[Pg iii]

[Pg iv]

Copyright, 1916, by
CUPPLES & LEON COMPANY

Printed in U. S. A.

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[Pg vii]

[Pg ix]

"Nobody's Boy," published in France under the title "Sans Famille," has become justly famous as one of the supreme juvenile stories of the world. In the midst of its early popularity, it was crowned by the Academy as one of the masterpieces of French literature. A few years later, it was followed by "En Famille," which is published by us as a companion story under the title "Nobody's Girl."

"Nobody's Boy" is a human document of child experiences that is fascinating reading for young and old. Parents, teachers and others, who are careful to have children read inspiring books, will welcome this beautiful story of Hector Malot, as among the best for them to recommend.

Such digressions in the original, as do not belong to the heart of the story, have been eliminated, so that the lost boy's experiences continue as the undisturbed interest, on through to the happy conclusion.

Loyal friendship and honest conduct are the vital ideals of this story, and the heart interest is eloquent with noble character.

The Publishers.

[Pg 1]

I was a foundling. But until I was eight years of age I thought I had a mother like other children, for when I cried a woman held me tightly in her arms and rocked me gently until my tears stopped falling. I never got into bed without her coming to kiss me, and when the December winds blew the icy snow against the window panes, she would take my feet between her hands and warm them, while she sang to me. Even now I can remember the song she used to sing. If a storm came on while I was out minding our cow, she would run down the lane to meet me, and cover my head and shoulders with her cotton skirt so that I should not get wet.

When I had a quarrel with one of the village boys she made me tell her all about it, and she would talk kindly to me when I was wrong and praise me when I was in the right. By these and many other things, by the way she spoke to me and looked at me, and the gentle way she scolded me, I believed that she was my mother.

[Pg 2]

My village, or, to be more exact, the village where I was brought up, for I did not have a village of my own, no birthplace, any more than I had a father or mother—the village where I spent my childhood was called Chavanon; it is one of the poorest in France. Only sections of the land could be cultivated, for the great stretch of moors was covered with heather and broom. We lived in a little house down by the brook.

Until I was eight years of age I had never seen a man in our house; yet my adopted mother was not a widow, but her husband, who was a stone-cutter, worked in Paris, and he had not been back to the village since I was of an age to notice what was going on around me. Occasionally he sent news by some companion who returned to the village, for there were many of the peasants who were employed as stone-cutters in the city.

"Mother Barberin," the man would say, "your husband is quite well, and he told me to tell you that he's still working, and to give you this money. Will you count it?"

That was all. Mother Barberin was satisfied, her husband was well and he had work.

Because Barberin was away from home it must not be thought that he was not on good terms with his wife. He stayed in Paris because his work kept him there. When he was old he would come back and live with his wife on the money that he had saved.

One November evening a man stopped at our[Pg 3] gate. I was standing on the doorstep breaking sticks. He looked over the top bar of the gate and called to me to know if Mother Barberin lived there. I shouted yes and told him to come in. He pushed open the old gate and came slowly up to the house. I had never seen such a dirty man. He was covered with mud from head to foot. It was easy to see that he had come a distance on bad roads. Upon hearing our voices Mother Barberin ran out.

"I've brought some news from Paris," said the man.

Something in the man's tone alarmed Mother Barberin.

"Oh, dear," she cried, wringing her hands, "something has happened to Jerome!"

"Yes, there is, but don't get scared. He's been hurt, but he ain't dead, but maybe he'll be deformed. I used to share a room with him, and as I was coming back home he asked me to give you the message. I can't stop as I've got several miles to go, and it's getting late."

But Mother Barberin wanted to know more; she begged him to stay to supper. The roads were so bad! and they did say that wolves had been seen on the outskirts of the wood. He could go early in the morning. Wouldn't he stay?

Yes, he would. He sat down by the corner of the fire and while eating his supper told us how the accident had occurred. Barberin had been terribly hurt by a falling scaffold, and as he had[Pg 4] had no business to be in that particular spot, the builder had refused to pay an indemnity.

"Poor Barberin," said the man as he dried the legs of his trousers, which were now quite stiff under the coating of mud, "he's got no luck, no luck! Some chaps would get a mint o' money out of an affair like this, but your man won't get nothing!"

"No luck!" he said again in such a sympathetic tone, which showed plainly that he for one would willingly have the life half crushed out of his body if he could get a pension. "As I tell him, he ought to sue that builder."

"A lawsuit," exclaimed Mother Barberin, "that costs a lot of money."

"Yes, but if you win!"

Mother Barberin wanted to start off to Paris, only it was such a terrible affair ... the journey was so long, and cost so much!

The next morning we went into the village and consulted the priest. He advised her not to go without first finding out if she could be of any use. He wrote to the hospital where they had taken Barberin, and a few days later received a reply saying that Barberin's wife was not to go, but that she could send a certain sum of money to her husband, because he was going to sue the builder upon whose works he had met with the accident.

Days and weeks passed, and from time to time letters came asking for more money. The last, more insistent than the previous ones, said that if[Pg 5] there was no more money the cow must be sold to procure the sum.

Only those who have lived in the country with the peasants know what distress there is in these three words, "Sell the cow." As long as they have their cow in the shed they know that they will not suffer from hunger. We got butter from ours to put in the soup, and milk to moisten the potatoes. We lived so well from ours that until the time of which I write I had hardly ever tasted meat. But our cow not only gave us nourishment, she was our friend. Some people imagine that a cow is a stupid animal. It is not so, a cow is most intelligent. When we spoke to ours and stroked her and kissed her, she understood us, and with her big round eyes which looked so soft, she knew well enough how to make us know what she wanted and what she did not want. In fact, she loved us and we loved her, and that is all there is to say. However, we had to part with her, for it was only by the sale of the cow that Barberin's husband would be satisfied.

A cattle dealer came to our house, and after thoroughly examining Rousette,—all the time shaking his head and saying that she would not suit him at all, he could never sell her again, she had no milk, she made bad butter,—he ended by saying that he would take her, but only out of kindness because Mother Barberin was an honest good woman.

Poor Rousette, as though she knew what was[Pg 6] happening, refused to come out of the barn and began to bellow.

"Go in at the back of her and chase her out," the man said to me, holding out a whip which he had carried hanging round his neck.

"No, that he won't," cried mother. Taking poor Rousette by the loins, she spoke to her softly: "There, my beauty, come ... come along then."

Rousette could not resist her, and then, when she got to the road, the man tied her up behind his cart and his horse trotted off and she had to follow.

We went back to the house, but for a long time we could hear her bellowing. No more milk, no butter! In the morning a piece of bread, at night some potatoes with salt.

Shrove Tuesday happened to be a few days after we had sold the cow. The year before Mother Barberin had made a feast for me with pancakes and apple fritters, and I had eaten so many that she had beamed and laughed with pleasure. But now we had no Rousette to give us milk or butter, so there would be no Shrove Tuesday, I said to myself sadly.

But Mother Barberin had a surprise for me. Although she was not in the habit of borrowing, she had asked for a cup of milk from one of the neighbors, a piece of butter from another, and when I got home about midday she was emptying the flour into a big earthenware bowl.

"Oh," I said, going up to her, "flour?"

"Why, yes," she said, smiling, "it's flour, my [Pg 7]little Remi, beautiful flour. See what lovely flakes it makes."

Just because I was so anxious to know what the flour was for I did not dare ask. And besides I did not want her to know that I remembered that it was Shrove Tuesday for fear she might feel unhappy.

"What does one make with flour?" she asked, smiling at me.

"Bread."

"What else?"

"Pap."

"And what else?"

"Why, I don't know."

"Yes, you know, only as you are a good little boy, you don't dare say. You know that to-day is Pancake day, and because you think we haven't any butter and milk you don't dare speak. Isn't that so, eh?

"Oh, Mother."

"I didn't mean that Pancake day should be so bad after all for my little Remi. Look in that bin."

I lifted up the lid quickly and saw some milk, butter, eggs, and three apples.

"Give me the eggs," she said; "while I break them, you peel the apples."

While I cut the apples into slices, she broke the eggs into the flour and began to beat the mixture, adding a little milk from time to time. When the paste was well beaten she placed the big [Pg 8]earthenware bowl on the warm cinders, for it was not until supper time that we were to have the pancakes and fritters. I must say frankly that it was a very long day, and more than once I lifted up the cloth that she had thrown over the bowl.

"You'll make the paste cold," she cried; "and it won't rise well."

But it was rising well, little bubbles were coming up on the top. And the eggs and milk were beginning to smell good.

"Go and chop some wood," Mother Barberin said; "we need a good clear fire."

At last the candle was lit.

"Put the wood on the fire!"

She did not have to say this twice; I had been waiting impatiently to hear these words. Soon a bright flame leaped up the chimney and the light from the fire lit up all the kitchen. Then Mother Barberin took down the frying pan from its hook and placed it on the fire.

"Give me the butter!"

With the end of her knife she slipped a piece as large as a nut into the pan, where it melted and spluttered. It was a long time since we had smelled that odor. How good that butter smelled! I was listening to it fizzing when I heard footsteps out in our yard.

Whoever could be coming to disturb us at this hour? A neighbor perhaps to ask for some firewood. I couldn't think, for just at that moment Mother Barberin put her big wooden spoon into the[Pg 9] bowl and was pouring a spoonful of the paste into the pan, and it was not the moment to let one's thoughts wander. Somebody knocked on the door with a stick, then it was flung open.

"Who's there?" asked Mother Barberin, without turning round.

A man had come in. By the bright flame which lit him up I could see that he carried a big stick in his hand.

"So, you're having a feast here, don't disturb yourselves," he said roughly.

"Oh, Lord!" cried Mother Barberin, putting the frying pan quickly on the floor, "is it you, Jerome."

Then, taking me by the arm she dragged me towards the man who had stopped in the doorway.

"Here's your father."

[Pg 10]

Mother Barberin kissed her husband; I was about to do the same when he put out his stick and stopped me.

"What's this?... you told me...."

"Well, yes, but it isn't true ... because...."

"Ah, it isn't true, eh?"

He stepped towards me with his stick raised; instinctively I shrunk back. What had I done? Nothing wrong, surely! I was only going to kiss him. I looked at him timidly, but he had turned from me and was speaking to Mother Barberin.

"So you're keeping Shrove Tuesday," he said. "I'm glad, for I'm famished. What have you got for supper?"

"I was making some pancakes and apple fritters."

"So I see, but you're not going to give pancakes to a man who has covered the miles that I have."

"I haven't anything else. You see we didn't expect you."

"What? nothing else! Nothing for supper!" He glanced round the kitchen.

"There's some butter."

He looked up at the ceiling, at the spot where[Pg 11] the bacon used to hang, but for a long time there had been nothing on the hook; only a few ropes of onions and garlic hung from the beam now.

"Here's some onions," he said, knocking a rope down with his big stick; "with four or five onions and a piece of butter we'll have a good soup. Take out the pancakes and fry the onions in the pan!"

"Take the pancakes out of the frying pan!"

Without a word, Mother Barberin hurried to do what her husband asked. He sat down on a chair by the corner of the fireplace. I had not dared to leave the place where his stick had sent me. Leaning against the table, I looked at him.

He was a man about fifty with a hard face and rough ways. His head leaned a little bit towards his right shoulder, on account of the wound he had received, and this deformity gave him a still more forbidding aspect.

Mother Barberin had put the frying pan again on the fire.

"Is it with a little bit of butter like that you're going to try and make a soup?" he asked. Thereupon he seized the plate with the butter and threw it all into the pan. No more butter ... then ... no more pancakes.

At any other moment I should have been greatly upset at this catastrophe, but I was not thinking of the pancakes and fritters now. The thought that was uppermost in my mind was, that this man who seemed so cruel was my father! My father! Absently I said the word over and over again to[Pg 12] myself. I had never thought much what a father would be. Vaguely, I had imagined him to be a sort of mother with a big voice, but in looking at this one who had fallen from heaven, I felt greatly worried and frightened. I had wanted to kiss him and he had pushed me away with his stick. Why? My mother had never pushed me away when I went to kiss her; on the contrary, she always took me in her arms and held me tight.

"Instead of standing there as though you're made of wood," he said, "put the plates on the table."

I nearly fell down in my haste to obey. The soup was made. Mother Barberin served it on the plates. Then, leaving the big chimney corner, he came and sat down and commenced to eat, stopping only from time to time to glance at me. I felt so uncomfortable that I could not eat. I looked at him also, but out of the corner of my eye, then I turned my head quickly when I caught his eye.

"Doesn't he eat more than that usually?" he asked suddenly.

"Oh, yes, he's got a good appetite."

"That's a pity. He doesn't seem to want his supper now, though."

Mother Barberin did not seem to want to talk. She went to and fro, waiting on her husband.

"Ain't you hungry?"

"No."

"Well then, go to bed and go to sleep at once. If you don't I'll be angry."

[Pg 13]

My mother gave me a look which told me to obey without answering. But there was no occasion for this warning. I had not thought of saying a word.

As in a great many poor homes, our kitchen was also the bedroom. Near the fireplace were all the things for the meals—the table, the pots and pans, and the sideboard; at the other end was the bedroom. In a corner stood Mother Barberin's big bed, in the opposite corner, in a little alcove, was my bed under a red figured curtain.

I hurriedly undressed and got into bed. But to go to sleep was another thing. I was terribly worried and very unhappy. How could this man be my father? And if he was, why did he treat me so badly?

With my nose flattened against the wall I tried to drive these thoughts away and go to sleep as he had ordered me, but it was impossible. Sleep would not come. I had never felt so wide awake.

After a time, I could not say how long, I heard some one coming over to my bed. The slow step was heavy and dragged, so I knew at once that it was not Mother Barberin. I felt a warm breath on my cheek.

"Are you asleep?" This was said in a harsh whisper.

I took care not to answer, for the terrible words, "I'll be angry" still rang in my ears.

"He's asleep," said Mother Barberin; "the moment he gets into bed he drops off. You can talk without being afraid that he'll hear."

[Pg 14]

I ought, of course, to have told him that I was not asleep, but I did not dare. I had been ordered to go to sleep, I was not yet asleep, so I was in the wrong.

"Well, what about your lawsuit?" asked Mother Barberin.

"Lost it. The judge said that I was to blame for being under the scaffold." Thereupon he banged his fist on the table and began to swear, without saying anything that meant anything.

"Case lost," he went on after a moment; "money lost, all gone, poverty staring us in the face. And as though that isn't enough, when I get back here, I find a child. Why didn't you do what I told you to do?"

"Because I couldn't."

"You could not take him to a Foundlings' Home?"

"A woman can't give up a little mite like that if she's fed it with her own milk and grown to love it."

"It's not your child."

"Well, I wanted to do what you told me, but just at that very moment he fell ill."

"Ill?"

"Yes. Then I couldn't take him to that place. He might have died."

"But when he got better?"

"Well, he didn't get better all at once. After that sickness another came. He coughed so it would have made your heart bleed to hear him,[Pg 15] poor little mite. Our little Nicolas died like that. It seemed to me that if I sent him to the Foundlings' Home he'd died also."

"But after?... after?"

"Well, time went on and I thought that as I'd put off going I'd put it off a bit longer."

"How old is he now?"

"Eight."

"Well then, he'll go now to the place where he should have gone sooner, and he won't like it so well now."

"Oh, Jerome, you can't ... you won't do that!"

"Won't I? and who's going to stop me? Do you think we can keep him always?"

There was a moment's silence. I was hardly able to breathe. The lump in my throat nearly choked me. After a time Mother Barberin went on:

"How Paris has changed you! You wouldn't have spoken like that to me before you went away."

"Perhaps not. But if Paris has changed me, it's also pretty near killed me. I can't work now. We've got no money. The cow's sold. When we haven't enough to feed ourselves, have we got to feed a child that don't belong to us?"

"He's mine."

"He's no more yours than mine. Besides, he ain't a country boy. He's no poor man's child. He's a delicate morsel, no arms, no legs."

"He's the prettiest boy in the village!"

[Pg 16]

"I don't say he ain't pretty. But sturdy, no! Do you think you can make a working man out of a chit with shoulders like his? He's a city child and there's no place for city children here."

"I tell you he's a fine boy and as intelligent and cute as a little cat, and he's got a good heart, and he'll work for us...."

"In the meantime we've got to work for him, and I'm no good for much now."

"If his parents claim him, what will you say?"

"His parents! Has he got any parents? They would have found him by now if he had. It was a crazy thing for me to think that his parents would come and claim him some day and pay us for his keep. I was a fool. 'Cause he was wrapped up in fine clothes trimmed with lace, that wasn't to say that his parents were going to hunt for him. Besides, they're dead."

"Perhaps they're not. And one day they may come...."

"If you women ain't obstinate!"

"But if they do come?"

"Well, we've sent him to the Home. But we've said enough. I'll take him to-morrow. I'm going 'round to see François now. I'll be back in an hour."

The door was opened and closed again. He had gone. Then I quickly sat up in bed and began to call to Mother Barberin.

"Say! Mamma!"

She ran over to my bed.

[Pg 17]

"Are you going to let me go to the Foundlings' Home?"

"No, my little Remi, no."

She kissed me and held me tight in her arms. I felt better after that and my tears dried on my cheeks.

"You didn't go to sleep, then?" she asked softly.

"It wasn't my fault."

"I'm not scolding you. You heard what he said, then?"

"Yes, you're not my mamma, but ... he isn't my father."

The last words I had said in a different tone because, although I was unhappy at learning that she was not my mother, I was glad, I was almost proud, to know that he was not my father. This contradiction of my feelings betrayed itself in my voice. Mother Barberin did not appear to notice.

"Perhaps I ought to have told you the truth, but you seemed so much my own boy that I couldn't tell you I was not your real mother. You heard what Jerome said, my boy. He found you one day in a street in Paris, the Avenue de Breuteuil. It was in February, early in the morning, he was going to work when he heard a baby cry, and he found you on a step. He looked about to call some one, and as he did so a man came out from behind a tree and ran away. You cried so loud that Jerome didn't like to put you back on the step again. While he was wondering what to do, some more men came along, and they all decided that they'd[Pg 18] take you to the police station. You wouldn't stop crying. Poor mite, you must have been cold. But then, when they got you warm at the station house, you still cried, so they thought you were hungry, and they got you some milk. My! you were hungry! When you'd had enough they undressed you and held you before the fire. You were a beautiful pink boy, and all dressed in lovely clothes. The lieutenant wrote down a description of the clothes and where you were found, and said that he should have to send you to the Home unless one of the men liked to take charge of you. Such a beautiful, fine child it wouldn't be difficult to bring up, he said, and the parents would surely make a search for it and pay any one well for looking after it, so Jerome said he'd take it. Just at that time I had a baby the same age. So I was well able to feed both you two mites. There, dearie, that was how I came to be your mother."

"Oh, Mamma, Mamma!"

"Yes, dearie, there! and at the end of three months I lost my own little baby and then I got even more fond of you. It was such a pity Jerome couldn't forget, and seeing at the end of three years that your parents hadn't come after you, he tried to make me send you to the Home. You heard why I didn't do as he told me?"

"Oh, don't send me to the Home," I cried, clinging to her, "Mother Barberin, please, please, don't send me to the Home."

"No, dearie, no, you shan't go. I'll settle it.[Pg 19] Jerome is not really unkind, you'll see. He's had a lot of trouble and he is kind of worried about the future. We'll all work, you shall work, too."

"Yes, yes, I'll do anything you want me to do, but don't send me to the Home."

"You shan't go, that is if you promise to go to sleep at once. When he returns he mustn't find you awake."

She kissed me and turned me over with my face to the wall. I wanted to go to sleep, but I had received too hard a blow to slip off quietly into slumberland. Dear good Mother Barberin was not my own mother! Then what was a real mother? Something better, something sweeter still? It wasn't possible! Then I thought that a real father might not have held up his stick to me.... He wanted to send me to the Home, would mother be able to prevent him?

In the village there were two children from the Home. They were called "workhouse children." They had a metal plaque hung round their necks with a number on it. They were badly dressed, and so dirty! All the other children made fun of them and threw stones at them. They chased them like boys chase a lost dog, for fun, and because a stray dog has no one to protect it. Oh, I did not want to be like those children. I did not want to have a number hung round my neck. I did not want them to call after me, "Hi, Workhouse Kid; Hi Foundling!" The very thought of it made me[Pg 20] feel cold and my teeth chatter. I could not go to sleep. And Barberin was coming back soon!

But fortunately he did not return until very late, and sleep came before he arrived.

[Pg 21]

That night I dreamed that I had been taken to the Home. When I opened my eyes in the early morning I could scarcely believe that I was still there in my little bed. I felt the bed and pinched my arms to see if it were true. Ah, yes, I was still with Mother Barberin.

She said nothing to me all the morning, and I began to think that they had given up the idea of sending me away. Perhaps she had said that she was determined to keep me. But when mid day came Barberin told me to put on my cap and follow him. I looked at Mother Barberin to implore her to help me. Without her husband noticing she made me a sign to go with him. I obeyed. She tapped me on the shoulder as I passed her, to let me know that I had nothing to fear. Without a word I followed him.

It was some distance from our house to the village—a good hour's walk. Barberin never said a word to me the whole way. He walked along, limping. Now and again he turned 'round to see if I was following. Where was he taking me? I asked myself the question again and again. Despite the reassuring sign that Mother Barberin had made, I felt that something was going to happen[Pg 22] to me and I wanted to run away. I tried to lag behind, thinking that I would jump down into a ditch where Barberin could not catch me.

At first he had seemed satisfied that I should tramp along just behind him, on his heels, but he evidently soon began to suspect what I intended to do, and he grabbed me by the wrist. I was forced to keep up with him. This was the way we entered the village. Every one who passed us turned round to stare, for I looked like a bad dog held on a leash.

As we were about to pass the tavern, a man who was standing in the doorway called to Barberin and asked him to go in. Barberin took me by the ear and pushed me in before him, and when we got inside he closed the door. I felt relieved. This was only the village tavern, and for a long time I had wanted to see what it was like inside. I had often wondered what was going on behind the red curtains, I was going to know now....

Barberin sat down at a table with the boss who had asked him to go in. I sat by the fireplace. In a corner near me there was a tall old man with a long white beard. He wore a strange costume. I had never seen anything like it before. Long ringlets fell to his shoulders and he wore a tall gray hat ornamented with green and red feathers. A sheepskin, the woolly side turned inside, was fastened round his body. There were no sleeves to the skin, but through two large holes, cut beneath the shoulders, his arms were thrust, covered with[Pg 23] velvet sleeves which had once been blue in color. Woolen gaiters reached up to his knees, and to hold them in place a ribbon was interlaced several times round his legs. He sat with his elbow resting on his crossed knees. I had never seen a living person in such a quiet calm attitude. He looked to me like one of the saints in our Church. Lying beside him were three dogs—a white spaniel, a black spaniel, and a pretty little gray dog with a sharp, cute little look. The white spaniel wore a policeman's old helmet, which was fastened under its chin with a leather strap.

While I stared at the man in wonder, Barberin and the owner of the tavern talked in low voices. I knew that I was the subject of their talk. Barberin was telling him that he had brought me to the village to take me to the mayor's office, so that the mayor should ask the Charity Home to pay for my keep. That was all that dear Mother Barberin had been able to do, but I felt that if Barberin could get something for keeping me I had nothing to fear.

The old man, who without appearing, had evidently been listening, suddenly pointed to me, and turning to Barberin said with a marked foreign accent:

"Is that the child that's in your way?"

"That's him."

"And you think the Home is going to pay you for his keep?"

"Lord! as he ain't got no parents and I've been[Pg 24] put to great expense for him, it is only right that the town should pay me something."

"I don't say it isn't, but do you think that just because a thing is right, it's done?"

"That, no!"

"Well, then I don't think you'll ever get what you're after."

"Then he goes to the Home, there's no law that forces me to keep him in my place if I don't want to."

"You agreed in the beginning to take him, so it's up to you to keep your promise."

"Well, I ain't going to keep him. And when I want to turn him out I'll do so."

"Perhaps there's a way to get rid of him now," said the old man after a moment's thought, "and make a little money into the bargain."

