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The Adventure of the Red Circle
By
Sir Arthur Conan Doyle
PART I
"Well, Mrs. Warren, I cannot see that you have any particular cause for uneasiness, nor do I understand why I, whose time is of some value, should interfere in the matter. I really have other things to engage me." So spoke Sherlock Holmes and turned back to the great scrapbook in which he was arranging and indexing some of his recent material.
"Well, Mrs. Warren, I don’t think you have any specific reason to be worried, and I don’t see why I, whose time is valuable, should get involved in this. I actually have other things to focus on." With that, Sherlock Holmes turned back to the large scrapbook where he was organizing and indexing some of his recent materials.
But the landlady had the pertinacity and also the cunning of her sex. She held her ground firmly.
But the landlady was persistent and also sly, as women can be. She stood her ground firmly.
"You arranged an affair for a lodger of mine last year," she said--"Mr. Fairdale Hobbs."
"You set up an event for one of my tenants last year," she said--"Mr. Fairdale Hobbs."
"Ah, yes--a simple matter."
"Ah, yes—a straightforward matter."
"But he would never cease talking of it--your kindness, sir, and the way in which you brought light into the darkness. I remembered his words when I was in doubt and darkness myself. I know you could if you only would."
"But he would never stop talking about it—your kindness, sir, and how you brought light into the dark. I remembered his words when I was in doubt and darkness myself. I know you could if you just wanted to."
Holmes was accessible upon the side of flattery, and also, to do him justice, upon the side of kindliness. The two forces made him lay down his gum-brush with a sigh of resignation and push back his chair.
Holmes was easy to approach when it came to flattery, and to give him credit, he was also genuinely kind. These two traits made him put down his gum brush with a sigh of resignation and push back his chair.
"Well, well, Mrs. Warren, let us hear about it, then. You don't object to tobacco, I take it? Thank you, Watson--the matches! You are uneasy, as I understand, because your new lodger remains in his rooms and you cannot see him. Why, bless you, Mrs. Warren, if I were your lodger you often would not see me for weeks on end."
"Well, well, Mrs. Warren, let’s hear about it then. I take it you don’t mind tobacco? Thank you, Watson—the matches! I understand you’re feeling uneasy because your new lodger stays in his rooms and you can't see him. Honestly, Mrs. Warren, if I were your lodger, there would be times when you wouldn’t see me for weeks."
"No doubt, sir; but this is different. It frightens me, Mr. Holmes. I can't sleep for fright. To hear his quick step moving here and moving there from early morning to late at night, and yet never to catch so much as a glimpse of him--it's more than I can stand. My husband is as nervous over it as I am, but he is out at his work all day, while I get no rest from it. What is he hiding for? What has he done? Except for the girl, I am all alone in the house with him, and it's more than my nerves can stand."
"No doubt, sir; but this is different. It scares me, Mr. Holmes. I can't sleep because I'm so terrified. Hearing his quick footsteps moving around from early morning to late at night, and not being able to catch even a glimpse of him—it's more than I can handle. My husband is just as anxious about it as I am, but he's out working all day while I can't escape from it. Why is he hiding? What has he done? Aside from the girl, I'm all alone in the house with him, and it's more than my nerves can take."
Holmes leaned forward and laid his long, thin fingers upon the woman's shoulder. He had an almost hypnotic power of soothing when he wished. The scared look faded from her eyes, and her agitated features smoothed into their usual commonplace. She sat down in the chair which he had indicated.
Holmes leaned forward and placed his long, thin fingers on the woman's shoulder. He had an almost hypnotic ability to calm people when he wanted to. The fear in her eyes disappeared, and her tense expression relaxed into its usual, ordinary look. She sat down in the chair he had pointed out.
"If I take it up I must understand every detail," said he. "Take time to consider. The smallest point may be the most essential. You say that the man came ten days ago and paid you for a fortnight's board and lodging?"
"If I take this on, I need to understand every detail," he said. "Take some time to think about it. Even the smallest detail might be the most important. You mentioned that the man came by ten days ago and paid you for two weeks' board and lodging?"
"He asked my terms, sir. I said fifty shillings a week. There is a small sitting-room and bedroom, and all complete, at the top of the house."
"He asked me what I wanted, sir. I said fifty shillings a week. There’s a small living room and bedroom, all set up, at the top of the house."
"Well?"
"What's up?"
"He said, 'I'll pay you five pounds a week if I can have it on my own terms.' I'm a poor woman, sir, and Mr. Warren earns little, and the money meant much to me. He took out a ten-pound note, and he held it out to me then and there. 'You can have the same every fortnight for a long time to come if you keep the terms,' he said. 'If not, I'll have no more to do with you.'
"He said, 'I'll pay you five pounds a week if I can set my own terms.' I'm a poor woman, sir, and Mr. Warren doesn’t earn much, so the money means a lot to me. He took out a ten-pound note and held it out to me right then and there. 'You can get the same amount every two weeks for a long time if you stick to the terms,' he said. 'If not, I won't have anything more to do with you.'”
"What were the terms?"
"What were the details?"
"Well, sir, they were that he was to have a key of the house. That was all right. Lodgers often have them. Also, that he was to be left entirely to himself and never, upon any excuse, to be disturbed."
"Well, sir, they said he was supposed to have a key to the house. That was fine. Lodgers usually get them. Also, he was meant to be left completely alone and never, for any reason, to be disturbed."
"Nothing wonderful in that, surely?"
"Surely, there's nothing great about that?"
"Not in reason, sir. But this is out of all reason. He has been there for ten days, and neither Mr. Warren, nor I, nor the girl has once set eyes upon him. We can hear that quick step of his pacing up and down, up and down, night, morning, and noon; but except on that first night he had never once gone out of the house."
"Not in reason, sir. But this is completely unreasonable. He’s been there for ten days, and neither Mr. Warren, nor I, nor the girl has seen him even once. We can hear his quick steps as he paces back and forth, night, morning, and noon; but except for that first night, he has never left the house."
"Oh, he went out the first night, did he?"
"Oh, he went out the first night, huh?"
"Yes, sir, and returned very late--after we were all in bed. He told me after he had taken the rooms that he would do so and asked me not to bar the door. I heard him come up the stair after midnight."
"Yeah, sir, and came back really late--after we'd all gone to bed. He told me after he got the rooms that he would do that and asked me not to lock the door. I heard him come up the stairs after midnight."
"But his meals?"
"But what about his meals?"
"It was his particular direction that we should always, when he rang, leave his meal upon a chair, outside his door. Then he rings again when he has finished, and we take it down from the same chair. If he wants anything else he prints it on a slip of paper and leaves it."
"It was his specific instruction that we should always, when he rings, leave his meal on a chair outside his door. Then he rings again when he’s finished, and we take it down from the same chair. If he needs anything else, he writes it on a slip of paper and leaves it."
"Prints it?"
"Print it?"
"Yes, sir; prints it in pencil. Just the word, nothing more. Here's the one I brought to show you--soap. Here's another--match. This is one he left the first morning--daily gazette. I leave that paper with his breakfast every morning."
"Yes, sir; he writes it in pencil. Just the word, nothing else. Here's the one I brought to show you—soap. Here's another—match. This is one he left on the first morning—daily gazette. I leave that newspaper with his breakfast every morning."
"Dear me, Watson," said Homes, staring with great curiosity at the slips of foolscap which the landlady had handed to him, "this is certainly a little unusual. Seclusion I can understand; but why print? Printing is a clumsy process. Why not write? What would it suggest, Watson?"
"Wow, Watson," said Holmes, staring with great curiosity at the sheets of paper the landlady had given him, "this is definitely a bit odd. I get the need for privacy, but why print? Printing is a messy process. Why not just write? What do you think that suggests, Watson?"
"That he desired to conceal his handwriting."
"That he wanted to hide his handwriting."
"But why? What can it matter to him that his landlady should have a word of his writing? Still, it may be as you say. Then, again, why such laconic messages?"
"But why? What does it matter to him that his landlady has something to say about his writing? Still, you might be right. Then again, why such brief messages?"
"I cannot imagine."
"I can’t imagine."
