This is a modern-English version of The Letters of Charles Dickens. Vol. 2, 1857-1870, originally written by Dickens, Charles. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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THE LETTERS

OF

Signature: Charles Dickens

THE LETTERS

OF

CHARLES DICKENS.

EDITED BY

HIS SISTER-IN-LAW AND HIS ELDEST DAUGHTER.

In Two Volumes.



VOL. II.
1857 to 1870.




London:
CHAPMAN AND HALL, 193, PICCADILLY.
1880.
[The Right of Translation is Reserved.]

CHARLES DICKENS AND EVANS,
CRYSTAL PALACE PRESS.

ERRATA.

VOL. II.

Page 84, line 35. For "South Kensington Museum," read "the South Kensington Museum."
"108, line 26. For "frequent contributor," read "a frequent contributor."
"113, lines 6, 7. For "great remonstrance," read "Great Remonstrance."
"130, line 10. For "after," read "afore."
"160," 32. For "a head," read "ahead."
"247," 12. For "Shea," read "Shoe."
"292," 12. For "Mabel's progress," read "Mabel's Progress."

Book II.—Continued.


THE
LETTERS OF CHARLES DICKENS.


1857.

NARRATIVE.

This was a very full year in many ways. In February, Charles Dickens obtained possession of Gad's Hill, and was able to turn workmen into it. In April he stayed, with his wife and sister-in-law, for a week or two at Wate's Hotel, Gravesend, to be at hand to superintend the beginning of his alterations of the house, and from thence we give a letter to Lord Carlisle. He removed his family, for a summer residence in the house, in June; and he finished "Little Dorrit" there early in the summer. One of his first visitors at Gad's Hill was the famous writer, Hans Christian Andersen. In January "The Frozen Deep" had been played at the Tavistock House theatre with such great success, that it was necessary to repeat it several times, and the theatre was finally demolished at the end of that month. In June Charles Dickens heard, with great grief, of the death of his dear friend Douglas Jerrold; and as a testimony of admiration for his genius and affectionate regard for himself, it was decided to organise, under the management of Charles Dickens, a series of entertainments, "in memory of the late Douglas Jerrold," the fund produced by them (a considerable[4] sum) to be presented to Mr. Jerrold's family. The amateur company, including many of Mr. Jerrold's colleagues on "Punch," gave subscription performances of "The Frozen Deep;" the Gallery of Illustration, in Regent Street, being engaged for the purpose. Charles Dickens gave two readings at St. Martin's Hall of "The Christmas Carol" (to such immense audiences and with such success, that the idea of giving public readings for his own benefit first occurred to him at this time). The professional actors, among them the famous veteran actor, Mr. T. P. Cooke, gave a performance of Mr. Jerrold's plays of "The Rent Day" and "Black-eyed Susan," in which Mr. T. P. Cooke sustained the character in which he had originally made such great success when the play was written. A lecture was given by Mr. Thackeray, and another by Mr. W. H. Russell. Finally, the Queen having expressed a desire to see the play, which had been much talked of during that season, there was another performance before her Majesty and the Prince Consort at the Gallery of Illustration in July, and at the end of that month Charles Dickens read his "Carol" in the Free Trade Hall, at Manchester. And to wind up the "Memorial Fund" entertainments, "The Frozen Deep" was played again at Manchester, also in the great Free Trade Hall, at the end of August. For the business of these entertainments he secured the assistance of Mr. Arthur Smith, of whom he writes to Mr. Forster, at this time: "I have got hold of Arthur Smith, as the best man of business I know, and go to work with him to-morrow morning." And when he began his own public readings, both in town and country, he felt himself most fortunate in having the co-operation of this invaluable man of business, and also of his zealous friendship and pleasant companionship.

In July, his second son, Walter Landor, went to India as a cadet in the "Company's service," from which he was afterwards transferred to the 42nd Royal Highlanders. His father and his elder brother went to see him off, to Southampton. From this place Charles Dickens writes to Mr. Edmund Yates, a young man in whom he had been interested[5] from his boyhood, both for the sake of his parents and for his own sake, and for whom he had always an affectionate regard.

In July, his second son, Walter Landor, went to India as a cadet in the "Company's service," and was later transferred to the 42nd Royal Highlanders. His father and older brother went to see him off in Southampton. From there, Charles Dickens writes to Mr. Edmund Yates, a young man he had been interested in since childhood, both because of his parents and for his own sake, and for whom he always had an affectionate regard.[5]

In September he made a short tour in the North of England, with Mr. Wilkie Collins, out of which arose the "Lazy Tour of Two Idle Apprentices," written by them jointly, and published in "Household Words." Some letters to his sister-in-law during this expedition are given here, parts of which (as is the case with many letters to his eldest daughter and his sister-in-law) have been published in Mr. Forster's book.

In September, he took a brief trip to Northern England with Mr. Wilkie Collins, which led to the creation of the "Lazy Tour of Two Idle Apprentices," co-written by them and published in "Household Words." Some letters to his sister-in-law from this trip are included here, with parts of them (like many letters to his eldest daughter and his sister-in-law) having been published in Mr. Forster's book.

The letters which follow are almost all on the various subjects mentioned in our notes, and need little explanation.

The letters that follow mostly cover the different topics we noted and require little explanation.

His letter to Mr. Procter makes allusion to a legacy lately left to that friend.

His letter to Mr. Procter references a legacy recently left to that friend.

The letters to Mr. Dilke, the original and much-respected editor of "The Athenæum," and to Mr. Forster, on the subject of the "Literary Fund," refer, as the letters indicate, to a battle which they were carrying on together with that institution.

The letters to Mr. Dilke, the original and highly respected editor of "The Athenæum," and to Mr. Forster, about the "Literary Fund," refer, as the letters show, to a struggle they were engaged in together with that organization.

A letter to Mr. Frank Stone is an instance of his kind, patient, and judicious criticism of a young writer, and the letter which follows it shows how thoroughly it was understood and how perfectly appreciated by the authoress of the "Notes" referred to. Another instance of the same kind criticism is given in a second letter this year to Mr. Edmund Yates.

A letter to Mr. Frank Stone is an example of his thoughtful, patient, and fair criticism of a young writer, and the letter that follows shows how well it was understood and appreciated by the author of the "Notes" mentioned. Another example of this kind of criticism is found in a second letter this year to Mr. Edmund Yates.

Mr. B. W. Procter.


Tavistock House, January 2nd, 1857.
Dear Procter,

I have to thank you for a delightful book, which has given me unusual pleasure. My delight in it has been a little dashed by certain farewell verses, but I have made up my mind (and you have no idea of the obstinacy of my character) not to believe them.[6]

I have to thank you for such a wonderful book; it has brought me a lot of joy. My enjoyment was slightly marred by some farewell verses, but I’ve decided (and you can’t imagine how stubborn I can be) not to take them seriously.[6]

Perhaps it is not taking a liberty—perhaps it is—to congratulate you on Kenyon's remembrance. Either way I can't help doing it with all my heart, for I know no man in the world (myself excepted) to whom I would rather the money went.

Perhaps it’s not too bold to congratulate you on Kenyon's remembrance. Either way, I can’t help but do it wholeheartedly, because I know no one in the world (myself included) to whom I’d prefer the money to go.

Affectionately yours ever.
Sir James Emerson Tennent.


Tavistock House, January 9th, 1857.
Dear Tennent,

I must thank you for your earnest and affectionate letter. It has given me the greatest pleasure, mixing the play in my mind confusedly and delightfully with Pisa, the Valetta, Naples, Herculanæum—God knows what not.

I really appreciate your heartfelt and warm letter. It brought me a lot of joy, blending the play in my mind in a wonderful and confusing way with Pisa, Valletta, Naples, Herculaneum—who knows what else.

As to the play itself; when it is made as good as my care can make it, I derive a strange feeling out of it, like writing a book in company; a satisfaction of a most singular kind, which has no exact parallel in my life; a something that I suppose to belong to the life of a labourer in art alone, and which has to me a conviction of its being actual truth without its pain, that I never could adequately state if I were to try never so hard.

As for the play itself, when I refine it as much as I can, I feel something odd about it, similar to writing a book with others; it's a unique kind of satisfaction that has no exact comparison in my life. It's something I think is exclusive to the life of an artist and gives me a sense that it reflects actual truth without the usual pain. I could never explain it adequately, no matter how hard I tried.

You touch so kindly and feelingly on the pleasure such little pains give, that I feel quite sorry you have never seen this drama in progress during the last ten weeks here. Every Monday and Friday evening during that time we have been at work upon it. I assure you it has been a remarkable lesson to my young people in patience, perseverance, punctuality, and order; and, best of all, in that kind of humility which is got from the earned knowledge that whatever the right hand finds to do must be done with the heart in it, and in a desperate earnest.

You speak so kindly and thoughtfully about the joy these small struggles bring that I feel genuinely sad you haven't witnessed this play unfold over the past ten weeks here. Every Monday and Friday evening during that time, we’ve been hard at work on it. I promise you it has been an incredible lesson for my young people in patience, perseverance, punctuality, and organization; and, most importantly, in that kind of humility that comes from the understanding that whatever tasks we take on must be done wholeheartedly and with serious dedication.

When I changed my dress last night (though I did it very quickly), I was vexed to find you gone. I wanted[7] to have secured you for our green-room supper, which was very pleasant. If by any accident you should be free next Wednesday night (our last), pray come to that green-room supper. It would give me cordial pleasure to have you there.

When I changed my dress last night (even though I did it really fast), I was annoyed to find you gone. I wanted[7] to have you join us for our green-room supper, which was really nice. If by chance you’re free next Wednesday night (our last one), please come to that green-room supper. I’d be really happy to have you there.

Ever, my dear Tennent, very heartily yours.
M. de Cerjat.


Tavistock House, Monday Night, Jan. 17th, 1857.
Dear Cerjat,

So wonderfully do good (epistolary) intentions become confounded with bad execution, that I assure you I laboured under a perfect and most comfortable conviction that I had answered your Christmas Eve letter of 1855. More than that, in spite of your assertions to the contrary, I still strenuously believe that I did so! I have more than half a mind ("Little Dorrit" and my other occupations notwithstanding) to charge you with having forgotten my reply!! I have even a wild idea that Townshend reproached me, when the last old year was new, with writing to you instead of to him!!! We will argue it out, as well as we can argue anything without poor dear Haldimand, when I come back to Elysée. In any case, however, don't discontinue your annual letter, because it has become an expected and a delightful part of the season to me.

So confusingly do good (epistolary) intentions get mixed up with bad execution, that I assure you I truly believed I had replied to your Christmas Eve letter of 1855. More than that, despite your claims to the contrary, I still firmly believe that I did! I’m seriously considering accusing you of forgetting my reply! I even have a crazy idea that Townshend called me out, when the last old year began, for writing to you instead of him! We’ll sort it out, as best as we can without poor dear Haldimand, when I get back to Elysée. In any case, please don’t stop sending your annual letter, because it has become a cherished and expected part of the season for me.

With one of the prettiest houses in London, and every conceivable (and inconceivable) luxury in it, Townshend is voluntarily undergoing his own sentence of transportation in Nervi, a beastly little place near Genoa, where you would as soon find a herd of wild elephants in any villa as comfort. He has a notion that he must be out of England in the winter, but I believe him to be altogether wrong (as I have just told him in a letter), unless he could just take his society with him.[8]

With one of the prettiest houses in London and every luxury you could imagine (and some you couldn't), Townshend is voluntarily putting himself through his own exile in Nervi, a horrible little place near Genoa, where you'd be just as likely to see a herd of wild elephants in any villa as you would find comfort. He believes he must be out of England in the winter, but I think he’s completely mistaken (as I just told him in a letter), unless he can bring his friends along with him.[8]

Workmen are now battering and smashing down my theatre here, where we have just been acting a new play of great merit, done in what I may call (modestly speaking of the getting-up, and not of the acting) an unprecedented way. I believe that anything so complete has never been seen. We had an act at the North Pole, where the slightest and greatest thing the eye beheld were equally taken from the books of the Polar voyagers. Out of thirty people, there were certainly not two who might not have gone straight to the North Pole itself, completely furnished for the winter! It has been the talk of all London for these three weeks. And now it is a mere chaos of scaffolding, ladders, beams, canvases, paint-pots, sawdust, artificial snow, gas-pipes, and ghastliness. I have taken such pains with it for these ten weeks in all my leisure hours, that I feel now shipwrecked—as if I had never been without a play on my hands before. A third topic comes up as this ceases.

Workmen are currently tearing down my theater here, where we just performed a new play of great quality, done in what I can modestly describe as an unprecedented way. I believe nothing this complete has ever been seen. We had a scene set at the North Pole, where every detail, big and small, came straight from the accounts of polar explorers. Out of thirty people, there were definitely not two who couldn't have made a trip to the North Pole fully prepared for winter! It’s been the talk of all London for the past three weeks. And now it’s just a messy collection of scaffolding, ladders, beams, canvases, paint buckets, sawdust, fake snow, gas pipes, and general chaos. I’ve invested so much effort into it for these past ten weeks during my free time that I now feel shipwrecked—as if I've never been without a play to work on before. A new topic arises as this one fades away.

Down at Gad's Hill, near Rochester, in Kent—Shakespeare's Gad's Hill, where Falstaff engaged in the robbery—is a quaint little country-house of Queen Anne's time. I happened to be walking past, a year and a half or so ago, with my sub-editor of "Household Words," when I said to him: "You see that house? It has always a curious interest for me, because when I was a small boy down in these parts I thought it the most beautiful house (I suppose because of its famous old cedar-trees) ever seen. And my poor father used to bring me to look at it, and used to say that if I ever grew up to be a clever man perhaps I might own that house, or such another house. In remembrance of which, I have always in passing looked to see if it was to be sold or let, and it has never been to me like any other house, and it has never changed at all." We came back to[9] town, and my friend went out to dinner. Next morning he came to me in great excitement, and said: "It is written that you were to have that house at Gad's Hill. The lady I had allotted to me to take down to dinner yesterday began to speak of that neighbourhood. 'You know it?' I said; 'I have been there to-day.' 'O yes,' said she, 'I know it very well. I was a child there, in the house they call Gad's Hill Place. My father was the rector, and lived there many years. He has just died, has left it to me, and I want to sell it.' 'So,' says the sub-editor, 'you must buy it. Now or never!'" I did, and hope to pass next summer there, though I may, perhaps, let it afterwards, furnished, from time to time.

Down at Gad's Hill, near Rochester in Kent—Shakespeare's Gad's Hill, where Falstaff took part in the robbery—there's a charming little country house from the Queen Anne era. About a year and a half ago, I was walking by with my assistant editor from "Household Words," and I said to him, "You see that house? It always interests me because when I was a kid in this area, I thought it was the most beautiful house I've ever seen (probably because of its famous old cedar trees). My poor dad used to take me to see it and would say that if I grew up to be a smart man, I might be able to own that house, or something like it. Because of that, I've always looked to see if it was for sale or rent, and it has always felt different from any other house to me, and it hasn’t changed at all." We went back to[9]town, and my friend went out to dinner. The next morning, he came to me excitedly and said, "It's meant to be that you get that house at Gad's Hill. The lady I was paired with for dinner yesterday started talking about that area. 'Do you know it?' I asked; 'I was just there today.' 'Oh yes,' she said, 'I know it very well. I grew up in the house they call Gad's Hill Place. My dad was the rector and lived there for many years. He just passed away and left it to me, and I want to sell it.' 'So,' said my assistant editor, 'you have to buy it. Now or never!'" I did, and I hope to spend next summer there, although I might rent it out, furnished, from time to time.

All about myself I find, and the little sheet nearly full! But I know, my dear Cerjat, the subject will have its interest for you, so I give it its swing. Mrs. Watson was to have been at the play, but most unfortunately had three children sick of gastric fever, and could not leave them. She was here some three weeks before, looking extremely well in the face, but rather thin. I have not heard of your friend Mr. Percival Skelton, but I much misdoubt an amateur artist's success in this vast place. I hope you detected a remembrance of our happy visit to the Great St. Bernard in a certain number of "Little Dorrit"? Tell Mrs. Cerjat, with my love, that the opinions I have expressed to her on the subject of cows have become matured in my mind by experience and venerable age; and that I denounce the race as humbugs, who have been getting into poetry and all sorts of places without the smallest reason. Haldimand's housekeeper is an awful woman to consider. Pray give him our kindest regards and remembrances, if you ever find him in a mood to take it. "Our" means Mrs. Dickens's, Georgie's, and[10] mine. We often, often talk of our old days at Lausanne, and send loving regard to Mrs. Cerjat and all your house.

All about myself I find, and the little sheet nearly full! But I know, my dear Cerjat, you'll find this interesting, so I'm going to share. Mrs. Watson was supposed to be at the play, but unfortunately, three of her children came down with gastric fever, and she couldn't leave them. She was here about three weeks ago, looking very healthy but a bit thin. I haven't heard from your friend Mr. Percival Skelton, but I doubt an amateur artist's success in this big place. I hope you noticed a reference to our great visit to the Great St. Bernard in a certain part of "Little Dorrit"? Please tell Mrs. Cerjat, with my love, that the views I've shared with her about cows have evolved in my mind with experience and age; I now declare the breed as frauds, who have intruded into poetry and various places without any reason. Haldimand's housekeeper is a difficult woman to deal with. Please send him our warmest regards and memories if you ever catch him in a good mood. "Our" refers to Mrs. Dickens's, Georgie's, and mine. We often reminisce about our old times in Lausanne and send our love to Mrs. Cerjat and everyone in your household.

Adieu, my dear fellow; ever cordially yours.
Mr. W. C. Macready.


Tavistock House, January 28th, 1857.
My dear Macready,

Your friend and servant is as calm as Pecksniff, saving for his knitted brows now turning into cordage over Little Dorrit. The theatre has disappeared, the house is restored to its usual conditions of order, the family are tranquil and domestic, dove-eyed peace is enthroned in this study, fire-eyed radicalism in its master's breast.

Your friend and servant is as calm as Pecksniff, except for his furrowed brows now tightening over Little Dorrit. The theater is gone, the house is back to its normal state of order, the family is peaceful and domestic, and a gentle sense of peace reigns in this study, while fiery radicalism simmers in its master's heart.

I am glad to hear that our poetess is at work again, and shall be very much pleased to have some more contributions from her.

I’m happy to hear that our poet is writing again, and I’d love to see more of her work.

Love from all to your dear sister, and to Katie, and to all the house.

Love to your dear sister, to Katie, and to everyone in the house.

We dined yesterday at Frederick Pollock's. I begged an amazing photograph of you, and brought it away. It strikes me as one of the most ludicrous things I ever saw in my life. I think of taking a public-house, and having it copied larger, for the size. You may remember it? Very square and big—the Saracen's Head with its hair cut, and in modern gear? Staring very hard? As your particular friend, I would not part with it on any consideration. I will never get such a wooden head again.

We had dinner yesterday at Frederick Pollock's. I managed to get an incredible photo of you and took it with me. It seems to me one of the funniest things I've ever seen in my life. I'm considering getting a pub and having it copied in a larger size for fun. Do you remember it? Very square and big—the Saracen's Head with its haircut and in modern clothes? Staring really hard? As your close friend, I wouldn’t sell it for anything. I'll never find such a goofy face again.

Ever affectionately.
Miss Mary Boyle.


Tavistock House, February 7th, 1857.
My dear Mary,

Half-a-dozen words on this, my birthday, to thank you for your kind and welcome remembrance, and to assure you that your Joseph is proud of it.[11]

Half a dozen words on this, my birthday, to thank you for your thoughtful and appreciated message, and to let you know that your Joseph is proud of it.[11]

For about ten minutes after his death, on each occasion of that event occurring, Richard Wardour was in a floored condition. And one night, to the great terror of Devonshire, the Arctic Regions, and Newfoundland (all of which localities were afraid to speak to him, as his ghost sat by the kitchen fire in its rags), he very nearly did what he never did, went and fainted off, dead, again. But he always plucked up, on the turn of ten minutes, and became facetious.

For about ten minutes after he died, every time it happened, Richard Wardour was in a daze. One night, to the great fright of Devonshire, the Arctic Regions, and Newfoundland (all of which places were too scared to say anything to him as his ghost sat by the kitchen fire in its rags), he almost did something he never did—passed out, dead, again. But he always bounced back after ten minutes and started cracking jokes.

Likewise he chipped great pieces out of all his limbs (solely, as I imagine, from moral earnestness and concussion of passion, for I never know him to hit himself in any way) and terrified Aldersley[1] to that degree, by lunging at him to carry him into the cave, that the said Aldersley always shook like a mould of jelly, and muttered, "By G——, this is an awful thing!"

Likewise, he chipped away large chunks from all his limbs (probably, as I think, due to intense emotions and passion, since I never saw him intentionally hurt himself) and scared Aldersley[1] so much by lunging at him to drag him into the cave, that Aldersley always trembled like a bowl of jelly and murmured, "By God, this is terrifying!"

Ever affectionately.

P.S.—I shall never cease to regret Mrs. Watson's not having been there.

P.S.—I will always regret that Mrs. Watson wasn't there.

Rev. James White.


Tavistock House, Sunday, Feb. 8th, 1857.
My dear friend White,

I send these lines by Mary and Katey, to report my love to all.

I’m sending these lines with Mary and Katey to share my love with everyone.

Your note about the Golden Mary gave me great pleasure; though I don't believe in one part of it; for I honestly believe that your story, as really belonging to the rest of the narrative, had been generally separated from the other stories, and greatly liked. I had not that particular shipwreck that you mention in my mind (indeed I doubt if I know it), and John Steadiman merely came into my head as a staunch sort of name that suited the character. The number has done "Household Words" great service, and has decidedly told upon its circulation.

Your note about the Golden Mary made me very happy; although I don't agree with one part of it. I truly believe that your story, which really belongs to the rest of the narrative, has been mostly set apart from the other stories, and people have liked it a lot. I didn't have that specific shipwreck you mentioned in mind (in fact, I don't think I know it), and John Steadiman just popped into my head as a solid name that fit the character. This edition has been really beneficial for "Household Words" and has definitely impacted its circulation.

You should have come to the play. I much doubt if anything so complete will ever be seen again. An incredible amount of pains and ingenuity was expended on it, and the result was most remarkable even to me.

You should have come to the play. I really doubt anything so well done will ever be seen again. A tremendous amount of effort and creativity went into it, and the result was truly impressive, even to me.

When are you going to send something more to H. W.? Are you lazy?? Low-spirited??? Pining for Paris????

When are you going to send more to H. W.? Are you being lazy?? Feeling down??? Missing Paris????

Ever affectionately.
Mr. C. W. Dilke.


"Household Words" Office, Thursday, March 19th, 1857.
Dear Mr. Dilke,

Forster has another notion about the Literary Fund. Will you name a day next week—that day being neither Thursday nor Saturday—when we shall hold solemn council there at half-past four?

Forster has another idea about the Literary Fund. Can you pick a day next week—one that isn't Thursday or Saturday—when we can meet there for a serious discussion at 4:30 PM?

For myself, I beg to report that I have my war-paint on, that I have buried the pipe of peace, and am whooping for committee scalps.

For my part, I’d like to say that I’m ready for battle, that I’ve put aside any peace agreements, and I’m on the hunt for some committee victories.

Ever faithfully yours.
The Earl of Carlisle.


Gravesend, Kent, Wednesday, April 15th, 1857.
Dear Lord Carlisle,

I am writing by the river-side for a few days, and at the end of last week —— appeared here with your note of introduction. I was not in the way; but as —— had come express from London with it, Mrs. Dickens opened it, and gave her (in the limited sense which was of no use to her) an audience. She did not quite seem to know what she wanted of me. But she said she had understood at Stafford House that I had a theatre in which she could read; with a good deal of modesty and diffidence she at last got so far. Now, my little theatre turns my house out of window, costs fifty pounds to put up, and is only two months taken down; therefore, is quite out of the[13] question. This Mrs. Dickens explained, and also my profound inability to do anything for —— readings which they could not do for themselves. She appeared fully to understand the explanation, and indeed to have anticipated for herself how powerless I must be in such a case.

I’ve been writing by the river for a few days, and at the end of last week, —— showed up here with your introduction note. I wasn’t around, but since —— had come all the way from London with it, Mrs. Dickens opened it and gave her (in the very limited way that was of no help) a brief audience. She didn’t quite seem to know what she wanted from me. However, she mentioned that she had heard at Stafford House that I had a theater where she could read; with quite a bit of modesty and hesitation, she eventually got to that point. Now, my little theater is just an extension of my house, costs fifty pounds to set up, and is only taken down after two months; so, it’s definitely out of the question. Mrs. Dickens explained this, along with my complete inability to provide anything for ——'s readings that they couldn’t do for themselves. She seemed to fully understand the explanation and even appeared to have anticipated how powerless I would be in this situation.

She described herself as being consumptive, and as being subject to an effusion of blood from the lungs; about the last condition, one would think, poor woman, for the exercise of public elocution as an art.

She described herself as having tuberculosis and experiencing bleeding from her lungs; regarding the latter condition, one might think, poor woman, that public speaking would be quite challenging for her.

Between ourselves, I think the whole idea a mistake, and have thought so from its first announcement. It has a fatal appearance of trading upon Uncle Tom, and am I not a man and a brother? which you may be by all means, and still not have the smallest claim to my attention as a public reader. The town is over-read from all the white squares on the draught-board; it has been considerably harried from all the black squares—now with the aid of old banjoes, and now with the aid of Exeter Hall; and I have a very strong impression that it is by no means to be laid hold of from this point of address. I myself, for example, am the meekest of men, and in abhorrence of slavery yield to no human creature, and yet I don't admit the sequence that I want Uncle Tom (or Aunt Tomasina) to expound "King Lear" to me. And I believe my case to be the case of thousands.

Between us, I think the whole idea is a mistake, and I’ve felt that way since it was first announced. It seems to exploit Uncle Tom, and while you might call yourself a brother, that doesn’t mean you have any right to my attention as a public reader. The town has been overwhelmed by all the white squares on the checkerboard; it’s been significantly influenced by all the black squares—sometimes using old banjos, sometimes through Exeter Hall; and I have a strong feeling that this perspective isn’t the right way to approach it. Personally, I’m one of the most passive people, and when it comes to my disgust for slavery, I stand firm. However, I don’t agree that I want Uncle Tom (or Aunt Tomasina) to explain "King Lear" to me. I believe my situation is shared by many others.

I trouble you with this much about it, because I am naturally desirous you should understand that if I could possibly have been of any service, or have suggested anything to this poor lady, I would not have lost the opportunity. But I cannot help her, and I assure you that I cannot honestly encourage her to hope. I fear her enterprise has no hope in it.

I’m bothering you with this much about it because I really want you to know that if I could have helped in any way or suggested something to this poor lady, I would have jumped at the chance. But I can’t help her, and I honestly can't encourage her to hold on to hope. I’m afraid her efforts have no chance of success.

In your absence I have always followed you through the[14] papers, and felt a personal interest and pleasure in the public affection in which you are held over there.[2] At the same time I must confess that I should prefer to have you here, where good public men seem to me to be dismally wanted. I have no sympathy with demagogues, but am a grievous Radical, and think the political signs of the times to be just about as bad as the spirit of the people will admit of their being. In all other respects I am as healthy, sound, and happy as your kindness can wish. So you will set down my political despondency as my only disease.

In your absence, I’ve always kept up with you through the[14] news and felt a personal interest and joy in the public affection you receive over there.[2] At the same time, I have to admit that I’d rather have you here, where it seems like there’s a real need for good public leaders. I don’t support demagogues, but I’m a pretty serious Radical, and I think the political situation right now is as bad as the public spirit allows it to be. In all other ways, I’m as healthy, sound, and happy as your kindness could hope for. So just consider my political pessimism as my only ailment.

On the tip-top of Gad's Hill, between this and Rochester, on the very spot where Falstaff ran away, I have a pretty little old-fashioned house, which I shall live in the hope of showing to you one day. Also I have a little story respecting the manner in which it became mine, which I hope (on the same occasion in the clouds) to tell you. Until then and always, I am, dear Lord Carlisle,

On the very top of Gad's Hill, between here and Rochester, at the exact spot where Falstaff ran away, I have a charming little old-fashioned house that I hope to show you someday. I also have a little story about how it came to be mine, which I look forward to telling you on that same occasion. Until then and always, I am, dear Lord Carlisle,

Yours very faithfully and obliged.
Mr. John Forster.


Tavistock House, May 13th, 1857.
Dear Forster,

I have gone over Dilke's memoranda, and I think it quite right and necessary that those points should be stated. Nor do I see the least difficulty in the way of their introduction into the pamphlet. But I do not deem it possible to get the pamphlet written and published before the dinner. I have so many matters pressing on my attention, that I cannot turn to it immediately on my release from my book just finished. It shall be done and distributed early next month.

I’ve reviewed Dilke’s notes, and I think it’s important that those points be included. I don’t see any issues with adding them to the pamphlet. However, I don’t think it’s realistic to write and publish the pamphlet before the dinner. I have so many pressing matters that I won’t be able to focus on it right after finishing my book. I’ll get it done and distributed early next month.

As to anything being lost by its not being in the hands of the people who dine (as you seem to think), I have not the least misgiving on that score. They would say, if it were issued, just what they will say without it.

As for whether anything would be lost by it not being in the hands of the diners (as you seem to think), I have no doubts about that. They would say exactly what they would say whether it was released or not.

Lord Granville is committed to taking the chair, and will[15] make the best speech he can in it. The pious —— will cram him with as many distortions of the truth as his stomach may be strong enough to receive. ——, with Bardolphian eloquence, will cool his nose in the modest merits of the institution. —— will make a neat and appropriate speech on both sides, round the corner and over the way. And all this would be done exactly to the same purpose and in just the same strain, if twenty thousand copies of the pamphlet had been circulated.

Lord Granville is set to take the chair and will[15] give the best speech he can. The religious types will fill him with as many exaggerations as he can handle. Someone, with grand eloquence, will highlight the humble merits of the institution. Another will give a well-organized and fitting speech covering both perspectives. And all of this would happen just the same, even if twenty thousand copies of the pamphlet had been distributed.

Ever affectionately.
Rev. James White.


Tavistock House, Friday, May 22nd, 1857.
My dear friend White,

My emancipation having been effected on Saturday, the ninth of this month, I take some shame to myself for not having sooner answered your note. But the host of things to be done as soon as I was free, and the tremendous number of ingenuities to be wrought out at Gad's Hill, have kept me in a whirl of their own ever since.

My freedom was officially granted on Saturday, the ninth of this month, and I feel a bit embarrassed for not responding to your note sooner. However, the countless tasks I needed to tackle right after becoming free and the overwhelming number of creative projects at Gad's Hill have kept me busy and spinning ever since.

We purpose going to Gad's Hill for the summer on the 1st of June; as, apart from the master's eye being a necessary ornament to the spot, I clearly see that the workmen yet lingering in the yard must be squeezed out by bodily pressure, or they will never go. How will this suit you and yours? If you will come down, we can take you all in, on your way north; that is to say, we shall have that ample verge and room enough, until about the eighth; when Hans Christian Andersen (who has been "coming" for about three years) will come for a fortnight's stay in England. I shall like you to see the little old-fashioned place. It strikes me as being comfortable.

We plan to go to Gad's Hill for the summer on June 1st. Besides the fact that the master's presence is an essential charm of the place, I can clearly see that the workers still hanging around in the yard need a little push to leave, or they won't go at all. How does this work for you and your family? If you want to come down, we can accommodate all of you on your way north; that is to say, we’ll have plenty of space until about the 8th, when Hans Christian Andersen (who has been "promised" for about three years) will be visiting for a two-week stay in England. I’d love for you to see the quaint little place. I think it feels quite cozy.

So let me know your little game. And with love to Mrs. White, Lotty, and Clara,

So tell me about your little game. And send my love to Mrs. White, Lotty, and Clara,

Believe me, ever affectionately yours.
Mr. Frank Stone, A.R.A.


Office of "Household Words," Monday, June 1st, 1857.
My dear Stone,

I know that what I am going to say will not be agreeable; but I rely on the authoress's good sense; and say it, knowing it to be the truth.

I know that what I'm about to say won't be welcome; but I trust the author's good judgment; and I say it, knowing it's the truth.

These "Notes" are destroyed by too much smartness. It gives the appearance of perpetual effort, stabs to the heart the nature that is in them, and wearies by the manner and not by the matter. It is the commonest fault in the world (as I have constant occasion to observe here), but it is a very great one. Just as you couldn't bear to have an épergne or a candlestick on your table, supported by a light figure always on tiptoe and evidently in an impossible attitude for the sustainment of its weight, so all readers would be more or less oppressed and worried by this presentation of everything in one smart point of view, when they know it must have other, and weightier, and more solid properties. Airiness and good spirits are always delightful, and are inseparable from notes of a cheerful trip; but they should sympathise with many things as well as see them in a lively way. It is but a word or a touch that expresses this humanity, but without that little embellishment of good nature there is no such thing as humour. In this little MS. everything is too much patronised and condescended to, whereas the slightest touch of feeling for the rustic who is of the earth earthy, or of sisterhood with the homely servant who has made her face shine in her desire to please, would make a difference that the writer can scarcely imagine without trying it. The only relief in the twenty-one slips is the little bit about the chimes. It is a relief, simply because it is an indication of some kind of sentiment. You don't want any sentiment laboriously made out in such a thing. You don't want any maudlin show of it. But you[17] do want a pervading suggestion that it is there. It makes all the difference between being playful and being cruel. Again I must say, above all things—especially to young people writing: For the love of God don't condescend! Don't assume the attitude of saying, "See how clever I am, and what fun everybody else is!" Take any shape but that.

These "Notes" are ruined by trying too hard to be clever. It creates a sense of constant effort, undermines their true nature, and tires people out with style instead of substance. It's one of the most common mistakes (as I frequently notice here), but it's a significant one. Just like you wouldn't want a fancy centerpiece or candlestick on your table held up by a figure that looks like it's on tiptoe and in an unrealistic position to support its weight, readers can feel weighed down and bothered by everything being shown from one overly clever perspective, especially when they know there are deeper, more substantial angles to consider. Lightness and cheerfulness are always enjoyable, and they naturally come from the notes of a joyful journey; however, they should also connect with various aspects and not just present everything in a lively way. It takes just a word or a little touch to convey this humanity, but without that little boost of good nature, humor cannot exist. In this small manuscript, everything feels overly patronizing and condescending, while just a hint of empathy for the earthy, down-to-earth rustic or a bond with the humble servant who beams with joy in her desire to please would create a difference that the writer can hardly imagine without experiencing it. The only relief in the twenty-one excerpts is the bit about the chimes. It is a relief simply because it shows some kind of feeling. You don’t want sentiment to be labored over in something like this. You don’t want any sappy displays of it. But you do want an underlying suggestion that it exists. It makes all the difference between being playful and being harsh. Once again, I must stress, especially to young writers: For the love of God, don’t condescend! Don’t adopt the stance of saying, "Look how clever I am, and how amusing everyone else is!" Choose any approach but that.

I observe an excellent quality of observation throughout, and think the boy at the shop, and all about him, particularly good. I have no doubt whatever that the rest of the journal will be much better if the writer chooses to make it so. If she considers for a moment within herself, she will know that she derived pleasure from everything she saw, because she saw it with innumerable lights and shades upon it, and bound to humanity by innumerable fine links; she cannot possibly communicate anything of that pleasure to another by showing it from one little limited point only, and that point, observe, the one from which it is impossible to detach the exponent as the patroness of a whole universe of inferior souls. This is what everybody would mean in objecting to these notes (supposing them to be published), that they are too smart and too flippant.

I notice a really good level of observation throughout, and I think the boy in the shop and everything around him is especially well done. I have no doubt that the rest of the journal will be much better if the writer decides to make it so. If she takes a moment to reflect, she'll realize that she found joy in everything she saw because she viewed it through countless perspectives and connected it to humanity through many fine links. She can't possibly share that joy with someone else by showing it from just one limited viewpoint, especially the one that keeps her as the center of a whole universe of lesser souls. This is what everyone would likely mean when criticizing these notes (assuming they get published) for being too clever and superficial.

As I understand this matter to be altogether between us three, and as I think your confidence, and hers, imposes a duty of friendship on me, I discharge it to the best of my ability. Perhaps I make more of it than you may have meant or expected; if so, it is because I am interested and wish to express it. If there had been anything in my objection not perfectly easy of removal, I might, after all, have hesitated to state it; but that is not the case. A very little indeed would make all this gaiety as sound and wholesome and good-natured in the reader's mind as it is in the writer's.

As I see it, this situation is entirely between the three of us, and since I feel your trust and hers create a bond of friendship for me, I’m doing my best to honor that. Maybe I’m reading too much into it than you intended; if that’s the case, it’s because I care and want to share that. If there had been anything in my concern that seemed difficult to address, I might have hesitated to bring it up; but that’s not the case here. Just a little bit of change would make all this lightheartedness as positive and friendly in the reader's mind as it is in the writer's.

Affectionately always.
Anonymous.


Gad's Hill Place, Higham, Thursday, June 4th, 1857.
My dear —

Coming home here last night, from a day's business in London, I found your most excellent note awaiting me, in which I have had a pleasure to be derived from none but good and natural things. I can now honestly assure you that I believe you will write well, and that I have a lively hope that I may be the means of showing you yourself in print one day. Your powers of graceful and light-hearted observation need nothing but the little touches on which we are both agreed. And I am perfectly sure that they will be as pleasant to you as to anyone, for nobody can see so well as you do, without feeling kindly too.

Coming home last night from a day of work in London, I found your wonderful note waiting for me, which brought me joy from only good and natural things. I can honestly say that I believe you will write well, and I have a strong hope that I might help you see yourself in print one day. Your ability for graceful and lighthearted observation only needs the small touches we both agree on. And I am completely confident that they will be as enjoyable for you as for anyone else, because no one can observe as well as you do without also feeling kindness.

To confess the truth to you, I was half sorry, yesterday, that I had been so unreserved; but not half as sorry, yesterday, as I am glad to-day. You must not mind my adding that there is a noble candour and modesty in your note, which I shall never be able to separate from you henceforth.

To be honest with you, I felt a bit sorry yesterday for being so open; but not nearly as sorry as I am glad today. You shouldn't mind me saying that there's a wonderful honesty and humility in your note that I will always associate with you from now on.

Affectionately yours always.
Mr. Henry Austin.


Gad's Hill, Saturday, June 6th, 1857.
Dear Henry,

Here is a very serious business on the great estate respecting the water supply. Last night, they had pumped the well dry merely in raising the family supply for the day; and this morning (very little water having been got into the cisterns) it is dry again! It is pretty clear to me that we must look the thing in the face, and at once bore deeper, dig, or do some beastly thing or other, to secure this necessary in abundance. Meanwhile I am in a most plaintive and forlorn condition without your presence and[19] counsel. I raise my voice in the wilderness and implore the same!!!

Here’s a serious issue on the estate regarding the water supply. Last night, we completely drained the well just to meet the family's needs for the day, and this morning (with very little water making it into the cisterns) it’s empty again! It’s pretty clear to me that we need to confront this problem directly and either bore deeper, dig, or do something else to ensure we have enough water. In the meantime, I'm feeling quite miserable and lost without you here to help and advise me. I’m calling out for your support!!!

Wild legends are in circulation among the servants how that Captain Goldsmith on the knoll above—the skipper in that crow's-nest of a house—has millions of gallons of water always flowing for him. Can he have damaged my well? Can we imitate him, and have our millions of gallons? Goldsmith or I must fall, so I conceive.

Wild rumors are going around among the servants about how Captain Goldsmith, up on that hill—the guy in that crow's-nest of a house—always has millions of gallons of water flowing for him. Could he have messed up my well? Can we copy him and have our millions of gallons? I think either Goldsmith or I will end up losing.

If you get this, send me a telegraph message informing me when I may expect comfort. I am held by four of the family while I write this, in case I should do myself a mischief—it certainly won't be taking to drinking water.

If you receive this, send me a telegram letting me know when I can expect some relief. I'm being held back by four family members while I write this, just in case I decide to hurt myself—it definitely won't be by drinking water.

Ever affectionately (most despairingly).
Mr. W. C. Macready.


Tavistock House, Monday, July 13th, 1857.
My dear Macready,

Many thanks for your Indian information. I shall act upon it in the most exact manner. Walter sails next Monday. Charley and I go down with him to Southampton next Sunday. We are all delighted with the prospect of seeing you at Gad's Hill. These are my Jerrold engagements: On Friday, the 24th, I have to repeat my reading at St. Martin's Hall; on Saturday, the 25th, to repeat "The Frozen Deep" at the Gallery of Illustration for the last time. On Thursday, the 30th, or Friday, the 31st, I shall probably read at Manchester. Deane, the general manager of the Exhibition, is going down to-night, and will arrange all the preliminaries for me. If you and I went down to Manchester together, and were there on a Sunday, he would give us the whole Exhibition to ourselves. It is probable, I think (as he estimates the receipts of a night at about seven hundred pounds), that we may, in about a fortnight or so after the[20] reading, play "The Frozen Deep" at Manchester. But of this contingent engagement I at present know no more than you do.

Thanks for the information about India. I’ll act on it exactly as you've suggested. Walter is leaving next Monday. Charley and I will head to Southampton with him next Sunday. We’re all really excited about seeing you at Gad's Hill. Here are my Jerrold commitments: On Friday, the 24th, I have to do my reading again at St. Martin's Hall; on Saturday, the 25th, I'll be performing "The Frozen Deep" at the Gallery of Illustration for the last time. On Thursday, the 30th, or Friday, the 31st, I’ll likely read in Manchester. Deane, the general manager of the Exhibition, is heading down tonight and will take care of all the arrangements for me. If you and I traveled to Manchester together and were there on a Sunday, he would give us the whole Exhibition to ourselves. I think it’s likely (since he estimates the receipts for a night at around seven hundred pounds) that we might, about two weeks after the [20] reading, perform "The Frozen Deep" in Manchester. But I don’t know any more about this possible engagement than you do.

Now, will you, upon this exposition of affairs, choose your own time for coming to us, and, when you have made your choice, write to me at Gad's Hill? I am going down this afternoon for rest (which means violent cricket with the boys) after last Saturday night; which was a teaser, but triumphant. The St. Martin's Hall audience was, I must confess, a very extraordinary thing. The two thousand and odd people were like one, and their enthusiasm was something awful.

Now, will you, after hearing about everything, decide when you want to come see us? Once you've made your choice, just drop me a note at Gad's Hill. I'm heading down this afternoon to relax (which actually means playing intense cricket with the boys) after last Saturday night; it was a bit of a challenge, but ultimately a success. I have to admit, the audience at St. Martin's Hall was quite an experience. The two thousand or so people felt like one, and their excitement was overwhelming.

Yet I have seen that before, too. Your young remembrance cannot recall the man; but he flourished in my day—a great actor, sir—a noble actor—thorough artist! I have seen him do wonders in that way. He retired from the stage early in life (having a monomaniacal delusion that he was old), and is said to be still living in your county.

Yet I’ve seen that before, too. You might not remember the man; but he was famous in my time—a great actor, sir—a fantastic actor—totally dedicated! I’ve seen him do amazing things like that. He retired from the stage young (believing he was old), and they say he’s still living in your county.

All join in kindest love to your dear sister and all the rest.

All send their warmest love to your dear sister and everyone else.

Always, my dearest Macready,
Most affectionately yours.
Mr. Edmund Yates.


Tavistock House, Sunday, July 19th, 1857.
Dear Yates,

Although I date this ashore, I really write it from Southampton (don't notice this fact in your reply, for I shall be in town on Wednesday). I have come here on an errand which will grow familiar to you before you know that Time has flapped his wings over your head. Like me, you will find those babies grow to be young men before you are quite sure they are born. Like me, you will have great teeth drawn with a wrench, and will only then know that[21] you ever cut them. I am here to send Walter away over what they call, in Green Bush melodramas, "the Big Drink," and I don't at all know this day how he comes to be mine, or I his.

Although I’m writing this from shore, I’m actually sending it from Southampton (don’t mention this in your reply, as I’ll be in town on Wednesday). I’ve come here for a reason that will become clear to you before you realize that time has flown by. Like me, you’ll see those babies grow into young men before you even grasp that they were born. Like me, you’ll have wisdom teeth pulled out with a wrench, and only then will you realize that you ever had them. I’m here to send Walter off over what they call, in Green Bush melodramas, "the Big Drink," and I really don’t understand today how he is mine, or how I am his.

I don't write to say this—or to say how seeing Charley, and he going aboard the ship before me just now, I suddenly came into possession of a photograph of my own back at sixteen and twenty, and also into a suspicion that I had doubled the last age. I merely write to mention that Telbin and his wife are going down to Gad's Hill with us, about mid-day next Sunday, and that if you and Mrs. Yates will come too, we shall be delighted to have you. We can give you a bed, and you can be in town (if you have such a savage necessity) by twenty minutes before ten on Monday morning.

I’m not writing to say this—or to mention how seeing Charley, as he got on the ship ahead of me just now, suddenly made me feel like I was looking at a photo of myself at sixteen and twenty, and also made me think that I’ve doubled my last age. I’m just writing to let you know that Telbin and his wife are joining us at Gad’s Hill next Sunday around midday, and we’d be thrilled if you and Mrs. Yates could come along too. We can offer you a place to stay, and you can be back in town (if you really need to) by twenty minutes before ten on Monday morning.

I was very much pleased (as I had reason to be) with your account of the reading in The Daily News. I thank you heartily.

I was really pleased (as I had good reason to be) with your account of the reading in The Daily News. Thank you so much.

Mr. T. P. Cooke.


IN REMEMBRANCE OF THE LATE MR. DOUGLAS JERROLD.

Committee Office, Gallery of Illustration
Regent Street, Thursday, July 30th, 1857.
Dear Mr. Cooke,

I cannot rest satisfied this morning without writing to congratulate you on your admirable performance of last night. It was so fresh and vigorous, so manly and gallant, that I felt as if it splashed against my theatre-heated face along with the spray of the breezy sea. What I felt everybody felt; I should feel it quite an impertinence to take myself out of the crowd, therefore, if I could by any means help doing so. But I can't; so I hope you will feel that you bring me on yourself, and have only yourself to blame.

I can't be satisfied this morning without writing to congratulate you on your amazing performance last night. It was so fresh and energetic, so manly and brave, that it felt like it splashed against my face, heated from the theater, just like the spray from a breezy sea. What I felt, everyone else felt too; I would find it completely rude to try to separate myself from the crowd, so if there's any way I can avoid doing that, I will. But I can't, so I hope you realize that this is all about you, and you have only yourself to blame.

Always faithfully yours.
Mrs. Compton.


Gad's Hill Place, Higham near Rochester,
Sunday Night, Aug 2nd, 1857.
Dear Mrs. Compton,

We are going to play "The Frozen Deep" (pursuant to requisition from town magnates, etc.) at Manchester, at the New Free Trade Hall, on the nights of Friday and Saturday, the 21st and 22nd August.

We are going to perform "The Frozen Deep" (as requested by local officials, etc.) in Manchester, at the New Free Trade Hall, on the evenings of Friday and Saturday, August 21st and 22nd.

The place is out of the question for my girls. Their action could not be seen, and their voices could not be heard. You and I have played, there and elsewhere, so sociably and happily, that I am emboldened to ask you whether you would play my sister-in-law Georgina's part (Compton and babies permitting).

The place is definitely not suitable for my girls. They couldn’t be seen or heard. You and I have had such fun playing together, both there and elsewhere, that I feel confident asking if you would take on my sister-in-law Georgina's role (if Compton and the babies are okay with it).

We shall go down in the old pleasant way, and shall have the Art Treasures Exhibition to ourselves on the Sunday; when even "he" (as Rogers always called every pretty woman's husband) might come and join us.

We’ll head down the familiar route and have the Art Treasures Exhibition all to ourselves on Sunday; when even "he" (as Rogers always referred to every attractive woman’s husband) might come and join us.

What do you say? What does he say? and what does baby say? When I use the term "baby," I use it in two tenses—present and future.

What do you say? What does he say? And what does the baby say? When I say "baby," I mean it in two tenses—present and future.

Answer me at this address, like the Juliet I saw at Drury Lane—when was it?—yesterday. And whatever your answer is, if you will say that you and Compton will meet us at the North Kent Station, London Bridge, next Sunday at a quarter before one, and will come down here for a breath of sweet air and stay all night, you will give your old friends great pleasure. Not least among them,

Answer me at this address, like the Juliet I saw at Drury Lane—when was it?—yesterday. And whatever your answer is, if you say that you and Compton will meet us at the North Kent Station, London Bridge, next Sunday at a quarter before one, and will come down here for a breath of fresh air and stay all night, you will bring great joy to your old friends. Not least among them,

Yours faithfully.
Mr. W. C. Macready.


Gad's Hill Place, Higham near Rochester,
Monday, Aug. 3rd, 1857.
My dear Macready,

I write to you in reference to your last note, as soon as I positively know our final movements in the Jerrold matter.[23]

I’m writing to you about your last note; I’ll let you know about our final plans regarding the Jerrold situation as soon as I have the details.[23]

We are going to wind up by acting at Manchester (on solemn requisition) on the evenings of Friday and Saturday, the 21st and 22nd (actresses substituted for the girls, of course). We shall have to leave here on the morning of the 20th. You thought of coming on the 16th; can't you make it a day or two earlier, so as to be with us a whole week? Decide and pronounce. Again, cannot you bring Katey with you? Decide and pronounce thereupon, also.

We’re going to finish up by performing in Manchester (as requested) on the evenings of Friday and Saturday, the 21st and 22nd (with actresses instead of the girls, of course). We'll need to leave here on the morning of the 20th. You were thinking of coming on the 16th; can you move it a day or two earlier so you can be with us for a whole week? Make a decision and let me know. Also, can you bring Katey with you? Please decide on that as well.

I read at Manchester last Friday. As many thousand people were there as you like to name. The collection of pictures in the Exhibition is wonderful. And the power with which the modern English school asserts itself is a very gratifying and delightful thing to behold. The care for the common people, in the provision made for their comfort and refreshment, is also admirable and worthy of all commendation. But they want more amusement, and particularly (as it strikes me) something in motion, though it were only a twisting fountain. The thing is too still after their lives of machinery, and art flies over their heads in consequence.

I spoke in Manchester last Friday. There were as many thousands of people there as you can think of. The collection of artwork in the Exhibition is amazing. The way the modern English school makes its presence felt is really satisfying and enjoyable to see. The attention given to everyday people, with the arrangements for their comfort and refreshments, is also impressive and deserves all the praise. However, they want more entertainment, especially (it seems to me) something that involves movement, even if it’s just a spinning fountain. Everything feels too static after their fast-paced, machine-driven lives, and as a result, art often goes right over their heads.

I hope you have seen my tussle with the "Edinburgh." I saw the chance last Friday week, as I was going down to read the "Carol" in St. Martin's Hall. Instantly turned to, then and there, and wrote half the article. Flew out of bed early next morning, and finished it by noon. Went down to Gallery of Illustration (we acted that night), did the day's business, corrected the proofs in Polar costume in dressing-room, broke up two numbers of "Household Words" to get it out directly, played in "Frozen Deep" and "Uncle John," presided at supper of company, made no end of speeches, went home and gave in completely for four hours, then got sound asleep, and next day was as[24] fresh as you used to be in the far-off days of your lusty youth.

I hope you saw my struggle with the "Edinburgh." I seized the opportunity last Friday week while heading to read the "Carol" in St. Martin's Hall. I immediately started writing and finished half the article right then and there. I jumped out of bed early the next morning and wrapped it up by noon. I went down to the Gallery of Illustration (we had a show that night), took care of the day’s business, corrected the proofs in Polar costume in the dressing room, broke up two issues of "Household Words" to get it out right away, performed in "Frozen Deep" and "Uncle John," hosted the company supper, made a ton of speeches, went home and collapsed for four hours, then fell into a deep sleep, and the next day I felt as[24] fresh as you used to be in the good old days of your youth.

All here send kindest love to your dear good sister and all the house.

All of us here send our warmest love to your dear sister and everyone at home.

Ever and ever affectionately.
Mr. Frank Stone, A.R.A.


Tavistock House, Sunday Afternoon, Aug. 9th, 1857.
My dear friend Stone,

Now here, without any preface, is a good, confounding, stunning question for you—would you like to play "Uncle John" on the two nights at Manchester?

Now here, without any introduction, is a great, puzzling, surprising question for you—would you like to play "Uncle John" on the two nights in Manchester?

It is not a long part. You could have a full rehearsal on the Friday, and I could sit in the wing at night and pull you through all the business. Perhaps you might not object to being in the thing in your own native place, and the relief to me would be enormous.

It’s not a long part. You could have a full rehearsal on Friday, and I could sit in the wings at night and guide you through everything. Maybe you wouldn’t mind being in the show in your own hometown, and it would be a huge relief for me.

This is what has come into my head lying in bed to-day (I have been in bed all day), and this is just my plain reason for writing to you.

This is what I’ve been thinking about while lying in bed today (I’ve been in bed all day), and this is my simple reason for reaching out to you.

It's a capital part, and you are a capital old man. You know the play as we play it, and the Manchester people don't. Say the word, and I'll send you my own book by return of post.

It's an important role, and you are an important old man. You know the play as we perform it, and the people in Manchester don't. Just say the word, and I'll send you my own book right away.

The agitation and exertion of Richard Wardour are so great to me, that I cannot rally my spirits in the short space of time I get. The strain is so great to make a show of doing it, that I want to be helped out of "Uncle John" if I can. Think of yourself far more than me; but if you half think you are up to the joke, and half doubt your being so, then give me the benefit of the doubt and play the part.

The stress and effort Richard Wardour puts in are so overwhelming for me that I can’t gather my energy in the little time I have. The pressure to pretend like I can handle it is so intense that I really want to get out of "Uncle John" if possible. Focus on yourself more than on me; but if you kind of think you’re up for the task, and kind of doubt you are, then give me the benefit of the doubt and take on the role.

Answer me at Gad's Hill.

Answer me at Gad's Hill.

Ever affectionately.

P.S.—If you play, I shall immediately announce it to all[25] concerned. If you don't, I shall go on as if nothing had happened, and shall say nothing to anyone.

P.S.—If you play, I’ll let everyone know right away[25]. If you don't, I’ll pretend nothing happened and won’t say a word to anyone.

Mr. Henry Austin.


Gad's Hill House, Saturday, Aug. 15th, 1857.
Dear Henry,

At last, I am happy to inform you, we have got at a famous spring!! It rushed in this morning, ten foot deep. And our friends talk of its supplying "a ton a minute for yourself and your family, sir, for nevermore."

At last, I’m excited to tell you that we’ve found a famous spring!! It burst in this morning, ten feet deep. And our friends say it can provide "a ton a minute for you and your family, sir, forever."

They ask leave to bore ten feet lower, to prevent the possibility of what they call "a choking with sullage." Likewise, they are going to insert "a rose-headed pipe;" at the mention of which implement, I am (secretly) well-nigh distracted, having no idea of what it means. But I have said "Yes," besides instantly standing a bottle of gin. Can you come back, and can you get down on Monday morning, to advise and endeavour to decide on the mechanical force we shall use for raising the water? I would return with you, as I shall have to be in town until Thursday, and then to go to Manchester until the following Tuesday.

They’re asking to dig ten feet deeper to avoid what they call "choking with waste water." They also plan to use "a rose-headed pipe," which honestly drives me a bit crazy since I have no idea what that is. But I went ahead and said "Yes" while immediately pouring a bottle of gin. Can you come back and can you come down on Monday morning to help figure out the best mechanical method for lifting the water? I would come back with you since I need to be in town until Thursday, and then I’m off to Manchester until the following Tuesday.

I send this by hand to John, to bring to you.

I’m sending this to John so he can deliver it to you.

Ever affectionately.
Mr. Frank Stone, A.R.A.


Gad's Hill Place, Monday, Aug. 17th, 1857.
My dear friend Stone,

I received your kind note this morning, and write this reply here to take to London with me and post in town, being bound for that village and three days' drill of the professional ladies who are to succeed the Tavistock girls.

I got your thoughtful note this morning, and I'm writing this reply to take with me to London and send out from there, as I'm headed to that village for three days of training with the professional women who will take the place of the Tavistock girls.

My book I enclose. There is a slight alteration (which[26] does not affect you) at the end of the first act, in order that the piece may be played through without having the drop curtain down. You will not find the situations or business difficult, with me on the spot to put you right.

My book is enclosed. There’s a small change (which[26] won't impact you) at the end of the first act, so the play can go on without dropping the curtain. You won’t find the situations or actions difficult, with me there to help you out.

Now, as to the dress. You will want a pair of pumps, and a pair of white silk socks; these you can get at Manchester. The extravagantly and anciently-frilled shirts that I have had got up for the part, I will bring you down; large white waistcoat, I will bring you down; large white hat, I will bring you down; dressing-gown, I will bring you down; white gloves and ditto choker you can get at Manchester. There then remain only a pair of common nankeen tights, to button below the calf, and blue wedding-coat. The nankeen tights you had best get made at once; my "Uncle John" coat I will send you down in a parcel by to-morrow's train, to have altered in Manchester to your shape and figure. You will then be quite independent of Christian chance and Jewish Nathan, which latter potentate is now at Canterbury with the cricket amateurs, and might fail.

Now, about the outfit. You'll need a pair of pumps and some white silk socks; you can find those in Manchester. I'll bring you the fancy, old-fashioned frilled shirts I've prepared for the role, along with a large white waistcoat, a large white hat, and a dressing gown. You can get the white gloves and matching choker in Manchester. All that's left is a pair of standard nankeen tights to button below the calf and a blue wedding coat. You should get the nankeen tights made right away; I'll send my "Uncle John" coat to you in a parcel on tomorrow’s train, so you can have it tailored in Manchester to fit you perfectly. You'll then be completely self-reliant and won't have to rely on Christian chance or Jewish Nathan, who's currently in Canterbury with the cricket enthusiasts and might not come through.

A Thursday's rehearsal is (unfortunately) now impracticable, the passes for the railway being all made out, and the company's sailing orders issued. But, as I have already suggested, with a careful rehearsal on Friday morning, and with me at the wing at night to put you right, you will find yourself sliding through it easily. There is nothing in the least complicated in the business. As to the dance, you have only to knock yourself up for a twelvemonth and it will go nobly.

A Thursday rehearsal is (unfortunately) now impossible, since all the train tickets are booked and the company's sailing orders are issued. However, as I’ve already mentioned, with a careful rehearsal on Friday morning and me on the sidelines at night to guide you, you’ll find it easy to get through. There's nothing complicated about this at all. As for the dance, you just need to push yourself for a year, and it will turn out great.

After all, too, if you should, through any unlucky breakdown, come to be afraid of it, I am no worse off than I was before, if I have to do it at last. Keep your pecker up with that.[27]

After all, if you ever end up being scared of it due to some unfortunate failure, I'm not any worse off than I was before, even if I have to face it eventually. Stay positive about that.[27]

I am heartily obliged to you, my dear old boy, for your affectionate and considerate note, and I wouldn't have you do it, really and sincerely—immense as the relief will be to me—unless you are quite comfortable in it, and able to enjoy it.

I’m truly grateful to you, my dear friend, for your thoughtful and kind note, and I really wouldn’t want you to do it—no matter how much it would relieve me—unless you are completely at ease with it and can enjoy it.

Ever affectionately.
Mr. Frank Stone, A.R.A.


"Household Words" Office, Tuesday, Aug. 18th, 1857.
My dear Stone,

I sent you a telegraph message last night, in total contradiction of the letter you received from me this morning.

I sent you a telegram last night, which completely contradicts the letter you got from me this morning.

The reason was simply this: Arthur Smith and the other business men, both in Manchester and here, urged upon me, in the strongest manner, that they were afraid of the change; that it was well known in Manchester that I had done the part in London; that there was a danger of its being considered disrespectful in me to give it up; also that there was a danger that it might be thought that I did so at the last minute, after an immense let, whereas I might have done it at first, etc. etc. etc. Having no desire but for the success of our object, and a becoming recognition on my part of the kind Manchester public's cordiality, I gave way, and thought it best to go on.

The reason was straightforward: Arthur Smith and the other businessmen, both in Manchester and here, strongly urged me that they were nervous about the change; it was well known in Manchester that I had performed my role in London; there was a risk that it would be seen as disrespectful for me to drop it; also, there was a concern that people might think I had pulled out at the last minute after a lot of buildup, when I could have done so from the start, etc., etc., etc. Wanting nothing but the success of our goal and to properly acknowledge the kind Manchester public's friendliness, I agreed and decided it was best to continue.

I do so against the grain, and against every inclination, and against the strongest feeling of gratitude to you. My people at home will be miserable too when they hear I am going to do it. If I could have heard from you sooner, and got the bill out sooner, I should have been firmer in considering my own necessity of relief. As it is, I sneak under; and I hope you will feel the reasons, and approve.

I’m doing this reluctantly, going against my instincts, and despite my deep gratitude towards you. My family back home will be really upset when they find out I'm going through with it. If I had heard from you earlier and received the bill sooner, I would have been more confident in prioritizing my own need for help. As it stands, I'm just trying to make it work quietly; I hope you understand my reasons and approve.

Ever affectionately.
Mr. Henry Austin.


Gad's Hill Place, Wednesday, Sept. 2nd, 1857.
Dear Henry,

The second conspirator has been here this morning to ask whether you wish the windlass to be left in the yard, and whether you will want him and his mate any more, and, if so, when? Of course he says (rolling something in the form of a fillet in at one broken tooth all the while, and rolling it out at another) that they could wish fur to have the windlass if it warn't any ways a hill conwenience fur to fetch her away. I have told him that if he will come back on Friday he shall have your reply. Will you, therefore, send it me by return of post? He says he'll "look up" (as if he was an astronomer) "a Friday arterdinner."

The second conspirator was here this morning to ask if you want the windlass to stay in the yard, and if you’ll need him and his partner again, and if so, when? He mentioned (while rolling something into one broken tooth and out of another) that they’d prefer to have the windlass if it wouldn't be too much trouble to get it. I told him that if he returns on Friday, he’ll get your answer. So, could you please send it to me by return mail? He says he’ll "look up" (as if he were an astronomer) "a Friday afternoon."

On Monday I am going away with Collins for ten days or a fortnight, on a "tour in search of an article" for "Household Words." We have not the least idea where we are going; but he says, "Let's look at the Norfolk coast," and I say, "Let's look at the back of the Atlantic." I don't quite know what I mean by that; but have a general impression that I mean something knowing.

On Monday, I'm heading out with Collins for ten days or maybe two weeks on a "tour to find an article" for "Household Words." We have no clue where we're going, but he says, "Let's check out the Norfolk coast," and I say, "Let's take a look at the back of the Atlantic." I'm not exactly sure what I mean by that, but I have a vague feeling that it’s something clever.

I am horribly used up after the Jerrold business. Low spirits, low pulse, low voice, intense reaction. If I were not like Mr. Micawber, "falling back for a spring" on Monday, I think I should slink into a corner and cry.

I’m completely drained after the Jerrold situation. I feel down, weak, and quiet, and my emotions are all over the place. If I weren’t like Mr. Micawber, “falling back for a spring” on Monday, I think I would just find a corner and cry.

Ever affectionately.
Miss Hogarth.


Allonby, Cumbria, Wednesday Night, Sept. 9th, 1857.
Dear Georgy,
*                   *                   *                   *                   *                   *

Think of Collins's usual luck with me! We went up a Cumberland mountain yesterday—a huge black hill, fifteen hundred feet high. We took for a guide a capital innkeeper[29] hard by. It rained in torrents—as it only does rain in a hill country—the whole time. At the top, there were black mists and the darkness of night. It then came out that the innkeeper had not been up for twenty years, and he lost his head and himself altogether; and we couldn't get down again! What wonders the Inimitable performed with his compass until it broke with the heat and wet of his pocket no matter; it did break, and then we wandered about, until it was clear to the Inimitable that the night must be passed there, and the enterprising travellers probably die of cold. We took our own way about coming down, struck, and declared that the guide might wander where he would, but we would follow a watercourse we lighted upon, and which must come at last to the river. This necessitated amazing gymnastics; in the course of which performances, Collins fell into the said watercourse with his ankle sprained, and the great ligament of the foot and leg swollen I don't know how big.

Think about Collins's typical luck with me! We hiked up a mountain in Cumberland yesterday—a massive black hill, fifteen hundred feet high. We had a great innkeeper as our guide, who was nearby. It poured rain the whole time, just like it always does in hilly areas. At the top, we were surrounded by thick black mist and darkness. Then it turned out that the innkeeper hadn't been up there in twenty years, and he completely lost it; we couldn't find our way back down! The Inimitable worked wonders with his compass until it finally broke from the heat and moisture in his pocket, which didn’t help at all; it broke, and then we wandered around until it became clear to the Inimitable that we would have to spend the night there, and the adventurous travelers would probably freeze to death. We decided to make our own way down, struck out, and declared that the guide could go wherever he wanted, but we would follow a stream we found, which had to lead to the river eventually. This meant we had to do some crazy gymnastics; during this, Collins fell into the stream and sprained his ankle, with the ligaments in his foot and leg swelling to who knows how big.

How I enacted Wardour over again in carrying him down, and what a business it was to get him down; I may say in Gibbs's words: "Vi lascio a giudicare!" But he was got down somehow, and we got off the mountain somehow; and now I carry him to bed, and into and out of carriages, exactly like Wardour in private life. I don't believe he will stand for a month to come. He has had a doctor, and can wear neither shoe nor stocking, and has his foot wrapped up in a flannel waistcoat, and has a breakfast saucer of liniment, and a horrible dabbling of lotion incessantly in progress. We laugh at it all, but I doubt very much whether he can go on to Doncaster. It will be a miserable blow to our H. W. scheme, and I say nothing about it as yet; but he is really so crippled that I doubt[30] the getting him there. We have resolved to fall to work to-morrow morning and begin our writing; and there, for the present, that point rests.

How I got Wardour down again was quite the task; I might as well echo Gibbs's words: "I'll leave it to you to judge!" But we managed to get him down, and we made it off the mountain somehow. Now I'm helping him to bed, in and out of carriages, just like Wardour in his everyday life. I don't think he'll be able to walk for a month. He's seen a doctor and can't wear shoes or socks, with his foot wrapped up in a flannel waistcoat. There's a breakfast saucer of liniment and a bunch of lotion constantly being applied. We laugh about it all, but I'm really unsure if he can make it to Doncaster. It would be a huge setback for our H. W. plan, and I haven't said anything about it yet; but he's so injured that I doubt `[30]` we'll get him there. We've decided to get started tomorrow morning and begin our writing; and for now, that's where we stand.

This is a little place with fifty houses, five bathing-machines, five girls in straw hats, five men in straw hats, and no other company. The little houses are all in half-mourning—yellow stone on white stone, and black; and it reminds me of what Broadstairs might have been if it had not inherited a cliff, and had been an Irishman. But this is a capital little homely inn, looking out upon the sea; and we are really very comfortably lodged. I can just stand upright in my bedroom. Otherwise, it is a good deal like one of Ballard's top-rooms. We have a very obliging and comfortable landlady; and it is a clean nice place in a rough wild country. We came here haphazard, but could not have done better.

This is a small place with fifty houses, five bathing cabins, five girls in straw hats, five men in straw hats, and no one else around. The little houses are all in half-mourning—yellow stone on white stone, and black; it reminds me of what Broadstairs might have been if it didn’t have a cliff, and if it were Irish. But this is a great little cozy inn, overlooking the sea; and we are really very comfortably settled in. I can just stand up straight in my bedroom. Other than that, it’s quite a bit like one of Ballard's top rooms. We have a very friendly and accommodating landlady; and it’s a clean, nice place in a rugged, wild area. We came here by chance, but we couldn’t have ended up in a better spot.

We lay last night at a place called Wigton—also in half-mourning—with the wonderful peculiarity that it had no population, no business, no streets to speak of; but five linendrapers within range of our small windows, one linendraper's next door, and five more linendrapers round the corner. I ordered a night-light in my bedroom. A queer little old woman brought me one of the common Child's night-lights, and seeming to think that I looked at it with interest, said: "It's joost a vara keeyourious thing, sir, and joost new coom oop. It'll burn awt hoors a' end, an no gootther, nor no waste, nor ony sike a thing, if you can creedit what I say, seein' the airticle."

We stayed last night in a place called Wigton—also in half-mourning—with the strange fact that it had no population, no businesses, and hardly any streets; just five linen shops within view of our small windows, one linen shop right next door, and five more linen shops around the corner. I requested a night-light for my bedroom. A peculiar little old woman brought me one of the usual children's night-lights, and thinking that I showed interest in it, she said: "It's just a very curious thing, sir, and just newly come out. It'll burn all hours on end, and no bother, nor any waste, or anything like that, if you can believe what I say, seeing the item."

Of course I shall go to Doncaster, whether or no (please God), and my postage directions to you remain unchanged. Love to Mamey, Katey, Charley, Harry, and the darling Plorn.

Of course I will go to Doncaster, whether or not (please God), and my mailing instructions to you stay the same. Love to Mamey, Katey, Charley, Harry, and the sweet Plorn.

Ever affectionately.
Miss Hogarth.


Lancaster, Saturday Night, Sept. 12th, 1857.
My dear Georgie,

I received your letter at Allonby yesterday, and was delighted to get it. We came back to Carlisle last night (to a capital inn, kept by Breach's brother), and came on here to-day. We are on our way to Doncaster; but Sabbath observance throws all the trains out; and although it is not a hundred miles from here, we shall have, as well as I can make out the complicated lists of trains, to sleep at Leeds—which I particularly detest as an odious place—to-morrow night.

I got your letter at Allonby yesterday, and I was really happy to receive it. We returned to Carlisle last night (to a great inn run by Breach's brother) and came here today. We're heading to Doncaster, but Sunday schedules mess up all the train times. Even though it's not even a hundred miles from here, it looks like we’ll have to spend tomorrow night in Leeds, which I really dislike as a horrible place.

Accustomed as you are to the homage which men delight to render to the Inimitable, you would be scarcely prepared for the proportions it assumes in this northern country. Station-masters assist him to alight from carriages, deputations await him in hotel entries, innkeepers bow down before him and put him into regal rooms, the town goes down to the platform to see him off, and Collins's ankle goes into the newspapers!!!

Accustomed as you are to the admiration that people love to show towards the Inimitable, you would barely be ready for how much it happens in this northern country. Station masters help him get out of carriages, delegations wait for him in hotel lobbies, innkeepers bow before him and put him in luxurious rooms, the town gathers at the platform to send him off, and Collins's ankle makes it into the newspapers!!!

It is a great deal better than it was, and he can get into new hotels and up the stairs with two thick sticks, like an admiral in a farce. His spirits have improved in a corresponding degree, and he contemplates cheerfully the keeping house at Doncaster. I thought (as I told you) he would never have gone there, but he seems quite up to the mark now. Of course he can never walk out, or see anything of any place. We have done our first paper for H. W., and sent it up to the printer's.

It’s a lot better than it used to be, and he can go to new hotels and navigate stairs with two sturdy canes, like a comical admiral. His mood has improved a lot, and he’s considering managing a household in Doncaster. I thought (as I mentioned) he would never go there, but he seems totally ready for it now. Of course, he still can’t walk outside or explore any places. We’ve completed our first article for H. W. and sent it off to the printer.

The landlady of the little inn at Allonby lived at Greta Bridge, in Yorkshire, when I went down there before "Nickleby," and was smuggled into the room to see me, when I was secretly found out. She is an immensely fat woman now. "But I could tuck my arm round her waist[32] then, Mr. Dickens," the landlord said when she told me the story as I was going to bed the night before last. "And can't you do it now," I said, "you insensible dog? Look at me! Here's a picture!" Accordingly, I got round as much of her as I could; and this gallant action was the most successful I have ever performed, on the whole. I think it was the dullest little place I ever entered; and what with the monotony of an idle sea, and what with the monotony of another sea in the room (occasioned by Collins's perpetually holding his ankle over a pail of salt water, and laving it with a milk jug), I struck yesterday, and came away.

The landlady of the small inn in Allonby lived in Greta Bridge, Yorkshire, when I visited before "Nickleby," and she was secretly brought into the room to see me after I was discovered. She's now an extremely heavy woman. "But I could wrap my arm around her waist [32] back then, Mr. Dickens," the landlord said when she shared the story with me the night before last as I was heading to bed. "And can't you do it now?" I replied, "you clueless guy? Look at me! Here's a picture!" So, I wrapped around as much of her as I could; and this brave act was the most successful I've ever done, overall. I think it was the dullest little spot I've ever been to; and with the monotony of a lazy sea outside and the other monotony in the room (thanks to Collins constantly holding his ankle over a bucket of salt water and washing it with a milk jug), I gave up yesterday and left.

We are in a very remarkable old house here, with genuine old rooms and an uncommonly quaint staircase. I have a state bedroom, with two enormous red four-posters in it, each as big as Charley's room at Gad's Hill. Bellew is to preach here to-morrow. "And we know he is a friend of yours, sir," said the landlord, when he presided over the serving of the dinner (two little salmon trout; a sirloin steak; a brace of partridges; seven dishes of sweets; five dishes of dessert, led off by a bowl of peaches; and in the centre an enormous bride-cake—"We always have it here, sir," said the landlord, "custom of the house.") (Collins turned pale, and estimated the dinner at half a guinea each.)

We’re in a really amazing old house here, with authentic old rooms and a uniquely charming staircase. I have a grand bedroom that has two huge red four-poster beds, each as big as Charley’s room at Gad's Hill. Bellew is going to preach here tomorrow. “And we know he’s a friend of yours, sir,” the landlord said while serving dinner (two small salmon trout; a sirloin steak; two partridges; seven sweet dishes; five dessert dishes, including a bowl of peaches; and in the center, an enormous wedding cake—“We always have this here, sir,” the landlord mentioned, “it’s a house tradition.”) (Collins went pale and calculated the dinner to cost about half a guinea each.)

This is the stupidest of letters, but all description is gone, or going, into "The Lazy Tour of Two Idle Apprentices."

This is the dumbest of letters, but all the description is gone, or about to disappear, into "The Lazy Tour of Two Idle Apprentices."

Kiss the darling Plorn, who is often in my thoughts. Best love to Charley, Mamey, and Katie. I will write to you again from Doncaster, where I shall be rejoiced to find another letter from you.

Kiss the sweet Plorn, who's often on my mind. Sending my love to Charley, Mamey, and Katie. I'll write to you again from Doncaster, where I'll be thrilled to find another letter from you.

Ever affectionately, my dearest Georgy.
Miss Hogarth.


Angel Hotel, Doncaster, Tuesday, Sept. 15th, 1857.
My dear George,

I found your letter here on my arrival yesterday. I had hoped that the wall would have been almost finished by this time, and the additions to the house almost finished too—but patience, patience!

I found your letter here when I arrived yesterday. I had hoped that the wall would be almost done by now, and the additions to the house would be nearly complete too—but patience, patience!

We have very good, clean, and quiet apartments here, on the second floor, looking down into the main street, which is full of horse jockeys, bettors, drunkards, and other blackguards, from morning to night—and all night. The races begin to-day and last till Friday, which is the Cup Day. I am not going to the course this morning, but have engaged a carriage (open, and pair) for to-morrow and Friday.

We have really nice, clean, and quiet apartments here on the second floor, overlooking the main street, which is packed with horse jockeys, gamblers, drunks, and other unsavory characters, from morning till night—and all night. The races start today and go on until Friday, which is Cup Day. I'm not heading to the races this morning, but I've booked a carriage (open with a pair of horses) for tomorrow and Friday.

"The Frozen Deep's" author gets on as well as could be expected. He can hobble up and down stairs when absolutely necessary, and limps to his bedroom on the same floor. He talks of going to the theatre to-night in a cab, which will be the first occasion of his going out, except to travel, since the accident. He sends his kind regards and thanks for enquiries and condolence. I am perpetually tidying the rooms after him, and carrying all sorts of untidy things which belong to him into his bedroom, which is a picture of disorder. You will please to imagine mine, airy and clean, little dressing-room attached, eight water-jugs (I never saw such a supply), capital sponge-bath, perfect arrangement, and exquisite neatness. We breakfast at half-past eight, and fall to work for H. W. afterwards. Then I go out, and—hem! look for subjects.

"The Frozen Deep's" author is doing as well as can be expected. He can manage to hobble up and down stairs when absolutely necessary, and he limps to his bedroom on the same floor. He mentions going to the theater tonight in a cab, which will be his first time going out, aside from traveling, since the accident. He sends his kind regards and thanks for the inquiries and condolences. I constantly tidy up the rooms after him, carrying all sorts of his messy things into his bedroom, which is a complete mess. Please picture my room: airy and clean, with a small attached dressing room, eight water jugs (I've never seen such a supply), a great sponge bath, perfect organization, and impeccable neatness. We have breakfast at half-past eight and then get to work for H. W. afterward. Then I go out and—hem!—look for subjects.

The mayor called this morning to do the honours of the town, whom it pleased the Inimitable to receive with great courtesy and affability. He propounded invitation to public déjeûner, which it did not please the Inimitable to receive, and which he graciously rejected.[34]

The mayor called this morning to represent the town, and the Inimitable welcomed him with great courtesy and friendliness. He extended an invitation to a public brunch, which the Inimitable chose not to accept and graciously declined.[34]

That's all the news. Everything I can describe by hook or by crook, I describe for H. W. So there is nothing of that sort left for letters.

That's all the news. Everything I can explain by any means, I share with H. W. So there's nothing like that left for letters.

Best love to dear Mamey and Katey, and to Charley, and to Harry. Any number of kisses to the noble Plorn.

Best love to dear Mamey and Katey, and to Charley, and to Harry. A bunch of kisses for the amazing Plorn.

Ever affectionately.
Mr. Arthur Ryland.


Gad's Hill House, Saturday Evening, Oct. 3rd, 1857.
Dear Sir,

I have had the honour and pleasure of receiving your letter of the 28th of last month, informing me of the distinction that has been conferred upon me by the Council of the Birmingham and Midland Institute.

I have had the honor and pleasure of receiving your letter from the 28th of last month, letting me know about the distinction that the Council of the Birmingham and Midland Institute has given me.

Allow me to assure you with much sincerity, that I am highly gratified by having been elected one of the first honorary members of that establishment. Nothing could have enhanced my interest in so important an undertaking; but the compliment is all the more welcome to me on that account.

Allow me to sincerely assure you that I am very pleased to have been elected as one of the first honorary members of that organization. Nothing could have increased my interest in such an important initiative; however, the compliment is even more appreciated for that reason.

I accept it with a due sense of its worth, with many acknowledgments and with all good wishes.

I accept it with a proper understanding of its value, with many thanks and all my best wishes.

I am ever, my dear Sir, very faithfully yours.
Mr. Edmund Yates.


Tavistock House, Monday Night, Nov. 16th, 1857.
Dear Yates,

I retain the story with pleasure; and I need not tell you that you are not mistaken in the last lines of your note.

I remember the story fondly, and I don't need to tell you that you're right about the last lines of your note.

Excuse me, on that ground, if I say a word or two as to what I think (I mention it with a view to the future) might be better in the paper. The opening is excellent. But it passes too completely into the Irishman's narrative, does not light it up with the life about it, or the circumstances[35] under which it is delivered, and does not carry through it, as I think it should with a certain indefinable subtleness, the thread with which you begin your weaving. I will tell Wills to send me the proof, and will try to show you what I mean when I shall have gone over it carefully.

Excuse me, based on that, if I could say a word or two about what I think (I mention this for the future) could be improved in the paper. The opening is great. However, it shifts too much into the Irishman's story, not bringing in the surrounding life or the circumstances under which it’s presented, and it doesn’t maintain, as I believe it should, a certain subtle thread that you start with. I'll ask Wills to send me the proof, and I'll try to show you what I mean once I've looked it over carefully.[35]

Faithfully yours always.
Mr. Frank Stone, A.R.A.


Tavistock House, Wednesday, Dec. 13th, 1857.
My dear friend Stone,

I find on enquiry that the "General Theatrical Fund" has relieved non-members in one or two instances; but that it is exceedingly unwilling to do so, and would certainly not do so again, saving on some very strong and exceptional case. As its trustee, I could not represent to it that I think it ought to sail into those open waters, for I very much doubt the justice of such cruising, with a reference to the interests of the patient people who support it out of their small earnings.

I found out that the "General Theatrical Fund" has helped non-members a time or two, but it's really reluctant to do that and probably wouldn't do it again unless there's a very strong and unusual reason. As its trustee, I can't suggest that it should start doing that regularly because I seriously question the fairness of such actions, considering the interests of the hard-working people who contribute to it from their limited earnings.

Affectionately ever.

Book III.

1858 TO 1870.


1858.

NARRATIVE.

All through this year, Charles Dickens was constantly moving about from place to place. After much and careful consideration, he had come to the determination of, for the future, giving readings for his own benefit. And although in the spring of this year he gave one reading of his "Christmas Carol" for a charity, all the other readings, beginning from the 29th April, and ever after, were for himself. In the autumn of this year he made reading tours in England, Scotland, and Ireland, always accompanied by his friend and secretary, Mr. Arthur Smith. At Newcastle, Charles Dickens was joined by his daughters, who accompanied him in his Scotch tour. The letters to his sister-in-law, and to his eldest daughter, are all given here, and will be given in all future reading tours, as they form a complete diary of his life and movements at these times. To avoid the constant repetition of the two names, the beginning of the letters will be dispensed with in all cases where they follow each other in unbroken succession. The Mr. Frederick Lehmann mentioned in the letter written from Sheffield, had married a daughter of Mr. Robert Chambers, and niece of Mrs. Wills. Coming to settle in London a short time after this date, Mr. and Mrs. Lehmann became intimately known to Charles Dickens and his family—more especially to his eldest daughter, to whom they have been, and are, the kindest and truest of friends. The "pretty little boy" mentioned as being under Mrs. Wills's care, was their eldest son.

We give the letter to Mr. Thackeray, not because it is one of very great interest, but because, being the only one we have, we are glad to have the two names associated together in this work.

We’re sharing the letter with Mr. Thackeray, not because it’s particularly interesting, but because it’s the only one we have, and we’re happy to have the two names connected in this work.

The "little speech" alluded to in this first letter to[40] Mr. Macready was one made by Charles Dickens at a public dinner, which was given in aid of the Hospital for Sick Children, in Great Ormond Street. He afterwards (early in April) gave a reading from his "Christmas Carol" for this same charity.

The "little speech" mentioned in this first letter to[40] Mr. Macready was delivered by Charles Dickens at a public dinner held to support the Hospital for Sick Children on Great Ormond Street. Later, in early April, he gave a reading of his "Christmas Carol" for the same charity.

The Christmas number of "Household Words," mentioned in a letter to Mr. Wilkie Collins, was called "A House to Let," and contained stories written by Charles Dickens, Mr. Wilkie Collins, and other contributors to "Household Words."

The Christmas issue of "Household Words," referenced in a letter to Mr. Wilkie Collins, was titled "A House to Let" and featured stories by Charles Dickens, Mr. Wilkie Collins, and other contributors to "Household Words."

Mr. W. Wilkie Collins.


Tavistock House, Sunday, Jan. 17th, 1858.
Dear Wilkie,

I am very sorry to receive so bad an account of the foot. But I hope it is all in the past tense now.

I’m really sorry to hear such a bad report about the foot. But I hope that’s all behind us now.

I met with an incident the other day, which I think is a good deal in your way, for introduction either into a long or short story. Dr. Sutherland and Dr. Monro went over St. Luke's with me (only last Friday), to show me some distinctly and remarkably developed types of insanity. Among other patients, we passed a deaf and dumb man, now afflicted with incurable madness too, of whom they said that it was only when his madness began to develop itself in strongly-marked mad actions, that it began to be suspected. "Though it had been there, no doubt, some time." This led me to consider, suspiciously, what employment he had been in, and so to ask the question. "Aye," says Dr. Sutherland, "that is the most remarkable thing of all, Mr. Dickens. He was employed in the transmission of electric-telegraph messages; and it is impossible to conceive what delirious despatches that man may have been sending about all over the world!"

I encountered an incident the other day that I think could work well as the basis for either a long or short story. Dr. Sutherland and Dr. Monro showed me around St. Luke's last Friday to highlight some distinctly and remarkably developed cases of insanity. Among the patients, we saw a deaf and mute man who is now also suffering from incurable madness. They mentioned that it was only when his madness started to manifest in clear crazy actions that it began to be suspected. "Though it had been there, no doubt, for some time." This made me wonder about his previous job, leading me to ask the question. "Yes," Dr. Sutherland replied, "that is the most remarkable part, Mr. Dickens. He worked in transmitting electric-telegraph messages, and it’s hard to imagine what wild messages that man might have been sending all over the world!"

Rejoiced to hear such good report of the play.

I was happy to hear such positive feedback about the play.

Ever faithfully.
Mr. Edmund Yates.


Tavistock House, Tuesday, Feb. 2nd, 1858.
Dear Yates,

Your quotation is, as I supposed, all wrong. The text is not "which his 'owls was organs." When Mr. Harris went into an empty dog-kennel, to spare his sensitive nature the anguish of overhearing Mrs. Harris's exclamations on the occasion of the birth of her first child (the Princess Royal of the Harris family), "he never took his hands away from his ears, or came out once, till he was showed the baby." On encountering that spectacle, he was (being of a weakly constitution) "took with fits." For this distressing complaint he was medically treated; the doctor "collared him, and laid him on his back upon the airy stones"—please to observe what follows—"and she was told, to ease her mind, his 'owls was organs."

Your quote is, as I thought, completely wrong. The text is not "which his 'owls was organs." When Mr. Harris went into an empty dog kennel to spare his sensitive nature the pain of overhearing Mrs. Harris's reactions to the birth of her first child (the Princess Royal of the Harris family), "he never took his hands away from his ears or came out once until he was shown the baby." Upon seeing that scene, he was (being of a weakly constitution) "taken with fits." For this troubling condition, he was treated by a doctor; the doctor "collared him and laid him on his back on the airy stones"—please note what follows—"and she was told, to ease her mind, his 'owls was organs."

That is to say, Mrs. Harris, lying exhausted on her bed, in the first sweet relief of freedom from pain, merely covered with the counterpane, and not yet "put comfortable," hears a noise apparently proceeding from the back-yard, and says, in a flushed and hysterical manner: "What 'owls are those? Who is a-'owling? Not my ugebond?" Upon which the doctor, looking round one of the bottom posts of the bed, and taking Mrs. Harris's pulse in a reassuring manner, says, with much admirable presence of mind: "Howls, my dear madam?—no, no, no! What are we thinking of? Howls, my dear Mrs. Harris? Ha, ha, ha! Organs, ma'am, organs. Organs in the streets, Mrs. Harris; no howls."

That is to say, Mrs. Harris, lying exhausted on her bed, in the first sweet relief of being free from pain, simply covered with the bedspread and not yet “made comfortable,” hears a noise seemingly coming from the backyard and says, in a flushed and hysterical tone: “What are those owls? Who is howling? Not my husband?” To which the doctor, looking around one of the lower bedposts and taking Mrs. Harris’s pulse in a reassuring way, says, with admirable composure: “Howls, my dear madam?—no, no, no! What are we thinking? Howls, my dear Mrs. Harris? Ha, ha, ha! Organs, ma’am, organs. Organs in the streets, Mrs. Harris; no howls.”

Yours faithfully.
Mr. W. M. Thackeray.


Tavistock House, Tuesday, Feb. 2nd, 1858.
Dear Thackeray,

The wisdom of Parliament, in that expensive act of its greatness which constitutes the Guild, prohibits that[42] corporation from doing anything until it shall have existed in a perfectly useless condition for seven years. This clause (introduced by some private-bill magnate of official might) seemed so ridiculous, that nobody could believe it to have this meaning; but as I felt clear about it when we were on the very verge of granting an excellent literary annuity, I referred the point to counsel, and my construction was confirmed without a doubt.

The wisdom of Parliament, in that costly achievement that forms the Guild, prohibits that[42] corporation from taking any action until it has been completely useless for seven years. This clause (introduced by some powerful private-bill figure) seemed so absurd that nobody could take it seriously; however, since I was confident about it when we were about to approve a great literary annuity, I consulted with a lawyer, and my interpretation was confirmed without a doubt.

It is therefore needless to enquire whether an association in the nature of a provident society could address itself to such a case as you confide to me. The prohibition has still two or three years of life in it.

It’s unnecessary to ask whether a type of savings group could handle a situation like the one you’ve shared with me. The restriction still has another two or three years left.

But, assuming the gentleman's title to be considered as an "author" as established, there is no question that it comes within the scope of the Literary Fund. They would habitually "lend" money if they did what I consider to be their duty; as it is they only give money, but they give it in such instances.

But, assuming that the gentleman's title is recognized as an "author," there’s no doubt that it falls under the Literary Fund. They would usually "lend" money if they fulfilled what I believe is their duty; instead, they only give money, but they do provide it in these situations.

I have forwarded the envelope to the Society of Arts, with a request that they will present it to Prince Albert, approaching H.R.H. in the Siamese manner.

I have sent the envelope to the Society of Arts, asking them to present it to Prince Albert, using the Siamese approach.

Ever faithfully.
Mr. John Forster.


Tavistock House, Wednesday Night, Feb. 3rd, 1858.
Dear Forster,

I beg to report two phenomena:

I’d like to report two phenomena:

1. An excellent little play in one act, by Marston, at the Lyceum; title, "A Hard Struggle;" as good as "La Joie fait Peur," though not at all like it.

1. A great little one-act play by Marston at the Lyceum titled "A Hard Struggle"; just as good as "La Joie fait Peur," but completely different.

2. Capital acting in the same play, by Mr. Dillon. Real good acting, in imitation of nobody, and honestly made out by himself!![43]

2. Capital acting in the same play, by Mr. Dillon. Really great acting, not imitating anyone, and genuinely crafted by him!![43]

I went (at Marston's request) last night, and cried till I sobbed again. I have not seen a word about it from Oxenford. But it is as wholesome and manly a thing altogether as I have seen for many a day. (I would have given a hundred pounds to have played Mr. Dillon's part).

I went last night at Marston's request and cried until I was sobbing again. I haven't seen any mention of it from Oxenford. But it's as wholesome and manly as anything I've seen in a long time. I would have given a hundred pounds to play Mr. Dillon's role.

Love to Mrs. Forster.

Love to Mrs. Forster.

Ever affectionately.
Dr. Westland Marston.


Tavistock House, Wednesday, Feb. 3rd, 1858.
Dear Marston,

I most heartily and honestly congratulate you on your charming little piece. It moved me more than I could easily tell you, if I were to try. Except "La Joie fait Peur," I have seen nothing nearly so good, and there is a subtlety in the comfortable presentation of the child who is to become a devoted woman for Reuben's sake, which goes a long way beyond Madame de Girardin. I am at a loss to let you know how much I admired it last night, or how heartily I cried over it. A touching idea, most delicately conceived and wrought out by a true artist and poet, in a spirit of noble, manly generosity, that no one should be able to study without great emotion.

I sincerely and genuinely congratulate you on your delightful little piece. It touched me more than I can easily express. Aside from "La Joie fait Peur," I haven't seen anything nearly as good. There's a subtlety in the way the child, who will grow to be a devoted woman for Reuben's sake, is presented that goes far beyond Madame de Girardin. I can’t find the words to tell you how much I admired it last night or how deeply I was moved. It's a poignant idea, beautifully conceived and crafted by a true artist and poet, in a spirit of noble, genuine generosity, that anyone who studies it will feel a strong emotional response.

It is extremely well acted by all concerned; but Mr. Dillon's performance is really admirable, and deserving of the highest commendation. It is good in these days to see an actor taking such pains, and expressing such natural and vigorous sentiment. There is only one thing I should have liked him to change. I am much mistaken if any man—least of all any such man—would crush a letter written by the hand of the woman he loved. Hold it to his heart unconsciously and look about for it the while, he might; or he might do any other thing with it that expressed a habit of tenderness and affection in association with the[44] idea of her; but he would never crush it under any circumstances. He would as soon crush her heart.

It is incredibly well acted by everyone involved; however, Mr. Dillon's performance is truly admirable and deserves the highest praise. It's refreshing to see an actor who puts in such effort and conveys such genuine and powerful emotion. There’s just one thing I wish he would change. I can’t believe that any man—especially someone like him—would crush a letter written by the woman he loved. He might hold it to his heart unconsciously and look for it at the same time, or he might do something else that shows tenderness and affection connected to the[44] idea of her; but he would never crush it under any circumstances. He might as well crush her heart.

You will see how closely I went with him, by my minding so slight an incident in so fine a performance. There is no one who could approach him in it; and I am bound to add that he surprised me as much as he pleased me.

You will see how closely I followed him by paying attention to such a minor detail in such a great performance. No one could match him in it; and I have to say he surprised me just as much as he delighted me.

I think it might be worth while to try the people at the Français with the piece. They are very good in one-act plays; such plays take well there, and this seems to me well suited to them. If you would like Samson or Regnier to read the play (in English), I know them well, and would be very glad indeed to tell them that I sent it with your sanction because I had been so much struck by it.

I think it might be worth trying the people at the Français with the piece. They're really good with one-act plays; those kinds of plays do well there, and this one seems perfect for them. If you'd like Samson or Regnier to read the play (in English), I know them well and would be more than happy to tell them that I sent it with your approval because it impressed me so much.

Faithfully yours always.
Monsieur Regnier.


Tavistock House, London, WC, Thursday, Feb. 11th, 1858.
Dear Regnier,

I want you to read the enclosed little play. You will see that it is in one act—about the length of "La Joie fait Pour." It is now acting at the Lyceum Theatre here, with very great success. The author is Mr. Westland Marston, a dramatic writer of reputation, who wrote a very well-known tragedy called "The Patrician's Daughter," in which Macready and Miss Faucit acted (under Macready's management at Drury Lane) some years ago.

I want you to read the enclosed short play. You’ll see it's one act long—about the same length as "La Joie fait Pour." It's currently being performed at the Lyceum Theatre here, with a lot of success. The author is Mr. Westland Marston, a respected playwright who wrote a famous tragedy called "The Patrician's Daughter," in which Macready and Miss Faucit performed (under Macready's management at Drury Lane) several years ago.

This little piece is so very powerful on the stage, its interest is so simple and natural, and the part of Reuben is such a very fine one, that I cannot help thinking you might make one grand coup with it, if with your skilful hand you arranged it for the Français. I have communicated this idea of mine to the author, "et là-dessus je vous écris." I am anxious to know your opinion, and shall expect with[45] much interest to receive a little letter from you at your convenience.

This little piece is really powerful on stage, its appeal is so simple and natural, and Reuben's role is quite remarkable, that I can't help but think you could create something amazing with it if you used your skill to adapt it for the Français. I've shared this idea with the author, "et là-dessus je vous écris." I'm eager to hear your thoughts and look forward to getting a short letter from you whenever you have the time.

Mrs. Dickens, Miss Hogarth, and all the house send a thousand kind loves and regards to Madame Regnier and the dear little boys. You will bring them to London when you come, with all the force of the Français—will you not?

Mrs. Dickens, Miss Hogarth, and everyone at the house send a thousand warm wishes and regards to Madame Regnier and the lovely little boys. You'll bring them to London when you come, with all the strength of the Français—won't you?

Ever, my dear Regnier, faithfully your Friend.
Monsieur Regnier.


Tavistock House, Saturday, Feb. 20th, 1858.
Dear Regnier,

Let me thank you with all my heart for your most patient and kind letter. I made its contents known to Mr. Marston, and I enclose you his reply. You will see that he cheerfully leaves the matter in your hands, and abides by your opinion and discretion.

Let me sincerely thank you for your incredibly patient and kind letter. I shared its contents with Mr. Marston, and I’m enclosing his reply. You'll see that he happily leaves the matter in your hands and trusts your judgment and discretion.

You need not return his letter, my friend. There is great excitement here this morning, in consequence of the failure of the Ministry last night to carry the bill they brought in to please your Emperor and his troops. I, for one, am extremely glad of their defeat.

You don’t have to send his letter back, my friend. There’s a lot of excitement here this morning because the Ministry failed last night to pass the bill they introduced to satisfy your Emperor and his troops. I, for one, am really happy about their defeat.

"Le vieux P——," I have no doubt, will go staggering down the Rue de la Paix to-day, with his stick in his hand and his hat on one side, predicting the downfall of everything, in consequence of this event. His handwriting shakes more and more every quarter, and I think he mixes a great deal of cognac with his ink. He always gives me some astonishing piece of news (which is never true), or some suspicious public prophecy (which is never verified), and he always tells me he is dying (which he never is).

"Old P——," I have no doubt, will be stumbling down Rue de la Paix today, with his cane in hand and his hat tilted to one side, proclaiming the end of the world because of this event. His handwriting gets shakier every three months, and I think he mixes a lot of cognac with his ink. He always shares some shocking piece of news (that’s never true), or some questionable public prediction (that never comes true), and he always claims he's dying (which he never is).

Adieu, my dear Regnier, accept a thousand thanks from me, and believe me, now and always,

Adieu, my dear Regnier, please accept a thousand thanks from me, and know that I mean it, now and always,

Your affectionate and faithful Friend.
Mr. W. C. Macready.


Tavistock House, March 15th, 1858.
My beloved Macready,

I have safely received your cheque this morning, and will hand it over forthwith to the honorary secretary of the hospital. I hope you have read the little speech in the hospital's publication of it. They had it taken by their own shorthand-writer, and it is done verbatim.

I received your check safely this morning and will pass it on to the honorary secretary of the hospital right away. I hope you’ve read the short speech in the hospital's publication. They had their own shorthand writer take it down, and it's recorded verbatim.

You may be sure that it is a good and kind charity. It is amazing to me that it is not at this day ten times as large and rich as it is. But I hope and trust that I have happily been able to give it a good thrust onward into a great course. We all send our most affectionate love to all the house. I am devising all sorts of things in my mind, and am in a state of energetic restlessness incomprehensible to the calm philosophers of Dorsetshire. What a dream it is, this work and strife, and how little we do in the dream after all! Only last night, in my sleep, I was bent upon getting over a perspective of barriers, with my hands and feet bound. Pretty much what we are all about, waking, I think?

You can be sure it's a good and kind charity. It's surprising to me that it's not ten times bigger and wealthier than it is today. But I hope I've been able to give it a good push forward in the right direction. We all send our love to everyone there. I'm thinking of all sorts of ideas, and I feel a restless energy that the calm philosophers of Dorsetshire wouldn’t understand. What a dream this work and struggle is, and how little we actually accomplish in that dream! Just last night, in my sleep, I was trying to navigate through a bunch of obstacles, with my hands and feet tied. Sounds a lot like what we're all doing while awake, don’t you think?

But, Lord! (as I said before) you smile pityingly, not bitterly, at this hubbub, and moralise upon it, in the calm evenings when there is no school at Sherborne.

But, Lord! (as I mentioned earlier) you smile with pity, not bitterness, at this chaos, and reflect on it during the calm evenings when there's no school at Sherborne.

Ever affectionately and truly.
Mrs Hogge.[3]


Tavistock House, Tavistock Square, London, W.C.,
Wednesday, April 14th, 1858.
Dear Mrs. Hogge,

After the profoundest cogitation, I come reluctantly to the conclusion that I do not know that orphan. If you were the lady in want of him, I should certainly offer myself. But as you are not, I will not hear of the situation.

After thinking deeply, I sadly come to the conclusion that I don’t know that orphan. If you were the woman looking for him, I would definitely offer myself. But since you’re not, I won’t consider the situation.

It is wonderful to think how many charming little people there must be, to whom this proposal would be like a revelation from Heaven. Why don't I know one, and come to Kensington, boy in hand, as if I had walked (I wish to God I had) out of a fairy tale! But no, I do not know that orphan. He is crying somewhere, by himself, at this moment. I can't dry his eyes. He is being neglected by some ogress of a nurse. I can't rescue him.

It’s amazing to think about how many delightful little kids there must be for whom this idea would feel like a gift from the heavens. Why don’t I know one, and show up in Kensington, kid in hand, as if I’ve walked (I really wish I had) out of a fairy tale! But no, I do not know that orphan. He’s crying somewhere, all alone, right now. I can’t wipe his tears away. He’s being ignored by some terrible nurse. I can’t save him.

I will make a point of going to the Athenæum on Monday night; and if I had five hundred votes to give, Mr. Macdonald should have them all, for your sake.

I will definitely go to the Athenæum on Monday night; and if I had five hundred votes to give, Mr. Macdonald would get all of them, because of you.

I grieve to hear that you have been ill, but I hope that the spring, when it comes, will find you blooming with the rest of the flowers.

I’m sorry to hear that you’ve been unwell, but I hope that when spring arrives, you’ll be thriving along with all the other flowers.

Very faithfully yours.
Mr. Edmund Yates.


Tavistock House, Tavistock Square, London, W.C.,
Wednesday, April 28th, 1858.
Dear Yates,

For a good many years I have suffered a great deal from charities, but never anything like what I suffer now. The amount of correspondence they inflict upon me is really incredible. But this is nothing. Benevolent men get behind the piers of the gates, lying in wait for my going out; and when I peep shrinkingly from my study-windows, I see their pot-bellied shadows projected on the gravel. Benevolent bullies drive up in hansom cabs (with engraved portraits of their benevolent institutions hanging over the aprons, like banners on their outward walls), and stay long at the door. Benevolent area-sneaks get lost in the kitchens and are found to impede the circulation of the knife-cleaning machine. My man has been heard to say (at The[48] Burton Arms) "that if it was a wicious place, well and good—that an't door work; but that wen all the Christian wirtues is always a-shoulderin' and a-helberin' on you in the 'all, a-tryin' to git past you and cut upstairs into master's room, why no wages as you couldn't name wouldn't make it up to you."

For many years, I've dealt with a lot of pressure from charities, but nothing compares to what I'm experiencing now. The amount of correspondence they send me is truly astounding. But that's not all. Well-meaning people hide by the gateposts, waiting for me to go out; when I nervously peek from my study window, I see their rounded silhouettes cast on the gravel. Kind-hearted bullies pull up in cabs (with engraved portraits of their charitable organizations displayed on the front, like banners on their outer walls) and linger at my door. Do-gooders sneak around in the kitchen and are found getting in the way of the knife-cleaning machine. My servant has been overheard saying (at The[48] Burton Arms), "that if it were a bad place, then fine—that wouldn't be a problem; but when all the Christian virtues are always pushing and shoving you in the hall, trying to get past you and rush upstairs to the master's room, well, no amount of wages could make up for that."

Persecuted ever.
Mrs Yates.


(THE CHARMING ACTRESS, THE MOTHER OF MR. EDMUND YATES.)

Tavistock House, Tavistock Square, W.C.
Saturday Evening, May 15th, 1858.
Dear Mrs. Yates,

Pray believe that I was sorry with all my heart to miss you last Thursday, and to learn the occasion of your absence; also that, whenever you can come, your presence will give me a new interest in that evening. No one alive can have more delightful associations with the lightest sound of your voice than I have; and to give you a minute's interest and pleasure, in acknowledgment of the uncountable hours of happiness you gave me when you were a mysterious angel to me, would honestly gratify my heart.

Please know that I was really sorry to miss you last Thursday and to find out why you weren't there. I also want you to know that whenever you can come, having you there will make that evening much more interesting for me. No one can have fonder memories tied to the slightest sound of your voice than I do. To share just a minute of joy and interest with you, as a way to acknowledge all the countless hours of happiness you brought me when you were like a mysterious angel in my life, would genuinely make me happy.

Very faithfully and gratefully yours.
M. de Cerjat.


Gad's Hill, Wednesday, July 7th, 1858.
Dear Cerjat,

I should vainly try to tell you—so I won't try—how affected I have been by your warm-hearted letter, or how thoroughly well convinced I always am of the truth and earnestness of your friendship. I thank you, my dear, dear fellow, with my whole soul. I fervently return that friendship and I highly cherish it.[49]

I shouldn’t awkwardly attempt to explain—so I won't—how much your warm-hearted letter affected me, or how completely I’m always convinced of your genuine friendship. Thank you, my dear friend, with all my heart. I wholeheartedly return that friendship and truly cherish it.[49]

You want to know all about me? I am still reading in London every Thursday, and the audiences are very great, and the success immense. On the 2nd of August I am going away on a tour of some four months in England, Ireland, and Scotland. I shall read, during that time, not fewer than four or five times a week. It will be sharp work; but probably a certain musical clinking will come of it, which will mitigate the hardship.

You want to know all about me? I'm still performing in London every Thursday, and the crowds are really large, and the success is huge. On August 2nd, I'm going on a tour for about four months across England, Ireland, and Scotland. During that time, I plan to read at least four or five times a week. It will be tough work, but hopefully, there will be a certain rhythm to it that will make it easier.

At this present moment I am on my little Kentish freehold (not in top-boots, and not particularly prejudiced that I know of), looking on as pretty a view out of my study window as you will find in a long day's English ride. My little place is a grave red brick house (time of George the First, I suppose), which I have added to and stuck bits upon in all manner of ways, so that it is as pleasantly irregular, and as violently opposed to all architectural ideas, as the most hopeful man could possibly desire. It is on the summit of Gad's Hill. The robbery was committed before the door, on the man with the treasure, and Falstaff ran away from the identical spot of ground now covered by the room in which I write. A little rustic alehouse, called The Sir John Falstaff, is over the way—has been over the way, ever since, in honour of the event. Cobham Woods and Park are behind the house; the distant Thames in front; the Medway, with Rochester, and its old castle and cathedral, on one side. The whole stupendous property is on the old Dover Road, so when you come, come by the North Kent Railway (not the South-Eastern) to Strood or Higham, and I'll drive over to fetch you.

Right now, I'm at my little place in Kent (not wearing top boots, and I can't think of any particular biases I have), looking out at a really nice view from my study window—one of the best you'll see on a long ride through England. My home is a sturdy red brick house (probably from the time of George I), which I've added to and modified in all sorts of ways, making it delightfully irregular and completely against all traditional architectural styles, just as any optimistic person could wish. It's located on the top of Gad's Hill. The robbery happened right at my door, on the man with the treasure, and Falstaff ran away from the exact spot that is now the room where I'm writing. Across the street is a little rustic pub called The Sir John Falstaff, which has been there ever since to commemorate the event. Cobham Woods and Park are behind my house, with the distant Thames in front, and the Medway, along with Rochester and its old castle and cathedral, on one side. The entire stunning property sits along the old Dover Road, so when you come, take the North Kent Railway (not the South-Eastern) to Strood or Higham, and I'll come by to pick you up.

The blessed woods and fields have done me a world of good, and I am quite myself again. The children are all as happy as children can be. My eldest daughter, Mary, keeps house, with a state and gravity becoming that high[50] position; wherein she is assisted by her sister Katie, and by her aunt Georgina, who is, and always has been, like another sister. Two big dogs, a bloodhound and a St. Bernard, direct from a convent of that name, where I think you once were, are their principal attendants in the green lanes. These latter instantly untie the neckerchiefs of all tramps and prowlers who approach their presence, so that they wander about without any escort, and drive big horses in basket-phaetons through murderous bye-ways, and never come to grief. They are very curious about your daughters, and send all kinds of loves to them and to Mrs. Cerjat, in which I heartily join.

The beautiful woods and fields have done wonders for me, and I'm feeling like myself again. The kids are as happy as can be. My eldest daughter, Mary, runs the household with a seriousness fitting her position, assisted by her sister Katie and their aunt Georgina, who’s always felt like another sister. Two big dogs, a bloodhound and a St. Bernard from a convent, where I think you visited once, are their main companions in the green lanes. These dogs quickly untie the neckerchiefs of any tramps and prowlers that come near, allowing them to roam freely and drive big horses in basket-phaetons through dangerous paths without any trouble. They’re very interested in your daughters and send all kinds of love to them and to Mrs. Cerjat, which I wholeheartedly join.

You will have read in the papers that the Thames in London is most horrible. I have to cross Waterloo or London Bridge to get to the railroad when I come down here, and I can certify that the offensive smells, even in that short whiff, have been of a most head-and-stomach-distending nature. Nobody knows what is to be done; at least everybody knows a plan, and everybody else knows it won't do; in the meantime cartloads of chloride of lime are shot into the filthy stream, and do something I hope. You will know, before you get this, that the American telegraph line has parted again, at which most men are sorry, but very few surprised. This is all the news, except that there is an Italian Opera at Drury Lane, price eighteenpence to the pit, where Viardot, by far the greatest artist of them all, sings, and which is full when the dear opera can't let a box; and except that the weather has been exceptionally hot, but is now quite cool. On the top of this hill it has been cold, actually cold at night, for more than a week past.

You might have read in the news that the Thames in London is really terrible. I have to cross either Waterloo or London Bridge to get to the train station when I come down here, and I can tell you that the awful smells, even in that brief moment, have been really stomach-turning. Nobody knows what to do; at least everyone has a plan, and everyone else knows it won’t work; in the meantime, truckloads of chloride of lime are dumped into the dirty water, and I hope it does something positive. By the time you get this, you’ll know that the American telegraph line has gone down again, which most people are unhappy about, but very few are surprised. That’s all the news, except that there’s an Italian Opera at Drury Lane, ticket prices are eighteen pence for the pit, where Viardot, by far the greatest artist of them all, performs, and it’s fully booked so the lovely opera can’t even sell a box; and also, the weather has been unusually hot, but it’s now quite cool. Up on this hill, it’s been cold, actually cold at night, for over a week now.

I am going over to Rochester to post this letter, and must write another to Townshend before I go. My dear[51] Cerjat, I have written lightly enough, because I want you to know that I am becoming cheerful and hearty. God bless you! I love you, and I know that you love me.

I’m heading to Rochester to mail this letter, and I need to write another one to Townshend before I leave. My dear[51] Cerjat, I’ve kept it light because I want you to see that I’m feeling cheerful and strong. God bless you! I love you, and I know you love me too.

Ever your attached and affectionate.
Miss Hogarth.


West Hoe, Plymouth, Thursday, Aug. 5th, 1858.
Dear Georgy,

I received your letter this morning with the greatest pleasure, and read it with the utmost interest in all its domestic details.

I got your letter this morning and was really happy to receive it. I read it with great interest in all the details about home.

We had a most wonderful night at Exeter. It is to be regretted that we cannot take the place again on our way back. It was a prodigious cram, and we turned away no end of people. But not only that, I think they were the finest audience I have ever read to. I don't think I ever read, in some respects, so well; and I never beheld anything like the personal affection which they poured out upon me at the end. It was really a very remarkable sight, and I shall always look back upon it with pleasure.

We had an amazing night in Exeter. It's a pity we can't stop there again on our way back. The turnout was incredible, and we had to turn away so many people. Beyond that, I think they were the best audience I've ever read to. I don’t think I’ve ever performed as well in some ways, and I’ve never experienced such outpouring of affection from an audience at the end. It was truly a memorable sight, and I will always remember it fondly.

Last night here was not so bright. There are quarrels of the strangest kind between the Plymouth people and the Stonehouse people. The room is at Stonehouse (Tracy says the wrong room; there being a Plymouth room in this hotel, and he being a Plymouthite). We had a fair house, but not at all a great one. All the notabilities come this morning to "Little Dombey," for which we have let one hundred and thirty stalls, which local admiration of local greatness considers very large. For "Mrs. Gamp and the Boots," to-night, we have also a very promising let. But the races are on, and there are two public balls to-night, and the yacht squadron are all at Cherbourg to boot. Arthur is of opinion that "Two Sixties" will do very well[52] for us. I doubt the "Two Sixties" myself. Mais nous verrons.

Last night wasn’t very lively. There are some really strange arguments between the Plymouth folks and the Stonehouse crowd. The room is at Stonehouse (Tracy claims it’s the wrong room; there’s a Plymouth room in this hotel, and he identifies as a Plymouthite). We had a decent audience, but nothing too impressive. All the key figures are coming this morning to "Little Dombey," for which we’ve sold one hundred and thirty seats, a number that local admiration for local talent considers quite large. For "Mrs. Gamp and the Boots" tonight, we also have a very promising booking. But the races are happening, and there are two public balls tonight, plus the yacht squadron is all at Cherbourg too. Arthur thinks "Two Sixties" will do just fine for us. I’m not so sure about the "Two Sixties" myself. But we’ll see.

The room is a very handsome one, but it is on the top of a windy and muddy hill, leading (literally) to nowhere; and it looks (except that it is new and mortary) as if the subsidence of the waters after the Deluge might have left it where it is. I have to go right through the company to get to the platform. Big doors slam and resound when anybody comes in; and all the company seem afraid of one another. Nevertheless they were a sensible audience last night, and much impressed and pleased.

The room is really nice, but it's on top of a windy, muddy hill that basically leads to nowhere. It looks, except for being new and mortuary, like it was left there after the waters receded from the Flood. I have to walk through the crowd to get to the platform. The big doors slam shut and echo whenever someone walks in, and everyone seems nervous around each other. Still, they were a thoughtful audience last night and seemed genuinely impressed and happy.

Tracy is in the room (wandering about, and never finishing a sentence), and sends all manner of sea-loves to you and the dear girls. I send all manner of land-loves to you from myself, out of my heart of hearts, and also to my dear Plorn and the boys.

Tracy is in the room (wandering around and never finishing a sentence), and sends all kinds of love from the sea to you and the dear girls. I’m sending all kinds of love from the land to you from my heart, and also to my dear Plorn and the boys.

Arthur sends his kindest love. He knows only two characters. He is either always corresponding, like a Secretary of State, or he is transformed into a rout-furniture dealer of Rathbone Place, and drags forms about with the greatest violence, without his coat.

Arthur sends his warmest love. He only knows two modes. He’s either constantly writing letters, like a Secretary of State, or he turns into a used furniture dealer on Rathbone Place, hauling around pieces with great force, without his coat.

I have no time to add another word.

I don't have time to add another word.

Ever, dearest Georgy, your most affectionate.
Miss Dickens.


London, Saturday, Aug. 7th, 1858.
My beloved Mamey,

The closing night at Plymouth was a very great scene, and the morning there was exceedingly good too. You will be glad to hear that at Clifton last night, a torrent of five hundred shillings bore Arthur away, pounded him against the wall, flowed on to the seats over his body, scratched him, and damaged his best dress suit. All to his unspeakable joy.[53]

The final night at Plymouth was truly remarkable, and the morning there was incredibly nice as well. You'll be pleased to know that at Clifton last night, a flood of five hundred shillings swept Arthur away, slammed him against the wall, flowed over the seats and his body, scratched him, and ruined his best suit. All of this brought him immense joy.[53]

This is a very short letter, but I am going to the Burlington Arcade, desperately resolved to have all those wonderful instruments put into operation on my head, with a view to refreshing it.

This is a very short letter, but I'm heading to the Burlington Arcade, determined to have all those amazing devices used on my head, hoping to revitalize it.

Kindest love to Georgy and to all.

Kindest love to Georgy and everyone.

Ever your affectionate.
Miss Dickens.


Shrewsbury, Thursday, Aug. 12th, 1858.

A wonderful audience last night at Wolverhampton. If such a thing can be, they were even quicker and more intelligent than the audience I had in Edinburgh. They were so wonderfully good and were so much on the alert this morning by nine o'clock for another reading, that we are going back there at about our Bradford time. I never saw such people. And the local agent would take no money, and charge no expenses of his own.

A fantastic audience last night in Wolverhampton. If it’s possible, they were even quicker and smarter than the audience I had in Edinburgh. They were incredibly attentive and were so eager for another reading this morning by nine o'clock that we're heading back there around our usual time for Bradford. I’ve never encountered such people. And the local agent wouldn’t accept any payment or cover any of his own expenses.

This place looks what Plorn would call "ortily" dull. Local agent predicts, however, "great satisfaction to Mr. Dickens, and excellent attendance." I have just been to look at the hall, where everything was wrong, and where I have left Arthur making a platform for me out of dining-tables.

This place looks what Plorn would call "super boring." The local agent predicts, however, "great satisfaction to Mr. Dickens, and excellent attendance." I just went to check out the hall, where everything was a mess, and I left Arthur setting up a platform for me using dining tables.

If he comes back in time, I am not quite sure but that he is himself going to write to Gad's Hill. We talk of coming up from Chester in the night to-morrow, after the reading; and of showing our precious selves at an apparently impossibly early hour in the Gad's Hill breakfast-room on Saturday morning.

If he makes it back on time, I’m not really sure, but he’s probably going to reach out to Gad's Hill himself. We’re talking about coming up from Chester tomorrow night after the reading; and about making our grand appearance at what seems like an absurdly early hour in the Gad's Hill breakfast room on Saturday morning.

I have not felt the fatigue to any extent worth mentioning; though I get, every night, into the most violent heats. We are going to dine at three o'clock (it wants a[54] quarter now) and have not been here two hours, so I have seen nothing of Clement.

I haven't felt tired at all, really; although every night I get into the worst heat. We're set to have dinner at three o'clock (it's almost a[54] quarter now) and we've only been here for two hours, so I haven't seen anything of Clement.

Tell Georgy with my love, that I read in the same room in which we acted, but at the end opposite to that where our stage was. We are not at the inn where the amateur company put up, but at The Lion, where the fair Miss Mitchell was lodged alone. We have the strangest little rooms (sitting-room and two bed-rooms all together), the ceilings of which I can touch with my hand. The windows bulge out over the street, as if they were little stern-windows in a ship. And a door opens out of the sitting-room on to a little open gallery with plants in it, where one leans over a queer old rail, and looks all downhill and slant-wise at the crookedest black and yellow old houses, all manner of shapes except straight shapes. To get into this room we come through a china closet; and the man in laying the cloth has actually knocked down, in that repository, two geraniums and Napoleon Bonaparte.

Tell Georgy I love him, and that I’m reading in the same room where we performed, but at the other end from our stage. We're not at the inn where the amateur company stayed, but at The Lion, where the lovely Miss Mitchell is staying alone. Our rooms are the strangest little spaces—a sitting room and two bedrooms all together—with ceilings I can touch. The windows stick out over the street, like little stern windows on a ship. There’s a door from the sitting room leading to a small open balcony filled with plants, where you lean over a quirky old railing and look down at the most crooked black and yellow houses, all sorts of shapes except straight ones. To get into this room, we walk through a china cabinet; and while setting the table, the guy actually knocked down two geraniums and a figurine of Napoleon Bonaparte in there.

I think that's all I have to say, except that at the Wolverhampton theatre they played "Oliver Twist" last night (Mr. Toole the Artful Dodger), "in consequence of the illustrious author honouring the town with his presence." We heard that the device succeeded very well, and that they got a good many people.

I think that's all I have to say, except that last night at the Wolverhampton theater, they performed "Oliver Twist" (with Mr. Toole as the Artful Dodger), "because the famous author honored the town with his presence." We heard that the event was a success and that they attracted quite a crowd.

John's spirits have been equable and good since we rejoined him. Berry has always got something the matter with his digestion—seems to me the male gender of Maria Jolly, and ought to take nothing but Revalenta Arabica. Bottled ale is not to be got in these parts, and Arthur is thrown upon draught.

John has been in a good mood since we got back together. Berry always has some issue with his digestion—he seems like the male version of Maria Jolly and should only be eating Revalenta Arabica. You can't find bottled ale around here, so Arthur has to settle for draft.

My dearest love to Georgy and to Katey, also to Marguerite. Also to all the boys and the noble Plorn.

My dearest love to Georgy and Katey, and to Marguerite. Also to all the guys and the noble Plorn.

Ever your affectionate Father.
Miss Hogarth.


Tavistock House, Tavistock Square, London, W.C.,
Wednesday Morning, Aug. 18th, 1858.

I write this hurried line before starting, to report that my cold is decidedly better, thank God (though still bad), and that I hope to be able to stagger through to-night. After dinner yesterday I began to recover my voice, and I think I sang half the Irish Melodies to myself, as I walked about to test it. I got home at half-past ten, and mustard-poulticed and barley-watered myself tremendously.

I’m jotting down this quick note before I begin, to let you know that my cold is definitely improving, thank God (although it’s still pretty bad), and I hope I can manage to get through tonight. After dinner yesterday, I started to get my voice back, and I think I sang half of the Irish Melodies to myself as I walked around to check it out. I got home at 10:30 and really went to town with the mustard poultice and barley water.

Love to the dear girls, and to all.

Love to the dear girls and everyone else.

Ever affectionately.
The same.


Adelphi Hotel, Liverpool, Friday Night, Aug. 20th, 1858.

I received your welcome and interesting letter to-day, and I write you a very hurried and bad reply; but it is after the reading, and you will take the will for the deed under these trying circumstances, I know.

I got your warm and engaging letter today, and I'm writing you a quick and not-so-great response; but it's after the reading, so I hope you'll appreciate the effort under these challenging circumstances, I know you will.

We have had a tremendous night; the largest house I have ever had since I first began—two thousand three hundred people. To-morrow afternoon, at three, I read again.

We had an amazing night; it was the biggest crowd I've ever had since I started—two thousand three hundred people. Tomorrow afternoon, at three, I'm reading again.

My cold has been oppressive, and is not yet gone. I have been very hard to sleep too, and last night I was all but sleepless. This morning I was very dull and seedy; but I got a good walk, and picked up again. It has been blowing all day, and I fear we shall have a sick passage over to Dublin to-morrow night.

My cold has been really heavy, and it’s still not gone. I’ve also had a tough time sleeping, and last night I barely got any rest. This morning I felt pretty groggy and off; but I took a nice walk and started to feel better. It’s been really windy all day, and I’m worried we’re going to have a rough trip over to Dublin tomorrow night.

Tell Mamie (with my dear love to her and Katie) that I will write to her from Dublin—probably on Sunday. Tell her too that the stories she told me in her letter were not only capital stories in themselves, but excellently told too.[56]

Tell Mamie (with my love to her and Katie) that I'll write to her from Dublin—probably on Sunday. Also, let her know that the stories she shared in her letter were not only great stories, but also very well told.[56]

What Arthur's state has been to-night—he, John, Berry, and Boylett, all taking money and going mad together—you cannot imagine. They turned away hundreds, sold all the books, rolled on the ground of my room knee-deep in checks, and made a perfect pantomime of the whole thing. He has kept quite well, I am happy to say, and sends a hundred loves.

What Arthur has been like tonight—he, John, Berry, and Boylett, all taking money and going wild together—you cannot imagine. They turned away hundreds, sold all the books, rolled on the floor of my room knee-deep in checks, and created a complete spectacle out of the whole thing. I’m happy to say he’s been doing well and sends a hundred loves.

In great haste and fatigue.

In a rush and tired.

Ever affectionately.
Miss Dickens.


Morrison's Hotel, Dublin, Monday, Aug. 23rd, 1858.

We had a nasty crossing here. We left Holyhead at one in the morning, and got here at six. Arthur was incessantly sick the whole way. I was not sick at all, but was in as healthy a condition otherwise as humanity need be. We are in a beautiful hotel. Our sitting-room is exactly like the drawing-room at the Peschiere in all its dimensions. I never saw two rooms so exactly resembling one another in their proportions. Our bedrooms too are excellent, and there are baths and all sorts of comforts.

We had a rough trip here. We left Holyhead at 1 AM and arrived at 6. Arthur was constantly sick the entire way. I didn’t feel sick at all and was in as good a condition as anyone could be. We’re staying in a beautiful hotel. Our sitting room is exactly like the drawing room at the Peschiere in every way. I’ve never seen two rooms that looked so similar in size and layout. Our bedrooms are great too, and there are baths and all kinds of comforts.

The Lord Lieutenant is away, and the place looks to me as if its professional life were away too. Nevertheless, there are numbers of people in the streets. Somehow, I hardly seem to think we are going to do enormously here; but I have scarcely any reason for supposing so (except that a good many houses are shut up); and I know nothing about it, for Arthur is now gone to the agent and to the room. The men came by boat direct from Liverpool. They had a rough passage, were all ill, and did not get here till noon yesterday. Donnybrook Fair, or what remains of it, is going on, within two or three miles of Dublin. They went out there yesterday in a jaunting-car, and John[57] described it to us at dinner-time (with his eyebrows lifted up, and his legs well asunder), as "Johnny Brooks's Fair;" at which Arthur, who was drinking bitter ale, nearly laughed himself to death. Berry is always unfortunate, and when I asked what had happened to Berry on board the steamboat, it appeared that "an Irish gentleman which was drunk, and fancied himself the captain, wanted to knock Berry down."

The Lord Lieutenant is away, and the place feels like it's missing its professional vibe too. Still, there are lots of people in the streets. For some reason, I just don’t think we’re going to achieve a whole lot here; but I don't really have a strong reason to believe that (other than the fact that a bunch of houses are closed up); and I know nothing about it, because Arthur has gone to meet with the agent and to check out the room. The men arrived by boat straight from Liverpool. They had a rough trip, were all sick, and didn’t get here until noon yesterday. Donnybrook Fair, or what’s left of it, is happening within a couple of miles of Dublin. They went out there yesterday in a jaunting car, and John[57] described it to us at dinner (with his eyebrows raised and his legs spread apart) as "Johnny Brooks's Fair," which almost made Arthur, who was drinking bitter ale, laugh himself to death. Berry always has bad luck, and when I asked what happened to Berry on the steamboat, it turned out that "an Irish gentleman who was drunk and thought he was the captain wanted to knock Berry down."

I am surprised by finding this place very much larger than I had supposed it to be. Its bye-parts are bad enough, but cleaner, too, than I had supposed them to be, and certainly very much cleaner than the old town of Edinburgh. The man who drove our jaunting-car yesterday hadn't a piece in his coat as big as a penny roll, and had had his hat on (apparently without brushing it) ever since he was grown up. But he was remarkably intelligent and agreeable, with something to say about everything. For instance, when I asked him what a certain building was, he didn't say "courts of law" and nothing else, but: "Av you plase, sir, it's the foor coorts o' looyers, where Misther O'Connell stood his trial wunst, ye'll remimber, sir, afore I tell ye of it." When we got into the Phœnix Park, he looked round him as if it were his own, and said: "That's a park, sir, av yer plase." I complimented it, and he said: "Gintlemen tills me as they'r bin, sir, over Europe, and never see a park aqualling ov it. 'Tis eight mile roond, sir, ten mile and a half long, and in the month of May the hawthorn trees are as beautiful as brides with their white jewels on. Yonder's the vice-regal lodge, sir; in them two corners lives the two sicretirries, wishing I was them, sir. There's air here, sir, av yer plase! There's scenery here, sir! There's mountains—thim, sir! Yer coonsider it a park, sir? It is that, sir!"

I’m surprised to find this place much larger than I thought it would be. The side areas aren’t great, but they’re cleaner than I expected and definitely much cleaner than the old town of Edinburgh. The guy who drove our carriage yesterday didn’t have a piece of fabric on his coat as big as a roll, and he had clearly been wearing his hat (seemingly without brushing it) since he was grown. But he was surprisingly smart and friendly, and had something to say about everything. For example, when I asked him what a certain building was, he didn’t just say “courts of law,” but replied, “If you please, sir, it’s the four courts of lawyers, where Mr. O’Connell stood trial once, you’ll remember, sir, before I tell you about it.” When we entered Phoenix Park, he looked around like it was his own and said: “That’s a park, sir, if you please.” I complimented it, and he responded: “Gentlemen tell me they’ve been all over Europe and never saw a park equal to it. It’s eight miles around, ten and a half miles long, and in May, the hawthorn trees are as beautiful as brides with their white blossoms. There’s the vice-regal lodge, sir; in those two corners live the two secretaries, wishing I were one of them, sir. There’s air here, sir, if you please! There’s scenery here, sir! There are mountains—those ones, sir! You consider it a park, sir? It surely is, sir!”

You should have heard John in my bedroom this[58] morning endeavouring to imitate a bath-man, who had resented his interference, and had said as to the shower-bath: "Yer'll not be touching that, young man. Divil a touch yer'll touch o' that insthrument, young man!" It was more ridiculously unlike the reality than I can express to you, yet he was so delighted with his powers that he went off in the absurdest little gingerbeery giggle, backing into my portmanteau all the time.

You should have heard John in my bedroom this[58] morning trying to mimic a bath attendant, who was annoyed by his interruption and said about the shower: "You won't be touching that, young man. Not a chance you'll touch that thing, young man!" It was so ridiculously different from the reality that I can’t even describe it, yet he was so thrilled with his skills that he broke into the silliest little giggle, backing into my suitcase the whole time.

My dear love to Katie and to Georgy, also to the noble Plorn and all the boys. I shall write to Katie next, and then to Aunty. My cold, I am happy to report, is very much better. I lay in the wet all night on deck, on board the boat, but am not as yet any the worse for it. Arthur was quite insensible when we got to Dublin, and stared at our luggage without in the least offering to claim it. He left his kindest love for all before he went out. I will keep the envelope open until he comes in.

My dear love to Katie and Georgy, and to the wonderful Plorn and all the guys. I’ll write to Katie next, and then to Aunty. I’m happy to say my cold is much better. I stayed out on deck all night in the wet, but I’m not feeling worse for it. Arthur was completely out of it when we got to Dublin and just stared at our luggage without even trying to claim it. He sent his warmest regards to everyone before he went out. I’ll keep the envelope open until he comes back in.

Always, my dearest Mamie,
Your most affectionate Father.
Miss Hogarth.


Morrison's Hotel, Dublin, Wednesday, Aug. 25th, 1858.

I begin my letter to you to-day, though I don't know when I may send it off. We had a very good house last night, after all, that is to say, a great rush of shillings and good half-crowns, though the stalls were comparatively few. For "Little Dombey," this morning, we have an immense stall let—already more than two hundred—and people are now fighting in the agent's shop to take more. Through some mistake of our printer's, the evening reading for this present Wednesday was dropped, in a great part of the announcements, and the agent opened no plan for it. I have therefore resolved not to have it at all. Arthur Smith[59] has waylaid me in all manner of ways, but I remain obdurate. I am frightfully tired, and really relieved by the prospect of an evening—overjoyed.

I’m starting my letter to you today, although I’m not sure when I’ll actually send it. We had a pretty good audience last night, meaning a lot of shillings and decent half-crowns, although there were relatively few seats. For "Little Dombey" this morning, we’ve sold an enormous amount of tickets—over two hundred—and people are currently scrambling in the agent's shop to get more. Due to some error by our printer, the evening performance for this Wednesday wasn’t mentioned in most of the announcements, and the agent didn’t open a plan for it. So, I've decided not to hold it at all. Arthur Smith[59] has been trying to find me in all sorts of ways, but I’m staying firm. I’m extremely tired, and honestly, I’m relieved at the thought of having the evening off—really happy about it.

They were a highly excitable audience last night, but they certainly did not comprehend—internally and intellectually comprehend—"The Chimes" as a London audience do. I am quite sure of it. I very much doubt the Irish capacity of receiving the pathetic; but of their quickness as to the humorous there can be no doubt. I shall see how they go along with Little Paul, in his death, presently.

They were an incredibly enthusiastic audience last night, but they definitely didn’t fully grasp—internally and intellectually—“The Chimes” like a London audience would. I’m quite sure of it. I really doubt the Irish ability to appreciate the poignant; however, there's no question about their quickness when it comes to humor. I’ll see how they react to Little Paul when he dies soon.

While I was at breakfast this morning, a general officer was announced with great state—having a staff at the door—and came in, booted and plumed, and covered with Crimean decorations. It was Cunninghame, whom we knew in Genoa—then a captain. He was very hearty indeed, and came to ask me to dinner. Of course I couldn't go. Olliffe has a brother at Cork, who has just now (noon) written to me, proposing dinners and excursions in that neighbourhood which would fill about a week; I being there a day and a half, and reading three times. The work will be very severe here, and I begin to feel depressed by it. (By "here," I mean Ireland generally, please to observe.)

While I was having breakfast this morning, a high-ranking officer was announced with a lot of fanfare—complete with a staff at the door—and he walked in, dressed in his boots and feathered hat, covered in Crimean medals. It was Cunninghame, whom we met in Genoa when he was a captain. He was really friendly and came over to invite me to dinner. Of course, I couldn't go. Olliffe has a brother in Cork, who just wrote to me around noon, suggesting dinners and outings in that area that would fill about a week; since I'll be there for a day and a half, and I'll be reading three times. The work is going to be really tough here, and I'm starting to feel a bit down about it. (When I say "here," I’m referring to Ireland in general, just to clarify.)

We meant, as I said in a letter to Katie, to go to Queenstown yesterday and bask on the seashore. But there is always so much to do that we couldn't manage it after all. We expect a tremendous house to-morrow night as well as to-day; and Arthur is at the present instant up to his eyes in business (and seats), and, between his regret at losing to-night, and his desire to make the room hold twice as many as it will hold, is half distracted. I have become a wonderful Irishman—must play an Irish part some day—and his only relaxation is when I enact "John and the Boots," which I consequently do enact all day long.[60] The papers are full of remarks upon my white tie, and describe it as being of enormous size, which is a wonderful delusion, because, as you very well know, it is a small tie. Generally, I am happy to report, the Emerald press is in favour of my appearance, and likes my eyes. But one gentleman comes out with a letter at Cork, wherein he says that although only forty-six I look like an old man. He is a rum customer, I think.

We intended, as I mentioned in a letter to Katie, to head to Queenstown yesterday and relax by the beach. But there’s always so much going on that we couldn't make it happen after all. We’re expecting a huge crowd tomorrow night as well as today; and Arthur is currently swamped with business (and seating arrangements), and between his disappointment at missing out tonight and his wish to fit twice as many people into the room as it can actually hold, he’s pretty distracted. I've become quite the Irishman—I must play an Irish role someday—and the only time he gets to unwind is when I perform "John and the Boots," which I end up doing all day long.[60] The papers are full of comments about my white tie, calling it enormous, which is quite a misconception, because, as you know very well, it’s a small tie. Overall, I’m happy to report that the Emerald press is in favor of my appearance and likes my eyes. But one guy wrote a letter in Cork saying that even though I’m only forty-six, I look like an old man. He seems like a strange one, I think.

The Rutherfords are living here, and wanted me to dine with them, which, I needn't say, could not be done; all manner of people have called, but I have seen only two. John has given it up altogether as to rivalry with the Boots, and did not come into my room this morning at all. Boots appeared triumphant and alone. He was waiting for me at the hotel-door last night. "Whaa't sart of a hoose, sur?" he asked me. "Capital." "The Lard be praised fur the 'onor o' Dooblin!"

The Rutherfords are living here and wanted me to have dinner with them, which, I don’t need to say, wasn't possible; all kinds of people have stopped by, but I’ve only seen two. John has completely given up on competing with the Boots and didn’t come into my room at all this morning. Boots looked triumphant and alone. He was waiting for me at the hotel door last night. "What kind of a house, sir?" he asked me. "Great." "Thank the Lord for the honor of Dublin!"

Arthur buys bad apples in the streets and brings them home and doesn't eat them, and then I am obliged to put them in the balcony because they make the room smell faint. Also he meets countrymen with honeycomb on their heads, and leads them (by the buttonhole when they have one) to this gorgeous establishment and requests the bar to buy honeycomb for his breakfast; then it stands upon the sideboard uncovered and the flies fall into it. He buys owls, too, and castles, and other horrible objects, made in bog-oak (that material which is not appreciated at Gad's Hill); and he is perpetually snipping pieces out of newspapers and sending them all over the world. While I am reading he conducts the correspondence, and his great delight is to show me seventeen or eighteen letters when I come, exhausted, into the retiring-place. Berry has not got into any particular trouble for forty-eight hours, except[61] that he is all over boils. I have prescribed the yeast, but ineffectually. It is indeed a sight to see him and John sitting in pay-boxes, and surveying Ireland out of pigeon-holes.

Arthur buys bad apples from the street and brings them home without eating them, so I end up having to put them on the balcony because they make the room smell faint. He also meets country folks with honeycomb on their heads, drags them (by the buttonhole, if they have one) to this fancy place, and asks the bar to buy honeycomb for his breakfast; then it sits on the sideboard uncovered and flies get into it. He also buys owls, castles, and other terrible things made from bog-oak (the material that’s not valued at Gad's Hill); and he’s constantly clipping pieces out of newspapers and sending them all over the world. While I’m reading, he manages the correspondence, and his greatest joy is to show me seventeen or eighteen letters when I come, worn out, into the retiring room. Berry hasn’t gotten into any specific trouble for forty-eight hours, except that he’s covered in boils. I suggested yeast, but it hasn't worked. It’s truly a sight to see him and John sitting in pay-boxes, looking out at Ireland through little openings.



Same Evening before Bed-time.

Everybody was at "Little Dombey" to-day, and although I had some little difficulty to work them up in consequence of the excessive crowding of the place, and the difficulty of shaking the people into their seats, the effect was unmistakable and profound. The crying was universal, and they were extraordinarily affected. There is no doubt we could stay here a week with that one reading, and fill the place every night. Hundreds of people have been there to-night, under the impression that it would come off again. It was a most decided and complete success.

Everybody was at "Little Dombey" today, and although I had some trouble getting them engaged because of the overwhelming crowd and the challenge of settling people into their seats, the effect was clear and powerful. The crying was everywhere, and they were deeply moved. There's no doubt we could stay here a week with that one performance and fill the venue every night. Hundreds of people were there tonight, thinking it would happen again. It was a definite and total success.

Arthur has been imploring me to stop here on the Friday after Limerick, and read "Little Dombey" again. But I have positively said "No." The work is too hard. It is not like doing it in one easy room, and always the same room. With a different place every night, and a different audience with its own peculiarity every night, it is a tremendous strain. I was sick of it to-day before I began, then got myself into wonderful train.

Arthur has been begging me to stop here on the Friday after Limerick and read "Little Dombey" again. But I have firmly said "No." The work is too demanding. It's not the same as doing it in one cozy room, always the same. With a different place every night and a unique audience with its quirks, it becomes a huge strain. I was fed up with it today before I even started, but then I got myself into a great rhythm.

Here follows a dialogue (but it requires imitation), which I had yesterday morning with a little boy of the house—landlord's son, I suppose—about Plorn's age. I am sitting on the sofa writing, and find him sitting beside me.

Here’s a conversation (though it needs some imitation) I had yesterday morning with a little boy from the house—probably the landlord's son—about the same age as Plorn. I'm sitting on the sofa writing, and I see him sitting next to me.

Inimitable. Holloa, old chap.

Unique. Hey there, buddy.

Young Ireland. Hal-loo!

Young Ireland. Hello!

Inimitable (in his delightful way). What a nice old fellow you are. I am very fond of little boys.

Unparalleled (in his charming way). What a great old guy you are. I really like little boys.

Young Ireland. Air yer? Ye'r right.[62]

Young Ireland. Are you? You're right.

Inimitable. What do you learn, old fellow?

Unmatched. What do you learn, my old friend?

Young Ireland (very intent on Inimitable, and always childish, except in his brogue). I lairn wureds of three sillibils, and wureds of two sillibils, and wureds of one sillibil.

Young Ireland (very focused on Inimitable, and always immature, except in his accent). I learn words with three syllables, and words with two syllables, and words with one syllable.

Inimitable (gaily). Get out, you humbug! You learn only words of one syllable.

Unmatched (gaily). Get lost, you fraud! You only pick up one-syllable words.

Young Ireland (laughs heartily). You may say that it is mostly wureds of one sillibil.

Young Ireland (laughs heartily). You could say that it's mostly words from one syllable.

Inimitable. Can you write?

Unmatched. Can you write?

Young Ireland. Not yet. Things comes by deegrays.

Young Ireland. Not yet. Things come gradually.

Inimitable. Can you cipher?

Unique. Can you encode?