"If you'll show me how, I'll stand a drink."

"Order the drinks, the affair's settled."

"Sure?

"Sure."

The old man got up and took a seat opposite Barberin. A strange thing, as he rose, I saw his sheepskin move. It was lifted up, and I wondered if he had another dog under his arm.

What were they going to do with me? My heart beat against my side, I could not take my eyes off the old man.

"You won't let this child eat any more of your bread unless somebody pays for it, that's it, isn't it?"

[Pg 25]

"That's it ... because...."

"Never mind the reason. That don't concern me. Now if you don't want him, just give him to me. I'll take charge of him."

"You? take charge of him!"

"You want to get rid of him, don't you?"

"Give you a child like him, a beautiful boy, for he is beautiful, the prettiest boy in the village, look at him."

"I've looked at him."

"Remi, come here."

I went over to the table, my knees trembling.

"There, don't be afraid, little one," said the old man.

"Just look at him," said Barberin again.

"I don't say that he is a homely child, if he was I wouldn't want him. I don't want a monster."

"Ah, now if he was a monster with two ears, or even a dwarf...."

"You'd keep him, you could make your fortune out of a monster. But this little boy is not a dwarf, nor a monster, so you can't exhibit him: he's made the same as others, and he's no good for anything."

"He's good for work."

"He's not strong."

"Not strong, him! Land's sakes! He's as strong as any man, look at his legs, they're that solid! Have you ever seen straighter legs than his?"

Barberin pulled up my pants.

[Pg 26]

"Too thin," said the old man.

"And his arms?" continued Barberin.

"Like his legs ... might be better. They can't hold out against fatigue and poverty."

"What, them legs and arms? Feel 'em. Just see for yourself."

The old man passed his skinny hand over my legs and felt them, shaking his head the while and making a grimace.

I had already seen a similar scene enacted when the cattle dealer came to buy our cow. He also had felt and pinched the cow. He also had shaken his head and said that it was not a good cow, it would be impossible to sell it again, and yet after all he had bought it and taken it away with him. Was the old man going to buy me and take me away with him? Oh, Mother Barberin! Mother Barberin!

If I had dared I would have said that only the night before Barberin had reproached me for seeming delicate and having thin arms and legs, but I felt that I should gain nothing by it but an angry word, so I kept silent.

For a long time they wrangled over my good and bad points.

"Well, such as he is," said the old man at last, "I'll take him, but mind you, I don't buy him outright. I'll hire him. I'll give you twenty francs a year for him."

"Twenty francs!"

"That's a good sum, and I'll pay in advance."

[Pg 27]

"But if I keep him the town will pay me more than ten francs a month."

"I know what you'd get from the town, and besides you've got to feed him."

"He will work."

"If you thought that he could work you wouldn't be so anxious to get rid of him. It is not for the money that's paid for their keep that you people take in lost children, it's for the work that you can get out of them. You make servants of them, they pay you and they themselves get no wages. If this child could have done much for you, you would have kept him."

"Anyway, I should always have ten francs a month."

"And if the Home, instead of letting you have him, gave him to some one else, you wouldn't get anything at all. Now with me you won't have to run for your money, all you have to do is to hold out your hand."

He pulled a leather purse from his pocket, counting out four silver pieces of money; he threw them down on the table, making them ring as they fell.

"But think," cried Barberin; "this child's parents will show up one day or the other."

"What does that matter?"

"Well, those who've brought him up will get something. If I hadn't thought of that I wouldn't have taken him in the first place."

Oh! the wicked man! How I did dislike Barberin!

[Pg 28]

"Now, look here, it's because you think his parents won't show up now that you're turning him out," said the old man. "Well, if by any chance they do appear, they'll go straight to you, not to me, for nobody knows me."

"But if it's you who finds them?"

"Well, in that case we'll go shares and I'll put thirty down for him now."

"Make it forty."

"No, for what he'll do for me that isn't possible."

"What do you want him to do for you? For good legs, he's got good legs; for good arms, he's got good arms. I hold to what I said before. What are you going to do with him?"

Then the old man looked at Barberin mockingly, then emptied his glass slowly:

"He's just to keep me company. I'm getting old and at night I get a bit lonesome. When one is tired it's nice to have a child around."

"Well, for that I'm sure his legs are strong enough."

"Oh, not too much so, for he must also dance and jump and walk, and then walk and jump again. He'll take his place in Signor Vitalis' traveling company."

"Where's this company?"

"I am Signor Vitalis, and I'll show you the company right here."

With this he opened the sheepskin and took out a strange animal which he held on his left arm, pressed against his chest. This was the animal[Pg 29] that had several times raised the sheepskin, but it was not a little dog as I had thought. I found no name to give to this strange creature, which I saw for the first time. I looked at it in astonishment. It was dressed in a red coat trimmed with gold braid, but its arms and legs were bare, for they really were arms and legs, and not paws, but they were covered with a black, hairy skin, they were not white or pink. The head which was as large as a clenched fist was wide and short, the turned-up nose had spreading nostrils, and the lips were yellow. But what struck me more than anything, were the two eyes, close to each other, which glittered like glass.

"Oh, the ugly monkey!" cried Barberin.

A monkey! I opened my eyes still wider. So this was a monkey, for although I had never seen a monkey, I had heard of them. So this little tiny creature that looked like a black baby was a monkey!

"This is the star of my company," said Signor Vitalis. "This is Mr. Pretty-Heart. Now, Pretty-Heart,"—turning to the animal—"make your bow to the society."

The monkey put his hand to his lips and threw a kiss to each of us.

"Now," continued Signor Vitalis, holding out his hand to the white spaniel, "the next. Signor Capi will have the honor of introducing his friends to the esteemed company here present."

The spaniel, who up till this moment had not[Pg 30] made a movement, jumped up quickly, and standing on his hind paws, crossed his fore paws on his chest and bowed to his master so low that his police helmet touched the ground. This polite duty accomplished, he turned to his companions, and with one paw still pressed on his chest, he made a sign with the other for them to draw nearer. The two dogs, whose eyes had been fixed on the white spaniel, got up at once and giving' each one of us his paw, shook hands as one does in polite society, and then taking a few steps back bowed to us in turn.

"The one I call 'Capi,'" said Signor Vitalis, "which is an abbreviation of Capitano in Italian, is the chief. He is the most intelligent and he conveys my orders to the others. That black haired young dandy is Signor Zerbino, which signifies 'the sport.' Notice him and I am sure you will admit that the name is very appropriate. And that young person with, the modest air is Miss Dulcie. She is English, and her name is chosen on account of her sweet disposition. With these remarkable artistes I travel through the country, earning my living, sometimes good, sometimes bad, ... it is a matter of luck! Capi!..."

The spaniel crossed his paws.

"Capi, come here, and be on your best behavior. These people are well brought up, and they must be spoken to with great politeness. Be good enough to tell this little boy who is looking at you with such big, round eyes what time it is."

[Pg 31]

Capi uncrossed his paws, went up to his master, drew aside the sheepskin, and after feeling in his vest pocket pulled out a large silver watch. He looked at the watch for a moment, then gave two distinct barks, then after these two decisive sharp barks, he uttered three little barks, not so loud nor so clear.

The hour was quarter of three.

"Very good," said Vitalis; "thank you, Signor Capi. And now ask Miss Dulcie to oblige us by dancing with the skipping rope."

Capi again felt in his master's vest pocket and pulled out a cord. He made a brief sign to Zerbino, who immediately took his position opposite to him. Then Capi threw him one end of the cord and they both began to turn it very gravely. Then Dulcie jumped lightly into the rope and with her beautiful soft eyes fixed on her master, began to skip.

"You see how intelligent they are," said Vitalis; "their intelligence would be even more appreciated if I drew comparisons. For instance, if I had a fool to act with them. That is why I want your boy. He is to be the fool so that the dogs' intelligence will stand out in a more marked manner."

"Oh, he's to be the fool...." interrupted Barberin.

"It takes a clever man to play the fool," said Vitalis, "the boy will be able to act the part with a few lessons. We'll test him at once. If he has any intelligence he will understand that with me[Pg 32] he will be able to see the country and other countries besides; but if he stays here all he can do is to drive a herd of cattle in the same fields from morning to night. If he hasn't any intelligence he'll cry and stamp his feet, and then I won't take him with me and he'll be sent to the Foundlings' Home, where he'll have to work hard and have little to eat."

I had enough intelligence to know this, ... the dogs were very funny, and it would be fun to be with them always, but Mother, Mother Barberin!... I could not leave her!... Then if I refused perhaps I should not stay with Mother Barberin.... I might be sent to the Home. I was very unhappy, and as my eyes filled with tears, Signor Vitalis tapped me gently on the cheek.

"Ah, the little chap understands because he does not make a great noise. He is arguing the matter in his little head, and to-morrow...."

"Oh, sir," I cried, "let me stay with Mother Barberin, please let me stay."

I could not say more, for Capi's loud barking interrupted me. At the same moment the dog sprang towards the table upon which Pretty-Heart was seated. The monkey, profiting by the moment when every one was occupied with me, had quickly seized his master's glass, which was full of wine, and was about to empty it. But Capi, who was a good watch dog, had seen the monkey's trick and like the faithful servant that he was, he had foiled him.

[Pg 33]

"Mr. Pretty-Heart," said Vitalis severely, "you are a glutton and a thief; go over there into the corner and turn your face to the wall, and you, Zerbino, keep guard: if he moves give him a good slap. As to you, Mr. Capi, you are a good dog, give me your paw. I'd like to shake hands with you."

The monkey, uttering little stifled cries, obeyed and went into the corner, and the dog, proud and happy, held out his paw to his master.

"Now," continued Vitalis, "back to business. I'll give you thirty francs for him then."

"No, forty."

A discussion commenced, but Vitalis soon stopped it by saying:

"This doesn't interest the child, let him go outside and play."

At the same time he made a sign to Barberin.

"Yes, go out into the yard at the back, but don't move or you'll have me to reckon with."

I could not but obey. I went into the yard, but I had no heart to play. I sat down on a big stone and waited. They were deciding what was to become of me. What would it be? They talked for a long time. I sat waiting, and it was an hour later when Barberin came out into the yard. He was alone. Had he come to fetch me to hand me over to Vitalis?

"Come," he said, "back home."

Home! Then I was not to leave Mother Barberin?

[Pg 34]

I wanted to ask questions, but I was afraid, because he seemed in a very bad temper. We walked all the way home in silence. But just before we arrived home Barberin, who was walking ahead, stopped.

"You know," he said, taking me roughly by the ear, "if you say one single word of what you have heard to-day, you shall smart for it. Understand?"

[Pg 35]

"Well," asked Mother Barberin, when we entered, "what did the mayor say?"

"We didn't see him."

"How! You didn't see him?"

"No, I met some friends at the Notre-Dame café and when we came out it was too late. So we'll go back to-morrow."

So Barberin had given up the idea of driving a bargain with the man with the dogs.

On the way home I wondered if this was not some trick of his, returning to the house, but his last words drove all my doubts away. As we had to go back to the village the next day to see the mayor, it was certain that Barberin had not accepted Vitalis' terms.

But in spite of his threats I would have spoken of my fears to Mother Barberin if I could have found myself alone for one moment with her, but all the evening Barberin did not leave the house, and I went to bed without getting the opportunity. I went to sleep thinking that I would tell her the next day. But the next day when I got up, I did not see her. As I was running all round the house looking for her, Barberin saw me and asked me what I wanted.

[Pg 36]

"Mamma."

"She has gone to the village and won't be back till this afternoon."

She had not told me the night before that she was going to the village, and without knowing why, I began to feel anxious. Why didn't she wait for us, if we were going in the afternoon? Would she be back before we started? Without knowing quite why, I began to feel very frightened, and Barberin looked at me in a way that did not tend to reassure me. To escape from his look I ran into the garden.

Our garden meant a great deal to us. In it we grew almost all that we ate—potatoes, cabbages, carrots, turnips. There was no ground wasted, yet Mother Barberin had given me a little patch all to myself, in which I had planted ferns and herbs that I had pulled up in the lanes while I was minding the cow. I had planted everything pell mell, one beside the other, in my bit of garden: it was not beautiful, but I loved it. It was mine. I arranged it as I wished, just as I felt at the time, and when I spoke of it, which happened twenty times a day, it was "My garden."

Already the jonquils were in bud and the lilac was beginning to shoot, and the wall flowers would soon be out. How would they bloom? I wondered, and that was why I came to see them every day. But there was another part of my garden that I studied with great anxiety. I had planted a vegetable that some one had given to me and[Pg 37] which was almost unknown in our village; it was Jerusalem artichokes. I was told they would be delicious, better than potatoes, for they had the taste of French artichokes, potatoes, and turnips combined. Having been told this, I intended them to be a surprise for Mother Barberin. I had not breathed a word about this present I had for her. I planted them in my own bit of garden. When they began to shoot I would let her think that they were flowers, then one fine day when they were ripe, while she was out, I would pull them up and cook them myself. How? I was not quite sure, but I did not worry over such a small detail; then when she returned to supper I would serve her a dish of Jerusalem artichokes! It would be something fresh to replace those everlasting potatoes, and Mother Barberin would not suffer too much from the sale of poor Rousette. And the inventor of this new dish of vegetables was I, Remi, I was the one! So I was of some use in the house.

With such a plan in my head I had to bestow careful attention on my Jerusalem artichokes. Every day I looked at the spot where I had planted them, it seemed to me that they would never grow. I was kneeling on both knees on the ground, supported on my hands, with my nose almost touching the earth where the artichokes were sown, when I heard Barberin calling me impatiently. I hurried back to the house. Imagine my surprise when I saw, standing before the fireplace, Vitalis and his dogs.

[Pg 38]

I knew at once what Barberin wanted of me. Vitalis had come to fetch me and it was so that Mother Barberin should not stop me from going that Barberin had sent her to the village. Knowing full well that I could expect nothing from Barberin, I ran up to Vitalis.

"Oh, don't take me away. Please, sir, don't take me away." I began to sob.

"Now, little chap," he said, kindly enough, "you won't be unhappy with me. I don't whip children, and you'll have the dogs for company. Why should you be sorry to go with me?"

"Mother Barberin!..."

"Anyhow, you're not going to stay here," said Barberin roughly, taking me by the ear. "Go with this gentleman or go to the workhouse. Choose!"

"No, no. Mamma! Mamma!"

"So, you're going to make me mad, eh!" cried Barberin. "I'll beat you good and hard and chase you out of the house."

"The child is sorry to leave his mamma, don't beat him for that. He's got feelings, that's a good sign."

"If you pity him he'll cry all the more."

"Well, now to business."

Saying that, Vitalis laid eight five franc pieces on the table, which Barberin with a sweep of his hand cleared up and thrust into his pocket.

"Where's his bundle?" asked Vitalis.

"Here it is," said Barberin, handing him a blue[Pg 39] cotton handkerchief tied up at the four corners. "There are two shirts and a pair of cotton pants."

"That was not what was agreed; you said you'd give some clothes. These are only rags."

"He ain't got no more."

"If I ask the boy I know he'll say that's not true. But I haven't the time to argue the matter. We must be off. Come on, my little fellow. What's your name?"

"Remi."

"Well, then, Remi, take your bundle and walk along beside Capi."

I held out both my hands to him, then to Barberin. But both men turned away their heads. Then Vitalis took me by the wrist. I had to go.

Ah, our poor little house! It seemed to me when I passed over the threshold that I left a bit of my body there. With my eyes full of tears I looked around, but there was no one near to help me. No one on the road, and no one in the field close by. I began to call:

"Mamma ... Mother Barberin!"

But no one replied to my call, and my voice trailed off into a sob. I had to follow Vitalis, who had not let go of my wrist.

"Good-by and good luck," cried Barberin. Then he entered the house. It was over.

"Come, Remi, hurry along, my child," said Vitalis. He took hold of my arm and I walked side by side with him. Fortunately he did not walk fast. I think he suited his step to mine.

[Pg 40]

We were walking up hill. As I turned I could still see Mother Barberin's house, but it was getting smaller and smaller. Many a time I had walked this road and I knew that for a little while longer I should still see the house, then when we turned the bend, I should see it no more. Before me the unknown, behind me was the house, where until that day I had lived such a happy life. Perhaps I should never see it again! Fortunately the hill was long, but at last we reached the top. Vitalis had not let go his hold.

"Will you let me rest a bit?" I asked.

"Surely, my boy," he replied.

He let go of me, but I saw him make a sign to Capi and the dog understood. He came close to me. I knew that Capi would grab me by the leg if I attempted to escape. I went up a high grassy mound and sat down, the dog beside me. With tear-dimmed eyes I looked about for Mother Barberin's cottage. Below was the valley and the wood, and away in the distance stood the little house I had left. Little puffs of yellow smoke were coming out of the chimney, going straight up in the sky, and then on towards us. In spite of the distance and the height, I could see everything very clearly. On the rubbish heap I could see our big fat hen running about, but she did not look as big as usual; if I had not known that it was our hen, I should have taken her for a little pigeon. At the side of the house I could see the twisted pear tree that I used to ride as a horse. In the[Pg 41] stream I could just make out the drain that I had had so much trouble in digging, so that it would work a mill made by my own hands; the wheel, alas! had never turned, despite all the hours I had spent upon it. I could see my garden. Oh, my dear garden!...

Who would see my flowers bloom? and my Jerusalem artichokes, who would tend them? Barberin, perhaps, that wicked Barberin! With the next step my garden would be hidden from me. Suddenly on the road which led to our house from the village, I saw a white sunbonnet. Then it disappeared behind some trees, then it came in view again. The distance was so great that I could only see a white top, like a spring butterfly. It was going in and out amongst the trees. But there is a time when the heart sees better and farther than the sharpest eyes. I knew it was Mother Barberin. It was she. I was sure of it.

"Well," asked Vitalis, "shall we go on now?"

"Oh, sir, no, please no."

"Then it is true what they say, you haven't any legs, tired out already. That doesn't promise very good days for us."

I did not reply, I was looking....

It was Mother Barberin. It was her bonnet. It was her blue skirt. She was walking quickly as though she was in a hurry to get home. When she got to our gate she pushed it open and went quickly up the garden path. I jumped up at once and stood up on the bank, without giving a thought[Pg 42] to Capi, who sprang towards me. Mother Barberin did not stay long in the house. She came out and began running to and fro, in the yard, with her arms stretched out.

She was looking for me. I leaned forwards and, at the top of my voice, I cried:

"Mamma! Mamma!" But my cry could not reach her, it was lost in the air.

"What's the matter? Have you gone crazy?" asked Vitalis.

I did not reply; my eyes were still fixed on Mother Barberin. But she did not look up, for she did not know that I was there above her. She went round the garden, then out into the road, looking up and down. I cried louder, but like my first call it was useless. Then Vitalis understood, and he also came up on the bank. It did not take him long to see the figure with the white sunbonnet.

"Poor little chap," he said softly to himself.

"Oh," I sobbed, encouraged by his words of pity, "do let me go back." But he took me by the wrist and drew me down and onto the road.

"As you are now rested," he said, "we'll move on."

I tried to free myself, but he held me firmly.

"Capi! Zerbino," he said, looking at the dogs. The two dogs came close to me; Capi behind, Zerbino in front. After taking a few steps I turned round. We had passed the bend of the hill and I could no longer see the valley nor our house.

[Pg 43]

Because a man pays forty francs for a child that is not to say that he is a monster, and that he intends to eat the child. Vitalis had no desire to eat me and although he bought children he was not a bad man. I soon had proof of this. We had been walking in silence for some time. I heaved a sigh.

"I know just how you feel," said Vitalis; "cry all you want. But try and see that this is for your own good. Those people are not your parents; the wife has been good to you and I know that you love her, that is why you feel so badly. But she could not keep you if the husband did not want you. And he may not be such a bad chap after all; he is ill and can't do any more work. He'll find it hard to get along...."

Yes, what he said was true, but I had only one thought in my mind, perhaps I should never again see the one I loved most in the world.

"You won't be unhappy with me," he continued; "it is better than being sent to the Home. And let me tell you, you must not try to run away, because if you do Capi and Zerbino would soon catch you."

Run away—I no longer thought of doing so. Where should I go? This tall old man perhaps[Pg 44] would be a kind master after all. I had never walked so far at a stretch. All around us were barren lands and hills, not beautiful like I had thought the world would be outside of my village.

Vitalis walked with big regular strides, carrying Pretty-Heart on his shoulder, or in his bag, and the dogs trotted close to us. From time to time Vitalis said a word of friendship to them, sometimes in French, sometimes in a language that I did not understand. Neither he nor the animals seemed to get tired. But I ... I was exhausted. I dragged my limbs along and it was as much as I could do to keep up with my new master. Yet I did not like to ask him to let me stop.

"It's those wooden shoes that tire you," he said, looking down at me. "When we get to Ussel, I'll buy you some shoes."

These words gave me courage. I had always longed for a pair of shoes. The mayor's son and the inn-keeper's son wore shoes, so that on Sunday when they came to church they seemed to slide down the stone aisles, while we other country boys in our clogs made a deafening noise.

"Is Ussel far?"

"Ah, that comes from your heart," said Vitalis, laughing. "So you want to have a pair of shoes, do you? Well, I'll promise you them and with big nails, too. And I'll buy you some velvet pants, and a vest and a hat. That'll make you dry your tears, I hope, and give you legs to do the next six miles."

[Pg 45]

Shoes with nails! I was overcome with pride. It was grand enough to have shoes, but shoes with nails! I forgot my grief. Shoes with nails! Velvet pants! a vest! a hat! Oh, if Mother Barberin could see me, how happy she would be, how proud of me! But in spite of the promise that I should have shoes and velvet pants at the end of the six miles, it seemed impossible that I could cover the distance.

The sky, which had been blue when we started, was now filled with gray clouds and soon a fine rain commenced to fall. Vitalis was covered well enough with his sheepskin and he was able to shelter Pretty-Heart, who, at the first drop of rain, had promptly retired into his hiding place. But the dogs and I had nothing to cover us, and soon we were drenched to the skin. The dogs from time to time could shake themselves, but I was unable to employ this natural means, and I had to tramp along under my water-soaked, heavy garments, which chilled me.

"Do you catch cold easily?" asked my new master.

"I don't know. I don't remember ever having a cold."

"That's good. So there is something in you. But I don't want to have it worse for you than we are obliged. There is a village a little farther on and we'll sleep there."

There was no inn in this village and no one wanted to take into their homes an old beggar who[Pg 46] dragged along with him a child and three dogs, soaked to the skin.

"No lodgings here," they said.

And they shut the door in our faces. We went from one house to another, but all refused to admit us. Must we tramp those four miles on to Ussel without resting a bit? The night had fallen and the rain had chilled us through and through. Oh, for Mother Barberin's house!

Finally a peasant, more charitable than his neighbors, agreed to let us go into his barn. But he made the condition that we could sleep there, but must have no light.

"Give me your matches," he said to Vitalis. "I'll give you them back to-morrow, when you go."

At least we had a roof to cover us from the storm.

In the sack which Vitalis had slung over his back he took out a hunch of bread and broke it into four pieces. Then I saw for the first time how he maintained obedience and discipline in his company. Whilst we had gone from door to door seeking shelter, Zerbino had gone into a house and he had run out again almost at once, carrying in his jaws a crust. Vitalis had only said:

"Alright, Zerbino ... to-night."

I had thought no more of this theft, when I saw Vitalis cut the roll; Zerbino looked very dejected. Vitalis and I were sitting on a box with Pretty-Heart between us. The three dogs stood in a row before us, Capi and Dulcie with their eyes fixed on[Pg 47] their master. Zerbino stood with drooping ears and tail between his legs.

"The thief must leave the ranks and go into a corner," said Vitalis in a tone of command; "he'll go to sleep without his supper."

Zerbino left his place, and in a zigzag went over to the corner that Vitalis indicated with his finger. He crouched down under a heap of hay out of sight, but we heard him breathe plaintively, with a little whine.

