This is a modern-English version of Tales of Space and Time, originally written by Wells, H. G. (Herbert George). It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

Scroll to the bottom of this page and you will find a free ePUB download link for this book.



Tales of Space and Time


Stories of Space
and Time

By H. G. WELLS, Author of "When the Sleeper Wakes" "The War of the Worlds" etc.
HARPER & BROTHERS PUBLISHERS
LONDON & NEW YORK
1900

Copyright, 1899, by HarperCollins

All rights reserved
Transcriber's Note: Minor typographical errors have been corrected without note. Dialect and variant spellings have been retained.

Contents

PAGE
The Crystal Egg1
The Star35
A Story of the Stone Age59
A Story of the Days to Come165
The Man who could Work Miracles325

THE CRYSTAL EGG

There was, until a year ago, a little and very grimy-looking shop near Seven Dials, over which, in weather-worn yellow lettering, the name of "C. Cave, Naturalist and Dealer in Antiquities," was inscribed. The contents of its window were curiously variegated. They comprised some elephant tusks and an imperfect set of chessmen, beads and weapons, a box of eyes, two skulls of tigers and one human, several moth-eaten stuffed monkeys (one holding a lamp), an old-fashioned cabinet, a flyblown ostrich egg or so, some fishing-tackle, and an extraordinarily dirty, empty glass fish-tank. There was also, at the moment the story begins, a mass of crystal, worked into the shape of an egg and brilliantly polished. And at that two people, who stood outside the window, were looking, one of them a tall, thin clergyman, the other a black-bearded young man of dusky complexion and unobtrusive costume. [2]The dusky young man spoke with eager gesticulation, and seemed anxious for his companion to purchase the article.

There was, until a year ago, a small and very grimy shop near Seven Dials, where the name "C. Cave, Naturalist and Dealer in Antiquities" was painted in weathered yellow letters. The items in the window were quite diverse. They included some elephant tusks, an incomplete set of chess pieces, beads and weapons, a box of glass eyes, two tiger skulls and one human skull, several moth-eaten stuffed monkeys (one holding a lamp), an old-fashioned cabinet, a couple of flyblown ostrich eggs, some fishing tackle, and an incredibly dirty, empty glass fish tank. At the moment the story begins, there was also a mass of crystal shaped like an egg and shining brightly. Two people were standing outside the window, one a tall, thin clergyman, the other a young man with black beard, a dusky complexion, and unassuming clothes. [2] The dusky young man spoke with animated gestures and seemed eager for his companion to buy the item.

While they were there, Mr. Cave came into his shop, his beard still wagging with the bread and butter of his tea. When he saw these men and the object of their regard, his countenance fell. He glanced guiltily over his shoulder, and softly shut the door. He was a little old man, with pale face and peculiar watery blue eyes; his hair was a dirty grey, and he wore a shabby blue frock coat, an ancient silk hat, and carpet slippers very much down at heel. He remained watching the two men as they talked. The clergyman went deep into his trouser pocket, examined a handful of money, and showed his teeth in an agreeable smile. Mr. Cave seemed still more depressed when they came into the shop.

While they were there, Mr. Cave walked into his shop, his beard still moving from the bread and butter of his tea. When he noticed these men and what they were looking at, his expression dropped. He glanced nervously over his shoulder and quietly shut the door. He was a small old man, with a pale face and strange watery blue eyes; his hair was a dirty gray, and he wore a worn blue frock coat, an old silk hat, and carpet slippers that were quite run-down. He continued to watch the two men as they talked. The clergyman reached deep into his trouser pocket, pulled out a handful of money, and flashed a friendly smile. Mr. Cave looked even more downcast when they entered the shop.

The clergyman, without any ceremony, asked the price of the crystal egg. Mr. Cave glanced nervously towards the door leading into the parlour, and said five pounds. The clergyman protested that the price was high, to his companion as well as to Mr. Cave—it was, indeed, very much more than Mr. Cave had intended to ask, when he had stocked the article—and an attempt at bargaining ensued. Mr. Cave stepped to the shop-door, and held it[3] open. "Five pounds is my price," he said, as though he wished to save himself the trouble of unprofitable discussion. As he did so, the upper portion of a woman's face appeared above the blind in the glass upper panel of the door leading into the parlour, and stared curiously at the two customers. "Five pounds is my price," said Mr. Cave, with a quiver in his voice.

The clergyman, without any formalities, asked how much the crystal egg cost. Mr. Cave glanced nervously at the door that led to the parlor and said five pounds. The clergyman argued that the price was high, both to his friend and to Mr. Cave—it was actually much more than Mr. Cave had planned to charge when he added the item to his stock—and a negotiation started. Mr. Cave stepped to the shop door and held it open. "Five pounds is my price," he said, as though he wanted to avoid an unproductive conversation. As he did this, the top half of a woman's face appeared above the blind in the glass upper panel of the door leading into the parlor, staring curiously at the two customers. "Five pounds is my price," said Mr. Cave, his voice trembling.

The swarthy young man had so far remained a spectator, watching Cave keenly. Now he spoke. "Give him five pounds," he said. The clergyman glanced at him to see if he were in earnest, and, when he looked at Mr. Cave again, he saw that the latter's face was white. "It's a lot of money," said the clergyman, and, diving into his pocket, began counting his resources. He had little more than thirty shillings, and he appealed to his companion, with whom he seemed to be on terms of considerable intimacy. This gave Mr. Cave an opportunity of collecting his thoughts, and he began to explain in an agitated manner that the crystal was not, as a matter of fact, entirely free for sale. His two customers were naturally surprised at this, and inquired why he had not thought of that before he began to bargain. Mr. Cave became confused, but he stuck to his story, that the crystal was not in the market that afternoon,[4] that a probable purchaser of it had already appeared. The two, treating this as an attempt to raise the price still further, made as if they would leave the shop. But at this point the parlour door opened, and the owner of the dark fringe and the little eyes appeared.

The swarthy young man had been quietly observing Cave so far. Now, he spoke up. "Give him five pounds," he said. The clergyman looked at him to check if he was serious, and when he glanced back at Mr. Cave, he noticed that Mr. Cave's face was pale. "That's a lot of money," said the clergyman, and he started digging into his pocket to count his cash. He had just over thirty shillings, and he turned to his companion, with whom he seemed to have a close relationship. This gave Mr. Cave a chance to gather his thoughts, and he started to explain in a flustered way that the crystal was actually not entirely available for sale. His two customers were understandably surprised by this and asked why he hadn't mentioned that before he started to negotiate. Mr. Cave got flustered but held firm to his claim that the crystal was not for sale that afternoon,[4] as a likely buyer had already come forward. The two, interpreting this as a tactic to inflate the price even more, pretended they would leave the shop. But at that moment, the parlor door swung open, and the owner of the dark fringe and the small eyes appeared.

She was a coarse-featured, corpulent woman, younger and very much larger than Mr. Cave; she walked heavily, and her face was flushed. "That crystal is for sale," she said. "And five pounds is a good enough price for it. I can't think what you're about, Cave, not to take the gentleman's offer!"

She was a rough-looking, overweight woman, younger and much bigger than Mr. Cave; she walked with a heavy gait, and her face was red. "That crystal is for sale," she said. "And five pounds is a fair price for it. I can't believe you're not accepting the gentleman's offer, Cave!"

Mr. Cave, greatly perturbed by the irruption, looked angrily at her over the rims of his spectacles, and, without excessive assurance, asserted his right to manage his business in his own way. An altercation began. The two customers watched the scene with interest and some amusement, occasionally assisting Mrs. Cave with suggestions. Mr. Cave, hard driven, persisted in a confused and impossible story of an enquiry for the crystal that morning, and his agitation became painful. But he stuck to his point with extraordinary persistence. It was the young Oriental who ended this curious controversy. He proposed that they should call[5] again in the course of two days—so as to give the alleged enquirer a fair chance. "And then we must insist," said the clergyman, "Five pounds." Mrs. Cave took it on herself to apologise for her husband, explaining that he was sometimes "a little odd," and as the two customers left, the couple prepared for a free discussion of the incident in all its bearings.

Mr. Cave, very upset by the interruption, glared at her over the tops of his glasses and, without much confidence, insisted that he had the right to run his business his way. A heated argument started. The two customers watched the drama unfold with interest and a bit of amusement, occasionally throwing in suggestions to help Mrs. Cave. Mr. Cave, feeling pressured, stuck to a confusing and unlikely story about an inquiry for the crystal that morning, and his anxiety became uncomfortable. Still, he held his ground with remarkable determination. It was the young Oriental who brought this strange dispute to a close. He suggested that they should come back in two days—giving the supposed enquirer a fair chance. "And then we must insist," said the clergyman, "Five pounds." Mrs. Cave took it upon herself to apologize for her husband, explaining that he was sometimes "a bit odd," and as the two customers left, the couple got ready for an open discussion about the incident from every angle.

Mrs. Cave talked to her husband with singular directness. The poor little man, quivering with emotion, muddled himself between his stories, maintaining on the one hand that he had another customer in view, and on the other asserting that the crystal was honestly worth ten guineas. "Why did you ask five pounds?" said his wife. "Do let me manage my business my own way!" said Mr. Cave.

Mrs. Cave spoke to her husband with unusual straightforwardness. The poor little man, trembling with emotion, got his stories mixed up, insisting on one hand that he had another customer lined up, yet on the other hand claiming that the crystal was genuinely worth ten guineas. "Why did you ask for five pounds?" his wife asked. "Just let me handle my business my own way!" Mr. Cave replied.

Mr. Cave had living with him a step-daughter and a step-son, and at supper that night the transaction was re-discussed. None of them had a high opinion of Mr. Cave's business methods, and this action seemed a culminating folly.

Mr. Cave was living with his stepdaughter and stepson, and during dinner that night, they talked about the situation again. None of them had a good opinion of Mr. Cave's business practices, and this decision seemed like the last straw.

"It's my opinion he's refused that crystal before," said the step-son, a loose-limbed lout of eighteen.

"It's my opinion he's turned down that crystal before," said the step-son, a lanky guy of eighteen.

"But Five Pounds!" said the step-daughter,[6] an argumentative young woman of six-and-twenty.

"But Five Pounds!" said the stepdaughter,[6] an argumentative young woman of twenty-six.

Mr. Cave's answers were wretched; he could only mumble weak assertions that he knew his own business best. They drove him from his half-eaten supper into the shop, to close it for the night, his ears aflame and tears of vexation behind his spectacles. "Why had he left the crystal in the window so long? The folly of it!" That was the trouble closest in his mind. For a time he could see no way of evading sale.

Mr. Cave's responses were terrible; he could only mumble weak claims that he knew his own business better than anyone. They forced him away from his half-eaten dinner and into the shop to close up for the night, his ears burning and tears of frustration welling up behind his glasses. "Why did he leave the crystal in the window for so long? What a stupid mistake!" That was the problem that weighed most on his mind. For a while, he could see no way to avoid the sale.

After supper his step-daughter and step-son smartened themselves up and went out and his wife retired upstairs to reflect upon the business aspects of the crystal, over a little sugar and lemon and so forth in hot water. Mr. Cave went into the shop, and stayed there until late, ostensibly to make ornamental rockeries for goldfish cases but really for a private purpose that will be better explained later. The next day Mrs. Cave found that the crystal had been removed from the window, and was lying behind some second-hand books on angling. She replaced it in a conspicuous position. But she did not argue further about it, as a nervous headache disinclined her from debate. Mr. Cave was always disinclined. The day passed disagreeably.[7] Mr. Cave was, if anything, more absent-minded than usual, and uncommonly irritable withal. In the afternoon, when his wife was taking her customary sleep, he removed the crystal from the window again.

After dinner, his stepdaughter and stepson got dressed up and went out, while his wife went upstairs to think about the business side of the crystal, sipping on some hot water with a bit of sugar and lemon. Mr. Cave went into the shop and stayed there late, pretending to make decorative rockeries for fish tanks, but really he had a private agenda that will be explained later. The next day, Mrs. Cave noticed that the crystal was gone from the window and was lying behind some used fishing books. She put it back in a noticeable spot. However, she didn’t argue about it anymore, as a tension headache made her averse to debate. Mr. Cave was always averse. The day went by unpleasantly. Mr. Cave was, if anything, more absent-minded than usual and unusually irritable. In the afternoon, while his wife was taking her usual nap, he took the crystal out of the window again.[7]

The next day Mr. Cave had to deliver a consignment of dog-fish at one of the hospital schools, where they were needed for dissection. In his absence Mrs. Cave's mind reverted to the topic of the crystal, and the methods of expenditure suitable to a windfall of five pounds. She had already devised some very agreeable expedients, among others a dress of green silk for herself and a trip to Richmond, when a jangling of the front door bell summoned her into the shop. The customer was an examination coach who came to complain of the non-delivery of certain frogs asked for the previous day. Mrs. Cave did not approve of this particular branch of Mr. Cave's business, and the gentleman, who had called in a somewhat aggressive mood, retired after a brief exchange of words—entirely civil so far as he was concerned. Mrs. Cave's eye then naturally turned to the window; for the sight of the crystal was an assurance of the five pounds and of her dreams. What was her surprise to find it gone![8]

The next day, Mr. Cave had to deliver a shipment of dogfish to one of the hospital schools, where they were needed for dissection. While he was away, Mrs. Cave's thoughts went back to the topic of the crystal and how to spend a surprise windfall of five pounds. She had already come up with some enjoyable ideas, including a green silk dress for herself and a trip to Richmond, when she heard the front doorbell ringing and went to the shop. The customer was an exam tutor who came to complain about the delivery of some frogs he requested the day before. Mrs. Cave didn’t like this side of Mr. Cave's business, and the man, who had arrived in a somewhat confrontational mood, left after a brief and completely polite exchange. Mrs. Cave then naturally looked towards the window; seeing the crystal represented the five pounds and her dreams. To her surprise, it was gone![8]

She went to the place behind the locker on the counter, where she had discovered it the day before. It was not there; and she immediately began an eager search about the shop.

