This is a modern-English version of Little Lucy's Wonderful Globe, originally written by Yonge, Charlotte M. (Charlotte Mary). It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Cover: LITTLE LUCY'S WONDERFUL GLOBE

LITTLE LUCY'S WONDERFUL GLOBE.


Emblem

"I'm looking at the great big globe that Uncle Joe said I might touch," said Lucy. "I'm" looking at the huge globe that Uncle Joe said I could touch," said Lucy.
Frontispiece; see page 14.

LITTLE LUCY'S
WONDERFUL GLOBE

PICTURED BY

L. FROLICH,

AND NARRATED BY

CHARLOTTE M. YONGE

AUTHOR OF "THE HEIR OF REDCLYFFE."
"Young fingers idly roll
The mimic earth or trace
In a picture bright with blue and gold,
The spheres that circle through the sky's vast darkness
"Chasing each other." — Keble.






NEW EDITION



New York
THE MACMILLAN COMPANY
LONDON: MACMILLAN & CO., Ltd.
1906


CONTENTS.

CHAPTER I.
 PAGE
MOTHER BUNCH1

CHAPTER II.
VISITORS FROM THE SOUTH SEAS.14

CHAPTER III.
ITALY36

CHAPTER IV.
GREENLAND43

CHAPTER V.
TYROL50

CHAPTER VI.
AFRICA57

CHAPTER VII.
LAPLANDERS63

CHAPTER VIII.
CHINA70

CHAPTER IX.
[viii]KAMSCHATKA79

CHAPTER X.
THE TURK83

CHAPTER XI.
SWITZERLAND96

CHAPTER XII.
THE COSSACK102

CHAPTER XIII.
SPAIN108

CHAPTER XIV.
GERMANY114

CHAPTER XV.
PARIS IN THE SIEGE120

CHAPTER XVI.
THE AMERICAN GUEST126

CHAPTER XVII.
THE DREAM OF ALL NATIONS        137

LIST OF ILLUSTRATIONS.

 PAGE
"I'M LOOKING AT THE GREAT BIG GLOBE THAT UNCLE JOE SAID I MIGHT TOUCH," SAID LUCY
Front.
"DO PLEASE SIT DOWN, THERE'S A GOOD MOTHER BUNCH, AND TELL ME ALL ABOUT THEM?"
19
LUCY HAD A GREAT SNEEZING FIT, AND WHEN SHE LOOKED AGAIN INTO THE SMOKE, WHAT DID SHE SEE BUT TWO LITTLE BLACK FIGURES
23
"I AM SO GLAD TO SEE YOU: HUSH, DON! DON'T BARK SO"
26
"I CAN EAT MUCH BETTER WITHOUT," SAID LAVO
31
LAVO HAD CLIMBED UP THE SIDE OF THE DOOR, AND WAS SITTING ASTRIDE ON THE TOP OF IT
34
"AH! CECCO, CECCO!" CRIED THE LITTLE GIRL, PAUSING AS SHE BEAT HER TAMBOURINE
39
"IS THAT THE WAY YOU GET FISH?" SHE ASKED
46[x]
"HELP ME: I'M AFRAID," SAID LUCY
53
HARK! THERE'S A CRY, AND OUT JUMPS A LITTLE BLACK FIGURE, WITH A STOUT CLUB IN HIS HAND
59
AND HERE BESIDE HER WAS A LITTLE FELLOW WITH A BOW AND ARROWS SUCH AS SHE HAD NEVER SEEN BEFORE
65
"IS IT NOT GOOD?" SAID THE LITTLE HOSTESS
73
WHISKING OVER THE SNOW, WITH ALL HER MIGHT AND MAIN, MUFFLED UP IN CLOAKS AND FURS
78
"MARRIED! OH NO, YOU ARE JOKING"
87
"I WILL SHOW YOU WHERE YOU LIVE—THIS IS CONSTANTINOPLE"
93
"I CUT IT OUT WITH MY KNIFE; ALL MYSELF"
99
WHILE HE JERKED OUT HIS ARMS AND LEGS AS IF THEY WERE PULLED BY STRINGS
103
"SEE NOW," CRIED THE SPANIARD; "STAND THERE! AH! HAVE YOU NO CASTANETS?"
111
[xi]"WHAT ARE YOU ABOUT, LITTLE BOY?"
115
"AH! MADEMOISELLE, GOOD MORNING; ARE YOU COME HERE TO TAKE SHELTER FROM THE SHELLS?"
122
"WHAT CAN THAT BE, COMING AT THIS TIME OF DAY?"
127
"GOOD MORNING, WHERE DO YOU COME FROM?"
130
OH! SUCH A DIN
136

LITTLE LUCY'S WONDERFUL GLOBE.


CHAPTER I.

MOTHER BUNCH.

There was once a wonderful fortnight in little Lucy's life. One evening she went to bed very tired and cross and hot, and in the morning when she looked at her arms and legs they were all covered with red spots, rather pretty to look at, only they were dry and prickly.

There was once a wonderful two weeks in little Lucy's life. One evening she went to bed feeling very tired, grumpy, and hot, and in the morning when she looked at her arms and legs, they were covered in red spots, which were kind of pretty to see, but they were dry and prickly.

Nurse was frightened when she looked at them. She turned all the little sisters out of[2] the night nursery, covered Lucy up close, and ordered her not to stir, certainly not to go into her bath. Then there was a whispering and a running about, and Lucy was half alarmed, but more pleased at being so important, for she did not feel at all ill, and quite enjoyed the tea and toast that Nurse brought up to her. Just as she was beginning to think it rather tiresome to lie there with nothing to do, except to watch the flies buzzing about, there was a step on the stairs and up came the doctor. He was an old friend, very good-natured, and he made fun with Lucy about having turned into a spotted leopard, just like the cowry shell on Mrs. Bunker's mantelpiece. Indeed, he said he thought she was such a curiosity that Mrs. Bunker would come for her and set her up in the museum, and then he went away. Suppose, oh, suppose she did!

Nurse was scared when she looked at them. She sent all the little sisters out of[2] the night nursery, covered Lucy up tight, and told her not to move, definitely not to go into her bath. Then there was whispering and running around, and Lucy felt a bit worried, but mostly happy to be so important, since she didn’t feel sick at all and actually enjoyed the tea and toast that Nurse brought her. Just as she was starting to find it a bit boring to lie there with nothing to do except watch the flies buzzing around, she heard footsteps on the stairs and the doctor came up. He was an old friend, very friendly, and joked with Lucy about her turning into a spotted leopard, just like the cowry shell on Mrs. Bunker’s mantelpiece. In fact, he said he thought she was such a curiosity that Mrs. Bunker would come for her and put her in the museum, and then he left. Imagine, oh, imagine if that happened!

Mrs. Bunker, or Mother Bunch, as Lucy and her brothers and sisters called her, was housekeeper to their Uncle Joseph. He was really[3] their great uncle, and they thought him any age you can imagine. They would not have been much surprised to hear that he had sailed with Christopher Columbus, though he was a strong, hale, active man, much less easily tired than their own papa. He had been a ship's surgeon in his younger days, and had sailed all over the world, and collected all sorts of curious things, besides which he was a very wise and learned man, and had made some great discovery. It was not America. Lucy knew that her elder brother understood what it was, but it was not worth troubling her head about, only somehow it made ships go safer, and so he had had a pension given him as a reward; and had come home and bought a house about a mile out of the town, and built up a high room to look at the stars from with his telescope, and another to try his experiments in, and a long one besides for his museum; yet, after all, he was not much there, for whenever there was anything wonderful to be seen, he always went[4] off to look at it and; whenever there was a meeting of learned men—scientific men was the right word—they always wanted him to help them make speeches and show wonders. He was away now: he had gone away to wear a red cross on his arm, and help to take care of the wounded in the sad war between the French and Germans.

Mrs. Bunker, or Mother Bunch, as Lucy and her siblings called her, was the housekeeper for their Uncle Joseph. He was actually their great-uncle, and they thought he could be any age you could imagine. They wouldn't have been too surprised to hear he had sailed with Christopher Columbus, even though he was a strong, healthy, active man, much less tired than their dad. He had been a ship's surgeon in his younger days and had traveled all over the world, collecting all sorts of interesting things. Besides that, he was very wise and knowledgeable and had made a significant discovery. It was *not* America. Lucy knew her older brother understood what it was, but it wasn't worth worrying about; it somehow made ships safer, and because of that, he was given a pension as a reward. He came home, bought a house about a mile outside of town, built a high room to watch the stars with his telescope, another room for his experiments, and a long one for his museum. Yet, he wasn't often there because whenever something amazing was happening, he would go off to see it; and whenever there was a meeting of learned men—scientific men was the right term—they always wanted him to help them with speeches and demonstrations. He was away now: he had gone off to wear a red cross on his arm and help care for the wounded in the unfortunate war between the French and Germans.

But he had left Mother Bunch behind him. Nobody knew exactly what was Mrs. Bunker's nation, indeed she could hardly be said to have had any, for she had been born at sea, and had been a sailor's wife; but whether she was mostly English, Dutch, or Danish, nobody knew and nobody cared. Her husband had been lost at sea, and Uncle Joseph had taken her to look after his house, and always said she was the only woman who had sense and discretion enough ever to go into his laboratory or dust his museum.

But he had left Mother Bunch behind. No one knew exactly what Mrs. Bunker's nationality was; in fact, she could hardly be said to have had one, since she was born at sea and had been a sailor's wife. Whether she was mostly English, Dutch, or Danish was a mystery to everyone, and no one cared. Her husband had been lost at sea, and Uncle Joseph had brought her in to take care of his house, always saying she was the only woman with enough sense and discretion to enter his laboratory or dust his museum.

She was very kind and good-natured, and there was nothing that the children liked better[5] than a walk to Uncle Joseph's, and, after a game at play in the garden, a tea-drinking with her—such quantities of sugar! such curious cakes made in the fashion of different countries! such funny preserves from all parts of the world! and more delightful to people who considered that looking and hearing was better sport than eating, and that the tongue is not only meant to taste with, such cupboards and drawers full of wonderful things, such stories about them! The lesser ones liked Mrs. Bunker's room better than Uncle Joseph's museum, where there were some big stuffed beasts with glaring eyes that frightened them, and they had to walk round with hands behind, that they might not touch anything, or else their uncle's voice was sure to call out gruffly, "Paws off!"

She was really kind and friendly, and there was nothing the kids enjoyed more than a walk to Uncle Joseph's. After playing in the garden, they loved having tea with her—so much sugar! So many interesting cakes from different countries! Such funny jams from all over the world! And it was even more fun for those who thought that looking and listening were better than eating, and that the tongue isn't just for tasting. There were cupboards and drawers filled with amazing things, and she shared delightful stories about them! The younger kids preferred Mrs. Bunker's room over Uncle Joseph's museum, where there were huge stuffed animals with wide-open eyes that scared them. They had to walk around with their hands behind their backs so they wouldn't touch anything, or else their uncle would gruffly shout, "Paws off!"

Mrs. Bunker was not a bit like the smart housekeepers at other houses. To be sure, on Sundays she came out in a black silk gown with a little flounce at the bottom, a scarlet China crape shawl with a blue dragon upon it—his[6] wings over her back, and a claw over each shoulder, so that whoever sat behind her in church was terribly distracted by trying to see the rest of him—and a very big yellow Tuscan bonnet, trimmed with sailor's blue ribbon; but in the week and about the house she wore a green stuff, with a brown holland apron and bib over it, quite straight all the way down, for she had no particular waist, and her hair, which was of a funny kind of flaxen grey, she bundled up and tied round, without any cap or anything else on her head. One of the little boys had once called her Mother Bunch, because of her stories; and the name fitted her so well that the whole family, and even her master, took it up.

Mrs. Bunker was nothing like the upscale housekeepers at other homes. Sure, on Sundays she would wear a black silk dress with a little frill at the bottom, a red Chinese crape shawl featuring a blue dragon—its wings over her back and a claw on each shoulder—distracting anyone sitting behind her in church who just wanted to see the rest of the dragon. She also sported a large yellow Tuscan bonnet decorated with navy blue ribbon. But during the week and around the house, she wore a simple green dress with a brown canvas apron and bib, hanging straight down since she didn’t really have a defined waist. Her hair, a quirky shade of flaxen gray, was just bundled up and tied around with no cap or anything else on her head. One of the little boys once called her Mother Bunch because of her stories, and the nickname suited her so well that the whole family, even her employer, started using it.

Lucy was very fond of her; but when about an hour after the doctor's visit she was waked by a rustling and a lumbering on the stairs, and presently the door opened, and the second best big bonnet—the go-to-market bonnet with the turned ribbons—came into the room with Mother[7] Bunch's face under it, and the good-natured voice told her she was to be carried to Uncle Joseph's and have oranges and tamarinds, she did begin to feel like the spotted cowry, to think about being set on the chimney-piece, to cry, and say she wanted Mamma.

Lucy really liked her; but about an hour after the doctor's visit, she was woken up by some noise on the stairs, and then the door opened. In walked Mother Bunch wearing the second best big bonnet—the market bonnet with the turned ribbons—and in her friendly voice she told Lucy that she was going to Uncle Joseph's and would get oranges and tamarinds. Lucy started to feel like the spotted cowry, thinking about being placed on the chimney, and began to cry, saying that she wanted her Mom.

The Nurse and Mother Bunch began to comfort her, and explain that the doctor thought she had the scarlatina; not at all badly; but that if any of the others caught it, nobody could guess how bad they would be; especially Mamma, who had just been ill; and so she was to be rolled up in her blankets, and put into a carriage, and taken to her uncle's; and there she would stay till she was not only well, but could safely come home without carrying infection about with her.

The Nurse and Mother Bunch started to comfort her, explaining that the doctor believed she had scarlet fever, but not too severely. However, if anyone else caught it, it was impossible to predict how bad their situation could be, particularly Mamma, who had just recovered from being sick. So, she was to be wrapped in her blankets, placed in a carriage, and taken to her uncle's house. She would stay there until she was not only well but also safe to come home without spreading any infection.

Lucy was a good little girl, and knew that she must bear it; so, though she could not help crying a little when she found she must not kiss any one, nay not even see them, and that nobody might go with her but Lonicera,[8] her own washing doll, she made up her mind bravely; and she was a good deal cheered when Clare, the biggest and best of all the dolls, was sent in to her, with all her clothes, by Maude, her eldest sister, to be her companion,—it was such an honour and so very kind of Maude that it quite warmed the sad little heart.

Lucy was a good little girl and knew she had to tough it out; so, even though she couldn’t help crying a bit when she realized she couldn’t kiss anyone—not even see them—and that nobody could go with her except Lonicera,[8] her own washing doll, she decided to be brave. She felt a lot better when Clare, the biggest and best of all the dolls, was sent in to her with all her clothes by Maude, her oldest sister, to keep her company—it was such an honor and so kind of Maude that it really warmed her sad little heart.

So Lucy had her little scarlet flannel dressing gown on, and her shoes and stockings, and a wonderful old knitted hood with a tippet to it, and then she was rolled round and round in all her bed-clothes, and Mrs. Bunker took her up like a very big baby, not letting any one else touch her. How Mrs. Bunker got safe down all the stairs no one can tell, but she did, and into the fly, and there poor little Lucy looked back and saw at the windows Mamma's face, and Papa's, and Maude's, and all the rest, all nodding and smiling to her, but Maude was crying all the time, and perhaps Mamma was too.

So Lucy was wearing her little red flannel dressing gown, along with her shoes and socks, and an amazing old knitted hood with a scarf attached. She was wrapped up snugly in all her bedclothes, and Mrs. Bunker picked her up like a very big baby, not letting anyone else hold her. No one knows how Mrs. Bunker managed to get down all the stairs safely, but she did, and into the carriage, where poor little Lucy looked back and saw Mama's face, Papa's, Maude's, and everyone else, all nodding and smiling at her. But Maude was crying the whole time, and maybe Mama was too.

The journey seemed very long; and Lucy[9] was really tired when she was put down at last in a big bed, nicely warmed for her, and with a bright fire in the room. As soon as she had had some beef-tea, she went off soundly to sleep, and only woke to drink tea, and administer supper to the dolls, and put them to sleep.

The journey felt really long, and Lucy[9] was super tired when she was finally laid down in a big, cozy bed, nicely warmed up for her, with a bright fire in the room. As soon as she had some beef tea, she fell soundly asleep, only waking up to drink tea, serve supper to her dolls, and put them to bed.

The next evening she was sitting up by the fire, and on the fourth day she was running about the house as if nothing had ever been the matter with her, but she was not to go home for a fortnight; and being wet, cold, dull weather, it was not always easy to amuse herself. She had her dolls, to be sure, and the little dog Don, to play with, and sometimes Mrs. Bunker would let her make funny things with the dough, or stone the raisins, or even help make a pudding; but still there was a good deal of time on her hands. She had only two books with her, and the rash had made her eyes weak, so that she did not much like reading them. The notes that every one wrote from home were quite enough for her. What[10] she liked best—that is, when Mrs. Bunker could not attend to her—was to wander about the museum, explaining the things to the dolls: "That is a crocodile, Lonicera; it eats people up, and has a little bird to pick its teeth. Look, Clare, that bony thing is a skeleton—the skeleton of a lizard. Paws off, my dear; mustn't touch. That's amber, just like barley sugar, only not so nice; people make necklaces of it. There's a poor little dead fly inside. Those are the dear delightful humming-birds; look at their crests, just like Mamma's jewels. See the shells; aren't they beauties? People get pearls out of those great flat ones, and dive all down to the bottom of the sea after them; mustn't touch, my dear, only look; paws off."

The next evening, she was sitting by the fire, and by the fourth day, she was running around the house as if nothing had ever happened to her, but she couldn't go home for two weeks. With the wet, cold, and dreary weather, it wasn’t always easy for her to entertain herself. She had her dolls, of course, and her little dog, Don, to play with, and sometimes Mrs. Bunker would let her create fun things with the dough, or pit the raisins, or even help make a pudding; but still, she had quite a bit of free time. She only had two books with her, and the rash had made her eyes sensitive, so she wasn’t too keen on reading them. The notes that everyone wrote from home were more than enough for her. What[10] she enjoyed most—when Mrs. Bunker couldn’t look after her—was wandering around the museum, explaining the exhibits to her dolls: "That’s a crocodile, Lonicera; it eats people and has a little bird to clean its teeth. Look, Clare, that bony thing is a skeleton—the skeleton of a lizard. Hands off, my dear; you can’t touch it. That’s amber, just like barley sugar, but not as sweet; people make necklaces out of it. There’s a poor little dead fly inside. Those are the lovely hummingbirds; look at their crests, just like Mama’s jewels. Check out those shells; aren’t they beautiful? People find pearls in those big flat ones and dive to the bottom of the sea to get them; don’t touch, my dear, just look; hands off."

One would think Clare's curved fingers all in one piece, and Lonicera's blue leather hands had been very movable and mischievous, judging by the number of times this warning came; but of course it was Lucy herself who wanted it most, for her own little plump, pinky hands did almost[11] tingle to handle and turn round those pretty shells. She wanted to know whether the amber tasted like barley-sugar as it looked, and there was a little musk deer, no bigger than Don, whom she longed to stroke, or still better to let Lonicera ride; but she was a good little girl, and had real sense of honour, which never betrays a trust, so she never laid a finger on anything but what Uncle Joe had once given all free leave to move.