Vitalis then handed me a piece of bread, and while eating his own he broke little pieces for Pretty-Heart, Capi and Dulcie. How I longed for Mother Barberin's soup ... even without butter, and the warm fire, and my little bed with the coverlets that I pulled right up to my nose. Completely fagged out, I sat there, my feet raw by the rubbing of my clogs. I trembled with cold in my wet clothing. It was night now, but I did not think of going to sleep.

"Your teeth are chattering," said Vitalis; "are you cold?"

"A little."

I heard him open his bag.

"I haven't got much of a wardrobe," he said, "but here's a dry shirt and a vest you can put on. Then get underneath the hay and you'll soon get warm and go to sleep."

But I did not get warm as quick as Vitalis thought; for a long time I turned and turned on my bed of straw, too unhappy to sleep. Would[Pg 48] all my days now be like this, walking in the pouring rain; sleeping in a loft, shaking with cold, and only a piece of dry bread for supper? No one to love me; no one to cuddle me; no Mother Barberin!

My heart was very sad. The tears rolled down my cheeks, then I felt a warm breath pass over my face. I stretched out my hand and my finger touched Capi's woolly coat. He had come softly to me, stepping cautiously on the straw, and he smelt me: he sniffed gently, his breath ran over my cheek and in my hair. What did he want? Presently he laid down on the straw, quite close to me, and very gently he commenced to lick my hand. Touched by this caress, I sat up on my straw bed and throwing my arms round his neck kissed his cold nose. He gave a little stifled cry, and then quickly put his paw in my hand and remained quite still. I forgot my fatigue and my sorrows. I was no longer alone. I had a friend.

[Pg 49]

We started early the next morning. The sky was blue and a light wind had come up in the night and dried all the mud. The birds were singing blithely in the trees and the dogs scampered around us. Now and again Capi stood up on his hind paws and barked into my face, two or three times. I knew what he meant. He was my friend. He was intelligent, and he understood every thing, and he knew how to make you understand. In his tail only was more wit and eloquence than in the tongue or in the eyes of many people.

Although I had never left my village and was most curious to see a town, what I most wanted to see in that town was a boot shop. Where was the welcome shop where I should find the shoes with nails that Vitalis had promised me? I glanced about in every direction as we passed down the old streets of Ussel. Suddenly my master turned into a shop behind the market. Hanging outside the front were some old guns, a coat trimmed with gold braid, several lamps, and some rusty keys. We went down three steps and found ourselves in a large room where the sun could never have entered[Pg 50] since the roof had been put on the house. How could such beautiful things as nailed shoes be sold in such a terrible place? Yet Vitalis knew, and soon I had the pleasure of being shod in nailed shoes which were ten times as heavy as my clogs. My master's generosity did not stop there. He bought me a blue velvet coat, a pair of trousers, and a felt hat.

Velvet for me who had never worn anything but cotton! This was surely the best man in the world, and the most generous. It is true that the velvet was creased, and that the woolen trousers were well worn, and it was difficult to guess what had been the original color of the felt hat, it had been so soaked with rain; but dazzled by so much finery I was unconscious of the imperfections which were hidden under their aspect.

When we got back to the inn, to my sorrow and astonishment, Vitalis took a pair of scissors and cut the two legs of my trousers to the height of the knees, before he would let me get into them. I looked at him with round eyes.

"That's because I don't want you to look like everybody else," he explained. "When in France I'll dress you like an Italian; when in Italy, like a French boy."

I was still more amazed.

"We are artistes, are we not? Well, we must not dress like the ordinary folk. If we went about dressed like the country people, do you think anybody would look at us? Should we get a crowd[Pg 51] around us when we stop? No! Appearances count for a great deal in life."

I was a French boy in the morning, and by night I had become an Italian. My trousers reached my knees. Vitalis interlaced red cords all down my stockings and twisted some red ribbon all over my felt hat, and then decorated it with a bunch of woolen flowers.

I don't know what others thought of me, but to be frank I must admit that I thought I looked superb; and Capi was of the same opinion, for he stared at me for a long time, then held out his paw with a satisfied air. I was glad to have Capi's approval, which was all the more agreeable, because, during the time I had been dressing, Pretty-Heart had seated himself opposite to me, and with exaggerated airs had imitated every movement I had made, and when I was finished put his hands on his hips, threw back his head, and laughed mockingly.

It is a scientific question as to whether monkeys laugh or not. I lived on familiar terms with Pretty-Heart for a long time, and I know that he certainly did laugh and often in a way that was most humiliating to me. Of course, he did not laugh like a man, but when something amused him, he would draw back the corners of his mouth, screw up his eyes, and work his jaws rapidly, while his black eyes seemed to dart flames.

"Now you're ready," said Vitalis, as I placed my hat on my head, "and we'll get to work, because[Pg 52] to-morrow is market day and we must give a performance. You must play in a comedy with the two dogs and Pretty-Heart."

"But I don't know how to play a comedy," I cried, scared.

"That is why I am going to teach you. You can't know unless you learn. These animals have studied hard to learn their part. It has been hard work for them; but now see how clever they are. The piece we are going to play is called, 'Mr. Pretty-Heart's Servant, or The Fool is not Always the One You Would Think.' Now this is it: Mr. Pretty-Heart's servant, whose name is Capi, is about to leave him because he is getting old. And Capi has promised his master that before he leaves he will get him another servant. Now this successor is not to be a dog, it is to be a boy, a country boy named Remi."

"Oh...."

"You have just come from the country to take a position with Mr. Pretty-Heart."

"Monkeys don't have servants."

"In plays they have. Well, you've come straight from your village and your new master thinks that you're a fool."

"Oh, I don't like that!"

"What does that matter if it makes the people laugh? Well, you have come to this gentleman to be his servant and you are told to set the table. Here is one like we shall use in the play; go and set it."

[Pg 53]

On this table there were plates, a glass, a knife, a fork, and a white tablecloth. How could I arrange all those things? As I pondered over this question, leaning forward with hands stretched out and mouth open, not knowing where to begin, my master clapped his hands and laughed heartily.

"Bravo!" he cried, "bravo! that's perfect. The boy I had before put on a sly expression as much as to say, 'See what a fool I can make of myself'; you are natural; that is splendid."

"But I don't know what I have to do."

"That's why you are so good! After you do know, you will have to pretend just what you are feeling now. If you can get that same expression and stand just like you are standing now, you'll be a great success. To play this part to perfection you have only to act and look as you do at this moment."

"Mr. Pretty-Heart's Servant" was not a great play. The performance lasted not more than twenty minutes. Vitalis made us do it over and over again, the dogs and I.

I was surprised to see our master so patient. I had seen the animals in my village treated with oaths and blows when they could not learn. Although the lesson lasted a long time, not once did he get angry, not once did he swear.

"Now do that over again," he said severely, when a mistake had been made. "That is bad, Capi. I'll scold you, Pretty-Heart, if you don't pay attention."

[Pg 54]

And that was all, but yet it was enough.

"Take the dogs for an example," he said, while teaching me; "compare them with Pretty-Heart. Pretty-Heart has, perhaps, vivacity and intelligence, but he has no patience. He learns easily what he is taught, but he forgets it at once; besides he never does what he is told willingly. He likes to do just the contrary. That is his nature, and that is why I do not get angry with him; monkeys have not the same conscience that a dog has; they don't understand the meaning of the word 'duty,' and that is why they are inferior to the dog. Do you understand that?"

"I think so."

"You are intelligent and attentive. Be obedient, do your best in what you have to do. Remember that all through life."

Talking to him so, I summoned up courage to ask him about what had so astonished me during the rehearsal: how could he be so wonderfully patient with the dogs, the monkey, and myself?

He smiled.

"One can see that you have lived only with peasants who are rough with animals, and think that they can only be made to obey by having a stick held over their heads. A great mistake. One gains very little by being cruel, but one can obtain a lot, if not all, by gentleness. It is because I am never unkind to my animals that they are what they are. If I had beaten them they[Pg 55] would be frightened creatures; fear paralyzes the intelligence. Besides, if I gave way to temper I should not be what I am; I could not have acquired this patience which has won their confidence. That shows that who instructs others, instructs himself. As I have given lessons to my animals, so I have received lessons from them. I have developed their intelligence; they have formed my character."

I laughed. This seemed strange to me.

"You find that odd," he continued; "odd that a dog could give a lesson to a man, yet it is true. The master is obliged to watch over himself when he undertakes to teach a dog. The dog takes after the master. Show me your dog and I'll tell you what you are. The criminal has a dog who is a rogue. The burglar's dog is a thief; the country yokel has a stupid, unintelligent dog. A kind, thoughtful man has a good dog."

I was very nervous at the thought of appearing before the public the next day. The dogs and the monkey had the advantage over me, they had played before, hundreds of times. What would Vitalis say if I did not play my part well? What would the audience say? I was so worried that, when at last I dropped off to sleep, I could see in my dreams a crowd of people holding their sides with laughter because I was such a fool.

I was even more nervous the next day, when we marched off in a procession to the market place,[Pg 56] where we were to give our performance. Vitalis led the way. Holding his head high and with chest thrown out, he kept time with his arms and feet while gayly playing his fife. Behind him came Capi, carrying Pretty-Heart on his back, wearing the uniform of an English general, a red coat and trousers trimmed with gold braid and helmet topped with a plume. Zerbino and Dulcie came next, at a respectful distance. I brought up the rear. Our procession took up some length as we had to walk a certain space apart. The piercing notes of the fife brought the people running from their houses. Scores of children ran behind us, and by the time we had reached the square, there was a great crowd. Our theater was quickly arranged. A rope was fastened to four trees and in the middle of this square we took our places.

The first numbers on the program consisted of various tricks performed by the dogs. I had not the slightest notion what they did. I was so nervous and taken up in repeating my own part. All that I remember was that Vitalis put aside his fife and took his violin and played accompaniments to the dogs' maneuvers; sometimes it was dance music, sometimes sentimental airs.

The tricks over, Capi took a metal cup between his teeth and began to go the round of the "distinguished audience." When a spectator failed to drop a coin in, he put his two fore paws upon the reluctant giver's pocket, barked three times, then[Pg 57] tapped the pocket with his paw. At this every one laughed and shouted with delight.

"If that ain't a cunning spaniel! He knows who's got money and who hasn't!"

"Say, out with it!"

"He'll give something!"

"Not he!"

"And his uncle left him a legacy! The stingy cuss!"

And, finally, a penny was dug out of a deep pocket and thrown into the cup. During this time, Vitalis, without saying a word, but with his eyes following Capi, gayly played his violin. Soon Capi returned to his master, proudly carrying the full cup.

Now for the comedy.

"Ladies and gentlemen," said Vitalis, gesticulating with his bow in one hand and his violin in the other, "we are going to give a delightful comedy, called 'Mr. Pretty-Heart's Servant, or the Fool is not Always the One You Would Think.' A man of my standing does not lower himself by praising his plays and actors in advance. All I have to say is look, listen, and be ready to applaud."

What Vitalis called a delightful comedy was really a pantomime; naturally it had to be for the very good reason that two of its principals, Pretty-Heart and Capi, could not speak, and the third, myself, was incapable of uttering two words. However, so that the audience would clearly [Pg 58]understand the play, Vitalis explained the various situations, as the piece progressed. For instance, striking up a warlike air, he announced the entrance of General Pretty-Heart, who had won his high rank in various battles in India. Up to that day General Pretty-Heart had only had Capi for a servant, but he now wished to have a human being as his means allowed him this luxury. For a long time animals had been the slaves of men, but it was time that such was changed!

While waiting for the servant to arrive, the General walked up and down, smoking his cigar. You should see the way he blew the smoke into the onlookers' faces! Becoming impatient, he began to roll his eyes like a man who is about to have a fit of temper. He bit his lips, and stamped on the ground. At the third stamp I had to make my appearance on the scene, led by Capi. If I had forgotten my part the dog would have reminded me. At a given moment he held out his paw to me and introduced me to the General. The latter, upon noticing me, held up his two hands in despair. What! Was that the servant they had procured for him. Then he came and looked pertly up into my face, and walked around me, shrugging his shoulders. His expression was so comical that every one burst out laughing. They quite understood that the monkey thought I was a fool. The spectators thought that also. The piece was made to show how dense was my stupidity, while every opportunity was afforded the monkey to show his[Pg 59] sagacity and intelligence. After having examined me thoroughly, the General, out of pity, decided to keep me. He pointed to a table that was already set for luncheon, and signed to me to take my seat.

"The General thinks that after his servant has had something to eat he won't be such an idiot," explained Vitalis.

I sat down at the little table; a table napkin was placed on my plate. What was I to do with the napkin?

Capi made a sign for me to use it. After looking at it thoughtfully for a moment, I blew my nose. Then the General held his sides with laughter, and Capi fell over with his four paws up in the air, upset at my stupidity.

Seeing that I had made a mistake, I stared again at the table napkin, wondering what I was to do with it. Then I had an idea. I rolled it up and made a necktie for myself. More laughter from the General. Another fall from Capi, his paws in the air.

Then, finally overcome with exasperation, the General dragged me from the chair, seated himself at my place, and ate up the meal that had been prepared for me.

Ah! he knew how to use a table napkin! How gracefully he tucked it into his uniform, and spread it out upon his knees. And with what an elegant air he broke his bread and emptied his glass!

[Pg 60]

The climax was reached when, luncheon over, he asked for a toothpick, which he quickly passed between his teeth. At this, applause broke out on all sides, and the performance ended triumphantly.

What a fool of a servant and what a wonderful monkey!

On our way back to the inn Vitalis complimented me, and I was already such a good comedian that I appreciated this praise from my master.

[Pg 61]

Vitalis' small group of actors were certainly very clever, but their talent was not very versatile. For this reason we were not able to remain long in the same town. Three days after our arrival in Ussel we were on our way again. Where were we going? I had grown bold enough to put this question to my master.

"Do you know this part of the country?" he asked, looking at me.

"No."

"Then why do you ask where we are going?"

"So as to know."

"To know what?"

I was silent.

"Do you know how to read?" he asked, after looking thoughtfully at me for a moment.

"No."

"Then I'll teach you from a book the names and all about the towns through which we travel. It will be like having a story told to you."

I had been brought up in utter ignorance. True, I had been sent to the village school for one month, but during this month I had never once had a book in my hand. At the time of which I write, there[Pg 62] were many villages in France that did not even boast of a school, and in some, where there was a schoolmaster, either he knew nothing, or he had some other occupation and could give little attention to the children confided to his care.

This was the case with the master of our village school. I do not mean to say that he was ignorant, but during the month that I attended his school, he did not give us one single lesson. He had something else to do. By trade he was a shoe-maker, or rather, a clog maker, for no one bought shoes from him. He sat at his bench all day, shaving pieces of beech wood into clogs. So I learnt absolutely nothing at school, not even my alphabet.

"Is it difficult to read?" I asked, after we had walked some time in silence.

"Have you got a hard head?"

"I don't know, but I'd like to learn if you'll teach me."

"Well, we'll see about that. We've plenty of time ahead of us."

Time ahead of us! Why not commence at once? I did not know how difficult it was to learn to read. I thought that I just had to open a book and, almost at once, know what it contained.

The next day, as we were walking along, Vitalis stooped down and picked up a piece of wood covered with dust.

"See, this is the book from which you are going to learn to read," he said.

A book! A piece of wood! I looked at him to[Pg 63] see if he were joking. But he looked quite serious. I stared at the bit of wood. It was as long as my arm and as wide as my two hands. There was no inscription or drawing on it.

"Wait until we get to those trees down there, where we'll rest," said Vitalis, smiling at my astonishment. "I'll show you how I'm going to teach you to read from this."

When we got to the trees we threw our bags on the ground and sat down on the green grass with the daisies growing here and there. Pretty-Heart, having got rid of his chain, sprang up into a tree and shook the branches one after the other, as though he were making nuts fall. The dogs lay down beside us. Vitalis took out his knife and, after having smoothed the wood on both sides, began to cut tiny pieces, twelve all of equal size.

"I am going to carve a letter out of each piece of wood," he said, looking up at me. I had not taken my eyes off of him. "You will learn these letters from their shapes, and when you are able to tell me what they are, at first sight, I'll form them into words. When you can read the words, then you shall learn from a book."

I soon had my pockets full of little bits of wood, and was not long in learning the letters of the alphabet, but to know how to read was quite another thing. I could not get along very fast, and often I regretted having expressed a wish to learn. I must say, however, it was not because I was lazy, it was pride.

[Pg 64]

While teaching me my letters Vitalis thought that he would teach Capi at the same time. If a dog could learn to tell the hour from a watch, why could he not learn the letters? The pieces of wood were all spread out on the grass, and he was taught that with his paw he must draw out the letter for which he was asked.

At first I made more progress than he, but if I had quicker intelligence, he had better memory. Once he learnt a thing he knew it always. He did not forget. When I made a mistake Vitalis would say:

"Capi will learn to read before you, Remi."

And Capi, evidently understanding, proudly shook his tail.

I was so hurt that I applied myself to the task with all my heart, and while the poor dog could get no farther than pulling out the four letters which spelled his name, I finally learned to read from a book.

"Now that you know how to read words, how would you like to read music?" asked Vitalis.

"If I knew how to read music could I sing like you?" I asked.

"Ah, so you would like to sing like me," he answered.

"I know that would be impossible, but I'd like to sing a little."

"Do you like to hear me sing, then?"

"I like it more than anything. It is better than the nightingales, but it's not like their song at[Pg 65] all. When you sing, sometimes I want to cry, and sometimes I want to laugh. Don't think me silly, master, but when you sing those songs, I think that I am back with dear Mother Barberin. If I shut my eyes I can see her again in our little house, and yet I don't know the words you sing, because they are Italian."

I looked up at him and saw the tears standing in his eyes; then I stopped and asked him if what I had said hurt him.

"No, my child," he said, his voice shaking, "you do not pain me; on the contrary, you take me back to my younger days. Yes, I will teach you to sing, little Remi, and, as you have a heart, you also will make people weep with your songs."

He stopped suddenly, and I felt that he did not wish to say more at that moment. I did not know the reason why he should feel sad.

The next day he cut out little pieces of wood for the music notes the same as he had for the letters. The notes were more complicated than the alphabet, and this time I found it much harder and more tedious to learn. Vitalis, so patient with the dogs, more than once lost patience with me.

"With an animal," he cried, "one controls oneself, because one is dealing with a poor dumb creature, but you are enough to drive me mad!" He threw up his hands dramatically.

Pretty-Heart, who took special delight in imitating gestures he thought funny, mimicked my master, and as the monkey was present at my [Pg 66]lessons every day, I had the humiliation to see him lift his arms in despair every time I hesitated.

"See, Pretty-Heart is even mocking you," cried Vitalis.

If I had dared, I would have said that he mocked the master just as much as the pupil, but respect, as well as a certain fear, forbade me.

Finally, after many weeks of study, I was able to sing an air from a piece of paper that Vitalis himself had written. That day my master did not throw up his hands, but instead, patted me on the cheek, declaring that if I continued thus I should certainly become a great singer.

[Pg 67]

Our mode of traveling was very simple: We went straight ahead, anywhere, and when we found a village, which from the distance looked sufficiently important, we began preparations for a triumphal entry. I dressed the dogs, and combed Dulcie's hair; stuck a plaster over Capi's eye when he was playing the part of an old grouchy man, and forced Pretty-Heart into his General's uniform. That was the most difficult thing I had to do, for the monkey, who knew well enough that this was a prelude to work for him, invented the oddest tricks to prevent me from dressing him. Then I was forced to call Capi to come to my aid, and between the two of us we finally managed to subdue him.

The company all dressed, Vitalis took his fife and we went in marching order into the village. If the number of people who trooped behind us was sufficient, we gave a performance, but if we had only a few stragglers, we did not think it worth our while to stop, so continued on our way. When we stayed several days in a town, Vitalis would let me go about alone if Capi was with me. He trusted me with Capi.

[Pg 68]

"You are traveling through France at the age when most boys are at school," he once said to me; "open your eyes, look and learn. When you see something that you do not understand, do not be afraid to ask me questions. I have not always been what you see me now. I have learnt many other things."

"What?"

"We will speak of that later. For the present listen to my advice, and when you grow up I hope you will think with a little gratitude of the poor musician of whom you were so afraid when he took you from your adopted mother. The change may not be bad for you after all."

I wondered what my master had been in the days gone by.

We tramped on until we came to the plains of Quercy, which were very flat and desolate. There was not a brook, pond, or river to be seen. In the middle of the plain we came to a small village called Bastide-Murat. We spent the night in a barn belonging to the inn.

"It was here in this village," said Vitalis, "and probably in this inn, that a man was born who led thousands of soldiers to battle and who, having commenced his life as a stable boy, afterwards became a king. His name was Murat. They called him a hero, and they named this village after him. I knew him and often talked with him."

"When he was a stable boy?"

"No," replied Vitalis, laughing, "when he was[Pg 69] a king. This is the first time I have been in this part of the country. I knew him in Naples, where he was king."

"You have known a king!"

The tone in which I said this must have been rather comical, for my master laughed heartily.

We were seated on a bench before the stable door, our backs against the wall, which, was still hot from the sun's rays. The locusts were chanting their monotonous song in a great sycamore which covered us with its branches. Over the tops of the houses the full moon, which had just appeared, rose gently in the heavens. The night seemed all the more beautiful because the day had been scorchingly hot.

"Do you want to go to bed?" asked Vitalis, "or would you like me to tell you the story of King Murat?"

"Oh, tell me the story!"

Then he told me the story of Joachim Murat; for hours we sat on the bench. As he talked, the pale light from the moon fell across him, and I listened in rapt attention, my eyes fixed on his face. I had not heard this story before. Who would have told me? Not Mother Barberin, surely! She did not know anything about it. She was born at Chavanon, and would probably die there. Her mind had never traveled farther than her eyes.

My master had seen a king, and this king had spoken to him! What was my master in his youth,[Pg 70] and how had he become what I saw him now in his old age?...

We had been tramping since morning. Vitalis had said that we should reach a village by night where we could sleep, but night had come, and I saw no signs of this village, no smoke in the distance to indicate that we were near a house. I could see nothing but a stretch of plains ahead of us. I was tired, and longed to go to sleep. Vitalis was tired also. He wanted to stop and rest by the roadside, but instead of sitting down beside him, I told him that I would climb a hill that was on the left of us and see if I could make out a village. I called Capi, but Capi also was tired, and turned a deaf ear to my call; this he usually did when he did not wish to obey me.

"Are you afraid?" asked Vitalis.

His question made me start off at once, alone.

Night had fallen. There was no moon, but the twinkling stars in the sky threw their light on a misty atmosphere. The various things around me seemed to take on a strange, weird form in the dim light. Wild furze grew in bushes beside some huge stones which, towering above me, seemed as though they turned to look at me. The higher I climbed, the thicker became the trees and shrubs, their tops passing over my head and interlacing. Sometimes I had to crawl through them to get by. Yet I was determined to get to the top of the hill. But, when at last I did, and gazed around, I could see no light anywhere; nothing but strange shadows and[Pg 71] forms, and great trees which seemed to hold out their branches to me, like arms ready to enfold me.

I listened to see if I could catch the bark of a dog, or the bellow of a cow, but all was silent. With my ear on the alert, scarcely breathing so as to hear better, I stood quiet for a moment. Then I began to tremble, the silence of this lonely, uncultivated country frightened me. Of what was I frightened? The silence probably ... the night ... anyhow, a nameless fear was creeping over me. My heart beat quickly, as though some danger was near. I glanced fearfully around me, and then in the distance I saw a great form moving amongst the trees. At the same time I could hear the rustling of branches. I tried to tell myself that it was fear that made me fancy I saw something unusual. Perhaps it was a shrub, a branch. But then, the branches were moving and there was not a breath of wind or a breeze that could shake them. They could not move unless swayed by the breeze or touched by some one.

Some one?

No, this great, dark form that was coming towards me could not be a man—some kind of animal that I did not know, or an immense night bird, a gigantic spider, hovering over the tops of the trees. What was certain, this creature had legs of unusual length, which brought it along with amazing bounds. Seeing this, I quickly found my own legs, and rushed down the hill towards Vitalis.[Pg 72] But, strange to say, I made less haste going down than I had in climbing up. I threw myself into the thick of the thistles and brambles, scratching myself at every step. Scrambling out of a prickly bush I took a glance back. The animal was coming nearer! It was almost upon me!

