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I and My Chimney
By Herman Melville
I and my chimney, two grey-headed old smokers, reside in the country. We are, I may say, old settlers here; particularly my old chimney, which settles more and more every day.
I and my chimney, two grey-headed old smokers, live in the country. We are, I might add, long-time residents here; especially my old chimney, which settles more and more each day.
Though I always say, I and my chimney, as Cardinal Wolsey used to say, “I and my King,” yet this egotistic way of speaking, wherein I take precedence of my chimney, is hardly borne out by the facts; in everything, except the above phrase, my chimney taking precedence of me.
Though I always say, I and my chimney, like Cardinal Wolsey used to say, “I and my King,” this self-centered way of speaking, where I put myself before my chimney, is hardly supported by reality; in everything else, my chimney comes before me.
Within thirty feet of the turf-sided road, my chimney—a huge, corpulent old Harry VIII of a chimney—rises full in front of me and all my possessions. Standing well up a hillside, my chimney, like Lord Rosse’s monster telescope, swung vertical to hit the meridian moon, is the first object to greet the approaching traveler’s eye, nor is it the last which the sun salutes. My chimney, too, is before me in receiving the first-fruits of the seasons. The snow is on its head ere on my hat; and every spring, as in a hollow beech tree, the first swallows build their nests in it.
Within thirty feet of the dirt road, my chimney—a big, bulky old Harry VIII of a chimney—rises right in front of me and all my stuff. Perched up a hillside, my chimney, like Lord Rosse’s giant telescope aimed at the moon, is the first thing to catch the eye of any approaching traveler, and it's also the last thing the sun greets. My chimney, too, is the first to welcome the changing seasons. The snow settles on its top before it does on my hat; and every spring, just like in a hollow beech tree, the first swallows build their nests in it.
But it is within doors that the pre-eminence of my chimney is most manifest. When in the rear room, set apart for that object, I stand to receive my guests (who, by the way call more, I suspect, to see my chimney than me) I then stand, not so much before, as, strictly speaking, behind my chimney, which is, indeed, the true host. Not that I demur. In the presence of my betters, I hope I know my place.
But it’s indoors where the greatness of my chimney really shines. When I’m in the back room, made for that purpose, I’m there to welcome my guests (who, by the way, I suspect come more to see my chimney than me). I stand not so much in front of, but rather behind my chimney, which is truly the real host. Not that I mind. In the company of those who are better than me, I like to think I know my place.
From this habitual precedence of my chimney over me, some even think that I have got into a sad rearward way altogether; in short, from standing behind my old-fashioned chimney so much, I have got to be quite behind the age too, as well as running behindhand in everything else. But to tell the truth, I never was a very forward old fellow, nor what my farming neighbors call a forehanded one. Indeed, those rumors about my behindhandedness are so far correct, that I have an odd sauntering way with me sometimes of going about with my hands behind my back. As for my belonging to the rear-guard in general, certain it is, I bring up the rear of my chimney—which, by the way, is this moment before me—and that, too, both in fancy and fact. In brief, my chimney is my superior; my superior by I know not how many heads and shoulders; my superior, too, in that humbly bowing over with shovel and tongs, I much minister to it; yet never does it minister, or incline over to me; but, if anything, in its settlings, rather leans the other way.
From the way I always seem to be stuck behind my old chimney, some people think I've completely fallen behind in life. In short, since I spend so much time standing behind this outdated chimney, I’ve become outdated myself, lagging behind in everything else too. But honestly, I was never much of an ambitious guy, nor what my farming neighbors would call proactive. It’s true that those rumors about me being behind the times hold some weight; I often walk around with my hands behind my back, giving off a sort of relaxed vibe. As for being in the back of the pack in general, it’s certain that I’m trailing behind my chimney—which, by the way, is right in front of me—both in imagination and reality. To sum it up, my chimney is superior to me; it stands a head and shoulders above me; I'm always humbly bowing over it with my shovel and tongs, tending to it, yet it never returns the favor or leans toward me; if anything, it seems to lean away from me as it settles.
My chimney is grand seignior here—the one great domineering object, not more of the landscape, than of the house; all the rest of which house, in each architectural arrangement, as may shortly appear, is, in the most marked manner, accommodated, not to my wants, but to my chimney’s, which, among other things, has the centre of the house to himself, leaving but the odd holes and corners to me.
My chimney is the main feature here— the one dominant object, not just in the landscape but in the house too; everything else in the house, as I’ll soon show, is designed not for my needs but for my chimney’s, which occupies the center of the house, leaving me with just the leftover spaces.
But I and my chimney must explain; and as we are both rather obese, we may have to expatiate.
But my chimney and I need to explain ourselves; since we’re both quite big, we might have to elaborate.
In those houses which are strictly double houses—that is, where the hall is in the middle—the fireplaces usually are on opposite sides; so that while one member of the household is warming himself at a fire built into a recess of the north wall, say another member, the former’s own brother, perhaps, may be holding his feet to the blaze before a hearth in the south wall—the two thus fairly sitting back to back. Is this well? Be it put to any man who has a proper fraternal feeling. Has it not a sort of sulky appearance? But very probably this style of chimney building originated with some architect afflicted with a quarrelsome family.
In houses that are true double houses—that is, where the hallway is in the middle—the fireplaces are usually on opposite sides. So, while one person is warming up at a fire built into the north wall, another person, maybe even his own brother, could be warming his feet at a blaze in the south wall—with the two of them sitting back to back. Is this a good arrangement? Ask anyone who values family. Doesn’t it seem a bit grumpy? But it’s likely this style of fireplace design came from some architect who had a family that just couldn't get along.
Then again, almost every modern fireplace has its separate flue—separate throughout, from hearth to chimney-top. At least such an arrangement is deemed desirable. Does not this look egotistical, selfish? But still more, all these separate flues, instead of having independent masonry establishments of their own, or instead of being grouped together in one federal stock in the middle of the house—instead of this, I say, each flue is surreptitiously honey-combed into the walls; so that these last are here and there, or indeed almost anywhere, treacherously hollow, and, in consequence, more or less weak. Of course, the main reason of this style of chimney building is to economize room. In cities, where lots are sold by the inch, small space is to spare for a chimney constructed on magnanimous principles; and, as with most thin men, who are generally tall, so with such houses, what is lacking in breadth, must be made up in height. This remark holds true even with regard to many very stylish abodes, built by the most stylish of gentlemen. And yet, when that stylish gentleman, Louis le Grand of France, would build a palace for his lady, friend, Madame de Maintenon, he built it but one story high—in fact in the cottage style. But then, how uncommonly quadrangular, spacious, and broad—horizontal acres, not vertical ones. Such is the palace, which, in all its one-storied magnificence of Languedoc marble, in the garden of Versailles, still remains to this day. Any man can buy a square foot of land and plant a liberty-pole on it; but it takes a king to set apart whole acres for a grand Trianon.
Then again, almost every modern fireplace has its own flue—separate from the hearth all the way up to the chimney. At least that's what's considered ideal. Doesn’t that seem a bit egotistical, selfish? But even more, all these individual flues, instead of having their own masonry structures or being grouped together in one central stack in the middle of the house—rather than that, I say, each flue is secretly embedded in the walls; so that these walls are sometimes hollowed out in various places, or pretty much anywhere, making them weak. Of course, the main reason for this way of building chimneys is to save space. In cities, where lots are sold by the inch, there's no room to spare for a chimney built on grand principles; and, like most tall, thin people, houses that lack width have to make up for it with height. This is true even for many trendy homes designed by the most fashionable gentlemen. Yet, when that fashionable gentleman, Louis le Grand of France, built a palace for his lady friend, Madame de Maintenon, he made it only one story high—in fact, in a cottage style. But it is incredibly square, spacious, and broad—horizontal acres, not vertical ones. Such is the palace that, in its magnificent single-story Languedoc marble, in the garden of Versailles, still stands today. Anyone can buy a square foot of land and put up a liberty pole; but it takes a king to dedicate entire acres for a grand Trianon.
But nowadays it is different; and furthermore, what originated in a necessity has been mounted into a vaunt. In towns there is large rivalry in building tall houses. If one gentleman builds his house four stories high, and another gentleman comes next door and builds five stories high, then the former, not to be looked down upon that way, immediately sends for his architect and claps a fifth and a sixth story on top of his previous four. And, not till the gentleman has achieved his aspiration, not till he has stolen over the way by twilight and observed how his sixth story soars beyond his neighbor’s fifth—not till then does he retire to his rest with satisfaction.
But these days, it’s different; what started as a necessity has turned into a bragging right. In towns, there’s a lot of competition to build taller buildings. If one guy builds his house four stories high, and another guy next door builds five stories high, then the first one, not wanting to be outdone, immediately calls for his architect and adds a fifth and a sixth story on top of his original four. Only after he achieves his goal, after he sneaks over at twilight to see how his sixth story towers over his neighbor’s fifth—only then does he go to bed feeling satisfied.
Such folks, it seems to me, need mountains for neighbors, to take this emulous conceit of soaring out of them.
Such people, it seems to me, need mountains nearby to help them rise above their own ambitions.
If, considering that mine is a very wide house, and by no means lofty, aught in the above may appear like interested pleading, as if I did but fold myself about in the cloak of a general proposition, cunningly to tickle my individual vanity beneath it, such misconception must vanish upon my frankly conceding, that land adjoining my alder swamp was sold last month for ten dollars an acre, and thought a rash purchase at that; so that for wide houses hereabouts there is plenty of room, and cheap. Indeed so cheap—dirt cheap—is the soil, that our elms thrust out their roots in it, and hang their great boughs over it, in the most lavish and reckless way. Almost all our crops, too, are sown broadcast, even peas and turnips. A farmer among us, who should go about his twenty-acre field, poking his finger into it here and there, and dropping down a mustard seed, would be thought a penurious, narrow-minded husbandman. The dandelions in the river-meadows, and the forget-me-nots along the mountain roads, you see at once they are put to no economy in space. Some seasons, too, our rye comes up here and there a spear, sole and single like a church-spire. It doesn’t care to crowd itself where it knows there is such a deal of room. The world is wide, the world is all before us, says the rye. Weeds, too, it is amazing how they spread. No such thing as arresting them—some of our pastures being a sort of Alsatia for the weeds. As for the grass, every spring it is like Kossuth’s rising of what he calls the peoples. Mountains, too, a regular camp-meeting of them. For the same reason, the same all-sufficiency of room, our shadows march and countermarch, going through their various drills and masterly evolutions, like the old imperial guard on the Champs de Mars. As for the hills, especially where the roads cross them the supervisors of our various towns have given notice to all concerned, that they can come and dig them down and cart them off, and never a cent to pay, no more than for the privilege of picking blackberries. The stranger who is buried here, what liberal-hearted landed proprietor among us grudges him his six feet of rocky pasture?
If you think my house is really big but not very tall, and that I might be trying to make a self-serving argument, just know that I honestly admit land next to my alder swamp was sold last month for ten dollars an acre, which was considered a foolish purchase; so there’s plenty of room for big houses around here, and they’re cheap. In fact, the soil is so cheap—dirt cheap—that our elms spread their roots and droop their huge branches over it without a care. Most of our crops are sown broadly, even peas and turnips. A farmer among us who went through his twenty-acre field, poking around and dropping mustard seeds here and there, would be seen as stingy and narrow-minded. You can tell that the dandelions in the river-meadows and forget-me-nots along the mountain roads are not being careful about space. Some seasons, our rye grows here and there, standing alone like a church spire. It doesn’t feel the need to crowd in when it knows there’s so much room. The world is vast, the world is all ahead of us, says the rye. Weeds spread surprisingly fast. There's no stopping them—some of our pastures are like a haven for weeds. As for the grass, every spring it rises like Kossuth’s call to the people. The mountains are also a gathering of them. For the same reason, due to the abundance of space, our shadows move and shift, going through their routines and impressive formations, like the old imperial guard on the Champs de Mars. Regarding the hills, especially where the roads intersect, the town supervisors have announced that anyone can come, dig them down, and haul them off for free, no more than the cost of picking blackberries. As for a stranger buried here, what generous landowner among us would begrudge him his six feet of rocky pasture?
Nevertheless, cheap, after all, as our land is, and much as it is trodden under foot, I, for one, am proud of it for what it bears; and chiefly for its three great lions—the Great Oak, Ogg Mountain, and my chimney.
Nevertheless, even though our land is cheap and heavily walked on, I, for one, take pride in it for what it gives us; and especially for its three great symbols—the Great Oak, Ogg Mountain, and my chimney.