You would think Clare's curved fingers, perfect for grasping, and Lonicera's blue leather hands, known for being playful, had gotten this warning repeated often. But really, it was Lucy who craved it the most, because her own little chubby, pink hands itched to touch and turn those beautiful shells. She was curious whether the amber tasted as sweet as barley sugar looked, and there was a tiny musk deer, no bigger than Don, that she wanted to pet, or even better, let Lonicera ride. However, she was a good girl with a strong sense of honor, which never breaks a promise, so she never touched anything except what Uncle Joe had once given her full permission to move.

This was a very big pair of globes—bigger than globes commonly are now, and with more frames round them—one great flat one, with odd names painted on it, and another brass one, nearly upright, going half-way round from top to bottom, and with the globe hung upon it by two pins, which Lucy's elder sisters called the poles, or the ends of the axis. The huge round balls went very easily with a slight touch, and there was something very charming in making them go whisk, whisk, whisk; now faster, now slower, now spinning so quickly that nothing on[12] them could be seen, now turning slowly and gradually over and showing all that was on them.

This was a really large pair of globes—bigger than globes usually are today, and with more frames around them—one big flat one, with strange names painted on it, and another brass one, almost upright, going halfway around from top to bottom, with the globe hung on it by two pins, which Lucy's older sisters called the poles, or the ends of the axis. The huge round balls spun easily with just a light touch, and there was something really enjoyable about making them go whisk, whisk, whisk; sometimes faster, sometimes slower, and at times spinning so quickly that you couldn't see anything on[12] them, then turning slowly and gradually, revealing everything that was on them.

The mere twirling was quite enough for Lucy at first, but soon she liked to look at what was on them. One she thought much more entertaining than the other. It was covered with wonderful creatures: one bear was fastened by his long tail to the pole; another bigger one was trotting round; a snake was coiling about anywhere; a lady stood disconsolate against a rock; another sat in a chair; a giant sprawled with a club in one hand and a lion's skin in the other; a big dog and a little dog stood on their hind legs; a lion seemed just about to spring on a young maiden's head; and all were thickly spotted over, just as if they had Lucy's rash, with stars big and little: and still more strange, her brothers declared these were the stars in the sky, and this was the way people found their road at sea; but if Lucy asked how, they always said she was not big enough to[13] understand, and it had not occurred to Lucy to ask whether the truth was not that they were not big enough to explain.

The simple spinning was enough for Lucy at first, but soon she wanted to see what was on them. She found one much more entertaining than the other. It was filled with amazing creatures: one bear was tied by his long tail to the pole; another, bigger bear was walking around; a snake was wriggling everywhere; a lady looked sad against a rock; another lady sat in a chair; a giant lounged with a club in one hand and a lion's skin in the other; a big dog and a little dog stood on their hind legs; a lion seemed ready to pounce on a young woman's head; and all were covered in spots, just like Lucy's rash, with stars both big and small. Even stranger, her brothers claimed these were the stars in the sky, and this was how people found their way at sea. But whenever Lucy asked how, they would say she wasn’t old enough to[13] understand, and it never crossed Lucy's mind to wonder if the real issue was that they weren’t old enough to explain.

The other globe was all in pale green, with pink and yellow outlines on it, and quantities of names. Lucy had had to learn some of these names for her geography, and she did not want to think of lessons now, so she rather kept out of the way of looking at it at first, till she had really grown tired of all the odd men and women and creatures upon the celestial sphere; but by and by she began to roll the other by way of variety.

The other globe was entirely pale green, with pink and yellow outlines and lots of names. Lucy had to learn some of these names for her geography class, and she didn't want to think about lessons now, so she initially tried to avoid looking at it until she got tired of all the strange men, women, and creatures on the celestial sphere; eventually, she started to spin the other globe for a change.


CHAPTER II.

VISITORS FROM THE SOUTH SEAS.

"Miss Lucy, you're as quiet as a mouse. Not in any mischief?" said Mrs. Bunker, looking into the museum; "why, what are you doing there?"

"Ms. Lucy, you’re as quiet as a mouse. Not getting into any trouble?" said Mrs. Bunker, peering into the museum. "What are you up to in there?"

"I'm looking at the great big globe, that Uncle Joe said I might touch," said Lucy: "here are all the names just like my lesson book at home; Europe, Asia, Africa, and America."

"I'm looking at the huge globe that Uncle Joe said I could touch," said Lucy. "Here are all the names just like in my textbook at home: Europe, Asia, Africa, and America."

"Why, bless the child! where else should they be? There be all the oceans and seas besides that I've crossed over, many's the time,[15] with poor Ben Bunker, who was last seen off Cape Hatteras."

"Why, bless the child! Where else would they be? There are all the oceans and seas I've crossed over, countless times,[15] with poor Ben Bunker, who was last seen off Cape Hatteras."

"What, all these great green places, with Atlantic and Pacific on them; you don't really mean that you've sailed over them! I should like to make a midge do it in a husk of hemp-seed! How could you, Mother Bunch? You are not small enough."

"What, all these amazing green lands, with the Atlantic and Pacific around them; you can't seriously mean that you've sailed over them! I would love to see a tiny midge do that in a hemp-seed shell! How could you, Mother Bunch? You aren't small enough."

"Ho! ho!" said the housekeeper, laughing; "does the child think I sailed on that very globe there?"

"Ha! ha!" said the housekeeper, laughing; "does the kid think I actually sailed on that globe over there?"

"I know one learns names," said Lucy; "but is it real?"

"I know that people learn names," Lucy said, "but is it for real?"

"Real! Why, Missie, don't you see it's a sort of a picture? There's your photograph now, it's not as big as you, but it shows you; and so a chart, or a map, or a globe, is just a picture of the shapes of the coast-line of the land and the sea, and the rivers in them, and mountains, and the like. Look you here:" and she made Lucy stand on a chair and look at a map of her own town that was hanging[16] against the wall, showing her all the chief buildings, the churches, streets, the town hall, and market cross, and at last helping her to find her own Papa's house.

"Really! Missie, don't you see, it's like a picture? There's your photo now; it’s smaller than you, but it shows you. A chart, or a map, or a globe is just a picture of the shapes of the coastlines, the land and sea, the rivers, mountains, and so on. Look here:" She made Lucy stand on a chair and look at a map of her town that was hanging[16] on the wall, showing her all the main buildings, the churches, streets, the town hall, and market cross, and finally helping her find her dad's house.

When Lucy had traced all the corners she had to turn in going from home to Uncle Joe's, and had even found little frizzles for the five lime-trees before the Vicarage, she understood that the map was a small picture of the situation of the buildings in the town, and thought she could find her way to some new place, suppose she studied it well.

When Lucy had marked all the turns she needed to make on her way from home to Uncle Joe's, and had even drawn little curls for the five lime trees in front of the Vicarage, she realized that the map was a small depiction of where the buildings in town were located, and she thought she might be able to find her way to some new place if she studied it carefully.

Then Mrs. Bunker showed her a big map of the whole country, and there Lucy found the river, and the roads, and the names of the villages near, as she had seen or heard of them; and she began to understand that a map or globe really brought distant places into an exceedingly small picture, and that where she saw a name and a spot she was to think of houses and churches; that a branching black line was a flowing river full of water; a curve[17] in, a pretty bay shut in with rocks and hills; a point jutting out, generally a steep rock with a lighthouse on it.

Then Mrs. Bunker showed her a big map of the whole country, and there Lucy found the river, the roads, and the names of the nearby villages that she had seen or heard of; she began to realize that a map or globe really condensed distant places into an incredibly small image, and that where she saw a name and a spot, she should think of houses and churches; that a branching black line represented a flowing river full of water; a curve in was a pretty bay surrounded by rocks and hills; a point sticking out was usually a steep rock with a lighthouse on it.

"And all these places are countries, Bunchey, are they, with fields and houses like ours?"

"And all these places are countries, Bunchey, are they, with fields and houses like ours?"

"Houses, ay, and fields, but not always so very like ours, Miss Lucy."

"Houses, yeah, and fields, but not always quite like ours, Miss Lucy."

"And are there little children, boys and girls, in them all?"

"And are there little kids, boys and girls, in all of them?"

"To be sure there are, else how would the world go on? Why, I've seen 'em by swarms, white or brown or black, running down to the shore, as sure as the vessel cast anchor; and whatever colour they were, you might be sure of two things, Miss Lucy, that they were all alike in."

"Of course they exist, or how else would the world keep going? I've seen them in swarms, whether white, brown, or black, rushing to the shore just as the ship drops anchor; and no matter what color they were, you could be sure of two things, Miss Lucy, that they all shared."

"Oh, what, Mrs. Bunker?"

"Oh, what is it, Mrs. Bunker?"

"Do please sit down, there's a good Mother Bunch, and tell me all about them." "Please have a seat, good Mother Bunch, and tell me everything about them."
Page 18.

"Why, in plenty of noise for one, and the other for wanting all they could get to eat. But they were little darlings, some of them, if I only could have got at them to make them a bit nicer. Some of them looked for all the[18] world like the little bronze images Master has got in the museum, brought from Italy, and hadn't a rag more clothing neither. They were in India. Dear, dear, to see them tumble about in the surf!"

"Well, one was making a lot of noise, and the other wanted all the food they could get. But some of them were adorable, if only I could have helped them be a little nicer. Some of them looked exactly like the little bronze statues the Master has in the museum, brought over from Italy, and they didn’t have any more clothes than that. They were in India. Oh, to see them playing around in the waves!"

"O, what fun! what fun! I wish I could see them. Suppose I could."

"O, what fun! What fun! I wish I could see them. What if I could?"

"You would be right glad, Missie, I can tell you, if you had been three or four months aboard with nothing but dry biscuits and salt junk, and may be a tin of preserved vegetables just to keep it wholesome, to see the black fellows come grinning alongside with their boats and canoes all full of oranges and limes and shaddocks and cocoa-nuts. Doesn't one's mouth fairly water for them?"

"You would be really happy, Missie, I can tell you, if you had spent three or four months on board with nothing but dry biscuits and salted meat, and maybe a tin of preserved vegetables just to keep it somewhat decent, to see the local guys coming over with their boats and canoes full of oranges and limes and grapefruit and coconuts. Doesn’t your mouth just water for them?"

"Do please sit down, there's a good Mother Bunch, and tell me all about them? Come, suppose you do."

"Please have a seat, good Mother Bunch, and tell me everything about them. Go on, I encourage you."

"Suppose I did, Miss Lucy, and where would your poor uncle's preserved ginger be, that no one knows from real West Indian?"

"Imagine I really did, Miss Lucy, and where would your poor uncle's preserved ginger be, which no one can tell apart from the genuine West Indian kind?"

[21] "Oh, let me come into your room, and you can tell me all the time you are doing the ginger."

[21] "Oh, let me into your room, and you can tell me all about the time you're spending on the ginger."

"It is very hot there, Missie."

"It’s really hot there, Missie."

"That will be more like some of the places. I'll suppose I'm there! Look, Mrs. Bunker, here's a whole green sea, all over the tiniest little dots. There can't be people in them."

"That’s more like some of the places. I guess I’m there! Look, Mrs. Bunker, here’s a vast green sea, covered in the tiniest little dots. There can't be people in those."

"Dots? You'd hardly see all over one of those dots if you were in one. That's the South Sea Miss Lucy, and those are the loveliest isles, except, may be, the West Indies, that ever I saw."

"Dots? You'd barely notice one of those dots if you were in it. That's the South Sea, Miss Lucy, and those are the most beautiful islands, except maybe the West Indies, that I've ever seen."

"Tell me about them, please," entreated Lucy "Here's one; its name is—is Ysabel—such a little wee one."

"Please tell me about them," Lucy pleaded. "Here's one; its name is Ysabel—such a tiny little thing."

Lucy had a great sneezing fit, and when she looked again into the smoke, what did she see but two little black figures. Lucy had a big sneezing fit, and when she looked back into the smoke, what did she see but two tiny black figures.
Page 22.

"I can't tell you much of those South Sea Isles, Missie, being that I only made one voyage among them, when Bunker chartered the Penguin for the sandal-wood trade; and we did not touch at many, being that the natives were fierce and savage, and made nothing of coming[22] down with arrows and spears at a boat's crew. So we only went to such islands as the missionaries had been at, and got the people to be more civil and conformable."

"I can't tell you much about those South Sea islands, Missie, since I only made one trip there when Bunker hired the Penguin for the sandalwood trade. We didn't visit many because the locals were fierce and aggressive, and they had no problem attacking a boat's crew with arrows and spears. So, we only went to the islands that the missionaries had been to, where the people were more polite and agreeable."

"Tell me all about it," said Lucy, following the old woman hither and thither as she bustled about, talking all the time, and stirring her pan of ginger over the hot plate.

"Tell me everything," said Lucy, following the old woman back and forth as she hurried around, chatting the whole time and stirring her pan of ginger on the hot stove.

How it happened, it is not easy to say; the room was very warm, and Mother Bunch went on talking as she stirred, and a steam rose up, and by and by it seemed to Lucy that she had a great sneezing fit, and when she looked again into the smoke, what did she see but two little black figures, faces, heads, and feet all black, but with an odd sort of white garment round their waists, and some fine red and green feathers sticking out of their woolly heads.

How it happened is hard to explain; the room felt really warm, and Mother Bunch kept talking as she stirred, and steam filled the air. After a while, it seemed to Lucy that she had a big sneezing fit, and when she looked again into the haze, she saw two little black figures. Their faces, heads, and feet were all black, but they wore a strange kind of white garment around their waists, with some pretty red and green feathers sticking out of their curly hair.

"Mrs. Bunker, Mrs. Bunker," she cried, "what's this? who are these ugly figures?"

"Mrs. Bunker, Mrs. Bunker," she shouted, "what's going on? Who are these creepy figures?"

"I am so glad to see you. Hush, Don! don't bark so!" "I'm so happy to see you. Quiet down, Don! Don’t bark like that!"
Page 27.

"Ugly!" said the foremost; and though it must have been some strange language, it[27] sounded like English to Lucy. "Is that the way little white girl speaks to boy and girl that have come all the way from Ysabel to see her?"

"Ugly!" said the one in front; and even though it must have been some strange language, it[27] sounded like English to Lucy. "Is that how a little white girl talks to a boy and girl who have traveled all the way from Ysabel to see her?"

"Oh, indeed! little Ysabel boy, I beg your pardon. I didn't know you were real, nor that you could understand me! I am so glad to see you. Hush, Don! don't bark so!"

"Oh, really! Little Ysabel boy, I'm sorry. I didn’t know you were real or that you could understand me! I’m so happy to see you. Hush, Don! Don’t bark like that!"

"Pig, pig, I never heard a pig squeak like that," said the black stranger.

"Pig, pig, I've never heard a pig squeal like that," said the black stranger.

"Pig! It is a little dog. Have you no dogs in your country?"

"Pig! It's a little dog. Don't you have any dogs in your country?"

"Pigs go on four legs. That must be pig."

"Pigs walk on four legs. That has to be a pig."

"What, you have nothing that goes on four legs but a pig! What do you eat, then, besides pig?"

"What, you only have a pig that walks on four legs? So, what else do you eat besides pig?"

"Yams, cocoa-nut, fish—oh, so good, and put pig into hole among hot stones, make a fire over, bake so nice!"

"Yams, coconut, fish—oh, so delicious, and put the pig in a hole among hot stones, start a fire over it, bake it so well!"

"You shall have some of my tea and see if that is as nice," said Lucy. "What a funny dress you have; what is it made of?"[28]

"You can have some of my tea and see if you like it," said Lucy. "What a weird dress you have; what’s it made of?"[28]

"Tapa cloth," said the little girl. "We get the bark off the tree, and then we go hammer, hammer, thump, thump, till all the hard thick stuff comes off;" and Lucy, looking near, saw that the substance was really all a lacework of fibre, about as close as the net of Nurse's caps.

"Tapa cloth," said the little girl. "We peel the bark off the tree, and then we go pound, pound, thump, thump, until all the tough, thick stuff comes off;" and Lucy, looking closely, saw that the material was really just a intricate pattern of fibers, about as tight as the mesh of Nurse's caps.

"Is that all your clothes?" she asked.

"Is that all your clothes?" she asked.

"Yes, till I am a warrior," said the boy; "then they will tattoo my forehead, and arms, and breast, and legs."

"Yeah, until I become a warrior," said the boy; "then they'll tattoo my forehead, arms, chest, and legs."

"Tattoo! what's that?"

"Tattoo! What is that?"

"Make little holes, and lines all over the skin with a sharp shell, and rub in juice that turns it all to blue and purple lines."

"Create small holes and lines all over the skin with a sharp shell, then massage in juice that turns it all into blue and purple lines."

"But doesn't it hurt dreadfully?" asked Lucy.

"But doesn't it hurt a lot?" asked Lucy.

"Hurt! to be sure it does, but that will show that I am brave. When Father comes home from the war, he paints himself white."

"Hurt! Of course it does, but that just shows I'm brave. When Dad comes home from the war, he paints himself white."

"White!"

"White!"

"With lime made by burning coral, and he jumps and dances and shouts: I shall go to the war one of these days."[29]

"With lime made by burning coral, he jumps, dances, and shouts: I’m going to war one of these days."[29]

"Oh no, don't!" said Lucy, "it is horrid."

"Oh no, don't!" Lucy said, "that's awful."

The boy laughed, but the little girl whispered, "Good white men say so. Some day Lavo will go and learn, and leave off fighting."

The boy laughed, but the little girl whispered, "Good white men say that. One day Lavo will go and learn, and stop fighting."

Lavo shook his head. "No, not yet; I will be brave chief and warrior first,—bring home many heads of enemies."

Lavo shook his head. "Not yet; I need to be a brave leader and warrior first—I’ll bring home many enemy trophies."

"I—I think it nice to be quiet," said Lucy; "and—and—won't you have some dinner?"

"I—I think it's nice to be quiet," said Lucy; "and—and—wouldn't you like some dinner?"

"Have you baked a pig?" asked Lavo.

"Have you roasted a pig?" asked Lavo.

"I think this is mutton," said Lucy, when the dish came up,—"it is sheep's flesh."

"I think this is mutton," Lucy said when the dish was served. "It's sheep meat."

Lavo and his sister had no notion what sheep were. They wanted to sit cross-legged on the floor, but Lucy made each of them sit in a chair properly; but then they shocked her by picking up the mutton-chops and stuffing them into their mouths with their fingers.

Lavo and his sister had no idea what sheep were. They wanted to sit cross-legged on the floor, but Lucy made them sit in chairs properly. Then they surprised her by picking up the mutton chops and stuffing them into their mouths with their fingers.

"Look here!" and she showed the knives and forks.

"Look here!" she said, pointing out the knives and forks.

"Oh!" cried Lavo, "what good spikes to catch fish with! and knife—knife—I'll kill foes! much better than shell knife."[30]

"Oh!" Lavo exclaimed, "these spikes are perfect for catching fish! And a knife—knife—I'll use it to take down enemies! Way better than a shell knife."[30]

"I can eat much better without," said Lavo. "I can eat a lot better without," said Lavo.
Page 30.

"And I'll dig yams," said the sister.

"And I'll dig up yams," said the sister.

"Oh no!" entreated Lucy, "we have spades to dig with, soldiers have swords to fight with, these are to eat with."

"Oh no!" Lucy pleaded, "we have spades to dig with, soldiers have swords to fight with, these are for eating."

