This is a modern-English version of Mission Furniture: How to Make It, Part 3, originally written by Windsor, H. H. (Henry Haven).
It has been thoroughly updated, including changes to sentence structure, words, spelling,
and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.
Scroll to the bottom of this page and you will find a free ePUB download link for this book.
MISSION FURNITURE
HOW TO MAKE IT
PART THREE
POPULAR MECHANICS HANDBOOKS
CHICAGO
POPULAR MECHANICS COMPANY
Copyrighted, 1912
BY H. H. WINDSOR
This book is one of the series of handbooks on industrial subjects being published by the Popular Mechanics Co. Like the magazine, these books are "written so you can understand it," and are intended to furnish information on mechanical subjects at a price within the reach of all.
This book is part of a series of handbooks on industrial topics published by Popular Mechanics Co. Like the magazine, these books are "written so you can understand it," and are meant to provide information on mechanical subjects at a price that’s affordable for everyone.
The texts and illustrations have been prepared expressly for this Handbook Series, by experts; are up-to-date, and have been revised by the editor of Popular Mechanics.
The texts and illustrations have been prepared specifically for this Handbook Series by experts; they are current and have been updated by the editor of Popular Mechanics.
The dimensions given in the stock list contained in the description of each piece of furniture illustrated in this book call for material mill-planed, sanded and cut to length. If the workman desires to have a complete home-made article, allowance must be made in the dimensions for planing and squaring the pieces. S-4-S and S-2-S are abbreviations for surface four sides and surface two sides.
The dimensions listed in the stock list for each piece of furniture shown in this book are for material that has been mill-planed, sanded, and cut to length. If the worker wants to create a fully handmade item, they need to adjust the dimensions to account for planing and squaring the pieces. S-4-S and S-2-S stand for surface four sides and surface two sides, respectively.
CONTENTS
- LIST OF ILLUSTRATIONS
- A PIANO BENCH5
- A LIBRARY TABLE7
- A PRINCESS DRESSER10
- A SEWING BOX14
- A FERN STAND17
- A WARDROBE20
- A FINISH24
- AN OAK TABLE25
- BOOK TROUGH28
- AN OAK SERVING TABLE30
- AN UMBRELLA STAND33
- A CHAFING-DISH BUFFET35
- A WRITING DESK38
- MUSIC RACK AND BOOKSTAND41
- A DICTIONARY AND MAGAZINE STAND 43
- A LEATHER BACK ARM CHAIR 47
- A WALL SHELF50
- A PEDESTAL53
- MAGAZINE RACK55
- A HALL TREE58
- A TABLE FOR THE DEN 60
- A BURLAP-COVERED WINDOW SEAT 64
- QUARTER-SAWED OAK SETTEE 67
- A SCREEN71, 94
- A MISSION BOOKRACK 74
- A ROUND EXTENSION DINING TABLE 75
- AN ARM DINING CHAIR 79
- A HALL BENCH82
- A SEWING TABLE84
- A SIDE CHAIR88
- ANOTHER PIANO BENCH 91
- ANOTHER SCREEN95
- A FOLDING CARD TABLE 97
- MAGAZINE STAND102
- A TABOURET105
- A PORCH SWING109
- A FOOT WARMER111
- A PLATE RACK FOR THE DINING ROOM 113
- A MISSION SIDEBOARD 116
LIST OF ILLUSTRATIONS
- Piano Bench in Black Walnut 5
- Detail of the Piano Bench 6
- Detail of the Library Table 8
- The Finished Library Table 9
- Dresser Made of Quarter-Sawed Oak 11
- Detail of the Princess Dresser 12
- Sewing Box Made of Walnut and Ash 13
- Detail of the Sewing Box 16
- Detail of the Fern Stand 18
- Finished Stand in Quartered Oak 19
- The Wardrobe Complete 21
- Detail of the Wardrobe 23
- Detail of Construction 26
- Finished Table 26
- Detail of Book Trough 28
- Book Trough Complete 29
- Serving Table Complete 30
- Detail of Serving Table 32
- Umbrella Stand 33
- Detail of Umbrella Stand 34
- Buffet in Quartered Oak 35
- Method of Fastening with Screws 36
- Detail of the Chafing-Dish Buffet 37
- Writing Desk Made of Plain-Sawed Oak 39
- Detail of the Writing Desk 40
- Complete Stand 41
- Detail of the Stand 42
- Detail of the Dictionary and Magazine Stand 44
- Stand Made in Oak 45
- Arm Chair Complete 47
- Detail of the Arm Chair 48
- Complete Wall Shelf 51
- Wall Shelf Detail 52
- Completed Pedestal 53
- Detail of Pedestal 54
- Detail of the Magazine Rack 55
- Magazine Rack Complete 56
- Detail and Finished View of Hall Tree 59
- Table Completed 62
- Detail of a Den Table 63
- Fig. 1—The Rough Cedar Box Without the Covering 64
- Fig. 2—Design of the Covering Strip Put on Over the Burlap 66
- Mission Settee Made of Quarter-Sawed Oak 68
- Detail of the Oak Settee 70
- Detail of One Section 72
- Screen of Three Sections 73
- Detail of the Bookrack 74
- The Complete Bookrack 75
- Detail of the Table 76
- Table for the Dining-Room Set 77
- Armchair of the Dining-Room Set 79
- Detail of the Armchair 81
- Detail of the Hall Bench 82
- Bench Made of Plain Oak 83
- Sewing Table in Plain Oak 85
- Detail of the Sewing Table 86
- Construction of the Drawer 87
- Side Chair of Dining-Room Set 89
- Detail of the Side Chair 90
- Detail of the Piano Bench 92
- Piano Bench in Quarter-Sawed Oak 93
- Plain-Oak Frame with Burlap Panels 95
- Detail of the Frame 97
- Detail of the Card Table 98
- Card Table Ready for Use 99
- The Legs Fold on the Under Side of Top 101
- Stand Complete 103
- Detail of Stand 104
- Detail of Tabouret 106
- Finished Tabouret 107
- Complete Porch Swing 108
- Detail of the Porch Swing 110
- Detail of the Foot Warmer 112
- Oak Stool with Brass Cover 113
- Detail of Plate Rack 114
- Dining-Room Plate Rack 115
- Sideboard for the Dining-Room Set 116
- Detail of the Sideboard 118
[5]
[5]
A PIANO BENCH
The piano bench shown in the accompanying picture was made of black walnut and was finished natural. The finish was applied in the following manner: First, all the parts were well scraped and sandpapered, then the surface was covered with a coating of boiled linseed oil. After this had stood several hours, or until it had had time to penetrate the wood, the surplus liquid was wiped off with a flannel cloth. After the oil had stood for 48 hours, a thin coat of shellac was applied and allowed to harden overnight. The next morning this shellac [6] was sandpapered lightly with No. 00 paper and a coat of floor wax was applied according to the directions which are found upon every can. Two more coats of wax were applied after intervals of half an hour and the finish was completed. The effect is very pleasing. The oil brings out the rich color of the wood and the shellac and wax serve to preserve the color. The following stock is needed:
The piano bench shown in the picture was made from black walnut and had a natural finish. The finishing process was done as follows: First, all the parts were carefully scraped and sanded, then the surface was coated with boiled linseed oil. After it had soaked in for several hours, or until it absorbed into the wood, any excess oil was wiped off with a flannel cloth. After the oil sat for 48 hours, a thin layer of shellac was applied and left to harden overnight. The next morning, this shellac was lightly sanded with No. 00 sandpaper, and a coat of floor wax was applied following the instructions on every can. Two more coats of wax were added after waiting half an hour each time, and the finish was complete. The result is very pleasing. The oil enhances the rich color of the wood, while the shellac and wax help to preserve it. The following materials are needed:
- 1 top, 1 by 16-1/2 by 40-1/2 in., S-2-S.
- 4 posts, 1-1/2 by 1-1/2 by 20 in., S-4-S.
- 2 rails, 7/8 by 4-1/4 by 36 in., S-2-S.
- 2 rails, 7/8 by 4-1/4 by 13 in., S-2-S.
- 2 lower rails, 7/8 by 2-1/2 by 13 in., S-2-S.
- 1 stretcher, 7/8 by 3-3/4 by 36 in., S-2-S.
- 6 slats, 3/8 by 1-1/4 by 11 in., S-2-S.
With the exception of the legs all the stock is specified mill-planed to thickness upon two surfaces. The legs are specified planed on four sides. Square the legs to length and the rails, stretcher, slats, etc., to width and length.
Except for the legs, all the wood is specified to be planed to thickness on two surfaces. The legs are required to be planed on all four sides. Cut the legs to length and the rails, stretcher, slats, etc., to width and length.
Lay out and work the tenons of the rails and stretcher. The slats are best made without tenons, the whole end of each slat being "housed" into the [7] rails. The reason for this is obvious—it is a difficult matter to fit two or more pieces between fixed parts when their ends are tenoned. When the ends are housed any slight variation in the lengths adjusts itself. It is necessary, however, to chisel the sides of the mortises carefully, but this is a simple matter compared with getting the shoulders of the tenons, etc., all just alike.
Lay out and work on the tenons of the rails and stretcher. The slats are best made without tenons, with the entire end of each slat being "housed" into the [7] rails. The reason for this is clear—it’s tricky to fit two or more pieces between fixed parts when their ends have tenons. When the ends are housed, any slight variation in lengths can easily adjust. However, it’s important to chisel the sides of the mortises carefully, but this is much simpler compared to getting the shoulders of the tenons, etc., all the same.
Assemble the parts, using good hot glue. Put the ends of the bench together first. When the glue has hardened on these, place the stretcher and side rails. Fasten the top to the frame from the under side, either by glued blocks and screws or by angle irons.
Assemble the parts using high-quality hot glue. Start by joining the ends of the bench together. Once the glue has set on those, add the stretcher and side rails. Secure the top to the frame from underneath using either glued blocks and screws or angle irons.
A LIBRARY TABLE
A library table of neat appearance and correct proportions is shown in the accompanying sketch and detail drawing. This table looks best when finished in quarter-sawed oak, although any of the other furniture woods can be used if desired. If the material is ordered from the mill cut to length, squared and sanded, much of the hard labor can be avoided. Order the following pieces:
A library table with a tidy look and proper proportions is depicted in the sketch and detail drawing included. This table looks best when finished in quarter-sawn oak, but any other furniture wood can be used if preferred. If you have the material cut to length, squared, and sanded at the mill, you can avoid a lot of the tough work. Order the following pieces:
- 4 legs, 2 by 2 by 30-1/4 in., S-4-S.
- 1 top, 1-1/8 by 30 by 42 in., S-4-S.
- 2 end pieces, 3/4 by 17-1/8 by 29 in., S-2-S.
- 2 top rails, 7/8 by 2 by 37 in., S-4-S.
- 2 top rails, 7/8 by 2 by 25-1/2 in., S-4-S.
- 1 lower brace, 3/4 by 2 by 32 in., S-4-S.
- 4 shelves, 3/4 by 7 by 29 in., S-4-S.
- 8 slats, 1/4 by 1-1/8 by 17-1/8 in., S-4-S.
- 2 drawer fronts, 3/4 by 5-3/4 by 25 in., S-4-S.
- 4 drawer sides, 3/8 by 3-3/4 by 14 in., soft wood.
- 2 drawer ends, 3/8 by 3-3/8 by 24-1/4 in., soft wood.
- 2 drawer bottoms, 3/8 by 13-1/4 by 24-1/4 in., soft wood.
- 2 drawer supports, 3/4 by 2 by 23-1/2 in., soft wood.
- 2 drawer supports, 3/4 by 2 by 25 in., soft wood.
[8]
[8]
[9]
[9]
Start work on the legs by beveling the tops and squaring them up and laying out the mortises for the shelves as shown in section BB. Care should be taken to get the legs mortised in pairs and all cut the same height. This is best done by placing the four legs side by side with the ends square, and then laying out the mortises across all four at once with a try-square.
Start working on the legs by beveling the tops, squaring them up, and marking out the mortises for the shelves as shown in section BB. Be careful to mortise the legs in pairs and make sure they are all cut to the same height. The best approach is to place the four legs side by side with the ends squared, then lay out the mortises across all four at once using a try-square.
The table top is made of several boards which are doweled and glued together. Be careful to get the best side of each board up and have the joints a tight fit. The corners should be cut out for the posts as shown. The posts are to be fastened to the board by means of screws. The holes can be counterbored for the heads and then plugged. The top rails are also fastened to the top board by means of screws.
The tabletop is made of several boards that are doweled and glued together. Make sure to have the best side of each board facing up and ensure the joints fit tightly. The corners should be cut out for the posts as shown. The posts will be attached to the board using screws. The holes can be counterbored for the screw heads and then plugged. The top rails are also attached to the top board using screws.
The end pieces can now be made. Two or more [10] boards will have to be glued together for these. The top corners will have to be cut to fit about the top rails. Cleats can be used in fastening them to the top board. The shelves also have the corners cut to fit into the mortises in the posts. They are held to the end boards by means of screws.
The end pieces can now be made. Two or more [10] boards will need to be glued together for this. The top corners need to be cut to fit around the top rails. You can use cleats to secure them to the top board. The shelves also have their corners cut to fit into the mortises in the posts. They are attached to the end boards with screws.
If the parts all fit perfectly square and tight, they can be glued and screwed together, which will complete the table except for the slats and drawers. The slats can be fastened on with nails, then the heads covered with fancy nails which can be secured for this purpose. The drawer supports can now be put in. They are screwed to the end boards as shown. A bottom brace should be fastened under the lower shelves to help steady the table. The two drawers are made as shown in the detail sketch. No handles are needed as the lower edge of the front board can be used for pulling them out.
If all the parts fit together perfectly square and tight, they can be glued and screwed together, which will finish the table except for the slats and drawers. The slats can be attached with nails, and then the heads can be covered with decorative nails that are designed for this purpose. The drawer supports can now be added. They’re screwed to the end boards as shown. A bottom brace should be attached under the lower shelves to help stabilize the table. The two drawers are made as illustrated in the detail sketch. No handles are needed since the lower edge of the front board can be used to pull them out.
When the table is complete it should be carefully gone over with fine sandpaper and all rough spots removed. Scrape the glue from about the joints as finish will not take where there is any glue. Apply the stain preferred or the one that matches the other furniture. This can be any of the many stains supplied by the trade for this purpose.
When the table is finished, it should be carefully sanded down with fine sandpaper to smooth out any rough spots. Remove any glue around the joints because the finish won't stick where there's glue. Apply your preferred stain or one that matches your other furniture. You can use any of the many stains available for this purpose.
A PRINCESS DRESSER
[11]
[11]
A design of a princess dresser that is well proportioned and of pleasing appearance is shown in the accompanying sketch and detail drawing. The cost is very moderate and if a mill is not too far away, a great amount of labor can be saved by ordering [12] the material ready cut to length, squared and sanded. Quarter-sawed oak should be used and the material needed will be as follows:
A design for a princess dresser that is well-proportioned and looks great is displayed in the accompanying sketch and detailed drawing. The cost is quite reasonable, and if there’s a mill nearby, a lot of labor can be saved by ordering the material pre-cut to length, squared, and sanded. Quarter-sawed oak should be used, and the materials needed will be as follows:
- 4 posts, 1-3/4 by 1-3/4 by 27 in., S-4-S.
- 1 top board, 3/4 by 17 by 37 in., S-2-S.
- 5 side rails, 3/4 by 1-1/2 by 37-1/2 in., S-4-S.
- 4 end rails, 3/4 by 2 by 17-1/2 in., S-4-S.
- 2 end panels, 1/4 by 16-1/4 by 16-3/4 in., S-4-S.
- 1 drawer partition, 1 by 7-3/4 by 18-1/2 in., S-4-S.
- 1 back board, 3/4 by 4-1/2 by 36 in., S-2-S.
- 2 mirror supports, 7/8 by 2-1/2 by 30 in., S-4-S.
- 2 side pieces for mirror, 3/4 by 2 by 42 in., S-4-S.
- 2 end pieces for mirror, 3/4 by 2 by 21-1/2 in., S-4-S.
- 2 drawer fronts, 3/4 by 7 by 17-1/2 in., S-4-S.
- 1 drawer front, 3/4 by 7 by 36 in., S-4-S.
- 1 20 by 38 bevel mirror.
The following pieces may be of any soft wood:
The following pieces can be made of any softwood:
- 5 drawer slides, 3/4 by 2 by 17 in.
- 6 drawer sides, 1/2 by 7 by 17 in.
- 2 drawer bottoms, 1/2 by 17 by 17 in.
- 1 drawer bottom, 1/2 by 17 by 35-1/2 in.
- 4-1/2 sq. ft. of 3/8-in. pine for back.
First be sure the posts are perfectly square and of equal length. Either chamfer or round the upper ends as desired. The mortises can now be laid out and cut or they can be left until the rail tenons are all made and then marked and cut directly from each tenon. The posts as well as the end rails should have grooves cut in them to take the 1/4-in. end panels.
First, make sure the posts are perfectly square and the same length. You can either bevel or round the upper ends as you prefer. Now you can lay out and cut the mortises, or you can wait until all the rail tenons are made and then mark and cut directly from each tenon. Both the posts and the end rails should have grooves cut into them to hold the 1/4-inch end panels.
The top board should have the corners cut to fit about the posts. The corners of the back board should be rounded as shown in the drawing.
The top board should have the corners trimmed to fit around the posts. The corners of the back board should be rounded as illustrated in the drawing.
The end sections of the dresser can be glued together first, care being taken to get the joints square and tight. When these are dry the side rails and drawer slides can be fitted and glued in place. The top board is held in position by means of screws through cleats which are fastened to the inner sides of the rails.
The end parts of the dresser can be glued together first, making sure to get the joints square and tight. Once these are dry, the side rails and drawer slides can be attached and glued in place. The top board is secured with screws through cleats that are attached to the inner sides of the rails.
[13]
[13]
The mirror frame is made by mortising the end pieces with the side pieces as shown. It is rabbeted on the back to hold a 20 by 38-in. mirror. After the mirror is securely fastened in the frame a thin wood covering should be tacked on the back to protect the glass. The frame swings between [14] two upright posts which are securely fastened to the body of the dresser as shown.
The mirror frame is created by joining the end pieces with the side pieces, as shown. It's cut on the back to fit a 20 by 38-inch mirror. Once the mirror is securely attached to the frame, a thin piece of wood should be nailed to the back to protect the glass. The frame swings between two vertical posts that are firmly attached to the body of the dresser, as shown. [14]
The drawers are made and fitted in the usual manner. The drawing shows two drawers in the top compartment, but one exactly like the lower can be made and used instead by simply leaving out the 1 in. partition. Suitable handles for the drawers can be purchased at any hardware store.
The drawers are made and installed in the usual way. The drawing shows two drawers in the top compartment, but you can easily make and use one just like the lower drawer by simply leaving out the 1-inch partition. You can buy suitable handles for the drawers at any hardware store.
The back is made of soft wood and is put on in the usual manner. Scrape all surplus glue from about the joints as the stain will not take where there is any glue. Finish smooth with fine sandpaper and apply the stain desired, which may be any of the many mission stains supplied by the trade for this purpose.
The back is made of soft wood and is attached in the usual way. Remove any excess glue from around the joints since the stain won't adhere where there's glue. Smooth it out with fine sandpaper and apply the desired stain, which can be any of the many mission stains available in the market for this purpose.
A SEWING BOX
A rather unique sewing box, and one that is quite as convenient as unique, is shown in the illustration. The material is walnut and ash. The posts are walnut and the slats and top rail ash. Both are finished in their natural colors. The following is the stock bill:
A pretty unique sewing box that’s just as practical as it is unique is shown in the illustration. It’s made of walnut and ash. The posts are walnut, while the slats and top rail are ash. Both are finished in their natural colors. Here’s the stock bill:
- 4 posts, 1-1/2 in. in diameter and 15 in. long, walnut.
