclusion.

Whitey now ate nine turnips, two heads of lettuce, one cabbage, eleven raw potatoes, and the loaf of bread. He took his time eating the loaf of bread last; so the boys came to a pretty reasonable conclusion.

"Well, sir, I guess we got him filled up at last!" said Penrod. "I bet he wouldn't eat a saucer of ice-cream now, if we'd give it to him!"

"Well, dude, I guess we finally got him full!" said Penrod. "I bet he wouldn't even eat a bowl of ice cream now, if we offered it to him!"

"He looks better to me," said Sam, staring critically at Whitey. "I think he's kind of begun to fill out some. I expect he must like us, Penrod; we been doin' a good deal for this horse."

"He looks better to me," Sam said, giving Whitey a critical look. "I think he’s starting to fill out a bit. He must like us, Penrod; we’ve been doing a lot for this horse."

"Well, we got to keep it up," Penrod insisted rather pompously. "Long as I got charge o' this horse, he's goin' to get good treatment."

"Well, we have to keep it going," Penrod insisted rather arrogantly. "As long as I have control of this horse, he's going to get good treatment."

"What we better do now, Penrod?"

"What should we do now, Penrod?"

Penrod took on the outward signs of deep thought.

Penrod pretended to be deep in thought.

"Well, there's plenty to do, all right. I got to think."

"Well, there's a lot to do, for sure. I need to think."

Sam made several suggestions, which Penrod—maintaining his air of preoccupation—dismissed with mere gestures.

Sam made several suggestions, which Penrod—keeping up his act of being deep in thought—ignored with just a wave of his hand.

"Oh, I know!" Sam cried finally. "We ought to wash him so's he'll look whiter'n what he does now. We can turn the hose on him acrost the manger."

"Oh, I know!" Sam finally exclaimed. "We should wash him so he looks whiter than he does now. We can spray him down with the hose across the manger."

"No; not yet," said Penrod. "It's too soon after his meal. You ought to know that yourself. What we got to do is to make up a bed for him—if he wants to lay down or anything."

"No; not yet," Penrod said. "It's too soon after his meal. You should know that yourself. What we need to do is make a bed for him—if he wants to lie down or something."

"Make up a what for him?" Sam echoed, dumfounded. "What you talkin' about? How can——"

"Make up a what for him?" Sam repeated, confused. "What are you talking about? How can——"

"Sawdust," said Penrod. "That's the way the horse we used to have used to have it. We'll make this horse's bed in the other stall, and then he can go in there and lay down whenever he wants to."

"Sawdust," said Penrod. "That's how the horse we used to have had it. We'll make this horse's bed in the other stall, and then he can go in there and lay down whenever he wants."

"How we goin' to do it?"

"How are we going to do it?"

"Look, Sam; there's the hole into the sawdust-box! All you got to do is walk in there with the shovel, stick the shovel in the hole till it gets full of sawdust, and then sprinkle it around on the empty stall."

"Hey, Sam; there's the hole into the sawdust box! All you need to do is walk in there with the shovel, stick the shovel in the hole until it’s full of sawdust, and then spread it around on the empty stall."

"All I got to do!" Sam cried. "What are you goin' to do?"

"All I have to do!" Sam shouted. "What are you going to do?"

"I'm goin' to be right here," Penrod answered reassuringly. "He won't kick or anything, and it isn't goin' to take you half a second to slip around behind him to the other stall."

"I'm going to be right here," Penrod said reassuringly. "He won't kick or anything, and it won't take you even half a second to slip around behind him to the other stall."

"What makes you think he won't kick?"

"What makes you think he won't kick?"

"Well, I know he won't, and, besides, you could hit him with the shovel if he tried to. Anyhow, I'll be right here, won't I?"

"Well, I know he won't, and besides, you could hit him with the shovel if he tried to. Anyway, I'll be right here, won't I?"

"I don't care where you are," Sam said earnestly. "What difference would that make if he ki——"

"I don't care where you are," Sam said earnestly. "What difference would that make if he ki——"

"Why, you were goin' right in the stall," Penrod reminded him. "When he first came in, you were goin' to take the rake and——"

"Hey, you were heading straight to the stall," Penrod reminded him. "When he first showed up, you were going to grab the rake and——"

"I don't care if I was," Sam declared. "I was excited then."

"I don't care if I was," Sam said. "I was excited back then."

"Well, you can get excited now, can't you?" his friend urged. "You can just as easy get——"

"Well, you can get excited now, can't you?" his friend urged. "You can just as easily get——"

He was interrupted by a shout from Sam, who was keeping his eye upon Whitey throughout the discussion.

He was interrupted by a shout from Sam, who was watching Whitey closely during the conversation.

"Look! Looky there!" And undoubtedly renewing his excitement, Sam pointed at the long, gaunt head beyond the manger. It was disappearing from view. "Look!" Sam shouted. "He's layin' down!"

"Look! Over there!" And definitely getting more excited, Sam pointed at the long, thin head beyond the feeding trough. It was fading from sight. "Look!" Sam yelled. "He's lying down!"

"Well, then," said Penrod, "I guess he's goin' to take a nap. If he wants to lay down without waitin' for us to get the sawdust fixed for him, that's his lookout, not ours."

"Well, then," Penrod said, "I guess he’s going to take a nap. If he wants to lie down without waiting for us to fix the sawdust for him, that’s his business, not ours."

On the contrary, Sam perceived a favorable opportunity for action.

On the other hand, Sam saw a good chance to take action.

"I just as soon go and make his bed up while he's layin' down," he volunteered. "You climb up on the manger and watch him, Penrod, and I'll sneak in the other stall and fix it all up nice for him, so's he can go in there any time when he wakes up, and lay down again, or anything; and if he starts to get up, you holler and I'll jump out over the other manger."

"I'd just as soon go and make his bed while he's lying down," he said. "You climb up on the hayloft and keep an eye on him, Penrod, and I'll sneak into the other stall and get it all ready for him, so he can go in there whenever he wakes up and lie down again or whatever; and if he starts to get up, you shout and I'll jump out over the other hayloft."

Accordingly, Penrod established himself in a position to observe the recumbent figure. Whitey's breathing was rather labored but regular, and, as Sam remarked, he looked "better," even in his slumber. It is not to be doubted that, although Whitey was suffering from a light attack of colic, his feelings were in the main those of contentment. After trouble, he was solaced; after exposure, he was sheltered; after hunger and thirst, he was fed and watered. He slept.

Accordingly, Penrod positioned himself to get a better look at the lying figure. Whitey's breathing was heavy but steady, and, as Sam pointed out, he looked "better," even in his sleep. There's no doubt that, despite dealing with a mild case of colic, Whitey mostly felt content. After experiencing difficulties, he found comfort; after being exposed, he was sheltered; after being hungry and thirsty, he was fed and hydrated. He slept.

The noon whistles blew before Sam's task was finished, but by the time he departed for lunch there was made a bed of such quality that Whitey must needs have been born faultfinder if he complained of it. The friends parted, each urging the other to be prompt in returning, but Penrod got into threatening difficulties as soon as he entered the house.

The noon whistles blew before Sam finished his task, but by the time he left for lunch, he had made a bed of such quality that Whitey must’ve been born a critic if he complained about it. The friends parted, each urging the other to be quick in returning, but Penrod ran into serious trouble as soon as he stepped inside the house.

III

III

"Penrod," said his mother, "what did you do with that loaf of bread Della says you took from the table?"

"Penrod," his mom said, "what did you do with that loaf of bread Della says you took from the table?"

"Ma'am? What loaf o' bread?"

"Excuse me, ma'am? What bread?"

"I believe I can't let you go outdoors this afternoon," Mrs. Schofield said severely. "If you were hungry, you know perfectly well all you had to do was to——"

"I don’t think I can let you go outside this afternoon," Mrs. Schofield said firmly. "If you were hungry, you know exactly what you needed to do—"

"But I wasn't hungry; I——"

"But I wasn't hungry; I—"

"You can explain later," said Mrs. Schofield. "You'll have all afternoon."

"You can explain later," Mrs. Schofield said. "You have the whole afternoon."

Penrod's heart grew cold.

Penrod's heart turned cold.

"I can't stay in," he protested. "I've asked Sam Williams to come over."

"I can't stay in," he protested. "I've asked Sam Williams to come over."

"I'll telephone Mrs. Williams."

"I'll call Mrs. Williams."

"Mamma!" Penrod's voice became agonized. "I had to give that bread to a—to a poor ole man. He was starving and so were his children and his wife. They were all just starving—and they couldn't wait while I took time to come and ask you, mamma. I got to go outdoors this afternoon. I got to! Sam's——"

"Mom!" Penrod's voice turned desperate. "I had to give that bread to a— to a poor old man. He was starving and so were his kids and his wife. They were all just starving— and they couldn't wait while I took the time to come and ask you, mom. I have to go outside this afternoon. I have to! Sam's——"

She relented.

She gave in.

In the carriage-house, half an hour later, Penrod gave an account of the episode.

In the carriage house, half an hour later, Penrod described what happened.

"Where'd we been, I'd just like to know," he concluded, "if I hadn't got out here this afternoon?"

"Where would we have been, I just want to know," he concluded, "if I hadn't come out here this afternoon?"

"Well, I guess I could managed him all right," said Sam. "I was in the passageway, a minute ago, takin' a look at him. He's standin' up agin. I expect he wants more to eat."

"Well, I guess I could handle him just fine," said Sam. "I was in the hallway a minute ago, checking on him. He's standing up again. I think he wants more to eat."

"Well, we got to fix about that," said Penrod. "But what I mean—if I'd had to stay in the house, where would we been about the most important thing in the whole biz'nuss?"

"Well, we need to sort that out," said Penrod. "But what I mean is—if I had to stay inside, where would we be on the most important thing in the whole business?"

"What you talkin' about?"

"What are you talking about?"

"Well, why can't you wait till I tell you?" Penrod's tone had become peevish. For that matter, so had Sam's; they were developing one of the little differences, or quarrels, that composed the very texture of their friendship.

"Well, why can't you wait until I tell you?" Penrod's tone had turned whiny. For that matter, so had Sam's; they were starting one of the minor disagreements, or arguments, that made up the core of their friendship.

"Well, why don't you tell me, then?"

"Well, why don't you tell me?"

"Well, how can I?" Penrod demanded. "You keep talkin' every minute."

"Well, how am I supposed to?" Penrod asked. "You keep talking non-stop."

"I'm not talkin' now, am I?" Sam protested. "You can tell me now, can't you? I'm not talk——"

"I'm not talking now, am I?" Sam protested. "You can tell me now, can't you? I'm not talk——"

"You are, too!" shouted Penrod. "You talk all the time! You——"

"You are, too!" yelled Penrod. "You talk all the time! You——"

He was interrupted by Whitey's peculiar cough. Both boys jumped and forgot their argument.

He was interrupted by Whitey's weird cough. Both boys startled and forgot their argument.

"He means he wants some more to eat, I bet," said Sam.

"He means he wants more to eat, I bet," said Sam.

"Well, if he does, he's got to wait," Penrod declared. "We got to get the most important thing of all fixed up first."

"Well, if he does, he’s going to have to wait," Penrod said. "We need to get the most important thing sorted out first."

"What's that, Penrod?"

"What's that, Penrod?"

"The reward," said Penrod mildly. "That's what I was tryin' to tell you about, Sam, if you'd ever give me half a chance."

"The reward," Penrod said gently. "That's what I was trying to tell you about, Sam, if you’d ever give me a moment."

"Well, I did give you a chance. I kept tellin' you to tell me, but——"

"Well, I did give you a chance. I kept telling you to tell me, but——"

"You never! You kept sayin'——"

"You never! You kept saying——"

They renewed this discussion, protracting it indefinitely; but as each persisted in clinging to his own interpretation of the facts, the question still remains unsettled. It was abandoned, or rather, it merged into another during the later stages of the debate, this other being concerned with which of the debaters had the least "sense." Each made the plain statement that if he were more deficient than his opponent in that regard, self-destruction would be his only refuge. Each declared that he would "rather die than be talked to death"; and then, as the two approached a point bluntly recriminative, Whitey coughed again, whereupon they were miraculously silent, and went into the passageway in a perfectly amiable manner.

They kept bringing up this discussion, dragging it on forever; but since each of them held onto their own understanding of the facts, the issue still isn't resolved. It was dropped, or rather, it transformed into another topic as the debate continued, this new topic focused on which debater had the least "sense." Each clearly stated that if he was less sensible than his opponent, the only option left for him would be to end it all. Each claimed he would "rather die than be talked to death"; and then, as they both neared a point of direct blame, Whitey coughed again, and just like that, they fell silent and walked into the hallway in a completely friendly manner.

"I got to have a good look at him, for once," said Penrod, as he stared frowningly at Whitey. "We got to fix up about that reward."

"I finally got a good look at him," Penrod said, frowning at Whitey. "We need to sort out that reward."

"I want to take a good ole look at him myself," said Sam.

"I want to take a good look at him myself," said Sam.

After supplying Whitey with another bucket of water, they returned to the carriage-house and seated themselves thoughtfully. In truth, they were something a shade more than thoughtful; the adventure to which they had committed themselves was beginning to be a little overpowering. If Whitey had been a dog, a goat, a fowl, or even a stray calf, they would have felt equal to him; but now that the earlier glow of their wild daring had disappeared, vague apprehensions stirred. Their "good look" at Whitey had not reassured them—he seemed large, Gothic,[36-1] and unusual.

After giving Whitey another bucket of water, they went back to the carriage house and sat down, lost in thought. To be honest, they were feeling more than just thoughtful; the adventure they had signed up for was starting to feel a bit overwhelming. If Whitey had been a dog, a goat, a bird, or even a random calf, they would have felt fine about it; but now that the initial thrill of their boldness had faded, they were filled with vague fears. Their "good look" at Whitey hadn’t calmed them—he appeared big, Gothic,[36-1] and unusual.

Whisperings within them began to urge that for boys to undertake an enterprise connected with so huge an animal as an actual horse was perilous. Beneath the surface of their musings, dim but ominous prophecies moved; both boys began to have the feeling that, somehow, this affair was going to get beyond them and that they would be in heavy trouble before it was over—they knew not why. They knew why no more than they knew why they felt it imperative to keep the fact of Whitey's presence in the stable a secret from their respective families, but they did begin to realize that keeping a secret of that size was going to be attended with some difficulty. In brief, their sensations were becoming comparable to those of the man who stole a house.

Whispers inside them started to suggest that for boys to take on a project involving such a massive creature as a real horse was risky. Underneath their thoughts, vague but troubling predictions stirred; both boys began to sense that, somehow, this situation was going to get out of their control and that they would be in serious trouble before it ended—they didn’t know why. They understood no more than they understood why they felt the need to hide the fact that Whitey was in the stable from their families, but they began to realize that keeping such a big secret was going to be quite challenging. In short, their feelings were becoming similar to those of a man who stole a house.

Nevertheless, after a short period given to unspoken misgivings, they returned to the subject of the reward. The money-value of bay horses, as compared to white, was again discussed, and each announced his certainty that nothing less than "a good ole hundred dollars" would be offered for the return of Whitey.

Nevertheless, after a brief moment of unspoken doubts, they went back to talking about the reward. They discussed the money value of bay horses versus white ones again, and each one expressed their confidence that nothing less than "a good old hundred dollars" would be offered for the return of Whitey.

But immediately after so speaking they fell into another silence, due to sinking feelings. They had spoken loudly and confidently, and yet they knew, somehow, that such things were not to be. According to their knowledge, it was perfectly reasonable to suppose that they would receive this fortune, but they frightened themselves in speaking of it; they knew that they could not have a hundred dollars for their own. An oppression, as from something awful and criminal, descended upon them at intervals.

But right after saying that, they fell into another silence, weighed down by their feelings. They had talked loudly and confidently, yet somehow they knew that it wasn’t meant to be. Based on what they understood, it made perfect sense to think they would get this fortune, but they scared themselves by discussing it; deep down, they knew they could not have a hundred dollars to call their own. A heavy feeling, as if something terrible and wrong was looming, would come over them from time to time.

Presently, however, they were warmed to a little cheerfulness again by Penrod's suggestion that they should put a notice in the paper. Neither of them had the slightest idea how to get it there, but such details as that were beyond the horizon; they occupied themselves with the question of what their advertisement ought to "say." Finding that they differed irreconcilably, Penrod went to a cache of his in the sawdust-box and brought two pencils and a supply of paper. He gave one of the pencils and several sheets to Sam; then both boys bent themselves in silence to the labor of practical composition. Penrod produced the briefer paragraph. (See Fig. I.) Sam's was more ample. (See Fig. II.)

Right now, though, they were feeling a bit more cheerful thanks to Penrod's idea to put a notice in the paper. Neither of them had the slightest clue how to get it published, but they weren't worried about those details; instead, they focused on what their ad should actually "say." When they realized they had completely different ideas, Penrod went to his stash in the sawdust box and got out two pencils and some paper. He handed one pencil and a few sheets to Sam, and then both boys quietly set to work on writing their ads. Penrod came up with a shorter version. (See Fig. I.) Sam's was longer. (See Fig. II.)

Two handwritten notes

Two handwritten notes

Neither Sam nor Penrod showed any interest in what the other had written, but both felt that something praiseworthy had been accomplished. Penrod exhaled a sigh, as of relief, and, in a manner he had observed his father use sometimes, he said:

Neither Sam nor Penrod cared about what the other had written, but both felt that something impressive had been achieved. Penrod let out a sigh of relief and, imitating his father's mannerism, said:

"Thank goodness, that's off my mind, anyway!"

"Thank goodness, that’s off my mind, anyway!"

"What we goin' do next, Penrod?" Sam asked deferentially, the borrowed manner having some effect upon him.

"What are we going to do next, Penrod?" Sam asked respectfully, the borrowed manner influencing him a bit.

"I don't know what you're goin' to do," Penrod returned, picking up the old cigar box which had contained the paper and pencils. "I'm goin' to put mine in here, so's it'll come in handy when I haf to get at it."

"I don't know what you're going to do," Penrod replied, picking up the old cigar box that had held the paper and pencils. I'm going to put mine in here, so it’ll be easy to grab when I need it."

"Well, I guess I'll keep mine there, too," said Sam. Thereupon he deposited his scribbled slip beside Penrod's in the cigar box, and the box was solemnly returned to the secret place whence it had been taken.

"Well, I guess I'll keep mine there, too," Sam said. He then placed his scribbled note next to Penrod's in the cigar box, which was carefully returned to the secret spot from where it had been taken.

"There, that's 'tended to!" said Sam, and, unconsciously imitating his friend's imitation, he gave forth audibly a breath of satisfaction and relief. Both boys felt that the financial side of their great affair had been conscientiously looked to, that the question of the reward was settled, and that everything was proceeding in a businesslike manner. Therefore, they were able to turn their attention to another matter.

"There, that's 'tended to!" said Sam, and without realizing it, he mimicked his friend's tone, releasing a noticeable sigh of satisfaction and relief. Both boys felt that the financial aspect of their big project had been carefully addressed, that the issue of the reward was resolved, and that everything was moving forward in a professional way. As a result, they could focus on another matter.

This was the question of Whitey's next meal. After their exploits of the morning, and the consequent imperilment of Penrod, they decided that nothing more was to be done in apples, vegetables, or bread; it was evident that Whitey must be fed from the bosom of nature.

This was the question of Whitey's next meal. After their adventures in the morning and the resulting danger to Penrod, they concluded that there would be no more apples, vegetables, or bread; it was clear that Whitey had to be fed straight from nature.

"We couldn't pull enough o' that frostbit ole grass in the yard to feed him," Penrod said gloomily. "We could work a week and not get enough to make him swaller more'n about twice. All we got this morning, he blew most of it away. He'd try to scoop it in toward his teeth with his lip, and then he'd haf to kind of blow out his breath, and after that all the grass that'd be left was just some wet pieces stickin' to the outsides of his face. Well, and you know how he acted about that maple branch. We can't trust him with branches."

"We couldn't gather enough of that frozen old grass in the yard to feed him," Penrod said sadly. "We could work all week and not get enough to make him swallow more than about twice. All we got this morning, he blew most of it away. He'd try to scoop it into his mouth with his lip, and then he'd have to kind of blow out his breath, and after that, all that was left was just a few wet pieces stuck to the sides of his face. Well, and you know how he reacted to that maple branch. We can't trust him with branches."

Sam jumped up.

Sam leaped up.

"I know!" he cried. "There's lots of leaves left on the branches. We can give them to him."

I know!" he shouted. "There are plenty of leaves still on the branches. We can give them to him."

"I just said——"

"I just said—"

"I don't mean the branches," Sam explained. "We'll leave the branches on the trees, but just pull the leaves off the branches and put 'em in the bucket and feed 'em to him out the bucket."

"I don't mean the branches," Sam explained. "We'll leave the branches on the trees, but just pluck the leaves off the branches and put them in the bucket and feed them to him from the bucket."

Penrod thought this plan worth trying, and for three-quarters of an hour the two boys were busy with the lower branches of various trees in the yard. Thus they managed to supply Whitey with a fair quantity of wet leaves, which he ate in a perfunctory way, displaying little of his earlier enthusiasm. And the work of his purveyors might have been more tedious if it had been less damp, for a boy is seldom bored by anything that involves his staying-out in the rain without protection. The drizzle had thickened; the leaves were heavy with water, and at every jerk the branches sent fat drops over the two collectors. They attained a noteworthy state of sogginess.

Penrod thought this plan was worth a shot, and for about forty-five minutes, the two boys focused on the lower branches of different trees in the yard. They ended up gathering a decent amount of wet leaves for Whitey, who ate them with little enthusiasm, unlike before. Their task might have felt more tedious if it hadn’t been so wet, since boys rarely get bored when they’re out in the rain without any cover. The drizzle had picked up, the leaves were soaking wet, and every tug on the branches sent big drops falling on the two of them. They became incredibly soggy.

Finally, they were brought to the attention of the authorities indoors, and Della appeared upon the back porch.

Finally, they were brought to the attention of the authorities inside, and Della appeared on the back porch.

"Musther Penrod," she called, "y'r mamma says ye'll c'm in the house this minute an' change y'r shoes an' stockin's an' everythun' else ye got on! D'ye hear me?"

"Penrod," she called, "your mom says you need to come inside right now and change your shoes, socks, and everything else you're wearing! Do you hear me?"

Penrod, taken by surprise and unpleasantly alarmed, darted away from the tree he was depleting and ran for the stable.

Penrod, caught off guard and feeling uneasy, quickly ran away from the tree he was picking at and headed for the stable.

"You tell her I'm dry as toast!" he shouted over his shoulder.

"You tell her I'm as dry as toast!" he shouted over his shoulder.

Della withdrew, wearing the air of a person gratuitously insulted; and a moment later she issued from the kitchen, carrying an umbrella. She opened it and walked resolutely to the stable.

Della stepped back, looking like someone who had been unfairly insulted; and a moment later she came out of the kitchen, holding an umbrella. She opened it and walked confidently to the stable.

"She says I'm to bring ye in the house," said Della, "an' I'm goin' to bring ye!"

"She told me to bring you inside," Della said, "and I'm going to bring you!"

Sam had joined Penrod in the carriage-house, and, with the beginnings of an unnamed terror, the two beheld this grim advance. But they did not stay for its culmination. Without a word to each other they hurriedly tiptoed up the stairs to the gloomy loft, and there they paused, listening.

Sam had joined Penrod in the carriage house, and, feeling a growing sense of fear, the two watched this dark approach. But they didn’t stick around to see how it ended. Without saying anything to each other, they quickly tiptoed up the stairs to the dimly lit loft, where they stopped to listen.

They heard Della's steps upon the carriage-house floor.

They heard Della's footsteps on the carriage house floor.

"Ah, there's plenty places t'hide in," they heard her say; "but I'll show ye! She tole me to bring ye, and I'm——"

"Ah, there are plenty of places to hide," they heard her say; "but I'll show you! She told me to bring you, and I'm——"

She was interrupted by a peculiar sound—loud, chilling, dismal, and unmistakably not of human origin. The boys knew it for Whitey's cough, but Della had not their experience. A smothered shriek reached their ears; there was a scurrying noise, and then, with horror, they heard Della's footsteps in the passageway that ran by Whitey's manger. Immediately there came a louder shriek, and even in the anguish of knowing their secret discovered, they were shocked to hear distinctly the words, "O Lard in hivvin!" in the well-known voice of Della. She shrieked again, and they heard the rush of her footfalls across the carriage-house floor. Wild words came from the outer air, and the kitchen door slammed violently. It was all over. She had gone to "tell."

She was interrupted by a strange sound—loud, chilling, gloomy, and clearly not human. The boys recognized it as Whitey's cough, but Della didn't have their experience. A muffled scream reached them; there was a scuffle, and then, to their horror, they heard Della's footsteps in the hallway next to Whitey's stall. Then there was a louder scream, and even in the pain of realizing their secret was out, they were shocked to hear Della's voice clearly saying, "Oh Lord in heaven!" She screamed again, and they heard her rushing across the carriage house floor. There were frantic words coming from outside, and then the kitchen door slammed shut. It was all over. She had gone to "tell."

Penrod and Sam plunged down the stairs and out of the stable. They climbed the back fence and fled up the alley. They turned into Sam's yard, and, without consultation, headed for the cellar doors, nor paused till they found themselves in the farthest, darkest, and gloomiest recess of the cellar. There, perspiring, stricken with fear, they sank down upon the earthen floor, with their moist backs against the stone wall.

Penrod and Sam rushed down the stairs and out of the stable. They climbed over the back fence and dashed up the alley. They turned into Sam's yard and, without talking it over, made their way to the cellar doors, not stopping until they reached the farthest, darkest, and most gloomy corner of the cellar. There, sweating and filled with fear, they collapsed onto the earthen floor, their damp backs against the stone wall.

Thus with boys. The vague apprehensions that had been creeping upon Penrod and Sam all afternoon had become monstrous; the unknown was before them. How great their crime would turn out to be (now that it was in the hands of grown people), they did not know, but, since it concerned a horse, it would undoubtedly be considered of terrible dimensions.

Thus with boys. The vague worries that had been creeping up on Penrod and Sam all afternoon had become huge; the unknown was right in front of them. They had no idea how serious their mistake would turn out to be (now that it was in the hands of adults), but since it involved a horse, it would definitely be seen as a big deal.

Their plans for a reward, and all the things that had seemed both innocent and practical in the morning, now staggered their minds as manifestations of criminal folly. A new and terrible light seemed to play upon the day's exploits; they had chased a horse belonging to strangers, and it would be said that they deliberately drove him into the stable and there concealed him. They had, in truth, virtually stolen him, and they had stolen food for him. The waning light through the small window above them warned Penrod that his inroads upon the vegetables in his own cellar must soon be discovered. Della, that Nemesis,[43-1] would seek them in order to prepare them for dinner, and she would find them not. But she would recall his excursion to the cellar, for she had seen him when he came up; and also the truth would be known concerning the loaf of bread. Altogether, Penrod felt that his case was worse than Sam's—until Sam offered a suggestion which roused such horrible possibilitites concerning the principal item of their offense that all thought of the smaller indictments disappeared.

Their plans for a reward, along with all the things that had seemed innocent and practical in the morning, now struck them as foolish and criminal. A new and unsettling perspective was cast on the day's events; they had chased a horse that belonged to strangers, and it would be claimed that they intentionally drove him into the stable and hid him there. In reality, they had practically stolen him, and they had taken food for him as well. The fading light through the small window above them reminded Penrod that his sneaking around in the vegetables in his own cellar would soon be discovered. Della, that relentless force, would look for them to prepare dinner, and she would find everything missing. But she would remember his trip to the cellar, as she had seen him come up; and the truth about the loaf of bread would also come to light. Overall, Penrod felt his situation was worse than Sam's—until Sam suggested something that brought up such terrible possibilities regarding their main offense that all concerns about the lesser charges vanished.

"Listen, Penrod," Sam quavered: "What—what if that—what if that ole horse maybe b'longed to a—policeman!" Sam's imagination was not of the comforting kind. "What'd they—do to us, Penrod, if it turned out he was some policeman's horse?"

"Listen, Penrod," Sam said nervously, "What—what if that—what if that old horse belonged to a—police officer!" Sam's imagination wasn’t very reassuring. "What would they—do to us, Penrod, if it turned out he was a police officer's horse?"

Penrod was able only to shake his head. He did not reply in words, but both boys thenceforth considered it almost inevitable that Whitey had belonged to a policeman, and in their sense of so ultimate a disaster, they ceased for a time to brood upon what their parents would probably do to them. The penalty for stealing a policeman's horse would be only a step short of capital, they were sure. They would not be hanged; but vague, looming sketches of something called the penitentiary began to flicker before them.

Penrod could only shake his head. He didn’t answer with words, but both boys then thought it was almost certain that Whitey had belonged to a cop, and in their sense of such a major disaster, they stopped worrying for a while about what their parents would likely do to them. The punishment for stealing a cop’s horse would be only a step away from the worst, they were sure. They wouldn’t be hanged, but vague images of something called the penitentiary started to flash before them.

It grew darker in the cellar, so that finally they could not see each other.

It got darker in the cellar until they could no longer see each other.

"I guess they're huntin' for us by now," Sam said huskily. "I don't—I don't like it much down here, Penrod."

"I guess they're looking for us by now," Sam said hoarsely. "I don't—I don't really like it down here, Penrod."

Penrod's hoarse whisper came from the profound gloom:

Penrod's hoarse whisper emerged from the deep darkness:

"Well, who ever said you did?"

"Well, who ever said you did?"

"Well——" Sam paused; then he said plaintively, "I wish we'd never seen that dern ole horse."

"Well——" Sam paused; then he said sadly, "I wish we had never seen that darn old horse."

"It was every bit his fault," said Penrod. "We didn't do anything. If he hadn't come stickin' his ole head in our stable, it'd never happened at all. Ole fool!" He rose. "I'm goin' to get out of here; I guess I've stood about enough for one day."

"It was entirely his fault," said Penrod. "We didn't do anything. If he hadn't come poking his head into our stable, it would have never happened. Silly old fool!" He stood up. "I'm going to leave; I think I've put up with enough for one day."

"Where—where you goin', Penrod? You aren't goin' home, are you?"

"Where are you going, Penrod? You're not going home, are you?"

"No; I'm not! What do you take me for? You think I'm crazy?"

"No, I'm not! What do you think I am? You think I'm insane?"

"Well, where can you go?"

"Well, where can you go?"

How far Penrod's desperation actually would have led him is doubtful, but he made this statement:

How far Penrod's desperation would have taken him is uncertain, but he made this statement:

"I don't know where you're goin', but I'm goin' to walk straight out in the country till I come to a farm-house and say my name's George and live there!"

"I don't know where you're headed, but I'm going to just walk straight out into the countryside until I find a farmhouse and tell them my name is George and live there!"

"I'll do it, too," Sam whispered eagerly. "I'll say my name's Henry."

"I'll do it too," Sam whispered excitedly. "I'll say my name is Henry."

"Well, we better get started," said the executive Penrod. "We got to get away from here, anyway."

"Okay, we should get going," said the executive Penrod. "We need to leave this place, anyway."

But when they came to ascend the steps leading to the "outside doors," they found that those doors had been closed and locked for the night.

But when they reached the steps leading to the "outside doors," they discovered that those doors had been closed and locked for the night.

"It's no use," Sam lamented, "and we can't bust 'em, cause I tried to, once before. Fanny always locks 'em about five o'clock—I forgot. We got to go up the stairway and try to sneak out through the house."

"It's pointless," Sam said with a sigh, "and we can't break them open since I tried that once before. Fanny always locks them up around five o'clock—I forgot. We have to go up the stairs and try to slip out through the house."

They tiptoed back, and up the inner stairs. They paused at the top, then breathlessly stepped out into a hall which was entirely dark. Sam touched Penrod's sleeve in warning, and bent to listen at a door.

They quietly made their way back and up the stairs. They stopped at the top, then, catching their breath, stepped into a completely dark hallway. Sam touched Penrod's sleeve to signal him to be quiet and leaned in to listen at a door.

Immediately that door opened, revealing the bright library, where sat Penrod's mother and Sam's father.

As soon as the door opened, it revealed the bright library, where Penrod's mom and Sam's dad were sitting.

It was Sam's mother who had opened the door.

It was Sam's mom who had opened the door.

"Come into the library, boys," she said. "Mrs. Schofield is just telling us about it."

"Come into the library, guys," she said. "Mrs. Schofield is just telling us about it."

And as the two comrades moved dumbly into the lighted room, Penrod's mother rose, and, taking him by the shoulder, urged him close to the fire.

And as the two friends walked awkwardly into the bright room, Penrod's mom got up, put her hand on his shoulder, and pulled him closer to the fire.

"You stand there and try to dry off a little, while I finish telling Mr. and Mrs. Williams about you and Sam," she said. "You'd better make Sam keep near the fire, too, Mrs. Williams, because they both got wringing wet. Think of their running off just when most people would have wanted to stay! Well, I'll go on with the story, then. Della told me all about it, and what the cook next door said she'd seen, how they'd been trying to pull grass and leaves for the poor old thing all day—and all about the apples they carried from your cellar, and getting wet and working in the rain as hard as they could—and they'd given him a loaf of bread! Shame on you, Penrod!" She paused to laugh, but there was a little moisture round her eyes, even before she laughed. "And they'd fed him on potatoes and lettuce and cabbage and turnips out of our cellar! And I wish you'd see the sawdust bed they made for him! Well, when I'd telephoned, and the Humane Society man got there, he said it was the most touching thing he ever knew. It seems he knew this horse, and had been looking for him. He said ninety-nine boys out of a hundred would have chased the poor old thing away, and he was going to see to it that this case didn't go unnoticed, because the local branch of the society gives little silver medals for special acts like this. And the last thing he said before he led the poor old horse away was that he was sure Penrod and Sam each would be awarded one at the meeting of the society next Thursday night."

"You stand there and try to dry off a bit while I finish telling Mr. and Mrs. Williams about you and Sam," she said. "You'd better make sure Sam stays close to the fire, too, Mrs. Williams, because they both got completely soaked. Can you believe they ran off just when everyone else would have wanted to stay? Anyway, I'll continue with the story. Della told me everything, including what the neighbor cook said she saw, how they spent all day trying to gather grass and leaves for the poor old thing—and all about the apples they took from your cellar, getting drenched and working in the rain as hard as they could—and they even gave him a loaf of bread! Shame on you, Penrod!" She paused to laugh, but there were a few tears in her eyes, even before she laughed. "And they fed him potatoes, lettuce, cabbage, and turnips from our cellar! And I wish you could see the sawdust bed they made for him! So, when I called, and the Humane Society guy arrived, he said it was the most touching thing he’d ever seen. Apparently, he knew this horse and had been looking for him. He said ninety-nine boys out of a hundred would have just chased the poor old thing away, and he was going to make sure this case got the attention it deserved, because the local branch of the society gives out little silver medals for special acts like this. And the last thing he said before he took the poor old horse away was that he was sure Penrod and Sam would each receive one at the society meeting next Thursday night."

... On the following Saturday morning a yodel sounded from the sunny sidewalk in front of the Schofields' house, and Penrod, issuing forth, beheld the familiar figure of Samuel Williams in waiting.

... On the next Saturday morning, a yodel rang out from the sunny sidewalk in front of the Schofields' house, and Penrod stepped outside to see the familiar figure of Samuel Williams waiting.

Upon Sam's breast there glittered a round bit of silver suspended by a white ribbon from a bar of the same metal. Upon the breast of Penrod was a decoration precisely similar.

Upon Sam's chest, there shone a round piece of silver hanging from a white ribbon attached to a bar of the same metal. Penrod had a decoration exactly like it on his chest.

"'Lo, Penrod," said Sam. "What you goin' to do?"

"'Hey, Penrod," said Sam. "What are you going to do?"

"Nothin'."

"Nothing."

"I got mine on," said Sam.

"I’ve got mine on," Sam said.

"I have, too," said Penrod. "I wouldn't take a hundred dollars for mine."

"I have, too," said Penrod. "I wouldn’t sell mine for a hundred bucks."

Each glanced pleasantly at the other's medal. They faced each other without shame. Neither had the slightest sense of hypocrisy either in himself or in his comrade. On the contrary!

Each admired the other's medal with a friendly look. They faced each other confidently. Neither felt the slightest hint of dishonesty in himself or in his friend. On the contrary!

Penrod's eyes went from Sam's medal back to his own; thence they wandered, with perhaps a little disappointment, to the lifeless street and to the empty yards and spectatorless windows of the neighborhood. Then he looked southward toward the busy heart of the town, where multitudes were.

Penrod's eyes shifted from Sam's medal back to his own; then they drifted, possibly with a hint of disappointment, to the lifeless street and the empty yards and vacant windows of the neighborhood. After that, he gazed southward toward the bustling center of town, where crowds were gathered.

"Let's go down and see what time it is by the court-house clock," said Penrod.

"Let's go check the time on the courthouse clock," said Penrod.


"American, Sir!"[A]

"American, Sir!"__A_TAG_PLACEHOLDER_0__

"Dear Uncle Bill:" (And why he should have called me "Uncle Bill," Heaven only knows. I was not his uncle and almost never had I been addressed as "Bill." But he chose the name, without explanation, from the first.) "Dear Uncle Bill: Where am I going to in vacation? The fellows ask. Their fathers come to Commencement and take them home. I'm the only one out, because my father's dead. And I haven't anybody to belong to. It would be great if you'd come. Yours Sincerely—John."

"Dear Uncle Bill:" (And why he called me "Uncle Bill," who knows? I wasn’t his uncle and I rarely went by "Bill." But he chose that name, without any explanation, from the start.) "Dear Uncle Bill: Where am I going for vacation? The guys are asking. Their dads come to Commencement and take them home. I’m the only one left out because my dad's dead. I don’t have anyone to belong to. It would be awesome if you could come. Yours sincerely—John."

I threw the letter in the scrap-basket and an hour later fished it out. I read it over. I—go to a school commencement! Not if I knew it! The cheek of the whippersnapper! I had not even seen him; he might be any sort of wild Indian; he might expect me to "take him home" afterwards. Rather not! I should give him to understand that I would pay his bills and—well, yes—I would send him to a proper place in vacations; but be bothered by him personally I would not. Fishing trips to Canada interrupted by a child! Unthinkable. I would write to that effect.

I tossed the letter in the trash can and an hour later pulled it out. I read it again. Me—attend a school graduation? No way! The nerve of that kid! I hadn’t even met him; he could be some kind of wild child; he might expect me to "take him home" afterward. Absolutely not! I’d make it clear that I would cover his expenses and—sure, I’d send him to a decent place during breaks; but I wasn’t going to deal with him personally. Fishing trips to Canada interrupted by a kid! No chance. I would write to that effect.

I sat down to my orderly desk and drew out paper. I began: "Dear John." Then I stopped. An unwelcome vision arose of a small boy who was "the only one out." "My father's dead." Thirty years rolled back, and I saw the charming boy, a cousin, who had come to be this lad's father. I turned my head at that thought, as long ago I had turned it every morning when I waked to look at him, the beautiful youngster of my adoration, sleeping across the room which we shared together. For a dozen years we shared that room and other things—ponies, trips abroad, many luxuries. For the father and mother who worshipped and pampered John, and who were casually kind to me, an uninteresting orphan—these were rich, then, and free-handed. Too free-handed, it was seen later, for when the two were killed at one moment in an accident, only debts were left for John. I was suddenly important, I, the gray satellite of the rainbow prince, for I had a moderate fortune. The two of us were just graduated from Yale; John with honors and prizes and hosts of friends, I with some prizes and honors. Yet I had not been "tapped" for "Bones" or "Scroll and Key"[49-1] and I was a solitary pilgrim ever, with no intimates. We stood so together, facing out towards life.

I sat down at my neat desk and pulled out some paper. I started: "Dear John." Then I paused. An unwelcome image popped into my head of a little boy who was "the only one left out." "My father's dead." Thirty years flashed back, and I could see the charming boy, a cousin, who ended up being this kid's dad. I turned my head at that thought, just like I used to every morning when I woke up and looked at him, the beautiful boy I adored, sleeping across the room we shared. We shared that room and many other experiences for a dozen years—ponies, trips abroad, and lots of luxuries. For the father and mother who adored and spoiled John, and who were casually nice to me, an uninteresting orphan—those were times of wealth and generosity. Too generous, as it would turn out, because when the two were killed in a single accident, only debts were left for John. Suddenly, I became important, I, the gray shadow of the rainbow prince, since I had a decent fortune. The two of us had just graduated from Yale; John with honors, awards, and a ton of friends, while I had some awards and honors. Yet I hadn’t been chosen for "Bones" or "Scroll and Key" [49-1] and I remained a lonely wanderer, with no close friends. We stood together, looking out at life.

I split my unimpressive patrimony in two and John took his part and wandered south on a mining adventure. For that, he was always keen about the south and his plan from seventeen on was to live in Italy. But it was I, after all, who went to Italy year after year, while John led Lord knows what thriftless life in Florida. From the last morning when he had wheeled, in our old big room, and dashed across it and thrown his arms around me in his own impulsive, irresistible way—since that morning I had never seen him. Letters, plenty. More money was needed always. John always thought that the world owed him a living.

I split my not-so-great inheritance in two, and John took his share and headed south for a mining adventure. He had always been eager about the south, and since he was seventeen, his goal was to live in Italy. But surprisingly, I was the one who went to Italy every year, while John lived who knows what kind of careless life in Florida. From the last morning when he had rolled into our old big room, rushed across it, and hugged me in his own impulsive, charming way—after that morning, I had never seen him again. There were plenty of letters. He always needed more money. John believed that the world owed him a living.

Then he did the thing which was incredible and I pulled him out and hushed up the story and repaid the money, but it made me ill, and I suppose I was a bit savage, for he barely answered my letters after, and shortly stopped writing altogether. John could not endure unpleasantness. I lost sight of him till years later when he—and I—were near forty and I had a note signed Margaret Donaldson, John's wife. John was dead. He had been on a shooting trip and a gun had gone off. Though it was not in words, yet through them I got a vague suggestion of suicide. Heavy-hearted, I wondered. The life so suddenly ended had once been dear to me.

Then he did something unbelievable, and I pulled him out of it and kept quiet about what happened, and I paid back the money, but it made me feel sick, and I guess I was a bit harsh because he hardly replied to my letters after that, and eventually stopped writing completely. John couldn’t handle anything uncomfortable. I lost track of him until years later when he—and I—were almost forty, and I received a note signed Margaret Donaldson, John’s wife. John was dead. He had been on a shooting trip and a gun accidentally went off. Though it wasn't stated outright, I sensed a hint of suicide through the words. With a heavy heart, I reflected. The life that ended so suddenly had once meant so much to me.

"They did not bring John home," the note said. "He was so badly mutilated that they buried him near where he died. I believe he would have wanted you to know, and for that reason I am writing. I am an entirely capable bread-winner, so that John's boy and I will have no troubles as to money."

"They didn’t bring John home," the note said. "He was so badly mutilated that they buried him close to where he died. I think he would have wanted you to know, and that’s why I’m writing. I can fully support John’s boy, so we won’t have any money troubles."

There was a child two years old. I liked the chill and the independence of the proud little note.

There was a two-year-old child. I liked the coolness and the independence of the proud little note.

The next chapter opened ten years later with a letter saying that Margaret Donaldson's boy was left with her poor and elderly parents and that they did not want him. Would I, his mother being dead, take care of him? He was twelve, healthy and intelligent—which led directly to the evening when I sat, very cross, at my desk and fished young John's note out of the scrap-basket. I had got as far in answer as "Dear John"—when these visions of the past interrupted. I am not soft-hearted. I am crabbed and prejudiced and critical, and I dislike irregularity. Above all I am thoroughly selfish. But the sum of that is short of being brutal. Only sheer brutality could repel the lad's note and request. My answer went as follows:

The next chapter started ten years later with a letter saying that Margaret Donaldson's son was left with her poor, elderly parents, who didn’t want him. Would I, since his mother had passed away, take care of him? He was twelve, healthy, and smart—which brings us to that evening when I sat, quite annoyed, at my desk and pulled young John's note out of the trash. I had written as far as "Dear John"—when these memories from the past interrupted me. I’m not a softie. I’m grumpy, biased, and critical, and I don’t like things being out of order. Above all, I’m completely selfish. But all that doesn’t equal being cruel. Only true cruelty could ignore the boy’s note and request. My response was as follows:

"Dear John: I will come to your commencement and bring you back with me for a short time. I may take you on a fishing trip to Canada. Sincerely, Uncle Bill."

"Dear John: I’ll be at your graduation and will take you back with me for a little while. I might take you on a fishing trip to Canada. Best, Uncle Bill."

The youngster as he came into the school drawing-room was a thing to remember. He was a tall boy, and he looked like his father. Very olive he was—and is—and his blue eyes shone out of the dark face from under the same thickset and long lashes. His father's charm and beauty halted me, but I judged, before I let myself go, that he had also his mother's stability. I have seen no reason since to doubt my judgment. I never had so fine a fishing trip to Canada as that summer, in spite of the fact that John broke four good rods. He has been my most successful investment; and when the war broke out and he rushed to me clamoring to go, I felt indeed that I was giving humanity my best and my own. Then one day he came, in his uniform of an ambulance driver, to tell me good-bye.

The young guy who walked into the school drawing room was unforgettable. He was tall and resembled his dad. He had an olive complexion, and his blue eyes stood out against his dark face, framed by thick, long lashes. His father's charm and beauty caught my attention, but I held back a bit because I thought he also inherited his mother’s steadiness. Since then, I’ve had no reason to doubt my initial impression. I’ve never had a better fishing trip to Canada than that summer, even though John broke four good rods. He’s been my best investment, and when the war started and he came running to me, eager to enlist, I really felt like I was giving humanity my best. Then one day, he came by in his ambulance driver uniform to say goodbye.

That was in 1914, and the boy, just about to enter Yale, was eighteen. He went through bad fighting, and in March, 1917, he was given a Croix de Guerre.[52-1] Then America came in and he transferred to his own flag and continued ambulance work under our Red Cross. He drove one of the twenty ambulances hurried into Italy after the Caporetto disaster[52-2] in October, the first grip of the hand of America to that brave hand of Italy.

That was in 1914, and the boy, just about to start at Yale, was eighteen. He experienced intense fighting, and in March 1917, he was awarded a Croix de Guerre.[52-1] Then America joined the war, and he shifted to serving under his own flag while continuing ambulance work with our Red Cross. He drove one of the twenty ambulances rushed into Italy after the Caporetto disaster[52-2] in October, marking America's first gesture of support towards the courageous nation of Italy.

I did not know for a time that my lad was in the ambulance section rushed to Italy, but I had a particular interest from the first in this drive for I had spent weeks, twice, up in Lombardy and Venetia.[52-3] That was how I followed the Italian disaster—as a terrible blow to a number of old friends. Then after the Caporetto crisis came the stand behind the Tagliamento;[52-4] the retreat still farther and the more hopeful stand behind the Piave.[52-5] And with that I knew that the First Ambulance Section was racing to the Italian front and that my boy was driving one of the cars.

I didn't know for a while that my son was in the ambulance section heading to Italy, but I was particularly interested from the start because I had spent weeks, twice, in Lombardy and Venetia.[52-3] That’s how I kept track of the Italian disaster—as a devastating blow to several old friends. Then, after the Caporetto crisis, came the stand behind the Tagliamento; [52-4] the retreat continued further and then the more hopeful stand behind the Piave.[52-5] And with that, I realized that the First Ambulance Section was rushing to the Italian front and that my son was driving one of the cars.

And behold it was now the year 1919 and the war was over and the cablegram from Bordeaux, which read: "Sailing 13th Santa Angela 12 day boat New York," was a week old.

And now it was the year 1919, the war was over, and the cablegram from Bordeaux, which said: "Sailing 13th Santa Angela 12 day boat New York," was a week old.

Of course I met him. I left a director's meeting and vital engagements, with indecent firmness, to meet that ship. At crack of dawn on a raw morning in March I arose and drove miles to a freezing pier to meet it. And presently, as I stood muffled in a fur coat, an elderly, grizzled, small man, grim and unexhilarating—presently the soul of this monotonous person broke into song. For out of the early morning, out from behind a big anchored vessel near the pier, poked the nose of a troop ship and lumbered forward, and her decks were brown with three thousand soldiers—Americans of our victorious army coming home from overseas.

Of course I met him. I left a director's meeting and important commitments, quite abruptly, to meet that ship. At the crack of dawn on a chilly March morning, I got up and drove miles to a freezing pier to greet it. And soon, as I stood bundled up in a fur coat, an elderly, gray-haired little man, serious and unexciting—suddenly this dull person's spirit broke into song. For out of the early morning, from behind a large anchored ship near the pier, the nose of a troop ship appeared and slowly moved forward, her decks crowded with three thousand soldiers—Americans from our victorious army returning home from overseas.

It was a sight which none of us will ever see again. Out in the harbor tugs were yelping, whistles blowing; the little fleet which had gone down the bay to meet the incoming troops was screaming itself mad in a last chorus of joyful welcome. And the good ship Santa Angela, blessed old tub, rolled nearer till the lads on her, shouting, waving, laughing, crying lads could be seen separately, and she had rounded the corner into the slip and was mere yards from the dock.

It was a sight none of us will ever see again. Out in the harbor, tugs were yelling, whistles were blowing; the small fleet that had gone down the bay to greet the incoming troops was going wild in a final chorus of joyful welcome. And the good ship Santa Angela, our beloved old ship, rolled closer until the guys on board, shouting, waving, laughing, and crying, could be seen individually, and she had rounded the corner into the slip, just yards from the dock.

And then the boy came down the gangplank and I greeted him as is my ungracious way, as if he had been off on a sailing trip. But he knew, and he held to me, the tall fellow, with his arm around my shoulder unashamed, and from that moment to this in the den he had hardly let me out of his sight.

And then the boy came down the gangplank, and I greeted him in my typical unfriendly way, as if he had just returned from a sailing trip. But he knew better, and he confidently put his arm around my shoulder, and from that moment on in the den, he hardly let me out of his sight.

After dinner that night I settled back in deep satisfaction and lighted a fresh cigar. And the boy, standing before the blazing logs, which kept up a pleasant undertone to the music of his young voice, began.

After dinner that night, I kicked back in deep satisfaction and lit a fresh cigar. The boy, standing in front of the crackling logs that created a nice backdrop to the music of his youthful voice, started.

"You know, Uncle Bill, we were blamed proud to be Red Cross when we knew what was doing about Italy. It was plumb great. You know it all of course. But I saw it. No worse fight ever—in all history. Towns turned into a rolling river of refugees. Hungry, filthy, rain-soaked, half-clad—old, babies, sick—a multitude pitiful beyond words—stumbling, racing down those mountain trails, anyhow—to get anywhere—away."

"You know, Uncle Bill, we were really proud to be part of the Red Cross when we learned what was happening in Italy. It was truly incredible. You know all of this, of course. But I witnessed it. There’s never been a worse fight in all of history. Towns turned into a flowing river of refugees. Hungry, dirty, soaked from the rain, half-clothed—old people, babies, the sick—a crowd so pitiful it’s beyond words—stumbling, rushing down those mountain trails, just trying to get somewhere—anywhere—away."

He dropped into a chair and went on.

He sat down in a chair and continued.

"We didn't get there for the first, but it was plenty bad enough," and his eyes were seeing wordless sights. "The United States had declared war on Austria December 7th, and four days later Section One was rolling across the battlefield of Solferino.

"We didn't arrive for the beginning, but it was already pretty bad," and his eyes were seeing things that couldn't be put into words. "The United States declared war on Austria on December 7th, and four days later, Section One was moving across the battlefield of Solferino.

"I was proud to be in that bunch. Talk about the flower of a country, Uncle Bill,—we grew 'em. Six wore the Croix de Guerre—well, of course that's often just luck." He reddened as he remembered who was one of that six. "All of them had gone through battles a-plenty. Whole shooting-match keen for service—no slackers and no greenhorns in that crowd.

"I was proud to be in that group. You want to talk about the best of a country, Uncle Bill—we were it. Six of us earned the Croix de Guerre—though, of course, that’s often just luck." He flushed as he remembered who was one of that six. "All of them had been through plenty of battles. Everyone was eager for action—no slackers and no rookies in that crowd."

"We started on the twelve hundred mile trip to Milan from Paris November 18th, and at Ventimiglia, just over the border, Italy welcomed us. Lord, Uncle Bill," the boy laughed out, and rubbed his eyes where tears stood. "They wouldn't look at our passports—no, sir! They opened the gate to Italy and we rolled in like visiting princes. They showered presents on us, those poor villagers—food, flowers—all they had. Often didn't keep any for themselves.

"We set off on the twelve hundred mile journey from Paris to Milan on November 18th, and when we reached Ventimiglia, just over the border, Italy welcomed us. 'Wow, Uncle Bill,' the boy laughed, wiping away tears from his eyes. 'They didn't even check our passports—no, sir! They opened the gate to Italy and we rolled in like we were visiting royalty. Those poor villagers showered us with gifts—food, flowers—everything they had. They often didn’t save anything for themselves."

"We got there December 8th. Tuned up the cars and were off again in two or three days, to the job. They gave us a great send-off. Real party. Two parties. First a sort of reception in a big gray courtyard of an old palace, all dolled up with American and Italian flags. Big bugs and speeches—and they presented us to Italy. A bugle blew and a hundred of us in khaki—we'd been reinforced—stood at salute and an Italian general swept into the gates with his train of plumed Bersagliari[55-1] —sent to take us over. Then we twenty drove our busses out with our own flags flying and pulled up again for Party Number Two in front of the Cathedral. Finally the Mayor bid us his prettiest good-bye, and off we drove again through the cheering crowds and the waving flags—this time out of the city gate—to the Piave front."

"We arrived on December 8th. We got the cars ready and were back on the road in two or three days, heading to the job. They gave us an amazing send-off. It was a real celebration. Two celebrations, actually. First, there was a kind of reception in a large gray courtyard of an old palace, all decked out with American and Italian flags. There were important people and speeches—and they introduced us to Italy. A bugle sounded and a hundred of us in khaki—we had been reinforced—stood at attention as an Italian general entered through the gates with his entourage of plumed Bersagliari[55-1] —sent to take charge of us. Then the twenty of us drove our buses out with our flags flying and stopped again for the second party in front of the Cathedral. Finally, the Mayor gave us his warmest farewell, and we drove off again through the cheering crowds and waving flags—this time out of the city gate—toward the Piave front."

The boy rose from his chair, put on a fresh log, then turned and stood facing me, towering over me in his young magnificence.

The boy got up from his chair, added a new log, then turned and stood in front of me, towering over me in his youthful glory.

It flashed to me that I'd never seen him look so like his father, yet so different. All John Donaldson's physical beauty, all his charm were repeated in his son, but underlaid with a manliness, a force which poor John never had.

It hit me that I had never seen him look so much like his father, yet so different. All of John Donaldson's physical beauty and charm were reflected in his son, but there was an underlying manliness and strength that poor John never possessed.

"We were pitched into the offensive in the hottest of it," spoke the boy. "It was thick. We were hampered by lack of workers. We wanted Americans. Morgan had a thought.

"We were thrown into the thick of the fighting," the boy said. "It was intense. We struggled with not having enough workers. We needed Americans. Morgan had an idea."

"'Italy's full of Americans,' he suggested. 'Living here. Over military age, but fit for a lot of our use. I miss my guess if bunches of 'em wouldn't jump at a chance to get busy under their own flag.'

"'Italy's packed with Americans,' he said. 'They're living here. They might be past military age, but they're still fit for a lot of our needs. I wouldn't be surprised if many of them would jump at the chance to serve under their own flag.'"

"We sent out a call and they came. Down from hill-towns, out of cities, from villages we'd never heard of—it was amazing how they came. We didn't dream there was such a number. Every one middle-aged, American all, and gentlemen all. One morning, after brisk work the night before, I'd just turned out and was standing by my bus—I slept on a stretcher inside—I saw a big, athletic, grizzled chap, maybe fifty-five or over, shabby as to clothes, yet with an air like a duke, sauntering up. How he got in there I never thought to ask. He held out his hand as if we were old friends. 'Good morning,' he said. 'I hope I didn't wake you up. How do you like Italy?' There was something attractive about him, something suggestive of a gracious host whose flower garden was Italy—which he trusted was to my taste. I told him I worshipped Italy.

"We sent out a call, and they showed up. They came down from hill towns, out of cities, and from villages we’d never even heard of—it was incredible how many arrived. We never imagined there were so many. Every single one was middle-aged, all American, and all gentlemen. One morning, after a busy night, I had just gotten up and was standing by my bus—I slept on a stretcher inside—when I saw a big, athletic, grizzled guy, maybe fifty-five or older, dressed shabbily but with the demeanor of a duke, strolling over. I never thought to ask how he got there. He extended his hand as if we were old friends. 'Good morning,' he said. 'I hope I didn’t wake you. How are you enjoying Italy?' There was something charming about him, suggesting the vibe of a gracious host whose beautiful flower garden was Italy—which he hoped was to my liking. I told him I adored Italy."

"Just then a shell—they were coming over off and on—struck two hundred yards down the road and we both turned to look. In thirty seconds, maybe, another—and another—placed middling close, half a minute apart maybe, till eight had plowed along that bit. When they stopped, he looked at me. 'That's the first time I ever saw shells light nearby,' he spoke. 'Eight, I made it. But two were duds, weren't they?'

"Just then, a shell—since they were landing intermittently—hit two hundred yards down the road, and we both turned to look. In about thirty seconds, another one—and then another—landed pretty close, maybe about half a minute apart, until eight had exploded along that stretch. When they stopped, he looked at me. 'That's the first time I've ever seen shells land nearby,' he said. 'I counted eight. But two were duds, right?'"

"It didn't seem to occur to him that they might have hit him. About then he saw me wondering, I suppose, what a civilian was doing making conversation inside the lines before breakfast, and he explained.

"It didn't seem to cross his mind that they might have hit him. Around that time, he noticed me looking puzzled, probably wondering what a civilian was doing chatting inside the lines before breakfast, and he explained."

"'You need men for the Red Cross, I believe,' he explained. 'I came to offer my services.' He spoke English perfectly, yet with a foreign twist, and he was so very dark that I wondered about his nationality.

"'You need men for the Red Cross, right?' he explained. 'I came to offer my help.' He spoke perfect English, but with a foreign accent, and he was so dark that I started to question his nationality."

"'Are you Italian?' I asked, and at that he started and straightened his big shabby shoulders as if I'd hit him, and flushed through his brown skin.

"'Are you Italian?' I asked, and at that, he jumped and straightened his big, worn-out shoulders as if I'd hit him, and his brown skin flushed."

"'American, sir,' he said proudly.

"American, sir," he said proudly.

"And, Uncle Bill, something in the way he said it almost brought tears to my eyes. It was as if his right to being American was the last and most precious thing he owned, and as if I'd tried to take it from him.

"And, Uncle Bill, something in the way he said it almost made me tear up. It felt like his right to be American was the last and most valuable thing he had, and like I had tried to take it away from him."

"So I threw back 'That's great,' as heartily as I knew how, and shook hands with him over it.

"So I replied, 'That's great,' as warmly as I could, and shook hands with him."

"There was something about him which I couldn't place. He looked—natural. Especially his eyes.

"There was something about him that I couldn't quite identify. He looked—genuine. Especially his eyes."

"Well, I said we'd be delighted to use him, and told him where to report and then, though it wasn't my business, I asked his name. And what do you think he told me?"

"Well, I said we’d be happy to have him on board, and I told him where to check in. Then, even though it wasn’t really my place, I asked for his name. And guess what he told me?"

I shook my head.

I shook my head.

"He gave his name as John Donaldson," stated the boy.

"He said his name is John Donaldson," the boy stated.

"What!" I asked bewildered. "This man in Italy was called——"

"What!" I asked, confused. "This guy in Italy was called——"

"By my name," the boy said slowly. "John Donaldson."

"By my name," the boy said slowly. "John Donaldson."

I reasoned a bit. "John Donaldson" is a name not impossible to be duplicated. "It was devilish odd," I said, "to run into your own handle like that, wasn't it?"

I thought about it for a moment. "John Donaldson" is a name that could definitely be used by someone else. "It was really weird," I said, "to come across your own name like that, right?"

The boy went on. "At that second Ted Frith ran along shouting, '7:30. Better hurry. Coffee's waiting.' So I threw the strange man a good-bye and bolted.

The boy continued. "Just then, Ted Frith came running by yelling, '7:30. You better hurry. Coffee's waiting.' So I said goodbye to the strange man and took off."

"That day we were going some. They were heaving eggs from the other side of the Piave and we were bringing back wounded to the dressing stations as fast as we could make it over that wrecked land; going back faster for more. When I stopped for chow at midday, I found Ted Frith near me, eating also.

"That day we were really busy. They were throwing eggs from the other side of the Piave and we were bringing back the wounded to the medical stations as quickly as we could manage over that destroyed land; heading back faster for more. When I took a break for lunch at noon, I found Ted Frith nearby, also eating."

"'Remember the old boy you were talking to this morning?' asked Ted between two mouthfuls of dum-dums—that's beans, Uncle Bill. I 'lowed I remembered the old boy; in fact he'd stuck in my mind all day.

"'Remember the old guy you were talking to this morning?' Ted asked between bites of dum-dums—that's beans, Uncle Bill. I thought I remembered the old guy; in fact, he'd been on my mind all day.

"'Well,' Ted went on, 'he's a ring-tailed snorter. He's got an American uniform, tin derby and all, and he's up in the front trenches in the cold and mud with his chocolates and stuff, talking the lingo to the wops and putting heart into them something surprising. They're cheering up wherever he goes. Good work.'

"'Well,' Ted continued, 'he's a real character. He's got an American uniform, a metal helmet and everything, and he's out in the front trenches in the cold and mud with his chocolates and stuff, speaking the language to the Italians and really boosting their spirits. They’re cheering up wherever he goes. Good job.'"

"That afternoon I ran into the man under hot fire hurrying down the communication trench for more stuff. He looked as pleased as a boy with a new pony. 'Hello,' I yelled across the noise. 'How do you like our Italy? They tell me you're helping a lot.'

"That afternoon I ran into the guy hustling down the communication trench for more supplies. He looked as happy as a kid with a new pony. 'Hey,' I shouted over the noise. 'How do you like our Italy? I’ve heard you’re making a big difference.'"

"He stopped and stared with those queerly homelike, big eyes. 'Do they?' he smiled. 'It's the best time I've had for years, sir.'

"He stopped and stared with those strangely familiar, big eyes. 'Do they?' he smiled. 'It's the best time I've had in years, sir.'"

"'Needn't sir me,' I explained. 'I'm not an officer.'

"'You don't have to, sir,' I explained. 'I'm not an officer.'"

"'Ah, but you are—my superior officer,' he argued in a courteous, lovely way. 'I'm a recruit—raw recruit. Certainly I must say sir, to you.'

"'Ah, but you are—my superior officer,' he argued politely and charmingly. 'I'm just a recruit—totally untrained. I definitely must say sir to you.'"

"'Duck there,' I shouted. 'You're on a rise—you'll be hit.'

"'Duck down,' I shouted. 'You're on an incline—you'll get hit.'"

"He glanced around. 'If you knew what a treat I'd consider it to be done for wearing this.' He looked down and slapped his big knee in its khaki. 'But if I'm helping, it's the game to keep whole. You see, sir,' and he laughed out loud—'this is my good day. I'm American to-day, sir!'

"He glanced around. 'If you knew what a treat I'd think this would be for wearing this.' He looked down and smacked his big knee in its khaki. 'But if I'm helping, it's the game to keep intact. You see, sir,' and he laughed out loud—'this is my good day. I'm American today, sir!'"

"And as I let in the clutch and turned the wheel, I sniffled. The man's delight at being allowed to do a turn of any sort under the flag got me.

"And as I released the clutch and turned the wheel, I sniffled. The man's joy at being permitted to take a turn of any kind under the flag got to me."

"The hideous day wore on; one of the worst I went through. We were rushing 'em steadily—four badly wounded in the back you know, and one who could sit up in the front seat with the driver, every trip. About 3:30 as I was going up to the front lines, I struck Ted Firth again coming down.

"The awful day dragged on; it was one of the worst I had to endure. We were moving them quickly—four badly injured in the back, and one who could sit in the front seat with the driver on every trip. Around 3:30 as I was heading up to the front lines, I ran into Ted Firth again coming down."

"'That you, Johnny?' he shouted as we jammed together, and then: 'Your friend's got his,' he said. We were caught in a crowd and had to wait, so we could talk.

"'Is that you, Johnny?' he yelled as we squeezed together, and then: 'Your friend has his,' he said. We were stuck in a crowd and had to wait, so we could chat.

"'Oh no!' I groaned. 'Gone west?'

"'Oh no!' I groaned. 'Gone west?'"

"He shook his head. 'I think not yet. But I'm afraid he's finished. Had to leave him. Didn't see him till I was loaded up. He's been stretcher-bearer the last three hours.'

"He shook his head. 'I don’t think so yet. But I’m afraid he’s done for. Had to leave him. Didn’t see him until I was all packed up. He’s been a stretcher bearer for the last three hours.'"

"'The devil he has. Why?'

"'The devil has him. Why?'"

"'A sudden attack—bearer was killed. He jumped in and grabbed the stretcher. Powerful old boy. Back and forth from the hurricane to the little dressing station, and at last he got it. Thick to-day, isn't it?'

"'A sudden attack—the bearer was killed. He jumped in and grabbed the stretcher. Strong guy. Back and forth from the hurricane to the small dressing station, and finally, he got it. It’s really intense today, isn’t it?'"

"'Stretcher-bearer!' I repeated. 'Nerve for a new bird.'

"'Stretcher-bearer!' I said again. 'Courage for a new beginning.'"

"'Nerve!' echoed Teddy. 'He's been eating it up. The hotter it got, the better it suited. He's one of the heroes fast enough. If he lives, he's due a cross for his last stunt—out under fire twice in five minutes to bring in wounded. But he won't live. There—it's clearing. You run along and find the old boy, Johnny.'

"'Nerve!' Teddy echoed. 'He's been thriving on it. The hotter it got, the better he handled it. He's one of the heroes who's quick on his feet. If he survives, he deserves a medal for his last act—going out under fire twice in five minutes to rescue the wounded. But he won't make it. There—it’s clearing up. You go ahead and find the old guy, Johnny.'"

"I found him. He was hurt too badly to talk about. As gently as we knew how, Joe Barron and I lifted him into the car and he recognized me.

"I found him. He was hurt too badly to talk about it. As gently as we could, Joe Barron and I lifted him into the car, and he recognized me."

"'Why, good evening, sir,' he greeted me, smiling at the disputed title, charming and casual as ever. He identified me—'The boy who adored Italy.' Then: 'Such luck!' he gasped. 'Killed—in our uniform—serving!' And as he felt my hand on his forehead: 'For God's sake don't be sorry, lad,' he begged. 'A great finish for me. I never hoped for luck like this.'

"'Why, good evening, sir,' he said with a smile, charming and relaxed as always. He recognized me—'The boy who loved Italy.' Then: 'What luck!' he exclaimed. 'Died—in our uniform—serving!' And as he felt my hand on his forehead: 'For God’s sake, don’t feel sorry, kid,' he pleaded. 'A great end for me. I never expected luck like this.'"

"There's a small village," the boy went on—"I never knew its name; it's back of the Piave; only a pile of broken stuff now anyhow. But the church was standing that night, a lovely old church with a tower pierced with windows. We stuck in a traffic jam in front of that church. The roads were one solid column going forward into the mess. Mile after mile of it in one stream—and every parallel road must have been the same.

"There's a small village," the boy continued, "I never knew its name; it's behind the Piave; just a bunch of ruins now anyway. But the church was still there that night, a beautiful old church with a tower that had windows all over it. We got caught in a traffic jam in front of that church. The roads were just one long line moving forward into the chaos. Mile after mile of it in one continuous stream—and every parallel road must have looked the same."

"It got dark early and the ration truck was late coming up, being caught in the jam. It was night by the time the eats were ready and I left my bus in front of the church I spoke of. I'd wished myself on the officers of a battery having mess in trees back of a ruined house. When I went back to the bus, it was clean dark. But the sky was alight with gun flashes from everywhere, a continuous flicker like summer lightning with glares here and there like a sudden blaze from a factory chimney. The rumbling gun thunder was without a break, punctuated by heavier boomings; the near guns seemed an insane 4th of July. I looked in at my load and I saw that my namesake was worse. We were still trapped in the jam; no chance of breaking for hours maybe. I saw then that they'd turned the church into a dressing station. There was straw on the stone floors and two surgeons and some orderlies. Wounded were being carried in on stretchers. Joe Barron and I lifted out John Donaldson and took him in and cared for him as well as possible until we could corral an overworked doctor. I thought I'd talk to him a bit to distract him, and he seemed glad to have me."

"It got dark early and the food truck was late getting here because it got stuck in traffic. By the time the meals were ready, it was night, and I left my bus in front of the church I mentioned. I found myself wishing to be with the officers of a battery having dinner in the trees behind a ruined house. When I returned to the bus, it was pitch dark. But the sky was lit up with gun flashes from everywhere, a constant flicker like summer lightning, with bright spots here and there like a sudden flare from a factory chimney. The rumbling of the guns was unrelenting, interrupted by heavier booms; the nearby guns sounded like a crazy 4th of July celebration. I looked into my load and saw that my namesake was in worse shape. We were still stuck in the traffic jam; there was no chance of breaking free for hours, maybe. I then noticed that they had turned the church into a field hospital. There was straw on the stone floors and two surgeons along with some orderlies. Wounded soldiers were being brought in on stretchers. Joe Barron and I lifted John Donaldson out and brought him in, doing our best to care for him until we could find an overworked doctor. I thought I would try to talk to him a bit to distract him, and he seemed happy to have me there."

The lad stopped; his big fingers pulled at the collar of his uniform.

The boy stopped; his large fingers tugged at the collar of his uniform.

"Little by little," he went on, "John Donaldson of Italy told his story. He held tight to my hand as he told it." The boy halted again and bit at his lower lip with strong white teeth. "I like to remember that," he went on slowly. "He had lived nearly twenty years in Perugia. He had run away from America. Because—he—took money. Quite a lot of money. He—was supposed to be dead."

"Bit by bit," he continued, "John Donaldson from Italy shared his story. He held my hand tightly as he spoke." The boy paused again and bit his lower lip with his strong white teeth. "I like to think about that," he said slowly. "He had lived in Perugia for almost twenty years. He had run away from America. Because—he—stole money. A significant amount of money. He—was supposed to be dead."

I sat forward, grasping the sides of my chair, pulling the thing out of the boy with straining gaze.

I leaned forward, gripping the sides of my chair, pulling the thing out of the boy with a focused stare.

"Uncle Bill," he spoke, and his dear voice shook, "you know who it was. I found why his eyes looked familiar. They were exactly like my own. The man I was helping to die was my father."

"Uncle Bill," he said, his voice trembling, "you know who it was. I realized why his eyes looked familiar. They were just like mine. The man I was helping to die was my father."

I heard my throat make a queer sound, but I said no word. The voice flowed on, difficultly, determinedly.

I heard a strange sound come from my throat, but I didn't say anything. The voice continued, slowly yet firmly.

"It's a strange thing to remember—a weird and unearthly bit of living—that war-ruined church, strewn with straw, the wounded wrapped like mummies in dark blankets, their white bandages making high spots in the wavering, irregular lights of lanterns and pocket flashes moving about. I sat on the pavement by his side, hand in hand. A big crucifix hung above, and the Christ seemed to be looking—at him."

"It's a strange thing to recall—a weird and otherworldly experience—this war-damaged church, covered in straw, with wounded people wrapped like mummies in dark blankets, their white bandages creating bright spots in the flickering, uneven light of lanterns and phones flashing around. I sat on the pavement next to him, hand in hand. A large crucifix hung above, and it seemed like Christ was looking—at him."

The voice stopped. I heard my own as a sound from beyond me asking a question. "How did you find out?" I asked.

The voice stopped. I heard my own asking a question from a distance. "How did you find out?" I asked.

"Why, you see, Uncle Bill," he answered, as if my voice had helped him to normality a bit, "I started off by saying I'd write to anybody for him, and wasn't there somebody at home maybe? And he smiled out of his torture, and said 'Nobody.'

"Well, you see, Uncle Bill," he replied, as if my voice had brought him back to reality a little, "I began by saying I’d write to anyone for him, and wasn’t there maybe someone at home? And he smiled through his pain and said, 'Nobody.'"

"Then I said how proud we were of such Americans as he had shown himself and how much he'd helped. I told him what Teddy Frith said of how he'd put heart into the men. And about the war cross. At that his face brightened.

"Then I said how proud we were of such Americans as he had shown himself to be and how much he had helped. I told him what Teddy Frith said about how he had inspired the men. And about the war cross. At that, his face lit up."

"'Did he really say I'd helped?' He was awfully pleased. Then he considered a moment and spoke: 'There's one lad I'd like to have know—if it's possible to find him—and if he ever knows anything about me—that I died decently.'

"'Did he really say I helped?' He was really pleased. Then he thought for a moment and said, 'There's one kid I'd like to know—if it's possible to find him—and if he ever learns anything about me—that I died well.'"

"I threw at him—little dreaming the truth, yet eagerly—'I'll find him. I promise it. What's his name?'

"I threw it at him—without knowing the truth, but eagerly—'I'll find him. I promise. What's his name?'"

"And he smiled again, an alluring, sidewise smile he had, and said: 'Why, the same name as mine—John Donaldson. He was my baby.'

"And he smiled again, a charming, sideways smile he had, and said: 'Well, that’s the same name as mine—John Donaldson. He was my baby.'"

"Then for the first time the truth came in sight, and my heart stood still. I couldn't speak. But I thought fast. I feared giving him a shock, yet I had to know—I had to tell him. I put my free hand over his that clung to me and I said: 'Do you know, Mr. Donaldson, it's queer, but that's my name too. I also am John Donaldson.'

"Then for the first time, the truth became clear, and my heart stopped. I couldn't speak. But I thought quickly. I was worried about shocking him, yet I needed to know—I had to tell him. I placed my free hand over his that was holding onto me and said, 'You know, Mr. Donaldson, it's strange, but that's my name too. I’m also John Donaldson.'"

"He turned his head with a start and his eyes got wide. 'You are?' he said, and he peered at me in the half light. 'I believe you look like me. God!' he said. His face seemed to sharpen and he shot words at me. 'Quick!' he said. 'I mayn't have time. What was your mother's name?'

"He turned his head suddenly, and his eyes widened. 'Who are you?' he asked, squinting at me in the dim light. 'You look like me. Wow!' he exclaimed. His face seemed to become more intense, and he fired questions at me. 'Hurry up!' he said. 'I might not have much time. What was your mother's name?'"

"I told him.

"I told him."

"He was so still for a breath that I thought I'd killed him. Then his face lighted—quite angelically, Uncle Bill. And he whispered, two or three words at a time—you know the words, Uncle Bill—Tennyson:

"He was so still for a moment that I thought I'd killed him. Then his face lit up—completely angelic, Uncle Bill. And he whispered two or three words at a time—you know the words, Uncle Bill—Tennyson:"

"'Sunset and evening star' he whispered:

"'Sunset and evening star,' he whispered:

"'Sunset and evening star,

"'Sunset and evening star,

"'And one clear call for me——'

"'And one clear call for me——'

"He patted the breast of his bloody, grimy uniform. 'Following the flag! Me! My son to hold my hand as I go out! I hadn't dreamed of such a passing.' Then he looked up at me, awfully interested. 'So you're my big son,' he said. 'My baby.'

"He patted the front of his bloody, dirty uniform. 'Following the flag! Me! My son holding my hand as I go out! I never imagined such a send-off.' Then he looked up at me, incredibly curious. 'So you're my grown kid,' he said. 'My baby.'"

"I knew that he was remembering the little shaver he'd left twenty years back. So I leaned over and kissed him, and he got his arm around my neck and held me pretty tight a minute, and nobody cared. All those dying, suffering, last-ditch men lying around, and the two worn-out doctors hurrying among 'em—they didn't care. No more did he and I. I'd found my father; I wasn't caring for anything else."

"I knew he was thinking about the little kid he had left behind twenty years ago. So I leaned in and kissed him, and he wrapped his arm around my neck and held me pretty tight for a minute, and nobody cared. All those dying, suffering, desperate men lying around, and the two exhausted doctors rushing between them—they didn't care either. Neither did he or I. I had found my father; I wasn't worried about anything else."

There was deep silence in the room again and a log of the fire crackled and fell apart and blazed up impersonally; the pleasant sound jarred not at all the tense, human atmosphere.

There was a deep silence in the room again, and a log on the fire crackled, broke apart, and flared up without any personal touch; the comforting sound didn't disrupt the tense, human atmosphere at all.

"And he——! Uncle Bill," went on the throbbing voice, "through the devilish pain he was radiant. He was, thank God! I wanted to hold up a doctor and get dope to quiet him—and he wouldn't.

"And he——! Uncle Bill," continued the intense voice, "despite the hellish pain he was glowing. He was, thank God! I wanted to grab a doctor and get some painkillers to calm him down—and he refused."

"'It might make me unconscious,' he objected. 'Would I lose a minute of you? Not if I know it! This is the happiest hour I've had for twenty years.'

"'It might knock me out,' he said. 'Would I lose a second of you? Not if I can help it! This is the happiest hour I've had in twenty years.'"

"He told me, a bit at a time, about things. First how he'd arranged so that even my mother thought him dead. Then the bald facts of his downfall. He hated to tell that.

"He told me, little by little, about things. First, how he had made it so that even my mom believed he was dead. Then the plain truth about his downfall. He really didn't want to share that."

"'Took money,' he said. 'Very unjustifiable. But I ought to have had plenty—life's most unreasonable. Then—I couldn't face—discovery—hate, unpleasantness.' He shuddered. 'Might have been—jailed.' It was shaking him so I tried to stop him, but he pointed to his coat and laughed—Uncle Bill, a pitiful laugh. It tore me. 'John Donaldson's making a good getaway,' he labored out. 'Must tell everything. I'll finish—clean. To—my son. Honor of—the uniform.' He was getting exhausted. 'That's all,' he ended, 'Dishonor.'

"'Took money,' he said. 'Totally unjustifiable. But I should have had plenty—life is just so unreasonable. Then—I couldn't bear—the thought of—being found out—hatred, unpleasantness.' He shuddered. 'I could have ended up—jailed.' It was really affecting him, so I tried to stop him, but he pointed to his coat and laughed—Uncle Bill, a heartbreaking laugh. It broke me. 'John Donaldson's making a clean escape,' he managed to say. 'I have to tell everything. I'll finish—clean. To—my son. The honor of—the uniform.' He was getting worn out. 'That's all,' he said in the end, 'Dishonor.'"

"And I flung at him: 'No—no. It's covered over—wiped out—with service and honor. You're dying for the flag, father—father!' I whispered with my arms around him and crying like a child with a feeling I'd never known before. 'Father, father!' I whispered, and he lifted a hand and patted my head.

"And I threw it at him: 'No—no. It's hidden—erased—by duty and pride. You're sacrificing yourself for the flag, dad—dad!' I said softly with my arms around him, crying like a child with a feeling I'd never experienced before. 'Dad, dad!' I said softly, and he raised a hand and patted my head."

"'That sounds nice,' he said. Suddenly he looked amused. His nerve all through was the bulliest thing you ever saw, Uncle Bill. Not a whimper. 'You thought I was Italian,' he brought out. 'Years ago, this morning. But—I'm not. American, sir—I heard the call—the one clear call. American.'

"'That sounds nice,' he said. Suddenly he looked amused. His confidence was something else, Uncle Bill. Not a hint of fear. 'You thought I was Italian,' he said. 'Years ago, this morning. But—I'm not. I'm American, sir—I heard the call—the one clear call. American.'"

"Then he closed his eyes and his breathing was so easy that I thought he might sleep, and live hours, maybe. I loosened his fingers and lifted his head on my coat that I'd folded for a pillow, for I thought I'd go outside and find Joe Barron and get him to take the bus down when the jam held up so I could start. Before I started, I bent over again and he opened his eyes, and I said very distinctly: 'I want you to know that I'll be prouder all my life than words can say that I've had you for a father,' and he brought out a long, perfectly contented sigh, and seemed to drop off.

"Then he closed his eyes, and his breathing was so easy that I thought he might fall asleep, maybe for hours. I loosened his fingers and lifted his head onto my coat that I'd folded into a pillow, because I planned to go outside and find Joe Barron to get him to take the bus down when the traffic jam cleared so I could start. Before I left, I bent down again, and he opened his eyes. I said clearly, 'I want you to know that I’ll be prouder all my life than words can express that I’ve had you for a father.' He let out a long, completely contented sigh and seemed to drift off."

"I began to pick my way through the clutter of men lying, some still as death, some writhing and gurgling horrid sounds. I had got about eight feet when across the hideous noises broke a laugh like a pleased kid. I whirled. He'd lifted his big shoulders up from the straw and was laughing after me from under those thick black lashes; his eyes were brilliant. He stretched out his arms to me.

"I started to carefully navigate through the chaos of men lying around, some completely still, others twisting and making horrible sounds. I had gotten about eight feet in when a laugh, like that of a delighted child, cut through the awful noises. I turned around. He had lifted his broad shoulders off the straw and was laughing at me from beneath those thick black lashes; his eyes were bright. He reached out his arms to me."

"'American, sir,' he said in a strong voice. And fell back dead."

"'American, sir,' he said in a strong voice. Then he collapsed and died."

I heard the clock tick and tick. And tick. Minutes went by. Then the boy got up in the throbbing silence and walked to the fire and stood, his back to me, looking down at the embers. His voice came over his square young shoulders, difficult but determined, as of a man who must say a thing which has dogged him to be said.

I heard the clock ticking away. Minutes passed. Then the boy got up in the heavy silence and walked to the fire, standing with his back to me, gazing down at the glowing embers. His voice reached me from over his square young shoulders, struggling but resolute, like a man who needs to say something that’s been bothering him for a while.

"God arranged it, Uncle Bill. I know that well enough. God forgave him enough to send him me and a happy day to go out on. So don't you believe—that things are all right with him now?"

"God set it up, Uncle Bill. I know that for sure. God forgave him enough to send me and give him a happy day to leave on. So don’t you think—that everything’s good with him now?"

It was hard to speak, but I had to—I had a message. "John," I said, "we two know the splendor of his going, and that other things count as nothing beside that redemption. Do you suppose a great God is more narrow-minded than we?"

It was difficult to speak, but I needed to—I had a message. "John," I said, "we both understand the greatness of his departure, and that everything else pales in comparison to that redemption. Do you think a great God is more closed-minded than we are?"

And my boy turned, and came and sat on the broad side of the chair, and put his arm around my shoulder and his young head against mine. His cheek was hot and wet on my thin hair.

And my boy turned, came over, and sat on the wide side of the chair, wrapping his arm around my shoulder and resting his young head against mine. His cheek was warm and damp against my fine hair.

"American, sir," whispered my dear boy, softly.

"American, sir," my dear boy whispered softly.


John G.

John G.

It was nine o'clock of a wild night in December. For forty-eight hours it had been raining, raining, raining, after a heavy fall of snow. Still the torrents descended, lashed by a screaming wind, and the song of rushing water mingled with the cry of the gale. Each steep street of the hill-town of Greensburg lay inches deep under a tearing flood. The cold was as great as cold may be while rain is falling. A night to give thanks for shelter overhead, and to hug the hearth with gratitude.