She went to the spot behind the locker on the counter, where she had found it the day before. It wasn't there; and she quickly started an eager search around the shop.

When Mr. Cave returned from his business with the dog-fish, about a quarter to two in the afternoon, he found the shop in some confusion, and his wife, extremely exasperated and on her knees behind the counter, routing among his taxidermic material. Her face came up hot and angry over the counter, as the jangling bell announced his return, and she forthwith accused him of "hiding it."

When Mr. Cave came back from his meeting with the dog-fish around 1:45 in the afternoon, he found the shop in disarray. His wife was extremely frustrated and on her knees behind the counter, digging through his taxidermy supplies. Her face popped up, flushed and angry, over the counter just as the ringing bell signaled his return, and she immediately accused him of "hiding it."

"Hid what?" asked Mr. Cave.

"Hid what?" asked Mr. Cave.

"The crystal!"

"The gem!"

At that Mr. Cave, apparently much surprised, rushed to the window. "Isn't it here?" he said. "Great Heavens! what has become of it?"

At that, Mr. Cave, looking quite surprised, rushed to the window. "Isn't it here?" he said. "Oh my gosh! What happened to it?"

Just then, Mr. Cave's step-son re-entered the shop from the inner room—he had come home a minute or so before Mr. Cave—and he was blaspheming freely. He was apprenticed to a second-hand furniture dealer down the road, but he had his meals at home, and he was naturally annoyed to find no dinner ready.

Just then, Mr. Cave's stepson walked back into the shop from the inner room—he had gotten home a minute or so before Mr. Cave—and he was swearing loudly. He was an apprentice to a second-hand furniture dealer down the road, but he ate his meals at home, and he was understandably upset to find no dinner ready.

But, when he heard of the loss of the crystal, he forgot his meal, and his anger was diverted[9] from his mother to his step-father. Their first idea, of course, was that he had hidden it. But Mr. Cave stoutly denied all knowledge of its fate—freely offering his bedabbled affidavit in the matter—and at last was worked up to the point of accusing, first, his wife and then his step-son of having taken it with a view to a private sale. So began an exceedingly acrimonious and emotional discussion, which ended for Mrs. Cave in a peculiar nervous condition midway between hysterics and amuck, and caused the step-son to be half-an-hour late at the furniture establishment in the afternoon. Mr. Cave took refuge from his wife's emotions in the shop.

But when he heard about the loss of the crystal, he forgot about his meal, and his anger shifted from his mother to his stepfather. At first, they thought he must have hidden it. However, Mr. Cave firmly denied knowing anything about it—fully providing his messy statement on the matter—and eventually got so worked up that he accused his wife and then his stepson of taking it for a private sale. This kicked off a very heated and emotional argument, which left Mrs. Cave in a strange nervous state somewhere between hysterics and a breakdown, and made the stepson half an hour late to the furniture store that afternoon. Mr. Cave sought refuge from his wife's emotions in the shop.

In the evening the matter was resumed, with less passion and in a judicial spirit, under the presidency of the step-daughter. The supper passed unhappily and culminated in a painful scene. Mr. Cave gave way at last to extreme exasperation, and went out banging the front door violently. The rest of the family, having discussed him with the freedom his absence warranted, hunted the house from garret to cellar, hoping to light upon the crystal.

In the evening, they picked up the discussion again, with less emotion and a more serious attitude, led by the stepdaughter. Dinner was uncomfortable and ended in a tense situation. Mr. Cave finally lost his temper and stormed out, slamming the front door. The rest of the family, feeling free to talk about him now that he was gone, searched the house from top to bottom, hoping to find the crystal.

The next day the two customers called again. They were received by Mrs. Cave almost in tears. It transpired that no one could[10] imagine all that she had stood from Cave at various times in her married pilgrimage.... She also gave a garbled account of the disappearance. The clergyman and the Oriental laughed silently at one another, and said it was very extraordinary. As Mrs. Cave seemed disposed to give them the complete history of her life they made to leave the shop. Thereupon Mrs. Cave, still clinging to hope, asked for the clergyman's address, so that, if she could get anything out of Cave, she might communicate it. The address was duly given, but apparently was afterwards mislaid. Mrs. Cave can remember nothing about it.

The next day, the two customers came back. They were met by Mrs. Cave, who was almost in tears. It turned out that no one could[10] understand all that she had endured from Cave at different times throughout her marriage.... She also gave a mixed-up account of the disappearance. The clergyman and the Oriental exchanged silent laughs and commented on how strange it was. As Mrs. Cave seemed willing to share her entire life story, they started to leave the shop. At that point, Mrs. Cave, still holding on to hope, asked for the clergyman's address, so that if she heard anything from Cave, she could get in touch. The address was provided, but it appears it was lost later on. Mrs. Cave can't remember anything about it.

In the evening of that day, the Caves seem to have exhausted their emotions, and Mr. Cave, who had been out in the afternoon, supped in a gloomy isolation that contrasted pleasantly with the impassioned controversy of the previous days. For some time matters were very badly strained in the Cave household, but neither crystal nor customer reappeared.

In the evening of that day, the Caves appeared to have run out of emotions, and Mr. Cave, who had been out in the afternoon, had dinner in a gloomy solitude that contrasted nicely with the heated debates of the past few days. For a while, things were pretty tense in the Cave household, but neither crystal nor customer returned.

Now, without mincing the matter, we must admit that Mr. Cave was a liar. He knew perfectly well where the crystal was. It was in the rooms of Mr. Jacoby Wace, Assistant Demonstrator at St. Catherine's Hospital,[11] Westbourne Street. It stood on the sideboard partially covered by a black velvet cloth, and beside a decanter of American whisky. It is from Mr. Wace, indeed, that the particulars upon which this narrative is based were derived. Cave had taken off the thing to the hospital hidden in the dog-fish sack, and there had pressed the young investigator to keep it for him. Mr. Wace was a little dubious at first. His relationship to Cave was peculiar. He had a taste for singular characters, and he had more than once invited the old man to smoke and drink in his rooms, and to unfold his rather amusing views of life in general and of his wife in particular. Mr. Wace had encountered Mrs. Cave, too, on occasions when Mr. Cave was not at home to attend to him. He knew the constant interference to which Cave was subjected, and having weighed the story judicially, he decided to give the crystal a refuge. Mr. Cave promised to explain the reasons for his remarkable affection for the crystal more fully on a later occasion, but he spoke distinctly of seeing visions therein. He called on Mr. Wace the same evening.

Now, to be straightforward, we have to acknowledge that Mr. Cave was lying. He knew exactly where the crystal was. It was in the apartment of Mr. Jacoby Wace, Assistant Demonstrator at St. Catherine's Hospital,[11] Westbourne Street. It was sitting on the sideboard, partly covered by a black velvet cloth, next to a decanter of American whiskey. In fact, it was from Mr. Wace that the details for this story were gathered. Cave had taken the item to the hospital tucked away in a dog-fish sack and had urged the young investigator to keep it for him. Mr. Wace was a bit unsure at first. His connection to Cave was unusual. He had a knack for unique personalities and had invited the older man to smoke and drink in his place more than once, sharing his rather entertaining views on life in general and his wife in particular. Mr. Wace had also met Mrs. Cave on occasions when Mr. Cave wasn't around to entertain him. He was aware of the constant disruptions Cave faced and, after carefully considering the story, he decided to provide a safe place for the crystal. Mr. Cave promised to explain why he had such a strong attachment to the crystal in more detail later, but he did mention that he saw visions in it. He visited Mr. Wace the same evening.

He told a complicated story. The crystal he said had come into his possession with other oddments at the forced sale of another curiosity[12] dealer's effects, and not knowing what its value might be, he had ticketed it at ten shillings. It had hung upon his hands at that price for some months, and he was thinking of "reducing the figure," when he made a singular discovery.

He shared a complicated story. He said the crystal had come into his possession along with other odd items at the forced sale of another curiosity dealer's belongings, and not knowing its value, he had priced it at ten shillings. It had sat unsold at that price for several months, and he was considering "lowering the price" when he made a strange discovery.[12]

At that time his health was very bad—and it must be borne in mind that, throughout all this experience, his physical condition was one of ebb—and he was in considerable distress by reason of the negligence, the positive ill-treatment even, he received from his wife and step-children. His wife was vain, extravagant, unfeeling, and had a growing taste for private drinking; his step-daughter was mean and over-reaching; and his step-son had conceived a violent dislike for him, and lost no chance of showing it. The requirements of his business pressed heavily upon him, and Mr. Wace does not think that he was altogether free from occasional intemperance. He had begun life in a comfortable position, he was a man of fair education, and he suffered, for weeks at a stretch, from melancholia and insomnia. Afraid to disturb his family, he would slip quietly from his wife's side, when his thoughts became intolerable, and wander about the house. And about[13] three o'clock one morning, late in August, chance directed him into the shop.

At that time, his health was really poor—and it's important to remember that throughout this experience, his physical condition was on a downward trend—and he was in a lot of pain due to the neglect, and even mistreatment, he received from his wife and step-children. His wife was vain, wasteful, cold-hearted, and was increasingly drawn to drinking privately; his step-daughter was selfish and manipulative; and his step-son had developed a strong dislike for him and never missed a chance to show it. The demands of his job weighed heavily on him, and Mr. Wace doesn't believe he was completely free from occasional drinking problems. He had started life in a comfortable position, he was reasonably educated, and he struggled for weeks at a time with depression and insomnia. Afraid to disturb his family, he would quietly slip away from his wife's side when his thoughts became overwhelming and wander around the house. And around[13] three o'clock one morning, late in August, chance led him into the shop.

The dirty little place was impenetrably black except in one spot, where he perceived an unusual glow of light. Approaching this, he discovered it to be the crystal egg, which was standing on the corner of the counter towards the window. A thin ray smote through a crack in the shutters, impinged upon the object, and seemed as it were to fill its entire interior.

The filthy little place was pitch black except for one spot, where he saw an unusual glow of light. As he moved closer, he realized it was the crystal egg, which was sitting on the corner of the counter by the window. A thin beam of light shot through a crack in the shutters, hit the object, and seemed to fill its entire interior.

It occurred to Mr. Cave that this was not in accordance with the laws of optics as he had known them in his younger days. He could understand the rays being refracted by the crystal and coming to a focus in its interior, but this diffusion jarred with his physical conceptions. He approached the crystal nearly, peering into it and round it, with a transient revival of the scientific curiosity that in his youth had determined his choice of a calling. He was surprised to find the light not steady, but writhing within the substance of the egg, as though that object was a hollow sphere of some luminous vapour. In moving about to get different points of view, he suddenly found that he had come between it and the ray, and that the crystal none the less remained luminous.[14] Greatly astonished, he lifted it out of the light ray and carried it to the darkest part of the shop. It remained bright for some four or five minutes, when it slowly faded and went out. He placed it in the thin streak of daylight, and its luminousness was almost immediately restored.

Mr. Cave realized that this wasn't how he understood the laws of optics back in his younger days. He could get why the rays were refracted by the crystal and focused inside it, but this diffusion clashed with his physical understanding. He leaned in closely, examining the crystal from different angles, experiencing a brief spark of the scientific curiosity that had guided his career choice in his youth. He was surprised to see that the light wasn’t steady, but instead was twisting within the substance of the egg, as if it were a hollow sphere filled with some glowing vapor. As he moved around to get varying perspectives, he suddenly realized he had positioned himself between it and the light ray, yet the crystal still remained luminous.[14] In disbelief, he lifted it out of the light and took it to the darkest corner of the shop. It stayed bright for about four or five minutes before it gradually dimmed and went out. He then placed it back in the thin beam of daylight, and its brightness was almost instantly restored.

So far, at least, Mr. Wace was able to verify the remarkable story of Mr. Cave. He has himself repeatedly held this crystal in a ray of light (which had to be of a less diameter than one millimetre). And in a perfect darkness, such as could be produced by velvet wrapping, the crystal did undoubtedly appear very faintly phosphorescent. It would seem, however, that the luminousness was of some exceptional sort, and not equally visible to all eyes; for Mr. Harbinger—whose name will be familiar to the scientific reader in connection with the Pasteur Institute—was quite unable to see any light whatever. And Mr. Wace's own capacity for its appreciation was out of comparison inferior to that of Mr. Cave's. Even with Mr. Cave the power varied very considerably: his vision was most vivid during states of extreme weakness and fatigue.

So far, at least, Mr. Wace was able to confirm the incredible story of Mr. Cave. He has personally held this crystal in a beam of light (which had to be less than one millimeter in diameter). And in complete darkness, like that created by velvet wrapping, the crystal did indeed appear very faintly phosphorescent. However, it seems that the brightness was of a unique kind and not visible to everyone; Mr. Harbinger—whose name will be recognizable to scientific readers in connection with the Pasteur Institute—could see no light at all. Mr. Wace found that his ability to perceive it was significantly less than Mr. Cave's. Even with Mr. Cave, the ability varied quite a bit: his vision was most vivid during times of extreme weakness and fatigue.