- 1 bottom, 3/8 by 16-1/2 by 16-1/2 in., S-2-S, walnut.
- 4 top rails, 3/8 x 1-1/2 x 20 in., S-2-S, ash.
- 4 under rails, 5/8 x 3/4 x 20 in., S-2-S, walnut.
- 72 slats, 1/8 by 5/8 by 6-1/2 in., S-2-S, ash.
In ordering the stock it will be wise to combine the lengths of pieces having like widths and thicknesses.
When ordering the stock, it's smart to group pieces that have the same widths and thicknesses.
If not possible to secure doweling of the diameter indicated for the verticals, it is an easy matter to [15] take a square piece of stock, lay it off and work it into an eight-sided prism. After this, the arrises may again be planed until it has 16 and then 32 sides. The rest may be removed with sandpaper. Or it is possible that curtain pole stock will be available. Saw these posts to length and leave the ends square.
If it's not possible to get dowels with the specified diameter for the verticals, you can easily take a square piece of wood, mark it out, and shape it into an eight-sided prism. From there, you can plane the edges until it has 16 and then 32 sides. Use sandpaper to smooth the rest. Alternatively, you might find curtain pole stock available. Just cut these pieces to length and leave the ends square.
Square up the stock for the other parts. Work the bottom piece to a 16-in. square. The rails are not to be squared on the ends but are to be mitered each in turn. The bottom is fastened to the posts by metal brackets.[16]
Cut the stock for the other parts. Shape the bottom piece into a 16-inch square. The rails shouldn't be cut straight on the ends but should be mitered individually. The bottom is attached to the posts using metal brackets.[16]
Chisel out recesses in the posts so that the bottom may be inserted. Insert the corners and use glue and nails to hold them in place. Place the lower of the two top rails, notching out the posts [17] as is necessary to bring the inner edge of these rails in position. Fasten to the posts. Miter and place the top rails. The slats, it will be noted, are fastened to the bottom from the outer side and to the lower of the two top rails from the inner side. Brass-headed tacks such as upholsterers use are required.
Chisel out notches in the posts so that the bottom piece can be inserted. Insert the corners and use glue and nails to secure them. Position the lower of the two top rails, notching out the posts as needed to align the inner edge of the rails properly. Attach to the posts. Miter and place the top rails. The slats should be fastened to the bottom from the outer side and to the lower of the two top rails from the inner side. You'll need brass-headed tacks like those used by upholsterers.
In finishing, sandpaper all parts and then apply a coat of boiled linseed oil. Allow this to stand a half hour or so and then wipe the surface clean. After this has dried thoroughly apply a thin coating of shellac and allow it to harden. Sand the shellac when hard with No. 00 sandpaper and then apply several coats of wax, polishing in the usual manner.
In closing, sand all parts and then apply a coat of boiled linseed oil. Let it sit for about half an hour, then wipe the surface clean. Once it’s completely dry, apply a thin layer of shellac and let it harden. When the shellac is hard, sand it with No. 00 sandpaper and then apply several coats of wax, polishing as you normally would.
Two pairs of castors will add to the ease with which the box may be moved about.
Two sets of wheels will make it easier to move the box around.
A FERN STAND
When making the fern stand shown in the accompanying sketch use quarter-sawed oak if possible, as this wood is the most suitable for finishing in the different mission stains. Considerable labor can be saved in its construction by ordering the stock from the mill ready cut to length, squared and sanded. Order the following pieces:
When building the fern stand shown in the sketch, use quarter-sawed oak if you can, as this wood is best for finishing with the various mission stains. You can save a lot of work by having the stock pre-cut to length, squared, and sanded from the mill. Order the following pieces:
- 4 posts, 1-1/2 by 1-1/2 by 30 in., S-4-S.
- 8 side rails, 3/4 by 1-1/2 by 13-1/2 in., S-4-S.
- 2 shelf supports, 3/4 by 1 by 13-1/2 in., S-4-S.
- 1 top, 3/4 by 16 by 16 in., S-4-S.
- 1 shelf, 3/4 by 15 by 15 in., S-4-S.
- 16 slats, 3/8 by 3 by 5 in., S-4-S.
The legs are made first. Be sure they are square and of equal length. The mortises can be laid out and cut or they can be left until the tenons on the side rails are all made, then marked and cut from [18] each tenon. The top rails and the slats are exactly alike for the four sides, as the table is square. In addition to the tenons on the rails, grooves should be cut in each for the ends of the slats to fit into as shown in the cross section in the detail drawing. Holes should be cut in the slats as shown.
The legs are made first. Make sure they are square and the same length. You can lay out and cut the mortises now or wait until all the tenons on the side rails are made, then mark and cut them from each tenon. The top rails and the slats are exactly the same for all four sides since the table is square. Besides the tenons on the rails, grooves should be cut in each for the ends of the slats to fit into, as shown in the cross-section in the detail drawing. Holes should be cut in the slats as shown.
The top board should have the corners cut out to fit around the posts. It is held in place by means of screws through cleats which are fastened to the inner sides of the top rails.
The top board should have the corners cut out to fit around the posts. It's secured in place using screws through cleats that are attached to the inner sides of the top rails.
The bottom board or shelf rests upon two rails that are mortised into the posts as shown. The top and bottom boards should be of one piece if possible, otherwise two or more boards will have to be glued together.
The bottom board or shelf sits on two rails that are fitted into the posts as shown. The top and bottom boards should ideally be one piece; if that's not possible, then two or more boards will need to be glued together.
Before gluing up the joints see that all the pieces [19] fit together square and tight. The posts and rails should be glued and assembled, then the top and bottom boards put in place to hold the frame square when the clamps are put on.
Before gluing the joints, make sure all the pieces [19] fit together squarely and tightly. The posts and rails should be glued and put together, and then the top and bottom boards should be added to keep the frame square when the clamps are applied.
Leave to dry for about 24 hours before removing the clamps. Fasten the top and bottom boards in place and then go over the stand with fine sandpaper and remove all surplus glue and rough spots.[20]
Leave to dry for about 24 hours before taking off the clamps. Secure the top and bottom boards in place, then sand the stand with fine sandpaper to eliminate any excess glue and rough patches.[20]
A WARDROBE
The wardrobe or clothes closet shown in the accompanying sketch and detail drawing will be found a great convenience in a bedroom where closet space is limited or where there is no closet at all. It provides ample room for hanging suits, dresses and other wearing apparel, as well as space for boots and shoes. It can be made of any of the several furniture woods in common use, but quarter-sawed oak will be found to give the most pleasing effect. The stock should be ordered from the mill ready cut to length, squared and sanded. In this way much labor will be saved. The following pieces will be needed:
The wardrobe or clothes closet shown in the sketch and detailed drawing will be a great convenience in a bedroom where closet space is limited or where there isn’t a closet at all. It offers plenty of room for hanging suits, dresses, and other clothing, as well as space for boots and shoes. It can be made from any of the common furniture woods, but quarter-sawed oak tends to create the most appealing look. The materials should be ordered from the mill cut to length, squared, and sanded. This will save a lot of effort. The following pieces will be needed:
- 4 posts, 1-3/4 by 1-3/4 by 64-1/2 in., S-4-S.
- 2 front rails, 3/4 by 1-1/2 by 37-1/2 in., S-4-S.
- 1 top and 1 bottom board, each 3/4 by 18-1/2 by 37 in., S-4-S.
- 1 top back rail, 3/4 by 4-1/4 by 37-1/2 in., S-4-S.
- 1 lower back rail, 3/4 by 4 by 37-1/2 in., S-4-S.
- 6 end rails, 3/4 by 6 by 18-1/2 in., S-4-S.
- 4 end uprights, 3/4 by 4 by 22-1/2 in., S-4-S.
- 8 end panels, 3/8 by 7-1/2 by 22-1/2 in., S-4-S.
- 5 shelves, 3/4 by 17-3/4 by 19-1/2 in., S-4-S.
- 2 drawer fronts, 3/4 by 4-3/4 by 8-1/2 in., S-4-S.
- 1 door, 3/4 by 7-3/4 by 10 in., S-4-S.
- 1 shelf partition, 3/4 by 10 by 19 in., S-4-S.
- 2 drawer fronts, 3/4 by 7 by 17 in., S-4-S.
- 1 drawer front, 3/4 by 8 by 17 in., S-4-S.
- 1 partition (several pieces), 3/4 by 19-1/2 by 57-3/4 in., S-4-S.
- 4 door uprights, 3/4 by 2-1/2 by 57 in., S-4-S.
- 2 top rails, 3/4 by 3-1/2 by 14-1/2 in., S-4-S.
- 2 middle rails, 3/4 by 6 by 14-1/2 in., S-4-S.
- 2 lower rails, 3/4 by 4-1/2 by 14-1/2 in., S-4-S.
- 4 center uprights, 3/4 by 2-1/2 by 23 in., S-4-S.
- 8 panels, 3/8 by 6 by 22-1/2 in., S-4-S.
- 4 pieces, 3/8 by 4-3/4 by 19 in., soft wood.
- 2 pieces, 3/8 by 8 by 19 in., soft wood.
- 2 pieces, 3/8 by 4-1/4 by 8 in., soft wood.
- 4 pieces, 1/2 by 7 by 19 in., soft wood.
- 3 pieces, 1/2 by 16-1/2 by 19 in., soft wood.
- 2 pieces, 1/2 by 6-1/2 by 16-1/2 in., soft wood.
- 2 pieces, 1/2 by 8 by 19 in., soft wood.
- 1 piece, 1/2 by 7-1/2 by 16-1/2 in., soft wood.
- 1 back (several pieces), 3/8 by 36 by 58 in., S-2-S.
[21]
[21]
[22]
[22]
First be sure the posts are perfectly square and of equal length. The upper ends can be chamfered or rounded if desired. The two front posts are alike, as are the back ones. The mortises should be laid out in each pair of posts and then cut with a sharp chisel, or they can be left until the tenons are all made, and then marked and cut from each tenon. Grooves should be cut on one side of all the posts to take the end panels.
First, make sure the posts are perfectly square and the same length. You can bevel or round off the upper ends if you want. The two front posts should be identical, just like the back ones. The mortises need to be marked out in each pair of posts and then cut with a sharp chisel, or you can wait until all the tenons are made, then mark and cut from each tenon. Grooves should be cut on one side of all the posts to fit the end panels.
The front and lower back rails are plain except for the tenons at each end, but the end rails and the center uprights should have grooves cut for the panels the same as the posts. The top back rail serves as a top back board and should have the corners rounded as shown in the detail drawing.
The front and lower back rails are simple except for the tenons at each end, but the end rails and center uprights should have grooves cut for the panels, just like the posts. The top back rail acts as a backboard and should have the corners rounded as shown in the detail drawing.
The frame can now be assembled. Glue should be used on all the joints as it makes them much stiffer. Be careful to get the frame together perfectly square, or it will be hard to fit the doors and the shelves.
The frame can now be put together. Use glue on all the joints because it makes them much sturdier. Make sure to get the frame perfectly square, or it will be difficult to fit the doors and shelves.
The top and bottom boards should have the corners cut to clear the posts. The closet is divided into two compartments by a partition. This can be made of plain boards or panels similar to those in the ends, as desired. Place the shelves in position as shown. They are held in place by means of cleats and screws. The one shelf has a partition in its center with a door on one side and two small drawers on the other. Drawers should be fitted to three of the other compartments. They are made in the usual manner except that the front boards should be cut out at the top for a handhold as shown.
The top and bottom boards should have the corners cut out to accommodate the posts. The closet is divided into two sections by a partition. This can be made from plain boards or panels like those on the ends, as preferred. Position the shelves as indicated. They're secured with cleats and screws. One shelf has a partition in the middle, with a door on one side and two small drawers on the other. Drawers should be installed in three of the other sections. They are made in the usual way, except the front boards should be notched at the top for a handhold as illustrated.
The doors are fitted by a tenon and mortise joint [23] at the ends. They have a centerpiece and panels to match the ends of the closet. Suitable hinges and a catch should be supplied. These can be purchased at any hardware store.
The doors are connected using a tenon and mortise joint at the ends. They feature a centerpiece and panels that match the ends of the closet. You should provide suitable hinges and a catch. These can be found at any hardware store.
[24]
[24]
The backing is put on in the usual manner. It should be finished on the front side.
The backing is applied in the usual way. It should be finished on the front side.
When complete, the closet should be carefully gone over with fine sandpaper and all glue and rough spots removed. Apply stain of the desired color. This may be any of the many mission stains supplied by the trade for this purpose.
When it's finished, you should carefully go over the closet with fine sandpaper and remove any glue and rough spots. Apply a stain in your chosen color. You can use any of the many mission stains provided by the trade for this purpose.
A FINISH
An appropriate finish is obtained as follows: First thoroughly scrape and sandpaper the various parts, then apply a coat of brown Flemish water stain. Allow this to dry well, then sand it lightly with No. 00 sandpaper to lay the grain. Again apply the Flemish stain, but this time have it weakened by the addition of an equal amount of water. When dry, sand again as on the first coat. Upon the second coat of stain apply a thin coat of shellac. This is to protect the high lights from the stain in the filler which is to follow. Sand lightly, then apply a paste filler of a sufficiently dark shade to make a dark field for the brown Flemish. Clean off the surplus and polish in the usual manner.
An appropriate finish is obtained as follows: First, thoroughly scrape and sand the various parts, then apply a coat of brown Flemish water stain. Allow this to dry well, then lightly sand it with No. 00 sandpaper to smooth the grain. Apply the Flemish stain again, but this time dilute it with an equal amount of water. When dry, sand again as with the first coat. On the second coat of stain, apply a thin layer of shellac. This is to protect the highlights from the stain in the filler that will follow. Sand lightly, then apply a paste filler that’s dark enough to create a contrasting background for the brown Flemish. Remove the excess and polish as usual.
Upon the filler, after it has hardened overnight, apply a coat of orange shellac. Successively apply several coats of some good rubbing varnish. Polish the first coats with haircloth or curled hair, and the last with pulverized pumice stone, mixed with raw linseed or crude oil.
After the filler has dried overnight, apply a coat of orange shellac. Next, apply several coats of a good rubbing varnish. Polish the first coats with haircloth or curled hair, and polish the last coat with powdered pumice stone mixed with raw linseed or crude oil.
[25]
[25]
AN OAK TABLE
The accompanying illustration shows another style of a mission table. The stock for this table if ordered as follows and sanded will require only the work of making the joints and putting them together:
The accompanying illustration shows another style of a mission table. The lumber for this table, if ordered as follows and sanded, will only require the work of making the joints and assembling them:
- 4 posts, 2 in, square 30-5/8 in., S-4-S.
- 4 upper rails, 7/8 by 6-1/2 by 22-1/2 in., S-2-S.
- 2 lower rails, 7/8 by 3 by 22-1/2 in., S-2-S.
- 2 top pieces, 7/8 by 12-1/2 by 24-1/2 in., S-2-S.
- 6 slats, 3/8 by 3-1/2 by 15-1/2 in., S-2-S.
- 1 stretcher, 7/8 by 8-1/2 by 21-1/2 in., S-2-S.
This table may be made with mortise and tenon joints or with dowels as desired. If dowels are used, the upper and lower rails should be made 2 in. shorter than shown in the drawing.
This table can be made using mortise and tenon joints or with dowels, depending on your preference. If you choose to use dowels, the upper and lower rails should be cut 2 inches shorter than what is shown in the drawing.
Be sure to get the pieces for the posts with their surfaces square to each other and their ends sawed square off. This will simplify the assembling a great deal. Make the posts exactly the same length, 30-1/2 in., and chamfer a 3/8-in, bevel on their tops.
Make sure to cut the pieces for the posts so their surfaces are square to each other and their ends are cut square. This will make assembly a lot easier. Cut the posts to the same length, 30-1/2 in., and bevel the tops with a 3/8-in chamfer.
Square up the four upper rails, 6 by 22 in., marking the working face and edge to work from when laying out the tenons later. Square up the two lower rails, 2-1/2 by 22 in. These must be exactly the same length as the upper rails. The two ends of the table having the slats should be glued up first. Lay out the tenons on the upper and lower rails for these two ends and be sure to work from the marked face and edges, using a knife line. Cut the tenons, and, by placing them against the posts in the exact position they are to occupy, mark the places for the mortises. These joints should be numbered so that each mortise may be cut to fit its own tenon. [26]
Square up the four upper rails, measuring 6 by 22 inches, marking the working face and edge to refer to when laying out the tenons later. Square up the two lower rails, measuring 2-1/2 by 22 inches. These must be exactly the same length as the upper rails. The two ends of the table with the slats should be glued together first. Lay out the tenons on the upper and lower rails for these two ends, and make sure to work from the marked face and edges, using a knife line. Cut the tenons, and by placing them against the posts in the exact position they will occupy, mark the spots for the mortises. These joints should be numbered so that each mortise can be cut to fit its corresponding tenon. [26]
[27]
[27]
Square up the slats, 3 by 15-1/8 in., and cut mortises in the upper and lower rails 1/4 in. deep to let them in. The number of these slats, their size and spacing may be arranged to suit one's own idea. Put the posts, upper and lower rails, and slats together without glue first to determine if the parts fit properly, and then glue and clamp them together. Hot glue will hold best, if the room and lumber are warm; if not, it is best to use ordinary liquid glue. While the glue on these two ends of the table is setting, the other upper rails, top, and stretcher may be finished.
Square up the slats, 3 by 15-1/8 inches, and cut mortises in the upper and lower rails 1/4 inch deep to fit them in. The number, size, and spacing of these slats can be arranged to match your preferences. Assemble the posts, upper and lower rails, and slats without glue first to check if the parts fit correctly, then glue and clamp them together. Hot glue will hold best if the room and wood are warm; otherwise, it’s better to use regular liquid glue. While the glue on these two ends of the table is drying, you can finish the other upper rails, top, and stretcher.
The top will have to be made of two or three pieces joined together with dowels and glue. If possible, use only two boards and be sure the grain in both pieces runs the same way when they are put together.
The top should be made from two or three pieces connected with dowels and glue. If you can, use just two boards and make sure the grain in both pieces runs in the same direction when they are assembled.
After the ends which were glued have set at least 24 hours, the clamps may be taken off and the other two upper rails tenoned and mortised in place. The stretcher may be held with two 3/8-in. dowels in each end, or with two round-head screws put through the lower rails. When gluing up the whole table, be sure the sides are square to each other. The top may now be squared up 24 by 24 in. and the corners cut out for the top of the posts. The top may be fastened as shown at A and B in the drawing, or by cleats screwed to the inside of the upper rails and top.
After the glued ends have dried for at least 24 hours, you can remove the clamps and fit the other two upper rails with tenons and mortises. The stretcher can be secured with two 3/8-inch dowels in each end, or with two round-head screws going through the lower rails. When assembling the entire table, make sure the sides are square to each other. The top can now be squared to 24 by 24 inches, and the corners should be cut out for the tops of the posts. The top can be attached as shown at A and B in the drawing, or by using cleats screwed to the inside of the upper rails and the top.
Before staining, be sure that all surplus glue is scraped off and the surfaces sanded clean. A weathered or fumed oak stain is suitable for this table. A good weathered oak stain may be made by mixing a little drop black ground in oil with turpentine and a little linseed oil. Put this stain on with a brush [28] and allow to stand until it begins to flatten or dull, then rub off across the grain with a rag or piece of cotton waste. When thoroughly dry, apply one coat of very thin shellac. After this has dried, finish with two coats of wax. The shellac prevents the turpentine in the wax from rubbing out the stain. To get a good wax finish the work should dry until it will not show finger marks, before rubbing.