Most houses, here, are but one and a half stories high; few exceed two. That in which I and my chimney dwell, is in width nearly twice its height, from sill to eaves—which accounts for the magnitude of its main content—besides showing that in this house, as in this country at large, there is abundance of space, and to spare, for both of us.
Most houses around here are just one and a half stories tall; only a few go up to two. The one where I live, along with my chimney, is almost twice as wide as it is tall from the bottom to the roof—which explains how spacious it feels inside—plus it shows that in this house, just like in this country, there’s plenty of space for both of us.
The frame of the old house is of wood—which but the more sets forth the solidity of the chimney, which is of brick. And as the great wrought nails, binding the clapboards, are unknown in these degenerate days, so are the huge bricks in the chimney walls. The architect of the chimney must have had the pyramid of Cheops before him; for, after that famous structure, it seems modeled, only its rate of decrease towards the summit is considerably less, and it is truncated. From the exact middle of the mansion it soars from the cellar, right up through each successive floor, till, four feet square, it breaks water from the ridge-pole of the roof, like an anvil-headed whale, through the crest of a billow. Most people, though, liken it, in that part, to a razeed observatory, masoned up.
The frame of the old house is made of wood, which only highlights the sturdiness of the chimney, made of brick. And just as the large wrought nails holding the clapboards in place are rare these days, so are the massive bricks in the chimney walls. The architect of the chimney must have had the Great Pyramid of Giza in mind; it seems modeled after that famous structure, though its tapering towards the top is much less pronounced, and it is flat on top. From the exact center of the house, it rises from the basement, going up through each floor, until it reaches four feet square and bursts out from the ridge of the roof, like a heavy whale breaking through a wave. Most people, however, compare it in that part to a shortened observatory, built from masonry.
The reason for its peculiar appearance above the roof touches upon rather delicate ground. How shall I reveal that, forasmuch as many years ago the original gable roof of the old house had become very leaky, a temporary proprietor hired a band of woodmen, with their huge, cross-cut saws, and went to sawing the old gable roof clean off. Off it went, with all its birds’ nests, and dormer windows. It was replaced with a modern roof, more fit for a railway wood-house than an old country gentleman’s abode. This operation—razeeing the structure some fifteen feet—was, in effect upon the chimney, something like the falling of the great spring tides. It left uncommon low water all about the chimney—to abate which appearance, the same person now proceeds to slice fifteen feet off the chimney itself, actually beheading my royal old chimney—a regicidal act, which, were it not for the palliating fact that he was a poulterer by trade, and, therefore, hardened to such neck-wringings, should send that former proprietor down to posterity in the same cart with Cromwell.
The reason for its strange look above the roof touches on some sensitive issues. How do I explain that, many years ago, the original gable roof of the old house had become very leaky, so a temporary owner hired a group of woodworkers with their big cross-cut saws and removed the entire old gable roof? Down it came, along with all its bird nests and dormer windows. It was replaced with a modern roof, better suited for a railway shed than a country gentleman’s home. This process—cutting down the structure by about fifteen feet—had an effect on the chimney, much like the effects of the great spring tides. It left an unusually low area around the chimney, and to fix this appearance, the same person went ahead and cut fifteen feet off the chimney itself, effectively beheading my royal old chimney—a regicidal act, which, if not for the mitigating factor that he was a poulterer by trade and thus used to such neck-wringing, should have sent that former owner down in history alongside Cromwell.
Owing to its pyramidal shape, the reduction of the chimney inordinately widened its razeed summit. Inordinately, I say, but only in the estimation of such as have no eye to the picturesque. What care I, if, unaware that my chimney, as a free citizen of this free land, stands upon an independent basis of its own, people passing it, wonder how such a brick-kiln, as they call it, is supported upon mere joists and rafters? What care I? I will give a traveler a cup of switchel, if he want it; but am I bound to supply him with a sweet taste? Men of cultivated minds see, in my old house and chimney, a goodly old elephant-and-castle.
Because of its pyramidal shape, the reduction of the chimney unusually widened its flat top. I say "unusually," but only in the opinion of those who lack an appreciation for the picturesque. What do I care if, unaware that my chimney, as a free citizen of this free land, stands on its own independent base, people passing by wonder how such a brick structure, as they call it, is supported by just joists and rafters? What do I care? I’ll offer a traveler a cup of switchel if he wants one, but am I obligated to give him something sweet to taste? People with refined tastes see a charming old elephant-and-castle in my old house and chimney.
All feeling hearts will sympathize with me in what I am now about to add. The surgical operation, above referred to, necessarily brought into the open air a part of the chimney previously under cover, and intended to remain so, and, therefore, not built of what are called weather-bricks. In consequence, the chimney, though of a vigorous constitution, suffered not a little, from so naked an exposure; and, unable to acclimate itself, ere long began to fail—showing blotchy symptoms akin to those in measles. Whereupon travelers, passing my way, would wag their heads, laughing; “See that wax nose—how it melts off!” But what cared I? The same travelers would travel across the sea to view Kenilworth peeling away, and for a very good reason: that of all artists of the picturesque, decay wears the palm—I would say, the ivy. In fact, I’ve often thought that the proper place for my old chimney is ivied old England.
All empathetic hearts will relate to what I'm about to share. The surgical procedure mentioned earlier accidentally exposed part of the chimney that was meant to stay covered, which was not made with weather-resistant bricks. As a result, the chimney, despite being quite sturdy, struggled a lot with such an open exposure; it couldn't adapt and soon started to deteriorate—showing splotchy signs similar to those of measles. Consequently, travelers passing by would shake their heads and laugh, saying, “Look at that wax nose—how it’s melting away!” But I didn’t mind. Those same travelers would cross the ocean to see Kenilworth crumbling, and for good reason: when it comes to picturesque artists, decay holds the top spot—I would say, the ivy. Honestly, I've often thought that my old chimney belongs in ivy-covered old England.
In vain my wife—with what probable ulterior intent will, ere long, appear—solemnly warned me, that unless something were done, and speedily, we should be burnt to the ground, owing to the holes crumbling through the aforesaid blotchy parts, where the chimney joined the roof. “Wife,” said I, “far better that my house should burn down, than that my chimney should be pulled down, though but a few feet. They call it a wax nose; very good; not for me to tweak the nose of my superior.” But at last the man who has a mortgage on the house dropped me a note, reminding me that, if my chimney was allowed to stand in that invalid condition, my policy of insurance would be void. This was a sort of hint not to be neglected. All the world over, the picturesque yields to the pocketesque. The mortgagor cared not, but the mortgagee did.
In vain my wife—whatever her real intention may be—seriously warned me that if we didn’t take action quickly, our house would burn down because of the holes that were crumbling in those ugly patches where the chimney met the roof. “Wife,” I said, “I’d much rather let my house burn to the ground than have my chimney taken down, even if it’s only a few feet. They call it a wax nose; fine, but it’s not my place to mess with my superior.” Eventually, the guy who has the mortgage on the house sent me a note, reminding me that if I let my chimney stay in that bad shape, my insurance policy would be void. This was a hint I couldn't ignore. Everywhere you go, charming things give way to practical concerns. The lender didn’t care, but the borrower did.
So another operation was performed. The wax nose was taken off, and a new one fitted on. Unfortunately for the expression—being put up by a squint-eyed mason, who, at the time, had a bad stitch in the same side—the new nose stands a little awry, in the same direction.
So another operation was done. The wax nose was removed, and a new one was fitted. Unfortunately, due to the work being done by a squint-eyed mason who happened to have a bad stitch on the same side, the new nose is a bit crooked, going the same way.
Of one thing, however, I am proud. The horizontal dimensions of the new part are unreduced.
Of one thing, though, I am proud. The width and length of the new section are unchanged.
Large as the chimney appears upon the roof, that is nothing to its spaciousness below. At its base in the cellar, it is precisely twelve feet square; and hence covers precisely one hundred and forty-four superficial feet. What an appropriation of terra firma for a chimney, and what a huge load for this earth! In fact, it was only because I and my chimney formed no part of his ancient burden, that that stout peddler, Atlas of old, was enabled to stand up so bravely under his pack. The dimensions given may, perhaps, seem fabulous. But, like those stones at Gilgal, which Joshua set up for a memorial of having passed over Jordan, does not my chimney remain, even unto this day?
As big as the chimney looks on the roof, it’s nothing compared to how spacious it is below. At its base in the basement, it measures exactly twelve feet by twelve feet, covering exactly one hundred and forty-four square feet. What a lot of ground for a chimney to take up, and what a heavy load for the earth! The only reason that strong peddler, the ancient Atlas, could stand so tall under his burden is because neither I nor my chimney was part of that weight. The sizes mentioned might seem unbelievable. But just like those stones at Gilgal that Joshua set up to remember crossing the Jordan, my chimney still stands here today.
Very often I go down into my cellar, and attentively survey that vast square of masonry. I stand long, and ponder over, and wonder at it. It has a druidical look, away down in the umbrageous cellar there whose numerous vaulted passages, and far glens of gloom, resemble the dark, damp depths of primeval woods. So strongly did this conceit steal over me, so deeply was I penetrated with wonder at the chimney, that one day—when I was a little out of my mind, I now think—getting a spade from the garden, I set to work, digging round the foundation, especially at the corners thereof, obscurely prompted by dreams of striking upon some old, earthen-worn memorial of that by-gone day, when, into all this gloom, the light of heaven entered, as the masons laid the foundation-stones, peradventure sweltering under an August sun, or pelted by a March storm. Plying my blunted spade, how vexed was I by that ungracious interruption of a neighbor who, calling to see me upon some business, and being informed that I was below said I need not be troubled to come up, but he would go down to me; and so, without ceremony, and without my having been forewarned, suddenly discovered me, digging in my cellar.
Very often, I go down into my cellar and carefully examine that large square of masonry. I stand there for a long time, thinking and marveling at it. It has a druid-like appearance in the shadowy cellar, where its numerous vaulted passages and dark, gloomy corners resemble the damp depths of ancient forests. This idea took hold of me so strongly, and I became so fascinated by the chimney, that one day—when I think I might have been a bit out of it—I grabbed a spade from the garden and started digging around the foundation, especially at the corners. I was vaguely driven by dreams of discovering some old, weathered memorial from the past, when, into all this darkness, the light of day came in as the masons laid the foundation stones, perhaps sweating under an August sun or battered by a March storm. As I struggled with my dull spade, I was really annoyed by an unwelcome interruption from a neighbor who, calling to see me about some matter, was told I was down below. He said I didn’t need to worry about coming up, but that he would come down to me. So, without any warning or ceremony, he unexpectedly found me digging in my cellar.
“Gold digging, sir?”
"Are you gold digging, sir?"
“Nay, sir,” answered I, starting, “I was merely—ahem!—merely—I say I was merely digging-round my chimney.”
“Nah, sir,” I replied, startled, “I was just—uhh!—just—I mean I was just digging around my chimney.”
“Ah, loosening the soil, to make it grow. Your chimney, sir, you regard as too small, I suppose; needing further development, especially at the top?”
“Ah, breaking up the soil to help it thrive. You think your chimney is too small, right? It needs to be expanded, especially at the top?”
“Sir!” said I, throwing down the spade, “do not be personal. I and my chimney—”
“Sir!” I said, dropping the spade, “don’t take it personally. I and my chimney—”
“Personal?”
“Private?”
“Sir, I look upon this chimney less as a pile of masonry than as a personage. It is the king of the house. I am but a suffered and inferior subject.”
“Sir, I see this chimney less as just a pile of bricks and more as a character. It’s the ruler of the house. I am merely a tolerated and lesser subject.”
In fact, I would permit no gibes to be cast at either myself or my chimney; and never again did my visitor refer to it in my hearing, without coupling some compliment with the mention. It well deserves a respectful consideration. There it stands, solitary and alone—not a council—of ten flues, but, like his sacred majesty of Russia, a unit of an autocrat.
In fact, I wouldn’t allow anyone to make fun of me or my chimney; and from then on, my visitor never mentioned it in my presence without adding some compliment. It truly deserves some respect. There it stands, solitary and alone—not a group of ten flues, but like the esteemed leader of Russia, a singular autocrat.
Even to me, its dimensions, at times, seem incredible. It does not look so big—no, not even in the cellar. By the mere eye, its magnitude can be but imperfectly comprehended, because only one side can be received at one time; and said side can only present twelve feet, linear measure. But then, each other side also is twelve feet long; and the whole obviously forms a square and twelve times twelve is one hundred and forty-four. And so, an adequate conception of the magnitude of this chimney is only to be got at by a sort of process in the higher mathematics by a method somewhat akin to those whereby the surprising distances of fixed stars are computed.