Now, from the outset this light in the crystal exercised a curious fascination upon Mr. Cave.[15] And it says more for his loneliness of soul than a volume of pathetic writing could do, that he told no human being of his curious observations. He seems to have been living in such an atmosphere of petty spite that to admit the existence of a pleasure would have been to risk the loss of it. He found that as the dawn advanced, and the amount of diffused light increased, the crystal became to all appearance non-luminous. And for some time he was unable to see anything in it, except at night-time, in dark corners of the shop.

Now, from the very beginning, this light in the crystal fascinated Mr. Cave in a strange way.[15] It illustrates his deep loneliness more than any sad writing could, as he didn't share his unusual observations with anyone. He seemed to be surrounded by such a cloud of petty resentment that admitting even a hint of pleasure would have felt like risking its loss. He noticed that as dawn broke and the light spread, the crystal seemed to lose its glow. For a while, he could only see anything in it at night, in the dark corners of the shop.

But the use of an old velvet cloth, which he used as a background for a collection of minerals, occurred to him, and by doubling this, and putting it over his head and hands, he was able to get a sight of the luminous movement within the crystal even in the daytime. He was very cautious lest he should be thus discovered by his wife, and he practised this occupation only in the afternoons, while she was asleep upstairs, and then circumspectly in a hollow under the counter. And one day, turning the crystal about in his hands, he saw something. It came and went like a flash, but it gave him the impression that the object had for a moment opened to him the view of a wide and spacious and strange country; and, turning[16] it about, he did, just as the light faded, see the same vision again.

But he remembered an old velvet cloth he had used as a backdrop for his collection of minerals. By doubling it and draping it over his head and hands, he could see the glowing movement inside the crystal even during the day. He was very careful not to be discovered by his wife, so he only worked on this in the afternoons while she napped upstairs, discreetly hiding in a hollow under the counter. One day, as he turned the crystal in his hands, he noticed something. It flickered like a flash, but it made him feel like he had momentarily glimpsed a vast, strange landscape. As he rotated it, just as the light faded, he saw that same vision again.

Now, it would be tedious and unnecessary to state all the phases of Mr. Cave's discovery from this point. Suffice that the effect was this: the crystal, being peered into at an angle of about 137 degrees from the direction of the illuminating ray, gave a clear and consistent picture of a wide and peculiar countryside. It was not dream-like at all: it produced a definite impression of reality, and the better the light the more real and solid it seemed. It was a moving picture: that is to say, certain objects moved in it, but slowly in an orderly manner like real things, and, according as the direction of the lighting and vision changed, the picture changed also. It must, indeed, have been like looking through an oval glass at a view, and turning the glass about to get at different aspects.

Now, it would be boring and unnecessary to detail all the steps of Mr. Cave's discovery from this point. It’s enough to say this: when the crystal was viewed at an angle of about 137 degrees from the illuminating ray, it revealed a clear and consistent picture of a vast and unusual landscape. It didn’t feel dream-like at all; instead, it conveyed a strong sense of reality, and the better the light, the more real and solid it appeared. It was like a moving picture: certain objects shifted slowly and in an orderly way, similar to real life, and as the lighting and viewing angles changed, so did the image. It must have felt like looking through an oval glass at a scene and turning the glass to see different angles.

Mr. Cave's statements, Mr. Wace assures me, were extremely circumstantial, and entirely free from any of that emotional quality that taints hallucinatory impressions. But it must be remembered that all the efforts of Mr. Wace to see any similar clarity in the faint opalescence of the crystal were wholly unsuccessful, try as he would. The difference in[17] intensity of the impressions received by the two men was very great, and it is quite conceivable that what was a view to Mr. Cave was a mere blurred nebulosity to Mr. Wace.

Mr. Cave's statements, Mr. Wace assures me, were very detailed and completely free from any emotional influence that could distort perceptions. However, it's important to note that Mr. Wace's attempts to see any similar clarity in the faint opalescence of the crystal were entirely unsuccessful, no matter how hard he tried. The difference in[17] the impressions received by the two men was significant, and it's entirely possible that what was clear to Mr. Cave was just a blurry haze to Mr. Wace.

The view, as Mr. Cave described it, was invariably of an extensive plain, and he seemed always to be looking at it from a considerable height, as if from a tower or a mast. To the east and to the west the plain was bounded at a remote distance by vast reddish cliffs, which reminded him of those he had seen in some picture; but what the picture was Mr. Wace was unable to ascertain. These cliffs passed north and south—he could tell the points of the compass by the stars that were visible of a night—receding in an almost illimitable perspective and fading into the mists of the distance before they met. He was nearer the eastern set of cliffs, on the occasion of his first vision the sun was rising over them, and black against the sunlight and pale against their shadow appeared a multitude of soaring forms that Mr. Cave regarded as birds. A vast range of buildings spread below him; he seemed to be looking down upon them; and, as they approached the blurred and refracted edge of the picture, they became indistinct. There were also trees curious in shape, and in colouring, a deep[18] mossy green and an exquisite grey, beside a wide and shining canal. And something great and brilliantly coloured flew across the picture. But the first time Mr. Cave saw these pictures he saw only in flashes, his hands shook, his head moved, the vision came and went, and grew foggy and indistinct. And at first he had the greatest difficulty in finding the picture again once the direction of it was lost.

The view, as Mr. Cave described it, was always of a vast plain, and he seemed to be looking at it from a significant height, like from a tower or a mast. To the east and west, the plain was bordered at a great distance by huge reddish cliffs, which reminded him of something he had seen in a painting; but Mr. Wace couldn’t figure out what the painting was. These cliffs stretched north and south—he could tell the compass directions by the stars visible at night—stretching into an almost endless perspective and fading into the mists of the distance before they converged. He was closer to the eastern set of cliffs, and during his first vision, the sun was rising over them. Black against the sunlight and pale in their shadow was a multitude of soaring shapes that Mr. Cave thought were birds. A vast range of buildings spread out below him; he felt as though he was looking down on them, and as they neared the blurred and refracted edge of the scene, they became unclear. There were also trees with curious shapes and colors, a deep mossy green and a beautiful grey, next to a wide and shiny canal. And something large and brightly colored flew across the scene. But the first time Mr. Cave saw these images, they appeared only in flashes; his hands trembled, his head moved, the vision came and went, and became foggy and indistinct. At first, he struggled greatly to locate the picture again once its direction was lost.

His next clear vision, which came about a week after the first, the interval having yielded nothing but tantalising glimpses and some useful experience, showed him the view down the length of the valley. The view was different, but he had a curious persuasion, which his subsequent observations abundantly confirmed, that he was regarding this strange world from exactly the same spot, although he was looking in a different direction. The long façade of the great building, whose roof he had looked down upon before, was now receding in perspective. He recognised the roof. In the front of the façade was a terrace of massive proportions and extraordinary length, and down the middle of the terrace, at certain intervals, stood huge but very graceful masts, bearing small shiny objects which reflected the setting sun. The import of these small objects did not[19] occur to Mr. Cave until some time after, as he was describing the scene to Mr. Wace. The terrace overhung a thicket of the most luxuriant and graceful vegetation, and beyond this was a wide grassy lawn on which certain broad creatures, in form like beetles but enormously larger, reposed. Beyond this again was a richly decorated causeway of pinkish stone; and beyond that, and lined with dense red weeds, and passing up the valley exactly parallel with the distant cliffs, was a broad and mirror-like expanse of water. The air seemed full of squadrons of great birds, manœuvring in stately curves; and across the river was a multitude of splendid buildings, richly coloured and glittering with metallic tracery and facets, among a forest of moss-like and lichenous trees. And suddenly something flapped repeatedly across the vision, like the fluttering of a jewelled fan or the beating of a wing, and a face, or rather the upper part of a face with very large eyes, came as it were close to his own and as if on the other side of the crystal. Mr. Cave was so startled and so impressed by the absolute reality of these eyes, that he drew his head back from the crystal to look behind it. He had become so absorbed in watching that he was quite surprised to find himself in the cool darkness of[20] his little shop, with its familiar odour of methyl, mustiness, and decay. And, as he blinked about him, the glowing crystal faded, and went out.

His next clear vision came about a week after the first, with the time in between providing only teasing glimpses and some useful experience. This new view showed him the length of the valley. It looked different, but he had this strange feeling, which his later observations confirmed, that he was seeing this unusual world from the exact same spot, just looking in a different direction. The long front of the huge building, whose roof he had previously looked down on, was now receding into the distance. He recognized the roof. In front of the building was a massive terrace that stretched on for an extraordinary length, with huge yet elegant masts standing at intervals along it, holding small shiny objects that reflected the setting sun. Mr. Cave didn't realize the significance of these small objects until later, when he was describing the scene to Mr. Wace. The terrace overlooked a thicket of lush and graceful vegetation, and beyond that was a wide grassy lawn where broad creatures, shaped like beetles but much larger, rested. Further away was a beautifully decorated pathway of pinkish stone, and beyond that, lined with dense red weeds and running parallel to the distant cliffs, was a broad, mirror-like expanse of water. The air was filled with groups of large birds moving gracefully in smooth curves, and across the river was a multitude of stunning buildings, richly colored and sparkling with metallic designs, surrounded by a forest of mossy and lichen-covered trees. Suddenly, something fluttered across his view repeatedly, like a jeweled fan or a wing beating, and a face—or rather the upper part of a face with very large eyes—seemed to come close to him, as if on the other side of the crystal. Mr. Cave was so startled and impressed by the intense reality of those eyes that he pulled back from the crystal to look behind it. He had become so engrossed in watching that he was surprised to find himself in the cool darkness of his little shop, filled with the familiar smell of methyl, mustiness, and decay. As he blinked around him, the glowing crystal faded away and disappeared.

Such were the first general impressions of Mr. Cave. The story is curiously direct and circumstantial. From the outset, when the valley first flashed momentarily on his senses, his imagination was strangely affected, and, as he began to appreciate the details of the scene he saw, his wonder rose to the point of a passion. He went about his business listless and distraught, thinking only of the time when he should be able to return to his watching. And then a few weeks after his first sight of the valley came the two customers, the stress and excitement of their offer, and the narrow escape of the crystal from sale, as I have already told.

Such were Mr. Cave's initial impressions. The story is oddly straightforward and detailed. From the moment the valley briefly captivated his senses, his imagination was deeply stirred, and as he began to take in the specifics of the scene, his sense of wonder turned into a fervor. He went about his work feeling detached and troubled, preoccupied with the anticipation of when he could go back to observing it. Then, a few weeks after he first saw the valley, the two customers arrived, bringing with them a rush of tension and excitement over their offer, along with the close call of almost selling the crystal, as I’ve already mentioned.

Now, while the thing was Mr. Cave's secret, it remained a mere wonder, a thing to creep to covertly and peep at, as a child might peep upon a forbidden garden. But Mr. Wace has, for a young scientific investigator, a particularly lucid and consecutive habit of mind. Directly the crystal and its story came to him, and he had satisfied himself, by seeing the phosphorescence with his own eyes, that there really[21] was a certain evidence for Mr. Cave's statements, he proceeded to develop the matter systematically. Mr. Cave was only too eager to come and feast his eyes on this wonderland he saw, and he came every night from half-past eight until half-past ten, and sometimes, in Mr. Wace's absence, during the day. On Sunday afternoons, also, he came. From the outset Mr. Wace made copious notes, and it was due to his scientific method that the relation between the direction from which the initiating ray entered the crystal and the orientation of the picture were proved. And, by covering the crystal in a box perforated only with a small aperture to admit the exciting ray, and by substituting black holland for his buff blinds, he greatly improved the conditions of the observations; so that in a little while they were able to survey the valley in any direction they desired.

Now, while Mr. Cave's secret was still just that—a secret—it was like a fascinating mystery, something to sneak up on and glance at, much like a child might peek into a forbidden garden. But Mr. Wace, as a young scientific investigator, was particularly clear-thinking and methodical. Once he learned about the crystal and its story, and after seeing the phosphorescence with his own eyes, he was convinced there was real evidence to support Mr. Cave's claims. He then set out to explore the matter in a structured way. Mr. Cave was thrilled to come and witness this wonderland, visiting every night from 8:30 to 10:30, and sometimes during the day when Mr. Wace wasn’t around. He also stopped by on Sunday afternoons. From the very beginning, Mr. Wace took extensive notes, and thanks to his scientific approach, they were able to demonstrate the relationship between the direction the initiating ray entered the crystal and the orientation of the image. By placing the crystal in a box with only a small opening for the exciting ray, and by replacing his buff blinds with black fabric, he significantly improved their observational conditions. Soon, they could survey the valley in any direction they wanted.

So having cleared the way, we may give a brief account of this visionary world within the crystal. The things were in all cases seen by Mr. Cave, and the method of working was invariably for him to watch the crystal and report what he saw, while Mr. Wace (who as a science student had learnt the trick of writing in the dark) wrote a brief note of his report. When the crystal faded, it was put into its box[22] in the proper position and the electric light turned on. Mr. Wace asked questions, and suggested observations to clear up difficult points. Nothing, indeed, could have been less visionary and more matter-of-fact.

So now that we've set the stage, we can give a quick overview of this imaginative world inside the crystal. Everything was seen by Mr. Cave, and the process was always that he would watch the crystal and report what he observed, while Mr. Wace (who had learned to write in the dark as a science student) took brief notes of his report. When the crystal faded, it was placed back in its box[22] in the right position, and the electric light was turned on. Mr. Wace asked questions and suggested observations to clarify tricky points. In fact, it could not have been less visionary and more down-to-earth.