"It opens a pleasing field for intelligent speculation. The words are written with a broad-pointed, violet-tinted pencil of a not unusual pattern. You will observe that the paper is torn away at the side here after the printing was done, so that the 's' of 'soap' is partly gone. Suggestive, Watson, is it not?"
"It opens an interesting area for thoughtful speculation. The words are written with a broad-tipped, violet-colored pencil of an uncommon design. You'll notice that the paper is torn away on the side here after the printing, so the 's' in 'soap' is partially missing. Quite suggestive, isn’t it, Watson?"
"Of caution?"
"Of caution?"
"Exactly. There was evidently some mark, some thumbprint, something which might give a clue to the person's identity. Now. Mrs. Warren, you say that the man was of middle size, dark, and bearded. What age would he be?"
"Exactly. There was clearly some mark, some thumbprint, something that could provide a clue to the person's identity. Now, Mrs. Warren, you say the man was of average height, dark-skinned, and had a beard. How old do you think he was?"
"Youngish, sir--not over thirty."
"Young, sir—not over thirty."
"Well, can you give me no further indications?"
"Well, can you give me any more hints?"
"He spoke good English, sir, and yet I thought he was a foreigner by his accent."
"He spoke good English, sir, but I still thought he was a foreigner because of his accent."
"And he was well dressed?"
"And he was well-dressed?"
"Very smartly dressed, sir--quite the gentleman. Dark clothes--nothing you would note."
"Very stylishly dressed, sir—definitely a gentleman. Dark clothes—nothing you'd really notice."
"He gave no name?"
"Did he not give a name?"
"No, sir."
"No way, sir."
"And has had no letters or callers?"
"And hasn't received any letters or calls?"
"None."
"None."
"But surely you or the girl enter his room of a morning?"
"But surely you or the girl go into his room in the morning?"
"No, sir; he looks after himself entirely."
"No, sir; he takes care of himself completely."
"Dear me! that is certainly remarkable. What about his luggage?"
"Wow! That's definitely something. What about his bags?"
"He had one big brown bag with him--nothing else."
"He had one large brown bag with him—nothing else."
"Well, we don't seem to have much material to help us. Do you say nothing has come out of that room--absolutely nothing?"
"Well, it looks like we don’t have much to work with. Are you saying nothing has come out of that room—absolutely nothing?"
The landlady drew an envelope from her bag; from it she shook out two burnt matches and a cigarette-end upon the table.
The landlady pulled an envelope from her bag and emptied two burnt matches and a cigarette butt onto the table.
"They were on his tray this morning. I brought them because I had heard that you can read great things out of small ones."
"They were on his tray this morning. I brought them because I heard you can find amazing insights in small things."
Holmes shrugged his shoulders.
Holmes shrugged.
"There is nothing here," said he. "The matches have, of course, been used to light cigarettes. That is obvious from the shortness of the burnt end. Half the match is consumed in lighting a pipe or cigar. But, dear me! this cigarette stub is certainly remarkable. The gentleman was bearded and moustached, you say?"
"There’s nothing here," he said. "The matches have clearly been used to light cigarettes. That’s obvious from how short the burnt end is. Half the match gets used up when lighting a pipe or cigar. But, wow! this cigarette stub is definitely interesting. The guy had a beard and a mustache, you say?"
"Yes, sir."
"Yes, sir."
"I don't understand that. I should say that only a clean-shaven man could have smoked this. Why, Watson, even your modest moustache would have been singed."
"I don't get that. I should mention that only a clean-shaven man could have smoked this. Why, Watson, even your little mustache would have been burned."
"A holder?" I suggested.
"A holder?" I asked.
"No, no; the end is matted. I suppose there could not be two people in your rooms, Mrs. Warren?"
"No, no; the end is tangled. I guess there can't be two people in your rooms, Mrs. Warren?"
"No, sir. He eats so little that I often wonder it can keep life in one."
"No, sir. He eats so little that I often wonder if it’s enough to stay alive."
"Well, I think we must wait for a little more material. After all, you have nothing to complain of. You have received your rent, and he is not a troublesome lodger, though he is certainly an unusual one. He pays you well, and if he chooses to lie concealed it is no direct business of yours. We have no excuse for an intrusion upon his privacy until we have some reason to think that there is a guilty reason for it. I've taken up the matter, and I won't lose sight of it. Report to me if anything fresh occurs, and rely upon my assistance if it should be needed.
"Well, I think we should wait for a bit more information. After all, you really don’t have anything to complain about. You’ve received your rent, and he’s not a difficult lodger, even though he is definitely an unusual one. He pays you well, and if he chooses to stay out of sight, that’s not directly your concern. We have no reason to invade his privacy unless we suspect there’s a good reason to do so. I’ve taken on the matter, and I won’t lose track of it. Keep me updated if anything new happens, and feel free to count on my help if you need it."
"There are certainly some points of interest in this case, Watson," he remarked when the landlady had left us. "It may, of course, be trivial--individual eccentricity; or it may be very much deeper than appears on the surface. The first thing that strikes one is the obvious possibility that the person now in the rooms may be entirely different from the one who engaged them."
"There are definitely some interesting aspects to this case, Watson," he said after the landlady had stepped out. "It could, of course, be trivial—just individual quirks; or it might be much more significant than it seems at first glance. The first thing that stands out is the clear possibility that the person currently in the rooms could be completely different from the one who rented them."
"Why should you think so?"
"Why do you think that?"
"Well, apart from this cigarette-end, was it not suggestive that the only time the lodger went out was immediately after his taking the rooms? He came back--or someone came back--when all witnesses were out of the way. We have no proof that the person who came back was the person who went out. Then, again, the man who took the rooms spoke English well. This other, however, prints 'match' when it should have been 'matches.' I can imagine that the word was taken out of a dictionary, which would give the noun but not the plural. The laconic style may be to conceal the absence of knowledge of English. Yes, Watson, there are good reasons to suspect that there has been a substitution of lodgers."
"Well, besides this cigarette butt, doesn’t it seem suspicious that the only time the renter left was right after he moved in? He returned—or someone else returned—when all witnesses were gone. We have no proof that the person who came back was the same one who left. Also, the man who rented the rooms spoke English well. However, this other person writes 'match' when it should be 'matches.' I can picture that the word was pulled from a dictionary, which only gives the singular form. The blunt way of speaking might be to hide a lack of knowledge of English. Yes, Watson, there are solid reasons to think that there has been a switch of lodgers."
"But for what possible end?"
"But for what purpose?"
"Ah! there lies our problem. There is one rather obvious line of investigation." He took down the great book in which, day by day, he filed the agony columns of the various London journals. "Dear me!" said he, turning over the pages, "what a chorus of groans, cries, and bleatings! What a rag-bag of singular happenings! But surely the most valuable hunting-ground that ever was given to a student of the unusual! This person is alone and cannot be approached by letter without a breach of that absolute secrecy which is desired. How is any news or any message to reach him from without? Obviously by advertisement through a newspaper. There seems no other way, and fortunately we need concern ourselves with the one paper only. Here are the Daily Gazette extracts of the last fortnight. 'Lady with a black boa at Prince's Skating Club'--that we may pass. 'Surely Jimmy will not break his mother's heart'--that appears to be irrelevant. 'If the lady who fainted on Brixton bus'--she does not interest me. 'Every day my heart longs--' Bleat, Watson--unmitigated bleat! Ah, this is a little more possible. Listen to this: 'Be patient. Will find some sure means of communications. Meanwhile, this column. G.' That is two days after Mrs. Warren's lodger arrived. It sounds plausible, does it not? The mysterious one could understand English, even if he could not print it. Let us see if we can pick up the trace again. Yes, here we are--three days later. 'Am making successful arrangements. Patience and prudence. The clouds will pass. G.' Nothing for a week after that. Then comes something much more definite: 'The path is clearing. If I find chance signal message remember code agreed--One A, two B, and so on. You will hear soon. G.' That was in yesterday's paper, and there is nothing in to-day's. It's all very appropriate to Mrs. Warren's lodger. If we wait a little, Watson, I don't doubt that the affair will grow more intelligible."