It was nine o'clock on a chaotic December night. It had been raining nonstop for forty-eight hours, following a heavy snowfall. The downpour continued, driven by a howling wind, and the sound of rushing water mixed with the roar of the storm. Every steep street of the hill-town of Greensburg was covered inches deep in rushing water. The cold was as intense as it gets when it's raining. A night to be thankful for having a roof overhead and to appreciate the warmth of the fire.

First Sergeant Price, at his desk in the Barracks office, was honorably grinding law. Most honorably, because, when he had gone to take the book from its shelf in the day-room, "Barrack-Room Ballads"[68-1] had smiled down upon him with a heart-aching echo of the soft, familiar East; so that of a sudden he had fairly smelt the sweet, strange, heathen smell of the temples in Tien Tsin—had seen the flash of a parrot's wing in the bolo-toothed Philippine jungle. And the sight and the smell, on a night like this, were enough to make any man lonely.

First Sergeant Price, sitting at his desk in the Barracks office, was diligently studying the law. He was really into it because, when he went to grab the book from its shelf in the day-room, "Barrack-Room Ballads" had looked down at him with a bittersweet reminder of the soft, familiar East; suddenly, he could almost smell the sweet, exotic scent of the temples in Tien Tsin—could see the flash of a parrot's wing in the bolo-toothed jungles of the Philippines. On a night like this, those sights and smells were enough to make anyone feel lonely.

Therefore it was with honor indeed that, instead of dreaming off into the radiant past through the well thumbed book of magic, he was digging between dull sheepskin covers after the key to the bar of the State, on which his will was fixed.

Therefore, it was truly an honor that, instead of drifting off into the bright past through the well-worn book of magic, he was searching between the dull sheepskin covers for the key to the bar of the State, which he was determined to obtain.

Now, a man who, being a member of the Pennsylvania State Police,[69-1] aspires to qualify for admission to the bar, has his work cut out for him. The calls of his regular duty, endless in number and kind, leave him no certain leisure, and few and broken are the hours that he gets for books.

Now, a man who is a member of the Pennsylvania State Police,[69-1] strives to qualify for admission to the bar, has a tough road ahead. His regular duty calls, which are countless and varied, leave him with little free time, and the few hours he does manage to find for studying are few and scattered.

"Confound the Latin!" grumbled the Sergeant, grabbing his head in his two hands. "Well—anyway, here's my night for it. Even the crooks will lie snug in weather like this." And he took a fresh hold on the poser.

"Curse the Latin!" muttered the Sergeant, clutching his head with both hands. "Well—anyway, this is my night for it. Even the criminals will be cozy in weather like this." And he tightened his grip on the challenge.

Suddenly "buzz" went the bell beside him. Before its voice ceased he stood at salute in the door of the Captain's office.

Suddenly, the bell beside him buzzed. Before it stopped ringing, he stood at attention in the doorway of the Captain's office.

"Sergeant," said Captain Adams, with a half-turn of his desk-chair, "how soon can you take the field?"

"Sergeant," Captain Adams said, turning halfway in his desk chair, "how soon can you head out into the field?"

"Five minutes, sir."

"Five minutes, sir."

"There's trouble over in the foundry town. The local authorities have jailed some I. W. W.[69-2] plotters. They state that a jail delivery is threatened, that the Sheriff can't control it, and that they believe the mob will run amuck generally and shoot up the town. Take a few men; go over and attend to it."

"There's trouble in the foundry town. The local authorities have locked up some I.W.W. plotters. They say that there's a risk of a jail break, that the Sheriff can't handle it, and that they fear the mob will go wild and start shooting up the town. Take a few guys; go over and take care of it."

"Very well, sir."

"Sure thing, sir."

In the time that goes to saddling a horse, the detail rode into the storm, First Sergeant Price on John G., leading.

In the time it takes to saddle a horse, the detail rode into the storm, First Sergeant Price on John G., in the lead.

John G. had belonged to the Force exactly as long as had the First Sergeant himself, which was from the dawn of the Force's existence. And John G. is a gentleman and a soldier, every inch of him. Horse-show judges have affixed their seal to the self-evident fact by the sign of the blue ribbon,[70-1] but the best proof lies in the personal knowledge of "A" Troop, soundly built on twelve years' brotherhood. John G., on that diluvian night, was twenty-two years old, and still every whit as clean-limbed, alert, and plucky as his salad days had seen him.

John G. had been with the Force for as long as the First Sergeant, which was since the Force was established. And John G. is a true gentleman and a soldier through and through. Horse-show judges have confirmed this obvious truth by awarding him the blue ribbon,[70-1] but the best evidence comes from the personal experiences of "A" Troop, built on twelve years of camaraderie. On that stormy night, John G. was twenty-two years old, still just as fit, sharp, and spirited as he was in his younger days.

Men and horses dived into the gale as swimmers dive into a breaker. It beat their eyes shut with wind and driven water, and, as they slid down the harp-pitched city streets, the flood banked up against each planted hoof till it split in folds above the fetlock.

Men and horses plunged into the storm like swimmers into a wave. The wind and spray forced their eyes shut, and as they glided down the steep city streets, the water piled up against each hoof until it rose in folds above the ankle.

Down in the country beyond, mud, slush, and water clogged with chunks of frost-stricken clay made worse and still worse going. And so they pushed on through blackest turmoil toward the river road that should be their highway to Logan's Ferry.

Down in the countryside, mud, slush, and water mixed with clumps of frozen clay made the path even more difficult to navigate. So, they continued through the thick chaos toward the river road that would lead them to Logan's Ferry.

They reached that road at last, only to find it as lost as Atlantis,[70-2] under twenty feet of water! The Allegheny had overflowed her banks, and now there remained no way across, short of following the stream up to Pittsburgh and so around, a détour of many miles, long and evil.

They finally arrived at the road, only to discover it was as gone as Atlantis, [70-2] under twenty feet of water! The Allegheny had flooded its banks, leaving no way to cross except by following the river up to Pittsburgh and around—a long, arduous detour.

"And that," said First Sergeant Price, "means getting to the party about four hours late. Baby-talk and nonsense! By that time they might have burned the place and killed all the people in it. Let's see, now: there's a railroad bridge close along here, somewhere."

"And that," said First Sergeant Price, "means getting to the party about four hours late. Silly talk and nonsense! By then, they could have set the place on fire and killed everyone inside. Let's see, there should be a railroad bridge nearby."

They scouted till they found the bridge. But behold, its floor was of cross-ties only—of sleepers to carry the rails, laid with wide breaks between, gaping down into deep, dark space whose bed was the roaring river.

They searched until they found the bridge. But look, its floor was made only of cross-ties—sleepers supporting the rails, laid out with wide gaps in between, opening up to a deep, dark space with a raging river below.

"Nevertheless," said First Sergeant Price, whose spirits ever soar at the foolish onslaughts of trouble—"nevertheless, we're not going to ride twenty miles farther for nothing. There's a railroad yard on the other side. This bridge, here, runs straight into it. You two men go over, get a couple of good planks, and find out when the next train is due."

"Anyway," said First Sergeant Price, who always feels uplifted by the ridiculous challenges that come their way—"anyway, we're not going to travel twenty more miles for no reason. There's a train yard on the other side. This bridge leads directly to it. You two guys go over, grab a couple of sturdy planks, and find out when the next train is scheduled to arrive."

The two Troopers whom the Sergeant indicated gave their horses to a comrade and started away across the trestle.

The two Troopers that the Sergeant pointed out gave their horses to a buddy and headed off across the trestle.

For a moment those who stayed behind could distinguish the rays of their pocket flash-lights as they picked out their slimy foothold. Then the whirling night engulfed them, lights and all.

For a moment, those who stayed behind could see the beams of their flashlights as they found their slippery footing. Then the swirling night consumed them, lights and all.

The Sergeant led the remainder of the detail down into the lee of an abutment, to avoid the full drive of the storm. Awhile they stood waiting, huddled together. But the wait was not for long. Presently, like a code signal spelled out on the black overhead, came a series of steadily lengthening flashes—the pocket-light glancing between the sleepers, as the returning messengers drew near.

The Sergeant led the rest of the team down behind a wall to avoid the brunt of the storm. They stood there for a while, huddled together. But the wait didn’t last long. Soon, like a signal lighting up the dark sky, a series of increasingly longer flashes appeared—the pocket light flickering between the sleepers as the returning messengers got closer.

Scrambling up to rail level, the Sergeant saw with content that his emissaries bore on their shoulders between them two new pine "two-by-twelves."[72-1]

Scrambling up to rail level, the Sergeant was pleased to see that his messengers were carrying two new pine "two-by-twelves" on their shoulders. [72-1]

"No train's due till five o'clock in the morning," reported the first across.

"No train is scheduled until five o'clock in the morning," said the first one to arrive.

"Good! Now lay the planks. In the middle of the track. End to end. So."

"Great! Now place the planks. In the center of the track. End to end. Like this."

The Sergeant, dismounting, stood at John G.'s wise old head, stroking his muzzle, whispering into his ear.

The Sergeant got off his horse and stood near John G.'s wise old head, petting his muzzle and whispering into his ear.

"Come along, John, it's all right, old man!" he finished with a final caress.

"Come on, John, it's okay, buddy!" he ended with a final pat.

Then he led John G. to the first plank.

Then he guided John G. to the first plank.

"One of you men walk on each side of him. Now, John!"

"One of you guys walk on each side of him. Now, John!"

Delicately, nervously, John G. set his feet, step by step, till he had reached the centre of the second plank.

Delicately and nervously, John G. placed his feet, step by step, until he reached the center of the second plank.

Then the Sergeant talked to him quietly again, while two Troopers picked up the board just quitted to lay it in advance.

Then the Sergeant spoke to him quietly again, while two Troopers picked up the board that had just been put down to lay it ahead.

And so, length by length, they made the passage, the horse moving with extremest caution, shivering with full appreciation of the unaccustomed danger, yet steadied by his master's presence and by the friend on either hand. As they moved, the gale wreaked all its fury on them. It was growing colder now, and the rain, changed to sleet, stung their skins with its tiny, sharp-driven blades. The skeleton bridge held them high suspended in the very heart of the storm. Once and again a sudden more violent gust bid fair to sweep them off their feet. Yet, slowly progressing, they made their port unharmed.

And so, step by step, they made their way through, the horse moving very cautiously, trembling with a strong awareness of the unfamiliar danger, but steadied by his rider's presence and by the friends on either side. As they continued, the storm unleashed all its power on them. It was getting colder now, and the rain had turned to sleet, stinging their skin with its tiny, sharp blows. The skeletal bridge kept them high up in the heart of the storm. Every now and then, a sudden, stronger gust threatened to knock them off their feet. Still, making slow progress, they reached their destination unharmed.

Then came the next horse's turn. More than a single mount they dared not lead over at once, lest the contagious fears of one, reacting on another, produce panic. The horse that should rear or shy, on that wide-meshed footing, would be fairly sure to break a leg, at best. So, one by one, they followed over, each reaching the farther side before his successor began the transit.

Then it was the next horse’s turn. They didn’t dare to lead more than one horse over at a time, because the panic of one could easily spread to another. If a horse reared up or got startled on that loose footing, it would almost certainly end up breaking a leg, at best. So, one by one, they crossed over, with each horse reaching the other side before the next one started its journey.

And so, at last, all stood on the opposite bank, ready to follow John G. once more, as he led the way to duty.

And so, at last, everyone stood on the other bank, ready to follow John G. again as he led the way to fulfill their responsibilities.

"Come along, John, old man. You know how you'd hate to find a lot of dead women and babies because we got there too late to save them! Make a pace, Johnny boy!"

"Come on, John, buddy. You know you’d hate to discover a bunch of dead women and babies because we got there too late to save them! Pick up the pace, Johnny boy!"

The First Sergeant was talking gently, leaning over his pommel. But John G. was listening more from politeness than because he needed a lift. His stride was as steady as a clock.

The First Sergeant was speaking softly, leaning over his saddle. But John G. was listening more out of courtesy than because he needed encouragement. His pace was as steady as a clock.

It was three hours after midnight on that bitter black morning as they entered the streets of the town. And the streets were as quiet, as peaceful, as empty of men, as the heart of the high woods.

It was three hours past midnight on that bitter dark morning when they entered the town's streets. And the streets were as quiet, as peaceful, and as empty of people as the heart of the deep woods.

"Where's their mob?" growled the Sergeant.

"Where's their group?" growled the Sergeant.

"Guess its mother's put it to sleep," a cold, wet Trooper growled back.

"Looks like its mom put it to sleep," a cold, wet Trooper replied.

"Well, we thought there was going to be trouble," protested the local power, roused from his feather bed. "It really did look like serious trouble, I assure you. And we could not have handled serious trouble with the means at our command. Moreover, there may easily be something yet. So, gentlemen, I am greatly relieved you have come. I can sleep in peace now that you are here. Good-night! Good-night!"

"Well, we thought there was going to be trouble," said the local authority, waking up from his comfy bed. "It really seemed like serious trouble, I promise you. And we couldn't have dealt with serious trouble with what we had. Besides, there could still be something more. So, gentlemen, I'm really relieved you’re here. I can sleep easy now that you’ve arrived. Good night! Good-night!"

All through the remaining hours of darkness the detail patrolled the town. All through the lean, pale hours of dawn it carefully watched its wakening, guarded each danger-point. But never a sign of disturbance did the passing time bring forth.

All through the remaining hours of darkness, the detail patrolled the town. During the thin, pale hours of dawn, it carefully watched as the town awoke, guarding each danger point. But there was never a sign of trouble as time went by.

At last, with the coming of the business day, the Sergeant sought out the principal men of the place, and from them ascertained the truth.

At last, with the start of the business day, the Sergeant looked for the key people in the area and figured out the truth from them.

Threats of a jail delivery there had been, and a noisy parade as well, but nothing had occurred or promised beyond the power of an active local officer to handle. Such was the statement of one and all.

Threats of a prison break had been made, and there was a lot of noise and commotion, but nothing happened or was expected that an active local officer couldn't manage. That was the consensus.

"I'll just make sure," said the Sergeant to himself.

"I'll just make sure," the Sergeant said to himself.

Till two o'clock in the afternoon the detail continued its patrols. The town and its outskirts remained of an exemplary peace. At two o'clock the Sergeant reported by telephone to his Captain:—

Till two o'clock in the afternoon, the unit continued its patrols. The town and its outskirts were peacefully calm. At two o'clock, the Sergeant reported by phone to his Captain:—

"Place perfectly quiet, sir. Nothing seems to have happened beyond the usual demonstration of a sympathizing crowd over an arrest. Unless something more breaks, the Sheriff should be entirely capable of handling the situation."

"Everything is perfectly quiet, sir. It seems that nothing has happened aside from the usual showing of support from the crowd during an arrest. Unless something else occurs, the Sheriff should be fully capable of managing the situation."

"Then report back to Barracks at once," said the voice of the Captain of "A" Troop. "There's real work waiting here."

"Then head back to the Barracks right away," said the voice of the Captain of "A" Troop. "There's real work waiting here."

The First Sergeant, hanging up the receiver, went out and gathered his men.

The First Sergeant hung up the phone and went out to gather his troops.

Still the storm was raging. Icy snow, blinding sheets of sharp-fanged smother, rode on the racing wind. Worse overhead, worse underfoot, would be hard to meet in years of winters.

Still the storm was raging. Icy snow, blinding sheets of sharp-fanged frost, whipped through the howling wind. It would be hard to find anything worse overhead or underfoot in years of winters.

But once again men and horses, without an interval of rest, struck into the open country. Once again on the skeleton bridge they made the precarious crossing. And so, at a quarter to nine o'clock at night, the detail topped Greensburg's last ice-coated hill and entered the yard of its high-perched Barracks.

But once again, men and horses, without a break, headed into the open country. Once more, they made the risky crossing over the skeleton bridge. And so, at a quarter to nine at night, the group reached the last icy hill of Greensburg and entered the yard of its elevated Barracks.

As the First Sergeant slung the saddle off John G.'s smoking back, Corporal Richardson, farrier of the Troop, appeared before him wearing a mien of solemn and grieved displeasure.

As the First Sergeant tossed the saddle off John G.'s smoldering back, Corporal Richardson, the troop's farrier, stepped in front of him looking serious and visibly upset.

"It's all very well," said he,—"all very well, no doubt. But eighty-six miles in twenty-four hours, in weather like this, is a good deal for any horse. And John G. is twenty-two years old, as perhaps you may remember. I've brought the medicine."

"It's all fine," he said, "all fine, no doubt. But eighty-six miles in twenty-four hours, in weather like this, is quite a lot for any horse. And John G. is twenty-two years old, as you might recall. I've brought the medicine."

Three solid hours from that very moment the two men worked over John G., and when, at twelve o'clock, they put him up for the night, not a wet hair was left on him. As they washed and rubbed and bandaged, they talked together, mingling the Sergeant's trenchantly humorous common sense with the Corporal's mellow philosophy. But mostly it was the Corporal that spoke, for twenty-four hours is a fair working day for a Sergeant as well as a Troop horse.

Three solid hours from that moment, the two men worked on John G., and when they finished at midnight, he was completely dry. As they washed, rubbed, and bandaged him, they chatted, blending the Sergeant's sharp humor with the Corporal's calm insights. But it was mostly the Corporal who did the talking, since a full day is a lot for both a Sergeant and a Troop horse.

"I believe in my soul," said the Sergeant, "that if a man rode into this stable with his two arms shot off at the shoulder, you'd make him groom his horse with his teeth and his toes for a couple of hours before you'd let him hunt a doctor."

"I believe in my gut," said the Sergeant, "that if a guy rode into this stable with both his arms blown off at the shoulder, you’d make him groom his horse with his teeth and toes for a couple of hours before you’d let him see a doctor."

"Well," rejoined Corporal Richardson, in his soft Southern tongue, "and what if I did? Even if that man died of it, he'd thank me heartily afterward. You know, when you and I and the rest of the world, each in our turn, come to Heaven's gate, there'll be St. Peter before it, with the keys safe in his pocket. And over the shining wall behind—from the inside, mind you—will be poking a great lot of heads—innocent heads with innocent eyes—heads of horses and of all the other animals that on this earth are the friends of man, put at his mercy and helpless.

"Well," Corporal Richardson replied in his gentle Southern accent, "so what if I did? Even if that man died from it, he’d thank me sincerely afterward. You know, when you and I and everyone else eventually reach Heaven's gate, St. Peter will be there with the keys safely in his pocket. And beyond the shining wall behind—from the inside, just so you know—there will be a whole bunch of heads poking out—innocent heads with innocent eyes—heads of horses and all the other animals that are humanity's friends, completely at our mercy and defenseless."

"And it's clear to me—over, John! so, boy!—that before St. Peter unlocks the gate for a single one of us, he'll turn around to that long row of heads, and he'll say:—

"And it's clear to me—over, John! So, boy!—that before St. Peter unlocks the gate for any of us, he'll turn around to that long line of heads and say:"

"'Blessed animals in the fields of Paradise, is this a man that should enter in?'

"'Blessed animals in the fields of Paradise, is this a man who should enter here?'"

"And if the animals—they that were placed in his hands on earth to prove the heart that was in him—if the immortal animals have aught to say against that man—never will the good Saint let him in, with his dirty, mean stain upon him. Never. You'll see, Sergeant, when your time comes. Will you give those tendons another ten minutes?"

"And if the animals—those that were put in his care on earth to test his character—if the everlasting animals have anything to say against that man—Saint will never let him in, with his dirty, lowly mark on him. Never. You'll see, Sergeant, when your time comes. Will you give those tendons another ten minutes?"

Next morning John G. walked out of his stall as fresh and as fit as if he had come from pasture. And to this very day, in the stable of "A" Troop, John G., handsome, happy, and able, does his friends honor.

Next morning, John G. walked out of his stall feeling as refreshed and fit as if he had just come from the pasture. And to this day, in the stable of "A" Troop, John G., looking good, happy, and capable, continues to honor his friends.


Friends __A_TAG_PLACEHOLDER_0__ __A_TAG_PLACEHOLDER_1__

"My mamma," reported Morris Mowgelewsky, choosing a quiet moment during a writing period to engage his teacher's attention, "my mamma likes you shall come on mine house for see her."

"My mom," Morris Mowgelewsky said, finding a quiet moment during writing time to get his teacher's attention, "my mom wants you to come to our house to see her."

"Very well, dear," answered Miss Bailey with a patience born of many such messages from the parents of her small charges. "I think I shall have time to go this afternoon."

"Sure, dear," Miss Bailey replied with a patience that came from handling many similar messages from the parents of her little students. "I think I can make time to go this afternoon."

"My mamma," Morris began again, "she says I shall tell you 'scuse how she don't send you no letter. She couldn't to send no letter the while her eyes ain't healthy."

"My mom," Morris started again, "she says I should explain why she hasn't sent you a letter. She couldn't send a letter because her eyes aren't healthy."

"I am sorry to hear that," said Teacher, with a little stab of regret for her prompt acceptance of Mrs. Mowgelewsky's invitation; for of all the ailments which the children shared so generously with their teacher, Miss Bailey had learned to dread most the many and painful disorders of the eye. She knew, however, that Mrs. Mowgelewsky was not one of those who utter unnecessary cries for help, being in this regard, as in many others, a striking contrast to the majority of parents with whom Miss Bailey came in contact.

"I’m sorry to hear that," said the teacher, feeling a twinge of regret for quickly accepting Mrs. Mowgelewsky’s invitation; among all the ailments the kids frequently shared with her, Miss Bailey had come to dread the various and painful eye issues the most. She knew, though, that Mrs. Mowgelewsky was not one of those parents who made unnecessary cries for help, being, in this regard, as in many other ways, a sharp contrast to the majority of parents Miss Bailey interacted with.

To begin with, Mrs. Mowgelewsky had but one child—her precious, only Morris. In addition to this singularity she was thrifty and neat, intensely self-respecting and independent of spirit, and astonishingly outspoken of mind. She neither shared nor understood the gregarious spirit which bound her neighbors together and is the lubricant which makes East Side crowding possible without bloodshed. No groups of chattering, gesticulating matrons ever congregated in her Monroe Street apartment. No love of gossip ever held her on street corners or on steps. She nourished few friendships and fewer acquaintanceships, and she welcomed no haphazard visitor. Her hospitalities were as serious as her manner; her invitations as deliberate as her slow English speech.

To start off, Mrs. Mowgelewsky had just one child—her precious, only son, Morris. Besides this uniqueness, she was frugal and tidy, deeply self-respecting, independent in spirit, and remarkably candid. She neither shared nor understood the social nature that connected her neighbors and made the close living on the East Side tolerable without conflict. No groups of chatting, animated women ever gathered in her Monroe Street apartment. No love for gossip kept her hanging around street corners or stairs. She maintained few friendships and even fewer acquaintances, and she didn’t welcome random visitors. Her hospitality was as serious as her demeanor; her invitations were as intentional as her slow, deliberate English speech.

And Miss Bailey, as she and the First Readers followed the order of studies laid down for them, found herself again and again, trying to imagine what the days would be to Mrs. Mowgelewsky if her keen, shrewd eyes were to be darkened and useless.

And Miss Bailey, as she and the First Readers followed the study schedule laid out for them, found herself repeatedly trying to picture what the days would be like for Mrs. Mowgelewsky if her sharp, discerning eyes became darkened and useless.

At three o'clock she set out with Morris, leaving the Board of Monitors[78-1] to set Room 18 to rights with no more direct supervision than an occasional look and word from the stout Miss Blake, whose kingdom lay just across the hall. And as she hurried through the early cold of a November afternoon, her forebodings grew so lugubrious that she was almost relieved at last to learn that Mrs. Mowgelewsky's complaint was a slow-forming cataract, and her supplication, that Miss Bailey would keep a watchful eye upon Morris while his mother was at the hospital undergoing treatment and operation.

At three o'clock, she left with Morris, allowing the Board of Monitors[78-1] to tidy up Room 18 with little more supervision than an occasional glance and comment from the stout Miss Blake, whose domain was just across the hall. As she hurried through the chilly November afternoon, her worries grew so heavy that she felt almost relieved to finally find out that Mrs. Mowgelewsky's issue was a slow-developing cataract, and her request was for Miss Bailey to keep an eye on Morris while his mother was at the hospital for treatment and surgery.

"But of course," Miss Bailey agreed, "I shall be delighted to do what I can, Mrs. Mowgelewsky, though it seems to me that one of the neighbors——"

"But of course," Miss Bailey agreed, "I'd be happy to do what I can, Mrs. Mowgelewsky, though it seems to me that one of the neighbors——"

"Neighbors!" snorted the matron; "What you think the neighbors make mit mine little boy? They got four, five dozens childrens theirselves. They ain't got no time for look on Morris. They come maybe in mine house und break mine dishes, und rubber on what is here, und set by mine furniture und talks. What do they know over takin' care on mine house? They ain't ladies. They is educated only on the front. Me, I was raised private und expensive in Russia; I was ladies. Und you ist ladies. You ist Krisht[79-1]—that is too bad—but that makes me nothings. I wants you shall look on Morris."

"Neighbors!" huffed the matron. "What do you think the neighbors are going to do with my little boy? They've got four or five dozen kids of their own. They don’t have time to pay attention to Morris. They might come into my house and break my dishes, mess around with what's here, sit on my furniture, and chat. What do they know about taking care of my home? They’re not ladies. They’re only educated on the surface. I was raised privately and well-off in Russia; I was a lady. And you are ladies. You are Krisht[79-1]—that’s unfortunate—but that means nothing to me. I want you to look after Morris."

"But I can't come here and take care of him," Miss Bailey pointed out. "You see that for yourself, don't you, Mrs. Mowgelewsky? I am sorry as I can be about your eyes, and I hope with all my heart that the operation will be successful. But I shouldn't have time to come here and take care of things."

"But I can't just come here and take care of him," Miss Bailey said. "You see that for yourself, right, Mrs. Mowgelewsky? I'm really sorry about your eyes, and I truly hope the operation goes well. But I wouldn't have time to be here and handle everything."

"That ain't how mine mamma means," Morris explained. He was leaning against Teacher and stroking her muff as he spoke. "Mine mamma means the money."

"That’s not what my mom means," Morris explained. He was leaning against Teacher and stroking her muff as he spoke. "My mom means the money."

"That ist what I means," said Mrs. Mowgelewsky, nodding her ponderous head until her quite incredible wig slipped back and forth upon it. "Morris needs he shall have money. He could to fix the house so good like I can. He don't needs no neighbors rubberin'. He could to buy what he needs on the store. But ten cents a day he needs. His papa works by Harlem. He is got fine jobs, und he gets fine moneys, but he couldn't to come down here for take care of Morris. Und the doctor he says I shall go now on the hospital. Und any way," she added sadly, "I ain't no good; I couldn't to see things. He says I shall lay in the hospital three weeks, may be—that is twenty-one days—und for Morris it is two dollars und ten cents. I got the money." And she fumbled for her purse in various hiding-places about her ample person.

"That's what I mean," said Mrs. Mowgelewsky, nodding her heavy head until her incredible wig slipped back and forth. "Morris needs money. He could fix the house just as well as I can. He doesn't need neighbors snooping around. He could buy what he needs at the store. But he needs ten cents a day. His dad works in Harlem. He has a good job and makes good money, but he can’t come down here to take care of Morris. And the doctor says I need to go now to the hospital. And anyway," she added sadly, "I’m no good; I can’t see things clearly. He says I’ll be in the hospital for three weeks, maybe—that’s twenty-one days—and for Morris, that’s two dollars and ten cents. I have the money." And she fumbled for her purse in various hiding places around her ample body.

"And you want me to be banker," cried Miss Bailey; "to keep the money and give Morris ten cents a day—is that it?"

"And you want me to be the banker," Miss Bailey exclaimed, "to hold onto the money and give Morris ten cents a day—is that right?"

"Sure," answered Mrs. Mowgelewsky.

"Sure," replied Mrs. Mowgelewsky.

"It's a awful lot of money," grieved Morris. "Ten cents a day is a awful lot of money for one boy."

"It's a lot of money," lamented Morris. "Ten cents a day is a lot of money for one boy."

"No, no, my golden one," cried his mother. "It is but right that thou shouldst have plenty of money, und thy teacher, a Christian lady, though honest—und what neighbor is honest?—will give thee ten cents every morning. Behold, I pay the rent before I go, und with the rent paid und with ten cents a day thou wilt live like a landlord."

"No, no, my precious one," his mother exclaimed. "It's only fair that you have enough money, and your teacher, a Christian woman, though honest—and what neighbor is ever truly honest?—will give you ten cents every morning. Look, I’ll pay the rent before I leave, and with the rent paid and ten cents a day, you'll live like a landlord."

"Yes, yes," Morris broke in, evidently repeating some familiar warning, "und every day I will say mine prayers und wash me the face, und keep the neighbors out, und on Thursdays und on Sundays I shall go on the hospital for see you."

"Yeah, yeah," Morris interrupted, clearly repeating a well-known warning, "and every day I will say my prayers and wash my face, and keep the neighbors away, and on Thursdays and Sundays I will go to the hospital to see you."

"And on Saturdays," broke in Miss Bailey, "you will come to my house and spend the day with me. He's too little, Mrs. Mowgelewsky, to go to the synagogue alone."

"And on Saturdays," interrupted Miss Bailey, "you will come to my house and spend the day with me. He's too young, Mrs. Mowgelewsky, to go to the synagogue by himself."

"That could be awful nice," breathed Morris. "I likes I shall go on your house. I am lovin' much mit your dog."

"That sounds really nice," Morris said. "I think I’ll come over to your house. I really love your dog."

"How?" snorted his mother. "Dogs! Dogs ain't nothing but foolishness. They eats something fierce, und they don't works."

"How?" scoffed his mother. "Dogs! Dogs are nothing but nonsense. They eat a lot, and they don't do any work."

"That iss how mine mamma thinks," Morris hastened to explain, lest the sensitive feelings of his Lady Paramount should suffer. "But mine mamma she never seen your dog. He iss a awful nice dog; I am lovin' much mit him."

"That's how my mom thinks," Morris quickly explained, wanting to protect the feelings of his Lady Paramount. "But my mom has never seen your dog. He's really a great dog; I love being with him."

"I don't needs I shall see him," said Mrs. Mowgelewsky, somewhat tartly. "I seen, already, lots from dogs. Don't you go make no foolishness mit him. Don't you go und get chawed off of him."

"I don't need to see him," said Mrs. Mowgelewsky, somewhat sharply. "I've already seen plenty of dogs. Don't go doing anything foolish with him. Don't get bitten by him."

"Of course, of course not," Miss Bailey hastened to assure her; "he will only play with Rover if I should be busy or unable to take him out with me. He'll be safer at my house than he would be on the streets, and you wouldn't expect him to stay in the house all day."

"Of course, of course not," Miss Bailey quickly assured her; "he will only play with Rover if I'm busy or can't take him out with me. He'll be safer at my place than he would be on the streets, and you wouldn't expect him to stay inside all day."

After more parley and many warnings the arrangement was completed. Miss Bailey was intrusted with two dollars and ten cents, and the censorship of Morris. A day or so later Mrs. Mowgelewsky retired, indomitable, to her darkened room in the hospital, and the neighbors were inexorably shut out of her apartment. All their offers of help, all their proffers of advice were politely refused by Morris, all their questions and visits politely dodged. And every morning Miss Bailey handed her Monitor of the Goldfish Bowl his princely stipend, adding to it from time to time some fruit or other uncontaminated food, for Morris was religiously the strictest of the strict, and could have given cards and spades to many a minor rabbi[82-1] on the intricacies of Kosher law.

After more discussions and many warnings, the arrangement was finalized. Miss Bailey was given two dollars and ten cents, along with the oversight of Morris. A day or two later, Mrs. Mowgelewsky stubbornly retreated to her darkened room in the hospital, and the neighbors were completely excluded from her apartment. All their offers to help and advice were politely declined by Morris, and all their questions and visits were skillfully sidestepped. Every morning, Miss Bailey handed her Monitor of the Goldfish Bowl his well-deserved allowance, occasionally adding some fruit or other clean food, since Morris was strictly observant and could have taught many a minor rabbi the details of Kosher law.

The Saturday after his mother's departure Morris spent in the enlivening companionship of the antiquated Rover, a collie who no longer roved farther than his own back yard, and who accepted Morris's frank admiration with a noble condescension and a few rheumatic gambols. Miss Bailey's mother was also hospitable, and her sister did what she could to amuse the quaint little child with the big eyes, the soft voice, and the pretty foreign manners. But Morris preferred Rover to any of them, except perhaps the cook, who allowed him to prepare a luncheon for himself after his own little rites.

The Saturday after his mom left, Morris spent time with the lively old Rover, a collie who only roamed around his own backyard now, and who accepted Morris's genuine admiration with a gracious nod and a few stiff jumps. Miss Bailey's mom was also welcoming, and her sister tried to entertain the quirky little kid with the big eyes, soft voice, and charming foreign manners. But Morris liked Rover more than any of them, except maybe the cook, who let him make his own lunch after his little rituals.

Everything had seemed so pleasant and so successful that Miss Bailey looked upon a repetition of this visit as a matter of course, and was greatly surprised on the succeeding Friday afternoon when the Monitor of the Goldfish Bowl said that he intended to spend the next day at home.

Everything had seemed so nice and so successful that Miss Bailey thought a repeat of this visit was just normal, and she was really surprised the next Friday afternoon when the Monitor of the Goldfish Bowl said he planned to spend the next day at home.

"Oh, no!" she remonstrated, "you mustn't stay at home. I'm going to take you out to the Park and we are going to have all kinds of fun. Wouldn't you rather go and see the lions and the elephants with me than stay at home all by yourself?"

"Oh, no!" she protested, "you can’t stay at home. I'm taking you to the park, and we're going to have all kinds of fun. Wouldn't you rather come see the lions and the elephants with me than stay home all alone?"

For some space Morris was a prey to silence, then he managed by a consuming effort:

For a while, Morris was overwhelmed by silence, but then he pushed through it with intense effort:

"I ain't by mineself."

"I'm not by myself."

"Has your father come home?" said Teacher.

"Has your dad come home?" said Teacher.

"No, ma'am."

"No, ma'am."

"And surely it's not a neighbor. You remember what your mother said about the neighbors, how you were not to let them in."

"And it definitely isn't a neighbor. You remember what your mom said about the neighbors, how you weren't supposed to let them in."

"It ain't neighbors," said Morris.

"It's not neighbors," said Morris.

"Then who——?" began Miss Bailey.

"Then who—?" began Miss Bailey.

Morris raised his eyes to hers, his beautiful, black, pleading eyes, praying for the understanding and the sympathy which had never failed him yet. "It's a friend," he answered.

Morris looked up at her, his beautiful, dark, pleading eyes, hoping for the understanding and sympathy that had never let him down. "It's a friend," he replied.

"Nathan Spiderwitz?" she asked.

"Nathan Spiderwitz?" she replied.

Morris shook his head, and gave Teacher to understand that the Monitor of the Window Boxes came under the ban of neighbor.

Morris shook his head and made it clear to the teacher that the Monitor of the Window Boxes was off-limits.

"Well, who is it, dearest?" she asked again. "Is it any one that I know?"

"Well, who is it, darling?" she asked again. "Is it someone I know?"

"No, ma'am."

"No, ma'am."

"None of the boys in the school?"

"None of the boys in the school?"

"No, ma'am."

"No, ma'am."

"Have you known him long?"

"How long have you known him?"

"No, ma'am."

"No, ma'am."

"Does your mother know him?"

"Does your mom know him?"

"Oh, Teacher, no, ma'am! Mine mamma don't know him."

"Oh, Teacher, no, ma'am! My mom doesn't know him."

"Well, where did you meet him?"

"Well, where did you meet him?"

"Teacher, on the curb. Over yesterday on the night," Morris began, seeing that explanation was inevitable, "I lays on mine bed, und I thinks how mine mamma has got a sickness, und how mine papa is by Harlem, und how I ain't got nobody beside of me. Und, Teacher, it makes me cold in mine heart. So I couldn't to lay no more, so I puts me on mit mine clothes some more, und I goes by the street, the while peoples is there, und I needs I shall see peoples. So I sets by the curb, und mine heart it go und it go so I couldn't to feel how it go in mine inside. Und I thinks on my mamma, how I seen her mit bandages on the face, und mine heart it goes some more. Und, Teacher, Missis Bailey, I cries over it."

"Teacher, sitting on the curb. Last night," Morris started, knowing he had to explain, "I was lying in bed, thinking about how my mom is sick, and how my dad is in Harlem, and how I don’t have anyone with me. And, Teacher, it makes me feel cold in my heart. So I couldn’t stay lying down anymore, so I put on my clothes and went out to the street where people were around, and I needed to see them. So I sat on the curb, and my heart kept racing to the point where I couldn’t even feel it inside me. I thought about my mom, how I saw her with bandages on her face, and my heart sank even more. And, Teacher, I cried about it with Missis Bailey."

"Of course you did, honey," said Teacher, putting her arm about him. "Poor, little, lonely chap! Of course you cried."

"Of course you did, sweetie," said the Teacher, putting her arm around him. "Poor little lonely guy! Of course you cried."

"Teacher, yiss, ma'am; it ain't fer boys they shall cry, but I cries over it. Und soon something touches me by mine side, und I turns und mine friend he was sittin' by side of me. Und he don't say nothings, Teacher; no, ma'am; he don't say nothings, only he looks on me, und in his eyes stands tears. So that makes me better in mine heart, und I don't cries no more. I sets und looks on mine friend, und mine friend he sets und looks on me mit smilin' looks. So I goes by mine house, und mine friend he comes by mine house, too, und I lays by mine bed, und mine friend he lays by mine side. Und all times in that night sooner I open mine eyes und thinks on how mine mamma is got a sickness, und mine papa is by Harlem, mine friend he is by mine side, und I don't cries. I don't cries never no more the whiles mine friend is by me. Und I couldn't to go on your house to-morrow the whiles I don't know if mine friend likes Rover."

"Teacher, yes, ma'am; it's not for boys that they should cry, but I do cry about it. And soon something touches me on my side, and I turn to see my friend sitting next to me. And he doesn’t say anything, Teacher; no, ma’am; he doesn’t say anything, he just looks at me, and I can see tears in his eyes. That makes me feel better in my heart, and I stop crying. I sit and look at my friend, and he sits and looks at me with a smile. So I go home, and my friend comes to my house too, and I lie down on my bed, and my friend lies down beside me. All through that night, whenever I open my eyes and think about how my mom is sick and my dad is in Harlem, my friend is right by my side, and I don’t cry. I never cry anymore while my friend is with me. And I can't go to your house tomorrow while I don’t know if my friend likes Rover."

"Of course he'd like him," cried Miss Bailey. "Rover would play with him just as he plays with you."

"Of course he'd like him," exclaimed Miss Bailey. "Rover would play with him just like he plays with you."

"No, ma'am," Morris maintained; "mine friend is too little for play mit Rover."

"No, ma'am," Morris insisted; "my friend is too small to play with Rover."

"Is he such a little fellow?"

"Is he really that tiny?"

"Yiss, ma'am; awful little."

"Yes, ma'am; very little."

"And has he been with you ever since the day before yesterday?"

"And has he been with you since the day before yesterday?"

"Teacher, yiss, ma'am."

"Teacher, yes, ma'am."

"Does he seem to be happy and all right?"

"Does he seem happy and okay?"

"Teacher, yiss, ma'am."

"Teacher, yes, ma'am."

"But," asked Miss Bailey, suddenly practical, "what does the poor little fellow eat? Of course ten cents would buy a lot of food for one boy, but not so very much for two."

"But," asked Miss Bailey, suddenly practical, "what does the poor little guy eat? Of course, ten cents would buy a lot of food for one boy, but not that much for two."

"Teacher, no, ma'am," says Morris; "it ain't so very much."

"Teacher, no, ma'am," says Morris; "it's not that much."

"Well, then," said Miss Bailey, "suppose I give you twenty cents a day as long as a little strange friend is with you."

"Alright then," said Miss Bailey, "how about I give you twenty cents a day as long as your little unusual friend is with you."

"That could to be awful nice," Morris agreed; "und, Missis Bailey," he went on, "sooner you don't needs all yours lunch mine friend could eat it, maybe."

"That would be really nice," Morris agreed; "and, Mrs. Bailey," he continued, "if you don't need all your lunch, my friend could eat it, maybe."

"Oh, I'm so sorry," she cried; "It's ham to-day."

"Oh, I'm so sorry," she said, "It's ham today."

"That don't make nothins mit mine friend," said Morris, "he likes ham."

"That doesn't mean anything to my friend," said Morris, "he likes ham."

"Now, Morris," said Miss Bailey very gravely, as all the meanings of this announcement spread themselves before her, "this is a very serious thing. You know how your mother feels about strangers, and you know how she feels about Christians, and what will she say to you—and what will she say to me—when she hears that a strange little Christian is living with you? Of course, dearie, I know it's nice for you to have company, and I know that you must be dreadfully lonely in the long evenings, but I'm afraid your mother will not be pleased to think of your having somebody to stay with you. Wouldn't you rather come to my house and live there all the time until your mother is better. You know," she added as a crowning inducement, "Rover is there."

"Now, Morris," Miss Bailey said very seriously, as all the implications of this announcement sank in, "this is a really serious matter. You know how your mom feels about strangers, and you know how she feels about Christians. What will she say to you—and what will she say to me—when she finds out that a strange little Christian is living with you? Of course, sweetie, I understand that it's nice for you to have company, and I realize you must be terribly lonely during the long evenings, but I’m afraid your mom won’t be happy about you having someone staying with you. Wouldn't you rather come to my house and stay there until your mom is better? You know," she added as a final convincing point, "Rover is there."

But Morris betrayed no enthusiasm. "I guess," said he, "I ain't lovin' so awful much mit Rover. He iss too big. I am likin' little dogs mit brown eyes, what walks by their legs und carries things by their mouths. Did you ever see dogs like that?"

But Morris showed no excitement. "I guess," he said, "I'm not really into Rover that much. He's too big. I like little dogs with brown eyes that walk on their legs and carry things in their mouths. Have you ever seen dogs like that?"

"In the circus," answered Teacher. "Where did you see them?"

"In the circus," replied the Teacher. "Where did you see them?"

"A boy by our block," answered Morris, "is got one. He is lovin' much mit that dog und that dog is lovin' much mit him."

"A boy on our block," answered Morris, "has one. He really loves that dog and that dog loves him back a lot."

"Well, now, perhaps you could teach Rover to walk on his hind legs, and carry things in his mouth," suggested Teacher; "and as for this new little Christian friend of yours——"

"Well, maybe you could teach Rover to walk on his hind legs and carry things in his mouth," suggested Teacher; "and as for this new little Christian friend of yours——"

"I don't know be he a Krisht," Morris admitted with reluctant candor; "he ain't said nothin' over it to me. On'y a Irisher lady what lives by our house, she says mine friend is a Irisher."

"I don't know be he a Krisht," Morris admitted with a bit of honesty; "he hasn't said anything about it to me. Only an Irish lady who lives by our house, she says my friend is Irish."

"Very well, dear; then of course he's a Christian," Miss Bailey assured him, "and I shan't interfere with you to-morrow—you may stay at home and play with him. But we can't let it go on, you know. This kind of thing never would do when your mother comes back from the hospital. She might not want your friend in the house. Have you thought of that at all, Morris? You must make your friend understand it."

"Alright, dear; so of course he's a Christian," Miss Bailey told him, "and I won't interfere with you tomorrow—you can stay home and hang out with him. But we can't let this continue, you know. This kind of situation won’t work when your mom comes back from the hospital. She might not want your friend in the house. Have you thought about that at all, Morris? You need to make sure your friend understands it."

"I tells him," Morris promised; "I don't know can he understand. He's pretty little, only that's how I tells him all times."

"I tell him," Morris promised; "I don't know if he can understand. He's really small, but that's how I tell him all the time."

"Then tell him once again, honey," Miss Bailey advised, "and make him understand that he must go back to his own people as soon as your mother is well. Where are his own people? I can't understand how any one so little could be wandering about with no one to take care of him."

"Then tell him again, sweetie," Miss Bailey suggested, "and make sure he understands he needs to return to his own family as soon as your mom gets better. Where is his family? I just can't wrap my head around how someone so young could be wandering around without anyone to look after him."

"Teacher, I'm takin' care of him," Morris pointed out.

"Teacher, I'm taking care of him," Morris pointed out.

All that night and all the succeeding day Miss Bailey's imagination reverted again and again to the two little ones keeping house in Mrs. Mowgelewsky's immaculate apartment. Even increasing blindness had not been allowed to interfere with sweeping and scrubbing and dusting, and when Teacher thought of that patient matron, as she lay in her hospital cot trusting so securely to her Christian friend's guardianship of her son and home, she fretted herself into feeling that it was her duty to go down to Monroe Street and investigate.

All that night and the next day, Miss Bailey couldn't stop thinking about the two little kids living in Mrs. Mowgelewsky's spotless apartment. Even though her eyesight was getting worse, it didn’t stop her from cleaning and tidying up. When the teacher considered that devoted woman lying in her hospital bed, relying so much on her Christian friend's care for her son and home, she became anxious and felt compelled to go down to Monroe Street and check things out.

There was at first no sound when, after climbing endless stairs, she came to Mrs. Mowgelewsky's door. But as the thumping of the heart and the singing in her ears abated somewhat, she detected Morris's familiar treble.

There was initially no sound when, after climbing countless stairs, she reached Mrs. Mowgelewsky's door. But as her racing heart and the ringing in her ears eased a bit, she recognized Morris's familiar high voice.

"Bread," it said, "iss awful healthy for you, only you dasn't eat it 'out chewin'. I never in my world seen how you eats."

"Bread," it said, "is really healthy for you, but you shouldn't eat it without chewing. I've never seen anyone eat like you."

Although the words were admonitory, they lost all didactic effect by the wealth of love and tenderness which sang in the voice. There was a note of happiness in it, too, a throb of pure enjoyment quite foreign to Teacher's knowledge of this sad-eyed little charge of hers. She rested against the door frame, and Morris went on:

Although the words were cautionary, they lost all educational impact because of the abundance of love and tenderness in the voice. There was also a hint of happiness in it, a pulse of pure enjoyment that was completely unfamiliar to Teacher regarding her sad-eyed little student. She leaned against the door frame, and Morris continued:

"I guess you don't know what iss polite. You shall better come on the school, und Miss Bailey could to learn you what iss polite and healthy fer you. No, you couldn't to have no meat. No, sir! No, ma'am! You couldn't to have no meat 'till I cuts it fer you. You could to, maybe, make yourself a sickness und a bashfulness."

"I guess you don't know what is polite. You should come to school, and Miss Bailey can teach you what is polite and healthy for you. No, you can't have any meat. No, sir! No, ma'am! You can't have any meat until I cut it for you. You might make yourself sick and embarrassed."

Miss Bailey put her hand on the door and it yielded noiselessly to her touch, and revealed to her guardian eyes her ward and his little friend. They were seated vis-a-vis[89-1] at the table; everything was very neat and clean and most properly set out. A little lamp was burning clearly. Morris's hair was parted for about an inch back from his forehead and sleeked wetly down upon his brow. The guest had evidently undergone similar preparation for the meal. Each had a napkin tied around his neck, and as Teacher watched them, Morris carefully prepared his guest's dinner, while the guest, an Irish terrier, with quick eyes and one down-flopped ear, accepted his admonishings with a good-natured grace, and watched him with an adoring and confiding eye.

Miss Bailey placed her hand on the door, which opened quietly at her touch, revealing to her watchful eyes her ward and his little friend. They were sitting vis-a-vis at the table; everything was very neat and clean and perfectly arranged. A small lamp was burning brightly. Morris's hair was parted about an inch back from his forehead and slicked down against his brow. The guest had clearly been given similar attention for dinner. Each had a napkin tied around his neck, and as Teacher observed them, Morris carefully prepared his guest's meal, while the guest, an Irish terrier with sharp eyes and one floppy ear, accepted his guidance with good-natured ease and watched him with an adoring and trusting look.

The guest was first to detect the stranger's presence. He seized a piece of bread in his teeth, jumped to the ground, and walking up to Teacher on his hind legs, hospitably dropped the refreshment at her feet.

The guest was the first to notice the stranger. He grabbed a piece of bread with his teeth, jumped down, and walked up to Teacher on his back legs, kindly dropping the snack at her feet.

"Oh! Teacher! Teacher!" cried Morris, half in dismay at discovery, and half in joy that this so sure confidant should share his secret and appreciate his friend. "Oh! Teacher! Missis Bailey! this is the friend what I was telling you over. See how he walks on his feet! See how he has got smilin' looks! See how he carries somethings by his teeth! All times he makes like that. Rover, he don't carries nothin's, und gold fishes, they ain't got no feet even. On'y Izzie could to make them things."

"Oh! Teacher! Teacher!" Morris shouted, half shocked by his discovery and half thrilled that this trusted confidant could share his secret and appreciate his friend. "Oh! Teacher! Missis Bailey! This is the friend I was telling you about. Look how he walks on his feet! Look at his smiling face! Look how he carries things with his teeth! He always does that. Rover doesn’t carry anything, and goldfish don’t have any feet at all. Only Izzie could do those things."

"Oh, is his name Izzie?" asked Miss Bailey, grasping at this conversational straw and shaking the paw which the stranger was presenting to her. "And this is the friend you told me about? You let me think," she chided, with as much severity as Morris had shown to his Izzie, "that he was a boy."

"Oh, is his name Izzie?" asked Miss Bailey, seizing this chance to chat and shaking the paw that the stranger was offering her. "And this is the friend you mentioned? You made me think," she scolded, just as sternly as Morris had been with his Izzie, "that he was a boy."

"I had a 'fraid," said the Monitor of the Gold Fish Bowl frankly.

"I was scared," said the Monitor of the Gold Fish Bowl honestly.

So had Teacher as she reviewed the situation from Mrs. Mowgelewsky's chair of state, and watched the friends at supper. It was a revelation of solicitude on one side, and patient gratitude on the other. Morris ate hardly anything, and was soon at Teacher's knee—Izzie was in her lap—discussing ways and means.

So thought Teacher as she looked over the scene from Mrs. Mowgelewsky's fancy chair and watched the friends at dinner. It was a display of concern from one side and quiet appreciation from the other. Morris barely ate anything and was soon at Teacher's knee—Izzie was in her lap—talking about plans and options.

He refused to entertain any plan which would separate him immediately from Izzie, but he was at last brought to see the sweet reasonableness of preparing his mother's mind by degrees to accept another member to the family.

He wouldn’t consider any plan that would separate him from Izzie right away, but he eventually came to understand the thoughtful approach of gradually preparing his mother to accept another member of the family.

"Und he eats," his protector was forced to admit—"he eats somethin' fierce, Missis Bailey; as much like a man he eats. Und my mamma, I don't know what she will say. She won't leave me I shall keep him; from long I had a little bit of a dog, und she wouldn't to leave me I should keep him, und he didn't eat so much like Izzie eats, neither."

"Well, he eats," his protector had to admit—"he eats a lot, Mrs. Bailey; just like a man he eats. And my mom, I have no idea what she'll say. She won't let me go; I’ll keep him. For a while, I had a little dog, and she wouldn’t let me keep him, and he didn’t eat nearly as much as Izzie does."

"And I can't very well keep him," said Miss Bailey sadly, "because, you see, there is Rover. Rover mightn't like it. But there is one thing I can do: I'll keep him for a few days when your mother comes back, and then we'll see, you and I, if we can persuade her to let you have him always."

"And I can't really keep him," Miss Bailey said sadly, "because, you see, there's Rover. Rover might not like it. But there's one thing I can do: I'll take care of him for a few days when your mother gets back, and then we'll see, you and I, if we can convince her to let you have him for good."

"She wouldn't never to do it," said Morris sadly. "That other dog, didn't I told you how he didn't eat so much like Izzie, and she wouldn't to let me have him? That's a cinch."

"She would never do it," said Morris sadly. "That other dog, didn't I tell you how he didn't eat as much as Izzie, and she wouldn't let me have him? That's a cinch."

"Oh! don't say that word, dear," cried Teacher. "And we can only try. We'll do our very, very best."

"Oh! Please don't say that, dear," exclaimed Teacher. "All we can do is try. We'll give it our very best effort."

This guilty secret had a very dampening effect upon the joy with which Morris watched for his mother's recovery. Upon the day set for her return, he was a miserable battle-field of love and duty. Early in the morning Izzie had been transferred to Miss Bailey's yard. Rover was chained to his house, Izzie was tied to the wall at a safe distance from him, and they proceeded to make the day hideous for the whole neighborhood.

This guilty secret really took away from the joy Morris felt as he waited for his mother's recovery. On the day she was supposed to come back, he was a mess of conflicting emotions—love and duty battling inside him. Early that morning, Izzie had been moved to Miss Bailey's yard. Rover was chained to his doghouse, Izzie was tied to the wall out of his reach, and together they made the whole neighborhood's day a nightmare.

Morris remained at home to greet his mother, received her encomiums, cooked the dinner, and set out for afternoon school with a heavy heart and a heavier conscience. Nothing had occurred in those first hours to show any change in Mrs. Mowgelewsky's opinion of home pets; rather she seemed, in contrast to the mild and sympathetic Miss Bailey, more than ever dictatorial and dogmatic.

Morris stayed at home to welcome his mother, accepted her praises, cooked dinner, and left for afternoon school with a heavy heart and an even heavier conscience. Nothing had happened in those first hours to indicate any shift in Mrs. Mowgelewsky's views on household pets; instead, she seemed, compared to the gentle and understanding Miss Bailey, more dictatorial and firm than ever.

At a quarter after three, the gold fish having received perfunctory attention, and the Board of Monitors being left again to do their worst, unguarded, Morris and Teacher set out to prepare Mrs. Mowgelewsky's mind for the adoption of Izzie. They found it very difficult. Mrs. Mowgelewsky, restored of vision, was so hospitable, so festive in her elephantine manner, so loquacious and so self-congratulatory, that it was difficult to insert even the tiniest conversational wedge into the structure of her monologue.

At 3:15, after giving the goldfish some half-hearted attention, and with the Board of Monitors left to their own devices, Morris and Teacher set out to get Mrs. Mowgelewsky ready to consider adopting Izzie. They had a hard time with it. Mrs. Mowgelewsky, now able to see, was incredibly welcoming, so lively in her big personality, so talkative, and so proud of herself that it was tough to find even the smallest opening to break into her long-winded speech.

Finally Miss Bailey managed to catch her attention upon financial matters. "You gave me," she said, "two dollars and ten cents, and Morris has managed so beautifully that he has not used it all, and has five cents to return to you. He's a very wonderful little boy, Mrs. Mowgelewsky," she added, smiling at her favorite to give him courage.

Finally, Miss Bailey managed to get her attention on financial matters. "You gave me," she said, "two dollars and ten cents, and Morris has done such a great job that he hasn’t spent it all, and he has five cents to give back to you. He's a really amazing little boy, Mrs. Mowgelewsky," she added, smiling at her favorite to encourage him.

"He iss a good boy," Mrs. Mowgelewsky admitted. "Don't you get lonesome sometimes by yourself here, huh?"

"He’s a good boy," Mrs. Mowgelewsky admitted. "Don’t you get lonely sometimes being here by yourself, huh?"

"Well," said Miss Bailey, "he wasn't always alone."

"Well," Miss Bailey said, "he wasn't always by himself."

"No?" queried the matron with a divided attention. She was looking for her purse, in which she wished to stow Morris's surplus.

"No?" the matron asked, distracted. She was looking for her purse, where she wanted to put away Morris's excess.

"No," said Teacher; "I was here once or twice. And then a little friend of his——"

"No," said the teacher. "I came here once or twice. And then a little friend of his—"

"Friend," the mother repeated with a glare; "was friends here in mine house?"

"Friend," the mother said again with a glare, "were friends here in my house?"

Miss Bailey began a purposely vague reply, but Mrs. Mowgelewsky was not listening to her. She had searched the pockets of the gown she wore, then various other hiding-places in the region of its waist line, then a large bag of mattress covering which she wore under her skirt. Ever hurriedly and more hurriedly she repeated this performance two or three times, and then proceeded to shake and wring the out-door clothing which she had worn that morning.

Miss Bailey started to give a deliberately unclear answer, but Mrs. Mowgelewsky wasn’t paying attention to her. She had rummaged through the pockets of her dress, then checked various other hiding spots around her waist, and then a big bag of mattress cover she had tucked under her skirt. In a rush, she repeated this process two or three times, and then began shaking and wringing out the outdoor clothes she had worn that morning.

"Gott!" she broke out at last, "mine Gott! mine Gott! it don't stands." And she began to peer about the floor with eyes not yet quite adjusted. Morris easily recognized the symptoms.

"Gosh!" she finally exclaimed, "Oh my gosh! It doesn't stand." And she started to look around on the floor with eyes that weren't fully adjusted yet. Morris easily recognized the signs.

"She's lost her pocket-book," he told Miss Bailey.

"She’s lost her purse," he told Miss Bailey.

"Yes, I lost it," wailed Mrs. Mowgelewsky, and then the whole party participated in the search. Over and under the furniture, the carpets, the bed, the stove, over and under everything in the apartment went Mrs. Mowgelewsky and Morris. All the joy of home-coming and of well-being was darkened and blotted out by this new calamity. And Mrs. Mowgelewsky beat her breast and tore her hair, and Constance Bailey almost wept in sympathy. But the pocket-book was gone, absolutely gone, though Mrs. Mowgelewsky called Heaven and earth to witness that she had had it in her hand when she came in.

"Yes, I lost it," cried Mrs. Mowgelewsky, and then everyone at the party joined the search. They searched under and over the furniture, the carpets, the bed, the stove, everywhere in the apartment with Mrs. Mowgelewsky and Morris. All the happiness of coming home and feeling good vanished because of this new misfortune. Mrs. Mowgelewsky beat her chest and pulled her hair, and Constance Bailey almost cried in sympathy. But the wallet was gone, completely gone, even though Mrs. Mowgelewsky insisted to anyone listening that she had it in her hand when she came in.

Another month's rent was due; the money to pay it was in the pocket-book. Mr. Mowgelewsky had visited his wife on Sunday, and had given her all his earnings as some salve to the pain of her eyes. Eviction, starvation, every kind of terror and disaster were thrown into Mrs. Mowgelewsky's wailing, and Morris proved an able second to his mother.

Another month's rent was due; the money to pay it was in the wallet. Mr. Mowgelewsky had visited his wife on Sunday and had given her all his earnings as a way to ease the pain of her eyes. Eviction, starvation, every kind of fear and disaster were part of Mrs. Mowgelewsky's cries, and Morris was a strong supporter of his mother.

Miss Bailey was doing frantic bookkeeping in her charitable mind, and was wondering how much of the loss she might replace. She was about to suggest as a last resort that a search should be made of the dark and crannied stairs, where a purse, if the Fates were very, very kind, might lie undiscovered for hours, when a dull scratching made itself heard through the general lamentation. It came from a point far down on the panel of the door, and the same horrible conviction seized upon Morris and upon Miss Bailey at the same moment.

Miss Bailey was frantically calculating in her charitable mind and wondering how much of the loss she could cover. She was about to suggest, as a last resort, that they search the dark, cramped stairs, where a purse, if fate were very, very kind, might go undiscovered for hours, when a dull scratching was heard through the general lamentation. It came from a point far down on the panel of the door, and the same awful realization struck Morris and Miss Bailey at the same moment.

Mrs. Mowgelewsky in her frantic round had approached the door for the one-hundredth time, and with eyes and mind far removed from what she was doing, she turned the handle. And entered Izzie, beautifully erect upon his hind legs, with a yard or two of rope trailing behind him, and a pocket-book fast in his teeth.

Mrs. Mowgelewsky, in her frantic pacing, approached the door for the hundredth time. With her thoughts completely elsewhere, she turned the handle. In walked Izzie, standing tall on his hind legs, with several feet of rope dragging behind him and a wallet securely held in his teeth.

Blank, pure surprise took Mrs. Mowgelewsky for its own. She staggered back into a chair, fortunately of heavy architecture, and stared at the apparition before her. Izzie came daintily in, sniffed at Morris, sniffed at Miss Bailey, sniffed at Mrs. Mowgelewsky's ample skirts, identified her as the owner of the pocket-book, laid it at her feet, and extended a paw to be shaken.

Blank, pure surprise overwhelmed Mrs. Mowgelewsky. She staggered back into a sturdy chair and stared at the figure in front of her. Izzie walked in gracefully, sniffed at Morris, sniffed at Miss Bailey, sniffed at Mrs. Mowgelewsky's flowing skirts, recognized her as the owner of the pocketbook, placed it at her feet, and offered a paw to shake.

"Mine Gott!" said Mrs. Mowgelewsky, "what for a dog iss that?" She counted her wealth, shook Izzie's paw, and then stooped forward, gathered him into her large embrace, and cried like a baby. "Mine Gott! Mine Gott!" she wailed again, and although she spent five minutes in apparent effort to evolve another and more suitable remark, her research met with no greater success than the addition:

"My God!" said Mrs. Mowgelewsky, "what kind of dog is that?" She counted her money, shook Izzie's paw, and then bent down, pulled him into her big hug, and cried like a baby. "My God! My God!" she wailed again, and even though she spent five minutes trying to come up with another and better remark, her efforts resulted in nothing more than the addition:

"He ain't a dog at all; he iss friends."

"He isn't a dog at all; he's a friend."

Miss Bailey had been sent to an eminently good college, and had been instructed long and hard in psychology, so that she knew the psychologic moment when she met it. She now arose with congratulations and farewells. Mrs. Mowgelewsky arose also with Izzie still in her arms. She lavished endearments upon him and caresses upon his short black nose, and Izzie received them all with enthusiastic gratitude.

Miss Bailey had been sent to a really good college and had studied psychology intensively, so she knew the right psychological moment when it came. She now stood up to offer her congratulations and goodbyes. Mrs. Mowgelewsky also got up, holding Izzie in her arms. She showered him with affection and fussed over his short black nose, and Izzie accepted it all with overwhelming gratitude.

"And I think," said Miss Bailey in parting, "that you had better let that dog come with me. He seems a nice enough little thing, quiet, gentle, and very intelligent. He can live in the yard with Rover."

"And I think," said Miss Bailey as she was leaving, "that you should let that dog come with me. He seems like a nice little guy, quiet, gentle, and very smart. He can stay in the yard with Rover."

Morris turned his large eyes from one to another of his rulers, and Izzie, also good at psychologic moments, stretched out a pointed pink tongue and licked Mrs. Mowgelewsky's cheek. "This dog," said that lady majestically, "iss mine. Nobody couldn't never to have him. When I was in mine trouble, was it mans or was it ladies what takes und gives me mine money back? No! Was it neighbors? No! Was it you, Miss Teacher, mine friend? No! It was that dog. Here he stays mit me. Morris, my golden one, you wouldn't to have no feelin's 'bout mamma havin' dogs? You wouldn't to have mads?"

Morris shifted his big eyes from one ruler to the other, and Izzie, skilled at seizing the moment, reached out with her pointed pink tongue and licked Mrs. Mowgelewsky's cheek. "This dog," said Mrs. Mowgelewsky grandly, "is mine. No one could ever take him from me. When I was in trouble, were it men or women who took my money and gave it back? No! Were it neighbors? No! Was it you, Miss Teacher, my friend? No! It was this dog. He stays with me. Morris, my golden one, you don’t have any feelings about mom having dogs, do you? You wouldn’t be mad, would you?"

"No, ma'am," responded her obedient son; "Missis Bailey she says it's fer boys they should make all things what is lovin' mit cats und dogs und horses."

"No, ma'am," replied her obedient son; "Missis Bailey says it's for boys to make all the things that are loving with cats and dogs and horses."

"Goot," said his mother; "I guess, maybe, that ain't such a foolishness."

"Goot," his mother said, "I guess that maybe isn't such a silly idea."

It was not until nearly bedtime that Mrs. Mowgelewsky reverted to that part of Miss Bailey's conversation immediately preceding the discovery of the loss of the purse.

It wasn't until almost bedtime that Mrs. Mowgelewsky returned to the part of Miss Bailey's conversation right before they discovered the purse was missing.

"So-o-oh, my golden one," she began, lying back in her chair with Izzie on her lap—"so-o-oh, you had friends by the house when mamma was by hospital."

"So-o-oh, my golden one," she started, leaning back in her chair with Izzie on her lap—"so-o-oh, you had friends over when Mom was at the hospital."

"On'y one," Morris answered faintly.

"Only one," Morris replied faintly.

"Well, I ain't scoldin'," said his mother. "Where iss your friend? I likes I shall look on him. Ain't he comin' round to-night?"

"Well, I'm not scolding," said his mother. "Where is your friend? I'd like to see him. Isn't he coming around tonight?"

"No ma'am," answered Morris, settling himself at her side, and laying his head close to his friend. "He couldn't to go out by nights the while he gets adopted off of a lady."

"No ma'am," answered Morris, sitting down next to her and resting his head close to his friend. "He can't go out at night until he gets taken in by a lady."


A Camping Trip

Camping Trip

It was the fifteenth of June, and the sun glazed down upon the dry cornfield as if it had a spite against Lincoln Stewart, who was riding a gayly painted new sulky corn-plow, guiding the shovels with his feet. The corn was about knee-high and rustled softly, almost as if whispering, not yet large enough to speak aloud.

It was June 15th, and the sun beat down on the dry cornfield as if it were punishing Lincoln Stewart, who was riding a brightly painted new sulky corn-plow, steering the shovels with his feet. The corn was about knee-high and rustled softly, almost like it was whispering, not yet big enough to make any noise.

Working all day in a level field like this, with the sun burning one's neck brown as a leather glove, is apt to make one dream of cool river pools, where the water snakes wiggle to and fro, and the kingfishers fly above the bright ripples in which the rock bass love to play.

Working all day in a flat field like this, with the sun scorching your neck brown like a leather glove, tends to make you dream of cool river pools, where the water snakes slither back and forth, and the kingfishers soar above the shimmering ripples where the rock bass enjoy playing.

It was about four o'clock, and Lincoln was tired. His neck ached, his toes were swollen, and his tongue called for a drink of water. He got off the plow, after turning the horses' heads to the faint western breeze, and took a seat on the fence in the shade of a small popple tree on which a king-bird had a nest.

It was around four o'clock, and Lincoln was exhausted. His neck hurt, his toes were swollen, and his mouth felt dry and needed a drink of water. He climbed off the plow after turning the horses’ heads toward the light western breeze and sat on the fence in the shade of a small poplar tree that had a kingbird’s nest in it.

Somebody was galloping up the road with a regular rise and fall in the saddle which showed the perfect horseman and easy rider. It was Milton Jennings.

Somebody was riding up the road with a smooth rhythm in the saddle that revealed the skill of a great horseman and relaxed rider. It was Milton Jennings.

"Hello, Lincoln!" shouted Milton.

"Hey, Lincoln!" shouted Milton.

"Hello, Milt," Lincoln returned. "Why ain't you at home workin' like an honest man?"

"Hello, Milt," Lincoln replied. "Why aren't you at home working like an honest person?"

"Better business on hand. I've come clear over here to-day to see you——"

"Got better business to discuss. I'm here today to see you——"

"Well, here I am."

"Here I am."

"Let's go to Clear Lake."

"Let's head to Clear Lake."

Lincoln stared hard at him.

Lincoln fixed him with a stare.

"D'ye mean it?"

"Do you mean it?"

"You bet I do! I can put in a horse. Bert Jenks will lend us his boat—put it right on in place of the wagon box—and we can borrow Captain Knapp's tent. We'll get Rance to go, too."

"You bet I do! I can get us a horse. Bert Jenks will let us use his boat—just swap it out for the wagon box—and we can borrow Captain Knapp's tent. We'll get Rance to come along, too."

"I'm with you," said Lincoln, leaping down, his face aglow with the idea. "But won't you go up and break it gently to the boss? He's got his mind kind o' set on my goin' through this corn again. When'll we start?"

"I'm with you," said Lincoln, jumping down, his face lit up with the idea. "But could you go and break it to the boss gently? He's pretty set on me going through this corn again. When will we start?"

"Let's see—to-day is Wednesday—we ought to get off on Monday."

"Let's see—today is Wednesday—we should leave on Monday."

"Well, now, if you don't mind, Milt, I'd like to have you go up and see what Father says."

"Well, if you don't mind, Milt, I'd like you to go up and see what Dad says."

"I'll fix him," said Milton. "Where is he?"

"I'll take care of him," said Milton. "Where is he?"

"Right up the road, mending fence."

"Right up the road, fixing the fence."

Lincoln was so tickled he not only leaped the fence, but sprang into the plow seat from behind and started on another round, singing, showing how instantly hope of play can lighten a boy's task. But when he came back to the fence, Milton was not in sight, and his heart fell—the outlook was not so assuring.

Lincoln was so excited that he not only jumped over the fence but also jumped into the plow seat from behind and started another round, singing, demonstrating how quickly the hope of play can lift a boy's spirits. But when he returned to the fence, Milton was nowhere to be seen, and his heart sank—the situation didn’t seem so promising anymore.

It was nearly an hour later when Milton came riding back. Lincoln looked up and saw him wave his hand and heard his shout. The victory was won. Mr. Stewart had consented.

It was almost an hour later when Milton rode back. Lincoln looked up, saw him wave his hand, and heard him shout. They had won. Mr. Stewart had agreed.

Lincoln whooped with such wild delight that the horses, swerving to the right, plowed up two rows of corn for several rods before they could be brought back into place.

Lincoln yelled with such wild joy that the horses, veering to the right, trampled two rows of corn for several feet before they could be steered back on track.

"It's all O.K.," Milton called. "But I've got to come over with my team and help you go through the corn the other way."

"It's all good," Milton called. "But I need to come over with my team and help you go through the corn the other way."

From that on, nothing else was thought of or talked of. Each night the four boys got together at Mr. Jennings's house, each one bringing things that he thought he needed. They had never looked upon a sheet of water larger than the mill-pond on the Cedar River, and the cool face of that beautiful lake, of which they had heard so much, allured them.

From then on, nothing else was considered or discussed. Every night, the four boys gathered at Mr. Jennings's house, each bringing items they thought were necessary. They had never seen a body of water bigger than the mill-pond on the Cedar River, and the refreshing expanse of that beautiful lake, which they had heard so much about, captivated them.

The boat was carefully mended, and Rance, who was a good deal of a sailor, naturally talked about making a sail for it.

The boat was carefully repaired, and Rance, who knew quite a bit about sailing, naturally discussed making a sail for it.

Lists of articles were carefully drawn up thus:

Lists of articles were carefully created like this:

4 tin cups 4 knives and forks
1 spider 1 kettle, etc.

At Sunday School the campers became the center of attraction for the other small boys, and quite a number of them went home with Lincoln to look over the vehicle—a common lumber wagon with a boat for the box, projecting dangerously near the horses' tails and trailing far astern. From the edges of the boat arose a few hoops, making a kind of cover, like a prairie schooner.[100-1] In the box were "traps" innumerable in charge of Bert, who was "chief cook and bottlewasher."

At Sunday School, the campers became the center of attention for the other little boys, and quite a few of them went home with Lincoln to check out the vehicle—a regular lumber wagon with a boat as the cargo area, dangerously close to the horses' tails and trailing far behind. A few hoops rose from the edges of the boat, creating a sort of cover, similar to a prairie schooner.[100-1] In the cargo area were countless "traps" managed by Bert, who was the "chief cook and bottlewasher."

Each man's duty had been assigned. Lincoln was to take care of the horses, Milton was to look after the tent and places to sleep, Rance was treasurer, and Bert was the cook, with the treasurer to assist. All these preparations amused an old soldier like Captain Knapp.

Each man's responsibility was clear. Lincoln was in charge of the horses, Milton handled the tent and sleeping arrangements, Rance acted as treasurer, and Bert was the cook, with support from the treasurer. All these arrangements entertained an old soldier like Captain Knapp.

"Are you going to get back this fall?" he asked slyly, as he stood about, enjoying the talk.

"Are you coming back this fall?" he asked playfully, while he lingered around, enjoying the conversation.

"We'll try to," replied Milton.

"We'll give it a shot," replied Milton.

Yes, there the craft stood, all ready to sail at day-break, with no wind or tide to prevent, and every boy who saw it said, "I wish I could go." And the campers, not selfish in their fun, felt a pang of pity, as they answered, "We wish you could, boys."

Yes, there the boat stood, all set to sail at dawn, with no wind or tide to hold it back, and every boy who saw it said, "I wish I could go." And the campers, not wanting to be selfish with their fun, felt a twinge of pity as they replied, "We wish you could, guys."

It was arranged that they were all to sleep in the ship that night, and so as night fell and the visitors drew off, the four navigators went into the kitchen, where Mrs. Jennings set out some bread and milk for them.

It was decided that they would all sleep on the ship that night, and as night came and the visitors left, the four navigators went into the kitchen, where Mrs. Jennings prepared some bread and milk for them.

"Now, boys, d'ye suppose you got bread enough?"

"Now, guys, do you think you have enough bread?"

"We've got twelve loaves."

"We have twelve loaves."

"Well, of course you can buy bread and milk, so I guess you won't starve."

"Well, of course you can get bread and milk, so I guess you won't go hungry."

"I guess not—not with fish plenty," they assured her.

"I guess not—not with plenty of fish," they assured her.

"Well, now, don't set up too late, talkin' about gettin' off."

"Well, don’t stay up too late, talking about leaving."

"We're goin' to turn right in, ain't we, boys?"

"We're going to turn right in, aren't we, guys?"

"You bet. We're goin' to get out of here before sun-up to-morrow mornin'," replied Bert.

"You bet. We're getting out of here before sunrise tomorrow morning," replied Bert.

"Well, see't you do," said Mr. Jennings, who liked boys to have a good time. "I'll be up long before you are."

"Well, I see you do," said Mr. Jennings, who enjoyed boys having fun. "I'll be up long before you are."

"Don't be too sure o' that."

"Don't be too sure of that."

It was delicious going to bed in that curious place, with the stars shining in and the katydids singing. It gave them all a new view of life.

It was amazing going to bed in that strange place, with the stars shining in and the katydids singing. It gave them all a fresh perspective on life.

"Now, the first feller that wakes up, yell," said Bert, as he crept under the blanket.

"Now, the first guy who wakes up, shout," said Bert, as he crawled under the blanket.

"First feller asleep, whistle," said Lincoln.

"First guy to fall asleep, whistle," said Lincoln.

"That won't be you, that's sure," grumbled Rance, already dozing.

"That won't be you, that's for sure," Rance grumbled, already falling asleep.

As a matter of fact, no one slept much. About two o'clock they began, first one, and then the other:

As a matter of fact, no one slept much. About two o'clock, they started, first one, and then the other:

"Say, boys, don't you think it's about time?"

"Hey, guys, don’t you think it’s time?"

"Boys, it's gettin' daylight in the east!"

"Boys, it's getting light in the east!"

"No, it ain't. That's the moon."

"No, it's not. That's the moon."

At last the first faint light of the sun appeared, and Lincoln rose, fed the horses, and harnessed them while the other boys got everything else in readiness.

At last, the first light of dawn broke, and Lincoln got up, fed the horses, and hitched them up while the other boys prepared everything else.

Mr. Jennings came out soon, and Mrs. Jennings got some hot coffee for them, and before the sun was anywhere near the horizon, they said good-by and were off. Mr. Jennings shouted many directions about the road, while Mrs. Jennings told them again to be careful on the water.

Mr. Jennings came out shortly after, and Mrs. Jennings made some hot coffee for them. Before the sun was anywhere near the horizon, they said goodbye and headed out. Mr. Jennings shouted several directions about the road, while Mrs. Jennings reminded them again to be careful on the water.

To tell the truth, the boys were a little fagged at first, but at last as the sun rose, the robins began to chatter, and the bobolinks began to ring their fairy bells, and the boys broke into song. For the first hour or two the road was familiar and excited no interest, but then they came upon new roads, new fields, and new villages. Streams curved down the slopes and ran musically across the road, as if on purpose to water their horses. Wells beside the fences under silver-leaf maples invited them to stop and drink and lunch. Boys they didn't know, on their way to work, stopped and looked at them enviously. How glorious it all was!

To be honest, the boys were a bit exhausted at first, but as the sun rose, the robins started to chirp, and the bobolinks rang their cheerful bells, and the boys burst into song. For the first hour or two, the road felt familiar and didn't spark much interest, but then they encountered new paths, new fields, and new villages. Streams flowed down the slopes and trickled melodically across the road, almost as if to water their horses. Wells alongside the fences under silver-leaf maples tempted them to pause for a drink and a bite to eat. Boys they didn't know, heading to work, stopped and watched them with envy. It was all so glorious!

The sun grew hot, and at eleven o'clock they drew up in a beautiful grove of oaks, beside a swift and sparkling little river, for dinner and to rest their sweaty team. They concluded to eat doughnuts and drink milk for that meal, and this gave them time to fish a little and swim a good deal, while the horses munched hay under the trees.

The sun got really hot, and at eleven o'clock they stopped in a beautiful grove of oaks, next to a fast and sparkling little river, for lunch and to let their sweaty team rest. They decided to have doughnuts and milk for that meal, which allowed them to fish a bit and swim a lot, while the horses nibbled on hay under the trees.

After a good long rest, they hitched the team in again and started on toward the west. They had still half-way (twenty-five miles) to go. The way grew stranger. The land, more broken and treeless, seemed very wonderful to them. They came into a region full of dry lake-beds, and Bert, who had a taste for geology, explained the cause of the valleys so level at the bottom, and pointed out the old-time limits of the water. As night began to fall, it seemed they had been a week on the way.

After a good long rest, they hitched the team up again and set off toward the west. They still had half the journey left (twenty-five miles) to go. The landscape became more unusual. The land, more uneven and lacking trees, seemed incredible to them. They entered an area filled with dry lakebeds, and Bert, who had a keen interest in geology, explained why the valleys were so flat at the bottom and pointed out the old water lines. As night began to fall, it felt like they had been traveling for a week.

At last, just as the sun was setting, they saw a dark belt of woods ahead of them and came to a narrow river, which the farmers said was the outlet of the lake. They pushed on faster, for the roads were better, and just at dusk they drove into the little village street which led down to the lake, to which their hungry eyes went out first of all.

At last, just as the sun was setting, they saw a dark stretch of woods in front of them and came to a narrow river, which the farmers said flowed out of the lake. They picked up the pace, since the roads were smoother, and just at dusk they entered the small village street that led down to the lake, which their eager eyes focused on first.

How glorious it looked, with its waves lapping the gravelly beach, and the dark groves of trees standing purple-black against the orange sky. They sat and gazed at it for several minutes without saying a word. Finally Rance said, with a sigh, "Oh, wouldn't I like to jump into that water!"

How beautiful it looked, with its waves gently hitting the rocky beach and the dark trees standing deep purple against the orange sky. They sat and stared at it for several minutes without saying a word. Finally, Rance sighed and said, "Oh, I would love to jump into that water!"

"Well, this won't do. We must get a camp," said Milton; and they pulled the team into a road leading along the east shore of the lake.

"Well, this isn't going to work. We need to find a camp," said Milton, and they guided the team onto a road that ran along the east shore of the lake.

"Where can a fellow camp?" Bert called to a young man who met them, with a pair of oars on his back.

"Where can I set up camp?" Bert called to a young man who approached them with a pair of oars on his back.

"Anywhere down in the woods." He pointed to the south.

"Anywhere in the woods down there." He pointed south.

They soon reached a densely wooded shore where no one stood guard, and drove along an old wood road to a superb camping-place near the lake shore under a fine oak grove.

They quickly arrived at a thickly wooded shoreline where there was no one on watch, and drove along an old dirt road to a great camping spot by the lake beneath a beautiful oak grove.

"Whoa!" yelled Milton.

"Whoa!" shouted Milton.

All hands leaped out. Milton and Lincoln took care of the horses. Bert seized an axe and chopped on one side of two saplings, bent them together, tied them, cleared away the brush around them, and with Rance's help drew the tent cloth over them—this was the camp! While they dug up the bedding and put it in place, Rance built a fire and set some coffee boiling.

All hands jumped out. Milton and Lincoln looked after the horses. Bert grabbed an axe and chopped at one side of two saplings, bent them together, tied them, cleared away the brush around them, and with Rance's help draped the tent cloth over them—this was the camp! While they dug up the bedding and set it up, Rance built a fire and started boiling some coffee.

By the time they sat down to eat their bread and coffee and cold chicken, the grove was dark. The smoke rose in a billowy mass, vanishing in the dark, cool shadows of the oaks above. A breeze was rising. Below them they could hear the lap of the waves on the bowlders. It was all so fine, so enjoyable, that it seemed a dream from which they were in danger of waking.

By the time they sat down to eat their bread, coffee, and cold chicken, the grove was dark. The smoke rose in a fluffy cloud, disappearing into the dark, cool shadows of the oaks above. A breeze was picking up. Below them, they could hear the sound of waves lapping against the boulders. It was all so wonderful, so enjoyable, that it felt like a dream they might wake up from at any moment.

After eating, they all took hold of the boat and eased it down the bank into the water.

After eating, they all grabbed the boat and gently lowered it down the bank into the water.

"Now, who's goin' to catch the fish for breakfast?" asked Bert.

"Now, who’s going to catch the fish for breakfast?" asked Bert.

"I will," replied Rance, who was a "lucky" fisherman. "I'll have some fish by sun-up—see if I don't."

"I will," replied Rance, who was a "lucky" fisherman. "I'll have some fish by sunrise—just watch."

Their beds were hay, with abundant quilts and blankets spread above, and as Lincoln lay looking out of the tent door at the smoke curling up, hearing the horses chewing and an owl hooting, it seemed gloriously like the stories he had read, and the dreams he had had of sometime being free from care and free from toil, far in the wilderness.

Their beds were made of hay, covered with plenty of quilts and blankets, and as Lincoln lay looking out of the tent door at the smoke rising, listening to the horses munching and an owl hooting, it felt wonderfully like the stories he had read and the dreams he had of someday being carefree and free from work, deep in the wilderness.

"I wish I could do this all the time," he said to Milton, who was looking at the fire, his chin resting in his palms.

"I wish I could do this all the time," he said to Milton, who was watching the fire, his chin resting in his hands.

"I can tell better after a week of it," retorted Milton.

"I can give you a better answer after a week of it," Milton replied.

To a boy like Lincoln or Rance, that evening was worth the whole journey, that strange, delicious hour in the deepening darkness, when everything seemed of some sweet, remembered far-off world—they were in truth living as their savage ancestry lived, close to nature's mystery.

To a boy like Lincoln or Rance, that evening was worth the entire trip, that strange, delightful hour in the growing darkness, when everything felt like some sweet, distant memory—they were truly living like their wild ancestors, close to nature's mysteries.

The pensiveness did not prevent Milton from hitting Bert a tremendous slap with a boot-leg, saying, "Hello! that mosquito pretty near had you that time."

The deep thought didn't stop Milton from giving Bert a huge slap with a bootleg, saying, "Hey! That mosquito almost got you that time."

And Bert, familiar with Milton's pranks, turned upon him, and a rough and tumble tussle went on till Rance cried out: "Look out there! You'll be tippin' over my butter!"

And Bert, used to Milton's antics, turned on him, and a playful scuffle broke out until Rance shouted, "Watch it! You're about to spill my butter!"