"I can eat much better without," said Lavo, but to please Lucy his sister did try; slashing hard away with her knife, and digging her fork straight into a bit of meat. Then she very nearly ran it into her eye, and Lucy, who knew it was not good manners to laugh, was very near choking herself. And at last, saying the knife and fork were "great good—great good; but none for eating," they stuck them through the great tortoiseshell rings they had in their ears and noses. Lucy was distressed about Uncle Joseph's knives and forks, which she knew she ought not to give away; but while she was looking about for Mrs. Bunker to interfere, Don seemed to think it his business, and began to growl and fly at the little black legs.

"I can eat much better without," said Lavo, but to make Lucy happy, his sister really tried; slicing hard with her knife and stabbing her fork straight into a piece of meat. Then she almost poked herself in the eye, and Lucy, who knew it was rude to laugh, nearly choked. Finally, saying the knife and fork were "great, great; but not for eating," they stuck them through the big tortoiseshell rings in their ears and noses. Lucy felt bad about Uncle Joseph's knives and forks, which she knew she shouldn’t give away; but while she was searching for Mrs. Bunker to step in, Don seemed to think it was his job and started growling and snapping at the little black legs.

Lavo had climbed up the side of the door, and was sitting astride on the top of it. Lavo had climbed up the door and was sitting on top of it.
Page 35.

"A tree, a tree!" cried the Ysabelites, "where's[35] a tree?" and while they spoke, Lavo had climbed up the side of the door, and was sitting astride on the top of it, grinning down at the dog, and his sister had her feet on the lock, going up after him.

"A tree, a tree!" shouted the Ysabelites, "where's[35] a tree?" And while they were talking, Lavo had climbed up the side of the door and was sitting on top of it, grinning down at the dog, while his sister had her feet on the lock, going up after him.

"Tree houses," they cried; "there we are safe from our enemies."

"Tree houses," they shouted; "here we’re safe from our enemies."

And Lucy found rising before her, instead of her own nursery, a huge tree, on the top of a mound.[1] Basket-work had been woven between the branches to make floors, and on these were huts of bamboo cane; there were ladders hanging down made of strong creepers twisted together, and above and around the cries of cockatoos and parrots and the chirp of grasshoppers rang in her ears. She laid hold of the ladder of creeping plants and began to climb, but soon her head swam, she grew giddy, and called out to Lavo to help her. Then suddenly she found herself curled up in Mrs. Bunker's big beehive chair, and she wondered whether she had been asleep.

And Lucy discovered that instead of her own nursery, a massive tree stood before her, atop a mound.[1] Basket-weaving had created floors between the branches, and there were bamboo huts on them; strong vines twisted together formed hanging ladders, and the sounds of cockatoos, parrots, and chirping grasshoppers filled the air around her. She grabbed onto the ladder made of creeping plants and started to climb, but soon she felt dizzy, called out to Lavo for help, and then suddenly found herself curled up in Mrs. Bunker's large beehive chair, wondering if she had been dreaming.


CHAPTER III.

ITALY.

"Suppose and suppose I could have such another funny dream," said Lucy. "Mother Bunch, have you ever been to Italy?" and she put her finger on the long leg and foot, kicking at three-cornered Sicily.

"Picture this if I could have another crazy dream like that," said Lucy. "Mother Bunch, have you ever been to Italy?" and she pointed at the long leg and foot, kicking at the triangular shape of Sicily.

"Yes, Missie, that I have; come out of this cold room and I'll tell you."

"Yes, Missie, I have; step out of this cold room and I'll tell you."

Lucy was soon curled in her chair; but no, she wasn't! she was under such a blue, blue sky, as she had never dreamt of: clear sharp purple hills rose up against it. There was a clear rippling little fountain, bursting out of a[37] rock, carved with old, old carvings, broken now and defaced, but shadowed over by lovely maidenhair fern and trailing bindweed; and in a niche above a little roof, sheltering a figure of the Blessed Virgin. Some way off stood a long low house propped up against the rich yellow stone walls and pillars of another old, old building, and with a great chestnut-tree shadowing over it. It had a balcony, and the gable end was open, and full of big yellow pumpkins and clusters of grapes hung up to dry, and some goats were feeding round.

Lucy was soon curled up in her chair; but no, she wasn't! She was under a bright blue sky, like nothing she had ever imagined: sharp purple hills rose up against it. There was a clear, bubbling little fountain, bursting out of a[37] rock, decorated with old carvings, now broken and worn, but shaded by lovely maidenhair ferns and trailing bindweed; and in a niche above a small roof was a figure of the Blessed Virgin. Not far away, there was a long, low house leaning against the rich yellow stone walls and pillars of another ancient building, with a large chestnut tree casting shade over it. It had a balcony, and the gable end was open, filled with big yellow pumpkins and bunches of grapes hanging up to dry, and some goats were grazing nearby.

Then came a merry, merry voice singing something about la vendemmia; and though Lucy had never learnt Italian, her wonderful dream knowledge made her sure that this meant the vintage, the grape-gathering; and presently there came along a little girl dancing and beating a tambourine, with a basket fastened to her back, filled to overflowing with big, beautiful bunches of grapes: and a whole party of other children, all loaded with as many[38] grapes as they could carry, came leaping and singing after her; their black hair loose, or sometimes twisted with vine-leaves; their big black eyes dancing with merriment, and their bare brown legs with glee.

Then a cheerful voice started singing something about la vendemmia; and even though Lucy had never learned Italian, her amazing dream knowledge assured her that this meant the vintage, the grape harvest. Soon, a little girl came along dancing and playing a tambourine, with a basket strapped to her back, overflowing with large, beautiful bunches of grapes. A whole group of other kids, all carrying as many grapes as they could manage, came bounding and singing after her; their black hair flying loose or sometimes twisted with vine leaves, their big black eyes sparkling with joy, and their bare brown legs full of happiness.

"Ah! Cecco, Cecco!" cried the little girl, pausing as she beat her tambourine. "Ah! Cecco, Cecco!" the little girl shouted, stopping to hit her tambourine.
Page 38.

"Ah! Cecco, Cecco!" cried the little girl, pausing as she beat her tambourine, "here's a stranger who has no grapes; give them here!"

"Ah! Cecco, Cecco!" shouted the little girl, stopping as she played her tambourine, "here's a stranger who has no grapes; give them here!"

"But," said Lucy, "aren't they your Mamma's grapes; may you give them away?"

"But," Lucy said, "aren't those your mom's grapes? Can you really give them away?"

"Ah, ah! 'tis the vendemmia! all may eat grapes; as much as they will. See, there's the vineyard."

"Ah, ah! It's the vendemmia! Everyone can eat grapes; as much as they want. Look, there's the vineyard."

Lucy saw on the slope of the hill above the cottage long poles such as hops grow upon, and vines trained about hither and thither in long festoons, with leaves growing purple with autumn, and clusters hanging down. Men in shady battered hats, bright sashes and braces, and white shirt sleeves, and women with handkerchiefs folded square over their heads, were cutting the grapes down, and piling them up[41] in baskets; and a low cart drawn by two mouse-coloured oxen, with enormous wide horns and gentle-looking eyes, was waiting to be loaded with the baskets.

Lucy saw on the slope of the hill above the cottage long poles that hops grow on, and vines draped here and there in long strands, with leaves turning purple with autumn and clusters hanging down. Men wearing worn hats, colorful sashes and suspenders, and white shirts rolled up at the sleeves were cutting the grapes and piling them in baskets. A low cart pulled by two light-colored oxen, with huge wide horns and gentle-looking eyes, was waiting to be loaded with the baskets.[41]

"To the wine-press! to the press!" shouted the children, who were politeness itself and wanted to show her everything.

"To the wine press! To the press!" shouted the kids, who were the very picture of politeness and wanted to show her everything.

The wine-press was a great marble trough with pipes leading off into other vessels around. Into it went the grapes, and in the midst were men and boys and little children, all with bare feet and legs up to the knees, dancing and leaping, and bounding and skipping upon the grapes, while the red juice covered their brown skins.

The wine press was a large marble trough with pipes that connected to other containers nearby. In it went the grapes, and in the center were men, boys, and little children, all barefoot and with legs up to their knees, dancing, jumping, and skipping on the grapes, while the red juice coated their brown skin.

"Come in, come in; you don't know how charming it is!" cried Cecco. "It is the best time of all the year, the dear vintage; come and tread the grapes."

"Come in, come in; you have no idea how charming it is!" exclaimed Cecco. "It's the best time of year, the lovely harvest; come and stomp the grapes."

"But you must take off your shoes and stockings," said his sister, Nunziata; "we never wear them but on Sundays and holidays."[42]

"But you have to take off your shoes and socks," said his sister, Nunziata; "we only wear them on Sundays and holidays."[42]

Lucy was not sure that she might, but the children looked so joyous, and it seemed to be such fun, that she began fumbling with the buttons of her boots, and while she was doing it she opened her eyes, and found that her beautiful bunch of grapes was only the cushion in the bottom of Mother Bunch's chair.

Lucy wasn't sure if she could, but the kids looked so happy, and it seemed like so much fun, that she started fiddling with the buttons on her boots. As she was doing that, she opened her eyes and realized that her beautiful bunch of grapes was just the cushion at the bottom of Mother Bunch's chair.


CHAPTER IV.

GREENLAND.

"Suppose and suppose I tried what the very cold countries are like!"

"What if? I explored what life is like in the really cold countries?"

And Lucy bent over the globe till she was nearly ready to cut her head off with the brass meridian, as she looked at the long jagged tongue, with no particular top to it, hanging down on the east side of America. Perhaps it was the making herself so cold that did it, but she found herself in the midst of snow, snow, snow. All was snow except the sea, and that was a deep green, and in it were monstrous floating white things, pinnacled all over[44] like the Cathedral, and as big, and with hollows in them of glorious deep blue and green, like jewels; Lucy knew they were icebergs. A sort of fringe of these cliffs of ice hemmed in the shore. And on one of them stood what she thought at first was a little brown bear, for the light was odd, the sun was so very low down, and there was so much glare from the snow that it seemed unnatural. However, before she had time to be afraid of the bear, she saw that it was really a little boy, with a hood and coat and leggings all of thick, thick fur, and a spear in his hand, with which he every now and then made a dash at a fish,—great cod fish, such as Mamma had, with oysters, when there was a dinner-party.

And Lucy leaned over the globe until she was almost ready to cut her head off with the brass meridian as she looked at the long, jagged tongue hanging down on the east side of America. Maybe it was because she made herself so cold, but she found herself surrounded by snow, snow, snow. Everything was snow except the sea, which was a deep green, and in it were massive, floating white objects, towering all over like a cathedral, just as big, with beautiful deep blue and green hollows like jewels; Lucy knew they were icebergs. A sort of fringe of these icy cliffs lined the shore. And on one of them stood what she first thought was a little brown bear, since the light was strange, the sun was so low, and there was so much glare from the snow that it seemed unnatural. However, before she had time to be scared of the bear, she saw it was actually a little boy, wearing a hood, coat, and leggings made of thick, thick fur, with a spear in his hand, which he occasionally used to try to catch a fish—big cod fish, like the ones Mom had with oysters during dinner parties.[44]

Into them went his spear, up came the poor fish, and was strung with some others on a string the boy carried. Lucy crept up as well as she could on the slippery ice, and the little Esquimaux stared at her with a kind of stupid surprise.

Into them went his spear, and the poor fish came up, strung along with a few others on a line the boy carried. Lucy carefully crept along the slippery ice, while the little Eskimos stared at her with a look of bewildered surprise.

"Is that the way you get fish?" she asked. "Is that how you catch fish?" she asked.
Page 47.

[47]"Is that the way you get fish?" she asked.

[47]"Is that how you catch fish?" she asked.

"Yes, and seals; Father gets them," he said.

"Yeah, and seals; Dad gets them," he said.

"Oh, what's that, swimming out there?"

"Oh, what's that swimming out there?"

"That's a white bear," he said, coolly; "we had better get home."

"That's a polar bear," he said calmly; "we should head home."

Lucy thought so indeed; only where was home? that puzzled her. However, she trotted along by the side of her companion, and presently came to what might have been an enormous snowball, but there was a hole in it. Yes, it was hollow; and as her companion made for the opening, she saw more little stout figures rolled up in furs inside. Then she perceived that it was a house built up of blocks of snow, arranged so as to make the shape of a beehive, all frozen together, and with a window of ice. It made her shiver to think of going in, but she thought the white bear might come after her, and in she went. Even her little head had to bend under the low doorway, and behold it was the very closest, stuffiest, if not the hottest place she had ever been in! There was a kind of[48] lamp burning in the hut; that is, a wick was floating in some oil, but there was no glass, such as Lucy had been apt to think the chief part of a lamp, and all round it squatted upon skins these queer little stumpy figures, dressed so much alike that there was no knowing the men from the women, except that the women had much the biggest boots, and used them instead of pockets, and they had their babies in bags of skin upon their backs.

Lucy really thought so; but where was home? That confused her. Still, she walked alongside her companion and soon came to what looked like a giant snowball, but there was a hole in it. Yes, it was hollow; and as her companion approached the opening, she saw more little stout figures bundled up in furs inside. Then she realized it was a house made of blocks of snow, shaped like a beehive, all frozen together, with a window of ice. The idea of going inside made her shiver, but she figured the white bear might come after her, so in she went. Even her little head had to dip under the low doorway, and it turned out to be the most cramped, stuffiest, if not the hottest place she had ever been! There was some kind of [48] lamp burning in the hut; that is, a wick floating in some oil, but there was no glass, which Lucy usually thought was the main part of a lamp. All around it, squatting on skins, were these strange little stumpy figures, dressed so similarly that it was hard to tell the men from the women, except that the women had much bigger boots, used them as pockets, and carried their babies in skin bags on their backs.

They seemed to be kind people, for they made room by their lamp for the little girl, and asked her where she had been wrecked, and then one of the women cut off a great lump of raw something—was it a walrus, with that round head and big tusks?—and held it up to her; and when Lucy shook her head and said, "No, thank you," as civilly as she could, the woman tore it in two, and handed a lump over her shoulder to her baby, who began to gnaw it. Then her first friend, the little boy, hoping to please her better, offered her some drink. Ah![49] it was oil, just like the oil that was burning in the lamp!—horrid train-oil from the whales! She could not help shaking her head, so much that she woke herself up!

They seemed like kind people because they made space for the little girl by their lamp and asked her where she had come from. Then one of the women cut off a big piece of raw something—was it a walrus, with that round head and big tusks?—and held it up to her. When Lucy shook her head and politely said, "No, thank you," the woman tore it in half and handed a piece over her shoulder to her baby, who started to chew on it. Then her first friend, the little boy, tried to make her happier by offering her something to drink. Ah![49] it was oil, just like the oil that was burning in the lamp!—nasty train-oil from the whales! She couldn’t help shaking her head so much that she woke herself up!


CHAPTER V

TYROL.

"Suppose and suppose I could see where that dear little black chamois horn came from! But Mother Bunch can't tell me about that I'm afraid, for she always went by sea, and here's the Tyrol without one bit of sea near it. It's just one of the strings to the great knot of mountains that tie Europe up in the middle. Oh! what is a mountain like?"

"Imagine if I could find out where that sweet little black chamois horn came from! But I'm afraid Mother Bunch can't help me with that because she always traveled by sea, and here I am in the Tyrol with no ocean in sight. It's just one of the many ties in the great knot of mountains that bind Europe together in the middle. Oh! What does a mountain look like?"

Then suddenly came on Lucy's ears a loud blast like a trumpet; another answered it farther off, another fainter still, and as she started up she found she was standing on a little shelf of[51] green grass with steep slopes of stones and rock above, below, and around her; and rising up all round huge, tall hills, their smooth slopes green and grassy, but in the steep places, all steep, stern cliff and precipice, and as they were seen further away they were of a beautiful purple, like a thunder-cloud. Close to Lucy grew blue gentians like those in Mamma's garden, and Alpine roses, and black orchises; but she did not know how to come down, and was getting rather frightened when a clear little voice said, "Little lady, have you lost your way? Wait till the evening hymn is over, and I'll come and help you;" and then Lucy stood and listened, while from all the peaks whence the horns had been blown there came the strong sweet sound of an evening hymn, all joining together, while there arose distant echoes of others farther away. When it was over, one shout of "Jodel" echoed from each point, and then all was still except for the tinkling of a little cow-bell. "That's the way we wish each[52] other good night," said the little girl, as the shadows mounted high on the tops of the mountains, leaving them only peaks of rosy light. "Now come to the châlet, and sister Rose will give you some milk."

Then suddenly Lucy heard a loud blast like a trumpet; another answered it from farther away, another fainter still, and as she jumped up, she found she was standing on a small patch of[51] green grass with steep stone slopes and rocks above, below, and around her; all around were huge, tall hills, their smooth slopes green and grassy, but in the steep parts, there were steep, stern cliffs and drop-offs, and as they stretched further away, they appeared a beautiful purple, like a thundercloud. Close to Lucy grew blue gentians like those in her mom's garden, along with Alpine roses and black orchids; but she didn't know how to get down and was starting to feel pretty scared when a clear little voice said, "Little lady, have you lost your way? Wait till the evening hymn is over, and I'll come and help you;" and then Lucy stood and listened as from all the peaks where the horns had been blown, there came the strong, sweet sound of an evening hymn, all joining together, while distant echoes came from others farther away. When it ended, one shout of "Jodel" echoed from each point, and then everything was quiet except for the tinkling of a little cowbell. "That's how we wish each[52] other good night," said the little girl, as the shadows rose high on the mountaintops, leaving them with only peaks of rosy light. "Now come to the châlet, and sister Rose will give you some milk."

"Help me, I'm afraid," said Lucy. "Help me, I'm scared," Lucy said.
Page 52.

"Help me. I'm afraid," said Lucy.

"Help me. I'm scared," said Lucy.

"That is nothing," said the mountain maiden springing up to her like a kid, in spite of her great heavy shoes; "you should see the places Father and Seppel climb when they hunt the chamois."

"That's nothing," said the mountain girl, jumping up to her like a kid, despite her big, heavy shoes. "You should see the places Dad and Seppel climb when they go hunting for chamois."

"What is your name?" asked Lucy, who much liked the looks of her little companion in her broad straw hat, with a bunch of Alpine roses in it, her thick striped frock, and white body and sleeves, braced with black ribbon; it was such a pleasant, fresh, open face, with such rosy cheeks and kindly blue eyes, that Lucy felt quite at home.

"What’s your name?" asked Lucy, who really liked how her little companion looked in her wide straw hat with a bunch of Alpine roses in it, her thick striped dress, and white bodice and sleeves, accented with black ribbon; it was such a cheerful, fresh, friendly face, with rosy cheeks and warm blue eyes, that Lucy felt completely at ease.

"I am little Katherl. This is the first time I have come up with Rose to the châlet, for I am big enough to milk the cows now. Ah! do you[55] see Ilse, the black one with a white tuft? She is our leading cow, and she knows it, the darling. She never lets the others get into dangerous places they cannot come off; she leads them home, at a sound of the horn; and when we go back to the village, she will lead the herd with a nosegay on the point of each horn, and a wreath round her neck. The men will come up and fetch us, Seppel and all; and may be Seppel will bring the medal for shooting with the rifle."

"I’m little Katherl. This is the first time I’ve come up with Rose to the chalet because I’m big enough to milk the cows now. Ah! Do you see Ilse, the black one with a white tuft? She’s our lead cow, and she knows it, the sweetheart. She never lets the others get into risky places they can’t get out of; she leads them home at the sound of the horn. And when we go back to the village, she’ll lead the herd with a bouquet on each horn and a wreath around her neck. The guys will come up and fetch us, Seppel and all; and maybe Seppel will bring the medal for shooting with the rifle."

