This is a modern-English version of Peeps at Many Lands: Ancient Egypt, originally written by Baikie, James. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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cover.

PEEPS AT
MANY LANDS
ANCIENT EGYPT


BY
REV. JAMES BAIKIE, F.R.A.S.



PLATE 1. PLATE 1. AN EGYPTIAN WARSHIP.


PEEPS AT MANY LANDS
ANCIENT EGYPT


BY
REV. JAMES BAIKIE, F.R.A.S.

AUTHOR OF
"PEEPS AT THE HEAVENS,"
"THE STORY OF THE PHARAOHS,"
"THE SEA KINGS OF CRETE," ETC.

WITH SIXTEEN FULL-PAGE ILLUSTRATIONS,
THOSE IN COLOUR BEING BY
CONSTANCE N. BAIKIE

A. & C. BLACK, LTD.
4, 5 & 6, SOHO SQUARE, LONDON, W.
1916

A. & C. BLACK, LTD.
4, 5 & 6, SOHO SQUARE, LONDON, W.
1916

First published October 1912
Reprinted January and April 1916


First published October 1912
Reprinted January and April 1916


AGENTS

USATHE MACMILLAN COMPANY
64 & 66 5th Avenue, NEW YORK
AustralasiaOXFORD UNIVERSITY PRESS
205 Flinders Lane, MELBOURNE
CANADATHE MACMILLAN COMPANY OF CANADA, LTD.
St. Martin's House, 70 Bond Street, TORONTO
IndiaMACMILLAN & COMPANY, LTD.
Macmillan Building, BOMBAY
309 Bow Bazaar St., CALCUTTA

Printed in Great Britain.

Printed in the UK.


CONTENTS

PAGE
I. A LAND OF OLD RENOWN 1
II. A DAY IN THEBES 6
III. A DAY IN THEBES (continued) 11
IV. PHARAOH AT HOME 17
V. THE LIFE OF A SOLDIER 24
VI. CHILD-LIFE IN ANCIENT EGYPT 33
VII. SOME FAIRY-TALES OF LONG AGO 41
VIII. SOME FAIRY-TALES OF LONG AGO (continued) 47
IX. EXPLORING THE SOUDAN 54
X. A VOYAGE OF DISCOVERY 59
XI. EGYPTIAN BOOKS 66
XII. TEMPLES AND TOMBS 72
XIII. AN EGYPTIAN'S HEAVEN 82

LIST OF ILLUSTRATIONS

PLATE
*1. AN EGYPTIAN GALLEY, 1500 B.C.Frontispiece
FACING PAGE
2.THE GODDESS ISIS DANDLING THE KING9
3.THE GREAT GATE OF THE TEMPLE OF LUXOR, WITH OBELISK16
*4.RAMSES II. IN HIS WAR-CHARIOT—SARDINIAN GUARDSMEN ON FOOT25
*5. ZAZAMANKH AND THE LOST CORONET32
6.GRANITE STATUE OF RAMSES II.35
7. NAVE OF THE TEMPLE AT KARNAK38
*8. "AND THE GOOSE STOOD UP AND CACKLED"41
*9. AN EGYPTIAN COUNTRY HOUSE48
10. STATUES OF KING AMENHOTEP III.51
11. THE SPHINX AND THE SECOND PYRAMID54
*12. A DESERT POSTMAN57
*13.THE BARK OF THE MOON, GUARDED BY THE DIVINE EYES64
14.GATEWAY OF THE TEMPLE OF EDFU73
15.WALL-PICTURES IN A THEBAN TOMB80
*16.PHARAOH ON HIS THRONE20
Sketch-Map of Ancient Egypt on page viii
* These eight illustrations are in colour; the others are in black and white.

SKETCH-MAP OF ANCIENT EGYPT. MAP OF ANCIENT EGYPT.

CHAPTER I

"A LAND OF OLD RENOWN"

If we were asked to name the most interesting country in the world, I suppose that most people would say Palestine—not because there is anything so very wonderful in the land itself, but because of all the great things that have happened there, and above all because of its having been the home of our Lord. But after Palestine, I think that Egypt would come next. For one thing, it is linked very closely to Palestine by all those beautiful stories of the Old Testament, which tell us of Joseph, the slave-boy who became Viceroy of Egypt; of Moses, the Hebrew child who became a Prince of Pharaoh's household; and of the wonderful exodus of the Children of Israel.

If we were asked to name the most interesting country in the world, I think most people would say Palestine—not because the land itself is particularly amazing, but because of all the significant events that have taken place there, especially since it was the home of our Lord. After Palestine, I believe Egypt would be next in line. For one reason, it’s closely connected to Palestine through all those beautiful stories in the Old Testament, which tell us about Joseph, the slave boy who became Viceroy of Egypt; about Moses, the Hebrew child who became a Prince in Pharaoh's household; and about the incredible exodus of the Children of Israel.

But besides that, it is a land which has a most strange and wonderful story of its own. No other country has so long a history of great Kings, and wise men, and brave soldiers; and in no other country can you see anything to compare with the great buildings, some of them most beautiful, all of them most wonderful, of which Egypt has so many. We have some old and interesting buildings in this country, and people go far to see cathedrals and castles that are perhaps five or[Pg 2] six hundred years old, or even more; but in Egypt, buildings of that age are looked upon as almost new, and nobody pays very much attention to them. For the great temples and tombs of Egypt were, many of them, hundreds of years old before the story of our Bible, properly speaking, begins.

But aside from that, it’s a land with a really strange and amazing story of its own. No other country has such a long history of great kings, wise men, and brave soldiers; and in no other country can you see anything that compares to the incredible buildings, some of them really beautiful, all of them truly remarkable, that Egypt has in abundance. We have some old and interesting buildings in this country, and people travel far to see cathedrals and castles that are maybe five or[Pg 2] six hundred years old, or even older; but in Egypt, structures that age are considered almost new, and nobody pays much attention to them. Because the great temples and tombs of Egypt were, many of them, hundreds of years old before the story of our Bible really begins.

The Pyramids, for instance, those huge piles that are still the wonder of the world, were far older than any building now standing in Europe, before Joseph was sold to be a slave in Potiphar's house. Hundreds upon hundreds of years before anyone had ever heard of the Greeks and the Romans, there were great Kings reigning in Egypt, sending out their armies to conquer Syria and the Soudan, and their ships to explore the unknown southern seas, and wise men were writing books which we can still read. When Britain was a wild, unknown island, inhabited only by savages as fierce and untaught as the South Sea Islanders, Egypt was a great and highly civilized country, full of great cities, with noble palaces and temples, and its people were wise and learned.

The Pyramids, for example, those massive structures that still amaze us today, were much older than any buildings currently standing in Europe, long before Joseph was sold into slavery in Potiphar's house. Hundreds of years before anyone even knew about the Greeks and the Romans, powerful kings were ruling in Egypt, sending their armies to conquer Syria and Sudan, and their ships to explore the uncharted southern seas, while scholars were writing books that we can still read today. When Britain was a wild, unknown island, inhabited only by fierce and uneducated tribes similar to the South Sea Islanders, Egypt was a great and advanced civilization, filled with impressive cities, grand palaces and temples, and its people were knowledgeable and educated.

So in this little book I want to tell you something about this wonderful and interesting old country, and about the kind of life that people lived in it in those days of long ago, before most other lands had begun to waken up, or to have any history at all. First of all, let us try to get an idea of the land itself. It is a very remarkable thing that so many of the countries which have played a great part in the history of the world have been small countries. Our own Britain is not very big, though it has had a great story. Palestine, which has done more than any other country to make the world what it is to-day, was called "the least of all[Pg 3] lands." Greece, whose influence comes, perhaps, next after that of Palestine, is only a little hilly corner of Southern Europe. And Egypt, too, is comparatively a small land.

So, in this little book, I want to share some thoughts about this amazing and fascinating old country, and about the way people lived there in those long-ago days, before most other places had really started to wake up or develop any history at all. First, let’s try to picture the land itself. It’s quite remarkable that so many countries that have played a significant role in world history are actually quite small. Our own Britain isn’t very large, yet it has an incredible story. Palestine, which has shaped the world more than any other country, was referred to as "the least of all[Pg 3] lands." Greece, which has had a major influence, is just a small hilly corner of Southern Europe. And Egypt is also relatively a small country.

It looks a fair size when you see it on the map; but you have to remember that nearly all the land which is called Egypt on the map is barren sandy desert, or wild rocky hill-country, where no one can live. The real Egypt is just a narrow strip of land on either side of the great River Nile, sometimes only a mile or two broad altogether, never more than thirty miles broad, except near the mouth of the river, where it widens out into the fan-shaped plain called the Delta. Someone has compared Egypt to a lily with a crooked stem, and the comparison is very true. The long winding valley of the Nile is the crooked stem of the lily, and the Delta at the Nile mouth, with its wide stretch of fertile soil, is the flower; while, just below the flower, there is a little bud—a fertile valley called the Fayum.

It looks pretty big when you check it out on the map, but you have to keep in mind that almost all the land labeled as Egypt is barren sandy desert or rugged hills where no one can live. The real Egypt is just a narrow strip of land on either side of the mighty River Nile, sometimes only a mile or two wide, never more than thirty miles wide, except near the river's mouth, where it expands into the fan-shaped area called the Delta. Someone once likened Egypt to a lily with a crooked stem, and that comparison really holds up. The long, winding valley of the Nile is the crooked stem of the lily, and the Delta at the river's mouth, with its broad stretch of fertile soil, is the flower; right below the flower, there's a little bud—a fertile valley known as the Fayum.

Long before even Egyptian history begins, there was no bloom on the lily. The Nile, a far bigger river then than it is now, ran into the sea near Cairo, the modern capital of Egypt; and the land was nothing but the narrow valley of the river, bordered on either side by desert hills. But gradually, century by century, the Nile cut its way deeper down into the land, leaving banks of soil on either side between itself and the hills, and the mud which it brought down in its waters piled up at its mouth and pressed the sea back, till, at last, the Delta was formed, much as we see it now. This was long before Egypt had any story of its own; but even after history begins the Delta was still partly marshy land, not long reclaimed from the sea, and the real Egyptians[Pg 4] of the valley despised the people who lived there as mere marsh-dwellers. Even after the Delta was formed, the whole country was only about twice as large as Wales, and, though there was a great number of people in it for its size, the population was only, at the most, about twice as great as that of London.

Long before Egyptian history even began, there were no blooms on the lily. The Nile, much larger back then than it is now, flowed into the sea near Cairo, the current capital of Egypt; and the land consisted solely of the narrow valley of the river, flanked by desert hills on either side. Over time, century by century, the Nile carved its way deeper into the land, leaving banks of soil on both sides between itself and the hills, while the mud it carried built up at its mouth and pushed the sea back, until eventually, the Delta was formed, resembling what we see today. This was long before Egypt had its own story; however, even once history began, the Delta was still partly wetland, only recently reclaimed from the sea, and the true Egyptians[Pg 4] of the valley looked down on those who lived there as mere marsh-dwellers. Even after the Delta took shape, the whole country was only about twice the size of Wales, and although there was a significant population for its size, it was only at most about twice as large as London’s population.

An old Greek historian once said, "Egypt is the gift of the Nile," and it is perfectly true. We have seen how the great river made the country to begin with, cutting out the narrow valley through the hills, and building up the flat plain of the Delta. But the Nile has not only made the country; it keeps it alive. You know that Egypt has always been one of the most fertile lands in the world. Almost anything will grow there, and it produces wonderful crops of corn and vegetables, and, nowadays, of cotton. It was the same in old days. When Rome was the capital of the world, she used to get most of the corn to feed her hungry thousands from Egypt by the famous Alexandrian corn-ships; and you remember how, in the Bible story, Joseph's brethren came down from Palestine because, though there was famine there, there was "corn in Egypt." And yet Egypt is a land where rain is almost unknown. Sometimes there will come a heavy thunder-shower; but for month after month, year in and year out, there may be no rain at all.

An ancient Greek historian once said, "Egypt is the gift of the Nile," and that’s completely true. We’ve seen how the great river created the country in the first place, carving out the narrow valley through the hills and forming the flat plain of the Delta. But the Nile hasn't just created the land; it keeps it thriving. As you know, Egypt has always been one of the richest agricultural areas in the world. Almost anything can grow there, and it produces amazing crops of grain and vegetables, and nowadays, cotton too. It was the same in ancient times. When Rome was the center of the world, it received most of its grain to feed its hungry populace from Egypt via the famous Alexandrian grain ships; and you might recall how, in the biblical story, Joseph's brothers traveled down from Palestine because, even though there was famine in their land, there was "grain in Egypt." Yet Egypt is a place where rain is almost unheard of. Sometimes a heavy thunderstorm will occur; but for months on end, year after year, there may be no rain at all.

How can a rainless country grow anything? The secret is the Nile. Every year, when the rains fall in the great lake-basin of Central Africa, from which one branch of the great river comes, and on the Abyssinian hills, where the other branch rises, the Nile comes down in flood. All the lower lands are covered, and a fresh deposit of Nile mud is left upon them; and, though[Pg 5] the river does not rise to the higher grounds, the water is led into big canals, and these, again, are divided up into little ones, till it circulates through the whole land, as the blood circulates through your arteries and veins. This keeps the land fertile, and makes up for the lack of rain.

How can a country with no rain grow anything? The secret is the Nile. Every year, when the rains fall in the vast lake-basin of Central Africa, where one branch of the great river comes from, and on the Ethiopian hills, where the other branch starts, the Nile floods. All the lower areas are covered, leaving a fresh layer of Nile mud behind; and, although[Pg 5] the river doesn't reach the higher ground, the water is channeled into large canals, which are then divided into smaller ones, until it flows throughout the entire land, just like blood flows through your arteries and veins. This keeps the land fertile and compensates for the lack of rain.

Apart from its wonderful river, the country itself has no very striking features. It is rather a monotonous land—a long ribbon of green running through a great waste of yellow desert and barren hills. But the great charm that draws people's minds to Egypt, and gives the old land a never-failing interest, is its great story of the past, and all the relics of that story which are still to be seen.

Apart from its beautiful river, the country itself doesn't have many standout characteristics. It's quite a flat landscape—a long strip of green cutting through a vast expanse of yellow desert and dry hills. However, the real allure that captivates people's attention in Egypt, and keeps the ancient land consistently fascinating, is its rich history and all the remnants of that history that can still be seen.

In no other land can you see the real people and things of the days of long ago as you can see them in Egypt. Think how we should prize an actual building that had been connected with the story of King Arthur, if such a thing could be found in our country, and what wonderful romance would belong to the weapons, the actual shields and helmets, swords and lances, of the Knights of the Round Table, Lancelot and Tristram and Galahad—if only we could find them. Out there in Egypt you can see buildings compared with which King Arthur's Camelot would be only a thing of yesterday; and you can look, not only on the weapons, but on the actual faces and forms of great Kings and soldiers who lived, and fought bravely for their country, hundreds of years before Saul and Jonathan and David began to fight the battles of Israel. You can see the pictures of how people lived in those far-away days, how their houses were built, how they traded and toiled, how they amused themselves, how[Pg 6] they behaved in time of sorrow, how they worshipped God—all set down by themselves at the very time when they were doing these things. You can even see the games at which the children used to play, and the queer old-fashioned toys and dolls that they played with, and you can read the stories which their mothers and their nurses used to tell them.

In no other place can you see the real people and things from long ago like you can in Egypt. Imagine how much we would value an actual building tied to the story of King Arthur if we could find one in our country, and how amazing it would be to see the actual weapons, shields, helmets, swords, and lances of the Knights of the Round Table—like Lancelot, Tristram, and Galahad—if only we could discover them. In Egypt, you can see structures that make King Arthur's Camelot seem like something from yesterday; you can look at not just the weapons, but also the actual faces and figures of great kings and soldiers who lived and bravely fought for their country hundreds of years before Saul, Jonathan, and David began fighting the battles of Israel. You can see the images of how people lived in those distant times, how their houses were built, how they traded and worked, how they entertained themselves, how they acted in sorrow, and how they worshipped God—all recorded by themselves at the time they were doing these things. You can even see the games children played and the strange old-fashioned toys and dolls they had, and you can read the stories their mothers and nurses used to tell them.

These are the things which make this old land of Egypt so interesting to us all to-day; and I want to try to tell you about some of them, so that you may be able to have in your mind's eye a real picture of the life of those long past days.

These are the things that make this ancient land of Egypt so fascinating to us today; and I want to share some of them with you, so you can visualize a true picture of life from those long-ago times.


CHAPTER II

A DAY IN THEBES

If any foreigner were wanting to get an idea of our country, and to see how our people live, I suppose the first place that he would go to would be London, because it is the capital of the whole country, and its greatest city; and so, if we want to learn something about Egypt, and how people lived there in those far-off days, we must try to get to the capital of the country, and see what is to be seen there.

If a foreigner wanted to understand our country and see how our people live, I guess the first place they would go is London, because it's the capital and the biggest city. Similarly, if we want to learn about Egypt and how people lived back in those ancient times, we need to visit the capital and explore what it has to offer.

Suppose, then, that we are no longer living in Britain in the twentieth century, but that somehow or other we have got away back into the past, far beyond the days of Jesus Christ, beyond even the[Pg 7] times of Moses, and are living about 1,300 years before Christ. We have come from Tyre in a Phoenician galley, laden with costly bales of cloth dyed with Tyrian purple, and beautiful vessels wrought in bronze and copper, to sell in the markets of Thebes, the greatest city in Egypt. We have coasted along past Carmel and Joppa, and, after narrowly escaping being driven in a storm on the dangerous quicksand called the Syrtis, we have entered one of the mouths of the Nile. We have taken up an Egyptian pilot at the river mouth, and he stands on a little platform at the bow of the galley, and shouts his directions to the steersmen, who work the two big rudders, one on either side of the ship's stern. The north wind is blowing strongly and driving us swiftly upstream, in spite of the current of the great river; so our weary oarsmen have shipped their oars, and we drive steadily southwards under our one big swelling sail.

Suppose we're not living in Britain in the twentieth century anymore, but somehow we’ve traveled back in time, long before Jesus Christ, even before the[Pg 7] days of Moses, and we find ourselves around 1,300 years before Christ. We’ve come from Tyre on a Phoenician ship, loaded with expensive bales of cloth dyed with Tyrian purple and beautiful bronze and copper vessels to sell in the markets of Thebes, the largest city in Egypt. We’ve sailed past Carmel and Joppa, and after narrowly avoiding a storm in the dangerous quicksand known as the Syrtis, we've entered one of the mouths of the Nile. We’ve picked up an Egyptian pilot at the river mouth, who stands on a small platform at the front of the ship, shouting directions to the steersmen, who manage the two big rudders, one on each side of the ship's stern. A strong north wind is blowing, pushing us swiftly upstream despite the river’s current, so our tired rowers have put their oars away, and we’re moving steadily southward under our large, billowing sail.

At first we sail along through a broad flat plain, partly cultivated, and partly covered with marsh and marsh plants. By-and-by the green plain begins to grow narrower; we are coming to the end of the Delta, and entering upon the real valley of Egypt. Soon we pass a great city, its temples standing out clear against the deep blue sky, with their towering gateways, gay flags floating from tall flagstaves in front of them, and great obelisks pointing to the sky; and our pilot says that this is Memphis, one of the oldest towns in the country, and for long its capital. Not far from Memphis, three great pyramid-shaped masses of stone rise up on the river-bank, looking almost like mountains; and the pilot tells us that these are the tombs of some of the great Kings of long past days, and that[Pg 8] all around them lie smaller pyramids and other tombs of Kings and great men.

At first, we sail through a wide, flat plain, part of it farmed and part covered with marshes and marsh plants. Gradually, the green plain narrows; we are reaching the end of the Delta and entering the actual valley of Egypt. Soon, we pass a large city, its temples standing out clearly against the deep blue sky, with towering gateways and colorful flags waving from tall flagpoles in front of them, along with massive obelisks pointing toward the sky. Our pilot tells us this is Memphis, one of the oldest cities in the country and its capital for a long time. Not far from Memphis, three massive pyramid-shaped stone structures rise along the riverbank, looking almost like mountains. The pilot explains that these are the tombs of some ancient kings, and that[Pg 8] smaller pyramids and other tombs of kings and notable figures lie all around them.

But we are bound for a city greater even than Memphis, and so we never stop, but hasten always southward. Several days of steady sailing carry us past many towns that cluster near the river, past one ruined city, falling into mere heaps of stone and brick, which our pilot tells us was once the capital of a wicked King who tried to cast down all the old gods of Egypt, and to set up a new god of his own; and at last we see, far ahead of us, a huge cluster of buildings on both sides of the river, which marks a city greater than we have ever seen.

But we’re headed to a city even bigger than Memphis, so we never stop and keep moving south. After several days of steady sailing, we pass many towns along the river, go by a ruined city that’s just piles of stone and brick. Our pilot says it was once the capital of a ruthless king who tried to overthrow all the old gods of Egypt and replace them with a new god of his own. Finally, we see ahead of us a massive cluster of buildings on both sides of the river, marking a city greater than any we’ve ever seen.

As we sweep up the river we see that there are really two cities. On the east bank lies the city of the living, with its strong walls and towers, its enormous temples, and an endless crowd of houses of all sorts and sizes, from the gay palaces of the nobles to the mud huts of the poor people. On the west bank lies the city of the dead. It has neither streets nor palaces, and no hum of busy life goes up from it; but it is almost more striking than its neighbour across the river. The hills and cliffs are honeycombed with long rows of black openings, the doorways of the tombs where the dead of Thebes for centuries back are sleeping. Out on the plain, between the cliffs and the river, temple rises after temple in seemingly endless succession. Some of these temples are small and partly ruined, but some are very great and splendid; and, as the sunlight strikes upon them, it sends back flashes of gold and crimson and blue that dazzle the eyes.

As we move up the river, we can see that there are actually two cities. On the east bank is the city of the living, with its strong walls and towers, its huge temples, and a never-ending crowd of houses of all kinds and sizes, from the colorful palaces of the wealthy to the mud huts of the poor. On the west bank is the city of the dead. It doesn’t have streets or palaces, and there’s no buzz of life coming from it, but it’s almost more striking than its neighbor across the river. The hills and cliffs are filled with long rows of black openings, the entrances to the tombs where the dead of Thebes have rested for centuries. Out on the plain, between the cliffs and the river, temple after temple rises in what seems like endless succession. Some of these temples are small and partially ruined, but others are grand and magnificent; and as the sunlight hits them, it sends back glimmers of gold, crimson, and blue that dazzle the eyes.

Plate 2  THE GODDESS ISIS DANDLING THE KING. Page 18 Plate 2
THE GODDESS ISIS PLAYING WITH THE KING. Page 18

But now our galley is drawing in towards the quay on the east side of the river, and in a few minutes the[Pg 9] great sail comes thundering down, and, as the ship drifts slowly up to the quay, the mooring-ropes are thrown and made fast, and our long voyage is at an end. The Egyptian Custom-house officers come on board to examine the cargo, and collect the dues that have to be paid on it; and we watch them with interest, for they are quite different in appearance from our own hook-nosed, bearded sailors, with their thick many-coloured cloaks. These Egyptians are all clean shaven; some of them wear wigs, and some have their hair cut straight across their brows, while it falls thickly behind upon their necks in a multitude of little curls, which must have taken them no small trouble to get into order. Most wear nothing but a kilt of white linen; but the chief officer has a fine white cloak thrown over his shoulders; his linen kilt is stiffly starched, so that it stands out almost like a board where it folds over in front, and he wears a gilded girdle with fringed ends which hang down nearly to his knees. In his right hand he carries a long stick, which he is not slow to lay over the shoulders of his men when they do not obey his orders fast enough.

But now our ship is approaching the dock on the east side of the river, and in a few minutes the [Pg 9] big sail comes crashing down, and as the vessel slowly drifts toward the dock, the mooring ropes are thrown and secured, marking the end of our long journey. The Egyptian customs officers come aboard to inspect the cargo and collect the fees that need to be paid; we watch them with interest, as they look quite different from our own hook-nosed, bearded sailors in their thick, colorful cloaks. These Egyptians are all clean-shaven; some wear wigs while others have their hair cut straight across their foreheads, with thick curls falling down the back of their necks, which must have taken them quite a bit of effort to style. Most wear only a white linen kilt, but the chief officer has a nice white cloak draped over his shoulders; his linen kilt is stiffly starched, making it stand out almost like a board where it folds over in front, and he has a gilded belt with fringed ends that hang down nearly to his knees. In his right hand, he carries a long stick, which he doesn't hesitate to use on his men when they don't follow his orders quickly enough.

After a good deal of hot argument, the amount of the tax is settled and paid, and we are free to go up into the great town. We have not gone far before we find that life in Thebes can be quite exciting. A great noise is heard from one of the narrow riverside streets, and a crowd of men comes rushing up with shouts and oaths. Ahead of them runs a single figure, whose writing-case, stuck in his girdle, marks him out as a scribe. He is almost at his last gasp, for he is stout and not accustomed to running; and he is evidently fleeing for his life, for the men behind him—rough, half-[Pg 10]naked, ill-fed creatures of the working class—are chasing him with cries of anger, and a good deal of stone-throwing. Bruised and bleeding, he darts up to the gate of a handsome house whose garden-wall faces the street. He gasps out a word to the porter, and is quickly passed into the garden. The gate is slammed and bolted in the faces of his pursuers, who form a ring round it, shouting and shaking their fists.

After a lot of heated arguments, the tax amount is settled and paid, and we’re free to head into the big city. We don’t get far before we realize that life in Thebes can be pretty intense. We hear a loud commotion coming from one of the narrow streets by the river, and a crowd of men comes rushing up, shouting and cursing. Leading them is a single figure, sporting a writing case tucked into his belt, marking him as a scribe. He’s clearly out of breath, as he’s overweight and not used to running; he’s obviously running for his life, with the men behind him—rough, half-naked, malnourished workers—chasing him, yelling, and throwing stones. Bruised and bleeding, he rushes to the gate of a beautiful house whose garden wall faces the street. He gasps a word to the porter, and is quickly let into the garden. The gate slams shut and locks in the faces of his pursuers, who circle it, shouting and shaking their fists.

In a little while the gate is cautiously unbarred, and a fine-looking man, very richly dressed, and followed by half a dozen well-armed negro guards, steps forward, and asks the workmen why they are here, making such a noise, and why they have chased and beaten his secretary. He is Prince Paser, who has charge of the Works Department of the Theban Government, and the workmen are masons employed on a large job in the cemetery of Thebes. They all shout at once in answer to the Prince's question; but by-and-by they push forward a spokesman, and he begins, rather sheepishly at first, but warming up as he goes along, to make their complaint to the great man.

In a little while, the gate is carefully unlatched, and a handsome man, dressed in luxurious clothes and followed by half a dozen well-armed Black guards, steps forward and asks the workers why they are here making so much noise and why they chased and assaulted his secretary. He is Prince Paser, responsible for the Works Department of the Theban Government, and the workers are masons hired for a major project in the Theban cemetery. They all shout in response to the Prince's question, but eventually, they push a spokesperson forward, who starts off a bit awkwardly but becomes more confident as he goes on to present their complaint to the important figure.

He and his mates, he says, have been working for weeks. They have had no wages; they have not even had the corn and oil which ought to be issued as rations to Government workmen. So they have struck work, and now they have come to their lord the Prince to entreat him either to give command that the rations be issued, or, if his stores are exhausted, to appeal to Pharaoh. "We have been driven here by hunger and thirst; we have no clothes, we have no oil, we have no food. Write to our lord the Pharaoh, that he may give us something for our sustenance." When the spokesman has finished his complaint, the whole crowd[Pg 11] volubly assents to what he has said, and sways to and fro in a very threatening manner.