Before staining, make sure all excess glue is scraped off and the surfaces are sanded clean. A weathered or fumed oak stain works well for this table. You can create a good weathered oak stain by mixing a little drop of black pigment in oil with turpentine and a bit of linseed oil. Apply this stain with a brush [28] and let it sit until it starts to flatten or dull, then wipe it off across the grain with a rag or piece of cotton waste. Once it's completely dry, apply one coat of very thin shellac. After this has dried, finish with two coats of wax. The shellac keeps the turpentine in the wax from washing out the stain. For a good wax finish, the surface should dry until it doesn't show fingerprints before you start buffing.
BOOK TROUGH
A very cheap but attractive book trough is shown in the accompanying photograph. This piece of mission furniture will be found useful in the home or office and can be made by anyone who has a slight knowledge of tools. The material should be either oak or chestnut, which can be secured from the planing [29] mill dressed and sandpapered ready to cut the tenons and mortises. The stock needed will be as follows:
A very affordable yet appealing book trough is shown in the accompanying photo. This piece of mission furniture will be handy in the home or office and can be made by anyone with basic tool skills. The material should be either oak or chestnut, which can be obtained from the planing mill already dressed and sanded, ready for cutting the tenons and mortises. The required stock will be as follows:
- 2 ends, 7/8 in. by 10 in. by 31 in., S-2-S.
- 1 shelf, 7/8 in. by 10 in. by 35 in., S-1-S.
- 2 trough pieces, 7/8 in. by 4 in. by 35 in., S-2-S.
- 8 keys, 5/8 in. by 5/8 in. by 3 in.
The two end pieces should be made first with the top corners rounded off and the lower end, which is of simple design, can be cut out with a bracket saw [30] and smoothed with a wood rasp. The mortises should then be laid out according to the sketch and cut, by first boring 3/4-in. holes and finishing with a chisel, being careful to keep all edges clean and free from slivers.
The two end pieces should be made first, with the top corners rounded off. The lower end, which has a simple design, can be cut out using a jigsaw and smoothed with a wood rasp. Next, the mortises should be marked out according to the sketch and cut by first boring 3/4-inch holes and finishing with a chisel, making sure to keep all edges clean and free from splinters. [30]
The shelf can now be made by cutting a double-key tenon at each end to fit the end pieces. The space between the two tenons at each end can be cut out with a bracket saw and finished with a rasp. The key holes should be mortised as shown in the sketch. The trough pieces are made in a similar manner, care being taken to have all tenons and mortises perfectly square and a good fit, so the trough when assembled will have a neat and workmanlike appearance. The trough can be finished in any one of the many mission finishes which are supplied by the trade for this purpose.
The shelf can now be made by cutting a double-key tenon at each end to fit the end pieces. The space between the two tenons on each end can be cut out with a bracket saw and finished with a rasp. The keyholes should be mortised as shown in the sketch. The trough pieces are made in a similar way, taking care to ensure all tenons and mortises are perfectly square and fit well, so the trough, when assembled, will look neat and professional. The trough can be finished with any of the many mission finishes available in the market for this purpose.
AN OAK SERVING TABLE
The serving table is another useful piece of furniture that can be made in mission style. This table should be made in quarter-sawed oak and stained very light. The stock order is as follows:
The serving table is another handy piece of furniture that can be designed in mission style. This table should be crafted from quarter-sawed oak and stained a very light color. The stock order is as follows:
- 2 posts, 2 by 2 by 37 in., S-4-S.
- 2 posts, 2 by 2 by 31 in., S-4-S.
- 1 top, 1 by 21 by 40 in., S-2-S.
- 2 side rails, 3/4 by 3 by 34-1/2 in., S-2-S.
- 4 end rails, 3/4 by 3 by 15-1/2 in., S-2-S.
- 1 back panel, 3/4 by 4 by 34-1/2 in., S-2-S.
- 1 stretcher, 1 by 5 by 36-1/2 in., S-4-S.
- 1 slat, 1/2 by 1-1/2 by 36 in., S-4-S.
The four posts are ordered 1 in. longer than necessary for squaring to length and the two back posts should be chamfered 1/4 in. on top, as they are the longest and project above the back panel. All of the [31] posts are cut tapering for a space of 4 in. from the bottom ends. Mortises in the posts and tenons on the rails are laid out and cut as shown by the dimensions in the drawing. These parts are then well glued and put together. The top, which should be of well seasoned wood, is cut to fit around the back posts so the back edge and the back side of the posts are flush. The back panel is placed in mortises cut in the corners of the back posts. This is done so the back surface of the panel will be flush the same as the edge of the top. The slat is fastened with round-headed brass screws [32] on the front of the two back posts about half way between the top and the ends of the posts.
The four posts are cut to be 1 inch longer than needed for squaring to length, and the two back posts should have a 1/4 inch chamfer on top, as they are the longest and stick up above the back panel. All the posts are cut to taper for a distance of 4 inches from the bottom ends. Mortises in the posts and tenons on the rails are marked out and cut according to the dimensions in the drawing. These pieces are then well glued and assembled. The top, which should be made of well-seasoned wood, is trimmed to fit around the back posts so that the back edge and the back side of the posts are flush. The back panel is inserted into mortises cut in the corners of the back posts. This ensures that the back surface of the panel is flush with the edge of the top. The slat is attached with round-headed brass screws on the front of the two back posts, positioned about halfway between the top and the ends of the posts.
The top may be fastened to the rails by one of two methods. One way is to use a small button made of wood and so mortised as to set in the rails and then fastened to the top with screws. About six of these buttons will be sufficient to hold the top in place. The other method is to bore a hole slanting on the inside of the rails, directing the bit toward the top, which will make a seat—if not cut too deep—for a screw that can be turned direct into the top.
The top can be attached to the rails in one of two ways. One method is to use a small wooden button that fits into the rails and is then secured to the top with screws. About six of these buttons should be enough to keep the top in place. The other method involves drilling a slanted hole on the inside of the rails, angling the drill toward the top. This will create a seat—for the screw, as long as it’s not drilled too deep—that can be screwed directly into the top.
The glue must be removed from about the joints and the surfaces smoothed over with fine sandpaper before applying the stain. The directions for staining will be found on the can in which it is sold. The grain of the wood will show up well if the surface is given a dull waxed finish after staining.
The glue needs to be taken off around the joints, and the surfaces should be smoothed out with fine sandpaper before applying the stain. You can find the instructions for staining on the can it comes in. The wood grain will look nice if the surface is given a matte wax finish after staining.
[33]
[33]
AN UMBRELLA STAND
The umbrella stand shown in the accompanying illustration will be found quite appropriate for the hall or reception room that is furnished in mission style. It can be made of any of the furniture woods, but quarter-sawed oak gives the best results. The stock necessary to make this stand can be secured from the mill ready cut to length, squared and sanded, and is given in the following list:
The umbrella stand shown in the illustration is perfect for a hall or reception room decorated in mission style. It can be made from any type of furniture wood, but quarter-sawed oak produces the best results. You can get the materials needed to make this stand from the mill, which will provide them cut to length, squared, and sanded. The required materials are listed below:
- 4 posts, 1-1/2 by 1-1/2 by 28 in., S-4-S.
- 4 top rails, 7/8 by 2 by 10 in., S-2-S.
- 4 lower rails, 7/8 by 3 by 10 in., S-2-S.
- 4 slats, 3/8 by 3 by 20 in., S-2-S.
- 1 bottom, 7/8 by 10 by 10 in.
First square up the posts and bevel the tops as shown in the detail sketch. Place them side by side, on a flat surface with the ends square and lay out the mortises with a try-square on all four pieces at the same time. This will insure your getting them all straight and of the same height. Now lay out the tenons on the rails in the same manner and cut them to fit the mortises in the posts. Mortises should also be cut in the rails for the ends of the side slats as shown. Try all the joints and see that they fit tight and square. Glue two sides of the stand together and let them dry for at least 24 hours, then glue the remaining parts, being careful to get everything together perfectly square.[34]
First, make sure the posts are squared up and bevel the tops as shown in the detail sketch. Place them side by side on a flat surface, ensuring the ends are square, and mark out the mortises using a try-square on all four pieces at the same time. This will ensure they are all straight and at the same height. Next, mark the tenons on the rails in the same way and cut them to fit the mortises in the posts. Mortises should also be cut in the rails for the ends of the side slats as shown. Test all the joints to make sure they fit tightly and squarely. Glue two sides of the stand together and let them dry for at least 24 hours, then glue the rest of the parts together, making sure everything is perfectly square.[34]
The bottom board can now be fitted in place. It should have a hole cut in it for the drip pan. The pan should be about 6 or 7 in. in diameter. One suitable for the purpose can be purchased in any hardware store. The bottom board can be fastened to the rails with nails driven from the under side, or cleats can be nailed to the rails for it to rest upon.
The bottom board can now be installed. It should have a hole cut in it for the drip pan. The pan should be about 6 or 7 inches in diameter. You can buy a suitable one at any hardware store. The bottom board can be attached to the rails with nails driven in from underneath, or you can nail cleats to the rails for it to rest on.
When the stand is complete, scrape all glue from about the joints and go over the whole with fine sandpaper, removing all rough spots. Apply the finish you like best, or the one that will match your other furniture.
When the stand is finished, scrape off any glue around the joints and sand the entire piece with fine sandpaper to smooth out all rough areas. Apply the finish you prefer or one that matches your other furniture.
Should the builder want an entire hand-made stand, the drip pan may be beaten into shape from sheet brass or copper. This kind of work is known as repoussé. After beating the pan into shape, it can be finished in antique, old copper or given a polished surface, as desired.
Should the builder want a fully hand-crafted stand, the drip pan can be shaped from sheet brass or copper. This type of work is called repoussé. After shaping the pan, it can be finished in an antique, old copper look or given a polished surface, depending on preference.
[35]
[35]
A CHAFING-DISH BUFFET
The chafing-dish buffet is something very convenient and attractive for the dining room. For the best effect it should be made of quartered oak, stained brown or weathered and trimmed with brass hardware.
The chafing-dish buffet is a very convenient and appealing addition to the dining room. For the best look, it should be made of quartered oak, stained brown or weathered, and accented with brass hardware.
[36]
[36]
To save a great deal of uninteresting labor, secure the following pieces of stock, surfaced on four sides and cut to length:
To avoid a lot of boring work, get the following pieces of lumber, planed on all four sides and cut to size:
- 4 legs, 1-1/2 by 1-1/2 by 36 in., S-4-S.
- 4 rails, 7/8 by 4 by 10 in., S-4-S.
- 2 rails, 7/8 by 3 by 10 in., S-4-S.
- 2 panels, 3/8 by 9-3/8 by 9-1/2 in., S-4-S.
- 1 panel, 3/8 by 6-1/2 by 9-1/2 in., S-4-S.
- 2 shelves, 7/8 by 12 by 19 in., S-4-S.
- 1 top, 7/8 by 16 by 20 in., S-4-S.
- 2 stiles for door, 7/8 by 2 by 12 in., S-4-S.
- 2 rails for door, 7/8 by 3 by 10 in., S-4-S.
- 1 back, 7/8 by 12 by 13 in., S-4-S.
- 8 slats, 3/8 by 1 by 8 in., S-4-S.
Begin the work on the rails for the sides of the stand. Have them all squared up to exactly the same length and to the correct width and thickness. Mark the tenons on the ends of each and cut them with a saw and chisel.
Begin the work on the rails for the sides of the stand. Make sure they are all squared up to the exact same length and the correct width and thickness. Mark the tenons on the ends of each one and cut them with a saw and chisel.
When this is finished, try the legs to see that they are all the same length and that their surfaces are square with each other. Next mark the mortises in the legs for the tenons of the rails. To make the mortises, first bore to depth with a bit 1/8 in, smaller than the width of the mortise and cut to the line with a chisel.
When you're done, check the legs to make sure they are all the same length and that their surfaces are square to one another. Next, mark the mortises in the legs for the tenons of the rails. To create the mortises, first drill to the required depth with a bit that's 1/8 inch smaller than the width of the mortise and then cut to the line with a chisel.
Before gluing up the sides, cut the mortises in two lower rails for the tenons on the ends of the shelves. These tenons, with the smaller mortises [37] in them for the keys, should be cut first. Square up the two side panels and cut grooves 3/8 in. wide and 1/4 in. deep for them in the rails and part of the legs.
Before gluing the sides together, cut the mortises in the two lower rails for the tenons on the ends of the shelves. These tenons, along with the smaller mortises for the keys, should be cut first. Square up the two side panels and cut grooves that are 3/8 inch wide and 1/4 inch deep for them in the rails and parts of the legs.
Make the eight slats 8 in. long, 1 in. wide and 3/8 in. thick, and cut mortises for them in the two upper rails.
Make the eight slats 8 inches long, 1 inch wide, and 3/8 inch thick, and cut mortises for them in the two upper rails.
The two sides of the buffet are now ready to be glued up and clamped. While the glue on these is setting, make the door. The rails are mortised [38] into the stiles 1/2 in. and both are grooved to receive the panel. It is best to get the stock a little full for the door so that it may be made up a little larger than necessary and planed down to fit.
The two sides of the buffet are now ready to be glued together and clamped. While the glue is drying, make the door. The rails are mortised 1/2 inch into the stiles, and both are grooved to hold the panel. It's best to get the stock a little thicker for the door so that it can be made slightly larger than needed and planed down to fit.
There only remains to fit in the shelves and fasten the top and back. The top and back are held with screws as shown in sketch.
There’s just the last step to put on the shelves and secure the top and back. The top and back are attached with screws as shown in the sketch.
Taper the keys only slightly, otherwise they will keep working loose.
Taper the keys just a little; otherwise, they will keep coming loose.
Stain with two coats of weathered oak, give one coat of thin shellac to fix the stain and two coats of wax for a soft-gloss finish.
Stain with two coats of weathered oak, apply one coat of thin shellac to seal the stain, and finish with two coats of wax for a soft-gloss look.
A WRITING DESK
The desk shown in the illustration was made of plain-sawed white oak. The copper lighting fixtures were made by the amateur as were the hinges and the drawer pulls. The doors are fitted with art-glass panels. The following stock list is needed:
The desk shown in the illustration was made of plain-sawed white oak. The copper lighting fixtures were made by the amateur, along with the hinges and drawer pulls. The doors are fitted with art-glass panels. The following stock list is needed:
- 1 top, 3/4 by 22-1/2 by 41 in., S-2-S.
- 4 posts, 2 by 2 by 31 in., S-4-S.
- 2 rails, 3/4 by 6-1/4 by 19 in., S-2-S.
- 2 rails, 3/4 by 6-1/4 by 35 in., S-2-S.
- 2 rails, 3/4 by 3-1/4 by 19 in., S-2-S.
- 1 stretcher, 3/4 by 3-1/4 by 35 in., S-2-S.
- 2 drawer fronts, 3/4 by 4-1/4 by 14 in., S-2-S.
- 4 drawer sides, 1/2 by 4-1/4 by 19 in., S-2-S.
- 2 drawer backs, 3/8 by 4 by 14 in., S-2-S.
- 2 drawer bottoms, 3/8 by 19 by 14 in., S-2-S.
- 4 slides, 3/4 by 2-1/2 by 19 in., S-2-S.
- 8 guides, 3/4 by 2 by 10 in., S-2-S.
- 2 cabinet posts, 1 by 1 by 16 in., S-4-S.
- 4 cabinet posts, 1 by 1 by 11 in., S-4-S.
- 1 back, 3/4 by 16 by 35 in., S-2-S.
- 1 shelf, 3/4 by 8 by 35 in., S-2-S.
- 2 shelves, 3/4 by 8 by 15 in., S-2-S.
- 4 door pieces, 5/8 by 1 by 15 in., S-2-S.
- 8 door pieces, 5/8 by 1 by 4 in., S-2-S.
Square the legs to length and lay out and cut the [39] mortises thereon. Lay off the tenons on the rails, after having squared the rails to length and width, and cut them.
Square the legs to the proper length, then mark and cut the mortises on them. Measure the tenons on the rails after squaring the rails to length and width, and then cut them.
Work up the top of the table and then the drawer stock and cabinet. Assemble the ends of the frame first, using good hot glue and enough clamps to hold the parts together properly. After the glue has hardened on these, the clamps may be removed and the front, back rails and the stretcher assembled.
Work on the top of the table first, then move on to the drawer stock and cabinet. Start by assembling the ends of the frame using strong hot glue and enough clamps to hold everything together securely. Once the glue has set, you can take off the clamps and then assemble the front, back rails, and the stretcher.
While the glue is hardening on the main frame [40] the top cabinet may be built and assembled. This cabinet is detachable from the table proper and is to be held in place by means of cleats upon the back. These cleats are not specified in the bill; they may be obtained from scrap stock.
While the glue is drying on the main frame [40] the top cabinet can be constructed and put together. This cabinet is removable from the main table and will be secured in place using cleats on the back. These cleats are not listed in the bill; they can be sourced from leftover materials.
For a piece of woodwork of this style some of the softer browns of the mission stains will be most appropriate. After all parts have been thoroughly cleaned by scraping and sandpapering, a stain may be applied. Allow this to dry, then sand it lightly and apply a thin coat of shellac. Sand the shellac lightly and apply a filler of a color to match the stain, but darker in tone, of course. Clean off the surplus in the usual manner and then apply a coat of shellac. Sand this lightly and apply several coats of some good polishing wax.
For a piece of woodwork like this, some of the softer brown mission stains would be the best choice. After thoroughly cleaning all parts by scraping and sanding, you can apply a stain. Let it dry, then sand it lightly and add a thin coat of shellac. Lightly sand the shellac and use a filler that matches the stain but is darker in tone, of course. Clean off any excess as usual, then apply a coat of shellac. Sand this lightly and apply several coats of good polishing wax.
[41]
[41]
MUSIC RACK AND BOOKSTAND
The illustration shows a very handy music and bookstand, which also can be used at the bedside as a reading stand. The following list of material will be required for construction:
The illustration displays a convenient music and book stand that can also be used as a reading stand by the bedside. The list of materials needed for construction is as follows:
- 1 standard, 1-1/8 by 1-1/8 by 37 in., S-4-S.
- 1 horizontal, 1-1/8 by 1-1/8 by 15 in., S-4-S.
- 1 crosspiece, 1-1/8 by 1-1/8 by 14 in., S-4-S.
- 1 crosspiece, 1-1/8 by 1-1/8 by 12 in., S-4-S.
- 2 braces, 1-1/8 by 1-1/8 by 9 in., S-4-S.
- 1 board, 1/2 by 8 by 13 in., S-2-S.
- 4 blocks, 1-1/8 in. square.
- 2 gauge clamps.
- 1 strip, 1/2 by 1 by 13 in., S-2-S.
- 8 round-head brass screws.
- 1 brass rod, 1/4 in. in diameter and 12 in, long.
- 1 brass piece, 1/4 by 3/4 by 10 in.
Cut a tenon on the lower end of the upright and make a mortise in the center of the long crosspiece to receive the tenon. The horizontal has tenons cut on both ends which fit into mortises cut in the sides of both crosspieces. The upper corners on the ends of both crosspieces are cut sloping on a 45-deg. angle. The blocks for the feet are attached to the under side and at the end on each crosspiece with screws and hot glue, the screw heads being sunk so that they will not catch on carpets or mar the floor.[42] The braces are attached with round-head screws after they are cut on each end to fit the standard and crosspiece.
Cut a tenon on the bottom end of the upright and make a mortise in the center of the long crosspiece to fit the tenon. The horizontal piece has tenons cut on both ends that fit into mortises cut into the sides of both crosspieces. The upper corners at the ends of both crosspieces are cut at a 45-degree angle. The blocks for the feet are attached to the underside and at the end of each crosspiece with screws and hot glue, with the screw heads sunk so they won’t catch on carpets or damage the floor.[42] The braces are attached with round-head screws after they are cut on each end to fit the standard and crosspiece.