"But what do you do up here?"

"But what do you all do up here?"

"We girls go up for the summer with the cows to the pastures, the grass is so rich and good on the mountains, and we make butter and cheese. Wait, and you shall taste. Sit down on that stone."

"We girls head up for the summer with the cows to the pastures, where the grass is so lush and nutritious on the mountains, and we make butter and cheese. Just wait, and you can try it. Sit down on that stone."

Lucy was glad to hear this promise, for the fresh mountain air had made her hungry. Katherl skipped away towards a house with a projecting wooden balcony, and deep eaves, beautifully carved, and came back with a slice of bread and delicious butter, and a good piece of cheese, all[56] on a wooden platter, and a little bowl of new milk. Lucy thought she had never tasted anything so nice.

Lucy was happy to hear this promise because the fresh mountain air had made her hungry. Katherl skipped away toward a house with a wooden balcony that jutted out and deep eaves, beautifully carved, and returned with a slice of bread and delicious butter, along with a good piece of cheese, all[56] on a wooden platter, and a small bowl of fresh milk. Lucy thought she had never tasted anything so good.

"And now the gracious little lady will rest a little while," said Katherl, "whilst I go and help Rosel to strain the milk."

"And now the kind little lady will take a short rest," said Katherl, "while I go and help Rosel strain the milk."

So Lucy waited, but she felt so tired with her scramble that she could not help nodding off to sleep, though she would have liked very much to have stayed longer with the dear little Tyrolese. But we know by this time where she always found herself when she awoke.

So Lucy waited, but she felt so tired from her struggles that she couldn't help dozing off, even though she really wanted to stay longer with the sweet little Tyrolese. But by now, we know where she always found herself when she woke up.


CHAPTER VI.

AFRICA.

Oh! oh! here is the little dried crocodile come alive, and opening a horrible great mouth lined with terrible teeth at her.

Oh! oh! here is the little dried crocodile come to life, opening a huge, terrifying mouth filled with awful teeth at her.

No, he is no longer in the museum; he is in a broad river, yellow, heavy, and thick with mud; the borders are crowded with enormous reeds and rushes; there is no getting through; no breaking away from him; here he comes; horrid, horrid beast! Oh, how could Lucy have been so foolish as to want to travel in Africa up to the higher parts of the Nile? How will she ever get back again? He will gobble her[58] up, her and Clare, who was trusted to her, and whatever will Mamma and sister do?

No, he's not at the museum anymore; he's in a wide river, muddy yellow, heavy, and thick with dirt; the banks are filled with huge reeds and rushes; there's no way through; no escaping from him; here he comes; what a terrifying beast! Oh, how could Lucy have been so reckless as to want to travel in Africa to the upper reaches of the Nile? How will she ever make it back? He’ll swallow her[58] whole, along with Clare, who was her responsibility, and what will Mamma and her sister do?

Hark! There's a cry, and out jumps a little black figure, with a stout club in his hand. Listen! There's a shout, and a small black figure jumps out, holding a sturdy club in his hand.
Page 58.

Hark! There's a cry, a great shout, and out jumps a little black figure, with a stout club in his hand: smash it goes down on the head of master crocodile; the ugly beast is turning over on its back and dying. Then Lucy has time to look at the little Negro, and he has time to look at her. What a droll figure he is, with his woolly head and thick lips, the whites of his eyes and his teeth gleaming so brightly, and his fat little black person shining all over, as well it may, for he is rubbed from head to foot with castor-oil. There it grows on that bush, with broad, beautiful, folded leaves and red stems and the pretty grey and black nuts. Lucy only wishes the negroes would keep it all to polish themselves with, and not send any home.

Hey! There's a shout, and out pops a little black figure, with a sturdy club in his hand: it comes crashing down on the head of master crocodile; the ugly beast flips over onto its back and is dying. Then Lucy has a moment to look at the little guy, and he has a moment to look at her. What a funny figure he is, with his curly hair and thick lips, the whites of his eyes and his smile shining brightly, and his plump little body glistening all over since he’s been rubbed from head to toe with castor oil. There it grows on that bush, with broad, beautiful, folded leaves and red stems and the lovely grey and black nuts. Lucy just wishes the black folks would keep it all to shine themselves up, and not send any back home.

She wants to give the little black fellow some reward for saving her from the crocodile, and luckily Clare has on her long necklace of blue glass beads. She puts it into his hand, and he[61] twists it round his black wool, and cuts such dances and capers for joy that Lucy can hardly stand for laughing; but the sun shines scorching hot upon her, and she gets under the shade of a tall date palm, with big leaves all shooting out together at the top, and fine bunches of dates below, all fresh and green, not dried like those Papa sometimes gives her at dessert.

She wants to reward the little black guy for saving her from the crocodile, and luckily, Clare is wearing her long necklace of blue glass beads. She hands it to him, and he twists it around his black hair, dancing and jumping with joy so much that Lucy can barely stop laughing; but the sun is blazing hot on her, so she moves under the shade of a tall date palm, with large leaves all spreading out at the top, and beautiful bunches of fresh green dates hanging below, not dried like the ones Dad sometimes gives her for dessert.

The little negro, Tojo, asks if she would like some; he takes her by the hand, and leads her into a whole cluster of little round mud huts, telling her that he is Tojo, the king's son; she is his little sister, and these are all his mothers! Which is his real mother Lucy cannot quite make out, for she sees an immense party of black women, all shiny and polished, with a great many beads wound round their heads, necks, ankles, and wrists; and nothing besides the tiniest short petticoats: and all the fattest are the smartest; indeed, they have gourds of milk beside them, and are drinking it all day long to keep themselves fat. No sooner however[62] is Lucy led in among them, than they all close round, some singing and dancing, and others laughing for joy, and crying, "Welcome little daughter, from the land of spirits!" and then she finds out that they think she is really Tojo's little sister, who died ten moons ago, come back again from the grave as a white spirit.

The little black boy, Tojo, asks if she wants some; he takes her hand and leads her into a whole cluster of little round mud huts, telling her that he is Tojo, the king's son; she is his little sister, and these are all his mothers! Lucy can’t quite figure out which one is his real mother, as she sees a huge group of black women, all shiny and polished, adorned with lots of beads wrapped around their heads, necks, ankles, and wrists; and the only thing they wear are the tiniest short petticoats: the biggest ones are the most stylish; in fact, they have gourds of milk beside them and drink it all day long to stay plump. However, as soon as Lucy is led in among them, they all gather around, some singing and dancing, while others laugh with joy, exclaiming, "Welcome little daughter, from the land of spirits!" Then she discovers that they believe she is really Tojo's little sister, who died ten moons ago, returned from the grave as a white spirit.

Tojo's own mother, a very fat woman indeed, holds out her arms, as big as bed-posts and terribly greasy, gives her a dose of sour milk out of a gourd, makes her lie down with her head in her lap, and begins to sing to her, till Lucy goes to sleep; and wakes, very glad to see the crocodile as brown and hard and immovable as ever; and that odd round gourd with a little hole in it, hanging up from the ceiling.

Tojo's mother, an extremely hefty woman, opens her arms, which are as thick as bedposts and quite greasy, gives her a serving of sour milk from a gourd, makes her lie down with her head in her lap, and starts to sing to her until Lucy drifts off to sleep. When she wakes up, she's very happy to see the crocodile just as brown, hard, and unchanging as always, along with that strange round gourd with a small hole in it, hanging from the ceiling.


CHAPTER VII.

LAPLANDERS.

"It shall not be a hot country next time," said Lucy, "though, after all, the whale oil was not much worse than the castor oil.—Mother Bunch, did your whaler always go to Greenland, and never to any nicer place?"

"It won't be a hot country next time," said Lucy, "but honestly, the whale oil wasn't any worse than the castor oil. —Mother Bunch, did your whaler always go to Greenland and never to a nicer place?"

"Well, Missie, once we were driven between foul winds and icebergs up into a fiord near North Cape, right at midsummer, and I'll never forget what we saw there."

"Well, Missie, once we were taken through bad weather and icebergs into a fjord near North Cape, right at midsummer, and I’ll never forget what we saw there."

And here beside her was a little fellow with a bow and arrows, such as she had never seen before. And next to her was a small boy with a bow and arrows like she had never seen before.
Page 64.

Lucy was not likely to forget, either, for she found herself standing by a narrow inlet of sea,[64] as blue and smooth as a lake, and closely shut in, except on the west, with red rocky hills and precipices with pine-trees growing on them, except where the bare rock was too steep, or where on a somewhat smoother shelf stood a timbered house, with a farm-yard and barns all round it. But the odd thing was that the sun was where she had never seen him before,—quite in the north, making all the shadows come the wrong way. But how came the sun to be visible at all so very late? Ah! she knew it now; this was Norway, and there was no night at all!

Lucy was not likely to forget either, as she found herself standing by a narrow inlet of sea,[64] as blue and smooth as a lake, and tightly surrounded, except to the west, by red rocky hills and cliffs with pine trees growing on them, except where the steep bare rock was too much or where a somewhat flatter area held a timbered house, with a farmyard and barns all around it. But the strange thing was that the sun was in a place she had never seen before—right in the north, making all the shadows point the wrong way. But how could the sun be visible at all so late? Ah! she realized now; this was Norway, and there was no night here at all!

And here beside her was a little fellow with a bow and arrows, such as she had never seen before, except in the hands of the little Cupids in the pictures in the drawing-room. Mother Bunch had said that the little brown boys in India looked like the bronze Cupid who was on the mantelshelf, but this little boy was white, or rather sallow-faced, and well dressed too, in a tight, round, leather cap, and a dark blue kind[67] of shaggy gown with hairy leggings; and what he was shooting at was some kind of wild-duck or goose, that came tumbling down heavily with the arrow right across its neck.

And next to her was a little guy with a bow and arrows unlike any she had ever seen before, except for the little Cupids in the paintings in the living room. Mother Bunch had said that the little brown boys in India looked like the bronze Cupid on the mantelpiece, but this boy was white, or more accurately, had a sallow complexion, and he was dressed nicely in a snug, round leather cap and a dark blue shaggy coat with hairy leggings; and he was aiming at some kind of wild duck or goose, which fell heavily with the arrow sticking straight through its neck.

"There," said the boy, "I'll take that, and sell it to the Norse bonder's wife up in the house above there."

"There," said the boy, "I'll grab that and sell it to the Norse farmer's wife in the house up there."

"Who are you, then?" said Lucy.

"Who are you, then?" Lucy asked.

"I'm a Lapp. We live on the hills, where the Norseman has not driven us away, and the reindeer find their grass in summer and their moss in winter."

"I'm a Sámi. We live in the mountains, where the Norse haven't chased us away, and the reindeer graze on grass in the summer and moss in the winter."

"Oh! have you got reindeer? I should so like to see them and to drive in a sledge!"

"Oh! Do you have reindeer? I would really love to see them and go for a ride in a sled!"

The boy, whose name was Peder, laughed, and said, "You can't go in a sledge except when it is winter, with snow and ice to go upon, but I'll soon show you a reindeer."

The boy, named Peder, laughed and said, "You can't ride in a sled unless it's winter, with snow and ice to use, but I'll quickly show you a reindeer."

Then he led the way, past the deliciously smelling, whispering pine-woods that sheltered the Norwegian homestead, starting a little aside when a great, tall, fair-faced, fair-haired Norse[68] farmer came striding along, singing some old old song, as he carried a heavy log on his shoulder, past a seater or mountain meadow where the girls were pasturing their cows, much like Lucy's friends in the Tirol, out upon the grey moorland, where there was an odd little cluster of tents covered with skins, and droll little, short, stumpy people running about them.

Then he took the lead, walking past the fragrant, whispering pine woods that surrounded the Norwegian homestead. He stepped aside when a tall, fair-skinned, fair-haired Norse farmer strode by, singing an old song while carrying a heavy log on his shoulder. They passed a mountain meadow where the girls were tending to their cows, similar to Lucy's friends in the Tirol, out on the gray moorland, where there was a quirky little cluster of tents covered in skins, and amusing little, short, stumpy people bustling around them.

Peder gave a curious long cry, put his hand in his pocket, and pulled out a lump of salt. Presently, a pair of long horns appeared, then another, then a whole herd of the deer with big heads and horns growing a good deal forward. The salt was held to them, and a rope was fastened to all their horns that they might stand still in a line, while the little Lapp women milked them. Peder went up to one of the women, and brought back a little cupful for his visitor; it was all that one deer gave, but it was so rich as to be almost like drinking cream. He led her into one of the tents, but it was very smoky,[69] and not much cleaner than the Esquimaux. It is a wonder how Lucy could go to sleep there, but she did, heartily wishing herself somewhere else.

Peder let out a curious long cry, reached into his pocket, and pulled out a chunk of salt. Soon, a pair of long horns appeared, then another pair, followed by a whole herd of deer with big heads and horns that leaned forward quite a bit. The salt was offered to them, and a rope was tied to all their horns so they could stand still in a line while the little Lapp women milked them. Peder approached one of the women and returned with a small cupful for his guest; it was all that one deer produced, but it was so rich it was almost like drinking cream. He led her into one of the tents, but it was very smoky,[69] and not much cleaner than an Eskimo tent. It's amazing that Lucy could fall asleep there, but she did, wishing she were anywhere else.


CHAPTER VIII.

CHINA.

Was it the scent of the perfumed tea, a present from an old sailor friend, which Mrs. Bunker was putting away, or was it the sight of the red jar ornamented with little black-and-gold men, with round caps, long petticoats, and pigtails, that caused Lucy next to open her eyes upon a cane sofa, with cushions ornamented with figures in coloured silks? The floor of the room was of shining inlaid wood; there were beautifully woven mats all round; stands made of red lacquer work, and seats of cane and bamboo; and there was a round window, through which could be[71] seen a beautiful garden, full of flowering shrubs and trees, a clear pond lined with coloured tiles in the middle, and over the wall the gilded roof of a pagoda, like an umbrella, only all in ridge and furrow, and with a little bell at every spoke. Beyond, were beautifully and fantastically shaped hills, and a lake below with pleasure boats on it. It was all wonderfully like being upon a bowl come to life, and Lucy knew she was in China, even before there came into the room, toddling upon her poor little tiny feet, a young lady with a small yellow face, little slips of eyes sloping upwards from her flat nose, and back hair combed up very tight from her face, and twisted up with flowers and ornaments. She had ever so many robes on, the edge of one peeping out below the other, and at the top a sort of blue China-crape tunic, with very wide loose sleeves drooping an immense way from her hands. There was no gathering in at the waist, and it reached to her knees, where a still more splendid white silk, embroidered, trailed[72] along. She had a big fan in her hand, but when she saw the visitor she went up to a beautiful little low table, with an ivory frill round it, where stood some dainty, delicate tea-cups and saucers. Into one of these she put a little ball, about as big as an oak-apple, of tea-leaves; a maid dressed like herself poured hot water on it, and handed it on a lacquer-work tray. Lucy took it, said, "Thank you," and then waited.

Was it the fragrance of the scented tea, a gift from an old sailor friend, that Mrs. Bunker was putting away, or was it the sight of the red jar decorated with tiny black-and-gold figures, with round caps, long skirts, and pigtails, that made Lucy open her eyes on a cane sofa with cushions patterned with colorful silk designs? The room had a polished wooden floor, beautifully woven mats everywhere, stands made of red lacquer, and seats of cane and bamboo. There was a round window through which a stunning garden could be[71] seen, filled with flowering shrubs and trees, a clear pond lined with colorful tiles in the center, and the gold roof of a pagoda over the wall, shaped like an umbrella, but all in ridges and furrows, with a little bell at each spoke. Beyond were beautifully and oddly shaped hills, and a lake below with pleasure boats bobbing on it. It felt like being in a live bowl, and Lucy realized she was in China, even before a young woman entered the room, toddling on her tiny feet, with a small yellow face, little slanting eyes above her flat nose, and hair tightly combed back and twisted with flowers and ornaments. She wore multiple layers of robes, with one edge peeking out from beneath another, and at the top, a blue China-crape tunic with very wide loose sleeves drooping far below her hands. There was no gathering at the waist, and it hung down to her knees, where an even more splendid embroidered white silk trailed[72] behind her. She held a large fan in her hand, but when she noticed the visitor, she approached a lovely low table with an ivory frill around it, where delicate tea cups and saucers were displayed. She placed a little ball, about the size of an acorn, of tea leaves into one of the cups; a maid dressed like her poured hot water on it and served it on a lacquer tray. Lucy took it, said, "Thank you," and then waited.

"Is it not good?" said the little hostess. "Isn't it good?" asked the little hostess.
Page 72.

"Is it not good?" said the little hostess.

"Is it not good?" asked the little hostess.

"It must be! You are the real tea people," said Lucy; "but I was waiting for sugar and milk."

"It has to be! You are the real tea people," said Lucy; "but I was waiting for sugar and milk."

"That would spoil it," said the Chinese damsel; "only outer barbarians would think of such a thing. And, ah! I see you are one! See, Ki-hi, what monstrous feet!"

"That would ruin it," said the Chinese girl; "only outsiders would think of such a thing. And, ah! I see you are one! Look, Ki-hi, what huge feet!"

"They are not bigger than your maid's," said Lucy, rather disgusted. "Why are yours so small?"

"They're not bigger than your maid's," Lucy said, feeling pretty disgusted. "Why are yours so small?"

"Because my mother and nurse took care of me when I was a baby, and bound them up[75] that they might not grow big and ugly like the poor creatures who have to run about for their husbands, feed silkworms, and tend ducks!"

"Since my mom and nurse cared for me when I was a baby, they made sure I didn’t grow up big and ugly like those poor creatures who have to chase after their husbands, raise silkworms, and take care of ducks!"

"But shouldn't you like to walk without almost tumbling down?" said Lucy.

"But shouldn't you want to walk without almost falling over?" Lucy said.

"No, indeed! Me, a daughter of a mandarin of the blue button! You are a mere barbarian to think a lady ought to want to walk. Do you not see that I never do anything? Look at my lovely nails."

"No way! Me, the daughter of a high-ranking official with a blue button! You’re just a barbarian to think that a lady should want to walk. Don’t you see that I never do anything? Look at my beautiful nails."

"I think they are claws," said Lucy; "do you never break them?"

"I think they're claws," Lucy said. "Don't you ever break them?"

"No; when they are a little longer, I shall wear silver shields for them, as my mother does."

"No; when they get a bit longer, I’ll wear silver shields for them, just like my mom does."

"And do you really never work?"

"And do you really never work?"

"I should think not," said the young lady, scornfully fanning herself; "I leave that to the common folk, who are obliged. Come with me and let me lean on you, and I will give you a peep through the lattice, that you may see that my father is far above making his daughter[76] work. See, there he sits, with his moustachios hanging down to his chin, and his tail to his heels, and the blue dragon embroidered on his breast, watching while they prepare the hall for a grand dinner. There will be a stew of puppy dog, and another of kittens, and birds-nest soup; and then the players will come and act a part of the nine-night tragedy, and we will look through the lattice. Ah! Father is smoking opium, that he may be serene and in good spirits! Does it make your head ache? Ah! that is because you are a mere outer barbarian. She is asleep, Ki-hi; lay her on the sofa, and let her sleep. How ugly her pale hair is, almost as bad as her big feet!"