At last the rustle of the leaves over their heads died out in dreams and the boys fell asleep, deliciously tired, full of plans for the next day.

At last, the rustling of the leaves above them faded into dreams and the boys fell asleep, pleasantly exhausted, filled with ideas for the next day.

Morning dawned, cool and bright, and Bert was stirring before sunrise. Rance was out in the boat before the pink had come upon the lake, while Milton was "skirmishing" for some milk.

Morning came, cool and bright, and Bert was up before sunrise. Rance was out in the boat before the pink hue appeared on the lake, while Milton was "skirmishing" for some milk.

How delicious that breakfast! Newly fried perch, new milk with bread and potatoes from home—but the freedom, the strange familiarity of it all! There in the dim, sweet woods, with the smoke curling up into the leafy masses above, the sunlight just dropping upon the lake, the killdee, the robin, and the blue jay crying in the still, cool morning air. This was indeed life. The hot cornfields were far away.

How delicious that breakfast! Freshly fried perch, fresh milk with bread and potatoes from home—but the freedom, the weird familiarity of it all! There in the dim, sweet woods, with the smoke curling up into the leafy canopy above, the sunlight just hitting the lake, the killdee, the robin, and the blue jay calling out in the quiet, cool morning air. This was truly life. The hot cornfields were far away.

Breakfast having been eaten to the last scrap of fish, they made a rush for the lake and the boat. There it lay, moving a little on the light waves, a frail little yellow craft without keel or rudder, but something to float in, anyhow. There rippled the lake six miles long, cool and sparkling, and boats were getting out into the mid-water like huge "skimmer-bugs,"[105-1] carrying fisherman to their tasks.

Breakfast having been eaten to the last piece of fish, they rushed to the lake and the boat. There it was, gently bobbing on the light waves, a fragile little yellow craft without a keel or rudder, but at least something to float in. The lake stretched six miles long, cool and sparkling, and boats were heading out into the mid-water like giant "skimmer-bugs,"[105-1] carrying fishermen to their tasks.

While the other boys fished for perch and bass for dinner, Lincoln studied the shore. The beach which was their boat-landing was made up of fine, varicolored bowlders, many of them round as cannon balls, and Lincoln thought of the thousands of years they been rolling and grinding there, rounding each other and polishing each other till they glistened like garnets and rubies. And then the sand!

While the other boys fished for perch and bass for dinner, Lincoln looked at the shore. The beach where they launched their boat was made up of smooth, colorful boulders, many of them round like cannonballs. Lincoln thought about the thousands of years they had been rolling and grinding there, rounding each other and polishing each other until they shone like garnets and rubies. And then there was the sand!

He waded out into the clear yellow waters and examined the bottom, which was set in tiny waves beautifully regular, the miniature reflexes of the water in motion. It made him think of the little wind waves in the snow, which he had often wondered at in winter.

He stepped into the clear yellow water and looked at the bottom, where tiny, perfectly regular waves created beautiful ripples in the moving water. It reminded him of the little wind-driven waves in the snow that he had often admired in the winter.

Growing tired of this, he returned to the bank, and lying down on the grass gave himself up to the rest and freedom and beauty of the day. He no longer felt like "making the most of it." It seemed as if he were always to live like this.

Growing tired of this, he went back to the bank, and lying on the grass, he surrendered himself to the rest, freedom, and beauty of the day. He no longer felt the need to "make the most of it." It felt like he was meant to live like this forever.

The others came in after awhile with a few bass and many perch which were beautifully marked in pearl and gray, to correspond with the sand bottom, though the boys didn't know that. There were no large fish so near shore, and they lacked the courage to go far out, for the whitecaps glittered now and then in mid-water.

The others came in after a while with a few bass and many perch that were beautifully marked in pearl and gray, blending in with the sandy bottom, although the boys didn’t realize that. There weren't any large fish close to shore, and they didn’t have the guts to go far out since the whitecaps sparkled occasionally in the middle of the water.

They ate every "smidgin'" of the fish at dinner, and their larder looked desperately bare. They went out into the deeper water, all feeling a little timorous, as the little boat began to rock on the waves.

They ate every last bit of the fish at dinner, and their pantry looked hopelessly empty. They ventured out into the deeper water, all feeling a bit nervous as the small boat started to rock on the waves.

Lincoln was fascinated with the water, which was so clear that he could see fish swimming far below. The boat seemed floating in the air. At times they passed above strange and beautiful forests of weeds and grasses, jungles which scared him, for he remembered the story of a man who had been caught and drowned by just such clinging weeds, and besides, what monsters these mysterious places might conceal!

Lincoln was captivated by the water, which was so clear that he could see fish swimming far below. The boat felt like it was floating in the air. Occasionally, they glided over odd and beautiful forests of weeds and grasses, jungles that frightened him because he recalled the story of a man who had gotten trapped and drowned in just such entangling weeds. Plus, he wondered what monsters these mysterious places might hide!

Other boats came around them. Sailboats passed, and the little steamer, the pride of the lake, passed over to "the island." Yachts that seemed to the boys immense went by, loaded with merrymakers. Everything was as strange, as exciting, as if they were in a new world.

Other boats came around them. Sailboats sailed by, and the little steamer, the pride of the lake, headed over to "the island." Yachts that looked enormous to the boys cruised past, filled with party-goers. Everything felt strange and exciting, like they were in a whole new world.

Rance was much taken by the sailboats. "I'm going to rig a sail on our boat, or die tryin'," he declared.

Rance was really impressed by the sailboats. "I'm going to put a sail on our boat, or die trying," he said.

He spent the whole afternoon at this work while the other boys played ball and shot at a target, and by night was ready for a sail, though the others were skeptical of results.

He spent the entire afternoon working on this while the other boys played ball and shot at a target, and by night he was ready to set sail, although the others were doubtful about the results.

That second night was less restful. The mosquitoes bit and a loud thunderstorm passed over. As they heard the roar of the falling rain on the tent and the wet spatter in their faces, and heard the water drip-drop on their bread-box, Milton and Lincoln wished themselves at home.

That second night was less peaceful. The mosquitoes bit, and a loud thunderstorm rolled in. As they listened to the sound of heavy rain hitting the tent and felt the cool droplets on their faces, and heard the water drip-drop on their bread box, Milton and Lincoln wished they were at home.

It grew cooler toward morning and the mosquitoes left, so that they all slept like bear cubs, rising fresh and rested.

It got cooler as morning approached, and the mosquitoes disappeared, allowing them all to sleep like bear cubs, waking up feeling fresh and rested.

It was a little discouraging at first. Everything was wet and the bread was inclined to be mouldy and tasted of the box; but the birds were singing, the sky was bright and cool, and a fresh western wind was blowing.

It was a bit discouraging at first. Everything was damp, the bread was likely to be moldy and tasted like the box; but the birds were singing, the sky was clear and cool, and a fresh western wind was blowing.

Rance was eager to sail, and as soon as he had put away the breakfast, he shouldered his mast.

Rance was excited to set sail, and as soon as he finished breakfast, he slung his mast over his shoulder.

"Come on, boys, now for the boat."

"Come on, guys, time for the boat."

"I guess not," said Milton.

"I guess not," Milton said.

The boat was soon rigged with a little triangular sail, with an oar to steer by, lashed in with wires. Lincoln finally had courage to get in, and with beating heart Rance pushed off.

The boat was quickly set up with a small triangular sail and an oar for steering, secured with wires. Lincoln finally found the courage to get in, and with a racing heart, Rance pushed off.

The sail caught the breeze, and the boat began to move.

The sail caught the wind, and the boat started to move.

"Hurrah!" Rance threw water on the sail; where he learned that was a mystery. The effect was felt at once. The cloth swelled, became impervious to the wind, and the boat swept steadily forward.

"Hooray!" Rance splashed water on the sail; where he learned that was a mystery. The effect was immediate. The fabric puffed up, became resistant to the wind, and the boat moved forward steadily.

Lincoln was cautious. "That is all right—the question is, can we get back?"

Lincoln was careful. "That's fine—the real question is, can we get back?"

"You wait an' see me tack."

"You wait and see me turn things around."

"All right. Tack or nail, only let's see you get back where we started from." Lincoln was skeptical of sailboats. He had heard about sailing "just where you wanted to go," but he had his doubts about it.

"Okay. Tack or nail, but let’s see you get back to where we started." Lincoln was doubtful about sailboats. He had heard that you could sail "exactly where you wanted to go," but he wasn’t so sure about that.

The boat obeyed the rudder nicely, came around slowly, and started in on a new tack smoothly and steadily. After this successful trip, the boys did little else but sail.

The boat followed the rudder perfectly, turned slowly, and began a new tack smoothly and steadily. After this successful outing, the boys spent all their time sailing.

"I'm going up to town with it after dinner," Rance announced. But when they came out after dinner, they found the sky overcast and a strong breeze blowing from the southwest.

"I'm going up to town with it after dinner," Rance said. But when they came out after dinner, they found the sky cloudy and a strong wind blowing from the southwest.

Milton refused to experiment. "I'd sooner walk than ride in your boat," he explained.

Milton refused to try anything new. "I'd rather walk than ride in your boat," he said.

"All right; you pays your money—you takes your choice," replied Rance.

"Okay, you pay your money—you make your choice," replied Rance.

The boat drove out into the lake steadily and swiftly, making the water ripple at the stern delightfully; but when they got past a low-lying island where the waves ran free, the ship began to heave and slide wildly, and Lincoln grew a little pale and set in the face, which made Rance smile.

The boat moved steadily and quickly out onto the lake, creating lovely ripples at the back; but once they passed a low-lying island where the waves were unrestrained, the boat started to toss and slide uncontrollably, causing Lincoln to look a bit pale and serious, which made Rance smile.

"This is something like it. I'm going to go out about half a mile, then strike straight for the town."

"This is kind of how it is. I'm going to head out about half a mile, then go straight to the town."

It was not long before he found the boat quite unmanageable. The long oar crowded him nearly off the seat, as he tried to hold her straight out into mid-water. She was flat-bottomed, and as she got into the region of whitecaps, she began to be blown bodily with the wind.

It wasn't long before he realized the boat was pretty hard to handle. The long oar almost pushed him off the seat as he tried to keep her pointed straight out into the open water. She had a flat bottom, and as she hit the area with whitecaps, the wind started to blow her around completely.

Lincoln was excited, but not scared; he realized now that they were in great danger. Rance continued to smile, but it was evident that he too was thinking new thoughts. He held the sail with his right hand, easing it off and holding it tight by looping the rope on a peg set in the gunwhale. But it was impossible for Lincoln to help him. All depended on him alone.

Lincoln was excited, but not afraid; he now understood that they were in serious danger. Rance kept smiling, but it was clear that he was also having new thoughts. He held the sail with his right hand, loosening it and securing it tightly by looping the rope around a peg set in the gunwale. But there was no way for Lincoln to assist him. Everything relied on him alone.

"Turn!—turn it!" shouted Lincoln. "Don't you see we can't get back?"

"Turn!—turn it!" shouted Lincoln. "Don't you see we can't go back?"

"I'm afraid of breakin' my rudder."

"I'm worried about breaking my rudder."

There lay the danger. The oar was merely lashed into a notch in the stern, with wire. The leverage was very great, but Rance brought the boat about and headed her for the town nearly three miles away.

There was the danger. The oar was just secured in a notch at the back with wire. The leverage was significant, but Rance turned the boat around and aimed it toward the town nearly three miles away.

They both thrilled with a sort of pleasure to feel the boat leap under them as she caught the full force of the wind in her sail. If they could hold her in that line, they were all right. She careened once till she dipped water.

They both felt a rush of excitement as the boat surged beneath them when it caught the full force of the wind in her sail. If they could keep her on that course, they were good. She tilted once until she splashed some water.

"Get on the edge!" commanded Rance, easing the sail off. Lincoln climbed upon the edge of the little pine shell, scarcely eighteen inches high, and the boat steadied. Both looked relieved.

"Get on the edge!" Rance ordered, easing the sail off. Lincoln climbed onto the edge of the small pine boat, barely eighteen inches high, and the boat steadied. Both looked relieved.

The water was getting a lead color, streaked with foam, and the hissing of the whitecaps had a curiously snaky sound, as they spit water into the boat. The rocking had opened a seam in the bottom, and Lincoln was forced to bail furiously.

The water was turning a lead color, streaked with foam, and the hissing of the whitecaps had an oddly snake-like sound as they splashed water into the boat. The rocking had opened a seam in the bottom, and Lincoln had to bail frantically.

Rance, though a boy of unusual strength, clear-headed and resolute in time of danger, began to feel that he was master only for a time.

Rance, despite being a boy with exceptional strength, clear thinking, and determination in dangerous situations, started to realize that he was in control only temporarily.

"I don't suppose this is much of a blow," he grunted, "but I don't see any of the other boats out."

"I guess this isn't a big deal," he grumbled, "but I don't see any of the other boats out."

Lincoln glanced around him; all the boats, even the two-masters, were in or putting in. Lightning began to run down the clouds in the west in zigzag streams. The boat, from time to time, was swept sidewise out of its course, but Rance dared not ease the sail for fear he could not steer her, and besides he was afraid of the rapidly approaching squall. If she turned sideways toward the wind, she would instantly fill.

Lincoln looked around; all the boats, even the two-masters, were either anchored or coming in. Lightning started to streak down the clouds in the west in zigzag patterns. The boat was occasionally pushed sideways off its path, but Rance didn’t want to ease the sail for fear he wouldn’t be able to steer it, plus he was worried about the approaching storm. If the boat turned sideways into the wind, it would quickly fill with water.

He sat there, with the handle of the oar at his right hip, the rope in his hand with one loop round the peg, and every time the gust struck the sail he was lifted from his seat by the crowding of the oar and the haul of the rope. His muscles swelled tense and rigid—the sweat poured from his face; but he laughed when Lincoln, with reckless drollery, began to shout a few nautical words.

He sat there, the handle of the oar by his right hip, a rope in his hand with one loop around the peg, and every time a gust hit the sail, he was lifted from his seat by the strain of the oar and the pull of the rope. His muscles tightened and stiffened—the sweat dripped from his face; but he laughed when Lincoln, with reckless humor, started shouting a few nautical terms.

"Luff,[111-1] you lubber—why don't you luff? Hard-a-port, there, you'll have us playin' on the sand yet. That's right. All we got to do is to hard-a-port when the wind blows."

"Luff,[111-1] you landlubber—why aren't you luffing? Turn hard to port, or we'll end up stuck in the sand. That's right. All we need to do is turn hard to port when the wind blows."

The farther they went, the higher the waves rolled, till the boat creaked and gaped under its strain, and the water began to come in fast.

The further they went, the taller the waves grew, until the boat creaked and strained under the pressure, and the water started coming in quickly.

"Bail 'er out!" shouted the pilot. The thunder broke over their heads, and far away to the left they could see rain and the water white with foam, but they were nearing the beach at the foot of the street. A crowd was watching them with motionless intensity.

"Bail her out!" yelled the pilot. Thunder rumbled overhead, and in the distance to the left, they could see rain and churning whitewater, but they were getting closer to the beach at the end of the street. A crowd was watching them with unwavering focus.

They were now in the midst of a fleet of anchored boats. The blast struck the sail, tearing it loose and filling the boat with water, but Rance held to his rudder, and threading her way among the boats, the little craft ran half her length upon the sand.

They were now surrounded by a group of anchored boats. The wind hit the sail, ripping it apart and flooding the boat with water, but Rance kept his grip on the rudder, and maneuvering through the boats, the small craft ran halfway up onto the sand.

As Rance leaped ashore, he staggered with weakness. Both took shelter in a near-by boathouse. The boat-keeper jeered at them: "Don't you know any more'n to go out in such a tub as that on a day like this? I expected every minute to see you go over."

As Rance jumped onto the shore, he wobbled with exhaustion. They both took cover in a nearby boathouse. The boat keeper mocked them: "Don't you know better than to head out in that tub on a day like this? I was expecting to see you tip over any second."

"We didn't," said Rance. "I guess we made pretty good time."

"We didn't," Rance said. "I think we made pretty good time."

"Time! you'd better say time! If you'd been five minutes later, you'd had time enough."

"Time! You'd better mention time! If you had been five minutes later, you would have had time enough."

It was a foolhardy thing—Rance could see it now as he looked out on the mad water, and at the little flat, awkward boat on the sand.

It was a reckless thing—Rance could see that now as he looked out at the wild water and the small, clumsy boat on the sand.

An hour later, as they walked up the wood, they met the other boys half-way on the road, badly scared.

An hour later, as they walked up the hill, they ran into the other boys halfway down the road, looking really scared.

"By golly! We thought you were goners," said Milton. "Why, we couldn't see the boat after you got out a little ways. Looked like you were both sittin' in the water."

"Wow! We thought you were done for," said Milton. "We could hardly see the boat after you paddled out a bit. It looked like you were both just sitting in the water."

They found the camp badly demoralized. Their blankets were wet and the tent blown out of plumb, but they set to work clearing things up. The rain passed and the sun came out again, and when they sat down to their supper, the storm was far away.

They found the camp in really bad shape. Their blankets were soaked and the tent was all messed up, but they got to work cleaning everything up. The rain stopped and the sun came out again, and when they sat down for dinner, the storm felt like a distant memory.

It was glorious business to these prairie boys. Released from work in the hot cornfields, in camp on a lovely lake, with nothing to do but swim or doze when they pleased, they had the delicious feeling of being travelers in a strange country—explorers of desert wilds, hunters and fishers in the wildernesses of the mysterious West.

It was an amazing adventure for these prairie boys. Finished with work in the hot cornfields, camping by a beautiful lake, with nothing to do but swim or nap whenever they wanted, they felt the thrilling experience of being travelers in an unfamiliar land—explorers of empty wilds, hunters, and fishers in the mysterious West.

To Lincoln it was all so beautiful that it almost made him sad. When he should have enjoyed every moment, he was saying to himself, "Day after to-morrow we must start for home"—the happy days passed all too swiftly.

To Lincoln, everything was so beautiful that it almost made him feel sad. When he should have been enjoying every moment, he found himself thinking, "The day after tomorrow, we have to head home"—the happy days were flying by way too fast.

Occasionally Milton said: "I wish I had one o' Mother's biscuits this morning," or some such remark, but some one usually shied a potato at him. Such remarks were heretical.

Occasionally Milton would say, "I wish I had one of Mom's biscuits this morning," or something like that, but someone usually tossed a potato at him. Comments like that were considered heretical.

They explored the woods to the south, a wild jungle, which it was easy to imagine quite unexplored. Some years before a gang of horse thieves had lived there, and their grass-grown paths were of thrilling interest, although the boys never quite cared to follow them to the house where the shooting of the leader had taken place.

They wandered through the dense woods to the south, a wild jungle that felt completely untouched. A few years earlier, a group of horse thieves had made this their hideout, and their overgrown trails were fascinating to the boys, although they never felt brave enough to follow them all the way to the spot where the leader had been shot.

Altogether it was a wonderful week, and when they loaded up their boat and piled their plunder in behind, it was with sad hearts. It was late Saturday night when they drew up in Mr. Jennings's yard, but to show that they were thoroughly hardened campers, they slept in the wagon another night—at least three of them did. Milton shamelessly sneaked away to his bed, and they did not miss him until morning.

Altogether, it was a fantastic week, and when they loaded their boat and stuffed their treasure in the back, it was with heavy hearts. It was late Saturday night when they pulled into Mr. Jennings's yard, but to prove that they were true campers, three of them slept in the wagon for another night. Milton sneakily slipped away to his bed, and they didn't notice he was gone until morning.

Mrs. Jennings invited them all to breakfast and nobody refused. "Land o' Goshen," said she, "you eat as if you were starved."

Mrs. Jennings invited everyone to breakfast, and no one said no. "Goodness gracious," she said, "you eat like you haven't had a meal in ages."

"We are," replied Bert.

"We're," replied Bert.

"Oh, but it was fun, wasn't it, boys?" cried Lincoln.

"Oh, but it was fun, right, guys?" cried Lincoln.

"You bet it was. Let's go again next year."

"You bet it was. Let's do it again next year."

"All right," said Milton; "raise your weapons and swear."

"Okay," said Milton; "lift your weapons and take an oath."

They all lifted their knives in solemn covenant to go again the following year. But they never did. Of such changeful stuff are the plans of youth!

They all raised their knives in a serious promise to meet again the next year. But they never did. The plans of youth are so unpredictable!


A Thread without a Knot

A Thread without a Knot

I

I

When the assistant in the history department announced to Professor Endicott his intention of spending several months in Paris to complete the research work necessary to his doctor's dissertation,[114-1] the head of the department looked at him with an astonishment so unflattering in its significance that the younger man laughed aloud.

When the assistant in the history department told Professor Endicott that he planned to spend several months in Paris to finish the research needed for his doctoral dissertation, [114-1] the head of the department looked at him with such a surprising expression that the younger man laughed out loud.

"You didn't think I had it in me to take it so seriously, did you, Prof?" he said, with his usual undisturbed and amused perception of the other's estimate of him. "And you're dead right, too! I'm doing it because I've got to, that's all. It's borne in on me that you can't climb up very fast in modern American universities unless you've got a doctor's degree, and you can't be a Ph.D. without having dug around some in a European library. I've picked out a subject that needs just as little of that as any—you know as well as I do that right here in Illinois I can find out everything that's worth knowing about the early French explorers of the Mississippi—but three months in the Archives[114-2] in Paris ought to put a polish on my dissertation that will make even Columbia and Harvard sit up and blink. Am I right in my calculations?"

"You didn't think I had it in me to take this so seriously, did you, Prof?" he said, with his usual calm and amused understanding of how others viewed him. "And you're absolutely right! I'm doing this because I have to, that’s all. It’s clear to me that you can’t move up quickly in modern American universities without a doctorate, and you can’t be a Ph.D. without doing some research in a European library. I’ve chosen a topic that requires as little of that as possible—you know as well as I do that right here in Illinois I can find out everything worth knowing about the early French explorers of the Mississippi—but three months in the Archives[114-2] in Paris should give my dissertation a polish that will make even Columbia and Harvard take notice. Am I right in my calculations?"

Professor Endicott's thin shoulders executed a resigned shrug. "You are always right in your calculations, my dear Harrison," he said; adding, with an ambiguous intonation, "And I suppose I am to salute in you the American scholar of the future."

Professor Endicott's thin shoulders shrugged in resignation. "You're always right in your calculations, my dear Harrison," he said, adding with a hint of ambiguity, "And I guess I'm expected to acknowledge you as the American scholar of the future."

Harrison laughed again without resentment, and proceeded indulgently to reassure his chief. "No, sir, you needn't be alarmed. There'll always be enough American-born scholars to keep you from being lonesome, just as there'll always be others like me, that don't pretend to have a drop of real scholar's blood in them. I want to teach!—to teach history!—American history!—teach it to fool young undergraduates who don't know what kind of a country they've got, nor what they ought to make out of it, now they've got it. And I'm going in to get a Ph. D. the same way I wear a stiff shirt and collars and cuffs, not because I was brought up to believe in them as necessary to salvation—because I wasn't, Lord knows!—but because there's a prejudice in favor of them among the people I've got to deal with." He drew a long breath and went on, "Besides, Miss Warner and I have been engaged about long enough. I want to earn enough to get married on, and Ph. D. means advancement."

Harrison laughed again without any hard feelings and patiently reassured his boss. "No, sir, you don’t need to worry. There will always be plenty of American-born scholars to keep you company, just like there will always be people like me who don't pretend to have any genuine scholarly background. I want to teach!—to teach history!—American history!—teach it to clueless young undergraduates who don’t understand what kind of country they have, or what they should do with it now that they have it. And I'm pursuing a Ph. D. just like I wear a stiff shirt and collars and cuffs, not because I was raised to think they’re essential for success—because I wasn’t, thank goodness!—but because there’s a bias in favor of them among the people I need to impress." He took a deep breath and continued, "Besides, Miss Warner and I have been engaged long enough. I want to make enough money to get married, and a Ph. D. means progress."

Professor Endicott assented dryly: "That is undoubtedly just what it means nowadays. But you will 'advance,' as you call it, under any circumstances. You will not remain a professor of history. I give you ten years to be president of one of our large Western universities."

Professor Endicott replied dryly, "That’s definitely what it means these days. But you will 'move up,' as you say, no matter what. You won't stay a history professor. I give you ten years to become president of one of our big Western universities."

His accent made the prophecy by no means a compliment, but Harrison shook his hand with undiminished good-will. "Well, Prof, if I am, my first appointment will be to make you head of the history department with twice the usual salary, and only one lecture a week to deliver to a class of four P.G's—post-graduates, you know. I know a scholar when I see one, if I don't belong to the tribe myself, and I know how they ought to be treated."

His accent definitely didn't make the prophecy a compliment, but Harrison shook his hand with genuine goodwill. "Well, Prof, if that's the case, my first move will be to make you the head of the history department with double the usual salary, and you’ll only have to give one lecture a week to a class of four post-grads—you know, P.G.'s. I recognize a scholar when I see one, even if I’m not one myself, and I know how they should be treated."

If, in his turn, he put into a neutral phrase an ironical significance, it was hidden by the hearty and honest friendliness of his keen, dark eyes as he delivered this farewell.

If he, in turn, added an ironic meaning to his neutral phrase, it was concealed by the warm and genuine friendliness of his sharp, dark eyes as he said goodbye.

The older man's ascetic face relaxed a little. "You are a good fellow, Harrison, and I'm sure I wish you any strange sort of success you happen to desire."

The older man's stern face softened a bit. "You’re a good guy, Harrison, and I genuinely hope you find whatever weird kind of success you’re after."

"Same to you, Professor. If I thought it would do any good, I'd run down from Paris to Munich[116-1] with a gun and try scaring the editor of the Central-Blatt into admitting that you're right about that second clause in the treaty of Utrecht."[116-2]

"Same to you, Professor. If I thought it would make a difference, I'd dash from Paris to Munich[116-1] with a gun and try to intimidate the editor of the Central-Blatt into admitting that you're correct about that second clause in the treaty of Utrecht."[116-2]

Professor Endicott fell back into severity. "I'm afraid," he observed, returning to the papers on his desk, "I'm afraid that would not be a very efficacious method of determining a question of historical accuracy."

Professor Endicott leaned back with a serious expression. "I'm afraid," he said, looking at the papers on his desk again, "that wouldn't be a very effective way to settle a question of historical accuracy."

Harrison settled his soft hat firmly on his head. "I suppose you're right," he remarked, adding as he disappeared through the door, "But more's the pity!"

Harrison placed his soft hat securely on his head. "I guess you're right," he said, adding as he walked through the door, "But what a shame!"

II

II

He made short work of settling himself in Paris, taking a cheap furnished room near the Bibliothèque Nationale,[117-1] discovering at once the inexpensive and nourishing qualities of crèmeries and the Duval restaurants, and adapting himself to the eccentricities of Paris weather in March with flannel underwear and rubber overshoes. He attacked the big folios in the library with ferocious energy, being the first to arrive in the huge, quiet reading-room, and leaving it only at the imperative summons of the authorities. He had barely enough money to last through March, April, and May, and, as he wrote in his long Sunday afternoon letters to Maggie Warner, he would rather work fifteen hours a day now while he was fresh at it, than be forced to, later on, when decent weather began, and when he hoped to go about a little and make some of the interesting historical pilgrimages in the environs of Paris.

He quickly settled in Paris, renting a cheap furnished room near the Bibliothèque Nationale, discovering right away the affordable and filling options at crèmeries and the Duval restaurants. He adapted to the quirky March weather in Paris with flannel underwear and rubber overshoes. He attacked the large folios in the library with intense energy, being the first to arrive in the vast, quiet reading room and only leaving when the authorities insisted. He barely had enough money to last through March, April, and May, and as he mentioned in his long Sunday afternoon letters to Maggie Warner, he preferred to work fifteen hours a day now while he was motivated, rather than be forced to later when the nice weather arrived, hoping to explore a bit and make some interesting historical trips around Paris.

He made a point of this writing his fiancée every detail of his plans, as well as all the small happenings of his monotonous and laborious life; and so, quite naturally, he described to her the beginning of his acquaintance with Agatha Midland.

He made sure to write to his fiancée about every detail of his plans, as well as all the little events of his dull and hard-working life; so, naturally, he described to her how he first met Agatha Midland.

"I'd spotted her for English," he wrote, "long before I happened to see her name on a notebook. Don't it sound like a made-up name out of an English novel? And that is the way she looks, too. I understand now why no American girl is ever called Agatha. To fit it you have to look sort of droopy all over, as if things weren't going to suit you, but you couldn't do anything to help it, and did not, from sad experience, have any rosy hopes that somebody would come along to fix things right. I'm not surprised that when English women do get stirred up over anything—for instance, like voting, nowadays—they fight like tiger-cats. If this Agatha-person is a fair specimen, they don't look as though they were used to getting what they want any other way. But here I go, like every other fool traveler, making generalizations about a whole nation from seeing one specimen. On the other side of me from Miss Midland usually sits an old German, grubbing away at Sanskrit roots. The other day we got into talk in the little lunchroom here in the same building with the library, where all we readers go to feed, and he made me so mad I couldn't digest my bread and milk. Once, just once, when he was real young, he met an American woman student—a regular P. G. freak, I gather—and nothing will convince him that all American girls aren't like her. 'May God forgive Christopher Columbus!' he groans whenever he thinks of her...."

"I spotted her for English," he wrote, "long before I saw her name on a notebook. Doesn’t it sound like a fake name from an English novel? And that’s how she looks, too. Now I get why no American girl is ever named Agatha. To pull it off, you have to look kind of droopy all over, like nothing ever goes your way, but you can’t do anything about it, and, from unhappy experience, you don’t have any hopeful expectations that someone will come along to make things right. I’m not surprised that when English women do get fired up about something—like voting these days—they fight like tigers. If this Agatha person is a typical example, they don’t seem like they’re used to getting what they want any other way. But here I am, like every other clueless traveler, making sweeping statements about an entire nation based on one person. On the other side of me from Miss Midland usually sits an old German, buried in Sanskrit roots. The other day we started talking in the little lunchroom here in the same building as the library, where all us readers go to eat, and he made me so mad I couldn’t even enjoy my bread and milk. Once, just once, when he was really young, he met an American woman student—a total P.G. freak, I gather—and nothing will convince him that all American girls aren’t like her. 'May God forgive Christopher Columbus!' he groans whenever he thinks of her...."

There was no more in this letter about his English neighbor, but in the next, written a week later, he said:

There was nothing else in this letter about his English neighbor, but in the next one, written a week later, he said:

"We've struck up an acquaintance, the discouraged-looking English girl and I, and she isn't so frozen-up as she seems. This is how it happened. I told you about the little lunchroom where the readers from the library get their noonday feed. Well, a day or so ago I was sitting at the next table to her, and when she'd finished eating and felt for her purse, I saw her get pale, and I knew right off she'd lost her money. 'If you'll excuse me, Miss Midland,' I said, 'I'll be glad to loan you a little. My name is Harrison, Peter Harrison, and I usually sit next you in the reading-room.' Say, Maggie, you don't know how queerly she looked at me. I can't tell you what her expression was like, for I couldn't make head or tail out of it. It was like looking at a Hebrew book that you don't know whether to read backward or forward. She got whiter, and drew away and said something about 'No! No! she couldn't think——' But there stood the waiter with his hand out. I couldn't stop to figure out if she was mad or scared. I said 'Look-y-here, Miss Midland, I'm an American—here's my card—I just want to help you out, that's all. You needn't be afraid I'll bother you any.' And with that I asked the waiter how much it was, paid him, and went out for my usual half-hour constitutional in the little park opposite the library.

"We've become acquaintances, the discouraged-looking English girl and I, and she's not as cold as she seems. Here's how it went down. I mentioned the little lunchroom where the library patrons grab their lunch. Well, a day or so ago, I was sitting at the table next to hers, and when she finished eating and reached for her purse, I saw her go pale, and I immediately knew she’d lost her money. 'If you don’t mind, Miss Midland,' I said, 'I'd be happy to lend you a little. My name is Harrison, Peter Harrison, and I usually sit next to you in the reading room.' Maggie, you wouldn’t believe how strangely she looked at me. I can't describe her expression, as I couldn’t make sense of it. It was like trying to read a Hebrew book without knowing whether to go backward or forward. She turned whiter, pulled away, and said something about 'No! No! she couldn’t think——' But the waiter stood there with his hand out. I didn’t have time to figure out if she was angry or scared. I said, 'Look here, Miss Midland, I'm an American—here’s my card—I just want to help you out, that’s all. You don't need to worry about me bothering you.' Then I asked the waiter how much it was, paid him, and went out for my usual half-hour walk in the little park across from the library."

"When I went back to the reading-room, she was there in the seat next me, all right, but my, wasn't she buried in a big folio! She's studying in some kind of old music-books. You would have laughed to see how she didn't know I existed. I forgot all about her till closing-up time, but when I got out in the court a little ahead of her, I found it was raining and blowing to beat the cars, and I went back to hunt her up, I being the only person that knew she was broke. There she was, moping around in the vestibule under one of those awful pancake hats English women wear. I took out six cents—it costs that to ride in the omnibuses here—and I marched up to her. 'Miss Midland,' I said, 'excuse me again, but the weather is something terrible. You can't refuse to let me loan you enough to get home in a 'bus, for you would certainly catch your death of cold, not to speak of spoiling your clothes, if you tried to walk in this storm.'

"When I returned to the reading room, she was sitting right next to me, completely absorbed in a huge book! She was studying some old music books. You would have laughed seeing how unaware she was of my presence. I forgot about her until it was time to close up, but when I stepped out into the courtyard a bit before her, I found it was raining and blowing hard, so I went back to find her, as I was the only one who knew she was broke. There she was, lingering in the vestibule under one of those awful pancake hats that English women wear. I pulled out six cents—since that's what it costs to ride the buses here—and I walked up to her. 'Miss Midland,' I said, 'sorry to bother you again, but the weather is terrible. You can't possibly refuse to let me lend you enough for a bus ride home, or you'll definitely catch a cold, not to mention ruining your clothes if you try to walk in this storm.'"

"She looked at me queerly again, drew in her chin, and said very fierce, 'No, certainly not! Some one always comes to fetch me away.'

"She looked at me strangely again, pulled in her chin, and said very fiercely, 'No, definitely not! Someone always comes to take me away.'"

"Of course I didn't believe a word of that! It was just a bluff to keep from seeming to need anything. So I smiled at her and said, 'That's all right, but suppose something happens this evening so he doesn't get here. I guess you'd better take the six sous—they won't hurt you any.' And I took hold of her hand, put the coppers in it, shut her fingers, took off my hat, and skipped out before she could get her breath. There are a few times when women are so contrary you can't do the right thing by them without bossing them around a little.

"Of course I didn't believe a word of that! It was just a bluff to avoid looking like she needed anything. So I smiled at her and said, 'That's fine, but what if something happens tonight and he doesn't show up? You should probably take the six sous—they won’t hurt you.' I grabbed her hand, put the coins in it, closed her fingers around them, took off my hat, and rushed out before she could say anything. There are a few times when women can be so stubborn that you can't do the right thing for them without managing them a bit."

"Well, I thought sure if she'd been mad at noon she'd just be hopping mad over that last, but the next morning she came up to me in the vestibule and smiled at me, the funniest little wavery smile, as though she were trying on a brand-new expression. It made her look almost pretty. 'Good morning, Mr. Harrison,' she said in that soft, singsong tone English women have, 'here is your loan back again. I hope I have the sum you paid for my lunch correct—and thank you very much.'

"Well, I really thought that if she was angry at noon, she’d be really mad about that last thing, but the next morning she came up to me in the entryway and smiled at me with the funniest little wavy smile, like she was trying out a brand-new expression. It made her look almost pretty. 'Good morning, Mr. Harrison,' she said in that soft, singsong voice that English women have, 'here is your loan back again. I hope I got the amount you paid for my lunch right—and thank you very much.'"

"I hated to take her little money, for her clothes are awfully plain and don't look as though she had any too much cash, but of course I did, and even told her that I'd given the waiter a three-cent tip she'd forgotten to figure in. When you can, I think it's only the square thing to treat women like human beings with sense, and I knew how I'd feel about being sure I'd returned all of a loan from a stranger. 'Oh, thank you for telling me,' she said, and took three more coppers out of her little purse; and by gracious! we walked into the reading-room as friendly as could be.

"I didn't like taking her little money because her clothes were really plain and it didn't seem like she had much cash, but I did take it anyway, even telling her that I'd given the waiter a three-cent tip she forgot to include. When you can, I think it’s only fair to treat women like they have sense, and I knew how I’d feel wanting to make sure I returned all of a loan from a stranger. 'Oh, thank you for telling me,' she said, pulling three more pennies out of her small purse; and honestly, we walked into the reading room as friendly as could be."

"That was last Wednesday, and twice since then we've happened to take lunch at the same table, and have had a regular visit. It tickles me to see how scared she is yet of the idea that she's actually talking to a real man that hasn't been introduced to her, but I find her awfully interesting, she's so different."

"That was last Wednesday, and twice since then we've coincidentally had lunch at the same table and have had a nice chat. It amuses me to see how nervous she still is about the idea of actually talking to a guy she hasn't been introduced to, but I find her really interesting; she's so different."

III

III

During the week that followed this letter, matters progressed rapidly. The two Anglo-Saxons took lunch together every day, and by Friday the relations between them were such that, as they pushed back their chairs, Harrison said: "Excuse me, Miss Midland, for seeming to dictate to you all the time, but why in the world don't you go out after lunch and take a half-hour's walk as I do? It'd be a lot better for your health."

During the week after this letter, things moved quickly. The two Anglo-Saxons had lunch together every day, and by Friday, their relationship had developed to the point where, as they pushed back their chairs, Harrison said, "Excuse me, Miss Midland, for seeming to boss you around all the time, but why on earth don't you go out for a half-hour walk after lunch like I do? It’d be much better for your health."

The English girl looked at him with the expression for which he had as yet found no word more adequately descriptive than his vague "queer." "I haven't exactly the habit of walking about Paris streets alone, you know," she said.

The English girl looked at him with an expression that he still hadn't found a word for other than his vague "weird." "I don’t usually walk around the streets of Paris by myself, you know," she said.

"Oh, yes, to be sure," returned the American. "I remember hearing that young ladies can't do that here the way they do back home. But that's easy fixed. You won't be out in the streets, and you won't be alone, if you come out with me in the little park opposite. Come on! It's the first spring day."

"Oh, definitely," replied the American. "I remember hearing that young ladies can’t do that here like they do back home. But that’s easily solved. You won’t be out on the streets, and you won’t be alone if you come out with me to the little park across the way. Come on! It’s the first day of spring."

Miss Midland dropped her arms with a gesture of helpless wonder. "Well, really!" she exclaimed. "Do you think that so much better?" But she rose and prepared to follow him, as if her protest could not stand before the kindly earnestness of his manner. "There!" he said, after he had guided her across the street into the tiny green square where in the sudden spring warmth, the chestnut buds were already swollen and showing lines of green. "To answer your question, I think it not only better, but absolutely all right—O. K!"

Miss Midland dropped her arms in a gesture of helpless surprise. "Well, really!" she exclaimed. "Do you think that's so much better?" But she stood up and got ready to follow him, as if her protest couldn’t hold up against the genuine kindness in his demeanor. "There!" he said, after he had led her across the street into the small green square where, with the sudden warmth of spring, the chestnut buds were already swelling and showing hints of green. "To answer your question, I think it’s not just better, but absolutely fine—O.K.!"

They were sitting on a bench at one side of the fountain, whose tinkling splash filled the momentary silence before she answered, "I can't make it all out—" she smiled at him—"but I think you are right in saying that it is all O.K." He laughed, and stretched out his long legs comfortably. "You've got the idea. That's the way to get the good of traveling and seeing other kinds of folks. You learn my queer slang words, and I'll learn yours."

They were sitting on a bench next to the fountain, its gentle splash breaking the brief silence before she replied, "I can't figure it all out—" she smiled at him—"but I think you're right in saying that everything's fine." He laughed and stretched out his long legs comfortably. "You’ve got the idea. That’s the way to enjoy traveling and meeting different people. You teach me your quirky slang, and I’ll teach you mine."

Miss Midland stared again, and she cried out, "My queer slang words! What can you mean?"

Miss Midland stared again and exclaimed, "My strange slang words! What do you mean?"

He rattled off a glib list: "Why, 'just fancy now,' and 'only think of that!' and 'I dare say, indeed,' and a lot more."

He quickly listed off a bunch of phrases: "Well, 'just imagine that,' and 'just think about it!' and 'I suppose so,' and plenty more."

"But they are not queer!" she exclaimed.

"But they're not gay!" she exclaimed.

"They sound just as queer to me as 'O.K.' and 'I guess' do to you!" he said triumphantly.

"They sound just as strange to me as 'O.K.' and 'I guess' do to you!" he said triumphantly.

She blinked her eyes rapidly, as though taking in an inconceivable idea, while he held her fixed with a steady gaze which lost none of its firmness by being both good-humored and highly amused. Finally, reluctantly, she admitted, "Yes, I see. You mean I'm insular."

She blinked rapidly, as if trying to grasp an unbelievable idea, while he looked at her intently, his gaze unwavering and filled with both good humor and genuine amusement. Finally, after some hesitation, she admitted, "Yes, I get it. You mean I'm closed-minded."

"Oh, as to that, I mean we both are—that is, we are as ignorant as stotin'-bottles of each other's ways of doing things. Only I want to find out about your ways, and you don't about——"

"Oh, about that, I mean we both are—that is, we are as clueless as stotin'-bottles about each other's ways of doing things. I just want to learn about your ways, and you don't about——"

She broke in hastily, "Ah, but I do want to find out about yours! You—you make me very curious indeed." As she said this, she looked full at him with a grave simplicity which was instantly reflected on his own face.

She interrupted quickly, "Oh, but I really want to know about yours! You—you make me so curious." As she said this, she looked straight at him with a serious simplicity that was immediately mirrored on his own face.

"Well, Miss Midland," he said slowly, "maybe now's a good time to say it, and maybe it's a good thing to say, since you don't know about our ways—to give you a sort of declaration of principles. I wasn't brought up in very polite society—my father and mother were Iowa farmer-folks, and I lost them early, and I've had to look out for myself ever since I was fourteen, so I'm not very long on polish; but let me tell you, as they say about other awkward people, I mean well. We're both poor students working together in a foreign country, and maybe I can do something to make it pleasanter for you, as I would for a fellow-student woman in my country. If I can, I'd like to, fine! I want to do what's square by everybody, and by women specially. I don't think they get a fair deal mostly. I think they've got as much sense as men, and lots of them more, and I like to treat them accordingly. So don't you mind if I do some Rube things that seem queer to you, and do remember that you can be dead sure that I never mean any harm."

"Well, Miss Midland," he said slowly, "maybe now's a good time to say this, and maybe it's worth saying since you don't know about our ways—consider it a sort of statement of principles. I wasn't raised in very polite society—my parents were Iowa farmers, and I lost them early, so I've had to take care of myself since I was fourteen. I’m not very polished; but let me tell you, like they say about other awkward people, I mean well. We're both struggling students in a foreign country, and I’d like to do something to make it easier for you, just like I would for a fellow student woman back home. If I can, I’d really like to! I want to treat everyone fairly, especially women. I don’t think they usually get a fair deal. I believe they have as much sense as men, and many of them have more, and I like to treat them that way. So don’t be surprised if I do some goofy things that seem weird to you, and just remember that you can be completely sure that I never mean any harm."

He finished this speech with an urgent sincerity in his voice, quite different from his usual whimsical note, and for a moment they looked at each other almost solemnly, the girl's lips parted, her blue eyes wide and serious. She flushed a clear rose-pink. "Why!" she said, "Why, I believe you!" Harrison broke the tension with a laugh. "And what is there so surprising if you do?"

He finished his speech with an intense sincerity in his voice, which was completely different from his usual playful tone. For a moment, they gazed at each other almost seriously; the girl's lips parted, and her blue eyes were wide and earnest. She blushed a bright rose-pink. "Wow!" she said, "I believe you!" Harrison lightened the mood with a laugh. "And what’s so surprising about that?"

"I don't think," she said slowly, "that I ever saw any one before whom I would believe if he said that last."

"I don't think," she said slowly, "that I've ever seen anyone before whom I'd believe if they said that last."

"Dear me!" cried Harrison, gaily, getting to his feet. "You'll make me think you are a hardened cynic. Well, if you believe me, that's all right! And now, come on, let's walk a little, and you tell me why English people treat their girls so differently from their boys. You are a perfect gold mine of information to me, do you know it?"

"Goodness!" exclaimed Harrison cheerfully, standing up. "You'll really make me think you're a serious cynic. Well, if you believe me, that's fine! Now, come on, let's take a walk, and you can tell me why British people treat their girls so differently from their boys. You’re a treasure trove of information for me, did you know that?"

"But I've always taken for granted most of the things you find so queer about our ways. I thought that was the way they were, don't you see, by the nature of things."

"But I've always taken for granted most of the things you find so strange about our ways. I thought that was just how things were, you know, by the nature of things."

"Aha!" he said triumphantly. "You see another good of traveling! It stirs a person up. If you can give me a lot of new facts, maybe I can pay you back by giving you some new ideas."

"Aha!" he said with triumph. "You see another benefit of traveling! It gets a person energized. If you can share a lot of new facts with me, maybe I can repay you by sharing some new ideas."

"I think," said Miss Midland, with a soft energy, "I think you can, indeed."

"I think," said Miss Midland, with a gentle enthusiasm, "I really believe you can."

IV

IV

A week after this was the first of April, and when Harrison, as was his wont, reached the reading-room a little before the opening hour, he found a notice on the door to the effect that the fall of some plastering from a ceiling necessitated the closing of the reading-room for that day. A week of daily lunches and talks with Miss Midland had given him the habit of communicating his ideas to her, and he waited inside the vestibule for her to appear. He happened thus, as he had not before, to see her arrival. Accompanied by an elderly person in black, who looked, even to Harrison's inexperienced eyes, like a maid-servant, she came rapidly in through the archway which led from the street to the court. Here, halting a moment, she dismissed her attendant with a gesture, and, quite unconscious of the young man's gaze upon her, crossed the court diagonally with a free, graceful step. Observing her thus at his leisure, Harrison was moved to the first and almost the last personal comment upon his new friend. He did not as a rule notice very keenly the outward aspect of his associates. "Well, by gracious," he said to himself, "if she's not quite a good-looker!—or would be if she had money or gumption enough to put on a little more style!"

A week later was April 1st, and when Harrison, as he usually did, arrived at the reading room a bit before it opened, he found a notice on the door stating that some plaster had fallen from the ceiling, and the reading room would be closed for the day. A week of daily lunches and conversations with Miss Midland had made him used to sharing his thoughts with her, so he waited inside the vestibule for her to show up. This time, he happened to see her arrive. Accompanied by an older woman in black, who even to Harrison's inexperienced eyes looked like a maid, she quickly entered through the archway that led from the street to the courtyard. There, pausing briefly, she waved off her companion, and completely unaware of Harrison watching her, crossed the courtyard diagonally with a confident, graceful stride. Watching her leisurely, Harrison felt compelled to make one of the few personal observations about his new friend. He didn’t usually pay much attention to the appearance of his acquaintances. "Well, would you look at that," he thought, "if she isn’t a looker!—or she would be if she had the money or smarts to dress with a bit more flair!"

He took a sudden resolution and, meeting her at the foot of the steps, laid his plan enthusiastically before her. It took her breath away. "Oh, no, I couldn't," she exclaimed, looking about her helplessly as if foreseeing already that she would yield. "What would people——?"

He made a quick decision and, when he saw her at the bottom of the steps, excitedly shared his plan with her. It left her speechless. "Oh, no, I couldn't," she said, glancing around helplessly as if she already knew she would give in. "What would people——?"

"Nobody would say a thing, because nobody would know about it. We could go and get back here by the usual closing time, so that whoever comes for you would never suspect—she's not very sharp, is she?"

"Nobody would say anything because nobody would know about it. We could leave and return by the usual closing time, so the person coming for you would never suspect—she's not very bright, is she?"

"No, no. She's only what you would call my hired girl."

"No, no. She's just what you'd call my hired help."

"Well, then, it's Versailles[125-1] for us. Here, give me your portfolio to carry. Let's go by the tram line[125-2]—it's cheaper for two poor folks."

"Alright, so it’s Versailles[125-1] for us. Here, let me take your portfolio. Let's take the tram line[125-2]—it’s cheaper for two broke people."

On the way out he proposed, with the same thrifty motive, that they buy provisions in the town, before they began their sight-seeing in the chateau, and eat a picnic lunch somewhere in the park.

On the way out, he suggested, with the same practical reason, that they get supplies in town before starting their tour of the chateau, and have a picnic lunch somewhere in the park.

"Oh, anything you please now!" she answered with reckless light-heartedness. "I'm quite lost already."

"Oh, anything you want!" she replied with carefree enthusiasm. "I’m totally lost already."

"There's nothing disreputable about eating sandwiches on the grass," he assured her; and indeed, when they spread their simple provision out under the great pines back of the Trianon, she seemed to agree with him, eating with a hearty appetite, laughing at all his jokes, and, with a fresh color and sparkling eyes, telling him that she had never enjoyed a meal more.

"There's nothing wrong with having sandwiches on the grass," he assured her; and really, when they laid out their simple food under the tall pines behind the Trianon, she seemed to agree, eating with a big appetite, laughing at all his jokes, and with a glowing complexion and bright eyes, telling him that she had never enjoyed a meal more.

"Good for you! That's because you work too hard at your old history of music."—By this time each knew all the details of the other's research—"You ought to have somebody right at hand to make you take vacations and have a good time once in a while. You're too conscientious."

"Good for you! That's because you put too much effort into your old music history."—At this point, they both knew all the details of each other's research—"You should have someone close by to encourage you to take breaks and enjoy yourself every once in a while. You're too dedicated."

Then, because he was quite frank and unconscious himself, he went on with a simplicity which the most accomplished actor could not have counterfeited, "That's what I'm always telling Maggie—Miss Warner. She's the girl I'm engaged to."

Then, since he was completely honest and unaware of himself, he continued with a simplicity that the best actor couldn't have faked, "That's what I keep telling Maggie—Miss Warner. She's the girl I'm engaged to."

He did not at the time remark, but afterward, in another land, he was to recall with startling vividness the quick flash of her clear eyes upon him and the fluttering droop of her eyelids. She finished her éclair quietly, remarking, "So you are engaged?"

He didn't notice it at the time, but later, in a different country, he would vividly remember the quick flash of her clear eyes on him and the way her eyelids fluttered and drooped. She finished her éclair quietly and said, "So you're engaged?"

"Very much so," answered Harrison, leaning his back against the pine-tree and closing his eyes, more completely to savor the faint fragrance of new life which rose about them in the warm spring air, like unseen incense.

"Definitely," replied Harrison, leaning against the pine tree and shutting his eyes, wanting to enjoy the subtle scent of new life that surrounded them in the warm spring air, like invisible incense.

Miss Midland stood up, shaking the crumbs from her skirt, and began fitting her gloves delicately upon her slim and very white hands. After a pause, "But how would she like this?" she asked.

Miss Midland stood up, shaking the crumbs from her skirt, and began putting her gloves on carefully over her slim, very white hands. After a moment, she asked, "But how would she like this?"

Without opening his eyes, Harrison murmured, "She'd like it fine. She's a great girl for outdoors."

Without opening his eyes, Harrison murmured, "She'd love it. She's really into the outdoors."

His companion glanced down at him sharply, but in his tranquil and half-somnolent face there was no trace of evasiveness. "I don't mean the park, the spring weather," she went on, with a persistence which evidently cost her an effort. "I mean your being here with another girl. That would make an English woman jealous."

His companion looked down at him sharply, but his calm and slightly drowsy face showed no signs of evasiveness. "I'm not talking about the park or the nice spring weather," she continued, with a determination that clearly took effort. "I'm talking about you being here with another girl. That would definitely make an English woman jealous."

Harrison opened his dark eyes wide and looked at her in surprise. "You don't understand—we're not flirting with each other, Maggie and I—we're engaged." He added with an air of proffering a self-evident explanation, "As good as married, you know."

Harrison opened his dark eyes wide and looked at her in surprise. "You don't get it—we're not flirting with each other, Maggie and I—we're engaged." He added, as if explaining something obvious, "It's like being married, you know."

Miss Midland seemed to find in the statement a great deal of material for meditation, for after an "Ah!" which might mean anything, she sat down on the other side of the tree, leaning her blonde head against its trunk and staring up into the thick green branches. Somewhere near them in an early-flowering yellow shrub a bee droned softly. After a time she remarked as if to herself, "They must take marriage very seriously in Iowa."

Miss Midland seemed to find a lot to think about in the statement because after an "Ah!" that could mean anything, she sat down on the other side of the tree, leaning her blonde head against the trunk and staring up into the thick green branches. Somewhere nearby, a bee buzzed softly in an early-flowering yellow bush. After a while, she commented to herself, "They must take marriage really seriously in Iowa."

The young man aroused himself, to answer sleepily: "It's Illinois where I live now—Iowa was where I grew up—but it's all the same. Yes, we do."

The young man woke up and replied sleepily, "I live in Illinois now—I grew up in Iowa—but it's all the same. Yes, we do."

After that there was another long, fragrant silence which lasted until Harrison roused himself with a sigh, exclaiming that although he would like nothing better than to sit right there till he took root, they had yet to "do" the two Trianons and to see the state carriages. During this sightseeing tour he repeated his performance of the morning in the chateau, pouring out a flood of familiar, quaintly expressed historical lore of the seventeenth and eighteenth centuries, which made his astonished listener declare he must have lived at that time.

After that, there was another long, fragrant silence that lasted until Harrison stirred with a sigh, saying that while he would love nothing more than to just sit there until he became part of the place, they still needed to check out the two Trianons and see the state carriages. During this sightseeing trip, he repeated what he had done in the chateau earlier, sharing a stream of familiar, uniquely expressed historical facts from the seventeenth and eighteenth centuries, which made his amazed listener claim he must have lived during that time.

"Nope!" he answered her. "Got it all out of Illinois libraries. Books are great things if you're only willing to treat them right. And history—by gracious! history is a study fit for the gods! All about folks, and they are all that are worth while in the world!"

"Nope!" he replied to her. "I got everything from Illinois libraries. Books are amazing if you're willing to treat them right. And history—wow! history is a study meant for the gods! It's all about people, and they are what really matters in the world!"

They were standing before the Grand Trianon as he said this, waiting for the tram car, and as it came into sight he cried out artlessly, his dark, aquiline face glowing with fervor, "I—I just love folks!"

They were standing in front of the Grand Trianon as he said this, waiting for the tram, and when it came into view, he exclaimed sincerely, his dark, sharp-featured face glowing with enthusiasm, "I—I just love people!"

She looked at him curiously. "In all my life I never knew any one before to say or think that." Some of his enthusiasm was reflected upon her own fine, thoughtful face as a sort of wistfulness when she added, "It must make you very happy. I wish I could feel so."

She looked at him with curiosity. "In all my life, I’ve never met anyone who said or thought that." Some of his enthusiasm showed on her own beautiful, thoughtful face as a kind of longing when she added, "It must make you really happy. I wish I could feel that way."

"You don't look at them right," he protested.

"You’re not seeing them the right way," he argued.

She shook her head. "No, we haven't known the same kind. I had never even heard of the sort of people you seem to have known."

She shook her head. "No, we haven’t experienced the same kind. I had never even heard of the type of people you seem to have known."

The tram car came noisily up to them, and no more was said.

The tram car pulled up loudly to them, and no one said anything more.

V

V

A notice posted the following day to the effect that for some time the reading-room would be closed one day in the week for repairs, gave Harrison an excuse for insisting on weekly repetitions of what he called their historical picnics.

A notice posted the next day said that the reading room would be closed one day a week for repairs for a while, which gave Harrison a reason to push for weekly events he referred to as their historical picnics.

Miss Midland let herself be urged into these with a half-fearful pleasure which struck the young American as pathetic. "Anybody can see she's had mighty few good times in her life," he told himself. They "did" Fontainebleau,[129-1] Pierrefonds,[129-2] Vincennes,[129-3] and Chantilly[129-4]—this last expedition coming in the first week of May, ten days before Miss Midland was to leave Paris. They were again favored by wonderfully fine spring weather, so warm that the girl appeared in a light-colored cotton gown and a straw hat which, as her friend told her, with the familiarity born of a month of almost uninterrupted common life, made her look "for all the world like a picture."

Miss Midland was half-heartedly persuaded to join in these activities, which the young American found touching. "It’s clear she hasn’t had many enjoyable times in her life," he thought to himself. They visited Fontainebleau, [129-1] Pierrefonds, [129-2] Vincennes, [129-3] and Chantilly [129-4]—the last trip occurring in the first week of May, just ten days before Miss Midland was set to leave Paris. They were once again lucky with the beautiful spring weather, so warm that the girl wore a light-colored cotton dress and a straw hat, which, as her friend pointed out with the closeness that had developed over a month of nearly constant companionship, made her look "just like a picture."

After their usual conscientious and minute examination of the objects of historical interest, they betook themselves with their lunch-basket to a quiet corner of the park, by a clear little stream, on the other side of which a pair of white swans were building a nest. It was very still, and what faint breeze there was barely stirred the trees. The English girl took off her hat, and the sunlight on her blonde hair added another glory to the spring day.

After their typical careful and detailed examination of the historical items, they headed to a quiet corner of the park with their lunch basket, next to a clear little stream, where a pair of white swans were building a nest on the opposite side. It was very peaceful, and the light breeze hardly moved the trees. The English girl took off her hat, and the sunlight on her blonde hair added another beauty to the spring day.

They ate their lunch with few words, and afterward sat in what seemed to the American the most comfortable and companionable of silences, idly watching a peacock unfold the flashing splendor of his plumage before the old gray fountain. "My! My! My!" he murmured finally. "Isn't the world about the best place!"

They had their lunch with hardly any conversation, and afterward, they sat in what felt to the American like the coziest and most friendly silence, casually watching a peacock display the stunning beauty of its feathers in front of the old gray fountain. "Wow! Wow! Wow!" he finally said. "Isn't the world just the best place?"

The girl did not answer, and, glancing at her, he was startled to see that her lips were quivering. "Why, Miss Midland!" he cried anxiously. "Have you had bad news?"

The girl didn’t reply, and when he looked at her, he was shocked to see her lips trembling. "What’s wrong, Miss Midland?" he asked worriedly. "Did you get some bad news?"

She shook her head. "Nothing new."

She shook her head. "Same old stuff."

"What's the matter?" he asked, coming around in front of her. "Perhaps I can help you even if it's only to give some good advice."

"What's wrong?" he asked, stepping in front of her. "Maybe I can help you, even if it's just to offer some good advice."

She looked up at him with a sudden flash. "I suppose that, since you are so much engaged, you think you would make a good father-confessor!"

She looked up at him with a sudden spark. "I guess that, since you’re so busy, you think you’d make a good father-confessor!"

"I don't see that that has anything to do with it," he said, sitting down beside her, "but you can bank on me for doing anything I can."

"I don't think that has anything to do with it," he said, sitting down next to her, "but you can count on me to do whatever I can."

"You don't see that that has anything to do with it," she broke in sharply, with the evident intention of wounding him, "because you are very unworldly, what is usually called very unsophisticated."

"You don't realize that has anything to do with it," she interrupted sharply, clearly trying to hurt him, "because you're really naive, what people usually call unsophisticated."

If she had thought to pique him with this adjective, she was disarmed by the heartiness of his admission, "As green as grass! But I'd like to help you all the same, if I can."

If she intended to tease him with that adjective, she was taken aback by the sincerity of his response, "As green as grass! But I still want to help you, if I can."

"You don't care if you are?" she asked curiously.

"You don't care if you are?" she asked, intrigued.

"Lord no! What does it matter?"

"God no! What does it matter?"

"You may care then to know," she went on, still probing at him, "that your not caring is the principal reason for my—finding you interesting—for my liking you—as I do."

"You might want to know," she continued, still pushing him, "that your indifference is the main reason I—find you interesting—for liking you—as I do."

"Well, I'm interested to know that," he said reasonably, "but blessed if I can see why. What difference does it make to you?"

"Well, I'm curious to know that," he said reasonably, "but I honestly can't see why. What difference does it make to you?"

"It's a great surprise to me," she said clearly. "I never met anybody before who didn't care more about being sophisticated than about anything else. To have you not even think of that—to have you think of nothing but your work and how to 'mean well' as you say——" she stopped, flushing deeply.

"It's such a surprise to me," she said clearly. "I've never met anyone before who didn't care more about being sophisticated than anything else. To have you not even think about that—to have you focus only on your work and how to 'mean well,' as you say——" she paused, blushing deeply.

"Yes, it must be quite a change," he admitted sobered by her tone, but evidently vague as to her meaning. "Well, I'm very glad you don't mind my being as green as grass and as dense as a hitching-block. It's very lucky for me."

"Yeah, it must be a big change," he said, getting serious because of her tone, but clearly unsure of what she meant. "Well, I'm really glad you don't mind that I'm as clueless as can be and as thick as a brick. That's really lucky for me."

A quick bitterness sprang into her voice. "I don't see," she echoed his phrase, "what difference it makes to you!"

A sharp bitterness crept into her voice. "I don't get," she mirrored his words, "what difference it makes to you!"

"Don't you?" he said, lighting a cigarette and not troubling himself to discuss the question with her. She was evidently all on edge with nerves, he thought, and needed to be calmed down. He pitied women for their nerves, and was always kindly tolerant of the resultant petulances.

"Don't you?" he said, lighting a cigarette and not bothering to discuss the question with her. He thought she was clearly on edge, and needed to be calmed down. He felt sorry for women because of their nerves, and was always kindly tolerant of their resulting irritability.

She frowned and said with a tremulous resentment, as if gathering herself together for a long-premediated attempt at self-defense. "You're not only as green as grass, but you perceive nothing,—any European, even the stupidest, would perceive what you—but you are as primitive as a Sioux Indian, you have the silly morals of a non-conformist preacher,—you're as brutal as——"

She frowned and spoke with a shaky anger, as if preparing herself for a long-planned defense. "You're not just clueless, but you see nothing—any European, even the dumbest one, would see what you do—but you’re as basic as a Sioux Indian, you have the ridiculous morals of a non-conformist preacher—you’re as brutal as——"

He opposed to this outburst the impregnable wall of a calm and meditative silence. She looked angrily into his quiet eyes, which met hers with unflinching kindness. The contrast between their faces was striking—was painful.

He responded to her outburst with a strong, calm silence. She glared into his steady eyes, which met hers with unwavering kindness. The difference between their expressions was striking—almost painful.

She said furiously, "There is nothing to you except that you are stronger than I, and you know it—and that is brutal!" She paused a long moment, quivering, and then relapsed into spent, defeated lassitude,—"and I like it," she added under her breath, looking down at her hands miserably.

She said angrily, "You have nothing going for you except that you're stronger than me, and you know it—and that is cruel!" She paused for a long moment, shaking, and then fell back into exhausted, defeated fatigue—"and I like it," she added quietly, looking down at her hands in despair.

"I don't mean to be brutal," he said peaceably. "I'm sorry if I am."

"I don't want to come off as harsh," he said calmly. "I'm sorry if I do."

"Oh, it's no matter!" she said impatiently.

"Oh, it doesn’t matter!" she said, sounding impatient.

"All right, have it your own way," he agreed, good-naturedly, shifting into a more comfortable position, and resuming his patient silence. He might have been a slightly pre-occupied but indulgent parent, waiting for a naughty child to emerge from a tantrum.

"Okay, do it your way," he said with a smile, getting into a more comfortable position and going back to his patient silence. He could have been a slightly distracted but tolerant parent, waiting for a misbehaving child to get over a tantrum.

After a while, "Well, then," she began as though nothing had passed between them since his offer to give her advice, "well then, if you want to be father-confessor, tell me what you'd do in my place, if your family expected you as a matter of course to—to——"

After a while, "Well, then," she started as if nothing had happened between them since he offered to give her advice, "well then, if you want to be my confidant, tell me what you would do if you were in my position, if your family just assumed you would—to—"

"What do they want you to do?" he asked as she hesitated.

"What do they want you to do?" he asked as she paused.

"Oh, nothing that they consider at all formidable! Only what every girl should do—make a good and suitable marriage, and bring up children to go on doing what she had found no joy in."

"Oh, nothing they see as really impressive! Just what every girl should do—make a good and appropriate marriage and raise kids to continue doing what she found no joy in."

"Don't you do it!" he said quietly. "Nobody believes more than I do in marrying the right person. But just marrying so's to be married—that's Tophet! Red-hot Tophet!"[133-1]

"Don't do it!" he said quietly. "Nobody believes more than I do in marrying the right person. But just marrying for the sake of being married—that's hell! Complete hell!"[133-1]

"But what else is there for me to do?" she said, turning her eyes to him with a desperate hope in his answer. "Tell me! My parents have brought me up so that there is nothing I can fill my life with, if—I think, on the whole, I will be more miserable if I don't than if I——"

"But what else can I do?" she asked, looking at him with a desperate hope for his answer. "Please tell me! My parents raised me in such a way that there’s nothing I can fill my life with, if—I think, overall, I’ll be more miserable if I don't than if I——"

"Why, look-y-here!" he said earnestly. "You're not a child, you're a grown woman. You have your music. You could earn your living by that. Great Scott! Earn your living scrubbing floors before you——"

"Look here!" he said earnestly. "You’re not a child; you’re a grown woman. You have your music. You could make a living from that. Great Scott! Earn your living scrubbing floors before you——"

She put her handkerchief to her eyes. "Ah, but I am so alone against all my world! Now, here, with you, it seems easy but—without any one to sustain me, to——"

She pressed her handkerchief to her eyes. "Oh, but I feel so alone against everything in my world! Here with you, it seems easy, but—without anyone to support me, to——"

Harrison went on: "Now let me give you a rule I believe in as I do in the sun's rising. Never marry a man just because you think you could manage to live with him. Don't do it unless you are dead sure you couldn't live without him!"

Harrison continued, "Let me share a rule I believe in as strongly as I believe in the sun rising. Never marry a man just because you think you can manage to live with him. Only do it if you are absolutely certain you can't live without him!"

She took down her handkerchief, showing a white face, whose expression matched the quaver in her voice, as she said breathlessly: "But how if I meet a man and feel I cannot live without him, and he is already—" she brought it out squarely in the sunny peace,—"if he is already as good as married!"

She pulled out her handkerchief, revealing a pale face that reflected the tremble in her voice as she said breathlessly, "But what if I meet a guy and feel like I can't live without him, and he's already—" she stated bluntly in the calm sunshine, "if he's basically married!"

He took it with the most single-hearted simplicity. "Now it's you who are unsophisticated and getting your ideas from fool novels. Things don't happen that way in real life. Either the man keeps his marriage a secret, in which case he is a sneak and not worth a second thought from any decent woman, or else, if she had known all along that he was married, she doesn't get to liking him that way. Don't you see?"

He accepted it with complete honesty. "You're the one who's naive, drawing your ideas from silly novels. That's not how things work in real life. Either the guy keeps his marriage a secret, in which case he’s a sneak and not worth a decent woman’s time, or if she knew all along that he was married, she wouldn't end up liking him like that. Don't you get it?"

She looked away, down the stream for a moment with inscrutable eyes, and then broke into an unexpected laugh, rising at the same time and putting on her hat. "I see, yes, I see," she said. "It is as you say, quite simple. And now let us go to visit the rest of the park."

She looked away, down the stream for a moment with unreadable eyes, then suddenly burst into laughter, getting up at the same time and putting on her hat. "I get it, yes, I get it," she said. "It’s just as you said, pretty simple. Now let’s go check out the rest of the park."

VI

VI

The next excursion was to be their last, and Miss Midland had suggested a return to Versailles to see the park in its spring glory. They lunched in a little inclosure, rosy with the pink and white magnolia blossoms, where the uncut grass was already ankle-deep and the rose-bushes almost hid the gray stone wall with the feathery abundance of their first pale green leaves. From a remark of the girl's that perhaps this was the very spot where Marie Antoinette had once gathered about her gay court of pseudo-milkmaids, they fell into a discussion of that queen's pretty pastoral fancy. Harrison showed an unexpected sympathy with the futile, tragic little merrymaker.

The next trip was going to be their last, and Miss Midland suggested going back to Versailles to see the park in its spring beauty. They had lunch in a small area filled with pink and white magnolia blossoms, where the uncut grass was already ankle-deep and the rose bushes nearly covered the gray stone wall with their delicate new pale green leaves. From a comment made by the girl about how this could be the very spot where Marie Antoinette had once gathered her lively court of pretend milkmaids, they started a discussion about that queen's charming pastoral dreams. Harrison showed an unexpected connection to the futile, tragic little joy-seeker.

"I expect she got sick and tired of being treated like a rich, great lady, and wanted to see what it would feel like to be a human being. The king is always disguising himself as a goat-herd to make sure he can be loved for his own sake."

"I think she got fed up with being treated like a wealthy, important person and wanted to experience what it's like to be just a regular person. The king often pretends to be a goat-herd so he can find out if people genuinely love him for who he is."

"But those stories are all so monotonous!" she said impatiently. "The king always is made to find out that the shepherdess does love him for his own sake. What would happen if she wouldn't look at him?"

"But those stories are all so boring!" she said impatiently. "The king always ends up realizing that the shepherdess loves him for who he is. What would happen if she wouldn’t even glance at him?"

Harrison laughed, "Well, by George, I never thought of that. I should say if he cared enough about her to want his own way, he'd better get off his high-horse and say, 'Look-y-here, I'm not the common ordinary mutt I look. I'm the king in disguise. Now will you have me?"

Harrison laughed, "Well, I never thought of that. I should say if he cared enough about her to want his own way, he'd better get off his high horse and say, 'Look, I'm not just some ordinary guy. I'm the king in disguise. Now will you have me?"

Miss Midland looked at him hard. "Do you think it likely the girl would have him then?"

Miss Midland looked at him intently. "Do you think it's likely the girl would want him then?"

"Don't you?" he said, still laughing, and tucking away the last of a foie-gras sandwich.

"Don't you?" he said, still laughing and finishing the last bit of a foie-gras sandwich.

She turned away, frowning, "I don't see how you can call me cynical!"

She turned away, frowning, "I don't see how you can call me cynical!"

He raised his eyebrows, "That's not cynical," he protested. "You have to take folks the way they are, and not the way you think it would be pretty to have them. It mightn't be the most dignified position for the king, but I never did see the use of dignity that got in the way of your having what you wanted."

He raised his eyebrows, "That’s not cynical," he said. "You have to accept people as they are, not how you wish they could be. It might not be the most dignified position for the king, but I never understood the point of dignity if it prevents you from getting what you want."

She looked at him with so long and steady a gaze that only her patent absence of mind kept it from being a stare. Then, "I think I will go for a walk by myself," she said.

She looked at him for so long and so steadily that only her obvious distraction stopped it from being a stare. Then, "I think I’ll go for a walk by myself," she said.

"Sure, if you want to," he assented, "and I'll take a nap under this magnolia tree. I've been working late nights, lately."

"Sure, if that's what you want," he agreed, "and I'll take a nap under this magnolia tree. I've been working late nights recently."

When she came back after an hour, the little inclosure was quite still, and, walking over to the magnolia, she saw that the young man had indeed fallen soundly asleep, one arm under his head, the other flung wide, half buried in the grass. For a long time she looked down gravely at the powerful body, at the large, sinewy hand, relaxed like a sleeping child's, at the eagle-like face, touchingly softened by its profound unconsciousness.

When she returned after an hour, the small enclosure was completely quiet, and as she walked over to the magnolia tree, she noticed that the young man had really fallen into a deep sleep, one arm under his head and the other spread out wide, half hidden in the grass. For a long time, she gazed thoughtfully at his strong body, at the large, muscular hand, relaxed like a sleeping child's, and at the eagle-like face, gently softened by its deep unconsciousness.

Suddenly the dark eyes opened wide into hers. The young man gave an exclamation and sat up, startled. At this movement she looked away, smoothing a fold of her skirt. He stared about him, still half-asleep. "Did I hear somebody call?" he asked. "I must have had a very vivid dream of some sort—I thought somebody was calling desperately to me. You didn't speak, did you?"

Suddenly, his dark eyes widened as they met hers. The young man gasped and sat up, startled. At his movement, she looked away, smoothing a crease in her skirt. He scanned the room, still half-asleep. "Did I hear someone call?" he asked. "I must have had a really vivid dream—I thought someone was calling out to me. You didn’t say anything, did you?"

"No," she answered softly, "I said nothing."

"No," she replied softly, "I didn't say anything."

"Well, I hope you'll excuse me for being such poor company. I only meant to take a cat-nap. I hope we won't be too late for the train."

"Well, I hope you can forgive me for being such boring company. I just meant to take a quick nap. I hope we won't miss the train."

He scrambled to his feet, his eyes still heavy with sleep, and pulled out his watch. As he did this, Miss Midland began to speak very rapidly. What she said was so astonishing to him that he forgot to put back his watch, forgot even to look at it, and stood with it in his hand, staring at her, with an expression as near to stupefaction as his keen and powerful face could show.

He jumped to his feet, his eyes still groggy from sleep, and checked his watch. As he did, Miss Midland started talking really fast. What she said was so shocking that he forgot to put his watch away, even forgot to look at it, and stood there holding it, staring at her with a look that was almost dazed, given how sharp and strong his face usually was.

When she finally stopped to draw breath, the painful breath of a person who has been under water too long, he broke into baroque ejaculations, "Well, wouldn't that get you! Wouldn't that absolutely freeze you to a pillar of salt! Well, of all the darndest idiots, I've been the——" With Miss Midland's eyes fixed on him, he broke into peal after peal of his new-world laughter, his fresh, crude, raw, inimitably vital laughter, "I'm thinking of the time I loaned you the franc and a half for your lunch, and hated to take it back because I thought you needed it—and you rich enough to buy ten libraries to Andy's[137-1] one! Say, how did you keep your face straight!"

When she finally paused to catch her breath, the painful breath of someone who has been underwater too long, he burst into exaggerated exclamations, "Well, can you believe that? Wouldn’t that completely shock you? Well, of all the ridiculous idiots, I’ve been the——" With Miss Midland's eyes locked on him, he erupted into wave after wave of his vibrant laughter, his fresh, crude, raw, undeniably lively laughter, "I’m remembering the time I lent you a franc and a half for your lunch, and I didn’t want to ask for it back because I thought you really needed it—and you were rich enough to buy ten libraries compared to Andy’s! Seriously, how did you keep a straight face?"

Miss Midland apparently found no more difficulty in keeping a straight face now than then. She did not at all share his mirth. She was still looking at him with a strained gaze as though she saw him with difficulty, through a mist increasingly smothering. Finally, as though the fog had grown quite too thick, she dropped her eyes, and very passive, waited for his laughter to stop.

Miss Midland seemed to have no more trouble keeping a straight face now than she did back then. She definitely didn’t share in his amusement. She continued to look at him with a tense expression, as if she were trying to see him clearly through an ever-thickening fog. Finally, as if the fog had become completely overwhelming, she lowered her eyes and passively waited for his laughter to end.

When it did, and the trees which had looked down on Marie Antoinette had ceased echoing to the loud, metallic, and vigorous sound, he noticed his watch still in his hand. He glanced at it automatically, thrust it back into his pocket and exclaimed, quite serious again, "Look-y-here. We'll have to step lively if we are going to catch that train back to Paris, Miss Midland—Lady Midland, I mean,—Your highness—what do they call the daughter of an Earl? I never met a real live member of the aristocracy before."

When it did, and the trees that had watched over Marie Antoinette had stopped echoing with the loud, metallic, and energetic sound, he noticed his watch still in his hand. He looked at it automatically, shoved it back into his pocket, and said quite seriously again, "Hey, we need to hurry if we're going to catch that train back to Paris, Miss Midland—Lady Midland, I mean—Your Highness—what do they call the daughter of an Earl? I've never met a real member of the aristocracy before."

She moved beside him as he strode off towards the gate. "I am usually called Lady Agatha," she answered, in a flat tone.

She walked next to him as he headed toward the gate. "I'm usually called Lady Agatha," she replied, in a dull tone.

"How pretty that sounds!" he said heartily, "Lady Agatha! Lady Agatha! Why don't we have some such custom in America?" He tried it tentatively. "Lady Marietta—that's my mother's name—don't seem to fit altogether does it? Lady Maggie—Oh, Lord! awful! No, I guess we'd better stick to Miss and Mrs. But it does fit Agatha fine!"

"How nice that sounds!" he said enthusiastically, "Lady Agatha! Lady Agatha! Why don't we have a tradition like that in America?" He said it uncertainly. "Lady Marietta—that’s my mom’s name—doesn’t really work, does it? Lady Maggie—Oh, no! terrible! No, I guess we’d better just stick to Miss and Mrs. But it does suit Agatha perfectly!"

She made no rejoinder. She looked very tired and rather stern.

She didn’t respond. She looked really tired and somewhat serious.

After they were on the train, she said she had a headache and preferred not to talk and, ensconcing herself in a corner of the compartment, closed her eyes. Harrison, refreshed by the outdoor air and his nap, opened his notebook and began puzzling over a knotty point in one of the French Royal Grants to LaSalle[138-1] which he was engaged at the time in deciphering. Once he glanced up to find his companion's eyes open and fixed on him. He thought to himself that her headache must be pretty bad, and stirred himself to say with his warm, friendly accent, "It's a perfect shame you feel so miserable! Don't you want me to open the window? Wouldn't you like my coat rolled up for a pillow? Isn't there something I can do for you?"

After they got on the train, she said she had a headache and didn’t want to talk. Nestling into a corner of the compartment, she closed her eyes. Harrison, feeling refreshed from the outdoor air and his nap, opened his notebook and began working through a tricky point in one of the French Royal Grants to LaSalle[138-1] that he was trying to decipher. He glanced up once and saw his companion looking at him. He thought to himself that her headache must be really bad and made himself say in his warm, friendly tone, "I’m really sorry you’re feeling so awful! Do you want me to open the window? Would you like me to roll up my coat for a pillow? Is there anything I can do to help you?"

She looked at him, and closing her lips, shook her head.

She looked at him, closed her lips, and shook her head.

Later, in the midst of a struggle over an archaic law-form, the recollection of his loan to his fellow-student darted into his head. He laid down his notebook to laugh again. She turned her head and looked a silent question. "Oh, it's just that franc and a half!" he explained. "I'll never get over that as long as I live!"

Later, during a fight over an outdated law, he suddenly remembered the loan he gave to his classmate. He put down his notebook to laugh again. She turned her head and silently asked a question. "Oh, it's just that franc and a half!" he explained. "I'll never forget that as long as I live!"

She pulled down her veil and turned away from him again.

She pulled down her veil and turned away from him once more.

When they reached Paris, he insisted that she take a carriage and go home directly. "I'll go on to the reading-room and explain to your hired girl that you were sick and couldn't wait for her." Before he closed her into the cab he added, "But, look here! I won't see you again, will I? I forgot you are going back to England to-morrow. Well, to think of this being good-bye! I declare, I hate to say it!" He held out his hand and took her cold fingers in his. "Well, Miss Midland, I tell you there's not a person in the world who can wish you better luck than I do. You've been awfully good to me, and I appreciate it, and I do hope that if there's ever any little thing I can do for you, you'll let me know. I surely am yours to command."

When they arrived in Paris, he insisted that she take a cab and head home right away. "I'll go to the reading room and explain to your maid that you were unwell and couldn’t wait for her." Before he shut the door of the cab, he added, "But hold on! I won’t see you again, will I? I forgot you’re going back to England tomorrow. It's hard to believe this is goodbye! I really hate to say it!" He extended his hand and took her cold fingers in his. "Well, Miss Midland, I want to tell you that no one wishes you better luck than I do. You’ve been incredibly kind to me, and I truly appreciate it. I really hope that if there's ever anything at all I can do for you, you’ll let me know. I’m definitely here for you."

The girl's capacity for emotion seemed to be quite exhausted, for she answered nothing to this quaint valedictory beyond a faint, "Good-by, Mr. Harrison, I hope you——" but she did not finish the sentence.

The girl's ability to feel seemed completely drained, as she responded to this strange farewell with only a weak, "Goodbye, Mr. Harrison, I hope you——" but she didn't finish the sentence.


Chu Chu

Chu Chu

I do not believe that the most enthusiastic lover of that "useful and noble animal," the horse, will claim for him the charm of geniality, humor, or expansive confidence. Any creature who will not look you squarely in the eye—whose only oblique glances are inspired by fear, distrust, or a view to attack, who has no way of returning caresses, and whose favorite expression is one of head-lifting disdain, may be "noble" or "useful," but can be hardly said to add to the gayety of nations. Indeed it may be broadly stated that, with the single exception of gold-fish, of all animals kept for the recreation of mankind the horse is alone capable of exciting a passion that shall be absolutely hopeless. I deem these general remarks necessary to prove that my unreciprocated affection for Chu Chu was not purely individual or singular. And I may add that to these general characteristics she brought the waywardness of her capricious sex.

I don’t think even the biggest horse lover would say that this "useful and noble animal" has the charm of friendliness, humor, or an open demeanor. Any creature that won’t look you straight in the eye—whose only sideways glances come from fear, distrust, or a readiness to attack, who has no way of returning affection, and whose favorite look is one of haughty indifference, may be "noble" or "useful," but certainly doesn’t contribute to the joy of humanity. In fact, it can be generally said that, aside from goldfish, the horse is the only animal kept for human enjoyment that is capable of stirring a completely hopeless passion. I believe these general observations are important to show that my unreturned feelings for Chu Chu were not just a personal issue. I should also mention that she added the unpredictable nature of her fickle gender to these general traits.

She came to me out of the rolling dust of an emigrant wagon, behind whose tailboard she was gravely trotting. She was a half-broken colt—in which character she had at different times unseated everybody in the train—and, although covered with dust, she had a beautiful coat and the most lambent gazelle-like eyes I had ever seen. I think she kept these latter organs purely for ornament—apparently looking at things with her nose, her sensitive ears, and sometimes even a slight lifting of her slim near foreleg. On our first interview I thought she favored me with a coy glance, but as it was accompanied by an irrelevant "Look out!" from her owner, the teamster, I was not certain. I only know that after some conversation, a good deal of mental reservation, and the disbursement of considerable coin, I found myself standing in the dust of the departing emigrant wagon with one end of a forty-foot riata in my hand and Chu Chu at the other.

She approached me out of the swirling dust of an emigrant wagon, trotting solemnly behind its tailboard. She was a partially tamed colt—who had, at various times, thrown everyone off in the train—and despite being covered in dust, she had a gorgeous coat and the most luminous, gazelle-like eyes I had ever seen. I think she kept those eyes purely for show—seemingly observing her surroundings more with her nose, her sensitive ears, and occasionally a slight lift of her slender front leg. During our first meeting, I thought she gave me a playful glance, but since it was accompanied by an unrelated "Watch out!" from her owner, the teamster, I wasn't sure. All I know is that after some conversation, a lot of mental hesitation, and spending a fair amount of cash, I found myself standing in the dust of the departing emigrant wagon holding one end of a forty-foot riata while Chu Chu was at the other end.