Fortunately, I had reached the bottom of the hill and I could run quicker across the grass. Although I raced at the top of my speed, the Thing was gaining upon me. There was no need for me to look behind, I knew that it was just at the back of me. I could scarcely breathe. My race had almost exhausted me; my breath came in gasps. I made one final effort and fell sprawling at Vitalis' feet. I could only repeat two words:

"The beast! the beast!"

Above the loud barking of the dogs, I heard a hearty peal of laughter. At the same time my master put his hands on my shoulders and forced me to look round.

"You goose," he cried, still laughing, "look up and see it."

His laugh, more than his words, brought me to my senses. I opened one eye, then the other, and looked where he was pointing. The apparition, which had so frightened me, had stopped and was standing still in the road. At the sight of it again, I must confess, I began to shake, but I was with Vitalis and the dogs were beside me. I was not alone up there in the trees.... I looked up boldly and fixed my eyes on the Thing.

[Pg 73]

Was it an animal or a man? It had the body, the head, and arms like a man, but the shaggy skin which covered it, and the two long thin legs upon which it seemed to poise, looked as though they belonged to an animal.

Although the night was dark, I could see this, for the silhouette of this dark form stood out against the starry sky. I should have remained a long time undecided as to what it was, if my master had not spoken to it.

"Can you tell me if we are far from the village?" he asked, politely.

He was a man, then, if one could speak to him! What was my astonishment when the animal said that there were no houses near, but an inn to which he would take us. If he could talk, why did he have paws?

If I had had the courage, I would have gone up to him to see how his paws were made, but I was still somewhat afraid, so I picked up my bag and followed my master, without saying a word.

"You see now what scared you so," Vitalis said, laughing, as we went on our way.

"But I don't know what it is, yet. Are there giants in this part of the country, then?"

"Yes, when men are standing on stilts."

Then he explained to me that the Landais, so as to get over the marshy plains, and not sink in up to their hips, stride about the country on stilts.

What a goose I had been!

[Pg 74]

I had a pleasant remembrance of Pau, the beautiful winter resort where the wind scarcely ever blew. We stayed there the whole winter, for we were taking in quite a lot of money. Our audience consisted mostly of children, and they were never tired if we did give the same performance over and over again. They were children of the rich, mostly English and American. Fat little boys, with ruddy skins, and pretty little girls with soft eyes almost as beautiful as Dulcie's. It was from these children that I got a taste for candy, for they always came with their pockets stuffed with sweets which they divided between Pretty-Heart, the dogs, and myself. But when the spring approached our audience grew smaller. One by one, two by two, the little ones came to shake hands with Pretty-Heart, Capi, and Dulcie. They had come to say good-by. They were going away. So we also had to leave the beautiful winter resort and take up our wandering life again.

For a long time, I do not know how many days or weeks, we went through valleys, over hills, leaving behind the bluish top of the Pyrenees, which now looked like a mass of clouds.

[Pg 75]

Then one night we came to a great town with ugly red brick houses and with streets paved with little pointed stones, hard to the feet of travelers who had walked a dozen miles a day. My master told me that we were in Toulouse and that we should stay there for a long time. As usual, the first thing we did was to look about for a suitable place to hold the next day's performance. Suitable places were not lacking, especially near the Botanical Gardens, where there is a beautiful lawn shaded with big trees and a wide avenue leading to it. It was in one of the side walks that we gave our first performance.

A policeman stood by while we arranged our things. He seemed annoyed, either because he did not like dogs, or because he thought we had no business there; he tried to send us away. It would have been better if we had gone. We were not strong enough to hold out against the police, but my master did not think so. Although he was an old man, strolling about the country with his dogs, he was very proud. He considered that as he was not breaking the law, he should have police protection, so when the officer wanted to send us away, he refused to leave.

Vitalis was very polite; in fact he carried his Italian politeness to the extreme. One might have thought that he was addressing some high and mighty personage.

"The illustrious gentleman, who represents the police authority," he said, taking off his hat and[Pg 76] bowing low to the policeman, "can he show me an order emanating from the said authority, which states that it is forbidden for poor strolling players, like ourselves, to carry on their humble profession on a public square?"

The policeman replied that he would have no argument. We must obey.

"Certainly," replied Vitalis, "and I promise that I will do as you order as soon as you let me know by what authority you issue it."

That day the officer turned on his heels, and my master, with hat in hand, body bent low, smilingly bowed to the retreating form.

But the next day the representative of the law returned, and jumping over the ropes which inclosed our theater, he sprang into the middle of the performance.

"Muzzle those dogs," he said roughly to Vitalis.

"Muzzle my dogs!"

"It's an order of the law, you ought to know that!"

The spectators began to protest.

"Don't interrupt!"

"Let him finish the show, cop!"

Vitalis then took off his felt hat, and with his plumes sweeping the ground, he made three stately bows to the officer.

"The illustrious gentleman representing the law, does he tell me that I must muzzle my actors?" he asked.

"Yes, and be quick about it!"

[Pg 77]

"Muzzle Capi, Zerbino, and Dulcie," cried Vitalis, addressing himself more to the audience than to the officer; "how can the great physician, Capi, known throughout the universe, prescribe a cure for Mr. Pretty-Heart, if the said physician wears a muzzle on the end of his nose?"

The children and parents began to laugh. Vitalis encouraged by the applause, continued:

"And how can the charming nurse, Dulcie, use her eloquence to persuade the patient to take the horrible medicine which is to relieve him of his pains if I am forced to carry out this cruel order of the law? I ask the audience if this is fair?"

The clapping of hands and shouts of laughter from the onlookers was answer enough. They cheered Vitalis and hooted the policeman and, above all, they were amused at the grimaces Pretty-Heart was making. He had taken his place behind the "illustrious gentleman who represented the law," and was making ridiculous grimaces behind his back. The officer crossed his arms, then uncrossed them and stuck his fists on his hips and threw back his head, so did the monkey. The onlookers screamed with laughter.

The officer turned round suddenly to see what amused them, and saw the monkey striking his own attitude to perfection. For some moments the monkey and the man stared at each other. It was a question which would lower his eyes first. The crowd yelled with delight.

"If your dogs are not muzzled to-morrow," cried[Pg 78] the policeman, angrily shaking his first, "you'll be arrested. That's all."

"Good-day, until to-morrow, Signor," said Vitalis, bowing, "until to-morrow...."

As the officer strode away, Vitalis stood with his body almost bent to the ground in mock respect.

I thought that he would buy some muzzles for the dogs, but he did nothing of the kind, and the evening passed without him even mentioning his quarrel with the policeman. I decided at last to broach the subject myself.

"If you don't want Capi to tear off his muzzle to-morrow during the performance," I said, "I think it would be a good thing to put it on him beforehand, and let him get used to it. We can teach him that he must keep it on."

"You think I am going to put one of those things on their little noses?"

"The officer is down on us."

"You are only a country boy. Like all peasants you are afraid of a policeman.

"Don't worry," he added, "I'll have matters arranged to-morrow so that the policeman can't have me arrested, and at the same time so that the dogs won't be uncomfortable. On the other hand, the public shall be amused a bit. This officer should be the means of bringing us some more money and, in the bargain, play the comic rôle in the piece that I shall prepare for him. Now, to-morrow, you are to go there alone with Pretty-Heart. You will arrange the ropes, and play a few pieces on your[Pg 79] harp, and when you have a large audience the officer will arrive on the scene. I will make my appearance with the dogs. Then the farce will commence."

I did not at all like going alone the next day, but I knew that my master must be obeyed.

As soon as I got to our usual place I roped off an inclosure and commenced to play. The people came from all parts and crowded outside the ropes. By now I had learnt to play the harp and sing very well. Amongst other songs, I had learnt a Neapolitan canzonetta which was always greatly applauded. But to-day I knew that the crowd had not come to pay tribute to my talent. All who had witnessed the dispute with the officer the day before were present, and had brought their friends with them. The police are not liked at Toulouse, and the public were curious to see how the old Italian would come out, and what significance was attached to his parting words, "Until to-morrow, Signor." Several of the spectators, seeing me alone with Pretty-Heart, interrupted my song to ask if the "old Italian" was coming.

I nodded. The policeman arrived. Pretty-Heart saw him first. He at once put his clenched hands on his hips and began trotting around in a ridiculously important manner. The crowd laughed at his antics and clapped their hands. The officer glared at me angrily.

How was it going to end? I was rather ill at ease. If Vitalis were there he could reply to the[Pg 80] officer. But I was alone. If he ordered me away, what should I say?

The policeman strode back and forth outside the ropes, and when he passed near me, he had a way of looking at me over his shoulder that did not reassure me.

Pretty-Heart did not understand the seriousness of the situation, so he gleefully strutted along inside the ropes, side by side with the officer, mimicking his every movement. As he passed me, he also looked at me over his shoulder in such a comical manner that the people laughed still louder.

I thought the matter had gone far enough, so I called Pretty-Heart, but he was in no mood to obey, and continued his walk, running and dodging me when I tried to catch him. I don't know how it happened, but the policeman, probably mad with rage, thought that I was encouraging the monkey, for he quickly jumped the ropes. In a moment he was upon me, and had knocked me to the ground with one blow. When I opened my eyes and got to my feet Vitalis, who had sprung from I don't know where, stood before me. He had just seized the policeman's wrist.

"I forbid you to strike that child," he cried, "what a cowardly thing to do!"

For some moments the two men looked at each other. The officer was purple with rage. My master was superb. He held his beautiful white head high; his face expressed indignation and command. His look was enough to make the [Pg 81]policeman sink into the earth, but he did nothing of the kind. He wrenched his hand free, seized my master by the collar and roughly pushed him before him. Vitalis stumbled and almost fell, but he drew himself up quickly and with his free hand struck the officer on the wrist. My master was a strong man, but still he was an old man, and the policeman was young and robust. I saw how a struggle would end. But there was no struggle.

"You come along with me," said the officer, "you're under arrest."

"Why did you strike that child?" demanded Vitalis.

"No talk. Follow me."

Vitalis did not reply, but turned round to me.

"Go back to the inn," he said, "and stay there with the dogs. I'll send word to you."

He had no chance to say more, for the officer dragged him off. So ended the performance that my poor master had wanted to make amusing. The dogs at first had followed their master, but I called them back, and accustomed to obey, they returned to me. I noticed that they were muzzled, but instead of their faces being inclosed in the usual dog-muzzle, they simply wore a pretty piece of silk fastened round their noses and tied under their chins. Capi, who was white, wore red; Zerbino, who was black, wore white, and Dulcie, who was gray, wore blue. My poor master had thus carried out the order of the law.

[Pg 82]

The public had quickly dispersed. A few stragglers remained to discuss what had happened.

"The old man was right."

"He was wrong."

"Why did the cop strike the boy? He did nothing to him; never said a word."

"Bad business. The old fellow will go to jail, for sure!"

I went back to the inn, depressed. I had grown very fond of my master, more and more every day. We lived the same life together from morning till night, and often from night to morning, when we had to sleep on the same bed of straw. No father could have shown more care for his child than he showed for me. He had taught me to read, to sing, and to write. During our long tramps he gave me lessons, first on one subject then on another. On very cold days he shared his coverings with me, on hot days he had always helped me carry the bags, and the various things which I was supposed to carry. And when we ate he never served me the worst piece, keeping the best for himself; on the contrary, he shared it equally, the good and the bad. It is true, he sometimes pulled my ears more roughly than I liked, but if I needed the correction, what of that? In a word, I loved him, and he loved me. For how long would they send him to prison? What should I do during that time? How should I live?

Vitalis was in the habit of carrying his money on him, and he had not had time to give me anything[Pg 83] before he was dragged off. I had only a few sous in my pocket. Would it be enough to buy food for Pretty-Heart, the dogs, and myself? I spent the next two days in agony, not daring to leave the inn. The monkey and the dogs were also very downcast. At last, on the third day, a man brought me a letter from him. Vitalis wrote me that on the following Saturday he was to be tried for resisting police authority, and for attacking an officer.

"I was wrong to get into a temper," he wrote. "This may cost me dearly, but it is too late now. Come to the court, you will learn a lesson." Then he gave me some advice, and sent his love to me, telling me to caress the animals for him.

While I was reading the letter, Capi, standing between my feet, put his nose to the paper, and sniffed it. I could see by the way he wagged his tail that he knew it had come from his master. This was the first time in three days that he had showed any signs of joy.

I got to the court early on Saturday morning. Many of the people who had witnessed the scene with the policeman were present. I was so scared at being in court, that I got behind a large stove and squeezed up as small as I could against the wall. Some men who had been arrested for robbery, others for fighting, were tried first. All said that they were innocent, but all were found guilty. At last Vitalis was brought in. He sat down on a bench between two policemen. What he said at[Pg 84] first, and what they asked him, I scarcely knew, my emotion was so great. I stared at Vitalis; he stood upright, his white head thrown back. He looked ashamed and worried. I looked at the judge.

"You gave blows to the officer who arrested you," said the judge.

"Not blows, your Honor," said Vitalis, "I only struck once. When I got to the place where we were to give our performance, I was just in time to see the officer fell a child to the ground with a blow, the little boy who is with me."

"The child is not yours."

"No, but I love him as my own son. When I saw him struck I lost my temper and seized the policeman's arm so that he could not strike again."

"You struck him?"

"When he laid his hands on me I thought of him only as a man, not as a police officer."

The officer then said what he had to say.

Vitalis' eyes roamed around the room. I knew that he was looking to see if I were there, so I decided to come out of my hiding place, and elbowing through the crowd of people, I came and stood beside him. His face lit up when he saw me. Presently, the trial ended. He was sentenced to two months' imprisonment and a fine of one hundred francs. Two months' prison! The door through which Vitalis had entered was opened. Through my tears I saw him follow a policeman, and the door closed behind him. Two months' separation!

Where should I go?

[Pg 85]

When I returned to the inn with heavy heart and red eyes, the landlord was standing in the yard. I was going to pass him to get to my dogs, but he stopped me.

"Well, what about your master?" he asked.

"He is sentenced."

"How long?"

"Two months' prison."

"How much fine?"

"One hundred francs."

"Two months ... one hundred francs," he repeated two or three times.

I wanted to go on, but again he stopped me.

"What are you going to do these two months?"

"I don't know, sir."

"Oh, you don't know. You've got some money to live on and to buy food for your animals, I suppose."

"No, sir."

"Then do you count on me keeping you?"

"No, sir, I don't count on any one."

That was true. I did not count upon any one.

"Your master already owes me a lot of money," he continued. "I can't board you for two months[Pg 86] without knowing if I shall be paid. You'll have to go."

"Go! Where shall I go, sir?"

"That's not my business. I'm nothing to you. Why should I keep you?"

For a moment I was dazed. The man was right. Why should he give me shelter?

"Come, take your dogs and monkey and get out! Of course, you must leave your master's bag with me. When he comes out of jail, he'll come here to get it, and then he can settle his account."

An idea came to me.

"As you know he will settle his bill then, can't you keep me until then, and add what I cost to it?"

"Ah, ah! Your master might be able to pay for two days' lodging, but two months! that's a different thing."

"I'll eat as little as you wish."

"And your dogs and monkey! No, be off! You'll pick up enough in the villages."

"But, sir, how will my master find me when he comes out of prison? He'll come to look for me here."

"All you've got to do is to come back on that day."

"And if he writes to me?"

"I'll keep the letter."

"But if I don't answer him?..."

"Oh, stop your talk. Hurry up and get out! I give you five minutes. If I find you here when I come out again I'll settle you."

[Pg 87]

I knew it was useless to plead with him. I had to "get out." I went to the stables to get the dogs and Pretty-Heart, then strapping my harp on my shoulder I left the inn.

I was in a hurry to get out of town, for my dogs were not muzzled. What should I say if I met a policeman? That I had no money? It was the truth; I had only eleven sous in my pocket. That was not enough to buy muzzles. They might arrest me. If Vitalis and I were both in prison, whatever would become of the animals? I felt the responsibility of my position.

As I walked along quickly the dogs looked up at me in a way I could not fail to understand. They were hungry. Pretty-Heart, whom I carried, pulled my ear from time to time to force me to look at him. Then he rubbed his stomach in a manner that was no less expressive than the looks the dogs cast at me. I also was hungry. We had had no breakfast. My eleven sous could not buy enough for dinner and supper, so we should have to be satisfied with one meal, which, if we took it in the middle of the day, would serve us for two.

I wandered along. I did not care where I went; it was all the same to me, for I did not know the country. The question of finding a place in which to sleep did not worry me; we could sleep in the open air.... But to eat!

We must have walked for about two hours before I dared to stop, and yet the dogs had looked up at me imploringly and Pretty-Heart had pulled[Pg 88] my ear and rubbed his stomach incessantly. At last I felt that I was far enough away from the town to have nothing to fear. I went into the first bakery that I came across. I asked for one pound and a half of bread.

"You'd do well to take a two-pound loaf," said the woman. "That's not too much for your menagerie. You must feed the poor dogs."

Oh, no, it was not too much for my menagerie, but it was too much for my purse. The bread was five sous a pound; two pounds would cost ten sous. I did not think it wise to be extravagant before knowing what I was going to do the next day. I told the woman in an offhand manner that one pound and a half was quite enough and politely asked her not to cut more. I left the shop with my bread clutched tightly in my arms. The dogs jumped joyfully around me. Pretty-Heart pulled my hair and chuckled with glee.

We did not go far. At the first tree that we saw I placed my harp against the trunk and sat down on the grass. The dogs sat opposite me, Capi in the middle, Dulcie at one side, Zerbino on the other. Pretty-Heart, who was not tired, stood up on the watch, ready to snatch the first piece that he could. To eke out the meal was a delicate matter. I cut the bread into five parts, as near the same size as possible, and distributed the slices. I gave each a piece in turn, as though I were dealing cards. Pretty-Heart, who required less food than we, fared better, for he was quite satisfied[Pg 89] while we were still famished. I took three pieces from his share and hid them in my bag to give the dogs later. Then, as there still remained a little piece, I broke it and we each had some; that was for dessert.

After the meal I felt that the moment had come for me to say a few words to my companions. Although I was their chief, I did not feel that I was too much above them not to wish them to take part in the grave situation in which we found ourselves.

Capi had probably guessed my intentions, for he sat with his big, intelligent eyes fixed on me.

"Yes, Capi," I said, "and you, Dulcie, Zerbino and Pretty-Heart, my friends, I've bad news for you. We shan't see our master for two whole months."

"Ouah," barked Capi.

"It's bad for him and it's also bad for us, for we depend on him for everything, and now he's gone, we haven't any money."

At the mention of the word money, which he perfectly understood, Capi rose on his hind paws and commenced to trot round as though he were collecting money from the "distinguished audience."

"I see you want to give a performance, Capi," I continued; "that's good advice, but should we make anything? That's the question. We have only three sous left, so you mustn't get hungry. You've all to be very obedient; that will make it[Pg 90] easier for us all. You must help me all you can, you dogs and Pretty-Heart. I want to feel that I can count on you."

I would not make so bold as to say that they understood all I said, but they got the general idea. They knew by our master's absence that something serious had happened, and they had expected an explanation from me. If they did not understand all that I said to them, they were at least satisfied that I had their welfare at heart, and they showed their satisfaction by the attention they gave me.

Attention? Yes, on the part of the dogs only. It was impossible for Pretty-Heart to keep still for long. He could not fix his mind upon one subject for more than a minute. During the first part of my discourse he had listened to me with the greatest interest, but before I had said twenty words, he had sprung up into a tree, the branches of which hung over our heads, and was now swinging himself from branch to branch. If Capi had insulted me in like manner, my pride would certainly have been hurt; but I was never astonished at anything Pretty-Heart might do. He was so empty-headed. But after all, it was quite natural that he should want to have a little fun. I admit that I would liked to have done the same. I would have gone up that tree with pleasure, but the importance and dignity of my present office did not permit me any such distractions.

After we had rested a while I gave the sign to[Pg 91] start. We had to find a place somewhere to lie down for the night and gain a few sous for our food for the next day. We walked for one hour, then came in sight of a village. I quickly dressed my troop, and in as good marching order as possible we made our entry. Unfortunately, we had no fife and we lacked Vitalis' fine, commanding presence. Like a drum major, he always attracted the eye. I had not the advantage of being tall, nor was I possessed of a wonderful head. Quite the reverse, I was small and thin and I must have worn a very anxious look. While marching I glanced to the right and to the left to see what effect we were producing. Very little, I regret to say. No one followed us. Upon reaching the small square upon which was a fountain shaded with trees, I took my harp and commenced to play a waltz. The music was gay, my fingers were light, but my heart was heavy.

I told Zerbino and Dulcie to waltz together. They obeyed me at once and commenced to whirl round, keeping time. But no one put themselves out to come and see us, and yet in the doorways I saw several women knitting and talking. I continued to play, Zerbino and Dulcie went on with their waltz. Perhaps if one decided to come over to us, a second would come, then more and more.

I played on and on, Zerbino and Dulcie went round and round, but the women in the doorways did not even look over at us. It was discouraging. But I was determined not to be discouraged. I[Pg 92] played with all my might, making the cords of my harp vibrate, almost to breaking them. Suddenly a little child, taking its first steps, trotted from his home and came towards us. No doubt the mother would follow him, and after the mother a friend would come, and we should have an audience, and then a little money.

I played more softly so as not to frighten the baby, and also to entice him to come nearer. With hands held out and swaying first on one foot, then on the other, he came on slowly. A few steps more and he would have reached us, but at that moment the mother looked round. She saw her baby at once. But instead of running after him as I had thought she would, she called to him, and the child obediently turned round and went back to her. Perhaps these people did not like dance music; it was quite possible.

I told Zerbino and Dulcie to lie down, and I began to sing my canzonetta. Never did I try so hard to please.

I had reached the end of the second line, when I saw a man in a round jacket, and I felt that he was coming towards me. At last! I tried to sing with even more fervor.

"Hello, what are you doing here, young rogue?" he cried.

I stopped, amazed at his words, and watched him coming nearer, with my mouth open.

"What are you doing here, I say?"

"Singing, sir."

[Pg 93]

"Have you got permission to sing on a public square in our village?"

"No, sir."

"Well, be off; if you don't I'll have you arrested."

"But, sir...."

"Be off, you little beggar."

I knew from my poor master's example what it would cost me if I went against the town authorities. I did not make him repeat his order; I hurried off.

Beggar! That was not fair. I had not begged; I had sung. In five minutes I had left behind me this inhospitable, but well guarded, village. My dogs followed me with their heads lowered, and their tails between their legs. They certainly knew that some bad luck had befallen us. Capi, from time to time, went ahead of us and turned round to look at me questioningly with his intelligent eyes. Any one else in his place would have questioned me, but Capi was too well bred to be indiscreet. I saw his lip tremble in the effort he made to keep back his protests.

When we were far enough away from the village, I signed to them to stop, and the three dogs made a circle round me, Capi in the middle, his eyes on mine.

"As we had no permission to play, they sent us away," I explained.

"Well, then?" asked Capi, with a wag of his head.

[Pg 94]

"So then we shall have to sleep in the open air and go without supper."

At the word "supper" there was a general bark. I showed them my three sous.

"You know that is all we have. If we spend those three sous to-night, we shall have nothing left for breakfast to-morrow. So, as we have had something to-day, it is better to save this." And I put my three sous back in my pocket.

Capi and Dulcie bent their heads resignedly, but Zerbino, who was not so good, and who besides was a gourmand, continued to growl. I looked at him severely.

"Capi, explain to Zerbino, he doesn't seem to understand," I said to faithful Capitano.

Capi at once tapped Zerbino with his paw. It seemed as though an argument was taking place between the two dogs. One may find the word argument too much, when applied to dogs, but animals certainly have a peculiar language of their kind. As to dogs, they not only know how to speak, they know how to read. Look at them with their noses in the air or, with lowered head, sniffing at the ground, smelling the bushes and stones. Suddenly they'll stop before a clump of grass, or a wall, and remain on the alert for a moment. We see nothing on the wall, but the dog reads all sorts of curious things written in mysterious letters which we do not understand.