Even to me, its size sometimes seems unbelievable. It doesn't look that big—not even in the cellar. Just by looking at it, you can only partially grasp its size, since you can only see one side at a time; and that side measures just twelve feet. But then, each other side is also twelve feet long, and the whole thing clearly forms a square, making twelve times twelve one hundred and forty-four. So, to really understand how big this chimney is, you need to use a kind of advanced math, similar to how astronomers calculate the amazing distances of fixed stars.
It need hardly be said, that the walls of my house are entirely free from fireplaces. These all congregate in the middle—in the one grand central chimney, upon all four sides of which are hearths—two tiers of hearths—so that when, in the various chambers, my family and guests are warming themselves of a cold winter’s night, just before retiring, then, though at the time they may not be thinking so, all their faces mutually look towards each other, yea, all their feet point to one centre; and, when they go to sleep in their beds, they all sleep round one warm chimney, like so many Iroquois Indians, in the woods, round their one heap of embers. And just as the Indians’ fire serves, not only to keep them comfortable, but also to keep off wolves, and other savage monsters, so my chimney, by its obvious smoke at top, keeps off prowling burglars from the towns—for what burglar or murderer would dare break into an abode from whose chimney issues such a continual smoke—betokening that if the inmates are not stirring, at least fires are, and in case of an alarm, candles may readily be lighted, to say nothing of muskets.
It goes without saying that the walls of my house have no fireplaces. They all come together in the center—in one grand central chimney, with hearths on all four sides—two layers of hearths—so that when my family and guests are warming up on a cold winter night just before heading to bed, even if they’re not aware of it, all their faces are oriented towards each other, and all their feet point to a single center; and when they fall asleep in their beds, they all nestle around one warm chimney, like a group of Iroquois Indians gathered around their single pile of embers in the woods. Just like the Indians’ fire keeps them comfortable and wards off wolves and other wild dangers, my chimney, with its constant smoke rising, scares off lurking burglars from the town—what burglar or murderer would dare enter a home with such a steady plume of smoke, indicating that while the residents might be quiet, at least the fires are burning, and in case of an emergency, candles can be quickly lit, not to mention muskets.
But stately as is the chimney—yea, grand high altar as it is, right worthy for the celebration of high mass before the Pope of Rome, and all his cardinals—yet what is there perfect in this world? Caius Julius Caesar, had he not been so inordinately great, they say that Brutus, Cassius, Antony, and the rest, had been greater. My chimney, were it not so mighty in its magnitude, my chambers had been larger. How often has my wife ruefully told me, that my chimney, like the English aristocracy, casts a contracting shade all round it. She avers that endless domestic inconveniences arise—more particularly from the chimney’s stubborn central locality. The grand objection with her is, that it stands midway in the place where a fine entrance-hall ought to be. In truth, there is no hall whatever to the house—nothing but a sort of square landing-place, as you enter from the wide front door. A roomy enough landing-place, I admit, but not attaining to the dignity of a hall. Now, as the front door is precisely in the middle of the front of the house, inwards it faces the chimney. In fact, the opposite wall of the landing-place is formed solely by the chimney; and hence-owing to the gradual tapering of the chimney—is a little less than twelve feet in width. Climbing the chimney in this part, is the principal staircase—which, by three abrupt turns, and three minor landing-places, mounts to the second floor, where, over the front door, runs a sort of narrow gallery, something less than twelve feet long, leading to chambers on either hand. This gallery, of course, is railed; and so, looking down upon the stairs, and all those landing-places together, with the main one at bottom, resembles not a little a balcony for musicians, in some jolly old abode, in times Elizabethan. Shall I tell a weakness? I cherish the cobwebs there, and many a time arrest Biddy in the act of brushing them with her broom, and have many a quarrel with my wife and daughters about it.
But as grand as the chimney is—truly a majestic high altar worthy of a high mass before the Pope of Rome and all his cardinals—what in this world is perfect? They say that if Caius Julius Caesar hadn't been so excessively great, Brutus, Cassius, Antony, and the others would have been even greater. If my chimney weren't so massive, my rooms would be bigger. My wife often wistfully tells me that my chimney, like the English aristocracy, casts a limiting shadow all around it. She claims that endless domestic issues arise—especially because the chimney stubbornly sits in the center. Her biggest complaint is that it stands right where a nice entrance hall should be. In reality, there’s no hall in the house—just a kind of square landing area when you come in through the wide front door. I admit it’s a decent-sized landing area, but it doesn’t achieve the elegance of a hall. Now, since the front door is exactly in the middle of the house, it faces directly toward the chimney. In fact, the opposite wall of the landing area is made entirely by the chimney, which, due to its gradual narrowing, is just under twelve feet wide. Climbing the chimney in this section is the main staircase, which twists sharply three times and has three smaller landing areas before it reaches the second floor, where a narrow gallery runs above the front door, slightly less than twelve feet long, leading to rooms on either side. This gallery is railed, and when you look down at the stairs and all the landing areas, especially the main one below, it resembles a balcony for musicians in some cheerful old home from the Elizabethan era. Should I confess a weakness? I actually like the cobwebs there, and I often catch Biddy trying to sweep them away, leading to many arguments with my wife and daughters about it.
Now the ceiling, so to speak, of the place where you enter the house, that ceiling is, in fact, the ceiling of the second floor, not the first. The two floors are made one here; so that ascending this turning stairs, you seem going up into a kind of soaring tower, or lighthouse. At the second landing, midway up the chimney, is a mysterious door, entering to a mysterious closet; and here I keep mysterious cordials, of a choice, mysterious flavor, made so by the constant nurturing and subtle ripening of the chimney’s gentle heat, distilled through that warm mass of masonry. Better for wines is it than voyages to the Indias; my chimney itself a tropic. A chair by my chimney in a November day is as good for an invalid as a long season spent in Cuba. Often I think how grapes might ripen against my chimney. How my wife’s geraniums bud there! Bud in December. Her eggs, too—can’t keep them near the chimney, on account of the hatching. Ah, a warm heart has my chimney.
Now the ceiling, so to speak, of the entrance to the house is actually the ceiling of the second floor, not the first. The two floors connect here, so when you go up this winding staircase, it feels like you’re ascending into a kind of soaring tower or lighthouse. At the second landing, right in the middle of the chimney, is a mysterious door that leads to an enigmatic closet; this is where I keep unique cordials with a distinctive, mysterious flavor, developed by the constant nurturing and subtle ripening of the chimney’s gentle heat, filtered through that warm mass of brickwork. It’s better for wines than journeys to the Indies; my chimney itself is a tropical paradise. A chair by my chimney on a November day is just as comforting for someone unwell as spending a long time in Cuba. I often think about how grapes could ripen against my chimney. How my wife’s geraniums bloom there! They bloom in December. Her eggs, too—can’t keep them near the chimney because of the hatching. Ah, my chimney has a warm heart.
How often my wife was at me about that projected grand entrance-hall of hers, which was to be knocked clean through the chimney, from one end of the house to the other, and astonish all guests by its generous amplitude. “But, wife,” said I, “the chimney—consider the chimney: if you demolish the foundation, what is to support the superstructure?” “Oh, that will rest on the second floor.” The truth is, women know next to nothing about the realities of architecture. However, my wife still talked of running her entries and partitions. She spent many long nights elaborating her plans; in imagination building her boasted hall through the chimney, as though its high mightiness were a mere spear of sorrel-top. At last, I gently reminded her that, little as she might fancy it, the chimney was a fact—a sober, substantial fact, which, in all her plannings, it would be well to take into full consideration. But this was not of much avail.
How often my wife nagged me about her planned grand entrance hall, which was supposed to go straight through the chimney, from one end of the house to the other, and amaze all our guests with its spaciousness. “But, honey,” I said, “the chimney—think about the chimney: if you tear down the foundation, what will hold up the rest of the house?” “Oh, that will rest on the second floor.” The truth is, women have very little understanding of the realities of architecture. Still, my wife continued to talk about designing her entries and partitions. She spent many long nights working on her plans, imagining her grand hall going through the chimney as if it were just a little piece of greenery. Finally, I gently reminded her that, no matter how much she might not like to admit it, the chimney was a reality—a solid, substantial reality, which she should seriously consider in all her planning. But this didn't really help.
And here, respectfully craving her permission, I must say a few words about this enterprising wife of mine. Though in years nearly old as myself, in spirit she is young as my little sorrel mare, Trigger, that threw me last fall. What is extraordinary, though she comes of a rheumatic family, she is straight as a pine, never has any aches; while for me with the sciatica, I am sometimes as crippled up as any old apple-tree. But she has not so much as a toothache. As for her hearing—let me enter the house in my dusty boots, and she away up in the attic. And for her sight—Biddy, the housemaid, tells other people’s housemaids, that her mistress will spy a spot on the dresser straight through the pewter platter, put up on purpose to hide it. Her faculties are alert as her limbs and her senses. No danger of my spouse dying of torpor. The longest night in the year I’ve known her lie awake, planning her campaign for the morrow. She is a natural projector. The maxim, “Whatever is, is right,” is not hers. Her maxim is, Whatever is, is wrong; and what is more, must be altered; and what is still more, must be altered right away. Dreadful maxim for the wife of a dozy old dreamer like me, who dote on seventh days as days of rest, and out of a sabbatical horror of industry, will, on a week day, go out of my road a quarter of a mile, to avoid the sight of a man at work.
And here, respectfully asking for her permission, I need to say a few words about my enterprising wife. Even though she’s nearly as old as I am, in spirit she’s as young as my little sorrel mare, Trigger, who threw me last fall. What’s extraordinary is that, even though she comes from a family with rheumatism, she’s straight as a pine and never has any aches; meanwhile, I’m sometimes as stiff as an old apple tree from sciatica. But she doesn’t even get a toothache. As for her hearing—let me walk into the house in my dusty boots, and she’ll be all the way up in the attic. And her eyesight—Biddy, the maid, tells other housemaids that her mistress can spot a speck on the dresser through the pewter platter put there to hide it. Her mind is just as sharp as her body and senses. There’s no danger of my wife dying of boredom. I’ve seen her lie awake on the longest night of the year, planning her campaign for the next day. She’s a natural planner. The saying, “Whatever is, is right,” doesn’t apply to her. Her belief is, Whatever is, is wrong; and what’s more, it needs to be changed; and even more, it needs to be changed right away. A challenging belief for the wife of a sleepy old dreamer like me, who cherishes Sundays as days of rest and, out of a deep-seated aversion to work, will, on a weekday, go a quarter of a mile out of my way to avoid seeing someone at work.
That matches are made in heaven, may be, but my wife would have been just the wife for Peter the Great, or Peter the Piper. How she would have set in order that huge littered empire of the one, and with indefatigable painstaking picked the peck of pickled peppers for the other.
That matches are made in heaven, maybe, but my wife would have been the perfect match for Peter the Great or Peter Piper. Just imagine how she would have organized that massive, messy empire of the one, and tirelessly sorted out a peck of pickled peppers for the other.
But the most wonderful thing is, my wife never thinks of her end. Her youthful incredulity, as to the plain theory, and still plainer fact of death, hardly seems Christian. Advanced in years, as she knows she must be, my wife seems to think that she is to teem on, and be inexhaustible forever. She doesn’t believe in old age. At that strange promise in the plain of Mamre, my old wife, unlike old Abraham’s, would not have jeeringly laughed within herself.
But the most amazing thing is, my wife never thinks about her end. Her youthful disbelief in the simple idea and the even clearer reality of death hardly seems Christian. Even though she knows she must be getting older, my wife seems to think she will keep going and be endlessly vibrant forever. She doesn’t believe in aging. At that strange promise in the plain of Mamre, my old wife, unlike old Abraham’s, would not have laughed quietly to herself in mockery.
Judge how to me, who, sitting in the comfortable shadow of my chimney, smoking my comfortable pipe, with ashes not unwelcome at my feet, and ashes not unwelcome all but in my mouth; and who am thus in a comfortable sort of not unwelcome, though, indeed, ashy enough way, reminded of the ultimate exhaustion even of the most fiery life; judge how to me this unwarrantable vitality in my wife must come, sometimes, it is true, with a moral and a calm, but oftener with a breeze and a ruffle.
Judge how it is for me, who, sitting in the cozy shadow of my chimney, smoking my favorite pipe, with ashes that feel welcome at my feet, and not unwelcome in my mouth; and who is thus in a rather comfortable, though definitely ashy, position, reminded of the eventual weariness even of the most passionate life; consider how this unrestrained energy in my wife must feel to me, sometimes, it's true, with a moral and a sense of calm, but more often with a gust and a disruption.