Young Ireland (very quickly). Wha'at's that?

Young Ireland (super fast). What’s that?

Inimitable. Can you make figures?

Unique. Can you create figures?

Young Ireland. I can make a nought, which is not asy, being roond.

Young Ireland. I can make a zero, which isn't easy since it's round.

Inimitable. I say, old boy, wasn't it you I saw on Sunday morning in the hall, in a soldier's cap? You know—in a soldier's cap?

Unmatched. I say, my friend, wasn't it you I saw on Sunday morning in the hall, wearing a soldier's cap? You know—in a soldier's cap?

Young Ireland (cogitating deeply). Was it a very good cap?

Young Irelanders (thinking hard). Was it a really good cap?

Inimitable. Yes.

One of a kind. Yes.

Young Ireland. Did it fit unkommon?

Young Ireland. Did it fit uncommonly?

Inimitable. Yes.

One of a kind. Yes.

Young Ireland. Dat was me!

Young Ireland. That was me!

There are two stupid old louts at the room, to show people into their places, whom John calls "them two old Paddies," and of whom he says, that he "never see nothing like them (snigger) hold idiots" (snigger). They bow and walk backwards before the grandees, and our men hustle them while they are doing it.

There are two ridiculous old guys in the room, responsible for showing people to their seats, whom John refers to as "those two old Paddies," and he says he "has never seen anything like them (snicker) total idiots" (snicker). They bow and walk backward in front of the important guests, while our guys push them around as they do it.

We walked out last night, with the intention of going to the theatre; but the Piccolomini establishment (they were doing the "Lucia") looked so horribly like a very bad jail, and the Queen's looked so blackguardly, that we came back again, and went to bed. I seem to be always either in a railway carriage, or reading, or going to bed. I get so knocked up, whenever I have a minute to remember it, that then I go to bed as a matter of course.

We went out last night, planning to go to the theater; but the Piccolomini place (they were showing "Lucia") looked so much like a horrible prison, and the Queen's looked so sketchy, that we decided to head back home and go to bed. I feel like I’m always either on a train, reading, or going to bed. I get so worn out whenever I have a moment to think about it, that going to bed becomes just the normal thing to do.

I send my love to the noble Plorn, and to all the boys. To dear Mamie and Katie, and to yourself of course, in the first degree. I am looking forward to the last Irish reading[63] on Thursday, with great impatience. But when we shall have turned this week, once knocked off Belfast, I shall see land, and shall (like poor Timber in the days of old) "keep up a good heart." I get so wonderfully hot every night in my dress clothes, that they positively won't dry in the short interval they get, and I have been obliged to write to Doudney's to make me another suit, that I may have a constant change.

I send my love to the wonderful Plorn and all the guys. To dear Mamie and Katie, and of course to you first and foremost. I'm really looking forward to the last Irish reading[63] this Thursday with a lot of excitement. But once we get through this week and over Belfast, I'll see land and (like poor Timber back in the day) "keep my spirits up." I get so incredibly hot every night in my dress clothes that they don't dry at all in the short time I have, so I had to write to Doudney's to make me another suit so I can have a fresh change.

Ever, my dearest Georgy, most affectionately.
Miss Dickens.


Belfast, Saturday, Aug. 28th, 1858.

When I went down to the Rotunda at Dublin on Thursday night, I said to Arthur, who came rushing at me: "You needn't tell me. I know all about it." The moment I had come out of the door of the hotel (a mile off), I had come against the stream of people turned away. I had struggled against it to the room. There, the crowd in all the lobbies and passages was so great, that I had a difficulty in getting in. They had broken all the glass in the pay-boxes. They had offered frantic prices for stalls. Eleven bank-notes were thrust into that pay-box (Arthur saw them) at one time, for eleven stalls. Our men were flattened against walls, and squeezed against beams. Ladies stood all night with their chins against my platform. Other ladies sat all night upon my steps. You never saw such a sight. And the reading went tremendously! It is much to be regretted that we troubled ourselves to go anywhere else in Ireland. We turned away people enough to make immense houses for a week.

When I went down to the Rotunda in Dublin on Thursday night, I said to Arthur, who rushed over to me, "You don’t need to tell me. I already know all about it." As soon as I stepped out of the hotel door (a mile away), I ran into a crowd of people being turned away. I fought my way through to the room. There, the crowd was so thick in the lobbies and hallways that I had a hard time getting in. They had smashed all the glass in the ticket boxes. People were offering crazy prices for tickets. Eleven bank notes were shoved into that pay box (Arthur saw them) at one point, trying to get eleven tickets. Our guys were pressed against the walls and squeezed against the beams. Ladies stood all night with their chins resting on my platform. Other ladies sat on my steps all night. You’ve never seen anything like it. And the reading went amazingly! It’s a shame we bothered going anywhere else in Ireland. We could have turned away enough people to fill huge venues for a week.

We arrived here yesterday at two. The room will not hold more than from eighty to ninety pounds. The same scene was repeated with the additional feature, that the[64] people are much rougher here than in Dublin, and that there was a very great uproar at the opening of the doors, which, the police in attendance being quite inefficient and only looking on, it was impossible to check. Arthur was in the deepest misery because shillings got into stalls, and half-crowns got into shillings, and stalls got nowhere, and there was immense confusion. It ceased, however, the moment I showed myself; and all went most brilliantly, in spite of a great piece of the cornice of the ceiling falling with a great crash within four or five inches of the head of a young lady on my platform (I was obliged to have people there), and in spite of my gas suddenly going out at the time of the game of forfeits at Scrooge's nephew's, through some Belfastian gentleman accidentally treading on the flexible pipe, and needing to be relighted.

We got here yesterday at two. The room won’t hold more than about eighty to ninety pounds. The same scene happened again, but with the added issue that the people here are a lot rougher than in Dublin, and there was a huge uproar when the doors opened, which the police—who were completely ineffective and just stood by—couldn’t control. Arthur was extremely upset because shillings got mixed up with stalls, half-crowns turned into shillings, and stalls didn’t go anywhere, causing a lot of confusion. However, it all stopped as soon as I showed up, and everything went really well, despite a large piece of the ceiling cornice crashing down just a few inches from a young lady’s head on my platform (I had to have people there), and despite my gas suddenly going out during the game of forfeits at Scrooge’s nephew’s because a gentleman from Belfast accidentally stepped on the flexible pipe, which needed to be relit.

We shall not get to Cork before mid-day on Monday; it being difficult to get from here on a Sunday. We hope to be able to start away to-morrow morning to see the Giant's Causeway (some sixteen miles off), and in that case we shall sleep at Dublin to-morrow night, leaving here by the train at half-past three in the afternoon. Dublin, you must understand, is on the way to Cork. This is a fine place, surrounded by lofty hills. The streets are very wide, and the place is very prosperous. The whole ride from Dublin here is through a very picturesque and various country; and the amazing thing is, that it is all particularly neat and orderly, and that the houses (outside at all events) are all brightly whitewashed and remarkably clean. I want to climb one of the neighbouring hills before this morning's "Dombey." I am now waiting for Arthur, who has gone to the bank to remit his last accumulation of treasure to London.

We won't reach Cork until around midday on Monday since it’s tough to travel from here on a Sunday. We hope to leave tomorrow morning to visit the Giant's Causeway, which is about sixteen miles away. If that works out, we’ll spend the night in Dublin after catching the 3:30 PM train. Keep in mind, Dublin is on the way to Cork. This is a beautiful area, surrounded by tall hills. The streets are very wide, and the place is quite prosperous. The entire journey from Dublin to here is through very scenic and diverse countryside; the amazing part is that everything is particularly neat and tidy, and the houses (at least on the outside) are all bright white and exceptionally clean. I want to climb one of the nearby hills before this morning's "Dombey." I'm currently waiting for Arthur, who went to the bank to send his latest stash of money to London.

Our men are rather indignant with the Irish crowds,[65] because in the struggle they don't sell books, and because, in the pressure, they can't force a way into the room afterwards to sell them. They are deeply interested in the success, however, and are as zealous and ardent as possible. I shall write to Katie next. Give her my best love, and kiss the darling Plorn for me, and give my love to all the boys.

Our guys are pretty annoyed with the Irish crowds,[65] because during the struggle they aren't selling books, and because, with the crowding, they can’t make their way into the room afterwards to sell them. They really care about the success, though, and are as passionate and enthusiastic as they can be. I’ll write to Katie next. Send her my love, and give the sweet Plorn a kiss for me, and say hi to all the boys.

Always, my dearest Mamie,
Your most affectionate Father.
Miss Hogarth.


Morrison's Hotel, Dublin Sunday Night, Aug. 29th, 1858.

I am so delighted to find your letter here to-night (eleven o'clock), and so afraid that, in the wear and tear of this strange life, I have written to Gad's Hill in the wrong order, and have not written to you, as I should, that I resolve to write this before going to bed. You will find it a wretchedly stupid letter; but you may imagine, my dearest girl, that I am tired.

I’m really happy to find your letter tonight (eleven o'clock), and I’m worried that, with the ups and downs of this strange life, I’ve written to Gad's Hill out of order and haven’t written to you as I should have. So, I’ve decided to write this before heading to bed. You’ll probably think it’s a pretty dull letter, but just know, my dearest girl, that I’m tired.

The success at Belfast has been equal to the success here. Enormous! We turned away half the town. I think them a better audience, on the whole, than Dublin; and the personal affection there was something overwhelming. I wish you and the dear girls could have seen the people look at me in the street; or heard them ask me, as I hurried to the hotel after reading last night, to "do me the honour to shake hands, Misther Dickens, and God bless you, sir; not ounly for the light you've been to me this night, but for the light you've been in mee house, sir (and God love your face), this many a year." Every night, by-the-bye, since I have been in Ireland, the ladies have beguiled John out of the bouquet from my coat. And yesterday morning, as I had showered the leaves from my geranium[66] in reading "Little Dombey," they mounted the platform, after I was gone, and picked them all up as keepsakes!

The success in Belfast has been just as great as here. Incredible! We turned away half the town. I think they were a better audience overall than Dublin, and the personal affection was overwhelming. I wish you and the girls could have seen how people looked at me in the street or heard them ask me, as I rushed back to the hotel after last night's reading, to "do me the honor of shaking hands, Mr. Dickens, and God bless you, sir; not only for the light you’ve been to me tonight but for the light you’ve been in my home, sir (and God love your face), for many years." Every night, by the way, since I've been in Ireland, the ladies have taken the bouquet from my coat from John. And yesterday morning, after I had thrown the leaves from my geranium[66] while reading "Little Dombey," they went up on the platform after I left and picked them all up as keepsakes!

I have never seen men go in to cry so undisguisedly as they did at that reading yesterday afternoon. They made no attempt whatever to hide it, and certainly cried more than the women. As to the "Boots" at night, and "Mrs. Gamp" too, it was just one roar with me and them; for they made me laugh so that sometimes I could not compose my face to go on.

I have never seen men cry so openly as they did at that reading yesterday afternoon. They didn’t try to hide it at all and definitely cried more than the women. As for the "Boots" at night and "Mrs. Gamp," it was just one big laugh for me and them; they made me laugh so much that sometimes I could not keep a straight face to continue.

You must not let the new idea of poor dear Landor efface the former image of the fine old man. I wouldn't blot him out, in his tender gallantry, as he sat upon that bed at Forster's that night, for a million of wild mistakes at eighty years of age.

You shouldn’t let the new perspective of poor dear Landor erase the memory of the fine old man he used to be. I wouldn’t want to forget him, in his gentle charm, as he sat on that bed at Forster's that night, even with a million wild mistakes at eighty years old.

I hope to be at Tavistock House before five o'clock next Saturday morning, and to lie in bed half the day, and come home by the 10.50 on Sunday.

I hope to get to Tavistock House before 5 AM next Saturday, sleep in for half the day, and then come home on the 10:50 train on Sunday.

Tell the girls that Arthur and I have each ordered at Belfast a trim, sparkling, slap-up Irish jaunting-car!!! I flatter myself we shall astonish the Kentish people. It is the oddest carriage in the world, and you are always falling off. But it is gay and bright in the highest degree. Wonderfully Neapolitan.

Tell the girls that Arthur and I have both ordered a stylish, shiny, fancy Irish jaunting-car!!! I believe we will amaze the Kentish people. It's the strangest carriage ever, and you always find yourself falling off. But it's lively and vibrant to the max. Wonderfully Neapolitan.

What with a sixteen mile ride before we left Belfast, and a sea-beach walk, and a two o'clock dinner, and a seven hours' railway ride since, I am—as we say here—"a thrifle weary." But I really am in wonderful force, considering the work. For which I am, as I ought to be, very thankful.

What with a sixteen-mile ride before we left Belfast, a walk on the beach, a two o'clock dinner, and a seven-hour train ride since then, I am—like we say here—"a little tired." But I really feel great, considering everything. For that, I’m truly grateful.

Arthur was exceedingly unwell last night—could not cheer up at all. He was so very unwell that he left the hall(!) and became invisible after my five minutes' rest. I found him at the hotel in a jacket and slippers, and with a hot bath just ready. He was in the last stage of prostration.[67] The local agent was with me, and proposed that he (the wretched Arthur) should go to his office and balance the accounts then and there. He went, in the jacket and slippers, and came back in twenty minutes, perfectly well, in consequence of the admirable balance. He is now sitting opposite to me on the bag of silver, forty pounds (it must be dreadfully hard), writing to Boulogne.

Arthur was really unwell last night—he couldn’t lift his spirits at all. He felt so poorly that he left the hall (!) and vanished after I took a five-minute break. I found him at the hotel in a jacket and slippers, with a hot bath ready for him. He was completely wiped out. [67] The local agent was with me and suggested that he (poor Arthur) should go to his office and sort out the accounts right then. He went, still in his jacket and slippers, and came back in twenty minutes, feeling perfectly fine, thanks to the great balance. He’s now sitting across from me on the silver bag, forty pounds (it must be really heavy), writing to Boulogne.

I suppose it is clear that the next letter I write is Katie's. Either from Cork or from Limerick, it shall report further. At Limerick I read in the theatre, there being no other place.

I guess it’s obvious that the next letter I write will be Katie's. Whether from Cork or Limerick, it will give more updates. In Limerick, I read in the theater since there was no other place available.

Best love to Mamie and Katie, and dear Plorn, and all the boys left when this comes to Gad's Hill; also to my dear good Anne, and her little woman.

Best love to Mamie and Katie, and dear Plorn, and all the boys left when this reaches Gad's Hill; also to my dear good Anne, and her little girl.

Ever affectionately.
Mr. W. Wilkie Collins.


Gad's Hill Place, Higham near Rochester, Kent,
Monday, Sept. 6th, 1858.
My dear Wilkie,

First, let me report myself here for something less than eight-and-forty hours. I come last (and direct—a pretty hard journey) from Limerick. The success in Ireland has been immense.

First, let me check in here for a little less than forty-eight hours. I arrived last (and directly—a pretty tough trip) from Limerick. The success in Ireland has been huge.

The work is very hard, sometimes overpowering; but I am none the worse for it, and arrived here quite fresh.

The work is really tough, sometimes overwhelming; but I feel just fine, and I got here feeling completely refreshed.

Secondly, will you let me recommend the enclosed letter from Wigan, as the groundwork of a capital article, in your way, for H. W.? There is not the least objection to a plain reference to him, or to Phelps, to whom the same thing happened a year or two ago, near Islington, in the case of a clever and capital little daughter of his. I think it a capital opportunity for a discourse on gentility, with a glance at those other schools which advertise that the[68] "sons of gentlemen only" are admitted, and a just recognition of the greater liberality of our public schools. There are tradesmen's sons at Eton, and Charles Kean was at Eton, and Macready (also an actor's son) was at Rugby. Some such title as "Scholastic Flunkeydom," or anything infinitely contemptuous, would help out the meaning. Surely such a schoolmaster must swallow all the silver forks that the pupils are expected to take when they come, and are not expected to take away with them when they go. And of course he could not exist, unless he had flunkey customers by the dozen.

Secondly, can I suggest the attached letter from Wigan as the basis for a great article in your style for H. W.? There’s absolutely no problem with a straightforward reference to him, or to Phelps, who experienced something similar a year or two back near Islington, concerning his talented little daughter. I see this as a fantastic opportunity to discuss gentility, touching on those other schools that claim they only admit "sons of gentlemen," and acknowledging the more inclusive nature of our public schools. Eton has the sons of tradesmen, and Charles Kean attended Eton, just like Macready (another actor’s son) went to Rugby. A title like "Scholastic Flunkeydom," or something equally scornful, would really enhance the message. Surely, such a schoolmaster must be able to swallow all the silver forks that students are required to bring with them but aren’t supposed to take away when they leave. Of course, he wouldn’t survive unless he had flunkey customers by the dozens.

Secondly—no, this is thirdly now—about the Christmas number. I have arranged so to stop my readings, as to be available for it on the 15th of November, which will leave me time to write a good article, if I clear my way to one. Do you see your way to our making a Christmas number of this idea that I am going very briefly to hint? Some disappointed person, man or woman, prematurely disgusted with the world, for some reason or no reason (the person should be young, I think) retires to an old lonely house, or an old lonely mill, or anything you like, with one attendant, resolved to shut out the world, and hold no communion with it. The one attendant sees the absurdity of the idea, pretends to humour it, but really thus to slaughter it. Everything that happens, everybody that comes near, every breath of human interest that floats into the old place from the village, or the heath, or the four cross-roads near which it stands, and from which belated travellers stray into it, shows beyond mistake that you can't shut out the world; that you are in it, to be of it; that you get into a false position the moment you try to sever yourself from it; and that you must mingle with it, and make the best of it, and make the best of yourself into the bargain.[69]

Secondly—no, this is actually thirdly—about the Christmas issue. I've planned to wrap up my readings so I'm free for it on the 15th of November, which should give me time to write a solid article, if I can figure out how to get there. Do you think we could create a Christmas issue based on this idea I’m about to briefly suggest? It involves a disappointed person, whether a man or a woman, who feels prematurely fed up with the world for one reason or another (I think the person should be young), and decides to retreat to an old, lonely house or an old, lonely mill—or anything you want—with just one attendant, determined to cut themselves off from the outside world and avoid any connection to it. The attendant recognizes how ridiculous this idea is, pretends to support it, but is actually working to undermine it. Everything that happens, everyone who comes close, every bit of human interest that drifts into that old place from the village, the heath, or the nearby crossroads, where wandering travelers might stray, makes it clear that you can't isolate yourself from the world; you're part of it, and trying to disconnect puts you in a false position. You need to engage with it, make the most of it, and improve yourself in the process.[69]

If we could plot out a way of doing this together, I would not be afraid to take my part. If we could not, could we plot out a way of doing it, and taking in stories by other hands? If we could not do either (but I think we could), shall we fall back upon a round of stories again? That I would rather not do, if possible. Will you think about it?

If we could figure out a way to do this together, I wouldn’t hesitate to take my share. If that’s not possible, could we come up with a plan to gather stories from others? If we can’t do either (but I believe we can), should we go back to sharing stories again? I’d prefer not to do that, if we can avoid it. Will you think it over?

And can you come and dine at Tavistock House on Monday, the 20th September, at half-past five? I purpose being at home there with the girls that day.

And can you come and have dinner at Tavistock House on Monday, September 20th, at 5:30 PM? I plan to be home that day with the girls.

Answer this, according to my printed list for the week. I am off to Huddersfield on Wednesday morning.

Answer this based on my printed schedule for the week. I'm heading to Huddersfield on Wednesday morning.

I think I will now leave off; merely adding that I have got a splendid brogue (it really is exactly like the people), and that I think of coming out as the only legitimate successor of poor Power.

I think I’ll stop here, just adding that I’ve got a great accent (it really sounds just like the locals), and that I’m considering coming out as the only true successor of poor Power.

Ever, my dear Wilkie, affectionately yours.
Miss Mary Boyle.


Station Hotel, York, Friday, Sept. 10th, 1858.
Dear Meery,

First let me tell you that all the magicians and spirits in your employ have fulfilled the instructions of their wondrous mistress to admiration. Flowers have fallen in my path wherever I have trod; and when they rained upon me at Cork I was more amazed than you ever saw me.

First, let me tell you that all the magicians and spirits you work with have followed the instructions of their amazing mistress perfectly. Flowers have fallen in my path wherever I’ve walked; and when they rained down on me in Cork, I was more amazed than you’ve ever seen me.

Secondly, receive my hearty and loving thanks for that same. (Excuse a little Irish in the turn of that sentence, but I can't help it).

Secondly, please accept my heartfelt and loving thanks for that. (Forgive the slight Irish twist in that sentence; I can’t help it.)

Thirdly, I have written direct to Mr. Boddington, explaining that I am bound to be in Edinburgh on the day when he courteously proposes to do me honour.

Third, I have reached out directly to Mr. Boddington, explaining that I have to be in Edinburgh on the day he kindly suggests to honor me.

I really cannot tell you how truly and tenderly I feel your letter, and how gratified I am by its contents. Your[70] truth and attachment are always so precious to me that I cannot get my heart out on my sleeve to show it you. It is like a child, and, at the sound of some familiar voices, "goes and hides."

I honestly can’t express how deeply and sincerely I feel about your letter, and how happy I am with what it says. Your truthfulness and loyalty mean so much to me that I can’t wear my heart on my sleeve to show you. It’s like a child who, at the sound of familiar voices, “goes and hides.”

You know what an affection I have for Mrs. Watson, and how happy it made me to see her again—younger, much, than when I first knew her in Switzerland.

You know how much I care for Mrs. Watson, and how happy it was to see her again—looking much younger than when I first met her in Switzerland.

God bless you always!

God bless you always!

Ever affectionately yours.
Miss Hogarth.


Royal Hotel, Scarborough, Sunday, Sept. 11th, 1858.
My beloved Georgy,

We had a very fine house indeed at York. All kinds of applications have been made for another reading there, and no doubt it would be exceedingly productive; but it cannot be done. At Harrogate yesterday; the queerest place, with the strangest people in it, leading the oddest lives of dancing, newspaper reading, and tables d'hôte. The piety of York obliging us to leave that place for this at six this morning, and there being no night train from Harrogate, we had to engage a special engine. We got to bed at one, and were up again before five; which, after yesterday's fatigues, leaves me a little worn out at this present.

We had a really nice house in York. Many people have asked for another reading there, and it would probably be very successful; but it can't happen. Yesterday in Harrogate was the strangest place, with the oddest people living their quirky lives of dancing, reading newspapers, and having communal meals. The rules in York forced us to leave that place for this one at six this morning, and since there was no night train from Harrogate, we had to hire a special engine. We went to bed at one and were up again before five; after yesterday's exhaustion, I’m feeling a bit worn out right now.

I have no accounts of this place as yet, nor have I received any letter here. But the post of this morning is not yet delivered, I believe. We have a charming room, overlooking the sea. Leech is here (living within a few doors), with the partner of his bosom, and his young family. I write at ten in the morning, having been here two hours; and you will readily suppose that I have not seen him.

I haven't heard anything about this place yet, nor have I received any letters here. But I think the morning mail hasn't been delivered yet. We have a lovely room with a view of the sea. Leech is here (just a few doors down), along with his partner and their young family. I'm writing this at ten in the morning, having been here for two hours; and you can easily guess that I haven't seen him.

Of news, I have not the faintest breath. I seem to have[71] been doing nothing all my life but riding in railway-carriages and reading. The railway of the morning brought us through Castle Howard, and under the woods of Easthorpe, and then just below Malton Abbey, where I went to poor Smithson's funeral. It was a most lovely morning, and, tired as I was, I couldn't sleep for looking out of window.

Of news, I don't have the slightest clue. It feels like I've spent my whole life just riding on trains and reading. The morning train took us past Castle Howard, under the trees at Easthorpe, and then just below Malton Abbey, where I attended poor Smithson's funeral. It was a beautiful morning, and even though I was tired, I couldn't sleep because I kept looking out the window.

Yesterday, at Harrogate, two circumstances occurred which gave Arthur great delight. Firstly, he chafed his legs sore with his black bag of silver. Secondly, the landlord asked him as a favour, "If he could oblige him with a little silver." He obliged him directly with some forty pounds' worth; and I suspect the landlord to have repented of having approached the subject. After the reading last night we walked over the moor to the railway, three miles, leaving our men to follow with the luggage in a light cart. They passed us just short of the railway, and John was making the night hideous and terrifying the sleeping country, by playing the horn in prodigiously horrible and unmusical blasts.

Yesterday, in Harrogate, two things happened that really pleased Arthur. First, he rubbed his legs raw carrying his black bag filled with silver. Second, the landlord asked him as a favor, "Could you spare me a little silver?" Arthur immediately gave him about forty pounds' worth, and I think the landlord ended up regretting bringing it up. After the reading last night, we walked three miles over the moor to the railway, leaving our guys to catch up with the luggage in a light cart. They passed us just before reaching the railway, and John was making the night unbearable and scaring the peaceful countryside by blasting away on the horn in shockingly awful and out-of-tune notes.

My dearest love, of course, to the dear girls, and to the noble Plorn. Apropos of children, there was one gentleman at the "Little Dombey" yesterday morning, who exhibited, or rather concealed, the profoundest grief. After crying a good deal without hiding it, he covered his face with both his hands, and laid it down on the back of the seat before him, and really shook with emotion. He was not in mourning, but I supposed him to have lost some child in old time. There was a remarkably good fellow of thirty or so, too, who found something so very ludicrous in "Toots," that he could not compose himself at all, but laughed until he sat wiping his eyes with his handkerchief. And whenever he felt "Toots" coming again he began to laugh and wipe his[72] eyes afresh, and when he came he gave a kind of cry, as if it were too much for him. It was uncommonly droll, and made me laugh heartily.

My dearest love, of course, to the lovely girls, and to the noble Plorn. Speaking of children, there was a guy at the "Little Dombey" yesterday morning who showed, or rather hid, deep sadness. After crying quite a bit without trying to conceal it, he covered his face with both hands and laid it down on the back of the seat in front of him, visibly shaken with emotion. He wasn’t dressed in mourning, but I figured he must have lost a child long ago. There was also a genuinely nice guy in his thirties who found something so hilarious about "Toots" that he really couldn’t contain himself, laughing until he was wiping his eyes with his handkerchief. And whenever he sensed "Toots" coming again, he began to laugh and wipe his eyes all over again, and when it came, he let out a kind of cry, as if it was just too much for him. It was ridiculously funny and made me laugh heartily.

Ever, dear Georgy, your most affectionate.
Miss Dickens.


Scarborough Arms, Leeds, Wednesday, Sept. 15th, 1858.
My beloved Mamie,

I have added a pound to the cheque. I would recommend your seeing the poor railway man again and giving him ten shillings, and telling him to let you see him again in about a week. If he be then still unable to lift weights and handle heavy things, I would then give him another ten shillings, and so on.

I’ve added a pound to the check. I suggest you see the poor railway worker again and give him ten shillings, telling him to check back with you in about a week. If he still can’t lift weights and handle heavy things then, I would give him another ten shillings, and keep doing that.

Since I wrote to Georgy from Scarborough, we have had, thank God, nothing but success. The Hull people (not generally considered excitable, even on their own showing) were so enthusiastic, that we were obliged to promise to go back there for two readings. I have positively resolved not to lengthen out the time of my tour, so we are now arranging to drop some small places, and substitute Hull again and York again. But you will perhaps have heard this in the main from Arthur. I know he wrote to you after the reading last night. This place I have always doubted, knowing that we should come here when it was recovering from the double excitement of the festival and the Queen. But there is a very large hall let indeed, and the prospect of to-night consequently looks bright.

Since I wrote to Georgy from Scarborough, we've had nothing but success, thank God. The people from Hull (who aren't usually considered very excitable, even by their own standards) were so enthusiastic that we had to promise to come back for two readings. I've decided not to extend my tour, so we're now planning to skip some smaller places and go back to Hull and York instead. But you might have already heard this from Arthur. I know he wrote to you after the reading last night. I've always been uncertain about this place, knowing we would arrive here after the excitement of the festival and the Queen's visit. However, there is a really large venue booked, so tonight's outlook seems promising.

Arthur told you, I suppose, that he had his shirt-front and waistcoat torn off last night? He was perfectly enraptured in consequence. Our men got so knocked about that he gave them five shillings apiece on the spot. John passed several minutes upside down against a wall,[73] with his head amongst the people's boots. He came out of the difficulty in an exceedingly touzled condition, and with his face much flushed. For all this, and their being packed as you may conceive they would be packed, they settled down the instant I went in, and never wavered in the closest attention for an instant. It was a very high room, and required a great effort.

Arthur mentioned to you, I assume, that his shirt-front and waistcoat were ripped off last night? He was absolutely thrilled about it. Our guys got beat up so badly that he ended up giving them five shillings each right then and there. John spent a few minutes upside down against a wall, with his head among the crowd’s boots. He came out of that situation in quite a messy state, with his face really red. Despite all that, and them being as packed as you might imagine, they focused the moment I walked in, never losing their attention for a second. It was a really tall room, and it took a lot of effort.

Oddly enough, I slept in this house three days last year with Wilkie. Arthur has the bedroom I occupied then, and I have one two doors from it, and Gordon has the one between. Not only is he still with us, but he has talked of going on to Manchester, going on to London, and coming back with us to Darlington next Tuesday!!!

Oddly enough, I spent three nights in this house last year with Wilkie. Arthur has the bedroom I stayed in then, and I have one two doors down from it, and Gordon's in the room in between. Not only is he still with us, but he has talked about going on to Manchester, heading to London, and coming back with us to Darlington next Tuesday!!!

These streets look like a great circus with the season just finished. All sorts of garish triumphal arches were put up for the Queen, and they have got smoky, and have been looked out of countenance by the sun, and are blistered and patchy, and half up and half down, and are hideous to behold. Spiritless men (evidently drunk for some time in the royal honour) are slowly removing them, and on the whole it is more like the clearing away of "The Frozen Deep" at Tavistock House than anything within your knowledge—with the exception that we are not in the least sorry, as we were then. Vague ideas are in Arthur's head that when we come back to Hull, we are to come here, and are to have the Town Hall (a beautiful building), and read to the million. I can't say yet. That depends. I remember that when I was here before (I came from Rockingham to make a speech), I thought them a dull and slow audience. I hope I may have been mistaken. I never saw better audiences than the Yorkshire audiences generally.

These streets look like a big circus now that the season has just ended. All kinds of flashy triumphal arches were set up for the Queen, and they've become dirty, faded by the sun, and are all cracked and uneven. They're pretty ugly to look at. Lifeless guys (clearly intoxicated for a while in honor of the royal visit) are slowly taking them down, and overall, it feels more like the aftermath of a play like "The Frozen Deep" at Tavistock House than anything you're familiar with—except we’re not at all sad about it, unlike back then. Arthur has some vague thoughts that when we get back to Hull, we’re supposed to come here, use the Town Hall (a gorgeous building), and speak to the masses. I can't say for sure yet. That all depends. I remember that when I was here before (I came from Rockingham to give a speech), I found the audience dull and slow. I hope I was wrong about that. I’ve never seen better audiences than those in Yorkshire.

I am so perpetually at work or asleep, that I have not a[74] scrap of news. I saw the Leech family at Scarboro', both in my own house (that is to say, hotel) and in theirs. They were not at either reading. Scarboro' is gay and pretty, and I think Gordon had an idea that we were always at some such place.

I’m always either working or sleeping, so I don’t have any news. I saw the Leech family in Scarborough, both at my place (which is a hotel) and at theirs. They didn't attend either reading. Scarborough is cheerful and lovely, and I think Gordon thought we were always in a place like that.

Kiss the darling Plorn for me, and give him my love; dear Katie too, giving her the same. I feel sorry that I cannot get down to Gad's Hill this next time, but I shall look forward to our being there with Georgy, after Scotland. Tell the servants that I remember them, and hope they will live with us many years.

Kiss the lovely Plorn for me and send him my love; the same goes for dear Katie. I'm bummed that I can't make it to Gad's Hill this time, but I'm looking forward to being there with Georgy after Scotland. Please tell the staff that I remember them and hope they stay with us for many years.

Always, my dearest Mamie,
Your most affectionate Father.
Miss Hogarth.


King's Head, Sheffield, Friday, Sept. 17th, 1858.

I write you a few lines to Tavistock House, thinking you may not be sorry to find a note from me there on your arrival from Gad's Hill.

I’m sending you a quick note to Tavistock House, hoping you’ll be happy to see a message from me when you get back from Gad's Hill.

Halifax was too small for us. I never saw such an audience though. They were really worth reading to for nothing, though I didn't do exactly that. It is as horrible a place as I ever saw, I think.

Halifax was too small for us. I’ve never seen such an audience, though. They were definitely worth reading to for free, even if I didn’t do exactly that. It’s the most terrible place I’ve ever seen, I think.

The run upon the tickets here is so immense that Arthur is obliged to get great bills out, signifying that no more can be sold. It will be by no means easy to get into the place the numbers who have already paid. It is the hall we acted in. Crammed to the roof and the passages. We must come back here towards the end of October, and are again altering the list and striking out small places.

The demand for tickets here is overwhelming, so Arthur has to print big signs saying no more can be sold. It won't be easy to fit in the people who have already paid. It's the hall where we performed. It's packed to the ceiling and the aisles. We have to come back here at the end of October, and we're reworking the list and removing smaller venues.

The trains are so strange and unintelligible in this part of the country that we were obliged to leave Halifax at eight this morning, and breakfast on the road—at Huddersfield[75] again, where we had an hour's wait. Wills was in attendance on the platform, and took me (here at Sheffield, I mean) out to Frederick Lehmann's house to see Mrs. Wills. She looked pretty much the same as ever, I thought, and was taking care of a very pretty little boy. The house and grounds are as nice as anything can be in this smoke. A heavy thunderstorm is passing over the town, and it is raining hard too.

The trains are so weird and confusing in this part of the country that we had to leave Halifax at eight this morning and grab breakfast on the way—at Huddersfield[75] again, where we waited for an hour. Wills was on the platform and took me (here in Sheffield, that is) to Frederick Lehmann's house to see Mrs. Wills. She looked pretty much the same as always, I thought, and was looking after a really cute little boy. The house and yard are as nice as anything can be in this smog. A heavy thunderstorm is rolling through the town, and it’s pouring rain too.

This is a stupid letter, my dearest Georgy, but I write in a hurry, and in the thunder and lightning, and with the crowd of to-night before me.

This is a silly letter, my dearest Georgy, but I’m writing quickly, in the thunder and lightning, and with the crowd from tonight in front of me.

Ever most affectionately.
Miss Hogarth.


Station Hotel, Newcastle upon Tyne
Sunday, Sept. 26th, 1858.
EXTRACT.

The girls (as I have no doubt they have already told you for themselves) arrived here in good time yesterday, and in very fresh condition. They persisted in going to the room last night, though I had arranged for their remaining quiet.

The girls (as I’m sure they’ve already told you themselves) arrived here on time yesterday and in great shape. They insisted on going to the room last night, even though I had planned for them to stay quiet.

We have done a vast deal here. I suppose you know that we are going to Berwick, and that we mean to sleep there and go on to Edinburgh on Monday morning, arriving there before noon? If it be as fine to-morrow as it is to-day, the girls will see the coast piece of railway between Berwick and Edinburgh to great advantage. I was anxious that they should, because that kind of pleasure is really almost the only one they are likely to have in their present trip.

We’ve accomplished a lot here. I assume you know that we’re heading to Berwick, planning to stay overnight and then head to Edinburgh on Monday morning, getting there before noon? If the weather is as nice tomorrow as it is today, the girls will really enjoy the coastal train ride between Berwick and Edinburgh. I was eager for them to experience it because that type of enjoyment is pretty much the only one they'll likely have on this trip.

Stanfield and Roberts are in Edinburgh, and the Scottish Royal Academy gave them a dinner on Wednesday, to which[76] I was very pressingly invited. But, of course, my going was impossible. I read twice that day.

Stanfield and Roberts are in Edinburgh, and the Scottish Royal Academy held a dinner for them on Wednesday, to which[76] I was strongly invited. But, of course, I couldn't go. I had two readings that day.

Remembering what you do of Sunderland, you will be surprised that our profit there was very considerable. I read in a beautiful new theatre, and (I thought to myself) quite wonderfully. Such an audience I never beheld for rapidity and enthusiasm. The room in which we acted (converted into a theatre afterwards) was burnt to the ground a year or two ago. We found the hotel, so bad in our time, really good. I walked from Durham to Sunderland, and from Sunderland to Newcastle.

Remembering what you know about Sunderland, you'll be surprised that we made a substantial profit there. I performed in a beautiful new theater, and I thought it was quite amazing. I've never seen an audience so quick and enthusiastic. The room where we performed, which was later converted into a theater, was burned down a year or two ago. We found the hotel, which used to be terrible when we were there, to actually be quite good. I walked from Durham to Sunderland, and then from Sunderland to Newcastle.

Don't you think, as we shall be at home at eleven in the forenoon this day fortnight, that it will be best for you and Plornish to come to Tavistock House for that Sunday, and for us all to go down to Gad's Hill next day? My best love to the noble Plornish. If he is quite reconciled to the postponement of his trousers, I should like to behold his first appearance in them. But, if not, as he is such a good fellow, I think it would be a pity to disappoint and try him.

Don't you think, since we'll be home at eleven in the morning this day two weeks from now, it would be best for you and Plornish to come to Tavistock House for that Sunday, and for all of us to head down to Gad's Hill the next day? Give my best to the great Plornish. If he's fully okay with waiting for his trousers, I’d love to see him in them for the first time. But if not, since he's such a good guy, I think it would be a shame to let him down and put him out.

And now, my dearest Georgy, I think I have said all I have to say before I go out for a little air. I had a very hard day yesterday, and am tired.

And now, my dearest Georgy, I feel like I have shared everything I need to before I step outside for some fresh air. I had a really tough day yesterday, and I'm exhausted.

Ever your most affectionate.
Mr. John Forster.


Tavistock House, Tavistock Square, London
Sunday, Oct. 10th, 1858.
Dear Forster,

As to the truth of the readings, I cannot tell you what the demonstrations of personal regard and respect are. How the densest and most uncomfortably-packed crowd will be hushed in an instant when I show my face. How the youth of colleges, and the old men of business in the town, seem equally unable to get near enough to me when[77] they cheer me away at night. How common people and gentlefolks will stop me in the streets and say: "Mr. Dickens, will you let me touch the hand that has filled my home with so many friends?" And if you saw the mothers, and fathers, and sisters, and brothers in mourning, who invariably come to "Little Dombey," and if you studied the wonderful expression of comfort and reliance with which they hang about me, as if I had been with them, all kindness and delicacy, at their own little death-bed, you would think it one of the strangest things in the world.

As for the truth of the readings, I can't explain the displays of personal affection and respect. How the thickest and most tightly packed crowd goes silent in an instant when I appear. How the college students and the elderly business people in town seem just as unable to get close enough to me when they cheer me on at night. How ordinary folks and the upper class will stop me on the street and say: "Mr. Dickens, can I touch the hand that has brought so many friends into my home?" And if you saw the mothers, fathers, sisters, and brothers in mourning who always come to "Little Dombey," and if you observed the incredible look of comfort and trust on their faces as they gather around me, as if I had been there, full of kindness and sensitivity, during their own loved one’s death, you would find it one of the strangest things in the world.

As to the mere effect, of course I don't go on doing the thing so often without carefully observing myself and the people too in every little thing, and without (in consequence) greatly improving in it.

As for the actual effect, of course I don’t keep doing it so often without closely watching myself and everyone around me in every small detail, and as a result, significantly getting better at it.

At Aberdeen, we were crammed to the street twice in one day. At Perth (where I thought when I arrived there literally could be nobody to come), the nobility came posting in from thirty miles round, and the whole town came and filled an immense hall. As to the effect, if you had seen them after Lilian died, in "The Chimes," or when Scrooge woke and talked to the boy outside the window, I doubt if you would ever have forgotten it. And at the end of "Dombey" yesterday afternoon, in the cold light of day, they all got up, after a short pause, gentle and simple, and thundered and waved their hats with that astonishing heartiness and fondness for me, that for the first time in all my public career they took me completely off my legs, and I saw the whole eighteen hundred of them reel on one side as if a shock from without had shaken the hall.

At Aberdeen, we were packed onto the street twice in one day. At Perth (where I thought when I arrived that literally no one would come), the nobility came rushing in from thirty miles away, and the entire town showed up and filled an enormous hall. As for the impact, if you had seen them after Lilian died in "The Chimes," or when Scrooge woke up and talked to the boy outside the window, I doubt you would ever forget it. And at the end of "Dombey" yesterday afternoon, in the bright light of day, they all stood up after a brief pause, both gentle and simple, and cheered and waved their hats with such incredible enthusiasm and affection for me that, for the first time in my entire public career, they completely swept me off my feet, and I saw all eighteen hundred of them sway to one side as if a shock from outside had shaken the hall.

The dear girls have enjoyed themselves immensely, and their trip has been a great success. I hope I told you (but I forget whether I did or no) how splendidly Newcastle[78][4] came out. I am reminded of Newcastle at the moment because they joined me there.

The girls have had a fantastic time, and their trip has been a huge success. I hope I mentioned it to you (though I can't remember if I did) how wonderfully Newcastle[78][4] turned out. I'm thinking of Newcastle right now because they joined me there.

I am anxious to get to the end of my readings, and to be at home again, and able to sit down and think in my own study. But the fatigue, though sometimes very great indeed, hardly tells upon me at all. And although all our people, from Smith downwards, have given in, more or less, at times, I have never been in the least unequal to the work, though sometimes sufficiently disinclined for it. My kindest and best love to Mrs. Forster.

I can't wait to finish my readings and get back home, where I can sit down and think in my own study. Even though I'm sometimes really tired, it doesn't affect me much. And while everyone, including Smith, has given in a bit at times, I've never had any trouble handling the work, even if I haven't always felt like doing it. Please send my warmest regards to Mrs. Forster.

Ever affectionately.
Miss Dickens.


Royal Hotel, Derby Friday, Oct. 22nd, 1858.
My dear Mamie,

I am writing in a very poor condition; I have a bad cold all over me, pains in my back and limbs, and a very sensitive and uncomfortable throat. There was a great draught up some stone steps near me last night, and I daresay that caused it.

I’m writing in really bad shape; I have a terrible cold, aches in my back and limbs, and a really sore and uncomfortable throat. There was a strong draft coming up some stone steps near me last night, and I bet that caused it.

The weather on my first two nights at Birmingham was so intolerably bad—it blew hard, and never left off raining for one single moment—that the houses were not what they otherwise would have been. On the last night the weather cleared, and we had a grand house.

The weather during my first two nights in Birmingham was so terrible—it was really windy, and it rained constantly—that the houses weren’t what they could have been. On the last night, the weather cleared up, and we had a fantastic house.

Last night at Nottingham was almost, if not quite, the most amazing we have had. It is not a very large place, and the room is by no means a very large one, but three hundred and twenty stalls were let, and all the other tickets were sold.

Last night in Nottingham was nearly, if not completely, the most amazing we've had. It's not a very big place, and the room isn't very large either, but three hundred and twenty stalls were rented out, and all the other tickets were sold.

Here we have two hundred and twenty stalls let for to-night, and the other tickets are gone in proportion. It is a pretty room, but not large.[79]

Here we have two hundred and twenty stalls rented for tonight, and the other tickets are sold out in proportion. It’s a nice room, but not very big.[79]

I have just been saying to Arthur that if there is not a large let for York, I would rather give it up, and get Monday at Gad's Hill. We have telegraphed to know. If the answer comes (as I suppose it will) before post time, I will tell you in a postscript what we decide to do. Coming to London in the night of to-morrow (Saturday), and having to see Mr. Ouvry on Sunday, and having to start for York early on Monday, I fear I should not be able to get to Gad's Hill at all. You won't expect me till you see me.

I was just telling Arthur that if there isn’t a big enough spot available for York, I’d rather pass and go to Gad's Hill on Monday instead. We’ve sent a telegram to find out. If the reply arrives (which I think it will) before the post, I’ll let you know in a postscript what we decide. I’m coming to London tomorrow night (Saturday), and since I need to meet Mr. Ouvry on Sunday and leave for York early on Monday, I’m worried I won’t be able to make it to Gad's Hill at all. Don’t expect me until you see me.

Arthur and I have considered Plornish's joke in all the immense number of aspects in which it presents itself to reflective minds. We have come to the conclusion that it is the best joke ever made. Give the dear boy my love, and the same to Georgy, and the same to Katey, and take the same yourself. Arthur (excessively low and inarticulate) mutters that he "unites."

Arthur and I have thought about Plornish's joke from all the different angles that it shows itself to thoughtful people. We’ve decided it’s the best joke ever. Please send my love to the dear boy, and also to Georgy, and to Katey, and take some for yourself too. Arthur (really down and hard to understand) mumbles that he "agrees."

[We knocked up Boylett, Berry, and John so frightfully yesterday, by tearing the room to pieces and altogether reversing it, as late as four o'clock, that we gave them a supper last night. They shine all over to-day, as if it had been entirely composed of grease.]

[We really startled Boylett, Berry, and John yesterday by completely wrecking the room and turning it upside down until around four o'clock, so we treated them to dinner last night. They look shiny today, as if they were covered in grease.]

Always, my dearest Mamie,
Your most affectionate Father.
Miss Hogarth.


Wolves Wednesday, Nov. 3rd, 1858.

Little Leamington came out in the most amazing manner yesterday—turned away hundreds upon hundreds of people. They are represented as the dullest and worst of audiences. I found them very good indeed, even in the morning.

Little Leamington showed up in an incredible way yesterday—sending away hundreds of people. They are said to be the least exciting and the most difficult of audiences. I found them quite good actually, even in the morning.

There awaited me at the hotel, a letter from the Rev. Mr. Young, Wentworth Watson's tutor, saying that[80] Mrs. Watson wished her boy to shake hands with me, and that he would bring him in the evening. I expected him at the hotel before the readings. But he did not come. He spoke to John about it in the room at night. The crowd and confusion, however, were very great, and I saw nothing of him. In his letter he said that Mrs. Watson was at Paris on her way home, and would be at Brighton at the end of this week. I suppose I shall see her there at the end of next week.

At the hotel, I found a letter from Rev. Mr. Young, Wentworth Watson's tutor, saying that[80] Mrs. Watson wanted her son to shake hands with me, and that he would bring him by in the evening. I expected him to arrive at the hotel before the readings, but he didn’t show up. He mentioned it to John in the room that night. The crowd and chaos were overwhelming, so I didn’t see him. In his letter, he mentioned that Mrs. Watson was in Paris on her way home and would be in Brighton by the end of this week. I guess I’ll see her there by the end of next week.

We find a let of two hundred stalls here, which is very large for this place. The evening being fine too, and blue being to be seen in the sky beyond the smoke, we expect to have a very full hall. Tell Mamey and Katey that if they had been with us on the railway to-day between Leamington and this place, they would have seen (though it is only an hour and ten minutes by the express) fires and smoke indeed. We came through a part of the Black Country that you know, and it looked at its blackest. All the furnaces seemed in full blast, and all the coal-pits to be working.

We have a lot of two hundred stalls here, which is quite large for this place. The evening is nice too, and you can see blue in the sky beyond the smoke, so we expect to have a really packed hall. Tell Mamey and Katey that if they had joined us on the train today between Leamington and here, they would have seen (even though it's only an hour and ten minutes on the express) plenty of fires and smoke. We passed through a part of the Black Country that you know, and it looked its darkest. All the furnaces seemed to be running at full capacity, and all the coal pits were active.

It is market-day here, and the ironmasters are standing out in the street (where they always hold high change), making such an iron hum and buzz, that they confuse me horribly. In addition, there is a bellman announcing something—not the readings, I beg to say—and there is an excavation being made in the centre of the open place, for a statue, or a pump, or a lamp-post, or something or other, round which all the Wolverhampton boys are yelling and struggling.

It’s market day here, and the ironworkers are gathered in the street (where they always exchange currency), making so much noise with the iron that it’s driving me crazy. On top of that, there’s a bell ringer announcing something—not the readings, I should mention—and there’s a dig happening in the middle of the square, for a statue, or a pump, or a lamp post, or something like that, around which all the boys from Wolverhampton are yelling and pushing.

And here is Arthur, begging to have dinner at half-past three instead of four, because he foresees "a wiry evening" in store for him. Under which complication of distractions, to which a waitress with a tray at this moment adds herself, I sink, and leave off.[81]

And here’s Arthur, asking to have dinner at 3:30 instead of 4, because he anticipates "a busy evening" ahead of him. With all these distractions, especially with a waitress holding a tray right now, I give up and stop.[81]

My best love to the dear girls, and to the noble Plorn, and to you. Marguerite and Ellen Stone not forgotten. All yesterday and to-day I have been doing everything to the tune of:

My best love to the dear girls, and to the noble Plorn, and to you. Marguerite and Ellen Stone not forgotten. All yesterday and today I have been doing everything to the tune of:

And the day is dark and dreary.
Always, dear Georgy,
Your most affectionate and faithful.

P.S.—I hope the brazier is intolerably hot, and half stifles all the family. Then, and not otherwise, I shall think it in satisfactory work.

P.S.—I hope the heater is ridiculously hot and makes it hard for the whole family to breathe. Only then will I consider it doing a good job.

Rev. James White.


Tavistock House, Tavistock Square, London, W.C.,
Friday, Nov. 5th, 1858.
My dear friend White,

May I entreat you to thank Mr. Carter very earnestly and kindly in my name, for his proffered hospitality; and, further, to explain to him that since my readings began, I have known them to be incompatible with all social enjoyments, and have neither set foot in a friend's house nor sat down to a friend's table in any one of all the many places I have been to, but have rigidly kept myself to my hotels. To this resolution I must hold until the last. There is not the least virtue in it. It is a matter of stern necessity, and I submit with the worst grace possible.

May I ask you to sincerely thank Mr. Carter for his generous offer of hospitality on my behalf? Also, please explain to him that since I started my readings, I've realized they don’t mix well with social activities. I haven’t visited a friend’s house or shared a meal with anyone in any of the numerous places I've been; I've strictly stayed in my hotels. I have to stick to this decision until the very end. There's no virtue in it; it's purely out of necessity, and I accept it with great reluctance.

Will you let me know, either at Southampton or Portsmouth, whether any of you, and how many of you, if any, are coming over, so that Arthur Smith may reserve good seats? Tell Lotty I hope she does not contemplate coming to the morning reading; I always hate it so myself.

Will you let me know, either at Southampton or Portsmouth, if any of you are coming over, and how many of you are coming, so that Arthur Smith can reserve good seats? Tell Lotty I hope she’s not planning to come to the morning reading; I always dread it myself.

Mary and Katey are down at Gad's Hill with Georgy and Plornish, and they have Marguerite Power and Ellen Stone staying there. I am sorry to say that even my[82] benevolence descries no prospect of their being able to come to my native place.

Mary and Katey are down at Gad's Hill with Georgy and Plornish, and they have Marguerite Power and Ellen Stone staying there. I'm sorry to say that even my[82] good intentions see no chance of them being able to come to my hometown.

On Saturday week, the 13th, my tour, please God, ends.

On Saturday week, the 13th, my tour, hopefully, ends.

My best love to Mrs. White, and to Lotty, and to Clara.

My warmest regards to Mrs. White, Lotty, and Clara.

Ever, my dear White, affectionately yours.
Mr. Frank Stone, A.R.A.


Tavistock House, Tavistock Square, London, W.C.,
Monday, Dec. 13th, 1858.
My dear Stone,

Many thanks for these discourses. They are very good, I think, as expressing what many men have felt and thought; otherwise not specially remarkable. They have one fatal mistake, which is a canker at the foot of their ever being widely useful. Half the misery and hypocrisy of the Christian world arises (as I take it) from a stubborn determination to refuse the New Testament as a sufficient guide in itself, and to force the Old Testament into alliance with it—whereof comes all manner of camel-swallowing and of gnat-straining. But so to resent this miserable error, or to (by any implication) depreciate the divine goodness and beauty of the New Testament, is to commit even a worse error. And to class Jesus Christ with Mahomet is simply audacity and folly. I might as well hoist myself on to a high platform, to inform my disciples that the lives of King George the Fourth and of King Alfred the Great belonged to one and the same category.

Thank you for these discussions. I think they're quite good at expressing what many people have felt and thought; otherwise, they're not particularly remarkable. However, they have one critical flaw, which prevents them from being widely useful. A lot of the misery and hypocrisy in the Christian world comes, in my opinion, from a stubborn refusal to see the New Testament as a sufficient guide on its own and a misguided effort to combine it with the Old Testament—resulting in all sorts of contradictions. But to react to this troubling mistake, or to imply that the divine goodness and beauty of the New Testament are lesser, is an even bigger mistake. To compare Jesus Christ to Muhammad is just bold and foolish. It would be like me standing on a high platform to tell my followers that the lives of King George the Fourth and King Alfred the Great fall into the same category.

Ever affectionately.
Mr. B. W. Procter.


Tavistock House, Sunday, Dec. 18th, 1858.
My dear Procter,

A thousand thanks for the little song. I am charmed with it, and shall be delighted to brighten "Household[83] Words" with such a wise and genial light. I no more believe that your poetical faculty has gone by, than I believe that you have yourself passed to the better land. You and it will travel thither in company, rely upon it. So I still hope to hear more of the trade-songs, and to learn that the blacksmith has hammered out no end of iron into good fashion of verse, like a cunning workman, as I know him of old to be.

A thousand thanks for the little song. I’m really pleased with it and would love to brighten "Household[83] Words" with such a wise and cheerful light. I don't believe that your poetic talent has faded away any more than I believe you've moved on to a better place. You and your talent will make that journey together, trust me. So, I still hope to hear more of the trade songs and learn that the blacksmith has crafted a great deal of iron into quality verse, just like the skilled worker I know him to be.

Very faithfully yours, my dear Procter.

1859.

NARRATIVE.

During the winter, Charles Dickens was living at Tavistock House, removing to Gad's Hill for the summer early in June, and returning to London in November. At this time a change was made in his weekly journal. "Household Words" became absolutely his own—Mr. Wills being his partner and editor, as before—and was "incorporated with 'All the Year Round,'" under which title it was known thenceforth. The office was still in Wellington Street, but in a different house. The first number with the new name appeared on the 30th April, and it contained the opening of "A Tale of Two Cities."

The first letter which follows shows that a proposal for a series of readings in America had already been made to him. It was carefully considered and abandoned for the time. But the proposal was constantly renewed, and the idea never wholly relinquished for many years before he actually decided on making so distant a "reading tour."

The first letter that follows indicates that a proposal for a series of readings in America had already been made to him. It was carefully thought through and set aside for the moment. However, the proposal was continually brought up again, and the idea was never completely given up for many years before he finally chose to embark on such a distant "reading tour."

Mr. Procter contributed to the early numbers of "All the Year Round" some very spirited "Songs of the Trades." We give notes from Charles Dickens to the veteran poet, both in the last year, and in this year, expressing his strong approval of them.[84]

Mr. Procter contributed to the early issues of "All the Year Round" some very lively "Songs of the Trades." We share notes from Charles Dickens to the experienced poet, both last year and this year, expressing his strong approval of them.[84]

The letter and two notes to Mr. (afterwards Sir Antonio) Panizzi, for which we are indebted to Mr. Louis Fagan, one of Sir A. Panizzi's executors, show the warm sympathy and interest which he always felt for the cause of Italian liberty, and for the sufferings of the State prisoners who at this time took refuge in England.

The letter and two notes to Mr. (later Sir Antonio) Panizzi, which we owe to Mr. Louis Fagan, one of Sir A. Panizzi's executors, display the strong support and concern he always had for the cause of Italian freedom and for the struggles of the political prisoners who were seeking shelter in England at that time.

We give a little note to the dear friend and companion of Charles Dickens's daughters, "Lotty" White, because it is a pretty specimen of his writing, and because the young girl, who is playfully "commanded" to get well and strong, died early in July of this year. She was, at the time this note was written, first attacked with the illness which was fatal to all her sisters. Mamie and Kate Dickens went from Gad's Hill to Bonchurch to pay a last visit to their friend, and he writes to his eldest daughter there. Also we give notes of loving sympathy and condolence to the bereaved father and mother.

We include a little note to Lotty White, the dear friend and companion of Charles Dickens's daughters, because it’s a lovely example of his writing. The young girl, who is playfully “ordered” to get better and stronger, sadly passed away in early July of this year. At the time this note was written, she was experiencing the illness that ultimately affected all her sisters. Mamie and Kate Dickens traveled from Gad's Hill to Bonchurch to say a final goodbye to their friend, and he writes to his eldest daughter there. We also include notes of love and condolence for the grieving parents.

In the course of this summer Charles Dickens was not well, and went for a week to his old favourite, Broadstairs—where Mr. Wilkie Collins and his brother, Mr. Charles Allston Collins, were staying—for sea-air and change, preparatory to another reading tour, in England only. His letter from Peterborough to Mr. Frank Stone, giving him an account of a reading at Manchester (Mr. Stone's native town), was one of the last ever addressed to that affectionate friend, who died very suddenly, to the great grief of Charles Dickens, in November. The letter to Mr. Thomas Longman, which closes this year, was one of introduction to that gentleman of young Marcus Stone, then just beginning his career as an artist, and to whom the premature death of his father made it doubly desirable that he should have powerful helping hands.

During this summer, Charles Dickens was not feeling well and spent a week at his old favorite spot, Broadstairs—where Mr. Wilkie Collins and his brother, Mr. Charles Allston Collins, were staying—seeking some sea air and a change of scenery before his next reading tour, which was limited to England. His letter from Peterborough to Mr. Frank Stone, recounting a reading in Manchester (Mr. Stone's hometown), was one of the last he ever sent to that dear friend, who passed away very suddenly, causing great sorrow for Charles Dickens, in November. The letter to Mr. Thomas Longman, which wraps up this year, served as an introduction to the young Marcus Stone, who was just starting his career as an artist, and for whom the untimely death of his father made it even more important to have strong support.

Charles Dickens refers, in a letter to Mrs. Watson, to his portrait by Mr. Frith, which was finished at the end of 1858. It was painted for Mr. Forster, and is now in the "Forster Collection" at South Kensington Museum.

Charles Dickens mentions, in a letter to Mrs. Watson, his portrait by Mr. Frith, which was completed at the end of 1858. It was painted for Mr. Forster and is now part of the "Forster Collection" at the South Kensington Museum.

The Christmas number of this year, again written by several hands as well as his own, was "The Haunted House." In November, his story of "A Tale of Two[85] Cities" was finished in "All the Year Round," and in December was published, complete, with dedication to Lord John Russell.

The Christmas issue this year, written by multiple authors including himself, was "The Haunted House." In November, he completed his story "A Tale of Two[85] Cities" in "All the Year Round," and it was published in December, fully finished, with a dedication to Lord John Russell.

Mr. Arthur Smith.


Tavistock House, Tavistock Square, London, W.C.,
Wednesday, Jan. 26th, 1859.
Hey Arthur,

Will you first read the enclosed letters, having previously welcomed, with all possible cordiality, the bearer, Mr. Thomas C. Evans, from New York?

Will you first read the enclosed letters after warmly welcoming the messenger, Mr. Thomas C. Evans, from New York?

You having read them, let me explain that Mr. Fields is a highly respectable and influential man, one of the heads of the most classical and most respected publishing house in America; that Mr. Richard Grant White is a man of high reputation; and that Felton is the Greek Professor in their Cambridge University, perhaps the most distinguished scholar in the States.

You’ve read them, so let me explain that Mr. Fields is a highly respected and influential person, one of the leaders of the most esteemed and respected publishing house in America; that Mr. Richard Grant White is a man of great reputation; and that Felton is the Greek Professor at their Cambridge University, possibly the most distinguished scholar in the country.

The address to myself, referred to in one of the letters, being on its way, it is quite clear that I must give some decided and definite answer to the American proposal. Now, will you carefully discuss it with Mr. Evans before I enter on it at all? Then, will you dine here with him on Sunday—which I will propose to him—and arrange to meet at half-past four for an hour's discussion?

The letter to myself, which is on its way, makes it clear that I need to give a clear and definite answer to the American proposal. Can you please discuss it carefully with Mr. Evans before I get involved? Also, will you have dinner here with him on Sunday—which I’ll suggest to him—and set up a time to meet at 4:30 for a one-hour discussion?

The points are these:

The points are as follows:

First. I have a very grave question within myself whether I could go to America at all.

First. I have a very serious question in my mind about whether I could actually go to America.

Secondly. If I did go, I could not possibly go before the autumn.

Secondly. If I do go, I definitely can't go before autumn.

Thirdly. If I did go, how long must I stay?

Thirdly. If I went, how long would I need to stay?

Fourthly. If the stay were a short one, could you go?

Fourthly. If the stay is brief, could you go?

Fifthly. What is his project? What could I make? What occurs to you upon his proposal?[86]

Fifthly. What is his plan? What can I create? What comes to mind for you about his suggestion?[86]

I have told him that the business arrangements of the readings have been from the first so entirely in your hands, that I enter upon nothing connected with them without previous reference to you.

I have told him that from the very beginning, the business arrangements for the readings have been completely in your hands, and I don’t proceed with anything related to them without checking with you first.

Ever faithfully.
M. de Cerjat.


Tavistock House, Tuesday, Feb. 1st, 1859.
Dear Cerjat,

I received your always welcome annual with even more interest than usual this year, being (in common with my two girls and their aunt) much excited and pleased by your account of your daughter's engagement. Apart from the high sense I have of the affectionate confidence with which you tell me what lies so tenderly on your own heart, I have followed the little history with a lively sympathy and regard for her. I hope, with you, that it is full of promise, and that you will all be happy in it. The separation, even in the present condition of travel (and no man can say how much the discovery of a day may advance it), is nothing. And so God bless her and all of you, and may the rosy summer bring her all the fulness of joy that we all wish her.

I received your annual letter, which is always a pleasure, with even more interest than usual this year. Like my two daughters and their aunt, I was really excited and happy to hear about your daughter's engagement. I appreciate the trust you place in me by sharing what’s so dear to your heart. I’ve followed this little story with genuine sympathy and affection for her. I hope, like you, that it holds a lot of promise and that you all find happiness in it. The distance, even considering how travel is today (and who knows how much it will improve), isn't a big deal. So, God bless her and all of you, and may this lovely summer bring her all the joy we all wish for her.

To pass from the altar to Townshend (which is a long way), let me report him severely treated by Bully, who rules him with a paw of iron; and complaining, moreover, of indigestion. He drives here every Sunday, but at all other times is mostly shut up in his beautiful house, where I occasionally go and dine with him tête-à-tête, and where we always talk of you and drink to you. That is a rule with us from which we never depart. He is "seeing a volume of poems through the press;" rather an expensive amusement. He has not been out at night (except to this house) save last Friday, when he went to hear me read "The Poor Traveller," "Mrs. Gamp," and "The Trial"[87] from "Pickwick." He came into my room at St. Martin's Hall, and I fortified him with weak brandy-and-water. You will be glad to hear that the said readings are a greater furore than they ever have been, and that every night on which they now take place—once a week—hundreds go away, unable to get in, though the hall holds thirteen hundred people. I dine with —— to-day, by-the-bye, along with his agent; concerning whom I observe him to be always divided between an unbounded confidence and a little latent suspicion. He always tells me that he is a gem of the first water; oh yes, the best of business men! and then says that he did not quite like his conduct respecting that farm-tenant and those hay-ricks.

To get from the altar to Townshend (which is quite a distance), let me tell you that Bully is treating him pretty harshly, ruling over him with an iron fist, and he's also complaining about indigestion. He drives here every Sunday, but most of the time he's cooped up in his beautiful house, where I sometimes go and have dinner with him one-on-one, and we always talk about you and raise a toast to you. That's a tradition we stick to without fail. He’s currently "seeing a volume of poems through the press," which is a pretty pricey hobby. He hasn’t been out at night (except to my place) except last Friday, when he went to hear me read "The Poor Traveller," "Mrs. Gamp," and "The Trial" from "Pickwick." He came into my room at St. Martin's Hall, and I treated him to some weak brandy-and-water. You'll be pleased to know that those readings are creating more of a buzz than ever, and now, on the nights they happen—once a week—hundreds of people have to leave because they can't get in, even though the hall fits thirteen hundred. By the way, I'm having dinner with —— today, along with his agent; I notice he’s always torn between total trust and a bit of hidden suspicion about him. He keeps saying the agent is a real treasure, oh yes, the best in business! Then he mentions that he wasn't too happy with how the agent handled that farm-tenant and those hay ricks.

There is a general impression here, among the best-informed, that war in Italy, to begin with, is inevitable, and will break out before April. I know a gentleman at Genoa (Swiss by birth), deeply in with the authorities at Turin, who is already sending children home.

There’s a common belief here among those who are well-informed that war in Italy is unavoidable and will start before April. I know a guy in Genoa (Swiss by birth) who is well-connected with the authorities in Turin and is already sending kids home.

In England we are quiet enough. There is a world of talk, as you know, about Reform bills; but I don't believe there is any general strong feeling on the subject. According to my perceptions, it is undeniable that the public has fallen into a state of indifference about public affairs, mainly referable, as I think, to the people who administer them—and there I mean the people of all parties—which is a very bad sign of the times. The general mind seems weary of debates and honourable members, and to have taken laissez-aller for its motto.

In England, we’re pretty quiet. There’s a lot of talk about Reform bills, but I don’t think there’s any strong feeling about it overall. From what I can see, it’s clear that the public has become indifferent to public affairs, largely because of the people running them—and I’m talking about everyone in all parties—which is a really bad sign of the times. People seem worn out by debates and politicians, and they’ve adopted a “let it be” attitude as their motto.

My affairs domestic (which I know are not without their interest for you) flow peacefully. My eldest daughter is a capital housekeeper, heads the table gracefully, delegates certain appropriate duties to her sister and her aunt, and[88] they are all three devotedly attached. Charley, my eldest boy, remains in Barings' house. Your present correspondent is more popular than he ever has been. I rather think that the readings in the country have opened up a new public who were outside before; but however that may be, his books have a wider range than they ever had, and his public welcomes are prodigious. Said correspondent is at present overwhelmed with proposals to go and read in America. Will never go, unless a small fortune be first paid down in money on this side of the Atlantic. Stated the figure of such payment, between ourselves, only yesterday. Expects to hear no more of it, and assuredly will never go for less. You don't say, my dear Cerjat, when you are coming to England! Somehow I feel that this marriage ought to bring you over, though I don't know why. You shall have a bed here and a bed at Gad's Hill, and we will go and see strange sights together. When I was in Ireland, I ordered the brightest jaunting-car that ever was seen. It has just this minute arrived per steamer from Belfast. Say you are coming, and you shall be the first man turned over by it; somebody must be (for my daughter Mary drives anything that can be harnessed, and I know of no English horse that would understand a jaunting-car coming down a Kentish hill), and you shall be that somebody if you will. They turned the basket-phaeton over, last summer, in a bye-road—Mary and the other two—and had to get it up again; which they did, and came home as if nothing had happened. They send their loves to Mrs. Cerjat, and to you, and to all, and particularly to the dear fiancée. So do I, with all my heart, and am ever your attached and affectionate friend.[89]

My home life, which I know is interesting to you, is going smoothly. My oldest daughter is an excellent housekeeper, manages the dining table beautifully, assigns some suitable tasks to her sister and aunt, and they are all very close. Charley, my eldest son, is still with Barings. Your current correspondent is more popular than ever. I think the readings in the countryside have attracted a new audience that wasn’t there before; regardless, his books have a broader appeal than ever, and the receptions he receives are huge. He’s currently overwhelmed with offers to go read in America. He will only go if a decent amount of money is paid upfront on this side of the Atlantic. We discussed the amount just yesterday. He doesn’t expect to hear anything more about it, and he definitely won’t go for less. You haven’t mentioned when you’re coming to England, dear Cerjat! For some reason, I feel this marriage should bring you over, although I can’t explain why. You’ll have a place to stay here and at Gad’s Hill, and we’ll explore new places together. When I was in Ireland, I ordered the shiniest jaunting car you've ever seen. It just arrived by steamer from Belfast. If you say you’re coming, you’ll be the first person to ride in it; someone has to (since my daughter Mary can drive anything that can be hitched, and I know no English horse would handle a jaunting car going down a Kentish hill), and you’ll be that someone if you want to be. Last summer, they flipped the basket-phaeton over in a side road—Mary and the other two—and managed to get it back up again; they did, and returned home like nothing even happened. They send their love to Mrs. Cerjat, to you, to everyone, and especially to our dear fiancée. So do I, with all my heart, and I remain your devoted and affectionate friend.[89]

Mr. Antonio Panizzi.


Tavistock House, Monday Night, March 14th, 1859.
Dear Panizzi,

If you should feel no delicacy in mentioning, or should see no objection to mentioning, to Signor Poerio, or any of the wronged Neapolitan gentlemen to whom it is your happiness and honour to be a friend on their arrival in this country, an idea that has occurred to me, I should regard it as a great kindness in you if you would be my exponent. I think you will have no difficulty in believing that I would not, on any consideration, obtrude my name or projects upon any one of those noble souls, if there were any reason of the slightest kind against it. And if you see any such reason, I pray you instantly to banish my letter from your thoughts.

If you feel comfortable bringing up my idea with Signor Poerio or any of the wronged Neapolitan gentlemen who are your friends when they arrive in this country, I would really appreciate it. I want you to know that I wouldn’t impose my name or plans on any of those noble individuals if there was even the slightest reason not to. If you do see any reason against it, please forget about my letter right away.

It seems to me probable that some narrative of their ten years' suffering will, somehow or other, sooner or later, be by some of them laid before the English people. The just interest and indignation alive here, will (I suppose) elicit it. False narratives and garbled stories will, in any case, of a certainty get about. If the true history of the matter is to be told, I have that sympathy with them and respect for them which would, all other considerations apart, render it unspeakably gratifying to me to be the means of its diffusion. What I desire to lay before them is simply this. If for my new successor to "Household Words" a narrative of their ten years' trial could be written, I would take any conceivable pains to have it rendered into English, and presented in the sincerest and best way to a very large and comprehensive audience. It should be published exactly as you might think best for them, and remunerated in any way that you might think generous and right. They want no mouthpiece and no introducer, but perhaps they might have no objection to be associated with an English writer, who is[90] possibly not unknown to them by some general reputation, and who certainly would be animated by a strong public and private respect for their honour, spirit, and unmerited misfortunes. This is the whole matter; assuming that such a thing is to be done, I long for the privilege of helping to do it. These gentlemen might consider it an independent means of making money, and I should be delighted to pay the money.

It seems likely to me that, at some point, a story about their ten years of suffering will be presented to the English public by one of them. The genuine interest and anger here will, I assume, bring it to light. False accounts and distorted tales will definitely circulate regardless. If the true account of the situation is to be shared, I feel a deep sympathy and respect for them, which would make it incredibly rewarding for me to help spread their story. What I want to express is simply this: If a narrative of their ten years of hardship could be written for my new successor at "Household Words," I would do everything possible to ensure it’s translated into English and shared sincerely and effectively with a broad audience. It should be published in whatever way you think is best for them and compensated in whatever way you consider fair and generous. They don’t need a spokesperson or an introducer, but maybe they wouldn’t mind partnering with an English writer who is[90] possibly familiar to them by general reputation and who would definitely be driven by a strong public and private respect for their dignity, spirit, and undeserved hardships. That’s the whole point; if such a thing is going to happen, I eagerly look forward to the opportunity to help make it happen. These gentlemen might see it as an independent way to earn money, and I would be happy to provide the funding.

In my absence from town, my friend and sub-editor, Mr. Wills (to whom I had expressed my feeling on the subject), has seen, I think, three of the gentlemen together. But as I hear, returning home to-night, that they are in your good hands, and as nobody can be a better judge than you of anything that concerns them, I at once decide to write to you and to take no other step whatever. Forgive me for the trouble I have occasioned you in the reading of this letter, and never think of it again if you think that by pursuing it you would cause them an instant's uneasiness.

While I was away from town, my friend and sub-editor, Mr. Wills (to whom I shared my thoughts on the matter), has, I believe, met with three of the gentlemen together. However, since I've heard on my way home tonight that they are in your capable hands, and since no one is better suited than you to judge anything related to them, I've decided to write to you and take no further action. I apologize for the trouble this letter may cause you, and please forget about it entirely if you think pursuing it might cause them even a moment’s distress.

Believe me, very faithfully yours.
Mr. Antonio Panizzi.


Tavistock House, Tuesday, March 15th, 1859.
Dear Panizzi,

Let me thank you heartily for your kind and prompt letter. I am really and truly sensible of your friendliness.

Let me sincerely thank you for your kind and quick letter. I genuinely appreciate your thoughtfulness.

I have not heard from Higgins, but of course I am ready to serve on the Committee.

I haven't heard from Higgins, but I'm definitely ready to serve on the Committee.

Always faithfully yours.
Mr. B. W. Procter.


Tavistock House, Saturday, March 19th, 1859.
Dear Procter,

I think the songs are simply ADMIRABLE! and I have no doubt of this being a popular feature in "All the[91] Year Round." I would not omit the sexton, and I would not omit the spinners and weavers; and I would omit the hack-writers, and (I think) the alderman; but I am not so clear about the chorister. The pastoral I a little doubt finding audience for; but I am not at all sure yet that my doubt is well founded.

I think the songs are truly AMAZING! and I have no doubt this will be a popular feature in "All the[91] Year Round." I wouldn’t leave out the sexton, and I wouldn’t leave out the spinners and weavers; but I would leave out the hack-writers, and (I think) the alderman; however, I'm not so sure about the chorister. I have some doubts about the pastoral finding an audience; but I'm not entirely convinced my doubts are justified yet.

Had I not better send them all to the printer, and let you have proofs kept by you for publishing? I shall not have to make up the first number of "All the Year Round" until early in April. I don't like to send the manuscript back, and I never do like to do so when I get anything that I know to be thoroughly, soundly, and unquestionably good. I am hard at work upon my story, and expect a magnificent start. With hearty thanks,

Hadn't I better send them all to the printer and let you keep the proofs for publishing? I won’t need to put together the first issue of "All the Year Round" until early April. I don't want to send the manuscript back, and I never like to do that when I receive something that I know is truly, solidly, and definitely good. I'm working hard on my story and expect a fantastic start. Thanks a lot,

Ever yours affectionately.
Mr. Edmund Yates.


Tavistock House, Tavistock Square, London, W.C.,
Tuesday, March 29th, 1859.
Dear Edmund,

1. I think that no one seeing the place can well doubt that my house at Gad's Hill is the place for the letter-box. The wall is accessible by all sorts and conditions of men, on the bold high road, and the house altogether is the great landmark of the whole neighbourhood. Captain Goldsmith's house is up a lane considerably off the high road; but he has a garden wall abutting on the road itself.

1. I believe that anyone who sees the place can't really doubt that my house at Gad's Hill is the best spot for the letterbox. The wall is easy for all kinds of people to access, right off the busy main road, and the house itself is the prominent landmark of the whole area. Captain Goldsmith's house is down a lane that's quite far from the main road, but he has a garden wall that borders the road itself.

2. "The Pic-Nic Papers" were originally sold to Colburn, for the benefit of the widow of Mr. Macrone, of St. James's Square, publisher, deceased. Two volumes were contributed—of course gratuitously—by writers who had had transactions with Macrone. Mr. Colburn, wanting three volumes in all for trade purposes, added a third,[92] consisting of an American reprint. Of that volume I didn't know, and don't know, anything. The other two I edited, gratuitously as aforesaid, and wrote the Lamplighter's story in. It was all done many years ago. There was a preface originally, delicately setting forth how the book came to be.

2. "The Pic-Nic Papers" were originally sold to Colburn, for the benefit of Mr. Macrone's widow, who lived in St. James's Square, after he passed away. Two volumes were contributed—of course for free—by writers who had worked with Macrone. Mr. Colburn, needing three volumes in total for sales purposes, added a third, [92] which was an American reprint. I didn’t know anything about that volume, and I still don’t. I edited the other two, as mentioned earlier, and included the Lamplighter’s story in one of them. This all happened many years ago. There was originally a preface that gently explained how the book came to be.

3. I suppose —— to be, as Mr. Samuel Weller expresses it somewhere in "Pickwick," "ravin' mad with the consciousness o' willany." Under their advertisement in The Times to-day, you will see, without a word of comment, the shorthand writer's verbatim report of the judgment.

3. I guess I'm, as Mr. Samuel Weller puts it somewhere in "Pickwick," "completely crazy with the awareness of will." Under their ad in The Times today, you’ll see, without any comments, the shorthand writer’s exact report of the judgment.

Ever faithfully.
Mr. Antonio Panizzi.


"All Year Round" Office, Thursday, April 7th, 1859.
Dear Panizzi,

If you don't know, I think you should know that a number of letters are passing through the post-office, purporting to be addressed to the charitable by "Italian Exiles in London," asking for aid to raise a fund for a tribute to "London's Lord Mayor," in grateful recognition of the reception of the Neapolitan exiles. I know this to be the case, and have no doubt in my own mind that the whole thing is an imposture and a "do." The letters are signed "Gratitudine Italiana."

If you’re not aware, you should know that several letters are going through the post office, claiming to be from "Italian Exiles in London," asking for help to raise money for a tribute to "London's Lord Mayor," in appreciation of how the Neapolitan exiles were welcomed. I know this to be true, and I have no doubt that it’s all a scam and a setup. The letters are signed "Gratitudine Italiana."

Ever faithfully yours.
Miss White.


Tavistock House, Tavistock Square, London, W.C.,
Monday, April 18th, 1859.
My dear Lotty,

This is merely a notice to you that I must positively insist on your getting well, strong, and into good spirits, with the least possible delay. Also, that I look forward to seeing you at Gad's Hill sometime in the summer, staying with the girls, and heartlessly putting down the Plorn[93]. You know that there is no appeal from the Plorn's inimitable father. What he says must be done. Therefore I send you my love (which please take care of), and my commands (which please obey).

This is just a notice to let you know that I absolutely insist you get well, strong, and in good spirits as soon as possible. Also, I’m looking forward to seeing you at Gad's Hill sometime in the summer, staying with the girls, and mercilessly dealing with the Plorn[93]. You know there’s no arguing with the Plorn’s one-of-a-kind father. What he says has to be done. So, I’m sending you my love (which I hope you’ll take care of), and my orders (which I hope you’ll follow).

Ever your affectionate.
The Hon. Mrs. Watson.


Tavistock House, Tavistock Square, London, W.C.,
Tuesday, May 31st, 1859.
Dear Mrs. Watson,

You surprise me by supposing that there is ever latent a defiant and roused expression in the undersigned lamb! Apart from this singular delusion of yours, and wholly unaccountable departure from your usual accuracy in all things, your satisfaction with the portrait is a great pleasure to me. It has received every conceivable pains at Frith's hands, and ought on his account to be good. It is a little too much (to my thinking) as if my next-door neighbour were my deadly foe, uninsured, and I had just received tidings of his house being afire; otherwise very good.

You surprise me by thinking that there’s ever a rebellious and agitated look in this humble lamb! Aside from this odd misconception of yours, which is completely out of character for you, I’m really pleased that you like the portrait. Frith put a lot of effort into it, and it should be good because of that. It feels a bit like if my next-door neighbor were my worst enemy, uninsured, and I had just heard that his house was on fire; otherwise, it’s quite good.

I cannot tell you how delighted we shall be if you would come to Gad's Hill. You should see some charming woods and a rare old castle, and you should have such a snug room looking over a Kentish prospect, with every facility in it for pondering on the beauties of its master's beard! Do come, but you positively must not come and go on the same day.

I can’t tell you how happy we’d be if you could come to Gad's Hill. You should see some lovely woods and a unique old castle, and you’d have a cozy room with a view of the Kent landscape, complete with everything you need to reflect on the wonders of its owner’s beard! Please come, but you absolutely must not come and leave on the same day.

We retreat there on Monday, and shall be there all the summer.

We’re heading there on Monday and will be there all summer.

My small boy is perfectly happy at Southsea, and likes the school very much. I had the finest letter two or three days ago, from another of my boys—Frank Jeffrey—at Hamburg. In this wonderful epistle he says: "Dear papa, I write to tell you that I have given up all thoughts of[94] being a doctor. My conviction that I shall never get over my stammering is the cause; all professions are barred against me. The only thing I should like to be is a gentleman farmer, either at the Cape, in Canada, or Australia. With my passage paid, fifteen pounds, a horse, and a rifle, I could go two or three hundred miles up country, sow grain, buy cattle, and in time be very comfortable."

My little boy is really happy at Southsea and likes the school a lot. A few days ago, I received the best letter from my other son—Frank Jeffrey—who is in Hamburg. In this amazing letter, he writes: "Dear Dad, I want to let you know that I’ve given up all thoughts of being a doctor. My belief that I won’t get over my stammering is the reason; all professions are off-limits for me. The only thing I’d like to be is a gentleman farmer, either in the Cape, Canada, or Australia. With my passage paid, fifteen pounds, a horse, and a rifle, I could travel two or three hundred miles inland, plant grain, buy cattle, and eventually be very comfortable."

Considering the consequences of executing the little commission by the next steamer, I perceived that the first consequence of the fifteen pounds would be that he would be robbed of it—of the horse, that it would throw him—and of the rifle, that it would blow his head off; which probabilities I took the liberty of mentioning, as being against the scheme. With best love from all,

Considering what might happen if we carried out the small task with the next steamer, I realized that the first result of the fifteen pounds would be that he would lose it—lose the horse, which would throw him off—and lose the rifle, which could blow his head off; I thought it best to point these out, as they were against the plan. With love from everyone,

Always believe me, my dear Mrs. Watson,
Your faithful and affectionate.
Mrs. White.


Tavistock House, Sunday, June 5th, 1859.
Dear Mrs. White,

I do not write to you this morning because I have anything to say—I well know where your consolation is set, and to what beneficent figure your thoughts are raised—but simply because you are so much in my mind that it is a relief to send you and dear White my love. You are always in our hearts and on our lips. May the great God comfort you! You know that Mary and Katie are coming on Thursday. They will bring dear Lotty what she little needs with you by her side—love; and I hope their company will interest and please her. There is nothing that they, or any of us, would not do for her. She is a part of us all, and has belonged to us, as well as to you, these many years.

I’m not writing to you this morning because I have anything specific to say—I know where you find comfort and who you’re thinking of—but just because you’re so much on my mind that I want to send you and dear White my love. You’re always in our hearts and on our lips. May the great God comfort you! You know that Mary and Katie are coming on Thursday. They’ll bring dear Lotty what she really needs with you by her side—love; and I hope their company will interest and please her. There’s nothing that they, or any of us, wouldn’t do for her. She’s a part of all of us and has belonged to us, just as much as to you, for many years.

Ever your affectionate and faithful.
Miss Dickens.


Gad's Hill, Higham near Rochester, Kent,
Monday, June 11th, 1859.
My beloved Mamie,

On Saturday night I found, very much to my surprise and pleasure, the photograph on my table at Tavistock House. It is not a very pleasant or cheerful presentation of my daughters; but it is wonderfully like for all that, and in some details remarkably good. When I came home here yesterday I tried it in the large Townshend stereoscope, in which it shows to great advantage. It is in the little stereoscope at present on the drawing-room table. One of the balustrades of the destroyed old Rochester bridge has been (very nicely) presented to me by the contractor for the works, and has been duly stonemasoned and set up on the lawn behind the house. I have ordered a sun-dial for the top of it, and it will be a very good object indeed. The Plorn is highly excited to-day by reason of an institution which he tells me (after questioning George) is called the "Cobb, or Bodderin," holding a festival at The Falstaff. He is possessed of some vague information that they go to Higham Church, in pursuance of some old usage, and attend service there, and afterwards march round the village. It so far looks probable that they certainly started off at eleven very spare in numbers, and came back considerably recruited, which looks to me like the difference between going to church and coming to dinner. They bore no end of bright banners and broad sashes, and had a band with a terrific drum, and are now (at half-past two) dining at The Falstaff, partly in the side room on the ground-floor, and partly in a tent improvised this morning. The drum is hung up to a tree in The Falstaff garden, and looks like a tropical sort of gourd. I have presented the band with five shillings, which munificence has been highly appreciated.[96] Ices don't seem to be provided for the ladies in the gallery—I mean the garden; they are prowling about there, endeavouring to peep in at the beef and mutton through the holes in the tent, on the whole, in a debased and degraded manner.

On Saturday night, I found, to my surprise and delight, the photograph on my table at Tavistock House. It's not a very nice or cheerful picture of my daughters, but it's remarkably similar nonetheless, with some details really well done. When I got home yesterday, I tried it out in the large Townshend stereoscope, which shows it off beautifully. It's currently in the little stereoscope on the drawing-room table. One of the balustrades from the old Rochester bridge, which has been destroyed, has been nicely presented to me by the contractor overseeing the construction, and it's been properly stonemasoned and set up on the lawn behind the house. I've ordered a sundial to go on top of it, and it will be quite a nice feature. The Plorn is really excited today because of an event he tells me (after asking George) is called the "Cobb, or Bodderin," which is holding a festival at The Falstaff. He has some vague idea that they go to Higham Church as part of an old tradition, attend service there, and then march around the village. It seems likely they started off at eleven with very few people and came back with a much larger group, which looks to me like the difference between going to church and then going to dinner. They carried a bunch of bright banners and wide sashes, and had a band with a loud drum, and now (at half-past two) they are dining at The Falstaff, partly in the side room on the ground floor, and partly in a tent set up this morning. The drum is hanging from a tree in The Falstaff garden and looks like a tropical gourd. I've given the band five shillings, which they really appreciated. [96] It seems they haven't provided ices for the ladies in the gallery—I mean the garden; they are wandering around trying to peek at the beef and mutton through the holes in the tent, overall behaving in a pretty pathetic way.

Turk somehow cut his foot in Cobham Lanes yesterday, and Linda hers. They are both lame, and looking at each other. Fancy Mr. Townshend not intending to go for another three weeks, and designing to come down here for a few days—with Henri and Bully—on Wednesday! I wish you could have seen him alone with me on Saturday; he was so extraordinarily earnest and affectionate on my belongings and affairs in general, and not least of all on you and Katie, that he cried in a most pathetic manner, and was so affected that I was obliged to leave him among the flowerpots in the long passage at the end of the dining-room. It was a very good piece of truthfulness and sincerity, especially in one of his years, able to take life so easily.

Turk somehow cut his foot in Cobham Lanes yesterday, and Linda did too. They’re both limping and looking at each other. Can you believe Mr. Townshend doesn't plan to come for another three weeks but wants to come down here for a few days—with Henri and Bully—on Wednesday? I wish you could have seen him alone with me on Saturday; he was incredibly serious and caring about my things and my life in general, and especially about you and Katie, that he cried in a really sad way and got so emotional that I had to leave him among the flowerpots in the long hallway at the end of the dining room. It was a genuine moment of honesty and sincerity, especially for someone his age who usually takes life so lightly.

Mr. and Mrs. Wills are here now (but I daresay you know it from your aunt), and return to town with me to-morrow morning. We are now going on to the castle. Mrs. Wills was very droll last night, and told me some good stories. My dear, I wish particularly to impress upon you and dear Katie (to whom I send my other best love) that I hope your stay will not be very long. I don't think it very good for either of you, though of course I know that Lotty will be, and must be, and should be the first consideration with you both. I am very anxious to know how you found her and how you are yourself.

Mr. and Mrs. Wills are here now (but I’m sure you heard that from your aunt), and they’ll be returning to town with me tomorrow morning. We’re heading to the castle now. Mrs. Wills was quite funny last night and shared some great stories. My dear, I really want to stress to you and dear Katie (who I send my love to as well) that I hope your stay won’t be too long. I don’t think it’s very good for either of you, even though I understand that Lotty will be, and must be, and should be your top priority. I’m very eager to hear how you found her and how you’re doing.

Best love to dear Lotty and Mrs. White. The same to Mr. White and Clara. We are always talking about you all.

Best love to dear Lotty and Mrs. White. The same to Mr. White and Clara. We’re always talking about you all.

Ever, dearest Mamie, your affectionate Father.
Rev. James White.


Gad's Hill Place, Higham near Rochester, Kent,
Thursday, July 7th, 1859.
My dear friend,

    I send my heartiest and most affectionate love to Mrs. White and you, and to Clara. You know all that I could add; you have felt it all; let it be unspoken and unwritten—it is expressed within us.

I send my warmest and most loving wishes to Mrs. White, you, and Clara. You know everything I could say; you’ve felt it all; let it remain unspoken and unwritten—it’s felt between us.

Do you not think that you could all three come here, and stay with us? You and Mrs. White should have your own large room and your own ways, and should be among us when you felt disposed, and never otherwise. I do hope you would find peace here. Can it not be done?

Do you all think you could come here and stay with us? You and Mrs. White should have your own big room and your own routines, and join us when you want, but not otherwise. I really hope you would find peace here. Can it be done?

We have talked very much about it among ourselves, and the girls are strong upon it. Think of it—do!

We’ve talked a lot about it with each other, and the girls are really passionate about it. Just think about it—please!

Ever your affectionate.
Mr. John Forster.


Gad's Hill, Thursday Night, Aug. 25th, 1859.
Dear Forster,
Heartily glad to get your letter this morning.

I cannot easily tell you how much interested I am by what you tell me of our brave and excellent friend the Chief Baron, in connection with that ruffian. I followed the case with so much interest, and have followed the miserable knaves and asses who have perverted it since, with so much indignation, that I have often had more than half a mind to write and thank the upright judge who tried him. I declare to God that I believe such a service one of the greatest that a man of intellect and courage can render to society. Of course I saw the beast of a prisoner (with my mind's eye) delivering his cut-and-dried speech, and read in every word of it that no one but the murderer [98]could have delivered or conceived it. Of course I have been driving the girls out of their wits here, by incessantly proclaiming that there needed no medical evidence either way, and that the case was plain without it. Lastly, of course (though a merciful man—because a merciful man I mean), I would hang any Home Secretary (Whig, Tory, Radical, or otherwise) who should step in between that black scoundrel and the gallows. I cannot believe—and my belief in all wrong as to public matters is enormous—that such a thing will be done.

I can’t easily express how much I care about what you’re telling me regarding our brave and amazing friend, the Chief Baron, in relation to that thug. I followed the case with great interest and have been following the despicable fools who have twisted it ever since, with so much anger, that I've often thought about writing to thank the honest judge who presided over it. I truly believe that such a service is one of the greatest things a person of intellect and courage can do for society. Naturally, I pictured that awful prisoner (in my mind) giving his rehearsed speech, and I could tell from every word of it that no one but the murderer [98] could have delivered or conceived it. I've definitely been driving the girls mad here by constantly pointing out that no medical evidence is needed either way and that the case is clear without it. Lastly, I want to say (even though I am a merciful man—because I really am), I would hang any Home Secretary (whether Whig, Tory, Radical, or otherwise) who tries to intervene between that horrible scoundrel and the gallows. I cannot believe—and my skepticism about public matters is immense—that such a thing could happen.

I am reminded of Tennyson, by thinking that King Arthur would have made short work of the amiable ——, whom the newspapers strangely delight to make a sort of gentleman of. How fine the "Idylls" are! Lord! what a blessed thing it is to read a man who can write! I thought nothing could be grander than the first poem till I came to the third; but when I had read the last, it seemed to be absolutely unapproached and unapproachable.

I think of Tennyson when I consider that King Arthur would have quickly dealt with the pleasant ——, whom the newspapers oddly enjoy portraying as a gentleman. How beautiful the "Idylls" are! Wow! What a wonderful thing it is to read someone who can actually write! I thought nothing could be greater than the first poem until I got to the third; but after reading the last one, it felt completely unmatched and unreachable.

To come to myself. I have written and begged the "All the Year Round" publisher to send you directly four weeks' proofs beyond the current number, that are in type. I hope you will like them. Nothing but the interest of the subject, and the pleasure of striving with the difficulty of the forms of treatment, nothing in the mere way of money, I mean, could also repay the time and trouble of the incessant condensation. But I set myself the little task of making a picturesque story, rising in every chapter with characters true to nature, but whom the story itself should express, more than they should express themselves, by dialogue. I mean, in other words, that I fancied a story of incident might be written, in place of the bestiality that is written under that pretence, pounding the characters out in its own mortar, and beating their own interests out of them. If[99] you could have read the story all at once, I hope you wouldn't have stopped halfway.

To find myself again. I've written and asked the "All the Year Round" publisher to send you directly four weeks' proofs beyond the current issue that are already typeset. I hope you like them. The only thing that makes this worth the time and effort of constantly condensing is the interest of the subject matter and the challenge of the narrative style; money doesn’t come into it. I set myself the goal of crafting a picturesque story, developing characters that are true to life, but whose essence the narrative should convey more than they express themselves through dialogue. In other words, I imagined a story filled with incidents that could be told, instead of the sordid tales often presented under that guise, with characters molded to fit the narrative at the expense of their genuine interests. If[99] you could have read the entire story at once, I hope you wouldn’t have stopped halfway.

As to coming to your retreat, my dear Forster, think how helpless I am. I am not well yet. I have an instinctive feeling that nothing but the sea will restore me, and I am planning to go and work at Ballard's, at Broadstairs, from next Wednesday to Monday. I generally go to town on Monday afternoon. All Tuesday I am at the office, on Wednesday I come back here, and go to work again. I don't leave off till Monday comes round once more. I am fighting to get my story done by the first week in October. On the 10th of October I am going away to read for a fortnight at Ipswich, Norwich, Oxford, Cambridge, and a few other places. Judge what my spare time is just now!

As for coming to your retreat, my dear Forster, think about how helpless I am. I’m still not feeling well. I have this instinctive feeling that only the sea can help me, so I’m planning to go work at Ballard's in Broadstairs from next Wednesday to Monday. I usually head to the city on Monday afternoon. I spend all Tuesday at the office, then I come back here on Wednesday and start working again. I don’t stop until the next Monday rolls around. I’m trying to finish my story by the first week of October. On October 10th, I’m heading out to read for two weeks in Ipswich, Norwich, Oxford, Cambridge, and a few other places. Just imagine how little free time I have right now!

I am very much surprised and very sorry to find from the enclosed that Elliotson has been ill. I never heard a word of it.

I’m really surprised and very sorry to see from the enclosed that Elliotson has been sick. I never heard anything about it.

Georgy sends best love to you and to Mrs. Forster, so do I, so does Plorn, so does Frank. The girls are, for five days, with the Whites at Ramsgate. It is raining, intensely hot, and stormy. Eighteen creatures, like little tortoises, have dashed in at the window and fallen on the paper since I began this paragraph ink-blot (that was one!). I am a wretched sort of creature in my way, but it is a way that gets on somehow. And all ways have the same fingerpost at the head of them, and at every turning in them.

Georgy sends his love to you and Mrs. Forster, and so do I, Plorn, and Frank. The girls are spending five days with the Whites at Ramsgate. It’s raining, really hot, and stormy. Eighteen little creatures, like tiny tortoises, have rushed in through the window and landed on the paper since I started this paragraph ink-blot (that was one!). I'm a bit of a miserable person in my own way, but it’s a way that somehow works. And all paths lead to the same signpost at the start and at every turn.

Ever affectionately.
Miss Dickens and Miss Katie Dickens.


Albion, Broadstairs, Friday, Sept. 2nd, 1859.
My dear Mamie and Katie,

I have been "moved" here, and am now (Ballard having added to the hotel a house we lived in three years)[100] in our old dining-room and sitting-room, and our old drawing-room as a bedroom. My cold is so bad, both in my throat and in my chest, that I can't bathe in the sea; Tom Collin dissuaded me—thought it "bad"—but I get a heavy shower-bath at Mrs. Crampton's every morning. The baths are still hers and her husband's, but they have retired and live in "Nuckells"—are going to give a stained-glass window, value three hundred pounds, to St. Peter's Church. Tom Collin is of opinion that the Miss Dickenses has growed two fine young women—leastwise, asking pardon, ladies. An evangelical family of most disagreeable girls prowl about here and trip people up with tracts, which they put in the paths with stones upon them to keep them from blowing away. Charles Collins and I having seen a bill yesterday—about a mesmeric young lady who did feats, one of which was set forth in the bill, in a line by itself, as

I’ve been “moved” here, and now (Ballard added a house to the hotel where we lived three years ago)[100] in our old dining room, sitting room, and using our old drawing room as a bedroom. My cold is so bad, both in my throat and my chest, that I can’t swim in the sea; Tom Collin advised against it—thought it was “bad”—but I get a heavy shower every morning at Mrs. Crampton's. The baths still belong to her and her husband, but they’ve retired and live in “Nuckells”—they’re going to donate a stained-glass window worth three hundred pounds to St. Peter's Church. Tom Collin thinks that the Miss Dickenses have become two fine young women—at least, I apologize, ladies. An evangelical family with really unpleasant girls loiters around here, tripping people up with tracts that they leave in the paths weighted down with stones to keep them from blowing away. Charles Collins and I saw a flyer yesterday about a mesmerizing young lady who performed stunts, one of which was highlighted in the flyer, in a line by itself, as

the stiff legs,

—were overpowered with curiosity, and resolved to go. It came off in the Assembly Room, now more exquisitely desolate than words can describe. Eighteen shillings was the "take." Behind a screen among the company, we heard mysterious gurglings of water before the entertainment began, and then a slippery sound which occasioned me to whisper C. C. (who laughed in the most ridiculous manner), "Soap." It proved to be the young lady washing herself. She must have been wonderfully dirty, for she took a world of trouble, and didn't come out clean after all—in a wretched dirty muslin frock, with blue ribbons. She was the alleged mesmeriser, and a boy who distributed bills the alleged mesmerised. It was a most preposterous imposition, but more ludicrous than any poor sight I ever saw. The boy is clearly out of pantomime, and when he pretended[101] to be in the mesmeric state, made the company back by going in among them head over heels, backwards, half-a-dozen times, in a most insupportable way. The pianist had struck; and the manner in which the lecturer implored "some lady" to play a "polker," and the manner in which no lady would; and in which the few ladies who were there sat with their hats on, and the elastic under their chins, as if it were going to blow, is never to be forgotten. I have been writing all the morning, and am going for a walk to Ramsgate. This is a beast of a letter, but I am not well, and have been addling my head.

—were overwhelmed with curiosity, and decided to go. It took place in the Assembly Room, now more hauntingly empty than words can convey. Eighteen shillings was the total. Behind a screen among the crowd, we heard enigmatic gurgling noises before the show started, followed by a slippery sound that made me whisper to C. C. (who laughed in the most absurd way), "Soap." It turned out to be the young lady washing herself. She must have been incredibly dirty, as she went to great lengths, yet didn’t come out clean—wearing a shabby dirty muslin dress with blue ribbons. She was supposed to be the mesmerist, and a boy who handed out flyers was the supposed mesmerized. It was a completely ridiculous scam, but more comical than any pathetic sight I've ever witnessed. The boy seemed straight out of a pantomime, and when he pretended to be in a trance, he made the audience cringe by flipping head over heels among them, backwards, half a dozen times, in a totally unbearable manner. The pianist had started playing, and the way the lecturer begged "some lady" to play a "polka," and the way no lady would; and how the few ladies present sat with their hats on, elastic under their chins, as if it might fly off, is something I’ll never forget. I’ve been writing all morning and I’m going for a walk to Ramsgate. This is a terrible letter, but I’m not feeling well and my brain is all jumbled.

Ever, dear Girls, your affectionate Father.
Mr. W. Wilkie Collins.


Gad's Hill Place, Higham near Rochester, Kent
Friday Night, Sept. 16th, 1859.
Dear Wilkie,

Just a word to say that I have received yours, and that I look forward to the reunion on Thursday, when I hope to have the satisfaction of recounting to you the plot of a play that has been laid before me for commending advice.

Just a quick note to say that I got your message, and I'm looking forward to our reunion on Thursday. I hope to have the pleasure of sharing with you the plot of a play that has been presented to me for feedback.

Ditto to what you say respecting the Great Eastern. I went right up to London Bridge by the boat that day, on purpose that I might pass her. I thought her the ugliest and most unshiplike thing these eyes ever beheld. I wouldn't go to sea in her, shiver my ould timbers and rouse me up with a monkey's tail (man-of-war metaphor), not to chuck a biscuit into Davy Jones's weather eye, and see double with my own old toplights.

Ditto to what you're saying about the Great Eastern. I took the boat all the way to London Bridge that day just to see her. I thought she was the ugliest and most unshiplike thing I've ever laid eyes on. I wouldn't set sail on her, no way—I'd rather be scared out of my wits and have a monkey's tail rattling in my face (man-of-war metaphor)—than toss a biscuit into Davy Jones's locker and see double with my own two eyes.

Turk has been so good as to produce from his mouth, for the wholesome consternation of the family, eighteen feet of worm. When he had brought it up, he seemed to[102] think it might be turned to account in the housekeeping and was proud. Pony has kicked a shaft off the cart, and is to be sold. Why don't you buy her? she'd never kick with you.

Turk has been kind enough to bring up from his mouth, to the family's complete shock, eighteen feet of worm. After he brought it up, he seemed to think it could be useful in the household and felt proud. Pony kicked a shaft off the cart and is going to be sold. Why don't you buy her? She wouldn't kick with you.

Barber's opinion is, that them fruit-trees, one and all, is touchwood, and not fit for burning at any gentleman's fire; also that the stocking of this here garden is worth less than nothing, because you wouldn't have to grub up nothing, and something takes a man to do it at three-and-sixpence a day. Was "left desponding" by your reporter.

Barber thinks that all those fruit trees are basically worthless and shouldn't be burned in any gentleman's fire. He also believes that the worth of this garden is less than zero, since you wouldn't need to dig anything up, and it takes a person to do that for three shillings and sixpence a day. Your reporter was "left despondent."

I have had immense difficulty to find a man for the stable-yard here. Barber having at last engaged one this morning, I enquired if he had a decent hat for driving in, to which Barber returned this answer:

I have had a lot of trouble finding a guy for the stable yard here. Barber finally hired one this morning, so I asked if he had a decent hat for driving, and Barber replied:

"Why, sir, not to deceive you, that man flatly say that he never have wore that article since man he was!"

"Why, sir, to be honest with you, that man clearly says that he has never worn that item since he was born!"

I am consequently fortified into my room, and am afraid to go out to look at him. Love from all.

I’m stuck in my room and scared to go out and see him. Love from everyone.

Ever affectionately.
Monsieur Regnier.


Gad's Hill Place, Higham near Rochester, Kent,
Saturday, Oct. 15th, 1859.
Dear Regnier,

You will receive by railway parcel the proof-sheets of a story of mine, that has been for some time in progress in my weekly journal, and that will be published in a complete volume about the middle of November. Nobody but Forster has yet seen the latter portions of it, or will see them until they are published. I want you to read it for two reasons. Firstly, because I hope it is the best story I have written. Secondly, because it treats of a very remarkable time in France; and I should very much like[103] to know what you think of its being dramatised for a French theatre. If you should think it likely to be done, I should be glad to take some steps towards having it well done. The story is an extraordinary success here, and I think the end of it is certain to make a still greater sensation.

You will receive via railway parcel the proof sheets of a story of mine that has been in progress in my weekly journal for some time, and it will be published in a complete volume around mid-November. No one but Forster has seen the later sections of it, nor will anyone see them until they’re published. I want you to read it for two reasons. First, because I hope it's the best story I've written. Second, because it’s about a very remarkable time in France; and I would really like[103] to know what you think about it being adapted for a French theater. If you think it’s likely to happen, I would be happy to take steps to ensure it’s done well. The story is an extraordinary success here, and I believe the ending will create an even bigger impact.

Don't trouble yourself to write to me, mon ami, until you shall have had time to read the proofs. Remember, they are proofs, and private; the latter chapters will not be before the public for five or six weeks to come.

Don't worry about writing to me, mon ami, until you've had a chance to read the proofs. Remember, they are proofs and private; the last chapters won't be available to the public for another five or six weeks.

With kind regards to Madame Regnier, in which my daughters and their aunt unite,

With warm regards to Madame Regnier, shared by my daughters and their aunt,

Believe me, ever faithfully yours.

P.S.—The story (I daresay you have not seen any of it yet) is called "A Tale of Two Cities."

P.S.—The story (I bet you haven't seen any of it yet) is called "A Tale of Two Cities."

Mr. Frank Stone, A.R.A.


Peterborough, Wednesday Evening, Oct. 19th, 1859.
My dear friend Stone,

We had a splendid rush last night—exactly as we supposed, with the pressure on the two shillings, of whom we turned a crowd away. They were a far finer audience than on the previous night; I think the finest I have ever read to. They took every word of the "Dombey" in quite an amazing manner, and after the child's death, paused a little, and then set up a shout that it did one good to hear. Mrs. Gamp then set in with a roar, which lasted until I had done. I think everybody for the time forgot everything but the matter in hand. It was as fine an instance of thorough absorption in a fiction as any of us are likely to see ever again.

We had an amazing turnout last night—just like we expected, with the pressure on the two shillings, which led us to turn a crowd away. They were a much better audience than the night before; I think they were the best I've ever read to. They absorbed every word of "Dombey" in an incredible way, and after the child's death, there was a brief pause, and then they erupted in applause that was uplifting to hear. Mrs. Gamp then chimed in with a cheer that lasted until I finished. I think everyone for that moment forgot everything except the story at hand. It was a remarkable example of complete engagement in a fictional narrative that we’re unlikely to witness again.

—— (in an exquisite red mantle), accompanied by her sister (in another exquisite red mantle) and by the deaf lady, (who leaned a black head-dress, exactly like an old-fashioned[104] tea-urn without the top, against the wall), was charming. HE couldn't get at her on account of the pressure. HE tried to peep at her from the side door, but she (ha, ha, ha!) was unconscious of his presence. I read to her, and goaded him to madness. He is just sane enough to send his kindest regards.

—— (in a beautiful red cloak), with her sister (in another beautiful red cloak) and the deaf lady, (who rested a black headpiece, exactly like an old-fashioned[104] tea kettle without the lid, against the wall), was delightful. He couldn't reach her because of the crowd. He tried to sneak a look at her from the side door, but she (ha, ha, ha!) was completely unaware of his presence. I read to her and drove him to madness. He's just sane enough to send his warmest regards.

This is a place which—except the cathedral, with the loveliest front I ever saw—is like the back door to some other place. It is, I should hope, the deadest and most utterly inert little town in the British dominions. The magnates have taken places, and the bookseller is of opinion that "such is the determination to do honour to Mr. Dickens, that the doors must be opened half an hour before the appointed time." You will picture to yourself Arthur's quiet indignation at this, and the manner in which he remarked to me at dinner, "that he turned away twice Peterborough last night."

This is a place that—except for the cathedral, which has the most beautiful front I've ever seen—feels like the back door to somewhere else. I hope it’s the dullest and most completely lifeless little town in the British territories. The wealthy have taken their spots, and the bookseller thinks that "there's such a strong desire to honor Mr. Dickens that the doors must be opened half an hour before the scheduled time." You can imagine Arthur's quiet irritation at this and how he mentioned to me at dinner, "that he turned away twice from Peterborough last night."

A very pretty room—though a Corn Exchange—and a room we should have been glad of at Cambridge, as it is large, bright, and cheerful, and wonderfully well lighted.

A very nice room—though a Corn Exchange—and a room we would have loved at Cambridge, as it's large, bright, and cheerful, and really well lit.

The difficulty of getting to Bradford from here to-morrow, at any time convenient to us, turned out to be so great, that we are all going in for Leeds (only three-quarters of an hour from Bradford) to-night after the reading, at a quarter-past eleven. We are due at Leeds a quarter before three.

The difficulty of getting to Bradford from here tomorrow, at any time that works for us, turned out to be so great that we're all heading to Leeds (which is only about 45 minutes from Bradford) tonight after the reading, at 11:15 PM. We should arrive in Leeds at about 2:45 AM.

So no more at present from,

So no more for now from,

Yours affectionately.
Mr. W. R. Sculthorpe.


Tavistock House, Tavistock Square, London, W.C.,
Thursday, Nov. 10th, 1859.
Dear Sir/Madam,

Judgment must go by default. I have not a word to plead against Dodson and Fogg. I am without any[105] defence to the action; and therefore, as law goes, ought to win it.

Judgment must be given automatically. I have nothing to say against Dodson and Fogg. I have no defense against the claim; and so, according to the law, I should lose.

Seriously, the date of your hospitable note disturbs my soul. But I have been incessantly writing in Kent and reading in all sorts of places, and have done nothing in my own personal character these many months; and now I come to town and our friend[5] is away! Let me take that defaulting miscreant into council when he comes back.

Honestly, the date of your friendly note bothers me. I've been constantly writing in Kent and reading everywhere, and I haven't done anything for myself in a long time; now I come to town, and our friend[5] is gone! Let me talk to that unreliable scoundrel when he gets back.

Faithfully yours.
Monsieur Regnier.


Tavistock House, Tavistock Square, London, W.C.,
Wednesday, Nov. 16th, 1859.
Dear Regnier,

I send you ten thousand thanks for your kind and explicit letter. What I particularly wished to ascertain from you was, whether it is likely the Censor would allow such a piece to be played in Paris. In the case of its being likely, then I wished to have the piece as well done as possible, and would even have proposed to come to Paris to see it rehearsed. But I very much doubted whether the general subject would not be objectionable to the Government, and what you write with so much sagacity and with such care convinces me at once that its representation would be prohibited. Therefore I altogether abandon and relinquish the idea. But I am just as heartily and cordially obliged to you for your interest and friendship, as if the book had been turned into a play five hundred times. I again thank you ten thousand times, and am quite sure that you are right. I only hope you will forgive my causing you so much trouble, after your hard work.

I want to express my gratitude for your thoughtful and detailed letter. What I mainly wanted to find out was whether the Censor would likely allow such a piece to be performed in Paris. If it seemed possible, I wanted to ensure the piece was executed as well as it could be, and I would have even considered coming to Paris to see it rehearsed. However, I really doubted that the general topic wouldn’t be a concern for the Government, and what you’ve written so insightfully and carefully makes me realize that its performance would likely be banned. So, I’ve completely decided to let go of that idea. Still, I appreciate your interest and friendship just as much as if the book had been adapted into a play a hundred times. Thank you once again, and I'm confident you are correct. I just hope you forgive me for putting you through so much after all your hard work.

My girls and Georgina send their kindest regards to[106] Madame Regnier and to you. My Gad's Hill house (I think I omitted to tell you, in reply to your enquiry) is on the very scene of Falstaff's robbery. There is a little cabaret at the roadside, still called The Sir John Falstaff. And the country, in all its general features, is, at this time, what it was in Shakespeare's. I hope you will see the house before long. It is really a pretty place, and a good residence for an English writer, is it not?

My girls and Georgina send their warmest regards to[106] Madame Regnier and you. My Gad's Hill house (I think I forgot to mention this in response to your inquiry) is right at the spot where Falstaff was robbed. There's a little cabaret by the roadside still called The Sir John Falstaff. The countryside, in all its general features, is just like it was in Shakespeare's time. I hope you'll get to see the house soon. It’s really a lovely place and a great home for an English writer, don’t you think?

Macready, we are all happy to hear from himself, is going to leave the dreary tomb in which he lives, at Sherborne, and to remove to Cheltenham, a large and handsome place, about four or five hours' railway journey from London, where his poor girls will at least see and hear some life. Madame Céleste was with me yesterday, wishing to dramatise "A Tale of Two Cities" for the Lyceum, after bringing out the Christmas pantomime. I gave her my permission and the book; but I fear that her company (troupe) is a very poor one.

Macready, we're all glad to hear from him, is going to leave the gloomy place where he lives in Sherborne and move to Cheltenham, a large and attractive town, about a four or five-hour train ride from London, where his poor girls will at least be able to see and experience some life. Madame Céleste was with me yesterday, wanting to adapt "A Tale of Two Cities" for the Lyceum after putting on the Christmas pantomime. I gave her my permission and the book; but I'm worried that her troupe is not very good.

This is all the news I have, except (which is no news at all) that I feel as if I had not seen you for fifty years, and that

This is all the news I have, except (which isn't really news) that I feel like I haven't seen you in fifty years, and that

I am ever your attached and faithful Friend.
Mr. T. Longman.


Tavistock House, Monday, Nov. 28th, 1859.
Dear Longman,

I am very anxious to present to you, with the earnest hope that you will hold him in your remembrance, young Mr. Marcus Stone, son of poor Frank Stone, who died suddenly but a little week ago. You know, I daresay, what a start this young man made in the last exhibition, and what a favourable notice his picture attracted. He wishes to make an additional opening for himself in the [107]illustration of books. He is an admirable draughtsman, has a most dexterous hand, a charming sense of grace and beauty, and a capital power of observation. These qualities in him I know well of my own knowledge. He is in all things modest, punctual, and right; and I would answer for him, if it were needful, with my head.

I’m really eager to introduce you to young Mr. Marcus Stone, the son of the late Frank Stone, who passed away unexpectedly just a week ago. You probably know about the impression this young man made in the last exhibition and how positively his painting was received. He wants to create an additional opportunity for himself in the [107]illustration of books. He’s an excellent draftsman, has a skilled hand, a lovely sense of elegance and beauty, and great powers of observation. I can personally vouch for these qualities in him. He is modest, punctual, and doing the right thing in all respects; and I would stake my reputation on him if necessary.

If you will put anything in his way, you will do it a second time, I am certain.

If you try to interfere with him, I’m sure you’ll do it again.

Faithfully yours always.

1860.

NARRATIVE.

This winter was the last spent at Tavistock House. Charles Dickens had for some time been inclining to the idea of making his home altogether at Gad's Hill, giving up his London house, and taking a furnished house for the sake of his daughters for a few months of the London season. And, as his daughter Kate was to be married this summer to Mr. Charles Collins, this intention was confirmed and carried out. He made arrangements for the sale of Tavistock House to Mr. Davis, a Jewish gentleman, and he gave up possession of it in September. Up to this time Gad's Hill had been furnished merely as a temporary summer residence—pictures, library, and all best furniture being left in the London house. He now set about beautifying and making Gad's Hill thoroughly comfortable and homelike. And there was not a year afterwards, up to the year of his death, that he did not make some addition or improvement to it. He also furnished, as a private residence, a sitting-room and some bedrooms at his office in Wellington Street, to be used, when there was no house in London, as occasional town quarters by himself, his daughter, and sister-in-law.

He began in this summer his occasional papers for "All the Year Round," which he called "The Uncommercial[108] Traveller," and which were continued at intervals in his journal until 1869.

He started publishing his occasional papers for "All the Year Round" this summer, which he titled "The Uncommercial[108] Traveller," and they continued at various times in his journal until 1869.

In the autumn of this year he began another story, to be published weekly in "All the Year Round." The letter to Mr. Forster, which we give, tells him of this beginning and gives him the name of the book. The first number of "Great Expectations" appeared on the 1st December. The Christmas number, this time, was written jointly by himself and Mr. Wilkie Collins. The scene was laid at Clovelly, and they made a journey together into Devonshire and Cornwall, for the purpose of this story, in November.

In the fall of this year, he started another story, set to be published weekly in "All the Year Round." The letter to Mr. Forster, which we include, informs him about this new project and reveals the book's title. The first installment of "Great Expectations" came out on December 1st. This year's Christmas edition was a collaboration between him and Mr. Wilkie Collins. The story is set in Clovelly, and they took a trip together to Devon and Cornwall in November to gather inspiration for it.

The letter to Sir Edward Bulwer Lytton is, unfortunately, the only one we have as yet been able to procure. The present Lord Lytton, the Viceroy of India, has kindly endeavoured to help us even during his absence from England. But it was found to be impossible without his own assistance to make the necessary search among his father's papers. And he has promised us that, on his return, he will find and lend to us, many letters from Charles Dickens, which are certainly in existence, to his distinguished fellow-writer and great friend. We hope, therefore, it may be possible for us at some future time to be able to publish these letters, as well as those addressed to the present Lord Lytton (when he was Mr. Robert Lytton, otherwise "Owen Meredith," and frequent contributor to "Household Words" and "All the Year Round"). We have the same hope with regard to letters addressed to Sir Henry Layard, at present Ambassador at Constantinople, which, of course, for the same reason, cannot be lent to us at the present time.

The letter to Sir Edward Bulwer Lytton is, unfortunately, the only one we've been able to get our hands on so far. The current Lord Lytton, the Viceroy of India, has kindly tried to help us even while he's away from England. However, it turned out that it was impossible to search through his father's papers without his help. He has promised us that when he returns, he will find and lend us many letters from Charles Dickens that certainly exist, addressed to his distinguished fellow writer and close friend. We hope that in the future we might be able to publish these letters, along with those sent to the current Lord Lytton (when he was Mr. Robert Lytton, also known as "Owen Meredith," and a regular contributor to "Household Words" and "All the Year Round"). We hold the same hope for the letters sent to Sir Henry Layard, who is currently the Ambassador in Constantinople, which, for the same reason, cannot be lent to us at this time.

We give a letter to Mr. Forster on one of his books on the Commonwealth, the "Impeachment of the Five Members;" which, as with other letters which we are glad to publish on the subject of Mr. Forster's own works, was not used by himself for obvious reasons.

We send a letter to Mr. Forster about one of his books on the Commonwealth, the "Impeachment of the Five Members;" which, like other letters we are happy to share regarding Mr. Forster's own works, was not used by him for clear reasons.

A letter to his daughter Mamie (who, after her sister's marriage, paid a visit with her dear friends the White family to Scotland, where she had a serious illness) introduces a[109] recent addition to the family, who became an important member of it, and one to whom Charles Dickens was very tenderly attached—her little white Pomeranian dog "Mrs. Bouncer" (so called after the celebrated lady of that name in "Box and Cox"). It is quite necessary to make this formal introduction of the little pet animal (who lived to be a very old dog and died in 1874), because future letters to his daughter contain constant references and messages to "Mrs. Bouncer," which would be quite unintelligible without this explanation. "Boy," also referred to in this letter, was his daughter's horse. The little dog and the horse were gifts to Mamie Dickens from her friends Mr. and Mrs. Arthur Smith, and the sister of the latter, Miss Craufurd.

A letter to his daughter Mamie (who, after her sister's wedding, visited Scotland with her good friends the White family, where she got seriously ill) introduces a[109] new addition to the family, who became a significant part of it, and to whom Charles Dickens was very fond—her little white Pomeranian dog "Mrs. Bouncer" (named after the famous lady of that name in "Box and Cox"). It’s important to formally introduce this little pet (who lived to be quite old and passed away in 1874), because future letters to his daughter frequently reference and send messages to "Mrs. Bouncer," which would be confusing without this background. "Boy," also mentioned in this letter, was his daughter's horse. The little dog and the horse were gifts to Mamie Dickens from her friends Mr. and Mrs. Arthur Smith, along with Mr. Smith's sister, Miss Craufurd.

Mr. W. C. Macready.


Tavistock House, Monday, Jan. 2nd, 1860.
My dear Macready,

A happy New Year to you, and many happy years! I cannot tell you how delighted I was to receive your Christmas letter, or with what pleasure I have received Forster's emphatic accounts of your health and spirits. But when was I ever wrong? And when did I not tell you that you were an impostor in pretending to grow older as the rest of us do, and that you had a secret of your own for reversing the usual process! It happened that I read at Cheltenham a couple of months ago, and that I have rarely seen a place that so attracted my fancy. I had never seen it before. Also I believe the character of its people to have greatly changed for the better. All sorts of long-visaged prophets had told me that they were dull, stolid, slow, and I don't know what more that is disagreeable. I found them exactly the reverse in all respects; and I saw an amount of beauty there—well—that is not to be more specifically mentioned to you young fellows.

A happy New Year to you, and many more to come! I can't express how thrilled I was to get your Christmas letter, or how much joy I felt reading Forster's enthusiastic updates about your health and mood. But when have I ever been wrong? And when did I not tell you that you were kidding yourself by pretending to age like the rest of us, and that you had your own secret for reversing the usual process! I happened to visit Cheltenham a couple of months ago, and I've rarely been to a place that captured my interest so much. I had never been there before. I also believe the character of its people has greatly improved. All sorts of long-faced prophets told me they were boring, dull, slow, and who knows what else that's unpleasant. I found them to be quite the opposite in every way; and I saw a level of beauty there—well—that's something I won't go into more specifically with you young guys.

Katie dined with us yesterday, looking wonderfully well,[110] and singing "Excelsior" with a certain dramatic fire in her, whereof I seem to remember having seen sparks afore now. Etc. etc. etc.

Katie had dinner with us yesterday, looking great,[110] and singing "Excelsior" with a dramatic passion that I feel I’ve seen before. Etc. etc. etc.

With warmest love from everyone at home to all of you,
Ever, my dear Macready, your most affectionate.
Mr. W. Wilkie Collins.


Tavistock House, Tavistock Square, London, W.C.,
Saturday Night, Jan. 7th, 1860.
Dear Wilkie,

I have read this book with great care and attention. There cannot be a doubt that it is a very great advance on all your former writing, and most especially in respect of tenderness. In character it is excellent. Mr. Fairlie as good as the lawyer, and the lawyer as good as he. Mr. Vesey and Miss Halcombe, in their different ways, equally meritorious. Sir Percival, also, is most skilfully shown, though I doubt (you see what small points I come to) whether any man ever showed uneasiness by hand or foot without being forced by nature to show it in his face too. The story is very interesting, and the writing of it admirable.

I have read this book with a lot of care and attention. There's no doubt that it's a significant improvement over all your previous work, especially in terms of its emotional depth. The characters are excellent. Mr. Fairlie is as commendable as the lawyer, and the lawyer is just as commendable as he is. Mr. Vesey and Miss Halcombe are both impressive in their own ways. Sir Percival is also portrayed very skillfully, although I question (you see how I focus on the details) whether any man has ever shown discomfort through hand or foot without it also appearing on his face. The story is really engaging, and the writing is outstanding.

I seem to have noticed, here and there, that the great pains you take express themselves a trifle too much, and you know that I always contest your disposition to give an audience credit for nothing, which necessarily involves the forcing of points on their attention, and which I have always observed them to resent when they find it out—as they always will and do. But on turning to the book again, I find it difficult to take out an instance of this. It rather belongs to your habit of thought and manner of going about the work. Perhaps I express my meaning best when I say that the three people who write the narratives in these proofs have a dissective property in common, which is essentially not theirs but yours; and that my own effort[111] would be to strike more of what is got that way out of them by collision with one another, and by the working of the story.

I’ve noticed here and there that the great effort you put in shows a bit too much, and you know I always disagree with your tendency to give the audience credit for nothing. This approach forces points on their attention, and I’ve always seen them resent it when they figure it out—as they always do. But when I look back at the book, I struggle to find a specific example of this. It seems to be more about your way of thinking and your approach to the work. I think I express my point best by saying that the three people who write the narratives in these proofs share a dissection quality that isn’t essentially theirs but belongs to you. My effort would be to draw more out of them through their interactions and the unfolding of the story.

You know what an interest I have felt in your powers from the beginning of our friendship, and how very high I rate them? I know that this is an admirable book, and that it grips the difficulties of the weekly portion and throws them in masterly style. No one else could do it half so well. I have stopped in every chapter to notice some instance of ingenuity, or some happy turn of writing; and I am absolutely certain that you never did half so well yourself.

You know how much I've admired your abilities since we first became friends and how highly I value them? I know this book is outstanding and tackles the challenges of the weekly portion with incredible skill. No one else could pull it off as well. I've paused at every chapter to point out some clever idea or a well-crafted phrase; and I'm completely sure you've never done anything this impressive before.

So go on and prosper, and let me see some more, when you have enough (for your own satisfaction) to show me. I think of coming in to back you up if I can get an idea for my series of gossiping papers. One of those days, please God, we may do a story together; I have very odd half-formed notions, in a mist, of something that might be done that way.

So go ahead and succeed, and let me see more when you have enough (for your own satisfaction) to show me. I'm thinking of coming in to support you if I can come up with an idea for my series of gossip articles. One of these days, hopefully, we can work on a story together; I have some strange, half-formed ideas, in a haze, of something that could be done that way.

Ever affectionately.
Mr. John Forster.


11 Wellington Street, North Strand, London, W.C.,
Wednesday, May 2nd, 1860.
Dear Forster,

It did not occur to me in reading your most excellent, interesting, and remarkable book, that it could with any reason be called one-sided. If Clarendon had never written his "History of the Rebellion," then I can understand that it might be. But just as it would be impossible to answer an advocate who had misstated the merits of a case for his own purpose, without, in the interests of truth, and not of the other side merely, re-stating the merits and showing them in their real form, so I cannot see the practicability of telling[112] what you had to tell without in some sort championing the misrepresented side, and I think that you don't do that as an advocate, but as a judge.

It didn't occur to me while reading your excellent, interesting, and remarkable book that it could reasonably be called one-sided. If Clarendon had never written his "History of the Rebellion," I could understand that perspective. But just like it would be impossible to respond to an advocate who misrepresented a case for their own agenda without, for the sake of truth and not just the opposing side, clarifying the facts and showing them as they truly are, I can't see how you could communicate[112] your points without somewhat supporting the misrepresented side. However, I believe you do this not as a lawyer but as a judge.

The evidence has been suppressed and coloured, and the judge goes through it and puts it straight. It is not his fault if it all goes one way and tends to one plain conclusion. Nor is it his fault that it goes the further when it is laid out straight, or seems to do so, because it was so knotted and twisted up before.

The evidence has been hidden and distorted, and the judge reviews it and clarifies it. It's not his fault if it all points in one direction and leads to one clear conclusion. It's also not his fault if it appears to go even further when it's laid out clearly, or seems to do so, because it was so tangled and complicated before.

I can understand any man's, and particularly Carlyle's, having a lingering respect that does not like to be disturbed for those (in the best sense of the word) loyal gentlemen of the country who went with the king and were so true to him. But I don't think Carlyle sufficiently considers that the great mass of those gentlemen didn't know the truth, that it was a part of their loyalty to believe what they were told on the king's behalf, and that it is reasonable to suppose that the king was too artful to make known to them (especially after failure) what were very acceptable designs to the desperate soldiers of fortune about Whitehall. And it was to me a curious point of adventitious interest arising out of your book, to reflect on the probability of their having been as ignorant of the real scheme in Charles's head, as their descendants and followers down to this time, and to think with pity and admiration that they believed the cause to be so much better than it was. This is a notion I was anxious to have expressed in our account of the book in these pages. For I don't suppose Clarendon, or any other such man to sit down and tell posterity something that he has not "tried on" in his own time. Do you?

I can understand why any man, especially Carlyle, would have a lingering respect for those loyal gentlemen of the country who stood with the king and remained true to him. However, I don't think Carlyle fully considers that the majority of those gentlemen *didn't know the truth*; part of their loyalty was believing what they were told on the king's behalf. It's reasonable to think that the king was too clever to reveal to *them* (especially after things went wrong) what were quite acceptable plans to the desperate fortune seekers at Whitehall. It struck me as an interesting point that arose from your book to reflect on how likely it is that they were just as unaware of Charles’s true intentions as their descendants have been up to this time, and I find it both pitying and admirable that they believed the cause to be far better than it really was. This is a thought I wanted to express in our review of the book in these pages. I don't suppose Clarendon, or any other similar figure, would sit down and tell future generations something he hadn't "tried on" in his own time. Do you?

In the whole narrative I saw nothing anywhere to which I demurred. I admired it all, went with it all, and was proud of my friend's having written it all. I felt it to be[113] all square and sound and right, and to be of enormous importance in these times. Firstly, to the people who (like myself) are so sick of the shortcomings of representative government as to have no interest in it. Secondly, to the humbugs at Westminster who have come down—a long, long way—from those men, as you know. When the great remonstrance came out, I was in the thick of my story, and was always busy with it; but I am very glad I didn't read it then, as I shall read it now to much better purpose. All the time I was at work on the "Two Cities," I read no books but such as had the air of the time in them.

In the entire narrative, I didn't find anything I disagreed with. I admired everything, embraced it all, and felt proud that my friend wrote it. I believed it was[113] completely solid and right, and it’s incredibly important in today's world. First, for people like me who are tired of the flaws in representative government and have lost interest in it. Second, for the phonies at Westminster who have come a long way from those original leaders, as you know. When the major protest was released, I was deep into my story and always busy with it; I'm really glad I didn't read it back then, as I can read it now with much better understanding. Throughout the time I was working on "Two Cities," I only read books that reflected the spirit of the time.

To return for a final word to the Five Members. I thought the marginal references overdone. Here and there, they had a comical look to me for that reason, and reminded me of shows and plays where everything is in the bill.

To go back for a final word about the Five Members. I found the marginal references excessive. In some places, they seemed funny to me for that reason, and reminded me of performances and plays where everything is laid out in the program.

Lastly, I should have written to you—as I had a strong inclination to do, and ought to have done, immediately after reading the book—but for a weak reason; of all things in the world I have lost heart in one—I hope no other—I cannot, times out of calculation, make up my mind to write a letter.

Lastly, I should have written to you—as I really wanted to and should have done right after reading the book—but for a silly reason; of all things in the world, I’ve lost my motivation on one—I hope it’s not anything else—I just can’t seem to bring myself to write a letter.

Ever, my dear Forster, affectionately yours.
M. de Cerjat.


Tavistock House, Thursday, May 3rd, 1860.
My dear Cerjat,

The date of this letter would make me horribly ashamed of myself, if I didn't know that you know how difficult letter-writing is to one whose trade it is to write.

The date of this letter would make me really embarrassed, if I didn't know that you understand how hard it is to write letters for someone whose job is to write.

You asked me on Christmas Eve about my children. My second daughter is going to be married in the course of the summer to Charles Collins, the brother of Wilkie [114]Collins, the novelist. The father was one of the most famous painters of English green lanes and coast pieces. He was bred an artist; is a writer, too, and does "The Eye Witness," in "All the Year Round." He is a gentleman, accomplished, and amiable. My eldest daughter has not yet started any conveyance on the road to matrimony (that I know of); but it is likely enough that she will, as she is very agreeable and intelligent. They are both very pretty. My eldest boy, Charley, has been in Barings' house for three or four years, and is now going to Hong Kong, strongly backed up by Barings, to buy tea on his own account, as a means of forming a connection and seeing more of the practical part of a merchant's calling, before starting in London for himself. His brother Frank (Jeffrey's godson) I have just recalled from France and Germany, to come and learn business, and qualify himself to join his brother on his return from the Celestial Empire. The next boy, Sydney Smith, is designed for the navy, and is in training at Portsmouth, awaiting his nomination. He is about three foot high, with the biggest eyes ever seen, and is known in the Portsmouth parts as "Young Dickens, who can do everything."

You asked me on Christmas Eve about my kids. My second daughter is set to marry Charles Collins, Wilkie Collins' brother, this summer. Their dad was one of the most famous painters of English landscapes and coastal scenes. He was raised as an artist; he's also a writer and contributes to "The Eye Witness" in "All the Year Round." He's a true gentleman, skilled, and friendly. My oldest daughter hasn’t started any plans toward marriage (that I know of), but it's quite possible she will, since she's very pleasant and smart. They’re both really attractive. My oldest son, Charley, has been working at Barings for three or four years, and he’s now heading to Hong Kong, strongly supported by Barings, to buy tea independently. This is to help him network and understand more about the practical side of being a merchant before he sets out on his own in London. I just brought his brother Frank (Jeffrey's godson) back from France and Germany to learn about business and prepare to join Charley when he returns from the Far East. The next boy, Sydney Smith, is going to join the navy and is training in Portsmouth, waiting for his assignment. He’s about three feet tall with the biggest eyes you’ve ever seen, and people in the Portsmouth area call him "Young Dickens, who can do everything."

Another boy is at school in France; the youngest of all has a private tutor at home. I have forgotten the second in order, who is in India. He went out as ensign of a non-existent native regiment, got attached to the 42nd Highlanders, one of the finest regiments in the Queen's service; has remained with them ever since, and got made a lieutenant by the chances of the rebellious campaign, before he was eighteen. Miss Hogarth, always Miss Hogarth, is the guide, philosopher, and friend of all the party, and a very close affection exists between her and the girls. I doubt if she will ever marry. I don't know whether to be glad of it or sorry for it.[115]

Another boy is in school in France; the youngest of all has a private tutor at home. I've forgotten the second one, who's in India. He went out as an ensign in a non-existent native regiment, got attached to the 42nd Highlanders, one of the best regiments in the Queen's service; he's been with them ever since and became a lieutenant during the rebellious campaign, before he turned eighteen. Miss Hogarth, always Miss Hogarth, is the guide, philosopher, and friend of the whole group, and there's a strong bond between her and the girls. I doubt she'll ever get married. I'm not sure if I should be happy about that or sad. [115]

I have laid down my pen and taken a long breath after writing this family history. I have also considered whether there are any more children, and I don't think there are. If I should remember two or three others presently, I will mention them in a postscript.

I’ve put down my pen and taken a deep breath after writing this family history. I’ve also thought about whether there are any more children, and I don’t think there are. If I remember two or three others later on, I’ll mention them in a postscript.

We think Townshend looking a little the worse for the winter, and we perceive Bully to be decidedly old upon his legs, and of a most diabolical turn of mind. When they first arrived the weather was very dark and cold, and kept them indoors. It has since turned very warm and bright, but with a dusty and sharp east wind. They are still kept indoors by this change, and I begin to wonder what change will let them out. Townshend dines with us every Sunday. You may be sure that we always talk of you and yours, and drink to you heartily.

We notice that Townshend seems a bit worse for wear after the winter, and Bully is definitely looking older and has a rather wicked mindset. When they first got here, the weather was dark and cold, keeping them indoors. It's now become warm and sunny, but there's a dry and harsh east wind. They're still stuck inside because of this change, and I'm starting to wonder what kind of weather will finally let them out. Townshend joins us for dinner every Sunday. You can be sure we always discuss you and your family and toast to you heartily.

Public matters here are thought to be rather improving; the deep mistrust of the gentleman in Paris being counteracted by the vigorous state of preparation into which the nation is getting. You will have observed, of course, that we establish a new defaulter in respect of some great trust, about once a quarter. The last one, the cashier of a City bank, is considered to have distinguished himself greatly, a quarter of a million of money being high game.

Public affairs here are seen as getting better; the deep distrust of the gentleman in Paris is being countered by the strong state of readiness the nation is entering. You’ve probably noticed that we tend to have a new defaulter in a major trust about once every three months. The latest one, a cashier from a City bank, is regarded as having done quite well, with a quarter of a million in money being quite a catch.

No, my friend, I have not shouldered my rifle yet, but I should do so on more pressing occasion. Every other man in the row of men I know—if they were all put in a row—is a volunteer though. There is a tendency rather to overdo the wearing of the uniform, but that is natural enough in the case of the youngest men. The turn-out is generally very creditable indeed. At the ball they had (in a perfectly unventilated building), their new leather belts and pouches smelt so fearfully that it was, as my eldest[116] daughter said, like shoemaking in a great prison. She, consequently, distinguished herself by fainting away in the most inaccessible place in the whole structure, and being brought out (horizontally) by a file of volunteers, like some slain daughter of Albion whom they were carrying into the street to rouse the indignant valour of the populace.

No, my friend, I haven’t picked up my rifle yet, but I should do so when it matters more. Every other guy in the line of men I know—if they were all lined up—is a volunteer, though. There’s a tendency to overdo the wearing of the uniform, but that's pretty normal for the youngest guys. The turnout is usually quite impressive. At the ball they had (in a completely stuffy building), their new leather belts and pouches smelled so bad that it was, as my eldest[116] daughter said, like shoemaking in a big prison. She ended up fainting in the most hard-to-reach spot in the whole place and was carried out (horizontally) by a group of volunteers, like some fallen daughter of Albion they were taking to the street to stir up the anger of the crowd.

Lord, my dear Cerjat, when I turn to that page of your letter where you write like an ancient sage in whom the fire has paled into a meek-eyed state of coolness and virtue, I half laugh and half cry! You old! You a sort of hermit? Boh! Get out.

Lord, my dear Cerjat, when I read that part of your letter where you sound like a wise old sage whose passion has faded into a calm and virtuous demeanor, I can't help but laugh and feel a bit teary! You old! You a kind of hermit? Come on!

With this comes my love and all our loves, to you and Mrs. Cerjat, and your daughter. I add my special and particular to the sweet "singing cousin." When shall you and I meet, and where? Must I come to see Townshend? I begin to think so.

With this comes my love and all our loves, to you and Mrs. Cerjat, and your daughter. I add my special shout-out to the sweet "singing cousin." When will you and I meet, and where? Do I need to come see Townshend? I'm starting to think that's the case.

Ever, my dear Cerjat, your affectionate and faithful.
Sir Edward Bulwer Lytton.


Gad's Hill Place, Tuesday, June 5th, 1860.
My dear Bulwer-Lytton,

I am very much interested and gratified by your letter concerning "A Tale of Two Cities." I do not quite agree with you on two points, but that is no deduction from my pleasure.

I am very interested and pleased by your letter about "A Tale of Two Cities." I don't completely agree with you on two points, but that doesn't take away from my enjoyment.

In the first place, although the surrender of the feudal privileges (on a motion seconded by a nobleman of great rank) was the occasion of a sentimental scene, I see no reason to doubt, but on the contrary, many reasons to believe, that some of these privileges had been used to the frightful oppression of the peasant, quite as near to the time of the Revolution as the doctor's narrative, which, you will remember, dates long before the Terror. And surely when[117] the new philosophy was the talk of the salons and the slang of the hour, it is not unreasonable or unallowable to suppose a nobleman wedded to the old cruel ideas, and representing the time going out, as his nephew represents the time coming in; as to the condition of the peasant in France generally at that day, I take it that if anything be certain on earth it is certain that it was intolerable. No ex post facto enquiries and provings by figures will hold water, surely, against the tremendous testimony of men living at the time.

First, while the surrender of feudal privileges (on a motion backed by a high-ranking noble) created an emotional scene, I have no doubt—and many reasons to believe—that some of these privileges had been used to severely oppress the peasants, even close to the time of the Revolution, which, as you’ll recall, is documented well before the Terror. And surely, when [117] the new philosophy was the hot topic in salons and the trendy slang of the day, it's not unreasonable to think of a nobleman clinging to old cruel beliefs, just as his nephew symbolizes the emerging new era; regarding the state of the peasants in France at that time, it seems certain that it was unbearable. No ex post facto inquiries and statistics can outweigh the powerful testimonies of those living through it.

There is a curious book printed at Amsterdam, written to make out no case whatever, and tiresome enough in its literal dictionary-like minuteness, scattered up and down the pages of which is full authority for my marquis. This is "Mercier's Tableau de Paris." Rousseau is the authority for the peasant's shutting up his house when he had a bit of meat. The tax-taker was the authority for the wretched creature's impoverishment.

There’s a strange book published in Amsterdam that doesn’t really make a clear argument and is dull enough with its detailed, dictionary-like precision. Scattered throughout its pages is all the proof I need for my marquis. This book is "Mercier's Tableau de Paris." Rousseau is the source for the idea that peasants would lock up their homes when they had some meat. The tax collector is the reason for the poor person's financial struggles.