"Ah! There's our problem. There's one pretty obvious avenue to explore." He took down the big book where he kept the agony columns from various London papers, day by day. "Wow!" he said, flipping through the pages, "What a symphony of groans, cries, and complaints! What a mixed bag of unusual events! But this is definitely the most valuable resource for studying the strange! This person is alone and cannot be reached by letter without breaking the absolute secrecy that's needed. How can any news or message get to him from the outside? Clearly through an advertisement in a newspaper. It seems there's no other option, and luckily we only need to focus on one paper. Here are the Daily Gazette excerpts from the last two weeks. 'Lady with a black boa at Prince's Skating Club'—we can skip that. 'Surely Jimmy won't break his mother's heart'—that seems irrelevant. 'If the lady who fainted on the Brixton bus'—she doesn’t interest me. 'Every day my heart longs—' Just noise, Watson—pure noise! Ah, this is a little more promising. Listen to this: 'Be patient. Will find some reliable means of communication. Meanwhile, this column. G.' That was two days after Mrs. Warren's lodger arrived. Sounds plausible, doesn’t it? The mysterious person could understand English, even if they couldn't write it. Let’s see if we can track it down again. Yes, here it is—three days later. 'Am making successful arrangements. Patience and caution. The clouds will clear. G.' Nothing for a week after that. Then comes something much more specific: 'The path is clearing. If I find a chance to send a message, remember the agreed code—One A, two B, and so on. You'll hear soon. G.' That was in yesterday’s paper, and there’s nothing in today’s. This all fits perfectly with Mrs. Warren's lodger. If we wait a bit, Watson, I’m sure the situation will become clearer."
So it proved; for in the morning I found my friend standing on the hearthrug with his back to the fire and a smile of complete satisfaction upon his face.
So it was; in the morning, I found my friend standing on the hearthrug with his back to the fire and a smile of total satisfaction on his face.
"How's this, Watson?" he cried, picking up the paper from the table. "'High red house with white stone facings. Third floor. Second window left. After dusk. G.' That is definite enough. I think after breakfast we must make a little reconnaissance of Mrs. Warren's neighbourhood. Ah, Mrs. Warren! what news do you bring us this morning?"
"How's this, Watson?" he exclaimed, grabbing the paper from the table. "'High red house with white stone trim. Third floor. Second window from the left. After dusk. G.' That's specific enough. I think after breakfast we should do a quick survey of Mrs. Warren's neighborhood. Ah, Mrs. Warren! What news do you have for us this morning?"
Our client had suddenly burst into the room with an explosive energy which told of some new and momentous development.
Our client suddenly burst into the room with an intense energy that signaled some important new development.
"It's a police matter, Mr. Holmes!" she cried. "I'll have no more of it! He shall pack out of there with his baggage. I would have gone straight up and told him so, only I thought it was but fair to you to take your opinion first. But I'm at the end of my patience, and when it comes to knocking my old man about--"
"It's a police matter, Mr. Holmes!" she exclaimed. "I'm done with it! He needs to leave with his stuff. I would have gone right up and told him myself, but I thought it was only fair to get your opinion first. But I'm out of patience, and when it comes to messing with my husband--"
"Knocking Mr. Warren about?"
"Harassing Mr. Warren?"
"Using him roughly, anyway."
"Roughing him up, anyway."
"But who used him roughly?"
"But who treated him badly?"
"Ah! that's what we want to know! It was this morning, sir. Mr. Warren is a timekeeper at Morton and Waylight's, in Tottenham Court Road. He has to be out of the house before seven. Well, this morning he had not gone ten paces down the road when two men came up behind him, threw a coat over his head, and bundled him into a cab that was beside the curb. They drove him an hour, and then opened the door and shot him out. He lay in the roadway so shaken in his wits that he never saw what became of the cab. When he picked himself up he found he was on Hampstead Heath; so he took a bus home, and there he lies now on his sofa, while I came straight round to tell you what had happened."
"Ah! That’s what we need to find out! It was this morning, sir. Mr. Warren is a timekeeper at Morton and Waylight's on Tottenham Court Road. He has to leave the house before seven. Well, this morning he hadn't gone more than ten steps down the road when two men approached him from behind, threw a coat over his head, and shoved him into a cab that was parked by the curb. They drove him for an hour, then opened the door and tossed him out. He lay in the street so dazed that he didn’t see what happened to the cab. When he finally got up, he realized he was on Hampstead Heath, so he took a bus home, and now he's lying on his sofa while I came straight here to tell you what happened."
"Most interesting," said Holmes. "Did he observe the appearance of these men--did he hear them talk?"
"Very interesting," said Holmes. "Did he notice what these men looked like—did he hear them speak?"
"No; he is clean dazed. He just knows that he was lifted up as if by magic and dropped as if by magic. Two at least were in it, and maybe three."
"No; he is completely disoriented. He just knows that he was picked up like it was magic and dropped like it was magic. At least two were involved, and maybe three."
"And you connect this attack with your lodger?"
"And you link this attack to your tenant?"
"Well, we've lived there fifteen years and no such happenings ever came before. I've had enough of him. Money's not everything. I'll have him out of my house before the day is done."
"Well, we've lived there for fifteen years, and nothing like this has ever happened before. I’ve had enough of him. Money isn't everything. I’m getting him out of my house before the day is over."
"Wait a bit, Mrs. Warren. Do nothing rash. I begin to think that this affair may be very much more important than appeared at first sight. It is clear now that some danger is threatening your lodger. It is equally clear that his enemies, lying in wait for him near your door, mistook your husband for him in the foggy morning light. On discovering their mistake they released him. What they would have done had it not been a mistake, we can only conjecture."
"Hold on a second, Mrs. Warren. Don’t do anything hasty. I’m starting to think that this situation is much more significant than it seemed at first. It’s now obvious that some danger is looming over your tenant. It’s also clear that his enemies, waiting for him near your door, confused your husband for him in the foggy morning light. When they realized their mistake, they let him go. What they would have done if it had not been a mistake, we can only guess."
"Well, what am I to do, Mr. Holmes?"
"Well, what am I supposed to do, Mr. Holmes?"
"I have a great fancy to see this lodger of yours, Mrs. Warren."
"I really want to meet your lodger, Mrs. Warren."
"I don't see how that is to be managed, unless you break in the door. I always hear him unlock it as I go down the stair after I leave the tray."
"I don't see how that can be done unless you break down the door. I always hear him unlock it as I walk down the stairs after I leave the tray."
"He has to take the tray in. Surely we could conceal ourselves and see him do it."
"He has to bring the tray inside. Surely we can hide and watch him do it."
The landlady thought for a moment.
The landlady took a moment.
"Well, sir, there's the box-room opposite. I could arrange a looking-glass, maybe, and if you were behind the door--"
"Well, sir, there's the spare room across the hall. I could set up a mirror, maybe, and if you were behind the door--"
"Excellent!" said Holmes. "When does he lunch?"
"Awesome!" said Holmes. "When does he have lunch?"
"About one, sir."
"About one, sir."
"Then Dr. Watson and I will come round in time. For the present, Mrs. Warren, good-bye."
"Then Dr. Watson and I will come by on time. For now, Mrs. Warren, goodbye."
At half-past twelve we found ourselves upon the steps of Mrs. Warren's house--a high, thin, yellow-brick edifice in Great Orme Street, a narrow thoroughfare at the northeast side of the British Museum. Standing as it does near the corner of the street, it commands a view down Howe Street, with its more pretentious houses. Holmes pointed with a chuckle to one of these, a row of residential flats, which projected so that they could not fail to catch the eye.
At 12:30, we found ourselves on the steps of Mrs. Warren's house—a tall, slender building made of yellow brick on Great Orme Street, a narrow road on the northeast side of the British Museum. Since it’s located near the corner of the street, it has a clear view down Howe Street, where the more upscale houses are. Holmes pointed with a laugh at one of these—a row of apartments that stuck out enough to grab anyone's attention.
"See, Watson!" said he. "'High red house with stone facings.' There is the signal station all right. We know the place, and we know the code; so surely our task should be simple. There's a 'to let' card in that window. It is evidently an empty flat to which the confederate has access. Well, Mrs. Warren, what now?"
