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frontis

Little Masterpieces of

American Wit and Humor

Edited by Thomas L. Masson

VOLUME I

By

Washington IrvingOliver Wendell Holmes
Benjamin Franklin"Josh Billings"
"Mark Twain"Charles Dudley Warner
James T. FieldsHenry Ward Beecher
and others 


Copyright, 1903, by
Doubleday, Page & Company
Published, October, 1903


Copyright, 1903, by
Doubleday, Page & Company
Published, October, 1903




Introduction by Mark Twain




INTRODUCTION

This anthology of American Humor represents a process of selection that has been going on for more than fifteen years, and in giving it to the public it is perhaps well that the Editor should precede it with a few words of explanation as to its meaning and scope.

This collection of American Humor reflects a selection process that has taken over fifteen years, and as it's now shared with the public, it might be helpful for the Editor to begin with a few words about its purpose and scope.

Not only all that is fairly representative of the work of our American humorists, from Washington Irving to "Mr. Dooley," has been gathered together, but also much that is merely fugitive and anecdotal. Thus, in many instances literary finish has been ignored in order that certain characteristic and purely American bits should have their place. The Editor is not unmindful of the danger of this plan. For where there is such a countless number of witticisms (so-called) as are constantly coming to the surface, and where so many of them are worthless, it must always take a rare discrimination to detect the genuine from the false. This difficulty is greatly increased by the difference of opinion that exists, even among the elect, with regard to the merit of particular jokes. To paraphrase an old adage, what is one man's laughter may be another man's dirge. The Editor desires to make it plain, however, that the responsibility in this particular instance is entirely his own. He has made his selections without consulting any one, knowing that if a consultation of experts should attempt to decide about the contents of a volume of American humor, no volume would ever be published.

Not only has a lot of what represents the work of our American humorists, from Washington Irving to "Mr. Dooley," been gathered, but also much that is simply fleeting and anecdotal. Therefore, in many cases, literary polish has been set aside to showcase certain characteristic and purely American pieces. The Editor understands the risks of this approach. With so many jokes (so-called) constantly popping up, and many of them being worthless, it always takes a discerning eye to distinguish the genuine from the fake. This challenge is made even harder by differing opinions, even among experts, about the quality of specific jokes. To rephrase an old saying, what makes one person laugh may make another person cry. However, the Editor wants to make it clear that the responsibility in this case lies entirely with him. He has made his selections without consulting anyone, knowing that if a panel of experts tried to agree on the contents of a volume of American humor, no volume would ever be published.

The reader will doubtless recognize, in this anthology, many old friends. He may also be conscious of omissions. These omissions are due either to the restrictions of publishers, or the impossibility of obtaining original copies, or the limited space.

The reader will likely recognize many familiar names in this anthology. They might also notice some missing entries. These omissions are due to publisher restrictions, the difficulty of accessing original copies, or limited space.


ACKNOWLEDGMENTS

Acknowledgments are made herewith to the following publishers, who have kindly consented to allow the reproduction of the material designated.

Acknowledgments are given here to the following publishers, who have graciously agreed to allow the reproduction of the specified material.

F. A. Stokes & Company, New York: "A Rhyme for Priscilla," F. D. Sherman; "The Bohemians of Boston," Gelett Burgess; "A Kiss in the Rain," "Bessie Brown, M. D.," S. M. Peck.

F. A. Stokes & Company, New York: "A Rhyme for Priscilla," F. D. Sherman; "The Bohemians of Boston," Gelett Burgess; "A Kiss in the Rain," "Bessie Brown, M. D.," S. M. Peck.

Dodd, Mead & Company, New York: Four Extracts, E. W. Townsend ("Chimmie Fadden").

Dodd, Mead & Company, New York: Four Extracts, E. W. Townsend ("Chimmie Fadden").

Bowen-Merrill Company, Indianapolis: "The Elf Child," "A Liz-Town Humorist," James Whitcomb Riley.

Bowen-Merrill Co., Indianapolis: "The Elf Child," "A Liz-Town Humorist," James Whitcomb Riley.

Lee & Shepard, Boston: "The Meeting of the Clabberhuses," "A Philosopher," "The Ideal Husband to His Wife," "The Prayer of Cyrus Brown," "A Modern Martyrdom," S. W. Foss; "After the Funeral," "What He Wanted It For," J. M. Bailey.

Lee & Shepard, Boston: "The Meeting of the Clabberhuses," "A Philosopher," "The Ideal Husband to His Wife," "The Prayer of Cyrus Brown," "A Modern Martyrdom," S. W. Foss; "After the Funeral," "What He Wanted It For," J. M. Bailey.

Bacheller, Johnson & Bacheller, New York: "The Composite Ghost," Marion Couthouy Smith.

Bacheller, Johnson & Bacheller, New York: "The Composite Ghost," Marion Couthouy Smith.

D. Appleton & Company, New York: "Illustrated Newspapers," "Tushmaker's Tooth-puller," G. H. Derby ("John Phœnix").

D. Appleton & Company, New York: "Illustrated Newspapers," "Tushmaker's Tooth-puller," G. H. Derby ("John Phœnix").

T. B. Peterson & Company, Philadelphia: "Hans Breitmann's Party," "Ballad," C. G. Leland.

T.B. Peterson & Company, Philadelphia: "Hans Breitmann's Party," "Ballad," C. G. Leland.

Century Company, New York: "Miss Malony on the Chinese Question," Mary Mapes Dodge; "The Origin of the Banjo," Irwin Russell; "The Walloping Window-Blind," Charles E. Carryl; "The Patriotic Tourist," "What's in a Name?" "'Tis Ever Thus," R. K. Munkittrick.

Century Corp, New York: "Miss Malony on the Chinese Question," Mary Mapes Dodge; "The Origin of the Banjo," Irwin Russell; "The Walloping Window-Blind," Charles E. Carryl; "The Patriotic Tourist," "What's in a Name?" "'Tis Ever Thus," R. K. Munkittrick.

Forbes & Company, Chicago: "If I Should Die To-Night," "The Pessimist," Ben King.

Forbes & Company, Chicago: "If I Should Die Tonight," "The Pessimist," Ben King.

J. S. Ogilvie & Company, New York: Three Short Extracts, C. B. Lewis ("Mr. Bowser").

J.S. Ogilvie & Company, New York: Three Short Extracts, C. B. Lewis ("Mr. Bowser").

The Chelsea Company, New York: "The Society Reporter's Christmas," "The Dying Gag," James L. Ford.

Chelsea Company, New York: "The Society Reporter's Christmas," "The Dying Gag," James L. Ford.

Keppler & Schwarzmann, New York: "Love Letters of Smith," H. C. Bunner.

Keppler & Schwarzmann, New York: "Love Letters of Smith," H. C. Bunner.

Small, Maynard & Company, Boston: "On Gold-Seeking," "On Expert Testimony," F. P. Dunne ("Mr. Dooley"); "Tale of the Kennebec Mariner," "Grampy Sings a Song," "Cure for Homesickness," Holman F. Day.

Small, Maynard & Company, Boston: "Gold-Seeking," "Expert Testimony," F. P. Dunne ("Mr. Dooley"); "Kennebec Mariner's Tale," "Grampy Sings a Song," "Cure for Homesickness," Holman F. Day.

Belford, Clarke & Company, Chicago: "A Fatal Thirst," "On Cyclones," Bill Nye.

Belford, Clarke & Company, Chicago: "A Deadly Thirst," "About Cyclones," Bill Nye.

Duquesne Distributing Company, Harmanville, Pennsylvania: "In Society," William J. Kountz, Jr. (from the bound edition of "Billy Baxter's Letters").

Duquesne Distribution Company, Harmanville, Pennsylvania: "In Society," William J. Kountz, Jr. (from the bound edition of "Billy Baxter's Letters").

R. H. Russell, New York: Nonsense Verses—"Impetuous Samuel," "Misfortunes Never Come Singly," "Aunt Eliza," "Susan"; "The City as a Summer Resort," "Avarice and Generosity," "Work and Sport," "Home Life of Geniuses," F. P. Dunne ("Mr. Dooley"); "My Angeline," Harry B. Smith.

R. H. Russell, New York: Nonsense Verses—"Impetuous Samuel," "Misfortunes Never Come Alone," "Aunt Eliza," "Susan"; "The City as a Summer Getaway," "Greed and Generosity," "Work and Play," "Home Life of Geniuses," F. P. Dunne ("Mr. Dooley"); "My Angeline," Harry B. Smith.

H. S. Stone & Company, Chicago: "The Preacher Who Flew His Kite." "The Fable of the Caddy," "The Two Mandolin Players," George Ade.

H.S. Stone & Company, Chicago: "The Preacher Who Flew His Kite." "The Fable of the Caddy," "The Two Mandolin Players," George Ade.

American Publishing Company, Hartford: "A Pleasure Excursion," "An Unmarried Female," Marietta Holley; "Colonel Sellers," "Mark Twain."

American Publishing Co., Hartford: "A Fun Trip," "An Unmarried Woman," Marietta Holley; "Colonel Sellers," "Mark Twain."

G. P. Putnam's Sons, New York: "Living in the Country," "A Glass of Water," "A Family Horse," F. S. Cozzens.

Putnam's Sons, New York: "Living in the Country," "A Glass of Water," "A Family Horse," F. S. Cozzens.

George Dillingham, New York: "Natral and Unnatral Aristocrats," "To Correspondents," "The Bumblebee," "Josh Billings"; "Among the Spirits," "The Shakers," "A. W. to His Wife," "Artemus Ward and the Prince of Wales," "A Visit to Brigham Young," "The Tower of London," "One of Mr. Ward's Business Letters," "On 'Forts,'" Artemus Ward; "At the Musicale," "At the Races," Geo. V. Hobart ("John Henry").

George Dillingham, New York: "Natural and Unnatural Aristocrats," "To Correspondents," "The Bumblebee," "Josh Billings"; "Among the Spirits," "The Shakers," "A. W. to His Wife," "Artemus Ward and the Prince of Wales," "A Visit to Brigham Young," "The Tower of London," "One of Mr. Ward's Business Letters," "On 'Forts,'" Artemus Ward; "At the Musicale," "At the Races," Geo. V. Hobart ("John Henry").

Thompson & Thomas, Chicago: "How to Hunt the Fox," Bill Nye.

Thompson & Thomas, Chicago: "How to Hunt the Fox," Bill Nye.

Little, Brown & Company, Boston: "Street Scenes in Washington," Louisa May Alcott.

Little, Brown and Company, Boston: "Street Scenes in Washington," Louisa May Alcott.

E. H. Bacon & Company, Boston: "A Boston Lullaby," James Jeffrey Roche.

E. H. Bacon & Company, Boston: "A Boston Lullaby," James Jeffrey Roche.

Houghton, Mifflin & Company, Boston: "My Aunt," "The Wonderful One-hoss Shay," "Foreign Correspondence," "Music-Pounding" (extract), "The Ballad of the Oysterman," "Dislikes" (short extract), "The Height of the Ridiculous," "An Aphorism and a Lecture," O. W. Holmes; "The Yankee Recruit," "What Mr. Robinson Thinks," "The Courtin'," "A Letter from Mr. Ezekiel Bigelow," "Without and Within," J. R. Lowell; "Five Lives," "Eve's Daughter," E. R. Sill; "The Owl-Critic," "The Alarmed Skipper," James T. Fields; "My Summer in a Garden," "Plumbers," "How I Killed a Bear," C. D. Warner; "Little Breeches," John Hay; "The Stammering Wife," "Coquette," "My Familiar," "Early Rising," J. G. Saxe; "The Diamond Wedding," E. C. Stedman; "Melons," "Society Upon the Stanislaus," "The Heathen Chinee," "To the Pliocene Skull," Bret Harte; "The Total Depravity of Inanimate Things," K. K. C. Walker; "Palabras Grandiosas," Bayard Taylor; "Mrs. Johnson," William Dean Howells; "A Plea for Humor," Agnes Repplier; "The Minister's Wooing," Harriet Beecher Stowe.

Houghton Mifflin Harcourt, Boston: "My Aunt," "The Amazing One-Horse Shay," "International Correspondence," "Music-Pounding" (extract), "The Ballad of the Oysterman," "Dislikes" (short extract), "The Height of the Ridiculous," "An Aphorism and a Lecture," O. W. Holmes; "The Yankee Recruit," "What Mr. Robinson Thinks," "The Courtin'," "A Letter from Mr. Ezekiel Bigelow," "Without and Within," J. R. Lowell; "Five Lives," "Eve's Daughter," E. R. Sill; "The Owl-Critic," "The Alarmed Skipper," James T. Fields; "My Summer in a Garden," "Plumbers," "How I Killed a Bear," C. D. Warner; "Little Breeches," John Hay; "The Stammering Wife," "Coquette," "My Familiar," "Early Rising," J. G. Saxe; "The Diamond Wedding," E. C. Stedman; "Melons," "Society on the Stanislaus," "The Heathen Chinese," "To the Pliocene Skull," Bret Harte; "The Total Depravity of Inanimate Things," K. K. C. Walker; "Palabras Grandiosas," Bayard Taylor; "Mrs. Johnson," William Dean Howells; "A Plea for Humor," Agnes Repplier; "The Minister's Wooing," Harriet Beecher Stowe.

In addition, the Editor desires to make his personal acknowledgments to the following authors: F. P. Dunne, Mary Mapes Dodge, Gelett Burgess, R. K. Munkittrick, E. W. Townsend, F. D. Sherman.

In addition, the Editor wants to personally thank the following authors: F. P. Dunne, Mary Mapes Dodge, Gelett Burgess, R. K. Munkittrick, E. W. Townsend, and F. D. Sherman.

For such small paragraphs, anecdotes and witticisms as have been used in these volumes, acknowledgment is hereby made to the following newspapers and periodicals:

For these short paragraphs, stories and clever remarks used in these volumes, thanks are given to the following newspapers and magazines:

Chicago Record, Boston Globe, Texas Siftings, New Orleans Times Democrat, Providence Journal, New York Evening Sun, Atlanta Constitution, Macon Telegraph, New Haven Register, Chicago Times, Analostan Magazine, Harper's Bazaar, Florida Citizen, Saturday Evening Post, Chicago Times Herald, Washington Post, Cleveland Plain Dealer, New York Tribune, Chicago Tribune, Pittsburg Bulletin, Philadelphia Ledger, Youth's Companion, Harper's Magazine, Duluth Evening Herald, Boston Medical and Surgical Journal, Washington Times, Rochester Budget, Bangor News, Boston Herald, Pittsburg Dispatch, Christian Advocate, Troy Times, Boston Beacon, New Haven News, New York Herald, Philadelphia Call, Philadelphia News, Erie Dispatch, Town Topics, Buffalo Courier, Life, San Francisco Wave, Boston Home Journal, Puck, Washington Hatchet, Detroit Free Press, Babyhood, Philadelphia Press, Judge, New York Sun, Minneapolis Journal, San Francisco Argonaut, St. Louis Sunday Globe, Atlanta Constitution, Buffalo Courier, New York Weekly, Starlight Messenger (St Peter, Minn.).

Chicago Record, Boston Globe, Texas Siftings, New Orleans Times Democrat, Providence Journal, New York Evening Sun, Atlanta Constitution, Macon Telegraph, New Haven Register, Chicago Times, Analostan Magazine, Harper's Bazaar, Florida Citizen, Saturday Evening Post, Chicago Times Herald, Washington Post, Cleveland Plain Dealer, New York Tribune, Chicago Tribune, Pittsburg Bulletin, Philadelphia Ledger, Youth's Companion, Harper's Magazine, Duluth Evening Herald, Boston Medical and Surgical Journal, Washington Times, Rochester Budget, Bangor News, Boston Herald, Pittsburg Dispatch, Christian Advocate, Troy Times, Boston Beacon, New Haven News, New York Herald, Philadelphia Call, Philadelphia News, Erie Dispatch, Town Topics, Buffalo Courier, Life, San Francisco Wave, Boston Home Journal, Puck, Washington Hatchet, Detroit Free Press, Babyhood, Philadelphia Press, Judge, New York Sun, Minneapolis Journal, San Francisco Argonaut, St. Louis Sunday Globe, Atlanta Constitution, Buffalo Courier, New York Weekly, Starlight Messenger (St Peter, Minn.).




CONTENTS

WASHINGTON IRVING
Wouter Van Twiller1
Wilhelmus Kieft8
Peter Stuyvesant13
Antony Van Corlear15
General Van Poffenburgh18
BENJAMIN FRANKLIN
Maxims21
Model of a Letter of Recommendation of a
Person You Are Unacquainted with21
Epitaph for Himself22
WILLIAM ALLEN BUTLER
Nothing to Wear24
HENRY WARD BEECHER
Deacon Marble39
The Deacon's Trout41
The Dog Noble and the Empty Hole43
ALBERT GORTON GREENE
Old Grimes45
OLIVER WENDELL HOLMES
My Aunt49
The Deacon's Masterpiece; or, the Wonderful
"One-hoss Shay"63
Foreign Correspondence106
Music-Pounding109
The Ballad of the Oysterman142
NATHANIEL PARKER WILLIS
Miss Albina McLush51
Love in a Cottage125
WILLIAM PITT PALMER
A Smack in School56
B. P. SHILLABER ("Mrs. Partington")
Fancy Diseases58
Bailed Out59
Seeking a Comet59
Going to California60
Mrs. Partington in Court61
EDWARD ROWLAND SILL
Five Lives68
JAMES T. FIELDS
The Owl-Critic70
The Alarmed Skipper104
JOHN HAY
Little Breeches74
HENRY W. SHAW ("Josh Billings")
Natral and Unnatral Aristokrats77
JAMES RUSSELL LOWELL
The Yankee Recruit81
What Mr. Robinson Thinks170
CHARLES DUDLEY WARNER
My Summer in a Garden90
FREDERICK S. COZZENS
Living in the Country111
CHARLES GODFREY LELAND
Hans Breitmann's Party127
FRANCES M. WHICHER
Tim Crane and the Widow129
JOHN GODFREY SAXE
The Stammering Wife135
ANDREW V. KELLEY ("Parmenas Mix")
He Came to Pay139
MARIETTA HOLLEY
A Pleasure Exertion144
EDMUND CLARENCE STEDMAN
The Diamond Wedding162
MISCELLANEOUS
Why He Left23
A Boy's Essay on Girls38
Identified47
One Better48
A Rendition57
A Cause for Thanks73
Crowded103
The Wedding Journey105
A Case of Conscience126
He Rose to the Occasion136
Polite137
Lost, Strayed or Stolen138
A Gentle Complaint141
Music by the Choir173
MARK TWAIN
The Notorious Jumping Frog of Calveras County177

WASHINGTON IRVING


WOUTER VAN TWILLER

It was in the year of our Lord 1629 that Mynheer Wouter Van Twiller was appointed Governor of the province of Nieuw Nederlandts, under the commission and control of their High Mightinesses the Lords States General of the United Netherlands, and the privileged West India Company.

It was in the year 1629 that Mr. Wouter Van Twiller was appointed Governor of the province of New Netherlands, under the commission and control of their High Mightinesses the Lords States General of the United Netherlands, and the privileged West India Company.

This renowned old gentleman arrived at New Amsterdam in the merry month of June, the sweetest month in all the year; when dan Apollo seems to dance up the transparent firmament—when the robin, the thrush, and a thousand other wanton songsters make the woods to resound with amorous ditties, and the luxurious little bob-lincon revels among the clover blossoms of the meadows—all which happy coincidences persuaded the old dames of New Amsterdam, who were skilled in the art of foretelling events, that this was to be a happy and prosperous administration.

This famous old man arrived in New Amsterdam in the joyful month of June, the sweetest month of the year; when the sun seems to dance in the clear sky—when the robin, the thrush, and countless other playful songbirds fill the woods with love songs, and the lively little bobolink celebrates among the clover blossoms of the meadows—all these cheerful signs convinced the old ladies of New Amsterdam, who were experts at predicting events, that this would be a happy and successful administration.

The renowned Wouter (or Walter) Van Twiller was descended from a long line of Dutch burgomasters, who had successively dozed away their lives and grown fat upon the bench of magistracy in Rotterdam, and who had comported themselves with such singular wisdom and[Pg 2] propriety that they were never either heard or talked of—which, next to being universally applauded, should be the object of ambition of all magistrates and rulers. There are two opposite ways by which some men make a figure in the world; one, by talking faster than they think, and the other, by holding their tongues and not thinking at all. By the first, many a smatterer acquires the reputation of a man of quick parts; by the other, many a dunderpate, like the owl, the stupidest of birds, comes to be considered the very type of wisdom. This, by the way, is a casual remark, which I would not, for the universe, have it thought I apply to Governor Van Twiller. It is true he was a man shut up within himself, like an oyster, and rarely spoke, except in monosyllables; but then it was allowed he seldom said a foolish thing. So invincible was his gravity that he was never known to laugh or even to smile through the whole course of a long and prosperous life. Nay, if a joke were uttered in his presence that set light-minded hearers in a roar, it was observed to throw him into a state of perplexity. Sometimes he would deign to inquire into the matter, and when, after much explanation, the joke was made as plain as a pike-staff, he would continue to smoke his pipe in silence, and at length, knocking out the ashes, would exclaim, "Well, I see nothing in all that to laugh about."

The famous Wouter (or Walter) Van Twiller came from a long line of Dutch mayors who spent their lives lazily dozing away while growing comfortable on the magistrate's bench in Rotterdam. They acted with such unusual wisdom and propriety that they were never really talked about or noticed—which, next to being widely praised, should be the goal of all judges and leaders. There are two very different ways some people make a name for themselves in the world: one is by talking faster than they think, and the other is by keeping quiet and not thinking at all. Because of the first method, many a chatterbox gains a reputation for being clever; through the second, many a dullard, like the owl (the dumbest bird), comes to be seen as the epitome of wisdom. Just so you know, this is a side note, and I certainly don’t mean to imply any of this applies to Governor Van Twiller. It’s true he was a reserved man, like an oyster, and rarely spoke more than single syllables; however, it was acknowledged that he hardly ever said something silly. His seriousness was so strong that he was never seen to laugh or smile throughout his long and successful life. In fact, if someone cracked a joke in his presence that made others burst into laughter, it would leave him looking confused. Sometimes he would bother to ask what was so funny, and when, after a lot of explanation, the joke was made as clear as day, he would just keep smoking his pipe in silence, and eventually, after tapping out the ashes, would say, "Well, I don’t see anything at all to laugh about."

With all his reflective habits, he never made up his mind on a subject. His adherents ac[Pg 3]counted for this by the astonishing magnitude of his ideas. He conceived every subject on so grand a scale that he had not room in his head to turn it over and examine both sides of it. Certain it is that, if any matter were propounded to him on which ordinary mortals would rashly determine at first glance, he would put on a vague, mysterious look, shake his capacious head, smoke some time in profound silence, and at length observe that "he had his doubts about the matter"; which gained him the reputation of a man slow of belief and not easily imposed upon. What is more, it gained him a lasting name; for to this habit of the mind has been attributed his surname of Twiller; which is said to be a corruption of the original Twijfler, or, in plain English, Doubter.

With all his reflective habits, he never made up his mind on a topic. His followers explained this by the incredible scope of his ideas. He viewed every subject on such a grand scale that he didn't have the space in his mind to consider it and examine both sides. It's certain that if any issue was brought to him, one that ordinary people would quickly decide on at first glance, he would put on a vague, mysterious expression, shake his large head, smoke for a while in deep silence, and eventually remark that "he had his doubts about it," which earned him the reputation of being slow to believe and not easily fooled. Moreover, it gave him a lasting name; this habit of thinking led to his surname, Twiller, which is said to be a corrupted form of the original Twijfler, or in plain English, Doubter.

The person of this illustrious old gentleman was formed and proportioned as though it had been molded by the hands of some cunning Dutch statuary, as a model of majesty and lordly grandeur. He was exactly five feet six inches in height, and six feet five inches in circumference. His head was a perfect sphere, and of such stupendous dimensions that Dame Nature, with all her sex's ingenuity, would have been puzzled to construct a neck capable of supporting it; wherefore she wisely declined the attempt, and settled it firmly on the top of his backbone, just between the shoulders. His body was oblong, and particularly capacious at bottom; which was wisely ordered by Providence[Pg 4] seeing that he was a man of sedentary habits, and very averse to the idle labor of walking. His legs were short, but sturdy in proportion to the weight they had to sustain; so that when erect he had not a little the appearance of a beer barrel on skids. His face, that infallible index of the mind, presented a vast expanse, unfurrowed by those lines and angles which disfigure the human countenance with what is termed expression. Two small gray eyes twinkled feebly in the midst, like two stars of lesser magnitude in a hazy firmament; and his full-fed cheeks, which seemed to have taken toll of everything that went into his mouth, were curiously mottled and streaked with dusky red, like a Spitzenberg apple.

The figure of this distinguished old man seemed like it was crafted by some skilled Dutch sculptor, designed as a model of majesty and impressive stature. He stood exactly five feet six inches tall and had a circumference of six feet five inches. His head was perfectly round, and so large that even Nature, with all her creativity, would have struggled to create a neck strong enough to support it; so she wisely gave up and placed it firmly on top of his spine, right between his shoulders. His body was rectangular and particularly large at the bottom; this was probably ordered by fate[Pg 4] since he had a sedentary lifestyle and really disliked the effort of walking. His legs were short but sturdy enough for the weight they had to carry, giving him the appearance of a beer barrel on skids when he stood up. His face, a reliable reflection of his mind, was broad and lacking the lines and creases that typically mark a human face with what’s called expression. Two small gray eyes twinkled weakly in the middle, like distant stars in a cloudy sky; and his round cheeks, which seemed to have absorbed everything he ate, were oddly mottled and streaked with dark red, resembling a Spitzeberg apple.

His habits were as regular as his person. He daily took his four stated meals, appropriating exactly an hour to each; he smoked and doubted eight hours, and he slept the remaining twelve of the four-and-twenty. Such was the renowned Wouter Van Twillerï—a true philosopher, for his mind was either elevated above, or tranquilly settled below, the cares and perplexities of this world. He had lived in it for years, without feeling the least curiosity to know whether the sun revolved round it, or it round the sun; and he had watched for at least half a century the smoke curling from his pipe to the ceiling, without once troubling his head with any of those numerous theories by which a philosopher would have perplexed his brain,[Pg 5] in accounting for its rising above the surrounding atmosphere.

His habits were as consistent as his appearance. He ate his four scheduled meals each day, spending exactly an hour on each; he smoked and pondered for eight hours, and he slept the other twelve of the twenty-four. Such was the famous Wouter Van Twiller—a true philosopher, as his mind was either above or calmly below the worries and complexities of life. He had lived in it for years, without the slightest curiosity about whether the sun revolved around it or it revolved around the sun; and he had watched for at least fifty years the smoke curling from his pipe to the ceiling, without ever bothering to consider any of the many theories that would have confused a philosopher trying to explain why it rose above the surrounding air.[Pg 5]

In his council he presided with great state and solemnity. He sat in a huge chair of solid oak, hewn in the celebrated forest of the Hague, fabricated by an experienced timmerman of Amsterdam, and curiously carved about the arms and feet into exact imitations of gigantic eagle's claws. Instead of a scepter, he swayed a long Turkish pipe, wrought with jasmine and amber, which had been presented to a stadtholder of Holland at the conclusion of a treaty with one of the petty Barbary powers. In this stately chair would he sit, and this magnificent pipe would he smoke, shaking his right knee with a constant motion, and fixing his eye for hours together upon a little print of Amsterdam which hung in a black frame against the opposite wall of the council chamber. Nay, it has even been said that when any deliberation of extraordinary length and intricacy was on the carpet, the renowned Wouter would shut his eyes for full two hours at a time, that he might not be disturbed by external objects; and at such times the internal commotion of his mind was evinced by certain regular guttural sounds, which his admirers declared were merely the noise of conflict made by his contending doubts and opinions.

In his council, he presided with great dignity and seriousness. He sat in a large chair made of solid oak, crafted from the famous forest of The Hague, created by an experienced carpenter from Amsterdam, and intricately carved at the arms and feet to look like giant eagle's claws. Instead of a scepter, he held a long Turkish pipe, made with jasmine and amber, which had been given to a stadtholder of Holland at the end of a treaty with one of the smaller Barbary states. In this grand chair, he would sit and smoke this impressive pipe, constantly shaking his right knee and staring for hours at a small print of Amsterdam that hung in a black frame on the opposite wall of the council chamber. It has even been said that when any discussions were unusually long and complicated, the famous Wouter would close his eyes for a full two hours at a time, so he wouldn’t be distracted by anything around him; during these moments, the turmoil in his mind was indicated by certain regular guttural sounds, which his admirers claimed were simply the noise of the internal struggle between his conflicting doubts and opinions.

It is with infinite difficulty I have been enabled to collect these biographical anecdotes of the great man under consideration. The facts respecting him were so scattered and vague, and[Pg 6] divers of them so questionable in point of authenticity, that I have had to give up the search after many, and decline the admission of still more, which would have tended to heighten the coloring of his portrait.

It has been incredibly challenging for me to gather these biographical stories about the great man we're discussing. The information about him was so scattered and unclear, and some of it was so questionable in terms of authenticity, that I had to stop searching after many attempts and ignore even more that could have enhanced the details of his portrait.

I have been the more anxious to delineate fully the person and habits of Wouter Van Twiller, from the consideration that he was not only the first but also the best Governor that ever presided over this ancient and respectable province; and so tranquil and benevolent was his reign, that I do not find throughout the whole of it a single instance of any offender being brought to punishment—a most indubitable sign of a merciful Governor, and a case unparalleled, excepting in the reign of the illustrious King Log, from whom, it is hinted, the renowned Van Twiller was a lineal descendant.

I’ve been especially eager to fully describe the character and habits of Wouter Van Twiller because he was not only the first but also the best Governor this old and respected province ever had. His time in office was so peaceful and kind that I can't find a single instance of anyone being punished during his reign—a clear sign of a merciful Governor, and a situation unmatched, except during the reign of the famous King Log, from whom it’s suggested Van Twiller might be a direct descendant.

The very outset of the career of this excellent magistrate was distinguished by an example of legal acumen that gave flattering presage of a wise and equitable administration. The morning after he had been installed in office, and at the moment that he was making his breakfast from a prodigious earthen dish, filled with milk and Indian pudding, he was interrupted by the appearance of Wandle Schoonhoven, a very important old burgher of New Amsterdam, who complained bitterly of one Barent Bleecker, inasmuch as he refused to come to a settlement of accounts, seeing that there was a heavy balance in favor of the said Wandle. Governor Van[Pg 7] Twiller, as I have already observed, was a man of few words; he was likewise a mortal enemy to multiplying writings—or being disturbed at his breakfast. Having listened attentively to the statement of Wandle Schoonhoven, giving an occasional grunt, as he shoveled a spoonful of Indian pudding into his mouth—either as a sign that he relished the dish, or comprehended the story—he called unto him his constable, and pulling out of his breeches pocket a huge jack-knife, despatched it after the defendant as a summons, accompanied by his tobacco-box as a warrant.

At the very start of this impressive magistrate’s career, he showed such legal insight that promised a wise and fair administration. The morning after he took office, while he was having breakfast from a large earthen dish filled with milk and Indian pudding, he was interrupted by Wandle Schoonhoven, a rather important old resident of New Amsterdam, who complained loudly about Barent Bleecker, as he refused to settle their accounts, despite a substantial balance owed to Wandle. Governor Van[Pg 7] Twiller, as I’ve mentioned, was a man of few words and had a strong dislike for paperwork—or being interrupted during breakfast. After listening carefully to Wandle Schoonhoven’s account, grunting occasionally as he shoveled Indian pudding into his mouth—perhaps indicating either that he enjoyed the dish or understood the situation—he called over his constable, pulled a large jack-knife from his pants pocket, and sent it after the defendant as a summons, along with his tobacco box as a warrant.

This summary process was as effectual in those simple days as was the seal-ring of the great Haroun Alraschid among the true believers. The two parties being confronted before him, each produced a book of accounts, written in a language and character that would have puzzled any but a High-Dutch commentator or a learned decipherer of Egyptian obelisks. The sage Wouter took them one after the other, and having poised them in his hands and attentively counted over the number of leaves, fell straightway into a very great doubt, and smoked for half an hour without saying a word; at length, laying his finger beside his nose and shutting his eyes for a moment, with the air of a man who has just caught a subtle idea by the tail, he slowly took his pipe from his mouth, puffed forth a column of tobacco smoke, and with marvelous gravity and solemnity pronounced, that, having care[Pg 8]fully counted over the leaves and weighed the books, it was found that one was just as thick and as heavy as the other; therefore, it was the final opinion of the court that the accounts were equally balanced: therefore, Wandle should give Barent a receipt, and Barent should give Wandle a receipt, and the constable should pay the costs.

This summary process was just as effective in those simple days as the seal-ring of the great Haroun Alraschid among the true believers. With the two parties standing before him, each presented a book of accounts, written in a language and style that would confuse anyone except a High-Dutch commentator or a learned expert on Egyptian obelisks. The wise Wouter examined them one by one, and after weighing them in his hands and carefully counting the number of pages, he fell into a deep doubt and smoked in silence for half an hour. Finally, putting his finger beside his nose and closing his eyes for a moment, as if he had just grasped a clever idea, he slowly took his pipe from his mouth, exhaled a cloud of tobacco smoke, and with remarkable seriousness proclaimed that after carefully counting the pages and weighing the books, he found that one was just as thick and heavy as the other. Therefore, the court concluded that the accounts were equally balanced, so Wandle should give Barent a receipt, and Barent should give Wandle a receipt, and the constable should cover the costs.

This decision, being straightway made known, diffused general joy throughout New Amsterdam, for the people immediately perceived that they had a very wise and equitable magistrate to rule over them. But its happiest effect was that not another lawsuit took place throughout the whole of his administration; and the office of constable fell into such decay that there was not one of those losel scouts known in the province for many years. I am the more particular in dwelling on this transaction, not only because I deem it one of the most sage and righteous judgments on record, and well worthy the attention of modern magistrates, but because it was a miraculous event in the history of the renowned Wouter—being the only time he was ever known to come to a decision in the whole course of his life.

This decision was quickly made known and brought widespread joy to New Amsterdam, as the people quickly realized they had a very wise and fair magistrate leading them. The best outcome was that no more lawsuits occurred during his entire administration; the role of constable declined so much that there were no known troublemakers in the province for many years. I emphasize this event not only because I believe it's one of the most wise and just judgments on record, deserving the attention of today's magistrates, but also because it was a remarkable moment in the life of the famous Wouter—being the only time he was ever known to make a decision throughout his entire life.


WILHELMUS KIEFT

As some sleek ox, sunk in the rich repose of a clover field, dozing and chewing the cud, will bear repeated blows before it raises itself, so the province of Nieuw Nederlandts, having waxed fat under the drowsy reign of the Doubter,[Pg 9] needed cuffs and kicks to rouse it into action. The reader will now witness the manner in which a peaceful community advances toward a state of war; which is apt to be like the approach of a horse to a drum, with much prancing and little progress, and too often with the wrong end foremost.

As a sleek ox, lounging in the lush comfort of a clover field, dozing and chewing its cud, will endure many hits before it finally gets up, so the province of Nieuw Nederlandts, having grown complacent under the lazy rule of the Doubter,[Pg 9] needed some jabs and kicks to get moving. The reader will now see how a peaceful community moves toward a state of war; it often resembles how a horse approaches a drum, full of prancing but making little progress, and too often with the wrong end leading the way.

Wilhelmus Kieft, who in 1634 ascended the gubernatorial chair (to borrow a favorite though clumsy appellation of modern phraseologists), was of a lofty descent, his father being inspector of windmills in the ancient town of Saardam; and our hero, we are told, when a boy, made very curious investigations into the nature and operations of these machines, which was one reason why he afterward came to be so ingenious a Governor. His name, according to the most authentic etymologists, was a corruption of Kyver—that is to say, a wrangler or scolder, and expressed the characteristic of his family, which, for nearly two centuries, have kept the windy town of Saardam in hot water and produced more tartars and brimstones than any ten families in the place; and so truly did he inherit this family peculiarity, that he had not been a year in the government of the province before he was universally denominated William the Testy. His appearance answered to his name. He was a brisk, wiry, waspish little old gentleman, such a one as may now and then be seen stumping about our city in a broad-skirted coat with huge buttons, a cocked hat stuck on the back of his[Pg 10] head, and a cane as high as his chin. His face was broad, but his features were sharp; his cheeks were scorched into a dusky red by two fiery little gray eyes, his nose turned up, and the corners of his mouth turned down, pretty much like the muzzle of an irritable pug-dog.

Wilhelmus Kieft, who took over as governor in 1634 (using a favorite but clumsy term from modern lingo), came from a high-standing family; his father was the windmill inspector in the old town of Saardam. As a boy, our hero was said to have been very curious about how these machines worked, which is part of why he later became such an inventive governor. His name, according to the most reliable sources, was a twist on Kyver—which means a wrangler or scolder—reflecting the traits of his family, who had kept the windy town of Saardam in constant turmoil for nearly two centuries and produced more trouble than any ten families combined in the area. He truly inherited this family trait, as it wasn't long after he took office that he was commonly called William the Testy. His appearance matched his name. He was a lively, wiry, irritable little old man, much like those you might occasionally spot in our city wearing a broad-skirted coat with large buttons, a cocked hat perched on the back of his[Pg 10] head, and a cane that reached up to his chin. His face was broad, but his features were sharp; his cheeks were a dusky red from two fiery little gray eyes, his nose was turned up, and the corners of his mouth turned down, resembling the muzzle of an irritable pug dog.

I have heard it observed by a profound adept in human physiology, that if a woman waxes fat with the progress of years, her tenure of life is somewhat precarious, but if haply she withers as she grows old, she lives forever. Such promised to be the case with William the Testy, who grew tough in proportion as he dried. He had withered, in fact, not through the process of years, but through the tropical fervor of his soul, which burnt like a vehement rush-light in his bosom, inciting him to incessant broils and bickerings. Ancient tradition speaks much of his learning, and of the gallant inroads he had made into the dead languages, in which he had made captive a host of Greek nouns and Latin verbs, and brought off rich booty in ancient saws and apothegms, which he was wont to parade in his public harangues, as a triumphant general of yore his spolia opima. Of metaphysics he knew enough to confound all hearers and himself into the bargain. In logic he knew the whole family of syllogisms and dilemmas, and was so proud of his skill that he never suffered even a self-evident fact to pass unargued. It was observed, however, that he seldom got into an argument without getting into a perplexity, and[Pg 11] then into a passion with his adversary for not being convinced gratis.

I once heard a knowledgeable expert in human physiology say that if a woman gains weight as she ages, her life expectancy is somewhat uncertain, but if she stays thin as she grows older, she’ll live forever. This seemed to hold true for William the Testy, who became tougher as he aged. He had withered not due to the passage of time, but because of the intense fervor of his spirit, which burned like a bright candle in his chest, driving him to constant arguments and disputes. Old stories talk a lot about his learning and the impressive strides he made in ancient languages, where he captured a bunch of Greek nouns and Latin verbs, bringing back a wealth of ancient sayings and proverbs that he loved to showcase in his speeches, like a victorious general displaying his spoils. He knew enough metaphysics to confuse everyone, including himself. In logic, he was well-versed in all sorts of syllogisms and dilemmas, and he was so proud of his expertise that he refused to let even the most obvious facts go unargued. However, it was noted that he rarely got into a debate without ending up confused, and then becoming frustrated with his opponent for not understanding his point for free.

He had, moreover, skirmished smartly on the frontiers of several of the sciences, was fond of experimental philosophy, and prided himself upon inventions of all kinds. His abode, which he had fixed at a Bowerie or country-seat at a short distance from the city, just at what is now called Dutch Street, soon abounded with proofs of his ingenuity: patent smoke-jacks that required a horse to work them; Dutch ovens that roasted meat without fire; carts that went before the horses; weathercocks that turned against the wind; and other wrong-headed contrivances that astonished and confounded all beholders. The house, too, was beset with paralytic cats and dogs, the subjects of his experimental philosophy; and the yelling and yelping of the latter unhappy victims of science, while aiding in the pursuit of knowledge, soon gained for the place the name of "Dog's Misery," by which it continues to be known even at the present day.

He had also dabbled actively in several areas of science, loved experimental philosophy, and took pride in all kinds of inventions. His home, which he set up in a Bowerie or country house not far from the city, right where Dutch Street is now, quickly filled with evidence of his creativity: patented smoke jacks that needed a horse to operate; Dutch ovens that cooked meat without fire; carts that pulled themselves; weather vanes that turned against the wind; and other odd inventions that baffled everyone who saw them. The house was also filled with clumsy cats and dogs, the subjects of his experimental philosophy, and the howling and barking of these unfortunate victims of science, while he pursued knowledge, soon earned the place the name "Dog's Misery," which it is still called today.

It is in knowledge as in swimming: he who flounders and splashes on the surface makes more noise, and attracts more attention, than the pearl-diver who quietly dives in quest of treasures to the bottom. The vast acquirements of the new Governor were the theme of marvel among the simple burghers of New Amsterdam; he figured about the place as learned a man as a Bonze at Pekin, who had mastered one-half of the Chinese[Pg 12] alphabet, and was unanimously pronounced a "universal genius!" ...

It's like knowledge is similar to swimming: those who thrash around on the surface make more noise and grab more attention than the pearl diver who quietly dives deep in search of treasures. The new Governor's extensive knowledge was a source of wonder for the simple townspeople of New Amsterdam; he was seen as a learned man, comparable to a Bonze in Beijing who had learned half of the Chinese[Pg 12] alphabet and was unanimously called a "universal genius!" ...

Thus end the authenticated chronicles of the reign of William the Testy; for henceforth, in the troubles, perplexities and confusion of the times, he seems to have been totally overlooked, and to have slipped forever through the fingers of scrupulous history....

Thus end the confirmed records of the reign of William the Testy; from this point on, amidst the troubles, complexities, and chaos of the times, he appears to have been completely forgotten and to have slipped forever through the grasp of careful history....

It is true that certain of the early provincial poets, of whom there were great numbers in the Nieuw Nederlandts, taking advantage of his mysterious exit, have fabled that, like Romulus, he was translated to the skies, and forms a very fiery little star somewhere on the left claw of the Crab; while others, equally fanciful, declare that he had experienced a fate similar to that of the good King Arthur, who, we are assured by ancient bards, was carried away to the delicious abodes of fairy-land, where he still exists in pristine worth and vigor, and will one day or another return to restore the gallantry, the honor and the immaculate probity which prevailed in the glorious days of the Round Table.

It's true that some of the early provincial poets, of which there were many in Nieuw Nederlandts, took advantage of his mysterious departure and imagined that, like Romulus, he was taken up to the heavens and now forms a bright little star somewhere in the left claw of the Crab. While others, just as imaginative, claim that he met a fate similar to that of the noble King Arthur, who, as we are told by ancient bards, was taken away to the enchanting realms of fairyland, where he still lives in perfect worth and vitality, and will eventually return to restore the chivalry, honor, and pure integrity that existed in the glorious days of the Round Table.