I am not clear, and I never have been clear, respecting that canon of fiction which forbids the interposition of accident in such a case as Madame Defarge's death. Where the accident is inseparable from the passion and emotion of the character, where it is strictly consistent with the whole design, and arises out of some culminating proceeding on the part of the character which the whole story has led up to, it seems to me to become, as it were, an act of divine justice. And when I use Miss Pross (though this is quite another question) to bring about that catastrophe, I have the positive intention of making that half-comic intervention a part of the desperate woman's failure, and of opposing that mean death—instead of a desperate one in the streets, which she wouldn't have minded—to the dignity of Carton's wrong or right; this was the design, and seemed to be in the fitness of things.[118]

I'm not sure, and I’ve never been sure, about that rule in fiction that says you can't have chance play a role in something like Madame Defarge's death. When the accident is connected to the character's passion and emotions, when it fits perfectly with the overall story, and comes from a significant action by the character that the whole narrative has been building up to, it feels to me like a form of divine justice. And when I use Miss Pross (although that’s a different topic) to cause that outcome, I intend for that somewhat humorous twist to reflect the desperate woman's failure and to contrast that insignificant death—rather than a tragic one in the streets, which she wouldn’t have minded—with the gravity of Carton's situation; this was the plan, and it seemed fitting.[118]

Now, as to the reading. I am sorry to say that it is out of the question this season. I have had an attack of rheumatism—quite a stranger to me—which remains hovering about my left side, after having doubled me up in the back, and which would disable me from standing for two hours. I have given up all dinners and town engagements, and come to my little Falstaff House here, sensible of the necessity of country training all through the summer. Smith would have proposed any appointment to see you on the subject, but he has been dreadfully ill with tic. Whenever I read in London, I will gladly put a night aside for your purpose, and we will plot to connect your name with it, and give it some speciality. But this could not be before Christmas time, as I should not be able to read sooner, for in the hot weather it would be useless. Let me hear from you about this when you have considered it. It would greatly diminish the expenses, remember.

Now, about the reading. I'm sorry to say it's not possible this season. I've had an attack of rheumatism—something I’m not used to—which is hanging around my left side, after having messed up my back, and it would prevent me from standing for two hours. I've canceled all my dinners and events in the city, and I've come to my little Falstaff House here, knowing I need to spend the summer in the countryside. Smith would have suggested a time to meet you about this, but he’s been really unwell with tic. Whenever I read in London, I’ll gladly set aside a night for your purposes, and we can plan to tie your name to it and make it special. But that can't happen until around Christmas, since I won’t be able to read before then; it wouldn’t make sense in the hot weather. Let me know what you think about this when you’ve had a chance to consider it. Just remember, it would significantly lower the expenses.

Ever affectionately and faithfully.
The Lord John Russell.


Gad's Hill Place, Higham near Rochester, Kent,
Sunday, June 17th, 1860.
My dear Lord John Russell,

I cannot thank you enough for your kind note and its most welcome enclosure. My sailor-boy comes home from Portsmouth to-morrow, and will be overjoyed. His masters have been as anxious for getting his nomination as though it were some distinction for themselves.

I can't thank you enough for your thoughtful note and the welcome surprise that came with it. My sailor son is coming home from Portsmouth tomorrow, and he will be so happy. His teachers have been just as eager to see him get this nomination as if it were some kind of achievement for them.

Ever your faithful and obliged.
The Earl of Carlisle.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday, Aug. 8th, 1860.
Dear Lord Carlisle,

Coming back here after an absence of three days in town, I find your kind and cordial letter lying on my table.[119] I heartily thank you for it, and highly esteem it. I understand that the article on the spirits to which you refer was written by —— (he played an Irish porter in one scene of Bulwer's comedy at Devonshire House). Between ourselves, I think it must be taken with a few grains of salt, imperial measure. The experiences referred to "came off" at ——, where the spirit of —— (among an extensive and miscellaneous bodiless circle) dines sometimes! Mr. ——, the high priest of the mysteries, I have some considerable reason—derived from two honourable men—for mistrusting. And that some of the disciples are very easy of belief I know.

After being away from town for three days, I’ve returned to find your thoughtful and friendly letter on my table.[119] I sincerely appreciate it and value it highly. I gather that the article about the spirits you mentioned was written by —— (he played an Irish porter in one scene of Bulwer's comedy at Devonshire House). Honestly, I feel it should be taken with a grain of salt—or maybe more. The experiences described "took place" at ——, where the spirit of —— (along with a diverse group of disembodied entities) dines occasionally! I have good reason—based on information from two respectable individuals—to be skeptical of Mr. ——, the high priest of the mysteries. And I know that some of the followers tend to believe quite easily.

This is Falstaff's own Gad's Hill, and I live on the top of it. All goes well with me, thank God! I should be thoroughly delighted to see you again, and to show you where the robbery was done. My eldest daughter keeps my house, and it is one I was extraordinarily fond of when a child.

This is Falstaff's Gad's Hill, and I live at the top of it. Everything is going well for me, thank God! I would be really happy to see you again and show you where the robbery happened. My oldest daughter runs my house, and it's one I loved a lot when I was a kid.

My dear Lord Carlisle, ever affectionately yours.

P.S.—I am prowling about, meditating a new book.

P.S.—I’m wandering around, thinking about a new book.

Mr. W. H. Wills.


Office of "All the Year Round",
Tuesday, Sept. 4th, 1860.
My dear Will,

Your description of your sea-castle makes your room here look uncommonly dusty. Likewise the costermongers in the street outside, and the one customer (drunk, with his head on the table) in the Crown Coffee House over the way, in York Street, have an earthy, and, as I may say, a land-lubberly aspect. Cape Horn, to the best of my belief, is a tremendous way off, and there are more bricks and cabbage-leaves between this office and that dismal point of land than you can possibly imagine.[120]

Your description of your sea castle makes your room here look incredibly dusty. Similarly, the street vendors outside and the one customer (who’s drunk, with his head on the table) in the Crown Coffee House across the street, on York Street, have a pretty rough and ordinary look. Cape Horn, as far as I know, is a long way off, and there are way more bricks and cabbage leaves between this office and that gloomy spot of land than you can possibly imagine.[120]

Coming here from the station this morning, I met, coming from the execution of the Wentworth murderer, such a tide of ruffians as never could have flowed from any point but the gallows. Without any figure of speech it turned one white and sick to behold them.

Coming here from the station this morning, I met, coming from the execution of the Wentworth murderer, such a crowd of thugs as could never have come from anywhere but the gallows. It genuinely made one feel pale and nauseous to see them.

Tavistock House is cleared to-day, and possession delivered up. I must say that in all things the purchaser has behaved thoroughly well, and that I cannot call to mind any occasion when I have had money dealings with a Christian that have been so satisfactory, considerate, and trusting.

Tavistock House is cleared today, and possession has been handed over. I have to say that throughout the process, the buyer has been outstanding, and I can't remember any time I've had financial dealings with a Christian that were so satisfying, thoughtful, and trustworthy.

I am ornamented at present with one of my most intensely preposterous and utterly indescribable colds. If you were to make a voyage from Cape Horn to Wellington Street, you would scarcely recognise in the bowed form, weeping eyes, rasped nose, and snivelling wretch whom you would encounter here, the once gay and sparkling, etc. etc.

I’m currently dealing with one of the most ridiculous and completely indescribable colds. If you were to travel from Cape Horn to Wellington Street, you would hardly recognize the hunched figure, teary eyes, raw nose, and sniffling mess you would find here as the once cheerful and lively person I used to be, etc. etc.

Everything else here is as quiet as possible. Business reports you receive from Holsworth. Wilkie looked in to-day, going to Gloucestershire for a week. The office is full of discarded curtains and coverings from Tavistock House, which Georgina is coming up this evening to select from and banish. Mary is in raptures with the beauties of Dunkeld, but is not very well in health. The Admiral (Sydney) goes up for his examination to-morrow. If he fails to pass with credit, I will never believe in anybody again, so in that case look out for your own reputation with me.

Everything else here is as quiet as possible. You're getting business reports from Holsworth. Wilkie stopped by today; he's heading to Gloucestershire for a week. The office is filled with discarded curtains and coverings from Tavistock House, which Georgina is coming up this evening to choose from and get rid of. Mary is thrilled with the beauty of Dunkeld, but she isn't feeling very well. The Admiral (Sydney) is going in for his exam tomorrow. If he fails to pass with flying colors, I won't believe in anyone ever again, so in that case, watch out for your own reputation with me.

This is really all the news I have, except that I am lazy, and that Wilkie dines here next Tuesday, in order that we may have a talk about the Christmas number.

This is pretty much all the news I have, except that I’m feeling lazy, and that Wilkie is coming over for dinner next Tuesday so we can discuss the Christmas issue.

I beg to send my kind regard to Mrs. Wills, and to enquire how she likes wearing a hat, which of course she[121] does. I also want to know from her in confidence whether Crwllm festidiniog llymthll y wodd?

I want to send my best regards to Mrs. Wills and ask how she feels about wearing a hat, which I’m sure she does. I also want to know from her in confidence if Crwllm festidiniog llymthll y wodd?

Yesterday I burnt, in the field at Gad's Hill, the accumulated letters and papers of twenty years. They sent up a smoke like the genie when he got out of the casket on the seashore; and as it was an exquisite day when I began, and rained very heavily when I finished, I suspect my correspondence of having overcast the face of the heavens.

Yesterday I burned, in the field at Gad's Hill, the piles of letters and papers from the past twenty years. They sent up a smoke like the genie when he emerged from the casket on the beach; and since it was a beautiful day when I started, and poured rain by the time I finished, I can’t help but think my correspondence might have clouded the sky.

Ever faithfully.

P.S.—Kind regard to Mr. and Mrs. Novelli.[6]

P.S.—Best wishes to Mr. and Mrs. Novelli.[6]

I have just sent out for The Globe. No news.

I just ordered The Globe. No news.

Hullah's daughter (an artist) tells me that certain female students have addressed the Royal Academy, entreating them to find a place for their education. I think it a capital move, for which I can do something popular and telling in The Register. Adelaide Procter is active in the business, and has a copy of their letter. Will you write to her for that, and anything else she may have about it, telling her that I strongly approve, and want to help them myself?

Hullah's daughter (an artist) told me that some female students have reached out to the Royal Academy, asking them to create opportunities for their education. I think it's a great initiative, and I can write something impactful for The Register. Adelaide Procter is involved in this, and she has a copy of their letter. Could you write to her for that and any other information she might have on the matter, letting her know that I fully support this and want to help as well?

The Hon. Mrs. Watson.


Gad's Hill Place, Higham near Rochester, Kent,
Friday Night, Sept. 14th, 1860.
Dear Mrs. Watson,

I lose no time in answering your letter; and first as to business, the school in the High Town at Boulogne was excellent. The boys all English, the two proprietors an old Eton master and one of the Protestant clergymen of the town. The teaching unusually sound and good. The manner and conduct developed in the boys quite admirable.[122] But I have never seen a gentleman so perfectly acquainted with boy-nature as the Eton master. There was a perfect understanding between him and his charges; nothing pedantic on his part, nothing slavish on their parts. The result was, that either with him or away from him, the boys combined an ease and frankness with a modesty and sense of responsibility that was really above all praise. Alfred went from there to a great school at Wimbledon, where they train for India and the artillery and engineers. Sydney went from there to Mr. Barrow, at Southsea. In both instances the new masters wrote to me of their own accord, bearing quite unsolicited testimony to the merits of the old, and expressing their high recognition of what they had done. These things speak for themselves.

I won't waste any time responding to your letter; first, regarding the school in High Town at Boulogne, it was excellent. The students were all English, and the two owners were a former Eton master and one of the local Protestant ministers. The teaching was unusually solid and good. The way the boys conducted themselves was quite admirable.[122] I've never encountered a gentleman so well-versed in the nature of boys as the Eton master. There was a complete understanding between him and his students; he wasn't pedantic, and they weren't servile. As a result, whether they were with him or without him, the boys exhibited a combination of ease and openness alongside modesty and a sense of responsibility that was truly commendable. Alfred moved on from there to a prestigious school at Wimbledon, where they prepare students for India and for careers in the artillery and engineering. Sydney transitioned to Mr. Barrow in Southsea. In both cases, the new teachers reached out to me on their own, unsolicited, to commend the old school and acknowledge the great work that had been done. These matters speak for themselves.

Sydney has just passed his examination as a naval cadet and come home, all eyes and gold buttons. He has twelve days' leave before going on board the training-ship. Katie and her husband are in France, and seem likely to remain there for an indefinite period. Mary is on a month's visit in Scotland; Georgina, Frank, and Plorn are at home here; and we all want Mary and her little dog back again. I have sold Tavistock House, am making this rather complete in its way, and am on the restless eve of beginning a new big book; but mean to have a furnished house in town (in some accessible quarter) from February or so to June. May we meet there.

Sydney has just passed his exam as a naval cadet and returned home, looking sharp in his uniform with gold buttons. He has twelve days of leave before joining the training ship. Katie and her husband are in France and seem likely to stay there for an unknown length of time. Mary is visiting Scotland for a month; Georgina, Frank, and Plorn are here at home; and we all want Mary and her little dog to come back. I have sold Tavistock House, am putting this together quite well, and am on the anxious verge of starting a big new book; but I plan to have a furnished place in the city (somewhere convenient) from around February to June. Hopefully, we can meet there.

Your handwriting is always so full of pleasant memories to me, that when I took it out of the post-office at Rochester this afternoon it quite stirred my heart. But we must not think of old times as sad times, or regard them as anything but the fathers and mothers of the present. We must all climb steadily up the mountain after the talking bird, the singing tree, and the yellow water, and must all bear in[123] mind that the previous climbers who were scared into looking back got turned into black stone.

Your handwriting always brings back such happy memories for me that when I picked it up at the post office in Rochester this afternoon, it really touched my heart. But we shouldn't see the past as something sad or think of it as anything other than the foundation of our present. We all need to keep climbing up the mountain after the talking bird, the singing tree, and the yellow water, remembering that those who let fear make them look back ended up turning into solid black stone.[123]

Mary Boyle was here a little while ago, as affectionate at heart as ever, as young, and as pleasant. Of course we talked often of you. So let me know when you are established in Halfmoon Street, and I shall be truly delighted to come and see you.

Mary Boyle was here not long ago, just as warm-hearted, young, and pleasant as ever. We talked about you a lot. So let me know when you’re settled in Halfmoon Street, and I’d be really happy to come and visit you.

For my attachments are strong attachments and never weaken. In right of bygones, I feel as if "all Northamptonshire" belonged to me, as all Northumberland did to Lord Bateman in the ballad. In memory of your warming your feet at the fire in that waste of a waiting-room when I read at Brighton, I have ever since taken that watering-place to my bosom as I never did before. And you and Switzerland are always one to me, and always inseparable.

For my attachments are strong and never weaken. In light of the past, I feel as if "all Northamptonshire" belongs to me, just like all Northumberland did to Lord Bateman in the ballad. I still cherish the memory of you warming your feet by the fire in that dreary waiting room when I read at Brighton; since then, I've embraced that seaside town like never before. You and Switzerland are always connected in my mind and will always be inseparable.

Charley was heard of yesterday, from Shanghai, going to Japan, intending to meet his brother Walter at Calcutta, and having an idea of beguiling the time between whiles by asking to be taken as an amateur with the English Chinese forces. Everybody caressed him and asked him everywhere, and he seemed to go. With kind regards, my dear Mrs. Watson,

Charley was heard from yesterday, in Shanghai, heading to Japan, planning to meet his brother Walter in Calcutta, and thinking about passing the time in between by asking to join the English Chinese forces as an amateur. Everyone welcomed him and inquired about him everywhere, and he seemed to be well-received. With warm regards, my dear Mrs. Watson,

Ever affectionately yours.
Mr. Edmund Yates.


Gad's Hill Place, Higham near Rochester, Kent,
Sunday, Sept. 23rd, 1860.
ON THE DEATH OF HIS MOTHER.
My dear E.Y.,

I did not write to you in your bereavement, because I knew that the girls had written to you, and because I instinctively shrunk from making a form of what was so real. You knew what a loving and faithful remembrance[124] I always had of your mother as a part of my youth—no more capable of restoration than my youth itself. All the womanly goodness, grace, and beauty of my drama went out with her. To the last I never could hear her voice without emotion. I think of her as of a beautiful part of my own youth, and this dream that we are all dreaming seems to darken.

I didn’t write to you during your loss because I knew the girls had reached out to you, and I instinctively hesitated to put into words something so genuine. You knew how much I cherished and remembered your mother as part of my younger years—just as irreplaceable as my youth itself. All the kindness, grace, and beauty in my life left with her. Even until the end, I could never hear her voice without feeling emotional. I think of her as a beautiful piece of my own past, and this collective dream we’re all living seems to grow dimmer.

But it is not to say this that I write now. It comes to the point of my pen in spite of me.

But that’s not why I’m writing this now. It just comes out of my pen whether I want it to or not.

"Holding up the Mirror" is in next week's number. I have taken out all this funeral part of it. Not because I disliked it (for, indeed, I thought it the best part of the paper), but because it rather grated on me, going over the proof at that time, as a remembrance that would be better reserved a little while. Also because it made rather a mixture of yourself as an individual, with something that does not belong or attach to you as an individual. You can have the MS.; and as a part of a paper describing your own juvenile remembrances of a theatre, there it is, needing no change or adaption.

"Holding up the Mirror" is in next week's issue. I've removed all the funeral parts. Not because I didn’t like them (in fact, I thought they were the best part of the paper), but because they felt a bit jarring to me while going over the proof at that moment, reminding me of something that’s better saved for later. Plus, it mixed up who you are as an individual with something that doesn’t really belong to you personally. You can have the manuscript; as part of a paper about your own childhood memories of a theater, it's good to go without any changes or adjustments.

Ever faithfully.
Miss Dickens.


Gad's Hill Place, Higham near Rochester, Kent,
Sunday, Sept. 23rd, 1860.
My dear Mamie,

If you had been away from us and ill with anybody in the world but our dear Mrs. White, I should have been in a state of the greatest anxiety and uneasiness about you. But as I know it to be impossible that you could be in kinder or better hands, I was not in the least restless about you, otherwise than as it grieved me to hear of my poor dear girl's suffering such pain. I hope it is over now for[125] many a long day, and that you will come back to us a thousand times better in health than you left us.

If you had been away from us and sick with anyone in the world except our dear Mrs. White, I would have been extremely anxious and worried about you. But since I know there’s no one better to care for you, I was only concerned in that it pained me to hear about my poor dear girl's suffering so much. I hope it’s all over now for[125] a long while, and that you’ll return to us a thousand times healthier than when you left.

Don't come back too soon. Take time and get well restored. There is no hurry, the house is not near to-rights yet, and though we all want you, and though Boy wants you, we all (including Boy) deprecate a fatiguing journey being taken too soon.

Don't rush back. Take your time and get fully better. There's no rush; the house isn’t fully set up yet, and even though we all want you here, and Boy wants you here, we all (including Boy) think it’s important that you don't make a tiring trip too soon.

As to the carpenters, they are absolutely maddening. They are always at work, yet never seem to do anything. Lillie was down on Friday, and said (his eye fixed on Maidstone, and rubbing his hand to conciliate his moody employer) that "he didn't think there would be very much left to do after Saturday, the 29th."

As for the carpenters, they drive me crazy. They're always working but never seem to accomplish anything. Lillie came by on Friday and said (while staring at Maidstone and trying to appease his grumpy boss) that "he didn’t think there would be much left to do after Saturday, the 29th."

I didn't throw him out of the window. Your aunt tells you all the news, and leaves me no chance of distinguishing myself, I know. You have been told all about my brackets in the drawing-room, all about the glass rescued from the famous stage-wreck of Tavistock House, all about everything here and at the office. The office is really a success. As comfortable, cheerful, and private as anything of the kind can possibly be.

I didn't throw him out of the window. Your aunt shares all the news with you and doesn't give me a chance to stand out, I get that. You've heard all about my brackets in the living room, all about the glass saved from the famous stage wreck at Tavistock House, and everything else going on here and at the office. The office is actually a success. It's as comfortable, cheerful, and private as anything like it can be.

I took the Admiral (but this you know too, no doubt) to Dollond's, the mathematical instrument maker's, last Monday, to buy that part of his outfit. His sextant (which is about the size and shape of a cocked hat), on being applied to his eye, entirely concealed him. Not the faintest vestige of the distinguished officer behind it was perceptible to the human vision. All through the City, people turned round and stared at him with the sort of pleasure people take in a little model. We went on to Chatham this day week, in search of some big man-of-war's-man who should be under obligation to salute him—unfortunately found none. But this no doubt you know too, and all my news falls flat.[126]

I took the Admiral (but you probably know this already) to Dollond's, the math instrument maker, last Monday to buy that part of his equipment. His sextant (which is about the size and shape of a top hat) completely hid him when he looked through it. Not a trace of the distinguished officer behind it was visible to anyone. People all through the City turned and stared at him with the same kind of amusement you get from looking at a small model. We went on to Chatham a week later, hoping to find a big sailor who would have to salute him—unfortunately, we found none. But you probably know all that too, so my news falls flat.[126]

I am driven out of my room by paint, and am writing in the best spare room. The whole prospect is excessively wet; it does not rain now, but yesterday it did tremendously, and it rained very heavily in the night. We are even muddy; and that is saying a great deal in this dry country of chalk and sand. Everywhere the corn is lying out and saturated with wet. The hops (nearly everywhere) look as if they had been burnt.

I’ve been forced out of my room by the paint, so I’m writing in the best spare room. The whole scene is extremely soggy; it’s not raining right now, but it poured yesterday and rained heavily throughout the night. We’re even muddy, and that says a lot in this dry area of chalk and sand. Everywhere the corn is sprawled out and soaked with water. The hops (almost everywhere) look like they’ve been scorched.

In my mind's eye I behold Mrs. Bouncer, still with some traces of her late anxiety on her faithful countenance, balancing herself a little unequally on her bow fore-legs, pricking up her ears, with her head on one side, and slightly opening her intellectual nostrils. I send my loving and respectful duty to her.

In my mind, I see Mrs. Bouncer, still showing some signs of her recent stress on her loyal face, balancing a bit unsteadily on her bent front legs, perked up ears, head tilted to one side, and slightly flared nostrils. I send her my love and respect.

To dear Mrs. White, and to White, and to Clara, say anything from me that is loving and grateful.

To dear Mrs. White, and to White, and to Clara, send my love and gratitude.

My dearest Mom,
Ever and ever your most affectionate Father.
Miss Hogarth.


Office of "All the Year Round",
Monday Night, Sept. 24th, 1860.
My dear Georgy,

At the Waterloo station we were saluted with "Hallo! here's Dickens!" from divers naval cadets, and Sir Richard Bromley introduced himself to me, who had his cadet son with him, a friend of Sydney's. We went down together, and the boys were in the closest alliance. Bromley being Accountant-General of the Navy, and having influence on board, got their hammocks changed so that they would be serving side by side, at which they were greatly pleased. The moment we stepped on board, the "Hul-lo! here's Dickens!" was repeated on all sides, and the Admiral (evidently highly popular) shook hands with about fifty of[127] his messmates. Taking Bromley for my model (with whom I fraternised in the most pathetic manner), I gave Sydney a sovereign before stepping over the side. He was as little overcome as it was possible for a boy to be, and stood waving the gold-banded cap as we came ashore in a boat.

At Waterloo station, we were greeted with “Hey! Look, it’s Dickens!” from several naval cadets, and Sir Richard Bromley introduced himself to me, accompanied by his cadet son, who was a friend of Sydney’s. We headed down together, and the boys were very close friends. Since Bromley was the Accountant-General of the Navy and had some pull on board, he arranged for their hammocks to be switched so they could serve together, which made them both really happy. The moment we stepped aboard, the “Hey! Look, it’s Dickens!” was echoed everywhere, and the Admiral (clearly very popular) shook hands with about fifty of his shipmates. Following Bromley’s lead (with whom I connected in a very friendly way), I gave Sydney a sovereign before stepping over the side. He was as composed as a boy could be and stood there waving his gold-banded cap as we came ashore in a boat.

There is no denying that he looks very small aboard a great ship, and that a boy must have a strong and decided speciality for the sea to take to such a life. Captain Harris was not on board, but the other chief officers were, and were highly obliging. We went over the ship. I should say that there can be little or no individuality of address to any particular boy, but that they all tumble through their education in a crowded way. The Admiral's servant (I mean our Admiral's) had an idiotic appearance, but perhaps it did him injustice (a mahogany-faced marine by station). The Admiral's washing apparatus is about the size of a muffin-plate, and he could easily live in his chest. The meeting with Bromley was a piece of great good fortune, and the dear old chap could not have been left more happily.

There’s no denying that he looks really small on a big ship, and a boy has to have a strong commitment to the sea to choose that kind of life. Captain Harris wasn’t on board, but the other chief officers were, and they were very helpful. We toured the ship. I’d say there’s little to no personal attention given to any specific boy, as they all go through their education in a crowded manner. The Admiral’s servant (I mean our Admiral's) appeared somewhat silly, but maybe that was unfair (he was a mahogany-faced marine by trade). The Admiral's washing setup is about the size of a muffin plate, and he could easily fit inside his chest. Meeting Bromley was a stroke of great luck, and the dear old guy could not have been left in a better situation.

Ever, my dearest Georgy, your most affectionate.
Miss Power.


Office of "All the Year Round",
Tuesday, Sept. 25th, 1860.
Dear Marguerite,

I like the article exceedingly, and think the translations admirable—spirited, fresh, bold, and evidently faithful. I will get the paper into the next number I make up, No. 78. I will send a proof to you for your correction, either next Monday or this day week. Or would you like to come here next Monday and dine with us at five, and go over to Madame Céleste's opening? Then you could[128] correct your paper on the premises, as they drink their beer at the beer-shops.

I really like the article and think the translations are amazing—lively, fresh, bold, and clearly accurate. I’ll include the paper in the next issue I put together, No. 78. I’ll send you a proof for your edits either next Monday or a week from today. Or would you prefer to come over next Monday, have dinner with us at five, and then head to Madame Céleste's opening? That way, you could [128] make your corrections right there, just like they do at the beer shops.

Some of the introductory remarks on French literature I propose to strike out, as a little too essayical for this purpose, and likely to throw out a large portion of the large audience at starting, as suggesting some very different kind of article. My daring pen shall have imbued its murderous heart with ink before you see the proof.

Some of the opening comments on French literature I intend to remove, as they feel a bit too essay-like for this purpose and could alienate a significant part of the large audience from the start, as they suggest a very different type of article. My bold pen will have soaked its fierce heart in ink before you see the draft.

Best regards,
Ever affectionately.
Mr. John Forster.


Gad's Hill Place, Higham near Rochester, Kent
Thursday, Oct. 4th, 1860.
Dear Forster,

It would be a great pleasure to me to come to you, an immense pleasure, and to sniff the sea I love (from the shore); but I fear I must come down one morning and come back at night. I will tell you why.

It would bring me so much joy to visit you, an enormous joy, and to breathe in the sea I love (from the shore); but I’m afraid I’ll have to come down one morning and head back at night. Let me explain why.

Last week, I got to work on a new story. I called a council of war at the office on Tuesday. It was perfectly clear that the one thing to be done was, for me to strike in. I have therefore decided to begin a story, the length of the "Tale of Two Cities," on the 1st of December—begin publishing, that is. I must make the most I can out of the book. When I come down, I will bring you the first two or three weekly parts. The name is, "Great Expectations." I think a good name?

Last week, I started working on a new story. I called a strategy meeting at the office on Tuesday. It was clear that the best course of action was for me to dive in. So, I’ve decided to begin a story, the length of "A Tale of Two Cities," on December 1st—starting with the publishing, that is. I need to make the most out of this book. When I come down, I’ll bring you the first two or three weekly installments. The title is, "High Hopes." I think it’s a good title?

Now the preparations to get ahead, combined with the absolute necessity of my giving a good deal of time to the Christmas number, will tie me to the grindstone pretty tightly. It will be just as much as I can hope to do. Therefore, what I had hoped would be a few days at Eastbourne diminish to a few hours.[129]

Now the preparations to get ahead, along with the urgent need for me to dedicate a significant amount of time to the Christmas issue, will keep me really busy. It will be all I can manage. So, what I had hoped would be a few days in Eastbourne has shrunk to just a few hours.[129]

I took the Admiral down to Portsmouth. Every maritime person in the town knew him. He seemed to know every boy on board the Britannia, and was a tremendous favourite evidently. It was very characteristic of him that they good-naturedly helped him, he being so very small, into his hammock at night. But he couldn't rest in it on these terms, and got out again to learn the right way of getting in independently. Official report stated that "after a few spills, he succeeded perfectly, and went to sleep." He is perfectly happy on board, takes tea with the captain, leads choruses on Saturday nights, and has an immense marine for a servant.

I took the Admiral down to Portsmouth. Everyone in town who worked in maritime knew him. He seemed to know every boy on board the Britannia, and he was clearly a huge favorite. It was very typical of him that they kindly helped him, since he was so small, into his hammock at night. But he couldn't rest there under those conditions, so he got out again to figure out how to get in by himself. The official report stated that "after a few spills, he succeeded perfectly and went to sleep." He is perfectly happy on board, has tea with the captain, leads sing-alongs on Saturday nights, and has a huge servant in the marine.

I saw Edmund Yates at the office, and he told me that during all his mother's wanderings of mind, which were almost incessant at last, she never once went back to the old Adelphi days until she was just dying, when he heard her say, in great perplexity: "I can not get the words."

I saw Edmund Yates at the office, and he told me that during all his mother’s mental wanderings, which became almost non-stop in the end, she never referred back to the old Adelphi days until she was dying, when he heard her say, in deep confusion: "I can not find the words."

Best love to Mrs. Forster.

Best wishes to Mrs. Forster.

Ever, my dear Forster, affectionately.
Mr. W. Wilkie Collins.


Office of "All the Year Round",
Wednesday, Oct. 24th, 1860.
My dear Wilkie,

I have been down to Brighton to see Forster, and found your letter there on arriving by express this morning. I also found a letter from Georgina, describing that Mary's horse went down suddenly on a stone, and how Mary was thrown, and had her riding-habit torn to pieces, and has a deep cut just above the knee—fortunately not in the knee itself, which is doing exceedingly well, but which will probably incapacitate her from walking for days and days to come. It is well it was no worse. The accident occurred[130] at Milton, near Gravesend, and they found Mary in a public-house there, wonderfully taken care of and looked after.

I went down to Brighton to see Forster and found your letter there when I arrived by express this morning. I also got a letter from Georgina, explaining that Mary's horse suddenly went down on a stone, and how Mary was thrown off, had her riding habit ripped to shreds, and has a deep cut just above her knee—thankfully not in the knee itself, which is healing really well, but it will probably keep her from walking for several days. It's a relief that it wasn't worse. The accident happened[130] in Milton, near Gravesend, and they found Mary in a pub there, being wonderfully taken care of.

I propose that we start on Thursday morning, the 1st of November. The train for Penzance leaves the Great Western terminus at a quarter-past nine in the morning. It is a twelve hours' journey. Shall we meet at the terminus at nine? I shall be here all the previous day, and shall dine here.

I suggest we begin on Thursday morning, November 1st. The train to Penzance departs from the Great Western terminal at 9:15 AM. It’s a twelve-hour journey. Should we meet at the terminal at nine? I’ll be here the whole day before and will have dinner here.

Your account of your passage goes to my heart through my stomach. What a pity I was not there on board to present that green-visaged, but sweet-tempered and uncomplaining spectacle of imbecility, at which I am so expert under stormy circumstances, in the poet's phrase:

Your story about your journey really affects me. It's a shame I wasn't there on the ship to show off that green-faced but good-natured and patient sight of foolishness, which I know how to handle so well in tough times, as the poet puts it:

As I sweep
Through the deep,
When the stormy winds do blow.

What a pity I am not there, at Meurice's, to sleep the sleep of infancy through the long plays where the gentlemen stand with their backs to the mantelpieces. What a pity I am not with you to make a third at the Trois Frères, and drink no end of bottles of Bordeaux, without ever getting a touch of redness in my (poet's phrase again) "innocent nose." But I must go down to Gad's to-night, and get to work again. Four weekly numbers have been ground off the wheel, and at least another must be turned before we meet. They shall be yours in the slumberous railway-carriage.

What a shame I'm not there at Meurice's, enjoying a deep sleep during those long plays where the gentlemen face the mantelpieces. What a shame I'm not with you to join you at the Trois Frères, drinking countless bottles of Bordeaux without ever getting a hint of color in my (poet's phrase again) "innocent nose." But I have to head down to Gad's tonight and get back to work. Four weekly issues have already been done, and at least one more needs to be completed before we meet. You'll have them in the sleepy railway carriage.

I don't think Forster is at all in good health. He was tremendously hospitable and hearty. I walked six hours and a half on the downs yesterday, and never stopped or sat. Early in the morning, before breakfast, I went to the[131] nearest baths to get a shower-bath. They kept me waiting longer than I thought reasonable, and seeing a man in a cap in the passage, I went to him and said: "I really must request that you'll be good enough to see about this shower-bath;" and it was Hullah! waiting for another bath.

I don't think Forster is in good health at all. He was incredibly hospitable and warm. I walked for six and a half hours on the downs yesterday without stopping or sitting down. Early in the morning, before breakfast, I went to the[131] nearest baths to take a shower. They kept me waiting longer than I thought was reasonable, so when I saw a guy in a cap in the hallway, I went over to him and said, "I really need you to help me with this shower situation," and it turned out to be Hullah! waiting for another bath.

Rumours were brought into the house on Saturday night, that there was a "ghost" up at Larkins's monument. Plorn was frightened to death, and I was apprehensive of the ghost's spreading and coming there, and causing "warning" and desertion among the servants. Frank was at home, and Andrew Gordon was with us. Time, nine o'clock. Village talk and credulity, amazing. I armed the two boys with a short stick apiece, and shouldered my double-barrelled gun, well loaded with shot. "Now observe," says I to the domestics, "if anybody is playing tricks and has got a head, I'll blow it off." Immense impression. New groom evidently convinced that he has entered the service of a bloodthirsty demon. We ascend to the monument. Stop at the gate. Moon is rising. Heavy shadows. "Now, look out!" (from the bloodthirsty demon, in a loud, distinct voice). "If the ghost is here and I see him, so help me God I'll fire at him!" Suddenly, as we enter the field, a most extraordinary noise responds—terrific noise—human noise—and yet superhuman noise. B. T. D. brings piece to shoulder. "Did you hear that, pa?" says Frank. "I did," says I. Noise repeated—portentous, derisive, dull, dismal, damnable. We advance towards the sound. Something white comes lumbering through the darkness. An asthmatic sheep! Dead, as I judge, by this time. Leaving Frank to guard him, I took Andrew with me, and went all round the monument, and down into the ditch, and examined the field well, thinking it likely that somebody might be taking[132] advantage of the sheep to frighten the village. Drama ends with discovery of no one, and triumphant return to rum-and-water.

Rumors spread around the house on Saturday night that there was a "ghost" at Larkins's monument. Plorn was terrified, and I was worried that the ghost would spread fear and cause the servants to leave. Frank was home, and Andrew Gordon was with us. It was nine o'clock. The village gossip and gullibility were unbelievable. I gave the two boys a short stick each and grabbed my double-barrel shotgun, fully loaded. "Now listen," I told the staff, "if anyone is playing tricks and has a head, I'll blow it off." This made a huge impression. The new groom clearly thought he was working for a bloodthirsty demon. We made our way to the monument and stopped at the gate. The moon was rising, casting heavy shadows. "Now, watch out!" (in a loud, clear voice from the bloodthirsty demon). "If the ghost is here and I see him, I swear I'll shoot!" Suddenly, as we entered the field, a bizarre noise echoed—a terrifying noise—human yet otherworldly. B. T. D. raised his gun. "Did you hear that, Dad?" Frank asked. "I did," I replied. The noise repeated—ominous, mocking, dull, dismal, terrible. We moved toward the sound. Something white stumbled through the darkness. An asthmatic sheep! It seemed dead by that point. Leaving Frank to keep watch over it, I took Andrew with me to circle the monument and check out the ditch and the field, thinking it was possible someone was using the sheep to scare the villagers. The drama ended with us finding no one and a victorious return to rum-and-water.

Ever affectionately.
Miss Hogarth.


Bideford, North Devon, Thursday Night, Nov. 1st, 1860.
My dear Georgy,

I write (with the most impracticable iron pen on earth) to report our safe arrival here, in a beastly hotel. We start to-morrow morning at nine on a two days' posting between this and Liskeard in Cornwall. We are due in Liskeard (but nobody seems to know anything about the roads) on Saturday afternoon, and we purpose making an excursion in that neighbourhood on Sunday, and coming up from Liskeard on Monday by Great Western fast train, which will get us to London, please God, in good time on Monday evening. There I shall hear from you, and know whether dear Mamie will move to London too.

I’m writing (with the most impractical iron pen on the planet) to let you know we arrived safely here, in a terrible hotel. We’re leaving tomorrow morning at nine for a two-day trip between here and Liskeard in Cornwall. We expect to get to Liskeard (though no one seems to know anything about the roads) on Saturday afternoon, and we plan to do some exploring in that area on Sunday, then travel back from Liskeard on Monday by Great Western fast train, which should get us to London, God willing, on Monday evening. There, I’ll hear from you and find out if dear Mamie will be moving to London too.

We had a pleasant journey down here, and a beautiful day. No adventures whatever. Nothing has happened to Wilkie, and he sends love.

We had a nice trip down here, and the weather was beautiful. No adventures at all. Nothing has happened to Wilkie, and he sends his love.

We had stinking fish for dinner, and have been able to drink nothing, though we have ordered wine, beer, and brandy-and-water. There is nothing in the house but two tarts and a pair of snuffers. The landlady is playing cribbage with the landlord in the next room (behind a thin partition), and they seem quite comfortable.

We had disgusting fish for dinner, and we've been unable to drink anything, even though we've ordered wine, beer, and brandy-and-water. There’s nothing in the house except for two tarts and a pair of candle snuffers. The landlady is playing cribbage with the landlord in the next room (behind a thin wall), and they seem pretty comfortable.

Ever, my dearest Georgy, your most affectionate.
Miss Mary Boyle.


Office of "All the Year Round",
Friday, Dec. 28th, 1860.
My dear Mary,

I cannot tell you how much I thank you for the beautiful cigar-case, and how seasonable, and friendly, and good,[133] and warm-hearted it looked when I opened it at Gad's Hill. Besides which, it is a cigar-case, and will hold cigars; two crowning merits that I never yet knew to be possessed by any article claiming the same name. For all of these reasons, but more than all because it comes from you, I love it, and send you eighteen hundred and sixty kisses, with one in for the new year.

I can't express enough how grateful I am for the beautiful cigar case. It looks so appropriate, friendly, and heartfelt, especially when I opened it at Gad's Hill. Plus, it’s a cigar case that can actually hold cigars—two amazing features I’ve never seen in anything else with the same name. For all these reasons, but mostly because it’s from you, I truly love it. I'm sending you 1860 kisses, plus one for the new year.

Both excellent stories and perfectly new. Your Joe swears that he never heard either—never a word or syllable of either—after he laughed at 'em this blessed day.

Both are great stories and completely new. Your Joe swears that he never heard either—never a word or syllable of either—after he laughed at them this blessed day.

I have no news, except that I am not quite well, and am being doctored. Pray read "Great Expectations." I think it is very droll. It is a very great success, and seems universally liked. I suppose because it opens funnily, and with an interest too.

I have no news, except that I'm not feeling great and I'm seeing a doctor. Please read "Great Expectations." I find it really amusing. It's a huge success and seems to be liked by everyone. I guess that's because it starts off humorously and has an interesting plot too.

I pass my time here (I am staying here alone) in working, taking physic, and taking a stall at a theatre every night. On Boxing Night I was at Covent Garden. A dull pantomime was "worked" (as we say) better than I ever saw a heavy piece worked on a first night, until suddenly and without a moment's warning, every scene on that immense stage fell over on its face, and disclosed chaos by gaslight behind! There never was such a business; about sixty people who were on the stage being extinguished in the most remarkable manner. Not a soul was hurt. In the uproar, some moon-calf rescued a porter pot, six feet high (out of which the clown had been drinking when the accident happened), and stood it on the cushion of the lowest proscenium box, P.S., beside a lady and gentleman, who were dreadfully ashamed of it. The moment the house knew that nobody was injured, they directed their whole attention to this gigantic porter pot in its genteel position (the lady and[134] gentleman trying to hide behind it), and roared with laughter. When a modest footman came from behind the curtain to clear it, and took it up in his arms like a Brobdingnagian baby, we all laughed more than ever we had laughed in our lives. I don't know why.

I spend my time here (I’m staying here alone) by working, taking medicine, and going to a theater every night. On Boxing Night, I was at Covent Garden. A dull pantomime was put on (as we say) better than I’ve ever seen a heavy show performed on opening night, until suddenly, without any warning, every scene on that huge stage collapsed and revealed chaos behind the scenes! It was unbelievable; about sixty people on stage were brought down in the most extraordinary way. Thankfully, no one got hurt. In the commotion, some clueless person rescued a giant porter pot, six feet tall (which the clown had been drinking from when the accident happened), and placed it on the cushion of the lowest box, right next to a lady and gentleman who were extremely embarrassed about it. The moment the audience realized that nobody was injured, they focused all their attention on this huge porter pot in its elegant spot (the lady and gentleman trying to hide behind it), and they erupted in laughter. When a modest footman came out from behind the curtain to clear it away, cradling it in his arms like a giant baby, we all laughed harder than we ever had in our lives. I don’t know why.

We have had a fire here, but our people put it out before the parish-engine arrived, like a drivelling perambulator, with the beadle in it, like an imbecile baby. Popular opinion, disappointed in the fire having been put out, snowballed the beadle. God bless it!

We had a fire here, but our folks put it out before the parish engine arrived, like a slow-moving stroller, with the beadle in it, like a clueless baby. People, upset that the fire was extinguished too soon, turned their frustration toward the beadle. God bless it!

Over the way at the Lyceum, there is a very fair Christmas piece, with one or two uncommonly well-done nigger songs—one remarkably gay and mad, done in the finale to a scene. Also a very nice transformation, though I don't know what it means.

Over at the Lyceum, there’s a really good Christmas show, featuring one or two exceptionally well-performed songs—one particularly lively and fun, presented in the finale of a scene. There's also a really nice transformation, though I’m not sure what it signifies.

The poor actors waylay me in Bow Street, to represent their necessities; and I often see one cut down a court when he beholds me coming, cut round Drury Lane to face me, and come up towards me near this door in the freshest and most accidental way, as if I was the last person he expected to see on the surface of this globe. The other day, there thus appeared before me (simultaneously with a scent of rum in the air) one aged and greasy man, with a pair of pumps under his arm. He said he thought if he could get down to somewhere (I think it was Newcastle), he would get "taken on" as Pantaloon, the existing Pantaloon being "a stick, sir—a mere muff." I observed that I was sorry times were so bad with him. "Mr. Dickens, you know our profession, sir—no one knows it better, sir—there is no right feeling in it. I was Harlequin on your own circuit, sir, for five-and-thirty years, and was displaced by a boy, sir!—a boy!"[135]

The struggling actors approach me on Bow Street to share their hardships; I often see one duck down an alley when he spots me coming, then loop around Drury Lane to face me, casually walking up to me near this door as if I’m the last person he expected to run into. The other day, I was greeted by (along with a whiff of rum in the air) an older, greasy guy holding a pair of shoes under his arm. He mentioned that if he could get to somewhere (I think it was Newcastle), he might get hired as Pantaloon since the current Pantaloon is "a total loser, sir—a real loser." I told him I was sorry to hear times were so tough for him. "Mr. Dickens, you know our profession, sir—nobody knows it better than you, sir—there’s no sense of decency in it. I was Harlequin in your own circuit for thirty-five years, and I was replaced by a kid, sir!—a kid!"[135]

So no more at present, except love to Mrs. Watson and Bedgey Prig and all, from my dear Mary.

So nothing more for now, except love to Mrs. Watson and Bedgey Prig and everyone else, from my dear Mary.

Your always affectionate
Joe.

P.S.—DON'T I pine neither?

P.S.—Don’t I long either?

P.P.S.—I did my best to arouse Forster's worst feelings; but he had got into a Christmas habit of mind, and wouldn't respond.

P.P.S.—I tried my hardest to bring out Forster's worst feelings, but he had gotten into a festive mood and wouldn’t engage.


NARRATIVE.

1861.

This, as far as his movements were concerned, was again a very unsettled year with Charles Dickens. He hired a furnished house in the Regent's Park, which he, with his household, occupied for some months. During the season he gave several readings at St. James's Hall. After a short summer holiday at Gad's Hill, he started, in the autumn, on a reading tour in the English provinces. Mr. Arthur Smith, being seriously ill, could not accompany him in this tour; and Mr. Headland, who was formerly in office at the St. Martin's Hall, was engaged as business-manager of these readings. Mr. Arthur Smith died in October, and Charles Dickens's distress at the loss of this loved friend and companion is touchingly expressed in many of his letters of this year.

There are also sorrowful allusions to the death of his brother-in-law, Mr. Henry Austin, which sad event likewise happened in October. And the letter we give to Mrs. Austin ("Letitia") has reference to her sad affliction.

There are also sad references to the death of his brother-in-law, Mr. Henry Austin, which also occurred in October. The letter we include for Mrs. Austin ("Letitia") addresses her sorrowful situation.

In June of this year he paid a short visit to Sir E. B. Lytton at Knebworth, accompanied by his daughter and sister-in-law, who also during his autumn tour joined him in Edinburgh. But this course of readings was brought rather[136] suddenly to an end on account of the death of the Prince Consort.

In June of this year, he made a brief visit to Sir E. B. Lytton at Knebworth, along with his daughter and sister-in-law, who also joined him during his autumn tour in Edinburgh. However, this series of readings came to an unexpected halt due to the death of the Prince Consort.[136]

Besides being constantly occupied with the business of these readings, Charles Dickens was still at work on his story of "Great Expectations," which was appearing weekly in "All the Year Round." The story closed on the 3rd of August, when it was published as a whole in three volumes, and inscribed to Mr. Chauncey Hare Townshend. The Christmas number of "All the Year Round" was called "Tom Tiddler's Ground," to which Charles Dickens contributed three stories.

Besides being constantly busy with these readings, Charles Dickens was also working on his story "Great Expectations," which was being published weekly in "All the Year Round." The story concluded on August 3rd, when it was released as a complete work in three volumes, dedicated to Mr. Chauncey Hare Townshend. The Christmas edition of "All the Year Round" was titled "Tom Tiddler's Ground," to which Charles Dickens contributed three stories.

Our second letter in this year is given more as a specimen of the claims which were constantly being made upon Charles Dickens's time and patience, than because we consider the letter itself to contain much public interest; excepting, indeed, as showing his always considerate and courteous replies to such constant applications.

Our second letter this year serves more as an example of the demands that were consistently made on Charles Dickens's time and patience than because we think the letter itself is of much public interest; except, of course, it demonstrates his consistently thoughtful and polite responses to these ongoing requests.

"The fire" mentioned in the letter to Mr. Forster was the great fire in Tooley Street. The "Morgan" was an American sea-captain, well known in those days, and greatly liked and respected. It may interest our readers to know that the character of Captain Jorgan, in the Christmas number of the previous year, was suggested by this pleasant sailor, for whom Charles Dickens had a hearty liking. Young Mr. Morgan was, during the years he passed in England, a constant visitor at Gad's Hill. The "Elwin" mentioned in the letter written from Bury St. Edmunds, was the Rev. Whitwell Elwin, a Norfolk gentleman, well known in the literary world, and who was for many years editor of "The Quarterly Review."

"The fire" referenced in the letter to Mr. Forster was the major fire on Tooley Street. The "Morgan" was an American sea captain, well-known and liked during that time. It might interest our readers to know that the character of Captain Jorgan, in the Christmas edition from the previous year, was inspired by this charming sailor, whom Charles Dickens had a genuine fondness for. Young Mr. Morgan was a regular visitor at Gad's Hill during his time in England. The "Elwin" mentioned in the letter written from Bury St. Edmunds was the Rev. Whitwell Elwin, a gentleman from Norfolk, who was well-known in literary circles and served as the editor of "The Quarterly Review" for many years.

The explanation of the letter to Mr. John Agate, of Dover, we give in that gentleman's own words:

The explanation of the letter to Mr. John Agate, of Dover, is provided in his own words:

"There are few public men with the strain upon their time and energies which he had particularly (and which I know better now that I have read his life), who would have spared the time to have written such a long courteous letter.

"There are few public figures who have the demands on their time and energy that he had, especially now that I understand better after reading about his life, who would have taken the time to write such a lengthy and courteous letter."

"I wrote to him rather in anger, and left the letter myself at The Lord Warden, as I and my family were very[137] much disappointed, after having purchased our tickets so long before, to find we could not got into the room, as money was being received, but his kind letter explained all."

"I wrote to him quite angrily and delivered the letter myself to The Lord Warden, as my family and I were really disappointed, having bought our tickets so long ago, to find we couldn't get into the room since they were still collecting money, but his kind letter clarified everything."

Miss Hogarth.


Office of "All the Year Round",
Wednesday, Jan. 9th, 1861.
My dear Georgy,

"We" are in the full swing of stopping managers from playing "A Message from the Sea." I privately doubt the strength of our position in the Court of Chancery, if we try it; but it is worth trying.

"We" are fully engaged in preventing managers from playing "A Message from the Sea." I personally question the strength of our case in the Court of Chancery if we pursue it; but it's worth a shot.

I am aware that Mr. Lane of the Britannia sent an emissary to Gad's Hill yesterday. It unfortunately happens that the first man "we" have to assert the principle against is a very good man, whom I really respect.

I know that Mr. Lane from the Britannia sent someone to Gad's Hill yesterday. Unfortunately, the first person we have to stand up against this principle is a really good guy whom I genuinely respect.

I have no news, except that I really hope and believe I am gradually getting well. If I have no check, I hope to be soon discharged by the medico.

I have no updates, except that I really hope and believe I'm slowly getting better. If there are no setbacks, I expect to be discharged by the doctor soon.

Ever affectionately.

P.S.—Best love to Mamie, also to the boys and Miss Craufurd.

P.S.—Sending love to Mamie, the boys, and Miss Craufurd.



Office of "All the Year Round," 26 Wellington Street, W.C.,
Tuesday Evening, Jan. 9th, 1861.
Dear Sir/Madam,

I feel it quite hopeless to endeavour to present my position before you, in reference to such a letter as yours, in its plain and true light. When you suppose it would have cost Mr. Thackeray "but a word" to use his influence to obtain you some curatorship or the like, you fill me with the sense of impossibility of leading you to a more charitable judgment of Mr. Dickens.

I find it pretty hopeless to try and explain my perspective to you about a letter like yours, clearly and honestly. When you think it would have taken Mr. Thackeray "just a word" to use his influence to get you a curatorship or something similar, it makes me realize how impossible it is to help you see Mr. Dickens in a more sympathetic light.

Nevertheless, I will put the truth before you. Scarcely a day of my life passes, or has passed for many years,[138] without bringing me some letters similar to yours. Often they will come by dozens—scores—hundreds. My time and attention would be pretty well occupied without them, and the claims upon me (some very near home), for all the influence and means of help that I do and do not possess, are not commonly heavy. I have no power to aid you towards the attainment of your object. It is the simple exact truth, and nothing can alter it. So great is the disquietude I constantly undergo from having to write to some new correspondent in this strain, that, God knows, I would resort to another relief if I could.

Nevertheless, I will lay the truth out for you. Hardly a day of my life goes by, or has gone by for many years,[138] without receiving letters like yours. Often, they arrive by the dozen—scores—hundreds. My time and attention would be pretty full without them, and the requests I get (some quite close to home) for all the influence and help that I have and don’t have, aren't usually overwhelming. I have no ability to assist you in achieving your goal. It’s the plain, hard truth, and nothing can change that. The constant stress I feel from needing to write to yet another new correspondent like this is so great that, honestly, I would look for another way to cope if I could.

Your studies from nature appear to me to express an excellent observation of nature, in a loving and healthy spirit. But what then? The dealers and dealers' prices of which you complain will not be influenced by that honest opinion. Nor will it have the least effect upon the President of the Royal Academy, or the Directors of the School of Design. Assuming your supposition to be correct that these authorities are adverse to you, I have no more power than you have to render them favourable. And assuming them to be quite disinterested and dispassionate towards you, I have no voice or weight in any appointment that any of them make.

Your studies of nature seem to show an excellent understanding of it, expressed in a kind and healthy way. But what does that matter? The art dealers and their prices that you’re frustrated about won’t change because of your honest views. It won't influence the President of the Royal Academy or the Directors of the School of Design at all. Even if your assumption is right and these officials are against you, I have no more power than you to change their attitude. And even if they are completely fair and unbiased towards you, I have no say or influence over any decisions they make.

I will retain your packet over to-morrow, and will then cause it to be sent to your house. I write under the pressure of occupation and business, and therefore write briefly.

I will hold onto your packet until tomorrow, and then I'll have it sent to your house. I'm writing this quickly because I'm busy, so I'll keep it brief.

Faithfully yours.
M. de Cerjat.


Office of "All the Year Round"," Friday, Feb. 1st, 1861.
My dear Cerjat,

You have read in the papers of our heavy English frost. At Gad's Hill it was so intensely cold, that in our[139] warm dining-room on Christmas Day we could hardly sit at the table. In my study on that morning, long after a great fire of coal and wood had been lighted, the thermometer was I don't know where below freezing. The bath froze, and all the pipes froze, and remained in a stony state for five or six weeks. The water in the bedroom-jugs froze, and blew up the crockery. The snow on the top of the house froze, and was imperfectly removed with axes. My beard froze as I walked about, and I couldn't detach my cravat and coat from it until I was thawed at the fire. My boys and half the officers stationed at Chatham skated away without a check to Gravesend—five miles off—and repeated the performance for three or four weeks. At last the thaw came, and then everything split, blew up, dripped, poured, perspired, and got spoilt. Since then we have had a small visitation of the plague of servants; the cook (in a riding-habit) and the groom (in a dress-coat and jewels) having mounted Mary's horse and mine, in our absence, and scoured the neighbouring country at a rattling pace. And when I went home last Saturday, I innocently wondered how the horses came to be out of condition, and gravely consulted the said groom on the subject, who gave it as his opinion "which they wanted reg'lar work." We are now coming to town until midsummer. Having sold my own house, to be more free and independent, I have taken a very pretty furnished house, No. 3, Hanover Terrace, Regent's Park. This, of course, on my daughter's account. For I have very good and cheerful bachelor rooms here, with an old servant in charge, who is the cleverest man of his kind in the world, and can do anything, from excellent carpentery to excellent cookery, and has been with me three-and-twenty years.

You’ve read in the news about our severe English frost. At Gad’s Hill, it was so bitterly cold that in our warm dining room on Christmas Day, we could barely sit at the table. In my study that morning, long after we’d lit a big fire with coal and wood, the thermometer was far below freezing. The bath froze, all the pipes froze, and stayed frozen for five or six weeks. The water in the bedroom jugs froze and broke the pottery. The snow on the roof froze and was only partially removed with axes. My beard froze as I walked around, and I couldn't get my cravat and coat off of it until I warmed up by the fire. My boys and half the officers stationed at Chatham skated all the way to Gravesend—five miles away—and did this every day for three or four weeks. Finally, the thaw came, and then everything cracked, burst, dripped, poured, sweated, and got ruined. Since then, we’ve had a little outbreak of unreliable servants; the cook (in a riding outfit) and the groom (in a dress coat and jewels) took Mary’s horse and mine, while we were away, and raced across the countryside at high speed. When I got home last Saturday, I naively wondered how the horses got out of shape and seriously asked the groom about it. He suggested they just needed “regular work.” We’re now heading to town until midsummer. Having sold my own house to feel more free and independent, I’ve rented a very nice furnished house at No. 3, Hanover Terrace, Regent’s Park. This is, of course, for my daughter’s benefit. I have very good and cheerful bachelor rooms here, with an old servant in charge, who is the smartest person of his kind in the world and can do anything, from great carpentry to excellent cooking, and has been with me for twenty-three years.

The American business is the greatest English sensation[140] at present. I venture to predict that the struggle of violence will be a very short one, and will be soon succeeded by some new compact between the Northern and Southern States. Meantime the Lancashire mill-owners are getting very uneasy.

The American business scene is currently the biggest sensation in English affairs[140]. I dare to predict that the conflict will be brief and will soon be followed by some new agreement between the Northern and Southern States. In the meantime, the Lancashire mill owners are becoming quite anxious.

The Italian state of things is not regarded as looking very cheerful. What from one's natural sympathies with a people so oppressed as the Italians, and one's natural antagonism to a pope and a Bourbon (both of which superstitions I do suppose the world to have had more than enough of), I agree with you concerning Victor Emmanuel, and greatly fear that the Southern Italians are much degraded. Still, an united Italy would be of vast importance to the peace of the world, and would be a rock in Louis Napoleon's way, as he very well knows. Therefore the idea must be championed, however much against hope.

The situation in Italy doesn’t seem very bright. Given my natural sympathy for a people as oppressed as the Italians and my opposition to both a pope and a Bourbon (I believe the world has had more than enough of both), I agree with you about Victor Emmanuel and am quite concerned that the Southern Italians are significantly degraded. Still, a united Italy would be incredibly important for global peace and would pose a significant challenge to Louis Napoleon, as he is well aware. Therefore, we must advocate for this idea, no matter how hopeless it may seem.

My eldest boy, just home from China, was descried by Townshend's Henri the moment he landed at Marseilles, and was by him borne in triumph to Townshend's rooms. The weather was snowy, slushy, beastly; and Marseilles was, as it usually is to my thinking, well-nigh intolerable. My boy could not stay with Townshend, as he was coming on by express train; but he says: "I sat with him and saw him dine. He had a leg of lamb, and a tremendous cold." That is the whole description I have been able to extract from him.

My oldest son, just back from China, was spotted by Townshend's Henri the moment he arrived in Marseilles, and he was triumphantly taken to Townshend's place. The weather was snowy, slushy, and awful; and Marseilles was, as it usually is in my opinion, pretty much unbearable. My son couldn’t stay with Townshend since he was catching an express train, but he said, "I sat with him and watched him have dinner. He had a leg of lamb and a huge cold." That’s all the information I’ve been able to get from him.

This journal is doing gloriously, and "Great Expectations" is a great success. I have taken my third boy, Frank (Jeffrey's godson), into this office. If I am not mistaken, he has a natural literary taste and capacity, and may do very well with a chance so congenial to his mind, and being also entered at the Bar.

This journal is doing really well, and "Great Expectations" is a big hit. I've brought on my third boy, Frank (Jeffrey's godson), to work in this office. If I'm not wrong, he has a natural talent and flair for writing, and he could do quite well in an environment that suits his interests, especially since he's also studying law.

Dear me, when I have to show you about London, and[141] we dine en garçon at odd places, I shall scarcely know where to begin. Only yesterday I walked out from here in the afternoon, and thought I would go down by the Houses of Parliament. When I got there, the day was so beautifully bright and warm, that I thought I would walk on by Millbank, to see the river. I walked straight on for three miles on a splendid broad esplanade overhanging the Thames, with immense factories, railway works, and what-not erected on it, and with the strangest beginnings and ends of wealthy streets pushing themselves into the very Thames. When I was a rower on that river, it was all broken ground and ditch, with here and there a public-house or two, an old mill, and a tall chimney. I had never seen it in any state of transition, though I suppose myself to know this rather large city as well as anyone in it.

Oh my, when I have to show you around London, and[141] we have dinner en garçon at random places, I won't even know where to start. Just yesterday, I stepped out in the afternoon and thought I’d stroll by the Houses of Parliament. When I got there, the weather was so bright and warm that I decided to walk along Millbank to see the river. I continued straight for three miles along a beautiful broad pathway overlooking the Thames, with huge factories, railway yards, and all sorts of structures built there, along with the oddest beginnings and ends of affluent streets jutting right into the Thames. When I used to row on that river, it was all uneven land and ditches, with just a couple of pubs, an old mill, and a tall chimney here and there. I had never witnessed it during any transition, even though I like to think I know this pretty large city as well as anyone.

*                   *                   *                   *                   *                   *
Mr. E. M. Ward, R.A.


3, Hanover Terrace, Regent's Park,
Saturday Night, March 9th, 1861.
Dear Ward,

I cannot tell you how gratified I have been by your letter, and what a splendid recompense it is for any pleasure I am giving you. Such generous and earnest sympathy from such a brother-artist gives me true delight. I am proud of it, believe me, and moved by it to do all the better.

I can’t tell you how grateful I am for your letter and what a wonderful reward it is for any joy I’m bringing you. Such generous and sincere support from a fellow artist truly makes me happy. I take pride in it, trust me, and it inspires me to do even better.

Ever faithfully yours.
Mr. W. C. Macready.


"All the Year Round" Office, Tuesday, June 11th, 1861.
My dear Macready,

There is little doubt, I think, of my reading at Cheltenham somewhere about November. I submit myself so entirely to Arthur Smith's arrangements for me, that I[142] express my sentiments on this head with modesty. But I think there is scarcely a doubt of my seeing you then.

I have no doubt that I’ll be reading at Cheltenham sometime in November. I fully trust Arthur Smith's plans for me, so I express my feelings about this with humility. But I believe there’s hardly any doubt that I’ll see you then.

I have just finished my book of "Great Expectations," and am the worse for wear. Neuralgic pains in the face have troubled me a good deal, and the work has been pretty close. But I hope that the book is a good book, and I have no doubt of very soon throwing off the little damage it has done me.

I just finished reading "Great Expectations," and I’m feeling a bit worse for wear. I've had some nerve pain in my face that's bothered me quite a bit, and the reading was pretty intense. But I hope it's a good book, and I’m sure I’ll recover from the little toll it took on me pretty quickly.

What with Blondin at the Crystal Palace and Léotard at Leicester Square, we seem to be going back to barbaric excitements. I have not seen, and don't intend to see, the Hero of Niagara (as the posters call him), but I have been beguiled into seeing Léotard, and it is at once the most fearful and most graceful thing I have ever seen done.

With Blondin at the Crystal Palace and Léotard at Leicester Square, it feels like we're returning to some wild entertainment. I haven't seen, and don't plan to see, the Hero of Niagara (as the posters call him), but I have been convinced to watch Léotard, and it is both the most terrifying and the most graceful thing I have ever witnessed.

Clara White (grown pretty) has been staying with us.

Clara White (now grown up and pretty) has been staying with us.

I am sore afraid that The Times, by playing fast and loose with the American question, has very seriously compromised this country. The Americans northward are perfectly furious on the subject; and Motley the historian (a very sensible man, strongly English in his sympathies) assured me the other day that he thought the harm done very serious indeed, and the dangerous nature of the daily widening breach scarcely calculable.

I am really worried that The Times, by being careless with the American issue, has seriously compromised this country. The Americans to the north are really angry about it; and Motley the historian (a very sensible guy, who has strong English sympathies) told me the other day that he believed the damage was quite serious, and the dangerous nature of the daily widening gap is hard to measure.

Kindest and best love to all. Wilkie Collins has just come in, and sends best regard.

Kindest and best wishes to everyone. Wilkie Collins just arrived and sends his regards.

Ever most affectionately, my dearest Macready.
Mr. John Forster.


Gad's Hill, Monday, July 1st, 1861.
Dear Forster,
*                   *                   *                   *                   *                   *

You will be surprised to hear that I have changed the end of "Great Expectations" from and after Pip's return to Joe's, and finding his little likeness there.[143]

You’ll be surprised to hear that I’ve changed the ending of "Great Expectations" from when Pip returns to Joe's and sees his little likeness there.[143]

Bulwer (who has been, as I think I told you, extraordinarily taken by the book), so strongly urged it upon me, after reading the proofs, and supported his views with such good reasons, that I resolved to make the change. You shall have it when you come back to town. I have put in a very pretty piece of writing, and I have no doubt the story will be more acceptable through the alteration.

Bulwer (who I think I mentioned has been really impressed by the book) strongly encouraged me to make the change after reading the proofs, and he backed up his opinions with such good reasons that I decided to go ahead with it. You'll get to see it when you return to town. I added a really nice section of writing, and I'm sure the story will be better because of the changes.

I have not seen Bulwer's changed story. I brought back the first month with me, and I know the nature of his changes throughout; but I have not yet had the revised proofs. He was in a better state at Knebworth than I have ever seen him in all these years, a little weird occasionally regarding magic and spirits, but perfectly fair and frank under opposition. He was talkative, anecdotical, and droll; looked young and well, laughed heartily, and enjoyed some games we played with great zest. In his artist character and talk he was full of interest and matter, but that he always is. Socially, he seemed to me almost a new man. I thoroughly enjoyed myself, and so did Georgina and Mary.

I haven't seen Bulwer's new story. I brought back the first month with me, and I know what changes he's made throughout; but I still haven't received the revised proofs. He was in a better state at Knebworth than I've ever seen him over the years, a bit odd at times about magic and spirits, but completely honest and open when faced with opposition. He was talkative, filled with stories, and funny; he looked young and healthy, laughed heartily, and really enjoyed the games we played. In terms of his artistic character and conversation, he was full of interesting ideas, but that's always the case. Socially, he seemed almost like a new person to me. I had a great time, and so did Georgina and Mary.

The fire I did not see until the Monday morning, but it was blazing fiercely then, and was blazing hardly less furiously when I came down here again last Friday. I was here on the night of its breaking out. If I had been in London I should have been on the scene, pretty surely.

The fire didn’t catch my attention until Monday morning, but it was burning fiercely then, and it was still raging just as intensely when I returned here last Friday. I was here the night it started. If I had been in London, I definitely would have been at the scene.

You will be perhaps surprised to hear that it is Morgan's conviction (his son was here yesterday), that the North will put down the South, and that speedily. In his management of his large business, he is proceeding steadily on that conviction. He says that the South has no money and no credit, and that it is impossible for it to make a successful stand. He may be all wrong, but he is certainly a very shrewd man, and he has never been, as to the United States, an enthusiast of any class.[144]

You might be surprised to hear that Morgan is convinced (his son was here yesterday) that the North will quickly defeat the South. In running his large business, he is acting on that belief. He claims that the South has no money and no credit, making it impossible for them to make a successful stand. He could be completely wrong, but he is definitely a very savvy guy, and he has never been an enthusiast of any kind when it comes to the United States.[144]

Poor Lord Campbell's seems to me as easy and good a death as one could desire. There must be a sweep of these men very soon, and one feels as if it must fall out like the breaking of an arch—one stone goes from a prominent place, and then the rest begin to drop. So one looks towards Brougham, and Lyndhurst, and Pollock.

Poor Lord Campbell’s death seems to me as peaceful and good as one could hope for. There must be a wave of these men leaving us very soon, and it feels like it’s going to happen like the collapse of an arch—one key stone goes out of position, and then the rest start to fall. So one looks towards Brougham, Lyndhurst, and Pollock.

I will add no more to this, or I know I shall not send it; for I am in the first desperate laziness of having done my book, and think of offering myself to the village school as a live example of that vice for the edification of youth.

I won't add anything else to this, or I know I won't send it; because I'm in that initial, desperate laziness that comes after finishing my book, and I’m thinking about offering myself to the village school as a living example of that vice to educate the youth.

Ever, my dear Forster, affectionately.
The Hon. Mrs. Watson.


Gad's Hill Place, Higham near Rochester, Kent,
Monday, July 8th, 1861.
Dear Mrs. Watson,

I have owed you a letter for so long a time that I fear you may sometimes have misconstrued my silence. But I hope that the sight of the handwriting of your old friend will undeceive you, if you have, and will put that right.

I’ve owed you a letter for such a long time that I worry you might have misunderstood my silence. But I hope seeing the handwriting of your old friend will clear things up, if you have, and set things straight.

During the progress of my last story, I have been working so hard that very, very little correspondence—except enforced correspondence on business—has passed this pen. And now that I am free again, I devote a few of my first leisure moments to this note.

During the development of my last story, I've been working so hard that I’ve barely written any personal correspondence—aside from the necessary business stuff. Now that I'm free again, I'm taking a few of my first moments of leisure to write this note.

You seemed in your last to think that I had forgotten you in respect of the Christmas number. Not so at all. I discussed with them here where you were, how you were to be addressed, and the like; finally left the number in a blank envelope, and did not add the address to it until it would have been absurd to send you such stale bread. This was my fault, but this was all. And I should be so pained at heart if you supposed me capable of failing in my truth and cordiality, or in the warm remembrance of the time we[145] have passed together, that perhaps I make more of it than you meant to do.

You seemed to think in your last message that I had forgotten about you regarding the Christmas issue. That's not the case at all. I talked with them here about where you were, how you should be addressed, and so on; I eventually left the issue in a blank envelope and didn’t add the address until it would have been ridiculous to send you something so outdated. This was my mistake, but that's all. I would be truly hurt if you thought I could fail in my honesty and warmth, or in the fond memories of the time we’ve spent together, so maybe I’m overreacting to what you intended.

My sailor-boy is at home—I was going to write, for the holidays, but I suppose I must substitute "on leave." Under the new regulations, he must not pass out of the Britannia before December. The younger boys are all at school, and coming home this week for the holidays. Mary keeps house, of course, and Katie and her husband surprised us yesterday, and are here now. Charley is holiday-making at Guernsey and Jersey. He has been for some time seeking a partnership in business, and has not yet found one. The matter is in the hands of Mr. Bates, the managing partner in Barings' house, and seems as slow a matter to adjust itself as ever I looked on at. Georgina is, as usual, the general friend and confidante and factotum of the whole party.

My sailor boy is at home—I was going to write, for the holidays, but I guess I should say "on leave." According to the new rules, he can't leave the Britannia before December. The younger boys are all at school and are coming home this week for the holidays. Mary is managing the house, of course, and Katie and her husband surprised us yesterday and are here now. Charley is celebrating at Guernsey and Jersey. He has been looking for a business partnership for some time now but hasn't found one yet. The situation is in the hands of Mr. Bates, the managing partner at Barings' house, and it seems to be taking forever to sort out. Georgina is, as usual, the main friend, confidante, and helper for the whole group.

Your present correspondent read at St. James's Hall in the beginning of the season, to perfectly astounding audiences; but finding that fatigue and excitement very difficult to manage in conjunction with a story, deemed it prudent to leave off reading in high tide and mid-career, the rather by reason of something like neuralgia in the face. At the end of October I begin again; and if you are at Brighton in November, I shall try to see you there. I deliver myself up to Mr. Arthur Smith, and I know it is one of the places for which he has put me down.

Your current correspondent read at St. James's Hall at the start of the season to really impressive audiences. However, I found the combination of fatigue and excitement hard to handle while telling a story, so I thought it wise to stop reading at the peak of my success, especially due to what felt like neuralgia in my face. At the end of October, I'll start again; and if you’re in Brighton in November, I’ll try to see you there. I’ve entrusted myself to Mr. Arthur Smith, and I know it's one of the places he has lined up for me.

This is all about me and mine, and next I want to know why you never come to Gad's Hill, and whether you are never coming. The stress I lay on these questions you will infer from the size of the following note of interrogation Handwritten: ?

This is all about me and my life, and next I want to know why you never come to Gad's Hill, and if you're ever planning to come. The emphasis I put on these questions should be clear from the size of the following question mark Handwritten: ?

I am in the constant receipt of news from Lausanne. Of Mary Boyle, I daresay you have seen and heard more than I have lately. Rumours occasionally reach me of her[146] acting in every English shire incessantly, and getting in a harvest of laurels all the year round. Cavendish I have not seen for a long time, but when I did see him last, it was at Tavistock House, and we dined together jovially. Mention of that locality reminds me that when you do come here, you will see the pictures looking wonderfully better, and more precious than they ever did in town. Brought together in country light and air, they really are quite a baby collection and very pretty.

I'm constantly getting updates from Lausanne. You probably know more about Mary Boyle than I do these days. I occasionally hear rumors about her performing in every English county non-stop and continuously racking up accolades throughout the year. I haven't seen Cavendish in a long time, but the last time we met was at Tavistock House, and we had a great dinner together. Speaking of that place, when you do come here, you'll notice the pictures look way better and more valuable than they ever did in the city. Displayed in the country light and fresh air, they really seem like a lovely little collection.

I direct this to Rockingham, supposing you to be there in this summer time. If you are as leafy in Northamptonshire as we are in Kent, you are greener than you have been for some years. I hope you may have seen a large-headed photograph with little legs, representing the undersigned, pen in hand, tapping his forehead to knock an idea out. It has just sprung up so abundantly in all the shops, that I am ashamed to go about town looking in at the picture-windows, which is my delight. It seems to me extraordinarily ludicrous, and much more like than the grave portrait done in earnest. It made me laugh when I first came upon it, until I shook again, in open sunlighted Piccadilly.

I’m sending this to Rockingham, assuming you’re there this summer. If it’s as lush in Northamptonshire as it is here in Kent, you must be greener than you’ve been in years. I hope you’ve seen the oversized photo with tiny legs, showing me, pen in hand, tapping my forehead to brainstorm. It’s popped up so much in stores now that I feel silly looking at it in the shop windows, which I usually love to do. It seems ridiculously funny to me, much more than the serious portrait made with intent. I laughed the first time I saw it, until I burst out laughing again in the bright sunlight of Piccadilly.

Pray be a good Christian to me, and don't be retributive in measuring out the time that shall pass before you write to me. And believe me ever,

Pray be a good Christian to me, and don't hold a grudge when it comes to deciding how long it takes before you write to me. And always believe me,

Your affectionate and faithful.
Mr. W. Wilkie Collins.


Office of "All the Year Round",
Wednesday, Aug. 28th, 1861.
Dear Wilkie,

I have been going to write to you ever since I received your letter from Whitby, and now I hear from Charley that you are coming home, and must be addressed[147] in the Rue Harley. Let me know whether you will dine here this day week at the usual five. I am at present so addle-headed (having hard Wednesday work in Wills's absence) that I can't write much.

I’ve been meaning to write to you ever since I got your letter from Whitby, and now I hear from Charley that you’re coming home and should be addressed in Rue Harley. Let me know if you’ll be having dinner here next week at the usual time of five. I’m feeling a bit scatterbrained right now (having a tough Wednesday working in Wills’s absence) so I can’t write much.

I have got the "Copperfield" reading ready for delivery, and am now going to blaze away at "Nickleby," which I don't like half as well. Every morning I "go in" at these marks for two or three hours, and then collapse and do nothing whatever (counting as nothing much cricket and rounders).

I have the "Copperfield" reading ready to go, and I'm now going to dive into "Nickleby," which I'm not as into. Every morning, I focus on these for two or three hours, and then I crash and do absolutely nothing (not counting cricket and rounders as doing much).

In my time that curious railroad by the Whitby Moor was so much the more curious, that you were balanced against a counter-weight of water, and that you did it like Blondin. But in these remote days the one inn of Whitby was up a back-yard, and oyster-shell grottoes were the only view from the best private room. Likewise, sir, I have posted to Whitby. "Pity the sorrows of a poor old man."

In my time, that strange railroad by Whitby Moor was even more intriguing because you were counterbalanced by a weight of water, and you did it like Blondin. But nowadays, the only inn in Whitby is tucked away in a backyard, and the only view from the best private room is of oyster-shell grottoes. Also, sir, I have traveled to Whitby. "Pity the sorrows of a poor old man."

The sun is glaring in at these windows with an amount of ferocity insupportable by one of the landed interest, who lies upon his back with an imbecile hold on grass, from lunch to dinner. Feebleness of mind and head are the result.

The sun is blaring through these windows with an intensity that's unbearable for someone from the landed gentry, who is sprawled on his back with a dumb grip on the grass, from lunch to dinner. This leads to weakness of both mind and body.

Ever affectionately.

P.S.—The boys have multiplied themselves by fifty daily, and have seemed to appear in hosts (especially in the hottest days) round all the corners at Gad's Hill. I call them the prowlers, and each has a distinguishing name attached, derived from his style of prowling.

P.S.—The boys have increased by fifty every day and seem to show up in groups (especially on the hottest days) around every corner at Gad's Hill. I call them the prowlers, and each has a unique name based on their style of prowling.

Mr. Arthur Smith.


Gad's Hill Place, Higham near Rochester, Kent,
Tuesday, Sept. 3rd, 1861.
Dear Arthur,

I cannot tell you how sorry I am to receive your bad account of your health, or how anxious I shall be to receive a better one as soon as you can possibly give it.[148]

I can’t express how sorry I am to hear about your poor health, or how eager I am to get a better update as soon as you’re able to provide it.[148]

If you go away, don't you think in the main you would be better here than anywhere? You know how well you would be nursed, what care we should take of you, and how perfectly quiet and at home you would be, until you become strong enough to take to the Medway. Moreover, I think you would be less anxious about the tour, here, than away from such association. I would come to Worthing to fetch you, I needn't say, and would take the most careful charge of you. I will write no more about this, because I wish to avoid giving you more to read than can be helped; but I do sincerely believe it would be at once your wisest and least anxious course. As to a long journey into Wales, or any long journey, it would never do. Nice is not to be thought of. Its dust, and its sharp winds (I know it well), towards October are very bad indeed.

If you leave, don’t you think you’d be better off here than anywhere else? You know how well you’d be looked after, how much care we’d give you, and how completely comfortable and at home you’d feel until you were strong enough to head to the Medway. Plus, I believe you’d worry less about the trip while you’re here than if you were away from this support. I’d come to Worthing to pick you up, of course, and I’d take the best care of you. I won’t write any more about this because I want to keep your reading to a minimum, but I genuinely think this would be the smartest and least stressful option for you. As for a long trip to Wales or any lengthy journey, that wouldn't work at all. Nice isn’t even an option. Its dust and harsh winds (I know it well) are really bad around October.

I send you the enclosed letters, firstly, because I have no circular to answer them with, and, secondly, because I fear I might confuse your arrangements by interfering with the correspondence. I shall hope to have a word from you very soon. I am at work for the tour every day, except my town Wednesdays.

I’m sending you the enclosed letters, mainly because I don’t have a standard response to use, and also because I worry that getting involved in the correspondence might disrupt your plans. I hope to hear back from you very soon. I’m working on the tour every day, except for my town Wednesdays.

Ever faithfully.

P.S.—Kindest regards from all.

P.S.—Best wishes from everyone.

Mr. John Watkins.


Gad's Hill Place, Higham near Rochester, Kent,
Saturday Night, Sept. 28th, 1861.
Dear Mr. Watson,

In reply to your kind letter I must explain that I have not yet brought down any of your large photographs of myself, and therefore cannot report upon their effect here. I think the "cartes" are all liked.

In response to your thoughtful letter, I need to clarify that I haven't taken down any of your big photos of me yet, so I can't share how they look here. I believe everyone likes the "cartes."

A general howl of horror greeted the appearance of No. 18, and a riotous attempt was made to throw it out[149] of window. I calmed the popular fury by promising that it should never again be beheld within these walls. I think I mentioned to you when you showed it to me, that I felt persuaded it would not be liked. It has a grim and wasted aspect, and perhaps might be made useful as a portrait of the Ancient Mariner.

A loud outcry of horror erupted at the sight of No. 18, and there was a chaotic effort to throw it out the window[149]. I calmed the crowd's anger by promising that it would never be seen in this place again. I believe I told you when you showed it to me that I was sure it wouldn't be well-received. It looks grim and worn out, and maybe it could serve as a portrait of the Ancient Mariner.

I feel that I owe you an apology for being (innocently) a difficult subject. When I once excused myself to Ary Scheffer while sitting to him, he received the apology as strictly his due, and said with a vexed air: "At this moment, mon cher Dickens, you look more like an energetic Dutch admiral than anything else;" for which I apologised again.

I feel like I owe you an apology for being (innocently) a tricky topic. When I once apologized to Ary Scheffer while sitting with him, he took the apology as something he was owed and said with an annoyed look: "At this moment, mon cher Dickens, you look more like an energetic Dutch admiral than anything else;" to which I apologized again.

In the hope that the pains you have bestowed upon me will not be thrown away, but that your success will prove of some use to you, believe me,

In the hope that the suffering you’ve caused me won’t be in vain, and that your success will actually benefit you, trust me,

Faithfully yours.
Mr. Edmund Yates.


Gad's Hill Place, Higham, near Rochester, Kent
Sunday, Oct. 6th, 1861.
AFTER THE DEATH OF MR. ARTHUR SMITH.
Dear Edmund,

Coming back here to-day, I find your letter.

Coming back here today, I find your letter.

I was so very much distressed last night in thinking of it all, and I find it so very difficult to preserve my composure when I dwell in my mind on the many times fast approaching when I shall sorely miss the familiar face, that I am hardly steady enough yet to refer to the readings like a man. But your kind reference to them makes me desirous to tell you that I took Headland (formerly of St. Martin's Hall, who has always been with us in London) to conduct the business, when I knew that our poor dear fellow could never do it, even if he had recovered strength to go; and[150] that I consulted with himself about it when I saw him for the last time on earth, and that it seemed to please him, and he said: "We couldn't do better."

I was really upset last night thinking about everything, and I find it so hard to keep my cool when I think about all the times coming up when I’ll really miss that familiar face. I'm barely steady enough to discuss the readings like a normal person. But your thoughtful mention of them makes me want to share that I asked Headland (formerly of St. Martin's Hall, who has always been with us in London) to handle the business, knowing our poor dear friend could never do it, even if he had recovered enough to go. I also spoke with him about it the last time I saw him, and it seemed to make him happy, and he said, "We couldn't do better." [150]

Write to me before you come; and remember that I go to town Wednesday mornings.

Write to me before you come, and keep in mind that I go to town on Wednesday mornings.

Ever faithfully.
Miss Dickens.


Office of "All the Year Round",
Thursday, Oct. 10th, 1861.
My beloved Mamie,

I received your affectionate little letter here this morning, and was very glad to get it. Poor dear Arthur is a sad loss to me, and indeed I was very fond of him. But the readings must be fought out, like all the rest of life.

I got your sweet little letter this morning, and I was really happy to receive it. Poor dear Arthur is a tough loss for me, and I truly cared for him. But the challenges must be faced, just like everything else in life.

Ever your affectionate.
Mr. W. C. Macready.


Gad's Hill Place, Higham near Rochester, Kent,
Sunday, Oct. 13th, 1861.
Dear Macready,

This is a short note. But the moment I know for certain what is designed for me at Cheltenham, I write to you in order that you may know it from me and not by chance from anyone else.

This is a short note. As soon as I know for sure what’s in store for me at Cheltenham, I’ll write to you so you can hear it directly from me and not by chance from someone else.

I am to read there on the evening of Friday, the 3rd of January, and on the morning of Saturday, the 4th; as I have nothing to do on Thursday, the 2nd, but come from Leamington, I shall come to you, please God, for a quiet dinner that day.

I’m scheduled to read there on the evening of Friday, January 3rd, and on the morning of Saturday, January 4th. Since I don’t have anything planned on Thursday, January 2nd, except for traveling from Leamington, I’ll be coming to you, God willing, for a nice dinner that day.

The death of Arthur Smith has caused me great distress and anxiety. I had a great regard for him, and he made the reading part of my life as light and pleasant as it could be made. I had hoped to bring him to see you, and had pictured to myself how amused and interested you would[151] have been with his wonderful tact and consummate mastery of arrangement. But it's all over.

The death of Arthur Smith has really upset and worried me. I thought highly of him, and he made the reading part of my life as easy and enjoyable as it could be. I had hoped to bring him to meet you, and I imagined how entertained and intrigued you would[151] have been by his amazing tact and incredible skill in organizing things. But it's all over.

I begin at Norwich on the 28th, and am going north in the middle of November. I am going to do "Copperfield," and shall be curious to test its effect on the Edinburgh people. It has been quite a job so to piece portions of the long book together as to make something continuous out of it; but I hope I have got something varied and dramatic. I am also (not to slight your book) going to do "Nickleby at Mr. Squeers's." It is clear that both must be trotted out at Cheltenham.

I start in Norwich on the 28th and will head north in mid-November. I'm planning to perform "Copperfield," and I'm eager to see how it goes with the Edinburgh audience. It’s been quite a challenge to stitch together parts of the long book into something cohesive; but I think I’ve created something diverse and engaging. I’m also going to perform "Nickleby at Mr. Squeers's," not to downplay your book. It's obvious that both need to be featured at Cheltenham.

With kindest love and regard to all your house,

With warmest love and best wishes to everyone in your home,

Ever, my dearest Macready, your most affectionate.

P.S.—Fourth edition of "Great Expectations" almost gone!

P.S.—The fourth edition of "Great Expectations" is almost sold out!

Miss Hogarth.


Angel Hotel, Bury St. Edmunds
Wednesday, Oct. 13th, 1861.
My dear Georgy,

I have just now received your welcome letter, and I hasten to report (having very little time) that we had a splendid hall last night, and that I think "Nickleby" tops all the readings. Somehow it seems to have got in it, by accident, exactly the qualities best suited to the purpose, and it went last night not only with roars, but with a general hilarity and pleasure that I have never seen surpassed.

I just got your lovely letter, and I wanted to quickly let you know (since I'm short on time) that we had a fantastic show last night, and I think "Nickleby" is the best out of all the readings. Somehow, it ended up having just the right qualities for the occasion, and it went over really well last night, not just with loud applause, but with an overall joy and enjoyment that I've never witnessed before.

We are full here for to-night.

We are fully booked for tonight.

Fancy this: last night at about six, who should walk in but Elwin! He was exactly in his usual state, only more demonstrative than ever, and had been driven in by some neighbours who were coming to the reading. I had tea up[152] for him, and he went down at seven with me to the dismal den where I dressed, and sat by the fire while I dressed, and was childishly happy in that great privilege! During the reading he sat on a corner of the platform and roared incessantly. He brought in a lady and gentleman to introduce while I was undressing, and went away in a perfect and absolute rapture.

Picture this: last night around six, who should walk in but Elwin! He was just like he always is, only even more expressive than usual, and he got a ride from some neighbors who were coming to the reading. I had tea ready for him, and he came downstairs with me at seven to the gloomy room where I got ready, sitting by the fire while I dressed, and he was ridiculously happy about it! During the reading, he perched on a corner of the stage and laughed loudly nonstop. He brought in a man and woman to introduce while I was changing, and left in a state of pure bliss.

Miss Hogarth.


Royal Hotel, Norwich, Tuesday, Oct. 29th, 1861.

I cannot say that we began well last night. We had not a good hall, and they were a very lumpish audience indeed. This did not tend to cheer the strangeness I felt in being without Arthur, and I was not at all myself. We have a large let for to-night, I think two hundred and fifty stalls, which is very large, and I hope that both they and I will go better. I could have done perfectly last night, if the audience had been bright, but they were an intent and staring audience. They laughed though very well, and the storm made them shake themselves again. But they were not magnetic, and the great big place was out of sorts somehow.

I can't say we had a great start last night. The audience was not good, and they seemed really dull. This did not help the odd feeling I had being without Arthur, and I wasn't myself at all. We have a big show lined up for tonight, I think around two hundred and fifty seats sold, which is quite a lot, and I hope that both they and I will do better. I could have performed perfectly last night if the audience had been lively, but instead, they were just focused and staring. They did laugh well, though, and the storm made them shake things up a bit. But they weren’t engaging, and the huge space felt off somehow.

To-morrow I will write you another short note, however short. It is "Nickleby" and the "Trial" to-night; "Copperfield" again to-morrow. A wet day here, with glimpses of blue. I shall not forget Katey's health at dinner. A pleasant journey down.

To-morrow I will write you another short note, however short. It is "Nickleby" and the "Trial" tonight; "Copperfield" again tomorrow. A wet day here, with glimpses of blue. I won’t forget Katey's health at dinner. Have a pleasant trip down.

Ever, my dearest Georgy, your most affectionate.
The same.


The Great White Horse, Ipswich, Friday, Nov. 1st, 1861.

I cannot quite remember in the whirl of travelling and reading, whether or no I wrote you a line from Bury[153] St. Edmunds. But I think (and hope) I did. We had a fine room there, and "Copperfield" made a great impression. At mid-day we go on to Colchester, where I shall expect the young Morgans. I sent a telegram on yesterday, after receiving your note, to secure places for them. The answer returned by telegraph was: "No box-seats left but on the fourth row." If they prefer to sit on the stage (for I read in the theatre, there being no other large public room), they shall. Meantime I have told John, who went forward this morning with the other men, to let the people at the inn know that if three travellers answering that description appear before my dinner-time, they are to dine with me.

I can't quite remember in the whirlwind of traveling and reading if I wrote you a message from Bury[153] St. Edmunds. But I think (and hope) I did. We had a great room there, and "Copperfield" left a big impression. At noon, we’ll head to Colchester, where I’ll be expecting the young Morgans. I sent a telegram yesterday after receiving your note to reserve seats for them. The reply I got back via telegraph was: "No box seats left except in the fourth row." If they prefer to sit on the stage (since I read there's no other large public room), they can. In the meantime, I told John, who went ahead this morning with the other men, to inform the people at the inn that if three travelers matching that description show up before dinner time, they should join me for dinner.

Plorn's admission that he likes the school very much indeed, is the great social triumph of modern times.

Plorn's confession that he really enjoys the school is the biggest social achievement of our era.

I am looking forward to Sunday's rest at Gad's, and shall be down by the ten o'clock train from town. I miss poor Arthur dreadfully. It is scarcely possible to imagine how much. It is not only that his loss to me socially is quite irreparable, but that the sense I used to have of compactness and comfort about me while I was reading is quite gone. And when I come out for the ten minutes, when I used to find him always ready for me with something cheerful to say, it is forlorn. I cannot but fancy, too, that the audience must miss the old speciality of a pervading gentleman.

I’m really looking forward to resting at Gad’s this Sunday, and I’ll be taking the ten o’clock train from town. I miss poor Arthur so much. It’s hard to express how deep that loss is for me. It’s not just that socially he’s irreplaceable, but the feeling of being cozy and secure while I read is completely gone. When I take a break for those ten minutes and used to find him there, always ready with something cheerful to say, it just feels empty now. I can’t help but think that the audience must also miss the unique charm he brought as a distinguished presence.

Nobody I know has turned up yet except Elwin. I have had many invitations to all sorts of houses in all sorts of places, and have of course accepted them every one.

Nobody I know has shown up yet except Elwin. I've received plenty of invites to all kinds of homes in all sorts of places, and of course, I've accepted every single one.

Love to Mamie, if she has come home, and to Bouncer, if she has come; also Marguerite, who I hope is by this time much better.

Love to Mamie, if she’s come home, and to Bouncer, if she has come; also Marguerite, who I hope is much better by now.

Ever, my dear Georgy, your most affectionate.
Mrs. Henry Austin.


Gad's Hill, Sunday, Nov. 3rd, 1861.
EXTRACT.

I am heartily glad to hear that you have been out in the air, and I hope you will go again very soon and make a point of continuing to go. There is a soothing influence in the sight of the earth and sky, which God put into them for our relief when He made the world in which we are all to suffer, and strive, and die.

I’m really happy to hear that you’ve been outside, and I hope you’ll go again soon and keep it up. There’s something calming about seeing the earth and sky, which God created for our comfort in this world where we all have to struggle and eventually face death.

I will not fail to write to you from many points of my tour, and if you ever want to write to me you may be sure of a quick response, and may be certain that I am sympathetic and true.

I won't hesitate to write to you from various stops on my trip, and if you ever want to reach out to me, you can count on a fast reply and know that I am supportive and genuine.

Ever affectionately.
Miss Dickens.


Fountain Hotel, Canterbury, Windy Night, Nov. 4th, 1861.
My dear Mamie,

A word of report before I go to bed. An excellent house to-night, and an audience positively perfect. The greatest part of it stalls, and an intelligent and delightful response in them, like the touch of a beautiful instrument. "Copperfield" wound up in a real burst of feeling and delight.

A quick update before I head to bed. The house was excellent tonight, and the audience was absolutely perfect. Most of them were in the stalls, and they gave an intelligent and delightful response, like the sound of a beautiful instrument. "Copperfield" ended with a genuine burst of feeling and joy.

Ever affectionately.
Mr. John Agate.


Lord Warden Hotel, Dover, Wednesday, Nov. 6th, 1861.
Dude,

I am exceedingly sorry to find, from the letter you have addressed to me, that you had just cause of complaint in being excluded from my reading here last night. It will now and then unfortunately happen when the place of[155] reading is small (as in this case), that some confusion and inconvenience arise from the local agents over-estimating, in perfect good faith and sincerity, the capacity of the room. Such a mistake, I am assured, was made last night; and thus all the available space was filled before the people in charge were at all prepared for that circumstance.

I’m really sorry to learn from your letter that you had a valid reason to complain about being left out of my reading here last night. Unfortunately, when the reading venue is small (like it was in this case), it can occasionally lead to confusion and inconvenience because the local organizers sincerely overestimate the room's capacity. I’ve been told that this mistake happened last night, and as a result, all available space was filled before the people in charge could even prepare for that situation.

You may readily suppose that I can have no personal knowledge of the proceedings of the people in my employment at such a time. But I wish to assure you very earnestly, that they are all old servants, well acquainted with my principles and wishes, and that they are under the strongest injunction to avoid any approach to mercenary dealing; and to behave to all comers equally with as much consideration and politeness as they know I should myself display. The recent death of a much-regretted friend of mine, who managed this business for me, and on whom these men were accustomed to rely in any little difficulty, caused them (I have no doubt) to feel rather at a loss in your case. Do me the favour to understand that under any other circumstances you would, as a matter of course, have been provided with any places whatever that could be found, without the smallest reference to what you had originally paid. This is scanty satisfaction to you, but it is so strictly the truth, that yours is the first complaint of the kind I have ever received.

You might think that I have no direct knowledge of what my employees were doing at that time. However, I want to assure you that all of them are long-time staff members who are very familiar with my values and expectations. They have been strongly instructed to avoid any mercenary behavior and to treat everyone with the same consideration and courtesy that I would show myself. The recent passing of a dear friend who managed this business for me, and who these employees relied on for any minor issues, likely left them feeling somewhat unsure in your situation. Please understand that under different circumstances, you would have automatically been offered any available accommodations without any consideration of what you originally paid. I know this may not offer you much comfort, but it’s the honest truth; yours is the first complaint of this kind I have ever received.

I hope to read in Dover again, but it is quite impossible that I can make any present arrangement for that purpose. Whenever I may return here, you may be sure I shall not fail to remember that I owe you a recompense for a disappointment. In the meanwhile I very sincerely regret it.

I hope to read in Dover again, but it's totally impossible for me to make any plans for that right now. Whenever I come back here, you can count on me to remember that I owe you something for this disappointment. In the meantime, I really regret it.

Faithfully yours.
Miss Hogarth.


Bedford Hotel, Brighton, Thursday, Nov. 7th, 1861.
My dear George,
*                   *                   *                   *                   *                   *

The Duchess of Cambridge comes to-night to "Copperfield." The bad weather has not in the least touched us, and beyond all doubt a great deal of money has been left untaken at each place.

The Duchess of Cambridge is coming tonight to "Copperfield." The bad weather hasn’t affected us at all, and it’s clear that a lot of money has been left unclaimed at each location.

The storm was most magnificent at Dover. All the great side of The Lord Warden next the sea had to be emptied, the break of the sea was so prodigious, and the noise was so utterly confounding. The sea came in like a great sky of immense clouds, for ever breaking suddenly into furious rain. All kinds of wreck were washed in. Miss Birmingham and I saw, among other things, a very pretty brass-bound chest being thrown about like a feather. On Tuesday night, the unhappy Ostend packet could not get in, neither could she go back, and she beat about the Channel until noon yesterday. I saw her come in then, with five men at the wheel; such a picture of misery, as to the crew (of passengers there were no signs), as you can scarcely imagine.

The storm was incredible at Dover. The entire side of The Lord Warden facing the sea had to be evacuated because the waves were so huge, and the noise was completely overwhelming. The sea rolled in like a massive sky full of dark clouds, constantly bursting into heavy rain. All sorts of wreckage washed ashore. Miss Birmingham and I saw, among other things, a beautiful brass-bound chest being tossed around like it was nothing. On Tuesday night, the unfortunate Ostend packet couldn't get in, nor could she head back, so she drifted around the Channel until noon yesterday. I saw her arrive then, with five men at the wheel; such a pitiful sight, as for the crew (there were no signs of passengers), it was almost unimaginable.

The effect at Hastings and at Dover really seems to have outdone the best usual impression, and at Dover they wouldn't go, but sat applauding like mad. The most delicate audience I have seen in any provincial place is Canterbury. The audience with the greatest sense of humour certainly is Dover. The people in the stalls set the example of laughing, in the most curiously unreserved way; and they really laughed when Squeers read the boys' letters, with such cordial enjoyment, that the contagion extended to me, for one couldn't hear them without laughing too.

The impact at Hastings and Dover really seems to have exceeded any usual expectations, and at Dover, the audience wouldn’t leave; they just kept applauding like crazy. The most refined audience I’ve seen in any local venue is Canterbury. The audience with the best sense of humor is definitely Dover. The people in the stalls led the way with their laughter, in a wonderfully open manner; they genuinely laughed when Squeers read the boys’ letters, with such warm enjoyment, that it was contagious for me too—one couldn't hear them without laughing as well.

So, thank God, all goes well, and the recompense for the trouble is in every way great. There is rather an alarming[157] breakdown at Newcastle, in respect of all the bills having been, in some inscrutable way, lost on the road. I have resolved to send Berry there, with full powers to do all manner of things, early next week.

So, thank God, everything is going well, and the reward for the effort is truly significant. There’s a pretty concerning[157] issue in Newcastle, as it seems that all the bills have somehow gone missing on the way. I’ve decided to send Berry there, with full authority to handle everything, early next week.

The amended route-list is not printed yet, because I am trying to get off Manchester and Liverpool; both of which I strongly doubt, in the present state of American affairs. Therefore I can't send it for Marguerite; but I can, and do, send her my love and God-speed. This is addressed to the office because I suppose you will be there to-morrow.

The updated route list isn’t printed yet because I’m trying to get out of Manchester and Liverpool, which I really doubt can happen given the current situation in America. So, I can’t send it to Marguerite, but I can and do send her my love and best wishes. This is addressed to the office because I assume you’ll be there tomorrow.

Ever affectionately.
The Earl of Carlisle.


Gad's Hill Place, Higham near Rochester, Kent,
November 15th, 1861.
Dear Lord Carlisle,

You know poor Austin, and what his work was, and how he did it. If you have no private objection to signing the enclosed memorial (which will receive the right signatures before being presented), I think you will have no public objection. I shall be heartily glad if you can put your name to it, and shall esteem your doing so as a very kind service. Will you return the memorial under cover to Mr. Tom Taylor, at the Local Government Act Office, Whitehall? He is generously exerting himself in furtherance of it, and so delay will be avoided.

You know poor Austin, what he did, and how he went about it. If you don’t have any personal objections to signing the attached memorial (which will get the right signatures before it’s presented), I think you won't have any public objections either. I would really appreciate it if you could add your name to it, and I’ll consider it a very kind gesture. Could you please send the memorial back to Mr. Tom Taylor at the Local Government Act Office, Whitehall? He is putting in a lot of effort to support this, so we can avoid any delays.

My dear Lord Carlisle, faithfully yours always.
Miss Mary Boyle.


Gad's Hill Place, Higham near Rochester, Kent,
Sunday, Nov. 17th, 1861.
Dear Mary,

I am perfectly enraptured with the quilt. It is one of the most tasteful, lively, elegant things I have ever seen;[158] and I need not tell you that while it is valuable to me for its own ornamental sake, it is precious to me as a rainbow-hint of your friendship and affectionate remembrance.

I am completely in love with the quilt. It's one of the most stylish, vibrant, and elegant things I’ve ever seen;[158] and I don’t have to tell you that while it’s valuable to me for its beauty, it’s even more precious as a reminder of your friendship and thoughtful memories.

Please God you shall see it next summer occupying its allotted place of state in my brand-new bedroom here. You shall behold it then, with all cheerful surroundings, the envy of mankind.

Please God you will see it next summer in its rightful spot in my brand-new bedroom here. You will see it then, with all its cheerful surroundings, the envy of everyone.

My readings have been doing absolute wonders. Your Duchess and Princess came to hear first "Nickleby" and the "Pickwick Trial," then "Copperfield," at Brighton. I think they were pleased with me, and I am sure I was with them; for they are the very best audience one could possibly desire. I shall always have a pleasant remembrance of them.

My readings have been amazing. Your Duchess and Princess came to hear the "Nickleby" and the "Pickwick Trial," then "Copperfield," in Brighton. I think they enjoyed it, and I definitely enjoyed performing for them; they are the best audience anyone could ask for. I'll always have fond memories of them.

On Wednesday I am away again for the longest part of my trip.

On Wednesday, I'll be away again for the longest part of my trip.

Yes, Mary dear, I must say that I like my Carton, and I have a faint idea sometimes that if I had acted him, I could have done something with his life and death.

Yes, Mary dear, I have to say that I like my Carton, and sometimes I have a vague feeling that if I had played his part, I could have made something out of his life and death.

Believe me, always your loving and loyal
Joe.
Miss Hogarth.


Queen's Head, Newcastle, Friday, Nov. 22nd, 1861.

I received your letter this morning, and grieve to report that the unlucky Headland has broken down most awfully!

I got your letter this morning, and I’m sorry to say that the unfortunate Headland has broken down really badly!

First, as perhaps you remember, this is the place where the bills were "lost" for a week or two. The consequence has been that the agent could not announce all through the "Jenny Lind" time (the most important for announcing), and could but stand still and stare when people came to ask what I was going to read. Last night I read "Copperfield" to the most enthusiastic and appreciative audience[159] imaginable, but in numbers about half what they might have been. To-night we shall have a famous house; but we might have had it last night too. To-morrow (knowing by this time what can, of a certainty, be done with "Copperfield"), I had, of course, given out "Copperfield" to be read again. Conceive my amazement and dismay when I find the printer to have announced "Little Dombey"!!! This, I declare, I had no more intention of reading than I had of reading an account of the solar system. And this, after a sensation last night, of a really extraordinary nature in its intensity and delight!

First, as you might remember, this is where the bills were "lost" for a week or two. Because of that, the agent couldn’t promote anything during the "Jenny Lind" period (the most crucial time for announcements), and could only stand there, stunned, when people asked what I was going to read. Last night, I read "Copperfield" to the most enthusiastic and appreciative audience[159] imaginable, but the numbers were about half of what they could have been. Tonight, we’re expecting a full house; but we could have had it last night too. Tomorrow (now knowing what can definitely be done with "Copperfield"), I had, of course, planned to read "Copperfield" again. Imagine my shock and frustration when I find the printer announced "Little Dombey" instead!!! I swear, I had no intention of reading that any more than I would read a report on the solar system. And this, after an extraordinary, intense, and delightful sensation last night!

Says the unlucky Headland to this first head of misery: "Johnson's mistake" (Johnson being the printer).

Says the unfortunate Headland to this initial source of trouble: "Johnson's mistake" (Johnson being the printer).

Second, I read at Edinburgh for the first time—observe the day—next Wednesday. Jenny Lind's concert at Edinburgh is to-night. This morning comes a frantic letter from the Edinburgh agent. "I have no bills, no tickets; I lose all the announcement I would have made to hundreds upon hundreds of people to-night, all of the most desirable class to be well informed beforehand. I can't announce what Mr. Dickens is going to read; I can answer no question; I have, upon my responsibility, put a dreary advertisement into the papers announcing that he is going to read so many times, and that particulars will shortly be ready; and I stand bound hand and foot." "Johnson's mistake," says the unlucky Headland.

Second, I’m reading in Edinburgh for the first time—mark the date—next Wednesday. Jenny Lind's concert in Edinburgh is tonight. This morning I got a desperate letter from the Edinburgh agent. "I have no posters, no tickets; I’m going to miss all the announcements I could have made to hundreds of people tonight, all of them the kind of audience who really wanted to be informed in advance. I can’t announce what Mr. Dickens is going to read; I can't answer any questions; I have, at my own risk, put a boring ad in the papers saying that he is going to read a certain number of times, and that details will be available soon; and I’m completely stuck." "It’s Johnson's mistake," says the unfortunate Headland.

Of course, I know that the man who never made a mistake in poor Arthur's time is not likely to be always making mistakes now. But I have written by this post to Wills, to go to him and investigate. I have also detached Berry from here, and have sent him on by train at a few minutes' notice to Edinburgh, and then to Glasgow (where I have no doubt everything is wrong too). Glasgow we may save;[160] Edinburgh I hold to be irretrievably damaged. If it can be picked up at all, it can only be at the loss of the two first nights, and by the expenditure of no end of spirits and force. And this is the harder, because it is impossible not to see that the last readings polished and prepared the audiences in general, and that I have not to work them up in any place where I have been before, but that they start with a London intelligence, and with a respect and preparation for what they are going to hear.

Of course, I know that the guy who never made a mistake during poor Arthur's time is probably not going to be making mistakes all the time now. But I’ve written to Wills to go to him and look into it. I’ve also sent Berry from here, and he’s on a train to Edinburgh on short notice, and then to Glasgow (where I’m sure everything is messed up too). We might save Glasgow; [160] but I think Edinburgh is beyond repair. If it can be salvaged at all, it’ll only be at the cost of the first two nights, and with a ton of effort and energy. This is especially tough because it's clear that the last readings really prepared the audiences in general, and I don’t have to warm them up in any city I’ve been to before; they’re starting off with a London mindset and with respect and anticipation for what they’re about to hear.

I hope by the time you and Mamie come to me, we shall have got into some good method. I must take the thing more into my own hands and look after it from hour to hour. If such a thing as this Edinburgh business could have happened under poor Arthur, I really believe he would have fallen into a fit, or gone distracted. No one can ever know what he was but I who have been with him and without him. Headland is so anxious and so good-tempered that I cannot be very stormy with him; but it is the simple fact that he has no notion of the requirements of such work as this. Without him, and with a larger salary to Berry (though there are objections to the latter as first man), I could have done a hundred times better.

I hope by the time you and Mamie get here, we will have figured out a good system. I need to take more control and manage it hour by hour. If something like this Edinburgh situation had happened with poor Arthur, I honestly believe he would have had a fit or gone crazy. No one can really understand what he was like except for me, since I've experienced both having him around and not. Headland is really eager and so easygoing that I can’t be too harsh with him; but the simple truth is that he doesn't understand what this kind of work requires. Without him, and with a higher salary for Berry (although there are reasons against him being the first man), I could have done a hundred times better.

As Forster will have a strong interest in knowing all about the proceedings, perhaps you will send him this letter to read. There is no very tremendous harm, indeed, done as yet. At Edinburgh I know what I can do with "Copperfield." I think it is not too much to say that for every one who does come to hear it on the first night, I can get back fifty on the second. And whatever can be worked up there will tell on Glasgow. Berry I shall continue to send on ahead, and I shall take nothing on trust and more as being done.[161]

As Forster will be very interested in knowing all the details about what's happening, maybe you could send him this letter to read. So far, there hasn’t been any significant harm done. In Edinburgh, I know what I can do with "Copperfield." I think it’s fair to say that for every person who comes to see it on the first night, I can get back fifty on the second. And whatever I can build up there will affect Glasgow. I’ll keep sending Berry ahead, and I won’t take anything for granted or assume it's already done.[161]

On Sunday morning at six, I have to start for Berwick. From Berwick, in the course of that day, I will write again; to Mamie next time.

On Sunday morning at six, I have to head out to Berwick. From Berwick, later that day, I’ll write again; to Mamie next time.

With best love to her and Mrs. B.

With all my love to her and Mrs. B.

Miss Dickens.


Queen's Head, Newcastle upon Tyne
Saturday, Nov. 23rd, 1861.

A most tremendous hall here last night; something almost terrible in the cram. A fearful thing might have happened. Suddenly, when they were all very still over Smike, my gas batten came down, and it looked as if the room was falling. There were three great galleries crammed to the roof, and a high steep flight of stairs, and a panic must have destroyed numbers of people. A lady in the front row of stalls screamed, and ran out wildly towards me, and for one instant there was a terrible wave in the crowd. I addressed that lady laughing (for I knew she was in sight of everybody there), and called out as if it happened every night, "There's nothing the matter, I assure you; don't be alarmed; pray sit down;" and she sat down directly, and there was a thunder of applause. It took some few minutes to mend, and I looked on with my hands in my pockets; for I think if I had turned my back for a moment there might still have been a move. My people were dreadfully alarmed, Boylett in particular, who I suppose had some notion that the whole place might have taken fire.

There was an incredibly packed hall last night; it was almost overwhelming. Something terrible could have happened. Suddenly, when everyone was quiet around Smike, my gas batten came down, making it look like the room was collapsing. There were three huge balconies filled to the brim and a steep staircase, and a panic could have led to numerous injuries. A woman in the front row screamed and bolted toward me, and for a moment, a terrifying wave swept through the crowd. I addressed her with a laugh (knowing she was visible to everyone) and called out as if it was a normal occurrence, "There's nothing wrong, I promise; don't be alarmed; please have a seat;" and she sat down immediately, followed by a huge applause. It took a few minutes to fix things, and I stood by with my hands in my pockets; I thought if I turned my back for even a second, there might still be chaos. My people were really shaken up, especially Boylett, who I think feared that the whole place might catch fire.

"But there stood the master," he did me the honour to say afterwards, in addressing the rest, "as cool as ever I see him a-lounging at a railway station."

"But there stood the master," he honored me by saying later, while talking to the others, "as cool as I've ever seen him lounging at a train station."

A telegram from Berry at Edinburgh yesterday evening,[162] to say that he had got the bills, and that they would all be up and dispersed yesterday evening under his own eyes. So no time was lost in setting things as right as they can be set. He has now gone on to Glasgow.

A telegram from Berry in Edinburgh yesterday evening,[162] said that he received the bills and that they would all be distributed last night right in front of him. So he wasted no time getting everything sorted out as much as possible. He has now moved on to Glasgow.

P.S.—Duty to Mrs. Bouncer.

P.S.—Obligation to Mrs. Bouncer.

Miss Hogarth.


Berwick-upon-Tweed, Monday, Nov. 25th, 1861.

I write (in a gale of wind, with a high sea running), to let you know that we go on to Edinburgh at half-past eight to-morrow morning.

I’m writing (in a strong wind, with rough seas) to let you know that we’re heading to Edinburgh at 8:30 tomorrow morning.

A most ridiculous room was designed for me in this odd out-of-the-way place. An immense Corn Exchange made of glass and iron, round, dome-topped, lofty, utterly absurd for any such purpose, and full of thundering echoes, with a little lofty crow's-nest of a stone gallery breast high, deep in the wall, into which it was designed to put me! I instantly struck, of course, and said I would either read in a room attached to this house (a very snug one, capable of holding five hundred people) or not at all. Terrified local agents glowered, but fell prostrate.

A totally ridiculous room was created for me in this strange, remote place. It was an enormous Corn Exchange made of glass and iron, round with a domed top, really tall, and completely absurd for this kind of use, echoing with loud noises. There was even a little stone gallery at the top, deep in the wall, meant to hold me! I immediately pushed back and said I would either read in a room connected to this house (a cozy space that could hold five hundred people) or not at all. The terrified local agents glared but ultimately gave in.

Berry has this moment come back from Edinburgh and Glasgow with hopeful accounts. He seems to have done the business extremely well, and he says that it was quite curious and cheering to see how the Glasgow people assembled round the bills the instant they were posted, and evidently with a great interest in them.

Berry has just returned from Edinburgh and Glasgow with promising news. He seems to have done really well, and he mentions that it was quite interesting and uplifting to see how the people in Glasgow gathered around the posters as soon as they were put up, clearly very engaged with them.

We left Newcastle yesterday morning in the dark, when it was intensely cold and froze very hard. So it did here. But towards night the wind went round to the S.W., and all night it has been blowing very hard indeed. So it is now.[163]

We left Newcastle yesterday morning while it was still dark, and it was extremely cold and freezing. It's the same here. But by evening, the wind shifted to the southwest, and it has been blowing really hard all night. It still is now.[163]

Tell Mamie that I have the same sitting-room as we had when we came here with poor Arthur, and that my bedroom is the room out of it which she and Katie had. Surely it is the oddest town to read in! But it is taken on poor Arthur's principle that a place in the way pays the expenses of a through journey; and the people would seem to be coming up to the scratch gallantly. It was a dull Sunday, though; O it was a dull Sunday, without a book! For I had forgotten to buy one at Newcastle, until it was too late. So after dark I made a jug of whisky-punch, and drowned the unlucky Headland's remembrance of his failures.

Tell Mamie that I have the same living room as the one we had when we came here with poor Arthur, and that my bedroom is the room next to it that she and Katie used. It’s definitely the weirdest town to read in! But it’s based on poor Arthur's idea that a place along the way covers the costs of a longer journey; and the people seem to be stepping up to the challenge. It was a boring Sunday, though; oh, it really was a boring Sunday without a book! I forgot to buy one in Newcastle until it was too late. So after dark, I made a jug of whiskey punch and drowned out the unfortunate memories of Headland's failures.

I shall hope to hear very soon that the workmen have "broken through," and that you have been in the state apartments, and that upholstery measurements have come off.

I hope to hear very soon that the workers have "broken through," and that you’ve been in the state apartments, and that you’ve taken the upholstery measurements.

There has been a horrible accident in Edinburgh. One of the seven-storey old houses in the High Street fell when it was full of people. Berry was at the bill-poster's house, a few doors off, waiting for him to come home, when he heard what seemed like thunder, and then the air was darkened with dust, "as if an immense quantity of steam had been blown off," and then all that dismal quarter set up shrieks, which he says were most dreadful.

There’s been a terrible accident in Edinburgh. One of the seven-story old buildings on the High Street collapsed while it was full of people. Berry was at the bill-poster's house, just a few doors down, waiting for him to come home, when he heard what sounded like thunder, and then the air filled with dust, "as if a huge amount of steam had been released," and then the entire gloomy area erupted with screams, which he said were the most horrifying.

Miss Dickens.


Waterloo Hotel, Edinburgh, Wednesday, Nov. 27th, 1861.

Mrs. Bouncer must decidedly come with you to Carlisle. She shall be received with open arms. Apropos of Carlisle, let me know when you purpose coming there. We shall be there, please God, on the Saturday in good time, as I finish at Glasgow on the Friday night.[164]

Mrs. Bouncer definitely has to come with you to Carlisle. She will be welcomed with open arms. Speaking of Carlisle, let me know when you plan to come there. We should be there, hopefully, on Saturday in good time, since I finish in Glasgow on Friday night.[164]

I have very little notion of the state of affairs here, as Headland brought no more decisive information from the agents yesterday (he never can get decisive information from any agents), than "the teeckets air joost moving reecht and left." I hope this may be taken as satisfactory. Jenny Lind carried off a world of money from here. Miss Glyn, or Mrs. Dallas, is playing Lady Macbeth at the theatre, and Mr. Shirley Brooks is giving two lectures at the Philosophical Society on the House of Commons and Horace Walpole. Grisi's farewell benefits are (I think) on my last two nights here.

I have very little idea of what's going on here, as Headland didn’t bring back any solid information from the agents yesterday (he can never seem to get any solid information from any agents), other than "the tickets are just moving back and forth." I hope that's considered good enough. Jenny Lind took a ton of money from here. Miss Glyn, or Mrs. Dallas, is playing Lady Macbeth at the theater, and Mr. Shirley Brooks is giving two lectures at the Philosophical Society about the House of Commons and Horace Walpole. Grisi's farewell performances are (I think) on my last two nights here.

Gordon dined with me yesterday. He is, if anything, rather better, I think, than when we last saw him in town. He was immensely pleased to be with me. I went with him (as his office goes anywhere) right into and among the ruins of the fallen building yesterday. They were still at work trying to find two men (brothers), a young girl, and an old woman, known to be all lying there. On the walls two or three common clocks are still hanging; one of them, judging from the time at which it stopped, would seem to have gone for an hour or so after the fall. Great interest had been taken in a poor linnet in a cage, hanging in the wind and rain high up against the broken wall. A fireman got it down alive, and great exultation had been raised over it. One woman, who was dug out unhurt, staggered into the street, stared all round her, instantly ran away, and has never been heard of since. It is a most extraordinary sight, and of course makes a great sensation.[165]

Gordon had dinner with me yesterday. I think he’s actually doing a bit better than when we last saw him in town. He was really happy to be with me. I went with him (since his office goes anywhere) right into and among the ruins of the collapsed building yesterday. They were still trying to find two men (brothers), a young girl, and an old woman, who are known to be trapped there. On the walls, two or three regular clocks are still hanging; one of them, judging by the time it stopped, seems to have continued for about an hour after the collapse. There was a lot of interest in a poor linnet in a cage, swinging in the wind and rain high up against the broken wall. A firefighter rescued it alive, and everyone was really excited about it. One woman, who was pulled out unharmed, stumbled into the street, looked around her, then immediately ran away, and nobody has seen her since. It’s an incredibly extraordinary scene and obviously creates a lot of buzz.[165]

Miss Dickens.


Waterloo Hotel, Edinburgh, Friday, Nov. 29th, 1861.

I think it is my turn to write to you, and I therefore send a brief despatch, like a telegram, to let you know that in a gale of wind and a fierce rain, last night, we turned away a thousand people. There was no getting into the hall, no getting near the hall, no stirring among the people, no getting out, no possibility of getting rid of them. And yet, in spite of all that, and of their being steaming wet, they never flagged for an instant, never made a complaint, and took up the trial upon their very shoulders, to the last word, in a triumphant roar.

I think it's my turn to write to you, so I'm sending a quick message, like a text, to let you know that during a strong wind and heavy rain last night, we turned away a thousand people. There was no way to get into the hall, no way to be near the hall, no moving through the crowd, no getting out, and no way to get rid of them. And yet, despite all of that, and being completely soaked, they never wavered for a second, never complained, and took on the whole trial themselves, from start to finish, with a triumphant cheer.

The talk about "Copperfield" rings through the whole place. It is done again to-morrow night. To-morrow morning I read "Dombey." To-morrow morning is Grisi's "farewell" morning concert, and last night was her "farewell" evening concert. Neither she, nor Jenny Lind, nor anything, nor anybody seems to make the least effect on the draw of the readings.

The buzz about "Copperfield" fills the entire place. It’s happening again tomorrow night. Tomorrow morning, I’ll read "Dombey." Tomorrow morning is Grisi's "farewell" morning concert, and last night was her "farewell" evening concert. Neither she, nor Jenny Lind, nor anything or anyone seems to have the slightest impact on the popularity of the readings.

I lunch with Blackwood to-day. He was at the reading last night; a capital audience. Young Blackwood has also called here. A very good young fellow, I think.

I had lunch with Blackwood today. He was at the reading last night; it was a great audience. Young Blackwood also dropped by here. I think he's a really good young guy.

Miss Hogarth.


Carrick's Royal Hotel, Glasgow, Tuesday, Dec. 3rd, 1861.

I send you by this post another Scotsman. From a paragraph in it, a letter, and an advertisement, you may be able to form some dim guess of the scene at Edinburgh last night. Such a pouring of hundreds into a place already full to the throat, such indescribable confusion, such a rending and tearing of dresses, and yet such a scene of[166] good humour on the whole. I never saw the faintest approach to it. While I addressed the crowd in the room, Gordon addressed the crowd in the street. Fifty frantic men got up in all parts of the hall and addressed me all at once. Other frantic men made speeches to the walls. The whole Blackwood family were borne in on the top of a wave, and landed with their faces against the front of the platform. I read with the platform crammed with people. I got them to lie down upon it, and it was like some impossible tableau or gigantic picnic; one pretty girl in full dress lying on her side all night, holding on to one of the legs of my table. It was the most extraordinary sight. And yet from the moment I began to the moment of my leaving off, they never missed a point, and they ended with a burst of cheers.

I’m sending you another Scotsman with this post. From a paragraph, a letter, and an ad in it, you might get a vague idea of what happened in Edinburgh last night. There was an overwhelming crowd pouring into a space that was already packed, creating an indescribable chaos, with dresses getting ripped and torn, yet the overall vibe was one of good humor. I’ve never witnessed anything like it. While I spoke to the crowd in the room, Gordon addressed the crowd outside. Fifty excited men stood up all over the hall, shouting at me all at once. Other frantic men delivered speeches to the walls. The whole Blackwood family was carried in on a wave and ended up face-first against the front of the platform. I read while the platform was crammed with people. I had them lie down on it, making it look like some surreal tableau or giant picnic; one pretty girl in a fancy dress lay on her side the whole night, holding onto one of the legs of my table. It was the most extraordinary sight. Yet from the moment I began until I finished, they didn’t miss a single point, ending with a loud burst of cheers.

The confusion was decidedly owing to the local agents. But I think it may have been a little heightened by Headland's way of sending them the tickets to sell in the first instance.

The confusion was definitely due to the local agents. But I think it might have been a bit increased by Headland's method of sending them the tickets to sell in the first place.

Now, as I must read again in Edinburgh on Saturday night, your travelling arrangements are affected. So observe carefully (you and Mamie) all that I am going to say. It appears to me that the best course will be for you to come to Edinburgh on Saturday; taking the fast train from the Great Northern station at nine in the morning. This would bring you to the Waterloo at Edinburgh, at about nine or so at night, and I should be home at ten. We could then have a quiet Sunday in Edinburgh, and go over to Carlisle on the Monday morning.

Now that I have to read again in Edinburgh on Saturday night, your travel plans will change. So pay close attention (you and Mamie) to what I'm about to say. I think the best option is for you to come to Edinburgh on Saturday by taking the fast train from the Great Northern station at nine in the morning. This will get you to the Waterloo in Edinburgh around nine at night, and I should be home by ten. We can then enjoy a relaxing Sunday in Edinburgh and head over to Carlisle on Monday morning.

The expenditure of lungs and spirits was (as you may suppose) rather great last night, and to sleep well was out of the question; I am therefore rather fagged to-day. And as the hall in which I read to-night is a large one, I must make my letter a short one.[167]

The use of my lungs and energy was, as you can imagine, pretty high last night, and getting a good night's sleep was impossible; so I’m feeling a bit worn out today. Since the hall where I’ll be reading tonight is quite large, I need to keep my letter brief.[167]

My people were torn to ribbons last night. They have not a hat among them, and scarcely a coat.

My people were devastated last night. They don’t have a single hat, and barely any coats.

Give my love to Mamie. To her question, "Will there be war with America?" I answer, "Yes;" I fear the North to be utterly mad, and war to be unavoidable.

Give my love to Mamie. In response to her question, "Will there be war with America?" I say, "Yes;" I fear the North is completely insane, and war is unavoidable.

Mr. W. H. Wills.


Victoria Hotel, Preston, Friday, Dec. 13th, 1861.
Dear Wills,

The news of the Christmas number is indeed glorious, and nothing can look brighter or better than the prospects of the illustrious publication.

The news about the Christmas issue is truly amazing, and nothing seems more exciting or better than the possibilities for this prestigious publication.

Both Carlisle and Lancaster have come out admirably, though I doubted both, as you did. But, unlike you, I always doubted this place. I do so still. It is a poor place at the best (you remember?), and the mills are working half time, and trade is very bad. The expenses, however, will be a mere nothing. The accounts from Manchester for to-morrow, and from Liverpool for the readings generally, are very cheering indeed.

Both Carlisle and Lancaster have performed well, even though I had my doubts about both, just like you did. But unlike you, I've always been skeptical about this place. I still feel the same way. It's a struggling area at best (you remember?), and the mills are only working part-time, with business being really slow. However, the expenses will be negligible. The reports from Manchester for tomorrow and from Liverpool for the overall readings are quite encouraging.

The young lady who sells the papers at the station is just the same as ever. Has orders for to-night, and is coming "with a person." "The person?" said I. "Never you mind," said she.

The young woman selling newspapers at the station is just the same as always. She has plans for tonight and is coming "with someone." "Who is the someone?" I asked. "Never you mind," she replied.

I was so charmed with Robert Chambers's "Traditions of Edinburgh" (which I read in Edinburgh), that I was obliged to write to him and say so.

I was so taken with Robert Chambers's "Traditions of Edinburgh" (which I read in Edinburgh) that I felt I had to write to him and let him know.

Glasgow finished nobly, and the last night in Edinburgh was signally successful and positively splendid.

Glasgow wrapped up beautifully, and the final night in Edinburgh was incredibly successful and truly amazing.

Will you give my small Admiral, on his personal application, one sovereign? I have told him to come to you for that recognition of his meritorious services.

Will you give my little Admiral, based on his personal request, one sovereign? I've told him to come to you for that acknowledgment of his excellent services.

Ever faithfully.
Mr. W. H. Wills.


Adelphi Hotel, Liverpool, Sunday, Dec. 15th, 1861.
My dear Will,

I sent you a telegram to-day, and I write before the answer has come to hand.

I sent you a telegram today, and I'm writing before I've received your reply.

I have been very doubtful what to do here. We have a great let for to-morrow night. The Mayor recommends closing to-morrow, and going on on Tuesday and Wednesday, so does the town clerk, so do the agents. But I have a misgiving that they hardly understand what the public general sympathy with the Queen will be. Further, I feel personally that the Queen has always been very considerate and gracious to me, and I would on no account do anything that might seem unfeeling or disrespectful. I shall attach great weight, in this state of indecision, to your telegram.

I’ve been really unsure about what to do here. We’ve got a big event planned for tomorrow night. The Mayor suggests we close tomorrow and continue on Tuesday and Wednesday, and so does the town clerk and the agents. However, I worry that they don’t fully grasp the public’s general sympathy for the Queen. Additionally, I personally feel that the Queen has always been very kind and gracious to me, and I wouldn’t want to do anything that might come off as insensitive or disrespectful. I’ll give a lot of importance to your telegram during this uncertainty.

A capital audience at Preston. Not a capacious room, but full. Great appreciation.

A packed audience at Preston. It wasn’t a large room, but it was full. Lots of appreciation.

The scene at Manchester last night was really magnificent. I had had the platform carried forward to our "Frozen Deep" point, and my table and screen built in with a proscenium and room scenery. When I went in (there was a very fine hall), they applauded in the most tremendous manner; and the extent to which they were taken aback and taken by storm by "Copperfield" was really a thing to see.

The scene in Manchester last night was truly amazing. I had the platform moved to our "Frozen Deep" spot, and my table and screen set up with a proscenium and backdrop. When I entered (the hall was really impressive), they applauded wildly; the way they were stunned and blown away by "Copperfield" was something to behold.

The post closes early here on a Sunday, and I shall close this also without further reference to "a message from the" W. H. W. being probably on the road.

The post shuts down early here on a Sunday, so I'll wrap this up without mentioning "a message from the" W. H. W., who is likely on the road.

Radley is ill, and supposed to be fast declining, poor fellow. The house is crammed, the assizes on, and troops perpetually embarking for Canada, and their officers passing through the hotel.

Radley is sick and is thought to be getting worse, poor guy. The house is packed, the court sessions are happening, and soldiers are constantly leaving for Canada, with their officers coming through the hotel.

Kindest regards, ever faithfully.
Miss Mary Boyle.


Gad's Hill, Higham near Rochester, Kent,
Saturday, Dec. 28th, 1861.
Dear Mary,

On Monday (as you know) I am away again, but I am not sorry to see land and a little rest before me; albeit, these are great experiences of the public heart.

On Monday (as you know) I’m away again, but I'm not unhappy to see land and have a little break ahead of me; even though these are significant experiences of the public spirit.

The little Admiral has gone to visit America in the Orlando, supposed to be one of the foremost ships in the Service, and the best found, best manned, and best officered that ever sailed from England. He went away much gamer than any giant, attended by a chest in which he could easily have stowed himself and a wife and family of his own proportions.

The little Admiral has traveled to America on the Orlando, believed to be one of the top ships in the Service, and the best equipped, staffed, and commanded that has ever set sail from England. He left much braver than any giant, accompanied by a trunk that he could easily fit himself and a wife and kids of his own size into.

Forever and always, your loving
Joe.

1862.

NARRATIVE.

At the beginning of this year, Charles Dickens resumed the reading tour which he had commenced at the close of the previous year and continued up to Christmas. The first letter which follows, to Mr. Wills, a New Year's greeting, is written from a railway station between one town and another on this journey. Mr. Macready, who had married for the second time not very long before this, was now settled at Cheltenham. Charles Dickens had arranged to give readings there, chiefly for the pleasure of visiting him, and of having him as one of his audience.

This reading tour went on until the beginning of February. One of the last of the series was in his favourite "beautiful room," the St. George's Hall at Liverpool. In[170] February, he made an exchange of houses with his friends Mr. and Mrs. Hogge, they going to Gad's Hill, and he and his family to Mr. Hogge's house in Hyde Park Gate South. In March he commenced a series of readings at St. James's Hall, which went on until the middle of June, when he, very gladly, returned to his country home.

This reading tour continued until early February. One of the last events took place in his favorite "beautiful room," St. George's Hall in Liverpool. In[170] February, he swapped houses with his friends Mr. and Mrs. Hogge, who moved to Gad's Hill while he and his family stayed at Mr. Hogge's house in Hyde Park Gate South. In March, he started a series of readings at St. James's Hall, which lasted until mid-June, when he happily returned to his country home.

A letter beginning "My dear Girls," addressed to some American ladies who happened to be at Colchester, in the same inn with him when he was reading there, was published by one of them under the name of "Our Letter," in the "St. Nicholas Magazine," New York, in 1877. We think it best to explain it in the young lady's own words, which are, therefore, appended to the letter.

A letter starting with "My dear Girls," sent to some American ladies who were staying at the same inn in Colchester while he was reading there, was published by one of them under the title "Our Letter" in "St. Nicholas Magazine," New York, in 1877. We believe it's best to explain it in the young lady's own words, which are included at the end of the letter.

Mr. Walter Thornbury was one of Charles Dickens's most valuable contributors to "All the Year Round." His letters to him about the subjects of his articles for that journal, are specimens of the minute and careful attention and personal supervision, never neglected or distracted by any other work on which he might be engaged, were it ever so hard or engrossing.

Mr. Walter Thornbury was one of Charles Dickens's most valuable contributors to "All the Year Round." His letters to Dickens about the topics of his articles for that journal are examples of the detailed and careful attention, along with personal oversight, that he never overlooked or diverted, regardless of how difficult or consuming other work might be.

The letter addressed to Mr. Baylis we give chiefly because it has, since Mr. Baylis's death, been added to the collection of MSS. in the British Museum. He was a very intimate and confidential friend of the late Lord Lytton, and accompanied him on a visit to Gad's Hill in that year.

The letter to Mr. Baylis is included mainly because it has been added to the collection of manuscripts at the British Museum since his death. He was a close and trusted friend of the late Lord Lytton and went with him on a visit to Gad's Hill that year.

We give an extract from another letter from Charles Dickens to his sister, as a beautiful specimen of a letter of condolence and encouragement to one who was striving, very bravely, but by very slow degrees, to recover from the overwhelming grief of her bereavement. Mr. Wilkie Collins was at this time engaged on his novel of "No Name," which appeared in "All the Year Round," and was threatened with a very serious breakdown in health. Charles Dickens wrote the letter which we give, to relieve Mr. Collins's mind as to his work. Happily he recovered sufficiently to make an end to his own story without any help; but the true friendship and kindness which suggested the offer were none the less[171] appreciated, and may, very likely, by lessening his anxiety, have helped to restore his health. At the end of October in this year, Charles Dickens, accompanied by his daughter and sister-in-law, went to reside for a couple of months in Paris, taking an apartment in the Rue du Faubourg St. Honoré. From thence he writes to M. Charles Fechter. He had been greatly interested in this fine artist from the time of his first appearance in England, and was always one of his warmest friends and supporters during his stay in this country. M. Fechter was, at this time, preparing for the opening of the Lyceum Theatre, under his own management, at the beginning of the following year.

We’re sharing an excerpt from another letter from Charles Dickens to his sister, showcasing a beautiful example of a letter of condolence and encouragement to someone who was bravely, though slowly, recovering from the deep grief of her loss. At this time, Mr. Wilkie Collins was working on his novel "No Name," which was being published in "All the Year Round," and he was facing a serious health breakdown. Charles Dickens wrote this letter to ease Mr. Collins’s worries about his work. Luckily, he managed to finish his story on his own without any help, but the true friendship and kindness behind the offer were greatly appreciated and likely contributed to reducing his anxiety, which may have helped him regain his health. At the end of October that year, Charles Dickens, along with his daughter and sister-in-law, moved to Paris for a couple of months, renting an apartment on Rue du Faubourg St. Honoré. From there, he wrote to M. Charles Fechter. He had been very interested in this talented artist since his first appearance in England and was always one of his staunchest friends and supporters during his time in the country. At this point, M. Fechter was preparing for the opening of the Lyceum Theatre, which he would manage himself, at the start of the following year.

Just before Christmas, Charles Dickens returned to Gad's Hill. The Christmas number for this year was "Somebody's Luggage."

Just before Christmas, Charles Dickens returned to Gad's Hill. The Christmas edition this year was "Somebody's Luggage."

Mr. W. H. Wills.


At Birmingham Station, Thursday, Jan. 2nd, 1862.
My dear Will,

Being stationed here for an hour, on my way from Leamington to Cheltenham, I write to you.

Being here for an hour, on my way from Leamington to Cheltenham, I’m writing to you.

Firstly, to reciprocate all your cordial and affectionate wishes for the New Year, and to express my earnest hope that we may go on through many years to come, as we have gone on through many years that are gone. And I think we can say that we doubt whether any two men can have gone on more happily and smoothly, or with greater trust and confidence in one another.

Firstly, to return all your warm and loving wishes for the New Year, and to share my sincere hope that we continue for many more years to come, just as we have through the many years that have passed. I believe we can say that we question whether any two people could have gone through life more happily and smoothly, or with greater trust and confidence in each other.

A little packet will come to you from Hunt and Roskell's, almost at the same time, I think, as this note.

A small package will arrive for you from Hunt and Roskell's, probably around the same time as this note.

The packet will contain a claret-jug. I hope it is a pretty thing in itself for your table, and I know that you and Mrs. Wills will like it none the worse because it comes from me.[172]

The package will include a wine pitcher. I hope it looks nice on your table, and I know that you and Mrs. Wills will appreciate it even more because it’s from me.[172]

It is not made of a perishable material, and is so far expressive of our friendship. I have had your name and mine set upon it, in token of our many years of mutual reliance and trustfulness. It will never be so full of wine as it is to-day of affectionate regard.

It’s not made of something that will spoil, and it represents our friendship so well. I’ve had both our names engraved on it, as a sign of our many years of relying on and trusting each other. It will never be as full of wine as it is today with love and care.

Ever faithfully yours.
Miss Hogarth.


Cheltenham, Friday, Jan. 3rd, 1862.
My dear Georgy,

Mrs. Macready in voice is very like poor Mrs. Macready dead and gone; not in the least like her otherwise. She is perfectly satisfactory, and exceedingly winning. Quite perfect in her manner with him and in her ease with his children, sensible, gay, pleasant, sweet-tempered; not in the faintest degree stiff or pedantic; accessible instantly. I have very rarely seen a more agreeable woman. The house is (on a smaller scale) any house we have known them in. Furnished with the old furniture, pictures, engravings, mirrors, tables, and chairs. Butty is too tall for strength, I am afraid, but handsome, with a face of great power and character, and a very nice girl. Katie you know all about. Macready, decidedly much older and infirm. Very much changed. His old force has gone out of him strangely. I don't think I left off talking a minute from the time of my entering the house to my going to bed last night, and he was as much amused and interested as ever I saw him; still he was, and is, unquestionably aged.

Mrs. Macready's voice is very similar to the late Mrs. Macready; otherwise, they are nothing alike. She is completely satisfactory and incredibly charming. She interacts with him perfectly and is at ease with his children—sensible, cheerful, enjoyable, and kind; not stiff or pretentious in the slightest; always approachable. I have rarely encountered a more delightful woman. The house is like any other we’ve known them in, just on a smaller scale. It's furnished with the old furniture, artwork, engravings, mirrors, tables, and chairs. Butty is a bit tall for his own good, I’m afraid, but he’s handsome, with a strong and distinctive face, and a lovely girl. You know all about Katie. Macready, on the other hand, is clearly much older and frailer. He has changed a lot. His old energy has strangely vanished. I don’t think I stopped talking once from the moment I entered the house to when I went to bed last night, and he was just as entertained and engaged as I’ve ever seen him; still, he is undeniably aged.

And even now I am obliged to cut this letter short by having to go and look after Headland. It would never do to be away from the rest of them. I have no idea what we[173] are doing here; no notion whether things are right or wrong; no conception where the room is; no hold of the business at all. For which reason I cannot rest without going and looking after the worthy man.

And even now I have to wrap up this letter because I need to check on Headland. I can't be away from the others. I have no idea what we[173] are doing here; no clue whether things are going well or not; no idea where the room is; I don’t understand the situation at all. That’s why I can’t relax until I check on that good man.

Miss Hogarth.


Torquay, Wednesday, Jan. 8th, 1862.

You know, I think, that I was very averse to going to Plymouth, and would not have gone there again but for poor Arthur. But on the last night I read "Copperfield," and positively enthralled the people. It was a most overpowering effect, and poor Andrew[7] came behind the screen, after the storm, and cried in the best and manliest manner. Also there were two or three lines of his shipmates and other sailors, and they were extraordinarily affected. But its culminating effect was on Macready at Cheltenham. When I got home after "Copperfield," I found him quite unable to speak, and able to do nothing but square his dear old jaw all on one side, and roll his eyes (half closed), like Jackson's picture of him. And when I said something light about it, he returned: "No—er—Dickens! I swear to Heaven that, as a piece of passion and playfulness—er—indescribably mixed up together, it does—er—no, really, Dickens!—amaze me as profoundly as it moves me. But as a piece of art—and you know—er—that I—no, Dickens! By ——! have seen the best art in a great time—it is incomprehensible to me. How is it got at—er—how is it done—er—how one man can—well? It lays me on my—er—back, and it is of no use talking about it!" With which he put his hand upon my breast and pulled out his pocket-handkerchief, and I felt as[174] if I were doing somebody to his Werner. Katie, by-the-bye, is a wonderful audience, and has a great fund of wild feeling in her. Johnny not at all unlike Plorn.

You know, I think I was really reluctant to go to Plymouth, and I wouldn’t have gone back there if it hadn’t been for poor Arthur. But on the last night, I read "Copperfield," and I completely captivated the audience. It had a huge impact, and poor Andrew[7] came behind the screen after the emotional moment and cried in the best, most manly way. There were also a couple of lines from his shipmates and other sailors, and they were incredibly moved. But the most powerful reaction was from Macready at Cheltenham. When I got home after "Copperfield," I found him totally speechless, only able to set his jaw on one side and roll his eyes (half closed), like Jackson's picture of him. When I casually mentioned it, he replied: “No—er—Dickens! I swear by Heaven that, as a blend of passion and playfulness—er—indescribably mixed together, it does—er—no, really, Dickens!—amaze me as profoundly as it moves me. But as a piece of art—and you know—er—that I—no, Dickens! By ——! I’ve seen the best art in a great time—it is beyond my understanding. How is it achieved—er—how is it done—er—how can one man—well? It leaves me flat on my—er—back, and it’s pointless to talk about it!” With that, he placed his hand on my chest and pulled out his pocket handkerchief, and I felt like I was performing for someone in his place. By the way, Katie is an amazing audience, and she has a deep well of wild emotion in her. Johnny is not unlike Plorn at all.

I have not yet seen the room here, but imagine it to be very small. Exeter I know, and that is small also. I am very much used up, on the whole, for I cannot bear this moist warm climate. It would kill me very soon. And I have now got to the point of taking so much out of myself with "Copperfield," that I might as well do Richard Wardour.

I haven't seen the room here yet, but I imagine it's pretty small. I’m familiar with Exeter, and that's small too. Overall, I'm feeling really drained because I can't handle this humid, warm climate. It would wear me out quickly. I've reached the point where working on "Copperfield" takes so much out of me that I might as well work on Richard Wardour.