The book rest is cut from the board. The openings are made by sawing the pieces out with a coping [43] saw, and the edges are dressed up with a sharp chisel. The lip strip is then glued to the lower edge of the board.
The book rest is cut from the board. The openings are created by sawing the pieces out with a coping saw, and the edges are refined with a sharp chisel. The lip strip is then glued to the bottom edge of the board.
One end of the board is now fitted into a slot cut in one of the gauge clamps. The slot must be cut at the right angle to give the desired slope to the book rest. The gauge clamps are joined with two small square strips of oak as shown. The small rod brace is flattened at both ends and a hole drilled in each to fasten it with screws as shown. The brass strip is bent in the middle at right angles and drilled to receive screws for fastening it in the corner of the upright and horizontal pieces.
One end of the board is now inserted into a slot made in one of the gauge clamps. The slot needs to be cut at the correct angle to provide the desired slope for the book rest. The gauge clamps are connected with two small square strips of oak as illustrated. The small rod brace is flattened at both ends, with a hole drilled in each end to attach it with screws, as shown. The brass strip is bent in the middle at a right angle and drilled to hold screws for securing it at the corner of the upright and horizontal pieces.
A DICTIONARY AND MAGAZINE STAND
The accompanying picture shows a stand that is intended primarily for holding a large-size dictionary. The shelves may be utilized for holding books, magazines or sheet music. It will stand wear best if made of some hard wood, such as oak. Of the soft woods chestnut has the best grain for finishing, being hardly distinguishable from red oak.
The picture shows a stand designed mainly for holding a large dictionary. The shelves can be used for books, magazines, or sheet music. It will hold up best if made of a durable hardwood like oak. Among softwoods, chestnut has the best grain for finishing, making it nearly indistinguishable from red oak.
The following pieces will be necessary:
The following items will be needed:
- 2 sides, 3/4 by 16 by 38-1/2 in., S-4-S.
- 1 shelf, 3/4 by 15-1/2 by 21 in., S-2-S.
- 1 shelf, 3/4 by 14 by 17 in., S-2-S.
- 1 shelf, 3/4 by 13-1/2 by 21 in., S-2-S.
- 1 top, 3/4 by 13 by 17 in., S-2-S.
- 1 lip, 3/8 by 3/4 by 17 in., S-4-S.
- 8 keys, 3/4 by 1 by 3-1/2 in., S-2-S.
Begin work on the sides by preparing a joint edge on each piece and from this square up the lower ends and square lines across the inner surfaces [44] to indicate the positions of the lower edges of the shelves.
Begin work on the sides by preparing a joint edge on each piece, then square up the lower ends and the lines across the inner surfaces [44] to mark the positions of the lower edges of the shelves.
Next, smooth off the mill marks from the broad surfaces of the shelves and square them to size on one edge and the two ends.
Next, smooth out the mill marks from the flat surfaces of the shelves and square them to size on one edge and both ends.
[45]
[45]
Return to the side pieces and lay out the outline, but do not cut to these lines until the gains and mortises which are to receive the ends of the shelves and their tenons have been laid out and cut. Laying out these outlines at this time is done so as to [46] give the exact width the shelves are to have. These dimensions can be determined by measuring across the sides between the outlines at the points where the shelves are to be placed.
Return to the side pieces and sketch the outline, but don’t cut along these lines until the grooves and mortises that will hold the ends of the shelves and their tenons have been marked and cut. Creating these outlines now helps to establish the exact width the shelves will have. You can find these measurements by checking the distance between the sides at the points where the shelves will go.
The shelves which have no tenons are to be let into the sides 1/4 in. They should be shouldered 1/2 in. back from the edge so that the groove will not show on the face.
The shelves without tenons should be set into the sides 1/4 inch. They should be shouldered 1/2 inch back from the edge so that the groove doesn't show on the front.
The lip on the front of the top shelf may be fastened by means of very small brads, the heads of which should be covered with putty, colored to match the finish.
The lip on the front of the top shelf can be secured with very small brads, the heads of which should be filled with putty that matches the finish.
A suitable finish may be obtained as follows:
A good finish can be achieved like this:
First see that all the mill marks are removed, using a smooth plane and steel scraper and sandpaper, then apply a coat of cathedral-oak water stain. When dry, sandpaper lightly, using No. 00 paper. Apply a second coat of stain, diluting it by the addition of an equal volume of water. This is to produce a stronger contrast. Sand this lightly and put on a very thin coat of shellac to bind the filler and to prevent the stain in the filler which follows from discoloring the high lights. Sand this lightly and put on a coat of paste filler according to the directions that will be found on the can. This filler should be colored in the following proportions: Light paste filler, 20 lb.; Van Dyke brown, 1 lb. After the filler has hardened, sand it lightly and put on a coat of orange shellac. Follow this with several coats of some good rubbing varnish. The first coats should be rubbed with haircloth or curled hair, and the last with powdered pumice stone and raw linseed or crude oil.
First, make sure all the mill marks are removed using a smooth plane, steel scraper, and sandpaper. Then, apply a coat of cathedral-oak water stain. Once it's dry, lightly sand it with No. 00 paper. Apply a second coat of stain, diluting it by adding an equal amount of water. This will create a stronger contrast. Lightly sand this and apply a very thin coat of shellac to seal the filler and prevent the following stain in the filler from discoloring the highlights. Lightly sand this again and apply a coat of paste filler according to the instructions on the can. The filler should be colored in the following proportions: Light paste filler, 20 lb.; Van Dyke brown, 1 lb. After the filler has dried, sand it lightly and apply a coat of orange shellac. After this, add several coats of good rubbing varnish. The first coats should be rubbed with haircloth or curled hair, and the last coats with powdered pumice stone and raw linseed or crude oil.
[47]
[47]
A LEATHER BACK ARM CHAIR
[48]
[48]
A mission arm chair of simple design and construction is shown in the accompanying illustration. This chair is suitable for any room of the house and can be made of wood to match other furniture. Quarter-sawed oak is the wood most generally used, and it is also very easy to obtain. The stock can be ordered from the mill, cut to length, squared and [49] sanded. Following is a list of the material that will be needed:
A mission armchair with a straightforward design and build is shown in the accompanying illustration. This chair is perfect for any room in the house and can be made from wood that matches your other furniture. Quarter-sawn oak is the most commonly used wood, and it's also easy to find. The lumber can be ordered from the mill, cut to length, squared, and [49] sanded. Below is a list of the materials you will need:
- 2 front legs, 2 by 2 by 26-3/4 in.
- 2 back legs, 2 by 4 by 43 in.
- 2 arm rests, 1 by 4 by 26 in.
- 5 rails, 3/4 by 4 by 21-1/2 in.
- 5 rails, 3/4 by 2 by 2-1/2 in. .
- 2 back pieces, 3/4 by 2 by 16-1/2 in.
- 1 piece leather, 31 in, square.
- 1 piece burlap, 28 in, square.
- 2 pieces leather, 13 by 18 in.
- 2 pieces burlap, 13 by 18 in.
- 1 box 8 oz. tacks.
- 5-1/2 doz. ornamental nails.
Start with the front legs. Cut a tenon 1-1/4 in. square and 3/4 in, long on one end to fit the arm rests. The mortises for the side rails are cut 1/2 in. wide and 7/8 in, deep. The tenons on the rails are cut to fit these mortises, care being taken to get them all the same length between shoulders. The back legs are cut with an offset of 2 in. as shown in the detail drawing and also have mortises cut in them for the back crosspieces. The upright pieces in the back are fastened into the crosspieces by means of tenons and mortises, and should be in place when the crosspieces are fastened to the legs.
Start with the front legs. Cut a tenon that’s 1-1/4 inches square and 3/4 inch long on one end to fit the armrests. The mortises for the side rails should be 1/2 inch wide and 7/8 inch deep. The tenons on the rails need to be cut to fit these mortises, ensuring they’re all the same length between shoulders. The back legs are cut with a 2-inch offset as shown in the detail drawing and also have mortises for the back crosspieces. The upright pieces in the back are secured into the crosspieces using tenons and mortises, and they should be in place when the crosspieces are attached to the legs.
The arms are cut from the 1 by 4 by 26-in. pieces. Be careful to get them so they will pair. The outside edge can be either curved or straight as desired. The front ends of the arms are held in place by mortises which fit over the tenons on the ends of the front legs, while the back ends are held in place by round-headed screws as shown.
The arms are cut from the 1 by 4 by 26-inch pieces. Make sure to cut them so they match up correctly. The outer edge can be either curved or straight, depending on your preference. The front ends of the arms are secured by mortises that fit over the tenons on the front leg ends, while the back ends are secured by round-headed screws as shown.
The chair is now ready to be glued. Be sure to get the parts together perfectly square, and when dry scrape off all surplus glue around the joints, for stain will not adhere to glue and a white spot will be the result of failing to remove it. Go over the parts carefully with fine sandpaper and remove all [50] rough marks. Then apply the stain you wish to use. To make the seat, first fit boards in the bottom and nail them to the side rails as shown. Fill the space with hair or elastic cotton felt to about 3 in. above the edge of the rails. Bind this down tightly with a piece of burlap and tack the edges to the rails. Cut out the corners of the burlap so that it will fit about the posts. Put the leather on over this and tack the edges to the bottoms of the rails. Then finish with the ornamental nails as shown.
The chair is now ready to be glued. Make sure to align the parts perfectly square, and once dry, scrape off any excess glue around the joints, as stain won't stick to glue and this will create a white spot if not removed. Carefully sand down any rough marks with fine sandpaper. After that, apply the stain you want to use. To make the seat, first, fit the boards into the bottom and nail them to the side rails as shown. Fill the space with hair or elastic cotton felt, about 3 inches above the edge of the rails. Secure this tightly with a piece of burlap and tack the edges to the rails. Cut the corners of the burlap so it fits around the posts. Then, place the leather over this and tack the edges to the bottoms of the rails. Finally, finish with the decorative nails as shown.
To finish the back, first tack a piece of burlap over the opening, then place a layer of hair or cotton felt on this about 1 in. thick. Stretch the leather over this and fasten with ornamental nails. The back side is finished in the same manner, except that the hair is omitted.
To finish the back, first staple a piece of burlap over the opening, then add a layer of hair or cotton felt about 1 inch thick on top of this. Stretch the leather over it and secure with decorative nails. The back side is finished the same way, except the hair is not used.
A WALL SHELF
Coarse-grained woods make up into furniture and take a more satisfactory finish than close-grained woods. For this reason chestnut or oak is suggested for this shelf. Chestnut has a beautiful grain and is soft and easily worked.
Coarse-grained woods make better furniture and have a more satisfying finish than close-grained woods. Because of this, chestnut or oak is recommended for this shelf. Chestnut has a beautiful grain and is soft and easy to work with.
There will be needed the following pieces:
There will be the following pieces needed:
- Sides, 2 pieces, 3/4 by 7-1/4 by 16-1/2 in., S-2-S.
- Lower shelf, 1 piece, 3/4 by 6-1/4 by 30-1/2 in., S-2-S.
- Upper shelf, 1 piece, 3/4 by 4-3/4 by 30-1/2 in., S-2-S.
- Lower back, 1 piece, 3/8 by 3-1/2 by 30-1/2 in., S-2-S.
- Upper back, 1 piece, 3/8 by 3 by 30-1/2 in., S-2-S.
In making out this stock bill the pieces have been specified 1/4 in. wider and 1/2 in, longer than the finished piece is to be to allow for squaring up. The thicknesses are specified mill-planed exact so that all that is necessary is to merely plane off the mill-marks from the two broad surfaces. [51]
In preparing this stock bill, the pieces are listed as 1/4 in. wider and 1/2 in. longer than the final dimensions to allow for squaring. The thicknesses are specified as mill-planed precisely, so all that's needed is to plane off the mill marks from the two flat surfaces. [51]
It is quite possible that one may have a particular space or a particular set of books to place in the shelf. In such a case the length of the horizontals should be lengthened or shortened to meet the particular demands when ordering the lumber.
It’s totally possible that someone has a specific space or a unique collection of books to put on the shelf. In that case, the lengths of the horizontal pieces should be adjusted to fit those specific needs when ordering the wood.
Begin work by squaring the horizontals to size. They are to be all of the same length. Next shape up the end pieces. The amount of slope for the front edges is indicated on the drawing. After all these pieces have been squared up and the mill-marks removed, the dadoes or grooves and gains may be laid out and cut.
Begin by cutting the horizontal pieces to the right size. They should all be the same length. Next, shape the end pieces. The amount of slope for the front edges is shown in the drawing. Once all these pieces are cut and the mill marks are removed, you can lay out and cut the dados or grooves and gains.
Beginners are prone to underestimate the importance of getting all the mill-marks off before putting on any finish. When boards are planed at the mill the planing is done by means of two or four knives revolving above or below the board—sometimes both above and below at the same time. These knives leave the surfaces filled with little ridges and hollows across the grain. These hollows, though they are hardly visible [52] to the eye on the unfinished surface, show up as ugly streaks upon the surface after it has had a finish of stain and filler applied.
Beginners often underestimate how important it is to remove all the mill marks before applying any finish. When boards are planed at the mill, the process uses two or four knives rotating above or below the board—sometimes both above and below at the same time. These knives leave the surfaces with tiny ridges and indentations across the grain. Although these indentations are nearly invisible to the naked eye on the unfinished surface, they become noticeable as unsightly streaks once a stain and filler finish is applied. [52]
The joints here used are typical and the beginner can readily find how they are to be made from any good book on wood-working.
The joints used here are standard, and beginners can easily learn how to make them from any good woodworking book.
There are several ways of fastening the parts. They may be fastened by means of round-head blued screws. They may be fastened with carriage screws. The one in the illustration was put together with ordinary wire nails and the heads of these covered with ornamental heads to represent old-fashioned hand-wrought nails.
There are several ways to join the parts. They can be secured with round-head blued screws. They can also be fastened with carriage screws. The one in the illustration was assembled using regular wire nails, and the heads of these were covered with decorative caps to mimic old-fashioned hand-wrought nails.
It will be found easier to apply the finish of stain and filler before the parts are assembled. A suitable finish is obtained as follows: After the parts are thoroughly sanded, put on a coat of Filipino water stain, wiping it off with an old cloth before it has had time to soak into the wood very much. Allow this to dry. Then sand lightly, using No. 00 paper, after which fill the pores of the wood with a black paste filler—directions will be found on the can. Follow this, when hardened, with several coats of floor wax.
It’s easier to apply stain and filler before putting the parts together. You can achieve a suitable finish like this: After sanding the parts thoroughly, apply a coat of Filipino water stain and wipe it off with an old cloth before it soaks into the wood too much. Let it dry. Then, lightly sand using No. 00 paper, and after that, fill the wood pores with a black paste filler—check the directions on the can for guidance. Once it’s hardened, follow up with several coats of floor wax.
[53]
[53]
A PEDESTAL
The pedestal shown in the accompanying illustration is another piece of furniture that can be made in the mission style. It is very simple in design and construction, and can be made by anyone who has a few simple tools and a slight knowledge of their use. It is best to make it of quarter-sawed oak as this is the most easily procured wood and also looks the best when finished. If you order the material from the mill ready cut to length, squared and sanded, much hard labor will be saved. Following is a list of the material needed:
The pedestal shown in the accompanying illustration is another piece of furniture that can be designed in the mission style. It is very straightforward in design and construction, and can be built by anyone with a few basic tools and a little know-how. It's best to use quarter-sawed oak since it’s the easiest wood to find and also looks great when finished. If you order the material from the mill pre-cut to length, squared, and sanded, you'll save a lot of hard work. Here’s a list of the materials needed:
- 1 top, 3/4 by 12 by 12 in., S-1-S.
- 1 bottom, 3/4 by 12 by 12 in., S-1-S
- 8 pieces, 3/4 by 2 by 11 in.
- 2 sides, 3/4 by 5 by 26 in., S-1-S.
- 2 sides, 3/4 by 3-1/2 by 26 in.
- 1 piece, 3/4 by 6 by 6 in.
- 4 blocks, 1 in. square.
Having the boards for the post cut to the proper length and square, nail them together as shown in the detail drawing. Use finishing nails, then set the heads and fill the holes with putty. Next, nail the 3/4 by 6-in. piece on one end of the post leaving the edges projecting even on [54] all sides. Pick out the best board for the top. On the under side and 1/2. in. in from the edges, nail four of the 3/4 by 2 by 11-in. pieces which have been previously mitered as shown in the plan view. Now fasten this top to the post by nailing through the projecting edge of the top piece into the top board. Be careful to get this top on square with the post and exactly in center.
Cut the boards for the post to the right length and ensure they're square, then nail them together as shown in the detail drawing. Use finishing nails, set the heads, and fill the holes with putty. Next, attach the 3/4 by 6-inch piece to one end of the post, making sure the edges are even on all sides. Choose the best board for the top. On the underside, and 1/2 inch in from the edges, nail four of the 3/4 by 2 by 11-inch pieces, which you mitered earlier as shown in the plan view. Now attach this top to the post by nailing through the projecting edge of the top piece into the top board. Make sure to align this top squarely with the post and perfectly centered.
The bottom board is made in the same manner as the top board and is nailed to the lower end of the post as shown. Four 1-in. square blocks should be fastened to the bottom for the pedestal to rest on.
The bottom board is made the same way as the top board and is nailed to the lower end of the post as shown. Four 1-inch square blocks should be attached to the bottom for the pedestal to rest on.
When complete, sandpaper smooth and apply any one of the many mission stains that are supplied by the trade for this purpose.
When you're done, sand it smooth and apply any of the various mission stains available for this purpose.
After staining the wood, the surface can be given a polished or dull finish, as desired. Mission furniture requires a dull finish, and this may be obtained by applying a coat of wax, well rubbed on the wood.
After staining the wood, the surface can be finished to be either shiny or matte, depending on your preference. Mission furniture requires a matte finish, and you can achieve this by applying a coat of wax and rubbing it well into the wood.
[55]
[55]
MAGAZINE RACK
The accompanying cut shows a magazine rack that will find favor with many amateur wood-workers on account of its simplicity in design and its rich, massive appearance when properly finished. It is so constructed that each piece may be polished, stained and finished before it is finally put together. Quarter-sawed oak is the best wood to use. Plain-sawed oak looks well, but it is more liable to warp than quarter-sawed and this is quite an element in pieces as wide as the ones here used. Following is a list of the material needed:
The following image shows a magazine rack that will appeal to many DIY woodworkers because of its simple design and its rich, substantial look when finished properly. It's built so that each piece can be polished, stained, and finished before being assembled. Quarter-sawn oak is the best wood to use. Plain-sawn oak looks good, but it's more likely to warp than quarter-sawn, which is an important factor for pieces as wide as those used here. Here’s a list of the materials needed:
- 4 posts, 2 by 2 by 40 in., S-4-S.
- 5 shelves, 1 by 14 by 24 in., S-2-S.
- 20 F.H. screws, 2 in. long.
Considerable labor can be saved if the material be ordered from the mill ready cut to length, squared and sanded. The corner posts should be made first. The most convenient and accurate method of laying out the mortises is to square one end of each post and lay them on the bench flat, with the squared ends even with each other; then clamp them securely and lay out the mortises on one side across all four pieces at once; then loosen the clamp and project the marks to the other side with a try-square. Now saw along these marks, making each cut just deep enough to bring the mortises diagonally across the piece from one corner to the opposite corner as shown in the detail sketch. Be careful not to get the mortises wider than the shelves are thick. Bevel the tops of the posts as shown.
You can save a lot of work if you order the material from the mill already cut to length, squared, and sanded. Start by making the corner posts. The easiest and most precise way to mark the mortises is to square one end of each post and lay them flat on the bench, ensuring the squared ends are aligned. Then, clamp them securely and mark the mortises on one side across all four pieces at once. After that, loosen the clamp and extend the marks to the other side using a try-square. Now saw along these marks, cutting just deep enough to create the mortises diagonally from one corner to the opposite corner as shown in the detail sketch. Make sure the mortises aren’t wider than the thickness of the shelves. Bevel the tops of the posts as shown.