The attention of Mr. Cave had been speedily directed to the bird-like creatures he had seen so abundantly present in each of his earlier visions. His first impression was soon corrected, and he considered for a time that they might represent a diurnal species of bat. Then he thought, grotesquely enough, that they might be cherubs. Their heads were round, and curiously human, and it was the eyes of one of them that had so startled him on his second observation. They had broad, silvery wings, not feathered, but glistening almost as brilliantly as new-killed fish and with the same subtle play of colour, and these wings were not built on the plan of bird-wing or bat, Mr. Wace learned, but supported by curved ribs radiating from the body. (A sort of butterfly wing with curved ribs seems best to express their appearance.) The body was small, but fitted with two bunches of prehensile organs, like long tentacles, immediately under the mouth. Incredible as it appeared to Mr. Wace, the persuasion at last became irresistible, that it was[23] these creatures which owned the great quasi-human buildings and the magnificent garden that made the broad valley so splendid. And Mr. Cave perceived that the buildings, with other peculiarities, had no doors, but that the great circular windows, which opened freely, gave the creatures egress and entrance. They would alight upon their tentacles, fold their wings to a smallness almost rod-like, and hop into the interior. But among them was a multitude of smaller-winged creatures, like great dragon-flies and moths and flying beetles, and across the greensward brilliantly-coloured gigantic ground-beetles crawled lazily to and fro. Moreover, on the causeways and terraces, large-headed creatures similar to the greater winged flies, but wingless, were visible, hopping busily upon their hand-like tangle of tentacles.

Mr. Cave quickly focused on the bird-like beings he often saw in his earlier visions. Initially, he thought they might just be a type of daytime bat. Then, in a bizarre twist, he began to entertain the idea that they could be cherubs. Their heads were round and strangely human, and it was the eyes of one that had startled him the second time he saw them. They had wide, shiny wings that weren't feathered but gleamed almost as brightly as freshly caught fish, displaying a subtle play of color. Mr. Wace learned that these wings weren't structured like those of birds or bats; instead, they were supported by curved ribs extending from the body. (A kind of butterfly wing with curved ribs best describes their look.) The bodies were small but equipped with two clusters of prehensile organs resembling long tentacles right below the mouth. As incredible as it seemed to Mr. Wace, he couldn't help but feel increasingly convinced that it was[23] these creatures who inhabited the grand, almost-human buildings and the beautiful garden that made the wide valley so impressive. Mr. Cave noticed that these buildings, among other oddities, lacked doors, but the large circular windows that opened freely allowed the creatures to come and go. They would land on their tentacles, fold their wings down to look almost rod-like, and hop inside. Alongside them were many smaller-winged creatures resembling large dragonflies, moths, and flying beetles, and on the grassy ground, brightly colored giant ground beetles crawled lazily back and forth. Additionally, on the pathways and terraces, larger-headed beings similar to the bigger winged flies—except without wings—were seen, hopping busily on their hand-like tangled tentacles.

Allusion has already been made to the glittering objects upon masts that stood upon the terrace of the nearer building. It dawned upon Mr. Cave, after regarding one of these masts very fixedly on one particularly vivid day, that the glittering object there was a crystal exactly like that into which he peered. And a still more careful scrutiny convinced him that each[24] one in a vista of nearly twenty carried a similar object.

Allusion has already been made to the shiny objects on the masts of the nearer building's terrace. It occurred to Mr. Cave, after staring at one of these masts on a particularly bright day, that the shiny object there was a crystal just like the one he was looking into. A closer look convinced him that each[24] one in a line of nearly twenty had a similar object.

Occasionally one of the large flying creatures would flutter up to one, and, folding its wings and coiling a number of its tentacles about the mast, would regard the crystal fixedly for a space,—sometimes for as long as fifteen minutes. And a series of observations, made at the suggestion of Mr. Wace, convinced both watchers that, so far as this visionary world was concerned, the crystal into which they peered actually stood at the summit of the endmost mast on the terrace, and that on one occasion at least one of these inhabitants of this other world had looked into Mr. Cave's face while he was making these observations.

Occasionally, one of the large flying creatures would flutter up to someone and, folding its wings and wrapping several of its tentacles around the mast, would stare at the crystal intently for a while—sometimes for as long as fifteen minutes. A series of observations, made at Mr. Wace's suggestion, convinced both watchers that, in this visionary world, the crystal they were looking into actually was located at the top of the farthest mast on the terrace, and that at least once, one of the beings from this other world had looked into Mr. Cave's face while he was making these observations.

So much for the essential facts of this very singular story. Unless we dismiss it all as the ingenious fabrication of Mr. Wace, we have to believe one of two things: either that Mr. Cave's crystal was in two worlds at once, and that, while it was carried about in one, it remained stationary in the other, which seems altogether absurd; or else that it had some peculiar relation of sympathy with another and exactly similar crystal in this other world, so that what was seen in the interior of the one in this world was, under suitable conditions,[25] visible to an observer in the corresponding crystal in the other world; and vice versa. At present, indeed, we do not know of any way in which two crystals could so come en rapport, but nowadays we know enough to understand that the thing is not altogether impossible. This view of the crystals as en rapport was the supposition that occurred to Mr. Wace, and to me at least it seems extremely plausible....

So much for the essential facts of this very unique story. Unless we write it all off as the clever invention of Mr. Wace, we have to believe one of two things: either that Mr. Cave's crystal existed in two worlds at the same time, and that, while it was taken around in one, it remained still in the other, which seems completely ridiculous; or that it had some strange connection with another identical crystal in this other world, so that what was visible inside one crystal in this world was, under the right conditions,[25] visible to an observer looking into the matching crystal in the other world; and vice versa. Right now, we don't know of any way in which two crystals could be so en rapport, but today we understand enough to realize that it's not entirely impossible. This idea of the crystals as en rapport was the theory that occurred to Mr. Wace, and to me at least it seems very plausible...

And where was this other world? On this, also, the alert intelligence of Mr. Wace speedily threw light. After sunset, the sky darkened rapidly—there was a very brief twilight interval indeed—and the stars shone out. They were recognisably the same as those we see, arranged in the same constellations. Mr. Cave recognised the Bear, the Pleiades, Aldebaran, and Sirius: so that the other world must be somewhere in the solar system, and, at the utmost, only a few hundreds of millions of miles from our own. Following up this clue, Mr. Wace learned that the midnight sky was a darker blue even than our midwinter sky, and that the sun seemed a little smaller. And there were two small moons! "like our moon but smaller, and quite differently marked" one of which moved so rapidly that its motion was[26] clearly visible as one regarded it. These moons were never high in the sky, but vanished as they rose: that is, every time they revolved they were eclipsed because they were so near their primary planet. And all this answers quite completely, although Mr. Cave did not know it, to what must be the condition of things on Mars.

And where was this other world? Mr. Wace quickly shed light on this too. After sunset, the sky darkened fast—there was barely any twilight—and the stars came out. They were clearly the same ones we see, arranged in the same constellations. Mr. Cave recognized the Bear, the Pleiades, Aldebaran, and Sirius: so this other world must be somewhere in the solar system, and at most, only a few hundred million miles from ours. Following this lead, Mr. Wace found out that the midnight sky was a deeper blue than our winter sky, and that the sun looked a bit smaller. And there were two small moons! "like our moon but smaller, and with different markings" one of which moved so quickly that its motion was[26] clearly visible as you watched it. These moons were never high in the sky, but disappeared as they rose: every time they orbited, they were eclipsed because they were so close to their main planet. All of this aligns perfectly, even though Mr. Cave didn't know it, with what must be the situation on Mars.

Indeed, it seems an exceedingly plausible conclusion that peering into this crystal Mr. Cave did actually see the planet Mars and its inhabitants. And, if that be the case, then the evening star that shone so brilliantly in the sky of that distant vision, was neither more nor less than our own familiar earth.

Indeed, it seems very likely that by looking into this crystal, Mr. Cave actually saw the planet Mars and its inhabitants. And if that’s true, then the evening star that shone so brightly in the sky of that distant vision was nothing more or less than our own familiar Earth.

For a time the Martians—if they were Martians—do not seem to have known of Mr. Cave's inspection. Once or twice one would come to peer, and go away very shortly to some other mast, as though the vision was unsatisfactory. During this time Mr. Cave was able to watch the proceedings of these winged people without being disturbed by their attentions, and, although his report is necessarily vague and fragmentary, it is nevertheless very suggestive. Imagine the impression of humanity a Martian observer would get who, after a difficult process of preparation and with considerable[27] fatigue to the eyes, was able to peer at London from the steeple of St. Martin's Church for stretches, at longest, of four minutes at a time. Mr. Cave was unable to ascertain if the winged Martians were the same as the Martians who hopped about the causeways and terraces, and if the latter could put on wings at will. He several times saw certain clumsy bipeds, dimly suggestive of apes, white and partially translucent, feeding among certain of the lichenous trees, and once some of these fled before one of the hopping, round-headed Martians. The latter caught one in its tentacles, and then the picture faded suddenly and left Mr. Cave most tantalisingly in the dark. On another occasion a vast thing, that Mr. Cave thought at first was some gigantic insect, appeared advancing along the causeway beside the canal with extraordinary rapidity. As this drew nearer Mr. Cave perceived that it was a mechanism of shining metals and of extraordinary complexity. And then, when he looked again, it had passed out of sight.

For a while, the Martians—if they really were Martians—didn’t seem to notice Mr. Cave’s observations. Occasionally, one would come close to look and then quickly move on to another mast, as if it weren’t worth their time. During this period, Mr. Cave was able to observe the actions of these winged beings without interference from them, and while his report is understandably vague and incomplete, it still provides interesting insights. Imagine the impression of humanity that a Martian observer would get if, after a challenging setup and some eye strain, they were able to glimpse London from the steeple of St. Martin's Church for a maximum of four minutes at a time. Mr. Cave couldn’t figure out if the winged Martians were the same ones hopping around the paths and terraces, or if the latter could sprout wings whenever they wanted. He often saw some awkward bipedal figures that vaguely resembled apes, pale and somewhat transparent, foraging among the lichen-covered trees, and once, some of these creatures fled from one of the hopping, round-headed Martians. The latter caught one in its tentacles, and then everything suddenly went dark, leaving Mr. Cave frustratingly in the dark. On another occasion, a massive entity that Mr. Cave initially thought was a huge insect appeared to be moving along the causeway next to the canal at an incredible speed. As it got closer, Mr. Cave realized it was a complex machine made of shiny metals. And then, when he looked again, it had vanished from sight.

After a time Mr. Wace aspired to attract the attention of the Martians, and the next time that the strange eyes of one of them appeared close to the crystal Mr. Cave cried out and sprang away, and they immediately turned on[28] the light and began to gesticulate in a manner suggestive of signalling. But when at last Mr. Cave examined the crystal again the Martian had departed.

After a while, Mr. Wace wanted to catch the attention of the Martians, and the next time one of their strange eyes appeared close to the crystal, Mr. Cave shouted and jumped back. They immediately switched on the light and started waving their arms in a way that looked like they were trying to signal. But when Mr. Cave finally looked at the crystal again, the Martian was gone.

Thus far these observations had progressed in early November, and then Mr. Cave, feeling that the suspicions of his family about the crystal were allayed, began to take it to and fro with him in order that, as occasion arose in the daytime or night, he might comfort himself with what was fast becoming the most real thing in his existence.

So far, these observations had continued into early November, and then Mr. Cave, feeling that his family's suspicions about the crystal had eased, started carrying it with him. This way, whenever the moment arose, day or night, he could find solace in what was quickly becoming the most significant thing in his life.

In December Mr. Wace's work in connection with a forthcoming examination became heavy, the sittings were reluctantly suspended for a week, and for ten or eleven days—he is not quite sure which—he saw nothing of Cave. He then grew anxious to resume these investigations, and, the stress of his seasonal labours being abated, he went down to Seven Dials. At the corner he noticed a shutter before a bird fancier's window, and then another at a cobbler's. Mr. Cave's shop was closed.

In December, Mr. Wace's work related to an upcoming exam became overwhelming, so the meetings were reluctantly paused for a week. For ten or eleven days—he's not exactly sure which—he didn't see Cave at all. He then became eager to continue these inquiries, and with the pressure of his seasonal duties reduced, he headed to Seven Dials. At the corner, he noticed a shutter in front of a bird fancier's window, and then another at a cobbler's. Mr. Cave's shop was shut.

He rapped and the door was opened by the step-son in black. He at once called Mrs. Cave, who was, Mr. Wace could not but observe, in cheap but ample widow's weeds of the most imposing pattern. Without any very[29] great surprise Mr. Wace learnt that Cave was dead and already buried. She was in tears, and her voice was a little thick. She had just returned from Highgate. Her mind seemed occupied with her own prospects and the honourable details of the obsequies, but Mr. Wace was at last able to learn the particulars of Cave's death. He had been found dead in his shop in the early morning, the day after his last visit to Mr. Wace, and the crystal had been clasped in his stone-cold hands. His face was smiling, said Mrs. Cave, and the velvet cloth from the minerals lay on the floor at his feet. He must have been dead five or six hours when he was found.

He knocked, and the step-son in black opened the door. He immediately called for Mrs. Cave, who, Mr. Wace couldn't help but notice, was wearing cheap but ample widow's mourning clothes of the most striking pattern. Without too much surprise, Mr. Wace learned that Cave was dead and had already been buried. She was in tears, and her voice was slightly thick. She had just returned from Highgate. Her mind seemed focused on her own situation and the elaborate details of the funeral, but Mr. Wace was finally able to get the details of Cave's death. He had been found dead in his shop early in the morning, the day after his last visit to Mr. Wace, and the crystal had been clenched in his cold hands. Mrs. Cave said he had a smile on his face, and the velvet cloth from the minerals lay on the floor at his feet. He must have been dead for five or six hours when he was discovered.