He and his friends, he says, have been working for weeks. They haven't received any pay; they haven't even gotten the corn and oil that should be given as rations to government workers. So they've stopped working, and now they've come to their lord the Prince to ask him to either order the rations to be given out or, if his supplies are empty, to appeal to Pharaoh. "We've been driven here by hunger and thirst; we have no clothes, no oil, and no food. Write to our lord Pharaoh so he can provide us with something to eat." Once the spokesperson finishes his complaint, the whole crowd[Pg 11] loudly agrees with what he said and sways back and forth in a very intimidating way.

Prince Paser, however, is an old hand at dealing with such complaints. With a smiling face he promises that fifty sacks of corn shall be sent to the cemetery immediately, with oil to correspond. Only the workmen must go back to their work at once, and there must be no more chasing of poor Secretary Amen-nachtu. Otherwise, he can do nothing. The workmen grumble a little. They have been put off with promises before, and have got little good of them. But they have no leader bold enough to start a riot, and they have no weapons, and the spears and bows of the Prince's Nubians look dangerous. Finally they turn, and disappear, grumbling, down the street from which they came; and Prince Paser, with a shrug of his shoulders, goes indoors again. Whether the fifty sacks of corn are ever sent or not, is another matter. Strikes, you see, were not unknown, even so long ago as this.

Prince Paser, however, is experienced in handling these kinds of complaints. With a friendly smile, he promises that fifty sacks of corn will be sent to the cemetery immediately, along with oil to match. But the workers must return to their jobs right away, and there can be no more harassment of poor Secretary Amen-nachtu. Otherwise, he can't do anything. The workers grumble a bit. They've been given promises before, and those didn't amount to much. But they have no leader brave enough to start a riot, they have no weapons, and the spears and bows of the Prince's Nubians look intimidating. Eventually, they turn and walk away, grumbling, down the street they came from, while Prince Paser shrugs and heads inside again. Whether the fifty sacks of corn are ever delivered is another story. Strikes, you see, weren’t unheard of, even back then.


CHAPTER III

A DAY IN THEBES—Continued

Having seen the settlement of the masons' strike, we wander up into the heart of the town. The streets are generally narrow and winding, and here and there the houses actually meet overhead, so that we pass out of the blinding sunlight into a sort of dark tunnel. Some[Pg 12] of the houses are large and high; but even the largest make no display towards the street. They will be fine enough inside, with bright courts surrounded with trees, in the midst of which lies a cool pond of water, and with fine rooms decorated with gay hangings; but their outer walls are almost absolutely blank, with nothing but a heavy door breaking the dead line. We pass by some quarters where there is nothing but a crowd of mud huts, packed so closely together that there is only room for a single foot-passenger to thread his way through the narrow alleys between them. These are the workmen's quarters, and the heat and smell in them are so overpowering that one wonders how people can live in such places.

Having seen the resolution of the masons' strike, we make our way into the heart of the town. The streets are mostly narrow and winding, and in some places, the houses actually connect overhead, so we move from the blinding sunlight into a sort of dark tunnel. Some[Pg 12] of the houses are large and tall; but even the biggest ones don't show off much to the street. They're nice enough inside, with bright courtyards surrounded by trees, in the middle of which lies a cool pond, and with beautiful rooms decorated with colorful hangings; but their outer walls are almost completely plain, with only a heavy door interrupting the dull line. We pass by areas where there are just a bunch of mud huts, crammed so tightly together that there's only room for a single person to squeeze through the narrow alleys between them. These are the workers' quarters, and the heat and smell in them are so overwhelming that one wonders how people can live in such places.

By-and-by we come out into a more open space—one of the bazaars of the city—where business is in full swing. The shops are little shallow booths quite open to the front; and all the goods are spread out round the shopkeeper, who squats cross-legged in the middle of his property, ready to serve his customers, and invites the attention of the passers-by by loud explanations of the goodness and cheapness of his wares. All sorts of people are coming and going, for a Theban crowd holds representatives of nearly every nation known. Here are the townsfolk, men and women, out to buy supplies for their houses, or to exchange the news of the day; peasants from the villages round about, bringing in vegetables and cattle to barter for the goods which can only be got in the town; fine ladies and gentlemen, dressed elaborately in the latest Court fashion, with carefully curled wigs, long pleated robes of fine transparent linen, and dainty, brightly-coloured sandals turned up at the toes. At one moment you rub[Pg 13] shoulders with a Hittite from Kadesh, a conspicuous figure, with his high-peaked cap, pale complexion, and heavy, pointed boots. He looks round him curiously, as if thinking that Thebes would be a splendid town to plunder. Then a priest of high rank goes by, with shaven head, a panther skin slung across his shoulder over his white robe, and a roll of papyrus in his hand. A Sardinian of the bodyguard swaggers along behind him, the ball and horns on his helmet flashing in the sunlight, his big sword swinging in its sheath as he walks; and a Libyan bowman, with two bright feathers in his leather skull-cap, looks disdainfully at him as he shoulders his way through the crowd.

Eventually, we step into a more open area—one of the city’s bazaars—where business is buzzing. The shops are small, shallow booths wide open in the front; all the goods are spread out around the shopkeeper, who sits cross-legged in the middle of his merchandise, ready to serve customers while loudly promoting the quality and affordability of his products to grab the attention of passersby. All kinds of people are coming and going, as a mix of nearly every nation can be found in this Theban crowd. Here are the locals, men and women, out to buy supplies for their homes or to share the latest news; peasants from surrounding villages bring in vegetables and livestock to trade for items only available in town; and fashionable ladies and gentlemen, dressed to impress in the latest court styles, sporting carefully styled wigs, long flowing robes of fine sheer linen, and stylish, colorful sandals with upturned toes. At one moment, you bump shoulders with a Hittite from Kadesh, a striking figure with his tall cap, pale skin, and heavy, pointed boots. He glances around curiously, as if considering that Thebes would make an excellent target for plundering. Then a high-ranking priest passes by, with a shaved head, a panther skin draped over his shoulder above his white robe, and a scroll of papyrus in his hand. A Sardinian from the bodyguard struts behind him, the ball and horns on his helmet glinting in the sunlight, his large sword swinging in its sheath as he walks, while a Libyan archer, adorned with two bright feathers in his leather cap, views him with disdain as he pushes through the crowd.

All around us people are buying and selling. Money, as we know it, has not yet been invented, and nearly all the trade is done by means of exchange. When it comes to be a question of how many fish have to be given for a bed, or whether a load of onions is good value for a chair, you can imagine that there has to be a good deal of argument. Besides, the Egyptian dearly loves bargaining for the mere excitement of the thing, and so the clatter of tongues is deafening. Here and there one or two traders have advanced a little beyond the old-fashioned way of barter, and offer, instead of goods, so many rings of copper, silver, or gold wire. A peasant who has brought in a bullock to sell is offered 90 copper "uten" (as the rings are called) for it; but he loudly protests that this is robbery, and after a long argument he screws the merchant up to 111 "uten," with 8 more as a luck-penny, and the bargain is clinched. Even then the rings have still to be weighed that he may be sure he is not being cheated. So a big pair of balances is[Pg 14] brought out; the "uten" are heaped into one scale, and in the other are piled weights in the shape of bulls' heads. Finally, he is satisfied, and picks up his bag of rings; but the wily merchant is not done with him yet. He spreads out various tempting bargains before the eyes of the countryman, and, before the latter leaves the shop, most of the copper rings have found their way back again to the merchant's sack.

All around us, people are buying and selling. Money, as we know it, hasn’t been invented yet, and almost all trade is done through bartering. When it comes to deciding how many fish should be exchanged for a bed, or if a load of onions is worth a chair, you can imagine there can be a lot of arguing. Additionally, Egyptians love haggling just for the thrill of it, so the noise is overwhelming. Here and there, a few traders have moved slightly beyond traditional bartering and are offering copper, silver, or gold rings instead of goods. A farmer who has brought a bull to sell is offered 90 copper "uten" (as the rings are called) for it, but he loudly declares that’s theft, and after a long discussion, he manages to get the merchant to agree to 111 "uten," plus 8 more as a lucky charm, and the deal is set. Even after that, the rings have to be weighed to ensure he’s not being cheated. So, a large set of scales is[Pg 14] brought out; the "uten" are piled into one side, while bulls' heads serve as weights on the other. Eventually, he’s satisfied and grabs his bag of rings; but the cunning merchant isn’t finished with him yet. He lays out various tempting offers in front of the farmer, and before he leaves the shop, most of the copper rings have ended up back in the merchant's sack.

A little farther on, the Tyrian traders, to whom the cargo of our galley is consigned, have their shop. Screens, made of woven grass, shelter it from the sun, and under their shade all sorts of gorgeous stuffs are displayed, glowing with the deep rich colours, of which the Tyrians alone have the secret since the sack of Knossos destroyed the trade of Crete. Beyond the Tyrian booth, a goldsmith is busily employed in his shop. Necklets and bracelets of gold and silver, beautifully inlaid with all kinds of rich colours, hang round him; and he is hard at work, with his little furnace and blowpipe, putting the last touches to the welding of a bracelet, for which a lady is patiently waiting.

A little further on, the Tyrian traders, to whom our ship’s cargo is sent, have their shop. Screens made of woven grass protect it from the sun, and under their shade, all kinds of beautiful goods are displayed, shining with the deep, rich colors that only the Tyrians know how to create since the fall of Knossos ended Crete's trade. Beyond the Tyrian stall, a goldsmith is busy in his workshop. Necklaces and bracelets of gold and silver, intricately inlaid with various vibrant colors, hang around him, and he is hard at work with his small furnace and blowpipe, putting the finishing touches on a bracelet that a lady is patiently waiting for.

In one corner of the bazaar stands a house which makes no display of wares, but, nevertheless, seems to secure a constant stream of customers. Workmen slink in at the door, as though half ashamed of themselves, and reappear, after a little, wiping their mouths, and not quite steady in their gait. A young man, with pale and haggard face, swaggers past and goes in, and, as he enters the door, one bystander nudges another and remarks: "Pentuere is going to have a good day again; he will come to a bad end, that young man."[Pg 15]

In one corner of the market, there's a shop that doesn’t showcase any goods, yet somehow manages to attract a steady flow of customers. Workers sneak in through the door, appearing a bit embarrassed, and soon come out wiping their mouths, somewhat unsteady on their feet. A young man with a pale, worn face struts by and goes inside, and as he enters, one observer nudges another and comments, "Pentuere is going to have another good day; that guy is headed for trouble." [Pg 15]

By-and-by the door opens again, and Pentuere comes out staggering. He looks vacantly round, and tries to walk away; but his legs refuse to carry him, and, after a stumble or two, he falls in a heap and lies in the road, a pitiful sight. The passers-by jeer and laugh at him as he lies helpless; but one decent-looking man points him out to his young son, and says: "See this fellow, my son, and learn not to drink beer to excess. Thou dost fall and break thy limbs, and bespatter thyself with mud, like a crocodile, and no one reaches out a hand to thee. Thy comrades go on drinking, and say, 'Away with this fellow, who is drunk.' If anyone should seek thee on business, thou art found lying in the dust like a little child."

By and by, the door opens again, and Pentuere stumbles out. He looks around aimlessly and tries to walk away, but his legs won't support him. After a couple of wobbles, he collapses in a heap and lies in the street, a sad sight. Passersby mock and laugh at him while he’s helpless; but one respectable-looking man points him out to his young son and says, "Look at this guy, son, and learn not to drink beer too much. You’ll fall and hurt yourself, and get covered in mud, like a crocodile, and no one will help you. Your friends will keep drinking and say, 'Get lost, this guy is drunk.' If anyone comes looking for you, you'll be found lying in the dust like a little kid."

But in spite of much wise advice, the Egyptian, though generally temperate, is only too fond of making "a good day," as he calls it, at the beerhouse. Even fine ladies sometimes drink too much at their great parties, and have to be carried away very sick and miserable. Worst of all, the very judges of the High Court have been known to take a day off during the hearing of a long case, in order to have a revel with the criminals whom they were trying; and it is not so long since two of them had their noses cut off, as a warning to the rest against such shameful conduct.

But despite a lot of wise advice, the Egyptian, while usually moderate, really enjoys having "a good day," as he calls it, at the bar. Even high-class women sometimes drink too much at their fancy parties and end up being carried away feeling sick and miserable. The worst part is that even the judges of the High Court have been known to take a day off during a long case to party with the criminals they were trying; not long ago, two of them even had their noses cut off as a warning to others about such disgraceful behavior.

Sauntering onwards, we gradually get near to the sacred quarter of the town, and can see the towering gateways and obelisks of the great temples over the roofs of the houses. Soon a great crowd comes towards us, and the sounds of trumpets and flutes are heard coming from the midst of it. Inquiring what is the meaning of the bustle, we are told that one of the images of Amen, the great god of Thebes,[Pg 16] is being carried in procession as a preliminary to an important service which is to take place in the afternoon, and at which the King is going to preside. Stepping back under the doorway of a house, we watch the procession go past. After a group of musicians and singers, and a number of women who are dancing as they go, and shaking curious metal rattles, there comes a group of six men, who form the centre of the whole crowd, and on whom the eyes of all are fixed.

Sauntering onward, we gradually get closer to the sacred part of the town, and we can see the towering gateways and obelisks of the great temples rising above the rooftops. Soon, a large crowd approaches us, and the sounds of trumpets and flutes fill the air. When we ask about the commotion, we learn that one of the images of Amen, the great god of Thebes,[Pg 16] is being carried in a procession as part of a significant service set to happen in the afternoon, which the King will oversee. Stepping back under the entrance of a house, we watch the procession pass by. After a group of musicians and singers, followed by several women dancing and shaking interesting metal rattles, comes a group of six men who are at the center of the crowd, and everyone’s attention is focused on them.

They are tall, spare, keen-looking men, their heads clean shaven, their bodies wrapped in pure white robes of the beautiful Egyptian linen. On their shoulders they carry, by means of two long poles, a model of a Nile boat, in the midst of which rises a little shrine. The shrine is carefully draped round with a veil, so as to hide the god from curious eyes. But just in front of the doorway where we are standing a small stone pillar rises from the roadway, and when the bearers come to this point, the bark of the god is rested on the top of the pillar. Two censer-bearers come forward, and swing their censers, wafting clouds of incense round the shrine; a priest lifts up his voice, loudly intoning a hymn of praise to the great god who creates and sustains all things; and a few of the by-standers lay before the bark offerings of flowers, fruit, and eatables of various kinds. Then comes the solemn moment. Amid breathless silence, the veil of the shrine is slowly drawn aside, and the faithful can see a little wooden image, about 18 inches high, adorned with tall plumes, carefully dressed, and painted with green and black. The revelation of this little doll, to a Theban crowd the most sacred object in all the world, is hailed with shouts of wonder and reverence. Then[Pg 17] the veil is drawn again, the procession passes on, and the streets are left quiet for awhile.

They are tall, lean, sharp-looking men with clean-shaven heads, dressed in pure white robes made of beautiful Egyptian linen. On their shoulders, they carry a model of a Nile boat using two long poles, with a small shrine rising in the middle. The shrine is carefully draped with a veil to hide the god from curious onlookers. However, right in front of the doorway where we are standing, a small stone pillar rises from the road, and when the bearers reach this point, they rest the bark of the god on top of the pillar. Two censer-bearers step forward, swinging their censers and wafting clouds of incense around the shrine; a priest lifts his voice, loudly chanting a hymn of praise to the great god who creates and sustains everything; and a few bystanders place offerings of flowers, fruit, and various edibles in front of the bark. Then comes the solemn moment. In breathless silence, the veil of the shrine is slowly pulled aside, revealing a small wooden image, about 18 inches tall, adorned with tall plumes, carefully dressed, and painted in green and black. The unveiling of this little figure, considered the most sacred object in the world by the Theban crowd, is met with shouts of wonder and reverence. Then[Pg 17] the veil is drawn back again, the procession continues, and the streets are quiet for a while.

Plate 3  THE GREAT GATE OF THE TEMPLE OF LUXOR, WITH OBELISK. Pages 74, 75 Plate 3
THE GRAND GATE OF THE TEMPLE OF LUXOR, WITH OBELISK. Pages 74, 75

We are reminded that, if we wish to get a meal before starting out to see Pharaoh passing in procession to the temple, we had better lose no time, and so we turn our faces riverwards again, and wander down through the endless maze of streets to where our galley is moored at the quay.

We remember that if we want to grab a meal before heading out to watch Pharaoh parade to the temple, we shouldn't waste any time. So, we turn back toward the river and navigate through the endless maze of streets to where our boat is docked at the quay.


CHAPTER IV

PHARAOH AT HOME

The time is coming on now for the King to go in state to the great temple at Karnak to offer sacrifice, and as we go up to the palace to see him come forth in all his glory, let me tell you a little about him and the kind of life he leads. Pharaoh, of course, is not his real name; it is not even his official title; it is just a word which is used to describe a person who is so great that people scarcely venture to call him by his proper name. Just as the Turks nowadays speak of the "Sublime Porte," when they mean the Sultan and his Government, so the Egyptians speak of "Per-o," or Pharaoh, as we call it, which really signifies "Great House," when they mean the King.

The time is approaching for the King to make a grand entrance at the great temple in Karnak to offer a sacrifice, and as we head to the palace to see him step out in all his glory, let me tell you a bit about him and the life he leads. Pharaoh, of course, isn’t his real name; it’s not even his official title; it’s just a term used to describe someone so esteemed that people hardly dare to use his actual name. Just like the Turks today refer to the "Sublime Porte" when talking about the Sultan and his Government, the Egyptians refer to "Per-o," or Pharaoh as we say, which actually means "Great House," when they talk about the King.

For the King of Egypt is a very great man indeed; in fact, his people look upon him, and he looks upon himself, as something more than a man. There are[Pg 18] many gods in Egypt; but the god whom the people know best, and to whom they pay the most reverence, is their King. Ever since there have been Kings in the country, and that is a very long time now, the reigning monarch has been looked upon as a kind of god manifest in the flesh. He calls himself "Son of the Sun"; in the temples you will see pictures of his childhood, where great goddesses dandle the young god upon their knees (Plate 2). Divine honours are paid, and sacrifices offered to him; and when he dies, and goes to join his brother-gods in heaven, a great temple rises to his memory, and hosts of priests are employed in his worship. There is just one distinction made between him and the other gods. Amen at Thebes, Ptah at Memphis, and all the rest of the crowd of divinities, are called "the great gods." Pharaoh takes a different title. He is called "the good god."

For the King of Egypt is an incredibly important figure; in fact, both his people and he himself see him as something greater than a mere human. There are[Pg 18] many gods in Egypt, but the god that the people are most familiar with and show the most respect to is their King. Since the beginning of kings in the country, which has been a very long time, the reigning monarch has been regarded as a sort of god in human form. He refers to himself as "Son of the Sun"; in the temples, you'll find images of his childhood, where great goddesses cradle the young god in their arms (Plate 2). He is honored with divine reverence, and sacrifices are made to him; when he dies and joins the other gods in heaven, a grand temple is built in his honor, and many priests are dedicated to his worship. There is just one key difference between him and the other gods. Amen at Thebes, Ptah at Memphis, and all the other deities are referred to as "the great gods." Pharaoh holds a different title. He is called "the good god."

At present "the good god" is Ramses II. Of course, that is only one part of his name; for, like all the other Pharaohs, he has a list of titles that would fill a page. His subjects in Thebes have not seen very much of him for a long time, for there has been so much to do away in Syria, that he has built another capital at Tanis, which the Hebrews call Zoan, down between the Delta and the eastern frontier, and spends most of his time there. People who have been down the river tell us great wonders about the beauty of the new town, its great temple, and the huge statue of the King, 90 feet high, which stands before the temple gate. But Thebes is still the centre of the nation's life, and now, when it is growing almost certain that there will be another war with those vile Hittites in the North of Syria, he has come up to the great[Pg 19] city to take counsel with his brother-god, Amen, and to make arrangements for gathering his army. The royal palace is in a constant bustle, with envoys coming and going, and counsellors and generals continually passing in and out with reports and orders.

At the moment, "the good god" is Ramses II. Of course, that's just part of his name; like all the other Pharaohs, he has a long list of titles that could fill a page. His subjects in Thebes haven't seen much of him for a while because he's been busy in Syria, where he has built another capital at Tanis, which the Hebrews call Zoan, located between the Delta and the eastern frontier, and he spends most of his time there. People who have traveled down the river tell us amazing stories about the beauty of the new town, its grand temple, and the massive statue of the King, 90 feet tall, that stands in front of the temple gate. But Thebes is still the center of the nation's life, and now that it seems almost certain that there will be another war with those despicable Hittites in the North of Syria, he has come up to the great[Pg 19] city to consult with his brother-god, Amen, and to make plans for gathering his army. The royal palace is always bustling, with envoys coming and going, and counselors and generals constantly moving in and out with reports and orders.

Outside, the palace is not so very imposing. The Egyptians built their temples to last for ever; but the palaces of their Kings were meant to serve only for a short time. The new King might not care for the old King's home, and so each Pharaoh builds his house according to his own taste, of light materials. It will serve his turn, and his successor may build another for himself. A high wall, with battlements, towers, and heavy gates, surrounds it; for, though Pharaoh is a god, his subjects are sometimes rather difficult to keep in order. Plots against the King have not been unknown in the past; and on at least one occasion, a great Pharaoh of bygone days had to spring from his couch and fight single-handed for his life against a crowd of conspirators who had forced an entrance into the palace while he was enjoying his siesta. So since then Pharaoh has found it better to trust in his strong walls, and in the big broadswords of his faithful Sardinian guardsmen, than in any divinity that may belong to himself.

Outside, the palace isn't all that impressive. The Egyptians built their temples to last forever, but the palaces of their kings were meant to be temporary. The new king might not like the old king's place, so each Pharaoh creates his own house according to his personal style, using lighter materials. It will do for him, and his successor can build one for himself. A tall wall with battlements, towers, and heavy gates surrounds it; because even though Pharaoh is considered a god, his subjects can sometimes be hard to keep in line. There have been plots against the king in the past; on at least one occasion, a great Pharaoh had to jump out of bed and fight for his life against a crowd of conspirators who broke into the palace while he was napping. Since then, Pharaoh has preferred to rely on his strong walls and the large swords of his loyal Sardinian guards rather than any divine protection he might have.

Within the great boundary wall lie pleasant gardens, gay with all sorts of flowers, and an artificial lake shows its gleaming water here and there through the trees and shrubs. The palace itself is all glittering white stucco on the outside. A high central door leads into a great audience hall, glowing with colour, its roof supported by painted pillars in the form of lotus-stalks; and on either side of this lie two smaller halls. Behind the[Pg 20] audience chamber are two immense dining-rooms, and behind these come the sleeping apartments of the numerous household. Ramses has a multitude of wives, and a whole army of sons and daughters, and it takes no small space to house them all. The bedroom of the great King himself stands apart from the other rooms, and is surrounded by banks of flowers in full bloom.

Within the grand wall are beautiful gardens, vibrant with all kinds of flowers, and an artificial lake reflects its shimmering water here and there through the trees and shrubs. The palace itself is covered in sparkling white stucco on the outside. A tall central door opens into a large audience hall, filled with color, its ceiling supported by painted pillars shaped like lotus stalks; on either side of this, there are two smaller halls. Behind the[Pg 20] audience chamber are two vast dining rooms, and behind those are the sleeping quarters for the many members of the household. Ramses has numerous wives and a whole bunch of sons and daughters, and it requires quite a bit of space to accommodate them all. The bedroom of the great King himself is separate from the other rooms and is surrounded by banks of blooming flowers.

The Son of the Sun has had a busy day already. He has had many letters and despatches to read and consider. Some of the Syrian vassal-princes have sent clay tablets, covered with their curious arrow-headed writing, giving news of the advance of the Hittites, and imploring the help of the Egyptian army; and now the King is about to give audience, and to consider these with his great nobles and Generals. At one end of the reception hall stands a low balcony, supported on gaily-painted wooden pillars which end in capitals of lotus-flowers. The front of this balcony is overlaid with gold, and richly decorated with turquoise and lapis lazuli. Here the King will show himself to his subjects, accompanied by his favourite wife, Queen Nefertari, and some of the young Princes and Princesses. The folding doors of the audience chamber are thrown open, and the barons, the provincial governors, and the high officers of the army and the State throng in to do homage to their master.

The Son of the Sun has already had a busy day. He has read and considered many letters and messages. Some of the Syrian vassal-princes have sent clay tablets, covered with their unique cuneiform writing, reporting on the Hittite advances and asking for help from the Egyptian army; and now the King is about to hold an audience to discuss these matters with his top nobles and Generals. At one end of the reception hall is a low balcony, supported by brightly-painted wooden pillars that end in capitals shaped like lotus flowers. The front of this balcony is covered in gold and beautifully decorated with turquoise and lapis lazuli. Here, the King will appear before his subjects, accompanied by his favorite wife, Queen Nefertari, and some of the young Princes and Princesses. The folding doors of the audience chamber are swung open, and the barons, provincial governors, and senior officers of the army and State crowd in to pay their respects to their master.

In a few moments the glittering crowd is duly arranged, a door opens at the back of the balcony, and the King of the Two Lands, Lord of the Vulture and the Snake, steps forth with his Queen and family. In earlier times, whenever the King appeared, the assembled nobles were expected to fall on their faces and kiss the[Pg 21] ground before him. Fashion has changed, however, and now the great folks, at all events, are no longer required to "smell the earth." As Pharaoh enters the balcony, the nobles bow profoundly, and raise their arms as if in prayer to "the good god." Then, in silent reverence, they wait until it shall please their lord to speak.

In a few moments, the sparkling crowd is in position, a door opens at the back of the balcony, and the King of the Two Lands, Lord of the Vulture and the Snake, steps out with his Queen and family. In the past, when the King appeared, the gathered nobles were expected to fall to the ground and kiss the[Pg 21] earth before him. However, times have changed, and now the high-ranking individuals, at least, are no longer required to "smell the earth." As Pharaoh comes onto the balcony, the nobles bow deeply and raise their arms as if in prayer to "the good god." Then, in silent respect, they wait until their lord chooses to speak.

Ramses sweeps his glance over the crowd, singles out the General in command of the Theban troops, and puts a question to him as to the readiness of his division—the picked division of the army. The soldier steps forward with a deep bow; but it is not Court manners for him to answer his lord's question directly. Instead, he begins by reciting a little psalm of praise, which tells of the King's greatness, his valour and skill in war, and asserts that wherever his horses tread his enemies flee before him and perish. This little piece of flattery over, the General begins, "O King, my master," and in a few sensible words gives the information required. So the audience goes on, counsellor after counsellor coming forward at the royal command, reciting his little hymn, and then giving his opinion on such matters as his master suggests to him. At last the council is over, the King gives orders to his equerry to prepare his chariot for the procession to the temple, and, as he turns to leave the audience chamber, the assembled nobles once more bow profoundly, and raise their arms in adoration.

Ramses scans the crowd, spots the General in charge of the Theban troops, and asks him about the readiness of his division—the elite force of the army. The soldier steps forward with a deep bow, but it's not appropriate for him to answer his lord's question directly. Instead, he starts with a short psalm of praise, highlighting the King's greatness, valor, and skill in battle, claiming that wherever his horses go, his enemies flee and perish. Once this flattery is done, the General begins, "O King, my master," and in a few clear words provides the information needed. The audience continues, with counselor after counselor stepping forward at the royal command, reciting their own little hymn, then sharing their opinions on the matters the King suggests. Finally, the council wraps up, the King instructs his equerry to prepare his chariot for the procession to the temple, and as he turns to leave the audience chamber, the gathered nobles bow deeply once more and raise their arms in reverence.

After a short delay, the great gates of the boundary wall of the palace are opened; a company of spearmen, in quilted leather kilts and leather skull-caps, marches out, and takes position a short distance from the gateway. Behind them comes a company of the Sardinians[Pg 22] of the guard, heavily armed, with bright helmets, broad round shields, quilted corselets, and long, heavy, two-edged swords. They range themselves on either side of the roadway, and stand like statues, waiting for the appearance of Pharaoh. There is a whir of chariot-wheels, and the royal chariot sweeps through the gateway, and sets off at a good round pace towards the temple. The spearmen in front start at the double, and the guardsmen, in spite of their heavy equipment, keep pace with their royal master on either side.