[56]
[56]
See that the ends of the shelves are square and smooth, then set a scratch gauge so that the scriber is just 2 in. from the face of the block and mark this [57] distance off each way from the corner of the shelves. Saw these corners diagonally across as shown, being careful not to saw off too much. [58]
See that the ends of the shelves are square and smooth, then set a scratch gauge so that the scriber is just 2 inches from the face of the block and mark this [57] distance off each way from the corner of the shelves. Cut these corners diagonally as shown, being careful not to cut off too much. [58]
The parts can now be assembled. Place all the parts in position, then pass a rope around each end and twist it up tightly with a small stick. If this is properly done, you can now pick up the rack and handle it in any way you wish. The screws can now be put in the corners. You can use flat-head screws and plug the holes, or you can use round-head blue screws and let the heads project. After the screws are all in, dress off all unevenness where the shelves are mortised into the posts, then mark each shelf and post so that you can put it together again after the parts are finished. Take the rack apart and transfer the marks to some part of the mortises and shelves that will not be covered with the finish you intend to put on. Apply the finish you wish to use and when the parts are thoroughly dry they can be reassembled and your rack will be complete.
The pieces can now be put together. Position all the parts, then wrap a rope around each end and twist it tightly with a stick. If done correctly, you can now lift the rack and handle it however you want. Next, insert screws into the corners. You can use flat-head screws and cover the holes, or you can use round-head blue screws and let the heads stick out. Once all the screws are in, sand down any rough spots where the shelves fit into the posts, then label each shelf and post so you can reassemble it after finishing. Take the rack apart and transfer the labels to parts of the mortises and shelves that won’t be covered by your finish. Apply your chosen finish, and once the parts are completely dry, they can be reassembled and your rack will be ready.
A HALL TREE
When making the hall tree as shown in the accompanying illustration use quarter-sawed oak if possible, as this wood is the most suitable for finishing in the different mission stains. This is a very useful and attractive piece of mission furniture and is also very easy to construct. The stock can be purchased ready cut to length, mill-planed and sandpapered on four sides as given in the following list:
When making the hall tree shown in the accompanying illustration, use quarter-sawed oak if you can, as this wood is the best for finishing in various mission stains. This is a very practical and appealing piece of mission furniture, and it's also straightforward to build. You can buy the stock pre-cut to length, mill-planed, and sanded on all four sides as outlined in the following list:
- 1 post, 2 by 2 by 59 in.
- 4 posts, 2 by 2 by 10 in.
- 8 braces, 7/8 by 2 by 7-1/2 in.
- 4 arms, 7/8 by 2 by 5-3/4 in.
[59]
[59]
First square up all the posts and bevel them at the tops as shown. Then cut the mortises making them [60] 1/2 in. wide and 7/8 in. deep. Cut the tenons on the braces to fit these mortises. Be careful to get the distance between the shoulders of the braces all of the same length. A good way to do this is to place them all side by side on a flat surface with the ends square and lay them all out at once. The top arms can be made in the same manner. The tenons should fit good and tight in all the posts.
First, make sure all the posts are square and bevel the tops as shown. Then, cut the mortises to be 1/2 inch wide and 7/8 inch deep. Cut the tenons on the braces to fit these mortises. Make sure the distance between the shoulders of the braces is the same length for all of them. A good way to do this is to lay them all side by side on a flat surface with the ends squared up and lay them all out at once. The top arms can be made in the same way. The tenons should fit snugly in all the posts.
The parts can now be glued and clamped together. When they are dry, scrape all the surplus glue from about the joints and go over the whole with fine sandpaper, removing all rough spots. Apply the finish you like best or the one that will match your other furniture. Purchase a few hooks at a hardware store and fasten in the upper arms as shown, and the hall tree is complete.
The pieces can now be glued and clamped together. Once they’re dry, scrape off any excess glue around the joints and use fine sandpaper to smooth out any rough areas. Apply your preferred finish or one that matches your other furniture. Buy some hooks at a hardware store and attach them to the upper arms as shown, and your hall tree is complete.
A TABLE FOR THE DEN
The table shown in the accompanying sketch is especially appropriate for the den; it might be used in any other part of the house as well. It may be built of plain-sawed red oak, or of quarter-sawed white oak. The wood should be thoroughly seasoned and devoid of imperfections.
The table displayed in the accompanying sketch is particularly suitable for the den; it could also be used in any other area of the house. It can be made from plain-sawed red oak or quarter-sawed white oak. The wood should be well-seasoned and free of defects.
Order the material as follows:
Please provide the short piece of text you'd like to have modernized.
- 1 top piece, 3/4 in. thick by 36 in. square, S-2-S.
- 4 legs, 2-1/2 in. square by 30 in. long, S-4-S.
- 2 upper horizontals, 1-1/8 by 2 by 36 in., S-4-S.
- 2 lower horizontals, 3/4 by 2-1/2 by 35 in., S-4-S.
- 4 keys, 1/2 by 1 by 5 in., S-2-S.
Lay out and cut the circular top first. Next cut the four legs to length. To get the slopes for the ends of the legs and the shoulders of the tenons, lay [61] out a full-sized drawing in pencil and lay the bevel along these lines, adjusting the parts to the lines.
Lay out and cut the circular top first. Next, cut the four legs to length. To get the angles for the ends of the legs and the shoulders of the tenons, make a full-sized drawing in pencil and use the bevel along these lines, adjusting the parts to match the lines.
[62]
[62]
The top horizontals have grooves cut on either side to allow the posts to "set in." This is to give the frame more rigidity. The lower horizontals or stretchers are to be tenoned through the posts and keyed. That the keys may be alike in size, a good plan is to make them first, then make the mortises in the stretchers to correspond. Work the keys to the proper thickness, unless they were ordered so, then to length and joint one edge straight and square. Next lay off across the key the lines A and B of the drawing so that A shall measure 1/2 in. and B 3/8 in. Draw a sloping line through these points [63] and work this edge of the key to size and shape. Round the top of the key as shown. Then mortise, in the tenon, for the key can then be laid out to 1/2 in. for the top opening and 3/8 in. for the bottom.
The top horizontal pieces have grooves cut on either side to allow the posts to fit into them. This adds rigidity to the frame. The lower horizontal pieces or stretchers will be attached to the posts with tenons and keys. To ensure the keys are all the same size, a good approach is to make them first, then create the mortises in the stretchers to match. Shape the keys to the correct thickness unless they were ordered that way, then cut them to length and make one edge straight and square. Next, measure off the key according to lines A and B from the drawing, where A should be 1/2 inch and B should be 3/8 inch. Draw a sloping line between these points [63] and shape this edge of the key to size and form. Round off the top of the key as indicated. Then, create a mortise in the tenon, so the key can be shaped to 1/2 inch for the top opening and 3/8 inch for the bottom.
The most satisfactory finish for mission designs, and the easiest to apply, is wax. It is an old finish that was superseded by varnish. Our ancestors used to make wax polish by "cutting" beeswax with turpentine. Cut up the beeswax and add to it about one-third its volume of turpentine. Heat to the boiling point in a double boiler. Or, melt a quantity of beeswax and to this add an equal volume of turpentine. Care must be taken that the turpentine shall not catch fire.
The most satisfying finish for mission designs, and the easiest to apply, is wax. It’s an old finish that was replaced by varnish. In the past, people used to make wax polish by mixing beeswax with turpentine. Cut up the beeswax and add about one-third its volume of turpentine. Heat it to the boiling point in a double boiler. Alternatively, melt some beeswax and add an equal amount of turpentine. Be careful that the turpentine doesn’t catch fire.
Rapid drying and hardening waxes can be purchased now-a-days. They require a smooth surface and a thin application for a successful result. Too much wax upon a rough surface will produce very ugly, white, chalk-like spottings as the wax dries. These are especially noticeable upon dark finishes. Waxes colored black overcome this, but are not necessary if the ordinary wax is properly applied. 1—Stain the wood, if a very dark finish is desired. 2—If the wood is coarse grained, put on one or two coats of paste filler and rub it off carefully, that a smooth surface may be prepared. Allow the stain 12 hours in which to dry, also each coat of filler. 3—With a soft cloth apply as thin a coating of wax as can be and still cover the wood. Wax is in paste form. 4—Allow this to stand five or ten minutes, then rub briskly with a soft dry cloth to polish. 5—Let stand 24 hours, then apply another coat. [64]
You can now buy fast-drying and hardening waxes. They need a smooth surface and a thin layer to work well. If you apply too much wax on a rough surface, it will leave unsightly white, chalky spots as it dries. These are especially visible on dark finishes. Black-colored waxes can fix this, but they’re not needed if the regular wax is applied correctly. 1—Stain the wood if you want a very dark finish. 2—If the wood has a coarse grain, apply one or two coats of paste filler and wipe it off carefully to create a smooth surface. Let the stain dry for 12 hours, as well as each coat of filler. 3—Using a soft cloth, apply the thinnest layer of wax that still covers the wood. The wax is in paste form. 4—Let it sit for five to ten minutes, then polish it with a soft dry cloth. 5—Wait 24 hours, then apply another coat. [64]
[65]
[65]
A BURLAP-COVERED WINDOW SEAT
A portable window seat of neat appearance, which is designed to take the place of a cedar chest, is shown in the accompanying sketch. If care is taken to make the joints fit well, the box will be practically airtight and mothproof, providing a place in which to store extra bedding or furs. The following list of materials will be needed:
A stylish portable window seat that serves as a substitute for a cedar chest is illustrated in the sketch attached. If you ensure the joints fit tightly, the box will be nearly airtight and mothproof, giving you a spot to store extra bedding or furs. You will need the following materials:
- 36 ft. 1-in. thick cedar boards for the box.
- 1 piece of pine, 2 by 2 inches, 12 feet long.
- 32 ft. of 1/4 by 2-in. oak strips.
- 54 ft. of 1/4 by 1-in. oak strips.
- 16 doz. R.H. 3/4-in, long brass screws.
- 1 piece of green burlap, 24 x 48 inches.
- 2 pieces of green burlap, 20 by 44 inches.
- 2 pieces of green burlap, 20 by 20 inches.
- 20 pieces red burlap, 3-1/4 in. square.
The box as shown in Fig. 1 is made first. Nail the sides and the bottom to the ends, being careful to get the box perfectly square. The corners can be dovetailed together if desired. The extra time it takes in making the dovetailed joints will greatly add to the durability of the box. The box can be made much stronger by nailing the sides and ends to posts 2 in. square placed on the inside. Cleats should also be placed on the inside, at the bottom, as shown. Fasten four blocks, 2 in. square, to the bottom for the box to rest upon. These can be attached with long screws run through from the bottom of the box.
The box shown in Fig. 1 is made first. Nail the sides and the bottom to the ends, making sure the box is perfectly square. The corners can be dovetailed together if you want. The extra time spent making dovetailed joints will significantly enhance the box's durability. You can make the box much stronger by nailing the sides and ends to 2 in. square posts inside. Cleats should also be placed inside at the bottom, as shown. Attach four 2 in. square blocks to the bottom to elevate the box. These can be secured with long screws driven in from the bottom of the box.
[66]
[66]
The green burlap is glued to the outside of the box. Be careful not to apply too much glue on the burlap, or it will soak through. This should be tried out on a scrap piece, and when the proper application of glue is ascertained, applied to one side of the burlap and stuck on the box. Place the cloth on so [67]. the weave will run in the same direction on all sides. The oak slats are cut and fit over the burlap as shown in Fig. 2. Care should be taken to make the mitered joints a tight fit. After the miters are all cut and the location of the squares, found, they are marked so that pieces of red burlap may be placed over the green before the slats are fastened permanently. The slats are put in place over the burlap and fastened with small brass screws.
The green burlap is glued to the outside of the box. Be careful not to use too much glue on the burlap, or it will soak through. Test this on a scrap piece first, and once you’ve figured out the right amount of glue to use, apply it to one side of the burlap and stick it onto the box. Position the cloth so the weave runs in the same direction on all sides. The oak slats are cut and fitted over the burlap as shown in Fig. 2. Make sure the mitered joints fit snugly. After all the miters are cut and the square locations are found, mark them so that pieces of red burlap can be placed over the green before the slats are permanently attached. The slats are placed over the burlap and secured with small brass screws.
Cover the top or lid with green burlap, allowing the edges to lap over the ends and sides and fasten under the side strips. This top can be stuffed with excelsior, if desired, and tacks with large heads driven in to hold it in place. The slats can be stained any color to suit the maker. They should be removed from the box when being stained so as not to spot or stain the burlap.
Cover the top or lid with green burlap, letting the edges overlap the ends and sides and secure them underneath the side strips. If you want, you can fill this top with excelsior and use large-headed tacks to keep it in place. The slats can be stained any color the maker prefers. Be sure to take them out of the box when staining to avoid spotting or staining the burlap.
QUARTER-SAWED OAK SETTEE
The mission settee shown in the accompanying picture should be made of quarter-sawed white oak. The material needed will be as follows:
The mission settee shown in the picture should be made of quarter-sawn white oak. The materials required will be as follows:
- 4 posts, 3-1/4 by 3-1/4 by 36-1/2 in., S-4-S.
- 4 end rails, 1-1/2 by 5 by 32 in., S-4-S.
- 12 end slats, 5/8 by 3-1/2 by 24 in., S-4-S.
- 1 front rail, 1-1/2 by 7 by 87 in., S-4-S.
- 1 lower back rail, 1-1/2 by 9 by 87 in., S-4-S.
- 1 upper back rail, 1-1/2 by 12 by 87 in., S-4-S.
- 2 cleats for seat frame, 1-1/2 by 2 by 82 in., S-4-S.
- 2 cleats for seat frame, 1-1/2 by 2 by 32 in., S-4-S.
[68]
[68]
On account of the unusual width of the pieces that go into the makeup of this settee, it will be necessary to have the wood thoroughly seasoned before putting them together, otherwise shrinkage will cause them to crack open. [69]
Due to the unusual width of the pieces that make up this settee, it's essential to have the wood properly seasoned before assembling them; otherwise, shrinkage will lead to cracking. [69]
Begin work by making the ends of the settee first. Cut the posts to length, chamfering both top and bottoms somewhat so that they shall not splinter or cause injury to the hands. Next lay out and cut the mortises as shown on the drawing. With the posts finished, lay out the end rails, cutting the tenons and the mortises into which the ends of the slats are to be fitted.
Begin work by making the ends of the couch first. Cut the legs to length, beveling both the top and bottom edges a bit so that they won't splinter or harm your hands. Next, mark out and cut the mortises as shown in the drawing. Once the legs are done, mark out the end rails, cutting the tenons and the mortises where the ends of the slats will fit.
It should be noted that the drawing calls for the "setting in" of the whole of the ends of the slats, there being no shoulders. This is much easier and gives just as satisfactory a result, provided the sides of the mortises are carefully cut.
It should be noted that the drawing requires the "setting in" of all the ends of the slats, as there are no shoulders. This is much easier and gives just as satisfactory a result, as long as the sides of the mortises are cut carefully.
Thoroughly scrape and sandpaper all these parts and then put the ends together. In addition to the glue it will be well to through pin each of the tenons and mortises. These pins may be put in flush and permanent on the ends of the settee. On the side rails, however, the pins are to be allowed to project so that they can be removed, and no glue is used in the joint.
Carefully scrape and sand all these parts, then join the ends together. Besides using glue, it's a good idea to pin each of the tenons and mortises. These pins can be installed flush and will be permanent on the ends of the settee. However, on the side rails, the pins should stick out so they can be removed, and no glue should be applied in the joint.
While the glue of the ends is hardening, prepare the rails of front and back. Scrape and sandpaper these and when the clamps can be removed from the ends put the whole frame together. The ends of all projecting tenons are chamfered.
While the glue on the ends is drying, prepare the front and back rails. Scrape and sand these, and when you can take the clamps off the ends, assemble the entire frame. The ends of all the sticking-out tenons are beveled.
[70]
[70]
The illustration shows a loose leather cushion. There is quite a variety of materials out of which such a cushion can be made. The best, of course, is leather. In the highest class of furniture where loose cushions are used, the seat base is formed by solidly mortising a frame together on which is woven a heavy cane seating. This in turn is fastened to the inside of the piece of furniture, and the [71] cushions when placed upon it make a very comfortable seat. The stock bill for this settee calls for such a frame. Wood slats may be substituted if desired.
The illustration shows a soft leather cushion. There are many different materials that can be used to make such a cushion. The best option, of course, is leather. In high-end furniture that features loose cushions, the seat base is made by securely joining a frame together, which is then woven with heavy cane seating. This is attached to the inside of the furniture piece, and when the cushions are placed on it, they create a very comfortable seat. The stock bill for this settee includes such a frame. Wooden slats can be used instead if preferred. [71]
This piece of furniture will look well if finished in weathered oak. See that all glue is removed from the surface, and that the wood is clean and smooth, and apply a coat of weathered oak oil stain. Sandpaper this lightly with No. 00 paper when the stain has thoroughly dried, and put on a coat of lackluster or an equivalent.
This piece of furniture will look great if finished in weathered oak. Make sure all glue is removed from the surface, and that the wood is clean and smooth, then apply a coat of weathered oak oil stain. Lightly sand this with No. 00 sandpaper once the stain has dried, and apply a coat of clear finish or something similar.
A SCREEN
In selecting or making up mission furniture for the home, a screen is necessary sometimes to add to the appearance of a room. The screen shown in the accompanying illustration consists of a few parts which are easily put together. The stock can be bought of any planing mill planed, sanded and cut to the proper lengths. The cloth, which should be of dark color, can be purchased at a dry goods store. The following list of material will be needed.
In choosing or creating mission furniture for your home, a screen is sometimes needed to enhance the look of a room. The screen shown in the illustration consists of a few parts that are easy to assemble. The wood can be purchased from any mill, planed, sanded, and cut to the right lengths. The fabric, which should be dark-colored, can be bought at a fabric store. The following list of materials will be required.
- 6 posts, 1 in. square by 65 in.
- 6 rails, 3/4 in. square by 18 in.
- 6 rails, 1/2 in. square by 18 in.
- 3 panels, 1/4 by 3 by 18 in.
- 6 yd. of cloth.
- 4 double-acting hinges.
- 2 doz. 2-1/2-in. slender screws.
Cut or plow a groove 1/4 in. wide and 1/4 in. deep in the center of one surface on each of the 3/4-in. rails. Cut out the ends with a compass saw. The five holes are bored with a 1-in. bit. The edges [72] of these panels are inserted in the grooves of the 3/4-in. rails, using plenty of good glue.
Cut or plow a groove that is 1/4 inch wide and 1/4 inch deep in the center of one surface on each of the 3/4-inch rails. Cut out the ends using a compass saw. Bore the five holes with a 1-inch bit. The edges of these panels will fit into the grooves of the 3/4-inch rails, using plenty of good glue. [72]
When the glue has dried for at least 24 hours the screen frame can be put together. Holes for the screws should be bored through the posts where the 3/4-in. rails are joined and a screw turned into the end grain of each rail.
When the glue has dried for at least 24 hours, the screen frame can be assembled. You should drill holes for the screws through the posts where the 3/4-inch rails are connected, and then insert a screw into the end grain of each rail.
Scrape off all the surplus glue and sandpaper all the parts well. When this is done the finish can be applied. Any one of the mission stains can be used and finished with wax and polished.
Scrape off all the excess glue and sand all the parts thoroughly. Once that’s done, the finish can be applied. You can use any of the mission stains and then finish it with wax and polish.