I pulled invitingly at my own end and even advanced a step or two towards her. She then broke into a long disdainful pace and began to circle round me at the extreme limit of her tether. I stood admiring her free action for some moments—not always turning with her, which was tiring—until I found that she was gradually winding herself up on me! Her frantic astonishment when she suddenly found herself thus brought up against me was one of the most remarkable things I ever saw and nearly took me off my legs. Then when she had pulled against the riata until her narrow head and prettily arched neck were on a perfectly straight line with it, she as suddenly slackened the tension and condescended to follow me, at an angle of her own choosing. Sometimes it was on one side of me, sometimes on the other. Even then the sense of my dreadful contiguity apparently would come upon her like a fresh discovery, and she would become hysterical. But I do not think that she really saw me. She looked at the riata and sniffed it disparagingly; she pawed some pebbles that were near me tentatively with her small hoof; she started back with a Robinson-Crusoe-like horror of my footprints in the wet gully, but my actual personal presence she ignored. She would sometimes pause, with her head thoughtfully between her forelegs, and apparently say, "There is some extraordinary presence here: animal, vegetable, or mineral—I can't make out which—but it's not good to eat, and I loathe and detest it."

I pulled invitingly at my end and even took a step or two closer to her. Then she broke into a long, scornful stride and started to circle around me at the very edge of her rope. I stood there admiring her freedom for a while—not always turning with her, since that was tiring—until I realized she was gradually winding herself up on me! Her frantic surprise when she suddenly found herself pulled up against me was one of the most astonishing things I’ve ever seen and nearly knocked me off my feet. Once she had pulled against the riata until her narrow head and nicely arched neck were perfectly aligned with it, she suddenly relaxed the tension and chose to follow me at her own angle. Sometimes it was on one side of me, and sometimes on the other. Even then, the shock of my dreadful closeness seemed to hit her like a revelation, and she would become frantic. But I don’t think she actually saw me. She looked at the riata and sniffed it with disdain; she tentatively pawed at some pebbles near me with her small hoof; she recoiled with a Robinson-Crusoe-like horror at my footprints in the wet gully, but she ignored my actual presence. Occasionally, she would pause, her head thoughtfully between her forelegs, and seemingly say, "There's some extraordinary presence here: animal, vegetable, or mineral—I can't figure it out—but it's not something to eat, and I hate and detest it."

When I reached my house in the suburbs, before entering the "fifty vara" lot inclosure, I deemed it prudent to leave her outside while I informed the household of my purchase; and with this object I tethered her by the long riata to a solitary sycamore which stood in the centre of the road, the crossing of two frequented thoroughfares. It was not long, however, before I was interrupted by shouts and screams from that vicinity and on returning thither I found that Chu Chu, with the assistance of her riata, had securely wound up two of my neighbors to the tree, where they presented the appearance of early Christian martyrs. When I released them, it appeared that they had been attracted by Chu Chu's graces, and had offered her overtures of affection, to which she had characteristically rotated with this miserable result.

When I got to my house in the suburbs, I thought it was wise to leave her outside before going into the “fifty vara” lot enclosure to tell my family about my purchase. So, I tied her to a lone sycamore tree in the middle of the road, where two busy streets crossed. It wasn’t long before I was interrupted by loud shouts and screams from that area, and when I went back, I found that Chu Chu, using her rope, had securely tied up two of my neighbors to the tree, making them look like early Christian martyrs. When I freed them, they explained that they’d been drawn in by Chu Chu’s charm and had tried to show her affection, which she had responded to in her typical way, leading to this unfortunate situation.

I led her, with some difficulty, warily keeping clear of the riata, to the inclosure, from whose fence I had previously removed several bars. Although the space was wide enough to have admitted a troop of cavalry, she affected not to notice it and managed to kick away part of another section on entering. She resisted the stable for some time, but after carefully examining it with her hoofs and an affectedly meek outstretching of her nose, she consented to recognize some oats in the feed-box—without looking at them—and was formally installed. All this while she had resolutely ignored my presence. As I stood watching her, she suddenly stopped eating; the same reflective look came over her. "Surely I am not mistaken, but that same obnoxious creature is somewhere about here!" she seemed to say, and shivered at the possibility.

I led her, with some difficulty, carefully avoiding the riata, to the enclosure, from where I had previously removed several bars from the fence. Although the space was wide enough for a whole troop of cavalry, she pretended not to notice and managed to kick away part of another section as she entered. She resisted going into the stable for a while, but after inspecting it carefully with her hooves and feigning a meek stretch of her nose, she agreed to acknowledge some oats in the feed box—without looking at them—and was officially settled in. All this time, she had completely ignored me. As I stood there watching her, she suddenly stopped eating; the same thoughtful expression crossed her face. "Surely I'm not mistaken, but that annoying creature is somewhere around here!" she seemed to suggest, shivering at the thought.

It was probably this which made me confide my unreciprocated affection to one of my neighbors—a man supposed to be an authority on horses, and particularly of that wild species to which Chu Chu belonged. It was he who, leaning over the edge of the stall where she was complacently and, as usual, obliviously munching, absolutely dared to toy with a pet lock of hair which she wore over the pretty star on her forehead. "Ye see, captain," he said with jaunty easiness, "hosses is like wimmen; ye don't want ter use any standoffishness or shyness with them; a stiddy but keerless sort o' familiarity, a kind o' free but firm handlin', jess like this, to let her see who's master——"

It was probably this that made me share my one-sided feelings with one of my neighbors—a guy who was considered an expert on horses, especially on the wild type that Chu Chu belonged to. It was him who, leaning over the edge of the stall where she was calmly and, as usual, blissfully munching, absolutely dared to play with a lock of hair she had over the cute star on her forehead. "You see, captain," he said with a casual confidence, "horses are like women; you don’t want to be all distant or shy with them; a steady but easy kind of familiarity, a sort of relaxed but assertive handling, just like this, to let her know who's in charge——"

We never clearly knew how it happened; but when I picked up my neighbor from the doorway, amid the broken splinters of the stall rail and a quantity of oats that mysteriously filled his hair and pockets, Chu Chu was found to have faced around the other way and was contemplating her forelegs, with her hind ones in the other stall. My neighbor spoke of damages while he was in the stall, and of physical coercion when he was out of it again. But here Chu Chu, in some marvelous way, righted herself, and my neighbor departed hurriedly with a brimless hat and an unfinished sentence.

We never really figured out how it happened; but when I picked up my neighbor from the doorway, surrounded by broken pieces of the stall rail and a bunch of oats that somehow ended up in his hair and pockets, Chu Chu was facing the opposite direction, looking at her front legs, with her back legs in the other stall. My neighbor talked about damages while he was in the stall, and about physical force once he was back outside. But somehow, Chu Chu managed to get herself back on her feet, and my neighbor quickly left with a hat without a brim and a sentence he never finished.

My next intermediary was Enriquez Saltello—a youth of my age, and the brother of Consuelo Saltello, whom I adored. As a Spanish Californian he was presumed, on account of Chu Chu's half-Spanish origin, to have superior knowledge of her character, and I even vaguely believed that his language and accent would fall familiarly on her ear. There was the drawback, however, that he always preferred to talk in a marvelous English, combining Castilian[145-1] precision with what he fondly believed to be Californian slang.

My next connection was Enriquez Saltello—a guy my age and the brother of Consuelo Saltello, whom I adored. Being a Spanish Californian, it was assumed, because of Chu Chu's half-Spanish background, that he had a better understanding of her personality, and I even somewhat thought that his language and accent would sound familiar to her. The downside, though, was that he always preferred to speak in this amazing English, mixing Castilian precision with what he thought was Californian slang.

"To confer then as to thees horse, which is not—observe me—a Mexican plug![145-2] Ah, no! you can your boots bet on that. She is of Castilian stock—believe me and strike me dead! I will myself at different times overlook and affront her in the stable, examine her as to the assault, and why she should do thees thing. When she is of the exercise, I will also accost and restrain her. Remain tranquil, my friend! When a few days shall pass, much shall be changed, and she will be as another. Trust your oncle do thees thing! Comprehend me! Everything shall be lovely, and the goose hang high!"

"Let's talk about this horse, which is definitely not—trust me—a Mexican plug![145-2] Oh, no! You can take my word for it. She comes from Castilian blood—believe me, and I swear it! I will, at different times, watch her closely and confront her in the stable, checking on her behavior and why she acts this way. When she's exercising, I will also approach and control her. Stay calm, my friend! After a few days, things will change a lot, and she’ll be completely different. Trust your uncle to handle this! Understand? Everything will turn out great, and the sky will be high!"

Conformably with this, he "overlooked" her the next day, with a cigarette between his yellow-stained finger tips, which made her sneeze in a silent pantomimic way, and certain blandishments of speech which she received with more complacency. But I don't think she ever even looked at him. In vain he protested that she was the "dearest" and "littlest" of his "little loves"—in vain he asserted that she was his patron saint, and that it was his soul's delight to pray to her; she accepted the compliment with her eyes fixed upon the manger. When he had exhausted his whole stock of endearing diminutives, adding a few playful and more audacious sallies, she remained with her head down, as if inclined to meditate upon them. This he declared was at least an improvement on her former performances. It may have been my own jealousy, but I fancied she was only saying to herself, "Gracious! can there be two of them?"

Accordingly, he "noticed" her the next day, with a cigarette between his yellow-stained fingertips, which made her sneeze silently, and some flattering words she received with more acceptance. But I don’t think she ever even looked at him. He tried in vain to insist she was the "dearest" and "smallest" of his "little loves"—in vain he claimed she was his patron saint, and that it filled his soul with joy to pray to her; she took the compliment while her eyes were fixed on the ground. After he ran out of all his sweet nicknames, adding a few playful and bolder comments, she stayed with her head down, as if reflecting on them. He claimed this was at least an improvement over her previous reactions. It might have been my own jealousy, but I thought she was just thinking, "Wow! Can there really be two of them?"

"Courage and patience, my friend," he said, as we were slowly quitting the stable. "Thees horse is yonge, and has not yet the habitude of the person. To-morrow, at another season, I shall give to her a foundling" ("fondling," I have reason to believe, was the word intended by Enriquez)—"and we shall see. It shall be as easy as to fall away from a log. A leetle more of this chin music which your friend Enriquez possesses, and some tapping of the head and neck, and you are there. You are ever the right side up. Houp la! But let us not precipitate this thing. The more haste, we do not so much accelerate ourselves."

"Courage and patience, my friend," he said as we were slowly leaving the stable. "This horse is young and isn't used to people yet. Tomorrow, at a different time, I’ll introduce her to a foundling" ("fondling," I believe, was the word intended by Enriquez)—"and we’ll see. It’ll be as easy as falling off a log. A little more of that chin music your friend Enriquez has, and some gentle tapping on the head and neck, and you’ll be good to go. You’ll always be in the right position. Houp la! But let’s not rush this. The more we hurry, the less we actually speed things up."

He appeared to be suiting the action to the word as he lingered in the doorway of the stable. "Come on," I said.

He seemed to be matching his actions to his words as he hung around in the doorway of the stable. "Come on," I said.

"Pardon," he returned, with a bow that was both elaborate and evasive, "but you shall yourself precede me—the stable is yours."

"Excuse me," he replied, with a bow that was both elaborate and evasive, "but you should go ahead of me—the stable is yours."

"Oh, come along!" I continued impatiently. To my surprise, he seemed to dodge back into the stable again. After an instant he reappeared.

"Oh, come on!" I said impatiently. To my surprise, he seemed to retreat back into the stable again. After a moment, he reappeared.

"Pardon! but I am re-strain! Of a truth, in this instant I am grasp by the mouth of thees horse in the coat-tail of my dress! She will that I should remain. It would seem"—he disappeared again—"that"—he was out once more—"the experiment is a sooccess! She reciprocate! She is, of a truth, gone on me. It is lofe!"—a stronger pull from Chu Chu here sent him in again—"but"—he was out now triumphantly with half his garment torn away—"I shall coquet."

"Pardon me! But I'm stuck! Honestly, right now I'm caught by the mouth of this horse in the tail of my dress! She wants me to stay. It seems"—he disappeared again—"that"—he was out once more—"the experiment is a success! She responds! Truly, she has fallen for me. It's love!"—a stronger pull from Chu Chu here sent him back in—"but"—he emerged now triumphantly with half his garment torn away—"I will flirt."

Nothing daunted, however, the gallant fellow was back next day with a Mexican saddle and attired in the complete outfit of a vaquero.[147-1] Overcome though he was by heavy deerskin trousers, open at the side from the knees down, and fringed with bullion buttons, an enormous flat sombrero,[147-2] and stiff, short embroidered velvet jacket, I was more concerned at the ponderous saddle and equipments intended for the slim Chu Chu. That these would hide and conceal her beautiful curves and contour, as well as overweight her, seemed certain; that she would resist them all to the last seemed equally clear. Nevertheless, to my surprise, when she was led out, and the saddle thrown deftly across her back, she was passive. Was it possible that some drop of her old Spanish blood responded to its clinging embrace? She did not either look at it nor smell it. But when Enriquez began to tighten the "cinch" or girth, a more singular thing occurred. Chu Chu visibly distended her slender barrel to twice its dimensions; the more he pulled the more she swelled, until I was actually ashamed of her. Not so Enriquez. He smiled at us, and complacently stroked his thin moustache.

Nothing daunted, the brave guy was back the next day with a Mexican saddle and dressed in the full gear of a vaquero.[147-1] Even though he was weighed down by heavy deerskin pants, open at the sides from the knees down, and trimmed with bullion buttons, a huge flat sombrero, [147-2] and a stiff, short embroidered velvet jacket, I was more worried about the cumbersome saddle and equipment meant for the slim Chu Chu. It seemed obvious that these would obscure her beautiful curves and make her uncomfortable, and that she would fight against them to the end. To my surprise, when she was brought out and the saddle was laid across her back, she was surprisingly calm. Could it be that a trace of her old Spanish heritage reacted to its snug fit? She didn’t look at it or sniff it. But when Enriquez started to tighten the "cinch" or girth, something even stranger happened. Chu Chu visibly expanded her slender barrel to twice its size; the more he pulled, the more she swelled, until I was actually embarrassed for her. Not Enriquez, though. He smiled at us and stroked his thin mustache with satisfaction.

"Eet is ever so! She is the child of her grandmother! Even when you shall make saddle thees old Castilian stock, it will make large—it will become a balloon! Eet is trick—eet is a leetle game—believe me. For why?"

"Eet is for sure! She is her grandmother's child! Even when you try to saddle this old Castilian stock, it will get big—it will turn into a balloon! Eet is a trick—it’s a little game—trust me. Why, you ask?"

I had not listened, as I was at that moment astonished to see the saddle slowly slide under Chu Chu's belly, and her figure resume, as if by magic, its former slim proportions. Enriquez followed my eyes, lifted his shoulders, shrugged them, and said smilingly, "Ah, you see!"

I hadn't been paying attention because I was stunned to see the saddle gradually slip under Chu Chu's belly, and her body seemed to magically return to its previous slim shape. Enriquez noticed where I was looking, lifted his shoulders, shrugged, and said with a smile, "Ah, you see!"

When the girths were drawn in again with an extra pull or two from the indefatigable Enriquez, I fancied that Chu Chu nevertheless secretly enjoyed it, as her sex is said to appreciate tight-lacing. She drew a deep sigh, possibly of satisfaction, turned her neck, and apparently tried to glance at her own figure—Enriquez promptly withdrawing to enable her to do so easily. Then the dread moment arrived. Enriquez, with his hand on her mane, suddenly paused and, with exaggerated courtesy, lifted his hat and made an inviting gesture.

When the girths were tightened again with a couple more pulls from the tireless Enriquez, I thought that Chu Chu secretly liked it, as it’s said that her kind enjoys being tightly laced. She let out a deep sigh, maybe out of satisfaction, turned her neck, and seemingly tried to look at her own figure—Enriquez quickly stepping back to let her do that easily. Then the tense moment came. Enriquez, with his hand on her mane, suddenly stopped and, with a dramatic courtesy, lifted his hat and made a welcoming gesture.

"You will honor me to precede."

"You will do me the honor of going first."

I shook my head laughingly.

I laughed and shook my head.

"I see," responded Enriquez gravely. "You have to attend the obsequies of your aunt who is dead, at two of the clock. You have to meet your broker who has bought you feefty share of the Comstock lode[149-1]—at thees moment—or you are loss! You are excuse! Attend! Gentlemen, make your bets! The band has arrived to play! 'Ere we are!"

"I understand," Enriquez replied seriously. "You need to be at your aunt's funeral, which starts at two o'clock. You also have to meet your broker who bought you fifty shares of the Comstock lode—right now—or you'll miss out! You're excused! Get going! Gentlemen, place your bets! The band is here to play! Here we go!"

With a quick movement the alert young fellow had vaulted into the saddle. But, to the astonishment of both of us, the mare remained perfectly still. There was Enriquez bolt upright in the stirrups, completely overshadowing by his saddle-flaps, leggings, and gigantic spurs the fine proportions of Chu Chu, until she might have been a placid Rosinante,[149-2] bestridden by some youthful Quixote. She closed her eyes, she was going to sleep! We were dreadfully disappointed. This clearly would not do. Enriquez lifted the reins cautiously! Chu Chu moved forward slowly—then stopped, apparently lost in reflection.

With a quick move, the alert young guy jumped into the saddle. But, to both our surprise, the mare stayed completely still. There was Enriquez sitting straight up in the stirrups, totally overshadowed by his saddle flaps, leggings, and huge spurs, making the elegant proportions of Chu Chu look almost like a calm Rosinante, [149-2] ridden by some youthful Quixote. She closed her eyes; she was about to fall asleep! We were really disappointed. This definitely wouldn't work. Enriquez lifted the reins carefully! Chu Chu moved forward slowly—then stopped, seemingly lost in thought.

"Affront her on thees side."

"Confront her on this side."

I approached her gently. She shot suddenly into the air, coming down again on perfectly stiff legs with a springless jolt. This she instantly followed by a succession of other rocket-like propulsions, utterly unlike a leap, all over the inclosure. The movements of the unfortunate Enriquez were equally unlike any equitation I ever saw. He appeared occasionally over Chu Chu's head, astride her neck and tail, or in the free air, but never in the saddle. His rigid legs, however, never lost the stirrups, but came down regularly, accentuating her springless hops. More than that, the disproportionate excess of rider, saddle, and accoutrements was so great that he had, at times, the appearance of lifting Chu Chu forcibly from the ground by superior strength, and of actually contributing to her exercise! As they came towards me, a wild tossing and flying mass of hoofs and spurs, it was not only difficult to distinguish them apart, but to ascertain how much of the jumping was done by Enriquez separately. At last Chu Chu brought matters to a close by making for the low-stretching branches of an oak-tree which stood at the corner of the lot. In a few moments she emerged from it—but without Enriquez.

I approached her gently. She suddenly shot into the air, landing again on perfectly stiff legs with a jarring thud. This was immediately followed by a series of other rocket-like jumps, completely different from a leap, all over the enclosure. The movements of the unfortunate Enriquez were equally unlike any riding I've ever seen. He occasionally appeared over Chu Chu's head, riding her neck and tail, or in mid-air, but never in the saddle. His stiff legs, however, never lost the stirrups, coming down regularly and accentuating her springless hops. Furthermore, the excessive weight of rider, saddle, and gear was so disproportionate that it looked at times like he was lifting Chu Chu off the ground with sheer strength and actually contributing to her exercise! As they came towards me, a wild jumble of hooves and spurs, it was not only hard to tell them apart, but also to figure out how much of the jumping was done by Enriquez on his own. Finally, Chu Chu brought everything to a stop by heading for the low-hanging branches of an oak tree at the corner of the lot. In a moment, she emerged from it—but without Enriquez.

I found the gallant fellow disengaging himself from the fork of a branch in which he had been firmly wedged, but still smiling and confident, and his cigarette between his teeth. Then for the first time he removed it, and seating himself easily on the branch with his legs dangling down, he blandly waved aside my anxious queries with a gentle reassuring gesture.

I found the brave guy getting himself free from the fork of a branch where he had been stuck, still smiling and confident, with a cigarette between his teeth. Then for the first time, he took it out and sat comfortably on the branch with his legs hanging down, casually dismissing my worried questions with a gentle, reassuring wave.

"Remain tranquil, my friend. Thees does not count! I have conquer—you observe—for why? I have never for once arrive at the ground! Consequent she is disappoint! She will ever that I should! But I have got her when the hair is not long! Your oncle Henry"—with an angelic wink—"is fly! He is ever a bully boy, with the eye of glass! Believe me. Behold! I am here! Big Injun! Whoop!"

"Stay calm, my friend. This doesn't matter! I have won—you see—because why? I have never actually gotten to the ground! So she's let down! She will always think I should! But I got her when the hair wasn't long! Your Uncle Henry"—with a cheeky wink—"is awesome! He’s always a tough guy, with a glass eye! Trust me. Look! I’m here! Big Indian! Whoop!"

He leaped lightly to the ground. Chu Chu, standing watchfully at a little distance, was evidently astonished at his appearance. She threw out her hind hoofs violently, shot up into the air until the stirrups crossed each other high above the saddle, and made for the stable in a succession of rabbit-like bounds—taking the precaution to remove the saddle, on entering, by striking it against the lintel of the door. "You observe," said Enriquez blandly, "she would make that thing of me. Not having the good occasion, she ees dissatisfied. Where are you now?"

He jumped lightly to the ground. Chu Chu, standing a short distance away, looked clearly surprised at his appearance. She kicked her hind legs out forcefully, sprang into the air until the stirrups crossed high above the saddle, and bounded towards the stable in a series of rabbit-like hops—taking care to knock the saddle off by hitting it against the door frame as she walked in. "You see," Enriquez said calmly, "she would do that to me. Not having the right opportunity, she’s unhappy. Where are you now?"

Two or three days afterwards he rode her again with the same result—accepted by him with the same heroic complacency. As we did not, for certain reasons, care to use the open road for this exercise and as it was impossible to remove the tree, we were obliged to submit to the inevitable. On the following day I mounted her—undergoing the same experience as Enriquez, with the individual sensation of falling from a third-story window on top of a counting-house stool, and the variation of being projected over the fence. When I found that Chu Chu had not accompanied me, I saw Enriquez at my side. "More than ever it is become necessary that we should do thees things again," he said gravely, as he assisted me to my feet. "Courage, my noble General! God and Liberty! Once more on to the breach! Charge, Chestare, charge! Come on, Don Stanley! 'Ere we are!"

Two or three days later, he rode her again with the same outcome—accepted by him with the same heroic nonchalance. Since we didn’t want to use the open road for this activity for certain reasons and it was impossible to move the tree, we had to accept the inevitable. The next day, I got on her—going through the same experience as Enriquez, feeling like I was falling from a third-story window onto a stool, with the added twist of being thrown over the fence. When I noticed that Chu Chu hadn’t joined me, I saw Enriquez beside me. "It’s more important than ever that we do this again," he said seriously as he helped me up. "Courage, my noble General! God and Liberty! Once more into the breach! Charge, Chestare, charge! Come on, Don Stanley! Here we are!"

He helped me none too quickly to catch my seat again, for it apparently had the effect of the turned peg on the enchanted horse in the Arabian Nights,[152-1] and Chu Chu instantly rose into the air. But she came down this time before the open window of the kitchen, and I alighted easily on the dresser. The indefatigable Enriquez followed me.

He didn't help me very quickly to get back in my seat, as it seemed to have the same effect as the turned peg on the enchanted horse from the Arabian Nights,[152-1] and Chu Chu immediately lifted off the ground. But this time she landed in front of the open kitchen window, and I easily stepped down onto the dresser. The tireless Enriquez followed me.

"Won't this do?" I asked meekly.

"Isn't this enough?" I asked quietly.

"It ees better—for you arrive not on the ground," he said cheerfully; "but you should not once but a thousand times make trial! Ha! Go and win! Nevare die and say so! 'Eave ahead! 'Eave! There you are!"

"It’s better—for you don’t land on the ground," he said cheerfully; "but you should try not just once but a thousand times! Ha! Go and win! Never die and say so! Keep going! Go! There you are!"

Luckily, this time I managed to lock the rowels of my long spurs under her girth, and she could not unseat me. She seemed to recognize the fact after one or two plunges, when to my great surprise, she suddenly sank to the ground and quietly rolled over me. The action disengaged my spurs, but righting herself without getting up, she turned her beautiful head and absolutely looked at me!—still in the saddle. I felt myself blushing! But the voice of Enriquez was at my side.

Luckily, this time I managed to hook the rowels of my long spurs under her girth, and she couldn't throw me off. After one or two wild bucks, she seemed to realize it and, to my shock, suddenly dropped to the ground and rolled over me. The move freed my spurs, but as she righted herself without standing up, she turned her gorgeous head and actually looked at me!—still in the saddle. I felt myself blushing! But then I heard Enriquez's voice beside me.

"Errise, my friend; you have conquer! It is she who has arrive at the ground! You are all right. It is done; believe me, it is feenish! No more shall she make thees think. From thees instant you shall ride her as the cow—as the rail of thees fence—and remain tranquil. For she is a-broke! Ta-ta! Regain your hats, gentlemen! Pass in your checks! It is ovar! How are you now?" He lit a fresh cigarette, put his hands in his pockets, and smiled at me blandly.

"Errise, my friend; you have conquered! It is she who has arrived on the ground! You are all good. It’s done; believe me, it’s finished! No more will she make you think. From this moment on, you’ll ride her like a cow—like the rail of this fence—and stay calm. For she is broken! Ta-ta! Grab your hats, gentlemen! Hand in your checks! It’s over! How are you now?" He lit up a fresh cigarette, put his hands in his pockets, and smiled at me blandly.

For all that, I ventured to point out that the habit of alighting in the fork of a tree, or the disengaging of one's self from the saddle on the ground, was attended with inconvenience, and even ostentatious display. But Enriquez swept the objections away with a single gesture. "It is the preencipal—the bottom fact—at which you arrive. The next come of himself! Many horse have achieve to mount the rider by the knees, and relinquish after thees same fashion. My grandfather had a barb of thees kind—but she has gone dead, and so have my grandfather. Which is sad and strange! Otherwise I shall make of them both an instant example!"

For all that, I tried to point out that the habit of landing in the fork of a tree, or getting off the saddle on the ground, was pretty inconvenient and even showy. But Enriquez dismissed the objections with a single gesture. "It's the principal—the basic fact—that matters. The next one will come on its own! Many horses have managed to get the rider off by the knees and let go in the same way. My grandfather had a horse like that—but she's gone now, and so is my grandfather. Which is sad and strange! Otherwise, I’d use them both as a quick example!"

I ought to have said that although these performances were never actually witnessed by Enriquez's sister—for reasons which he and I thought sufficient—the dear girl displayed the greatest interest in them and, perhaps aided by our mutually complimentary accounts of each other, looked upon us both as invincible heroes. It is possible also that she over-estimated our success, for she suddenly demanded that I should ride Chu Chu to her house, that she might see her. It was not far; by going through a back lane I could avoid the trees which exercised such a fatal fascination for Chu Chu. There was a pleading, childlike entreaty in Consuelo's voice that I could not resist, with a slight flash from her lustrous dark eyes that I did not care to encourage. So I resolved to try it at all hazards.

I should mention that even though Enriquez's sister never actually saw these performances—due to reasons that he and I found sufficient—the dear girl showed the greatest interest in them and, perhaps due to our flattering stories about each other, viewed us both as invincible heroes. It’s possible that she also overestimated our success because she suddenly insisted that I should ride Chu Chu to her house so she could see her. It wasn't far; by taking a back lane, I could avoid the trees that had such a dangerous allure for Chu Chu. There was a pleading, childlike tone in Consuelo's voice that I couldn't resist, along with a slight sparkle in her beautiful dark eyes that I didn't want to encourage. So I decided to go for it, no matter the risks.

My equipment for the performance was modeled after Enriquez's previous costume, with the addition of a few fripperies of silver and stamped leather out of compliment to Consuelo, and even with a faint hope that it might appease Chu Chu. She certainly looked beautiful in her glittering accoutrements, set off by her jet-black shining coat. With an air of demure abstraction she permitted me to mount her, and even for a hundred yards or so indulged in a mincing maidenly amble that was not without a touch of coquetry. Encouraged by this, I addressed a few terms of endearment to her, and in the exuberance of my youthful enthusiasm I even confided to her my love for Consuelo and begged her to be "good" and not disgrace herself and me before my Dulcinea.[154-1] In my foolish trustfulness I was rash enough to add a caress and to pat her soft neck. She stopped instantly with a hysteric shudder. I knew what was passing through her mind: she had suddenly become aware of my baleful existence.

My outfit for the performance was inspired by Enriquez's previous costume, with a few decorative silver pieces and embossed leather added as a nod to Consuelo, and even with a faint hope that it might win over Chu Chu. She definitely looked stunning in her sparkling accessories, complemented by her shiny jet-black coat. With a shy, distracted air, she allowed me to climb onto her, and for about a hundred yards, she even indulged in a delicate, lady-like walk that had a hint of flirtation. Encouraged by this, I whispered a few affectionate words to her, and in the excitement of my youthful enthusiasm, I even shared my feelings for Consuelo and asked her to be "good" and not embarrass herself or me in front of my Dulcinea.[154-1] In my naive trust, I was bold enough to give her a gentle stroke and pat her soft neck. She stopped immediately with a nervous shudder. I realized what was going through her mind: she had suddenly become aware of my unfortunate presence.

The saddle and bridle Chu Chu was becoming accustomed to, but who was this living, breathing object that had actually touched her? Presently her oblique vision was attracted by the fluttering movement of a fallen oak leaf in the road before her. She had probably seen many oak leaves many times before; her ancestors had no doubt been familiar with them on the trackless hills and in field and paddock, but this did not alter her profound conviction that I and the leaf were identical, that our baleful touch was something indissolubly connected. She reared before that innocent leaf, she revolved round it, and then fled from it at the top of her speed.

The saddle and bridle were becoming familiar to Chu Chu, but who was this living, breathing thing that had actually touched her? Right now, her peripheral vision was drawn to the fluttering movement of a fallen oak leaf in the road in front of her. She had probably seen many oak leaves countless times before; her ancestors had no doubt encountered them on the wild hills, in fields, and paddocks, but that didn’t change her deep belief that I and the leaf were the same, that our ominous connection was something unbreakable. She reared up in front of that innocent leaf, circled around it, and then took off from it at full speed.

The lane passed before the rear wall of Saltello's garden. Unfortunately, at the angle of the fence stood a beautiful Madroño-tree, brilliant with its scarlet berries, and endeared to me as Consuelo's favorite haunt, under whose protecting shade I had more than once avowed my youthful passion. By the irony of fate Chu Chu caught sight of it, and with a succession of spirited bounds instantly made for it. In another moment I was beneath it, and Chu Chu shot like a rocket into the air. I had barely time to withdraw my feet from the stirrups, to throw up one arm to protect my glazed sombrero and grasp an over-hanging branch with the other, before Chu Chu darted off. But to my consternation, as I gained a secure perch on the tree and looked about me, I saw her—instead of running away—quietly trot through the open gate into Saltello's garden.

The path ran alongside the back wall of Saltello's garden. Unfortunately, at the corner of the fence stood a stunning Madroño tree, vibrant with its red berries, and it held a special place in my heart as Consuelo's favorite spot, where I had confessed my youthful love more than once. Ironically, Chu Chu spotted it and instantly leaped toward it with a series of energetic jumps. In no time, I was under the tree, and Chu Chu shot into the air like a rocket. I barely had enough time to pull my feet out of the stirrups, raise one arm to shield my shiny sombrero, and grab a low-hanging branch with the other before Chu Chu took off. But to my shock, as I secured myself on the tree and looked around, I saw her—rather than running away—calmly walking through the open gate into Saltello's garden.

Need I say that it was to the beneficent Enriquez that I again owed my salvation? Scarcely a moment elapsed before his bland voice rose in a concentrated whisper from the corner of the garden below me. He had divined the dreadful truth!

Need I say that I once again owed my salvation to the kind Enriquez? Barely a moment passed before his soothing voice came from the corner of the garden below me in a low whisper. He had figured out the terrible truth!

"For the love of God, collect to yourself many kinds of thees berry! All you can! Your full arms round! Rest tranquil. Leave to your ole oncle to make for you a delicate exposure. At the instant!"

"For the love of God, gather as many of these berries as you can! Fill your arms with them! Stay calm. Let your old uncle handle the delicate display for you. Right now!"

He was gone again. I gathered, wonderingly, a few of the larger clusters of parti-colored fruit and patiently waited. Presently he reappeared, and with him the lovely Consuelo—her dear eyes filled with an adorable anxiety.

He was gone again. I gathered, curiously, a few of the larger bunches of multicolored fruit and waited patiently. Soon, he came back, and with him was the beautiful Consuelo—her sweet eyes filled with a charming worry.

"Yes," continued Enriquez to his sister, with a confidential lowering of tone but great distinctness of utterance, "it is ever so with the American! He will ever make first the salutation of the flower or the fruit, picked to himself by his own hand, to the lady where he call. It is the custom of the American hidalgo![156-1] My God—what will you? I make it not—it is so! Without doubt he is in this instant doing thees thing. That is why we have let go his horse to precede him here; it is always the etiquette to offer these things on the feet. Ah! Behold! it is he!—Don Francisco! Even now he will descend from thees tree! Ah! You make the blush, little sister (archly)! I will retire! I am discreet; two is not company for the one! I make tracks! I am gone!"

"Yes," Enriquez said to his sister, lowering his voice for emphasis but speaking clearly, "it’s always like this with Americans! They always prioritize greeting the lady with a flower or fruit that they've picked themselves. That’s the way of the American gentleman! My God—what can you do? I’m not making it up—it’s true! He’s probably doing that right now. That’s why we've let his horse come ahead; it’s etiquette to offer these things at their feet. Ah! Look! There he is!—Don Francisco! He’s about to come down from that tree! Ah! You're blushing, little sister (playfully)! I’ll step back! I know how to be discreet; two isn't company for one! I'll take my leave! I'm out!"

How far Consuelo entirely believed and trusted her ingenious brother I do not know, nor even then cared to inquire. For there was a pretty mantling of her olive cheek, as I came forward with my offering, and a certain significant shyness in her manner that were enough to throw me into a state of hopeless imbecility. And I was always miserably conscious that Consuelo possessed an exalted sentimentality, and a predilection for the highest mediæval romance, in which I knew I was lamentably deficient. Even in our most confidential moments I was always aware that I weakly lagged behind this daughter of a gloomily distinguished ancestry, in her frequent incursions into a vague but poetic past. There was something of the dignity of the Spanish châtelaine[157-1] in the sweetly grave little figure that advanced to accept my specious offering. I think I should have fallen on my knees to present it, but for the presence of the all seeing Enriquez. But why did I even at that moment remember that he had early bestowed upon her the nickname of "Pomposa"? This, as Enriquez himself might have observed, was "sad and strange."

How much Consuelo fully believed and trusted her clever brother, I’m not sure, and back then I didn’t really care to find out. There was a lovely flush on her olive cheek when I stepped forward with my gift, and a certain meaningful shyness in her demeanor that made me feel utterly foolish. I was always painfully aware that Consuelo had a heightened sense of sentimentality and a fondness for the highest medieval romance, an area where I knew I was sadly lacking. Even in our closest moments, I always felt like I was trailing behind this daughter of a notably distinguished lineage as she often delved into a vague but poetic past. There was something regal about the Spanish châtelaine[157-1] in the sweetly serious little figure that came forward to accept my insincere offering. I think I would have dropped to my knees to present it, if not for the watchful Enriquez being there. But why did I even remember at that moment that he had early called her "Pomposa"? This, as Enriquez himself might have said, was "sad and strange."

I managed to stammer out something about the Madroño berries being at her "disposition" (the tree was in her own garden!), and she took the branches in her little brown hand with a soft response to my unutterable glances.

I managed to stammer out something about the Madroño berries being at her "disposal" (the tree was in her own garden!), and she took the branches in her small brown hand with a gentle reply to my unexpressed looks.

But here Chu Chu, momentarily forgotten, executed a happy diversion. To our astonishment she gravely walked up to Consuelo and, stretching out her long slim neck, not only sniffed curiously at the berries, but even protruded a black underlip towards the young girl herself. In another instant Consuelo's dignity melted. Throwing her arms around Chu Chu's neck she embraced and kissed her. Young as I was, I understood the divine significance of a girl's vicarious effusiveness at such a moment, and felt delighted. But I was the more astonished that the usually sensitive horse not only submitted to these caresses, but actually responded to the extent of affecting to nip my mistress's little right ear.

But at that moment, Chu Chu, momentarily forgotten, provided a delightful surprise. To our amazement, she walked up to Consuelo with a serious look, stretching out her long, slim neck. She not only curiously sniffed at the berries but also nudged her black underlip toward the young girl. In an instant, Consuelo's composure fell away. She threw her arms around Chu Chu's neck, embracing and kissing her. Even as a child, I understood the beautiful significance of a girl's affectionate display in that moment, and I felt happy. But I was even more surprised that the usually sensitive horse not only accepted these gestures but even pretended to nibble my mistress's little right ear.

This was enough for the impulsive Consuelo. She ran hastily into the house and in a few moments reappeared in a bewitching riding-shirt. In vain Enriquez and myself joined in earnest entreaty: the horse was hardly broken for even a man's riding yet; the saints alone could tell what the nervous creature might do with a woman's skirt flipping at her side! We begged for delay, for reflection, for at least time to change the saddle—but with no avail! Consuelo was determined, indignant, distressingly reproachful! Ah, well! if Don Pancho (an ingenious diminutive of my Christian name) valued his horse so highly—if he were jealous of the evident devotion of the animal to herself, he would—but here I succumbed! And then I had the felicity of holding that little foot for one brief moment in the hollow of my hand, of readjusting the skirt as she threw her knee over the saddle-horn, of clasping her tightly—only half in fear—as I surrendered the reins to her grasp. And to tell the truth, as Enriquez and I fell back, although I had insisted upon still keeping hold of the end of the riata, it was a picture to admire. The petite[158-1] figure of the young girl and the graceful folds of her skirt admirably harmonized with Chu Chu's lithe contour, and as the mare arched her slim neck and raised her slender head under the pressure of the reins, it was so like the lifted velvet-capped toreador[159-1] crest of Consuelo herself, that they seemed of one race.

This was enough for the impulsive Consuelo. She rushed into the house and soon came back in a stunning riding outfit. Despite Enriquez and I urging her earnestly, the horse was barely trained even for a man's riding but who knows what the skittish creature would do with a woman's skirt flapping beside her! We asked for a delay, for a moment to think, for at least time to change the saddle—but it was all in vain! Consuelo was determined, upset, and frustratingly reproachful! Well, if Don Pancho (a clever nickname for my given name) valued his horse so much—if he was jealous of how devoted the animal was to her, he would—but I gave in! Then I had the joy of holding that little foot for a brief moment in my hand, of adjusting her skirt as she swung her knee over the saddle horn, of gripping her tight—only half in fear—as I handed the reins over to her. And honestly, as Enriquez and I stepped back, although I insisted on still holding the end of the riata, it was a sight to behold. The petite[158-1] figure of the young girl and the graceful folds of her skirt went perfectly with Chu Chu's lithe form, and as the mare arched her slim neck and lifted her slender head against the pressure of the reins, it was so reminiscent of the lifted velvet-cap toreador[159-1] crest of Consuelo herself, that they seemed to belong to the same lineage.

"I would not that you should hold the riata," said Consuelo petulantly.

"I don’t want you to hold the riata," Consuelo said irritably.

I hesitated—Chu Chu looked certainly very amiable—I let go. She began to amble towards the gate, not mincingly as before, but with a freer and fuller stride. In spite of the incongruous saddle, the young girl's seat was admirable. As they neared the gate, she cast a single mischievous glance at me, jerked at the rein, and Chu Chu sprang into the road at a rapid canter. I watched them fearfully and breathlessly, until at the end of the lane I saw Consuelo rein in slightly, wheel easily, and come flying back. There was no doubt about it; the horse was under perfect control. Her second subjugation was complete and final!

I hesitated—Chu Chu seemed really friendly—I let go. She started to walk toward the gate, not hesitantly like before, but with a more relaxed and confident stride. Despite the awkward saddle, the young girl's posture was impressive. As they approached the gate, she shot me a playful glance, tugged on the reins, and Chu Chu took off down the road at a fast canter. I watched them anxiously and breathlessly, until at the end of the lane I saw Consuelo slow down a bit, turn smoothly, and come charging back. There was no doubt about it; the horse was completely under her control. Her second conquest was total and final!

Overjoyed and bewildered, I overwhelmed them with congratulations; Enriquez alone retaining the usual brotherly attitude of criticism and a superior toleration of a lover's enthusiasm. I ventured to hint to Consuelo (in what I believed was a safe whisper) that Chu Chu only showed my own feelings towards her. "Without doubt," responded Enriquez gravely. "She have of herself assist you to climb to the tree to pull to yourself the berry for my sister." But I felt Consuelo's little hand return my pressure, and I forgave and even pitied him.

Overjoyed and confused, I showered them with congratulations; only Enriquez kept his typical brotherly tone of criticism and a somewhat tolerant view of a lover's excitement. I tried to subtly suggest to Consuelo (in what I thought was a safe whisper) that Chu Chu simply reflected my own feelings for her. "Without a doubt," Enriquez replied seriously. "She can help you climb the tree to grab the berry for my sister." But I felt Consuelo's small hand squeeze back, and I forgave him and even felt sorry for him.

From that day forward, Chu Chu and Consuelo were not only firm friends but daily companions. In my devotion I would have presented the horse to the young girl, but with flattering delicacy she preferred to call it mine. "I shall erride it for you, Pancho," she said; "I shall feel," she continued with exalted although somewhat vague poetry, "That it is of you! You lofe the beast—it is therefore of a necessity you, my Pancho! It is your soul I shall erride like the wings of the wind—your lofe in this beast shall be my only cavalier for ever." I would have preferred something whose vicarious qualities were less uncertain than I still felt Chu Chu's to be, but I kissed the girl's hand submissively.

From that day on, Chu Chu and Consuelo were not just close friends but also daily companions. I would have given the horse to the young girl out of my affection, but with charming delicacy, she insisted on calling it mine. "I’ll ride it for you, Pancho," she said; "I will feel," she continued with inspired but somewhat unclear poetry, "that it belongs to you! You love the beast—it is therefore naturally yours, my Pancho! It is your soul I’ll ride like the wings of the wind—your love in this horse will be my only knight forever." I would have preferred something with less vague qualities than I still sensed in Chu Chu, but I kissed the girl's hand obediently.

It was only when I attempted to accompany her in the flesh, on another horse, that I felt the full truth of my instinctive fears. Chu Chu would not permit any one to approach her mistress's side. My mounted presence revived in her all her old blind astonishment and disbelief in my existence; she would start suddenly, face about, and back away from me in utter amazement as if I had been only recently created, or with an affected modesty as if I had been just guilty of some grave indecorum towards her sex which she really could not stand. The frequency of these exhibitions in the public highway were not only distressing to me as a simple escort, but as it had the effect on the casual spectators of making Consuelo seem to participate in Chu Chu's objections, I felt that, as a lover, it could not be borne. An attempt to coerce Chu Chu ended in her running away. And my frantic pursuit of her was open to equal misconstruction. "Go it, Miss, the little dude is gainin' on you!" shouted by a drunken teamster to the frightened Consuelo, once checked me in mid-career. Even the dear girl herself saw the uselessness of my real presence, and after a while was content to ride with "my soul."

It was only when I tried to be by her side, riding another horse, that I fully understood my deep-seated fears. Chu Chu wouldn’t let anyone get close to her mistress. My presence on horseback triggered all her old, blind shock and disbelief about my existence; she would jump, turn away, and back off from me in total astonishment as if I had just been created, or with a sort of fake modesty as if I had done something deeply inappropriate towards her gender, which she simply couldn’t handle. The frequency of these situations in public not only upset me as an escort but also made it seem to onlookers like Consuelo shared Chu Chu’s objections. I felt that, as a lover, this was unbearable. Any attempt to control Chu Chu only made her bolt. My frantic chase after her was just as open to misunderstanding. “Go for it, miss, the little dude is catching up to you!” shouted a drunken teamster to the startled Consuelo, stopping me in my tracks. Even the sweet girl herself realized how pointless my actual presence was, and after a while, she was fine just riding with “my soul.”

Notwithstanding this, I am not ashamed to say that it was my custom, whenever she rode out, to keep a slinking and distant surveillance of Chu Chu on another horse, until she had fairly settled down to her pace. A little nod of Consuelo's round black-and-red toreador hat or a kiss tossed from her riding-whip was reward enough!

Notwithstanding this, I’m not ashamed to say that it was my habit, whenever she went riding, to keep a low-key and distant watch on Chu Chu from another horse, until she had really found her stride. A little nod from Consuelo's round black-and-red toreador hat or a kiss tossed from her riding whip was reward enough!

I remember a pleasant afternoon when I was thus awaiting her in the village. The eternal smile of the Californian summer had begun to waver and grow less fixed; dust lay thick on leaf and blade; the dry hills were clothed in russet leather; the trade winds were shifting to the south with an ominous warm humidity; a few days longer and the rains would be here. It so chanced that this afternoon my seclusion on the roadside was accidentally invaded by a village belle—a Western young lady somewhat older than myself, and of flirtatious reputation. As she persistently and—as I now have reason to believe—mischievously lingered, I had only a passing glimpse of Consuelo riding past at an unaccustomed speed which surprised me at the moment. But as I reasoned later that she was only trying to avoid a merely formal meeting, I thought no more about it.

I remember a nice afternoon when I was waiting for her in the village. The constant smile of the Californian summer had started to fade and became less steady; dust was thick on the leaves and grass; the dry hills looked like they were covered in brown leather; the trade winds were turning towards the south with an unsettling warm humidity; in just a few days, the rains would come. That afternoon, my solitude by the roadside was unexpectedly interrupted by a village beauty—a Western girl who was a bit older than me and known for her flirtations. As she kept hanging around in a way that I now suspect was intentional, I caught only a brief glimpse of Consuelo riding by at an unusual speed that surprised me at the time. But I later figured she was just trying to avoid a simple greeting, so I didn't think about it again.

It was not until I called at the house to fetch Chu Chu at the usual hour, and found that Consuelo had not yet returned, that a recollection of Chu Chu's furious pace again troubled me. An hour passed—it was getting towards sunset, but there were no signs of Chu Chu nor her mistress. I became seriously alarmed. I did not care to reveal my fears to the family, for I felt myself responsible for Chu Chu. At last I desperately saddled my horse and galloped off in the direction she had taken. It was the road to Rosario and the hacienda[162-1] of one of her relations, where she sometimes halted.

It wasn't until I went to the house to pick up Chu Chu at the usual time and realized that Consuelo still hadn't come back that I started to worry again about Chu Chu's frantic pace. An hour went by—it was getting close to sunset, but there was no sign of Chu Chu or her owner. I became genuinely anxious. I didn't want to share my concerns with the family because I felt responsible for Chu Chu. Finally, in desperation, I saddled my horse and rode off in the direction she had gone. It was the road to Rosario and the hacienda[162-1] of one of her relatives, where she sometimes stopped.

The road was a very unfrequented one, twisting like a mountain river—indeed, it was the bed of an old watercourse—between brown hills of wild oats, and debouching at last into a broad blue lake-like expanse of alfalfa[162-2] meadows. In vain I strained my eyes over the monotonous level; nothing appeared to rise above or move across it. In the faint hope that she might have lingered at the hacienda, I was spurring on again when I heard a slight splashing on my left. I looked around. A broad patch of fresher-colored herbage and a cluster of dwarfed alders indicated a hidden spring. I cautiously approached its quaggy edges, when I was shocked by what appeared to be a sudden vision! Mid-leg deep in the center of a greenish pool stood Chu Chu! But without a strap or buckle of harness upon her—as naked as when she was foaled!

The road was rarely traveled, winding like a mountain river—actually, it used to be the path of an old watercourse—between brown hills of wild oats, finally opening up into a wide blue area like a lake filled with alfalfa meadows. I strained my eyes over the endless flat land; nothing seemed to rise above or move across it. Clinging to the faint hope that she might have stayed at the hacienda, I urged my horse forward when I heard a faint splashing on my left. I turned to look. A broad patch of greener grass and a cluster of small alders signaled a hidden spring. I cautiously approached its muddy edges when I was stunned by what seemed like a sudden vision! Mid-calf deep in the middle of a greenish pool stood Chu Chu! But without any strap or buckle of harness on her—completely bare like when she was just born!

For a moment I could only stare at her in bewildered terror. Far from recognizing me, she seemed to be absorbed in a nymph-like contemplation of her own graces in the pool. Then I called "Consuelo!" and galloped frantically around the spring. But there was no response, nor was there anything to be seen but the all-unconscious Chu Chu. The pool, thank Heaven! was not deep enough to have drowned any one; there were no signs of a struggle on its quaggy edges. The horse might have come from a distance! I galloped on, still calling. A few hundred yards further I detected the vivid glow of Chu Chu's scarlet saddle-blanket in the brush near the trail. My heart leaped—I was on the track. I called again; this time a faint reply, in accents I knew too well, came from the field beside me!

For a moment, I could only stare at her in confused fear. Instead of recognizing me, she seemed lost in a dreamy admiration of her own beauty in the pool. Then I shouted, "Consuelo!" and ran in a frenzy around the spring. But there was no reply, nor was there anything to see except for the completely unaware Chu Chu. Thank goodness! The pool wasn't deep enough for anyone to drown; there were no signs of a struggle on its muddy edges. The horse might have come from far away! I kept running, still calling out. A few hundred yards later, I spotted the bright red of Chu Chu's saddle blanket in the bushes near the trail. My heart raced—I was getting closer. I called out again; this time, a faint response, in a voice I recognized all too well, came from the field next to me!

Consuelo was there! reclining beside a manzanita bush which screened her from the road, in what struck me, even at that supreme moment, as a judicious and picturesquely selected couch of scented Indian grass and dry tussocks. The velvet hat with its balls of scarlet plush was laid carefully aside; her lovely blue-black hair retained its tight coils undisheveled, her eyes were luminous and tender. Shocked as I was at her apparent helplessness, I remember being impressed with the fact that it gave so little indication of violent usage or disaster.

Consuelo was there! She was lounging next to a manzanita bush that hid her from the road, on what I sensed, even in that intense moment, was a thoughtfully and beautifully chosen spot of fragrant Indian grass and dry tufts. The velvet hat with its bright red pom-poms was set aside carefully; her gorgeous blue-black hair remained coiled tightly, untouched. Her eyes were bright and gentle. Even though I was shocked by her seeming vulnerability, I recalled being struck by how little it showed signs of abuse or disaster.

I threw myself frantically on the ground beside her.

I threw myself urgently on the ground next to her.

"You are hurt, Consita! For Heaven's sake, what has happened?"

"You’re hurt, Consita! For heaven’s sake, what happened?"

She pushed my hat back with her little hand, and tumbled my hair gently.

She pushed my hat back with her small hand and ruffled my hair gently.

"Nothing. You are here, Pancho—eet is enofe! What shall come after thees—when I am perhaps gone among the grave—make nothing! You are here—I am happy. For a little, perhaps—not mooch."

"Nothing. You are here, Pancho—it's enough! What comes after this—when I might be gone among the graves—means nothing! You are here—I am happy. For a little while, maybe—not much."

"But," I went on desperately, "was it an accident? Were you thrown? Was it Chu Chu?"—for somehow, in spite of her languid posture and voice, I could not, even in my fears, believe her seriously hurt.

"But," I continued desperately, "was it an accident? Did you get thrown? Was it Chu Chu?"—because somehow, despite her relaxed posture and voice, I couldn't bring myself to believe that she was seriously hurt, even in my fears.

"Beat not the poor beast, Pancho. It is not from her comes thees thing. She have make nothing—believe me! I have come upon your assignation with Miss Essmith! I make but to pass you—to fly—to never come back! I have say to Chu Chu, 'Fly!' We fly many miles. Sometimes together, sometimes not so mooch! Sometimes in the saddle, sometimes on the neck! Many things remain in the road; at the end, I myself remain! I have say, 'Courage, Pancho will come!' Then I say, 'No, he is talk with Miss Essmith!' I remember not more. I have creep here on the hands. Eet is feenish!"

"Don't hit the poor animal, Pancho. It's not her fault. She hasn't done anything—believe me! I found out about your meeting with Miss Essmith! I just wanted to get past you—to escape—never to return! I told Chu Chu, 'Let’s go!' We traveled many miles. Sometimes together, sometimes not so much! Sometimes in the saddle, sometimes on the neck! Many things got left behind on the road; in the end, I was the only one left! I told myself, 'Be brave, Pancho will come!' Then I thought, 'No, he’s talking to Miss Essmith!' I don’t remember anything else. I crept here on my hands. It's over!"

I looked at her distractedly. She smiled tenderly and slightly smoothed down and rearranged a fold of her dress to cover her delicate little boot.

I glanced at her absentmindedly. She smiled gently and adjusted a fold of her dress to cover her delicate little boot.

"But," I protested, "you are not much hurt, dearest. You have broken no bones. Perhaps," I added, looking at the boot, "only a slight sprain. Let me carry you to my horse; I will walk beside you, home. Do, dearest Consita!"

"But," I protested, "you're not really hurt, my dear. You haven't broken any bones. Maybe," I added, glancing at the boot, "it’s just a minor sprain. Let me help you to my horse; I'll walk beside you all the way home. Please, my dear Consita!"

She turned her lovely eyes towards me sadly. "You comprehend not, my poor Pancho! It is not of the foot, the ankle, the arm, or the head that I can say, 'She is broke.' I would it were even so. But"—she lifted her sweet lashes slowly—"I have derrange my inside. It is an affair of my family. My grandfather have once toomble over the bull at a rodeo.[165-1] He speak no more; he is dead. For why? He has derrange his inside. Believe me, it is of the family. You comprehend? The Saltellos are not as the other peoples for this. When I am gone, you will bring to me the berry to grow upon my tomb, Pancho; the berry you have picked for me. The little flower will come too, the little star will arrive, but Consuelo, who lofe you, she will come not more!

She turned her beautiful eyes toward me sadly. "You don’t understand, my poor Pancho! It’s not about the foot, the ankle, the arm, or the head that I can say, 'She is broken.' I wish it were that simple. But"—she slowly lifted her lovely lashes—"I have something wrong inside. It’s a family matter. My grandfather once fell from a bull at a rodeo.[165-1] He doesn’t speak anymore; he’s dead. Why? Because he had something wrong inside. Believe me, it runs in the family. Do you understand? The Saltellos are different from other people in this way. When I’m gone, you will bring me the berry to grow on my tomb, Pancho; the berry you have picked for me. The little flower will bloom too, the little star will come, but Consuelo, who loves you, won’t come anymore!"

"When you are happy and talk in the road to the Essmith, you will not think of me. You will not see my eyes, Pancho; thees little grass"—she ran her plump little fingers through a tussock—"will hide them; and the small animals in the black coats that lif here will have much sorrow—but you will not. It ees better so! My father will not that I, a Catholique, should marry into a camp-meeting and lif in a tent." (It was one of Consuelo's bewildering beliefs that there was only one form of dissent—Methodism!) "He will not that I should marry a man who possess not the many horses, ox, and cow, like him. But I care not. You are my only religion, Pancho! I have enofe of the horse, and ox, and cow when you are with me! Kiss me, Pancho. Perhaps it is for the last time—the feenish! Who knows?"

"When you’re happy and walking on the road to the Essmith, you won’t think of me. You won’t see my eyes, Pancho; this little grass"—she ran her chubby fingers through a clump—"will hide them; and the small animals in their black coats that live here will feel a lot of sadness—but you won’t. It’s better this way! My father doesn’t want me, a Catholic, to marry into a camp-meeting and live in a tent." (It was one of Consuelo's confusing beliefs that there was only one kind of dissent—Methodism!) "He doesn’t want me to marry a man who doesn’t have many horses, oxen, and cows like he does. But I don’t care. You are my only faith, Pancho! I have enough horses, oxen, and cows when you are with me! Kiss me, Pancho. Maybe it’s for the last time—the finish! Who knows?"

There were tears in her lovely eyes; I felt that my own were growing dim; the sun was sinking over the dreary plain to the slow rising of the wind; and infinite loneliness had fallen upon us, and yet I was miserably conscious of some dreadful unreality in it all. A desire to laugh, which I felt must be hysterical, was creeping over me; I dared not speak. But her dear head was on my shoulder, and the situation was not unpleasant.

There were tears in her beautiful eyes; I felt my own starting to blur; the sun was setting over the dreary landscape as the wind began to pick up; an overwhelming loneliness had settled over us, and yet I was painfully aware of some terrible unrealness in everything. A laugh that I knew must be hysterical was creeping up on me; I didn’t dare to say anything. But her lovely head was on my shoulder, and the situation wasn’t bad.

Nevertheless, something must be done! This was the more difficult as it was by no means clear what had already been done. Even while I supported her drooping figure, I was straining my eyes across her shoulder for succor of some kind. Suddenly the figure of a rapid rider appeared upon the road. It seemed familiar. I looked again—it was the blessed Enriquez! A sense of deep relief came over me. I loved Consuelo; but never before had lover ever hailed the irruption of one of his beloved's family with such complacency.

Nevertheless, something needs to be done! This was particularly tough since it wasn’t clear what had already been done. Even while I was supporting her slumped figure, I was straining my eyes over her shoulder for help of some kind. Suddenly, a fast rider appeared on the road. They looked familiar. I looked again—it was the wonderful Enriquez! A wave of deep relief washed over me. I loved Consuelo; but never before had a lover greeted the arrival of one of his beloved's family with such satisfaction.

"You are safe, dearest; it is Enriquez!"

"You're safe, my dear; it's Enriquez!"

I thought she received the information coldly. Suddenly she turned upon me her eyes, now bright and glittering. "Swear to me at the instant, Pancho, that you will not again look upon Miss Essmith, even for once."

I thought she took the news pretty coldly. Then she suddenly turned to me with her eyes, now bright and sparkling. "Promise me right now, Pancho, that you won't look at Miss Essmith again, not even once."

I was simple and literal. Miss Smith was my nearest neighbor, and unless I was stricken with blindness, compliance was impossible. I hesitated—but swore.

I was straightforward and literal. Miss Smith was my closest neighbor, and unless I went blind, there was no way I could avoid it. I hesitated—but I swore.

"Enofe—you have hesitate—I will no more."

"Enofe—you’ve hesitated—I won’t anymore."

She rose to her feet with grave deliberation. For an instant, with the recollection of the delicate internal organization of the Saltellos on my mind, I was in agony lest she should totter and fall, even then, yielding up her gentle spirit on the spot. But when I looked again, she had a hairpin between her white teeth and was carefully adjusting her toreador hat. And beside us was Enriquez—cheerful, alert, voluble, and undaunted.

She stood up with serious intent. For a moment, thinking about the fragile structure of the Saltellos, I felt a pang of anxiety, fearing she might stumble and fall, surrendering her gentle spirit right there. But when I looked again, she had a hairpin between her white teeth and was carefully adjusting her toreador hat. Next to us was Enriquez—cheerful, lively, talkative, and fearless.

"Eureka! I have found! We are all here! Eet is a leetle public—eh! A leetle too much of a front seat for a tête-à-tête,[167-1] my yonge friends," he said, glancing at the remains of Consuelo's bower, "but for the accounting of taste there is none. What will you? The meat of the one man shall envenom the meat of the other. But" (in a whisper to me) "as to thees horse—thees Chu Chu, which I have just pass—why is she undress? Surely you would no make an exposition of her to the traveler to suspect! And if not, why so?"

"Eureka! I found it! We're all here! It’s a little too public—eh! A little too much of a front row for a tête-à-tête, [167-1] my young friends," he said, looking at the remnants of Consuelo's bower, "but as far as taste goes, there’s no accounting for it. What can you do? One person's misfortune can spoil another's good fortune. But" (whispering to me) "about this horse—the Chu Chu I just passed—why is she undressed? Surely you wouldn’t want to expose her to travelers so they can speculate! And if not, then why?"

I tried to explain, looking at Consuelo, that Chu Chu had run away, that Consuelo had met with a terrible accident, had been thrown, and I feared had suffered serious internal injury. But to my embarrassment Consuelo maintained a half scornful silence, and an inconsistent freshness of healthful indifference, as Enriquez approached her with an engaging smile. "Ah, yes, she have the headache, and the molligrubs. She will sit on the damp stone when the gentle dew is falling. I comprehend. Meet me in the lane when the clock strike nine! But," in a lower voice, "of thees undress horse I comprehend nothing! Look you—it is sad and strange."

I tried to explain, looking at Consuelo, that Chu Chu had run away, that Consuelo had been in a terrible accident, had fallen, and I was afraid she had serious internal injuries. But to my embarrassment, Consuelo kept a half-scornful silence and a strange attitude of healthy indifference as Enriquez approached her with a charming smile. "Ah, yes, she has a headache and feels a bit off. She'll sit on the damp stone when the gentle dew is falling. I understand. Meet me in the lane when the clock strikes nine! But," in a quieter voice, "about this naked horse, I understand nothing! Just look—it’s sad and strange."

He went off to fetch Chu Chu, leaving me and Consuelo alone. I do not think I ever felt so utterly abject and bewildered before in my life. Without knowing why, I was miserably conscious of having in some way offended the girl for whom I believed I would have given my life, and I had made her and myself ridiculous in the eyes of her brother. I had again failed in my slower Western nature to understand her high romantic Spanish soul! Meantime she was smoothing out her riding habit, and looking as fresh and pretty as when she first left her house.

He went to get Chu Chu, leaving me and Consuelo alone. I don’t think I’ve ever felt so completely humiliated and confused in my life. For some reason, I was painfully aware that I had somehow upset the girl I believed I would do anything for, and I had made both her and myself look foolish in front of her brother. Once again, my slower Western nature had failed me in understanding her passionate Spanish spirit! Meanwhile, she was adjusting her riding outfit and looked just as fresh and pretty as when she first left her house.

"Consita," I said hesitatingly, "you are not angry with me?"

"Consita," I said hesitantly, "you're not mad at me, right?"

"Angry?" she repeated haughtily, without looking at me. "Oh, no! Of a possibility eet is Mees Essmith who is angry that I have interroopt her tête-à-tête with you, and have send here my brother to make the same with me."

"Angry?" she said with an air of superiority, still not looking at me. "Oh, no! It must be Miss Essmith who's upset that I've interrupted her private conversation with you, and I've sent my brother to do the same with me."

"But," I said eagerly, "Miss Smith does not even know Enriquez!"

"But," I said eagerly, "Miss Smith doesn't even know Enriquez!"

Consuelo turned on me a glance of unutterable significance. "Ah!" she said darkly, "you tink!"

Consuelo shot me a look that said it all. "Ah!" she said grimly, "you think!"

Indeed I knew. But here I believed I understood Consuelo and was relieved. I even ventured to say gently, "And you are better?"

Indeed I knew. But in this moment, I felt I understood Consuelo and felt relieved. I even dared to say softly, "Are you feeling better?"

She drew herself up to her full height, which was not much. "Of my health, what is it? A nothing. Yes! Of my soul let us not speak."

She straightened herself up to her full height, which wasn't very much. "What about my health? It's nothing. Yes! Let's not talk about my soul."

Nevertheless, when Enriquez appeared with Chu Chu she ran towards her with outstretched arms. Chu Chu protruded about six inches of upper lip in response—apparently under the impression, which I could quite understand, that her mistress was edible. And, I may have been mistaken, but their beautiful eyes met in an absolute and distinct glance of intelligence!

Nevertheless, when Enriquez showed up with Chu Chu, she ran towards her with open arms. Chu Chu pushed out about six inches of her upper lip in response—obviously thinking, which I could totally understand, that her owner was something to eat. And, I might be wrong, but their beautiful eyes locked in a clear and mutual moment of understanding!

During the home journey Consuelo recovered her spirits and parted from me with a magnanimous and forgiving pressure of the hand. I do not know what explanation of Chu Chu's original escapade was given to Enriquez and the rest of the family; the inscrutable forgiveness extended to me by Consuelo precluded any further inquiry on my part. I was willing to leave it a secret between her and Chu Chu. But strange to say, it seemed to complete our own understanding, and precipitated, not only our love-making, but the final catastrophe which culminated that romance. For we had resolved to elope. I do not know that this heroic remedy was absolutely necessary from the attitude of either Consuelo's family or my own; I am inclined to think we preferred it because it involved no previous explanation or advice.

During the journey home, Consuelo regained her spirits and said goodbye to me with a generous and forgiving grip of my hand. I don’t know what explanation of Chu Chu's initial mischief was given to Enriquez and the rest of the family; Consuelo’s mysterious forgiveness towards me prevented me from asking any more questions. I was happy to keep it a secret between her and Chu Chu. But, oddly enough, it seemed to strengthen our own connection and led not only to our romantic moments but also to the final disaster that marked our romance. We had decided to run away together. I’m not sure if this bold move was really necessary given the attitudes of either Consuelo's family or mine; I think we chose it because it didn’t require any prior explanation or advice.

Need I say that our confidant and firm ally was Consuelo's brother—the alert, the linguistic, the ever-happy, ever-ready Enriquez? It was understood that his presence would not only give a certain mature respectability to our performance—but I do not think we would have contemplated this step without it. During one of our riding excursions we were to secure the services of a Methodist minister in the adjoining county, and later that of the Mission padre[169-1]—when the secret was out. "I will gif her away," said Enriquez confidently, "it will on the instant propitiate the old fellow who shall perform the affair and withhold his jaw. A little chin-music from your oncle 'Arry shall finish it! Remain tranquil and forget not a ring! One does not always, in the agony and dissatisfaction of the moment, a ring remember. I shall bring two in the pocket of my dress."

Need I say that our close friend and strong ally was Consuelo's brother—the sharp, articulate, always cheerful, always prepared Enriquez? It was clear that his presence would not only lend a certain mature respectability to our plans—but I don’t think we would have even considered this step without him. During one of our riding trips, we were supposed to arrange for a Methodist minister from the neighboring county, and later that of the Mission padre[169-1]—once the secret was out. "I'll give her away," Enriquez said confidently, "it will immediately win over the old guy performing the ceremony and keep him from talking too much. A little chatter from your Uncle 'Arry will wrap it up! Stay calm and don't forget a ring! In the stress and disappointment of the moment, a ring is often forgotten. I’ll bring two in my dress pocket."

If I did not entirely participate in this roseate view, it may have been because Enriquez, although a few years my senior, was much younger-looking, and with his demure deviltry of eye and his upper lip close shaven for this occasion, he suggested a depraved acolyte rather than a responsible member of a family. Consuelo had also confided to me that her father—possibly owing to some rumors of our previous escapade—had forbidden any further excursions with me alone. The innocent man did not know that Chu Chu had forbidden it also, and that even on this momentous occasion both Enriquez and myself were obliged to ride in opposite fields like out-flankers. But we nevertheless felt the full guilt of disobedience added to our desperate enterprise. Meanwhile, although pressed for time and subject to discovery at any moment, I managed at certain points of the road to dismount and walk beside Chu Chu (who did not seem to recognize me on foot), holding Consuelo's hand in my own, with the discreet Enriquez leading my horse in the distant field. I retain a very vivid picture of that walk—the ascent of a gentle slope towards a prospect as yet unknown but full of glorious possibilities; the tender dropping light of an autumn sky, slightly filmed with the promise of the future rains, like foreshadowed tears, and the half-frightened, half-serious talk into which Consuelo and I had insensibly fallen.

If I wasn’t totally into this rosy view, it might have been because Enriquez, even though he was a few years older, looked much younger. With his shyly mischievous eyes and his upper lip freshly shaven for the occasion, he came off more like a wayward assistant than a responsible family member. Consuelo had also told me that her father—probably because of some rumors about our last adventure—had banned any more outings just the two of us. The clueless man had no idea that Chu Chu had also put her foot down, and that even on this important day, Enriquez and I had to stay in separate fields like flanking soldiers. Still, we felt the full weight of our disobedience added to our reckless escapade. Meanwhile, even though we were short on time and at risk of being discovered at any moment, I was able to dismount at certain points along the road and walk beside Chu Chu (who didn’t seem to recognize me on foot), holding Consuelo's hand while the discreet Enriquez led my horse in the far field. I have a very clear image of that walk—the gentle climb towards an unknown view filled with amazing possibilities; the soft light of an autumn sky, slightly hazy with the promise of future rains, like pre-emptive tears, and the half-nervous, half-serious conversation Consuelo and I had fallen into.

And then, I don't know how it happened, but as we reached the summit Chu Chu suddenly reared, wheeled, and the next moment was flying back along the road we had just traveled, at the top of her speed! It might have been that, after her abstracted fashion, she only at that moment detected my presence; but so sudden and complete was her evolution that before I could regain my horse from the astonished Enriquez she was already a quarter of a mile on the homeward stretch, with the frantic Consuelo pulling hopelessly at the bridle.

And then, I don't know how it happened, but as we reached the top, Chu Chu suddenly reared up, turned around, and the next moment was racing back down the road we had just traveled at full speed! It might be that, in her usual distracted way, she only just then noticed I was there; but her sudden and complete change of direction was so fast that before I could get my horse back from the stunned Enriquez, she was already a quarter of a mile ahead on the way home, with the frantic Consuelo desperately tugging at the bridle.

We started in pursuit. But a horrible despair seized us. To attempt to overtake her, even to follow at the same rate of speed would only excite Chu Chu and endanger Consuelo's life. There was absolutely no help for it, nothing could be done; the mare had taken her determined, long, continuous stride, the road was a straight, steady descent all the way back to the village, Chu Chu had the bit between her teeth, and there was no prospect of swerving her. We could only follow hopelessly, idiotically, furiously, until Chu Chu dashed triumphantly into the Saltellos' courtyard, carrying the half-fainting Consuelo back to the arms of her assembled and astonished family.

We took off in pursuit. But a terrible despair hit us. Trying to catch up to her or even keep pace would just rile up Chu Chu and put Consuelo's life at risk. There was absolutely nothing we could do; the mare had set her steady, long stride, the road was a straight, steady downhill back to the village, Chu Chu was determined, and there was no way to steer her. All we could do was follow hopelessly, stupidly, and furiously, until Chu Chu raced triumphantly into the Saltellos' courtyard, bringing the almost-unconscious Consuelo back to her shocked and gathered family.

It was our last ride together. It was the last I ever saw of Consuelo before her transfer to the safe seclusion of a convent in Southern California. It was the last I ever saw of Chu Chu, who in the confusion of that rencontre[172-1] was overlooked in her half-loosed harness and allowed to escape through the back gate to the fields. Months afterwards it was said that she had been identified among a band of wild horses in the Coast Range, as a strange and beautiful creature who had escaped the brand of the rodeo and had become a myth. There was another legend that she had been seen, sleek, fat, and gorgeously caparisoned, issuing from the gateway of the Rosario patio,[172-2] before a lumbering Spanish cabriolé[172-3] in which a short, stout matron was seated—but I will have none of it. For there are days when she still lives, and I can see her plainly still climbing the gentle slope towards the summit, with Consuelo on her back and myself at her side, pressing eagerly forward towards the illimitable prospect that opens in the distance.

It was our last ride together. It was the last time I ever saw Consuelo before she was moved to the safe seclusion of a convent in Southern California. It was the last time I ever saw Chu Chu, who, amidst the chaos of that rencontre[172-1] , was overlooked in her half-loose harness and allowed to escape through the back gate to the fields. Months later, it was rumored that she had been spotted among a group of wild horses in the Coast Range, as a strange and beautiful creature who had escaped the brand of the rodeo and had become a legend. There was another story that claimed she had been seen, sleek, plump, and beautifully adorned, coming out of the gateway of the Rosario patio,[172-2] before a slow Spanish cabriolé[172-3] where a short, stout matron was seated—but I don’t believe any of it. Because there are days when she still feels alive to me, and I can clearly see her still climbing the gentle slope toward the summit, with Consuelo on her back and myself at her side, eagerly pushing forward toward the endless view that opens in the distance.


Feathertop

Feather top

A MORALIZED LEGEND

A moral story

"Dickon," cried Mother Rigby, "a coal for my pipe!"

"Dickon," shouted Mother Rigby, "a coal for my pipe!"

The pipe was in the old dame's mouth when she said these words. She had thrust it there after filling it with tobacco but without stooping to light it at the hearth where, indeed, there was no appearance of a fire having been kindled that morning. Forthwith, however, as soon as the order was given, there was an intense red glow out of the bowl of the pipe and a whiff of smoke from Mother Rigby's lips. Whence the coal came and how brought hither by an invisible hand, I have never been able to discover.

The pipe was in the old woman's mouth when she said these words. She had shoved it in after packing it with tobacco but didn't bother to light it at the fireplace, where there was clearly no sign of a fire having been made that morning. However, as soon as the order was given, a bright red glow appeared from the bowl of the pipe, and a puff of smoke came from Mother Rigby's lips. I've never been able to figure out where the coal came from or how it got here by an unseen hand.

"Good!" quoth Mother Rigby, with a nod of her head. "Thank ye, Dickon! And now for making this scarecrow. Be within call, Dickon, in case I need you again."

"Good!" said Mother Rigby, nodding her head. "Thank you, Dickon! Now let’s get started on this scarecrow. Stay close, Dickon, in case I need you again."

The good woman had risen thus early (for as yet it was scarcely sunrise) in order to set about making a scarecrow, which she intended to put in the middle of her corn-patch. It was now the latter week of May, and the crows and blackbirds had already discovered the little green, rolled-up leaf of the Indian corn just peeping out of the soil. She was determined, therefore, to contrive as lifelike a scarecrow as ever was seen, and to finish it immediately from top to toe, so that it should begin its sentinel's duty that very morning. Now Mother Rigby (as everybody must have heard) was one of the most cunning and potent witches in New England, and might with very little trouble have made a scarecrow ugly enough to frighten the minister himself. But on this occasion, as she had awakened in an uncommonly pleasant humor, and was further dulcified by her pipe of tobacco, she resolved to produce something fine, beautiful, and splendid rather than hideous and horrible.

The good woman had gotten up this early (since it was hardly sunrise yet) to start making a scarecrow, which she planned to place in the middle of her corn patch. It was now the last week of May, and the crows and blackbirds had already found the little green, curled-up leaves of the Indian corn just poking out of the soil. She was determined to create the most lifelike scarecrow ever seen and finish it from top to bottom so it could start its watch that very morning. Now, Mother Rigby (as everyone must have heard) was one of the most clever and powerful witches in New England and could have easily made a scarecrow ugly enough to scare even the minister himself. But this time, since she had woken up in a surprisingly good mood and was further cheered by her pipe of tobacco, she decided to create something fine, beautiful, and splendid instead of something hideous and horrible.

"I don't want to set up a hobgoblin in my own corn-patch, and almost at my own doorstep," said Mother Rigby to herself, puffing out a whiff of smoke. "I could do it if I pleased, but I'm tired of doing marvelous things, and so I'll keep within the bounds of everyday business just for variety's sake. Besides, there is no use in scaring the little children for a mile roundabout, though 'tis true I'm a witch." It was settled, therefore, in her own mind that the scarecrow should represent a fine gentleman of the period so far as the materials at hand would allow.

"I don't want to create a nuisance in my own backyard, practically at my doorstep," Mother Rigby muttered to herself, blowing out a puff of smoke. "I could do it if I wanted to, but I'm tired of doing extraordinary things, so I'll stick to the usual routines just for variety. Besides, there's no point in scaring the little kids for miles around, even though it's true I'm a witch." So, she decided that the scarecrow would represent a fine gentleman of the time, as much as the materials she had would allow.

Perhaps it may be as well to enumerate the chief of the articles that went to the composition of this figure. The most important item of all, probably, although it made so little show, was a certain broomstick on which Mother Rigby had taken many an airy gallop at mid-night, and which now served the scarecrow by way of a spinal column or, as the unlearned phrase it, a backbone. One of its arms was a disabled flail which used to be wielded by Goodman Rigby before his spouse worried him out of this troublesome world; the other, if I mistake not, was composed of the pudding-stick and a broken rung of a chair, tied loosely together at the elbow. As for its legs, the right was a hoe-handle, and the left an undistinguished and miscellaneous stick from the wood-pile. Its lungs, stomach, and other affairs of that kind, were nothing better than a meal-bag stuffed with straw. Thus we have made out the skeleton and entire corporosity of the scarecrow, with the exception of its head, and this was admirably supplied by a somewhat withered and shriveled pumpkin, in which Mother Rigby cut two holes for the eyes and a slit for the mouth, leaving a bluish-colored knob in the middle to pass for a nose. It was really quite a respectable face.

Perhaps it's best to list the main items that made up this figure. The most important part, even though it barely stood out, was a broomstick on which Mother Rigby had taken many a midnight flight, and which now functioned as the scarecrow's spine, or as the less educated might say, its backbone. One of its arms was a broken flail that used to belong to Goodman Rigby before his wife drove him out of this world; the other, if I remember correctly, was made from a pudding stick and a broken chair rung, loosely tied together at the elbow. For its legs, the right one was a hoe handle, and the left was just a random stick from the woodpile. Its lungs, stomach, and other internals were nothing more than a meal bag stuffed with straw. So, we have the skeleton and entire body of the scarecrow figured out, except for its head, which was cleverly replaced by a somewhat wrinkled and dried-out pumpkin, in which Mother Rigby carved two holes for eyes and a slit for a mouth, leaving a bluish bump in the center to serve as a nose. It actually made for quite a respectable face.

"I've seen worse ones on human shoulders, at any rate," said Mother Rigby. "And many a fine gentleman has a pumpkin head, as well as my scarecrow."

"I've seen worse ones on people's shoulders, anyway," said Mother Rigby. "And plenty of fine gentlemen have a pumpkin head, just like my scarecrow."

But the clothes in this case were to be the making of the man; so the good old woman took down from a peg an ancient plum-colored coat of London make and with relics of embroidery on its seams, cuffs, pocket-flaps, and buttonholes, but lamentably worn and faded, patched at the elbows, tattered at the skirts, and threadbare all over. On the left breast was a round hole whence either a star of nobility had been rent away or else the hot heart of some former wearer had scorched it through and through. The neighbors said that this rich garment belonged to the Black Man's wardrobe, and that he kept it at Mother Rigby's cottage for the convenience of slipping it on whenever he wished to make a grand appearance at the governor's table. To match the coat there was a velvet waist-coat of very ample size, and formerly embroidered with foliage that had been as brightly golden as the maple-leaves in October, but which had now quite vanished out of the substance of the velvet. Next came a pair of scarlet breeches once worn by the French governor of Louisbourg, and the knees of which had touched the lower step of the throne of Louis le Grand.[176-1] The Frenchman had given these small-clothes to an Indian pow-wow, who parted with them to the old witch for a gill of strong waters at one of their dances in the forest. Furthermore, Mother Rigby produced a pair of silk stockings and put them on the figure's legs, where they showed as unsubstantial as a dream, with the wooden reality of the two sticks making itself miserably apparent through the holes. Lastly, she put her dead husband's wig on the bare scalp of the pumpkin, and surmounted the whole with a dusty three-cornered hat, in which was stuck the longest tail-feather of a rooster.

But in this case, the clothes were going to define the man; so the old woman took down an ancient plum-colored coat made in London, with remnants of embroidery on the seams, cuffs, pocket-flaps, and buttonholes, but sadly worn and faded, patched at the elbows, tattered at the hem, and threadbare all over. On the left breast was a round hole where either a noble insignia had been torn away or where the intense heat from a previous wearer had scorched it through and through. The neighbors said this extravagant garment belonged to the Black Man's wardrobe, which he kept at Mother Rigby's cottage for when he wanted to make a grand entrance at the governor's table. To match the coat, there was a velvet waistcoat that was very oversized and had once been embroidered with foliage that had been as bright and golden as maple leaves in October, but had now completely faded out of the fabric. Next came a pair of scarlet breeches once worn by the French governor of Louisbourg, the knees of which had touched the bottom step of Louis le Grand's throne.[176-1] The Frenchman had given these small-clothes to an Indian pow-wow, who sold them to the old witch for a gill of strong spirits at one of their dances in the forest. Furthermore, Mother Rigby produced a pair of silk stockings and put them on the figure's legs, which looked as insubstantial as a dream, with the wooden reality of the two sticks becoming painfully obvious through the holes. Finally, she placed her dead husband's wig on the bare surface of the pumpkin and topped it all off with a dusty three-cornered hat, in which was stuck the longest tail feather of a rooster.

Then the old dame stood the figure up in a corner of her cottage and chuckled to behold its yellow semblance of a visage, with its nobby little nose thrust into the air. It had a strangely self-satisfied aspect, and seemed to say, "Come, look at me!"

Then the old woman propped the figure up in a corner of her cottage and laughed at its yellow face with its tiny little nose sticking up in the air. It had a strangely smug look and seemed to say, "Come, take a look at me!"

"And you are well worth looking at, that's a fact!" quoth Mother Rigby, in admiration at her own handiwork. "I've made many a puppet since I've been a witch but methinks this the finest of them all. 'Tis almost too good for a scarecrow. And, by the by, I'll just fill a fresh pipe of tobacco, and then take him out to the corn-patch."

"And you really are something to look at, that's for sure!" said Mother Rigby, admiring her own creation. "I've made a lot of puppets since I became a witch, but I think this one is the best. It's almost too good for a scarecrow. Anyway, I'll just pack a fresh pipe of tobacco, and then I'll take him out to the cornfield."

While filling her pipe the old woman continued to gaze with almost motherly affection at the figure in the corner. To say the truth, whether it were chance or skill or downright witchcraft, there was something wonderfully human in this ridiculous shape bedizened with its tattered finery, and, as for the countenance, it appeared to shrivel its yellow surface into a grin—a funny kind of expression betwixt scorn and merriment, as if it understood itself to be a jest at mankind. The more Mother Rigby looked, the better she was pleased.

While she filled her pipe, the old woman kept looking almost with a motherly love at the figure in the corner. Honestly, whether it was by chance, skill, or straight-up witchcraft, there was something remarkably human about this ridiculous shape dressed up in its shabby finery. The face seemed to tighten its yellow skin into a grin—a strange mix of disdain and amusement, as if it knew it was a joke on humanity. The more Mother Rigby looked, the more she enjoyed it.

"Dickon," cried she, sharply, "another coal for my pipe!"

"Dickon," she exclaimed sharply, "bring me another coal for my pipe!"

Hardly had she spoken than, just as before, there was a red-glowing coal on the top of the tobacco. She drew in a long whiff, and puffed it forth again into the bar of morning sunshine which struggled through the one dusty pane of her cottage window. Mother Rigby always liked to flavor her pipe with a coal of fire from the particular chimney-corner whence this had been brought. But where that chimney-corner might be or who brought the coal from it—further than that the invisible messenger seemed to respond to the name of Dickon—I cannot tell.

Hardly had she finished speaking when, just like before, there was a glowing red coal on top of the tobacco. She took a long drag and blew it out into the beam of morning sunlight that filtered through the one dusty pane of her cottage window. Mother Rigby always enjoyed adding a bit of flavor to her pipe with a coal from the specific chimney corner it came from. But I can’t say where that chimney corner was or who brought the coal from it—other than that the invisible messenger seemed to answer to the name Dickon.

"That puppet yonder," thought Mother Rigby, still with her eyes fixed on the scarecrow, "is too good a piece of work to stand all summer in a corn-patch frightening away the crows and blackbirds. He's capable of better things. Why, I've danced with a worse one when partners happened to be scarce at our witch-meetings in the forests! What if I should let him take his chance among the other men of straw and empty fellows who go bustling about the world?"