This came as a great shock to Wace, and he began to reproach himself bitterly for having neglected the plain symptoms of the old man's ill-health. But his chief thought was of the crystal. He approached that topic in a gingerly manner, because he knew Mrs. Cave's peculiarities. He was dumbfounded to learn that it was sold.

This was a huge shock for Wace, and he started to blame himself harshly for ignoring the obvious signs of the old man's poor health. But his main concern was the crystal. He brought up that topic carefully, knowing Mrs. Cave's quirks. He was stunned to find out that it had been sold.

Mrs. Cave's first impulse, directly Cave's body had been taken upstairs, had been to write to the mad clergyman who had offered five pounds for the crystal, informing him of its recovery; but after a violent hunt in which her[30] daughter joined her, they were convinced of the loss of his address. As they were without the means required to mourn and bury Cave in the elaborate style the dignity of an old Seven Dials inhabitant demands, they had appealed to a friendly fellow-tradesman in Great Portland Street. He had very kindly taken over a portion of the stock at a valuation. The valuation was his own and the crystal egg was included in one of the lots. Mr. Wace, after a few suitable consolatory observations, a little off-handedly proffered perhaps, hurried at once to Great Portland Street. But there he learned that the crystal egg had already been sold to a tall, dark man in grey. And there the material facts in this curious, and to me at least very suggestive, story come abruptly to an end. The Great Portland Street dealer did not know who the tall dark man in grey was, nor had he observed him with sufficient attention to describe him minutely. He did not even know which way this person had gone after leaving the shop. For a time Mr. Wace remained in the shop, trying the dealer's patience with hopeless questions, venting his own exasperation. And at last, realising abruptly that the whole thing had passed out of his hands, had vanished like a vision of the night, he returned[31] to his own rooms, a little astonished to find the notes he had made still tangible and visible upon his untidy table.

Mrs. Cave's first instinct, right after they had taken Cave's body upstairs, was to write to the crazy clergyman who had offered five pounds for the crystal, letting him know it had been found. But after a frantic search that her daughter joined, they realized they had lost his address. Lacking the means to mourn and bury Cave with the respect that an old Seven Dials resident deserves, they reached out to a friendly fellow trader in Great Portland Street. He kindly agreed to buy a portion of their stock at a valuation, which was decided on his own, and the crystal egg was included in one of the lots. Mr. Wace, after making a few awkwardly supportive comments, quickly headed to Great Portland Street. However, he learned there that the crystal egg had already been sold to a tall, dark man in grey. This is where the material facts of this intriguing, and to me at least, very suggestive story come to an abrupt end. The Great Portland Street dealer didn’t know who the tall dark man in grey was and hadn't paid enough attention to describe him in detail. He didn’t even know which way the man had gone after leaving the shop. For a while, Mr. Wace stayed in the shop, trying the dealer’s patience with pointless questions, expressing his own frustration. And finally, realizing suddenly that everything had slipped through his fingers, vanishing like a dream, he returned to his own rooms, a bit shocked to find the notes he had made still clear and visible on his messy table.

His annoyance and disappointment were naturally very great. He made a second call (equally ineffectual) upon the Great Portland Street dealer, and he resorted to advertisements in such periodicals as were likely to come into the hands of a bric-a-brac collector. He also wrote letters to The Daily Chronicle and Nature, but both those periodicals, suspecting a hoax, asked him to reconsider his action before they printed, and he was advised that such a strange story, unfortunately so bare of supporting evidence, might imperil his reputation as an investigator. Moreover, the calls of his proper work were urgent. So that after a month or so, save for an occasional reminder to certain dealers, he had reluctantly to abandon the quest for the crystal egg, and from that day to this it remains undiscovered. Occasionally, however, he tells me, and I can quite believe him, he has bursts of zeal, in which he abandons his more urgent occupation and resumes the search.

His annoyance and disappointment were understandably overwhelming. He made a second visit (equally useless) to the Great Portland Street dealer and turned to ads in magazines likely to attract a bric-a-brac collector. He also wrote letters to The Daily Chronicle and Nature, but both publications, suspecting a prank, urged him to think it over before they published anything, warning that such a bizarre story, unfortunately lacking evidence, could harm his reputation as a researcher. Additionally, the demands of his actual job were pressing. So after about a month, aside from the occasional reminder to specific dealers, he sadly had to give up the search for the crystal egg, and it has remained unfound to this day. Occasionally, though, he tells me—and I believe him—he gets these bursts of enthusiasm where he drops his more pressing work and goes back to searching.

Whether or not it will remain lost for ever, with the material and origin of it, are things equally speculative at the present time. If the[32] present purchaser is a collector, one would have expected the enquiries of Mr. Wace to have reached him through the dealers. He has been able to discover Mr. Cave's clergyman and "Oriental"—no other than the Rev. James Parker and the young Prince of Bosso-Kuni in Java. I am obliged to them for certain particulars. The object of the Prince was simply curiosity—and extravagance. He was so eager to buy, because Cave was so oddly reluctant to sell. It is just as possible that the buyer in the second instance was simply a casual purchaser and not a collector at all, and the crystal egg, for all I know, may at the present moment be within a mile of me, decorating a drawing-room or serving as a paper-weight—its remarkable functions all unknown. Indeed, it is partly with the idea of such a possibility that I have thrown this narrative into a form that will give it a chance of being read by the ordinary consumer of fiction.

Whether it stays lost forever is uncertain, along with its origins and material. Right now, both are up in the air. If the current buyer is a collector, you would think Mr. Wace's inquiries would have reached him through the dealers. He managed to find Mr. Cave's clergyman and "Oriental"—none other than Rev. James Parker and the young Prince of Bosso-Kuni in Java. I’m grateful to them for some details. The Prince's goal was simply curiosity—and a bit of extravagance. He was so eager to buy because Cave was oddly reluctant to sell. It's just as possible that the buyer later on was just a casual shopper and not a collector at all, and the crystal egg, for all I know, could be just a mile away from me, sitting in a living room or acting as a paperweight—its amazing features completely unknown. In fact, it's partly with this possibility in mind that I’ve shaped this narrative to appeal to the average reader of fiction.

My own ideas in the matter are practically identical with those of Mr. Wace. I believe the crystal on the mast in Mars and the crystal egg of Mr. Cave's to be in some physical, but at present quite inexplicable, way en rapport, and we both believe further that the terrestrial crystal must have been—possibly at some remote[33] date—sent hither from that planet, in order to give the Martians a near view of our affairs. Possibly the fellows to the crystals in the other masts are also on our globe. No theory of hallucination suffices for the facts.

My own thoughts on this are almost identical to Mr. Wace’s. I think the crystal on the mast in Mars and Mr. Cave's crystal egg are connected in some physical way that we currently can’t explain. We both also believe that the Earth crystal must have been—perhaps at some distant time—sent here from that planet to give the Martians a close-up view of what we’re doing. It's possible that the crystals on the other masts are also located on our planet. No hallucination theory can explain the facts.


The Star

THE STAR

It was on the first day of the new year that the announcement was made, almost simultaneously from three observatories, that the motion of the planet Neptune, the outermost of all the planets that wheel about the sun, had become very erratic. Ogilvy had already called attention to a suspected retardation in its velocity in December. Such a piece of news was scarcely calculated to interest a world the greater portion of whose inhabitants were unaware of the existence of the planet Neptune, nor outside the astronomical profession did the subsequent discovery of a faint remote speck of light in the region of the perturbed planet cause any very great excitement. Scientific people, however, found the intelligence remarkable enough, even before it became known that the new body was rapidly growing larger and brighter, that its motion was quite different from the orderly progress of the planets, and that the deflection of Neptune and its[38] satellite was becoming now of an unprecedented kind.

It was on the first day of the new year that the announcement came, almost simultaneously from three observatories, that the movement of the planet Neptune, the furthest of all the planets orbiting the sun, had become very erratic. Ogilvy had already pointed out a suspected slowdown in its speed in December. This news hardly seemed likely to capture the interest of a world where most people were unaware of the planet Neptune's existence, and outside the field of astronomy, the later discovery of a faint distant spot of light in the area of the disturbed planet didn’t generate much excitement. However, scientists found the information noteworthy, even before it was revealed that the new object was quickly becoming larger and brighter, that its movement was quite different from the regular orbits of the planets, and that the deflection of Neptune and its[38] satellite was now unprecedented.

Few people without a training in science can realise the huge isolation of the solar system. The sun with its specks of planets, its dust of planetoids, and its impalpable comets, swims in a vacant immensity that almost defeats the imagination. Beyond the orbit of Neptune there is space, vacant so far as human observation has penetrated, without warmth or light or sound, blank emptiness, for twenty million times a million miles. That is the smallest estimate of the distance to be traversed before the very nearest of the stars is attained. And, saving a few comets more unsubstantial than the thinnest flame, no matter had ever to human knowledge crossed this gulf of space, until early in the twentieth century this strange wanderer appeared. A vast mass of matter it was, bulky, heavy, rushing without warning out of the black mystery of the sky into the radiance of the sun. By the second day it was clearly visible to any decent instrument, as a speck with a barely sensible diameter, in the constellation Leo near Regulus. In a little while an opera glass could attain it.

Few people without a background in science can grasp the vast emptiness of the solar system. The sun, surrounded by its planets, dust from planetoids, and invisible comets, floats in a space so immense it almost overwhelms the imagination. Beyond Neptune’s orbit lies an empty expanse, as far as human observation has reached, devoid of warmth, light, or sound, a blank void stretching for twenty million times a million miles. That is the smallest estimate of the distance that must be crossed to reach the nearest star. And aside from a few comets that are insubstantial as the faintest flame, nothing known to humans has ever crossed this chasm of space until, early in the twentieth century, this strange wanderer appeared. It was a massive object, bulky and heavy, racing without warning out of the dark mystery of the sky into the sunlight. By the second day, it was clearly visible to any decent telescope, appearing as a tiny speck with a barely noticeable diameter in the constellation Leo near Regulus. Soon, an opera glass could spot it.

On the third day of the new year the newspaper readers of two hemispheres were made[39] aware for the first time of the real importance of this unusual apparition in the heavens. "A Planetary Collision," one London paper headed the news, and proclaimed Duchaine's opinion that this strange new planet would probably collide with Neptune. The leader writers enlarged upon the topic. So that in most of the capitals of the world, on January 3rd, there was an expectation, however vague of some imminent phenomenon in the sky; and as the night followed the sunset round the globe, thousands of men turned their eyes skyward to see—the old familiar stars just as they had always been.

On the third day of the new year, newspaper readers from two hemispheres were informed for the first time about the significant impact of this unusual sight in the sky. "A Planetary Collision," one London paper headlined the news, sharing Duchaine's view that this strange new planet was likely to crash into Neptune. The editorial writers expanded on the topic. As a result, in many of the world's capitals, on January 3rd, there was an anticipation, albeit vague, of some impending event in the sky; and as night fell around the globe, thousands of people looked up to see—the old familiar stars just as they had always been.

Until it was dawn in London and Pollux setting and the stars overhead grown pale. The Winter's dawn it was, a sickly filtering accumulation of daylight, and the light of gas and candles shone yellow in the windows to show where people were astir. But the yawning policeman saw the thing, the busy crowds in the markets stopped agape, workmen going to their work betimes, milkmen, the drivers of news-carts, dissipation going home jaded and pale, homeless wanderers, sentinels on their beats, and in the country, labourers trudging afield, poachers slinking home, all over the dusky quickening country it could be seen—and out at sea by seamen watching for the day—a[40] great white star, come suddenly into the westward sky!

Until dawn broke in London and Pollux set, the stars above faded. It was a winter dawn, a weak and sickly light filtering through, and the glow of gas lamps and candles shone yellow in the windows, indicating where people were awake. But the yawning policeman noticed it all: the bustling crowds in the markets paused in amazement, workers heading off to their jobs early, milkmen, news-cart drivers, revelers returning home tired and pale, homeless wanderers, sentinels on their patrols, and in the countryside, laborers trudging to the fields, poachers sneaking home. Across the dimly awakening land, it was evident—and out at sea, sailors looking for the day saw a[40]great white star suddenly appear in the western sky!

Brighter it was than any star in our skies; brighter than the evening star at its brightest. It still glowed out white and large, no mere twinkling spot of light, but a small round clear shining disc, an hour after the day had come. And where science has not reached, men stared and feared, telling one another of the wars and pestilences that are foreshadowed by these fiery signs in the Heavens. Sturdy Boers, dusky Hottentots, Gold Coast negroes, Frenchmen, Spaniards, Portuguese, stood in the warmth of the sunrise watching the setting of this strange new star.

Brighter it was than any star in our skies; brighter than the evening star at its brightest. It still glowed out white and large, not just a twinkling spot of light, but a small round clear shining disc, an hour after the day had come. And where science has not reached, people stared and feared, telling each other of the wars and diseases that are hinted at by these fiery signs in the sky. Strong Boers, dark-skinned Hottentots, Gold Coast people, French, Spaniards, Portuguese, stood in the warmth of the sunrise watching the setting of this strange new star.