"I don’t think so," said the young lady, scornfully fanning herself. "I leave that to the common folks, who have to do it. Come with me and let me lean on you, and I’ll show you through the lattice so you can see that my father is way above making his daughter work. Look, there he sits, with his mustache hanging down to his chin and his tail to his heels, the blue dragon embroidered on his chest, watching while they set up the hall for a fancy dinner. There will be a stew of puppy dog, another of kittens, and birds-nest soup; and then the performers will come and act out a scene from the nine-night tragedy, and we’ll look through the lattice. Ah! Father is smoking opium so he can be calm and in a good mood! Does it make your head hurt? Ah! That’s because you’re just a simple outsider. She’s asleep, Ki-hi; put her on the sofa and let her sleep. How ugly her pale hair is, almost as bad as her big feet!"


CHAPTER IX.

KAMSCHATKA.

Whisking over the snow with all her might and main, muffled up in cloaks and furs. Gliding over the snow with all her strength, bundled up in coats and furs.
Page 79.

Lucy had been disappointed of a drive with the reindeer, and she had been telling Don how useful his relations were in other places. Behold, she awoke in a wide plain, where as far as her eye could reach there was nothing but snow. The few fir-trees that stood in the distance were heavily laden; and Lucy herself,—where was she? Going very fast? Yes, whisking over the snow with all her might and main, and muffled up in cloaks and furs, as indeed was necessary, for her breath froze upon the big muffler round her throat, so that it seemed to[80] be standing up in a wall; and by her side was a little boy, muffled up quite as close, with a cap or rather hood, casing his whole head, his hands gloved in fur up to the elbows, and long fur boots. He had an immense long whip in his hand, and was flourishing it, and striking with it—at what? They were an enormous way off from him, but they really were very big dogs, rushing along like the wind, and bearing along with them—what? Lucy's ambition—a sledge, a thing without wheels, but gliding along most rapidly on the hard snow; flying, flying almost fast enough to take away her breath, and leaving birds, foxes, and any creature she saw for one instant, far behind. And—what was very odd—the young driver had no reins; he shouted at the dogs and now and then threw a stick at them, and they quite seemed to understand, and turned when he wanted them. Lucy wondered how he or they knew the way, it all seemed such a waste of snow; and after feeling at first as if the rapidity of their course made[81] her unable to speak, she ventured on gasping out, "Well, I've been in an express train, but this beats it! Where are you going?"

Lucy had been disappointed about not getting a ride with the reindeer, and she had been telling Don how useful his relatives were in other places. Suddenly, she woke up in a wide plain, where as far as she could see, there was nothing but snow. The few fir trees standing in the distance were heavily coated in snow; and Lucy herself—where was she? Going really fast? Yes, zooming over the snow as quickly as she could, bundled up in cloaks and furs, which was definitely necessary, because her breath froze on the big muffler around her neck, making it look like it was standing up like a wall; and next to her was a little boy, bundled up just as warmly, with a cap—or rather a hood—covering his whole head, his hands gloved in fur up to the elbows, and wearing long fur boots. He had a huge whip in his hand, waving it around and striking at what? They were far away from him, but they were actually really big dogs, racing along like the wind, dragging along—what? Lucy's dream—a sled, a thing without wheels, but gliding along quickly on the hard snow; flying, flying almost fast enough to take her breath away, leaving behind birds, foxes, and any creature she glimpsed for just a moment. And—what was really strange—the young driver had no reins; he shouted at the dogs and occasionally threw a stick at them, and they seemed to understand completely, turning when he wanted them to. Lucy wondered how he or the dogs knew the way, as it all seemed like a vast waste of snow; and after initially feeling like the speed of their ride left her unable to speak, she finally managed to gasp out, "Well, I've been on an express train, but this is way better! Where are you going?"

"To Petropawlowsky, to change these skins for whisky and coffee, and rice," answered the boy.

"To Petropawlowsky, to trade these hides for whiskey, coffee, and rice," the boy replied.

"What skins are they?" asked Lucy.

"What are those skins?" Lucy asked.

"Bears'—big brown bears that Father killed in a cave—and wolves' and those of the little ermine and sable that we trap. We get much, much for the white ermine and his black tail. Father's coming in another sledge with, oh! such a big pile. Don't you hear his dogs yelp? We'll win the race yet! Ugh! hoo! hoo! hoo-o-o!—On! on! lazy ones, on, I say! don't let the old dogs catch the young!"

"Bears—big brown bears that Father hunted in a cave—and wolves, and those little ermines and sables that we trap. We get a lot for the white ermine and its black tail. Father's coming in another sled with a huge load. Don't you hear his dogs barking? We'll win the race yet! Ugh! Hoo! Hoo! Hoo-o-o!—On! On! Come on, you lazy ones, move! Don’t let the old dogs catch the young!"

Crack, crack, went the whip; the dogs yelped with eagerness,—they don't bark, those Northern dogs; the little Kamschatkadale bawled louder and louder, and never saw when Lucy rolled off behind, and was left in the middle of a huge snowdrift, while he flew on with his load.[82]

Crack, crack, went the whip; the dogs yelped with excitement—they don't bark, those Northern dogs; the little Kamschatkadale howled louder and louder, never noticing when Lucy fell off behind and got stuck in the middle of a huge snowdrift while he raced on with his load.[82]

Here were his father's dogs overtaking her; picking her—some one picking her up. No, it was Don! and here was Mrs. Bunker exclaiming, "Well, I never thought to find Miss Lucy in no better a place than on Master's old bearskin!"

Here were his father's dogs getting ahead of her; someone was picking her up. No, it was Don! And here was Mrs. Bunker exclaiming, "Well, I never thought I’d find Miss Lucy in a better spot than on Master's old bearskin!"


CHAPTER X.

THE TURK.

"What a beautiful long necklace, Mrs. Bunker! May I have it for Lonicera?"

"What’s up a gorgeous long necklace, Mrs. Bunker! Can I have it for Lonicera?"

"You may play with it while you are here, Missie, if you'll take care not to break the string, but it is too curious for you to take home and lose. It is what they call a Turkish rosary; they say it is made of rose-leaves reduced to a paste and squeezed ever so hard together, and that the poor ladies that are shut up in the harems have little or nothing to do but to run them through their fingers."

"You can play with it while you're here, Missie, as long as you’re careful not to break the string, but it’s too special for you to take home and lose. It's what's known as a Turkish rosary; they say it's made of rose leaves that have been turned into a paste and pressed together really tightly, and that the poor ladies locked up in the harems have little else to do but run them through their fingers."

"It has a very nice smell," said Lucy,[84] examining the dark brown beads, which hung rather loosely on their string, and letting them fall one by one through her hands, till of course that happened which she was hoping for: she woke on a long low sofa, in the midst of a room all carpet and cushions, in bright colours and gorgeous patterns, curling about with no particular meaning; and with a window of rich brass lattice-work.

"It smells really nice," Lucy said,[84] looking at the dark brown beads that dangled loosely on their string, letting them slip one by one through her fingers, until the moment she had been hoping for arrived: she found herself waking on a long, low sofa, in a room filled with colorful carpets and cushions in vibrant hues and stunning patterns, swirling around without any specific meaning; and there was a window of luxurious brass latticework.

And by her side there was an odd bubbling, that put her in mind of blowing the soap-suds into a honey-comb when preparing them for bubble blowing; but when she looked round she saw something very unlike the long pipes her brother called "churchwardens," or the basin of soap-suds. There was a beautifully shaped glass bottle, and into it went a long, long twisting tube, like a snake coiled on the floor, and the other end of the serpent, instead of a head, had an amber mouth-piece which went between a pair of lips. Lucy knew it for a hubble-bubble or narghilhe, and saw that the[85] lips were in a brown face, with big black eyes, round which dark bluish circles were drawn. The jet-black hair was carefully braided with jewels, and over it was thrown a great rose-coloured gauze veil; there was a loose purple satin sort of pelisse over a white silk embroidered vest, tied in with a sash, striped with all manner of colours, also immense wide white muslin trousers, out of which peeped a pair of brown bare feet, which, however, had a splendid pair of slippers curled up at the toes.

And beside her, there was a strange bubbling sound that reminded her of blowing soap bubbles into a honeycomb when getting ready for bubble blowing. But when she looked around, she saw something very different from the long pipes her brother called "churchwardens" or the basin of soap-suds. There was a beautifully shaped glass bottle, and into it went a long, twisting tube, like a snake coiled on the floor. The other end of the tube, instead of a head, had an amber mouthpiece that fit between a pair of lips. Lucy recognized it as a hubble-bubble or narghilhe and noticed that the lips belonged to a brown face with big black eyes that had dark bluish circles around them. The jet-black hair was carefully braided with jewels, and a large rose-colored gauze veil was draped over it. She wore a loose purple satin pelisse over a white silk embroidered vest, tied with a sash striped in various colors, and enormous wide white muslin trousers, out of which peeked a pair of brown bare feet, though they had a stunning pair of slippers curled up at the toes.

The owner seemed to be very little older than Lucy, and sat gravely looking at her for a little while, then clapped her hands. A black woman came, and the young Turkish maiden said, "Bring coffee for the little Frank lady."

The owner appeared to be only slightly older than Lucy and sat quietly looking at her for a moment before clapping her hands. A black woman approached, and the young Turkish girl said, "Bring coffee for the little French lady."

So a tiny table of mother-of-pearl was brought, and on it some exquisite little striped porcelain cups, standing not in saucers, but in silver filigree cups into which they exactly fitted. Lucy remembered her Chinese experience, and did not venture to ask for milk or sugar, but[86] she found that the real Turkish coffee was so pure and delicate that she could bear to drink it without.

So a small table made of mother-of-pearl was brought in, and on it were some beautiful striped porcelain cups, sitting not in saucers, but in silver filigree holders that fit them perfectly. Lucy remembered her experience in China, so she didn't dare to ask for milk or sugar, but [86] she realized that the authentic Turkish coffee was so pure and delicate that she could enjoy it plain.

"Married! Oh, no, you are joking." "Married! No way, you must be kidding."
Page 86.

"Where are your jewels?" then asked the little hostess.

"Where are your jewelry?" then asked the little hostess.

"I'm not old enough to have any?"

"I'm not old enough to have any?"

"How old are you?"

"What's your age?"

"Nine."

"9."

"Nine! I'm only ten, and I shall be married next week——"

"Nine! I'm only ten, and I'm getting married next week——"

"Married! Oh, no, you are joking."

"Married! No way, you must be kidding."

"Yes, I shall. Selim Bey has paid my father the dowry for me, and I shall be taken to his house next week."

"Yes, I will. Selim Bey has paid my father the dowry for me, and I will be taken to his house next week."

"And I suppose you like him very much."

"And I guess you really like him."

"He looks big and tall," said the child with exultation. "I saw him riding when I went with my mother to the Sweet Waters. 'Amina,' she said, 'there is your lord, in the Frankish coat—with the white horse.'"

"He looks really big and tall," said the child excitedly. "I saw him riding when I went with my mom to the Sweet Waters. 'Amina,' she said, 'there's your lord, in the Frankish coat—with the white horse.'"

"Have you not talked to him?"

"Have you not spoken to him?"

"What should I do that for?"[89]

"What should I do that for?"[89]

"Aunt Bessie used to like to talk to nobody but Uncle Frank before they were married."

"Aunt Bessie used to only talk to Uncle Frank before they got married."

"I shall talk enough when I am married. I shall make him give me plenty of sweetmeats, and a carriage with two handsome bullocks, and the biggest Nubian black slave in the market to drive me to Sweet Waters, in a thin blue veil, with all my jewels on. Father says that Selim Bey will give me everything, and a Frank governess. What is a governess? Is it anything like the little gold case you have round your neck?"

"I'll talk plenty when I'm married. I'll make sure he gives me lots of sweets, a carriage with two handsome oxen, and the biggest Nubian slave in the market to drive me to Sweet Waters, wearing a light blue veil and all my jewelry. Dad says that Selim Bey will give me everything I want, along with a foreign governess. What’s a governess? Is it anything like the little gold case you have around your neck?"

"My locket with Mamma's hair? Oh, no, no," said Lucy, laughing; "a governess is a lady to teach you."

"My locket with Mom's hair? Oh, no, no," said Lucy, laughing; "a governess is a lady who teaches you."

"I don't want to learn any more," said Amina, much disgusted; "I shall tell him I can make a pillau, and dry sweetmeats, and roll rose-leaves. What should I learn for?"

"I don't want to learn anything else," Amina said, feeling really frustrated. "I'll just tell him I can make pilau, dry sweets, and roll rose leaves. Why should I learn more?"

"Should you not like to read and write?"

"Don’t you want to read and write?"

"Teaching is only meant for men. They have got to read the Koran, but it is all ugly letters; I won't learn to read."[90]

"Teaching is only for men. They have to read the Quran, but it’s all ugly letters; I won’t learn to read." [90]

"You don't know how nice it is to read stories, and all about different countries. Ah! I wish I was in the schoolroom, at home, and I would show you how pleasant it is."

"You don't know how great it is to read stories and learn about different countries. Ah! I wish I were in the classroom at home so I could show you how enjoyable it is."

And Lucy seemed to have her wish all at once, for she and Amina stood in her own schoolroom, but with no one else there. The first thing Amina did was to scream, "Oh, what shocking windows! even men can see in; shut them up." She rolled herself up in her veil, and Lucy could only satisfy her by pulling down all the blinds, after which she ventured to look about a little. "What have you to sit on?" she asked, with great disgust.

And Lucy seemed to get her wish right away, as she and Amina found themselves in her schoolroom, but completely alone. The first thing Amina did was scream, "Oh, what terrible windows! Even men can see in; close them!" She wrapped herself in her veil, and Lucy could only calm her by pulling down all the blinds. After that, Amina cautiously looked around a bit. "What do you have to sit on?" she asked, sounding very disgusted.

"Chairs and stools," said Lucy, laughing and showing them.

"Chairs and stools," Lucy said, laughing and pointing them out.

"These little tables with four legs! How can you sit on them?"

"These little tables with four legs! How can you sit on them?"

Lucy sat down and showed her. "That is not sitting," she said, and tried to curl herself up cross-legged; "I can't dangle down my legs."

Lucy sat down and showed her. "That's not sitting," she said, and tried to curl up cross-legged; "I can't let my legs dangle down."

"Our governess always makes us write out[91] a tense of a French verb if she sees us sitting with our legs crossed," said Lucy, laughing with much amusement at Amina's attempts to wriggle herself up on the stool whence she nearly fell.

"Our governess always makes us write out[91] a tense of a French verb if she sees us sitting with our legs crossed," Lucy said, laughing at Amina's attempts to adjust herself on the stool from which she almost fell.

"Ah, I will never have a governess!" cried Amina. "I will cry, and cry, and give Selim Bey no rest till he promises to let me alone. What a dreadful place this is! Where can you sleep?"

"Ah, I will never have a governess!" Amina exclaimed. "I will keep crying and bothering Selim Bey until he promises to leave me alone. What a terrible place this is! Where can you even sleep?"

"In bed, to be sure" said Lucy.

"In bed, for sure," said Lucy.

"I see no cushions to lie on."

"I don't see any cushions to lie on."

"No; we have bedrooms, and beds there. We should not think of taking off our clothes here."

"No; we have bedrooms, and there are beds in them. We shouldn't think about taking off our clothes here."

"What should you undress for?"

"What should you get undressed for?"

"To sleep, of course."

"Of course, to sleep."

"How horrible! We sleep in all our clothes wherever we like to lie down. We never undress but for the bath. Do you go to the bath?"

"How awful! We sleep in all our clothes wherever we feel like lying down. We only undress for the bath. Do you go to the bath?"

"I have a bath every morning, when I get up, in my own room."[92]

"I take a shower every morning when I wake up, in my own room." [92]

"I will show you where you live. This is Constantinople." "I'll show you where you live. This is Constantinople."
Page 92.

"Bathe at home! Then you never see your friends? We meet at the bath, and talk and play and laugh."

"Bathe at home! Then you never see your friends? We meet at the spa, and chat and play and laugh."

"Meet bathing! No, indeed! We meet at home, and out of doors," said Lucy; "my friend Annie and I walk together."

"Let's meet for a bath! No way! We hang out at home and outside," Lucy said; "my friend Annie and I walk together."

"Walk together! what, in the street? Shocking! You cannot be a lady."

"Walk together! What, in the street? That's shocking! You can't be a lady."

"Indeed I am," said Lucy, colouring up. "My Papa is a gentleman. And see how many books we have, and how much we have to learn! French, and music, and sums, and grammar, and history, and geography."

"Yes, I am," said Lucy, blushing. "My dad is a gentleman. And look at how many books we have and all the things we need to learn! French, music, math, grammar, history, and geography."

"I will not be a Frank! No, no! I will not learn," said the alarmed Amina on hearing this catalogue poured forth.

"I will not be a Frank! No, no! I will not learn," said the startled Amina upon hearing this list being read out loud.

"Geography is very nice," said Lucy; "here are our maps. I will show you where you live. This is Constantinople."

"Geography is really cool," said Lucy; "here are our maps. I'll show you where you live. This is Istanbul."

"I live at Stamboul," said Amina, scornfully.

"I live in Stamboul," Amina said with disdain.

"There is Stamboul in little letters below—look."[95]

"There is Stamboul in small letters below—look."[95]

"That Stamboul! The Frank girl is false; Stamboul is a large, large, beautiful place; not a little black speck. I can see it from my lattice. White houses and mosques in the sun, and the blue Golden Horn, with the little caiques gliding."

"That Stamboul! The Western girl is insincere; Stamboul is a big, beautiful place, not just a tiny black dot. I can see it from my window. White houses and mosques shining in the sun, and the blue Golden Horn, with little boats gliding by."

Before Lucy could explain, the door opened, and one of her brothers put in his head. At once Amina began to scream and roll herself in the window curtain. "A man in the harem! Oh! oh! oh! Were there no slippers at the door?" And her screaming brought Lucy awake at Uncle Joe's again.

Before Lucy could explain, the door opened, and one of her brothers poked his head in. Immediately, Amina started screaming and wrapped herself in the window curtain. "A man in the harem! Oh! oh! oh! Were there no slippers at the door?" Her screaming woke Lucy up at Uncle Joe's again.


CHAPTER XI.

SWITZERLAND.

"I liked the mountain girl best of all," thought Lucy. "I wonder whether I shall ever get among the mountains again. There's a great stick in the corner that Uncle Joe calls his alpenstock. I'll go and read the names upon it. They are all the mountains where he has used it."

"I enjoyed the mountain girl best of all," thought Lucy. "I wonder if I'll ever make it back to the mountains. There's a big stick in the corner that Uncle Joe calls his alpenstock. I’ll go check out the names on it. They’re all the mountains where he’s used it."

She read Mount Blanc, Mount Cenis, the Wengern, and so on; and of course as she read and sung them over to herself, they lulled her off into her wonderful dreams, and brought her this time into a meadow, steep and sloping, but full of flowers, the loveliest flowers, of all kinds, growing among the long grass that[97] waved over them. The fresh clear air was so delicious that she almost hoped she was gone back to her dear Tyrol; but the hills were not the same. She saw upon the slope quantities of cows, goats, and sheep, feeding just as on the Tyrolese Alps; but beyond was a dark row of pines, and up above, in the sky as it were, rose all round great sharp points—like clouds for their whiteness, but not in their straight jagged outlines; and here and there the deep grey clefts between seemed to spread into white rivers, or over the ruddy purple of the half-distance came sharp white lines darting downwards.