If the doctrine be true, that in wedlock contraries attract, by how cogent a fatality must I have been drawn to my wife! While spicily impatient of present and past, like a glass of ginger-beer she overflows with her schemes; and, with like energy as she puts down her foot, puts down her preserves and her pickles, and lives with them in a continual future; or ever full of expectations both from time and space, is ever restless for newspapers, and ravenous for letters. Content with the years that are gone, taking no thought for the morrow, and looking for no new thing from any person or quarter whatever, I have not a single scheme or expectation on earth, save in unequal resistance of the undue encroachment of hers.
If the idea is true that opposites attract in marriage, how strong a pull I must have felt towards my wife! Constantly impatient with both the present and the past, she overflows with her plans like a bubbling glass of ginger beer. Just as firmly as she plants her foot down, she lays down her preserves and pickles, living with them in a constant future. Always full of expectations about time and space, she’s restlessly searching for newspapers and hungry for letters. Content with the years that have passed, not worrying about tomorrow, and expecting nothing new from anyone or anywhere, I have no plans or hopes whatsoever, except to stand against her overwhelming ambitions.
Old myself, I take to oldness in things; for that cause mainly loving old Montaigne, and old cheese, and old wine; and eschewing young people, hot rolls, new books, and early potatoes and very fond of my old claw-footed chair, and old club-footed Deacon White, my neighbor, and that still nigher old neighbor, my betwisted old grape-vine, that of a summer evening leans in his elbow for cosy company at my window-sill, while I, within doors, lean over mine to meet his; and above all, high above all, am fond of my high-mantled old chimney. But she, out of the infatuate juvenility of hers, takes to nothing but newness; for that cause mainly, loving new cider in autumn, and in spring, as if she were own daughter of Nebuchadnezzar, fairly raving after all sorts of salads and spinages, and more particularly green cucumbers (though all the time nature rebukes such unsuitable young hankerings in so elderly a person, by never permitting such things to agree with her), and has an itch after recently-discovered fine prospects (so no graveyard be in the background), and also after Swedenborgianism, and the Spirit Rapping philosophy, with other new views, alike in things natural and unnatural; and immortally hopeful, is forever making new flower-beds even on the north side of the house where the bleak mountain wind would scarce allow the wiry weed called hard-hack to gain a thorough footing; and on the road-side sets out mere pipe-stems of young elms; though there is no hope of any shade from them, except over the ruins of her great granddaughter’s gravestones; and won’t wear caps, but plaits her gray hair; and takes the Ladies’ Magazine for the fashions; and always buys her new almanac a month before the new year; and rises at dawn; and to the warmest sunset turns a cold shoulder; and still goes on at odd hours with her new course of history, and her French, and her music; and likes a young company; and offers to ride young colts; and sets out young suckers in the orchard; and has a spite against my elbowed old grape-vine, and my club-footed old neighbor, and my claw-footed old chair, and above all, high above all, would fain persecute, unto death, my high-mantled old chimney. By what perverse magic, I a thousand times think, does such a very autumnal old lady have such a very vernal young soul? When I would remonstrate at times, she spins round on me with, “Oh, don’t you grumble, old man (she always calls me old man), it’s I, young I, that keep you from stagnating.” Well, I suppose it is so. Yea, after all, these things are well ordered. My wife, as one of her poor relations, good soul, intimates, is the salt of the earth, and none the less the salt of my sea, which otherwise were unwholesome. She is its monsoon, too, blowing a brisk gale over it, in the one steady direction of my chimney.
In my old age, I find comfort in old things; that's why I love old Montaigne, aged cheese, and vintage wine. I tend to avoid young people, hot rolls, new books, early potatoes, and I’m very fond of my old claw-footed chair, my neighbor Deacon White with his club foot, and that even nearer old neighbor, my twisted grapevine. In the summer evenings, it leans against my window for some cozy company while I lean over mine to meet it. Above all, I cherish my tall, old chimney. But she, caught up in her youthful obsession, only embraces new things; that’s why she loves new cider in the fall and goes crazy for salads and spinach in the spring as if she’s a descendant of Nebuchadnezzar, especially for green cucumbers (even though nature wisely tells her, as an older person, that they don’t agree with her). She craves fresh, exquisite views (with no graveyard in sight) and is intrigued by Swedenborgianism, spiritualism, and other new ideas, whether they’re natural or unnatural. Always filled with hope, she continues to create new flower beds even on the north side of the house where the cold mountain wind barely allows the hard-hack weed to take root. Along the roadside, she plants just flimsy young elm shoots, knowing they won’t provide shade except over her great granddaughter’s gravestones. She refuses to wear caps, instead braiding her gray hair, takes the Ladies’ Magazine for fashion advice, buys her new almanac a month early, rises with the dawn, and turns a cold shoulder to the warmest sunsets. She’s always busy with her new history course, French lessons, and music, enjoys the company of young people, rides young colts, plants young saplings in the orchard, and has a disdain for my old grapevine, my club-footed neighbor, my claw-footed chair, and above all, my cherished old chimney. I often wonder what strange magic allows such a clearly autumnal woman to possess a youthful spirit. When I sometimes express my concerns, she spins around and says, “Oh, don’t complain, old man (she always calls me old man), it’s me, the young me, that keeps you from stagnating.” I suppose that’s true. Yes, in the end, everything is well managed. My wife, as one of her less fortunate relatives kindly points out, is the salt of the earth and, more importantly, the salt of my sea, which would otherwise be unhealthy. She’s also its monsoon, blowing a lively breeze over it, all aimed consistently toward my chimney.
Not insensible of her superior energies, my wife has frequently made me propositions to take upon herself all the responsibilities of my affairs. She is desirous that, domestically, I should abdicate; that, renouncing further rule, like the venerable Charles V, I should retire into some sort of monastery. But indeed, the chimney excepted, I have little authority to lay down. By my wife’s ingenious application of the principle that certain things belong of right to female jurisdiction, I find myself, through my easy compliances, insensibly stripped by degrees of one masculine prerogative after another. In a dream I go about my fields, a sort of lazy, happy-go-lucky, good-for-nothing, loafing old Lear. Only by some sudden revelation am I reminded who is over me; as year before last, one day seeing in one corner of the premises fresh deposits of mysterious boards and timbers, the oddity of the incident at length begat serious meditation. “Wife,” said I, “whose boards and timbers are those I see near the orchard there? Do you know anything about them, wife? Who put them there? You know I do not like the neighbors to use my land that way, they should ask permission first.”
Not unaware of her greater strengths, my wife has often suggested that she take on all the responsibilities for my affairs. She wants me to step back and, like the aged Charles V, retreat into some sort of personal retreat. But honestly, aside from the chimney, I have little authority left to give up. Through my wife's clever application of the idea that certain matters rightfully belong to women, I find myself slowly being stripped of one masculine privilege after another due to my own easygoing compliance. In my dreams, I wander through my fields, a sort of relaxed, carefree, good-for-nothing, loafing old Lear. Only when something suddenly reminds me of my place do I realize who's really in charge; like two years ago when I noticed a pile of strange boards and lumber in one corner of the property, I pondered it seriously. “Wife,” I asked, “whose boards and lumber are those over by the orchard? Do you know anything about them? Who put them there? You know I don’t like the neighbors using my land like that; they should ask for permission first.”
She regarded me with a pitying smile.
She looked at me with a sympathetic smile.
“Why, old man, don’t you know I am building a new barn? Didn’t you know that, old man?”
“Why, old man, don’t you know I’m building a new barn? Didn’t you know that, old man?”
This is the poor old lady that was accusing me of tyrannizing over her.
This is the poor old lady who was accusing me of bullying her.
To return now to the chimney. Upon being assured of the futility of her proposed hall, so long as the obstacle remained, for a time my wife was for a modified project. But I could never exactly comprehend it. As far as I could see through it, it seemed to involve the general idea of a sort of irregular archway, or elbowed tunnel, which was to penetrate the chimney at some convenient point under the staircase, and carefully avoiding dangerous contact with the fireplaces, and particularly steering clear of the great interior flue, was to conduct the enterprising traveler from the front door all the way into the dining-room in the remote rear of the mansion. Doubtless it was a bold stroke of genius, that plan of hers, and so was Nero’s when he schemed his grand canal through the Isthmus of Corinth. Nor will I take oath, that, had her project been accomplished, then, by help of lights hung at judicious intervals through the tunnel, some Belzoni or other might have succeeded in future ages in penetrating through the masonry, and actually emerging into the dining-room, and once there, it would have been inhospitable treatment of such a traveler to have denied him a recruiting meal.
To go back to the chimney. After realizing that her idea for a hall was pointless as long as the obstacle was there, my wife came up with a modified plan for a while. But I could never fully understand it. From what I gathered, it involved a sort of irregular archway or bent tunnel that was supposed to go through the chimney at some convenient point beneath the staircase. It aimed to avoid dangerous contact with the fireplaces and, especially, to stay away from the large interior flue, guiding an adventurous traveler from the front door all the way to the dining room in the far back of the house. Without a doubt, it was a bold stroke of genius, her plan, much like Nero’s idea of his grand canal through the Isthmus of Corinth. I can’t say for sure, but had her project succeeded, with lights hung at appropriate intervals in the tunnel, some future adventurer like Belzoni might have been able to break through the masonry and actually end up in the dining room. And once there, it would have been rude not to offer that traveler a welcoming meal.
But my bustling wife did not restrict her objections, nor in the end confine her proposed alterations to the first floor. Her ambition was of the mounting order. She ascended with her schemes to the second floor, and so to the attic. Perhaps there was some small ground for her discontent with things as they were. The truth is, there was no regular passage-way up-stairs or down, unless we again except that little orchestra-gallery before mentioned. And all this was owing to the chimney, which my gamesome spouse seemed despitefully to regard as the bully of the house. On all its four sides, nearly all the chambers sidled up to the chimney for the benefit of a fireplace. The chimney would not go to them; they must needs go to it. The consequence was, almost every room, like a philosophical system, was in itself an entry, or passage-way to other rooms, and systems of rooms—a whole suite of entries, in fact. Going through the house, you seem to be forever going somewhere, and getting nowhere. It is like losing one’s self in the woods; round and round the chimney you go, and if you arrive at all, it is just where you started, and so you begin again, and again get nowhere. Indeed—though I say it not in the way of faultfinding at all—never was there so labyrinthine an abode. Guests will tarry with me several weeks and every now and then, be anew astonished at some unforeseen apartment.
But my busy wife didn’t limit her objections, nor did she stop her proposed changes on the first floor. Her ambitions just kept growing. She moved her plans to the second floor, and then to the attic. Maybe there was some reason for her dissatisfaction with things as they were. The truth is, there was no proper way to get upstairs or downstairs, except for that little orchestra-gallery I mentioned earlier. This was all because of the chimney, which my playful wife seemed to think of as the bully of the house. Almost all the rooms were pushed up against the chimney for the benefit of a fireplace. The chimney wouldn’t move to them; they had to move to it. As a result, nearly every room, like a philosophical concept, was basically an entrance or passageway to other rooms and clusters of rooms—a whole series of entries, really. Going through the house, it feels like you’re always going somewhere but never actually getting anywhere. It’s like getting lost in the woods; you circle around the chimney and, if you end up anywhere, it’s right back where you started, and then you just start over, getting nowhere again. Honestly—though I’m not saying this to complain at all—there has never been a more confusing home. Guests will stay with me for several weeks and will still be surprised by some unexpected room.
The puzzling nature of the mansion, resulting from the chimney, is peculiarly noticeable in the dining-room, which has no less than nine doors, opening in all directions, and into all sorts of places. A stranger for the first time entering this dining-room, and naturally taking no special heed at what door he entered, will, upon rising to depart, commit the strangest blunders. Such, for instance, as opening the first door that comes handy, and finding himself stealing up-stairs by the back passage. Shutting that door, he will proceed to another, and be aghast at the cellar yawning at his feet. Trying a third, he surprises the housemaid at her work. In the end, no more relying on his own unaided efforts, he procures a trusty guide in some passing person, and in good time successfully emerges. Perhaps as curious a blunder as any, was that of a certain stylish young gentleman, a great exquisite, in whose judicious eyes my daughter Anna had found especial favor. He called upon the young lady one evening, and found her alone in the dining-room at her needlework. He stayed rather late; and after abundance of superfine discourse, all the while retaining his hat and cane, made his profuse adieus, and with repeated graceful bows proceeded to depart, after the fashion of courtiers from the Queen, and by so doing, opening a door at random, with one hand placed behind, very effectually succeeded in backing himself into a dark pantry, where he carefully shut himself up, wondering there was no light in the entry. After several strange noises as of a cat among the crockery, he reappeared through the same door, looking uncommonly crestfallen, and, with a deeply embarrassed air, requested my daughter to designate at which of the nine he should find exit. When the mischievous Anna told me the story, she said it was surprising how unaffected and matter-of-fact the young gentleman’s manner was after his reappearance. He was more candid than ever, to be sure; having inadvertently thrust his white kids into an open drawer of Havana sugar, under the impression, probably, that being what they call “a sweet fellow,” his route might possibly lie in that direction.