You have now, my dearest Georgy, the fullest extent of my tidings. This is a very pretty place—a compound of Hastings, Tunbridge Wells, and little bits of the hills about Naples; but I met four respirators as I came up from the station, and three pale curates without them, who seemed in a bad way.

You now have, my dearest Georgy, all the details of my news. This is a lovely place—a mix of Hastings, Tunbridge Wells, and some bits of the hills around Naples; but I encountered four people with respirators as I made my way up from the station, and three pale clergy without them, who looked quite unwell.

Frightful intelligence has just been brought in by Boylett, concerning the small size of the room. I have terrified Headland by sending him to look at it, and swearing that if it's too small I will go away to Exeter.

Frightful intelligence has just been brought in by Boylett, concerning the small size of the room. I have terrified Headland by sending him to check it out and swearing that if it's too small, I'm going to leave for Exeter.

Miss Hogarth.


Adelphi Hotel, Liverpool, Tuesday, Jan. 28th, 1862.

The beautiful room was crammed to excess last night, and numbers were turned away. Its beauty and completeness when it is lighted up are most brilliant to behold, and for a reading it is simply perfect. You remember that a Liverpool audience is usually dull, but they put me on my mettle last night, for I never saw such an audience—no, not even in Edinburgh!

The beautiful room was packed last night, and we had to turn people away. Its beauty and completeness when it’s all lit up are truly stunning, and it’s just perfect for a reading. You know how a Liverpool audience can be pretty dull, but they really challenged me last night; I’ve never seen an audience like that—not even in Edinburgh!

I slept horribly last night, and have been over to Birkenhead for a little change of air to-day. My head is[175] dazed and worn by gas and heat, and I fear that "Copperfield" and "Bob" together to-night won't mend it.

I slept really badly last night, so I went over to Birkenhead today for a change of scenery. My head is[175] foggy and exhausted from the gas and heat, and I'm worried that "Copperfield" and "Bob" together tonight won't help.

Best love to Mamie and Katie, if still at Gad's. I am going to bring the boys some toffee.

Best wishes to Mamie and Katie, if you’re still at Gad's. I'm going to bring the boys some toffee.

The Misses Armstrong


Gad's Hill Place, Higham near Rochester, Kent,
Monday, Feb. 10th, 1862.
My dear girls,

For if I were to write "young friends," it would look like a schoolmaster; and if I were to write "young ladies," it would look like a schoolmistress; and worse than that, neither form of words would look familiar and natural, or in character with our snowy ride that tooth-chattering morning.

For if I said "young friends," it would come off as too formal, like a schoolteacher; and if I said "young ladies," it would feel like I was being overly authoritative, like a strict teacher; and even worse, neither option would feel comfortable and natural, or fit the mood of our chilly ride that frosty morning.

I cannot tell you both how gratified I was by your remembrance, or how often I think of you as I smoke the admirable cigars. But I almost think you must have had some magnetic consciousness across the Atlantic, of my whiffing my love towards you from the garden here.

I can't express how grateful I am for your thoughtfulness, or how often I think of you while I enjoy those amazing cigars. I can't help but feel that you must have sensed my affection for you all the way across the Atlantic as I enjoy the fresh air in the garden here.

My daughter says that when you have settled those little public affairs at home, she hopes you will come back to England (possibly in united states) and give a minute or two to this part of Kent. Her words are, "a day or two;" but I remember your Italian flights, and correct the message.

My daughter says that once you’ve wrapped up those small public matters at home, she hopes you’ll come back to England (maybe the United States) and spare a minute or two for this part of Kent. Her words are, "a day or two;" but I recall your Italian trips and adjust the message.

I have only just now finished my country readings, and have had nobody to make breakfast for me since the remote ages of Colchester!

I just finished my country readings, and I haven't had anyone to make breakfast for me since the distant days of Colchester!

Ever faithfully yours.
OUR LETTER.

By M.F. Armstrong.

"From among all my treasures—to each one of which some pleasant history is bound—I choose this letter, written on coarse blue paper.

"Out of all my treasures—each of which has its own happy story—I pick this letter, written on rough blue paper."

The letter was received in answer to cigars sent from America to Mr. Dickens.

The letter was received in response to the cigars sent from America to Mr. Dickens.

The 'little public affairs at home' refers to the war of the Rebellion.

The 'little public affairs at home' refers to the Civil War.

At Colchester, he read 'The Trial' from 'Pickwick,' and selections from 'Nicholas Nickleby.'

At Colchester, he read 'The Trial' from 'Pickwick' and excerpts from 'Nicholas Nickleby.'

The lady, her two sisters, and her brother were Mr. Dickens's guests at the queer old English inn at Colchester.

The woman, her two sisters, and her brother were Mr. Dickens's guests at the strange old English inn in Colchester.

Through the softly falling snow we came back together to London, and on the railway platform parted, with a hearty hand-shaking, from the man who will for ever be enshrined in our hearts as the kindest and most generous, not to say most brilliant of hosts."

Through the gently falling snow, we reunited in London, and on the train platform, we said goodbye with a warm handshake to the man who will always hold a special place in our hearts as the kindest, most generous, and undoubtedly the most brilliant host.

M. de Cerjat.


16, Hyde Park Gate, South Kensington Gore,
Sunday, March 16th, 1862.
Dear Cerjat,

My daughter naturally liking to be in town at this time of year, I have changed houses with a friend for three months.

My daughter really enjoys being in town this time of year, so I've swapped homes with a friend for three months.

My eldest boy is in business as an Eastern merchant in the City, and will do well if he can find continuous energy; otherwise not. My second boy is with the 42nd Highlanders[177] in India. My third boy, a good steady fellow, is educating expressly for engineers or artillery. My fourth (this sounds like a charade), a born little sailor, is a midshipman in H.M.S. Orlando, now at Bermuda, and will make his way anywhere. Remaining two at school, elder of said remaining two very bright and clever. Georgina and Mary keeping house for me; and Francis Jeffrey (I ought to have counted him as the third boy, so we'll take him in here as number two and a half) in my office at present. Now you have the family bill of fare.

My oldest son is working as an Eastern merchant in the city, and he'll do well if he can keep his energy up; otherwise, not so much. My second son is with the 42nd Highlanders[177] in India. My third son, who's a solid and dependable guy, is training to be an engineer or in artillery. My fourth son (this sounds like a game), a natural little sailor, is a midshipman on H.M.S. Orlando, currently in Bermuda, and he'll succeed anywhere. The last two are still in school, with the older one being very bright and clever. Georgina and Mary are managing the house for me, and Francis Jeffrey (I should have counted him as the third son, so let's consider him number two and a half) is currently in my office. So, there you have the family lineup.

You ask me about Fechter and his Hamlet. It was a performance of extraordinary merit; by far the most coherent, consistent, and intelligible Hamlet I ever saw. Some of the delicacies with which he rendered his conception clear were extremely subtle; and in particular he avoided that brutality towards Ophelia which, with a greater or less amount of coarseness, I have seen in all other Hamlets. As a mere tour de force, it would have been very remarkable in its disclosure of a perfectly wonderful knowledge of the force of the English language; but its merit was far beyond and above this. Foreign accent, of course, but not at all a disagreeable one. And he was so obviously safe and at ease, that you were never in pain for him as a foreigner. Add to this a perfectly picturesque and romantic "make up," and a remorseless destruction of all conventionalities, and you have the leading virtues of the impersonation. In Othello he did not succeed. In Iago he is very good. He is an admirable artist, and far beyond anyone on our stage. A real artist and a gentleman.

You asked me about Fechter and his Hamlet. It was an outstanding performance; by far the most coherent, consistent, and understandable Hamlet I've ever seen. Some of the nuances he presented were extremely subtle; in particular, he avoided the harshness towards Ophelia that I've seen in all other portrayals of Hamlet, to varying degrees. As a mere tour de force, it showcased an incredible understanding of the English language, but its value went far beyond that. He had a foreign accent, of course, but it wasn't at all unpleasant. He appeared so confident and comfortable that you never felt worried for him as a foreigner. Add to this a beautifully styled and romantic appearance, along with an unyielding rejection of all conventions, and you have the main strengths of his performance. He didn’t succeed in Othello, but he was very good as Iago. He is an exceptional artist and far beyond anyone on our stage. A genuine artist and a gentleman.

Last Thursday I began reading again in London—a condensation of "Copperfield," and "Mr. Bob Sawyer's Party," from "Pickwick," to finish merrily. The success [178]of "Copperfield" is astounding. It made an impression that I must not describe. I may only remark that I was half dead when I had done; and that although I had looked forward, all through the summer, when I was carefully getting it up, to its being a London sensation; and that although Macready, hearing it at Cheltenham, told me to be prepared for a great effect, it even went beyond my hopes. I read again next Thursday, and the rush for places is quite furious. Tell Townshend this with my love, if you see him before I have time to write to him; and tell him that I thought the people would never let me go away, they became so excited, and showed it so very warmly. I am trying to plan out a new book, but have not got beyond trying.

Last Thursday, I started reading again in London—a shortened version of "Copperfield" and "Mr. Bob Sawyer's Party" from "Pickwick," to finish on a high note. The success of "Copperfield" is unbelievable. It made an impression that I can't fully describe. I can only say I was completely exhausted when I finished; and even though I had been looking forward to it all summer while I was getting it ready, hoping for it to be a big hit in London; and even though Macready told me, after hearing it at Cheltenham, to be ready for a huge impact, it exceeded my expectations. I’ll be reading again next Thursday, and the demand for tickets is incredibly intense. Please send my love to Townshend if you see him before I have a chance to write; let him know I thought the crowd would never let me leave—they were so excited and enthusiastic. I'm trying to outline a new book, but I haven't gotten past the planning stage.

Yours affectionately.
Mr. Walter Thornbury.


Office of "All the Year Round",
Friday, April 18th, 1862.
My dear Thornbury,

The Bow Street runners ceased out of the land soon after the introduction of the new police. I remember them very well as standing about the door of the office in Bow Street. They had no other uniform than a blue dress-coat, brass buttons (I am not even now sure that that was necessary), and a bright red cloth waistcoat. The waistcoat was indispensable, and the slang name for them was "redbreasts," in consequence.

The Bow Street runners disappeared from the scene soon after the new police force was introduced. I remember them clearly hanging around the office door on Bow Street. They didn't have any real uniform aside from a blue tailcoat, brass buttons (I'm still not sure if that was even needed), and a bright red cloth waistcoat. The waistcoat was essential, and they were commonly called "redbreasts" because of it.

They kept company with thieves and the like, much more than the detective police do. I don't know what their pay was, but I have no doubt their principal complements were got under the rose. It was a very slack institution, and its head-quarters were The Brown Bear, in Bow[179] Street, a public-house of more than doubtful reputation, opposite the police-office; and either the house which is now the theatrical costume maker's, or the next door to it.

They hung out with thieves and similar characters way more than the detective police do. I’m not sure what their pay was, but I’m certain their main perks were kept on the down-low. It was a pretty loose operation, and its headquarters were The Brown Bear on Bow[179] Street, a pub with a pretty questionable reputation, right across from the police station; and either the place that’s now the theatrical costume maker's or the one next to it.

Field, who advertises the Secret Enquiry Office, was a Bow Street runner, and can tell you all about it; Goddard, who also advertises an enquiry office, was another of the fraternity. They are the only two I know of as yet existing in a "questionable shape."

Field, who promotes the Secret Enquiry Office, was a Bow Street runner, and can explain everything about it; Goddard, who also runs an enquiry office, was another one from that group. They’re the only two I know of that are still around in a “questionable shape.”

Faithfully yours always.
Mr. Baylis.


Gad's Hill, etc., Wednesday, July 2nd, 1862.
Dear Mr. Baylis,

I have been in France, and in London, and in other parts of Kent than this, and everywhere but here, for weeks and weeks. Pray excuse my not having (for this reason specially) answered your kind note sooner.

I’ve been in France, in London, and in other parts of Kent besides this one, and everywhere but here, for weeks and weeks. Please forgive me for not answering your thoughtful note sooner, especially because of this reason.

After carefully cross-examining my daughter, I do not believe her to be worthy of the fernery. Last autumn we transplanted into the shrubbery a quantity of evergreens previously clustered close to the front of the house, and trained more ivy about the wall and the like. When I ask her where she would have the fernery and what she would do with it, the witness falters, turns pale, becomes confused, and says: "Perhaps it would be better not to have it at all." I am quite confident that the constancy of the young person is not to be trusted, and that she had better attach her fernery to one of her châteaux in Spain, or one of her English castles in the air. None the less do I thank you for your more than kind proposal.

After carefully questioning my daughter, I do not think she deserves the fernery. Last autumn, we moved some evergreens from the front of the house to the shrubbery and added more ivy around the wall and such. When I ask her where she would like the fernery and what she would do with it, she hesitates, turns pale, looks confused, and replies, "Maybe it would be better not to have it at all." I'm quite sure that the young person's commitment can’t be trusted, and she would be better off connecting her fernery to one of her imaginary castles in Spain or one of her English fantasies. Still, I really appreciate your incredibly kind offer.

We have been in great anxiety respecting Miss Hogarth,[180] the sudden decline of whose health and spirits has greatly distressed us. Although she is better than she was, and the doctors are, on the whole, cheerful, she requires great care, and fills us with apprehension. The necessity of providing change for her will probably take us across the water very early in the autumn; and this again unsettles home schemes here, and withers many kinds of fern. If they knew (by "they" I mean my daughter and Miss Hogarth) that I was writing to you, they would charge me with many messages of regard. But as I am shut up in my room in a ferocious and unapproachable condition, owing to the great accumulation of letters I have to answer, I will tell them at lunch that I have anticipated their wish. As I know they have bills for me to pay, and are at present shy of producing them, I wish to preserve a gloomy and repellent reputation.

We’ve been really worried about Miss Hogarth,[180] whose sudden decline in health and mood has caused us a lot of distress. Although she’s doing better than before, and the doctors are generally optimistic, she still needs a lot of care, which makes us uneasy. The need to provide her with a change of scenery will likely mean we’ll have to travel across the water early this fall; this, in turn, messes up our plans at home and affects many things. If they knew (by “they,” I mean my daughter and Miss Hogarth) that I was writing to you, they would send me lots of regards. But since I’m locked in my room in a fierce and unapproachable mood because I have a mountain of letters to answer, I’ll let them know at lunch that I’ve anticipated their wishes. I know they have bills for me to pay, and since they’re currently hesitant to bring them up, I want to keep up my gloomy and unfriendly reputation.

My dear Mr. Baylis, faithfully yours always.
Mrs. Henry Austin.


Gad's Hill, Tuesday, Oct. 7th, 1862.
*                   *                   *                   *                   *                   *

I do not preach consolation because I am unwilling to preach at any time, and know my own weakness too well. But in this world there is no stay but the hope of a better, and no reliance but on the mercy and goodness of God. Through those two harbours of a shipwrecked heart, I fully believe that you will, in time, find a peaceful resting-place even on this careworn earth. Heaven speed the time, and do you try hard to help it on! It is impossible to say but that our prolonged grief for the beloved dead may grieve them in their unknown abiding-place, and give them trouble. The one influencing consideration in all you do as to your[181] disposition of yourself (coupled, of course, with a real earnest strenuous endeavour to recover the lost tone of spirit) is, that you think and feel you can do. I do not in the least regard your change of course in going to Havre as any evidence of instability. But I rather hope it is likely that through such restlessness you will come to a far quieter frame of mind. The disturbed mind and affections, like the tossed sea, seldom calm without an intervening time of confusion and trouble.

I don't offer comfort because I don’t like to preach at any time, and I'm well aware of my own shortcomings. But in this world, the only thing we can hold onto is the hope for something better, and we can only rely on the mercy and goodness of God. Through those two safe havens for a heart that's been through a storm, I truly believe that you will eventually find a peaceful place to rest, even in this weary world. May that time come soon, and please do your part to help it along! It's hard to say that our lingering grief for those we've lost may not affect them in their unknown resting place or cause them distress. The most important thing in everything you do regarding your[181] feelings about yourself (along with a genuine, strong effort to regain your lost spirit) is that you believe you can do it. I don't see your decision to go to Havre as a sign of instability at all. Rather, I hope that through this restlessness, you will find a much calmer state of mind. A restless mind and emotions, like a turbulent sea, rarely find calm without going through a period of chaos and struggle.

But nothing is to be attained without striving. In a determined effort to settle the thoughts, to parcel out the day, to find occupation regularly or to make it, to be up and doing something, are chiefly to be found the mere mechanical means which must come to the aid of the best mental efforts.

But nothing can be achieved without effort. In a deliberate attempt to organize thoughts, divide the day, find regular tasks or create them, and keep busy with something, you primarily find the basic mechanical methods that must support the best mental efforts.

It is a wilderness of a day, here, in the way of blowing and raining, and as darkly dismal, at four o'clock, as need be. My head is but just now raised from a day's writing, but I will not lose the post without sending you a word.

It’s a wild day out here, with the wind blowing and rain pouring, dark and gloomy by four o'clock. I just lifted my head from a day of writing, but I won’t let the post go without sending you a message.

Katie was here yesterday, just come back from Clara White's (that was), in Scotland. In the midst of her brilliant fortune, it is too clear to me that she is already beckoned away to follow her dead sisters. Macready was here from Saturday evening to yesterday morning, older but looking wonderfully well, and (what is very rare in these times) with the old thick sweep of hair upon his head. Georgina being left alone here the other day, was done no good to by a great consternation among the servants. On going downstairs, she found Marsh (the stableman) seated with great dignity and anguish in an arm-chair, and incessantly crying out: "I am dead." To which the women servants said with great pathos (and with some appearance of reason): "No, you ain't, Marsh!" And to which he persisted in[182] replying: "Yes, I am; I am dead!" Some neighbouring vagabond was impressed to drive a cart over to Rochester and fetch the doctor, who said (the patient and his consolers being all very anxious that the heart should be the scene of affliction): "Stomach."

Katie was here yesterday, just back from Clara White's in Scotland. Even with her good fortune, it’s clear to me that she's already being drawn away to join her deceased sisters. Macready was here from Saturday evening to yesterday morning, looking older but wonderfully healthy, and (which is quite rare these days) still sporting his thick hair. The other day, when Georgina was left alone, there was a big commotion among the servants. When she went downstairs, she found Marsh (the stableman) sitting in an armchair with great dignity and distress, constantly crying out, "I am dead." The female servants responded with a lot of sympathy (and some logic), saying, "No, you’re not, Marsh!" But he kept insisting, "Yes, I am; I am dead!" A nearby drifter was convinced to drive a cart over to Rochester to bring the doctor, who said (while everyone, including the patient and his caregivers, was very concerned about his heart being the issue): "Stomach."

Mr. W. Wilkie Collins.


Gad's Hill Place, Higham near Rochester, Kent,
Tuesday Night, Oct. 14th, 1862.
My dear Wilkie,

Frank Beard has been here this evening, of course since I posted my this day's letter to you, and has told me that you are not at all well, and how he has given you something which he hopes and believes will bring you round. It is not to convey this insignificant piece of intelligence, or to tell you how anxious I am that you should come up with a wet sheet and a flowing sail (as we say at sea when we are not sick), that I write. It is simply to say what follows, which I hope may save you some mental uneasiness. For I was stricken ill when I was doing "Bleak House," and I shall not easily forget what I suffered under the fear of not being able to come up to time.

Frank Beard was here this evening, of course, since I sent you today’s letter, and he told me that you're not feeling well at all, and that he’s given you something he hopes will help you recover. I'm not writing just to pass along this small bit of news or to express how worried I am that you should be up and about again (as we say at sea when we’re not sick). I’m reaching out to share the following, which I hope will ease your mind a bit. Because I got really ill while working on "Bleak House," and I won't easily forget the anxiety I felt about not being able to keep up with deadlines.

Dismiss that fear (if you have it) altogether from your mind. Write to me at Paris at any moment, and say you are unequal to your work, and want me, and I will come to London straight and do your work. I am quite confident that, with your notes and a few words of explanation, I could take it up at any time and do it. Absurdly unnecessary to say that it would be a makeshift! But I could do it at a pinch, so like you as that no one should find out the difference. Don't make much of this offer in your mind; it is nothing, except to ease it. If you should want help, I am[183] as safe as the bank. The trouble would be nothing to me, and the triumph of overcoming a difficulty great. Think it a Christmas number, an "Idle Apprentice," a "Lighthouse," a "Frozen Deep." I am as ready as in any of these cases to strike in and hammer the hot iron out.

Forget that fear (if you have it) and just push it out of your mind. Write to me in Paris anytime, and tell me you’re struggling with your work and need me, and I’ll come to London right away to help you. I'm pretty sure that with your notes and a few explanations, I could pick it up at any time and get it done. It’s completely unnecessary to mention that it wouldn’t be perfect! But I could manage it well enough that no one would notice any difference. Don’t put too much weight on this offer; it’s just to put your mind at ease. If you need help, I’m[183] as reliable as a bank. I wouldn’t mind the trouble at all, and the satisfaction of solving a challenge would be significant. Think of it as a Christmas edition, an "Idle Apprentice," a "Lighthouse," or a "Frozen Deep." I’m just as ready to jump in and strike while the iron is hot as I was in any of those situations.

You won't want me. You will be well (and thankless!) in no time. But there I am; and I hope that the knowledge may be a comfort to you. Call me, and I come.

You won’t need me. You’ll be fine (and ungrateful!) soon enough. But here I am; and I hope that knowing this brings you some comfort. Call me, and I’ll be there.

As Beard always has a sense of medical responsibility, and says anything important about a patient in confidence, I have merely remarked here that "Wilkie" is out of sorts. Charley (who is here with Katie) has no other cue from me.

As Beard always feels a sense of medical responsibility and discusses anything significant about a patient privately, I’ve just noted here that "Wilkie" isn't feeling well. Charley (who is here with Katie) has no other hints from me.

Ever affectionately.
M. Charles Fechter.


27 Rue du Faubourg St. Honoré, Paris,
Tuesday, Nov. 4th, 1862.
My dear Fechter,

You know, I believe, how our letters crossed, and that I am here until Christmas. Also, you know with what pleasure and readiness I should have responded to your invitation if I had been in London.

You know, I believe, how our letters crossed, and that I am here until Christmas. Also, you know how much I would have loved to respond to your invitation if I had been in London.

Pray tell Paul Féval that I shall be charmed to know him, and that I shall feel the strongest interest in making his acquaintance. It almost puts me out of humour with Paris (and it takes a great deal to do that!) to think that I was not at home to prevail upon him to come with you, and be welcomed to Gad's Hill; but either there or here, I hope to become his friend before this present old year is out. Pray tell him so.

Pray tell Paul Féval that I would be delighted to meet him, and I'm really eager to get to know him. It nearly puts me in a bad mood about Paris (and that takes a lot!) to think that I wasn't home to convince him to come with you and be welcomed to Gad's Hill; but whether it's there or here, I hope to be his friend before the end of this year. Please let him know.

You say nothing in your note of your Lyceum preparations. I trust they are all going on well. There is a fine[184] opening for you, I am sure, with a good beginning; but the importance of a good beginning is very great. If you ever have time and inclination to tell me in a short note what you are about, you can scarcely interest me more, as my wishes and strongest sympathies are for and with your success—mais cela va sans dire.

You didn't mention anything in your note about your Lyceum preparations. I hope everything is going well. I'm sure there's a great opportunity for you with a solid start; the importance of starting strong can't be overstated. If you ever have the time and feel like sharing a quick note about what you're working on, I'd be really interested, as my wishes and support are entirely with you and your success—but that goes without saying.

I went to the Châtelet (a beautiful theatre!) the other night to see "Rothomago," but was so mortally gêné with the poor nature of the piece and of the acting, that I came out again when there was a week or two (I mean an hour or two, but the hours seemed weeks) yet to get through.

I went to the Châtelet (a beautiful theater!) the other night to see "Rothomago," but I was so incredibly embarrassed by the terrible quality of the show and the acting that I left even though there was still a little while (I mean an hour or two, but the hours felt like weeks) left to sit through.

My dear Fechter, very faithfully yours always.
Mr. Clarkson Stanfield, R.A.


27 Rue du Faubourg St. Honoré, Paris,
Friday, Dec. 5th, 1862.
Dear Stanny,

We have been here for two months, and I shall probably come back here after Christmas (we go home for Christmas week) and stay on into February. But I shall write and propose a theatre before Christmas is out, so this is to warn you to get yourself into working pantomime order!

We’ve been here for two months, and I’ll probably come back after Christmas (we’re going home for Christmas week) and stay until February. But I’m going to write and suggest a theater before Christmas is over, so this is to remind you to get yourself ready for the pantomime!

I hope Wills has duly sent you our new Christmas number. As you may like to know what I myself wrote of it, understand the Dick contributions to be, his leaving it till called for, and his wonderful end, his boots, and his brown paper parcel.

I hope Wills has sent you our new Christmas issue. In case you're curious about what I wrote, the Dick contributions include, him leaving it until it was needed, and his amazing ending, his boots, and his brown paper package.

Since you were at Gad's Hill I have been travelling a good deal, and looking up many odd things for use. I want to know how you are in health and spirits, and it would be the greatest of pleasures to me to have a line under your hand.[185]

Since you were at Gad's Hill, I've been traveling a lot and checking out various interesting things for use. I want to know how you are doing in terms of health and mood, and it would be a huge pleasure for me to receive a note from you.[185]

God bless you and yours with all the blessings of the time of year, and of all times!

God bless you and your family with all the blessings of this season and every season!

Always your loving and loyal
Dick.
M. Charles Fechter.


Paris, Saturday, Dec. 6th, 1862.
My dear Fechter,

I have read "The White Rose" attentively, and think it an extremely good play. It is vigorously written with a great knowledge of the stage, and presents many striking situations. I think the close particularly fine, impressive, bold, and new.

I have read "The White Rose" carefully, and I think it's a really great play. It's written with a lot of energy and a strong understanding of the stage, and it has many striking moments. I find the ending especially well done, impactful, bold, and fresh.

But I greatly doubt the expediency of your doing any historical play early in your management. By the words "historical play," I mean a play founded on any incident in English history. Our public are accustomed to associate historical plays with Shakespeare. In any other hands, I believe they care very little for crowns and dukedoms. What you want is something with an interest of a more domestic and general nature—an interest as romantic as you please, but having a more general and wider response than a disputed succession to the throne can have for Englishmen at this time of day. Such interest culminated in the last Stuart, and has worn itself out. It would be uphill work to evoke an interest in Perkin Warbeck.

But I really doubt that it's a good idea for you to do any historical play early in your management. By "historical play," I mean a play based on any event in English history. The audience is used to associating historical plays with Shakespeare. In any other hands, I think they care very little about crowns and dukedoms. What you need is something with a more domestic and broader appeal—an interest that's as romantic as you want, but that resonates with a more general audience than a contested succession to the throne does for English people today. That kind of interest peaked with the last Stuart and has since faded. It would be a struggle to generate interest in Perkin Warbeck.

I do not doubt the play's being well received, but my fear is that these people would be looked upon as mere abstractions, and would have but a cold welcome in consequence, and would not lay hold of your audience. Now, when you have laid hold of your audience and have accustomed them to your theatre, you may produce "The White Rose," with far greater justice to the author, and to[186] the manager also. Wait. Feel your way. Perkin Warbeck is too far removed from analogy with the sympathies and lives of the people for a beginning.

I have no doubt the play will be well received, but I'm worried these characters might be seen as nothing more than abstract concepts and would therefore get a lukewarm reception, failing to connect with your audience. Once you've successfully engaged your audience and they’re familiar with your theater, you can produce "The White Rose" with much more respect for the author and for[186] the manager as well. Take your time. Be cautious. Perkin Warbeck is too disconnected from the audience’s feelings and lives for an effective start.

My dear Fechter, ever faithfully yours.
Miss Mary Boyle.


Gad's Hill Place, Higham near Rochester, Kent,
Saturday, Dec. 27th, 1862.
Dear Mary,

I must send you my Christmas greeting and happy New Year wishes in return for yours; most heartily and fervently reciprocating your interest and affection. You are among the few whom I most care for and best love.

I have to send you my Christmas greetings and happy New Year wishes in response to yours; I am wholeheartedly and passionately returning your interest and affection. You are one of the few people I truly care for and love the most.

Being in London two evenings in the opening week, I tried to persuade my legs (for whose judgment I have the highest respect) to go to an evening party. But I could not induce them to pass Leicester Square. The faltering presentiment under which they laboured so impressed me, that at that point I yielded to their terrors. They immediately ran away to the east, and I accompanied them to the Olympic, where I saw a very good play, "Camilla's Husband," very well played. Real merit in Mr. Neville and Miss Saville.

Being in London for two evenings during the opening week, I tried to convince my legs (which I trust completely) to go to an evening party. But I couldn't get them to go past Leicester Square. The hesitance they showed really affected me, so at that point, I gave in to their fears. They quickly took off to the east, and I went with them to the Olympic, where I watched a great play, "Camilla's Husband," which was performed excellently. Real talent from Mr. Neville and Miss Saville.

We came across directly after the gale, with the Channel all bestrewn with floating wreck, and with a hundred and fifty sick schoolboys from Calais on board. I am going back on the morning after Fechter's opening night, and have promised to read "Copperfield" at the Embassy, for a British charity.

We encountered the aftermath of the storm, with the Channel scattered with floating debris, and a hundred and fifty ill schoolboys from Calais on board. I'm heading back the morning after Fechter's opening night and have promised to read "Copperfield" at the Embassy for a British charity.

Georgy continues wonderfully well, and she and Mary send you their best love. The house is pervaded by boys;[187] and every boy has (as usual) an unaccountable and awful power of producing himself in every part of the house at every moment, apparently in fourteen pairs of creaking boots.

Georgy is doing great, and she and Mary send you their love. The house is filled with boys; [187] and each boy has, as usual, an inexplicable and annoying ability to show up in every part of the house at any moment, seemingly in fourteen pairs of creaking boots.

My dear Mary, always with affection, your
Joe.

1863.

NARRATIVE.

At the beginning of this year, Charles Dickens was in Paris for the purpose of giving a reading at the English Embassy.

He remained in Paris until the beginning of February, staying with his servant "John" at the Hôtel du Helder. There was a series of readings in London this season at the Hanover Square Rooms. The Christmas number of "All the Year Round" was entitled "Mrs. Lirriper's Lodgings," to which Charles Dickens contributed the first and last chapter.

He stayed in Paris until early February, living with his servant "John" at the Hôtel du Helder. There were a number of readings in London this season at the Hanover Square Rooms. The Christmas edition of "All the Year Round" was called "Mrs. Lirriper's Lodgings," and Charles Dickens wrote the first and last chapter.

The Lyceum Theatre, under the management of M. Fechter, was opened in January with "The Duke's Motto," and the letter given here has reference to this first night.

The Lyceum Theatre, managed by M. Fechter, opened in January with "The Duke's Motto," and the letter provided here refers to this opening night.

We regret very much having no letters to Lady Molesworth, who was an old and dear friend of Charles Dickens. But this lady explains to us that she has long ceased to preserve any letters addressed to her.

We really regret not having any letters to Lady Molesworth, who was an old and dear friend of Charles Dickens. But this lady tells us that she has long stopped keeping any letters sent to her.

The "Mr. and Mrs. Humphery" (now Sir William and Lady Humphery) mentioned in the first letter for this year, were dear and intimate friends of his eldest daughter, and were frequent guests in her father's house. Mrs. Humphery and her sister Lady Olliffe were daughters of the late Mr. William Cubitt, M.P.

The "Mr. and Mrs. Humphery" (now Sir William and Lady Humphery) mentioned in the first letter of this year were close friends of his oldest daughter and often visited her father's house. Mrs. Humphery and her sister Lady Olliffe were daughters of the late Mr. William Cubitt, M.P.

We have in this year the first letter of Charles Dickens to Mr. Percy Fitzgerald. This gentleman had been a valuable[188] contributor to his journal before he became personally known to Charles Dickens. The acquaintance once made soon ripened into friendship, and for the future Mr. Fitzgerald was a constant and always a welcome visitor to Gad's Hill.

We have this year the first letter from Charles Dickens to Mr. Percy Fitzgerald. This gentleman had been a valuable[188] contributor to his journal before he got to know Charles Dickens personally. Once they met, their relationship quickly grew into a friendship, and from then on, Mr. Fitzgerald was a regular and always welcome visitor at Gad's Hill.

The letter to Mr. Charles Reade alludes to his story, "Hard Cash," which was then appearing in "All the Year Round." As a writer, and as a friend, he was held by Charles Dickens in the highest estimation.

The letter to Mr. Charles Reade mentions his story, "Hard Cash," which was then being published in "All the Year Round." Charles Dickens held him in the highest regard both as a writer and as a friend.

Charles Dickens's correspondence with his solicitor and excellent friend, Mr. Frederic Ouvry (now a vice-president of the Society of Antiquaries), was almost entirely of a business character; but we are glad to give one or two notes to that gentleman, although of little public interest, in order to have the name in our book of one of the kindest of our own friends.

Charles Dickens's letters to his lawyer and good friend, Mr. Frederic Ouvry (now a vice-president of the Society of Antiquaries), were mostly about business; however, we’re happy to include one or two notes to him, even if they aren’t very interesting to the public, just to have the name of one of our kindest friends in our book.

Miss Dickens.


Paris, Hôtel du Helder, Rue du Helder,
Friday, Jan. 16th, 1863.
My dear Mamie,

As I send a line to your aunt to-day and know that you will not see it, I send another to you to report my safe (and neuralgic) arrival here. My little rooms are perfectly comfortable, and I like the hotel better than any I have ever put up at in Paris. John's amazement at, and appreciation of, Paris are indescribable. He goes about with his mouth open, staring at everything and being tumbled over by everybody.

As I write to your aunt today, knowing you won’t see it, I’m sending another note to let you know I arrived safely (though my nerves are a bit tense). My little rooms are really comfortable, and I like this hotel more than any I’ve stayed at in Paris. John’s amazement and appreciation for Paris are beyond words. He walks around with his mouth open, staring at everything and getting bumped into by everyone.

The state dinner at the Embassy, yesterday, coming off in the room where I am to read, the carpenters did not get in until this morning. But their platforms were ready—or supposed to be—and the preparations are in brisk progress. I think it will be a handsome affair to look at—a very[189] handsome one. There seems to be great artistic curiosity in Paris, to know what kind of thing the reading is.

The state dinner at the Embassy yesterday took place in the room where I'll be reading, but the carpenters didn't arrive until this morning. Still, their platforms were ready—or at least they were supposed to be—and preparations are moving along quickly. I believe it will be a beautiful event to see—a truly stunning one. There seems to be a lot of artistic interest in Paris about what kind of reading this is.

I know a "rela-shon" (with one weak eye), who is in the gunmaking line, very near here. There is a strong family resemblance—but no muzzle. Lady Molesworth and I have not begun to "toddle" yet, but have exchanged affectionate greetings. I am going round to see her presently, and I dine with her on Sunday. The only remaining news is, that I am beset by mysterious adorers, and smuggle myself in and out of the house in the meanest and basest manner.

I know a "rela-shon" (with one weak eye) who's into gunmaking, really close by. There's a strong family resemblance—but no muzzle. Lady Molesworth and I haven't started "toddling" yet, but we've exchanged warm greetings. I'm planning to visit her soon, and I'm having dinner with her on Sunday. The only other news is that I'm being pursued by mysterious admirers, and I sneak in and out of the house in the shadiest way.

With kind regard to Mr. and Mrs. Humphery,

With warm regards to Mr. and Mrs. Humphery,

Ever, my dearest Mamey, your affectionate Father.

P.S.—Hommage à Madame B.!

P.S.—Tribute to Madame B.!

Monsieur Regnier.


Paris, Sunday, Feb. 1st, 1863.
Dear Regnier,

I was charmed by the receipt of your cordial and sympathetic letter, and I shall always preserve it carefully as a most noble tribute from a great and real artist.

I was delighted to receive your warm and thoughtful letter, and I will always keep it safe as a wonderful tribute from a truly great artist.

I wished you had been at the Embassy on Friday evening. The audience was a fine one, and the "Carol" is particularly well adapted to the purpose. It is an uncommon pleasure to me to learn that I am to meet you on Tuesday, for there are not many men whom I meet with greater pleasure than you. Heaven! how the years roll by! We are quite old friends now, in counting by years. If we add sympathies, we have been friends at least a thousand years.

I wish you had been at the Embassy on Friday night. The audience was great, and the "Carol" fits the occasion perfectly. I'm really looking forward to seeing you on Tuesday because there aren’t many people I enjoy meeting more than you. Wow, how the years fly by! We're definitely old friends now, if we're counting by years. If we include our shared feelings, we’ve been friends for at least a thousand years.

Affectionately yours ever.
Miss Dickens.


Hôtel du Helder, Paris, Sunday, Feb. 1st, 1863.
My beloved Mamie,

I cannot give you any idea of the success of the readings here, because no one can imagine the scene of last Friday night at the Embassy. Such audiences and such enthusiasm I have never seen, but the thing culminated on Friday night in a two hours' storm of excitement and pleasure. They actually recommenced and applauded right away into their carriages and down the street.

I can’t give you an accurate idea of how successful the readings were here, because no one could picture the scene from last Friday night at the Embassy. I’ve never seen such an audience or such enthusiasm, but it peaked on Friday night with a two-hour wave of excitement and joy. They even started cheering again as they got into their carriages and went down the street.

You know your parent's horror of being lionised, and will not be surprised to hear that I am half dead of it. I cannot leave here until Thursday (though I am every hour in danger of running away) because I have to dine out, to say nothing of breakfasting—think of me breakfasting!—every intervening day. But my project is to send John home on Thursday, and then to go on a little perfectly quiet tour for about ten days, touching the sea at Boulogne. When I get there, I will write to your aunt (in case you should not be at home), saying when I shall arrive at the office. I must go to the office instead of Gad's, because I have much to do with Forster about Elliotson.

You know how much your parent hates being praised, and I’m sure you won't be shocked to hear that I'm feeling half dead from it. I can’t leave here until Thursday (even though I feel like running away every hour) because I have to go out for dinner, not to mention breakfast—imagine me having breakfast!—every day until then. But my plan is to send John home on Thursday and then take a little quiet trip for about ten days, stopping at the sea in Boulogne. When I get there, I’ll write to your aunt (just in case you’re not home) to let her know when I’ll be at the office. I need to go to the office instead of Gad's because I have a lot to discuss with Forster about Elliotson.

I enclose a short note for each of the little boys. Give Harry ten shillings pocket-money, and Plorn six.

I’ve included a short note for each of the little boys. Give Harry ten shillings for pocket money, and Plorn six.

The Olliffe girls, very nice. Florence at the readings, prodigiously excited.

The Olliffe girls are really nice. Florence gets super excited at the readings.

Miss Hogarth.


Paris, Sunday, Feb. 1st, 1863.

From my hurried note to Mamie, you will get some faint general idea of a new star's having arisen in Paris. But of its brightness you can have no adequate conception.[191]

From my quick note to Mamie, you’ll get a slight idea that a new star has emerged in Paris. But you can’t really understand how bright it is.[191]

[John has locked me up and gone out, and the little bell at the door is ringing demoniacally while I write.]

[John has locked me in and gone out, and the little bell at the door is ringing like crazy while I write.]

You have never heard me read yet. I have been twice goaded and lifted out of myself into a state that astonished me almost as much as the audience. I have a cold, but no neuralgia, and am "as well as can be expected."

You’ve never heard me read before. I’ve been pushed and lifted out of myself twice into a state that surprised me almost as much as it did the audience. I have a cold, but no nerve pain, and I’m "as well as can be expected."

I forgot to tell Mamie that I went (with Lady Molesworth) to hear "Faust" last night. It is a splendid work, in which that noble and sad story is most nobly and sadly rendered, and perfectly delighted me. But I think it requires too much of the audience to do for a London opera house. The composer must be a very remarkable man indeed. Some management of light throughout the story is also very poetical and fine. We had Carvalho's box. I could hardly bear the thing, it affected me so.

I forgot to tell Mamie that I went with Lady Molesworth to see "Faust" last night. It’s an amazing work that tells that noble and sad story in a truly beautiful and touching way, and it completely captivated me. But I think it asks too much of the audience for a London opera house. The composer must be an incredibly talented person. The use of light throughout the story is also very poetic and impressive. We had Carvalho's box. I could hardly handle it; it moved me so deeply.

But, as a certain Frenchman said, "No weakness, Danton!" So I leave off.

But, as a certain Frenchman said, "No weakness, Danton!" So I’ll stop here.

M. Charles Fechter.


Paris, Wednesday, Feb. 4th, 1863.
My dear Fechter,

A thousand congratulations on your great success! Never mind what they say, or do, pour vous écraser; you have the game in your hands. The romantic drama, thoroughly well done (with a touch of Shakespeare now and then), is the speciality of your theatre. Give the public the picturesque, romantic drama, with yourself in it; and (as I told you in the beginning) you may throw down your gauntlet in defiance of all comers.

A thousand congratulations on your amazing success! Don’t worry about what they say or do to bring you down; you have everything under control. The romantic drama, exceptionally well done (with a hint of Shakespeare here and there), is your theater’s specialty. Give the audience the colorful, romantic drama, featuring yourself in it; and (as I mentioned at the beginning) you can challenge anyone who dares to compete.

It is a most brilliant success indeed, and it thoroughly rejoices my heart![192]

It’s such a fantastic success, and it truly makes me happy![192]

Unfortunately I cannot now hope to see "Maquet," because I am packing up and going out to dinner (it is late in the afternoon), and I leave to-morrow morning when all sensible people, except myself, are in bed; and I do not come back to Paris or near it. I had hoped to see him at breakfast last Monday, but he was not there. Paul Féval was there, and I found him a capital fellow. If I can do anything to help you on with "Maquet"[8] when I come back I will most gladly do it.

Unfortunately, I can’t expect to see "Maquet" now because I’m packing up and heading out to dinner (it’s late afternoon), and I’m leaving tomorrow morning when all sensible people, except for me, are in bed; plus, I won’t be coming back to Paris or the area. I had hoped to see him at breakfast last Monday, but he wasn’t there. Paul Féval was there, and I found him to be a great guy. If I can do anything to help you with "Maquet"[8] when I return, I’ll be happy to help.

My readings here have had the finest possible reception, and have achieved a most noble success. I never before read to such fine audiences, so very quick of perception, and so enthusiastically responsive.

My readings here have been received incredibly well and have had great success. I've never read to such attentive audiences, who are so quick to understand and so enthusiastically engaged.

I shall be heartily pleased to see you again, my dear Fechter, and to share your triumphs with the real earnestness of a real friend. And so go on and prosper, and believe me, as I truly am,

I’ll be really happy to see you again, my dear Fechter, and to celebrate your successes with the genuine enthusiasm of a true friend. So keep moving forward and thriving, and believe me, as I really am,

Most cordially yours.
Mr. W. C. Macready.


Office of "All the Year Round",
Thursday, Feb. 19th, 1863.
My dear Macready,

I have just come back from Paris, where the readings—"Copperfield," "Dombey" and "Trial," and "Carol" and "Trial"—have made a sensation which modesty (my natural modesty) renders it impossible for me to describe. You know what a noble audience the Paris audience is! They were at their very noblest with me.

I just got back from Paris, where the readings—"Copperfield," "Dombey," "Trial," and "Carol"—created a buzz that my natural modesty makes it hard for me to describe. You know how incredible the audience in Paris is! They were at their absolute best with me.

I was very much concerned by hearing hurriedly from[193] Georgy that you were ill. But when I came home at night, she showed me Katie's letter, and that set me up again. Ah, you have the best of companions and nurses, and can afford to be ill now and then for the happiness of being so brought through it. But don't do it again yet awhile for all that.

I was really worried to hear quickly from[193] Georgy that you were unwell. But when I got home at night, she showed me Katie's letter, and that lifted my spirits. You have the best companions and caregivers, so you can afford to be ill every now and then for the joy of being taken care of. But please don’t do it again for a while, despite that.

Legouvé (whom you remember in Paris as writing for the Ristori) was anxious that I should bring you the enclosed. A manly and generous effort, I think? Regnier desired to be warmly remembered to you. He looks just as of yore.

Legouvé (you remember him in Paris as a writer for the Ristori) wanted me to bring you the enclosed. A bold and generous gesture, don’t you think? Regnier asked me to send you his warm regards. He looks just the same as before.

Paris generally is about as wicked and extravagant as in the days of the Regency. Madame Viardot in the "Orphée," most splendid. An opera of "Faust," a very sad and noble rendering of that sad and noble story. Stage management remarkable for some admirable, and really poetical, effects of light. In the more striking situations, Mephistopheles surrounded by an infernal red atmosphere of his own. Marguerite by a pale blue mournful light. The two never blending. After Marguerite has taken the jewels placed in her way in the garden, a weird evening draws on, and the bloom fades from the flowers, and the leaves of the trees droop and lose their fresh green, and mournful shadows overhang her chamber window, which was innocently bright and gay at first. I couldn't bear it, and gave in completely.

Paris is still as wicked and extravagant as it was during the Regency. Madame Viardot in the "Orphée" was magnificent. The opera "Faust" offered a very sad and noble portrayal of that tragic story. The staging expertly created some beautiful and truly poetic lighting effects. In the most dramatic moments, Mephistopheles was surrounded by a hellish red glow. Marguerite was illuminated by a pale blue, sorrowful light. The two never mixed. After Marguerite took the jewels that were put in her path in the garden, a strange evening began, and the flowers lost their vibrancy, while the leaves of the trees drooped and lost their fresh green, casting mournful shadows over her bedroom window, which had originally been so innocent and lively. I couldn't handle it, and completely surrendered.

Fechter doing wonders over the way here, with a picturesque French drama. Miss Kate Terry, in a small part in it, perfectly charming. You may remember her making a noise, years ago, doing a boy at an inn, in "The Courier of Lyons"? She has a tender love-scene in this piece, which is a really beautiful and artistic thing. I saw her do it at about three in the morning of the day when the theatre opened, surrounded by shavings and carpenters, and (of course) with that inevitable hammer going; and I[194] told Fechter: "That is the very best piece of womanly tenderness I have ever seen on the stage, and you'll find that no audience can miss it." It is a comfort to add that it was instantly seized upon, and is much talked of.

Fechter is doing amazing things here with a visually striking French drama. Miss Kate Terry, in a small role, is absolutely delightful. You might remember her from years ago, playing a boy at an inn in "The Courier of Lyons"? She has a beautiful love scene in this play that’s truly artistic. I watched her perform it around three in the morning on the day the theater opened, surrounded by sawdust and carpenters, with the usual hammering going on; and I told Fechter, "That’s the best portrayal of womanly tenderness I’ve ever seen on stage, and I guarantee no audience will overlook it." It's nice to add that it was quickly embraced and is a popular topic of conversation.

Stanfield was very ill for some months, then suddenly picked up, and is really rosy and jovial again. Going to see him when he was very despondent, I told him the story of Fechter's piece (then in rehearsal) with appropriate action; fighting a duel with the washing-stand, defying the bedstead, and saving the life of the sofa-cushion. This so kindled his old theatrical ardour, that I think he turned the corner on the spot.

Stanfield was really sick for a few months, but then he suddenly got better and is now lively and cheerful again. When I visited him during his low moments, I shared the story of Fechter's play (which was in rehearsal at the time) with some dramatic flair; I acted out fighting a duel with the washstand, challenging the bed frame, and rescuing the sofa cushion. This sparked his old passion for the theater so much that I believe he made a turn for the better right then and there.

With love to Mrs. Macready and Katie, and (be still my heart!) Benvenuta, and the exiled Johnny (not too attentive at school, I hope?), and the personally-unknown young Parr,

With love to Mrs. Macready and Katie, and (oh my heart!) Benvenuta, and the exiled Johnny (I hope he’s not too distracted in school?), and the young Parr, whom I don’t know personally,

Ever, my dearest Macready, your most affectionate.
Miss Power.


Office of "All the Year Round",
Thursday, Feb. 26th, 1863.
My dear Marguerite,

I think I have found a first-rate title for your book, with an early and a delightful association in most people's minds, and a strong suggestion of Oriental pictures:

I think I’ve come up with a great title for your book, one that has a pleasant and early connection in most people’s minds and a strong hint of Eastern imagery:

"Arabian Days and Nights."

I have sent it to Low's. If they have the wit to see it, do you in your first chapter touch that string, so as to bring a fanciful explanation in aid of the title, and sound it afterwards, now and again, when you come to anything where Haroun al Raschid, and the Grand Vizier, and Mesrour, the chief of the guard, and any of that wonderful dramatis personæ are vividly brought to mind.

I’ve sent it to Low's. If they’re smart enough to notice it, could you mention that point in your first chapter? That way, you can provide a creative explanation related to the title and refer back to it occasionally when you discuss anything that vividly brings to mind Haroun al Raschid, the Grand Vizier, Mesrour, the chief of the guard, or any of those amazing dramatis personæ.

Ever affectionately.
Mr. Charles Knight.


Office of "All the Year Round",
Wednesday, March 4th, 1863.
Dear Charles Knight,

At a quarter to seven on Monday, the 16th, a stately form will be descried breathing birthday cordialities and affectionate amenities, as it descends the broken and gently dipping ground by which the level country of the Clifton Road is attained. A practised eye will be able to discern two humble figures in attendance, which from their flowing crinolines may, without exposing the prophet to the imputation of rashness, be predicted to be women. Though certes their importance, absorbed and as it were swallowed up in the illustrious bearing and determined purpose of the maturer stranger, will not enthrall the gaze that wanders over the forest of San Giovanni as the night gathers in.

At a quarter to seven on Monday the 16th, a dignified figure will be seen arriving with birthday greetings and warm gestures as it moves down the uneven and gently sloping terrain that leads to the flatlands of Clifton Road. A keen observer will spot two modest figures nearby, and judging by their flowing dresses, it's safe to say they are women. However, their significance, overshadowed and almost consumed by the presence and determined intent of the more mature stranger, won't capture attention as it drifts over the San Giovanni woods as night falls.

With love,
G.P.R. James.
Mrs. Dallas.[9]
EXTRACT.

THE TIME OF THE PRINCESS ALEXANDRA'S ARRIVAL IN LONDON.

It is curious to see London gone mad. Down in the Strand here, the monomaniacal tricks it is playing are grievous to behold, but along Fleet Street and Cheapside it gradually becomes frenzied, dressing itself up in all sorts of odds and ends, and knocking itself about in a most amazing manner. At London Bridge it raves, principally about the Kings of Denmark and their portraits. I have been looking among them for Hamlet's uncle, and have discovered one personage with a high nose, who I think is the man.

It’s strange to see London going crazy. Down in the Strand, the obsessive antics happening here are hard to watch, but along Fleet Street and Cheapside, it becomes more chaotic, dressing itself up in all kinds of random things and acting out in an unbelievable way. At London Bridge, it rants mainly about the Kings of Denmark and their portraits. I’ve been searching among them for Hamlet's uncle and found one character with a prominent nose, who I believe is the guy.

Faithfully yours always.
Mrs. Lehmann.


Office of "All the Year Round," 26 Wellington Street,
Strand, London, WC
Tuesday, March 10th, 1863.
Dear Mrs. Lehmann,

Two stalls for to-morrow's reading were sent to you by post before I heard from you this morning. Two will always come to you while you remain a Gummidge, and I hope I need not say that if you want more, none could be better bestowed in my sight.

Two stalls for tomorrow's reading were sent to you in the mail before I heard from you this morning. Two will always come your way as long as you stay a Gummidge, and I hope I don't need to say that if you want more, I can't think of anyone better to have them.

Pray tell Lehmann, when you next write to him, that I find I owe him a mint of money for the delightful Swedish sleigh-bells. They are the wonder, awe, and admiration of the whole country side, and I never go out without them.

Pray tell Lehmann, when you next write to him, that I find I owe him a mint of money for the delightful Swedish sleigh bells. They are the wonder, awe, and admiration of the whole countryside, and I never go out without them.

Let us make an exchange of child stories. I heard of a little fellow the other day whose mamma had been telling him that a French governess was coming over to him from Paris, and had been expatiating on the blessings and advantages of having foreign tongues. After leaning his plump little cheek against the window glass in a dreary little way for some minutes, he looked round and enquired in a general way, and not as if it had any special application, whether she didn't think "that the Tower of Babel was a great mistake altogether?"

Let’s share some childhood stories. I heard about a young boy recently whose mom had been telling him that a French governess was coming to visit him from Paris, praising the benefits of learning foreign languages. After resting his chubby cheek against the window for a little while, he turned and casually asked, without any particular reason, if she didn’t think “the Tower of Babel was a huge mistake?”

Ever faithfully yours.
Mrs. Major.[10]


Office of "All the Year Round," a weekly journal, etc.
26 Wellington Street, Strand
Thursday, March 12th, 1863.
My dear Mary,

I am quite concerned to hear that you and your party (including your brother Willie) paid for seats at my reading last night. You must promise me never to do so any more. My old affections and attachments are not so[197] lightly cherished or so easily forgotten as that I can bear the thought of you and yours coming to hear me like so many strangers. It will at all times delight me if you will send a little note to me, or to Georgina, or to Mary, saying when you feel inclined to come, and how many stalls you want. You may always be certain, even on the fullest nights, of room being made for you. And I shall always be interested and pleased by knowing that you are present.

I’m really concerned to hear that you and your group (including your brother Willie) paid for seats at my reading last night. You have to promise me you won’t do that again. My old feelings and connections aren’t easily replaced or forgotten, and I can’t stand the idea of you all hearing me like some strangers. I would always be happy if you send a quick note to me, or to Georgina, or to Mary, letting us know when you’d like to come and how many seats you want. You can always count on there being space for you, even on the busiest nights. It means a lot to me to know that you’re there.

Mind! You are to be exceedingly penitent for last night's offence, and to make me a promise that it shall never be repeated. On which condition accept my noble forgiveness.

Mind! You need to be really sorry for what happened last night and promise me that it won’t happen again. If you do that, I’ll gladly forgive you.

With kind regard to Mr. Major, my dear Mary,

With warm regards to Mr. Major, my dear Mary,

Affectionately yours.
Mr. W. C. Macready.


Gad's Hill Place, Higham near Rochester, Kent,
Thursday, March 31st, 1863.
My dear Macready,

I mean to go on reading into June. For the sake of the finer effects (in "Copperfield" principally), I have changed from St. James's Hall to the Hanover Square Room. The latter is quite a wonderful room for sound, and so easy that the least inflection will tell anywhere in the place exactly as it leaves your lips; but I miss my dear old shilling galleries—six or eight hundred strong—with a certain roaring sea of response in them, that you have stood upon the beach of many and many a time.

I plan to keep reading into June. For the sake of better experiences (mainly in "Copperfield"), I’ve switched from St. James's Hall to the Hanover Square Room. The latter is an amazing space for sound, and so clear that even the slightest change in tone carries throughout the room just as it leaves your mouth; but I really miss my beloved old shilling galleries—six or eight hundred people strong—with that familiar roaring sea of applause that you’ve stood on the shore of so many times.

The summer, I hope and trust, will quicken the pace at which you grow stronger again. I am but in dull spirits myself just now, or I should remonstrate with you on your slowness.

The summer, I hope and believe, will speed up how quickly you get stronger again. I'm feeling a bit low myself right now, or I would challenge you on your slowness.

Having two little boys sent home from school "to see[198] the illuminations" on the marriage-night, I chartered an enormous van, at a cost of five pounds, and we started in majesty from the office in London, fourteen strong. We crossed Waterloo Bridge with the happy design of beginning the sight at London Bridge, and working our way through the City to Regent Street. In a by-street in the Borough, over against a dead wall and under a railway bridge, we were blocked for four hours. We were obliged to walk home at last, having seen nothing whatever. The wretched van turned up in the course of the next morning; and the best of it was that at Rochester here they illuminated the fine old castle, and really made a very splendid and picturesque thing (so my neighbours tell me).

Having two little boys sent home from school "to see[198] the lights" on the night of the wedding, I rented a huge van for five pounds, and we set off in style from the office in London, fourteen of us. We crossed Waterloo Bridge with the plan of starting our viewing at London Bridge and making our way through the City to Regent Street. In a side street in the Borough, right against a blank wall and under a railway bridge, we got stuck for four hours. In the end, we had to walk home without seeing anything at all. The unfortunate van showed up the next morning; and the best part was that in Rochester, they lit up the beautiful old castle, creating a really splendid and picturesque scene (so my neighbors tell me).

With love to Mrs. Macready and Katie,

With love to Mrs. Macready and Katie,

Ever, my dearest Macready, your most affectionate.
Mr. W. Wilkie Collins.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday, April 22nd, 1863.
ON THE DEATH OF MR. EGG.

EXTRACT.

Ah, poor Egg! I knew what you would think and feel about it. When we saw him in Paris on his way out I was struck by his extreme nervousness, and derived from it an uneasy foreboding of his state. What a large piece of a good many years he seems to have taken with him! How often have I thought, since the news of his death came, of his putting his part in the saucepan (with the cover on) when we rehearsed "The Lighthouse;" of his falling out of the hammock when we rehearsed "The Frozen Deep;" of his learning Italian numbers when he ate the garlic in the carriage; of the thousands (I was going to say) of dark mornings when I apostrophised him as "Kernel;" of his[199] losing my invaluable knife in that beastly stage-coach; of his posting up that mysterious book[11] every night! I hardly know why, but I have always associated that volume most with Venice. In my memory of the dear gentle little fellow, he will be (as since those days he always has been) eternally posting up that book at the large table in the middle of our Venice sitting-room, incidentally asking the name of an hotel three weeks back! And his pretty house is to be laid waste and sold. If there be a sale on the spot I shall try to buy something in loving remembrance of him, good dear little fellow. Think what a great "Frozen Deep" lay close under those boards we acted on! My brother Alfred, Luard, Arthur, Albert, Austin, Egg. Even among the audience, Prince Albert and poor Stone! "I heard the"—I forget what it was I used to say—"come up from the great deep;" and it rings in my ears now, like a sort of mad prophecy.

Ah, poor Egg! I knew what you’d think and feel about this. When we saw him in Paris on his way out, I was struck by how nervous he was, which gave me a bad feeling about his state. It seems like he took a huge chunk of his life with him! Since hearing about his death, I've often thought about him putting his part in the saucepan (with the lid on) when we rehearsed "The Lighthouse"; him falling out of the hammock while we practiced "The Frozen Deep"; him learning Italian numbers after eating garlic in the carriage; of the countless dark mornings when I called him "Kernel"; and of him losing my precious knife in that awful stagecoach; of him updating that mysterious book every night! I don’t know why, but I’ve always connected that book most with Venice. In my memory of that sweet, gentle little guy, he’ll always be there, endlessly updating that book at the big table in our Venice living room, casually asking the name of a hotel from three weeks ago! And now his lovely house is going to be destroyed and sold. If there’s a sale on the spot, I’ll try to buy something in loving memory of him, good dear little fellow. Think about how much "Frozen Deep" was right beneath those boards we performed on! My brother Alfred, Luard, Arthur, Albert, Austin, Egg. Even in the audience, Prince Albert and poor Stone! "I heard the"—I forget what I used to say—"come up from the great deep"; and it echoes in my ears now, like some kind of crazy prophecy.

However, this won't do. We must close up the ranks and march on.

However, this isn't going to work. We need to tighten our ranks and keep moving forward.

Rev. W. Brookfield.


Gad's Hill Place, May 17th, 1863.
Dear Brookfield,

It occurs to me that you may perhaps know, or know of, a kind of man that I want to discover.

It seems to me that you might know, or have heard of, a type of man that I’m looking to find.

One of my boys (the youngest) now is at Wimbledon School. He is a docile, amiable boy of fair abilities, but sensitive and shy. And he writes me so very earnestly that he feels the school to be confusingly large for him, and that he is sure he could do better with some gentleman who gave his own personal attention to the education of half-a-dozen or a dozen boys, as to impress me with the belief that I ought to heed his conviction.

One of my sons (the youngest) is currently at Wimbledon School. He is a gentle, friendly boy with decent abilities, but he’s sensitive and shy. He writes to me quite earnestly, saying that he finds the school confusingly big for him, and he’s convinced he would do better with a gentleman who personally focused on teaching a small group of six or twelve boys, which makes me feel like I should really take his thoughts seriously.

Has any such phenomenon as a good and reliable man in this wise ever come in your way? Forgive my troubling you, and believe me,

Has a good and trustworthy man like that ever crossed your path? Sorry to bother you, and believe me,

Cordially yours.
Rev. W. Brookfield.


Gad's Hill Place, Higham near Rochester, Kent,
May 24th, 1863.
Dear Brookfield,

I am most truly obliged to you for your kind and ready help.

I really appreciate your kind and prompt help.

When I am in town next week, I will call upon the Bishop of Natal, more to thank him than with the hope of profiting by that gentleman of whom he writes, as the limitation to "little boys" seems to stop the way. I want to find someone with whom this particular boy could remain; if there were a mutual interest and liking, that would be a great point gained.

When I’m in town next week, I’ll reach out to the Bishop of Natal, more to thank him than to seek any benefits from the gentleman he writes about, since the restriction to “little boys” seems to block the way. I want to find someone with whom this specific boy could stay; if there’s a mutual interest and connection, that would be a significant advantage.

Why did the kings in the fairy tales want children? I suppose in the weakness of the royal intellect.

Why did the kings in fairy tales want kids? I guess it was because of their limited understanding.

Concerning "Nickleby," I am so much of your mind (comparing it with "Copperfield"), that it was a long time before I could take a pleasure in reading it. But I got better, as I found the audience always taking to it. I have been trying, alone by myself, the "Oliver Twist" murder, but have got something so horrible out of it that I am afraid to try it in public.

Concerning "Nickleby," I completely agree with you (compared to "Copperfield"), and it took me a long time to enjoy reading it. However, I started to appreciate it more as I noticed that the audience really liked it. I’ve been working on the "Oliver Twist" murder scene by myself, but I’ve come up with something so disturbing that I’m hesitant to present it publicly.

Ever faithfully yours.
M. de Cerjat.


Gad's Hill Place, Higham near Rochester, Kent,
Thursday, May 28th, 1863.
Dear Cerjat,

I don't wonder at your finding it difficult to reconcile your mind to a French Hamlet; but I assure you that[201] Fechter's is a very remarkable performance perfectly consistent with itself (whether it be my particular Hamlet, or your particular Hamlet, or no), a coherent and intelligent whole, and done by a true artist. I have never seen, I think, an intelligent and clear view of the whole character so well sustained throughout; and there is a very captivating air of romance and picturesqueness added, which is quite new. Rely upon it, the public were right. The thing could not have been sustained by oddity; it would have perished upon that, very soon. As to the mere accent, there is far less drawback in that than you would suppose. For this reason, he obviously knows English so thoroughly that you feel he is safe. You are never in pain for him. This sense of ease is gained directly, and then you think very little more about it.

I understand why you find it hard to accept a French Hamlet, but I assure you that[201] Fechter's performance is truly remarkable and completely self-consistent (whether it resembles my Hamlet, your Hamlet, or none at all). It’s a coherent and intelligent portrayal, executed by a genuine artist. I don’t think I’ve ever seen such an intelligent and clear representation of the entire character so well maintained throughout. There's also a charming touch of romance and imagery added, which feels fresh and new. Trust me, the audience was right. It couldn't have thrived on mere eccentricity; it would have faded away very quickly. As for the accent, it’s not as much of a drawback as you might think. He clearly knows English so well that you feel confident in him. You never worry for him. This sense of ease comes through immediately, and soon you hardly think about it anymore.

The Colenso and Jowett matter is a more difficult question, but here again I don't go with you. The position of the writers of "Essays and Reviews" is, that certain parts of the Old Testament have done their intended function in the education of the world as it was; but that mankind, like the individual man, is designed by the Almighty to have an infancy and a maturity, and that as it advances, the machinery of its education must advance too. For example: inasmuch as ever since there was a sun and there was vapour, there must have been a rainbow under certain conditions, so surely it would be better now to recognise that indisputable fact. Similarly, Joshua might command the sun to stand still, under the impression that it moved round the earth; but he could not possibly have inverted the relations of the earth and the sun, whatever his impressions were. Again, it is contended that the science of geology is quite as much a revelation to man, as books of an immense age and of (at the best) doubtful origin, and[202] that your consideration of the latter must reasonably be influenced by the former. As I understand the importance of timely suggestions such as these, it is, that the Church should not gradually shock and lose the more thoughtful and logical of human minds; but should be so gently and considerately yielding as to retain them, and, through them, hundreds of thousands. This seems to me, as I understand the temper and tendency of the time, whether for good or evil, to be a very wise and necessary position. And as I understand the danger, it is not chargeable on those who take this ground, but on those who in reply call names and argue nothing. What these bishops and such-like say about revelation, in assuming it to be finished and done with, I can't in the least understand. Nothing is discovered without God's intention and assistance, and I suppose every new knowledge of His works that is conceded to man to be distinctly a revelation by which men are to guide themselves. Lastly, in the mere matter of religious doctrine and dogmas, these men (Protestants—protestors—successors of the men who protested against human judgment being set aside) talk and write as if they were all settled by the direct act of Heaven; not as if they had been, as we know they were, a matter of temporary accommodation and adjustment among disputing mortals as fallible as you or I.

The Colenso and Jowett issue is a tougher question, but I still don't agree with you. The authors of "Essays and Reviews" argue that certain parts of the Old Testament served their original purpose in educating the world as it was, but that humanity, like each individual, is meant by the Almighty to progress from infancy to maturity, and that as it develops, the tools of education must evolve too. For instance, since there has always been a sun and vapor, there must have been rainbows under certain conditions, so it would make sense to acknowledge that undeniable fact now. Similarly, Joshua may have commanded the sun to stand still, thinking it revolved around the earth, but he could not have changed the relationship between the earth and the sun, no matter what he believed. It's also argued that geology is as much a revelation to humanity as ancient texts with questionable origins, and that your view of the latter should reasonably be influenced by the former. I see the importance of timely suggestions like these: the Church should not gradually shock and lose the more thoughtful and logical minds, but should be gentle and accommodating enough to keep them around, thereby retaining countless others through them. To me, this seems like a very wise and necessary stance, given the current mood and trends, whether they are positive or negative. And I believe the real danger lies not with those who hold this view, but with those who respond with insults and no real argument. I can't understand what these bishops and similar figures mean when they talk about revelation as if it has been completed. Nothing is discovered without God's intention and help, and I think every new insight into His works that is granted to humanity is a distinct revelation that people should use to guide themselves. Finally, regarding religious doctrine and dogmas, these people (Protestants—protesters—the successors of those who challenged the dismissal of human judgment) speak and write as if everything was settled by a direct act of Heaven; they ignore the fact that it was, as we know, a matter of temporary compromise and adjustment among flawed humans just like you and me.

Coming nearer home, I hope that Georgina is almost quite well. She has no attack of pain or flurry now, and is in all respects immensely better. Mary is neither married nor (that I know of) going to be. She and Katie and a lot of them have been playing croquet outside my window here for these last four days, to a mad and maddening extent. My sailor-boy's ship, the Orlando, is fortunately in Chatham Dockyard—so he is pretty constantly at home—while the shipwrights are repairing a leak in her. I am reading in[203] London every Friday just now. Great crams and great enthusiasm. Townshend I suppose to have left Lausanne somewhere about this day. His house in the park is hermetically sealed, ready for him. The Prince and Princess of Wales go about (wisely) very much, and have as fair a chance of popularity as ever prince and princess had. The City ball in their honour is to be a tremendously gorgeous business, and Mary is highly excited by her father's being invited, and she with him. Meantime the unworthy parent is devising all kinds of subterfuges for sending her and getting out of it himself. A very intelligent German friend of mine, just home from America, maintains that the conscription will succeed in the North, and that the war will be indefinitely prolonged. I say "No," and that however mad and villainous the North is, the war will finish by reason of its not supplying soldiers. We shall see. The more they brag the more I don't believe in them.

Coming closer to home, I hope that Georgina is nearly completely well. She’s not having any pain or anxiety attacks now, and is much better in every way. Mary is neither married nor (as far as I know) planning to be. She, Katie, and a bunch of others have been playing croquet outside my window for the past four days, to a crazy and frustrating extent. My sailor-boy's ship, the Orlando, is fortunately in Chatham Dockyard—so he’s mostly at home while the shipwrights fix a leak in her. I’m reading in [203] London every Friday right now. Lots of excitement and enthusiasm. I assume Townshend has left Lausanne around this time. His house in the park is all sealed up, ready for him. The Prince and Princess of Wales are wisely getting out and about, and have as good a chance of popularity as any prince and princess ever did. The City ball in their honor is going to be a grand affair, and Mary is really excited that her father was invited, and she’ll be going with him. In the meantime, the unworthy parent is coming up with all sorts of excuses to send her while he bows out. A very smart German friend of mine, just back from America, insists that the conscription will work in the North, and that the war will go on indefinitely. I say “No,” and that no matter how crazy and villainous the North might be, the war will end because they lack soldiers. We’ll see. The more they show off, the less I believe in them.

*                   *                   *                   *                   *                   *
Mr. Percy Fitzgerald.


Gad's Hill Place, Saturday Night, July 4th, 1863.
Dear Mr. Fitzgerald,

I have been most heartily gratified by the perusal of your article on my dogs. It has given me an amount and a kind of pleasure very unusual, and for which I thank you earnestly. The owner of the renowned dog Cæsar understands me so sympathetically, that I trust with perfect confidence to his feeling what I really mean in these few words. You interest me very much by your kind promise, the redemption of which I hereby claim, to send me your life of Sterne when it comes out. If you should be in England before this, I should be delighted to see you here on the top of Falstaff's own Gad's Hill. It is a very pretty country,[204] not thirty miles from London; and if you could spare a day or two for its fine walks, I and my two latest dogs, a St. Bernard and a bloodhound, would be charmed with your company as one of ourselves.

I have been truly delighted by your article about my dogs. It has brought me an unusual level of joy, and I sincerely thank you for it. The owner of the famous dog Cæsar understands me so well that I trust he knows exactly what I mean with these few words. I'm very interested in your kind promise to send me your biography of Sterne when it's published, and I’d like to take you up on that. If you happen to be in England before then, I would be thrilled to see you here at the top of Falstaff's own Gad's Hill. It's a lovely area, [204] not far from London, and if you could spare a day or two to enjoy its beautiful walks, I and my two newest dogs, a St. Bernard and a bloodhound, would love your company as one of our own.

Believe me, very faithfully yours.


Friday, July 10th, 1863.[12]
Dear Ma'am,

I hope you will excuse this tardy reply to your letter. It is often impossible for me, by any means, to keep pace with my correspondents. I must take leave to say, that if there be any general feeling on the part of the intelligent Jewish people, that I have done them what you describe as "a great wrong," they are a far less sensible, a far less just, and a far less good-tempered people than I have always supposed them to be. Fagin, in "Oliver Twist," is a Jew, because it unfortunately was true of the time to which that story refers, that that class of criminal almost invariably was a Jew. But surely no sensible man or woman of your persuasion can fail to observe—firstly, that all the rest of the wicked dramatis personæ are Christians; and secondly, that he is called the "Jew," not because of his religion, but because of his race. If I were to write a story, in which I described a Frenchman or a Spaniard as "the Roman Catholic," I should do a very indecent and unjustifiable thing; but I make mention of Fagin as the Jew, because he is one of the Jewish people, and because it conveys that kind of idea of him which I should give my readers of a Chinaman, by calling him a Chinese.

I hope you'll forgive my late response to your letter. I often struggle to keep up with my correspondents. I have to say that if there's a general sentiment among the intelligent Jewish community that I've done what you call "a great wrong," then they are much less sensible, just, and good-natured than I have always thought. Fagin in "Oliver Twist" is a Jew because, unfortunately, during that time, that class of criminal was almost always a Jew. But surely, no sensible person of your background can miss—first, that all the other wicked characters are Christians; and second, that he is referred to as "the Jew," not because of his faith, but because of his ethnicity. If I were to write a story where I described a Frenchman or a Spaniard as "the Roman Catholic," I would be acting in a very inappropriate and unjust way; but I refer to Fagin as the Jew because he is one of the Jewish people, and because it conveys a kind of idea about him similar to what I would communicate to my readers by calling a Chinaman Chinese.

The enclosed is quite a nominal subscription towards the good object in which you are interested; but I hope it may serve to show you that I have no feeling towards the Jewish people but a friendly one. I always speak well of them, whether in public or in private, and bear my testimony (as I ought to do) to their perfect good faith in such transactions as I have ever had with them; and in my "Child's History of England," I have lost no opportunity of setting forth their cruel persecution in old times.

The enclosed is a small contribution towards the good cause you're passionate about; but I hope it shows that I only have friendly feelings towards the Jewish people. I always speak highly of them, both in public and in private, and I affirm (as I should) their complete honesty in all the interactions I've had with them. In my "Child's History of England," I’ve made sure to highlight their past cruel persecution whenever possible.

Dear Madam, faithfully yours.

In reply to this, the Jewish lady thanks him for his kind letter and its enclosure, still remonstrating and pointing out that though, as he observes, "all the other criminal characters were Christians, they are, at least, contrasted with characters of good Christians; this wretched Fagin stands alone as the Jew."

In response to this, the Jewish woman thanks him for his kind letter and the enclosed note, while still arguing that although, as he notes, "all the other criminals were Christians, they are at least contrasted with characters of good Christians; this miserable Fagin stands alone as the Jew."

The reply to this letter afterwards was the character of Riah, in "Our Mutual Friend," and some favourable sketches of Jewish character in the lower class, in some articles in "All the Year Round."

The response to this letter later became the character of Riah in "Our Mutual Friend," along with some positive depictions of Jewish characters in the lower class in a few articles in "All the Year Round."

Mr. Ouvry.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday Night, July 29th, 1863.
Dear Ouvry,

I have had some undefined idea that you were to let me know if you were coming to the archæologs at Rochester. (I myself am keeping out of their way, as having had enough of crowding and speech-making in London.) Will you tell me where you are, whether you are in this neighbourhood or out of it, whether you will come here on Saturday and stay till Monday or till Tuesday morning? If you will come, I know I can give you the heartiest welcome in Kent, and I think I can give you the best wine in this part[206] of it. Send me a word in reply. I will fetch you from anywhere, at any indicated time.

I had an impression that you were going to let me know if you were attending the archaeology event in Rochester. (I’m personally avoiding them since I’ve had my fill of crowds and speeches in London.) Can you tell me where you are, if you’re in the area or not, and if you’ll come here on Saturday and stay until Monday or Tuesday morning? If you come, I know I can give you the warmest welcome in Kent, and I think I can provide the best wine in this region[206]. Just send me a message back. I'll pick you up from wherever you are, at any time you specify.

We have very pretty places in the neighbourhood, and are not uncomfortable people (I believe) to stay with.

We have some really nice spots in the neighborhood, and I think we’re pretty pleasant people to hang out with.

Faithfully yours ever.
Mr. Charles Reade.


Office of "All the Year Round",
Wednesday, Sept. 30th, 1863.
My dear Reade,

I must write you one line to say how interested I am in your story, and to congratulate you upon its admirable art and its surprising grace and vigour.

I have to write you a quick note to say how much I appreciate your story, and to congratulate you on its amazing artistry and surprising elegance and energy.

And to hint my hope, at the same time, that you will be able to find leisure for a little dash for the Christmas number. It would be a really great and true pleasure to me if you could.

And I want to express my hope that you'll find some time to contribute a piece for the Christmas issue. It would genuinely make me very happy if you could.

Faithfully yours always.
Miss Hogarth.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday, Oct. 7th, 1863.
My beloved Georgy,

You will see by to-day's Times that it was an earthquake that shook me, and that my watch showed exactly the same time as the man's who writes from Blackheath so near us—twenty minutes past three.

You will see in today's Times that it was an earthquake that shook me, and that my watch showed exactly the same time as the man who writes from Blackheath so close to us—twenty minutes past three.

It is a great satisfaction to me to make it out so precisely; I wish you would enquire whether the servants felt it. I thought it was the voice of the cook that answered me, but that was nearly half an hour later. I am strongly inclined to think that there is a peculiar susceptibility in iron—at all events in our part of the country—to the shock, as though there were something magnetic in it. For, whereas[207] my long iron bedstead was so violently shaken, I certainly heard nothing rattle in the room.

It gives me great satisfaction to figure it out so exactly; I wish you would ask whether the servants noticed it. I thought it was the cook's voice that replied to me, but that was almost half an hour later. I really believe there’s a unique sensitivity in iron—at least in our area—to the shock, as if there’s something magnetic about it. While my long iron bed was shaken so hard, I definitely didn’t hear anything rattle in the room.

I will write about my return as soon as I get on with the still unbegun "Uncommercial."

I will write about my return as soon as I dive into the still unwritten "Uncommercial."

Ever affectionately.
Mr. W. H. Wills.


Gad's Hill, Sunday, Dec. 20th, 1863.
My dear Will,

I am clear that you took my cold. Why didn't you do the thing completely, and take it away from me? for it hangs by me still.

I know you caught my cold. Why didn't you just finish the job and take it away from me? It’s still sticking with me.

Will you tell Mrs. Linton that in looking over her admirable account (most admirable) of Mrs. Gordon's book, I have taken out the references to Lockhart, not because I in the least doubt their justice, but because I knew him and he liked me; and because one bright day in Rome, I walked about with him for some hours when he was dying fast, and all the old faults had faded out of him, and the now ghost of the handsome man I had first known when Scott's daughter was at the head of his house, had little more to do with this world than she in her grave, or Scott in his, or small Hugh Littlejohn in his. Lockhart had been anxious to see me all the previous day (when I was away on the Campagna), and as we walked about I knew very well that he knew very well why. He talked of getting better, but I never saw him again. This makes me stay Mrs. Linton's hand, gentle as it is.

Will you let Mrs. Linton know that after reading her wonderful review (really wonderful) of Mrs. Gordon's book, I've removed the mentions of Lockhart, not because I doubt their validity at all, but because I knew him and he liked me. One sunny day in Rome, I spent a few hours walking with him as he was gravely ill, and all his old flaws had faded away. The faint echo of the handsome man I first knew when Scott's daughter was managing his household had little more connection to this world than she in her grave, or Scott in his, or little Hugh Littlejohn. Lockhart had been eager to see me the day before (when I was away in the Campagna), and as we strolled, I was well aware that he knew exactly why. He spoke of getting better, but I never saw him again. This makes me hold Mrs. Linton's hand, gentle as it is.

Mrs. Lirriper is indeed a most brilliant old lady. God bless her.

Mrs. Lirriper is truly an amazing old lady. God bless her.

I am glad to hear of your being "haunted," and hope to increase your stock of such ghosts pretty liberally.

I’m glad to hear that you’re being “haunted,” and I hope to add a good number of those ghosts to your collection.

Ever faithfully.

1864.

NARRATIVE.

Charles Dickens was, as usual, at Gad's Hill, with a family and friendly party, at the opening of this year, and had been much shocked and distressed by the news of the sudden death of Mr. Thackeray, brought to him by friends arriving from London on the Christmas Eve of 1863, the day on which the sad event happened. He writes of it, in the first letter of the year, to Mr. Wilkie Collins, who was passing the winter in Italy. He tells him, also, of his having got well to work upon a new serial story, the first number of which ("Our Mutual Friend") was published on the 1st of May.

The year began very sadly for Charles Dickens. On the 7th of February (his own birthday) he received the mournful announcement of the death of his second son, Walter Landor (a lieutenant in the 42nd Royal Highlanders), who had died quite suddenly at Calcutta, on the last night of the year of 1863, at the age of twenty-three. His third son, Francis Jeffrey, had started for India at the end of January.

The year started off very sadly for Charles Dickens. On February 7th (his birthday), he received the heartbreaking news of the death of his second son, Walter Landor (a lieutenant in the 42nd Royal Highlanders), who had suddenly passed away in Calcutta on the last night of 1863 at the age of twenty-three. His third son, Francis Jeffrey, had left for India at the end of January.

His annual letter to M. de Cerjat contains an allusion to "another generation beginning to peep above the table"—the children of his son Charles, who had been married three years before, to Miss Bessie Evans.

His annual letter to M. de Cerjat includes a reference to "another generation starting to show up"—the kids of his son Charles, who had married Miss Bessie Evans three years earlier.

In the middle of February he removed to a house in London (57, Gloucester Place, Hyde Park), where he made a stay of the usual duration, up to the middle of June, all the time being hard at work upon "Our Mutual Friend" and "All the Year Round." Mr. Marcus Stone was the illustrator of the new monthly work, and we give a specimen of one of many letters which he wrote to him about his "subjects."

In the middle of February, he moved to a house in London (57, Gloucester Place, Hyde Park), where he stayed for the usual period, until mid-June, while working hard on "Our Mutual Friend" and "All the Year Round." Mr. Marcus Stone was the illustrator for the new monthly publication, and we’re including a sample of one of the many letters he wrote to him about his "subjects."

His old friend, Mr. Charles Knight, with whom for many years Charles Dickens had dined on his birthday, was staying, this spring, in the Isle of Wight. To him he writes of the death of Walter, and of another sad death which happened at this time, and which affected him almost as much. Clara,[209] the last surviving daughter of Mr. and Mrs. White, who had been happily married to Mr. Gordon, of Cluny, not more than two years, had just died at Bonchurch. Her father, as will be seen by the touching allusion to him in this letter, had died a short time after this daughter's marriage.

His old friend, Mr. Charles Knight, with whom Charles Dickens had celebrated his birthday for many years, was staying this spring on the Isle of Wight. He writes to him about the death of Walter and another sad loss that affected him nearly as much. Clara, [209] the last surviving daughter of Mr. and Mrs. White, who had been happily married to Mr. Gordon of Cluny for no more than two years, had just passed away in Bonchurch. Her father, as noted in the heartfelt reference in this letter, had died shortly after his daughter's wedding.

A letter to Mr. Edmund Ollier has reference to certain additions which Charles Dickens wished him to make to an article (by Mr. Ollier) on Working Men's Clubs, published in "All the Year Round."

A letter to Mr. Edmund Ollier refers to some additions that Charles Dickens wanted him to make to an article (by Mr. Ollier) about Working Men's Clubs, published in "All the Year Round."

We are glad to have one letter to the Lord Chief Baron, Sir Frederick Pollock, which shows the great friendship and regard Charles Dickens had for him, and his admiration of his qualities in his judicial capacity.

We are happy to have a letter to the Lord Chief Baron, Sir Frederick Pollock, which demonstrates the deep friendship and respect Charles Dickens had for him, as well as his admiration for his qualities as a judge.

We give a pleasant letter to Mrs. Storrar, for whom, and for her husband, Dr. Storrar, Charles Dickens had affectionate regard, because we are glad to have their names in our book. The letter speaks for itself and needs no explanation.

We’re including a nice letter to Mrs. Storrar, for whom, and for her husband, Dr. Storrar, Charles Dickens had a warm fondness, because we’re happy to have their names in our book. The letter speaks for itself and needs no further explanation.

The latter part of the year was uneventful. Hard at work, he passed the summer and autumn at Gad's Hill, taking holidays by receiving visitors at home (among them, this year, Sir J. Emerson Tennent, his wife and daughter, who were kindly urgent for his paying them a return visit in Ireland) and occasional "runs" into France. The last letters we give are his annual one to M. de Cerjat, and a graceful little New Year's note to his dear old friend "Barry Cornwall."

The later part of the year was pretty quiet. He worked hard and spent the summer and autumn at Gad's Hill, taking breaks by hosting visitors at home (including Sir J. Emerson Tennent, his wife, and daughter, who were sweetly insistent that he should visit them in Ireland) and making occasional trips to France. The last letters we have are his annual one to M. de Cerjat and a charming little New Year's note to his dear old friend "Barry Cornwall."

The Christmas number was "Mrs. Lirriper's Legacy," the first and last part written by himself, as in the case of the previous year's "Mrs. Lirriper."

The Christmas edition was "Mrs. Lirriper's Legacy," the first and last sections written by him, just like last year's "Mrs. Lirriper."

Mr. W. Wilkie Collins.


Gad's Hill, Monday, Jan. 24th, 1864.
EXTRACT.
Dear Wilkie,

I am horribly behindhand in answering your welcome letter; but I have been so busy, and have had the house so full for Christmas and the New Year, and have had[210] so much to see to in getting Frank out to India, that I have not been able to settle down to a regular long letter, which I mean this to be, but which it may not turn out to be, after all.

I’m really sorry for taking so long to reply to your lovely letter. I’ve been swamped with work, especially with having so many guests over for Christmas and New Year. Plus, I’ve had a lot on my plate getting Frank ready to go to India. I wanted to sit down and write a proper long letter, which is what I intended this to be, but it might not end up that way, after all.

First, I will answer your enquiries about the Christmas number and the new book. The Christmas number has been the greatest success of all; has shot ahead of last year; has sold about two hundred and twenty thousand; and has made the name of Mrs. Lirriper so swiftly and domestically famous as never was. I had a very strong belief in her when I wrote about her, finding that she made a great effect upon me; but she certainly has gone beyond my hopes. (Probably you know nothing about her? which is a very unpleasant consideration.) Of the new book, I have done the two first numbers, and am now beginning the third. It is a combination of drollery with romance which requires a great deal of pains and a perfect throwing away of points that might be amplified; but I hope it is very good. I confess, in short, that I think it is. Strange to say, I felt at first quite dazed in getting back to the large canvas and the big brushes; and even now, I have a sensation as of acting at the San Carlo after Tavistock House, which I could hardly have supposed would have come upon so old a stager.

First, I’ll address your questions about the Christmas issue and the new book. The Christmas issue has been a huge success; it has outperformed last year, selling about two hundred and twenty thousand copies, and has made Mrs. Lirriper’s name incredibly and quickly famous. I had a strong belief in her when I wrote about her, feeling that she had a significant impact on me; but she has certainly exceeded my expectations. (You probably don’t know anything about her? That’s a rather unpleasant thought.) Regarding the new book, I've completed the first two parts and am now starting the third. It combines humor with romance, which requires a lot of effort and the complete discarding of points that could be elaborated on; but I hope it is very good. I must admit, I think it is. Strangely, I felt quite disoriented at first getting back to the large canvas and the big brushes; and even now, I have a feeling like I’m performing at the San Carlo after being at Tavistock House, which I never expected to feel at this stage in my career.

You will have read about poor Thackeray's death—sudden, and yet not sudden, for he had long been alarmingly ill. At the solicitation of Mr. Smith and some of his friends, I have done what I would most gladly have excused myself from doing, if I felt I could—written a couple of pages about him in what was his own magazine.

You probably read about Thackeray's death—it was sudden, but not really, since he had been seriously ill for a while. At the request of Mr. Smith and some of his friends, I’ve done something I would have preferred to avoid, if I could—written a couple of pages about him in his own magazine.

Concerning the Italian experiment, De la Rue is more hopeful than you. He and his bank are closely leagued with the powers at Turin, and he has long been devoted to[211] Cavour; but he gave me the strongest assurances (with illustrations) of the fusion between place and place, and of the blending of small mutually antagonistic characters into one national character, progressing cheeringly and certainly. Of course there must be discouragements and discrepancies in the first struggles of a country previously so degraded and enslaved, and the time, as yet, has been very short.

Regarding the Italian experiment, De la Rue is more optimistic than you. He and his bank are closely aligned with the authorities in Turin, and he has long been committed to [211] Cavour; but he strongly assured me (with examples) of the merging of different regions and the blending of various opposing characters into a single national identity, moving forward positively and surely. Of course, there will be discouragements and differences in the initial struggles of a country that was once so degraded and oppressed, and the time has been very brief so far.

I should like to have a day with you at the Coliseum, and on the Appian Way, and among the tombs, and with the Orvieto. But Rome and I are wide asunder, physically as well as morally. I wonder whether the dramatic stable, where we saw the marionettes, still receives the Roman public? And Lord! when I think of you in that hotel, how I think of poor dear Egg in the long front drawing-room, giving on to the piazza, posting up that wonderful necromantic volume which we never shall see opened!

I would love to spend a day with you at the Coliseum, on the Appian Way, among the tombs, and enjoying Orvieto. But Rome and I feel worlds apart, both physically and morally. I wonder if the puppet theater where we watched the marionettes still entertains the Roman audience? And wow, when I think of you in that hotel, I remember poor dear Egg in the long front drawing room that overlooks the piazza, working on that amazing book about necromancy that we’ll never get to see opened!

Mr. Marcus Stone.


57, Gloucester Place, Hyde Park, Tuesday, Feb. 23rd, 1864.
My dear Marcus,

I think the design for the cover excellent, and do not doubt its coming out to perfection. The slight alteration I am going to suggest originates in a business consideration not to be overlooked.

I think the cover design is excellent, and I have no doubt it will turn out perfectly. The small change I’m going to suggest comes from a business perspective that shouldn’t be ignored.

The word "Our" in the title must be out in the open like "Mutual Friend," making the title three distinct large lines—"Our" as big as "Mutual Friend." This would give you too much design at the bottom. I would therefore take out the dustman, and put the Wegg and Boffin composition (which is capital) in its place. I don't want Mr. Inspector or the murder reward bill, because these points are sufficiently indicated in the river at the top. Therefore you can have an indication of the dustman in[212] Mr. Inspector's place. Note, that the dustman's face should be droll, and not horrible. Twemlow's elbow will still go out of the frame as it does now, and the same with Lizzie's skirts on the opposite side. With these changes, work away!

The word "Our" in the title needs to be displayed prominently, like "Mutual Friend," making the title three separate large lines—"Our" should be as big as "Mutual Friend." This would add too much design to the bottom. So, I would remove the dustman and replace it with the Wegg and Boffin illustration (which is significant). I don't want Mr. Inspector or the murder reward notice, as these details are already sufficiently represented in the header at the top. Therefore, you can suggest the dustman in[212] Mr. Inspector's position. Keep in mind that the dustman's face should be comical, not scary. Twemlow’s elbow will still extend out of the frame as it does now, and the same goes for Lizzie’s skirts on the other side. With these adjustments, go ahead and get to work!

Mrs. Boffin, as I judge of her from the sketch, "very good, indeed." I want Boffin's oddity, without being at all blinked, to be an oddity of a very honest kind, that people will like.

Mrs. Boffin, from what I can see in the sketch, is "very good, indeed." I want Boffin's quirkiness, without it being at all dulled, to be a very genuine kind of quirkiness that people will appreciate.

The doll's dressmaker is immensely better than she was. I think she should now come extremely well. A weird sharpness not without beauty is the thing I want.

The doll's dressmaker is way better than she used to be. I think she should now look really good. A strange sharpness that has its own beauty is what I'm after.

Affectionately always.
Mr. Charles Knight.


57, Gloucester Place, W., Tuesday, March 1st, 1864.
My dear Knight,

We knew of your being in the Isle of Wight, and had said that we should have this year to drink your health in your absence. Rely on my being always ready and happy to renew our old friendship in the flesh. In the spirit it needs no renewal, because it has no break.

We knew you were in the Isle of Wight, and we mentioned that this year we would have to toast to your health in your absence. You can count on me to always be ready and excited to reconnect in person. In spirit, there's no need for a renewal because it never wavers.

Ah, poor Mrs. White! A sad, sad story! It is better for poor White that that little churchyard by the sea received his ashes a while ago, than that he should have lived to this time.

Ah, poor Mrs. White! Such a sad story! It's better for poor White that the little churchyard by the sea received his ashes some time ago than for him to have lived to this day.

My poor boy was on his way home from an up-country station, on sick leave. He had been very ill, but was not so at the time. He was talking to some brother-officers in the Calcutta hospital about his preparations for home, when he suddenly became excited, had a rush of blood from the mouth, and was dead. His brother Frank would arrive out[213] at Calcutta, expecting to see him after six years, and he would have been dead a month.

My poor boy was heading home from a post in the countryside on sick leave. He had been very ill, but he wasn't at that moment. He was chatting with some fellow officers in the Calcutta hospital about his plans for going home when he suddenly got excited, had a rush of blood from his mouth, and died. His brother Frank was set to arrive in Calcutta, expecting to see him after six years, only to find out he had been dead for a month.

My "working life" is resolving itself at the present into another book, in twenty green leaves. You work like a Trojan at Ventnor, but you do that everywhere; and that's why you are so young.

My "working life" is currently shaping up into another book, in twenty green leaves. You work tirelessly at Ventnor, but you do that everywhere; and that's why you seem so young.

Mary and Georgina unite in kindest regard to you, and to Mrs. Knight, and to your daughters. So do I. And I am ever, my dear Knight,

Mary and Georgina send their warmest regards to you, Mrs. Knight, and your daughters. I do too. And I am always, my dear Knight,

Affectionately yours.

P.S.—Serene View! What a placid address!

P.S.—Serene View! What a peaceful place!

Mr. Edmund Ollier.


"All Year Round Office, March, 1864.
EXTRACT.

I want the article on "Working Men's Clubs" to refer back to "The Poor Man and his Beer" in No. 1, and to maintain the principle involved in that effort.

I want the article on "Working Men's Clubs" to refer back to "The Poor Man and his Beer" in No. 1 and to uphold the principle involved in that effort.

Also, emphatically, to show that trustfulness is at the bottom of all social institutions, and that to trust a man, as one of a body of men, is to place him under a wholesome restraint of social opinion, and is a very much better thing than to make a baby of him.

Also, it's important to emphasize that trust is the foundation of all social institutions, and to trust someone as part of a group is to place them under a positive influence of social opinion, which is a far better approach than treating them like a child.

Also, to point out that the rejection of beer in this club, tobacco in that club, dancing or what-not in another club, are instances that such clubs are founded on mere whims, and therefore cannot successfully address human nature in the general, and hope to last.

Also, the rejection of beer in this club, tobacco in that club, dancing or whatever in another club, shows that these clubs are based on random preferences, and therefore cannot effectively address human nature overall, nor expect to endure.

Also, again to urge that patronage is the curse and blight of all such endeavours, and to impress upon the working men that they must originate and manage for themselves. And to ask them the question, can they possibly show their detestation of drunkenness better, or better[214] strive to get rid of it from among them, than to make it a hopeless disqualification in all their clubs, and a reason for expulsion.

Also, I want to emphasize that relying on patronage is a curse and a hindrance to all these efforts, and to make it clear to working men that they need to start and manage things on their own. I ask them: can they demonstrate their dislike of drunkenness more effectively, or do more to eliminate it from their ranks, than to make it a reason for exclusion in all their clubs and a ground for expulsion?

Also, to encourage them to declare to themselves and their fellow working men that they want social rest and social recreation for themselves and their families; and that these clubs are intended for that laudable and necessary purpose, and do not need educational pretences or flourishes. Do not let them be afraid or ashamed of wanting to be amused and pleased.

Also, to motivate them to express to themselves and their fellow workers that they want social relaxation and leisure for themselves and their families; and that these clubs are meant for that admirable and essential purpose, and don't require any educational pretenses or embellishments. Don't let them feel afraid or ashamed of wanting to have fun and enjoy themselves.

The Lord Chief Baron.


57, Gloucester Place, Tuesday, March 15th, 1864.
My dear Chief Justice,

Many thanks for your kind letter, which I find on my return from a week's holiday.

Thank you so much for your thoughtful letter, which I found when I got back from a week-long vacation.

Your answer concerning poor Thackeray I will duly make known to the active spirit in that matter, Mr. Shirley Brooks.

Your response about poor Thackeray will be communicated to the person handling it, Mr. Shirley Brooks.

Your kind invitation to me to come and see you and yours, and hear the nightingales, I shall not fail to discuss with Forster, and with an eye to spring. I expect to see him presently; the rather as I found a note from him when I came back yesterday, describing himself somewhat gloomily as not having been well, and as feeling a little out of heart.

Your generous invitation for me to visit you and your family and listen to the nightingales is something I’ll definitely talk about with Forster, especially with spring in mind. I expect to see him soon, especially since I found a somewhat gloomy note from him when I returned yesterday, saying that he hasn’t been well and is feeling a bit down.

It is not out of order, I hope, to remark that you have been much in my thoughts and on my lips lately? For I really have not been able to repress my admiration of the vigorous dignity and sense and spirit, with which one of the best of judges set right one of the dullest of juries in a recent case.

It’s not inappropriate, I hope, to mention that you’ve been very much on my mind and in my conversations lately? Because I truly haven’t been able to hold back my admiration for the strong dignity, insight, and spirit with which one of the best judges corrected one of the most unengaging juries in a recent case.

Believe me ever, very faithfully yours.
Mr. John Forster.


57, Gloucester Place, Tuesday, March 29th, 1864.
Dear Forster,

I meant to write to you last night, but to enable Wills to get away I had to read a book of Fitzgerald's through before I went to bed.

I meant to write to you last night, but to let Wills leave, I had to finish reading a book by Fitzgerald before I went to bed.

Concerning Eliot, I sat down, as I told you, and read the book through with the strangest interest and the highest admiration. I believe it to be as honest, spirited, patient, reliable, and gallant a piece of biography as ever was written, the care and pains of it astonishing, the completeness of it masterly; and what I particularly feel about it is that the dignity of the man, and the dignity of the book that tells about the man, always go together, and fit each other. This same quality has always impressed me as the great leading speciality of the Goldsmith, and enjoins sympathy with the subject, knowledge of it, and pursuit of it in its own spirit; but I think it even more remarkable here. I declare that apart from the interest of having been so put into the time, and enabled to understand it, I personally feel quite as much the credit and honour done to literature by such a book. It quite clears out of the remembrance a thousand pitiful things, and sets one up in heart again. I am not surprised in the least by Bulwer's enthusiasm. I was as confident about the effect of the book when I closed the first volume, as I was when I closed the second with a full heart. No man less in earnest than Eliot himself could have done it, and I make bold to add that it never could have been done by a man who was so distinctly born to do the work as Eliot was to do his.

Regarding Eliot, I sat down, as I mentioned, and read the book from start to finish with the most unusual interest and deep admiration. I believe it is an incredibly honest, spirited, patient, reliable, and brave biography that has ever been written, with astonishing care and effort put into it, and its completeness is masterful. What stands out to me is that the dignity of the man and the dignity of the book telling his story always go together and complement each other. This same quality has always struck me as a hallmark of Goldsmith, which demands sympathy for the subject, an understanding of it, and an approach that respects its essence; but I find it even more remarkable in this case. I can honestly say that aside from the interest of being immersed in the time period and being able to comprehend it, I personally feel just as much credit and honor for literature as a whole because of this book. It completely erases a thousand pitiful memories and lifts one’s spirits again. I’m not at all surprised by Bulwer's enthusiasm. I felt just as confident about the impact of the book when I finished the first volume as I did when I closed the second with a full heart. No one less serious than Eliot himself could have accomplished this, and I dare say it couldn’t have been done by anyone more clearly destined to do the work than Eliot was.

Saturday at Hastings I must give up. I have wavered and considered, and considered and wavered, but if I take that sort of holiday, I must have a day to spare after it, and at this critical time I have not. If I were to lose a page[216] of the five numbers I have purposed to myself to be ready by the publication day, I should feel that I had fallen short. I have grown hard to satisfy, and write very slowly, and I have so much bad fiction, that will be thought of when I don't want to think of it, that I am forced to take more care than I ever took.

Saturday at Hastings, I have to give up. I've gone back and forth, thinking and rethinking, but if I take that kind of break, I need an extra day afterward, and right now, I don't have one. If I were to miss a page[216] of the five pieces I aimed to have ready by the publication day, I’d feel like I haven't met my goals. I’ve become harder to please, I write really slowly, and I have so much bad writing that pops into my mind when I’d rather not think about it, that I have to be more careful than I've ever been.

Ever affectionately.
Mrs. Storrar.


Gad's Hill Place, Higham near Rochester, Kent,
Sunday Morning, May 15th, 1864.
Dear Mrs. Storrar,

Our family dinner must come off at Gad's Hill, where I have improvements to exhibit, and where I shall be truly pleased to see you and the doctor again. I have deferred answering your note, while I have been scheming and scheming for a day between this time and our departure. But it is all in vain. My engagements have accumulated, and become such a whirl, that no day is left me. Nothing is left me but to get away. I look forward to my release from this dining life with an inexpressible longing after quiet and my own pursuits. What with public speechifying, private eating and drinking, and perpetual simmering in hot rooms, I have made London too hot to hold me and my work together. Mary and Georgina acknowledge the condition of imbecility to which we have become reduced in reference to your kind reminder. They say, when I stare at them in a forlorn way with your note in my hand: "What can you do!" To which I can only reply, implicating them: "See what you have brought me to!"

Our family dinner has to happen at Gad's Hill, where I'll be showing off some improvements, and I’ll be really happy to see you and the doctor again. I’ve delayed responding to your note because I’ve been trying to figure out a day between now and our departure. But it’s been pointless. My schedule has piled up and become such a mess that I have no open days left. All I can do now is escape. I’m looking forward to getting away from this dining life with an indescribable yearning for peace and my own projects. With all the public speaking, private eating and drinking, and constantly being in hot rooms, I’ve made London too overwhelming to handle along with my work. Mary and Georgina recognize the state of confusion we’ve fallen into regarding your kind reminder. They say, when I look at them hopelessly with your note in hand: "What can you do!" To which I can only respond, involving them: "Look at what you’ve brought me to!"

With our united kind regard to yourself and Dr. Storrar, I entreat your pity and compassion for an unfortunate wretch whom a too-confiding disposition has brought to this pass. If[217] I had not allowed my "cheeild" to pledge me to all manner of fellow-creatures, I and my digestion might have been in a state of honourable independence this day.

With our warm regards to you and Dr. Storrar, I ask for your understanding and compassion for an unfortunate person whose trusting nature has led to this situation. If[217] I hadn’t let my "child" commit me to all kinds of people, I and my stomach might have been in a much better position today.

Faithfully and penitently yours.
Mr. Percy Fitzgerald.


Office of "All the Year Round," etc. etc. etc.
Wednesday, July 27th, 1864.
Dear Mr. Fitzgerald,

First, let me assure you that it gave us all real pleasure to see your sister and you at Gad's Hill, and that we all hope you will both come and stay a day or two with us when you are next in England.

First, let me assure you that it genuinely made us all happy to see you and your sister at Gad's Hill, and we all hope you will both come and stay for a day or two with us the next time you are in England.

Next, let me convey to you the intelligence that I resolve to launch "Miss Manuel," fully confiding in your conviction of the power of the story. On all business points, Wills will communicate with you. I purpose beginning its publication in our first September number, therefore there is no time to be lost.

Next, let me share the news that I'm planning to launch "Miss Manuel," fully trusting in your belief in the power of the story. Wills will handle all business details with you. I intend to start its publication in our first September issue, so we can't waste any time.

The only suggestion I have to make as to the MS. in hand and type is, that Captain Fermor wants relief. It is a disagreeable character, as you mean it to be, and I should be afraid to do so much with him, if the case were mine, without taking the taste of him, here and there, out of the reader's mouth. It is remarkable that if you do not administer a disagreeable character carefully, the public have a decided tendency to think that the story is disagreeable, and not merely the fictitious person.

The only suggestion I have regarding the manuscript and its style is that Captain Fermor needs some relief. He’s an unpleasant character, as you intend him to be, and I would be cautious about working with him too much, if it were my project, without balancing some of his traits so the readers don’t get turned off. It’s interesting that if you don’t handle an unpleasant character carefully, readers tend to conclude that the story itself is unpleasant, not just the fictional character.

What do you think of the title,

What do you think of the title?

Never Forgotten?

It is a good one in itself, would express the eldest sister's pursuit, and glanced at now and then in the text, would hold the reader in suspense. I would propose to add the line,

It stands strong on its own, representing the oldest sister's journey, and when referenced occasionally in the text, it would keep the reader on edge. I suggest adding the line,

By the Author of Bella Donna.

Let me know your opinion as to the title. I need not assure you that the greatest care will be taken of you here, and that we shall make you as thoroughly well and widely known as we possibly can.

Let me know what you think about the title. I don't need to assure you that we will take great care of you here, and that we will do our best to make you as well-known and recognized as possible.

Very faithfully yours.
Sir James Emerson Tennent.


Gad's Hill Place, Higham near Rochester, Kent,
Friday, Aug. 26th, 1864.
Dear Tennent,

Believe me, I fully intended to come to you—did not doubt that I should come—and have greatly disappointed Mary and her aunt, as well as myself, by not coming. But I do not feel safe in going out for a visit. The mere knowledge that I had such a thing before me would put me out. It is not the length of time consumed, or the distance traversed, but it is the departure from a settled habit and a continuous sacrifice of pleasures that comes in question. This is an old story with me. I have never divided a book of my writing with anything else, but have always wrought at it to the exclusion of everything else; and it is now too late to change.

Believe me, I really meant to come see you—I had no doubt that I would—and I’ve let down Mary and her aunt, as well as myself, by not showing up. But I don’t feel comfortable going out for a visit. Just knowing that I have something like this ahead of me would throw me off. It’s not about how long it takes or how far I have to go; it’s about breaking a routine and giving up the pleasures I’ve gotten used to. This is an old story for me. I’ve never balanced my writing with anything else; I’ve always worked on it to the exclusion of everything else, and now it’s too late to change that.

After receiving your kind note I resolved to make another trial. But the hot weather and a few other drawbacks did not mend the matter, for I have dropped astern this month instead of going ahead. So I have seen Forster, and shown him my chains, and am reduced to taking exercise in them, like Baron Trenck.

After getting your thoughtful note, I decided to give it another try. But the hot weather and a few other issues didn't help at all, because I've ended up falling behind this month instead of moving forward. So I've met with Forster and showed him my chains, and now I'm stuck exercising in them, just like Baron Trenck.

I am heartily pleased that you set so much store by the dedication. You may be sure that it does not make me the less anxious to take pains, and to work out well what I have in my mind.

I’m really happy that you value the dedication so much. You can be sure it doesn’t make me any less eager to put in the effort and to carry out what I have in mind.

Mary and Georgina unite with me in kindest regards[219] to Lady Tennent and Miss Tennent, and wish me to report that while they are seriously disappointed, they still feel there is no help for it. I can testify that they had great pleasure in the anticipation of the visit, and that their faces were very long and blank indeed when I began to hint my doubts. They fought against them valiantly as long as there was a chance, but they see my difficulty as well as anyone not myself can.

Mary and Georgina send their warmest regards[219] to Lady Tennent and Miss Tennent, and they want me to let you know that while they're really disappointed, they understand there's nothing we can do about it. I can confirm that they were really looking forward to the visit, and their expressions were quite unhappy when I started to express my concerns. They tried hard to stay hopeful for as long as they could, but they recognize my struggles just as clearly as anyone else.

Believe me, my dear Tennent, ever faithfully yours.
Mr. Clarkson Stanfield, R.A.


The Athenæum, Wednesday, Sept. 21st, 1864.
My dear Stan,

I met George in the street a few days ago, and he gave me a wonderful account of the effect of your natural element upon you at Ramsgate. I expect you to come back looking about twenty-nine, and feeling about nineteen.

I ran into George on the street a few days ago, and he told me all about how your natural surroundings at Ramsgate have been affecting you. I expect you'll come back looking around twenty-nine and feeling about nineteen.

This morning I have looked in here to put down Fechter as a candidate, on the chance of the committee's electing him some day or other. He is a most devoted worshipper of yours, and would take it as a great honour if you would second him. Supposing you to have not the least objection (of course, if you should have any, I can in a moment provide a substitute), will you write your name in the candidates' book as his seconder when you are next in town and passing this way?

This morning, I stopped by to suggest putting Fechter forward as a candidate, just in case the committee decides to elect him someday. He's a huge admirer of yours and would consider it a great honor if you could support him. If you have no objections (and if you do, I can quickly find someone else), could you please write your name in the candidates' book as his supporter the next time you're in town and passing by here?

Lastly, if you should be in town on his opening night (a Saturday, and in all probability the 22nd of October), will you come and dine at the office and see his new piece? You have not yet "pronounced" in the matter of that new French stage of his, on which Calcott for the said new piece has built up all manner of villages, camps, Versailles gardens, etc. etc. etc. etc., with no wings, no flies, no looking off in[220] any direction. If you tell me that you are to be in town by that time, I will not fail to refresh your memory as to the precise day.

Lastly, if you happen to be in town on his opening night (a Saturday, probably October 22nd), will you come and have dinner at the office and check out his new piece? You haven't shared your thoughts on that new French stage of his, where Calcott has created all sorts of villages, camps, Versailles gardens, and so on, without any wings, no flies, and no view in[220] any direction. If you let me know you'll be in town by then, I’ll make sure to remind you about the exact day.

With kind regards to Mrs. Stanfield,
Trust me, my dear friend, always your caring
Dick.
M. de Cerjat.


Gad's Hill Place, Higham near Rochester,
Tuesday, Oct. 25th, 1864.
My dear Cerjat,

Here is a limping brute of a reply to your always-welcome Christmas letter! But, as usual, when I have done my day's work, I jump up from my desk and rush into air and exercise, and find letter-writing the most difficult thing in my daily life.

Here’s a rough reply to your always-appreciated Christmas letter! But, as usual, after I finish my work for the day, I get up from my desk and dive into the outdoors and exercise, and I find writing letters the hardest thing to do in my daily life.

I hope that your asthmatic tendencies may not be strong just now; but Townshend's account of the premature winter at Lausanne is not encouraging, and with us here in England all such disorders have been aggravated this autumn. However, a man of your dignity must have either asthma or gout, and I hope you have got the better of the two.

I hope your asthma isn't acting up right now; however, Townshend's description of the early winter in Lausanne isn't hopeful, and here in England, all these conditions have gotten worse this autumn. Still, a person of your stature *must* deal with either asthma or gout, and I hope you've managed to avoid one of them.

In London there is, as you see by the papers, extraordinarily little news. At present the apprehension (rather less than it was thought) of a commercial crisis, and the trial of Müller next Thursday, are the two chief sensations. I hope that gentleman will be hanged, and have hardly a doubt of it, though croakers contrariwise are not wanting. It is difficult to conceive any other line of defence than that the circumstances proved, taken separately, are slight. But a sound judge will immediately charge the jury that the strength of the circumstances lies in their being put together, and will thread them together on a fatal rope.[221]

In London, as you can see from the papers, there’s surprisingly little news. Right now, the main stories are the somewhat less than expected fear of a commercial crisis and Müller’s trial next Thursday. I really hope that guy gets hanged, and I’m pretty sure he will, even though there are some pessimists saying otherwise. It’s hard to imagine any other defense aside from pointing out that the individual circumstances are minimal. But a good judge will quickly tell the jury that the strength of the circumstances comes from how they connect, and will tie them together like a noose.[221]

As to the Church, my friend, I am sick of it. The spectacle presented by the indecent squabbles of priests of most denominations, and the exemplary unfairness and rancour with which they conduct their differences, utterly repel me. And the idea of the Protestant establishment, in the face of its own history, seeking to trample out discussion and private judgment, is an enormity so cool, that I wonder the Right Reverends, Very Reverends, and all other Reverends, who commit it, can look in one another's faces without laughing, as the old soothsayers did. Perhaps they can't and don't. How our sublime and so-different Christian religion is to be administered in the future I cannot pretend to say, but that the Church's hand is at its own throat I am fully convinced. Here, more Popery, there, more Methodism—as many forms of consignment to eternal damnation as there are articles, and all in one forever quarrelling body—the Master of the New Testament put out of sight, and the rage and fury almost always turning on the letter of obscure parts of the Old Testament, which itself has been the subject of accommodation, adaptation, varying interpretation without end—these things cannot last. The Church that is to have its part in the coming time must be a more Christian one, with less arbitrary pretensions and a stronger hold upon the mantle of our Saviour, as He walked and talked upon this earth.

As for the Church, my friend, I’m fed up with it. The ridiculous fights between priests from various denominations, and the blatant unfairness and bitterness with which they handle their disagreements, completely turn me off. The idea of the Protestant establishment, given its own history, trying to silence discussion and personal judgment is so absurd that I can’t believe the Right Reverends, Very Reverends, and all other Reverends involved can look each other in the eye without laughing, like the old soothsayers did. Maybe they can’t. I can’t claim to know how our unique and vastly different Christian faith will be managed in the future, but I’m certain that the Church is undermining itself. There’s more Catholicism over here, more Methodism over there—so many ways to condemn people to eternal damnation as there are articles, and all amidst one constantly quarreling group—the Master of the New Testament pushed aside, with the anger and fury often fixated on obscure parts of the Old Testament, which itself has always been subject to interpretation and change—this can’t go on. The Church that will have a role in the future must be more Christian, with fewer arbitrary claims and a stronger connection to the teachings of our Savior as He lived and walked among us.

Of family intelligence I have very little. Charles Collins continuing in a very poor way, and showing no signs of amendment. He and my daughter Katie went to Wiesbaden and thence to Nice, where they are now. I have strong apprehensions that he will never recover, and that she will be left a young widow. All the rest are as they were. Mary neither married nor going to be; Georgina holding them all together and perpetually corresponding[222] with the distant ones; occasional rallyings coming off here, in which another generation begins to peep above the table. I once used to think what a horrible thing it was to be a grandfather. Finding that the calamity falls upon me without my perceiving any other change in myself, I bear it like a man.

I don't have much family news. Charles Collins is still doing very poorly and showing no signs of improvement. He and my daughter Katie went to Wiesbaden and then to Nice, where they are currently. I have strong fears that he won't recover, leaving her a young widow. Everyone else is the same as before. Mary isn't married and doesn't seem to be planning to; Georgina is holding everyone together and constantly keeping in touch with those far away. We occasionally have family gatherings here, where another generation starts to emerge. I used to think it would be terrible to be a grandfather. Now that the situation is happening to me without any noticeable change in myself, I accept it like a man.

Mrs. Watson has bought a house in town, to which she repairs in the season, for the bringing out of her daughter. She is now at Rockingham. Her eldest son is said to be as good an eldest son as ever was, and to make her position there a perfectly independent and happy one. I have not seen him for some years; her I often see; but he ought to be a good fellow, and is very popular in his neighbourhood.

Mrs. Watson has purchased a house in town, where she goes every season to bring out her daughter. She is currently at Rockingham. Her eldest son is said to be as great an eldest son as anyone could ask for, making her position there completely independent and happy. I haven’t seen him in years; I see her frequently; but he should be a nice guy and is very well-liked in his community.

I have altered this place very much since you were here, and have made a pretty (I think an unusually pretty) drawing-room. I wish you would come back and see it. My being on the Dover line, and my being very fond of France, occasion me to cross the Channel perpetually. Whenever I feel that I have worked too much, or am on the eve of overdoing it, and want a change, away I go by the mail-train, and turn up in Paris or anywhere else that suits my humour, next morning. So I come back as fresh as a daisy, and preserve as ruddy a face as though I never leant over a sheet of paper. When I retire from a literary life I think of setting up as a Channel pilot.

I’ve transformed this place a lot since you were last here, and I’ve created a lovely (I think unusually lovely) living room. I really wish you’d come back and check it out. Since I’m on the Dover line and I really love France, I find myself crossing the Channel all the time. Whenever I feel like I’ve worked too hard or am about to push myself too far, I take off on the mail train and end up in Paris or wherever else fits my mood the next morning. This way, I come back feeling as fresh as a daisy and with a healthy glow like I’ve never spent a moment over a piece of paper. When I step away from writing, I’m thinking about becoming a Channel pilot.

Pray give my love to Mrs. Cerjat, and tell her that I should like to go up the Great St. Bernard again, and shall be glad to know if she is open to another ascent. Old days in Switzerland are ever fresh to me, and sometimes I walk with you again, after dark, outside the hotel at Martigny, while Lady Mary Taylour (wasn't it?) sang within very prettily. Lord, how the time goes! How many years ago!

Pray send my love to Mrs. Cerjat, and let her know that I’d love to go up the Great St. Bernard again, and I'd be happy to hear if she's interested in another climb. The old days in Switzerland always feel fresh to me, and sometimes I walk with you again, after dark, outside the hotel at Martigny, while Lady Mary Taylour (wasn’t it?) sang beautifully inside. Wow, how time flies! It feels like so many years ago!

Affectionately yours.


Wednesday, Nov. 16th, 1864.[13]
Dear Ma'am,

I have received your letter with great pleasure, and hope to be (as I have always been at heart) the best of friends with the Jewish people. The error you point out to me had occurred to me, as most errors do to most people, when it was too late to correct it. But it will do no harm. The peculiarities of dress and manner are fused together for the sake of picturesqueness.

I was really happy to get your letter, and I hope to stay the best of friends with the Jewish people, just as I’ve always felt in my heart. I noticed the mistake you mentioned, just like most people notice their mistakes when it's too late to fix them. But it won't cause any harm. The unique styles of dress and behavior are combined for the sake of being visually interesting.

Dear Madam, faithfully yours.
Mr. B. W. Procter.


Gad's Hill Place, Higham near Rochester, Kent,
Saturday, Dec. 31st, 1864.
Dear Procter,

I have reserved my acknowledgment of your delightful note (the youngest note I have had in all this year) until to-day, in order that I might send, most heartily and affectionately, all seasonable good wishes to you and to Mrs. Procter, and to those who are nearest and dearest to you. Take them from an old friend who loves you.

I’ve waited until today to acknowledge your lovely note (the most recent one I've received all year) so I could send my warmest and most heartfelt wishes to you, Mrs. Procter, and your loved ones. Accept them from an old friend who cares for you.

Mamie returns the tender compliments, and Georgina does what the Americans call "endorse them." Mrs. Lirriper is proud to be so remembered, and says over and over again "that it's worth twenty times the trouble she has taken with the narrative, since Barry Cornwall, Esquire, is pleased to like it."

Mamie returns the sweet compliments, and Georgina does what Americans call "endorsing them." Mrs. Lirriper is proud to be remembered this way and keeps saying over and over again "that it's worth twenty times the effort she put into the story, since Barry Cornwall, Esquire, likes it."

I got rid of a touch of neuralgia in France (as I always do there), but I found no old friends in my voyages of discovery on that side, such as I have left on this.

I got rid of a bit of neuralgia in France (like I always do there), but I didn’t find any old friends during my explorations there, unlike the ones I have left behind here.

My dear Procter, ever your affectionate.

1865.

NARRATIVE.

For this spring a furnished house in Somer's Place, Hyde Park, had been taken, which Charles Dickens occupied, with his sister-in-law and daughter, from the beginning of March until June.

During the year he paid two short visits to France.

During the year, he made two brief trips to France.

He was still at work upon "Our Mutual Friend," two numbers of which had been issued in January and February, when the first volume was published, with dedication to Sir James Emerson Tennent. The remaining numbers were issued between March and November, when the complete work was published in two volumes.

He was still working on "Our Mutual Friend," two installments of which had been released in January and February, when the first volume was published, dedicated to Sir James Emerson Tennent. The rest of the installments were published between March and November, and the complete work came out in two volumes.

The Christmas number, to which Charles Dickens contributed three stories, was called "Doctor Marigold's Prescriptions."

The Christmas edition, which Charles Dickens contributed three stories to, was titled "Doctor Marigold's Prescriptions."

Being out of health, and much overworked, Charles Dickens, at the end of May, took his first short holiday trip into France. And on his way home, and on a day afterwards so fatal to him, the 9th of June, he was in that most terrible railway accident at Staplehurst. Many of our letters for this year have reference to this awful experience—an experience from the effects of which his nerves never wholly recovered. His letters to Mr. Thomas Mitton and to Mrs. Hulkes (an esteemed friend and neighbour) are graphic descriptions of this disaster. But they do not tell of the wonderful presence of mind and energy shown by Charles Dickens when most of the terrified passengers were incapable of thought or action, or of his gentleness and goodness to the dead and dying. The Mr. Dickenson[14] mentioned in the letter to Mrs. Hulkes soon recovered. He always considers that he owes his life to Charles Dickens, the latter having discovered and extricated him from beneath a carriage before it was too late.

Being unwell and under a lot of stress, Charles Dickens took his first short holiday trip to France at the end of May. On his way home, on a day that would turn out to be tragic for him, June 9th, he was involved in a terrible train accident at Staplehurst. Many of our letters from this year refer to this horrifying experience—one that left his nerves never fully restored. His letters to Mr. Thomas Mitton and Mrs. Hulkes (a valued friend and neighbor) vividly describe this disaster. But they do not mention the incredible presence of mind and energy Charles Dickens displayed while most of the terrified passengers were paralyzed with fear, nor do they speak of his kindness and compassion for the dead and dying. The Mr. Dickenson[14] referenced in the letter to Mrs. Hulkes recovered quickly. He always feels that he owes his life to Charles Dickens, who found and pulled him from beneath a carriage just in time.

Our first letter to Mr. Kent is one of congratulation upon his having become the proprietor of The Sun newspaper.

Our first letter to Mr. Kent is one of congratulations on his becoming the owner of The Sun newspaper.

Professor Owen has been so kind as to give us some notes, which we publish for the sake of his great name. Charles Dickens had not much correspondence with Professor Owen, but there was a firm friendship and great mutual admiration between them.

Professor Owen has been really kind to share some notes with us, which we’re publishing out of respect for his esteemed reputation. Charles Dickens didn’t exchange many letters with Professor Owen, but they shared a strong friendship and deep mutual admiration.

The letter to Mrs. Procter is in answer to one from her, asking Charles Dickens to write a memoir of her daughter Adelaide, as a preface to a collected edition of her poems.

The letter to Mrs. Procter is in response to one from her, asking Charles Dickens to write a memoir of her daughter Adelaide, as an introduction to a collected edition of her poems.

Mr. William Charles Kent.


Gad's Hill Place, Higham near Rochester, Kent,
Tuesday, Jan. 17th, 1865.
Dear Kent,

I meant to have written instantly on the appearance of your paper in its beautiful freshness, to congratulate you on its handsome appearance, and to send you my heartiest good wishes for its thriving and prosperous career. Through a mistake of the postman's, that remarkable letter has been tesselated into the Infernal Pavement instead of being delivered in the Strand.

I meant to write right away when I saw your paper looking so fresh and beautiful, to congratulate you on how great it looks, and to send you my best wishes for its success and prosperity. Due to a mistake by the postman, that amazing letter ended up lost instead of being delivered in the Strand.

We have been looking and waiting for your being well enough to propose yourself for a mouthful of fresh air. Are you well enough to come on Sunday? We shall be coming down from Charing Cross on Sunday morning, and I shall be going up again at nine on Monday morning.

We’ve been watching and waiting for you to be well enough to suggest getting some fresh air. Are you feeling good enough to come on Sunday? We’ll be coming down from Charing Cross on Sunday morning, and I’ll be heading back up at nine on Monday morning.

It amuses me to find that you don't see your way with a certain "Mutual Friend" of ours. I have a horrible suspicion that you may begin to be fearfully knowing at somewhere about No. 12 or 13. But you shan't if I can help it.

It amuses me to see that you can’t figure out a certain "Mutual Friend" of ours. I have a bad feeling that you might start to catch on around No. 12 or 13. But I’ll make sure that doesn’t happen if I can help it.

Your note delighted me because it dwelt upon the places in the number that I dwell on. Not that that is anything new in your case, but it is always new to me in the pleasure I derive from it, which is truly inexpressible.

Your note made me really happy because it talked about the things I think about. It’s not surprising for you to say that, but it always feels fresh to me because of the joy it brings, which is honestly hard to put into words.

Ever cordially yours.
Mrs. Procter.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday, Feb. 15th, 1865.
Dear Mrs. Procter,

Of course I will do it, and of course I will do it for the love of you and Procter. You can give me my brief, and we can speak about its details. Once again, of course I will do it, and with all my heart.

Of course I'll do it, and of course I'll do it for the love of you and Procter. You can give me my brief, and we can discuss the details. Once again, of course I'll do it, and I'll do it with all my heart.

I have registered a vow (in which there is not the least merit, for I couldn't help it) that when I am, as I am now, very hard at work upon a book, I never will dine out more than one day in a week. Why didn't you ask me for the Wednesday, before I stood engaged to Lady Molesworth for the Tuesday?

I’ve made a promise (which isn’t really impressive since I had no choice) that when I'm deep into writing a book, I won’t go out to dinner more than once a week. Why didn’t you ask me for Wednesday before I committed to Lady Molesworth for Tuesday?

It is so delightful to me to sit by your side anywhere and be brightened up, that I lay a handsome sacrifice upon the altar of "Our Mutual Friend" in writing this note, very much against my will. But for as many years as can be made consistent with my present juvenility, I always have given my work the first place in my life, and what can I do now at 35!—or at least at the two figures, never mind their order.

It brings me so much joy to sit next to you anywhere and feel uplifted that I'm making a significant sacrifice to "Our Mutual Friend" by writing this note, even though I wouldn’t normally do this. For as long as I can remember, I’ve always prioritized my work in my life, and what can I do now at 35?—or at least in my thirties, regardless of the specific number.

I send my love to Procter, hoping you may appropriate a little of it by the way.

I send my love to Procter, hoping you can take some of it along the way.

Affectionately yours.
Mr. W. C. Macready.


Office of "All the Year Round",
Wednesday, March 1st, 1865.
My dear Macready,

I have been laid up here with a frost-bitten foot (from hard walking in the snow), or you would have heard from me sooner.

I’ve been stuck here with a frostbitten foot (from trudging through the snow), or you would have heard from me sooner.

My reply to Professor Agassiz is short, but conclusive. Daily seeing improper uses made of confidential letters in[227] the addressing of them to a public audience that have no business with them, I made not long ago a great fire in my field at Gad's Hill, and burnt every letter I possessed. And now I always destroy every letter I receive not on absolute business, and my mind is so far at ease. Poor dear Felton's letters went up into the air with the rest, or his highly distinguished representative should have had them most willingly.

My response to Professor Agassiz is brief but clear. After frequently seeing private letters misused by being sent to a public audience that shouldn’t be involved, I recently set a big fire in my field at Gad's Hill and burned every letter I had. Now, I always destroy any letter I receive that isn’t strictly business-related, and I feel much more at ease. Poor dear Felton's letters were incinerated along with the others, or his very esteemed representative would have gladly received them.

We never fail to drink old P.'s health on his birthday, or to make him the subject of a thousand loving remembrances. With best love to Mrs. Macready and Katie,

We always make sure to toast to old P.'s health on his birthday and to send him a thousand loving thoughts. Sending lots of love to Mrs. Macready and Katie,

Always, my dearest Macready,
Your most affectionate Friend.
Mr. W. C. Macready.


16, Somer's Place, Hyde Park
Saturday Night, April 22nd, 1865.
My dear Macready,

A thousand thanks for your kind letter, most heartily welcome.

A thousand thanks for your thoughtful letter, which I truly appreciate.

My frost-bitten foot, after causing me great inconvenience and much pain, has begun to conduct itself amiably. I can now again walk my ten miles in the morning without inconvenience, but am absurdly obliged to sit shoeless all the evening—a very slight penalty, as I detest going out to dinner (which killed the original old Parr by-the-bye).

My frostbitten foot, after giving me a lot of trouble and pain, has started to behave nicely. I can now walk my ten miles in the morning again without any issues, but I'm ridiculously required to sit without shoes all evening—a minor price to pay since I really dislike going out to dinner (which, by the way, is what killed the original old Parr).

I am working like a dragon at my book, and am a terror to the household, likewise to all the organs and brass bands in this quarter. Gad's Hill is being gorgeously painted, and we are here until the 1st of June. I wish I might hope you would be there any time this summer; I really have made the place comfortable and pretty by this time.

I’m working really hard on my book, and I’m a nightmare for everyone in the house, not to mention all the musicians around here. Gad's Hill is getting a stunning makeover, and we’ll be here until June 1st. I really wish you could come by this summer; I’ve made the place cozy and nice by now.

It is delightful to us to hear such good news of Butty.[228] She made so deep an impression on Fechter that he always asks me what Ceylon has done for her, and always beams when I tell him how thoroughly well it has made her. As to you, you are the youngest man (worth mentioning as a thorough man) that I know. Oh, let me be as young when I am as——did you think I was going to write "old?" No, sir—withdrawn from the wear and tear of busy life is my expression.

It’s great to hear such good news about Butty.[228] She made such a strong impression on Fechter that he always asks me what Ceylon has done for her, and he always lights up when I tell him how well it has suited her. As for you, you’re the youngest person (worth mentioning as a true gentleman) that I know. Oh, let me be as youthful when I’m——did you think I was going to say "old?" No, sir—withdrawn from the grind of everyday life is what I mean.

Poole still holds out at Kentish Town, and says he is dying of solitude. His memory is astoundingly good. I see him about once in two or three months, and in the meantime he makes notes of questions to ask me when I come. Having fallen in arrear of the time, these generally refer to unknown words he has encountered in the newspapers. His three last (he always reads them with tremendous difficulty through an enormous magnifying-glass) were as follows:

Poole is still holding on at Kentish Town, and he says he’s dying of loneliness. His memory is incredible. I see him about once every two or three months, and in the meantime, he makes notes of questions to ask me when I visit. Since he’s fallen behind the times, these usually relate to unfamiliar words he’s come across in the newspapers. His last three (he always reads them with a lot of difficulty through a huge magnifying glass) were as follows:

1. What's croquet?
2. What's an Albert chain?
3. Let me know the state of mind of the Queen.

When I had delivered a neat exposition on these heads, he turned back to his memoranda, and came to something that the utmost power of the enormous magnifying-glass couldn't render legible. After a quarter of an hour or so, he said: "O yes, I know." And then rose and clasped his hands above his head, and said: "Thank God, I am not a dram-drinker."

When I finished giving a clear explanation on these topics, he went back to his notes and found something that even the strongest magnifying glass couldn't make clear. After about fifteen minutes, he said, "Oh yes, I remember." Then he stood up, clasped his hands above his head, and said, "Thank God, I'm not an alcoholic."

Do think of coming to Gad's in the summer; and do give my love to Mrs. Macready, and tell her I know she can make you come if she will. Mary and Georgy send best and dearest loves to her, to you, and to Katie, and to baby.[229] Johnny we suppose to be climbing the tree of knowledge elsewhere.

Do plan on visiting Gad's this summer; and please send my love to Mrs. Macready, and let her know I believe she can convince you to come if she wants. Mary and Georgy send their warmest love to her, to you, to Katie, and to the baby.[229] We assume Johnny is off learning elsewhere.

My dearest Macready, ever yours most affectionately.
Mr. W. C. Macready.


Gad's Hill, Monday, June 12th, 1865.
My dearest Macready,
[So far in his own writing.]

Many thanks for your kind words of remembrance.[15] This is not all in my own hand, because I am too much shaken to write many notes. Not by the beating and dragging of the carriage in which I was—it did not go over, but was caught on the turn, among the ruins of the bridge—but by the work afterwards to get out the dying and dead, which was terrible.

Many thanks for your thoughtful words of remembrance.[15] I didn’t write all of this myself because I’m too shaken to write many notes. It wasn’t because of the bumps and jolts in the carriage I was in—it didn't tip over, but got stuck on the turn among the wreckage of the bridge—but rather because of the awful work afterward to recover the dying and dead.

[The rest in his own writing.]
Ever your affectionate Friend.

P.S.—My love to Mrs. Macready.

P.S.—Sending love to Mrs. Macready.

Mr. Thomas Mitton.


Gad's Hill Place, Higham near Rochester, Kent,
Tuesday, June 13th, 1865.
Dear Mitton,

I should have written to you yesterday or the day before, if I had been quite up to writing.

I should have messaged you yesterday or the day before, if I had been feeling up to it.

I was in the only carriage that did not go over into the stream. It was caught upon the turn by some of the ruin of the bridge, and hung suspended and balanced in an apparently impossible manner. Two ladies were my fellow-passengers, an old one and a young one. This is exactly what passed. You may judge from it the precise length of the suspense: Suddenly we were off the rail, and beating[230] the ground as the car of a half-emptied balloon might. The old lady cried out, "My God!" and the young one screamed. I caught hold of them both (the old lady sat opposite and the young one on my left), and said: "We can't help ourselves, but we can be quiet and composed. Pray don't cry out." The old lady immediately answered: "Thank you. Rely upon me. Upon my soul I will be quiet." We were then all tilted down together in a corner of the carriage, and stopped. I said to them thereupon: "You may be sure nothing worse can happen. Our danger must be over. Will you remain here without stirring, while I get out of the window?" They both answered quite collectedly, "Yes," and I got out without the least notion what had happened. Fortunately I got out with great caution and stood upon the step. Looking down I saw the bridge gone, and nothing below me but the line of rail. Some people in the two other compartments were madly trying to plunge out at window, and had no idea that there was an open swampy field fifteen feet down below them, and nothing else! The two guards (one with his face cut) were running up and down on the down side of the bridge (which was not torn up) quite wildly. I called out to them: "Look at me. Do stop an instant and look at me, and tell me whether you don't know me." One of them answered: "We know you very well, Mr. Dickens." "Then," I said, "my good fellow, for God's sake give me your key, and send one of those labourers here, and I'll empty this carriage." We did it quite safely, by means of a plank or two, and when it was done I saw all the rest of the train, except the two baggage vans, down in the stream. I got into the carriage again for my brandy flask, took off my travelling hat for a basin, climbed down the brickwork, and filled my hat with water.[231]

I was in the only carriage that didn’t fall into the stream. It got caught on the turn by some wreckage from the bridge and hung there in a way that seemed impossible. I had two fellow passengers: an older woman and a younger woman. Here’s what happened. You can gauge the length of our suspense from this: suddenly, we were off the rails, dropping to the ground like a half-deflated balloon. The old lady shouted, “Oh my God!” and the young one screamed. I grabbed both of them (the older lady was sitting across from me and the younger one was on my left) and said, “We can’t do anything about this, but let’s stay calm. Please don’t scream.” The old lady quickly replied, “Thank you. Count on me. I promise I’ll be quiet.” We then all tilted together into a corner of the carriage, and came to a stop. I told them, “You can be sure nothing worse can happen. Our danger must be over. Can you both stay put while I climb out of the window?” They both calmly replied, “Yes,” and I climbed out without knowing what had happened. Thankfully, I was careful as I stood on the step. Looking down, I saw the bridge was gone, and below me was just the rail line. Some people in the other two compartments were desperately trying to jump out the window, completely unaware that there was a muddy field fifteen feet below them, and nothing else! The two guards (one of them had a cut on his face) were running around wildly on the part of the bridge that was still intact. I called out to them, “Look at me. Stop for a moment and look at me, and tell me if you recognize me.” One of them replied, “We know you very well, Mr. Dickens.” “Then,” I said, “please, for God’s sake, give me your key, and send one of those workers here; I’ll clear out this carriage.” We did it safely using a couple of planks, and when it was done, I saw most of the rest of the train, except for the two baggage cars, in the stream. I went back into the carriage to grab my brandy flask, used my traveling hat as a basin, climbed down the brickwork, and filled my hat with water.[231]

Suddenly I came upon a staggering man covered with blood (I think he must have been flung clean out of his carriage), with such a frightful cut across the skull that I couldn't bear to look at him. I poured some water over his face and gave him some to drink, then gave him some brandy, and laid him down on the grass, and he said, "I am gone," and died afterwards. Then I stumbled over a lady lying on her back against a little pollard-tree, with the blood streaming over her face (which was lead colour) in a number of distinct little streams from the head. I asked her if she could swallow a little brandy and she just nodded, and I gave her some and left her for somebody else. The next time I passed her she was dead. Then a man, examined at the inquest yesterday (who evidently had not the least remembrance of what really passed), came running up to me and implored me to help him find his wife, who was afterwards found dead. No imagination can conceive the ruin of the carriages, or the extraordinary weights under which the people were lying, or the complications into which they were twisted up among iron and wood, and mud and water.

Suddenly, I came across a staggering man covered in blood (I guess he must have been thrown right out of his carriage), with such a terrible cut across his forehead that I could barely look at him. I splashed some water on his face and gave him a drink, then offered him some brandy and laid him down on the grass. He said, "I'm done for," and later died. Then I tripped over a woman lying on her back against a small tree, with blood streaming down her face (which was a grayish color) in several distinct trickles from her head. I asked if she could drink a little brandy, and she just nodded, so I gave her some and moved on to find someone else. The next time I passed her, she was dead. Then a man, who was questioned at the inquest yesterday (and clearly had no memory of what actually happened), came running up to me, begging me to help him find his wife, who was later found dead. No one can imagine the wreckage of the carriages, or the incredible weights that people were trapped under, or the tangle they were in among the metal, wood, mud, and water.

I don't want to be examined at the inquest, and I don't want to write about it. I could do no good either way, and I could only seem to speak about myself, which, of course, I would rather not do. I am keeping very quiet here. I have a—I don't know what to call it—constitutional (I suppose) presence of mind, and was not in the least fluttered at the time. I instantly remembered that I had the MS. of a number with me, and clambered back into the carriage for it. But in writing these scanty words of recollection I feel the shake and am obliged to stop.

I don't want to be questioned at the inquest, and I don't want to write about it. I can't help in either situation, and I would just end up talking about myself, which I'd rather avoid. I'm staying very quiet here. I have a—I don't know what to call it—kind of steady mindset, I guess, and wasn't at all flustered at the time. I immediately remembered that I had the manuscript of an issue with me, so I climbed back into the carriage to get it. But as I write these few words of memory, I feel the tremor and have to pause.

Ever faithfully.
Mr. Walter Jones.


Gad's Hill Place, Higham near Rochester, Kent,
Saturday, June 17th, 1865.[16]
Dude,

I beg you to assure the Committee of the Newsvendors' Benevolent and Provident Institution, that I have been deeply affected by their special remembrance of me in my late escape from death or mutilation, and that I thank them with my whole heart.

I kindly ask you to let the Committee of the Newsvendors' Benevolent and Provident Institution know that I have been truly touched by their thoughtful acknowledgment of my recent close call with death or serious injury, and I thank them wholeheartedly.

Faithfully yours and theirs.
Mrs. Hulkes.


Gad's Hill, Sunday, June 18th, 1865.
Dear Mrs. Hulkes,

I return the Examiner with many thanks. The account is true, except that I had brandy. By an extraordinary chance I had a bottle and a half with me. I slung the half-bottle round my neck, and carried my hat full of water in my hands. But I can understand the describer (whoever he is) making the mistake in perfect good faith, and supposing that I called for brandy, when I really called to the others who were helping: "I have brandy here." The Mr. Dickenson mentioned had changed places with a Frenchman, who did not like the window down, a few minutes before the accident. The Frenchman was killed, and a labourer and I got Mr. Dickenson out of a most extraordinary heap of dark ruins, in which he was jammed upside down. He was bleeding at the eyes, ears, nose, and mouth; but he didn't seem to know that afterwards, and of course I didn't tell him. In the moment of going over the viaduct the whole of his pockets were shaken empty! He had no watch, no chain, no money, no pocket-book,[233] no handkerchief, when we got him out. He had been choking a quarter of an hour when I heard him groaning. If I had not had the brandy to give him at the moment, I think he would have been done for. As it was, I brought him up to London in the carriage with me, and couldn't make him believe he was hurt. He was the first person whom the brandy saved. As I ran back to the carriage for the whole full bottle, I saw the first two people I had helped lying dead. A bit of shade from the hot sun, into which we got the unhurt ladies, soon had as many dead in it as living.