"Look, Watson!" he said. "'High red house with stone facings.' That’s definitely the signal station. We know the place, and we know the code; so our job should be straightforward. There’s a 'for rent' sign in that window. It’s clearly an empty apartment that our accomplice can get into. So, Mrs. Warren, what’s next?"
"I have it all ready for you. If you will both come up and leave your boots below on the landing, I'll put you there now."
"I have everything set for you. If you both come upstairs and leave your boots on the landing, I’ll take you there now."
It was an excellent hiding-place which she had arranged. The mirror was so placed that, seated in the dark, we could very plainly see the door opposite. We had hardly settled down in it, and Mrs. Warren left us, when a distant tinkle announced that our mysterious neighbour had rung. Presently the landlady appeared with the tray, laid it down upon a chair beside the closed door, and then, treading heavily, departed. Crouching together in the angle of the door, we kept our eyes fixed upon the mirror. Suddenly, as the landlady's footsteps died away, there was the creak of a turning key, the handle revolved, and two thin hands darted out and lifted the tray from the chair. An instant later it was hurriedly replaced, and I caught a glimpse of a dark, beautiful, horrified face glaring at the narrow opening of the box-room. Then the door crashed to, the key turned once more, and all was silence. Holmes twitched my sleeve, and together we stole down the stair.
It was an excellent hiding spot she had set up. The mirror was positioned so that, sitting in the dark, we could clearly see the door across from us. We had barely settled in when Mrs. Warren left us, and a distant chime indicated that our mysterious neighbor had rung the bell. Soon after, the landlady came in with a tray, set it down on a chair next to the closed door, and then walked away with heavy footsteps. Crouching together in the corner by the door, we kept our eyes on the mirror. Suddenly, as the landlady’s footsteps faded, we heard the creak of a turning key, the handle moved, and two thin hands quickly reached out to grab the tray from the chair. An instant later, it was hurriedly put back, and I caught a glimpse of a dark, beautiful, horrified face staring at the narrow opening of the box-room. Then the door slammed shut, the key turned again, and everything went silent. Holmes tugged at my sleeve, and together we quietly made our way down the stairs.
"I will call again in the evening," said he to the expectant landlady. "I think, Watson, we can discuss this business better in our own quarters."
"I'll call again in the evening," he told the waiting landlady. "I think, Watson, we can talk about this business better in our own place."
"My surmise, as you saw, proved to be correct," said he, speaking from the depths of his easy-chair. "There has been a substitution of lodgers. What I did not foresee is that we should find a woman, and no ordinary woman, Watson."
"My guess, as you saw, turned out to be right," he said, speaking from the comfort of his armchair. "There has been a change in the tenants. What I didn't expect is that we would find a woman, and not just any woman, Watson."
"She saw us."
"She spotted us."
"Well, she saw something to alarm her. That is certain. The general sequence of events is pretty clear, is it not? A couple seek refuge in London from a very terrible and instant danger. The measure of that danger is the rigour of their precautions. The man, who has some work which he must do, desires to leave the woman in absolute safety while he does it. It is not an easy problem, but he solved it in an original fashion, and so effectively that her presence was not even known to the landlady who supplies her with food. The printed messages, as is now evident, were to prevent her sex being discovered by her writing. The man cannot come near the woman, or he will guide their enemies to her. Since he cannot communicate with her direct, he has recourse to the agony column of a paper. So far all is clear."
"Well, she saw something that worried her. That’s for sure. The general flow of events is pretty straightforward, right? A couple is escaping to London from a serious and immediate threat. The level of that threat is shown by how carefully they act. The man, who has some important work to finish, wants to make sure the woman is completely safe while he does it. It’s not an easy issue, but he figured it out in a clever way, so well that the landlady who brings her food didn’t even know she was there. The printed messages, as we can now see, were meant to hide her identity through her writing. The man can’t get close to the woman, or he’ll lead their enemies to her. Since he can’t talk to her directly, he uses the agony column of a newspaper. So far, everything is clear."
"But what is at the root of it?"
"But what’s the root of it?"
"Ah, yes, Watson--severely practical, as usual! What is at the root of it all? Mrs. Warren's whimsical problem enlarges somewhat and assumes a more sinister aspect as we proceed. This much we can say: that it is no ordinary love escapade. You saw the woman's face at the sign of danger. We have heard, too, of the attack upon the landlord, which was undoubtedly meant for the lodger. These alarms, and the desperate need for secrecy, argue that the matter is one of life or death. The attack upon Mr. Warren further shows that the enemy, whoever they are, are themselves not aware of the substitution of the female lodger for the male. It is very curious and complex, Watson."
"Ah, yes, Watson—always practical as ever! What’s at the heart of it all? Mrs. Warren's quirky issue is growing and starting to look more serious as we dig deeper. We can say this much: it’s not your typical love affair. You saw the fear on her face when danger appeared. We’ve also heard about the attack on the landlord, which was clearly intended for the tenant. These threats, along with the urgent need for secrecy, suggest that this situation is a matter of life or death. The attack on Mr. Warren further indicates that the attackers, whoever they are, don’t realize that the female tenant has replaced the male one. It’s quite puzzling and complicated, Watson."
"Why should you go further in it? What have you to gain from it?"
"Why should you keep going with this? What do you have to gain from it?"
"What, indeed? It is art for art's sake, Watson. I suppose when you doctored you found yourself studying cases without thought of a fee?"
"What, really? It's art for art's sake, Watson. I guess when you practiced medicine, you found yourself looking at cases without thinking about the payment?"
"For my education, Holmes."
"For my learning, Holmes."
"Education never ends, Watson. It is a series of lessons with the greatest for the last. This is an instructive case. There is neither money nor credit in it, and yet one would wish to tidy it up. When dusk comes we should find ourselves one stage advanced in our investigation."
"Education never stops, Watson. It's a series of lessons, with the biggest one saved for last. This is a valuable case. There’s no money or credit involved, but still, you’d want to sort it out. By the time evening arrives, we should be one step further in our investigation."
When we returned to Mrs. Warren's rooms, the gloom of a London winter evening had thickened into one gray curtain, a dead monotone of colour, broken only by the sharp yellow squares of the windows and the blurred haloes of the gas-lamps. As we peered from the darkened sitting-room of the lodging-house, one more dim light glimmered high up through the obscurity.
When we got back to Mrs. Warren's place, the darkness of a London winter evening had turned into a solid gray curtain, a lifeless wash of color, punctuated only by the bright yellow squares of the windows and the fuzzy halos of the gas lamps. As we looked out from the darkened sitting room of the boarding house, one more faint light shone dully through the gloom.
"Someone is moving in that room," said Holmes in a whisper, his gaunt and eager face thrust forward to the window-pane. "Yes, I can see his shadow. There he is again! He has a candle in his hand. Now he is peering across. He wants to be sure that she is on the lookout. Now he begins to flash. Take the message also, Watson, that we may check each other. A single flash--that is A, surely. Now, then. How many did you make it? Twenty. So did I. That should mean T. AT--that's intelligible enough. Another T. Surely this is the beginning of a second word. Now, then--TENTA. Dead stop. That can't be all, Watson? ATTENTA gives no sense. Nor is it any better as three words AT, TEN, TA, unless T. A. are a person's initials. There it goes again! What's that? ATTE--why, it is the same message over again. Curious, Watson, very curious. Now he is off once more! AT--why he is repeating it for the third time. ATTENTA three times! How often will he repeat it? No, that seems to be the finish. He has withdrawn from the window. What do you make of it, Watson?"
"Someone is moving in that room," Holmes said quietly, leaning in to peer through the window. "Yes, I can see his shadow. There he is again! He’s holding a candle. Now he's looking out. He wants to make sure she’s watching. Now he starts to flash. Get the message too, Watson, so we can confirm each other's findings. A single flash—that's A, for sure. Now, how many did you see? Twenty. Same here. That should mean T. AT—that makes sense. Another T. This must be the start of a second word. Now then—TENTA. Dead end. That can't be all, Watson? ATTENTA doesn’t mean anything. It doesn't make more sense as three words AT, TEN, TA, unless T. A. are someone's initials. There it goes again! What's that? ATTE—oh, it’s the same message again. Strange, Watson, very strange. Now he’s at it again! AT—he's repeating it for the third time. ATTENTA three times! How many times will he say it? No, that seems to be it. He’s stepped back from the window. What do you think, Watson?"