The confusing layout of the mansion, due to the chimney, is especially obvious in the dining room, which has no less than nine doors, opening in all directions, and leading to all sorts of places. A newcomer entering this dining room for the first time, without paying special attention to which door they came in through, will, when it's time to leave, make the strangest mistakes. For example, they might open the first door they find and end up sneaking up the stairs through a back passage. Closing that door, they will try another, only to be shocked by the cellar gaping below. If they try a third door, they'll find the housemaid hard at work. Eventually, realizing they can’t rely on their own judgment, they seek out a trustworthy guide in some passerby, and, in due course, manage to find their way out. One of the most curious blunders was made by a certain stylish young gentleman, quite the dandy, who had caught my daughter Anna's eye. He visited one evening and found her alone in the dining room working on her needlework. He stayed quite late; after an abundance of polite conversation, all while holding onto his hat and cane, he said his goodbyes with many graceful bows and, like a courtier taking leave of the Queen, randomly opened a door behind him and accidentally backed into a dark pantry, where he shut himself in, puzzled by the lack of light in the hallway. After several odd noises reminiscent of a cat rummaging through dishes, he eventually reemerged through the same door, looking rather embarrassed, and with a sheepish expression asked my daughter which of the nine doors he should exit through. When the playful Anna recounted the story to me, she noted how surprisingly composed and matter-of-fact the young gentleman was after his return. He was more open than ever, to be sure; having accidentally shoved his white gloves into an open drawer of Havana sugar, probably thinking that since he was what they call "a sweet fellow," his way out might be that direction.
Another inconvenience resulting from the chimney is, the bewilderment of a guest in gaining his chamber, many strange doors lying between him and it. To direct him by finger-posts would look rather queer; and just as queer in him to be knocking at every door on his route, like London’s city guest, the king, at Temple-Bar.
Another inconvenience from the chimney is the confusion a guest faces in getting to their room, with many strange doors in between. Pointing them in the right direction with signs would seem odd, and it would be just as strange for them to knock on every door along the way, like a guest from London trying to get to Temple-Bar.
Now, of all these things and many, many more, my family continually complained. At last my wife came out with her sweeping proposition—in toto to abolish the chimney.
Now, out of all these things and so much more, my family kept complaining. Finally, my wife made her bold proposal—to completely get rid of the chimney.
“What!” said I, “abolish the chimney? To take out the backbone of anything, wife, is a hazardous affair. Spines out of backs, and chimneys out of houses, are not to be taken like frosted lead pipes from the ground. Besides,” added I, “the chimney is the one grand permanence of this abode. If undisturbed by innovators, then in future ages, when all the house shall have crumbled from it, this chimney will still survive—a Bunker Hill monument. No, no, wife, I can’t abolish my backbone.”
“What!” I exclaimed, “get rid of the chimney? Removing the backbone of anything, dear, is a risky business. Taking spines out of backs and chimneys out of houses isn’t like pulling up frosted lead pipes. Besides,” I continued, “the chimney is the one lasting feature of this place. If left untouched by change-makers, then in future years, when the rest of the house has fallen apart, this chimney will still stand—like a monument to Bunker Hill. No, no, dear, I can’t get rid of my backbone.”
So said I then. But who is sure of himself, especially an old man, with both wife and daughters ever at his elbow and ear? In time, I was persuaded to think a little better of it; in short, to take the matter into preliminary consideration. At length it came to pass that a master-mason—a rough sort of architect—one Mr. Scribe, was summoned to a conference. I formally introduced him to my chimney. A previous introduction from my wife had introduced him to myself. He had been not a little employed by that lady, in preparing plans and estimates for some of her extensive operations in drainage. Having, with much ado, extorted from my spouse the promise that she would leave us to an unmolested survey, I began by leading Mr. Scribe down to the root of the matter, in the cellar. Lamp in hand, I descended; for though up-stairs it was noon, below it was night.
So I said back then. But who can be confident, especially an old man, with both a wife and daughters always around him? Eventually, I was convinced to think a bit more positively about it; in short, to consider the matter more seriously. Finally, a master mason—a rough kind of architect—Mr. Scribe, was called in for a meeting. I officially introduced him to my chimney. A prior introduction from my wife had acquainted him with me. He had worked quite a bit with her, preparing plans and estimates for some of her large drainage projects. After a lot of effort, I managed to get my wife to promise that she would leave us alone to examine the situation. I started by taking Mr. Scribe down to the core of the issue, in the cellar. With a lamp in hand, I went down; because even though it was noon upstairs, down below it was dark.
We seemed in the pyramids; and I, with one hand holding my lamp over head, and with the other pointing out, in the obscurity, the hoar mass of the chimney, seemed some Arab guide, showing the cobwebbed mausoleum of the great god Apis.
We appeared to be inside the pyramids; I held my lamp above my head with one hand, while with the other, I pointed out the dusty shape of the chimney in the darkness, resembling an Arab guide revealing the cobweb-covered tomb of the great god Apis.
“This is a most remarkable structure, sir,” said the master-mason, after long contemplating it in silence, “a most remarkable structure, sir.”
“This is an incredibly impressive building, sir,” said the master mason, after staring at it in silence for a long time, “an incredibly impressive building, sir.”
“Yes,” said I complacently, “every one says so.”
"Yeah," I said with a smirk, "everyone says that."
“But large as it appears above the roof, I would not have inferred the magnitude of this foundation, sir,” eyeing it critically.
“But as big as it looks above the roof, I wouldn’t have guessed the size of this foundation, sir,” he said, looking at it closely.
Then taking out his rule, he measured it.
Then he took out his ruler and measured it.
“Twelve feet square; one hundred and forty-four square feet! Sir, this house would appear to have been built simply for the accommodation of your chimney.”
“Twelve feet by twelve feet; one hundred and forty-four square feet! Sir, this house seems to have been built just to fit your chimney.”
“Yes, my chimney and me. Tell me candidly, now,” I added, “would you have such a famous chimney abolished?”
“Yes, my chimney and I. Tell me honestly, now,” I added, “would you want such a famous chimney taken down?”
“I wouldn’t have it in a house of mine, sir, for a gift,” was the reply. “It’s a losing affair altogether, sir. Do you know, sir, that in retaining this chimney, you are losing, not only one hundred and forty-four square feet of good ground, but likewise a considerable interest upon a considerable principal?”
“I wouldn’t want that in my house, sir, even if it were free,” was the reply. “It’s a total loss, sir. Do you realize, sir, that by keeping this chimney, you’re not just sacrificing one hundred and forty-four square feet of valuable space, but also losing out on a significant return on a considerable investment?”
“How?”
“How so?”
“Look, sir!” said he, taking a bit of red chalk from his pocket, and figuring against a whitewashed wall, “twenty times eight is so and so; then forty-two times thirty—nine is so and so—ain’t it, sir? Well, add those together, and subtract this here, then that makes so and so,” still chalking away.
“Look, sir!” he said, pulling a piece of red chalk from his pocket and drawing on the whitewashed wall. “Twenty times eight is this; then forty-two times thirty-nine is that—right, sir? Well, add those together, and subtract this here, and that gives you this,” he kept chalking away.
To be brief, after no small ciphering, Mr. Scribe informed me that my chimney contained, I am ashamed to say how many thousand and odd valuable bricks.
To keep it short, after quite a bit of figuring, Mr. Scribe told me that my chimney had, I'm embarrassed to admit, how many thousand valuable bricks.
“No more,” said I fidgeting. “Pray now, let us have a look above.”
“No more,” I said, fidgeting. “Please, let’s take a look above.”
In that upper zone we made two more circumnavigations for the first and second floors. That done, we stood together at the foot of the stairway by the front door; my hand upon the knob, and Mr. Scribe hat in hand.
In that upper area, we did two more loops for the first and second floors. Once that was done, we stood together at the bottom of the stairs by the front door; my hand on the doorknob, and Mr. Scribe holding his hat.
“Well, sir,” said he, a sort of feeling his way, and, to help himself, fumbling with his hat, “well, sir, I think it can be done.”
“Well, sir,” he said, sort of feeling his way, and to help himself, he fiddled with his hat, “well, sir, I think it can be done.”
“What, pray, Mr. Scribe; what can be done?”
“What can be done, Mr. Scribe?”
“Your chimney, sir; it can without rashness be removed, I think.”
“Your chimney, sir; I think it can be safely removed.”
“I will think of it, too, Mr. Scribe,” said I, turning the knob and bowing him towards the open space without, “I will think of it, sir; it demands consideration; much obliged to ye; good morning, Mr. Scribe.”
“I'll think about it too, Mr. Scribe,” I said, turning the knob and bowing him towards the open space outside, “I will think about it, sir; it needs some thought; thanks a lot; good morning, Mr. Scribe.”
“It is all arranged, then,” cried my wife with great glee, bursting from the nighest room.
“It’s all set, then,” my wife exclaimed with great joy, rushing out of the nearby room.
“When will they begin?” demanded my daughter Julia.
“When will they start?” asked my daughter Julia.
“To-morrow?” asked Anna.
"Tomorrow?" asked Anna.
“Patience, patience, my dears,” said I, “such a big chimney is not to be abolished in a minute.”
“Hang in there, my dears,” I said, “a big chimney doesn’t just disappear in an instant.”
Next morning it began again.
Next morning, it started again.
“You remember the chimney,” said my wife. “Wife,” said I, “it is never out of my house and never out of my mind.”
“You remember the chimney,” my wife said. “Honey,” I replied, “it's always on my mind and never leaves my house.”
“But when is Mr. Scribe to begin to pull it down?” asked Anna.
“But when is Mr. Scribe going to start tearing it down?” asked Anna.
“Not to-day, Anna,” said I.
"Not today, Anna," I said.
“When, then?” demanded Julia, in alarm.
“When are we meeting?” Julia asked, alarmed.
Now, if this chimney of mine was, for size, a sort of belfry, for ding-donging at me about it, my wife and daughters were a sort of bells, always chiming together, or taking up each other’s melodies at every pause, my wife the key-clapper of all. A very sweet ringing, and pealing, and chiming, I confess; but then, the most silvery of bells may, sometimes, dismally toll, as well as merrily play. And as touching the subject in question, it became so now. Perceiving a strange relapse of opposition in me, wife and daughters began a soft and dirge-like, melancholy tolling over it.
Now, if my chimney was like a belfry, always ringing in my ears, then my wife and daughters were like bells, constantly chiming together or picking up each other's tunes at every pause, with my wife being the main ringer. It was a lovely sound, full of ringing, pealing, and chiming, I must admit; but even the most beautiful bells can sometimes toll sadly as well as play joyfully. And regarding the matter at hand, that’s how it felt now. Sensing my strange resistance, my wife and daughters began a soft, mournful tolling over it.
At length my wife, getting much excited, declared to me, with pointed finger, that so long as that chimney stood, she should regard it as the monument of what she called my broken pledge. But finding this did not answer, the next day, she gave me to understand that either she or the chimney must quit the house.
At last, my wife, getting really worked up, pointed at me and said that as long as that chimney was standing, she would see it as a symbol of what she called my broken promise. But when that didn't get the reaction she wanted, the next day she made it clear that either she or the chimney had to leave the house.
Finding matters coming to such a pass, I and my pipe philosophized over them awhile, and finally concluded between us, that little as our hearts went with the plan, yet for peace’ sake, I might write out the chimney’s death-warrant, and, while my hand was in, scratch a note to Mr. Scribe.
Finding things coming to this point, I sat with my pipe and thought it over for a bit, and finally decided that, even though we weren’t completely on board with the idea, for the sake of peace, I should write up the chimney’s death warrant, and while I was at it, jot a note to Mr. Scribe.
Considering that I, and my chimney, and my pipe, from having been so much together, were three great cronies, the facility with which my pipe consented to a project so fatal to the goodliest of our trio; or rather, the way in which I and my pipe, in secret, conspired together, as it were, against our unsuspicious old comrade—this may seem rather strange, if not suggestive of sad reflections upon us two. But, indeed, we, sons of clay, that is my pipe and I, are no whit better than the rest. Far from us, indeed, to have volunteered the betrayal of our crony. We are of a peaceable nature, too. But that love of peace it was which made us false to a mutual friend, as soon as his cause demanded a vigorous vindication. But I rejoice to add, that better and braver thoughts soon returned, as will now briefly be set forth.