I’m returning the Examiner with many thanks. The account is true, except that I had brandy. By an extraordinary chance, I had a bottle and a half with me. I slung the half-bottle around my neck and carried my hat full of water in my hands. But I can understand the person describing the event (whoever they are) making an honest mistake and thinking that I called for brandy when I really shouted to the others who were helping: "I have brandy here." The Mr. Dickenson mentioned had switched places with a Frenchman who didn’t like the window down just a few minutes before the accident. The Frenchman was killed, and a laborer and I managed to get Mr. Dickenson out of a truly bizarre pile of dark ruins where he was stuck upside down. He was bleeding from his eyes, ears, nose, and mouth, but he didn't seem to realize it afterward, and of course, I didn’t tell him. At the moment of going over the viaduct, all of his pockets were emptied! He had no watch, no chain, no money, no wallet,[233] and no handkerchief when we got him out. He had been choking for a quarter of an hour when I heard him groaning. If I hadn’t had the brandy to give him at that moment, I think he would have been finished. As it was, I took him up to London in the carriage with me and couldn’t convince him he was hurt. He was the first person the brandy saved. As I ran back to the carriage for the full bottle, I saw the first two people I had helped lying dead. A bit of shade from the hot sun, where we got the unhurt ladies, soon had as many dead in it as living.

Faithfully yours always.
Mr. Arthur Ryland.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday, June 21st, 1865.
Dear Mr. Ryland,

I need not assure you that I regard the unanimous desire of the Town Council Committee as a great honour, and that I feel the strongest interest in the occasion, and the strongest wish to associate myself with it.

I don’t need to assure you that I see the unanimous desire of the Town Council Committee as a great honor, and that I feel a deep interest in the occasion, as well as a strong wish to be part of it.

But, after careful consideration, I most unwillingly come to the conclusion that I must decline. At the time in question I shall, please God, either have just finished, or be just finishing, my present book. Country rest and reflection will then be invaluable to me, before casting about for Christmas. I am a little shaken in my nervous system by the terrible and affecting incidents of the late railway accident, from which I bodily escaped. I am withdrawing myself from engagements of all kinds, in order that I may pursue my story with the comfortable sense of being perfectly free while it is a-doing, and when it is done. The consciousness of having made this engagement would, if I[234] were to make it, render such sense incomplete, and so open the way to others. This is the real state of the case, and the whole reason for my declining.

But, after careful thought, I reluctantly have to say that I must decline. By that time, please God, I will either have just finished or be about to finish my current book. Some time to rest and reflect in the countryside will be invaluable to me before I start thinking about Christmas. I'm feeling a bit shaken due to the terrible and emotional events of the recent train accident, from which I physically escaped. I'm stepping back from all commitments so I can focus on my story with the comfort of knowing I'm completely free while working on it and once it’s done. The awareness of having made this commitment would, if I were to make it, make that sense incomplete and risk opening the door to other obligations. This is the true situation and the entire reason for my refusal.

Faithfully yours always.
Mrs. Lehmann.


Gad's Hill Place, Higham near Rochester, Kent,
Tuesday, June 29th, 1865.
Dear Mrs. Lehmann,

Come (with self and partner) on either of the days you name, and you will be heartily welcomed by the humble youth who now addresses you, and will then cast himself at your feet.

Come (with yourself and your partner) on either of the days you choose, and you will be warmly welcomed by the humble young man speaking to you, who will then throw himself at your feet.

I am quite right again, I thank God, and have even got my voice back; I most unaccountably brought somebody else's out of that terrible scene. The directors have sent me a Resolution of Thanks for assistance to the unhappy passengers.

I’m feeling much better now, thank God, and I’ve even gotten my voice back; surprisingly, I helped someone else escape from that terrible situation. The directors have sent me a letter of thanks for my help to the unfortunate passengers.

With kind regards to Lehmann, ever yours.
Mr. Percy Fitzgerald.


Office of "All the Year Round",
Friday, July 7th, 1865.
My dear Fitz,

I shall be delighted to see you at Gad's Hill on Sunday, and I hope you will bring a bag with you and will not think of returning to London at night.

I would be thrilled to see you at Gad's Hill on Sunday, and I hope you can bring a bag with you and won't consider going back to London at night.

We are a small party just now, for my daughter Mary has been decoyed to Andover for the election week, in the Conservative interest; think of my feelings as a Radical parent! The wrong-headed member and his wife are the friends with whom she hunts, and she helps to receive (and deceive) the voters, which is very awful!

We’re a small group right now because my daughter Mary has been lured to Andover for election week to support the Conservatives; just imagine how I feel as a Radical parent! The misguided politician and his wife are friends with whom she goes hunting, and she helps to host (and deceive) the voters, which is really terrible!

But in the week after next we shall be in great croquet[235] force. I shall hope to persuade you to come back to us then for a few days, and we will try to make you some amends for a dull Sunday. Turn it over in your mind and try to manage it.

But in the week after next, we’ll be hosting an exciting croquet event[235]. I hope to convince you to come back and spend a few days with us, and we’ll work on making up for that boring Sunday. Think it over and see if you can make it happen.

Sincerely yours ever.
Professor Owen, F.R.S.


Gad's Hill, Wednesday, July 12th, 1865.
Dear Owen,

Studying the gorilla last night for the twentieth time, it suddenly came into my head that I had never thanked you for that admirable treatise. This is to bear witness to my blushes and repentance. If you knew how much interest it has awakened in me, and how often it has set me a-thinking, you would consider me a more thankless beast than any gorilla that ever lived. But happily you do not know, and I am not going to tell you.

Studying the gorilla last night for the twentieth time, it suddenly hit me that I had never thanked you for that amazing paper. This is to acknowledge my embarrassment and regret. If you knew how much interest it has sparked in me, and how often it has made me think, you would consider me a more ungrateful creature than any gorilla that ever existed. But luckily, you don’t know, and I’m not going to tell you.

Believe me, ever faithfully yours.
The Earl Russell.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday, Aug. 16th, 1865.
My dear Lord Russell,

Mr. Dallas, who is a candidate for the Scotch professional chair left vacant by Aytoun's death, has asked me if I would object to introduce to you the first volume of a book he has in the press with my publishers, on "The Gay Science of Art and Criticism." I have replied I would not object, as I have read as many of the sheets as I could get, with extreme pleasure, and as I know you will find it a very winning and brilliant piece of writing. Therefore he will send the proofs of the volume to you as soon as he can get them from the printer (at about the end of this week I take it), and if you read them you will not be hard upon me for bearing the responsibility of his doing so, I feel assured.[236]

Mr. Dallas, who is a candidate for the Scottish professional chair that became available after Aytoun's death, has asked if I would mind introducing you to the first volume of a book he has in the press with my publishers, titled "The Gay Science of Art and Criticism." I responded that I would not mind, as I have read as many of the sheets as I could get my hands on with great enjoyment, and I know you will find it a very engaging and brilliant piece of writing. Therefore, he will send you the proofs of the volume as soon as he can get them from the printer (likely by the end of this week, I think), and if you read them, I am confident you won't be too hard on me for taking responsibility for his doing so.[236]

I suppose Mr. Dallas to have some impression that his pleasing you with his book might advance his Scottish suit. But all I know is, that he is a gentleman of great attainments and erudition, much distinguished as the writer of the best critical literary pieces in The Times, and thoroughly versed in the subjects which Professor Aytoun represented officially.

I think Mr. Dallas probably believes that impressing you with his book might help his chances in Scotland. But all I know is that he is a highly educated gentleman with significant accomplishments, well-known for writing some of the best literary critiques in The Times, and he is completely knowledgeable in the topics that Professor Aytoun officially covered.

I beg to send my regard to Lady Russell and all the house, and am ever, my dear Lord Russell,

I want to send my best wishes to Lady Russell and everyone at the house, and I remain, my dear Lord Russell,

Your faithful and obliged.

P.S.—I am happy to report that my sailor-boy's captain, relinquishing his ship on sick leave, departs from the mere form of certificate given to all the rest, and adds that his obedience to orders is remarkable, and that he is a highly intelligent and promising young officer.

P.S.—I'm happy to share that my sailor-boy's captain, taking sick leave from his ship, goes beyond the usual certificate given to everyone else. He mentions that my boy's obedience to orders is exceptional, and that he's a very intelligent and promising young officer.

Mr. Marcus Stone.


Hôtel du Helder, Paris, Wednesday, Sept. 13th, 1865.
Dear Marcus,

I leave here to-morrow, and propose going to the office by tidal train next Saturday evening. Through the whole of next week, on and off, I shall be at the office; when not there, at Gad's; but much oftener at the office. The sooner I can know about the subjects you take for illustration the better, as I can then fill the list of illustrations to the second volume for the printer, and enable him to make up his last sheet. Necessarily that list is now left blank, as I cannot give him the titles of the subjects, not knowing them myself.

I’m leaving tomorrow and plan to take the tidal train to the office next Saturday evening. I’ll be in and out of the office all week; when I’m not there, I’ll be at Gad’s, but I’ll be at the office much more often. The sooner I know about the subjects you want to illustrate, the better, since I can then complete the list of illustrations for the second volume for the printer and help him finalize his last sheet. Right now, that list is blank because I can’t provide him with the titles of the subjects since I don’t know them myself.

It has been fearfully hot on this side, but is something cooler.

It has been really hot over here, but it's cooler now.

Ever affectionately yours.

P.S.—On glancing over this note, I find it very like the[237] king's love-letter in "Ruy Blas." "Madam, there is a high wind. I have shot six wolves."

P.S.—Looking over this note, it reminds me a lot of the[237] king's love letter in "Ruy Blas." "Madam, it's really windy. I've hunted six wolves."

I think the frontispiece to the second volume should be the dustyard with the three mounds, and Mr. Boffin digging up the Dutch bottle, and Venus restraining Wegg's ardour to get at him. Or Mr. Boffin might be coming down with the bottle, and Venus might be dragging Wegg out of the way as described.

I think the front page of the second volume should show the junkyard with the three mounds, Mr. Boffin digging up the Dutch bottle, and Venus holding back Wegg's excitement to get to him. Or Mr. Boffin could be coming down with the bottle, while Venus is pulling Wegg out of the way as described.

Mr. Percy Fitzgerald.


Office of "All the Year Round",
Saturday, Sept. 23rd, 1865.
Dear Fitzgerald,

I cannot thank you too much for Sultan. He is a noble fellow, has fallen into the ways of the family with a grace and dignity that denote the gentleman, and came down to the railway a day or two since to welcome me home (it was our first meeting), with a profound absence of interest in my individual opinion of him which captivated me completely. I am going home to-day to take him about the country, and improve his acquaintance. You will find a perfect understanding between us, I hope, when you next come to Gad's Hill. (He has only swallowed Bouncer once, and temporarily.)

I can't thank you enough for Sultan. He's a great guy, fitting in with the family in a way that shows he’s a true gentleman. A day or two ago, he came to the train station to welcome me home (it was our first meeting), and I was totally charmed by his complete lack of concern about what I thought of him. I'm heading home today to show him around the countryside and get to know him better. I hope you'll see that we have a great connection when you next visit Gad's Hill. (He has only swallowed Bouncer once, and that was just for a moment.)

Your hint that you were getting on with your story and liked it was more than golden intelligence to me in foreign parts. The intensity of the heat, both in Paris and the provinces, was such that I found nothing else so refreshing in the course of my rambles.

Your hint that you were making progress on your story and enjoyed it was more than just valuable information to me while I was abroad. The heat, both in Paris and the countryside, was so intense that I found nothing else as refreshing during my walks.

With many more thanks for the dog than my sheet of paper would hold,

With a lot more thanks for the dog than my piece of paper could hold,

Believe me, ever very faithfully yours.
Mrs. Procter.


Gad's Hill Place, Higham near Rochester, Kent,
Sept. 26th, 1865.
Dear Mrs. Procter,

I have written the little introduction, and have sent it to my printer, in order that you may read it without trouble. But if you would like to keep the few pages of MS., of course they are yours.

I’ve written a short introduction and sent it to my printer so you can read it easily. But if you’d like to keep the few pages of the manuscript, they’re yours, of course.

It is brief, and I have aimed at perfect simplicity, and an avoidance of all that your beloved Adelaide would have wished avoided. Do not expect too much from it. If there should be anything wrong in fact, or anything that you would like changed for any reason, of course you will tell me so, and of course you will not deem it possible that you can trouble me by making any such request most freely.

It’s short, and I’ve tried to keep it really simple, avoiding anything that your dear Adelaide would have preferred to skip. Don’t expect too much from it. If there's anything inaccurate or anything you'd like adjusted for any reason, please let me know, and of course, don’t think it’s a bother to make such a request freely.

You will probably receive the proof either on Friday or Saturday. Don't write to me until you have read it. In the meantime I send you back the two books, with the two letters in the bound one.

You’ll likely get the proof either on Friday or Saturday. Don’t message me until you’ve read it. In the meantime, I’m sending you back the two books, along with the two letters in the bound one.

With love to Procter,
Ever your affectionate Friend.
Mr. Edmund Yates.


Hôtel du Helder, Paris, Wednesday, Sept. 30th, 1865.
Dear Edmund,

I leave here to-morrow and purpose being at the office on Saturday night; all next week I shall be there, off and on—"off" meaning Gad's Hill; the office will be my last address. The heat has been excessive on this side of the Channel, and I got a slight sunstroke last Thursday, and was obliged to be doctored and put to bed for a day; but, thank God, I am all right again. The man who sells the tisane on the Boulevards can't keep the flies out of his glasses, and as he wears them on his red velvet bands, the flies work themselves into the ends of the tumblers, trying[239] to get through and tickle the man. If fly life were long enough, I think they would at last. Three paving blouses came to work at the corner of this street last Monday, pulled up a bit of road, sat down to look at it, and fell asleep. On Tuesday one of the blouses spat on his hands and seemed to be going to begin, but didn't. The other two have shown no sign of life whatever. This morning the industrious one ate a loaf. You may rely upon this as the latest news from the French capital.

I’m leaving here tomorrow and plan to be at the office on Saturday night; I’ll be there on and off all next week—“off” meaning Gad’s Hill; the office will be my last address. The heat has been intense on this side of the Channel, and I got a minor sunstroke last Thursday, which forced me to see a doctor and stay in bed for a day; but, thank God, I’m all better now. The guy selling the tisane on the Boulevards can’t keep the flies out of his glasses, and since he wears them on his red velvet bands, the flies end up working their way into the glasses, trying to get through and annoy him. If fly life were long enough, I think they would eventually succeed. Three construction workers showed up at the corner of this street last Monday, dug up a piece of road, sat down to look at it, and then fell asleep. On Tuesday, one of the workers wiped his hands and looked like he was about to start working, but didn’t. The other two haven’t shown any signs of life at all. This morning, the hardworking one ate a loaf of bread. You can count on this as the latest news from the French capital.

Faithfully ever.
Mr. William Charles Kent.


26, Wellington St., Monday, Nov. 6th, 1865.
Dear Kent,

No, I won't write in this book, because I have sent another to the binder's for you.

No, I won't write in this book, because I've sent another to the binder's for you.

I have been unwell with a relaxed throat, or I should have written to you sooner to thank you for your dedication, to assure you that it heartily, most heartily, gratifies me, as the sincere tribute of a true and generous heart, and to tell you that I have been charmed with your book itself. I am proud of having given a name to anything so picturesque, so sympathetic and spirited.

I haven't been feeling well with a sore throat, or I would have written to you earlier to thank you for your commitment. It truly, genuinely, makes me really happy, as a heartfelt acknowledgment from someone with a sincere and generous nature. I also want to say that I have really enjoyed your book. I'm proud to have contributed a name to something so beautiful, so relatable, and so lively.

I hope and believe the "Doctor" is nothing but a good 'un. He has perfectly astonished Forster, who writes: "Neither good, gooder, nor goodest, but super-excellent; all through there is such a relish of you at your best, as I could not have believed in, after a long story."

I hope and believe the "Doctor" is nothing but a good person. He has completely surprised Forster, who writes: "Neither good, better, nor best, but super-excellent; throughout, there is such an enjoyment of you at your best, that I couldn't have believed it after such a long story."

I shall be charmed to see you to-night.

I would love to see you tonight.

Ever affectionately.
M. de Cerjat.


Gad's Hill Place, Higham near Rochester, Kent,
November 13th, 1865.
EXTRACT.
My dear Cerjat,

Having achieved my book and my Christmas number, and having shaken myself after two years' work, I send you my annual greeting. How are you? Asthmatic, I know you will reply; but as my poor father (who was asthmatic, too, and the jolliest of men) used philosophically to say, "one must have something wrong, I suppose, and I like to know what it is."

Having finished my book and my Christmas issue, and after shaking off two years of hard work, I'm sending you my annual greeting. How are you? I know you'll respond with "asthmatic"; but as my poor dad (who was also asthmatic and the happiest person I knew) used to say, "I guess everyone has something wrong, and I like to know what it is."

In England we are groaning under the brigandage of the butcher, which is being carried to that height that I think I foresee resistance on the part of the middle-class, and some combination in perspective for abolishing the middleman, whensoever he turns up (which is everywhere) between producer and consumer. The cattle plague is the butcher's stalking-horse, and it is unquestionably worse than it was; but seeing that the great majority of creatures lost or destroyed have been cows, and likewise that the rise in butchers' meat bears no reasonable proportion to the market prices of the beasts, one comes to the conclusion that the public is done. The commission has ended very weakly and ineffectually, as such things in England rather frequently do; and everybody writes to The Times, and nobody does anything else.

In England, we are suffering under the exploitation of the butchers, which has reached a point where I can foresee resistance from the middle class and some kind of movement to eliminate the middleman whenever he appears (which is everywhere) between the producer and the consumer. The cattle disease is just a pretext for the butcher, and it’s definitely worse than before; however, considering that the vast majority of lost or destroyed animals have been cows, and also that the price increase in butchered meat has no reasonable relation to market prices of the animals, it leads to the conclusion that the public has had enough. The commission wrapped up very weakly and ineffectively, as such things often do in England; everyone writes to The Times, and nobody takes any real action.

If the Americans don't embroil us in a war before long it will not be their fault. What with their swagger and bombast, what with their claims for indemnification, what with Ireland and Fenianism, and what with Canada, I have strong apprehensions. With a settled animosity towards the French usurper, I believe him to have always been sound in his desire to divide the States against themselves,[241] and that we were unsound and wrong in "letting I dare not wait upon I would." The Jamaica insurrection is another hopeful piece of business. That platform-sympathy with the black—or the native, or the devil—afar off, and that platform indifference to our own countrymen at enormous odds in the midst of bloodshed and savagery, makes me stark wild. Only the other day, here was a meeting of jawbones of asses at Manchester, to censure the Jamaica Governor for his manner of putting down the insurrection! So we are badgered about New Zealanders and Hottentots, as if they were identical with men in clean shirts at Camberwell, and were to be bound by pen and ink accordingly. So Exeter Hall holds us in mortal submission to missionaries, who (Livingstone always excepted) are perfect nuisances, and leave every place worse than they found it.

If the Americans don’t drag us into a war soon, it won’t be their fault. With their arrogance and grandstanding, their demands for compensation, the situation in Ireland and Fenianism, and the issues with Canada, I have a lot of worries. With a long-standing hostility toward the French usurper, I think he has always wanted to create division within the States. We were foolish and mistaken for "letting I dare not wait upon I would." The Jamaica uprising is another troubling development. This sympathy for the oppressed—whether they are black, native, or otherwise—while ignoring our own countrymen struggling amidst violence and chaos drives me insane. Just the other day, there was a meeting of foolish people in Manchester to criticize the Jamaica Governor for how he handled the insurrection! We’re constantly lectured about New Zealanders and Hottentots, as if they were the same as people in clean shirts from Camberwell, and should be treated the same way. Exeter Hall keeps us under the control of missionaries, who (with Livingstone as the only exception) are complete nuisances and leave every place worse off than they found it.

Of all the many evidences that are visible of our being ill-governed, no one is so remarkable to me as our ignorance of what is going on under our Government. What will future generations think of that enormous Indian Mutiny being ripened without suspicion, until whole regiments arose and killed their officers? A week ago, red tape, half-bouncing and half pooh-poohing what it bounced at, would have scouted the idea of a Dublin jail not being able to hold a political prisoner. But for the blacks in Jamaica being over-impatient and before their time, the whites might have been exterminated, without a previous hint or suspicion that there was anything amiss. Laissez aller, and Britons never, never, never!——

Of all the many signs that show we are poorly governed, nothing stands out to me more than our ignorance of what’s happening under our government. What will future generations think about that huge Indian Mutiny brewing without anyone noticing, until entire regiments rose up and killed their officers? Just a week ago, bureaucracy, half dismissing and half disregarding what it dismissed, would have rejected the idea that a Dublin jail could be unable to hold a political prisoner. But if the black population in Jamaica hadn't been so impatient and acted too soon, the white population could have been wiped out without any prior warning or suspicion that something was wrong. Laissez aller, and Britons never, never, never!——

Meantime, if your honour were in London, you would see a great embankment rising high and dry out of the Thames on the Middlesex shore, from Westminster Bridge to Blackfriars. A really fine work, and really getting on. Moreover, a great system of drainage. Another really fine[242] work, and likewise really getting on. Lastly, a muddle of railways in all directions possible and impossible, with no general public scheme, no general public supervision, enormous waste of money, no fixable responsibility, no accountability but under Lord Campbell's Act. I think of that accident in which I was preserved. Before the most furious and notable train in the four-and-twenty hours, the head of a gang of workmen takes up the rails. That train changes its time every day as the tide changes, and that head workman is not provided by the railway company with any clock or watch! Lord Shaftesbury wrote to me to ask me what I thought of an obligation on railway companies to put strong walls to all bridges and viaducts. I told him, of course, that the force of such a shock would carry away anything that any company could set up, and I added: "Ask the minister what he thinks about the votes of the railway interest in the House of Commons, and about his being afraid to lay a finger on it with an eye to his majority."

In the meantime, if you were in London, you would see a large embankment rising high and dry out of the Thames on the Middlesex side, from Westminster Bridge to Blackfriars. It's a really impressive project, and it’s making great progress. Additionally, there’s a major drainage system being developed. Another impressive project, and it’s also moving ahead. Finally, there’s a chaotic mess of railways running in every direction imaginable, with no comprehensive public plan, no overall public oversight, a huge waste of money, no clear accountability, and only limited responsibility under Lord Campbell's Act. I think back to the accident where I was saved. Right in front of the fastest and most notable train of the day, the foreman of a crew removes the tracks. That train changes its schedule every day just like the tides, and the foreman isn’t even given a clock or watch by the railway company! Lord Shaftesbury wrote to ask me what I thought about requiring railway companies to build strong walls for all bridges and viaducts. I told him that the impact from such a collision would easily destroy anything a company could construct, and I added: "Ask the minister what he thinks about the influence of the railway industry in the House of Commons and his fear of addressing it given his majority."

I seem to be grumbling, but I am in the best of humours. All goes well with me and mine, thank God.

I might sound like I'm complaining, but I'm actually in a great mood. Everything is going well with me and my family, thank God.

Last night my gardener came upon a man in the garden and fired. The man returned the compliment by kicking him in the groin and causing him great pain. I set off, with a great mastiff-bloodhound I have, in pursuit. Couldn't find the evil-doer, but had the greatest difficulty in preventing the dog from tearing two policemen down. They were coming towards us with professional mystery, and he was in the air on his way to the throat of an eminently respectable constable when I caught him.

Last night, my gardener encountered a man in the garden and shot at him. The man responded by kicking him in the groin, causing him a lot of pain. I took off with my big mastiff-bloodhound in pursuit. I couldn’t find the troublemaker, but I had a really hard time stopping the dog from attacking two policemen. They were approaching us with an air of importance, and the dog was just about to leap at the throat of a very respectable constable when I grabbed him.

My daughter Mary and her aunt Georgina send kindest regard and remembrance. Katey and her husband are going to try London this winter, but I rather doubt (for they are both delicate) their being able to weather it out.[243] It has been blowing here tremendously for a fortnight, but to-day is like a spring day, and plenty of roses are growing over the labourers' cottages. The Great Eastern lies at her moorings beyond the window where I write these words; looks very dull and unpromising. A dark column of smoke from Chatham Dockyard, where the iron shipbuilding is in progress, has a greater significance in it, I fancy.

My daughter Mary and her aunt Georgina send their warmest regards and memories. Katey and her husband are planning to try London this winter, but I’m quite skeptical (since they are both fragile) about their ability to endure it. [243] It's been very windy here for the past two weeks, but today feels like a spring day, and lots of roses are blooming over the workers' cottages. The Great Eastern is docked beyond the window where I’m writing this; it looks very dull and uninviting. A dark column of smoke from Chatham Dockyard, where they’re building iron ships, seems to carry more significance, I think.

Miss Dickens.


Gad's Hill Place, Higham near Rochester, Kent,
Tuesday, Nov. 14th, 1865.
My beloved Mamie,

As you want to know my views of the Sphinx, here they are. But I have only seen it once; and it is so extraordinarily well done, that it ought to be observed closely several times.

As you want to know what I think about the Sphinx, here are my thoughts. However, I've only seen it once, and it's so incredibly well crafted that it should be looked at closely several times.

Anyone who attentively notices the flower trick will see that the two little high tables hung with drapery cover each a trap. Each of those tables, during that trick, hides a confederate, who changes the paper cone twice. When the cone has been changed as often as is required, the trap is closed and the table can be moved.

Anyone who closely observes the flower trick will notice that the two small tables draped with fabric each conceal a trap. Each of those tables, during the trick, hides a collaborator who switches the paper cone twice. When the cone has been changed as many times as needed, the trap is closed, and the table can be moved.

When the curtain is removed for the performance of the Sphinx trick, there is a covered, that is, draped table on the stage, which is never seen before or afterwards. In front of the middle of it, and between it and the audience, stands one of those little draped tables covering a trap; this is a third trap in the centre of the stage. The box for the head is then upon it, and the conjuror takes it off and shows it. The man whose head is afterwards shown in that box is, I conceive, in the table; that is to say, is lying on his chest in the thickness of the table, in an extremely constrained attitude. To get him into the table, and to enable him to use[244] the trap in the table through which his head comes into the box, the two hands of a confederate are necessary. That confederate comes up a trap, and stands in the space afforded by the interval below the stage and the height of the little draped table! his back is towards the audience. The moment he has assisted the hidden man sufficiently, he closes the trap, and the conjuror then immediately removes the little draped table, and also the drapery of the larger table; when he places the box on the last-named table with the slide on for the head to come into it, he stands with his back to the audience and his face to the box, and masks the box considerably to facilitate the insertion of the head. As soon as he knows the head to be in its place, he undraws the slide. When the verses have been spoken and the trick is done, he loses no time in replacing the slide. The curtain is then immediately dropped, because the man cannot otherwise be got out of the table, and has no doubt had quite enough of it. With kindest regards to all at Penton,

When the curtain opens for the Sphinx trick, there's a covered table on the stage that hasn't been seen before or will be seen again. In front of the center of it, between the table and the audience, is a small draped table hiding a trapdoor; this is a third trap in the center of the stage. The box for the head is placed on it, and the magician removes it to show what's inside. The man whose head is later revealed in that box is, I believe, inside the table—lying on his chest within the thickness of the table in a very cramped position. To get him into the table and allow him to use the trapdoor through which his head appears in the box, two hands from an accomplice are needed. That accomplice comes up through a trapdoor and stands in the space between the floor of the stage and the height of the little draped table, facing away from the audience. As soon as he has helped the hidden man enough, he closes the trapdoor. The magician then quickly removes the little draped table and the covering from the larger table. When he puts the box on the larger table with the slide on for the head to enter, he turns his back to the audience, facing the box to block its view and make it easier to insert the head. Once he’s sure the head is in place, he pulls the slide back. After the verses are recited and the trick is complete, he quickly replaces the slide. The curtain is then immediately dropped because the man can't be gotten out of the table any other way and has likely had more than enough of it. Best wishes to everyone at Penton,

Ever your most affectionate.

1866.

NARRATIVE.

The furnished house hired by Charles Dickens in the spring of this year was in Southwick Place, Hyde Park.

Having entered into negotiations with the Messrs. Chappell for a series of readings to be given in London, in the English provinces, in Scotland and Ireland, Charles Dickens had no leisure for more than his usual editorial work for "All the Year Round." He contributed four parts to the Christmas number, which was entitled, "Mugby Junction."[245]

Having started talks with the Chappell brothers for a series of readings in London, the English provinces, Scotland, and Ireland, Charles Dickens had no time for anything beyond his regular editorial duties for "All the Year Round." He contributed four sections to the Christmas issue, which was called, "Mugby Junction."[245]

For the future all his English readings were given in connection with the Messrs. Chappell, and never in all his career had he more satisfactory or more pleasant business relations than those connected with these gentlemen. Moreover, out of this connection sprang a sincere friendship on both sides.

For the future, all his English readings were done with the Chappell brothers, and he had never experienced more satisfying or enjoyable business relationships than those with these men. Additionally, this connection led to a genuine friendship on both sides.

Mr. Dolby is so constantly mentioned in future letters, that they themselves will tell of the cordial companionship which existed between Charles Dickens and this able and most obliging "manager."

Mr. Dolby is mentioned so often in upcoming letters that they will reveal the friendly relationship that existed between Charles Dickens and this capable and very helpful "manager."

The letter to "Lily" was in answer to a child's letter from Miss Lily Benzon, inviting him to a birthday party.

The letter to "Lily" was in response to a child's letter from Miss Lily Benzon, inviting him to a birthday party.

The play alluded to in the letter to M. Fechter was called "A Long Strike," and was performed at the Lyceum Theatre.

The play mentioned in the letter to M. Fechter was called "A Long Strike," and it was staged at the Lyceum Theatre.

The "Sultan" mentioned in the letter to Mr. Fitzgerald was a noble Irish bloodhound, presented by this gentleman to Charles Dickens. The story of the dog's death is told in a letter to M. de Cerjat, which we give in the following year.

The "Sultan" referred to in the letter to Mr. Fitzgerald was a noble Irish bloodhound, gifted to Charles Dickens by this gentleman. The story of the dog's death is shared in a letter to M. de Cerjat, which we will provide next year.

Miss Mary Boyle.


Office of "All the Year Round",
Saturday, Jan. 6th, 1866.
My dear Mary,

Feeling pretty certain that I shall never answer your letter unless I answer it at once (I got it this morning), here goes!

Feeling pretty sure that I’ll never reply to your letter unless I do it right away (I got it this morning), here goes!

I did not dramatise "The Master of Ravenswood," though I did a good deal towards and about the piece, having an earnest desire to put Scott, for once, upon the stage in his own gallant manner. It is an enormous success, and increases in attraction nightly. I have never seen the people in all parts of the house so leaning forward, in lines sloping towards the stage, earnestly and intently attractive, as while the story gradually unfolds itself. But the[246] astonishing circumstance of all is, that Miss Leclercq (never thought of for Lucy till all other Lucies had failed) is marvellously good, highly pathetic, and almost unrecognisable in person! What note it touches in her, always dumb until now, I do not pretend to say, but there is no one on the stage who could play the contract scene better, or more simply and naturally, and I find it impossible to see it without crying! Almost everyone plays well, the whole is exceedingly picturesque, and there is scarcely a movement throughout, or a look, that is not indicated by Scott. So you get a life romance with beautiful illustrations, and I do not expect ever again to see a book take up its bed and walk in like manner.

I didn't dramatize "The Master of Ravenswood," but I contributed quite a bit to the production, really wanting to showcase Scott in his own heroic style for once. It's an enormous success and grows more captivating every night. I've never seen an audience so engaged, leaning forward in their seats, eager and focused, as the story gradually unfolds. The [246] most surprising thing is that Miss Leclercq, who wasn’t even considered for Lucy until all the other actresses were unavailable, is incredibly good, deeply moving, and almost unrecognizable! I can't say what unique note she hits, something that’s been silent until now, but no one on stage could perform the contract scene better or more naturally, and I find it impossible to watch it without tearing up! Almost everyone acts well, the entire production is very picturesque, and there’s hardly a movement or expression that isn’t drawn from Scott's work. So you end up with a living romance with beautiful illustrations, and I don’t expect to see a book come alive like this ever again.

I am charmed to learn that you have had a freeze out of my ghost story. It rather did give me a shiver up the back in the writing. "Dr. Marigold" has just now accomplished his two hundred thousand. My only other news about myself is that I am doubtful whether to read or not in London this season. If I decide to do it at all, I shall probably do it on a large scale.

I’m delighted to hear that you’ve enjoyed my ghost story. It really gave me a chill while I was writing it. "Dr. Marigold" has just hit two hundred thousand. The only other thing to share about myself is that I’m not sure whether I’ll read in London this season. If I decide to go for it, I’ll probably make it a big event.

Many happy years to you, my dear Mary. So prays

Many happy years to you, my dear Mary. So prays

Your always loving
Jo.
Mr. William Charles Kent.


Gad's Hill, Thursday, Jan. 18th, 1866.
Dear Kent,

I cannot tell you how grieved we all are here to know that you are suffering again. Your patient tone, however, and the hopefulness and forbearance of Ferguson's course, gives us some reassurance. Apropos of which latter reference I dined with Ferguson at the Lord Mayor's, last Tuesday, and had a grimly distracted impulse upon me to defy the toast-master and rush into a speech about him and[247] his noble art, when I sat pining under the imbecility of constitutional and corporational idiots. I did seize him for a moment by the hair of his head (in proposing the Lady Mayoress), and derived some faint consolation from the company's response to the reference. O! no man will ever know under what provocation to contradiction and a savage yell of repudiation I suffered at the hands of ——, feebly complacent in the uniform of Madame Tussaud's own military waxers, and almost the worst speaker I ever heard in my life! Mary and Georgina, sitting on either side of me, urged me to "look pleasant." I replied in expressions not to be repeated. Shea (the judge) was just as good and graceful, as he (the member) was bad and gawky.

I can't express how upset we all are to hear that you're going through tough times again. Your calm attitude, along with Ferguson's hopefulness and patience, gives us some comfort. Speaking of which, I had dinner with Ferguson at the Lord Mayor's last Tuesday. I felt a strong urge to ignore the toast-master and give a speech about him and his wonderful work while I was stuck listening to the stupidity of the bureaucratic fools. I did manage to grab him by the hair (when I was proposing a toast to the Lady Mayoress) and felt a bit of consolation from the audience's reaction to that mention. Oh! No one will ever understand the frustration and urge to shout back that I experienced from ——, who was smirking in the uniform of Madame Tussaud's military wax figures and was easily the worst speaker I've ever heard! Mary and Georgina, sitting next to me, kept telling me to "look pleasant." I responded with words that shouldn't be repeated. Shea (the judge) was just as good and charming as he (the member) was awkward and clumsy.

Bulwer's "Lost Tales of Miletus" is a most noble book! He is an extraordinary fellow, and fills me with admiration and wonder.

Bulwer's "Lost Tales of Miletus" is an amazing book! He is an exceptional guy, and he fills me with admiration and awe.

It is of no use writing to you about yourself, my dear Kent, because you are likely to be tired of that constant companion, and so I have gone scratching (with an exceedingly bad pen) about and about you. But I come back to you to let you know that the reputation of this house as a convalescent hospital stands (like the house itself) very high, and that testimonials can be produced from credible persons who have recovered health and spirits here swiftly. Try us, only try us, and we are content to stake the reputation of the establishment on the result.

It’s pointless for me to write to you about yourself, my dear Kent, because you’re probably tired of that constant topic, so I’ve been trying (with a really bad pen) to write around it. But I want to let you know that the reputation of this place as a recovery center is very strong (just like the place itself), and we have testimonials from reliable people who have regained their health and spirits here quickly. Give us a try, just give us a try, and we’re willing to bet the reputation of the establishment on the outcome.

Ever affectionately yours.
Mr. Percy Fitzgerald.


Gad's Hill, Friday, Feb. 2nd, 1866.
My dear Fitz,

I ought to have written to you days and days ago, to thank you for your charming book on Charles Lamb, to[248] tell you with what interest and pleasure I read it as soon as it came here, and to add that I was honestly affected (far more so than your modesty will readily believe) by your intimate knowledge of those touches of mine concerning childhood.

I should have written to you days ago to thank you for your wonderful book on Charles Lamb, to[248] share how much I enjoyed reading it as soon as it arrived, and to say that I was genuinely touched (more than your humility might imagine) by your deep understanding of the personal details I shared about childhood.

Let me tell you now that I have not in the least cooled, after all, either as to the graceful sympathetic book, or as to the part in it with which I am honoured. It has become a matter of real feeling with me, and I postponed its expression because I couldn't satisfactorily get it out of myself, and at last I came to the conclusion that it must be left in.

Let me tell you that I haven't lost any of my enthusiasm, either for the charming and relatable book or for the part in it that I’m honored to have. It has become something I genuinely feel about, and I kept putting off expressing it because I couldn't find the right way to put it into words, and eventually I decided it should just stay as it is.

My dear Fitzgerald, faithfully yours always.
Miss Hogarth.


Office of "All Year Round"," Friday, Feb. 9th, 1866.
My dearest Georgy,

I found your letter here when I came back on Wednesday evening, and was extremely glad to get it.

I found your letter here when I returned on Wednesday evening, and I was really happy to receive it.

Frank Beard wrote me word that with such a pulse as I described, an examination of the heart was absolutely necessary, and that I had better make an appointment with him alone for the purpose. This I did. I was not at all disconcerted, for I knew well beforehand that the effect could not possibly be without that one cause at the bottom of it. There seems to be degeneration of some functions of the heart. It does not contract as it should. So I have got a prescription of iron, quinine, and digitalis, to set it a-going, and send the blood more quickly through the system. If it should not seem to succeed on a reasonable trial, I will then propose a consultation with someone else. Of course I am not so foolish as to suppose that all my work can have been achieved without some penalty, and I[249] have noticed for some time a decided change in my buoyancy and hopefulness—in other words, in my usual "tone."

Frank Beard let me know that with a pulse like the one I described, an examination of the heart was absolutely necessary, and that I should make an appointment with him alone for that purpose. So, I did. I wasn't worried at all because I already knew that the effects couldn't happen without that one underlying cause. It appears there's some degeneration in certain heart functions. It doesn’t contract like it should. So, I've gotten a prescription for iron, quinine, and digitalis to help get it working properly and to circulate the blood more quickly through my system. If it doesn't seem to work after a reasonable trial, I'll then suggest getting a second opinion from someone else. Of course, I'm not naive enough to think that all my hard work has come without a some penalty, and I’ve noticed for some time a clear change in my energy and optimism—in other words, in my usual "tone."

I shall wait to see Beard again on Monday, and shall most probably come down that day. If I should not, I will telegraph after seeing him. Best love to Mamie.

I’ll wait to see Beard again on Monday, and I’ll probably come down that day. If I don’t, I’ll send a telegram after I see him. Best love to Mamie.

Mrs. Brookfield.


Office of "All the Year Round",
Tuesday, Feb. 20th, 1866.
Dear Mrs. Brookfield,

Having gone through your MS. (which I should have done sooner, but that I have not been very well), I write these few following words about it. Firstly, with a limited reference to its unsuitability to these pages. Secondly, with a more enlarged reference to the merits of the story itself.

Having gone through your manuscript (which I should have done sooner, but I haven't been feeling well), I’m writing these few words about it. First, I’ll briefly mention its unsuitability for these pages. Second, I’ll discuss the merits of the story itself in more detail.

If you will take any part of it and cut it up (in fancy) into the small portions into which it would have to be divided here for only a month's supply, you will (I think) at once discover the impossibility of publishing it in weekly parts. The scheme of the chapters, the manner of introducing the people, the progress of the interest, the places in which the principal places fall, are all hopelessly against it. It would seem as though the story were never coming, and hardly ever moving. There must be a special design to overcome that specially trying mode of publication, and I cannot better express the difficulty and labour of it than by asking you to turn over any two weekly numbers of "A Tale of Two Cities," or "Great Expectations," or Bulwer's story, or Wilkie Collins's, or Reade's, or "At the Bar," and notice how patiently and expressly the thing has to be planned for presentation in these fragments, and yet for afterwards fusing together as an uninterrupted whole.[250]

If you take any part of it and break it down (in a fancy way) into the small pieces it would need to be divided into for just a month's supply, you'll quickly see that it's impossible to publish it in weekly installments. The structure of the chapters, the way people are introduced, the buildup of the story, and the locations of the key events all work against it. It would seem like the story is never actually arriving and barely progressing. There needs to be a specific plan to tackle that particularly challenging method of publishing, and I can't better illustrate the difficulty and effort involved than by asking you to look at any two weekly issues of "A Tale of Two Cities," or "Great Expectations," or Bulwer's story, or Wilkie Collins's, or Reade's, or "At the Bar," and see how carefully and deliberately everything has to be arranged for presentation in these segments, while also being able to blend it all back into a continuous whole.[250]

Of the story itself I honestly say that I think highly. The style is particularly easy and agreeable, infinitely above ordinary writing, and sometimes reminds me of Mrs. Inchbald at her best. The characters are remarkably well observed, and with a rare mixture of delicacy and truthfulness. I observe this particularly in the brother and sister, and in Mrs. Neville. But it strikes me that you constantly hurry your narrative (and yet without getting on) by telling it, in a sort of impetuous breathless way, in your own person, when the people should tell it and act it for themselves. My notion always is, that when I have made the people to play out the play, it is, as it were, their business to do it, and not mine. Then, unless you really have led up to a great situation like Basil's death, you are bound in art to make more of it. Such a scene should form a chapter of itself. Impressed upon the reader's memory, it would go far to make the fortune of the book. Suppose yourself telling that affecting incident in a letter to a friend. Wouldn't you describe how you went through the life and stir of the streets and roads to the sick-room? Wouldn't you say what kind of room it was, what time of day it was, whether it was sunlight, starlight, or moonlight? Wouldn't you have a strong impression on your mind of how you were received, when you first met the look of the dying man, what strange contrasts were about you and struck you? I don't want you, in a novel, to present yourself to tell such things, but I want the things to be there. You make no more of the situation than the index might, or a descriptive playbill might in giving a summary of the tragedy under representation.

Of the story itself, I honestly think very highly of it. The style is really easy and pleasant, far beyond ordinary writing, and sometimes reminds me of Mrs. Inchbald at her best. The characters are incredibly well observed, with a rare blend of delicacy and truthfulness. I especially notice this in the brother and sister, and in Mrs. Neville. However, it seems to me that you often rush your narrative (and yet without actually progressing) by telling it in a kind of impulsive, breathless manner, in your own voice, when the characters should be telling and acting it themselves. My belief is that once I’ve created the characters to perform the story, it’s their job to do it, not mine. Also, unless you’re really leading up to a significant situation like Basil’s death, you’re obliged to do more with it, artistically speaking. Such a scene should be a chapter on its own. If it leaves a strong impression on the reader, it could greatly impact the book's success. Imagine telling that touching moment in a letter to a friend. Wouldn't you mention how you navigated through the bustling streets and roads to the sick room? Wouldn’t you describe what the room was like, what time of day it was, and whether there was sunlight, starlight, or moonlight? Wouldn’t you have a vivid memory of how you were received when you first saw the dying man, and what contrasts surrounded you that struck you? I don’t want you to present yourself in a novel to describe such things, but I want those details to be present. You don’t give the situation any more depth than the index might, or than a descriptive playbill would in summarizing the tragedy being performed.

As a mere piece of mechanical workmanship, I think all your chapters should be shorter; that is to say, that they [251]should be subdivided. Also, when you change from narrative to dialogue, or vice versâ, you should make the transition more carefully. Also, taking the pains to sit down and recall the principal landmarks in your story, you should then make them far more elaborate and conspicuous than the rest. Even with these changes I do not believe that the story would attract the attention due to it, if it were published even in such monthly portions as the space of "Fraser" would admit of. Even so brightened, it would not, to the best of my judgment, express itself piecemeal. It seems to me to be so constituted as to require to be read "off the reel." As a book in two volumes I think it would have good claims to success, and good chances of obtaining success. But I suppose the polishing I have hinted at (not a meretricious adornment, but positively necessary to good work and good art) to have been first thoroughly administered.

As just a piece of mechanical work, I think all your chapters should be shorter; they should be divided into smaller sections. Also, when you switch from narration to dialogue, or vice versa, you should make the transition smoother. Additionally, take the time to sit down and recall the key points in your story, and make them much more elaborate and noticeable than the other parts. Even with these changes, I don’t think the story would get the attention it deserves if it were published even in the monthly installments that "Fraser" could allow. Even if it were polished up, it wouldn’t, in my opinion, work well as a piecemeal narrative. It seems to me to be structured in such a way that it needs to be read continuously. As a two-volume book, I believe it would have a good chance of success. But I think the polishing I mentioned (not just decorative, but essential for good work and good art) should be done thoroughly first.

Now don't hate me if you can help it. I can afford to be hated by some people, but I am not rich enough to put you in possession of that luxury.

Now don’t hate me if you can avoid it. I can handle being hated by some people, but I’m not wealthy enough to give you that luxury.

Ever faithfully yours.

P.S.—The MS. shall be delivered at your house to-morrow. And your petitioner again prays not to be, etc.

P.S.—The manuscript will be delivered to your house tomorrow. And your petitioner respectfully requests not to be, etc.

Miss Hogarth.


Adelphi, Liverpool, Friday, April 13th, 1866.
My beloved Georgy,

The reception at Manchester last night was quite a magnificent sight; the whole of the immense audience standing up and cheering. I thought them a little slow with "Marigold," but believe it was only the attention necessary in so vast a place. They gave a splendid burst[252] at the end. And after "Nickleby" (which went to perfection), they set up such a call, that I was obliged to go in again. The unfortunate gasman, a very steady fellow, got a fall off a ladder and sprained his leg. He was put to bed in a public opposite, and was left there, poor man.

The reception in Manchester last night was an amazing sight; the entire massive audience stood up and cheered. I thought they were a bit slow with "Marigold," but I believe it was just because of the attention needed in such a huge venue. They gave a fantastic burst[252] at the end. And after "Nickleby" (which went perfectly), they cheered so much that I had to go back in again. The poor gasman, a very reliable guy, fell off a ladder and sprained his leg. He was taken to a public hospital across the street and left there, poor guy.

This is the first very fine day we have had. I have taken advantage of it by crossing to Birkenhead and getting some air upon the water. It was fresh and beautiful.

This is the first really nice day we've had. I took advantage of it by crossing to Birkenhead and getting some fresh air on the water. It was refreshing and gorgeous.

I send my best love to Mamie, and hope she is better. I am, of course, tired (the pull of "Marigold" upon one's energy, in the Free Trade Hall, was great); but I stick to my tonic, and feel, all things considered, in very good tone. The room here (I mean the hall) being my special favourite and extraordinarily easy, is almost a rest!

I send my love to Mamie and hope she feels better. I'm definitely tired (the energy needed for "Marigold" at the Free Trade Hall was a lot); but I keep up with my tonic and, all things considered, feel pretty good. The room here (I mean the hall), being my favorite and super comfortable, is almost a rest!

Miss Dickens.


Adelphi, Liverpool, Saturday, April 14th, 1866.
My dear Mamie,

The police reported officially that three thousand people were turned away from the hall last night. I doubt if they were so numerous as that, but they carried in the outer doors and pitched into Dolby with great vigour. I need not add that every corner of the place was crammed. They were a very fine audience, and took enthusiastically every point in "Copperfield" and the "Trial." They made the reading a quarter of an hour longer than usual. One man advertised in the morning paper that he would give thirty shillings (double) for three stalls, but nobody would sell, and he didn't get in.

The police officially reported that three thousand people were turned away from the hall last night. I doubt they were that many, but they stormed the outer doors and pushed into Dolby with great energy. I don’t need to add that every corner of the place was packed. They were a fantastic audience and enthusiastically enjoyed every moment of "Copperfield" and the "Trial." They made the reading last a quarter of an hour longer than usual. One guy even advertised in the morning paper that he would pay thirty shillings (double) for three seats, but nobody would sell, and he didn’t get in.

Except that I cannot sleep, I really think myself in much better training than I had anticipated. A dozen[253] oysters and a little champagne between the parts every night, constitute the best restorative I have ever yet tried. John appears low, but I don't know why. A letter comes for him daily; the hand is female; whether Smudger's, or a nearer one still and a dearer one, I don't know. So it may or may not be the cause of his gloom.

Except that I can’t sleep, I honestly feel like I’m in much better shape than I expected. A dozen [253] oysters and a bit of champagne between courses every night is the best pick-me-up I've ever tried. John seems down, but I’m not sure why. He gets a letter every day; the handwriting is feminine. Whether it’s from Smudger or someone closer and dearer, I can’t tell. So, it could be the reason for his sadness, or it might not be.

"Miss Emily" of Preston is married to a rich cotton lord, rides in open carriages in gorgeous array, and is altogether splendid. With this effective piece of news I close.

"Miss Emily" from Preston is married to a wealthy cotton magnate, rides in luxurious open carriages, and looks absolutely stunning. With this exciting update, I’ll wrap things up.

Miss Hogarth.


Glasgow, April 17th, 1866.

We arrived here at ten yesterday evening. I don't think the journey shook me at all. Dolby provided a superb cold collation and "the best of drinks," and we dined in the carriage, and I made him laugh all the way.

We got here at ten last night. I don't think the trip bothered me at all. Dolby provided an amazing cold meal and "the best drinks," and we had dinner in the carriage, and I kept him laughing the whole time.

The let here is very large. Every precaution taken to prevent my platform from being captured as it was last time; but I don't feel at all sure that it will not be stormed at one of the two readings. Wills is to do the genteel to-night at the stalls, and Dolby is to stem the shilling tide if he can. The poor gasman cannot come on, and we have got a new one here who is to go to Edinburgh with us. Of Edinburgh we know nothing, but as its first night has always been shady, I suppose it will stick to its antecedents.

The space here is really big. We’ve taken every precaution to stop my platform from being taken over like it was last time, but I’m still not completely sure it won’t be overwhelmed during one of the two readings. Wills is set to perform for the upscale crowd tonight at the stalls, and Dolby is supposed to handle the influx of shilling customers if he can. Unfortunately, the gasman can’t make it, and we have a new one here who’s supposed to travel to Edinburgh with us. We know nothing about Edinburgh, but since its first night has always been a bit shaky, I guess it will follow the same trend.

I like to hear about Harness and his freshness. The let for the next reading at St. James's is "going," they report, "admirably." Lady Russell asked me to dinner to-morrow, and I have written her a note to-day. The rest has certainly done me good. I slept thoroughly well last[254] night, and feel fresh. What to-night's work, and every night's work this week, may do contrariwise, remains to be seen.

I enjoy hearing about Harness and his enthusiasm. The reviews for the next reading at St. James's say it's "going" really well. Lady Russell invited me to dinner tomorrow, and I wrote her a note today. The rest has definitely benefited me. I slept really well last[254] night and feel refreshed. What tonight's work, and every night's work this week, might do in the opposite direction is yet to be seen.

I hope Harry's knee may be in the way of mending, from what you relate of it.

I hope Harry's knee is on the road to recovery, based on what you've told me about it.

Miss Dickens.


Waterloo Hotel, Edinburgh, Wednesday, April 18th, 1866.

We had a tremendous house again last night at Glasgow; and turned away great numbers. Not only that, but they were a most brilliant and delicate audience, and took "Marigold" with a fine sense and quickness not to be surpassed. The shillings pitched into Dolby again, and one man writes a sensible letter in one of the papers this morning, showing to my satisfaction (?) that they really had, through the local agent, some cause of complaint. Nevertheless, the shilling tickets are sold for to-morrow, and it seems to be out of the question to take any money at the doors, the call for all parts is so enormous. The thundering of applause last night was quite staggering, and my people checked off my reception by the minute hand of a watch, and stared at one another, thinking I should never begin. I keep quite well, have happily taken to sleeping these last three nights; and feel, all things considered, very little conscious of fatigue. I cannot reconcile my town medicine with the hours and journeys of reading life, and have therefore given it up for the time. But for the moment, I think I am better without it. What we are doing here I have not yet heard. I write at half-past one, and we have been little more than an hour in the house. But I am quite prepared for the inevitable this first Edinburgh night. Endeavours[255] have been made (from Glasgow yesterday) to telegraph the exact facts out of our local agent; but hydraulic pressure wouldn't have squeezed a straight answer out of him. "Friday and Saturday doing very well, Wednesday not so good." This was all electricity could discover.

We had a huge turnout again last night in Glasgow and turned away a lot of people. Not only that, but the audience was incredibly engaged and understood "Marigold" with a sensitivity and quickness that was impressive. The shillings were thrown into Dolby again, and one guy wrote a thoughtful letter in a paper this morning that showed to my satisfaction (?) that they really did have some legitimate complaints through the local agent. Still, the shilling tickets are sold out for tomorrow, and it seems impossible to take any money at the doors since the demand is so high. The applause last night was overwhelming, and my team tracked my reception down to the minute, looking at each other, wondering if I would ever start. I'm feeling pretty good; I've been sleeping well these last three nights and, all things considered, I hardly feel fatigued. I can't seem to reconcile my city medicine with the schedule and travels of live performances, so I've decided to stop it for now. But for the moment, I think I'm better off without it. I haven’t heard yet what’s happening here. I'm writing at half-past one, and we’ve been in the venue for just over an hour. However, I’m ready for whatever comes on this first night in Edinburgh. Efforts have been made (from Glasgow yesterday) to telegraph the exact situation from our local agent, but getting a straight answer out of him was like pulling teeth. "Friday and Saturday are doing very well, Wednesday not so good." That’s all the electricity could find out.

I am going to write a line this post to Katie, from whom I have a note. I hope Harry's leg will now step out in the manner of the famous cork leg in the song.

I’m going to write a line in this post to Katie, from whom I have a note. I hope Harry’s leg will now move out like the famous cork leg in the song.

Miss Hogarth.


Edinburgh, Thursday, April 19th, 1866.

The house was more than twice better than any first night here previously. They were, as usual here, remarkably intelligent, and the reading went brilliantly. I have not sent up any newspapers, as they are generally so poorly written, that you may know beforehand all the commonplaces that they will write. But The Scotsman has so pretty an article this morning, and (so far as I know) so true a one, that I will try to post it to you, either from here or Glasgow. John and Dolby went over early, and Wills and I follow them at half-past eleven. It is cold and wet here. We have laid half-crown bets with Dolby, that he will be assaulted to-night at Glasgow. He has a surprising knowledge of what the receipts will be always, and wins half-crowns every night. Chang is living in this house. John (not knowing it) was rendered perfectly drivelling last night, by meeting him on the stairs. The Tartar Dwarf is always twining himself upstairs sideways, and drinks a bottle of whisky per day, and is reported to be a surprising little villain.[256]

The house was way better than any first night here before. They were, as usual, really smart, and the reading went amazing. I haven't sent up any newspapers because they’re usually so badly written that you can guess all the clichés they'll use. But The Scotsman has such a nice article this morning, and (as far as I know) it’s really true, so I’ll try to send it to you, either from here or Glasgow. John and Dolby went over early, and Wills and I will follow them at half-past eleven. It’s cold and wet here. We’ve placed half-crown bets with Dolby that he’ll get attacked tonight in Glasgow. He always seems to know what the receipts will be and wins half-crowns every night. Chang is living in this house. John (not knowing this) was totally out of it last night after running into him on the stairs. The Tartar Dwarf is always winding his way upstairs sideways, drinks a bottle of whisky a day, and is said to be quite the little troublemaker.[256]

Miss Dickens.


Waterloo Hotel, Edinburgh, Friday, April 20th, 1866.

No row at Glasgow last night. Great placards were posted about the town by the anxious Dolby, announcing that no money would be taken at the doors. This kept the crowd off. Two files of policemen and a double staff everywhere did the rest, and nothing could be better-tempered or more orderly. Tremendous enthusiasm with the "Carol" and "Trial." I was dead beat afterwards, that reading being twenty minutes longer than usual; but plucked up again, had some supper, slept well, and am quite right to-day. It is a bright day, and the express ride over from Glasgow was very pleasant.

No performance in Glasgow last night. Big signs were put up around the town by the worried Dolby, announcing that no tickets would be sold at the door. This kept the crowd away. There were two lines of police officers and extra security everywhere, which helped maintain a great atmosphere; everything was well-behaved and orderly. The enthusiasm for the "Carol" and "Trial" was tremendous. I was completely exhausted afterward since that reading was twenty minutes longer than usual; but I rallied, had some dinner, slept well, and feel totally fine today. It's a sunny day, and the express ride over from Glasgow was very enjoyable.

Everything is gone here for to-night. But it is difficult to describe what the readings have grown to be. The let at St. James's Hall is not only immense for next Tuesday, but so large for the next reading afterwards, that Chappell writes: "That will be the greatest house of the three." From Manchester this morning they write: "Send us more tickets instantly, for we are sold out and don't know what to do with the people." Last night the whole of my money under the agreement had been taken. I notice that a great bank has broken at Liverpool, which may hurt us there, but when last heard of it was going as before. And the audience, though so enormous, do somehow express a personal affection, which makes them very strange and moving to see.

Everything is wrapped up here for tonight. But it's hard to explain how much the readings have evolved. The ticket sales at St. James's Hall are not just huge for next Tuesday, but they're also massive for the following reading, so Chappell says, "That will be the biggest crowd of the three." This morning, we received a message from Manchester: "Send us more tickets immediately; we're sold out and don't know what to do with all the people." Last night, I had already taken all my money under the agreement. I noticed a major bank collapsed in Liverpool, which could impact us there, but as far as we know, everything is still running smoothly. And the audience, despite being so large, somehow shows a personal connection, which makes them feel very unique and moving to witness.

I have a story to answer you and your aunt with. Before I left Southwick Place for Liverpool, I received a letter from Glasgow, saying, "Your little Emily has been woo'd and married and a'! since you last saw her;" and describing her house within a mile or two of the city, and asking me[257] to stay there. I wrote the usual refusal, and supposed Mrs. —— to be some romantic girl whom I had joked with, perhaps at Allison's or where not. On the first night at Glasgow I received a bouquet from ——, and wore one of the flowers. This morning at the Glasgow station, —— appeared, and proved to be the identical Miss Emily, of whose marriage Dolby had told me on our coming through Preston. She was attired in magnificent raiment, and presented the happy ——.

I have a story to share with you and your aunt. Before I left Southwick Place for Liverpool, I got a letter from Glasgow saying, "Your little Emily has been wooed and married and all that since you last saw her," and it described her house a mile or two from the city, inviting me to stay there. I sent the usual polite decline, thinking Mrs. —— was just some romantic girl I’d joked with, maybe at Allison's or somewhere else. On my first night in Glasgow, I received a bouquet from —— and wore one of the flowers. This morning at the Glasgow station, —— showed up and turned out to be the one and only Miss Emily, whose marriage Dolby had mentioned when we passed through Preston. She was dressed in stunning attire and introduced her happy ——.

Miss Hogarth.


Liverpool, Thursday, April 26th, 1866.

We noticed between London and Rugby (the first stoppage) something very odd in our carriage yesterday, not so much in its motion as in its sound. We examined it as well as we could out of both windows, but could make nothing of it. On our arrival at Rugby, it was found to be on fire. And as it was in the middle of the train, the train had to be broken to get it off into a siding by itself and get another carriage on. With this slight exception we came down all right.

We noticed something really strange in our train carriage yesterday between London and Rugby (the first stop), not so much in how it moved but in the sounds it made. We looked out both windows as best as we could, but couldn’t figure it out. When we got to Rugby, we discovered it was on fire. Since it was in the middle of the train, they had to split the train up to move it into a siding by itself and bring in another carriage. Other than that minor issue, we arrived just fine.

My voice is much better, I am glad to report, and I mean to try Beard's remedy after dinner to-day. This is all my present news.

My voice is much better, and I’m happy to report that I plan to try Beard's remedy after dinner today. That's all my news for now.

The same.


Down Hotel, Clifton, Friday, May 11th, 1866.

I received your note before I left Birmingham this morning. It has been very heavy work getting up at half-past six each morning after a heavy night, and I am not at[258] all well to-day. We had a tremendous hall at Birmingham last night—two thousand one hundred people. I made a most ridiculous mistake. Had "Nickleby" on my list to finish with, instead of "Trial." Read "Nickleby" with great go, and the people remained. Went back again at ten and explained the accident, and said if they liked, I would give them the "Trial." They did like, and I had another half-hour of it in that enormous place.

I got your note before I left Birmingham this morning. It’s been really tough getting up at 6:30 every morning after a late night, and I’m not feeling well today. We had an incredible turnout in Birmingham last night—two thousand one hundred people. I made a really silly mistake. I had "Nickleby" on my list to finish with instead of "Trial." I read "Nickleby" with a lot of energy, and the audience stayed. I went back at ten to explain what happened and said if they wanted, I could give them "Trial." They really did want it, and I had another half-hour of it in that huge venue.

This stoppage of Overend and Gurney in the City will play the —— with all public gaieties, and with all the arts.

This halt of Overend and Gurney in the City will put a damper on all public celebrations and the arts.

My cold is no better. John fell off a platform about ten feet high yesterday, and fainted. He looks all the colours of the rainbow to-day, but does not seem much hurt beyond being puffed up one hand, arm, and side.

My cold hasn't improved. John fell off a platform about ten feet high yesterday and fainted. Today, he looks like all the colors of the rainbow, but he doesn't seem seriously hurt aside from having one hand, arm, and side swollen.

Miss Lily Benzon.


Gad's Hill Place, Higham near Rochester, Kent
Monday, June 18th, 1866.
Dear Lily,

I am sorry that I cannot come to read to you "The Boots at the Holly Tree Inn," as you ask me to do; but the truth is, that I am tired of reading at this present time, and have come into the country to rest and hear the birds sing. There are a good many birds, I daresay, in Kensington Palace Gardens, and upon my word and honour they are much better worth listening to than I am. So let them sing to you as hard as ever they can, while their sweet voices last (they will be silent when the winter comes); and very likely after you and I have eaten our next Christmas pudding and mince-pies, you and I and Uncle Harry may all meet together at St. James's Hall; Uncle Harry to bring you there, to hear the "Boots;" I to receive you there, and read the "Boots;" and you (I hope) to applaud very much,[259] and tell me that you like the "Boots." So, God bless you and me, and Uncle Harry, and the "Boots," and long life and happiness to us all!

I'm sorry that I can't come to read "The Boots at the Holly Tree Inn" to you like you asked. The truth is, I'm not in the mood to read right now, and I've come to the countryside to relax and listen to the birds sing. I bet there are plenty of birds in Kensington Palace Gardens, and honestly, their songs are much nicer to hear than my reading. So let them sing as much as they can while their sweet voices last (they'll be quiet when winter comes). And after we enjoy our next Christmas pudding and mince pies, we might all meet up at St. James's Hall; Uncle Harry can bring you there to hear the "Boots," I'll be there to read it, and I hope you’ll cheer a lot and tell me you like the "Boots." So, God bless you, me, Uncle Harry, the "Boots," and here's to long life and happiness for all of us![259]

Your affectionate Friend.

P.S.—There's a flourish!

P.S.—There's a flair!

Mr. B. W. Procter.


Gad's Hill Place, Higham near Rochester, Kent,
Monday, Aug. 13th, 1866.
Dear Procter,

I have read your biography of Charles Lamb with inexpressible pleasure and interest. I do not think it possible to tell a pathetic story with a more unaffected and manly tenderness. And as to the force and vigour of the style, if I did not know you I should have made sure that there was a printer's error in the opening of your introduction, and that the word "seventy" occupied the place of "forty."

I read your biography of Charles Lamb with immense pleasure and interest. I don’t think it’s possible to tell a touching story with more genuine and strong tenderness. And regarding the strength and energy of the writing, if I didn’t know you, I would have thought there was a printer’s mistake at the beginning of your introduction, and that the word "seventy" should have been "forty."

Let me, my dear friend, most heartily congratulate you on your achievement. It is not an ordinary triumph to do such justice to the memory of such a man. And I venture to add, that the fresh spirit with which you have done it impresses me as being perfectly wonderful.

Let me, my dear friend, sincerely congratulate you on your achievement. It's not an ordinary success to honor the memory of such a man so well. I also want to say that the new energy with which you've accomplished this truly impresses me.

Ever affectionately yours.
Sir James Emerson Tennent.


Gad's Hill, Monday, Aug. 20th, 1866.
Dear Tennent,

I have been very much interested by your extract, and am strongly inclined to believe that the founder of the Refuge for Poor Travellers meant the kind of man to which it refers. Chaucer certainly meant the Pardonere to be a[260] humbug, living on the credulity of the people. After describing the sham reliques he carried, he says:

I found your excerpt very interesting, and I'm convinced that the founder of the Refuge for Poor Travellers was referring to the type of person described. Chaucer clearly intended the Pardoner to be a[260] fraud, taking advantage of people's gullibility. After describing the fake relics he carried, he states:

But with these relikes whawne that he found
A poure personne dwelling up on lond
Upon a day he gat him more monnie
Than that the personne got in monthes time,
And thus, with fained flattering and japes
He made the personne, and the people, his apes.
And the worthy Watts (founder of the charity) may have had these very lines in his mind when he excluded such a man.

When I last heard from my boy he was coming to you, and was full of delight and dignity. My midshipman has just been appointed to the Bristol, on the West Coast of Africa, and is on his voyage out to join her. I wish it was another ship and another station. She has been unlucky in losing men.

When I last heard from my son, he was on his way to you, filled with joy and pride. My midshipman has just been assigned to the Bristol on the West Coast of Africa, and he is currently on his journey to join her. I wish it were a different ship and a different location. She has had bad luck with losing crew members.

Kindest regard from all my house to yours.

Kindest regards from my home to yours.

Faithfully yours ever.
M. Charles Fechter.


Gad's Hill, Tuesday, Sept. 4th, 1866.
My dear Fechter,

This morning I received the play to the end of the telegraph scene, and I have since read it twice.

This morning, I got the script up to the end of the telegraph scene, and I've read it twice since then.

I clearly see the ground of Mr. Boucicault's two objections; but I do not see their force.

I clearly understand the basis of Mr. Boucicault's two objections; but I do not see their strength.

First, as to the writing. If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience. The dialogue seems to be exactly what is wanted. Its simplicity (particularly in Mr. Boucicault's part) is often very[261] effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

First, regarding the writing. If the characters didn't speak in a straightforward and relatable way, their thoughts and language would clash with their appearance and status, causing them to fail as characters in front of the audience. The dialogue appears to be just right. Its simplicity (especially in Mr. Boucicault's role) is often very[261] impactful; and throughout, there’s an honest, no-nonsense toughness to it, much like real life and real people.

Secondly, as to the absence of the comic element. I really do not see how more of it could be got into the story, and I think Mr. Boucicault underrates the pleasant effect of his own part. The very notion of a sailor, whose life is not among those little courts and streets, and whose business does not lie with the monotonous machinery, but with the four wild winds, is a relief to me in reading the play. I am quite confident of its being an immense relief to the audience when they see the sailor before them, with an entirely different bearing, action, dress, complexion even, from the rest of the men. I would make him the freshest and airiest sailor that ever was seen; and through him I can distinctly see my way out of "the Black Country" into clearer air. (I speak as one of the audience, mind.) I should like something of this contrast to be expressed in the dialogue between the sailor and Jew, in the second scene of the second act. Again, I feel Widdicomb's part (which is charming, and ought to make the whole house cry) most agreeable and welcome, much better than any amount in such a story, of mere comicality.

Secondly, regarding the lack of humor. I really don’t see how more of it could be added to the story, and I think Mr. Boucicault underestimates the enjoyable impact of his own character. The idea of a sailor, whose life isn't spent in those small courts and streets, and whose work doesn't involve the dull machinery, but instead with the wild winds, is a breath of fresh air while reading the play. I'm quite sure it will provide a huge relief to the audience when they see the sailor in front of them, with a completely different demeanor, actions, clothing, and even appearance from the other men. I would make him the most vibrant and lively sailor ever seen; and through him, I can clearly envision my escape from "the Black Country" into clearer skies. (I’m speaking as one of the audience, by the way.) I would like some of this contrast to come through in the dialogue between the sailor and the Jew in the second scene of the second act. Again, I find Widdicomb's role (which is delightful and should make the entire audience cry) much more enjoyable and welcome than an excess of mere comedy in such a story.

It is unnecessary to say that the play is done with a master's hand. Its closeness and movement are quite surprising. Its construction is admirable. I have the strongest belief in its making a great success. But I must add this proviso: I never saw a play so dangerously depending in critical places on strict natural propriety in the manner and perfection in the shaping of the small parts. Those small parts cannot take the play up, but they can let it down. I would not leave a hair on the head of one of them to the chance of the first night, but I would see, to the minutest[262] particular, the make-up of every one of them at a night rehearsal.

It goes without saying that the play is crafted with exceptional skill. Its pace and intensity are quite impressive. The structure is excellent. I truly believe it will be a huge success. However, I must add this caution: I’ve never seen a play that relies so heavily on precise natural accuracy in critical moments and the flawless execution of the small details. Those small details can’t elevate the play, but they can certainly bring it down. I wouldn’t leave any part of them to chance on opening night; instead, I would meticulously check the appearance of each one during a night rehearsal.

Of course you are free to show this note to Mr. Boucicault, and I suppose you will do so; let me throw out this suggestion to him and you. Might it not ease the way with the Lord Chamberlain's office, and still more with the audience, when there are Manchester champions in it, if instead of "Manchester" you used a fictitious name? When I did "Hard Times" I called the scene Coketown. Everybody knew what was meant, but every cotton-spinning town said it was the other cotton-spinning town.

Of course, you can show this note to Mr. Boucicault, and I assume you will. I’d like to suggest something to both of you. Wouldn’t it make things easier with the Lord Chamberlain's office, and even more with the audience, when there are Manchester champions involved, if instead of "Manchester," you used a made-up name? When I did "Hard Times," I called the location Coketown. Everyone understood the reference, but each cotton-spinning town claimed it was about the other cotton-spinning town.

I shall be up on Saturday, and will come over about mid-day, unless you name any other time.

I’ll be up on Saturday and will come over around noon, unless you suggest a different time.

Ever heartily.
Mr. Walter Thornbury


"All Year Round" Office, Saturday, Sept. 15th, 1866.
My dear Thornbury,

Many thanks for your letter.

Thanks for your letter.

In reference to your Shakespeare queries, I am not so much enamoured of the first and third subjects as I am of the Ariosto enquiry, which should be highly interesting. But if you have so got the matter in your mind, as that its execution would be incomplete and unsatisfactory to you unless you write all the three papers, then by all means write the three, and I will most gladly take them. For some years I have had so much pleasure in reading you, that I can honestly warrant myself as what actors call "a good audience."

In response to your questions about Shakespeare, I’m not as excited about the first and third topics as I am about the Ariosto question, which I think would be really interesting. However, if you feel that you won’t be happy with the work unless you tackle all three papers, then go ahead and write all three, and I’ll be more than happy to take them. For years, I have enjoyed reading your work so much that I can honestly say I’m what actors would refer to as "a good audience."

The idea of old stories retold is decidedly a good one. I greatly like the notion of that series. Of course you know De Quincey's paper on the Ratcliffe Highway murderer? Do you know also the illustration (I have it at Gad's Hill),[263] representing the horrible creature as his dead body lay on a cart, with a piece of wood for a pillow, and a stake lying by, ready to be driven through him?

The idea of retelling old stories is definitely a good one. I really like the concept of that series. Of course, you know De Quincey's essay on the Ratcliffe Highway murderer? Do you also know the illustration (I have it at Gad's Hill),[263] showing the terrible figure as his lifeless body lay on a cart, with a piece of wood for a pillow, and a stake next to him, ready to be driven through him?

I don't quite like the title, "The Social History of London." I should better like some title to the effect, "The History of London's Social Changes in so many Years." Such a title would promise more, and better express your intention. What do you think of taking for a first title, "London's Changes"? You could then add the second title, "Being a History," etc.

I don't really like the title, "The Social History of London." I would prefer a title like, "The History of London's Social Changes Over the Years." That would promise more and better reflect your intention. How about using "London's Changes" as the main title? You could then add the subtitle, "Being a History," etc.

I don't at all desire to fix a limit to the series of old stories retold. I would state the general intention at the beginning of the first paper, and go on like Banquo's line.

I don't want to set a limit on how many old stories can be retold. I would explain the overall intention at the start of the first piece and continue on like Banquo's line.

Don't let your London title remind people, by so much as the place of the word "civilisation," of Buckle. It seems a ridiculous caution, but the indolent part of the public (a large part!) on such points tumble into extraordinary mistakes.

Don't let your London title remind people, even slightly, of Buckle just because it has the word "civilization." It may seem like a silly warning, but the lazy part of the public (which is a big part!) tends to make some really strange mistakes about these things.

Faithfully yours always.
Mr. Percy Fitzgerald.


Gad's Hill, Tuesday, Nov. 6th, 1866.
Dear Fitzgerald,

It is always pleasant to me to hear from you, and I hope you will believe that this is not a mere fashion of speech.

It’s always nice to hear from you, and I hope you know that I genuinely mean this.

Concerning the green covers, I find the leaves to be budding—on unquestionable newspaper authority; but, upon my soul, I have no other knowledge of their being in embryo! Really, I do not see a chance of my settling myself to such work until after I have accomplished forty-two readings, to which I stand pledged.[264]

Regarding the green covers, I hear the leaves are starting to bud—according to reliable newspaper sources; but honestly, I have no other proof of their being in early stages! Honestly, I don’t see how I can focus on that work until after I’ve completed forty-two readings, which I’ve committed to.[264]

I hope to begin this series somewhere about the middle of January, in Dublin. Touching the details of the realisation of this hope, will you tell me in a line as soon as you can—Is the exhibition room a good room for speaking in?

I plan to start this series around mid-January in Dublin. Regarding the specifics of making this happen, please let me know as soon as you can—Is the exhibition room a good space for speaking?

Your mention of the late Sultan touches me nearly. He was the finest dog I ever saw, and between him and me there was a perfect understanding. But, to adopt the popular phrase, it was so very confidential that it "went no further." He would fly at anybody else with the greatest enthusiasm for destruction. I saw him, muzzled, pound into the heart of a regiment of the line; and I have frequently seen him, muzzled, hold a great dog down with his chest and feet. He has broken loose (muzzled) and come home covered with blood, again and again. And yet he never disobeyed me, unless he had first laid hold of a dog.

Your mention of the late Sultan really touches me. He was the best dog I’ve ever seen, and he and I had a perfect understanding. But, to use a popular phrase, it was so confidential that it "went no further." He would fly at anyone else with incredible enthusiasm for destruction. I watched him, muzzled, charge into the heart of a regiment; and I’ve often seen him, muzzled, pin a big dog down with his chest and paws. He has broken loose (while muzzled) and come home covered in blood, time after time. And yet, he never disobeyed me unless he had already grabbed hold of another dog.

You heard of his going to execution, evidently supposing the procession to be a party detached in pursuit of something to kill or eat? It was very affecting. And also of his bolting a blue-eyed kitten, and making me acquainted with the circumstance by his agonies of remorse (or indigestion)?

You heard about him going to his execution, obviously thinking that the procession was a group out looking for something to kill or eat? It was really moving. And also about him swallowing a blue-eyed kitten and letting me know about it through his suffering (or indigestion)?

I cannot find out that there is anyone in Rochester (a sleepy old city) who has anything to tell about Garrick, except what is not true. His brother, the wine merchant, would be more in Rochester way, I think. How on earth do you find time to do all these books?

I can't find anyone in Rochester (a sleepy old city) who has anything to say about Garrick, except for things that aren't true. His brother, the wine merchant, seems more like he belongs in Rochester, I think. How on earth do you manage to find time to read all these books?

You make my hair stand on end; an agreeable sensation, for I am charmed to find that I have any. Why don't you come yourself and look after Garrick? I should be truly delighted to receive you.

You give me goosebumps; it's a nice feeling, because I'm happy to discover that I still have some. Why don't you come by yourself and check on Garrick? I would be really thrilled to have you visit.

My dear Fitzgerald, always faithfully yours.
Mr. W. C. Macready.


Gad's Hill Place, Higham near Rochester, Kent,
Friday, Dec. 28th, 1866.
My dear Macready,

I have received your letter with the utmost pleasure and we all send our most affectionate love to you, Mrs. Macready, Katie, Johnny, and the boy of boys. All good Christmas and New Year greetings are to be understood as included.

I was thrilled to get your letter, and we all send our warmest love to you, Mrs. Macready, Katie, Johnny, and the best of the bunch. Wishing you all the best for Christmas and the New Year!

You will be interested in knowing that, encouraged by the success of summer cricket-matches, I got up a quantity of foot-races and rustic sports in my field here on the 26th last past: as I have never yet had a case of drunkenness, the landlord of The Falstaff had a drinking-booth on the ground. All the prizes I gave were in money, too. We had two thousand people here. Among the crowd were soldiers, navvies, and labourers of all kinds. Not a stake was pulled up, or a rope slackened, or one farthing's-worth of damage done. To every competitor (only) a printed bill of general rules was given, with the concluding words: "Mr. Dickens puts every man upon his honour to assist in preserving order." There was not a dispute all day, and they went away at sunset rending the air with cheers, and leaving every flag on a six hundred yards' course as neat as they found it when the gates were opened at ten in the morning. Surely this is a bright sign in the neighbourhood of such a place as Chatham!

You’ll be glad to know that, inspired by the success of the summer cricket matches, I organized a bunch of foot races and fun outdoor games in my field here on the 26th of last month. Since I’ve never had a single case of drunkenness, the owner of The Falstaff set up a beer booth on-site. All the prizes I offered were cash too. We had two thousand people here. Among the crowd were soldiers, laborers, and workers of all kinds. Not a stake was uprooted, no ropes were loosened, and not a penny's worth of damage was done. Each competitor received a printed sheet of general rules, ending with the words: "Mr. Dickens expects every participant to help maintain order." There was not a single dispute all day, and they left at sunset cheering loudly, leaving every flag on a six hundred yard track as tidy as they found it when the gates opened at ten in the morning. Surely this is a positive sign for a place like Chatham!

"Mugby Junction" turned, yesterday afternoon, the extraordinary number of two hundred and fifty thousand!

"Mugby Junction" reached an incredible total of two hundred and fifty thousand yesterday afternoon!

In the middle of next month I begin a new course of forty-two readings. If any of them bring me within reach of Cheltenham, with an hour to spare, I shall come on to you, even for that hour. More of this when I am afield and have my list, which Dolby (for Chappell) is now preparing.[266]

In the middle of next month, I'm starting a new course of forty-two readings. If any of them get me close to Cheltenham with an hour to spare, I'll come to see you, even if it's just for that hour. I'll share more about this when I'm out and have my list, which Dolby (for Chappell) is currently putting together.[266]

Forster and Mrs. Forster were to have come to us next Monday, to stay until Saturday. I write "were," because I hear that Forster (who had a touch of bronchitis when he wrote to me on Christmas Eve) is in bed. Katie, who has been ill of low nervous fever, was brought here yesterday from London. She bore the journey much better than I expected, and so I hope will soon recover. This is my little stock of news.

Forster and Mrs. Forster were supposed to come visit us next Monday and stay until Saturday. I say "were" because I've heard that Forster (who had a bit of bronchitis when he wrote to me on Christmas Eve) is now in bed. Katie, who has been suffering from low nervous fever, was brought here yesterday from London. She handled the trip better than I expected, so I’m hoping she'll recover soon. That’s my little update.

I begin to discover in your riper years, that you have been secretly vain of your handwriting all your life. For I swear I see no change in it! What it always was since I first knew it (a year or two!) it is. This I will maintain against all comers.

I’m starting to realize in your older years that you’ve been quietly proud of your handwriting your whole life. I swear there’s been no change in it! What it has always been since I first knew it (like a year or two ago!) it still is. I will stand by this against anyone.

Ever affectionately, my dearest Macready.

1867.

NARRATIVE.

As the London and provincial readings were to be resumed early in the year and continued until the end of March, Charles Dickens took no house in London this spring. He came to his office quarters at intervals, for the series in town; usually starting off again, on his country tour, the day after a London reading. From some passages in his letters to his daughter and sister-in-law during this country course, it will be seen that (though he made very light of the fact) the great exertion of the readings, combined with incessant railway travelling, was beginning to tell upon his health, and he was frequently "heavily beaten" after reading at his best to an enthusiastic audience in a large hall.

During the short intervals between his journeys, he was as constantly and carefully at work upon the business of "All the Year Round" as if he had no other work on hand. A proof of this is given in a letter dated "5th February." It is written to a young man (the son of a friend), who wrote[267] a long novel when far too juvenile for such a task, and had submitted it to Charles Dickens for his opinion, with a view to publication. In the midst of his own hard and engrossing occupation he read the book, and the letter which he wrote on the subject needs no remark beyond this, that the young writer received the adverse criticism with the best possible sense, and has since, in his literary profession, profited by the advice so kindly given.

During the brief breaks between his trips, he was just as dedicated and focused on the work for "All the Year Round" as if he had no other projects to manage. This is illustrated in a letter dated "5th February." It’s addressed to a young man (the son of a friend), who wrote [267] a lengthy novel when he was far too young for such an undertaking, and submitted it to Charles Dickens for his feedback, hoping for publication. Despite being deeply involved in his own demanding work, Dickens read the manuscript, and the response he wrote about it speaks for itself; the young writer accepted the critical feedback with the best attitude possible and has since benefited in his writing career from the thoughtful advice given.

At this time the proposals to Charles Dickens for reading in America, which had been perpetually renewed from the time of his first abandoning the idea, became so urgent and so tempting, that he found at last he must, at all events, give the subject his most serious consideration. He took counsel with his two most confidential friends and advisers, Mr. John Forster and Mr. W. H. Wills. They were both, at first, strongly opposed to the undertaking, chiefly on the ground of the trial to his health and strength which it would involve. But they could not deny the counterbalancing advantages. And, after much deliberation, it was resolved that Mr. George Dolby should be sent out by the Messrs. Chappell, to take an impression, on the spot, as to the feeling of the United States about the Readings. His report as to the undoubted enthusiasm and urgency on the other side of the Atlantic it was impossible to resist. Even his friends withdrew their opposition (though still with misgivings as to the effect upon his health, which were but too well founded!), and on the 30th September he telegraphed "Yes" to America.

At this point, the invites for Charles Dickens to read in America, which had been repeatedly suggested since he first gave up on the idea, became so pressing and appealing that he realized he had to seriously consider it. He sought advice from his two closest friends and counselors, Mr. John Forster and Mr. W. H. Wills. Initially, they were both strongly against the idea, mainly due to the strain it would put on his health and strength. However, they couldn't ignore the benefits it could bring. After a lot of discussion, they decided to send Mr. George Dolby from the Messrs. Chappell to gauge the sentiment in the United States regarding the Readings. His report about the clear enthusiasm and urgency across the Atlantic was impossible to overlook. Even his friends backed down from their opposition (though they still had concerns about its impact on his health, which were all too valid!), and on September 30th, he sent a telegram saying "Yes" to America.

The "Alfred" alluded to in a letter from Glasgow was Charles Dickens's fourth son, Alfred Tennyson, who had gone to Australia two years previously.

The "Alfred" mentioned in a letter from Glasgow was Charles Dickens's fourth son, Alfred Tennyson, who had traveled to Australia two years earlier.

We give, in April, the last letter to one of the friends for whom Charles Dickens had always a most tender love—Mr. Stanfield. He was then in failing health, and in May he died.

We send, in April, the final letter to one of the friends for whom Charles Dickens always had a deep affection—Mr. Stanfield. He was in poor health at the time, and he passed away in May.

Another death which affected him very deeply happened this summer. Miss Marguerite Power died in July. She had long been very ill, but, until it became impossible for[268] her to travel, she was a frequent and beloved guest at Gad's Hill. The Mrs. Henderson to whom he writes was Miss Power's youngest sister.

Another death that hit him really hard happened this summer. Miss Marguerite Power passed away in July. She had been seriously ill for a while, but until it became impossible for[268] her to travel, she was a regular and cherished visitor at Gad's Hill. The Mrs. Henderson he writes to was Miss Power's youngest sister.

Before he started for America it was proposed to wish him God-speed by giving him a public dinner at the Freemasons' Hall. The proposal was most warmly and fully responded to. His zealous friend, Mr. Charles Kent, willingly undertook the whole work of arrangement of this banquet. It took place on the 2nd November, and Lord Lytton presided.

Before he left for America, it was suggested to give him a public farewell dinner at the Freemasons' Hall. The idea received a very enthusiastic response. His devoted friend, Mr. Charles Kent, gladly took on the entire responsibility of planning the banquet. It happened on November 2nd, and Lord Lytton was in charge.

On the 8th he left London for Liverpool, accompanied by his daughters, his sister-in-law, his eldest son, Mr. Arthur Chappell, Mr. Charles Collins, Mr. Wilkie Collins, Mr. Kent, and Mr. Wills. The next morning the whole party took a final leave of Charles Dickens on board the Cuba, which sailed that day.

On the 8th, he left London for Liverpool with his daughters, his sister-in-law, his eldest son, Mr. Arthur Chappell, Mr. Charles Collins, Mr. Wilkie Collins, Mr. Kent, and Mr. Wills. The next morning, the whole group said their final goodbyes to Charles Dickens on board the Cuba, which set sail that day.

We give a letter which he wrote to Mr. J. L. Toole on the morning of the dinner, thanking him for a parting gift and an earnest letter. That excellent comedian was one of his most appreciative admirers, and, in return, he had for Mr. Toole the greatest admiration and respect.

We provide a letter he wrote to Mr. J. L. Toole on the morning of the dinner, thanking him for a farewell gift and a heartfelt letter. That great comedian was one of his most avid fans, and in return, he held Mr. Toole in the highest regard and respect.

The Christmas number for this year, "No Thoroughfare," was written by Charles Dickens and Mr. Wilkie Collins. It was dramatised by Mr. Collins chiefly. But, in the midst of all the work of preparation for departure, Charles Dickens gave minute attention to as much of the play as could be completed before he left England. It was produced, after Christmas, at the Adelphi Theatre, where M. Fechter was then acting, under the management of Mr. Benjamin Webster.

The Christmas edition for this year, "No Thoroughfare," was written by Charles Dickens and Wilkie Collins. Mr. Collins mainly adapted it for the stage. However, while getting ready to leave, Charles Dickens closely focused on completing as much of the play as possible before he departed from England. It premiered after Christmas at the Adelphi Theatre, where M. Fechter was performing, under the management of Mr. Benjamin Webster.

M. de Cerjat.


Gad's Hill Place, Higham near Rochester, Kent
New Year's Day, 1867.
My dear Cerjat,

Thoroughly determined to be beforehand with "the middle of next summer," your penitent friend and remorseful correspondent thus addresses you.[269]

Thoroughly committed to being ahead of "the middle of next summer," your regretful friend and sorry correspondent writes to you.[269]

The big dog, on a day last autumn, having seized a little girl (sister to one of the servants) whom he knew, and was bound to respect, was flogged by his master, and then sentenced to be shot at seven next morning. He went out very cheerfully with the half-dozen men told off for the purpose, evidently thinking that they were going to be the death of somebody unknown. But observing in the procession an empty wheelbarrow and a double-barrelled gun, he became meditative, and fixed the bearer of the gun with his eyes. A stone deftly thrown across him by the village blackguard (chief mourner) caused him to look round for an instant, and he then fell dead, shot through the heart. Two posthumous children are at this moment rolling on the lawn; one will evidently inherit his ferocity, and will probably inherit the gun. The pheasant was a little ailing towards Christmas Day, and was found dead under some ivy in his cage, with his head under his wing, on the morning of the twenty-seventh of December, one thousand eight hundred and sixty-six. I, proprietor of the remains of the two deceased, am working hard, getting up "Barbox" and "The Boy at Mugby," with which I begin a new series of readings in London on the fifteenth. Next morning I believe I start into the country. When I read, I don't write. I only edit, and have the proof-sheets sent me for the purpose. Here are your questions answered.

The big dog, one autumn day last year, grabbed a little girl (the sister of one of the servants) whom he recognized and was supposed to respect. He was beaten by his owner and sentenced to be shot the next morning at seven. He went out happily with the half-dozen men assigned for the task, clearly thinking they were going to harm someone unknown. But when he spotted an empty wheelbarrow and a double-barreled gun in the procession, he became thoughtful and locked eyes with the gunman. A stone expertly thrown at him by the local troublemaker (the chief mourner) made him look away for a moment, and then he fell dead, shot through the heart. Two posthumous pups are currently playing on the lawn; one will obviously inherit his aggression and will likely get the gun. The pheasant was feeling a bit unwell around Christmas Day and was found dead under some ivy in its cage, with its head tucked under its wing, on the morning of December twenty-seventh, eighteen sixty-six. I, the owner of the remains of the two deceased, am busy preparing "Barbox" and "The Boy at Mugby," which I will begin a new series of readings in London on the fifteenth. I believe I’m heading out to the countryside the next morning. When I read, I don't write. I only edit and have the proof sheets sent to me for that purpose. Here are your questions answered.

As to the Reform question, it should have been, and could have been, perfectly known to any honest man in England that the more intelligent part of the great masses were deeply dissatisfied with the state of representation, but were in a very moderate and patient condition, awaiting the better intellectual cultivation of numbers of their fellows. The old insolent resource of assailing them and making the most audaciously wicked statements that they are politically[270] indifferent, has borne the inevitable fruit. The perpetual taunt, "Where are they?" has called them out with the answer: "Well then, if you must know, here we are." The intolerable injustice of vituperating the bribed to an assembly of bribers, has goaded their sense of justice beyond endurance. And now, what they would have taken they won't take, and whatever they are steadily bent upon having they will get. Rely upon it, this is the real state of the case. As to your friend "Punch," you will find him begin to turn at the very selfsame instant when the new game shall manifestly become the losing one. You may notice his shoes pinching him a little already.

Regarding the Reform issue, it should have been clear to any honest person in England that the more knowledgeable part of the larger masses was quite unhappy with the current state of representation, but they were in a very moderate and patient mindset, waiting for their peers to become more educated. The old arrogant tactic of attacking them and making audaciously dishonest claims that they are politically indifferent has had the expected outcome. The constant jeer of "Where are they?" has prompted them to respond: "Well, if you really want to know, here we are." The unbearable injustice of criticizing the bribed in front of a group of bribers has pushed their sense of fairness to its limit. Now, what they would have accepted before, they won't tolerate anymore, and what they are determined to achieve, they will obtain. Trust me, this is the real situation. As for your friend "Punch," you will see him start to shift the moment the new situation clearly turns into a losing one. You might even notice that his shoes are starting to pinch a bit already.

My dear fellow, I have no more power to stop that mutilation of my books than you have. It is as certain as that every inventor of anything designed for the public good, and offered to the English Government, becomes ipso facto a criminal, to have his heart broken on the circumlocutional wheel. It is as certain as that the whole Crimean story will be retold, whenever this country again goes to war. And to tell the truth, I have such a very small opinion of what the great genteel have done for us, that I am very philosophical indeed concerning what the great vulgar may do, having a decided opinion that they can't do worse.

My dear friend, I have no more ability to stop the destruction of my books than you do. It’s as certain as that every inventor of something meant for the public good, when offered to the English Government, automatically becomes a criminal, destined to have their heart broken on the circumlocutional wheel. It's as certain as that the entire Crimean story will be retold whenever this country goes to war again. Honestly, I think so little of what the upper class has done for us that I’m quite indifferent about what the ordinary folks might do, firmly believing they can’t do any worse.

This is the time of year when the theatres do best, there being still numbers of people who make it a sort of religion to see Christmas pantomimes. Having my annual houseful, I have, as yet, seen nothing. Fechter has neither pantomime nor burlesque, but is doing a new version of the old "Trente Ans de la Vie d'un Joueur." I am afraid he will not find his account in it. On the whole, the theatres, except in the articles of scenery and pictorial effect, are poor enough. But in some of the smaller houses there are[271] actors who, if there were any dramatic head-quarters as a school, might become very good. The most hopeless feature is, that they have the smallest possible idea of an effective and harmonious whole, each "going in" for himself or herself. The music-halls attract an immense public, and don't refine the general taste. But such things as they do are well done of their kind, and always briskly and punctually.

This time of year is when theaters get the most business, as many people have made it a tradition to watch Christmas pantomimes. While I've got my usual crowd at home, I haven’t seen anything yet. Fechter doesn’t have a pantomime or burlesque but is putting together a new version of the old “Trente Ans de la Vie d'un Joueur.” I’m worried he won’t find success with it. Overall, the theaters, aside from the scenery and visual effects, are quite lacking. However, in some of the smaller venues, there are actors who could become quite good if there were a proper dramatic school. The most discouraging part is that they have a very limited understanding of creating an effective and cohesive performance, with each one focused on their own role. Music halls draw in huge crowds and do little to elevate general taste. Nevertheless, what they do manage to put on is well-executed and always energetic and on time.

The American yacht race is the last sensation. I hope the general interest felt in it on this side will have a wholesome interest on that. It will be a woeful day when John and Jonathan throw their caps into the ring. The French Emperor is indubitably in a dangerous state. His Parisian popularity wanes, and his army are discontented with him. I hear on high authority that his secret police are always making discoveries that render him desperately uneasy.

The American yacht race is the latest buzz. I hope the general excitement here will have a positive impact there. It will be a terrible day when John and Jonathan throw their hats into the ring. The French Emperor is definitely in a precarious position. His popularity in Paris is fading, and his army is unhappy with him. I’ve heard from reliable sources that his secret police are constantly making discoveries that make him really anxious.

You know how we have been swindling in these parts. But perhaps you don't know that Mr. ——, the "eminent" contractor, before he fell into difficulties settled one million of money on his wife. Such a good and devoted husband!

You know how we've been cheating around here. But maybe you don't know that Mr. ——, the "famous" contractor, before he hit hard times, set aside one million dollars for his wife. What a good and devoted husband!

My daughter Katie has been very ill of nervous fever. On the 27th of December she was in a condition to be brought down here (old high road and post-horses), and has been steadily getting better ever since. Her husband is here too, and is on the whole as well as he ever is or ever will be, I fear.

My daughter Katie has been very sick with nervous fever. On December 27th, she was well enough to be brought down here (old high road and post-horses), and she has been steadily improving ever since. Her husband is here too, and he’s about as well as he ever is or ever will be, I’m afraid.

We played forfeit-games here, last night, and then pool. For a billiard-room has been added to the house since you were here. Come and play a match with me.

We played some forfeit games here last night, and then we played pool. A billiard room has been added to the house since you were last here. Come and play a match with me.

Always affectionately.
Miss Hogarth.


Adelphi Hotel, Liverpool, Monday, Jan. 21st, 1867.
My dear Georgy,

First I send you my most affectionate wishes for many, many happy returns of your birthday. That done, from my heart of hearts, I go on to my small report of myself.

First, I send you my warmest wishes for many, many happy birthdays. Now that’s out of the way, from the bottom of my heart, here’s my little update about myself.

The readings have produced such an immense effect here that we are coming back for two more in the middle of February. "Marigold" and the "Trial," on Friday night, and the "Carol," on Saturday afternoon, were a perfect furore; and the surprise about "Barbox" has been amusingly great. It is a most extraordinary thing, after the enormous sale of that Christmas number, that the provincial public seems to have combined to believe that it won't make a reading. From Wolverhampton and Leeds we have exactly the same expression of feelings beforehand. Exactly as I made "Copperfield"—always to the poorest houses I had with Headland, and against that luminary's entreaty—so I should have to make this, if I hadn't "Marigold" always in demand.

The readings have had such a huge impact here that we’re coming back for two more in the middle of February. “Marigold” and “The Trial” on Friday night, and “The Carol” on Saturday afternoon, were a total hit; and the buzz about “Barbox” has been surprisingly big. It’s quite remarkable, after the huge sales of that Christmas edition, that the local audience seems to have come together to think that it won’t be a hit. From Wolverhampton and Leeds, we’re getting the same reactions ahead of time. Just like I did with “Copperfield”—always at the least packed venues I had with Headland, and against that star’s advice—so I would have to do with this if I didn’t have “Marigold” always in demand.

It being next to impossible for people to come out at night with horses, we have felt the weather in the stalls, and expect to do so through this week. The half-crown and shilling publics have crushed to their places most splendidly. The enthusiasm has been unbounded. On Friday night I quite astonished myself; but I was taken so faint afterwards that they laid me on a sofa at the hall for half an hour. I attribute it to my distressing inability to sleep at night, and to nothing worse.

It’s nearly impossible for people to get out at night with horses, so we’ve noticed the weather in the stalls and expect to keep feeling it this week. The pubs that charge a half-crown and a shilling have filled up beautifully. The excitement has been overwhelming. On Friday night, I completely surprised myself; but I felt so faint afterward that they put me on a sofa in the hall for half an hour. I think it’s just my frustrating inability to sleep at night, and nothing more serious.

Scott does very well indeed. As a dresser he is perfect. In a quarter of an hour after I go into the retiring-room, where all my clothes are airing and everything is set out[273] neatly in its own allotted space, I am ready; and he then goes softly out, and sits outside the door. In the morning he is equally punctual, quiet, and quick. He has his needles and thread, buttons, and so forth, always at hand; and in travelling he is very systematic with the luggage. What with Dolby and what with this skilful valet, everything is made as easy to me as it possibly can be, and Dolby would do anything to lighten the work, and does everything.

Scott is really great at his job. As a dresser, he's perfect. Within fifteen minutes of stepping into the dressing room, where all my clothes are airing out and everything is neatly arranged in its designated spot[273], I’m all set; then he quietly steps outside and sits by the door. In the morning, he's just as punctual, quiet, and fast. He always has his needles, thread, buttons, and everything else ready to go; and when we travel, he's very organized with the luggage. Thanks to Dolby and this skilled valet, everything is made as easy for me as possible, and Dolby goes out of his way to make my life easier and does everything he can.

There is great distress here among the poor (four thousand people relieved last Saturday at one workhouse), and there is great anxiety concerning seven mail-steamers some days overdue. Such a circumstance as this last has never been known. It is supposed that some great revolving storm has whirled them all out of their course. One of these missing ships is an American mail, another an Australian mail.

There is a lot of distress here among the poor (four thousand people were helped last Saturday at one workhouse), and there is a lot of worry about seven mail steamers that are several days overdue. Such a situation has never been seen before. It’s believed that a major storm has thrown them all off course. One of these missing ships is an American mail boat, and another is an Australian mail boat.



Same Afternoon.

We have been out for four hours in the bitter east wind, and walking on the sea-shore, where there is a broad strip of great blocks of ice. My hands are so rigid that I write with great difficulty.

We’ve been out for four hours in the cold east wind, walking along the beach, where there’s a wide stretch of huge ice blocks. My hands are so stiff that it’s really hard to write.

We have been constantly talking of the terrible Regent's Park accident. I hope and believe that nearly the worst of it is now known.

We have been talking a lot about the awful Regent's Park accident. I hope and believe that we now know most of the details.

Miss Dickens.


Chester, Tuesday, Jan. 22nd, 1867.
My beloved Mamie,

We came over here from Liverpool at eleven this forenoon. There was a heavy swell in the Mersey breaking over the boat; the cold was nipping, and all the roads we saw as we came along were wretched. We find a very[274] moderate let here; but I am myself rather surprised to know that a hundred and twenty stalls have made up their minds to the undertaking of getting to the hall. This seems to be a very nice hotel, but it is an extraordinarily cold one. Our reading for to-night is "Marigold" and "Trial." With amazing perversity the local agent said to Dolby: "They hoped that Mr. Dickens might have given them 'The Boy at Mugby.'"

We came over here from Liverpool at eleven this morning. There was a heavy swell in the Mersey crashing over the boat; the cold was biting, and all the roads we saw along the way were terrible. We're finding a very moderate let here; but I'm actually pretty surprised to know that a hundred and twenty stalls have committed to the task of getting to the hall. This seems to be a really nice hotel, but it's extremely cold. Our reading for tonight is "Marigold" and "Trial." In an astonishingly odd turn, the local agent said to Dolby: "They hoped that Mr. Dickens might have given them 'The Boy at Mugby.'"

Barton, the gasman who succeeded the man who sprained his leg, sprained his leg yesterday!! And that, not at his work, but in running downstairs at the hotel. However, he has hobbled through it so far, and I hope will hobble on, for he knows his work.

Barton, the gas guy who took over for the man who injured his leg, injured his leg yesterday!! And that wasn’t even at work, but from running downstairs at the hotel. Still, he’s managed to get by so far, and I hope he keeps it up, because he knows his stuff.

I have seldom seen a place look more hopelessly frozen up than this place does. The hall is like a Methodist chapel in low spirits, and with a cold in its head. A few blue people shiver at the corners of the streets. And this house, which is outside the town, looks like an ornament on an immense twelfth cake baked for 1847.

I have rarely seen a place that looks more completely frozen than this one does. The hall feels like a Methodist chapel that’s down in the dumps and stuffy with a cold. A few gloomy people are huddled in the corners of the streets. And this house, situated outside of town, resembles a decoration on a huge cake made for a celebration in 1847.

I am now going to the fire to try to warm myself, but have not the least expectation of succeeding. The sitting-room has two large windows in it, down to the ground and facing due east. The adjoining bedroom (mine) has also two large windows in it, down to the ground and facing due east. The very large doors are opposite the large windows, and I feel as if I were something to eat in a pantry.

I’m headed to the fire to see if I can warm up, but I don't really expect it to work. The living room has two big windows that go all the way down to the ground and face east. My bedroom next door also has two big windows that go down to the ground and face east. The really big doors are across from the large windows, and I feel like I’m something to eat in a pantry.

Miss Hogarth.


Hen & Chickens, Birmingham, Thursday, Jan. 24th, 1867.

At Chester we read in a snowstorm and a fall of ice. I think it was the worst weather I ever saw. Nevertheless, the people were enthusiastic. At Wolverhampton last night the thaw had thoroughly set in, and it rained heavily. We[275] had not intended to go back there, but have arranged to do so on the day after Ash Wednesday. Last night I was again heavily beaten. We came on here after the reading (it is only a ride of forty minutes), and it was as much as I could do to hold out the journey. But I was not faint, as at Liverpool; I was only exhausted. I am all right this morning; and to-night, as you know, I have a rest. I trust that Charley Collins is better, and that Mamie is strong and well again. Yesterday I had a note from Katie, which seemed hopeful and encouraging.

At Chester, we dealt with a snowstorm and ice. I think it was the worst weather I've ever seen. Still, the people were really excited. In Wolverhampton last night, the thaw had fully set in, and it was pouring rain. We[275] hadn't planned to go back there, but we've decided to do it on the day after Ash Wednesday. Last night, I got beaten pretty badly again. We came here after the reading (it's only a forty-minute ride), and it took everything I had to make it through the journey. But I wasn't faint like I was in Liverpool; I was just worn out. I'm doing fine this morning, and tonight, as you know, I get a break. I hope Charley Collins is feeling better and that Mamie is strong and healthy again. Yesterday, I got a note from Katie that seemed hopeful and encouraging.

Miss Dickens.


Hen and Chickens, Birmingham, Thursday, Jan. 24th, 1867.

Since I wrote to your aunt just now, I have received your note addressed to Wolverhampton. We left the men there last night, and they brought it on with them at noon to-day.

Since I just wrote to your aunt, I've received your note addressed to Wolverhampton. We left the guys there last night, and they brought it along with them at noon today.

The maimed gasman's foot is much swollen, but he limps about and does his work. I have doctored him up with arnica. During the "Boy" last night there was an escape of gas from the side of my top batten, which caught the copper-wire and was within a thread of bringing down the heavy reflector into the stalls. It was a very ticklish matter, though the audience knew nothing about it. I saw it, and the gasman and Dolby saw it, and stood at that side of the platform in agonies. We all three calculated that there would be just time to finish and save it; when the gas was turned out the instant I had done, the whole thing was at its very last and utmost extremity. Whom it would have tumbled on, or what might have been set on fire, it is impossible to say.[276]

The injured gasman's foot is really swollen, but he limps around and gets his job done. I've treated him with arnica. During the "Boy" last night, there was a gas leak from the side of my top batten that ignited the copper wire and almost caused the heavy reflector to crash down into the audience. It was a very risky situation, although the audience had no idea. I noticed it, and the gasman and Dolby saw it too; we all stood on that side of the stage, anxious. We all figured there was just enough time to finish and prevent an accident; when the gas was turned off right after I finished, everything was at its absolute limit. It's impossible to say who it would have fallen on or what might have caught fire.[276]

I hope you rewarded your police escort on Tuesday night. It was the most tremendous night I ever saw at Chester.

I hope you thanked your police escort on Tuesday night. It was the most amazing night I’ve ever seen at Chester.

Miss Dickens.


Leeds, Friday, Feb. 1st, 1867.

We got here prosperously, and had a good (but not great) house for "Barbox" and "Boy" last night. For "Marigold" and "Trial," to-night, everything is gone. And I even have my doubts of the possibility of Dolby's cramming the people in. For "Marigold" and "Trial" at Manchester, to-morrow, we also expect a fine hall.

We arrived in good shape and had a nice (but not amazing) house for "Barbox" and "Boy" last night. Tonight, everything is sold out for "Marigold" and "Trial." I'm even skeptical about whether Dolby can pack the place. Tomorrow in Manchester, we’re also expecting a great turnout for "Marigold" and "Trial."

I shall be at the office for next Wednesday. If Charley Collins should have been got to Gad's, I will come there for that day. If not, I suppose we had best open the official bower again.

I’ll be at the office next Wednesday. If Charley Collins has made it to Gad's, I’ll come there that day. If not, I guess we should reopen the official bower.

This is a beastly place, with a very good hotel. Except Preston, it is one of the nastiest places I know. The room is like a capacious coal cellar, and is incredibly filthy; but for sound it is perfect.

This is a terrible place, with a really nice hotel. Aside from Preston, it’s one of the worst places I know. The room is like a spacious coal cellar and is incredibly dirty; but it’s perfect for sound.

Anonymous.


Office of "All the Year Round"," Tuesday, Feb. 5th, 1867.
Dear Sir/Madam,

I have looked at the larger half of the first volume of your novel, and have pursued the more difficult points of the story through the other two volumes.

I have read most of the first volume of your novel and have followed the more challenging aspects of the story in the other two volumes.

You will, of course, receive my opinion as that of an individual writer and student of art, who by no means claims to be infallible.

You will, of course, get my opinion as an individual writer and art student, who definitely doesn't claim to be perfect.

I think you are too ambitious, and that you have not sufficient knowledge of life or character to venture on so [277]comprehensive an attempt. Evidences of inexperience in every way, and of your power being far below the situations that you imagine, present themselves to me in almost every page I have read. It would greatly surprise me if you found a publisher for this story, on trying your fortune in that line, or derived anything from it but weariness and bitterness of spirit.

I think you’re too ambitious, and you don’t have enough understanding of life or people to take on such a broad project. Signs of inexperience in many ways, and your abilities being far below the situations you envision, show up in almost every page I've read. I would be very surprised if you managed to get a publisher for this story when you try your luck in that area, or if you gained anything from it other than exhaustion and frustration.

On the evidence thus put before me, I cannot even entirely satisfy myself that you have the faculty of authorship latent within you. If you have not, and yet pursue a vocation towards which you have no call, you cannot choose but be a wretched man. Let me counsel you to have the patience to form yourself carefully, and the courage to renounce the endeavour if you cannot establish your case on a very much smaller scale. You see around you every day, how many outlets there are for short pieces of fiction in all kinds. Try if you can achieve any success within these modest limits (I have practised in my time what I preach to you), and in the meantime put your three volumes away.

Based on the evidence presented, I can’t fully convince myself that you have the talent for writing within you. If you don’t, and you continue to pursue a career that doesn’t suit you, you’ll only end up miserable. I advise you to take the time to develop your skills carefully and have the courage to step back if you can’t prove yourself on a much smaller scale. You see every day how many opportunities there are for short fiction in different forms. See if you can find any success within these manageable limits (I’ve practiced what I’m preaching to you), and in the meantime, set your three volumes aside.

Faithfully yours.

P.S.—Your MS. will be returned separately from this office.

P.S.—Your manuscript will be sent back from this office separately.

Miss Hogarth.


Liverpool, Friday, Feb. 15th, 1867.

My short report of myself is that we had an enormous turn-away last night, and do not doubt about having a cram to-night. The day has been very fine, and I have turned it to the wholesomest account by walking on the sands at New Brighton all the morning. I am not quite right, but believe it to be an effect of the railway shaking. There is no doubt of the fact that, after the Staplehurst experience, it tells[278] more and more, instead of (as one might have expected) less and less.

My brief update on myself is that we had a huge turnout last night, and I have no doubt there will be a full house tonight. The day has been really nice, and I made the most of it by walking along the beach at New Brighton all morning. I'm not feeling quite right, but I think it's due to the vibrations from the train. There's no denying that, after the Staplehurst incident, it affects me more and more, instead of (as one might expect) less and less.[278]

The charming room here greatly lessens the fatigue of this fatiguing week. I read last night with no more exertion than if I had been at Gad's, and yet to eleven hundred people, and with astonishing effect. It is "Copperfield" to-night, and Liverpool is the "Copperfield" stronghold.

The cozy room here really eases the tiredness from this exhausting week. I read last night with hardly any effort, just like if I had been at Gad's, and still made a big impact on eleven hundred people. Tonight, it’s "Copperfield," and Liverpool is the "Copperfield" hub.

Miss Dickens.


Glasgow, Sunday, Feb. 17th, 1867.

We arrived here this morning at our time to the moment, five minutes past ten. We turned away great numbers on both nights at Liverpool; and Manchester last night was a splendid spectacle. They cheered to that extent after it was over, that I was obliged to huddle on my clothes (for I was undressing to prepare for the journey), and go back again.

We got here this morning right on time, five minutes past ten. We had to turn away a lot of people on both nights in Liverpool, and last night’s show in Manchester was amazing. The crowd cheered so much when it ended that I had to quickly throw my clothes back on (I was in the middle of getting undressed to get ready for the trip) and go back out again.

After so heavy a week, it was rather stiff to start on this long journey at a quarter to two in the morning; but I got more sleep than I ever got in a railway-carriage before, and it really was not tedious. The travelling was admirable, and a wonderful contrast to my friend the Midland.

After such a tough week, it was pretty tough to start this long journey at a quarter to two in the morning; but I actually got more sleep than I ever have in a train before, and it really wasn’t boring. The travel experience was fantastic and a great contrast to my friend from the Midland.

I am not by any means knocked up, though I have, as I had in the last series of readings, a curious feeling of soreness all round the body, which I suppose to arise from the great exertion of voice. It is a mercy that we were not both made really ill at Liverpool. On Friday morning I was taken so faint and sick, that I was obliged to leave the table. On the same afternoon the same thing happened to Dolby. We then found that a part of the hotel close to us was dismantled for painting, and that they were at that moment[279] painting a green passage leading to our rooms, with a most horrible mixture of white lead and arsenic. On pursuing the enquiry, I found that the four lady book-keepers in the bar were all suffering from the poison.

I’m definitely not pregnant, but I do have this strange soreness all over my body, which I think comes from using my voice so much. It’s a relief we didn’t both end up really sick in Liverpool. On Friday morning, I felt so faint and nauseous that I had to leave the table. The same thing happened to Dolby that afternoon. We discovered that part of the hotel near us was being painted, and they were currently painting a green hallway leading to our rooms with a terrible mix of white lead and arsenic. After digging a little deeper, I found out that the four female bookkeepers at the bar were all suffering from the poison.

Miss Hogarth.


Bridge of Allan, Tuesday, Feb. 19th, 1867.

I was very glad to get your letter before leaving Glasgow this morning. This is a poor return for it, but the post goes out early, and we come in late.

I was really happy to receive your letter before leaving Glasgow this morning. This is a small response, but the mail goes out early, and we come in late.

Yesterday morning I was so unwell that I wrote to Frank Beard, from whom I shall doubtless hear to-morrow. I mention it, only in case you should come in his way, for I know how perversely such things fall out. I felt it a little more exertion to read afterwards, and I passed a sleepless night after that again; but otherwise I am in good force and spirits to-day. I may say, in the best force.

Yesterday morning I felt so bad that I wrote to Frank Beard, and I’m sure I’ll hear back from him tomorrow. I mention this just in case you run into him, because I know how oddly things can happen. I found it a bit harder to read afterwards, and I had another sleepless night; but other than that, I’m feeling strong and in good spirits today. I can say I’m feeling my best.

The quiet of this little place is sure to do me good. The little inn in which we are established seems a capital house of the best country sort.

The calmness of this small place is definitely good for me. The little inn where we're staying seems like a great country spot.

Miss Dickens.


Glasgow, Thursday, Feb. 21st, 1867.

After two days' rest at the Bridge of Allan I am in renewed force, and have nothing to complain of but inability to sleep. I have been in excellent air all day since Tuesday at noon, and made an interesting walk to Stirling yesterday, and saw its lions, and (strange to relate) was not bored by them. Indeed, they left me so fresh that I knocked at the gate of the prison, presented myself to the governor, and took Dolby over the jail, to his unspeakable interest.[280] We then walked back again to our excellent country inn.

After resting for two days at the Bridge of Allan, I feel re-energized and can only complain about not being able to sleep. I've been enjoying great air since Tuesday afternoon, and yesterday I took an interesting walk to Stirling, where I checked out its highlights and, surprisingly, wasn't bored by them. In fact, I felt so refreshed that I knocked on the prison gate, introduced myself to the governor, and took Dolby on a tour of the jail, which fascinated him immensely.[280] We then walked back to our wonderful country inn.

Enclosed is a letter from Alfred, which you and your aunt will be interested in reading, and which I meant to send you sooner but forgot it. Wonderful as it is to mention, the sun shines here to-day! But to counterbalance that phenomenon I am in close hiding from ——, who has christened his infant son in my name, and, consequently, haunts the building. He and Dolby have already nearly come into collision, in consequence of the latter being always under the dominion of the one idea that he is bound to knock everybody down who asks for me.

Enclosed is a letter from Alfred that you and your aunt will want to read, and I meant to send it to you earlier but forgot. As amazing as it is to say, the sun is shining here today! But to balance that out, I’m hiding from ——, who has named his baby son after me and, as a result, is lurking around the building. He and Dolby have almost had an altercation because Dolby is always fixated on the idea that he’s supposed to knock down anyone who asks for me.


The "Jewish lady," wishing to mark her "appreciation of Mr. Dickens's nobility of character," presented him with a copy of Benisch's Hebrew and English Bible, with this inscription: "Presented to Charles Dickens, in grateful and admiring recognition of his having exercised the noblest quality man can possess—that of atoning for an injury as soon as conscious of having inflicted it."

The "Jewish lady," wanting to show her "appreciation for Mr. Dickens's amazing character," gave him a copy of Benisch's Hebrew and English Bible, with this inscription: "Presented to Charles Dickens, in grateful and admiring recognition of his having shown the noblest quality a person can have—that of making amends for a wrong as soon as he realizes he has caused it."

The acknowledgment of the gift is the following letter:

The acknowledgment of the gift is this letter:

Jewish Lady.


Bradford, UK, Friday, March 1st, 1867.
Dear Mrs. ——,

I am working through a series of readings, widely dispersed through England, Scotland, and Ireland, and am so constantly occupied that it is very difficult for me to write letters. I have received your highly esteemed note (forwarded from my home in Kent), and should have replied to it sooner but that I had a hope of being able to get home and see your present first. As I have not been able to do so, however, and am hardly likely to do so for two months[281] to come, I delay no longer. It is safely awaiting me on my own desk in my own quiet room. I cannot thank you for it too cordially, and cannot too earnestly assure you that I shall always prize it highly. The terms in which you send me that mark of your remembrance are more gratifying to me than I can possibly express to you; for they assure me that there is nothing but goodwill left between you and me and a people for whom I have a real regard, and to whom I would not wilfully have given an offence or done an injustice for any worldly consideration.

I'm going through a series of readings all across England, Scotland, and Ireland, and I'm so busy that it's really hard for me to write letters. I got your valued note (forwarded from my home in Kent), and I would have replied sooner, but I was hoping to get home and see your gift first. Since I haven't been able to do that and probably won't be able to for another two months[281], I won't wait any longer. It's safely waiting for me on my desk in my quiet room. I can't thank you enough for it, and I want to assure you that I will always cherish it. The way you expressed your remembrance means more to me than I can say; it shows me that there’s only goodwill left between us and a community that I genuinely care about. I would never want to offend or wrong them for any material gain.

Believe me, very faithfully yours.
Miss Hogarth.


Newcastle upon Tyne, Wednesday, March 6th, 1867.

The readings have made an immense effect in this place, and it is remarkable that although the people are individually rough, collectively they are an unusually tender and sympathetic audience; while their comic perception is quite up to the high London standard. The atmosphere is so very heavy that yesterday we escaped to Tynemouth for a two hours' sea walk. There was a high north wind blowing and a magnificent sea running. Large vessels were being towed in and out over the stormy bar, with prodigious waves breaking on it; and spanning the restless uproar of the waters was a quiet rainbow of transcendent beauty. The scene was quite wonderful. We were in the full enjoyment of it when a heavy sea caught us, knocked us over, and in a moment drenched us, and filled even our pockets. We had nothing for it but to shake ourselves together (like Doctor Marigold) and dry ourselves as well as we could by hard walking in the wind and sunshine! But we were wet through for all that when we came back here to dinner after half an hour's railway ride.[282]

The readings have had a huge impact here, and it's interesting that even though the people are individually rough around the edges, together they make for an unusually kind and understanding audience; their sense of humor is right on par with the high standards of London. The atmosphere feels incredibly heavy, so yesterday we took a break and headed to Tynemouth for a two-hour walk by the sea. A strong north wind was blowing, and the sea was magnificent. Large ships were being towed in and out over the turbulent bar, with massive waves crashing against it; and arching over the chaotic waters was a stunning rainbow of extraordinary beauty. The scene was just amazing. We were fully enjoying it when a big wave hit us, knocked us over, soaked us completely, and even filled our pockets. All we could do was shake ourselves off (like Doctor Marigold) and try to dry off as best we could by walking hard in the wind and sunshine! But we were soaked to the skin when we got back here for dinner after a half-hour train ride.[282]

I am wonderfully well, and quite fresh and strong. Have had to doctor Dolby for a bad cold; have not caught it (yet), and have set him on his legs again.

I’m feeling great, and I’m fresh and strong. I’ve had to take care of Dolby for a bad cold; I haven’t caught it (yet), and I’ve helped him get back on his feet.

Scott is striking the tents and loading the baggages, so I must deliver up my writing-desk. We meet, please God, on Tuesday.

Scott is taking down the tents and loading the luggage, so I have to turn in my writing desk. We’ll meet, God willing, on Tuesday.

Miss Hogarth.


Shelbourne Hotel, Dublin, Friday, March 15th, 1867.

We made our journey through an incessant snowstorm on Wednesday night; at last got snowed up among the Welsh mountains in a tremendous storm of wind, came to a stop, and had to dig the engine out. We went to bed at Holyhead at six in the morning of Thursday, and got aboard the packet at two yesterday afternoon. It blew hard, but as the wind was right astern, we only rolled and did not pitch much. As I walked about on the bridge all the four hours, and had cold salt beef and biscuit there and brandy-and-water, you will infer that my Channel training has not worn out.

We traveled through a nonstop snowstorm on Wednesday night and ended up stuck in the Welsh mountains during a huge windstorm. We finally came to a halt and had to dig the engine out. We went to bed in Holyhead at six in the morning on Thursday and boarded the ferry at two yesterday afternoon. It was really windy, but since the wind was directly behind us, we just rolled instead of pitching too much. As I walked around on the bridge for all four hours, eating cold salt beef and biscuits with brandy-and-water, you can tell that my Channel training hasn’t faded.

Our "business" here is very bad, though at Belfast it is enormous. There is no doubt that great alarm prevails here. This hotel is constantly filling and emptying as families leave the country, and set in a current to the steamers. There is apprehension of some disturbance between to-morrow night and Monday night (both inclusive), and I learn this morning that all the drinking-shops are to be closed from to-night until Tuesday. It is rumoured here that the Liverpool people are very uneasy about some apprehended disturbance there at the same time. Very likely you will know more about this than I do, and very likely it may be nothing. There is no doubt[283] whatever that alarm prevails, and the manager of this hotel, an intelligent German, is very gloomy on the subject. On the other hand, there is feasting going on, and I have been asked to dinner-parties by divers civil and military authorities.

Our situation here is really bad, but in Belfast, it's huge. There's no doubt that there's a lot of fear in the air. This hotel is constantly filling up and emptying out as families leave the country, heading for the steamers. People are worried about some kind of disturbance happening between tomorrow night and Monday night (including both days), and I found out this morning that all the bars will be closed from tonight until Tuesday. There's talk that people in Liverpool are also quite worried about a potential disturbance there at the same time. You probably know more about this than I do, and it could very well turn out to be nothing. There’s no doubt[283] that fear is present, and the manager of this hotel, an insightful German, is really gloomy about it. On the flip side, there are celebrations happening, and I've been invited to dinner parties by various civil and military officials.

Don't you be uneasy, I say once again. You may be absolutely certain that there is no cause for it. We are splendidly housed here, and in great comfort.

Don't you worry, I say again. You can be completely sure that there's no reason to. We're wonderfully settled here, and very comfortable.

Love to Charley and Katey.

Love to Charley and Kate.

Miss Dickens.


Shelbourne Hotel, Dublin, Saturday, March 16th, 1867.

I daresay you know already that I held many councils in London about coming to Ireland at all, and was much against it. Everything looked as bad here as need be, but we did very well last night after all.

I bet you already know that I had a lot of meetings in London about whether to come to Ireland at all, and I was really against it. Everything seemed just as bad here as it could be, but we actually did pretty well last night.

There is considerable alarm here beyond all question, and great depression in all kinds of trade and commerce. To-morrow being St. Patrick's Day, there are apprehensions of some disturbance, and croakers predict that it will come off between to-night and Monday night. Of course there are preparations on all sides, and large musters of soldiers and police, though they are kept carefully out of sight. One would not suppose, walking about the streets, that any disturbance was impending; and yet there is no doubt that the materials of one lie smouldering up and down the city and all over the country. [I have a letter from Mrs. Bernal Osborne this morning, describing the fortified way in which she is living in her own house in the County Tipperary.]

There’s a lot of worry here, without a doubt, and a serious downturn in all types of trade and business. Tomorrow is St. Patrick's Day, and there are fears of some unrest, with pessimists predicting it will happen between tonight and Monday night. Naturally, preparations are being made all around, with large gatherings of soldiers and police, though they are being kept out of sight. You wouldn’t guess that any trouble was brewing just by walking around the streets; yet it's clear that the potential for unrest is smoldering throughout the city and across the country. [I received a letter from Mrs. Bernal Osborne this morning, describing how fortified her living situation is in her home in County Tipperary.]

You may be quite sure that your venerable parent will take good care of himself. If any riot were to break out,[284] I should immediately stop the readings here. Should all remain quiet, I begin to think they will be satisfactorily remunerative after all. At Belfast, we shall have an enormous house. I read "Copperfield" and "Bob" here on Monday; "Marigold" and "Trial" at Belfast, on Wednesday; and "Carol" and "Trial" here, on Friday. This is all my news, except that I am in perfect force.

You can be confident that your wise parent will take good care of himself. If any disturbances were to break out,[284] I would immediately stop the readings here. If everything stays calm, I’m starting to think they’ll be pretty rewarding after all. In Belfast, we’re expecting a huge crowd. I read "Copperfield" and "Bob" here on Monday; "Marigold" and "Trial" in Belfast on Wednesday; and "Carol" and "Trial" here on Friday. That’s all my news, except that I feel great.

Miss Hogarth.


Shelbourne Hotel, Dublin, Sunday, March 17th, 1867.

Everything remains in appearance perfectly quiet here. The streets are gay all day, now that the weather is improved, and singularly quiet and deserted at night. But the whole place is secretly girt in with a military force. To-morrow night is supposed to be a critical time; but in view of the enormous preparations, I should say that the chances are at least one hundred to one against any disturbance.

Everything seems perfectly calm here. The streets are lively all day now that the weather has gotten better, but they're strangely quiet and empty at night. However, the whole area is secretly surrounded by military forces. Tomorrow night is expected to be crucial; but considering the massive preparations, I'd say the odds are at least one hundred to one against any trouble.

I cannot make sure whether I wrote to you yesterday, and told you that we had done very well at the first reading after all, even in money. The reception was prodigious, and the readings are the town talk. But I rather think I did actually write this to you. My doubt on the subject arises from my having deliberated about writing on a Saturday.

I can't be sure if I wrote to you yesterday and mentioned that we did really well at the first reading after all, even financially. The reception was amazing, and the readings are the talk of the town. But I think I actually did tell you this. My uncertainty comes from having thought about writing on a Saturday.

The most curious, and for facilities of mere destruction, such as firing houses in different quarters, the most dangerous piece of intelligence imparted to me on authority is, that the Dublin domestic men-servants as a class are all Fenians.[285]

The most interesting—and for the sake of causing destruction, like setting houses on fire in various neighborhoods—the most alarming information I’ve been given is that all the domestic male servants in Dublin are Fenians.[285]

Miss Hogarth.


Belfast, Wednesday, March 20th, 1867.

The post goes out at twelve, and I have only time to report myself. The snow not lying between this and Dublin, we got here yesterday to our time, after a cold but pleasant journey. Fitzgerald came on with us. I had a really charming letter from Mrs. Fitzgerald, asking me to stay there. She must be a perfectly unaffected and genuine lady. There are kind messages to you and Mary in it. I have sent it on to Mary, who will probably in her turn show it to you. We had a wonderful crowd at Dublin on Monday, and the greatest appreciation possible. We have a good let, in a large hall, here to-night. But I am perfectly convinced that the worst part of the Fenian business is to come yet.

The post goes out at noon, and I only have time to check in. Since there's no snow between here and Dublin, we arrived yesterday on schedule after a chilly but nice trip. Fitzgerald traveled with us. I received a lovely letter from Mrs. Fitzgerald inviting me to stay with them. She seems like a completely genuine and down-to-earth lady. There are some warm messages for you and Mary in it. I've forwarded it to Mary, who will probably show it to you. We had a fantastic crowd in Dublin on Monday, and the appreciation was incredible. We have a good booking for a large hall here tonight. But I am completely convinced that the worst part of the Fenian situation is still ahead.

All about the Fitzgeralds and everything else when we meet.

All about the Fitzgeralds and everything else when we meet.

Miss Dickens.


Belfast, Thursday, March 21st, 1867.

In spite of public affairs and dismal weather, we are doing wonders in Ireland.

Despite public issues and gloomy weather, we're achieving great things in Ireland.

That the conspiracy is a far larger and more important one than would seem from what it has done yet, there is no doubt. I have had a good deal of talk with a certain colonel, whose duty it has been to investigate it, day and night, since last September. That it will give a world of trouble, and cost a world of money, I take to be (after what I have thus learned) beyond all question. One regiment has been found to contain five hundred Fenian soldiers every man of whom was sworn in the barrack-yard. How information is swiftly and secretly conveyed all over the country, the Government with all its means and money[286] cannot discover; but every hour it is found that instructions, warnings, and other messages are circulated from end to end of Ireland. It is a very serious business indeed.

There’s no doubt that the conspiracy is much bigger and more significant than it appears based on its current actions. I’ve had quite a few discussions with a colonel whose job has been to investigate it day and night since last September. I think it’s clear that this will cause a lot of trouble and cost a lot of money, based on what I’ve learned. One regiment has been discovered to have five hundred Fenian soldiers, each of whom was sworn in the barrack yard. Despite all its resources and money, the Government can’t figure out how information is quickly and secretly spread all over the country; but every hour, it becomes clear that instructions, warnings, and other messages are being shared from one end of Ireland to the other. This is a very serious matter indeed.

I have just time to send this off, and to report myself quite well except for a slight cold.

I have just enough time to send this off and let you know that I'm doing well, except for a mild cold.

Miss Hogarth.


Norwich, Friday, March 29th, 1867.

The reception at Cambridge last night was something to be proud of in such a place. The colleges mustered in full force from the biggest guns to the smallest, and went far beyond even Manchester in the roars of welcome and the rounds of cheers. All through the readings, the whole of the assembly, old men as well as young, and women as well as men, took everything with a heartiness of enjoyment not to be described. The place was crammed, and the success the most brilliant I have ever seen.

The reception at Cambridge last night was something to be proud of in such a place. The colleges turned out in full force from the biggest names to the smallest, and surpassed even Manchester in the cheers and applause. Throughout the readings, everyone in the crowd, old and young, women and men alike, enjoyed everything with an indescribable enthusiasm. The place was packed, and the success was the most impressive I have ever seen.

What we are doing in this sleepy old place I don't know, but I have no doubt it is mild enough.

What we're doing in this quiet old place, I have no idea, but I'm sure it's pretty tame.

Mr. Walter Thornbury


Office of "All the Year Round",
Monday, April 1st, 1867.
My dear Thornbury,

I am very doubtful indeed about "Vaux," and have kept it out of the number in consequence. The mere details of such a rascal's proceedings, whether recorded by himself or set down by the Reverend Ordinary, are not wholesome for a large audience, and are scarcely justifiable (I think) as claiming to be a piece of literature. I can understand Barrington to be a good subject, as involving the representation of a period, a style of manners, an order[287] of dress, certain habits of street life, assembly-room life, and coffee-room life, etc.; but there is a very broad distinction between this and mere Newgate Calendar. The latter would assuredly damage your book, and be protested against to me. I have a conviction of it, founded on constant observation and experience here.

I have serious doubts about "Vaux," which is why I've left it out. The details of such a scoundrel's actions, whether written by him or noted by the Reverend Ordinary, aren't suitable for a large audience and hardly qualify (in my opinion) as literature. I see Barrington as a good topic because it reflects a certain time, way of life, style of manners, fashion, and particular customs of street life, social gatherings, and coffee house culture, etc.; however, there's a significant difference between this and just the Newgate Calendar. The latter would definitely hurt your book and would be something I would object to. I firmly believe this based on my constant observation and experience here.

Your kind invitation is extremely welcome and acceptable to me, but I am sorry to add that I must not go a-visiting. For this reason: So incessantly have I been "reading," that I have not once been at home at Gad's Hill since last January, and am little likely to get there before the middle of May. Judge how the master's eye must be kept on the place when it does at length get a look at it after so long an absence! I hope you will descry in this a reason for coming to me again, instead of my coming to you.

Your kind invitation is very welcome to me, but I’m sorry to say that I can’t visit. The reason is that I’ve been so busy reading that I haven’t been home at Gad’s Hill since last January, and I probably won’t be back until around mid-May. Just imagine how much the master must be keeping an eye on the place after such a long time away! I hope you see this as a reason for you to come to me again instead of me coming to you.

The extinct prize-fighters, as a body, I take to be a good subject, for much the same reason as George Barrington. Their patrons were a class of men now extinct too, and the whole ring of those days (not to mention Jackson's rooms in Bond Street) is a piece of social history. Now Vaux is not, nor is he even a phenomenon among thieves.

The vanished boxers, as a group, strike me as a fascinating topic, mainly for the same reason as George Barrington. Their supporters came from a class of men that’s gone, and the entire boxing scene of that time (not to mention Jackson's rooms in Bond Street) represents a part of social history. Now Vaux isn’t significant, nor is he even notable among thieves.

Faithfully yours always.
Mr. Clarkson Stanfield, R.A.


Gad's Hill Place, Higham near Rochester,
Thursday, April 18th, 1867.
My dear Stan,

The time of year reminds me how the months have gone, since I last heard from you through Mrs. Stanfield.

The time of year makes me think about how long it’s been since I last heard from you through Mrs. Stanfield.

I hope you have not thought me unmindful of you in the meanwhile. I have been almost constantly travelling and reading. England, Ireland, and Scotland have laid hold of me by turns, and I have had no rest. As soon as I had[288] finished this kind of work last year, I had to fall to work upon "All the Year Round" and the Christmas number. I was no sooner quit of that task, and the Christmas season was but run out to its last day, when I was tempted into another course of fifty readings that are not yet over. I am here now for two days, and have not seen the place since Twelfth Night. When a reading in London has been done, I have been brought up for it from some great distance, and have next morning been carried back again. But the fifty will be "paid out" (as we say at sea) by the middle of May, and then I hope to see you.

I hope you haven’t thought I’ve forgotten about you in the meantime. I've been traveling and reading almost nonstop. England, Ireland, and Scotland have each kept me busy, and I haven’t had a moment to rest. As soon as I finished this kind of work last year, I had to dive into "All the Year Round" and the Christmas issue. No sooner had I wrapped up that task, and the Christmas season just ended, than I got pulled into another series of fifty readings that are still ongoing. I’m here now for two days, and I haven't seen the place since Twelfth Night. After a reading in London is done, I've been brought in from quite far away, and the next morning I'm taken back again. But those fifty will be “paid out” (as we say at sea) by mid-May, and then I hope to see you.

Reading at Cheltenham the other day, I saw Macready, who sent his love to you. His face was much more massive and as it used to be, than when I saw him previous to his illness. His wife takes admirable care of him, and is on the happiest terms with his daughter Katie. His boy by the second marriage is a jolly little fellow, and leads a far easier life than the children you and I remember, who used to come in at dessert and have each a biscuit and a glass of water, in which last refreshment I was always convinced that they drank, with the gloomiest malignity, "Destruction to the gormandising grown-up company!"

While I was reading in Cheltenham the other day, I saw Macready, who sent his love to you. His face looked a lot more solid and as it used to be than when I saw him before his illness. His wife takes excellent care of him and gets along wonderfully with his daughter Katie. His son from his second marriage is a cheerful little guy, and he has a much easier life than the kids we remember who used to come in at dessert and each have a biscuit and a glass of water. I always felt they were drinking with the most gloomy malice, “Destruction to the gorging grown-up company!”

I hope to look up your latest triumphs on the day of the Academy dinner. Of course as yet I have had no opportunity of even hearing of what anyone has done. I have been (in a general way) snowed up for four months. The locomotive with which I was going to Ireland was dug out of the snow at midnight, in Wales. Both passages across were made in a furious snowstorm. The snow lay ankle-deep in Dublin, and froze hard at Belfast. In Scotland it slanted before a perpetual east wind. In Yorkshire, it derived novelty from thunder and lightning. Whirlwinds everywhere I don't mention.[289]

I’m looking forward to catching up on your latest successes during the Academy dinner. So far, I haven’t had a chance to hear about what anyone has accomplished. I’ve been pretty much stuck indoors for four months. The train I was supposed to take to Ireland was dug out of the snow at midnight in Wales. Both trips were made during a crazy snowstorm. The snow was ankle-deep in Dublin and froze solid in Belfast. In Scotland, it blew in sideways from a constant east wind. In Yorkshire, it was made even more exciting by thunder and lightning. I won’t even talk about the whirlwinds everywhere.[289]

God bless you and yours. If I look like some weather-beaten pilot when we meet, don't be surprised. Any mahogany-faced stranger who holds out his hand to you will probably turn out, on inspection, to be the old original Dick.

God bless you and your family. If I look like a rough-around-the-edges pilot when we meet, don’t be surprised. Any stranger with a mahogany-colored face who reaches out his hand to you will likely turn out, upon closer look, to be the one and only Dick.

Ever, my dear Stanny, your faithful and affectionate.

P.S.—I wish you could have been with me (of course in a snowstorm) one day on the pier at Tynemouth. There was a very heavy sea running, and a perfect fleet of screw merchantmen were plunging in and out on the turn of the tide at high-water. Suddenly there came a golden horizon, and a most glorious rainbow burst out, arching one large ship, as if she were sailing direct for heaven. I was so enchanted by the scene, that I became oblivious of a few thousand tons of water coming on in an enormous roller, and was knocked down and beaten by its spray when it broke, and so completely wetted through and through, that the very pockets in my pocket-book were full of sea.

P.S.—I wish you could have been there with me (in the middle of a snowstorm) one day on the pier at Tynemouth. There was a really rough sea, and a whole fleet of merchant ships were bobbing up and down with the tide at high water. Suddenly, the horizon lit up with gold, and a stunning rainbow appeared, arching over a large ship as if it was heading straight for heaven. I was so captivated by the view that I completely lost track of a massive wave approaching, which knocked me down and drenched me with its spray. I got so soaked that even the pockets of my wallet were filled with seawater.

Mr. George Stanfield.


Office of "All the Year Round",
Sunday, May 19th, 1867.
ON THE DEATH OF HIS FATHER.
Dear George,

When I came up to the house this afternoon and saw what had happened, I had not the courage to ring, though I had thought I was fully prepared by what I heard when I called yesterday. No one of your father's friends can ever have loved him more dearly than I always did, or can have better known the worth of his noble character.

When I arrived at the house this afternoon and saw what had happened, I couldn't bring myself to ring the bell, even though I thought I was ready after what I heard when I called yesterday. No one among your father's friends could have loved him more than I always did, or understood the value of his noble character better than I did.

It is idle to suppose that I can do anything for you; and yet I cannot help saying that I am staying here for[290] some days, and that if I could, it would be a much greater relief to me than it could be a service to you.

It’s pointless to think that I can do anything for you; still, I have to mention that I’m here for[290] a few days, and if I could help, it would be a bigger relief for me than it would be a service to you.

Your poor mother has been constantly in my thoughts since I saw the quiet bravery with which she preserved her composure. The beauty of her ministration sank into my heart when I saw him for the last time on earth. May God be with her, and with you all, in your great loss.

Your poor mom has been on my mind ever since I saw the quiet strength with which she kept her calm. The kindness she showed really touched my heart when I saw him for the last time. I hope God is with her, and with all of you, during this tough time.

Affectionately yours always.
Mr. W. H. Wills.


Thursday, June 6th, 1867.
My dear Will,

I cannot tell you how warmly I feel your letter, or how deeply I appreciate the affection and regard in which it originates. I thank you for it with all my heart.

I can't express enough how warmly I feel about your letter and how much I appreciate the love and respect behind it. Thank you for it from the bottom of my heart.

You will not suppose that I make light of any of your misgivings if I present the other side of the question. Every objection that you make strongly impresses me, and will be revolved in my mind again and again.

You won’t think that I’m dismissing any of your concerns if I share the other side of the issue. Every objection you raise really resonates with me, and I’ll think about it over and over.

When I went to America in '42, I was so much younger, but (I think) very much weaker too. I had had a painful surgical operation performed shortly before going out, and had had the labour from week to week of "Master Humphrey's Clock." My life in the States was a life of continual speech-making (quite as laborious as reading), and I was less patient and more irritable then than I am now. My idea of a course of readings in America is, that it would involve far less travelling than you suppose, that the large first-class rooms would absorb the whole course, and that the receipts would be very much larger than your estimate, unless the demand for the readings is enormously exaggerated on all hands. There is considerable reason for this view of the case. And I can hardly think that all the speculators who[291] beset, and all the private correspondents who urge me, are in a conspiracy or under a common delusion.

When I went to America in '42, I was much younger, but I also think I was a lot weaker. I had a painful surgery right before I left, and I’d been dealing with the ongoing work for "Master Humphrey's Clock." My time in the States was filled with constant speech-making (which was as tiring as reading), and I was less patient and more irritable back then than I am now. My idea of doing readings in America is that it would involve a lot less travel than you think, that the large first-class venues would cover the entire series, and that the earnings would be much higher than you estimate, unless the demand for the readings is greatly exaggerated on all sides. There’s quite a bit of reason to believe this. And I can hardly think that all the speculators who[291] approach me, and all the private correspondents urging me on, are part of some conspiracy or sharing a common delusion.

*                   *                   *                   *                   *                   *

I shall never rest much while my faculties last, and (if I know myself) have a certain something in me that would still be active in rusting and corroding me, if I flattered myself that I was in repose. On the other hand, I think that my habit of easy self-abstraction and withdrawal into fancies has always refreshed and strengthened me in short intervals wonderfully. I always seem to myself to have rested far more than I have worked; and I do really believe that I have some exceptional faculty of accumulating young feelings in short pauses, which obliterates a quantity of wear and tear.