What Capi said to Zerbino I did not hear, for if dogs can understand the language of men, men do[Pg 95] not understand their language. I only saw that Zerbino refused to listen to reason, and that he insisted that the three sous should be spent immediately. Capi got angry, and it was only when he showed his teeth that Zerbino, who was a bit of a coward, lapsed into silence. The word "silence" is also used advisedly. I mean by silence that he laid down.

The weather was beautiful, so that to sleep in the open air was not a serious matter. The only thing was to keep out of the way of the wolves, if there were any in this part of the country.

We walked straight ahead on the white road until we found a place. We had reached a wood. Here and there were great blocks of granite. The place was very mournful and lonely, but there was no better, and I thought that we might find shelter from the damp night air amongst the granite. When I say "we," I mean Pretty-Heart and myself, for the dogs would not catch cold sleeping out of doors. I had to be careful of myself, for I knew how heavy was my responsibility. What would become of us all if I fell ill, and what would become of me if I had Pretty-Heart to nurse?

We found a sort of grotto between the stones, strewn with dried leaves. This was very nice. All that was lacking was something to eat. I tried not to think that we were hungry. Does not the proverb say, "He who sleeps, eats."

Before lying down I told Capi that I relied upon him to keep watch, and the faithful dog, instead of[Pg 96] sleeping with us on the pine leaves, laid down like a sentinel at the entrance of our quarters. I could sleep in peace, for I knew that none would come near without me being warned by Capi. Yet, although, at rest on this point, I could not sleep at once. Pretty-Heart was asleep beside me, wrapped up in my coat; Zerbino and Dulcie were stretched at my feet. But my anxiety was greater than my fatigue.

This first day had been bad; what would the next day be? I was hungry and thirsty, and yet I only had three sous. How could I buy food for all if I did not earn something the next day? And the muzzles? And the permission to sing? Oh, what was to be done! Perhaps we should all die of hunger in the bushes. While turning over these questions in my mind, I looked up at the stars, which shone in the dark sky. There was not a breath of wind. Silence everywhere. Not the rustle of a leaf or the cry of a bird, nor the rumble of a cart on the road. As far as my eye could see, stretched space. How alone we were; how abandoned! The tears filled my eyes. Poor Mother Barberin! poor Vitalis.

I was lying on my stomach, crying into my hands, when suddenly I felt a breath pass through my hair. I turned over quickly, and a big soft tongue licked my wet cheek. It was Capi who had heard me crying and had come to comfort me as he had done on the first day of my wanderings. With my two hands I took him by the neck and kissed[Pg 97] him on his wet nose. He uttered two or three little mournful snorts, and it seemed to me that he was crying with me. I slept. When I awoke it was full day and Capi was sitting beside me, looking at me. The birds were singing in the trees. In the distance I could hear a church bell ringing the Angelus, the morning prayer. The sun was already high in the sky, throwing its bright rays down to comfort heart and body.

We started off, going in the direction of the village where we should surely find a baker: when one goes to bed without dinner or supper one is hungry early in the morning. I made up my mind to spend the three sous, and after that we would see what would happen.

Upon arriving in the village there was no need for me to ask where the baker lived; our noses guided us straight to the shop. My sense of smell was now as keen as that of my dogs. From the distance I sniffed the delicious odor of hot bread. We could not get much for three sous, when it costs five sous a pound. Each of us had but a little piece, so our breakfast was soon over.

We had to make money that day. I walked through the village to find a favorable place for a performance, and also to note the expressions of the people, to try and guess if they were enemies or friends. My intention was not to give the performance at once. It was too early, but after finding a place we would come back in the middle of the day and take a chance.

[Pg 98]

I was engrossed with this idea, when suddenly I heard some one shouting behind me. I turned round quickly and saw Zerbino racing towards me, followed by an old woman. It did not take me long to know what was the matter. Profiting by my preoccupation, Zerbino had run into a house and stolen a piece of meat. He was racing alone, carrying his booty in his jaws.

"Thief! thief!" cried the old woman; "catch him! Catch all of 'em!"

When I heard her say this, I felt that somehow I was guilty, or at least, that I was responsible for Zerbino's crime, so I began to run. What could I say to the old woman if she demanded the price of the stolen meat? How could I pay her? If we were arrested they would put us in prison. Seeing me flying down the road, Dulcie and Capi were not long following my example; they were at my heels, while Pretty-Heart, whom I carried on my shoulder, clung round my neck so as not to fall.

Some one else cried: "Stop thief!" and others joined in the chase. But we raced on. Fear gave us speed. I never saw Dulcie run so fast; her feet barely touched the ground. Down a side street and across a field we went, and soon we had outstripped our pursuers, but I did not stop running until I was quite out of breath. We had raced at least two miles. I turned round. No one was following us. Capi and Dulcie were still at my heels, Zerbino was in the distance. He had stopped probably to eat his piece of meat. I called him, but[Pg 99] he knew very well that he deserved a severe punishment, so instead of coming to me, he ran away as fast as he could. He was famished, that was why he had stolen the meat. But I could not accept this as an excuse. He had stolen. If I wanted to preserve discipline in my troop, the guilty one must be punished. If not, in the next village Dulcie would do the same, and then Capi would succumb to the temptation. I should have to punish Zerbino publicly. But in order to do that I should have to catch him, and that was not an easy thing to do.

I turned to Capi.

"Go and find Zerbino," I said gravely.

He started off at once to do what I told him, but it seemed to me that he went with less ardor than usual. From the look that he gave me, I saw that he would far rather champion Zerbino than be my envoy. I sat down to await his return with the prisoner. I was pleased to get a rest after our mad race. When we stopped running we had reached the bank of a canal with shady trees and fields on either side.

An hour passed. The dogs had not returned. I was beginning to feel anxious when at last Capi appeared alone, his head hanging down.

"Where is Zerbino?"

Capi laid down in a cowed attitude. I looked at him and noticed that one of his ears was bleeding. I knew what had happened. Zerbino had put up a fight. I felt that, although Capi had[Pg 100] obeyed my orders, he had considered that I was too severe and had let himself be beaten. I could not scold him. I could only wait until Zerbino chose to return. I knew that sooner or later he would feel sorry and would come back and take his punishment.

I stretched myself out under a tree, holding Pretty-Heart tight for fear he should take it into his head to join Zerbino. Dulcie and Capi slept at my feet. Time passed. Zerbino did not appear. At last I also dropped off to sleep.

Several hours had passed when I awoke. By the sun I could tell that it was getting late, but there was no need for the sun to tell me that. My stomach cried out that it was a long time since I had eaten that piece of bread. And I could tell from the looks of the two dogs and Pretty-Heart that they were famished. Capi and Dulcie fixed their eyes on me piteously; Pretty-Heart made grimaces. But still Zerbino had not come back. I called to him, I whistled, but in vain. Having well lunched he was probably digesting his meal, cuddled up in a bush.

The situation was becoming serious. If I left this spot, Zerbino perhaps would get lost, for he might not be able to find us; then if I stayed, there was no chance of me making a little money to buy something to eat. Our hunger became more acute. The dogs fixed their eyes on me imploringly, and Pretty-Heart rubbed his stomach and squealed angrily.

[Pg 101]

Still Zerbino did not return. Once more I sent Capi to look for the truant, but at the end of half an hour he came back alone. What was to be done?

Although Zerbino was guilty, and through his fault we were put into this terrible position, I could not forsake him. What would my master say if I did not take his three dogs back to him? And then, in spite of all, I loved Zerbino, the rogue! I decided to wait until evening, but it was impossible to remain inactive. If we were doing something I thought we might not feel the pangs of hunger so keenly. If I could invent something to distract us, we might, for the time being, forget that we were so famished. What could we do?

I pondered over the question. Then I remembered that Vitalis had told me that when a regiment was tired out by a long march, the band played the gayest airs so that the soldiers should forget their fatigue. If I played some gay pieces on my harp, perhaps we could forget our hunger. We were all so faint and sick, yet if I played something lively and made the two poor dogs dance with Pretty-Heart the time might pass quicker. I took my instrument, which I had placed up against a tree and, turning my back to the canal I put my animals in position and began to play a dance.

At first neither the dogs nor the monkey seemed disposed to dance. All they wanted was food. My heart ached as I watched their pitiful attitude.[Pg 102] But they must forget their hunger, poor little things! I played louder and quicker, then, little by little, the music produced its customary effect. They danced and I played on and on.

Suddenly I heard a clear voice, a child's voice, call out: "Bravo." The voice came from behind me. I turned round quickly.

A barge had stopped on the canal. The two horses which dragged the boat were standing on the opposite bank. It was a strange barge. I had never seen one like it. It was much shorter than the other boats on the canal, and the deck was fashioned like a beautiful veranda, covered with plants and foliage. I could see two people, a lady, who was still young, with a beautiful sad face, and a boy about my own age, who seemed to be lying down. It was evidently the little boy who had called out "Bravo!"

I was very surprised at seeing them. I lifted my hat to thank them for their applause.

"Are you playing for your own pleasure?" asked the lady, speaking French with a foreign accent.

"I am keeping the dogs in practice and also ... it diverts their attention."

The child said something. The lady bent over him.

"Will you play again?" she then asked, turning round to me.

Would I play? Play for an audience who had[Pg 103] arrived at such a moment! I did not wait to be asked twice.

"Would you like a dance or a little comedy?" I asked.

"Oh, a comedy," cried the child. But the lady said she preferred a dance.

"A dance is too short," said the boy.

"If the 'distinguished audience' wishes, after the dance, we will perform our different rôles."

This was one of my master's fine phrases. I tried to say it in the same grand manner as he. Upon second thought, I was not sorry that the lady did not wish for a comedy, for I don't see how I could have given a performance; not only was Zerbino absent, but I had none of the "stage fittings" with me.

I played the first bars of a waltz. Capi took Dulcie by the waist with his two paws and they whirled round, keeping good time. Then Pretty-Heart danced alone. Successively, we went through all our repertoire. We did not feel tired now. The poor little creatures knew that they would be repaid with a meal and they did their best. I also.

Then, suddenly, in the midst of a dance in which all were taking part, Zerbino came out from behind a bush, and as Capi and Dulcie and Pretty-Heart passed near him, he boldly took his place amongst them.

While playing and watching my actors, I glanced[Pg 104] from time to time at the little boy. He seemed to take great pleasure in what we were doing, but he did not move. He looked as though he was lying on a stretcher. The boat had drifted right to the edge of the bank, and now I could see the boy plainly. He had fair hair. His face was pale, so white that one could see the blue veins on his forehead. He had the drawn face of a sick child.

"How much do you charge for seats at your performance?" asked the lady.

"You pay according to the pleasure we have given you."

"Then, Mamma, you must pay a lot," said the child. He added something in a language that I did not understand.

"My son would like to see your actors nearer."

I made a sign to Capi. With delight, he sprang onto the boat.

"And the others!" cried the little boy.

Zerbino and Dulcie followed Capi's example.

"And the monkey!"

Pretty-Heart could have easily made the jump, but I was never sure of him. Once on board he might do some tricks that certainly would not be to the lady's taste.

"Is he spiteful?" she asked.

"No, madam, but he is not always obedient, and I am afraid that he will not behave himself."

"Well, bring him on yourself."

She signed to a man who stood near the rail. He came forward and threw a plank across to the[Pg 105] bank. With my harp on my shoulder and Pretty-Heart in my arms I stepped up the plank.

"The monkey! the monkey!" cried the little boy, whom the lady addressed as Arthur.

I went up to him and, while he stroked and petted Pretty-Heart, I watched him. He was strapped to a board.

"Have you a father, my child?" asked the lady.

"Yes, but I am alone just now."

"For long?"

"For two months."

"Two months! Oh, poor little boy. At your age how is it that you happen to be left all alone?"

"It has to be, madam."

"Does your father make you take him a sum of money at the end of two months? Is that it?"

"No, madam, he does not force me to do anything. If I can make enough to live with my animals, that is all."

"And do you manage to get enough?"

I hesitated before replying. I felt a kind of awe, a reverence for this beautiful lady. Yet she talked to me so kindly and her voice was so sweet, that I decided to tell her the truth. There was no reason why I should not. Then I told her how Vitalis and I had been parted, that he had gone to prison because he had defended me, and how since he had gone I had been unable to make any money.

While I was talking, Arthur was playing with the dogs, but he was listening to what I said.

"Then how hungry you all must be!" he cried.

[Pg 106]

At this word, which the animals well knew, the dogs began to bark and Pretty-Heart rubbed his stomach vigorously.

"Oh, Mamma!" cried Arthur.

The lady said a few words in a strange language to a woman, whose head I could see through a half open door. Almost immediately the woman appeared with some food.

"Sit down, my child," said the lady.

I did so at once. Putting my harp aside I quickly sat down in the chair at the table; the dogs grouped themselves around me. Pretty-Heart jumped on my knee.

"Do your dogs eat bread?" asked Arthur.

"Do they eat bread!"

I gave them a piece which they devoured ravenously.

"And the monkey?" said Arthur.

But there was no occasion to worry about Pretty-Heart, for while I was serving the dogs he had taken a piece of crust from a meat pie and was almost choking himself underneath the table. I helped myself to the pie and, if I did not choke like Pretty-Heart, I gobbled it up no less gluttonously than he.

"Poor, poor child!" said the lady.

Arthur said nothing, but he looked at us with wide open eyes, certainly amazed at our appetites, for we were all as famished as one another, even Zerbino, who should have been somewhat appeased by the meat that he had stolen.

[Pg 107]

"What would you have eaten to-night if you had not met us?" asked Arthur.

"I don't think we should have eaten at all."

"And to-morrow?"

"Perhaps to-morrow we should have had the luck to meet some one like we have to-day."

Arthur then turned to his mother. For some minutes they spoke together in a foreign language. He seemed to be asking for something which at first she seemed not quite willing to grant. Then, suddenly, the boy turned his head. His body did not move.

"Would you like to stay with us?" he asked.

I looked at him without replying; I was so taken back by the question.

"My son wants to know if you would like to stay with us?" repeated the lady.

"On this boat?"

"Yes, my little boy is ill and he is obliged to be strapped to this board. So that the days will pass more pleasantly for him, I take him about in this boat. While your master is in prison, if you like, you may stay here with us. Your dogs and your monkey can give a performance every day, and Arthur and I will be the audience. You can play your harp for us. You will be doing us a service and we, on our side, may be useful to you."

To live on a boat! What a kind lady. I did not know what to say. I took her hand and kissed it.

"Poor little boy!" she said, almost tenderly.

[Pg 108]

She had said she would like me to play my harp: this simple pleasure I would give her at once. I wanted to show how grateful I was. I took my instrument and, going to the end of the boat, I commenced to play softly. The lady put a little silver whistle to her lips and blew it.

I stopped playing, wondering why she had whistled. Was it to tell me that I was playing badly, or to ask me to stop? Arthur, who saw everything that passed around him, noticed my uneasiness.

"My mamma blew the whistle for the horses to go on," he said.

That was so; the barge, towed by the horses, glided over the soft waters which lapped gently against the keel; on either side were trees and behind us fell the oblique rays from the setting sun.

"Will you play?" asked Arthur.

He beckoned to his mother. She sat down beside him. He took her hand and kept it in his, and I played to them all the pieces that my master had taught me.

[Pg 109]

Arthur's mother was English. Her name was Mrs. Milligan. She was a widow, and Arthur was her only son; at least, it was supposed that he was her only son living, for she had lost an elder child under mysterious conditions. When the child was six months old it had been kidnaped, and they had never been able to find any trace of him. It is true that, at the time he was taken, Mrs. Milligan had not been able to make the necessary searches. Her husband was dying, and she herself was dangerously ill and knew nothing of what was going on around her. When she regained consciousness her husband was dead and her baby had disappeared. Her brother-in-law, Mr. James Milligan, had searched everywhere for the child. There being no heir, he expected to inherit his brother's property. Yet, after all, Mr. James Milligan inherited nothing from his brother, for seven months after the death of her husband, Mrs. Milligan's second son, Arthur, was born.

But the doctors said that this frail, delicate child could not live. He might die at any moment. In[Pg 110] the event of his death, Mr. James Milligan would succeed to the fortune. He waited and hoped, but the doctors' predictions were not fulfilled. Arthur lived. It was his mother's care that saved him. When he had to be strapped to a board, she could not bear the thought of her son being closed up in a house, so she had a beautiful barge built for him, and was now traveling through France on the various canals.

Naturally, it was not the first day that I learned all this about the English lady and her son. I learned these details little by little, while I was with her.

I was given a tiny cabin on the boat. What a wonderful little room it appeared to me! Everything was spotless. The only article of furniture that the cabin contained was a bureau, but what a bureau: bed, mattress, pillows, and covers combined. And attached to the bed were drawers containing brushes, combs, etc. There was no table or chairs, at least not in their usual shape, but against the wall was a plank, which when pulled down was found to be a little square table and chair. How pleased I was to get into that little bed. It was the first time in my life that I had felt soft sheets against my face. Mother Barberin's were very hard and they used to rub my cheeks, and Vitalis and I had more often slept without sheets, and those at the cheap lodging houses at which we stayed were just as rough as Mother Barberin's.

[Pg 111]

I woke early, for I wanted to know how my animals had passed the night. I found them all at the place where I had installed them the night before, and sleeping as though the beautiful barge had been their home for several months. The dogs jumped up as I approached, but Pretty-Heart, although he had one eye half open, did not move; instead he commenced to snore like a trombone.

I guessed at once what was the matter: Pretty-Heart was very sensitive; he got angry very quickly and sulked for a long time. In the present circumstances he was annoyed because I had not taken him into my cabin, and he showed his displeasure by pretending to be asleep.

I could not explain to him why I had been forced to leave him on deck, and as I felt that I had, at least in appearances, done him an injury, I took him in my arms and cuddled him, to show him that I was sorry. At first he continued to sulk, but soon, with his changeable temper, he thought of something else, and by his signs made me understand that if I would take him for a walk on land he would perhaps forgive me. The man who was cleaning the deck was willing to throw the plank across for us, and I went off into the fields with my troop.

The time passed, playing with the dogs and chasing Pretty-Heart; when we returned the horses were harnessed and the barge in readiness to start. As soon as we were all on the boat the horses began to trot along the towing path; we glided over the[Pg 112] water without feeling a movement, and the only sound to be heard was the song of the birds, the swish of the water against the boat, and the tinkle of bells around the horses' necks.

Here and there the water seemed quite black, as though it was of great depth; in other parts it was as clear as crystal and we could see the shiny pebbles and velvety grass below.

I was gazing down into the water when I heard some one call my name. It was Arthur. He was being carried out on his board.

"Did you sleep well?" he asked, "better than in the field?"

I told him that I had, after I had politely spoken to Mrs. Milligan.

"And the dogs?" asked Arthur.

I called to them; they came running up with Pretty-Heart; the latter making grimaces as he usually did when he thought that we were going to give a performance.

Mrs. Milligan had placed her son in the shade and had taken a seat beside him.

"Now," she said to me, "you must take the dogs and the monkey away; we are going to work."

I went with the animals to the front of the boat.

What work could that poor little boy do?

I looked round and saw that his mother was making him repeat a lesson from a book she held in her hand. He seemed to be having great difficulty in mastering it, but his mother was very patient.

[Pg 113]

"No," she said at last, "Arthur, you don't know it, at all."

"I can't, Mamma, I just can't," he said, plaintively. "I'm sick."

"Your head is not sick. I can't allow you to grow up in utter ignorance because you're an invalid, Arthur."

That seemed very severe to me, yet she spoke in a sweet, kind way.

"Why do you make me so unhappy? You know how I feel when you won't learn."

"I cannot, Mamma; I cannot." And he began to cry.

But Mrs. Milligan did not let herself be won over by his tears, although she appeared touched and even more unhappy.

"I would have liked to have let you play this morning with Remi and the dogs," she said, "but you cannot play until you know your lessons perfectly." With that she gave the book to Arthur and walked away, leaving him alone.

From where I stood I could hear him crying. How could his mother, who appeared to love him so much, be so severe with the poor little fellow. A moment later she returned.

"Shall we try again?" she asked gently.

She sat down beside him and, taking the book, she began to read the fable called "The Wolf and the Sheep." She read it through three times, then gave the book back to Arthur and told him to learn it alone. She went inside the boat.

[Pg 114]

I could see Arthur's lips moving. He certainly was trying very hard. But soon he took his eyes off the book; his lips stopped moving. His look wandered everywhere, but not back to his book. Suddenly he caught my eye; I made a sign to him to go on with his lesson. He smiled, as though to thank me for reminding him, and again fixed his eyes on his book. But as before, he could not concentrate his thoughts; his eyes began to rove from first one side of the canal to the other. Just then a bird flew over the boat, swiftly as an arrow. Arthur raised his head to follow its flight. When it had passed he looked at me.

"I can't learn this," he said, "and yet I want to."

I went over to him.

"It is not very difficult," I said.

"Yes, it is, it's awfully difficult."

"It seems to me quite easy. I was listening while your mother read it, and I almost learned it myself."

He smiled as though he did not believe it.

"Do you want me to say it to you?"

"You can't."

"Shall I try? You take the book."

He took up the book again, and I began to recite the verse. I had it almost perfect.

"What! you know it?"

"Not quite, but next time I could say it without a mistake, I believe."

"How did you learn it?"

[Pg 115]

"I listened while your mother read it, but I listened attentively without looking about to see what was going on round about me."

He reddened, and turned away his eyes.

"I will try, like you," he said, "but tell me, what did you do to remember the words?"

I did not quite know how to explain, but I tried my best.

"What is the fable about?" I said. "Sheep. Well, first of all, I thought of sheep; the sheep were in a field. I could see them lying down and sleeping in the field; picturing them so, I did not forget."

"Yes, yes," he said, "I can see them, black and white ones! in a green field."

"What looks after the sheep usually?"

"Dogs."

"And?..."

"A shepherd."

"If they thought the sheep were quite safe, what did they do?"

"The dog slept while the shepherd played his flute in the distance with the other shepherds."

Little by little Arthur had the entire fable pictured in his mind's eye. I explained every detail, as well as I was able. When he was thoroughly interested we went over the lines together and at the end of half an hour he had mastered it.

"Oh, how pleased mamma will be!" he cried.

When his mother came out she seemed displeased that we were together. She thought that[Pg 116] we had been playing, but Arthur did not give her time to say a word.

"I know it!" he cried. "Remi has taught it to me."

Mrs. Milligan looked at me in surprise, but before she could say a word Arthur had commenced to recite the fable. I looked at Mrs. Milligan: her beautiful face broke into a smile; then I thought I saw tears in her eyes, but she bent her head quickly over her son and put her arms about him. I was not sure if she was crying.

"The words mean nothing," said Arthur; "they are stupid, but the things that one sees! Remi made me see the shepherd with his flute, and the fields, and the dogs, and the sheep, then the wolves, and I could even hear the music that the shepherd was playing. Shall I sing the song to you, Mamma?"

And he sang a little sad song in English.

This time Mrs. Milligan did really cry, for when she got up from her seat, I saw that Arthur's cheeks were wet with her tears. Then she came to me and, taking my hand in hers, pressed it gently.

"You are a good boy," she said.

The evening before I had been a little tramp, who had come on the barge with his animals to amuse a sick child, but this lesson drew me apart from the dogs and the monkey. I was, from now, a companion, almost a friend, to the sick boy.

From that day there was a change in Mrs. [Pg 117]Milligan's manner toward me, and between Arthur and myself there grew a strong friendship. I never once felt the difference in our positions; this may have been due to Mrs. Milligan's kindness, for she often spoke to me as though I were her child.

When the country was interesting we would go very slowly, but if the landscape was dreary, the horses would trot quickly along the towing path. When the sun went down the barge stopped; when the sun rose the barge started on again.

If the evenings were damp we went into the little cabin and sat round a bright fire, so that the sick boy should not feel chilly, and Mrs. Milligan would read to us and show us pictures and tell us beautiful stories.