Considering that my pipe and I had spent so much time together, we had become great friends. It might seem strange how easily I, with my pipe, agreed to a plan that was so harmful to our old buddy, or rather, how I and my pipe secretly teamed up against our unsuspecting friend. This could come off as a bit odd and might even make you think sadly about us. But honestly, my pipe and I, just two simple folks, aren’t any better than anyone else. We certainly didn’t set out to betray our friend. We’re laid-back by nature, too. But that desire for peace is what led us to betray a mutual friend when his cause needed strong support. However, I’m happy to say that better and braver thoughts soon returned, as I will now briefly explain.
To my note, Mr. Scribe replied in person.
To my note, Mr. Scribe responded in person.
Once more we made a survey, mainly now with a view to a pecuniary estimate.
Once again, we conducted a survey, primarily this time to get a financial estimate.
“I will do it for five hundred dollars,” said Mr. Scribe at last, again hat in hand.
“I’ll do it for five hundred dollars,” Mr. Scribe finally said, still holding his hat.
“Very well, Mr. Scribe, I will think of it,” replied I, again bowing him to the door.
“Alright, Mr. Scribe, I’ll think about it,” I replied, bowing him toward the door again.
Not unvexed by this, for the second time, unexpected response, again he withdrew, and from my wife, and daughters again burst the old exclamations.
Not annoyed by this unexpected response for the second time, he withdrew again, and my wife and daughters once more erupted with the old exclamations.
The truth is, resolve how I would, at the last pinch I and my chimney could not be parted.
The truth is, no matter how much I tried to decide, when it really came down to it, I couldn't separate myself from my chimney.
“So Holofernes will have his way, never mind whose heart breaks for it,” said my wife next morning, at breakfast, in that half-didactic, half-reproachful way of hers, which is harder to bear than her most energetic assault. Holofernes, too, is with her a pet name for any fell domestic despot. So, whenever, against her most ambitious innovations, those which saw me quite across the grain, I, as in the present instance, stand with however little steadfastness on the defence, she is sure to call me Holofernes, and ten to one takes the first opportunity to read aloud, with a suppressed emphasis, of an evening, the first newspaper paragraph about some tyrannic day-laborer, who, after being for many years the Caligula of his family, ends by beating his long-suffering spouse to death, with a garret door wrenched off its hinges, and then, pitching his little innocents out of the window, suicidally turns inward towards the broken wall scored with the butcher’s and baker’s bills, and so rushes headlong to his dreadful account.
“So Holofernes will have his way, regardless of who gets hurt because of it,” my wife said the next morning at breakfast, in that half-teaching, half-critical tone of hers, which is harder to endure than her most vigorous outbursts. Holofernes is also her nickname for any cruel domestic tyrant. So, whenever I stand, even just a little, against her most ambitious changes—those that go completely against my instinct—she always calls me Holofernes. And nine times out of ten, she finds the first chance to read aloud, with a subtle emphasis in the evening, the first newspaper story about some oppressive day laborer who, after being the tyrant of his family for many years, ends up violently beating his long-suffering wife to death with a door ripped off its hinges, and then, tossing his innocent children out the window, turns inward toward the broken wall covered in bills from the butcher and baker, and rushes headlong to his terrible fate.
Nevertheless, for a few days, not a little to my surprise, I heard no further reproaches. An intense calm pervaded my wife, but beneath which, as in the sea, there was no knowing what portentous movements might be going on. She frequently went abroad, and in a direction which I thought not unsuspicious; namely, in the direction of New Petra, a griffin-like house of wood and stucco, in the highest style of ornamental art, graced with four chimneys in the form of erect dragons spouting smoke from their nostrils; the elegant modern residence of Mr. Scribe, which he had built for the purpose of a standing advertisement, not more of his taste as an architect, than his solidity as a master-mason.
Nevertheless, for a few days, to my surprise, I heard no more complaints. An intense calm surrounded my wife, but beneath it, like in the sea, I had no idea what ominous movements might be happening. She often went out, and in a direction that seemed suspicious to me; specifically, towards New Petra, a fantastic house made of wood and stucco, in the highest style of decorative art, adorned with four chimneys shaped like standing dragons spouting smoke from their nostrils; the stylish modern home of Mr. Scribe, built as a permanent advertisement for both his taste as an architect and his reliability as a master mason.
At last, smoking my pipe one morning, I heard a rap at the door, and my wife, with an air unusually quiet for her brought me a note. As I have no correspondents except Solomon, with whom, in his sentiments, at least, I entirely correspond, the note occasioned me some little surprise, which was not diminished upon reading the following:—
At last, while smoking my pipe one morning, I heard a knock at the door, and my wife, looking unusually calm for her, brought me a note. Since I have no correspondents except Solomon, with whom I completely agree on his views, the note surprised me a bit, and that surprise only grew when I read the following:—
NEW PETRA, April 1st.
NEW PETRA, April 1.
SIR—During my last examination of your chimney, possibly you may have noted that I frequently applied my rule to it in a manner apparently unnecessary. Possibly also, at the same time, you might have observed in me more or less of perplexity, to which, however, I refrained from giving any verbal expression.
SIR—During my last inspection of your chimney, you might have noticed that I often measured it in a way that seemed unnecessary. You probably also saw some confusion on my part, which I chose not to mention verbally.
I now feel it obligatory upon me to inform you of what was then but a dim suspicion, and as such would have been unwise to give utterance to, but which now, from various subsequent calculations assuming no little probability, it may be important that you should not remain in further ignorance of.
I now feel it necessary to let you know about what was once just a faint suspicion and, at the time, would have been unwise to mention. However, now that various calculations suggest it's quite probable, it's important that you don’t stay unaware any longer.
It is my solemn duty to warn you, sir, that there is architectural cause to conjecture that somewhere concealed in your chimney is a reserved space, hermetically closed, in short, a secret chamber, or rather closet. How long it has been there, it is for me impossible to say. What it contains is hid, with itself, in darkness. But probably a secret closet would not have been contrived except for some extraordinary object, whether for the concealment of treasure, or what other purpose, may be left to those better acquainted with the history of the house to guess.
It is my serious duty to inform you, sir, that there are architectural reasons to believe that somewhere hidden in your chimney is a sealed-off space, essentially a secret room or closet. I can’t say how long it has been there. What is inside it remains unknown, shrouded in darkness. However, it's likely that a secret closet wouldn’t have been built without some exceptional reason, whether for hiding treasure or something else, which those who are more familiar with the house's history might be able to guess.
But enough: in making this disclosure, sir, my conscience is eased. Whatever step you choose to take upon it, is of course a matter of indifference to me; though, I confess, as respects the character of the closet, I cannot but share in a natural curiosity. Trusting that you may be guided aright, in determining whether it is Christian-like knowingly to reside in a house, hidden in which is a secret closet,
But that's enough: by sharing this, sir, I feel relieved. Whatever action you decide to take is, of course, up to you; however, I admit that I can’t help but feel a natural curiosity regarding the closet's nature. I hope you can make the right choice about whether it is appropriate to knowingly live in a house that has a hidden secret closet,
I remain,
With much respect,
Yours very humbly,
HIRAM SCRIBE.
I remain,
With much respect,
Yours sincerely,
HIRAM SCRIBE.
My first thought upon reading this note was, not of the alleged mystery of manner to which, at the outset, it alluded-for none such had I at all observed in the master-mason during his surveys—but of my late kinsman, Captain Julian Dacres, long a ship-master and merchant in the Indian trade, who, about thirty years ago, and at the ripe age of ninety, died a bachelor, and in this very house, which he had built. He was supposed to have retired into this country with a large fortune. But to the general surprise, after being at great cost in building himself this mansion, he settled down into a sedate, reserved, and inexpensive old age, which by the neighbors was thought all the better for his heirs: but lo! upon opening the will, his property was found to consist but of the house and grounds, and some ten thousand dollars in stocks; but the place, being found heavily mortgaged, was in consequence sold. Gossip had its day, and left the grass quietly to creep over the captain’s grave, where he still slumbers in a privacy as unmolested as if the billows of the Indian Ocean, instead of the billows of inland verdure, rolled over him. Still, I remembered long ago, hearing strange solutions whispered by the country people for the mystery involving his will, and, by reflex, himself; and that, too, as well in conscience as purse. But people who could circulate the report (which they did), that Captain Julian Dacres had, in his day, been a Borneo pirate, surely were not worthy of credence in their collateral notions. It is queer what wild whimsies of rumors will, like toadstools, spring up about any eccentric stranger, who, settling down among a rustic population, keeps quietly to himself. With some, inoffensiveness would seem a prime cause of offense. But what chiefly had led me to scout at these rumors, particularly as referring to concealed treasure, was the circumstance, that the stranger (the same who razeed the roof and the chimney) into whose hands the estate had passed on my kinsman’s death, was of that sort of character, that had there been the least ground for those reports, he would speedily have tested them, by tearing down and rummaging the walls.
My first thought when I read this note wasn't about the supposed mystery it hinted at—because I hadn’t noticed anything strange about the master mason during his inspections—but about my late relative, Captain Julian Dacres. He was a ship captain and merchant in the Indian trade who, about thirty years ago, passed away at the age of ninety as a bachelor in this very house that he built. He was believed to have moved back to this country with a large fortune. However, to everyone's surprise, after spending a lot on building this mansion, he chose to live a quiet, reserved, and frugal old age, which the neighbors thought was better for his heirs. But when they opened the will, it turned out his estate only included the house and grounds, plus about ten thousand dollars in stocks; and since the property was heavily mortgaged, it ended up getting sold. Gossip lasted a while, allowing the grass to grow over the captain’s grave, where he now rests as peacefully as if the waves of the Indian Ocean were rolling over him instead of the lush vegetation of the countryside. I remember hearing strange explanations from the locals about the mystery of his will and, by extension, him—both in terms of ethics and finances. But those who spread the rumor that Captain Julian Dacres had been a pirate in Borneo certainly didn’t deserve to be believed about anything else they suggested. It’s odd how bizarre rumors can sprout, like mushrooms, around any eccentric newcomer who settles among a rural population and keeps to themselves. For some, being non-confrontational seems to be the main cause of offense. What made me doubt these rumors, especially regarding hidden treasure, was the fact that the stranger (the one who removed the roof and chimney) who inherited the estate after my relative's death had a personality that suggested if there were any truth to those tales, he would have quickly checked by tearing down and searching the walls.
Nevertheless, the note of Mr. Scribe, so strangely recalling the memory of my kinsman, very naturally chimed in with what had been mysterious, or at least unexplained, about him; vague flashings of ingots united in my mind with vague gleamings of skulls. But the first cool thought soon dismissed such chimeras; and, with a calm smile, I turned towards my wife, who, meantime, had been sitting nearby, impatient enough, I dare say, to know who could have taken it into his head to write me a letter.
Nevertheless, Mr. Scribe's note, which oddly reminded me of my relative, naturally connected with the mysterious, or at least unexplained, aspects of him; blurry images of gold bars mixed in my mind with hazy glimpses of skulls. However, the first clear thought quickly dismissed such illusions; and, with a calm smile, I turned to my wife, who had been sitting nearby, probably quite eager to find out who would think to write me a letter.
“Well, old man,” said she, “who is it from, and what is it about?”
“Well, old man,” she said, “who's it from, and what's it about?”
“Read it, wife,” said I, handing it.
“Read it, honey,” I said, handing it over.
Read it she did, and then—such an explosion! I will not pretend to describe her emotions, or repeat her expressions. Enough that my daughters were quickly called in to share the excitement. Although they had never before dreamed of such a revelation as Mr. Scribe’s; yet upon the first suggestion they instinctively saw the extreme likelihood of it. In corroboration, they cited first my kinsman, and second, my chimney; alleging that the profound mystery involving the former, and the equally profound masonry involving the latter, though both acknowledged facts, were alike preposterous on any other supposition than the secret closet.
Read it she did, and then—what an explosion! I won’t try to describe her feelings or repeat what she said. It’s enough to say that my daughters were quickly called in to share the excitement. Although they had never imagined such a revelation as Mr. Scribe’s, they instinctively recognized how likely it was as soon as it was suggested. To back this up, they pointed to my relative first, and then to my chimney, arguing that the deep mystery surrounding the former and the equally complex structure of the latter, both accepted facts, seemed utterly ridiculous on any explanation other than the hidden closet.