I won't ever settle down much while I still have my faculties, and if I know myself, there's something within me that would keep rusting and wearing me down if I deceived myself into thinking I was at rest. On the flip side, I believe my tendency to easily drift into my thoughts and fantasies has always refreshed and strengthened me during those brief moments. I often feel like I've rested way more than I've actually worked, and I genuinely think I have this unusual ability to collect fresh feelings in short breaks, which makes up for a lot of wear and tear.

My worldly circumstances (such a large family considered) are very good. I don't want money. All my possessions are free and in the best order. Still, at fifty-five or fifty-six, the likelihood of making a very great addition to one's capital in half a year is an immense consideration.... I repeat the phrase, because there should be something large to set against the objections.

My life situation (given my big family) is really good. I don’t need money. Everything I own is free and in great shape. Still, at fifty-five or fifty-six, the chance to significantly increase one’s wealth in just six months is a huge factor.... I mention this again because there should be something substantial to counter the concerns.

I dine with Forster to-day, to talk it over. I have no doubt he will urge most of your objections and particularly the last, though American friends and correspondents he has, have undoubtedly staggered him more than I ever knew him to be staggered on the money question. Be assured that no one can present any argument to me which will weigh more heartily with me than your kind words, and that whatever comes of my present state of abeyance, I shall never forget your letter or cease to be grateful for it.

I’m having dinner with Forster today to discuss things. I’m sure he’ll bring up most of your concerns, especially the last one, although the American friends and contacts he has must have shocked him more than I’ve ever seen him shocked about money issues. Just know that no one can make an argument that will resonate with me more than your kind words, and no matter what happens with my current situation, I’ll never forget your letter or stop being grateful for it.

Ever, my dear Wills, faithfully yours.
Mr. W. H. Wills.


Gad's Hill Place, Higham near Rochester, Kent,
Sunday, June 13th, 1867.
My dear Will,

I have read the first three numbers of Wilkie's story this morning, and have gone minutely through the plot of the rest to the last line. It gives a series of "narratives," but it is a very curious story, wild, and yet domestic, with excellent character in it, and great mystery. It is prepared with extraordinary care, and has every chance of being a hit. It is in many respects much better than anything he has done. The question is, how shall we fill up the blank between Mabel's progress and Wilkie? What do you think of proposing to Fitzgerald to do a story three months long? I daresay he has some unfinished or projected something by him.

I read the first three parts of Wilkie's story this morning and went through the plot of the rest in detail, right to the last line. It presents a series of "narratives," and it’s a really interesting story—wild yet domestic, with great characters and plenty of mystery. It’s put together with remarkable attention to detail and has a solid chance of being popular. In many ways, it’s much better than anything he’s done before. The question is, how do we fill the gap between Mabel's journey and Wilkie? What do you think about suggesting to Fitzgerald that he write a story over three months? I’m sure he has some unfinished or planned work lying around.

I have an impression that it was not Silvester who tried Eliza Fenning, but Knowles. One can hardly suppose Thornbury to make such a mistake, but I wish you would look into the Annual Register. I have added a final paragraph about the unfairness of the judge, whoever he was. I distinctly recollect to have read of his "putting down" of Eliza Fenning's father when the old man made some miserable suggestion in his daughter's behalf (this is not noticed by Thornbury), and he also stopped some suggestion that a knife thrust into a loaf adulterated with alum would present the appearance that these knives presented. But I may have got both these points from looking up some pamphlets in Upcott's collection which I once had.

I have a feeling that it wasn't Silvester who tried Eliza Fenning, but Knowles. It's hard to believe that Thornbury would make such a mistake, but I wish you would check the Annual Register. I’ve added a final paragraph about the unfairness of the judge, whoever he was. I clearly remember reading about how he "put down" Eliza Fenning's father when the old man made some pathetic suggestion on his daughter's behalf (this isn't mentioned by Thornbury), and he also dismissed a suggestion that a knife thrust into a loaf adulterated with alum would look like the knives in question. But I might have gotten both of these points from looking up some pamphlets in Upcott's collection that I once had.

Your account of your journey reminds me of one of the latest American stories, how a traveller by stage-coach said to the driver: "Did you ever see a snail, sir?" "Yes, sir." "Where did you meet him, sir?" "I didn't meet[293] him, sir!" "Wa'al, sir, I think you did, if you'll excuse me, for I'm damned if you ever overtook him."

Your story about your trip reminds me of a recent American tale, where a traveler in a stagecoach asked the driver, "Have you ever seen a snail, sir?" The driver replied, "Yes, sir." The traveler then asked, "Where did you see him, sir?" The driver responded, "I didn't see[293] him, sir!" The traveler concluded, "Well, sir, I think you did, if you don't mind me saying, because there's no way you ever passed him."

Ever faithfully.

Always faithful.

Mrs. Henderson.


Gad's Hill, Thursday, July 4th, 1867.
Dear Mrs. Henderson,

I was more shocked than surprised by the receipt of your mother's announcement of our poor dear Marguerite's death. When I heard of the consultation, and recalled what had preceded it and what I have seen here, my hopes were very slight.

I was more shocked than surprised by the news of your mother's announcement about our dear Marguerite's death. When I heard about the meeting and thought back to what happened before it and what I've seen here, my hopes were very low.

Your letter did not reach me until last night, and thus I could not avoid remaining here to-day, to keep an American appointment of unusual importance. You and your mother both know, I think, that I had a great affection for Marguerite, that we had many dear remembrances together, and that her self-reliance and composed perseverance had awakened my highest admiration in later times. No one could have stood by her grave to-day with a better knowledge of all that was great and good in her than I have, or with a more loving remembrance of her through all her phases since she first came to London a pretty timid girl.

Your letter didn’t reach me until last night, so I couldn't avoid staying here today for an American appointment of significant importance. You and your mom both know that I had a deep affection for Marguerite, that we shared many cherished memories together, and that her confidence and steady determination earned my utmost admiration in recent times. No one could stand by her grave today with a better understanding of everything great and good in her than I do, or with a more loving remembrance of her throughout all her phases since she first arrived in London as a lovely, shy girl.

I do not trouble your mother by writing to her separately. It is a sad, sad task to write at all. God help us!

I don’t bother your mom by writing to her separately. It’s such a sad, sad task to write at all. God help us!

Faithfully yours.
Mr. Percy Fitzgerald.


Gad's Hill Place, July 21st, 1867.
My dear Fitz,

I am heartily glad to get your letter, and shall be thoroughly well pleased to study you again in the pages of A. Y. R.[294]

I’m really happy to receive your letter, and I’ll be very pleased to study you again in the pages of A. Y. R.[294]

I have settled nothing yet about America, but am going to send Dolby out on the 3rd of next month to survey the land, and come back with a report on some heads whereon I require accurate information. Proposals (both from American and English speculators) of a very tempting nature have been repeatedly made to me; but I cannot endure the thought of binding myself to give so many readings there whether I like it or no; and if I go at all, am bent on going with Dolby single-handed.

I haven't made any decisions about America yet, but I'm planning to send Dolby out on the 3rd of next month to check out the land and report back on some specific areas where I need accurate information. I've received very tempting proposals from both American and English investors repeatedly; however, I can't stand the idea of committing to give so many readings there whether I want to or not. If I do go, I intend to go with Dolby by myself.

I have been doing two things for America; one, the little story to which you refer; the other, four little papers for a child's magazine. I like them both, and think the latter a queer combination of a child's mind with a grown-up joke. I have had them printed to assure correct printing in the United States. You shall have the proof to read, with the greatest pleasure. On second thoughts, why shouldn't I send you the children's proof by this same post? I will, as I have it here, send it under another cover. When you return it, you shall have the short story.

I’ve been working on two things for America: first, the little story you mentioned; and second, four short pieces for a children’s magazine. I enjoy both of them and think the latter is a funny mix of a child’s perspective with an adult’s humor. I had them printed here to ensure they come out right in the United States. I’d be more than happy to send you the proof to review. Now that I think about it, why not send you the children’s proof in this same mail? I’ll do it; I have it right here, and I’ll send it separately. Once you send it back, you’ll get the short story.

Believe me, always heartily yours.
Mr. Percy Fitzgerald.
EXTRACT.


July 28th, 1867.

I am glad you like the children, and particularly glad you like the pirate. I remember very well when I had a general idea of occupying that place in history at the same age. But I loved more desperately than Boldheart.[295]

I’m really happy you like the kids, and especially glad you like the pirate. I remember well when I had a general idea of taking that spot in history at the same age. But I loved much more fiercely than Boldheart.[295]

Miss Hogarth.


Adelphi Hotel, Liverpool, Friday Night, Aug. 2nd, 1867.
My sweetest Georgy,

I cannot get a boot on—wear a slipper on my left foot, and consequently am here under difficulties. My foot is occasionally painful, but not very. I don't think it worth while consulting anybody about it as yet. I make out so many reasons against supposing it to be gouty, that I really do not think it is.

I can't put on a boot—I can only wear a slipper on my left foot, so I'm having a hard time. My foot occasionally hurts, but not that much. I don't think it's worth talking to anyone about it yet. I come up with so many reasons that make me doubt it's gout, so I really don't think it is.

Dolby begs me to send all manner of apologetic messages for his going to America. He is very cheerful and hopeful, but evidently feels the separation from his wife and child very much. His sister[17] was at Euston Square this morning, looking very well. Sainton too, very light and jovial.

Dolby keeps asking me to send all kinds of apologies for his trip to America. He’s quite cheerful and optimistic, but it’s clear he really feels the distance from his wife and child. His sister[17] was at Euston Square this morning, looking great. Sainton was also very light-hearted and cheerful.

With the view of keeping myself and my foot quiet, I think I will not come to Gad's Hill until Monday. If I don't appear before, send basket to Gravesend to meet me, leaving town by the 12.10 on Monday. This is important, as I couldn't walk a quarter of a mile to-night for five hundred pounds.

With the aim of resting myself and my foot, I think I won't come to Gad's Hill until Monday. If I don't show up before then, please send a basket to Gravesend to meet me, leaving town by the 12:10 on Monday. This is important, as I couldn't walk a quarter of a mile tonight for five hundred pounds.

Love to all at Gad's.

Love to everyone at Gad's.

Mr. W. H. Wills.


Gad's Hill, Monday, Sept. 2nd, 1867.
My dear Will,

Like you, I was shocked when this new discovery burst upon me on Friday, though, unlike you, I never could believe in ——, solely (I think) because, often as I have tried him, I never found him standing by my desk when I was writing a letter without trying to read it.

Like you, I was surprised when this new revelation hit me on Friday, but unlike you, I could never believe in ——, mainly (I think) because, no matter how often I tried, I never found him standing by my desk when I was writing a letter without trying to read it.

I fear there is no doubt that since ——'s discharge,[296] he (——) has stolen money at the readings. A case of an abstracted shilling seems to have been clearly brought home to him by Chappell's people, and they know very well what that means. I supposed a very clear keeping off from Anne's husband (whom I recommended for employment to Chappell) to have been referable only to ——; but now I see how hopeless and unjust it would be to expect belief from him with two such cases within his knowledge.

I’m afraid it’s clear that since —— was let go,[296] he (——) has been stealing money during the readings. Chappell's team has clearly linked him to a missing shilling, and they know exactly what that implies. I thought the distance from Anne's husband (whom I suggested for a job with Chappell) was due only to ——; but now I realize it’s pointless and unfair to expect him to believe anything with two such incidents on his mind.

But don't let the thing spoil your holiday. If we try to do our duty by people we employ, by exacting their proper service from them on the one hand, and treating them with all possible consistency, gentleness, and consideration on the other, we know that we do right. Their doing wrong cannot change our doing right, and that should be enough for us.

But don’t let that ruin your holiday. If we make an effort to treat the people we employ fairly by expecting their best work from them while also being consistent, kind, and respectful, we know we’re doing the right thing. Their mistakes don’t change our commitment to doing right, and that should be enough for us.

So I have given my feathers a shake, and am all right again. Give your feathers a shake, and take a cheery flutter into the air of Hertfordshire.

So I’ve shaken off my feathers and feel fine again. Shake off your feathers and enjoy a cheerful flight in the skies of Hertfordshire.

Great reports from Dolby and also from Fields! But I keep myself quite calm, and hold my decision in abeyance until I shall have book, chapter, and verse before me. Dolby hoped he could leave Uncle Sam on the 11th of this month.

Great reports from Dolby and Fields! But I’m staying calm and holding off on my decision until I have all the details in front of me. Dolby hoped he could leave Uncle Sam on the 11th of this month.

Sydney has passed as a lieutenant, and appeared at home yesterday, all of a sudden, with the consequent golden garniture on his sleeve, which I, God forgive me, stared at without the least idea that it meant promotion.

Sydney returned home yesterday out of the blue, now a lieutenant, with the shiny insignia on his sleeve, which I, forgive me, stared at without realizing it meant he had been promoted.

I am glad you see a certain unlikeness to anything in the American story. Upon myself it has made the strangest impression of reality and originality!! And I feel as if I had read something (by somebody else), which I should never get out of my mind!!! The main idea of the narrator's position towards the other people was the idea that I had for my next novel in A. Y. R. But it is very curious[297] that I did not in the least see how to begin his state of mind until I walked into Hoghton Towers one bright April day with Dolby.

I’m glad you recognize that it’s quite different from anything in the American story. It has left me with the strangest feeling of reality and originality! It’s like I’ve read something (by someone else) that I just can’t shake off! The main idea behind the narrator's views on other people was the concept I had for my next novel in A. Y. R. But it's really interesting[297] that I had no idea how to start capturing his state of mind until I walked into Hoghton Towers one bright April day with Dolby.

Faithfully ever.
Mr. F. D. Finlay.


CONTRADICTING A NEWSPAPER REPORT OF HIS BEING IN A CRITICAL STATE OF HEALTH.

Gad's Hill Place, Higham near Rochester, Kent,
Tuesday, Sept. 3rd, 1867.

This is to certify that the undersigned victim of a periodical paragraph-disease, which usually breaks out once in every seven years (proceeding to England by the overland route to India and per Cunard line to America, where it strikes the base of the Rocky Mountains, and, rebounding to Europe, perishes on the steppes of Russia), is not in a "critical state of health," and has not consulted "eminent surgeons," and never was better in his life, and is not recommended to proceed to the United States for "cessation from literary labour," and has not had so much as a headache for twenty years.

This is to certify that the undersigned victim of a recurring case of paragraph-disease, which typically flares up every seven years (traveling to England overland to India and then via Cunard line to America, where it reaches the base of the Rocky Mountains, and then rebounds back to Europe, ultimately perishing on the steppes of Russia), is not in a "critical state of health," has not consulted "top surgeons," has never been healthier, and is not advised to go to the United States for a "break from writing," and hasn’t had a headache for twenty years.

Charles Dickens.
M. Charles Fechter.


"All the Year Round" Office
Monday, Sept. 16th, 1867.
My dear Fechter,

Going over the prompt-book carefully, I see one change in your part to which (on Lytton's behalf) I positively object, as I am quite certain he would not consent to it. It is highly injudicious besides, as striking out the best known line in the play.[298]

Going through the prompt book carefully, I see one change in your part that I definitely object to on Lytton's behalf, as I'm sure he wouldn't agree to it. It's also a really bad idea, since it removes the most famous line in the play.[298]

Turn to your part in Act III., the speech beginning

Turn to your part in Act III, the speech starting

Pauline, by pride
Angels have fallen ere thy time: by pride——

You have made a passage farther on stand:

You have made a passage further on stand:

Then I tried to rise
Out of my mean estate. Thy bright image, etc.

I must stipulate for your restoring it thus:

I need to agree on you fixing it like this:

Then I tried to stand up.
Out of the prison of my mean estate;
And, with such jewels as the exploring mind
Brings from the caves of knowledge, buy my ransom
From those twin jailers of the daring heart—
Low birth and iron fortune. Thy bright image, etc. etc.

The last figure has been again and again quoted; is identified with the play; is fine in itself; and above all, I know that Lytton would not let it go. In writing to him to-day, fully explaining the changes in detail, and saying that I disapprove of nothing else, I have told him that I notice this change and that I immediately let you know that it must not be made.

The last figure has been quoted over and over; it's tied to the play; it's great on its own; and above all, I know that Lytton wouldn't allow it to be changed. In my message to him today, fully detailing the changes and stating that I don’t disapprove of anything else, I informed him that I noticed this change and that I was letting you know right away that it shouldn't be made.

(There will not be a man in the house from any newspaper who would not detect mutilations in that speech, moreover.)

(There won't be a single man in the house from any newspaper who wouldn't notice the flaws in that speech, anyway.)

Ever.
Miss Hogarth.


Monday, Sept. 30th, 1867.
My beloved Georgy,

The telegram is despatched to Boston: "Yes. Go ahead." After a very anxious consultation with Forster, and careful heed of what is to be said for and against, I have made up my mind to see it out. I do not expect as[299] much money as the calculators estimate, but I cannot set the hope of a large sum of money aside.

The telegram is sent to Boston: "Yes. Go ahead." After a very anxious discussion with Forster and carefully considering both sides, I've decided to see it through. I don't expect to get as much money as the calculators estimate, but I can't ignore the hope of a large sum of money.

I am so nervous with travelling and anxiety to decide something, that I can hardly write. But I send you these few words as my dearest and best friend.

I am so anxious about traveling and making decisions that I can barely write. But I'm sending you these few words as my dearest and closest friend.

Miss Dickens.


Office of "All the Year Round," 26 Wellington Street, Strand,
London, WC
Monday, Sept. 30th, 1867.
My dear Mamie,

You will have had my telegram that I go to America. After a long discussion with Forster, and consideration of what is to be said on both sides, I have decided to go through with it. I doubt the profit being as great as the calculation makes it, but the prospect is sufficiently alluring to turn the scale on the American side.

You must have received my telegram that I'm heading to America. After a lengthy discussion with Forster and considering the viewpoints on both sides, I've decided to go ahead with it. I doubt the profit will be as high as it's estimated, but the opportunity is appealing enough to sway me towards the American side.

Unless I telegraph to the contrary, I will come to Gravesend (send basket there) by 12 train on Wednesday. Love to all.

Unless I say otherwise, I'll arrive in Gravesend (send a basket there) on the 12 PM train on Wednesday. Love to everyone.

We have telegraphed "Yes" to Boston.

We texted "Yes" to Boston.

I begin to feel myself drawn towards America, as Darnay, in the "Tale of Two Cities," was attracted to the Loadstone Rock, Paris.

I start to feel myself pulled towards America, just like Darnay was drawn to the Loadstone Rock in "A Tale of Two Cities."

Mr. William Charles Kent.


26, Wellington St., Saturday, Oct. 19th, 1867.
Dear Kent,

In the midst of the great trouble you are taking in the cause of your undersigned affectionate friend, I hope the reading of the enclosed may be a sort of small godsend. Of course it is very strictly private. The printers are not yet[300] trusted with the name, but the name will be, "No Thoroughfare." I have done the greater part of it; may you find it interesting!

In the middle of the great effort you're putting into helping your devoted friend, I hope reading the enclosed document feels like a bit of a blessing. Naturally, it's very confidential. The printers haven't been told the name yet, but it will be "No Thoroughfare." I've done most of it; I hope you find it interesting!

My solicitor, a man of some mark and well known, is anxious to be on the Committee:

My lawyer, a notable and well-known man, is eager to join the Committee:

Frederic Ouvry, Esquire,
66, Lincoln's Inn Fields.
Ever affectionately yours.

P.S.—My sailor son!

P.S.—My son the sailor!

I forgot him!!

I forgot about him!!

Coming up from Portsmouth for the dinner!!!

Coming up from Portsmouth for dinner!!!

Der—er—oo not cur—ur—urse me, I implore.

Der—er—oo not cur—ur—urse me, I implore.

Penitently.
Mrs. Power.


Gad's Hill, Wednesday, Oct. 23rd, 1867.
Dear Mrs. Power,

I have a sad pleasure in the knowledge that our dear Marguerite so remembered her old friend, and I shall preserve the token of her remembrance with loving care. The sight of it has brought back many old days.

I feel a bittersweet joy knowing that our dear Marguerite still thinks of her old friend, and I’ll keep her memento with great affection. Seeing it has brought back many memories from the past.

With kind remembrance to Mrs. Henderson,

With warm regards to Mrs. Henderson,

Believe me always, very faithfully yours.
Mr. J. L. Toole.


Gad's Hill Place, Higham near Rochester, Kent,
Saturday, Nov. 2nd, 1867.
Dear Mr. Toole,

I heartily thank you for your elegant token of remembrance, and for your earnest letter. Both have afforded me real pleasure, and the first-named shall go with me on my journey.

I sincerely thank you for your thoughtful gift and for your heartfelt letter. Both have brought me genuine joy, and I'll be taking the gift with me on my trip.

Let me take this opportunity of saying that on receipt[301] of your letter concerning to-day's dinner, I immediately forwarded your request to the honorary secretary. I hope you will understand that I could not, in delicacy, otherwise take part in the matter.

Let me take this chance to say that when I received your letter about today’s dinner, I immediately passed your request on to the honorary secretary. I hope you understand that I couldn’t, out of courtesy, get involved in this matter.

Again thanking you most cordially,

Thanks again,

Believe me, always faithfully yours.
Mr. W. H. Wills.


26, Wellington St, Sunday, Nov. 3rd, 1867.
Dear Wills,

If you were to write me many such warm-hearted letters as you send this morning, my heart would fail me! There is nothing that so breaks down my determination, or shows me what an iron force I put upon myself, and how weak it is, as a touch of true affection from a tried friend.

If you were to send me a bunch of warm-hearted letters like the one you sent this morning, I would be overwhelmed! Nothing shatters my resolve or reveals the pressure I put on myself, and how fragile it is, like a genuine expression of love from a loyal friend.

All that you so earnestly say about the goodwill and devotion of all engaged, I perceived and deeply felt last night. It moved me even more than the demonstration itself, though I do suppose it was the most brilliant ever seen. When I got up to speak, but for taking a desperate hold of myself, I should have lost my sight and voice and sat down again.

All the things you passionately expressed about the goodwill and commitment of everyone involved really hit home for me last night. It touched me even more than the event itself, which I believe was the most impressive I've ever witnessed. When I stood up to speak, if I hadn't pulled myself together, I would have lost my sight and voice and just sat back down.

God bless you, my dear fellow. I am, ever and ever,

God bless you, my dear friend. I am, now and always,

Your affectionate.
The Hon. Mrs. Watson.


Office of "All the Year Round",
Tuesday, Nov. 5th, 1867.
Dear Mrs. Watson,

A thousand thanks for your kind letter, and many congratulations on your having successfully attained a dignity which I never allow to be mentioned in my presence. Charley's children are instructed from their tenderest[302] months only to know me as "Wenerables," which they sincerely believe to be my name, and a kind of title that I have received from a grateful country.

A thousand thanks for your kind letter, and many congratulations on achieving a title that I never let be mentioned in front of me. Charley's kids have been taught from a young age only to call me "Wenerables," which they genuinely believe is my name and a kind of title bestowed upon me by a grateful nation.

Alas! I cannot have the pleasure of seeing you before I presently go to Liverpool. Every moment of my time is preoccupied. But I send you my sincere love, and am always truthful to the dear old days, and the memory of one of the dearest friends I ever loved.

Alas! I can’t enjoy seeing you before I head off to Liverpool. Every moment of my time is occupied. But I send you my heartfelt love and always cherish the wonderful memories of one of the dearest friends I’ve ever had.

Affectionately yours.
Miss Dickens.


Aboard the "Cuba," Queenstown Harbor
Sunday, Nov. 10th, 1867.
My dear Mamie,

We arrived here at seven this morning, and shall probably remain awaiting our mail, until four or five this afternoon. The weather in the passage here was delightful, and we had scarcely any motion beyond that of the screw.

We got here at seven this morning and will probably stay waiting for our mail until around four or five this afternoon. The weather during the trip was lovely, and we barely felt any movement beyond the engine’s vibration.

We are nearly but not quite full of passengers. At table I sit next the captain, on his right, on the outside of the table and close to the door. My little cabin is big enough for everything but getting up in and going to bed in. As it has a good window which I can leave open all night, and a door which I can set open too, it suits my chief requirements of it—plenty of air—admirably. On a writing-slab in it, which pulls out when wanted, I now write in a majestic manner.

We’re almost full of passengers, but not quite. At dinner, I sit next to the captain, on his right, at the end of the table and close to the door. My little cabin is just big enough for everything except standing up and going to bed. Since it has a nice window I can keep open all night and a door I can leave open too, it meets my main need for plenty of air perfectly. On a writing desk that pulls out when I need it, I’m currently writing in a grand style.

Many of the passengers are American, and I am already on the best terms with nearly all the ship.

Many of the passengers are American, and I'm already on good terms with almost everyone on the ship.

We began our voyage yesterday a very little while after you left us, which was a great relief. The wind is S.E. this morning, and if it would keep so we should go along nobly.[303] My dearest love to your aunt, and also to Katie and all the rest. I am in very good health, thank God, and as well as possible.

We started our journey yesterday shortly after you left us, which was a huge relief. The wind is coming from the southeast this morning, and if it stays this way, we should make great progress.[303] Please send my love to your aunt, Katie, and everyone else. I’m in really good health, thank God, and I’m doing as well as I can.

Miss Hogarth.


On the "Cuba," Five Days Out,
Wednesday, Nov. 13th, 1867.
My dear Georgy,

As I wrote to Mamie last, I now write to you, or mean to do it, if the motion of the ship will let me.

As I last wrote to Mamie, I’m now writing to you, or I intend to, if the movement of the ship allows me.

We are very nearly halfway to-day. The weather was favourable for us until yesterday morning, when we got a head-wind which still stands by us. We have rolled and pitched, of course; but on the whole have been wonderfully well off. I have had headache and have felt faint once or twice, but have not been sick at all. My spacious cabin is very noisy at night, as the most important working of the ship goes on outside my window and over my head; but it is very airy, and if the weather be bad and I can't open the window, I can open the door all night. If the weather be fine (as it is now), I can open both door and window, and write between them. Last night, I got a foot-bath under the dignified circumstances of sitting on a camp-stool in my cabin, and having the bath (and my feet) in the passage outside. The officers' quarters are close to me, and, as I know them all, I get reports of the weather and the way we are making when the watch is changed, and I am (as I usually am) lying awake. The motion of the screw is at its slightest vibration in my particular part of the ship. The silent captain, reported gruff, is a very good fellow and an honest fellow. Kelly has been ill all the time, and not of the slightest use, and is ill now. Scott always cheerful, and useful, and ready; a better servant for the kind of work[304] there never can have been. Young Lowndes has been fearfully sick until mid-day yesterday. His cabin is pitch dark, and full of blackbeetles. He shares mine until nine o'clock at night, when Scott carries him off to bed. He also dines with me in my magnificent chamber. This passage in winter time cannot be said to be an enjoyable excursion, but I certainly am making it under the best circumstances. (I find Dolby to have been enormously popular on board, and to have known everybody and gone everywhere.)

We’re almost halfway there today. The weather was good for us until yesterday morning when we hit a headwind that’s still with us. We’ve rolled and pitched, of course, but overall, we’ve been really fortunate. I’ve had some headaches and felt faint a couple of times, but I haven’t gotten sick at all. My spacious cabin is pretty noisy at night since the main work of the ship goes on outside my window and above me, but it’s very airy. If the weather is bad and I can't open the window, I can leave the door open all night. When the weather is nice (like it is now), I can open both the door and window and write between them. Last night, I had a foot bath while sitting on a camp stool in my cabin, with the bath (and my feet) in the passage outside. The officers’ quarters are close to mine, and since I know them all, I get updates on the weather and our progress when the watch changes, and I’m (as usual) lying awake. The motion of the screw is barely felt in my part of the ship. The captain, known for being gruff, is actually a really good and honest guy. Kelly has been sick the entire time and hasn’t been any help, and he’s still sick now. Scott is always cheerful, useful, and ready; there’s never been a better servant for this kind of work[304]. Young Lowndes was really sick until midday yesterday. His cabin is pitch dark and full of cockroaches. He shares mine until nine o’clock at night when Scott takes him to bed. He also dines with me in my nice cabin. This passage in winter isn’t exactly a fun trip, but I’m definitely doing it under the best circumstances. (I’ve found that Dolby has been hugely popular on board, having known everyone and gone everywhere.)

So much for my news, except that I have been constantly reading, and find that "Pierra" that Mrs. Hogge sent me by Katie to be a very remarkable book, not only for its grim and horrible story, but for its suggestion of wheels within wheels, and sad human mysteries. Baker's second book not nearly so good as his first, but his first anticipated it.

So that's my update, except that I've been reading a lot and I find "Pierra," which Mrs. Hogge sent me through Katie, to be a really remarkable book. It's not just because of its dark and terrible story, but also because of its layers of complexity and deep human mysteries. Baker's second book isn't nearly as good as his first, but the first one set the stage for it.

We hope to get to Halifax either on Sunday or Monday, and to Boston either on Tuesday or Wednesday. The glass is rising high to-day, and everybody on board is hopeful of an easterly wind.

We’re aiming to reach Halifax either on Sunday or Monday, and Boston either on Tuesday or Wednesday. The barometer is rising high today, and everyone on board is optimistic about an easterly wind.

Miss Hogarth.


Saturday, 16th.

Last Thursday afternoon a heavy gale of wind sprang up and blew hard until dark, when it seemed to lull. But it then came on again with great violence, and blew tremendously all night. The noise, and the rolling and plunging of the ship, were awful. Nobody on board could get any sleep, and numbers of passengers were rolled out of their berths. Having a side-board to mine to keep me in, like a baby, I lay still. But it was a dismal night indeed, and it was curious to see the change it had made in the faces of all the passengers yesterday. It cannot be denied that these winter crossings are very trying and startling;[305] while the personal discomfort of not being able to wash, and the miseries of getting up and going to bed, with what small means there are all sliding, and sloping, and slopping about, are really in their way distressing.

Last Thursday afternoon, a strong wind picked up and blew hard until it got dark, when it seemed to calm down. But then it picked up again with great force and blew all night. The noise and the way the ship was rolling and tossing around were terrible. No one on board could sleep, and many passengers were thrown out of their beds. I had a sideboard to keep me in, like a baby, so I stayed put. But it was a really bleak night, and it was interesting to see how it had affected everyone's faces compared to yesterday. It's true that these winter crossings are really tough and shocking; the personal discomfort of not being able to wash and the hassle of getting up and going to bed, with everything sliding and slopping around, is genuinely distressing.[305]

This forenoon we made Cape Race, and are now running along at full speed with the land beside us. Kelly still useless, and positively declining to show on deck. Scott, with an eight-day-old moustache, more super like than ever. My foot (I hope from walking on the boarded deck) in a very shy condition to-day, and rather painful. I shaved this morning for the first time since Liverpool; dodging at the glass, very much like Fechter's imitation of ——. The white cat that came off with us in the tender a general favourite. She belongs to the daughter of a Southerner, returning with his wife and family from a two-years' tour in Europe.

This morning we reached Cape Race and are now cruising along at full speed with the land next to us. Kelly is still useless and is definitely refusing to come on deck. Scott, sporting an eight-day-old mustache, looks even more like a movie star than ever. My foot (I hope it’s just from walking on the boarded deck) is quite sensitive today and a bit painful. I shaved this morning for the first time since Liverpool, avoiding the mirror, looking a lot like Fechter's imitation of ——. The white cat that came with us on the tender is a favorite among everyone. She belongs to the daughter of a Southerner, who is returning with his wife and family from a two-year tour in Europe.



Sunday, 17th.

At four o'clock this morning we got into bad weather again, and the state of things at breakfast-time was unutterably miserable. Nearly all the passengers in their berths—no possibility of standing on deck—sickness and groans—impracticable to pass a cup of tea from one pair of hands to another. It has slightly moderated since (between two and three in the afternoon I write), and the sun is shining, but the rolling of the ship surpasses all imagination or description.

At four o'clock this morning, we hit bad weather again, and by breakfast time, things were utterly miserable. Almost all the passengers were in their berths—there was no way to stand on deck—sick and groaning—impossible to pass a cup of tea from one person to another. It has calmed down a bit since then (I'm writing this between two and three in the afternoon), and the sun is shining, but the ship's rolling is beyond anything you could imagine or describe.

We expect to be at Halifax about an hour after midnight, and this letter shall be posted there, to make certain of catching the return mail on Wednesday. Boston is only thirty hours from Halifax.

We expect to arrive in Halifax about an hour after midnight, and this letter will be sent from there to ensure it catches the return mail on Wednesday. Boston is just thirty hours away from Halifax.

Best love to Mamie, and to Katie and Charley. I know you will report me and my love to Forster and Mrs. Forster.[306] I write with great difficulty, wedged up in a corner, and having my heels on the paper as often as the pen. Kelly worse than ever, and Scott better than ever.

Best wishes to Mamie, and to Katie and Charley. I know you'll let Forster and Mrs. Forster know about me and my love.[306] I'm writing with a lot of trouble, squeezed into a corner, and my heels are on the paper as much as the pen. Kelly is worse than ever, and Scott is better than ever.

My desk and I have just arisen from the floor.

My desk and I have just gotten up from the floor.

Miss Dickens.


Parker House Hotel, Boston, Thursday, Nov. 21st, 1867.

I arrived here on Tuesday night, after a very slow passage from Halifax against head-winds. All the tickets for the first four readings here (all yet announced) were sold immediately on their being issued.

I showed up here on Tuesday night, after a really slow trip from Halifax with strong headwinds. All the tickets for the first four readings (all of which have been announced) sold out as soon as they were available.

You know that I begin on the 2nd of December with "Carol" and "Trial"? Shall be heartily glad to begin to count the readings off.

You know I'm starting on December 2nd with "Carol" and "Trial"? I'll be really happy to start checking the readings off.

This is an immense hotel, with all manner of white marble public passages and public rooms. I live in a corner high up, and have a hot and cold bath in my bedroom (communicating with the sitting-room), and comforts not in existence when I was here before. The cost of living is enormous, but happily we can afford it. I dine to-day with Longfellow, Emerson, Holmes, and Agassiz. Longfellow was here yesterday. Perfectly white in hair and beard, but a remarkably handsome and notable-looking man. The city has increased enormously in five-and-twenty years. It has grown more mercantile—is like Leeds mixed with Preston, and flavoured with New Brighton; but for smoke and fog you substitute an exquisitely bright light air. I found my rooms beautifully decorated (by Mrs. Fields) with choice flowers, and set off by a number of good books. I am not much persecuted by people in general, as Dolby has happily made up his mind that the less I am exhibited for nothing the better. So our men sit outside the room door and wrestle with mankind.[307]

This is a massive hotel, with all kinds of white marble hallways and public spaces. I’m staying in a corner room high up, and I have hot and cold running water in my bedroom (connected to the sitting room), along with comforts that didn’t exist when I was here before. The cost of living is very high, but thankfully we can manage it. Today, I’m having dinner with Longfellow, Emerson, Holmes, and Agassiz. Longfellow was here yesterday. He has completely white hair and a beard, but he’s still a remarkably handsome and distinguished-looking man. The city has changed a lot in twenty-five years. It’s become more commercial—like a mix of Leeds and Preston, with a touch of New Brighton; but instead of smoke and fog, you get a beautifully bright and clear atmosphere. I found my rooms beautifully decorated (by Mrs. Fields) with lovely flowers and stocked with several good books. I’m not really bothered by people in general, as Dolby has wisely decided that the less I’m put on display for free, the better. So our staff hangs out outside the room and deals with the public.[307]

We had speech-making and singing in the saloon of the Cuba after the last dinner of the voyage. I think I have acquired a higher reputation from drawing out the captain, and getting him to take the second in "All's Well," and likewise in "There's not in the wide world" (your parent taking first), than from anything previously known of me on these shores. I hope the effect of these achievements may not dim the lustre of the readings. We also sang (with a Chicago lady, and a strong-minded woman from I don't know where) "Auld Lang Syne," with a tender melancholy, expressive of having all four been united from our cradles. The more dismal we were, the more delighted the company were. Once (when we paddled i' the burn) the captain took a little cruise round the compass on his own account, touching at the "Canadian Boat Song," and taking in supplies at "Jubilate," "Seas between us braid ha' roared," and roared like the seas themselves. Finally, I proposed the ladies in a speech that convulsed the stewards, and we closed with a brilliant success. But when you dine with Mr. Forster, ask him to read to you how we got on at church in a heavy sea. Hillard has just been in and sent his love "to those dear girls." He has grown much older. He is now District Attorney of the State of Massachusetts, which is a very good office. Best love to your aunt and Katie, and Charley and all his house, and all friends.

We had speeches and singing in the saloon of the Cuba after the last dinner of the trip. I think I've gained more respect by getting the captain to join me for the second verse of "All's Well," and also for "There's not in the wide world" (your parent took the first), than from anything else I’ve done around here. I hope these accomplishments won't overshadow the readings. We also sang "Auld Lang Syne" with a Chicago lady and a strong-minded woman from who-knows-where; it was filled with a sweet sadness, as if we had all been joined together since birth. The more somber we felt, the happier the audience became. At one point, when we were messing around in the creek, the captain took a little solo tour through the songs, touching on the "Canadian Boat Song" and stopping for a moment at "Jubilate," "Seas between us braid ha' roared," which sounded as thunderous as the sea itself. In the end, I proposed a toast for the ladies in a speech that had the stewards in stitches, and we wrapped up on a high note. But when you have dinner with Mr. Forster, ask him to read to you about our experience at church during a rough sea. Hillard just dropped by and sent his love "to those dear girls." He seems to have aged quite a bit. He’s now the District Attorney for the State of Massachusetts, which is a great position. Best wishes to your aunt, Katie, Charley, and all his family, and all our friends.

Miss Hogarth.


Parker House, Boston, Monday, Nov. 25th, 1867.

I cannot remember to whom I wrote last, but it will not much matter if I make a mistake; this being generally to report myself so well, that I am constantly chafing at not having begun to-night instead of this night week.[308]

I can’t remember who I last wrote to, but it won’t really matter if I mess up; the point is just to update you so well that I’m always annoyed that I didn’t start tonight instead of a week ago.[308]

The tickets being all sold for next week, and no other announcement being yet made, there is nothing new in that way to tell of. Dolby is over at New York, where we are at our wits' end how to keep tickets out of the hands of speculators. Morgan is staying with me; came yesterday to breakfast, and goes home to-morrow. Fields and Mrs. Fields also dined yesterday. She is a very nice woman, with a rare relish for humour and a most contagious laugh. The Bostonians having been duly informed that I wish to be quiet, really leave me as much so as I should be in Manchester or Liverpool. This I cannot expect to last elsewhere; but it is a most welcome relief here, as I have all the readings to get up. The people are perfectly kind and perfectly agreeable. If I stop to look in at a shop-window, a score of passers-by stop; and after I begin to read, I cannot expect in the natural course of things to get off so easily. But I every day take from seven to ten miles in peace.

The tickets for next week are all sold out, and since there hasn’t been any new announcements, I don’t have anything else to share. Dolby is over in New York, and we’re really struggling to keep tickets away from speculators. Morgan is staying with me; he came over for breakfast yesterday and will be heading home tomorrow. Fields and Mrs. Fields also had dinner with us yesterday. She’s a lovely woman with a great sense of humor and a really infectious laugh. The people in Boston have been informed that I want some quiet time, and they actually leave me as undisturbed as I would be in Manchester or Liverpool. I don’t expect that to last in other places; but here, it’s a much-needed break since I have all the readings to prepare. The people are incredibly kind and friendly. If I stop to look in a shop window, a bunch of passersby will stop too; and once I start reading, I can’t expect to get through that so easily. But every day, I manage to walk between seven to ten miles in peace.

Communications about readings incessantly come in from all parts of the country. We take no offer whatever, lying by with our plans until after the first series in New York, and designing, if we make a furore there, to travel as little as possible. I fear I shall have to take Canada at the end of the whole tour. They make such strong representations from Montreal and Toronto, and from Nova Scotia—represented by St. John's and Halifax—of the slight it would be to them, if I wound up with the States, that I am shaken.

Communications about readings keep coming in from all over the country. We're not accepting any offers right now, holding off on our plans until after the first series in New York, and if we create a buzz there, we plan to travel as little as possible. I’m worried I’ll have to include Canada at the end of the whole tour. They’re sending strong requests from Montreal and Toronto, as well as from Nova Scotia—represented by St. John's and Halifax—about how slighted they would feel if I ended with the States, and it’s making me think twice.

It is sad to see Longfellow's house (the house in which his wife was burnt) with his young daughters in it, and the shadow of that terrible story. The young undergraduates of Cambridge (he is a professor there) have made a representation to him that they are five hundred strong, and[309] cannot get one ticket. I don't know what is to be done for them; I suppose I must read there somehow. We are all in the clouds until I shall have broken ground in New York, as to where readings will be possible and where impossible.

It’s heartbreaking to see Longfellow's house (the one where his wife died in a fire) with his young daughters living there, haunted by that tragic story. The young undergrads at Cambridge (where he teaches) have reached out to him, saying there are five hundred of them and they can't get a single ticket. I'm not sure what to do for them; I guess I need to figure out a way to read there. We’re all just waiting until I can get things started in New York, to see where readings will be possible and where they won’t.

Agassiz is one of the most natural and jovial of men. I go out a-visiting as little as I can, but still have to dine, and what is worse, sup pretty often. Socially, I am (as I was here before) wonderfully reminded of Edinburgh when I had many friends in it.

Agassiz is one of the most genuine and cheerful guys you'll meet. I try to avoid visiting people as much as possible, but I still end up dining and, even worse, having late dinners fairly often. Socially, I am (just like I was before) strikingly reminded of Edinburgh when I had a lot of friends there.

Your account and Mamie's of the return journey to London gave me great pleasure. I was delighted with your report of Wilkie, and not surprised by Chappell's coming out gallantly.

Your account and Mamie's of the trip back to London really pleased me. I was thrilled with your update on Wilkie, and it didn’t surprise me that Chappell stepped up bravely.

My anxiety to get to work is greater than I can express, because time seems to be making no movement towards home until I shall be reading hard. Then I shall begin to count and count and count the upward steps to May.

My eagerness to get to work is more intense than I can say, because time feels like it’s not passing at all until I’m deep into my reading. Then I’ll start counting and counting the days until May.

If ever you should be in a position to advise a traveller going on a sea voyage, remember that there is some mysterious service done to the bilious system when it is shaken, by baked apples. Noticing that they were produced on board the Cuba, every day at lunch and dinner, I thought I would make the experiment of always eating them freely. I am confident that they did wonders, not only at the time, but in stopping the imaginary pitching and rolling after the voyage is over, from which many good amateur sailors suffer. I have hardly had the sensation at all, except in washing of a morning. At that time I still hold on with one knee to the washing-stand, and could swear that it rolls from left to right. The Cuba does not return until Wednesday, the 4th December. You may suppose that every officer on board is coming on Monday, and that[310] Dolby has provided extra stools for them. His work is very hard indeed. Cards are brought to him every minute in the day; his correspondence is immense; and he is jerked off to New York, and I don't know where else, on the shortest notice and the most unreasonable times. Moreover, he has to be at "the bar" every night, and to "liquor up with all creation" in the small hours. He does it all with the greatest good humour, and flies at everybody who waylays the Chief, furiously. We have divided our men into watches, so that one always sits outside the drawing-room door. Dolby knows the whole Cunard line, and as we could not get good English gin, went out in a steamer yesterday and got two cases (twenty-four bottles) out of Cunard officers. Osgood and he were detached together last evening for New York, whence they telegraph every other hour about some new point in this precious sale of tickets. So distracted a telegram arrived at three that I have telegraphed back, "Explain yourselves," and am now waiting for the explanation. I think you know that Osgood is a partner in Ticknor and Fields'.

If you ever find yourself advising a traveler going on a sea voyage, keep in mind that baked apples do something mysterious for the digestive system when one is shaken up. I noticed that they were served on the Cuba every day at lunch and dinner, so I decided to try eating them freely. I’m convinced they worked wonders, not just during the trip, but also in easing the imaginary swaying many inexperienced sailors feel after the voyage ends. I hardly felt it at all, except when washing in the morning. At that time, I still hold on with one knee to the washbasin and could swear it rolls from side to side. The Cuba doesn’t come back until Wednesday, December 4th. You can guess that every officer on board is returning on Monday, and that[310] Dolby has arranged for extra stools for them. His job is really tough. Cards come to him every minute of the day; his correspondence is huge; and he gets rushed off to New York and other places on the shortest notice and the most unreasonable times. Plus, he has to be at "the bar" every night and "drink up with everyone" until the early hours. He handles it all with the best attitude and goes after anyone who stops the Chief with a fury. We’ve split our staff into shifts, so that one person is always sitting outside the drawing-room door. Dolby knows the whole Cunard line, and since we couldn't find good English gin, he went out on a steamer yesterday and got two cases (twenty-four bottles) from Cunard officers. Osgood and he were sent together to New York last night, where they send updates every couple of hours about some new development in this precious ticket sale. A very confusing telegram arrived at three, so I replied, "Explain yourselves," and I’m now waiting for that explanation. I think you know that Osgood is a partner at Ticknor and Fields.

Tuesday morning.—Dolby has come back from New York, where the prospects seem immense. We sell tickets there next Friday and Saturday, and a tremendous rush is expected.

Tuesday morning.—Dolby has returned from New York, where the opportunities look enormous. We’re selling tickets there next Friday and Saturday, and a huge crowd is anticipated.

Mr. Charles Dickens.


Parker House, Boston, MA, Saturday, Nov. 30th, 1867.
My dear Charlie,

You will have heard before now how fortunate I was on my voyage, and how I was not sick for a moment. These screws are tremendous ships for carrying on, and for rolling, and their vibration is rather distressing. But my[311] little cabin, being for'ard of the machinery, was in the best part of the vessel, and I had as much air in it, night and day, as I chose. The saloon being kept absolutely without air, I mostly dined in my own den, in spite of my being allotted the post of honour on the right hand of the captain.

You’ve probably heard about how lucky I was on my trip and how I didn't feel sick at all. These ships are amazing for traveling and rolling around, but their vibrations can be pretty unsettling. However, my[311] little cabin, located away from the machinery, was in the best spot on the ship, and I had plenty of fresh air in there, day and night. Since the saloon was completely stuffy, I mostly ate in my own space, even though I had the honor of sitting beside the captain.

The tickets for the first four readings here (the only readings announced) were all sold immediately, and many are now re-selling at a large premium. The tickets for the first four readings in New York (the only readings announced there also) were on sale yesterday, and were all sold in a few hours. The receipts are very large indeed; but engagements of any kind and every kind I steadily refuse, being resolved to take what is to be taken myself. Dolby is nearly worked off his legs, is now at New York, and goes backwards and forwards between this place and that (about the distance from London to Liverpool, though they take nine hours to do it) incessantly. Nothing can exceed his energy and good humour, and he is extremely popular everywhere. My great desire is to avoid much travelling, and to try to get the people to come to me, instead of my going to them. If I can effect this to any moderate extent, I shall be saved a great deal of knocking about. My original purpose was not to go to Canada at all; but Canada is so up in arms on the subject that I think I shall be obliged to take it at last. In that case I should work round to Halifax, Nova Scotia, and then take the packet for home.

The tickets for the first four readings here (the only readings announced) were all sold out right away, and many are now being resold at a big markup. The tickets for the first four readings in New York (the only readings announced there as well) went on sale yesterday and sold out in just a few hours. The revenue is quite substantial; however, I’m turning down all types of engagements, determined to take what I can get myself. Dolby is almost run ragged, currently in New York, constantly traveling back and forth between this place and that (about the distance from London to Liverpool, though it takes them nine hours to do it). Nothing can beat his energy and good spirit, and he is really popular everywhere. My main goal is to avoid too much travel and to get people to come to me instead of me going to them. If I can manage this to any reasonable degree, it will save me a lot of hassle. I originally didn’t plan to go to Canada at all, but since Canada is so eager on the topic, I think I might finally have to do it. If that happens, I would make my way to Halifax, Nova Scotia, and then take the boat back home.

As they don't seem (Americans who have heard me on their travels excepted) to have the least idea here of what the readings are like, and as they are accustomed to mere readings out of a book, I am inclined to think the excitement will increase when I shall have begun. Everybody[312] is very kind and considerate, and I have a number of old friends here, at the Bar and connected with the University. I am now negotiating to bring out the dramatic version of "No Thoroughfare" at New York. It is quite upon the cards that it may turn up trumps.

As they don't seem (except for Americans who have heard me on their travels) to have the slightest idea of what the readings are like, and since they're used to just reading from a book, I think the excitement will build once I start. Everyone[312] is really kind and thoughtful, and I have quite a few old friends here at the Bar and connected to the University. I'm currently in talks to bring out the dramatic version of "No Thoroughfare" in New York. It’s very possible it could turn out to be a success.

I was interrupted in that place by a call from my old secretary in the States, Mr. Putnam. It was quite affecting to see his delight in meeting his old master again. And when I told him that Anne was married, and that I had (unacknowledged) grandchildren, he laughed and cried together. I suppose you don't remember Longfellow, though he remembers you in a black velvet frock very well. He is now white-haired and white-bearded, but remarkably handsome. He still lives in his old house, where his beautiful wife was burnt to death. I dined with him the other day, and could not get the terrific scene out of my imagination. She was in a blaze in an instant, rushed into his arms with a wild cry, and never spoke afterwards.

I was interrupted there by a call from my old secretary in the States, Mr. Putnam. It was really touching to see how happy he was to reconnect with his old boss. When I told him that Anne was married and that I had (though not acknowledged) grandchildren, he both laughed and cried. I guess you don’t remember Longfellow, although he remembers you very well in a black velvet dress. He’s now white-haired and white-bearded, but still remarkably handsome. He still lives in his old house, where his beautiful wife tragically died in a fire. I had dinner with him the other day, and I couldn’t get that horrific scene out of my mind. She was engulfed in flames in an instant, rushed into his arms with a desperate cry, and never spoke again.

My love to Bessie, and to Mekitty, and all the babbies. I will lay this by until Tuesday morning, and then add a final line to it.

My love to Bessie, and to Mekitty, and all the babies. I’ll set this aside until Tuesday morning, and then add a final note to it.

Ever, my dear Charley, your affectionate Father.


Tuesday, Dec. 3rd, 1867.

Success last night beyond description or exaggeration. The whole city is quite frantic about it to-day, and it is impossible that prospects could be more brilliant.[313]

Success last night was beyond words or hype. The entire city is completely buzzing about it today, and there's no way the outlook could be brighter.[313]

Miss Dickens.


Parker House Hotel, Boston, Sunday, Dec. 1st, 1867.

I received yours of the 18th November, yesterday. As I left Halifax in the Cuba that very day, you probably saw us telegraphed in The Times on the 19th.

I got your message from November 18th yesterday. Since I left Halifax on the Cuba that same day, you probably saw us reported in The Times on the 19th.

Dolby came back from another run to New York, this morning. The receipts are very large indeed, far exceeding our careful estimate made at Gad's. I think you had best in future (unless I give you intimation to the contrary) address your letters to me, at the Westminster Hotel, Irving Place, New York City. It is a more central position than this, and we are likely to be much more there than here. I am going to set up a brougham in New York, and keep my rooms at that hotel. The account of Matilda is a very melancholy one, and really distresses me. What she must sink into, it is sad to consider. However, there was nothing for it but to send her away, that is quite clear.

Dolby returned this morning from another trip to New York. The receipts are quite impressive, far surpassing our careful estimate made at Gad's. I think from now on (unless I tell you otherwise), you should send your letters to me at the Westminster Hotel, Irving Place, New York City. It's a more central location than this one, and we’re likely to be there much more often. I'm planning to get a brougham in New York and keep my rooms at that hotel. The news about Matilda is very upsetting and truly bothers me. It’s sad to think about what she’s going through. Still, there was no choice but to send her away; that's clear.

They are said to be a very quiet audience here, appreciative but not demonstrative. I shall try to change their character a little.

They’re known to be a pretty quiet audience here, appreciative but not very expressive. I’ll try to change that a bit.

I have been going on very well. A horrible custom obtains in these parts of asking you to dinner somewhere at half-past two, and to supper somewhere else about eight. I have run this gauntlet more than once, and its effect is, that there is no day for any useful purpose, and that the length of the evening is multiplied by a hundred. Yesterday I dined with a club at half-past two, and came back here at half-past eight, with a general impression that it was at least two o'clock in the morning. Two days before I dined with Longfellow at half-past two, and came back at eight, supposing it to be midnight. To-day we have a state dinner-party[314] in our rooms at six, Mr. and Mrs. Fields, and Mr. and Mrs. Bigelow. (He is a friend of Forster's, and was American Minister in Paris). There are no negro waiters here, all the servants are Irish—willing, but not able. The dinners and wines are very good. I keep our own rooms well ventilated by opening the windows, but no window is ever opened in the halls or passages, and they are so overheated by a great furnace, that they make me faint and sick. The air is like that of a pre-Adamite ironing-day in full blast. Your respected parent is immensely popular in Boston society, and its cordiality and unaffected heartiness are charming. I wish I could carry it with me.

I’ve been doing really well. There’s a terrible habit around here of inviting you to dinner at half-past two and then to supper somewhere else around eight. I’ve gone through this more than once, and the result is that there’s no time left in the day for anything useful, and the length of the evening feels like it’s stretched out a hundred times. Yesterday, I had dinner with a club at half-past two and got back here at half-past eight, feeling like it was at least two o'clock in the morning. Two days ago, I had dinner with Longfellow at the same time and returned at eight, thinking it was midnight. Today, we have a formal dinner party[314] in our rooms at six, with Mr. and Mrs. Fields, and Mr. and Mrs. Bigelow. (He’s a friend of Forster’s and was the American Minister in Paris). There are no Black waiters here; all the staff are Irish—eager, but not very capable. The dinners and wines are really good. I keep our rooms well-ventilated by opening the windows, but no one ever opens the windows in the halls or corridors, and they’re so overheated from a big furnace that it makes me feel faint and nauseous. The air is like what you’d find on a sweltering ironing day before Adam. Your well-respected parent is extremely popular in Boston society, and its warmth and genuine friendliness are delightful. I wish I could take that with me.

The leading New York papers have sent men over for to-morrow night with instructions to telegraph columns of descriptions. Great excitement and expectation everywhere. Fields says he has looked forward to it so long that he knows he will die at five minutes to eight.

The top New York newspapers have sent reporters over for tomorrow night with orders to send back columns of descriptions. There's a buzz of excitement and anticipation everywhere. Fields says he’s been looking forward to it for so long that he feels he'll die at five minutes to eight.

At the New York barriers, where the tickets are on sale and the people ranged as at the Paris theatres, speculators went up and down offering "twenty dollars for anybody's place." The money was in no case accepted. One man sold two tickets for the second, third, and fourth night for "one ticket for the first, fifty dollars" (about seven pounds ten shillings), "and a brandy cocktail," which is an iced bitter drink. The weather has been rather muggy and languid until yesterday, when there was the coldest wind blowing that I ever felt. In the night it froze very hard, and to-day the sky is beautiful.

At the New York entrance, where tickets are being sold and people are lined up like at the theaters in Paris, scalpers were walking around offering "twenty dollars for anyone's spot." No one accepted the money. One guy was selling two tickets for the second, third, and fourth night for "one ticket for the first, fifty dollars" (about seven hundred and fifty dollars today), "and a brandy cocktail," which is a cold, bitter drink. The weather had been pretty muggy and sluggish until yesterday, when the coldest wind I’ve ever felt kicked in. Last night it froze hard, and today the sky is gorgeous.



Tuesday, Dec. 3rd.

Most magnificent reception last night, and most signal and complete success. Nothing could be more triumphant.[315] The people will hear of nothing else and talk of nothing else. Nothing that was ever done here, they all agree, evoked any approach to such enthusiasm. I was quite as cool and quick as if I were reading at Greenwich, and went at it accordingly. Tell your aunt, with my best love, that I have this morning received hers of the 21st, and that I will write to her next. That will be from New York. My love to Mr. and Mrs. Hulkes and the boy, and to Mr. and Mrs. Malleson.[18]

Last night’s reception was absolutely incredible, and it was a huge success. Nothing could have been more triumphant.[315] Everyone is talking about it and can’t stop raving about it. They all agree nothing has ever generated such excitement here. I stayed just as calm and focused as if I were reading at Greenwich, and I approached it that way. Please tell your aunt, with my best love, that I received her letter from the 21st this morning, and I will write to her next. That letter will come from New York. Send my love to Mr. and Mrs. Hulkes and their son, and to Mr. and Mrs. Malleson.[18]

Miss Hogarth.


Boston, Wednesday, Dec. 4th, 1867.

I find that by going off to the Cuba myself this morning I can send you the enclosed for Mary Boyle (I don't know how to address her), whose usual flower for my button-hole was produced in the most extraordinary manner here last Monday night! All well and prosperous. "Copperfield" and "Bob" last night; great success.

I realized that by heading out to Cuba myself this morning, I can send you the enclosed for Mary Boyle (I’m not sure how to address her), whose usual flower for my buttonhole was produced in the most amazing way here last Monday night! Everything is going well and thriving. "Copperfield" and "Bob" last night; huge success.

Miss Mary Boyle.


Boston, December 4th, 1867.
Dear Meery,

You can have no idea of the glow of pleasure and amazement with which I saw your remembrance of me lying on my dressing-table here last Monday night. Whosoever undertook that commission accomplished it to a miracle. But you must go away four thousand miles, and have such a token conveyed to you, before you can quite appreciate the feeling of receiving it. Ten thousand loving thanks.

You can't imagine how thrilled and amazed I was to see your reminder of me sitting on my dresser last Monday night. Whoever took on that task did an amazing job. But you have to travel four thousand miles and have a message sent to you before you can truly understand the feeling of getting it. Thank you so much!

Immense success here, and unbounded enthusiasm. My largest expectations far surpassed.

Immense success here, and limitless enthusiasm. My biggest expectations were completely exceeded.

Always your loving
Jo.
Miss Dickens.


Westminster Hotel, Irving Place, New York City,
Wednesday, Dec 11th, 1867.

Amazing success here. A very fine audience; far better than that at Boston. Great reception. Great, "Carol" and "Trial," on the first night; still greater, "Copperfield" and "Bob," on the second. Dolby sends you a few papers by this post. You will see from their tone what a success it is.

Amazing success here. A fantastic audience; way better than that in Boston. Huge reception. Great, "Carol" and "Trial," on the first night; even better, "Copperfield" and "Bob," on the second. Dolby is sending you a few papers with this mail. You'll see from their tone what a success it is.

I cannot pay this letter, because I give it at the latest moment to the mail-officer, who is going on board the Cunard packet in charge of the mails, and who is staying in this house. We are now selling (at the hall) the tickets for the four readings of next week. At nine o'clock this morning there were two thousand people in waiting, and they had begun to assemble in the bitter cold as early as two o'clock. All night long Dolby and our man have been stamping tickets. (Immediately over my head, by-the-bye, and keeping me awake.) This hotel is quite as quiet as Mivart's, in Brook Street. It is not very much larger. There are American hotels close by, with five hundred bedrooms, and I don't know how many boarders; but this is conducted on what is called "the European principle," and is an admirable mixture of a first-class French and English house. I keep a very smart carriage and pair; and if you were to behold me driving out, furred up to the moustache, with furs on the coach-boy and on the driver, and with an[317] immense white, red, and yellow striped rug for a covering, you would suppose me to be of Hungarian or Polish nationality.

I can't pay for this letter because I'm handing it over at the last moment to the mail officer who's boarding the Cunard packet with the mail, and who is staying in this hotel. We're currently selling tickets in the hall for next week's four readings. By 9 AM this morning, there were two thousand people waiting, and they started gathering in the freezing cold as early as 2 AM. All night, Dolby and our guy have been stamping tickets (right above my head, by the way, which kept me awake). This hotel is just as quiet as Mivart's on Brook Street and isn’t much bigger. There are American hotels nearby with five hundred rooms and who knows how many guests, but this one operates on what's called "the European principle" and is a great blend of a top-notch French and English establishment. I own a very stylish carriage and pair; and if you were to see me driving out, bundled up to the mustache, with furs on the coachman and the driver, and with a huge white, red, and yellow striped rug as a cover, you might think I was Hungarian or Polish.

Will you report the success here to Mr. Forster with my love, and tell him he shall hear from me by next mail?

Will you let Mr. Forster know about the success here with my love, and tell him he'll hear from me by the next mail?

Dolby sends his kindest regards. He is just come in from our ticket sales, and has put such an immense untidy heap of paper money on the table that it looks like a family wash. He hardly ever dines, and is always tearing about at unreasonable hours. He works very hard.

Dolby sends his best regards. He just came in from our ticket sales and has dropped such a huge, messy pile of cash on the table that it looks like a family laundry day. He barely ever eats dinner and is always rushing around at odd hours. He works really hard.

My best love to your aunt (to whom I will write next), and to Katie, and to both the Charleys, and all the Christmas circle, not forgetting Chorley, to whom give my special remembrance. You may get this by Christmas Day. We shall have to keep it travelling from Boston here; for I read at Boston on the 23rd and 24th, and here again on the 26th.

My love to your aunt (I’ll write to her next), and to Katie, and to both Charleys, and everyone in the Christmas circle, not forgetting Chorley—please send my special regards to him. You might receive this by Christmas Day. We will need to keep it moving from Boston to here; I’m reading in Boston on the 23rd and 24th, and again here on the 26th.

Miss Hogarth.


Westminster Hotel, Irving Place, New York City,
Monday, Dec. 16th, 1867.

We have been snowed up here, and the communication with Boston is still very much retarded. Thus we have received no letters by the Cunard steamer that came in last Wednesday, and are in a grim state of mind on that subject.

We’ve been stuck here in the snow, and communication with Boston is still seriously delayed. So, we haven’t received any letters from the Cunard steamer that arrived last Wednesday, and we're in a pretty bad mood about it.

Last night I was getting into bed just at twelve o'clock, when Dolby came to my door to inform me that the house was on fire (I had previously smelt fire for two hours). I got Scott up directly, told him to pack the books and clothes for the readings first, dressed, and pocketed my jewels and papers, while Dolby stuffed himself out with money. Meanwhile the police and firemen were in the[318] house, endeavouring to find where the fire was. For some time it baffled their endeavours, but at last, bursting out through some stairs, they cut the stairs away, and traced it to its source in a certain fire-grate. By this time the hose was laid all through the house from a great tank on the roof, and everybody turned out to help. It was the oddest sight, and people had put the strangest things on! After a little chopping and cutting with axes and handing about of water, the fire was confined to a dining-room in which it had originated, and then everybody talked to everybody else, the ladies being particularly loquacious and cheerful. And so we got to bed again at about two.

Last night, just as I was getting into bed around midnight, Dolby knocked on my door to tell me the house was on fire (I had already smelled smoke for two hours). I woke Scott up right away, told him to pack the books and clothes for the readings first, then got dressed and grabbed my jewelry and important papers, while Dolby stuffed his pockets with cash. Meanwhile, the police and firefighters were in the[318]house, trying to find where the fire was. For a while, they couldn’t figure it out, but eventually, after it burst out through some stairs, they cut the stairs away and traced it back to a specific fireplace. By then, the hose was laid out throughout the house from a large tank on the roof, and everyone pitched in to help. It was the strangest sight, with people wearing the oddest outfits! After some chopping and cutting with axes and passing around water, they managed to contain the fire to the dining room where it started, and then everyone started chatting away, with the ladies being especially talkative and cheerful. We finally got back to bed around two.

The excitement of the readings continues unabated, the tickets for readings are sold as soon as they are ready, and the public pay treble prices to the speculators who buy them up. They are a wonderfully fine audience, even better than Edinburgh, and almost, if not quite, as good as Paris.

The excitement around the readings is still going strong; tickets sell out the moment they're available, and the public pays triple prices to the scalpers who grab them. They make for an amazing audience, even better than Edinburgh, and almost, if not quite, as good as Paris.

Dolby continues to be the most unpopular man in America (mainly because he can't get four thousand people into a room that holds two thousand), and is reviled in print daily. Yesterday morning a newspaper proclaims of him: "Surely it is time that the pudding-headed Dolby retired into the native gloom from which he has emerged." He takes it very coolly, and does his best. Mrs. Morgan sent me, the other night, I suppose the finest and costliest basket of flowers ever seen, made of white camellias, yellow roses, pink roses, and I don't know what else. It is a yard and a half round at its smallest part.

Dolby remains the most disliked man in America (mainly because he can't get four thousand people into a space that holds two thousand), and he gets criticized in the news every day. Yesterday morning, a newspaper announced: "It's definitely time for the clueless Dolby to retreat back into the darkness from which he came." He takes it all in stride and does his best. Mrs. Morgan sent me, the other night, what I think is the finest and most expensive bouquet of flowers ever, made up of white camellias, yellow roses, pink roses, and who knows what else. It's a yard and a half wide at its smallest point.

I must bring this to a close, as I have to go to the hall to try an enlarged background.[319]

I need to wrap this up because I have to head to the hall to test an expanded background.[319]

Miss Hogarth.


Boston, Sunday, Dec. 22nd, 1867.

Coming here from New York last night (after a detestable journey), I was delighted to find your letter of the 6th. I read it at my ten o'clock dinner with the greatest interest and pleasure, and then we talked of home till we went to bed.

Coming here from New York last night (after an awful journey), I was thrilled to find your letter from the 6th. I read it at my ten o'clock dinner with great interest and enjoyment, and then we talked about home until we went to bed.

Our tour is now being made out, and I hope to be able to send it in my next letter home, which will be to Mamie, from whom I have not heard (as you thought I had) by the mail that brought out yours. After very careful consideration I have reversed Dolby's original plan, and have decided on taking Baltimore, Washington, Cincinnati, Chicago (!), St. Louis, and a few other places nearer here, instead of staying in New York. My reason is that we are doing immensely, both at New York and here, and that I am sure it is in the peculiar character of the people to prize a thing the more the less easily attainable it is made. Therefore, I want, by absence, to get the greatest rush and pressure upon the five farewell readings in New York in April. All our announced readings are already crammed.

Our tour is being planned now, and I hope to send it in my next letter home, which will be to Mamie, from whom I have not heard (as you thought I had) in the mail that brought yours. After careful consideration, I’ve changed Dolby's original plan and decided to hit Baltimore, Washington, Cincinnati, Chicago (!), St. Louis, and a few other places nearby, instead of staying in New York. My reason is that we’re doing really well, both in New York and here, and I’m sure the unique nature of the people leads them to value something more when it’s harder to get. So, I want to create some excitement and anticipation for the five farewell readings in New York in April by being absent. All our scheduled readings are already packed.

When we got here last Saturday night, we found that Mrs. Fields had not only garnished the rooms with flowers, but also with holly (with real red berries) and festoons of moss dependent from the looking-glasses and picture frames. She is one of the dearest little women in the world. The homely Christmas look of the place quite affected us. Yesterday we dined at her house, and there was a plum-pudding, brought on blazing, and not to be surpassed in any house in England. There is a certain Captain Dolliver, belonging to the Boston Custom House, who came off in the little steamer that brought me ashore[320] from the Cuba. He took it into his head that he would have a piece of English mistletoe brought out in this week's Cunard, which should be laid upon my breakfast-table. And there it was this morning. In such affectionate touches as this, these New England people are especially amiable.

When we arrived here last Saturday night, we discovered that Mrs. Fields had not only decorated the rooms with flowers but also with holly (with real red berries) and strands of moss hanging from the mirrors and picture frames. She is one of the sweetest women you could meet. The cozy Christmas vibe of the place really touched us. Yesterday, we had dinner at her house, and there was a flaming plum pudding that couldn’t be topped by any house in England. There's a Captain Dolliver from the Boston Custom House who came on the little steamer that brought me ashore from the Cuba. He decided to have some English mistletoe brought out on this week’s Cunard, which was placed on my breakfast table. And it was there this morning. In these thoughtful gestures, these New England people are particularly charming.

As a general rule, you may lay it down that whatever you see about me in the papers is not true. But although my voyage out was of that highly hilarious description that you first made known to me, you may generally lend a more believing ear to the Philadelphia correspondent of The Times. I don't know him, but I know the source from which he derives his information, and it is a very respectable one.

As a general rule, you can assume that whatever you read about me in the papers isn't true. But even though my trip was as funny as you first told me, you can usually trust the Philadelphia correspondent of The Times a bit more. I don't know him personally, but I am familiar with the source he gets his information from, and it's a very reputable one.

Did I tell you in a former letter from here, to tell Anne, with her old master's love, that I had seen Putnam, my old secretary? Grey, and with several front teeth out, but I would have known him anywhere. He is coming to "Copperfield" to-night, accompanied by his wife and daughter, and is in the seventh heaven at having his tickets given him.

Did I mention in a previous letter from here to tell Anne, with her old master's love, that I saw Putnam, my old secretary? He’s gray and missing several front teeth, but I would’ve recognized him anywhere. He’s coming to "Copperfield" tonight with his wife and daughter and is absolutely thrilled to have his tickets given to him.

Our hotel in New York was on fire again the other night. But fires in this country are quite matters of course. There was a large one there at four this morning, and I don't think a single night has passed since I have been under the protection of the Eagle, but I have heard the fire bells dolefully clanging all over the city.

Our hotel in New York was on fire again the other night. But fires in this country are pretty common. There was a big one there at four this morning, and I don't think a single night has gone by since I’ve been at the Eagle without hearing the fire bells ringing sadly all over the city.

Dolby sends his kindest regard. His hair has become quite white, the effect, I suppose, of the climate. He is so universally hauled over the coals (for no reason on earth), that I fully expect to hear him, one of these nights, assailed with a howl when he precedes me to the platform steps. You may conceive what the low newspapers are here, when[321] one of them yesterday morning had, as an item of news, the intelligence: "Dickens's Readings. The chap calling himself Dolby got drunk last night, and was locked up in a police-station for fighting an Irishman." I don't find that anybody is shocked by this liveliness.

Dolby sends his warmest regards. His hair has turned completely white, probably because of the weather. He gets criticized so harshly (for no good reason) that I fully expect to hear him get booed one of these nights when he goes up the steps to the stage ahead of me. You can imagine what the low-quality newspapers are like here, when[321] one of them yesterday morning reported as news: "Dickens's Readings. The guy calling himself Dolby got drunk last night and was arrested for fighting with an Irishman." I don’t think anyone is really shocked by this kind of drama.

My love to all, and to Mrs. Hulkes and the boy. By-the-bye, when we left New York for this place, Dolby called my amazed attention to the circumstance that Scott was leaning his head against the side of the carriage and weeping bitterly. I asked him what was the matter, and he replied: "The owdacious treatment of the luggage, which was more outrageous than a man could bear." I told him not to make a fool of himself; but they do knock it about cruelly. I think every trunk we have is already broken.

My love to everyone, especially Mrs. Hulkes and the boy. By the way, when we left New York for this place, Dolby pointed out that Scott was leaning his head against the side of the carriage and crying hard. I asked him what was wrong, and he said, "The ridiculous treatment of the luggage, which is more than anyone can tolerate." I told him not to be silly, but they really do throw it around harshly. I think every trunk we have is already damaged.

I must leave off, as I am going out for a walk in a bright sunlight and a complete break-up of the frost and snow. I am much better than I have been during the last week, but have a cold.

I have to stop now because I'm going out for a walk in the bright sunshine with all the frost and snow melting away. I'm feeling much better than I have all week, but I do have a cold.

Miss Dickens.


Westminster Hotel, Irving Place, New York City,
Thursday, Dec. 26th, 1867.

I got your aunt's last letter at Boston yesterday, Christmas Day morning, when I was starting at eleven o'clock to come back to this place. I wanted it very much, for I had a frightful cold (English colds are nothing to those of this country), and was exceedingly depressed and miserable. Not that I had any reason but illness for being so, since the Bostonians had been quite astounding in their demonstrations. I never saw anything like them on Christmas Eve. But it is a bad country to be unwell[322] and travelling in; you are one of say a hundred people in a heated car, with a great stove in it, and all the little windows closed, and the hurrying and banging about are indescribable. The atmosphere is detestable, and the motion often all but intolerable. However, we got our dinner here at eight o'clock, and plucked up a little, and I made some hot gin punch to drink a merry Christmas to all at home in. But it must be confessed that we were both very dull. I have been in bed all day until two o'clock, and here I am now (at three o'clock) a little better. But I am not fit to read, and I must read to-night. After watching the general character pretty closely, I became quite sure that Dolby was wrong on the length of the stay and the number of readings we had proposed in this place. I am quite certain that it is one of the national peculiarities that what they want must be difficult of attainment. I therefore a few days ago made a coup d'état, and altered the whole scheme. We shall go to Philadelphia, Baltimore, Washington, also some New England towns between Boston and this place, away to the falls of Niagara, and off far west to Chicago and St. Louis, before coming back for ten farewell readings here, preceded by farewells at Boston, leaving Canada altogether. This will not prolong the list beyond eighty-four readings, the exact original number, and will, please God, work it all out in April. In my next, I daresay, I shall be able to send the exact list, so that you may know every day where we are. There has been a great storm here for a few days, and the streets, though wet, are becoming passable again. Dolby and Osgood are out in it to-day on a variety of business, and left in grave and solemn state. Scott and the gasman are stricken with dumb concern, not having received one single letter from home since they left. What their wives can have done with[323] the letters they take it for granted they have written, is their stormy speculation at the door of my hall dressing-room every night.

I received your aunt's last letter in Boston yesterday, Christmas morning, just as I was getting ready to leave at eleven o'clock to come back here. I really wanted it, because I had an awful cold (English colds are nothing compared to those in this country), and I was feeling very down and miserable. Not that I had any reason to feel this way aside from being sick, since the people in Boston were truly amazing in their celebrations. I had never seen anything like it on Christmas Eve. However, it’s a rough place to be unwell and traveling; you’re one of about a hundred people in a heated train car, with a big stove in it, all the little windows shut tight, and the rushing around and banging is indescribable. The air is terrible, and the movement is almost unbearable. Anyway, we had dinner here at eight o'clock, perked up a bit, and I made some hot gin punch to toast a merry Christmas to everyone back home. But I have to admit we were both pretty dull. I spent all day in bed until two o'clock, and now (it’s three o'clock) I’m feeling a little better. But I’m not fit to read, and I need to read tonight. After closely observing the overall vibe, I became quite sure that Dolby was wrong about how long we were supposed to stay and the number of readings we had planned here. I firmly believe it’s a national trait that what they want has to be hard to get. So, a few days ago, I made a sudden change and revised the entire plan. We’ll visit Philadelphia, Baltimore, Washington, and some New England towns between Boston and here, continue on to Niagara Falls, and then head far west to Chicago and St. Louis before returning for ten farewell readings here, starting with farewells in Boston, and leaving Canada entirely. This won't extend the schedule beyond eighty-four readings, the exact original number, and, God willing, we’ll have everything sorted out by April. In my next letter, I’m sure I’ll be able to send the exact schedule, so you’ll know where we are every day. There’s been a big storm here for a few days, and the streets, while wet, are starting to clear up again. Dolby and Osgood went out in it today for various business matters and left in a serious state. Scott and the gasman are filled with worry, having not received a single letter from home since they left. What their wives could have done with the letters they assume they’ve written is their anxious topic of discussion at the door of my dressing room every night.

If I do not send a letter to Katie by this mail, it will be because I shall probably be obliged to go across the water to Brooklyn to-morrow to see a church, in which it is proposed that I shall read!!! Horrible visions of being put in the pulpit already beset me. And whether the audience will be in pews is another consideration which greatly disturbs my mind. No paper ever comes out without a leader on Dolby, who of course reads them all, and never can understand why I don't, in which he is called all the bad names in (and not in) the language.

If I don't send a letter to Katie with this mail, it’s because I probably have to go over to Brooklyn tomorrow to check out a church where I'm expected to read!!! Horrible thoughts of being put in the pulpit are already haunting me. Plus, whether the audience will be sitting in pews is another thing that’s really bothering me. No paper ever gets published without a piece on Dolby, who, of course, reads them all and can never understand why I don’t, where he gets called all sorts of awful names both in and out of the language.

We always call him P. H. Dolby now, in consequence of one of these graceful specimens of literature describing him as the "pudding-headed."

We now always refer to him as P. H. Dolby because one of these elegant pieces of writing calls him the "pudding-headed."

I fear that when we travel he will have to be always before me, so that I may not see him six times in as many weeks. However, I shall have done a fourth of the whole this very next week!

I worry that when we travel, he'll always have to be in front of me, so I won't see him six times in six weeks. But I'll have finished a quarter of the whole thing by next week!

Best love to your aunt, and the boys, and Katie, and Charley, and all true friends.

Best wishes to your aunt, the guys, Katie, Charley, and all your true friends.



Friday.

I managed to read last night, but it was as much as I could do. To-day I am so very unwell, that I have sent for a doctor; he has just been, and is in doubt whether I shall not have to stop reading for a while.[324]

I managed to read last night, but that was about all I could do. Today, I'm feeling really unwell, so I called for a doctor; he just left and is unsure if I’ll need to take a break from reading for a while.[324]

Miss Dickens.


Westminster Hotel, Irving Place, New York,
Monday, Dec. 30th, 1867.

I am getting all right again. I have not been well, been very low, and have been obliged to have a doctor; a very agreeable fellow indeed, who soon turned out to be an old friend of Olliffe's.[19] He has set me on my legs and taken his leave "professionally," though he means to give me a call now and then.

I’m feeling better now. I haven’t been well, feeling really down, and had to see a doctor; a really nice guy who turned out to be an old friend of Olliffe’s.[19] He’s helped me get back on my feet and has left "professionally," but he plans to check in on me occasionally.

In the library at Gad's is a bound book, "Remarkable Criminal Trials," translated by Lady Duff Gordon, from the original by Fauerbach. I want that book, and a copy of Praed's poems, to be sent out to Boston, care of Ticknor and Fields. If you will give the "Criminal Trials" to Wills, and explain my wish, and ask him to buy a copy of Praed's poems and add it to the parcel, he will know how to send the packet out. I think the "Criminal Trials" book is in the corner book-case, by the window, opposite the door.

In the library at Gad's, there's a bound book called "Remarkable Criminal Trials," translated by Lady Duff Gordon from the original by Fauerbach. I want that book and a copy of Praed's poems sent to Boston, care of Ticknor and Fields. If you could give the "Criminal Trials" to Wills, explain my request, and ask him to buy a copy of Praed's poems to include in the package, he'll know how to send it out. I think the "Criminal Trials" book is in the corner bookcase by the window, across from the door.

No news here. All going on in the regular way. I read in that church I told you of, about the middle of January. It is wonderfully seated for two thousand people, and is as easy to speak in as if they were two hundred. The people are seated in pews, and we let the pews. I stood on a small platform from which the pulpit will be removed for the occasion!! I emerge from the vestry!!! Philadelphia, Baltimore, and another two nights in Boston will follow this coming month of January. On Friday next I shall have read a fourth of my whole list, besides having had twelve days' holiday when I first came out. So please God I shall soon get to the half, and so begin to work hopefully round.

No news here. Everything is going on as usual. I read in that church I mentioned to you about the middle of January. It’s beautifully arranged for two thousand people and is just as easy to speak in as if there were only two hundred. The seats are in pews, and we rent them out. I stood on a small platform where the pulpit will be removed for the occasion!! I stepped out from the vestry!!! Philadelphia, Baltimore, and another two nights in Boston will follow this coming January. Next Friday, I will have completed a quarter of my entire list, plus I had twelve days off when I first started. So, God willing, I’ll soon reach the halfway point and begin to work more optimistically.

I suppose you were at the Adelphi on Thursday night last. They are pirating the bill as well as the play here, everywhere. I have registered the play as the property of an American citizen, but the law is by no means clear that I established a right in it by so doing; and of course the pirates knew very well that I could not, under existing circumstances, try the question with them in an American court of law. Nothing is being played here scarcely that is not founded on my books—"Cricket," "Oliver Twist," "Our Mutual Friend," and I don't know what else, every night. I can't get down Broadway for my own portrait; and yet I live almost as quietly in this hotel, as if I were at the office, and go in and out by a side door just as I might there.

I guess you were at the Adelphi last Thursday night. They are stealing both the script and the performance everywhere. I've registered the play as the property of an American citizen, but the law isn’t very clear that I actually secured rights by doing that; and of course, the pirates knew that I couldn't, given the current situation, take them to an American court. Practically everything being performed here is based on my books—"Cricket," "Oliver Twist," "Our Mutual Friend," and who knows what else, every night. I can't even walk down Broadway to see my own portrait; yet I live almost as quietly in this hotel as if I were at my office, going in and out through a side door just like I would there.

I go back to Boston on Saturday to read there on Monday and Tuesday. Then I am back here, and keep within six or seven hours' journey of hereabouts till February. My further movements shall be duly reported as the details are arranged.

I’m heading back to Boston on Saturday to read there on Monday and Tuesday. After that, I’ll return here and stay within a six or seven-hour journey from here until February. I’ll keep you updated on my plans as they get finalized.

I shall be curious to know who were at Gad's Hill on Christmas Day, and how you (as they say in this country) "got along." It is exceedingly cold here again, after two or three quite spring days.

I’m really curious to know who was at Gad's Hill on Christmas Day, and how you all “got along” as they say around here. It’s really cold again after a couple of spring-like days.


1868.

NARRATIVE.

Charles Dickens remained in America through the winter, returning home from New York in the Russia, on the 19th of April. His letters show how entirely he gave himself up to the business of the readings, how severely his health[326] suffered from the climate, and from the perpetual travelling and hard work, and yet how he was able to battle through to the end. These letters are also full of allusions to the many kind and dear friends who contributed so largely to the pleasure of this American visit, and whose love and attention gave a touch of home to his private life, and left such affection and gratitude in his heart as he could never forget. Many of these friends paid visits to Gad's Hill; the first to come during this summer being Mr. Longfellow, his daughters, and Mr. Appleton, brother-in-law of Mr. Longfellow, and Mr. and Mrs. Charles Eliot Norton, of Cambridge.

For the future, there were to be no more Christmas numbers of "All the Year Round." Observing the extent to which they were now copied in all directions, Charles Dickens supposed them likely to become tiresome to the public, and so determined that in his journal they should be discontinued.

For the future, there would be no more Christmas editions of "All the Year Round." Noticing how widely they were now being copied, Charles Dickens thought they would likely become boring to the public, so he decided to stop them in his journal.

While still in America, he made an agreement with the Messrs. Chappell to give a series of farewell readings in England, to commence in the autumn of this year. So, in October, Charles Dickens started off again for a tour in the provinces. He had for some time been planning, by way of a novelty for this series, a reading from the murder in "Oliver Twist," but finding it so very horrible, he was fearful of trying its effect for the first time on a public audience. It was therefore resolved, that a trial of it should be made to a limited private audience in St. James's Hall, on the evening of the 18th of November. This trial proved eminently successful, and "The Murder from Oliver Twist" became one of the most popular of his selections. But the physical exertion it involved was far greater than that of any of his previous readings, and added immensely to the excitement and exhaustion which they caused him.

While still in America, he made an agreement with the Chappell brothers to give a series of farewell readings in England, starting in the autumn of this year. So, in October, Charles Dickens set off again for a tour in the provinces. He had been planning, as a novelty for this series, a reading from the murder in "Oliver Twist," but finding it really disturbing, he was worried about how it would be received by a public audience for the first time. It was decided to do a trial run of it in front of a limited private audience at St. James's Hall on the evening of November 18th. This trial was extremely successful, and "The Murder from Oliver Twist" became one of his most popular selections. However, the physical effort it required was much greater than any of his previous readings, which added significantly to the excitement and exhaustion he experienced.

One of the first letters of the year from America is addressed to Mr. Samuel Cartwright, of surgical and artistic reputation, and greatly esteemed by Charles Dickens, both in his professional capacity and as a private friend.[327]

One of the first letters of the year from America is addressed to Mr. Samuel Cartwright, who is known for his skills in both surgery and art, and is highly regarded by Charles Dickens, both professionally and as a personal friend.[327]

The letter written to Mrs. Cattermole, in May, tells of the illness of Mr. George Cattermole. This dear old friend, so associated with Charles Dickens and his works, died soon afterwards, and the letter to his widow shows that Charles Dickens was exerting himself in her behalf.

The letter written to Mrs. Cattermole in May talks about the illness of Mr. George Cattermole. This dear old friend, closely linked to Charles Dickens and his works, passed away soon after, and the letter to his widow demonstrates that Charles Dickens was doing his best to support her.

The play of "No Thoroughfare" having been translated into French under the title of "L'Abîme," Charles Dickens went over to Paris to be present at the first night of its production.

The play "No Thoroughfare" was translated into French as "L'Abîme," so Charles Dickens traveled to Paris to attend its opening night.

On the 26th of September, his youngest son, Edward Bulwer Lytton (the "Plorn" so often mentioned), started for Australia, to join his brother Alfred Tennyson, who was already established there. It will be seen by his own words how deeply and how sadly Charles Dickens felt this parting. In October of this year, his son Henry Fielding entered Trinity Hall, Cambridge, as an undergraduate.

On September 26th, his youngest son, Edward Bulwer Lytton (the "Plorn" mentioned often), set off for Australia to join his brother Alfred Tennyson, who was already living there. His own words will show how deeply and sadly Charles Dickens felt about this goodbye. In October of this year, his son Henry Fielding started as an undergraduate at Trinity Hall, Cambridge.

The Miss Forster mentioned in the letter to his sister-in-law, and for whom the kind and considerate arrangements were suggested, was a sister of Mr. John Forster, and a lady highly esteemed by Charles Dickens. The illness from which she was then suffering was a fatal one. She died in this same year, a few days before Christmas.

The Miss Forster mentioned in the letter to his sister-in-law, and for whom the thoughtful arrangements were suggested, was a sister of Mr. John Forster, and a lady highly respected by Charles Dickens. The illness she was suffering from at that time was terminal. She passed away in this same year, a few days before Christmas.

Mr. J. C. Parkinson, to whom a letter is addressed, was a gentleman holding a Government appointment, and contributing largely to journalism and periodical literature.

Mr. J. C. Parkinson, to whom this letter is addressed, was a gentleman with a government job and made significant contributions to journalism and periodical literature.

As our last letter for this year, we give one which Charles Dickens wrote to his youngest son on his departure for Australia.

As our final letter for this year, we present one that Charles Dickens wrote to his youngest son when he left for Australia.

Miss Hogarth.


Westminster Hotel, Irving Place, New York,
Friday, Jan. 3rd, 1868.
My dear Georgy,

I received yours of the 19th from Gad's and the office this morning. I read here to-night, and go back to Boston to-morrow, to read there Monday and Tuesday.

I got your message from Gad's and the office this morning, dated the 19th. I’ll read it tonight and then head back to Boston tomorrow to read there on Monday and Tuesday.

To-night, I read out the first quarter of my list. Our[328] houses have been very fine here, but have never quite recovered the Dolby uproar. It seems impossible to devise any scheme for getting the tickets into the people's hands without the intervention of speculators. The people will not help themselves; and, of course, the speculators and all other such prowlers throw as great obstacles in Dolby's way (an Englishman's) as they possibly can. He may be a little injudicious into the bargain. Last night, for instance, he met one of the "ushers" (who show people to their seats) coming in with Kelly. It is against orders that anyone employed in front should go out during the readings, and he took this man to task in the British manner. Instantly the free and independent usher put on his hat and walked off. Seeing which, all the other free and independent ushers (some twenty in number) put on their hats and walked off, leaving us absolutely devoid and destitute of a staff for to-night. One has since been improvised; but it was a small matter to raise a stir and ill will about, especially as one of our men was equally in fault.

Tonight, I read the first quarter of my list. Our[328] houses have been really nice here, but they've never fully bounced back from the Dolby chaos. It seems impossible to come up with a plan to get the tickets into people's hands without dealing with scalpers. The people won't help themselves; and, of course, the scalpers and others like them create as many obstacles for Dolby (an Englishman) as they can. He might be a bit reckless too. Last night, for instance, he ran into one of the "ushers" (who guide people to their seats) coming in with Kelly. It's against the rules for anyone working upfront to go out during the readings, and he confronted this guy in the classic British way. Right away, the free and independent usher put on his hat and walked out. Seeing this, all the other free and independent ushers (about twenty of them) put on their hats and left, leaving us completely without a team for tonight. A replacement has since been put together, but it was minor chaos and caused some bad feelings, especially since one of our guys was equally at fault.

We have a regular clerk, a Bostonian whose name is Wild. He, Osgood, Dolby, Kelly, Scott, George the gasman, and perhaps a boy or two, constitute my body-guard. It seems a large number of people, but the business cannot be done with fewer. The speculators buying the front seats to sell at a premium (and we have found instances of this being done by merchants in good position!), and the public perpetually pitching into Dolby for selling them back seats, the result is that they won't have the back seats, send back their tickets, write and print volumes on the subject, and deter others from coming.

We have a regular clerk, a Bostonian named Wild. He, Osgood, Dolby, Kelly, Scott, George the gasman, and maybe a couple of boys make up my security team. It sounds like a lot of people, but we really can't manage with any fewer. Speculators are buying the front seats to resell at a markup (we’ve even seen this done by reputable merchants!), and the public keeps attacking Dolby for selling them the back seats. As a result, they refuse to take the back seats, return their tickets, write and print tons about it, and discourage others from coming.

You may get an idea of the staff's work, by what is in hand now. They are preparing, numbering, and stamping six thousand tickets for Philadelphia, and eight thousand[329] tickets for Brooklyn. The moment those are done, another eight thousand tickets will be wanted for Baltimore, and probably another six thousand for Washington. This in addition to the correspondence, advertisements, accounts, travellings, and the mighty business of the reading four times a week.

You can get a sense of what the staff is working on right now. They’re getting ready, organizing, and stamping six thousand tickets for Philadelphia, and eight thousand[329] tickets for Brooklyn. As soon as those are finished, another eight thousand tickets will be needed for Baltimore, and likely another six thousand for Washington. This is on top of the correspondence, ads, accounts, travel, and the significant workload of holding readings four times a week.

The Cunard steamers being now removed from Halifax, I have decided not to go there, or to St. John's, New Brunswick. And as there would be a perfect uproar if I picked out such a place in Canada as Quebec or Montreal, and excluded those two places (which would guarantee three hundred pounds a night), and further, as I don't want places, having more than enough for my list of eighty-four, I have finally resolved not to go to Canada either. This will enable me to embark for home in April instead of May.

The Cunard steamers have now left Halifax, so I've decided not to go there or to St. John's, New Brunswick. And since there would be a complete uproar if I chose a place in Canada like Quebec or Montreal and excluded those two locations (which would ensure three hundred pounds a night), plus I don’t want additional places since I already have more than enough for my list of eighty-four, I've ultimately decided not to go to Canada either. This will allow me to head home in April instead of May.

Tell Plorn, with my love, that I think he will find himself much interested at that college,[20] and that it is very likely he may make some acquaintances there that will thereafter be pleasant and useful to him. Sir Sydney Dacres is the best of friends. I have a letter from Mrs. Hulkes by this post, wherein the boy encloses a violet, now lying on the table before me. Let her know that it arrived safely, and retaining its colour. I took it for granted that Mary would have asked Chorley for Christmas Day, and am very glad she ultimately did so. I am sorry that Harry lost his prize, but believe it was not his fault. Let him know that, with my love. I would have written to him by this mail in answer to his, but for other occupation. Did I tell you that my landlord made me a drink (brandy, rum, and snow the principal ingredients) called a "Rocky Mountain sneezer"? Or that the favourite drink before you get up is an "eye-opener"?[330] Or that Roberts (second landlord), no sooner saw me on the night of the first fire, than, with his property blazing, he insisted on taking me down into a roomful of hot smoke to drink brandy and water with him? We have not been on fire again, by-the-bye, more than once.

Tell Plorn, with my love, that I think he’ll be really interested in that college,[20] and it’s very likely he’ll meet some people there who will be enjoyable and helpful to him later on. Sir Sydney Dacres is a great friend. I got a letter from Mrs. Hulkes in this mail, and the boy included a violet, which is now sitting on the table in front of me. Let her know it arrived safely and still has its color. I assumed that Mary would have invited Chorley for Christmas Day, and I’m really glad she eventually did. I’m sorry Harry lost his prize, but I believe it wasn’t his fault. Let him know that, with my love. I meant to write to him by this mail in response to his letter, but I’ve been busy with other things. Did I mention that my landlord made me a drink (brandy, rum, and snow as the main ingredients) called a "Rocky Mountain sneezer"? Or that the favorite drink before you get up is an "eye-opener"?[330] Or that Roberts (the second landlord) didn’t waste any time seeing me on the night of the first fire? Even with his property burning, he insisted on taking me into a room full of hot smoke to drink brandy and water with him? By the way, we haven’t had a fire again, except for that one time.

There has been another fall of snow, succeeded by a heavy thaw. I have laid down my sledge, and taken up my carriage again, in consequence. I am nearly all right, but cannot get rid of an intolerable cold in the head. No more news.

There’s been another snowfall, followed by a big melt. I’ve put away my sled and gone back to using my carriage. I’m almost fully better, but I can’t shake this awful cold. No more news.

Miss Hogarth.


Parker House, Boston, USA, Jan. 4th, 1868.

I write to you by this opportunity, though I really have nothing to tell you. The work is hard and the climate is hard. We made a tremendous hit last night with "Nickleby" and "Boots," which the Bostonians certainly on the whole appreciate more than "Copperfield"! Dolby is always going about with an immense bundle that looks like a sofa cushion, but it is in reality paper money; and always works like a Trojan. His business at night is a mere nothing, for these people are so accustomed to take care of themselves, that one of these immense audiences will fall into their places with an ease amazing to a frequenter of St. James's Hall. And the certainty with which they are all in, before I go on, is a very acceptable mark of respect. I must add, too, that although there is a conventional familiarity in the use of one's name in the newspapers as "Dickens," "Charlie," and what not, I do not in the least see that familiarity in the writers themselves. An inscrutable tone obtains in journalism, which a stranger cannot understand. If I say in common courtesy to one of them, when Dolby introduces, "I am much obliged to you for your interest in[331] me," or so forth, he seems quite shocked, and has a bearing of perfect modesty and propriety. I am rather inclined to think that they suppose their printed tone to be the public's love of smartness, but it is immensely difficult to make out. All I can as yet make out is, that my perfect freedom from bondage, and at any moment to go on or leave off, or otherwise do as I like, is the only safe position to occupy.

I’m writing to you now, even though I don’t really have much to say. The work is tough and the weather is harsh. We had a huge success last night with "Nickleby" and "Boots," which the people in Boston definitely appreciate more than "Copperfield"! Dolby is always walking around with this massive bundle that looks like a sofa cushion, but it’s actually paper money; and he works incredibly hard. His job at night is pretty easy, since these folks are so used to taking care of themselves that a huge audience will settle into their seats with an ease that would amaze anyone who regularly goes to St. James's Hall. The fact that they’re all settled in by the time I get started shows a lot of respect. I should also mention that, while there’s a casual familiarity in how they refer to me in the newspapers as "Dickens," "Charlie," and whatnot, I don’t see that same familiarity in the writers themselves. There’s a strange tone in journalism that a stranger just can't grasp. If I politely tell one of them when Dolby introduces me, "I really appreciate your interest in[331]me," they seem pretty shocked and carry themselves with a perfect sense of modesty and propriety. I’m starting to think they believe their printed tone reflects the public’s love for cleverness, but it’s incredibly hard to understand. All I can still figure out is that my complete freedom to start or stop at any moment, or to do whatever I want, is the only safe position to be in.

Again; there are two apparently irreconcilable contrasts here. Down below in this hotel every night are the bar loungers, dram drinkers, drunkards, swaggerers, loafers, that one might find in a Boucicault play. Within half an hour is Cambridge, where a delightful domestic life—simple, self-respectful, cordial, and affectionate—is seen in an admirable aspect. All New England is primitive and puritanical. All about and around it is a puddle of mixed human mud, with no such quality in it. Perhaps I may in time sift out some tolerably intelligible whole, but I certainly have not done so yet. It is a good sign, may be, that it all seems immensely more difficult to understand than it was when I was here before.

Again, there are two seemingly irreconcilable contrasts here. Down below in this hotel every night are the people at the bar, drinkers, drunks, show-offs, and slackers, just like characters from a Boucicault play. Half an hour away is Cambridge, where a lovely domestic life—simple, dignified, warm, and loving—is seen in a wonderful light. All of New England feels primitive and puritanical. Surrounding it is a mix of human chaos, lacking any of those qualities. Maybe over time I can piece together something that makes sense, but I definitely haven't managed that yet. It might be a good sign that it all seems way more difficult to understand now than when I was here before.

Felton left two daughters. I have only seen the eldest, a very sensible, frank, pleasant girl of eight-and-twenty, perhaps, rather like him in the face. A striking-looking daughter of Hawthorn's (who is also dead) came into my room last night. The day has slipped on to three o'clock, and I must get up "Dombey" for to-night. Hence this sudden break off. Best love to Mamie, and to Katie and Charley Collins.[332]

Felton had two daughters. I've only met the oldest, a very sensible, straightforward, and pleasant woman in her late twenties, who looks a bit like him. A striking daughter of Hawthorn's (who has also passed away) came into my room last night. The day has flown by to three o'clock, and I need to get up "Dombey" for tonight. So, I have to cut this off suddenly. Give my best to Mamie, and to Katie and Charley Collins.[332]

Mr. W. Wilkie Collins.


Westminster Hotel, NYC, Sunday, Jan. 12th, 1868.
Dear Wilkie,

First, of the play.[21] I am truly delighted to learn that it made so great a success, and I hope I may yet see it on the Adelphi boards. You have had a world of trouble and work with it, but I hope will be repaid in some degree by the pleasure of a triumph. Even for the alteration at the end of the fourth act (of which you tell me in your letter received yesterday), I was fully prepared, for I could not see the original effect in the reading of the play, and could not make it go. I agree with Webster in thinking it best that Obenreizer should die on the stage; but no doubt that point is disposed of. In reading the play before the representation, I felt that it was too long, and that there was a good deal of unnecessary explanation. Those points are, no doubt, disposed of too by this time.

First, of the play.[21] I am really happy to hear that it has been so successful, and I hope to see it on the Adelphi stage soon. You've put in a lot of trouble and effort, but I hope it will be rewarded by the joy of your success. I was fully prepared for the change at the end of the fourth act (which you mentioned in your letter I received yesterday), because I couldn’t see the original impact during the reading of the play, and I couldn’t make it work. I agree with Webster that it’s best for Obenreizer to die on stage; but I imagine that issue has been settled. While reading the play before the performance, I felt it was too long and that there was quite a bit of unnecessary explanation. I’m sure those issues have been addressed by now too.

We shall do nothing with it on this side. Pirates are producing their own wretched versions in all directions, thus (as Wills would say) anticipating and glutting "the market." I registered one play as the property of Ticknor and Fields, American citizens. But, besides that the law on the point is extremely doubtful, the manager of the Museum Theatre, Boston, instantly announced his version. (You may suppose what it is and how it is done, when I tell you that it was playing within ten days of the arrival out of the Christmas number.) Thereupon, Ticknor and Fields gave him notice that he mustn't play it. Unto which he replied, that he meant to play it and would play it. Of course he knew very well that if an injunction were applied for against him, there would be an immediate howl against[333] my persecution of an innocent, and he played it. Then the noble host of pirates rushed in, and it is being done, in some mangled form or other, everywhere.

We aren’t going to do anything about it on our end. Pirates are churning out their awful versions in every direction, thus (as Wills would say) flooding "the market." I registered one play as the property of Ticknor and Fields, American citizens. But besides the fact that the law on this matter is really uncertain, the manager of the Museum Theatre in Boston immediately announced his version. (You can imagine what it is and how it's done when I tell you it was on stage within ten days of the Christmas issue arriving.) Consequently, Ticknor and Fields informed him that he couldn't perform it. To which he replied that he planned to perform it and would do so. Of course, he knew very well that if an injunction was sought against him, there would be an outcry against[333] my persecution of an innocent party, and he went ahead and performed it. Then the swarm of pirates jumped in, and it’s being done, in some twisted form or another, everywhere.

It touches me to read what you write of your poor mother. But, of course, at her age, each winter counts heavily. Do give her my love, and tell her that I asked you about her.

It really touches me to read what you say about your poor mom. But, of course, at her age, each winter is really tough. Please send her my love and let her know that I asked about her.

I am going on here at the same great rate, but am always counting the days that lie between me and home. I got through the first fourth of my readings on Friday, January 3rd. I leave for two readings at Philadelphia this evening.

I’m moving forward at the same great pace, but I’m always counting the days until I’m back home. I finished the first quarter of my readings on Friday, January 3rd. I’m heading to Philadelphia this evening for two readings.

Being at Boston last Sunday, I took it into my head to go over the medical school, and survey the holes and corners in which that extraordinary murder was done by Webster. There was the furnace—stinking horribly, as if the dismembered pieces were still inside it—and there are all the grim spouts, and sinks, and chemical appliances, and what not. At dinner, afterwards, Longfellow told me a terrific story. He dined with Webster within a year of the murder, one of a party of ten or twelve. As they sat at their wine, Webster suddenly ordered the lights to be turned out, and a bowl of some burning mineral to be placed on the table, that the guests might see how ghostly it made them look. As each man stared at all the rest in the weird light, all were horrified to see Webster with a rope round his neck, holding it up, over the bowl, with his head jerked on one side, and his tongue lolled out, representing a man being hanged!

Being in Boston last Sunday, I decided to check out the medical school and explore the spots where that shocking murder was committed by Webster. There was the furnace—smelling terrible, as if the dismembered parts were still inside it—and there were all the grim spouts, sinks, chemical equipment, and so on. At dinner afterwards, Longfellow shared a chilling story. He had dinner with Webster less than a year after the murder, as part of a group of ten or twelve. While they were having their drinks, Webster suddenly ordered the lights turned off and a bowl of some burning mineral placed on the table so the guests could see how ghostly it made them look. As each man stared at the others in the strange light, everyone was horrified to see Webster with a rope around his neck, holding it up over the bowl, with his head tilted to one side and his tongue hanging out, mimicking a man being hanged!

Poking into his life and character, I find (what I would have staked my head upon) that he was always a cruel man.

Poking into his life and character, I find (what I would have bet my life on) that he was always a cruel man.

So no more at present from,

So nothing more for now from,

My dear Wilkie, yours ever affectionately.
Miss Hogarth.


The Westminster Hotel, New York, Sunday, Jan. 12th, 1868.

As I am off to Philadelphia this evening, I may as well post my letter here. I have scarcely a word of news. My cold steadily refuses to leave me; but otherwise I am as right as one can hope to be under this heavy work. My New York readings are over (except four farewell nights in April), and I look forward to the relief of being out of my hardest hall. Last Friday night, though it was only "Nickleby" and "Boots," I was again dead beat at the end, and was once more laid upon a sofa. But the faintness went off after a little while. We have now cold, bright, frosty weather, without snow—the best weather for me.

As I'm heading to Philadelphia this evening, I might as well post my letter here. I barely have any news. My cold just won't go away; but other than that, I'm doing as well as can be expected with this heavy workload. My New York readings are finished (except for four farewell nights in April), and I’m looking forward to the relief of being done with my toughest venue. Last Friday night, even though it was just "Nickleby" and "Boots," I was completely exhausted by the end and had to lie down on a sofa again. But the tiredness passed after a while. We're having cold, bright, frosty weather right now, without any snow—the best kind of weather for me.

Having been in great trepidation about the play, I am correspondingly elated by the belief that it really is a success. No doubt the unnecessary explanations will have been taken out, and the flatness of the last act fetched up. At some points I could have done wonders to it, in the way of screwing it up sharply and picturesquely, if I could have rehearsed it. Your account of the first night interested me immensely, but I was afraid to open the letter until Dolby rushed in with the opened Times.

I was really nervous about the play, so I'm thrilled to believe that it actually is a success. I'm sure they've removed any unnecessary explanations and improved the dullness of the last act. There were definitely parts where I could have made it much better by tightening it up and making it more vivid if I had been able to rehearse it. Your description of the opening night really captivated me, but I was hesitant to open the letter until Dolby came in with the opened Times.

On Wednesday I come back here for my four church readings at Brooklyn. Each evening an enormous ferryboat will convey me and my state carriage (not to mention half-a-dozen waggons, and any number of people, and a few score of horses) across the river, and will bring me back again. The sale of tickets there was an amazing scene. The noble army of speculators are now furnished (this is literally true, and I am quite serious), each man with a straw mattress, a little bag of bread and meat, two blankets, and[335] a bottle of whisky. With this outfit they lie down in line on the pavement the whole night before the tickets are sold, generally taking up their position at about ten. It being severely cold at Brooklyn, they made an immense bonfire in the street—a narrow street of wooden houses!—which the police turned out to extinguish. A general fight then took place, out of which the people farthest off in the line rushed bleeding when they saw a chance of displacing others near the door, and put their mattresses in those places, and then held on by the iron rails. At eight in the morning Dolby appeared with the tickets in a portmanteau. He was immediately saluted with a roar of "Halloa, Dolby! So Charley has let you have the carriage, has he, Dolby! How is he, Dolby! Don't drop the tickets, Dolby! Look alive, Dolby!" etc. etc. etc., in the midst of which he proceeded to business, and concluded (as usual) by giving universal dissatisfaction.

On Wednesday, I'm coming back here for my four church readings in Brooklyn. Each evening, a huge ferryboat will take me and my state carriage (plus a few wagons, a bunch of people, and a couple dozen horses) across the river and bring me back. The ticket sale scene there was incredible. The group of speculators is now set up (this is totally true, and I’m serious), each person with a straw mattress, a small bag of bread and meat, two blankets, and[335] a bottle of whiskey. With this setup, they lie down in line on the pavement all night before the tickets go on sale, usually getting there around ten. Since it's really cold in Brooklyn, they built a massive bonfire in the street—a narrow street lined with wooden houses!—which the police came to put out. A big fight broke out, during which those farthest from the front rushed in, bleeding, whenever they saw a chance to push others out of the way near the door, putting their mattresses in those spots, and then holding on to the iron rails. At eight in the morning, Dolby showed up with the tickets in a suitcase. He was immediately greeted with a chorus of “Hey, Dolby! So Charley let you have the carriage, huh? How’s he doing, Dolby? Don’t drop the tickets, Dolby! Move it, Dolby!” and so on, while he got down to business and, as usual, ended up disappointing everyone.

He is now going off upon a little journey "to look over the ground and cut back again." This little journey (to Chicago) is fifteen hundred miles on end, by railway, and back again!

He is now heading out on a short trip "to check things out and come back." This trip (to Chicago) is fifteen hundred miles one way by train, and then back again!

We have an excellent gasman, who is well up to that department. We have enlarged the large staff by another clerk, yet even now the preparation of such an immense number of new tickets constantly, and the keeping and checking of the accounts, keep them hard at it. And they get so oddly divided! Kelly is at Philadelphia, another man at Baltimore, two others are stamping tickets at the top of this house, another is cruising over New England, and Osgood will come on duty to-morrow (when Dolby starts off) to pick me up after the reading, and take me to the hotel, and mount guard over me, and bring me back here. You see that even such wretched domesticity as[336] Dolby and self by a fireside is broken up under these conditions.

We have a great gasman who knows his stuff. We've added another clerk to our already large team, but even now, handling such a huge number of new tickets all the time and keeping track of the accounts keeps them really busy. It's funny how they’re all split up! Kelly is in Philadelphia, another guy is in Baltimore, two others are stamping tickets at the top of this building, and one is traveling around New England. Osgood is starting his shift tomorrow (when Dolby leaves) to pick me up after the reading, take me to the hotel, keep an eye on me, and bring me back here. As you can see, even our little domestic moments with Dolby and me by a fireside get disrupted under these circumstances.

Dolby has been twice poisoned, and Osgood once. Morgan's sharpness has discovered the cause. When the snow is deep upon the ground, and the partridges cannot get their usual food, they eat something (I don't know what, if anybody does) which does not poison them, but which poisons the people who eat them. The symptoms, which last some twelve hours, are violent sickness, cold perspiration, and the formation of some detestable mucus in the stomach. You may infer that partridges have been banished from our bill of fare. The appearance of our sufferers was lamentable in the extreme.

Dolby has been poisoned twice, and Osgood once. Morgan's sharp observations have figured out the reason. When there’s a heavy snowfall on the ground, and the partridges can't find their usual food, they eat something (I’m not sure what, and I don't think anyone knows) that doesn't poison them but does poison the people who eat them. The symptoms, which last about twelve hours, include violent nausea, cold sweat, and some awful mucus forming in the stomach. You can guess that partridges have been removed from our menu. The condition of our sufferers was extremely pitiful.

Did I tell you that the severity of the weather, and the heat of the intolerable furnaces, dry the hair and break the nails of strangers? There is not a complete nail in the whole British suite, and my hair cracks again when I brush it. (I am losing my hair with great rapidity, and what I don't lose is getting very grey.)

Did I mention that the harsh weather and the unbearable heat from the furnaces dry out hair and break the nails of newcomers? There isn’t a single intact nail in the entire British suite, and my hair snaps again when I brush it. (I’m losing my hair quickly, and what I do have left is turning very gray.)

The Cuba will bring this. She has a jolly new captain—Moody, of the Java—and her people rushed into the reading, the other night, captain-headed, as if I were their peculiar property. Please God I shall come home in her, in my old cabin; leaving here on the 22nd of April, and finishing my eighty-fourth reading on the previous night! It is likely enough that I shall read and go straight on board.

The Cuba will bring this. She has a cheerful new captain—Moody, of the Java—and her crew rushed into the reading the other night, led by the captain, as if I were their personal property. Please God I’ll come home on her, in my old cabin; leaving here on April 22nd, and finishing my eighty-fourth reading the night before! It’s quite likely that I’ll read and then go straight on board.

I think this is all my poor stock of intelligence. By-the-bye, on the last Sunday in the old year, I lost my old year's pocket-book, "which," as Mr. Pepys would add, "do trouble me mightily." Give me Katie's new address; I haven't got it.[337]

I think this is all the limited intelligence I have. By the way, on the last Sunday of the old year, I lost my old year's wallet, "which," as Mr. Pepys would say, "really bothers me a lot." Give me Katie's new address; I don’t have it.[337]

Miss Dickens.


Philly, Monday, Jan. 13th, 1868.

I write you this note, a day later than your aunt's, not because I have anything to add to the little I have told her, but because you may like to have it.

I’m writing you this note a day later than your aunt's, not because I have anything to add to the little I shared with her, but because I thought you might want to have it.

We arrived here last night towards twelve o'clock, more than an hour after our time. This is one of the immense American hotels (it is called the Continental); but I find myself just as quiet here as elsewhere. Everything is very good indeed, the waiter is German, and the greater part of the house servants seem to be coloured people. The town is very clean, and the day as blue and bright as a fine Italian day. But it freezes very hard. All the tickets being sold here for six nights (three visits of two nights each), the suite complain of want of excitement already, having been here ten hours! Mr. and Mrs. Barney Williams, with a couple of servants, and a pretty little child-daughter, were in the train each night, and I talked with them a good deal. They are reported to have made an enormous fortune by acting among the Californian gold-diggers. My cold is no better, for the cars are so intolerably hot, that I was often obliged to go and stand upon the break outside, and then the frosty air was biting indeed. The great man of this place is one Mr. Childs, a newspaper proprietor, and he is so exactly like Mr. Esse in all conceivable respects except being an inch or so taller, that I was quite confounded when I saw him waiting for me at the station (always called depôt here) with his carriage. During the last two or three days, Dolby and I have been making up accounts, which are excellently kept by Mr. Osgood, and I find them amazing, quite, in their results.

We arrived here last night around midnight, over an hour later than we planned. This is one of the huge American hotels (it's called the Continental), but I find it just as peaceful here as anywhere else. Everything is really nice; the waiter is German, and most of the staff seem to be people of color. The town is very clean, and the day is as bright and blue as a lovely Italian day. But it’s freezing. All the tickets sold here are for six nights (three visits of two nights each), and the group is already complaining about being bored after just ten hours! Mr. and Mrs. Barney Williams, along with a couple of servants and their adorable little daughter, were on the train every night, and I spoke with them quite a bit. They’re rumored to have made a huge fortune acting for the California gold miners. My cold hasn’t improved; the train cars are so unbearably hot that I often had to go out and stand on the platform to cool off, and the cold air bites. The big shot here is a Mr. Childs, a newspaper owner, and he looks so much like Mr. Esse in every way—except he’s an inch or so taller—that I was completely thrown off when I saw him waiting for me at the station (always called depot here) with his carriage. Over the past few days, Dolby and I have been reconciling accounts, which are excellently maintained by Mr. Osgood, and I find their outcomes quite amazing.

I was very much interested in the home accounts of[338] Christmas Day. I think I have already mentioned that we were in very low spirits on that day. I began to be unwell with my cold that morning, and a long day's travel did not mend the matter. We scarcely spoke (except when we ate our lunch), and sat dolefully staring out of window. I had a few affectionate words from Chorley, dated from my room, on Christmas morning, and will write him, probably by this mail, a brief acknowledgment. I find it necessary (so oppressed am I with this American catarrh, as they call it) to dine at three o'clock instead of four, that I may have more time to get voice, so that the days are cut short, and letter-writing is not easy.

I was really interested in the home accounts of[338] Christmas Day. I think I already mentioned that we were in pretty low spirits that day. I started to feel unwell with my cold that morning, and a long day's travel didn’t help. We hardly spoke (except when we had lunch) and just sat sadly staring out of the window. I received a few kind words from Chorley, sent from my room on Christmas morning, and I'll probably write him a short acknowledgment with this mail. I find it necessary (since I’m so burdened with this American cold, as they call it) to have dinner at three o'clock instead of four, so I have more time to regain my voice, which makes the days feel shorter and letter-writing difficult.

My best love to Katie, and to Charley, and to our Charley, and to all friends. If I could only get to the point of being able to hold my head up and dispense with my pocket-handkerchief for five minutes, I should be all right.

My love to Katie, and to Charley, and to our Charley, and to all our friends. If I could just manage to hold my head up and not need my handkerchief for five minutes, I'd be fine.

Mr. Charles Dickens.


Westminster Hotel, Irving Place, New York,
Wednesday, Jan. 15th, 1868.
Dear Charley,

Finding your letter here this afternoon on my return from Philadelphia (where I have been reading two nights), I take advantage of a spare half-hour in which to answer it at once, though it will not leave here until Saturday. I had previously heard of the play, and had The Times. It was a great relief and delight to me, for I had no confidence in its success; being reduced to the confines of despair by its length. If I could have rehearsed it, I should have taken the best part of an hour out of it. Fechter must be very fine, and I should greatly like to see him play the part.

Finding your letter here this afternoon when I got back from Philadelphia (where I spent two nights reading), I’m taking advantage of a spare half-hour to reply immediately, even though it won’t be sent out until Saturday. I had already heard about the play and read about it in The Times. It was such a relief and a joy for me, as I had no faith in its success, being pushed to the edge of despair by its length. If I had been able to rehearse it, I would have cut about an hour from it. Fechter must be amazing, and I would really like to see him perform that role.

I have not been very well generally, and am oppressed (and I begin to think that I probably shall be until I leave)[339] by a true American cold, which I hope, for the comfort of human nature, may be peculiar to only one of the four quarters of the world. The work, too, is very severe. But I am going on at the same tremendous rate everywhere. The staff, too, has had to be enlarged. Dolby was at Baltimore yesterday, is at Washington to-day, and will come back in the night, and start away again on Friday. We find it absolutely necessary for him to go on ahead. We have not printed or posted a single bill here, and have just sold ninety pounds' worth of paper we had got ready for bills. In such a rush a short newspaper advertisement is all we want. "Doctor Marigold" made a great hit here, and is looked forward to at Boston with especial interest. I go to Boston for another fortnight, on end, the 24th of February. The railway journeys distress me greatly. I get out into the open air (upon the break), and it snows and blows, and the train bumps, and the steam flies at me, until I am driven in again.

I haven't been feeling very well overall, and I'm weighed down (and I think I probably will be until I leave) [339] by a typical American cold, which I hope, for the sake of humanity, is only found in one of the four corners of the world. The work is really tough, but I'm pushing through at the same intense pace everywhere. We’ve had to expand the staff too. Dolby was in Baltimore yesterday, is in Washington today, and will return tonight to leave again on Friday. We absolutely need him to go ahead of us. We haven't printed or posted a single bill here and have just sold ninety pounds worth of paper we had set aside for bills. In this rush, a short newspaper ad is all we need. "Doctor Marigold" was a huge success here and is highly anticipated in Boston. I'm heading to Boston for another two weeks starting on February 24th. The train journeys are really stressful for me. I step out into the fresh air (during breaks), and it snows and blows, and the train jolts, and steam hits me until I have to go back inside.

I have finished here (except four farewell nights in April), and begin four nights at Brooklyn, on the opposite side of the river, to-night; and thus oscillate between Philadelphia, Baltimore, and Washington, and then cut into New England, and so work my way back to Boston for a fortnight, after which come Chicago, Cincinnati, Detroit and Cleveland, and Buffalo, and then Philadelphia, Boston, and New York farewells. I will not pass my original bound of eighty-four readings in all. My mind was made up as to that long ago. It will be quite enough. Chicago is some fifteen hundred miles from here. What with travelling, and getting ready for reading, and reading, the days are pretty fully occupied. Not the less so because I rest very indifferently at night.

I’ve wrapped things up here (except for four farewell nights in April) and I'm starting four nights in Brooklyn, on the other side of the river, tonight. So I’ll be going back and forth between Philadelphia, Baltimore, and Washington, then head into New England, making my way back to Boston for two weeks. After that, it’s off to Chicago, Cincinnati, Detroit, Cleveland, and Buffalo, then more goodbyes in Philadelphia, Boston, and New York. I won’t exceed my initial plan of eighty-four readings in total. I decided on that a long time ago. It’ll be plenty. Chicago is about fifteen hundred miles from here. Between traveling, preparing for readings, and actually reading, my days are pretty packed. Not to mention, I don’t rest very well at night.

The people are exceedingly kind and considerate, and desire to be most hospitable besides. But I cannot accept[340] hospitality, and never go out, except at Boston, or I should not be fit for the labour. If Dolby holds out well to the last it will be a triumph, for he has to see everybody, drink with everybody, sell all the tickets, take all the blame, and go beforehand to all the places on the list. I shall not see him after to-night for ten days or a fortnight, and he will be perpetually on the road during the interval. When he leaves me, Osgood, a partner in Ticknor and Fields' publishing firm, mounts guard over me, and has to go into the hall from the platform door every night, and see how the public are seating themselves. It is very odd to see how hard he finds it to look a couple of thousand people in the face, on which head, by-the-bye, I notice the papers to take "Mr. Dickens's extraordinary composure" (their great phrase) rather ill, and on the whole to imply that it would be taken as a suitable compliment if I would stagger on to the platform and instantly drop, overpowered by the spectacle before me.

The people are really kind and thoughtful, and they really want to be welcoming too. But I can’t accept their hospitality, and I rarely go out, except in Boston, or I wouldn’t be ready for the work. If Dolby holds up well until the end, it’ll be a real achievement, because he has to meet everyone, drink with them, sell all the tickets, take all the criticism, and check out all the venues on the list. I won’t see him after tonight for about ten days or two weeks, and he’ll be constantly traveling during that time. When he leaves me, Osgood, a partner at Ticknor and Fields' publishing company, looks out for me and has to go into the hall from the platform door every night to see how the audience is seating themselves. It’s pretty strange to see how difficult he finds it to look a couple of thousand people in the eye, while the newspapers, by the way, seem to criticize "Mr. Dickens's extraordinary composure" (their favorite phrase) and generally suggest that it would be a great compliment if I would just stumble onto the stage and immediately collapse, overwhelmed by the sight before me.

Dinner is announced (by Scott, with a stiff neck and a sore throat), and I must break off with love to Bessie and the incipient Wenerableses. You will be glad to hear of your distinguished parent that Philadelphia has discovered that "he is not like the descriptions we have read of him at the little red desk. He is not at all foppish in appearance. He wears a heavy moustache and a Vandyke beard, and looks like a well-to-do Philadelphian gentleman."

Dinner is announced (by Scott, with a stiff neck and a sore throat), and I have to end my conversation with love to Bessie and the soon-to-be Wenerableses. You’ll be pleased to know that Philadelphia has found out that "he is not at all like the descriptions we’ve read of him at the little red desk. He doesn’t come off as foppish at all. He sports a heavy mustache and a Vandyke beard, and he looks like a well-off gentleman from Philadelphia."

Ever, my dear Charley, your affectionate Father.

P.S.—Your paper is remarkably good. There is not the least doubt that you can write constantly for A. Y. R. I am very pleased with it.[341]

P.S.—Your paper is really impressive. There's no doubt that you can write consistently for A. Y. R. I'm very happy with it.[341]

Miss Dickens.


Westminster Hotel, NYC, Friday, Jan, 18th, 1868.

This will be but a very short report, as I must get out for a little exercise before dinner.

This will be a very brief report since I need to go out for a bit of exercise before dinner.

My "true American catarrh" (the people seem to have a national pride in it) sticks to me, but I am otherwise well. I began my church readings last night, and it was very odd to see the pews crammed full of people, all in a broad roar at the "Carol" and "Trial."

My "real American cold" (people seem to take national pride in it) lingers, but I’m otherwise fine. I started my church readings last night, and it was strange to see the pews packed with people, all loudly singing the "Carol" and "Trial."

Best love to all. I have written Charley a few lines by this mail, and also Chorley.

Best wishes to everyone. I've written a quick note to Charley and also to Chorley with this mail.

Miss Hogarth.


Westminster Hotel, NYC, Tuesday, Jan. 21st, 1868.

I finished my church to-night. It is Mrs. Stowe's brother's, and a most wonderful place to speak in. We had it enormously full last night ("Marigold" and "Trial"), but it scarcely required an effort. Mr. Ward Beecher (Mrs. Stowe's brother's name) being present in his pew. I sent to invite him to come round before he left; and I found him to be an unostentatious, straightforward, and agreeable fellow.

I finished my church tonight. It belongs to Mrs. Stowe's brother, and it's an amazing place to speak in. We had a huge turnout last night ("Marigold" and "Trial"), but it hardly took any effort. Mr. Ward Beecher (Mrs. Stowe's brother's name) was there in his pew. I reached out to invite him to come over before he left, and I found him to be a humble, straightforward, and pleasant guy.

My cold sticks to me, and I can scarcely exaggerate what I sometimes undergo from sleeplessness. The day before yesterday I could get no rest until morning, and could not get up before twelve. This morning the same. I rarely take any breakfast but an egg and a cup of tea, not even toast or bread-and-butter. My dinner at three, and a little quail or some such light thing when I come home at night, is my daily fare. At the Hall I have established the[342] custom of taking an egg beaten up in sherry before going in, and another between the parts. I think that pulls me up; at all events, I have since had no return of faintness.

My cold sticks with me, and I can hardly overstate what I sometimes go through from not being able to sleep. The day before yesterday, I couldn’t find any rest until morning and couldn't get up until noon. This morning was the same. I rarely have breakfast, just an egg and a cup of tea, not even toast or buttered bread. I have dinner at three, and a little quail or something light when I get home at night—that’s my daily meals. At the Hall, I’ve gotten into the habit of having an egg mixed with sherry before I go in, and another one during the breaks. I think that helps; at least, I haven’t felt faint since then.

As the men work very hard, and always with their hearts cheerfully in the business, I cram them into and outside of the carriage, to bring them back from Brooklyn with me. The other night, Scott (with a portmanteau across his knees and a wideawake hat low down upon his nose) told me that he had presented himself for admission in the circus (as good as Franconi's, by-the-bye), and had been refused. "The only theayter," he said in a melancholy way, "as I was ever in my life turned from the door of." Says Kelly: "There must have been some mistake, Scott, because George and me went, and we said, 'Mr. Dickens's staff,' and they passed us to the best seats in the house. Go again, Scott." "No, I thank you, Kelly," says Scott, more melancholy than before, "I'm not a-going to put myself in the position of being refused again. It's the only theayter as I was ever turned from the door of, and it shan't be done twice. But it's a beastly country!" "Scott," interposed Majesty, "don't you express your opinions about the country." "No, sir," says Scott, "I never do, please, sir, but when you are turned from the door of the only theayter you was ever turned from, sir, and when the beasts in railway cars spits tobacco over your boots, you (privately) find yourself in a beastly country."

As the guys work really hard and always with their hearts in it, I squeeze them into and out of the carriage to bring them back from Brooklyn with me. The other night, Scott (with a suitcase across his knees and a wideawake hat pulled down over his eyes) told me he’d tried to get into the circus (as good as Franconi's, by the way) and was turned away. "It's the only theater," he said sadly, "that I've ever been turned away from." Kelly replied, "There must have been some mistake, Scott, because George and I went, and we said, 'Mr. Dickens's staff,' and they let us sit in the best seats in the house. Go again, Scott." "No, thanks, Kelly," Scott said, looking even sadder. "I'm not going to put myself in a position to be turned away again. It's the only theater I've ever been turned away from, and it won't happen twice. But it's a terrible country!" "Scott," Majesty interjected, "don't share your opinions about the country." "No, sir," Scott replied, "I never do, I promise, sir, but when you’ve been turned away from the only theater you’ve ever been turned away from, sir, and when the animals in railway cars spit tobacco on your boots, you (privately) find yourself in a terrible country."

I expect shortly to get myself snowed up on some railway or other, for it is snowing hard now, and I begin to move to-morrow. There is so much floating ice in the river that we are obliged to leave a pretty wide margin of time for getting over the ferry to read. The dinner is coming in, and I must leave off.[343]

I expect to get stuck in the snow on some train or another soon, because it’s snowing heavily right now, and I'm starting my journey tomorrow. There’s so much floating ice in the river that we need to allow a good amount of extra time to get across the ferry to read. Dinner is being served, and I have to stop for now.[343]

Miss Dickens.


Philly, Thursday, Jan. 23rd, 1868.

When I wrote to your aunt by the last mail, I accidentally omitted to touch upon the question of helping Anne. So I will begin in this present writing with reference to her sad position. I think it will be best for you to be guided by an exact knowledge of her wants. Try to ascertain from herself what means she has, whether her sick husband gets what he ought to have, whether she is pinched in the articles of necessary clothing, bedding, or the like of that; add to this intelligence your own observation of the state of things about her, and supply what she most wants, and help her where you find the greatest need. The question, in the case of so old and faithful a servant, is not one of so much or so little money on my side, but how most efficiently to ease her mind and help her. To do this at once kindly and sensibly is the only consideration by which you have to be guided. Take carte blanche from me for all the rest.

When I wrote to your aunt in the last email, I accidentally forgot to mention helping Anne. So, I’ll start this message by addressing her unfortunate situation. I think it’s best for you to have a clear understanding of her needs. Try to find out from her what resources she has, whether her sick husband is receiving what he should, and if she's struggling with basic clothing, bedding, or other necessities. Combine this information with your own observations about her circumstances, and provide what she needs most, helping her where you see the greatest need. With someone as loyal and long-serving as her, it’s not just about how much money I can give; it’s about how to most effectively support her and ease her worries. The main thing to keep in mind is to be both kind and sensible. Feel free to use your judgment for everything else.

My Washington week is the first week in February, beginning on Monday, 3rd. The tickets are sold, and the President is coming, and the chief members of the Cabinet, and the leaders of parties, and so forth, are coming; and, as the Holly Tree Boots says: "That's where it is, don't you see!"

My Washington week is the first week in February, starting on Monday, the 3rd. The tickets are sold, the President is coming, along with the top members of the Cabinet and party leaders, and so on; and as the Holly Tree Boots says: "That's where it is, don’t you see!"

In my Washington doubts I recalled Dolby for conference, and he joined me yesterday afternoon, and we have been in great discussion ever since on the possibility of giving up the Far West, and avoiding such immense distances and fatigues as would be involved in travelling to Chicago and Cincinnati. We have sketched another tour for the last half of March, which would be infinitely easier[344] for me, though on the other hand less profitable, the places and the halls being smaller. The worst of it is, that everybody one advises with has a monomania respecting Chicago. "Good heaven, sir," the great Philadelphian authority said to me this morning, "if you don't read in Chicago, the people will go into fits." In reference to fatigue, I answered: "Well, I would rather they went into fits than I did." But he didn't seem to see it at all. —— alone constantly writes me: "Don't go to the West; you can get what you want so much more easily." How we shall finally decide, I don't yet know. My Brooklyn church has been an immense success, and I found its minister was a bachelor, a clever, unparsonic, and straightforward man, and a man with a good knowledge of art into the bargain.

In my doubts about Washington, I called Dolby for a meeting, and he joined me yesterday afternoon. We've been discussing the possibility of giving up the Far West to avoid the long distances and exhaustion of traveling to Chicago and Cincinnati. We've planned an easier tour for the last half of March, which would be a lot less demanding for me, although it would be less profitable since the venues are smaller. The problem is that everyone I talk to is fixated on Chicago. "Good heavens, sir," the prominent Philadelphian authority said to me this morning, "if you don’t perform in Chicago, people will be devastated." In response to the fatigue, I said, "Well, I'd rather they were devastated than me." He didn't seem to get that at all. —— keeps telling me: "Don’t go to the West; you can achieve what you want much more easily." I still don’t know how we will ultimately decide. My Brooklyn church has been a huge success, and I discovered that its minister is a bachelor, a smart, down-to-earth man who knows a lot about art as well.

We are not a bit too soon here, for the whole country is beginning to be stirred and shaken by the presidential election, and trade is exceedingly depressed, and will be more so. Fanny Kemble lives near this place, but had gone away a day before my first visit here. She is going to read in February or March. Du Chaillu has been lecturing out West about the gorilla, and has been to see me; I saw the Cunard steamer Persia out in the stream, yesterday, beautifully smart, her flags flying, all her steam up, and she only waiting for her mails to slip away. She gave me a horrible touch of home-sickness.

We’re not too early getting here, because the whole country is starting to feel the effects of the presidential election, and business is really down and will get even worse. Fanny Kemble lives nearby but left a day before my first visit here. She is scheduled to read in February or March. Du Chaillu has been giving talks out West about the gorilla and came to see me; I spotted the Cunard steamer Persia in the harbor yesterday, looking sharp, with all her flags flying and steam up, just waiting for her mail to take off. It gave me a terrible wave of homesickness.

When the 1st of March arrives, and I can say "next month," I shall begin to grow brighter. A fortnight's reading in Boston, too (last week of February and first week of March), will help me on gaily, I hope (the work so far off tells). It is impossible for the people to be more affectionately attached to a third, I really believe, than Fields and his wife are to me; and they are a landmark in the prospect.[345]

When March 1st arrives and I can say "next month," I'll start to feel more hopeful. I believe that two weeks of reading in Boston (the last week of February and the first week of March) will boost my spirits as well (the distant work suggests that). I truly think it's impossible for anyone to be more lovingly bonded to a third person than Fields and his wife are to me; they are a significant reminder in my journey.[345]

Dolby sends kindest regards, and wishes it to be known that he has not been bullied lately. We do not go West at all, but take the easier plan.

Dolby sends his best regards and wants it to be known that he hasn’t been bullied recently. We do not head West at all, but instead take the easier route.

Miss Hogarth.


Baltimore, Wednesday, Jan. 29th, 1868.

As I have an hour to spare, before starting to Philadelphia, I begin my letter this morning. It has been snowing hard for four-and-twenty hours, though this place is as far south as Valentia in Spain; and Dolby, being on his way to New York, has a good chance of being snowed up somewhere.

As I have an hour to kill before heading to Philadelphia, I’m starting my letter this morning. It’s been snowing heavily for twenty-four hours, even though this place is as far south as Valencia in Spain; and Dolby, on his way to New York, is likely to get stuck in the snow somewhere.

They are a bright responsive people here, and very pleasant to read to. I have rarely seen so many fine faces in an audience. I read here in a charming little opera-house built by a society of Germans, quite a delightful place for the purpose. I stand on the stage, with a drop curtain down, and my screen before it. The whole scene is very pretty and complete, and the audience have a "ring" in them that sounds in the ear. I go from here to Philadelphia to read to-morrow night and Friday, come through here again on Saturday on my way to Washington, come back here on Saturday week for two finishing nights, then go to Philadelphia for two farewells, and so turn my back on the southern part of the country. Distances and travelling have obliged us to reduce the list of readings by two, leaving eighty-two in all. Of course we afterwards discovered that we had finally settled the list on a Friday! I shall be halfway through it at Washington, of course, on a Friday also, and my birthday![346]

They are a lively, responsive crowd here, and really enjoyable to read for. I’ve rarely seen so many attractive faces in an audience. I’m reading here in a charming little opera house built by a German society, which is a delightful venue for that purpose. I stand on stage, with the curtain down and my screen in front of it. The whole scene is quite lovely and complete, and the audience has a buzz that resonates in the air. I’m heading to Philadelphia to read tomorrow night and Friday, then I’ll pass through here again on Saturday on my way to Washington, and return here the following Saturday for two final nights. After that, I’ll go to Philadelphia for two farewell shows, and then I’ll be done with the southern part of the country. Travel distances have forced us to cut two readings from the schedule, leaving a total of eighty-two. Of course, we later realized that we finalized the schedule on a Friday! I’ll be halfway through it in Washington, naturally, on a Friday as well, and it’s also my birthday![346]

Dolby and Osgood, who do the most ridiculous things to keep me in spirits (I am often very heavy, and rarely sleep much), have decided to have a walking-match at Boston, on Saturday, February 29th. Beginning this design in joke, they have become tremendously in earnest, and Dolby has actually sent home (much to his opponent's terror) for a pair of seamless socks to walk in. Our men are hugely excited on the subject, and continually make bets on "the men." Fields and I are to walk out six miles, and "the men" are to turn and walk round us. Neither of them has the least idea what twelve miles at a pace is. Being requested by both to give them "a breather" yesterday, I gave them a stiff one of five miles over a bad road in the snow, half the distance uphill. I took them at a pace of four miles and a half an hour, and you never beheld such objects as they were when we got back; both smoking like factories, and both obliged to change everything before they could come to dinner. They have the absurdest ideas of what are tests of walking power, and continually get up in the maddest manner and see how high they can kick the wall! The wainscot here, in one place, is scored all over with their pencil-marks. To see them doing this—Dolby, a big man, and Osgood, a very little one, is ridiculous beyond description.

Dolby and Osgood, who do the craziest things to cheer me up (I often feel really down and hardly sleep), have decided to have a walking competition in Boston on Saturday, February 29th. What started as a joke has turned serious, and Dolby has even sent home, much to his opponent's shock, for a pair of seamless socks to wear while walking. Our group is super excited about this and keeps making bets on "the men." Fields and I are going to walk six miles, and "the men" are supposed to turn around and walk around us. Neither of them has a clue what walking twelve miles at a steady pace feels like. When both asked me to give them a "breather" yesterday, I took them on a tough five-mile trek over a rough, snowy road, with half the distance uphill. I set a pace of four and a half miles per hour, and you wouldn't believe how they looked when we got back—both of them sweating like factories and having to change before they could sit down for dinner. They have the silliest ideas about what counts as tests for walking ability, and can’t stop getting up and seeing how high they can kick the wall! One spot on the wainscot is covered in their pencil marks. Watching them do this—Dolby, a big guy, and Osgood, a tiny one—is just hilarious.



Philly, Same Night.

We came on here through a snowstorm all the way, but up to time. Fanny Kemble (who begins to read shortly) is coming to "Marigold" and "Trial" to-morrow night. I have written her a note, telling her that if it will at all assist her movements to know mine, my list is at her service.[347] Probably I shall see her to-morrow. Tell Mamie (to whom I will write next), with my love, that I found her letter of the 10th of this month awaiting me here. The Siberia that brought it is a new Cunarder, and made an unusually slow passage out. Probably because it would be dangerous to work new machinery too fast on the Atlantic.

We arrived here through a snowstorm, but we made it on time. Fanny Kemble (who will start reading shortly) is coming to "Marigold" and "Trial" tomorrow night. I wrote her a note letting her know that if it helps her at all to know my schedule, my list is available to her.[347] I'll probably see her tomorrow. Please tell Mamie (I’ll write to her next) that I found her letter from the 10th of this month waiting for me here. The Siberia, which brought it, is a new Cunarder and had an unusually slow journey. Probably because it’s risky to push new machinery too hard in the Atlantic.



Thursday, 30th.

My cold still sticks to me. The heat of the railway cars and their unventilated condition invariably brings it back when I think it going. This morning my head is as stuffed and heavy as ever! A superb sledge and four horses have been offered me for a ride, but I am afraid to take it, lest I should make the "true American catarrh" worse, and should get hoarse. So I am going to give Osgood another "breather" on foot instead.

My cold is still hanging on. The heat in the train cars and their stuffy conditions always makes it come back when I think it's gone. This morning, my head feels as stuffed and heavy as ever! I've been offered an amazing sled and four horses for a ride, but I'm worried it might make my "true American cold" worse and I could end up getting hoarse. So instead, I'm going to give Osgood another "breather" on foot.

The communication with New York is not interrupted, so we consider the zealous Dolby all right. You may imagine what his work is, when you hear that he goes three times to every place we visit. Firstly, to look at the hall, arrange the numberings, and make five hundred acquaintances, whom he immediately calls by their christian-names; secondly, to sell the tickets—a very nice business, requiring great tact and temper; thirdly, with me. He will probably turn up at Washington next Sunday, but only for a little while; for as soon as I am on the platform on Monday night, he will start away again, probably to be seen no more until we pass through New York in the middle of February.[348]

The communication with New York is still active, so we consider the enthusiastic Dolby to be doing fine. You can imagine how busy he is when I tell you he visits each place we go to three times. First, he checks out the venue, organizes the seating, and meets five hundred people, immediately calling them by their first names; second, he sells the tickets—a delicate job that requires a lot of skill and patience; and third, he spends time with me. He’ll probably show up in Washington next Sunday, but only briefly; as soon as I’m on stage Monday night, he'll leave again, likely not to be seen until we go through New York in mid-February.[348]

Mr. Samuel Cartwright


Baltimore, Wednesday, Jan. 29th, 1868.
Dear Cartwright,

As I promised to report myself to you from this side of the Atlantic, and as I have some leisure this morning, I am going to lighten my conscience by keeping my word.

As I promised to update you from this side of the Atlantic, and since I have some free time this morning, I'm going to clear my conscience by keeping my promise.

I am going on at a great pace and with immense success. Next week, at Washington, I shall, please God, have got through half my readings. The remaining half are all arranged, and they will carry me into the third week of April. It is very hard work, but it is brilliantly paid. The changes that I find in the country generally (this place is the least changed of any I have yet seen) exceed my utmost expectations. I had been in New York a couple of days before I began to recognise it at all; and the handsomest part of Boston was a black swamp when I saw it five-and-twenty years ago. Considerable advances, too, have been made socially. Strange to say, the railways and railway arrangements (both exceedingly defective) seem to have stood still while all other things have been moving.

I’m making great progress and achieving a lot. Next week, in Washington, I hope to have finished half of my readings. The rest are all set up, and they’ll take me into the third week of April. It’s tough work, but it pays really well. The changes I see in the country (this place has changed the least of all the spots I've been to) are beyond what I expected. I spent a couple of days in New York before I started to recognize it at all; the nicest part of Boston was a muddy swamp when I visited it twenty-five years ago. There have also been significant social advancements. Oddly enough, the railways and their systems (which are both quite inadequate) seem to have remained unchanged while everything else has progressed.