All these, however, are but pleasing fantasies, the cobweb visions of those dreaming varlets, the poets, to which I would not have my judicious readers attach any credibility. Neither am I disposed to credit an ancient and rather apocryphal historian who asserts that the ingenious Wilhelmus was annihilated by the blowing down of one of his windmills; nor a writer of latter times, who affirms that he fell a[Pg 13] victim to an experiment in natural history, having the misfortune to break his neck from a garret window of the stadthouse in attempting to catch swallows by sprinkling salt upon their tails. Still less do I put my faith in the tradition that he perished at sea in conveying home to Holland a treasure of golden ore, discovered somewhere among the haunted regions of the Catskill Mountains.

All of these, however, are just nice fantasies, the fanciful imaginings of those dreaming fools, the poets, and I wouldn’t want my sensible readers to give any of them credit. I’m also not willing to believe an old and rather dubious historian who claims that the clever Wilhelmus was killed by the collapse of one of his windmills; nor a more recent writer who insists that he became a victim of a natural history experiment and accidentally broke his neck while trying to catch swallows by sprinkling salt on their tails from a garret window of the town hall. Even less do I trust the story that he died at sea while bringing back a treasure of gold ore he found somewhere in the haunted areas of the Catskill Mountains.

The most probable account declares that, what with the constant troubles on his frontiers, the incessant schemings and projects going on in his own pericranium, the memorials, petitions, remonstrances and sage pieces of advice of respectable meetings of the sovereign people, and the refractory disposition of his councilors, who were sure to differ from him on every point and uniformly to be in the wrong, his mind was kept in a furnace-heat until he became as completely burnt out as a Dutch family pipe which has passed through three generations of hard smokers. In this manner did he undergo a kind of animal combustion, consuming away like a farthing rush-light; so that when grim death finally snuffed him out there was scarce left enough of him to bury.

The most likely explanation says that, thanks to the constant problems on his borders, the endless scheming and plans in his own head, the memorials, petitions, complaints, and wise advice from dignified meetings of the people, along with the rebellious attitudes of his councilors, who always disagreed with him and were consistently wrong, his mind was kept in a constant state of agitation until he was completely worn out, like a Dutch family's pipe that has been passed down through three generations of heavy smokers. In this way, he went through a sort of gradual burnout, fading away like a cheap candle; so that when death finally extinguished him, there was hardly enough left of him to bury.


PETER STUYVESANT

Peter Stuyvesant was the last, and, like the renowned Wouter Van Twiller, the best of our ancient Dutch Governors, Wouter having surpassed all who preceded him, and Peter, or Piet,[Pg 14] as he was sociably called by the old Dutch burghers, who were ever prone to familiarize names, having never been equaled by any successor. He was in fact the very man fitted by nature to retrieve the desperate fortunes of her beloved province, had not the Fates, those most potent and unrelenting of all ancient spinsters, destined them to inextricable confusion.

Peter Stuyvesant was the last, and like the famous Wouter Van Twiller, the best of our old Dutch Governors. Wouter had outdone everyone before him, and Peter, or Piet,[Pg 14] as he was casually called by the old Dutch citizens, who always liked to shorten names, was never matched by any successor. He was truly the right person to turn around the desperate situation of his beloved province, if only fate, those powerful and relentless ancient spinsters, hadn’t set them on an unavoidable path to chaos.

To say merely that he was a hero would be doing him great injustice; he was in truth a combination of heroes; for he was of a sturdy, raw-boned make, like Ajax Telamon, with a pair of round shoulders that Hercules would have given his hide for (meaning his lion's hide) when he undertook to ease old Atlas of his load. He was, moreover, as Plutarch describes Coriolanus, not only terrible for the force of his arm, but likewise of his voice, which sounded as though it came out of a barrel; and, like the self-same warrior, he possessed a sovereign contempt for the sovereign people, and an iron aspect which was enough of itself to make the very bowels of his adversaries quake with terror and dismay. All this martial excellency of appearance was inexpressibly heightened by an accidental advantage, with which I am surprised that neither Homer nor Virgil have graced any of their heroes. This was nothing less than a wooden leg, which was the only prize he had gained in bravely fighting the battles of his country, but of which he was so proud that he was often heard to declare he valued it more than all his other[Pg 15] limbs put together: indeed, so highly did he esteem it that he had it gallantly enchased and relieved with silver devices, which caused it to be related in divers histories and legends that he wore a silver leg.

To say that he was just a hero would be a big understatement; he was actually a mix of heroes. He had a strong, solid build, like Ajax Telamon, with broad shoulders that Hercules would have traded his lion's skin for when he tried to relieve old Atlas of his burden. Additionally, as Plutarch describes Coriolanus, he was terrifying not just because of his strength but also because of his voice, which sounded like it came from a barrel; and like that same warrior, he had a deep disdain for the common people and an intimidating presence that could strike fear and panic into his enemies. All this impressive martial appearance was greatly enhanced by one surprising feature that I can't believe neither Homer nor Virgil highlighted in any of their heroes. This was nothing less than a wooden leg, which was the only reward he got for bravely fighting for his country, but he was so proud of it that he frequently said he valued it more than all his other limbs combined. In fact, he valued it so highly that he had it beautifully crafted and decorated with silver designs, leading to various stories and legends claiming that he wore a silver leg.


ANTONY VAN CORLEAR

The very first movements of the great Peter, on taking the reins of government, displayed his magnanimity, though they occasioned not a little marvel and uneasiness among the people of the Manhattoes. Finding himself constantly interrupted by the opposition, and annoyed by the advice of his privy council, the members of which had acquired the unreasonable habit of thinking and speaking for themselves during the preceding reign, he determined at once to put a stop to such grievous abominations. Scarcely, therefore, had he entered upon his authority, than he turned out of office all the meddlesome spirits of the factious cabinet of William the Testy; in place of whom he chose unto himself counselors from those fat, somniferous, respectable burghers who had flourished and slumbered under the easy reign of Walter the Doubter. All these he caused to be furnished with abundance of fair long pipes, and to be regaled with frequent corporation dinners, admonishing them to smoke, and eat, and sleep for the good of the nation, while he took the burden of government upon his own shoulders—an arrangement to which they all gave hearty acquiescence.[Pg 16]

The very first actions of the great Peter, upon taking control of the government, showed his generosity, although they caused quite a bit of surprise and concern among the people of Manhattan. Constantly interrupted by opposition and annoyed by the advice of his council, whose members had gotten into the bad habit of thinking and speaking for themselves during the previous reign, he decided right away to put a stop to such troubling practices. Hardly had he taken authority than he dismissed all the meddlesome people from the contentious cabinet of William the Testy; in their place, he selected advisors from those well-fed, sleepy, respectable citizens who had thrived and dozed under the relaxed rule of Walter the Doubter. He ensured that they were given plenty of nice long pipes and treated to frequent city dinners, encouraging them to smoke, eat, and sleep for the good of the nation while he shouldered the responsibilities of government himself—an arrangement to which they all gladly agreed.[Pg 16]

Nor did he stop here, but made a hideous rout among the inventions and expedients of his learned predecessor, rooting up his patent gallows, where caitiff vagabonds were suspended by the waistband; demolishing his flag-staffs and windmills, which, like mighty giants, guarded the ramparts of New Amsterdam; pitching to the duyvel whole batteries of Quaker guns; and, in a word, turning topsy-turvy the whole philosophic, economic and windmill system of the immortal sage of Saardam.

Nor did he stop here, but created a huge mess among the ideas and methods of his educated predecessor, tearing down his patent gallows, where miserable drifters were hung by their waistbands; smashing his flagpoles and windmills, which, like powerful giants, protected the walls of New Amsterdam; sending whole sets of fake Quaker guns to the devil; and, in short, turning upside down the entire philosophical, economic, and windmill system of the legendary sage of Saardam.

The honest folks of New Amsterdam began to quake now for the fate of their matchless champion, Antony the Trumpeter, who had acquired prodigious favor in the eyes of the women by means of his whiskers and his trumpet. Him did Peter the Headstrong cause to be brought into his presence, and eying him for a moment from head to foot, with a countenance that would have appalled anything else than a sounder of brass—"Pr'ythee, who and what art thou?" said he.

The honest people of New Amsterdam started to worry about the fate of their amazing champion, Antony the Trumpeter, who had gained immense popularity with the women thanks to his whiskers and trumpet. Peter the Headstrong had him brought before him, and after sizing him up from head to toe with an expression that would have scared anyone else but a sturdy brass figure—"Please, who are you?" he asked.

"Sire," replied the other, in no wise dismayed, "for my name, it is Antony Van Corlear; for my parentage, I am the son of my mother; for my profession, I am champion and garrison of this great city of New Amsterdam." "I doubt me much," said Peter Stuyvesant, "that thou art some scurvy costard-monger knave. How didst thou acquire this paramount honor and dignity?" "Marry, sir," replied the other, "like many a great man before me, simply by sounding my own trumpet." "Ay, is it so?"[Pg 17] quoth the Governor; "why, then, let us have a relish of thy art." Whereupon the good Antony put his instrument to his lips, and sounded a charge with such a tremendous outset, such a delectable quaver, and such a triumphant cadence, that it was enough to make one's heart leap out of one's mouth only to be within a mile of it. Like as a war-worn charger, grazing in peaceful plains, starts at a strain of martial music, pricks up his ears, and snorts, and paws, and kindles at the noise, so did the heroic Peter joy to hear the clangor of the trumpet; for of him might truly be said, what was recorded of the renowned St. George of England, "there was nothing in all the world that more rejoiced his heart than to hear the pleasant sound of war, and see the soldiers brandish forth their steeled weapons." Casting his eye more kindly, therefore, upon the sturdy Van Corlear, and finding him to be a jovial varlet, shrewd in his discourse, yet of great discretion and immeasurable wind, he straightway conceived a vast kindness for him, and discharging him from the troublesome duty of garrisoning, defending and alarming the city, ever after retained him about his person as his chief favorite, confidential envoy and trusty squire. Instead of disturbing the city with disastrous notes, he was instructed to play so as to delight the Governor while at his repasts, as did the minstrels of yore in the days of the glorious chivalry—and on all public occasions to rejoice the ears of the people with warlike[Pg 18] melody thereby keeping alive a noble and martial spirit.

"Sire," replied the other, undeterred, "my name is Antony Van Corlear; I am my mother's son; I am the champion and protector of this great city of New Amsterdam." "I seriously doubt you're not just some sneaky troublemaker. How did you earn this great honor and title?" "Well, sir," the other replied, "just like many great men before me, simply by promoting myself." "Oh, is that so?"[Pg 17] said the Governor; "then let’s see what you can do." With that, the good Antony lifted his instrument to his lips and played a charge with such a powerful start, such a beautiful quaver, and such a triumphant finish, that it could make anyone's heart race just being a mile away. Just like a battle-worn horse, grazing in peaceful fields, jumps at the sound of military music, pricks up its ears, snorts, and dances at the noise, so did the heroic Peter delight in the sound of the trumpet; for it could truly be said of him, as was noted about the famous St. George of England, "nothing in the world brought him more joy than the sound of battle and watching soldiers brandish their weapons." Therefore, casting a more favorable eye on the sturdy Van Corlear, and recognizing him as a cheerful fellow, sharp in his talk, yet wise and full of good spirit, he immediately took a liking to him, and relieved him from the burdensome duty of guarding, defending, and alerting the city. He thereafter kept him close as his chief favorite, trusted envoy, and loyal squire. Instead of disturbing the city with harsh sounds, he was told to play in a way that would please the Governor during meals, just like the musicians of old in the glorious days of chivalry—and on all public occasions to entertain the citizens with martial sounds[Pg 18], thereby keeping alive a noble and warrior spirit.


GENERAL VAN POFFENBURGH

It is tropically observed by honest old Socrates, that heaven infuses into some men at their birth a portion of intellectual gold, into others of intellectual silver, while others are intellectually furnished with iron and brass. Of the last class was General Van Poffenburgh; and it would seem as if dame Nature, who will sometimes be partial, had given him brass enough for a dozen ordinary braziers. All this he had contrived to pass off upon William the Testy for genuine gold; and the little Governor would sit for hours and listen to his gunpowder stories of exploits, which left those of Tirante the White, Don Belianis of Greece, or St. George and the Dragon quite in the background. Having been promoted by William Kieft to the command of his whole disposable forces, he gave importance to his station by the grandiloquence of his bulletins, always styling himself Commander-in-Chief of the Armies of the New Netherlands, though in sober truth these armies were nothing more than a handful of hen-stealing, bottle-bruising ragamuffins.

It is often noted by the wise old Socrates that some people are born with a bit of intellectual gold, others with silver, and some with iron and brass. General Van Poffenburgh belonged to the last group; it seemed like nature had given him enough brass for a dozen average blacksmiths. He managed to convince William the Testy that his brass was actually genuine gold, and the little Governor would spend hours listening to his exaggerated tales of adventures, which made the stories of Tirante the White, Don Belianis of Greece, or St. George and the Dragon seem insignificant in comparison. After being promoted by William Kieft to command all of his available forces, he boosted the significance of his position with the grandiosity of his announcements, always calling himself the Commander-in-Chief of the Armies of the New Netherlands, even though, in reality, these armies consisted of just a group of petty thieves and troublemakers.

In person he was not very tall, but exceedingly round; neither did his bulk proceed from his being fat, but windy, being blown up by a prodigious conviction of his own importance, until he resembled one of those bags of wind given by Æolus, in an incredible fit of generosity, to that[Pg 19] vagabond warrior Ulysses. His windy endowments had long excited the admiration of Antony Van Corlear, who is said to have hinted more than once to William the Testy that in making Van Poffenburgh a general he had spoiled an admirable trumpeter.

In person, he wasn't very tall, but he was extremely round; his bulk didn't come from being fat, but rather from being inflated by a strong belief in his own importance, until he resembled one of those bags of wind given by Æolus, in an extraordinary act of generosity, to that[Pg 19] wandering warrior Ulysses. His windy attributes had long drawn the admiration of Antony Van Corlear, who reportedly suggested more than once to William the Testy that by making Van Poffenburgh a general, he had wasted a remarkable trumpeter.

As it is the practice in ancient story to give the reader a description of the arms and equipments of every noted warrior, I will bestow a word upon the dress of this redoubtable commander. It comported with his character, being so crossed and slashed, and embroidered with lace and tinsel, that he seemed to have as much brass without as nature had stored away within. He was swathed, too, in a crimson sash, of the size and texture of a fishing-net—doubtless to keep his swelling heart from bursting through his ribs. His face glowed with furnace-heat from between a huge pair of well-powdered whiskers, and his valorous soul seemed ready to bounce out of a pair of large, glassy, blinking eyes, projecting like those of a lobster.

As is common in ancient stories to give readers a description of the armor and gear of every notable warrior, I will say a few words about the attire of this formidable commander. It matched his character, being so crossed and slashed, and decorated with lace and glitter, that he looked like he had just as much bravado on the outside as nature had packed away on the inside. He was also wrapped in a crimson sash, about the size and texture of a fishing net—likely to keep his swelling heart from bursting through his ribs. His face glowed with the heat of a furnace from between a large pair of well-powdered whiskers, and his brave spirit seemed ready to spring out of a pair of large, glassy, blinking eyes, resembling those of a lobster.

I swear to thee, worthy reader, if history and tradition belie not this warrior, I would give all the money in my pocket to have seen him accoutred cap-á-pie—booted to the middle, sashed to the chin, collared to the ears, whiskered to the teeth, crowned with an overshadowing cocked hat, and girded with a leathern belt ten inches broad, from which trailed a falchion, of a length that I dare not mention. Thus equipped, he strutted about, as bitter-looking a man of war[Pg 20] as the far-famed More, of Morehall, when he sallied forth to slay the dragon of Wantley. For what says the ballad?

I swear to you, dear reader, if history and tradition aren't misrepresenting this warrior, I would give all the money in my pocket to have seen him fully equipped—booted up to the middle, sashed to the chin, collared to the ears, whiskered to the teeth, wearing a large cocked hat, and wearing a leather belt ten inches wide, from which hung a sword that I wouldn't even dare to mention its length. Dressed like that, he walked around, looking as fierce a warrior as the legendary More from Morehall when he went out to slay the dragon of Wantley. So what does the ballad say?

"If only you had seen him in this outfit,
How fierce he looked and how large, You would have thought him to be Some Egyptian porcupine. He scared everyone—cats, dogs, and all,
Each cow, each horse, and each pig; They fled in fear because they thought he was Some bizarre, outlandish hedgehog.
Knickerbocker's History of New York.

"A friend of mine," said a citizen, "asked me the other evening to go and call on some friends of his who had lost the head of the family the day previous. He had been an honest old man, a laborer with a pick and shovel. While we were with the family an old man entered who had worked by his side for years. Expressing his sorrow at the loss of his friend, and glancing about the room, he observed a large floral anchor. Scrutinizing it closely, he turned to the widow and in a low tone asked, 'Who sent the pick?'"

"A friend of mine," said a local, "asked me the other evening to visit some friends of his who had lost the head of the family the day before. He had been a good old man, a laborer with a pick and shovel. While we were with the family, an older man walked in who had worked alongside him for years. Expressing his sorrow at the loss of his friend and looking around the room, he noticed a large floral anchor. After examining it closely, he turned to the widow and quietly asked, 'Who sent the pick?'"

While Butler was delivering a speech for the Democrats in Boston during an exciting campaign, one of his hearers cried out, "How about the spoons, Ben?" Benjamin's good eye twinkled merrily as he replied: "Now, don't mention that, please. I was a Republican when I stole those spoons."[Pg 21]

While Butler was giving a speech for the Democrats in Boston during a thrilling campaign, one of the listeners shouted, "What about the spoons, Ben?" Benjamin's good eye sparkled with humor as he answered: "Now, please don't bring that up. I was a Republican when I took those spoons."[Pg 21]


BENJAMIN FRANKLIN


MAXIMS

Never spare the parson's wine, nor the baker's pudding.

Never hold back on the parson's wine or the baker's pudding.

A house without woman or firelight is like a body without soul or sprite.

A house without a woman or a warm fire is like a body without a soul or spirit.

Kings and bears often worry their keepers.

Kings and bears often stress out their caretakers.

Light purse, heavy heart.

Light wallet, heavy heart.

He's a fool that makes his doctor his heir.

He's a fool to make his doctor his heir.

Ne'er take a wife till thou hast a house (and a fire) to put her in.

Never take a wife until you have a house (and a fire) to put her in.

To lengthen thy life, lessen thy meals.

To extend your life, reduce your meals.

He that drinks fast pays slow.

He who drinks quickly pays slowly.

He is ill-clothed who is bare of virtue.

He is poorly dressed who lacks virtue.

Beware of meat twice boil'd, and an old foe reconcil'd.

Beware of meat that's been boiled twice, and an old enemy that's made peace.

The heart of a fool is in his mouth, but the mouth of a wise man is in his heart.

The heart of a fool is in his mouth, but the mouth of a wise man is in his heart.

He that is rich need not live sparingly, and he that can live sparingly need not be rich.

A rich person doesn’t have to live frugally, and someone who can live frugally doesn’t need to be rich.

He that waits upon fortune is never sure of a dinner.

He who relies on luck can never be sure of a meal.

MODEL OF A LETTER OF RECOMMENDATION OF A PERSON YOU ARE UNACQUAINTED WITH

Paris, April 2, 1777.

Paris, April 2, 1777.

Sir: The bearer of this, who is going to America, presses me to give him a letter of recom[Pg 22]mendation, though I know nothing of him, not even his name. This may seem extraordinary, but I assure you it is not uncommon here. Sometimes, indeed, one unknown person brings another equally unknown, to recommend him; and sometimes they recommend one another! As to this gentleman, I must refer you to himself for his character and merits, with which he is certainly better acquainted than I can possibly be. I recommend him, however, to those civilities which every stranger, of whom one knows no harm, has a right to; and I request you will do him all the favor that, on further acquaintance, you shall find him to deserve. I have the honor to be, etc.

Sir: The person carrying this letter, who is traveling to America, is asking me for a recommendation letter, even though I know nothing about him, not even his name. This might seem strange, but I assure you it's not uncommon here. Sometimes, an unknown person brings another equally unknown individual to vouch for them; and sometimes they vouch for each other! As for this gentleman, I must leave it to him to speak for his character and abilities, which he surely knows better than I do. I do recommend that you extend the courtesy that every stranger, of whom one knows no harm, deserves; and I ask that you give him all the kindness that, upon getting to know him better, you find he is worthy of. I have the honor to be, etc.

EPITAPH FOR HIMSELF

The Body of Benjamin Franklin
(LIKE THE COVER OF AN OLD BOOK,
ITS CONTENTS TORN OUT,
AND STRIPT OF ITS LETTERING AND GILDING),
LIES HERE FOOD FOR WORMS;
YET THE WORK ITSELF SHALL NOT BE LOST,
FOR IT WILL (AS HE BELIEVED) APPEAR ONCE MORE
IN A NEW
AND MORE BEAUTIFUL EDITION
CORRECTED AND AMENDED
BY
The Author.


WHY HE LEFT

Mr. Dickson, a colored barber in a large New England town, was shaving one of his customers, a respectable citizen, one morning, when a conversation occurred between them respecting Mr. Dickson's former connection with a colored church in that place:

Mr. Dickson, a Black barber in a large New England town, was shaving one of his customers, a respected local, one morning when they started talking about Mr. Dickson's previous involvement with a Black church in the area:

"I believe you are connected with the church in Elm Street, are you not, Mr. Dickson?" said the customer.

"I think you're involved with the church on Elm Street, right, Mr. Dickson?" said the customer.

"No, sah, not at all."

"No, sir, not at all."

"What! are you not a member of the African church?"

"What!? Aren't you a member of the African church?"

"Not dis year, sah."

"Not this year, sir."

"Why did you leave their communion, Mr. Dickson, if I may be permitted to ask?"

"Why did you leave their group, Mr. Dickson, if I can ask?"

"Well, I'll tell you, sah," said Mr. Dickson, stropping a concave razor on the palm of his hand, "it was just like dis. I jined de church in good fait'; I gave ten dollars toward the stated gospil de first year, and de church people call me 'Brudder Dickson'; de second year my business not so good, and I gib only five dollars. That year the people call me 'Mr. Dickson.' Dis razor hurt you, sah?"

"Well, I'll tell you, sir," Mr. Dickson said, sharpening a curved razor on his palm, "it was like this. I joined the church in good faith; I gave ten dollars to the church for the gospel the first year, and the church people called me 'Brother Dickson'; the second year my business wasn't so good, and I only gave five dollars. That year, the people called me 'Mr. Dickson.' Does this razor hurt you, sir?"

"No, the razor goes tolerably well."

"No, the razor works pretty well."

"Well, sah, de third year I feel berry poor; had sickness in my family; I didn't gib noffin' for preachin'. Well, sah, arter dat dey call me 'dat old nigger Dickson'—and I left 'em."[Pg 24]

"Well, sir, in the third year I felt very poor; there was sickness in my family; I didn’t give anything for preaching. Well, sir, after that they called me 'that old man Dickson' — and I left them."[Pg 24]


WILLIAM ALLEN BUTLER


NOTHING TO WEAR

Miss Flora M'Flimsey from Madison Square,
Has taken three different trips to Paris,
And her father assures me that every time she was there, That she and her friend, Mrs. Harris (Not the woman whose name is so well-known in history,
But regular Mrs. H., without any romance or mystery),
I spent six straight weeks without a break,
During a nonstop shopping spree—
Shopping solo, and shopping together,
At any time of day and in any type of weather,
For all the things a woman can use
On the top of her head, or the bottom of her foot, Or drape over her shoulders, or hug her waist,
Or that can be sewn on, or pinned on, or laced, Or attached with a string, or sewn on with a bow
In front or in back, above or below; For bonnets, mantillas, capes, collars, and shawls; Dresses for breakfast, dinner, and formal events;
Dresses for sitting, standing, and walking in;
Dresses to dance in, flirt in, and chat in;
Dresses for just lounging around;
Dresses for winter, spring, summer, and fall; Each one unique in color and shape,
Silk, muslin, lace, velvet, satin, and crape,[Pg 25]
Brocade, broadcloth, and other materials,
Just as pricey and even more delicate;
In summary, for everything that could ever be imagined,
Or milliner, modiste, or tradesman can be purchased from, From ten-thousand-franc gowns to twenty-sous decorations;
In every part of Paris and at every store, While M'Flimsey angrily shouted, yelled, and cursed, They walked the streets, and he handled the bills!
On the last trip, their goods were shipped by the steamer Arago,
M'Flimsey states that most of her cargo is formed,
Not to mention a quantity hidden from everyone else,
Enough to fill the biggest chest,
Which wasn't listed on the ship's manifest,
But for which the ladies themselves showed Such specific interest that they invested Their own individuals arranged in layers and rows
Of muslins, embroideries, handcrafted underclothes,
Gloves, handkerchiefs, scarves, and other little things like those;
Then, wrapped in large shawls, like Circassian beauties,
Said goodbye to the ship, and moved on from the duties. Her family at home was undoubtedly amazed, Miss Flora had become extremely overweight. For a true beauty and a potential bride;[Pg 26]
But the miracle stopped when she turned inside out,
And the truth was revealed, along with the dry goods,
Despite the Collector and the Custom-House guard, Had entered the port without any entry.
Yet, even though barely three months have gone by since that day
This merchandise was taken up Broadway on twelve carts,
This same Miss M'Flimsey from Madison Square,
The last time we met, we were completely hopeless,
Because she had nothing at all to wear!
Nothing to wear! Now, since this is a real tune,
I’m not claiming this—just so you know, it’s just between us—
That she's completely naked,
Like Powers's Greek Slave or the Medici Venus; But I want to say that I've heard her say,
While at the same time she was wearing a dress
Which cost five hundred dollars, and not a penny less,
And jewelry that’s worth ten times as much, I would guess,
That she didn’t have anything to wear in the whole world!
I should point out right here that out of Miss Flora's
Two hundred and fifty or sixty worshippers,
I had just been chosen to be the one who would throw all
The rest in the shade, through the kind offering __A_TAG_PLACEHOLDER_0__ On my part, after twenty or thirty rejections,
Of the fossil remains she referred to as her "affections,"
And that somewhat worn but famous piece of art
Which Miss Flora insisted on calling her "heart."
So we were engaged. We had pledged our commitment, Not by moonlight or starlight, by fountain or forest,
But in a brightly lit front parlor, Under the gas lights, we whispered our love.
Without any romance, excitement, or sighs,
Without any tears in Miss Flora's blue eyes, Or blushes, or fainting spells, or other silly behaviors,
It was one of the most subdued business deals, With very little emotion, if there's any at all,
And a very large diamond brought in by Tiffany.
On her pure lips, as I placed a kiss, She exclaimed, as a kind of aside, To help me feel completely at ease,
"You know I can polka as much as I want," And flirt when I want—now, hold on, don't say a word—
You can't come here more than twice a week,
Or talk to me at the party or the ball, But always be prepared to come when I call; So don't lecture me about duty and all that,
If we don't end this now, there will be plenty of time left. For that kind of thing; but the deal has to be As long as I choose, I am completely free—
This is a type of interaction, you see,
"Which is mandatory for you, but not for me."
So, after successfully courting Miss M'Flimsey and winning her over, With the silks, crinolines, and hoops that held her, I believed I had a conditional remainder. At least in the property and the best right. To serve as its escort during the day and at night;
And since it’s the week of the Stuckups' grand ball—
Their cards had been out for about two weeks, And put everyone on high alert—
I thought it was just my responsibility to call,
And check if Miss Flora planned to go. I found her, just like ladies usually are found,
When the time between the first sound The bell and the visitor's entry are shorter. More than usual—I discovered; I won’t say—I caught her,
Focused on the pier glass, surely indicating To check if it maybe didn't need cleaning.
She turned as I walked in—"Wow, Harry, you troublemaker,
I thought you went to dinner at the Flashers'!”
"I did," I said; "the dinner is finished,
And I hope it has been understood, because it's now over nine,[Pg 29]
Having been relieved from that duty, I followed
The desire that brought me, as you can see, to your door; And now will you, my lady, be so kind Just let me know if you plan to. Your beauty, grace, and presence to give (All of which, when I have them, I hope no one will borrow)
"To the Stuckups', whose party, you know, is tomorrow?"
The beautiful Flora looked up, with a sadly pitiful expression, And replied quickly, "Why, Harry, my dear,
I really want to go there with you above everything else,
But seriously—I've got nothing to wear." "Nothing to wear! Just go as you are;
Wear the dress you have on, and you'll definitely be the best,
I engage with the brightest and most unique star. On the stuck-up horizon——" I paused, because her eye,
Despite this subtle beginning of flattery,
Suddenly, I was faced with a very intense attack Of disdain and surprise. She said nothing,
But gave a little twist to the tip of her nose (That pure Grecian feature), meaning, "How ridiculous that any rational person would think
That a woman would attend a ball in those clothes, "No matter how nice it is, she wears it every day!"
So I tried again: "Put on your red brocade;"
(Second turn of the nose)—"That's just a bit too dark."[Pg 30]
"Your blue silk" — "That's too heavy." "Your pink" — "That's too light." "Wear tulle over satin"—"I can't stand white." "Your rose-colored one is the best of the bunch."— "I don't have any point lace that matches." "Your brown moire antique?" — "Yeah, and I look like a Quaker." "The pearl-colored"—"I would, but that annoying dressmaker
"It's been a week." "Then that beautiful lilac,
"In which you would win the heart of a Shylock;"
(Here the nose rose again to the same height)—
"I wouldn't wear that for anything in the world." "Why not? It's my preference, nothing could change that." As more comme it faut—"Yes, but, oh my, that thin
Sophronia Stuckup has one just like it, "And I won't show up dressed like a sixteen-year-old." "Then that beautiful purple, the sweet Mazarine;
That amazing point d'aiguille, that royal green,
That breezy tarletan, that rich grenadine"—
"None of them are worth seeing," Said the lady, feeling excited and flushed. "Then wear," I said, in a tone that completely crushed Opposition, "that gorgeous bathroom which you sported
Last spring in Paris, during the big presentation,[Pg 31]
When you completely caught the attention of the leader of the nation,
And everyone at the grand court was very much admired. The tip of the nose was dramatically turned up. And both bright eyes expressed anger, As she suddenly confronted me with the intense exclamation, "I've worn it at least three times,
"And that, plus most of my dresses are torn!"
Here I pulled out something, maybe a bit impulsively,
It's quite innocent, though; but to put it another way, More impressive than classic, it "settled my hash,"
And quickly proved to be the final act of our session.
"Fiddlesticks, is it, sir? I’m curious about the ceiling
Doesn't fall down and crush you—you guys have no feelings;
You selfish, unnatural, intolerant beings,
Who positioned yourselves as models and speakers,
Your ridiculous act—it's just a guess!
What do you know about a woman's needs? I've told you and shown you that I have nothing to wear,
And it's clearly obvious that you not only don't care,
"But you don't believe me" (at this, the nose went even higher).
"I guess if you had the courage, you'd call me a liar.
Our engagement is over, sir—right here and now; You're a bully, a beast, and—I don't know what. I gently mentioned the word Hottentot,[Pg 32]
Pickpocket, cannibal, Tartar, and thief,
As mild expressions that might provide comfort;
But this only acted as a trigger to the explosive situation,
And the storm I created came quicker and louder; It was windy and rainy, with thunder, lightning, and hail. Interjections, verbs, pronouns, until language completely broke down.
To convey the abuse, and then its debts
Were overwhelmed all at once by a flood of tears,
And my final weak, hopeless attempt at an obs-
Ervation was overwhelmed with tears.
I sympathized with the woman, and I was concerned about my hat as well,
I added a tattoo to the crown of the latter,
Instead of expressing the feelings that lie Too deep for words, as Wordsworth would say;
Then, without bowing, I found myself at the entrance—I have no idea how,
On the doorstep and sidewalk, past the lamppost and square,
At home and upstairs, in my comfy chair; Slipped my feet into slippers, my fire into flames,
And I said to myself as I lit my cigar, "Imagine a man had the wealth of the Czar
Of the Russias to add, for the rest of his life,
Overall, do you think he would have a lot to spare,
What if he married a woman who had nothing to wear?"[Pg 33]
Since that night, making sure it wouldn’t be talked about In society abroad, I've established
A comprehensive and in-depth investigation, On this important topic, I discovered, to my shock,
It's no surprise that fair Flora's situation is like this,
However, there is the greatest distress In our women's community, only emerging From this lack of clothing, Whose unfortunate victims are filling the air With the sad cry of "I have nothing to wear."
Research in some of the "Upper Ten" districts Reveal the most shocking and painful statistics,
Let me mention just a few:
In a single house on Fifth Avenue,
Three young women were discovered, all under twenty-two,
Who have gone three whole weeks without anything new
In the style of flowing silks, and therefore abandoned, Cannot attend the ball, concert, or church. In another big mansion close to the same location
A tragic and sorrowful case was discovered.
Complete lack of Brussels point lace. In a nearby block, it was discovered, in three visits,
Total desire for camel's-hair shawls has persisted for a long time;[Pg 34]
And a struggling family, whose situation shows
The urgent requirement for real ermine tippets; One deserving young woman who is nearly unable To endure for the lack of a new Russian sable; Another person, whose suffering has been extremely intense
Since the tragic loss of the steamer Pacific,
In which friend or family member was not included, (For whose fate she might have found some comfort,
Or at least accepted it with calm resignation),
But the best selection of French sleeves and collars
Sent out from Paris, worth thousands of dollars,
And all in a style that is very recherché and rare,
The lack of which leaves her with nothing to wear,
And makes her life so dull and miserable. That she tends to be a bit of a recluse and is somewhat skeptical,
For she sadly expresses that this kind of grief Can't find even the slightest relief in Religion,
And philosophy doesn't have a rule to waste.
For those who suffer from such intense despair.
But the saddest of all these unfortunate aspects, Is the cruelty inflicted on the poor creatures
By husbands and fathers, true Bluebeards and Timons,
Who can resist the most heartfelt requests for diamonds __A_TAG_PLACEHOLDER_0__? By their wives and daughters, and leave them for days. Without new jewelry, fans, or bouquets, Even laugh at their misfortunes whenever they get the chance,
And mock their demands as pointless excess.
I was made aware of a situation involving a bride,
It's too sad to believe, but unfortunately, it's true,
Whose husband refused, as fierce as Charon,
To allow her to bring more than ten trunks to Sharon.
As a result, when she arrived there,
By the end of three weeks, she had nothing to wear; And when she suggested wrapping up the season
At Newport, the monster flatly refused, For his notorious behavior claiming no justification,
Except that the waters were good for his gout; This kind of treatment was obviously too shocking, Divorce proceedings are currently underway.
But why stir up emotions by revealing the truth? From these scenes of sorrow? That's enough, for sure,
Has this been shared to elicit sympathy? Of every kind-hearted person in the city,
And motivate humanity to move forward To quickly address and alleviate these unfortunate situations immediately. Will someone, touched by this heartfelt description,
Come forward tomorrow and lead a subscription? Won't some kind philanthropist, noticing that help is
So urgently required by these needy ladies,
Take charge of the situation? Or won't Peter Cooper? The cornerstone was laid for a new magnificent super-
Structure, like the one that connects his name today In the endless Union of Honor and Fame,
And established a new charity specifically for care
Of these unfortunate women with nothing to wear,
Given the cash that would be claimed every day,
What should we name the Laying-out Hospital? Won't Stewart, or some of our dry-goods importers, How about we get a contract for clothing our wives and daughters? Or, to provide the money to address these difficulties,
And life's journey is laid with shawls, collars, and dresses,
Before the lack of them makes it much rougher and thornier,
Will someone discover a new California? Oh! Ladies, dear ladies, the next sunny day,
Please roll your hoops just off Broadway,
From its energy and excitement, its style and confidence And the Trade temples that rise on either side,
To the alleys and streets, where Misfortune and Guilt
Their kids have gathered, their city has been built; [Pg 37]
Where Hunger and Vice, like two predatory animals, Have chased their victims into darkness and despair;
Lift the elegant, fancy dress, and the beautifully embroidered skirt,
Choose your path carefully through the moisture and mud.
Fumble through the dark spaces, climb the shaky stairs
To the attic, where the unfortunate, both young and old, Half-starved and half-naked, I huddle against the cold; Check out those skeletal limbs, those frostbitten feet,
All bleeding and bruised by the stones of the street; Hear the piercing scream of youth, the deep moans that rise up From the poor dying creature that writhes on the floor;
Listen to the curses that echo like the sounds of Hell,
As you get sick and cringe and run away from the door; Then go home to your closets and say, if you're brave enough—
Spoiled kids who love fashion—you have nothing to wear!
And oh! if by chance there were to be a sphere
Where everything is set right that confuses us here,
Where the shine and sparkle and decoration of Time Fade and disappear in the light of that beautiful area,[Pg 38]
Where the soul, free from the constraints of body and perception, Unfiltered by its decorations, performances, and pretenses,
You must be dressed for the life and the service above,
With purity, truth, faith, humility, and love,
O daughters of Earth! Foolish virgins, be careful!
Don't end up in that higher place with nothing to wear!

A BOY'S ESSAY ON GIRLS

"Girls are very stuckup and dignefied in their manner and behaveyour. They think more of dress than anything and like to play with dowls and rags. They cry if they see a cow in afar distance and are afraid of guns. They stay at home all the time and go to Church every Sunday. They are al-ways sick. They are al-ways funy and making fun of boys hands and they say how dirty. They cant play marbles. I pity them poor things. They make fun of boys and then turn round and love them. I dont beleave they ever kiled a cat or any thing. They look out every nite and say oh ant the moon lovely. Thir is one thing I have not told and that is they al-ways now their lessons bettern boys."[Pg 39]

"Girls are very snobby and dignified in their manner and behavior. They care more about their clothes than anything else and enjoy playing with dolls and rags. They cry if they see a cow in the distance and are scared of guns. They stay at home all the time and go to church every Sunday. They are always sick. They constantly make fun of boys' hands, saying how dirty they are. They can't play marbles. I feel sorry for them, poor things. They mock boys and then turn around and love them. I don't believe they've ever harmed a cat or anything. They look out every night and say, 'Oh, isn't the moon lovely?' There is one thing I haven't mentioned, and that is they always know their lessons better than boys." [Pg 39]


HENRY WARD BEECHER


DEACON MARBLE

How they ever made a deacon out of Jerry Marble I never could imagine! His was the kindest heart that ever bubbled and ran over. He was elastic, tough, incessantly active, and a prodigious worker. He seemed never to tire, but after the longest day's toil, he sprang up the moment he had done with work, as if he were a fine steel spring. A few hours' sleep sufficed him, and he saw the morning stars the year round. His weazened face was leather color, but forever dimpling and changing to keep some sort of congruity between itself and his eyes, that winked and blinked and spilled over with merry good nature. He always seemed afflicted when obliged to be sober. He had been known to laugh in meeting on several occasions, although he ran his face behind his handkerchief, and coughed, as if that was the matter, yet nobody believed it. Once, in a hot summer day, he saw Deacon Trowbridge, a sober and fat man, of great sobriety, gradually ascending from the bodily state into that spiritual condition called sleep. He was blameless of the act. He had struggled against the temptation with the whole virtue of a deacon. He had eaten two or three heads of fennel in vain, and a piece of orange[Pg 40] peel. He had stirred himself up, and fixed his eyes on the minister with intense firmness, only to have them grow gradually narrower and milder. If he held his head up firmly, it would with a sudden lapse fall away over backward. If he leaned it a little forward, it would drop suddenly into his bosom. At each nod, recovering himself, he would nod again, with his eyes wide open, to impress upon the boys that he did it on purpose both times.

How they ever made a deacon out of Jerry Marble, I can’t imagine! He had the kindest heart that ever bubbled over. He was flexible, tough, always on the go, and an incredible worker. He seemed to never get tired, and after the longest day of work, he’d bounce back up the moment he was done, like a high-quality spring. A few hours of sleep were all he needed, and he was up with the morning stars all year round. His thin, weathered face was a leathery color but always changing and smiling to match his eyes, which twinkled and sparkled with joy. He always seemed bothered when he had to be serious. He had been known to laugh during meetings on several occasions, even though he’d cover his face with his handkerchief and cough, as if that was what was bothering him, yet nobody believed it. Once, on a hot summer day, he saw Deacon Trowbridge, a serious, overweight man, slowly drifting from consciousness into sleep. He was innocent of the act. He had fought against the temptation with all the virtue of a deacon. He had tried eating a few heads of fennel and a piece of orange peel without success. He had tried to focus intensely on the minister, only for his eyes to narrow and soften. If he held his head up firmly, it would suddenly fall backward. If he leaned it a bit forward, it would drop right into his chest. Each time he nodded off, he’d pull himself back, only to nod again with his eyes wide open, trying to make the kids think he did it on purpose both times.

In what other painful event of life has a good man so little sympathy as when overcome with sleep in meeting time? Against the insidious seduction he arrays every conceivable resistance. He stands up awhile; he pinches himself, or pricks himself with pins. He looks up helplessly to the pulpit as if some succor might come thence. He crosses his legs uncomfortably, and attempts to recite the catechism or the multiplication table. He seizes a languid fan, which treacherously leaves him in a calm. He tries to reason, to notice the phenomena. Oh, that one could carry his pew to bed with him! What tossing wakefulness there! what fiery chase after somnolency! In his lawful bed a man cannot sleep, and in his pew he cannot keep awake! Happy man who does not sleep in church! Deacon Trowbridge was not that man. Deacon Marble was!

In what other frustrating experience in life does a good person feel so little sympathy as when they struggle to stay awake during a meeting? Against the sneaky pull of sleep, they try every trick in the book. They stand up for a bit; they pinch or poke themselves with pins. They look up to the speaker with a helpless hope for some kind of rescue. They shift their legs uncomfortably and attempt to say the catechism or multiplication tables. They grab a lazy fan, which only leaves them feeling more relaxed. They try to think, to pay attention to what's happening. Oh, if only they could take their church bench to bed with them! What restless nights there! What desperate efforts to fight off sleep! In their own bed, they can't sleep, and in church, they can't stay awake! Lucky is the person who doesn’t doze off in church! Deacon Trowbridge was not that person. Deacon Marble was!

Deacon Marble witnessed the conflict we have sketched above, and when good Mr. Trowbridge gave his next lurch, recovering himself with a[Pg 41] snort, and then drew out a red handkerchief and blew his nose with a loud imitation, as if to let the boys know that he had not been asleep, poor Deacon Marble was brought to a sore strait. But I have reason to think that he would have weathered the stress if it had not been for a sweet-faced little boy in the front of the gallery. The lad had been innocently watching the same scene, and at its climax laughed out loud, with a frank and musical explosion, and then suddenly disappeared backward into his mother's lap. That laugh was just too much, and Deacon Marble could no more help laughing than could Deacon Trowbridge help sleeping. Nor could he conceal it. Though he coughed and put up his handkerchief and hemmed—it was a laugh—Deacon!—and every boy in the house knew it, and liked you better for it—so inexperienced were they.—Norwood.