But all this time I was quietly thinking to myself: Could it be hidden from me that my credulity in this instance would operate very favorably to a certain plan of theirs? How to get to the secret closet, or how to have any certainty about it at all, without making such fell work with the chimney as to render its set destruction superfluous? That my wife wished to get rid of the chimney, it needed no reflection to show; and that Mr. Scribe, for all his pretended disinterestedness, was not opposed to pocketing five hundred dollars by the operation, seemed equally evident. That my wife had, in secret, laid heads together with Mr. Scribe, I at present refrain from affirming. But when I consider her enmity against my chimney, and the steadiness with which at the last she is wont to carry out her schemes, if by hook or by crook she can, especially after having been once baffled, why, I scarcely knew at what step of hers to be surprised.
But all this time I was quietly thinking to myself: Could it be possible that my gullibility in this situation would work very much in favor of a certain plan of theirs? How could I access the secret closet, or how could I have any certainty about it at all, without destroying the chimney in such a way that would make its removal pointless? It was clear without much thought that my wife wanted to get rid of the chimney, and that Mr. Scribe, despite his feigned selflessness, wouldn’t mind pocketing five hundred dollars from the deal was equally obvious. I'm not ready to claim that my wife secretly conspired with Mr. Scribe, but when I consider her hostility toward my chimney and how determined she is to execute her plans, especially after being thwarted once, I find it hard to be surprised by any of her moves.
Of one thing only was I resolved, that I and my chimney should not budge.
Of one thing I was certain: my chimney and I weren’t going anywhere.
In vain all protests. Next morning I went out into the road, where I had noticed a diabolical-looking old gander, that, for its doughty exploits in the way of scratching into forbidden inclosures, had been rewarded by its master with a portentous, four-pronged, wooden decoration, in the shape of a collar of the Order of the Garotte. This gander I cornered and rummaging out its stiffest quill, plucked it, took it home, and making a stiff pen, inscribed the following stiff note:
In vain all protests. The next morning, I went out to the road, where I had spotted a devilish-looking old gander. For its daring feats of getting into restricted areas, its owner had rewarded it with a large, four-pronged wooden decoration that resembled a collar of the Order of the Garotte. I cornered this gander, took its stiffest quill, plucked it, and brought it home. I made a rigid pen out of it and wrote the following formal note:
CHIMNEY SIDE, April 2.
Chimney Side, April 2.
Mr. Scribe.
Mr. Writer.
SIR:—For your conjecture, we return you our joint thanks and compliments, and beg leave to assure you, that
SIR:—Thank you for your suggestion; we appreciate it and want to assure you that
We shall remain,
Very faithfully,
The same,
I AND MY CHIMNEY.
We will stay,
Very loyal,
The same,
I AND MY CHIMNEY.
Of course, for this epistle we had to endure some pretty sharp raps. But having at last explicitly understood from me that Mr. Scribe’s note had not altered my mind one jot, my wife, to move me, among other things said, that if she remembered aright, there was a statute placing the keeping in private houses of secret closets on the same unlawful footing with the keeping of gunpowder. But it had no effect.
Of course, for this letter we had to put up with some pretty harsh criticisms. But after finally understanding that Mr. Scribe’s note hadn’t changed my mind at all, my wife tried to persuade me by saying, among other things, that if she remembered correctly, there was a law that treats keeping secret closets in private homes the same as keeping gunpowder. But it didn’t make any difference.
A few days after, my spouse changed her key.
A few days later, my partner changed her key.
It was nearly midnight, and all were in bed but ourselves, who sat up, one in each chimney-corner; she, needles in hand, indefatigably knitting a sock; I, pipe in mouth, indolently weaving my vapors.
It was almost midnight, and everyone was in bed except for us, sitting in each corner of the room; she was tirelessly knitting a sock with her needles, while I lazily puffed on my pipe, letting my thoughts drift away.
It was one of the first of the chill nights in autumn. There was a fire on the hearth, burning low. The air without was torpid and heavy; the wood, by an oversight, of the sort called soggy.
It was one of the first chilly nights of autumn. There was a fire in the hearth, burning low. The air outside was sluggish and heavy; the firewood, due to an oversight, was the type called soggy.
“Do look at the chimney,” she began; “can’t you see that something must be in it?”
“Just look at the chimney,” she started; “can’t you see that something must be stuck in it?”
“Yes, wife. Truly there is smoke in the chimney, as in Mr. Scribe’s note.”
“Yes, dear. There really is smoke coming from the chimney, just like in Mr. Scribe’s note.”
“Smoke? Yes, indeed, and in my eyes, too. How you two wicked old sinners do smoke!—this wicked old chimney and you.”
“Smoke? Yes, definitely, and even in my eyes. You two naughty old sinners really smoke!—this wicked old chimney and you.”
“Wife,” said I, “I and my chimney like to have a quiet smoke together, it is true, but we don’t like to be called names.”
“Wife,” I said, “I enjoy a peaceful smoke with my chimney, but we don’t appreciate being insulted.”
“Now, dear old man,” said she, softening down, and a little shifting the subject, “when you think of that old kinsman of yours, you know there must be a secret closet in this chimney.”
“Now, dear old man,” she said, softening a bit and slightly changing the topic, “when you think about that old relative of yours, you know there has to be a hidden compartment in this chimney.”
“Secret ash-hole, wife, why don’t you have it? Yes, I dare say there is a secret ash-hole in the chimney; for where do all the ashes go to that we drop down the queer hole yonder?”
“Secret ash-hole, wife, why don’t you have it? Yes, I would say there is a secret ash-hole in the chimney; because where do all the ashes go that we drop down that strange hole over there?”
“I know where they go to; I’ve been there almost as many times as the cat.”
“I know where they go; I’ve been there almost as many times as the cat.”
“What devil, wife, prompted you to crawl into the ash-hole? Don’t you know that St. Dunstan’s devil emerged from the ash-hole? You will get your death one of these days, exploring all about as you do. But supposing there be a secret closet, what then?”
“What kind of devil, wife, made you crawl into the ash-hole? Don’t you know that St. Dunstan’s devil came out of the ash-hole? You’re going to get yourself killed one of these days, wandering around like you do. But if there is a hidden closet, then what?”
“What then? why what should be in a secret closet but—”
“What then? What else would be in a secret closet but—”
“Dry bones, wife,” broke in I with a puff, while the sociable old chimney broke in with another.
“Dry bones, wife,” I interjected with a sigh, while the friendly old chimney chimed in with another.
“There again! Oh, how this wretched old chimney smokes,” wiping her eyes with her handkerchief. “I’ve no doubt the reason it smokes so is, because that secret closet interferes with the flue. Do see, too, how the jambs here keep settling; and it’s down hill all the way from the door to this hearth. This horrid old chimney will fall on our heads yet; depend upon it, old man.”
“There it is again! Ugh, this awful old chimney is smoking again,” she said, wiping her eyes with her handkerchief. “I’m sure it’s smoking because that hidden closet is messing with the flue. And look at how the door frame keeps settling; it’s all downhill from the door to this fireplace. This terrible old chimney is going to collapse on us eventually; trust me on that, old man.”
“Yes, wife, I do depend on it; yes indeed, I place every dependence on my chimney. As for its settling, I like it. I, too, am settling, you know, in my gait. I and my chimney are settling together, and shall keep settling, too, till, as in a great feather-bed, we shall both have settled away clean out of sight. But this secret oven; I mean, secret closet of yours, wife; where exactly do you suppose that secret closet is?”
“Yes, wife, I really do rely on it; absolutely, I depend entirely on my chimney. As for it settling, I’m okay with that. I’m also settling, you know, in my own way. My chimney and I are settling together, and we’ll keep settling until, just like in a big feather-bed, we’ll both have settled completely out of sight. But about this secret oven; I mean, your secret closet, wife; where exactly do you think that secret closet is?”
“That is for Mr. Scribe to say.”
"That’s for Mr. Scribe to decide."
“But suppose he cannot say exactly; what, then?”
“But what if he can't say for sure; what then?”
“Why then he can prove, I am sure, that it must be somewhere or other in this horrid old chimney.”
“Why then, I’m sure he can prove that it must be somewhere in this awful old chimney.”
“And if he can’t prove that; what, then?”
“And if he can’t prove that, then what?”
“Why then, old man,” with a stately air, “I shall say little more about it.”
“Why then, old man,” he said with a dignified tone, “I won’t say much more about it.”
“Agreed, wife,” returned I, knocking my pipe-bowl against the jamb, “and now, to-morrow, I will for a third time send for Mr. Scribe. Wife, the sciatica takes me; be so good as to put this pipe on the mantel.”
“Agreed, my wife,” I said, tapping my pipe against the door frame, “and tomorrow, I’ll call for Mr. Scribe for the third time. Honey, my sciatic nerve is bothering me; could you please set this pipe on the mantel?”
“If you get the step-ladder for me, I will. This shocking old chimney, this abominable old-fashioned old chimney’s mantels are so high, I can’t reach them.”
“If you grab the step ladder for me, I will. This terrible old chimney, with its awful old-fashioned mantel, is so high I can’t reach it.”
No opportunity, however trivial, was overlooked for a subordinate fling at the pile.
No chance, no matter how small, was missed for a little dig at the group.
Here, by way of introduction, it should be mentioned, that besides the fireplaces all round it, the chimney was, in the most haphazard way, excavated on each floor for certain curious out-of-the-way cupboards and closets, of all sorts and sizes, clinging here and there, like nests in the crotches of some old oak. On the second floor these closets were by far the most irregular and numerous. And yet this should hardly have been so, since the theory of the chimney was, that it pyramidically diminished as it ascended. The abridgment of its square on the roof was obvious enough; and it was supposed that the reduction must be methodically graduated from bottom to top.
Here, as a way of introduction, it's worth mentioning that besides the fireplaces all around it, the chimney was randomly carved out on each floor to create various odd-shaped cupboards and closets of all kinds, sticking out here and there like nests in the branches of an old oak tree. On the second floor, these closets were definitely the most irregular and numerous. However, this shouldn’t have been the case, since the idea behind the chimney was that it tapered off as it went up. The decrease in its width at the roof was clear enough, and it was believed that this reduction should be systematically graduated from the bottom to the top.
“Mr. Scribe,” said I when, the next day, with an eager aspect, that individual again came, “my object in sending for you this morning is, not to arrange for the demolition of my chimney, nor to have any particular conversation about it, but simply to allow you every reasonable facility for verifying, if you can, the conjecture communicated in your note.”
“Mr. Scribe,” I said the next day when he arrived with an eager look, “the reason I called you here this morning is not to plan the removal of my chimney, nor to discuss it specifically, but simply to give you every reasonable opportunity to verify, if you can, the theory mentioned in your note.”
Though in secret not a little crestfallen, it may be, by my phlegmatic reception, so different from what he had looked for; with much apparent alacrity he commenced the survey; throwing open the cupboards on the first floor, and peering into the closets on the second; measuring one within, and then comparing that measurement with the measurement without. Removing the fireboards, he would gaze up the flues. But no sign of the hidden work yet.
Though secretly a bit disappointed, it seemed my calm response was so different from what he had expected; he started his inspection with a lot of enthusiasm. He opened the cupboards on the first floor and looked into the closets on the second, measuring one inside and then comparing it to the outside measurements. He removed the fireboards and peered up the flues. But there was still no sign of the hidden work.
Now, on the second floor the rooms were the most rambling conceivable. They, as it were, dovetailed into each other. They were of all shapes; not one mathematically square room among them all—a peculiarity which by the master-mason had not been unobserved. With a significant, not to say portentous expression, he took a circuit of the chimney, measuring the area of each room around it; then going down stairs, and out of doors, he measured the entire ground area; then compared the sum total of all the areas of all the rooms on the second floor with the ground area; then, returning to me in no small excitement, announced that there was a difference of no less than two hundred and odd square feet—room enough, in all conscience, for a secret closet.
Now, on the second floor, the rooms were as sprawling as you could imagine. They kind of flowed into one another. They came in all shapes; there wasn't a single room that was perfectly square—something the master mason definitely noticed. With a meaningful, almost ominous look, he walked around the chimney, measuring the size of each room around it. Then, he went downstairs and outside to measure the entire ground area. After that, he compared the total size of all the rooms on the second floor with the ground area. When he came back to me, clearly excited, he announced that there was a difference of over two hundred square feet—plenty of space for a secret closet.
“But, Mr. Scribe,” said I, stroking my chin, “have you allowed for the walls, both main and sectional? They take up some space, you know.”
“But, Mr. Scribe,” I said, stroking my chin, “have you accounted for the walls, both main and sectional? They take up some space, you know.”
“Ah, I had forgotten that,” tapping his forehead; “but,” still ciphering on his paper, “that will not make up the deficiency.”
“Ah, I forgot that,” he said, tapping his forehead; “but,” still figuring on his paper, “that won’t make up the shortfall.”