After a brief delay, the huge gates of the palace's boundary wall swing open; a group of spearmen, wearing quilted leather kilts and leather caps, marches out and positions themselves a short distance from the gateway. Following them is a detachment of the Sardinian guard, heavily armed, sporting shiny helmets, large round shields, quilted corselets, and long, heavy, double-edged swords. They line up on either side of the roadway, standing like statues, waiting for Pharaoh to appear. There's a whir of chariot wheels, and the royal chariot rolls through the gateway, accelerating towards the temple. The spearmen in front spring into action, and the guardsmen, despite their heavy gear, keep pace with their royal master on both sides.

The waiting crowd bows to the dust as the sovereign passes; but Pharaoh looks neither to the right hand nor to the left. He stands erect and impassive in the swaying chariot, holding the crook and whip which are the Egyptian royal emblems. On his head he wears the royal war helmet, in the front of which a golden cobra rears its crest from its coils, as if to threaten the enemies of Egypt. His finely-shaped, swarthy features are adorned, or disfigured, by an artificial beard, which is fastened on by a strap passing up in front of the ears. His tall slender body is covered, above his corselet, with a robe of fine white linen, a perfect wonder of pleating; and round his waist passes a girdle of gold and green enamel, whose ends cross and hang down almost to his knees, terminating in two threatening cobra heads (Plate 4 and Cover Picture). On either side of him run the fan-bearers, who manage, by a miracle of skill and activity, to keep their great gaily-coloured fans of perfumed ostrich feathers waving round the royal head even as they run.

The waiting crowd bows to the dust as the king passes; but Pharaoh looks neither to the right nor the left. He stands tall and unflinching in the swaying chariot, holding the crook and whip that are the symbols of Egyptian royalty. On his head, he wears the royal war helmet, with a golden cobra rearing its crest from its coils in front, appearing to threaten Egypt's enemies. His well-defined, dark features are adorned, or possibly disfigured, by an artificial beard, which is secured by a strap that goes up in front of his ears. His tall, slender body is covered, above his corselet, by a robe of fine white linen, a true marvel of pleating; and around his waist, he has a girdle of gold and green enamel, with ends that overlap and hang down almost to his knees, ending in two menacing cobra heads (Plate 4 and Cover Picture). On either side of him, the fan-bearers run, skillfully and actively keeping their large, brightly colored fans made of perfumed ostrich feathers waving around the royal head as they move.

Behind the King comes a long train of other chariots, only less splendid than that of Ramses. In the first stands Queen Nefertari, languidly sniffing at a lotus-[Pg 23]flower as she passes on. The others are filled by some of the Princes of the blood, who are going to take part in the ceremony at the temple, chief among them the wizard Prince Khaemuas, the greatest magician in Egypt, who has spells that can bring the dead from their graves. Some in the crowd shrink from his keen eye, and mutter that the papyrus roll which he holds so close to his breast was taken from the grave of another magician Prince of ancient days, and that Khaemuas will know no peace till it is restored. In a few minutes the whole brilliant train has passed, dazzling the eyes with a blaze of gold and white and scarlet; and crowds of courtiers stream after their master, as fast as their feet can carry them, towards Karnak. You have seen, if only for a moment, the greatest man on earth—the Great Oppressor of Hebrew story. Very mighty and very proud he is; and he does not dream that the little Hebrew boy whom his daughter has adopted, and who is being trained in the priestly college at Heliopolis, will one day humble all the pride of Egypt, and that the very name of Ramses shall be best remembered because it is linked with that of Moses.[Pg 24]

Behind the King, there’s a long line of other chariots, though they’re not as extravagant as Ramses's. In the first chariot is Queen Nefertari, lazily sniffing a lotus flower as she passes by. The others are occupied by some of the royal princes who are going to participate in the ceremony at the temple, with the most important being the wizard Prince Khaemuas, the most powerful magician in Egypt, who has spells that can raise the dead. Some in the crowd flinch at his sharp gaze and whisper that the papyrus scroll he clutches tightly was taken from the tomb of another magician prince from ancient times, and that Khaemuas will find no peace until it’s returned. In just a few minutes, the entire stunning procession has moved on, dazzling onlookers with a burst of gold, white, and scarlet; and throngs of courtiers rush after their leader, as quickly as they can, toward Karnak. You have seen, if only for a moment, the most powerful man on earth—the Great Oppressor of the Hebrew story. He is very mighty and very proud; he doesn’t realize that the little Hebrew boy his daughter has adopted, who is being trained at the priestly college in Heliopolis, will one day topple all of Egypt’s pride, and that Ramses's name will be most remembered because of its connection to Moses.


CHAPTER V

THE LIFE OF A SOLDIER

When you read about the Egyptians in the Bible, it seems as though they were nearly always fighting; and, indeed, they did a good deal of fighting in their time, as nearly every nation did in those old days. But in reality they were not a great soldier people, like their rivals the Assyrians, or the Babylonians. We, who have had so much to do with their descendants, the modern Egyptians, and have fought both against them and with them, know that the "Gippy" is not fond of soldiering in his heart. He makes a very good, patient, hardworking soldier when he has good officers; but he is not like the Soudanese, who love fighting for fighting's sake. He much prefers to live quietly in his own native village, and cultivate his own bit of ground. And his forefathers, in these long-past days, were very much of the same mind. Often, of course, they had to fight, when Pharaoh ordered them out for a campaign in the Soudan or in Syria, and then they fought wonderfully well; but all the time their hearts were at home, and they were glad to get back to their farm-work and their simple pleasures. They were a peaceful, kindly, pleasant race, with little of the cruelty and fierceness that you find continually among the Assyrians.

When you read about the Egyptians in the Bible, it seems like they were always at war, and they did spend a lot of time fighting, much like every other nation back then. But in reality, they weren't a highly militaristic people like their rivals, the Assyrians or Babylonians. Those of us who have interacted with their descendants, the modern Egyptians, and have fought both against them and alongside them, know that the "Gippy" isn't really into being a soldier. He can be a very good, patient, hardworking soldier when he has good officers, but he doesn't share the same love for fighting just for the sake of it like the Sudanese do. He much prefers to live quietly in his village and tend to his own land. His ancestors felt pretty much the same way. Of course, they often had to fight when Pharaoh ordered them out for a campaign in Sudan or Syria, and they fought quite well then; but their hearts were always at home, and they were happy to return to their farming and simple pleasures. They were a peaceful, kind, and pleasant people, with little of the cruelty and ferocity that was so common among the Assyrians.

PLATE 4.  RAMSES II. IN HIS WAR CHARIOT: SARDINIAN GUARDSMEN ON FOOT. PLATE 4.
RAMSES II. IN HIS WAR CHARIOT: SARDINIAN GUARDSMEN ON FOOT.

In fact, the old Egyptian rather despised soldiering as a profession. He thought it was rather a miserable, muddled kind of a job, in which, unless you were a great officer, you got all the hard knocks and none of[Pg 25] the honours; and I am not sure that he was far wrong. His great idea of a happy life was to get employment as a scribe, or, as we should say, a clerk, to some big man or to the Government, to keep accounts and write reports. Of course the people could not all be scribes; but an Egyptian who had sons was never so proud as when he could get one of them into a scribe's position, even though the young man might look down upon his old father and his brothers, toiling on the land or serving in the army.

In fact, the old Egyptian looked down on soldiering as a profession. He thought it was a pretty miserable, confusing kind of job, where, unless you were a high-ranking officer, you took all the hits and got none of the recognition; and I’m not sure he was too far off. His main idea of a happy life was to find a job as a scribe, or what we’d call a clerk, for some important person or the government, managing accounts and writing reports. Of course, not everyone could be a scribe; but an Egyptian with sons felt incredibly proud when he could get one of them into a scribe's position, even if the young man looked down on his father and brothers, who were laboring in the fields or serving in the army.

A curious old book has come down to us from these ancient days, in which the writer, who had been both a soldier and a high officer under Government in what we should call the diplomatic service, has told a young friend his opinion of soldiering as a profession. The young man had evidently been dazzled with the idea of being in the cavalry, or, rather, the chariotry, for the Egyptian soldiers did not ride on horses like our cavalry, but drove them in chariots, in each of which there were two men—the charioteer, to drive the two horses, and the soldier, who stood beside the driver and fought with the bow, and sometimes with the lance or sword.

A fascinating old book has come down to us from those ancient times, where the author, who had been both a soldier and a high-ranking official in what we would now call the diplomatic service, shares his thoughts on soldiering as a career with a young friend. The young man was clearly captivated by the idea of being in the cavalry—or rather, the chariotry—because the Egyptian soldiers didn’t ride horses like our cavalry; instead, they drove them in chariots. In each chariot, there were two men: the charioteer, who drove the two horses, and the soldier, who stood next to the driver, fighting with a bow, and sometimes with a lance or sword.

But this wise old friend tells him that even to be in the chariotry is not by any means a pleasant job. Of course it seems very nice at first. The young man gets his new equipment, and thinks all the world of himself as he goes home to show off his fine feathers.

But this wise old friend tells him that even being in the chariot team is not exactly a fun job. Of course, it seems great at first. The young man gets his new gear and thinks highly of himself as he heads home to show off his impressive look.

"He gets beautiful horses,
And rejoices and celebrates,
And he returns with them to his town.

But then comes the inspection, and if he has not everything in perfect order he has a bad time of it, for he is[Pg 26] thrown down on the ground, and beaten with sticks till he is sore all over.

But then the inspection happens, and if he doesn’t have everything in perfect order, he has a rough time because he is[Pg 26] thrown to the ground and beaten with sticks until he is sore all over.

But if the lot of the cavalry soldier is hard, that of the infantry-man is harder. In the barracks he is flogged for every mistake or offence. Then war breaks out, and he has to march with his battalion to Syria. Day after day he has to tramp on foot through the wild hill-country, so different from the flat, fertile homeland that he loves. He has to carry all his heavy equipment and his rations, so that he is laden like a donkey; and often he has to drink dirty water, which makes him ill. Then, when the battle comes, he gets all the danger and the wounds, while the Generals get all the credit. When the war is over, he comes home riding on a donkey, a broken-down man, sick and wounded, his very clothes stolen by the rascals who should have attended on him. Far better, the wise man says, to be a scribe, and to remain comfortably at home. I dare say it was all quite true, just as perhaps it would not be very far from the truth at the present time; but, in spite of it all, Pharaoh had his battles to fight, and he got his soldiers all right when they were needed.

But if the life of a cavalry soldier is tough, the life of an infantryman is tougher. In the barracks, he gets punished for every mistake or offense. Then war breaks out, and he has to march with his battalion to Syria. Day after day, he trudges through the rugged hills, so different from the flat, fertile homeland he loves. He has to carry all his heavy gear and supplies, burdened like a donkey; and often, he has to drink dirty water that makes him sick. Then, when battle comes, he faces all the danger and gets wounded, while the Generals take all the glory. When the war is over, he returns home riding a donkey, a broken man, sick and hurt, with even his clothes stolen by the scoundrels who should have taken care of him. Much better, the wise man says, to be a scribe and stay comfortably at home. I suppose that was true, just as it likely still is today; but still, Pharaoh had his battles to fight, and he got his soldiers when he needed them.

The Egyptian army was not generally a very big one. It was nothing like the great hosts that we hear of nowadays, or read of in some of the old histories. The armies that the Pharaohs led into Syria were not often much bigger than what we should call an army corps nowadays—probably about 20,000 men altogether, rarely more than 25,000. But in that number you could find almost as many different sorts of men as in our own Indian army. There would be first the native Egyptian spearmen and bowmen—the spearmen with leather caps and quilted leather tunics, carrying a shield[Pg 27] and spear, and sometimes an axe, or a dagger, or short sword—the bowmen, more lightly equipped, but probably more dangerous enemies, for the Egyptian archers were almost as famous as the old English bowmen, and won many a battle for their King. Then came the chariot brigade, also of native Egyptians, men probably of higher rank than the foot-soldiers. The chariots were very light, and it must have been exceedingly difficult for the bowman to balance himself in the narrow car, as it bumped and clattered over rough ground. The two horses were gaily decorated, and often wore plumes on their heads. The charioteer sometimes twisted the reins round his waist, and could take a hand in the fighting if his companion was hard pressed, guiding his horses by swaying his body to one side or the other.

The Egyptian army wasn't generally very large. It was nothing like the massive forces we hear about today or read about in some of the old histories. The armies that the Pharaohs led into Syria were usually not much bigger than what we would call a corps now—probably about 20,000 men in total, rarely exceeding 25,000. But within that number, you could find almost as many different types of men as in our own Indian army. First were the native Egyptian spearmen and bowmen—the spearmen wore leather caps and quilted leather tunics, carrying shields and spears, and sometimes axes, daggers, or short swords. The bowmen were more lightly equipped but probably more dangerous opponents, as the Egyptian archers were nearly as famous as the old English bowmen and won many battles for their King. Then there was the chariot brigade, also made up of native Egyptians, likely of higher rank than the foot soldiers. The chariots were very light, and it must have been extremely difficult for the bowman to balance in the narrow vehicle as it bounced over rough terrain. The two horses were brightly decorated and often wore plumes on their heads. The charioteer sometimes wrapped the reins around his waist and could join in the fighting if his partner was in trouble, steering the horses by shifting his body from side to side.

Round the Pharaoh himself, as he stood in his beautiful chariot, marched the royal bodyguard. It was made up of men whom the Egyptians called "Sherden"—Sardinians, probably, who had come over the sea to serve for hire in the army of the great King. They wore metal helmets, with a round ball on the top and horns at the sides, carried round bossed shields, and were armed with great heavy swords of much the same shape as those which the Norman knights used to carry. Behind the native troops and the bodyguard marched the other mercenaries—regiments of black Soudanese, with wild-beast skins thrown over their ebony shoulders; and light-coloured Libyans from the West, each with a couple of feathers stuck in his leather skull-cap.

Around the Pharaoh himself, as he stood in his beautiful chariot, marched the royal bodyguard. It was made up of men whom the Egyptians called "Sherden"—probably Sardinians—who had come across the sea to serve for pay in the army of the great King. They wore metal helmets with a round ball on top and horns on the sides, carried round bossed shields, and were armed with large, heavy swords similar to those that the Norman knights used to carry. Behind the native troops and the bodyguard marched the other mercenaries—regiments of black Soudanese, with wild animal skins thrown over their ebony shoulders; and light-colored Libyans from the West, each with a couple of feathers stuck in their leather skullcaps.

Scouts went on ahead to scour the country, and bring to the King reports of the enemy's whereabouts. Be[Pg 28]side the royal chariot there padded along a strange, but very useful soldier—a great tame lion, which had been trained to guard his master and fight with teeth and claws against his enemies. Last of all came the transport train, with the baggage carried on the backs of a long line of donkeys, and protected by a baggage-guard. The Egyptians were good marchers, and even in the hot Syrian sunshine, and across a rough country where roads were almost unknown, they could keep up a steady fifteen miles a day for a week on end without being fagged out.

Scouts went ahead to search the area and report back to the King about the enemy’s location. Beside the royal chariot walked a unique, but very helpful soldier—a great tame lion, trained to protect his master and fight with its teeth and claws against foes. Lastly, the transport train followed, with baggage carried on the backs of a long line of donkeys and secured by a baggage guard. The Egyptians were excellent marchers, and even under the hot Syrian sun and across rough terrain where roads were almost non-existent, they could maintain a steady fifteen miles a day for a whole week without getting tired.

Let us follow the fortunes of an Egyptian soldier through one of the great battles of the nation's history. Menna was one of the most skilful charioteers of the whole Egyptian army—so skilful that, though he was still quite young, he was promoted to be driver of the royal war-chariot when King Ramses II. marched out from Zaru, the frontier garrison town of Egypt, to fight with the Hittites in Northern Syria. During all the long march across the desert, through Palestine, and over the northern mountain passes, no enemy was seen at all, and, though Menna was kept busy enough attending to his horses and seeing that the chariot was in perfect order, he was in no danger. But as the army began to wind down the long valley of the Orontes towards the town of Kadesh, the scouts were kept out in every direction, and the whole host was anxiously on the lookout for the Hittite troops.

Let’s follow the journey of an Egyptian soldier in one of the great battles in the nation’s history. Menna was one of the most skilled charioteers in the entire Egyptian army—so skilled that, although he was still quite young, he was promoted to drive the royal war chariot when King Ramses II marched out from Zaru, the border garrison town of Egypt, to fight the Hittites in Northern Syria. Throughout the long march across the desert, through Palestine, and over the northern mountain passes, no enemies were encountered at all. Even though Menna was busy taking care of his horses and making sure the chariot was in perfect condition, he faced no danger. But as the army began to wind down the long valley of the Orontes towards the town of Kadesh, scouts were sent out in every direction, and the entire army was anxiously on the lookout for the Hittite forces.

Kadesh came in sight at last. Far on the horizon its towers could be seen, and the sun's rays sparkled on the river and on the broad moat which surrounded the walls; but still no enemy was to be seen. The scouts came in with the report that the Hittites had[Pg 29] retreated northwards in terror, and King Ramses imagined that Kadesh was going to fall into his hands without a battle. His army was divided into four brigades, and he himself hurried on rather rashly with the first brigade, leaving the other three to straggle on behind him, widely separated from one another (Plate 4).

Kadesh finally came into view. Its towers were visible on the horizon, and the sun's rays shimmered on the river and the wide moat surrounding the walls; however, there were still no signs of the enemy. The scouts returned with the news that the Hittites had[Pg 29] fled north in fear, leading King Ramses to believe that Kadesh would fall into his hands without a fight. His army was split into four brigades, and he impulsively rushed ahead with the first brigade, leaving the other three to lag behind, widely separated from each other (Plate 4).

The first brigade reached its camping-ground to the north-west of Kadesh; the tired troops pitched camp; the baggage was unloaded; and the donkeys, released from their burdens, rolled on the ground in delight. Just at that moment some of the Egyptian scouts came in, bringing with them two Arabs whom they had caught, and suspected to belong to the enemy. King Ramses ordered the Arabs to be soundly beaten with sticks, and the poor creatures confessed that the Hittite King, with a great army, was concealed on the other side of Kadesh, watching for an opportunity to attack the Egyptian army. In great haste Ramses, scolding his scouts the while for not keeping a better lookout, began to get his soldiers under arms again, while Menna ran and yoked to the royal chariot the two noble horses which had been kept fresh for the day of battle.

The first brigade arrived at their campsite to the northwest of Kadesh; the exhausted troops set up camp; the baggage was unloaded; and the donkeys, freed from their loads, rolled on the ground with joy. At that moment, some Egyptian scouts came in with two Arabs they had captured, who they suspected were part of the enemy. King Ramses ordered the Arabs to be severely beaten with sticks, and the unfortunate men confessed that the Hittite King, with a large army, was hiding on the other side of Kadesh, waiting for a chance to attack the Egyptian army. In a rush, Ramses, scolding his scouts for not being more vigilant, began to arm his soldiers again, while Menna ran to harness the two noble horses that had been kept fresh for the day of battle.

But before Pharaoh could leap into his chariot a wild uproar broke out at the gate of the camp, and the scattered fragments of the second brigade came pouring in headlong flight into the enclosure. Behind them the whole Hittite chariot force, 2,500 chariots strong, each chariot with three men in it, came clattering and leaping upon the heels of the fugitives. The Hittite King had waited till he saw the first brigade busy pitching camp, and then, as the second came straggling up, he had launched his chariots upon the flank of the[Pg 30] weary soldiers, who were swept away in a moment as if by a flood.

But before Pharaoh could jump into his chariot, a loud chaos erupted at the camp's gate, and the disorganized remnants of the second brigade rushed in panic into the enclosure. Following them, the entire Hittite chariot force, 2,500 chariots strong, each carrying three men, came crashing in right behind the fleeing soldiers. The Hittite King had waited until he saw the first brigade busy setting up camp, and then, as the second brigade stumbled in, he unleashed his chariots on the side of the worn-out soldiers, who were swept away in an instant as if by a flood.

The rush of terrified men carried off the first brigade along with it in hopeless rout. Ramses and Menna were left with only a few picked chariots of the household troops, and the whole Hittite army was coming on. But though King Ramses had made a terrible bungle of his generalship, he was at least a brave man. Leaping into his chariot, and calling to the handful of faithful soldiers to follow him, he bade Menna lash his horses and charge the advancing Hittites. Menna was no coward, but when he saw the thin line of Egyptian troops, and looked at the dense mass of Hittite chariots, his heart almost failed him. He never thought of disobedience, but, as he stooped over his plunging horses, he panted to the King: "O mighty strength of Egypt in the day of battle, we are alone in the midst of the enemy. O, save us, Ramses, my good lord!" "Steady, steady, my charioteer," said Ramses, "I am going among them like a hawk!"

The panicked men swept the first brigade away in a complete rout. Ramses and Menna were left with only a few selected chariots from the household troops, and the entire Hittite army was advancing. Even though King Ramses had made a serious mistake in his leadership, he was still a brave man. He jumped into his chariot and called to the small group of loyal soldiers to follow him, instructing Menna to whip his horses and charge at the oncoming Hittites. Menna was no coward, but when he saw the thin line of Egyptian troops and looked at the dense mass of Hittite chariots, he felt a wave of fear. He never considered disobeying, but as he bent over his frantic horses, he gasped to the King: "O mighty strength of Egypt in the day of battle, we are alone in the midst of the enemy. Please save us, Ramses, my good lord!" "Steady, steady, my charioteer," said Ramses, "I am going among them like a hawk!"

In a moment the fiery horses were whirling the King and his charioteer between the files of the Hittite chariots, which drew aside as if terrified at the glittering figures that dashed upon them so fearlessly. As they swept through, Menna had enough to do to manage his steeds, which were wild with excitement; but Ramses' bow was bent again and again, and at every twang of the bowstring a Hittite champion fell from his chariot. Behind the King came his household troops, and all together they burst through the chariot brigade of the enemy, leaving a long trail marked by dead and wounded men, overturned chariots, and maddened horses.[Pg 31]

In a moment, the fiery horses were racing the King and his charioteer through the lines of Hittite chariots, which parted as if scared by the shining figures charging at them so bravely. As they sped by, Menna struggled to control his wildly excited steeds, but Ramses kept drawing his bow again and again, and with every snap of the bowstring, a Hittite champion collapsed from his chariot. Behind the King were his royal troops, and together they broke through the enemy’s chariot formation, leaving a long path of dead and wounded soldiers, overturned chariots, and frantic horses.[Pg 31]

Still King Ramses had only gained a breathing-space. The Hittites far outnumbered his little force, and, though his orderlies were madly galloping to bring up the third and fourth brigades, it must be some time yet before even the nearest could come into action. Besides, on the other bank of the river there hung a great cloud of 8,000 Hittite spearmen, under the command of the Hittite King himself. If these got time to cross the river, the Egyptian position, bad enough as it was, would be hopeless. There was nothing for it but to charge again and again, and, if possible, drive back the Hittite chariots on the river, so as to hinder the spearmen from crossing.

Still, King Ramses had only gained a temporary reprieve. The Hittites vastly outnumbered his small force, and even though his orderlies were racing to bring up the third and fourth brigades, it would still take time before even the nearest could engage. Additionally, on the other side of the river loomed a massive group of 8,000 Hittite spearmen, led by the Hittite King himself. If they managed to cross the river, the Egyptian position, already precarious, would become hopeless. There was nothing to do but charge again and again, and, if possible, push back the Hittite chariots to the river to prevent the spearmen from crossing.

So Menna whipped up his horses again, and, with arrow on string, the Pharaoh dashed upon his enemies once more. Again they burst through the opposing ranks, scattering death on either side as they passed. Now some of the fragments of the first and second brigades were beginning to rally and come back to the field, and the struggle was becoming less unequal. The Egyptian quivers were nearly all empty now; but lance and sword still remained, and inch by inch the Hittites were forced back upon the river. Their King stood ingloriously on the opposite bank, unable to do anything. It was too late for him to try to move his spearmen across—they would only have been trampled down by the retreating chariots. At last a great shout from the rear announced the arrival of the third Egyptian brigade, and, the little knot of brave men who had saved the day still leading, the army swept the broken Hittites down the bank of the Orontes into the river.

So Menna urged his horses forward again, and, with an arrow ready to fire, the Pharaoh charged at his enemies once more. They broke through the opposing lines, causing destruction on both sides as they went. Now some remnants of the first and second brigades were starting to regroup and return to the battlefield, making the fight more balanced. The Egyptian quivers were nearly all empty now, but they still had lances and swords, and slowly the Hittites were pushed back towards the river. Their King stood shamefully on the opposite bank, unable to act. It was too late for him to move his spearmen across; they would just have been trampled by the retreating chariots. Finally, a loud cheer from behind announced the arrival of the third Egyptian brigade, and with the small group of brave men who had turned the tide still leading, the army drove the shattered Hittites down the bank of the Orontes and into the river.

Great was the confusion and the slaughter. As the[Pg 32] chariots struggled through the ford, the Egyptian bowmen, spread out along the bank, picked off the chiefs. The two brothers of the Hittite King, the chief of his bodyguard, his shield-bearer, and his chief scribe, were all killed. The King of Aleppo missed the ford, and was swept down the river; but some of his soldiers dashed into the water, rescued him, and, in rough first aid, held the half-drowned leader up by the heels, to let the water drain out of him. The Hittite King picked up his broken fugitives, covered them with his mass of spearmen, and moved reluctantly off the field where so splendid a chance of victory had been missed, and turned into defeat. The Egyptians were too few and too weary to attempt to cross the river in pursuit, and they retired to the camp of the first brigade.

Great confusion and slaughter ensued. As the[Pg 32] chariots struggled through the shallow water, the Egyptian archers lined along the bank picked off the leaders. The two brothers of the Hittite King, his chief bodyguard, his shield-bearer, and his chief scribe were all killed. The King of Aleppo missed the crossing and was swept down the river; however, some of his soldiers jumped into the water, rescued him, and, in a rough attempt at first aid, held the half-drowned leader by his heels to let the water drain out. The Hittite King gathered his broken troops, shielded them with his mass of spearmen, and reluctantly withdrew from the field where such a promising opportunity for victory had turned into defeat. The Egyptians were too few and too exhausted to try and cross the river in pursuit, so they returned to the camp of the first brigade.

Then Pharaoh called his Captains before him. The troops stood around, leaning on their spears, ashamed of their conduct in the earlier part of the day, and wondering at the grim signs of conflict that lay on every side. King Ramses called Menna to him, and, handing the reins to a groom, the young charioteer came bowing before his master. Pharaoh stripped from his own royal neck a collar of gold, and fastened it round the neck of his faithful squire; and, while the Generals and Captains hung their heads for shame, the King told them how shamefully they had left him to fight his battle alone, and how none had stood by him but the young charioteer. "As for my two horses," he said, "they shall be fed before me every day in the royal palace."

Then Pharaoh summoned his Captains to come before him. The troops stood around, leaning on their spears, feeling embarrassed about their earlier behavior, and shocked by the ominous signs of conflict surrounding them. King Ramses called Menna over, and, handing the reins to a groom, the young charioteer approached his master with a bow. Pharaoh took a gold collar from his own neck and fastened it around the neck of his loyal squire; as the Generals and Captains lowered their heads in shame, the King expressed how disgracefully they had left him to fight alone, and how only the young charioteer had stood by him. "As for my two horses," he said, "they will be fed before me every day in the royal palace."

PLATE 5.  ZAZAMANKH AND THE LOST CORONET. PLATE 5.
ZAZAMANKH AND THE LOST CROWN.