Deacon Marble saw the situation we just described, and when good Mr. Trowbridge took his next tumble, recovering himself with a [Pg 41] snort, then pulled out a red handkerchief and blew his nose with a loud noise, as if to signal to the boys that he was still awake, poor Deacon Marble found himself in a tough spot. But I believe he could have held it together if it hadn't been for a sweet-faced little boy in the front of the gallery. The kid had been innocently watching the same scene and, at its peak, burst out laughing with a cheerful and musical sound, then suddenly disappeared back into his mother's lap. That laugh was just too much, and Deacon Marble couldn't help but laugh, just like Deacon Trowbridge couldn’t help but fall asleep. He couldn't hide it either. Even though he coughed, held up his handkerchief, and cleared his throat—it was a laugh—Deacon!—and every boy in the house knew it and liked you more for it—so naive were they.—Norwood.


THE DEACON'S TROUT

He was a curious trout. I believe he knew Sunday just as well as Deacon Marble did. At any rate, the Deacon thought the trout meant to aggravate him. The Deacon, you know, is a little waggish. He often tells about that trout. Says he: "One Sunday morning, just as I got along by the willows, I heard an awful splash, and not ten feet from shore I saw the trout, as long as my arm, just curving over like a bow and going down with something for breakfast.[Pg 42] Gracious says I, and I almost jumped out of the wagon. But my wife Polly, says she, 'What on airth are you thinkin' of, Deacon? It's Sabbath day, and you're goin' to meetin'! It's a pretty business for a deacon!' That sort o' cooled me off. But I do say that, for about a minute, I wished I wasn't a deacon. But 'twouldn't make any difference, for I came down next day to mill on purpose, and I came down once or twice more, and nothin' was to be seen, tho' I tried him with the most temptin' things. Wal, next Sunday I came along agin, and, to save my life I couldn't keep off worldly and wanderin' thoughts. I tried to be sayin' my catechism, but I couldn't keep my eyes off the pond as we came up to the willows. I'd got along in the catechism, as smooth as the road, to the Fourth Commandment, and was sayin' it out loud for Polly, and jist as I was sayin': 'What is required in the Fourth Commandment?' I heard a splash, and there was the trout, and, afore I could think, I said: 'Gracious, Polly, I must have that trout.' She almost riz right up, 'I knew you wa'n't sayin' your catechism hearty. Is this the way you answer the question about keepin' the Lord's day? I'm ashamed, Deacon Marble,' says she. 'You'd better change your road, and go to meetin' on the road over the hill. If I was a deacon, I wouldn't let a fish's tail whisk the whole catechism out of my head;' and I had to go to meetin' on the hill road all the rest of the summer."—Norwood.[Pg 43]

He was a curious trout. I think he understood Sundays just as well as Deacon Marble did. Anyway, the Deacon believed the trout was trying to annoy him. The Deacon, you know, has a bit of a sense of humor. He often talks about that trout. He says, "One Sunday morning, just as I was passing by the willows, I heard a huge splash, and not ten feet from shore, I saw the trout, as long as my arm, arching over like a bow and diving down with something for breakfast.[Pg 42] I said, 'Goodness!' and I almost jumped out of the wagon. But my wife Polly said, 'What on earth are you thinking, Deacon? It's Sunday, and you're supposed to be going to church! It’s not right for a deacon!' That sort of brought me back to reality. But I have to admit, for about a minute, I wished I wasn't a deacon. But it wouldn't have made any difference, because I went back to the mill the next day on purpose, and I came a few more times, but didn’t see anything, even though I tried to entice him with the best bait. Well, the next Sunday I came by again, and I couldn’t help but get distracted by worldly thoughts. I tried to recite my catechism, but I couldn’t keep my eyes off the pond as we approached the willows. I was reciting the catechism, as smoothly as the road, up to the Fourth Commandment, saying it out loud for Polly, and just as I was saying: 'What is required in the Fourth Commandment?' I heard a splash, and there was the trout, and before I could think, I said: 'Goodness, Polly, I have to catch that trout.' She practically sat straight up, 'I knew you weren't reciting your catechism properly. Is this how you answer the question about keeping the Lord's day? I’m embarrassed, Deacon Marble,' she said. 'You’d better change your route and go to church on the road over the hill. If I were a deacon, I wouldn’t let a fish's tail distract me from my entire catechism;' and I had to take the hill road to church for the rest of the summer."—Norwood.[Pg 43]


THE DOG NOBLE AND THE EMPTY HOLE

The first summer which we spent in Lenox we had along a very intelligent dog, named Noble. He was learned in many things, and by his dog-lore excited the undying admiration of all the children. But there were some things which Noble could never learn. Having on one occasion seen a red squirrel run into a hole in a stone wall, he could not be persuaded that he was not there forevermore.

The first summer we spent in Lenox, we had a very smart dog named Noble. He was knowledgeable about many things and, thanks to his dog wisdom, earned the lasting admiration of all the kids. But there were some things Noble could never understand. One time, he saw a red squirrel run into a hole in a stone wall, and he couldn't be convinced that it wasn't there forever.

Several red squirrels lived close to the house, and had become familiar, but not tame. They kept up a regular romp with Noble. They would come down from the maple trees with provoking coolness; they would run along the fence almost within reach; they would cock their tails and sail across the road to the barn; and yet there was such a well-timed calculation under all this apparent rashness, that Noble invariably arrived at the critical spot just as the squirrel left it.

Several red squirrels lived near the house and had become familiar, but not friendly. They would play regularly with Noble. They would come down from the maple trees with a teasing nonchalance; they would scamper along the fence almost within reach; they would flick their tails and dart across the road to the barn, and yet there was such careful timing behind all this seemingly reckless behavior that Noble always arrived at the crucial spot just as the squirrel left it.

On one occasion Noble was so close upon his red-backed friend that, unable to get up the maple tree, the squirrel dodged into a hole in the wall, ran through the chinks, emerged at a little distance, and sprang into the tree. The intense enthusiasm of the dog at that hole can hardly be described. He filled it full of barking. He pawed and scratched as if undermining a bastion. Standing off at a little distance, he would pierce the hole with a gaze as intense and fixed as if he were trying magnetism on it. Then, with tail[Pg 44] extended, and every hair thereon electrified, he would rush at the empty hole with a prodigious onslaught.

One time, Noble was so close to his red-backed friend that the squirrel, unable to climb the maple tree, ducked into a hole in the wall, scampered through the gaps, popped out a short distance away, and jumped into the tree. The dog's excitement at that hole was something else. He filled the air with barking. He pawed and scratched like he was digging under a fortress. Standing back a little way, he would focus on the hole with a stare so intense it seemed like he was trying to use magnetism on it. Then, with his tail[Pg 44] up and every hair on it bristling, he would charge at the empty hole with tremendous force.

This imaginary squirrel haunted Noble night and day. The very squirrel himself would run up before his face into the tree, and, crouched in a crotch, would sit silently watching the whole process of bombarding the empty hole, with great sobriety and relish. But Noble would allow of no doubts. His conviction that that hole had a squirrel in it continued unshaken for six weeks. When all other occupations failed, this hole remained to him. When there were no more chickens to harry, no pigs to bite, no cattle to chase, no children to romp with, no expeditions to make with the grown folks, and when he had slept all that his dogskin would hold, he would walk out of the yard, yawn and stretch himself, and then look wistfully at the hole, as if thinking to himself, "Well, as there is nothing else to do, I may as well try that hole again!"—Eyes and Ears.

This imaginary squirrel haunted Noble day and night. The squirrel itself would run up right in front of him into the tree and, crouched in a branch, would sit quietly watching the entire process of bombarding the empty hole with great seriousness and enjoyment. But Noble didn’t entertain any doubts. His belief that there was a squirrel in that hole remained strong for six weeks. When all other activities fell through, this hole still occupied his thoughts. When there were no more chickens to chase, no pigs to nip at, no cattle to run after, no kids to play with, no trips to take with the adults, and after he had napped as much as he could, he would step out of the yard, yawn and stretch, then gaze longingly at the hole as if thinking to himself, "Well, since there's nothing else to do, I guess I'll try that hole again!"—Eyes and Ears.


N. P. Willis was usually the life of the company he happened to be in. His repartee at Mrs. Gales's dinner in Washington is famous. Mrs. Gales wrote on a card to her niece, at the other end of the table: "Don't flirt so with Nat Willis." She was herself talking vivaciously to a Mr. Campbell. Willis wrote the niece's reply:

N. P. Willis was usually the life of the party he found himself in. His quick comeback at Mrs. Gales's dinner in Washington is well-known. Mrs. Gales wrote a note to her niece, who was sitting at the other end of the table: "Don't flirt so much with Nat Willis." Meanwhile, she was lively chatting with a Mr. Campbell. Willis wrote back to the niece:

"Dear aunt, please don't try to stifle my young feelings." "Don't focus on a tiny detail while ignoring a bigger issue." [Pg 45]

OLD GRIMES

Old Grimes has passed away; that kind old man. We will never see more:
He used to wear a long black coat,
All buttoned up before.
His heart was open like the day,
His feelings were all genuine:
His hair was somewhat gray—
He wore it in line.
Whenever he heard the voice of pain,
His heart burned with pity: The big, round head on his cane From ivory was turned.
He always had kind words for everyone;
He had no basic design:
His eyes were dark and somewhat small,
His nose was hooked.
He lived peacefully with everyone,
He was a true friend: His coat had back pockets, His pants were blue.
Untouched, the sin that taints the earth He crossed safely over,
And never wore a pair of boots. For over thirty years.[Pg 46]
But good old Grimes is now at peace,
Nor fears misfortune's glare: He wore a double-breasted vest— The stripes went up and down.
He sought to find modest merit,
And give it what it deserves:
He had no ill intent in his mind,
No ruffles on his shirt.
He didn't mistreat his neighbors—
Was friendly and cheerful:
He wore big buckles on his shoes.
And changed them daily.
His knowledge, kept away from the public eye,
He did not reveal, Nor did they make a noise, on town-meeting days,
As lots of people do.
He never got rid of his belongings. Trusting in luck's chances, But lived (just like all his brothers do)
In simple situations.
Thus undisturbed by anxious worries. His peaceful moments ended; And everyone said he was
An elegant older gentleman.
Albert Gorton Greene.

IDENTIFIED

Nathaniel Hawthorne was a kind-hearted man as well as a great novelist. While he was consul at Liverpool a young Yankee walked into his office. The boy had left home to seek his fortune, but evidently hadn't found it yet, although he had crossed the sea in his search. Homesick, friendless, nearly penniless, he wanted a passage home. The clerk said Mr. Hawthorne could not be seen, and intimated that the boy was not American, but was trying to steal a passage. The boy stuck to his point, and the clerk at last went to the little room and said to Mr. Hawthorne: "Here's a boy who insists upon seeing you. He says he is an American, but I know he isn't." Hawthorne came out of the room and looked keenly at the eager, ruddy face of the boy. "You want a passage to America?"

Nathaniel Hawthorne was a compassionate man as well as a brilliant novelist. While he was consul in Liverpool, a young American walked into his office. The boy had left home to find his fortune but clearly hadn’t had any luck yet, even though he had crossed the ocean in his quest. Feeling homesick, alone, and almost broke, he wanted a ticket back home. The clerk said Mr. Hawthorne was unavailable and suggested that the boy wasn’t American but was trying to sneak a free ride. The boy held his ground, and the clerk eventually went to the small office and told Mr. Hawthorne: "There's a boy who insists on seeing you. He claims to be American, but I can tell he isn't." Hawthorne stepped out and looked closely at the eager, rosy-cheeked boy. "You want a ticket to America?"

"Yes, sir."

"Yes, sir."

"And you say you're an American?"

"And you say you're American?"

"Yes, sir."

"Yes, sir."

"From what part of America?"

"Which part of America?"

"United States, sir."

"U.S.A., sir."

"What State?"

"What state?"

"New Hampshire, sir."

"New Hampshire, sir."

"Town?"

"City?"

"Exeter, sir."

"Exeter, sir."

Hawthorne looked at him for a minute before asking him the next question. "Who sold the best apples in your town?"[Pg 48]

Hawthorne stared at him for a minute before asking the next question. "Who sold the best apples in your town?"[Pg 48]

"Skim-milk Folsom, sir," said the boy, with glistening eye, as the old familiar by-word brought up the dear old scenes of home.

"Skim-milk Folsom, sir," said the boy, with shining eyes, as the old familiar saying brought back the beloved scenes of home.

"It's all right," said Hawthorne to the clerk; "give him a passage."

"It's okay," said Hawthorne to the clerk; "let him go."


ONE BETTER

Long after the victories of Washington over the French and English had made his name familiar to all Europe, Doctor Franklin chanced to dine with the English and French Ambassadors, when, as nearly as the precise words can be recollected, the following toasts were drunk:

Long after Washington's victories over the French and English had made his name well-known all over Europe, Doctor Franklin happened to have dinner with the English and French Ambassadors. During the dinner, as closely as the exact words can be remembered, the following toasts were made:

"England'—The Sun, whose bright beams enlighten and fructify the remotest corners of the earth."

"England'—The Sun, whose bright rays light up and nourish the furthest corners of the earth."

The French Ambassador, filled with national pride, but too polite to dispute the previous toast, drank the following:

The French Ambassador, brimming with national pride but too courteous to argue with the previous toast, took a sip of the next drink:

"France'—The Moon, whose mild, steady and cheering rays are the delight of all nations, consoling them in darkness and making their dreariness beautiful."

"France'—The Moon, whose gentle, consistent, and uplifting light brings joy to all countries, comforting them in the dark and turning their gloom into something beautiful."

Doctor Franklin then arose, and, with his usual dignified simplicity, said:

Doctor Franklin then got up and, with his usual dignified simplicity, said:

"George Washington'—The Joshua who commanded the Sun and Moon to stand still, and they obeyed him."[Pg 49]

"George Washington'—The Joshua who commanded the Sun and Moon to pause, and they listened to him."[Pg 49]


MY AUNT

My aunt! my dear single aunt!
Many years have passed since then;
Yet she still struggles with the painful grip. That binds her virgin area; I know it hurts her—even though she appears As cheerful as possible; Her waist is fuller than her life,
For life is just a short period of time.
My aunt, my poor misguided aunt!
Her hair is nearly gray; Why will she train that winter curl? In a spring-like way? How can she put her glasses down, And let's say she reads too,
When using a double convex lens,
Does she just pretend to spell?
Dad—grandpa! forgive This smiling lip— Promised she would become the best girl
Within a hundred miles. He sent her to a trendy school;
It was her thirteenth June; And with her, as the rules stated, "Two towels and a spoon."
They pushed my aunt up against a board,
To stand her straight and tall;[Pg 50]
They tightened her laces and made her lose weight,
To make her light and petite;
They squeezed her feet, they burnt her hair,
They messed it up with pins—
No mortal ever suffered more As atonement for her sins.
So, when my dear aunt finished,
My grandfather brought her back (By day, to avoid any wild young person
Might follow the track);
"Ah!" my grandfather said as he shook Some powder in his pan, "What could this beautiful creature do?
Against a desperate man!
Sadly! no chariot, no carriage, No bandit parade Torn from the shaking father's arms
His high-achieving maid.
How happy it had been for her!
And Heaven has spared me To see a lonely, scattered rose
On my family tree.
Oliver Wendell Holmes. [Pg 51]

N. P. WILLIS


MISS ALBINA McLUSH

I have a passion for fat women. If there is anything I hate in life, it is what dainty people call a spirituelle. Motion—rapid motion—a smart, quick, squirrel-like step, a pert, voluble tone—in short, a lively girl—is my exquisite horror! I would as lief have a diable petit dancing his infernal hornpipe on my cerebellum as to be in the room with one. I have tried before now to school myself into liking these parched peas of humanity. I have followed them with my eyes, and attended to their rattle till I was as crazy as a fly in a drum. I have danced with them, and romped with them in the country, and periled the salvation of my "white tights" by sitting near them at supper. I swear off from this moment. I do. I won't—no—hang me if ever I show another small, lively, spry woman a civility.

I have a thing for plus-size women. If there's anything I can’t stand in life, it’s what delicate people call a spirituelle. Movement—fast movement—a sharp, quick, squirrel-like step, a lively, chatty tone—in short, a spirited girl—is my absolute nightmare! I would rather have a diable petit dancing his infernal hornpipe on my brain than be in the same room with one. I’ve tried to convince myself to like these dry sticks of humanity. I’ve watched them with my eyes and listened to their chatter until I felt like a fly in a drum. I’ve danced with them and played around with them in the countryside, risking my “white tights” by sitting close to them at dinner. I’m done from this moment on. I really am. I won't—no—hang me if I ever show another small, energetic, spry woman any kindness.

Albina McLush is divine. She is like the description of the Persian beauty by Hafiz: "Her heart is full of passion and her eyes are full of sleep." She is the sister of Lurly McLush, my old college chum, who, as early as his sophomore year, was chosen president of the Dolce far niente Society—no member of which was ever known[Pg 52] to be surprised at anything—(the college law of rising before breakfast excepted). Lurly introduced me to his sister one day, as he was lying upon a heap of turnips, leaning on his elbow with his head in his hand, in a green lane in the suburbs. He had driven over a stump, and been tossed out of his gig, and I came up just as he was wondering how in the D——l's name he got there! Albina sat quietly in the gig, and when I was presented, requested me, with a delicious drawl, to say nothing about the adventure—it would be so troublesome to relate it to everybody! I loved her from that moment. Miss McLush was tall, and her shape, of its kind, was perfect. It was not a fleshy one exactly, but she was large and full. Her skin was clear, fine-grained and transparent; her temples and forehead perfectly rounded and polished, and her lips and chin swelling into a ripe and tempting pout, like the cleft of a bursted apricot. And then her eyes—large, liquid and sleepy—they languished beneath their long black fringes as if they had no business with daylight—like two magnificent dreams, surprised in their jet embryos by some bird-nesting cherub. Oh! it was lovely to look into them!

Albina McLush is stunning. She’s like the description of Persian beauty by Hafiz: “Her heart is full of passion and her eyes are full of sleep.” She’s the sister of Lurly McLush, my old college buddy, who, by his sophomore year, was already elected president of the Dolce far niente Society—where no member was ever really surprised at anything—(except for the college rule about getting up before breakfast). Lurly introduced me to his sister one day while he was lying on a pile of turnips, propped up on his elbow with his head in his hand, in a green lane on the outskirts of town. He had hit a stump and been thrown out of his gig, and I arrived just as he was questioning how on earth he ended up there! Albina sat calmly in the gig, and when I was introduced, she sweetly asked me, with a delightful drawl, not to mention the whole incident—it would be such a hassle to explain it to everyone! I fell for her right then. Miss McLush was tall, and her figure was perfect. It wasn't a fleshy one exactly, but she was curvy and full. Her skin was clear, smooth, and translucent; her temples and forehead perfectly rounded and polished, and her lips and chin formed a ripe, tempting pout, like a split apricot. And her eyes—big, liquid, and dreamy—they seemed to languish beneath their long black lashes as if they had no connection with daylight—like two magnificent dreams caught in their dark beginnings by some cherub collecting nests. Oh! It was beautiful to gaze into them!

She sat, usually, upon a fauteuil, with her large, full arm embedded in the cushion, sometimes for hours without stirring. I have seen the wind lift the masses of dark hair from her shoulders when it seemed like the coming to life of a marble Hebe—she had been motionless so[Pg 53] long. She was a model for a goddess of sleep as she sat with her eyes half closed, lifting up their superb lids slowly as you spoke to her, and dropping them again with the deliberate motion of a cloud, when she had murmured out her syllable of assent. Her figure, in a sitting posture, presented a gentle declivity from the curve of her neck to the instep of the small round foot lying on its side upon the ottoman. I remember a fellow's bringing her a plate of fruit one evening. He was one of your lively men—a horrid monster, all right angles and activity. Having never been accustomed to hold her own plate, she had not well extricated her whole fingers from her handkerchief before he set it down in her lap. As it began to slide slowly toward her feet, her hand relapsed into the muslin folds, and she fixed her eye upon it with a kind of indolent surprise, drooping her lids gradually till, as the fruit scattered over the ottoman, they closed entirely, and a liquid jet line was alone visible through the heavy lashes. There was an imperial indifference in it worthy of Juno.

She usually sat in a fauteuil, with her large, full arm sunk into the cushion, sometimes for hours without moving. I’ve seen the wind lift her dark hair off her shoulders, making her look like a marble Hebe—she had been so still for[Pg 53] long. She looked like a goddess of sleep as she sat with her eyes half-closed, slowly lifting her gorgeous lids when you spoke to her and letting them drop again with the slow motion of a cloud after she murmured her acknowledgment. Her figure, while seated, showed a gentle slope from the curve of her neck to the small round foot resting on its side on the ottoman. I remember one evening when a guy brought her a plate of fruit. He was one of those energetic types—a total monster, all sharp angles and constant movement. Not used to holding her own plate, she hadn’t quite pulled her fingers out from her handkerchief before he set it in her lap. As it started to slide toward her feet, her hand slipped back into the muslin folds, and she stared at it with a sort of lazy surprise, gradually drooping her lids until, as the fruit tumbled across the ottoman, her eyes closed completely, leaving only a glimmering line visible through her heavy lashes. There was a regal indifference to her that was worthy of Juno.

Miss McLush rarely walks. When she does, it is with the deliberate majesty of a Dido. Her small, plump feet melt to the ground like snowflakes; and her figure sways to the indolent motion of her limbs with a glorious grace and yieldingness quite indescribable. She was idling slowly up the Mall one evening just at twilight, with a servant at a short distance behind her, who, to while away the time between his steps,[Pg 54] was employing himself in throwing stones at the cows feeding upon the Common. A gentleman, with a natural admiration for her splendid person, addressed her. He might have done a more eccentric thing. Without troubling herself to look at him, she turned to her servant and requested him, with a yawn of desperate ennui, to knock that fellow down! John obeyed his orders; and, as his mistress resumed her lounge, picked up a new handful of pebbles, and tossing one at the nearest cow, loitered lazily after.

Miss McLush rarely walks. When she does, it’s with the deliberate grace of a queen. Her small, plump feet touch the ground like melting snowflakes, and her figure sways with a relaxed elegance that’s hard to describe. One evening, just as twilight was settling in, she was strolling slowly up the Mall, with a servant trailing a short distance behind her. To pass the time, he was tossing stones at the cows grazing on the Common. A gentleman, naturally admiring her striking appearance, spoke to her. He could have done something more unusual. Without bothering to look at him, she turned to her servant and, yawning in utter boredom, told him to knock that guy down! John followed her orders, and as she continued her leisurely stroll, he picked up some more pebbles and tossed one at the nearest cow, moving lazily after her.

Such supreme indolence was irresistible. I gave in—I—who never before could summon energy to sigh—I—to whom a declaration was but a synonym for perspiration—I—who had only thought of love as a nervous complaint, and of women but to pray for a good deliverance—I—yes—I—knocked under. Albina McLush! Thou wert too exquisitely lazy. Human sensibilities cannot hold out forever.

Such incredible laziness was impossible to resist. I gave in—I—who had never been able to muster the energy to even sigh—I—to whom making a confession felt like a workout—I—who had only viewed love as a kind of nervous issue, and thought of women only to hope for escape—I—yes—I—submitted. Albina McLush! You were just too effortlessly lazy. Human feelings can’t endure forever.

I found her one morning sipping her coffee at twelve, with her eyes wide open. She was just from the bath, and her complexion had a soft, dewy transparency, like the cheek of Venus rising from the sea. It was the hour, Lurly had told me, when she would be at the trouble of thinking. She put away with her dimpled forefinger, as I entered, a cluster of rich curls that had fallen over her face, and nodded to me like a water-lily swaying to the wind when its cup is full of rain.[Pg 55]

I found her one morning sipping her coffee at noon, her eyes wide open. She had just taken a bath, and her skin looked soft and dewy, like Venus rising from the sea. It was the time, Lurly had told me, when she would be lost in thought. As I walked in, she brushed aside a bunch of rich curls that had fallen over her face with her dimpled finger and nodded to me like a water-lily swaying in the breeze when its cup is full of rain.[Pg 55]

"Lady Albina," said I, in my softest tone, "how are you?"

"Lady Albina," I said in my gentlest voice, "how are you?"

"Bettina," said she, addressing her maid in a voice as clouded and rich as the south wind on an Æolian, "how am I to-day?"

"Bettina," she said, speaking to her maid in a voice as warm and deep as the southern breeze on an Aeolian, "how do I look today?"

The conversation fell into short sentences. The dialogue became a monologue. I entered upon my declaration. With the assistance of Bettina, who supplied her mistress with cologne, I kept her attention alive through the incipient circumstances. Symptoms were soon told. I came to the avowal. Her hand lay reposing on the arm of the sofa, half buried in a muslin foulard. I took it up and pressed the cool soft fingers to my lips—unforbidden. I rose and looked into her eyes for confirmation. Delicious creature! she was asleep!

The conversation turned into short sentences. The dialogue became one-sided. I began my declaration. With Bettina's help, who brought her boss cologne, I kept her engaged through the unfolding situation. Symptoms were quickly revealed. I made my confession. Her hand rested on the arm of the sofa, partially hidden in a muslin foulard. I picked it up and pressed her cool, soft fingers to my lips—allowed. I stood up and looked into her eyes for confirmation. What a delightful creature! She was asleep!

I never have had courage to renew the subject. Miss McLush seems to have forgotten it altogether. Upon reflection, too, I'm convinced she would not survive the excitement of the ceremony—unless, indeed, she should sleep between the responses and the prayer. I am still devoted, however, and if there should come a war or an earthquake, or if the millennium should commence, as is expected in 18——, or if anything happens that can keep her waking so long, I shall deliver a declaration, abbreviated for me by a scholar-friend of mine, which, he warrants, may be articulated in fifteen minutes—without fatigue.[Pg 56]

I've never had the courage to bring up the topic again. Miss McLush seems to have completely forgotten about it. On further thought, I’m sure she wouldn’t handle the excitement of the ceremony—unless, of course, she dozes off between the responses and the prayer. I’m still devoted, though, and if a war or an earthquake happens, or if the millennium starts, as expected in 18——, or if anything occurs that can keep her awake that long, I’ll deliver a declaration, shortened for me by a scholar-friend of mine, who assures me it can be delivered in fifteen minutes—without tiring her out.[Pg 56]


A SMACK IN SCHOOL

A nearby district school, In the hills of Berkshire, on a winter day, Was buzzing with its usual sound Of sixty mixed girls and boys; A few focused on their tasks, But focused on secretive mischief. The master's downward gaze Was secured to a notebook;
When suddenly, behind him,
Rose sharply and clearly with a loud smack!
As if it were a burst of happiness
Released in one huge kiss!
"What's that?" the surprised master exclaims; "That, sir," a little imp replies,
"Watch William Willith, if you please——
I thaw him kith Thuthanna Peathe!"
With a frown that could make a statue shiver,
The master shouted, "Come here, Will!" Like a miserable person caught in their path,
With stolen goods on his back,
Will hung his head in fear and shame, And to the dreadful presence came——
A shy, simple, green goofball,
The target of all lighthearted jokes.
With a suppressed smile and birch held high,
The thunderer hesitated—"I'm amazed
That you, my greatest student, should
How could you do something so rude!
Before the entire school shuts down——
"Who came up with this wicked idea?"[Pg 57]
"It was she herself, sir," the boy sobbed; "I didn't mean to be so harsh;
But when Susannah tossed her curls,
And I whispered, I was scared of girls. And doesn't kiss a baby's doll,
I couldn't take it anymore, sir, at all,
But he got up and kissed her right there!
I know—boo—hoo—I shouldn't,
But, somehow, from her looks—boo—hoo——
I thought she kind of wanted me to!
William Pitt Palmer.

A RENDITION

Two old British sailors were talking over their shore experience. One had been to a cathedral and had heard some very fine music, and was descanting particularly upon an anthem which gave him much pleasure. His shipmate listened for awhile, and then said:

Two old British sailors were chatting about their experiences on land. One of them had visited a cathedral and heard some beautiful music, and he was especially praising an anthem that he enjoyed a lot. His shipmate listened for a while and then said:

"I say, Bill, what's a hanthem?"

"I say, Bill, what's a hanthem?"

"What," replied Bill, "do you mean to say you don't know what a hanthem is?"

"What," replied Bill, "are you really saying you don't know what a hanthem is?"

"Not me."

"Not me."

"Well, then, I'll tell yer. If I was to tell yer, 'Ere, Bill, give me that 'andspike,' that wouldn't be a hanthem;' but was I to say, 'Bill, Bill, giv, giv, give me, give me that, Bill, give me, give me that hand, handspike, hand, handspike, spike, spike, spike, ah-men, ahmen. Bill, givemethat-handspike, spike, ahmen!' why, that would be a hanthem."[Pg 58]

"Alright, I'll explain it to you. If I were to say, 'Hey, Bill, pass me that handspike,' that's not a hymn; but if I were to say, 'Bill, Bill, give, give, give me, give me that, Bill, give me, give me that hand, handspike, hand, handspike, spike, spike, spike, amen, amen. Bill, give me that handspike, spike, amen!' then that would be a hymn." [Pg 58]


B. P. SHILLABER ("Mrs. Partington")


FANCY DISEASES

"Diseases is very various," said Mrs. Partington, as she returned from a street-door conversation with Doctor Bolus. "The Doctor tells me that poor old Mrs. Haze has got two buckles on her lungs! It is dreadful to think of, I declare. The diseases is so various! One way we hear of people's dying of hermitage of the lungs; another way, of the brown creatures; here they tell us of the elementary canal being out of order, and there about tonsors of the throat; here we hear of neurology in the head, there, of an embargo; one side of us we hear of men being killed by getting a pound of tough beef in the sarcofagus, and there another kills himself by discovering his jocular vein. Things change so that I declare I don't know how to subscribe for any diseases nowadays. New names and new nostrils takes the place of the old, and I might as well throw my old herb-bag away."

"Diseases are so varied," said Mrs. Partington, as she came back from a conversation at the front door with Doctor Bolus. "The doctor tells me that poor old Mrs. Haze has two blockages in her lungs! It's terrible to think about, I swear. The diseases are so diverse! Sometimes we hear about people dying from lung conditions; other times, from those brown creatures; here we hear about issues with the digestive system, and there about throat infections; here we hear about problems in the brain, while there, someone has a blockage; on one hand, we hear about men getting killed from a piece of tough beef stuck in their esophagus, while on the other, someone hurts themselves by realizing their humor isn't appreciated. Things change so much that I honestly don’t know how to keep up with all the diseases these days. New names and new conditions replace the old, and I might as well throw out my old herbal remedies."

Fifteen minutes afterward Isaac had that herb-bag for a target, and broke three squares of glass in the cellar window in trying to hit it, before the old lady knew what he was about. She didn't mean exactly what she said.[Pg 59]

Fifteen minutes later, Isaac was using that herb bag as a target and broke three panes of glass in the cellar window while trying to hit it, before the old lady realized what he was doing. She didn’t really mean what she said.[Pg 59]


BAILED OUT

"So, our neighbour, Mr. Guzzle, has been arranged at the bar for drunkardice," said Mrs. Partington; and she sighed as she thought of his wife and children at home, with the cold weather close at hand, and the searching winds intruding through the chinks in the windows, and waving the tattered curtain like a banner, where the little ones stood shivering by the faint embers. "God forgive him, and pity them!" said she, in a tone of voice tremulous with emotion.

"So, our neighbor, Mr. Guzzle, has been taken to the bar for being a drunk," said Mrs. Partington; and she sighed as she thought of his wife and kids at home, with the cold weather coming, and the biting winds getting through the cracks in the windows, waving the torn curtain like a flag, while the little ones stood shivering by the dim embers. "God forgive him, and have mercy on them!" she said, her voice shaking with emotion.

"But he was bailed out," said Ike, who had devoured the residue of the paragraph, and laid the paper in a pan of liquid custard that the dame was preparing for Thanksgiving, and sat swinging the oven door to and fro as if to fan the fire that crackled and blazed within.

"But he got bailed out," said Ike, who had finished reading the rest of the paragraph, and placed the paper in a bowl of liquid custard that the lady was preparing for Thanksgiving, while he swung the oven door back and forth as if to fan the fire that crackled and blazed inside.

"Bailed out, was he?" said she; "well, I should think it would have been cheaper to have pumped him out, for, when our cellar was filled, arter the city fathers had degraded the street, we had to have it pumped out, though there wasn't half so much in it as he has swilled down."

"Bailed out, huh?" she said. "Well, I think it would have been cheaper to pump him out because when our basement got flooded after the city officials messed up the street, we had to get it pumped out, even though it wasn’t nearly as much as he’s drunk down."

She paused and reached up on the high shelves of the closet for her pie plates, while Ike busied himself in tasting the various preparations. The dame thought that was the smallest quart of sweet cider she had ever seen.

She paused and reached up on the high shelves of the closet for her pie plates while Ike focused on tasting the different preparations. She thought that was the tiniest quart of sweet cider she had ever seen.


SEEKING A COMET

It was with an anxious feeling that Mrs. Partington, having smoked her specs, directed her[Pg 60] gaze toward the western sky, in quest of the tailless comet of 1850.

It was with a worried feeling that Mrs. Partington, having cleaned her glasses, turned her[Pg 60] gaze toward the western sky, searching for the tailless comet of 1850.

"I can't see it," said she; and a shade of vexation was perceptible in the tone of her voice. "I don't think much of this explanatory system," continued she, "that they praise so, where the stars are mixed up so that I can't tell Jew Peter from Satan, nor the consternation of the Great Bear from the man in the moon. 'Tis all dark to me. I don't believe there is any comet at all. Who ever heard of a comet without a tail, I should like to know? It isn't natural; but the printers will make a tale for it fast enough, for they are always getting up comical stories."

"I can't see it," she said, and a hint of annoyance was clear in her voice. "I don't think much of this so-called explanatory system," she continued, "that everyone praises, where the stars are so mixed up that I can't tell Jew Peter from Satan, or the Great Bear from the man in the moon. It's all a mystery to me. I don't believe there’s any comet at all. Who ever heard of a comet without a tail, I should like to know? It's not natural; but the printers will come up with a story for it quickly enough, since they’re always creating funny tales."

With a complaint about the falling dew, and a slight murmur of disappointment, the dame disappeared behind a deal door like the moon behind a cloud.

With a complaint about the falling dew and a slight sigh of disappointment, the woman slipped away behind a wooden door like the moon behind a cloud.


GOING TO CALIFORNIA

"Dear me!" exclaimed Mrs. Partington sorrowfully, "how much a man will bear, and how far he will go, to get the soddered dross, as Parson Martin called it when he refused the beggar a sixpence for fear it might lead him into extravagance! Everybody is going to California and Chagrin arter gold. Cousin Jones and the three Smiths have gone; and Mr. Chip, the carpenter, has left his wife and seven children and a blessed old mother-in-law, to seek his fortin, too. This is the strangest yet, and I don't see[Pg 61] how he could have done it; it looks so ongrateful to treat Heaven's blessings so lightly. But there, we are told that the love of money is the root of all evil, and how true it is! for they are now rooting arter it, like pigs arter ground-nuts. Why, it is a perfect money mania among everybody!"

"Goodness!" Mrs. Partington said sadly, "just look at how much a person will tolerate and how far they'll go to get that soldered junk, as Parson Martin put it when he refused to give the beggar a sixpence for fear it would lead him to spend too much! Everyone is heading to California and Chagrin in search of gold. Cousin Jones and the three Smiths have left; even Mr. Chip, the carpenter, has abandoned his wife, seven kids, and a dear old mother-in-law to chase his fortune too. This is the strangest thing of all, and I can't understand how he could do that; it seems so ungrateful to take Heaven's blessings so lightly. But, as we’re told, the love of money is the root of all evil, and how true that is! They are now digging for it like pigs hunting for nuts. It's a complete money craze among everyone!"

And she shook her head doubtingly, as she pensively watched a small mug of cider, with an apple in it, simmering by the winter fire. She was somewhat fond of a drink made in this way.

And she shook her head doubtfully as she thoughtfully watched a small mug of cider, with an apple in it, simmering by the winter fire. She liked this drink prepared like this.


MRS. PARTINGTON IN COURT

"I took my knitting-work and went up into the gallery," said Mrs. Partington, the day after visiting one of the city courts; "I went up into the gallery, and after I had adjusted my specs, I looked down into the room, but I couldn't see any courting going on. An old gentleman seemed to be asking a good many impertinent questions—just like some old folks—and people were sitting around making minutes of the conversation. I don't see how they made out what was said, for they all told different stories. How much easier it would be to get along if they were all made to tell the same story! What a sight of trouble it would save the lawyers! The case, as they call it, was given to the jury, but I couldn't see it, and a gentleman with a long pole was made to swear that he'd keep an eye on 'em, and see that they didn't run away with it. Bimeby in they came again, and they said[Pg 62] somebody was guilty of something, who had just said he was innocent, and didn't know nothing about it no more than the little baby that had never subsistence. I come away soon afterward; but I couldn't help thinking how trying it must be to sit there all day, shut out from the blessed air!"

"I took my knitting and went up to the gallery," said Mrs. Partington the day after visiting one of the city courts. "I went up to the gallery, and after I adjusted my glasses, I looked down into the room, but I couldn't see any relationships developing. An older gentleman seemed to be asking a lot of rude questions—just like some old people do—and people were sitting around taking notes on the conversation. I don't understand how they figured out what was said since they all told different stories. How much easier it would be if they were all required to tell the same story! What a lot of trouble it would save the lawyers! The case, as they call it, was handed over to the jury, but I couldn't see it, and a man with a long pole was made to swear that he would keep an eye on them and make sure they didn't run off with it. Eventually, they came back in and said[Pg 62] someone was guilty of something, even though he just claimed he was innocent and didn’t know anything about it any more than a little baby that has never had a meal. I left soon afterward, but I couldn't stop thinking about how hard it must be to sit there all day, cut off from the fresh air!"


Apropos of Superintendent Andrews's reported objection to the singing of the "Recessional" in the Chicago public schools on the ground that the atheists might be offended, the Chicago Post says:

A related note about Superintendent Andrews's reported objection to the singing of the "Recessional" in Chicago public schools because it might offend atheists, the Chicago Post says:

For the benefit of our skittish friends, the atheists, and in order not to deprive the public-school children of the literary beauties of certain poems that may be classed by Doctor Andrews as "hymns," we venture to suggest this compromise, taking a few lines in illustration from our National anthem:

For the sake of our nervous friends, the atheists, and to ensure that public school kids don’t miss out on the literary beauty of certain poems that Doctor Andrews might label as "hymns," we propose this compromise, using a few lines from our National anthem as an example:

“Our fathers' God—assuming purely for the
for the sake of argument that there is a God—to You,
Author of liberty—sorry to our friends,
the atheists—
I sing to you—but we don’t have to take it seriously, you know.
May our land continue to shine brightly,
With the sacred light of freedom;
Protect us with Your strength—remember, this is
just hypothetical——
Great God—if we assume there is a God—our
king—just a symbolic term and not meant to offend any taxpayer.[Pg 63]

OLIVER WENDELL HOLMES


THE DEACON'S MASTERPIECE;

Or, the Wonderful "One-hoss Shay"

A Rational Story

Have you heard about the amazing one-horse shay? It was constructed in a very logical manner,
It ran for a hundred years to the day,
And then, all of a sudden, it—ah, but wait, I'll share what happened right away,
Scaring the preacher into fits,
Scaring people out of their minds——
Have you ever heard of that, I ask?
1755.
George II was then alive——
Dusty old drone from the German hive.
That was the year when Lisbon city Saw the earth open up and swallow her whole,
And Braddock's army was totally worn out,
Left without a top to its head.
It was on the awful day of the Earthquake. That the Deacon finished the one-horse shay.
When it comes to building chairs, let me tell you, There’s always a weak spot— In the hub, tire, rim, in spring or shaft,
In panel, crossbar, floor, or sill,
In screw, bolt, thoroughbrace—still lurking,[Pg 64]
Find it somewhere you must and will——
Above, below, within, or outside—
And that's the reason, without a doubt,
That a chaise breaks down, but doesn't wear out.
But the Deacon swore (as deacons often do,
With an "I do vouch," or an "I tell you" He would build a shay to outdo the town. 'In' the county, 'in' all the country around; It should be designed so that it can't break down:
"Fur," said the Deacon, "it's really obvious But the weakest spot must withstand the pressure; 'In' the way to fix it, as I believe,
It's just a joke. "To make that place as strong as the rest."
So the Deacon asked the villagers Where he could find the strongest oak, That couldn't be split, bent, or broken——
That was for the spokes, floor, and sills; He requested lancewood to make the thills;
The crossbars were made of ash, sourced from the straightest trees,
The panels of white wood that slice like cheese, But lasts like iron for things like this;
The centers of logs from the "Settler's elm"——
The last of its timber—they couldn't sell them,
Never an axe had seen their chips,
And the wedges came flying out from between their lips,
Their blunt ends frizzed like celery tips;
Step and prop iron, bolt and screw,
Spring, tire, axle, and linchpin as well,
Steel that is the best, bright and blue;[Pg 65]
Thick and wide bison leather; Boot, top, dasher, made from durable old leather
Discovered in the pit when the tanner passed away.
That was how he "put her through"——
"There!" said the Deacon, "now she'll do!"
Sure! I’m pretty sure. She was truly amazing and nothing less!
Colts grew into horses, and beards turned gray,
Deacon and Deaconess faded away,
Kids and grandkids—where were they? But there stood the sturdy old one-horse shay As fresh as on the day of the Lisbon earthquake!
Eighteen hundred—it arrived and found The Deacon's masterpiece is strong and sound.
Eighteen hundred plus ten——
They called it "Hahnsum kerridge" back then.
1820 came——
Still running as usual; pretty much the same.
At last, thirty and forty arrived, And then come fifty and fifty-five.
Not much of what we cherish here Wakes on the morning of its hundredth year Without both feeling and looking queer.
In fact, nothing stays young, As far as I know, just a tree and the truth.
(This is a moral that is widely recognized;
Take it—You're welcome—No extra cost.)[Pg 66]
November 1st - Earthquake Day -
There are signs of wear in the one-hoss shay,
A general sense of mild decay,
But nothing local, as one might say.
There couldn't be—because of the Deacon's skill
Had made it so in every part
That there wasn't a chance for someone to begin. For the wheels were just as strong as the shafts,
And the floor was just as sturdy as the sills,
And the panels are just as strong as the floor,
And the whipple-tree, neither less nor more, And the back crossbar as sturdy as the front,
And spring, axle, and hub again.
And yet, overall, there is no doubt In another hour it will be worn out!
November 1, '55!
This morning, the pastor goes for a drive.
Now, little boys, move out of the way!
Here comes the amazing one-horse carriage,
Pulled by a rat-tailed, ewe-necked bay. "Hurry up!" said the pastor—Off they went. The pastor was preparing his sermon for Sunday——
Got to fifthly and stopped, confused. At what the—Moses—was coming next.
Suddenly, the horse stopped. Near the meeting house on the hill.
—First a shiver, and then a thrill,
Then something that looked a lot like a spill——
And the pastor was sitting on a rock,
At 9:30 by the meeting house clock——
Just the time of the earthquake shock![Pg 67]
—What do you think the pastor found,
When he got up and looked around? The old carriage is just a pile or mound, As if it had gone to the mill and been ground!
You get it, obviously, unless you're clueless,
How it fell apart all at once—
Suddenly, and without any prior notice——
Just like bubbles do when they pop.
End of the amazing one-horse carriage.
Logic is logic. That's all I have to say.