One of the most comical spectacles I have ever seen in my life was "church," with a heavy sea on, in the saloon of the Cunard steamer coming out. The officiating minister, an extremely modest young man, was brought in between two big stewards, exactly as if he were coming up to the scratch in a prize-fight. The ship was rolling and pitching so, that the two big stewards had to stop and watch their opportunity of making a dart at the reading-desk with their reverend charge, during which pause he held on, now by one steward and now by the other, with the feeblest expression of countenance and no legs whatever. At length they made a dart at the wrong moment, and one steward was immediately beheld alone in the extreme perspective, while[349] the other and the reverend gentleman held on by the mast in the middle of the saloon—which the latter embraced with both arms, as if it were his wife. All this time the congregation was breaking up into sects and sliding away; every sect (as in nature) pounding the other sect. And when at last the reverend gentleman had been tumbled into his place, the desk (a loose one, put upon the dining-table) deserted from the church bodily, and went over to the purser. The scene was so extraordinarily ridiculous, and was made so much more so by the exemplary gravity of all concerned in it, that I was obliged to leave before the service began.

One of the funniest things I've ever seen in my life was "church," during rough seas, in the saloon of the Cunard steamer coming out. The officiating minister, a very shy young man, was brought in between two large stewards, just like he was stepping into a boxing ring. The ship was rolling and pitching so much that the two stewards had to pause and wait for the right moment to dash over to the reading-desk with their reverend charge, during which time he held on, first to one steward and then the other, with the weakest expression on his face and barely able to stand. Eventually, they made a move at the wrong time, and one steward was suddenly seen alone in the distance, while the other and the reverend gentleman held on by the mast in the middle of the saloon—which the minister clung to like it was his wife. Meanwhile, the congregation was breaking up into groups and sliding away; each group (like in nature) jostling the other. And when the minister finally got shoved into his place, the desk (a loose one set on the dining table) completely abandoned church and went over to the purser. The whole scene was so absurdly ridiculous, and made even more so by the serious expressions of everyone involved, that I had to leave before the service started.

This is one of the places where Butler carried it with so high a hand in the war, and where the ladies used to spit when they passed a Northern soldier. It still wears, I fancy, a look of sullen remembrance. (The ladies are remarkably handsome, with an Eastern look upon them, dress with a strong sense of colour, and make a brilliant audience.) The ghost of slavery haunts the houses; and the old, untidy, incapable, lounging, shambling black serves you as a free man. Free of course he ought to be; but the stupendous absurdity of making him a voter glares out of every roll of his eye, stretch of his mouth, and bump of his head. I have a strong impression that the race must fade out of the States very fast. It never can hold its own against a striving, restless, shifty people. In the penitentiary here, the other day, in a room full of all blacks (too dull to be taught any of the work in hand), was one young brooding fellow, very like a black rhinoceros. He sat glowering at life, as if it were just endurable at dinner time, until four of his fellows began to sing, most unmelodiously, a part song. He then set up a dismal howl, and pounded his face on a form. I took him to have been rendered quite desperate by having learnt anything. I send my kind regard to[350] Mrs. Cartwright, and sincerely hope that she and you have no new family distresses or anxieties. My standing address is the Westminster Hotel, Irving Place, New York City. And I am always, my dear Cartwright,

This is one of the places where Butler was very tough during the war, and where ladies used to spit when they saw a Northern soldier. It still seems to carry a sense of angry remembrance. (The ladies are quite beautiful, with an Eastern appearance, dress with a strong sense of color, and make for a lively audience.) The ghost of slavery still lingers in the houses; and the old, messy, inept, lounging black man serves you as if he were free. He should be free, of course, but the ridiculousness of making him a voter is evident in every roll of his eyes, stretch of his mouth, and bulge of his head. I have a strong feeling that the race will quickly diminish in the States. It can never compete against a driven, restless, adaptable group of people. Recently in the penitentiary here, in a room full of black inmates (too dull to learn any of the tasks at hand), there was one brooding guy who looked a lot like a black rhinoceros. He sat there glaring at life, as if it were only bearable during dinner time, until four of his peers started singing a part song, very off-key. He then let out a miserable howl and slammed his face on a bench. I thought he must have been driven to despair by having learned anything. I send my best regards to [350] Mrs. Cartwright and truly hope that she and you have no new family troubles or worries. My permanent address is the Westminster Hotel, Irving Place, New York City. And I am always, my dear Cartwright,

Cordially yours.
Miss Dickens.


Philly, Friday, Jan. 31st, 1868.

Since writing to your aunt I have received yours of the 7th, and am truly glad to have the last news of you confirmed by yourself.

Since I wrote to your aunt, I've received your letter from the 7th, and I'm really glad to have the latest news from you confirmed by you.

From a letter Wilkie has written to me, it seems there can be no doubt that the "No Thoroughfare" drama is a real, genuine, and great success. It is drawing immensely, and seems to "go" with great effect and applause.

From a letter Wilkie has sent me, it seems there’s no doubt that the "No Thoroughfare" play is a true, authentic, and major success. It's attracting huge audiences and seems to be performing with great impact and applause.

"Doctor Marigold" here last night (for the first time) was an immense success, and all Philadelphia is going to rush at once for tickets for the two Philadelphian farewells the week after next. The tickets are to be sold to-morrow, and great excitement is anticipated in the streets. Dolby not being here, a clerk will sell, and will probably wish himself dead before he has done with it.

"Doctor Marigold" was a huge hit here last night (for the first time), and everyone in Philadelphia is going to scramble for tickets to the two farewell shows next week. Tickets go on sale tomorrow, and there's expected to be a lot of excitement in the streets. Since Dolby isn't here, a clerk will handle the sales and will likely wish he was anywhere else before it’s all over.

It appears to me that Chorley[22] writes to you on the legacy question because he wishes you to understand that there is no danger of his changing his mind, and at the bottom I descry an honest desire to pledge himself as strongly as possible. You may receive it in that better spirit, or I am much mistaken. Tell your aunt, with my best love, that I wrote to Chauncey weeks ago, in answer to a letter from him. I am now going out in a sleigh (and[351] four) with unconceivable dignity and grandeur; mentioning which reminds me that I am informed by trusty scouts that —— intends to waylay me at Washington, and may even descend upon me in the train to-morrow.

It looks to me like Chorley[22] is writing to you about the inheritance issue because he wants you to know that he has no intention of changing his mind, and underneath it all, I sense a genuine desire to commit as strongly as he can. You can take it in that more positive light, or I could be wrong. Please tell your aunt, with my best wishes, that I wrote to Chauncey weeks ago in response to a letter from him. I'm heading out in a sleigh (and[351] four) with incredible dignity and style; by the way, I've been informed by reliable sources that —— plans to ambush me in Washington and might even confront me on the train tomorrow.

Best love to Katie, the two Charleys, and all.

Best wishes to Katie, the two Charleys, and everyone.

Miss Dickens.


Washington D.C., Tuesday, Feb. 4th, 1868.

I began here last night with great success. The hall being small, the prices were raised to three dollars each ticket. The audience was a superior one, composed of the foremost public men and their families. At the end of the "Carol" they gave a great break out, and applauded, I really believe, for five minutes. You would suppose them to be Manchester shillings instead of Washington half-sovereigns. Immense enthusiasm.

I kicked things off here last night and it went really well. Since the hall was small, ticket prices were increased to three dollars each. The audience was impressive, made up of top public figures and their families. At the end of the "Carol," they erupted in applause, and I honestly think it lasted for five minutes. You would think they were Manchester shillings instead of Washington half-sovereigns. Huge enthusiasm.

A devoted adherent in this place (an Englishman) had represented to Dolby that if I were taken to an hotel here it would be impossible to secure me a minute's rest, and he undertook to get one Wheleker, a German, who keeps a little Vérey's, to furnish his private dining-rooms for the illustrious traveller's reception. Accordingly here we are, on the first and second floor of a small house, with no one else in it but our people, a French waiter, and a very good French cuisine. Perfectly private, in the city of all the world (I should say) where the hotels are intolerable, and privacy the least possible, and quite comfortable. "Wheleker's Restaurant" is our rather undignified address for the present week.

A dedicated supporter in this area (an Englishman) told Dolby that if I were taken to a hotel here, it would be impossible for me to get even a moment's rest. He promised to arrange for a German named Wheleker, who runs a small Vérey's, to prepare his private dining rooms for the famous traveler’s arrival. So here we are, on the first and second floors of a small building, with only our people, a French waiter, and excellent French cuisine around. It's perfectly private, in a city where, I would argue, the hotels are unbearable, and privacy is minimal, but it’s quite comfortable. “Wheleker's Restaurant” is our somewhat undignified address for this week.

I dined (against my rules) with Charles Sumner on Sunday, he having been an old friend of mine. Mr. Secretary Staunton (War Minister) was there. He is a man[352] of a very remarkable memory, and famous for his acquaintance with the minutest details of my books. Give him any passage anywhere, and he will instantly cap it and go on with the context. He was commander-in-chief of all the Northern forces concentrated here, and never went to sleep at night without first reading something from my books, which were always with him. I put him through a pretty severe examination, but he was better up than I was.

I had dinner (breaking my own rules) with Charles Sumner on Sunday, as he’s been an old friend of mine. Mr. Secretary Staunton (War Minister) was there too. He’s a person with an incredible memory and is well-known for his knowledge of the tiniest details in my books. Give him any quote from anywhere, and he’ll immediately finish it and continue with the context. He was the commander-in-chief of all the Northern forces gathered here, and he never went to bed at night without reading something from my books, which he always kept with him. I put him through a pretty tough quiz, but he was more knowledgeable than I was.

The gas was very defective indeed last night, and I began with a small speech, to the effect that I must trust to the brightness of their faces for the illumination of mine; this was taken greatly. In the "Carol," a most ridiculous incident occurred all of a sudden. I saw a dog look out from among the seats into the centre aisle, and look very intently at me. The general attention being fixed on me, I don't think anybody saw the dog; but I felt so sure of his turning up again and barking, that I kept my eye wandering about in search of him. He was a very comic dog, and it was well for me that I was reading a very comic part of the book. But when he bounced out into the centre aisle again, in an entirely new place (still looking intently at me) and tried the effect of a bark upon my proceedings, I was seized with such a paroxysm of laughter, that it communicated itself to the audience, and we roared at one another loud and long.

The gas was definitely acting up last night, so I started with a little speech, saying that I'd have to rely on the brightness of their faces to light up mine; this got a good reaction. During the "Carol," something really ridiculous happened all of a sudden. I saw a dog peek out from among the seats into the center aisle, staring intently at me. Since everyone's attention was on me, I don’t think anyone noticed the dog, but I was so sure he’d pop up again and bark that I kept glancing around looking for him. He was a really funny dog, and luckily I was reading a pretty hilarious part of the book. But when he jumped out into the center aisle again, in a completely new spot (still staring at me) and decided to try barking during my reading, I burst into such uncontrollable laughter that it spread to the audience, and we all ended up roaring with laughter together for a long time.

The President has sent to me twice, and I am going to see him to-morrow. He has a whole row for his family every night. Dolby rejoined his chief yesterday morning, and will probably remain in the august presence until Sunday night. He and Osgood, "training for the match," are ludicrous beyond belief. I saw them just now coming up a street, each trying to pass the other, and immediately fled. Since I have been writing this, they have burst in at[353] the door and sat down on the floor to blow. Dolby is now writing at a neighbouring table, with his bald head smoking as if he were on fire. Kelly (his great adherent) asked me, when he was last away, whether it was quite fair that I should take Mr. Osgood out for "breathers" when Mr. Dolby had no such advantage. I begin to expect that half Boston will turn out on the 29th to see the match. In which case it will be unspeakably droll.

The President has contacted me twice, and I’m meeting him tomorrow. He saves a whole row for his family every night. Dolby met up with his boss yesterday morning and will likely stay in the impressive presence until Sunday night. He and Osgood, who are "training for the match," are hilariously ridiculous. I just saw them coming up the street, each trying to outdo the other, and I immediately ran away. While I was writing this, they burst in through the door and sat down on the floor to catch their breath. Dolby is now writing at a nearby table, with his bald head looking like it’s on fire. Kelly (his loyal supporter) asked me, when he was last away, if it was fair that I take Mr. Osgood out for "breathers" while Mr. Dolby didn’t have the same opportunity. I’m starting to think that half of Boston will show up on the 29th to see the match. If that happens, it will be unbelievably funny.

Miss Hogarth.


Washington, my birthday, 1868.
(And my cold worse than ever.)

This will be but a short letter, as I have been to see the President this morning, and have little time before the post goes. He had sent a gentleman to me, most courteously begging me to make my own appointment, and I did so. A man of very remarkable appearance indeed, of tremendous firmness of purpose. Not to be turned or trifled with.

This will be a brief letter since I went to see the President this morning and don’t have much time before the mail goes out. He sent a very courteous gentleman to me, asking me to set my own appointment, and I did. The man had a striking appearance, with a strong sense of purpose. He’s not someone to be easily swayed or messed with.

As I mention my cold's being so bad, I will add that I have never had anything the matter with me since I came here but the cold. It is now in my throat, and slightly on my chest. It occasions me great discomfort, and you would suppose, seeing me in the morning, that I could not possibly read at night. But I have always come up to the scratch, have not yet missed one night, and have gradually got used to that. I had got much the better of it; but the dressing-room at the hall here is singularly cold and draughty, and so I have slid back again.

As I mention how bad my cold is, I’ll add that I haven’t had any health issues since I got here, except for this cold. It’s affecting my throat and a bit of my chest. It causes me a lot of discomfort, and you’d think, seeing me in the morning, that I wouldn’t be able to read at night. But I’ve always managed to push through; I haven’t missed a single night yet, and I’ve gradually gotten used to it. I was feeling much better, but the dressing room in this hall is really cold and drafty, and I’ve slipped back into feeling worse again.

The papers here having written about this being my birthday, the most exquisite flowers came pouring in at breakfast time from all sorts of people. The room is covered with them, made up into beautiful bouquets, and arranged[354] in all manner of green baskets. Probably I shall find plenty more at the hall to-night. This is considered the dullest and most apathetic place in America. My audiences have been superb.

The articles written about my birthday brought in the most beautiful flowers during breakfast from all sorts of people. The room is filled with them, made into stunning bouquets, and arranged in various green baskets. I'm sure I'll receive even more at the hall tonight. This is thought to be the most boring and indifferent place in America. My audiences have been fantastic.

I mentioned the dog on the first night here. Next night I thought I heard (in "Copperfield") a suddenly suppressed bark. It happened in this wise: Osgood, standing just within the door, felt his leg touched, and looking down beheld the dog staring intently at me, and evidently just about to bark. In a transport of presence of mind and fury, he instantly caught him up in both hands and threw him over his own head out into the entry, where the check-takers received him like a game at ball. Last night he came again with another dog; but our people were so sharply on the look-out for him that he didn't get in. He had evidently promised to pass the other dog free.

I mentioned the dog on the first night here. The next night, I thought I heard a sudden muffled bark (in "Copperfield"). Here’s what happened: Osgood, standing just inside the door, felt something touch his leg, and when he looked down, he saw the dog staring intently at me and clearly about to bark. In a burst of quick thinking and anger, he immediately scooped him up with both hands and tossed him over his head out into the hallway, where the check-takers caught him like they were playing a game. Last night he came back with another dog; but our people were so alert that he didn’t get in. He clearly promised to let the other dog pass without issue.

Miss Dickens.


Baltimore, MD, Tuesday, Feb. 11th, 1868.

The weather has been desperately severe, and my cold quite as bad as ever. I couldn't help laughing at myself on my birthday at Washington. It was observed as much as though I were a little boy. Flowers and garlands (of the most exquisite kind) bloomed all over the room; letters radiant with good wishes poured in; a shirt pin, a handsome silver travelling bottle, a set of gold shirt studs, and a set of gold sleeve links were on the dinner-table. After "Boots," at night, the whole audience rose and remained (Secretaries of State, President's family, Judges of Supreme Court, and so forth) standing and cheering until I went back to the table and made them a little speech. On the[355] same august day of the year I was received by the President, a man with a very remarkable and determined face. Each of us looked at each other very hard, and each of us managed the interview (I think) to the satisfaction of the other. In the outer room was sitting a certain sunburnt General Blair, with many evidences of the war upon him. He got up to shake hands with me, and then I found he had been out in the prairie with me five-and-twenty years ago. That afternoon my "catarrh" was in such a state that Charles Sumner, coming in at five o'clock and finding me covered with mustard poultice, and apparently voiceless, turned to Dolby and said: "Surely, Mr. Dolby, it is impossible that he can read to-night." Says Dolby: "Sir, I have told the dear Chief so four times to-day, and I have been very anxious. But you have no idea how he will change when he gets to the little table." After five minutes of the little table, I was not (for the time) even hoarse. The frequent experience of this return of force when it is wanted saves me a vast amount of anxiety.

The weather has been really harsh, and my cold is just as bad as ever. I couldn’t help but laugh at myself on my birthday in Washington. It was treated as if I were a little kid. Flowers and beautiful garlands filled the room; letters overflowing with good wishes came in; a shirt pin, a nice silver travel bottle, a set of gold shirt studs, and a set of gold cufflinks were on the dinner table. After the show “Boots” at night, the entire audience—Secretaries of State, the President's family, Supreme Court Judges, and so on—stood up and cheered until I went back to the table and gave them a little speech. On the[355]same remarkable day of the year, I met with the President, a man with a striking and determined face. We both stared at each other intently, and I think we both managed the meeting to each other's satisfaction. In the outer room was a sunburnt General Blair, showing many signs of having been through the war. He stood up to shake hands with me, and then I realized he had been out on the prairie with me twenty-five years ago. That afternoon, my "catarrh" was so bad that when Charles Sumner came in at five o'clock and saw me covered in a mustard poultice and seemingly unable to speak, he turned to Dolby and said, “Surely, Mr. Dolby, he can't possibly read tonight.” Dolby replied, “Sir, I've told the dear Chief that four times today, and I’ve been really worried. But you have no idea how he transforms when he gets to the little table.” After five minutes at the little table, I wasn’t even hoarse anymore, at least for that time. This frequent experience of regaining strength when needed saves me a lot of stress.

I wish you would get from Homan and report to me, as near as he can make, an approximate estimate is the right term in the trade, I believe, of the following work:

I wish you would get an approximate estimate from Homan and report back to me, as accurately as he can make it, for the following work:

1. To re-cover, with red leather, all the dining-room chairs.

1. To reupholster all the dining room chairs with red leather.

2. To ditto, with green leather, all the library chairs and the couch.

2. To duplicate, with green leather, all the library chairs and the couch.

3. To provide and lay down new Brussels carpets in the front spare and the two top spares. Quality of carpet, quality of yours and mine.

3. To install new Brussels carpets in the front spare and the two top spares. The quality of the carpet, yours and mine.

I have some doubts about the state of the hall floor-cloth, and also the floor-cloth in the dining-room. Will you and your aunt carefully examine both (calling in Homan too, if necessary), and report to me?[356]

I have some concerns about the condition of the hall carpet and the one in the dining room. Can you and your aunt take a close look at both (bringing Homan in if needed) and let me know what you find?[356]

It would seem that "No Thoroughfare" has really developed as a drama into an amazing success. I begin to think that I shall see it. Dolby is away this morning, to conquer or die in a terrific struggle with the Mayor of Newhaven (where I am to read next week), who has assailed him on a charge of false play in selling tickets. Osgood, my other keeper, stands at the table to take me out, and have a "breather" for the walking-match, so I must leave off.

It looks like "No Thoroughfare" has truly become a huge success as a drama. I’m starting to think I’ll see it. Dolby is away this morning, fighting hard against the Mayor of Newhaven (where I’m scheduled to read next week), who has accused him of dishonesty in selling tickets. Osgood, my other companion, is at the table to take me out for a "breather" before the walking match, so I have to stop here.

Think of my dreaming of Mrs. Bouncer each night!!!

Think about how I dream about Mrs. Bouncer every night!!!

Mr. Henry Fielding Dickens.


Baltimore, USA, Tuesday, Feb. 11th, 1868.
Hey Harry,

I should have written to you before now, but for constant and arduous occupation.

I should have written to you sooner, but I’ve been busy with constant and exhausting work.

In reference to the cricket club's not being what it might be, I agree with you in the main. There are some things to be considered, however, which you have hardly taken into account. The first thing to be avoided is, the slightest appearance of patronage (one of the curses of England). The second thing to be avoided is, the deprival of the men of their just right to manage their own affairs. I would rather have no club at all, than have either of these great mistakes made. The way out of them is this: Call the men together, and explain to them that the club might be larger, richer, and better. Say that you think that more of the neighbouring gentlemen could be got to be playing members. That you submit to them that it would be better to have a captain who could correspond with them, and talk to them, and in some sort manage them; and that, being perfectly acquainted with the game, and having long[357] played it at a great public school, you propose yourself as captain, for the foregoing reasons. That you propose to them to make the subscription of the gentlemen members at least double that of the working men, for no other reason than that the gentlemen can afford it better; but that both classes of members shall have exactly the same right of voting equally in all that concerns the club. Say that you have consulted me upon the matter, and that I am of these opinions, and am ready to become chairman of the club, and to preside at their meetings, and to overlook its business affairs, and to give it five pounds a year, payable at the commencement of each season. Then, having brought them to this point, draw up the club's rules and regulations, amending them where they want amendment.

Regarding the cricket club not living up to its potential, I mostly agree with you. However, there are some considerations you haven’t really addressed. First, we need to avoid any hint of patronizing behavior (which is one of England's downfalls). Second, we must ensure that the men aren't deprived of their rightful ability to manage their own affairs. I would prefer no club at all rather than making either of these major mistakes. The solution is this: Gather the men together and explain that the club could be larger, wealthier, and better. Mention that you believe more local gentlemen could be persuaded to join as playing members. Suggest that it would be advantageous to have a captain who can communicate with them, manage them in some way, and interact with them, and since you are well-versed in the game and have played it for a long time at a major public school, you would like to put yourself forward as captain for these reasons. Propose that the subscription for gentleman members be at least double that of the working men, simply because the gentlemen can afford it better; however, ensure that both groups have the same voting rights on all matters concerning the club. Say that you've consulted me about this and that I share these views, and I'm willing to become chairman of the club, preside over meetings, oversee its business, and contribute five pounds a year, paid at the start of each season. After you’ve reached this point, draw up the club's rules and regulations, making any necessary amendments.

Discreetly done, I see no difficulty in this. But it can only be honourably and hopefully done by having the men together. And I would not have them at The Falstaff, but in the hall or dining-room—the servants' hall, an excellent place. Whatever you do, let the men ratify; and let them feel their little importance, and at once perceive how much better the business begins to be done.

Discreetly handled, I see no problem with this. But it can only be done honorably and with hope by having the men together. I wouldn’t want them at The Falstaff, but in the hall or dining room—the servants' hall, which is a great spot. Whatever you do, let the men confirm it; and let them feel their small significance, while also realizing how much better the work is starting to get done.

I am very glad to hear of the success of your reading, and still more glad that you went at it in downright earnest. I should never have made my success in life if I had been shy of taking pains, or if I had not bestowed upon the least thing I have ever undertaken exactly the same attention and care that I have bestowed upon the greatest. Do everything at your best. It was but this last year that I set to and learned every word of my readings; and from ten years ago to last night, I have never read to an audience but I have watched for an opportunity of striking out something better somewhere. Look at such of my[358] manuscripts as are in the library at Gad's, and think of the patient hours devoted year after year to single lines.

I’m really happy to hear about your success with reading, and even happier that you approached it seriously. I wouldn’t have achieved my success if I hadn’t been willing to put in the effort or if I hadn’t treated even the smallest tasks with the same focus and care as the biggest ones. Always do your best. Just last year, I dedicated myself to learning every word of my readings; and from ten years ago until last night, I’ve never performed for an audience without looking for a chance to improve something. Check out some of my[358]manuscripts at the library at Gad's, and think about the countless hours spent over single lines year after year.

*                   *                   *                   *                   *                   *

The weather is very severe here, and the work is very hard. Dolby, having been violently pitched into by the Mayor of Newhaven (a town at which I am to read next week), has gone bodily this morning with defiant written instructions from me to inform the said mayor that, if he fail to make out his case, he (Dolby) is to return all the money taken, and to tell him that I will not set foot in his jurisdiction; whereupon the Newhaven people will probably fall upon the mayor in his turn, and lead him a pleasant life.

The weather is really harsh here, and the work is tough. Dolby, after being aggressively shoved by the Mayor of Newhaven (a town where I’m scheduled to read next week), has left this morning with clear written instructions from me to inform the mayor that if he fails to prove his case, he (Dolby) will return all the money taken, and to let him know that I won’t step foot in his area; after that, the people of Newhaven will likely turn on the mayor, making his life quite interesting.

Ever, my dear Harry, your affectionate Father.
Miss Hogarth.


Philly, Thursday, Feb. 13th, 1868.

We have got into an immense difficulty with the people of Newhaven. I have a strong suspicion that one of our men (who sold there) has been speculating all this while, and that he must have put front seats in his pockets, and sold back ones. He denies what the mayor charges, but the mayor holds on grimly. Dolby set off from Baltimore as soon as we found out what was amiss, to examine and report; but some new feature of difficulty must have come out, for this morning he telegraphs from New York (where he had to sleep last night on his way to Newhaven), that he is coming back for further consultation with the Chief. It will certainly hurt us, and will of course be distorted by the papers into all manner of shapes. My suspicion may not be correct, but I have an instinctive belief[359] that it is. We shall probably have the old New York row (and loss) over again, unless I can catch this mayor tripping in an assertion.

We've gotten ourselves into a huge mess with the people of Newhaven. I really suspect that one of our guys who sold tickets there has been playing around with the system, pocketing the good seats and selling the bad ones. He denies what the mayor is accusing him of, but the mayor is staying firm. Dolby left Baltimore as soon as we found out what was wrong to check things out and give a report, but there must be some new problem because this morning he sent a telegram from New York (where he had to stay last night on the way to Newhaven) saying he's coming back for more talks with the Chief. This will definitely hurt us, and the media will twist the story in all kinds of ways. My suspicion might not be right, but I have a gut feeling that it is. We're probably going to deal with the same old issues in New York (and the same losses) again unless I can catch this mayor making a false statement.

In this very place, we are half-distracted by the speculators. They have been holding out for such high prices, that the public have held out too; and now (frightened at what they have done) the speculators are trying to sell their worst seats at half the cost price, so that we are in the ridiculous situation of having sold the room out, and yet not knowing what empty seats there may be. We could sell at our box-office to any extent; but we can't buy back of the speculators, because we informed the public that all the tickets were gone. And if we bought under our own price and sold at our own price, we should at once be in treaty with the speculators, and should be making money by it! Dolby, the much bullied, will come back here presently, half bereft of his senses; and I should be half bereft of mine, if the situation were not comically disagreeable.

In this very place, we’re a bit distracted by the speculators. They’ve been holding out for such high prices that the public has done the same; and now, scared of what they’ve done, the speculators are trying to sell their worst seats at half the cost price. So, we find ourselves in the ridiculous situation of having sold out the room and still not knowing what empty seats exist. We could sell at our box office as much as we want; but we can’t buy back from the speculators because we told the public that all the tickets were gone. And if we bought below our own price and sold at our own price, we’d instantly be negotiating with the speculators and making money off it! Dolby, the much picked on, will come back here soon, half out of his mind; and I’d be half out of mine if the situation weren’t comically frustrating.

Nothing will induce the people to believe in the farewells. At Baltimore on Tuesday night (a very brilliant night indeed), they asked as they came out: "When will Mr. Dickens read here again?" "Never." "Nonsense! Not come back, after such houses as these? Come. Say when he'll read again." Just the same here. We could as soon persuade them that I am the President, as that I am going to read here, for the last time, to-morrow night.

Nothing will convince people to accept farewells. In Baltimore on Tuesday night (a truly remarkable night), they asked as they left: "When will Mr. Dickens read here again?" "Never." "Nonsense! He wouldn't come back after such great crowds? Come on, tell us when he'll read again." It's exactly the same here. We could as easily persuade them that I am the President as that I am going to read here for the last time tomorrow night.

There is a child of the Barney Williams's in this house—a little girl—to whom I presented a black doll when I was here last. I have seen her eye at the keyhole since I began writing this, and I think she and the doll are outside still. "When you sent it up to me by the coloured boy," she said after receiving it (coloured boy is the term for black waiter), "I gave such a cream that ma came running in and creamed[360] too, 'cos she fort I'd hurt myself. But I creamed a cream of joy." She had a friend to play with her that day, and brought the friend with her, to my infinite confusion. A friend all stockings, and much too tall, who sat on the sofa very far back, with her stockings sticking stiffly out in front of her, and glared at me and never spake word. Dolby found us confronted in a sort of fascination, like serpent and bird.

There’s a child of Barney Williams in this house—a little girl—to whom I gave a black doll when I was here last. I’ve seen her peeking through the keyhole since I started writing this, and I think she and the doll are still outside. “When you sent it up to me by the black boy,” she said after receiving it (black boy is the term for black waiter), “I squealed so loudly that my mom came running in, thinking I’d hurt myself. But I squealed out of joy.” She had a friend to play with her that day and brought the friend over, which left me completely flustered. The friend was all in stockings, too tall, sitting way back on the sofa, with her stockings sticking out stiffly in front of her, glaring at me without saying a word. Dolby found us there, caught in a sort of fascination, like serpent and bird.

Miss Hogarth.


NYC, Monday, Feb. 17th, 1868.

I got your letter of the 3rd of February here this morning. As I am off at seven to-morrow morning, I answer it at once, though indeed I have nothing to say.

I received your letter from February 3rd this morning. Since I'm leaving at seven tomorrow morning, I'm replying right away, although I really don't have much to say.

"True American" still sticking to me. But I am always ready for my work, and therefore don't much mind. Dolby and the Mayor of Newhaven alternately embrace and exchange mortal defiances. In writing out some advertisements towards midnight last night, he made a very good mistake. "The reading will be comprised within two minutes, and the audience are earnestly entreated to be seated ten hours before its commencement."

"True American" still clings to me. But I'm always ready for my work, so I don’t really mind. Dolby and the Mayor of Newhaven take turns embracing and exchanging serious challenges. While writing some ads late last night, he made a great mistake. "The reading will be over in two minutes, and the audience is strongly urged to be seated ten hours before it starts."

The weather has been finer lately, but the streets are in a horrible condition, through half-melted snow, and it is now snowing again. The walking-match (next Saturday week) is already in the Boston papers! I suppose half Boston will turn out on the occasion. As a sure way of not being conspicuous, "the men" are going to walk in flannel! They are in a mingled state of comicality and gravity about it that is highly ridiculous. Yesterday being a bright cool day, I took Dolby for a "buster" of eight miles. As[361] everybody here knows me, the spectacle of our splitting up the fashionable avenue (the only way out of town) excited the greatest amazement. No doubt that will be in the papers to-morrow. I give a gorgeous banquet to eighteen (ladies and gentlemen) after the match. Mr. and Mrs. Fields, Do. Ticknor, Longfellow and his daughter, Lowell, Holmes and his wife, etc. etc. Sporting speeches to be made, and the stakes (four hats) to be handed over to the winner.

The weather has been nicer lately, but the streets are in terrible shape, thanks to half-melted snow, and now it’s snowing again. The walking match (next Saturday week) is already in the Boston papers! I bet half of Boston will show up for it. To avoid standing out, "the men" are going to wear flannel! They’re in a mix of seriousness and silliness about it that is really amusing. Yesterday, since it was a bright, cool day, I took Dolby for an eight-mile "buster." As[361] everyone here knows me, our splitting up the main avenue (the only way out of town) caused quite a stir. No doubt that will be in the papers tomorrow. I’m hosting a fancy banquet for eighteen (ladies and gentlemen) after the match. Mr. and Mrs. Fields, Mr. Ticknor, Longfellow and his daughter, Lowell, Holmes and his wife, etc., etc. There will be sporting speeches, and the stakes (four hats) will be handed over to the winner.

My ship will not be the Cuba after all. She is to go into dock, and the Russia (a larger ship, and the latest built for the Cunard line) is to take her place.

My ship won't be the Cuba after all. She's going into dry dock, and the Russia (a bigger ship and the latest one built for the Cunard line) will take her spot.

Very glad to hear of Plorn's success. Best love to Mamie.

Very glad to hear about Plorn's success. Send my love to Mamie.

M. Charles Fechter.


Washington D.C., February 24th, 1868.
My dear Fechter,

Your letter reached me here yesterday. I have sent you a telegram (addressed to the theatre) this morning, and I write this by the earliest return mail.

Your letter got to me yesterday. I sent you a telegram (addressed to the theater) this morning, and I'm writing this on the earliest return mail.

My dear fellow, consider yourself my representative. Whatever you do, or desire to do, about the play, I fully authorise beforehand. Tell Webster, with my regard, that I think his proposal honest and fair; that I think it, in a word, like himself; and that I have perfect confidence in his good faith and liberality.

My dear friend, think of yourself as my representative. Whatever you do or want to do regarding the play, I give you my full approval in advance. Please tell Webster, with my best wishes, that I find his proposal genuine and reasonable; that I believe it, in short, reflects his character; and that I completely trust his honesty and generosity.

As to making money of the play in the United States here, Boucicault has filled Wilkie's head with golden dreams that have nothing in them. He makes no account of the fact that, wherever I go, the theatres (with my name in big letters) instantly begin playing versions of my books, and[362] that the moment the Christmas number came over here they pirated it and played "No Thoroughfare." Now, I have enquired into the law, and am extremely doubtful whether I could have prevented this. Why should they pay for the piece as you act it, when they have no actors, and when all they want is my name, and they can get that for nothing?

As for making money from the play in the United States, Boucicault has filled Wilkie's head with empty dreams that are totally unrealistic. He doesn't seem to consider that everywhere I go, the theaters (with my name in big letters) immediately start staging versions of my books, and[362] that as soon as the Christmas number arrived here, they pirated it and performed "No Thoroughfare." I've looked into the law, and I'm really doubtful about whether I could have stopped this. Why should they pay for the piece as you perform it when they have no actors and all they want is my name, which they can get for free?

Wilkie has uniformly written of you enthusiastically. In a letter I had from him, dated the 10th of January, he described your conception and execution of the part in the most glowing terms. "Here Fechter is magnificent." "Here his superb playing brings the house down." "I should call even his exit in the last act one of the subtlest and finest things he does in the piece." "You can hardly imagine what he gets out of the part, or what he makes of his passionate love for Marguerite." These expressions, and many others like them, crowded his letter.

Wilkie has consistently praised you with great enthusiasm. In a letter I received from him, dated January 10th, he described your interpretation and execution of the role in the most flattering terms. "Here Fechter is amazing." "His incredible performance brings the audience to their feet." "Even his exit in the last act is one of the most subtle and finest things he does in the play." "You can hardly believe what he brings to the role, or how he portrays his passionate love for Marguerite." These comments, along with many others, filled his letter.

I never did so want to see a character played on the stage as I want to see you play Obenreizer. As the play was going when I last heard of it, I have some hopes that I may see it yet. Please God, your Adelphi dressing-room will be irradiated with the noble presence of "Never Wrong" (if you are acting), about the evening of Monday, the 4th of May!

I’ve never wanted to see a character performed on stage as much as I want to see you play Obenreizer. From what I last heard about the play, I’m hopeful that I might still get to see it. God willing, your Adelphi dressing room will be lit up with the amazing presence of "Never Wrong" (if you’re acting), on the evening of Monday, May 4th!

I am doing enormous business. It is a wearying life, away from all I love, but I hope that the time will soon begin to spin away. Among the many changes that I find here is the comfortable change that the people are in general extremely considerate, and very observant of my privacy. Even in this place, I am really almost as much my own master as if I were in an English country town. Generally, they are very good audiences indeed. They do not (I think) perceive touches of art to be art; but they are[363] responsive to the broad results of such touches. "Doctor Marigold" is a great favourite, and they laugh so unrestrainedly at "The Trial" from "Pickwick" (which you never heard), that it has grown about half as long again as it used to be.

I’m really busy with work. It’s a tiring life, far from everything I love, but I hope that time will start passing quickly soon. One of the many changes I’ve noticed here is that people are generally very thoughtful and respectful of my privacy. Even in this place, I feel almost as independent as I would in a small English town. Usually, the audiences are really great. They don’t seem to recognize the subtle art in my work, but they do respond well to the overall effects of it. "Doctor Marigold" is a big hit, and they laugh so freely at "The Trial" from "Pickwick" (which you haven’t heard) that it has ended up being about half as long again as it used to be.

If I could send you a "brandy cocktail" by post I would. It is a highly meritorious dram, which I hope to present to you at Gad's. My New York landlord made me a "Rocky Mountain sneezer," which appeared to me to be compounded of all the spirits ever heard of in the world, with bitters, lemon, sugar, and snow. You can only make a true "sneezer" when the snow is lying on the ground.

If I could send you a "brandy cocktail" by mail, I would. It’s a really good drink, and I hope to share it with you at Gad's. My landlord in New York made me something called a "Rocky Mountain sneezer," which seemed to be made of every type of alcohol you can think of, along with bitters, lemon, sugar, and snow. You can only make a real "sneezer" when there's snow on the ground.

There, my dear boy, my paper is out, and I am going to read "Copperfield." Count always on my fidelity and true attachment, and look out, as I have already said, for a distinguished visitor about Monday, the 4th of May.

There, my dear boy, my paper is published, and I’m going to read "Copperfield." You can always count on my loyalty and genuine affection, and keep an eye out, as I mentioned before, for a special visitor around Monday, May 4th.

Always, my dear Fechter,
Your cordial and affectionate Friend.
Miss Dickens.


Boston, Tuesday, Feb. 25th, 1868.

It is so very difficult to know, by any exercise of common sense, what turn or height the political excitement may take next, and it may so easily, and so soon, swallow up all other things, that I think I shall suppress my next week's readings here (by good fortune not yet announced) and watch the course of events. Dolby's sudden desponding under these circumstances is so acute, that it is actually swelling his head as I glance at him in the glass while writing.

It’s really hard to predict, just using common sense, what direction or intensity the political excitement will take next. It can quickly consume everything else, so I think I’ll skip my readings for next week (thankfully not announced yet) and just keep an eye on what happens. Dolby's sudden despair in this situation is so intense that I can see it making his head swell as I look at him in the mirror while I write.

The catarrh is no better and no worse. The weather is[364] intensely cold. The walking-match (of which I will send particulars) is to come off on Sunday. Mrs. Fields is more delightful than ever, and Fields more hospitable. My room is always radiant with brilliant flowers of their sending. I don't know whether I told you that the walking-match is to celebrate the extinction of February, and the coming of the day when I can say "next month."

The cold is just as bad as it was before. The weather is[364]freezing. The walking match (which I’ll share details about) is happening on Sunday. Mrs. Fields is more charming than ever, and Fields is even more welcoming. My room is always filled with vibrant flowers they send. I’m not sure if I mentioned that the walking match is to celebrate the end of February and the arrival of the day when I can say "next month."

Miss Hogarth.


Boston, Thursday, Feb. 27th, 1868.

This morning at breakfast I received yours of the 11th from Palace Gate House. I have very little news to give you in return for your budget. The walking-match is to come off on Saturday, and Fields and I went over the ground yesterday to measure the miles. We went at a tremendous pace. The condition of the ground is something indescribable, from half-melted snow, running water, and sheets and blocks of ice. The two performers have not the faintest notion of the weight of the task they have undertaken. I give a dinner afterwards, and have just now been settling the bill of fare and selecting the wines.

This morning at breakfast, I received your letter from Palace Gate House dated the 11th. I don’t have much news to share in return for your update. The walking match is happening on Saturday, and Fields and I went over the route yesterday to measure the miles. We really moved at an incredible pace. The condition of the ground is beyond description, with half-melted snow, running water, and sheets and chunks of ice. The two participants have no idea of the challenge they’ve taken on. I’m hosting a dinner afterward, and I’ve just been figuring out the menu and picking out the wines.

In the first excitement of the presidential impeachment, our houses instantly went down. After carefully considering the subject, I decided to take advantage of the fact that next week's four readings here have not yet been announced, and to abolish them altogether. Nothing in this country lasts long, and I think the public may be heartily tired of the President's name by the 9th of March, when I read at a considerable distance from here. So behold me with a whole week's holiday in view! The Boston audiences have come to regard the readings and the reader as their peculiar[365] property; and you would be at once amused and pleased if you could see the curious way in which they seem to plume themselves on both. They have taken to applauding too whenever they laugh or cry, and the result is very inspiriting. I shall remain here until Saturday, the 7th, but shall not read here, after to-morrow night, until the 1st of April, when I begin my Boston farewells, six in number.

In the initial excitement of the presidential impeachment, our plans immediately fell apart. After thinking it over, I decided to take advantage of the fact that next week's four readings haven’t been announced yet, and to cancel them entirely. Nothing in this country lasts long, and I believe the public might be thoroughly tired of the President's name by March 9th, when I read quite a distance from here. So here I am, looking forward to a whole week's holiday! The audiences in Boston have come to see the readings and the reader as their special[365] property; and you’d be both amused and pleased if you could witness the odd way they seem to take pride in both. They’ve started applauding whenever they laugh or cry, and the result is really uplifting. I’ll stay here until Saturday, the 7th, but I won’t read here again after tomorrow night until April 1st, when I begin my Boston farewells, six in total.



Friday, 28th.

It has been snowing all night, and the city is in a miserable condition. We had a fine house last night for "Carol" and "Trial," and such an enthusiastic one that they persisted in a call after the "Carol," and, while I was out, covered the little table with flowers. The "True American" has taken a fresh start, as if it were quite a novelty, and is on the whole rather worse than ever to-day. The Cunard packet, the Australasian (a poor ship), is some days overdue, and Dolby is anxiously looking out for her. There is a lull in the excitement about the President, but the articles of impeachment are to be produced this afternoon, and then it may set in again. Osgood came into camp last night from selling in remote places, and reports that at Rochester and Buffalo (both places near the frontier), Canada people bought tickets, who had struggled across the frozen river and clambered over all sorts of obstructions to get them. Some of those halls turn out to be smaller than represented, but I have no doubt, to use an American expression, that we shall "get along."

It has been snowing all night, and the city is in terrible shape. We had a great house last night for "Carol" and "Trial," and the crowd was so enthusiastic that they stuck around after "Carol," and while I was out, they covered the little table with flowers. The "True American" has taken a fresh start, as if it’s a total novelty, and overall it’s actually worse than ever today. The Cunard packet, the Australasian (a not-so-great ship), is several days overdue, and Dolby is anxiously waiting for her. There’s a lull in the excitement about the President, but the articles of impeachment are set to be presented this afternoon, which might reignite the drama. Osgood came into camp last night after selling in far-off places and reports that in Rochester and Buffalo (both close to the border), people from Canada bought tickets after struggling across the frozen river and climbing over all sorts of obstacles to get them. Some of those venues turn out to be smaller than advertised, but I have no doubt, to use an American saying, that we’ll "get along."

To-morrow fortnight we purpose being at the Falls of Niagara, and then we shall turn back and really begin to wind up. I have got to know the "Carol" so well that I[366] can't remember it, and occasionally go dodging about in the wildest manner to pick up lost pieces. They took it so tremendously last night that I was stopped every five minutes. One poor young girl in mourning burst into a passion of grief about Tiny Tim, and was taken out. This is all my news.

To-morrow in two weeks, we plan to be at Niagara Falls, and then we'll turn back and really start wrapping things up. I've gotten to know the "Carol" so well that I[366] can’t remember it, and sometimes I find myself frantically trying to piece together the parts I’ve forgotten. They loved it so much last night that I was stopped every five minutes. One poor young girl in mourning broke down in tears over Tiny Tim and had to be taken out. That’s all I have to share.

Each of the pedestrians is endeavouring to persuade the other to take something unwholesome before starting.

Each of the pedestrians is trying to convince the other to take something unhealthy before they start.

Miss Dickens.


Boston, Monday, March 2nd, 1868.

A heavy gale of wind and a snowstorm oblige me to write suddenly for the Cunard steamer a day earlier than usual. The railroad between this and New York will probably be stopped somewhere. After all the hard weather we have had, this is the worst day we have seen.

A strong wind and a snowstorm force me to write unexpectedly for the Cunard steamer a day earlier than usual. The train between here and New York will likely be canceled somewhere. After all the harsh weather we've experienced, today is the worst we've seen.

The walking-match came off on Saturday, over tremendously difficult ground, against a biting wind, and through deep snow-wreaths. It was so cold, too, that our hair, beards, eyelashes, eyebrows, were frozen hard, and hung with icicles. The course was thirteen miles. They were close together at the turning-point, when Osgood went ahead at a splitting pace and with extraordinary endurance, and won by half a mile. Dolby did very well indeed, and begs that he may not be despised. In the evening I gave a very splendid dinner. Eighteen covers, most magnificent flowers, such table decoration as was never seen in these parts. The whole thing was a great success, and everybody was delighted.

The walking race took place on Saturday, across extremely challenging terrain, with a biting wind, and through deep snow drifts. It was so cold that our hair, beards, eyelashes, and eyebrows were frozen solid and covered in icicles. The course was thirteen miles long. They were neck and neck at the turning point when Osgood surged ahead at a blistering pace and with incredible stamina, winning by half a mile. Dolby did really well too, and hopes he's not looked down on. In the evening, I hosted an amazing dinner. Eighteen guests, stunning flowers, and table decorations never seen in this area. The whole event was a huge success, and everyone loved it.

I am holiday-making until Friday, when we start on the round of travel that is to bring us back here for the 1st of[367] April. My holiday-making is simply thorough resting, except on Wednesday, when I dine with Longfellow. There is still great political excitement, but I hope it may not hurt us very much. My fear is that it may damage the farewell. Dolby is not of my mind as to this, and I hope he may be right. We are not quite determined whether Mrs. Fields did not desert our colours, by coming on the ground in a carriage, and having bread soaked in brandy put into the winning man's mouth as he steamed along. She pleaded that she would have done as much for Dolby, if he had been ahead, so we are inclined to forgive her. As she had done so much for me in the way of flowers, I thought I would show her a sight in that line at the dinner. You never saw anything like it. Two immense crowns; the base, of the choicest exotics; and the loops, oval masses of violets. In the centre of the table an immense basket, overflowing with enormous bell-mouthed lilies; all round the table a bright green border of wreathed creeper, with clustering roses at intervals; a rose for every button-hole, and a bouquet for every lady. They made an exhibition of the table before dinner to numbers of people.

I’m on vacation until Friday, when we start traveling back here for April 1st.[367] My vacation is all about relaxing, except for Wednesday when I’m having dinner with Longfellow. There’s still a lot of political excitement, but I hope it won’t affect us too much. My worry is that it might impact the farewell. Dolby doesn’t agree with me on this, and I hope he’s right. We’re not entirely sure if Mrs. Fields abandoned our plan by arriving in a carriage and feeding bread soaked in brandy to the winning man as he went by. She argued that she would have done the same for Dolby if he had won, so we’re considering forgiving her. Since she had done so much for me with flowers, I thought I’d treat her to a floral display at dinner. You wouldn’t believe it. Two huge crowns; the base made of the finest exotic flowers, and the loops filled with violets. In the center of the table was a massive basket overflowing with gigantic bell-shaped lilies; all around the table was a bright green border of entwined vines, with clusters of roses spaced out; a rose for every buttonhole and a bouquet for each lady. They showcased the table before dinner to a lot of people.

P. H. has just come in with a newspaper, containing a reference (in good taste!) to the walking-match. He posts it to you by this post.

P. H. just came in with a newspaper that has a nice mention of the walking match. He's sending it to you with this mail.

It is telegraphed that the storm prevails over an immense extent of country, and is just the same at Chicago as here. I hope it may prove a wind-up. We are getting sick of the sound of sleigh-bells even.

It’s clear that the storm covers a huge area, and it’s just as bad in Chicago as it is here. I hope this is the end of it. We’re even getting tired of the sound of sleigh bells.

Your account of Anne has greatly interested me.[368]

Your story about Anne has really caught my interest.[368]

M. Charles Fechter.


Syracuse, USA
Sunday Night, March 8th, 1868.
My dear Fechter,

I am here in a most wonderful out-of-the-world place, which looks as if it had begun to be built yesterday, and were going to be imperfectly knocked together with a nail or two the day after to-morrow. I am in the worst inn that ever was seen, and outside is a thaw that places the whole country under water. I have looked out of window for the people, and I can't find any people. I have tried all the wines in the house, and there are only two wines, for which you pay six shillings a bottle, or fifteen, according as you feel disposed to change the name of the thing you ask for. (The article never changes.) The bill of fare is "in French," and the principal article (the carte is printed) is "Paettie de shay." I asked the Irish waiter what this dish was, and he said: "It was the name the steward giv' to oyster patties—the Frinch name." These are the drinks you are to wash it down with: "Mooseux," "Abasinthe," "Curacco," "Marschine," "Annise," and "Margeaux"!

I’m in a really amazing place that feels like it was just built yesterday, and it seems like it’s going to be poorly put together with a nail or two the day after tomorrow. I’m in the worst inn I’ve ever seen, and outside it’s a thaw that has turned the whole country into a lake. I’ve looked out the window for people, and I can’t find anyone. I’ve tried all the wines they offer, but there are only two, and you pay six shillings a bottle or fifteen if you want to call it something different. (The actual drink doesn’t change.) The menu is "in French," and the main item (printed on the menu) is "Paettie de shay." I asked the Irish waiter what this dish was, and he said, “That’s what the steward calls oyster patties—the French name.” Here are the drinks you can wash it down with: "Mooseux," "Abasinthe," "Curacco," "Marschine," "Annise," and "Margeaux"!

I am growing very home-sick, and very anxious for the 22nd of April; on which day, please God, I embark for home. I am beginning to be tired, and have been depressed all the time (except when reading), and have lost my appetite. I cannot tell you—but you know, and therefore why should I?—how overjoyed I shall be to see you again, my dear boy, and how sorely I miss a dear friend, and how sorely I miss all art, in these parts. No disparagement to the country, which has a great future in reserve, or to its people, who are very kind to me.

I’m feeling really homesick and can’t wait for April 22nd; that’s when, hopefully, I’ll be heading home. I’m starting to feel worn out and have been down all the time (except when I’m reading), and I’ve lost my appetite. I can’t even explain it to you—but you know, so why should I?—how incredibly happy I’ll be to see you again, my dear friend, and how much I miss having a good friend around, as well as missing all the art here. No offense to the country, which has a bright future ahead, or to the people, who have been very kind to me.

I mean to take my leave of readings in the autumn and winter, in a final series in England with Chappell. This will come into the way of literary work for a time, for, after[369] I have rested—don't laugh—it is a grim reality—I shall have to turn my mind to—ha! ha! ha!—to—ha! ha! ha! (more sepulchrally than before)—the—the Christmas Number!!! I feel as if I had murdered a Christmas number years ago (perhaps I did!) and its ghost perpetually haunted me. Nevertheless in some blessed rest at Gad's, we will talk over stage matters, and all matters, in an even way, and see what we can make of them, please God. Be sure that I shall not be in London one evening, after disembarking, without coming round to the theatre to embrace you, my dear fellow.

I plan to take a break from reading during the fall and winter, focusing instead on one last series in England with Chappell. This will interrupt my literary work for a while because, after[369] I’ve had some rest—don’t laugh—it’s a harsh truth—I’ll have to shift my focus to—ha! ha! ha!—to—ha! ha! ha! (darker than before)—the—the Christmas Number !!! I feel like I killed a Christmas number years ago (maybe I did!) and its ghost is always lingering around me. Still, during some much-needed downtime at Gad's, we can discuss stage matters and everything else in a calm manner, and see what we can make of them, if God allows. You can bet that I won’t be in London one evening after I arrive without stopping by the theater to give you a hug, my dear friend.

I have had an American cold (the worst in the world) since Christmas Day. I read four times a week, with the most tremendous energy I can bring to bear upon it. I travel about pretty heavily. I am very resolute about calling on people, or receiving people, or dining out, and so save myself a great deal. I read in all sorts of places—churches, theatres, concert rooms, lecture halls. Every night I read I am described (mostly by people who have not the faintest notion of observing) from the sole of my boot to where the topmost hair of my head ought to be, but is not. Sometimes I am described as being "evidently nervous;" sometimes it is rather taken ill that "Mr. Dickens is so extraordinarily composed." My eyes are blue, red, grey, white, green, brown, black, hazel, violet, and rainbow-coloured. I am like "a well-to-do American gentleman," and the Emperor of the French, with an occasional touch of the Emperor of China, and a deterioration from the attributes of our famous townsman, Rufus W. B. D. Dodge Grumsher Pickville. I say all sorts of things that I never said, go to all sorts of places that I never saw or heard of, and have done all manner of things (in some previous state of existence I suppose) that have quite escaped[370] my memory. You ask your friend to describe what he is about. This is what he is about, every day and hour of his American life.

I’ve had a really bad cold (the worst kind) since Christmas Day. I read four times a week, putting in as much energy as I can. I get around quite a bit. I’m very determined about visiting people, having people over, or going out to eat, which helps me save a lot of energy. I read in all kinds of places—churches, theaters, concert halls, lecture rooms. Every night I read, and I'm scrutinized (mostly by people who don’t have the slightest idea how to observe) from the soles of my shoes to the nonexistent hair on my head. Sometimes I’m described as “evidently nervous;” other times, people are surprised that “Mr. Dickens is so extraordinarily composed.” My eye colors range from blue, red, gray, white, green, brown, black, hazel, violet, to even rainbow-colored. I resemble “a wealthy American gentleman” and the Emperor of the French, occasionally with a hint of the Emperor of China, along with some traits of our well-known local figure, Rufus W. B. D. D. Dodge Grumsher Pickville. I say all kinds of things I never actually said, go to all sorts of places I’ve never seen or heard of, and have done all sorts of things (in some past life, I guess) that I can’t remember at all. You ask your friend to explain what he’s up to. This is what he’s up to, every day and hour of his American life.

I hope to be back with you before you write to me!

I hope to be back with you before you reach out to me!

Always, my dear Fechter,
Your most affectionate and hearty Friend.

P.S.—Don't let Madame Fechter, or Marie, or Paul forget me!

P.S.—Don't let Madame Fechter, or Marie, or Paul forget about me!

Miss Hogarth.


Syracuse, Sunday, March 8th, 1868.

As we shall probably be busy all day to-morrow, I write this to-day, though it will not leave New York until Wednesday. This is a very grim place in a heavy thaw, and a most depressing one. The hotel also is surprisingly bad, quite a triumph in that way. We stood out for an hour in the melting snow, and came in again, having to change completely. Then we sat down by the stove (no fireplace), and there we are now. We were so afraid to go to bed last night, the rooms were so close and sour, that we played whist, double dummy, till we couldn't bear each other any longer. We had an old buffalo for supper, and an old pig for breakfast, and we are going to have I don't know what for dinner at six. In the public rooms downstairs, a number of men (speechless) are sitting in rocking-chairs, with their feet against the window-frames, staring out at window and spitting dolefully at intervals. Scott is in tears, and George the gasman is suborning people to go and clean the hall, which is a marvel of dirt. And yet we have taken considerably over three hundred pounds for to-morrow night!

As we're likely going to be busy all day tomorrow, I'm writing this today, even though it won't leave New York until Wednesday. This place is pretty grim during this thaw, and it's really depressing. The hotel is surprisingly bad, quite an achievement in that regard. We stood outside for an hour in the melting snow, then came back in and had to completely change our clothes. Now we're sitting by the stove (no fireplace), and that's where we are now. We were so nervous about going to bed last night because the rooms were so stuffy and musty that we played whist, double dummy, until we couldn’t stand each other anymore. For supper, we had some old buffalo, and for breakfast, we ate an old pig, and we have no idea what we’re having for dinner at six. In the public rooms downstairs, several men (silent) are sitting in rocking chairs with their feet against the window frames, staring out the window and spitting sadly from time to time. Scott is in tears, and George the gasman is persuading people to clean the hall, which is a marvel of dirt. And yet we've made over three hundred pounds for tomorrow night!

We were at Albany the night before last and yesterday[371] morning; a very pretty town, where I am to read on the 18th and 19th. This day week we hope to wash out this establishment with the Falls of Niagara. And there is my news, except that your last letters to me in America must be posted by the Cunard steamer, which will sail from Liverpool on Saturday, the 4th of April. These I shall be safe to get before embarking.

We were in Albany the night before last and yesterday[371] morning; it’s a really nice town where I’ll be speaking on the 18th and 19th. In a week from today, we hope to wrap up this trip with a visit to Niagara Falls. That’s the latest update, except that your last letters to me in America need to be sent by the Cunard steamer, which will leave from Liverpool on Saturday, April 4th. I’m sure I’ll receive those before I leave.

I send a note to Katie (addressed to Mamie) by this mail. I wrote to Harry some weeks ago, stating to him on what principles he must act in remodelling the cricket club, if he would secure success.

I’m sending a note to Katie (addressed to Mamie) with this mail. I wrote to Harry a few weeks ago, outlining the principles he needs to follow to successfully remodel the cricket club.

Miss Hogarth.


Monday Morning, 9th.

Nothing new. Weather cloudy, and town more dismal than yesterday. It froze again last night, and thaws again this morning. Somebody sent me an Australian newspaper this morning—some citizen of Syracuse I mean—because of a paragraph in it describing the taking of two freebooters, at which taking Alfred was present. Though I do not make out that he had anything in the world to do with it, except having his name pressed into the service of the newspaper.

Nothing new. The weather is cloudy, and the town is more miserable than yesterday. It froze again last night and is thawing again this morning. Someone sent me an Australian newspaper this morning—some citizen of Syracuse, I assume—because of a paragraph in it describing the capture of two pirates, which Alfred was present for. Although I can't see that he had anything to do with it, other than having his name used for the newspaper.



Bison, Thursday, March 12th, 1868.

I hope this may be in time for next Saturday's mail; but this is a long way from New York, and rivers are swollen with melted snow, and travelling is unusually slow.

I hope this reaches you in time for next Saturday's mail; but this is a long way from New York, and the rivers are swollen with melted snow, so travel is unusually slow.

Just now (two o'clock in the afternoon) I received your sad news of the death of poor dear Chauncey.[23] It naturally[372] goes to my heart. It is not a light thing to lose such a friend, and I truly loved him. In the first unreasonable train of feeling, I dwelt more than I should have thought possible on my being unable to attend his funeral. I know how little this really matters; but I know he would have wished me to be there with real honest tears for his memory, and I feel it very much. I never, never, never was better loved by man than I was by him, I am sure. Poor dear fellow, good affectionate gentle creature.

Just now (two o'clock in the afternoon) I got your sad news about the death of dear Chauncey.[23] It really breaks my heart. Losing such a friend is no small thing, and I truly loved him. In my initial wave of emotion, I thought more than I should have about not being able to attend his funeral. I know it doesn’t really matter much in the grand scheme, but I know he would have wanted me there, genuinely shedding tears for his memory, and I feel that deeply. I have never, ever been loved by anyone as much as he loved me, I’m sure of it. Poor dear guy, such a kind and gentle soul.

I have not as yet received any letter from Henri, nor do I think he can have written to New York by your mail. I believe that I am—I know that I was—one of the executors. In that case Mr. Jackson, his agent, will either write to me very shortly on Henri's information of my address, or enquiry will be made at Gad's or at the office about it.

I haven't received any letters from Henri yet, and I don't think he could have written to New York in your mail. I believe I am—I know I was—one of the executors. In that case, Mr. Jackson, his agent, will either write to me soon based on Henri's update on my address, or someone will ask about it at Gad's or at the office.

It is difficult for me to write more just now. The news is a real shock at such a distance, and I must read to-night, and I must compose my mind. Let Mekitty know that I received her violets with great pleasure, and that I sent her my best love and my best thanks.

It’s tough for me to write much right now. The news is really shocking from this far away, and I need to read tonight and clear my mind. Please let Mekitty know that I was really happy to receive her violets, and I’m sending her all my love and thanks.

On the 25th of February I read "Copperfield" and "Bob" at Boston. Either on that very day, or very close upon it, I was describing his (Townshend's) house to Fields, and telling him about the great Danby picture that he should see when he came to London.

On February 25th, I read "Copperfield" and "Bob" in Boston. Either on that day or soon after, I was telling Fields about Townshend's house and mentioning the impressive Danby painting he should check out when he visits London.

Miss Dickens.


Rochester, Sunday, March 16th, 1868.

I found yours of the 28th February, when I came back here last night. We have had two brilliant sunny days at Niagara, and have seen that wonderful place under the finest circumstances.[373]

I found your letter from February 28th when I got back here last night. We've had two amazing sunny days at Niagara, and we've seen that incredible place in the best possible conditions.[373]

Enclosed I return you Homan's estimate; let all that work be done, including the curtains.

Enclosed is Homan's estimate; please proceed with all the work, including the curtains.

As to the hall, I have my doubts whether one of the parqueted floors made by Aaron Smith's, of Bond Street, ought not to be better than tiles, for the reason that perhaps the nature of the house's construction might render the "bed" necessary for wooden flooring more easy to be made than the "bed" necessary for tiles. I don't think you can do better than call in the trusty Lillie to advise. Decide with your aunt on which appears to be better, under the circumstances. Have estimate made for cash, select patterns and colours, and let the work be done out of hand. (Here's a prompt order; now I draw breath.) Let it be thoroughly well done—no half measures.

As for the hall, I'm not sure if one of the hardwood floors from Aaron Smith's on Bond Street isn't a better choice than tiles. This is because the way the house is built might make it easier to create the base needed for wooden flooring than for tiles. I think it's a good idea to get the reliable Lillie to give you some advice. Talk it over with your aunt to see what seems best given the situation. Get an estimate for cash, choose your patterns and colors, and let’s get the work done quickly. (Here’s a prompt order; now I can relax.) Make sure it’s done really well—no shortcuts.

There is a great thaw all over the country here, and I think it has done the catarrh good. I am to read at the famous Newhaven on Tuesday, the 24th. I hope without a row, but cannot say. The readings are running out fast now, and we are growing very restless.

There’s a big thaw happening all over the country right now, and I think it’s helped with the cold I've had. I’m scheduled to read at the famous Newhaven on Tuesday, the 24th. I hope it goes smoothly, but I can’t promise that. The readings are running out quickly now, and we’re getting really restless.

This is a short letter, but we are pressed for time. It is two o'clock, and we dine at three, before reading. To-morrow we rise at six, and have eleven hours' railway or so. We have now come back from our farthest point, and are steadily working towards home.

This is a short letter, but we're short on time. It's two o'clock, and we're having dinner at three, before reading. Tomorrow we get up at six and have about eleven hours of train travel ahead of us. We've now returned from our farthest point and are steadily making our way home.

Mr. W. C. Macready.


Springfield, MA, Saturday, March 21st, 1868.
Dear Macready,

What with perpetual reading and travelling, what with a "true American catarrh" (on which I am complimented almost boastfully), and what with one of the severest winters ever known, your coals of fire received by the last mail did not burn my head so much as they might have[374] done under less excusatory circumstances. But they scorched it too!

With all the constant reading and traveling, dealing with a "true American cold" (which I almost proudly boast about), and experiencing one of the harshest winters on record, the coals of fire I received in the last mail didn’t burn my head as much as they could have[374] under less forgiving circumstances. But they still burned, for sure!

You would find the general aspect of America and Americans decidedly much improved. You would find immeasurably greater consideration and respect for your privacy than of old. You would find a steady change for the better everywhere, except (oddly enough) in the railroads generally, which seem to have stood still, while everything else has moved. But there is an exception westward. There the express trains have now a very delightful carriage called a "drawing-room car," literally a series of little private drawing-rooms, with sofas and a table in each, opening out of a little corridor. In each, too, is a large plate-glass window, with which you can do as you like. As you pay extra for this luxury, it may be regarded as the first move towards two classes of passengers. When the railroad straight away to San Francisco (in six days) shall be opened through, it will not only have these drawing-rooms, but sleeping-rooms too; a bell in every little apartment communicating with a steward's pantry, a restaurant, a staff of servants, marble washing-stands, and a barber's shop! I looked into one of these cars a day or two ago, and it was very ingeniously arranged and quite complete.

You would see that the overall condition of America and its people has significantly improved. There’s a much greater respect for your privacy than there used to be. You’d notice steady progress everywhere, except (strangely enough) in the railroads, which seem to have stagnated while everything else has advanced. However, there’s an exception out west. There, the express trains now feature a lovely carriage called a "drawing-room car," which consists of several small private rooms, each with sofas and a table, opening off a little corridor. Each one also has a large plate-glass window that you can manage as you please. Since you pay extra for this luxury, it may be seen as the first step toward having two classes of passengers. When the railroad straight to San Francisco (in six days) opens up completely, it will not only include these drawing-rooms but also sleeping rooms; each little room will have a bell connecting to a steward's pantry, a restaurant, a staff of attendants, marble washing stands, and even a barber shop! I peeked into one of these cars a couple of days ago, and it was very cleverly designed and quite well-equipped.

I left Niagara last Sunday, and travelled on to Albany, through three hundred miles of flood, villages deserted, bridges broken, fences drifting away, nothing but tearing water, floating ice, and absolute wreck and ruin. The train gave in altogether at Utica, and the passengers were let loose there for the night. As I was due at Albany, a very active superintendent of works did all he could to "get Mr. Dickens along," and in the morning we resumed our journey through the water, with a hundred men in seven-league[375] boots pushing the ice from before us with long poles. How we got to Albany I can't say, but we got there somehow, just in time for a triumphal "Carol" and "Trial." All the tickets had been sold, and we found the Albanians in a state of great excitement. You may imagine what the flood was when I tell you that we took the passengers out of two trains that had their fires put out by the water four-and-twenty hours before, and cattle from trucks that had been in the water I don't know how long, but so long that the sheep had begun to eat each other! It was a horrible spectacle, and the haggard human misery of their faces was quite a new study. There was a fine breath of spring in the air concurrently with the great thaw; but lo and behold! last night it began to snow again with a strong wind, and to-day a snowdrift covers this place with all the desolation of winter once more. I never was so tired of the sight of snow. As to sleighing, I have been sleighing about to that extent, that I am sick of the sound of a sleigh-bell.

I left Niagara last Sunday and traveled on to Albany, through three hundred miles of flood, deserted villages, broken bridges, drifting fences, nothing but raging water, floating ice, and total destruction. The train completely broke down at Utica, and the passengers were left there for the night. Since I was supposed to be in Albany, a very proactive works superintendent did everything he could to "get Mr. Dickens along," and in the morning we continued our journey through the water, with a hundred men in seven-league[375] boots pushing the ice away with long poles. I can’t say how we made it to Albany, but somehow we did, just in time for a celebratory "Carol" and "Trial." All the tickets had been sold, and we found the people of Albany very excited. You can imagine how bad the flood was when I tell you we took passengers out of two trains that had their fires extinguished by the water twenty-four hours earlier, and cattle from trucks that had been submerged for an unknown length of time, long enough for the sheep to start eating each other! It was a horrific sight, and the exhausted human misery on their faces was a totally new experience. There was a fresh breath of spring in the air along with the big thaw, but lo and behold! last night it started snowing again with a strong wind, and today a snowdrift blankets this place with the same desolation of winter once more. I've never been so tired of seeing snow. As for sleighing, I've done so much of it that I'm sick of the sound of sleigh bells.

I have seen all our Boston friends, except Curtis. Ticknor is dead. The rest are very little changed, except that Longfellow has a perfectly white flowing beard and long white hair. But he does not otherwise look old, and is infinitely handsomer than he was. I have been constantly with them all, and they have always talked much of you. It is the established joke that Boston is my "native place," and we hold all sorts of hearty foregatherings. They all come to every reading, and are always in a most delightful state of enthusiasm. They give me a parting dinner at the club, on the Thursday before Good Friday. To pass from Boston personal to New York theatrical, I will mention here that one of the proprietors of my New York hotel is one of the proprietors of Niblo's, and the most active.[376] Consequently I have seen the "Black Crook" and the "White Fawn," in majesty, from an arm-chair in the first entrance, P.S., more than once. Of these astonishing dramas, I beg to report (seriously) that I have found no human creature "behind" who has the slightest idea what they are about (upon my honour, my dearest Macready!), and that having some amiable small talk with a neat little Spanish woman, who is the première danseuse, I asked her, in joke, to let me measure her skirt with my dress glove. Holding the glove by the tip of the forefinger, I found the skirt to be just three gloves long, and yet its length was much in excess of the skirts of two hundred other ladies, whom the carpenters were at that moment getting into their places for a transformation scene, on revolving columns, on wires and "travellers" in iron cradles, up in the flies, down in the cellars, on every description of float that Wilmot, gone distracted, could imagine!

I've seen all our Boston friends except Curtis. Ticknor has passed away. The rest haven't changed much, except Longfellow, who now has a completely white flowing beard and long white hair. But he doesn't look old otherwise and is way more handsome than he used to be. I've spent a lot of time with all of them, and they frequently talk about you. It's become a running joke that Boston is my "hometown," and we have all sorts of lively get-togethers. They all attend every reading and are always in a wonderful state of excitement. They're throwing me a farewell dinner at the club on the Thursday before Good Friday. Shifting from Boston's personal scene to New York's theater scene, I should mention that one of the owners of my New York hotel is also one of the owners of Niblo's and is the most active. Consequently, I've seen "Black Crook" and "White Fawn" in all their glory from an armchair near the entrance more than once. I want to report (seriously) that I've found no one "behind the scenes" who has the slightest clue about what these plays are about (I swear, my dear Macready!). While having some light conversation with a charming little Spanish woman, who is the *première danseuse*, I jokingly asked her if I could measure her skirt with my glove. Holding the glove by the tip of the forefinger, I discovered the skirt is exactly three gloves long, yet it's much longer than the skirts of two hundred other ladies, whom the carpenters were currently arranging for a transformation scene, on revolving columns, on wires and "travellers" in iron cradles, up in the flies, and down in the cellars, using every kind of float that Wilmot, in a fit of creativity, could think of!

I have taken my passage for Liverpool from New York in the Cunarder Russia, on the 22nd of April. I had the second officer's cabin on deck coming out, and I have the chief steward's cabin on deck going home, because it will be on the sunny side of the ship. I have experienced nothing here but good humour and cordiality. In the autumn and winter I have arranged with Chappells to take my farewell of reading in the United Kingdom for ever and ever.

I have booked my passage to Liverpool from New York on the Cunarder Russia, on April 22nd. I had the second officer's cabin on the way out, and now I have the chief steward's cabin on the way back, since it will be on the sunny side of the ship. I’ve only encountered good humor and friendliness here. In the autumn and winter, I’ve made plans with Chappells to say goodbye to reading in the United Kingdom forever.

I am delighted to hear of Benvenuta's marriage, and I think her husband a very lucky man. Johnnie has my profound sympathy under his examinatorial woes. The noble boy will give me Gavazzi revised and enlarged, I expect, when I next come to Cheltenham. I will give you and Mrs. Macready all my American experiences when you come to London, or, better still, to Gad's. Meanwhile I send my hearty love to all, not forgetting dear Katie.[377]

I’m really happy to hear about Benvenuta’s marriage, and I think her husband is a very lucky guy. Johnnie has my deepest sympathy during his exam troubles. I expect the noble boy will give me the updated and expanded version of Gavazzi when I next visit Cheltenham. I’ll share all my American experiences with you and Mrs. Macready when you come to London, or even better, to Gad’s. In the meantime, I send my warmest love to everyone, especially dear Katie.[377]

Niagara is not at all spoiled by a very dizzy-looking suspension bridge. Is to have another still nearer to the Horse-shoe opened in July. My last sight of that scene (last Sunday) was thus: We went up to the rapids above the Horse-shoe—say two miles from it—and through the great cloud of spray. Everything in the magnificent valley—buildings, forest, high banks, air, water, everything—was made of rainbow. Turner's most imaginative drawing in his finest day has nothing in it so ethereal, so gorgeous in fancy, so celestial. We said to one another (Dolby and I), "Let it for evermore remain so," and shut our eyes and came away.

Niagara isn’t ruined at all by the dizzying suspension bridge. There’s another one set to open even closer to the Horseshoe Falls in July. The last time I saw that scene (last Sunday) was like this: We went up to the rapids above the Horseshoe—about two miles from it—and through the huge cloud of spray. Everything in the stunning valley—buildings, forests, high banks, air, water, everything—seemed made of rainbows. Turner's most imaginative drawing on his finest day doesn't compare to the ethereal beauty, the gorgeous imagination, and the celestial vibes of it all. Dolby and I said to each other, "Let it stay this way forever," and we closed our eyes and walked away.

God bless you and all dear to you, my dear old Friend!

God bless you and everyone dear to you, my old friend!

I am ever your affectionate and loving.
Miss Dickens.


Portland, Sunday, March 29th, 1868.

I should have written to you by the last mail, but I really was too unwell to do it. The writing day was last Friday, when I ought to have left Boston for New Bedford (fifty-five miles) before eleven in the morning. But I was so exhausted that I could not be got up, and had to take my chance of an evening's train producing me in time to read, which it just did. With the return of snow, nine days ago, the "true American" (which had lulled) came back as bad as ever. I have coughed from two or three in the morning until five or six, and have been absolutely sleepless. I have had no appetite besides, and no taste. Last night here I took some laudanum, and it is the only thing that has done me good. But the life in this climate is so very hard. When I did manage to get from Boston to New Bedford, I read with my utmost force and vigour.[378] Next morning, well or ill, I must turn out at seven to get back to Boston on my way here.

I should have written to you in the last mail, but I was really too unwell to do it. The writing day was last Friday, when I was supposed to leave Boston for New Bedford (fifty-five miles) before eleven in the morning. But I was so exhausted that I couldn’t get up and had to rely on an evening train getting me there in time to read, which it just barely did. With the return of snow nine days ago, the "true American" (which had calmed down) came back worse than ever. I've been coughing from two or three in the morning until five or six, and I haven’t been able to sleep at all. I also have no appetite or sense of taste. Last night, I took some laudanum, and it’s the only thing that has helped me. But life in this climate is really tough. When I finally managed to get from Boston to New Bedford, I read with all my strength and energy.[378] The next morning, whether I'm well or not, I have to get up at seven to head back to Boston on my way here.

I dine at Boston at three, and at five must come on here (a hundred and thirty miles or so), for to-morrow night; there being no Sunday train. To-morrow night I read here in a very large place, and Tuesday morning at six I must start again to get back to Boston once more. But after to-morrow night, I have only the Boston and New York farewells, thank God! I am most grateful to think that when we came to devise the details of the tour, I foresaw that it could never be done, as Dolby and Osgood proposed, by one unassisted man, as if he were a machine. If I had not cut out the work, and cut out Canada, I could never have gone there, I am quite sure. Even as it is, I have just now written to Dolby (who is in New York), to see my doctor there, and ask him to send me some composing medicine that I can take at night, inasmuch as without sleep I cannot get through. However sympathetic and devoted the people are about me, they can not be got to comprehend that one's being able to do the two hours with spirit when the time comes round, may be co-existent with the consciousness of great depression and fatigue. I don't mind saying all this, now that the labour is so nearly over. You shall have a brighter account of me, please God, when I close this at Boston.

I have dinner in Boston at three, and at five I need to head here (about a hundred and thirty miles away) for tomorrow night; there aren’t any trains on Sunday. Tomorrow night, I'm reading here in a really big venue, and Tuesday morning at six, I have to start my journey back to Boston again. But after tomorrow night, I just have the farewells in Boston and New York, thank God! I'm really thankful that when we were planning the details of the tour, I realized it couldn’t be done, as Dolby and Osgood suggested, by one person working alone like a machine. If I hadn’t scaled down the schedule and cut out Canada, I’m sure I wouldn’t have been able to go there. Even now, I just wrote to Dolby (who's in New York) to see my doctor there and ask him to send me some calming medicine I can take at night because without sleep, I can’t manage. No matter how understanding and dedicated the people around me are, they cannot understand that being able to perform for two hours with energy when the time comes doesn’t mean I’m not feeling extremely low and exhausted. I don’t mind sharing all this now that the hard work is almost done. I hope to give you a more positive update when I finish this in Boston.



Monday, March 30th.

Without any artificial aid, I got a splendid night's rest last night, and consequently am very much freshened up to-day. Yesterday I had a fine walk by the sea, and to-day I have had another on the heights overlooking it.[379]

Without any artificial help, I had a great night’s sleep last night, so I feel really refreshed today. Yesterday, I took a nice walk by the sea, and today I had another one on the hills overlooking it.[379]



Boston, Tuesday, 31st.

I have safely arrived here, just in time to add a line to that effect, and get this off by to-morrow's English mail from New York. Catarrh rather better. Everything triumphant last night, except no sleep again. I suppose Dolby to be now on his way back to join me here. I am much mistaken if the political crisis do not damage the farewells by almost one half.

I’ve safely arrived here, just in time to add a note about it and send this off by tomorrow’s English mail from New York. My cold is a bit better. Everything was great last night, except I didn’t get any sleep again. I assume Dolby is now on his way back to join me here. I’d be surprised if the political crisis doesn’t cut the farewells by almost half.

I hope that I am certainly better altogether.

I hope that I’m definitely doing better overall.

My room well decorated with flowers, of course, and Mr. and Mrs. Fields coming to dinner. They are the most devoted of friends, and never in the way and never out of it.

My room is nicely decorated with flowers, and Mr. and Mrs. Fields are coming over for dinner. They are the most loyal friends; they're always around when needed but never in the way.

Miss Hogarth.


Boston, Wednesday, April 1st, 1868.

I received your letter of from the 14th to the 17th of March, here, last night. My New York doctor has prescribed for me promptly, and I hope I am better. I am certainly no worse. We shall do (to the best of my belief) very well with the farewells here and at New York, but not greatly. Everything is at a standstill, pending the impeachment and the next presidential election. I forgot whether I told you that the New York press are going to give me a public dinner, on Saturday, the 18th.

I got your letter from March 14th to 17th last night. My doctor in New York has prescribed some medications for me quickly, and I hope I'm feeling better. I'm definitely not feeling worse. I believe we will manage very well with the goodbyes here and in New York, but not really a lot. Everything is on hold, waiting for the impeachment and the next presidential election. I can’t remember if I mentioned that the New York press is planning to throw me a public dinner on Saturday, the 18th.

I hear (but not from himself) that Wills has had a bad fall in hunting, and is, or has been, laid up. I am supposed, I take it, not to know this until I hear it from himself.

I hear (but not from him) that Wills has had a bad fall while hunting and is, or has been, recovering. I guess I’m not supposed to know this until he tells me himself.



Thursday.

My notion of the farewells is pretty certain now to turn out right. It is not at all probable that we shall do anything enormous. Every pulpit in Massachusetts will resound[380] to violent politics to-day and to-night. You remember the Hutchinson family?[24] I have had a grateful letter from John Hutchinson. He speaks of "my sister Abby" as living in New York. The immediate object of his note is to invite me to the marriage of his daughter, twenty-one years of age.

My idea about farewells is pretty sure to turn out right. It's not very likely that we’ll do anything huge. Every pulpit in Massachusetts will echo with intense politics today and tonight. Do you remember the Hutchinson family? I got a nice letter from John Hutchinson. He mentions "my sister Abby" living in New York. The main reason for his note is to invite me to his daughter's wedding; she's twenty-one years old.

You will see by the evidence of this piece of paper that I am using up my stationery. Scott has just been making anxious calculations as to our powers of holding out in the articles of tooth-powder, etc. The calculations encourage him to believe that we shall just hold out, and no more. I think I am still better to-day than I was yesterday; but I am far from strong, and have no appetite. To see me at my little table at night, you would think me the freshest of the fresh. And this is the marvel of Fields' life.

You can tell from this piece of paper that I'm working my way through my stationery. Scott has just been worriedly figuring out how long we can last with our supplies of tooth powder, and so on. His calculations give him hope that we will barely manage to get by. I believe I'm feeling a bit better today than I was yesterday; however, I'm still far from strong and have no appetite. If you saw me at my small table at night, you would think I was as lively as ever. And this is the wonder of Fields’ life.

I don't forget that this is Forster's birthday.

I won't forget that today is Forster's birthday.



Friday Afternoon, 3rd.

Catarrh worse than ever! And we don't know (at four) whether I can read to-night or must stop. Otherwise all well.

Catarrh is worse than ever! And we don't know (at four) if I can read tonight or if I have to stop. Other than that, everything's fine.

Miss Dickens.


Boston, Tuesday, April 7th, 1868.

I not only read last Friday, when I was doubtful of being able to do so, but read as I never did before, and astonished the audience quite as much as myself. You never saw or heard such a scene of excitement.

I not only read last Friday, when I wasn't sure I could, but I read like never before, surprising both the audience and myself. You’ve never seen or heard such an excited scene.

Longfellow and all the Cambridge men urged me to give in. I have been very near doing so, but feel stronger to-day. I cannot tell whether the catarrh may have done me any lasting injury in the lungs or other breathing[381] organs, until I shall have rested and got home. I hope and believe not. Consider the weather. There have been two snowstorms since I wrote last, and to-day the town is blotted out in a ceaseless whirl of snow and wind.

Longfellow and all the guys at Cambridge are urging me to give in. I've come really close to doing it, but I feel stronger today. I can't tell if the cold I've had has caused any lasting damage to my lungs or other breathing[381] organs until I’ve rested and gotten home. I hope and believe that it hasn’t. Think about the weather. There have been two snowstorms since I last wrote, and today the town is completely covered in a nonstop swirl of snow and wind.

I cannot eat (to anything like the ordinary extent), and have established this system: At seven in the morning, in bed, a tumbler of new cream and two tablespoonsful of rum. At twelve, a sherry cobbler and a biscuit. At three (dinner time), a pint of champagne. At five minutes to eight, an egg beaten up with a glass of sherry. Between the parts, the strongest beef tea that can be made, drunk hot. At a quarter-past ten, soup, and anything to drink that I can fancy. I don't eat more than half a pound of solid food in the whole four-and-twenty hours, if so much.

I can’t eat very much at all, so I’ve set up this routine: At 7 AM, in bed, I have a glass of fresh cream and two tablespoons of rum. At noon, I have a sherry cobbler and a biscuit. At 3 PM (dinner time), I drink a pint of champagne. At five minutes to 8, I have an egg mixed with a glass of sherry. In between, I drink the strongest beef broth I can make, hot. At 10:15 PM, I have soup and whatever drink I feel like. I don’t eat more than half a pound of solid food in a whole day, if that much.

If I hold out, as I hope to do, I shall be greatly pressed in leaving here and getting over to New York before next Saturday's mail from there. Do not, therefore, if all be well, expect to hear from me by Saturday's mail, but look for my last letter from America by the mail of the following Wednesday, the 15th. Be sure that you shall hear, however, by Saturday's mail, if I should knock up as to reading. I am tremendously "beat," but I feel really and unaffectedly so much stronger to-day, both in my body and hopes, that I am much encouraged. I have a fancy that I turned my worst time last night.

If I hold on, as I hope to, I’ll really be in a hurry to leave here and get to New York before the mail comes next Saturday. So, do not, therefore, if everything goes well, expect to hear from me by Saturday's mail, but look for my last letter from America in the mail the following Wednesday, the 15th. Rest assured that you'll hear from me by Saturday's mail if I can manage to read. I’m completely exhausted, but today I genuinely feel so much stronger, both physically and in my spirits, that I’m very encouraged. I have a feeling that I got through my toughest time last night.

Dolby is as tender as a woman and as watchful as a doctor. He never leaves me during the reading now, but sits at the side of the platform and keeps his eye upon me all the time. Ditto George, the gasman, steadiest and most reliable man I ever employed. I am the more hopeful of my not having to relinquish a reading, because last night was "Copperfield" and "Bob"—by a quarter of an hour the longest, and, in consideration of the storm, by very much[382] the most trying. Yet I was far fresher afterwards than I have been these three weeks.

Dolby is as gentle as a woman and as watchful as a doctor. He doesn’t leave my side during the reading anymore; he stays next to the platform and keeps an eye on me the whole time. George, the gasman, is just as dependable and the most reliable person I’ve ever worked with. I feel more optimistic about not having to skip a reading because last night was "Copperfield" and "Bob"—it was by far the longest, and considering the storm, it was definitely the most challenging. Yet, I felt much more energized afterward than I have in the past three weeks.

I have "Dombey" to do to-night, and must go through it carefully; so here ends my report. The personal affection of the people in this place is charming to the last.

I have "Dombey" to get through tonight, and I need to go through it carefully; so this is where my report ends. The warmth and kindness of the people here is truly lovely.

The Hon. Mrs. Watson.


Gad's Hill Place, Monday, May 11th, 1868.
Dear Mrs. Watson,

I am delighted to have your letter. It comes to me like a faithful voice from dear old Rockingham, and awakens many memories.

I’m so happy to receive your letter. It feels like a loyal voice from beloved Rockingham and brings back so many memories.

The work in America has been so very hard, and the winter there has been so excessively severe, that I really have been very unwell for some months. But I had not been at sea three days on the passage home when I became myself again.

The work in America has been incredibly tough, and the winter there has been so harsh that I've actually been quite unwell for several months. But I hadn't been at sea for three days on the way home before I started to feel like myself again.

If you will arrange with Mary Boyle any time for coming here, we shall be charmed to see you, and I will adapt my arrangements accordingly. I make this suggestion because she generally comes here early in the summer season. But if you will propose yourself anyhow, giving me a margin of a few days in case of my being pre-engaged for this day or that, we will (as my American friends say) "fix it."

If you can coordinate with Mary Boyle about a time to come here, we’d be delighted to see you, and I’ll adjust my plans accordingly. I mention this because she usually visits early in the summer. However, if you suggest a time anyway, giving me a few days’ notice in case I have other commitments, we’ll be able to "work it out," as my American friends say.

What with travelling, reading night after night, and speech-making day after day, I feel the peace of the country beyond all expression. On board ship coming home, a "deputation" (two in number, of whom only one could get into my cabin, while the other looked in at my window) came to ask me to read to the passengers that evening in the saloon. I respectfully replied that sooner than do it, I would assault the captain, and be put in irons.

With all the traveling, reading every night, and making speeches every day, I really appreciate the peace of the countryside more than I can express. On the ship coming home, a "delegation" (two people, but only one could fit in my cabin while the other peeked through my window) came to ask me to read to the passengers that evening in the lounge. I politely replied that I would rather attack the captain and get thrown in shackles than do that.

Ever affectionately yours.
Mrs. George Cattermole.


Gad's Hill Place, Higham near Rochester, Kent,
Saturday, May 16th, 1868.
Dear Mrs. Cattermole,

On my return from America just now, I accidentally heard that George had been ill. My sister-in-law had heard it from Forster, but vaguely. Until I received your letter of Wednesday's date, I had no idea that he had been very ill; and should have been greatly shocked by knowing it, were it not for the hopeful and bright assurance you give me that he is greatly better.

On my return from America just now, I happened to hear that George had been sick. My sister-in-law heard it from Forster, but only in vague terms. Until I got your letter dated Wednesday, I had no idea that he had been very sick; I would have been really shocked to know, if it weren't for the hopeful and positive assurance you give me that he is doing much better.

My old affection for him has never cooled. The last time he dined with me, I asked him to come again that day ten years, for I was perfectly certain (this was my small joke) that I should not set eyes upon him sooner. The time being fully up, I hope you will remind him, with my love, that he is due. His hand is upon these walls here, so I should like him to see for himself, and you to see for yourself, and in this hope I shall pursue his complete recovery.

My old feelings for him have never faded. The last time he had dinner with me, I jokingly asked him to come back again on this day ten years later, because I was pretty sure I wouldn’t see him before then. Now that the time has come, I hope you'll remind him, with my love, that he's expected. His presence is felt in these walls, and I would like him to see that for himself, as well as for you to see for yourself, and with that hope, I will continue to pursue his full recovery.

I heartily sympathise with you in your terrible anxiety, and in your vast relief; and, with many thanks for your letter, am ever, my dear Mrs. Cattermole,

I truly empathize with you during this difficult time and share in your huge relief. Thank you so much for your letter. I am always, my dear Mrs. Cattermole,

Affectionately yours.
Mr. W. C. Macready.


Gad's Hill, Wednesday, June 10th, 1868.
My dear Macready,

Since my return from America, I have been so overwhelmed with business that I have not had time even to write to you. You may imagine what six months of arrear are to dispose of; added to this, Wills has received a concussion of the brain (from an accident in the hunting-field), and is sent away by the doctors, and strictly prohibited[384] from even writing a note. Consequently all the business and money details of "All the Year Round" devolve upon me. And I have had to get them up, for I have never had experience of them. Then I am suddenly entreated to go to Paris, to look after the French version of "No Thoroughfare" on the stage. And I go, and come back, leaving it a great success.

Since I got back from America, I've been so swamped with work that I haven't even had a moment to write to you. Just imagine dealing with six months' worth of backlog; on top of that, Wills has suffered a concussion (from an accident while hunting) and the doctors have sent him away, strictly forbidding him[384] from even writing a note. As a result, all the business and financial matters for "All the Year Round" fall on my shoulders. I've had to figure everything out since I've never dealt with that before. Then, out of the blue, I'm urgently asked to go to Paris to oversee the French production of "No Thoroughfare." So I went, and came back, leaving it as a big success.

I hope Mrs. Macready and you have not abandoned the idea of coming here? The expression of this hope is the principal, if not the only, object of this present note. May the amiable secretary vouchsafe a satisfactory reply!

I hope you and Mrs. Macready haven't given up on the idea of coming here? That's really the main, if not the only, point of this note. I hope the kind secretary will give a good response!

Katie, Mary, and Georgina send their very best love to your Katie and Mrs. Macready. The undersigned is in his usual brilliant condition, and indeed has greatly disappointed them at home here, by coming back "so brown and looking so well." They expected a wreck, and were, at first, much mortified. But they are getting over it now.

Katie, Mary, and Georgina send their love to your Katie and Mrs. Macready. The person writing this is in great shape, and has really surprised everyone at home by coming back "so tan and looking so healthy." They expected him to be a mess and were initially quite upset. But they're starting to get over it now.

To my particular friends, the noble boy and Johnny, I beg to be warmly remembered.

To my dear friends, the noble boy and Johnny, Please remember me fondly.

Always, my dearest Macready,
Your most affectionate.
Mrs. Henry Austin.


Gad's Hill Place, Higham near Rochester, Kent,
Tuesday, July 21st, 1868.
ON THE DEATH OF MR. HENRY AUSTIN.[25]
My dear Letitia,

You will have had a telegram from me to-day. I received your sad news by this morning's post. They never, without express explanation, mind "Immediate" on a letter addressed to the office, because half the people who write there on business that does not press, or on no business at all, so mark their letters.

You should have received a telegram from me today. I got your sad news in this morning's mail. They never pay attention to "Immediate" on a letter sent to the office without a clear explanation, because half the people who write there about non-urgent business or nothing at all label their letters that way.

On Thursday I have people to see and matters to attend to, both at the office and at Coutts', which, in Wills's absence, I cannot forego or depute to another. But, between ourselves, I must add something else: I have the greatest objection to attend a funeral in which my affections are not strongly and immediately concerned. I have no notion of a funeral as a matter of form or ceremony. And just as I should expressly prohibit the summoning to my own burial of anybody who was not very near or dear to me, so I revolt from myself appearing at that solemn rite unless the deceased were very near or dear to me. I cannot endure being dressed up by an undertaker as part of his trade show. I was not in this poor good fellow's house in his lifetime, and I feel that I have no business there when he lies dead in it. My mind is penetrated with sympathy and compassion for the young widow, but that feeling is a real thing, and my attendance as a mourner would not be—to myself. It would be to you, I know, but it would not be to myself. I know full well that you cannot delegate to me your memories of and your associations with the deceased, and the more true and tender they are the more invincible is my objection to become a form in the midst of the most awful realities.

On Thursday, I've got people to meet and things to handle, both at the office and at Coutts', which, since Wills is absent, I can't skip or pass on to someone else. But, just between us, I need to add something else: I really don’t want to go to a funeral unless I have strong personal ties to the person who passed away. I don’t see funerals as just a formality or a ceremony. Just like I would insist that no one who isn’t very close to me be invited to my own funeral, I feel strongly against attending one unless the deceased meant a lot to me. I can’t stand the idea of being dressed up by an undertaker as part of his business. I wasn't close to this poor man while he was alive, and I don’t think I have any right to be there now that he’s dead. I genuinely feel sympathy and compassion for the young widow, but that feeling is real, and my presence as a mourner wouldn’t feel real to me. It would to you, I know, but not to me. I fully understand that you can’t pass on your memories and feelings about the deceased to me, and the more genuine and heartfelt those memories are, the stronger my objection is to being a formality in the middle of such a heavy situation.

With love and condolence from Georgina, Mary, and Katie,

With love and condolences from Georgina, Mary, and Katie,

Believe me, ever your affectionate Brother.
Mrs. George Cattermole.


Gad's Hill, Wednesday, July 22nd, 1868.
Dear Mrs. Cattermole,

Of course I will sign your memorial to the Academy. If you take either of the Landseers, certainly take Edwin (1, St. John's Wood Road, N.W.) But, if you would be content with Frith, I have already spoken to him, and[386] believe that I can answer for him. I shall be at "All the Year Round" Office, 26, Wellington Street, London, to-morrow, from eleven to three. Frith will be here on Saturday, and I shall be here too. I spoke to him a fortnight ago, and I found him most earnest in the cause. He said he felt absolutely sure that the whole profession in its best and highest representation would do anything for George. I sounded him, having the opportunity of meeting him at dinner at Cartwright's.

Of course, I'll sign your memorial to the Academy. If you choose one of the Landseers, definitely go with Edwin (1, St. John's Wood Road, N.W.). But if you’re okay with Frith, I’ve already talked to him, and I’m confident I can vouch for him. I’ll be at the "All the Year Round" office, 26, Wellington Street, London, tomorrow from eleven to three. Frith will be here on Saturday, and I will be too. I spoke to him a couple of weeks ago, and he was very passionate about the cause. He said he was absolutely sure that the entire profession, in its best and finest form, would do anything for George. I had the chance to gauge his opinion when I met him for dinner at Cartwright's.

Ever yours affectionately.
Mr. W. H. Wills.


Friday, July 31st, 1868.
Dear Wills,

I had such a hard day at the office yesterday, that I had not time to write to you before I left. So I write to-day.

I had such a tough day at work yesterday that I didn't have time to write to you before I left. So I'm writing today.

I am very unwilling to abandon the Christmas number, though even in the case of my little Christmas books (which were immensely profitable) I let the idea go when I thought it was wearing out. Ever since I came home, I have hammered at it, more or less, and have been uneasy about it. I have begun something which is very droll, but it manifestly shapes itself towards a book, and could not in the least admit of even that shadowy approach to a congruous whole on the part of other contributors which they have ever achieved at the best. I have begun something else (aboard the American mail-steamer); but I don't like it, because the stories must come limping in after the old fashion, though, of course, what I have done will be good for A. Y. R. In short, I have cast about with the greatest pains and patience, and I have been wholly unable to find what I want.

I really don’t want to give up on the Christmas issue, even though I let go of the idea for my little Christmas books (which were super profitable) when I felt they were starting to lose their charm. Ever since I got back home, I’ve been working on it to some extent and feeling uneasy about it. I’ve started something that’s quite funny, but it clearly is developing into a book, and it wouldn’t allow for even that slight hint of fitting together that other contributors have managed at their best. I’ve also started something else (on the American mail steamer), but I’m not fond of it because the stories have to come in the same old way, though of course, what I’ve done will be good for A. Y. R. In short, I’ve searched with a lot of effort and patience, and I haven’t been able to find what I’m looking for.

And yet I cannot quite make up my mind to give in without another fight for it. I offered one hundred pounds reward[387] at Gad's to anybody who could suggest a notion to satisfy me. Charles Collins suggested one yesterday morning, in which there is something, though not much. I will turn it over and over, and try a few more starts on my own account. Finally, I swear I will not give it up until August is out. Vow registered.

And still, I can’t quite decide to give up without one more fight. I offered a reward of one hundred pounds[387] at Gad’s to anyone who could come up with an idea that satisfies me. Charles Collins suggested one yesterday morning that has something in it, though not much. I’ll keep thinking it over and try a few more ideas on my own. In the end, I swear I won’t give it up until August is over. Vow registered.

I am clear that a number by "various writers" would not do. If we have not the usual sort of number, we must call the current number for that date the Christmas number, and make it as good as possible.

I understand that a number by "various writers" wouldn't cut it. If we don't have the typical kind of issue, we'll have to call the current issue for that date the Christmas issue and make it the best we can.

I sit in the Châlet,[26] like Mariana in the Moated Grange, and to as much purpose.

I sit in the Châlet,[26] just like Mariana in the Moated Grange, and to about the same effect.

I am buying the freehold of the meadow at Gad's, and of an adjoining arable field, so that I shall now have about eight-and-twenty freehold acres in a ring-fence. No more now.

I’m buying the freehold of the meadow at Gad's and an adjacent arable field, so I’ll now have about twenty-eight freehold acres in a fenced-off area. That’s all for now.

I made up a very good number yesterday. You will see in it a very short article that I have called "Now!" which is a highly remarkable piece of description. It is done by a new man, from whom I have accepted another article; but he will never do anything so good again.

I came up with a really great piece yesterday. You'll see in it a very brief article I titled "Now!" which is an incredibly impressive description. It's by a new writer, and I've accepted another piece from him; but he probably won't ever create anything this good again.

Ever affectionately.
M. de Cerjat.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday, Aug. 26th, 1868.
Dear Cerjat,

I was happy to receive your esteemed letter a few days ago.

I was glad to get your valued letter a few days ago.

The severity of the winter in America (which was quite exceptional even in that rigorous climate), combined with the hard work I had to do, tried me a good deal. Neuralgia and colds beset me, either by turns or both together, and I[388] had often much to do to get through at night. But the sea voyage home again did wonders in restoring me, and I have been very well indeed, though a little fatigued, ever since. I am now preparing for a final reading campaign in England, Scotland, and Ireland. It will begin on the 6th of October, and will probably last, with short occasional intermissions, until June.

The harshness of the winter in America (which was quite unusual even for that tough climate), along with the hard work I had to put in, really wore me down. I dealt with neuralgia and colds, either separately or at the same time, and I often struggled to get through the nights. However, the sea voyage back home worked wonders in helping me recover, and I’ve been feeling very well, though a bit tired, ever since. I’m now getting ready for a final reading tour in England, Scotland, and Ireland. It will start on October 6th and will probably go on, with short breaks, until June.

The great subject in England for the moment is the horrible accident to the Irish mail-train. It is now supposed that the petroleum (known to be a powerful anæsthetic) rendered the unfortunate people who were burnt almost instantly insensible to any sensation. My escape in the Staplehurst accident of three years ago is not to be obliterated from my nervous system. To this hour I have sudden vague rushes of terror, even when riding in a hansom cab, which are perfectly unreasonable but quite insurmountable. I used to make nothing of driving a pair of horses habitually through the most crowded parts of London. I cannot now drive, with comfort to myself, on the country roads here; and I doubt if I could ride at all in the saddle. My reading secretary and companion knows so well when one of these odd momentary seizures comes upon me in a railway carriage, that he instantly produces a dram of brandy, which rallies the blood to the heart and generally prevails. I forget whether I ever told you that my watch (a chronometer) has never gone exactly since the accident? So the Irish catastrophe naturally revives the dreadful things I saw that day.

The big topic in England right now is the terrible accident involving the Irish mail train. It's now believed that the petroleum (which is known to be a strong anesthetic) made the poor people who were burned almost instantly unaware of any pain. My escape during the Staplehurst accident three years ago still affects me deeply. Even now, I experience sudden moments of panic, even when I'm just riding in a cab, which are completely irrational but impossible to overcome. I used to have no trouble driving a pair of horses through the busiest parts of London, but I can't drive comfortably on the country roads here anymore, and I'm not sure if I could ride at all. My reading secretary and companion knows so well when one of these strange, fleeting attacks hits me in a train carriage that he immediately offers me a shot of brandy, which helps get my heart back on track and usually works. I can't remember if I ever mentioned this, but my watch (a chronometer) hasn't kept accurate time since the accident. So, the Irish tragedy naturally brings back the horrifying things I witnessed that day.

The only other news here you know as well as I; to wit, that the country is going to be ruined, and that the Church is going to be ruined, and that both have become so used to being ruined, that they will go on perfectly well.

The only other news here you know just like I do; namely, that the country is going to fall apart, and that the Church is going to fall apart, and that both have gotten so accustomed to falling apart that they'll manage just fine.

*                   *                   *                   *                   *                   *
Miss Dickens.


Office of "All the Year Round," 26 Wellington Street,
Strand, London, WC.
Saturday, Sept. 26th, 1868.
My beloved Mamie,

I will add a line to this at the Athenæum, after seeing Plorn off, to tell you how he went away.

I’ll add a line to this at the Athenæum after I see Plorn off, to let you know how he left.



Athenaeum, Quarter to Six.

I can honestly report that he went away, poor dear fellow, as well as could possibly be expected. He was pale, and had been crying, and (Harry said) had broken down in the railway carriage after leaving Higham station; but only for a short time.

I can honestly say that he left, poor guy, as well as could be expected. He was pale, had been crying, and (Harry said) had a breakdown in the train after leaving Higham station; but only for a little while.

Just before the train started he cried a good deal, but not painfully. (Tell dear Georgy that I bought him his cigars.) These are hard, hard things, but they might have to be done without means or influence, and then they would be far harder. God bless him!


Just before the train took off, he cried a lot, but it wasn’t in a painful way. (Tell dear Georgy that I got him his cigars.) These are tough, tough circumstances, but they might need to be faced without resources or connections, and then they would be even tougher. God bless him!


PARLIAMENT. REPLY TO A PROPOSAL MADE THROUGH ALEXANDER RUSSEL, OF "THE SCOTSMAN," THAT HE SHOULD ALLOW HIMSELF TO BE PUT FORWARD AS A CANDIDATE FOR THE REPRESENTATION OF EDINBURGH.
Mr. F. D. Finlay.

Gad's Hill Place, Higham near Rochester, Kent,
Sunday, Oct. 4th, 1868.
My dear Finlay,

I am much obliged to you in all friendship and sincerity for your letter. I have a great respect for your father-in-law and his paper, and I am much attached to the Edinburgh people. You may suppose, therefore, that if my mind were not fully made up on the parliamentary question, I should waver now.

I really appreciate your letter, and I’m grateful for your friendship. I have a lot of respect for your father-in-law and his publication, and I’m quite fond of the people in Edinburgh. So, you can imagine that if I weren't completely certain about the parliamentary issue, I might hesitate now.

But my conviction that I am more useful and more[390] happy as I am than I could ever be in Parliament is not to be shaken. I considered it some weeks ago, when I had a stirring proposal from the Birmingham people, and I then set it up on a rock for ever and a day.

But I'm convinced that I'm more helpful and happier as I am than I could ever be in Parliament, and nothing is going to change that. I thought about it a few weeks ago when I got an exciting proposal from the Birmingham folks, and I made that decision solid and unchangeable.

Do tell Mr. Russel that I truly feel this mark of confidence, and that I hope to acknowledge it in person in Edinburgh before Christmas. There is no man in Scotland from whom I should consider his suggestion a greater honour.

Do tell Mr. Russel that I really appreciate this show of confidence, and that I hope to acknowledge it in person in Edinburgh before Christmas. There is no one in Scotland from whom I would consider his suggestion a greater honor.

Ever yours.
M. Charles Fechter.


*                   *                   *                   *                   *                   *

Poor Plorn is gone to Australia. It was a hard parting at the last. He seemed to me to become once more my youngest and favourite little child as the day drew near, and I did not think I could have been so shaken. You were his idol to the hour of his departure, and he asked me to tell you how much he wanted to bid you good-bye.

Poor Plorn has gone to Australia. The farewell was tough in the end. As the day approached, he felt once again like my youngest and favorite little child, and I couldn’t believe how much it affected me. You were his idol right up until he left, and he asked me to let you know how much he wanted to say goodbye.

Kindest love from all.

Love from all.

Ever heartily.
The same.


Office of "All the Year Round",
Wednesday, Oct. 7th, 1868.
My dear Fechter,

I got your letter sent to Gad's Hill this morning. Until I received it, I supposed the piece to have been put into English from your French by young Ben. If I understand that the English is yours, then I say that it is extraordinarily good, written by one in another country.

I got your letter sent to Gad's Hill this morning. Until I received it, I thought the piece had been translated from your French by young Ben. If I understand correctly that the English version is yours, then I have to say that it’s exceptionally good, especially coming from someone in another country.

I do not read again in London until the 20th; and then "Copperfield." But by that time you will be at work yourself.

I won’t read again in London until the 20th; and then it’ll be "Copperfield." But by then, you’ll be busy with your own work.

Let us dine at six to-day, in order that we may not have to hurry for the comic dog.

Let’s have dinner at six today, so we don’t have to rush for the comedy show.

Ever faithfully.
Miss Hogarth.


Queen's Hotel, Manchester, Sunday, Oct. 11th, 1868.
My dear Georgy,

We had a fine audience last night in the Free Trade Hall, though not what we consider a large money-house. The let in Liverpool is extremely good, and we are going over there at half-past one. We got down here pleasantly enough and in good time; so all has gone well you see.

We had a nice crowd last night at the Free Trade Hall, although it wasn't what we would call a big money-making event. The turnout in Liverpool is really good, and we’re heading over there at 1:30 PM. We arrived here comfortably and on time, so everything went well, as you can see.

Titiens, Santley, and an opera company of that class are at the theatre here. They have been doing very poorly in Manchester.

Titiens, Santley, and an opera company of that level are at the theater here. They've been struggling quite a bit in Manchester.

There is the whole of my scanty news. I was in wonderful voice last night, but croak a little this morning, after so much speaking in so very large a place. Otherwise I am all right. I find myself constantly thinking of Plorn.

There’s all my limited news. I was in great form last night, but I’m a bit hoarse this morning after talking so much in such a big venue. Other than that, I’m doing fine. I keep thinking about Plorn.

Miss Dickens.


Adelphi Hotel, Liverpool, Monday, Oct. 12th, 1868.
My beloved Mamie,

Our lets here are excellent, and we shall have a great house to-night. We had a very fine and enthusiastic audience in the Free Trade Hall, at Manchester, on Saturday; but our first nights there never count up in money, as the rest do. Yesterday, "Charlotte," Sainton, and Piatti stayed with us here; and they went on to Hull this morning. It was pleasant to be alone again, though they were all very agreeable.

Our accommodations here are great, and we’ll have a fantastic house tonight. We had a wonderful and enthusiastic audience at the Free Trade Hall in Manchester on Saturday, but our first nights there don’t usually make as much money as the later ones. Yesterday, "Charlotte," Sainton, and Piatti stayed with us here, and they left for Hull this morning. It was nice to be alone again, even though they were all very pleasant.

The exertion of going on for two hours in that immense place at Manchester being very great, I was hoarse all day yesterday, though I was not much distressed on Saturday night. I am becoming melodious again (at three in the afternoon) rapidly, and count on being quite restored by a basin of turtle at dinner.

The effort of spending two hours in that huge venue in Manchester was really intense, so I was hoarse all day yesterday, even though I wasn't too bothered on Saturday night. I'm starting to sound normal again (it's three in the afternoon) pretty quickly, and I'm hoping to be completely back to normal by dinner with a bowl of turtle soup.

I am glad to hear about Armatage, and hope that a service begun in a personal attachment to Plorn may go on[392] well. I shall never be over-confident in such matters, I think, any more.

I’m happy to hear about Armatage, and I hope that a service that started from a personal connection to Plorn can continue[392] successfully. I don’t think I’ll ever be too confident in such matters again.

The day is delicious here. We have had a blow on the Mersey this morning, and exulted over the American steamers. With kind regard to Sir William and Lady Humphery.

The day is wonderful here. We had a gust on the Mersey this morning, and celebrated over the American steamers. With best wishes to Sir William and Lady Humphery.

Miss Hogarth.


Adelphi Hotel, Liverpool, Tuesday, Oct. 13th, 1868.

As I sent a line to Mary yesterday, I enclose you Alfred's letter. Please send it on to her when you next write to Penton.

As I sent a message to Mary yesterday, I'm including Alfred's letter for you. Please pass it along to her the next time you write to Penton.

I have just now written to Mrs. Forster, asking her to explain to Miss Forster how she could have an easy-chair or a sofa behind my side screen on Tuesday, without occasioning the smallest inconvenience to anybody. Also, how she would have a door close at hand, leading at once to cool passages and a quiet room, etc. etc. etc. It is a sad story.

I just wrote to Mrs. Forster, asking her to explain to Miss Forster how she could have an easy chair or a sofa behind my side screen on Tuesday without causing any inconvenience to anyone. Also, how she would have a door nearby, leading right to cool hallways and a quiet room, etc. etc. etc. It’s a sad story.

We had a fine house here last night, and a large turn-away. "Marigold" and "Trial" went immensely. I doubt if "Marigold" were ever more enthusiastically received. "Copperfield" and "Bob" to-night, and a large let. This notwithstanding election meetings and all sorts of things.

We had a great show here last night, and we turned away a lot of people. "Marigold" and "Trial" were really successful. I doubt "Marigold" has ever been received with more enthusiasm. We're doing "Copperfield" and "Bob" tonight, and we have a big crowd. This is surprising considering all the election meetings and everything else going on.

My favourite room brought my voice round last night, and I am in considerable force.

My favorite room echoed my voice last night, and I feel strong.

Dolby sends kindest regard, and the message: "Everton toffee shall not be forgotten."

Dolby sends warm regards and the message: "Everton toffee will not be forgotten."

Mr. Henry Fielding Dickens.


Adelphi Hotel, Liverpool, Thursday, Oct. 15th, 1868.
Dear Harry,

I have your letter here this morning. I enclose you another cheque for twenty-five pounds, and I write to[393] London by this post, ordering three dozen sherry, two dozen port, and three dozen light claret, to be sent down to you.

I have your letter here this morning. I'm enclosing another check for twenty-five pounds, and I'm writing to[393] London with this post, ordering three dozen sherry, two dozen port, and three dozen light claret to be sent down to you.

Now, observe attentively. We must have no shadow of debt. Square up everything whatsoever that it has been necessary to buy. Let not a farthing be outstanding on any account, when we begin together with your allowance. Be particular in the minutest detail.

Now, pay close attention. We need to have no debts at all. Settle every single thing that has been necessary to purchase. Don’t leave even a penny outstanding for any reason when we start fresh with your budget. Be careful with even the smallest details.

I wish to have no secret from you in the relations we are to establish together, and I therefore send you Joe Chitty's letter bodily. Reading it, you will know exactly what I know, and will understand that I treat you with perfect confidence. It appears to me that an allowance of two hundred and fifty pounds a year will be handsome for all your wants, if I send you your wines. I mean this to include your tailor's bills as well as every other expense; and I strongly recommend you to buy nothing in Cambridge, and to take credit for nothing but the clothes with which your tailor provides you. As soon as you have got your furniture accounts in, let us wipe all those preliminary expenses clean out, and I will then send you your first quarter. We will count in it October, November, and December; and your second quarter will begin with the New Year. If you dislike, at first, taking charge of so large a sum as sixty-two pounds ten shillings, you can have your money from me half-quarterly.

I want to be completely open with you about the relationship we're starting, so I'm sending you Joe Chitty's letter in full. By reading it, you'll know exactly what I know and understand that I trust you completely. I believe that an allowance of two hundred and fifty pounds a year is generous enough for all your needs, assuming I cover your wine expenses. This should include your tailor's bills as well as any other costs; I strongly advise you to buy nothing in Cambridge and only put on credit the clothes your tailor supplies. Once you've submitted your furniture bills, let's clear away all those initial expenses, and I’ll send you your first quarter payment. We'll include October, November, and December in that, with your second quarter starting in the New Year. If you’re uncomfortable starting out with such a large amount of sixty-two pounds ten shillings, you can receive your money from me every three months instead.

You know how hard I work for what I get, and I think you know that I never had money help from any human creature after I was a child. You know that you are one of many heavy charges on me, and that I trust to your so exercising your abilities and improving the advantages of your past expensive education, as soon to diminish this charge. I say no more on that head.[394]

You know how hard I work for what I have, and I think you realize I haven't had financial support from anyone since I was a kid. You also know that you are one of the many significant burdens I carry, and I rely on you to use your skills and make the most of your costly education to lessen this burden soon. I won't say any more about that.[394]

Whatever you do, above all other things keep out of debt and confide in me. If you ever find yourself on the verge of any perplexity or difficulty, come to me. You will never find me hard with you while you are manly and truthful.

Whatever you do, above all else, stay out of debt and trust me. If you ever find yourself in a tough spot or facing any confusion, come to me. You'll never find me harsh with you as long as you are strong and honest.

As your brothers have gone away one by one, I have written to each of them what I am now going to write to you. You know that you have never been hampered with religious forms of restraint, and that with mere unmeaning forms I have no sympathy. But I most strongly and affectionately impress upon you the priceless value of the New Testament, and the study of that book as the one unfailing guide in life. Deeply respecting it, and bowing down before the character of our Saviour, as separated from the vain constructions and inventions of men, you cannot go very wrong, and will always preserve at heart a true spirit of veneration and humility. Similarly I impress upon you the habit of saying a Christian prayer every night and morning. These things have stood by me all through my life, and remember that I tried to render the New Testament intelligible to you and lovable by you when you were a mere baby.

As your brothers have left one by one, I have written to each of them what I'm about to share with you. You know that you've never been held back by strict religious practices, and I have no connection with meaningless rituals. But I want to remind you, with great love and seriousness, of the incredible value of the New Testament, and the importance of studying it as an unwavering guide in life. By deeply respecting it and honoring the character of our Savior, separate from the empty ideas and inventions of people, you can't go very wrong and will always keep a genuine spirit of respect and humility. Likewise, I encourage you to make it a habit to say a Christian prayer every morning and night. These practices have supported me throughout my life, and remember that I tried to make the New Testament understandable and enjoyable for you when you were just a baby.

And so God bless you.

And God bless you.

Ever your affectionate Father.
Mr. William Charles Kent.


Office of "All the Year Round",
Monday, Nov. 16th, 1868.
Dear Kent,

I was on the eve of writing to you.

I was just about to write to you.

We thought of keeping the trial private; but Oxenford has suggested to Chappell that he would like to take the opportunity of to-morrow night's reading, of saying something about "Oliver" in Wednesday's paper. Chappell has[395] told Levy of this, and also Mr. Tompkin, of The Post, who was there. Consequently, on Wednesday evening your charming article can come out to the best advantage.

We considered keeping the trial private, but Oxenford mentioned to Chappell that he’d like to take the chance to say something about "Oliver" in Wednesday's paper during tomorrow night's reading. Chappell has[395] informed Levy about this, as well as Mr. Tompkin from The Post, who was present. As a result, your wonderful article can be published on Wednesday evening to maximize its impact.

You have no idea of the difficulty of getting in the end of Sikes. As to the man with the invaluable composition! my dear fellow, believe me, no audience on earth could be held for ten minutes after the girl's death. Give them time, and they would be revengeful for having had such a strain put upon them. Trust me to be right. I stand there, and I know.

You have no idea how tough it is to get to the end of Sikes. As for the guy with the priceless composition! My dear friend, trust me, no audience in the world could stay engaged for even ten minutes after the girl dies. Give them a moment, and they'd feel vengeful for having to endure such a heavy experience. Trust me, I'm right. I stand there, and I know.

Concerning Harry, I like to guide the boys to a distinct choice, rather than to press it on them. That will be my course as to the Middle Temple, of which I think as you do.

Concerning Harry, I prefer to guide the boys towards a clear choice instead of forcing it on them. That will be my approach regarding the Middle Temple, which I feel the same way about as you do.

With cordial thanks for every word in your letter,

With heartfelt thanks for every word in your letter,

Affectionately yours always.
Mrs. F. Lehmann.


Kennedy's Hotel, Edinburgh, Sunday, Dec. 6th, 1868.
Dear Mrs. Lehmann,

I hope you will see Nancy with the light of a great audience upon her some time between this and May; always supposing that she should not prove too weird and woeful for the general public.

I hope you get to see Nancy in the spotlight with a big audience sometime between now and May, as long as she doesn't turn out to be too strange and sad for the general public.

You know the aspect of this city on a Sunday, and how gay and bright it is. The merry music of the blithe bells, the waving flags, the prettily-decorated houses with their draperies of various colours, and the radiant countenances at the windows and in the streets, how charming they are! The usual preparations are making for the band in the open air, in the afternoon; and the usual pretty children (selected for that purpose) are at this moment hanging garlands round the Scott monument, preparatory to the innocent Sunday dance round that edifice, with which the diversions invariably close. It is pleasant to think that these customs[396] were themselves of the early Christians, those early birds who didn't catch the worm—and nothing else—and choke their young with it.

You know what the city is like on a Sunday, and how lively and bright it is. The cheerful music from the joyful bells, the waving flags, the beautifully decorated houses with their colorful drapes, and the radiant faces seen in the windows and on the streets—how charming they are! The usual setup is underway for the outdoor band this afternoon, and the usual cute kids (picked for the occasion) are right now hanging garlands around the Scott monument, getting ready for the innocent Sunday dance around that landmark, which always wraps up the festivities. It's nice to think that these traditions[396] come from the early Christians, those early risers who didn't catch the worm—and nothing else—and suffocate their young with it.

Faithfully yours always.
Miss Hogarth.


Kennedy's Hotel, Edinburgh, Sunday, Dec. 6th, 1868.

We got down here to our time to the moment; and, considering the length of the journey, very easily. I made a calculation on the road, that the railway travelling over such a distance involves something more than thirty thousand shocks to the nerves. Dolby didn't like it at all.

We arrived here at our moment in time, and considering how long the journey was, it wasn't too hard at all. I did some math on the way, and realized that traveling this distance by train means experiencing over thirty thousand jolts to the nerves. Dolby wasn't a fan of that at all.

The signals for a gale were up at Berwick, and along the road between there and here. It came on just as we arrived, and blew tremendously hard all night. The wind is still very high, though the sky is bright and the sun shining. We couldn't sleep for the noise.

The gale warnings were posted at Berwick and along the road from there to here. It started just as we got here and blew really hard all night. The wind is still pretty strong, even though the sky is clear and the sun is shining. We couldn't sleep because of the noise.

We are very comfortably quartered. I fancy that the "business" will be on the whole better here than in Glasgow, where trade is said to be very bad. But I think I shall be pretty correct in both places as to the run being on the final readings.

We are really well set up here. I think the "business" will generally be better than in Glasgow, where trade is reportedly really poor. But I believe I'll have a good idea in both places about the focus being on the final readings.

We are going up Arthur's Seat presently, which will be a pull for our fat friend.

We are currently heading up Arthur's Seat, which will be a challenge for our heavier friend.

Scott, in a new Mephistopheles hat, baffles imagination and description.

Scott, wearing a new Mephistopheles hat, confounds both imagination and description.

Mr. W. Wilkie Collins.


Kennedy's Hotel, Edinburgh, Tuesday, Dec. 8th, 1868.
Dear Wilkie,

I am hard at it here as usual, though with an audience so finely perceptive that the labour is much diminished. I have got together in a very short space the conclusion of "Oliver Twist" that you suggested, and am[397] trying it daily with the object of rising from that blank state of horror into a fierce and passionate rush for the end. As yet I cannot make a certain effect of it; but when I shall have gone over it as many score of times as over the rest of that reading, perhaps I may strike one out.

I’m working hard here as usual, but with such a perceptive audience, the effort feels a lot easier. I've quickly put together the conclusion of "Oliver Twist" that you suggested, and I'm[397] trying it out daily with the goal of pulling myself out of that horrible blank state and into an intense and passionate push towards the end. So far, I can’t quite get the effect I want; but after I’ve gone over it as many times as I have with the rest of that reading, maybe I'll find something that works.

I shall be very glad to hear when you have done your play, and I am glad to hear that you like the steamer. I agree with you about the reading perfectly. In No. 3 you will see an exact account of some places I visited at Ratcliffe. There are two little instances in it of something comic rising up in the midst of the direst misery, that struck me very humorously at the time.

I’ll be really happy to hear when you finish your play, and I’m glad to know you like the steamer. I completely agree with you about the reading. In No. 3, you’ll find a detailed account of some places I visited at Ratcliffe. There are two funny moments in it that popped up amid the worst misery, which I found really humorous at the time.

As I have determined not to do the "Oliver Murder" until after the 5th of January, when I shall ascertain its effect on a great audience, it is curious to notice how the shadow of its coming affects the Scotch mind. There was such a disposition to hold back for it here (until I return to finish in February) that we had next to no "let" when we arrived. It all came with a rush yesterday. They gave me a most magnificent welcome back from America last night.

As I've decided not to do the "Oliver Murder" until after January 5th, when I can see how it resonates with a large audience, it's interesting to see how its impending arrival is impacting the Scottish mindset. There was a strong tendency to hold off for it here (until I return to finish in February) that we barely had any "let" when we got here. Everything came flooding in yesterday. They gave me an incredible welcome back from America last night.

I am perpetually counting the weeks before me to be "read" through, and am perpetually longing for the end of them; and yet I sometimes wonder whether I shall miss something when they are over.

I’m always counting the weeks ahead of me to get through, and I’m always looking forward to them being over; yet I sometimes wonder if I'll miss something when they finally are.

It is a very, very bad day here, very dark and very wet. Dolby is over at Glasgow, and I am sitting at a side window looking up the length of Prince's Street, watching the mist change over the Castle and murdering Nancy by turns.

It’s an incredibly bad day here, really dark and really wet. Dolby is over in Glasgow, and I'm sitting by a side window looking up Prince's Street, watching the mist shift over the Castle and killing Nancy bit by bit.

Ever affectionately.

P.S.—I have read the whole of Fitzgerald's "Zero," and the idea is exceedingly well wrought out.[398]

P.S.—I have read all of Fitzgerald's "Zero," and the concept is incredibly well developed.[398]

Miss Hogarth.


Kennedy's Hotel, Edinburgh, Saturday, Dec. 12th, 1868.

I send another Scotsman by this post, because it is really a good newspaper, well written, and well managed. We had an immense house here last night, and a very large turn-away.

I’m sending another Scotsman with this letter because it’s a really good newspaper, well written and well managed. We had a huge crowd here last night, and a lot of people had to be turned away.

We have four guests to dinner to-day: Peter Fraser, Ballantyne, John Blackwood, and Mr. Russel. Immense preparations are making in the establishment, "on account," Mr. Kennedy says, "of a' four yon chiels being chiels wha' ken a guid dinner." I enquired after poor Doctor Burt, not having the least idea that he was dead.

We have four guests for dinner today: Peter Fraser, Ballantyne, John Blackwood, and Mr. Russel. Huge preparations are being made in the house, "because," Mr. Kennedy says, "all four of those guys know a good dinner." I asked about poor Doctor Burt, not realizing he was dead.

My voice holds out splendidly so far, and I have had no return of the American. But I sleep very indifferently indeed.

My voice is holding up really well so far, and I haven't had any repeat of the American. But I'm sleeping very poorly.

It blew appallingly here the night before last, but the wind has since shifted northward, and it is now bright and cold. The Star of Hope, that picked up those shipwrecked people in the boat, came into Leith yesterday, and was received with tremendous cheers. Her captain must be a good man and a noble fellow.

It was really windy here the night before last, but the wind has since changed to the north, and now it’s bright and cold. The Star of Hope, which rescued those shipwrecked people in the boat, arrived in Leith yesterday and was welcomed with huge cheers. Her captain must be a good person and a noble guy.

The same.


Kennedy's Hotel, Edinburgh, Monday, Dec. 14th, 1868.

The dinner-party of Saturday last was an immense success. Russel swore on the occasion that he would go over to Belfast expressly to dine with me at the Finlays'. Ballantyne informed me that he was going to send you some Scotch remembrance (I don't know what) at Christmas!

The dinner party last Saturday was a huge success. Russel promised that he would travel to Belfast just to have dinner with me at the Finlays'. Ballantyne mentioned that he plans to send you some Scottish gift (I’m not sure what) for Christmas!

The Edinburgh houses are very fine. The Glasgow room is a big wandering place, with five prices in it, which makes it the more aggravating, as the people get into knots which they can't break, as if they were afraid of one another.

The Edinburgh houses are quite nice. The Glasgow room is a large, confusing space, with five prices listed, which makes it even more frustrating because people get tangled up in each other and seem to be afraid of one another.

Forgery of my name is becoming popular. You sent me, this morning, a letter from Russell Sturgis, answering[399] a supposed letter of mine (presented by "Miss Jefferies"), and assuring me of his readiness to give not only the ten pounds I asked for, but any contribution I wanted, towards sending that lady and her family back to Boston.

Forgery of my name is becoming increasingly common. This morning, you sent me a letter from Russell Sturgis, responding to a supposed letter of mine (submitted by "Miss Jefferies"), and assuring me that he is ready to give not just the ten pounds I requested, but any amount I want, to help send that lady and her family back to Boston.

I wish you would take an opportunity of forewarning Lady Tennent that the first night's reading she will attend is an experiment quite out of the way, and that she may find it rather horrible.

I wish you would take the chance to warn Lady Tennent that the first reading she will attend is going to be quite unusual, and she might find it pretty terrible.

The keeper of the Edinburgh Hall, a fine old soldier, presented me, on Friday night, with the finest red camellia for my button-hole that ever was seen. Nobody can imagine how he came by it, as the florists had had a considerable demand for that colour from ladies in the stalls, and could get no such thing.

The keeper of the Edinburgh Hall, a distinguished old soldier, handed me the most beautiful red camellia for my buttonhole on Friday night that anyone has ever seen. No one can figure out how he got it since the florists had a huge demand for that color from ladies in the audience and couldn't find any.

The day is dark, wet, and windy. The weather is likely to be vile indeed at Glasgow, where it always rains, and where the sun is never seen through the smoke. We go over there to-morrow at ten.

The day is gloomy, rainy, and windy. The weather is probably going to be really nasty in Glasgow, where it always rains and the sun is never visible through the smoke. We're heading over there tomorrow at ten.

Miss Dickens.


Carrick's Royal Hotel, Glasgow
Tuesday, Dec. 15th, 1868.

It occurs to me that my table at St. James's Hall might be appropriately ornamented with a little holly next Tuesday. If the two front legs were entwined with it, for instance, and a border of it ran round the top of the fringe in front, with a little sprig by way of bouquet at each corner, it would present a seasonable appearance.

It seems to me that my table at St. James's Hall could use some holly decorations next Tuesday. For example, if the two front legs were wrapped in holly and a border of it went around the top of the fringe in front, with a small sprig as a bouquet at each corner, it would look festive.

If you will think of this, and will have the materials ready in a little basket, I will call for you at the office at half-past twelve on Tuesday, and take you up to the hall, where the table will be ready for you.

If you can consider this and have the materials ready in a small basket, I'll pick you up at the office at 12:30 on Tuesday and take you to the hall, where the table will be set up for you.

No news, except that we had a great crush and a wonderful audience in Edinburgh last night.[400]

No news, except that we had a huge crowd and an amazing audience in Edinburgh last night.[400]

Miss Hogarth.


Carrick's Royal Hotel, Glasgow
Wednesday, Dec. 16th, 1868.

This is to report all well, except that I have wretched nights. The weather is diabolical here, and times are very bad. I cut "Copperfield" with a bold dexterity that amazed myself and utterly confounded George at the wing; knocking off that and "Bob" by ten minutes to ten.

This is to report that everything is fine, except I've been having terrible nights. The weather here is awful, and things are really tough. I managed to pull off "Copperfield" with a surprising skill that impressed even me and completely confused George at the wing; finishing that and "Bob" ten minutes before ten.

I don't know anything about the Liverpool banquet, except from The Times. As I don't finish there in February (as they seem to have supposed), but in April, it may, perhaps, stand over or blow over altogether. Such a thing would be a serious addition to the work, and yet refusal on my part would be too ungracious.

I don't know anything about the Liverpool banquet, except from The Times. Since I’m not finishing there in February (as they seem to think), but in April, it might, hopefully, get postponed or just go away altogether. That would be a significant extra task, and yet saying no on my part would be too rude.

The density and darkness of this atmosphere are fearful. I shall be heartily glad to start for Edinburgh again on Friday morning.

The thickness and gloom of this atmosphere are unsettling. I’ll be really happy to head back to Edinburgh again on Friday morning.

The same.


Kennedy's Hotel, Edinburgh, Friday, Dec. 18th, 1868.

I am heartily glad to get back here this afternoon. The day is bright and cheerful, and the relief from Glasgow inexpressible. The affectionate regard of the people exceeds all bounds, and is shown in every way. The manager of the railway being at the reading the other night, wrote to me next morning, saying that a large saloon should be prepared for my journey up, if I would let him know when I purposed making the journey. On my accepting the offer he wrote again, saying that he had inspected "our Northern saloons," and not finding them so convenient for sleeping in as the best English, had sent up to King's Cross for the best of the latter; which I would please consider my own carriage as long as I wanted it. The audiences do everything[401] but embrace me, and take as much pains with the readings as I do.

I’m really happy to be back here this afternoon. The day is bright and cheerful, and the relief from Glasgow is unbelievable. The love and support from the people is overwhelming and shows in every possible way. The railway manager attended my reading the other night and wrote to me the next morning, saying that a large carriage would be prepared for my trip up, if I let him know when I planned to travel. After I accepted his offer, he wrote again, saying that he checked “our Northern carriages” and found them not as comfortable for sleeping as the best English ones, so he sent to King’s Cross for the best of those, which I should consider my own as long as I needed it. The audiences do everything[401] but hug me, and they put as much effort into the readings as I do.

I find your Christmas present (just arrived) to be a haggis and shortbread!

I just got your Christmas present, and it's haggis and shortbread!

Mr. J. C. Parkinson.


Gad's Hill Place, Higham near Rochester, Kent,
Christmas Day, 1868.
My dear Parky,

When your letter was delivered at "All the Year Round" Office yesterday, I was attending a funeral. It comes to hand here consequently to-day.

When your letter arrived at the "All the Year Round" office yesterday, I was at a funeral. So, I’m receiving it today.

I am diffident of addressing Mr. Gladstone on the subject of your desire to be appointed to the vacant Commissionership of Inland Revenue, because, although my respect for him and confidence in him are second to those of no man in England (a bold word at this time, but a truthful one), my personal acquaintance with him is very slight. But you may make, through any of your friends, any use you please of this letter, towards the end of bringing its contents under Mr. Gladstone's notice.

I’m hesitant to bring up your interest in the open position of Commissioner of Inland Revenue with Mr. Gladstone. While I have the utmost respect and confidence in him—second to none in England (a bold statement, but true)—my personal relationship with him is quite limited. However, feel free to share this letter with any of your friends to help get its contents in front of Mr. Gladstone.

In expressing my conviction that you deserve the place, and are in every way qualified for it, I found my testimony upon as accurate a knowledge of your character and abilities as anyone can possibly have acquired. In my editorship both of "Household Words" and "All the Year Round," you know very well that I have invariably offered you those subjects of political and social interest to write upon, in which integrity, exactness, a remarkable power of generalising evidence and balancing facts, and a special clearness in stating the case, were indispensable on the part of the writer. My confidence in your powers has never been misplaced, and through all our literary intercourse you[402] have never been hasty or wrong. Whatever trust you have undertaken has been so completely discharged, that it has become my habit to read your proofs rather for my own edification than (as in other cases) for the detection of some slip here or there, or the more pithy presentation of the subject.

In expressing my belief that you deserve the position and are fully qualified for it, I base my testimony on a clear understanding of your character and abilities, as anyone could have. During my time as editor of "Household Words" and "All the Year Round," you know I have consistently offered you topics of political and social interest to write about, where integrity, precision, a remarkable ability to generalize evidence and balance facts, and a clear presentation of the issue were essential for the writer. My confidence in your skills has never been misplaced, and throughout our time working together, you[402] have never been hasty or incorrect. Every project you’ve taken on has been handled so thoroughly that I now read your proofs more for my own learning than (as with others) to catch any mistakes or to find a more impactful way to present the topic.

That your literary work has never interfered with the discharge of your official duties, I may assume to be at least as well known to your colleagues as it is to me. It is idle to say that if the post were in my gift you should have it, because you have had, for some years, most of the posts of high trust that have been at my disposal. An excellent public servant in your literary sphere of action, I should be heartily glad if you could have this new opportunity of distinguishing yourself in the same character. And this is at least unselfish in me, for I suppose I should then lose you?

I can assume that your colleagues are well aware, just like I am, that your writing has never gotten in the way of your official duties. It's pointless to say that if I had the power to give you this position, I would, because you've already held most of the important posts that I've had available for several years. As a fantastic public servant in your field of writing, I would be very happy if you could take on this new opportunity to shine in that role. And I guess this is at least selfless of me, since I assume that would mean losing you, right?

Always faithfully yours.
Mr. Edward Bulwer Lytton Dickens.


LETTER TO HIS YOUNGEST SON ON HIS DEPARTURE FOR AUSTRALIA IN 1868.[27]
My dear Plorn,

I write this note to-day because your going away is much upon my mind, and because I want you to have a few parting words from me to think of now and then at quiet times. I need not tell you that I love you dearly, and am very, very sorry in my heart to part with you. But this life is half made up of partings, and these pains must be borne. It is my comfort and my sincere conviction that you are going to try the life for which you are best fitted. I think its freedom and wildness more suited to you than[403] any experiment in a study or office would ever have been; and without that training, you could have followed no other suitable occupation.

I’m writing this note today because your departure is weighing on my mind, and I want you to have some parting thoughts from me to reflect on during quiet moments. I don’t need to tell you how much I love you and how truly sad I am to say goodbye. But life is full of farewells, and we have to endure these pains. It gives me comfort and reassurance to know you’re going to pursue the life that suits you best. I believe its freedom and adventure are far better for you than any formal work in an office or classroom ever could be; without that preparation, you wouldn’t have been able to pursue any other fitting path.

What you have already wanted until now has been a set, steady, constant purpose. I therefore exhort you to persevere in a thorough determination to do whatever you have to do as well as you can do it. I was not so old as you are now when I first had to win my food, and do this out of this determination, and I have never slackened in it since.

What you've wanted so far has been a clear, steady purpose. So, I encourage you to stick with your strong determination to do everything you need to do as well as you can. I wasn't much older than you when I first had to earn my living, and I did it out of that same determination, and I haven’t wavered since.

Never take a mean advantage of anyone in any transaction, and never be hard upon people who are in your power. Try to do to others, as you would have them do to you, and do not be discouraged if they fail sometimes. It is much better for you that they should fail in obeying the greatest rule laid down by our Saviour, than that you should.

Never take unfair advantage of anyone in any transaction, and don’t be harsh on people who are under your control. Treat others the way you want to be treated, and don’t get discouraged if they sometimes fall short. It’s much better for you if they fail to follow the greatest rule set by our Savior than for you to fail.

I put a New Testament among your books, for the very same reasons, and with the very same hopes that made me write an easy account of it for you, when you were a little child; because it is the best book that ever was or will be known in the world, and because it teaches you the best lessons by which any human creature who tries to be truthful and faithful to duty can possibly be guided. As your brothers have gone away, one by one, I have written to each such words as I am now writing to you, and have entreated them all to guide themselves by this book, putting aside the interpretations and inventions of men.

I put a New Testament among your books for the same reasons and with the same hopes that inspired me to write a simple version for you when you were a little kid. It’s the best book that has ever existed or will exist in the world, and it teaches the most important lessons that can guide anyone trying to be honest and committed to their responsibilities. As your brothers have left one by one, I’ve written similar messages to each of them, urging them to follow this book and ignore the interpretations and inventions of people.

You will remember that you have never at home been wearied about religious observances or mere formalities. I have always been anxious not to weary my children with such things before they are old enough to form opinions respecting them. You will therefore understand the better[404] that I now most solemnly impress upon you the truth and beauty of the Christian religion, as it came from Christ Himself, and the impossibility of your going far wrong if you humbly but heartily respect it.

You remember that I've never made you feel burdened by religious practices or just going through the motions at home. I've always tried not to overwhelm my kids with those things before they’re ready to have their own opinions about them. So, you will understand even more[404] that I now sincerely emphasize the truth and beauty of Christianity as it was taught by Christ Himself, and how unlikely it is for you to go off track if you genuinely respect it, with humility.

Only one thing more on this head. The more we are in earnest as to feeling it, the less we are disposed to hold forth about it. Never abandon the wholesome practice of saying your own private prayers, night and morning. I have never abandoned it myself, and I know the comfort of it.

Only one more thing about this. The more seriously we feel it, the less we want to talk about it. Never give up the good habit of saying your own private prayers, morning and night. I’ve never given it up myself, and I know how comforting it is.

I hope you will always be able to say in after life, that you had a kind father. You cannot show your affection for him so well, or make him so happy, as by doing your duty.

I hope you'll always be able to say later in life that you had a wonderful dad. You can't show your love for him better, or make him happier, than by doing what you're supposed to do.

Your affectionate Father.

1869.

NARRATIVE.

The "Farewell Readings" in town and country were resumed immediately after the beginning of this year, and were to have been continued until the end of May. The work was even harder than it had ever been. Charles Dickens began his country tour in Ireland early in January, and read continuously in all parts of England and Scotland until the end of April. A public dinner (in commemoration of his last readings in the town) was given to him at Liverpool on the 10th April. Besides all this severe country work, he was giving a series of readings at St. James's Hall, and reading the "Murder" from "Oliver Twist," in London and in the country, frequently four times a week. In the second week of February, a sudden and unusually violent attack of the old trouble in his foot made it imperatively necessary to postpone a reading at St. James's Hall, and to delay for a day or two his departure for Scotland. The foot continued to cause him pain and inconvenience, but, as will be seen from his letters, he generally spoke of[405] himself as otherwise well, until he arrived at Preston, where he was to read on the 22nd of April. The day before this appointed reading, he writes home of some grave symptoms which he had observed in himself, and had reported to his doctor, Mr. F. Carr Beard. That gentleman, taking alarm at what he considered "indisputable evidences of overwork," wisely resolved not to content himself with written consultations, but went down to Preston on the day appointed for the reading there, and, after seeing his patient, peremptorily stopped it, carried him off to Liverpool, and the next day to London. There he consulted Sir Thomas Watson, who entirely corroborated Mr. Beard's opinion. And the two doctors agreed that the course of readings must be stopped for this year, and that reading, combined with travelling, must be stopped for ever. Charles Dickens had no alternative but to acquiesce in this verdict; but he felt it keenly, not only for himself, but for the sake of the Messrs. Chappell, who showed the most disinterested kindness and solicitude on the occasion. He at once returned home to Gad's Hill, and the rest and quiet of the country restored him, for the time, to almost his usual condition of health and spirits. But it was observed, by all who loved him, that from this time forth he never regained his old vigour and elasticity. The attack at Preston was the "beginning of the end!"

During the spring and summer of this year, he received visits from many dearly valued American friends. In May, he stayed with his daughter and sister-in-law for two or three weeks at the St. James's Hotel, Piccadilly, having promised to be in London at the time of the arrival of Mr. and Mrs. Fields, of Boston, who visited Europe, accompanied by Miss Mabel Lowell (the daughter of the famous American poet) this year. Besides these friends, Mr. and Mrs. Childs, of Philadelphia—from whom he had received the greatest kindness and hospitality, and for whom he had a hearty regard—Dr. Fordyce Barker and his son, Mr. Eytinge (an illustrator of an American edition of Charles Dickens's works), and Mr. Bayard Taylor paid visits to Gad's Hill,[406] which were thoroughly enjoyed by Charles Dickens and his family. This last summer was a very happy one. He had the annual summer visitors and parties of his friends in the neighbourhood. He was, as usual, projecting improvements in his beloved country home; one, which he called the "crowning improvement of all," was a large conservatory, which was to be added during the absence of the family in London in the following spring.