"That puppet over there," Mother Rigby thought, still staring at the scarecrow, "is way too well-made to spend the whole summer in a cornfield scaring off crows and blackbirds. He’s capable of more. I’ve danced with worse ones when there weren’t enough partners at our witch meetings in the woods! What if I gave him a chance among the other straw men and empty-headed guys who go running around the world?"

The old witch took three or four more whiffs of her pipe and smiled.

The old witch took a few more puffs from her pipe and smiled.

"He'll meet plenty of his brethren at every street-corner," continued she. "Well, I didn't mean to dabble in witchcraft to-day further than the lighting of my pipe, but a witch I am and a witch I'm likely to be and there's no use trying to shirk it. I'll make a man of my scarecrow, were it only for the joke's sake."

"He'll bump into a lot of his buddies at every street corner," she went on. "Honestly, I didn't plan to mess with witchcraft today beyond lighting my pipe, but I am a witch and I probably always will be, so there's no point trying to avoid it. I'll turn my scarecrow into a man, just for the fun of it."

While muttering these words Mother Rigby took the pipe from her own mouth and thrust it into the crevice which represented the same feature in the pumpkin-visage of the scarecrow.

While muttering these words, Mother Rigby took the pipe from her mouth and shoved it into the gap that was the same feature in the pumpkin face of the scarecrow.

"Puff, darling, puff!" she said. "Puff away, my fine fellow! Your life depends on it!"

"Puff, darling, puff!" she exclaimed. "Keep puffing, my good man! Your life depends on it!"

This was a strange exhortation, undoubtedly, to be addressed to a mere thing of sticks, straw, and old clothes, with nothing better than a shriveled pumpkin for a head, as we know to have been the scarecrow's case. Nevertheless, as we must carefully hold in remembrance, Mother Rigby was a witch of singular power and dexterity; and, keeping this fact duly before our minds, we shall see nothing beyond credibility in the remarkable incidents of our story. Indeed, the great difficulty will be at once got over if we can only bring ourselves to believe that as soon as the old dame bade him puff there came a whiff of smoke from the scarecrow's mouth. It was the very feeblest of whiffs, to be sure, but it was followed by another and another, each more decided than the preceding one.

This was definitely a weird thing to say to just a bunch of sticks, straw, and old clothes, with nothing but a shriveled pumpkin for a head, as we know the scarecrow was. Still, we must remember that Mother Rigby was a witch with unique power and skill; keeping this in mind, we won’t find the amazing events of our story hard to believe. In fact, the main challenge will be overcome if we can just accept that as soon as the old lady told him to puff, a small puff of smoke came out of the scarecrow’s mouth. It was a very weak puff, for sure, but it was followed by another and another, each stronger than the last.

"Puff away, my pet! Puff away, my pretty one!" Mother Rigby kept repeating, with her pleasantest smile. "It is the breath of life to ye and that you may take my word for."

"Puff away, my dear! Puff away, my lovely one!" Mother Rigby kept saying with her brightest smile. "It is the breath of life for you, and you can trust me on that."

Beyond all question, the pipe was bewitched. There must have been a spell either in the tobacco or in the fiercely glowing coal that so mysteriously burned on top of it, or in the pungently aromatic smoke which exhaled from the kindled weed. The figure, after a few doubtful attempts, at length blew forth a volley of smoke extending all the way from the obscure corner into the bar of sunshine. There it eddied and melted away among the motes of dust. It seemed a convulsive effort, for the two or three next whiffs were fainter, although the coal still glowed and threw a gleam over the scarecrow's visage. The old witch clapped her skinny hands together, and smiled encouragingly upon her handiwork. She saw that the charm had worked well. The shriveled yellow face, which heretofore had been no face at all, had already a thin fantastic haze, as it were, of human likeness shifting to and fro across it, sometimes vanishing entirely, but growing more perceptible than ever with the next whiff from the pipe. The whole figure, in like manner, assumed a show of life such as we impart to ill-defined shapes among the clouds and half deceive ourselves with the pastime of our own fancy.

Beyond all doubt, the pipe was enchanted. There must have been some kind of magic in the tobacco, or in the fiery coal that burned on top of it, or in the strongly scented smoke that billowed from the lit weed. The figure, after a few uncertain tries, finally managed to blow out a stream of smoke that stretched from the shadowy corner into the beam of sunshine. There it swirled and faded among the dust motes. It looked like a struggle, because the next few puffs were weaker, even though the coal still glowed and cast a light on the scarecrow's face. The old witch clapped her bony hands together and smiled encouragingly at her creation. She knew the spell had worked well. The shriveled yellow face, which before had looked like nothing at all, now had a thin, dreamlike haze of human resemblance shifting back and forth across it, sometimes disappearing completely but becoming clearer with the next puff from the pipe. The entire figure, likewise, took on an appearance of life similar to what we see in vague shapes in the clouds, tricking ourselves with the fun of our own imagination.

If we must needs pry closely into the matter, it may be doubted whether there was any real change, after all, in the sordid, worn-out, worthless and ill-jointed substance of the scarecrow, but merely a spectral illusion and a cunning effect of light and shade, so colored and contrived as to delude the eyes of most men. The miracles of witchcraft seem always to have had a very shallow subtlety and at least, if the above explanations do not hit the truth of the process, I can suggest no better.

If we need to look closely at the situation, we might wonder if there was actually any real change in the shabby, tattered, useless, and poorly put together material of the scarecrow. It could just be a ghostly illusion and a clever play of light and shadow, designed to fool the eyes of most people. The wonders of witchcraft always seem to have a shallow complexity, and at least, if my explanations don’t capture the truth of the process, I can’t think of anything better.

"Well puffed, my pretty lad!" still cried old Mother Rigby. "Come! another good, stout whiff, and let it be with might and main. Puff for thy life, I tell thee! Puff out of the very bottom of thy heart, if any heart thou hast, or any bottom to it. Well done, again! Thou didst suck in that mouthful as if for the pure love of it."

"Well done, my handsome boy!" continued the old Mother Rigby. "Come on! Take another big breath, and really give it your all. Puff for your life, I’m telling you! Puff from the very depths of your heart, if you have any heart at all, or any depth to it. Great job again! You took in that breath like you truly love it."

And then the witch beckoned to the scarecrow, throwing so much magnetic potency into her gesture that it seemed as if it must inevitably be obeyed, like the mystic call of the lodestone when it summons the iron.

And then the witch signaled to the scarecrow, putting so much magnetic power into her gesture that it felt like it had to be followed, just like the mysterious pull of a lodestone when it attracts iron.

"Why lurkest thou in the corner, lazy one?" said she. "Step forth! Thou hast the world before thee!"

"Why are you just sitting in the corner, lazy person?" she said. "Come out! You have the whole world ahead of you!"

Upon my word, if the legend were not one which I heard on my grandmother's knee, and which had established its place among things credible before my childish judgment could analyze its probability, I question whether I should have the face to tell it now.

Honestly, if this legend weren't one I heard from my grandmother when I was a kid, and if it hadn't already been accepted as believable before my young mind could figure out how likely it was, I doubt I would have the guts to tell it now.

In obedience to Mother Rigby's word and extending its arm as if to reach her outstretched hand, the figure made a step forward—a kind of hitch and jerk, however, rather than a step—then tottered and almost lost its balance. What could the witch expect? It was nothing, after all, but a scarecrow stuck upon two sticks. But the strong-willed old Beldam scowled and beckoned and flung the energy of her purpose so forcibly at this poor combination of rotten wood and musty straw and ragged garments that it was compelled to show itself a man, in spite of the reality of things; so it stepped into the bar of sunshine. There it stood, poor devil of a contrivance that it was, with only the thinnest vesture of human similitude about it, through which was evident the stiff, rickety, incongruous, faded, tattered, good-for-nothing patchwork of its substance, ready to sink in a heap upon the floor, as conscious of its own unworthiness to be erect. Shall I confess the truth? At its present point of vivification the scarecrow reminds me of some of the lukewarm and abortive characters composed of heterogeneous materials used for the thousandth time, and never worth using, with which romance writers (and myself, no doubt, among the rest) have so overpeopled the world of fiction.

In obedience to Mother Rigby's command, the figure reached out as if to grasp her outstretched hand and took a step forward—a kind of awkward hitch, really—then wobbled and nearly lost its balance. What could the witch expect? It was just a scarecrow stuck on two sticks. But the determined old witch frowned, signaled, and projected her purpose so forcefully at this poor mix of rotting wood, musty straw, and tattered clothes that it was forced to present itself as a man, despite the reality of the situation; so it stepped into the sunlight. There it stood, a sad excuse for a man, wrapped in the faintest hint of human resemblance, revealing the stiff, rickety, mismatched, faded, and useless patchwork of its being, ready to collapse into a heap, aware of its own unworthiness to stand. Shall I confess the truth? At this point of animation, the scarecrow reminds me of some of the half-hearted and failed characters made from mismatched materials that have been recycled for the umpteenth time, never worth using, which romance writers (and I, no doubt, among the rest) have so overpopulated the world of fiction with.

But the fierce old hag began to get angry and show a glimpse of her diabolic nature, like a snake's head peeping with a hiss out of her bosom, at this pusillanimous behavior of the thing which she had taken the trouble to put together.

But the fierce old hag started to get angry and reveal a glimpse of her evil nature, like a snake's head peeking out with a hiss from her chest, at the cowardly behavior of the thing she had gone to the trouble to create.

"Puff away, wretch!" cried she, wrathfully. "Puff puff, puff, thou thing of straw and emptiness! thou rag or two! thou meal-bag! thou pumpkin-head! thou nothing! Where shall I find a name vile enough to call thee by? Puff, I say, and suck in thy fantastic life along with the smoke, else I snatch the pipe from thy mouth and hurl thee where that red coal came from."

"Puff away, you miserable creature!" she shouted angrily. "Puff puff, puff, you insignificant thing! You rag! You sack of meal! You pumpkin-head! You’re nothing! Where can I find a name nasty enough to call you? Puff, I say, and inhale your ridiculous life with the smoke, or I'll take the pipe from your mouth and throw you where that red coal came from."

Thus threatened, the unhappy scarecrow had nothing for it but to puff away for dear life. As need was, therefore, it applied itself lustily to the pipe, and sent forth such abundant volleys of tobacco-smoke that the small cottage-kitchen became all-vaporous. The one sunbeam struggled mistily through, and could but imperfectly define the image of the cracked and dusty window-pane on the opposite wall.

Thus threatened, the poor scarecrow had no choice but to smoke with all its might. So, it eagerly took to the pipe, blowing out so much tobacco smoke that the small cottage kitchen was filled with it. A single sunbeam struggled to break through the haze, barely managing to illuminate the cracked and dusty windowpane on the opposite wall.

Mother Rigby, meanwhile, with one brown arm akimbo and the other stretched toward the figure, loomed grimly amid the obscurity with such port and expression as when she was wont to heave a ponderous nightmare on her victims and stand at the bedside to enjoy their agony.

Mother Rigby, meanwhile, with one brown arm on her hip and the other reaching out toward the figure, cast a grim shadow in the darkness with the same look and stance she had when she used to unleash a heavy nightmare on her victims and stand by their bedside to relish their suffering.

In fear and trembling did this poor scarecrow puff. But its efforts, it must be acknowledged, served an excellent purpose, for with each successive whiff the figure lost more and more of its dizzy and perplexing tenuity and seemed to take denser substance. Its very garments, moreover, partook of the magical change, and shone with the gloss of novelty, and glistened with the skilfully embroidered gold that had long ago been rent away, and, half revealed among the smoke, a yellow visage bent its lustreless eyes on Mother Rigby.

In fear and trembling, this poor scarecrow huffed and puffed. But to its credit, each breath served a great purpose, as the figure gradually lost its dizzy and confusing frailty and seemed to gain more substance. Its clothes were also affected by this magical change, shining with a fresh gloss and sparkling with the expertly embroidered gold that had long been torn away. Partly hidden in the smoke, a yellow face gazed with dull eyes at Mother Rigby.

At last the old witch clenched her fist and shook it at the figure. Not that she was positively angry but merely acting on the principle—perhaps untrue or not the only truth, though as high a one as Mother Rigby could be expected to attain—that feeble and torpid natures, being incapable of better inspiration, must be stirred up by fear. But here was the crisis. Should she fail in what she now sought to affect, it was her ruthless purpose to scatter the miserable simulacre into its original elements.

At last, the old witch clenched her fist and shook it at the figure. Not that she was truly angry, but just following the belief—perhaps not entirely accurate or the only truth, though as high as Mother Rigby could realistically reach—that weak and sluggish natures, being unable to find better motivation, need to be shaken up by fear. But this was the moment of truth. If she failed in what she was trying to achieve now, it was her ruthless intention to break the miserable imitation back down into its original parts.

"Thou hast a man's aspect," said she, sternly, "have also the echo and mockery of a voice. I bid thee speak!"

"You have the looks of a man," she said sternly, "but also the echo and mockery of a voice. I command you to speak!"

The scarecrow gasped, struggled, and at length emitted a murmur which was so incorporated with its smoky breath that you could scarcely tell whether it were indeed a voice or only a whiff of tobacco. Some narrators of this legend held the opinion that Mother Rigby's conjurations and the fierceness of her will had compelled a familiar spirit into the figure, and that the voice was his.

The scarecrow gasped, struggled, and eventually let out a murmur that was so mixed with its smoky breath that you could hardly tell if it was actually a voice or just a puff of tobacco. Some storytellers of this legend believed that Mother Rigby's magic and the intensity of her will had forced a familiar spirit into the figure, and that the voice belonged to him.

"Mother," mumbled the poor stifled voice, "be not so awful with me! I would fain speak, but, being without wits, what can I say?"

"Mom," mumbled the poor stifled voice, "please don't be so harsh with me! I want to talk, but since I'm out of my mind, what can I say?"

"Thou canst speak, darling, canst thou?" cried Mother Rigby, relaxing her grim countenance into a smile. "And what shalt thou say, quotha? Say, indeed! Art thou of the brotherhood of the empty skull and demandest of me what thou shalt say? Thou shalt say a thousand things, and saying them a thousand times over, thou shalt still have said nothing. Be not afraid, I tell thee! When thou comest into the world—whither I purpose sending thee forthwith—thou shalt not lack the wherewithal to talk. Talk. Why, thou shalt babble like a mill-stream, if thou wilt. Thou hast brains enough for that, I trow."

"Can you talk, darling?" cried Mother Rigby, turning her stern expression into a smile. "And what will you say, I wonder? Go on, say it! Are you part of the brotherhood of the empty skull, asking me what you should say? You could say a thousand things, and even if you said them a thousand times, you'd still have said nothing. Don't be afraid, I promise you! When you come into the world—where I intend to send you right away—you won't lack for things to talk about. Talk. You’ll chatter like a babbling brook if you want to. You've got enough brains for that, I believe."

"At your service, mother," responded the figure.

"At your service, Mom," replied the figure.

"And that was well said, my pretty one!" answered Mother Rigby. "Then thou spakest like thyself and meant nothing. Thou shalt have a hundred such set phrases and five hundred to the boot of them. And now, darling, I have taken so much pains with thee and thou art so beautiful that, by my troth, I love thee better than any witch's puppet in the world; and I've made them of all sorts—clay, wax, straw, sticks, night fog, morning mist, sea-foam, and chimney-smoke. But thou art the very best; so give heed to what I say."

"And that was beautifully said, my lovely!" replied Mother Rigby. "You spoke just like yourself and didn’t mean a thing. You’ll have a hundred of those set phrases and five hundred more on top of them. Now, sweetheart, I’ve worked so hard on you and you’re so gorgeous that, honestly, I love you more than any witch’s doll in the world; and I’ve made them from all kinds of things—clay, wax, straw, sticks, night fog, morning mist, sea-foam, and chimney smoke. But you are the very best; so pay attention to what I say."

"Yes, kind mother," said the figure, "with all my heart!"

"Yes, kind mother," said the figure, "with all my heart!"

"With all thy heart!" cried the old witch, setting her hands to her sides, and laughing loudly. "Thou hast such a pretty way of speaking! With all thy heart! And thou didst put thy hand to the left side of thy waistcoat, as if thou really hadst one!"

"With all your heart!" cried the old witch, putting her hands on her hips and laughing loudly. "You have such a charming way of speaking! With all your heart! And you put your hand on the left side of your vest, as if you actually had one!"

So now in high good-humor with this fantastic contrivance of hers, Mother Rigby told the scarecrow that it must go and play its part in the great world, where not one man in a hundred, she affirmed, was gifted with more real substance than itself. And that he might hold up his head with the best of them, she endowed him on the spot with an unreckonable amount of wealth. It consisted partly of a gold-mine in Eldorado,[185-1] and of ten thousand shares in a broken bubble, and of half a million acres of vineyard at the North Pole, and of a castle in the air and a chateau in Spain, together with all the rents and income therefrom accruing. She further made over to him the cargo of a certain ship laden with salt of Cadiz which she herself by her necromantic arts had caused to founder ten years before in the deepest part of mid-ocean. If the salt were not dissolved and could be brought to market, it would fetch a pretty penny among the fishermen. That he might not lack ready money, she gave him a copper farthing of Birmingham manufacture, being all the coin she had about her, and likewise a great deal of brass, which she applied to his forehead, thus making it yellower than ever.

So now in high spirits with this amazing creation of hers, Mother Rigby told the scarecrow that it needed to go and fulfill its role in the big world, where not one man in a hundred, she claimed, had more real substance than he did. To ensure he could hold his head high among them, she immediately granted him an unimaginable amount of wealth. This included a gold mine in Eldorado, [185-1] ten thousand shares in a failed investment, half a million acres of vineyard at the North Pole, a castle in the air, and a chateau in Spain, along with all the rents and income that came from those. She also transferred to him the cargo of a ship loaded with salt from Cadiz, which she had magically caused to sink ten years prior in the deep ocean. If the salt remained intact and could be sold, it would be worth quite a bit among the fishermen. To ensure he had cash on hand, she gave him a copper farthing made in Birmingham, which was all the money she had, and also a lot of brass, which she placed on his forehead, making it even yellower than before.

"With that brass alone," quoth Mother Rigby, "thou canst pay thy way all over the earth. Kiss me, pretty darling! I have done my best for thee."

"With that money alone," said Mother Rigby, "you can get by anywhere in the world. Kiss me, my lovely! I've done my best for you."

Furthermore, that the adventurer might lack no possible advantage toward a fair start in life, this excellent old dame gave him a token by which he was to introduce himself to a certain magistrate, member of the council, merchant, and elder of the church (the four capacities constituting but one man) who stood at the head of society in the neighboring metropolis. The token was neither more nor less than a single word, which Mother Rigby whispered to the scarecrow and which the scarecrow was to whisper to the merchant.

Furthermore, so the adventurer wouldn't miss out on any possible advantage for a good start in life, this wonderful old woman gave him a token to introduce himself to a certain magistrate, who was also a council member, merchant, and elder of the church (all in one person) and who led society in the nearby city. The token was just a single word that Mother Rigby whispered to the scarecrow, and the scarecrow was supposed to whisper it to the merchant.

"Gouty as the old fellow is, he'll run thy errands for thee when once thou hast given him that word in his ear," said the old witch. "Mother Rigby knows the worshipful justice Gookin, and the worshipful justice knows Mother Rigby!"

"Gouty as that old guy is, he'll run your errands for you once you've whispered that in his ear," said the old witch. "Mother Rigby knows the respected Justice Gookin, and the respected Justice knows Mother Rigby!"

Here the witch thrust her wrinkled face close to the puppet's, chuckling irrepressibly, and fidgeting all through her system with delight at the idea which she meant to communicate.

Here the witch leaned her wrinkled face close to the puppet's, chuckling uncontrollably, and buzzing with excitement at the idea she was about to share.

"The worshipful Master Gookin," whispered she, "hath a comely maiden to his daughter. And hark ye, my pet. Thou hast a fair outside and a pretty wit enough of thine own. Yea, a pretty wit enough! Thou wilt think better of it when thou hast seen more of other people's wits. Now with thy outside and thy inside thou art the very man to win a young girl's heart. Never doubt it; I tell thee it shall be so. Put but a bold face on the matter, sigh, smile, flourish thy hat, thrust forth thy leg like a dancing-master, put thy right hand to the left side of thy waistcoat, and pretty Polly Gookin is thine own."

"The respected Master Gookin," she whispered, "has a beautiful daughter. And listen, my dear. You have a lovely appearance and enough charm of your own. Yes, you have enough charm! You'll think differently when you see more of what others have to offer. With your looks and your personality, you’re the perfect guy to win a young girl's heart. Don't doubt it; I assure you it will happen. Just wear a confident expression, sigh, smile, wave your hat around, stick out your leg like a dancer, place your right hand on the left side of your waistcoat, and pretty Polly Gookin will be yours."

All this while the new creature had been sucking in and exhaling the vapory fragrance of his pipe and seemed now to continue this occupation as much for the enjoyment it afforded as because it was an essential condition of his existence. It was wonderful to see how exceedingly like a human being it behaved. Its eyes (for it appeared to possess a pair) were bent on Mother Rigby, and at suitable junctures it nodded or shook its head. Neither did it lack words proper for the occasion—"Really!"—"Indeed!"—"Pray tell me!"—"Is it possible!"—"Upon my word!"—"By no means!"—"Oh!"—"Ah!"—"Hem!" and other such weighty utterances as imply attention, inquiry, acquiescence, or dissent on the part of the auditor. Even had you stood by and seen the scarecrow made, you could scarcely have resisted the conviction that it perfectly understood the cunning counsels which the old witch poured into its counterfeit of an ear. The more earnestly it applied its lips to the pipe, the more distinctly was its human likeness stamped among visible realities, the more sagacious grew its expression, the more lifelike its gestures and movements, and the more intelligibly audible its voice. Its garments too glistened so much the brighter with an illusory magnificence. The very pipe in which burned the spell of all this wonder-work ceased to appear as a smoke-blackened earthern stump, and became a meerschaum with painted bowl and amber mouthpiece.

All this time, the new creature had been inhaling and exhaling the fragrant smoke from its pipe and seemed to keep doing this as much for the pleasure it brought as because it was essential for its survival. It was amazing to see how much it behaved like a human. Its eyes (which it seemed to have) were fixed on Mother Rigby, and at appropriate times it nodded or shook its head. It even had suitable words for the occasion—"Really!"—"Indeed!"—"Please tell me!"—"Is it possible!"—"I swear!"—"Not at all!"—"Oh!"—"Ah!"—"Ahem!" and other such significant phrases that indicated attention, curiosity, agreement, or disagreement from the listener. Even if you had stood by and watched the scarecrow being made, you could hardly have resisted the belief that it fully understood the sly advice the old witch whispered into its imitative ear. The more it pressed its lips to the pipe, the more its human likeness became evident, the more thoughtful its expression grew, the more lifelike its gestures and movements appeared, and the clearer its voice became. Its clothes also shimmered more brightly with an illusory grandeur. The very pipe that contained the magic for all this wonder stopped looking like a smoke-stained clay stub and transformed into a meerschaum with a painted bowl and an amber mouthpiece.

It might be apprehended, however, that, as the life of the illusion seemed identical with the vapor of the pipe, it would terminate simultaneously with the reduction of the tobacco to ashes. But the beldam foresaw the difficulty.

It might be understood, however, that since the life of the illusion appeared to be the same as the smoke from the pipe, it would end at the same time the tobacco turned to ashes. But the old woman anticipated the problem.

"Hold thou the pipe, my precious one," said she, "while I fill it for thee again."

"Hold the pipe, my dear," she said, "while I fill it for you again."

It was sorrowful to behold how the fine gentleman began to fade back into a scarecrow while Mother Rigby shook the ashes out of the pipe and proceeded to replenish it from her tobacco-box.

It was sad to see how the fine gentleman started to turn into a scarecrow while Mother Rigby emptied the ashes from the pipe and went on to refill it from her tobacco box.

"Dickon," cried she, in her high, sharp tone, "another coal for this pipe."

"Dickon," she called out sharply, "another coal for this pipe."

No sooner said than the intensely red speck of fire was glowing within the pipe-bowl and the scarecrow, without waiting for the witch's bidding, applied the tube to his lips and drew in a few short, convulsive whiffs, which soon however became regular and equable.

No sooner said than the bright red spark of fire was glowing in the bowl of the pipe, and the scarecrow, without waiting for the witch's command, put the tube to his lips and took a few short, frantic puffs, which soon turned into a steady, even draw.

"Now, mine own heart's darling," quoth Mother Rigby, "whatever may happen to thee, thou must stick to thy pipe. Thy life is in it; and that, at least, thou knowest well, if thou knowest nought besides. Stick to thy pipe, I say! Smoke, puff, blow thy cloud, and tell the people, if any question be made, that it is for thy health and that so the physician orders thee to do. And, sweet one, when thou shalt find thy pipe getting low, go apart into some corner, and—first filling thyself with smoke—cry sharply, 'Dickon, a fresh pipe of tobacco!' and 'Dickon, another coal for my pipe!' and have it into thy pretty mouth as speedily as may be, else instead of a gallant gentleman in a gold-laced coat, thou wilt be but a jumble of sticks, and tattered clothes, and a bag of straw, and a withered pumpkin. Now depart, my treasure, and good luck go with thee!"

"Now, my beloved," said Mother Rigby, "whatever happens to you, you must stick to your pipe. Your life depends on it; and at least you know that much, even if you don't know anything else. Stick to your pipe, I say! Smoke, puff, blow your cloud, and tell people, if anyone asks, that it's for your health and that your doctor told you to do it. And, dear one, when you find your pipe getting low, go to a corner and—first fill yourself with smoke—shout, 'Dickon, a fresh pipe of tobacco!' and 'Dickon, another coal for my pipe!' and get it in your pretty mouth as quickly as you can, or instead of a dashing gentleman in a gold-laced coat, you'll just be a bunch of sticks, tattered clothes, a bag of straw, and a withered pumpkin. Now go, my treasure, and good luck be with you!"

"Never fear, mother," said the figure, in a stout voice, and sending forth a courageous whiff of smoke. "I will thrive if an honest man and a gentleman may."

"Don't worry, mom," said the figure in a strong voice, puffing out a brave cloud of smoke. "I'll succeed if an honest man and a gentleman can."

"Oh, thou wilt be the death of me!" cried the old witch, convulsed with laughter. "That was well said! If an honest man and a gentleman may! Thou playest thy part to perfection. Get along with thee for a smart fellow and I will wager on thy head, as a man of pith and substance, with a brain and what they call a heart, and all else that a man should have against any other thing on two legs. I hold myself a better witch than yesterday for thy sake. Did I not make thee? And I defy any witch in New England to make such another! Here! take my staff along with thee."

"Oh, you're going to be the end of me!" yelled the old witch, doubled over with laughter. "That was well said! If an honest man and a gentleman can! You play your role perfectly. Get out of here, you clever fellow, and I’ll bet on you as a man of strength and substance, with a brain and what they call a heart, and everything else a man should have compared to any other creature on two legs. I consider myself a better witch today because of you. Didn’t I create you? And I challenge any witch in New England to create another like you! Here! Take my staff with you."

The staff, though it was but a plain oaken stick, immediately took the aspect of a gold-headed cane.

The staff, even though it was just a simple wooden stick, instantly looked like a fancy gold-headed cane.

"That gold head has as much sense in it as thine own," said Mother Rigby, "and it will guide thee straight to worshipful Master Gookin's door. Get thee gone, my pretty pet, my darling, my precious one, my treasure; and if any ask thy name, it is 'Feathertop,' for thou hast a feather in thy hat and I have thrust a handful of feathers into the hollow of thy head. And thy wig, too, is of the fashion they call 'feathertop'; so be 'Feathertop' thy name."

"That gold head is just as clever as yours," said Mother Rigby, "and it will lead you right to the esteemed Master Gookin's door. Go on now, my lovely pet, my darling, my precious one, my treasure; and if anyone asks your name, it's 'Feathertop,' because you have a feather in your hat and I’ve stuffed a bunch of feathers into the hollow of your head. Plus, your wig is in the style they call 'feathertop'; so let 'Feathertop' be your name."

And issuing from the cottage, Feathertop strode manfully towards town. Mother Rigby stood at the threshold, well pleased to see how the sunbeams glistened on him, as if all his magnificence were real, and how diligently and lovingly he smoked his pipe, and how handsomely he walked in spite of a little stiffness of his legs. She watched him until out of sight and threw a witch-benediction after her darling when a turn of the road snatched him from her view.

And coming out of the cottage, Feathertop confidently walked toward town. Mother Rigby stood in the doorway, pleased to see how the sunlight shone on him, making his grandeur seem real, and how carefully and lovingly he smoked his pipe, and how nicely he walked despite a slight stiffness in his legs. She watched him until he disappeared from view and sent a witch's blessing after her darling when a bend in the road took him out of sight.

Betimes in the forenoon, when the principal street of the neighboring town was just at its acme of life and bustle, a stranger of very distinguished figure was seen on the sidewalk. His port as well as his garments betokened nothing short of nobility. He wore a richly embroidered plum-colored coat, a waistcoat of costly velvet magnificently adorned with golden foliage, a pair of splendid scarlet breeches and the finest and glossiest of white silk stockings. His head was covered with a peruke so daintily powdered and adjusted that it would have been sacrilege to disorder it with a hat, which, therefore (and it was a gold-laced hat set off with a snowy feather), he carried beneath his arm. On the breast of his coat glistened a star. He managed his gold-headed cane with an airy grace peculiar to the fine gentlemen of the period and, to give the highest possible finish to his equipment, he had lace ruffles at his wrist of a most ethereal delicacy, sufficiently avouching how idle and aristocratic must be the hands which they half-concealed.

Betimes in the morning, when the main street of the nearby town was at its peak of activity and energy, a striking stranger was spotted on the sidewalk. His demeanor and clothing clearly suggested he was of noble birth. He wore a richly embroidered plum coat, a lavish velvet waistcoat beautifully decorated with golden patterns, a pair of elegant scarlet breeches, and the finest, shiniest white silk stockings. His head was topped with a wig so carefully powdered and styled that it would have felt wrong to cover it with a hat, which he instead held under his arm—a gold-laced hat adorned with a fluffy white feather. A star shimmered on the breast of his coat. He handled his gold-headed cane with a light elegance typical of gentlemen from that era, and to complete his look, he sported lace ruffles at his wrists that were so delicate they suggested the hands hidden beneath them were refined and idle.

It was a remarkable point in the accoutrement of this brilliant personage that he held in his left hand a fantastic kind of pipe with an exquisitely painted bow and an amber mouthpiece. This he applied to his lips as often as every five or six paces and inhaled a deep whiff of smoke, which after being retained a moment in his lungs might be seen to eddy gracefully from his mouth and nostrils.

It was a striking feature of this notable character that he held a unique kind of pipe in his left hand, complete with a beautifully painted bow and an amber mouthpiece. He brought it to his lips every five or six steps and took a deep inhale of smoke, which, after lingering briefly in his lungs, could be seen swirling elegantly from his mouth and nostrils.

As may well be supposed, the street was all astir to find out the stranger's name.

As you might expect, the street was buzzing with curiosity to find out the stranger's name.

"It is some great nobleman, beyond question," said one of the townspeople. "Do you see the star at his breast?"

"It’s definitely a great nobleman," said one of the townspeople. "Do you see the star on his chest?"

"Nay, it is too bright to be seen," said another. "Yes, he must needs be a nobleman, as you say. But by what conveyance, think you, can his Lordship have voyaged or traveled hither? There has been no vessel from the old country for a month past; and if he have arrived overland from the southward, pray where are his attendants and equipage?"

"Nah, it’s too bright to be seen," said another. "Yeah, he must be a nobleman, like you said. But how do you think he got here? There hasn't been a ship from the old country for a month; and if he traveled overland from the south, then where are his attendants and luggage?"

"He needs no equipage to set off his rank," remarked a third. "If he came among us in rags, nobility would shine through a hole in his elbow. I never saw such dignity of aspect. He has the old Norman blood[191-1] in his veins, I warrant him."

"He doesn't need any fancy gear to show off his status," said a third person. "Even if he showed up in rags, his nobility would shine through a hole in his elbow. I've never seen such dignified presence. He's got old Norman blood in his veins, I can assure you."

"I rather take him to be a Dutchman or one of your High Germans," said another citizen. "The men of those countries have always the pipe at their mouths."

"I’d say he's either a Dutchman or one of your High Germans," said another citizen. "The guys from those countries always seem to have a pipe in their mouths."

"And so has a Turk," answered his companion. "But in my judgment, this stranger hath been bred at the French court and hath there learned politeness and grace of manner which none understand so well as the nobility of France. That gait, now! A vulgar spectator might deem it stiff—he might call it a hitch and jerk—but, to my eye, it hath an unspeakable majesty and must have been acquired by constant observation of the deportment of the Grand Monarque. The stranger's character and office are evident enough. He is a French ambassador come to treat with our rulers about the cession of Canada."

"And so has a Turk," replied his companion. "But I think this stranger was raised in the French court and has learned the politeness and grace that only the nobility of France truly understands. That way of walking! A casual observer might see it as stiff—maybe call it a hitch and a jerk—but to me, it has an indescribable majesty and must have been developed through constant observation of the Grand Monarque's behavior. The stranger's character and role are pretty clear. He’s a French ambassador here to discuss with our leaders about the transfer of Canada."

"More probably a Spaniard," said another, "and hence his yellow complexion. Or most likely he is from the Havana or from some port on the Spanish main and comes to make investigation about the piracies which our governor is thought to connive at. Those settlers in Peru and Mexico have skins as yellow as the gold which they dig out of their mines."

"Most likely a Spaniard," another said, "which explains his yellowish complexion. Or maybe he’s from Havana or some port on the Spanish coast, here to look into the piracy that people think our governor is turning a blind eye to. The settlers in Peru and Mexico have skin as yellow as the gold they mine."

"Yellow or not," cried a lady, "he is a beautiful man! So tall, so slender! Such a fine, noble face, with so well shaped a nose and all that delicacy of expression about the mouth! And, bless me! how bright his star is! It positively shoots out flames."

"Yellow or not," shouted a woman, "he is a gorgeous guy! So tall and slim! Such a handsome, noble face, with a perfectly shaped nose and all that delicate expression around his mouth! And, wow! how bright his star is! It really looks like it's shooting out flames."

"So do your eyes, fair lady," said the stranger, with a bow and a flourish of his pipe, for he was just passing at the instant. "Upon my honor, they have quite dazzled me!"

"Your eyes are just as stunning, beautiful lady," said the stranger, with a bow and a wave of his pipe, as he happened to walk by at that moment. "I swear, they’ve completely dazzled me!"

"Was ever so original and exquisite a compliment?" murmured the lady, in an ecstasy of delight.

"Has there ever been such an original and exquisite compliment?" the lady murmured, filled with ecstasy.

Amid the general admiration excited by the stranger's appearance there were only two dissenting voices. One was that of an impertinent cur which, after sniffing at the heels of the glistening figure, put its tail between its legs and skulked into its master's backyard, vociferating an execrable howl. The other dissentient was a young child who squalled at the fullest stretch of his lungs and babbled some unintelligible nonsense about a pumpkin.

Amid the general admiration stirred by the stranger's appearance, there were only two dissenting voices. One was that of a rude dog that, after sniffing at the heels of the shining figure, tucked its tail between its legs and slunk into its owner's backyard, letting out a terrible howl. The other dissenting voice was a young child who screamed at the top of his lungs and babbled some gibberish about a pumpkin.

Feathertop, meanwhile, pursued his way along the street. Except for the few complimentary words to the lady, and now and then a slight inclination of the head in requital of the profound reverences of the bystanders, he seemed wholly absorbed in his pipe. There needed no other proof of his rank and consequence than the perfect equanimity with which he comported himself, while the curiosity and admiration of the town swelled almost into a clamor around him. With a crowd gathering behind his footsteps, he finally reached the mansion-house of the worshipful Justice Gookin, entered the gate, ascended the steps of the front door and knocked. In the interim before his summons was answered the stranger was observed to shake the ashes out of his pipe.

Feathertop continued on his way down the street. Aside from a few polite words to the lady and an occasional nod in response to the respectful bows from onlookers, he appeared completely focused on his pipe. His demeanor alone proved his status and importance, as he maintained a calm composure while the town’s curiosity and admiration grew into something close to a frenzy around him. With a crowd forming behind him, he eventually reached the home of the esteemed Justice Gookin, entered the gate, climbed the steps to the front door, and knocked. While waiting for someone to answer, the stranger was seen shaking the ashes out of his pipe.

"What did he say in that sharp voice?" inquired one of the spectators.

"What did he say in that sharp voice?" asked one of the spectators.

"Nay, I know not," answered his friend. "But the sun dazzles my eyes strangely. How dim and faded His Lordship looks all of a sudden! Bless my wits, what is the matter with me?"

"Nah, I don’t know," his friend replied. "But the sun is really blinding me. Why does His Lordship look so dull and faded all of a sudden? What’s wrong with me?"

"The wonder is," said the other, "that his pipe, which was out an instant ago, should be all alight again and with the reddest coal I ever saw. There is something mysterious about this stranger. What a whiff of smoke was that! 'Dim and faded,' did you call him? Why, as he turns about the star on his breast is all ablaze."

"The amazing thing is," said the other, "that his pipe, which was just out a second ago, is lit up again and with the brightest red coal I've ever seen. There's something mysterious about this stranger. What a puff of smoke was that! 'Dim and faded,' did you say? Well, as he turns, the star on his chest is shining bright."

"It is, indeed," said his companion, "and it will go near to dazzle pretty Polly Gookin, whom I see peeping at it out of the chamber window."

"It really is," said his companion, "and it will probably dazzle pretty Polly Gookin, who I see peeking at it from the bedroom window."

The door being now opened, Feathertop turned to the crowd, made a stately bend of his body, like a great man acknowledging the reverence of the meaner sort, and vanished into the house. There was a mysterious kind of a smile—if it might not better be called a grin or grimace—upon his visage, but of all the throng that beheld him not an individual appears to have possessed insight enough to detect the illusive character of the stranger, except a little child and a cur-dog.

The door now opened, Feathertop turned to the crowd, gave a dignified bow, like a prominent person recognizing the respect of those below him, and disappeared into the house. There was a strange kind of smile—maybe it was better described as a grin or grimace—on his face, but out of all the people who saw him, not one seemed to have enough insight to see through the deceptive nature of the stranger, except for a small child and a mutt.

Our legend here loses somewhat of its continuity, and, passing over the preliminary explanation between Feathertop and the merchant, goes in quest of the pretty Polly Gookin. She was a damsel of a soft, round figure with light hair and blue eyes, and a fair rosy face which seemed neither very shrewd nor very simple. This young lady had caught a glimpse of the glistening stranger while standing at the threshold and had forthwith put on a laced cap, a string of beads, her finest kerchief and her stiffest damask petticoat, in preparation for the interview. Hurrying from her chamber to the parlor, she had ever since been viewing herself in the large looking-glass and practising pretty airs—now a smile, now a ceremonious dignity of aspect, and now a softer smile than the former, kissing her hand likewise, tossing her head and managing her fan, while within the mirror an unsubstantial little maid repeated every gesture and did all the foolish things that Polly did, but without making her ashamed of them. In short, it was the fault of pretty Polly's ability, rather than her will, if she failed to be as complete an artifice as the illustrious Feathertop himself; and when she thus tampered with her own simplicity, the witch's phantom might well hope to win her.

Our story here loses some of its flow and, skipping over the setup between Feathertop and the merchant, moves on to find the lovely Polly Gookin. She was a young woman with a soft, round figure, light hair, blue eyes, and a fair rosy face that didn't seem too clever or too naive. This young lady had spotted the glimmering stranger while standing at the door and immediately put on a lace cap, a string of beads, her best kerchief, and her stiffest damask petticoat to get ready for the meeting. Rushing from her room to the parlor, she had been admiring herself in the big mirror and practicing charming poses—sometimes smiling, sometimes striking a dignified pose, and sometimes giving a softer smile, while also blowing kisses to herself, tossing her head, and handling her fan. In the mirror, a delicate little reflection mirrored every gesture and acted out all the silly things Polly did, but without making her feel embarrassed. In short, it was more about Polly's talent than her intention that kept her from being as much of a flirt as the famous Feathertop himself; and as she played with her own innocence, the witch's illusion could very well have hopes of winning her over.

No sooner did Polly hear her father's gouty footsteps approaching the parlor door, accompanied with the stiff clatter of Feathertop's high-heeled shoes, than she seated herself bolt upright and innocently began warbling a song.

No sooner did Polly hear her father's painful footsteps heading to the parlor door, along with the stiff clopping of Feathertop's high-heeled shoes, than she sat up straight and started singing a song sweetly.

"Polly! Daughter Polly!" cried the old merchant. "Come hither, child."

"Polly! Daughter Polly!" shouted the old merchant. "Come here, sweetheart."

Master Gookin's aspect, as he opened the door, was doubtful and troubled.

Master Gookin looked uncertain and troubled as he opened the door.

"This gentleman," continued he, presenting the stranger, "is the chevalier Feathertop—nay, I beg his pardon, My Lord Feathertop—who hath brought me a token of remembrance from an ancient friend of mine. Pay your duty to His Lordship, child, and honor him as his quality deserves."

"This guy," he said, introducing the stranger, "is Chevalier Feathertop—oh, my mistake, My Lord Feathertop—who has brought me a keepsake from an old friend of mine. Show your respect to His Lordship, kid, and treat him the way he deserves."

After these few words of introduction the worshipful magistrate immediately quitted the room. But even in that brief moment, had the fair Polly glanced aside at her father instead of devoting herself wholly to the brilliant guest, she might have taken warning of some mischief nigh at hand. The old man was nervous, fidgety and very pale. Purposing a smile of courtesy, he had deformed his face with a sort of galvanic grin which, when Feathertop's back was turned, he exchanged for a scowl, at the same time shaking his fist and stamping his gouty foot—an incivility which brought its retribution along with it. The truth appears to have been that Mother Rigby's word of introduction, whatever it might be, had operated far more on the rich merchant's fears than on his good-will. Moreover, being a man of wonderfully acute observation, he had noticed that the painted figures on the bowl of Feathertop's pipe were in motion. Looking more closely, he became convinced that these figures were a party of little demons, each duly provided with horns and a tail, and dancing hand in hand with gestures of diabolical merriment round the circumference of the pipe-bowl. As if to confirm his suspicions, while Master Gookin ushered his guest along a dusky passage from his private room to the parlor, the star on Feathertop's breast had scintillated actual flames, and threw a flickering gleam upon the wall, the ceiling and the door.

After a few introductory words, the respected magistrate quickly left the room. But in that brief moment, if the lovely Polly had glanced at her father instead of fully focusing on the charming guest, she might have sensed some trouble looming. The old man appeared nervous, restless, and very pale. Trying to muster a polite smile, he twisted his face into a sort of forced grin, which he changed into a scowl as soon as Feathertop wasn't looking, shaking his fist and stamping his gouty foot—an impolite gesture that brought swift consequences. It seemed that Mother Rigby's introduction, whatever it was, had instilled more fear than goodwill in the rich merchant. Additionally, being keenly observant, he noticed that the painted figures on the bowl of Feathertop's pipe were moving. Looking closer, he became convinced these figures were little demons, each with horns and a tail, dancing joyfully in a circle around the edge of the pipe-bowl. To further confirm his suspicions, as Master Gookin led his guest through a dim hallway from his private room to the parlor, the star on Feathertop's chest sparkled with actual flames, casting a flickering light on the wall, ceiling, and door.

With such sinister prognostics manifesting themselves on all hands, it is not to be marveled at that the merchant should have felt that he was committing his daughter to a very questionable acquaintance. He cursed in his secret soul the insinuating elegance of Feathertop's manners as this brilliant personage bowed, smiled, put his hand on his heart, inhaled a long whiff from his pipe, and enriched the atmosphere with the smoky vapor of a fragrant and visible sigh. Gladly would poor Master Gookin have thrust his dangerous guest into the street, but there was a restraint and terror within him. This respectable old gentleman, we fear, at an earlier period of life had given some pledge or other to the Evil Principle, and perhaps was now to redeem it by the sacrifice of his daughter.

With such dark warnings showing up everywhere, it’s no surprise that the merchant felt he was handing his daughter over to a very questionable person. He secretly cursed the charming elegance of Feathertop's demeanor as this impressive figure bowed, smiled, placed his hand on his heart, took a deep puff from his pipe, and filled the air with the smoky mist of a fragrant, visible sigh. Poor Master Gookin would have gladly kicked his dangerous guest out on the street, but he felt a sense of restraint and fear inside him. This respectable old gentleman, we worry, had made some kind of deal with the Evil Principle earlier in life, and perhaps now he was meant to repay it with the sacrifice of his daughter.

It so happened that the parlor door was partly of glass shaded by a silken curtain the folds of which hung a little awry. So strong was the merchant's interest in witnessing what was to ensue between the fair Polly and the gallant Feathertop that after quitting the room he could by no means refrain from peeping through the crevice of the curtain. But there was nothing very miraculous to be seen—nothing except the trifles previously noticed, to confirm the idea of a supernatural peril environing the pretty Polly. The stranger, it is true, was evidently a thorough and practised man of the world, systematic and self-possessed, and therefore the sort of person to whom a parent ought not to confide a simple young girl without due watchfulness for the result. The worthy magistrate, who had been conversant with all degrees and qualities of mankind, could not but perceive every motion and gesture of the distinguished Feathertop came in its proper place. Nothing had been left rude or native in him; a well-digested conventionalism had incorporated itself thoroughly with his substance and transformed him into a work of art. Perhaps it was this peculiarity that invested him with a species of ghastliness and awe. It is the effect of anything completely and consummately artificial in human shape that the person impresses us as an unreality, and as having hardly pith enough to cast a shadow upon the floor. As regarded Feathertop, all this resulted in a wild, extravagant, and fantastical impression, as if his life and being were akin to the smoke that curled upward from his pipe.

It just so happened that the parlor door was partly made of glass covered by a silken curtain, which hung a little crooked. The merchant was so interested in seeing what would happen between the lovely Polly and the charming Feathertop that after leaving the room, he couldn't help but peek through the gap in the curtain. But there was nothing particularly miraculous to see—nothing except the small details noted earlier, which reinforced the idea of a supernatural danger surrounding the pretty Polly. The stranger was clearly a skilled and worldly man, organized and composed, making him the kind of person a parent shouldn't trust a naive young girl with without careful oversight. The worthy magistrate, familiar with all walks of life, couldn't help but notice that every move and gesture of the distinguished Feathertop was perfectly timed. Nothing about him was rough or genuine; a thoroughly polished conventionality had become part of his being, turning him into a work of art. Perhaps it was this quality that gave him an air of eeriness and dread. The effect of someone completely and perfectly artificial in human form is that they seem unreal and lack enough substance to cast a shadow on the ground. In Feathertop’s case, this created a wild, extravagant, and fantastical impression, almost as if his life and essence were like the smoke rising from his pipe.

But pretty Polly Gookin felt not thus. The pair were now promenading the room—Feathertop with his dainty stride, and no less dainty grimace, the girl with a native maidenly grace just touched, not spoiled, by a slightly affected manner which seemed caught from the perfect artifice of her companion. The longer the interview continued, the more charmed was pretty Polly, until within the first quarter of an hour (as the old magistrate noted by his watch) she was evidently beginning to be in love. Nor need it have been witchcraft that subdued her in such a hurry: the poor child's heart, it may be, was so very fervent that it melted her with its own warmth, as reflected from the hollow semblance of a lover. No matter what Feathertop said, his words found depth and reverberation in her ear; no matter what he did, his action was very heroic to her eye. And by this time, it is to be supposed, there was a blush on Polly's cheek, a tender smile about her mouth, and a liquid softness in her glance, while the star kept coruscating on Feathertop's breast, and the little demons careered with more frantic merriment than ever about the circumference of his pipe-bowl. Oh, pretty Polly Gookin! Why should these imps rejoice so madly that a silly maiden's heart was about to be given to a shadow? Is it so unusual a misfortune—so rare a triumph?

But pretty Polly Gookin didn’t feel that way. The two were now walking around the room—Feathertop with his elegant stride and equally elegant expressions, the girl with a natural grace just enhanced, not ruined, by a slightly affected manner that seemed to come from the perfect artifice of her companion. The longer the conversation went on, the more enchanted pretty Polly became, until within the first fifteen minutes (as the old magistrate noted by his watch) she was clearly starting to fall in love. It may not have been witchcraft that captivated her so quickly: perhaps the poor girl’s heart was so warm that it melted for him as it reflected off the hollow image of a lover. It didn’t matter what Feathertop said; his words rang true in her ears. It didn’t matter what he did; his actions seemed very heroic to her. By this time, one could assume there was a blush on Polly’s cheeks, a tender smile on her lips, and a soft, inviting look in her eyes, while the star continued to sparkle on Feathertop’s chest, and the little demons danced around his pipe-bowl with even more wild joy than before. Oh, pretty Polly Gookin! Why should these imps celebrate so wildly over a silly girl's heart being given to a shadow? Is it really such an unusual misfortune—such a rare triumph?

By and by Feathertop paused and, throwing himself into an imposing attitude, seemed to summon the fair girl to survey his figure and resist him longer if she could. His star, his embroidery, his buckles, glowed at that instant with unutterable splendor; the picturesque hues of his attire took a richer depth of coloring; there was a gleam and polish over his whole presence betokening the perfect witchery of well-ordered manners. The maiden raised her eyes and suffered them to linger upon her companion with a bashful and admiring gaze. Then, as if desirous of judging what value her own simple comeliness might have side by side with so much brilliancy, she cast a glance toward the full-length looking glass in front of which they happened to be standing. It was one of the truest plates in the world and incapable of flattery. No sooner did the images therein reflected meet Polly's eye than she shrieked, shrank from the stranger's side, gazed at him a moment in the wildest dismay, and sank insensible upon the floor. Feathertop, likewise, had looked toward the mirror, and there beheld, not the glittering mockery of his outside show, but a picture of the sordid patchwork of his real composition stripped of all witchcraft.

By and by, Feathertop stopped and, striking a grand pose, seemed to call the beautiful girl to admire his figure and see how long she could resist him. His star, his embroidery, and his buckles shone with incredible brilliance; the vivid colors of his outfit deepened in richness; there was a shine and polish to his whole presence that indicated the perfect charm of refined manners. The girl looked up and allowed her gaze to linger on her companion with a shy, admiring look. Then, as if wanting to assess how her own simple beauty compared to his dazzling appearance, she glanced at the full-length mirror they were standing in front of. It was one of the truest mirrors in the world and gave no flattery. As soon as the reflection met Polly's eyes, she screamed, pulled away from the stranger, looked at him in utter shock for a moment, and then collapsed to the floor. Feathertop also looked at the mirror and saw not the sparkling illusion of his outside facade, but an image of the shabby patchwork of his true self, stripped of all enchantment.

The wretched simulacrum! We almost pity him. He threw up his arms with an expression of despair that went farther than any of his previous manifestations toward vindicating his claims to be reckoned human. For perchance the only time since this so often empty and deceptive life of mortals began its course, an illusion had seen and fully recognized itself.

The miserable imitation! We almost feel sorry for him. He raised his arms with a look of despair that went beyond anything he had shown before in trying to prove he should be considered human. For perhaps the only time since this often meaningless and deceptive life of humans started, an illusion had seen and fully recognized itself.

Mother Rigby was seated by her kitchen hearth in the twilight of this eventful day and had just shaken the ashes out of a new pipe, when she heard a hurried tramp along the road. Yet it did not seem so much the tramp of human footsteps as the clatter of sticks or the rattling of dry bones.

Mother Rigby was sitting by her kitchen fireplace in the fading light of this eventful day and had just knocked the ashes out of a new pipe when she heard hurried footsteps along the road. However, it didn’t sound so much like the footsteps of a person as the clatter of sticks or the rattle of dry bones.

"Ha!" thought the old witch, "what step is that? Whose skeleton is out of its grave now, I wonder?"

"Ha!" thought the old witch, "what's that noise? Whose skeleton has come out of its grave now, I wonder?"

A figure burst headlong into the cottage door. It was Feathertop. His pipe was still alight, the star still flamed upon his breast, the embroidery still glowed upon his garments, nor had he lost in any degree or manner that could be estimated the aspect that assimilated him with our mortal brotherhood. But yet, in some indescribable way (as is the case with all that has deluded us when once found out), the poor reality was felt beneath the cunning artifice.

A figure rushed into the cottage door. It was Feathertop. His pipe was still lit, the star still shone on his chest, the embroidery still brightened his clothes, and he hadn’t lost any of the qualities that connected him to our human existence. However, in some indescribable way (as happens with everything that has deceived us once we realize the truth), the poor reality could be sensed underneath the clever facade.

"What has gone wrong?" demanded the witch. "Did yonder sniffling hypocrite thrust my darling from his door? The villain! I'll set twenty fiends to torture him till he offer thee his daughter on his bended knees!"

"What went wrong?" demanded the witch. "Did that sniffling hypocrite kick my darling out? The scoundrel! I'll unleash twenty fiends to torment him until he offers you his daughter on his knees!"

"No, mother," said Feathertop, despondingly; "it was not that."

"No, Mom," said Feathertop, sadly; "that's not it."

"Did the girl scorn my precious one?" asked Mother Rigby, her fierce eyes glowing like two coals of Tophet. "I'll cover her face with pimples! Her nose shall be as red as the coal in thy pipe! Her front teeth shall drop out! In a week hence she shall not be worth thy having."

"Did that girl disrespect my precious one?" asked Mother Rigby, her fierce eyes glowing like two burning coals. "I’ll make her face break out with pimples! Her nose will be as red as your pipe coal! Her front teeth will fall out! In a week, she will be unworthy of you."

"Let her alone, mother," answered poor Feathertop. "The girl was half won, and methinks a kiss from her sweet lips might have made me altogether human. But," he added after a brief pause and then a howl of self-contempt, "I've seen myself, mother! I've seen myself for the wretched, ragged, empty thing I am. I'll exist no longer."

"Leave her alone, Mom," replied poor Feathertop. "The girl almost liked me, and I think a kiss from her sweet lips could have made me fully human. But," he added after a short pause and then a cry of self-loathing, "I've seen myself, Mom! I've seen myself for the miserable, ragged, empty thing I am. I can't go on like this."

Snatching the pipe from his mouth, he flung it with all his might against the chimney, and at the same instant sank upon the floor, a medley of straw and tattered garments, with some sticks protruding from the heap and a shriveled pumpkin in the midst. The eyeholes were now lustreless but the rudely carved gap that just before had been a mouth still seemed to twist itself into a despairing grin, and was so far human.

Snatching the pipe from his mouth, he threw it with all his strength against the chimney, and at the same moment collapsed on the floor, a jumble of straw and ragged clothes, with some sticks sticking out of the pile and a shriveled pumpkin in the middle. The eye holes were now dull, but the poorly carved gap that had just been a mouth still appeared to twist into a hopeless grin, and was still somewhat human.

"Poor fellow!" quoth Mother Rigby, with a rueful glance at the relics of her ill-fated contrivance. "My poor, dear, pretty Feathertop! There are thousands upon thousands of coxcombs and charlatans in the world made up of just such a jumble of worn-out, forgotten and good-for-nothing trash as he was, yet they live in fair repute, and never see themselves for what they are. And why should my poor puppet be the only one to know himself and perish for it?"

"Poor guy!" said Mother Rigby, casting a sad look at the remains of her failed creation. "My poor, sweet, lovely Feathertop! There are countless superficial and deceitful people in the world made up of just the same mix of worn-out, forgotten, and useless junk as he was, yet they live with good reputations and never realize what they really are. So why should my poor puppet be the only one to know the truth about himself and suffer for it?"

While thus muttering the witch had filled a fresh pipe of tobacco, and held the stem between her fingers, as doubtful whether to thrust it into her own mouth or Feathertop's.

While she was mumbling, the witch filled a new pipe with tobacco and held the stem between her fingers, unsure whether to put it in her own mouth or in Feathertop's.

"Poor Feathertop!" she continued. "I could easily give him another chance, and send him forth again to-morrow. But no! His feelings are too tender—his sensibilities too deep. He seems to have too much heart to bustle for his own advantage in such an empty and heartless world. Well, well! I'll make a scarecrow of him, after all. 'Tis an innocent and useful vocation, and will suit my darling well; and if each of his human brethren had as fit a one, 'twould be the better for mankind. And as for his pipe of tobacco, I need it more than he."

"Poor Feathertop!" she went on. "I could easily give him another chance and send him out again tomorrow. But no! His feelings are too sensitive—his emotions too intense. He seems to have too much heart to hustle for his own benefit in such a shallow and uncaring world. Well, well! I'll make a scarecrow out of him, after all. It's a simple and useful job, and it will suit my dear one well; and if each of his fellow humans had one as capable, it would be better for everyone. And as for his pipe of tobacco, I need it more than he does."

So saying, Mother Rigby put the stem between her lips.

So saying, Mother Rigby put the stem in her mouth.

"Dickon," cried she, in her high, sharp tone, "another coal for my pipe!"

"Dickon," she called out in her high, sharp voice, "get me another coal for my pipe!"


The Red-Headed League

The Red-Headed League

I had called upon my friend, Mr. Sherlock Holmes,[203-1] one day in the autumn of last year, and found him in deep conversation with a very stout, florid-faced, elderly gentleman, with fiery red hair. With an apology for my intrusion, I was about to withdraw, when Holmes pulled me abruptly into the room, and closed the door behind me.

I had visited my friend, Mr. Sherlock Holmes,[203-1] one day in the fall of last year and found him in a serious conversation with a very heavy, red-faced older man who had bright red hair. I was about to leave, apologizing for interrupting, when Holmes quickly pulled me into the room and shut the door behind me.

"You could not possibly have come at a better time, my dear Watson," he said, cordially.

"You couldn't have arrived at a better time, my dear Watson," he said, warmly.

"I was afraid that you were engaged."

"I was worried that you were already involved."

"So I am. Very much so."

"So I am. Very much so."

"Then I can wait in the next room."

"Then I can wait in the other room."

"Not at all. This gentleman, Mr. Wilson, has been my partner and helper in many of my most successful cases, and I have no doubt that he will be of the utmost use to me in yours also."

"Not at all. This guy, Mr. Wilson, has been my partner and assistant in many of my most successful cases, and I'm sure he will be extremely helpful in yours as well."

The stout gentleman half rose from his chair and gave a bob of greeting, with a quick, little, questioning glance from his small, fat-encircled eyes.

The stout man half stood up from his chair and gave a slight nod of greeting, casting a quick, tiny, questioning look from his small, chubby-framed eyes.

"Try the settee," said Holmes, relapsing into his arm-chair and putting his finger-tips together, as was his custom when in judicial moods. "I know, my dear Watson, that you share my love of all that is bizarre and outside the conventions and humdrum routine of everyday life. You have shown your relish for it by the enthusiasm which has prompted you to chronicle, and, if you will excuse my saying so, somewhat to embellish so many of my own little adventures."

"Try the couch," Holmes said, sinking back into his armchair and steepling his fingers, which was his habit when he was in a reflective mood. "I know, my dear Watson, that you share my fascination with everything strange and outside the norms and dull routines of daily life. You've shown your excitement for it through the enthusiasm that has driven you to document, and, if I may say so, somewhat embellish many of my own little adventures."

"Your cases have indeed been of the greatest interest to me," I observed.

"Your cases have definitely been very interesting to me," I said.

"You will remember that I remarked the other day, just before we went into the very simple problem presented by Miss Mary Sutherland, that for strange effects and extraordinary combinations we must go to life itself, which is always far more daring than any effort of the imagination."

"You'll recall that I mentioned the other day, right before we tackled the straightforward issue presented by Miss Mary Sutherland, that for unusual outcomes and remarkable combinations, we must look to life itself, which is always much bolder than anything we can dream up."

"A proposition which I took the liberty of doubting."

"A claim that I felt free to question."

"You did, doctor, but none the less you must come round to my view, for otherwise I shall keep on piling fact upon fact on you, until your reason breaks down under them and acknowledges me to be right. Now, Mr. Jabez Wilson here has been good enough to call upon me this morning, and to begin a narrative which promises to be one of the most singular which I have listened to for some time. You have heard me remark that the strangest and most unique things are very often connected not with the larger but with the smaller crimes, and occasionally, indeed, where there is room for doubt whether any positive crime has been committed. As far as I have heard, it is impossible for me to say whether the present case is an instance of crime or not, but the course of events is certainly among the most singular that I have ever listened to. Perhaps, Mr. Wilson, you would have the great kindness to recommence your narrative. I ask you, not merely because my friend, Dr. Watson, has not heard the opening part, but also because the peculiar nature of the story makes me anxious to have every possible detail from your lips. As a rule, when I have heard some slight indication of the course of events, I am able to guide myself by the thousands of other similar cases which occur to my memory. In the present instance I am forced to admit that the facts are, to the best of my belief, unique."

"You did, doctor, but still, you need to come around to my way of thinking, or I will keep piling fact upon fact until your reason breaks down and admits I’m right. Now, Mr. Jabez Wilson here was kind enough to visit me this morning and start a story that seems to be one of the most unusual I’ve heard in a while. You've heard me say that the strangest and most unique situations often arise not from bigger crimes, but from smaller ones, and sometimes, there might even be doubt about whether any real crime has been committed. From what I've heard so far, I can't say whether this case is actually a crime or not, but the series of events is definitely one of the most unusual I've ever come across. Perhaps, Mr. Wilson, you'd be so kind as to start your story again. I ask you not just because my friend, Dr. Watson, hasn’t heard the beginning, but also because the unique nature of this story makes me eager to hear every detail from you. Generally, once I’ve had a hint of how things unfolded, I can draw upon the thousands of other similar cases that come to mind. In this case, I have to admit that the facts seem, to the best of my knowledge, unique."

The portly client puffed out his chest with an appearance of some little pride, and pulled a dirty and wrinkled newspaper from the inside pocket of his great-coat. As he glanced down the advertising column, with his head thrust forward, and the paper flattened out upon his knee, I took a good look at the man, and endeavored, after the fashion of my companion, to read the indications which might be presented by his dress or appearance.

The chubby client puffed out his chest with a hint of pride and pulled a dirty, wrinkled newspaper from the inside pocket of his overcoat. As he leaned forward to check out the advertising column, with the paper spread across his knee, I took a good look at him and tried, like my companion, to read the clues that his clothing or appearance might reveal.

I did not gain very much, however, by my inspection. Our visitor bore every mark of being an average commonplace British tradesman, obese, pompous, and slow. He wore rather baggy gray shepherd's check trousers, a not over-clean black frock-coat, unbuttoned in the front, and a drab waistcoat with a heavy brassy Albert chain, and a square pierced bit of metal dangling down as an ornament. A frayed top-hat and a faded brown overcoat with a wrinkled velvet collar lay upon a chair beside him. Altogether, look as I would, there was nothing remarkable about the man save his blazing red head, and the expression of extreme chagrin and discontent upon his features.

I didn't gain much from my inspection, though. Our visitor looked like an average, run-of-the-mill British tradesman—heavyset, pompous, and slow-moving. He wore loose gray check trousers, a not-so-clean black frock coat that was unbuttoned in the front, and a dull waistcoat with a heavy brass Albert chain, with a square piece of metal hanging down as decoration. A worn top hat and an old brown overcoat with a wrinkled velvet collar rested on a chair next to him. Overall, no matter how closely I looked, there was nothing remarkable about the man except for his bright red hair and the look of extreme annoyance and dissatisfaction on his face.

Sherlock Holmes's quick eye took in my occupation, and he shook his head with a smile as he noticed my questioning glances, "Beyond the obvious facts that he has at some time done manual labor, that he takes snuff, that he is a Freemason,[206-1] that he has been in China, and that he has done a considerable amount of writing lately, I can deduce nothing else."

Sherlock Holmes's sharp eye assessed what I was doing, and he shook his head with a smile as he noticed my curious looks. "Aside from the clear signs that he has done some manual labor, that he uses snuff, that he’s a Freemason, that he has been to China, and that he has been writing quite a bit recently, I can't deduce anything else."

Mr. Jabez Wilson started up in his chair, with his forefinger upon the paper, but with his eyes upon my companion.

Mr. Jabez Wilson sat up in his chair, pointing with his forefinger at the paper, but his gaze was fixed on my companion.

"How, in the name of good fortune, did you know all that, Mr. Holmes?" he asked. "How did you know, for example, that I did manual labor? It's as true as gospel, for I began as a ship's carpenter."

"How on earth did you know all that, Mr. Holmes?" he asked. "How did you know, for example, that I did manual labor? It's absolutely true, because I started out as a ship's carpenter."

"Your hands, my dear sir. Your right hand is quite a size larger than your left. You have worked with it, and the muscles are more developed."

"Your hands, my dear sir. Your right hand is noticeably larger than your left. You’ve used it more, and the muscles are better developed."

"Well, the snuff, then, and the Freemasonry?"

"Well, what about the snuff and the Freemasonry?"

"I won't insult your intelligence by telling you how I read that, especially as, rather against the strict rules of your order, you use an arc-and-compass breastpin."

"I won't insult your intelligence by explaining how I understood that, especially since, contrary to the strict rules of your order, you wear an arc-and-compass breastpin."

"Ah, of course, I forgot that. But the writing?"

"Ah, of course, I forgot about that. But what about the writing?"

"What else can be indicated by that right cuff so very shiny for five inches, and the left one with the smooth patch near the elbow where you rest it upon the desk?"

"What else can be said about that right cuff that's so shiny for five inches, and the left one with the smooth spot near the elbow where you rest it on the desk?"

"Well, but China?"

"Well, what about China?"

"The fish that you have tattooed immediately above your right wrist could only have been done in China. I have made a small study of tattoo marks, and have even contributed to the literature of the subject. That trick of staining the fishes' scales of a delicate pink is quite peculiar to China. When, in addition, I see a Chinese coin hanging from your watch-chain, the matter becomes even more simple."

"The fish tattooed just above your right wrist could only have been done in China. I've done some research on tattoo designs and have even written about it. That technique of coloring the fish scales a delicate pink is unique to China. Plus, when I see a Chinese coin hanging from your watch chain, it all becomes clearer."

Mr. Jabez Wilson laughed heavily. "Well, I never!" said he. "I thought at first that you had done something clever, but I see that there was nothing in it, after all."

Mr. Jabez Wilson laughed loudly. "Well, I can’t believe it!" he said. "At first, I thought you had done something smart, but now I see there was nothing to it, after all."

"I begin to think, Watson," said Holmes, "that I make a mistake in explaining. 'Omne ignotum pro magnifico,'[207-1] you know, and my poor little reputation, such as it is, will suffer shipwreck if I am so candid. Can you not find the advertisement, Mr. Wilson?"

"I’m starting to think, Watson," said Holmes, "that I made a mistake by being too open. 'Omne ignotum pro magnifico,' [207-1] you know, and my reputation, as modest as it is, will sink if I’m this honest. Can you find the advertisement, Mr. Wilson?"

"Yes, I have got it now," he answered, with his thick, red finger planted half-way down the column. "Here it is. This is what began it all. You just read it for yourself, sir."

"Yeah, I've got it now," he replied, with his thick, red finger pointing halfway down the column. "Here it is. This is what started it all. You can read it for yourself, sir."

I took the paper from him, and read as follows:

I took the paper from him and read it as follows:

To the Red-Headed League: On account of the bequest of the late Ezekiah Hopkins, of Lebanon, Pa., U. S. A., there is now another vacancy open which entitles a member of the League to a salary of £4 a week for purely nominal services. All red-headed men who are sound in body and mind, and above the age of twenty-one, are eligible. Apply in person on Monday, at eleven o'clock, to Duncan Ross, at the offices of the League, 7 Pope's Court, Fleet Street.

To the Red-Headed Society: Due to the inheritance of the late Ezekiah Hopkins from Lebanon, PA, USA, there is another opening available that allows a member of the League to earn a salary of £4 a week for mostly trivial duties. All red-headed men who are physically and mentally fit and over the age of twenty-one are eligible. Please apply in person on Monday at 11:00 AM to Duncan Ross at the League's offices, 7 Pope's Court, Fleet Street.

"What on earth does this mean?" I ejaculated, after I had twice read over the extraordinary announcement.

"What on earth does this mean?" I exclaimed, after I had read the extraordinary announcement twice.

Holmes chuckled, and wriggled in his chair, as was his habit when in high spirits. "It is a little off the beaten track, isn't it?" said he. "And now, Mr. Wilson, off you go at scratch, and tell us all about yourself, your household, and the effect which this advertisement had upon your fortunes. You will first make a note, doctor, of the paper and the date."

Holmes laughed and shifted in his chair, which was his usual sign of being in a good mood. "It's a bit unconventional, isn't it?" he said. "Now, Mr. Wilson, start from the beginning and tell us everything about yourself, your family, and how this advertisement impacted your situation. Doctor, please make a note of the newspaper and the date."

"It is The Morning Chronicle, of April 27, 1890. Just two months ago."

"It is The Morning Chronicle, from April 27, 1890. Just two months ago."

"Very good. Now, Mr. Wilson?"

"Great. Now, Mr. Wilson?"

"Well, it is just as I have been telling you, Mr. Sherlock Holmes," said Jabez Wilson, mopping his forehead; "I have a small pawnbroker's business at Coburg Square, near the city. It's not a very large affair, and of late years it has not done more than just give me a living. I used to be able to keep two assistants, but now I only keep one; and I would have a job to pay him, but that he is willing to come for half wages, so as to learn the business."

"Well, it's exactly like I've been telling you, Mr. Sherlock Holmes," said Jabez Wilson, wiping his forehead. "I run a small pawn shop in Coburg Square, close to the city. It’s not a big operation, and lately it’s barely made ends meet for me. I used to have two assistants, but now I only have one; and I would struggle to pay him if he wasn't willing to work for half pay to learn the business."

"What is the name of this obliging youth?" asked Sherlock Holmes.

“What’s the name of this helpful young man?” asked Sherlock Holmes.

"His name is Vincent Spaulding, and he's not such a youth, either. It's hard to say his age. I should not wish a smarter assistant, Mr. Holmes; and I know very well that he could better himself, and earn twice what I am able to give him. But, after all, if he is satisfied, why should I put ideas in his head?"

"His name's Vincent Spaulding, and he's not really a young guy, either. It's tough to pinpoint his age. I wouldn't want a smarter assistant, Mr. Holmes; and I know for a fact that he could improve his situation and make twice what I can offer him. But, if he's happy, why should I suggest otherwise?"

"Why, indeed? You seem most fortunate in having an employé who comes under the full market price. It is not a common experience among employers in this age. I don't know that your assistant is not as remarkable as your advertisement."

"Why, really? You seem quite lucky to have an employee who fits within the full market price. That's not something many employers experience these days. I wonder if your assistant is just as impressive as your ad."

"Oh, he has his faults, too," said Mr. Wilson. "Never was such a fellow for photography. Snapping away with a camera when he ought to be improving his mind, and then diving down into the cellar like a rabbit into his hole to develop his pictures. That is his main fault; but, on the whole, he's a good worker. There's no vice in him."

"Oh, he has his flaws, too," said Mr. Wilson. "He’s always obsessing over photography, taking pictures when he should be working on self-improvement, and then disappearing into the cellar like a rabbit into its burrow to develop his photos. That’s his biggest flaw; but overall, he’s a hard worker. There's nothing morally wrong with him."

"He is still with you, I presume?"

"He’s still with you, I assume?"

"Yes, sir. He and a girl of fourteen, who does a bit of simple cooking, and keeps the place clean—that's all I have in the house, for I am a widower, and never had any family. We live very quietly, sir, the three of us; and we keep a roof over our heads, and pay our debts, if we do nothing more.

"Yes, sir. It's just him and a fourteen-year-old girl who does some basic cooking and keeps the place tidy—that's all I have in the house, since I'm a widower and never had a family. We live very quietly, just the three of us; we manage to keep a roof over our heads and pay our bills, even if we don't do much else."

"The first thing that put us out was that advertisement. Spaulding, he came down into the office just this day eight weeks, with this very paper in his hand, and he says:

"The first thing that got us in trouble was that ad. Spaulding came down to the office exactly eight weeks ago with this same paper in his hand, and he said:"

"'I wish to the Lord, Mr. Wilson, that I was a red-headed man.'

"'I really wish I were a red-headed man, Mr. Wilson.'"

"'Why that?' I asks.

"'Why that?' I ask."

"'Why,' says he, 'here's another vacancy on the League of the Red-headed Men. It's worth quite a little fortune to any man who gets it, and I understand that there are more vacancies than there are men, so that the trustees are at their wits' end what to do with the money. If my hair would only change color, here's a nice little crib all ready for me to step into.'

"'Why,' he says, 'here's another opening in the League of the Red-headed Men. It's worth quite a lot to anyone who snags it, and I hear there are more openings than there are people, so the trustees have no idea what to do with the money. If only my hair would change color, there’s a nice little spot all set for me to step into.'"

"'Why, what is it, then?' I asked. You see, Mr. Holmes, I am a very stay-at-home man, and as my business came to me instead of my having to go to it, I was often weeks on end without putting my foot over the door-mat. In that way I didn't know much of what was going on outside, and I was always glad of a bit of news.

"'Why, what is it, then?' I asked. You see, Mr. Holmes, I'm really a homebody, and since my work came to me instead of me having to go to it, I often spent weeks without stepping outside. Because of that, I didn't know much about what was happening in the outside world, and I was always happy to hear a bit of news.

"'Have you never heard of the League of the Red-headed Men?' he asked, with his eyes open.

"'Haven't you heard of the League of the Red-headed Men?' he asked, with his eyes wide open."

"'Never.'

"Not a chance."

"'Why, I wonder at that, for you are eligible yourself for one of the vacancies.'

"'I wonder about that because you are actually eligible for one of the openings yourself.'"

"'And what are they worth?' I asked.

"'And what are they worth?' I asked."

"'Oh, merely a couple of hundred a year, but the work is slight, and it need not interfere very much with one's other occupations.'

"'Oh, just a couple of hundred a year, but the work is easy, and it shouldn't really get in the way of my other commitments.'"

"Well, you can easily think that that made me prick up my ears, for the business has not been over-good for some years, and an extra couple of hundred would have been very handy.

"Well, you can easily assume that got my attention, since business hasn't been great for a few years, and an extra couple hundred would have been really useful."

"'Tell me all about it,' said I.

"'Tell me all about it,' I said."

"'Well,' said he, showing me the advertisement, 'you can see for yourself that the League has a vacancy, and there is the address where you should apply for particulars. As far as I can make out, the League was founded by an American millionaire, Ezekiah Hopkins, who was very peculiar in his ways. He was himself red-headed, and he had a great sympathy for all red-headed men; so, when he died, it was found that he had left his enormous fortune in the hands of trustees, with instructions to apply the interest to the providing of easy berths to men whose hair is of that color. From all I hear it is splendid pay, and very little to do.'

"'Well,' he said, showing me the ad, 'you can see for yourself that the League has a job opening, and there's the address where you should apply for more details. From what I gather, the League was started by an American millionaire, Ezekiah Hopkins, who was quite eccentric. He had red hair himself and felt a strong connection to all red-haired men; so, when he passed away, he left his huge fortune in the hands of trustees, instructing them to use the interest to create easy jobs for men with that hair color. From what I've heard, the pay is great, and there's not much work involved.'"

"'But,' said I, 'there would be millions of red-headed men who would apply.'

"'But,' I said, 'there would be millions of red-headed men who would want to apply.'"

"'Not so many as you might think,' he answered. 'You see it is really confined to Londoners, and to grown men. This American had started from London when he was young, and he wanted to do the old town a good turn. Then, again, I have heard it is no use your applying if your hair is light red, or dark red, or anything but real bright, blazing, fiery red. Now, if you cared to apply, Mr. Wilson, you would just walk in; but perhaps it would hardly be worth your while to put yourself out of the way for the sake of a few hundred pounds.'

"'Not as many as you might think,' he replied. 'You see, it's really limited to Londoners and adult men. This American left London when he was young, and he wanted to help the old town. Also, I’ve heard that if your hair is light red, dark red, or anything other than bright, fiery red, it’s a waste of time to apply. Now, if you wanted to apply, Mr. Wilson, you could just walk in; but it might not be worth your while to go out of your way for just a few hundred pounds.'"

"Now, it is a fact, gentlemen, as you may see for yourselves, that my hair is of a very full and rich tint, so that it seemed to me that, if there was to be any competition in the matter, I stood as good a chance as any man that I had ever met. Vincent Spaulding seemed to know so much about it that I thought he might prove useful, so I just ordered him to put up the shutters for the day, and to come right away with me. He was very willing to have a holiday, so we shut the business up, and started off for the address that was given us in the advertisement.

"Now, it’s a fact, gentlemen, as you can see for yourselves, that my hair has a very full and rich color, so it seemed to me that if there was going to be any competition in this area, I had as good a chance as any man I’ve ever met. Vincent Spaulding seemed to know a lot about it, so I thought he might be helpful, so I just told him to close the shop for the day and come along with me. He was more than happy to take a day off, so we shut down the business and headed out to the address mentioned in the ad."

"I never hope to see such a sight as that again, Mr. Holmes. From north, south, east, and west every man who had a shade of red in his hair had tramped into the city to answer the advertisement. Fleet Street was choked with red-headed folk, and Pope's Court looked like a coster's orange barrow. I should not have thought there were so many in the whole country as were brought together by that single advertisement. Every shade of color they were—straw, lemon, orange, brick, Irish-setter, liver, clay; but, as Spaulding said, there were not many who had the real vivid flame-colored tint. When I saw how many were waiting, I would have given it up in despair; but Spaulding would not hear of it. How he did it I could not imagine, but he pushed and pulled and butted until he got me through the crowd, and right up to the steps which led to the office. There was a double stream upon the stair, some going up in hope, and some coming back dejected; but we wedged in as well as we could, and soon found ourselves in the office."

"I never want to see a sight like that again, Mr. Holmes. From the north, south, east, and west, everyone with even a hint of red in their hair had marched into the city to respond to the ad. Fleet Street was packed with red-headed people, and Pope's Court looked like an orange cart from a street vendor. I wouldn’t have thought there were so many in the entire country as those gathered by that one advertisement. They came in every shade—straw, lemon, orange, brick, Irish setter, liver, clay; but, as Spaulding pointed out, not many had the bright, vivid flame-colored tint. When I saw how many were waiting, I would have given up in despair, but Spaulding wouldn’t hear of it. I couldn't figure out how he did it, but he pushed and nudged until he got me through the crowd and right up to the steps leading to the office. There was a double stream on the stairs, some going up in hope, and some coming back disappointed; but we squeezed in as best we could and soon found ourselves in the office."

"Your experience has been a most entertaining one," remarked Holmes, as his client paused and refreshed his memory with a huge pinch of snuff. "Pray continue your very interesting statement."

"Your experience has been quite entertaining," Holmes said, as his client paused and cleared his head with a big pinch of snuff. "Please go on with your fascinating story."

"There was nothing in the office but a couple of wooden chairs and a deal table, behind which sat a small man, with a head that was even redder than mine. He said a few words to each candidate as he came up, and then he always managed to find some fault in them which would disqualify them. Getting a vacancy did not seem to be such a very easy matter, after all. However, when our turn came, the little man was much more favorable to me than to any of the others, and he closed the door as we entered, so that he might have a private word with us.

"There was nothing in the office except a couple of wooden chairs and a small table, behind which sat a short man with a head even redder than mine. He said a few words to each candidate as they came up, and then he always found some reason to disqualify them. It didn’t seem like getting a job was going to be an easy task after all. However, when it was our turn, the little man was much more favorable to me than to anyone else, and he closed the door as we entered to have a private word with us."

"'This is Mr. Jabez Wilson,' said my assistant, 'and he is willing to fill a vacancy in the League.'

"'This is Mr. Jabez Wilson,' my assistant said, 'and he's ready to take a spot in the League.'"

"'And he is admirably suited for it,' the other answered. 'He has every requirement. I cannot recall when I have seen anything so fine.' He took a step backward, cocked his head on one side, and gazed at my hair until I felt quite bashful. Then he suddenly plunged forward, wrung my hand, and congratulated me warmly on my success.

"'And he's perfect for it,' the other replied. 'He has everything needed. I can't remember the last time I saw anything so great.' He stepped back, tilted his head, and stared at my hair until I felt a bit shy. Then he suddenly moved closer, shook my hand, and warmly congratulated me on my success."

"'It would be injustice to hesitate,' said he. 'You will, however, I am sure, excuse me for taking an obvious precaution.' With that he seized my hair in both his hands, and pulled until I yelled with the pain. 'There is water in your eyes,' said he, as he released me. 'I perceive that all is as it should be. But we have to be careful, for we have twice been deceived by wigs and once by paint. I could tell you tales of cobbler's wax which would disgust you with human nature.' He stepped over to the window, and shouted through it at the top of his voice that the vacancy was filled. A groan of disappointment came up from below, and the folk all trooped away in different directions, until there was not a red head to be seen except my own and that of the manager.

"'It wouldn't be right to hesitate,' he said. 'But I’m sure you’ll understand why I need to take some precautions.' With that, he grabbed my hair with both hands and yanked it until I screamed in pain. 'You’ve got tears in your eyes,' he said as he let go. 'I can see everything is as it should be. But we have to be careful, since we've already been tricked twice by wigs and once by makeup. I could tell you stories about cobbler's wax that would make you lose faith in humanity.' He walked over to the window and yelled out at the top of his lungs that the position had been filled. A collective sigh of disappointment rose from below, and everyone dispersed in different directions, leaving only my red hair and that of the manager visible."

"'My name,' said he, 'is Mr. Duncan Ross, and I am myself one of the pensioners upon the fund left by our noble benefactor. Are you a married man, Mr. Wilson? Have you a family?'

"'My name,' he said, 'is Mr. Duncan Ross, and I am one of the recipients of the fund left by our generous benefactor. Are you married, Mr. Wilson? Do you have a family?'"

"I answered that I had not.

I said I hadn't.

"His face fell immediately.

"His face dropped immediately."

"'Dear me!' he said, gravely, 'that is very serious indeed! I am sorry to hear you say that. The fund was, of course, for the propagation and spread of the red-heads as well as for their maintenance. It is exceedingly unfortunate that you should be a bachelor.'

"'Oh dear!' he said, seriously, 'that's really quite serious! I'm sorry to hear you say that. The fund was meant, of course, for promoting and supporting the red-heads as well as for their upkeep. It's very unfortunate that you happen to be a bachelor.'"

"My face lengthened at this, Mr. Holmes, for I thought that I was not to have the vacancy after all; but, after thinking it over for a few minutes, he said that it would be all right.

"My expression changed at this, Mr. Holmes, because I thought I wasn't going to get the position after all; but after thinking it over for a few minutes, he said that everything would be fine."

"'In the case of another,' said he, 'the objection might be fatal, but we must stretch a point in favor of a man with such a head of hair as yours. When shall you be able to enter upon your new duties?'

"'In another case,' he said, 'the objection might be serious, but we have to make an exception for a guy with hair like yours. When will you be able to start your new job?'"

"'Well, it is a little awkward, for I have a business already,' said I.

"'Well, it's a bit awkward because I already have a job,' I said."

"'Oh, never mind about that, Mr. Wilson!' said Vincent Spaulding. 'I shall be able to look after that for you.'

"'Oh, don’t worry about that, Mr. Wilson!' said Vincent Spaulding. 'I can take care of that for you.'"

"'What would be the hours?' I asked.

"'What would the hours be?' I asked.

"'Ten to two.'

"1:50."