A certain learned professor in New York has a wife and family, but, professor-like, his thoughts are always with his books.

A certain knowledgeable professor in New York has a wife and kids, but, true to his professor nature, his mind is always on his books.

One evening his wife, who had been out for some hours, returned to find the house remarkably quiet. She had left the children playing about, but now they were nowhere to be seen.

One evening, his wife, who had been out for several hours, came home to find the house surprisingly quiet. She had left the kids playing around, but now they were nowhere to be found.

She demanded to be told what had become of them, and the professor explained that, as they had made a good deal of noise, he had put them to bed without waiting for her or calling a maid.

She insisted on knowing what had happened to them, and the professor explained that since they had been quite noisy, he had put them to bed without waiting for her or calling a maid.

"I hope they gave you no trouble," she said.

"I hope they didn’t give you any trouble," she said.

"No," replied the professor, "with the exception of the one in the cot here. He objected a good deal to my undressing him and putting him to bed."

"No," replied the professor, "except for the one in the crib here. He really didn’t like it when I undressed him and put him to bed."

The wife went to inspect the cot.

The wife went to check on the crib.

"Why," she exclaimed, "that's little Johnny Green, from next door."[Pg 68]

"Why," she exclaimed, "that's little Johnny Green, from next door."[Pg 68]


FIVE LIVES

Five tiny particles of monads lived in a round droplet. That sparkled on a leaf by a pool in the sunlight.
To the naked eye, they seemed invisible; Specks, for a world that is just an empty shell. In the space of a mustard seed was an empty sky.
One was a thoughtful individual, known as a sage; And as he focused all his thoughts inward, he thought:
"Tradition, passed down for hours and hours,
Says that our planet, this trembling crystal world,
Is slowly dying. What if, in just a few seconds When I’m very old, that shining fate "Comes drawing down and down, until everything ends?"
Then, with a knowing smirk, he felt proud. No other tiny particle of God had ever achieved Such a vast understanding of universal truth.
One was a transcendental monad; slender
And he was tall and slender in thought; and so he reflected: "Oh, huge, mysterious monad-souls!
"Created in the image"—a raspy frog croaks from the pool,
"Listen! It was some god, expressing his magnificent idea
In the thunder, there’s music. Yes, we hear their voice,
We can infer their thoughts from our own and from their efforts.
Some of their tastes are like ours, some tendencies. "To squirm around and nibble on a bit of grime." He rose up on a tiny bubble of gas. That burst, touched by the air, and he disappeared.[Pg 69]
One was a narrow-minded individual, referred to as
A positivist; and he knew for sure;
There was no world beyond this particular drop.
Prove me wrong again! Let the dreamers keep dreaming.
Of their faint glimmers and sounds from outside,
"And everything in between; life is still life." Then strutting just a tiny bit, hungry, He grabbed a tiny bug and ate it.
One was a worn-out monad, known as a poet; And with a sharp, excited voice, he sang: "Oh, little girl monad's lips!
Oh, tiny female monad's eyes! Ah, the tiny, tiny female monad! The last was a strong-willed woman, Who dashed through the microorganisms,
Danced up and down, and spun around wildly and dove, Until the dizzy others held their breath to watch.
But while they lived their amazing little lives
Timeless moments had passed by, The burning drop shrank rapidly with alarming speed:
A shiny film—it's gone; the leaf is dry.
The faint ghost of a silent squeak Was lost to the frog that stared from his stone; Who, at the slow, heavy steps of a thoughtful ox Coming to drink, swayed to the side heavily, dropped, Launched backward two times, and the entire pool was calm.
Edward Rowland Sill. [Pg 70]

JAMES T. FIELDS

THE OWL-CRITIC

A Lesson to Fault-finders

"Who taxidermied that white owl?" No one said a word in the shop:
The barber was occupied, and he couldn't take a break;
The customers, waiting for their turns, were all reading
The Daily, the Herald, the Post, little paying attention The young man who suddenly asked such a straightforward question; Not a single person spoke up or even offered a suggestion; And the barber continued shaving.
"Don't you see, Mr. Brown," The young man exclaimed, frowning, "How wrong the entire situation is,
How ridiculous each wing is,
How flat the head is, how tightly the neck is squeezed—
In short, the whole owl is such an ignorant mess!
I make no apologies; I've learned owlology.
I’ve spent countless days and nights in a hundred collections,
And cannot be deceived by any distractions
Coming from clumsy hands that mess up To properly stuff a bird, from its beak to its tail. Mr. Brown! Mr. Brown! Take that bird down,
"Or you'll be the joke of the whole town soon!"
And the barber continued shaving.
"I've researched owls,
And other night birds,
And I'm telling you What I know to be true:
An owl can't roost With his limbs so relaxed; No owl in this world. Ever had his claws curled, Ever had his legs angled,
Ever had his bill tilted, Ever had his neck messed up Into that mindset.
He can't do it because It's against all bird laws
Anatomy is taught,
Ornithology teaches An owl has a toe That can't turn out like that! I've been studying the white owl for years,
Seeing a job like that almost brings me to tears!
Mr. Brown, I’m amazed You should be completely out of your mind. To put up a bird
That position is ridiculous!
Looking at that owl really makes me feel dizzy; [Pg 72]
"The guy who stuffed him really knows what he's doing!"
And the barber continued shaving.
"Check out those eyes.
I'm pleasantly surprised Taxidermists should move on You're using such a cheap glass; So unnatural they appear They'd make Audubon freak out,
And John Burroughs laughs
To encounter such nonsense.
Take that bird down; "Get him stuffed again, Brown!"
And the barber continued shaving.
"Using sawdust and bark
I would fill it in the dark. An owl is better than that; I could make an old hat. Look more like an owl Than that awful bird,
Stuck up there so rigid like a piece of rough leather.
In fact, there isn't a single natural feather about him at all."
At that moment, with a wink and a sneaky little sway, The owl, with great seriousness, got down from his perch, Walked around and considered his fault-finding critic. (Who believed he was filled) with an analytical glance,
And then laughed loudly, as if to say:[Pg 73]
"Your learning is to blame this time, anyway;
Don't waste it again on a live bird, please. I'm an owl; you're another. Sir Critic, good day!
And the barber continued shaving.

A CAUSE FOR THANKS

A country parson, in encountering a storm the past season in the voyage across the Atlantic, was reminded of the following: A clergyman was so unfortunate as to be caught in a severe gale in the voyage out. The water was exceedingly rough, and the ship persistently buried her nose in the sea. The rolling was constant, and at last the good man got thoroughly frightened. He believed they were destined for a watery grave. He asked the captain if he could not have prayers. The captain took him by the arm and led him down to the forecastle, where the tars were singing and swearing. "There," said he, "when you hear them swearing, you may know there is no danger." He went back feeling better, but the storm increased his alarm. Disconsolate and unassisted, he managed to stagger to the forecastle again. The ancient mariners were swearing as ever. "Mary," he said to his sympathetic wife, as he crawled into his berth after tacking across a wet deck, "Mary, thank God they're swearing yet."[Pg 74]

A country parson, during a storm this past season on his journey across the Atlantic, recalled the following: A clergyman had the misfortune of getting caught in a severe gale on his trip. The water was extremely rough, and the ship kept plowing into the waves. The rolling was constant, and eventually, the poor man became thoroughly scared. He thought they were heading for a watery grave. He asked the captain if they could say some prayers. The captain took him by the arm and led him down to the forecastle, where the sailors were singing and swearing. "See," he said, "when you hear them swearing, you know there’s no danger." He went back feeling better, but the storm only increased his fear. Feeling hopeless and alone, he managed to stagger back to the forecastle. The sailors were still swearing as usual. "Mary," he told his sympathetic wife as he crawled into his bunk after crossing a wet deck, "Mary, thank God they're still swearing."[Pg 74]


JOHN HAY


LITTLE BREECHES

I'm not really into religion,
I’ve never had a show; But I've got a pretty tight grip, sir,
On the few things I know. I don't agree with the prophets. And free will and that kind of stuff——
But I believe in God and the angels,
Ever since one night last spring.
I arrive in town with some turnips,
And my little Gabe came along——
No four-year-old in the area Could outshine him in looks and strength,
Peppy, cheerful, and sassy,
Always ready to argue and throw punches——
And I'd taught him to chew tobacco
Just to keep his baby teeth white.
The snow fell like a blanket. As I walked by Taggart's store; I went in for a jug of molasses. And left the team at the door.
They got frightened by something and started——
I heard a little squall,
And hell to split over the prairie Went team, Little Breeches and all.[Pg 75]
Hell to pay over the prairie!
I was almost frozen with fear; But we gathered some torches, And searched for them far and wide.
Finally, we hitched the horses and wagon, Buried under a soft white pile,
Upset, exhausted—but of little Gabe
Neither hide nor hair was found.
And here all hope faded for me,
Of my fellow creature's help——
I jokingly collapsed down on my knees,
Knee-deep in the snow, and prayed.
As a result, the torches were extinguished,
Isrul Parr and I Went to get some wood from a sheepfold. What he said was somewhat there.
We finally found it in a small shed.
Where they put the lambs away at night.
We looked in and saw them huddled there,
So cozy and drowsy and white; And there sat Little Breeches, and chirped,
As cheerful as ever you see:
"I want a chew of tobacco,
"And that's what's wrong with me."
How did he get there? Angels.
He could never have walked in that storm.
They quickly bent down and picked him up. To where it was safe and warm.[Pg 76]
And I believe that saving a young child, And taking him to his own, It's a hell of a lot better business. Than hanging around The Throne.

Artemus Ward, when in London, gave a children's party. One of John Bright's sons was invited, and returned home radiant. "Oh, papa," he explained, on being asked whether he had enjoyed himself, "indeed I did. And Mr. Browne gave me such a nice name for you, papa."

Artemus Ward, while in London, threw a children's party. One of John Bright's sons was invited and came home glowing. "Oh, Dad," he said when asked if he had fun, "I really did. And Mr. Browne gave me such a nice name for you, Dad."

"What was that?"

"What was that?"

"Why, he asked me how that gay and festive cuss, the governor, was!" replied the boy.

"Why, he asked me how that cheerful and lively guy, the governor, was!" replied the boy.


It was on a train going through Indiana. Among the passengers were a newly married couple, who made themselves known to such an extent that the occupants of the car commenced passing sarcastic remarks about them. The bride and groom stood the remarks for some time, but finally the latter, who was a man of tremendous size, broke out in the following language at his tormenters: "Yes, we're married—just married. We are going 160 miles farther, and I am going to 'spoon' all the way. If you don't like it, you can get out and walk. She's my violet and I'm her sheltering oak."

It was on a train traveling through Indiana. Among the passengers was a newlywed couple, who made their presence so noticeable that the people in the car began to make sarcastic comments about them. The bride and groom endured the remarks for a while, but finally the groom, who was a very big guy, snapped at his tormentors: "Yes, we're married—just got married. We're going another 160 miles, and I’m going to 'spoon' the whole way. If you don’t like it, you can get out and walk. She’s my violet and I’m her protective oak."

During the remainder of the journey they were left in peace.[Pg 77]

During the rest of the trip, they were left alone.[Pg 77]


HENRY W. SHAW ("Josh Billings")


NATRAL AND UNNATRAL ARISTOKRATS

Natur furnishes all the nobleman we hav.

Natur furnishes all the nobility we have.

She holds the pattent.

She holds the patent.

Pedigree haz no more to do in making a man aktually grater than he iz, than a pekok's feather in his hat haz in making him aktually taller.

Pedigree has no more to do in making a man actually greater than he is, than a peacock's feather in his hat has in making him actually taller.

This iz a hard phakt for some tew learn.

This is a hard fact for some to learn.

This mundane earth iz thik with male and femail ones who think they are grate bekause their ansesstor waz luckey in the sope or tobacco trade; and altho the sope haz run out sumtime since, they try tew phool themselves and other folks with the suds.

This ordinary earth is filled with men and women who think they are great because their ancestors were lucky in the soap or tobacco trade; and although the soap has run out quite some time ago, they try to fool themselves and others with the remnants.

Sope-suds iz a prekarious bubble.

Sope-suds is a fragile bubble.

Thare ain't nothing so thin on the ribs az a sope-suds aristokrat.

There isn't anything so skinny as a soap-suds aristocrat.

When the world stands in need ov an aristokrat, natur pitches one into it, and furnishes him papers without enny flaw in them.

When the world needs an aristocrat, nature throws one into it and provides him with credentials that are flawless.

Aristokrasy kant be transmitted—natur sez so—in the papers.

Aristocracy can't be passed down—nature says so—in the documents.

Titles are a plan got up bi humans tew assist natur in promulgating aristokrasy.

Titles are a scheme created by humans to help nature in promoting aristocracy.

Titles ain't ov enny more real use or necessity than dog collars are.[Pg 78]

Titles aren't any more useful or necessary than dog collars are.[Pg 78]

I hav seen dog collars that kost 3 dollars on dogs that wan't worth, in enny market, over 87½ cents.

I have seen dog collars that cost 3 dollars on dogs that weren't worth, in any market, over 87½ cents.

This iz a grate waste of collar; and a grate damage tew the dog.

This is a great waste of collar; and a great damage to the dog.

Natur don't put but one ingredient into her kind ov aristokrasy, and that iz virtew.

Natur only includes one ingredient in her kind of aristocracy, and that is virtue.

She wets up the virtew, sumtimes, with a little pepper sass, just tew make it lively.

She spices it up sometimes with a little pepper, just to make it lively.

She sez that all other kinds are false; and i beleave natur.

She says that all other kinds are false; and I believe nature.

I wish every man and woman on earth waz a bloated aristokrat—bloated with virtew.

I wish every man and woman on earth were a wealthy aristocrat—filled with virtue.

Earthly manufaktured aristokrats are made principally out ov munny.

Earthly manufactured aristocrats are made primarily out of money.

Forty years ago it took about 85 thousand dollars tew make a good-sized aristokrat, and innokulate his family with the same disseaze, but it takes now about 600 thousand tew throw the partys into fits.

Forty years ago, it took about 85 thousand dollars to create a decent aristocrat and pass that trait onto his family, but now it takes about 600 thousand to send the parties into fits.

Aristokrasy, like of the other bred stuffs, haz riz.

Aristocracy, like other types of breeding, has risen.

It don't take enny more virtew tew make an aristokrat now, nor clothes, than it did in the daze ov Abraham.

It doesn't take any more virtue to make an aristocrat now, nor clothes, than it did in the days of Abraham.

Virtew don't vary.

Virtues don't change.

Virtew is the standard ov values.

Virtue is the standard of values.

Clothes ain't.

Clothes aren't.

Titles ain't.

Titles don't matter.

A man kan go barefoot and be virtewous, and be an aristokrat.

A man can go barefoot and be virtuous, and be an aristocrat.

Diogoneze waz an aristokrat.[Pg 79]

Diogenes was an aristocrat.[Pg 79]

His brown-stun front waz a tub, and it want on end, at that.

His brown-stained forehead was a mess, and it was upside down, too.

Moneyed aristokrasy iz very good to liv on in the present hi kondishun ov kodphis and wearing apparel, provided yu see the munny, but if the munny kind of tires out and don't reach yu, and you don't git ennything but the aristokrasy, you hay got to diet, that's all.

Moneyed aristocracy is very good to live on in the present condition of clothes and apparel, provided you have the money, but if the money kind of runs out and doesn't reach you, and you don't get anything but the aristocracy, you have to diet, that's all.

I kno ov thousands who are now dieting on aristokrasy.

I know of thousands who are now dieting on aristocracy.

They say it tastes good.

They say it tastes great.

I presume they lie without knowing it.

I think they’re lying without realizing it.

Not enny ov this sort ov aristokrasy for Joshua Billings.

Not any of this kind of aristocracy for Joshua Billings.

I never should think ov mixing munny and aristokrasy together; i will take mine seperate, if yu pleze.

I should never think of mixing money and aristocracy together; I'll keep mine separate, if you please.

I don't never expekt tew be an aristokrat, nor an angel; i don't kno az i want tew be one.

I never expect to be an aristocrat, nor an angel; I don’t know if I want to be one.

I certainly should make a miserable angel.

I would definitely make a terrible angel.

I certainly never shall hav munny enuff tew make an aristokrat.

I definitely will never have enough money to become an aristocrat.

Raizing aristokrats iz a dredful poor bizzness; yu don't never git your seed back.

Raizing aristocrats is a dreadful poor business; you never get your seed back.

One democrat iz worth more tew the world than 60 thousand manufaktured aristokrats.

One democrat is worth more to the world than 60 thousand manufactured aristocrats.

An Amerikan aristokrat iz the most ridikilus thing in market. They are generally ashamed ov their ansesstors; and, if they hav enny, and live long enuff, they generally hav cauze tew be ashamed ov their posterity.[Pg 80]

An American aristocrat is the most ridiculous thing on the market. They are generally ashamed of their ancestors; and if they have any, and live long enough, they usually have reason to be ashamed of their descendants.[Pg 80]

I kno ov sevral familys in Amerika who are trieing tew liv on their aristokrasy. The money and branes giv out sumtime ago.

I know of several families in America who are trying to live off their aristocracy. The money and brains ran out some time ago.

It iz hard skratching for them.

It is hard scrapping for them.

Yu kan warm up kold potatoze and liv on them, but yu kant warm up aristokratik pride and git even a smell.

You can warm up cold potatoes and live off them, but you can't warm up aristocratic pride and get even a hint of it.

Yu might az well undertake tew raze a krop ov korn in a deserted brikyard by manuring the ground heavy with tanbark.

Yu might as well try to grow a crop of corn in a deserted brick yard by heavily manuring the ground with tanbark.

Yung man, set down, and keep still—yu will hay plenty ov chances yet to make a phool ov yureself before yu die.

Young man, sit down and stay quiet—you'll have plenty of chances to make a fool of yourself before you die.


It is told of an old Baptist parson, famous in Virginia, that he once visited a plantation where the colored servant who met him at the gate asked which barn he would have his horse put in.

It is said that an old Baptist minister, well-known in Virginia, once visited a plantation where the Black servant who greeted him at the gate asked which barn he wanted his horse to be taken to.

"Have you two barns?" asked the minister.

"Do you have two barns?" asked the minister.

"Yes, sah," replied the servant; "dar's de old barn, and Mas'r Wales has jest built a new one."

"Yes, sir," replied the servant; "there's the old barn, and Master Wales has just built a new one."

"Where do you usually put the horses of clergymen who come to see your master?"

"Where do you usually keep the horses of the clergymen who come to see your master?"

"Well, sah, if dey's Methodist or Baptist we gen'ally puts 'em in de ole barn, but if dey's 'Piscopals we puts 'em in the new one."

"Well, sir, if they're Methodist or Baptist we usually put them in the old barn, but if they're Episcopalians we put them in the new one."

"Well, Bob, you can put my horse in the new barn; I'm a Baptist, but my horse is an Episcopalian."[Pg 81]

"Well, Bob, you can put my horse in the new barn; I'm a Baptist, but my horse is an Episcopalian."[Pg 81]


JAMES RUSSELL LOWELL


THE YANKEE RECRUIT

Mister Buckinum, the follerin Billet was writ hum by a Yung feller of our town that wuz cussed fool enuff to goe a-trottin inter Miss Chiff arter a Drum and fife. It ain't Nater for a feller to let on that he's sick o' any bizness that he went intu off his own free will and a Cord, but I rather cal'late he's middlin tired o' voluntearin By this time. I bleeve yu may put dependunts on his statemence. For I never heered nothin bad on him let Alone his havin what Parson Wilbur cals a pongshong for cocktales, and ses it wuz a soshiashun of idees sot him agoin arter the Crootin Sargient cos he wore a cocktale onto his hat.

Mister Buckinum, the following note was written by a young guy from our town who was foolish enough to go prancing after Miss Chiff following a drum and fife. It's not natural for a guy to pretend he's tired of something he chose to do of his own free will, but I suspect he's pretty worn out from volunteering by now. I believe you can count on his statement. I've never heard anything bad about him, except for what Parson Wilbur calls a pongshong for cocktails, and he says it was a combination of ideas that got him chasing after the recruiting sergeant because he wore a cocktail hat.

His Folks gin the letter to me and I shew it to parson Wilbur and he ses it oughter Bee printed, send It to mister Buckinum, ses he, i don't ollers agree with him, ses he, but by Time, ses he, I du like a feller that ain't a Feared.

His folks gave me the letter, and I showed it to Parson Wilbur. He said it should be printed. "Send it to Mr. Buckingham," he said. "I don't always agree with him," he added, "but I do respect a guy who's not afraid."

I have intusspussed a Few refleckshuns hear and thair. We're kind o' prest with Hayin.

I have included a few reflections here and there. We're kind of pleased with having.

Ewers respecfly,

Ewers respectfully,

Hosea Biglow. [Pg 82]

Hosea Biglow. [Pg 82]

This kind of scenery isn't anything like our October training,
A guy could leave right away if it just looked like it was going to rain. And the Cunnles could cover their shoes with bandanas, And then the engines raced to the barroom with their banners (Fear of getting on them spotted), and a guy could cry quarter,
If he went on too much about his ramrod after drinking too much rum and water. Remember the fun we had, you and I on Ezra Hollis,
Last fall, did you have the Cornwallis up at Waltham Plain? This kind of thing isn't just like that—I wish I was further—
Ninety-five years for killing people seems pretty harsh for murder. (Wy I've figured out how to start some for Deacon Cephas Billins,
And in the toughest times, I always earned ten shillings. There's something stuck in my throat that makes it hard to swallow,
It's so natural to think about a hemp collar; It's glory—but despite all my attempts to become tough,
I feel a bit like I'm in a cart, heading to the gallows.[Pg 83]
But when it comes to being killed—I tell you I felt scared. The first time I ever discovered why bayonets were pointed; Here’s how it was: I set out to go to a dance,
The guard stands up and says, "That’s as far as you can go." "None of your sarcasm," I said; he replied, "Step back!" "Aren't you full of yourself?" I said, "I'm familiar with all that stuff; I guess I've been tested; I know why the sentinels are here; you aren't going to eat us;
Caleb doesn’t have a monopoly on dating the scene girls;
"My parents think she's as good as he is, wow!"
And so as I was passing by, not thinking about what would happen, The eternal pain because he jabbed me with his one-pronged pitchfork. And made a hole right through my clothes as if I was an in'my.
Well, it’s amazing how important I felt hanging out in old Funnel. When Mr. Bolles gave the sword to our Lieutenant Colonel __A_TAG_PLACEHOLDER_0__ It's Mr. Secondary Bolles, the one who wrote the winning essay; That's why he didn't list himself with us, I guess).[Pg 84]
And Rantoul, too, talked pretty loud, but doesn’t put his foot in it,
Because human life is so sacred that he stands principled against it——
Although I can't really see how it's any worse choking on them. Than putting bullets through their lights, or with a bayonet poking at them;
How incredibly slick he rattled it off (like Blitz at our lyceum
Hauling ribbons from his mouth so fast you can hardly see them,
About the Anglo-Saxon race (and Saxons would be helpful
To do the burying down here by the Rio Grande,
About our patriotic past and our star-spangled banner,
Our country's bird is looking around and singing out hosanna,
And how he (Mister B—— himself) was happy for America—
I felt, as sister Patience says, a little bit hysterical.
I felt, I swear, as though it was an awful kind of privilege. Wandering through the streets of Boston among the gutter's mess;
I actually thought it was great to hear some drumming,
And it truly seemed like a thousand years was coming; [Pg 85]
When all of us have suits (just like those worn in the state prison),
And every guy felt like all of Mexico was his. This here is about the worst place a skunk could discover. (Saltillo's Mexican, I believe, for what we call Salt River).
The kind of junk a guy gets to eat really beats everything,
I'd pay a year's salary for a whiff of one good blue-nose potato; The country that Mr. Bolles described as so charming Everywhere is swarming with the most alarming kind of pests. He talked about delicious fruits, but then it was all a lie, The holl on't is mud and prickly pears, with a chaparral here and there;
You see a guy peeking out, and before you know it, a lariat Is around your neck and you a cop, before you can say, "What are you doing?"
You never see such big bugs (it may not be irrelevant
To say I've seen a scarabæus pilularius__A_TAG_PLACEHOLDER_0__ as big as a year-old elephant),[Pg 86]
The regiment arrived one day just in time to stop a red bug.
From running off with Cunnle Wright—it was just a common cimex lectularius.
One night I started up on an end and thought I was home again,
I heard a horn, and I thought it was Sol the fisherman coming again,
His bellows are sound enough—just like I'm a living creature, I felt something go through my leg—it was nothing more than a mosquito!
Then there's the yellow fever, too, they call it here el vomito
(Come on, that won’t do, you land crab over there, I’m telling you to let go of my toe!
Wow! It's a scorpion that seems to enjoy playing with it. I wouldn't scare the little thing for fear it would run away with it. Before I left him, I had a strong feeling The Mexicans weren't human beings—an orangutan nation,
Some people a guy could kill and never think about it afterwards,
No more than a guy would dream of the pigs he had to butcher; I had the idea that they were built in a style similar to that of African Americans, all, And kicking around people of color, you know, is a sort of national; [Pg 87]
But when I joined, I wasn't as wise as that queen of Sheba,
Fer, come check them out, they're not much different from what we are,
And here we are driving them out of their own territory,
"Providing shelter for them, just like Caleb says, under our eagle's wings," Which means to lift a guy just by the waistband of his pants. And take him out of all his homes and houses in a completely Spanish way; Well, it does seem like a strange way, but hooray for Jackson!
It has to be right because Caleb says it's regular Anglo-Saxon.
The Mexicans don't fight fair, they say, they poison all the water,
And you have amazing lots of things that aren't what they should be;
Since they don't have lead, they make their bullets out of copper. And shoot the darn things at us too, which Caleb says isn’t right; He says they should just stand up and let us defeat them fairly. (Guess when he catches them at that he'll have to get up early),
That our nation's bigger than theirs and so its rights are bigger,
And that’s why we’re pulling the trigger to set them free, __A_TAG_PLACEHOLDER_0__. The ideas of Anglo-Saxondom are breaking them to pieces,
And the idea is that every man does just what he damn pleases; If I don't make his meaning clear, maybe in some respects I can,
I know that "every man" doesn't mean a Black person or a Mexican; And there's one more thing I know, and that is, if these creatures, __A_TAG_PLACEHOLDER_0__, They put an Anglo-Saxon mask on state prison features,
You should come to Jalam Center to argue and talk about it,
The girls would count the silver spoons the minute they finished with it.
This journey to glory is waiting for you, but you don't have one acceptable feature,
If it weren't for waking snakes, I'd be home again in no time.
Oh, wouldn't I be gone in no time, if it weren't for the fact that I was sure They let the daylight in to punish me for deserting!
I don't support telling stories, but just for you I can say Our officers aren't what they used to be before they left the Bay State;
Then it was, "Mister Sawin, sir, you're doing okay now, right?[Pg 89]
"Come on and take a drink, sir; I'm really glad to see you;"
But now it's, "Where's my epaulet? Hey, Sawin, go get it!"
"Hey, pay attention and be quick, or you'll regret it!"
Well, as the Doctor says, some pork will boil like that, but by gosh,
If I had some of them at home, I'd give them linkumvity,
I'd play the rogue's march on their skins and other music afterward——
I have to end my letter here because one of them is yelling. These Anglo-Saxon ossifers—well, there's no point in talking, I'm safely enrolled for the war,
Yours,
Birdofredom Sawin.

Two dusky small boys were quarreling; one was pouring forth a volume of vituperous epithets, while the other leaned against a fence and calmly contemplated him. When the flow of language was exhausted he said:

Two dark-skinned boys were arguing; one was unleashing a stream of insults, while the other leaned against a fence and calmly watched him. When the insults ran out, he said:

"Are you troo?"

"Are you true?"

"Yes."

"Yep."

"You ain't got nuffin' more to say?"

"You don't have anything more to say?"

"Well, all dem tings what you called me, you is."[Pg 90]

"Well, all those things you called me, you are." [Pg 90]


CHARLES DUDLEY WARNER


MY SUMMER IN A GARDEN

SECOND WEEK

Next to deciding when to start your garden, the most important matter is what to put in it. It is difficult to decide what to order for dinner on a given day: how much more oppressive is it to order in a lump an endless vista of dinners, so to speak! For, unless your garden is a boundless prairie (and mine seems to me to be that when I hoe it on hot days), you must make a selection, from the great variety of vegetables, of those you will raise in it; and you feel rather bound to supply your own table from your own garden, and to eat only as you have sown.

Next to deciding when to start your garden, the most important thing is what to plant in it. It's tough to decide what to order for dinner on any given day; how much more overwhelming is it to think about planning an endless variety of dinners! Unless your garden is an expansive prairie (which mine feels like when I’m hoeing it on hot days), you have to choose from a wide range of veggies which ones you want to grow. You also feel a responsibility to provide for your own table from what you grow in your garden and to eat only what you've planted.

I hold that no man has a right (whatever his sex, of course) to have a garden to his own selfish uses. He ought not to please himself, but every man to please his neighbor. I tried to have a garden that would give general moral satisfaction. It seemed to me that nobody could object to potatoes (a most useful vegetable); and I began to plant them freely. But there was a chorus of protest against them. "You don't want to take up your ground with potatoes,"[Pg 91] the neighbors said; "you can buy potatoes" (the very thing I wanted to avoid doing is buying things). "What you want is the perishable things that you cannot get fresh in the market." "But what kind of perishable things?" A horticulturist of eminence wanted me to sow lines of strawberries and raspberries right over where I had put my potatoes in drills. I had about five hundred strawberry plants in another part of my garden; but this fruit-fanatic wanted me to turn my whole patch into vines and runners. I suppose I could raise strawberries enough for all my neighbors; and perhaps I ought to do it. I had a little space prepared for melons—muskmelons, which I showed to an experienced friend. "You are not going to waste your ground on muskmelons?" he asked. "They rarely ripen in this climate thoroughly before frost." He had tried for years without luck. I resolved not to go into such a foolish experiment. But the next day another neighbor happened in. "Ah! I see you are going to have melons. My family would rather give up anything else in the garden than muskmelons—of the nutmeg variety. They are the most graceful things we have on the table." So there it was. There was no compromise; it was melons or no melons, and somebody offended in any case. I half resolved to plant them a little late, so that they would, and they wouldn't. But I had the same difficulty about string-beans (which I detest), and squash[Pg 92] (which I tolerate), and parsnips, and the whole round of green things.

I believe that no one has the right (regardless of their gender) to have a garden solely for their own selfish needs. People should not focus on pleasing themselves, but rather aim to please their neighbors. I attempted to create a garden that would provide general moral satisfaction. It seemed to me that nobody could object to potatoes (a very useful vegetable), so I started to plant them generously. However, I faced a wave of opposition against them. "You shouldn’t fill your garden with potatoes," the neighbors said; "you can just buy potatoes" (which was exactly what I wanted to avoid). "What you need are fresh, perishable items that you can’t find in the market." "But what kind of perishable items?" A well-respected horticulturist wanted me to plant rows of strawberries and raspberries right where I had seeded my potatoes. I already had about five hundred strawberry plants in another section of my garden; yet this fruit enthusiast wanted me to convert my entire patch into vines and runners. I figured I could grow enough strawberries for all my neighbors, and maybe I should. I had a small area set aside for melons—muskmelons, which I showed to a knowledgeable friend. "You’re not going to waste your space on muskmelons, are you?" he asked. "They hardly ripen completely in this climate before frost." He had tried for years without success. I decided against such a pointless endeavor. But the next day, another neighbor stopped by. "Oh! I see you’re going to grow melons. My family would rather give up anything else in the garden than muskmelons—especially the nutmeg variety. They are the most elegant thing we have on the table." So there it was. No compromise; it was melons or no melons, and someone would be upset either way. I almost decided to plant them a little late so that maybe they would, and maybe they wouldn’t. But I faced the same dilemma with string beans (which I can't stand), squash (which I can tolerate), parsnips, and the entire range of green vegetables.

I have pretty much come to the conclusion that you have got to put your foot down in gardening. If I had actually taken counsel of my friends, I should not have had a thing growing in the garden to-day but weeds. And besides, while you are waiting, Nature does not wait. Her mind is made up. She knows just what she will raise; and she has an infinite variety of early and late. The most humiliating thing to me about a garden is the lesson it teaches of the inferiority of man. Nature is prompt, decided, inexhaustible. She thrusts up her plants with a vigor and freedom that I admire; and the more worthless the plant, the more rapid and splendid its growth. She is at it early and late, and all night; never tiring, nor showing the least sign of exhaustion.

I’ve pretty much concluded that you need to take a strong stand in gardening. If I had actually listened to my friends, I wouldn’t have anything growing in the garden today except weeds. And while you’re waiting, Nature isn’t waiting. She knows exactly what she wants to grow, with countless varieties for both early and late seasons. The most humbling thing about a garden is the lesson it teaches about human inferiority. Nature is quick, decisive, and tireless. She pushes her plants up with an energy and freedom that I admire, and the more useless the plant, the faster and more spectacular its growth. She works early and late, all through the night; never tiring or showing the slightest sign of fatigue.

"Eternal gardening is the price of liberty" is a motto that I should put over the gateway of my garden, if I had a gate. And yet it is not wholly true; for there is no liberty in gardening. The man who undertakes a garden is relentlessly pursued. He felicitates himself that, when he gets it once planted, he will have a season of rest and of enjoyment in the sprouting and growing of his seeds. It is a keen anticipation. He has planted a seed that will keep him awake nights, drive rest from his bones, and sleep from his pillow. Hardly is the garden planted, when he must begin to hoe it. The weeds have sprung[Pg 93] up all over it in a night. They shine and wave in redundant life. The docks have almost gone to seed; and their roots go deeper than conscience. Talk about the London docks!—the roots of these are like the sources of the Aryan race. And the weeds are not all. I awake in the morning (and a thriving garden will wake a person up two hours before he ought to be out of bed) and think of the tomato-plants—the leaves like fine lace-work, owing to black bugs that skip around and can't be caught. Somebody ought to get up before the dew is off (why don't the dew stay on till after a reasonable breakfast?) and sprinkle soot on the leaves. I wonder if it is I. Soot is so much blacker than the bugs that they are disgusted and go away. You can't get up too early if you have a garden. You must be early due yourself, if you get ahead of the bugs. I think that, on the whole, it would be best to sit up all night and sleep daytimes. Things appear to go on in the night in the garden uncommonly. It would be less trouble to stay up than it is to get up so early.

"Eternal gardening is the price of liberty" is a motto I would put over the entrance to my garden if I had a gate. But it’s not entirely true; there’s no freedom in gardening. The person who takes on a garden is constantly on the clock. They reassure themselves that once it’s planted, they’ll enjoy a peaceful season watching their seeds sprout and grow. It’s an exciting expectation. But the moment the garden is planted, they have to start weeding it. Weeds pop up overnight. They shine and sway with excessive life. The dock weeds are almost ready to seed, and their roots dig deeper than any conscience. Forget the London docks! The roots of these weeds trace back like the origins of the Aryan race. And weeds aren’t the only issue. I wake up in the morning (and a healthy garden will wake you up two hours before you'd normally get out of bed) thinking about the tomato plants—their leaves look delicate like lace due to tiny black bugs that leap around and can’t be caught. Someone needs to get up before the dew evaporates (why can’t the dew stick around until after a decent breakfast?) and dust the leaves with soot. I wonder if that could be me. Soot is much darker than the bugs, so they’re likely to leave in disgust. You can’t wake up too early if you have a garden. You need to get up early if you want to beat the bugs. Honestly, I think it might be better to just stay up all night and sleep during the day. It seems like a lot happens in the garden at night. It would be less hassle to stay up than to wake up so early.

I have been setting out some new raspberries, two sorts—a silver and a gold color. How fine they will look on the table next year in a cut-glass dish, the cream being in a ditto pitcher! I set them four and five feet apart. I set my strawberries pretty well apart also. The reason is to give room for the cows to run through when they break into the garden—as they do sometimes. A cow needs a broader track than a locomotive;[Pg 94] and she generally makes one. I am sometimes astonished to see how big a space in a flower-bed her foot will cover. The raspberries are called Doolittle and Golden Cap. I don't like the name of the first variety, and, if they do much, shall change it to Silver Top. You can never tell what a thing named Doolittle will do. The one in the Senate changed color and got sour. They ripen badly—either mildew or rot on the bush. They are apt to Johnsonize—rot on the stem. I shall watch the Doolittles.

I’ve planted some new raspberries, two kinds—a silver and a gold. They’re going to look amazing on the table next year in a cut-glass dish, with the cream in a matching pitcher! I spaced them four to five feet apart. I also planted my strawberries quite far apart. The reason is to allow room for the cows to run through when they occasionally break into the garden. A cow needs a wider path than a train, and she usually makes one. I’m sometimes amazed at how much space her hoof can cover in a flower bed. The raspberries are called Doolittle and Golden Cap. I don't like the name of the first variety, and if they perform well, I’ll rename it Silver Top. You can never predict what something named Doolittle will do. The one in the Senate changed color and turned sour. They don’t ripen well—either mildew or rot on the bush. They tend to “Johnsonize”—rot on the stem. I’ll keep an eye on the Doolittles.

FOURTH WEEK

Orthodoxy is at a low ebb. Only two clergymen accepted my offer to come and help hoe my potatoes for the privilege of using my vegetable total-depravity figure about the snake-grass, or quack-grass, as some call it; and those two did not bring hoes. There seems to be a lack of disposition to hoe among our educated clergy. I am bound to say that these two, however, sat and watched my vigorous combats with the weeds, and talked most beautifully about the application of the snake-grass figure. As, for instance, when a fault or sin showed on the surface of a man, whether, if you dug down, you would find that it ran back and into the original organic bunch of original sin within the man. The only other clergyman who came was from out of town—a half-Universalist, who said he wouldn't give twenty cents for my figure. He said that the snake-grass was not in my garden originally,[Pg 95] that it sneaked in under the sod, and that it could be entirely rooted out with industry and patience. I asked the Universalist-inclined man to take my hoe and try it; but he said he hadn't time, and went away.

Orthodoxy is struggling. Only two clergymen accepted my offer to come help me with my potato patch in exchange for using my vegetable metaphor about snake-grass, or quack-grass, as some call it; and those two didn’t even bring hoes. It seems like our educated clergy just aren’t inclined to do the hard work. I have to admit, though, that these two sat and watched as I battled the weeds and talked eloquently about the snake-grass metaphor. For example, they discussed whether a fault or sin that appears on the surface of a person has roots that go back into the core of original sin within them. The only other clergyman who showed up was from out of town—a half-Universalist—who said he wouldn’t pay twenty cents for my metaphor. He claimed that the snake-grass wasn’t originally in my garden, that it sneaked in under the soil, and that it could be completely removed with hard work and patience. I asked the Universalist-inclined guy to take my hoe and give it a try, but he said he didn’t have time and left.

But, jubilate, I have got my garden all hoed the first time! I feel as if I had put down the rebellion. Only there are guerrillas left here and there, about the borders and in corners, unsubdued—Forest docks, and Quantrell grass, and Beauregard pigweeds. This first hoeing is a gigantic task: it is your first trial of strength with the never-sleeping forces of Nature. Several times in its progress I was tempted to do as Adam did, who abandoned his garden on account of the weeds. (How much my mind seems to run upon Adam, as if there had been only two really moral gardens—Adam's and mine!) The only drawback to my rejoicing over the finishing of the first hoeing is, that the garden now wants hoeing a second time. I suppose if my garden were planted in a perfect circle, and I started round it with a hoe, I should never see an opportunity to rest. The fact is, that gardening is the old fable of perpetual labor; and I, for one, can never forgive Adam Sisyphus, or whoever it was, who let in the roots of discord. I had pictured myself sitting at eve with my family, in the shade of twilight, contemplating a garden hoed. Alas! it is a dream not to be realized in this world.

But, cheer up, I’ve finally hoed my garden for the first time! I feel like I’ve put down a rebellion. But there are still a few guerrillas left scattered here and there, around the edges and in the corners, unyielding—Forest docks, Quantrell grass, and Beauregard pigweeds. This first hoeing is a huge task; it’s your first real challenge against the constant forces of Nature. A few times while doing it, I was tempted to give up like Adam did, who left his garden because of the weeds. (It seems like my thoughts keep drifting back to Adam, as if there were only two truly moral gardens—his and mine!) The only downside to finishing the first hoeing is that the garden now needs to be hoed a second time. I guess if my garden were planted in a perfect circle and I started hoeing around it, I’d never find a chance to take a break. The truth is, gardening is like the old story about endless labor; and I, for one, can never forgive Adam Sisyphus—or whoever it was—who let in the roots of discord. I had imagined myself sitting in the evening with my family, under the twilight, gazing at a garden that was all hoed. Alas! That’s a dream that won’t come true in this world.

My mind has been turned to the subject of fruit and shade trees in a garden. There are those[Pg 96] who say that trees shade the garden too much and interfere with the growth of the vegetables. There may be something in this; but when I go down the potato rows, the rays of the sun glancing upon my shining blade, the sweat pouring from my face, I should be grateful for shade. What is a garden for? The pleasure of man. I should take much more pleasure in a shady garden. Am I to be sacrificed, broiled, roasted, for the sake of the increased vigor of a few vegetables? The thing is perfectly absurd. If I were rich, I think I would have my garden covered with an awning, so that it would be comfortable to work in it. It might roll up and be removable, as the great awning of the Roman Colosseum was—not like the Boston one, which went off in a high wind. Another very good way to do, and probably not so expensive as the awning, would be to have four persons of foreign birth carry a sort of canopy over you as you hoed. And there might be a person at each end of the row with some cool and refreshing drink. Agriculture is still in a very barbarous stage. I hope to live yet to see the day when I can do my gardening, as tragedy is done, to slow and soothing music, and attended by some of the comforts I have named. These things come so forcibly into my mind sometimes as I work, that perhaps, when a wandering breeze lifts my straw hat or a bird lights on a near currant-bush and shakes out a full-throated summer song, I almost expect to find the cooling drink and the hospitable enter[Pg 97]tainment at the end of the row. But I never do. There is nothing to be done but to turn round and hoe back to the other end.

My thoughts have turned to the topic of fruit and shade trees in a garden. There are those[Pg 96] who argue that trees provide too much shade and hinder the growth of vegetables. There may be some truth to that; but when I walk down the potato rows, feeling the sun's rays reflecting off my shiny hoe and sweat dripping from my face, I can't help but feel grateful for shade. What is a garden for? For our enjoyment. I would gain much more pleasure from a shady garden. Am I supposed to be sacrificed in the heat, while a few vegetables thrive? That’s completely ridiculous. If I were wealthy, I think I would have an awning over my garden, making it comfortable to work in. It could roll up and be removable, like the grand awning of the Roman Colosseum—not like the Boston one, which blew away in a strong wind. Another great option, probably cheaper than an awning, would be to have four people from foreign lands carry a kind of canopy over me while I hoe. Plus, there could be someone at each end of the row with some cool and refreshing drinks. Agriculture is still quite primitive. I hope to live to see the day when I can garden, like a tragic play, to slow and soothing music, accompanied by some of the comforts I’ve mentioned. These thoughts come to mind so vividly sometimes as I work that when a gentle breeze lifts my straw hat or a bird lands on a nearby currant bush and sings a cheerful summer song, I nearly expect to find the refreshing drink and welcoming hospitality at the end of the row. But I never do. All I can do is turn around and hoe back to the other end.