Then, when the evenings were beautiful, I did my part. I would take my harp and when the boat had stopped I would get off and go at a short distance and sit behind a tree. Then, hidden by the branches, I played and sang my best. On calm nights Arthur liked to hear the music without being able to see who played. And when I played his favorite airs he would call out "Encore," and I would play the piece over again.

That was a beautiful life for the country boy, who had sat by Mother Barberin's fireside, and who had tramped the high roads with Signor Vitalis. What a difference between the dish of boiled potatoes that my poor foster mother had given me and the delicious tarts, jellies, and creams that Mrs. Milligan's cook made! What a contrast [Pg 118]between the long tramps in the mud, the pouring rain, the scorching sun, trudging behind Vitalis, ... and this ride on the beautiful barge!

The pastry was delicious, and yes, it was fine, oh, so fine not to be hungry, nor tired, nor too hot, nor too cold, but in justice to myself, I must say that it was the kindness and love of this lady and this little boy that I felt the most. Twice I had been torn from those I loved, ... first from dear Mother Barberin, and then from Vitalis. I was left with only the dogs and the monkey, hungry and footsore, and then a beautiful lady, with a child of about my own age, had taken me in and treated me as though I were a brother.

Often, as I looked at Arthur strapped to his bench, pale and drawn, I envied him, I, so full of health and strength, envied the little sick boy. It was not the luxuries that surrounded him that I envied, not the boat. It was his mother. Oh, how I wanted a mother of my own! She kissed him, and he was able to put his arms around her whenever he wished,—this lady whose hand I scarcely dared touch when she held it out to me. And I thought sadly that I should never have a mother who would kiss me and whom I could kiss. Perhaps one day I should see Mother Barberin again, and that would make me very happy, but I could not call her mother now, for she was not my mother....

I was alone.... I should always be alone.... Nobody's boy.

[Pg 119]

I was old enough to know that one should not expect to have too much from this world, and I thought that, as I had no family, no father or mother, I should be thankful that I had friends. And I was happy, so happy on that barge. But, alas! it was not to last long. The day was drawing near for me to take up my old life again.

[Pg 120]

It was all to end,—this beautiful trip that I had made on the barge. No nice bed, no nice pastry, no evenings listening to Mrs. Milligan. Ah! no Mrs. Milligan or Arthur!

One day I decided to ask Mrs. Milligan how long it would take me to get back to Toulouse. I wanted to be waiting at the prison door when my master came out. When Arthur heard me speak of going back, he began to cry.

"I don't want him to go! I don't want Remi to go," he sobbed.

I told him that I belonged to Vitalis, and that he had paid a sum of money for me, and that I must return to him the moment he wanted me. I had spoken of my foster parents, but had never said that they were not really my father and mother. I felt ashamed to admit that I was a foundling,—a child picked up in the streets! I knew how the children from the Foundlings' Hospital had been scorned. It seemed to me that it was the most abject thing in the world to be a foundling. I did not want Mrs. Milligan and Arthur to know. Would they not have turned from me in disdain!

[Pg 121]

"Mamma, we must keep Remi," continued Arthur.

"I should be very pleased to keep Remi with us," replied Mrs. Milligan; "we are so fond of him. But there are two things; first, Remi would have to want to stay...."

"Oh, he does! he does!" cried Arthur, "don't you, Remi? You don't want to go back to Toulouse?"

"The second is," continued Mrs. Milligan, "will his master give him up?"

"Remi comes first; he comes first," Arthur insisted.

Vitalis had been a good master, and I was very grateful for all he had taught me, but there was no comparison between my life with him and that which I should have with Arthur, and at the same time, there was also no comparison between the respect I had for Vitalis and the affection which I felt for Mrs. Milligan and her invalid boy. I felt that it was wrong for me to prefer these strangers to my master, but it was so. I loved Mrs. Milligan and Arthur.

"If Remi stays with us it will not be all pleasure," went on Mrs. Milligan; "he would have to do lessons the same as you; he would have to study a great deal; it would not be the free life that he would have in going tramping along the roads."

"Ah, you know what I would like,..." I began.

"There, there, you see, Mamma!" interrupted Arthur.

[Pg 122]

"All that we have to do now," continued Mrs. Milligan, "is to get his master's consent. I will write and ask him if he will come here, for we cannot return to Toulouse. I will send him his fare, and explain to him the reason why we cannot take the train. I'll invite him here, and I do hope he will accept.

"If he agrees to my proposition," added Mrs. Milligan, "I will then make arrangements with your parents, Remi, for of course they must be consulted."

Consult my parents! They will tell her what I have been trying to keep secret. That I am a foundling! Then neither Arthur nor Mrs. Milligan would want me!

A boy who did not know his own father or mother had been a companion to Arthur! I stared at Mrs. Milligan in affright. I did not know what to say. She looked at me in surprise. I did not dare reply to her question when she asked me what was the matter. Probably thinking that I was upset at the thought of my master coming, she did not insist.

Arthur looked at me curiously all the evening. I was glad when bedtime came, and I could close myself in my cabin. That was my first bad night on board the Swan. What could I do? What say?

Perhaps Vitalis would not give me up, then they would never know the truth. My shame and fear of them finding out the truth was so great that I[Pg 123] began to hope that Vitalis would insist upon me staying with him.

Three days later Mrs. Milligan received a reply to the letter she had sent Vitalis. He said that he would be pleased to come and see her, and that he would arrive the following Saturday, by the two o'clock train. I asked permission to go to the station with the dogs and Pretty-Heart to meet him.

In the morning the dogs were restless as though they knew that something was going to happen. Pretty-Heart was indifferent. I was terribly excited. My fate was to be decided. If I had possessed the courage I would have implored Vitalis not to tell Mrs. Milligan that I was a foundling, but I felt that I could not utter the word, even to him.

I stood on a corner of the railway station, holding my dogs on a leash, with Pretty-Heart under my coat, and I waited. I saw little of what passed around me. It was the dogs who warned me that the train had arrived. They scented their master. Suddenly there was a tug at the leash. As I was not on my guard, they broke loose. With a bark they bounded forward. I saw them spring upon Vitalis. More sure, although less supple than the other two, Capi had jumped straight into his master's arms, while Zerbino and Dulcie jumped at his feet.

When Vitalis saw me, he put Capi down quickly, and threw his arms around me. For the first time he kissed me.

[Pg 124]

"God bless you, my boy," he said again, and again.

My master had never been hard with me, but neither had he ever been affectionate, and I was not used to these effusions. I was touched, and the tears came to my eyes, for I was in the mood when the heart is easily stirred. I looked at him. His stay in prison had aged him greatly. His back was bent, his face paler, and his lips bloodless.

"You find me changed, don't you, Remi?" he said; "I was none too happy in prison, but I'll be better now I'm out."

Then, changing the subject, he added:

"Tell me about this lady who wrote to me; how did you get to know her?"

I told him how I had met Mrs. Milligan and Arthur in their barge, the Swan, on the canal, and of what we had seen, and what we had done. I rambled along hardly knowing what I said. Now that I saw Vitalis, I felt that it would be impossible to tell him that I wanted to leave him and stay with Mrs. Milligan.

We reached the hotel where Mrs. Milligan was staying, before my story was ended. Vitalis had not mentioned what she had proposed to him in her letter, so I said nothing of her plan.

"Is this lady expecting me?" he asked, as we entered the hotel.

"Yes, I'll take you up to her apartment," I said.

"There's no occasion for that," he replied; "I'll[Pg 125] go up alone; you wait here for me with Pretty-Heart and the dogs."

I had always obeyed him, but in this case I felt that it was only fair for me to go up with him to Mrs. Milligan's apartment. But with a sign he stopped the words on my lips, and I was forced to stay below with the dogs.

Why didn't he want me to be present when he spoke to Mrs. Milligan? I asked myself this question again and again. I was still pondering over it when he returned.

"Go and say good-by to the lady," he said, briefly. "I'll wait for you here. We shall go in ten minutes."

I was thunderstruck.

"Well," he said, "didn't you understand me? You stand there like a stupid! Hurry up!"

He had never spoken so roughly to me. Mechanically I got up to obey, not seeming to understand. "What did you say to her?" I asked, after I had gone a few steps.

"I said that I needed you and that you needed me, and consequently I was not going to give up my rights to you. Go; I give you ten minutes to say good-by."

I was so possessed by the fact that I was a foundling, that I thought that if I had to leave immediately it was because my master had told them about my birth.

[Pg 126]

Upon entering Mrs. Milligan's apartment I found Arthur in tears and his mother bending over him.

"You won't go, Remi! Oh, Remi, tell me you won't go," he sobbed.

I could not speak. Mrs. Milligan replied for me, telling Arthur that I had to do as I was told.

"Signor Vitalis would not consent to let us have you," said Mrs. Milligan in a voice so sad.

"He's a wicked man!" cried Arthur.

"No, he is not a wicked man," continued Mrs. Milligan; "he loves you ... and he needs you. He speaks like a man far above his position. He told me,—let me see, these were his words:

"'I love that child, and he loves me. The apprenticeship in the life that I give him is good for him, better, far better, than he would have with you. You would give him an education, that is true; you would form his mind, but not his character. It is the hardships of life that alone can do that. He cannot be your son; he will be mine. That is better than to be a plaything for your sick child, however sweet he may be. I also will teach the boy.'"

"But he isn't Remi's father," cried Arthur.

"That is true, but he is his master, and Remi belongs to him. For the time being, Remi must obey him. His parents rented him to Signor Vitalis, but I will write to them and see what I can do."

"Oh, no, no, don't do that," I cried.

[Pg 127]

"What do you mean?"

"Oh, no, please don't."

"But that is the only thing to do, my child."

"Oh, please, please don't."

If Mrs. Milligan had not spoken of my parents, I should have taken much more than the ten minutes to say good-by that my master had given me.

"They live in Chavanon, do they not?" asked Mrs. Milligan.

Without replying, I went up to Arthur and, putting my arms round him, clung to him for a moment then, freeing myself from his weak clasp, I turned and held out my hand to Mrs. Milligan.

"Poor child," she murmured, kissing me on the forehead.

I hurried to the door.

"Arthur, I will love you always," I said, choking back my sobs, "and I never, never will forget you, Mrs. Milligan."

"Remi! Remi!" cried Arthur.

I closed the door. One moment later I was with Vitalis.

"Off we go," he said.

And that was how I parted from my first boy friend.

[Pg 128]

Again I had to tramp behind my master with the harp strapped to my shoulder, through the rain, the sun, the dust, and the mud. I had to play the fool and laugh and cry in order to please the "distinguished audience."

More than once in our long walks I lagged behind to think of Arthur, his mother, and the Swan. When I was in some dirty village how I would long for my pretty cabin on the barge. And how rough the sheets were now. It was terrible to think that I should never again play with Arthur, and never hear his mother's voice.

Fortunately in my sorrow, which was very deep, I had one consolation; Vitalis was much kinder, kinder than he had ever been before. His manner with me had quite changed. I felt that he was more to me than a master now. Often, if I dared, I would have embraced him, I so needed love. But I had not the courage, for Vitalis was not a man with whom one dared be familiar. At first it had been fear that kept me at a distance, but now it was something vague, which resembled a sentiment of respect.

When I left the village I had looked upon [Pg 129]Vitalis the same as the other men of the poorer class. I was not able to make distinctions, but the two months that I had lived with Mrs. Milligan had opened my eyes and developed my intelligence. Looking at my master with more attention, it seemed to me that in manner and bearing he appeared to be very superior. His ways were like Mrs. Milligan's ways....

Weeks passed. On our tramps, now, my eyes were always turned in the direction of the water, not to the hills. I was always hoping that one day I should see the Swan. If I saw a boat in the distance I always thought that it might be the Swan. But it was not.

We passed several days at Lyons, and all my spare time I spent on the docks, looking up and down the river. I described the beautiful barge to the fishermen and asked them if they had seen it, but no one had seen it.

We had to leave Lyons at last and went on to Dijon; then I began to give up hope of ever seeing Mrs. Milligan again, for at Lyons I had studied all the maps of France, and I knew that the Swan could not go farther up the river to reach the Loire. It would branch off at Chalon. We arrived at Chalon, and we went on again without seeing it. It was the end of my dream.

To make things worse, the winter was now upon us, and we had to tramp along wearily in the blinding rain and slush. At night, when we arrived at a wretched inn, or in a barn, tired out, wet to the[Pg 130] skin, I could not drop off to sleep with laughter on my lips. Sometimes we were frozen to the bone, and Pretty-Heart was as sad and mournful as myself.

My master's object was to get to Paris as quickly as possible, for it was only in Paris that we had a chance to give performances during the winter. We were making very little money now, so we could not afford to take the train.

After the cold sleet, the wind turned to the north. It had been very damp for several days. At first we did not mind the biting north wind in our faces, but soon the sky filled with great black clouds and the wintry sun disappeared altogether. We knew that a snowstorm was coming.

Vitalis was anxious to get to the next big town, where we could stay and give several performances, if very bad weather overtook us.

"Go to bed quickly," he said, when we got to an inn that night; "we are going to start at a very early hour to-morrow, because I don't want to be caught in a snowstorm."

He did not go to bed at once, but sat down by a corner of the kitchen fire to warm Pretty-Heart, who was suffering terribly from the cold. The monkey had not ceased moaning, although we had wrapped him up in plenty of coverlets.

The next morning I got up early as I had been told. It was not yet day, the sky was lowering and black, and there was not a star to be seen.[Pg 131] When we opened the door a strong wind almost took us off our feet.

"If I were in your place," said the innkeeper to Vitalis, "I wouldn't venture out. We're going to have a terrible snowstorm."

"I'm in a hurry," replied Vitalis, "and I want to get to Troyes before it comes on."

"Thirty miles."

Nevertheless, we started.

Vitalis held Pretty-Heart tight against his body so as to give him some of his own warmth, and the dogs, pleased with the hard dry roads, raced before us. My master had bought a sheepskin for me at Dijon, and I wrapped myself up in it with the wool inside.

It was anything but agreeable when we opened our mouths, so we walked along in silence, hurrying as much to get warm as to get ahead. Although it was long past the hour of daybreak, the sky was still quite black. Although to the east a whitish band cut the clouds, yet the sun would not come out. Looking across the country, objects were now becoming more distinct. We could see the trees stripped of their leaves, and the shrubs and bushes with dry foliage rustling and cracking with the heavy gusts of wind. There was no one on the roads, nor in the fields, not a sound of cart wheels, nor the crack of a whip.

Suddenly, in the distance, we could see a pale streak which got larger and larger as it came [Pg 132]towards us. Then we heard a sort of hissing murmur, the strange, harsh cry of the wild geese. The maddened flock flew over our heads; on they went, wildly fleeing from the north towards the south. Before they were out of sight, soft flakes were dropping gently from the skies and floating in the atmosphere.

The country through which we tramped was desolate and bleak, the mournful aspect seemed to add to the silence; only the shrill whistling of the north wind was heard. Snowflakes, like tiny butterflies, fluttered around us, whirling incessantly without touching the ground.

We made little headway. It seemed impossible that we could reach Troyes before the storm was fully upon us. But I did not worry; I thought that if the snow fell it would not be so cold.

I did not know what a snow storm could be. It was not long before I learned, and in a way that I shall never forget. The clouds were gathering from the northwest. The flakes no longer hovered in the air, but fell straight and swift, covering us from head to foot.

"We shall have to take shelter in the first house we come to," murmured Vitalis; "we cannot make Troyes."

I was pleased to hear him say that, but where could we find shelter? As far as the eye could reach there was not a house to be seen, nor anything to indicate that we were nearing a village.

Before us lay a forest with its dark depths, and[Pg 133] on either side of us the hills. The snow came down faster and thicker.

We tramped in silence. My master lifted his sheepskin now and again for Pretty-Heart to breathe more easily. From time to time we had to turn our heads to one side, so that we also could breathe. The dogs no longer raced ahead; they walked at our heels asking for the shelter that we were unable to give them.

We went slowly and painfully on, blinded, wet and frozen, and, although we were now in the heart of the forest, the road through it was exposed to the full wind. Several times I saw my master glance to the left, as though he were looking for something, but he said nothing. What did he hope to find? I looked straight before me, down the long road. As far as my eye could reach, I could see nothing but woods on either side. I thought we should never come to the end of that forest.

I had seen the snow falling only through the window panes of a warm kitchen. How far off that warm kitchen seemed now! Our feet sunk into the white bed of snow, deeper and deeper. Then, suddenly, without saying a word, Vitalis pointed to the left. I looked and saw indistinctly a little hut made of branches.

We had to find the track that led to the hut. This was difficult, for the snow was already thick enough to efface all trace of a path. We scrambled through the bushes, and after crossing a ditch, we managed at last to reach the hut and get inside.[Pg 134] The dogs, in ecstasy, rolled over and over on the dry ground, barking. Our satisfaction was no less keen than theirs.

"I thought there would be a wood-cutter's cabin somewhere in the forest," said Vitalis. "Now, it can snow!"

"Yes, let it snow," I said defiantly; "I don't care!"

I went to the door, or rather to the opening of the hut, for there was neither door nor window, and shook my coat and hat, so as not to wet the inside of our apartment.

Our quarters were very simply but strongly built. Its furniture consisted of a heap of dirt and some big stones for seats.

In a house like this it was not difficult to find fuel; we had only to take it down from the walls and the roof, dragging out a few faggots here and there. This was quickly done, and soon we had a bright flaming fire. It is true that the hut was soon filled with smoke, but what did that matter? There was a flame, and it was heat that we wanted. I lay down, supporting myself on my two hands, and blew the fire; the dogs sat around the grate gravely; with necks stretched out they presented their wet sides to the flames.

Pretty-Heart soon ventured to peep from under Vitalis' coat; prudently putting the end of his nose outside, he looked about to take in his surroundings. Evidently satisfied, he jumped quickly to the ground and taking the best place before the[Pg 135] fire he held out his two little trembling hands to the flames.

That morning before I had risen, Vitalis had packed some provisions. There was some bread and a piece of cheese. We all expressed satisfaction at the sight of the food. Unfortunately, we were only able to have a very small piece, for not knowing how long we should have to stay in the hut, Vitalis thought it advisable to keep some for supper. I understood, but the dogs did not, and when they saw the bread put back in the bag before they had scarcely eaten, they held out their paws to their master, scratching his neck, and performing pantomime gestures to make him open the bag upon which their eyes were fixed. But Vitalis took no notice of them; the bag was not opened. The dogs settled themselves to go to sleep, Capi with his nose in the cinders. I thought that I would follow their example.

I do not know how long I slept; when I awoke the snow had stopped falling. I looked outside. It was very deep; if we ventured out it would come above our knees.

What time was it? I could not ask Vitalis. His big silver watch, by which Capi had told the hour, had been sold. He had spent all his money to pay his prison fine, and when he bought my sheepskin at Dijon he had parted with his big watch to pay for it. From the misty atmosphere it was impossible for me to tell what hour it might be.

[Pg 136]

There was not a sound to be heard; the snow seemed to have petrified every movement of life. I was standing in the opening of our cabin when I heard my master calling.

"Do you want to get on your way?" he asked.

"I don't know; I want to do what you wish."

"Well, I think we ought to stay here; we are at least sheltered and have warmth."

That was true, but I remembered that we had no food. However, I said nothing.

"I'm afraid it will snow again," continued Vitalis. "We don't want to spend the night outside. Better stay here."

Yes, we should have to stay in the hut and tighten our belts round our stomachs, that was all.

At supper Vitalis divided the remainder of the bread. Alas, there was but little, and it was quickly eaten; we gobbled up every crumb. When our frugal supper was over I thought that the dogs would begin making signs for more as they had done before, for they were ravenous. But they did nothing of the kind, and once again I realized how great was their intelligence.

When Vitalis thrust his knife into his trouser pocket, which indicated that the feast was over, Capi got up and smelled the bag in which the food was kept. He then placed his paw on the bag to feel it. This double investigation convinced him that there was nothing left to eat. Then, coming back to his place before the fire, he looked at [Pg 137]Zerbino and Dulcie. The look clearly signified that they would get nothing more; then he stretched himself out his entire length with a sigh of resignation. "There is nothing more. It is useless to beg." He said this to them as plainly as though he had spoken aloud.

His companions, understanding this language, also stretched out before the fire sighing, but Zerbino's sigh in no wise betokened resignation, for added to a large appetite, Zerbino was very much of a gourmand, and this was a greater sacrifice for him than for the others.

The snow had commenced to fall again; it fell persistently. We could see the white carpet on the ground rise higher and higher until the small shrubs and bushes were hidden beneath it. When night came, big flakes were still falling from the black sky onto the shimmering earth.

As we had to sleep there, the best thing to do was to go to sleep as quickly as possible. I wrapped myself up in my sheepskin, which I had dried by the fire during the day, and I laid down beside the fire, my head on a flat stone which served for a pillow.

"You go to sleep," said Vitalis; "I'll wake you when it's my turn, for although we have nothing to fear from animals or people in this cabin, one of us must keep awake to see that the fire does not go out. We must be careful not to get cold, for it will be bitter when the snow stops."

[Pg 138]

I slept. In the small hours of the night my master woke me. The fire was still burning, and the snow had stopped falling.

"It's my turn to sleep now," said Vitalis; "as the fire goes down you throw on this wood that I've got already here."

He had piled up a heap of small wood by the grate. My master, who slept much lighter than I, did not wish me to wake him by pulling down the wood from the walls each time I needed it. So from this heap that he had prepared, I could take the wood and throw on the fire without making a noise. It was a wise thing to do, but alas, Vitalis did not know what the result would be.

He stretched out now before the fire with Pretty-Heart in his coverlet cuddled up against him, and soon, from his deep breathing, I knew that he had fallen asleep. Then I got up softly and went to the opening to see how it looked outside.

All the grass, the bushes, and the trees were buried in snow. Everywhere the eye rested was a dazzling white. The sky was dotted with twinkling stars, but although they were so bright it was the snow which shed the pale light over the earth. It was much colder now; it was freezing hard.

Oh! what should we have done in the depths of the forest in the snow and the cold if we had not found this shelter?

Although I had walked on tiptoe to the opening without scarcely making a sound, I had roused the[Pg 139] dogs, and Zerbino had followed me. The splendor of the night was nothing to him; he looked on the scene for a moment, and then became bored and wanted to go outside. I ordered him to return to his place. Foolish dog, wasn't it better to stay by the warm fire in this terrible cold than to go prowling around. He obeyed me, but with a very bad grace, and kept his eyes fixed on the entrance. I stayed there for a few minutes longer, looking at the white night. It was beautiful, but although I enjoyed it, somehow I felt a vague sadness. I could have gone inside and not looked, of course, but the white, mysterious scene held me fascinated.

At last I went back to the fire and having placed two or three long pieces of wood crossways upon one another, I sat down on the stone which had served me for a pillow. My master was sleeping calmly; the dogs and Pretty-Heart also slept, and the flames leaped from the fire and swirled upward to the roof, throwing out bright sparks. The spluttering flame was the only sound that broke the silence of the night. For a long time I watched the sparks, then little by little I began to get drowsy, without my being aware.

If I had been compelled to busy myself with getting the wood, I could have kept awake, but seated before the fire with nothing to do, I became so sleepy, and yet all the time I thought that I could manage to keep awake.

I sprang up suddenly, awakened by a violent barking! It was night. I probably had slept for[Pg 140] a long time and the fire was almost out. No flames lit the hut now. Capi was barking loudly, furiously. But, strange! there was no sound from Zerbino or Dulcie.

"What's the matter?" cried Vitalis, waking up.

"I don't know."

"You've been to sleep, and the fire's gone out."

Capi had run to the opening, but had not ventured outside. He stood on the threshold barking.

"What has happened?" I asked in my turn.

In answer to Capi's barks came two or three mournful howls. I recognized Dulcie's voice. These howls came from behind our hut and at a very short distance.

I was going out. But Vitalis put his hand on my shoulder and stopped me.

"First," he said, in a tone of command, "put some wood on the fire."

While I obeyed, he took a sprig from the fire and blew it out until only the point remained burning. He held the torch in his hand.