"Now a pawnbroker's business is mostly done of an evening, Mr. Holmes, especially Thursday and Friday evenings, which is just before pay-day, so it would suit me very well to earn a little in the mornings. Besides, I knew that my assistant was a good man, and that he would see to anything that turned up.

"Now, a pawnbroker's business mostly happens in the evening, Mr. Holmes, especially Thursday and Friday nights, which is right before payday, so it would work out great for me to make some extra cash in the mornings. Also, I knew my assistant was a reliable guy, and he would handle anything that came up."

"'That would suit me very well,' said I. 'And the pay?'

"'That would work for me perfectly,' I said. 'And what’s the pay?'"

"'Is £4 a week.'

"'It's £4 a week.'"

"'And the work?'

"'What about the work?'"

"'Is purely nominal.'

"Is just a name."

"'What do you call purely nominal?'

"'What do you mean by purely nominal?'"

"'Well, you have to be in the office, or at least in the building, the whole time. If you leave, you forfeit your whole position forever. The will is very clear upon that point. You don't comply with the conditions if you budge from the office during that time.'

"'Well, you need to be in the office, or at least in the building, the entire time. If you leave, you lose your entire position for good. The rules are very clear about that. You don’t meet the conditions if you step out of the office during that time.'"

"'It's only four hours a day, and I should not think of leaving,' said I.

"'It's just four hours a day, and I really shouldn't consider leaving,' I said."

"'No excuse will avail,' said Mr. Duncan Ross. 'Neither sickness nor business nor anything else. There you must stay, or you lose your billet.'

"'No excuse will work,' said Mr. Duncan Ross. 'Neither illness nor work nor anything else. You have to stay there, or you’ll lose your job.'"

"'And the work?'

"'And the job?'"

"'Is to copy out the "Encyclopædia Britannica." There is the first volume of it in that press. You must find your own ink, pens, and blotting-paper, but we provide this table and chair. Will you be ready to-morrow?'

"'Your task is to copy out the "Encyclopædia Britannica." The first volume is in that press. You need to find your own ink, pens, and blotting paper, but we provide this table and chair. Will you be ready tomorrow?'"

"'Certainly,' I answered.

"Absolutely," I replied.

"'Then, good-bye, Mr. Jabez Wilson, and let me congratulate you once more on the important position which you have been fortunate enough to gain.' He bowed me out of the room, and I went home with my assistant, hardly knowing what to say or do, I was so pleased at my own good fortune.

"'Then, goodbye, Mr. Jabez Wilson, and let me congratulate you again on the important position you've been lucky enough to land.' He showed me out of the room, and I went home with my assistant, barely knowing what to say or do because I was so happy about my own good fortune."

"Well, I thought over the matter all day, and by evening I was in low spirits again; for I had quite persuaded myself that the whole affair might be some great hoax or fraud, though what its object might be I could not imagine. It seemed altogether past belief that any one could make such a will, or that they would pay such a sum for doing anything so simple as copying out the 'Encyclopædia Britannica.' Vincent Spaulding did what he could to cheer me up, but by bed-time I had reasoned myself out of the whole thing. However, in the morning I determined to have a look at it anyhow, so I bought a penny bottle of ink, and with a quill-pen, and seven sheets of foolscap paper, I started off for Pope's Court.

"Well, I thought about it all day, and by evening, I was feeling down again; I had convinced myself that the whole thing could be some big trick or scam, though I couldn't figure out what the point would be. It seemed unbelievable that anyone would draft such a will or that they would pay so much just to copy the 'Encyclopædia Britannica.' Vincent Spaulding tried his best to lift my spirits, but by bedtime, I had talked myself out of the whole idea. Nevertheless, in the morning, I decided to at least check it out, so I bought a bottle of ink for a penny, grabbed a quill pen and seven sheets of paper, and headed off to Pope's Court."

"Well, to my surprise and delight, everything was as right as possible. The table was set out ready for me, and Mr. Duncan Ross was there to see that I got fairly to work. He started me off upon the letter A, and then he left me; but he would drop in from time to time to see that all was right with me. At two o'clock he bade me good-day, complimented me upon the amount that I had written, and locked the door of the office after me.

"Well, to my surprise and delight, everything was perfectly arranged. The table was set and ready for me, and Mr. Duncan Ross was there to ensure I got straight to work. He had me start with the letter A, and then he left, but he would check in occasionally to make sure everything was going well. At two o'clock, he wished me a good day, praised me for the amount I had written, and locked the office door behind me."

"This went on day after day, Mr. Holmes, and on Saturday the manager came in and planked down four golden sovereigns for my week's work. It was the same next week, and the same the week after. Every morning I was there at ten, and every afternoon I left at two. By degrees Mr. Duncan Ross took to coming in only once of a morning, and then, after a time, he did not come in at all. Still, of course, I never dared to leave the room for an instant, for I was not sure when he might come, and the billet was such a good one, and suited me so well, that I would not risk the loss of it.

"This went on day after day, Mr. Holmes, and on Saturday the manager came in and dropped four golden sovereigns for my week's work. It was the same the next week, and the same the week after. Every morning I was there at ten, and every afternoon I left at two. Gradually, Mr. Duncan Ross started coming in just once in the morning, and then, after a while, he didn’t come in at all. Still, of course, I never dared to leave the room for a second, because I wasn’t sure when he might show up, and the job was such a good one, and fit me so well, that I wouldn’t risk losing it."

"Eight weeks passed away like this, and I had written about Abbots and Archery and Armor and Architecture and Attica, and hoped with diligence that I might get on to the B's before very long. It cost me something in foolscap, and I had pretty nearly filled a shelf with my writings. And then suddenly the whole business came to an end."

"Eight weeks went by like this, and I had written about Abbots, Archery, Armor, Architecture, and Attica, hoping earnestly that I would get to the B's soon. It cost me a fair amount of paper, and I had almost filled a shelf with my work. Then suddenly, the whole thing came to a halt."

"To an end?"

"To an end?"

"Yes, sir. And no later than this morning. I went to my work as usual at ten o'clock, but the door was shut and locked, with a little square of cardboard hammered on to the middle of the panel with a tack. Here it is, and you can read for yourself."

"Yes, sir. And no later than this morning. I went to work as usual at ten o'clock, but the door was shut and locked, with a small square of cardboard nailed to the center of the panel with a tack. Here it is, and you can read it yourself."

He held up a piece of white cardboard about the size of a sheet of note-paper. It read in this fashion:

He held up a piece of white cardboard about the size of a notepad. It read like this:


THE RED-HEADED LEAGUE
IS
DISSOLVED
October, 9, 1890.

THE RED-HEADED LEAGUE IS DISBANDED October, 9, 1890.


Sherlock Holmes and I surveyed this curt announcement and the rueful face behind it, until the comical side of the affair so completely overtopped every other consideration that we both burst out into a roar of laughter.

Sherlock Holmes and I looked at this brief announcement and the unhappy face behind it until the funny side of the situation completely overshadowed everything else, and we both erupted into laughter.

"I cannot see that there is anything very funny," cried our client, flushing up to the roots of his flaming hair. "If you can do nothing better than laugh at me, I can go elsewhere."

"I don’t think anything is actually funny," our client exclaimed, his face going red all the way to the roots of his bright hair. "If you can’t do anything better than laugh at me, I can find someone else."

"No, no," cried Holmes, shoving him back into the chair from which he had half risen. "I really wouldn't miss your case for the world. It is most refreshingly unusual. But there is, if you will excuse my saying so, something just a little funny about it. Pray, what steps did you take when you found the card upon the door?"

"No, no," Holmes exclaimed, pushing him back into the chair he had partially risen from. "I really wouldn't want to miss your case for anything. It's quite refreshingly unusual. But, if you don't mind me saying, there's something a bit odd about it. Please, what did you do when you found the card on the door?"

"I was staggered, sir. I did not know what to do. Then I called at the offices round, but none of them seemed to know anything about it. Finally, I went to the landlord, who is an accountant living on the ground-floor, and I asked him if he could tell me what had become of the Red-headed League. He said that he had never heard of any such body. Then I asked him who Mr. Duncan Ross was. He answered that the name was new to him.

"I was shocked, sir. I had no idea what to do. So, I went to the offices nearby, but none of them seemed to know anything about it. Eventually, I went to the landlord, who is an accountant living on the ground floor, and I asked him if he could tell me what happened to the Red-headed League. He said he had never heard of such a thing. Then I asked him who Mr. Duncan Ross was. He replied that the name was unfamiliar to him."

"'Well,' said I, 'the gentleman at No. 4.'

"'Well,' I said, 'the guy at No. 4.'"

"'What, the red-headed man?'

"'Wait, the guy with red hair?'"

"'Yes.'

"Yep."

"'Oh,' said he, 'his name was William Morris. He was a solicitor, and was using my room as a temporary convenience until his new premises were ready. He moved out yesterday.'

"'Oh,' he said, 'his name was William Morris. He was a lawyer and was using my room as a temporary solution until his new office was ready. He moved out yesterday.'"

"'Where could I find him?'

"Where can I find him?"

"'Oh, at his new offices. He did tell me the address. Yes, 17 King Edward Street, near St. Paul's.'

"'Oh, at his new office. He did tell me the address. Yeah, 17 King Edward Street, close to St. Paul's.'"

"I started off, Mr. Holmes, but when I got to that address it was a manufactory of artificial knee-caps, and no one in it had ever heard of either Mr. William Morris or Mr. Duncan Ross."

"I set out, Mr. Holmes, but when I arrived at that address, it turned out to be a factory for artificial kneecaps, and nobody there had ever heard of either Mr. William Morris or Mr. Duncan Ross."

"And what did you do then?" asked Holmes.

"And what did you do next?" asked Holmes.

"I went home to Saxe-Coburg Square, and I took the advice of my assistant. But he could not help me in any way. He could only say that if I waited I should hear by post. But that was not quite good enough, Mr. Holmes. I did not wish to lose such a good place without a struggle, so, as I had heard that you were good enough to give advice to poor folk who were in need of it, I came right away to you."

"I went home to Saxe-Coburg Square, and I took my assistant's advice. But he couldn't help me at all. All he could say was that if I waited, I’d hear from the post. But that wasn't good enough for me, Mr. Holmes. I didn't want to lose such a great opportunity without a fight, so, since I heard you were willing to help people in need, I came straight to you."

"And you did very wisely," said Holmes. "Your case is an exceedingly remarkable one, and I shall be happy to look into it. From what you have told me I think that it is possible that graver issues hang from it than might at first sight appear."

"And you did very wisely," Holmes said. "Your case is quite remarkable, and I would be happy to investigate it. From what you've told me, I believe there may be more serious issues at play than they initially seem."

"Grave enough," said Mr. Jabez Wilson. "Why, I have lost four pound a week."

"Pretty serious," said Mr. Jabez Wilson. "I've lost four pounds a week."

"As far as you are personally concerned," remarked Holmes, "I do not see that you have any grievance against this remarkable league. On the contrary, you are, as I understand, richer by some £30, to say nothing of the minute knowledge which you have gained on every subject which comes under the letter A. You have lost nothing by them."

"As far as you’re concerned," Holmes said, "I don’t see that you have any reason to complain about this impressive league. On the contrary, as I understand it, you’re actually £30 richer, not to mention the detailed knowledge you’ve gained on every topic that starts with the letter A. You haven’t lost anything because of them."

"No, sir. But I want to find out about them, and who they are, and what their object was in playing this prank—if it was a prank—upon me. It was a pretty expensive joke for them, for it cost them two and thirty pounds."

"No, sir. But I want to learn about them, who they are, and what their purpose was in pulling this prank—if it was a prank—on me. It was a pretty costly joke for them, as it set them back thirty-two pounds."

"We shall endeavor to clear up these points for you. And, first, one or two questions, Mr. Wilson. This assistant of yours who first called your attention to the advertisement—how long had he been with you?"

"We'll try to clarify these points for you. First, I have a couple of questions, Mr. Wilson. This assistant of yours who initially brought the advertisement to your attention—how long had he been working with you?"

"About a month then."

"Around a month then."

"How did he come?"

"How did he arrive?"

"In answer to an advertisement."

"In response to an ad."

"Was he the only applicant?"

"Was he the sole applicant?"

"No, I had a dozen."

"No, I had twelve."

"Why did you pick him?"

"Why did you choose him?"

"Because he was handy, and would come cheap."

"Because he was skilled and would work for less."

"At half-wages, in fact?"

"At half pay, really?"

"Yes."

Yes.

"What is he like, this Vincent Spaulding?"

"What is this Vincent Spaulding like?"

"Small, stout-built, very quick in his ways, no hair on his face, though he's not short of thirty. Has a white splash of acid upon his forehead."

"Small, stocky, and very quick in his movements, with no hair on his face even though he's over thirty. He has a white splash of acid on his forehead."

Holmes sat up in his chair in considerable excitement. "I thought as much," said he. "Have you ever observed that his ears are pierced for earrings?"

Holmes sat up in his chair, clearly excited. "I figured as much," he said. "Have you ever noticed that his ears are pierced for earrings?"

"Yes, sir. He told me that a gypsy had done it for him when he was a lad."

"Yeah, sir. He mentioned that a gypsy had done it for him when he was a kid."

"Hum!" said Holmes, sinking back in deep thought. "He is still with you?"

"Hum!" said Holmes, leaning back lost in thought. "He's still with you?"

"Oh yes, sir; I have only just left him."

"Oh yes, sir; I just left him."

"And has your business been attended to in your absence?"

"And has someone taken care of your business while you were gone?"

"Nothing to complain of, sir. There's never very much to do of a morning."

"Nothing to complain about, sir. There's usually not much to do in the morning."

"That will do, Mr. Wilson. I shall be happy to give you an opinion upon the subject in the course of a day or two. To-day is Saturday, and I hope that by Monday we may come to a conclusion."

"That’s enough, Mr. Wilson. I’ll be happy to give you my thoughts on the matter in a day or two. Today is Saturday, and I hope that by Monday we can come to a decision."

"Well, Watson," said Holmes, when our visitor had left us, "what do you make of it all?"

"Well, Watson," Holmes said after our visitor had left, "what do you think about it all?"

"I make nothing of it," I answered, frankly. "It is a most mysterious business."

"I don’t think much of it," I replied honestly. "It’s a really puzzling situation."

"As a rule," said Holmes, "the more bizarre a thing is the less mysterious it proves to be. It is your commonplace, featureless crimes which are really puzzling, just as a commonplace face is the most difficult to identify. But I must be prompt over this matter."

"As a rule," Holmes said, "the more strange something is, the less mysterious it tends to be. It's the ordinary, straightforward crimes that are truly puzzling, just like an average face is the hardest to recognize. But I need to act quickly on this issue."

"What are you going to do, then?" I asked.

"What are you going to do now?" I asked.

"To smoke," he answered. "It is quite a three-pipe problem, and I beg that you won't speak to me for fifty minutes." He curled himself up in his chair, with his thin knees drawn up to his hawk-like nose, and there he sat with his eyes closed and his black clay pipe thrusting out like the bill of some strange bird. I had come to the conclusion that he had dropped asleep, and indeed was nodding myself, when he suddenly sprang out of his chair with the gesture of a man who has made up his mind, and put his pipe down upon the mantelpiece.

"To smoke," he replied. "It's really a three-pipe problem, and I ask that you don’t talk to me for fifty minutes." He curled up in his chair, his thin knees pulled up to his bird-like nose, and there he sat with his eyes closed and his black clay pipe sticking out like the beak of some unusual bird. I had concluded that he had fallen asleep, and I was actually starting to doze off myself, when he suddenly jumped out of his chair with the movement of someone who has made a decision, and set his pipe down on the mantelpiece.

"Sarasate[221-1] plays at the St. James's Hall this afternoon," he remarked. "What do you think, Watson? Could your patients spare you for a few hours?"

"Sarasate[221-1] plays at St. James's Hall this afternoon," he said. "What do you think, Watson? Could your patients give you a break for a few hours?"

"I have nothing to do to-day. My practice is never very absorbing."

"I have nothing to do today. My work is never very engaging."

"Then put on your hat and come. I am going through the city first, and we can have some lunch on the way. I observe that there is a good deal of German music on the program, which is rather more to my taste than Italian or French. It is introspective, and I want to introspect. Come along!"

"Then put on your hat and let's go. I'm heading through the city first, and we can grab some lunch along the way. I noticed

We traveled by the Underground as far as Aldersgate; and a short walk took us to Saxe-Coburg Square, the scene of the singular story which we had listened to in the morning. It was a poky, little, shabby-genteel place, where four lines of dingy two-storied brick houses looked out into a small railed-in enclosure, where a lawn of weedy grass and a few clumps of faded laurel-bushes made a hard fight against a smoke-laden and uncongenial atmosphere. Three gilt balls and a brown board with JABEZ WILSON in white letters, upon a corner house announced the place where our red-headed client carried on his business. Sherlock Holmes stopped in front of it with his head on one side, and looked it all over, with his eyes shining brightly between puckered lids. Then he walked slowly up the street, and then down again to the corner, still looking keenly at the houses. Finally he returned to the pawn-broker's, and, having thumped vigorously upon the pavement with his stick two or three times, he went up to the door and knocked. It was instantly opened by a bright-looking, clean-shaven young fellow, who asked him to step in.

We took the Underground train to Aldersgate, and after a short walk, we arrived at Saxe-Coburg Square, the location of the peculiar story we had heard earlier in the morning. It was a cramped, run-down little spot with four rows of dingy two-story brick houses facing a small fenced-in area, where a patch of weedy grass and a few clumps of faded laurel bushes struggled against a smoky, uninviting atmosphere. Three gilt balls and a brown sign with "JABEZ WILSON" in white letters on a corner house indicated where our red-headed client conducted his business. Sherlock Holmes stopped in front of it with his head tilted to the side, taking in the scene with shining eyes from beneath his furrowed brow. He then strolled slowly up the street and back down again to the corner, still intently observing the houses. Eventually, he returned to the pawn shop, and after tapping the pavement vigorously with his stick a couple of times, he approached the door and knocked. It was immediately opened by a sharp-looking, clean-shaven young man who invited him inside.

"Thank you," said Holmes, "I only wished to ask you how you would go from here to the Strand."

"Thank you," Holmes said, "I just wanted to ask how you would get from here to the Strand."

"Third right, fourth left," answered the assistant, promptly, closing the door.

"Third right, fourth left," the assistant replied quickly as they closed the door.

"Smart fellow, that," observed Holmes, as we walked away. "He is, in my judgment, the fourth smartest man in London, and for daring, I am not sure that he has not a claim to be third. I have known something of him before."

"Smart guy, that one," Holmes noted as we walked away. "In my opinion, he’s the fourth smartest man in London, and when it comes to being bold, I’m not sure he doesn’t deserve to be third. I’ve known a bit about him before."

"Evidently," said I, "Mr. Wilson's assistant counts for a good deal in this mystery of the Red-headed League. I am sure that you inquired your way merely in order that you might see him."

"Evidently," I said, "Mr. Wilson's assistant plays a significant role in this mystery of the Red-headed League. I'm sure you asked for directions just to see him."

"Not him."

"Not him."

"What then?"

"What's next?"

"The knees of his trousers."

"The knees of his pants."

"And what did you see?"

"And what did you witness?"

"What I expected to see."

"What I thought I'd see."

"Why did you beat the pavement?"

"Why were you out on the streets?"

"My dear doctor, this is a time for observation, not for talk. We are spies in an enemy's country. We know something of Saxe-Coburg Square. Let us now explore the parts which lie behind it."

"My dear doctor, this is a time for observation, not for conversation. We are undercover in enemy territory. We have some knowledge of Saxe-Coburg Square. Now, let's investigate the areas that are behind it."

The road in which we found ourselves as we turned round the corner from the retired Saxe-Coburg Square presented as great a contrast to it as the front of a picture does to the back. It was one of the main arteries which convey the traffic of the city to the north and west. The roadway was blocked with the immense stream of commerce flowing in a double tide inward and outward, while the foot-paths were black with the hurrying swarm of pedestrians. It was difficult to realize as we looked at the line of fine shops and stately business premises that they really abutted on the other side upon the faded and stagnant square which we had just quitted.

The road we found ourselves on as we turned the corner from the quiet Saxe-Coburg Square was as different from it as the front of a painting is from the back. It was one of the main thoroughfares carrying city traffic to the north and west. The street was jammed with a massive flow of commerce moving in both directions, while the sidewalks were crowded with a buzzing swarm of pedestrians. It was hard to believe, as we looked at the line of upscale shops and impressive business buildings, that they directly faced the worn-out and stagnant square we had just left behind.

"Let me see," said Holmes, standing at the corner, and glancing along the line, "I should like just to remember the order of the houses here. It is a hobby of mine to have an exact knowledge of London. There is Mortimer's, the tobacconist, the little newspaper shop, the Coburg branch of the City and Suburban Bank, the Vegetarian Restaurant, and McFarlane's carriage-building depot. That carries us right on to the other block. And now, doctor, we've done our work, so it's time we had some play. A sandwich and a cup of coffee, and then off to violin-land, where all is sweetness and delicacy and harmony, and there are no red-headed clients to vex us with their conundrums."

"Let me see," said Holmes, standing at the corner and looking along the street, "I just want to remember the order of the houses here. It's a personal interest of mine to know London inside and out. There’s Mortimer’s, the tobacconist, the little newsstand, the Coburg branch of the City and Suburban Bank, the Vegetarian Restaurant, and McFarlane’s carriage-building depot. That takes us all the way to the next block. And now, doctor, we’ve finished our work, so it’s time for some leisure. A sandwich and a cup of coffee, then off to violin-land, where everything is beautiful and harmonious, and there are no red-headed clients to bother us with their puzzles."

My friend was an enthusiastic musician, being himself not only a very capable performer, but a composer of no mean merit. All the afternoon he sat in the stalls wrapped in the most perfect happiness, gently waving his long, thin fingers in time to the music, while his gently smiling face and his languid, dreamy eyes were as unlike those of Holmes, the sleuth-hound,[224-1] Holmes, the relentless, keen-witted, ready-handed criminal agent, as it was possible to conceive. In his singular character the dual nature alternately presented itself, and his extreme exactness and astuteness represented, as I have often thought, the reaction against the poetic and contemplative mood which occasionally predominated in him. The swing of his nature took him from extreme languor to devouring energy; and, as I knew well, he was never so truly formidable as when, for days on end, he had been lounging in his arm-chair amid his improvisations and his black-letter editions. Then it was that the lust of the chase would suddenly come upon him, and that his brilliant reasoning power would rise to the level of intuition, until those who were unacquainted with his methods would look askance at him as on a man whose knowledge was not that of other mortals. When I saw him that afternoon so enwrapped in the music at St. James's Hall I felt that an evil time might be coming upon those whom he had set himself to hunt down.

My friend was a passionate musician, not only a skilled performer but also a composer with real talent. All afternoon, he sat in the audience, enveloped in pure happiness, gently waving his long, slender fingers to the rhythm of the music, while his softly smiling face and his dreamy, relaxed eyes were a world apart from those of Holmes, the detective. Holmes, with his relentless, sharp mind and quick instincts, couldn’t be more different. In his unique personality, two sides often emerged; his meticulousness and sharp insight seemed to push back against the poetic and reflective side that would sometimes take over. His mood could swing dramatically, from deep relaxation to intense energy; and I knew well that he was never more dangerous than when, for days at a time, he had been lounging in his chair lost in his musical thoughts and rare books. That was when the thrill of the chase would suddenly take hold of him, and his brilliant reasoning would elevate to intuitive levels, making those unfamiliar with his methods regard him as someone almost beyond ordinary comprehension. Watching him that afternoon, so absorbed in the music at St. James's Hall, I sensed that a dark time might be approaching for those he had set out to track down.

"You want to go home, no doubt, doctor," he remarked, as we emerged.

"You definitely want to go home, doctor," he said as we stepped outside.

"Yes, it would be as well."

"Yeah, that would work too."

"And I have some business to do which will take some hours. This business at Coburg Square is serious."

"And I have some important things to take care of that will take a few hours. This matter at Coburg Square is serious."

"Why serious?"

"What's the deal?"

"A considerable crime is in contemplation. I have every reason to believe that we shall be in time to stop it. But to-day being Saturday rather complicates matters. I shall want your help to-night."

"A significant crime is being planned. I have every reason to believe we can stop it in time. However, today being Saturday complicates things a bit. I’ll need your help tonight."

"At what time?"

"What time?"

"Ten will be early enough."

"Ten is early enough."

"I shall be at Baker Street at ten."

"I'll be at Baker Street at ten."

"Very well. And, I say, doctor, there may be some little danger, so kindly put your army revolver in your pocket." He waved his hand, turned on his heel, and disappeared in an instant among the crowd.

"Alright then. And, I should mention, doctor, there might be a bit of danger, so please stash your revolver in your pocket." He waved his hand, turned on his heel, and vanished instantly into the crowd.

I trust that I am not more dense than my neighbors, but I was always oppressed with a sense of my own stupidity in my dealings with Sherlock Holmes. Here I had heard what he had heard, I had seen what he had seen, and yet from his words it was evident that he saw clearly not only what had happened, but what was about to happen, while to me the whole business was still confused and grotesque. As I drove home to my house in Kensington I thought it all over, from the extraordinary story of the red-headed copier of the "Encyclopædia" down to the visit to Saxe-Coburg Square, and the ominous words with which he had parted from me. What was this nocturnal expedition, and why should I go on? Where were we going, and what were we to do? I had the hint from Holmes that this smooth-faced pawnbroker's assistant was a formidable man—a man who might play a deep game. I tried to puzzle it out, but gave it up in despair, and set the matter aside until night should bring an explanation.

I hope I'm not duller than my neighbors, but I've always felt pretty stupid when dealing with Sherlock Holmes. I had heard everything he heard and seen everything he saw, yet his words made it clear that he understood not just what had happened but what was about to happen, while I still found the whole situation confusing and bizarre. As I drove home to my place in Kensington, I reflected on everything, from the strange story about the red-headed copier of the "Encyclopædia" to the visit to Saxe-Coburg Square and the unsettling words he had said before parting. What was this nighttime adventure, and why should I keep going? Where were we headed, and what was our plan? Holmes had hinted that this smooth-faced pawnbroker's assistant was a serious guy—a person who could be playing a complex game. I tried to figure it out but eventually gave up in frustration, deciding to wait for night to bring some clarity.

It was a quarter past nine when I started from home and made my way across the Park, and so through Oxford Street to Baker Street. Two hansoms were standing at the door, and, as I entered the passage, I heard the sound of voices from above. On entering his room I found Holmes in animated conversation with two men, one of whom I recognized as Peter Jones, the official police agent, while the other was a long, thin, sad-faced man, with a very shiny hat and oppressively respectable frock-coat.

It was a quarter past nine when I left home and walked through the Park, then down Oxford Street to Baker Street. Two cabs were waiting at the door, and as I walked in, I heard voices from upstairs. When I entered his room, I found Holmes in a lively conversation with two men, one of whom I recognized as Peter Jones, the official police agent, while the other was a tall, thin man with a sad expression, wearing a very shiny hat and a stuffy-looking coat.

"Ha! our party is complete," said Holmes, buttoning up his pea-jacket, and taking his heavy hunting crop from the rack. "Watson, I think you know Mr. Jones, of Scotland Yard? Let me introduce you to Mr. Merryweather, who is to be our companion in to-night's adventure."

"Ha! Our group is all here," said Holmes, buttoning up his pea coat and grabbing his heavy hunting crop from the rack. "Watson, I believe you know Mr. Jones from Scotland Yard? Let me introduce you to Mr. Merryweather, who will be joining us for tonight's adventure."

"We're hunting in couples again, doctor, you see," said Jones, in his consequential way. "Our friend here is a wonderful man for starting a chase. All he wants is an old dog to help him do the running down."

"We're hunting in pairs again, doctor, you see," said Jones, in his self-important way. "Our friend here is great at initiating a chase. All he needs is an old dog to assist him in the pursuit."

"I hope a wild goose may not prove to be the end of our chase," observed Mr. Merryweather, gloomily.

"I hope a wild goose chase doesn’t end our pursuit," Mr. Merryweather said gloomily.

"You may place considerable confidence in Mr. Holmes, sir," said the police agent, loftily. "He has his own little methods, which are, if he won't mind my saying so, just a little too theoretical and fantastic, but he has the makings of a detective in him. It is not too much to say that once or twice, as in that business of the Sholto murder and the Agra treasure,[227-1] he has been more nearly correct than the official force."

"You can trust Mr. Holmes quite a bit, sir," said the police agent, with an air of superiority. "He has his own unique methods, which are, if you don't mind me saying, a bit too theoretical and far-fetched, but he has the qualities of a good detective. It's fair to say that a few times, like in the case of the Sholto murder and the Agra treasure,[227-1] he has been more accurate than the official police."

"Oh, if you say so, Mr. Jones, it is all right," said the stranger, with deference. "Still, I confess that I miss my rubber. It is the first Saturday night for seven-and-twenty years that I have not had my rubber."

"Oh, if you say so, Mr. Jones, that’s fine," said the stranger, respectfully. "Still, I have to admit that I miss my game. It’s the first Saturday night in twenty-seven years that I haven’t had my game."

"I think you will find," said Sherlock Holmes, "that you will play for a higher stake to-night than you have ever done yet, and that the play will be more exciting. For you, Mr. Merryweather, the stake will be some £30,000; and for you, Jones, it will be the man upon whom you wish to lay your hands."

"I think you'll find," said Sherlock Holmes, "that you'll be playing for a bigger stake tonight than you ever have before, and that the game will be more thrilling. For you, Mr. Merryweather, the stake will be around £30,000; and for you, Jones, it will be the man you want to catch."

"John Clay, the murderer, thief, smasher, and forger. He's a young man, Mr. Merryweather, but he is at the head of his profession, and I would rather have my bracelets on him than on any criminal in London. He's a remarkable man, is young John Clay. His grandfather was a royal duke, and he himself has been to Eton and Oxford. His brain is as cunning as his fingers, and though we meet signs of him at every turn, we never know where to find the man himself. He'll crack a crib in Scotland one week, and be raising money to build an orphanage in Cornwall the next. I've been on his track for years, and have never set eyes on him yet."

"John Clay, the murderer, thief, vandal, and forger. He's a young guy, Mr. Merryweather, but he's at the top of his game, and I'd rather have my handcuffs on him than any criminal in London. Young John Clay is quite a character. His grandfather was a royal duke, and he's been to Eton and Oxford. His mind is as clever as his hands, and even though we see signs of him everywhere, we can never track him down. One week, he’ll rob a place in Scotland, and the next, he'll be fundraising to build an orphanage in Cornwall. I’ve been on his trail for years and have yet to lay eyes on him."

"I hope that I may have the pleasure of introducing you to-night. I've had one or two little turns also with Mr. John Clay, and I agree with you that he is at the head of his profession. It is past ten, however, and quite time that we started. If you two will take the first hansom, Watson and I will follow in the second."

"I hope I get the chance to introduce you tonight. I've had a few brief encounters with Mr. John Clay, and I agree with you that he’s at the top of his field. It’s after ten, though, and it’s definitely time we headed out. If you two could take the first cab, Watson and I will catch the next one."

Sherlock Holmes was not very communicative during the long drive, and lay back in the cab humming the tunes which he had heard in the afternoon. We rattled through an endless labyrinth of gas-lit streets until we emerged into Farringdon Street.

Sherlock Holmes wasn’t very talkative during the long ride and leaned back in the cab, humming the tunes he had heard earlier that afternoon. We clattered through an endless maze of gas-lit streets until we finally came out onto Farringdon Street.

"We are close there now," my friend remarked. "This fellow Merryweather is a bank director, and personally interested in the matter. I thought it as well to have Jones with us also. He is not a bad fellow, though an absolute imbecile in his profession. He has one positive virtue. He is as brave as a bulldog, and as tenacious as a lobster if he gets his claws upon any one. Here we are, and they are waiting for us."

"We're almost there now," my friend said. "This guy Merryweather is a bank director and personally invested in the situation. I figured it was smart to bring Jones along too. He's not a terrible guy, even though he's completely clueless in his job. He does have one definite quality: he's as brave as a bulldog and as stubborn as a lobster once he gets his claws into someone. Here we are, and they're waiting for us."

We had reached the same crowded thoroughfare in which we had found ourselves in the morning. Our cabs were dismissed, and, following the guidance of Mr. Merryweather, we passed down a narrow passage and through a side door, which he opened for us. Within there was a small corridor, which ended in a very massive iron gate. This also was opened, and led down a flight of winding stone steps, which terminated at another formidable gate. Mr. Merryweather stopped to light a lantern, and then conducted us down a dark, earth-smelling passage, and so, after opening a third door, into a huge vault or cellar, which was piled all round with crates and massive boxes.

We had arrived at the same busy street where we had found ourselves in the morning. We dismissed our cabs, and following Mr. Merryweather's lead, we went down a narrow passage and through a side door that he opened for us. Inside was a small corridor that led to a very heavy iron gate. This was also opened and led down a winding stone staircase, which ended at another large gate. Mr. Merryweather paused to light a lantern, then guided us down a dark, earthy-smelling passage, and after opening a third door, into a huge vault or cellar filled with crates and large boxes all around.

"You are not very vulnerable from above," Holmes remarked, as he held up the lantern and gazed about him.

"You aren't very exposed from above," Holmes said, as he lifted the lantern and looked around.

"Nor from below," said Mr. Merryweather, striking his stick upon the flags which lined the floor. "Why, dear me, it sounds quite hollow!" he remarked, looking up in surprise.

"Nor from below," said Mr. Merryweather, tapping his stick on the tiles that lined the floor. "Wow, it sounds really hollow!" he noted, looking up in surprise.

"I must really ask you to be a little more quiet," said Holmes, severely. "You have already imperilled the whole success of our expedition. Might I beg that you would have the goodness to sit down upon one of those boxes, and not to interfere?"

"I really need you to keep it down," Holmes said sternly. "You've already jeopardized the entire success of our mission. Could you please do me a favor and sit on one of those boxes and not interfere?"

The solemn Mr. Merryweather perched himself upon a crate, with a very injured expression upon his face, while Holmes fell upon his knees upon the floor, and, with the lantern and a magnifying lens, began to examine minutely the cracks between the stones. A few seconds sufficed to satisfy him, for he sprang to his feet again, and put his glass in his pocket.

The serious Mr. Merryweather sat on a crate, looking quite upset, while Holmes knelt on the floor and started closely inspecting the cracks between the stones with a lantern and a magnifying glass. A few seconds were enough to satisfy him, and he jumped to his feet again, putting his glass away in his pocket.

"We have at least an hour before us," he remarked; "for they can hardly take any steps until the good pawnbroker is safely in bed. Then they will not lose a minute, for the sooner they do their work the longer time they will have for their escape. We are at present, doctor—as no doubt you have divined—in the cellar of the city branch of one of the principal London banks. Mr. Merryweather is the chairman of directors, and he will explain to you that there are reasons why the more daring criminals of London should take a considerable interest in this cellar at present."

"We have at least an hour ahead of us," he said. "They can’t make any moves until the pawnbroker is safely in bed. Then they won’t waste a second because the sooner they finish their job, the more time they’ll have to escape. Right now, doctor—as you’ve probably guessed—we’re in the basement of one of the main London banks. Mr. Merryweather is the chairman, and he’ll explain to you why the more audacious criminals in London are currently very interested in this basement."

"It is our French gold," whispered the director. "We have had several warnings that an attempt might be made upon it."

"It’s our French gold," the director whispered. "We’ve received several warnings that someone might try to take it."

"Your French gold?"

"Your French gold?"

"Yes. We had occasion some months ago to strengthen our resources, and borrowed, for that purpose, 30,000 napoleons[230-1] from the Bank of France. It has become known that we have never had occasion to unpack the money, and that it is still lying in our cellar. The crate upon which I sit contains 2000 napoleons packed between layers of lead foil. Our reserve of bullion is much larger at present than is usually kept in a single branch office, and the directors have had misgivings upon the subject."

"Yes. A few months ago, we needed to bolster our resources and borrowed 30,000 napoleons from the Bank of France for that purpose. It has come to light that we haven’t even unpacked the money, and it's still sitting in our cellar. The crate I'm sitting on has 2,000 napoleons packed between layers of lead foil. Our stash of bullion is currently much larger than what's usually held in a single branch office, and the directors have expressed concerns about it."

"Which were very well justified," observed Holmes. "And now it is time that we arranged our little plans. I expect that within an hour matters will come to a head. In the meantime, Mr. Merryweather, we must put the screen over that dark lantern."

"That makes perfect sense," Holmes said. "Now it's time to sort out our plans. I anticipate that in about an hour, things will reach a climax. In the meantime, Mr. Merryweather, we need to cover that dark lantern with a screen."

"And sit in the dark?"

"And sit in the dark?"

"I am afraid so. I had brought a pack of cards in my pocket, and I thought that, as we were a partie carrée,[231-1] you might have your rubber after all. But I see that the enemy's preparations have gone so far that we cannot risk the presence of a light. And, first of all, we must choose our positions. These are daring men, and though we shall take them at a disadvantage, they may do us some harm unless we are careful. I shall stand behind this crate, and do you conceal yourselves behind those. Then, when I flash a light upon them, close in swiftly. If they fire, Watson, have no compunction about shooting them down."

"I’m afraid so. I brought a deck of cards in my pocket, and I thought that since we were a partie carrée, you might actually get your game in. But I see that the enemy's preparations have gone too far, and we can’t risk having a light on. First, we need to pick our positions. These are bold men, and even though we’ll catch them off guard, they might hurt us if we’re not careful. I’ll hide behind this crate, and you should hide behind those. Then, when I shine a light on them, move in quickly. If they shoot, Watson, don’t hesitate to take them down."

I placed my revolver, cocked, upon the top of the wooden case behind which I crouched. Holmes shot the slide across the front of his lantern, and left us in pitch darkness—such an absolute darkness as I have never before experienced. The smell of hot metal remained to assure us that the light was still there, ready to flash out at a moment's notice. To me, with my nerves worked up to a pitch of expectancy, there was something depressing and subduing in the sudden gloom, and in the cold, dank air of the vault.

I placed my loaded revolver on top of the wooden case behind which I was crouching. Holmes slid the cover over his lantern, leaving us in complete darkness—an absolute darkness I had never experienced before. The smell of hot metal lingered, reminding us that the light was still there, ready to shine at any moment. For me, with my nerves on edge with anticipation, there was something overwhelming and suffocating about the sudden darkness and the chilly, damp air of the vault.

"They have but one retreat," whispered Holmes. "That is back through the house into Saxe-Coburg Square. I hope that you have done what I asked you, Jones?"

"They only have one way out," Holmes whispered. "That’s back through the house into Saxe-Coburg Square. I hope you did what I asked you to do, Jones?"

"I have an inspector and two officers waiting at the front door."

"I have an inspector and two officers waiting at the front door."

"Then we have stopped all the holes. And now we must be silent and wait."

"Then we have sealed all the gaps. And now we must be quiet and wait."

What a time it seemed! From comparing notes afterwards it was but an hour and a quarter, yet it appeared to me that the night must have almost gone, and the dawn be breaking above us. My limbs were weary and stiff, for I feared to change my position; yet my nerves were worked up to the highest pitch of tension, and my hearing was so acute that I could not only hear the gentle breathing of my companions, but I could distinguish the deeper, heavier in-breath of the bulky Jones from the thin, sighing note of the bank director. From my position I could look over the case in the direction of the floor. Suddenly my eyes caught the glint of a light.

What a time it felt! After comparing notes later, it turned out to be just an hour and a quarter, but it seemed to me like the night must be almost over, with dawn breaking above us. My limbs were tired and stiff because I was afraid to change my position; still, my nerves were at their highest tension, and my hearing was so sharp that I could not only hear the soft breathing of my companions, but I could also pick out the deep, heavy breaths of the bulky Jones from the thin, sighing breaths of the bank director. From my spot, I could see over the case toward the floor. Suddenly, I caught a glint of light.

At first it was but a lurid spark upon the stone pavement. Then it lengthened out until it became a yellow line, and then, without any warning or sound, a gash seemed to open and a hand appeared; a white, almost womanly hand, which felt about in the center of the little area of light. For a minute or more the hand, with its writhing fingers, protruded out of the floor. Then it was withdrawn as suddenly as it appeared, and all was dark again save the single lurid spark which marked a chink between the stones.

At first, it was just a bright spot on the stone pavement. Then it stretched out until it became a yellow line, and then, without warning or sound, a crack seemed to open and a hand appeared; a pale, almost feminine hand, which felt around in the middle of the small area of light. For a minute or so, the hand, with its twisting fingers, stuck out from the floor. Then it was pulled back as suddenly as it appeared, and everything was dark again except for the single bright spot that marked a gap between the stones.

Its disappearance, however, was but momentary. With a rending, tearing sound, one of the broad, white stones turned over upon its side, and left a square, gaping hole, through which streamed the light of a lantern. Over the edge there peeped a clean-cut, boyish face, which looked keenly about it, and then, with a hand on either side of the aperture, the figure drew itself shoulder-high and waist-high, until one knee rested upon the edge. In another instant he stood at the side of the hole, and was hauling after him a companion, lithe and small like himself, with a pale face and a shock of very red hair.

Its disappearance, however, was only temporary. With a loud cracking sound, one of the broad, white stones flipped over, revealing a square, gaping hole, through which the light of a lantern streamed. At the edge, a sharp-featured, youthful face peeked out, scanning the area, and then, using both hands to grip the sides of the opening, the figure pulled itself up until one knee rested on the edge. In an instant, he stood at the hole's edge and began to pull up a companion, who was slender and small like him, with a pale face and a shock of bright red hair.

"It's all clear," he whispered. "Have you the chisel and the bags? Great Scott! Jump, Archie, jump, and I'll swing for it!"

"It's all clear," he whispered. "Do you have the chisel and the bags? Good grief! Jump, Archie, jump, and I'll take care of it!"

Sherlock Holmes had sprung out and seized the intruder by the collar. The other dived down the hole, and I heard the sound of rending cloth as Jones clutched at his skirts. The light flashed down upon the barrel of a revolver, but Holmes's hunting crop came down on the man's wrist, and the pistol clinked upon the stone floor.

Sherlock Holmes jumped out and grabbed the intruder by the collar. The other person dove down the hole, and I heard the tearing sound of cloth as Jones grabbed at their clothes. The light shone down on the barrel of a revolver, but Holmes's riding crop hit the man's wrist, and the pistol clattered onto the stone floor.

"It's no use, John Clay," said Holmes, blandly. "You have no chance at all."

"It's pointless, John Clay," Holmes said, calmly. "You don’t stand a chance."

"So I see," the other answered, with the utmost coolness. "I fancy that my pal is all right, though I see you have got his coat-tails."

"So I get it," the other replied, completely unfazed. "I think my friend is fine, even though I see you have his coat-tails."

"There are three men waiting for him at the door," said Holmes.

"There are three guys waiting for him at the door," said Holmes.

"Oh, indeed! You seem to have done the thing very completely. I must compliment you."

"Oh, definitely! You really seem to have done it all very well. I have to give you credit."

"And I you," Holmes answered. "Your red-headed idea was very new and effective."

"And I you," Holmes replied. "Your red-headed idea was really original and effective."

"You'll see your pal again presently," said Jones. "He's quicker at climbing down holes than I am. Just hold out while I fix the derbies."

"You'll see your friend again soon," said Jones. "He's faster at climbing down holes than I am. Just hang tight while I fix the derbies."

"I beg that you will not touch me with your filthy hands," remarked our prisoner, as the handcuffs clattered upon his wrists. "You may not be aware that I have royal blood in my veins. Have the goodness, also, when you address me always to say 'sir' and 'please.'"

"I ask you not to touch me with your dirty hands," said our prisoner, as the handcuffs clanked on his wrists. "You might not know that I have royal blood in my veins. Please, when you talk to me, always say 'sir' and 'please.'"

"All right," said Jones, with a stare and a snigger. "Well, would you please, sir, march up-stairs, where we can get a cab to carry your highness to the police-station?"

"Okay," said Jones, with a glare and a chuckle. "So, could you please, sir, head upstairs, where we can grab a cab to take you to the police station?"

"That is better," said John Clay, serenely. He made a sweeping bow to the three of us, and walked quietly off in the custody of the detective.

"That's better," said John Clay, calmly. He took a big bow to the three of us and quietly walked away with the detective.

"Really Mr. Holmes," said Mr. Merryweather, as we followed them from the cellar, "I do not know how the bank can thank you or repay you. There is no doubt that you have detected and defeated in the most complete manner one of the most determined attempts at bank robbery that have ever come within my experience."

"Honestly, Mr. Holmes," said Mr. Merryweather, as we walked out of the cellar, "I have no idea how the bank can thank you or repay you. There's no doubt you've uncovered and completely thwarted one of the most serious attempts at bank robbery I've ever seen."

"I have had one or two little scores of my own to settle with Mr. John Clay," said Holmes. "I have been at some small expense over this matter, which I shall expect the bank to refund, but beyond that I am amply repaid by having had an experience which is in many ways unique, and by hearing the very remarkable narrative of the Red-headed League."

"I’ve had a couple of personal issues to resolve with Mr. John Clay," Holmes said. "I’ve spent a bit on this matter, which I’ll expect the bank to reimburse, but other than that, I feel well compensated by the unique experience I’ve had and by hearing the incredible story of the Red-headed League."


"You see, Watson," he explained, in the early hours of the morning, as we sat over a glass of whiskey-and-soda in Baker Street, "it was perfectly obvious from the first that the only possible object of this rather fantastic business of the advertisement of the League, and the copying of the 'Encyclopædia,' must be to get this not over-bright pawnbroker out of the way for a number of hours every day. It was a curious way of managing it, but, really, it would be difficult to suggest a better. The method was no doubt suggested to Clay's ingenious mind by the color of his accomplice's hair. The £4 a week was a lure which must draw him, and what was it to them, who were playing for thousands? They put in the advertisement, one rogue has the temporary office, the other rogue incites the man to apply for it, and together they manage to secure his absence every morning in the week. From the time that I heard of the assistant having come for half wages, it was obvious to me that he had some strong motive for securing the situation."

"You see, Watson," he explained in the early hours of the morning, as we sat over a glass of whiskey and soda on Baker Street, "it was clear from the start that the main goal of this odd business with the League's advertisement and the copying of the 'Encyclopædia' was to keep this not-so-bright pawnbroker out of the way for several hours each day. It was a strange way to do it, but honestly, it would be hard to come up with a better plan. The idea was probably inspired by the color of his accomplice's hair. The £4 a week was a bait that would definitely attract him, and what did it matter to them, since they were aiming for thousands? They placed the advertisement, one crook takes the temporary office, the other encourages the man to apply for it, and together they ensure he is absent every morning of the week. From the moment I heard that the assistant had come on at half wages, it was clear to me that he had a strong reason for wanting the job."

"But how could you guess what the motive was?"

"But how could you figure out what the motive was?"

"Had there been women in the house, I should have suspected a mere vulgar intrigue. That, however, was out of the question. The man's business was a small one, and there was nothing in his house which could account for such elaborate preparations, and such an expenditure as they were at. It must, then, be something out of the house. What could it be? I thought of the assistant's fondness for photography, and his trick of vanishing into the cellar. The cellar! There was the end of this tangled clue. Then I made inquiries as to this mysterious assistant, and found that I had to deal with one of the coolest and most daring criminals in London. He was doing something in the cellar—something which took many hours a day for months on end. What could it be, once more? I could think of nothing save that he was running a tunnel to some other building.

"Had there been women in the house, I would have thought it was just a low-level affair. But that wasn't the case. The man's business was small, and there was nothing in his house that could explain such elaborate preparations and spending. So it had to be something outside of the house. What could it be? I remembered the assistant's interest in photography and his habit of disappearing into the cellar. The cellar! That was the key to this confusing situation. I then looked into this mysterious assistant and discovered I was dealing with one of the coolest and most audacious criminals in London. He was up to something in the cellar—something that took many hours a day for months on end. What could it be again? The only thing I could think of was that he was digging a tunnel to another building."

"So far I had got when we went to visit the scene of action. I surprised you by beating upon the pavement with my stick. I was ascertaining whether the cellar stretched out in front or behind. It was not in front. Then I rang the bell, and, as I hoped, the assistant answered it. We have had some skirmishes, but we had never set eyes upon each other before. I hardly looked at his face. His knees were what I wished to see. You must yourself have remarked how worn, wrinkled, and stained they were. They spoke of those hours of burrowing. The only remaining point was what they were burrowing for. I walked round the corner, saw the City and Suburban Bank abutted on our friend's premises, and felt that I had solved my problem. When you drove home after the concert I called upon Scotland Yard, and upon the chairman of the bank directors, with the result that you have seen."

"So far, this is where we were when we went to check out the scene. I surprised you by tapping my stick on the pavement. I was trying to figure out if the cellar extended in front or behind. It wasn’t in front. Then I rang the bell, and, as I hoped, the assistant answered. We’d had a few encounters, but we’d never actually seen each other before. I barely glanced at his face. His knees were what I wanted to see. You must have noticed how worn, wrinkled, and stained they were. They showed the hours of digging. The only question left was what they were digging for. I walked around the corner, saw that the City and Suburban Bank was next to our friend's property, and felt like I had cracked the case. When you drove home after the concert, I stopped by Scotland Yard and met with the chairman of the bank directors, and that’s what led to what you’ve seen."

"And how could you tell that they would make their attempt to-night?" I asked.

"And how could you know that they would try tonight?" I asked.

"Well, when they closed their League offices that was a sign that they cared no longer about Mr. Jabez Wilson's presence—in other words, that they had completed their tunnel. But it was essential that they should use it soon, as it might be discovered, or the bullion might be removed. Saturday would suit them better than any other day, as it would give them two days for their escape. For all these reasons I expected them to come to-night."

"Well, when they shut down their League offices, it was clear that they were done with Mr. Jabez Wilson being around—in other words, that they had finished their tunnel. But it was important for them to use it soon, since it could be discovered or the gold could be taken. Saturday would work better for them than any other day, as it would give them two days to get away. For all these reasons, I expected them to show up tonight."

"You reasoned it out beautifully," I exclaimed, in unfeigned admiration. "It is so long a chain, and yet every link rings true."

"You figured it out perfectly," I said, genuinely impressed. "It's such a long chain, and yet every link is spot on."

"It saved me from ennui," he answered, yawning. "Alas! I already feel it closing in upon me. My life is spent in one long effort to escape from the common-places of existence. These little problems help me to do so."

"It saved me from boredom," he replied, yawning. "Unfortunately! I can already feel it creeping back in. My life is just one long struggle to break free from the mundane parts of life. These little challenges help me with that."

"And you are a benefactor of the race," said I.

"And you are a supporter of the human race," I said.

He shrugged his shoulders. "Well, perhaps, after all, it is of some little use," he remarked. "'L'homme c'est rien l'œuvre c'est tout,'[237-1] as Gustave Flaubert wrote to Georges Sand."

He shrugged his shoulders. "Well, maybe it is a little useful after all," he said. "'L'homme c'est rienl'œuvre c'est tout,' [237-1] as Gustave Flaubert wrote to Georges Sand."


The Inconsiderate Waiter

The Rude Waiter

Frequently I have to ask myself in the street for the name of the man I bowed to just now, and then, before I can answer, the wind of the first corner blows him from my memory. I have a theory, however, that those puzzling faces, which pass before I can see who cut the coat, all belong to club-waiters.

Frequently, I find myself on the street asking for the name of the man I just nodded to, and then, before I can respond, the wind around the first corner sweeps him from my memory. I have a theory, though, that those confusing faces, which flash by before I can see who made the coat, all belong to club waiters.

Until William forced his affairs upon me, that was all I did know of the private life of waiters, though I have been in the club for twenty years. I was even unaware whether they slept down-stairs or had their own homes, nor had I the interest to inquire of other members, nor they the knowledge to inform me. I hold that this sort of people should be fed and clothed and given airing and wives and children, and I subscribe yearly, I believe, for these purposes; but to come into closer relation with waiters is bad form; they are club fittings, and William should have kept his distress to himself or taken it away and patched it up, like a rent in one of the chairs. His inconsiderateness has been a pair of spectacles to me for months.

Until William brought his problems to me, that was all I knew about the private lives of waiters, even though I had been in the club for twenty years. I didn't even know if they slept downstairs or had their own homes, and I wasn't interested enough to ask other members, nor did they have the information to tell me. I believe people like them should be provided with food, clothing, fresh air, and families, and I think I contribute to that every year; but getting closer to waiters is poor etiquette; they are just part of the club's decor, and William should have kept his troubles to himself or dealt with them quietly, like fixing a tear in one of the chairs. His thoughtlessness has been a source of irritation for me for months.

It is not correct taste to know the name of a club-waiter, so that I must apologize for knowing William's and still more for not forgetting it. If, again, to speak of a waiter is bad form, to speak bitterly is the comic degree of it. But William has disappointed me sorely. There were years when I would defer dining several minutes that he might wait on me. His pains to reserve the window-seat for me were perfectly satisfactory. I allowed him privileges, as to suggest dishes, and would give him information, as that someone had startled me in the reading-room by slamming a door. I have shown him how I cut my finger with a piece of string. Obviously he was gratified by these attentions, usually recommending a liqueur; and I fancy he must have understood my sufferings, for he often looked ill himself. Probably he was rheumatic, but I cannot say for certain, as I never thought of asking, and he had the sense to see that the knowledge would be offensive to me.

It's not polite to know the name of a club waiter, so I have to apologize for knowing William's and even more so for not forgetting it. If it's considered bad manners to talk about a waiter, then speaking about him negatively is even worse. But William has really let me down. There were times when I would wait a few extra minutes just so he could serve me. His efforts to reserve the window seat for me were thoroughly appreciated. I would let him make suggestions for dishes and would inform him if someone startled me in the reading room by slamming a door. I even showed him how I cut my finger with a piece of string. He clearly appreciated these gestures, often suggesting a liqueur; and I think he must have understood my struggles because he often seemed unwell himself. Maybe he had rheumatism, but I can't say for sure since I never thought to ask, and he was smart enough to know that I wouldn't want to know.

In the smoking-room we have a waiter so independent that once, when he brought me a yellow Chartreuse,[239-1] and I said I had ordered green, he replied, "No, sir, you said yellow." William could never have been guilty of such effrontery. In appearance, of course, he is mean, but I can no more describe him than a milkmaid could draw cows. I suppose we distinguish one waiter from another much as we pick our hat from the rack. We could have plotted a murder safely before William. He never presumed to have opinions of his own. When such was my mood he remained silent, and if I announced that something diverting had happened to me he laughed before I told him what it was. He turned the twinkle in his eye off or on at my bidding as readily as if it was the gas. To my "Sure to be wet to-morrow," he would reply, "Yes, sir;" and to Trelawney's "It doesn't look like rain," two minutes afterward, he would reply, "No, sir." It was one member who said Lightning Rod would win the Derby[240-1] and another who said Lightning Rod had no chance, but it was William who agreed with both. He was like a cheroot, which may be smoked from either end. So used was I to him that, had he died or got another situation (or whatever it is such persons do when they disappear from the club), I should probably have told the head waiter to bring him back, as I disliked changes.

In the smoking room, we have a waiter so independent that once, when he brought me a yellow Chartreuse, [239-1] and I said I had ordered green, he replied, "No, sir, you said yellow." William could never have acted with such boldness. In terms of looks, he definitely comes off as unremarkable, but I can’t describe him any better than a milkmaid could draw cows. I guess we tell one waiter from another much like we choose a hat from the rack. We could have safely plotted a murder in front of William. He never dared to have his own opinions. When I was in a certain mood, he stayed silent, and if I mentioned something funny that happened to me, he laughed before I even explained what it was. He could turn the sparkle in his eye on or off at my request as easily as flipping a light switch. To my "It’s sure to be wet tomorrow," he would respond, "Yes, sir," and to Trelawney's "It doesn't look like rain," just two minutes later, he'd say, "No, sir." It was one member who claimed Lightning Rod would win the Derby [240-1] and another who insisted Lightning Rod had no chance, but William agreed with both. He was like a cheroot, which you can smoke from either end. I was so used to him that if he had died or got another job (or whatever it is that people like him do when they leave the club), I probably would have asked the head waiter to bring him back because I disliked change.

It would not become me to know precisely when I began to think William an ingrate, but I date his lapse from the evening when he brought me oysters. I detest oysters, and no one knew it better than William. He has agreed with me that he could not understand any gentleman's liking them. Between me and a certain member who smacks his lips twelve times to a dozen of them, William knew I liked a screen to be placed until we had reached the soup, and yet he gave me the oysters and the other man my sardine. Both the other member and I called quickly for brandy and the head waiter. To do William justice, he shook, but never can I forget his audacious explanation, "Beg pardon, sir, but I was thinking of something else."

I can't pinpoint exactly when I started to think William was ungrateful, but I remember it clearly from the night he brought me oysters. I can't stand oysters, and no one knew that better than William. We've both agreed that he couldn't understand why any gentleman would like them. He knew I preferred a screen to be set up until we got to the soup, yet he still served me the oysters and gave the other guy my sardine. Both of us quickly called for brandy and the head waiter. To be fair to William, he was nervous, but I'll never forget his bold excuse: "Excuse me, sir, but I was thinking about something else."

In these words William had flung off the mask, and now I knew him for what he was.

In these words, William had thrown off the mask, and now I recognized him for who he really was.

I must not be accused of bad form for looking at William on the following evening. What prompted me to do so was not personal interest in him, but a desire to see whether I dare let him wait on me again. So, recalling that a castor was off a chair yesterday, one is entitled to make sure that it is on to-day before sitting down. If the expression is not too strong, I may say that I was taken aback by William's manner. Even when crossing the room to take my orders he let his one hand play nervously with the other. I had to repeat "Sardine on toast" twice, and instead of answering "Yes, sir," as if my selection of sardine on toast was a personal gratification to him, which is the manner one expects of a waiter, he glanced at the clock, then out at the window, and, starting, asked, "Did you say sardine on toast, sir?"

I shouldn’t be considered rude for looking at William the next evening. The reason I did wasn’t because I was personally interested in him, but because I wanted to see if I could let him wait on me again. Just like it’s important to check that a chair is stable before sitting down, I wanted to make sure he was still up to the task. If that description seems too strong, I can honestly say I was surprised by William’s demeanor. Even as he walked across the room to take my order, he fidgeted with his hands. I had to say "Sardine on toast" twice, and instead of responding with a cheerful "Yes, sir," as one would expect from a waiter, he checked the clock, looked out the window, and then asked nervously, "Did you say sardine on toast, sir?"

It was the height of summer, when London smells like a chemist's shop, and he who has the dinner-table at the window needs no candles to show him his knife and fork. I lay back at intervals, now watching a starved-looking woman asleep on a door-step, and again complaining of the club bananas. By and by, I saw a little girl of the commonest kind, ill-clad and dirty, as all these arabs are. Their parents should be compelled to feed and clothe them comfortably, or at least to keep them indoors, where they cannot offend our eyes. Such children are for pushing aside with one's umbrella; but this girl I noticed because she was gazing at the club windows. She had stood thus for perhaps ten minutes, when I became aware that some one was leaning over me, to look out at the window. I turned round. Conceive my indignation on seeing that the rude person was William.

It was the peak of summer when London smells like a pharmacy, and anyone dining by the window doesn’t need candles to see their knife and fork. I occasionally leaned back, observing a thin-looking woman asleep on a doorstep, and then complaining about the club bananas. After a while, I noticed a little girl who seemed very common, poorly dressed and dirty, like all those kids do. Their parents should be made to feed and clothe them properly, or at least keep them inside, so they don’t disturb us. Such kids are usually something to push aside with an umbrella; but I noticed this girl because she was staring at the club windows. She had stood there for about ten minutes when I realized someone was leaning over me to look out the window. I turned around. Imagine my anger when I saw that the rude person was William.

"How dare you, William?" I said, sternly. He seemed not to hear me. Let me tell, in the measured words of one describing a past incident, what then took place. To get nearer the window, he pressed heavily on my shoulder.

"How could you, William?" I said, firmly. He didn't seem to hear me. Let me recount, in the careful words of one reflecting on a past event, what happened next. To get closer to the window, he leaned hard on my shoulder.

"William, you forget yourself!" I said, meaning—as I see now—that he had forgotten me.

"William, you're forgetting yourself!" I said, which I now realize meant that he had forgotten me.

I heard him gulp, but not to my reprimand. He was scanning the street. His hands chattered on my shoulders, and, pushing him from me, I saw that his mouth was agape.

I heard him gulp, but not because I was scolding him. He was looking out at the street. His hands were trembling on my shoulders, and as I pushed him away from me, I saw that his mouth was wide open.

"What are you looking for?" I asked.

"What are you looking for?" I asked.

He stared at me, and then, like one who had at last heard the echo of my question, seemed to be brought back to the club. He turned his face from me for an instant, and answered, shakily:

He stared at me, and then, like someone who finally grasped the echo of my question, appeared to return to the club. He turned his face away from me for a moment and replied, unsteadily:

"I beg your pardon, sir! I—I shouldn't have done it. Are the bananas too ripe, sir?"

"I’m really sorry, sir! I—I shouldn't have done that. Are the bananas too ripe, sir?"

He recommended the nuts, and awaited my verdict so anxiously while I ate one that I was about to speak graciously, when I again saw his eyes drag him to the window.

He suggested the nuts and waited for my opinion so eagerly while I ate one that I was about to respond nicely, when I noticed his eyes again pulling him toward the window.

"William," I said, my patience giving way at last; "I dislike being waited on by a melancholy waiter."

"William," I said, finally losing my patience; "I really don't like being served by a moody waiter."

"Yes, sir," he replied, trying to smile, and then broke out passionately, "For God's sake, sir, tell me, have you seen a little girl looking in at the club windows?"

"Yes, sir," he replied, trying to smile, and then passionately exclaimed, "For God's sake, sir, please tell me, have you seen a little girl peeking in at the club windows?"

He had been a good waiter once, and his distracted visage was spoiling my dinner.

He used to be a good waiter, but his distracted expression was ruining my dinner.

"There," I said, pointing to the girl, and no doubt would have added that he must bring me coffee immediately, had he continued to listen. But already he was beckoning to the child. I had not the least interest in her (indeed it had never struck me that waiters had private affairs, and I still think it a pity that they should have); but as I happened to be looking out at the window I could not avoid seeing what occurred. As soon as the girl saw William she ran into the middle of the street, regardless of vehicles, and nodded three times to him. Then she disappeared.

"There," I said, pointing to the girl, and I definitely would have added that he needed to bring me coffee immediately if he had kept listening. But he was already waving at the child. I had no interest in her at all (I had never even thought that waiters had personal lives, and I still think it’s unfortunate that they do); but since I was looking out the window, I couldn’t help but see what happened. As soon as the girl spotted William, she ran into the middle of the street, ignoring the cars, and nodded three times at him. Then she vanished.

I have said that she was quite a common child, without attraction of any sort, and yet it was amazing the difference she made in William. He gasped relief, like one who has broken through the anxiety that checks breathing, and into his face there came a silly laugh of happiness. I had dined well, on the whole, so I said:

I mentioned that she was just an ordinary kid, not attractive in any way, but it was surprising how much impact she had on William. He breathed a sigh of relief, like someone who’s finally gotten past the anxiety that makes it hard to breathe, and a goofy smile of happiness spread across his face. I had eaten well overall, so I said:

"I am glad to see you cheerful again, William."

"I’m happy to see you smiling again, William."

I meant that I approved his cheerfulness, because it helped my digestion, but he must needs think I was sympathizing with him.

I meant that I liked his cheerfulness because it helped my digestion, but he probably thought I was sympathizing with him.

"Thank you, sir," he answered. "Oh, sir! when she nodded and I saw it was all right, I could have gone down on my knees to God."

"Thank you, sir," he replied. "Oh, sir! When she nodded and I knew it was okay, I could have dropped to my knees and thanked God."

I was as much horrified as if he had dropped a plate on my toes. Even William, disgracefully emotional as he was at the moment, flung out his arms to recall the shameful words.

I was just as horrified as if he had dropped a plate on my toes. Even William, embarrassingly emotional as he was at the moment, threw out his arms to take back the shameful words.

"Coffee, William!" I said, sharply.

"William, coffee!" I said sharply.

I sipped my coffee indignantly, for it was plain to me that William had something on his mind.

I sipped my coffee angrily, because it was obvious to me that William had something he wanted to say.

"You are not vexed with me, sir?" he had the hardihood to whisper.

"You’re not upset with me, are you, sir?" he had the nerve to whisper.

"It was a liberty," I said.

"It was a freedom," I said.

"I know, sir; but I was beside myself."

"I understand, sir; but I was out of control."

"That was a liberty also."

"That was also a freedom."

He hesitated, and then blurted out:

He paused for a moment and then said:

"It is my wife, sir. She——"

"It's my wife, sir. She—"

I stopped him with my hand. William, whom I had favored in so many ways, was a married man! I might have guessed as much years before had I ever reflected about waiters, for I knew vaguely that his class did this sort of thing. His confession was distasteful to me, and I said, warningly:

I stopped him with my hand. William, whom I had helped in so many ways, was a married man! I might have figured this out years ago if I had ever thought about waiters, since I vaguely knew that his kind did this sort of thing. His confession was off-putting to me, and I said, warningly:

"Remember where you are, William."

"Remember where you are, Will."

"Yes, sir; but, you see, she is so delicate——"

"Yes, sir; but, you know, she is really fragile——"

"Delicate! I forbid your speaking to me on unpleasant topics."

"Delicate! I won’t let you talk to me about uncomfortable subjects."

"Yes, sir; begging your pardon."

"Yes, sir; excuse me."

It was characteristic of William to beg my pardon and withdraw his wife like some unsuccessful dish, as if its taste would not remain in the mouth. I shall be chided for questioning him further about his wife, but, though doubtless an unusual step, it was only bad form superficially, for my motive was irreproachable. I inquired for his wife, not because I was interested in her welfare, but in the hope of allaying my irritation. So I am entitled to invite the wayfarer who has bespattered me with mud to scrape it off.

It was typical of William to apologize and pull his wife away like an unsatisfactory dish, as if its flavor wouldn’t linger. I know I’ll get scolded for asking him more about his wife, but even though it was an unusual move, it was only rude on the surface, as my intentions were perfectly fine. I asked about his wife, not because I cared about her well-being, but in hopes of easing my annoyance. So, I have the right to ask the passerby who has splashed mud on me to clean it off.

I desired to be told by William that the girl's signals meant his wife's recovery to health. He should have seen that such was my wish and answered accordingly. But, with the brutal inconsiderateness of his class, he said:

I wanted William to tell me that the girl's signals meant his wife was getting better. He should have realized that was what I wanted and responded that way. But, with the callousness typical of his class, he said:

"She has had a good day, but the doctor, he—the doctor is afeard she is dying."

"She has had a good day, but the doctor—he's afraid she is dying."

Already I repented my question. William and his wife seemed in league against me, when they might so easily have chosen some other member.

Already I regretted asking that question. William and his wife seemed to be working together against me when they could have easily picked someone else.

"Pooh the doctor," I said.

"Pooh the doctor," I said.

"Yes, sir," he answered.

"Yes, sir," he replied.

"Have you been married long, William?"

"Have you been married for a while, William?"

"Eight years, sir. Eight years ago she was—I—I mind her when—and now the doctor says——"

"Eight years, sir. Eight years ago she was—I—I remember her when—and now the doctor says——"

The fellow gaped at me. "More coffee, sir?" he asked.

The guy stared at me. "More coffee, sir?" he asked.

"What is her ailment?"

"What is her condition?"

"She was always one of the delicate kind, but full of spirit, and—and you see she has had a baby lately——"

"She was always one of the delicate types, but full of energy, and—and you see she recently had a baby——"

"William!"

"Will!"

"And she—I—the doctor is afeard she's not picking up."

"And she—I—the doctor is afraid she's not responding."

"I feel sure she will pick up."

"I'm sure she'll improve."

"Yes, sir?"

"Yes, sir?"

It must have been the wine I had drunk that made me tell him:

It must have been the wine I drank that made me tell him:

"I was once married, William. My wife—it was just such a case as yours."

"I was once married, William. My wife—it was just like your situation."

"She did not get better, sir?"

"She hasn't improved, sir?"

"No."

"Nope."

After a pause, he said, "Thank you, sir," meaning for the sympathy that made me tell him that. But it must have been the wine.

After a pause, he said, "Thank you, sir," meaning for the sympathy that prompted me to tell him that. But it must have been the wine.

"That little girl comes here with a message from your wife?"

"That little girl came here with a message from your wife?"

"Yes; if she nods three times, it means my wife is a little better."

"Yes, if she nods three times, it means my wife is feeling a bit better."

"She nodded thrice to-day."

"She nodded three times today."

"But she is told to do that to relieve me, and maybe those nods don't tell the truth."

"But she's told to do that to help me, and maybe those nods aren't honest."

"Is she your girl?"

"Is she your girlfriend?"

"No, we have none but the baby. She is a neighbor's. She comes twice a day."

"No, we only have the baby. She's our neighbor's. She comes over twice a day."

"It is heartless of her parents not to send her every hour."

"It’s cruel of her parents not to send her a message every hour."

"But she is six years old," he said, "and has a house and two sisters to look after in the daytime, and a dinner to cook. Gentlefolk don't understand."

"But she’s only six," he said, "and has a house and two sisters to take care of during the day, along with dinner to make. People from higher social classes don’t get it."

"I suppose you live in some low part, William."

"I guess you live in some low area, William."

"Off Drury Lane," he answered, flushing; "but—but it isn't low. You see, we were never used to anything better, and I mind, when I let her see the house before we were married, she—she a sort of cried, because she was so proud of it. That was eight years ago, and now,—she's afeard she'll die when I'm away at my work."

"Off Drury Lane," he replied, blushing; "but—but it’s not low. You see, we were never used to anything better, and I remember when I showed her the house before we got married, she—she kind of cried because she was so proud of it. That was eight years ago, and now,—she's afraid she'll die when I'm away at work."

"Did she tell you that?"

"Did she say that to you?"

"Never. She always says she is feeling a little stronger."

"Never. She always says she feels a bit stronger."

"Then how can you know she is afraid of that?"

"Then how can you tell she is afraid of that?"

"I don't know how I know, sir, but when I am leaving the house in the morning I look at her from the door, and she looks at me, and then I—I know."

"I don't know how I know, sir, but when I leave the house in the morning, I glance at her from the door, and she looks at me, and then I—I know."

"A green Chartreuse, William!"

"A green Chartreuse, Will!"

I tried to forget William's vulgar story in billiards, but he had spoiled my game. My opponent, to whom I can give twenty, ran out when I was sixty-seven, and I put aside my cue pettishly. That in itself was bad form, but what would they have thought had they known that a waiter's impertinence caused it! I grew angrier with William as the night wore on, and next day I punished him by giving my orders through another waiter.

I tried to forget William's crude story about billiards, but he ruined my game. My opponent, whom I can usually beat by twenty points, won when I was at sixty-seven, and I put aside my cue in annoyance. That alone was poor sportsmanship, but what would they have thought if they knew a waiter's rudeness caused it! I got angrier with William as the night went on, and the next day I got back at him by giving my orders through another waiter.

As I had my window seat, I could not but see that the girl was late again. Somehow I dawdled over my coffee. I had an evening paper before me, but there was so little in it that my eyes found more of interest in the street. It did not matter to me whether William's wife died, but when that girl had promised to come, why did she not come? These lower classes only give their word to break it. The coffee was undrinkable.

As I sat by the window, I couldn't help but notice that the girl was late again. For some reason, I lingered over my coffee. I had an evening paper in front of me, but it had so little in it that I found myself looking more at the street. I didn't care if William's wife died, but when that girl promised to show up, why didn't she? These lower-class people just give their word to break it. The coffee was terrible.

At last I saw her. William was at another window, pretending to do something with the curtains. I stood up, pressing closer to the window. The coffee had been so bad that I felt shaky. She nodded three times and smiled.

At last, I saw her. William was at another window, pretending to do something with the curtains. I stood up, leaning closer to the window. The coffee had been so awful that I felt shaky. She nodded three times and smiled.

"She is a little better," William whispered to me, almost gayly.

"She's feeling a bit better," William whispered to me, almost cheerfully.

"Whom are you speaking of?" I asked, coldly, and immediately retired to the billiard-room, where I played a capital game. The coffee was much better there than in the dining-room.

"Who are you talking about?" I asked coldly, and then I immediately went to the billiard room, where I played a great game. The coffee there was much better than in the dining room.

Several days passed, and I took care to show William that I had forgotten his maunderings. I chanced to see the little girl (though I never looked for her) every evening and she always nodded three times, save once, when she shook her head, and then William's face grew white as a napkin. I remember this incident because that night I could not get into a pocket. So badly did I play that the thought of it kept me awake in bed, and that, again, made me wonder how William's wife was. Next day I went to the club early (which was not my custom) to see the new books. Being in the club at any rate, I looked into the dining-room to ask William if I had left my gloves there, and the sight of him reminded me of his wife, so I asked for her. He shook his head mournfully, and I went off in a rage.

Several days went by, and I made sure to show William that I had forgotten his ramblings. I happened to see the little girl (even though I never looked for her) every evening, and she always nodded three times, except for once when she shook her head, and then William's face turned as pale as a napkin. I remember this incident because that night I couldn’t get into a pocket. I played so poorly that just thinking about it kept me awake in bed, and that, in turn, made me wonder how William's wife was doing. The next day, I went to the club early (which wasn’t my usual habit) to check out the new books. While at the club, I peeked into the dining room to ask William if I had left my gloves there, and seeing him reminded me of his wife, so I asked about her. He shook his head sadly, and I walked away in anger.

So accustomed am I to the club, that when I dine elsewhere I feel uncomfortable next morning, as if I had missed a dinner. William knew this; yet here he was, hounding me out of the club! That evening I dined (as the saying is) at a restaurant, where no sauce was served with the asparagus. Furthermore, as if that were not triumph enough for William, his doleful face came between me and every dish, and I seemed to see his wife dying to annoy me.

So used to the club am I, that when I eat anywhere else, I feel uneasy the next morning, like I've skipped a dinner. William knew this; yet here he was, pushing me out of the club! That evening I had dinner (as they say) at a restaurant, where they served the asparagus without any sauce. Furthermore, as if that wasn’t enough of a win for William, his miserable face got in the way of every dish, and I felt like I could see his wife just waiting to get on my nerves.

I dined next day at the club, for self-preservation, taking, however, a table in the middle of the room, and engaging a waiter who had once nearly poisoned me by not interfering when I put two lumps of sugar into my coffee instead of one, which is my allowance. But no William came to me to acknowledge his humiliation, and by and by I became aware that he was not in the room. Suddenly the thought struck me that his wife must be dead, and I——. It was the worst-cooked and the worst-served dinner I ever had in the club.

I had dinner the next day at the club for my own peace of mind, choosing a table in the center of the room and calling over a waiter who had once almost poisoned me by not stopping me when I added two sugar cubes to my coffee instead of the one I’m supposed to take. But no William came to me to acknowledge his embarrassment, and eventually, I realized he wasn’t in the room. Suddenly, it hit me that his wife might have passed away, and I——. It was the worst-cooked and worst-served dinner I’ve ever had at the club.

I tried the smoking-room. Usually the talk there is entertaining; but on that occasion it was so frivolous that I did not remain five minutes. In the card-room a member told me, excitedly, that a policeman had spoken rudely to him; and my strange comment was:

I tried the smoking room. Usually, the conversations there are entertaining, but this time it was so shallow that I didn’t stay for more than five minutes. In the card room, a member excitedly told me that a cop had been rude to him, and my odd response was:

"After all, it is a small matter."

"After all, it's a small issue."

In the library, where I had not been for years, I found two members asleep, and, to my surprise, William on a ladder dusting books.

In the library, which I hadn't visited in years, I found two members napping, and, to my surprise, William was on a ladder dusting off the books.

"You have not heard, sir?" he said in answer to my raised eyebrows. Descending the ladder he whispered, tragically:

"You haven't heard, sir?" he said, noticing my raised eyebrows. As he came down the ladder, he whispered, sadly:

"It was last evening, sir. I—I lost my head and I—swore at a member."

"It was last night, sir. I—I lost my cool and I—yelled at a member."

I stepped back from William, and glanced apprehensively at the two members. They still slept.

I stepped back from William and glanced nervously at the two members. They were still asleep.

"I hardly knew," William went on, "what I was doing all day yesterday, for I had left my wife so weakly that——"

"I barely knew," William continued, "what I was doing all day yesterday, because I had left my wife so fragile that——"

I stamped my foot.

I stomped my foot.

"I beg your pardon for speaking of her," he had the grace to say, "but I couldn't help slipping to the window often yesterday to look for Jenny, and when she did come and I saw she was crying, it—it a sort of confused me, and I didn't know right, sir, what I was doing. I hit against a member, Mr. Myddleton Finch, and he—he jumped and swore at me. Well, sir, I had just touched him after all, and I was so miserable, it a kind of stung me to be treated like—like that, and me a man as well as him, and I lost my senses, and—and I swore back."

"I’m sorry for bringing her up," he managed to say, "but I kept glancing out the window yesterday looking for Jenny, and when she finally showed up and I saw she was crying, it—it threw me off, and I didn't know what I was doing. I bumped into a guy, Mr. Myddleton Finch, and he—he jumped and swore at me. Well, I had just touched him, after all, and I felt so miserable that it stung to be treated like—like that, especially since I’m a man, just like him, and I lost my cool, and—and I swore back."

William's shamed head sank on his chest, but I even let pass his insolence in likening himself to a member of the club, so afraid was I of the sleepers waking and detecting me in talk with a waiter.

William's ashamed head dropped to his chest, but I even overlooked his arrogance in comparing himself to a member of the club, so scared was I of the sleepers waking up and catching me talking to a waiter.

"For the love of God," William cried, with coarse emotion, "don't let them dismiss me!"

"For the love of God," William shouted, filled with raw emotion, "don't let them ignore me!"

"Speak lower!" I said. "Who sent you here?"

"Talk quieter!" I said. "Who sent you here?"

"I was turned out of the dining-room at once, and told to attend to the library until they had decided what to do with me. Oh, sir, I'll lose my place!"

"I was kicked out of the dining room right away and told to take care of the library until they figured out what to do with me. Oh, no, I'll lose my job!"

He was blubbering, as if a change of waiters was a matter of importance.

He was crying, as if switching waiters was a big deal.

"This is very bad, William," I said. "I fear I can do nothing for you."

"This is really bad, William," I said. "I'm afraid I can't help you."

"Have mercy on a distracted man!" he entreated. "I'll go on my knees to Mr. Myddleton Finch."

"Have mercy on a distracted man!" he pleaded. "I'll go down on my knees to Mr. Myddleton Finch."

How could I but despise a fellow who would be thus abject for a pound a week?

How could I not look down on someone who would be so pathetic for just a pound a week?

"I dare not tell her," he continued, "that I have lost my place. She would just fall back and die."

"I can't bring myself to tell her," he went on, "that I've lost my position. She would just collapse and give up."

"I forbade your speaking of your wife," I said, sharply, "unless you can speak pleasantly of her."

"I told you not to talk about your wife," I said, sharply, "unless you can say something nice about her."

"But she may be worse now, sir, and I cannot even see Jenny from here. The library windows look to the back."

"But she might be in worse shape now, sir, and I can't even see Jenny from here. The library windows face the back."

"If she dies," I said, "it will be a warning to you to marry a stronger woman next time."

"If she dies," I said, "it'll be a hint for you to choose a stronger woman next time."

Now, every one knows that there is little real affection among the lower orders. As soon as they have lost one mate they take another. Yet William, forgetting our relative positions, drew himself up and raised his fist, and if I had not stepped back I swear he would have struck me.

Now, everyone knows that there’s little genuine affection among the lower classes. As soon as they lose one partner, they just find another. Yet William, forgetting our different statuses, stood tall and raised his fist, and if I hadn’t stepped back, I swear he would have hit me.

The highly improper words William used I will omit, out of consideration for him. Even while he was apologizing for them I retired to the smoking-room, where I found the cigarettes so badly rolled that they would not keep alight. After a little I remembered that I wanted to see Myddleton Finch about an improved saddle of which a friend of his has the patent. He was in the news-room, and having questioned him about the saddle, I said:

The inappropriate words William used will be left out, out of respect for him. Even as he was apologizing for them, I went into the smoking room, where the cigarettes were rolled so poorly that they wouldn't stay lit. After a bit, I remembered that I needed to talk to Myddleton Finch about a better saddle that a friend of his has the patent for. He was in the news room, and after asking him about the saddle, I said:

"By the way, what is this story about your swearing at one of the waiters?"

"By the way, what's this story about you cursing at one of the waiters?"

"You mean about his swearing at me," Myddleton Finch replied, reddening.

"You mean about him cursing at me," Myddleton Finch said, blushing.

"I am glad that was it," I said. "For I could not believe you guilty of such bad form."

"I'm glad that was the case," I said. "Because I couldn't believe you were capable of such poor behavior."

"If I did swear——" he was beginning, but I went on:

"If I did swear—" he was starting to say, but I continued:

"The version which reached me was that you swore at him, and he repeated the word. I heard he was to be dismissed and you reprimanded."

"The version that I heard was that you cursed at him, and he echoed the word back. I heard he was going to be fired, and you were warned."

"Who told you that?" asked Myddleton Finch, who is a timid man.

"Who told you that?" asked Myddleton Finch, who is a nervous guy.

"I forget; it is club talk," I replied lightly. "But of course the committee will take your word. The waiter, whichever one he is, richly deserves his dismissal for insulting you without provocation."

"I forget; it's just club talk," I said casually. "But of course the committee will trust you. The waiter, whoever he is, definitely deserves to be fired for insulting you without any reason."

Then our talk returned to the saddle, but Myddleton Finch was abstracted, and presently he said:

Then our conversation shifted back to the saddle, but Myddleton Finch seemed distracted, and soon he said:

"Do you know, I fancy I was wrong in thinking that waiter swore at me, and I'll withdraw my charge to-morrow."

"Do you know, I think I was wrong to believe that the waiter cursed at me, and I'll take back my accusation tomorrow."

Myddleton Finch then left me, and, sitting alone, I realized that I had been doing William a service. To some slight extent I may have intentionally helped him to retain his place in the club, and I now see the reason, which was that he alone knows precisely to what extent I like my claret heated.

Myddleton Finch then left me, and sitting alone, I realized that I had been doing William a favor. To a small extent, I may have intentionally helped him keep his spot in the club, and I now understand why—it's because he alone knows exactly how much I like my claret heated.

For a mere second I remembered William's remark that he should not be able to see the girl Jenny from the library windows. Then this recollection drove from my head that I had only dined in the sense that my dinner-bill was paid. Returning to the dining-room, I happened to take my chair at the window, and while I was eating a devilled kidney I saw in the street the girl whose nods had such an absurd effect on William.

For a brief moment, I recalled William's comment about not being able to see the girl Jenny from the library windows. Then that thought reminded me that I had only really dined in the sense that my dinner bill was settled. When I returned to the dining room, I happened to sit by the window, and while I was eating a deviled kidney, I spotted the girl whose nods had such a ridiculous effect on William in the street.

The children of the poor are as thoughtless as their parents, and this Jenny did not sign to the windows in the hope that William might see her, though she could not see him. Her face, which was disgracefully dirty, bore doubt and dismay on it, but whether she brought good news it would not tell. Somehow I had expected her to signal when she saw me, and, though her message could not interest me, I was in the mood in which one is irritated at that not taking place which he is awaiting. Ultimately she seemed to be making up her mind to go away.