“But, Mr. Scribe, have you allowed for the recesses of so many fireplaces on a floor, and for the fire-walls, and the flues; in short, Mr. Scribe, have you allowed for the legitimate chimney itself—some one hundred and forty-four square feet or thereabouts, Mr. Scribe?”
“But, Mr. Scribe, have you taken into account the spaces occupied by so many fireplaces on a floor, and the fire-walls, and the flues? In short, Mr. Scribe, have you accounted for the actual chimney itself—around one hundred and forty-four square feet or so, Mr. Scribe?”
“How unaccountable. That slipped my mind, too.”
“How irresponsible. I forgot that, as well.”
“Did it, indeed, Mr. Scribe?”
"Did you, really, Mr. Scribe?"
He faltered a little, and burst forth with, “But we must now allow one hundred and forty-four square feet for the legitimate chimney. My position is, that within those undue limits the secret closet is contained.”
He hesitated for a moment and then said, “But we need to account for one hundred and forty-four square feet for the proper chimney. My point is that the secret closet is within those unnecessary limits.”
I eyed him in silence a moment; then spoke:
I watched him quietly for a moment; then I spoke:
“Your survey is concluded, Mr. Scribe; be so good now as to lay your finger upon the exact part of the chimney wall where you believe this secret closet to be; or would a witch-hazel wand assist you, Mr. Scribe?”
“Your survey is done, Mr. Scribe; please now point to the exact spot on the chimney wall where you think this secret closet is; or would a witch-hazel stick help you, Mr. Scribe?”
“No, Sir, but a crowbar would,” he, with temper, rejoined.
“No, Sir, but a crowbar would,” he replied, getting annoyed.
Here, now, thought I to myself, the cat leaps out of the bag. I looked at him with a calm glance, under which he seemed somewhat uneasy. More than ever now I suspected a plot. I remembered what my wife had said about abiding by the decision of Mr. Scribe. In a bland way, I resolved to buy up the decision of Mr. Scribe.
Here, I thought to myself, the cat is out of the bag. I glanced at him calmly, but he seemed a bit uneasy under my gaze. I was more suspicious than ever about a scheme. I recalled what my wife had mentioned about going along with Mr. Scribe's decision. In a nonchalant manner, I decided to buy Mr. Scribe's decision.
“Sir,” said I, “really, I am much obliged to you for this survey. It has quite set my mind at rest. And no doubt you, too, Mr. Scribe, must feel much relieved. Sir,” I added, “you have made three visits to the chimney. With a business man, time is money. Here are fifty dollars, Mr. Scribe. Nay, take it. You have earned it. Your opinion is worth it. And by the way,”—as he modestly received the money—“have you any objections to give me a—a—little certificate—something, say, like a steamboat certificate, certifying that you, a competent surveyor, have surveyed my chimney, and found no reason to believe any unsoundness; in short, any—any secret closet in it. Would you be so kind, Mr. Scribe?”
“Sir,” I said, “I really appreciate you doing this survey. It has completely put my mind at ease. And I’m sure you, too, Mr. Scribe, must feel a lot better. Sir,” I continued, “you’ve visited the chimney three times. For a business person, time is money. Here’s fifty dollars, Mr. Scribe. Come on, take it. You've earned it. Your opinion is valuable. And by the way,”—as he humbly accepted the money—“would you mind giving me a—a—little certificate—something like a steamboat certificate, confirming that you, as a qualified surveyor, have inspected my chimney and found no evidence of any damage; in other words, no—no hidden issues in it. Would you be so kind, Mr. Scribe?”
“But, but, sir,” stammered he with honest hesitation.
“But, but, sir,” he stammered, honestly hesitating.
“Here, here are pen and paper,” said I, with entire assurance.
“Here, I have pen and paper,” I said confidently.
Enough.
That's enough.
That evening I had the certificate framed and hung over the dining-room fireplace, trusting that the continual sight of it would forever put at rest at once the dreams and stratagems of my household.
That evening, I had the certificate framed and hung it over the dining room fireplace, hoping that seeing it every day would finally put an end to the worries and schemes of my household.
But, no. Inveterately bent upon the extirpation of that noble old chimney, still to this day my wife goes about it, with my daughter Anna’s geological hammer, tapping the wall all over, and then holding her ear against it, as I have seen the physicians of life insurance companies tap a man’s chest, and then incline over for the echo. Sometimes of nights she almost frightens one, going about on this phantom errand, and still following the sepulchral response of the chimney, round and round, as if it were leading her to the threshold of the secret closet.
But no. Determined to get rid of that old chimney, my wife still goes about it today, using my daughter Anna’s geological hammer to tap the wall everywhere, then putting her ear against it, just like I've seen life insurance examiners tap a man's chest and lean in to catch the echo. Sometimes at night, she almost scares me as she wanders around on this ghostly mission, following the gloomy response of the chimney, back and forth, as if it’s guiding her to the entrance of some hidden closet.
“How hollow it sounds,” she will hollowly cry. “Yes, I declare,” with an emphatic tap, “there is a secret closet here. Here, in this very spot. Hark! How hollow!”
“How empty it sounds,” she will cry emptily. “Yes, I declare,” with a firm tap, “there's a hidden closet here. Right in this spot. Listen! How empty!”
“Psha! wife, of course it is hollow. Who ever heard of a solid chimney?” But nothing avails. And my daughters take after, not me, but their mother.
“Psha! Wife, of course it's hollow. Who ever heard of a solid chimney?” But nothing helps. And my daughters resemble, not me, but their mother.
Sometimes all three abandon the theory of the secret closet and return to the genuine ground of attack—the unsightliness of so cumbrous a pile, with comments upon the great addition of room to be gained by its demolition, and the fine effect of the projected grand hall, and the convenience resulting from the collateral running in one direction and another of their various partitions. Not more ruthlessly did the Three Powers partition away poor Poland, than my wife and daughters would fain partition away my chimney.
Sometimes all three give up on the theory of the secret closet and go back to the real issue—the ugliness of such a massive structure, along with remarks about the spaciousness that would come from tearing it down, the beautiful outcome of the proposed grand hall, and the practicality gained from the various partitions running in different directions. No less harshly did the Three Powers divide up poor Poland than my wife and daughters would love to divide away my chimney.
But seeing that, despite all, I and my chimney still smoke our pipes, my wife reoccupies the ground of the secret closet, enlarging upon what wonders are there, and what a shame it is, not to seek it out and explore it.
But noticing that, despite everything, my chimney and I still smoke our pipes, my wife takes over the secret closet again, going on about the amazing things that are there and how it's a shame not to discover and explore them.
“Wife,” said I, upon one of these occasions, “why speak more of that secret closet, when there before you hangs contrary testimony of a master mason, elected by yourself to decide. Besides, even if there were a secret closet, secret it should remain, and secret it shall. Yes, wife, here for once I must say my say. Infinite sad mischief has resulted from the profane bursting open of secret recesses. Though standing in the heart of this house, though hitherto we have all nestled about it, unsuspicious of aught hidden within, this chimney may or may not have a secret closet. But if it have, it is my kinsman’s. To break into that wall, would be to break into his breast. And that wall-breaking wish of Momus I account the wish of a churchrobbing gossip and knave. Yes, wife, a vile eavesdropping varlet was Momus.”
“Wife,” I said on one of these occasions, “why bring up that secret closet again when right in front of you hangs evidence from a master mason, chosen by you to decide. Besides, even if there is a hidden closet, it should stay hidden, and it will. Yes, wife, I must speak my mind this time. Countless troubles have come from the disrespectful opening of hidden spaces. Though it stands in the heart of this house, and until now we’ve all been around it, unaware of anything concealed inside, this chimney may or may not have a secret closet. But if it does, it belongs to my relative. Breaking through that wall would be like breaking into his heart. And that urge of Momus to break in, I view as the desire of a gossip and a scoundrel. Yes, wife, Momus was a despicable eavesdropper.”
“Moses? Mumps? Stuff with your mumps and your Moses!”
“Moses? Mumps? Get out of here with your mumps and your Moses!”
The truth is, my wife, like all the rest of the world, cares not a fig for my philosophical jabber. In dearth of other philosophical companionship, I and my chimney have to smoke and philosophize together. And sitting up so late as we do at it, a mighty smoke it is that we two smoky old philosophers make.
The truth is, my wife, like everyone else, doesn't care at all about my philosophical ramblings. With no one else to engage with on these topics, my chimney and I end up smoking and thinking together. And since we stay up so late doing this, we create a huge cloud of smoke, the two of us being a couple of old philosophers.
But my spouse, who likes the smoke of my tobacco as little as she does that of the soot, carries on her war against both. I live in continual dread lest, like the golden bowl, the pipes of me and my chimney shall yet be broken. To stay that mad project of my wife’s, naught answers. Or, rather, she herself is incessantly answering, incessantly besetting me with her terrible alacrity for improvement, which is a softer name for destruction. Scarce a day I do not find her with her tape-measure, measuring for her grand hall, while Anna holds a yardstick on one side, and Julia looks approvingly on from the other. Mysterious intimations appear in the nearest village paper, signed “Claude,” to the effect that a certain structure, standing on a certain hill, is a sad blemish to an otherwise lovely landscape. Anonymous letters arrive, threatening me with I know not what, unless I remove my chimney. Is it my wife, too, or who, that sets up the neighbors to badgering me on the same subject, and hinting to me that my chimney, like a huge elm, absorbs all moisture from my garden? At night, also, my wife will start as from sleep, professing to hear ghostly noises from the secret closet. Assailed on all sides, and in all ways, small peace have I and my chimney.
But my wife, who dislikes the smell of my tobacco just as much as that of soot, is waging her battle against both. I constantly worry that, like the golden bowl, my pipes and chimney will eventually be destroyed. Nothing can stop my wife's crazy plan. Or rather, she is always finding ways to make me feel her relentless zeal for "improvement," which is really just a gentler term for destruction. Hardly a day goes by without finding her with a tape measure, planning for her grand hall, while Anna holds a yardstick on one side and Julia looks on approvingly from the other. Mysterious hints pop up in the local newspaper, signed "Claude," suggesting that a certain structure on a certain hill is an unsightly blemish on an otherwise beautiful landscape. I receive anonymous letters threatening me with unknown consequences unless I remove my chimney. Is it my wife or someone else who rallies the neighbors to hassle me about the same issue, suggesting that my chimney, like a giant elm, soaks up all the moisture from my garden? At night, my wife will suddenly wake up, claiming to hear eerie sounds from the secret closet. Under constant attack from all sides, I have little peace with my chimney.
Were it not for the baggage, we would together pack up, and remove from the country.
Were it not for the baggage, we would pack up together and leave the country.
What narrow escapes have been ours! Once I found in a drawer a whole portfolio of plans and estimates. Another time, upon returning after a day’s absence, I discovered my wife standing before the chimney in earnest conversation with a person whom I at once recognized as a meddlesome architectural reformer, who, because he had no gift for putting up anything, was ever intent upon pulling them down; in various parts of the country having prevailed upon half-witted old folks to destroy their old-fashioned houses, particularly the chimneys.
What close calls we've had! One time, I found an entire portfolio of plans and estimates in a drawer. Another time, when I returned after being away for a day, I saw my wife standing by the fireplace having a serious conversation with someone I immediately recognized as an annoying architectural reformer, who, since he had no talent for building anything, was always focused on tearing things down. In various parts of the country, he had convinced some gullible old folks to demolish their old-fashioned houses, especially the chimneys.
But worst of all was, that time I unexpectedly returned at early morning from a visit to the city, and upon approaching the house, narrowly escaped three brickbats which fell, from high aloft, at my feet. Glancing up, what was my horror to see three savages, in blue jean overalls, in the very act of commencing the long-threatened attack. Aye, indeed, thinking of those three brickbats, I and my chimney have had narrow escapes.
But worst of all was that time I unexpectedly came back early in the morning from a trip to the city, and as I got close to the house, I barely dodged three brickbats that fell right at my feet. Looking up, I was horrified to see three guys in blue jean overalls actually starting the long-threatened attack. Yes, thinking about those three brickbats, my chimney and I have had some close calls.
It is now some seven years since I have stirred from home. My city friends all wonder why I don’t come to see them, as in former times. They think I am getting sour and unsocial. Some say that I have become a sort of mossy old misanthrope, while all the time the fact is, I am simply standing guard over my mossy old chimney; for it is resolved between me and my chimney, that I and my chimney will never surrender.
It’s been about seven years since I’ve left home. My friends in the city all wonder why I don’t visit them like I used to. They think I’m becoming bitter and reclusive. Some even say I’ve turned into a grumpy old hermit, but the truth is, I’m just keeping watch over my old, cozy chimney; it’s a pact between me and my chimney that we will never give up.
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