The cloth is cut to length, a hem sewed on each end and one 1/2-in. rail put through each hem. Place the top rail in position and screw it fast. Stretch the cloth tight and fasten the lower 1/2-in. rail with screws at the bottom. Each section of the screen is finished in the same way.
The fabric is cut to size, a hem stitched on each end, and a 1/2-inch rail inserted into each hem. Position the top rail and screw it in place. Pull the fabric tight and secure the lower 1/2-inch rail with screws at the bottom. Each section of the screen is completed in the same manner.
The hinges are attached about 4 in. from each end of the posts in the same manner as hanging a door. [73]
The hinges are fixed about 4 inches from each end of the posts in the same way as hanging a door. [73]
The sections can be made up in various ways to suit the builder. Instead of using cloth, heavy paste-board, or board made up to take the place of plaster on walls of dwellings, may be substituted, thus forming a ground that will take paint and bronze decorations. A piece of this material can be easily cut to fit the opening in each section.
The sections can be created in different ways to suit the builder’s needs. Instead of using cloth, heavy cardboard or a board designed to replace plaster on home walls can be used, creating a surface that accepts paint and bronze decorations. A piece of this material can be easily cut to fit the opening in each section.
[74]
[74]
A MISSION BOOKRACK
The accompanying sketch shows a bookrack designed strictly along mission lines. Enough stock may be found among the scrap, as no piece is over 1 in, in width or thickness. If stock is not on hand, secure the following, cut to exact lengths:
The accompanying sketch shows a bookrack designed strictly along mission lines. You can find enough materials among the scrap, as no piece is wider or thicker than 1 inch. If you don't have any materials on hand, get the following items, cut to exact lengths:
- 2 stretchers, 1 by 1 by 20 in., S-4-S.
- 4 posts, 1 by 1 by 7-1/2 in., S-4-S.
- 4 rails, 1 by 1 by 7 in., S-4-S.
- 8 slats, 1/2 by 1/2 by 3-1/2 in., S-4-S.
Arrange the pieces as they are to be in the finished rack and number both parts of each joint. There will be twelve lap joints, and great care must be taken to mark them accurately and to cut to exactly half the depth of each piece.
Arrange the pieces in the order they will be in the completed rack and label both parts of each joint. There will be twelve lap joints, and it's important to mark them carefully and cut to exactly half the thickness of each piece.
First fit the posts and rails of the ends. To mark the width of each notch, lay the piece which is to fit into the notch upon it and thus get the exact size. Knife lines must be used for the width and light gauge lines for the depth of each notch.
First, fit the posts and rails of the ends. To mark the width of each notch, place the piece that will fit into the notch on top of it to get the exact size. Use knife lines for the width and light gauge lines for the depth of each notch.
Next lay out and cut joints between the stretchers and ends.
Next, lay out and cut the joints between the stretchers and ends.
In each end there are four slats which should be [75] mortised into the rails 1/4 in. Glue the pieces in place and clamp them with handscrews.
In each end, there are four slats that should be mortised into the rails 1/4 inch. Glue the pieces in place and clamp them with handscrews.
A rubber-headed tack in the bottom of each post will prevent the marring of the surface upon which the rack is to rest.
A rubber-tipped tack at the bottom of each post will stop any damage to the surface where the rack will sit.
Mission, weathered or fumed-oak stain will look well. A waxed finish should be used. Before applying the wax, it is well to use a very thin coat of shellac as a foundation. Let this coat stand for a few hours and allow an interval of at least an hour between applying the coats of wax.
Mission, weathered or fumed-oak stain will look good. A waxed finish should be used. Before applying the wax, it’s best to put on a very thin layer of shellac as a base. Let this layer sit for a few hours and wait at least an hour between applying the wax coats.
Should the rack wind a little, it may be remedied by cutting off part of two diagonally opposite racks.
If the rack twists a bit, you can fix it by cutting off part of two diagonally opposite racks.
A ROUND EXTENSION DINING TABLE
[76]
[76]
This extension table should be made of some hard wood, preferably white oak. It will be a difficult matter to secure legs of the sizes indicated in solid pieces of clear stock. It will be possible, however, [77] to secure them veneered upon white-pine cores. If the veneering is properly done these will serve the purpose very well, the lighter weight, due to the white-pine core, being an advantage. The circular facing is best made by first sawing a segment of the circle of the size wanted and then veneering the outer surface of this. Order the following stock:
This extension table should be made from a durable hardwood, preferably white oak. It will be tricky to find legs of the specified sizes made from solid pieces of clear wood. However, it’s possible to get them veneered on white-pine cores. If the veneering is done correctly, these will work just fine, and the lighter weight from the white-pine core will be a plus. The circular facing is best created by first cutting a segment of the circle to the desired size and then veneering the outer surface. Order the following stock:
- 4 legs, 3 by 3 by 30-1/2 in., S-4-S.
- 1 leg, 5 by 5 by 30-1/2 in., S-4-S.
- 4 rails, 1-1/8 by 5 by 23 in., S-2-S.
- 4 facing segments, 1-1/8 by 3-1/4 in. on a 24-in. radius.
- 1 top, 1-1/8 in. thick on a 27-in. radius, S-2-S;
- 3 extra boards, 1-1/8 by 12 by 55 in., S-2-S.
- 4 slides, 1-1/8 by 2-3/4 by 36-1/2 in., S-4-S, maple.
- 2 slides, 1-1/4 by 2-3/4 by 36-1/2 in., S-4-S, maple.
- 4 frame pieces, 7/8 by 3 by 9 in., S-4-S, maple.
- 2 frame pieces, 7/8 by 6 by 28 in., S-4-S, maple.
- 2 frame pieces, 7/8 by 4 by 23-1/2 in., S-4-S, maple.
[78]
[78]
There are various ways of arranging the slides to work one with the other. Several patented devices are on the market that permit a ready adjustment with but little effort and are used extensively by commercial manufacturers. The amateur will do well to secure a set before he undertakes to work these slides to shape.
There are different ways to arrange the slides so they work together. Several patented devices are available that allow for easy adjustments with minimal effort and are widely used by commercial manufacturers. Amateurs should definitely get a set before trying to shape these slides.
Prepare the legs by cutting them to length. Lay out and work the mortises. The ends of the facings are to be tenoned and housed into the posts. Prepare the rails by cutting the tenons and shaping the lower edges as shown in the drawing. Prepare the top. After this, assemble this much of the frame, using plenty of clamps and good hot glue.
Prepare the legs by cutting them to size. Lay out and create the mortises. The ends of the facings should be tenoned and fitted into the posts. Prepare the rails by cutting the tenons and shaping the lower edges as shown in the drawing. Prepare the top. After that, assemble this part of the frame, using plenty of clamps and strong hot glue.
Next get the under frame and the slides ready and attach them as shown. There will be needed plenty of glue blocks for reinforcing the facing where it is fastened to the top, etc.
Next, prepare the under frame and the slides, then attach them as indicated. You'll need plenty of glue blocks to reinforce the facing where it is attached to the top, etc.
For a finish, apply a filler colored, as desired. Upon this, after it has hardened and been sanded with No. 00 paper, apply a coat of shellac. Upon the shellac apply successively several coats of some good rubbing varnish. Rub the first coats with haircloth and the final coat with pulverized pumice and crude or linseed oil.
For a final touch, apply a colored filler as you like. Once it has hardened and been sanded with No. 00 sandpaper, apply a coat of shellac. After the shellac, apply several coats of a quality rubbing varnish, one after another. Buff the first coats with haircloth and the last coat with powdered pumice and either crude or linseed oil.
If an effect is wanted that will contrast, stain the wood first with a water stain. Sand this lightly when dry, then apply a second coat of stain diluted one-half with water. Again sand and then apply a thin coat of shellac. Sand this lightly, and apply the filler and the varnish as described above.
If you want a contrasting effect, start by staining the wood with a water-based stain. Lightly sand it once it’s dry, then apply a second coat of stain mixed with equal parts water. Sand it again and then add a thin layer of shellac. Lightly sand that, then apply the filler and varnish as described above.
[79]
[79]
AN ARM DINING CHAIR
This armchair will look well if made of plain-sawed oak. Quarter-sawed oak might be used, or black walnut if desired. The stock bill specifies the various parts mill-planed to size as far as possible. If some amateur craftsman should prefer to [80] do his own surfacing, thereby saving somewhat on the expense, he should add 1/4 in. to the width of each piece, providing the stock is mill-planed to thickness. It is hardly profitable to get stock entirely in the rough if the work is to be done by hand. The following is the stock bill:
This armchair will look good if made from plain-sawed oak. You could also use quarter-sawed oak or black walnut if you prefer. The stock bill outlines the various parts that should be mill-planed to size as much as possible. If any amateur craftsman wants to do their own surfacing to save on costs, they should add 1/4 inch to the width of each piece, assuming the stock is mill-planed to the correct thickness. It's not really worth it to get stock completely rough if the work is going to be done by hand. Here is the stock bill:
- 2 front posts, 1-3/4 by 1-3/4 by 25 in., S-4-S.
- 1 piece for back posts, 1-3/4 by 6 by 43 in., S-2-S.
- 2 arm pieces, 7/8 by 4 by 24-1/2 in., S-4-S.
- 2 seat rails, 1 by 2-1/2 by 22 in., S-4-S.
- 2 seat rails, 1 by 2-1/2 by 24 in., S-4-S.
- 4 lower side rails, 5/8 by 1-1/2 by 22 in., S-4-S.
- 2 front and back lower rails, 5/8 by 2-3/4 by 24 in., S-4-S.
- 1 back rail, 3/4 by 2-1/4 by 24 in., S-4-S.
- 1 back rail, 3/4 by 2-1/2 by 24 in., S-4-S.
- 2 slats, 3/8 by 2 by 16-1/2 in., S-4-S.
- 1 slat, 3/8 by 4-1/2 by 16-1/2 in., S-4-S.
- 2 braces, 7/8 by 2-1/2 by 5-1/2 in., S-2-S.
The design shown is for a chair in which the width of front and back is the same. Also the back leg parallels the front below the seat. In commercial practice the backs are usually made somewhat narrower than the fronts and the back leg is slanted somewhat below the seat as well as above. As this construction necessitates sloping shoulders on all tenons it complicates the problem when the work is not done by machinery. The ambitious amateur may readily get the proportion of slant by measuring common chairs. For mission effects the chair looks well with front and back the same width.
The design shown is for a chair where the width of the front and back is the same. The back leg also runs parallel to the front leg beneath the seat. In commercial practice, the backs are usually made a bit narrower than the fronts, and the back leg is also slightly angled below the seat as well as above. This construction requires sloping shoulders on all tenons, which adds complexity to the work if it isn't done by machinery. The enthusiastic amateur can easily measure common chairs to get the right angle. For a mission style, the chair looks good with the front and back being the same width.
Prepare the front posts first and then the rear. The rear posts are to be cut from the single piece of stock specified. By proper planning both pieces may be gotten out without trouble. Lay off and cut the mortises.
Prepare the front posts first, and then move on to the rear. The rear posts should be cut from the specified single piece of stock. With good planning, you can get both pieces out without any issues. Mark out and cut the mortises.
Saw the rails to length and lay out and cut the tenons. The back rails are to have mortises in their edges to receive the ends of the slats. Instead of [81] tenoning these slats make mortises large enough to receive the whole end—in other words, house the ends.
Saw the rails to length, then lay them out and cut the tenons. The back rails should have mortises in their edges to fit the ends of the slats. Instead of tenoning these slats, create mortises large enough to fit the entire end—in other words, house the ends.
Shape the two arms, then glue up the back and then the front of the chair. After the glue has set sufficiently, assemble the remainder of the parts.
Shape the two arms, then glue the back and front of the chair. Once the glue has dried enough, put the rest of the parts together.
Thoroughly scrape and sandpaper the parts and then apply the finish.
Thoroughly scrape and sand the parts, then apply the finish.
For a seat, either a leather cushion may be placed upon slats or the bottom may be upholstered in the usual manner, using webbing on heavy canvas, and then felt or hair with a top of canvas and leather; the whole being firmly fastened with tacks and the leather with ornamental nails.
For a seat, you can either put a leather cushion on slats or upholster the bottom in the usual way, using webbing on heavy canvas, and then adding felt or hair topped with canvas and leather; everything is securely fastened with tacks, and the leather is attached with decorative nails.
[82]
[82]
A HALL BENCH
All the stock for this bench should be of 7/8-in. oak, excepting the slats, which may be of a cheaper wood. The following list of lumber will be required to build it:
All the wood for this bench should be 7/8-inch oak, except for the slats, which can be made from a cheaper wood. You will need the following list of lumber to build it:
- 4 slats, 7/8 by 4 by 17 in., cheap wood.
- 2 cleats, 7/8 by 1 by 26 in., cheap wood.
- 4 end rails, 7/8 by 2 by 16-1/4 in., oak, S-2-S.
- 2 ends, 7/8 by 16 by 16-1/4 in., oak, S-2-S.
- 2 sides, 7/8 by 4 by 25 in., oak, S-2-S.
- 2 pieces, 7/8 by 5-1/2 by 25 in., oak, S-2-S.
Start the work by first cutting the two pieces of 7/8 by 5-1/2 by 25-in. material diagonally 1 in. from each corner, thus making the legs. The edges are planed square and the ends should be rounded a [83] little so that there will be no splinters projecting. The legs are mortised 1 in. deep for the side rails. The tenon ends are cut on the rails, care being taken to get the right angle and a good fit. These can now be fastened together, using hot glue on the entire surface of the joint.
Start the work by first cutting two pieces of 7/8 by 5-1/2 by 25-inch material diagonally 1 inch from each corner to create the legs. Plane the edges square, and round off the ends a little to avoid any splinters. The legs should be mortised 1 inch deep for the side rails. Cut tenon ends on the rails, making sure to get the right angle and a good fit. You can now fasten everything together by using hot glue on the entire surface of the joint. [83]
While these are drying the ends can be made as shown in the plan. The 3 by 4-in. holes are cut at equal distances apart. Be sure that each end is perfectly square, then glue and dowel the 2-in. strips at each end. The ends are then glued and nailed [84] to the sides, using finishing nails, which are set and the holes filled with colored putty.
While these are drying, you can prepare the ends as shown in the plan. Cut the 3 by 4-inch holes at equal distances apart. Make sure each end is perfectly square, then glue and dowel the 2-inch strips at each end. Finally, glue and nail the ends to the sides with finishing nails, which should be set and the holes filled with colored putty. [84]
The cleats are now fastened, extra care being taken when fastening them over the joints where the legs receive the side rails, as this will help to strengthen the joints. The slats rest on these cleats and are placed at equal distances apart.
The cleats are now secured, with extra attention paid to fastening them over the joints where the legs meet the side rails, as this will help strengthen the joints. The slats sit on these cleats and are spaced evenly apart.
The bench is now finished, but before applying the stain, see that all parts are free from glue and are well sandpapered.
The bench is now complete, but before applying the stain, make sure all parts are free from glue and properly sanded.
The leather cushion should be the loose kind and of a shade to harmonize with the finish.
The leather cushion should be the loose kind and in a shade that complements the finish.
A SEWING TABLE
This convenient and useful table will be much appreciated by any woman. It has two drawers for sewing material, and two drop leaves to spread the work upon.
This handy and practical table will be greatly appreciated by any woman. It features two drawers for sewing supplies and two drop leaves to expand the workspace.
The following list of material will be needed for its construction. The sizes given are exact, so if the stock cannot be bought at a mill ready planed and squared, a slight allowance must be made for this.
The following list of materials will be needed for construction. The sizes provided are exact, so if the materials cannot be purchased from a mill already planed and squared, a slight allowance should be made for that.
- 4 posts, 1-1/4 by 1-1/4 by 27 in., S-4-S.
- 9 rails, 7/8 by 2 by 14-1/2 in., S-2-S.
- 1 top, 7/8 by 18 by 18 in., S-2-S.
- 2 leaves, 7/8 by 10 by 18 in., S-2-S.
- 2 drawer fronts, 3/4 by 5 by 13-1/2 in., S-2-S.
- 4 drawer sides, 3/8 by 5 by 13 in., S-2-S.
- 2 drawer backs, 3/8 by 4-1/8 by 13 in., S-2-S.
- 2 drawer bottoms, 3/8 by 12-3/4 by 13 in., S-2-S.
- 4 drawer slides, 7/8 by 2 by 13 in., S-2-S.
- 3 panels, 3/8 by 9-3/8 by 14 in., S-2-S.
- 2 brackets, 7/8 by 3 by 4 in., S-2-S.
Have the surfaces of the legs exactly square with [85] each other. The ends must be square with all surfaces, but need not be planed smooth as neither will be seen in the finished table.
Make sure the surfaces of the legs are perfectly square with each other. The ends should be square with all surfaces, but they don’t need to be planed smooth since they won't be visible in the finished table.
Arrange the rails in position. The two rails in each side and back are placed with the 2-in. surface out, while the three in the front have the 2-in. surface [86] up for the drawers to slide upon. Mark the tenons, 1 in, by 3/8 in., with a knife and gauge lines on each end of the rails for the sides and back. Mark the tenons, 3/4 in. by 7/8 in., as shown in the sketch, on each end of front rails. Cut all the tenons with a backsaw and smooth them with a chisel.
Position the rails correctly. The two rails on each side and the back should have the 2-inch surface facing out, while the three in the front should have the 2-inch surface facing up for the drawers to slide on. Use a knife and gauge to mark the tenons, which are 1 inch by 3/8 inch, on each end of the side and back rails. Mark the tenons, which are 3/4 inch by 7/8 inch, as shown in the sketch, on each end of the front rails. Cut all the tenons with a backsaw and smooth them with a chisel.
Carefully mark the mortises in the legs, taking measurements for each mortise from the tenon which is to go into it. Fit together all rails and legs without glue to detect any errors.
Carefully mark the mortises in the legs, measuring each mortise from the tenon that will fit into it. Assemble all the rails and legs without glue to spot any mistakes.
See that the panels for sides and back are squared up true and the surfaces smooth. Mark the grooves for the panels in the side and back rails and legs. Cut the grooves with a chisel or plow plane to a depth of 1/4 in.
See that the panels for the sides and back are perfectly squared and the surfaces smooth. Mark the grooves for the panels in the side and back rails and legs. Cut the grooves with a chisel or plow plane to a depth of 1/4 inch.
Glue up the joints and clamp the two table sides [87] first. While the glue is setting, square up and smooth the top and two leaves perfectly.
Glue the joints and clamp the two sides of the table first. While the glue is drying, make sure to square up and smooth the top and both leaves perfectly. [87]
Now glue up the whole table, having set in the front and back rails and panel. The drawer slides, two on each side, should next be put in. A nail through them and into each leg will hold them, as there is only the weight of the drawers resting on them. Fasten the top with screws through the rails from the under side. The leaves are attached with two 2-in. butt hinges which must be set in flush with the under surface to prevent a crack showing between the table top and leaf when the latter is raised. The small bracket hinged to the panel supports the open leaf.
Now glue up the entire table, having installed the front and back rails and panel. Next, put in the drawer slides, two on each side. A nail through them and into each leg will hold them in place, since only the weight of the drawers rests on them. Secure the top with screws through the rails from underneath. The leaves are attached with two 2-inch butt hinges that must be flush with the underside to prevent a gap from showing between the tabletop and leaf when the leaf is raised. The small bracket hinged to the panel supports the open leaf.
The drawers are now made. Allow the side to lap over the front 1/2 in. as shown in sketch and fasten it with nails. The bottom should be let into the sides and front 1/4 in., but must not be nailed to them, because this would cause the drawer to stick, when the bottom expands. [88]
The drawers are now complete. Let the side extend over the front by 1/2 inch, as shown in the sketch, and secure it with nails. The bottom should be recessed into the sides and front by 1/4 inch but shouldn’t be nailed down, as that would make the drawer stick when the bottom expands. [88]
Metal rings or wooden knobs will do well for the drawer pulls.