The kids of poor families are as careless as their parents, and Jenny wasn’t signaling to the windows hoping William would see her, even though she couldn’t see him. Her face, which was embarrassingly dirty, showed uncertainty and worry, but it wouldn’t reveal if she had good news. I somehow expected her to wave when she spotted me, and even though her message didn’t really concern me, I felt annoyed that she wasn’t doing what I was waiting for. Eventually, it looked like she was deciding to leave.

A boy was passing with the evening papers, and I hurried out to get one, rather thoughtlessly, for we have all the papers in the club. Unfortunately I misunderstood the direction the boy had taken; but round the first corner (out of sight of the club windows) I saw the girl Jenny, and so I asked her how William's wife was.

A boy was walking by with the evening papers, and I rushed out to grab one, rather carelessly, since we already have all the papers at the club. Unfortunately, I misjudged which way the boy went; but as I turned the first corner (out of sight of the club windows), I saw the girl Jenny, so I asked her how William's wife was doing.

"Did he send you to me?" she replied, impertinently taking me for a waiter. "My!" she added, after a second scrutiny, "I b'lieve you're one of them. His missis is a bit better, and I was to tell him as she took all the tapiocar."

"Did he send you to me?" she said, assuming I was a waiter. "Wow!" she continued after looking me over again, "I think you're one of them. His wife's feeling a bit better, and I was supposed to let him know that she had all the tapioca."

"How could you tell him?" I asked.

"How could you tell him?" I asked.

"I was to do like this," she replied, and went through the supping of something out of a plate in dumb show.

"I was supposed to do it like this," she said, and pretended to eat something from a plate in a silent performance.

"That would not show she ate all the tapioca," I said.

"That wouldn't prove she ate all the tapioca," I said.

"But I was to end like this," she answered, licking an imaginary plate with her tongue. I gave her a shilling (to get rid of her), and returned to the club disgusted.

"But I was supposed to end up like this," she replied, licking an invisible plate with her tongue. I gave her a shilling (to get her to leave), and went back to the club feeling disgusted.

Later in the evening I had to go to the club library for a book, and while William was looking in vain for it (I had forgotten the title) I said to him:

Later in the evening, I had to go to the club library for a book, and while William was searching for it without luck (I had forgotten the title), I said to him:

"By the way, William, Mr. Myddleton Finch is to tell the committee that he was mistaken in the charge he brought against you, so you will doubtless be restored to the dining-room to-morrow."

"By the way, William, Mr. Myddleton Finch is going to inform the committee that he was wrong about the accusation he made against you, so you’ll probably be back in the dining room tomorrow."

The two members were still in their chairs, probably sleeping lightly; yet he had the effrontery to thank me.

The two members were still in their chairs, probably dozing off; yet he had the nerve to thank me.

"Don't thank me," I said, blushing at the imputation. "Remember your place, William!"

"Don't thank me," I said, blushing at the implication. "Know your place, William!"

"But Mr. Myddleton Finch knew I swore," he insisted.

"But Mr. Myddleton Finch knew I swore," he insisted.

"A gentleman," I replied, stiffly, "cannot remember for twenty-four hours what a waiter has said to him."

"A gentleman," I replied, rigidly, "can't remember what a waiter told him for twenty-four hours."

"No, sir, but——"

"No, sir, but—"

To stop him I had to say:

To stop him, I had to say:

"And, ah, William, your wife is a little better. She has eaten the tapioca—all of it."

"And, oh, William, your wife is feeling a bit better. She ate the tapioca—all of it."

"How can you know, sir?"

"How do you know, sir?"

"By an accident."

"By accident."

"Jenny signed to the window."

"Jenny signed to the window."

"No."

"No."

"Then you saw her, and went out, and——"

"Then you saw her, and went outside, and——"

"Nonsense!"

"Nonsense!"

"Oh, sir, to do that for me! May God bl——"

"Oh, sir, to do that for me! May God bl——"

"William!"

"Will!"

"Forgive me, sir, but—when I tell my missis, she will say it was thought of your own wife as made you do it."

"Sorry, sir, but—when I tell my wife, she’s going to think it was your own wife who made you do it."

He wrung my hand. I dared not withdraw it, lest we should waken the sleepers.

He squeezed my hand. I didn’t dare pull it away, afraid we might wake the sleepers.

William returned to the dining-room, and I had to show him that, if he did not cease looking gratefully at me, I must change my waiter. I also ordered him to stop telling me nightly how his wife was, but I continued to know, as I could not help seeing the girl Jenny from the window. Twice in a week I learned from this objectionable child that the ailing woman had again eaten all the tapioca. Then I became suspicious of William. I will tell why.

William came back to the dining room, and I had to let him know that if he didn’t stop looking at me with such gratitude, I would have to change my waiter. I also told him to quit telling me every night how his wife was doing, but I kept finding out since I couldn’t help but see the girl Jenny from the window. Twice in one week, I heard from this annoying kid that the sick woman had once again eaten all the tapioca. That’s when I started to get suspicious of William. I’ll explain why.

It began with a remark of Captain Upjohn's. We had been speaking of the inconvenience of not being able to get a hot dish served after 1 A.M., and he said:

It started with a comment from Captain Upjohn. We had been discussing the annoyance of not being able to get a hot meal after 1 A.M., and he said:

"It is because these lazy waiters would strike. If the beggars had a love of their work, they would not rush away from the club the moment one o'clock strikes. That glum fellow who often waits on you takes to his heels the moment he is clear of the club steps. He ran into me the other night at the top of the street, and was off without apologizing."

"It’s because these lazy waiters would quit. If the beggars actually cared about their work, they wouldn’t rush away from the club the moment it hits one o'clock. That gloomy guy who often serves you bolts as soon as he’s off the club steps. I bumped into him the other night at the top of the street, and he took off without even saying sorry."

"You mean the foot of the street, Upjohn," I said, for such is the way to Drury Lane.

"You mean the end of the street, Upjohn," I said, since that's how you get to Drury Lane.

"No; I mean the top. The man was running west."

"No; I mean the top. The guy was running west."

"East."

"East."

"West."

"West."

I smiled, which so annoyed him that he bet me two to one in sovereigns. The bet could have been decided most quickly by asking William a question, but I thought, foolishly doubtless, that it might hurt his feelings, so I watched him leave the club. The possibility of Upjohn's winning the bet had seemed remote to me. Conceive my surprise, therefore, when William went westward.

I smiled, which annoyed him so much that he bet me two to one in gold coins. The bet could have been settled quickly by asking William a question, but I thought, foolishly, it might hurt his feelings, so I just watched him leave the club. The chance of Upjohn winning the bet seemed unlikely to me. Imagine my surprise, then, when William headed west.

Amazed, I pursued him along two streets without realizing that I was doing so. Then curiosity put me into a hansom. We followed William, and it proved to be a three-shilling fare, for running when he was in breath and walking when he was out of it, he took me to West Kensington.

Amazed, I followed him down two streets without even noticing. Then curiosity drove me to hop into a cab. We chased after William, and it ended up costing three shillings, since I was running when he was fast and walking when he slowed down, all the way to West Kensington.

I discharged my cab, and from across the street watched William's incomprehensible behavior. He had stopped at a dingy row of workmen's houses, and knocked at the darkened window of one of them. Presently a light showed. So far as I could see, someone pulled up the blind and for ten minutes talked to William. I was uncertain whether they talked for the window was not opened, and I felt that, had William spoken through the glass loud enough to be heard inside, I must have heard him too. Yet he nodded and beckoned. I was still bewildered when, by setting off the way he had come, he gave me the opportunity of going home.

I got out of my cab and watched William's strange behavior from across the street. He had stopped at a shabby row of workers' houses and knocked on the darkened window of one of them. Soon enough, a light turned on. As far as I could tell, someone lifted the blind and talked to William for about ten minutes. I wasn't sure if they were actually talking since the window wasn’t opened, and I felt that if William had spoken loudly enough to be heard inside, I should have heard him too. Still, he nodded and waved me over. I was still confused when he started walking back the way he had come, giving me the chance to go home.

Knowing from the talk of the club what the lower orders are, could I doubt that this was some discreditable love affair of William's? His solicitude for his wife had been mere pretence; so far as it was genuine, it meant that he feared she might recover. He probably told her that he was detained nightly in the club till three.

Knowing from the club's gossip what the lower classes are like, could I really think this was anything but a shameful love affair of William's? His concern for his wife was just a facade; to the extent it was real, it meant he was worried she might get better. He probably told her he was stuck at the club until three every night.

I was miserable next day and blamed the devilled kidneys for it. Whether William was unfaithful to his wife was nothing to me, but I had two plain reasons for insisting on his going straight home from his club: the one, that, as he had made me lose a bet, I would punish him; the other, that he could wait upon me better if he went to bed betimes.

I felt terrible the next day and blamed the devilled kidneys for it. Whether William cheated on his wife didn’t concern me, but I had two solid reasons for insisting he go straight home from his club: first, since he had made me lose a bet, I wanted to get back at him; second, he would be more useful to me if he went to bed early.

Yet I did not question him. There was something in his face that——. Well, I seemed to see his dying wife in it.

Yet I didn’t question him. There was something in his face that—. Well, I thought I saw his dying wife in it.

I was so out of sorts that I could eat no dinner. I left the club. Happening to stand for some time at the foot of the street, I chanced to see the girl Jenny coming, and——. No; let me tell the truth, though the whole club reads; I was waiting for her.

I was feeling so off that I couldn't eat dinner. I left the club. While I was standing for a bit at the bottom of the street, I happened to see the girl Jenny coming, and——. No; let me be honest, even if the whole club finds out; I was waiting for her.

"How is William's wife to-day?" I asked.

"How is William's wife today?" I asked.

"She told me to nod three times," the little slattern replied; "but she looked like nothink but a dead one till she got the brandy."

"She told me to nod three times," the little girl replied; "but she looked like nothing but a corpse until she got the brandy."

"Hush, child!" I said, shocked. "You don't know how the dead look."

"Hush, kid!" I said, shocked. "You have no idea how the dead look."

"Bless yer," she answered, "don't I just! Why, I've helped to lay 'em out. I'm going on seven."

"Thanks," she replied, "of course I do! I've even helped to prepare them. I'm almost seven."

"Is William good to his wife?"

"Is William nice to his wife?"

"Course he is. Ain't she his missis?"

"Of course he is. Isn't she his partner?"

"Why should that make him good to her?" I asked cynically, out of my knowledge of the poor. But the girl, precocious in many ways, had never had my opportunities of studying the lower classes in the newspapers, fiction, and club talk. She shut one eye, and looking up wonderingly, said:

"Why should that make him good to her?" I asked skeptically, based on what I knew about the less fortunate. But the girl, wise beyond her years in many respects, hadn't had my chances to learn about the lower classes through newspapers, stories, and conversations at clubs. She closed one eye and looked up in confusion, saying:

"Ain't you green—just!"

"You're so naive!"

"When does William reach home at night?"

"When does William get home at night?"

"'Tain't night; it's morning. When I wakes up at half dark and half light and hears a door shutting I know as it's either father going off to his work or Mr. Hicking coming home from his."

"'Tain't night; it's morning. When I wake up when it's still dark but getting light and hear a door shut, I know it's either my dad leaving for work or Mr. Hicking coming home from his."

"Who is Mr. Hicking?"

"Who is Mr. Hicking?"

"Him as we've been speaking on—William. We calls him mister, 'cause he's a toff. Father's just doing jobs in Covent Garden, but Mr. Hicking, he's a waiter, and a clean shirt every day. The old woman would like father to be a waiter, but he hain't got the 'ristocratic look."

"Him we've been talking about—William. We call him mister because he's a high-class guy. Dad's just picking up odd jobs in Covent Garden, but Mr. Hicking is a waiter and wears a clean shirt every day. The old woman wishes Dad could be a waiter, but he doesn't have that upper-class look."

"What old woman?"

"Which old woman?"

"Go 'long! that's my mother. Is it true there's a waiter in the club just for to open the door?"

"Go on! That's my mom. Is it true there's a waiter in the club just to open the door?"

"Yes, but——"

"Yeah, but——"

"And another just for to lick the stamps? My!"

"And another just to lick the stamps? Wow!"

"William leaves the club at one o'clock?" I said, interrogatively.

"William leaves the club at 1 AM?" I asked, questioningly.

She nodded. "My mother," she said, "is one to talk, and she says to Mr. Hicking as he should get away at twelve, 'cause his missis needs him more'n the gentlemen need him. The old woman do talk."

She nodded. "My mom," she said, "is one to talk, and she tells Mr. Hicking he should leave at noon because his wife needs him more than the guys do. The old lady really talks."

"And what does William answer to that?"

"And what does William say to that?"

"He says as the gentlemen can't be kept waiting for their cheese."

"He says that the gentlemen can't be kept waiting for their cheese."

"But William does not go straight home when he leaves the club?"

"But William doesn't go straight home when he leaves the club?"

"That's the kid."

"That's the kid."

"Kid!" I echoed, scarcely understanding, for knowing how little the poor love their children, I had asked William no questions about the baby.

"Kid!" I repeated, barely grasping it, because I knew how little the poor care for their children, so I hadn't asked William anything about the baby.

"Didn't you know his missis had a kid?"

"Didn't you know his wife had a child?"

"Yes, but that is no excuse for William's staying away from his sick wife," I answered, sharply. A baby in such a home as William's, I reflected, must be trying, but still——. Besides his class can sleep through any din.

"Yes, but that's no excuse for William not being with his sick wife," I replied sharply. A baby in a home like William's, I thought, must be challenging, but still——. Besides, his class can sleep through any noise.

"The kid ain't in our court," the girl explained. "He's in W., he is, and I've never been out of W.C., leastwise, not as I knows on."

"The kid isn't in our area," the girl explained. "He's in W., and I've never been out of W.C., at least not that I know of."

"This is W. I suppose you mean that the child is at West Kensington? Well, no doubt it was better for William's wife to get rid of the child——"

"This is W. I guess you mean that the child is in West Kensington? Well, it was probably better for William's wife to let go of the child——"

"Better!" interposed the girl. "'Tain't better for her not to have the kid. Ain't her not having him what she's always thinking on when she looks like a dead one."

"Better!" the girl interrupted. "It’s not better for her not to have the kid. Isn’t her not having him what she’s always thinking about when she looks like a zombie?"

"How could you know that?"

"How did you know that?"

"'Cause," answered the girl, illustrating her words with a gesture, "I watches her, and I sees her arms going this way, just like as she wanted to hug her kid."

"'Cause," the girl replied, emphasizing her point with a gesture, "I watch her, and I see her arms moving this way, like she wants to hug her kid."

"Possibly you are right," I said, frowning, "but William has put the child out to nurse because it disturbed his night's rest. A man who has his work to do——"

"Maybe you're right," I said, frowning, "but William has sent the child to be nursed elsewhere because it disturbed his sleep. A man who has work to do——"

"You are green!"

"You're inexperienced!"

"Then why have the mother and child been separated?"

"Then why have the mother and child been separated?"

"Along of that there measles. Near all the young 'uns in our court has 'em bad."

"Along with that, there are measles. Almost all the kids in our neighborhood have it bad."

"Have you had them?"

"Have you tried them?"

"I said the young 'uns."

"I said the kids."

"And William sent the baby to West Kensington to escape infection?"

"And William sent the baby to West Kensington to avoid getting sick?"

"Took him, he did."

"Took him, he did."

"Against his wife's wishes?"

"Against his wife's wishes?"

"Na-o!"

"Not now!"

"You said she was dying for want of the child?"

"You said she was desperate for the child?"

"Wouldn't she rayther die than have the kid die?"

"Wouldn't she rather die than let the kid die?"

"Don't speak so heartlessly, child. Why does William not go straight home from the club? Does he go to West Kensington to see it?"

"Don't talk so coldly, kid. Why doesn't William just go straight home from the club? Is he going to West Kensington to check it out?"

"'Tain't a hit, it's an 'e. 'Course he do."

"'It's not a hit, it's a he. Of course he does."

"Then he should not. His wife has the first claim on him."

"Then he shouldn't. His wife comes first."

"Ain't you green! It's his missis as wants him to go. Do you think she could sleep till she knowed how the kid was?"

"Aren't you naive! It's his wife who wants him to go. Do you think she could sleep until she knows how the kid is?"

"But he does not go into the house at West Kensington?"

"But he doesn't go into the house in West Kensington?"

"Is he soft? Course he don't go in, fear of taking the infection to the kid. They just holds the kid up at the window to him, so as he can have a good look. Then he comes home and tells his missis. He sits foot of the bed and tells."

"Is he soft? Of course he doesn't go in, he's afraid of bringing the infection to the kid. They just hold the kid up at the window for him to take a good look. Then he goes home and tells his wife. He sits at the foot of the bed and talks."

"And that takes place every night? He can't have much to tell."

"And that happens every night? He must not have much to share."

"He has just."

"He's just."

"He can only say whether the child is well or ill."

"He can only say if the child is okay or sick."

"My! He tells what a difference there is in the kid since he see'd him last."

"My! He says there's a big difference in the kid since he last saw him."

"There can be no difference!"

"There can't be any difference!"

"Go 'long! Ain't a kid always growing? Haven't Mr. Hicking to tell how the hair is getting darker, and heaps of things beside?"

"Go on! Isn't every kid always growing? Didn't Mr. Hicking say how the hair is getting darker, and a bunch of other things too?"

"Such as what?"

"Like what?"

"Like whether he larfed, and if he has her nose, and how as he knowed him. He tells her them things more'n once."

"Like whether he laughed, if he has her nose, and how he knew him. He tells her those things more than once."

"And all this time he is sitting at the foot of the bed?"

"And all this time he's been sitting at the foot of the bed?"

"'Cept when he holds her hand."

"'Except when he holds her hand.'"

"But when does he get to bed himself?"

"But when does he get to sleep himself?"

"He don't get much. He tells her as he has a sleep at the club."

"He doesn't get much. He tells her as he sleeps at the club."

"He cannot say that."

"He can't say that."

"Hain't I heard him? But he do go to his bed a bit, and then they both lies quiet, her pretending she is sleeping so as he can sleep, and him feared to sleep case he shouldn't wake up to give her the bottle stuff."

"Haven't I heard him? But he does go to bed for a bit, and then they both lie still, her pretending to sleep so he can rest, and him afraid to sleep in case he doesn't wake up to give her the bottle."

"What does the doctor say about her?"

"What does the doctor say about her?"

"He's a good one, the doctor. Sometimes he says she would get better if she could see the kid through the window."

"He's a good doctor. Sometimes he says she would feel better if she could see the kid through the window."

"Nonsense!"

"Nonsense!"

"And if she was took to the country."

"And if she was taken to the country."

"Then why does not William take her?"

"Then why doesn't William take her?"

"My! you are green! And if she drank port wines."

"My! You are so inexperienced! And what if she drank port wine?"

"Doesn't she?"

"Doesn't she?"

"No; but William he tells her about the gentlemen drinking them."

"No; but William tells her about the guys drinking them."

On the tenth day after my conversation with this unattractive child I was in my brougham, with the windows up, and I sat back, a paper before my face lest any one should look in. Naturally I was afraid of being seen in company of William's wife and Jenny, for men about town are uncharitable, and, despite the explanation I had ready, might have charged me with pitying William. As a matter of fact, William was sending his wife into Surrey to stay with an old nurse of mine, and I was driving her down because my horses needed an outing. Besides, I was going that way, at any rate.

On the tenth day after my conversation with that unattractive kid, I was in my carriage with the windows up, sitting back with a newspaper in front of my face to avoid being seen. Naturally, I was worried about being spotted with William’s wife and Jenny because the guys around town can be judgmental. Even though I had a good explanation ready, they might have thought I was feeling sorry for William. The truth is, William was sending his wife to Surrey to stay with an old nurse of mine, and I was driving her down because my horses needed a run. Plus, I was heading that way anyway.

I had arranged that the girl Jenny, who was wearing an outrageous bonnet, should accompany us, because, knowing the greed of her class, I feared she might blackmail me at the club.

I had planned for the girl Jenny, who was wearing a ridiculous hat, to come with us, because I was worried that, knowing the greed of her type, she might try to blackmail me at the club.

William joined us in the suburbs, bringing the baby with him, as I had foreseen they would all be occupied with it, and to save me the trouble of conversing with them. Mrs. Hicking I found too pale and fragile for a workingman's wife, and I formed a mean opinion of her intelligence from her pride in the baby, which was a very ordinary one. She created quite a vulgar scene when it was brought to her, though she had given me her word not to do so; what irritated me, even more than her tears, being her ill-bred apology that she "had been 'feared baby wouldn't know her again." I would have told her they didn't know anyone for years had I not been afraid of the girl Jenny, who dandled the infant on her knees and talked to it as if it understood. She kept me on tenterhooks by asking it offensive questions: such as, "Oo know who give me that bonnet?" and answering them herself, "It was the pretty gentleman there," and several times I had to affect sleep because she announced, "Kiddy wants to kiss the pretty gentleman."

William joined us in the suburbs, bringing the baby with him, which I had expected since I knew they would all be focused on it, saving me from having to chat with them. Mrs. Hicking seemed too pale and delicate for a working-class wife, and I didn't think much of her intelligence given her pride in the baby, which was pretty average. She made quite a scene when the baby was handed to her, even though she had promised me not to. What annoyed me even more than her tears was her poorly-mannered excuse that she "had been afraid the baby wouldn't recognize her." I would have told her that babies don't know anyone for years if I hadn't been worried about the girl Jenny, who was bouncing the infant on her knees and talking to it as if it understood. She kept me on edge by asking the baby embarrassing questions like, "Do you know who gave me that bonnet?" and answering them herself, "It was the pretty gentleman over there." Several times, I had to pretend to be asleep because she would say, "Kiddy wants to kiss the pretty gentleman."

Irksome as all this necessarily was to a man of taste, I suffered even more when we reached our destination. As we drove through the village the girl Jenny uttered shrieks of delight at the sight of flowers growing up the cottage walls, and declared they were "just like music-'all without the drink license." As my horses required a rest, I was forced to abandon my intention of dropping these persons at their lodgings and returning to town at once, and I could not go to the inn lest I should meet inquisitive acquaintances. Disagreeable circumstances, therefore, compelled me to take tea with a waiter's family—close to a window, too, through which I could see the girl Jenny talking excitedly to villagers, and telling them, I felt certain, that I had been good to William. I had a desire to go out and put myself right with those people.

As annoying as all of this was for someone with taste, I felt even worse when we finally arrived. While driving through the village, the girl Jenny let out squeals of joy at the sight of flowers climbing the cottage walls and said they were "just like music—without needing a drink license." Since my horses needed a break, I couldn’t follow through with my plan to drop them off at their place and head back to town right away, and I didn’t want to go to the inn for fear of running into nosy acquaintances. So, I ended up having tea with a waiter's family—right by a window where I could see Jenny chatting excitedly with the villagers, and I was pretty sure she was telling them that I had been nice to William. I felt the urge to go out and set the record straight with those people.

William's long connection with the club should have given him some manners, but apparently his class cannot take them on, for, though he knew I regarded his thanks as an insult, he looked them when he was not speaking them, and hardly had he sat down, by my orders, than he remembered that I was a member of the club, and jumped up. Nothing is in worse form than whispering, yet again and again, when he thought I was not listening, he whispered to Mrs. Hicking, "You don't feel faint?" or "How are you now?" He was also in extravagant glee because she ate two cakes (it takes so little to put these people in good spirits), and when she said she felt like another being already, the fellow's face charged me with the change. I could not but conclude, from the way Mrs. Hicking let the baby pound her, that she was stronger than she had pretended.

William's long association with the club should have taught him some manners, but it seems he just can't grasp them. Even though I knew he meant his thanks as an insult, he still looked grateful when he wasn't saying anything. As soon as he sat down, at my request, he suddenly remembered I was a club member and jumped back up. There's nothing worse than whispering, yet again and again, when he thought I wasn't paying attention, he'd whisper to Mrs. Hicking, "Are you feeling faint?" or "How are you doing now?" He was also ridiculously happy because she ate two cakes (it really takes so little to cheer these people up), and when she said she felt like a new person already, his expression showed just how much that affected him. I had to conclude, from how Mrs. Hicking let the baby hit her, that she was stronger than she let on.

I remained longer than was necessary, because I had something to say to William which I knew he would misunderstand, and so I put off saying it. But when he announced that it was time for him to return to London, at which his wife suddenly paled, so that he had to sign to her not to break down, I delivered the message.

I stayed longer than I needed to because I had something to tell William that I knew he wouldn't get right, so I kept putting it off. But when he said it was time for him to head back to London, his wife suddenly turned pale, and he had to gesture to her not to lose it. So, I went ahead and delivered the message.

"William," I said, "the head waiter asked me to say that you could take a fortnight's holiday just now. Your wages will be paid as usual."

"William," I said, "the head waiter asked me to let you know that you can take a two-week vacation right now. Your pay will be processed as usual."

Confound them! William had me by the hand, and his wife was in tears before I could reach the door.

Confound them! William was holding my hand, and his wife was in tears before I could get to the door.

"Is it your doing again, sir?" William cried.

"Is it you again, sir?" William shouted.

"William!" I said, fiercely.

"William!" I said, angrily.

"We owe everything to you," he insisted. "The port wine——"

"We owe you everything," he insisted. "The port wine——"

"Because I had no room for it in my cellar."

"Because I didn't have space for it in my basement."

"The money for the nurse in London——"

"The money for the nurse in London——"

"Because I objected to being waited on by a man who got no sleep."

"Because I didn't want to be served by a guy who hadn't slept."

"These lodgings——"

"These accommodations—"

"Because I wanted to do something for my old nurse."

"Because I wanted to do something for my former nurse."

"And, now, sir, a fortnight's holiday!"

"And now, sir, a two-week vacation!"

"Good-by, William!" I said, in a fury.

"Goodbye, William!" I said, mad.

But before I could get away, Mrs. Hicking signed to William to leave the room, and then she kissed my hand. She said something to me. It was about my wife. Somehow I—— What business had William to tell her about my wife?

But before I could leave, Mrs. Hicking signaled to William to exit the room, and then she kissed my hand. She said something to me. It was about my wife. Somehow I—What right did William have to tell her about my wife?

They are all back in Drury Lane now, and William tells me that his wife sings at her work just as she did eight years ago. I have no interest in this, and try to check his talk of it; but such people have no sense of propriety, and he even speaks of the girl Jenny, who sent me lately a gaudy pair of worsted gloves worked by her own hand. The meanest advantage they took of my weakness, however, was in calling their baby after me. I have an uncomfortable suspicion, too, that William has given the other waiters his version of the affair, but I feel safe so long as it does not reach the committee.

They’re all back in Drury Lane now, and William tells me that his wife sings at her job just like she did eight years ago. I’m not interested in this, and I try to shut down his talk about it; but people like him have no sense of decorum, and he even mentions the girl Jenny, who recently sent me a flashy pair of hand-knitted gloves. The lowest thing they did was name their baby after me. I also have a nagging feeling that William has shared his version of the story with the other waiters, but I feel secure as long as it doesn't get to the committee.


The Siege of Berlin[266-1]

The Fall of Berlin__A_TAG_PLACEHOLDER_0__

We were walking up the Avenue des Champs-Élysées with Dr. V——, trying to read the story of the siege of Paris in the shell-scarred walls and the sidewalks plowed up by grape-shot. Just before we reached the Circle, the doctor stopped and, pointing out to me one of the big corner houses so pompously grouped around the Arc de Triomphe,[266-2] told me this story.

We were walking up the Avenue des Champs-Élysées with Dr. V——, trying to read the story of the siege of Paris in the shell-damaged walls and the sidewalks pocked by grape-shot. Just before we reached the Circle, the doctor stopped and pointed out one of the large corner buildings so grandly arranged around the Arc de Triomphe,[266-2] and shared this story with me.

You see those four closed windows above the balcony? During the first day of August, that terrible August of last year, so full of storms and disaster, I was called there to attend a very severe case of apoplexy. The patient was Colonel Jouve, once a cuirassier of the First Empire,[266-3] and now an old gentleman mad about glory and patriotism. At the outbreak of war he had gone to live in the Champs-Élysées, in an apartment with a balcony. Can you guess why? That he might be present at the triumphant return of our troops. Poor old boy! The news of Wissemburg reached him just as he was leaving the table. When he read the name of Napoleon at the foot of that bulletin of defeat, he had a stroke and fell.

You see those four closed windows above the balcony? On the first day of August, that terrible August of last year, full of storms and disaster, I was called there to attend to a very serious case of stroke. The patient was Colonel Jouve, who used to be a cuirassier of the First Empire, and now he was an old man obsessed with glory and patriotism. When the war broke out, he moved to the Champs-Élysées, into an apartment with a balcony. Can you guess why? So he could witness the triumphant return of our troops. Poor old guy! He heard the news from Wissemburg just as he was getting up from the table. When he saw Napoleon's name at the bottom of that defeat bulletin, he had a stroke and collapsed.

I found the old cuirassier stretched out on the carpet with his face bleeding and motionless as if struck by a heavy blow. If he had been standing, he would have seemed a tall man. Stretched out as he was, he seemed immense. He had a fine face, magnificent teeth, a thick head of curly white hair, and though eighty years old did not look more than sixty. Near him his granddaughter knelt weeping. There was a strong family resemblance between them. Seeing them side by side, you thought of two beautiful Greek medals struck from the same matrix, but one old and worn and the other bright and clear-cut with all the brilliancy and smoothness of a first impression.

I found the old cuirassier lying on the carpet with his face bleeding and motionless, as if he’d been hit hard. If he had been standing, he would have looked like a tall man. Lying down like that, he seemed enormous. He had a handsome face, stunning teeth, a thick head of curly white hair, and despite being eighty years old, he didn’t look older than sixty. Nearby, his granddaughter knelt, crying. They shared a strong family resemblance. Seeing them together, you thought of two beautiful Greek coins struck from the same mold, one old and worn and the other bright and clear with all the brilliance and smoothness of a fresh impression.

I found the child's grief very touching. Daughter and granddaughter of a soldier (her father was on Mac Mahon's[267-1] staff), the sight of this splendid old man stretched out before her had suggested to her another scene, no less terrible. I did all I could to reassure her, but in my own mind I was not any too hopeful. There was no question that the stroke had been apoplectic, and that is the sort of thing from which at eighty one does not recover. As it turned out, the sick man remained in a state of coma for three days.

I found the child's grief very touching. She was the daughter and granddaughter of a soldier (her father was on Mac Mahon's [267-1] staff), and seeing this amazing old man lying before her made her think of another, equally terrible scene. I did everything I could to reassure her, but deep down, I wasn't very hopeful. There was no doubt that the stroke had been a severe one, and at eighty-one, that's not something you recover from. As it happened, the sick man stayed in a coma for three days.

Meanwhile, the news of the battle of Reichshoffen reached Paris. You will remember in what form that news reached us first. Until evening we all believed that we had won a great victory, with 20,000 Prussians killed and the Crown Prince captured. Through some miracle, some magnetic current, an echo of this national rejoicing must have reached the sufferer, deaf and speechless and unable to move though he was. That evening when I went to his bedside, I found a different man. His eye was clear, his tongue was no longer thick, and he had strength enough to smile at me and to stammer, "Vic-to-ry!"

Meanwhile, the news of the Battle of Reichshoffen reached Paris. You’ll recall how we first received that news. Until evening, we all believed we had achieved a major victory, with 20,000 Prussians killed and the Crown Prince captured. Somehow, some magical connection, an echo of this national celebration must have reached the sufferer, even though he was deaf, speechless, and unable to move. That evening when I went to his bedside, I found a changed man. His eye was clear, his speech was no longer slurred, and he had enough strength to smile at me and stammer, "Vic-to-ry!"

"Yes, Colonel, a great victory!"

"Yes, Colonel, an awesome victory!"

And the more details I gave him of Mac Mahon's brilliant success, the more his face relaxed and brightened.

And the more I shared about Mac Mahon's amazing success, the more his face relaxed and lit up.

As I left, I found the little girl waiting for me outside the door. She was pale and was crying.

As I walked out, I saw the little girl waiting for me by the door. She looked pale and was crying.

"But he is going to get well," I said, taking her hands in mine.

"But he’s going to get better," I said, taking her hands in mine.

The poor child had hardly courage to answer me. The true story of the battle of Reichshoffen had just appeared on the bulletin boards. Mac Mahon was retreating and the army cut to pieces. Surprised and shocked, our eyes met, she thinking of her father and I of my patient. Surely he would succumb to this new blow; and yet what could we do? Leave him the joy, the illusion that had brought him back to life? That meant keeping him alive with lies.

The poor child barely had the courage to respond to me. The real story of the battle of Reichshoffen had just been posted on the bulletin boards. Mac Mahon was retreating, and the army was in disarray. Surprised and shocked, our eyes locked, her thinking of her father and me thinking of my patient. Surely he would not survive this new blow; and yet what could we do? Should we leave him with the joy, the illusion that had brought him back to life? That would mean keeping him alive with lies.

"Very well, I will tell them," said the child, and quickly wiping away her tears she went back to her grandfather's room with a smile on her face.

"Alright, I’ll tell them," said the child, and quickly wiping away her tears, she went back to her grandfather's room with a smile on her face.

It was not an easy task which she had set herself. For the first few days she had no great difficulty. The old gentleman's head was very weak and he was as easily deceived as a child, but as his strength came back his mind became clearer. He wanted to be kept in touch with troop movements and to have the War Department Bulletin read to him. It was pathetic to see the little girl, night and day, bent over her map of Germany, sticking in pins with little flags on them, and trying hard to invent to the last detail a successful campaign: Bazaine advancing on Berlin, Frossard penetrating Bavaria, and Mac Mahon reaching the Baltic.

It wasn't an easy task she had taken on. For the first few days, she faced no major challenges. The old man's mind was quite weak and he was as easily fooled as a child, but as he regained his strength, his thoughts became clearer. He wanted updates on troop movements and asked to have the War Department Bulletin read to him. It was touching to see the little girl, day and night, hunched over her map of Germany, pinning little flags to mark locations, and working hard to create a detailed and successful campaign: Bazaine moving towards Berlin, Frossard advancing into Bavaria, and Mac Mahon heading for the Baltic.

To work this all out she needed help, and I helped her as much as I could. But the one who helped her most was her grandfather himself. He had conquered Germany so many times during the First Empire, he knew every move. "This will be the enemy's next move, here," he would say, "and ours will be this." His anticipations were always justified by the event, which made him not a little proud.

To figure all this out, she needed assistance, and I helped her as much as I could. But the person who really helped her the most was her grandfather. He had beaten Germany so many times during the First Empire that he knew every move. "This is going to be the enemy's next move, here," he would say, "and ours will be this." His predictions were always proven right by what happened, which made him quite proud.

Unhappily, no matter how fast we took cities and won battles, we never went fast enough for him. The old fellow was insatiable. Each day as I came in, I learned of some new success.

Unhappily, no matter how quickly we captured cities and won battles, it was never fast enough for him. The old guy was never satisfied. Each day when I came in, I heard about some new success.

"Doctor, we have taken Mayence,"[269-1] said the little girl coming to meet me with a smile that went to your heart, and through the door I heard his glad salutation, "We're getting on! In another week we shall be in Berlin."

"Doctor, we’ve captured Mayence," [269-1] said the little girl as she approached me with a heartwarming smile, and through the door I heard his joyful greeting, "We're making progress! In another week, we’ll be in Berlin."

At that time the Prussians were only a week's march from Paris. At first we wondered whether we had not better carry our patient into the country. Then we reflected that as soon as he was taken out of the house, he would learn the true state of affairs, and I decided that he was still too feeble, too stunned by his stroke, to let him find out the truth. So we decided to stay where we were.

At that time, the Prussians were just a week’s march from Paris. At first, we thought about taking our patient out to the countryside. But then we realized that as soon as he left the house, he would learn the real situation, and I decided he was still too weak and too dazed from his stroke to uncover the truth. So we chose to stay put.

The first day of the Prussian occupation, I climbed the stairs to his apartment, I remember, with a heavy heart at the thought of all the closed doors of Paris and the fighting going on under her walls, in the suburbs which were now on the frontier. I found the old gentleman sitting up in bed jubilant and proud.

The first day of the Prussian occupation, I walked up the stairs to his apartment, remembering with a heavy heart the many closed doors of Paris and the fighting happening outside its walls, in the suburbs that had now become the front line. I found the old man sitting up in bed, cheerful and proud.

"Well," he said, "the siege has begun."

"Well," he said, "the siege has started."

I looked at him in amazement. "So you know now, Colonel?"

I stared at him in disbelief. "So you know now, Colonel?"

His grandchild turned to me; "Why, yes, doctor. That is the great news to-day. The siege of Berlin has begun."

His grandchild looked at me and said, "Oh yes, doctor. That's the big news today. The siege of Berlin has started."

And while she spoke, she went on with her sewing as calmly as you please. How could he suspect what was happening? He couldn't hear the guns at the fortifications. He couldn't see the city in its fear and sorrow.

And while she talked, she continued sewing as calmly as ever. How could he suspect what was going on? He couldn't hear the gunfire from the fortifications. He couldn't see the city in its fear and sadness.

From his bed he could see one side of the Arc de Triomphe, and his room was filled with odds and ends of the period of the First Empire—all admirably fitted to sustain his illusions. Portraits of Napoleon's marshals, battle prints, a picture of the little King of Rome in his baby dress; big stiff consoles decorated with trophies, covered with imperial relics, medallions, bronzes, a piece of the rock of St. Helena under a glass case, miniatures all representing the same blue-eyed lady, now with hair curled, now in a ball dress, now in a yellow gown with leg-of-mutton sleeves. And all this—consoles, King of Rome, marshals, yellow-gowned, short-waisted ladies, with that prim stiffness which was considered graceful in 1806, this atmosphere of victory and conquest—it was this more than anything we could say to him that made him accept so naïvely the siege of Berlin.

From his bed, he could see one side of the Arc de Triomphe, and his room was filled with various items from the First Empire—all perfectly arranged to maintain his illusions. There were portraits of Napoleon's marshals, battle prints, a picture of the little King of Rome in his baby outfit; large, rigid consoles adorned with trophies, showcasing imperial relics, medallions, bronzes, a piece of the rock from St. Helena under a glass case, and miniatures all depicting the same blue-eyed lady, now with curly hair, now in a ball gown, now in a yellow dress with puffed sleeves. And all of this—consoles, the King of Rome, marshals, yellow-gowned, short-waisted ladies, with that prim stiffness that was considered elegant in 1806, this atmosphere of victory and conquest—it was this more than anything we could say to him that made him accept so naively the siege of Berlin.

After that day, our military operations grew simpler and simpler. Nothing but a little patience was needed in order to take Berlin. Every little while, when the old gentleman grew listless, we read him a letter from his son, an imaginary letter of course, as Paris was by now cut off, and as since Sedan, the aide-de-camp of Mac Mahon had been sent to a German fortress.

After that day, our military operations became easier and easier. All it took was a bit of patience to capture Berlin. Occasionally, when the old man seemed bored, we would read him a letter from his son, an imaginary one of course, since Paris was now completely cut off, and after Sedan, Mac Mahon's aide had been sent to a German fortress.

You can easily imagine the despair of the poor child who heard nothing from her father, knowing that he was a prisoner, deprived of even comfort and perhaps sick, while she had to write letters in his name that were full of joy, brief indeed, such as a soldier would write from the field, a soldier advancing day by day through the enemy's country. Sometimes it was too much for her, and weeks went by without a letter. The old man began to worry and to be unable to sleep. Then presto! a letter from Germany would arrive, and she would read it gayly at her grandfather's bedside, holding back her tears.

You can easily imagine the despair of the poor child who heard nothing from her father, knowing he was a prisoner, stripped of even comfort and maybe sick, while she had to write letters in his name that were cheerful, albeit short, like those a soldier would write from the front lines, a soldier pushing through enemy territory day by day. Sometimes it became too much for her, and weeks would pass without a letter. The old man started to worry and struggled to sleep. Then suddenly! a letter from Germany would arrive, and she would read it cheerfully at her grandfather's bedside, fighting back her tears.

The old colonel would listen gravely, smile knowingly, approve, criticize, and explain to us any passage which seemed confused. But it was in the replies that he made to his son that he was magnificent. "Never forget that you are French," he wrote. "Be generous to the poor Germans. Don't let them suffer more than is inevitable from the invasion of their country." And then came suggestions without end, charming, moralizing on property rights, the courtesy due to women, a veritable code of honor for conquerors. All this was interwoven with reflections on politics and discussions of the peace terms. On this last point he was not unduly exacting. "Indemnity, and nothing more—what good would their provinces be to us? A France could never be made out of a Germany." He dictated that in a firm voice, and one could not hear him without emotion, there was so much sincerity, so beautiful a patriotism in what he said.

The old colonel would listen seriously, smile knowingly, approve, criticize, and explain any confusing parts to us. But it was in his replies to his son that he truly shone. "Never forget that you are French," he wrote. "Be generous to the poor Germans. Don't let them suffer more than is necessary from the invasion of their country." Then came endless suggestions, charming and emphasizing the importance of property rights, the respect owed to women, a genuine code of honor for conquerors. All of this was blended with thoughts on politics and discussions about the peace terms. On this last point, he wasn't overly demanding. "Indemnity, and nothing more—what good would their provinces be to us? A France could never be built from a Germany." He dictated that in a firm voice, and you couldn't listen to him without feeling emotional; there was so much sincerity and such beautiful patriotism in his words.

Meanwhile, the siege was progressing—not the siege of Berlin, unfortunately! We had reached the period of severe cold, the bombardment, the epidemics, the famine. But thanks to our efforts, to the infinite tenderness which enfolded him, the serenity of the old old man was never troubled. To the end, I was able to get white bread and fresh meat for him—for him alone, of course. You can't imagine anything more touching than these luncheons so innocent in their egotism—the old gentleman sitting up in bed, fresh and smiling, his napkin tucked under his chin, and his pale little granddaughter at hand to guide his hand, make him drink, and help him as he ate all these forbidden good things.

Meanwhile, the siege was ongoing—not the siege of Berlin, unfortunately! We had hit a period of bitter cold, bombardments, epidemics, and famine. But thanks to our efforts and the endless love surrounding him, the old man’s peacefulness was never disturbed. Until the end, I managed to get white bread and fresh meat for him—just for him, of course. You can't imagine anything more moving than these lunches, so innocent in their selfishness—the old gentleman sitting up in bed, looking fresh and smiling, his napkin tucked under his chin, and his pale little granddaughter nearby to guide his hand, help him drink, and assist him as he enjoyed all these forbidden treats.

Then, animated by his meal, in the comfort of his warm room, while the winter's wind whistled outside and the snow flakes whirled around the windows, the ex-cuirassier told us for the hundredth time the story of the retreat from Russia when frozen biscuit and horse flesh was all that there was to eat.

Then, energized by his meal, in the coziness of his warm room, while the winter wind howled outside and snowflakes swirled around the windows, the ex-cuirassier told us for the hundredth time the story of the retreat from Russia when frozen biscuits and horse meat were all there was to eat.

"Do you realize what that means, little one? We had to eat horse!"

"Do you understand what that means, kid? We had to eat horse!"

Did she realize what that meant! For two months she had eaten no other meat.

Did she understand what that meant! For two months, she hadn't eaten any other meat.

As time went on and the old gentleman recovered little by little, our task increased in difficulty. The numbness of the senses which had made it so easy to deceive him was disappearing day by day. Two or three times already the terrible cannonading at the Porte Maillot had made him jump, his ear as keen as a hunting dog's, and we had been obliged to invent a last victory for Bazaine at the gates of Berlin and salvos fired at the Invalides[273-1] in honor of the event.

As time passed and the old gentleman slowly began to recover, our task became more challenging. The numbness of his senses that had made it easy to fool him was fading day by day. Two or three times already, the loud cannon fire at Porte Maillot had startled him, his hearing sharp like a hunting dog's, and we had to come up with a last victory for Bazaine at the gates of Berlin and cannon salutes fired at the Invalides in celebration of the event.

Another day, when his bed had been brought over to the window (it was, I think, the Thursday on which the battle of Buzenval was fought), he distinctly saw the troops of the National Guard formed on the Avenue de la Grand Armé.

Another day, when his bed had been moved to the window (I believe it was the Thursday of the Buzenval battle), he clearly saw the National Guard troops gathered on the Avenue de la Grand Armée.

"What are those troops?" asked the old gentleman, and we heard him mutter, "Not well set up."

"What are those soldiers?" asked the old man, and we heard him mumble, "Not well put together."

It went no farther, but we understood that thereafter we must take every precaution. Unfortunately we were not sufficiently careful. One evening as I reached the house, the little girl came to meet me, considerably troubled. "It is to-morrow that they enter the city," she said.

It went no further, but we knew that from then on we had to be extra cautious. Unfortunately, we didn't take enough care. One evening when I got home, the little girl came to greet me, looking quite upset. "It's tomorrow that they come into the city," she said.

Was the door of her grandfather's bedroom open? In thinking it all over afterward, I remember that this evening his face wore a very striking expression. Probably he had overheard us; but while we were talking of the entry of the Prussians, the old gentleman was thinking of the triumphant return of the French troops, for which he had so long been waiting—Mac Mahon marching down the avenue in the midst of flowers, his son at the marshal's side, and he himself on his balcony wearing his full dress uniform as he did at Lutzen, saluting the riddled flags and the powder-blackened eagles.

Was the door to her grandfather's bedroom open? After reflecting on it later, I remember that his face had a very striking expression that evening. He must have overheard us; while we talked about the Prussians coming in, the old man was envisioning the triumphant return of the French troops he had waited so long for—Mac Mahon marching down the avenue surrounded by flowers, his son at the marshal's side, and him on the balcony dressed in his full uniform like he was at Lutzen, saluting the torn flags and the powder-stained eagles.

Poor old Jouve! No doubt he thought that we did not want him to participate in this review of our troops in the fear that his emotion would be too much for him, so he carefully avoided speaking of it. But the next day, at the very minute when the Prussian battalions started on their march from the Porte Maillot to the Tuileries,[274-1] the window up there opened gently and the Colonel appeared on the balcony wearing his helmet, his saber and all the old-fashioned but still glorious regalia of one of Milhaud's cuirassiers.

Poor old Jouve! He probably thought we didn’t want him to join this review of our troops because we were worried his feelings would overwhelm him, so he made a point to avoid talking about it. But the next day, right at the moment when the Prussian battalions began their march from the Porte Maillot to the Tuileries, [274-1] the window up there opened slowly and the Colonel stepped out onto the balcony, wearing his helmet, saber, and all the old-fashioned but still impressive gear of one of Milhaud's cuirassiers.

I still wonder what will power, what spurt of vitality it had taken to put him on his feet again in all the trappings of war. At all events, there he was, standing erect behind the rail, surprised to find the avenues so large, so silent, the window curtains down, and Paris as gloomy as a great pesthouse; flags everywhere, but such strange flags bearing a red cross on a white field, and no crowd to meet our soldiers.

I still wonder what kind of strength, what burst of energy it had taken to get him back on his feet in all the war gear. Anyway, there he was, standing straight behind the railing, surprised to see how wide and quiet the streets were, the window curtains drawn, and Paris looking as dreary as a big hospital; flags everywhere, but such odd flags with a red cross on a white background, and no crowd to welcome our soldiers.

For an instant he thought he might be mistaken; but no, below, behind the Arc de Triomphe, there came an indistinct rattle and then a black line advanced in the early light. Then, little by little, the eagles on the tops of helmets could be seen shining in the sun, the little drums of Jena began to beat, and under the Arc de L'Etoile, accented by the heavy tread of marching men and by the clash of sidearms, Schubert's Triumphal March burst out.

For a moment, he thought he might be wrong; but no, down below, behind the Arc de Triomphe, there was a faint rattling sound and then a dark line moved forward in the early light. Gradually, the eagles on the tops of the helmets began to glimmer in the sun, the small drums from Jena started to play, and under the Arc de L'Étoile, marked by the heavy footsteps of marching soldiers and the jingle of weapons, Schubert's Triumphal March erupted.

Suddenly the silence of the Place de L'Etoile was broken by a terrible cry: "To arms! To arms! The Prussians!" And the four Uhlans[275-1] at the head of the column could see up there on the balcony a tall old man stagger and fall. This time Colonel Jouve was really dead.

Suddenly, the silence of the Place de L'Etoile was shattered by a loud shout: "To arms! To arms! The Prussians!" And the four Uhlans[275-1] at the front of the column saw a tall old man on the balcony stagger and collapse. This time, Colonel Jouve was truly dead.


The Silver Mine

The Silver Mine

King Gustav the Third[276-1] was making a hurried trip through Dalarna. Though the horses seemed to be fairly skimming the ground, the King was dissatisfied. He leaned out of the window continually urging the driver to make haste, and his courtiers expected any minute that the royal coach or harness would break.

King Gustav the Third[276-1] was rushing through Dalarna. Although the horses appeared to be flying over the ground, the King was not happy. He kept leaning out of the window, urging the driver to go faster, and his courtiers feared that the royal coach or harness might break at any moment.

Finally the carriage tongue did indeed break. The courtiers leaped from the coach and after a hasty inspection said that it would be impossible to continue the journey without repairs. Anxious for the King's entertainment, they asked him if he would not like to attend the services in a little church which could be seen a short distance ahead.

Finally, the carriage tongue actually broke. The courtiers jumped out of the coach and, after a quick look, said it would be impossible to keep going without repairs. Eager for the King's amusement, they asked him if he would like to attend the services at a small church that was visible a short distance ahead.

The King agreed, and stepping into one of the other carriages, drove to the church. For hours he had been riding through large tracts of forest, so he was the more delighted to come out in view of green fields and small hamlets. The Dalelven sparkled forth, as it glided between masses of graceful willows.

The King agreed and stepped into one of the other carriages, driving to the church. He had been riding for hours through vast stretches of forest, so he was even more thrilled to see green fields and small villages. The Dalelven sparkled as it flowed between clusters of elegant willows.

The King, however, was unable to attend the service, for just as he stepped from the carriage to the churchyard, the sexton was ringing the bell for the closing. The worshippers came filing out of the church. As they passed the King, where he stood with one foot on the carriage step, he was impressed with their stalwart bearing and sturdy, wholesome appearance.

The King, however, couldn't make it to the service, because just as he stepped out of the carriage and into the churchyard, the sexton was ringing the bell for the closing. The worshippers were coming out of the church. As they walked past the King, who was standing with one foot on the carriage step, he was struck by their strong posture and healthy, robust look.

On the preceding day the King had remarked to his courtiers upon the poverty of the country they were passing through. "Apparently now," he said, "I am driving through the poorest section of my domain." When he saw these people, however, he forgot about the poverty of the country. His heart warmed within him and he said to himself, "The Swedish King is not in such poor circumstances as some of his enemies would believe. As long as my subjects remain as fine and wholesome as these are, I shall be able to defend successfully my crown and my land."

On the previous day, the King had commented to his courtiers about the poverty of the area they were traveling through. "It seems now," he said, "that I am driving through the poorest part of my realm." However, when he saw these people, he forgot about the country's poverty. His heart filled with warmth, and he thought to himself, "The Swedish King isn't as unfortunate as some of his enemies might think. As long as my subjects are as decent and strong as these, I will be able to successfully defend my crown and my land."

Then he commanded a courtier to tell the people that the stranger among them was their King, and that he wished them to gather around in order that he might address them.

Then he instructed a courtier to inform the people that the stranger among them was their King, and that he wanted them to gather around so that he could speak to them.

He spake to them, standing upon the top step that led into the sanctuary, and the step upon which he stood may be found there to this day.

He spoke to them, standing on the top step that led into the sanctuary, and the step he stood on can still be found there today.

The King first told his people how matters stood within the kingdom. Sweden had been attacked by both Russia and Denmark. Under ordinary circumstances this would not be alarming, but at present the army was so filled with traitors[277-1] that he could hardly depend on it. He saw, therefore, no alternative but to go out himself to the small towns and ask his subjects whether they wished to side with the traitors or were willing to help the King with soldiers and money to save the Fatherland.

The King first informed his people about the situation in the kingdom. Sweden was under attack from both Russia and Denmark. Normally, this wouldn't be too concerning, but right now the army was so filled with traitors[277-1] that he could hardly rely on it. He realized there was no choice but to visit the small towns himself and ask his subjects if they wanted to side with the traitors or if they were willing to support the King with soldiers and money to save the Fatherland.

While he was making this earnest appeal, the sturdy peasants stood attentively before him, making no comment, nor giving any sign as to whether they agreed or not. Now the King had felt inwardly pleased at the forcefulness of his own appeal, so when the men stood silent, unable to give their answer, he frowned and showed his disappointment.

While he was making this heartfelt appeal, the strong peasants stood quietly in front of him, saying nothing and giving no sign of whether they agreed or not. The King felt a sense of satisfaction with the strength of his own appeal, so when the men remained silent, unable to respond, he frowned and displayed his disappointment.

The farmers understood that the King was impatient for their reply, and at length one stepped forward. "Now you must know, King Gustav," he said, "that we were not expecting a visit from our King here to-day. We are therefore not prepared to answer you immediately. I would suggest that you go into the sanctuary and speak with our minister while we discuss among ourselves this matter which you have presented to us."

The farmers realized that the King was eager for their response, and finally, one of them stepped forward. "You should know, King Gustav," he said, "that we weren't expecting to see you here today. Because of that, we aren’t ready to answer you right away. I suggest you go into the sanctuary and talk to our minister while we discuss the matter you brought to us."

The King, perceiving that no better solution was possible, decided to take the farmer's advice.

The King, seeing that there was no better solution, decided to follow the farmer's advice.

When he entered the study, he found no one there except an old farmer. He was tall and rough, with hands large and horny from hard work. He wore neither robe nor collar, but only leather breeches and a long white homespun coat, like the other peasants. He arose and bowed as the King entered.

When he walked into the study, he found no one there except for an old farmer. He was tall and sturdy, with large, calloused hands from hard labor. He wore no robe or collar, just leather pants and a long white homemade coat, like the other peasants. He stood up and nodded as the King came in.

"I believed that I should meet the minister here," said the King.

"I thought I should meet the minister here," said the King.

The other reddened with embarrassment, for he realized that it might be annoying to the King to be told that he had mistaken the minister for a farmer.

The other person blushed with embarrassment, realizing that it might upset the King to be told he confused the minister for a farmer.

"Yes," he admitted, "the pastor is usually found here."

"Yeah," he admitted, "the pastor is usually here."

The King seated himself in a large armchair that stood in the study at that time, and which still stands there with a single change; the congregation has placed upon the back a gold crown.

The King sat down in a large armchair that was in the study at the time, and that still sits there with one change: the congregation has placed a gold crown on the back.

"Have you a good minister here?" asked the King, wishing to show interest in the people's welfare.

"Do you have a good minister here?" asked the King, wanting to show concern for the people's well-being.

When the King questioned him thus, the pastor felt that it was impossible to admit who he was. He decided that it was better to let the King think he was only a farmer, so he answered: "The minister is fair; he preaches the clear word of God, and he tries to live as he preaches."

When the King asked him this, the pastor felt it was impossible to reveal his true identity. He thought it would be better for the King to believe he was just a farmer, so he replied: "The minister is good; he preaches the clear word of God, and he tries to live by what he teaches."

The King thought this a good recommendation. His sharp ear, however, had detected a certain hesitation in the tone of the man. He said, therefore, "It sounds, though, as if you are not entirely satisfied with your pastor."

The King thought this was a good recommendation. However, his keen ear had picked up on a hint of hesitation in the man's tone. So he said, "It sounds like you're not completely satisfied with your pastor."

"He may be a bit hardheaded," said the other, thinking inwardly, "If the King should later discover who I am, he will realize that I did not pour compliments over myself." He decided, therefore, to come out with a bit of criticism. "There be those who would say that the minister is inclined to want to be the ruler in this hamlet," he continued.

"He might be a little stubborn," said the other, thinking to himself, "If the King finds out who I am later, he'll see that I didn't flatter myself." So, he decided to offer a bit of criticism. "Some might say that the minister seems to want to be the one in charge of this village," he continued.

"Then he has surely directed and managed everything in the best possible way," said the King. He was not pleased to have the farmer finding fault with some one placed over him. "It appears to me that everything here is ruled by good habit and old-fashioned simplicity."

"Then he has definitely organized and handled everything in the best way possible," said the King. He was not happy about the farmer criticizing someone above him. "It seems to me that everything here is governed by good habits and old-fashioned simplicity."

"The people are good," said the minister, "because they live in a remote place in isolation and poverty. The people here would probably be no better than others if the trials and temptations of the world came nearer to them."

"The people are good," said the minister, "because they live in a remote area, cut off and struggling. The people here would likely be no different from others if the challenges and temptations of the world came closer to them."

"There is little chance that this will happen," said the King with a shrug of his shoulder.

"There’s a slim chance of that happening," the King said with a shrug.

He said nothing further but began drumming on the table with his fingers. He felt that he had exchanged enough words with this farmer, and wondered when the people would be ready with their answer.

He didn't say anything more but started tapping his fingers on the table. He felt that he had said enough to this farmer and wondered when the people would have their answer ready.

"Those peasants are not very eager about coming to their King with aid," he thought. "If my coach were only ready, I would drive away from them and their deliberations."

"Those peasants aren’t very keen on coming to their King for support," he thought. "If only my coach were ready, I would leave them and their discussions behind."

The minister, deeply troubled, strove within himself as to how he should act on an important question that must be settled quickly. He felt glad that he had not told the King who he was, for now he could discuss matters that otherwise he would have been unable to bring forward.

The minister, very distressed, wrestled with himself about how to handle an important issue that needed to be resolved quickly. He felt relieved that he hadn’t revealed his identity to the King, because now he could talk about things that he wouldn’t have been able to mention otherwise.

After a time he broke the embarrassing silence by asking the King if it really were true that enemies were besieging them and their kingdom was in danger.

After a while, he broke the uncomfortable silence by asking the King if it was really true that enemies were surrounding them and their kingdom was in danger.

The King, feeling that this person should have sense enough to leave him undisturbed, looked at him for a time without reply.

The King, thinking this guy should be smart enough to leave him alone, stared at him for a while without saying anything.

"I asked the question because, standing within the study here, I could not hear clearly what you said to the people. But in case it is true, I should like to state that the pastor of this parish might possibly be in a position to furnish the King as much money as he would need."

"I asked the question because, standing in the study here, I couldn't hear clearly what you said to the people. But if it's true, I want to point out that the pastor of this parish might be able to provide the King with as much money as he needs."

"I thought you said that every one here was poor," said the King, thinking that the farmer did not know what he was talking about.

"I thought you said everyone here was poor," said the King, believing that the farmer didn't understand what he was saying.

"Yes, that is true," agreed the pastor, "and the minister has no more than any other. But if the King will honor me by listening, I will explain how it is that the minister has power to help."

"Yes, that’s true," the pastor agreed, "and the minister has no more than anyone else. But if the King will honor me by listening, I’ll explain how it is that the minister has the power to help."

"You may speak," said King Gustav. "You seem to find it easier to express yourself than your friends and neighbors outside, who never will be ready with their answer."

"You can go ahead and speak," said King Gustav. "You seem to find it easier to express yourself than your friends and neighbors outside, who will never be quick to respond."

"It is not an easy matter to answer a King. I fear that, in the end, it will be necessary for their pastor to speak in their stead."

"It’s not easy to respond to a King. I worry that, in the end, their pastor will have to speak for them."

The King crossed his knees, folded his arms, and dropped his head. "You may begin," he said, with an air of preparing to fall asleep.

The King crossed his knees, folded his arms, and lowered his head. "You can start," he said, sounding like he was about to doze off.

"Once upon a time the pastor and four men from his parish went elk hunting," began the minister. "Besides the pastor, there were two soldiers, Olaf and Erik Svard, the landlord of the village, and a farmer named Isræls Pers Perssons."

"Once upon a time, the pastor and four men from his church went elk hunting," the minister began. "Along with the pastor, there were two soldiers, Olaf and Erik Svard, the village landlord, and a farmer named Isræls Pers Perssons."

"Should not mention so many names," grumbled the King, as he shifted his head a bit.

"Don't mention so many names," the King grumbled, shifting his head slightly.

"The men were good hunters and usually had good luck, but this day they traveled far without getting any game. At last they gave up the hunt and sat down on the ground to talk. They remarked upon the strange fact that so large a section of the country should be unsuitable for cultivation. All was rocks, hills, or morass.

"The men were skilled hunters and usually had good luck, but that day they traveled far without finding any game. Finally, they gave up the hunt and sat down on the ground to chat. They noted the strange fact that such a large area of the country was unsuitable for farming. It was all rocks, hills, or swamps."

"'Our Lord has not done right by us, when he has given us such poor land to live in,' said one of them. 'In other sections people have riches and plenty, but here in spite of all our efforts we can hardly get sufficient for our daily needs.'"

"'Our Lord hasn't treated us fairly by giving us such poor land to live on,' one of them said. 'In other places, people have wealth and abundance, but here, despite all our hard work, we can barely meet our daily needs.'"

The minister stopped a moment as if uncertain whether the King had heard him. The King, however, moved his little finger as a sign that he was still awake.

The minister paused for a moment, unsure if the King had heard him. However, the King moved his pinky finger as a sign that he was still awake.

"As the hunters were talking of their ill fortune, the minister noticed something glittering where he had overturned a bit of moss with his boot. 'This is a remarkable mountain,' he thought. Overturning more of the moss and picking up a piece of stone that clung to it, he exclaimed, 'Can it be possible that this is lead ore!'

"As the hunters were discussing their bad luck, the minister spotted something shining where he had kicked aside a patch of moss with his boot. 'This is an incredible mountain,' he thought. He flipped over more moss and picked up a rock that was stuck to it, exclaiming, 'Could this really be lead ore!'"

"The others came eagerly over to the speaker and began uncovering the rock with their rifle stocks. They thus exposed a broad mineral vein on the side of the mountain.

"The others quickly gathered around the speaker and started to clear the rock with their rifle stocks. They revealed a wide mineral vein on the mountainside."

"'What do you suppose this is?' asked the minister.

"'What do you think this is?' asked the minister."

"Each man broke loose a piece of the rock and, biting it as a crude test, said he thought it should be at least zinc or lead.

"Each man broke off a piece of the rock and, biting it as a rough test, said he thought it should be at least zinc or lead."

"'And the whole mountain is full of it,' eagerly ventured the landlord."

"'And the whole mountain is full of it,' the landlord said excitedly."

When the minister had reached this stage of the story, the King slightly raised his head and partly opened one eye.

When the minister got to this point in the story, the King lifted his head a bit and partly opened one eye.

"Do you know if any of these persons had any knowledge of minerals or geology?"

"Do you know if any of these people had any knowledge of minerals or geology?"

"No, they did not," answered the minister. Whereupon the King's head sank and both eyes closed.

"No, they didn't," the minister replied. At that, the King's head dropped, and his eyes closed.

"The minister and those with him were highly pleased," continued the pastor, undisturbed by the King's indifference. "They believed that they had found something which would enrich not only themselves, but their posterity as well.

"The minister and those with him were really happy," continued the pastor, unfazed by the King's lack of interest. "They thought they had discovered something that would benefit not just themselves, but also their future generations."

"'Nevermore shall I need to work,' said one of them. 'I can do nothing the whole week through and on Sunday I shall ride to church in a gold chariot.'

"'I'll never have to work again,' said one of them. 'I can do nothing all week, and on Sunday I’ll ride to church in a gold chariot.'"

"These were usually men of good sense, but their great discovery had gone to their heads, so that now they spoke like children. They had enough presence of mind, however, to lay the moss carefully back in place so as to hide the mineral vein. Then, after taking careful note of the location, they journeyed home.

"These were usually sensible men, but their big discovery had gotten to their heads, making them talk like kids. Still, they had enough common sense to carefully put the moss back in place to hide the mineral vein. After noting the location, they made their way home."

"Before parting, they all agreed that the minister should go to Falun and ask the mineralogist there what kind of ore this might be. He was to return as soon as possible, and until then they all swore by a binding oath that they would not reveal to any person the location of the ore."

"Before they separated, everyone agreed that the minister should head to Falun and ask the local mineralogist about the type of ore it could be. He was to return as quickly as possible, and until then, they all took a solemn oath not to disclose the location of the ore to anyone."

The king slightly raised his head but did not interrupt the narrative. He began to believe apparently that the man really had something important to tell, though he did not permit himself to be aroused out of his indifference.

The king lifted his head a bit but didn't interrupt the story. He started to think that maybe the man actually had something significant to say, but he kept himself from getting engaged or showing any interest.

"The minister started upon his journey with a few samples of ore in his pocket. He was just as happy in the thought of becoming wealthy as any of the others were. He mused upon how he would repair the parsonage that now was no better than a cottage; and how he could marry the daughter of the bishop, as he had long desired. Otherwise he would be compelled to wait for her many years, for he was poor and obscure, and he knew it would be a long time before he would be assigned to a place that would enable him to marry the girl of his choice.

"The minister set off on his journey with a few samples of ore in his pocket. He was just as excited about the possibility of getting rich as anyone else was. He thought about how he would fix up the parsonage, which was barely better than a cottage, and how he could finally marry the bishop's daughter, something he had wanted for a long time. Otherwise, he would have to wait many years for that, since he was poor and unknown, and he knew it would take a while before he got a position that would allow him to marry the girl he wanted."

"The minister's journey to Falun took him two days. There he was compelled to wait a day for the return of the mineralogist. When he finally showed the samples of the ore, the man took them in his hand, looked at them, and then at the stranger. The minister told the story of how he had found these samples in the vicinity of his home, and asked if they might be lead.

"The minister's trip to Falun took him two days. There, he had to wait a day for the mineralogist to return. When the mineralogist finally showed up with the ore samples, he took them in his hand, examined them, and then looked at the minister. The minister recounted how he had discovered these samples near his home and asked if they could be lead."

"'No, it is not lead.'

'No, it isn't lead.'

"'Zinc, then?' faltered the minister.

"'Zinc, then?' hesitated the minister."

"'No, neither is it zinc.'

'No, it's not zinc either.'

"All hope sank within the breast of the minister. He had not felt so downcast in many a day.

"All hope faded for the minister. He hadn’t felt this low in a long time."

"'Do you have many stones like these in your country?' asked the mineralogist.

"'Do you have a lot of stones like these in your country?' asked the mineralogist."

"'We have a whole mountain,' answered the minister.

"'We have an entire mountain,' replied the minister."

"Then the man advanced toward the minister and slapping him on the shoulder said, 'Let us see that you make such use of it that will bring great good both to you and to our Kingdom, for you have found silver.'"

"Then the man walked up to the minister and, giving him a pat on the shoulder, said, 'Let's see you use it in a way that benefits both you and our Kingdom, because you've found silver.'"

"'Is that true?' said the minister rather dazed; 'so it is silver?'

"'Is that true?' the minister asked, feeling a bit stunned; 'so it is silver?'"

"The mineralogist explained to him what he should do in order to obtain legal rights to the mine, and gave him much good advice, also. The minister, however, stood bewildered and heard not a word that was said. He thought only of the wonderful news that back home in his poor neighborhood lay a whole mountain of silver ore waiting for him."

"The mineralogist told him what he needed to do to claim legal rights to the mine and offered him a lot of valuable advice, too. However, the minister was so overwhelmed that he didn’t hear a word. He was only thinking about the amazing news that back home in his struggling neighborhood, there was an entire mountain of silver ore just waiting for him."

The King raised his head so suddenly that the minister broke off the narrative. "I suppose when the minister came home and began working the mine he found that the mineralogist had misinformed him."

The King lifted his head so abruptly that the minister stopped talking. "I guess when the minister got back and started working the mine, he discovered that the mineralogist had given him the wrong information."

"No," said the minister, "it was as the man had said."

"No," said the minister, "it was just as the man said."

"You may continue," and the King settled himself again to listen.

"You can go ahead," and the King got comfortable again to listen.

"When the minister reached home, the first thing he did was to start out to tell his comrades of the value of their find. As he drove up to Landlord Stensson's place, where he had intended to go in and inform his friend that they had found silver, he paused at the gate, for he saw that white sheets had been hung before the windows and a broad path of hemlock boughs led up to the door step."

"When the minister got home, the first thing he did was head out to share the news with his friends about what they had discovered. As he pulled up to Landlord Stensson's place, where he planned to go in and tell his friend that they had found silver, he stopped at the gate because he noticed that white sheets had been hung in front of the windows and a wide path of hemlock branches led up to the doorstep."

"'Who has died here?' inquired the minister of a little boy who stood leaning against the fence.

"'Who has died here?' the minister asked a little boy who was leaning against the fence."

"'It is the landlord himself.' Then he told the minister that for a week past the landlord had been drinking ever and ever so much liquor, until he was drunk all the time.

"'It's the landlord himself.' Then he told the minister that for the past week, the landlord had been drinking a lot of liquor and was drunk all the time."

"'How can that be?' asked the pastor. 'The landlord never before drank to excess.'

"'How can that be?' asked the pastor. 'The landlord has never drunk excessively before.'"

"'Well, you see,' said the boy, 'he drank because he was possessed with the idea that he had found a mine. He was so rich, he said, that he would never need to do anything now but drink. Last night he drove out, drunk as he was, and fell out of the carriage and was killed.'

"'Well, you see,' said the boy, 'he drank because he was obsessed with the idea that he had discovered a mine. He claimed he was so rich that he would never have to do anything but drink from now on. Last night, he drove out, and despite being drunk, he fell out of the carriage and died.'"

"After the minister had heard all this, he started homeward, grieving over what he had learned. And only a moment before he had been so elated over the good news he had to tell his friends.

"After the minister heard all this, he started heading home, upset about what he had learned. Just a moment before, he had been so happy about the good news he had to share with his friends."

"When the minister had gone a short distance, he met Isræls Pers Persson walking along the road. He appeared as usual and the minister was glad that their good fortune had not turned his head. He would immediately gladden him with the news that he was now a rich man.

"When the minister had walked a little way, he saw Isræls Pers Persson walking down the road. He looked the same as always and the minister was pleased that their good luck hadn't changed him. He couldn't wait to share the news that he was now a wealthy man."

"'Good-day!' said the minister.

"Good day!" said the minister.

"'Do you come now from Falun?'

"'Are you coming from Falun now?'"

"'Yes, and I can tell you that things turned out better than we thought. The mineralogist said that it was silver ore.'

"'Yes, and I can tell you that things turned out better than we expected. The mineralogist said it was silver ore.'"

"Pers Persson looked as if the earth had opened to engulf him. 'What is it you say? Is it silver?'

"Pers Persson looked like the ground had opened up to swallow him. 'What are you saying? Is it silver?'"

"'Yes, we shall all be rich men now and able to live as royalty.'

"'Yes, we will all be rich now and able to live like royalty.'"

"'Oh, is it silver?' repeated Pers Persson, in still greater dejection.

"'Oh, is it silver?' repeated Pers Persson, even more disheartened."

"'It certainly is silver,' said the minister. 'Don't think that I would deceive you. You should not be afraid of being glad.'

"'It definitely is silver,' said the minister. 'Don’t think I would lie to you. You shouldn't be scared to be happy.'"

"'Glad!' said Pers Persson, 'should I be glad? I thought it was fool's gold, so it seemed better to take a certainty for an uncertainty. I sold my share in the mine to Olaf Svard for one hundred dollars.'

"'Glad!' said Pers Persson, 'Should I really be glad? I thought it was just fool's gold, so it made more sense to take a sure thing instead of a gamble. I sold my share in the mine to Olaf Svard for one hundred dollars.'"

"He looked very downhearted, and the minister left him standing there with tears in his eyes.

"He looked really upset, and the minister walked away, leaving him standing there with tears in his eyes."

"When the minister reached home, he sent a servant to Olaf Svard and his brother asking them to come to the manse that he might tell them the nature of their find. He felt that he had had enough of trying to spread the good news himself.

"When the minister got home, he sent a servant to Olaf Svard and his brother asking them to come to the manse so he could explain the nature of their discovery. He felt like he’d had enough of trying to share the good news on his own."

"But that evening, as the minister sat alone, joy again filled his heart. He went out and stood upon a hillock where he had decided to build the new parsonage. This, of course, should be very grand, as grand as the bishop's home itself. He was not satisfied, moreover, with the idea of repairing the old church. It occurred to him that, as there was so much wealth in the hamlet, many people would find their way to the place, until finally a large town would probably be built around the mine. He reasoned that it would be necessary then to build a large new church in place of the old one, which would require a great portion of his riches. Neither could he stop here in his dreams, for he thought that when the time came to dedicate this grand new church, the King and many bishops would be there. The King would be glad to see such a church, but he would remark that there were not fit accommodations to be had in the town. It would be necessary, therefore, to build a castle in the city."

"But that evening, as the minister sat alone, joy filled his heart once again. He went outside and stood on a small hill where he planned to build the new parsonage. This, of course, should be very impressive, as impressive as the bishop's residence itself. He wasn't happy just thinking about repairing the old church. It occurred to him that, since there was so much wealth in the village, many people would eventually come to the area, and a large town would likely spring up around the mine. He figured it would then be essential to build a large new church to replace the old one, which would take a significant part of his wealth. He couldn't stop dreaming there, either; he imagined that when the time came to dedicate this impressive new church, the King and many bishops would be present. The King would be pleased to see such a church, but he would point out that the town didn't have adequate accommodations. Therefore, it would be necessary to build a castle in the city."

At this point one of the King's courtiers opened the door of the study and announced that the King's coach had been repaired.

At this point, one of the King's courtiers opened the door to the study and announced that the King's carriage had been fixed.

The King thought at first that he would depart immediately but, reconsidering, he said to the minister, "You may continue your story to the end, but make it shorter. We know how the man dreamed and thought; now we want to know what he did."

The King initially thought he would leave right away, but after thinking it over, he told the minister, "You can finish your story, but keep it brief. We already know about the man's dreams and thoughts; now we want to hear about his actions."

"While the minister sat in the midst of his dreams," went on the speaker, "word came to him that Isræls Pers Perrson had taken his life. He could not endure the thought of his folly in selling his share of the mine. He felt he would be unable to live and see from day to day another enjoy the wealth that might have been his."

"While the minister sat lost in his thoughts," the speaker continued, "he received word that Isræls Pers Perrson had taken his own life. He couldn't bear the idea of his mistake in selling his stake in the mine. He felt he wouldn't be able to go on living knowing that someone else was enjoying the wealth that could have been his."

The King moved slightly in his chair. He now had both eyes wide open. "Methinks," said he, "that had I been this minister, I should have had enough of that mine."

The King shifted a bit in his chair. He had both eyes wide open now. "I think," he said, "that if I had been that minister, I would have had enough of that mine."

"The King is a rich man; at least he has plenty. It was not so with the minister, who owned nothing. This poor man, when he saw that God's blessing appeared not to be with his undertaking, thought: 'I shall not dream further about making myself prosperous and useful with these riches. I cannot let the silver mine lie in the ground, however; I must take out the ore for the poor and needy. I will work the silver mine to help put the whole community on its feet.'

"The King is wealthy; he has more than enough. The minister, on the other hand, had nothing. This unfortunate man, realizing that God's blessing didn't seem to favor his efforts, thought: 'I shouldn’t keep dreaming about becoming rich and successful with these resources. I can’t just let the silver mine sit there; I have to excavate the ore for those who are poor and in need. I will work the silver mine to help lift up the whole community.'"

"One day the minister went over to Olaf Svard's to talk with him and his brother about the best disposal of the mine. When he came near the soldier's home, he met a cart surrounded by awe-stricken farmers. Within the cart sat a man, his feet bound with a rope and his hands behind him.

"One day, the minister went over to Olaf Svard's to talk with him and his brother about the best way to handle the mine. As he got close to the soldier's home, he saw a cart surrounded by shocked farmers. Inside the cart sat a man, his feet tied with a rope and his hands behind his back."

"As the minister passed, the cart stopped, giving the minister an opportunity to observe the prisoner more closely. His head was bound around so that it was hard to see him, but the minister thought he recognized Olaf Svard. He heard the prisoner pleading with the guards to let him speak with the minister.

"As the minister walked by, the cart stopped, allowing him to take a closer look at the prisoner. The man's head was wrapped in such a way that it was difficult to see him, but the minister thought he recognized Olaf Svard. He heard the prisoner begging the guards to let him talk to the minister."

"As he came closer to the cart, the prisoner turned towards him, saying, 'You will soon be the only one who knows where the silver mine is.'

"As he got closer to the cart, the prisoner turned to him and said, 'You'll soon be the only one who knows where the silver mine is.'"

"'What is that you say, Olaf?'

"'What did you say, Olaf?'"

"'You see, minister, since we heard that it is a silver mine we have found, my brother and I have not remained such good friends as formerly. We often have come to disputes, and last night we had an argument over which one of us five first found the mine. We came to blows, and I have killed my brother and he has given me a deep mark on my forehead.[290-1] I shall hang now and you will then be the only one who knows the site of the mine. I should like to request something of you.'

"'You see, minister, ever since we found out that it’s a silver mine, my brother and I haven’t been as close as we used to be. We’ve had a lot of arguments, and last night we got into a fight over who discovered the mine first. We ended up in blows, and I killed my brother while he left a deep mark on my forehead. [290-1] I’m going to be hanged now, and you will be the only one who knows where the mine is. I’d like to ask you for something.'”

"'Speak up,' said the minister. 'I will do all in my power for you.'

"'Speak up,' said the minister. 'I'll do everything I can to help you.'"

"'You know I shall leave several little children behind me,' said the soldier.

"'You know I'm going to leave several young kids behind me,' said the soldier."

"'So far as that is concerned,' interrupted the minister, 'you may rest easy. Whatever is your share they shall have.'

"'Regarding that,' the minister cut in, 'you can relax. Whatever is your part, they will receive.'"

"'No,' said Olaf, 'it is another thing I wanted to ask of you. Do not let them have any part of that which comes out of the mine.'

"'No,' said Olaf, 'there's something else I wanted to ask you. Don’t let them have any part of what comes from the mine.'"

"The minister fell back a few steps, then remained motionless, unable to reply.

"The minister took a step back, then stood still, unable to respond."

"'If you do not promise me this, I cannot die in peace.'

"'If you don’t promise me this, I can’t die in peace.'"

"The minister at last promised reluctantly, and the cart continued on its way, bearing the murderer to his doom.

"The minister finally promised, though reluctantly, and the cart proceeded on its way, carrying the murderer to his fate."

"The minister stood there in the road, deliberating on how he should keep the promise he had just given. All the way home he thought over the riches which he had expected would bring such joy.

"The minister stood in the road, thinking about how he would keep the promise he had just made. On his way home, he reflected on the wealth he had hoped would bring him so much happiness."

"'If it should prove,' he mused, 'that the people of this parish are unable to endure wealth, since already four have died who had been strong practical men, ought I not to give up the idea of working the mine?' He pictured his whole parish going to destruction because of the silver. Would it be right that he, who was placed as a guardian over the souls of these poor people, should put into their hands something which might be the cause of their ruin?"

"'If it turns out,' he thought, 'that the people in this parish can't handle wealth, considering four strong, practical men have already died, shouldn't I abandon the idea of working the mine?' He imagined his entire parish falling apart because of the silver. Would it be right for him, who was meant to protect the souls of these poor people, to give them something that could lead to their downfall?"

The King raised himself upright in his chair and stared at the speaker. "I might say that you give me to understand that the pastor of this isolated community must be a real man."

The King straightened up in his chair and looked intently at the speaker. "I get the impression that the pastor of this remote community has to be a genuine person."

"But this that I have related was not all," continued the minister, "for as soon as the news of the mine spread over the neighboring parishes, workers ceased to labor and went about light-heartedly, awaiting the time when the great riches should pour in on them. All idlers in that section roamed into the hamlet. Drunkenness, quarreling, and fighting became constant problems for the minister's solution. Many people did nothing but wander around through fields and forest looking for the mine. The minister noted, also, that as soon as he left home, men spied upon him to see whether he visited the silver mine, so that they might steal the secret of its location from him.

"But what I've shared isn't everything," the minister continued. "As soon as word of the mine got out to the neighboring parishes, workers stopped working and wandered around carefree, waiting for the moment when the wealth would come pouring in. All the idle folks in the area flocked to the village. Drunkenness, fighting, and brawls became ongoing issues for me to deal with. Many people spent their time just wandering through fields and forests looking for the mine. I also noticed that whenever I left home, men would watch me closely to see if I visited the silver mine, hoping to steal the secret of its location from me."

"When things had come to this pass, the minister called the farmers to a meeting. He reminded them of the many tragedies that the discovery of the silver mine had brought to their community and asked if they were going to allow themselves to be ruined or if they wished to save themselves. And then he asked if they wanted him, who was their pastor, to contribute to their ruin. He himself had decided that he would not reveal to anyone the location of the mine, nor would he ever attempt to derive any wealth therefrom.

"When things reached this point, the minister called a meeting with the farmers. He reminded them of the many tragedies that the discovery of the silver mine had brought to their community and asked if they were going to let themselves be ruined or if they wanted to save themselves. Then he asked if they wanted him, their pastor, to contribute to their downfall. He had decided that he would not share the location of the mine with anyone, nor would he ever try to profit from it."

"He then asked the farmers how they would vote for the future. If they desired to continue seeking after the mine and awaiting riches, he intended to go so far from them that no news of their misery would ever reach him. If, on the other hand, they would give up thinking of the silver mine, he would remain among them. 'But however you choose,' repeated the minister, 'remember that no one will ever hear from me any information about the location of the silver mine.'"

"He then asked the farmers how they would vote for the future. If they wanted to keep searching for the mine and hoping for riches, he planned to distance himself so much that he would never hear about their suffering. If, however, they decided to stop thinking about the silver mine, he would stay with them. 'But whatever you decide,' the minister said again, 'remember that no one will ever get any information from me about where the silver mine is.'"

"Well," said the King, "what did the farmers decide?"

"Well," said the King, "what did the farmers decide?"

"They did as the minister desired of them. They understood that he meant well for them when he was willing to remain in poverty for their sake. They urged him to go to the forest and take every precaution to conceal the vein so that no one would ever find it."

"They did what the minister asked of them. They recognized that he had their best interests at heart when he chose to stay in poverty for their sake. They encouraged him to go to the forest and take every precaution to hide the vein so that no one would ever discover it."

"Since then the minister has remained here as poor as the others?"

"Since then, has the minister stayed here just as poor as the others?"

"Yes, as poor as the others."

"Yeah, as broke as the others."

"Has he, in spite of this, married and built a new parsonage?"

"Has he, despite all this, gotten married and built a new parsonage?"

"No, he has not had the means. He lives in the same old place."

"No, he hasn't had the resources. He still lives in the same old place."

"That is a beautiful story," said the King, bending his head.

"That’s a beautiful story," said the King, nodding his head.

The minister stood silent before the King. In a few minutes the latter continued: "Was it of the silver mine that you were thinking when you said that the minister here could furnish me with as much money as I should need?"

The minister stood silently in front of the King. After a few moments, the King continued, "Were you thinking about the silver mine when you said that the minister here could provide me with as much money as I needed?"

"Yes," said the other.

"Yeah," said the other.

"But I can't put thumb-screws on him; and how otherwise could I bring a man like him to show me the mine—a man who has forsaken his beloved and all material blessings?"

"But I can't force him; how else could I get a guy like him to show me the mine—a guy who has given up his loved one and all earthly possessions?"