"Come and see what is the matter," he said; "you walk behind me. Go ahead, Capi."

As we went out there was a frightful howl. Capi drew back, cowering behind us in terror.

"Wolves! Where are Zerbino and Dulcie?"

What could I say? The two dogs must have gone out while I slept. Zerbino had waited until I was asleep and had then crept out, and Dulcie had followed him. The wolves had got hold of[Pg 141] them! There was fear in my master's voice when he asked for the dogs.

"Take a torch," he said, "we must go to their aid."

In our village I had heard them tell terrible stories of wolves, yet I could not hesitate. I ran back for a torch, then followed my master.

But outside we could see neither dogs nor wolves. On the snow we could see only the imprint of the two dogs' paws. We followed these traces around the hut, then at a certain distance we could see a space in the snow which looked as though some animals had been rolling in it.

"Go and look for them, Capi," said my master; at the same time he whistled to attract Zerbino and Dulcie.

But there was no barking in reply; no sound disturbed the mournful silence of the forest, and Capi, instead of running off as he was told, kept close to us, giving every sign of fear. Capi who was usually so obedient and brave!

There was not sufficient light for us to follow the imprints any distance. The snow around us was dazzling, but beyond seemed all vague and obscure.

Again Vitalis whistled and shouted for the missing dogs. There was no answering bark.

Oh, poor Zerbino; poor Dulcie!

"The wolves have got them," said Vitalis; "why did you let them go out?"

Yes? why? I had nothing to say.

[Pg 142]

"We must go and look for them," I said after a pause.

I went before him, but he stopped me.

"Where will you look for them?" he asked.

"I don't know; everywhere."

"We can't tell, in this dim light, where they have gone."

That was true, and the snow came up above our knees. Our two torches together could not penetrate the shadows.

"If they do not reply, it is because they are a long way off," he said. "We must not go on; the wolves might attack us also. We cannot defend ourselves."

It was dreadful to have to leave the poor dogs to their fate—our two friends; friends particularly to me. And the terrible part of it was that I knew that I was responsible. If I had not slept they would not have gone out.

My master had turned back to the hut. I followed, looking back at each step, stopping to listen. I heard nothing, and saw nothing but the snow.

When we reached the hut another surprise awaited us. The branches that I had thrown on the fire were aflame and lit up the darkest corners of the cabin, but Pretty-Heart was nowhere to be seen. His coverlets were there before the fire, but he was not in them. I called. Vitalis called, but he did not appear.

My master said that when he awoke the monkey was beside him, so it was while we were out that[Pg 143] he had disappeared. With our burning torches held down to the snowy earth we started out to look for him. We found no trace of him.

We returned to the hut to see if he were hidden behind some faggots. We searched for a long time; ten times we looked in the same place, the same corners. I climbed up on Vitalis' shoulders to look amongst the branches of which the roof was made. We called again and again, but there was no answer.

Vitalis seemed angry. I was in despair. I asked my master if he thought that the wolves could have taken him also.

"No," he said, "the wolves would not dare come into the hut. I am afraid they got Zerbino and Dulcie when they went out, but they did not come in here. It is quite likely that Pretty-Heart was terrified and has hidden himself somewhere while we were outside; that is why I am so anxious. In this terrible weather he will catch cold, and cold is fatal for him."

"Well, let us keep on looking."

We went over the ground again, but all in vain.

"We must wait till day," said Vitalis.

"When will it be day?"

"In two or three hours, I think."

Vitalis sat down before the fire, with his head in his hands. I did not dare disturb him. I stood quite close to him, only moving occasionally to put some branches on the fire. Once or twice he got up and went to the door. He looked at the sky,[Pg 144] listened attentively, then came back and sat down. I would rather that he had been angry with me, than that he should be so silent and sad.

The three hours passed slowly. It seemed that the night would never end. The stars were fading from the heavens, the sky was getting lighter. Day was breaking. But as morning came the cold grew more intense; the air which came through the door froze us to the bone.

If we did find Pretty-Heart, would he be alive?

The snow had quite stopped falling now and there was a pinkish light in the sky which foretold fine weather. As soon as it was quite light, Vitalis and I, armed with a stout stick, left the hut.

Capi did not appear so terrified as he had been the night before. With his eyes fixed on his master, he only waited for a sign from him to rush forward. As we were examining the ground for Pretty-Heart's footprints, Capi threw back his head and began to bark joyfully. He signified that we must look up, not on the ground.

In the great oak standing by the hut we found him.

Poor Pretty-Heart! Frightened by the howling of the dogs, he had jumped onto the roof of the cabin when we had gone out, and from there he had climbed to the top of an oak, where, feeling that he was in a safe place, he had remained crouching, without replying to our calls.

The poor little frail creature, he must be frozen!

My master called him gently. He did not move.[Pg 145] We thought that he was already dead. For several minutes Vitalis continued to call him, but the monkey gave no sign of life. My heart ached with remorse. How severely I was being punished! I must atone.

"I'll go up and get him," I said.

"You'll break your neck."

"No, there is no danger. I can do it easily."

That was not true. There was danger. It was very difficult, for the large tree was covered with ice and snow.

When I was quite small I had learned to climb trees, and I was quite an adept in this art. I jumped and caught hold of the lowest branches. I held onto these, and, although blinded by the snow that fell in my eyes, I managed to climb up the trunk to the stronger branches. Once up there I had only to be careful not to lose my footing.

As I climbed I spoke softly to Pretty-Heart. He did not move, but looked at me with shining eyes. I had almost reached him and was about to stretch out my hand, when, with a spring, he had jumped to another branch. I followed him to this branch, but men, alas, and even youngsters are very inferior to monkeys when it comes to climbing trees. It is quite possible that I should never have caught him if the snow had not wet his feet. He did not like this and soon got tired of dodging me; then, letting himself drop from branch to branch, he jumped straight onto his master's shoulders and hid himself inside his coat.

[Pg 146]

It was a great thing to have found Pretty-Heart, but that was not all. Now we had to look for the dogs.

It was day now and easy for us to see what had happened. In the snow we read the death of our dogs. We followed their footprints for thirty yards. They had come out of the hut, one behind the other, Dulcie following Zerbino. Then we saw other footprints. On one side there were signs of a struggle where the wolves had sprung upon the dogs, and on the other sides were the footprints of the wolves where they trotted off, carrying their prey with them, to be devoured at their leisure. There was no trace of the dogs except a red trail of blood which here and there stained the snow.

The two poor dogs had gone to their death while I slept!

We had to get busy as quickly as possible with warming Pretty-Heart. We hurried back to the hut. While Vitalis held out the little creature's feet and hands to the fire, as one holds a tiny baby, I warmed his coverlets and we rolled him up in them. But he needed more than the coverlets; he needed a warm drink. My master and I sat by the fire, silent, watching the wood burn.

"Poor Zerbino; poor Dulcie!"

Each of us murmured these words; first he, then I.

The dogs had been our friends, our companions, in good and bad fortune, and to me in my loneliness they had meant so much. How deeply I[Pg 147] reproached myself for not having kept watch. The wolves would not have come to attack us in our cabin; they would have stayed in the distance, frightened by the fire.

If only Vitalis would have scolded me! I wished that he would beat me. But he said nothing. He did not even look at me. He sat with his head bent over the fire; probably wondering what would become of us without the dogs.

[Pg 148]

The sun came out brightly. Its rays fell on the white snow, and the forest, which the night before had looked so bleak and livid, was now dazzling with a radiancy that blinded the eyes. Several times Vitalis passed his hand under the coverlet to feel Pretty-Heart, but the poor little monkey did not get warmer, and when I bent over him I could hear him shivering and shaking. The blood in his veins was frozen.

"We must get to a village or Pretty-Heart will die," said Vitalis. "Let us start at once."

His wrappings were well heated and the little creature was rolled in them. My master placed him under his vest, next his heart. We were ready.

"This was a shelter," said Vitalis, looking round the hut as we were going out, "that has made us pay dearly for its hospitality." His voice trembled.

He went out first, and I followed in his footsteps. When we had gone a few yards we had to call to Capi. Poor dog, he had remained standing outside the hut, his nose turned to the spot where his companions had been taken by the wolves.

Ten minutes later we reached the main road.[Pg 149] We passed a cart; the driver told us that within an hour we should reach a village. This was encouraging, yet it was difficult, even painful, to walk. The snow came up to my waist. Many times I asked Vitalis after Pretty-Heart. Each time he told me that he was still shivering. At last we saw the white roofs of a fair sized village. We were not in the habit of putting up at the better class inns. We always chose a poor place, where we were sure we should not be driven away, and where they would not take all we had.

But this time Vitalis went into an inn where a beautiful sign hung outside the kitchen door. The door was open and we could see the great stove covered with shining copper saucepans, from which the steam was rising. Ah, how good that soup smelled to the famished wanderers!

My master, putting on his most "gentlemanly" airs, and with his hat on his head and his head thrown back, asked the landlady for a good bed and a fire. At first the landlady, who was a fine looking woman, had not condescended to notice us, but Vitalis' grand manner evidently impressed her. She spoke to a maid and told her to take us up to a room.

"Quick, get into bed," said Vitalis, while the servant was lighting the fire. I looked at him in astonishment. Why go to bed? I would rather sit down and eat something than go to bed.

"Quick, hurry up," repeated Vitalis.

There was nothing to do but to obey.

[Pg 150]

There was an eiderdown quilt on the bed. Vitalis pulled it right up to my chin.

"Try and get warm," he said; "the warmer you are the better."

It seemed to me that Pretty-Heart needed warming much more than I, because I was not very cold now. While I laid still under the eiderdown trying to get warm, Vitalis, to the servant's astonishment, turned little Pretty-Heart round and round before the fire as though he were going to roast him.

"Are you warm?" Vitalis asked me after a few minutes.

"I'm suffocating."

"That's right."

He came to the bed quickly. He put Pretty-Heart in, telling me to hold him close to my chest. The poor little animal, who always rebelled when he was made to do something that he did not want, seemed resigned to everything. He let me hold him close to my body without making a movement. But he was not cold now; his body was burning.

My master, who had gone down to the kitchen, soon returned, carrying a bowl of well sweetened wine. He tried to make Pretty-Heart drink a few spoonfuls, but the poor little creature could not unclench his teeth. With his brilliant eyes he looked at us imploringly as though to ask us not to torment him. Then he drew one arm from under the covers and held it out to us.

I wondered what he meant. I looked inquiringly[Pg 151] at Vitalis, who explained: Before I had met them Pretty-Heart had had inflammation of the lungs and they had had to bleed him, taking the blood from his arm. Knowing that he was sick now he wanted us to bleed him so that he could get better as before.

Poor little monkey! Vitalis was touched to the heart, and this made him still more anxious. It was evident that Pretty-Heart was ill and he must be very ill indeed to refuse the sugared wine that he liked so much.

"Drink the wine, Remi, and stay in bed," said Vitalis. "I'll go for a doctor."

I must admit that I also liked sugared wine and besides I was very hungry. I did not let him tell me twice to drink it. After I had emptied the bowl I slid down under the eiderdown again, where the heat, aided by the wine, nearly suffocated me.

Vitalis was not gone long. He soon returned, bringing with him a gentleman wearing gold-rimmed spectacles—the doctor. Thinking that the doctor might not put himself out for a monkey, Vitalis had not told him who was his patient. When he saw me in bed, as red as a tomato, the doctor put his hand on my forehead and said at once: "Congestion."

He shook his head with an air which augured nothing good.

Anxious to undeceive him for fear he might bleed me, I cried: "Why, I'm not ill!"

"Not ill! Why, the child is delirious."

[Pg 152]

I lifted the quilt a bit and showed him Pretty-Heart, who had placed his little arm round my neck.

"He's the one that's ill," I said.

"A monkey!" he exclaimed, turning angrily to Vitalis. "You've brought me out in such weather to see a monkey!..."

Our master was a smart man who was not easily ruffled. Politely, and with his grand air, he stopped the doctor. Then he explained the situation, how he had been caught in a snowstorm, and how through fear of the wolves Pretty-Heart had jumped up in an oak tree, where he had been almost frozen to death. The patient might be only a monkey, but what a genius! and what a friend and companion to us! How could we confide such a wonderful, talented creature to the care of a simple veterinary surgeon? Every one knew that the village veterinary was an ass, while every one knew that doctors were scientific men, even in the smallest village. If one rings at a door which bears a doctor's name, one is sure to find a man of knowledge, and of generosity. Although the monkey is only an animal, according to naturalists they are so near like men that often an illness is treated the same for one as for the other. And was it not interesting, from a scientific point of view, to study how these illnesses differed. The doctor soon returned from the door where he had been standing.

Pretty-Heart, who had probably guessed that[Pg 153] this person wearing the spectacles was a physician, again pushed out his arm.

"Look," cried Vitalis, "he wants you to bleed him."

That settled the doctor.

"Most interesting; a very interesting case," he murmured.

Alas! after examining him, the doctor told us that poor little Pretty-Heart again had inflammation of the lungs. The doctor took his arm and thrust a lancet into a vein without him making the slightest moan. Pretty-Heart knew that this ought to cure him.

After the bleeding he required a good deal of attention. I, of course, had not stayed in bed. I was the nurse, carrying out Vitalis' instructions.

Poor little Pretty-Heart! he liked me to nurse him. He looked at me and smiled sadly. His look was quite human. He, who was usually so quick and petulant, always playing tricks on one of us, was now quiet and obedient.

In the days that followed he tried to show us how friendly he felt towards us, even to Capi, who had so often been the victim of his tricks. As in the usual trend of inflammation of the lungs, he soon began to cough; the attacks tired him greatly, for his little body shook convulsively. All the money which I had, five sous, I spent on sugar sticks for him, but they made him worse instead of better. With his keen instinct, he soon noticed that every time he coughed I gave him a little piece[Pg 154] of sugar stick. He took advantage of this and coughed every moment in order to get the remedy that he liked so much, and this remedy instead of curing him made him worse.

When I found out this trick I naturally stopped giving him the candy, but he was not discouraged. First he begged for it with an appealing look; then when he saw that I would not give it to him, he sat up in his seat and bent his little body with his hand on his stomach, and coughed with all his might. The veins in his forehead stood out, the tears ran from his eyes, and his pretense at choking, in the end, turned to a dreadful attack over which he had no control.

I had to stay at the inn with Pretty-Heart while my master went out alone. One morning upon his return he told me that the landlady had demanded the sum that we owed her. This was the first time that he had ever spoken to me about money. It was quite by chance that I had learned that he had sold his watch to buy my sheepskin. Now he told me that he had only fifty sous left. The only thing to do, he said, was to give a performance that same day. A performance without Zerbino, Dulcie or Pretty-Heart; why, that seemed to me impossible!

"We must get forty francs at once," he said. "Pretty-Heart must be looked after. We must have a fire in the room, and medicine, and the landlady must be paid. If we pay her what we owe her, she will give us another credit."

[Pg 155]

Forty francs in this village! in the cold, and with such poor resources at our command!

While I stayed at home with Pretty-Heart, Vitalis found a hall in the public market, for an out-of-door performance was out of the question. He wrote the announcements and stuck them up all over the village. With a few planks of wood he arranged a stage, and bravely spent his last fifty sous to buy some candles, which he cut in half so as to double the lights.

From the window of our room I saw him come and go, tramping back and forth in the snow. I wondered anxiously what program he could make. I was soon enlightened on this subject, for along came the town crier of the village, wearing a scarlet cap, and stopped before the inn. After a magnificent roll of his drum he read out our program.

Vitalis had made the most extravagant promises! There was to be present a world-renowned artist—that was Capi—and a young singer who was a marvel; the marvel was myself. But the most interesting part of the farce was that there was no fixed price for the entertainment. We relied upon the generosity of the audience, and the public need not pay until after it had seen, heard, and applauded.

That seemed to me extraordinarily bold. Who was going to applaud us? Capi certainly deserved to be celebrated, but I ... I was not at all convinced that I was a marvel.

Although Pretty-Heart was very ill at this [Pg 156]moment, when he heard the drum, he tried to get up. From the noise and Capi's barks, he seemed to guess that it was to announce our performance.

I had to force him back on his bed; then he made signs to me to give him his general's uniform—the red coat and trousers with gold braid, and hat with the plume. He clasped his hands and went down on his knees to beg me. When he saw that he could get nothing from me by begging, he tried what anger would do, then finally melted into tears. It was evident that we should have a great deal of trouble to convince him that he must give up all idea of playing that night. I thought it would be better not to let him know when we started.

When Vitalis returned, he told me to get my harp ready and all the things we required for the entertainment. Pretty-Heart, who knew what this meant, turned to his master and commenced his entreaties again. He could not have better expressed his desires than by the sounds he uttered, the twisting of his face, and the turns of his body. There were real tears on his cheeks and they were real kisses that he imprinted on Vitalis' hand. "You want to play?" asked Vitalis, who had not been told what happened before.

"Yes, oh, yes!" Pretty-Heart's whole person seemed to cry out. He tried to jump to show that he was no longer sick. We know very well that if we took him out it would be his death.

It was time for us to start. Before going, I made up a good fire and wrapped Pretty-Heart up[Pg 157] in his coverlets. He cried again and embraced me as much as he could, then we started.

As we tramped through the snow, my master told me what he expected of me. We could not, of course, give our usual repertoire, as our principal actors were missing, but Capi and I could vie with each other in doing our best. We had to collect forty francs! Forty francs! It was terrible! Impossible!

Vitalis had prepared everything. All we had to do now was to light the candles, but this was an extravagance that we could not indulge in until the room was filled, for our illuminations would not have to come to an end before our entertainment.

Whilst we took possession of our theater, the town crier, with his drum, came through the village streets for the last time. After I had dressed Capi and myself, I went outside and stood behind a pillar to watch the people arrive.

The roll of the drum became louder. It was approaching the market place and I could hear a babble of voices. Behind the drum came a score of youngsters, all keeping step. Without stopping the beating of his drum, the town crier took up his place between the two large lamps that were lit at the entrance of our theater. The public had only to walk in and take their seats for the performance to commence.

Alas! how long they were coming, and yet the drum at the door continued gayly its rat ta ta ta.[Pg 158] All the boys in the village must have been there. But it was not the youngsters who were likely to give us forty francs. There would have to be some important people, open-handed and generous.

At last Vitalis decided that we ought to commence, although the hall was far from being full; but we could not wait longer, worried as we were by the terrible question of candles.

I had to appear first and sing a few songs, accompanying myself on the harp. I must confess the applause that I received was very weak. I had never thought very much of myself as an entertainer, but the marked coolness with which the audience received my efforts discouraged me. If I did not please them they would certainly not give us anything. It was not for the glory that I was singing; it was for poor Pretty-Heart. Ah, how I wanted to stir this public, to make them enthusiastic.... But I could see only too well that they did not consider me a marvel.

Capi was more successful. He received several encores. Thanks to Capi, the entertainment ended in a burst of applause. Not only did they clap their hands, but they stamped their feet.

The decisive moment had arrived. While Capi, with the cup in his jaws, ran through the audience, I danced a Spanish dance on the stage, with Vitalis playing an accompaniment. Would Capi collect forty francs? That was the question which made my heart beat while I smiled at the public in my pleasantest manner.

[Pg 159]

I was out of breath, but I still continued to dance, for I was not to stop until Capi had returned. He did not hurry himself; when he found that he did not receive a coin, he placed his paw against the person's pocket. At last I saw him about to return, and thought that I might stop, but Vitalis made me a sign to go on.

I continued to dance, and going a few steps nearer Capi, I saw that the cup was not full; far from it. Vitalis had also seen this. Bowing to the audience, he said:

"Ladies and gentlemen, I think that, without flattering ourselves, we have conscientiously carried out our program, yet as our candles are still burning, I will, if the public wishes, sing some songs myself. Our dog, Capi, will make another quest and those who have not yet given will perhaps give this time. Please have your money ready."

Although Vitalis had been my teacher, I had never really heard him sing, or at least not as he sung that evening. He selected two songs, an air from "Joseph" and one from "Richard the Lion Hearted."

Although I was only a little boy and was no judge as to whether one sang with technique or without, Vitalis' singing stirred me strangely. I went into a corner of the stage, for my eyes filled with tears as I listened to his beautiful notes.

Through a mist, I saw a young lady, who occupied the first row, clap her hands with all her[Pg 160] might. I had already noticed that she was not a peasant like the rest of the people in the hall. She was a lady, young and beautiful, and from her handsome fur coat I took her to be the richest woman in the village. She had with her a little child who had applauded Capi heartily. It was probably her son for the likeness was striking.

After the first song, Capi went the round again. I saw with surprise that the lady had not put anything into his cup.

When my master had finished the air from the second opera, she beckoned me to her.

"I want to speak to that gentleman," she said.

I was surprised, I thought she would have done better to have dropped something into the cup. Capi returned. He had collected very little more on this second round.

"What does the lady want?" asked Vitalis.

"To speak to you."

"I have nothing to say."

"She did not give anything to Capi, perhaps she would like to give it now."

"Then it is for Capi to go to her, not for me."

However, he decided to go, and took the dog with him. I followed them. By now a servant had appeared, carrying a lantern and a rug. He stood beside the lady and the child. Vitalis bowed coldly to her.

"Forgive me for having disturbed you," she said, "but I wanted to congratulate you."

Vitalis bowed, without saying a word.

[Pg 161]

"I am a musician," continued the lady; "I am telling you this so that you will know how much I appreciate your superb talent."

Superb talent! My master! The dog trainer! I was amazed.

"An old man like me has no talent," he replied coldly.

"Do not think that I am inquisitive, but...." began the lady.

"I am quite willing to satisfy your curiosity, Madam," he said; "you are surprised that a dog trainer is able to sing a little. But I have not always been what I am now. When I was younger I was ... the servant of a great singer, and like a parrot I imitated him. I began to repeat some of the songs he practiced in my presence. That is all."

The lady did not reply. She looked hard at Vitalis. He seemed embarrassed.

"Good-by, sir," she said at last, laying a stress on the word "sir." "Good-by, and once more let me thank you for the exquisite delight you have given me this evening." And leaning towards Capi she dropped a gold piece in his cup.

I thought that Vitalis would escort her to the door, but he did nothing of the kind, and when she was out of hearing I heard him swear softly in Italian.

"She gave Capi a louis," I said.

I thought he was going to give me a blow, but he let his raised hand fall to his side.

[Pg 162]

"A louis," he said, as though he were coming out of a dream. "Ah, yes, poor Pretty-Heart. I had forgotten him. Let us go back to the little creature at once."

I climbed the stairs of the inn first and went into the room. The fire was not out, but there were no flames. I lit a candle quickly. I was surprised not to hear any sound from Pretty-Heart. I found him, lying under his coverlets, stretched out his full length, dressed in his general's uniform. He appeared to be asleep. I leaned over him and took his hand gently to wake him up. His hand was cold. Vitalis came into the room. I turned to him.

"Pretty-Heart is cold," I said.

My master came to my side and also leaned over the bed.

"He is dead," he said. "It was to be. Ah, Remi, boy, I did wrong to take you away from Mrs. Milligan. I am punished. Zerbino, Dulcie, and now Pretty-Heart and ... this is not the end!"

[Pg 163]

We were still a long way from Paris. We had to go by roads covered with snow, and walk from morning till night, the north wind blowing in our faces. How sad and weary were those long tramps.

Vitalis walked ahead, I at his heels, and Capi behind me. Thus in line we went onward without exchanging a word, for hours and hours, faces blue with cold, feet wet, stomachs empty. The people who passed us on the way turned round to gaze at us. Evidently they thought it strange.... Where was this old man leading his child and the dog?

The silence seemed terrible to me, and so sad. I would liked to have talked just for company, but when I did venture to make a remark, Vitalis replied briefly, without even turning his head. Fortunately, Capi was more sociable, and as I trudged along I often felt his warm tongue on my hand. He licked me as much as to say, "Your friend, Capi, is here with you." Then I stroked him gently, without stopping. We understood each other; we loved each other.