"A cipher message, Holmes."
"A coded message, Holmes."
My companion gave a sudden chuckle of comprehension. "And not a very obscure cipher, Watson," said he. "Why, of course, it is Italian! The A means that it is addressed to a woman. 'Beware! Beware! Beware!' How's that, Watson?
My companion suddenly chuckled as he understood. "And it's not a very obscure code, Watson," he said. "Of course, it’s Italian! The A means it’s addressed to a woman. 'Beware! Beware! Beware!' What do you think, Watson?
"I believe you have hit it."
"I think you have it."
"Not a doubt of it. It is a very urgent message, thrice repeated to make it more so. But beware of what? Wait a bit, he is coming to the window once more."
"There's no doubt about it. It's a very urgent message, repeated three times to emphasize that. But beware of what? Just a moment, he's coming to the window again."
Again we saw the dim silhouette of a crouching man and the whisk of the small flame across the window as the signals were renewed. They came more rapidly than before--so rapid that it was hard to follow them.
Again, we saw the faint outline of a crouching man and the flicker of the small flame against the window as the signals resumed. They came faster than before—so quickly that it was hard to keep up with them.
"PERICOLO--pericolo--eh, what's that, Watson? 'Danger,' isn't it? Yes, by Jove, it's a danger signal. There he goes again! PERI. Halloa, what on earth--"
"PERICOLO--pericolo--hey, what's that, Watson? 'Danger,' right? Yes, wow, it's a danger signal. There he goes again! PERI. Hey, what on earth--"
The light had suddenly gone out, the glimmering square of window had disappeared, and the third floor formed a dark band round the lofty building, with its tiers of shining casements. That last warning cry had been suddenly cut short. How, and by whom? The same thought occurred on the instant to us both. Holmes sprang up from where he crouched by the window.
The light suddenly went out, and the glowing square of the window disappeared. The third floor created a dark band around the tall building, with its rows of shining windows. That last warning shout was abruptly silenced. How, and by whom? We both had the same thought right away. Holmes jumped up from where he had been crouching by the window.
"This is serious, Watson," he cried. "There is some devilry going forward! Why should such a message stop in such a way? I should put Scotland Yard in touch with this business--and yet, it is too pressing for us to leave."
"This is serious, Watson," he exclaimed. "Something shady is going on! Why would a message suddenly end like that? I should contact Scotland Yard about this—but it's too urgent for us to step back."
"Shall I go for the police?"
"Should I call the cops?"
"We must define the situation a little more clearly. It may bear some more innocent interpretation. Come, Watson, let us go across ourselves and see what we can make of it."
"We need to clarify the situation a bit more. It might have a more innocent explanation. Come on, Watson, let's go over there ourselves and see what we can figure out."
PART II
As we walked rapidly down Howe Street I glanced back at the building which we had left. There, dimly outlined at the top window, I could see the shadow of a head, a woman's head, gazing tensely, rigidly, out into the night, waiting with breathless suspense for the renewal of that interrupted message. At the doorway of the Howe Street flats a man, muffled in a cravat and greatcoat, was leaning against the railing. He started as the hall-light fell upon our faces.
As we quickly walked down Howe Street, I looked back at the building we had just left. There, faintly visible in the top window, I could see the outline of a head, a woman's head, staring intensely and stiffly out into the night, anxiously waiting for the continuation of that interrupted message. At the entrance of the Howe Street flats, a man, wrapped in a scarf and a long coat, was leaning against the railing. He jumped when the hallway light illuminated our faces.
"Holmes!" he cried.
"Holmes!" he shouted.
"Why, Gregson!" said my companion as he shook hands with the Scotland Yard detective. "Journeys end with lovers' meetings. What brings you here?"
"Why, Gregson!" my companion exclaimed, shaking hands with the Scotland Yard detective. "All journeys end with lovers' meetings. What brings you here?"
"The same reasons that bring you, I expect," said Gregson. "How you got on to it I can't imagine."
"The same reasons that bring you, I assume," said Gregson. "I can't figure out how you found out about it."
"Different threads, but leading up to the same tangle. I've been taking the signals."
"Different threads, but all leading to the same mess. I've been picking up on the signals."
"Signals?"
"Signals?"
"Yes, from that window. They broke off in the middle. We came over to see the reason. But since it is safe in your hands I see no object in continuing this business."
"Yes, from that window. They stopped in the middle. We came over to see why. But since it’s safe in your hands, I don’t see any point in continuing this."
"Wait a bit!" cried Gregson eagerly. "I'll do you this justice, Mr. Holmes, that I was never in a case yet that I didn't feel stronger for having you on my side. There's only the one exit to these flats, so we have him safe."
"Hang on a second!" Gregson exclaimed eagerly. "I'll give you this, Mr. Holmes: I've never been in a case where I didn't feel more confident with you by my side. There's only one way in and out of these apartments, so we've got him cornered."
"Who is he?"
"Who's he?"
"Well, well, we score over you for once, Mr. Holmes. You must give us best this time." He struck his stick sharply upon the ground, on which a cabman, his whip in his hand, sauntered over from a four-wheeler which stood on the far side of the street. "May I introduce you to Mr. Sherlock Holmes?" he said to the cabman. "This is Mr. Leverton, of Pinkerton's American Agency."
"Well, well, we’ve got one up on you for once, Mr. Holmes. You have to admit defeat this time." He hit his stick sharply on the ground, which caught the attention of a cab driver, who lazily walked over from a four-wheeler parked on the opposite side of the street. "May I introduce you to Mr. Sherlock Holmes?" he said to the cab driver. "This is Mr. Leverton, from Pinkerton's American Agency."
"The hero of the Long Island cave mystery?" said Holmes. "Sir, I am pleased to meet you."
"The hero of the Long Island cave mystery?" Holmes said. "Sir, it's a pleasure to meet you."
The American, a quiet, businesslike young man, with a clean-shaven, hatchet face, flushed up at the words of commendation. "I am on the trail of my life now, Mr. Holmes," said he. "If I can get Gorgiano--"
The American, a reserved and serious young man with a clean-shaven, sharp face, blushed at the compliment. "I'm on the path of my life right now, Mr. Holmes," he said. "If I can get Gorgiano--"
"What! Gorgiano of the Red Circle?"
"What! Gorgiano from the Red Circle?"
"Oh, he has a European fame, has he? Well, we've learned all about him in America. We KNOW he is at the bottom of fifty murders, and yet we have nothing positive we can take him on. I tracked him over from New York, and I've been close to him for a week in London, waiting some excuse to get my hand on his collar. Mr. Gregson and I ran him to ground in that big tenement house, and there's only one door, so he can't slip us. There's three folk come out since he went in, but I'll swear he wasn't one of them."
"Oh, so he’s famous in Europe, is he? Well, we’ve heard all about him in America. We KNOW he’s behind at least fifty murders, yet we don’t have anything solid to charge him with. I followed him over from New York, and I’ve been close to him for a week in London, waiting for any excuse to grab him. Mr. Gregson and I tracked him down in that big apartment building, and there’s only one entrance, so he can’t slip past us. Three people have left since he went in, but I’m sure he wasn’t one of them."
"Mr. Holmes talks of signals," said Gregson. "I expect, as usual, he knows a good deal that we don't."
"Mr. Holmes is mentioning signals," Gregson said. "I assume, as always, he knows a lot more than we do."
In a few clear words Holmes explained the situation as it had appeared to us. The American struck his hands together with vexation.
In just a few straightforward words, Holmes laid out the situation as we saw it. The American clapped his hands together in frustration.
"He's on to us!" he cried.
"He's onto us!" he yelled.
"Why do you think so?"
"Why do you believe that?"
"Well, it figures out that way, does it not? Here he is, sending out messages to an accomplice--there are several of his gang in London. Then suddenly, just as by your own account he was telling them that there was danger, he broke short off. What could it mean except that from the window he had suddenly either caught sight of us in the street, or in some way come to understand how close the danger was, and that he must act right away if he was to avoid it? What do you suggest, Mr. Holmes?"