Metal rings or wooden knobs work great for the drawer pulls.
Stain to any desired shade and finish with a wax if a dull gloss is wanted, or with one coat of shellac and two coats of varnish for a highly polished surface.
Stain to your preferred color and finish it with wax if you want a matte look, or use one coat of shellac followed by two coats of varnish for a high-gloss finish.
A SIDE CHAIR
A companion piece to the chair with arms and the sideboard is the side chair illustrated herewith. It should be made of the same kind of wood and finished to correspond with the armchair. Order the following stock list:
A companion piece to the armchair and the sideboard is the side chair shown here. It should be made from the same type of wood and finished to match the armchair. Order the following stock list:
- 2 front posts, 1-1/2 by 1-1/2 by 18-1/2 in., S-4-S.
- 1 piece for back posts, 1-1/2 by 5-1/2 by 38-1/2 in., S-2-S.
- 4 seat rails, 1 by 2 by 17 in., S-4-S.
- 4 lower side rails, 5/8 by 1-1/4 by 17 in., S-4-S.
- 2 lower front and back rails, 5/8 by 2-1/2 by 17 in., S-4-S.
- 1 back rail, 3/4 by 2-1/4 by 17 in., S-4-S.
- 1 back rail, 3/4 by 2 by 17 in., S-4-S.
- 1 slat, 3/8 by 3 by 13-1/2 in., S-4-S.
- 2 slats, 3/8 by 1-1/2 by 13-1/2 in., S-4-S.
Square up the front posts to length. From the single piece specified cut out the back posts, giving them the amount of slant indicated in the drawing. Set these four posts upright in the positions they are to occupy relative to one another in the finished piece, and mark off, as with penciled circles, the approximate locations of mortises. After this, lay them on the bench side by side, even the lower ends and locate accurately the ends of the mortises. Gauge their sides.
Square the front posts to length. From the specified single piece, cut out the back posts, giving them the slant shown in the drawing. Stand these four posts upright in their final positions relative to each other and mark the approximate locations of the mortises with pencil circles. Next, lay them side by side on the bench, aligning the lower ends, and accurately locate the ends of the mortises. Measure their sides.
Saw the rails to length and lay out the shoulder lines and the cheeks of the tenons and cut them. Plan to house the ends of the slats in the back rails. [89]
Saw the rails to the right length and mark out the shoulder lines and the cheeks of the tenons, then cut them. Plan to fit the ends of the slats into the back rails. [89]
[90]
[90]
While the drawing shows a chair in which the front and back are of equal width, the amateur may make the back narrower if he so desires. A measurement of a common chair will give the proportions.
While the drawing shows a chair with equal width in both the front and back, a beginner can make the back narrower if they want. Measuring a standard chair will provide the proportions.
Place the front and the back in the clamps and after the glue has had time to harden, assemble the remaining parts. Thoroughly scrape and sandpaper [91] all the parts, carefully removing any surplus glue. Wood finish will not "take hold" where any glue has been allowed to remain.
Place the front and back in the clamps, and after the glue has set, assemble the remaining parts. Thoroughly scrape and sand all the pieces, carefully removing any excess glue. Wood finish won't adhere where any glue has been left. [91]
The seat may be given the same treatment as suggested for the armchair. This should not be done, however, until the finish has been applied.
The seat can be treated the same way as the armchair. However, this shouldn't be done until the finish has been applied.
A simple finish is obtained by the application of a coat of paste filler of a soft brown color, if oak has been used. Apply and clean this off in the manner directed by the manufacturers and after it has had 24 hours in which to harden, sand it lightly with No. 00 paper. Over this apply a thin coat of shellac. Allow this to harden, then sandpaper lightly with fine paper. Upon the shellac apply several coats of some good rubbing wax. Follow the directions that are to be found upon the cans, being careful not to apply too much at a time. If too much wax is applied, it stays in the small pores of the wood and produces an ugly chalk-like appearance.
A simple finish can be achieved by applying a coat of soft brown paste filler if you're using oak. Apply it and clean it off as directed by the manufacturer, and after it has had 24 hours to harden, lightly sand it with No. 00 sandpaper. Then, apply a thin coat of shellac. Once that has hardened, lightly sand it again with fine sandpaper. Over the shellac, apply several coats of a good rubbing wax. Follow the instructions on the cans, making sure not to use too much at once. If you apply too much wax, it can stay in the small pores of the wood and create an unattractive chalky appearance.
ANOTHER PIANO BENCH
The piano bench shown is best made of black walnut or oak and should be finished in the natural color for walnut, but stained some rich brown for oak.
The piano bench shown is best made of black walnut or oak and should be finished in the natural color for walnut, but stained a deep brown for oak.
The following pieces will be needed:
The following items will be needed:
- 1 top, 1 by 15-1/2 by 38-1/2 in., S-2-S.
- 2 legs, 1 by 14-1/2 by 20-1/2 in., S-4-S.
- 2 rails, 7/8 by 3-3/4 by 36-1/2 in., S-2-S.
- 1 stretcher, 3/4 by 4-1/4 by 37 in., S-2-S.
The keys can be secured from the waste that will be cut off from the other parts. [92]
The keys can be taken from the excess that will be trimmed from the other sections. [92]
Square up the top in the usual manner to the size indicated in the working drawing. In a similar manner square up the stretcher to width and length.
Square up the top in the usual way to the size shown in the working drawing. Similarly, square up the stretcher to its width and length.
There will be no need to square the ends of the rails as they are to be cut off on a slant. Square up the sides or edges and then lay off and cut the slanting ends, smoothing them with the plane. Lay off and work the shape on their under edges.
There’s no need to square the ends of the rails since they’ll be cut at an angle. Make the sides or edges square, then measure and cut the angled ends, smoothing them with a plane. Mark and shape the underside edges as well.
The ends are best laid off by means of a template or pattern for which a piece of rather heavy paper will do. Lay off the main dimensions on a center line. Sketch in the curve of the edge after the slant has been laid out. Lay out the form at the bottom, then fold the paper along the center line and trace the other half. With this pattern lay off the outline upon the wood. For convenience in laying out the grooves for the rails and the mortise for the tenon on the stretcher, it is well to work a face edge upon each leg and allow this to remain until these joints have been made and the parts fitted. The [93] shape at the bottom of the leg is merely suggestive and may be modified as desired.
The ends are best marked using a template or a pattern made from a piece of sturdy paper. Mark the main dimensions on a center line. Draw the curve of the edge after defining the slope. Outline the shape at the bottom, then fold the paper along the center line and trace the other half. With this pattern, outline the shape on the wood. To make it easier to mark the grooves for the rails and the mortise for the tenon on the stretcher, it's helpful to create a flat edge on each leg and keep it until these joints are made and the parts are fitted. The shape at the bottom of the leg is just a suggestion and can be adjusted as needed. [93]
Lay out and work the tenons on the stretcher. Then lay out and work the grooves upon the rails. Each side of each rail is grooved 1/8 in, to allow the leg to be recessed. This is done to give the bench the bracing that is needed to make it stand firmly. Work the grooves in the legs and the mortises for the rails.
Lay out and shape the tenons on the stretcher. Then lay out and shape the grooves on the rails. Each side of each rail has a groove that's 1/8 inch deep to allow the leg to fit in. This is done to provide the necessary support to keep the bench stable. Shape the grooves in the legs and the mortises for the rails.
It should be noted that the mortise for the key in the stretcher must be laid out before the shoulders and cheeks of the tenon on which the mortise is made are cut off. Otherwise there would be no place to put the gauge in marking the sides of the mortise for the key.
It’s important to note that the mortise for the key in the stretcher needs to be marked out before cutting off the shoulders and cheeks of the tenon where the mortise will be. Otherwise, there won't be a spot to place the gauge for marking the sides of the mortise for the key.
Thoroughly scrape all the parts and then assemble them. No glue is needed. The rails are held in place by dowel pins, the heads of which are allowed [94] to project slightly and rounded so as to give an ornamental effect. The top is attached by means of small angle irons or by means of blocks and screws fastened to the corners made by top and rails.
Thoroughly clean all the parts and then put them together. No glue is necessary. The rails are secured with dowel pins, which should stick out slightly and have rounded heads for a decorative touch. The top is attached using small angle brackets or blocks and screws fixed at the corners where the top and rails meet.
ANOTHER SCREEN
The screen shown in the accompanying illustration is made of burlap and plain-sawed oak. The stock list follows:
The screen shown in the illustration here is made of burlap and plain-sawed oak. The stock list follows:
- 2 posts, 1-1/2 by 1-1/2 by 40 in., S-4-S.
- 2 base pieces, 3 by 3 by 12-1/2 in., S-4-S.
- 2 horizontals, 3/4 by 4-1/4 by 38 in., S-2-S.
- 1 horizontal, 3/4 by 1-1/2 by 38 in., S-2-S.
- 1 vertical, 3/4 by 1-3/4 by 20 in., S-2-S.
- 4 braces, 1-1/8 by 4-1/4 by 6-1/2 in., S-2-S.
The two base pieces may be shaped first. The drawing shows the form and the dimensions. Make use of a face edge in laying out the mortises in the base pieces for the uprights, before these face edges are removed to make the slanting sides.
The two base pieces can be shaped first. The drawing shows the shape and dimensions. Use a face edge when marking out the mortises in the base pieces for the uprights, before these face edges are removed to create the slanting sides.
Work the verticals to length, laying out and cutting the tenons at the bottoms, and shaping the tops as shown.
Work the verticals to length, lay out and cut the tenons at the bottoms, and shape the tops as shown.
Lay out and shape the three horizontals as shown, working the tenons upon the ends of each and the mortises in the lower two for the tenons of the middle vertical.
Lay out and shape the three horizontal pieces as shown, working on the tenons at the ends of each and the mortises in the lower two for the tenons of the middle vertical piece.
For the braces, secure a face edge on each piece and square one end of each to that. Lay off the curve free-hand upon one block and cut it out. Use this block as a pattern or template to lay off the others.
For the braces, secure a face edge on each piece and square one end of each to that. Draw the curve freehand on one block and cut it out. Use this block as a pattern or template to outline the others.
Thoroughly scrape and sandpaper all the parts, [95] then assemble them, using clamps and good hot glue. Take care to see that there is no warp in the frame as it lies in the clamps. After the glue on the frame has hardened, remove the clamps and attach the base blocks and the braces. The braces are secured by means of round-head screws.
Thoroughly scrape and sand all the parts, [95] then assemble them using clamps and strong hot glue. Make sure there’s no warping in the frame while it’s in the clamps. Once the glue on the frame has set, take off the clamps and attach the base blocks and braces. The braces are secured with round-head screws.
Remove the surplus glue and then apply a finish as desired.
Remove the extra glue and then apply a finish as you like.
For the paneling, frames will be needed about which to fasten the burlap. These may be made of [96] 1/2-in, soft wood and the following pieces will be necessary:
For the paneling, you'll need frames to attach the burlap. These can be made of 1/2-inch softwood, and you'll need the following pieces:
- 2 pieces, 1/2 by 2 by 36 in., S-2-S.
- 2 pieces, 1/2 by 2 by 8 in., S-2-S.
- 4 pieces, 1/2 by 2 by 18 in., S-2-S.
- 4 pieces, 1/2 by 2 by 19 in., S-2-S.
Make these frames enough smaller than the openings they are to occupy to allow for burlap and tacks. These frames are held in place by putting fixed nails in the top of each frame before the burlap is attached. Holes are bored in the rails to correspond to them. The lower edges of the frames are held in place by nails inserted up through the rails upon which the frames rest.
Make these frames smaller than the openings they will fit into to allow for burlap and tacks. These frames are secured by placing fixed nails at the top of each frame before attaching the burlap. Holes are drilled in the rails to match them. The lower edges of the frames are secured by nails driven up through the rails that support the frames.
[97]
[97]
A FOLDING CARD TABLE
The accompanying sketch shows the details of a card table that can be folded up and carried about or stored away when not in use. We would advise making two tables at the same time, as the material for both can be purchased nearly as cheaply as for one. The material necessary for making one table is given in the following list:
The sketch below illustrates the details of a card table that can be folded and easily transported or stored when not in use. We recommend making two tables at once since the materials for both can be bought for almost the same price as for just one. The materials needed to create one table are listed below:
- 1 piece, 7/8 by 1-3/16 by 27-1/2 in., basswood or poplar.
- 2 pieces, 7/8 by 1-3/16 by 29-1/4 in., basswood or poplar.
- 4 legs, 1 in. square, 24-3/4 in. long; oak.
- 4 pieces, 1 in. square, 5 in. long; oak.
- 4 side pieces, 3/8 by 1-3/8 by 29-5/8 in.; oak.
- 4 pieces, 27-1/2 in. long, single groove electric wire moulding with
- batten.
- 1 piece cardboard, 1/8 in. thick, 29-1/4 in. square.
- 4 pieces brass rod, 3-16 in. diameter, 15 in. long.
- 30 small copper washers, 3/8 or 7/16 in. outside diameter and drilled
- 3/16 in.
- 4 brass corners, 1-3/8 in, deep.
- 2-1/2 doz. No. 5 oval head brass screws, 3/4 in. long.
- 4 No. 2, 7/8-in. rubber screw tips.
- 1 piece felt, 1 yd. square.
- 1 sheet wadding, 1 yd. square (if pad is wanted under felt).
- 1 pt. wood stain.
- 3 doz. No. 14 wire beads, 2 in. long.
- Some 2-oz., 4-oz., and 6-oz. flat-head tacks.
[98]
[98]
Begin by squaring up the four legs making them all 24-3/4 in. long and 1 in. square. Also square up the crosspieces marked B in the detail drawing. These should be 5 in. long and should have 1/4-in. holes about 1 in. deep drilled in both ends of each for the 1/4-in. oak swivel pins. Measure back 1-1/2 in. from one end of each and bore a 9/16-in. hole, 7/8 in. deep as shown. Now cut a tenon on one end of each leg, 3/4 in. long, that will fit tightly in this 9/16-in. hole. Round the corners of the piece B at the top as shown at C. Fasten the two pieces together with glue and brads, being careful to get them [99] square with each other. After the glue is set bore a 3/16-in. hole in the center of the leg, 7 in. from the edge of the crosspiece, for the brace rod. Bevel the corners as shown. Sandpaper them smooth, then stain and polish.
Start by cutting the four legs to be 24-3/4 inches long and 1 inch square. Also cut the crosspieces marked B in the detail drawing to be 5 inches long. Drill 1/4-inch holes about 1 inch deep in both ends of each crosspiece for the 1/4-inch oak swivel pins. Measure back 1-1/2 inches from one end of each crosspiece and drill a 9/16-inch hole, 7/8 inch deep, as shown. Next, cut a tenon on one end of each leg, 3/4 inch long, that fits tightly into this 9/16-inch hole. Round the corners of piece B at the top as shown at C. Join the two pieces with glue and brads, ensuring they are square with each other. After the glue has dried, drill a 3/16-inch hole in the center of the leg, 7 inches from the edge of the crosspiece, for the brace rod. Bevel the corners as shown. Smooth them with sandpaper, then stain and polish.
Lay the two pieces marked D and E in the sketch on a level surface with the 7/8-in. edge up, place the cardboard on top and tack it fast to the pieces, using 6-oz. tacks. Place the center piece in and tack it fast also. Fasten the ends to the other pieces with brads. The four pieces of electric wire moulding should each measure exactly 27-1/2 in. long, or the same length as the center piece. Fit a piece of wood about 4 in. long in the groove at each end of the moulding, plane down and fasten with brads. Next take the thin batten or covering strip that comes [100] with the moulding and bore a 1/2-in. hole in the center, 6 in, from one end, and a 1/4-in. hole, 8-3/16 in. from the other end. With a gouge cut a slot 1/4 in. wide from one hole to the other in the center as shown in the section A-A. Sandpaper this slot smooth and then fasten the batten to the moulding with small brads driven in about 2 in. apart. At a point 3/4 in. from each end and in the center drill 1/4-in. holes through the moulding at the small ends of the slots. These are for the ends of the brace rods to spring into, to lock the legs when they are open. Tack the two pieces of moulding marked F and J on the remaining edges of the cardboard with the slots facing in and the large holes of the slots at opposite sides, then place the other two pieces (G and H) 5 in. inside of these, or just the length of the cross ends of the legs, with the slots facing the first two placed (F and J) and tack fast with 4-oz. tacks. Use brads at the ends and be careful that they do not enter the 1/4-in. holes. This part of the table can now be stained or painted the same as the legs. The 3/8-in. side pieces can also be stained at this time.
Place the two pieces labeled D and E from the sketch on a flat surface with the 7/8-inch edge facing up. Lay the cardboard on top and secure it to the pieces using 6-ounce tacks. Insert the center piece and secure it as well. Use brads to attach the ends to the other pieces. Each of the four pieces of electric wire molding should measure exactly 27-1/2 inches long, the same length as the center piece. Fit a piece of wood about 4 inches long into the groove at each end of the molding, plane it down, and fasten it with brads. Next, take the thin batten or covering strip that comes with the molding and drill a 1/2-inch hole in the center, 6 inches from one end, and a 1/4-inch hole, 8-3/16 inches from the other end. Using a gouge, cut a slot 1/4 inch wide from one hole to the other in the center as shown in section A-A. Sand this slot smooth, then attach the batten to the molding with small brads placed about 2 inches apart. Drill 1/4-inch holes through the molding at the small ends of the slots, 3/4 inch from each end and in the center. These holes are for the ends of the brace rods to fit into, locking the legs when they are open. Secure the two pieces of molding marked F and J to the remaining edges of the cardboard, ensuring the slots face inward and the large holes of the slots are on opposite sides. Then place the other two pieces (G and H) 5 inches inside these, or just the length of the cross ends of the legs, with the slots facing the first two pieces (F and J) and secure them with 4-ounce tacks. Use brads at the ends, ensuring they do not go into the 1/4-inch holes. This part of the table can now be stained or painted the same as the legs. The 3/8-inch side pieces can also be stained at this time.
The ends of the brass rods can be bent in a vise. One end should be 1 in. long and should be square with the stock. Measure 11-1/4 in. center to center and bend in opposite direction, leaving this end at a slight angle out from square. Just at this bend raise a burr with a sharp chisel to keep the washer on. Now place five of the copper washers on the 1-in. end and batter the end of the rod so they will not slip off. They should be loose so that they will roll and slip on the brace. Slip a washer on the other end and put the end of the rod through [101] the 3/16-in. hole in the leg from the short end side, place another washer on the rod, saw off and rivet down the end.
The ends of the brass rods can be bent in a vise. One end should be 1 inch long and should be square with the stock. Measure 11-1/4 inches from center to center and bend in the opposite direction, leaving this end at a slight angle away from square. Just at this bend, raise a burr with a sharp chisel to keep the washer in place. Now place five of the copper washers on the 1-inch end and tap the end of the rod so they won't slip off. They should be loose enough to roll and slide on the brace. Slide a washer onto the other end and put the end of the rod through the 3/16-inch hole in the leg from the short end side, place another washer on the rod, saw off the excess, and rivet down the end.
To put the legs in the table, slip the end of one of the braces and the washers in the large hole in the slot, shove it up until the 1/4-in. hole in the crosspiece and the one in the moulding meet, then drive an oak dowel or rod into each end. This is the hinge or pivot that the legs swing on. When the leg is extended the end of the brace rod should spring into the 1/4-in. hole in the moulding and lock the leg in place. Rubber tips should be put on the bottom ends of the legs. Two wooden buttons should be made and fastened to the cardboard as [102] shown at K for locking the legs when they are closed.