And in a hundred observatories there had been suppressed excitement, rising almost to shouting pitch, as the two remote bodies had rushed together, and a hurrying to and fro, to gather photographic apparatus and spectroscope, and this appliance and that, to record this novel astonishing sight, the destruction of a world. For it was a world, a sister planet of our earth, far greater than our earth indeed, that had so suddenly flashed into flaming death. Neptune it was, had been struck, fairly and squarely, by the strange planet from outer space and the heat of the concussion had incontinently[41] turned two solid globes into one vast mass of incandescence. Round the world that day, two hours before the dawn, went the pallid great white star, fading only as it sank westward and the sun mounted above it. Everywhere men marvelled at it, but of all those who saw it none could have marvelled more than those sailors, habitual watchers of the stars, who far away at sea had heard nothing of its advent and saw it now rise like a pigmy moon and climb zenithward and hang overhead and sink westward with the passing of the night.

And in a hundred observatories, there was barely suppressed excitement, almost reaching a shouting level, as the two distant bodies rushed together. People hurried back and forth, grabbing photographic equipment, spectroscopes, and various tools to capture this incredible and astonishing sight: the destruction of a world. Because it was a world, a sister planet to our Earth, even larger than our own, that had suddenly burst into flames and met a fiery end. It was Neptune that had been struck directly by a mysterious planet from outer space, and the heat from the impact had instantly combined two solid globes into one massive ball of light. That day, two hours before dawn, the pale bright star moved across the sky, dimming only as it sank in the west while the sun rose above it. Everywhere, people marveled at it, but of all those who witnessed it, none could have been more amazed than the sailors, who regularly observed the stars and, far out at sea, had heard nothing of its arrival. They now saw it rise like a tiny moon, climb to its peak, hang overhead, and sink in the west as the night passed.

And when next it rose over Europe everywhere were crowds of watchers on hilly slopes, on house-roofs, in open spaces, staring eastward for the rising of the great new star. It rose with a white glow in front of it, like the glare of a white fire, and those who had seen it come into existence the night before cried out at the sight of it. "It is larger," they cried. "It is brighter!" And, indeed the moon a quarter full and sinking in the west was in its apparent size beyond comparison, but scarcely in all its breadth had it as much brightness now as the little circle of the strange new star.

And when it rose again over Europe, crowds of onlookers filled the hills, roofs, and open spaces, all staring eastward for the appearance of the great new star. It emerged with a white glow in front of it, resembling the brightness of a white fire, and those who had witnessed its birth the night before shouted at the sight. "It's bigger!" they exclaimed. "It's brighter!" And indeed, the moon, a quarter full and sinking in the west, was far larger in size, but in terms of brightness, it barely matched the small circle of the mysterious new star.

"It is brighter!" cried the people clustering in the streets. But in the dim observatories the[42] watchers held their breath and peered at one another. "It is nearer," they said. "Nearer!"

"It’s brighter!" shouted the crowd gathered in the streets. But in the dim observatories, the[42] watchers held their breath and glanced at each other. "It’s closer," they said. "Closer!"

And voice after voice repeated, "It is nearer," and the clicking telegraph took that up, and it trembled along telephone wires, and in a thousand cities grimy compositors fingered the type. "It is nearer." Men writing in offices, struck with a strange realisation, flung down their pens, men talking in a thousand places suddenly came upon a grotesque possibility in those words, "It is nearer." It hurried along awakening streets, it was shouted down the frost-stilled ways of quiet villages, men who had read these things from the throbbing tape stood in yellow-lit doorways shouting the news to the passers-by. "It is nearer." Pretty women, flushed and glittering, heard the news told jestingly between the dances, and feigned an intelligent interest they did not feel. "Nearer! Indeed. How curious! How very, very clever people must be to find out things like that!"

And one voice after another said, "It's closer," and the clicking telegraph picked that up, and it buzzed along the telephone wires, and in a thousand cities, tired typesetters typed the words. "It's closer." Office workers, struck by a strange realization, dropped their pens, and people talking in many places suddenly found a bizarre possibility in those words, "It's closer." It raced through the waking streets, it was shouted down the frost-covered paths of quiet villages, people who had read this news from the buzzing tape stood in warmly lit doorways shouting the announcement to passersby. "It's closer." Attractive women, flushed and sparkling, heard the news relayed jokingly between dances and pretended to care more than they actually did. "Closer! Wow. How interesting! How very, very clever people must be to discover things like that!"

Lonely tramps faring through the wintry night murmured those words to comfort themselves—looking skyward. "It has need to be nearer, for the night's as cold as charity. Don't seem much warmth from it if it is nearer, all the same."[43]

Lonely travelers wandering through the cold night whispered those words to reassure themselves—looking up at the sky. "It needs to be closer because the night is as cold as charity. Even if it is closer, it doesn’t seem to bring much warmth, anyway."[43]

"What is a new star to me?" cried the weeping woman kneeling beside her dead.

"What does a new star mean to me?" cried the grieving woman kneeling beside her deceased.

The schoolboy, rising early for his examination work, puzzled it out for himself—with the great white star, shining broad and bright through the frost-flowers of his window. "Centrifugal, centripetal," he said, with his chin on his fist. "Stop a planet in its flight, rob it of its centrifugal force, what then? Centripetal has it, and down it falls into the sun! And this—!"

The student, getting up early for his exam prep, figured it out by himself—with the big white star shining bright through the frost patterns on his window. "Centrifugal, centripetal," he said, resting his chin on his fist. "If you stop a planet in its orbit and take away its centrifugal force, what happens? It has centripetal force, and it falls straight into the sun! And this—!"

"Do we come in the way? I wonder—"

"Do we get in the way? I wonder—"

The light of that day went the way of its brethren, and with the later watches of the frosty darkness rose the strange star again. And it was now so bright that the waxing moon seemed but a pale yellow ghost of itself, hanging huge in the sunset. In a South African city a great man had married, and the streets were alight to welcome his return with his bride. "Even the skies have illuminated," said the flatterer. Under Capricorn, two negro lovers, daring the wild beasts and evil spirits, for love of one another, crouched together in a cane brake where the fire-flies hovered. "That is our star," they whispered, and felt strangely comforted by the sweet brilliance of its light.

The light of that day faded like its siblings, and as the cold dark hours came, the strange star appeared again. It shone so brightly that the rising moon looked like a pale yellow ghost, looming large in the sunset. In a South African city, a great man had gotten married, and the streets were lit up to celebrate his return with his bride. "Even the skies are shining," said the flatterer. Under Capricorn, two young lovers, brave enough to face the wild animals and evil spirits for their love, huddled together in a thicket while fireflies danced around them. "That is our star," they whispered, feeling comforted by the star's warm glow.

The master mathematician sat in his private[44] room and pushed the papers from him. His calculations were already finished. In a small white phial there still remained a little of the drug that had kept him awake and active for four long nights. Each day, serene, explicit, patient as ever, he had given his lecture to his students, and then had come back at once to this momentous calculation. His face was grave, a little drawn and hectic from his drugged activity. For some time he seemed lost in thought. Then he went to the window, and the blind went up with a click. Half way up the sky, over the clustering roofs, chimneys and steeples of the city, hung the star.

The master mathematician sat in his private[44] room and pushed the papers away from him. His calculations were already complete. In a small white vial, there was still a little of the drug that had kept him awake and alert for four long nights. Each day, calm, clear, and patient as always, he had given his lecture to his students, and then returned immediately to this crucial calculation. His expression was serious, a bit drawn and flushed from his drug-fueled activity. For a while, he appeared deep in thought. Then he went to the window, and the blind lifted with a click. Halfway up the sky, above the clustered roofs, chimneys, and steeples of the city, hung the star.

He looked at it as one might look into the eyes of a brave enemy. "You may kill me," he said after a silence. "But I can hold you—and all the universe for that matter—in the grip of this little brain. I would not change. Even now."

He stared at it like someone would gaze into the eyes of a tough opponent. "You might kill me," he said after a pause. "But I can keep you—and the entire universe, for that matter—in the grasp of this small brain. I wouldn't change. Not even now."

He looked at the little phial. "There will be no need of sleep again," he said. The next day at noon, punctual to the minute, he entered his lecture theatre, put his hat on the end of the table as his habit was, and carefully selected a large piece of chalk. It was a joke among his students that he could not lecture without that piece of chalk to fumble in his fingers, and once[45] he had been stricken to impotence by their hiding his supply. He came and looked under his grey eyebrows at the rising tiers of young fresh faces, and spoke with his accustomed studied commonness of phrasing. "Circumstances have arisen—circumstances beyond my control," he said and paused, "which will debar me from completing the course I had designed. It would seem, gentlemen, if I may put the thing clearly and briefly, that—Man has lived in vain."

He looked at the small vial. "I won't need to sleep again," he said. The next day at noon, right on time, he entered his lecture hall, placed his hat at the end of the table as he usually did, and carefully picked out a large piece of chalk. His students joked that he couldn’t lecture without that chalk to fidget with, and there was one time he was completely thrown off when they hid his stash. He came and looked under his gray eyebrows at the rows of eager young faces and spoke in his usual carefully chosen words. "Circumstances have come up—circumstances beyond my control," he said, pausing, "which will prevent me from finishing the course I had planned. It seems, gentlemen, if I may state this clearly and briefly, that—Man has lived in vain."

The students glanced at one another. Had they heard aright? Mad? Raised eyebrows and grinning lips there were, but one or two faces remained intent upon his calm grey-fringed face. "It will be interesting," he was saying, "to devote this morning to an exposition, so far as I can make it clear to you, of the calculations that have led me to this conclusion. Let us assume—"

The students looked at each other. Had they heard correctly? Some were raising their eyebrows and grinning, but one or two faces stayed focused on his calm, grey-fringed face. "It will be interesting," he said, "to spend this morning explaining, as clearly as I can, the calculations that led me to this conclusion. Let's assume—"

He turned towards the blackboard, meditating a diagram in the way that was usual to him. "What was that about 'lived in vain?'" whispered one student to another. "Listen," said the other, nodding towards the lecturer.

He faced the blackboard, thinking about a diagram like he usually did. "What was that about 'lived in vain?'" one student whispered to another. "Listen," replied the other, nodding toward the lecturer.

And presently they began to understand.

And soon they started to understand.

That night the star rose later, for its proper eastward motion had carried it some way[46] across Leo towards Virgo, and its brightness was so great that the sky became a luminous blue as it rose, and every star was hidden in its turn, save only Jupiter near the zenith, Capella, Aldebaran, Sirius and the pointers of the Bear. It was very white and beautiful. In many parts of the world that night a pallid halo encircled it about. It was perceptibly larger; in the clear refractive sky of the tropics it seemed as if it were nearly a quarter the size of the moon. The frost was still on the ground in England, but the world was as brightly lit as if it were midsummer moonlight. One could see to read quite ordinary print by that cold clear light, and in the cities the lamps burnt yellow and wan.

That night the star rose later because its natural eastward movement had taken it a bit[46] across Leo into Virgo, and its brightness was so intense that the sky turned a glowing blue as it ascended, hiding every other star in its radiance except for Jupiter near the zenith, Capella, Aldebaran, Sirius, and the pointers of the Bear. It was very bright and beautiful. In many parts of the world that night, a pale halo surrounded it. It appeared noticeably larger; in the clear skies of the tropics, it looked almost a quarter the size of the moon. The frost was still on the ground in England, but the world was lit up as if it were midsummer moonlight. One could read regular print by that cold, clear light, and in the cities, the lamps burned a dim yellow.

And everywhere the world was awake that night, and throughout Christendom a sombre murmur hung in the keen air over the countryside like the belling of bees in the heather, and this murmurous tumult grew to a clangour in the cities. It was the tolling of the bells in a million belfry towers and steeples, summoning the people to sleep no more, to sin no more, but to gather in their churches and pray. And overhead, growing larger and brighter, as the earth rolled on its way and the night passed, rose the dazzling star.[47]

And everywhere the world was awake that night, and across Christendom a quiet hum filled the chilly air over the countryside like the sound of bees in the heather, and this soft noise turned into a loud clamor in the cities. It was the ringing of bells in countless towers and steeples, calling the people to wake up, to stop sinning, and to come together in their churches to pray. Above them, getting larger and brighter as the earth continued on its path and the night went by, rose the dazzling star.[47]

And the streets and houses were alight in all the cities, the shipyards glared, and whatever roads led to high country were lit and crowded all night long. And in all the seas about the civilised lands, ships with throbbing engines, and ships with bellying sails, crowded with men and living creatures, were standing out to ocean and the north. For already the warning of the master mathematician had been telegraphed all over the world, and translated into a hundred tongues. The new planet and Neptune, locked in a fiery embrace, were whirling headlong, ever faster and faster towards the sun. Already every second this blazing mass flew a hundred miles, and every second its terrific velocity increased. As it flew now, indeed, it must pass a hundred million of miles wide of the earth and scarcely affect it. But near its destined path, as yet only slightly perturbed, spun the mighty planet Jupiter and his moons sweeping splendid round the sun. Every moment now the attraction between the fiery star and the greatest of the planets grew stronger. And the result of that attraction? Inevitably Jupiter would be deflected from its orbit into an elliptical path, and the burning star, swung by his attraction wide of its sunward rush, would "describe a curved path" and[48] perhaps collide with, and certainly pass very close to, our earth. "Earthquakes, volcanic outbreaks, cyclones, sea waves, floods, and a steady rise in temperature to I know not what limit"—so prophesied the master mathematician.