During the spring and summer of this year, he had visits from many cherished friends from America. In May, he stayed with his daughter and sister-in-law for two or three weeks at the St. James's Hotel in Piccadilly, having promised to be in London when Mr. and Mrs. Fields from Boston arrived. They were visiting Europe this year, along with Miss Mabel Lowell, the daughter of the famous American poet. In addition to these friends, Mr. and Mrs. Childs from Philadelphia, who had shown him incredible kindness and hospitality and for whom he held great affection, along with Dr. Fordyce Barker, his son Mr. Eytinge (an illustrator for an American edition of Charles Dickens's works), and Mr. Bayard Taylor visited Gad's Hill,[406] which brought great joy to Charles Dickens and his family. Last summer was very happy. He had the usual summer visitors and gatherings with friends from the neighborhood. As always, he was planning improvements for his beloved country home; one that he called the "crowning improvement of all" was a large conservatory set to be added while the family was in London the following spring.

The state of Mr. Wills's health made it necessary for him now to retire altogether from the editorship of "All the Year Round." Charles Dickens's own letters express the regret which he felt at the dissolution of this long and always pleasant association. Mr. Wills's place at the office was filled by Charles Dickens's eldest son, now sole editor and proprietor of the journal.

The condition of Mr. Wills's health made it necessary for him to completely step down from the editorship of "All the Year Round." Charles Dickens's letters convey the sadness he felt over the end of this long and always enjoyable partnership. Mr. Wills's position in the office was taken over by Charles Dickens's eldest son, who is now the sole editor and owner of the journal.

In September Charles Dickens went to Birmingham, accompanied by his son Harry, and presided at the opening of the session of (what he calls in his letter to Mr. Arthur Ryland, "our Institution") the Midland Institute. He made a speech on education to the young students, and promised to go back early in the following year and distribute the prizes. In one of the letters which we give to Mr. Ryland, he speaks of himself as "being in full force again," and "going to finish his farewell readings soon after Christmas." He had obtained the sanction of Sir Thomas Watson to giving twelve readings, in London only, which he had fixed for the beginning of the following year.

In September, Charles Dickens traveled to Birmingham with his son, Harry, to lead the opening session of what he referred to in a letter to Mr. Arthur Ryland as "our Institution," the Midland Institute. He delivered a speech on education to the young students and promised to return early next year to hand out the prizes. In one of the letters we provided to Mr. Ryland, he mentions feeling "in full force again" and plans to finish his farewell readings soon after Christmas. He had received approval from Sir Thomas Watson to give twelve readings, in London only, which he scheduled for the beginning of the following year.

The letter to his friend Mr. Finlay, which opens the year, was in reply to a proposal for a public banquet at Belfast, projected by the Mayor of that town, and conveyed through Mr. Finlay. This gentleman was at that time proprietor of The Northern Whig newspaper at Belfast, and he was son-in-law to Mr. Alexander Russel, editor of The Scotsman.

The letter to his friend Mr. Finlay, which starts the year, was in response to a suggestion for a public banquet in Belfast, organized by the Mayor of that city and communicated through Mr. Finlay. At that time, this gentleman owned The Northern Whig newspaper in Belfast, and he was the son-in-law of Mr. Alexander Russel, editor of The Scotsman.

Charles Dickens's letter this New Year to M. de Cerjat was his last. That faithful and affectionate friend died very shortly afterwards.

Charles Dickens's letter this New Year to M. de Cerjat was his last. That loyal and loving friend passed away not long after.

To Miss Mary Boyle he writes to acknowledge a New[407] Year's gift, which he had been much touched by receiving from her, at a time when he knew she was deeply afflicted by the sudden death of her brother, Captain Cavendish Boyle, for whom Charles Dickens had a true regard and friendship.

To Miss Mary Boyle, he writes to thank her for the New[407] Year's gift, which he was very moved to receive from her, especially since he knew she was struggling with the sudden loss of her brother, Captain Cavendish Boyle, whom Charles Dickens truly cared for and considered a friend.

While he was giving his series of London readings in the spring, he received a numerously signed circular letter from actors and actresses of the various London theatres. They were very curious about his new reading of the "Oliver Twist" murder, and representing to him the impossibility of their attending an evening, requested him to give a morning reading, for their especial benefit. We give his answer, complying with the request. And the occasion was, to him, a most gratifying and deeply interesting one.

While he was doing his series of readings in London that spring, he got a letter signed by a lot of actors and actresses from different London theaters. They were really interested in his new take on the "Oliver Twist" murder and mentioned that it was impossible for them to attend an evening performance, so they asked him to do a morning reading just for them. We present his response, agreeing to their request. The occasion was extremely gratifying and deeply interesting for him.

The letter to Mr. Edmund Ollier was in answer to an invitation to be present at the inauguration of a bust of Mr. Leigh Hunt, which was to be placed over his grave at Kensal Green.

The letter to Mr. Edmund Ollier was in response to an invitation to attend the unveiling of a bust of Mr. Leigh Hunt, which was set to be placed over his grave at Kensal Green.

The letter to Mr. Shirley Brooks, the well-known writer, who succeeded Mr. Mark Lemon as editor of "Punch," and for whom Charles Dickens had a cordial regard, was on the subject of a memorial on behalf of Mrs. Peter Cunningham, whose husband had recently died.

The letter to Mr. Shirley Brooks, the famous writer who took over as editor of "Punch" after Mr. Mark Lemon, and whom Charles Dickens held in high esteem, was about a memorial for Mrs. Peter Cunningham, whose husband had just passed away.

The "remarkable story," of which he writes to his daughter in August, was called "An Experience." It was written by a lady (who prefers to be anonymous) who had been a contributor to "Household Words" from its first starting, and was always highly valued in this capacity by Charles Dickens.

The "remarkable story" that he mentions to his daughter in August was called "An Experience." It was written by a woman (who chooses to remain anonymous) who had been contributing to "Household Words" since its inception and was always highly regarded in this role by Charles Dickens.

Our latest letters for this year are in October. One to Mr. Charles Kent, sympathising with him on a disappointment which he had experienced in a business undertaking, and one to Mr. Macready, in which he tells him of his being in the "preliminary agonies" of a new book. The first number of "Edwin Drood" was to appear before the end of his course of readings in March; and he was at work so long beforehand with a view to sparing himself, and having some numbers ready before the publication of the first one.[408]

Our latest letters for this year are from October. One is to Mr. Charles Kent, expressing sympathy for a setback he faced in a business venture, and the other is to Mr. Macready, where he mentions that he is in the "preliminary struggles" of a new book. The first issue of "Edwin Drood" was set to be released before the end of his reading series in March, and he had been working on it well in advance to give himself some breathing room, making sure to have a few issues ready before the first one came out.[408]

Mr. F. D. Finlay.


The Athenæum Club, New Year's Day, 1869.
Dear Finlay,

First my heartfelt wishes for many prosperous and happy years. Next, as to the mayor's kind intentions. I feel really grateful to him and gratified by the whole idea, but acceptance of the distinction on my part would be impracticable. My time in Ireland is all anticipated, and I could not possibly prolong my stay, because I must be back in London to read on Tuesday fortnight, and then must immediately set forth for the West of England. It is not likely, besides, that I shall get through these farewells before the end of May. And the work is so hard, and my voice is so precious, that I fear to add an ounce to the fatigue, or I might be overweighted. The avoidance of gas and crowds when I am not in the act of being cooked before those lights of mine, is an essential part of the training to which (as I think you know) I strictly adhere, and although I have accepted the Liverpool invitation, I have done so as an exception; the Liverpool people having always treated me in our public relations with a kind of personal affection.

First, I want to express my heartfelt wishes for many prosperous and happy years. Next, regarding the mayor's kind intentions, I am truly grateful to him and pleased with the whole idea, but accepting this honor wouldn’t be practical for me. My time in Ireland is fully booked, and I couldn’t possibly extend my stay because I need to be back in London to read in two weeks, after which I have to immediately head to the West of England. Additionally, it’s unlikely that I’ll finish saying my goodbyes before the end of May. The work is very demanding, and my voice is extremely valuable, so I’m worried about adding any extra strain, as I might become overwhelmed. Avoiding gas and crowds when I’m not performing in front of those lights is a crucial part of the training that I (as you know) strictly follow, and while I have accepted the Liverpool invitation, I’ve done so as an exception; the people in Liverpool have always treated me with a sort of personal affection in our public interactions.

I am sincerely anxious that the Mayor of Belfast should know how the case stands with me. If you will kindly set me straight and right, I shall be truly obliged to you.

I genuinely want the Mayor of Belfast to understand my situation. If you could clarify things for me, I would really appreciate it.

My sister-in-law has been very unwell (though she is now much better), and is recommended a brisk change. As she is a good sailor, I mean to bring her to Ireland with me; at which she is highly delighted.

My sister-in-law has been very sick (but she’s much better now), and she’s advised to have a refreshing change. Since she’s a good sailor, I plan to take her to Ireland with me, which she’s really excited about.

Faithfully yours ever.
M. de Cerjat.


Gad's Hill Place, Higham near Rochester, Kent,
Monday, Jan. 4th, 1869.
My dear Cerjat,

I will answer your question first. Have I done with my farewell readings? Lord bless you, no; and I shall think myself well out of it if I get done by the end of May. I have undertaken one hundred and six, and have as yet only vanquished twenty-eight. To-morrow night I read in London for the first time the "Murder" from "Oliver Twist," which I have re-arranged for the purpose. Next day I start for Dublin and Belfast. I am just back from Scotland for a few Christmas holidays. I go back there next month; and in the meantime and afterwards go everywhere else.

I’ll answer your question first. Have I finished my farewell readings? Goodness, no; I’ll feel lucky if I wrap them up by the end of May. I’ve committed to one hundred and six, and so far I’ve only tackled twenty-eight. Tomorrow night, I’m reading the "Murder" scene from "Oliver Twist" in London for the first time, which I’ve rearranged for this purpose. The next day, I’m heading to Dublin and Belfast. I just got back from Scotland for a few Christmas holidays. I’m going back there next month, and in the meantime and afterwards, I’ll be everywhere else.

Take my guarantee for it, you may be quite comfortable on the subject of papal aspirations and encroachments. The English people are in unconquerable opposition to that church. They have the animosity in the blood, derived from the history of the past, though perhaps unconsciously. But they do sincerely want to win Ireland over if they can. They know that since the Union she has been hardly used. They know that Scotland has her religion, and a very uncomfortable one. They know that Scotland, though intensely anti-papal, perceives it to be unjust that Ireland has not her religion too, and has very emphatically declared her opinion in the late elections. They know that a richly-endowed church, forced upon a people who don't belong to it, is a grievance with these people. They know that many things, but especially an artfully and schemingly managed institution like the Romish Church, thrive upon a grievance, and that Rome has thriven exceedingly upon this, and made the most of it. Lastly, the best among them know that there is a gathering cloud in the West, considerably bigger than a man's hand, under which a powerful Irish-American[410] body, rich and active, is always drawing Ireland in that direction; and that these are not times in which other powers would back our holding Ireland by force, unless we could make our claim good in proving fair and equal government.

Take my word for it, you can feel pretty confident about papal ambitions and overreach. The English people are firmly against that church. They have a deep-seated resentment, rooted in history, even if they might not be fully aware of it. But they genuinely want to win Ireland over if they can. They know that since the Union, Ireland has been treated poorly. They understand that Scotland has its own religion, and it’s quite an uncomfortable one. They know that Scotland, despite being very anti-papal, finds it unfair that Ireland doesn’t share that same religious identity, and they clearly expressed this in the recent elections. They recognize that having a wealthy church imposed on a community that doesn’t belong to it is a source of grievance for these people. They know many things, but especially that institutions like the Roman Catholic Church, which are cleverly and schemingly managed, thrive on grievances, and Rome has taken full advantage of this. Finally, the best among them are aware that there’s a growing storm in the West, much bigger than just a man’s hand, where a powerful, wealthy, and active Irish-American group is constantly pulling Ireland in that direction; and these are not times when other powers would support our effort to keep Ireland by force, unless we can prove our claim with fair and equal governance.

Poor Townshend charged me in his will "to publish without alteration his religious opinions, which he sincerely believed would tend to the happiness of mankind." To publish them without alteration is absolutely impossible; for they are distributed in the strangest fragments through the strangest note-books, pocket-books, slips of paper and what not, and produce a most incoherent and tautological result. I infer that he must have held some always-postponed idea of fitting them together. For these reasons I would certainly publish nothing about them, if I had any discretion in the matter. Having none, I suppose a book must be made. His pictures and rings are gone to the South Kensington Museum, and are now exhibiting there.

Poor Townshend asked me in his will "to publish his religious beliefs without changes, which he truly felt would contribute to the happiness of humanity." It's completely impossible to publish them unchanged; they are scattered in the oddest fragments throughout various note-books, pocket-books, slips of paper, and more, resulting in a very disorganized and repetitive outcome. I gather that he must have always planned to piece them together somehow. For these reasons, I would definitely choose not to publish anything about them if I had any say in it. Since I don't, I guess a book has to be created. His pictures and rings have gone to the South Kensington Museum and are currently on display there.

Charley Collins is no better and no worse. Katie looks very young and very pretty. Her sister and Miss Hogarth (my joint housekeepers) have been on duty this Christmas, and have had enough to do. My boys are now all dispersed in South America, India, and Australia, except Charley, whom I have taken on at "All the Year Round" Office, and Henry, who is an undergraduate at Trinity Hall, and I hope will make his mark there. All well.

Charley Collins is neither better nor worse. Katie looks very young and pretty. Her sister and Miss Hogarth (my joint housekeepers) have been busy this Christmas and have had plenty to do. My boys are now all scattered across South America, India, and Australia, except for Charley, whom I’ve taken on at the "All the Year Round" office, and Henry, who is an undergraduate at Trinity Hall, and I hope he will make a name for himself there. All is well.

The Thames Embankment is (faults of ugliness in detail apart) the finest public work yet done. From Westminster Bridge to near Waterloo it is now lighted up at night, and has a fine effect. They have begun to plant it with trees, and the footway (not the road) is already open to the Temple. Besides its beauty, and its usefulness in relieving the crowded streets, it will greatly quicken and deepen[411] what is learnedly called the "scour" of the river. But the Corporation of London and some other nuisances have brought the weirs above Twickenham into a very bare and unsound condition, and they already begin to give and vanish, as the stream runs faster and stronger.

The Thames Embankment is (aside from some ugly details) the best public project we've done so far. From Westminster Bridge to near Waterloo, it’s now lit up at night and looks great. They've started planting trees along it, and the footpath (not the road) is already open to the Temple. In addition to its beauty and usefulness in easing the crowded streets, it will really enhance the river’s flow, which is technically referred to as the "scour." However, the Corporation of London and other nuisances have left the weirs above Twickenham in a very bare and unsafe state, and they are already starting to give way as the water flows faster and stronger.

Your undersigned friend has had a few occasional reminders of his "true American catarrh." Although I have exerted my voice very much, it has not yet been once touched. In America I was obliged to patch it up constantly.

Your friend below has had a few occasional reminders of his "true American cough." Even though I have used my voice a lot, it hasn't been affected yet. In America, I was always having to manage it.

I like to read your patriarchal account of yourself among your Swiss vines and fig-trees. You wouldn't recognise Gad's Hill now; I have so changed it, and bought land about it. And yet I often think that if Mary were to marry (which she won't) I should sell it and go genteelly vagabondising over the face of the earth. Then indeed I might see Lausanne again. But I don't seem in the way of it at present, for the older I get, the more I do and the harder I work.

I enjoy reading your story of yourself among your Swiss vines and fig trees. You wouldn't recognize Gad's Hill now; I've changed it so much and bought land around it. Yet, I often think that if Mary were to marry (which she won't), I would sell it and travel around the world in style. Then, I might get to see Lausanne again. But right now, it doesn't seem likely, because the older I get, the more I do and the harder I work.

Yours ever affectionately.
Miss Mary Boyle.


Office of "All the Year Round,"
Wednesday, Jan. 6th, 1869.
My dear Mary,

I was more affected than you can easily believe, by the sight of your gift lying on my dressing-table on the morning of the new year. To be remembered in a friend's heart when it is sore is a touching thing; and that and the remembrance of the dead quite overpowered me, the one being inseparable from the other.

I was more impacted than you can imagine by the sight of your gift sitting on my dressing table on New Year's morning. It's really moving to know that a friend thinks of you when they're hurting; that feeling, combined with the memory of those who have passed, completely overwhelmed me, as they are intertwined.

You may be sure that I shall attach a special interest and value to the beautiful present, and shall wear it as a[412] kind of charm. God bless you, and may we carry the friendship through many coming years!

You can be sure that I will hold a special interest and value in the beautiful gift, and I will wear it as a[412] kind of charm. God bless you, and may we continue this friendship for many more years!

My preparations for a certain murder that I had to do last night have rendered me unfit for letter-writing these last few days, or you would have heard from me sooner. The crime being completely off my mind and the blood spilled, I am (like many of my fellow-criminals) in a highly edifying state to-day.

My preparations for a specific murder I had to commit last night have made me unable to write letters these past few days, or you would have heard from me sooner. Now that the crime is completely behind me and the blood has been shed, I am (like many of my fellow criminals) in a surprisingly reflective state today.

Ever believe me, your affectionate Friend.
Miss Dickens.


Torquay, Wednesday, Jan. 27th, 1869.
My sweet Mamie,

We have been doing immensely.

We've been doing really well.

This place is most beautiful, though colder now than one would expect. This hotel, an immense place, built among picturesque broken rocks out in the blue sea, is quite delicious. There are bright green trees in the garden, and new peas a foot high. Our rooms are en suite, all commanding the sea, and each with two very large plate-glass windows. Everything good and well served.

This place is really beautiful, though it's colder now than you'd expect. This hotel, a massive place, is built among picturesque broken rocks in the blue sea, and it's quite lovely. There are bright green trees in the garden and new pea plants a foot tall. Our rooms are en suite, all overlooking the sea, each with two large plate-glass windows. Everything is good and well served.

A pantomime was being done last night, in the place where I am to read to-night. It is something between a theatre, a circus, a riding-school, a Methodist chapel, and a cow-house. I was so disgusted with its acoustic properties on going in to look at it, that the whole unfortunate staff have been all day, and now are, sticking up baize and carpets in it to prevent echoes.

A pantomime was performed last night in the venue where I’m reading tonight. It’s kind of a mix between a theater, a circus, a riding school, a Methodist church, and a cow barn. I was so put off by how it sounded when I first walked in that the whole unfortunate staff has spent all day, and is currently, putting up felt and carpets to reduce the echoes.

I have rarely seen a more uncomfortable edifice than I thought it last night.

I have hardly seen a more uncomfortable building than I did last night.

At Clifton, on Monday night, we had a contagion of fainting. And yet the place was not hot. I should think we had from a dozen to twenty ladies borne out, stiff and rigid, at various times. It became quite ridiculous.[413]

At Clifton, on Monday night, we experienced a wave of fainting. Surprisingly, the place wasn't hot. I would estimate that about a dozen to twenty women were carried out, stiff and rigid, at different times. It became quite ridiculous.[413]

Miss Hogarth.


Bathing, Friday, Jan. 29th, 1869.
My beloved Georgy,

You must not trust blank places in my list, because many have been, and will be, gradually filled up. After the Tuesday's reading in London, I have two for that same week in the country—Nottingham and Leicester. In the following week I have none; but my arrangements are all at sea as yet, for I must somehow and somewhere do an "Uncommercial" in that week, and I also want to get poor Chauncey's "opinions" to the printer.

You shouldn't trust the empty spots on my list, because many have been and will be gradually filled in. After the reading in London on Tuesday, I have two scheduled for that same week in the country—Nottingham and Leicester. The following week, I have none; but my plans are still up in the air, because I need to fit in an "Uncommercial" that week, and I also want to send poor Chauncey's "opinions" to the printer.

This mouldy old roosting-place comes out mouldily as to let of course. I hate the sight of the bygone assembly-rooms, and the Bath chairs trundling the dowagers about the streets. As to to-morrow morning in the daylight!——

This old, rundown place feels outdated, of course. I can’t stand the sight of the old assembly rooms and the Bath chairs rolling around with the ladies in them. Just thinking about tomorrow morning in the daylight!——

I have no cold to speak of. Dolby sends kindest regard.

I don’t have a cold to mention. Dolby sends his best regards.

Mrs. Lehmann.


Workspace, Wednesday, Feb. 3rd, 1869.
Dear Ms. Lehmann,

Before getting your kind note, I had written to Lehmann, explaining why I cannot allow myself any social pleasure while my farewell task is yet unfinished. The work is so very hard, that every little scrap of rest and silence I can pick up is precious. And even those morsels are so flavoured with "All the Year Round," that they are not quite the genuine article.

Before I got your thoughtful note, I had written to Lehmann, explaining why I can't allow myself any social enjoyment while my farewell task isn't finished yet. The work is so difficult that every little bit of rest and silence I can grab is valuable. And even those bits are so mixed with "All the Year Round" that they're not quite the real thing.

Joachim[28] came round to see me at the hall last night, and I told him how sorry I was to forego the pleasure of meeting him (he is a noble fellow!) at your pleasant table.

Joachim[28] stopped by to see me at the hall last night, and I expressed how sorry I was to miss the chance to meet him (he’s a great guy!) at your lovely table.

I am glad you are coming to the "Murder" on the 2nd of March. (The house will be prodigious.) Such little changes as I have made shall be carefully presented to your[414] critical notice, and I hope will be crowned with your approval. But you are always such a fine audience that I have no fear on that head. I saw Chorley yesterday in his own room. A sad and solitary sight. The widowed Drake, with a certain gincoherence of manner, presented a blooming countenance and buxom form in the passage; so buxom indeed that she was obliged to retire before me like a modest stopper, before I could get into the dining decanter where poor Chorley reposed.

I’m glad you’re coming to the "Murder" on March 2nd. (The house will be amazing.) Any small changes I’ve made will be carefully shared for your[414] review, and I hope you’ll approve. But you’re always such a great audience that I’m not worried about that. I saw Chorley yesterday in his own space. It was a sad and lonely sight. The widowed Drake, with a certain coherence thanks to gin, had a bright face and a curvy figure in the hallway—so curvy, in fact, that she had to step aside for me like a modest stopper before I could reach the dining decanter where poor Chorley lay.

Faithfully yours always.

P.S.—My love to Rudie.

P.S.—Sending my love to Rudie.

Miss Hogarth.


Glasgow, Thursday, Feb. 25th, 1869.

I received your letter at Edinburgh this morning. I did not write to you yesterday, as there had been no reading on the previous night.

I got your letter in Edinburgh this morning. I didn’t write to you yesterday because there was no reading the night before.

The foot bears the fatigue wonderfully well, and really occasions me no inconvenience beyond the necessity of wearing the big work of art. Syme saw me again this morning, and utterly scouted the gout notion altogether. I think the Edinburgh audience understood the "Murder" better last night than any audience that has heard it yet. "Business" is enormous, and Dolby jubilant.

The foot handles the fatigue surprisingly well and actually causes me no trouble other than needing to wear this massive work of art. Syme saw me again this morning and completely dismissed the idea of gout. I believe the Edinburgh audience understood the "Murder" better last night than any audience that has experienced it so far. The "Business" is huge, and Dolby is thrilled.

It is a most deplorable afternoon here, deplorable even for Glasgow. A great wind blowing, and sleet driving before it in a storm of heavy blobs. We had to drive our train dead in the teeth of the wind, and got in here late, and are pressed for time.

It’s a really miserable afternoon here, even by Glasgow standards. A strong wind is blowing, and sleet is coming down in heavy bursts. We had to push our train straight into the wind and ended up arriving here late, so we’re short on time.

Strange that in the North we have had absolutely no snow. There was a very thin scattering on the Pentlands for an hour or two, but no more.[415]

It's strange that up North we've had no snow at all. There was a light dusting on the Pentlands for a short time, but that was it.[415]

Miss Hogarth.


Edinburgh, Friday, Feb. 26th, 1869.

Writing to-morrow morning would be all but impracticable for me; would be quite so for Dolby, who has to go to the agents and "settle up" in the midst of his breakfast. So I write to-day, in reply to your note received at Glasgow this morning.

Writing tomorrow morning would be nearly impossible for me; it would definitely be for Dolby, who has to go to the agents and "settle up" in the middle of his breakfast. So I’m writing today in response to your note I received in Glasgow this morning.

The foot conducts itself splendidly. We had a most enormous cram at Glasgow. Syme saw me again yesterday (before I left here for Glasgow), and repeated "Gout!" with the greatest indignation and contempt, several times. The aching is going off as the day goes on, if it be worth mentioning again. The ride from Glasgow was charming this morning; the sun shining brilliantly, and the country looking beautiful.

The foot is doing great. We had a huge gathering in Glasgow. Syme saw me again yesterday (before I left for Glasgow) and kept saying "Gout!" with such annoyance and disdain, multiple times. The pain is easing up as the day goes on, if that’s worth mentioning again. The ride from Glasgow was wonderful this morning; the sun was shining brightly, and the countryside looked lovely.

I told you what the Nortons were. Mabel Lowell is a charming little thing, and very retiring in manner and expression.

I told you who the Nortons are. Mabel Lowell is a lovely little person, and she has a very reserved demeanor and expression.

We shall have a scene here to-night, no doubt. The night before last, Ballantyne, unable to get in, had a seat behind the screen, and was nearly frightened off it by the "Murder." Every vestige of colour had left his face when I came off, and he sat staring over a glass of champagne in the wildest way. I have utterly left off my champagne, and, I think, with good results. Nothing during the readings but a very little weak iced brandy-and-water.

We’re definitely going to have an eventful night here. The night before last, Ballantyne couldn’t get in and had to sit behind the screen. He was almost scared off by the “Murder.” When I got back, his face was completely drained of color, and he was staring at his glass of champagne like he was in shock. I’ve completely stopped drinking champagne, and I think it’s been a good choice. During the readings, I just had a little weak iced brandy and water.

I hope you will find me greatly improved on Tuesday.

I hope you'll see a big improvement in me on Tuesday.

Miss Dickens.


Bham, Friday, March 5th, 1869.

This is to send you my best love, and to wish you many and many happy returns of to-morrow, which I miraculously remember to be your birthday.[416]

I’m sending you all my love and wishing you many happy returns for tomorrow, which I miraculously remember is your birthday.[416]

I saw this morning a very pretty fan here. I was going to buy it as a remembrance of the occasion, when I was checked by a dim misgiving that you had a fan not long ago from Chorley. Tell me what you would like better, and consider me your debtor in that article, whatever it may be.

I saw a really beautiful fan this morning. I was going to buy it as a keepsake from this occasion, but then I remembered you had a fan not too long ago from Chorley. Let me know what you would prefer, and think of me as your debtor for that item, whatever it is.

I have had my usual left boot on this morning, and have had an hour's walk. It was in a gale of wind and a simoom of dust, but I greatly enjoyed it. Immense enthusiasm at Wolverhampton last night over "Marigold." Scott made a most amazing ass of himself yesterday. He reported that he had left behind somewhere three books—"Boots," "Murder," and "Gamp." We immediately telegraphed to the office. Answer, no books there. As my impression was that he must have left them at St. James's Hall, we then arranged to send him up to London at seven this morning. Meanwhile (though not reproached), he wept copiously and audibly. I had asked him over and over again, was he sure he had not put them in my large black trunk? Too sure, too sure. Hadn't opened that trunk after Tuesday night's reading. He opened it to get some clothes out when I went to bed, and there the books were! He produced them with an air of injured surprise, as if we had put them there.

I wore my usual left boot this morning and took an hour-long walk. It was really windy with a dust storm, but I enjoyed it a lot. There was huge excitement in Wolverhampton last night over "Marigold." Scott made a complete fool of himself yesterday. He said he had left three books somewhere—"Boots," "Murder," and "Gamp." We immediately telegraphed the office. The reply was that there were no books there. Since I thought he must have left them at St. James's Hall, we arranged to send him up to London at seven this morning. In the meantime, even though no one blamed him, he cried a lot and could be heard. I kept asking him if he was sure he hadn’t put them in my large black trunk. He was too sure, too sure. He hadn’t opened that trunk since Tuesday night’s reading. He opened it to get some clothes out when I went to bed, and there were the books! He took them out looking injured, as if we had hidden them there.

Miss Hogarth.


Queen's Hotel, Manchester, Sunday, March 7th, 1869.

We have had our sitting-room chimney afire this morning, and have had to turn out elsewhere to breakfast; but the chamber has since been cleaned up, and we are reinstated. Manchester is (for Manchester) bright and fresh.

We had our living room chimney on fire this morning, so we had to go out for breakfast; but the room has been cleaned up since, and we're back to normal. Manchester is (for Manchester) bright and fresh.

Tell Russell that a crop of hay is to be got off the[417] meadow this year, before the club use it. They did not make such use of it last year as reconciles me to losing another hay-crop. So they must wait until the hay is in, before they commence active operations.

Tell Russell that we need to harvest a crop of hay from the[417] meadow this year, before the club uses it. They didn't use it last year in a way that makes me okay with losing another hay harvest. So, they have to wait until the hay is in before they start their activities.

Poor Olliffe! I am truly sorry to read those sad words about his suffering, and fear that the end is not far off.

Poor Olliffe! I'm really sorry to read those sad words about his suffering, and I worry that the end is not far away.

We are very comfortably housed here, and certainly that immense hall is a wonderful place for its size. Without much greater expenditure of voice than usual, I a little enlarged the action last night, and Dolby (who went to all the distant points of view) reported that he could detect no difference between it and any other place. As always happens now—and did not at first—they were unanimously taken by Noah Claypole's laugh. But the go, throughout, was enormous. Sims Reeves was doing Henry Bertram at the theatre, and of course took some of our shillings. It was a night of excitement for Cottonopolis.

We are very comfortably settled here, and that huge hall is definitely an impressive space for its size. I slightly raised the volume of my performance last night without straining my voice too much, and Dolby (who checked from all the far-off spots) said he couldn’t tell any difference from any other venue. As always happens now—and didn’t at first—they were all completely taken by Noah Claypole's laugh. But the energy, overall, was incredible. Sims Reeves was performing Henry Bertram at the theater, and of course took some of our ticket money. It was an exciting night for Cottonopolis.

I received from Mrs. Keeley this morning a very good photograph of poor old Bob. Yesterday I had a letter from Harry, reminding me that our intended Cambridge day is the day next after that of the boat-race. Clearly it must be changed.

I got a great photo of poor old Bob from Mrs. Keeley this morning. Yesterday, I received a letter from Harry, reminding me that our planned day in Cambridge is the day right after the boat race. Clearly, it needs to be changed.

Miss Hogarth.


Queen's Hotel, Manchester, Saturday, March 20th, 1869.

Getting yours and its enclosure, Mary's note, at two this afternoon, I write a line at once in order that you may have it on Monday morning.

Getting yours and its enclosure, Mary's note, at two this afternoon, I write a line right away so you can have it on Monday morning.

The Theatre Royal, Liverpool, will be a charming place to read in. Ladies are to dine at the dinner, and we hear it is to be a very grand affair. Dolby is doubtful whether it may not "hurt the business," by drawing a great deal of money in another direction, which I think possible enough.[418] Trade is very bad here, and the gloom of the Preston strike seems to brood over the place. The Titiens Company have been doing wretchedly. I should have a greater sympathy with them if they were not practising in the next room now.

The Theatre Royal, Liverpool, is going to be a lovely spot to read. The ladies will have dinner, and we’ve heard it's going to be quite an impressive event. Dolby is concerned that it might "hurt the business" by pulling a lot of money in another direction, which I think is a valid point.[418] Business is really struggling here, and the shadow of the Preston strike seems to hang over everything. The Titiens Company has been doing poorly. I would feel more sympathy for them if they weren’t rehearsing in the next room right now.

My love to Letitia and Harriette,[29] wherein Dolby (highly gratified by being held in remembrance) joins with the same to you.

My love to Letitia and Harriette,[29] in which Dolby (very pleased to be remembered) sends his regards to you as well.

Miss Hogarth.


Manchester, Sunday, March 21st, 1869.

Will you tell Mary that I have had a letter from Frith, in which he says that he will be happy to show her his pictures "any day in the first week of April"? I have replied that she will be proud to receive his invitation. His object in writing was to relieve his mind about the "Murder," of which he cannot say enough.

Will you tell Mary that I've received a letter from Frith, in which he says he would be happy to show her his pictures "any day in the first week of April"? I've replied that she will be thrilled to get his invitation. His reason for writing was to clear his mind about the "Murder," which he can’t stop talking about.

Tremendous enthusiasm here last night, calling in the most thunderous manner after "Marigold," and again after the "Trial," shaking the great hall, and cheering furiously.

Tremendous excitement here last night, with people cheering loudly after "Marigold," and again after the "Trial," shaking the great hall and cheering wildly.

Love to all.

Love everyone.

Mr. John Clarke.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday, March 24th, 1869.
Ladies and gentlemen,

I beg to assure you that I am much gratified by the desire you do me the honour to express in your letter handed to me by Mr. John Clarke.

I want to assure you that I’m very pleased by the interest you expressed in your letter delivered to me by Mr. John Clarke.

Before that letter reached me, I had heard of your wish, and had mentioned to Messrs. Chappell that it would be highly agreeable to me to anticipate it, if possible. They readily responded, and we agreed upon having three morning[419] readings in London. As they are not yet publicly announced, I add a note of the days and subjects:

Before that letter got to me, I had heard about your request and told Messrs. Chappell that I would really like to fulfill it if I could. They quickly agreed, and we settled on having three morning[419] readings in London. Since they haven't been publicly announced yet, I'm including the details of the days and topics:

Saturday, May 1st. "Boots at the Holly-Tree Inn," and "Sikes and Nancy" from "Oliver Twist."

Saturday, May 1st. "Boots at the Holly-Tree Inn," and "Sikes and Nancy" from "Oliver Twist."

Saturday, May 8th. "The Christmas Carol."

Saturday, May 8th. "A Christmas Carol."

Saturday, May 22nd. "Sikes and Nancy" from "Oliver Twist," and "The Trial" from "Pickwick."

Saturday, May 22nd. "Sikes and Nancy" from "Oliver Twist," and "The Trial" from "Pickwick."

With the warmest interest in your art, and in its claims upon the general gratitude and respect,

With sincere appreciation for your art and its deserving place in the public's gratitude and respect,

Believe me, always faithfully your Friend.
Miss Hogarth.


Adelphi Hotel, Liverpool, Sunday, April 4th, 1869.

By this post I send to Mary the truly affecting account of poor dear Katie Macready's death. It is as sorrowful as anything so peaceful and trustful can be!

By this post, I’m sending Mary the truly touching account of poor dear Katie Macready's death. It’s as sad as anything so peaceful and trusting can be!

Both my feet are very tender, and often feel as though they were in hot water. But I was wonderfully well and strong, thank God! and had no end of voice for the two nights running in that great Birmingham hall. We had enormous houses.

Both my feet are really sore, and they often feel like they’re in hot water. But I was feeling fantastic and strong, thank God! I had plenty of energy for two straight nights in that big Birmingham hall. We had huge audiences.

So far as I understand the dinner arrangements here, they are much too long. As to the acoustics of that hall, and the position of the tables (both as bad as bad can be), my only consolation is that, if anybody can be heard, I probably can be. The honorary secretary tells me that six hundred people are to dine. The mayor, being no speaker and out of health besides, hands over the toast of the evening to Lord Dufferin. The town is full of the festival. The Theatre Royal, touched up for the occasion, will look remarkably bright and well for the readings, and our lets are large. It is remarkable that our largest let as yet is for Thursday,[420] not Friday. I infer that the dinner damages Friday, but Dolby does not think so. There appears to be great curiosity to hear the "Murder." (On Friday night last I read to two thousand people, and odd hundreds.)

As far as I understand the dinner plans here, they’re way too long. The acoustics in that hall and the table arrangements are both really bad. My only comfort is that if anyone can be heard, it’s probably me. The honorary secretary mentioned that six hundred people are set to dine. The mayor, who isn’t much of a speaker and is unwell, is passing the toast of the evening over to Lord Dufferin. The town is buzzing with the festival. The Theatre Royal, spruced up for the occasion, should look quite bright and good for the readings, and our bookings are plentiful. It’s notable that our largest booking so far is for Thursday,[420] not Friday. I guess the dinner affects Friday, but Dolby doesn’t think so. There seems to be a lot of interest in hearing the "Murder." (Last Friday night, I performed for two thousand people, plus a few hundred more.)

I hear that Anthony Trollope, Dixon, Lord Houghton, Lemon, Esquiros (of the Revue des Deux Mondes), and Sala are to be called upon to speak; the last, for the newspaper press. All the Liverpool notabilities are to muster. And Manchester is to be represented by its mayor with due formality.

I hear that Anthony Trollope, Dixon, Lord Houghton, Lemon, Esquiros (from the Revue des Deux Mondes), and Sala are going to speak; the last one for the newspaper press. All the important people from Liverpool are expected to show up. And Manchester will be represented by its mayor in a formal manner.

I had been this morning to look at St. George's Hall, and suggest what can be done to improve its acoustics. As usually happens in such cases, their most important arrangements are already made and unchangeable. I should not have placed the tables in the committee's way at all, and could certainly have placed the daïs to much greater advantage. So all the good I could do was to show where banners could be hung with some hope of stopping echoes. Such is my small news, soon exhausted. We arrived here at three yesterday afternoon; it is now mid-day; Chorley has not yet appeared, but he had called at the local agent's while I was at Birmingham.

I went to check out St. George's Hall this morning and see what could be done to improve its acoustics. As usual, the most important arrangements are already set and can’t be changed. I definitely shouldn’t have put the tables in the committee’s way, and I could have positioned the stage much better. So, all I could really do was suggest where banners could be hung to help reduce echoes. That’s about all the news I have. We got here at three yesterday afternoon, and now it’s noon; Chorley still hasn't shown up, but he did visit the local agent’s while I was in Birmingham.

It is a curious little instance of the way in which things fit together that there is a ship-of-war in the Mersey, whose flags and so forth are to be brought up to St. George's Hall for the dinner. She is the Donegal, of which Paynter told me he had just been captain, when he told me all about Sydney at Bath.

It’s an interesting little coincidence that there is a warship in the Mersey, whose flags and decorations are going to be taken to St. George's Hall for the dinner. She is the Donegal, which Paynter mentioned he had just been the captain of when he told me all about Sydney at Bath.

One of the pleasantest things I have experienced here this time, is the manner in which I am stopped in the streets by working men, who want to shake hands with me, and tell me they know my books. I never go out but this happens. Down at the docks just now, a cooper with a fearful stutter[421] presented himself in this way. His modesty, combined with a conviction that if he were in earnest I would see it and wouldn't repel him, made up as true a piece of natural politeness as I ever saw.

One of the nicest things I've experienced here this time is how working men stop me in the streets to shake hands and tell me they know my books. It happens every time I go out. Just now at the docks, a cooper with a severe stutter came up to me like this. His shyness, along with the belief that if he were sincere, I would notice and not turn him away, created a genuinely polite interaction that I've rarely seen.

Miss Hogarth.


Imperial Hotel, Blackpool, Wednesday, April 21st, 1869.

I send you this hasty line to let you know that I have come to this sea-beach hotel (charming) for a day's rest. I am much better than I was on Sunday, but shall want careful looking to, to get through the readings. My weakness and deadness are all on the left side, and if I don't look at anything I try to touch with my left hand, I don't know where it is. I am in (secret) consultation with Frank Beard; he recognises, in the exact description I have given him, indisputable evidences of overwork, which he would wish to treat immediately. So I have said: "Go in and win."

I’m sending you this quick note to let you know I’ve come to this charming seaside hotel for a day of rest. I’m feeling much better than I was on Sunday, but I’ll need to be careful to get through the readings. My weakness and numbness are all on the left side, and if I don’t look at something I try to touch with my left hand, I have no idea where it is. I’m in (secret) talks with Frank Beard; he sees clear signs of overwork in the exact description I gave him, which he wants to address right away. So I said, “Go in and win.”

I have had a delicious walk by the sea to-day, and I sleep soundly, and have picked up amazingly in appetite. My foot is greatly better too, and I wear my own boot.

I had a wonderful walk by the sea today, and I sleep well now, plus my appetite has really improved. My foot is also feeling much better, and I can wear my own boot.

Miss Dickens.


Preston, Thursday Evening, April 22nd, 1869.

Don't be in the least alarmed. Beard has come down, and instantly echoes my impression (perfectly unknown to him), that the readings must be stopped. I have had symptoms that must not be disregarded. I go to Liverpool to-night with him (to get away from here), and proceed to the office to-morrow.[422]

Don't worry at all. Beard has arrived and immediately shares my unspoken concern that the readings need to be stopped. I've experienced some signs that can't be ignored. I'm going to Liverpool tonight with him (to escape this place) and will head to the office tomorrow.[422]

The Lord John Russell.


Gad's Hill Place, Higham near Rochester, Kent,
Wednesday, May 26th, 1869.
Dear Lord Russell,

I have delayed answering your kind letter, in order that you might get home before I wrote. I am happy to report myself quite well again, and I shall be charmed to come to Pembroke Lodge on any day that may be most convenient to Lady Russell and yourself after the middle of June.

I’ve held off on responding to your lovely letter so you could get home before I did. I’m happy to say I’m feeling much better now, and I’d be delighted to visit Pembroke Lodge on whatever day works best for Lady Russell and you after mid-June.

You gratify me beyond expression by your reference to the Liverpool dinner. I made the allusion to you with all my heart at least, and it was most magnificently received.

You make me really happy with your mention of the Liverpool dinner. I brought it up with genuine affection, and it was received wonderfully.

I beg to send my kind regard to Lady Russell, with many thanks for her remembrance, and am ever,

I want to send my best regards to Lady Russell, along with my heartfelt thanks for thinking of me, and I am always,

My dear Lord Russell, faithfully yours.
Mr. W. H. Wills.


Office of "All the Year Round",
Thursday, June 24th, 1869.
Dear Wills,

At a great meeting[30] compounded of your late "Chief," Charley, Morley, Grieve, and Telbin, your letter was read to-day, and a very sincere record of regret and thanks was placed on the books of the great institution.

At a big meeting[30] that included your late "Chief," Charley, Morley, Grieve, and Telbin, your letter was read today, and a heartfelt record of appreciation and sorrow was added to the records of the large institution.

Many thanks for the suggestion about the condition of churches. I am so aweary of church questions of all sorts that I am not quite clear as to tackling this. But I am turning it in my mind. I am afraid of two things: firstly, that the thing would not be picturesquely done; secondly, that a general cucumber-coolness would pervade the mind of our circulation.

Many thanks for the suggestion about the state of churches. I'm so tired of all church-related issues that I'm not sure how to approach this. But I'm thinking it over. I'm worried about two things: first, that it won’t be done in an interesting way; and second, that an overall lack of enthusiasm will spread among our audience.

Nothing new here but a speaking-pipe, a post-box, and a mouldy smell from some forgotten crypt—an extra mouldy smell, mouldier than of yore. Lillie sniffs, projects one eye into nineteen hundred and ninety-nine, and does no more.

Nothing new here but a speaking tube, a mailbox, and a musty smell coming from some long-forgotten crypt—an even mustier smell than before. Lillie sniffs, looks one eye into nineteen ninety-nine, and does nothing more.

I have been to Chadwick's, to look at a new kind of cottage he has built (very ingenious and cheap).

I went to Chadwick's to check out a new type of cottage he built (really clever and affordable).

We were all much disappointed last Saturday afternoon by a neighbouring fire being only at a carpenter's, and not at Drury Lane Theatre. Ellen's[31] child having an eye nearly poked out by a young friend, and being asked whether the young friend was not very sorry afterwards, replied: "No. She wasn't. I was."

We were all pretty disappointed last Saturday afternoon when a fire nearby turned out to be just at a carpenter's shop, not at Drury Lane Theatre. Ellen's[31] child had nearly got their eye poked out by a young friend, and when asked if the young friend felt really sorry afterwards, replied: "No. She wasn’t. I was."

London execrable.

London is terrible.

Ever affectionately yours.

P.S.—Love to Mrs. Wills.

P.S.—Love to Mrs. Wills.

Mr. Shirley Brooks.


Gad's Hill Place, Higham near Rochester, Kent,
Tuesday, July 12th, 1869.
Dear Brooks,

I have appended my sign manual to the memorial, which I think is very discreetly drawn up. I have a strong feeling of sympathy with poor Mrs. Cunningham, for I remember the pretty house she managed charmingly. She has always done her duty well, and has had hard trials. But I greatly doubt the success of the memorial, I am sorry to add.

I’ve attached my signature to the memorial, which I believe is really well written. I feel a lot of compassion for poor Mrs. Cunningham, as I recall how beautifully she managed her lovely home. She has always fulfilled her responsibilities admirably and has faced tough challenges. However, I’m afraid I really doubt the success of the memorial, and I regret to say that.

It was hotter here yesterday on this Kentish chalk than I have felt it anywhere for many a day. Now it is overcast and raining hard, much to the satisfaction of great farmers like myself.

It was hotter here yesterday on this Kentish chalk than I’ve felt anywhere in a long time. Now it’s overcast and raining hard, much to the delight of big farmers like me.

I am glad to infer from your companionship with the Cocked Hats, that there is no such thing as gout within several miles of you. May it keep its distance.

I’m happy to think from your friendship with the Cocked Hats that there’s no gout anywhere near you. Hopefully, it stays far away.

Ever, my dear Brooks, faithfully yours.
Mr. W. C. Macready.


Gad's Hill, Tuesday, July 20th, 1869.
My dear Macready,

I have received your letter here to-day, and deeply feel with you and for you the affliction of poor dear Katie's loss. I was not unprepared for the sad news, but it comes in such a rush of old remembrances and withered joys that strikes to the heart.

I got your letter today, and I really feel for you with the pain of losing dear Katie. I was somewhat ready for the bad news, but it hits me hard with a flood of old memories and faded happiness that pierces the heart.

God bless you! Love and youth are still beside you, and in that thought I take comfort for my dear old friend.

God bless you! Love and youth are still with you, and knowing that brings me comfort for my dear old friend.

I am happy to report myself perfectly well and flourishing. We are just now announcing the resumption and conclusion of the broken series of farewell readings in a London course of twelve, beginning early in the new year.

I’m pleased to say that I’m doing great and thriving. We’re currently announcing the restart and completion of the interrupted series of farewell readings in a London course of twelve, starting early in the new year.

Scarcely a day has gone by this summer in which we have not talked of you and yours. Georgina, Mary, and I continually speak of you. In the spirit we certainly are even more together than we used to be in the body in the old times. I don't know whether you have heard that Harry has taken the second scholarship (fifty pounds a year) at Trinity Hall, Cambridge. The bigwigs expect him to do a good deal there.

Scarcely a day has gone by this summer without us talking about you and your family. Georgina, Mary, and I constantly discuss you. In spirit, we’re definitely more connected than we used to be in person back in the day. I’m not sure if you’ve heard, but Harry has won the second scholarship (fifty pounds a year) at Trinity Hall, Cambridge. The higher-ups expect him to accomplish a lot there.

Wills having given up in consequence of broken health (he has been my sub-editor for twenty years), I have taken Charley into "All the Year Round." He is a very good man of business, and evinces considerable aptitude in sub-editing work.

Wills has stepped down due to health issues (he's been my sub-editor for twenty years), so I've brought Charley onto "All the Year Round." He's really good with the business side of things and shows a lot of skill in sub-editing work.

This place is immensely improved since you were here,[425] and really is now very pretty indeed. We are sorry that there is no present prospect of your coming to see it; but I like to know of your being at the sea, and having to do—from the beach, as Mrs. Keeley used to say in "The Prisoner of War"—with the winds and the waves and all their freshening influences.

This place has improved a lot since you were here,[425] and it's actually really beautiful now. We're sorry that there's no chance of you coming to see it soon; but I’m glad to hear you’re by the sea, dealing—with the waves and the winds and all their refreshing effects, just like Mrs. Keeley used to say in "The Prisoner of War."

I dined at Greenwich a few days ago with Delane. He asked me about you with much interest. He looks as if he had never seen a printing-office, and had never been out of bed after midnight.

I had dinner at Greenwich a few days ago with Delane. He asked me about you with a lot of interest. He looks like he’s never been in a print shop and has never been out of bed after midnight.

Great excitement caused here by your capital news of Butty. I suppose Willy has at least a dozen children by this time.

Great excitement here about your amazing news on Butty. I guess Willy must have at least a dozen kids by now.

Our loves to the noble boy and to dear Mrs. Macready.

Our love for the noble boy and for dear Mrs. Macready.

Always, my dearest Macready,
Your attached and affectionate.
Mr. Edmund Ollier.


Gad's Hill Place, Higham near Rochester, Kent,
Tuesday, Aug. 3rd, 1869.
Dear Mr. Ollier,

I am very sensible of the feeling of the Committee towards me; and I receive their invitation (conveyed through you) as a most acceptable mark of their consideration.

I truly appreciate how the Committee feels about me, and I take their invitation (passed on through you) as a very kind gesture of their thoughtfulness.

But I have a very strong objection to speech-making beside graves. I do not expect or wish my feeling in this wise to guide other men; still, it is so serious with me, and the idea of ever being the subject of such a ceremony myself is so repugnant to my soul, that I must decline to officiate.

But I have a very strong objection to giving speeches next to graves. I don’t expect or want my feelings on this to influence others; however, it is so serious to me, and the thought of ever being the focus of such a ceremony myself is so repulsive to me, that I have to decline to officiate.

Faithfully yours always.
Miss Dickens.


Office of "All the Year Round," 26 Wellington Street,
Strand, London, WC
Tuesday, Aug. 3rd, 1869.
My beloved Mamie,

I send you the second chapter of the remarkable story. The printer is late with it, and I have not had time to read it, and as I altered it considerably here and there, I have no doubt there are some verbal mistakes in it. However, they will probably express themselves.

I’m sending you the second chapter of the amazing story. The printer is late with it, and I haven’t had time to read it. Since I made quite a few changes here and there, I’m sure there are some typos in it. But they’ll probably sort themselves out.

But I offer a prize of six pairs of gloves—between you, and your aunt, and Ellen Stone, as competitors—to whomsoever will tell me what idea in this second part is mine. I don't mean an idea in language, in the turning of a sentence, in any little description of an action, or a gesture, or what not in a small way, but an idea, distinctly affecting the whole story as I found it. You are all to assume that I found it in the main as you read it, with one exception. If I had written it, I should have made the woman love the man at last. And I should have shadowed that possibility out, by the child's bringing them a little more together on that holiday Sunday.

But I'm offering a prize of six pairs of gloves—between you, your aunt, and Ellen Stone, as competitors—for whoever can tell me what idea in this second part is mine. I don't mean an idea about language, the way sentences are structured, or any little description of an action, gesture, or anything else minor, but an idea that clearly affects the whole story as I found it. You should all assume that I found it mostly as you read it, with one exception. If I had written it, I would have made the woman eventually love the man. And I would have hinted at that possibility through the child bringing them a little closer together on that holiday Sunday.

But I didn't write it. So, finding that it wanted something, I put that something in. What was it?

But I didn't write it. So, realizing it was missing something, I added that something in. What was it?

Love to Ellen Stone.

Love you, Ellen Stone.

Mr. Arthur Ryland.


Gad's Hill Place, Higham near Rochester, Kent,
Friday, Aug. 13th, 1869.
Dear Mr. Ryland,

Many thanks for your letter.

Thanks for your letter.

I have very strong opinions on the subject of speechification, and hold that there is, everywhere, a vast amount too much of it. A sense of absurdity would be so strong upon me, if I got up at Birmingham to make a flourish on[427] the advantages of education in the abstract for all sorts and conditions of men, that I should inevitably check myself and present a surprising incarnation of the soul of wit. But if I could interest myself in the practical usefulness of the particular institution; in the ways of life of the students; in their examples of perseverance and determination to get on; in their numbers, their favourite studies, the number of hours they must daily give to the work that must be done for a livelihood, before they can devote themselves to the acquisition of new knowledge, and so forth, then I could interest others. This is the kind of information I want. Mere holding forth "I utterly detest, abominate, and abjure."

I have very strong opinions on the topic of public speaking and believe that there’s way too much of it everywhere. If I stood up in Birmingham to make a grand speech about the benefits of education in general for all kinds of people, I would feel such a sense of absurdity that I would probably stop myself and end up making a witty remark instead. But if I could focus on the practical usefulness of the specific institution; the lifestyles of the students; their examples of perseverance and determination to succeed; their numbers, their favorite subjects, the hours they have to put in each day to earn a living before they can immerse themselves in learning new things, and so on, then I could engage others. This is the kind of information I want. I absolutely "detest, abominate, and abjure" just talking for the sake of talking.

I fear I shall not be in London next week. But if you will kindly send me here, at your leisure, the roughest notes of such points as I have indicated, I shall be heartily obliged to you, and will take care of their falling into shape and order in my mind. Meantime I "make a note of" Monday, 27th September, and of writing to you touching your kind offer of hospitality, three weeks before that date.

I’m afraid I won’t be in London next week. However, if you could send me the rough notes on the points I mentioned whenever you have a chance, I would really appreciate it and will organize them in my mind. In the meantime, I’ll remember Monday, September 27th, and will write to you about your generous offer of hospitality three weeks before that date.

I beg to send my kind regard to Mrs. and Miss Ryland, and am always,

I’d like to send my warm regards to Mrs. and Miss Ryland, and I am always,

Very faithfully yours.
Mr. Frederic Ouvry.


Gad's Hill Place, Higham near Rochester, Kent,
Sunday, Aug. 22nd, 1869.
Dear Ouvry,

I will expect a call from you at the office, on Thursday, at your own most convenient hour. I admit the soft impeachment concerning Mrs. Gamp: I likes my payments to be made reg'lar, and I likewise likes my publisher to draw it mild.

I’ll be waiting for your call at the office on Thursday, whenever works best for you. I acknowledge the gentle criticism about Mrs. Gamp: I prefer my payments to be regular, and I also like my publisher to take it easy.

Ever yours.
Mr. Arthur Ryland.


Gad's Hill Place, Higham near Rochester, Kent,
Monday, Sept. 6th, 1869.
Dear Mr. Ryland,

I am sorry to find—I had a foreshadowing of it some weeks ago—that I shall not be able to profit by your kind offer of hospitality when I come to Birmingham for our Institution. I must come down in time for a quiet dinner at the hotel with my "Readings" secretary, Mr. Dolby, and must away next morning. Besides having a great deal in hand just now (the title of a new book among other things), I shall have visitors from abroad here at the time, and am severely claimed by my daughter, who indeed is disloyal to Birmingham in the matter of my going away at all. Pray represent me to Mrs. Ryland as the innocent victim of circumstances, and as sacrificing pleasure to the work I have to do, and to the training under which alone I can do it without feeling it.

I’m sorry to say—I had a feeling of this a few weeks ago—that I won’t be able to take you up on your generous offer of hospitality when I come to Birmingham for our Institution. I need to arrive in time for a quiet dinner at the hotel with my "Readings" secretary, Mr. Dolby, and I have to leave the next morning. Besides having a lot on my plate right now (including the title of a new book, among other things), I’ll have visitors from abroad then, and my daughter is being quite demanding, as she’s not thrilled about me going away at all. Please let Mrs. Ryland know that I’m just an innocent victim of circumstances, sacrificing enjoyment for the work I need to do, and for the focus that’s the only way I can handle it without feeling overwhelmed.

You will see from the enclosed that I am in full force, and going to finish my readings, please God, after Christmas. I am in the hope of receiving your promised notes in due course, and continue in the irreverent condition in which I last reported myself on the subject of speech-making. Now that men not only make the nights of the session hideous by what the Americans call "orating" in Parliament, but trouble the peace of the vacation by saying over again what they said there (with the addition of what they didn't say there, and never will have the courage to say there), I feel indeed that silence, like gold across the Atlantic, is a rarity at a premium.

You’ll see from the enclosed that I’m fully engaged and plan to finish my readings, hoping for God’s help, after Christmas. I’m looking forward to receiving your promised notes soon, and I remain in the same irreverent state I mentioned last time regarding speech-making. Now that men not only make the nights of the session unbearable with what the Americans call “orating” in Parliament, but also disturb the peace of the break by repeating what they said there (along with what they didn’t say and will never have the guts to say), I genuinely feel that silence, like gold across the Atlantic, is a rare and valuable thing.

Faithfully yours always.
Mr. William Charles Kent.


Office of "All the Year Round",
Thursday, Oct. 7th, 1869.
My dear friend Kent,

I felt that you would be deeply disappointed. I thought it better not to make the first sign while you were depressed, but my mind has been constantly with you. And not mine alone. You cannot think with what affection and sympathy you have been made the subject of our family dinner talk at Gad's Hill these last three days. Nothing could exceed the interest of my daughters and my sister-in-law, or the earnestness of their feeling about it. I have been really touched by its warm and genuine expression.

I felt that you would be really disappointed. I thought it would be better not to reach out while you were feeling down, but I’ve been constantly thinking about you. And it’s not just me. You wouldn’t believe how much affection and concern you’ve been the focus of at our family dinners at Gad's Hill these last three days. The interest from my daughters and my sister-in-law has been incredible, and their feelings have been truly heartfelt. I’ve been genuinely moved by how warm and sincere their expressions have been.

Cheer up, my dear fellow; cheer up, for God's sake. That is, for the sake of all that is good in you and around you.

Cheer up, my friend; come on, for goodness' sake. That is, for the sake of everything good in you and in the world around you.

Ever your affectionate Friend.
Mr. W. C. Macready.


Gad's Hill, Monday, Oct. 18th, 1869.
My dear Macready,

I duly received your letter nearly a fortnight ago, with the greatest interest and pleasure. Above all things I am delighted with the prospect of seeing you here next summer; a prospect which has been received with nine times nine and one more by the whole house. You will hardly know the place again, it is so changed. You are not expected to admire, but there is a conservatory building at this moment—be still, my soul!

I received your letter about two weeks ago with so much interest and happiness. More than anything, I’m thrilled about the chance to see you here next summer; everyone in the house is super excited about it. You might not recognize the place since it’s changed so much. You’re not expected to praise it, but there’s currently a conservatory being built—oh my goodness!

This leaves me in the preliminary agonies of a new book, which I hope to begin publishing (in twelve numbers, not twenty) next March. The coming readings being all in London, and being, after the first fortnight, only once a week, will divert my attention very little, I hope.[430]

This puts me in the early struggles of a new book, which I plan to start publishing (in twelve issues, not twenty) next March. Since the upcoming readings are all in London and, after the first two weeks, will only be once a week, I hope they won’t distract me too much.[430]

Harry has just gone up to Cambridge again, and I hope will get a fellowship in good time.

Harry has just gone back to Cambridge, and I hope he will get a fellowship soon.

Wills is much gratified by your remembrance, and sends you his warm regard. He wishes me to represent that he is very little to be pitied. That he suffers no pain, scarcely inconvenience, even, so long as he is idle. That he likes idleness exceedingly. He has bought a country place by Welwyn in Hertfordshire, near Lytton's, and takes possession presently.

Wills is really pleased by your message and sends you his warm regards. He wants me to convey that he hardly needs any sympathy. He feels no pain and hardly any inconvenience, as long as he's not busy. He really enjoys being idle. He has bought a country home near Welwyn in Hertfordshire, close to Lytton's, and will be moving in soon.

My boy Sydney is now a second lieutenant, the youngest in the Service, I believe. He has the highest testimonials as an officer.

My son Sydney is now a second lieutenant, the youngest in the Service, I think. He has the best recommendations as an officer.

You may be quite sure there will be no international racing in American waters. Oxford knows better, or I am mistaken. The Harvard crew were a very good set of fellows, and very modest.

You can be pretty sure there won’t be any international racing in American waters. Oxford knows better, or I’m wrong. The Harvard crew were a really solid group of guys, and they were very down to earth.

Ryland of Birmingham doesn't look a day older, and was full of interest in you, and asked me to remind you of him. By-the-bye, at Elkington's I saw a pair of immense tea-urns from a railway station (Stafford), sent there to be repaired. They were honeycombed within in all directions, and had been supplying the passengers, under the active agency of hot water, with decomposed lead, copper, and a few other deadly poisons, for heaven knows how many years!

Ryland of Birmingham looks as young as ever and was really interested in you. He asked me to remind you of him. By the way, at Elkington's I saw a pair of huge tea-urns from a railway station (Stafford) that were sent there for repairs. They were completely eaten away inside in all directions and had been providing passengers, with the help of hot water, with decomposed lead, copper, and a few other deadly toxins for who knows how many years!

I must leave off in a hurry to catch the post, after a hard day's work.

I have to quickly leave to catch the mail after a long day at work.

Always, my dearest Macready,
Your most affectionate and attached.

1870.

NARRATIVE.

Charles Dickens passed his last Christmas and New Year's Day at Gad's Hill, with a party of family and friends, in the usual way, except that he was suffering again from an attack of the foot trouble, particularly on Christmas Day, when he was quite disabled by it and unable to walk at all—able only to join the party in the evening by keeping his room all day. However, he was better in a day or two, and early in January he went to London, where he had taken the house of his friends, Mr. and Mrs. Milner Gibson, for the season.

His series of "Farewell Readings" at St. James's Hall began in January, and ended on the 16th March. He was writing "Edwin Drood" also, and was, of course, constantly occupied with "All the Year Round" work. In the beginning of January, he fulfilled his promise of paying a second visit to Birmingham and making a speech, of which he writes in his last letter to Mr. Macready.

His series of "Farewell Readings" at St. James's Hall started in January and wrapped up on March 16th. He was also working on "Edwin Drood" and was, of course, busy with "All the Year Round" tasks. At the beginning of January, he kept his promise to visit Birmingham again and give a speech, which he mentions in his last letter to Mr. Macready.

For his last reading he gave the "Christmas Carol" and "The Trial" from "Pickwick," and at the end of the evening he addressed a few farewell words to his audience. It was a memorable and splendid occasion. He was very deeply affected by the loving enthusiasm of his greeting, and it was a real sorrow to him to give up for ever the personal associations with thousands of the readers of his books. But when the pain, mingled with pleasure, of this last reading was over, he felt greatly the relief of having undisturbed time for his own quieter pursuits, and looked forward to writing the last numbers of "Edwin Drood" at Gad's Hill, where he was to return in June.[432]

For his last reading, he presented "A Christmas Carol" and "The Trial" from "The Pickwick Papers," and at the end of the evening, he shared a few farewell words with his audience. It was a memorable and wonderful event. He was deeply moved by the warm enthusiasm of their welcome, and it truly saddened him to part ways forever with the personal connections he had with thousands of his readers. However, once the bittersweet experience of this final reading was over, he felt a significant relief at the prospect of having uninterrupted time for his own quieter interests, and he looked forward to finishing the last chapters of "Edwin Drood" at Gad's Hill, where he planned to return in June.[432]

The last public appearance of any kind that he made was at the Royal Academy dinner in May. He was at the time far from well, but he made a great effort to be present and to speak, from his strong desire to pay a tribute to the memory of his dear old friend Mr. Maclise, who died in April.

The last public event he attended was the Royal Academy dinner in May. He wasn't feeling well, but he made a big effort to be there and to speak because he really wanted to honor the memory of his dear friend Mr. Maclise, who passed away in April.

Her Majesty having expressed a wish, conveyed through Mr. Helps (afterwards Sir Arthur Helps), to have a personal interview with Charles Dickens, he accompanied Mr. Helps to Buckingham Palace one afternoon in March. He was most graciously and kindly received by her Majesty, and came away with a hope that the visit had been mutually agreeable. The Queen presented him with a copy of her "Journal in the Highlands," with an autograph inscription. And he had afterwards the pleasure of requesting her acceptance of a set of his books. He attended a levée held by the Prince of Wales in April, and the last time he dined out in London was at a party given by Lord Houghton for the King of the Belgians and the Prince of Wales, who had both expressed a desire to meet Charles Dickens. All through the season he had been suffering, at intervals, from the swollen foot, and on this occasion it was so bad, that up to the last moment it was very doubtful whether he could fulfil his engagement.

Her Majesty expressed a desire, communicated through Mr. Helps (later Sir Arthur Helps), to have a personal meeting with Charles Dickens. He joined Mr. Helps at Buckingham Palace one afternoon in March. She graciously and kindly welcomed him, and he left feeling that the visit was enjoyable for both of them. The Queen gifted him a copy of her "Journal in the Highlands," complete with her autograph inscription. Later, he had the pleasure of offering her a set of his books. He attended a levée hosted by the Prince of Wales in April, and the last time he dined out in London was at a party thrown by Lord Houghton for the King of the Belgians and the Prince of Wales, both of whom had expressed interest in meeting Charles Dickens. Throughout the season, he had been dealing with a swollen foot at various times, and on this occasion, it was particularly bad, making it uncertain until the very last moment whether he could keep his engagement.

We have very few letters for this year, and none of any very particular interest, but we give them all, as they are the last.

We have very few letters for this year, and none that are particularly interesting, but we’re sharing them all since they are the last.

Mr. S. L. Fildes was his "new illustrator," to whom he alludes in a note to Mr. Frith; we also give a short note to Mr. Fildes himself.

Mr. S. L. Fildes was his "new illustrator," which he mentions in a note to Mr. Frith; we also include a brief note to Mr. Fildes himself.

The correspondence of Charles Dickens with Mrs. Dallas Glyn, the celebrated actress, for whom he had a great friendship, is so much on the subject of her own business, that we have only been able to select two notes of any public interest.

The letters between Charles Dickens and Mrs. Dallas Glyn, the famous actress whom he had a close friendship with, mainly focus on her work, so we could only pick out two notes that might be of public interest.

In explanation of the last letter, we give an extract from a letter addressed to The Daily News by Mr. J. M. Makeham, soon after the death of Charles Dickens, as follows:[433] "That the public may exactly understand the circumstances under which Charles Dickens's letter to me was written, I am bound to explain that it is in reply to a letter which I addressed to him in reference to a passage in the tenth chapter of "Edwin Drood," respecting which I ventured to suggest that he had, perhaps, forgotten that the figure of speech alluded to by him, in a way which, to my certain knowledge, was distasteful to some of his admirers, was drawn from a passage of Holy Writ which is greatly reverenced by a large number of his countrymen as a prophetic description of the sufferings of our Saviour."

In explaining the last letter, we provide an excerpt from a letter written to The Daily News by Mr. J. M. Makeham, shortly after Charles Dickens's death, as follows:[433] "For the public to fully understand the circumstances surrounding Charles Dickens's letter to me, I feel compelled to clarify that it was in response to a letter I sent him regarding a passage in the tenth chapter of 'Edwin Drood.' In that letter, I suggested that he may have overlooked the fact that the figure of speech he mentioned, which I know was displeasing to some of his fans, was taken from a passage in the Scriptures that is highly respected by many of his fellow countrymen as a prophetic description of the sufferings of our Savior."

The MS. of the little "History of the New Testament" is now in the possession of his eldest daughter. She has (together with her aunt) received many earnest entreaties, both from friends and strangers, that this history might be allowed to be published, for the benefit of other children.

The manuscript of the little "History of the New Testament" is now with his eldest daughter. She, along with her aunt, has received many heartfelt requests from both friends and strangers to allow this history to be published for the benefit of other children.

These many petitions have his daughter's fullest sympathy. But she knows that her father wrote this history only for his own children, that it was his particular wish that it never should be published, and she therefore holds this wish as sacred and irrevocable.

These many petitions have her daughter's complete sympathy. But she knows that her father wrote this history only for his own children, that it was his specific wish that it should never be published, and she therefore considers this wish sacred and unchangeable.

Mr. W. H. Wills.


5, Hyde Park Place, London, W., Sunday, Jan. 23rd, 1870.
Dear Wills,

In the note I had from you about Nancy and Sikes, you seem to refer to some other note you had written me. Therefore I think it well merely to mention that I have received no other note.

In the note I got from you about Nancy and Sikes, you seem to mention another note you wrote to me. So, I just want to point out that I haven't received any other note.

I do not wonder at your not being up to the undertaking (even if you had had no cough) under the wearing circumstances. It was a very curious scene. The actors and actresses (most of the latter looking very pretty) mustered in extraordinary force, and were a fine audience.[434] I set myself to carrying out of themselves and their observation, those who were bent on watching how the effects were got; and I believe I succeeded. Coming back to it again, however, I feel it was madness ever to do it so continuously. My ordinary pulse is seventy-two, and it runs up under this effort to one hundred and twelve. Besides which, it takes me ten or twelve minutes to get my wind back at all; I being, in the meantime, like the man who lost the fight—in fact, his express image. Frank Beard was in attendance to make divers experiments to report to Watson; and although, as you know, he stopped it instantly when he found me at Preston, he was very much astonished by the effects of the reading on the reader.

I’m not surprised you weren’t up for the task (even if you didn’t have a cough) given the tough circumstances. It was a really interesting scene. The actors and actresses (most of the latter looking quite attractive) were there in full force and made for a great audience.[434] I focused on helping them step outside themselves and their observations, especially those who were determined to figure out how the effects were achieved; and I think I was successful. However, looking back, I realize it was crazy to do it for so long. My normal heart rate is seventy-two, and it jumps to one hundred and twelve with this effort. Plus, it takes me ten to twelve minutes to catch my breath afterward; during that time, I feel like the guy who lost the fight—pretty much his exact image. Frank Beard was there to conduct various experiments to report back to Watson; and although he quickly stopped it when he found me at Preston, he was really surprised by how the reading affected me as a reader.

So I hope you may be able to come and hear it before it is silent for ever. It is done again on the evenings of the 1st February, 15th February, and 8th March. I hope, now I have got over the mornings, that I may be able to work on my book. But up to this time the great preparation required in getting the subjects up again, and the twice a week besides, have almost exclusively occupied me.

So I hope you can come and hear it before it’s gone forever. It will be done again on the evenings of February 1st, February 15th, and March 8th. Now that I’ve gotten through the mornings, I hope I can work on my book. But up until now, the extensive preparation needed to get the topics back up, along with the twice-a-week schedule, have mostly consumed my time.

I have something the matter with my right thumb, and can't (as you see) write plainly. I sent a word to poor Robert Chambers,[32] and I send my love to Mrs. Wills.

I have an issue with my right thumb, so I can't (as you can see) write clearly. I sent a message to poor Robert Chambers,[32] and I send my love to Mrs. Wills.

Ever, my dear Wills, affectionately yours.
Mrs. Dallas.


Office of "All the Year Round",
Wednesday, Jan. 16th, 1870.
Dear Mrs. Dallas,

It is perfectly delightful to me to get your fervent and sympathetic note this morning. A thousand thanks[435] for it. I will take care that two places on the front row, by my daughter, are reserved for your occasion next time. I cannot see you in too good a seat, or too often.

It’s truly wonderful to receive your warm and caring note this morning. Thank you so much[435] for it. I’ll make sure to save two front-row seats next to my daughter for you next time. I can’t imagine seeing you in anything less than a great spot or too infrequently.

Believe me, ever very faithfully yours.
Mr. S. L. Fildes.


Office of "All the Year Round",
Wednesday, Jan. 16th, 1870.
Dear Sir/Madam,

I beg to thank you for the highly meritorious and interesting specimens of your art that you have had the kindness to send me. I return them herewith, after having examined them with the greatest pleasure.

I want to thank you for the impressive and fascinating examples of your art that you kindly sent me. I’m returning them with this note after enjoying a thorough look at them.

I am naturally curious to see your drawing from "David Copperfield," in order that I may compare it with my own idea. In the meanwhile, I can honestly assure you that I entertain the greatest admiration for your remarkable powers.

I’m really curious to see your drawing from "David Copperfield" so I can compare it to my own vision. In the meantime, I honestly want to assure you that I have great admiration for your amazing talents.

Faithfully yours.
Mr. Henry Fielding Dickens.


5, Hyde Park Ave, W., Thursday, Feb. 17th, 1870.
Dear Harry,

I am extremely glad to hear that you have made a good start at the Union. Take any amount of pains about it; open your mouth well and roundly, speak to the last person visible, and give yourself time.

I’m really happy to hear that you’ve gotten off to a good start at the Union. Put in as much effort as you need; speak clearly and confidently, address everyone you see, and take your time.

Loves from all.

Love from everyone.

Ever affectionately.
Mr. W. C. Macready.


Wednesday, March 2nd, 1870.
My dear Macready,

This is to wish you and yours all happiness and prosperity at the well-remembered anniversary to-morrow. You may be sure that loves and happy returns will not be forgotten at our table.

This is to wish you and your family all the happiness and prosperity on the memorable anniversary tomorrow. You can be sure that love and well wishes will not be forgotten at our table.

I have been getting on very well with my book, and we are having immense audiences at St. James's Hall. Mary has been celebrating the first glimpses of spring by having the measles. She got over the disorder very easily, but a weakness remains behind. Katie is blooming. Georgina is in perfect order, and all send you their very best loves. It gave me true pleasure to have your sympathy with me in the second little speech at Birmingham. I was determined that my Radicalism should not be called in question. The electric wires are not very exact in their reporting, but at all events the sense was there. Ryland, as usual, made all sorts of enquiries about you.

I’ve been doing really well with my book, and we’re drawing huge crowds at St. James's Hall. Mary has been celebrating the first signs of spring by catching the measles. She got through it pretty easily, but she’s still a bit weak. Katie is flourishing. Georgina is doing perfectly, and everyone sends you their best. It truly made me happy to have your support during the second small speech in Birmingham. I was determined that my radical views wouldn’t be questioned. The electric wires aren’t very reliable in their reporting, but at least the main message was there. Ryland, as usual, asked all sorts of questions about you.

With love to dear Mrs. Macready and the noble boy my particular friend, and a hearty embrace to you,

With love to dear Mrs. Macready and my good friend, the brave boy, and a big hug to you,

I am always, my dearest Macready,
Your most affectionate.
Mr. ——.


Office of "All the Year Round",
Wednesday, March 9th, 1870.
My dear friend,

You make me very uneasy on the subject of your new long story here, by sowing your name broadcast in so many fields at once, and undertaking such an impossible amount of fiction at one time. Just as you are coming on with us, you have another story in progress in "The Gentleman's Magazine," and another announced in "Once[437] a Week." And so far as I know the art we both profess, it cannot be reasonably pursued in this way. I think the short story you are now finishing in these pages obviously marked by traces of great haste and small consideration; and a long story similarly blemished would really do the publication irreparable harm.

You’re making me really uneasy about your new long story here, by spreading your name across so many projects at once and tackling such an overwhelming amount of fiction all at the same time. Just as you’re getting started with us, you have another story in progress in "The Gentleman's Magazine," and another one announced in "Once[437]a Week." From what I understand about the craft we both practice, it can’t be effectively pursued this way. I think the short story you’re finishing here shows clear signs of being rushed and not given enough thought; a long story with the same issues would really harm the publication irreparably.

These considerations are so much upon my mind that I cannot forbear representing them to you, in the hope that they may induce you to take a little more into account the necessity of care and preparation, and some self-denial in the quantity done. I am quite sure that I write fully as much in your interest as in that of "All the Year Round."

These thoughts are so heavy on my mind that I can't help but share them with you, hoping that they might encourage you to think a bit more about the need for care, preparation, and a bit of self-denial in terms of what gets done. I’m confident that I'm writing just as much for your benefit as for that of "All the Year Round."

Believe me, always faithfully yours.
The same.


5, Hyde Park Ave, W., Friday, March 11th, 1870.
My dear friend —,

Of course the engagement between us is to continue, and I am sure you know me too well to suppose that I have ever had a thought to the contrary. Your explanation is (as it naturally would be, being yours) manly and honest, and I am both satisfied and hopeful.

Of course, our engagement will continue, and I’m sure you know me well enough to think I’ve ever considered anything else. Your explanation is (as it naturally would be, since it’s yours) straightforward and sincere, and I feel both satisfied and hopeful.

Ever yours.
Mr. William Charles Kent.


5, Hyde Park Avenue, W., Saturday, March 26th, 1870.
Dear Kent,

I received both copies of The Sun, with the tenderest pleasure and gratification.

I received both copies of The Sun with great joy and satisfaction.

Everything that I can let you have in aid of the proposed record[33] (which, of course, would be far more agreeable to me[438] if done by you than by any other hand), shall be at your service. Dolby has all the figures relating to America, and you shall have for reference the books from which I read. They are afterwards going into Forster's collection.[34]

Everything I can provide to help with the proposed record[33] (which, of course, I would prefer be done by you rather than anyone else)[438] will be available to you. Dolby has all the figures related to America, and I'll give you the books I used for reference. They will later go into Forster's collection.[34]

Ever affectionately.
Mr. Henry Fielding Dickens.


5, Hyde Park Avenue, W., Tuesday, March 29th, 1870.
Dear Harry,

Your next Tuesday's subject is a very good one. I would not lose the point that narrow-minded fanatics, who decry the theatre and defame its artists, are absolutely the advocates of depraved and barbarous amusements. For wherever a good drama and a well-regulated theatre decline, some distorted form of theatrical entertainment will infallibly arise in their place. In one of the last chapters of "Hard Times," Mr. Sleary says something to the effect: "People will be entertained thomehow, thquire. Make the betht of uth, and not the wortht."

Your topic for next Tuesday is a really great one. I wouldn’t overlook the fact that narrow-minded fanatics who criticize the theater and slander its artists are actually the supporters of corrupt and barbaric entertainment. Because wherever a good play and a well-managed theater decline, some twisted form of theatrical entertainment will inevitably take their place. In one of the last chapters of "Hard Times," Mr. Sleary says something like, "People will be entertained somehow, sir. Make the best of us, not the worst."

Ever affectionately.
Mr. Shirley Brooks.


5, Hyde Park Place, W., Friday, April 1st, 1870.
Dear Shirley Brooks,

I have written to Mr. Low, expressing my regret that I cannot comply with his request, backed as it is by my friend S. B. But I have told him what is perfectly true—that I leave town for the peaceful following of my[439] own pursuits, at the end of next month; that I have excused myself from filling all manner of claims, on the ground that the public engagements I could make for the season were very few and were all made; and that I cannot bear hot rooms when I am at work. I have smoothed this as you would have me smooth it.

I’ve written to Mr. Low, letting him know I’m sorry I can’t fulfill his request, even though it has my friend S. B.'s support. But I’ve told him the whole truth—that I’m leaving town at the end of next month so I can peacefully pursue my[439]own interests; that I’ve excused myself from meeting various obligations since the public engagements I could take on this season are very limited and already filled; and that I can’t stand working in hot rooms. I’ve smoothed this over as you would have wanted me to.

With your longing for fresh air I can thoroughly sympathise. May you get it soon, and may you enjoy it, and profit by it half as much as I wish!

With your craving for fresh air, I completely understand. I hope you get it soon, enjoy it, and benefit from it at least half as much as I hope you do!

Ever faithfully yours.
Mr. W. P. Frith, R.A.


5, Hyde Park Avenue, W., Saturday, April 16th, 1870.
My dear Frith,

I shall be happy to go on Wednesday evening, if convenient.

I’d be happy to go on Wednesday evening if that works for you.

You please me with what you say of my new illustrator, of whom I have great hopes.

You make me happy with what you say about my new illustrator, who I have high hopes for.

Faithfully yours ever.
Mr. William Charles Kent.


Monday Morning, April 25th, 1870.
Dear Kent,

I received your book[35] with the greatest pleasure, and heartily thank you for it. It is a volume of a highly prepossessing appearance, and a most friendly look. I felt as if I should have taken to it at sight; even (a very large even) though I had known nothing of its contents, or of its author!

I received your book[35] with great joy, and I sincerely thank you for it. It looks really appealing and has a friendly vibe. I felt like I would have loved it right away, even (and I mean really even) if I didn’t know anything about what’s in it or who wrote it!

For the last week I have been most perseveringly and ding-dong-doggedly at work, making headway but slowly.[440] The spring always has a restless influence over me; and I weary, at any season, of this London dining-out beyond expression; and I yearn for the country again. This is my excuse for not having written to you sooner. Besides which, I had a baseless conviction that I should see you at the office last Thursday. Not having done so, I fear you must be worse, or no better? If you can let me have a report of yourself, pray do.

For the past week, I've been working really hard, making progress, but it's slow going.[440] Spring always makes me feel restless, and I get so tired of dining out in London, more than I can express. I just long to be back in the countryside. That's my excuse for not writing to you sooner. Also, I somehow convinced myself that I would see you at the office last Thursday. Since that didn’t happen, I’m worried that you might be feeling worse, or at least not any better? If you can, please send me an update about how you’re doing.

Mrs. Frederick Pollock.


5, Hyde Park Avenue, W., Monday, May 2nd, 1870.
Dear Mrs. Pollock,

Pray tell the illustrious Philip van Artevelde, that I will deal with the nefarious case in question if I can. I am a little doubtful of the practicability of doing so, and frisking outside the bounds of the law of libel. I have that high opinion of the law of England generally, which one is likely to derive from the impression that it puts all the honest men under the diabolical hoofs of all the scoundrels. It makes me cautious of doing right; an admirable instance of its wisdom!

Please inform the distinguished Philip van Artevelde that I will address the questionable case at hand if possible. I'm somewhat unsure about the feasibility of doing so while staying within the limits of libel law. I have a strong belief in English law overall, which stems from the impression that it places all honest people at the mercy of all the wrongdoers. This makes me hesitant to do what's right; what a brilliant example of its wisdom!

I was very sorry to have gone astray from you that Sunday; but as the earlier disciples entertained angels unawares, so the later often miss them haphazard.

I was really sorry to have lost touch with you that Sunday; but just as the early disciples unknowingly welcomed angels, the later ones often overlook them by chance.

Your description of La Font's acting is the complete truth in one short sentence: Nature's triumph over art; reversing the copy-book axiom! But the Lord deliver us from Plessy's mechanical ingenuousness!!

Your description of La Font's acting is absolutely spot on in just one sentence: Nature wins over art, flipping the standard saying on its head! But God help us from Plessy's mechanical simplicity!!

And your petitioner will ever pray.

And your petitioner will always pray.

And ever be,

And always be,

Faithfully yours.
Mrs. E. M. Ward.


5, Hyde Park Avenue, W., Wednesday, May 11th, 1870.
Dear Mrs. Ward,

I grieve to say that I am literally laid by the heels, and incapable of dining with you to-morrow. A neuralgic affection of the foot, which usually seizes me about twice a year, and which will yield to nothing but days of fomentation and horizontal rest, set in last night, and has caused me very great pain ever since, and will too clearly be no better until it has had its usual time in which to wear itself out. I send my kindest regard to Ward, and beg to be pitied.

I'm really sorry to say that I'm completely stuck at home and can't join you for dinner tomorrow. I've got a painful nerve issue in my foot that flares up about twice a year, and it only gets better with days of heat treatment and resting. It started last night and has been hurting a lot since then, and it won't improve until it runs its course. Please give my best to Ward, and feel free to feel sorry for me.

Believe me, faithfully yours always.
Mr. William Charles Kent.


5, Hyde Park Avenue, W., Tuesday, May 17th, 1870.
Dear Kent,

Many, many thanks! It is only my neuralgic foot. It has given me such a sharp twist this time that I have not been able, in its extreme sensitiveness, to put any covering upon it except scalding fomentations. Having viciously bubbled and blistered it in all directions, I hope it now begins to see the folly of its ways.

Many, many thanks! It's just my painful foot. It has twisted so sharply this time that I've only been able to treat it with hot compresses because it's extremely sensitive. After bubbling and blistering it all over, I hope it finally realizes how foolish it's been.

Affectionately ever.

P.S.—I hope the Sun shines.

P.S.—I hope the sun shines.

Mrs. Bancroft.


Gad's Hill Place, Higham near Rochester, Kent,
Thursday, May 31st, 1870.
Dear Mrs. Bancroft,[36]

I am most heartily obliged to you for your kind note, which I received here only last night, having come here from town circuitously to get a little change of air on the[442] road. My sense of your interest cannot be better proved than by my trying the remedy you recommend, and that I will do immediately. As I shall be in town on Thursday, my troubling you to order it would be quite unjustifiable. I will use your name in applying for it, and will report the result after a fair trial. Whether this remedy succeeds or fails as to the neuralgia, I shall always consider myself under an obligation to it for having indirectly procured me the great pleasure of receiving a communication from you; for I hope I may lay claim to being one of the most earnest and delighted of your many artistic admirers.

I’m really grateful for your kind note, which I got just last night after coming here from town by a roundabout way to get a little change of scenery on the[442] road. The best way to show how much I appreciate your concern is by trying the remedy you suggested, and I’ll do that right away. Since I’ll be in town on Thursday, I wouldn’t want to inconvenience you by asking you to order it. I’ll use your name when I apply for it and will let you know how it works after a proper trial. Whether this remedy works or not for the neuralgia, I’ll always be thankful to it for indirectly giving me the great joy of hearing from you; I hope I can say that I’m one of your most enthusiastic and delighted artistic admirers.

Believe me, faithfully yours.

TWO LAST LETTERS.

Mr. William Charles Kent.
Gad's Hill Place,
Higham near Rochester, Kent.[37]
Handwritten Letter: Gad's Hill Place, Higham by Rochester, Kent.
Mr. John M. Makeham.
Handwritten Letter
Handwritten Letter

All through this spring in London, Charles Dickens had been ailing in health, and it was remarked by many friends that he had a weary look, and was "aged" and altered. But he was generally in good spirits, and his family had no uneasiness about him, relying upon the country quiet and comparative rest at Gad's Hill to have their usual influence in restoring his health and strength. On the 2nd June he attended a private play at the house of Mr. and Mrs. Freake, where his two daughters were among the actresses. The next day he went back to Gad's Hill. His daughter Kate (whose home was there at all times when she chose, and almost always through the summer months) went down on Sunday, the 5th June, for a day's visit, to see the "great improvement of the conservatory." Her father laughingly assured her she had now seen "the last" improvement at Gad's Hill. At this time he was tolerably well, but she remarked to her sister and aunt how strangely he was tired, and what a curious grey colour he had in his face after a very short walk on that Sunday afternoon. However, he seemed quite himself again in the evening. The next day his daughter Kate went back, accompanied by her sister, who was to pay her a short visit, to London.

All through this spring in London, Charles Dickens had been unwell, and many friends noticed he looked tired, "aged," and changed. However, he was generally in good spirits, and his family wasn't worried about him, counting on the peacefulness and relative rest at Gad's Hill to help restore his health and energy. On June 2nd, he attended a private play at Mr. and Mrs. Freake's house, where his two daughters were among the actresses. The next day, he returned to Gad's Hill. His daughter Kate, who could always visit home whenever she wanted and was there most of the summer, went down on Sunday, June 5th, for a day to see "the great improvement of the conservatory." Her father jokingly assured her she had now seen "the last" improvement at Gad's Hill. At this time, he was fairly well, but she told her sister and aunt how strangely tired he seemed and noted the odd grey tone in his face after a short walk that Sunday afternoon. Nevertheless, he seemed like his usual self again in the evening. The next day, his daughter Kate went back home, accompanied by her sister, who was visiting her in London for a short time.

Charles Dickens was very hard at work on the sixth number of "Edwin Drood." On the Monday and Tuesday he was well, but he was unequal to much exercise. His last walk was one of his greatest favourites—through Cobham Park and Wood—on the afternoon of Tuesday.

Charles Dickens was working really hard on the sixth issue of "Edwin Drood." He felt okay on Monday and Tuesday, but he couldn't do much physical activity. His last walk was one of his favorites—through Cobham Park and Woods—on Tuesday afternoon.

On the morning of Wednesday, the 8th (one of the loveliest days of a lovely summer), he was very well; in excellent spirits about his book, of which he said he must finish his number that day—the next (Thursday) being the day of his weekly visit to "All the Year Round" office. Therefore, he would write all day in the Châlet, and take no walk or drive until the evening. In the middle of the day he came to the house for an hour's rest, and smoked a cigar in the conservatory—out of which new addition to the house he was taking the greatest personal enjoyment—and seemed perfectly well, and exceedingly cheerful and hopeful.[447] When he came again to the house, about an hour before the time fixed for the early dinner, he seemed very tired, silent, and absorbed. But this was so usual with him after a day of engrossing work, that it caused no alarm or surprise to his sister-in-law—the only member of his household who happened to be at home. He wrote some letters—among them, these last letters which we give—in the library of the house, and also arranged many trifling business matters, with a view to his departure for London the next morning. He was to be accompanied, on his return at the end of the week, by Mr. Fildes, to introduce the "new illustrator" to the neighbourhood in which many of the scenes of this last book of Charles Dickens, as of his first, were laid.

On the morning of Wednesday, the 8th (one of the most beautiful days of a lovely summer), he was in great shape; he was feeling fantastic about his book and said he had to finish his section that day—the next day (Thursday) was his weekly visit to the "All the Year Round" office. So, he planned to write all day in the Châlet and not go for a walk or a drive until the evening. In the middle of the day, he returned to the house for an hour of rest and smoked a cigar in the conservatory—he was really enjoying this new addition to the house—and appeared perfectly fine, very cheerful, and full of hope.[447] When he came back to the house about an hour before the scheduled early dinner, he seemed very tired, quiet, and absorbed. But this was so typical for him after a long day of focused work that it didn’t raise any concern or surprise for his sister-in-law—the only family member at home. He wrote some letters—among them, the last ones we present here—in the library and also sorted out many minor business matters in preparation for his departure to London the next morning. He was set to be accompanied on his return at the end of the week by Mr. Fildes, to introduce the "new illustrator" to the area where many scenes from this latest book by Charles Dickens, just like his first, were set.

It was not until they were seated at the dinner-table that a striking change in the colour and expression of his face startled his sister-in-law, and on her asking him if he was ill, he said, "Yes, very ill; I have been very ill for the last hour." But on her expressing an intention of sending instantly for a doctor, he stopped her, and said: "No, he would go on with dinner, and go afterwards to London." And then he made an effort to struggle against the fit that was fast coming on him, and talked, but incoherently, and soon very indistinctly. It being now evident that he was ill, and very seriously ill, his sister-in-law begged him to come to his own room before she sent off for medical help. "Come and lie down," she entreated. "Yes, on the ground," he said, very distinctly—these were the last words he spoke—and he slid from her arm, and fell upon the floor.

It wasn’t until they were seated at the dinner table that a noticeable change in his complexion and expression shocked his sister-in-law. When she asked if he was sick, he replied, “Yes, very sick; I’ve been very sick for the last hour.” But when she said she would immediately send for a doctor, he stopped her and said, “No, I’ll continue with dinner and go to London afterwards.” Then he struggled against the approaching fit, speaking but soon becoming incoherent and very unclear. It became obvious that he was sick, and very seriously sick, prompting his sister-in-law to urge him to get to his room before she called for medical help. “Come and lie down,” she pleaded. “Yes, on the ground,” he said clearly—those were the last words he spoke—before he slipped from her arm and collapsed on the floor.

The servants brought a couch into the dining-room, where he was laid. A messenger was despatched for Mr. Steele, the Rochester doctor, and with a telegram to his doctor in London, and to his daughters. This was a few minutes after six o'clock.

The servants brought a couch into the dining room, where he was laid down. A messenger was sent for Mr. Steele, the doctor from Rochester, along with a telegram to his doctor in London and to his daughters. This was a few minutes after six o'clock.

His daughters arrived, with Mr. Frank Beard, this same evening. His eldest son the next morning, and his son Henry and his sister Letitia in the evening of the 9th—too late, alas!

His daughters arrived that same evening, along with Mr. Frank Beard. His oldest son came the next morning, and his son Henry and sister Letitia arrived on the evening of the 9th—too late, unfortunately!

All through the night, Charles Dickens never opened his[448] eyes, or showed a sign of consciousness. In the afternoon of the 9th, Dr. Russell Reynolds arrived at Gad's Hill, having been summoned by Mr. Frank Beard to meet himself and Mr. Steele. But he could only confirm their hopeless verdict, and made his opinion known with much kind sympathy, to the family, before returning to London.

All through the night, Charles Dickens never opened his[448] eyes or showed any sign of awareness. In the afternoon of the 9th, Dr. Russell Reynolds arrived at Gad's Hill, having been called by Mr. Frank Beard to meet him and Mr. Steele. However, he could only confirm their grim verdict and shared his opinion with much compassion to the family before heading back to London.

Charles Dickens remained in the same unconscious state until the evening of this day, when, at ten minutes past six, the watchers saw a shudder pass over him, heard him give a deep sigh, saw one tear roll down his cheek, and he was gone from them. And as they saw the dark shadow steal across his calm, beautiful face, not one among them—could they have been given such a power—would have recalled his sweet spirit back to earth.

Charles Dickens stayed in the same unconscious state until the evening of that day, when, at ten minutes past six, the watchers saw him shudder, heard him take a deep sigh, saw a single tear roll down his cheek, and then he was gone from them. As they watched the dark shadow cross his calm, beautiful face, not one of them—if they had the ability—would have wished to bring his sweet spirit back to this world.

As his family were aware that Charles Dickens had a wish to be buried near Gad's Hill, arrangements were made for his burial in the pretty churchyard of Shorne, a neighbouring village, of which he was very fond. But this intention was abandoned in consequence of a pressing request from the Dean and Chapter of Rochester Cathedral that his remains might be placed there. A grave was prepared and everything arranged, when it was made known to the family, through Dean Stanley, that there was a general and very earnest desire that Charles Dickens should find his resting-place in Westminster Abbey. To such a fitting tribute to his memory they could make no possible objection, although it was with great regret that they relinquished the idea of laying him in a place so closely identified with his life and his works. His name, notwithstanding, is associated with Rochester, a tablet to his memory having been placed by his executors on the wall of Rochester Cathedral.

Since his family knew that Charles Dickens wanted to be buried near Gad's Hill, they planned for his burial in the charming churchyard of Shorne, a nearby village he loved. However, this plan was dropped due to a strong request from the Dean and Chapter of Rochester Cathedral for his remains to be laid there. A grave was prepared and everything was set when Dean Stanley informed the family that there was a widespread and sincere wish for Charles Dickens to be buried in Westminster Abbey. They couldn't object to such an appropriate tribute to his memory, although they were very sorry to give up the idea of laying him to rest in a place so closely linked to his life and works. Despite this, his name is still connected to Rochester, where a memorial tablet was placed by his executors on the wall of Rochester Cathedral.

With regard to Westminster Abbey, his family only stipulated that the funeral might be made as private as possible, and that the words of his will, "I emphatically direct that I be buried in an inexpensive, unostentatious, and strictly private manner," should be religiously adhered to. And so they were. The solemn service in the vast[449] cathedral being as private as the most thoughtful consideration could make it.

With respect to Westminster Abbey, his family only insisted that the funeral be as private as possible and that his wishes stated in the will, "I strongly request to be buried in a simple, modest, and strictly private way," be strictly followed. And they were. The solemn service in the vast [449] cathedral was as private as thoughtful consideration could allow.

The family of Charles Dickens were deeply grateful to all in authority who so carried out his wishes. And more especially to Dean Stanley and to the (late) Lady Augusta Stanley, for the tender sympathy shown by them to the mourners on this day, and also on Sunday, the 19th, when the Dean preached his beautiful funeral sermon.

The family of Charles Dickens was incredibly thankful to everyone in charge who fulfilled his wishes. They were especially grateful to Dean Stanley and the late Lady Augusta Stanley for the kind support they showed to the mourners today, as well as on Sunday the 19th, when the Dean delivered his beautiful funeral sermon.

As during his life Charles Dickens's fondness for air, light, and gay colours amounted almost to a passion, so when he lay dead in the home he had so dearly loved, these things were not forgotten.

As in his life, Charles Dickens had a deep love for fresh air, light, and bright colors, which was almost a passion. So when he passed away in the home he cherished, these elements were not overlooked.

The pretty room opening into the conservatory (from which he had never been removed since his seizure) was kept bright with the most beautiful of all kinds of flowers, and flooded with the summer sun:

The beautiful room that opened into the conservatory (where he had never been taken since his seizure) was filled with the most stunning flowers of all kinds and bathed in the summer sun:

"And nothing stirred in the room. The old, old fashion. The fashion that came in with our first garments, and will last unchanged until our race has run its course, and the wide firmament is rolled up like a scroll. The old, old fashion—death!

"And nothing moved in the room. The ancient style. The style that first appeared with our earliest clothing and will remain the same until our time is up, and the vast sky is rolled up like a scroll. The ancient style—death!"

"Oh, thank God, all who see it, for that older fashion yet, of immortality!"

"Oh, thank God, everyone who sees it, for that old style of immortality!"


INDEX.

Actors, Dickens a friend to poor, ii. 134

Agassiz, Professor, ii. 226, 309

Agate, John, ii. 136;
letter to, ii. __A_TAG_PLACEHOLDER_0__

"All the Year Round," commencement of, ii. 83;
"The Uncommercial Traveller" in, ii. __A_TAG_PLACEHOLDER_0__;
Christmas Issues of: "The Haunted House," ii. __A_TAG_PLACEHOLDER_0__;
"A Message from the Sea," ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
"Tom Tiddler's Ground," II. __A_TAG_PLACEHOLDER_0__;
"Someone's Luggage," ii. __A_TAG_PLACEHOLDER_0__;
"Mrs. Lirriper's Lodgings," vol. ii. __A_TAG_PLACEHOLDER_0__;
"Mrs. Lirriper's Legacy," II. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
"Dr. Marigold's Prescriptions," Vol. II, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__;
"Mugby Junction," vol. ii, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
"No Thoroughfare," II. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__;
and see ii. __A_TAG_PLACEHOLDER_0__,
and see __A_TAG_PLACEHOLDER_0__

America, descriptions of Niagara, ii. 372, 377;
the great war II. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
feeling between England and __A_TAG_PLACEHOLDER_0__;
Dickens's second visit to—the journey, ii. __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__;
Dickens's letters on, ii. __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__;
fires in, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
luggage handling in, ii. __A_TAG_PLACEHOLDER_0__;
drinks in, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
literary piracy in, ii. __A_TAG_PLACEHOLDER_0__;
walking match between Dolby and Osgood in, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__;
changes and improvements since Dickens's first visit, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
the Black people in, ii. __A_TAG_PLACEHOLDER_0__;
personal descriptions of Dickens in, ii. __A_TAG_PLACEHOLDER_0__;
traveling in, ii. __A_TAG_PLACEHOLDER_0__;
and __A_TAG_PLACEHOLDER_0__

Andersen, Hans Christian, ii. 3

Anne, Mrs. Dickens's maid, ii. 18, 25, 28, 343

"Apprentices, The Tour of the Two Idle," ii. 5, 32, 33

Armatage, Isaac, ii. 391

Armstrong, the Misses, letter to, ii. 175;
and see ii. __A_TAG_PLACEHOLDER_0__

[452]Austin, Henry, ii. 135, 157;
and __A_TAG_PLACEHOLDER_0__

Austin, Mrs. Henry, ii. 447;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__

Autograph of Dickens
fax letters from Dickens written the day before he died, ii. __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__


Ballantyne, ii. 415

Bancroft, Mrs., letter to, ii. 441

Barber, Dickens's gardener, ii. 102

Barker, Dr. Fordyce, ii. 378, 405

Baylis, Mr., ii. 170;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Beadle, a, in office, ii. 134

Beard, Frank, ii. 182, 405, 421, 434, 447

Beecher, Ward, ii. 341

Belgians, the King of the, ii. 432

Benzon, Miss Lily, letter to, ii. 258

Berry, one of Dickens's readings men, ii. 54, 159, 160

Blackwood, Mr., ii. 165

Blair, General, ii. 355

Boucicault, Dion, ii. 260, 261

Bouncer, Mrs., Miss Dickens's dog, ii. 109, 126, 189, 356

Bow Street Runners, ii. 178

Boyle, Captain Cavendish, ii. 407

Boyle, Miss Mary, ii. 123, 145, 315, 406;
and __A_TAG_PLACEHOLDER_0__

Broadstairs, Dickens at,ii. 84, 99;

Bromley, Sir Richard, ii. 126

Brookfield, Mrs., letter to, ii. 249

Brookfield, The Rev. W., letters to, ii. 199, 200

Brooks, Shirley, ii. 407;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
[453]

Campbell, Lord, ii.144

Carlisle, the Earl of, letters to, ii. 12, 118, 157

Carlyle, Thomas, ii. 112

Cartwright, Samuel, ii. 326;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Cattermole, George, ii. 327, 383;
and __A_TAG_PLACEHOLDER_0__

Cattermole, Mrs., letters to, ii. 383, 385

Céleste, Madame, ii. 106

Cerjat, M. de, ii. 406;
and __A_TAG_PLACEHOLDER_0__

Chambers, Robert, ii. 167, 434

Chappell, Messrs., ii. 244, 245, 267, 309, 326, 405

Charities, Dickens's sufferings from public, ii. 47

Children, stories of, ii. 196, 359, 423

Childs, Mr., ii. 337, 405

Chorley, H. F., ii. 338, 350

Church, Dickens on the, ii. 221;
onboard ship service, ii. __A_TAG_PLACEHOLDER_0__;
Dickens on the Catholic Church, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Circumlocution, Dickens on, ii. 241, 270

Clarke, John, letter to, ii. 418

Collins, C. A., ii. 84, 100, 113, 221, 242, 387, 410

Collins, Wilkie, ii. 33, 84, 108, 170, 268, 292;
and __A_TAG_PLACEHOLDER_0__

Compton, Mrs., letter to, ii. 22

Conjuring feats, see ii. 243

Cooke, T. P., ii. 4;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Covent Garden Theatre, a scene at, ii. 133

Cunningham, Mrs., ii. 423


Dacres, Sir Sydney, ii. 329

Dallas, Mrs., letters to, ii. 195, 434

Dallas, Mr., ii. 235

Delane, John, ii. 425;

De la Rue, Mr., ii. 210

[454]Dickens, Charles, visits to Scotland, ii. 39, and see ii. 395;
declines to enter Parliament, ii. __A_TAG_PLACEHOLDER_0__;
public dinners to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__;
visits to America, see __A_TAG_PLACEHOLDER_0__;
fancy signatures on letters of, ii. __A_TAG_PLACEHOLDER_0__;
his shows, see __A_TAG_PLACEHOLDER_0__;
effects of work on, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__;
his trips to Paris, see __A_TAG_PLACEHOLDER_0__;
as a stage manager, ii. __A_TAG_PLACEHOLDER_0__;
Tavistock House, see __A_TAG_PLACEHOLDER_0__;
as an editor, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__;
his readings, __A_TAG_PLACEHOLDER_0__;
illnesses of, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__;
in the U.S., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__;
Gad's Hill, check __A_TAG_PLACEHOLDER_0__;
tour of, in the North, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__-__A_TAG_PLACEHOLDER_2__;
His constructive feedback on young writers, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__; for additional critiques, see ii. __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__;
elected as a member of the Birmingham Institute, ii. __A_TAG_PLACEHOLDER_0__;
religious beliefs of, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__;
visit to Cornwall, ii. __A_TAG_PLACEHOLDER_0__;
at Hanover Terrace, Regent's Park, ii. __A_TAG_PLACEHOLDER_0__;
visits Lord Lytton at Knebworth, ii. __A_TAG_PLACEHOLDER_0__;
at Hyde Park Gate South, ii. __A_TAG_PLACEHOLDER_0__;
at __A_TAG_PLACEHOLDER_0__, Gloucester Place, Hyde Park, ii. __A_TAG_PLACEHOLDER_1__;
at Somer's Place, Hyde Park, ii. __A_TAG_PLACEHOLDER_0__;
in the Staplehurst accident, ii. __A_TAG_PLACEHOLDER_0__;
at Southwick Place, Hyde Park, ii. __A_TAG_PLACEHOLDER_0__;
his energy, ii. __A_TAG_PLACEHOLDER_0__;
One of the secrets to the success of, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
The Midland Institute in Birmingham was opened by __A_TAG_PLACEHOLDER_0__, and see __A_TAG_PLACEHOLDER_1__;
His final speech, at the Royal Academy dinner, ii. __A_TAG_PLACEHOLDER_0__;
his interview with the Queen, ii. __A_TAG_PLACEHOLDER_0__;
attends a reception hosted by the Prince of Wales, ii. __A_TAG_PLACEHOLDER_0__;
his final illness, ii. __A_TAG_PLACEHOLDER_0__;
his death, ii. __A_TAG_PLACEHOLDER_0__;
funeral of, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
and __A_TAG_PLACEHOLDER_0__ of

Dickens, Charles, marriage of, ii. 208;
on "All the Year Round," ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__;
and see ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Dickens, Kate, marriage of, ii. 107, 113;
illness of, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
and see ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Dickens, Mamie, accident to, ii. 129;
and see ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__, __A_TAG_PLACEHOLDER_11__, __A_TAG_PLACEHOLDER_12__, __A_TAG_PLACEHOLDER_13__, __A_TAG_PLACEHOLDER_14__, and __A_TAG_PLACEHOLDER_15__
[455]
Dickens, Walter, goes to India, ii. 19, 21;
attached to the 42nd Highlanders, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
death of, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
and see ii. __A_TAG_PLACEHOLDER_0__

Dickens, Frank, letter of, to Dickens, ii. 93;
in India, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
and see ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__

Dickens, Alfred, at Wimbledon School, ii. 122;
settles in Australia, ii. __A_TAG_PLACEHOLDER_0__;
and see ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Dickens, Sydney, a naval cadet, ii. 125, 126, 145, 167;
on board H.M.S. Orlando, ii. __A_TAG_PLACEHOLDER_0__;
and see ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__

Dickens, Henry, entered at Trinity Hall, Cambridge, ii. 327;
wins a scholarship, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
and see ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__

Dickens, Edward, goes to Australia, ii. 327, 329;
Dickens's love for, ii. __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__;
and see ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Dickens, Alfred, ii. 199

Dickens, Mrs. Augustus, ii. 418

Dickens, John, ii. 240

Dickens, Mrs. John, ii. 333

Dickens, Letitia, see Mrs. Henry Austin

Dickenson, Captain, ii. 224, 232

Dilke, C. W., ii. 5;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Dillon, C., ii. 42

Dogs, Dickens's, ii. 50, 96, 101; ii. 203, 237, 242, 245, 264, 269;

Dolby, George, ii. 245, 252-255, 267, 273, 280, 295, 296, 308, 310, 311, 317-323, 328, 330, 335, 336, 340, 345-347, 352-360, 363, 367, 381

Dufferin, Lord, ii. 419

Dwarf, the Tartar, ii. 255


Earthquake, an, in England, ii. 206

Edinburgh on a Sunday, ii. 395

"Edwin Drood," ii. 407, 431, 432, 446

Egg, Augustus, ii. 198

Eliot, Sir John, Dickens on Forster's life of, ii. 215

Elliotson, Dr., ii. 99

Elwin, Rev. W., ii. 136, 151

Emerson, Mr., ii. 306

Eytinge, Mr., ii. 405


"Faust," Gounod's, ii. 191, 193

Fechter, Charles, ii. 171, 177, 187, 193, 201, 219, 270, 386;
and __A_TAG_PLACEHOLDER_0__

Felton, Mr., ii. 85

Ferguson, Sir William, ii. 246, 247

Féval, Paul, ii. 183, 192

[456]Fields, Cyrus W., ii. 85, 308, 344, 361, 364, 379, 405

Fields, Mrs., ii. 306, 308, 319, 344, 361, 364, 367, 379, 405

Fildes, S. L., ii. 432, 447;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Finlay, F. D., ii. 406;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__

Fitzgerald, Mrs., ii. 285

Fitzgerald, Percy, ii. 187, 397;
and __A_TAG_PLACEHOLDER_0__

Flunkeydom, scholastic, ii. 68

Forster, Miss, ii. 327

Forster, John, ii. 108, 130, 265;
and __A_TAG_PLACEHOLDER_0__

Freake, Mr. and Mrs., ii. 446

Frith, W. P., ii. 84, 93, 385, 418;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Frost, the great, of 1861, ii. 139

Funerals, Dickens on state, ii. 385


Gad's Hill, Dickens takes possession of, ii. 3;
his childish impressions of __A_TAG_PLACEHOLDER_0__;
improvements in, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__;
sports at, ii. __A_TAG_PLACEHOLDER_0__;
cricket club at __A_TAG_PLACEHOLDER_0__;
letters regarding, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__

Ghost, stalking a, ii. 131

Gibson, M., ii. 121

Gibson, Mr. and Mrs. Milner, ii. 431

Gladstone, Right Hon. W. E., ii. 401

Gordon, Andrew, ii. 131

Gordon, Mr. Sheriff, ii. 164

"Great Expectations," commenced, ii. 108, 136;
letters about, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__

Guild of Literature and Art, see ii. 41


Harness, Rev. W., ii. 253;

Headland, Mr., ii. 135, 149, 158, 160

Helps, Sir Arthur, ii. 432

Henderson, Mrs., letter to, ii. 293

Hogarth, Georgina, ii. 50, 114, 145, 179, 202, 408, 436;
and __A_TAG_PLACEHOLDER_0__

Hogge, Mrs., letter to, ii. 46

Holmes, Mr., ii. 306

Hospital, Great Ormond Street, ii. 40, 46

Houghton, Lord, ii. 432;

"Household Words," "The Golden Mary," ii. 11,
"A House for Rent," ii. __A_TAG_PLACEHOLDER_0__;
incorporated with "All the Year Round," vol. __A_TAG_PLACEHOLDER_0__;
letter regarding, ii. __A_TAG_PLACEHOLDER_0__

Hulkes, Mrs., ii. 224, 315, 329;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Hullah, John, ii. 131

Humphery, Mr. and Mrs., afterwards Sir W. and Lady, ii. 187
[457]
Hunt, Leigh, ii. 407

Hutchinson, John, ii. 380


Illustrations of Dickens's works, his descriptions for, ii. 237

Impeachment of the Five Members, Dickens on Forster's, ii. 14

Ireland, a dialogue in, ii. 61;
feeling for Dickens in, ii. __A_TAG_PLACEHOLDER_0__;
Fenianism in, ii. __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__;
proposed banquet to Dickens in, ii. __A_TAG_PLACEHOLDER_0__;
Dickens on the Established Church in, ii. __A_TAG_PLACEHOLDER_0__;
and see ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__


Jamaica, the insurrection in, ii. 241

Jerrold, Douglas, ii. 3, 4, 19;
and __A_TAG_PLACEHOLDER_0__

Jews, Dickens's friendly feeling for, ii. 204, 223, 280

Joachim, Joseph, ii. 413

John, Dickens's manservant, ii. 54, 56, 57, 72, 153, 187, 188, 255

Jones, Walter, letter to, ii. 232


Keeley, Mrs., ii. 417

Kelly, one of Dickens's readings men, ii. 305, 306, 342

Kemble, Fanny, ii. 344, 346

Kent, W. Charles, ii. 225, 268, 407;
and __A_TAG_PLACEHOLDER_0__

Knight, Charles, ii. 208;
and __A_TAG_PLACEHOLDER_0__


"Lady of Lyons, The," ii. 298

La Font, ii. 440

Landor, Walter Savage, ii. 66

Law, Dickens's opinion of English, ii. 440

Layard, A. H., ii. 108;

Leclercq, Miss, ii. 246

Lehmann, Mrs., ii. 39, 75;
and __A_TAG_PLACEHOLDER_0__

Lehmann, F., ii. 39, 75

Léotard, ii. 142

Letters from Charles Dickens to:
Agate, John, ii. __A_TAG_PLACEHOLDER_0__
Anonymous, ii. __A_TAG_PLACEHOLDER_0__
Armstrong, the Misses, ii. __A_TAG_PLACEHOLDER_0__
Austin, Henry, II. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Austin, Mrs., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Bancroft, Mrs., ii. __A_TAG_PLACEHOLDER_0__
Baylis, Mr., ii. __A_TAG_PLACEHOLDER_0__
Benzon, Miss, ii. __A_TAG_PLACEHOLDER_0__
Boyle, Miss, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__
Brookfield, Mrs., vol. ii. __A_TAG_PLACEHOLDER_0__
Brookfield, Rev. W., vol. ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Brooks, Shirley, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Carlisle, the Earl of, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Cartwright, Samuel, ii. __A_TAG_PLACEHOLDER_0__
Cattermole, Mrs., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
[458]Cerjat, M. de, vol. II __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__, __A_TAG_PLACEHOLDER_11__
Clarke, John, ii. __A_TAG_PLACEHOLDER_0__
Collins, Wilkie, vol. ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__
Compton, Mrs., ii. __A_TAG_PLACEHOLDER_0__
Cooke, T. P., ii. __A_TAG_PLACEHOLDER_0__
Dallas, Mrs., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Dickens, Charles, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Dickens, Edward, vol. ii. __A_TAG_PLACEHOLDER_0__
Dickens, Henry, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__
Dickens, Miss Kate, vol. ii. __A_TAG_PLACEHOLDER_0__
Dickens, Miss, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__, __A_TAG_PLACEHOLDER_11__, __A_TAG_PLACEHOLDER_12__, __A_TAG_PLACEHOLDER_13__, __A_TAG_PLACEHOLDER_14__, __A_TAG_PLACEHOLDER_15__, __A_TAG_PLACEHOLDER_16__, __A_TAG_PLACEHOLDER_17__, __A_TAG_PLACEHOLDER_18__, __A_TAG_PLACEHOLDER_19__, __A_TAG_PLACEHOLDER_20__, __A_TAG_PLACEHOLDER_21__, __A_TAG_PLACEHOLDER_22__, __A_TAG_PLACEHOLDER_23__, __A_TAG_PLACEHOLDER_24__, __A_TAG_PLACEHOLDER_25__, __A_TAG_PLACEHOLDER_26__, __A_TAG_PLACEHOLDER_27__, __A_TAG_PLACEHOLDER_28__, __A_TAG_PLACEHOLDER_29__, __A_TAG_PLACEHOLDER_30__, __A_TAG_PLACEHOLDER_31__, __A_TAG_PLACEHOLDER_32__, __A_TAG_PLACEHOLDER_33__, __A_TAG_PLACEHOLDER_34__, __A_TAG_PLACEHOLDER_35__, __A_TAG_PLACEHOLDER_36__, __A_TAG_PLACEHOLDER_37__, __A_TAG_PLACEHOLDER_38__, __A_TAG_PLACEHOLDER_39__, __A_TAG_PLACEHOLDER_40__, __A_TAG_PLACEHOLDER_41__, __A_TAG_PLACEHOLDER_42__, __A_TAG_PLACEHOLDER_43__, __A_TAG_PLACEHOLDER_44__, __A_TAG_PLACEHOLDER_45__, __A_TAG_PLACEHOLDER_46__, __A_TAG_PLACEHOLDER_47__, __A_TAG_PLACEHOLDER_48__, __A_TAG_PLACEHOLDER_49__, __A_TAG_PLACEHOLDER_50__
Dilke, C. W., vol. ii. __A_TAG_PLACEHOLDER_0__
Fechter, Charles, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__
Fildes, S. L., 2. __A_TAG_PLACEHOLDER_0__
Finlay, F. D., II. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Fitzgerald, Percy, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__
Forster, John, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__
Frith, W. P., vol. ii. __A_TAG_PLACEHOLDER_0__
Henderson, Mrs., ii. __A_TAG_PLACEHOLDER_0__
Hogarth, Miss, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__, __A_TAG_PLACEHOLDER_11__, __A_TAG_PLACEHOLDER_12__, __A_TAG_PLACEHOLDER_13__, __A_TAG_PLACEHOLDER_14__, __A_TAG_PLACEHOLDER_15__, __A_TAG_PLACEHOLDER_16__, __A_TAG_PLACEHOLDER_17__, __A_TAG_PLACEHOLDER_18__, __A_TAG_PLACEHOLDER_19__, __A_TAG_PLACEHOLDER_20__, __A_TAG_PLACEHOLDER_21__-__A_TAG_PLACEHOLDER_22__, __A_TAG_PLACEHOLDER_23__, __A_TAG_PLACEHOLDER_24__, __A_TAG_PLACEHOLDER_25__, __A_TAG_PLACEHOLDER_26__, __A_TAG_PLACEHOLDER_27__, __A_TAG_PLACEHOLDER_28__, __A_TAG_PLACEHOLDER_29__, __A_TAG_PLACEHOLDER_30__, __A_TAG_PLACEHOLDER_31__, __A_TAG_PLACEHOLDER_32__, __A_TAG_PLACEHOLDER_33__, __A_TAG_PLACEHOLDER_34__, __A_TAG_PLACEHOLDER_35__, __A_TAG_PLACEHOLDER_36__-__A_TAG_PLACEHOLDER_37__, __A_TAG_PLACEHOLDER_38__, __A_TAG_PLACEHOLDER_39__, __A_TAG_PLACEHOLDER_40__, __A_TAG_PLACEHOLDER_41__, __A_TAG_PLACEHOLDER_42__, __A_TAG_PLACEHOLDER_43__, __A_TAG_PLACEHOLDER_44__, __A_TAG_PLACEHOLDER_45__, __A_TAG_PLACEHOLDER_46__, __A_TAG_PLACEHOLDER_47__, __A_TAG_PLACEHOLDER_48__, __A_TAG_PLACEHOLDER_49__, __A_TAG_PLACEHOLDER_50__, __A_TAG_PLACEHOLDER_51__, __A_TAG_PLACEHOLDER_52__, __A_TAG_PLACEHOLDER_53__, __A_TAG_PLACEHOLDER_54__, __A_TAG_PLACEHOLDER_55__, __A_TAG_PLACEHOLDER_56__, __A_TAG_PLACEHOLDER_57__, __A_TAG_PLACEHOLDER_58__, __A_TAG_PLACEHOLDER_59__, __A_TAG_PLACEHOLDER_60__, __A_TAG_PLACEHOLDER_61__, __A_TAG_PLACEHOLDER_62__, __A_TAG_PLACEHOLDER_63__-__A_TAG_PLACEHOLDER_64__, __A_TAG_PLACEHOLDER_65__
Hogge, Mrs., ii. __A_TAG_PLACEHOLDER_0__
Hulkes, Mrs., ii. __A_TAG_PLACEHOLDER_0__
Jewish Woman, a, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Jones, Walter, II. __A_TAG_PLACEHOLDER_0__
Kent, W. Charles, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__
Knight, Charles, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Lehmann, Mrs. F., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__
Longman, Thomas, II. __A_TAG_PLACEHOLDER_0__
Lytton, Sir E. B., vol. ii. __A_TAG_PLACEHOLDER_0__
[459]Macready, W. C., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__, __A_TAG_PLACEHOLDER_11__, __A_TAG_PLACEHOLDER_12__, __A_TAG_PLACEHOLDER_13__, __A_TAG_PLACEHOLDER_14__, __A_TAG_PLACEHOLDER_15__, __A_TAG_PLACEHOLDER_16__, __A_TAG_PLACEHOLDER_17__
Major, Mrs., ii. __A_TAG_PLACEHOLDER_0__
Makeham, John, ii. __A_TAG_PLACEHOLDER_0__
Marston, Dr. Westland, II. __A_TAG_PLACEHOLDER_0__
Mitton, Thomas, ii. __A_TAG_PLACEHOLDER_0__
Morpeth, Viscount, see __A_TAG_PLACEHOLDER_0__ Edmund, ii. __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Ouvry, F., vol. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Owen, Professor, II. __A_TAG_PLACEHOLDER_0__
Panizzi, Antonio, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Parkinson, J. C., ii. __A_TAG_PLACEHOLDER_0__
Pollock, Mrs. F., vol. ii. __A_TAG_PLACEHOLDER_0__
Pollock, Sir F., ii. __A_TAG_PLACEHOLDER_0__
Power, Miss, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Power, Mrs., vol. ii. __A_TAG_PLACEHOLDER_0__
Procter, B. W., II. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__
Procter, Mrs., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Reade, Charles, vol. ii. __A_TAG_PLACEHOLDER_0__
Regnier, Mr., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__
Sculthorpe, W. R., II. __A_TAG_PLACEHOLDER_0__
Smith, Arthur, II. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Stanfield, Clarkson, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Stanfield, George, vol. ii. __A_TAG_PLACEHOLDER_0__
Stone, Marcus, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Stone, Frank, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__
Storrar, Mrs., ii. __A_TAG_PLACEHOLDER_0__
Tennent, Sir James Emerson, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Thackeray, W. M., vol. ii. __A_TAG_PLACEHOLDER_0__
Thornbury, Walter, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Toole, J. L., II. __A_TAG_PLACEHOLDER_0__
Ward, E. M., II. __A_TAG_PLACEHOLDER_0__
Ward, Mrs., ii. __A_TAG_PLACEHOLDER_0__
Watkins, John, vol. ii. __A_TAG_PLACEHOLDER_0__
Watson, Hon. Mrs., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__
White, Mrs., vol. ii. __A_TAG_PLACEHOLDER_0__
White, Miss, vol. ii. __A_TAG_PLACEHOLDER_0__
White, Rev. James, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__
Wills, W. H., ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__, __A_TAG_PLACEHOLDER_11__
Yates, Edmund, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__
Yates, Mrs. __A_TAG_PLACEHOLDER_0__

"Lighthouse, The," see ii. 198

Linton, Mrs., ii. 207

Literary Fund, the, ii. 5, 12

[460]Lockhart, Mr., ii. 207

London, Dickens's opinion of the Corporation of, ii. 411;

Longfellow, W. H., ii. 306, 308, 312, 326, 333, 361, 375

Lowell, Miss Mabel, ii. 405, 415

Lyceum Theatre under Fechter, ii. 187, 191, 245;
and check out __A_TAG_PLACEHOLDER_0__

Lyndhurst, Lord,ii. 144

Lytton, the first Lord,ii. 108, 135, 143, 247, 268;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Lytton, Lord, ii. 108


Maclise, Daniel, ii. 432;

Macready, W. C., ii. 169, 172, 173;
and __A_TAG_PLACEHOLDER_0__

Macready, Kate, ii. 193

Macready, Mrs., ii. 172, 288

Macready, Jonathan, ii. 376

Macready, W., ii. 425

Major, Mrs., letter to, ii. 196

Makeham, J. M., ii. 432;
Dickens's final letter was addressed to, ii. __A_TAG_PLACEHOLDER_0__

Malleson, Mr. and Mrs., ii. 315

Marsh, Dickens's coachman, a story of, ii. 181

Marston, Dr. Westland, ii. 42, 44, 45;
letter to, ii. __A_TAG_PLACEHOLDER_0__

"Martin Chuzzlewit," a story of Mrs. Harris, ii. 41

Mesmerism, a séance of, ii. 100

Missionaries, Dickens on, ii. 241

Mitton, Thomas, Letters

Molesworth, Lady, ii. 187, 189

Morgan, Captain, ii. 136, 143

Morgan, W., ii. 308, 336

Morpeth, Viscount, see Carlisle, The Earl of

Motley, Mr., ii. 142

Mountain, a hazardous ascent of a, ii. 29


Narrative, ii. 3, 39, 83, 107, 135, 169, 187, 208, 224, 244, 266, 325, 404, 431, 446

Neville, Mr., ii. 186

Newsvendors' Benevolent Institution, ii. 232

New Testament, Dickens's love for the, ii. 394, 403;
Dickens writes a history of the, for his children, ii. __A_TAG_PLACEHOLDER_0__

"Nicholas Nickleby," see ii. 200

Norton, C. E., ii. 326


"Oliver Twist," the reading of "The Murder" from, ii. 326, 395, 397, 399

Ollier, Edmund, ii. 209, 407;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Olliffe, Lady, ii. 187, 190

Olliffe, Sir J., ii. 417

Olliffe, the Misses, ii. 190

[461]Osgood, Mr., ii. 310, 336, 337, 340, 346, 352, 356, 366

"Our Mutual Friend," ii. 208, 210, 224;
For illustrations, refer to ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Ouvry, Frederic, ii. 188, 300;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Owen, Professor, ii. 235


Panizzi, Antonio, ii. 84;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__

Paris, Dickens at, ii. 171, 187;
Dickens's reading at __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__

Parkinson, J. C., ii. 327;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Patronage, the curse of England, ii. 213, 356

"Picnic Papers," Dickens's share of the, ii. 91

Plessy, Madame, ii. 440

Pollock, Sir F., ii. 97, 144, 209;
letter to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Pollock, Mrs. F., letter to, ii. 440

Poole, John, ii. 228;

Portraits of Dickens, by Frith, ii. 84, 93;
by John Watkins, II. __A_TAG_PLACEHOLDER_0__;
a caricature, ii. __A_TAG_PLACEHOLDER_0__

Power, Miss, ii. 82, 293, 300;
and __A_TAG_PLACEHOLDER_0__

Power, Mrs., letter to, ii. 300

Presence of mind of Dickens, ii. 161, 224, 230

Procter, Adelaide, ii. 238;

Procter, B. W., ii. 83, 91;
and __A_TAG_PLACEHOLDER_0__

Procter, Mrs., letter to, ii. 226, 238

Putnam, Mr., ii. 312


Queen, the, his feeling for, ii. 168;
his interview with, ii. __A_TAG_PLACEHOLDER_0__


Railways, ii. 242

Reade, Charles, ii. 188;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Reader, Charles Dickens as a, ii. 437

Readings, Dickens's public, for charities, ii. 4, 169, 170;
first reading for his own benefit, ii. __A_TAG_PLACEHOLDER_0__;
at Paris, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__;
in the U.S., ii. __A_TAG_PLACEHOLDER_0__;
farewell series of readings in England, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__;
trial reading of "The Murder" from "Oliver Twist," ii. __A_TAG_PLACEHOLDER_0__;
reading to the actors, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
goodbye reading, ii. __A_TAG_PLACEHOLDER_0__;
effects of reading "The Murder" on Dickens, ii. __A_TAG_PLACEHOLDER_0__;
books of the, ii. __A_TAG_PLACEHOLDER_0__;
letters about the readings in England, Scotland, and Ireland, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__-__A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__-__A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__, __A_TAG_PLACEHOLDER_7__, __A_TAG_PLACEHOLDER_8__, __A_TAG_PLACEHOLDER_9__, __A_TAG_PLACEHOLDER_10__-__A_TAG_PLACEHOLDER_11__, __A_TAG_PLACEHOLDER_12__, __A_TAG_PLACEHOLDER_13__, __A_TAG_PLACEHOLDER_14__, __A_TAG_PLACEHOLDER_15__, __A_TAG_PLACEHOLDER_16__-__A_TAG_PLACEHOLDER_17__, __A_TAG_PLACEHOLDER_18__-__A_TAG_PLACEHOLDER_19__;
letters about America, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__-__A_TAG_PLACEHOLDER_7__;
Letters about the farewell series of, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__-__A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__-__A_TAG_PLACEHOLDER_5__

Reform, Dickens on Parliamentary, ii. 87, 269
[462]
Regnier, M., Letters

Reynolds, Dr. Russell, ii. 448

Roberts, David, ii. 75;

Rochester Cathedral, proposed burial of Dickens in, ii. 448

Royal Academy, female students at the, ii. 121;
Dickens's final public appearance was at the dinner of the, ii. __A_TAG_PLACEHOLDER_0__

Russel, Alexander, ii. 389, 390, 398, 406

Russell, Lord John, ii. 85;

Russell, W. H., ii. 4

Ryland, Arthur, ii. 4, 430;


Sainton-Dolby, Madame, ii. 295, 391

Saville, Miss, ii. 186

Scheffer, Ary, ii. 149

Scott, Dickens's dresser, ii. 272, 305, 306, 317, 321, 342, 370, 416

Sculthorpe, W. R., letter to, ii. 104

Shaftesbury, Lord, ii. 242

Shea, Mr. Justice, ii. 247

Smith, Arthur, ii. 4, 39, 52, 53, 56-60, 64-67, 71, 72, 78, 80, 104, 109, 135, 145, 149-153;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Speaking, Dickens on public, ii. 426, 428;
advice to his son Henry on public matters, ii. __A_TAG_PLACEHOLDER_0__

Stage-coach, American story of a, ii. 292

Stanfield, Clarkson, ii. 75, 194, 267;
and __A_TAG_PLACEHOLDER_0__

Stanfield, George, letter to, ii. 289

Stanley, Dean, ii. 448, 449

Stanley, Lady Augusta, ii. 449

Staplehurst, Dickens in the railway accident at, ii. 224;
description of the accident, ii. __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__;
effects of the accident on Dickens, ii. __A_TAG_PLACEHOLDER_0__

Staunton, Mr. Secretary, ii. 351

Steele, Mr., ii. 447, 448

Stone, Ellen, ii. 81

Stone, Frank, ii. 84;
and __A_TAG_PLACEHOLDER_0__

Stone, Marcus, ii. 84, 106, 208;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Storrar, Mrs., ii. 209;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Sumner, Charles, ii. 351, 355

Sun, The, newspaper, ii. 225;
[463]
Sympathy, letters of, ii. 94, 97, 123, 154, 180, 289, 293


"Tale of Two Cities, A," ii. 83, 84, 158;
letters regarding, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__

Tavistock House, sale of, ii. 107;

Taylor, Bayard, ii. 405

Tennent, Sir James Emerson, ii. 209, 224;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__

Tennyson, Alfred, Dickens's admiration for, ii. 98

Terry, Miss Kate, ii. 193

Thackeray, W. M., ii. 4, 39, 137, 208, 210, 214;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Thames, drainage of the, ii. 50;
embankment of the, ii. __A_TAG_PLACEHOLDER_0__

Theatre, Dickens on the, ii. 271, 438

Theatrical Fund, the, ii. 35

Theatrical performances of Charles Dickens:
for the Jerrold Memorial Fund, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
and see ii. __A_TAG_PLACEHOLDER_0__;
letters about the, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__

Thornbury, Walter, ii. 170, 292;
letters to, ii. __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__

Toole, J. L., ii. 54, 268;
letter to, ii. __A_TAG_PLACEHOLDER_0__

Townshend, Chauncey Hare, ii. 7, 86, 96, 115, 136, 140, 371, 410


"Uncommercial Traveller, The," ii. 107


Viardot, Madame, ii. 193;

Volunteers, Dickens on the, ii. 115


Wales, the Prince of, popularity of, ii. 203;
Dickens attends levee of, ii. __A_TAG_PLACEHOLDER_0__

Wales, the Princess of, her arrival in England, ii. 195;
the lights in honor of, ii. __A_TAG_PLACEHOLDER_0__;
popularity of, ii. __A_TAG_PLACEHOLDER_0__

Ward, E. M., letter to, ii. 141

Ward, Mrs., letter to, ii. 441

Watkins, John, ii. 148

Watson, Hon. Mrs., ii. 9, 70;
and __A_TAG_PLACEHOLDER_0__

Watson, Sir Thomas, ii. 405, 407

Watson, Wentworth, ii. 79

Watts's refuge for poor travellers, ii. 259

Webster, Benjamin, ii. 361

Webster, a story of the murderer, ii. 333

[464]Westminster Abbey, burial of Dickens in, ii. 448

White, Clara, ii. 142, 181, 208

White, Rev. James, ii. 209;
and __A_TAG_PLACEHOLDER_0__

White, Mrs., ii. 212;
letter to, ii. __A_TAG_PLACEHOLDER_0__

White, Miss, ii. 81, 84, 96;
letter to, ii. __A_TAG_PLACEHOLDER_0__

White, Richard Grant, ii. 85

Williams, Mr. and Mrs. Barney, ii. 337, 359

Wills, W. H., ii. 83, 379, 383, 406, 430;
and __A_TAG_PLACEHOLDER_0__

Wills, Mrs., ii. 75, 96, 120

Working men, clubs for, ii. 209, 213;
Dickens on how to manage such clubs, ii. __A_TAG_PLACEHOLDER_0__;
feeling for Dickens, ii. __A_TAG_PLACEHOLDER_0__


Yates, Edmund, ii. 5, 129;
and __A_TAG_PLACEHOLDER_0__

Yates, Mrs., ii. 129;
letter to, ii. __A_TAG_PLACEHOLDER_0__

THE END.

CHARLES DICKENS AND EVANS, CRYSTAL PALACE PRESS.


FOOTNOTES:

[1] The part played in "The Frozen Deep" by its author, Mr. Wilkie Collins.

[1] The role performed in "The Frozen Deep" by its writer, Mr. Wilkie Collins.

[2] The Earl of Carlisle was at this time Viceroy of Ireland.

[2] The Earl of Carlisle was the Viceroy of Ireland at this time.

[3] Niece to the Rev. W. Harness.

__A_TAG_PLACEHOLDER_0__ Rev. W. Harness's niece.

[4] The birthplace of Mr. Forster.

[4] The place where Mr. Forster was born.

[5] Mr. Edmund Yates.

__A_TAG_PLACEHOLDER_0__ Mr. Edmund Yates.

[6] With whom Mr. and Mrs. Wills were staying at Aberystwith.

[6] The people Mr. and Mrs. Wills were staying with in Aberystwyth.

[7] Lieutenant Andrew Gordon, R.N., son of the Sheriff of Midlothian.

[7] Lieutenant Andrew Gordon, R.N., son of the Sheriff of Midlothian.

[8] Alluding to a translation of a play by M. Maquet, which M. Fechter was then preparing for his theatre.

[8] Referring to a translation of a play by M. Maquet that M. Fechter was working on for his theater.

[9] Now Mrs. Dallas Glyn.

Now Mrs. Dallas Glyn.

[10] Formerly Miss Talfourd.

__A_TAG_PLACEHOLDER_0__ Previously Miss Talfourd.

[11] His travelling journal.

His travel diary.

[12] Answer to letter from Jewish lady, remonstrating with him on injustice to the Jews, shown in the character of Fagin, and asking for subscription for the benefit of the Jewish poor.

[12] Reply to a letter from a Jewish woman expressing concern about the unfair portrayal of Jews through the character of Fagin, and requesting donations for the support of the Jewish poor.

[13] In answer to another letter from the "Jewish lady," in which she gives her reasons for still being dissatisfied with the character of Riah.

[13] In response to another letter from the "Jewish lady," where she explains her reasons for still being unhappy with Riah's character.

[14] Now Captain E. Newton Dickenson.

Now Captain E. Newton Dickenson.

[15] This was a circular note which he sent in answer to innumerable letters of enquiry, after the accident.

[15] This was a round message he sent in response to countless inquiry letters after the accident.

[16] This letter was written in reply to the Committee's congratulations upon Mr. Dickens's escape from the accident to the tidal train from Folkestone, at Staplehurst, just previous to this date.

[16] This letter was written in response to the Committee's congratulations on Mr. Dickens's escape from the accident involving the tidal train from Folkestone at Staplehurst, shortly before this date.

[17] Madame Sainton Dolby.

__A_TAG_PLACEHOLDER_0__ Madame Sainton Dolby.

[18] The nearest neighbour at Higham, and intimate friends.

[18] The closest neighbor at Higham, and close friends.

[19] Dr. Fordyce Barker.

__A_TAG_PLACEHOLDER_0__ Dr. Fordyce Barker.

[20] The Agricultural College, Cirencester.

The Agricultural College, Cirencester.

[21] "No Thoroughfare."

"No Thoroughfare."

[22] The Mr. H. F. Chorley so often mentioned was the well-known musical critic, and a dear and intimate friend of Charles Dickens and his family. We have no letters to him, Mr. Chorley having destroyed all his correspondence before his death.

[22] The Mr. H. F. Chorley mentioned frequently was a well-known music critic and a close friend of Charles Dickens and his family. We don’t have any letters to him since Mr. Chorley destroyed all his correspondence before he passed away.

[23] Mr. Chauncey Hare Townshend. He was one of the dearest friends of Charles Dickens and a very constant correspondent; but no letters addressed to him are in existence.

[23] Mr. Chauncey Hare Townshend. He was one of Charles Dickens's closest friends and a regular correspondent, but no letters sent to him have survived.

[24] An American family of brothers and a sister who came to London to give a musical entertainment shortly after Charles Dickens's return from his first visit to America. He had a great interest in, and liking for, these young people.

[24] An American family made up of brothers and a sister who came to London to perform a musical show shortly after Charles Dickens returned from his first trip to America. He was very interested in and fond of these young people.

[25] Cousin and adopted child of Mr. and Mrs. Austin.

[25] Cousin and adopted child of Mr. and Mrs. Austin.

[26] A model of a Swiss châlet, and a present from M. Charles Fechter, used by Charles Dickens as a summer writing-room.

[26] A model of a Swiss chalet, and a gift from M. Charles Fechter, used by Charles Dickens as a summer writing room.

[27] This letter has been already published by Mr. Forster in his "Life."

[27] This letter has already been published by Mr. Forster in his "Life."

[28] Herr Joseph Joachim, the renowned violinist.

[28] Mr. Joseph Joachim, the famous violinist.

[29] His sister-in-law, Mrs. Augustus Dickens, always a welcome visitor at Gad's Hill.

[29] His sister-in-law, Mrs. Augustus Dickens, was always a welcome guest at Gad's Hill.

[30] Of the Guild of Literature and Art.

[30] Of the Guild of Literature and Art.

[31] The housekeeper at the office.

The office cleaner.

[32] On the death of his second wife.

[32] After his second wife passed away.

[33] Of the Readings. The intention was carried out. Mr. Kent's book, "Charles Dickens as a Reader," was published in 1872.

[33] Of the Readings. The plan was fulfilled. Mr. Kent's book, "Charles Dickens as a Reader," came out in 1872.

[34] No doubt Charles Dickens intended to add the Reading Books to the legacy of his MSS. to Mr. Forster. But he did not do so, therefore the "Readings" are not a part of the "Forster Collection" at the South Kensington Museum.

[34] Clearly, Charles Dickens meant to include the Reading Books in the collection of his manuscripts for Mr. Forster. However, he did not do this, so the "Readings" are not part of the "Forster Collection" at the South Kensington Museum.

[35] A new collective edition of "Kent's Poems," dedicated to his cousin, Colonel Kent, of the 77th Regiment.

[35] A new complete edition of "Kent's Poems," dedicated to his cousin, Colonel Kent, of the 77th Regiment.

[36] Miss Marie Wilton.

__A_TAG_PLACEHOLDER_0__ Miss Marie Wilton.

[37] This letter has lately been presented by Mr. Charles Kent to the British Museum.

[37] Mr. Charles Kent recently delivered this letter to the British Museum.



 



Transcriber's Notes:

The index for this volume was originally references for Volume I. To aid the reader, the parts referring to Volume I were extracted and appended to the end of Volume I's html text. The original index can be found in its entirety at the end of the plain text version of these volumes.

The index for this volume originally referenced Volume I. To help the reader, the sections that refer to Volume I have been extracted and added to the end of Volume I's HTML text. The complete original index is available at the end of the plain text version of these volumes.

Pages 454-455, entries for "Dickens, Mamie" and "Dickens, Kate" were originally not in alphabetically order. This was corrected.

Pages 454-455, entries for "Dickens, Mamie" and "Dickens, Kate" were initially not in alphabetical order. This has been corrected.

Obvious punctuation errors repaired.

Punctuation errors fixed.

The remaining corrections made are indicated by dotted lines under the corrections. Scroll the mouse over the word and the original text will appear.

The remaining corrections made are indicated by dotted lines under the corrections. Hover the mouse over the word and the original text will appear.




        
        
    
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