Both armies had suffered too much loss for any further strife to be possible, and a truce was agreed upon. The Hittites drew off to the north, and the[Pg 33] Egyptians marched back again to Egypt, well aware that they had gained little or nothing by all their efforts, but thankful that they had been saved from the total destruction which had seemed so near.

Both armies had endured too much loss for any more fighting to be feasible, so they agreed on a truce. The Hittites retreated north, and the [Pg 33] Egyptians marched back to Egypt, fully aware that they had achieved little or nothing from their efforts, but relieved that they had been spared from the total destruction that had seemed so close.

A proud man was Menna when he drove the royal chariot up to the bridge of Zaru. As the troops passed the frontier canal the road was lined on either side with crowds of nobles, priests, and scribes, strewing flowers in the way, and bowing before the King. And after the Pharaoh himself, whose bravery had saved the day, there was no one so honoured as the young squire who had stood so manfully by his master in the hour of danger.

A proud man was Menna as he drove the royal chariot up to the bridge of Zaru. As the troops crossed the frontier canal, the road was lined on both sides with crowds of nobles, priests, and scribes, throwing flowers in the path and bowing before the King. And after the Pharaoh himself, whose bravery had saved the day, there was no one as honored as the young squire who had stood so bravely by his master in the moment of danger.


CHAPTER VI

CHILD-LIFE IN ANCIENT EGYPT

How did the boys and girls live in this quaint old land so many hundreds of years ago? How were they dressed, what sort of games did they play at, what sort of lessons did they learn, and what kind of school did they go to? If you could have lived in Egypt in those far-off days, you would have found many differences between your life of to-day and the life that the Egyptian children led; but you would also have found that there were very many things much the same then as they are now. Boys and girls were boys and girls three thousand years ago, just as they are now; and you would find that they did very much the same things,[Pg 34] and even played very much the same games as you do to-day.

How did the boys and girls live in this charming old land so many hundreds of years ago? What did they wear, what kinds of games did they play, what lessons did they learn, and what kind of schools did they attend? If you could have lived in Egypt during those distant times, you would have noticed many differences between your life today and the life that Egyptian children experienced; however, you would also find that there were many things that were quite similar then as they are now. Boys and girls were just boys and girls three thousand years ago, just like they are now; and you would see that they did many of the same activities,[Pg 34] and even played very similar games to the ones you play today.

When you read in your fairy-stories about a little boy or girl, you often hear that they had fairy godmothers who came to their cradles, and gave them gifts, and foretold what was going to happen to the little babies in after years. Well, when little Tahuti or little Sen-senb was born in Thebes fifteen hundred years before Christ, there were fairy godmothers too, who presided over the great event; and there were others called the Hathors, who foretold all that was going to happen to the little boy or girl as the years went on. The baby was kept a baby much longer in those days than our little ones are kept. The happy mother nursed the little thing carefully for three years at all events, carrying it about with her wherever she went, either on her shoulder, or astride upon her hip.

When you read fairy tales about a little boy or girl, you often hear that they had fairy godmothers who came to their cradles, gave them gifts, and predicted what would happen to them in the future. Well, when little Tahuti or little Sen-senb was born in Thebes fifteen hundred years before Christ, there were fairy godmothers too, who oversaw the big event; and there were others called the Hathors, who predicted everything that would happen to the little boy or girl as the years went by. Babies were kept as babies for much longer back then than they are today. The joyful mother nursed her little one carefully for at least three years, carrying it with her wherever she went, either on her shoulder or balanced on her hip.

If baby took ill, and the doctor was called in, the medicines that were given were not in the least like the sugar-coated pills and capsules that make medicine-taking easy nowadays. The Egyptian doctor did not know a very great deal about medicine and sickness, but he made up for his ignorance by the nastiness of the doses which he gave to his patients. I don't think you would like to take pills made up of the moisture scraped from pig's ears, lizard's blood, bad meat, and decaying fat, to say nothing of still nastier things. Often the doctor would look very grave, and say, "The child is not ill; he is bewitched"; and then he would sit down and write out a prescription something like this: "Remedy to drive away bewitchment. Take a great beetle; cut off his head and his[Pg 35] wings, boil him, put him in oil, and lay him out. Then cook his head and his wings; put them in snake-fat, boil, and let the patient drink the mixture." I think you would almost rather take the risk of being bewitched than drink a dose like that!

If a baby got sick and the doctor was called, the medicines given were nothing like the easy-to-swallow sugar-coated pills and capsules we have today. The Egyptian doctor didn’t know much about medicine and illness, but he made up for his lack of knowledge with the disgusting concoctions he gave his patients. I don't think you would want to take pills made from the moisture scraped off pig's ears, lizard's blood, spoiled meat, and rotting fat, not to mention even worse things. Often, the doctor would look very serious and say, "The child is not sick; he is bewitched." Then, he would sit down and write out a prescription that went something like this: "Remedy to drive away bewitchment. Take a big beetle; cut off his head and wings, boil it, put it in oil, and lay it out. Then cook his head and wings; put them in snake fat, boil, and let the patient drink the mixture." I think you'd almost prefer the risk of being bewitched over taking something like that!

Plate 6  GRANITE STATUE OF RAMSES II. Page 75  Note the hieroglyphics on base of statue. Pages 68, 69 Plate 6
GRANITE STATUE OF RAMSES II. Page 75
Take note of the hieroglyphics on the base of the statue. Pages 68, 69

Sometimes the doctor gave no medicines at all, but wrote a few magic words on a scrap of old paper, and tied it round the part where the pain was. I daresay it did as much good as his pills. Very often the mother believed that it was not really sickness that was troubling her child, but that a ghost was coming and hurting him; so when his cries showed that the ghost was in the room, the mother would rise up, shaking all over, I daresay, and would repeat the verse that she had been taught would drive ghosts away:

Sometimes the doctor didn't give any medicine at all but scribbled a few magical words on a scrap of old paper and tied it around the part that hurt. I bet it worked just as well as his pills. Often, the mother believed it wasn't really an illness bothering her child, but that a ghost was coming and hurting him; so when his cries indicated that the ghost was in the room, the mother would get up, trembling all over, I suppose, and would recite the verse she'd been told would scare ghosts away:

"Are you here to kiss this child? I won’t allow you to kiss him;
Are you here to calm him down? I won’t let you calm him down; Are you here to hurt him? I won't let you hurt him; Are you here to take him away? I'm not allowing you to take him away.

When little Tahuti has got over his baby aches, and escaped the ghosts, he begins to run about and play. He and his sister are not bothered to any great extent with dressing in the mornings. They are very particular about washing, but as Egypt is so hot, clothes are not needed very much, and so the little boy and girl play about with nothing at all on their little brown bodies except, perhaps, a narrow girdle, or even a single thread tied round the waist. They have their toys just like you. Tahuti has got a wonderful man, who, when you pull a string, works a roller up and down upon a board, just like a baker rolling out dough, and besides he has a crocodile that moves its jaws. His sister has[Pg 36] dolls: a fine Egyptian lady and a frizzy-haired, black-faced Nubian girl. Sometimes they play together at ninepins, rolling the ball through a little gate.

When little Tahuti has gotten over his baby aches and escaped from the ghosts, he starts to run around and play. He and his sister don't spend much time on getting dressed in the mornings. They’re very careful about washing, but since Egypt is so hot, they don’t need many clothes. So, the little boy and girl play around with nothing on their little brown bodies except maybe a narrow belt or even just a single thread tied around their waist. They have toys just like you do. Tahuti has an amazing toy man who, when you pull a string, rolls a roller up and down on a board, just like a baker rolling out dough, and he also has a crocodile that can move its jaws. His sister has[Pg 36] dolls: a beautiful Egyptian lady and a frizzy-haired, black-faced Nubian girl. Sometimes they play together at ninepins, rolling the ball through a little gate.

For about four years this would go on, as long as Tahuti was what the Egyptians called "a wise little one." Then, when he was four years old, the time came when he had to become "a writer in the house of books," which is what the Egyptians called a school-boy; so little Tahuti set off for school, still wearing no more clothes than the thread tied round his waist, and with his black hair plaited up into a long thick lock, which hung down over his right ear. The first thing that he had to learn was how to read and write, and this was no easy task, for Egyptian writing, though it is very beautiful when well done, is rather difficult to master, all the more as there were two different styles which had to be learned if a boy was going to become a man of learning. I don't suppose that you think your old copy-books of much importance when you are done with them; but the curious thing is that among all the books that have come down to us from ancient Egypt, there are far more old copy-books than any others, and these books, with the teachers' corrections written on the margins, and rough sketches scratched in here and there among the writing, have proved most valuable in telling us what the Egyptians learned, and what they liked to read; for a great deal of the writing consisted in the copying out of wise words of the men of former days, and sometimes of stories of old times.

For about four years, this continued, as long as Tahuti was what the Egyptians called "a wise little one." Then, when he turned four years old, it was time for him to become "a writer in the house of books," which is what the Egyptians referred to as a schoolboy. So little Tahuti set off for school, still wearing only the thread tied around his waist and with his black hair styled into a long thick braid that hung down over his right ear. The first thing he had to learn was how to read and write, and this was no easy task. Egyptian writing, although very beautiful when done well, is quite challenging to master, especially since there were two different styles to learn if a boy wanted to become a learned man. You might not think much of your old notebooks once you're done with them, but interestingly, among all the books that have survived from ancient Egypt, there are far more old notebooks than any others. These books, with the teachers' corrections in the margins and rough sketches jotted down here and there, have been incredibly valuable in revealing what the Egyptians learned and what they enjoyed reading. Much of the writing involved copying wise sayings from past thinkers and sometimes recounting stories from ancient times.

These old copy-books can speak to us in one way, but if they could speak in another, I daresay they would tell us of many weary hours in school, and of[Pg 37] many floggings and tears; for the Egyptian school-master believed with all his heart in the cane, and used it with great vigour and as often as he could. Little Tahuti used to look forward to his daily flogging, much as he did to his lunch in the middle of the day, when his careful mother regularly brought him three rolls of bread and two jugs of beer. "A boy's ears," his master used to say, "are on his back, and he hears when he is beaten." One of the former pupils at his school writing to his teacher, and recalling his school-days, says: "I was with thee since I was brought up as a child; thou didst beat my back, and thine instructions went into my ear." Sometimes the boys, if they were stubborn, got punishments even worse than the cane. Another boy, in a letter to his old master, says: "Thou hast made me buckle to since the time that I was one of thy pupils. I spent my time in the lock-up, and was sentenced to three months, and bound in the temple." I am afraid our schoolboys would think the old Egyptian teachers rather more severe than the masters with whom they have to do nowadays.

These old copybooks can tell us one story, but if they could speak in another way, I bet they would share tales of many long hours in school and[Pg 37] plenty of beatings and tears; because the Egyptian schoolmaster strongly believed in using the cane and did so with great enthusiasm whenever he could. Little Tahuti looked forward to his daily flogging just as much as he did to his lunch, when his caring mother would regularly bring him three rolls of bread and two jugs of beer. "A boy's ears," his master would say, "are on his back, and he hears when he is punished." One former student, reminiscing about his school days, wrote to his teacher: "I was with you since I was a child; you beat my back, and your lessons went into my ear." Sometimes, if the boys were particularly defiant, they faced punishments even worse than the cane. Another boy, in a letter to his old master, wrote: "You made me submit ever since I was one of your students. I spent my time in detention, and was sentenced to three months, bound in the temple." I'm afraid our schoolboys would consider the old Egyptian teachers much harsher than the ones they deal with today.

Lesson-time occupied about half the day, and when it came to an end the boys all ran out of the school, shouting for joy. That custom has not changed much, anyway, in all these hundreds of years. I don't think they had any home lessons to do, and so, perhaps, their school-time was not quite so bad as we might imagine from the rough punishments they used to get.

Lesson time took up about half the day, and when it was over, the boys all rushed out of the school, shouting with joy. That tradition hasn't changed much over the centuries. I don't think they had any homework to do, so maybe their school time wasn’t as bad as we might think, considering the harsh punishments they used to receive.

When Tahuti grew a little older, and had fairly mastered the rudiments of writing, his teacher set him to write out copies of different passages from the best known Egyptian books, partly to keep up his hand-writing, and partly to teach him to know good Egyptian[Pg 38] and to use correct language. Sometimes it was a piece of a religious book that he was set to copy, sometimes a poem, sometimes a fairy-tale. For the Egyptians were very fond of fairy-tales, and later on, perhaps, we may hear some of their stories, the oldest fairy-stories in the world. But generally the piece that was chosen was one which would not only exercise the boy's hand, and teach him a good style, but would also help to teach him good manners, and fill his mind with right ideas. Very often Tahuti's teacher would dictate to him a passage from the wise advice which a great King of long ago left to his son, the Crown Prince, or from some other book of the same kind. And sometimes the exercises would be in the form of letters which the master and his pupils wrote as though they had been friends far away from one another. Tahuti's letters, you may be sure, were full of wisdom and of good resolutions, and I dare say he was just about as fond of writing them as you are of writing the letters that your teacher sometimes sets as a task for you.

When Tahuti got a bit older and had mastered the basics of writing, his teacher had him copy different passages from well-known Egyptian books. This was to improve his handwriting and help him learn proper Egyptian and use correct language. Sometimes he would copy sections from religious texts, other times it would be a poem or a fairy tale. The Egyptians really enjoyed fairy tales, and maybe later we’ll hear some of their stories, the oldest fairy tales in the world. But usually, the selected pieces were meant to not only practice the boy's writing and teach him a good style but also instill good manners and positive ideas. Very often, Tahuti's teacher would dictate passages from wise advice left to a prince by a great king long ago, or from similar texts. Sometimes the exercises would take the form of letters written as if the teacher and his students were friends living far from each other. You can be sure that Tahuti's letters were filled with wisdom and good intentions, and I bet he enjoyed writing them just as much as you enjoy the letters your teacher sometimes assigns.

When it came to Arithmetic, Tahuti was so far lucky that the number of rules he had to learn was very few. His master taught him addition and subtraction, and a very slow and clumsy form of multiplication; but he could not teach him division, for the very simple reason that he did not properly understand it himself. Enough of mensuration was taught him to enable him to find out, though rather roughly, what was the size of a field, and how much corn would go into a granary of any particular size. And when he had learned these things, his elementary education was pretty well over.

When it came to Arithmetic, Tahuti was pretty lucky because he had to learn very few rules. His master taught him addition and subtraction, and a slow and awkward method of multiplication; but he couldn't teach him division, simply because he didn't really understand it himself. He learned enough about measuring to roughly figure out the size of a field and how much corn would fit into a specific granary size. Once he learned these things, his basic education was pretty much complete.

Plate 7  NAVE OF THE TEMPLE AT KARNAK. Pages 75, 76 Plate 7
NAVE OF THE TEMPLE AT KARNAK. Pages 75, 76

Of course a great deal would depend on the profession he was going to follow. If he was going to be only[Pg 39] a common scribe, his education would go no farther; for the work he would have to do would need no greater learning than reading, writing, and arithmetic. If he was going to be an officer in the army, he entered as a cadet in a military school which was attached to the royal stables. But if he was going to be a priest, he had to join one of the colleges which belonged to the different temples of the gods, and there, like Moses, he was instructed in all the wisdom of the Egyptians, and was taught all the strange ideas which they had about the gods, and the life after death, and the wonderful worlds, above and below, where the souls of men lived after they had finished their lives on earth.

A lot would depend on the career he chose. If he was just going to be a common scribe, his education would go no further; the job only required skills in reading, writing, and basic math. If he aimed to be an officer in the army, he would start out as a cadet at a military school connected to the royal stables. But if he wanted to become a priest, he needed to enroll in one of the colleges associated with the various temples of the gods. There, like Moses, he would learn all the wisdom of the Egyptians, along with their unique beliefs about the gods, the afterlife, and the amazing worlds above and below, where people's souls resided after their time on earth was over.

But, whether his schooling was carried on to what we should call a University training or not, there was one thing that Tahuti was taught with the utmost care, and that was to be very respectful to those who were older than himself, never to sit down while an older person was standing in the room, and always to be very careful in his manners. Chief of the older people to whom he had to show respect were his parents, and above all, his mother, for the Egyptians reverenced their mothers more than anyone else in the world. Here is a little scrap of advice that a wise old Egyptian once left to his son: "Thou shalt never forget what thy mother has done for thee. She bare thee, and nourished thee in all manner of ways. She nursed thee for three years. She brought thee up, and when thou didst enter the school, and wast instructed in the writings, she came daily to thy master with bread and beer from her house. If thou forgettest her, she might blame thee; she might lift up her hands to God, and He would hear her complaint." Children nowadays might[Pg 40] do a great deal worse than remember these wise words of the oldest book in the world.

But whether his education included what we now think of as university training or not, there was one thing Tahuti was taught with great care: to be very respectful to those older than him. He was taught never to sit down while an older person was standing in the room and always to be mindful of his manners. The people he had to respect the most were his parents, especially his mother, as the Egyptians revered their mothers more than anyone else in the world. Here's a piece of advice a wise old Egyptian once gave to his son: "Never forget what your mother has done for you. She gave birth to you and nurtured you in every way possible. She cared for you for three years. She raised you, and when you started school and were learning to read and write, she brought bread and beer from her home to your teacher every day. If you forget her, she could blame you; she might raise her hands to God, and He would hear her complaint." Children today might[Pg 40] do well to remember these wise words from the oldest book in the world.

But you are not to think that the Egyptian children's life was all teaching and prim behaviour. When Tahuti got his holidays, he would sometimes go out with his father and mother and sister on a fishing or fowling expedition. If they were going fishing, the little papyrus skiff was launched, and the party paddled away, armed with long thin spears, which had two prongs at the point. Drifting over the quiet shallow waters of the marshy lakes, they could see the fish swimming beneath them, and launch their spears at them. Sometimes, if he was lucky, Tahuti's father would pierce a fish with either prong of the spear, and then there was great excitement.

But don't think that the lives of Egyptian children were all about strict teaching and proper behavior. When Tahuti got his holidays, he would sometimes go out with his dad, mom, and sister on a fishing or hunting trip. If they were going fishing, they would launch the little papyrus boat and paddle away, armed with long, thin spears that had two prongs at the tip. As they drifted over the calm, shallow waters of the marshy lakes, they could see the fish swimming below them and would launch their spears at them. Sometimes, if he was lucky, Tahuti's dad would catch a fish with either prong of the spear, which caused a lot of excitement.

But still more interesting was the fowling among the marshes. The spears were laid aside on this kind of expedition, and instead, Tahuti and his father were armed with curved throw-sticks, shaped something like an Australian boomerang. But, besides the throw-sticks, they had with them a rather unusual helper. When people go shooting nowadays, they take dogs with them to retrieve the game. Well, the Egyptians had different kinds of dogs, too, which they used for hunting; but when they went fowling they took with them a cat which was trained to catch the wounded birds and bring them to her master. The little skiff was paddled cautiously across the marsh, and in among the reeds where the wild ducks and other waterfowl lived, Sen-senb and her mother holding on to the tall papyrus plants and pulling them aside to make room for the boat, or plucking the beautiful lotus-lilies, of which the Egyptians were so fond. When the birds[Pg 41] rose, Tahuti and his father let fly their throw-sticks, and when a bird was knocked down, the cat, which had been sitting quietly in the bow of the boat, dashed forward among the reeds and secured the fluttering creature before it could escape.

But what was even more interesting was the bird hunting in the marshes. They left the spears behind for this kind of adventure, and instead, Tahuti and his dad carried curved throwing sticks, similar to Australian boomerangs. Besides the throwing sticks, they had a rather unusual helper. Nowadays, when people go hunting, they take dogs to retrieve the game. Well, the Egyptians had different types of dogs for hunting too, but when they went bird hunting, they brought a cat trained to catch the injured birds and bring them back to its owner. The small boat was paddled carefully across the marsh, with Sen-senb and her mother holding onto the tall papyrus plants and moving them aside to clear a path for the boat, or picking the lovely lotus flowers that the Egyptians cherished. When the birds[Pg 41] took flight, Tahuti and his dad threw their sticks, and when a bird fell, the cat, which had been quietly sitting at the front of the boat, leaped into the reeds and grabbed the struggling creature before it could escape.

PLATE 8.  "AND THE GOOSE STOOD UP AND CACKLED." PLATE 8.
"AND THE GOOSE GOT UP AND CACKLED."

Altogether, it was great fun for the brother and sister, as well as for the grown folks, and Tahuti and Sen-senb liked nothing so well as when the gaily-painted little skiff was launched for a day on the marshes. I think that, on the whole, they had a very bright and happy life in these old days, and that, though they had not many of the advantages that you have to-day, the boys and girls of three thousand years ago managed to enjoy themselves in their own simple way quite as well as you do now.

Overall, it was a lot of fun for the brother and sister, as well as the adults, and Tahuti and Sen-senb loved it the most when the brightly painted little boat was launched for a day on the marshes. I believe that, for the most part, they had a pretty bright and happy life back then, and even though they didn’t have many of the advantages you have today, the boys and girls of three thousand years ago found ways to enjoy themselves in their own simple way just as much as you do now.


CHAPTER VII

SOME FAIRY-TALES OF LONG AGO

The little brown boys and girls who lived in Egypt three thousand years ago were just as fond as you are of hearing wonderful stories that begin with "Once upon a time;" and I want in this chapter to tell you some of the tales that Tahuti and Sen-senb used to listen to in the evening when school was over and play was done—the oldest of all wonder-tales, stories that were old and had long been forgotten, ages before The Sleeping Beauty and Jack and the Beanstalk were first thought of.[Pg 42]

The little brown boys and girls who lived in Egypt three thousand years ago loved hearing amazing stories that started with "Once upon a time;" and in this chapter, I want to share some of the tales that Tahuti and Sen-senb used to listen to in the evening after school was over and playtime was finished—the oldest of all wonder stories, tales that were ancient and had been long forgotten, long before The Sleeping Beauty and Jack and the Beanstalk were ever imagined.[Pg 42]

One day, when King Khufu, the great King who built the biggest of the Pyramids, had nothing else to do, he called his sons and his wise men together, and said, "Is there anyone among you who can tell me the tales of the old magicians?" Then the King's son, Prince Baufra, stood up and said, "Your Majesty, I can tell you of a wonder that happened in the days of your father, King Seneferu. It fell on a day that the King grew weary of everything, and sought through all his palace for something to please him, but found nothing. Then he said to his officers, 'Bring to me the magician Zazamankh.' And when the magician came, the King said to him, 'O Zazamankh, I have sought through all my palace for some delight, and I have found none.' Then said Zazamankh, 'Let thy Majesty go in thy boat upon the lake of the palace, and let twenty beautiful girls be brought to row thee, and let their oars be of ebony, inlaid with gold and silver. And I myself will go with thee; and the sight of the water-birds, and the fair shores, and the green grass will cheer thy heart.' So the King and the wizard went down to the lake, and the twenty maidens rowed them about in the King's pleasure-galley. Nine rowed on this side, and nine on that, and the two fairest stood by the two rudders at the stern, and set the rowing song, each for her own side. And the King's heart grew glad and light, as the boat sped hither and thither, and the oars flashed in the sunshine to the song of the rowers.

One day, when King Khufu, the great king who built the largest of the Pyramids, had nothing else to do, he gathered his sons and wise men and said, "Is there anyone here who can tell me the stories of the old magicians?" Then the King's son, Prince Baufra, stood up and said, "Your Majesty, I can tell you about a wonder that happened in the days of your father, King Seneferu. It happened on a day when the King grew tired of everything and searched throughout his palace for something to entertain him, but found nothing. He then told his officers, 'Bring me the magician Zazamankh.' When the magician arrived, the King said to him, 'O Zazamankh, I have searched my palace for some enjoyment, and I have found none.' Zazamankh replied, 'Let your Majesty board your boat on the palace lake, and let twenty beautiful girls be brought to row for you, with oars made of ebony, inlaid with gold and silver. I will go with you; the sight of the water birds, the lovely shores, and the green grass will lift your spirits.' So the King and the magician went down to the lake, and the twenty maidens rowed them around in the King's pleasure boat. Nine rowed on one side, nine on the other, while the two most beautiful stood by the rudders at the back, leading the rowing song for their sides. The King's heart filled with joy and light as the boat glided back and forth, and the oars sparkled in the sunlight to the rhythm of the rowers' song.

"But as the boat turned, the top of the steering-oar struck the hair of one of the maidens who steered, and knocked her coronet of turquoise into the water; and she stopped her song, and all the rowers on her side[Pg 43] stopped rowing. Then his Majesty said, 'Why have you stopped rowing, little one?' And the maiden answered, 'It is because my jewel of turquoise has fallen into the water.' 'Row on,' said the King, 'and I will give you another.' But the girl answered, 'I want my own one back, as I had it before.' So King Seneferu called Zazamankh to come to him, and said, 'Now, Zazamankh, I have done as you advised, and my heart is light; but, behold, the coronet of this little one has fallen into the water, and she has stopped singing, and spoiled the rowing of her side; and she will not have a new jewel, but wants the old one back again.'

"But as the boat turned, the end of the steering-oar hit the hair of one of the young women steering and knocked her turquoise crown into the water. She stopped singing, and all the rowers on her side[Pg 43] stopped rowing. Then the King said, 'Why have you stopped rowing, little one?' And the maiden replied, 'It's because my turquoise jewel has fallen into the water.' 'Keep rowing,' said the King, 'and I'll get you another one.' But the girl said, 'I want my own back, just as I had it before.' So King Seneferu called Zazamankh to come to him and said, 'Now, Zazamankh, I have done as you advised, and my heart is light; but look, this young woman's crown has fallen into the water, and she has stopped singing, disrupting her side's rowing; and she doesn't want a new jewel, she wants the old one back again.'"

"Then Zazamankh the wizard stood up in the King's boat, and spoke wonderful words. And, lo! the water of one half of the lake rose up, and heaped itself upon the top of the water of the other half, so that it was twice as deep as it was before. And the King's bark rode upon the top of the piled-up waters; but beyond it the bottom of the lake lay bare, with the shells and pebbles shining in the sunlight. And there, upon a broken shell, lay the little rower's coronet. Then Zazamankh leaped down and picked it up, and brought it to the King. And he spake wonderful words again, and the water sank down, and covered the whole bed of the lake, as it had done at first. So his Majesty spent a joyful day, and gave great rewards to the wizard Zazamankh."

Then Zazamankh the wizard stood up in the King's boat and spoke incredible words. Suddenly, half of the lake's water rose up and piled on top of the other half, making it twice as deep as before. The King's boat floated on the top of the raised waters, while the lake bed was exposed, revealing shells and pebbles glimmering in the sunlight. There, on a broken shell, lay the little rower's crown. Zazamankh then jumped down, picked it up, and brought it to the King. He spoke amazing words again, and the water sank down, covering the entire lake bed as it had been before. The King enjoyed a joyful day and gave great rewards to the wizard Zazamankh.

When King Khufu heard that story, he praised the men of olden times. But another of his sons, Prince Hordadef, stood up, and said, "O King, that is only a story of bygone days, and no one knows whether it is true or a lie; but I will show thee a magician of[Pg 44] to-day." "Who is he, Hordadef?" said King Khufu. And Hordadef answered, "His name is Dedi. He is a hundred and ten years old, and every day he eats five hundred loaves of bread, and a side of beef, and drinks a hundred jugs of beer. He knows how to fasten on a head that has been cut off. He knows how to make a lion of the desert follow him, and he knows the plan of the house of God that you have wanted to know for so long."

When King Khufu heard that story, he praised the men of the past. But his son, Prince Hordadef, stood up and said, "O King, that's just a tale from long ago, and no one knows if it's true or false; but I can show you a magician today." "Who is he, Hordadef?" asked King Khufu. Hordadef replied, "His name is Dedi. He's a hundred and ten years old and eats five hundred loaves of bread and a side of beef every day, plus drinks a hundred jugs of beer. He knows how to reattach a head that has been cut off. He can make a lion from the desert follow him, and he knows the secrets of the house of God that you've wanted to understand for so long."