She read about Mount Blanc, Mount Cenis, the Wengern, and so on; and as she recited and sang them to herself, they lulled her into her wonderful dreams, this time taking her to a steep, sloping meadow filled with the most beautiful flowers of all kinds, growing among the tall grass that[97] waved above them. The fresh, clear air was so delightful that she almost wished she had returned to her beloved Tyrol; but the hills looked different. She saw many cows, goats, and sheep grazing on the slope, just like in the Tyrolean Alps; but beyond them stood a dark line of pines, and above, in the sky, rose sharp peaks all around—white like clouds, but not with their straight, jagged edges; and here and there, the deep gray crevices appeared to spread into white rivers, or over the reddish-purple half-distance, sharp white lines darted downwards.

As she sat up in the grass and looked about her, a bark startled her. A dog began to growl, bark, and dance round her, so that she would have been much frightened if the next moment a voice had not called him off—"Fie, Brilliant, down; let the little girl alone. Fi donc. He is good, Mademoiselle, never fear. He helps me keep the cows."[98]

As she sat up in the grass and looked around, a barking noise startled her. A dog started to growl, bark, and circle around her, and she would have been pretty scared if a voice hadn’t called him off right away—“Shoo, Brilliant, down; leave the little girl alone. Really now. He’s friendly, Mademoiselle, don’t worry. He helps me watch the cows.”[98]

"I cut it out with my knife, all myself." "I did it all myself with my knife."
Page 98.

"Who are you, then?"

"Who are you now?"

"I am Maurice, the little herd-boy. I live with my grandmother, and work for her."

"I’m Maurice, the little shepherd boy. I live with my grandma and work for her."

"What, in keeping cows?"

"What, in raising cows?"

"Yes; and look here!"

"Yes, and check this out!"

"O the delicious little cottage! It has eaves, and windows, and balconies, and a door, and little cows and sheep, and men and women, all in pretty white wood! You did not make it, Maurice?"

"Oh, the charming little cottage! It has eaves, windows, balconies, a door, and little cows and sheep, along with men and women, all made from lovely white wood! You didn't create it, did you, Maurice?"

"Yes, truly, I did; I cut it out with my knife, all myself."

"Yeah, I really did; I cut it out myself with my knife."

"How clever you must be. And what shall you do with it?"

"How clever you must be. What are you going to do with it?"

"I shall watch for a carriage with ladies winding up that long road; and then I shall stand and take off my hat, and hold out my cottage. Perhaps they will buy it, and then I shall have enough to get grandmother a warm gown for the winter. When I grow bigger I will be a guide, like my father."

"I'll keep an eye out for a carriage with ladies making their way up that long road; then I'll stand, take off my hat, and show them my cottage. Maybe they'll buy it, and then I'll have enough to get my grandmother a warm dress for winter. When I get older, I want to be a guide, just like my dad."

"A guide?"[101]

"Is this a guide?"[101]

"Yes, to lead travellers up to the mountain-tops. There is nowhere you English will not go. The harder a mountain is to climb, the more bent you are on going up. And oh, I shall love it too! There are the great glaciers, the broad streams of ice that fill up the furrows of the mountains, with the crevasses so blue and beautiful and cruel. It was in one of them my father was swallowed up."

"Yes, to take travelers up to the mountain peaks. There's nowhere you English won't go. The harder a mountain is to climb, the more determined you are to reach the summit. And oh, I'll love it too! There are the massive glaciers, the wide rivers of ice that fill the valleys of the mountains, with the crevasses so blue, beautiful, and treacherous. It was in one of them that my father was lost."

"Ah! then how can you love them?" said Lucy.

"Ah! then how can you love them?" Lucy asked.

"Because they are so grand and so beautiful," said Maurice. "No other place has the like, and they make one's heart swell with wonder, and joy in the God who made them. And it is only the brave who dare to climb them!"

"Because they are so majestic and so stunning," said Maurice. "No other place is like this, and they fill your heart with awe and joy in the God who created them. And only the bold dare to climb them!"

And Maurice's eyes sparkled, and Lucy looked at the clear, stern glory of the mountain points, and felt as if she understood him.

And Maurice's eyes sparkled, and Lucy looked at the clear, stern beauty of the mountain peaks, feeling as if she understood him.


CHAPTER XII.

THE COSSACK.

While he jerked out his arms and legs as if they were pulled by strings. He flailed his arms and legs as if they were being pulled by strings.
Page 102.

Caper, caper; dance, dance. What a wonderful dance it was, just as if the little fellow had been made of cork, so high did he bound the moment he touched the ground; while he jerked out his arms and legs as if they were pulled by strings, like the Marionettes that had once performed in the front of the window. Only, his face was all fun and life, and he did look so proud and delighted to show what he could do; and it was all in clear, fresh, open air, the whole extent covered with short green grass, upon which were grazing herds of small lean horses, and flocks of sheep without tails,[105] but with their wool puffed out behind into a sort of bustle or panier. There was a cluster of clean, white-looking houses in the distance; and Lucy knew that she was in the great plains called the Steppes, that lie between the rivers Volga and Don, and may be either in Europe or Asia, according as you look at an old map or a new.

Heist, caper; dance, dance. What a fantastic dance it was, just like the little guy was made of cork, bouncing so high the moment he hit the ground; while he flailed his arms and legs as if they were being pulled by strings, like the marionettes that once performed in front of the window. Only, his face was full of fun and energy, and he looked so proud and happy to show off what he could do; and it was all out in the clear, fresh air, the whole area covered with short green grass, where small, lean horses grazed, and flocks of tail-less sheep roamed,[105] their wool puffed out behind them like a bustle or panier. There was a cluster of neat, white houses in the distance; and Lucy knew she was on the great plains called the Steppes, lying between the Volga and Don rivers, which could be either in Europe or Asia, depending on whether you looked at an old map or a new one.

"Do you live there?" she asked, by way of beginning the conversation.

"Do you live here?" she asked to start the conversation.

"Yes; my father is the hetman of the Stantitza, and these are my holidays. I go to school at Tcherkask most part of the year."

"Yeah, my dad is the hetman of the Stantitza, and this is my break. I spend most of the year studying at Tcherkask."

"Tcherkask! Oh, what a funny name!"

"Tcherkask! Oh, what a silly name!"

"And you would think it a funny town if you were there. It is built on a great bog by the side of the river Volga; all the houses stand on piles of timber, and in the spring the streets are full of water, and one has to sail about in boats."

"And you'd find it a quirky town if you were there. It's built on a huge swamp next to the Volga River; all the houses are raised on wooden stilts, and in the spring, the streets fill up with water, so you have to get around in boats."

"Oh! that must be delicious."

"Oh! That sounds delicious."

"I don't like it as much as coming home and[106] riding. See!" and as he whistled, one of the horses came whinnying up, and put his nose over the boy's shoulder.

"I don't like it as much as coming home and[106] riding. Look!" and as he whistled, one of the horses trotted over, whinnying, and nudged the boy's shoulder with its nose.

"Good fellow! But your horses are thin; they look little."

"Hey there! But your horses are skinny; they look small."

"Little!" cried the young Cossack. "Why, do you know what our little horses can do? There are not many armies in Europe that they have not ridden down, at one time or another. Why, the church at Tcherkask is hung all round with Colours we have taken from our enemies. There's the Swede—didn't Charles XII. get the worst of it when he came in his big boots after the Cossack?—ay, and the Turk, and the Austrian, and the German, and the French? Ah! doesn't my grandfather tell how he rode his good little horse all the way from the Volga to the Seine, and the good Czar Alexander himself gave him the medal with 'Not unto us, but unto Thy Name be the praise'? Our father the Czar does not think so little of us and our horses as you do, young lady."[107]

"Little!" shouted the young Cossack. "Do you know what our little horses can do? There aren’t many armies in Europe that they haven’t ridden down at some point. The church at Tcherkask is decorated all around with Colors we've taken from our enemies. Take the Swede—didn’t Charles XII. have a tough time when he came in his big boots after the Cossack? And the Turk, and the Austrian, and the German, and the French? Ah! My grandfather tells how he rode his good little horse all the way from the Volga to the Seine, and even the good Czar Alexander himself gave him the medal that says, 'Not unto us, but unto Thy Name be the praise.' Our father the Czar doesn’t think so little of us and our horses as you do, young lady."[107]

"I beg your pardon," said Lucy; "I did not know what your horses could do."

"I’m sorry," said Lucy; "I didn’t know what your horses were capable of."

"Oh, you did not! That is some excuse for you. I'll show you."

"Oh, you didn't! That's quite the excuse for you. I'll show you."

And in one moment he was on the back of his little horse, leaning down on its neck, and galloping off over the green plain like the wind; but it seemed to Lucy as if she had only just watched him out of sight on one side before he was close to her on the other, having whirled round and cantered close up to her while she was looking the other way. "Come up with me," he said; and in one moment she had been swept up before him on the little horse's neck, and was flying so wildly over the Steppes that her breath and sense failed her, and she knew no more till she was safe by Mrs. Bunker's fireside again.

And in an instant, he was on the back of his little horse, leaning down on its neck and galloping across the green plain like the wind. But to Lucy, it felt like she had just watched him disappear on one side before he was suddenly close to her on the other, having spun around and trotted right up to her while she was looking the other way. "Come ride with me," he said, and in an instant, she found herself swept up in front of him on the little horse's neck, flying so wildly over the Steppes that she lost her breath and sense, and didn't remember anything until she was safely back by Mrs. Bunker's fireside.


CHAPTER XIII.

SPAIN.

"Suppose and suppose I go to sleep again; what should I like to see next? A sunny place, I think, where there is sea to look at. Shall it be Spain, and shall it be among the poor people? Well, I think I should like to be where there is a little lady girl. I hope they are not all as lazy and conceited as the Chinese and the Turk."

"Imagine if I fall asleep again; what would I want to see next? A sunny spot, I think, with a view of the sea. Should it be Spain, and should it be with the less fortunate? Well, I think I’d like to be where there’s a little girl. I hope they aren’t all as lazy and arrogant as some of the Chinese and the Turks."

So Lucy awoke in a large cool room with a marble floor and heavy curtains, but with little furniture except one table, and a row of chairs ranged along the wall. It had two windows, one[109] looking out into a garden,—such a garden!—orange-trees with shining leaves and green and golden fruit and white flowers, and jasmines, and great lilies standing round about a marble court, in the midst of which was a basin of red marble, where a fountain was playing, making a delicious splashing; and out beyond these sparkled in the sun the loveliest and most delicious of blue seas—the same blue sea, indeed, that Lucy had seen in her Italian visit.

So Lucy woke up in a large, cool room with a marble floor and heavy curtains, but there was hardly any furniture except for one table and a row of chairs lined up against the wall. The room had two windows, one [109] looking out onto a garden—what an incredible garden!—with orange trees featuring shiny leaves, green and golden fruit, white flowers, jasmine, and huge lilies surrounding a marble courtyard, in the center of which was a red marble basin with a fountain splashing delightfully; and beyond that sparkled in the sunlight the most beautiful and inviting blue sea—the same blue sea, in fact, that Lucy had seen during her trip to Italy.

That window was empty; but the other, which looked out into the street, had cushions laid on the sill, an open-work stone ledge beyond, and little looking-glasses on either side; and leaning over this sill there was seated a little maiden in a white frock, but with a black lace veil fastened by a rose into her jet-black hair, and the daintiest, prettiest-shaped little feet imaginable in white satin shoes, which could be plainly seen as she knelt on the window-seat.

That window was empty, but the other one looking out onto the street had cushions on the sill, an open stone ledge beyond, and small mirrors on either side. Leaning over this sill was a young girl in a white dress, wearing a black lace veil secured by a rose in her jet-black hair, and the cutest little feet you could imagine in white satin shoes, clearly visible as she knelt on the window seat.

"What are you looking at?" asked Lucy, coming to her side.[110]

"What are you looking at?" asked Lucy, coming to her side.[110]

"See now," cried the Spaniard, "stand there. Ah! have you no castanets?" "Look now," shouted the Spaniard, "stay right there. Ah! Don't you have any castanets?"
Page 110.

"I'm watching for the procession. Then I shall go to church with Mamma. Look! That way we shall see it come; these two mirrors reflect everything up and down the street."

"I'm watching for the parade. Then I’ll head to church with Mom. Look! We’ll see it come from that way; these two mirrors reflect everything up and down the street."

"Are you dressed for church?" asked Lucy. "You have no hat on."

"Are you ready for church?" Lucy asked. "You’re not wearing a hat."

"Where does your grace come from not to know that a mantilla is what is fit for church? Mamma is being dressed in her black silk and her black mantilla."

"Where does your grace come from not to know that a mantilla is what's appropriate for church? Mom is getting dressed in her black silk and her black mantilla."

"And your shoes?"

"And what about your shoes?"

"I could not wear great, coarse, hard shoes," said the little Doña Iñes; "it would spoil my feet. Ah! I shall have time to show the Senorita what I can do. Can your grace dance?"

"I can't wear heavy, rough, stiff shoes," said the little Doña Iñes; "it would wreck my feet. Oh! I'll have time to show the Senorita what I can do. Can you dance?"

"I danced with Uncle Joe at our last Christmas party," said Lucy, with great dignity.

"I danced with Uncle Joe at our last Christmas party," Lucy said, with great dignity.

"See now," cried the Spaniard; "stand there. Ah! have you no castanets?" and she quickly took out two very small ivory shells or bowls, each pair fastened together by a loop, through which she passed her thumb so that the little[113] spoons hung on her palm, and she could snap them together with her fingers.

"Look now," shouted the Spaniard; "stay right there. Ah! don’t you have any castanets?" She quickly pulled out two tiny ivory shells, each connected by a loop, which she slipped her thumb through so that the little [113] spoons hung from her palm, allowing her to click them together with her fingers.

Then she began to dance round Lucy in the most graceful swimming way, now rising, now falling, and cracking her castanets together at intervals. Lucy tried to do the same, but her limbs seemed like a wooden doll's compared with the suppleness and ease of Iñes. She made sharp corners and angles, where the Spaniard floated so like a sea-bird that it was like seeing her fly or float rather than merely dance, till at last the very watching her rendered Lucy drowsy and dizzy, and as the church bells began to ring, and the chant of the procession to sound, she lost all sense of being in sunny Malaga, the home of grapes.

Then she started dancing around Lucy in a beautifully fluid way, rising and falling gracefully while clacking her castanets at intervals. Lucy tried to imitate her, but her limbs felt stiff and wooden compared to Iñes's grace and ease. She moved in sharp angles, while the Spaniard floated like a sea bird, making it feel more like flying or gliding than just dancing. Eventually, watching her made Lucy feel drowsy and dizzy, and as the church bells began to ring and the procession's chant echoed, she lost all awareness of being in sunny Malaga, the land of grapes.


CHAPTER XIV.

GERMANY.

"What are you about, little boy?" "What are you up to, little boy?"
Page 114.

There was a great murmur and buzz of learning lessons; rows upon rows of little boys were sitting before desks, studying; very few heads looked up as Lucy found herself walking round the room—a large clean room, with maps hanging on the walls, but hot and weary-feeling, because there were no windows open and so little fresh air.

There was a loud buzz of kids learning; rows and rows of little boys were sitting at desks, focused on their studies; very few heads lifted as Lucy walked around the room—a spacious, clean area, with maps on the walls, but it felt hot and tiring because the windows were closed and there was hardly any fresh air.

"What are you about, little boy?" she asked.

"What are you up to, little boy?" she asked.

"I am learning my verb," he said; "moneo, mones, monet."

"I am learning my verb," he said; "moneo, mones, monet."

Lucy waited no longer, but moved off to another desk. "And what are you doing?"[117]

Lucy didn’t wait any longer and went to another desk. "And what are you doing?"[117]

"I am writing my analysis."

"I’m writing my analysis."

Lucy did not know what an analysis was, so she went a little further. "What are you doing here?" she said timidly, for these were somewhat bigger boys.

Lucy didn't know what an analysis was, so she moved a bit closer. "What are you doing here?" she asked nervously, since these were somewhat older boys.

"We are drawing up an essay on the individuality of self."

"We're putting together an essay on the uniqueness of the self."

That was enough to frighten any one away, and Lucy betook herself to some quite little boys, with fat rosy faces and light hair. "Are you busy, too?" she said.

That was enough to scare anyone off, and Lucy went over to some small boys with chubby rosy faces and light hair. "Are you busy, too?" she asked.

"Oh yes; we are learning the chief cities of the Fatherland."

"Oh yes; we are learning the main cities of the homeland."

Lucy felt like the little boy in the fable, who could not get either the dog, or the bird, or the bee, to play with him.

Lucy felt like the little boy in the fable, who couldn't get the dog, the bird, or the bee to play with him.

"When do you play?" she asked.

"When do you play?" she asked.

"We have an hour's interval after dinner, and another at supper-time, but then we prepare our work for the morrow," said one of the boys, looking up well satisfied.

"We have an hour break after dinner and another one at supper, but then we get ready for tomorrow's work," said one of the boys, looking up pretty satisfied.

"Work! work! Are you always at work?"[118] exclaimed Lucy; "I only learn from nine to half-past twelve, and half an hour to get my lessons in the afternoon."

"Work! Work! Are you always working?"[118] exclaimed Lucy; "I only study from nine to twelve-thirty, and then I spend half an hour reviewing my lessons in the afternoon."

"You are a maiden," said the little boy with civil superiority; "your brothers learn more hours."

"You’re a girl," said the little boy with a sense of entitlement; "your brothers study more hours."

"More; yes, but not so many as you do. They play from twelve till half-past two, and have two half-holidays in the week."

"More; yes, but not as many as you do. They play from twelve to two-thirty, and have two half-holidays each week."

"So, you are not industrious. We are. That is the reason why we can all act together, and think together, so much better than any others; and we all stand as one irresistible power, the United Germany."

"So, you're not hardworking. We are. That's why we can all work and think together so much better than anyone else; and we all stand as one unstoppable force, the United Germany."

Lucy gave a little gasp! it was all so very wise.

Lucy gasped a little! It was all so very wise.

"May I see your sisters?" she said.

"Can I see your sisters?" she asked.

The little sisters, Gretchens and Kätchens were learning away almost as hard as the Hermanns and Fritzes, but the bigger sisters had what Lucy thought a better time of it. One of them was helping in the kitchen, and another[119] in the ironing; but then they had their books and their music, and in the evening all the families came out into the pleasure gardens, and had little tables with coffee before them, and the mammas knitted, and the papas smoked, and the young ladies listened to the band. On the whole, Lucy thought she should not mind living in Germany, if they would not do so many lessons.

The little sisters, Gretchen and Katchen, were studying almost as hard as Hermann and Fritz, but Lucy thought the older sisters had a better time. One was helping out in the kitchen, and another[119] was doing the ironing; but they also had their books and music. In the evening, all the families gathered in the pleasure gardens, with little tables in front of them having coffee. The moms knitted, the dads smoked, and the young ladies listened to the band. Overall, Lucy thought she wouldn’t mind living in Germany if they didn’t have to do so many lessons.


CHAPTER XV.

PARIS IN THE SIEGE.

"And Uncle Joe is in France, where the fathers and brothers of those little Prussian boys have been fighting. Suppose and suppose I could see it."

"And Uncle Joe is in France, where the dads and brothers of those little Prussian boys have been fighting. Just think if I could see it."

There was a thunder and a whizzing in the air and a sharp rattling noise besides; a strange, damp, unwholesome smell too, mixed with that of gunpowder; and when Lucy looked up, she found herself down some steps in a dark, dull, vaulted-looking place, lined with stone, however, and open to the street above. A little lamp was burning in a corner, piles of straw and bits[123] of furniture were lying about, and upon one of the bundles of straw sat a little rough-haired girl.