"Well, it makes sense that way, doesn’t it? Here he is, sending messages to an accomplice—there are a few of his crew in London. Then suddenly, just as you said he was warning them about the danger, he abruptly stopped. What else could it mean other than that he suddenly spotted us in the street, or somehow realized how close the danger was, and that he had to act fast to avoid it? What do you think, Mr. Holmes?"
"That we go up at once and see for ourselves."
"Let’s go up right now and see for ourselves."
"But we have no warrant for his arrest."
"But we don't have a warrant for his arrest."
"He is in unoccupied premises under suspicious circumstances," said Gregson. "That is good enough for the moment. When we have him by the heels we can see if New York can't help us to keep him. I'll take the responsibility of arresting him now."
"He’s in an empty building under suspicious circumstances,” said Gregson. “That’s enough for now. Once we’ve got him cornered, we can see if New York can help us hold onto him. I’ll take the responsibility of arresting him right now."
Our official detectives may blunder in the matter of intelligence, but never in that of courage. Gregson climbed the stair to arrest this desperate murderer with the same absolutely quiet and businesslike bearing with which he would have ascended the official staircase of Scotland Yard. The Pinkerton man had tried to push past him, but Gregson had firmly elbowed him back. London dangers were the privilege of the London force.
Our official detectives might mess up when it comes to smarts, but never when it comes to bravery. Gregson climbed the stairs to catch this ruthless murderer with the same calm and professional attitude as if he were heading up the official staircase of Scotland Yard. The Pinkerton guy tried to shove past him, but Gregson firmly nudged him back. The dangers of London were the responsibility of the London police.
The door of the left-hand flat upon the third landing was standing ajar. Gregson pushed it open. Within all was absolute silence and darkness. I struck a match and lit the detective's lantern. As I did so, and as the flicker steadied into a flame, we all gave a gasp of surprise. On the deal boards of the carpetless floor there was outlined a fresh track of blood. The red steps pointed towards us and led away from an inner room, the door of which was closed. Gregson flung it open and held his light full blaze in front of him, while we all peered eagerly over his shoulders.
The door to the left flat on the third floor was slightly open. Gregson pushed it all the way open. Inside, everything was completely silent and dark. I struck a match and lit the detective's lantern. As the flame flickered to life, we all gasped in surprise. On the bare wooden floor, there was a fresh trail of blood. The red footsteps came toward us and led away from a closed inner room. Gregson swung the door open and held his light out in front of him, while we all leaned in eagerly to see over his shoulder.
In the middle of the floor of the empty room was huddled the figure of an enormous man, his clean-shaven, swarthy face grotesquely horrible in its contortion and his head encircled by a ghastly crimson halo of blood, lying in a broad wet circle upon the white woodwork. His knees were drawn up, his hands thrown out in agony, and from the centre of his broad, brown, upturned throat there projected the white haft of a knife driven blade-deep into his body. Giant as he was, the man must have gone down like a pole-axed ox before that terrific blow. Beside his right hand a most formidable horn-handled, two-edged dagger lay upon the floor, and near it a black kid glove.
In the middle of the floor of the empty room was the figure of a massive man, his clean-shaven, dark face twisted in a grotesque expression and his head surrounded by a horrifying crimson halo of blood, lying in a wide, wet circle on the white woodwork. His knees were drawn up, his hands outstretched in agony, and from the center of his broad, brown, upturned throat stuck the white handle of a knife embedded deep in his body. Despite his size, the man must have collapsed like a stunned ox from that brutal blow. Next to his right hand lay a menacing horn-handled, double-edged dagger on the floor, along with a black leather glove nearby.
"By George! it's Black Gorgiano himself!" cried the American detective. "Someone has got ahead of us this time."
"Wow! It's Black Gorgiano himself!" exclaimed the American detective. "Someone has beaten us to it this time."
"Here is the candle in the window, Mr. Holmes," said Gregson. "Why, whatever are you doing?"
"Here's the candle in the window, Mr. Holmes," Gregson said. "What are you up to?"
Holmes had stepped across, had lit the candle, and was passing it backward and forward across the window-panes. Then he peered into the darkness, blew the candle out, and threw it on the floor.
Holmes had stepped over, had lit the candle, and was moving it back and forth across the window panes. Then he looked into the darkness, blew out the candle, and tossed it on the floor.
"I rather think that will be helpful," said he. He came over and stood in deep thought while the two professionals were examining the body. "You say that three people came out from the flat while you were waiting downstairs," said he at last. "Did you observe them closely?"
"I think that will be helpful," he said. He stepped over and stood in deep thought while the two professionals examined the body. "You mentioned that three people left the apartment while you were waiting downstairs," he finally said. "Did you notice them closely?"
"Yes, I did."
"Yep, I did."
"Was there a fellow about thirty, black-bearded, dark, of middle size?"
"Was there a guy around thirty, with a black beard, dark complexion, and of average height?"
"Yes; he was the last to pass me."
"Yeah; he was the last one to walk by me."
"That is your man, I fancy. I can give you his description, and we have a very excellent outline of his footmark. That should be enough for you."
"That’s your guy, I think. I can give you his description, and we have a really good outline of his footprint. That should be enough for you."
"Not much, Mr. Holmes, among the millions of London."
"Not much, Mr. Holmes, among the millions in London."
"Perhaps not. That is why I thought it best to summon this lady to your aid."
"Maybe not. That's why I thought it would be a good idea to call this lady to help you."
We all turned round at the words. There, framed in the doorway, was a tall and beautiful woman--the mysterious lodger of Bloomsbury. Slowly she advanced, her face pale and drawn with a frightful apprehension, her eyes fixed and staring, her terrified gaze riveted upon the dark figure on the floor.
We all turned at the sound of the words. There, standing in the doorway, was a tall and beautiful woman—the mysterious tenant of Bloomsbury. Slowly, she walked in, her face pale and tight with a dreadful fear, her eyes wide and staring, her terrified gaze locked onto the dark figure on the floor.
"You have killed him!" she muttered. "Oh, Dio mio, you have killed him!" Then I heard a sudden sharp intake of her breath, and she sprang into the air with a cry of joy. Round and round the room she danced, her hands clapping, her dark eyes gleaming with delighted wonder, and a thousand pretty Italian exclamations pouring from her lips. It was terrible and amazing to see such a woman so convulsed with joy at such a sight. Suddenly she stopped and gazed at us all with a questioning stare.
"You've killed him!" she whispered. "Oh my God, you've killed him!" Then I heard her suddenly gasp, and she jumped into the air with a shout of joy. She danced around the room, clapping her hands, her dark eyes sparkling with pure delight, and a flood of beautiful Italian exclamations pouring from her lips. It was both shocking and incredible to witness such a woman so overwhelmed with happiness at such a sight. Suddenly, she halted and looked at all of us with a curious expression.
"But you! You are police, are you not? You have killed Giuseppe Gorgiano. Is it not so?"
"But you! You're the police, right? You killed Giuseppe Gorgiano. Isn't that true?"
"We are police, madam."
"We're the police, ma'am."
She looked round into the shadows of the room.
She looked around into the shadows of the room.
"But where, then, is Gennaro?" she asked. "He is my husband, Gennaro Lucca. I am Emilia Lucca, and we are both from New York. Where is Gennaro? He called me this moment from this window, and I ran with all my speed."
"But where is Gennaro?" she asked. "He's my husband, Gennaro Lucca. I'm Emilia Lucca, and we're both from New York. Where is Gennaro? He just called me from this window, and I ran as fast as I could."
"It was I who called," said Holmes.
"It was me who called," said Holmes.
"You! How could you call?"
"You! How could you call?"
"Your cipher was not difficult, madam. Your presence here was desirable. I knew that I had only to flash 'Vieni' and you would surely come."
"Your code wasn’t hard to figure out, ma'am. It was clear that you were welcome here. I knew that all I had to do was send out 'Vieni' and you would definitely show up."
The beautiful Italian looked with awe at my companion.
The stunning Italian gazed in wonder at my friend.