[Pg 164]

On the slippery snow we went straight ahead, without stopping, sleeping at night in a stable or in a sheepfold, with a piece of bread, alas, very small, for our meal in the evening. This was our dinner and supper in one.

We did not tell the shepherds that we were dying of hunger, but Vitalis, with his usual cleverness, would say insinuatingly that "the little chap was very fond of sheep's milk, because, when he was a baby, he used to drink it." This story did not always take effect, but it was a good night for me when it did. Yes, I was very fond of sheep's milk and when they gave me some I felt much stronger the next day.

It seemed strange to me that, as we neared Paris, the country ceased to be beautiful. The snow was not white and dazzling now. I had heard what a wonderful place Paris was, and I expected something extraordinary. I did not know exactly what. I should not have been surprised to see trees of gold, streets of marble, palaces everywhere.

What were we poor things going to do when we reached Paris? I wanted to question Vitalis, but I did not dare, he seemed so gloomy. When we were in sight of the roofs and the church towers of the capital, he slackened his step to walk beside me.

"Remi," he said suddenly, "we are going to part when we get to Paris."

I looked at him. He looked at me. The sudden pallor of my face and the trembling of my lips[Pg 165] told him what effect his words had on me. For a moment I could not speak.

"Going to part!" I murmured at last.

"Poor little chap, yes, we must part."

The tone in which he said this brought the tears to my eyes. It was so long since I had heard a kind word.

"Oh, you are so good," I cried.

"It is you who are good. You brave little heart. There comes a time in one's life when one feels these things. When all goes well, one goes along through life without thinking much who is with one, but when things go wrong, when one is on the wrong track, and above all when one is old, one wants to lean on somebody. You may be surprised that I have wanted to lean on you. And yet it is so. But only to see that your eyes are moist as you listen to me, comforts me, little Remi. I am very unhappy."

I did not know what to say. I just stroked his hand.

"And the misfortune is that we have to part just at the time when we are getting nearer to each other."

"But you're not going to leave me all alone in Paris?" I asked timidly.

"No, certainly not. What would you do in the big city, all by yourself, poor child. I have no right to leave you, remember that. The day when I would not let that good lady take you and bring you up as her son, that day I bound myself to do[Pg 166] the best I could for you. I can do nothing at this moment, and that is why I think it is best to part. It is only for a time. We can do better if we separate during the last months of the bad season. What can we do in Paris with all gone but Capi?"

Hearing his name mentioned, dear Capi came beside us: he put his paw to his ear in military salute, then placed it on his heart, as though to tell us that we could count on his devotion. My master stopped to pass his hand affectionately over the dog's head.

"Yes, Capi, you're a good, faithful friend, but, alas! without the others we can't do much now."

"But my harp...."

"If I had two children like you it would be better. But an old man with just one little boy is bad business. I am not old enough. Now, if I were only blind or broken down! I am not in a pitiful state enough for people to stop and notice us. So, my boy, I have decided to give you to a padrone, until the end of the winter. He will take you with other children that he has, and you will play your harp...."

"And you?" I asked.

"I am known in Paris, I have stayed there several times. I will give violin lessons to the Italian children who play on the streets. I have only to say that I will give lessons to find all the pupils I want. And, in the meantime, I will train two dogs that will replace poor Zerbino and Dulcie.[Pg 167] Then in the spring we will be together again, my little Remi. We are only passing through a bad time now; later, I will take you through Germany and England, then you will grow big and your mind will develop. I will teach you a lot of things and make a man of you. I promised this to Mrs. Milligan. I will keep my promise. That is the reason why I have already commenced to teach you English. You can speak French and Italian, that is something for a child of your age."

Perhaps it was all for the best as my master said, but I could only think of two things.

We were to be parted, and I was to have a padrone.

During our wanderings I had met several padrones who used to beat the children who worked for them. They were very cruel, and they swore, and usually they were drunk. Would I belong to one of those terrible men?

And then, even if fate gave me a kind master, it was another change. First, my foster mother, then Vitalis, then another.... Was it to be always so? Should I never find anyone that I could love and stay with always? Little by little I had grown attached to Vitalis. He seemed almost what I thought a father would be. Should I never have a father, have a family? Always alone in this great world! Nobody's boy!

Vitalis had asked me to be brave. I did not wish to add to his sorrows, but it was hard, so hard, to leave him.

[Pg 168]

As we walked down a dirty street, with heaps of snow on either side covered with cinders and rotten vegetables, I asked: "Where are we?"

"In Paris, my boy."

Where were my marble houses? And the trees of gold, and the finely dressed people. Was this Paris! Was I to spend the winter in a place like this, parted from Vitalis and Capi?

[Pg 169]

Although I knew later how beautiful was the city of Paris, the slums, being my first glimpse, created anything but a favorable impression.

Vitalis, who seemed to know his way, pushed through the groups of people who obstructed his passage along the narrow street we had just turned down.

"Mind, you don't lose me," cautioned Vitalis.

But his warning was not necessary, for I trod upon his heels, and to be more sure of him I held a corner of his coat in my hand.

We crossed a big courtyard to a dirty, dismal house where surely the sun had never penetrated. It was the worst looking place I had seen so far.

"Is Garofoli in?" asked Vitalis of a man who, by the light from a lantern, was hanging rags against the door.

"I don't know; go up and see for yourself," he growled; "the door's at the top of the stairs; it faces you."

"Garofoli is the padrone, Remi, I told you about," said Vitalis; "this is where he lives."

The street, the house, the staircase was not in[Pg 170] the nature to reassure me. What would this new master be like?

Without knocking, Vitalis pushed open the door at the top of the stairs, on the top floor, and we found ourselves in a large attic. There was a great empty space in the middle of the room, and all around the walls were beds, a dozen in all. The walls and ceiling that had once been white were now filthy with smoke, dust, and dirt. On the walls was a drawing of a head in charcoal and some flowers and birds.

"Are you there, Garofoli?" asked Vitalis; "it is so dark I can't see any one. It's Vitalis."

A weak, drawling voice replied to Vitalis' question.

"Signor Garofoli has gone out; he will not be back for two hours."

A boy about twelve years of age came forward. I was struck by his strange looks. Even now, as I write, I can see him as I saw him then. He had no body, so to speak, for he seemed all legs and head. His great head was out of all proportion. Built so, he could not have been called handsome, yet there was something in his face which attracted one strangely, an expression of sadness and gentleness and, yes ... hopelessness. His large eyes held your own with sympathy.

"You are sure he will not be back for two hours?" asked Vitalis.

"Quite sure, Signor. That will be dinner time, and no one ever serves dinner but Signor Garofoli."

[Pg 171]

"Well, if he comes in before, tell him that Vitalis will be back in two hours."

"Very well, Signor."

I was about to follow Vitalis, when he stopped me.

"Stay here," he said; "you can rest.

"Oh, I'll come back," he added, reassuringly, noticing my look of anxiety.

"Are you Italian?" asked the boy, when Vitalis' heavy step could no longer be heard on the stairs.

"No," I replied in French, "I'm French."

"That's a good thing."

"What! you like the French better than the Italians?"

"Oh, no, I was thinking of you when I said 'that's a good thing,' because if you were Italian you would probably come here to work for Signor Garofoli, and I'd be sorry for you."

"Is he wicked, then?"

The boy did not reply, but the look he gave me spoke more than words. As though he did not wish to continue the conversation, he went over to the fireplace. On a shelf in the fireplace was an immense earthenware saucepan. I drew nearer to the fire to warm myself, and I noticed that the pot had something peculiar about it. The lid, through which a straight tube projected to allow the steam to escape, was fixed on the saucepan on one side with a hinge and on the other with a padlock.

"Why is that closed with a padlock?" I asked, inquisitively.

[Pg 172]

"So that I shan't take any of the soup. I have to look after it, but the boss doesn't trust me."

I could not help smiling.

"You laugh," he said sadly, "because you think that I'm a glutton. Perhaps, if you were in my place, you'd do the same as I've done. I'm not a pig, but I'm famished, and the smell of the soup as it comes out through the spout makes me still hungrier."

"Doesn't Signor Garofoli give you enough to eat?"

"He starves us...."

"Oh...."

"I'll tell you what I have done," went on the boy, "'cause if he's going to be your master, it will be a lesson for you. My name is Mattia. Garofoli is my uncle. My mother, who lives in Lucca in Italy, is very poor and has only enough for herself and my little sister, Christina. When Garofoli came to beautiful Lucca last year he brought me back with him. Oh, it was hard to leave my little sister.... Signor Garofoli has a lot of boys here, some of them are chimney sweeps, others rag pickers, and those who are not strong enough to work, sing in the streets or beg. Garofoli gave me two little white mice to show to the public and I had to bring him back thirty sous every night. As many sous as you are short a day, so many blows you get. It is hard to pick up thirty sous, but the blows are hard, too, especially when it's Garofoli who gives them. So I did everything that I could to get the[Pg 173] money, but I was often short. Nearly all the other boys had their money when they returned at night, but I scarcely ever had mine and Garofoli was mad! There is another boy here, who also shows mice, and he's taxed forty sous, and he brings that sum back every night. Several times I went out with him to see how he made it...."

He paused.

"Well?" I asked.

"Oh, the ladies always said, 'Give it to the pretty little one, not the ugly boy.' The ugly one, of course, was I; so I did not go out with him any more. A blow hurts, but it hurts more to have things like that said, and before a lot of people! You don't know that because no one has ever told you that you are ugly. Well, when Garofoli saw that beating me didn't do any good, he tried another way. Each night he took away some of my supper. It's hard, but I can't say to the people in the streets, who are watching my mice: 'Give me something or I won't get any supper to-night!' They don't give for that reason."

"Why do they give?"

"Because you are pretty and nice, or because you remind them of a little boy they've lost, not because they think you're hungry. Oh, I know their ways. Say, ain't it cold to-day?"

"Awful cold."

"I didn't get fat on begging," went on the boy. "I got so pale and then, after a time, I often heard people say: 'That poor child is starving to[Pg 174] death.' A suffering look does what good looks can't do. But you have to be very starved for that. They used to give me food. That was a good time for me, because Garofoli had stopped giving me blows just then to see if it would hurt me more to go without supper, so when I got something to eat outside I didn't care. But one day Garofoli came along and saw me eating something, a bowl of soup that the fruiterer gave me, then he knew why I didn't mind going without supper at home. After that he made me stay at home and look after the soup here. Every morning before he goes out he puts the meat and the vegetables into the saucepan and locks the lid on, and all I have to do is to see that it boils. I smell the soup, but that's all. The smell of the soup doesn't feed you; it makes you more hungry. Am I very white? As I never go out now I don't hear people say so, and there's no mirror here."

"You don't seem any paler than others," I said.

"Ah, you say that because you don't want to frighten me, but I'm glad I'm sick. I want to be very ill."

I looked at him in amazement.

"You don't understand," he said, with a pitiful smile. "When one is very ill, they take care of you or they let you die. If they let me die it will be all over, I shan't be hungry any more, and there'll be no more beatings. And they do say that when we die we go up and live with God. Then, if[Pg 175] I'm up there, I can look down on Mamma and Christina, and I can ask God not to let my little sister be unhappy. Also, if they send me to the Hospital, I shall be pleased."

The Hospital! No matter how sick I felt while tramping across the country, if I thought I might be sent to the hospital I always found strength to go on.

"I'm quite ill now, but not ill enough to be in Garofoli's way," he went on in his weak, drawling voice, "but I'm getting weaker. Garofoli, fortunately, hasn't given up beating me entirely. He beat me on the head eight days ago and, look, it's all swelled out now. You see here, this big bump? He told me yesterday it was a tumor, and the way that he spoke I believe that it's something serious. It hurts awful. I'm so giddy at night when I put my head on the pillow I moan and cry. So I think in two or three days he'll decide to send me to the hospital. I was in the hospital once, and the Sisters speak so kind to you. They say, 'Put out your tongue, little boy,' and 'There's a good boy,' every time you do anything they tell you to do. I think I am almost had enough now to be sent there."

He came and stood quite close to me, fixing his great eyes on me. Even though I had not the same reason for hiding the truth from him, I did not like to tell him how terrible he looked with his great glittering eyes, his hollow cheeks, and his bloodless lips.

[Pg 176]

"I should think you're ill enough to go to the hospital," I said.

"At last!"

With dragging limbs he went slowly over to the table and began to wipe it.

"Garofoli will be here shortly," he said; "we mustn't talk any more."

Wearily he went round the table, placing the plates and spoons. I counted twenty plates. So Garofoli had twenty boys. As I only saw twelve beds, they evidently slept, some of them, two in a bed. What beds! what sheets! the coverlets must have been brought from the stables when they were too old and not warm enough for the horses!

"Don't you come here," said the boy, "Try to get somewhere else."

"Where?"

"I don't know. No matter where, you'd be better than here."

The door opened and a child came into the room. He carried a violin under his arm and a big piece of wood in his hand.

"Give me that bit of wood," said Mattia, going up to the child.

But the little fellow held the piece of wood behind his back.

"No," he said.

"Give it me for the fire; the soup'll be better."

"Do you think I brought it for the soup? I've only made thirty-six sous to-day and I thought this[Pg 177] bit of wood might save me a beating. It's to make up for the four sous I'm short."

"You'll have to pay. Each in his turn."

Mattia said this mechanically, as though the thought of the boy being punished gave him satisfaction. I was surprised to see a hard look come into his soft, sad eyes. I knew later that if you live with wicked people you get to be like them in time.

One by one the boys returned; each one as he came in hung his instrument on a nail above his bed. Those who were not musicians, but simply exhibitors of trained animals, put their mice and guinea pigs into a cage.

Then a heavy step sounded on the stairs and a little man wearing a gray overcoat came into the room. It was Garofoli. The moment he entered he fixed his eyes on me with a look that scared me. Mattia quickly and politely gave him Vitalis' message.

"Ah, so Vitalis is here," he said; "what does he want?"

"I don't know," replied Mattia.

"I'm not speaking to you, I'm speaking to this boy."

"He is coming back and he will tell you himself what he wants," I replied.

"Ah, here's a little fellow who knows the value of words. You're not Italian?"

"No, I'm French."

[Pg 178]

The moment Garofoli entered the room two small boys took their places, one on each side of him, and were waiting until he had finished speaking. Then one took his felt hat and placed it carefully on the bed, and the other brought forward a chair. They did this with the same gravity and respect that a choir boy waits upon a priest. When Garofoli was seated another little boy brought him a pipe stuffed with tobacco, and a fourth offered him a lighted match.

"It smells of sulphur, animal," he cried, throwing it in the grate.

The culprit hastened to repair his mistake; lighting another match he let it burn for a time before offering it to his master. But Garofoli would not accept it.

"No, you imbecile," he said, pushing the boy aside roughly. Then he turned to another child and said with an ingratiating smile:

"Ricardo, dearie, bring a match."

The "dearie" hastened to obey.

"Now," said Garofoli, when he was comfortably installed and his pipe burning; "now to business, my little angels. Bring the book, Mattia."

Garofoli made a sign to the boy who had lit the first match.

"You owe me a sou from yesterday; you promised to bring it to-day. How much have you brought?"

The child hesitated for a long time, his face[Pg 179] showing distress, "I'm one sou short," he said at last.

"Ah, you're one sou short."

"It's not the sou for yesterday; it's a sou for to-day."

"That makes two sous! I've never seen the like of you!"

"It's not my fault."

"No excuses. You know the rules. Undo your coat; two blows for yesterday, two for to-day, and no supper, for your impudence. Ricardo, dearie, you're a good boy and you deserve some recreation. Take the strap."

Ricardo, the child who had lit the second match, took down from the wall a short-handled whip with two leather-knotted straps. Meanwhile, the boy who was short two sous was unfastening his coat. Then he dropped his shirt, baring his body to the waist.

"Wait a minute," said Garofoli, with an ugly smile; "you won't be the only one, perhaps; it's always pleasant to have a companion."

The children stood motionless before their master. At his cruel joke they all forced a laugh.

"The one who laughed most is the one who is short the most," said Garofoli; "I'm sure of that. Who laughed the loudest?"

All pointed to the boy who had come home first, bringing his piece of wood.

"How much are you short, you there?" demanded Garofoli.

[Pg 180]

"It's not my fault."

"And the one who says 'it's not my fault' will get an extra cut. How much is missing?"

"I brought back a big piece of wood, a beautiful piece of wood...."

"That's something. But go to the baker's and ask him to exchange your wood for bread, will he do it? How many sous are you missing? Speak out!"

"I've made thirty-six sous."

"You're four short, you rogue. And you can stand there before me like that! Down with your shirt! Ricardo, dearie, you're going to have a good time."

"But the bit of wood?" cried the boy.

"I'll give it to you for supper."

This cruel joke made all the children who were not to be punished laugh. All the other boys were then questioned as to how much they had brought home. Ricardo stood with whip in hand until five victims were placed in a row before him.

"You know, Ricardo," said Garofoli, "I don't like to look on, because a scene like this always makes me feel ill. But I can hear, and from the noise I am able to judge the strength of your blows. Go at it heartily, dearie; you are working for your bread."

He turned towards the fire, as though it were impossible for him to witness this chastisement.

I, in my corner, trembled with indignation and fear. This was the man who was going to be my[Pg 181] master. If I did not bring him back the thirty or forty sous that he demanded of me, I should have to be whipped by Ricardo. Ah, I understood now how Mattia could speak of death so calmly.

The first lash of the whip, as it cut into the flesh, made the tears spring to my eyes. I thought that I was forgotten, but I made a mistake; Garofoli was looking at me out of the corner of his eye.

"There's a boy with a heart," he said, pointing to me; "he is not like you other rogues; you laugh when you see your comrades suffer. Take this little comrade for an example."

I trembled from head to foot. Their comrade!

At the second blow the victim uttered a wail, at the third a piercing shriek. Garofoli lifted his hand; Ricardo stopped with raised whip. I thought Garofoli was going to show mercy, but it was not so.

"You know how much it hurts me to hear you cry," said Garofoli, gently, addressing the victim. "You know that if the whip tears your skin, your cries pierce my heart. So then I warn you that for each cry you will receive another slash, and it will be your own fault. If you have any affection or gratitude you will keep silent. Go on, Ricardo."

Ricardo raised his arm and the strap curled on the backs of the victims.

"Oh, Mamma, Mamma," cried one.

Thank God, I saw no more of this frightful torture, for at this moment the door was thrown open and Vitalis entered.

[Pg 182]

In a glance, he understood all. He had heard the shrieks while climbing the stairs. Running to Ricardo, he snatched the whip from him, then, wheeling round upon Garofoli, he stood before him with folded arms.

It all happened so quickly that, for a moment, I was dumbfounded, but Garofoli quickly recovered himself and said gently:

"Isn't it terrible? That child has no heart."

"Shame! It's a shame!" cried Vitalis.

"That is just what I say," murmured Garofoli.

"Stop that," commanded Vitalis; "it's you, not the child! What a cowardly shame to torture these poor children who cannot defend themselves."

"Don't you meddle in what does not concern you, you old fool," cried Garofoli, changing his tone.

"It concerns the police," retorted Vitalis.

"You threaten me with the police, do you?" cried Garofoli.

"Yes, I do," replied my master, nowise intimidated by the bully's fury.

"Ah, Vitalis," he hissed, "so you'll talk? Well, I can talk also. Your affairs do not concern me, but there are others who are interested in you and if I tell, if I say one name.... Ah, who will have to hide his head in shame?"

My master was silent. Shame! His shame! I was amazed, but before I had time to think, he had taken me by the hand.

[Pg 183]

"Come, Remi," he said. And he drew me to the door.

"Oh," cried Garofoli, now laughing, "I thought you wanted to talk to me, old fellow."

"I have nothing to say to you."

Then, without another word, we went down the stairs, he still holding me tightly by the hand. With what relief I followed him! I had escaped from that tyrant! If I had dared I would have thrown my arms around Vitalis' neck.

[Pg 184]

While we were in the street Vitalis said not a word, but soon we came to a narrow alley and he sat down on a mile-stone and passed his hand several times across his forehead.

"It may be fine to listen to the voice of generosity," he said, as though speaking to himself, "but now we're in the gutters of Paris, without a sou; not a bite to eat.... Are you hungry?" he asked, looking up at me.

"I haven't eaten anything since that little roll you gave me this morning."

"Poor, poor child, and you'll have to go to bed to-night without supper. And where are we going to sleep?"

"Did you count on sleeping at Garofoli's, then?"

"I counted upon you sleeping there, and as he would have given me twenty francs for you for the winter, I could have managed for the time being. But, seeing the way he treated those children, I could not give you to him."

"Oh, you are so good!"

"Perhaps in this old, hardened vagabond there is still a bit of the young man's heart left. This[Pg 185] old vagabond calculated shrewdly, but the young man still in him upset all.... Now, where to go?" he murmured.

It was already late and the cold had increased. It was going to be a hard night. For a long time Vitalis sat on the stone. Capi and I stood silently before, waiting until he had come to some decision. Finally he rose.

"Where are we going?"

"To Gentilly, to try and find a race-course where I've slept sometimes. Are you tired?"

"I rested at Garofoli's."

"The pity is that I haven't rested, and I can't do much more. But we must get along. Forward! March! Children!"

This was his good humor signal for the dogs and myself when we were about to start, but this night he said it sadly.

Here we were, wandering in the streets of Paris; the night was dark and the gas jets, which flickered in the wind, lit the alleys but dimly. At each step we slipped on the ice-covered pavement. Vitalis held me by the hand, and Capi followed at our heels. From time to time, the poor dog stopped behind to look amongst a heap of garbage to see if he could find a bone or a crust, for he was oh, so hungry, but the garbage was covered with frozen snow and he searched in vain. With drooping ears he trotted on to catch up with us.

After the big streets, more alleys; after the alleys, more big streets; we walked on, and on; the[Pg 186] few pedestrians that we met stared at us in astonishment. Was it our costumes? Was it the tired way we plodded along which arrested their attention? The policemen that we passed turned round and followed us with a glance.

Without saying a word, Vitalis tramped on, his back almost bent double, but despite the cold, his hand burned in mine. It seemed to me that he was trembling. Sometimes, when he stopped to lean for a minute against my shoulder, I felt all his body shaken with trembling. Ordinarily, I would not dare to have questioned him, but I felt I must to-night. Besides, I had a great wish to tell him how much I loved him or, at least, that I wanted to do something for him.

"You are ill?" I said, when he stopped again.

"I'm afraid so; anyway, I'm very tired. This cold is too severe for my old blood. I need a good bed and a supper before a fire. But that's a dream. Forward! March! Children."

Forward! March! We had left the city behind us; we were now in the suburbs. We saw no people or policemen or street lights, only a lighted window here and there, and over our heads the dark-blue sky dotted with a few stars. The wind, which blew more bitter and more violently, stuck our clothing to our bodies. Fortunately, it was at our backs, but as the sleeves of my coat were all torn near the shoulders, it blew in and slipped along my arms, chilling me to the bone.

Although it was dark and the streets [Pg 187]continually crossed each other, Vitalis walked like a man who knows his way, and was perfectly sure of his road. So I followed, feeling sure that we should not lose ourselves. Suddenly, he stopped.

"Do you see a group of trees?" he asked.

"I don't see anything."

"You don't see a big black mass?"

I looked on all sides before answering. I saw no trees or houses. Space all around us. There was no other sound save the whistle of the wind.

"See, down there!" He stretched out his right hand before him, then, as I did not reply, for I was afraid to say that I saw nothing, he trudged on again.

Some minutes passed in silence; then he stopped once more and asked me if I did not see a group of trees. A vague fear made my voice tremble when I replied that I saw nothing.

"It is fear, my boy, that makes your eyes dance; look again."

"I tell you, I do not see any trees."

"Not on the big road?"

"I can't see anything."

"We've made a mistake."

I could say nothing, for I did not know where we were, nor where we were going.

"Let us walk for another five minutes and, if we do not see the trees, we will come back here. I might have made a mistake on the road."

Now that I knew that we had gone astray, I[Pg 188] seemed to have no more strength left. Vitalis pulled me by the arm.

"Come, come."

"I can't walk any farther."

"Ah, and do you think I'm going to carry you?"