There was a thunderous sound and a whooshing in the air, along with a sharp rattling noise; a strange, damp, unpleasant smell mixed with gunpowder. When Lucy looked up, she realized she was down some steps in a dark, dull, vaulted space, lined with stone and open to the street above. A small lamp was flickering in a corner, with piles of straw and bits of furniture scattered around, and sitting on one of the straw bundles was a little rough-haired girl.

"Ah! Mademoiselle, good morning. Are you come here to take shelter from the shells?" "Ah! Miss, good morning. Did you come here to take cover from the shells?"
Page 123.

"Ah! Mademoiselle, good morning," she said. "Are you come here to take shelter from the shells? The battery is firing now; I do not think Mamma will come home till it slackens a little. She is gone to the distribution of meat, to get a piece of horse for my brother, who is weak after his wounds. I wish I could offer you something, but we have nothing but water, and it is not even sugared."

"Ah! Miss, good morning," she said. "Did you come here to get away from the shells? The battery is firing now; I don’t think Mom will be home until it lets up a bit. She went to get some meat, to bring back a piece of horse for my brother, who is weak from his injuries. I wish I could offer you something, but we only have water, and it's not even sweetened."

"Do you live down here?" asked Lucy, looking round at the dreary place with wonder.

"Do you live down here?" Lucy asked, glancing around at the gloomy place with curiosity.

"Not always. We used to have a pretty little house up over, but the cruel shells came crashing in, and flew into pieces, tearing everything to splinters, and we are only safe from them down here. Ah, if I could only have shown you Mamma's pretty room! but there is a great hole in the floor now, and the ceiling is all tumbling down, and the table broken."[124]

"Not always. We used to have a cute little house up there, but the cruel shells came crashing in and shattered everything into pieces, leaving everything in ruins, and the only place we're safe from them is down here. Oh, if only I could have shown you Mom's pretty room! But now there's a big hole in the floor, the ceiling is caving in, and the table is broken." [124]

"But why do you stay here?"

"But why are you staying here?"

"Mamma and Emily say it is all the same. We are as safe in our cellar as we could be anywhere, and we should have to pay elsewhere."

"Mama and Emily say it's all the same. We're just as safe in our cellar as we would be anywhere else, and we'd have to pay more to be somewhere else."

"Then you cannot get out of Paris?"

"So, you can't go from Paris?"

"Oh no, while the Prussians are all round us, and shut us in. My brothers are all in the Garde Mobile, and, you see, so is my doll. Every one must be a soldier now. My dear Adolphe, hold yourself straight" (and there the doll certainly showed himself perfectly drilled and disciplined). "March—right foot forward—left foot forward." But in this movement, as may be well supposed, little Coralie had to help her recruit a good deal.

"Oh no, the Prussians are surrounding us and trapping us in. My brothers are all in the Garde Mobile, and, you see, so is my doll. Everyone has to be a soldier now. My dear Adolphe, stand up straight" (and the doll certainly looked perfectly drilled and disciplined). "March—right foot forward—left foot forward." But as you can imagine, little Coralie had to assist her recruit quite a bit with this movement.

Lucy was surprised. "So you can play even in this dreadful place?" she said.

Lucy was surprised. "So you can play even in this awful place?" she said.

"Oh yes! What's the use of crying and wearying oneself? I do not mind as long as they leave me my kitten, my dear little Minette."

"Oh yes! What's the point of crying and exhausting myself? I don't care as long as they let me keep my kitten, my sweet little Minette."

"Oh! what a pretty long-haired kitten! but how small and thin!"[125]

"Oh! what a beautiful long-haired kitten! but how tiny and slim!"[125]

"Yes, truly, the poor Minette! The cruel people ate her mother, and there is no milk—no milk, and my poor Minette is almost starved, though I give her bits of my bread and soup; but the bread is only bran and sawdust, and she likes it no more than I."

"Yes, really, poor Minette! Those cruel people ate her mother, and there's no milk—no milk, and my poor Minette is almost starving, even though I give her bits of my bread and soup; but the bread is just bran and sawdust, and she likes it no more than I do."

"Ate up her mother!"

"Ate her mother!"

"Yes. She was a superb Cyprus cat, all grey; but, alas I one day she took a walk in the street, and they caught her, and then indeed it was all over with her. I only hope Minette will not get out, but she is so lean that they would find little but bones and fur."

"Yes. She was a beautiful Cyprus cat, all grey; but unfortunately, one day she took a walk in the street, and they caught her, and that was the end of her. I just hope Minette doesn’t get out, but she’s so skinny that they’d only find bones and fur."

"Ah, how I wish I could take you and her home to Uncle Joe, and give you both good bread and milk! Take my hand, and shut your eyes, and we will suppose and suppose very hard, and, perhaps, you will come there with me. Paris is not so very far off."

"Ah, how I wish I could take you and her home to Uncle Joe and give you both some good bread and milk! Take my hand, close your eyes, and we’ll imagine really hard, and maybe you’ll come there with me. Paris isn’t that far away."


CHAPTER XVI.

THE AMERICAN GUEST.

"What can that be, coming at this time of day?" "What could that be, showing up at this time of day?"
Page 126.

No; supposing very hard did not bring poor little French Coralie home with Lucy; but something almost as wonderful happened. Just at the time in the afternoon, blind man's holiday, when Lucy had been used to ride off on her dream to visit some wonderful place, there came a knock at the front door; a quite real substantial English knock and ring, that did not sound at all like any of the strange noise of the strange worlds that she had lately been hearing, but had the real tinkle of Uncle Joe's own bell.

No; even though it was really hard to imagine that poor little French Coralie didn’t come back home with Lucy, something almost as amazing happened. Just around the time of day known as blind man's holiday, when Lucy was used to riding off into her dreams to some amazing place, there was a knock at the front door; a very real, solid English knock and ring, that didn’t sound at all like the strange noises from the unfamiliar worlds she had been hearing lately, but had the familiar chime of Uncle Joe’s own bell.

"Good morning. Where do you come from?" "Good morning. Where are you from?"
Page 131.

"Well," said Mrs. Bunker, "what can that be, coming at this time of day? It can never[131] be the doctor coming home without sending orders! Don't you be running out, Miss Lucy; there'll be a draught of cold right in."

"Well," said Mrs. Bunker, "what could that be, showing up at this time of day? It can't be the doctor coming home without giving us a heads up! Don't go running out, Miss Lucy; it'll let in a cold draft."

Lucy stood still; very anxious, and wondering whether she should see anything alive, or one of her visitors from various countries.

Lucy stood still, feeling very anxious and wondering if she would see anything alive or one of her visitors from different countries.

"There is a letter from Mr. Seaman," said a brisk young voice, that would have been very pleasant if it had not gone a little through the nose; and past Mrs. Bunker there walked into the full light a little boy, a year or two older than Lucy, holding out one hand as he saw her and taking off his hat with the other. "Good morning," he said, quite at his ease; "is this where you live?"

"There’s a letter from Mr. Seaman," said a lively young voice, which would have been very pleasant if it didn’t have a slight nasal tone; and past Mrs. Bunker walked into the bright light a little boy, a year or two older than Lucy, holding out one hand as he saw her and taking off his hat with the other. "Good morning," he said, sounding completely relaxed; "is this where you live?"

"Good morning," returned Lucy, though it was not morning at all; "where do you come from?"

"Good morning," Lucy replied, even though it was not morning at all; "where are you coming from?"

"Well, I'm from Paris last; but when I'm at home, I'm at Boston. I am Leonidas Saunders, of the great American Republic."

"Well, I just got back from Paris; but when I'm home, I'm in Boston. I'm Leonidas Saunders, from the great American Republic."

"Oh, then you are not real, after all?"[132]

"Oh, so you're not real, after all?"[132]

"Real! I should hope I was a genuine article."

"Really! I hope I'm the real deal."

"Well, I was in hopes that you were real, only you say you come from a strange country, like the rest of them, and yet you look just like an English boy."

"Well, I was really hoping you were genuine, but you say you come from a weird place, just like all the others, and yet you look just like an English kid."

"Of course I do! my great grandfather came from England," said Leonidas; "we all speak English as well, or better, than you do in the old country."

"Of course I do! My great-grandfather came from England," said Leonidas. "We all speak English just as well, if not better, than you do back in the old country."

"I can't understand it!" said Lucy; "did you come like other people, by the train, not like the children in my dreams?"

"I can't get it!" said Lucy. "Did you arrive like everyone else, by train, not like the kids in my dreams?"

And then Leonidas explained all about it to her: how his father had brought him last year to Europe and had put him to school at Paris; but when the war broke out, and most of the stranger scholars were taken away, no orders came about him, because his father was a merchant and was away from home, so that no one ever knew whether the letters had reached him.[133]

And then Leonidas told her everything: how his dad had taken him to Europe last year and enrolled him in school in Paris; but when the war started and most of the other foreign students were sent away, there were no updates about him because his dad was a merchant and away from home, so no one ever knew if the letters had actually reached him.[133]

So Leonidas had gone on at school without many tasks to learn, to be sure, but not very comfortable: it was so cold, and there was no wood to burn; and he disliked eating horses and cats and rats, quite as much as Coralie did, though he was not in a part of the town where so many shells came in.

So Leonidas had continued in school without many tasks to learn, that’s for sure, but it wasn’t very comfortable: it was so cold, and there was no wood to burn; and he hated eating horses, cats, and rats just as much as Coralie did, even though he wasn’t in a part of town where so many shells came in.

At last, when Lucy's uncle and some other good gentlemen with the red cross on their sleeves, obtained leave to go and take some relief to the poor sick people in the hospitals, the people Leonidas was with told them that he was a little American left behind. Mr. Seaman, which was Uncle Joe's name, went to see about him, and found that he had once known his father. So, after a great deal of trouble, it had been managed that the boy should be allowed to leave the town. He had been driven in an omnibus, he told Lucy, with some more Americans and English, and with flags with stars and stripes or else Union Jacks all over it; and whenever they came to a French[134] sentry, or afterwards to a Prussian, they were stopped till he called his corporal, who looked at their papers and let them go on. Mr. Seaman had taken charge of Leonidas, and given him the best dinner he had eaten for a long time, but as he was going to Blois to other hospitals, he could not keep the boy with him; so he had put him in charge of a friend who was going to London, to send him down to Mrs. Bunker.

At last, when Lucy's uncle and some other good men with the red cross on their sleeves got permission to go help the sick people in the hospitals, the group with Leonidas told them he was a little American who had been left behind. Mr. Seaman, who was Uncle Joe's name, went to check on him and found out that he had once known Leonidas's father. After a lot of effort, they managed to get the boy allowed to leave the town. He told Lucy that he had been transported in a bus with some other Americans and Brits, with flags covered in stars and stripes or Union Jacks all over them; and whenever they came across a French sentry or later a Prussian, they had to stop until he called his corporal, who looked at their papers and let them pass. Mr. Seaman had taken care of Leonidas and gave him the best dinner he had eaten in a long time, but since he was heading to Blois for other hospitals, he couldn’t keep the boy with him; so he handed him over to a friend who was going to London to send him down to Mrs. Bunker.

Fear of Lucy's rash was pretty well over now, and she was to go home in a day or two; so the children were allowed to be together, and they enjoyed it very much. Lucy told about her dreams, and Leonidas had a good deal to tell of what he had really seen on his travels. They wished very much that they could both see one of these wonderful dreams together, only—what should it be?

Fear of Lucy's rash was pretty much gone now, and she was set to go home in a day or two; so the kids were allowed to hang out together, and they really enjoyed it. Lucy shared her dreams, and Leonidas had a lot to share about what he had actually seen on his travels. They really wished they could both experience one of these amazing dreams together, but—what should it be?


CHAPTER XVII.

THE DREAM OF ALL NATIONS.

Oh! such a din! Oh! what a noise!
Page 137.

What should it be? She thought of Arabs with their tents and horses, and Leonidas told her of Red Indians with their war-paint, and little Negroes dancing round the sugar-boiling, till her head began quite to swim and her ears to buzz; and all the children she had seen and she had not seen seemed to come round her, and join hands and dance. Oh, such a din! A little Highlander in his tartans stood on a whisky-barrel in the middle, making his bagpipes squeal away; a Chinese with a bald head and long pigtail beat a gong, and capered with a[138] solemn face; a Norwegian herd-boy blew a monstrous bark cow-horn; an Indian juggler twisted snakes round his neck to the sound of the tom-tom; and Lucy found herself and Leonidas whirling round with a young Dutch planter between them, and an Indian with a crown of feathers upon the other side of her.

What should it be? She imagined Arabs with their tents and horses, and Leonidas shared stories about Native Americans with their war paint, and little Black children dancing around the sugar boiling, until her head started to spin and her ears buzzed; all the kids she had seen and hadn’t seen seemed to gather around her, joining hands and dancing. Oh, what a noise! A little Highland boy in his tartan stood on a whiskey barrel in the center, making his bagpipes squeal; a Chinese man with a bald head and long pigtail banged a gong and danced with a serious expression; a Norwegian shepherd blew a huge cow horn; an Indian juggler wrapped snakes around his neck to the beat of the drum; and Lucy found herself and Leonidas spinning around with a young Dutch planter on one side and an Indian with a feathered crown on the other.

"Oh!" she seemed to herself to cry, "what are you doing? how do you all come here?"

"Oh!" she seemed to cry out, "what are you doing? How did you all get here?"

"We are from all the nations who are friends and brethren," said the voices; "we all bring our stores: the sugar, rice, and cotton of the West; the silk and coffee and spices of the East; the tea of China; the furs of the North: it all is exchanged from one to the other, and should teach us to be all brethren, since we cannot thrive one without the other."

"We come from all the nations that are friends and family," said the voices; "we all bring our goods: the sugar, rice, and cotton from the West; the silk, coffee, and spices from the East; the tea from China; the furs from the North: everything is exchanged among us, showing us that we should all be family, as we can’t succeed without one another."

"It all comes to our country, because we are clever to work it up, and send it out to be used in its own homes," said the Highlander; "it is English and Scotch machines that weave your cottons, ay, and make your tools."[139]

"It all comes to our country because we're smart enough to process it and send it out to be used at home," said the Highlander; "it's English and Scottish machines that weave your cotton and make your tools."[139]

"No; it is America that beats you all," cried Leonidas; "what had you to do, but to sit down and starve, when we sent you no cotton?"

"No; it's America that outmatches all of you," shouted Leonidas; "what else could you do but sit there and starve when we didn't send you any cotton?"

"If you send cotton, 'tis we that weave it," cried the Scot.

"If you send cotton, it's us that weave it," shouted the Scot.

Lucy was almost afraid they would come to blows over which was the greatest and most skilful country. "It cannot be buying and selling that make nations love one another, and be peaceful," she thought. "Is it being learned and wise?"

Lucy was almost afraid they would start fighting over which country was the greatest and most skilled. "It can't be just buying and selling that makes nations love each other and stay peaceful," she thought. "Is it about being knowledgeable and wise?"

"But the Prussian boys are studious and wise, and the French are clever and skilful, and yet they have that dreadful war: I wonder what it is that would make and keep all these countries friends!"

"But the Prussian boys are hardworking and smart, and the French are clever and skilled, and still they have that terrible war: I wonder what it would take to make and keep all these countries friends!"

And then there came an echo back to little Lucy: "For out of Zion shall go forth the Law, and the word of the Lord from Jerusalem. And He shall judge among the nations, and shall rebuke many people; and they shall beat their swords into ploughshares, and their spears[140] into pruning-hooks: nations shall not lift up sword against nation, neither shall they war any more."

And then there was a response to little Lucy: "For the Law will go out from Zion, and the word of the Lord from Jerusalem. He will judge between the nations and will correct many people; they will turn their swords into plowshares, and their spears into pruning hooks: nations will not take up sword against nation, nor will they fight anymore."

Yes; the more they learn and keep the law of the Lord, the less there will be of those wars. To heed the true law of the Lord will do more for peace and oneness than all the cleverness in book-learning, or all the skilful manufactures in the world.

Yes; the more they learn and follow the law of the Lord, the fewer wars there will be. Paying attention to the true law of the Lord will achieve more for peace and unity than all the knowledge from books or all the skilled creations in the world.

FOOTNOTE:

[1] See the Net, June 1, 1867.

__A_TAG_PLACEHOLDER_0__ See the Net, June 1, 1867.


THE STANDARD SCHOOL LIBRARY.

(Each Volume, cloth, 50 cents. Sold singly or in sets.)

BAILEY. LESSONS WITH PLANTS. Suggestions for Seeing and Interpreting Some of the Common Forms of Vegetation. By L. H. Bailey. 12mo. Illustrated. xxxi + 491 pages.

This volume is the outgrowth of "observation lessons." The book is based upon the idea that the proper way to begin the study of plants is by means of plants instead of formal ideals or definitions. Instead of a definition as a model telling what is to be seen, the plant shows what there is to be seen, and the definition follows.


This book comes from "observation lessons." It's based on the idea that the best way to start studying plants is through actual plants, rather than through abstract concepts or definitions. Instead of a definition that explains what you should see, the plant itself reveals what’s there to observe, and then the definition comes later.


BARNES. YANKEE SHIPS AND YANKEE SAILORS. Tales of 1812. By James Barnes. 12mo. Illustrated. xiii + 281 pages.

Fourteen spirited tales of the gallant defenders of the Chesapeake, the Wasp, the Vixen, Old Ironsides, and other heroes of the Naval War of 1812.


Fourteen lively stories about the brave defenders of the Chesapeake, the Wasp, the Vixen, Old Ironsides, and other heroes of the Naval War of 1812.


BELLAMY. THE WONDER CHILDREN. By Charles J. Bellamy. 12mo. Illustrated.

Nine old-fashioned fairy stories in a modern setting.


Nine classic fairy tales reimagined in a contemporary setting.


BLACK. THE PRACTICE OF SELF-CULTURE. By Hugh Black. 12mo. vii + 262 pages.

Nine essays on culture considered in its broadest sense. The title is justified not so much from the point of view of giving many details for self-culture, as of giving an impulse to practice.


Nine essays on culture viewed in its widest context. The title is justified not just because it provides numerous details for personal development, but because it inspires action.

BONSAL. THE GOLDEN HORSESHOE. Extracts from the letters of Captain H. L. Herndon of the 21st U. S. Infantry, on duty in the Philippine Islands, and Lieutenant Lawrence Gill, A.D.C. to the Military Governor of Puerto Rico. With a postscript by J. Sherman, Private, Co. D, 21st Infantry. Edited by Stephen Bonsal. 12mo. xi + 316 pages.

These letters throw much light on our recent history. The story of our "Expansion" is well told, and the problems which are its outgrowth are treated with clearness and insight.[2]


These letters provide a lot of insight into our recent history. The account of our "Expansion" is well-articulated, and the issues that have resulted from it are addressed with clarity and understanding.[2]


BUCK. BOY'S SELF-GOVERNING CLUBS. By Winifred Buck. 16mo. x + 218 pages.

The history of self-governing clubs, with directions for their organization and management. The author has had many years' experience as organizer and adviser of self-governing clubs in New York City and the vicinity.


The history of self-governing clubs, along with guidelines for their setup and management. The author has many years of experience as an organizer and advisor for self-governing clubs in New York City and the surrounding area.