Then King Khufu sent Prince Hordadef to bring Dedi to him, and he brought Dedi back in the royal boat. The King came out, and sat in the colonnade of the palace, and Dedi was led before him. Then said his Majesty, "Why have I never seen you before, Dedi?" And Dedi answered, "Life, health, strength to your Majesty! A man can only come when he is called." "Is it true, Dedi, that you can fasten on a head which has been cut off?" "Certainly I can, your Majesty." Then said the King, "Let a prisoner be brought from the prison, and let his head be struck off." But Dedi said, "Long life to your Majesty; do not try it on a man. Let us try a bird or an animal."

Then King Khufu sent Prince Hordadef to bring Dedi to him, and he brought Dedi back in the royal boat. The King came out and sat in the palace colonnade, and Dedi was brought before him. The King said, "Why have I never seen you before, Dedi?" Dedi replied, "Life, health, and strength to your Majesty! A man can only come when he is called." The King asked, "Is it true, Dedi, that you can attach a head that has been cut off?" Dedi answered, "Of course I can, your Majesty." The King then commanded, "Bring a prisoner from the jail and let his head be chopped off." But Dedi replied, "Long life to your Majesty; please don't try it on a person. Let's test it on a bird or an animal."

So a goose was brought; its head was cut off; and the head was laid at the east side of the hall, and the body at the west. Then Dedi rose, and spoke wonderful words. And, behold! the body of the goose waddled to meet the head, and the head came to meet the body. They joined together before his Majesty's throne, and the goose stood up and cackled (Plate 8).

So a goose was brought in; its head was chopped off; and the head was placed on the east side of the hall, while the body was put on the west. Then Dedi stood up and spoke amazing words. And, look! the body of the goose waddled over to meet the head, and the head came to meet the body. They came together in front of his Majesty's throne, and the goose stood up and honked (Plate 8).

Then, when Dedi had joined to its body again the head that had been struck off from an ox, and the ox followed him lowing, King Khufu said to him, "Is it true, O Dedi, that you know the plans of the house of[Pg 45] God?" "It is true, your Majesty; but it is not I who shall give them to you." "Who, then?" said the King. "It is the eldest of three sons who shall be born to the lady Rud-didet, wife of the priest of Ra, the Sun-God. And Ra has promised that these three sons shall reign over this kingdom of thine." When King Khufu heard that word, his heart was troubled; but Dedi said, "Let not your Majesty's heart be troubled. Thy son shall reign first, then thy son's son, and then one of these." So the King commanded that Dedi should live in the house of Prince Hordadef; and that every day there should be given to him a thousand loaves, a hundred jugs of beer, an ox, and a hundred bunches of onions!

Then, after Dedi reattached the head that had been cut off from an ox and the ox followed him lowing, King Khufu asked him, “Is it true, Dedi, that you know the plans of the house of[Pg 45] God?” “It is true, Your Majesty; but I'm not the one who will share them with you.” “Who will, then?” said the King. “It will be the eldest of three sons who will be born to lady Rud-didet, wife of the priest of Ra, the Sun-God. And Ra has promised that these three sons will rule over your kingdom.” When King Khufu heard this, his heart became troubled; but Dedi said, “Don’t let your Majesty's heart be troubled. Your son will reign first, then your grandson, and then one of these.” So the King ordered that Dedi should live in the house of Prince Hordadef, and that he would receive a thousand loaves of bread, a hundred jugs of beer, an ox, and a hundred bunches of onions every day!

When the three sons of Rud-didet were born, Ra sent four goddesses to be their godmothers. They came attired like travelling dancing-girls; and one of the gods came with them, dressed like a porter. And when they had nursed the three children awhile, Rud-didet's husband said to them, "My ladies, what wages shall I give you?" So he gave them a bushel of barley, and they went away with their wages. But when they had gone a little way, Isis, the chief of them, said, "Why have we not done a wonder for these children?" So they stopped, and made crowns, the red crown and the white crown of Egypt, and hid them in the bushel of barley, and sealed the sack, and put it in Rud-didet's store-chamber, and went away again.

When the three sons of Rud-didet were born, Ra sent four goddesses to be their godmothers. They arrived dressed like traveling dancers, and one of the gods came with them, dressed like a porter. After they had cared for the three children for a while, Rud-didet's husband said to them, "Ladies, what payment should I give you?" He then gave them a bushel of barley, and they left with their payment. But as they walked a little ways, Isis, the leader among them, said, "Why haven't we done something special for these children?" So, they paused, created crowns—the red crown and the white crown of Egypt—and hid them in the bushel of barley. They sealed the sack and placed it in Rud-didet's storage room before leaving again.

A fortnight later, when Rud-didet was going to brew the household beer, there was no barley. And her maidservant said, "There is a bushel, but it was given to the dancing-girls, and lies in the store-room, sealed with their seal." So the lady said to her maid,[Pg 46] "Go down and fetch it, and we shall give them more when they need it." The maid went down, but when she came to the store-room, lo! from within there came a sound of singing and dancing, and all such music as should be heard in a King's Court. So in fear she crept back to her mistress and told her, and Rud-didet went down and heard the royal music, and she told her husband when he came home at night, and their hearts were glad because their sons were to be Kings.

A couple of weeks later, when Rud-didet was about to brew the household beer, they discovered they had no barley. Her maidservant said, "There’s a bushel, but it was given to the dancers and is in the storeroom, sealed with their seal." So the lady instructed her maid, [Pg 46] "Go get it, and we will give them more when they need it." The maid went down, but when she reached the storeroom, she heard singing and dancing, along with music fit for a King’s Court. Terrified, she crept back to her mistress and told her. Rud-didet went down to listen to the royal music, and when her husband came home that night, she shared what she had heard, and they felt joy because their sons were destined to be Kings.

But after a time the lady Rud-didet quarrelled with her maid, and gave her a beating, as ladies sometimes did in those days; and the weeping maid said to her fellow-servants, "Shall she do this to me? She has borne three Kings, and I will go and tell it to his Majesty, King Khufu." So she stole away first to her uncle, and told him of her plot; but he was angry because she wished to betray the children to King Khufu, and he beat her with a scourge of flax. And as she went away by the side of the river a great crocodile came out of the water, and carried her off.... But here, alas! our story breaks off; the rest of the book is lost, and we cannot tell whether King Khufu tried to kill the three royal babies or not. Only we do know that the first three Kings of the race which succeeded the race of Khufu bore the same names as Rud-didet's three babies, and were called, like all the Kings of Egypt after them, "Sons of the Sun."

But after a while, Lady Rud-didet had a fight with her maid and hit her, as ladies sometimes did back then. The crying maid said to her fellow servants, "Can she do this to me? She's given birth to three Kings, and I’m going to tell His Majesty, King Khufu." So she sneaked away first to her uncle and shared her plan with him; but he got angry because she wanted to betray the children to King Khufu, and he whipped her with a flax whip. As she walked along the riverbank, a huge crocodile came out of the water and carried her away... But alas! our story ends here; the rest of the book is lost, and we can't say whether King Khufu tried to kill the three royal babies or not. All we know is that the first three Kings of the line that followed Khufu had the same names as Rud-didet's three babies, and were called, like all the Kings of Egypt after them, "Sons of the Sun."

These, then, are absolutely the oldest fairy-stories in the world, and if they do not seem very wonderful to you, you must remember that everything has to have a beginning, and that the people who made these tales hadn't had very much practice in the art of story-telling.[Pg 47]

These are definitely the oldest fairy tales in the world, and if they don't seem very amazing to you, keep in mind that everything has to start somewhere, and the people who created these stories didn't have much experience in storytelling.[Pg 47]


CHAPTER VIII

SOME FAIRY-TALES OF LONG AGO (Continued)

Our next story belongs to a time several hundred years later, and I dare say it seemed as wonderful to the little Egyptians as the story of Sindbad the Sailor does to you. It is called "The Story of the Shipwrecked Sailor," and the sailor himself tells it to a noble Egyptian.

Our next story takes place several hundred years later, and I bet it felt just as amazing to the little Egyptians as the story of Sindbad the Sailor does to you. It's called "The Story of the Shipwrecked Sailor," and the sailor himself shares it with a noble Egyptian.

"I was going," he says, "to the mines of Pharaoh, and we set sail in a ship of 150 cubits long and 40 cubits wide (225 feet by 60 feet—quite a big ship for the time). We had a crew of 150 of the best sailors of Egypt, men whose hearts were as bold as lions. They all foretold a happy voyage, but as we came near the shore a great storm blew, the sea rose in terrible waves, and our ship was fairly overwhelmed. Clinging to a piece of wood, I was washed about for three days, and at last tossed up on an island; but not one was left of all my shipmates—all perished in the waves.

"I was going," he says, "to the mines of Pharaoh, and we set sail in a ship that was 150 cubits long and 40 cubits wide (225 feet by 60 feet—pretty big for the time). We had a crew of 150 of the best sailors in Egypt, men whose hearts were as bold as lions. They all predicted a successful voyage, but as we got close to the shore, a huge storm hit, the sea churned with massive waves, and our ship was completely overwhelmed. Holding onto a piece of wood, I floated for three days, and finally washed up on an island; but not one of my shipmates survived—all perished in the waves.

"I lay down in the shade of some bushes, and when I had recovered a little, I looked about me for food. There was plenty on every hand—figs and grapes, berries and corn, with all manner of birds. When my hunger was satisfied, I lit a fire, and made an offering to the gods who had saved me. Suddenly I heard a noise like thunder; the trees shook, and the earth quaked. Looking round, I saw a great serpent approaching me. He was nearly 50 feet long, and had[Pg 48] a beard 3 feet in length. His body shone in the sun like gold, and when he reared himself up from his coils before me I fell upon my face.

I lay down in the shade of some bushes, and after I recovered a bit, I looked around for food. There was plenty everywhere—figs and grapes, berries and corn, with all kinds of birds. Once my hunger was satisfied, I lit a fire and made an offering to the gods who had saved me. Suddenly, I heard a noise like thunder; the trees shook, and the ground trembled. Looking around, I saw a huge serpent approaching me. He was almost 50 feet long and had[Pg 48] a 3-foot-long beard. His body shone in the sun like gold, and when he reared up from his coils before me, I fell flat on my face.

"Then the serpent began to speak: 'What has brought thee, little one, what has brought thee? If thou dost not tell me quickly what has brought thee to this isle, I shall make thee vanish like a flame.' So saying, he took me up in his mouth, carried me gently to his lair, and laid me down unhurt; and again he said, 'What has brought thee, little one, what has brought thee to this isle of the sea?' So I told him the story of our shipwreck, and how I alone had escaped from the fury of the waves. Then said he to me: 'Fear not, little one, and let not thy face be sad. If thou hast come to me, it is God who has brought thee to this isle, which is filled with all good things. And now, see: thou shalt dwell for four months in this isle, and then a ship of thine own land shall come, and thou shalt go home to thy country, and die in thine own town. As for me, I am here with my brethren and my children. There are seventy-five of us in all, besides a young girl, who came here by chance, and was burned by fire from heaven. But if thou art strong and patient, thou shalt yet embrace thy children and thy wife, and return to thy home.'

"Then the serpent began to speak: 'What brings you here, little one? What brings you? If you don't tell me quickly what has brought you to this island, I will make you disappear like a flame.' Saying this, he picked me up in his mouth, carried me gently to his lair, and laid me down unharmed; and again he asked, 'What has brought you, little one? What has brought you to this island of the sea?' So I shared the story of our shipwreck and how I was the only one to escape the fury of the waves. Then he said to me: 'Don't be afraid, little one, and don’t let your face be sad. If you have come to me, it is God who has brought you to this island, which is filled with all good things. And now, look: you shall live here for four months, and then a ship from your homeland will come, and you will go back to your country and die in your own town. As for me, I am here with my brothers and my children. There are seventy-five of us in total, along with a young girl who came here by chance and was burned by fire from heaven. But if you are strong and patient, you will yet embrace your children and your wife and return to your home.'”

"Then I bowed low before him, and promised to tell of him to Pharaoh, and to bring him ships full of all the treasures of Egypt; but he smiled at my speech, and said, 'Thou hast nothing that I need, for I am Prince of the Land of Punt, and all its perfumes are mine. Moreover, when thou departest, thou shalt never again see this isle, for it shall be changed into waves.'

"Then I bowed deeply before him and promised to tell Pharaoh about him and to bring ships filled with all the treasures of Egypt. But he smiled at my words and said, 'You have nothing I want, as I am the Prince of the Land of Punt, and all its fragrances belong to me. Furthermore, when you leave, you will never see this island again, as it will be turned into waves.'"

PLATE 9.  AN EGYPTIAN COUNTRY HOUSE. PLATE 9.
AN EGYPTIAN VILLA.

"Now, behold! when the time was come, as he had foretold, the ship drew near. And the good serpent said to me, 'Farewell, farewell! go to thy home, little one, see again thy children, and let thy name be good in thy town; these are my wishes for thee.' So I bowed low before him, and he loaded me with precious gifts of perfume, cassia, sweet woods, ivory, baboons, and all kinds of precious things, and I embarked in the ship. And now, after a voyage of two months, we are coming to the house of Pharaoh, and I shall go in before Pharaoh, and offer the gifts which I have brought from this isle into Egypt, and Pharaoh shall thank me before the great ones of the land."

"Now, look! When the time had come, just as he predicted, the ship approached. And the good serpent said to me, 'Goodbye, goodbye! Go home, little one, see your children again, and may your name be honored in your town; that is my wish for you.' So I bowed deeply before him, and he filled me with precious gifts of perfume, cassia, sweet woods, ivory, baboons, and all sorts of valuable things, and I boarded the ship. Now, after a two-month voyage, we are arriving at the house of Pharaoh, and I will go in to see Pharaoh and present the gifts I brought from this island to Egypt, and Pharaoh will thank me in front of the important people of the land."

Our last story belongs to a later age than that of the Shipwrecked Sailor. About 1,500 years before Christ there arose in Egypt a race of mighty soldier-Kings, who founded a great empire, which stretched from the Soudan right through Syria and Mesopotamia as far as the great River Euphrates. Mesopotamia, or Naharaina, as the Egyptians called it, had been an unknown land to them before this time; but now it became to them what America was to the men of Queen Elizabeth's time, or the heart of Africa to your grandfathers—the wonderful land of romance, where all kinds of strange things might happen. And this story of the Doomed Prince, which I have to tell you, belongs partly to Naharaina, and, as you will see, some of our own fairy-stories have been made out of very much the same materials as are used in it.

Our last story takes place in a later time than that of the Shipwrecked Sailor. Around 1500 BCE, a powerful group of soldier-kings emerged in Egypt, establishing a vast empire that extended from Sudan through Syria and Mesopotamia all the way to the great River Euphrates. Mesopotamia, or Naharaina as the Egyptians referred to it, was a land unknown to them before this period; but now it became for them what America was to people during Queen Elizabeth's era or what the heart of Africa was to your grandparents—the enchanting land of adventure, where all sorts of extraordinary things could happen. The story of the Doomed Prince that I’m about to share with you is partly set in Naharaina, and as you will see, many of our own fairy tales draw on very similar themes and elements as this one.

Once upon a time there was a King in Egypt who had no child. His heart was grieved because he had no child, and he prayed to the gods for a son; so in course of time a son was born to him, and the Fates[Pg 50] (like fairy godmothers) came to his cradle to foretell what should happen to him. And when they saw him, they said, "His doom is to die either by the crocodile, or by the serpent, or by the dog." When the King heard this, his heart was sore for his little son, and he resolved that he would put the boy where no harm could come to him; so he built for him a beautiful house away in the desert, and furnished it with all kinds of fine things, and sent the boy there, with faithful servants to guard him, and to see that he came to no hurt. So the boy grew up quietly and safely in his house in the desert.

Once upon a time, there was a king in Egypt who had no children. His heart was heavy because he longed for a son, so he prayed to the gods for one. Eventually, a son was born to him, and the Fates[Pg 50] (like fairy godmothers) came to his crib to tell him what would happen to the boy. When they saw him, they said, "His fate is to die either by a crocodile, a snake, or a dog." When the king heard this, he was deeply distressed for his little son, and he decided to keep the boy safe. He built a beautiful house for him out in the desert, filled it with all sorts of nice things, and sent the boy there with loyal servants to protect him and ensure he came to no harm. So the boy grew up quietly and safely in his house in the desert.

But it fell on a day that the young Prince looked out from the roof of his house, and he saw a man walking across the desert, with a dog following him. So he said to the servant who was with him, "What is this that walks behind the man who is coming along the road?" "It is a dog," said the page. Then the boy said, "You must bring me one like him," and the page went and told His Majesty. Then the King said, "Get a little puppy, and take it to him, lest his heart be sad." So they brought him a little dog, and it grew up along with him.

But it happened on a day when the young Prince looked out from the roof of his house, and he saw a man walking across the desert, with a dog following him. So he said to the servant who was with him, "What is this that walks behind the man coming along the road?" "It's a dog," said the page. The boy then said, "You need to bring me one like him," and the page went to tell His Majesty. The King said, "Get a little puppy and take it to him, so he won't be sad." So they brought him a little dog, and it grew up alongside him.

Now, it happened that, when the boy had grown to be a strong young man, he grew weary of being always shut up in his fine house. Therefore he sent a message to his father, saying, "Why am I always to be shut up here? Since I am doomed to three evil Fates, let me have my desire, and let God do what is in His heart." So the King agreed, and they gave the young Prince arms, and sent him away to the eastern frontier, and his dog went with him, and they said to him, "Go wherever you will." So he went northward through[Pg 51] the desert, he and his dog, until he came to the land of Naharaina.

Now, it happened that when the boy grew into a strong young man, he got tired of being cooped up in his fancy house all the time. So, he sent a message to his father saying, "Why am I always stuck here? Since I'm faced with three terrible fates, let me have my wish, and let God do what He wants." The King agreed, and they equipped the young Prince with weapons and sent him off to the eastern frontier, and his dog went with him, and they told him, "Go wherever you want." So, he headed north through[Pg 51] the desert, he and his dog, until he arrived in the land of Naharaina.

Plate 10 STATUES OF KING AMENHOTEP III. Plate 10
STATUES OF KING AMENHOTEP III.

Now, the chief of the land of Naharaina had no children, save one beautiful daughter, and for her he had built a wonderful house. It had seventy windows, and it stood on a great rock more than 100 feet high. And the chief summoned the sons of all the chiefs of the country round about, and said to them, "The Prince who can climb to my daughter's window shall have her for his wife." So all the young Princes of the land camped around the house, and tried every day to climb to the window of the beautiful Princess; but none of them succeeded, for the rock was very steep and high.

Now, the chief of the land of Naharaina had no children except for one beautiful daughter, for whom he built an incredible house. It had seventy windows and was located on a massive rock over 100 feet high. The chief called together the sons of all the chiefs from the surrounding lands and said to them, "The Prince who can climb to my daughter's window will have her as his wife." So all the young Princes of the land camped around the house, trying every day to reach the window of the beautiful Princess, but none succeeded, as the rock was very steep and high.

Then, one day when they were climbing as they were wont, the young Prince of Egypt rode by with his dog; and the Princes welcomed him, bathed him, and fed his horse, and said to him, "Whence comest thou, thou goodly youth?" He did not wish to tell them that he was the son of Pharaoh, so he answered, "I am the son of an Egyptian officer. My father married a second wife, and, when she had children, she hated me, and drove me away from my home." So they took him into their company, and he stayed with them many days.

Then, one day while they were climbing as usual, the young Prince of Egypt rode by with his dog; the Princes welcomed him, bathed him, and fed his horse, and asked him, "Where do you come from, you handsome youth?" He didn’t want to tell them he was Pharaoh's son, so he replied, "I’m the son of an Egyptian officer. My father married a second wife, and when she had children, she disliked me and drove me away from home." So they brought him into their group, and he stayed with them for many days.

Now, it fell on a day that he asked them, "Why do you stay here, trying always to climb this rock?" And they told him of the beautiful Princess who lived in the house on the top of the rock, and how the man who could climb to her window should marry her. Therefore the young Prince of Egypt climbed along with them, and it came to pass that at last he climbed to the window of the Princess; and when she saw him, she fell in love with him, and kissed him.[Pg 52]

Now, one day he asked them, "Why do you keep trying to climb this rock?" They told him about the beautiful Princess who lived in the house at the top of the rock and how the man who could reach her window would marry her. So, the young Prince of Egypt climbed up with them, and eventually, he made it to the Princess's window; when she saw him, she fell in love with him and kissed him.[Pg 52]

Then was word sent to the Chief of Naharaina that one of the young men had climbed to his daughter's window, and he asked which of the Princes it was, and the messenger said, "It is not a Prince, but the son of an Egyptian officer, who has been driven away from Egypt by his stepmother." Then the Chief of Naharaina was very angry, and said, "Shall I give my daughter to an Egyptian fugitive? Let him go back to Egypt." But, when the messengers came to tell the young man to go away, the Princess seized his hand, and said, "If you take him from me, I will not eat; I will not drink; I shall die in that same hour." Then the chief sent men to kill the youth where he was in the house. But the Princess said, "If you kill him, I shall be dead before the sun goes down. I will not live an hour if I am parted from him." So the chief was obliged to agree to the marriage; and the young Prince was married to the Princess, and her father gave them a house, and slaves, and fields, and all sorts of good things.

Then word was sent to the Chief of Naharaina that one of the young men had climbed to his daughter's window. He asked which of the Princes it was, and the messenger said, "It's not a Prince, but the son of an Egyptian officer who has been driven away from Egypt by his stepmother." The Chief of Naharaina was very angry and said, "Should I give my daughter to an Egyptian fugitive? Let him go back to Egypt." However, when the messengers came to tell the young man to leave, the Princess grabbed his hand and said, "If you take him from me, I won't eat; I won't drink; I will die within the hour." Then the chief sent men to kill the youth where he was in the house. But the Princess said, "If you kill him, I will be dead before the sun goes down. I won't survive an hour if I'm separated from him." So the chief had no choice but to agree to the marriage, and the young Prince married the Princess. Her father provided them with a house, slaves, fields, and all kinds of good things.

But after a time the young Prince said to his wife, "I am doomed to die, either by a crocodile, or by a serpent, or by a dog." And his wife answered, "Why, then, do you keep this dog always with you? Let him be killed." "Nay," said he, "I am not going to kill my faithful dog, which I have brought up since the time that he was a puppy." So the Princess feared greatly for her husband, and would never let him go out of her sight.

But after a while, the young Prince said to his wife, "I'm destined to die, either by a crocodile, a snake, or a dog." His wife replied, "Then why do you keep this dog around all the time? Just have him killed." "No," he said, "I'm not going to kill my loyal dog, which I've raised since he was a puppy." So the Princess was very worried about her husband and never let him out of her sight.

Now, it happened in course of time that the Prince went back to the land of Egypt; and his wife went with him, and his dog, and he dwelt in Egypt. And one day, when the evening came, he grew drowsy, and fell[Pg 53] asleep; and his wife filled a bowl with milk, and placed it by his side, and sat to watch him as he slept. Then a great serpent came out of his hole to bite the youth. But his wife was watching, and she made the servants give the milk to the serpent, and he drank till he could not move. Then the Princess killed the serpent with blows of her dagger. So she woke her husband, and he was astonished to see the serpent lying dead, and his faithful wife said to him, "Behold, God has given one of thy dooms into thy hand; He will also give the others." And the Prince made sacrifice to God, and praised Him.

Now, after some time, the Prince returned to Egypt, bringing his wife and his dog with him, and he settled there. One evening, as he began to feel drowsy, he fell asleep. His wife poured a bowl of milk, placed it beside him, and sat down to watch as he slept. Suddenly, a huge serpent emerged from its hole, ready to strike. But his wife was alert; she instructed the servants to offer the milk to the serpent, which drank until it was unable to move. Then the Princess killed the serpent with her dagger. She woke her husband, who was shocked to see the serpent lying dead, and his devoted wife said to him, "Look, God has delivered one of your enemies into your hands; He will also take care of the others." The Prince then made a sacrifice to God and praised Him.

Now, it fell on a day that the Prince went out to walk in his estate, and his dog went with him. And as they walked, the dog ran after some game, and the Prince followed the dog. They came to the River Nile, and the dog went into the river, and the Prince followed him. Then a great crocodile rose in the river, and laid hold on the youth, and said, "I am thy doom, following after thee." ...

Now, one day, the Prince went for a walk on his estate, and his dog accompanied him. As they strolled, the dog chased some game, and the Prince followed his dog. They reached the River Nile, and the dog jumped into the water, so the Prince followed him. Then a huge crocodile emerged from the river, grabbed the young man, and said, "I am your fate, pursuing you."

But just here the old papyrus roll on which the story is written is torn away, and we do not know what happened to the Doomed Prince. I fancy that, in some way or other, his dog would save him from the crocodile, and that later, by some accident, the poor faithful dog would be the cause of his master's death. At least, it looks as if the end of the story must have been something like that; for the Egyptians believed that no one could escape from the doom that was laid upon him, but had to suffer it sooner or later. Perhaps, some day, one of the explorers who are searching the land of Egypt for relics of the past may come on another papyrus roll with the end of the story, and then we[Pg 54] shall find out whether the dog did kill the Prince, or whether God gave all his dooms into his hand, as his wife hoped.

But right here, the old papyrus roll that tells the story is torn, and we don’t know what happened to the Doomed Prince. I imagine that somehow, his dog saved him from the crocodile, but later, by chance, the poor loyal dog ended up being the cause of his master’s death. At least, it seems like the end of the story must have been something like that; because the Egyptians believed that no one could escape the fate laid upon them, and would have to face it eventually. Maybe one day, an explorer researching Egypt for relics of the past will find another papyrus roll with the ending of the story, and then we[Pg 54] will find out whether the dog killed the Prince or if God handed all his fates into his hands, as his wife hoped.

These are some of the stories that little Tahuti and Sen-senb used to listen to in the long evenings when they were tired of play. Perhaps they seem very simple and clumsy to you; but I have no doubt that, when they were told in those old days, the black eyes of the little Egyptian boys and girls used to grow very big and round, and the wizard who could fasten on heads which had been cut off seemed a very wonderful person, and the talking serpents and crocodiles seemed very real and very dreadful.

These are some of the stories that little Tahuti and Sen-senb would listen to during the long evenings when they were tired of playing. They might seem very simple and awkward to you, but I have no doubt that, when told back in those days, the black eyes of the little Egyptian boys and girls grew big and round, and the wizard who could attach heads that had been cut off seemed truly amazing, while the talking snakes and crocodiles felt very real and frightening.

Anyhow, you have heard the oldest stories in all the world—the fathers and mothers, so to speak, of all the great family of wonder-tales that have delighted and terrified children ever since.

Anyway, you've heard the oldest stories in the world—the parents, in a sense, of all the great family of wonder-tales that have both delighted and scared kids throughout time.


CHAPTER IX

EXPLORING THE SOUDAN

There is no more wonderful or interesting story than that which tells how bit by bit the great dark continent of Africa has been explored, and made to yield up its secrets. But did you ever think what a long story it is, and how very early it begins? It is in Egypt that we find the first chapters of the story; and they can still be read, written in the quaint old picture writing which[Pg 55] the Egyptians used, on the rock tombs of a place in the south of Egypt, called Elephantine.

There’s no better or more intriguing story than the one that describes how, little by little, the vast dark continent of Africa has been explored and revealed its secrets. But have you ever considered how long that story is and how early it begins? The first chapters of this story are found in Egypt, still readable in the distinctive old picture writing that[Pg 55] the Egyptians used on the rock tombs in a southern Egyptian location called Elephantine.