To attach the legs to the table, insert one end of a brace and the washers into the large hole in the slot, then push it up until the 1/4-inch hole in the crosspiece aligns with the one in the molding. Next, drive an oak dowel or rod into each end. This will serve as the hinge or pivot for the legs to swing on. When the leg is extended, the end of the brace rod should pop into the 1/4-inch hole in the molding, securing the leg in place. Make sure to add rubber tips to the bottom ends of the legs. Two wooden buttons should also be created and attached to the cardboard as [102] shown at K to lock the legs when they're closed.
The felt can now be put on the top of the table. Stretch it tightly and then tack the edges securely to the sides of the table. Now fasten on the 3/8-in. side pieces and the brass corners with the small brass screws as shown on the drawing, and the table is complete.
The felt can now be placed on top of the table. Stretch it tightly and then securely attach the edges to the sides of the table. Next, fasten the 3/8-inch side pieces and the brass corners with the small brass screws as illustrated in the drawing, and the table is finished.
MAGAZINE STAND
If you do not possess the necessary tools for getting out the material used in this piece of furniture, it can be purchased from a mill already planed, sanded and cut to lengths given in the list. Any kind of wood can be used, but quarter-sawed red oak with a mission stain and waxed, gives the best appearance. The following pieces will be needed:
If you don't have the right tools to get the material for this piece of furniture, you can buy it from a mill already planed, sanded, and cut to the lengths listed. Any type of wood will work, but quarter-sawn red oak with a mission stain and a wax finish looks the best. You'll need the following pieces:
- 2 shelves, 3/8 by 8 by 15 in., S-2-S.
- 1 shelf, 3/8 by 10 by 15 in., S-2-S.
- 1 shelf, 3/8 by 12 by 15 in., S-2-S.
- 8 slats, 3/8 by 1-1/8 by 38 in., S-4-S.
- 2 slats, 1/4 by 1-1/8 by 38 in., S-4-S.
- 4 doz. 1 in. No. 9 round-head screws.
[103]
[103]
Take the four shelves and line them up with their backs and ends even and clamp them together firmly. Mark the places for the slats across the edges of the shelves, making the first line 1/2 in. from their ends. Use a square to get the lines at right angles to the surface. Another line is drawn 1-1/8 in. from the first, or the width of the slat. The ends of the shelves are marked in the same manner, beginning from the back edges and making the first line 1/2 in. from them, and then another line 1-1/8 in. from the first, or the width of the slat. Make a line across the ends, [104] 1/2 in. from the front edge of the 8-in, shelves, and another line 1-1/8 in. back from the first one. This will leave 2-1/2 in. and 4-1/2 in. of space respectively from the front edges of the 10-in. and 12-in. shelves. Shift the shelves so they will be even on the front edges and mark them the same as the back. Make a 1/4-in. depth mark on all edges between the lines and cut this material out. This can be done while the shelves are clamped together.
Take the four shelves and line them up so their backs and ends are even, then clamp them together tightly. Mark where the slats will go across the edges of the shelves, starting with the first line 1/2 inch from the ends. Use a square to ensure the lines are at right angles to the surface. Draw another line 1-1/8 inches from the first line, which is the width of the slat. Mark the ends of the shelves in the same way, beginning from the back edges and marking the first line 1/2 inch from them, followed by another line 1-1/8 inches from the first one, also the width of the slat. Make a line across the ends, 1/2 inch from the front edge of the 8-inch shelves, and another line 1-1/8 inches back from the first. This will leave 2-1/2 inches and 4-1/2 inches of space respectively from the front edges of the 10-inch and 12-inch shelves. Adjust the shelves so the front edges are even and mark them the same way as the back. Make a 1/4-inch depth mark on all edges between the lines and cut this material out. You can do this while the shelves are clamped together.
[105]
[105]
Place the shelves on end in their order and start by screwing on the back slats on both ends first, then screw on the two front slats. Turn the stand down and put on the two back slats. Attach the two front slats on the top shelf first. Then bore the places for the remaining holes and turn in the screws. This will bend the slats into place. The two remaining slats are screwed on the ends of the shelves without letting them in, making the spaces equal. Mark each slat 1/2 in. below the bottom shelf and saw them off. The stand can be taken apart, sandpapered and stained.
Stand the shelves upright in order and start by attaching the back slats on both ends first, then attach the two front slats. Lay the stand down and attach the two back slats. Secure the two front slats on the top shelf first. Then drill holes for the remaining screws and tighten them in. This will bend the slats into place. The last two slats are attached to the ends of the shelves without pushing them in, ensuring the spaces are equal. Mark each slat 1/2 inch below the bottom shelf and saw them off. The stand can be taken apart, sanded, and stained.
A TABOURET
The stock necessary to make a tabouret of craftsman design as shown in the accompanying illustration can be purchased from the mill ready cut to length, squared and sanded. Quarter-sawed oak is the best wood to use and it is also the easiest to secure. Order the following pieces:
The materials needed to make a craftsman-style tabouret, as shown in the illustration, can be bought from the mill, pre-cut to length, squared, and sanded. Quarter-sawn oak is the best wood to use and is also the easiest to find. Order the following pieces:
- 4 legs, 1-1/2 in. square by 22 in. long.
- 1 top, 3/4 in. thick by 14 in. square.
- 4 top rails, 3/4 by 4 by 12 in.
- 4 lower rails, 3/4 by 3 by 12 in.
First square up the four legs. Bevel the tops at an angle of 30 deg. and hollow out the lower part of the legs as shown in the detail sketch. Clamp them together with the ends square and lay out the mortises all at once. Cut the tenons on the rails to fit these mortises. Lay them out in the same manner as the posts so as to get them all the same distance between shoulders. The upper rails should be cut out underneath as shown. [106]
First, square up the four legs. Bevel the tops at a 30-degree angle and hollow out the lower part of the legs as shown in the detail sketch. Clamp them together with the ends square and lay out the mortises all at once. Cut the tenons on the rails to fit these mortises. Lay them out in the same way as the posts to ensure they are all the same distance between the shoulders. The upper rails should be cut out underneath as shown. [106]
[107]
[107]
The rails and posts can now be glued together. Be careful to get them joined perfectly square. When they are dry cut and fit the top as shown. This is fastened to the top rails by means of screws from the inside. Remove all surplus glue from about the joints, as the finish will not take where there is any glue. Go over the whole with fine sandpaper and remove all rough spots, then apply the finish you like best.
The rails and posts can now be glued together. Make sure to line them up perfectly square. Once they're dry, cut and fit the top as shown. This is secured to the top rails with screws from the inside. Wipe away any excess glue around the joints, since the finish won’t adhere where there’s glue. Go over the entire surface with fine sandpaper to smooth out any rough areas, then apply the finish you prefer.
[108]
[108]
[109]
[109]
A PORCH SWING
The porch swing shown in the illustration can be made of southern pine at a very moderate cost. It should be suspended by rustless black chains and eyebolts passing through the lower rails. If cushions are desired they can be made up quite cheaply of elastic felt covered with denim cloth.
The porch swing shown in the illustration can be made of southern pine at a very reasonable price. It should be hung with rust-free black chains and eyebolts through the lower rails. If you want cushions, they can be made affordably from elastic felt covered with denim fabric.
These pieces, dressed and sanded, may be bought at the mill:
These pieces, finished and polished, can be purchased at the mill:
- 2 rails, 1-3/4 by 3 by 71 in., S-4-S.
- 1 rail, 1-3/4 by 3 by 65 in., S-4-S.
- 2 posts, 1-3/4 by 3 by 25 in., S-4-S.
- 2 posts, 1-3/4 by 3 by 17 in., S-4-S.
- 2 rails, 1-3/4 by 3 by 22-1/2 in., S-2-S.
- 2 arm rests, 7/8 by 4 by 28 in., S-2-S.
- 5 slats, 3/8 by 5 by 16 in., S-2-S.
- 8 ft. flooring for bottom.
- 2 cleats, 7/8 by 1-1/2 by 57 in., S-4-S.
Plane and square the ends of all the rails and posts. Lay out the lap joints for the back rails and posts. Use a knife line for this and saw exactly to the line to avoid trimming with the chisel. When sawing be careful to cut exactly halfway through the thickness of each piece. In the same way make the lap joints between the front rail and posts. Have the two end rails exactly the same length and proceed to fasten the front and back posts to them, using 4-in. lag screws and washers. Bore through the posts and part way into the ends of the end rails for the lag screws.
Square and trim the ends of all the rails and posts. Mark the lap joints for the back rails and posts. Use a knife line for this and saw precisely to the line to avoid needing to trim with a chisel. When sawing, be careful to cut exactly halfway through the thickness of each piece. Do the same for the lap joints between the front rail and posts. Make sure the two end rails are exactly the same length, then attach the front and back posts to them using 4-inch lag screws and washers. Drill through the posts and partially into the ends of the end rails for the lag screws.
[110]
[110]
The slats are mortised 1/2 in. into the back rails, or a 3/8-in. groove may be planed in these rails, the entire distance between joints, to receive the slats. A rabbeting plane will be needed for this. The arm rests lap over the back posts and are held to them [111] with 2-in. round-head screws. They may be fastened to the top of the front posts with round-head screws or dowel pins.
The slats are set into the back rails by cutting into them 1/2 inch, or a 3/8-inch groove can be planed into these rails along the entire distance between the joints to fit the slats. You'll need a rabbeting plane for this. The armrests overlap the back posts and are secured to them with 2-inch round-head screws. They can be attached to the top of the front posts with round-head screws or dowel pins. [111]
Ordinary pine flooring makes a good, tight seat, or 7/8-in. board may be used if desired. Fasten the cleats, which support the seat, to the front and back lower rails with 1-1/2-in. screws.
Ordinary pine flooring works well as a sturdy seat, or you can use 7/8-inch boards if you prefer. Secure the cleats that hold up the seat to the front and back lower rails using 1-1/2-inch screws.
To bring out the beautiful grain of southern pine, stain it brown or black and finish with two coats of waterproof varnish.
To highlight the beautiful grain of southern pine, stain it brown or black and apply two coats of waterproof varnish.
A FOOT WARMER
This foot warmer is so constructed that two bricks may be heated and placed inside of the stool.
This foot warmer is designed so that two bricks can be heated and placed inside the stool.
Oak is the most suitable wood to use, and the following pieces will be needed:
Oak is the best type of wood to use, and you'll need the following pieces:
- 4 legs, 1-1/4 by 1-1/4 by 8 in., S-4-S.
- 4 side rails, 7/8 by 3 by 8-1/2 in., S-2-S.
- 4 top pieces, 7/8 by 1-1/2 by 12 in., S-2-S.
- 1 bottom piece, 7/8 by 8-1/2 by 8-1/2 in., S-2-S.
- 1 piece asbestos, 8-1/2 by 8-1/2 in.
- 4 pieces asbestos, 2 by 8-1/2 in.
- 1 sheet of brass, 13 by 13 in., 17 gauge.
- 2 hinges, 1 elbow catch, 3 doz. ornamental tacks.
The work may be started by shaping the four legs and cutting the mortises for the rails. Tenons are cut on the ends of the rails to fit in the mortises made in the posts. They are then glued together, care being taken to get the stool perfectly square.
The project can begin by shaping the four legs and cutting the joints for the rails. The ends of the rails are shaped with tenons to fit into the joints made in the posts. They are then glued together, making sure to get the stool perfectly square.
The top frame can now be made and covered with the sheet of brass. The frame has mitered corners and the inside of the frame must be even with the inside of the rails. This in turn is fastened to [112] the stool with the two hinges on the back and the elbow catch on the front side to keep it closed.
The top frame can now be made and covered with the sheet of brass. The frame has mitered corners, and the inside of the frame must be flush with the inside of the rails. This is then attached to the stool with two hinges on the back and an elbow catch on the front side to keep it closed.
The design on the brass can be made by tacking it on a board, laying out the design and piercing the background with some sharp-pointed tool. This leaves the design raised with a smooth surface.
The design on the brass can be created by securing it to a board, outlining the design, and using a sharp tool to pierce the background. This results in a raised design with a smooth surface.
The brass can now be removed from the board, [113] placed on the frame and fastened with the ornamental tacks.
The brass can now be taken off the board, [113] put on the frame, and secured with the decorative tacks.
Turn the stool bottom side up and line the inside of the rails with asbestos; then place the bricks on the inside of the stool. Both should fit up tight to the brass when the bottom is in place.
Turn the stool upside down and line the inside of the rails with asbestos; then place the bricks inside the stool. Both should fit snugly against the brass when the bottom is in place.
The stool is now ready for the finish, which can be of some stain to match the other furniture in the room where it is to be used.
The stool is now ready for finishing, which can be some stain to match the other furniture in the room where it will be used.
A PLATE RACK FOR THE DINING ROOM
This plate rack can be made of any kind of wood and finished to match other pieces of furniture in the room, but as it is of mission design, oak is the most suitable lumber, as it takes the mission stain so nicely. [114]
This plate rack can be made from any type of wood and finished to match other furniture in the room, but since it has a mission design, oak is the best choice, as it takes the mission stain really well. [114]
The material required is as follows:
The materials needed are as follows:
- 4 posts, 1-1/2 by 1-1/2 by 28 in., S-4-S.
- 1 top, 7/8 by 7-1/4 by 48 in., S-2-S.
- 2 plate rails, 7/8 by 6-1/4 by 32 in., S-2-S.
- 2 back boards, 7/8 by 7-1/4 by 25 in., S-2-S.
- 2 side boards, 7/8 by 5-1/4 by 25 in., S-2-S.
- 4 shelves, 7/8 by 6-1/2 by 8-1/4 in., S-2-S.
- 2 plate rests, 7/8 by 7/8 by 32 in., S-4-S.
This stock is specified to exact thickness, but some allowance is made for trimming on the edges and ends.
This stock is specified to an exact thickness, but a little leeway is given for trimming the edges and ends.
Begin work by squaring up the posts to length and beveling the top ends, then trim the back and [115] side boards. These are nailed together, lapping the back board over the side board. The posts are fastened with dowels placed at equal distances apart. Hot glue is used in the joints.
Begin by cutting the posts to length and beveling the top ends, then trim the back and side boards. Nail them together, overlapping the back board over the side board. Secure the posts with dowels placed at equal intervals. Use hot glue in the joints.
The four shelves are now put in place. These are notched out to fit around the posts and are nailed and glued.
The four shelves are now in position. They're cut out to fit around the posts and are nailed and glued.
While the glue is hardening on these, the plate rails can be cut. These have 7/8-in grooves near the front edge to receive the lower edge of the plates when resting against the two strips placed 5 in. above the plate rails and far enough back to prevent the plates from falling forward. [116]
While the glue is drying on these, the plate rails can be cut. These have 7/8-inch grooves near the front edge to hold the lower edge of the plates when they rest against the two strips placed 5 inches above the plate rails and far enough back to keep the plates from tipping forward. [116]
The rails are fastened to the two sides with dowels, three at each end being sufficient. The two strips fit in mortises cut in the side pieces. The top is then put on. This fits around the posts and rests on the sides. Hooks on which to hang cups are placed under the rails. All parts are thoroughly sandpapered before the stain is applied.
The rails are attached to both sides with dowels, and three at each end are enough. The two strips fit into mortises cut in the side pieces. Then, the top is added. This fits around the posts and rests on the sides. Hooks for hanging cups are placed under the rails. All parts are sanded down thoroughly before the stain is applied.
A MISSION SIDEBOARD
The sideboard is a piece designed to go with the armchair and side chair with similar paneling design. Like these chairs the sideboard should be [117] made of hard wood and should be similarly finished. The drawer pulls, if not made of wood, should be of such metal and design as to harmonize with the mission style. Wrought-iron effects in plain outlines are appropriate.
The sideboard is designed to match the armchair and side chair with a similar paneling style. Like these chairs, the sideboard should be made of hardwood and have a matching finish. The drawer pulls, if they aren't made of wood, should be made of metal that fits the mission style. Wrought-iron effects with simple outlines are suitable. [117]
Drawer sides, bottoms and backs may be made of some soft wood, such as yellow poplar. The small top drawer may be lined with ooze leather for holding silverware.
Drawer sides, bottoms, and backs can be made from a soft wood like yellow poplar. The small top drawer might be lined with ooze leather to hold silverware.
Obtain the following stock:
Get the following stock:
- 2 posts, 2 by 2 by 50 in., S-4-S.
- 2 posts, 2 by 2 by 39 in., S-4-S.
- 1 top, 1 by 23 by 58 in., S-2-S.
- 2 plate rails, 1/2 by 2 by 58 in., S-4-S.
- 1 plate rail, 1/2 by 1-1/2 by 58 in., S-4-S.
- 2 rails, 7/8 by 2 by 21 in., S-4-S.
- 2 rails, 7/8 by 2-1/2 by 21 in., S-4-S.
- 2 rails, 7/8 by 3 by 21 in., S-4-S.
- 4 slats, 3/8 by 1-1/2 by 10-1/2 in., S-4-S.
- 2 slats, 3/8 by 3-1/2 by 10-1/2 in., S-4-S.
- 2 panels, 3/8 by 18-3/4 by 10 in., S-2-S.
- 1 back rail, 7/8 by 2 by 54 in., S-4-S.
- 1 back rail, 7/8 by 3-1/8 by 54 in., S-4-S.
- 1 back rail, 7/8 by 3 by 54 in., S-4-S.
- 2 back stiles, 7/8 by 1-3/4 by 11 in., S-4-S.
- 2 back stiles, 7/8 by 2-1/2 by 11 in., S-4-S.
- 1 back panel, 3/8 by 10 by 24-1/2 in., S-2-S.
- 1 back panel, 3/8 by 11-1/2 by 53 in., S-2-S.
- 2 back panels, 3/8 by 11 by 11 in., S-2-S.
- 1 drawer front, 3/4 by 3 by 24-1/2 in., S-4-S.
- 2 drawer fronts, 3/4 by 4 by 24-1/2 in., S-4-S.
- 2 drawer fronts, 3/4 by 6 by 52-1/2 in., S-4-S.
- 2 drawer ends, 1/2 by 3 by 20 in., S-4-S, poplar.
- 4 drawer ends, 1/2 by 4 by 20 in., S-4-S, poplar.
- 4 drawer ends, 5/8 by 6 by 20 in., S-4-S, poplar.
- 3 drawer backs, 3/8 by 4 by 24 in., S-2-S, poplar.
- 2 drawer backs, 3/8 by 6 by 52 in., S-2-S, poplar.
- 3 drawer bottoms, 3/8 by 20 by 24 in., S-2-S, poplar.
- 2 drawer bottoms, 3/8 by 20 by 52 in., S-2-S, poplar.
- 2 drawer supports, 3/4 by 2-1/2 by 24-1/2 in., S-4-S.
- 4 drawer supports, 3/4 by 2-1/2 by 54 in., S-4-S.
- 10 drawer slides, 3/4 by 2 by 22 in., S-4-S.
- 2 middle verticals, 3/4 by 22 by 13 in., S-2-S.
- Drawer guides can be made from scrap stock.
A detailed description is hardly necessary for such a piece of work as this. Anyone capable of [118] building it, will know the order of the different operations that are required in its construction.
A detailed description isn’t really needed for a project like this. Anyone who can build it will know the sequence of the various steps needed for its construction.
It may be said that the two back panels at either side of the small drawers may be filled with beveled plate glass instead of wood if one so choose. [119]
It can be said that the two back panels on either side of the small drawers can be filled with beveled plate glass instead of wood if someone chooses to do so. [119]

Transcriber's Notes:
- Moved table of contents to the head of the document
- Added a List of Illustrations
- Folio 4: "Millplaned" changed to "Mill-planed"
- Folio 34: Started new paragraph at "The bottom board...."
- Added captions to Illustrations:
- Folio 33: "Umbrella Stand"
- Folio 34: "Detail of Umbrella Stand"
- Folio 54" "Detail of Pedestal"
Download ePUB
If you like this ebook, consider a donation!