Speaking of those yellow squash-bugs, I think I disheartened them by covering the plants so deep with soot and wood-ashes that they could not find them; and I am in doubt if I shall ever see the plants again. But I have heard of another defense against the bugs. Put a fine wire screen over each hill, which will keep out the bugs and admit the rain. I should say that these screens would not cost much more than the melons you would be likely to get from the vines if you bought them; but then, think of the moral satisfaction of watching the bugs hovering over the screen, seeing but unable to reach the tender plants within. That is worth paying for.

Speaking of those yellow squash bugs, I think I discouraged them by covering the plants so thoroughly with soot and wood ash that they couldn't find them; and I’m not sure if I’ll ever see the plants again. But I’ve heard of another way to protect against the bugs. Put a fine wire screen over each hill, which will keep the bugs out but let the rain in. I’d say that these screens wouldn't cost much more than the melons you’d probably get from the vines if you bought them; but then, just think of the satisfaction of watching the bugs hovering over the screen, seeing but unable to reach the delicate plants inside. That’s worth paying for.

I left my own garden yesterday and went over to where Polly was getting the weeds out of one of her flower-beds. She was working away at the bed with a little hoe. Whether women ought to have the ballot or not (and I have a decided opinion on that point, which I should here plainly give did I not fear that it would injure my agricultural influence), I am compelled to say that this was rather helpless hoeing. It was patient, conscientious, even pathetic hoeing; but it was neither effective nor finished. When completed, the bed looked somewhat as if a hen had scratched it; there was that touching unevenness about it. I think no one could look at it and not be affected. To be sure, Polly[Pg 98] smoothed it off with a rake and asked me if it wasn't nice; and I said it was. It was not a favorable time for me to explain the difference between puttering hoeing and the broad, free sweep of the instrument which kills the weeds, spares the plants, and loosens the soil without leaving it in holes and hills. But, after all, as life is constituted, I think more of Polly's honest and anxious care of her plants than of the most finished gardening in the world.

I left my garden yesterday and went over to where Polly was pulling weeds from one of her flower beds. She was working on the bed with a small hoe. Whether women should have the right to vote or not (and I have a strong opinion on that matter, which I would express here if I didn’t worry it would harm my influence in farming), I have to say that this was pretty ineffective hoeing. It was patient, conscientious, even a bit sad hoeing; but it wasn’t effective or neat. When she was done, the bed looked kind of like a hen had scratched it; it had that endearing unevenness to it. I don’t think anyone could see it and not be moved. Sure, Polly[Pg 98] tried to smooth it out with a rake and asked me if it looked nice, and I said it did. It wasn’t really the right moment for me to explain the difference between half-hearted hoeing and the nice, wide stroke of the tool that actually kills the weeds, protects the plants, and loosens the soil without leaving it all lumpy. But, in the grand scheme of things, I value Polly’s genuine and careful attention to her plants more than the most skilled gardening in the world.

SIXTH WEEK

Somebody has sent me a new sort of hoe, with the wish that I should speak favorably of it, if I can consistently. I willingly do so, but with the understanding that I am to be at liberty to speak just as courteously of any other hoe which I may receive. If I understand religious morals, this is the position of the religious press with regard to bitters and wringing machines. In some cases, the responsibility of such a recommendation is shifted upon the wife of the editor or clergyman. Polly says she is entirely willing to make a certificate, accompanied with an affidavit, with regard to this hoe; but her habit of sitting about the garden walk on an inverted flower-pot while I hoe somewhat destroys the practical value of her testimony.

Someone has sent me a new kind of hoe, hoping I would say nice things about it, if I can honestly do so. I'm happy to oblige, but I need to be free to speak just as kindly about any other hoe I might receive. If I understand religious ethics correctly, this is how the religious press operates regarding bitters and wringing machines. In some instances, the responsibility of endorsing such products falls on the editor's or clergyman's wife. Polly says she's totally willing to provide a statement, along with an affidavit, about this hoe; however, her habit of sitting on an overturned flower pot in the garden while I work kind of undermines the credibility of her endorsement.

As to this hoe, I do not mind saying that it has changed my view of the desirableness and value of human life. It has, in fact, made life a holiday to me. It is made on the principle that man is[Pg 99] an upright, sensible, reasonable being, and not a groveling wretch. It does away with the necessity of the hinge in the back. The handle is seven and a half feet long. There are two narrow blades, sharp on both edges, which come together at an obtuse angle in front; and as you walk along with this hoe before you, pushing and pulling with a gentle motion, the weeds fall at every thrust and withdrawal, and the slaughter is immediate and widespread. When I got this hoe, I was troubled with sleepless mornings, pains in the back, kleptomania with regard to new weeders; when I went into my garden I was always sure to see something. In this disordered state of mind and body I got this hoe. The morning after a day of using it I slept perfectly and late. I regained my respect for the Eighth Commandment. After two doses of the hoe in the garden the weeds entirely disappeared. Trying it a third morning, I was obliged to throw it over the fence in order to save from destruction the green things that ought to grow in the garden. Of course, this is figurative language. What I mean is, that the fascination of using this hoe is such that you are sorely tempted to employ it upon your vegetables after the weeds are laid low, and must hastily withdraw it to avoid unpleasant results. I make this explanation because I intend to put nothing into these agricultural papers that will not bear the strictest scientific investigation; nothing that the youngest child cannot understand and cry for; nothing[Pg 100] that the oldest and wisest men will not need to study with care.

Regarding this hoe, I can honestly say that it has changed the way I see the worth and value of human life. It has, in fact, made life feel like a celebration for me. It's designed on the idea that a person is an upright, sensible, rational being, not a miserable wretch. It eliminates the need for a hinge at the back. The handle is seven and a half feet long. There are two narrow blades, sharp on both sides, which meet at an obtuse angle in front; and as you walk along with this hoe in front of you, gently pushing and pulling, the weeds fall at every thrust and pull, and the destruction is immediate and widespread. When I got this hoe, I was struggling with sleepless mornings, back pain, and an obsession with new weeders; whenever I stepped into my garden, there was always something to see. In this chaotic state of mind and body, I acquired this hoe. The morning after using it, I slept soundly and in late. I regained my respect for the Eighth Commandment. After just two sessions with the hoe in the garden, the weeds were completely gone. Trying it again the third morning, I had to throw it over the fence to prevent the destruction of the green things that should be thriving in the garden. Of course, this is figurative language. What I mean is, the allure of using this hoe is so strong that you're tempted to use it on your vegetables after you’ve taken care of the weeds, and you must quickly pull it back to avoid bad outcomes. I make this clarification because I plan to include nothing in these agricultural papers that won’t withstand the strictest scientific scrutiny; nothing that even the youngest child couldn’t understand and desire; nothing that the oldest and wisest individuals wouldn't need to study closely.

I need not add that the care of a garden with this hoe becomes the merest pastime. I would not be without one for a single night. The only danger is, that you may rather make an idol of the hoe, and somewhat neglect your garden in explaining it and fooling about with it. I almost think that, with one of these in the hands of an ordinary day-laborer, you might see at night where he had been working.

I don’t need to say that taking care of a garden with this hoe becomes just a fun hobby. I wouldn’t want to be without one even for a single night. The only risk is that you could end up idolizing the hoe and neglecting your garden while you explain it and play around with it. Honestly, I think if an ordinary day laborer had one of these, you could see where he had been working at night.

Let us have peas. I have been a zealous advocate of the birds. I have rejoiced in their multiplication. I have endured their concerts at four o'clock in the morning without a murmur. Let them come, I said, and eat the worms, in order that we, later, may enjoy the foliage and the fruits of the earth. We have a cat, a magnificent animal, of the sex which votes (but not a pole-cat)—so large and powerful that if he were in the army he would be called Long Tom. He is a cat of fine disposition, the most irreproachable morals I ever saw thrown away in a cat, and a splendid hunter. He spends his nights, not in social dissipation, but in gathering in rats, mice, flying-squirrels, and also birds. When he first brought me a bird, I told him that it was wrong, and tried to convince him, while he was eating it, that he was doing wrong; for he is a reasonable cat, and understands pretty much everything except the binomial theorem and the time down the cycloidal arc. But with no effect.[Pg 101] The killing of birds went on to my great regret and shame.

Let’s have peas. I’ve always been a big supporter of the birds. I’ve celebrated their increase. I’ve put up with their singing at four o’clock in the morning without complaining. Let them come, I said, and eat the worms, so we can later enjoy the leaves and fruits of the earth. We have a cat, a magnificent creature of the gender that votes (but not a polecat)—so big and strong that if he were in the army, he’d be called Long Tom. He’s a cat with a great personality, the most upright morals I’ve ever seen wasted on a cat, and an excellent hunter. He spends his nights, not partying, but catching rats, mice, flying squirrels, and also birds. When he first brought me a bird, I told him it was wrong and tried to convince him, while he was eating it, that he was doing something bad; because he's a smart cat and understands almost everything except the binomial theorem and the timing down the cycloidal arc. But it had no effect.[Pg 101] The killing of birds continued, much to my regret and shame.

The other day I went to my garden to get a mess of peas. I had seen the day before that they were just ready to pick. How I had lined the ground, planted, hoed, bushed them! The bushes were very fine—seven feet high, and of good wood. How I had delighted in the growing, the blowing, the podding! What a touching thought it was that they had all podded for me! When I went to pick them I found the pods all split open and the peas gone. The dear little birds, who are so fond of the strawberries, had eaten them all. Perhaps there were left as many as I planted; I did not count them. I made a rapid estimate of the cost of the seed, the interest of the ground, the price of labor, the value of the bushes, the anxiety of weeks of watchfulness. I looked about me on the face of nature. The wind blew from the south so soft and treacherous! A thrush sang in the woods so deceitfully! All nature seemed fair. But who was to give me back my peas? The fowls of the air have peas; but what has man?

The other day I went to my garden to pick some peas. I had noticed the day before that they were ready to harvest. I had carefully prepared the ground, planted, weeded, and tended to them! The plants were amazing—seven feet tall and sturdy. I had enjoyed every stage of their growth! It was such a sweet thought that all those peas had grown just for me! But when I went to pick them, I found the pods completely split open and the peas gone. Those little birds, who love strawberries so much, had eaten them all. Maybe there were as many left as I had planted; I didn’t count. I quickly calculated the cost of the seeds, the value of the land, the price of labor, the worth of the plants, and the stress from weeks of monitoring. I looked around at nature. The wind was blowing softly from the south, so tempting! A thrush was singing in the woods so charmingly! Everything in nature seemed beautiful. But who would give me back my peas? The birds of the air have peas; but what does man have?

I went into the house. I called Calvin (that is the name of our cat, given him on account of his gravity, morality, and uprightness. We never familiarly call him John). I petted Calvin. I lavished upon him an enthusiastic fondness. I told him that he had no fault; that the one action that I had called a vice was an heroic exhibition of regard for my interest. I[Pg 102] bade him go and do likewise continually. I now saw how much better instinct is than mere unguided reason. Calvin knew. If he had put his opinion into English (instead of his native catalogue), it would have been, "You need not teach your grandmother to suck eggs." It was only the round of nature. The worms eat a noxious something in the ground. The birds eat the worms. Calvin eats the birds. We eat—no, we do not eat Calvin. There the chain stops. When you ascend the scale of being, and come to an animal that is, like ourselves, inedible, you have arrived at a result where you can rest. Let us respect the cat: he completes an edible chain.

I went into the house. I called Calvin (that's the name of our cat, given to him because of his seriousness, morality, and uprightness. We never call him John casually). I petted Calvin. I showed him a lot of love. I told him he had no faults; that the one thing I had called a vice was actually a heroic display of concern for my well-being. I[Pg 102] urged him to always act like that. I now realized how much better instinct is than just unguided reasoning. Calvin knew. If he could express his thoughts in English (instead of his usual meowing), it would have been, "You don't need to teach your grandmother to suck eggs." It was just the natural order. The worms eat something harmful in the soil. The birds eat the worms. Calvin eats the birds. We eat—no, we don’t eat Calvin. That’s where the chain ends. When you move up the scale of life and reach an animal that is, like us, not edible, you have found a conclusion where you can rest. Let's respect the cat: he completes an edible chain.

I have little heart to discuss methods of raising peas. It occurs to me that I can have an iron pea-bush, a sort of trellis, through which I could discharge electricity at frequent intervals and electrify the birds to death when they alight; for they stand upon my beautiful bush in order to pick out the peas. An apparatus of this kind, with an operator, would cost, however, about as much as the peas. A neighbor suggests that I might put up a scarecrow near the vines, which would keep the birds away. I am doubtful about it; the birds are too much accustomed to seeing a person in poor clothes in the garden to care much for that. Another neighbor suggests that the birds do not open the pods; that a sort of blast, apt to come after rain, splits the pods, and the birds then eat the peas. It may be so.[Pg 103] There seems to be complete unity of action between the blast and the birds. But good neighbors, kind friends, I desire that you will not increase, by talk, a disappointment which you cannot assuage.

I’m not really in the mood to talk about how to grow peas. It strikes me that I could have a metal pea trellis where I could zap the birds with electricity when they land on it, since they love to pick the peas off my lovely bush. But setting up something like that, along with a person to operate it, would cost about as much as the peas themselves. One neighbor suggests I could set up a scarecrow near the vines to keep the birds away. I’m not so sure; the birds are too used to seeing someone in shabby clothes in the garden to be scared of that. Another neighbor claims the birds don’t actually open the pods; instead, a kind of blast that often follows rain splits the pods, and then the birds come in to eat the peas. That could be true. There seems to be a perfect partnership between the blast and the birds. But good neighbors and kind friends, please don’t make my disappointment worse with more talk that won’t help.


CROWDED

Chauncey Depew says: In the Berkshire Hills there was a funeral, and as the friends and mourners gathered in the little parlor, there came the typical New England female who mingles curiosity with her sympathy, and, as she glanced around the darkened room, she said to the bereaved widow:

Chauncey Depew says: In the Berkshire Hills, there was a funeral, and as the friends and mourners gathered in the small parlor, a typical New England woman came in, mixing curiosity with her sympathy. As she looked around the dimly lit room, she said to the grieving widow:

"Where did you get that new eight-day clock?"

"Where did you get that new eight-day clock?"

"We ain't got no new eight-day clock," was the reply.

"We don't have a new eight-day clock," was the reply.

"You ain't? What's that in the corner there?"

"You aren't? What's that in the corner there?"

"Why, no, that's not an eight-day clock; that's the deceased. We stood him on end to make room for the mourners."

"Why, no, that's not an eight-day clock; that's the body. We stood him up to make room for the mourners."


A young wife who lost her husband by death telegraphed the sad tidings to her father in these succinct words: "Dear John died this morning at ten. Loss fully covered by insurance."[Pg 104]

A young wife who lost her husband passed on the sad news to her dad in these brief words: "Dear John died this morning at ten. Loss fully covered by insurance."[Pg 104]


THE ALARMED SKIPPER

"It was an old sailor"
Many years ago,
Nantucket captains had a plan Of discovering, even while "keeping a low profile,"
How close their schooners got to New York.
They coated the lead before it dropped,
And then, by listening throughout the night,
Knowing the soil that clung so tightly,
They always guessed their payment correctly.
A gray skipper, whose eyes were dull,
You could tell, by tasting, just the right place,
And so below he'd "find the light"—
After, of course, his "something hot."
Cozy in his bunk, at eight o'clock,
This old captain might be found; No matter how his skill would be challenged,
He slept—because captains’ naps are deep!
The watch on deck would occasionally Go wake him up, with the lead; He got up, tasted it, and told the men How many miles they traveled ahead.[Pg 105]
One night, it was Jotham Marden's watch,
A curious trickster—the peddler's son——
And so he thought (the reckless scoundrel),
"Tonight I'll have some fun.
"We're all a bunch of idiots.
To believe the captain knows by tasting
What ground he's on—Nantucket schools "Don’t teach that kind of stuff, with all their nonsense!"
So he took the well-greased lead. And rubbed it over a box of dirt That stood on deck—a parsnip bed— Then he looked for the captain's cabin.
"Where are we now, sir? Please try this." The captain yawned and stuck out his tongue, Then opened his eyes in great surprise, And then he jumped onto the floor!
The captain fumed and pulled at his hair,
He put on his boots and shouted to Marden, "Nantucket's gone down, and here we are
Right over old Marm Hackett's garden!
James T. Fields.

THE WEDDING JOURNEY

He: Dearest, if I had known this tunnel was so long, I'd have given you a jolly hug.

He: Darling, if I had known this tunnel was so long, I would have given you a big hug.

She: Didn't you? Why, somebody did![Pg 106]

She: Didn't you? Well, someone definitely did![Pg 106]


OLIVER WENDELL HOLMES


FOREIGN CORRESPONDENCE

Do I think that the particular form of lying often seen in newspapers under the title, "From Our Foreign Correspondent," does any harm? Why, no, I don't know that it does. I suppose it doesn't really deceive people any more than the "Arabian Nights" or "Gulliver's Travels" do. Sometimes the writers compile too carelessly, though, and mix up facts out of geographies and stories out of the penny papers, so as to mislead those who are desirous of information. I cut a piece out of one of the papers the other day which contains a number of improbabilities and, I suspect, misstatements. I will send up and get it for you, if you would like to hear it. Ah, this is it; it is headed

Do I think the kind of lying often found in newspapers labeled "From Our Foreign Correspondent" does any damage? Well, I don’t think it does. It probably doesn’t fool people any more than "Arabian Nights" or "Gulliver's Travels" does. However, sometimes writers compile things way too carelessly and mix facts from geography with tales from cheap papers, which can mislead those genuinely seeking information. I clipped an article from one of the newspapers the other day that contains a bunch of improbabilities and, I suspect, false statements. I can grab it for you if you want to hear it. Ah, here it is; it’s titled


"OUR SUMATRA CORRESPONDENCE

"This island is now the property of the Stamford family—having been won, it is said, in a raffle by Sir —— Stamford, during the stock-gambling mania of the South Sea scheme. The history of this gentleman may be found in an interesting series of questions (unfortunately not yet answered) contained in the 'Notes and Queries.' This island is entirely surrounded by[Pg 107] the ocean, which here contains a large amount of saline substance, crystallizing in cubes remarkable for their symmetry, and frequently displays on its surface, during calm weather, the rainbow tints of the celebrated South Sea bubbles. The summers are oppressively hot, and the winters very probably cold; but this fact cannot be ascertained precisely, as, for some peculiar reason, the mercury in these latitudes never shrinks, as in more northern regions, and thus the thermometer is rendered useless in winter.

"This island now belongs to the Stamford family—legend has it that Sir —— Stamford won it in a raffle during the stock-gambling craze of the South Sea scheme. You can find the history of this gentleman in an intriguing series of questions (unfortunately not yet answered) in the 'Notes and Queries.' This island is completely surrounded by[Pg 107] the ocean, which here has a high salt content, forming cubes that are striking for their symmetry. It often shows rainbow colors on its surface during calm weather, reflecting the famous South Sea bubbles. The summers are extremely hot, and the winters are likely quite cold; however, this can't be confirmed precisely because, for some strange reason, the mercury in these latitudes never drops like it does in more northern areas, making the thermometer useless in winter."

"The principal vegetable productions of the island are the pepper tree and the bread-fruit tree. Pepper being very abundantly produced, a benevolent society was organized in London during the last century for supplying the natives with vinegar and oysters, as an addition to that delightful condiment. (Note received from Dr. D. P.) It is said, however, that, as the oysters were of the kind called natives in England, the natives of Sumatra, in obedience to a natural instinct, refused to touch them, and confined themselves entirely to the crew of the vessel in which they were brought over. This information was received from one of the oldest inhabitants, a native himself, and exceedingly fond of missionaries. He is said also to be very skilful in the cuisine peculiar to the island.

"The main vegetable crops on the island are the pepper tree and the breadfruit tree. Since pepper is produced in abundance, a charitable organization was formed in London last century to provide the locals with vinegar and oysters as an addition to that tasty condiment. (Note received from Dr. D. P.) However, it is said that the oysters, being the type referred to as natives in England, were refused by the people of Sumatra out of instinct, and they only consumed the crew of the ship that brought them over. This information came from one of the oldest residents, who is a native himself and really fond of missionaries. He is also known to be very skilled in the island's unique cuisine.

"During the season of gathering pepper, the persons employed are subject to various incommodities, the chief of which is violent and long-continued sternutation, or sneezing. Such[Pg 108] is the vehemence of these attacks that the unfortunate subjects of them are often driven backward for great distances at immense speed, on the well-known principle of the æolipile. Not being able to see where they are going, these poor creatures dash themselves to pieces against the rocks, or are precipitated over the cliffs, and thus many valuable lives are lost annually. As during the whole pepper harvest they feed exclusively on this stimulant, they become exceedingly irritable. The smallest injury is resented with ungovernable rage. A young man suffering from the pepper-fever, as it is called, cudgeled another most severely for appropriating a superannuated relative of trifling value, and was only pacified by having a present made him of a pig of that peculiar species of swine called the Peccavi by the Catholic Jews, who, it is well known, abstain from swine's flesh in imitation of the Mohammedan Buddhists.

"During the pepper harvesting season, the workers face various difficulties, the main one being severe and prolonged sneezing. Such[Pg 108] is the intensity of these sneezing fits that the unfortunate victims are often propelled backward at high speeds, following the well-known principle of the æolipile. Unable to see where they're going, these poor individuals crash into rocks or fall off cliffs, leading to the tragic loss of many lives every year. Since they solely consume this stimulant throughout the pepper harvest, they become extremely irritable. Even the slightest offense is met with uncontrollable anger. A young man experiencing what is called the pepper-fever severely beat another for taking an elderly relative of little value and was only calmed down when given a pig from that specific type of swine referred to as Peccavi by the Catholic Jews, who famously avoid pork out of respect for the Mohammedan Buddhists."

"The bread tree grows abundantly. Its branches are well known to Europe and America under the familiar name of maccaroni. The smaller twigs are called vermicelli. They have a decided animal flavor, as may be observed in the soups containing them. Maccaroni, being tubular, is the favorite habitat of a very dangerous insect, which is rendered peculiarly ferocious by being boiled. The government of the island, therefore, never allows a stick of it to be exported without being accompanied by a piston with which its cavity may at any time be thoroughly[Pg 109] swept out. These are commonly lost or stolen before the maccaroni arrives among us. It, therefore, always contains many of these insects, which, however, generally die of old age in the shops, so that accidents from this source are comparatively rare.

"The bread tree grows in abundance. Its branches are well known in Europe and America by the familiar name of macaroni. The smaller twigs are called vermicelli. They have a noticeable meaty flavor, which can be observed in the soups that include them. Macaroni, being tubular, is the favorite hiding place of a very dangerous insect, which becomes particularly aggressive when boiled. Therefore, the government of the island never allows a piece of it to be exported without being accompanied by a piston to thoroughly[Pg 109] clean out its cavity at any time. These are often lost or stolen before the macaroni reaches us. Consequently, it usually contains many of these insects, which, however, tend to die of old age in the shops, so accidents from this issue are quite rare."

"The fruit of the bread tree consists principally of hot rolls. The buttered-muffin variety is supposed to be a hybrid with the cocoanut palm, the cream found on the milk of the cocoanut exuding from the hybrid in the shape of butter, just as the ripe fruit is splitting, so as to fit it for the tea-table, where it is commonly served up with cold——"

"The fruit of the bread tree mainly consists of hot rolls. The buttered muffin type is said to be a hybrid with the coconut palm, with the cream from the coconut milk oozing from the hybrid in the form of butter, just as the ripe fruit is splitting, making it suitable for the tea table, where it is often served with cold——"

There—I don't want to read any more of it. You see that many of these statements are highly improbable. No, I shall not mention the paper.—The Autocrat of the Breakfast Table.

There—I don't want to read any more of it. You see that many of these statements are really unlikely. No, I won't mention the paper.—The Autocrat of the Breakfast Table.


MUSIC-POUNDING

The old Master was talking about a concert he had been to hear.

The old Master was talking about a concert he had attended.

—I don't like your chopped music anyway. That woman—she had more sense in her little finger than forty medical societies—Florence Nightingale—says that the music you pour out is good for sick folks, and the music you pound out isn't. Not that exactly, but something like it. I have been to hear some music-pounding. It was a young woman, with as many white muslin flounces round her as the planet Saturn has rings, that did it. She gave the music-stool[Pg 110] a twirl or two and fluffed down on to it like a whirl of soap-suds in a hand-basin. Then she pushed up her cuffs as if she was going to fight for the champion's belt. Then she worked her wrists and her hands, to limber 'em, I suppose, and spread out her fingers till they looked as though they would pretty much cover the keyboard, from the growling end to the little squeaky one. Then those two hands of hers made a jump at the keys as if they were a couple of tigers coming down on a flock of black-and-white sheep, and the piano gave a great howl as if its tail had been trod on. Dead stop—so still you could hear your hair growing. Then another jump, and another howl, as if the piano had two tails and you had trod on both of 'em at once, and then a grand clatter and scramble and string of jumps, up and down, back and forward, one hand over the other, like a stampede of rats and mice more than like anything I call music. I like to hear a woman sing, and I like to hear a fiddle sing, but these noises they hammer out of their wood-and-ivory anvils—don't talk to me; I know the difference between a bullfrog and a wood-thrush.—The Poet at the Breakfast Table.

—I don’t like your choppy music anyway. That woman—she had more sense in her little finger than forty medical societies—Florence Nightingale—says that the music you pour out is good for sick people, and the music you pound out isn’t. Not exactly that, but something like it. I’ve been to hear some music-pounding. It was a young woman, with as many white muslin flounces around her as Saturn has rings, that did it. She twirled on the music stool[Pg 110] a few times and fluffed down onto it like a whirl of soap bubbles in a sink. Then she pushed up her sleeves like she was about to fight for the championship. Then she worked her wrists and hands to loosen them up, I guess, and spread out her fingers till they looked like they could cover the keyboard from the deep growl to the little squeaky end. Then those two hands of hers jumped at the keys like a couple of tigers pouncing on a bunch of black-and-white sheep, and the piano let out a big howl as if its tail had been stepped on. Dead stop—so quiet you could hear your hair growing. Then another jump, and another howl, as if the piano had two tails and you stepped on both of them at once, and then a big clatter and scramble and a bunch of jumps, up and down, back and forward, one hand over the other, like a stampede of rats and mice rather than anything I’d call music. I like to hear a woman sing, and I like to hear a fiddle sing, but these noises they hammer out of their wood-and-ivory anvils—don’t talk to me; I know the difference between a bullfrog and a wood-thrush.—The Poet at the Breakfast Table.


"That is rather a shabby pair of trousers you have on, for a man in your position."

"Those are quite a shabby pair of pants you're wearing for someone in your position."

"Yes, sir; but clothes do not make the man. What if my trousers are shabby and worn? They cover a warm heart, sir."[Pg 111]

"Yes, sir; but clothes don’t define a person. So what if my pants are old and tattered? They cover a warm heart, sir."[Pg 111]


FREDERICK S. COZZENS


LIVING IN THE COUNTRY

It is a good thing to live in the country. To escape from the prison-walls of the metropolis—the great brickery we call "the city"—and to live amid blossoms and leaves, in shadow and sunshine, in moonlight and starlight, in rain, mist, dew, hoarfrost, and drought, out in the open campaign and under the blue dome that is bounded by the horizon only. It is a good thing to have a well with dripping buckets, a porch with honey-buds and sweet-bells, a hive embroidered with nimble bees, a sun-dial mossed over, ivy up to the eaves, curtains of dimity, a tumbler of fresh flowers in your bedroom, a rooster on the roof, and a dog under the piazza.

It’s great to live in the country. To break free from the confines of the city—the huge brick structure we call "the city"—and to be surrounded by flowers and trees, in both shade and sunlight, in moonlight and starlight, in rain, fog, dew, frost, and dry spells, out in the open fields and beneath the wide sky that stretches to the horizon. It’s nice to have a well with dripping buckets, a porch with sweet-smelling flowers, a beehive buzzing with busy bees, a sun-dial covered in moss, ivy climbing the walls, sheer curtains, a vase of fresh flowers in your bedroom, a rooster on the roof, and a dog resting on the porch.

When Mrs. Sparrowgrass and I moved into the country, with our heads full of fresh butter, and cool, crisp radishes for tea; with ideas entirely lucid respecting milk, and a looseness of calculation as to the number in family it would take a good laying hen to supply with fresh eggs every morning; when Mrs. Sparrowgrass and I moved into the country, we found some preconceived notions had to be abandoned, and some departures made from the plans we had laid down in the little back parlor of Avenue G.[Pg 112]

When Mrs. Sparrowgrass and I moved to the country, with dreams of fresh butter and cool, crunchy radishes for tea; with completely clear ideas about milk, and a vague idea of how many people it would take for a good laying hen to provide fresh eggs every morning; when Mrs. Sparrowgrass and I moved to the country, we realized some of our preconceived notions needed to be let go, and we had to stray from the plans we made in the little back parlor on Avenue G.[Pg 112]

One of the first achievements in the country is early rising: with the lark—with the sun—while the dew is on the grass, "under the opening eye-lids of the morn," and so forth. Early rising! What can be done with five or six o'clock in town? What may not be done at those hours in the country? With the hoe, the rake, the dibble, the spade, the watering-pot? To plant, prune, drill, transplant, graft, train, and sprinkle! Mrs. S. and I agreed to rise early in the country.

One of the first accomplishments in the country is getting up early: with the lark—along with the sun—while the dew is still on the grass, “under the waking eyelids of the morning,” and so on. Early rising! What can you achieve at five or six o'clock in the city? What can’t be done at those hours in the countryside? With the hoe, the rake, the dibble, the spade, and the watering can? To plant, prune, drill, transplant, graft, train, and water! Mrs. S. and I decided to get up early in the country.

Richard and Robin were two handsome guys,
They stayed in bed until the clock struck ten;
Richard jumped up and looked at the sky; Hey, Brother Robin, the sun's super high!

Early rising in the country is not an instinct; it is a sentiment, and must be cultivated.

Early rising in the country isn't an instinct; it's a feeling, and it needs to be nurtured.

A friend recommended me to send to the south side of Long Island for some very prolific potatoes—the real hippopotamus breed. Down went my man, and what, with expenses of horse-hire, tavern bills, toll-gates, and breaking a wagon, the hippopotami cost as much apiece as pineapples. They were fine potatoes, though, with comely features, and large, languishing eyes, that promised increase of family without delay. As I worked my own garden (for which I hired a landscape gardener at two dollars per day to give me instructions), I concluded that the object of my first experiment in early rising should be the planting of the hippopotamuses. I accordingly arose next morning at five, and it rained! I rose next day at five, and it rained! The next,[Pg 113] and it rained! It rained for two weeks! We had splendid potatoes every day for dinner. "My dear," said I to Mrs. Sparrowgrass, "where did you get these fine potatoes?" "Why," said she, innocently, "out of that basket from Long Island!" The last of the hippopotamuses were before me, peeled, and boiled, and mashed, and baked, with a nice thin brown crust on the top.

A friend suggested I send someone down to the south side of Long Island for some incredibly productive potatoes—the real hippopotamus variety. So, my guy went, and after covering the costs of hiring a horse, tavern bills, tolls, and breaking a wagon, those hippopotamus potatoes ended up costing as much each as pineapples. They were great potatoes, though, with attractive shapes and big, droopy eyes that seemed to promise a quick expansion of my family. As I tended to my own garden (which I hired a landscape gardener for at two dollars a day to give me tips), I decided my first early rising project should be planting the hippopotamuses. So, I got up the next morning at five, and it rained! I got up the next day at five, and it rained! The day after that, [Pg 113], and it rained! It rained for two weeks! We had incredible potatoes for dinner every day. "My dear," I said to Mrs. Sparrowgrass, "where did you get these fantastic potatoes?" "Well," she replied innocently, "from that basket from Long Island!" The last of the hippopotamuses were in front of me, peeled, boiled, mashed, and baked, with a nice thin brown crust on top.

I was more successful afterward. I did get some fine seed-potatoes in the ground. But something was the matter; at the end of the season I did not get as many out as I had put in.

I was more successful after that. I did manage to get some good seed potatoes in the ground. But something was wrong; by the end of the season, I didn't harvest as many as I had planted.

Mrs. Sparrowgrass, who is a notable housewife, said to me one day, "Now, my dear, we shall soon have plenty of eggs, for I have been buying a lot of young chickens." There they were, each one with as many feathers as a grasshopper, and a chirp not louder. Of course, we looked forward with pleasant hopes to the period when the first cackle should announce the milk-white egg, warmly deposited in the hay which we had provided bountifully. They grew finely, and one day I ventured to remark that our hens had remarkably large combs, to which Mrs. S. replied, "Yes, indeed, she had observed that; but if I wanted to have a real treat I ought to get up early in the morning and hear them crow." "Crow!" said I, faintly, "our hens crowing! Then, by 'the cock that crowed in the morn, to wake the priest all shaven and shorn,' we might as well give up all hopes of having any eggs,"[Pg 114] said I; "for as sure as you live, Mrs. S., our hens are all roosters!" And so they were roosters! They grew up and fought with the neighbors' chickens, until there was not a whole pair of eyes on either side of the fence.

Mrs. Sparrowgrass, a well-known housewife, said to me one day, "Now, my dear, we’ll have plenty of eggs soon because I’ve bought a lot of young chickens." There they were, each one as feather-light as a grasshopper, and their chirps barely louder. Of course, we eagerly looked forward to the time when the first cluck would signal the arrival of the pure white egg, nicely laid in the hay we had provided generously. They grew well, and one day I ventured to point out that our hens had unusually large combs. Mrs. S. replied, "Yes, she had noticed that; but if I wanted a real treat, I should get up early in the morning and hear them crow." "Crow!" I said weakly, "our hens crowing! Then, by 'the cock that crowed in the morn, to wake the priest all shaven and shorn,' we might as well give up all hope of having any eggs," said I; "because as sure as you live, Mrs. S., our hens are all roosters!" And they were roosters! They grew up and fought with the neighbors' chickens, until not a single pair of eyes was intact on either side of the fence.

A dog is a good thing to have in the country. I have one which I raised from a pup. He is a good, stout fellow, and a hearty barker and feeder. The man of whom I bought him said he was thoroughbred, but he begins to have a mongrel look about him. He is a good watch-dog, though; for the moment he sees any suspicious-looking person about the premises he comes right into the kitchen and gets behind the stove. First, we kept him in the house, and he scratched all night to get out. Then we turned him out, and he scratched all night to get in. Then we tied him up at the back of the garden, and he howled so that our neighbour shot at him twice before daybreak. Finally we gave him away, and he came back; and now he is just recovering from a fit, in which he has torn up the patch that has been sown for our spring radishes.

A dog is great to have in the countryside. I have one that I raised from a puppy. He’s a strong, cheerful guy and loves to bark and eat a lot. The guy I bought him from said he was purebred, but he’s starting to look a bit mixed. He is a good watchdog, though; as soon as he spots anyone suspicious near the house, he runs straight to the kitchen and hides behind the stove. At first, we kept him indoors, but he scratched at the door all night to get out. Then we let him outside, and he scratched all night to get back in. We tied him up at the back of the garden, and he howled so much that our neighbor shot at him twice before dawn. In the end, we gave him away, but he returned to us; now he’s just recovering from a fit during which he tore up the patch we had planted for our spring radishes.

A good, strong gate is a necessary article for your garden. A good, strong, heavy gate, with a dislocated hinge, so that it will neither open nor shut. Such a one have I. The grounds before my fence are in common, and all the neighbors' cows pasture there. I remarked to Mrs. S., as we stood at the window in a June sunset, how placid and picturesque the cattle looked, as they strolled about, cropping the green herbage.[Pg 115] Next morning I found the innocent creatures in my garden. They had not left a green thing in it. The corn in the milk, the beans on the poles, the young cabbages, the tender lettuce, even the thriving shoots on my young fruit trees had vanished. And there they were, looking quietly on the ruin they had made. Our watch-dog, too, was foregathering with them. It was too much; so I got a large stick and drove them all out, except a young heifer, whom I chased all over the flower-beds, breaking down my trellises, my woodbines and sweet-briers, my roses and petunias, until I cornered her in the hotbed. I had to call for assistance to extricate her from the sashes, and her owner has sued me for damages. I believe I shall move in town.

A strong gate is essential for your garden. A sturdy, heavy gate, with a broken hinge, so it won’t open or close properly. That’s what I have. The area in front of my fence is shared, and all the neighbors' cows graze there. I mentioned to Mrs. S. while we were standing at the window during a June sunset how calm and picturesque the cattle looked as they wandered around, eating the lush grass.[Pg 115] The next morning, I discovered the unsuspecting animals in my garden. They had eaten every green thing. The corn, the beans, the young cabbages, the delicate lettuce, even the new shoots on my young fruit trees were gone. And there they were, calmly observing the destruction they had caused. Our watchdog was also mingling with them. It was too much to handle, so I grabbed a large stick and chased them all out, except for a young heifer, which I chased all over the flowerbeds, trampling my trellises, my woodbines and sweetbriers, my roses and petunias, until I finally cornered her in the hotbed. I had to call for help to get her out of the frames, and her owner is suing me for damages. I think I might just move to town.


Mrs. Sparrowgrass and I have concluded to try it once more; we are going to give the country another chance. After all, birds in the spring are lovely. First come little snowbirds, avant-couriers of the feathered army; then bluebirds in national uniforms, just graduated, perhaps, from the ornithological corps of cadets with high honors in the topographical class; then follows a detachment of flying artillery—swallows; sand-martens, sappers and miners, begin their mines and countermines under the sandy parapets; then cedar birds, in trim jackets faced with yellow—aha, dragoons! And then the great rank and file of infantry, robins, wrens, sparrows, chipping-birds; and lastly—the band![Pg 116]

Mrs. Sparrowgrass and I have decided to give it another shot; we’re going to give the countryside another chance. After all, birds in the spring are beautiful. First come the little snowbirds, the avant-couriers of the feathered army; then bluebirds in their national uniforms, possibly just graduated from the ornithological cadet program with top honors in the topography class; then comes a squadron of flying artillery—swallows; sand-martens, sappers, and miners, start their mines and countermines under the sandy fortifications; then cedar birds, in neat jackets edged with yellow—aha, dragoons! And then the large ranks of infantry, robins, wrens, sparrows, chipping-birds; and finally—the band![Pg 116]

From nature's ancient cathedral, a sweet sound rings The wild bird choruses—outbursts from the forest group,
—who sing among the blossoms;
Their leafy temple, dark, tall, and impressive,
Supported by oak trees and topped by the sky itself.

There, there, that is Mario. Hear that magnificent chest note from the chestnuts! then a crescendo, falling in silence—à plomb!

There, there, that's Mario. Listen to that amazing chest note from the chestnuts! Then it crescendos, falling into silence—à plomb!

Hush! he begins again with a low, liquid monotone, mounting by degrees and swelling into an infinitude of melody—the whole grove dilating, as it were, with exquisite epithalamium.

Hush! He starts again in a soft, flowing Voice, gradually rising and expanding into endless melody—the entire grove seeming to open up with a beautiful wedding song.

Silence now—and how still!

Silence now—and it's so still!

Hush! the musical monologue begins anew; up, up into the tree-tops it mounts, fairly lifting the leaves with its passionate effluence, it trills through the upper branches—and then dripping down the listening foliage, in a cadenza of matchless beauty, subsides into silence again.

Hush! The musical monologue starts again; it rises high into the treetops, almost lifting the leaves with its passionate outpouring, trilling through the upper branches—and then, cascading down to the attentive leaves, in a melody of unmatched beauty, it fades back into silence.

"That's a he catbird," says my carpenter.

"That's a male catbird," says my carpenter.

A catbird? Then Shakespeare and Shelley have wasted powder upon the skylark; for never such "profuse strains of unpremeditated art" issued from living bird before. Skylark! pooh! who would rise at dawn to hear the skylark if a catbird were about after breakfast?

A catbird? Then Shakespeare and Shelley have wasted their efforts on the skylark; because no living bird has ever produced such "rich sounds of spontaneous artistry" before. Skylark! Please! Who would get up at dawn to listen to the skylark if a catbird were around after breakfast?

I have bought me a boat. A boat is a good thing to have in the country, especially if there be any water near. There is a fine beach in front of my house. When visitors come I usually propose to give them a row. I go down—and find the boat full of water; then I send to the house for a dipper and prepare to bail; and, what with[Pg 117] bailing and swabbing her with a mop and plugging up the cracks in her sides, and struggling to get the rudder in its place, and unlocking the rusty padlock, my strength is so much exhausted that it is almost impossible for me to handle the oars. Meanwhile the poor guests sit on stones around the beach with woe-begone faces.

I bought myself a boat. Having a boat is a great thing in the countryside, especially if there’s water nearby. There’s a nice beach in front of my house. When visitors come, I usually suggest taking them out for a row. I go down and find the boat full of water; then I send someone to the house for a dipper and get ready to bail. Between bailing and mopping it out, fixing the leaks, struggling to get the rudder in place, and unlocking the rusty padlock, I get so worn out that it’s almost impossible for me to handle the oars. Meanwhile, the poor guests sit on stones on the beach with long faces.

"My dear," said Mrs. Sparrowgrass, "why don't you sell that boat?"

"My dear," Mrs. Sparrowgrass said, "why don't you sell that boat?"

"Sell it? Ha! ha!"

"Sell it? Ha! LOL!"

One day a Quaker lady from Philadelphia paid us a visit. She was uncommonly dignified, and walked down to the water in the most stately manner, as is customary with Friends. It was just twilight, deepening into darkness, when I set about preparing the boat. Meanwhile our Friend seated herself upon something on the beach. While I was engaged in bailing, the wind shifted, and I became sensible of an unpleasant odor; afraid that our Friend would perceive it, too, I whispered Mrs. Sparrowgrass to coax her off and get her farther up the beach.

One day, a Quaker woman from Philadelphia came to visit us. She was unusually dignified and walked down to the water with the most impressive grace, as is typical for the Friends. It was just twilight, fading into darkness, when I started preparing the boat. In the meantime, our Friend sat on something on the beach. While I was busy bailing, the wind changed, and I noticed an unpleasant smell. Worried that our Friend would notice it too, I whispered to Mrs. Sparrowgrass to gently persuade her to move further up the beach.

"Thank thee, no, Susan; I feel a smell hereabout and I am better where I am."

"Thanks, no, Susan; I smell something around here and I'd rather stay where I am."