Plate 11 THE SPHINX AND THE SECOND PYRAMID. Page 79 Plate 11
THE SPHINX AND THE SECOND PYRAMID. Page 79

In early days the land of Egypt used to end at what was called the First Cataract of the Nile, a place where the river came down in a series of rapids among a lot of rocky islets. The First Cataract has disappeared now, for British engineers have made a great dam across the Nile just at this point, and turned the whole country, for miles above the dam, into a lake. But in those days the Egyptians used to believe that the Nile, to which they owed so much, began at the First Cataract. Yet they knew of the wild country of Nubia beyond and, in very early times indeed, about 5,000 years ago, they used to send exploring expeditions into that half-desert land which we have come to know as the Soudan.

In the early days, Egypt ended at what was known as the First Cataract of the Nile, a spot where the river rushed down through a series of rapids and rocky islets. The First Cataract is gone now because British engineers built a massive dam across the Nile at that point, turning the entire area, for miles above the dam, into a lake. However, back then, the Egyptians believed that the Nile, which they depended on greatly, started at the First Cataract. They were aware of the wild land of Nubia beyond and, even in ancient times, around 5,000 years ago, they sent out exploration teams into that semi-desert region we now call the Soudan.

Near the First Cataract there lies the island of Elephantine, and when the Egyptian kingdom was young the great barons who owned this island were the Lords of the Egyptian Marches, just as the Percies and the Douglases were the Lords of the Marches in England and Scotland. It was their duty to keep in order the wild Nubian tribes south of the Cataract, to see that they allowed the trading caravans to pass safely, and sometimes to lead these caravans through the desert themselves. A caravan was a very different thing then from the long train of camels that we think of now when we hear the name. For, though there are some very old pictures which show that, before Egyptian history begins at all, the camel was known in Egypt, somehow that useful animal seems to have disappeared from the land for many hundreds of years. The Pharaohs and their adventurous barons never used the[Pg 56] queer, ungainly creature that carries the desert postman in our picture (Plate 12), and the ivory, gold-dust, and ebony that came from the Soudan had to be carried on the backs of hundreds of asses.

Near the First Cataract is the island of Elephantine, and when the Egyptian kingdom was still new, the powerful leaders who owned this island were the Lords of the Egyptian Marches, similar to how the Percies and the Douglases were the Lords of the Marches in England and Scotland. It was their responsibility to manage the wild Nubian tribes living south of the Cataract, ensuring that they allowed the trading caravans to pass through safely, and sometimes even guiding these caravans across the desert themselves. A caravan back then was very different from the long line of camels we picture today when we hear the term. Although there are some ancient images showing that, long before Egyptian history began, the camel was known in Egypt, this useful animal seems to have vanished from the region for many hundreds of years. The Pharaohs and their daring barons never utilized the[Pg 56]

The barons of Elephantine bore the proud title of "Keepers of the Door of the South," and, in addition, they display, seemingly just as proudly, the title "Caravan Conductors." In those days it was no easy task to lead a caravan through the Soudan, and bring it back safe with its precious load through all the wild and savage tribes who inhabited the land of Nubia. More than one of the barons of Elephantine set out with a caravan never to return, but to leave his bones, and those of his companions, to whiten among the desert sands; and one of them has told us how, hearing that his father had been killed on one of these adventurous journeys, he mustered his retainers, marched south with a train of a hundred asses, punished the tribe which had been guilty of the deed, and brought his father's body home, to be buried with all due honours.

The barons of Elephantine held the impressive title of "Keepers of the Door of the South," and proudly carried the title "Caravan Conductors." Back then, it was no simple task to lead a caravan through the Soudan and bring it back safely with its valuable cargo, navigating through the wild and fierce tribes living in Nubia. More than one baron from Elephantine set out with a caravan and never came back, leaving their bones—and those of their companions—to bleach among the desert sands. One of them recounted how, upon hearing that his father had been killed on one of these daring journeys, he gathered his followers, marched south with a caravan of a hundred donkeys, took revenge on the tribe responsible, and brought his father's body home for a proper burial.

Some of the records of these early journeys, the first attempts to explore the interior of Africa, may still be read, carved on the walls of the tombs where the brave explorers sleep. One baron, called Herkhuf, has told us of no fewer than four separate expeditions which he made into the Soudan. On his first journey, as he was still young, he went in company with his father, and was away for seven months. The next time he was allowed to go alone, and brought back his caravan safely after an absence of eight months.

Some of the records of these early journeys, the first attempts to explore the interior of Africa, can still be seen, carved into the walls of the tombs where the brave explorers rest. One baron, named Herkhuf, has shared details of at least four different expeditions he took into the Soudan. During his first journey, when he was still young, he traveled with his father and was gone for seven months. The next time, he was permitted to go alone and returned his caravan safely after being away for eight months.

On his third journey he went farther than before, and gathered so large a quantity of ivory and gold-dust that three hundred asses were required to bring his[Pg 57] treasure home. So rich a caravan was a tempting prize for the wild tribes on the way; but Herkhuf persuaded one of the Soudanese chiefs to furnish him with a large escort, and the caravan was so strongly guarded that the other tribes did not venture to attack it, but were glad to help its leader with guides and gifts of cattle. Herkhuf brought his treasures safely back to Egypt, and the King was so pleased with his success that he sent a special messenger with a boat full of delicacies to refresh the weary traveller.

On his third journey, he went further than ever before and collected such a huge amount of ivory and gold dust that he needed three hundred donkeys to bring his[Pg 57] treasure home. A caravan this wealthy was an enticing target for the wild tribes along the route, but Herkhuf convinced one of the Soudanese chiefs to provide him with a large escort. The caravan was so well-guarded that the other tribes didn't dare to attack; instead, they were happy to assist its leader with guides and gifts of cattle. Herkhuf successfully returned his treasures to Egypt, and the King was so impressed with his success that he sent a special messenger with a boat full of treats to refresh the weary traveler.

PLATE 12.  A DESERT POSTMAN. PLATE 12.
A DESERT MAIL CARRIER.

But the most successful of all his expeditions was the fourth. The King who had sent him on the other journeys had died, and was succeeded by a little boy called Pepy, who was only about six years old when he came to the throne, and who reigned for more than ninety years—the longest reign in the world's history. In the second year of Pepy's reign, the bold Herkhuf set out again for the Soudan, and this time, along with other treasures, he brought back something that his boy-King valued far more than gold or ivory.

But the most successful of all his expeditions was the fourth. The King who had sent him on the earlier journeys had died and was succeeded by a young boy named Pepy, who was only about six years old when he took the throne and reigned for more than ninety years—the longest reign in history. In the second year of Pepy's reign, the daring Herkhuf set out again for the Sudan, and this time, along with other treasures, he brought back something that his young king valued far more than gold or ivory.

You know how, when Stanley went in search of Emin Pasha, he discovered in the Central African forests a strange race of dwarfs, living by themselves, and very shy of strangers. Well, for all these thousands of years, the forefathers of these little dwarfs must have been living in the heart of the Dark Continent. In early days they evidently lived not so far away from Egypt as when Stanley found them, for, on at least one occasion, one of Pharaoh's servants had been able to capture one of the little men, and bring him down as a present to his master, greatly to the delight of the King and Court. Herkhuf was equally fortunate. He managed to secure a dwarf from one of these pigmy[Pg 58] tribes, and brought him back with his caravan, that he might please the young King with his quaint antics and his curious dances.

You know how when Stanley went looking for Emin Pasha, he found a strange group of dwarfs living alone in the Central African forests, who were very shy around strangers? Well, for all those thousands of years, the ancestors of these little dwarfs must have been living deep in the heart of the Dark Continent. Back in the day, they clearly lived closer to Egypt than they did when Stanley discovered them, because at least once, one of Pharaoh's servants was able to capture one of the little guys and bring him as a gift to his master, much to the delight of the King and his court. Herkhuf was similarly lucky. He managed to get a dwarf from one of these pygmy[Pg 58] tribes and brought him back with his caravan to entertain the young King with his unique antics and interesting dances.

When the King heard of the present which his brave servant was bringing back for him, he was wild with delight. The thought of this new toy was far more to the little eight-year-old, King though he was, than all the rest of the treasure which Herkhuf had gathered; and he caused a letter to be written to the explorer, telling him of his delight, and giving him all kinds of advice as to how careful he should be that the dwarf should come to no harm on the way to Court.

When the King heard about the gift his brave servant was bringing back for him, he was overjoyed. The idea of this new toy meant so much more to the little eight-year-old King than all the other treasures Herkhuf had collected; he had a letter written to the explorer, expressing his happiness and giving all sorts of advice on how to make sure the dwarf arrived safely at the Court.

The letter, through all its curious old phrases, is very much the kind of letter that any boy might send on hearing of some new toy that was coming to him. "My Majesty," says the little eight-year-old Pharaoh, "wisheth to see this pigmy more than all the tribute of Punt. And if thou comest to Court having this pigmy with thee sound and whole, My Majesty will do for thee more than King Assa did for the Chancellor Baurded." (This was the man who had brought back the other dwarf in earlier days.) Little King Pepy then gives careful directions that Herkhuf is to provide proper people to see that the precious dwarf does not fall into the Nile on his way down the river; and these guards are to watch behind the place where he sleeps, and look into his bed ten times each night, that they may be sure that nothing has gone wrong.

The letter, with all its peculiar old phrases, is really just the kind of note any boy would write upon hearing about a new toy coming his way. "My Majesty," says the little eight-year-old Pharaoh, "wants to see this dwarf more than all the treasures of Punt. And if you come to Court with this dwarf in good condition, My Majesty will reward you even more than King Assa did for Chancellor Baurded." (This was the guy who brought back the other dwarf back in the day.) Little King Pepy then gives detailed instructions that Herkhuf should arrange for the right people to make sure the precious dwarf doesn’t fall into the Nile on the journey down the river; these guards are to stand watch behind where he sleeps and check his bed ten times each night to ensure everything is alright.

The poor little dwarf must have had rather an uncomfortable time of it, one fancies, if his sleep was to be broken so often. Perhaps there was more danger of killing him with kindness and care, than if they had left him more to himself; but Pepy's anxiety was very[Pg 59] like a boy. However, Herkhuf evidently succeeded in bringing his dwarf safe and sound to the King's Court, and no doubt the quaint little savage proved a splendid toy for the young King. One wonders what he thought of the great cities and the magnificent Court of Egypt, and whether his heart did not weary sometimes for the wild freedom of his lost home.

The poor little dwarf must have had a pretty rough time if his sleep was interrupted so often. Maybe there was more risk of suffocating him with too much affection and care than if they had just left him alone more often; but Pepy's worry was very[Pg 59] much like that of a boy. Still, Herkhuf clearly managed to bring his dwarf safely to the King's Court, and no doubt the quirky little guy turned out to be a great toy for the young King. One wonders what he thought of the big cities and the grand Court of Egypt, and if he sometimes longed for the wild freedom of his lost home.

Herkhuf was so proud of the King's letter that he caused it to be engraved, word for word, on the walls of the tomb which he hewed out for himself at Elephantine, and there to this day the words can be read which tell us how old is the story of African exploration, and how a boy was always just a boy, even though he lived five thousand years ago, and reigned over a great kingdom.

Herkhuf was so proud of the King's letter that he had it engraved, word for word, on the walls of the tomb he carved out for himself at Elephantine. To this day, the words can still be read, showing us how long the story of African exploration has been and how a boy was always just a boy, even though he lived five thousand years ago and ruled over a great kingdom.


CHAPTER X

A VOYAGE OF DISCOVERY

About 3,500 years ago, there reigned a great Queen in Egypt. It was not usual for the Egyptian throne to be occupied by a woman, though great respect was always shown to women in Egypt, and the rank of a King's mother was considered quite as important as that of his father. But once at least in her history Egypt had a great Queen, whose fame deserves to be remembered, and who takes honourable rank among the great women, like Queen Elizabeth and Queen Victoria, who have ruled kingdoms.[Pg 60]

About 3,500 years ago, a powerful queen ruled in Egypt. It wasn’t common for a woman to sit on the Egyptian throne, though women were always treated with great respect in Egypt, and the position of a king's mother was considered just as significant as that of his father. However, at least once in its history, Egypt had a remarkable queen whose legacy is worth remembering, ranking alongside great women like Queen Elizabeth and Queen Victoria, who have ruled over their own kingdoms.[Pg 60]

During part of her life Queen Hatshepsut was only joint sovereign along with her husband, and in the latter part of her reign she was joint sovereign with her half-brother or nephew, who succeeded her; but for at least twenty years she was really the sole ruler of Egypt, and governed the land wisely and well.

During part of her life, Queen Hatshepsut was a co-sovereign with her husband, and later in her reign, she shared power with her half-brother or nephew, who eventually succeeded her. However, for at least twenty years, she was effectively the sole ruler of Egypt, governing the land wisely and effectively.

Perhaps the most interesting thing that happened in her reign was the voyage of discovery which she caused to be made by some ships of her fleet. Centuries before her time, when the world was young, the Egyptians had made expeditions down the Red Sea to a land which they sometimes called Punt, and sometimes "The Divine Land." Probably it was part of the country that we now know as Somaliland. But for a very long time these voyages had ceased, and people only knew by hearsay, and by the stories of ancient days, of this wonderful country that lay away by the Southern Sea.

Perhaps the most fascinating event during her reign was the exploration she ordered to be undertaken by some ships in her fleet. Centuries before her time, when the world was still young, the Egyptians had sent expeditions down the Red Sea to a land they sometimes referred to as Punt and at other times as "The Divine Land." It was likely part of what we now know as Somaliland. However, these voyages had long since stopped, and people only learned about this amazing country by hearsay and the stories of ancient times that spoke of the Southern Sea.

One day, the Queen tells us, she was at prayers in the temple of the god Amen at Thebes, when she felt a sudden inspiration. The god was giving her a command to send an expedition to this almost forgotten land. "A command was heard in the sanctuary, a behest of the god himself, that the ways which lead to Punt should be explored, and that the roads to the Ladders of Incense should be trodden." In obedience to this command, the Queen at once equipped a little fleet of the quaint old galleys that the Egyptians then used (Plate 1), and sent them out, with picked crews, and a royal envoy in command, to sail down the Red Sea, in search of the Divine Land. The ships were laden with all kinds of goods to barter with the[Pg 61] Punites, and a guard of Egyptian soldiers was placed on board.

One day, the Queen tells us, she was praying in the temple of the god Amen in Thebes when she felt a sudden inspiration. The god was giving her an order to send a journey to this nearly forgotten land. "A command was heard in the sanctuary, a directive from the god himself, that the paths leading to Punt should be explored, and that the routes to the Ladders of Incense should be traveled." In response to this command, the Queen quickly outfitted a small fleet of the peculiar old ships that the Egyptians used at the time (Plate 1) and sent them out with select crews and a royal envoy in charge, to sail down the Red Sea in search of the Divine Land. The ships were filled with all sorts of goods to trade with the[Pg 61] Punites, and a group of Egyptian soldiers was placed onboard.

We do not know how long it took the little squadron to reach its destination. Sea voyages in those days were slow and dangerous. But at last the ships safely reached the mouth of the Elephant River in Somaliland, and went up the river with the tide till they came to the village of the natives. They found that the Punites lived in curious beehive-shaped houses, some of them made of wicker-work, and placed on piles, so that they had to climb into them by ladders. The men were not negroes, though some negroes lived among them; they were very much like the Egyptians in appearance, wore pointed beards, and were dressed only in loincloths, while the women wore a yellow sleeveless dress, which reached halfway between the knee and ankle.

We don't know how long it took the small squadron to reach its destination. Sea journeys back then were slow and risky. But eventually, the ships arrived safely at the mouth of the Elephant River in Somaliland and went up the river with the tide until they reached the native village. They discovered that the Punites lived in unique beehive-shaped houses, some made of wicker, raised on stilts, so they had to climb into them using ladders. The men were not black; although some black people lived among them, they resembled Egyptians in appearance, had pointed beards, and wore only loincloths, while the women wore yellow sleeveless dresses that reached halfway between the knee and ankle.

Nehsi, the royal envoy, landed with an officer and eight soldiers, and, to show that he came in peace, he spread out on a table some presents for the chief of the Punites—five bracelets, two gold necklaces, a dagger, with belt and sheath, a battle-axe, and eleven strings of glass beads—much such a present as a European explorer might give to-day to an African chief. The natives came down in great excitement to see the strangers who had brought such treasures, and were astonished at the arrival of such a fleet. "How is it," they said, "that you have reached this country, hitherto unknown to men? Have you come by way of the sky, or have you sailed on the waters of the Divine Sea?" The chief, who was called Parihu, came down with his wife Aty, and his daughter. Aty rode down on a donkey, but dismounted to see the strangers, and,[Pg 62] indeed, the poor donkey must have been greatly relieved, for the chieftainess was an exceedingly fat lady, and her daughter, though so young, showed every intention of being as fat as her mother.

Nehsi, the royal envoy, arrived with an officer and eight soldiers. To prove he came in peace, he laid out some gifts for the chief of the Punites on a table—five bracelets, two gold necklaces, a dagger with a belt and sheath, a battle-axe, and eleven strings of glass beads—similar to what a European explorer might present to an African chief today. The locals came rushing in excitement to see the strangers who brought such amazing treasures and were amazed by the appearance of such a group. "How is it," they asked, "that you have come to this land, previously unknown to anyone? Did you come from the sky, or did you sail across the waters of the Divine Sea?" The chief, named Parihu, descended with his wife Aty and his daughter. Aty rode down on a donkey but got off to meet the strangers, and indeed, the poor donkey must have felt a huge sigh of relief, as the chieftainess was quite a large woman, and even at such a young age, her daughter showed every sign of following in her mother's footsteps.

After the envoy and the chief had exchanged compliments, business began. The Egyptians pitched a tent in which they stored their goods for barter, and to put temptation out of the way of the natives, they drew a guard of soldiers round the tent. For several days the market remained open, and the country people brought down their treasures, till the ships were laden as deeply as was safe. The cargo was a varied and valuable one. Elephants' tusks, gold, ebony, apes, greyhounds, leopard skins, all were crowded into the galleys, the apes sitting gravely on the top of the bales of goods, and looking longingly at the land which they were leaving.

After the envoy and the chief exchanged pleasantries, they got down to business. The Egyptians set up a tent where they stored their goods for trading, and to keep the locals from being tempted, they surrounded the tent with a guard of soldiers. The market stayed open for several days, and local people brought down their treasures until the ships were loaded as much as was safe. The cargo was diverse and valuable. Elephants' tusks, gold, ebony, monkeys, greyhounds, leopard skins—everything was crammed into the galleys, with the monkeys sitting solemnly on top of the bales of goods, gazing longingly at the land they were leaving behind.

But the most important part of the cargo was the incense, and the incense-trees. Great quantities of the gum from which the incense was made were placed on board, and also thirty-one of the incense sycamores, their roots carefully surrounded with a large ball of earth, and protected by baskets. Several young chiefs of the Punites accompanied the expedition back to Thebes, to see what life was like in the strange new world which had been revealed to them. Altogether the voyage home must have been no easy undertaking, for the ships, with their heavy cargoes, must have been very difficult to handle.

But the most important part of the cargo was the incense and the incense trees. A large amount of the gum used to make the incense was loaded onto the ships, along with thirty-one incense sycamores, their roots carefully wrapped in big balls of earth and protected by baskets. Several young chiefs from the Punites joined the trip back to Thebes to experience what life was like in the strange new world that had been revealed to them. All in all, the journey home must have been quite challenging, as the ships, with their heavy loads, would have been difficult to maneuver.

The arrival of the squadron at Thebes, which they must have reached by a canal connecting the Nile with the Red Sea, was made the occasion of a great holiday festival. Long lines of troops in gala attire came out[Pg 63] to meet the brave explorers, and an escort of the royal fleet accompanied the exploring squadron up to the temple quay where the ships were to moor. Then the Thebans feasted their eyes on the wonderful treasures that had come from Punt, wondering at the natives, the incense, the ivory, and, above all, at a giraffe which had been brought home. How the poor creature was stowed away on the little Egyptian ship it is hard to see; but there he was, with his spots and his long neck, the most wonderful creature that the good folks of Thebes had ever seen. The precious incense gum was stored in the temple, and the Queen herself gave a bushel measure, made of a mixture of gold and silver, to measure it out with.

The squadron's arrival in Thebes, which they likely reached via a canal linking the Nile to the Red Sea, marked the start of a major holiday festival. Long lines of soldiers in festive attire came out to welcome the brave explorers, and an escort from the royal fleet accompanied the exploration team to the temple quay where the ships would dock. The people of Thebes marveled at the incredible treasures brought back from Punt, amazed by the natives, the incense, the ivory, and especially by a giraffe that had been transported home. It’s hard to imagine how they managed to fit the poor creature on the small Egyptian ship, but there it was, with its spots and long neck, the most extraordinary animal the people of Thebes had ever encountered. The precious incense gum was stored in the temple, and the Queen herself provided a bushel measure made from a blend of gold and silver to distribute it.

So the voyage of discovery had ended in a great success. But Queen Hatshepsut's purpose was only half fulfilled as yet. In a nook of the limestone cliffs, not far from Thebes, her father before her had begun to build a very wonderful temple, close beside the ruins of an older sanctuary which had stood there for hundreds of years. Hatshepsut had been gradually completing his work, and the temple was now growing into a most beautiful building, very different from ordinary Egyptian temples. From the desert sands in front it rose terrace above terrace, each platform bordered with rows of beautiful limestone pillars, until at last it reached the cliffs, and the most sacred chamber of it, the Holy of Holies, was hewn into the solid wall of rock behind.

So the voyage of discovery had ended in great success. But Queen Hatshepsut's purpose was only half complete. In a small area of the limestone cliffs, not far from Thebes, her father had started to build a magnificent temple next to the ruins of an older sanctuary that had been there for hundreds of years. Hatshepsut had been steadily finishing his work, and the temple was now becoming a stunning structure, very different from typical Egyptian temples. From the desert sands in front, it rose terrace after terrace, each level lined with beautiful limestone pillars, until it finally reached the cliffs where the most sacred room, the Holy of Holies, was carved into the solid rock behind it.

This temple the Queen resolved to make into what she called a Paradise for Amen, the god who had told her to send out the ships. So she planted on the terraces the sacred incense-trees which had been brought[Pg 64] from Punt; and, thanks to careful tending and watering, they flourished well in their new home. And then, all along the walls of the temple, she caused her artists to carve and paint the whole story of the voyage. We do not know the names of the artists who did the work, though we know that of the architect, Sen-mut, who planned the building. But, whoever they were, they must have been very skilful sculptors; for the story of the voyage is told in pictures on the walls of this wonderful temple, so that everything can be seen just as it actually happened more than three thousand years ago.

This temple, the Queen decided to transform into what she called a Paradise for Amen, the god who had instructed her to send out the ships. So she planted the sacred incense trees that had been brought[Pg 64] from Punt on the terraces, and with careful care and watering, they thrived in their new environment. Then, all along the temple walls, she had her artists carve and paint the entire story of the voyage. We don't know the names of the artists who created the work, but we do know the architect, Sen-mut, who designed the building. Whoever they were, they must have been very skilled sculptors; because the story of the voyage is depicted in pictures on the walls of this amazing temple, allowing everything to be seen just as it truly happened over three thousand years ago.

You can see the ships toiling along with oar and sail towards their destination, the meeting with the natives, the palaver and the trading, the loading of the galleys, and the long procession of Theban soldiers going out to meet the returning explorers. Not a single detail is missed, and, thanks to the Queen and her artists, we can go back over all these years, and see how sailors worked, and how people lived in savage lands in that far-off time, and realize that explorers dealt with the natives in foreign countries in those days very much as they deal with them now. When our explorers of to-day come back from their journeys, they generally tell the story of their adventures in a big book with many pictures; but no explorer ever published the account of a voyage of discovery on such a scale as did Queen Hatshepsut, when she carved the voyage to Punt on the walls of her great temple at Deir-el-Bahri, and no pictures in any modern book are likely to last as long, or to tell so much as these pictures that have come to light again during the last few years, after being buried for centuries under the desert sands.

You can see the ships working hard with oars and sails heading toward their destination: the meeting with the locals, the discussions and trading, the loading of the ships, and the long procession of Theban soldiers going out to meet the returning explorers. Every detail is captured, and thanks to the Queen and her artists, we can look back over all these years and see how sailors worked and how people lived in remote areas back then, realizing that explorers interacted with the locals in foreign lands much like they do now. When today’s explorers return from their journeys, they usually share their stories in a big book filled with pictures; however, no explorer has ever published an account of a discovery voyage on the same scale as Queen Hatshepsut did when she carved the voyage to Punt on the walls of her grand temple at Deir-el-Bahri. No pictures in any modern book are likely to endure as long or convey as much as these images that have resurfaced in recent years after being buried for centuries beneath the desert sands.

PLATE 13.  THE BARK OF THE MOON, GUARDED BY THE DIVINE EYES. PLATE 13.
THE BARK OF THE MOON, PROTECTED BY THE DIVINE EYES.

Queen Hatshepsut has left other memorials of her greatness besides the temple with its story of her voyage. She has told us how one day she was sitting in her palace, and thinking of her Creator, when the thought came into her mind to rear two great obelisks before the Temple of Amen at Karnak. So she gave the command, and Sen-mut, her clever architect, went up the Nile to Aswan, and quarried two huge granite blocks, and floated them down the river. Cleopatra's Needle, which stands on the Thames Embankment, is 68½ feet high, and it seems to us a huge stone for men to handle. Our own engineers had trouble enough in bringing it to this country, and setting it up. But these two great obelisks of Queen Hatshepsut were 98½ feet high, and weighed about 350 tons apiece. Yet Sen-mut had them quarried, and set up, and carved all over from base to summit in seven months from the time when the Queen gave her command! One of them still stands at Karnak, the tallest obelisk in the temple there; while the other great shaft has fallen, and lies broken, close to its companion. They tell us their own plain story of the wisdom and skill of those far-off days; and perhaps the great Queen who thought of her Creator as she sat in her palace, and longed to honour Him, found that the God whom she ignorantly worshipped was indeed not far from His servant's heart.

Queen Hatshepsut has left behind other memorials of her greatness besides the temple with its story of her journey. She once sat in her palace, thinking of her Creator, when the idea came to her to erect two massive obelisks in front of the Temple of Amen at Karnak. So she gave the order, and Sen-mut, her talented architect, traveled up the Nile to Aswan, quarried two enormous granite blocks, and floated them down the river. Cleopatra's Needle, which stands on the Thames Embankment, is 68½ feet tall, and it seems like a huge stone for people to handle. Our own engineers faced enough challenges bringing it to this country and setting it up. But these two great obelisks of Queen Hatshepsut were 98½ feet tall and weighed about 350 tons each. Yet Sen-mut had them quarried, erected, and engraved all over from base to top within seven months of when the Queen gave her command! One of them still stands at Karnak, the tallest obelisk in the temple there, while the other great shaft has fallen and lies broken next to its companion. They tell their own straightforward story of the wisdom and skill of those ancient times; and perhaps the great Queen, who thought of her Creator as she sat in her palace and longed to honor Him, found that the God she unknowingly worshiped was truly close to her heart.


CHAPTER XI

EGYPTIAN BOOKS

The Egyptians were, if not quite the earliest, at least among the earliest of all the peoples of the world to find out how to put down their thoughts in writing, or in other words, to make a book; and one of their old books, full of wise advice from a father to his son, is, perhaps, the oldest book in the world. Two words which we are constantly using might help to remind us of how much we owe to their cleverness. The one is "Bible," and the other is "paper." When we talk of the Bible, which just means "the Book," we are using one of the words which the Greeks used to describe the plant out of which the Egyptians made the material on which they wrote; and when we talk of paper, we are using another name, the commoner name, of the same plant. For the Egyptians were the first people to make paper, and they used it for many centuries before other people had learned how much handier it was than the other things which they used.