And the streets and houses were lit up in all the cities, the shipyards were glowing, and all the roads leading to the mountains were busy and bright all night long. In the seas around the civilized lands, ships with roaring engines and ships with full sails, filled with people and animals, were heading out to the ocean and the north. The warning from the master mathematician had already been sent out worldwide and translated into a hundred languages. The new planet and Neptune, locked in a fiery embrace, were speeding faster and faster towards the sun. Right now, this blazing mass was flying a hundred miles every second, and its incredible speed was increasing every second. As it traveled, it would pass a hundred million miles away from the Earth and hardly affect it. But near its future path, still only slightly disturbed, spun the mighty planet Jupiter and its moons circling grandly around the sun. Every moment, the attraction between the fiery star and the largest planet grew stronger. What would that attraction lead to? Inevitably, Jupiter would be pulled from its orbit into an elliptical path, and the burning star, pulled away from its direct rush toward the sun, would "describe a curved path" and[48] perhaps collide with, and definitely pass very close to, our Earth. "Earthquakes, volcanic eruptions, cyclones, tidal waves, floods, and a continuous rise in temperature to who knows what extent"—so predicted the master mathematician.

And overhead, to carry out his words, lonely and cold and livid, blazed the star of the coming doom.

And above, to fulfill his words, isolated and chilly and pale, shone the star of the impending doom.

To many who stared at it that night until their eyes ached, it seemed that it was visibly approaching. And that night, too, the weather changed, and the frost that had gripped all Central Europe and France and England softened towards a thaw.

To many who stared at it that night until their eyes hurt, it seemed like it was getting closer. And that night, the weather changed, and the frost that had held Central Europe, France, and England in its grip began to soften into a thaw.

But you must not imagine because I have spoken of people praying through the night and people going aboard ships and people fleeing towards mountainous country that the whole world was already in a terror because of the star. As a matter of fact, use and wont still ruled the world, and save for the talk of idle moments and the splendour of the night, nine human beings out of ten were still busy at their common occupations. In all the cities the shops, save one here and there, opened and closed at their proper hours, the doctor and the undertaker plied their trades, the workers gathered[49] in the factories, soldiers drilled, scholars studied, lovers sought one another, thieves lurked and fled, politicians planned their schemes. The presses of the newspapers roared through the nights, and many a priest of this church and that would not open his holy building to further what he considered a foolish panic. The newspapers insisted on the lesson of the year 1000—for then, too, people had anticipated the end. The star was no star—mere gas—a comet; and were it a star it could not possibly strike the earth. There was no precedent for such a thing. Common sense was sturdy everywhere, scornful, jesting, a little inclined to persecute the obdurate fearful. That night, at seven-fifteen by Greenwich time, the star would be at its nearest to Jupiter. Then the world would see the turn things would take. The master mathematician's grim warnings were treated by many as so much mere elaborate self-advertisement. Common sense at last, a little heated by argument, signified its unalterable convictions by going to bed. So, too, barbarism and savagery, already tired of the novelty, went about their nightly business, and save for a howling dog here and there, the beast world left the star unheeded.[50]

But don't think that just because I've mentioned people praying through the night, boarding ships, and fleeing to the mountains, the whole world was already panicking over the star. In reality, routine life still dominated, and except for some idle chatter and the beauty of the night, nine out of ten people were still occupied with their everyday jobs. In all the cities, shops, with a few exceptions, opened and closed at their usual times, doctors and undertakers carried on with their work, factory workers gathered, soldiers drilled, students studied, lovers looked for each other, and thieves lurked and fled. Newspaper presses churned out stories all night, and many priests refused to open their churches to feed what they saw as pointless hysteria. The newspapers kept reminding everyone about the year 1000—because back then, too, people had feared the end. The star was no star—just gas—a comet; and even if it were a star, it couldn't possibly hit the Earth. There was no history of anything like that happening. Common sense was strong everywhere, dismissive, joking, and a little inclined to target those who were stubbornly afraid. That night, at seven-fifteen by Greenwich time, the star would be closest to Jupiter. After that, we would see how things would unfold. Many treated the master mathematician's grim warnings as nothing more than a clever way to promote himself. In the end, common sense, slightly riled by debate, showed its unwavering beliefs by going to bed. Similarly, barbarism and savagery, already bored by the novelty, returned to their usual routines, and aside from the occasional howling dog, the animal world ignored the star.

And yet, when at last the watchers in the European States saw the star rise, an hour later it is true, but no larger than it had been the night before, there were still plenty awake to laugh at the master mathematician—to take the danger as if it had passed.

And yet, when the observers in the European countries finally saw the star rise, an hour later, it’s true, but no bigger than it had been the night before, there were still many awake to mock the master mathematician—taking the danger as if it had already passed.

But hereafter the laughter ceased. The star grew—it grew with a terrible steadiness hour after hour, a little larger each hour, a little nearer the midnight zenith, and brighter and brighter, until it had turned night into a second day. Had it come straight to the earth instead of in a curved path, had it lost no velocity to Jupiter, it must have leapt the intervening gulf in a day, but as it was it took five days altogether to come by our planet. The next night it had become a third the size of the moon before it set to English eyes, and the thaw was assured. It rose over America near the size of the moon, but blinding white to look at, and hot; and a breath of hot wind blew now with its rising and gathering strength, and in Virginia, and Brazil, and down the St. Lawrence valley, it shone intermittently through a driving reek of thunder-clouds, flickering violet lightning, and hail unprecedented. In Manitoba was a thaw and devastating floods. And upon all the mountains of the earth the snow[51] and ice began to melt that night, and all the rivers coming out of high country flowed thick and turbid, and soon—in their upper reaches—with swirling trees and the bodies of beasts and men. They rose steadily, steadily in the ghostly brilliance, and came trickling over their banks at last, behind the flying population of their valleys.

But after that, the laughter stopped. The star grew—it grew with a terrifying consistency hour after hour, getting a little bigger each time, a little closer to the midnight peak, and shining brighter and brighter until it turned night into a second day. If it had come straight to Earth instead of following a curved path, and hadn’t lost any speed to Jupiter, it could have crossed the distance in one day. But as it was, it took a total of five days to reach our planet. The next night, it had grown to a third of the size of the moon before it disappeared from English sight, and thawing was guaranteed. It rose over America almost the size of the moon, but blindingly white and hot; and a wave of hot wind blew along with its ascent, gaining force. In Virginia, Brazil, and down the St. Lawrence valley, it flickered intermittently through a torrential downpour of thunderclouds, flashing violet lightning and unprecedented hail. Manitoba experienced a thaw and devastating floods. And on all the mountains around the world, the snow and ice began to melt that night, causing all the rivers coming out of high areas to flow thick and muddy, and soon—in their upper parts—with swirling trees and the bodies of animals and people. They rose steadily, in that ghostly glow, and finally overflowed their banks, chasing the fleeing population of their valleys.

And along the coast of Argentina and up the South Atlantic the tides were higher than had ever been in the memory of man, and the storms drove the waters in many cases scores of miles inland, drowning whole cities. And so great grew the heat during the night that the rising of the sun was like the coming of a shadow. The earthquakes began and grew until all down America from the Arctic Circle to Cape Horn, hillsides were sliding, fissures were opening, and houses and walls crumbling to destruction. The whole side of Cotopaxi slipped out in one vast convulsion, and a tumult of lava poured out so high and broad and swift and liquid that in one day it reached the sea.

And along the coast of Argentina and up the South Atlantic, the tides were higher than anyone had ever seen, and the storms pushed the waters miles inland, submerging entire cities. The heat at night became so intense that sunrise felt like the arrival of a shadow. Earthquakes started and intensified until all across America, from the Arctic Circle to Cape Horn, hillsides were collapsing, cracks were appearing, and buildings were falling apart. The entire side of Cotopaxi suddenly gave way in one massive eruption, and a rush of lava flowed out so high, wide, fast, and fluid that it reached the sea in just one day.

So the star, with the wan moon in its wake, marched across the Pacific, trailed the thunderstorms like the hem of a robe, and the growing tidal wave that toiled behind it, frothing and eager, poured over island and island and swept[52] them clear of men. Until that wave came at last—in a blinding light and with the breath of a furnace, swift and terrible it came—a wall of water, fifty feet high, roaring hungrily, upon the long coasts of Asia, and swept inland across the plains of China. For a space the star, hotter now and larger and brighter than the sun in its strength, showed with pitiless brilliance the wide and populous country; towns and villages with their pagodas and trees, roads, wide cultivated fields, millions of sleepless people staring in helpless terror at the incandescent sky; and then, low and growing, came the murmur of the flood. And thus it was with millions of men that night—a flight nowhither, with limbs heavy with heat and breath fierce and scant, and the flood like a wall swift and white behind. And then death.

So the star, with the dim moon following it, moved across the Pacific, trailing thunderstorms like the edge of a robe, and the rising tidal wave that struggled behind it, bubbling and eager, surged over island after island, sweeping[52] them clear of people. Until that wave finally arrived—in a blinding light and with the heat of a furnace, fast and fearsome it came—a wall of water, fifty feet high, roaring hungrily, onto the long shores of Asia, and rushed inland across the plains of China. For a moment the star, now hotter and larger and brighter than the sun at its peak, shone with relentless brilliance over the vast and crowded land; towns and villages with their pagodas and trees, roads, wide farmland, millions of restless people staring in helpless terror at the blazing sky; and then, low and growing, came the sound of the flood. And so it was for millions of people that night—a frantic escape with bodies heavy from the heat and breath short and labored, with the flood like a wall rushing swiftly behind. And then death.

China was lit glowing white, but over Japan and Java and all the islands of Eastern Asia the great star was a ball of dull red fire because of the steam and smoke and ashes the volcanoes were spouting forth to salute its coming. Above was the lava, hot gases and ash, and below the seething floods, and the whole earth swayed and rumbled with the earthquake shocks. Soon the immemorial snows of Thibet and the Himalaya were melting and pouring[53] down by ten million deepening converging channels upon the plains of Burmah and Hindostan. The tangled summits of the Indian jungles were aflame in a thousand places, and below the hurrying waters around the stems were dark objects that still struggled feebly and reflected the blood-red tongues of fire. And in a rudderless confusion a multitude of men and women fled down the broad river-ways to that one last hope of men—the open sea.

China was glowing white, but over Japan, Java, and all the islands of Eastern Asia, the great star was a dull red ball of fire because of the steam, smoke, and ash that the volcanoes were spewing out to greet its arrival. Above were lava, hot gases, and ash, while below, the raging floods made the whole earth sway and rumble with earthquake shocks. Soon, the ancient snows of Tibet and the Himalayas began melting, flowing down through ten million deepening channels onto the plains of Burma and Hindostan. The tangled peaks of the Indian jungles were ablaze in a thousand spots, and below, the rushing waters around the trunks were dark objects that still struggled weakly, reflecting the blood-red tongues of fire. In a chaotic rush, a crowd of men and women fled down the wide river routes to that one last hope of mankind—the open sea.

Larger grew the star, and larger, hotter, and brighter with a terrible swiftness now. The tropical ocean had lost its phosphorescence, and the whirling steam rose in ghostly wreaths from the black waves that plunged incessantly, speckled with storm-tossed ships.

Larger grew the star, and larger, hotter, and brighter with a terrible swiftness now. The tropical ocean had lost its glow, and the swirling steam rose in ghostly rings from the dark waves that crashed endlessly, dotted with storm-tossed ships.

And then came a wonder. It seemed to those who in Europe watched for the rising of the star that the world must have ceased its rotation. In a thousand open spaces of down and upland the people who had fled thither from the floods and the falling houses and sliding slopes of hill watched for that rising in vain. Hour followed hour through a terrible suspense, and the star rose not. Once again men set their eyes upon the old constellations they had counted lost to them forever. In England it was hot and clear overhead, though the[54] ground quivered perpetually, but in the tropics, Sirius and Capella and Aldebaran showed through a veil of steam. And when at last the great star rose near ten hours late, the sun rose close upon it, and in the centre of its white heart was a disc of black.

And then something amazing happened. It seemed to those in Europe waiting for the star to rise that the world had stopped spinning. In countless open spaces across the hills and valleys, people who had escaped from the floods, collapsing buildings, and landslides anxiously awaited that rise, but it didn't come. Hours dragged on in unbearable suspense, and the star still didn't appear. Once again, people looked up at the old constellations they thought they had lost forever. In England, the sky was hot and clear, even though the ground shook constantly, while in the tropics, Sirius, Capella, and Aldebaran peeked through a haze of steam. Finally, when the great star rose nearly ten hours late, the sun followed closely behind it, and in the center of its bright heart was a black disc.

Over Asia it was the star had begun to fall behind the movement of the sky, and then suddenly, as it hung over India, its light had been veiled. All the plain of India from the mouth of the Indus to the mouths of the Ganges was a shallow waste of shining water that night, out of which rose temples and palaces, mounds and hills, black with people. Every minaret was a clustering mass of people, who fell one by one into the turbid waters, as heat and terror overcame them. The whole land seemed a-wailing, and suddenly there swept a shadow across that furnace of despair, and a breath of cold wind, and a gathering of clouds, out of the cooling air. Men looking up, near blinded, at the star, saw that a black disc was creeping across the light. It was the moon, coming between the star and the earth. And even as men cried to God at this respite, out of the East with a strange inexplicable swiftness sprang the sun. And then star, sun and moon rushed together across the heavens.[55]

Over Asia, the star had started to fall behind the movement of the sky, and then suddenly, as it hung over India, its light was hidden. That night, the entire plain of India, from the mouth of the Indus to the mouths of the Ganges, was a shallow stretch of shining water, from which temples and palaces, mounds and hills rose, crowded with people. Every minaret was packed with people who fell one by one into the muddy waters as heat and terror overpowered them. The whole land seemed to be wailing, and suddenly, a shadow swept across that furnace of despair, along with a chilly breeze and a gathering of clouds from the cooler air. Men looking up, nearly blinded by the star, saw a dark disc creeping across the light. It was the moon moving between the star and the earth. And just as men cried out to God in this moment of relief, from the East, with a strange and inexplicable swiftness, the sun sprang up. Then the star, sun, and moon raced together across the heavens.[55]

So it was that presently, to the European watchers, star and sun rose close upon each other, drove headlong for a space and then slower, and at last came to rest, star and sun merged into one glare of flame at the zenith of the sky. The moon no longer eclipsed the star but was lost to sight in the brilliance of the sky. And though those who were still alive regarded it for the most part with that dull stupidity that hunger, fatigue, heat and despair engender, there were still men who could perceive the meaning of these signs. Star and earth had been at their nearest, had swung about one another, and the star had passed. Already it was receding, swifter and swifter, in the last stage of its headlong journey downward into the sun.