Mrs. S. came back and whispered mysteriously that our Friend was sitting on a dead dog, at which I redoubled the bailing and got her out in deep water as soon as possible.

Mrs. S. returned and quietly said that our Friend was sitting on a dead dog, which made me work even harder to get her out into deep water as quickly as I could.

Dogs have a remarkable scent. A dead setter one morning found his way to our beach, and I towed him out in the middle of the river; but the[Pg 118] faithful creature came back in less than an hour—that dog's smell was remarkable indeed.

Dogs have an incredible sense of smell. One morning, a dead setter ended up on our beach, and I dragged him out to the middle of the river; but the[Pg 118] loyal animal returned in less than an hour— that dog's sense of smell was truly extraordinary.

I have bought me a fyke! A fyke is a good thing to have in the country. A fyke is a fishnet, with long wings on each side; in shape like a nightcap with ear lappets; in mechanism like a rat-trap. You put a stake at the tip end of the nightcap, a stake at each end of the outspread lappets; there are large hoops to keep the nightcap distended, sinkers to keep the lower sides of the lappets under water, and floats as large as muskmelons to keep the upper sides above the water. The stupid fish come downstream, and, rubbing their noses against the wings, follow the curve toward the fyke and swim into the trap. When they get in they cannot get out. That is the philosophy of a fyke. I bought one of Conroy. "Now," said I to Mrs. Sparrowgrass, "we shall have fresh fish to-morrow for breakfast," and went out to set it. I drove the stakes in the mud, spread the fyke in the boat, tied the end of one wing to the stake, and cast the whole into the water. The tide carried it out in a straight line. I got the loose end fastened to the boat, and found it impossible to row back against the tide with the fyke. I then untied it, and it went downstream, stake and all. I got it into the boat, rowed up, and set the stake again. Then I tied one end to the stake and got out of the boat myself in shoal water. Then the boat got away in deep water; then I had to swim for the boat. Then I rowed back and untied the[Pg 119] fyke. Then the fyke got away. Then I jumped out of the boat to save the fyke, and the boat got away. Then I had to swim again after the boat and row after the fyke, and finally was glad to get my net on dry land, where I left it for a week in the sun. Then I hired a man to set it, and he did, but he said it was "rotted." Nevertheless, in it I caught two small flounders and an eel. At last a brace of Irishmen came down to my beach for a swim at high tide. One of them, a stout, athletic fellow, after performing sundry aquatic gymnastics, dived under and disappeared for a fearful length of time. The truth is, he had dived into my net. After much turmoil in the water, he rose to the surface with the filaments hanging over his head, and cried out, as if he had found a bird's nest: "I say, Jimmy! begorra, here's a foike!" That unfeeling exclamation to Jimmy, who was not the owner of the net, made me almost wish that it had not been "rotted."

I bought a fyke! A fyke is a handy thing to have in the country. A fyke is a fishnet with long wings on each side; it looks like a nightcap with ear flaps and works like a rat trap. You put a stake at the tip end of the nightcap and one at each end of the stretched lappets; there are large hoops to keep the nightcap open, sinkers to keep the lower sides of the lappets underwater, and floats as big as cantaloupes to keep the upper sides above the water. The dumb fish swim downstream, and as they rub their noses against the wings, they follow the curve toward the fyke and swim into the trap. Once they're in, they can't get out. That's the logic of a fyke. I bought one from Conroy. "Now," I said to Mrs. Sparrowgrass, "we're going to have fresh fish for breakfast tomorrow," and went out to set it up. I drove the stakes into the mud, spread the fyke in the boat, tied one wing to the stake, and tossed the whole thing into the water. The tide pulled it out straight. I managed to tie the loose end to the boat, but I found it impossible to row back against the tide with the fyke. So, I untied it, and it went downstream, stake and all. I got it back into the boat, rowed upstream, and set the stake again. Then I tied one end to the stake and stepped out of the boat in shallow water. Then the boat drifted into deeper water, and I had to swim for it. After that, I rowed back and untied the fyke. Then the fyke got away. I jumped out of the boat to save the fyke, and the boat drifted off again. I had to swim after the boat and row after the fyke until I was finally glad to get my net on dry land, where I left it in the sun for a week. Then I hired a guy to set it, and he did, but he said it was "rotted." Despite that, I caught two small flounders and an eel in it. Eventually, a couple of Irishmen came down to my beach for a swim at high tide. One of them, a big, strong guy, after doing some stunts in the water, dove under and disappeared for quite a while. The truth is, he had dove right into my net. After a lot of splashing around, he surfaced with the net tangled over his head and yelled out, as if he had found a bird's nest: "Hey, Jimmy! Wow, here's a fyke!" That insensible shout to Jimmy, who wasn't the owner of the net, made me almost wish it hadn’t been "rotted."

We are worried about our cucumbers. Mrs. S. is fond of cucumbers, so I planted enough for ten families. The more they are picked, the faster they grow; and if you do not pick them, they turn yellow and look ugly. Our neighbor has plenty, too. He sent us some one morning, by way of a present. What to do with them we did not know, with so many of our own. To give them away was not polite; to throw them away was sinful; to eat them was impossible. Mrs. S. said, "Save them for seed." So we did. Next day, our neighbor sent us a dozen more.[Pg 120] We thanked the messenger grimly and took them in. Next morning another dozen came. It was getting to be a serious matter; so I rose betimes the following morning, and when my neighbor's cucumbers came I filled his man's basket with some of my own, by way of exchange. This bit of pleasantry was resented by my neighbor, who told his man to throw them to the hogs. His man told our girl, and our girl told Mrs. S., and, in consequence, all intimacy between the two families has ceased; the ladies do not speak, even at church.

We’re worried about our cucumbers. Mrs. S. loves cucumbers, so I planted enough for ten families. The more you pick them, the faster they grow; and if you don’t pick them, they turn yellow and look bad. Our neighbor has a lot too. He sent us some one morning as a gift. We didn’t know what to do with them since we had so many of our own. Giving them away felt rude; throwing them away seemed wrong; eating them was impossible. Mrs. S. suggested, “Save them for seeds.” So we did. The next day, our neighbor sent us a dozen more.[Pg 120] We thanked the messenger with a straight face and took them in. The next morning another dozen arrived. It was becoming a serious situation, so I got up early the following morning, and when my neighbor's cucumbers arrived, I filled his man's basket with some of my own as an exchange. My neighbor didn’t take it well and told his man to throw them to the pigs. His man told our girl, and our girl told Mrs. S., which led to all closeness between the two families ending; the ladies don’t even talk at church.

We have another neighbor, whose name is Bates; he keeps cows. This year our gate has been fixed; but my young peach trees near the fences are accessible from the road; and Bates's cows walk along that road morning and evening. The sound of a cow-bell is pleasant in the twilight. Sometimes, after dark, we hear the mysterious curfew tolling along the road, and then with a louder peal it stops before our fence and again tolls itself off in the distance. The result is, my peach trees are as bare as bean-poles. One day I saw Mr. Bates walking along, and I hailed him: "Bates, those are your cows there, I believe?" "Yes, sir; nice ones, ain't they?" "Yes," I replied, "they are nice ones. Do you see that tree there?"—and I pointed to a thrifty peach, with about as many leaves as an exploded sky-rocket. "Yes, sir." "Well, Bates, that red-and-white cow of yours yonder ate the top off that tree; I saw her do it." Then I thought I[Pg 121] had made Bates ashamed of himself, and had wounded his feelings, perhaps, too much. I was afraid he would offer me money for the tree, which I made up my mind to decline at once. "Sparrowgrass," said he, "it don't hurt a tree a single mossel to chaw it if it's a young tree. For my part, I'd rather have my young trees chawed than not. I think it makes them grow a leetle better. I can't do it with mine, but you can, because you can wait to have good trees, and the only way to have good trees is to have, 'em chawed."

We have another neighbor named Bates who has cows. This year our gate has been fixed, but my young peach trees near the fence are still accessible from the road, and Bates's cows walk along that road morning and evening. The sound of a cowbell is nice in the twilight. Sometimes, after dark, we hear the mysterious curfew ringing along the road, and then with a louder chime it stops before our fence and rings off into the distance. As a result, my peach trees are as bare as bean poles. One day I saw Mr. Bates walking by, and I called out to him, "Bates, I think those are your cows over there?" "Yes, sir; nice ones, aren't they?" "Yes," I replied, "they are nice ones. Do you see that tree over there?"—and I pointed to a healthy peach tree, with about as many leaves as a spent firework. "Yes, sir." "Well, Bates, that red-and-white cow of yours over there ate the top of that tree; I saw her do it." Then I thought I might have embarrassed Bates and hurt his feelings too much. I was worried he would offer me money for the tree, which I planned to refuse right away. "Sparrowgrass," he said, "it doesn't hurt a tree at all if it's a young tree. For my part, I'd rather have my young trees eaten than not. I think it makes them grow a little better. I can't do it with mine, but you can, because you can afford to wait for good trees, and the only way to have good trees is to let them be eaten."


We have put a dumb-waiter in our house. A dumb-waiter is a good thing to have in the country, on account of its convenience. If you have company, everything can be sent up from the kitchen without any trouble; and if the baby gets to be unbearable, on account of his teeth, you can dismiss the complainant by stuffing him in one of the shelves and letting him down upon the help. To provide for contingencies, we had all our floors deafened. In consequence, you cannot hear anything that is going on in the story below; and when you are in the upper room of the house there might be a democratic ratification meeting in the cellar and you would not know it. Therefore, if any one should break into the basement it would not disturb us; but to please Mrs. Sparrowgrass, I put stout iron bars in all the lower windows. Besides, Mrs. Sparrowgrass had bought a rattle when she was in Philadelphia; such a rattle as watchmen carry[Pg 122] there. This is to alarm our neighbor, who, upon the signal, is to come to the rescue with his revolver. He is a rash man, prone to pull trigger first and make inquiries afterward.

We’ve installed a dumbwaiter in our house. A dumbwaiter is really handy to have in the countryside because of its convenience. If we have guests, everything can be sent up from the kitchen without any hassle; and if the baby starts to cry, especially because of teething, you can calm him down by putting him in one of the shelves and sending him down to the staff. To prepare for any situation, we soundproofed all our floors. As a result, you can’t hear anything happening on the floor below; when you’re in the upper room, there could be a big meeting in the basement and you wouldn’t even know it. So, if someone were to break into the basement, it wouldn’t bother us; but to keep Mrs. Sparrowgrass happy, I added sturdy iron bars to all the lower windows. Plus, Mrs. Sparrowgrass bought a rattle while she was in Philadelphia, one of those that watchmen use[Pg 122]. This is to alert our neighbor, who is supposed to come to the rescue with his revolver when he hears it. He’s a reckless guy, always ready to shoot first and ask questions later.

One evening Mrs. S. had retired and I was busy writing, when it struck me a glass of ice-water would be palatable. So I took the candle and a pitcher and went down to the pump. Our pump is in the kitchen. A country pump in the kitchen is more convenient; but a well with buckets is certainly more picturesque. Unfortunately, our well water has not been sweet since it was cleaned out. First I had to open a bolted door that lets you into the basement hall, and then I went to the kitchen door, which proved to be locked. Then I remembered that our girl always carried the key to bed with her and slept with it under her pillow. Then I retraced my steps, bolted the basement door, and went up into the dining-room. As is always the case, I found, when I could not get any water, I was thirstier than I supposed I was. Then I thought I would wake our girl up. Then I concluded not to do it. Then I thought of the well, but I gave that up on account of its flavor. Then I opened the closet doors: there was no water there; and then I thought of the dumb-waiter! The novelty of the idea made me smile. I took out two of the movable shelves, stood the pitcher on the bottom of the dumb-waiter, got in myself with the lamp; let myself down, until I supposed I was within a foot of the floor below, and then let go![Pg 123]

One evening, Mrs. S. had gone to bed, and I was busy writing when I realized a glass of ice water would be nice. So, I grabbed a candle and a pitcher and headed down to the pump. Our pump is in the kitchen. A kitchen pump is more convenient, but a well with buckets is definitely more charming. Unfortunately, our well water hasn't tasted good since it was cleaned out. First, I had to unlock a bolted door that leads to the basement hall, and then I went to the kitchen door, which turned out to be locked. Then I remembered that our girl always took the key to bed with her and kept it under her pillow. So, I retraced my steps, locked the basement door again, and went up into the dining room. As often happens, when I couldn't get any water, I realized I was thirstier than I thought. Then I considered waking our girl up but decided against it. I thought about the well, but I dismissed that because of its taste. Then I opened the closet doors: there was no water there. Finally, I remembered the dumbwaiter! The novelty of the idea made me smile. I took out two of the adjustable shelves, placed the pitcher on the bottom of the dumbwaiter, climbed in with the lamp, lowered myself until I thought I was about a foot above the floor below, and then let go![Pg 123]

We came down so suddenly that I was shot out of the apparatus as if it had been a catapult; it broke the pitcher, extinguished the lamp, and landed me in the middle of the kitchen at midnight, with no fire and the air not much above the zero point. The truth is, I had miscalculated the distance of the descent—instead of falling one foot, I had fallen five. My first impulse was to ascend by the way I came down, but I found that impracticable. Then I tried the kitchen door; it was locked. I tried to force it open; it was made of two-inch stuff, and held its own. Then I hoisted a window, and there were the rigid iron bars. If ever I felt angry at anybody it was at myself for putting up those bars to please Mrs. Sparrowgrass. I put them up, not to keep people in, but to keep people out.

We came down so suddenly that I was ejected from the device as if it had been a catapult; it shattered the pitcher, put out the lamp, and landed me smack in the middle of the kitchen at midnight, with no fire and the temperature barely above freezing. Honestly, I had miscalculated the distance of the drop—instead of falling one foot, I had fallen five. My first instinct was to go back up the way I came down, but I quickly realized that wasn’t going to work. Then I tried the kitchen door; it was locked. I attempted to force it open; it was sturdy and wouldn’t budge. Next, I lifted a window, but there were solid iron bars. If there was ever a time I felt angry with anyone, it was with myself for putting up those bars to please Mrs. Sparrowgrass. I installed them, not to keep people in, but to keep people out.

I laid my cheek against the ice-cold barriers and looked out at the sky; not a star was visible; it was as black as ink overhead. Then I thought of Baron Trenck and the prisoner of Chillon. Then I made a noise. I shouted until I was hoarse, and ruined our preserving kettle with the poker. That brought our dogs out in full bark, and between us we made night hideous. Then I thought I heard a voice and listened—it was Mrs. Sparrowgrass calling to me from the top of the staircase. I tried to make her hear me, but the infernal dogs united with howl, and growl, and bark, so as to drown my voice, which is naturally plaintive and tender. Besides, there[Pg 124] were two bolted doors and double-deafened floors between us; how could she recognize my voice, even if she did hear it? Mrs. Sparrowgrass called once or twice and then got frightened; the next thing I heard was a sound as if the roof had fallen in, by which I understood that Mrs. Sparrowgrass was springing the rattle! That called out our neighbor, already wide awake; he came to the rescue with a bull-terrier, a Newfoundland pup, a lantern, and a revolver. The moment he saw me at the window he shot at me, but fortunately just missed me. I threw myself under the kitchen table and ventured to expostulate with him, but he would not listen to reason. In the excitement I had forgotten his name, and that made matters worse. It was not until he had roused up everybody around, broken in the basement door with an ax, gotten into the kitchen with his cursed savage dogs and shooting-iron, and seized me by the collar, that he recognized me—and then he wanted me to explain it! But what kind of an explanation could I make to him? I told him he would have to wait until my mind was composed, and then I would let him understand the whole matter fully. But he never would have had the particulars from me, for I do not approve of neighbors that shoot at you, break in your door, and treat you, in your own house, as if you were a jailbird. He knows all about it, however—somebody has told him—somebody tells everybody everything in our village.—The Sparrowgrass Papers.[Pg 125]

I pressed my cheek against the freezing barriers and looked up at the sky; not a single star was visible; it was pitch black overhead. Then I thought of Baron Trenck and the prisoner of Chillon. After that, I made some noise. I shouted until I was hoarse, and messed up our preserving kettle with the poker. That got our dogs barking, and together we made the night unbearable. Then I thought I heard a voice and listened—it was Mrs. Sparrowgrass calling me from the top of the staircase. I tried to make her hear me, but the damn dogs howled, growled, and barked so loudly that they drowned out my naturally soft and tender voice. Besides, there[Pg 124] were two locked doors and double-deafened floors between us; how could she recognize my voice, even if she did hear it? Mrs. Sparrowgrass called a couple of times and then got scared; the next thing I heard sounded like the roof had caved in, which meant Mrs. Sparrowgrass was ringing the rattle! That brought out our neighbor, who was already wide awake; he came to the rescue with a bull-terrier, a Newfoundland pup, a lantern, and a revolver. As soon as he saw me at the window, he shot at me, but luckily he just missed. I threw myself under the kitchen table and tried to reason with him, but he wouldn’t listen. In the commotion, I had forgotten his name, which made things worse. It wasn’t until he had woken everyone up, broken into the basement door with an ax, barged into the kitchen with his damn savage dogs and gun, and grabbed me by the collar that he recognized me—and then he wanted me to explain! But what kind of explanation could I give him? I told him he would have to wait until I calmed down, and then I would explain everything fully. But he never would have gotten the details from me, since I don't like neighbors who shoot at you, break down your door, and treat you like a criminal in your own home. Still, he knows all about it—someone has told him—somebody tells everyone everything in our village.—The Sparrowgrass Papers.[Pg 125]


LOVE IN A COTTAGE

They might talk about love in a cottage,
And trellised vine arbors——
Naturally enchanting and straightforward,
And half-divine milkmaids; They might talk about the joy of sleeping
Under the shade of a wide tree,
And a morning walk in the fields,
By the side of a footstep free!
But give me a subtle flirt. By the light of a chandelier—
With music to fill the gaps, And no one very close; Or a spot on a soft silk sofa,
With a glass of fine aged wine,
And mom is too blind to notice
The small white hand in my hand.
Your love in a cottage is longing,
Your vine is a home for flies——
Your milkmaid stuns the Graces,
And simplicity talks about pies!
You lie down for your restful sleep. And wake up with a bug in your ear,
And your young lady who walks in the morning
Is shoeed like a mountaineer.[Pg 126]
True love finds its comfort on a carpet,
And really enjoys his comfort——
And true love knows how to appreciate a dinner,
And starves under shady trees.
His wing is a lady's fan,
His foot's invisible,
And his arrow is tipped with a jewel And shot from a silver string.
Nathaniel Parker Willis

A CASE OF CONSCIENCE

Uncle Jack: It is very good lemonade, I am sure; but tell me, Bonnie, why do you sell yours for three cents a glass when Charley gets five for his?

Uncle Jack: This lemonade is really good, I'm sure; but tell me, Bonnie, why do you sell yours for three cents a glass when Charley sells his for five?

Miss Bonnie: Well, you mustn't tell anybody, Uncle Jack, but the puppy fell in mine and I thought it ought to be cheaper.

Miss Bonnie: Well, you can't tell anyone, Uncle Jack, but the puppy fell into my lap, and I thought it should cost less.

A Hingham, Massachusetts, woman is said to have hit upon a happy idea when she was puzzled what to do in order to tell her mince and apple pies apart. She was advised to mark them, and did so, and complacently announced: "This I've marked 'T. M.'—'Tis mince; an' that I've marked 'T. M.'—'Taint mince."

A woman from Hingham, Massachusetts, apparently came up with a clever solution when she was trying to figure out how to tell her mince and apple pies apart. She was advised to label them, and she did, proudly stating: "I've marked this one 'T. M.'—It's mince; and that one I've marked 'T. M.'—It's not mince."

Doctor Oliver Wendell Holmes used to be an amateur photographer. When he presented a picture to a friend, he wrote on the back of it, "Taken by O. W. Holmes & Sun."[Pg 127]

Doctor Oliver Wendell Holmes was once an amateur photographer. When he gave a photo to a friend, he wrote on the back, "Taken by O. W. Holmes & Sun."[Pg 127]


HANS BREITMANN'S PARTY

Hans Breitmann throws a party:
They had piano playing: I fell in love with an American woman,
Her name was Matilda Yane,
She has hair as brown as a pretzel,
Her eyes are sky-blue,
And when they looked into mine,
They split my heart in two.
Hans Breitmann gives a party:
I vent there, you'll be shocked.
I hang out with Madilda Yane
And vents spin around and around.
The prettiest lady in the house,
She weighed about two hundred pounds,
And every time she gives a shout She makes the windows sound.
Hans Breitmann is throwing a party: I tell you it cost him a lot. They rolled in more ash seven kicks Of first-rate Lager Beer,
And whenever they knock the picket in
The Germans give a cheer. I think it's such a great party. Nefer is coming to a party this year.[Pg 128]
Hans Breitmann gives a party:
There was Sauce and Broth;
Come to the supermarket, the company. Made themselves at home.
They ate the bread and Gensy boasted,
The bratwurst and roast fine, And wash the dinner down With four barrels of Neckar wine.
Hans Breitmann gives a party:
We all got drunk like pigs.
I put my mouth to a barrel of beer,
And emptied it out with a swig.
And then I kissed Matilda Yane. And she hit me on the head,
And the company fitted with table legs. The constable made us stop.
Hans Breitmann gives a party——
Where is that party now!
Where is the lovely golden cloud? Does that float on the edge of the mountain? Where is the shining star——
The star of the spirit's light? All gone away with the Lager Beer——
Forever in eternity!
Charles Godfrey Leland. [Pg 129]

FRANCES M. WHICHER


TIM CRANE AND THE WIDOW

"O, no, Mr. Crane, by no manner o' means, 'tain't a minnit tow soon for you to begin to talk about gittin' married agin. I am amazed you should be afeerd I'd think so. See—how long's Miss Crane ben dead? Six months!—land o' Goshen!—why, I've know'd a number of individdiwals get married in less time than that. There's Phil Bennett's widder 't I was a-talkin' about jest now—she 't was Louisy Perce—her husband hadent been dead but three months, you know. I don't think it looks well for a woman to be in such a hurry—but for a man it's a different thing—circumstances alters cases, you know. And then, sittiwated as you be, Mr. Crane, it's a turrible thing for your family to be without a head to superintend the domestic consarns and tend to the children—to say nothin' o' yerself, Mr. Crane. You dew need a companion, and no mistake. Six months! Good grievous! Why, Squire Titus dident wait but six weeks arter he buried his fust wife afore he married his second. I thought ther wa'n't no partickler need o' his hurryin' so, seein' his family was all grow'd up. Such a critter as he pickt out, tew! 'twas very onsuitable—but every man to his taste—I hain't[Pg 130] no dispersition to meddle with nobody's consarns. There's old farmer Dawson, tew—his pardner hain't ben dead but ten months. To be sure, he ain't married yet—but he would a-ben long enough ago if somebody I know on'd gin him any incurridgement. But 'tain't for me to speak o' that matter. He's a clever old critter and as rich as a Jew—but—lawful sakes! he's old enough to be my father. And there's Mr. Smith—Jubiter Smith; you know him, Mr. Crane—his wife (she 'twas Aurory Pike) she died last summer, and he's ben squintin' round among the wimmin ever since, and he may squint for all the good it'll dew him so far as I'm consarned—tho' Mr. Smith's a respectable man—quite young and hain't no family—very well off, tew, and quite intellectible—but I'm purty partickler. O, Mr. Crane! it's ten year come Jinniwary sence I witnessed the expiration o' my belovid companion—an oncommon long time to wait, to be sure—but 'tain't easy to find anybody to fill the place o' Hezekier Bedott. I think you're the most like husband of ary individdiwal I ever see, Mr. Crane. Six months Murderation! Curus you should be afeered I'd think't was tew soon—why, I've know'd——"

"Oh no, Mr. Crane, it's definitely not too soon for you to start talking about getting married again. I'm surprised you think I would believe otherwise. Just think—how long has Miss Crane been gone? Six months! Goodness! I've known plenty of people who got married in less time than that. Take Phil Bennett's widow I was just mentioning—her husband had been dead for only three months, you know. I don't think it looks good for a woman to rush into things, but for a man, it's a different story—circumstances change things, you know. And with you in your situation, Mr. Crane, it's really tough for your family to be without someone to manage the household and take care of the kids—not to mention yourself, Mr. Crane. You definitely need a companion, no question about it. Six months! Good grief! Squire Titus didn’t wait but six weeks after burying his first wife before marrying his second. I thought there was no particular need for him to rush, especially since his kids were all grown up. And the woman he picked! That was really unsuitable—but to each their own—I don't have any intention of sticking my nose into someone else's business. And there's old farmer Dawson, too—his partner's only been gone for ten months. Sure, he hasn’t remarried yet, but he would have long ago if someone I know had given him some encouragement. But I won’t speak on that matter. He's a nice old fellow and as rich as they come—but goodness! he’s old enough to be my father. And then there's Mr. Smith—Jubiter Smith; you know him, Mr. Crane—his wife (Aurory Pike) passed away last summer, and he’s been looking around at women ever since. He might as well keep looking for all the good it'll do him as far as I'm concerned—though Mr. Smith is a respectable guy—quite young with no family—doing well, too, and quite intelligent—but I’m pretty particular. Oh, Mr. Crane! It's been ten years this January since I saw the passing of my beloved companion—such a long time to wait, for sure—but it’s not easy to find anyone who can fill the shoes of Hezekiah Bedott. I think you’re the most like a husband of anyone I've ever seen, Mr. Crane. Six months, really! How curious you are to think I’d say it was too soon—why, I’ve known—"

Mr. Crane. "Well, widder—I've been thinking about taking another companion—and I thought I'd ask you——"

Mr. Crane. "Well, widow—I've been thinking about getting another partner—and I thought I'd ask you——"

Widow. "O, Mr. Crane, egscuse my commotion, it's so onexpected. Jest hand me that are bottle of camfire off the mantletry shelf—I'm[Pg 131] ruther faint—dew put a little mite on my handkercher and hold it to my nuz. There—that'll dew—I'm obleeged tew ye—now I'm ruther more composed—you may perceed, Mr. Crane."

Widowed. "Oh, Mr. Crane, excuse my outburst, it was so unexpected. Just hand me that bottle of camphor off the mantle shelf—I'm[Pg 131] feeling a bit faint—please put a little on my handkerchief and hold it to my nose. There—that'll do—I'm grateful to you—now I feel a bit more composed—you may continue, Mr. Crane."

Mr. Crane. "Well, widder, I was a-going to ask you whether—whether——"

Mr. Crane. "Well, ma'am, I was going to ask you whether—whether——"

Widow. "Continner, Mr. Crane—dew—I knew it's turrible embarrissin'. I remember when my dezeased husband made his suppositions to me he stammered and stuttered, and was so awfully flustered it did seems as if he'd never git it out in the world, and I s'pose it's ginnerally the case, at least it has been with all them that's made suppositions to me—you see they're ginerally oncerting about what kind of an answer they're a-gwine to git, and it kind o' makes 'em narvous. But when an individdiwal has reason to suppose his attachment's reperated, I don't see what need there is o' his bein' flustrated—tho' I must say it's quite embarrassin' to me—pray continner."

Widowed. "Go ahead, Mr. Crane—really—I know it's terribly embarrassing. I remember when my late husband brought up his assumptions with me; he stammered and stuttered and was so extremely flustered that it seemed like he could never get it out. I suppose this is usually the case, at least it has been with everyone who’s approached me—you see, they’re generally uncertain about what kind of answer they’re going to get, and it makes them nervous. But when someone has a reason to believe their feelings are returned, I don't see why they should be so flustered—though I must say it’s quite embarrassing for me—please continue."

Mr. C. "Well, then, I want to know if yu're willing I should have Melissy?"

Mr. C. "Well, then, I want to know if you're okay with me having Melissy?"

Widow. "The dragon!"

Widow. "The dragon!"

Mr. C. "I hain't said anything to her about it yet—thought the proper way was to get your consent first. I remember when I courted Trypheny, we were engaged some time before mother Kenipe knew anything about it, and when she found it out she was quite put out because I dident go to her first. So when I made up my mind about Melissy, thinks[Pg 132] me, I'll dew it right this time and speak to the old woman first——"

Mr. C. "I haven't said anything to her about it yet—I thought the right thing to do was to get your approval first. I remember when I dated Trypheny, we were engaged for a while before Mother Kenipe knew anything about it, and when she found out, she was pretty upset that I didn't talk to her first. So when I decided about Melissy, I thought to myself, I'll do it right this time and speak to the old lady first——"

Widow. "Old woman, hey! That's a purty name to call me!—amazin' perlite, tew! Want Melissy, hey! Tribbleation! Gracious sakes alive! Well, I'll give it up now! I always know'd you was a simpleton, Tim Crane, but I must confess I dident think you was quite so big a fool! Want Melissy, dew ye? If that don't beat all! What an everlastin' old calf you must be to s'pose she'd look at you. Why, you're old enough to be her father, and more tew—Melissy ain't only in her twenty-oneth year. What a reedickilous idee for a man o' your age! as gray as a rat, tew! I wonder what this world is a-comin' tew: 'tis astonishin' what fools old widdiwers will make o' themselves! Have Melissy! Melissy!"

Widowed. "Old woman, hey! That’s a pretty name to call me!—really polite, too! Want Melissy, huh? What a dilemma! Good gracious! Well, I’ll give it up now! I always knew you were a simpleton, Tim Crane, but I must admit I didn’t think you were quite such a big fool! Want Melissy, do you? If that doesn’t beat all! What a total idiot you must be to think she’d look at you. Why, you’re old enough to be her father, and then some—Melissy is only in her twenty-first year. What a ridiculous idea for a man your age! Gray as a rat, too! I wonder what this world is coming to: it’s astonishing what foolish things old widowers will do! Have Melissy! Melissy!"

Mr. C. "Why, widder, you surprise me. I'd no idee of being treated in this way after you'd been so polite to me, and made such a fuss over me and the girls."

Mr. C. "Wow, ma'am, you really caught me off guard. I didn’t expect to be treated this way after you were so nice to me and made such a big deal about me and the girls."

Widow. "Shet yer head, Tim Crane—nun o' yer sass to me. There's yer hat on that are table, and here's the door—and the sooner you put on one and march out o' t'other, the better it'll be for you. And I advise you afore you try to git married agin, to go out West and see 'f yet wife's cold—and arter ye're satisfied on that pint, jest put a little lampblack on yer hair—'twould add to yer appearance undoubtedly, and be of sarvice tew you when you want to flourish round among the gals—and when ye've got yer hair[Pg 133] fixt, jest splinter the spine o' yerback—'twould'n' hurt yer looks a mite—you'd be intirely unresistible if you was a leetle grain straiter."

Widowed. "Shut your mouth, Tim Crane—no sass from you. There’s your hat on that table, and here’s the door—and the sooner you put one on and march out of the other, the better it'll be for you. And I suggest that before you try to get married again, you head out West to see if your wife's cold—and once you're satisfied on that point, just put a little lampblack in your hair—it would definitely improve your looks and help you when you want to show off around the girls—and when you’ve got your hair[Pg 133] fixed, just straighten your back—it wouldn’t hurt your looks at all—you’d be completely irresistible if you were a little bit straighter."

Mr. C. "Well, I never!"

Mr. C. "Well, I can't believe it!"

Widow. "Hold yer tongue—you consarned old coot you. I tell ye there's your hat, and there's the door—be off with yerself, quick metre, or I'll give ye a hyst with the broomstick."

Widowed. "Shut your mouth—you annoying old man. I’m telling you, there’s your hat, and there’s the door—get out of here quickly, or I’ll whack you with the broomstick."

Mr. C. "Gimmeni!"

Mr. C. "Gimme!"

Widow (rising). "Git out, I say—I ain't a-gwine to start' here and be insulted under my own ruff—and so git along—and if ever you darken my door again, or say a word to Melissy, it'll be the woss for you—that's all."

Widow (rising). "Get out, I said—I’m not going to start here and be insulted in my own house—and so move along—and if you ever come back or say a word to Melissy, it’ll be worse for you—that’s all."

Mr. C. "Treemenjous! What a buster!"

Mr. C. "Amazing! What a letdown!"

Widow. "Go 'long—go 'long—go 'long, you everlastin' old gum. I won't hear another word" [stops her ears]. "I won't, I won't, I won't."

Widowed. "Go on—just go on—get out of here, you annoying old gum. I won't listen to another word" [stops her ears]. "I won't, I won't, I won't."

[Exit Mr. Crane.

(Enter Melissa, accompanied by Captain Canoot.)

[Mr. Crane is leaving.]

(Melissa walks in with Captain Canoot.)

"Good-evenin', Cappen Well, Melissy, hum at last, hey? Why didn't you stay till mornin'? Party business keepin' me up here so late waitin' for you—when I'm eny most tired to death ironin' and workin' like a slave all day—ought to ben abed an hour ago. Thought ye left me with agreeable company, hey? I should like to know what arthly reason you had to s'pose old Crane was agreeable to me? I always despised the critter; always thought he wuz a turrible fool—and now I'm convinced on't. I'm completely disgusted wit him—and I let him know it to-night.[Pg 134] I gin him a piece o' my mind 't I guess he'll be apt to remember for a spell. I ruther think he went off with a flea in his ear. Why, Cappen—did ye ever hear of such a piece of audacity in all yer born days? for himTim Crane—to durst to expire to my hand—the widder o' Deacon Bedott, jest as if I'd condescen' to look at him—the old numbskull! He don't know B from a broomstick; but if he'd a-stayed much longer I'd a-teached him the difference, I guess. He's got his walkin' ticket now—I hope he'll lemme alone in futur. And where's Kier? Gun hum with the Cranes, hey! Well, I guess it's the last time. And now, Melissy Bedott, you ain't to have nothin' more to dew with them gals—d'ye hear? You ain't to 'sociate with 'em at all arter this—twould only be incurridgin' th' old man to come a-pesterin' me agin—and I won't have him round—d'ye hear? Don't be in a hurry, Cappen—and don't be alarmed at my gittin' in such passion about old Crane's presumption. Mabby you think 'twas onfeelin' in me to use him so—an' I don't say but what 'twas ruther, but then he's so awful disagreeable tew me, you know—'tain't everybody I'd treat in such a way. Well, if you must go, good-evenin'! Give my love to Hanner when you write agin—dew call frequently, Cappen Canoot, dew."—The Bedott Papers.[Pg 135]

"Good evening, Captain. Well, Melissy, you finally made it, huh? Why didn't you stay until morning? I've been stuck here all night waiting for you because of party business—when I'm almost dead tired from ironing and working like a slave all day—I should have been in bed an hour ago. I thought you left me with someone decent, you know? I'd really like to know what on earth made you think old Crane was decent company for me. I've always disliked that guy; I always thought he was a terrible fool—and now I'm absolutely convinced of it. I'm completely disgusted with him—and I let him know it tonight. I gave him a piece of my mind that I think he'll remember for a while. I believe he left with a bit of a shock. Seriously, Captain—have you ever heard of such audacity in your life? For him—Tim Crane—to think he could come after me—the widow of Deacon Bedott—as if I’d even consider him—what an idiot! He doesn’t know B from a broomstick; but if he stayed much longer, I’d have taught him the difference, I’m sure. He’s got his walking papers now—I hope he leaves me alone from now on. And where’s Kier? Off with the Cranes, huh? Well, I guess it’s the last time for that. And now, Melissy Bedott, you’re not to have anything more to do with those girls—do you hear me? You’re not to associate with them at all after this—it would just encourage the old man to come bothering me again—and I won’t have him around—understand? Don’t rush, Captain—and don’t worry about me getting so worked up over old Crane’s arrogance. Maybe you think it's rude of me to treat him like that—and I don’t disagree, but he’s just so incredibly disagreeable to me, you know—it’s not everyone I’d treat that way. Well, if you have to go, good evening! Send my love to Hanner when you write again—do call often, Captain Canoot, do."—The Bedott Papers.[Pg 135]


THE STAMMERING WIFE

When completely in love with Miss Emily Pryne,
I promised that if the girl would only be mine,
I would always try to make her happy.
She blushed in agreement, even though the shy girl Said nothing except, "You're an ass——
A persistent teaser!
But when we got married, I realized to my sorrow,
The stuttering woman had told the truth; For many times, in clear anger,
She'd say, if I dared to give her a nudge
In terms of criticism—"You're a dog—you're a dog——
A dog—a dogmatic grump!"
And one time when I said, "We can barely afford
This extravagant style, alongside our modest savings,
And suggested that we should be wiser.
She looked, I promise you, very sad,
And anxiously shouted, 'You're a Jew—you're a Jew——
A very wise adviser!'"
Once again, when it happened that, wanting to avoid Some pretty tough and unpleasant work,
I asked her to visit a neighbor,[Pg 136]
She wanted to know why I made such a big deal, And cheekily said, "You’re a swear—swear—swear——
"You were always used to working hard!"
Finally fed up with the rude woman, And feeling that the lady was mostly at fault
To reprimand me instead of comforting,
I copied her speech—like the jerk that I am—
And angrily shouted, "You're a damn—damn—damn
"A damage instead of a blessing!"
John Godfrey Saxe.

HE ROSE TO THE OCCASION

Several years ago there labored in one of the Western villages of Minnesota a preacher who was always in the habit of selecting his texts from the Old Testament, and particularly some portion of the history of Noah. No matter what the occasion was, he would always find some parallel incident from the history of this great character that would readily serve as a text or illustration.

Several years ago, there was a preacher in one of the Western villages of Minnesota who always chose his sermon topics from the Old Testament, especially parts of Noah's story. No matter the occasion, he would always find a comparable incident from the life of this significant figure that would easily work as a topic or example.

At one time he was called upon to unite the daughter of the village mayor and a prominent attorney in the holy bonds of matrimony. Two little boys, knowing his determination to give them a portion of the sacred history touching Noah's marriage, hit upon the novel idea of pasting together two leaves in the family Bible so as to connect, without any apparent break,[Pg 137] the marriage of Noah and the description of the Ark of the Covenant.

At one point, he was asked to join the daughter of the village mayor and a well-known lawyer in the sacred union of marriage. Two little boys, aware of his commitment to share a bit of the sacred story regarding Noah's marriage, came up with a clever idea of sticking two pages together in the family Bible to link, without any obvious interruption,[Pg 137] Noah's marriage and the account of the Ark of the Covenant.

When the noted guests were all assembled and the contracting parties with attendants in their respective stations, the preacher began the ceremonies by reading the following text: "And when Noah was one hundred and forty years old, he took unto himself a wife" (then turning the page he continued) "three hundred cubits in length, fifty cubits in width, and thirty cubits in depth, and within and without besmeared with pitch." The story seemed a little strong, but he could not doubt the Bible, and after reading it once more and reflecting a moment, he turned to the startled assemblage with these remarks: "My beloved brethren, this is the first time in the history of my life that my attention has been called to this important passage of the Scriptures, but it seems to me that it is one of the most forcible illustrations of that grand eternal truth, that the nature of woman is exceedingly difficult to comprehend."

When all the important guests had gathered and the people involved stood in their places, the preacher began the ceremony by reading the following text: "And when Noah was one hundred and forty years old, he took for himself a wife" (then turning the page, he continued) "three hundred cubits long, fifty cubits wide, and thirty cubits deep, and covered inside and out with pitch." The story seemed a bit much, but he couldn't doubt the Bible, and after reading it again and thinking for a moment, he turned to the surprised crowd with these words: "My dear friends, this is the first time in my life that I've been made aware of this important passage of Scripture, but it seems to me that it is one of the most powerful illustrations of that great eternal truth, that the nature of woman is extremely difficult to understand."


POLITE

In her "Abandoning an Adopted Farm," Miss Kate Sanborn tells of her annoyance at being besieged by agents, reporters and curiosity seekers. She says: "I was so perpetually harassed that I dreaded to see a stranger approach with an air of business. The other day I was just starting out for a drive when I noticed the usual stranger hurrying on. Putting my head[Pg 138] out of the carriage, I said in a petulant and weary tone, 'Do you want to see me?' The young man stopped, smiled, and replied courteously, 'It gives me pleasure to look at you, madam, but I was going farther on.'"

In her "Abandoning an Adopted Farm," Miss Kate Sanborn shares her frustration with being surrounded by agents, reporters, and curious onlookers. She says: "I was so constantly bothered that I dreaded seeing a stranger approach with a businesslike demeanor. The other day, I was just about to go for a drive when I noticed the usual stranger rushing by. Leaning my head[Pg 138] out of the carriage, I said in a tired and annoyed tone, 'Do you want to see me?' The young man stopped, smiled, and replied politely, 'It’s a pleasure to look at you, madam, but I was actually heading somewhere else.'"


A small boy in Boston, who had unfortunately learned to swear, was rebuked by his father. "Who told you that I swore?" asked the bad little boy. "Oh, a little bird told me," said the father. The boy stood and looked out of the window, scowling at some sparrows which were scolding and chattering. Then he had a happy thought. "I know who told you," he said. "It was one of those —— sparrows."

A little boy in Boston, who had sadly picked up the habit of swearing, was scolded by his dad. "Who told you I swore?" asked the mischievous boy. "Oh, a little bird told me," replied the father. The boy stood and gazed out the window, frowning at some sparrows that were chirping and chattering away. Then he had a clever idea. "I know who told you," he said. "It was one of those — sparrows."


LOST, STRAYED OR STOLEN

It is said that when President Polk visited Boston he was impressively received at Faneuil Hall Market. The clerk walked in front of him down the length of the market, announcing in loud tones:

It is said that when President Polk visited Boston he was impressively received at Faneuil Hall Market. The clerk walked in front of him down the length of the market, announcing in loud tones:

"Make way, gentlemen, for the President of the United States! The President of the United States! Fellow-citizens, make room!"

"Step aside, everyone, for the President of the United States! The President of the United States! Fellow citizens, make some space!"

The Chief had stepped into one of the stalls to look at some game, when Mr. Rhodes turned round suddenly, and, finding himself alone, suddenly changed his tone and exclaimed:

The Chief had stepped into one of the stalls to check out some games when Mr. Rhodes suddenly turned around, and realizing he was alone, quickly changed his tone and exclaimed:

"My gracious, where has that darned idiot got to?"[Pg 139]

"My gosh, where has that silly idiot gone?"[Pg 139]


HE CAME TO PAY

The editor sat with his head in his hands. And his elbows resting on his knees; He was fed up with the constantly growing demands. In his time, he gasped for relief. The demand for copy was met with a sneer, And he sighed very softly: "Will someone please come with a dollar to bring some cheer
The essence of Emanuel Jones?
At that moment, a footstep was heard on the stairs. And a loud knock at the door,
And the flickering hope that had been delayed for a long time Shined bright like a beacon again; And a man walked in with a cynical smile. That was edged with a stubble of red,
Who said, as he tilted a worn-out tile To the back of an average head:
"I've come here to pay"—Here the editor shouted "You're as welcome as flowers in spring!"
Sit in this comfy armchair next to me,
And excuse me for a moment while I get A lemonade mixed with a splash of old wine. And a dozen of the best cigars....
Ah! Here we are! I guarantee you, this is great;
"Help yourself, most welcome guest."[Pg 140]
The visitor enjoyed their drink and smoked. Until his face showed a satisfied glow,
The editor, smiling happily, made a joke.
In a joyful, spontaneous flow; And then, when the supply of refreshments was gone,
His guest took the opportunity to say, In voices slightly altered by a yawn,
"My purpose for being here is to pay——"
But the kind scribe, with a wave of his hand, Stop the speech of his guest,
And brought in a melon, the best in the land
Ever carried on its generous surface;
And the visitor, sporting a unique grin,
Grabbed the heaviest half of the fruit,
And the juice, as it flowed in a stream from his chin, He washed the mud off the pike from his boot.
Then, wiping his face with a favorite cloth Which the scribe had carefully set aside,
The visitor got up slowly. With the saddest kind of sigh,
He said, as the editor looked for his address,
In his books, to find what he deserves: "I came here to pay my respects to the press,
"And to borrow a dollar from you!"
Andrew V. Kelley ("Parmenas Mix").
[Pg 141]

A GENTLE COMPLAINT

Fairfield, Conn.