The Egyptians were, if not the very first, at least among the first to figure out how to write down their thoughts, in other words, to create a book. One of their ancient books, filled with wise advice from a father to his son, is possibly the oldest book in the world. Two words that we frequently use can remind us of how much we owe to their ingenuity. One is "Bible," and the other is "paper." When we mention the Bible, which simply means "the Book," we’re using a term the Greeks used for the plant that the Egyptians turned into the material they wrote on; and when we say paper, we're using a more common name for that same plant. The Egyptians were the first to make paper, and they used it for many centuries before other cultures realized how much easier it was to use compared to what they had.

Yet, if you saw an Egyptian book, you would think it was a very curious and clumsy thing indeed, and very different from the handy volumes which we use nowadays. When an Egyptian wanted to make a book, he gathered the stems of a kind of reed called the papyrus, which grew in some parts of Egypt in marshy ground. This plant grew to a height of from 12 to 15 feet, and had a stalk about 6 inches thick. The outer rind was peeled off this stalk, and[Pg 67] then the inner part of it was separated, by means of a flat needle, into thin layers. These layers were joined to one another on a table, and a thin gum was spread over them, and then another layer was laid crosswise on the top of the first. The double sheet thus made was then put into a press, squeezed together, and dried. The sheets varied, of course, in breadth according to the purpose for which they were needed. The broadest that we know of measure about 17 inches across, but most are much narrower than that.

Yet, if you saw an Egyptian book, you would think it was a very strange and awkward thing indeed, and quite different from the convenient volumes we use today. When an Egyptian wanted to create a book, he gathered the stems of a type of reed called papyrus, which grew in certain areas of Egypt in marshy ground. This plant grew to a height of 12 to 15 feet and had a stalk about 6 inches thick. The outer layer was peeled off this stalk, and[Pg 67] then the inner part was separated, using a flat needle, into thin layers. These layers were joined together on a table, with a thin gum spread over them, and then another layer was placed crosswise on top of the first. The resulting double sheet was then pressed, squeezed together, and dried. The sheets varied in width depending on their intended use. The broadest ones we know of measure about 17 inches across, but most are much narrower than that.

When the Egyptian had got his paper, he did not make it up into a volume with the sheets bound together at the back, as we do. He joined them end to end, adding on sheet after sheet as he wrote, and rolling up his book as he went along; so when the book was done it formed a big roll, sometimes many feet long. There is one great book in the British Museum which measures 135 feet in length. You would think it very strange and awkward to have to handle a book like that.

When the Egyptian got his paper, he didn't bind it into a volume like we do today. Instead, he joined the sheets end to end, adding one after another as he wrote, and rolled up his book as he went along. So when the book was finished, it created a big roll, sometimes many feet long. There's one large book in the British Museum that measures 135 feet in length. You would find it quite strange and awkward to handle a book like that.

But if the book seemed curious to you, the writing in it would seem still more curious; for the Egyptian writing was certainly the quaintest, and perhaps the prettiest, that has ever been known. It is called "hieroglyphic," which means "sacred carving," and it is nothing but little pictures from beginning to end. The Egyptians began by putting down a picture of the thing which was represented by the word they wanted to use, and, though by-and-by they formed a sort of alphabet to spell words with, and had, besides, signs that represented the different syllables of a word, still, these signs were all little pictures. For instance, one of[Pg 68] their signs for a was the figure of an eagle; their sign for m was a lion, and for u a little chicken; so that when you look at an Egyptian book written in the hieroglyphic character, you see column after column of birds and beasts and creeping things, of men and women and boats, and all sorts of other things, marching across the page.

But if the book seemed interesting to you, the writing in it would seem even more intriguing; because Egyptian writing was definitely the most unique, and maybe the prettiest, that has ever existed. It's called "hieroglyphic," which means "sacred carving," and it consists entirely of little pictures from start to finish. The Egyptians began by drawing a picture of the object represented by the word they wanted to use, and while they eventually developed a kind of alphabet to spell words, along with signs for different syllables, all these signs were still little pictures. For example, one of their signs for a was the image of an eagle; their sign for m was a lion, and for u a little chick; so when you look at an Egyptian book written in hieroglyphic script, you see column after column of birds and animals and creeping things, of men and women and boats, and all kinds of other things flowing across the page.

When the Egyptians wanted any of their writings to last for a very long time, they did not trust them to the frail papyrus rolls, but used another kind of book altogether. You have heard of "sermons in stones"? Well, a great many of the Egyptian books that tell us of the great deeds of the Pharaohs were written on stone, carved deep and clear in the hard granite of a great obelisk, or in the limestone of a temple wall. When one of the Kings came back from the wars, he generally published the account of his battles and victories by carving them on the walls of one of the great temples, or on a pillar set up in the court of a temple, and there they remain to this day for scholars to read.

When the Egyptians wanted their writings to last a long time, they didn’t trust fragile papyrus rolls but used a different kind of book altogether. Have you heard of "sermons in stones"? Well, many Egyptian writings that tell us about the great deeds of the Pharaohs were carved into stone, etched deep and clear in hard granite of a huge obelisk, or in the limestone of a temple wall. When one of the kings returned from war, he usually announced his battles and victories by carving them into the walls of one of the grand temples or on a pillar set up in a temple courtyard, and they are still there today for scholars to read.

When the hieroglyphics were cut in stone, the lines were often filled in with pastes of different colours, so that the whole writing was a blaze of beautiful tints, and the walls looked as if they were covered with finely-coloured hangings. Of course, the colours have mostly faded now; but there are still some temples and tombs where they can be seen, almost as fresh as when they were first laid on, and from these we can gather some idea of how wonderfully beautiful were these stone books of ancient Egypt. The scribes and carvers knew very well how beautiful their work was, and were careful to make it look as beautiful as[Pg 69] possible; so much so, that if they found that the grouping of figures to make up a particular word or sentence was going to be ugly or clumsy, they would even prefer to spell the word wrong, rather than spoil the appearance of their picture-writing. Some of you, I dare say, spell words wrong now and again; but I fancy it isn't because you think they look prettier that way.

When the hieroglyphics were carved into stone, the lines were often filled with colorful pastes, making the entire writing a dazzling display of beautiful colors, giving the walls the appearance of being draped in finely colored fabrics. Of course, most of the colors have faded over time; however, there are still some temples and tombs where they appear almost as vibrant as when they were first applied, allowing us to get an idea of how incredibly beautiful these stone books of ancient Egypt were. The scribes and carvers were very aware of the beauty of their work and took care to enhance its visual appeal; in fact, if they felt that the arrangement of figures meant to form a specific word or sentence looked awkward or unappealing, they would prefer to misspell the word instead of ruining the aesthetics of their picture-writing. Some of you might occasionally misspell words nowadays, but I doubt it’s because you think they look nicer that way.

But now let us turn back again to our papyrus roll. Suppose that we have got it, clean and fresh, and that our friend the scribe is going to write upon it. How does he go about it? To begin with, he draws from his belt a long, narrow wooden case, and lays it down beside him. This is his palette; rather a different kind of palette from the one which artists use. It is a piece of wood, with one long hollow in it, and two or three shallow round ones. The long hollow holds a few pens, which are made out of thin reeds, bruised at the ends, so that their points are almost like little brushes. The shallow round hollows are for holding ink—black for most of the writing, red for special words, and perhaps one or two other colours, if the scribe is going to do a very fine piece of work. So he squats down, cross-legged, dips a reed-pen in the ink, and begins. As he writes he makes his little figures of men and beasts and birds face all in the one direction, and his readers will know that they must always read from the point towards which the characters face. Now and then, when he comes to some specially important part, he draws, in gay colours, a little picture of the scene which the words describe.

But now let's go back to our papyrus roll. Imagine we have it, clean and fresh, and our friend the scribe is ready to write on it. How does he start? First, he pulls out a long, narrow wooden case from his belt and sets it down next to him. This is his palette; quite different from the one artists use. It’s a piece of wood with one long hollow section and two or three shallow circular ones. The long hollow holds a few pens made from thin reeds, crushed at the ends so their tips are almost like tiny brushes. The shallow round hollows contain ink—black for most writing, red for important words, and maybe one or two other colors if the scribe is working on something particularly nice. He sits down cross-legged, dips a reed pen into the ink, and starts writing. As he writes, he positions his little figures of men, animals, and birds all facing the same direction, and readers will know to always read from the point toward which the characters are facing. Occasionally, when he reaches a particularly important part, he adds a little colorful picture of the scene the words describe.

Now, you can understand that this picture-writing was not very easy work to do when you had nothing[Pg 70] but a bruised reed to draw all sorts of animals with. Gradually the pictures grew less and less like the creatures they stood for to begin with, and at last the old hieroglyphic broke down into a kind of running hand, where a stroke or two might stand for an eagle, a lion, or a man. And very many of the Egyptian books are written in this kind of broken-down hieroglyphic, which is called "hieratic," or priestly writing. But some of the finest and costliest books were still written in the beautiful old style.

Now, you can see that creating these pictograms wasn’t easy when all you had[Pg 70] was a battered reed to draw all kinds of animals with. Over time, the images became less and less like the creatures they represented, and eventually, the old hieroglyphs turned into a form of cursive, where a stroke or two could represent an eagle, a lion, or a person. Many of the Egyptian books are written in this simplified form of hieroglyphics, known as "hieratic," or priestly writing. However, some of the most beautiful and expensive books were still created in the traditional style.

On their papyrus rolls the Egyptians wrote all sorts of things—books of wise advice, stories like the fairy-tales which we have been hearing, legends of the gods, histories, and poems; but the book that is oftenest met with is one of their religious books. It is nearly always called the "Book of the Dead" now, and some people call it the Egyptian Bible, but neither of these names is the right one. Certainly, it is not in the least like the Bible, and the Egyptians themselves never called it the Book of the Dead. They called it "The Chapters of Coming Forth by Day," and the reason they gave it that name was because they believed that if their dead friends knew all the wisdom that was written in it, they would escape all the dangers of the other world, and would be able in heaven to go in and out just as they had done upon earth, and to be happy for ever.

On their papyrus rolls, the Egyptians wrote all kinds of things—books filled with wise advice, stories like the fairy tales we have been hearing, legends of the gods, histories, and poems; but the book that shows up the most is one of their religious texts. It's mostly called the "Book of the Dead" now, and some people refer to it as the Egyptian Bible, but neither of these names is correct. For sure, it's nothing like the Bible, and the Egyptians themselves never called it the Book of the Dead. They named it "The Chapters of Coming Forth by Day," and the reason for that title was their belief that if their deceased loved ones understood all the wisdom written in it, they would avoid all the dangers of the afterlife and would be able to move in and out of heaven just like they did on earth, living happily forever.

The book is full of all kinds of magical charms against the serpents and dragons and all the other kinds of evil things that sought to destroy the dead person in the other world. The scribes used to write off copies of it by the dozen, and keep them in stock, with blank places for the names of the persons who[Pg 71] were to use them. When anyone died, his friends went away to a scribe, and bought a roll of the Book of the Dead, and the scribe filled in the name of the dead person in the blank places. Then the book was buried along with his mummy, so that when he met the demons and serpents on the road to heaven, he would know how to drive them away, and when he came to gates that had to be opened, or rivers that had to be crossed, he would know the right magical words to use.

The book is packed with all sorts of magical spells against snakes, dragons, and all the other evil things that tried to harm the deceased in the afterlife. Scribes used to produce multiple copies of it and keep them in stock, leaving blank spaces for the names of those who[Pg 71] would use them. When someone passed away, their friends would go to a scribe to buy a scroll of the Book of the Dead, and the scribe would fill in the deceased's name in the blank spots. The book was then buried with the mummy so that when the person faced demons and snakes on their journey to heaven, they would know how to fend them off, and when they arrived at gates that needed to be opened or rivers to cross, they would know the right magical phrases to say.

Some of these rolls of the Book of the Dead are very beautifully written, and illustrated with most wonderful little coloured pictures, representing different scenes of life in the other world, and it is from these that we have learned a great deal of what the Egyptians believed about the judgment after death, and heaven. But the common ones are very carelessly done. The scribes knew that the book was going to be buried at once, and that nobody was likely ever to see it again; so they did not care much whether they made mistakes or not, and often they missed out parts of the book altogether. They little thought that, thousands of years after they were dead, scholars would dig up their writings again, and read them, and see all their blunders.

Some of the rolls of the Book of the Dead are beautifully written and illustrated with amazing little colored pictures that show different scenes of life in the afterlife. It’s from these that we’ve learned a lot about what the Egyptians believed regarding judgment after death and heaven. However, the more common versions are done quite poorly. The scribes knew the book was going to be buried right away, and that no one would likely see it again; so they didn’t care much if they made mistakes or often even left parts out entirely. They had no idea that thousands of years after they were gone, scholars would dig up their writings, read them, and notice all their errors.

Of course, a great deal of this book is dreadful rubbish, and anything more unlike the noble and beautiful teaching of the Bible you can scarcely imagine. It has no more sense in it than the "Fee! fi! foh! fum!" of our fairy-stories. Here is one little chapter from it. It is called "The Chapter of Repulsing Serpents," and the Egyptians supposed that when a serpent attacked you on your way to heaven, you had only to recite this verse, and the serpent would be powerless to[Pg 72] harm you: "Hail, thou serpent Rerek! advance not hither. Stand still now, and thou shalt eat the rat which is an abomination unto Ra (the Sun-God), and thou shalt crunch the bones of a filthy cat."

Of course, a lot of this book is terrible nonsense, and it’s hard to imagine anything less aligned with the noble and beautiful teachings of the Bible. It makes as much sense as the "Fee! fi! foh! fum!" from our fairy tales. Here’s a little chapter from it. It’s called "The Chapter of Repulsing Serpents," and the Egyptians believed that when a serpent attacked you on your way to heaven, you just had to recite this verse, and the serpent would be unable to[Pg 72] harm you: "Hail, you serpent Rerek! don’t come here. Stay still now, and you will eat the rat that is an abomination to Ra (the Sun-God), and you will crunch the bones of a filthy cat."

It sounds very silly, doesn't it? And there are many things quite as silly as this in the book. You can scarcely imagine how wise people like the Egyptians could ever have believed in such drivel. But, then, side by side with this miserable stuff, you find really wonderful and noble thoughts, that surely came to these men of ancient days from God Himself, telling them how every man must be judged at last for all that he has done on earth, and how only those who have done justly, and loved mercy, and walked humbly with God, will be accepted by Him.

It sounds pretty ridiculous, doesn’t it? And there are plenty of things just as silly as this in the book. You can hardly imagine how wise people like the Egyptians could ever have believed in such nonsense. But, along with this pathetic stuff, you find truly amazing and noble thoughts that must have come to these ancient men from God Himself, telling them how every person will ultimately be judged for everything they’ve done on earth, and how only those who have acted justly, loved mercy, and walked humbly with God will be accepted by Him.


CHAPTER XII

TEMPLES AND TOMBS

Anyone travelling through our own land, or through any European country, to see the great buildings of long ago, would find that they were nearly all either churches or castles. There are the great cathedrals, very beautiful and wonderful; and there are the great buildings, sometimes partly palaces and partly fortresses, where Kings and nobles lived in bygone days. Well, if you were travelling in Egypt to see its great buildings, you would find a difference. There are plenty of[Pg 73] churches, or temples, rather, and very wonderful they are; but there are no castles or palaces left, or, at least, there are next to none. Instead of palaces and castles, you would find tombs. Egypt, in fact, is a land of great temples and great tombs.

Anyone traveling through our own country or any European country to see the amazing buildings from the past would notice that almost all of them are either churches or castles. There are the grand cathedrals, which are very beautiful and impressive; and then there are the large structures, sometimes a mix of palaces and fortresses, where kings and nobles lived long ago. However, if you traveled to Egypt to see its remarkable buildings, you would see a difference. There are plenty of[Pg 73] temples, which are truly magnificent, but there are hardly any castles or palaces left. Instead of palaces and castles, you would find tombs. Egypt, in fact, is a land of great temples and monumental tombs.

Plate 14  GATEWAY OF THE TEMPLE OF EDFU. Pages 74, 75 Plate 14
GATEWAY OF THE TEMPLE OF EDFU. Pages 74, 75

Now, one can see why the Egyptians built great temples; for they were a very religious nation, and paid great honour to their gods. But why did they give so much attention to their tombs? The reason is, as you will hear more fully in another chapter, that there never was a nation which believed so firmly as did the Egyptians that the life after death was far more important than life in this world. They built their houses, and even their palaces, very lightly, partly of wood and partly of clay, because they knew that they were only to live in them for a few years. But they called their tombs "eternal dwelling-places"; and they have made them so wonderfully that they have lasted long after all the other buildings of the land, except the temples, have passed away.

Now, you can understand why the Egyptians built impressive temples; they were a deeply religious nation and showed great respect for their gods. But why did they focus so much on their tombs? The reason is, as you will learn more in another chapter, that no other nation believed as strongly as the Egyptians did that life after death was much more significant than life in this world. They constructed their houses, and even their palaces, very simply, using mostly wood and clay, because they knew they would only live in them for a few years. However, they referred to their tombs as "eternal dwelling-places,” and they designed them so beautifully that they have survived long after all the other structures in the land, except for the temples, have crumbled away.

First of all, let me try to give you an idea of what an Egyptian temple must have been like in the days of its splendour. People come from all parts of the world to see even the ruins of these buildings, and they are altogether the most astonishing buildings in the world; but they are now only the skeletons of what the temples once were, and scarcely give you any more idea of their former glory and beauty than a human skeleton does of the beauty of a living man or woman. Suppose, then, that we are coming up to the gates of a great Egyptian temple in the days when it was still the house of a god who was worshipped by hundreds of thousands of people.[Pg 74]

First of all, let me try to give you an idea of what an Egyptian temple must have been like in its prime. People come from all over the world to see even the ruins of these buildings, and they are truly some of the most amazing structures globally; but now they are merely the shells of what the temples used to be, and hardly convey their former glory and beauty any more than a human skeleton does of the beauty of a living person. So, imagine that we are approaching the gates of a grand Egyptian temple during a time when it was still a house of a god worshiped by hundreds of thousands of people.[Pg 74]

As we pass out of the narrow streets of the city to which the temple belongs, we find ourselves standing upon a broad paved way, which stretches before us for hundreds of yards. On either side, this way is bordered by a row of statues, and these statues are in the form of what we call sphinxes—that is to say, they have bodies shaped like crouching lions, and on the lion-body there is set the head of a different creature. Some of the sphinxes, like the Great Sphinx, have human heads; but those which border the temple avenues have oftener either ram or jackal heads.

As we leave the narrow streets of the city where the temple is located, we find ourselves on a wide paved road that stretches out for hundreds of yards. On either side of this road, there are rows of statues in the form of sphinxes—that is, they have bodies shaped like crouching lions, topped with the heads of different creatures. Some sphinxes, like the Great Sphinx, have human heads, but those lining the temple pathways usually have either ram or jackal heads.

As we pass along the avenue, two high towers rise before us, and between them is a great gateway. In front of the gate-towers are two tall obelisks, slender, tapering shafts of red granite, like Cleopatra's Needle on the Thames Embankment. They are hewn out of single blocks of stone, carved all over with hieroglyphic figures, polished till they shine like mirrors, and their pointed tops are gilded so that they flash brilliantly in the sunlight. Beside the obelisks, which may be from 70 to 100 feet high, there are huge statues, perhaps two, perhaps four, of the King who built the temple. These statues represent the King as sitting upon his throne, with the double crown of Egypt, red and white, upon his head. They also are hewn out of single blocks of stone, and when you look at the huge figures you wonder how human hands could ever get such stones out of the quarry, sculpture them, and set them up. Before one of the temples of Thebes still lie the broken fragments of a statue of Ramses II. When it was whole the statue must have been about 57 feet high, and the great block of granite must have weighed about 1,000 tons—the largest single stone that was ever[Pg 75] handled by human beings. Plate 10 will give you some idea of what these huge statues looked like.

As we walk down the avenue, two tall towers rise in front of us, and between them is a large entrance. In front of the gate towers are two tall obelisks, slender and tapering red granite shafts, similar to Cleopatra's Needle on the Thames Embankment. They are carved from single blocks of stone, covered in hieroglyphs, polished until they shine like mirrors, and their pointed tops are gilded, sparkling brilliantly in the sunlight. Next to the obelisks, which stand 70 to 100 feet tall, are huge statues—maybe two, maybe four—of the King who built the temple. These statues depict the King sitting on his throne, wearing the double crown of Egypt, red and white, on his head. They are also carved from single blocks of stone, and when you look at the massive figures, you wonder how human hands could have ever quarried such stones, shaped them, and erected them. Before one of the temples of Thebes still lie the shattered remains of a statue of Ramses II. When it was intact, the statue must have stood about 57 feet tall, and the massive block of granite likely weighed around 1,000 tons—the largest single stone ever handled by humans. Plate 10 will give you an idea of what these enormous statues looked like.

Fastened to the towers are four tall flagstaves—two on either side of the gate—and from them float gaily-coloured pennons. The walls of the towers are covered with pictures of the wars of the King. Here you see him charging in his chariot upon his fleeing enemies; here, again, he is seizing a group of captives by the hair, and raising his mace or his sword to kill them; but whatever he is doing, he is always gigantic, while his foes are mere helpless human beings. All these carvings are brilliantly painted, and the whole front of the building glows with colour; it is really a kind of pictorial history of the King's reign.

Attached to the towers are four tall flagpoles—two on each side of the gate—where brightly colored banners wave. The walls of the towers are adorned with images depicting the King's battles. Here, you can see him charging in his chariot after his fleeing enemies; there, he is grabbing a group of captives by the hair, raising his mace or sword to strike them down; but no matter what he’s doing, he appears massive, while his enemies look like small, helpless humans. All these sculptures are vividly painted, and the entire front of the building is awash with color; it really serves as a visual history of the King's reign.

Now we stand in front of the gate. Its two leaves are made of cedar-wood brought from Lebanon; but you cannot see the wood at all, for it is overlaid with plates of silver chased with beautiful designs. Passing through the gateway, we find ourselves in a broad open court. All round it runs a kind of cloister, whose roof is supported upon tall pillars, their capitals carved to represent the curving leaves of the palm-tree. In the middle of the court there stands a tall pillar of stone, inscribed with the story of the great deeds of Pharaoh, and his gifts to the god of the temple. It is inlaid with turquoise, malachite, and lapis-lazuli, and sparkles with precious stones.

Now we stand in front of the gate. Its two leaves are made of cedar wood brought from Lebanon, but you can't see the wood at all because it's covered with silver plates decorated with beautiful designs. As we pass through the gateway, we enter a spacious open court. Surrounding it is a type of cloister, supported by tall pillars with capitals carved to look like the curved leaves of palm trees. In the middle of the court, there's a tall stone pillar, inscribed with the story of Pharaoh's great deeds and his gifts to the temple's god. It's inlaid with turquoise, malachite, and lapis lazuli, sparkling with precious stones.

At the farther side of this court, another pair of towers and another gateway lead you into the second court. Here we pass at once out of brilliant sunlight into semi-darkness; for this court is entirely roofed over, and no light enters it except from the doorway and from grated slits in the roof. Look around you,[Pg 76] and you will see the biggest single chamber that was ever built by the hands of man. Down the centre run two lines of gigantic pillars which hold up the roof, and form the nave of the hall; and beyond these on either side are the aisles, whose roofs are supported by a perfect forest of smaller columns.

At the far side of this courtyard, another pair of towers and another gateway takes you into the second courtyard. Here, we immediately step out of bright sunlight into semi-darkness; this courtyard is completely covered, and no light comes in except through the doorway and from grated openings in the roof. Look around you,[Pg 76] and you’ll see the largest single room ever built by human hands. Down the center, two lines of massive pillars hold up the roof and create the main part of the hall; beyond these, on either side, are the aisles, whose roofs are supported by a perfect forest of smaller columns.

Look up to the twelve great pillars of the nave. They soar above your head, seventy feet into the air, their capitals bending outwards in the shape of open flowers. On each capital a hundred men could stand safely; and the great stone roofing beams that stretch from pillar to pillar weigh a hundred tons apiece. How were they ever brought to the place? And, still more, how were they ever swung up to that dizzy height, and laid in their places? Each of the great columns is sculptured with figures and gaily painted, and the surrounding walls of the hall are all decorated in the same way. But when you look at the pictures, you find that it is no longer the wars of the King that are represented. The inside of the temple is too holy for such things. Instead, you have pictures of the gods, and of the King making all kinds of offerings to them; and these pictures are repeated again and again, with endless inscriptions, telling of the great gifts which Pharaoh has given to the temple.

Look up at the twelve massive pillars of the nave. They rise above you, seventy feet high, with their tops curving outward like open flowers. Each capital could safely hold a hundred men; and the enormous stone beams that stretch from pillar to pillar weigh a hundred tons each. How were they ever brought here? And even more remarkably, how were they lifted to such a dizzying height and placed in position? Each of the grand columns is sculpted with figures and brightly painted, and the surrounding walls of the hall are decorated in the same style. But when you look at the artwork, you notice that it’s no longer the wars of the King that are depicted. The inside of the temple is too sacred for that. Instead, you see images of the gods and the King making various offerings to them; these images are repeated over and over, with endless inscriptions detailing the great gifts Pharaoh has given to the temple.

Finally we pass into the Holy of Holies. Here no light of day ever enters at all. The chamber, smaller and lower than either of the others, is in darkness except for the dim light of the lamp carried by the attendant priest. Here stands the shrine, a great block of granite, hewn into a dwelling-place for the figure of the god. It is closed with cedar doors covered with gold plates, and the doors are sealed; but if we could[Pg 77] persuade the priest to let us look within, we should see a small wooden figure something like the one that we saw carried through the streets of Thebes, dressed and painted, and surrounded by offerings of meat, drink, and flowers. For this little figure all the glories that we have passed through have been created: an army of priests attends upon it day by day, dresses and paints it, spreads food before it, offers sacrifices and sings hymns in its praise.

Finally, we enter the Holy of Holies. No daylight ever penetrates this space. The room is smaller and lower than the others, shrouded in darkness except for the faint light of the lamp held by the attending priest. Here stands the shrine, a massive block of granite carved out to house the figure of the god. It is sealed with cedar doors covered in gold, and the doors are locked; but if we could[Pg 77] convince the priest to show us inside, we would see a small wooden figure similar to the one we saw paraded through the streets of Thebes, adorned and painted, surrounded by offerings of meat, drink, and flowers. This little figure is the reason all the grandeur we’ve witnessed has been created: a legion of priests serves it daily, dresses and paints it, lays out food before it, offers sacrifices, and sings hymns in its honor.

Behind the sanctuary lie storehouses, which hold corn and fruits and wines enough to supply a city in time of siege. The god is a great proprietor, holding more land than any of the nobles of the country. He has a revenue almost as great as that of Pharaoh himself. He has troops of his own, an army which obeys no orders but his. On the Red Sea he has one fleet, bringing to his temple the spices and incense of the Southland; and from the Nile mouths another fleet sails to bring home cedar-wood from Lebanon, and costly stuffs from Tyre. His priests have far more power than the greatest barons of the land, and Pharaoh, mighty as he is, would think twice before offending a band of men whose hatred could shake him on his throne. Such was an Egyptian temple 3,000 years ago, when Egypt was the greatest power in the world.

Behind the sanctuary are storehouses that contain enough grain, fruits, and wine to supply a city during a siege. The god is a major landowner, possessing more land than any of the local nobles. His income is nearly as substantial as Pharaoh's. He has his own troops, an army that takes orders only from him. On the Red Sea, he commands a fleet that brings spices and incense from the South; and from the Nile's mouths, another fleet sails to collect cedar wood from Lebanon and luxurious goods from Tyre. His priests hold significantly more power than the highest lords in the land, and even Pharaoh, powerful as he is, would hesitate to provoke a group of men whose anger could unseat him. This was the condition of an Egyptian temple 3,000 years ago, when Egypt was the world's foremost power.