"That is another matter," said the minister. "If it is the Fatherland that needs help, he will undoubtedly give up the secret."

"That's a different issue," said the minister. "If the Fatherland needs assistance, he will definitely reveal the secret."

"Do I have your assurance for that?"

"Can I count on your assurance for that?"

"Yes, I will answer for it."

"Sure, I’ll take responsibility for it."

"Does he not care, then, how it goes with his parishioners?"

"Does he not care about how things go for his parishioners?"

"That shall stand in God's hands."

"That will be left in God's hands."

The King arose from his chair and walked over to the window. He stood for a moment observing the people outside. The longer he stood, the clearer his large eyes glistened. His whole stature seemed to expand.

The king got up from his chair and walked to the window. He paused for a moment, watching the people outside. The longer he stood there, the more his large eyes sparkled. His entire presence seemed to grow.

"You may present my compliments to the minister of this parish," said the King, "and say to him that there is given no more beautiful sight to Sweden's King than to see such a people as these."

"You can give my regards to the minister of this parish," said the King, "and tell him that there’s nothing more beautiful for the King of Sweden than seeing people like these."

Thereupon the King turned from the window and looked smilingly at the minister. "Is it true that the minister of this parish is so poor that he takes off his black robe as soon as the service is over and dresses as one of the peasants?"

Thereupon, the King turned from the window and looked at the minister with a smile. "Is it true that the minister of this parish is so poor that he takes off his black robe as soon as the service ends and dresses like one of the peasants?"

"Yes, he is as poor as that," said the minister, and a flush of embarrassment spread over his rough but noble face.

"Yeah, he's that poor," said the minister, and a wave of embarrassment washed over his rugged but kind face.

The King again stepped to the window. He apparently was in his best mood. All that was great and noble within him had been awakened. "He shall let the silver mine rest in peace. Since through all his life he has starved and worked to perfect a people such as these, he shall be permitted to keep them as they are."

The King stepped to the window again. He seemed to be in his best mood. Everything great and noble inside him had been stirred. "He'll leave the silver mine alone. Since he has struggled and worked all his life to improve people like these, he should be allowed to keep them just as they are."

"But if the kingdom is in danger——"

"But if the kingdom is in danger——"

"The kingdom is better served with men than with money." When he had said these words, the King shook hands with the minister and stepped out of the study.

"The kingdom is better off with people than with money." After he said this, the King shook hands with the minister and walked out of the study.

Outside stood the people, as impassive as when he went in. But when the King came down the steps, one of the farmers approached him.

Outside stood the crowd, as unchanging as when he went in. But when the King came down the steps, one of the farmers stepped forward to him.

"Have you talked with our minister?"

"Have you spoken with our minister?"

"Yes, I have talked with him."

"Yeah, I've spoken to him."

"Then you have also received answer from us," said the farmer.

"Then you've also received an answer from us," said the farmer.

"Yes, I have received your answer."

"Yeah, I got your message."

Translated from the Swedish by C. Frederick Carlson.

Translated from the Swedish by C. Frederick Carlson.


O. HENRY (Page 11)

O. HENRY (Page 11)

Sydney Porter, whose pen name was O. Henry, was an American journalist who lived during the years 1862 to 1910. For several years he wandered in the South and Southwest, gathering the many and varied experiences of a journalistic career. These he aptly used in his numerous short stories, and he was ever a beguiling story teller.

Sydney Porter, known by his pen name O. Henry, was an American journalist who lived from 1862 to 1910. For several years, he traveled through the South and Southwest, collecting a wide range of experiences from his journalism career. He skillfully incorporated these into his many short stories, and he was always a captivating storyteller.

He finally settled down in New York City and there wrote his best stories. Instead of writing of the Four Hundred, or the social set of the great city, as so many other writers were fond of doing, with his clever pen he revealed to us through little sketches the real life of the four million others in New York. Laundresses, messenger boys, policemen, clerks, even the tramps ever present in the parks were pictured for us as real everyday people whom one could find anywhere. Read his stories in The Four Million, from which "The Gift of the Magi" is taken, for you will like them.

He finally settled in New York City and there wrote his best stories. Instead of writing about the elite, or the social scene of the great city like so many other writers enjoyed doing, his clever pen revealed to us through short sketches the real lives of the four million others in New York. Laundresses, messenger boys, policemen, clerks, and even the homeless who linger in the parks were portrayed as everyday people you could find anywhere. Check out his stories in The Four Million, from which "The Gift of the Magi" is taken, because you’ll enjoy them.

O. Henry, while his stories usually lack the qualities of enduring literature, those of a cultured style and a universal theme—a theme that will be true to human experience through the ages—is yet master of the composition of the short story. Examine "The Gift of the Magi" and you will find that it develops one main incident carried out in a single afternoon with all the necessary details compressed; that is, the details are suggested in a few words but not developed. The story has originality and appeals to the imagination of the reader, for the whole life of the two characters is suggested through this brief, rather touching sketch. The end, though it is a surprise and comes like the crack of a whip, was nevertheless carefully prepared for. Then the writer is through, and we are left with the feeling that we know this everyday young couple, who after all have the priceless gift, an unselfish love, which, hidden from the eyes of the world, glorifies their commonplace existence.

O. Henry, while his stories might not have the qualities of lasting literature, like a refined style and a universal theme that resonates with human experiences over time, is still a master of short story writing. Take a look at "The Gift of the Magi," and you'll see it revolves around one main event happening in a single afternoon, with all the necessary details condensed; that is, the details are hinted at in just a few words but not fully fleshed out. The story is original and sparks the reader's imagination, as the entire life of the two characters is implied through this brief, rather poignant sketch. The ending, though surprising and hitting like a whip crack, was still thoughtfully set up. Then the author wraps things up, leaving us with the feeling that we really know this ordinary young couple, who, despite everything, possess the priceless gift of selfless love, which, though hidden from the world, elevates their simple life.

O. Henry approaches true literature here, for he has a theme that has lived and will ever live to uplift human life. His style too, influenced by his theme, is raised somewhat from his usual slangy expression.

O. Henry gets close to real literature here because he has a theme that has endured and will always inspire human life. His style, influenced by this theme, is elevated a bit from his typical slangy expression.

The Gift of the Magi

The Gift of the Magi

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11, 1. The Magi. Wise men who brought gifts to the infant Christ as he lay in the manger at Bethlehem.

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11, 1. The Magi. Wise men who brought gifts to the newborn Christ while he was in the manger at Bethlehem.

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13, 1. Queen of Sheba. A queen of Old Testament history, who is reported to have sought an alliance with Solomon, King of Israel, in the tenth century B.C., bringing to him fabulous gifts of gold and jewels.

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13, 1. Queen of Sheba. A queen from the Old Testament era, known for seeking an alliance with Solomon, the King of Israel, in the 10th century B.C., bringing him incredible gifts of gold and jewels.


BOOTH TARKINGTON (Page 19)

BOOTH TARKINGTON

Booth Tarkington was born in Indianapolis, Indiana, in 1869. The author's love for and knowledge of his native state is revealed to us in several of his best novels. He was educated at Exeter Academy, at Purdue University, and at Princeton.

Booth Tarkington was born in Indianapolis, Indiana, in 1869. The author's passion for and understanding of his home state comes through in several of his best novels. He studied at Exeter Academy, Purdue University, and Princeton.

Mr. Tarkington may truly be said to be a literary man. Unlike most of our other authors, he has had no other formal occupation except that of writing. To this work, since he left Princeton, he has given all of his time and energy. For eight years he wrote stories that were always rejected. His courage and perseverance, however, were finally richly rewarded. With his first accepted work, The Gentleman from Indiana, he attained a secure position as a writer of distinction.

Mr. Tarkington can definitely be considered a literary figure. Unlike most of our other authors, he has only worked as a writer. Since leaving Princeton, he has devoted all of his time and energy to this pursuit. For eight years, he wrote stories that were consistently rejected. However, his courage and determination eventually paid off. With his first published work, The Gentleman from Indiana, he established himself as a prominent writer.

Mr. Tarkington is said to be exceedingly companionable and entirely without self-consciousness and egotism. He is a ready and entertaining talker and tells a story as well as he writes one. He has, too, a keen sense of the humorous. This naturalness and this sense of humor may be noticed readily in the story, "A Reward of Merit" selected from Penrod and Sam.

Mr. Tarkington is known to be very sociable and completely free of self-awareness and self-importance. He is a quick and engaging speaker and tells a story as effectively as he writes one. He also has a sharp sense of humor. This authenticity and sense of humor can be easily seen in the story, "A Reward of Merit," selected from Penrod and Sam.

The books, Penrod, Penrod and Sam, and Seventeen are studies of the human boy, presented in a series of chapters that read like so many short stories.

The books, Penrod, Penrod and Sam, and Seventeen are explorations of the human boy, presented in a series of chapters that read like a collection of short stories.

A Reward of Merit

A Merit Award

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21, 1. Obedient to inherited impulse. The boys followed an unreasoning impulse in their nature, inherited from their savage ancestors, who got their living by pursuing and killing running animals.

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21, 1. Obedient to inherited impulse. The boys acted on a primitive instinct that they inherited from their wild ancestors, who survived by chasing and hunting animals.

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21, 2. Automatons of instinct. Creatures guided, not by reason or will, but by tendencies inherited from savage ancestors.

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21, 2. Automatons of instinct. Creatures driven, not by reason or choice, but by instincts passed down from their wild ancestors.

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22, 1. Practioner of an art, etc. A humorous way of saying that gambling by the method of throwing dice dates back probably further than the time of the Romans.

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22, 1. Practitioner of an art, etc. A funny way of saying that gambling by throwing dice likely goes back even further than the Roman era.

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30, 1. Sang-froid. A French word meaning coolness under trying circumstances.

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30, 1. Sang-froid. A French term that means keeping your cool in tough situations.

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36, 1. Gothic. A term applied to certain types of architecture of the Middle Ages. Whitey, with bones and ribs showing, suggested the pillars and pointed arches of a Gothic building.

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36, 1. Gothic. A term used to describe specific styles of architecture from the Middle Ages. The whiteness, with bones and ribs visible, hinted at the pillars and pointed arches of Gothic structures.

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43, 1. Nemesis. An ancient goddess in Greek literature who justly punished any one who sinned.

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43, 1. Nemesis. An ancient goddess in Greek literature who fairly punished anyone who sinned.


MARY RAYMOND SHIPMAN ANDREWS (Page 48)

MARY RAYMOND SHIPMAN ANDREWS (Page 48)

Mary Raymond Shipman Andrews is a well-known short story writer of the present day. She was born in Mobile, Alabama. Her present home is in Syracuse, New York.

Mary Raymond Shipman Andrews is a well-known short story writer today. She was born in Mobile, Alabama. Her current home is in Syracuse, New York.

Mrs. Andrews is perhaps best known by her story of Lincoln, "The Perfect Tribute," the one of her stories which will surely endure the test of time and rank high as literature. Among her best work are also stories of camping trips in the Canadian woods—stories which show her keen delight in life out-of-doors, for Mrs. Andrews says of herself, "I paddle a canoe much better than I write a story."

Mrs. Andrews is probably most famous for her story about Lincoln, "The Perfect Tribute," which is definitely one of her stories that will stand the test of time and be regarded as great literature. Some of her best work includes tales of camping trips in the Canadian woods—stories that reveal her genuine enjoyment of outdoor life, as Mrs. Andrews herself says, "I paddle a canoe much better than I write a story."

In "American, Sir!" the story of the World War given in this book, one finds Mrs. Andrews's usual qualities of sentiment, dramatic effect, and distinctive style. To readers of "The Perfect Tribute," it is enough to say that in her stories of the recent war Mrs. Andrews writes with the same exalted spirit of American patriotism that she showed in that story of the Civil War. She believes that out of the sorrow and suffering of the war have come the glory of courage and self-sacrifice and a new and deeper love for America.

In "American, Sir!" the account of World War presented in this book showcases Mrs. Andrews's familiar traits of sentiment, dramatic impact, and unique style. For those familiar with "The Perfect Tribute," it's sufficient to note that in her stories about the recent war, Mrs. Andrews writes with the same uplifting American patriotism that she displayed in her Civil War tale. She believes that from the pain and hardship of the war have emerged the glory of bravery and selflessness, along with a stronger and deeper love for America.

"American, Sir!"

"American, dude!"

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49, 1. "Tapped" for "Bones" or "Scroll and Key." "Bones" and "Scroll and Key" are two fraternities at Yale to which the students deem it a great honor to belong. On the great day when new members are chosen, every one assembles on the campus, where the new members are tapped on the shoulder by old members and told to go to their rooms.

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49, 1. "Tapped" for "Bones" or "Scroll and Key." "Bones" and "Scroll and Key" are two fraternities at Yale that students consider a huge honor to join. On the big day when new members are selected, everyone gathers on campus, where current members tap the new members on the shoulder and tell them to head to their rooms.

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52, 1. Croix de Guerre. The French War Cross, a decoration given by France to soldiers for extreme bravery and self-sacrifice.

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52, 1. Croix de Guerre. The French War Cross is an award given by France to soldiers for exceptional bravery and selflessness.

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52, 2. Caporetto disaster. The Italian army was overwhelmingly defeated by the Germans near the village of Caporetto on October 24, 1917. This disaster was brought about by fraternization, or friendly relations, between the soldiers of the Austro-German and Italian armies. Skillful German propaganda had led the Italians to believe that fighting would be brought to an end if the Italian soldiers would do no more shooting. Then new German troops were brought forward to make a deadly attack upon the Italian army. So thoroughly had the Germans played their game that the Italians lost more than 250,000 prisoners and 2300 guns before they realized how they had been duped.

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52, 2. Caporetto disaster. The Italian army faced a crushing defeat by the Germans near the village of Caporetto on October 24, 1917. This disaster was caused by the fraternization, or friendly interactions, between the soldiers of the Austro-German and Italian armies. Clever German propaganda convinced the Italians that if they stopped shooting, the fighting would come to an end. Then, fresh German troops were deployed to launch a devastating attack on the Italian army. The Germans had manipulated the situation so effectively that the Italians lost over 250,000 prisoners and 2,300 guns before they realized they had been tricked.

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52, 3. Lombardy and Venetia. Provinces in northern Italy, which are noted for their beautiful scenery and places of interest to tourists.

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52, 3. Lombardy and Venetia. Regions in northern Italy, known for their stunning landscapes and attractions for travelers.

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52, 4. Tagliamento. A small river in northern Italy. The Italian army made a stand here in a bloody encounter with the Germans.

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52, 4. Tagliamento. A small river in northern Italy. The Italian army made a stand here during a brutal clash with the Germans.

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52, 5. Piave. Another river in northern Italy, south of the Tagliamento. Here the Italians brought the Germans to a stand and held them for several months. They did this by a system of lagoon defenses from the lower Piave to the Gulf of Venice. This is most interesting to read about in any of the histories of the World War.

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52, 5. Piave. Another river in northern Italy, south of the Tagliamento. Here, the Italians managed to halt the Germans and keep them in check for several months. They accomplished this through a system of lagoon defenses stretching from the lower Piave to the Gulf of Venice. This is particularly fascinating to read about in any of the histories of World War I.

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55, 1. Bersagliari. Italian sharp-shooters.

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55, 1. Bersagliari. Italian sharpshooters.


KATHERINE MAYO (Page 68)

Katherine Mayo (Page 68)

Katherine Mayo was born in Ridgway, Pennsylvania, but she was educated at private schools in Boston and Cambridge, and her home has long been in New York City.

Katherine Mayo was born in Ridgway, Pennsylvania, but she was educated at private schools in Boston and Cambridge, and she has lived in New York City for a long time.

She is a contributor to our best periodicals, The Atlantic Monthly, Scribner's, The North American, The Outlook, and The Saturday Evening Post. Her stories are almost all founded on facts. The story "John G." in this collection of short stories is selected from The Standard Bearers, which is a group of true narratives concerning the Pennsylvania State Police. These tales are told by Miss Mayo in a finely distinctive way which makes vivid the gallant deeds of these brave men.

She writes for some of our top magazines, The Atlantic Monthly, Scribner's, The North American, The Outlook, and The Saturday Evening Post. Most of her stories are based on real events. The story "John G." in this collection of short stories is taken from The Standard Bearers, which features true stories about the Pennsylvania State Police. Miss Mayo tells these tales in a unique style that brings to life the heroic actions of these brave men.

Miss Mayo's interest in the history and deeds of the Pennsylvania State Police was aroused by her personal experience of the helplessness of country districts in New York state to prevent or punish crime. Miss Mayo had heard that Pennsylvania years ago had acknowledged its duty to protect all its people, and to that end had established a rural patrol known as the State Police. Finding little in print concerning this force, she went to Pennsylvania to study the facts first hand.

Miss Mayo became interested in the history and actions of the Pennsylvania State Police because of her personal experiences with the inability of rural areas in New York state to prevent or address crime. She had heard that Pennsylvania had recognized its responsibility to protect all its citizens years ago and had created a rural patrol called the State Police for this purpose. Since she found little information in print about this force, she traveled to Pennsylvania to learn more about it directly.

The results of her investigations she published early in 1917 in her book, Justice to All, with an introduction by ex-President Roosevelt, in which he declares the volume to be so valuable that it should be in every public library and every school-library in the land.

The results of her investigations were published in early 1917 in her book, Justice to All, with an introduction by former President Roosevelt, who states that the book is so valuable it should be in every public library and every school library in the country.

In The Standard Bearers, she tells of some of the special feats of early members of that now famous force. No detective stories, no tales of the Wild West can exceed in thrilling human interest these true narratives of events that have happened in our own time and in our own country.

In The Standard Bearers, she shares some remarkable achievements of the early members of that now-famous organization. No detective stories or tales of the Wild West can match the gripping human interest of these true accounts of events that have occurred in our own time and in our own country.

Miss Mayo during the world war has done active work over seas in the "Y." True stories of her experiences with the doughboys have appeared in The North American, and in The Outlook.

Miss Mayo during the world war has done active work overseas in the "Y." True stories of her experiences with the soldiers have appeared in The North American, and in The Outlook.

John G.

John G.

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68, 1. Barrack-Room Ballads. Poems by Rudyard Kipling with the atmosphere of the far East.

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68, 1. Barrack-Room Ballads. Poems by Rudyard Kipling capturing the essence of the Far East.

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69, 1. Pennsylvania State Police. See sketch of Katherine Mayo.

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69, 1. Pennsylvania State Police. See a drawing of Katherine Mayo.

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69, 2. I. W. W. Industrial Workers of the World, a revolutionary labor organization. The members have given much trouble by their extreme views, such as eternal war against their employers. They believe that they should organize as a class and take possession of the earth, abolishing the wage system.

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69, 2. I. W. W. The Industrial Workers of the World is a revolutionary labor group. Its members have caused significant issues with their radical beliefs, including an ongoing battle against their employers. They think they should unite as a class and take control of the land, eliminating the wage system.

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70, 1. Blue ribbon. A sign of distinction; a blue ribbon worn by a horse at a horse show denotes that he has won the first prize.

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70, 1. Blue ribbon. A mark of excellence; a blue ribbon worn by a horse at a horse show indicates that it has achieved first place.

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70, 2. Atlantis. A mythical island of vast extent mentioned by Plato and other ancient writers and placed by them in the distant unknown West.

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70, 2. Atlantis. A legendary island of great size referenced by Plato and other ancient authors, located by them in the faraway, uncharted West.

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72, 1. Two by twelves. A plank two inches thick by twelve inches wide.

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72, 1. Two by twelves. A board that is two inches thick and twelve inches wide.


MYRA KELLY (Page 77)

MYRA KELLY (pg. 77)

Myra Kelly, who later became Mrs. Allan Macnaughton, was born in Dublin, Ireland, in 1876 and died in England in 1910. She lived almost all of her short life, however, in New York City. Here she was educated in the public schools and at Teachers College, Columbia University.

Myra Kelly, who later became Mrs. Allan Macnaughton, was born in Dublin, Ireland, in 1876 and died in England in 1910. She spent almost all of her short life in New York City, where she was educated in the public schools and at Teachers College, Columbia University.

She was an American teacher and author. She taught in the New York public schools from 1899 to 1901 and at Teachers College in 1902 and 1903. She first became known by her stories of children in the primary schools of New York City. She wrote chiefly of the children of the East Side, with whom she had had first-hand experience, while teaching in the public schools. Her stories give the Yiddish dialect inimitably and they show a fine, wise tolerance as well as a shrewd knowledge of child character.

She was an American teacher and author. She taught in New York public schools from 1899 to 1901 and at Teachers College in 1902 and 1903. She first gained recognition through her stories about children in New York City's primary schools. She primarily wrote about the kids from the East Side, with whom she had direct experience while teaching in the public schools. Her stories capture the Yiddish dialect perfectly and demonstrate a deep, wise tolerance along with a keen understanding of child character.

Mrs. Macnaughton's published volumes include Little Citizens, Wards of Liberty, Rosnah, Little Aliens, New Faces, and Her Little Young Ladyship. The story "Friends," presented in this collection, is taken from Little Aliens.

Mrs. Macnaughton's published works include Little Citizens, Wards of Liberty, Rosnah, Little Aliens, New Faces, and Her Little Young Ladyship. The story "Friends," included in this collection, is from Little Aliens.

Little Aliens contains nine stories, of which the settings are all in the homes of the children. Most of the stories in her first volume, Little Citizens, have their settings in the schools. The stories reveal a rich humor, an underlying pathos, a deep understanding of child nature, and a full grasp of the conditions with which all aliens, big or little, must contend.

Little Aliens includes nine stories, all set in the homes of children. Most of the tales in her first collection, Little Citizens, take place in schools. The stories showcase a vibrant humor, an underlying sadness, a profound understanding of children's nature, and a comprehensive awareness of the challenges that all outsiders, big or small, face.

Friends

BFFs

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77, 1. Friends. The dialect spoken by the child in this story is the American adaptation of the Yiddish, which is a German dialect spoken by the Jews of eastern Europe, containing many Hebrew and Slav expressions.

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77, 1. Friends. The child in this story speaks an American version of Yiddish, a German dialect used by Jews from Eastern Europe, enriched with many Hebrew and Slavic expressions.

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78, 1. Board of Monitors. A group of children appointed by the pupils to help the teacher in various ways.

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78, 1. Board of Monitors. A group of kids chosen by the students to assist the teacher in different ways.

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79, 1. Krisht. Christian.

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79, 1. Krisht. Christian.

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82, 1. Rabbi. A Jewish title for a teacher or interpreter of the law, also a pastor of a Jewish congregation. Kosher law refers to special Jewish laws. The laws regarding food specify how animals must be slaughtered in order that the meat may be ceremonially clean.

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82, 1. Rabbi. A Jewish title for a teacher or interpreter of the law, also a leader of a Jewish congregation. Kosher law refers to specific Jewish laws. The rules about food explain how animals must be slaughtered so that the meat can be considered ceremonially clean.

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89, 1. Vis-a-vis. Opposite to one another.

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89, 1. Face to face. Opposite to one another.


HAMLIN GARLAND (Page 97)

HAMLIN GARLAND (Pg 97)

Hamlin Garland is a poet and novelist, whose stories are set mostly in the Middle West. He was born in 1860 on a farm near the present site of West Salem, Wisconsin. In 1869 his family moved out on the prairie of Mitchell County, Iowa, the scene of his Boy Life on the Prairie, and of many of the stories in Main-Traveled Roads. The selection, "A Camping Trip," given in this volume, is taken from Boy Life on the Prairie.

Hamlin Garland is a poet and novelist whose stories mainly take place in the Midwest. He was born in 1860 on a farm near what is now West Salem, Wisconsin. In 1869, his family moved out to the prairie in Mitchell County, Iowa, which is the setting for his Boy Life on the Prairie and many of the stories in Main-Traveled Roads. The selection "A Camping Trip," included in this volume, is from Boy Life on the Prairie.

Mr. Garland's education was different from that of most of his contemporaries. When about sixteen, he became a pupil at the Cedar Valley Seminary, Osage, Iowa, though he worked on a farm during six months of the year. He graduated in 1881 from this school and for a year tramped through the eastern states. His people having settled in Brown County, Dakota, he drifted that way in the spring of 1883 and took up a claim in McPherson County, where he lived for a year on the unsurveyed land, making studies of the plains country, which were of great value to him later. The Moccasin Ranch and several of his short stories resulted from this experience.

Mr. Garland's education was quite different from that of most of his peers. At around sixteen, he became a student at Cedar Valley Seminary in Osage, Iowa, while also working on a farm for six months of the year. He graduated from the school in 1881 and spent a year traveling through the eastern states. When his family settled in Brown County, Dakota, he moved that way in the spring of 1883 and took up a claim in McPherson County. He lived for a year on the uncharted land, studying the plains, which later proved to be very beneficial for him. The Moccasin Ranch and several of his short stories came from this experience.

In the fall of 1884 he sold his claim and returned to the East, to Boston, intending to qualify himself for teaching. He soon found a helpful friend in Professor Moses True Brown, and became a pupil, and a little later an instructor, in the Boston School of Oratory. During years from 1885 to 1889 he taught private classes in English and American literature, and lectured in and about Boston on Browning, Shakespeare, the drama, etc., writing and studying meanwhile in the public library. In Boston he made the acquaintance of Oliver Wendell Holmes, William Dean Howells, Edward Everett Hale, Edwin Booth, and other leaders in literature and art.

In the fall of 1884, he sold his claim and returned to the East, specifically Boston, planning to prepare himself for a teaching career. He soon found a supportive friend in Professor Moses True Brown, becoming both a student and later an instructor at the Boston School of Oratory. From 1885 to 1889, he taught private classes in English and American literature and gave lectures in and around Boston on topics including Browning, Shakespeare, and drama, all while writing and studying at the public library. While in Boston, he got to know Oliver Wendell Holmes, William Dean Howells, Edward Everett Hale, Edwin Booth, and other prominent figures in literature and art.

Mr. Garland wrote his stories from first-hand experience with men under certain typical American conditions. His stories of Boy Life on the Prairie and of Main-Traveled Roads are grim stories of farm life in the West. They portray the conditions under which people lived on the prairies only a generation or two ago. He shows us that men may become true and strong because of their battle with such conditions. His books are as truly American as any our country has produced.

Mr. Garland wrote his stories based on his own experiences with men in typical American situations. His stories in Boy Life on the Prairie and Main-Traveled Roads are stark portrayals of farm life in the West. They depict the realities faced by people living on the prairies just a generation or two ago. He illustrates how men can become genuine and resilient through their struggles with these conditions. His books are just as authentically American as any produced in our country.

As a writer of literature, these books show Mr. Garland to be a realist, that is, a writer who deals with the facts of real life, but as you read Boy Life on the Prairie, you will see that he is fond of the ideal, of the fanciful, and of descriptions of simple rural scenes. The latter quality is very plain, when he writes of the birds and of the thrill of the open country that comes to the boys on their camping trip.

As a writer of literature, these books reveal Mr. Garland to be a realist, meaning a writer who engages with the facts of real life. However, as you read Boy Life on the Prairie, you'll notice that he has a love for the ideal, the imaginative, and for descriptions of simple rural scenes. This trait is especially clear when he writes about the birds and the excitement of the open country that the boys experience on their camping trip.

A Camping Trip

A Camping Trip

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100, 1. A prairie schooner. A long canvas-covered wagon used especially by emigrants crossing the prairies.

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100, 1. A prairie schooner. A large wagon covered with canvas, commonly used by settlers traveling across the prairies.

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105, 1. Skimmer-bugs. Bugs that skip or glide over the surface of the water.

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105, 1. Skimmer-bugs. Bugs that skip or glide across the surface of the water.

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111, 1. Luff. To turn the head of a vessel towards the wind. Hard-a-port is a direction given to the helmsman, meaning to put the helm quickly to the port or left side.

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111, 1. Luff. To turn the front of a boat into the wind. Hard-a-port is a command given to the helmsman, meaning to quickly turn the steering wheel to the port or left side.


DOROTHY CANFIELD FISHER (Page 114)

DOROTHY CANFIELD FISHER (Page 114)

Dorothea Canfield, the author of "A Thread Without a Knot," is one of the most brilliant and forceful writers in America to-day. She was born in Lawrence, Kansas, in 1879. The daughter of a teacher and writer, her education was intensive and varied. As a child she learned to speak several languages. She received her B.A. from Ohio State University and a Ph. D. from Columbia University. She has studied and traveled extensively in Europe as well as in America.

Dorothea Canfield, the author of "A Thread Without a Knot," is one of the most brilliant and impactful writers in America today. She was born in Lawrence, Kansas, in 1879. The daughter of a teacher and a writer, her education was thorough and diverse. As a child, she learned to speak several languages. She earned her B.A. from Ohio State University and a Ph. D. from Columbia University. She has studied and traveled widely in both Europe and America.

Both as a person and as a writer, Dorothea Canfield has been extraordinarily well liked. As an author she is characterized by originality, clearness, and the vital quality of human sympathy. She always writes with a purpose, both in her works of fiction and in her educational writings. The writer's own ideals and common sense are revealed in her work and her stories are thoroughly interesting. Under the name, Dorothy Canfield, she has written some notable fiction. The Bent Twig is a graphic American novel in which are portrayed the influences of environment upon a most interesting character. Understood Betsy is a girl's story of warm sympathy and strong common sense. The Real Motive is a volume of short stories from which the story, "A Thread Without a Knot," is taken. The stories in the volume range in their settings from Paris to a middle western university town. As the title suggests, they are studies in human motives.

Both as a person and as a writer, Dorothea Canfield has been extremely well liked. As an author, she's known for her originality, clarity, and deep sense of human empathy. She always writes with intention, both in her fiction and her educational works. The writer's ideals and common sense shine through in her work, and her stories are consistently engaging. Writing under the name Dorothy Canfield, she has produced some notable fiction. The Bent Twig is a vivid American novel that explores how environment impacts an intriguing character. Understood Betsy is a warm and sensible story about a girl. The Real Motive is a collection of short stories, including "A Thread Without a Knot." The stories range from settings in Paris to a university town in the Midwest. As the title implies, they are studies in human motives.

Under her married name, Dorothea Canfield Fisher, she has written some valuable educational works, as The Montessori Mother and Mothers and Children. During the World War, Mrs. Fisher spent her time in France working for the relief of those made blind by the war. Home Fires in France and The Day of Glory are truthful records of Mrs. Fisher's impressions of life in that tragic, mutilated land.

Under her married name, Dorothea Canfield Fisher, she has written some valuable educational works, like The Montessori Mother and Mothers and Children. During World War I, Mrs. Fisher spent her time in France working to help those who had been blinded by the war. Home Fires in France and The Day of Glory are honest accounts of Mrs. Fisher's experiences of life in that tragic, devastated country.

A Thread without a Knot

A Knotless Thread

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114, 1. Doctor's dissertation. Before a student can obtain the highest degree a university gives, the doctor's degree, he must write a dissertation, that is, a formal and elaborate essay on some original research work he has done. The degree Mr. Harrison was working for was that of Doctor of Philosophy, or Ph. D.

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114, 1. Doctor's dissertation. Before a student can earn the highest degree a university offers, the doctoral degree, they must write a dissertation, which is a formal and detailed essay on original research they have conducted. The degree Mr. Harrison was aiming for was Doctor of Philosophy, or Ph.D.

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114, 2. Archives. A place where public records and historical documents are kept.

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114, 2. Archives. A location where public records and historical documents are stored.

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116, 1. Munich. A city in Germany where one of the largest and oldest German universities is located.

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116, 1. Munich. A city in Germany that is home to one of the largest and oldest universities in the country.

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116, 2. Treaty of Utrecht. A treaty of peace in 1713 which concluded the war of the Spanish succession, a war fought by most of the other countries of Europe against the armies of France and Spain.

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116, 2. Treaty of Utrecht. A peace treaty established in 1713 that ended the War of the Spanish Succession, a conflict involving most other European countries against the forces of France and Spain.

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117, 1. Bibliothèque Nationale. The national library at Paris.

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117, 1. Bibliothèque Nationale. The national library in Paris.

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125, 1. Versailles. A city about twelve miles from Paris, noted for the beautiful chateau, or palace, and gardens of Louis XIV. The palace is now used as a historical museum and art gallery. It was in the famous Hall of Mirrors at Versailles that the treaty between Germany and the Allies was signed at the end of the World War.

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125, 1. Versailles. A city around twelve miles from Paris, known for the stunning chateau, or palace, and gardens of Louis XIV. The palace is now a historical museum and art gallery. It was in the famous Hall of Mirrors at Versailles that the treaty between Germany and the Allies was signed at the end of World War I.

The formal gardens and the fountains are among the famous sights of Paris. In the garden stands the Trianon, sometimes called the Grand Trianon, a villa built by Louis XIV for one of his favorites. Near it is the Petit Trianon, or little Trianon, the favorite resort of Marie Antoinette, the unfortunate and beautiful queen of France who was executed during the French Revolution. Here she and her ladies-in-waiting used to play at being shepherdesses and milkmaids.

The formal gardens and the fountains are some of the most famous sights in Paris. In the garden stands the Trianon, also known as the Grand Trianon, a villa built by Louis XIV for one of his favorites. Close by is the Petit Trianon, or little Trianon, the favorite retreat of Marie Antoinette, the tragic and beautiful queen of France who was executed during the French Revolution. Here, she and her ladies-in-waiting would play at being shepherdesses and milkmaids.

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125, 2. Tram line. A street railway or trolley line.

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125, 2. Tram line. A streetcar or trolley line.

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129, 1. Fontainebleau. A town of northern France, situated in the midst of a beautiful forest which covers an area of nearly 66 miles. At Fontainebleau is a famous chateau of the French kings. It is noted for the beauty of its architecture and contains many wonderful paintings.

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129, 1. Fontainebleau. A town in northern France, located in the heart of a stunning forest that spans nearly 66 miles. Fontainebleau is home to a famous chateau of the French kings. It's renowned for its beautiful architecture and holds many amazing paintings.

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129, 2. Pierrefonds. A small village in northern France where a very old and famous chateau is located.

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129, 2. Pierrefonds. A small village in northern France that is home to a very old and famous chateau.

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129, 3. Vincennes. A town about five miles from Paris, noted for its chateau which is now used as a great fortress.

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129, 3. Vincennes. A town about five miles from Paris, known for its chateau, which is now used as a major fortress.

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129, 4. Chantilly. A town in northern France noted for its lace-making, its horse races, and two beautiful chateaux built by the Prince of Condé, one of the French nobility. In the eighteenth century the most brilliant writers and artists of France used to gather at Chantilly.

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129, 4. Chantilly. A town in northern France known for its lace-making, horse races, and two stunning châteaux built by the Prince of Condé, a member of the French nobility. In the eighteenth century, the most talented writers and artists in France would come together at Chantilly.

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133, 1. Tophet. A valley, sometimes called Gehenna, near Jerusalem, where human sacrifices were burned to the heathen god Moloch.

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133, 1. Tophet. A valley, sometimes referred to as Gehenna, near Jerusalem, where human sacrifices were burned to the pagan god Moloch.

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137, 1. Andy. Andrew Carnegie, a Scotch-American steel manufacturer and philanthropist, who established libraries in many cities of the United States.

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137, 1. Andy. Andrew Carnegie, a Scottish-American steel tycoon and philanthropist, who set up libraries in numerous cities across the United States.

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138, 1. La Salle. A French explorer of the seventeenth century. He discovered the Ohio River and was the first to explore the greater part of the Mississippi River.

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138, 1. La Salle. A French explorer from the 1600s. He discovered the Ohio River and was the first to explore most of the Mississippi River.


FRANCIS BRET HARTE (Page 141)

FRANCIS BRET HARTE (Page 141)

Bret Harte, as he is familiarly known, was born in Albany, New York, in 1836. At fifteen he wandered to California, the state which has so vividly colored his best known short stories. The first three years he was there, for a living, he taught school, and, as a pastime, like every one else in California at that time, he dug for gold.

Bret Harte, as he's commonly called, was born in Albany, New York, in 1836. At fifteen, he made his way to California, the state that has greatly influenced his most famous short stories. During his first three years there, he made a living by teaching school and, like everyone else in California at that time, spent his free time searching for gold.

He then entered the office of the Golden Era as a compositor, but soon began to write articles for the paper. These attracted favorable notice and he was made assistant editor-in-chief.

He then joined the office of the Golden Era as a typesetter, but soon started writing articles for the paper. These gained positive attention and he became the assistant editor-in-chief.

His ready imagination was stirred by the teeming, adventuresome life about him and he began to put his ideas into short stories with the mellow background of the golden state of California. Poe and Hawthorne had made the short story a distinct type. Now Bret Harte, less artistic and careful in his style, followed their lead with short stories to which he added the new idea of coloring brilliantly the setting of the story with the atmosphere of a certain locality.

His vibrant imagination was sparked by the lively, adventurous life around him, and he started turning his ideas into short stories set against the rich backdrop of California. Poe and Hawthorne had established the short story as a unique form. Now Bret Harte, less refined and meticulous in his writing style, followed their example by creating short stories that vividly portrayed the atmosphere of specific locations.

From 1868-1870 he edited the Overland Monthly in which appeared his best known short stories, "The Luck of Roaring Camp," "The Outcasts of Poker Flat," and "Tennessee's Partner," each of which presented stirring scenes of the early gold-seeking days of California. Their charm lies in his emphasis on the manners and actions of a picturesque community.

From 1868 to 1870, he was the editor of the Overland Monthly, where his most famous short stories, "The Luck of Roaring Camp," "The Outcasts of Poker Flat," and "Tennessee's Partner," were published. Each of these stories showcases vivid scenes from the early gold rush days in California. Their appeal comes from his focus on the behaviors and interactions of a colorful group of people.

The material of his stories is romantic, melodramatic, often almost shocking. He handled it, however, with humor, irony, or pathos. He was a realist who pictured, marvelously, the life about him as he saw it.

The content of his stories is romantic, melodramatic, and often quite shocking. He managed it, though, with humor, irony, or emotion. He was a realist who beautifully depicted the life around him as he perceived it.

In 1870 Mr. Harte was made professor of recent literature in the University of California. After 1878 he held consular appointments; in Germany 1878-1880, in Scotland 1880-1885. After 1885 he lived in England until his death in 1902.

In 1870, Mr. Harte became a professor of modern literature at the University of California. After 1878, he took on consular positions; first in Germany from 1878 to 1880, then in Scotland from 1880 to 1885. After 1885, he lived in England until his death in 1902.

Chu Chu

Chu Chu

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145, 1. Castilian. Of pure Spanish origin.

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145, 1. Castilian. Of pure Spanish origin.

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145, 2. Mexican plug. Slang for an inferior horse of Mexican breed.

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145, 2. Mexican plug. Slang for a low-quality horse of Mexican breed.

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147, 1. Vaquero. A cowherder.

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147, 1. Vaquero. A cowboy.

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147, 2. Sombrero. A hat.

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147, 2. Sombrero. A hat.

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149, 1. Comstock lode. A rich vein of gold and silver discovered in Nevada in 1859. The discovery of its riches led people to rush to Nevada, and Virginia City grew up as if by magic.

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149, 1. Comstock lode. A rich vein of gold and silver was found in Nevada in 1859. The discovery of its wealth caused a rush of people to Nevada, and Virginia City sprang up almost overnight.

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149, 2. Rosinante. The horse belonging to Don Quixote who was the romantic and absurdly chivalric hero of a satirical Spanish novel entitled The History of the Valorous and Witty Knight Errant, Don Quixote of the Mancha by Miguel Cervantes.

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149, 2. Rosinante. The horse of Don Quixote who was the idealistic and comically chivalrous hero of a satirical Spanish novel called The History of the Valorous and Witty Knight Errant, Don Quixote of the Mancha by Miguel Cervantes.

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152, 1. Arabian Nights. The Thousand and One Nights, commonly called The Arabian Nights' Tales, are ancient oriental fairy tales. One of these is the story of the enchanted horse, a wooden horse with two pegs. When one of the pegs was turned, the horse rose in the air; when the other was turned, the horse descended wherever the rider wished.

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152, 1. Arabian Nights. The Thousand and One Nights, often referred to as The Arabian Nights' Tales, are classic oriental fairy tales. One of these tales is about an enchanted horse, a wooden horse with two pegs. When one peg was turned, the horse lifted off the ground; when the other peg was turned, the horse would land wherever the rider wanted.

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154, 1. Dulcinea. Sweetheart. Dulcinea was also the name of Don Quixote's lady.

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154, 1. Dulcinea. Darling. Dulcinea was also the name of Don Quixote's beloved.

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156, 1. Hidalgo. A man of wealth and position.

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156, 1. Hidalgo. A wealthy and influential man.

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157, 1. Châtelaine. The mistress of a castle.

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157, 1. Châtelaine. The lady of a castle.

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158, 1. Petite. Small.

Small.

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159, 1. Toreador. A bull-fighter.

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159, 1. Toreador. A bullfighter.

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162, 1. Hacienda. A large estate.

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162, 1. Hacienda. A big estate.

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162, 2. Alfalfa. A species of grass valuable as fodder for horses and cattle.

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162, 2. Alfalfa. A type of grass that is great for feeding horses and cattle.

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165, 1. Rodeo. Cattle market.

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165, 1. Rodeo. Cattle market.

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167, 1. Tête-à-tête. A private conversation between two people.

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167, 1. Tête-à-tête. A private talk between two people.

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169, 1. Padre. Priest.

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169, 1. Padre. Priest.

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172, 1. Rencontre. A meeting.

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172, 1. Meeting. A meeting.

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172, 2. Patio. Courtyard.

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172, 2. Patio. Courtyard.

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172, 3. Cabriolé. An open carriage.

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172, 3. Cabriolé. A convertible carriage.


NATHANIEL HAWTHORNE (Page 173)

NATHANIEL HAWTHORNE (Page 173)

Because he was one of the founders of the short story in America, and because he is considered by many critics to be superior in style to all other American writers of fiction, Nathaniel Hawthorne has been chosen as the last of the group of American authors represented in this collection. In reading the story "Feathertop," therefore, it is interesting to compare the style of the author with that of the other American writers who are represented here. The story may also be used as a good test of the composition of the short story as given in the Introduction.

Because he was one of the founders of the short story in America and is regarded by many critics as having a superior style to all other American fiction writers, Nathaniel Hawthorne has been selected as the last author featured in this collection. When reading the story "Feathertop," it's interesting to compare his style with that of the other American writers included here. The story can also serve as a useful example of the composition of the short story described in the Introduction.

Nathaniel Hawthorne (1804-1864) was born of a stern Puritan line in Salem, Massachusetts, the grimmest of all the Puritan communities. He was a graduate of Bowdoin College and lived much of his life at Concord and Salem.

Nathaniel Hawthorne (1804-1864) was born into a strict Puritan family in Salem, Massachusetts, the most somber of all the Puritan communities. He graduated from Bowdoin College and spent much of his life in Concord and Salem.

He was a happy child, by nature, but he was influenced by stern family traditions and the loneliness of his early environment. After the death of his silent, melancholy father, his mother brought up the children in the utmost seclusion. The decaying old seaport of witch-haunted memories in which he lived, also impressed profoundly the lively imagination of the solitary boy. All these influences may be traced in the stories of Hawthorne with their strong moral tone and their delicate but often rather morbid fancies.

He was a naturally happy child, but he was shaped by strict family traditions and the isolation of his early surroundings. After the death of his quiet, sorrowful father, his mother raised the children in complete seclusion. The crumbling old seaport filled with haunting memories where he lived also had a deep impact on the vivid imagination of the lonely boy. All these influences can be seen in Hawthorne's stories, which have a strong moral tone and delicate yet often somewhat dark themes.

Hawthorne, because of his timidity and self-depreciation, did not begin his real literary career until rather late. We owe it to his sympathetic yet practical wife that he ever published his writings. She recognized the value of the stories he had written and believed in his genius. Since he loathed the duties of the custom house where he was employed as an official, Mrs. Hawthorne urged him to give up this occupation and devote himself to his true vocation, that of a writer, in spite of its uncertainties as to success and financial returns.

Hawthorne, due to his shyness and lack of self-confidence, didn’t start his actual literary career until later in life. We can thank his supportive yet realistic wife for his decision to publish his work. She saw the worth in the stories he wrote and believed in his talent. Since he hated his job at the customs house where he worked as an official, Mrs. Hawthorne encouraged him to quit that job and focus on his real passion, writing, even though it came with the risks of uncertain success and income.

Hawthorne's imagination early led him into the field of romance; that is, he told tales full of strange and fanciful adventure, revealing the ideal or spiritual side of human nature. According to some of our best critics, Hawthorne is said to be our greatest romantic novelist.

Hawthorne's imagination quickly drew him into the world of romance; that is, he shared stories filled with unusual and imaginative adventures, highlighting the ideal or spiritual aspects of human nature. Some of our top critics say that Hawthorne is our greatest romantic novelist.

Feathertop

Feathertop

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176, 1. Louis le Grand or the Grand Monarque, was Louis XIV, king of France from 1638-1715.

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176, 1. Louis the Great or the Great Monarch, was Louis XIV, king of France from 1638-1715.

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185, 1. Eldorado. An imaginary country, rich in gold and jewels, which the early Spanish explorers believed to exist somewhere in the New World.

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185, 1. Eldorado. A fictional land, filled with gold and jewels, that early Spanish explorers thought was somewhere in the New World.

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191, 1. Norman blood. A sign of aristocracy. The Norman-French conquered England in the eleventh century and became the aristocracy of England.

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191, 1. Norman blood. A mark of nobility. The Norman-French took over England in the eleventh century and became the upper class of England.


SIR ARTHUR CONAN DOYLE (Page 203)

SIR ARTHUR CONAN DOYLE (Page 203)

Sir Arthur Conan Doyle, the eldest son of the artist, Charles Doyle, was born in Edinburgh, Scotland, in May, 1859. He was educated in England, Scotland, and Germany. In 1885 he received the degree of M.D. from Edinburgh University. Immediately afterward he began to practice as a physician, but although he attained no little success in this profession, it is as a writer that all the world knows him.

Sir Arthur Conan Doyle, the oldest son of the artist Charles Doyle, was born in Edinburgh, Scotland, in May 1859. He was educated in England, Scotland, and Germany. In 1885, he earned his M.D. from Edinburgh University. Right after that, he started working as a doctor, but even though he found some success in that field, he is best known to the world as a writer.

He made his first real appearance as an author in 1887 when he published A Study in Scarlet. It was in this novel that the wonderful Sherlock Holmes was introduced to the public. Dr. Doyle soon attained immense popularity by his narratives of The Adventures of Sherlock Holmes, which were first published in the Strand Magazine. This popular character returned at intervals in several other novels: The Memoirs of Sherlock Holmes, The Hound of the Baskervilles, The Return of Sherlock Holmes, and others.

He first made a significant mark as an author in 1887 when he published A Study in Scarlet. This novel introduced the amazing Sherlock Holmes to the world. Dr. Doyle quickly gained huge popularity with his stories in The Adventures of Sherlock Holmes, which were initially featured in The Strand Magazine. This beloved character made return appearances in several other novels: The Memoirs of Sherlock Holmes, The Hound of the Baskervilles, The Return of Sherlock Holmes, and more.

These ingenious stories of the success of the imperturbable Sherlock Holmes in detecting crime and disentangling mystery have become known wherever the English language is spoken. It is a notable thing to be able to create a character that is known even by people who have never heard of the author, or who have never even read a book. Ask any little street lad who Sherlock Holmes is, and see what he answers.

These clever tales of the unflappable Sherlock Holmes solving crimes and unraveling mysteries have become famous wherever English is spoken. It's impressive to create a character recognized even by those who have never heard of the author or read any of the books. Just ask any street kid who Sherlock Holmes is, and see what they say.

It is regrettable, however, that people know Sir Conan Doyle entirely as the creator of Sherlock Holmes, when his best work has really been done in other novels, such as The Adventures of Brigadier Gerard, Rodney Stone, The White Company, and Beyond the City.

It’s unfortunate that people only recognize Sir Conan Doyle as the creator of Sherlock Holmes, when his greatest work has actually been in other novels like The Adventures of Brigadier Gerard, Rodney Stone, The White Company, and Beyond the City.

His late works include plays as well as numerous novels. It is noteworthy that in all his writings women have played but little part. His men characters, on the other hand, are many and varied, as well as sharply defined. As an author Conan Doyle has a wonderful gift of narrative, unusual imagination, fine constructive powers, and an effective style.

His later works include plays as well as many novels. It's important to note that in all his writings, women have had a minimal role. His male characters, however, are numerous, diverse, and well-defined. As an author, Conan Doyle has a fantastic talent for storytelling, unique imagination, strong construction skills, and an impactful style.

The Red-Headed League

The Red-Headed League

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203, 1. Sherlock Holmes. See biographical sketch of Conan Doyle.

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203, 1. Sherlock Holmes. See the biography of Conan Doyle.

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206, 1. Freemason. A member of a secret order.

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206, 1. Freemason. A person who belongs to a secret society.

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207, 1. Omne ignotum pro magnifico. All the unknown is as something wonderful.

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207, 1. All that is unknown is seen as extraordinary. All the unknown is seen as something wonderful.

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221, 1. Sarasate. A famous Spanish violinist.

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221, 1. Sarasate. A well-known Spanish violinist.

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224, 1. Sleuth hound. Detective.

(__A_TAG_PLACEHOLDER_0__)
224, 1. Sleuth hound. Detective.

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227, 1. The Sholto murder and the Agra treasure. This refers to another Sherlock Holmes story, The Sign of Four, which you may enjoy reading.

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227, 1. The Sholto murder and the Agra treasure. This refers to another Sherlock Holmes story, The Sign of Four, which you might enjoy reading.

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230, 1. Napoleons. French gold coins worth 20 francs each.

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230, 1. Napoleons. French gold coins valued at 20 francs each.

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231, 1. Partie carrée. A party of four.

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231, 1. Square party. A group of four.

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237, 1. L'homme c'est rien—l'œuvre c'est tout. Man is nothing, his work is everything.

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237, 1. Man is nothing—his work is everything. Man is nothing, his work is everything.


SIR JAMES MATTHEW BARRIE (Page 238)

SIR JAMES MATTHEW BARRIE (Page 238)

Sir James Matthew Barrie, one of the best loved of contemporary novelists and dramatists, was born in 1860 in Kirriemuir, Scotland. His formal education was completed at Edinburgh University. And although his mature life has been spent largely in England, his stories reflect the village and country life of his native and beloved Scotland.

Sir James Matthew Barrie, one of the most beloved contemporary novelists and playwrights, was born in 1860 in Kirriemuir, Scotland. He completed his formal education at Edinburgh University. Although he spent most of his adult life in England, his stories capture the village and rural life of his cherished Scotland.

J. M. Barrie, as he is usually called, is a person interesting but difficult to know because of the reserve and shyness of his race. He has a sweetness of nature and a joy in life born of sympathy and faith. All these characteristics, together with his whimsical humor, are part of his great charm. One cannot help loving the man as one reads about him or reads his stories. The mental picture of him which one receives is of a shy and meditative little man, inconspicuous of dress, getting over the ground with strides almost as long as himself, and with a face that one cannot meet without stopping to look after it.

J. M. Barrie, as he’s commonly known, is an interesting yet hard-to-know person because of his race's reserve and shyness. He has a sweet nature and a love for life that come from compassion and belief. All these traits, along with his quirky humor, contribute to his great charm. You can't help but love the guy as you read about him or his stories. The mental image you get is of a shy and thoughtful little man, dressed unobtrusively, moving with strides that almost match his height, and with a face that you can't help but stop and look at.

Barrie's mother, Margaret Ogilvy, is really the heroine of practically all of his stories and plays. From her, this man, shy of women, has learned all he knows of her sex. This accounts in part for the goodness and purity in his works. From his mother, too, he inherited his whimsically gay vision of life. Thus, his plays and novels, so much purer than those of many of his contemporaries, are never dull, for they are lightened by his wit, his fanciful humor, and his love for humanity.

Barrie's mother, Margaret Ogilvy, is basically the hero of almost all his stories and plays. From her, this man, who is shy around women, learned everything he knows about them. This partly explains the goodness and purity in his works. He also inherited his whimsically cheerful outlook on life from her. As a result, his plays and novels, which are much purer than those of many of his peers, are never boring, because they are infused with his wit, playful humor, and love for people.

The man's genial satire and kindly humanity may be distinguished in the selection, "The Inconsiderate Waiter," which you will read in this collection. The lovable Barrie, with his tenderness for child life, his poetic fancy and whimsical invention, will be revealed to you more truly when you have read his novels, Sentimental Tommy, Tommy and Grizel, The Little Minister, The Little White Bird, and his play Peter Pan.

The man's witty satire and warm-hearted nature are evident in the piece "The Inconsiderate Waiter," which you'll find in this collection. The charming Barrie, with his affection for childhood, poetic imagination, and playful creativity, will become even clearer to you after you read his novels, Sentimental Tommy, Tommy and Grizel, The Little Minister, The Little White Bird, and his play Peter Pan.

The Inconsiderate Waiter

The Rude Waiter

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239, 1. Chartreuse. A highly esteemed liqueur, which derives its name from the celebrated monastery of the Grand Chartreuse, in France, where it is made.

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239, 1. Chartreuse. A well-respected liqueur that gets its name from the famous Grand Chartreuse monastery in France, where it is produced.

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240, 1. The Derby. The most important annual horse race of England, founded in 1780 by the Earl of Derby and run at Epsom, in the spring.

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240, 1. The Derby. The biggest annual horse race in England, started in 1780 by the Earl of Derby, held in Epsom during the spring.


ALPHONSE DAUDET (Page 266)

ALPHONSE DAUDET (p. 266)

Alphonse Daudet (1840-1897) was a French humorist and satirist, who wrote novels, plays, and short stories. He was born in Provence in southeast France, a district of which he is typical in the warmth of his imagination. He lived for a time at Lyons but later went to Paris, where he came in contact with the literary artists of the capital.

Alphonse Daudet (1840)

Monsieur Daudet, like the moody, imaginative Hawthorne of America, was guided and influenced in his literary career by his wife, whose inspiring but practical mind guided his impulsive and impressionable nature into its best outlet.

Monsieur Daudet, much like the passionate and imaginative Hawthorne from America, was shaped and influenced in his writing career by his wife, whose inspiring yet pragmatic mindset directed his impulsive and impressionable character toward its most effective expression.

As a writer Daudet is remarkable for the grace of his style and the keenness of his observations. Literary critics appreciate him, not only for his polished style, but also for his originality and insight into human nature.

As a writer, Daudet stands out for the elegance of his writing and his sharp observations. Literary critics admire him not just for his refined style, but also for his originality and understanding of human nature.

The Siege of Berlin

The Berlin Siege

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266, 1. The Siege of Berlin. This is a story of the Franco-Prussian War, the war between France and Germany in 1870. War was declared in July and the opening battle was fought the first of August before the French had had time to complete their preparations. This battle, at Wissemburg, resulted in a heavy loss for the French troops.

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266, 1. The Siege of Berlin. This is a story about the Franco-Prussian War, the conflict between France and Germany in 1870. War was declared in July, and the first battle took place on August 1st, before the French were fully prepared. This battle at Wissemburg led to significant losses for the French forces.

The fighting during August of 1870 covered much the same ground contested during the World War. It is especially interesting to note that it was at Sedan that the French met their great defeat in September, 1870, and that Sedan was captured by the French shortly before the signing of the Armistice in November, 1918.

The fighting in August 1870 took place in many of the same areas fought over during World War I. It's particularly noteworthy that it was at Sedan where the French experienced their significant defeat in September 1870, and that Sedan was taken by the French just before the Armistice was signed in November 1918.

The battle of Sedan in 1870 meant the total defeat of the French army, and the Germans immediately began a four months' siege of Paris. After terrible suffering the city surrendered to the enemy in January, 1871.

The Battle of Sedan in 1870 was a complete defeat for the French army, and the Germans quickly started a four-month siege of Paris. After enduring great suffering, the city surrendered to the enemy in January 1871.

The territory of Alsace-Lorraine lost by France to Germany in the war of 1870 was returned after the World War.

The region of Alsace-Lorraine, which France lost to Germany in the war of 1870, was returned after World War I.

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266, 2. Arc de Triomphe. Sometimes called the Arc de l'Etoile. The great triumphal arch at the head of the Avenue des Champs-Élysées, begun by Napoleon to celebrate his victories and completed by Louis Philippe. After the Germans marched under it in triumph after the siege of Paris, chains were stretched across the roadway and the order was given that no one was to drive under the arch again until the lost provinces should be restored to France. In the great celebration on July 14, 1919, the armies of the victorious French and their Allies marched up the avenue under the Arc de Triomphe.

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266, 2. Arc de Triomphe. Sometimes referred to as the Arc de l'Etoile. This impressive triumphal arch stands at the end of the Avenue des Champs-Élysées, started by Napoleon to honor his victories and finished by Louis Philippe. After the Germans marched through it triumphantly following the siege of Paris, chains were put across the road and it was decreed that no one could drive under the arch again until the lost territories were returned to France. During the grand celebration on July 14, 1919, the armies of victorious France and their Allies marched up the avenue beneath the Arc de Triomphe.

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266, 3. A cuirassier of the First Empire. A cuirassier is a cavalryman whose body is protected by a cuirass, a piece of defensive armor, covering the body from neck to girdle, and combining a breastplate and a back piece. The First Empire was the Empire of France under Napoleon I, 1804-1814.

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266, 3. A cuirassier of the First Empire. A cuirassier is a cavalry soldier whose body is protected by a cuirass, a type of armor that covers from the neck to the waist and combines a front and back piece. The First Empire was the Empire of France under Napoleon I, from 1804 to 1814.

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267, 1. Mac Mahon. The Marshal of France during the War of 1870.

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267, 1. Mac Mahon. The Marshal of France during the 1870 War.

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269, 1. Mayence. The German town of Mainz, where one of the strongest German fortresses is located.

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269, 1. Mainz. The German city of Mainz, home to one of the most powerful German fortresses.

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273, 1. Invalides. The Hôtel des Invalides is an establishment in Paris where French veterans are maintained at the expense of the state. Part of the building is a great military museum where trophies of war are exhibited. Among them are German guns captured in the World War. Napoleon is buried in the Dome des Invalides, a chapel in this building.

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273, 1. Invalides. The Hôtel des Invalides is a place in Paris where French veterans are supported by the government. A section of the building houses a large military museum where war memorabilia is displayed. This includes German weapons captured during World War I. Napoleon is buried in the Dome des Invalides, a chapel located within this building.

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274, 1. The Tuileries. The palace of the French kings in Paris.

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274, 1. The Tuileries. The royal palace of the French kings in Paris.

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275, 1. Uhlans. Prussian cavalrymen.

Prussian cavalry.


SELMA LAGERLÖF (Page 276)

SELMA LAGERLÖF (Page 276)

Selma Lagerlöf, who was born in Stockholm, Sweden, in 1858, is the Swedish idol in literature. She has had a series of honors such as rarely have fallen to the lot of a woman novelist, the climax of which has been the winning of the Nobel prize.[C] This enrolls her in a small group of authors of cosmopolitan interest—writers who belong to the whole world. Yet she is a woman who aspires to no prominence. She is modest, retiring, and unconscious of self.

Selma Lagerlöf, born in Stockholm, Sweden, in 1858, is a celebrated figure in Swedish literature. She has received numerous honors that are rarely awarded to female novelists, culminating in her winning the Nobel Prize.[C] This places her among a select group of authors recognized globally—writers who resonate with people all over the world. Still, she is a woman who seeks no spotlight. She is humble, reserved, and unaware of her own significance.

No other Swedish writer of any period has so faithfully mirrored the soul of the Swedish people as has Selma Lagerlöf, nor has any other writer been so worshipped by her people. In her native province her work has sunk deep into the hearts of the people. The places and characters she has described have become so intimately associated with her stories and legends that the real names are constantly being confused with the fictitious ones she has given them in her Wonderful Adventures of Nils and Gösta Berling. Everywhere in Sweden one finds postal cards representing scenes from the Wonderful Adventures of Nils. This is an enchanting fairy story that may be compared to the fairy classics of Grimm and of Hans Andersen. In it fact and fancy are delicately interwoven with the geography and natural history of Sweden.

No other Swedish writer has reflected the soul of the Swedish people as deeply as Selma Lagerlöf, nor has any other writer been as celebrated by her audience. In her home province, her work has truly resonated with the people. The places and characters she portrayed are so closely tied to her stories and legends that the real names are often mixed up with the fictional ones from her Wonderful Adventures of Nils and Gösta Berling. All over Sweden, you can find postcards featuring scenes from the Wonderful Adventures of Nils. This captivating fairy tale can be compared to the beloved classics of Grimm and Hans Christian Andersen. In it, reality and imagination are beautifully woven together with Sweden's geography and natural history.

Miss Lagerlöf's popularity is not confined exclusively to Scandinavian countries, however. In Germany, Russia, and Holland, she is more widely read than almost any other foreign writer. In recent years, moreover, she has conquered France, and since the bestowal of the Nobel prize, she has become a world figure. It is since that event that she has become known in America, though she is not yet read here so much as she deserves.

Miss Lagerlöf's popularity isn't limited to just the Scandinavian countries. In Germany, Russia, and Holland, she's read more than almost any other foreign author. In recent years, she's also gained a strong following in France, and since winning the Nobel Prize, she's become a globally recognized figure. It’s since that event that she has started to be known in America, although she's not yet read here as much as she deserves.

She might well be called the founder of a new school of literature. She turned away from the general tendency of the European literature of her day, a tendency to morbid realism, or dealing with the ugliest facts of life. Her method is to throw into obscurity human frailties and vices and turn the light on what is biggest and strongest in people. This idealistic tendency may be readily traced in the story of "The Silver Mine," which is given in this text. It was for Optimism in Literature that Selma Lagerlöf was given the Nobel prize.

She could easily be seen as the founder of a new literary movement. She stepped away from the mainstream European literature of her time, which often focused on morbid realism and the harshest realities of life. Her approach was to downplay human weaknesses and flaws, instead highlighting the most significant and admirable qualities in people. This idealistic approach is clearly illustrated in the story "The Silver Mine," which is included in this text. It was for Optimism in Literature that Selma Lagerlöf received the Nobel Prize.

The Silver Mine

The Silver Mine

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276, 1. Gustav the Third. King of Sweden, 1771-1792.

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276, 1. Gustav III. King of Sweden, 1771-1792.

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277, 1. The army was so filled with traitors. The country of Sweden at this time was distracted by the intrigues of the rival political parties of Hom and Gyllenborg, known as "Caps" and "Hats."

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277, 1. The army was full of traitors. During this time, Sweden was caught up in the schemes of the rival political parties led by Hom and Gyllenborg, known as "Caps" and "Hats."

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290, 1. Given me a deep mark on my forehead. This refers to the Bible story of Cain's murder of his brother Abel. Genesis 4:3-15.

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290, 1. Made a deep mark on my forehead. This refers to the Bible story of Cain's murder of his brother Abel. Genesis 4:3-15.


  •  
  • Abbott, Eleanor Hallowell (Mrs. Coburn)
    • Sick-a-bed Lady. Title Story and "The Happy Day"
  •  
  • Aldrich, Thomas Bailey
    • Marjorie Daw and Other People. Title Story
    • Two Bites at a Cherry. "Goliath"
  •  
  • Allen, James Lane
    • The Flute and the Violin. Title Story
  •  
  • Andrews, Mary Raymond Shipman
    • The Perfect Tribute
    • Joy in the Morning
  •  
  • Barrie, Sir James Matthew
    • Two of Them. Title Story
    • A Window in Thrums
  •  
  • Balzac, Honoré
    • Chouans. "A Passion in a Desert"
  •  
  • Bunner, Henry Cuyler
    • Short Sixes. Title Story and "Love Letters of Smith"
  •  
  • Butler, Ellis Parker
    • Pigs is Pigs. Title Story
  •  
  • Cable, George
    • Old Creole Days
  •  
  • Canfield, Dorothy (Mrs. Fisher)
    • Hillsboro People
    • The Real Motive
  •  
  • Coppée, François
    • Tales by Coppée. "The Substitute"
  •  
  • Cutting, Mary Stewart
    • Little Stories of Married Life
    • Little Stories of Courtship
  •  
  • Davis, Richard Harding
    • The Man Who Could Not Lose. "The Consul"
    • Somewhere in France. Title Story
    • Gallagher and Other Stories. Title Story
    • Ranson's Folly. "The Bar Sinister"
  •  
  • Deland, Margaret
    • Old Chester Tales
    • Dr. Lavendar's People
  •  
  • Doyle, Sir Arthur Conan
    • Adventures of Sherlock Holmes
    • Adventures of Brigadier Gerard
  •  
  • Ferber, Edna
    • Emma McChesney & Co.
    • Cheerful by Request
  •  
  • Freeman, Mary E. Wilkins
    • The Copy Cat
    • A New England Nun
    • The Wind in the Rose Bush
  •  
  • Fox, John
    • Christmas Eve on Lonesome. Title Story
  •  
  • Gale, Zona
    • Friendship Village
    • Friendship Village Love Stories
  •  
  • Garland, Hamlin
    • Main Traveled Roads
    • Other Main Traveled Roads
  •  
  • Hale, Edward Everett
    • The Man Without a Country
  •  
  • Harris, Joel Chandler
    • Tales of the Home Folks in Peace and War
  •  
  • Harte, Francis Bret
    • The Luck of Roaring Camp. Title Story, "Tennessee's Partner," and "The Outcasts of Poker Flat"
  •  
  • Hawthorne, Nathaniel
    • Twice Told Tales. "The Great Carbuncle" and "The Minister's Black Veil"
  •  
  • "Henry, O."
    • The Four Million
    • The Voice of the City. "The Memento" and "While the Auto Waits"
  •  
  • "Hope, Anthony"
    • Dolly Dialogues
    • Comedies of Courtship
  •  
  • Jewett, Sara Orne
    • Tales of New England
  •  
  • Kelly, Myra
    • Little Citizens
    • Wards of Liberty. "A Soul above Buttons"
    • Little Aliens
    • New Faces
  •  
  • Kipling, Rudyard
    • Life's Handicap. "Betram and Bimi," "The Man Who Was," and "Without Benefit of Clergy"
    • Second Jungle Book. "Rikki-Tikki-Tavi"
    • The Phantom Rickshaw. "The Man Who Would Be King"
    • The Day's Work. "The Brushwood Boy" and "William the Conqueror"
  •  
  • Lagerlöf, Selma
    • The Girl from the Marsh Croft
  •  
  • Martin, Helen
    • The Betrothal of Elypholate. Title Story
  •  
  • Maupassant, Guy de
    • The Odd Number. "A Piece of String" and "The Necklace"
  •  
  • Mayo, Katherine
    • The Standard Bearers
    • Justice to All
  •  
  • O'Brien, Edward J. (Editor)
    • Best Short Stories of 1917
    • Best Short Stories of 1918
  •  
  • O'Brien, Fitz
    • The Diamond Lens. Title Story, "What Was It? A Mystery," and "The Thing"
  •  
  • Page, Thomas Nelson
    • In Old Virginia
  •  
  • Poe, Edgar Allan
    • Works. "The Gold-Bug," "The Cask of Amontillado," "The Purloined Letter," and "The Pit and the Pendulum"
  •  
  • Rinehart, Mary Roberts
    • Bab, Sub-Deb
  •  
  • Shute, Henry
    • The Misadventures of Three Good Boys
  •  
  • Stevenson, Robert Louis
    • Merry Men. "Markheim" and "Dr. Jekyll and Mr. Hyde"
    • New Arabian Nights. "A Lodging for the Night" and "The Sire de Maletroit's Door"
  •  
  • Stockton, Frank
    • The Lady or the Tiger? Title Story
  •  
  • Tarkington, Booth
    • Penrod
    • Penrod and Sam
    • Monsieur Beaucair
  •  
  • "Twain, Mark"
    • The Jumping Frog
  •  
  • Van Dyke, Henry
    • The Blue Flower. Title Story and "The Other Wise Man"
  •  
  • White, Stewart Edward
    • Blazed Trail Stories
  •  
  • White, William Allen
    • The Court of Boyville
  •  
  • Wister Owen
    • Philosophy Four. Title Story

The Gift of the Magi

The Gift of the Magi

1. Does the introduction of "The Gift of the Magi" awaken your interest at once?

1. Does the introduction of "The Gift of the Magi" grab your attention right away?

2. Della and Jim are very poor. Why is neither their home nor Della in her shabby clothes, ugly or sordid?

2. Della and Jim are really poor. So why do neither their home nor Della in her worn-out clothes seem ugly or shabby?

3. Do Jim and Della seem like real people you have known? What makes them so happy in spite of their being poor?

3. Do Jim and Della seem like real people you’ve known? What makes them so happy even though they’re poor?

4. Is there something about this simple story that is beautiful and that would be true for people ages ago or years from now? How would you put this idea in words?

4. Is there something about this simple story that is beautiful and would be true for people long ago or in the future? How would you express this idea in words?

5. Were you prepared for the surprise ending of the story? Read over the story and see if O. Henry had really prepared from the very beginning for such an ending and yet had kept the reader from knowing.

5. Were you ready for the surprise ending of the story? Go back and read the story again to see if O. Henry had actually set up for that ending from the start while keeping the reader in the dark.

6. After reading the Introduction, would you say that "The Gift of the Magi" is a true short story?

6. After reading the Introduction, would you say that "The Gift of the Magi" is a real short story?

A Reward of Merit

A Merit Award

1. Look over the story "A Reward of Merit" and gather up the real story or plot and see how briefly you can relate it in your own words.

1. Check out the story "A Reward of Merit" and summarize the actual story or plot, trying to explain it as briefly as you can in your own words.

2. Does the fact that the story is told so largely through the conversation of the boys make it more interesting to you?

2. Do you find the story more interesting because it’s mostly told through the boys' conversation?

3. Try writing a story of some escapade, adventure, or exciting event in which the story is largely told, and the characters revealed, by means of conversation between two boys or two girls.

3. Try writing a story about an adventure, escapade, or exciting event where the plot unfolds and the characters are revealed mainly through conversations between two boys or two girls.

4. Would you say that Mr. Tarkington, the writer of this story, has a sense of humor? Give instances of humor in the story.

4. Would you say that Mr. Tarkington, the author of this story, has a sense of humor? Provide examples of humor in the story.

5. In what ways does the story show a knowledge of boy life?

5. How does the story reflect an understanding of boys' lives?

"American, Sir!"

"American, Sir!"

1. What type of story would you call this?

1. What kind of story would you say this is?

2. The setting of the main incident brings before you what part of the Great War? Were any of your friends in that country? In the ambulance service anywhere? Locate on the map the places named in the story.

2. The setting of the main incident highlights which part of the Great War? Did any of your friends serve in that country? Were they in the ambulance service at all? Find the locations mentioned in the story on the map.

3. Find in the story some of the dramatic, graphic scenes that John has sketched for his uncle. See how well you can fill them out and express them. Why would this story make a good play?

3. Look for some of the intense, vivid scenes that John has drawn for his uncle in the story. See how effectively you can expand on them and convey them. What makes this story a strong candidate for a play?

4. What three people does Mrs. Andrews make real and likable to you? Does Uncle Bill conceal his real character? Of what other character in this book does he remind you?

4. Who are the three people that Mrs. Andrews makes real and relatable to you? Is Uncle Bill hiding his true character? Who does he remind you of from another character in this book?

5. Some of you may be able to write a stirring story of the brave deed of some real or imaginary ambulance driver for the Red Cross in Italy or France during the Great War.

5. Some of you might be able to tell an inspiring story about the courageous actions of a real or fictional ambulance driver working for the Red Cross in Italy or France during World War I.

John G.

John G.

1. What gives you the thrill in the story "John G."?

1. What excites you about the story "John G."?

2. Does this story of Miss Mayo's gain or lack in interest, because it is founded on fact?

2. Does this story about Miss Mayo become more or less interesting because it's based on real events?

3. Who would you say was the main character or real hero of the story?

3. Who would you say was the main character or true hero of the story?

4. Where in the story would you say was the most critical and the most interesting point?

4. Where in the story would you say was the most critical and interesting point?

5. Could this incident make the foundation for a good moving picture scenario?

5. Could this incident serve as a good basis for a movie script?

6. Write either a story or a scenario of an exciting and dangerous adventure in which a dog or a horse is the hero.

6. Write a story or a scenario about an exciting and dangerous adventure featuring a dog or a horse as the hero.

Friends

Buddies

1. In what are you most interested in this story?

1. What are you most interested in this story?

2. Is the setting of the story in the school or at home?

2. Is the story set at school or at home?

3. Do Mrs. Mowgelewsky and Morris seem like any living persons you have known?

3. Do Mrs. Mowgelewsky and Morris remind you of any real people you’ve known?

4. Do you think the children in the first grade would like Miss Bailey as a teacher? What makes her a lovable person?

4. Do you think the first graders would like Miss Bailey as a teacher? What makes her a likeable person?

5. How do this story and others by Myra Kelly that you may have read, show that she sympathized with and understood these American children of foreign birth?

5. How do this story and other works by Myra Kelly that you might have read demonstrate her sympathy for and understanding of these American children born to immigrant families?

A Camping Trip

Camping Trip

1. Does the interest of this story lie more in the nature or out-of-doors setting, or in the action or plot?

1. Is the interest in this story more about the natural setting or the outdoors, or is it focused on the action and plot?

2. Note the number of birds mentioned in the story. How many of them do you know?

2. Note the number of birds mentioned in the story. How many of them do you recognize?

3. What are some of the beautiful or poetic pictures of nature given by the author? Did the scenes have any effect on the imagination and feeling of these real boys and add to their enjoyment?

3. What are some of the beautiful or poetic pictures of nature provided by the author? Did these scenes impact the imagination and emotions of the real boys and enhance their enjoyment?

4. Have you ever had a camping experience? In what ways was your experience like that of the boys in this story?

4. Have you ever gone camping? How was your experience similar to that of the boys in this story?

5. Write a story of a camping or other out-of-doors trip in which the characters have some narrow escape and which contains some description of nature.

5. Write a story about a camping trip or another outdoor adventure where the characters have a close call and include some descriptions of nature.

The Thread without a Knot

The Unraveled Thread

1. Has the recent World War made any difference in the current idea in America that only foreign universities, art schools, and works of art are of any real value? Why did Mr. Harrison good-humoredly assent to this really false idea, when he was seeking higher education?

1. Has the recent World War changed the common belief in America that only foreign universities, art schools, and artworks have any real value? Why did Mr. Harrison agree, with a good attitude, to this misleading idea when he was looking for higher education?

2. When does the story become really interesting to you? Why?

2. When does the story start to grab your attention? Why?

3. What American characteristics does Mr. Harrison illustrate?

3. What American traits does Mr. Harrison show?

4. Although the English girl's story is not told directly, can you gather what she thought of the young American? Does it remind you of what the French people thought of our American boys when they went to France during the recent war?

4. Even though the English girl's story isn't told directly, can you figure out what she thought of the young American? Does it remind you of what the French people thought of our American boys when they went to France during the recent war?

5. What characteristics of the English does the frank American bring out in his talk with the English girl?

5. What traits of the English does the straightforward American reveal in his conversation with the English girl?

6. What was the motive of the young American's conduct toward the English girl? Why was the American blameless, or do you blame him?

6. What motivated the young American's behavior towards the English girl? Why was the American not at fault, or do you think he is?

7. Is the slang this young man uses characteristic of Americans in general?

7. Is the slang that this young guy uses typical of Americans overall?

Chu Chu

Chu Chu

1. Where is this story located? What are some of the things that give it the atmosphere or flavor of California?

1. Where does this story take place? What are some elements that create the vibe or feel of California?

2. Is "Chu Chu" anything like "John G."? Tell the likenesses and differences between the two horses. Which do you admire more?

2. Is "Chu Chu" similar to "John G."? Explain the similarities and differences between the two horses. Which one do you admire more?

3. Why are there so many Spanish words in this story?

3. Why are there so many Spanish words in this story?

4. Do you think Consuelo is like other Spanish girls you have read or heard about? In what ways is she different from American girls?

4. Do you think Consuelo is similar to other Spanish girls you've read about or heard of? How is she different from American girls?

5. Is the love story, or the action of the horse, the most interesting incident in the story?

5. Is the love story, or the horse's actions, the most interesting part of the story?

6. Read the Introduction and see what Bret Harte added to the idea of the short story. Does it apply to this story?

6. Read the Introduction and see what Bret Harte contributed to the concept of the short story. Does it apply to this story?

Feathertop, A Moralized Legend

Feathertop: A Moralized Legend

1. What do the words "moralized legend" mean? What is the moral of the story?

1. What do the words "moralized legend" mean? What is the lesson of the story?

2. This is a fanciful story. Do you like it as well as "The Gift of the Magi" or "A Reward of Merit" in which there are real people?

2. This is a whimsical story. Do you like it as much as "The Gift of the Magi" or "A Reward of Merit," which feature real characters?

3. Does Hawthorne show his personality and boyhood training in this story as much as Mr. Garland showed his in "A Camping Trip"? (See biographical sketches.)

3. Does Hawthorne reveal his personality and childhood influences in this story as much as Mr. Garland did in "A Camping Trip"? (See biographical sketches.)

4. What do you think was the word that Feathertop whispered in Mr. Gookin's ear?

4. What do you think was the word that Feathertop whispered in Mr. Gookin's ear?

5. Which do you think more difficult to write, a story wholly from the imagination like "Feathertop," or one from experience like "A Camping Trip"?

5. Which do you think is harder to write, a story completely made up like "Feathertop," or one based on real experiences like "A Camping Trip"?

The Red-Headed League

The Red-Headed League

1. Do you think this a good detective story? What makes it better than the cheap ones you perhaps have bought at the news stands?

1. Do you think this is a good detective story? What makes it better than the cheap ones you might have picked up at the newsstand?

2. What do you know about Sherlock Holmes? (See biographical sketch of Conan Doyle.)

2. What do you know about Sherlock Holmes? (See the biographical sketch of Conan Doyle.)

3. Where did the most thrilling moment come? Was this the place where you saw how the story was going to turn out? What might you call this point?

3. Where did the most exciting moment happen? Was this the spot where you realized how the story would unfold? What would you call this moment?

4. Relate a mystery from real life that you have heard of or read in a newspaper that is just as hard to find out about as those Conan Doyle explains in his stories.

4. Share a real-life mystery you've heard about or read in a newspaper that’s just as difficult to solve as the ones Conan Doyle describes in his stories.

5. When Sherlock Holmes explains how he knew things about people, as, for instance, how he knew that Wilson was a Freemason, does it all seem simple enough to you? Why then are there not more good Sherlock Holmeses?

5. When Sherlock Holmes explains how he figured things out about people, like how he knew Wilson was a Freemason, does it all seem straightforward to you? If so, why aren't there more good Sherlock Holmeses?

6. Relate some sly bits of humor you find in the story.

6. Share some clever jokes or funny moments you notice in the story.

The Inconsiderate Waiter

The Rude Waiter

1. What kind of humor is shown in this story? Is it different from "A Reward of Merit"?

1. What type of humor is present in this story? Is it different from "A Reward of Merit"?

2. Is there anything touching in the story?

2. Is there anything moving in the story?

3. What do you think are the real qualities of the narrator of this story? Why does he try to conceal his real self?

3. What do you think are the true qualities of the narrator in this story? Why does he try to hide his true self?

4. What do you think was Mr. Barrie's purpose in making this waiter of an exclusive English club show himself to be a real human being?

4. What do you think Mr. Barrie's goal was in revealing this waiter from an exclusive English club to be a genuine person?

5. After you have read the biographical sketch of Mr. Barrie, see if you can discover anything in the story that shows his personality.

5. After you read the biography of Mr. Barrie, see if you can find anything in the story that reflects his personality.

The Siege of Berlin

The Battle of Berlin

1. What is it that holds your attention in this story, is it the character of the fine old soldier, the story itself, or both?

1. What grabs your attention in this story? Is it the character of the distinguished old soldier, the story itself, or both?

2. What qualities of a soldier does M. Jouve show to the last?

2. What qualities of a soldier does M. Jouve demonstrate in the end?

3. What noble qualities does war bring out in the women of a nation, as revealed by the granddaughter of the old soldier?

3. What admirable qualities does war bring out in a nation's women, as shown by the old soldier's granddaughter?

4. What recent attack on Paris does this one make you think of? In what ways is it similar? How different?

4. Which recent attack in Paris does this one remind you of? In what ways is it similar? How is it different?

5. How near did the Germans get to Paris in the World War?

5. How close did the Germans get to Paris during World War I?

6. What places mentioned in this story were strategic points around which great and critical battles were fought during the World War?

6. What locations mentioned in this story were key points where major and crucial battles took place during World War?

7. Read the notes on this story carefully, and from what you have read or can find out from soldier friends who were in the late war, see how the battles of the Franco-Prussian War and the World War differed. For instance, were the same people victorious in each case?

7. Carefully read the notes on this story, and based on what you’ve read or what you can learn from soldier friends who were in the recent war, compare how the battles of the Franco-Prussian War and World War differed. For example, did the same people win in both cases?

8. Write a war story, using the most thrilling incident you have heard of the World War. Make the characters real and show some noble quality in them, such as heroism, generosity, or human kindness.

8. Write a war story that features the most exciting event you’ve heard about from World War II. Make the characters believable and demonstrate some admirable quality in them, like bravery, generosity, or kindness.

The Silver Mine

The Silver Mine

1. In what ways does this story of a hidden treasure differ from other stories of hidden treasure, such as "Treasure Island," for example?

1. How does this story about hidden treasure differ from other hidden treasure stories, like "Treasure Island," for instance?

2. Does the character of the minister as revealed in the story, so good and fine, yet so plain and humanly near to his people, make you think of any other minister you have known or read about?

2. Does the character of the minister, who is portrayed as both good and admirable, yet so down-to-earth and relatable to his community, remind you of any other minister you've known or read about?

3. How does the sacrifice of the minister influence the king to noble action?

3. How does the minister's sacrifice inspire the king to take noble action?

4. In what ways do these Swedish people differ in their faults and good qualities or any of their human ways from the people of any other nation?

4. How do these Swedish people differ in their flaws and good qualities, or in any of their behaviors, compared to people from other countries?


Footnotes

A (Return)
Copyright, 1919, by the American National Red Cross.

A (Return)
Copyright, 1919, by the American National Red Cross.

B (Return)
From Little Aliens, copyright, 1910, by Charles Scribner's Sons. By permission of the publishers.

B (Return)
From Little Aliens, copyright, 1910, by Charles Scribner's Sons. By permission of the publishers.

C (Return)
The Nobel prizes are prizes given for the encouragement of men and women who work for the interests of humanity, and were established by the will of Alfred B. Nobel (1833-1896), the inventor of dynamite, who left his entire estate for this purpose. They are awarded yearly by the Academy of Sweden, for what is regarded as the most important work during the year in physics, chemistry, medicine or physiology, idealistic literature, and service in the interests of peace. The prizes, averaging $40,000 each, were first awarded in 1901.

C (Return)
The Nobel Prizes are awards granted to encourage men and women who contribute to the benefit of humanity. They were established by the will of Alfred B. Nobel (1833-1896), the inventor of dynamite, who bequeathed his entire estate for this purpose. They are presented annually by the Academy of Sweden for what is considered the most significant work of the year in physics, chemistry, medicine or physiology, literature, and efforts in promoting peace. The prizes, which average $40,000 each, were first awarded in 1901.

 

 



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