Fairfield, CT

P. T. Barnum, Esq.

P. T. Barnum, Esq.

Dear Sir: We have a large soiled Asiatic elephant visiting us now, which we suspect belongs to you. His skin is a misfit, and he keeps moving his trunk from side to side nervously. If you have missed an elephant answering to this description, please come up and take him away, as we have no use for him. An elephant on a place so small as ours is more of a trouble than a convenience. I have endeavored to frighten him away, but he does not seem at all timid, and my wife and I, assisted by our hired man, tried to push him out of the yard, but our efforts were unavailing. He has made our home his own now for some days, and he has become quite de trop. We do not mind him so much in the daytime, for he then basks mostly on the lawn and plays with the children (to whom he has greatly endeared himself), but at night he comes up and lays his head on our piazza, and his deep and stertorous breathing keeps my wife awake. I feel as though I were entitled to some compensation for his keep. He is a large though not fastidious eater, and he has destroyed some of my plants by treading on them; and he also leaned against our woodhouse. My neighbor—who is something of a wag—says I have a lien on his trunk for the amount of his board; but that, of course, is only pleasantry. Your immediate attention will oblige. Simeon Ford.[Pg 142]

Dear Sir: We currently have a large, dirty Asiatic elephant visiting us, which we think might belong to you. Its skin doesn’t fit right, and it keeps moving its trunk nervously from side to side. If you’ve noticed an elephant like this missing, please come take it away, as we have no use for it. An elephant in a place as small as ours is more trouble than it’s worth. I’ve tried to scare it off, but it doesn’t seem shy at all, and my wife and I, with help from our hired man, attempted to shove it out of the yard, but we were unsuccessful. It has made itself at home here for a few days now, and it has become quite de trop. We don’t mind it so much during the day since it mostly lounges on the lawn and plays with the children (to whom it has really taken a liking), but at night it comes and lays its head on our porch, and its loud, heavy breathing keeps my wife awake. I feel like I should get some compensation for taking care of it. It’s a big eater, but not picky, and it has damaged some of my plants by walking on them; it has also leaned against our woodhouse. My neighbor—who has a sense of humor—jokes that I have a claim on its trunk for the cost of feeding it; but that’s just a joke, of course. Your prompt attention to this matter would be appreciated. Simeon Ford.


THE BALLAD OF THE OYSTERMAN

There was a tall young oysterman who lived by the riverside,
His shop was right by the shore, and his boat was in the water; The daughter of a fisherman, who was so tall and slender,
Lived on the other side, directly across from him.
It was the thoughtful oysterman who spotted a beautiful young woman, On a moonlit evening, sitting in the shade:
He saw her wave a handkerchief, almost as if to say,
"I'm fully awake, young oysterman, and everyone else is gone."
Then the oysterman got up and said to himself, I suppose I’ll leave the small boat at home, worried that people might see; I read it in the storybook that, to kiss his dear, "Leander swam the Hellespont, and I will swim this here."
And he has jumped into the waves and crossed the sparkling water,
He has climbed up the bank, all in the glow of the moonlight;[Pg 143]
Oh, there are kisses as sweet as dew, and words as gentle as rain——
But they've heard her father's footsteps, and in he jumps again!
The old fisherman said, "Oh, what was that, my daughter?" "It was just a pebble, sir, that I threw into the water." "And what is that, if you don't mind me asking, love, that paddles away so quickly?"
"It's just a porpoise, sir, that's been swimming by."
The old fisherman said, "Now, bring me my harpoon!
"I'll get into my fishing boat and take care of that guy soon." Down fell that beautiful innocent, like a snow-white lamb; Her hair hung around her pale cheeks, like seaweed on a clam.
Oh no! For those two lovers! She didn't wake up from her faint,
And he got a cramp and drowned in the waves; But Fate has changed them, out of compassion for their suffering,
And now they run an oyster shop for mermaids down below.
Oliver Wendell Holmes. [Pg 144]

MARIETTA HOLLEY


A PLEASURE EXERTION

Wal, the very next mornin' Josiah got up with a new idee in his head. And he broached it to me to the breakfast table. They have been havin' sights of pleasure exertions here to Jonesville lately. Every week a'most they would go off on a exertion after pleasure, and Josiah was all up on end to go, too.

Well, the very next morning Josiah woke up with a new idea in his head. He brought it up to me at the breakfast table. They've been having a lot of fun outings here in Jonesville lately. Almost every week, they would go off on a fun trip, and Josiah was really eager to go, too.

That man is a well-principled man as I ever see, but if he had his head he would be worse than any young man I ever see to foller up picnics and 4th of Julys and camp-meetin's and all pleasure exertions. But I don't encourage him in it. I have said to him time and again: "There is a time for everything, Josiah Allen, and after anybody has lost all their teeth and every mite of hair on the top of their head, it is time for 'em to stop goin' to pleasure exertions."

That man is the most principled person I've ever seen, but if he had any sense, he would be worse than any young man I know when it comes to chasing after picnics, the 4th of July, camp meetings, and all sorts of fun activities. But I don't support him in that. I’ve told him over and over: "There’s a time for everything, Josiah Allen, and after someone has lost all their teeth and every last bit of hair on their head, it's time for them to stop going to fun activities."

But good land! I might jest as well talk to the wind! If that man should get to be as old as Mr. Methusler, and be goin' on a thousand years old, he would prick up his ears if he should hear of a exertion. All summer long that man has beset me to go to 'em, for he wouldn't go without me. Old Bunker Hill himself hain't any sounder in principle than Josiah Allen, and[Pg 145] I have had to work head-work to make excuses and quell him down. But last week they was goin' to have one out on the lake, on a island, and that man sot his foot down that go he would.

But seriously! I might as well talk to the wind! Even if that man lives to be as old as Mr. Methuselah and reaches a thousand years, he'd still perk up his ears at the mention of any activity. All summer long, he’s been nagging me to go with him because he wouldn’t go without me. Old Bunker Hill himself isn’t any firmer in his beliefs than Josiah Allen, and[Pg 145] I’ve had to come up with excuses and calm him down. But last week, they were planning to have one out on the lake, on an island, and that man was adamant that he was going.

We was to the breakfast table a-talkin' it over, and says I:

We were at the breakfast table discussing it, and I said:

"I shan't go, for I am afraid of big water, anyway."

"I won't go because I'm afraid of deep water, anyway."

Says Josiah: "You are jest as liable to be killed in one place as another."

Says Josiah: "You're just as likely to be killed in one place as another."

Says I, with a almost frigid air as I passed him his coffee, "Mebee I shall be drounded on dry land, Josiah Allen, but I don't believe it."

Said I, with an almost cold demeanor as I handed him his coffee, "Maybe I will be drowned on dry land, Josiah Allen, but I just don't believe it."

Says he, in a complainin' tone: "I can't get you started onto a exertion for pleasure anyway."

Says he, in a complaining tone: "I can't get you to start on something fun anyway."

Says I, in a almost eloquent way: "I don't believe in makin' such exertions after pleasure. As I have told you time and agin, I don't believe in chasin' of her up. Let her come of her own free will. You can't ketch her by chasin' after her no more than you can fetch up a shower in a drowth by goin' outdoors and runnin' after a cloud up in the heavens above you. Sit down and be patient, and when it gets ready the refreshin' raindrops will begin to fall without none of your help. And it is jest so with pleasure, Josiah Allen; you may chase her up over all the oceans and big mountains of the earth, and she will keep ahead of you all the time; but set down and not fatigue yourself a-thinkin' about her, and like as not she will come right into your house unbeknown to you."[Pg 146]

I said, almost eloquently: "I don’t believe in putting so much effort into seeking pleasure. As I’ve told you time and again, I don’t believe in chasing after it. Let it come on its own. You can’t catch it by running after it any more than you can bring about a rain shower during a drought by going outside and chasing a cloud in the sky. Just sit down and be patient, and when the time is right, the refreshing raindrops will start to fall without your help. It’s the same with pleasure, Josiah Allen; you might pursue it across oceans and towering mountains, and it will always stay ahead of you, but if you sit back and don’t exhaust yourself thinking about it, it will likely come right into your home without you even noticing."[Pg 146]

"Wal," says he, "I guess I'll have another griddle-cake, Samantha."

"Well," he says, "I think I'll have another pancake, Samantha."

And as he took it and poured the maple syrup over it, he added gently but firmly:

And as he took it and poured the maple syrup over it, he added softly but definitely:

"I shall go, Samantha, to this exertion, and I should be glad to have you present at it, because it seems jest to me as if I should fall overboard durin' the day."

"I’m going, Samantha, to this effort, and I’d be happy to have you there with me because it feels to me like I might fall overboard during the day."

Men are deep. Now that man knew that no amount of religious preachin' could stir me up like that one speech. For though I hain't no hand to coo, and don't encourage him in bein' spoony at all, he knows that I am wrapped almost completely up in him. I went.

Men are complex. Now that he knew that no amount of religious preaching could move me like that one speech did. Because even though I’m not one to flirt and don't encourage him to be overly sentimental at all, he knows that I am almost completely focused on him. I went.

Wal, the day before the exertion Kellup Cobb come into our house of a errant, and I asked him if he was goin' to the exertion; and he said he would like to go, but he dassent.

Wal, the day before the event, Kellup Cobb came into our house on an errand, and I asked him if he was going to the event; and he said he would like to go, but he couldn’t.

"Dassent!" says I. "Why dassent you?"

"Dare!" I said. "Why don't you?"

"Why," says he, "how would the rest of the wimmin round Jonesville feel if I should pick out one woman and wait on her?" Says he bitterly: "I hain't perfect, but I hain't such a cold-blooded rascal as not to have any regard for wimmen's feelin's. I hain't no heart to spile all the comfort of the day for ten or a dozen wimmen."

"Why," he says, "how do you think the other women in Jonesville would feel if I chose one woman to focus on?" He says bitterly, "I’m not perfect, but I’m not such a cold-hearted jerk that I wouldn’t care about women’s feelings. I don’t have the heart to ruin the happiness of the whole day for ten or a dozen women."

"Why," says I, in a dry tone, "one woman would be happy, accordin' to your tell."

"Why," I said in a dry tone, "would one woman be happy, according to your story?"

"Yes, one woman happy, and ten or fifteen gauled—bruised in the tenderest place."

"Yes, one woman is happy, and ten or fifteen are hurt—bruised in the most sensitive spot."

"On their heads?" says I, inquirin'ly.[Pg 147]

"On their heads?" I ask, curiously.[Pg 147]

"No," says he, "their hearts. All the girls have probable had more or less hopes that I would invite 'em—make a choice of 'em. But when the blow was struck, when I had passed 'em by and invited some other, some happier woman, how would them slighted ones feel? How do you s'pose they would enjoy the day, seein' me with another woman, and they droopin' round without me? That is the reason, Josiah Allen's wife, that I dassent go. It hain't the keepin' of my horse through the day that stops me. For I could carry a quart of oats and a little jag of hay in the bottom of the buggy. If I had concluded to pick out a girl and go, I had got it all fixed out in my mind how I would manage. I had thought it over, while I was ondecided and duty was a-strugglin' with me. But I was made to see where the right way for me lay, and I am goin' to foller it. Joe Purday is goin' to have my horse, and give me seven shillin's for the use of it and its keepin'. He come to hire it just before I made up my mind that I hadn't ort to go.

"No," he says, "it's their feelings. All the girls probably hoped that I would invite them—make a choice among them. But when the moment came, when I passed them by and invited someone else, someone luckier, how would the ones left out feel? How do you think they would enjoy the day, seeing me with another woman while they’re hanging around without me? That’s why, Josiah Allen’s wife, I can’t go. It’s not because I need to keep my horse all day that stops me. I could easily bring a quart of oats and a little bit of hay in the bottom of the buggy. If I had decided to pick a girl and go, I had it all planned out in my head. I had thought it over while I was undecided and wrestling with my duty. But I realized what the right path for me was, and I’m going to follow it. Joe Purday is going to take my horse and give me seven shillings for the use of it and its care. He came to ask to hire it just before I decided I shouldn’t go."

"Of course it is a cross to me. But I am willin' to bear crosses for the fair sect. Why," says he, a-comin' out in a open, generous way, "I would be willin', if necessary for the general good of the fair sect—I would be willin' to sacrifice ten cents for 'em, or pretty nigh that, I wish so well to 'em. I hain't that enemy to 'em that they think I am. I can't marry 'em all, Heaven knows I can't, but I wish 'em well."[Pg 148]

"Of course, it’s tough for me. But I’m willing to handle challenges for the fair people. Why," he says, coming across as open and generous, "I would be willing, if necessary for the greater good of the fair people—I would be willing to sacrifice ten cents for them, or pretty close to that, because I care about them so much. I’m not the enemy they think I am. I can’t marry them all, Heaven knows I can’t, but I truly wish them well."[Pg 148]

"Wal," says I, "I guess my dishwater is hot; it must be pretty near bilin' by this time."

"Well," I said, "I think my dishwater is hot; it must be close to boiling by now."

And he took the hint and started off. I see it wouldn't do no good to argue with him that wimmen didn't worship him. For when a feller once gets it into his head that female wimmen are all after him, you might jest as well dispute the wind as argue with him. You can't convince him nor the wind—neither of 'em—so what's the use of wastin' breath on 'em. And I didn't want to spend a extra breath that day anyway, knowin' I had such a hard day's work in front of me, a-finishin' cookin' up provisions for the exertion, and gettin' things done up in the house so I could leave 'em for all day.

And he took the hint and left. I knew it wouldn’t do any good to argue with him about how women didn’t actually worship him. Once a guy gets it in his head that all women are after him, it’s like trying to argue with the wind. You can’t convince him or the wind—neither of them—so what’s the point of wasting your breath? I didn't want to waste any extra energy that day anyway, knowing I had a tough day ahead of me finishing up cooking provisions for the work ahead and getting everything done around the house so I could leave it all day.

We had got to start about the middle of the night; for the lake was fifteen miles from Jonesville, and the old mare's bein' so slow, we had got to start an hour or two ahead of the rest. I told Josiah in the first on't, that I had just as lives set up all night as to be routed out at two o'clock. But he was so animated and happy at the idee of goin' that he looked on the bright side of everything, and he said that we would go to bed before dark, and get as much sleep as we commonly did. So we went to bed the sun an hour high. And I was truly tired enough to lay down, for I had worked dretful hard that day—almost beyond my strength. But we hadn't more'n got settled down into the bed, when we heard a buggy and a single wagon stop at the gate, and I got up and peeked through the window, and I[Pg 149] see it was visitors come to spend the evenin.' Elder Bamber and his family, and Deacon Dobbinses' folks.

We had to leave around the middle of the night because the lake was fifteen miles from Jonesville, and since the old mare was so slow, we needed to start an hour or two earlier than the others. I told Josiah right from the start that I would just as soon stay up all night as be woken up at two o'clock. But he was so excited and happy about the idea of going that he focused on the positives and said we would go to bed before dark and get as much sleep as we usually did. So we went to bed while the sun was still up. I was really tired enough to lie down, as I had worked really hard that day—almost to the point of exhaustion. But we had barely settled into bed when we heard a buggy and a single wagon stop at the gate. I got up and peeked through the window, and I saw it was visitors arriving to spend the evening—Elder Bamber and his family, and the Dobbins family.

Josiah vowed that he wouldn't stir one step out of that bed that night. But I argued with him pretty sharp, while I was throwin' on my clothes, and I finally got him started up. I hain't deceitful, but I thought if I got my clothes all on before they came in I wouldn't tell 'em that I had been to bed that time of day. And I did get all dressed up, even to my handkerchief pin. And I guess they had been there as much as ten minutes before I thought that I hadn't took my nightcap off. They looked dreadful curious at me, and I felt awful meachin'. But I jest ketched it off, and never said nothin'. But when Josiah come out of the bedroom with what little hair he has got standin' out in every direction, no two hairs a-layin' the same way, and one of his galluses a-hangin' most to the floor under his best coat, I up and told 'em. I thought mebby they wouldn't stay long. But Deacon Dobbinses' folks seemed to be all waked up on the subject of religion, and they proposed we should turn it into a kind of a conference meetin'; so they never went home till after ten o'clock.

Josiah promised he wouldn’t get out of that bed that night. But I argued with him pretty firmly while I was putting on my clothes, and I finally got him to get up. I’m not dishonest, but I thought if I got dressed before they arrived, I wouldn’t have to tell them I’d been in bed at that time of day. And I did get fully dressed, even wearing my handkerchief pin. I guess they were there for about ten minutes before I realized I hadn’t taken my nightcap off. They looked really curious at me, and I felt so awkward. But I quickly took it off and didn’t say anything. However, when Josiah came out of the bedroom with what little hair he has sticking out in every direction, with no two hairs lying the same way, and one of his suspenders hanging almost to the floor under his best coat, I just had to tell them. I thought maybe they wouldn’t stay long. But the Dobbins family seemed really interested in discussing religion, and they suggested we turn it into a kind of conference meeting, so they didn’t leave until after ten o’clock.

It was 'most eleven when Josiah and me got to bed agin. And then jest as I was gettin' into a drowse, I heered the cat in the buttery, and I got up to let her out. And that roused Josiah up, and he thought he heered the cattle in the[Pg 150] garden, and he got up and went out. And there we was a-marchin' round 'most all night.

It was almost eleven when Josiah and I got back to bed. Just as I was starting to doze off, I heard the cat in the pantry, so I got up to let her out. That woke Josiah, and he thought he heard the cattle in the[Pg 150] garden, so he got up and went outside. There we were, wandering around almost all night.

And if we would get into a nap, Josiah would think it was mornin' and he would start up and go out to look at the clock. He seemed so afraid we would be belated and not get to that exertion in time. And there we was on our feet 'most all night. I lost myself once, for I dreampt that Josiah was a-drowndin', and Deacon Dobbins was on the shore a-prayin' for him. It started me so that I jist ketched hold of Josiah and hollered. It skairt him awfully, and says he, "What does ail you, Samantha? I hain't been asleep before to-night, and now you have rousted me up for good. I wonder what time it is!"

And if we dozed off, Josiah would think it was morning and he’d get up to check the clock. He seemed really worried we’d be late and miss that activity. And we were on our feet almost all night. I lost track of myself once because I dreamed that Josiah was drowning, and Deacon Dobbins was on the shore praying for him. It scared me so much that I grabbed Josiah and yelled. It scared him to death, and he said, “What’s wrong with you, Samantha? I haven’t slept at all until tonight, and now you’ve woken me up for good. I wonder what time it is!”

And then he got out of bed again and went and looked at the clock. It was half-past one, and he said he "didn't believe we had better go to sleep again, for fear we would be too late for the exertion, and he wouldn't miss that for nothin'."

And then he got out of bed again and checked the clock. It was 1:30, and he said he "didn't think we should go back to sleep, for fear we might be too late for the event, and he wouldn't miss that for anything."

"Exertion!" says I, in a awful cold tone. "I should think we had had exertion enough for one spell."

"Exertion!" I said in a chilling tone. "I would think we’ve had enough exertion for one session."

But as bad and wore out as Josiah felt bodily, he was all animated in his mind about what a good time he was a-goin' to have. He acted foolish, and I told him so. I wanted to wear my brown-and-black gingham, and a shaker, but Josiah insisted that I should wear a new lawn dress that he had brought me home as a present,[Pg 151] and I had jest got made up. So jest to please him, I put it on, and my best bonnet.

But as worn out and tired as Josiah felt physically, he was really excited in his mind about the great time he was going to have. He acted silly, and I called him out on it. I wanted to wear my brown-and-black gingham and a shaker, but Josiah insisted that I should wear a new lawn dress he had brought home as a gift, [Pg 151] and I had just finished making it. So just to make him happy, I put it on along with my best bonnet.

And that man, all I could do and say, would put on a pair of pantaloons I had been a-makin' for Thomas Jefferson. They was gettin' up a milatary company to Jonesville, and these pantaloons was blue, with a red stripe down the sides—a kind of uniform. Josiah took a awful fancy to 'em, and says he:

And that guy, all I could do and say, would put on a pair of pants I had made for Thomas Jefferson. They were getting a military company set up in Jonesville, and these pants were blue with a red stripe down the sides—a kind of uniform. Josiah took a huge liking to them and said:

"I will wear 'em, Samantha; they look so dressy."

"I'll wear them, Samantha; they look so fancy."

Says I: "They hain't hardly done. I was goin' to stitch that red stripe on the left leg on again. They ain't finished as they ort to be, and I would not wear 'em. It looks vain in you."

Said I: "They haven't hardly finished. I was going to sew that red stripe on the left leg again. They aren't done the way they should be, and I wouldn’t wear them. It looks vain on you."

Says he: "I will wear 'em, Samantha. I will be dressed up for once."

Says he: "I’ll wear them, Samantha. I’m going to get dressed up for once."

I didn't contend with him. Thinks I: we are makin' fools of ourselves by goin' at all, and if he wants to make a little bigger fool of himself by wearin' them blue pantaloons, I won't stand in his light. And then I had got some machine oil onto 'em, so I felt that I had got to wash 'em, anyway, before Thomas J. took 'em to wear. So he put 'em on.

I didn't argue with him. I thought to myself: we're making fools of ourselves by going at all, and if he wants to make an even bigger fool of himself by wearing those blue pants, I won't get in his way. Plus, I had gotten some machine oil on them, so I figured I had to wash them anyway before Thomas J. wore them. So he put them on.

I had good vittles, and a sight of 'em. The basket wouldn't hold 'em all, so Josiah had to put a bottle of red rossberry jell into the pocket of his dress-coat, and lots of other little things, such as spoons and knives and forks, in his pantaloons and breast pockets. He looked like Captain Kidd armed up to the teeth, and I told[Pg 152] him so. But good land! he would have carried a knife in his mouth if I had asked him to, he felt so neat about goin', and boasted so on what a splendid exertion it was goin' to be.

I had plenty of food, and a lot of it. The basket couldn’t hold everything, so Josiah had to stuff a bottle of red raspberry jelly into the pocket of his dress coat, along with lots of other little things like spoons, knives, and forks in his pants and jacket pockets. He looked like Captain Kidd fully equipped, and I told him so. But wow! He would have carried a knife in his mouth if I had asked him to; he felt so good about going and bragged about how great this adventure was going to be.

We got to the lake about eight o'clock, for the old mare went slow. We was about the first ones there, but they kep' a-comin', and before ten o'clock we all got there.

We arrived at the lake around eight o'clock because the old mare was slow. We were among the first to get there, but people kept coming, and by ten o'clock, everyone had arrived.

The young folks made up their minds they would stay and eat their dinner in a grove on the mainland. But the majority of the old folks thought it was best to go and set our tables where we laid out to in the first place. Josiah seemed to be the most rampant of any of the company about goin'. He said he shouldn't eat a mouthful if he didn't eat it on that island. He said what was the use of going to a pleasure exertion at all if you didn't try to take all the pleasure you could. So about twenty old fools of us sot sail for the island.

The young people decided they would stay and have their dinner in a grove on the mainland. However, most of the older folks thought it was best to go and set our tables where we originally planned. Josiah seemed to be the most adamant of the group about leaving. He said he wouldn't eat a single bite unless he did it on that island. He argued that what was the point of going on a fun outing at all if you didn't try to enjoy it to the fullest. So about twenty of us older folks set sail for the island.

I had made up my mind from the first on't to face trouble, so it didn't put me out so much when Deacon Dobbins, in gettin' into the boat, stepped onto my new lawn dress and tore a hole in it as big as my two hands, and ripped it half offen the waist. But Josiah havin' felt so animated and tickled about the exertion, it worked him up awfully when, jest after we had got well out onto the lake, the wind took his hat off and blew it away out onto the lake. He had made up his mind to look so pretty that day that it worked him up awfully. And then the sun beat[Pg 153] down onto him; and if he had had any hair onto his head it would have seemed more shady.

I had decided from the beginning to handle any trouble, so I wasn’t too bothered when Deacon Dobbins stepped onto my new lawn dress while getting into the boat, tearing a hole in it as big as my two hands and ripping it halfway off at the waist. But Josiah, feeling really excited and amused by the effort, got really worked up when, just after we had gotten out onto the lake, the wind blew his hat off and carried it away. He had planned to look so nice that day, so it really upset him. Then the sun beat down on him, and if he had any hair on his head, it would have provided some shade.

But I did the best I could by him. I stood by him and pinned on his red bandanna handkerchief onto his head. But as I was a-fixin' it on, I see there was suthin' more than mortification ailded him. The lake was rough and the boat rocked, and I see he was beginning to be awful sick. He looked deathly. Pretty soon I felt bad, too. Oh! the wretchedness of that time. I have enjoyed poor health considerable in my life, but never did I enjoy so much sickness in so short a time as I did on that pleasure exertion to that island. I s'pose our bein' up all night a'most made it worse. When we reached the island we was both weak as cats.

But I did the best I could for him. I stood by him and pinned his red bandanna handkerchief onto his head. As I was fixing it on, I noticed there was something more than embarrassment bothering him. The lake was rough and the boat was rocking, and I could see he was starting to feel really sick. He looked pale. Soon after, I started feeling awful, too. Oh, the misery of that time. I've had my fair share of poor health in my life, but I’ve never felt such intense sickness in such a short time as I did on that trip to the island. I guess staying up almost all night made it worse. By the time we reached the island, we were both as weak as kittens.

I sot right down on a stun and held my head for a spell, for it did seem as if it would split open. After awhile I staggered up onto my feet, and finally I got so I could walk straight and sense things a little; though it was tejus work to walk anyway, for we had landed on a sand-bar, and the sand was so deep it was all we could do to wade through it, and it was as hot as hot ashes ever was.

I just sat down on a stone and held my head for a while because it felt like it was going to split open. After some time, I managed to get back on my feet, and eventually, I was able to walk straight and understand things a bit more; though it was really tough to walk at all since we had landed on a sandbar, and the sand was so deep that it was all we could do to wade through it, and it was as hot as ashes ever get.

Then I began to take the things out of my dinner-basket. The butter had all melted, so we had to dip it out with a spoon. And a lot of water had washed over the side of the boat, so my pies and tarts and delicate cakes and cookies looked awful mixed up. But no worse than the rest of the company's did.[Pg 154]

Then I started taking things out of my dinner basket. The butter had completely melted, so we had to scoop it out with a spoon. A lot of water had spilled over the side of the boat, so my pies, tarts, delicate cakes, and cookies looked terrible all mixed together. But they didn’t look any worse than the rest of the group's food did.[Pg 154]

But we did the best we could, and the chicken and cold meats bein' more solid, had held together quite well, so there was some pieces of it conside'able hull, though it was all very wet and soppy. But we separated 'em out as well as we could, and begun to make preparations to eat. We didn't feel so animated about eatin' as we should if we hadn't been so sick to our stomachs. But we felt as if we must hurry, for the man that owned the boat said he knew it would rain before night by the way the sun scalded.

But we did our best, and the chicken and cold meats, being more solid, held together pretty well, so there were some decent pieces, even though everything was quite wet and soggy. But we separated them out as well as we could and started getting ready to eat. We didn’t feel as excited about eating as we would have if we hadn’t felt so nauseous. But it felt like we had to hurry because the guy who owned the boat said he could tell it would rain before nightfall by the way the sun was blazing.

There wasn't a man or a woman there but what the presperation and sweat jest poured down their faces. We was a haggard and melancholy lookin' set. There was a piece of woods a little ways off, but it was up quite a rise of ground, and there wasn't one of us but what had the rheumatiz more or less. We made up a fire on the sand, though it seemed as if it was hot enough to steep tea and coffee as it was.

There wasn't a single person there who wasn't drenched in sweat. We looked exhausted and sad. There was some woods a little distance away, but it was on a hill, and every one of us had at least a bit of rheumatism. We built a fire on the sand, even though it felt hot enough to brew tea and coffee as it was.

After we got the fire started, I histed a umberell and sot down under it and fanned myself hard, for I was afraid of a sunstroke.

After we got the fire started, I grabbed an umbrella and sat down under it, fanning myself hard because I was afraid of getting sunstroke.

Wal, I guess I had set there ten minutes or more, when all of a sudden I thought, Where is Josiah? I hadn't seen him since we had got there. I riz up and asked the company, almost wildly, if they had seen my companion, Josiah.

Well, I guess I had been sitting there for ten minutes or more when suddenly I thought, Where is Josiah? I hadn't seen him since we arrived. I stood up and asked the group, almost frantically, if they had seen my companion, Josiah.

They said, No, they hadn't.

They said, no, they hadn't.

But Celestine Wilkin's little girl, who had come with her grandpa and grandma Gowdy, spoke up, and says she:[Pg 155]

But Celestine Wilkin's little girl, who had come with her grandpa and grandma Gowdy, spoke up and said:[Pg 155]

"I seen him goin' off toward the woods. He acted dretful strange, too; he seemed to be a walkin' off sideways."

"I saw him heading off toward the woods. He was acting really strange, too; he seemed to be walking off sideways."

"Had the sufferin's he had undergone made him delerious?" says I to myself; and then I started off on the run toward the woods, and old Miss Bobbet, and Miss Gowdy, and Sister Bamber, and Deacon Dobbinses' wife all rushed after me.

"Had the suffering he went through driven him crazy?" I wondered to myself; then I took off running toward the woods, and old Miss Bobbet, Miss Gowdy, Sister Bamber, and Deacon Dobbins' wife all chased after me.

Oh, the agony of them two or three minutes! my mind so distracted with fourbodin's, and the presperation and sweat a-pourin' down. But all of a sudden, on the edge of the woods, we found him. Miss Gowdy, weighin' a little less than me, mebby one hundred pounds or so, had got a little ahead of me. He sot backed up against a tree in a awful cramped position, with his left leg under him. He looked dretful uncomfortable. But when Miss Gowdy hollered out: "Oh, here you be! We have been skairt about you. What is the matter?" he smiled a dretful sick smile, and says he: "Oh, I thought I would come out here and meditate a spell. It was always a real treat to me to meditate."

Oh, the agony of those two or three minutes! My mind was so distracted with worry, and the sweat was pouring down. But suddenly, on the edge of the woods, we found him. Miss Gowdy, weighing a little less than me, maybe around one hundred pounds, had gotten a bit ahead of me. He was backed up against a tree in an awful cramped position, with his left leg underneath him. He looked really uncomfortable. But when Miss Gowdy shouted, "Oh, there you are! We’ve been worried about you. What’s wrong?" he gave a painfully weak smile and said, "Oh, I thought I’d come out here and meditate for a while. It’s always been a real treat for me to meditate."

Just then I come up a-pantin' for breath, and as the wimmen all turned to face me, Josiah scowled at me and shook his fist at them four wimmen, and made the most mysterious motions of his hands toward 'em. But the minute they turned round he smiled in a sickish way, and pretended to go to whistlin'.[Pg 156]

Just then I ran up, out of breath, and when the women all turned to look at me, Josiah frowned at me and shook his fist at those four women, making the most mysterious gestures with his hands towards them. But the moment they turned around, he smiled in a sickly way and pretended to whistle.[Pg 156]

Says I, "What is the matter, Josiah Allen? What are you off here for?"

Said I, "What's wrong, Josiah Allen? Why are you out here?"

"I am a-meditatin', Samantha."

"I'm meditating, Samantha."

Says I, "Do you come down and jine the company this minute, Josiah Allen. You was in a awful takin' to come with 'em, and what will they think to see you act so?"

Said I, "Come down and join the group right now, Josiah Allen. You were really eager to go with them, and what will they think if they see you acting like this?"

The wimmen happened to be a-lookin' the other way for a minute, and he looked at me as if he would take my head off, and made the strangest motions toward 'em; but the minute they looked at him he would pretend to smile—that deathly smile.

The women happened to be looking the other way for a moment, and he stared at me like he wanted to take my head off, making the weirdest gestures toward them; but as soon as they glanced at him, he would fake a smile—that creepy smile.

Says I, "Come, Josiah Allen, we're goin' to get dinner right away, for we are afraid it will rain."

Said I, "Come on, Josiah Allen, we're going to have dinner right now because we're worried it might rain."

"Oh, wal," says he, "a little rain, more or less, hain't a-goin' to hender a man from meditatin'."

"Oh, well," he says, "a little rain, more or less, isn't going to stop a man from thinking."

I was wore out, and says I, "Do you stop meditatin' this minute, Josiah Allen!"

I was exhausted, and I said, "Stop your thinking right now, Josiah Allen!"

Says he, "I won't stop, Samantha. I let you have your way a good deal of the time; but when I take it into my head to meditate, you hain't a-goin' to break it up."

Says he, "I won't stop, Samantha. I let you have your way most of the time; but when I decide to think, you're not going to interrupt it."

Jest at that minute they called to me from the shore to come that minute to find some of my dishes. And we had to start off. But oh! the gloom of my mind that was added to the lameness of my body. Them strange motions and looks of Josiah wore on me. Had the sufferin's of the night, added to the trials of the day, made him crazy? I thought more'n as likely[Pg 157] as not I had got a luny on my hands for the rest of my days.

Just then, they called me from the shore to come right away to look for some of my dishes. And we had to leave. But oh! the heaviness in my mind only added to the pain in my body. Those strange movements and expressions from Josiah were getting to me. Had the suffering from the night, combined with the challenges of the day, driven him mad? I thought more than likely[Pg 157] I had a crazy person on my hands for the rest of my days.

And then, oh, how the sun did scald down onto me, and the wind took the smoke so into my face that there wasn't hardly a dry eye in my head. And then a perfect swarm of yellow wasps lit down onto our vittles as quick as we laid 'em down, so you couldn't touch a thing without runnin' a chance to be stung. Oh, the agony of that time! the distress of that pleasure exertion! But I kep' to work, and when we had got dinner most ready I went back to call Josiah again. Old Miss Bobbet said she would go with me, for she thought she see a wild turnip in the woods there, and her Shakespeare had a awful cold, and she would try to dig one to give him. So we started up the hill again. He sot in the same position, all huddled up, with his leg under him, as uncomfortable a lookin' creeter as I ever see. But when we both stood in front of him, he pretended to look careless and happy, and smiled that sick smile.

And then, oh, how the sun burned down on me, and the wind blew the smoke right into my face so that there wasn't a dry eye in my head. Then a whole swarm of yellow wasps landed on our food as soon as we set it down, making it impossible to touch anything without risking a sting. Oh, the agony of that moment! the struggle of that joyful effort! But I kept working, and when we finally had dinner mostly ready, I went back to call Josiah again. Old Miss Bobbet said she would join me because she thought she saw a wild turnip in the woods, and her Shakespeare had a terrible cold, so she wanted to dig one up for him. So we started up the hill again. He sat in the same position, all hunched up, looking as uncomfortable as anyone I've ever seen. But when we both stood in front of him, he pretended to act casual and happy, and smiled that sickly smile.

Says I, "Come, Josiah Allen; dinner is ready."

Said I, "Come on, Josiah Allen; dinner is ready."

"Oh, I hain't hungry," says he. "The table will probable be full. I had jest as lieves wait."

"Oh, I'm not hungry," he says. "The table will probably be full. I'd just as soon wait."

"Table full!" says I. "You know jest as well as I do that we are eatin' on the ground. Do you come and eat your dinner this minute."

"Table's full!" I say. "You know just as well as I do that we're eating on the ground. Come and have your dinner right now."

"Yes, do come," says Miss Bobbet; "we can't get along without you!"

"Yes, please come," says Miss Bobbet; "we can't manage without you!"

"Oh!" says he, with a ghastly smile, pretend[Pg 158]ing to joke, "I have got plenty to eat here—I can eat muskeeters."

"Oh!" he says with a creepy smile, joking around, "I've got plenty to eat here—I can eat mosquitos."

The air was black with 'em, I couldn't deny it.

The air was filled with them, I couldn't deny it.

"The muskeeters will eat you, more likely," says I. "Look at your face and hands; they are all covered with 'em."

"The mosquitoes will definitely bite you," I said. "Just look at your face and hands; they're covered in them."

"Yes, they have eat considerable of a dinner out of me, but I don't begrech 'em. I hain't small enough, nor mean enough, I hope, to begrech 'em one good meal."

"Yes, they've had quite a bit of dinner from me, but I don't resent it. I hope I'm not small-minded or mean enough to begrudge them one good meal."

Miss Bobbet started off in search of her wild turnip, and after she had got out of sight Josiah whispered to me with a savage look and a tone sharp as a sharp ax:

Miss Bobbet set off to find her wild turnip, and as soon as she was out of sight, Josiah whispered to me with a fierce look and a tone as sharp as an axe:

"Can't you bring forty or fifty more wimmen up here? You couldn't come here a minute, could you, without a lot of other wimmen tight to your heels?"

"Can't you bring forty or fifty more women up here? You couldn't come here for a minute, could you, without a bunch of other women right behind you?"

I begun to see daylight, and after Miss Bobbet had got her wild turnip and some spignut, I made some excuse to send her on ahead, and then Josiah told me all about why he had gone off by himself alone, and why he had been a-settin' in such a curious position all the time since we had come in sight of him.

I started to see things more clearly, and after Miss Bobbet had collected her wild turnip and some spignut, I came up with an excuse to send her ahead. Then Josiah told me everything about why he had gone off on his own and why he had been sitting in such a strange position ever since we had spotted him.

It seems he had set down on that bottle of rossberry jell. That red stripe on the side wasn't hardly finished, as I said, and I hadn't fastened my thread properly, so when he got to pullin' at 'em to try to wipe off the jell, the thread started, and bein' sewed on a machine, that seam jest ripped from top to bottom. That was what he[Pg 159] had walked off sideways toward the woods for. But Josiah Allen's wife hain't one to desert a companion in distress. I pinned 'em up as well as I could, and I didn't say a word to hurt his feelin's, only I jest said this to him, as I was fixin' 'em—I fastened my gray eye firmly, and almost sternly onto him, and says I:

It looks like he landed on that bottle of raspberry jelly. That red stripe on the side wasn't quite finished, like I mentioned, and I hadn't secured my thread properly. So when he started pulling at them to try to wipe off the jelly, the thread gave way, and since it was sewn on a machine, that seam just ripped from top to bottom. That was what he[Pg 159] had walked off sideways toward the woods for. But Josiah Allen's wife isn’t one to abandon a friend in trouble. I pinned them up as best as I could, and I didn't say anything to hurt his feelings, only I said this to him while I was fixing them—I fixed my gray eye firmly and almost sternly on him and said:

"Josiah Allen, is this pleasure?" Says I, "You was determined to come."

"Josiah Allen, is this enjoyable?" I said, "You were set on coming."

"Throw that in my face agin, will you? What if I was? There goes a pin into my leg! I should think I had suffered enough without your stabbin' of me with pins."

"Throw that in my face again, will you? What if I was? There goes a pin in my leg! I should think I’ve suffered enough without your poking me with pins."

"Wal, then, stand still, and not be a-caperin' round so. How do you s'pose I can do anything with you a-tossin' round so?"

"Well, then, just stand still and stop jumping around. How do you expect me to do anything with you moving around like that?"

"Wal, don't be so aggravatin', then."

"Well, don't be so annoying, then."

I fixed 'em as well as I could, but they looked pretty bad, and there they was all covered with jell, too. What to do I didn't know. But finally I told him I would put my shawl onto him. So I doubled it up corner-ways as big as I could, so it almost touched the ground behind, and he walked back to the table with me. I told him it was best to tell the company all about it, but he just put his foot down that he wouldn't, and I told him if he wouldn't that he must make his own excuses to the company about wearin' the shawl. So he told 'em he always loved to wear summer shawls; he thought it made a man look so dressy.

I fixed them up as best as I could, but they looked pretty bad, and they were all covered in jelly, too. I didn't know what to do. Finally, I decided to put my shawl on him. I folded it up as big as I could, almost touching the ground behind him, and he walked back to the table with me. I suggested it was best to explain everything to the group, but he was adamant that he wouldn't. I told him if he wouldn't, he'd have to come up with his own excuse for wearing the shawl. So he told them he always loved wearing summer shawls; he thought it made a man look really stylish.

But he looked as if he would sink all the time[Pg 160] he was a-sayin' it. They all looked dretful curious at him, and he looked as meachin' as if he had stole sheep—and meachin'er—and he never took a minute's comfort, nor I nuther. He was sick all the way back to the shore, and so was I. And jest as we got into our wagons and started for home, the rain began to pour down. The wind turned our old umberell inside out in no time. My lawn dress was most spilte before, and now I give up my bonnet. And I says to Josiah:

But he looked like he was going to sink the whole time[Pg 160] he was saying it. They all looked really curious at him, and he looked as guilty as if he had stolen sheep—and even guiltier—and he never found a moment of comfort, and neither did I. He was sick the entire way back to the shore, and so was I. Just as we got into our wagons and started for home, the rain began to pour down. The wind flipped our old umbrella inside out in no time. My lawn dress was almost ruined before, and now I lost my bonnet. And I said to Josiah:

"This bonnet and dress are spilte, Josiah Allen, and I shall have to buy some new ones."

"This bonnet and dress are ruined, Josiah Allen, and I’ll need to get some new ones."

"Wal, wal! who said you wouldn't?" he snapped out.

"Well, well! Who said you wouldn't?" he snapped.

But it were on him. Oh, how the rain poured down! Josiah, havin' nothin' but a handkerchief on his head, felt it more than I did. I had took a apron to put on a-gettin' dinner, and I tried to make him let me pin it on his head. But says he, firmly:

But it was on him. Oh, how the rain poured down! Josiah, having nothing but a handkerchief on his head, felt it more than I did. I had taken an apron to wear while making dinner, and I tried to get him to let me pin it on his head. But he said firmly:

"I hain't proud and haughty, Samantha, but I do feel above ridin' out with a pink apron on for a hat."

"I’m not proud or snobby, Samantha, but I do feel like I’m too good to go out wearing a pink apron as a hat."

"Wal, then," says I, "get as wet as sop, if you had ruther."

"Well, then," I said, "get as wet as you want, if that's what you prefer."