But if the temples of ancient Egypt are wonderful, the tombs are almost more wonderful still. Very early in their history the Egyptians began to show their sense of the importance of the life after death by raising huge buildings to hold the bodies of their great men. Even the earliest Kings, who lived before there was any history at all, had great underground chambers scooped out[Pg 78] and furnished with all sorts of things for their use in the after-life. But it is when we come to that King Khufu, who figures in the fairy-stories of Zazamankh and Dedi, that we begin to understand what a wonderful thing an Egyptian tomb might be.

But if the temples of ancient Egypt are amazing, the tombs are even more incredible. Early in their history, the Egyptians started to recognize the importance of life after death by constructing massive buildings to house the bodies of their prominent figures. Even the earliest kings, who lived before recorded history, had large underground chambers carved out[Pg 78] and filled with various items for their use in the afterlife. However, it's when we look at King Khufu, who appears in the fairy tales of Zazamankh and Dedi, that we start to grasp just how extraordinary an Egyptian tomb could be.

Not very far from Cairo, the modern capital of Egypt, a line of strange, pointed buildings rises against the sky on the edge of the desert. These are the Pyramids, the tombs of the great Kings of Egypt in early days, and if we want to know what Egyptian builders could do 4,000 years before Christ, we must look at them. Take the largest of them, the Great Pyramid, called the Pyramid of Cheops. Cheops is really Khufu, the King who was so much put out by Dedi's prophecy about Rud-didet's three babies. No such building was ever reared either before or since. It stands, even now, 450 feet in height, and before the peak was destroyed, it was about 30 feet higher. Each of its four sides measures over 750 feet in length, and it covers more than twelve acres of ground, the size of a pretty large field. But you will get the best idea of how tremendous a building it is when I tell you that if you used it as a quarry, you could build a town, big enough to hold all the people of Aberdeen, out of the Great Pyramid; or if you broke up the stones of which it is built, and laid them in a line a foot broad and a foot deep, the line would reach a good deal more than halfway round the world at the Equator. You would have some trouble in breaking up the stones, however; for many of the great blocks weigh from 40 to 50 tons apiece, and they are so beautifully fitted to one another that you could not get the edge of a sheet of paper into the joints![Pg 79]

Not far from Cairo, the modern capital of Egypt, a line of strange, pointed buildings rises against the sky on the edge of the desert. These are the Pyramids, the tombs of the great Kings of Egypt from ancient times, and if we want to understand what Egyptian builders accomplished 4,000 years before Christ, we have to look at them. Take the largest one, the Great Pyramid, known as the Pyramid of Cheops. Cheops is actually Khufu, the King who was really bothered by Dedi's prophecy about Rud-didet's three babies. No building like this has ever been constructed either before or since. Even now, it stands 450 feet tall, and before the peak was destroyed, it was about 30 feet higher. Each of its four sides is over 750 feet long, covering more than twelve acres of land—the size of a pretty large field. But you'll get a better sense of how massive this structure is when I tell you that if you used it as a quarry, you could build a town big enough to hold all the people of Aberdeen from the materials of the Great Pyramid; or if you broke up the stones that make it up and laid them in a line a foot wide and a foot deep, the line would extend well over halfway around the world at the Equator. You’d have some difficulty breaking up the stones, though, since many of the huge blocks weigh between 40 and 50 tons each, and they are so perfectly fitted together that you couldn’t slip the edge of a sheet of paper into the joints![Pg 79]

Inside this great mountain of stone there are long passages leading to two small rooms in the centre of the Pyramid; and in one of these rooms, called "the King's Chamber," the body of the greatest builder the world has ever seen was laid in its stone coffin. Then the passages were closed with heavy plug-blocks of stone, so that no one should ever disturb the sleep of King Khufu. But, in spite of all precautions, robbers mined their way into the Pyramid ages ago, plundered the coffin, and scattered to the winds the remains of the King, so that, as Byron says, "Not a pinch of dust remains of Cheops."

Inside this massive stone mountain, there are long passages leading to two small rooms at the center of the Pyramid; in one of these rooms, known as "the King's Chamber," the body of the greatest builder the world has ever seen was laid to rest in its stone coffin. Then the passages were sealed with heavy stone blocks to ensure that no one would disturb the sleep of King Khufu. However, despite all safeguards, robbers broke into the Pyramid ages ago, looted the coffin, and scattered the King's remains, so that, as Byron says, "Not a pinch of dust remains of Cheops."

The other pyramids are smaller, though, if the Great Pyramid had not been built, the Second and Third would have been counted world's wonders. Near the Second Pyramid sits the Great Sphinx. It is a huge statue, human-headed and lion-bodied, carved out of limestone rock. Who carved it, or whose face it bears, we do not certainly know; but there the great figure crouches, as it has crouched for countless ages, keeping watch and ward over the empty tombs where the Pharaohs of Egypt once slept, its head towering seventy feet into the air, its vast limbs and body stretching for two hundred feet along the sand, the strangest and most wonderful monument ever hewn by the hands of man (Plate 11).

The other pyramids are smaller, but if the Great Pyramid hadn't been built, the Second and Third would have been considered wonders of the world. Next to the Second Pyramid is the Great Sphinx. It's a massive statue with a human head and a lion body, carved out of limestone. We don't know who carved it or whose face it represents, but the great figure has been crouching there for countless ages, watching over the empty tombs where the Pharaohs of Egypt once rested. Its head rises seventy feet into the air, and its enormous limbs and body stretch for two hundred feet across the sand, making it the most unusual and amazing monument ever created by human hands (Plate 11).

Later on in Egyptian history the Kings and great folk grew tired of building pyramids, and the fashion changed. Instead of raising huge structures above ground, they began to hew out caverns in the rocks in which to lay their dead. Round about Thebes, the rocks on the western side of the Nile are honeycombed with these strange houses of the departed. Their walls, in many cases, are decorated with bright and cheerful[Pg 80] pictures, showing scenes of the life which the dead man lived on earth. There he stands, or sits, placid and happy, with his wife beside him, while all around him his servants go about their usual work. They plough and hoe, sow and reap; they gather the grapes from the vines and put them into the winepress; or they bring the first-fruits of the earth to present them before their master (Plate 15). In other pictures you see the great man going out to his amusements, fishing, hunting, or fowling; or you are taken into the town, and see the tradesmen working, and the merchants, and townsfolk buying and selling in the bazaars. In fact, the whole of life in Ancient Egypt passes before your eyes as you go from chamber to chamber, and it is from these old tomb-pictures that we have learned the most of what we know of how people lived and worked in those long-past days.

Later in Egyptian history, the kings and influential people got tired of building pyramids, and the trend changed. Instead of constructing massive structures above ground, they started carving out tombs in the rock to lay their dead to rest. Around Thebes, the rocks on the western side of the Nile are filled with these unusual resting places. Many of their walls are decorated with bright and cheerful[Pg 80] paintings that depict scenes from the life the deceased lived on earth. There he stands, or sits, calm and happy, with his wife beside him, while his servants go about their usual tasks around him. They plow and hoe, sow and reap; they gather grapes from the vines and place them into the winepress; or they bring the first fruits of the earth to present to their master (Plate 15). In other images, you can see the great man enjoying leisure activities like fishing, hunting, or fowling; or you are taken into the town, where you see tradespeople at work, and merchants and townsfolk buying and selling in the bazaars. In fact, the entire life of Ancient Egypt unfolds before your eyes as you move from chamber to chamber, and it is from these old tomb paintings that we have gained most of our knowledge about how people lived and worked in those long-ago days.

In one wild rocky glen, called the "Valley of the Kings," nearly all the later Pharaohs were buried, and to-day their tombs are one of the sights of Thebes. Let us look at the finest of them—the tomb of Sety I., the father of that Ramses II. of whom we have heard so much. Entering the dark doorway in the cliff, you descend through passage after passage and hall after hall, until at last you reach the fourteenth chamber, "the gold house of Osiris," 470 feet from the entrance, where the great King was laid in his magnificent alabaster coffin. The walls and pillars of each chamber are wonderfully carved and painted. The pillars show pictures of the King making offerings to the gods, or being welcomed by them, but the pictures on the walls are very strange and weird. They represent the voyage of the sun through the[Pg 81] realms of the under-world, and all the dangers and difficulties which the soul of the dead man has to encounter as he accompanies the sun-bark on its journey. Serpents, bats, and crocodiles, spitting fire, or armed with spears, pursue the wicked. The unfortunates who fall into their power are tortured in all kinds of horrible ways; their hearts are torn out; their heads are cut off; they are boiled in caldrons, or hung head downwards over lakes of fire. Gradually the soul passes through all these dangers into the brighter scenes of the Fields of the Blessed, where the justified sow and reap and are happy. Finally, the King arrives, purified, at the end of his long journey, and is welcomed by the gods into the Abode of the Blessed, where he, too, dwells as a god in everlasting life.

In a wild rocky valley known as the "Valley of the Kings," nearly all the later Pharaohs were buried, and today their tombs are one of the main attractions in Thebes. Let's take a look at the most impressive one—the tomb of Sety I., the father of Ramses II., whom we’ve heard so much about. Entering the dark doorway in the cliff, you descend through passage after passage and hall after hall until you finally reach the fourteenth chamber, "the gold house of Osiris," located 470 feet from the entrance, where the great King was laid in his stunning alabaster coffin. The walls and pillars of each chamber are beautifully carved and painted. The pillars depict the King making offerings to the gods or being welcomed by them, but the artwork on the walls is quite strange and eerie. They illustrate the sun's journey through the realms of the underworld and all the dangers and challenges the deceased's soul faces as it travels with the sun-bark. Serpents, bats, and fire-breathing crocodiles, or those armed with spears, pursue the wicked. The unfortunate souls who fall into their grasp are tortured in horrific ways; their hearts are ripped out, their heads are chopped off, they are boiled in cauldrons, or hung upside down over lakes of fire. Gradually, the soul navigates through all these dangers into the brighter scenes of the Fields of the Blessed, where the righteous sow, reap, and find happiness. Finally, the King arrives, cleansed, at the end of his long journey and is welcomed by the gods into the Abode of the Blessed, where he too lives as a god in eternal life.

Plate 15  WALL-PICTURES IN A THEBAN TOMB. Pages 80, 81 Plate 15
WALL ART IN A THEBAN TOMB. Pages 80, 81

The beautiful alabaster coffin in which the mummy of King Sety was laid is now in the Soane Museum, London. When it was discovered, nearly a century ago, it was empty, and it was not till 1872 that some modern tomb-robbers found the body of the King, along with other royal mummies, hidden away in a deep pit among the cliffs. Now it lies in the museum at Cairo, and you can see the face of this great King, its fine, proud features not so very much changed, we can well believe, from what they were when he reigned 3,200 years ago. In the same museum you can look upon the faces of Tahutmes III., the greatest soldier of Egypt; of Ramses II., the oppressor of the Israelites; and, perhaps most interesting of all, of Merenptah, the Pharaoh who hardened his heart when Moses pled with him to let the Hebrews go, and whose picked troops were drowned in the Red Sea as they pursued their escaping slaves.[Pg 82]

The beautiful alabaster coffin that held the mummy of King Sety is now located in the Soane Museum in London. When it was found nearly a century ago, it was empty, and it wasn't until 1872 that some modern tomb robbers discovered the King's body, along with other royal mummies, hidden in a deep pit among the cliffs. Now, it resides in the museum in Cairo, where you can see the face of this great King, whose fine, proud features likely remain not much changed from what they looked like when he ruled 3,200 years ago. In the same museum, you can also view the faces of Thutmose III, Egypt's greatest soldier; Ramses II, the oppressor of the Israelites; and perhaps most intriguingly, Merenptah, the Pharaoh who refused to let the Hebrews go despite Moses’ pleas, and whose elite troops were drowned in the Red Sea while pursuing their escaping slaves.[Pg 82]

It is very strange to think that one can see the actual features and forms on which the heroes of our Bible story looked in life. The reason of such a thing is that the Egyptians believed that when a man died, his soul, which passed to the life beyond, loved to return to its old home on earth, and find again the body in which it once dwelt; and even, perhaps, that the soul's existence in the other world depended in some way on the preservation of the body. So they made the bodies of their dead friends into what we call "mummies," steeping them for many days in pitch and spices till they were embalmed, and then wrapping them round in fold upon fold of fine linen. So they have endured all these hundreds of years, to be stored at last in a museum, and gazed upon by people who live in lands which were savage wildernesses when Egypt was a great and mighty Empire.

It’s quite unusual to think that we can actually see the features and forms that the heroes of our Bible story looked at during their lives. The reason for this belief is that the Egyptians thought that when a person died, their soul, which moved on to the afterlife, liked to return to its old home on earth and find the body it once inhabited; and perhaps even that the soul's existence in the afterlife relied in some way on the preservation of the body. So they turned the bodies of their deceased loved ones into what we call "mummies," soaking them for many days in pitch and spices until they were embalmed, then wrapping them in layers of fine linen. This process allowed them to endure for hundreds of years, eventually ending up in a museum, where they are viewed by people who live in places that were wild wildernesses when Egypt was a powerful empire.


CHAPTER XIII

AN EGYPTIAN'S HEAVEN

In this chapter I want to tell you a little about what the Egyptians thought of heaven—what it was, where it was, how people got there after death, and what kind of a life they lived when they were there. They had some very quaint and curious ideas about the heavens themselves. They believed, for instance, that the blue sky overhead was something like a great iron[Pg 83] plate spread over the world, and supported at the four corners, north, south, east, and west, by high mountains. The stars were like little lamps, which hung down from this plate. Right round the world ran a great celestial river, and on this river the sun sailed day after day in his bark, giving light to the world. You could only see him as he passed round from the east by the south to the west, for after that the river ran behind high mountains, and the sun passed out of sight to sail through the world of darkness.

In this chapter, I want to share a bit about what the Egyptians believed about heaven—what it was, where it was, how people reached it after death, and what kind of life they experienced there. They had some very interesting and unique ideas about the heavens themselves. For example, they thought that the blue sky above was like a huge iron[Pg 83] plate covering the world, held up at the four corners—north, south, east, and west—by tall mountains. The stars were like little lamps hanging down from this plate. Around the world flowed a great celestial river, and on this river, the sun traveled day after day in his boat, lighting up the world. You could only see him as he moved from the east, through the south, to the west, because after that, the river went behind high mountains, and the sun disappeared to journey through the world of darkness.

Behind the sun, and appearing after he had vanished, came the moon, sailing in its own bark. It was protected by two guardian eyes, which watched always over it (Plate 13), and it needed the protection, for every month it was attacked by a great enemy in the form of a sow. For a fortnight the moon sailed on safely, and grew fuller and rounder; but at the middle of the month, just when it was full, the sow attacked it, tore it out of its place, and flung it into the celestial river, where for another fortnight it was gradually extinguished, to be revived again at the beginning of the next month. That was the Egyptians' curious way of accounting for the waxing and waning of the moon, and many of their other ideas were just as quaint as this.

Behind the sun, and showing up after it had disappeared, came the moon, sailing in its own little boat. It was watched over by two guardian eyes, which always kept an eye on it (Plate 13), and it needed that protection because every month it was attacked by a big enemy in the form of a sow. For two weeks, the moon sailed on safely, getting fuller and rounder; but in the middle of the month, just when it was full, the sow attacked it, pulled it out of its place, and tossed it into the celestial river, where it slowly faded away for another two weeks, only to be brought back to life at the start of the next month. This was the Egyptians' unique way of explaining the waxing and waning of the moon, and many of their other ideas were just as quirky as this.

I do not mean to say anything of what they believed about God, for they had so many gods, and believed such strange things about them, that it would only confuse you if I tried to make you understand it all. But the most important thing in all the Egyptian religion was the belief in heaven, and in the life which people lived there after their life on earth was ended. No other nation of these old times ever believed so[Pg 84] firmly as did the Egyptians that men were immortal, and did not cease to be when they died, but only began a new life, which might be either happy or miserable, according to the way in which they had lived on earth.

I’m not going to dive into what they believed about God since they had so many deities and some pretty bizarre ideas about them that it would just confuse you if I tried to explain everything. But the key aspect of Egyptian religion was the belief in heaven and the life people led there after their time on earth ended. No other ancient civilization believed as strongly as the Egyptians did in the immortality of people; they thought that death was not the end, but the start of a new life, which could be either joyful or suffering, depending on how one lived on earth.

They had a lot of different beliefs about the life after death, some of them rather confusing, and difficult to understand; but I shall tell you only the main things and the simplest things which they believed. They said, then, that very long ago, when the world was young, there was a great and good King called Osiris, who reigned over Egypt, and was very good to his subjects, teaching them all kinds of useful knowledge. But Osiris had a wicked brother named Set, who hated him, and was jealous of him. One day Set invited Osiris to a supper, at which he had gathered a number of his friends who were in the plot with him. When they were all feasting gaily, he produced a beautiful chest, and offered to give it to the man who fitted it. One after another they lay down in the chest, but it fitted none of them. Then at last Osiris lay down in it, and as soon as he was inside, his wicked brother and the other plotters fastened the lid down upon him, and threw the chest into the Nile. It was carried away by the river, and at last was washed ashore, with the dead body of the good King still in it.

They had many different beliefs about life after death, some of which were pretty confusing and hard to understand; but I will tell you only the main and simplest things they believed. They said that a long time ago, when the world was still young, there was a great and good king named Osiris, who ruled over Egypt and treated his subjects very well, teaching them all kinds of useful knowledge. But Osiris had a wicked brother named Set, who hated him and was jealous of him. One day, Set invited Osiris to a dinner, where he had gathered some of his friends who were part of the plot. While they were all happily feasting, he brought out a beautiful chest and offered it to whoever could fit inside it. One by one, they laid down in the chest, but none of them fit. Finally, Osiris lay down in it, and as soon as he was inside, his wicked brother and the other conspirators slammed the lid shut on him and tossed the chest into the Nile. It was swept away by the river and eventually washed ashore, with the dead body of the good king still inside.

But Isis, wife of Osiris, sought for her husband everywhere, and at last she found the chest with his body. While she was weeping over it the wicked Set came upon her, tore his brother's body to pieces, and scattered the fragments far and wide; but the faithful Isis traced them all, and buried them wherever she found them.

But Isis, the wife of Osiris, searched everywhere for her husband, and finally, she found the chest containing his body. While she was crying over it, the evil Set attacked her, tore his brother's body into pieces, and scattered the remains all over. However, the devoted Isis tracked down every piece and buried them wherever she found them.

Now, Isis had a son named Horus, and when he[Pg 85] grew to manhood he challenged Set, fought with him, and defeated him. Then the gods all assembled, and gave judgment that Osiris was in the right, and Set in the wrong. They raised Osiris up from the dead, made him a god, and appointed him to be judge of all men after death. And then, not all at once, but gradually, the Egyptians came to believe that because Osiris died, and rose again from the dead, and lived for ever after death, therefore all those men who believed in Osiris would live again after death, and dwell for ever with Osiris. You see that in some respects the story is strangely like that of the death and resurrection of Jesus Christ.

Now, Isis had a son named Horus, and when he[Pg 85] grew up, he challenged Set, fought him, and defeated him. Then all the gods gathered and decided that Osiris was right and Set was wrong. They brought Osiris back from the dead, made him a god, and appointed him as the judge of all humans after death. After that, not all at once but gradually, the Egyptians came to believe that because Osiris died, rose again from the dead, and lived forever after death, all those who believed in Osiris would also live again after death and dwell forever with him. You can see that in some ways the story is oddly similar to the death and resurrection of Jesus Christ.

Well, then, they supposed that, when a man died on earth, after his body was mummified and laid in its tomb, his soul went on to the gates of the palace of Osiris in the other world, where was the Hall of Truth, in which souls were judged. The soul had to know the magic names of the gates before it could even enter the Hall; but as soon as these names were spoken the gates opened, and the soul went in. Within the Hall there stood a great pair of scales, and beside the scales stood a god, ready to mark down the result of the judgment; while all round the Hall sat forty-two terrible creatures, who had authority to punish particular sins.

Well, they believed that when a person died on earth, after their body was preserved and placed in a tomb, their soul traveled to the gates of Osiris's palace in the afterlife, where the Hall of Truth was located, and where souls were judged. The soul had to know the magic names of the gates before it could even enter the Hall; but as soon as these names were spoken, the gates opened, and the soul entered. Inside the Hall, there was a large pair of scales, and next to the scales stood a god, ready to record the outcome of the judgment; while all around the Hall sat forty-two fearsome beings, who had the authority to punish specific sins.

The soul had to make confession to these avengers of sin that he had not been guilty of the sins which they had power to punish; then, when he had made his confession, his heart was taken, and weighed in the scales against a feather, which was the Egyptian sign for truth. If it was not of the right weight, the man was false, and his heart was thrown to a dreadful[Pg 86] monster, part crocodile, part hippopotamus, which sat behind the balances, and devoured the hearts of the unjust; but if it was right, then Horus, the son of Osiris, took the man by the hand, and led him into the presence of Osiris the Judge, and he was pronounced just, and admitted to heaven.

The soul had to confess to these avengers of sin that he hadn’t committed the sins they could punish; then, after he made his confession, his heart was taken and weighed against a feather, which was the Egyptian symbol for truth. If it didn’t weigh what it should, the man was considered false, and his heart was thrown to a terrifying[Pg 86] monster, part crocodile, part hippopotamus, that sat behind the scales and devoured the hearts of the wicked; but if it was the right weight, then Horus, the son of Osiris, took the man by the hand and led him into the presence of Osiris the Judge, who declared him just and welcomed him into heaven.

But what was heaven? Well, the Egyptians had several different ideas about it. One rather pretty one was that the souls which were pronounced just were taken up into the sky, and there became stars, shining down for ever upon the world. Another was that they were permitted to enter the boat, in which, as I told you, the sun sails round the world day by day, and to keep company with the sun on his unending voyage.

But what was heaven? The Egyptians had various ideas about it. One rather beautiful idea was that the souls deemed just were lifted up into the sky and became stars, shining down on the world forever. Another idea was that they were allowed to board the boat in which, as I mentioned, the sun sails around the world every day, and to accompany the sun on its eternal journey.

But the idea that most believed in and loved was that somewhere away in a mysterious land to the west, there lay a wonderful and beautiful country, called the Field of Bulrushes. There the corn grew three and a half yards high, and the ears of corn were a yard long. Through the fields ran lovely canals, full of fish, and bordered with reeds and bulrushes. When the soul had passed the Judgment Hall, it came, by strange, hard roads, and through great dangers, to this beautiful country. And there the dead man, dead now no more, but living for ever, spent his time in endless peace and happiness, sowing and reaping, paddling in his canoe along the canals, or resting and playing draughts in the evening under the sycamore-trees.

But the idea that most people believed in and loved was that somewhere far away in a mysterious land to the west, there was a wonderful and beautiful place called the Field of Bulrushes. There, the corn grew ten feet high, and the ears of corn were three feet long. Through the fields flowed lovely canals, filled with fish, and lined with reeds and bulrushes. After the soul passed the Judgment Hall, it traveled through strange, difficult paths and faced great dangers to reach this beautiful land. There, the deceased, now alive forever, spent their time in endless peace and happiness, sowing and reaping, paddling in their canoe along the canals, or resting and playing checkers in the evening under the sycamore trees.

Now, I suppose that all this seemed quite a happy sort of heaven to most of the common people, who had been accustomed all their days to hard work and harder fare; but by-and-by the great nobles came to think[Pg 87] that a heaven of this sort was not quite good enough for them. They had never done any work on earth; why should they have to do any in heaven? So they thought that they would find out a way of taking their slaves with them into the other world. I fancy that at first they actually tried to take them by killing the slaves at their master's grave. When the funeral of a great man took place, some of his servants would be killed beside the tomb, so that they might go with their lord into heaven, and work for him there, as they had worked for him on earth.

Now, I guess this all seemed like a pretty happy kind of heaven to most common people, who had been used to hard work and even tougher living conditions; but eventually, the wealthy nobles started to feel[Pg 87] that a heaven like this wasn’t good enough for them. They had never worked on earth; so why should they have to do any work in heaven? They figured they would find a way to bring their slaves with them to the afterlife. I think at first they actually tried to take them by having the slaves killed at their master’s grave. During the funeral of an important person, some of their servants would be killed next to the tomb, so they could accompany their lord into heaven and serve him there, just like they had on earth.

But the Egyptians were always a gentle, kind-hearted people, and they quickly grew disgusted with the idea of such cruelty, so they found another way out of the difficulty. They got numbers of little clay figures made in the form of servants—one with a hoe on his shoulder, another with a basket in his hand, and so on. They called these little figures "Answerers," and when a man was buried, they buried a lot of these clay servants along with him, so that, when he reached heaven, and was summoned to do work in the Field of Bulrushes, the Answerers would rise up and answer for him, and take the task off his shoulders.

But the Egyptians were always a gentle, kind-hearted people, and they quickly became appalled by the idea of such cruelty, so they found another solution to the problem. They had numerous little clay figures made in the shape of servants—one with a hoe on his shoulder, another with a basket in his hand, and so on. They called these little figures "Answerers," and when a man was buried, they buried a bunch of these clay servants with him, so that when he reached heaven and was called to work in the Field of Bulrushes, the Answerers would rise up and take the task off his shoulders.

So, along with the mummies of the dead Egyptians, there is often found quite a number of these tiny figures, all ready to make heaven easy for their master when he gets there. They have sometimes a little verse written upon them, to tell the Answerer what he has got to do in the other world. It runs like this:

So, along with the mummies of the deceased Egyptians, there are often quite a few of these small figures, all set to make things easier for their master when he arrives in the afterlife. They sometimes have a little verse written on them, to inform the Answerer about what he needs to do in the next world. It goes like this:

"Oh, thou Answerer, when I am called, and when I am asked to do any kind of work that is done in heaven, and am required at any time to cause[Pg 88] the field to flourish, or to convey the sand from east to west, thou shalt say, 'Here am I.'"

"Oh, you Answerer, when I'm called, and when I'm asked to do any kind of work that happens in heaven, and I'm needed at any time to make the field thrive, or to move the sand from east to west, you shall say, 'Here I am.'"

It all seems rather a curious idea of heaven, does it not? And most curious of all is the idea of dodging work in the other world by carrying a bundle of china dolls to heaven with you. But, even if we think that very ridiculous, we need not forget that the Egyptians had a wonderfully clear and sure grasp of the fact that it is a man's character in this world which will make him either happy or unhappy in the next, and that evil-doing, even if it escapes punishment in this life, is a thing that God will surely punish at last.

It all seems like a pretty strange concept of heaven, doesn’t it? And the strangest idea of all is the notion of avoiding work in the afterlife by taking a bundle of china dolls with you. But, even if we find that quite silly, we shouldn't forget that the Egyptians had an incredibly clear understanding that it’s a person’s character in this life that will determine their happiness or unhappiness in the next. They believed that wrongdoings, even if they go unpunished in this life, will definitely be punished by God in the end.

Remember that these men of old, wonderfully wise and strong as they were in many ways, were still the children of the time when the world was young; like children, forming many false and even ridiculous ideas about things they could not understand; like children, too, reaching out their groping hands through the darkness to a Father whose love they felt, though they could not explain His ways. We need not wonder if at times they made mistakes, and went far astray. We may wonder far more at the way in which He taught them so many true and noble things and thoughts, never leaving Himself without a witness even in those days of long ago.

Remember that these men from ancient times, as wise and strong as they were in many ways, were still products of an era when the world was young; like children, they formed many false and even silly ideas about things they couldn’t grasp; like children, they reached out their uncertain hands through the darkness to a Father whose love they felt, even though they couldn’t explain His ways. It's not surprising that they sometimes made mistakes and went far off track. What’s even more remarkable is how He taught them so many true and noble things, never leaving Himself without a witness even in those distant days.


The End.

PRINTED AT THE COMPLETE PRESS WEST NORWOOD LONDON

PRINTED AT THE COMPLETE PRESS WEST NORWOOD LONDON




        
        
    
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