CARROLL. ALICE'S ADVENTURES IN WONDERLAND. By Lewis Carroll. 12mo. Illustrated. xiv + 192 pages.
CARROLL. THROUGH THE LOOKING GLASS AND WHAT ALICE FOUND THERE. By Lewis Carroll. 12mo. Illustrated. xv + 224 pages.

The authorized edition of these children's classics. They have recently been reprinted from new type and new cuts made from the original wood blocks.


The official edition of these children's classics. They have recently been reprinted using new type and new cuts made from the original wood blocks.


CHURCH. THE STORY OF THE ILIAD. By Rev. A. J. Church. vii + 314 pages.
CHURCH. THE STORY OF THE ODYSSEY. By Rev. A. J. Church. vii + 306 pages.

The two great epics are retold in prose by one of the best of story-tellers. The Greek atmosphere is remarkably well preserved.


The two great epics are retold in prose by one of the best storytellers. The Greek setting is extremely well maintained.


CRADDOCK. THE STORY OF OLD FORT LOUDON. By Charles Egbert Craddock. 12mo. Illustrated. v + 409 pages.

A story of pioneer life in Tennessee at the time of the Cherokee uprising in 1760. The frontier fort serves as a background to this picture of Indian craft and guile and pioneer pleasures and hardships.


A story about pioneer life in Tennessee during the Cherokee uprising in 1760. The frontier fort sets the scene for this depiction of Native American skill and cunning, along with the joys and struggles of pioneer life.


CROCKETT. RED CAP TALES. By S. R. Crockett. 8vo. Illustrated. xii + 413 pages.

The volume consists of a number of tales told in succession from four of Scott's novels—"Waverley," "Guy Mannering," "Rob Roy," and "The Antiquary"; with a break here and there while the children to whom they are told discuss the story just told from their own point of view. No better introduction to Scott's novels could be imagined or contrived. Half a dozen or more tales are given from each book.[3]


The book is made up of several stories taken from four of Scott's novels—"Waverley," "Guy Mannering," "Rob Roy," and "The Antiquary." There are breaks in between where the kids listening to the stories share their thoughts and perspectives on what they've just heard. You couldn’t ask for a better introduction to Scott's novels. Each book features half a dozen or more stories.[3]


DIX. A LITTLE CAPTIVE LAD. By Beulah Marie Dix. 12mo. Illustrated. vii + 286 pages.

The story is laid in the time of Cromwell, and the captive lad is a cavalier, full of the pride of his caste. The plot develops around the child's relations to his Puritan relatives. It is a well-told story, with plenty of action, and is a faithful picture of the times.


The story is set during Cromwell's time, and the captured boy is a cavalier, full of the pride of his background. The plot revolves around the boy's relationships with his Puritan relatives. It’s a well-told story with lots of action and provides an accurate depiction of the era.


EGGLESTON. SOUTHERN SOLDIER STORIES. By George Cary Eggleston. 12mo. Illustrated. xi + 251 pages.

Forty-seven stories illustrating the heroism of those brave Americans who fought on the losing side in the Civil War. Humor and pathos are found side by side in these pages which bear evidence of absolute truth.


Forty-seven stories showcasing the bravery of those courageous Americans who fought on the losing side in the Civil War. Humor and deep emotion coexist in these pages, which reflect undeniable truth.


ELSON. SIDE LIGHTS ON AMERICAN HISTORY.

This volume takes a contemporary view of the leading events in the history of the country from the period of the Declaration of Independence to the close of the Spanish-American War. The result is a very valuable series of studies in many respects more interesting and informing than consecutive history.


This book offers a modern perspective on the key events in the country's history from the time of the Declaration of Independence to the end of the Spanish-American War. The outcome is a collection of studies that are, in many ways, more engaging and informative than traditional history.

GAYE. THE GREAT WORLD'S FARM. Some Account of Nature's Crops and How they are Sown. By Selina Gaye. 12mo. Illustrated. xii + 365 pages.

A readable account of plants and how they live and grow. It is as free as possible from technicalities and well adapted to young people.


A clear guide to plants and how they live and grow. It avoids technical jargon as much as possible and is suitable for young readers.


GREENE. PICKETT'S GAP. By Homer Greene. 12mo. Illustrated. vii + 288 pages.

A story of American life and character illustrated in the personal heroism and manliness of an American boy. It is well told, and the lessons in morals and character are such as will appeal to every honest instinct.


A tale of American life and character shown through the personal bravery and strength of an American boy. It's well told, and the moral lessons and character insights resonate with every honest instinct.

HAPGOOD. ABRAHAM LINCOLN. By Norman Hapgood. 12mo. Illustrated. xiii + 433 pages.

This is one of the best one-volume biographies of Lincoln, and a faithful picture of the strong character of the great President, not only when he was at the head of the nation, but also as a boy and a young man, making his way in the world.[4]


This is one of the best single-volume biographies of Lincoln, providing an accurate depiction of the strong character of the great President, not just during his leadership of the nation, but also as a boy and a young man finding his way in the world.[4]


HAPGOOD. GEORGE WASHINGTON. By Norman Hapgood. 12mo. Illustrated. xi + 419 pages.

Not the semi-mythical Washington of some biographers, but a clear, comprehensive account of the man as he really appeared in camp, in the field, in the councils of his country, at home, and in society.


Not the semi-mythical Washington that some biographers describe, but a clear, comprehensive account of the man as he actually was in camp, in the field, in his country's councils, at home, and in society.


HOLDEN. REAL THINGS IN NATURE. A Reading Book of Science for American Boys and Girls. By Edward S. Holden. Illustrated. 12mo. xxxviii + 443 pages.

The topics are grouped under nine general heads: Astronomy, Physics, Meteorology, Chemistry, Geology, Zoölogy, Botany, The Human Body, and The Early History of Mankind. The various parts of the volume give the answers to the thousand and one questions continually arising in the minds of youths at an age when habits of thought for life are being formed.


The topics are organized into nine main categories: Astronomy, Physics, Meteorology, Chemistry, Geology, Zoology, Botany, The Human Body, and The Early History of Mankind. The different sections of the book provide answers to the countless questions that frequently come to the minds of young people at a time when they're developing lifelong thinking habits.


HUFFORD. SHAKESPEARE IN TALE AND VERSE. By Lois Grosvenor Hufford. 12mo. ix + 445 pages.

The purpose of the author is to introduce Shakespeare to such of his readers as find the intricacies of the plots of the dramas somewhat difficult to manage. The stories which constitute the main plots are given, and are interspersed with the dramatic dialogue in such a manner as to make tale and verse interpret each other.


The author aims to introduce Shakespeare to readers who find the complexities of the plotlines in his plays a bit challenging to follow. The main stories are presented alongside the dramatic dialogue in a way that allows the narrative and verse to enhance each other's meaning.


HUGHES. TOM BROWN'S SCHOOL DAYS. By Thomas Hughes. 12mo. Illustrated. xxi + 376 pages.

An attractive and convenient edition of this great story of life at Rugby. It is a book that appeals to boys everywhere and which makes for manliness and high ideals.


A well-designed and easy-to-read version of this amazing story about life at Rugby. It's a book that resonates with boys everywhere and promotes manliness and high standards.


HUTCHINSON. THE STORY OF THE HILLS. A Book about Mountains for General Readers. By Rev. H. W. Hutchinson. 12mo. Illustrated. xv + 357 pages.

"A clear account of the geological formation of mountains and their various methods of origin in language so clear and untechnical that it will not confuse even the most unscientific."—Boston Evening Transcript.[5]


"A straightforward explanation of how mountains are formed and the different ways they can originate, using language that is so simple and non-technical that it won't confuse even those who aren't scientifically minded."—Boston Evening Transcript.[5]


ILLINOIS GIRL. A PRAIRIE WINTER. By an Illinois Girl. 16mo. 164 pages.

A record of the procession of the months from midway in September to midway in May. The observations on Nature are accurate and sympathetic, and they are interspersed with glimpses of a charming home life and bits of cheerful philosophy.


A record of the passage of the months from the middle of September to the middle of May. The observations about Nature are precise and heartfelt, and they're filled with glimpses of a lovely home life and bits of uplifting philosophy.


INGERSOLL. WILD NEIGHBORS. OUTDOOR STUDIES IN THE UNITED STATES. By Ernest Ingersoll. 12mo. Illustrated. xii + 301 pages.

Studies and stories of the gray squirrel, the puma, the coyote, the badger, and other burrowers, the porcupine, the skunk, the woodchuck, and the raccoon.


Studies and stories about the gray squirrel, the puma, the coyote, the badger, and other burrowing animals, the porcupine, the skunk, the woodchuck, and the raccoon.


INMAN. THE RANCH ON THE OXHIDE. By Henry Inman. 12mo. Illustrated. xi + 297 pages.

A story of pioneer life in Kansas in the late sixties. Adventures with wild animals and skirmishes with Indians add interest to the narrative.


A story about pioneer life in Kansas in the late sixties. Adventures with wild animals and encounters with Native Americans add excitement to the narrative.


JOHNSON. CERVANTES' DON QUIXOTE. Edited by Clifton Johnson. 12mo. Illustrated. xxiii + 398 pages.

A well-edited edition of this classic. The one effort has been to bring the book to readable proportions without excluding any really essential incident or detail, and at the same time to make the text unobjectionable and wholesome.


A carefully edited version of this classic. The aim has been to make the book more readable without leaving out any truly important events or details, while also ensuring that the text is appropriate and wholesome.


JUDSON. THE GROWTH OF THE AMERICAN NATION. By Harry Pratt Judson. 12mo. Illustrations and maps. xi + 359 pages.

The cardinal facts of American History are grasped in such a way as to show clearly the orderly development of national life.


The key facts of American History are understood in a way that clearly illustrates the organized growth of the nation.


KEARY. THE HEROES OF ASGARD: TALES FROM SCANDINAVIAN MYTHOLOGY. By A. and E. Keary. 12mo. Illustrated. 323 pages.

The book is divided into nine chapters, called "The Æsir," "How Thor went to Jötunheim," "Frey," "The Wanderings of Freyja," "Iduna's Apples," "Baldur," "The Binding of Fenrir," "The Punishment of Loki," "Ragnarök."[6]


The book is divided into nine chapters, titled "The Æsir," "How Thor Went to Jötunheim," "Frey," "The Adventures of Freyja," "Iduna's Apples," "Baldur," "The Binding of Fenrir," "The Punishment of Loki," "Ragnarök."[6]


KING. DE SOTO AND HIS MEN IN THE LAND OF FLORIDA. By Grace King. 12mo. Illustrated. xiv + 326 pages.

A story based upon the Spanish and Portuguese accounts of the attempted conquest by the armada which sailed under De Soto in 1538 to subdue this country. Miss King gives a most entertaining history of the invaders' struggles and of their final demoralized rout; while her account of the native tribes is a most attractive feature of the narrative.


A story based on the Spanish and Portuguese accounts of the attempted conquest by the armada that sailed under De Soto in 1538 to conquer this land. Miss King provides a very entertaining history of the invaders' struggles and their eventual defeat; her account of the native tribes is a particularly appealing aspect of the narrative.


KINGSLEY. MADAM HOW AND LADY WHY: FIRST LESSONS IN EARTH LORE FOR CHILDREN. By Charles Kingsley. 12mo. Illustrated. xviii + 321 pages.

Madam How and Lady Why are two fairies who teach the how and why of things in nature. There are chapters on Earthquakes, Volcanoes, Coral Reefs, Glaciers, etc., told in an interesting manner. The book is intended to lead children to use their eyes and ears.


Madam How and Lady Why are two fairies who explain the how and why of nature. There are chapters on Earthquakes, Volcanoes, Coral Reefs, Glaciers, and more, all presented in an engaging way. The book aims to encourage kids to pay attention with their eyes and ears.


KINGSLEY. THE WATER BABIES: A FAIRY TALE FOR A LAND BABY. By Charles Kingsley. 12mo. Illustrated. 330 pages.

One of the best children's stories ever written; it has deservedly become a classic.


One of the best children's stories ever written; it has rightfully become a classic.


LANGE. OUR NATIVE BIRDS: HOW TO PROTECT THEM AND ATTRACT THEM TO OUR HOMES. By D. Lange. 12mo. Illustrated. x + 162 pages.

A strong plea for the protection of birds. Methods and devices for their encouragement are given, also a bibliography of helpful literature, and material for Bird Day.


A compelling call to protect birds. It includes methods and tools for encouraging them, along with a bibliography of useful literature and resources for Bird Day.


LOVELL. STORIES IN STONE FROM THE ROMAN FORUM. By Isabel Lovell. 12mo. Illustrated. viii + 258 pages.

The eight stories in this volume give many facts that travelers wish to know, that historical readers seek, and that young students enjoy. The book puts the reader in close touch with Roman life.


The eight stories in this volume provide plenty of information that travelers want to know, that history lovers look for, and that young students find engaging. The book connects the reader closely with Roman life.


McFARLAND. GETTING ACQUAINTED WITH THE TREES. By J. Horace McFarland. 8vo. Illustrated. xi + 241 pages.

A charmingly written series of tree essays. They are not scientific but popular, and are the outcome of the author's desire that others should share the rest and comfort that have come to him through acquaintance with trees.[7]


A beautifully written collection of essays about trees. They’re not scientific but more for the general reader, and they're the result of the author's wish for others to experience the peace and comfort he has found through his connection with trees.[7]


MAJOR. THE BEARS OF BLUE RIVER. By Charles Major. 12mo. Illustrated. 277 pages.

A collection of good bear stories with a live boy for the hero. The scene is laid in the early days of Indiana.


A collection of awesome bear stories featuring a live boy as the hero. The setting is in the early days of Indiana.


MARSHALL. WINIFRED'S JOURNAL. By Emma Marshall. 12mo. Illustrated. 353 pages.

A story of the time of Charles the First. Some of the characters are historical personages.


A story set during the time of Charles the First. Some of the characters are real historical figures.


MEANS. PALMETTO STORIES. By Celina E. Means. 12mo. Illustrated. x + 244 pages.

True accounts of some of the men and women who made the history of South Carolina, and correct pictures of the conditions under which these men and women labored.


True stories of some of the men and women who shaped the history of South Carolina, along with accurate depictions of the conditions in which they worked.


MORRIS. MAN AND HIS ANCESTOR: A STUDY IN EVOLUTION. By Charles Morris. 16mo. Illustrated. vii + 238 pages.

A popular presentation of the subject of man's origin. The various significant facts that have been discovered since Darwin's time are given, as well as certain lines of evidence never before presented in this connection.


A widely accepted overview of the topic of human origins. It includes various important facts that have emerged since Darwin's era, as well as some lines of evidence that have not been presented in this context before.


NEWBOLT. STORIES FROM FROISSART. By Henry Newbolt. 12mo. Illustrated. xxxi + 368 pages.

Here are given entire thirteen episodes from the "Chronicles" of Sir John Froissart. The text is modernized sufficiently to make it intelligible to young readers. Separated narratives are dovetailed, and new translations have been made where necessary to make the narrative complete and easily readable.


Here are all thirteen episodes from the "Chronicles" of Sir John Froissart. The text has been updated enough to be understandable for young readers. Separate stories are woven together, and new translations have been created where needed to ensure the narrative is complete and easy to read.


OVERTON. THE CAPTAIN'S DAUGHTER. By Gwendolen Overton. 12mo. Illustrated. vii + 270 pages.

A story of girl life at an army post on the frontier. The plot is an absorbing one, and the interest of the reader is held to the end.


A story about a girl's life on an army post at the frontier. The plot is captivating, keeping the reader engaged until the last page.


PALGRAVE. THE CHILDREN'S TREASURY OF ENGLISH SONG. Selected and arranged by Francis Turner Palgrave. 16mo. viii + 302 pages.

This collection contains 168 selections—songs, narratives, descriptive or reflective pieces of a lyrical quality, all suited to the taste and understanding of children.[8]


This collection has 168 pieces—songs, stories, and reflective or descriptive writings that are all tailored to the likes and comprehension of children.[8]


PALMER. STORIES FROM THE CLASSICAL LITERATURE OF MANY NATIONS. Edited by Bertha Palmer. 12mo. xv + 297 pages.

A collection of sixty characteristic stories from Chinese, Japanese, Hebrew, Babylonian, Arabian, Hindu, Greek, Roman, German, Scandinavian, Celtic, Russian, Italian, French, Spanish, Portuguese, Anglo-Saxon, English, Finnish, and American Indian sources.


A collection of sixty unique stories from Chinese, Japanese, Hebrew, Babylonian, Arabian, Hindu, Greek, Roman, German, Scandinavian, Celtic, Russian, Italian, French, Spanish, Portuguese, Anglo-Saxon, English, Finnish, and American Indian sources.


RIIS. CHILDREN OF THE TENEMENTS. By Jacob A. Riis. 12mo. Illustrated. ix + 387 pages.

Forty sketches and short stories dealing with the lights and shadows of life in the slums of New York City, told just as they came to the writer, fresh from the life of the people.


Forty sketches and short stories about the ups and downs of life in the slums of New York City, shared just as they came to the writer, straight from the experiences of the people.


SANDYS. TRAPPER JIM. By Edwyn Sandys. 12mo. Illustrated. ix + 441 pages.

A book which will delight every normal boy. Jim is a city lad who learns from an older cousin all the lore of outdoor life—trapping, shooting, fishing, camping, swimming, and canoeing. The author is a well-known writer on outdoor subjects.


A book that will thrill every regular boy. Jim is a city kid who learns from an older cousin all about outdoor life—trapping, shooting, fishing, camping, swimming, and canoeing. The author is a well-known writer on outdoor topics.


SEXTON. STORIES OF CALIFORNIA. By Ella M. Sexton. 12mo. Illustrated. x + 211 pages.

Twenty-two stories illustrating the early conditions and the romantic history of California and the subsequent development of the state.


Twenty-two stories showcasing the early circumstances and the romantic history of California, along with the state's later development.


SHARP. THE YOUNGEST GIRL IN THE SCHOOL. By Evelyn Sharp. 12mo. Illustrated. ix + 326 pages.

Bab, the "youngest girl," was only eleven and the pet of five brothers. Her ups and downs in a strange boarding school make an interesting story.


Bab, the "youngest girl," was just eleven and the favorite of five brothers. Her experiences at a strange boarding school create an intriguing story.


SPARKS. THE MEN WHO MADE THE NATION: AN OUTLINE OF UNITED STATES HISTORY FROM 1776 TO 1861. By Edwin E. Sparks. 12mo. Illustrated. viii + 415 pages.

The author has chosen to tell our history by selecting the one man at various periods of our affairs who was master of the situation and about whom events naturally grouped themselves. The characters thus selected number twelve, as "Samuel Adams, the man of the town meeting"; "Robert Morris, the financier of the Revolution"; "Hamilton, the advocate of stronger government," etc., etc.

The author has decided to tell our history by focusing on the one man at different times in our story who was in control of the situation and around whom events naturally revolved. The characters chosen number twelve, including "Samuel Adams, the man of the town meeting"; "Robert Morris, the financier of the Revolution"; "Hamilton, the advocate of a stronger government," and so on.


Transcriber's Notes:

Discrepancies in page numbering are due to blank pages and illustrations. Illustrations have been moved to the page referenced.

Discrepancies in page numbering are because of blank pages and images. Images have been relocated to the page mentioned.

Obvious punctuation errors repaired.

Punctuation errors fixed.

The remaining corrections made are indicated by dotted lines under the corrections. Scroll the mouse over the word and the original text will appear.

The remaining corrections are shown with dotted lines beneath them. Hover your mouse over the word, and the original text will appear.




        
        
    
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