I didn't say no more, but there we jest sot and suffered. The rain poured down; the wind howled at us; the old mare went slow; the rheumatiz laid holt of both of us; and the thought of the new bonnet and dress was a-wearin' on Josiah, I knew.[Pg 161]

I didn't say anything else, but there we sat and endured. The rain was pouring down, the wind was howling at us, the old horse moved slowly, our aches were bothering both of us, and I could tell that the thought of the new hat and dress was weighing heavily on Josiah.[Pg 161]

There wasn't a house for the first seven miles, and after we got there I thought we wouldn't go in, for we had got to get home to milk anyway, and we was both as wet as we could be. After I had beset him about the apron, we didn't say hardly a word for as much as thirteen miles or so; but I did speak once, as he leaned forward, with the rain drippin' offen his bandanna handkerchief onto his blue pantaloons. I says to him in stern tones:

There wasn't a house for the first seven miles, and after we got there, I thought we wouldn't go in since we needed to get home to milk anyway, and we were both as soaked as possible. After I nagged him about the apron, we didn't say much for about thirteen miles or so; but I did speak once, as he leaned forward, with the rain dripping off his bandanna handkerchief onto his blue pants. I said to him in a serious tone:

"Is this pleasure, Josiah Allen?"

"Is this pleasure, Josiah Allen?"

He give the old mare a awful cut and says he: "I'd like to know what you want to be so aggravatin' for?"

He gave the old mare a bad cut and said, "I'd like to know why you want to be so annoying?"

I didn't multiply any more words with him, only as we drove up to our doorstep, and he helped me out into a mud-puddle, I says to him:

I didn’t say much more to him, but as we pulled up to our doorstep and he helped me out into a puddle of mud, I said to him:

"Mebbe you'll hear to me another time, Josiah Allen."

"Might you listen to me another time, Josiah Allen?"

And I'll bet he will. I hain't afraid to bet a ten-cent bill that that man won't never open his mouth to me again about a pleasure exertion.

And I'll bet he will. I'm not afraid to bet a ten-cent bill that that guy won't ever speak to me again about a fun activity.


A simple-hearted and truly devout country preacher, who had tasted but few of the drinks of the world, took dinner with a high-toned family, where a glass of milk punch was quietly set down by each plate. In silence and happiness this new Vicar of Wakefield quaffed his goblet, and then added, "Madam, you should daily thank God for such a good cow."[Pg 162]

A sincere and genuinely devoted country preacher, who had experienced very few of the pleasures of the world, had dinner with an upscale family, where a glass of milk punch was casually placed by each plate. In silence and contentment, this new Vicar of Wakefield drank from his goblet and then said, "Ma'am, you should thank God every day for such a wonderful cow."[Pg 162]


EDMUND CLARENCE STEDMAN


THE DIAMOND WEDDING

O Love! Love! Love! What a time that was,
Long before the time of beautiful ladies and handsome gentlemen,
And Brussels lace and silk stockings,
When, in the lush Arcadian grove,
You married Psyche secretly,
With just grass as bedding!
From heart to heart, and hand in hand,
You followed nature's sweet call, Wandering affectionately through the land,
Nor longed for a Diamond Wedding.
So we've read in classic Ovid,
How Hero waited for her beloved,
Passionate youth, Leander.
She was the most beautiful of all,
And wrapped him in her golden hair,
Whenever he arrived feeling cold and empty,
With no food and no clothes, And wetter than any goose;
For love was love, and worth more than money; The sneakier the theft, the better the reward; And kissing was amazing, everywhere you looked,
Wherever Cupid goes.[Pg 163]
So thousands of years have passed,
And the moon is still shining on, Still Hymen's torch is lit; And up until now, in this land of the West,
Most couples in love have considered it best
To follow the old path of the others,
And quietly come together.
But now, True Love, you’re getting older—
Bought and sold, with silver and gold,
Just like a house, or a horse and carriage!
Late-night chats,
Moonlit walks,
The look in your eyes and the sigh of a beloved,
The dark places, with no one around,
I don't want to disrespect; But every kiss Has a cost for its happiness,
In today's standards of marriage;
And the sweet compact Incomplete
Until the high contracting parties meet Before the altar of wealth;
And the bride has to be taken to a silver bower,
Where pearls and rubies rain down That would scare Jupiter Ammon!
I don't need to say How it happened,
(Since Jenkins has recounted the story
Again and again and again,[Pg 164]
In a style I can never reach,
And wrapped himself in glory!)
One summer day, The king of the Cubans walked this way—
They say his name is King January—
And fell in love with Princess May,
The reigning beauty of Manhattan; Nor how he started to smirk and pursue, And dress like lovers who are here to win each other over,
Or as Max Maretzek and Jullien do, When they are fully bloomed in the ladies' sight,
And wave the amazing baton.
He wasn't one of your Polish nobles,
Whose presence somehow disturbs their country, And so our cities welcome them;
Nor one of your pretend Spanish lords,
Who tempt our daughters with falsehoods and sweets,
Until the poor girls trust them. No, he was not that kind of fraud—
Count de Hoboken One-hit wonder,
Full of swagger and bragging— But a regular, wealthy Don Rataplan,
Santa Claus of Muscovado, Mr. Grandissimo Bastinado.
He rented half of Havana. And all Matanzas; and Santa Anna,
Rich as he was, he could hardly hold on. A candle to illuminate the gold mines
Our Cuban-owned place is packed with diggers;
And large farms that, in approximate numbers, I'm sorry, I can't assist with that.
"Collect your rosebuds while you can!"
The Señor promised to win the day,
To capture the beautiful Princess May,
With his stash of treasure; She shouldn't be without velvet and lace; Tiffany, Haughwout, Ball & Black, Genin and Stewart should support his case,
And come and go as she wishes; Jet and lava—silver and gold—
Garnets—emeralds are rare to see——
Diamonds, sapphires, untold wealth—
Everything was hers to own and cherish: Enough to fill a peck!
He didn't deploy all his forces. Right away, but with the cunning of a savvy old Don,
How many hearts have fought and won,
Bidding slightly higher; And every time he placed his bet,
And what she said, and everything they did——
It was written down,
For the benefit of the town,
By Jeems, from The Daily Flyer.
You'd think a coach and horses would be worth buying. For the Don, a straightforward win;
But gradually our Princess gave in.
A diamond necklace caught her attention,
But a wreath of pearls made her sigh first. She understood the value of every fleeting glance,
And, like young foals, that leap and dance,
She took the Don for a wild dance,
Despite the wealth he had. [Pg 166]
She stood amidst a blaze of silks and laces,
Jewels and gold jewelry boxes,
And ruby brooches, along with jets and pearls,
That every one of her lovely curls Brought the price of a hundred ordinary girls;
People thought the girl insane! But finally, a magnificent diamond ring, A baby Kohinoor did the thing,
And, sighing with love, or something like that,
(What's in a name?)
Princess May agreed.
Ring! Ring the bells, and bring The people are here to witness the wedding!
Let the thin, starving, and tattered poor Gather around the grand cathedral door,
To be curious about what all the fuss is about,
And sometimes foolishly wonder
With so much sunlight and brightness, which Fall from the church upon the wealthy,
While the less fortunate get all the attention.
Ring, ring! Happy bells, ring!
O lucky few,
In blue letters,
Great for a seat and a closer view!
Lucky few, whom I won't name;
Dilettantes! Cream of the crop!
We ordinary people stood by the street front,
And caught sight of the parade. We saw the bride. In diamond pride, With jeweled maidens to protect her——
Six shiny maidens in taffeta.
She was at the front of the caravan; Close behind her, her mom (Dressed in stunning moire antique,
That was said as clearly as words can express,
She was older than the others. Leaned on the arm of Don Rataplan Santa Claus of the Muscovado Mr. Grandissimo Bastinado.
Lucky mortal! Blessed man!
And Marquis of El Dorado!
In they came, full of wealth and elegance,
Silks and satins, jewels and lace;
In they came from the blinding sun,
And soon in the church, the act was completed.
Three bishops stood on the elevated chancel:
A bond that gold and silver can purchase,
Gold and silver might still be freed,
Unless it's securely fastened; If something is worth doing, it's worth doing well,
And the sale of a young Manhattan beauty Should not be forced or rushed;
Two Very Reverends arrived on the scene, And the tall Archbishop stood in between, Through prayer and fasting humbled. The Pope himself would have traveled from Rome,
But Garibaldi kept him at home.
Maybe these robed bishops thought Their words were the force that sealed the deal; But another force that the love-knot bound, [Pg 168]
And I saw the chain around the bride's neck——
A shiny, priceless, amazing chain,
Wrapped in diamonds over and over,
As suits a diamond wedding; But it was still a chain, and I thought she knew it, And halfway wished for the strength to change it, By the secret tears she was crying.
But isn't it strange to think, whenever We all go through that awful River——
Whose slow tide alone can cut off (The Archbishop says) the Church decree, By sending one into Eternity
And letting the other live on as always——
As everyone wades through that terrible stream,
The silks that sway and the jewels that shine,
Will become pale and heavy, and fade away
To the smelly riverbed!
Then the expensive bride and her six maids Will tremble by the bank of the Styx,
Just as helpless as they were when they were born——
Naked souls, and very sad; The Princess must take care of herself,
And put her royalty aside;
She, along with the beautiful Empress over there,
Whose robes are now the amazement of the whole world, And even we ourselves, along with our dear little wives,
Who wears calico every morning of their lives, And the sewing girls, and the ragpickers,
In tattered clothes and hungry—a thin line—
And all the grooms of the caravan—
Sure, even the great Don Rataplan __A_TAG_PLACEHOLDER_0__ Santa Claus from Muscovado Mr. Grandissimo Bastinado——
That lucky, gold-plated guy——
Everyone will arrive in complete equality:
The ruler of a decorated principality Will mourn the loss of his cordon; Nothing to eat and nothing to wear. It will definitely be the trend there!>
I'll probably do it by myself; Those most accustomed to a rag and bone, Though here on Earth they work hard and sigh, Will handle it best as they move side by side. To the other side of Jordan.

When Grant's army crossed the Rappahannock Lee's veterans felt sure of sending it back as "tattered and torn" as ever it had been under the new general's numerous predecessors. After the crossing, the first prisoners caught by Mosby were asked many questions by curious Confederates.

When Grant's army crossed the Rappahannock, Lee's veterans were confident they could send it back as "tattered and torn" as it ever had been under the numerous previous generals. After the crossing, the first prisoners captured by Mosby were bombarded with questions from curious Confederates.

"What has become of your pontoon train?" said one such inquirer.

"What happened to your pontoon train?" asked one of those inquiring.

"We haven't got any," answered the prisoner.

"We don't have any," replied the prisoner.

"How do you expect to get over the river when you go back?"

"How do you think you’ll get across the river when you go back?"

"Oh," said the Yankee, "we are not going back. Grant says that all the men he sends back can cross on a log."[Pg 170]

"Oh," said the Yankee, "we're not going back. Grant says that all the men he sends back can cross on a log."[Pg 170]


JAMES RUSSELL LOWELL


WHAT MR. ROBINSON THINKS

Governor B. is a reasonable man; He stays at home and takes care of his family; He draws his furrier as straight as he can,
And into nobody's business pokes; But John P. Robinson he He says he won’t vote for Governor B.
Wow! Isn't it terrible? What should we do?
We can never choose him, of course—that's clear; I guess we have to come around, don’t you think? And go for thunder and guns, and all that; For John P. Robinson he He says he won't vote for Governor B.
General C. is a really smart man:
He's been on all sides that offer positions or wealth; But consistency was still a part of his plan——
He's been true to one party—and that is himself; So John P. Robinson he He said he will vote for General C.[Pg 171]
General C. is going to war; He doesn't value principles any more than an old chew; What did God create us rational creatures for,
But glory, gunpowder, plunder, and blood? So John P. Robinson he He says he will vote for General C.
We were doing well up here in our village,
With the old ideas of what's right and what's wrong,
We kind of thought Christ was against war and looting,
And those epaulettes weren't the best sign of a saint; But John P. Robinson he Says this kind of thing is a blown-up idea.
The side of our country must always be taken,
And President Polk, you know, he is our nation.
And the angel that writes all our sins in a book
Charges it to him and to us the per country;
And John P. Robinson he He says this is exactly how he sees things.
Parson Wilbur calls all these arguments lies;
Says there's nothing on earth but just fee, faw, fum:
And all this big talk about our destinies
It's half ignorance and the other half rum; But John P. Robinson he It says there's no such thing; and, of course, neither should we.
Parson Wilbur says he has never heard in his life The Apostles were dressed in their swallow-tail coats,
And marched around in front of a drum and a fife,
To get some of them in office and some of them votes;
But John P. Robinson he They said they didn't know everything down in Judea.
Well, it’s a miracle we’ve got people to tell us __A_TAG_PLACEHOLDER_0__ The rights and wrongs of these matters, I swear——
God sends country lawyers and other wise folks, To kick off the world's team when it gets stuck in a rut; For John P. Robinson he Says the world will be okay if he shouts out "Gee!"

Old Gentleman (to driver of street-car): "My friend, what do you do with your wages every week—put part of it in the savings bank?"

Old Gentleman (to driver of streetcar): "My friend, what do you do with your paycheck each week—do you save some of it in a bank?"

Driver: "No, sir. After payin' the butcher an' grocer an' rent, I pack away what's left in barrels. I'm 'fraid of them savin's banks."[Pg 173]

Driver: "No, sir. After paying the butcher, the grocer, and rent, I stash what's left in barrels. I'm afraid of those savings banks."[Pg 173]


MUSIC BY THE CHOIR

After the church organist had played a voluntary, introducing airs from "1492" and "The Black Crook"—which, of course, were not recognized by the congregation—the choir arose for its first anthem of the morning.

After the church organist played a voluntary, featuring tunes from "1492" and "The Black Crook"—which, of course, the congregation didn't recognize—the choir stood up for its first anthem of the morning.

The choir was made up of two parts, a quartette and a chorus. The former occupied seats in the front row—because the members were paid. The chorus was grouped about, and made a somewhat striking as well as startling picture. There were some who could sing; some who thought they could; and there were others.

The choir consisted of two groups, a quartet and a chorus. The quartet sat in the front row since they were paid. The chorus was arranged around them, creating a rather eye-catching and surprising scene. Some members could sing well, some thought they could sing, and there were others.

The leader of this aggregation was the tenor of the quartette. He was tall, but his neck was responsible for considerable of his extreme height. Because he was paid to lead that choir he gave the impression to those who saw him that he was cutting some ice. A greater part of his contortions were lost because the audience did not face the choir.

The leader of this group was the tenor of the quartet. He was tall, but his long neck contributed significantly to his height. Since he was paid to lead the choir, he gave the impression to those watching that he was quite important. Most of his movements were unnoticed because the audience was not facing the choir.

The organist struck a few chords, and without any preliminary wood-sawing the choir squared itself for action. Of course, there were a few who did not find the place till after rising—this is so in all choirs—but finally all appeared to be ready. The leader let out another link in his neck, and while his head was taking a motion similar to a hen's when walking, the choir broke loose. This is what it sang:

The organist played a few chords, and without any warm-up, the choir got into position. Naturally, there were a few who didn’t find their places until after they stood up—this happens in every choir—but eventually everyone seemed ready. The conductor loosened another button on his collar, and as his head bobbed like a chicken walking, the choir launched into song. This is what they sang:

"Abide-e-e—bide—ab—abide—with abide[Pg 174] with—bide—a-a-a-a-bide—me—with me-e-e—abide with—with me—fast—f-a-a-s-t falls—abide fast the even—fast fa-a-a-lls the—abide with me—eventide—falls the e-e-eventide—fast—the—the dark—the darkness abide—the darkness deepens—Lor-r-d with me-e-e—Lord with me—deepens—Lord—Lord—darkness deepens—wi-i-th me—Lord with me—me a-a-a-a-abide."

"Stay—stay—stay with me[Pg 174] stay—stay—stay with me—quickly—the quickly falls—stay quickly, evening—the quickly falls evening—falls the evening—quickly—the—the dark—the darkness stays—the darkness deepens—Lord with me—Lord with me—the darkness deepens—Lord—Lord—darkness deepens—stay with me—Lord with me—stay."

That was the first verse.

That was the first line.

There were three others.

There were three more.

Every one is familiar with the hymn, hence it is not necessary to line the verses.

Everyone is familiar with the hymn, so there’s no need to repeat the verses.

During the performance, some who had not attended the choir rehearsal the Thursday evening previous were a little slow in spots. During the passage of these spots some would move their lips and not utter a sound, while others—particularly the ladies—found it convenient to feel of their back hair or straighten their hats. Each one who did this had a look as if she could honestly say, "I could sing that if I saw fit"—and the choir sang on.

During the performance, some people who hadn’t been at the choir rehearsal the Thursday evening before were a bit slow in certain parts. During those moments, some would move their lips without making a sound, while others—especially the ladies—took the opportunity to adjust their hair or fix their hats. Each of them had a look that seemed to say, "I could sing that if I wanted to"—and the choir continued on.

But when there came a note, a measure or a bar with which all were familiar, what a grand volume of music burst forth. It didn't happen this way many times, because the paid singers were supposed to do the greater part of the work. And the others were willing.

But when a familiar note, measure, or bar played, a magnificent wave of music erupted. This didn’t happen often, since the paid singers were expected to do most of the work. The others were happy to join in.

At one point, after a breathing spell—or a rest, as musicians say—the tenor started alone. He didn't mean to. But by this break the deacons discovered that he was in the game and earning[Pg 175] his salary. The others caught him at the first quarter, however, and away they went again, neck and neck. Before they finished, several had changed places. Sometimes "Abide" was ahead, and sometimes "Lord," but on the whole it was a pretty even thing.

At one point, after a quick break—or a rest, as musicians call it—the tenor started singing by himself. He didn’t intend to. But during this pause, the deacons realized that he was in the mix and earning[Pg 175] his paycheck. However, the others caught up to him at the first quarter, and off they went again, neck and neck. By the end, several had swapped places. Sometimes "Abide" led, and other times "Lord," but overall it was a pretty close race.

Then the minister—he drew a salary, also—read something out of the Bible, after which—as they say in the newspapers—"there was another well-rendered selection by the choir."

Then the minister—who was also paid a salary—read something from the Bible, after which—as they say in the papers—"there was another excellent performance by the choir."

This spasm was a tenor solo with chorus accompaniment. This was when he of the long neck got in his deadly work. The audience faced the choir and the salaried soloist was happy.

This spasm was a tenor solo with chorus accompaniment. This was when he of the long neck got in his deadly work. The audience faced the choir and the paid soloist was happy.

When the huddling had ceased, the soloist stepped a trifle to the front and, with the confidence born of a man who stands pat on four aces, gave a majestic sweep of his head toward the organist. He said nothing, but the movement implied, "Let 'er go, Gallagher."

When the huddling was over, the soloist moved slightly to the front and, with the confidence of someone who knows they have a winning hand, gave a grand gesture of his head toward the organist. He didn’t say a word, but the motion suggested, "Go for it, Gallagher."

Gallagher was on deck and after getting his patent leather shoes well braced on the sub-bass pedals, he knotted together a few chords, and the soloist was off. His selection was—that is, verbatim,

Gallagher was on deck and after getting his shiny black shoes securely positioned on the sub-bass pedals, he tied together a few chords, and the soloist was off. His choice was—that is, verbatim,

"Guide me, guide me, guide me, O-," Thor or Grout Jaw Ahars Vah, Pi-il-grum threw this baw-aw-raw-en larnd.

And he sang other things.

And he sang other songs.

He was away up in G. He diminuendoed, struck a cantable movement, slid up over a crescendo, tackled a second ending by mistake[Pg 176]—but it went—caught his second wind on a moderato, signified his desire for a raise in salary on a trill, did some brilliant work on a maestoso, reached high C with ease, went down into the bass clef and climbed out again, quavered and held, did sixteen notes by the handful—payable on demand—waltzed along a minor passage, gracefully turned the dal segno, skipped a chromatic run, did the con expressione act worthy of a De Reszke, poured forth volumes on a measure bold, broke the centre of an andante passage for three yards, retarded to beat the band, came near getting applause on a cadenza, took a six-barred triplet without turning a hair—then sat down.

He was up in G. He faded out, played a smooth melody, slid up over a high point, accidentally tackled a second ending— but it worked—caught his second wind on a moderate pace, indicated he wanted a salary raise with a trill, did some impressive work on a majestic piece, reached high C effortlessly, dipped down into the bass clef and climbed back up, shook and held a note, played sixteen notes in a handful—payable on demand—glided through a minor passage, gracefully turned back to the sign, skipped a chromatic run, put on a performance worthy of a De Reszke, poured out volumes on a bold measure, broke the center of an andante passage for three yards, slowed down significantly, almost received applause on a cadenza, took a six-bar triplet without flinching—then sat down.

Between whiles the chorus had been singing something else. The notes bumped against the oiled natural-wood rafters—it was a modern church—ricochetted over the memorial windows, clung lovingly to the new $200 chandelier, floated along the ridgepole, patted the bald-headed deacons fondly, and finally died away in a bunch of contribution boxes in the corner.

Between moments, the choir had been singing something different. The notes bounced off the polished natural-wood rafters—it was a modern church—bounced over the memorial windows, hugged the new $200 chandelier, floated along the ridgepole, lovingly touched the bald-headed deacons, and finally faded away amongst the collection boxes in the corner.

Then the minister preached.

Then the pastor preached.


A Chicago man who has recently returned from Europe was asked by a friend what he thought of Rome.

A Chicago man who just got back from Europe was asked by a friend what he thought of Rome.

"Well," he replied, "Rome is a fair-sized town, but I couldn't help but think when I was there that she had seen her best days."[Pg 177]

"Well," he replied, "Rome is a pretty big city, but I couldn't shake the feeling when I was there that it had already seen its better days."[Pg 177]


MARK TWAIN


THE NOTORIOUS JUMPING FROG OF CALAVERAS COUNTY[B]

In compliance with the request of a friend of mine, who wrote me from the East, I called on good-natured, garrulous old Simon Wheeler, and inquired after my friend's friend, Leonidas W. Smiley, as requested to do, and I hereunto append the result. I have a lurking suspicion that Leonidas W. Smiley is a myth; that my friend never knew such a personage; and that he only conjectured that if I asked old Wheeler about him, it would remind him of his infamous Jim Smiley, and he would go to work and bore me to death with some exasperating reminiscence of him as long and as tedious as it should be useless to me. If that was the design, it succeeded.

In line with a request from a friend of mine who wrote to me from the East, I paid a visit to the friendly, talkative old Simon Wheeler, and asked about my friend's acquaintance, Leonidas W. Smiley, as I was instructed. Here’s what I found out. I can't shake the feeling that Leonidas W. Smiley is just a made-up person; that my friend never actually knew him; and that he probably thought if I asked old Wheeler about him, it would trigger stories of his notorious Jim Smiley, leading Wheeler to go on and on with some annoying tale that would end up being completely unhelpful to me. If that was the plan, it worked perfectly.

I found Simon Wheeler dozing comfortably by the barroom stove of the dilapidated tavern in the decayed mining camp of Angel's, and I noticed that he was fat and bald-headed, and had an expression of winning gentleness and simplicity upon his tranquil countenance. He roused up, and gave me good day. I told him a friend of mine had commissioned me to make some inquiries about a cherished companion[Pg 178] of his boyhood named Leonidas W. Smiley—Reverend Leonidas W. Smiley, a young minister of the Gospel, who he had heard was at one time a resident of Angel's Camp. I added that if Mr. Wheeler could tell me anything about this Reverend Leonidas W. Smiley I would feel under many obligations to him.

I found Simon Wheeler comfortably dozing by the barroom stove in the rundown tavern of the old mining camp of Angel's, and I noticed he was overweight and bald, with a gentle and simple expression on his calm face. He woke up and greeted me. I mentioned that a friend of mine had asked me to look into a beloved companion from his childhood named Leonidas W. Smiley—Reverend Leonidas W. Smiley, a young minister of the Gospel, who he had heard used to live in Angel's Camp. I added that if Mr. Wheeler could share anything about this Reverend Leonidas W. Smiley, I would be very grateful to him.

Simon Wheeler backed me into a corner and blockaded me there with his chair, and then sat down and reeled off the monotonous narrative which follows this paragraph. He never smiled, he never frowned, he never changed his voice from the gentle-flowing key to which he tuned his initial sentence, he never betrayed the slightest suspicion of enthusiasm; but all through the interminable narrative there ran a vein of impressive earnestness and sincerity which showed me plainly that, so far from his imagining that there was anything ridiculous or funny about his story, he regarded it as a really important matter, and admired its two heroes as men of transcendent genius in finesse. I let him go on in his own way, and never interrupted him once.

Simon Wheeler backed me into a corner and blocked me there with his chair, then sat down and launched into the dull story that follows this paragraph. He never smiled, never frowned, never changed his voice from the smooth tone he set at the start, and never showed the slightest hint of excitement; yet throughout the endless story, there was a strong sense of seriousness and sincerity that made it clear he believed, rather than seeing anything funny or silly about his tale, he thought it was truly important and viewed its two protagonists as exceptionally talented in finesse. I let him continue without interrupting even once.

Reverend Leonidas W. H'm, Reverend Le—well, there was a feller here once by the name of Jim Smiley, in the winter of '49—or maybe it was the spring of '50—I don't recollect exactly, somehow, though what makes me think it was one or the other is because I remember the big flume warn't finished when he first come to the camp; but anyway, he was the curiosest man about always betting on anything[Pg 179] that turned up you ever see, if he could get anybody to bet on the other side; and if he couldn't he'd change sides. Any way that suited the other man would suit him—any way just so's he got a bet, he was satisfied. But still he was lucky, uncommon lucky; he most always come out winner. He was always ready and laying for a chance; there couldn't be no solit'ry thing mentioned but that feller'd offer to bet on it, and take ary side you please, as I was just telling you. If there was a horse-race, you'd find him flush or you'd find him busted at the end of it; if there was a dog-fight, he'd bet on it; if there was a cat-fight, he'd bet on it; if there was a chicken-fight, he'd bet on it; why, if there was two birds setting on a fence, he would bet you which one would fly first; or if there was a camp-meeting he would be there reg'lar to bet on Parson Walker, which he judged to be the best exhorter about here, and so he was too, and a good man. If he even see a straddle-bug start to go anywhere, he would bet how long it would take him to get to—to wherever he was going to, and if you took him up, he would foller that straddle-bug to Mexico but what he would find out where he was bound for and how long he was on the road. Lots of the boys here has seen that Smiley and can tell you about him. Why, it never made no difference to him—he'd bet on anything—the dangdest feller. Parson Walker's wife laid very sick once, for a good while, and it seemed as if they warn't[Pg 180] going to save her; but one morning he come in, and Smiley up and asked him how she was, and he said she was considable better—thank the Lord for His inf'nite mercy—and coming on so smart that with the blessing of Prov'dence she'd get well yet; and Smiley, before he thought, says, "Well, I'll resk two-and-a-half she don't anyway."

Reverend Leonidas W. H'm, Reverend Le—well, there was a guy here once named Jim Smiley, in the winter of '49—or maybe it was the spring of '50—I can't remember exactly, but what makes me think it was one or the other is because I recall the big flume wasn't finished when he first arrived at the camp; but anyway, he was the most curious man about always betting on anything[Pg 179] that came up if he could get anyone to bet on the other side; and if he couldn't, he'd just switch sides. Any way that worked for the other person was fine with him—as long as he got a bet, he was happy. But still, he was lucky, unusually lucky; he almost always came out on top. He was always ready and looking for a chance; there wasn’t a single thing you could mention that guy wouldn’t offer to bet on, and he'd take either side, just like I was telling you. If there was a horse race, you'd find him either flush or broke at the end of it; if there was a dog fight, he'd bet on it; if there was a cat fight, he'd bet on that too; if there was a chicken fight, he’d bet on that as well; heck, if there were two birds sitting on a fence, he would bet you which one would fly first; or if there was a camp meeting, he'd be there regularly to bet on Parson Walker, whom he thought was the best preacher around, and he was, too, and a good man. If he even saw a straddle-bug start to move anywhere, he would bet on how long it would take him to get to—wherever he was going—and if you took him up on it, he would follow that straddle-bug to Mexico just to find out where it was headed and how long it took. A lot of the guys here have seen Smiley and can tell you about him. It really didn’t matter to him—he'd bet on anything—the strangest guy. Parson Walker's wife was very sick once, for a long time, and it seemed like they weren't[Pg 180] going to save her; but one morning he came in, and Smiley asked him how she was, and he said she was considerably better—thank the Lord for His infinite mercy—and coming along so well that with the blessing of Providence she’d get better yet; and Smiley, before he thought, said, "Well, I’ll bet two-and-a-half she doesn’t, anyway."

Thish-yer Smiley had a mare—the boys called her the fifteen-minute nag, but that was only in fun, you know, because of course she was faster than that—and he used to win money on that horse, for all she was slow and always had the asthma, or the distemper, or the consumption, or something of that kind. They used to give her two or three hundred yards start, and then pass her under way; but always at the fag end of the race she'd get excited and desperate like, and come cavorting and straddling up, and scattering her legs around limber, sometimes in the air and sometimes out to one side among the fences, and kicking up m-o-r-e dust and raising m-o-r-e racket with her coughing and sneezing and blowing her nose—and always fetch up at the stand just about a neck ahead, as near as you could cipher it down.

This Smiley had a mare—the boys called her the fifteen-minute nag, but that was just for fun, you know, because she was actually faster than that—and he used to make money off that horse, despite her being slow and always having some kind of asthma, distemper, or consumption. They would give her a two or three hundred yard head start, then pass her while she was running; but always at the very end of the race, she’d get all excited and desperate, and come bounding and strutting up, scattering her legs all over the place, sometimes in the air and sometimes out to the side among the fences, kicking up even more dust and making even more noise with her coughing, sneezing, and blowing her nose—and always end up at the stand just about a neck ahead, as close as you could figure it.

And he had a little small bull-pup, that to look at him you'd think he warn't worth a cent but to set around and look ornery and lay for a chance to steal something. But as soon as money was up on him he was a different dog; his under-jaw'd begin to stick out like the[Pg 181] fo'castle of a steamboat, and his teeth would uncover and shine like the furnaces. And a dog might tackle him and bully-rag him, and bite him, and throw him over his shoulder two or three times, and Andrew Jackson—which was the name of the pup—Andrew Jackson would never let on but what he was satisfied, and hadn't expected nothing else—and the bets being doubled and doubled on the other side all the time, till the money was all up; and then all of a sudden he would grab that other dog just by the j'int of his hind leg and freeze to it—not chaw, you understand, but only just grip and hang on till they throwed up the sponge, if it was a year. Smiley always come out winner on that pup, till he harnessed a dog once that didn't have no hind legs, because they'd been sawed off in a circular saw, and when the thing had gone along far enough, and the money was all up, and he come to make a snatch for his pet holt, he see in a minute how he'd been imposed on, and how the other dog had him in the door, so to speak, and he 'peared surprised, and then he looked sorter discouraged-like, and didn't try no more to win the fight, and so he got shucked out bad. He give Smiley a look, as much as to say his heart was broke, and it was his fault, for putting up a dog that hadn't no hind legs for him to take holt of, which was his main dependence in a fight, and then he limped off a piece and laid down and died. It was a good pup, was that Andrew Jackson, and would have[Pg 182] made a name for hisself if he'd lived, for the stuff was in him and he had genius—I know it, because he hadn't no opportunities to speak of, and it don't stand to reason that a dog could make such a fight as he could under them circumstances if he hadn't no talent. It always makes me feel sorry when I think of that last fight of his'n, and the way it turned out.

And he had this little bull-pup that, if you looked at him, you’d think he wasn’t worth a penny except to sit around and look mean and wait for a chance to steal something. But as soon as there was money riding on him, he became a completely different dog; his jaw would jut out like the fo'castle of a steamboat, and his teeth would gleam like the furnaces. A dog could tackle him, bully him, bite him, and throw him over its shoulder a few times, and Andrew Jackson—which was the name of the pup—would never let on that he wasn’t satisfied, like he hadn’t expected anything else—and the bets would keep doubling on the other side until all the money was up; then suddenly he would grab that other dog right at the joint of its hind leg and hold on—not chewing, you understand, but just gripping and hanging on until they threw in the towel, even if it took a year. Smiley always came out on top with that pup until he matched him against a dog that didn’t have any hind legs because they had been sawed off. When things progressed far enough, and all the money was on the line, and he went to grab his usual hold, he realized right away how he’d been tricked and how the other dog had him in a tough spot, so to speak. He looked surprised, then sort of discouraged, and didn’t try to win the fight anymore, so he ended up badly. He gave Smiley a look as if to say his heart was broken, and it was his fault for using a dog without hind legs, which was his main advantage in a fight. Then he limped off a little and lay down and died. Andrew Jackson was a good pup and would have made a name for himself if he had lived; he had the stuff in him and had talent—I know it, because he didn’t have many opportunities, and it doesn’t make sense that a dog could fight as well as he did under those circumstances if he didn’t have talent. It always makes me feel sad when I think about that last fight of his and how it turned out.

Well, thish-yer Smiley had rat-tarriers, and chicken cocks, and tom-cats, and all them kind of things till you couldn't rest, and you couldn't fetch nothing for him to bet on but he'd match you. He ketched a frog one day, and took him home, and said he cal'lated to educate him; and so he never done nothing for three months but set in his back yard and learn that frog to jump. And you bet you he did learn him, too. He'd give him a little punch behind, and the next minute you'd see that frog whirling in the air like a doughnut—see him turn one summerset, or maybe a couple, if he got a good start, and come down flat-footed and all right, like a cat. He got him up so in the matter of ketching flies, and kep' him in practice so constant, that he'd nail a fly every time as fur as he could see him. Smiley said all a frog wanted was education and he could do 'most anything—and I believe him. Why, I've seen him set Dan'l Webster down here on this floor—Dan'l Webster was the name of the frog—and sing out, "Flies, Dan'l, flies!" and quicker'n you could wink he'd spring straight up and snake a fly off'n the[Pg 183] counter there, and flop down on the floor ag'in as solid as a gob of mud, and fall to scratching the side of his head with his hind foot as indifferent as if he hadn't no idea he'd been doin' any more'n any frog might do. You never see a frog so modest and straightfor'ard as he was, for all he was so gifted. And when it come to fair and square jumping on a dead level, he could get over more ground at one straddle than any animal of his breed you ever see. Jumping on a dead level was his strong suit, you understand; and when it come to that, Smiley would ante up money on him as long as he had a red. Smiley was monstrous proud of his frog, and well he might be, for fellers that had traveled and been everywheres all said he laid over any frog that ever they see.

Well, this Smiley had rat terriers, and roosters, and tomcats, and all those kinds of animals until you couldn’t get any peace. He’d bet on anything you could bring to him. One day, he caught a frog and took it home, saying he planned to train it. So for three months, he just sat in his backyard teaching that frog to jump. And you can bet he really did teach it, too. He’d give it a little nudge, and the next minute you’d see that frog flying in the air like a doughnut—sometimes doing one flip, or maybe even two if it had a good start, and landing perfectly on its feet, just like a cat. He trained it so well for catching flies and practiced so much that it could catch a fly every time it spotted one. Smiley said all a frog needed was education, and it could do almost anything—and I believe him. I’ve seen him set Dan’l Webster down here on this floor—Dan’l Webster was the name of the frog—and shout, “Flies, Dan’l, flies!” and faster than you could blink, he’d jump straight up and grab a fly off the [Pg 183] counter, then land back on the floor as solid as a lump of mud, casually scratching his head with his back foot as if he hadn’t just done anything special. You’d never see a frog so modest and straightforward as he was, despite being so talented. And when it came to fair and square jumping on a flat surface, he could cover more ground in one leap than any animal of his kind you’ve ever seen. Jumping on a flat surface was his strong suit, you know; and when it came to that, Smiley would bet money on him as long as he had even a penny left. Smiley was really proud of his frog, and rightly so, because guys who had traveled everywhere all said he was better than any frog they’d ever seen.

Well, Smiley kep' the beast in a little lattice box, and he used to fetch him downtown sometimes and lay for a bet. One day a feller—a stranger in the camp, he was—come acrost him with his box, and says:

Well, Smiley kept the creature in a small wooden box, and he would occasionally take him downtown to place bets. One day, a guy—a newcomer to the camp—ran into him with his box and said:

"What might it be that you've got in the box?"

"What do you have in the box?"

And Smiley says, sorter indifferent-like, "It might be a parrot, or it might be a canary, maybe, but it ain't—it's only just a frog."

And Smiley says, sort of casually, "It could be a parrot, or maybe a canary, but it’s not—it's just a frog."

And the feller took it, and looked at it careful, and turned it round this way and that, and says, "H'm—so 'tis. Well, what's he good for?"

And the guy took it, looked at it closely, turned it this way and that, and said, "Hmm—so it is. Well, what's he good for?"

"Well," Smiley says, easy and careless, "he's good enough for one thing, I should judge—he can outjump any frog in Calaveras County."[Pg 184]

"Well," Smiley says, casually and without a care, "he's good for one thing, as far as I can tell—he can outjump any frog in Calaveras County."[Pg 184]

The feller took the box again, and took another long, particular look, and give it back to Smiley, and says, very deliberate, "Well," he says, "I don't see no p'ints about that frog that's any better'n any other frog."

The guy took the box again, took another long, careful look, gave it back to Smiley, and said, very deliberately, "Well," he said, "I don't see anything about that frog that's any better than any other frog."

"Maybe you don't," Smiley says. "Maybe you understand frogs and maybe you don't understand 'em; maybe you've had experience, and maybe you ain't only a amature, as it were. Anyways, I've got my opinion, and I'll resk forty dollars that he can outjump any frog in Calaveras County."

"Maybe you don't," Smiley says. "Maybe you get frogs and maybe you don't; maybe you've had some experience, and maybe you're just an amateur, so to speak. Anyway, I've got my opinion, and I'll bet forty dollars that he can outjump any frog in Calaveras County."

And the feller studied a minute, and then says, kinder sad like, "Well, I'm only a stranger here, and I ain't got no frog; but if I had a frog I'd bet you."

And the guy thought for a minute and then said, kind of sadly, "Well, I'm just a stranger here, and I don't have a frog; but if I did have a frog, I'd bet you."

And then Smiley says, "That's all right—that's all right—if you'll hold my box a minute I'll go and get you a frog." And so the feller took the box, and put up his forty dollars along with Smiley's, and set down to wait.

And then Smiley says, "That's fine—that's fine—if you'll hold my box for a minute, I'll go grab you a frog." So the guy took the box, put down his forty dollars along with Smiley's, and sat down to wait.

So he set there a good while thinking and thinking to himself, and then he got the frog out and prized his mouth open and took a teaspoon and filled him full of quail shot—filled him pretty near up to his chin—and set him on the floor. Smiley he went to the swamp and slopped around in the mud for a long time, and finally he ketched a frog, and fetched him in, and give him to this feller, and says:

So he sat there for a good while, deep in thought, and then he pulled out the frog and pried its mouth open. He took a teaspoon and filled it with quail shot—almost up to its chin—and set it on the floor. Smiley went to the swamp and splashed around in the mud for a long time, and finally he caught a frog, brought it back, and gave it to this guy, saying:

"Now, if you're ready, set him alongside of Dan'l with his forepaws just even with Dan'l's,[Pg 185] and I'll give the word." Then he says, "One—two—three—git!" and him and the feller touched up the frogs from behind, and the new frog hopped off lively, but Dan'l give a heave, and hysted up his shoulders—so—like a Frenchman, but it warn't no use—he couldn't budge; he was planted as solid as a church, and he couldn't no more stir than if he was anchored out. Smiley was a good deal surprised, and he was disgusted too, but he didn't have no idea what the matter was, of course.

"Now, if you're ready, put him next to Dan'l so their front paws are even,[Pg 185] and I'll give the signal." Then he says, "One—two—three—go!" and him and the guy nudged the frogs from behind, and the new frog jumped off energetically, but Dan'l jerked and lifted his shoulders—like a Frenchman—but it was useless—he couldn't move; he was as solid as a rock, and he couldn't budge at all, as if he were anchored. Smiley was pretty surprised, and he was also frustrated, but of course, he had no idea what was going on.

The feller took the money and started away; and when he was going out at the door, he sorter jerked his thumb over his shoulder—so—at Dan'l, and says again, very deliberate, "Well," he says, "I don't see no p'ints about that frog that's any better'n any other frog."

The guy took the money and started to leave; and when he was heading out the door, he kind of pointed his thumb over his shoulder—like that—at Dan’l, and said again, very clearly, "Well," he says, "I don't see anything special about that frog that's any better than any other frog."

Smiley he stood scratching his head and looking down at Dan'l a long time, and at last he says, "I do wonder what in the nation that frog throw'd off for—I wonder if there ain't something the matter with him—he 'pears to look mighty baggy, somehow." And he ketched Dan'l by the nap of the neck, and hefted him, and says, "Why, blame my cats if he don't weigh five pound!" and turned him upside down and he belched out a double handful of shot. And then he see how it was, and he was the maddest man—he set the frog down and took out after that feller, but he never ketched him. And——

Smiling, he stood there scratching his head and staring down at Dan'l for a long time. Finally, he said, "I really wonder what that frog spit out for—I wonder if something's wrong with him—he seems to look pretty saggy, somehow." He grabbed Dan'l by the back of the neck, lifted him up, and said, "Well, I’ll be damned if he doesn’t weigh five pounds!" Then he turned him upside down, and a handful of shot came pouring out. Once he figured it out, he was furious—he set the frog down and chased after that guy, but he never caught him. And——

[Here Simon Wheeler heard his name called[Pg 186] from the front yard, and got up to see what was wanted.] And turning to me as he moved away, he said: "Just set where you are, stranger, and rest easy—I ain't going to be gone a second."

[Here Simon Wheeler heard his name called[Pg 186] from the front yard, and got up to see what was wanted.] As he turned to me while moving away, he said: "Just stay where you are, stranger, and relax—I won't be gone long."

But, by your leave, I did not think that a continuation of the history of the enterprising vagabond Jim Smiley would be likely to afford me much information concerning the Reverend Leonidas W. Smiley, and so I started away.

But, if you don’t mind, I didn't think that continuing the story of the adventurous wanderer Jim Smiley would give me much insight into the Reverend Leonidas W. Smiley, so I headed off.

At the door I met the sociable Wheeler returning, and he buttonholed me and recommenced:

At the door, I ran into the friendly Wheeler coming back, and he stopped me and started again:

"Well, thish-yer Smiley had a yaller, one-eyed cow that didn't have no tail, only just a short stump like a bannanner, and——"

"Well, this Smiley had a yellow, one-eyed cow that didn’t have a tail, just a short stub like a banana, and——"

However, lacking both time and inclination, I did not wait to hear about the afflicted cow, but took my leave.

However, without the time or desire, I didn’t stick around to hear about the sick cow, so I said my goodbyes.



FOOTNOTES

[A] it wuz "tumblebug" as he Writ it, but the parson put the Latten instid. i said tother maid better meeter, but he said tha was eddykated peepl to Boston and tha wouldn't stan' it no how, idnow as tha wood and idnow as tha wood.—H. B.

[A] it was "tumblebug" as he wrote it, but the preacher put the Latten instead. I said the other made better sense, but he said that educated people in Boston wouldn’t stand for it anyway, I know they wouldn’t and I know they wouldn't.—H. B.

[B] By permission of the American Publishing Company.

[B] With permission from the American Publishing Company.




        
        
    
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