"I do not understand how you know these things," she said. "Giuseppe Gorgiano--how did he--" She paused, and then suddenly her face lit up with pride and delight. "Now I see it! My Gennaro! My splendid, beautiful Gennaro, who has guarded me safe from all harm, he did it, with his own strong hand he killed the monster! Oh, Gennaro, how wonderful you are! What woman could ever be worthy of such a man?"
"I don’t get how you know all this," she said. "Giuseppe Gorgiano—how did he—" She paused, and then suddenly her face brightened with pride and joy. "Now I understand! My Gennaro! My amazing, beautiful Gennaro, who has kept me safe from all harm, he did it—he killed the monster with his own strong hands! Oh, Gennaro, you’re incredible! What woman could ever deserve such a man?"
"Well, Mrs. Lucca," said the prosaic Gregson, laying his hand upon the lady's sleeve with as little sentiment as if she were a Notting Hill hooligan, "I am not very clear yet who you are or what you are; but you've said enough to make it very clear that we shall want you at the Yard."
"Well, Mrs. Lucca," said the practical Gregson, placing his hand on the lady's sleeve with as little emotion as if she were just some troublemaker from Notting Hill, "I'm still not entirely sure who you are or what you're about; but you've said enough to make it obvious that we’ll need you at the Yard."
"One moment, Gregson," said Holmes. "I rather fancy that this lady may be as anxious to give us information as we can be to get it. You understand, madam, that your husband will be arrested and tried for the death of the man who lies before us? What you say may be used in evidence. But if you think that he has acted from motives which are not criminal, and which he would wish to have known, then you cannot serve him better than by telling us the whole story."
"Just a moment, Gregson," Holmes said. "I have a feeling this lady might be just as eager to share information as we are to receive it. You understand, ma'am, that your husband will be arrested and tried for the death of the man lying here? What you say could be used as evidence. But if you believe he acted for reasons that aren’t criminal and that he would want us to know, then you can help him best by telling us the entire story."
"Now that Gorgiano is dead we fear nothing," said the lady. "He was a devil and a monster, and there can be no judge in the world who would punish my husband for having killed him."
"Now that Gorgiano is dead, we’re not afraid of anything," said the lady. "He was a devil and a monster, and there’s no judge in the world who would punish my husband for killing him."
"In that case," said Holmes, "my suggestion is that we lock this door, leave things as we found them, go with this lady to her room, and form our opinion after we have heard what it is that she has to say to us."
"In that case," Holmes said, "I suggest we lock this door, leave everything as we found it, take this lady to her room, and decide what we think after we've heard what she has to say."
Half an hour later we were seated, all four, in the small sitting-room of Signora Lucca, listening to her remarkable narrative of those sinister events, the ending of which we had chanced to witness. She spoke in rapid and fluent but very unconventional English, which, for the sake of clearness, I will make grammatical.
Half an hour later, we were all sitting together in Signora Lucca's small living room, listening to her incredible story about those unsettling events that we had happened to witness. She spoke quickly and smoothly in a very unusual form of English, which I will put into standard grammar for clarity.
"I was born in Posilippo, near Naples," said she, "and was the daughter of Augusto Barelli, who was the chief lawyer and once the deputy of that part. Gennaro was in my father's employment, and I came to love him, as any woman must. He had neither money nor position--nothing but his beauty and strength and energy--so my father forbade the match. We fled together, were married at Bari, and sold my jewels to gain the money which would take us to America. This was four years ago, and we have been in New York ever since.
"I was born in Posilippo, near Naples," she said, "and I was the daughter of Augusto Barelli, who was the chief lawyer and once the deputy for that area. Gennaro worked for my father, and I fell in love with him, as any woman would. He had no money or status—just his looks, strength, and energy—so my father disapproved of our relationship. We ran away together, got married in Bari, and sold my jewelry to get the money we needed to move to America. That was four years ago, and we've been in New York ever since."
"Fortune was very good to us at first. Gennaro was able to do a service to an Italian gentleman--he saved him from some ruffians in the place called the Bowery, and so made a powerful friend. His name was Tito Castalotte, and he was the senior partner of the great firm of Castalotte and Zamba, who are the chief fruit importers of New York. Signor Zamba is an invalid, and our new friend Castalotte has all power within the firm, which employs more than three hundred men. He took my husband into his employment, made him head of a department, and showed his good-will towards him in every way. Signor Castalotte was a bachelor, and I believe that he felt as if Gennaro was his son, and both my husband and I loved him as if he were our father. We had taken and furnished a little house in Brooklyn, and our whole future seemed assured when that black cloud appeared which was soon to overspread our sky.
Fortune was really good to us at first. Gennaro managed to help an Italian gentleman—he saved him from some thugs in a place called the Bowery, and in doing so, gained a powerful ally. His name was Tito Castalotte, and he was the senior partner of the prominent firm of Castalotte and Zamba, the top fruit importers in New York. Signor Zamba is disabled, so our new friend Castalotte has full control of the firm, which employs over three hundred people. He hired my husband, made him head of a department, and showed his support in every possible way. Signor Castalotte was single, and I think he saw Gennaro as a son, while both my husband and I cared for him as if he were our father. We had rented and furnished a small house in Brooklyn, and our entire future seemed secure when that dark cloud appeared, which would soon overshadow our lives.
"One night, when Gennaro returned from his work, he brought a fellow-countryman back with him. His name was Gorgiano, and he had come also from Posilippo. He was a huge man, as you can testify, for you have looked upon his corpse. Not only was his body that of a giant but everything about him was grotesque, gigantic, and terrifying. His voice was like thunder in our little house. There was scarce room for the whirl of his great arms as he talked. His thoughts, his emotions, his passions, all were exaggerated and monstrous. He talked, or rather roared, with such energy that others could but sit and listen, cowed with the mighty stream of words. His eyes blazed at you and held you at his mercy. He was a terrible and wonderful man. I thank God that he is dead!
"One night, when Gennaro came home from work, he brought a fellow countryman with him. His name was Gorgiano, and he also came from Posilippo. He was a massive guy, as you can see from his corpse. Not only was his body that of a giant, but everything about him was bizarre, gigantic, and intimidating. His voice boomed like thunder in our small house. There was hardly any space for the flurry of his big arms as he spoke. His thoughts, emotions, and passions were all intense and monstrous. He talked, or rather roared, with such vigor that everyone could do was sit and listen, intimidated by the powerful flow of his words. His eyes burned at you and kept you at his mercy. He was both a terrifying and amazing man. I thank God that he is dead!"
"He came again and again. Yet I was aware that Gennaro was no more happy than I was in his presence. My poor husband would sit pale and listless, listening to the endless raving upon politics and upon social questions which made up our visitor's conversation. Gennaro said nothing, but I, who knew him so well, could read in his face some emotion which I had never seen there before. At first I thought that it was dislike. And then, gradually, I understood that it was more than dislike. It was fear--a deep, secret, shrinking fear. That night--the night that I read his terror--I put my arms round him and I implored him by his love for me and by all that he held dear to hold nothing from me, and to tell me why this huge man overshadowed him so.
"He came again and again. Yet I realized that Gennaro was just as unhappy as I was when he was around. My poor husband would sit there, pale and unengaged, listening to our visitor's endless ramblings about politics and social issues. Gennaro said nothing, but I, who knew him well, could read some emotion on his face that I had never seen before. At first, I thought it was dislike. Then, gradually, I understood that it was more than dislike. It was fear—a deep, hidden, shrinking fear. That night—the night I recognized his terror—I wrapped my arms around him and begged him, for the love he had for me and everything he held dear, not to keep anything from me and to explain why this huge man loomed over him so much."
"He told me, and my own heart grew cold as ice as I listened. My poor Gennaro, in his wild and fiery days, when all the world seemed against him and his mind was driven half mad by the injustices of life, had joined a Neapolitan society, the Red Circle, which was allied to the old Carbonari. The oaths and secrets of this brotherhood were frightful, but once within its rule no escape was possible. When we had fled to America Gennaro thought that he had cast it all off forever. What was his horror one evening to meet in the streets the very man who had initiated him in Naples, the giant Gorgiano, a man who had earned the name of 'Death' in the south of Italy, for he was red to the elbow in murder! He had come to New York to avoid the Italian police, and he had already planted a branch of this dreadful society in his new home. All this Gennaro told me and showed me a summons which he had received that very day, a Red Circle drawn upon the head of it telling him that a lodge would be held upon a certain date, and that his presence at it was required and ordered.
"He told me, and my heart froze as I listened. My poor Gennaro, in his wild and chaotic days, when it felt like the whole world was against him and he was driven nearly mad by the unfairness of life, had joined a Neapolitan group, the Red Circle, which was connected to the old Carbonari. The oaths and secrets of this brotherhood were terrifying, but once you were in, there was no way out. When we fled to America, Gennaro thought he had left it all behind for good. What was his horror one evening when he ran into the very man who had initiated him in Naples, the giant Gorgiano, a man notorious for his nickname 'Death' in southern Italy because he was drenched in murder! He had come to New York to escape the Italian police, and he had already set up a branch of this dreadful society in his new home. Gennaro shared all this with me and showed me a summons he had received that very day, a Red Circle drawn on the top of it, telling him that a meeting would be held on a specific date and that his presence was required and mandated."
"That was bad enough, but worse was to come. I had noticed for some time that when Gorgiano came to us, as he constantly did, in the evening, he spoke much to me; and even when his words were to my husband those terrible, glaring, wild-beast eyes of his were always turned upon me. One night his secret came out. I had awakened what he called 'love' within him--the love of a brute--a savage. Gennaro had not yet returned when he came. He pushed his way in, seized me in his mighty arms, hugged me in his bear's embrace, covered me with kisses, and implored me to come away with him. I was struggling and screaming when Gennaro entered and attacked him. He struck Gennaro senseless and fled from the house which he was never more to enter. It was a deadly enemy that we made that night.
"That was bad enough, but worse was to come. I had noticed for a while that when Gorgiano visited us, which he did constantly in the evenings, he talked to me a lot; and even when he was addressing my husband, those terrible, intense, wild-beast eyes of his were always fixed on me. One night, his secret came out. I had awakened what he called 'love' within him—the love of a brute—a savage. Gennaro hadn’t returned yet when he arrived. He forced his way in, grabbed me in his strong arms, squeezed me tightly, covered me with kisses, and begged me to run away with him. I was struggling and screaming when Gennaro entered and confronted him. He knocked Gennaro out cold and fled from the house, never to return. We created a deadly enemy that night."
"A few days later came the meeting. Gennaro returned from it with a face which told me that something dreadful had occurred. It was worse than we could have imagined possible. The funds of the society were raised by blackmailing rich Italians and threatening them with violence should they refuse the money. It seems that Castalotte, our dear friend and benefactor, had been approached. He had refused to yield to threats, and he had handed the notices to the police. It was resolved now that such an example should be made of them as would prevent any other victim from rebelling. At the meeting it was arranged that he and his house should be blown up with dynamite. There was a drawing of lots as to who should carry out the deed. Gennaro saw our enemy's cruel face smiling at him as he dipped his hand in the bag. No doubt it had been prearranged in some fashion, for it was the fatal disc with the Red Circle upon it, the mandate for murder, which lay upon his palm. He was to kill his best friend, or he was to expose himself and me to the vengeance of his comrades. It was part of their fiendish system to punish those whom they feared or hated by injuring not only their own persons but those whom they loved, and it was the knowledge of this which hung as a terror over my poor Gennaro's head and drove him nearly crazy with apprehension.
A few days later, the meeting took place. Gennaro came back with a look on his face that told me something terrible had happened. It was worse than we could have imagined. The society was funding itself by blackmailing wealthy Italians, threatening them with violence if they didn’t pay up. Apparently, Castalotte, our dear friend and supporter, had been approached. He refused to give in to the threats and reported them to the police. It was decided that an example needed to be made to deter any other potential victims from resisting. At the meeting, they arranged to blow up his house with dynamite. They drew lots to see who would carry out the act. Gennaro saw our enemy’s cruel face smiling at him as he reached into the bag. It was likely prearranged in some way because the deadly disc with the Red Circle on it—the order for murder—was in his hand. He had to kill his best friend or risk exposing himself and me to his comrades’ wrath. It was part of their twisted method to punish those they feared or hated by harming not just themselves but also their loved ones, and it was this fear that loomed over my poor Gennaro and nearly drove him mad with worry.
"All that night we sat together, our arms round each other, each strengthening each for the troubles that lay before us. The very next evening had been fixed for the attempt. By midday my husband and I were on our way to London, but not before he had given our benefactor full warning of this danger, and had also left such information for the police as would safeguard his life for the future.
"All night we sat together, our arms around each other, each of us supporting the other for the challenges ahead. We planned to make the attempt the very next evening. By midday, my husband and I were on our way to London, but not before he had warned our benefactor about the danger and also provided the police with information that would help protect his life in the future."
"The rest, gentlemen, you know for yourselves. We were sure that our enemies would be behind us like our own shadows. Gorgiano had his private reasons for vengeance, but in any case we knew how ruthless, cunning, and untiring he could be. Both Italy and America are full of stories of his dreadful powers. If ever they were exerted it would be now. My darling made use of the few clear days which our start had given us in arranging for a refuge for me in such a fashion that no possible danger could reach me. For his own part, he wished to be free that he might communicate both with the American and with the Italian police. I do not myself know where he lived, or how. All that I learned was through the columns of a newspaper. But once as I looked through my window, I saw two Italians watching the house, and I understood that in some way Gorgiano had found our retreat. Finally Gennaro told me, through the paper, that he would signal to me from a certain window, but when the signals came they were nothing but warnings, which were suddenly interrupted. It is very clear to me now that he knew Gorgiano to be close upon him, and that, thank God! he was ready for him when he came. And now, gentleman, I would ask you whether we have anything to fear from the law, or whether any judge upon earth would condemn my Gennaro for what he has done?"
"The rest, gentlemen, you already know. We were sure that our enemies would be behind us like our own shadows. Gorgiano had his personal reasons for revenge, but we also knew how ruthless, cunning, and tireless he could be. Both Italy and America are filled with stories of his terrible abilities. If he ever used them, it would be now. My love took advantage of the few clear days before our departure to arrange for a safe place for me, ensuring that no possible danger could reach me. As for him, he wanted to be free so he could communicate with both the American and Italian police. I don’t know where he lived or how. All I learned was through newspaper articles. But once, as I looked out my window, I saw two Italians watching the house, and I realized that somehow Gorgiano had discovered our hideout. Finally, Gennaro told me through the newspaper that he would signal to me from a certain window, but when the signals came, they were nothing but warnings that were suddenly cut off. It’s clear to me now that he knew Gorgiano was close to him, and thankfully, he was prepared for him when he arrived. Now, gentlemen, I ask you: do we have anything to fear from the law, or would any judge on earth condemn my Gennaro for what he has done?"
"Well, Mr. Gregson," said the American, looking across at the official, "I don't know what your British point of view may be, but I guess that in New York this lady's husband will receive a pretty general vote of thanks."
"Well, Mr. Gregson," said the American, looking over at the official, "I’m not sure what your British perspective is, but I think in New York this lady's husband will get a pretty widespread vote of thanks."
"She will have to come with me and see the chief," Gregson answered. "If what she says is corroborated, I do not think she or her husband has much to fear. But what I can't make head or tail of, Mr. Holmes, is how on earth YOU got yourself mixed up in the matter."
"She'll need to come with me to see the chief," Gregson replied. "If what she says checks out, I don't think she or her husband has much to worry about. But what I can't figure out, Mr. Holmes, is how on earth YOU got involved in this."
"Education, Gregson, education. Still seeking knowledge at the old university. Well, Watson, you have one more specimen of the tragic and grotesque to add to your collection. By the way, it is not eight o'clock, and a Wagner night at Covent Garden! If we hurry, we might be in time for the second act."
"Education, Gregson, education. Still pursuing knowledge at the old university. Well, Watson, you have another example of the tragic and grotesque to add to your collection. By the way, it’s not eight o'clock yet, and it's a Wagner night at Covent Garden! If we hurry, we might make it for the second act."
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