So, it happened that soon, for the European observers, the star and sun rose almost simultaneously, rushed toward each other for a while, then slowed down, and finally came to a stop, with the star and sun merging into a single blaze at the top of the sky. The moon was no longer blocking the star but vanished from sight in the brilliance of the sky. And even though most of the people still alive looked at it with a blank stupor caused by hunger, fatigue, heat, and despair, there were some who could grasp the meaning of these signs. The star and earth had been at their closest, had orbited each other, and the star had moved on. It was already pulling away, faster and faster, in the final stage of its rapid descent into the sun.

And then the clouds gathered, blotting out the vision of the sky, the thunder and lightning wove a garment round the world; all over the earth was such a downpour of rain as men had never before seen, and where the volcanoes flared red against the cloud canopy there descended torrents of mud. Everywhere the waters were pouring off the land, leaving mud-silted ruins, and the earth littered like a storm-worn beach with all that had floated, and the dead bodies of the men and brutes, its children.[56] For days the water streamed off the land, sweeping away soil and trees and houses in the way, and piling huge dykes and scooping out Titanic gullies over the country side. Those were the days of darkness that followed the star and the heat. All through them, and for many weeks and months, the earthquakes continued.

And then the clouds gathered, blocking out the view of the sky, while thunder and lightning wove a shroud around the world; it rained heavily everywhere, unlike anything people had ever seen before, and where the volcanoes erupted red against the cloud cover, torrents of mud came down. All over, the waters flowed off the land, leaving behind mud-covered ruins, and the earth was scattered like a storm-tossed beach with everything that had floated away, including the dead bodies of men and animals, its children.[56] For days, the water poured off the land, taking soil, trees, and houses with it, creating massive dikes and carving out giant gullies across the countryside. Those were the dark days that followed the star and the heat. Throughout that time, and for many weeks and months, the earthquakes kept going.

But the star had passed, and men, hunger-driven and gathering courage only slowly, might creep back to their ruined cities, buried granaries, and sodden fields. Such few ships as had escaped the storms of that time came stunned and shattered and sounding their way cautiously through the new marks and shoals of once familiar ports. And as the storms subsided men perceived that everywhere the days were hotter than of yore, and the sun larger, and the moon, shrunk to a third of its former size, took now fourscore days between its new and new.

But the star had faded, and people, driven by hunger and slowly gathering their courage, might creep back to their ruined cities, buried grain stores, and waterlogged fields. The few ships that had survived the storms of that time came back dazed and damaged, carefully navigating through the new obstacles and shallow waters of once-familiar ports. As the storms calmed down, people noticed that the days were hotter than before, the sun appeared bigger, and the moon, shrunk to a third of its previous size, now took eighty days to go from one new phase to the next.

But of the new brotherhood that grew presently among men, of the saving of laws and books and machines, of the strange change that had come over Iceland and Greenland and the shores of Baffin's Bay, so that the sailors coming there presently found them green and gracious, and could scarce believe their eyes, this[57] story does not tell. Nor of the movement of mankind now that the earth was hotter, northward and southward towards the poles of the earth. It concerns itself only with the coming and the passing of the Star.

But the new brotherhood that formed among people, the preservation of laws, books, and machines, and the strange transformation that had taken place in Iceland, Greenland, and the shores of Baffin's Bay, where sailors soon found them lush and beautiful, almost unbelievable, this[57] story doesn’t mention. Nor does it discuss the movement of humanity now that the earth was warmer, moving northward and southward toward the poles. It focuses solely on the arrival and departure of the Star.

The Martian astronomers—for there are astronomers on Mars, although they are very different beings from men—were naturally profoundly interested by these things. They saw them from their own standpoint of course. "Considering the mass and temperature of the missile that was flung through our solar system into the sun," one wrote, "it is astonishing what a little damage the earth, which it missed so narrowly, has sustained. All the familiar continental markings and the masses of the seas remain intact, and indeed the only difference seems to be a shrinkage of the white discolouration (supposed to be frozen water) round either pole." Which only shows how small the vastest of human catastrophes may seem, at a distance of a few million miles.

The Martian astronomers—since there are astronomers on Mars, although they are very different from humans—were naturally very interested in these events. They viewed them from their own perspective, of course. "Given the size and temperature of the projectile that was shot through our solar system towards the sun," one noted, "it’s surprising how little damage the Earth, which it barely missed, has taken. All the recognizable continent outlines and the large bodies of water remain intact, and really the only change seems to be a reduction of the white discoloration (thought to be frozen water) around each pole." This just shows how minor the biggest human disasters can appear when viewed from a few million miles away.


A Story of the Stone Age

A STORY OF THE STONE AGE

I—UGH-LOMI AND UYA

This story is of a time beyond the memory of man, before the beginning of history, a time when one might have walked dryshod from France (as we call it now) to England, and when a broad and sluggish Thames flowed through its marshes to meet its father Rhine, flowing through a wide and level country that is under water in these latter days, and which we know by the name of the North Sea. In that remote age the valley which runs along the foot of the Downs did not exist, and the south of Surrey was a range of hills, fir-clad on the middle slopes, and snow-capped for the better part of the year. The cores of its summits still remain as Leith Hill, and Pitch Hill, and Hindhead. On the lower slopes of the range, below the grassy spaces where the wild horses grazed, were forests of yew and sweet-chestnut and elm, and the thickets and dark places hid the[62] grizzly bear and the hyæna, and the grey apes clambered through the branches. And still lower amidst the woodland and marsh and open grass along the Wey did this little drama play itself out to the end that I have to tell. Fifty thousand years ago it was, fifty thousand years—if the reckoning of geologists is correct.

This story takes place in a time long before anyone could remember, before history began, when you could walk from France (as we now call it) to England without getting your feet wet. Back then, a wide and slow-moving Thames flowed through marshes to join its parent river, the Rhine, in a vast, flat landscape that is now submerged, known today as the North Sea. In that distant time, the valley at the foot of the Downs didn’t exist, and southern Surrey was a range of hills, covered in fir trees on the middle slopes and topped with snow for most of the year. The peaks still stand today as Leith Hill, Pitch Hill, and Hindhead. On the lower slopes, beneath the grassy areas where wild horses roamed, there were forests of yew, sweet chestnut, and elm, and the thickets and dark places concealed the[62] grizzly bear and the hyena, while grey apes swung through the branches. And even lower, amidst the woods, marsh, and open grass along the Wey, this small drama unfolded to the conclusion I have to share. It was fifty thousand years ago, fifty thousand years—if geologists are right about the timeline.

And in those days the spring-time was as joyful as it is now, and sent the blood coursing in just the same fashion. The afternoon sky was blue with piled white clouds sailing through it, and the southwest wind came like a soft caress. The new-come swallows drove to and fro. The reaches of the river were spangled with white ranunculus, the marshy places were starred with lady's-smock and lit with marsh-mallow wherever the regiments of the sedges lowered their swords, and the northward-moving hippopotami, shiny black monsters, sporting clumsily, came floundering and blundering through it all, rejoicing dimly and possessed with one clear idea, to splash the river muddy.

And back then, spring was just as joyful as it is now, making the blood race in the same way. The afternoon sky was blue with fluffy white clouds drifting through it, and the southwest wind felt like a gentle touch. The newly arrived swallows zipped back and forth. The riverbanks were dotted with white ranunculus, the marshy areas sparkled with lady's-smock and bloomed with marsh-mallow wherever the clusters of reeds swooped down like swords, and the hippos, shiny black beasts, clumsily played around, splashing through everything with one clear intention: to muddy the river.

Up the river and well in sight of the hippopotami, a number of little buff-coloured animals dabbled in the water. There was no fear, no rivalry, and no enmity between them and the hippopotami. As the great bulks came crashing through the reeds and smashed the[63] mirror of the water into silvery splashes, these little creatures shouted and gesticulated with glee. It was the surest sign of high spring. "Boloo!" they cried. "Baayah. Boloo!" They were the children of the men folk, the smoke of whose encampment rose from the knoll at the river's bend. Wild-eyed youngsters they were, with matted hair and little broad-nosed impish faces, covered (as some children are covered even nowadays) with a delicate down of hair. They were narrow in the loins and long in the arms. And their ears had no lobes, and had little pointed tips, a thing that still, in rare instances, survives. Stark-naked vivid little gipsies, as active as monkeys and as full of chatter, though a little wanting in words.

Up the river and clearly visible from the hippos, a group of small, light-colored animals splashed around in the water. There was no fear, competition, or hostility between them and the hippos. As the large creatures pushed through the reeds and broke the surface of the water into shiny droplets, these little animals shouted and waved with excitement. It was a sure sign that spring was in full swing. "Boloo!" they called. "Baayah. Boloo!" They were the children of the men from the campsite, where smoke rose from the hill at the river's bend. Wild-eyed kids with tangled hair and small, broad-nosed, mischievous faces, they were covered (just like some kids are today) with a fine layer of fuzz. They had slim bodies and long arms. Their ears were lobeless and pointed at the tips, a trait that still, on rare occasions, appears. Bright, naked little kids, as lively as monkeys and full of chatter, though somewhat limited in their vocabulary.

Their elders were hidden from the wallowing hippopotami by the crest of the knoll. The human squatting-place was a trampled area among the dead brown fronds of Royal Fern, through which the crosiers of this year's growth were unrolling to the light and warmth. The fire was a smouldering heap of char, light grey and black, replenished by the old women from time to time with brown leaves. Most of the men were asleep—they slept sitting with their foreheads on their knees. They had killed that morning a good quarry,[64] enough for all, a deer that had been wounded by hunting dogs; so that there had been no quarrelling among them, and some of the women were still gnawing the bones that lay scattered about. Others were making a heap of leaves and sticks to feed Brother Fire when the darkness came again, that he might grow strong and tall therewith, and guard them against the beasts. And two were piling flints that they brought, an armful at a time, from the bend of the river where the children were at play.

Their elders were out of sight from the wallowing hippos, hidden by the rise of the hill. The spot where the humans squatted was a trampled patch among the dead brown leaves of Royal Fern, through which the new growth's crosiers were unfurling toward the light and warmth. The fire was a smoldering pile of ash, light gray and black, occasionally replenished by the older women with brown leaves. Most of the men were asleep—they dozed with their foreheads resting on their knees. Earlier that morning, they had successfully hunted a deer, wounded by dogs; there had been no fighting among them, and some of the women were still gnawing the bones scattered around. Others were gathering leaves and twigs to feed Brother Fire when darkness fell again, so he could grow strong and tall, keeping them safe from the beasts. Two others were collecting flints, carrying them in bundles from the riverbend where the children played.

None of these buff-skinned savages were clothed, but some wore about their hips rude girdles of adder-skin or crackling undressed hide, from which depended little bags, not made, but torn from the paws of beasts, and carrying the rudely-dressed flints that were men's chief weapons and tools. And one woman, the mate of Uya the Cunning Man, wore a wonderful necklace of perforated fossils—that others had worn before her. Beside some of the sleeping men lay the big antlers of the elk, with the tines chipped to sharp edges, and long sticks, hacked at the ends with flints into sharp points. There was little else save these things and the smouldering fire to mark these human beings off from the wild animals[65] that ranged the country. But Uya the Cunning did not sleep, but sat with a bone in his hand and scraped busily thereon with a flint, a thing no animal would do. He was the oldest man in the tribe, beetle-browed, prognathous, lank-armed; he had a beard and his cheeks were hairy, and his chest and arms were black with thick hair. And by virtue both of his strength and cunning he was master of the tribe, and his share was always the most and the best.

None of these rugged-skinned people were dressed, but some wore rough belts made from snake skin or coarse, raw hides, from which hung small bags that were ripped from animal paws, containing the crudely shaped flints that were the main weapons and tools of the men. One woman, Uya the Cunning Man's partner, wore a stunning necklace made of pierced fossils that had belonged to others before her. Next to some of the sleeping men lay large elk antlers, with the tines sharpened to a point, and long sticks that had been chipped at the ends to create sharp points. There was little else besides these items and the smoldering fire to distinguish these humans from the wild animals[65] that roamed the land. But Uya the Cunning didn't sleep; he sat with a bone in his hand, scraping away with a flint, something no animal would do. He was the oldest man in the tribe, with a heavy brow, prominent jaw, and thin arms; he had a beard, and his cheeks were hairy, while his chest and arms were covered in thick hair. Because of both his strength and cleverness, he was the leader of the tribe, and he always received the most and the best.

Eudena had hidden herself among the alders, because she was afraid of Uya. She was still a girl, and her eyes were bright and her smile pleasant to see. He had given her a piece of the liver, a man's piece, and a wonderful treat for a girl to get; but as she took it the other woman with the necklace had looked at her, an evil glance, and Ugh-lomi had made a noise in his throat. At that, Uya had looked at him long and steadfastly, and Ugh-lomi's face had fallen. And then Uya had looked at her. She was frightened and she had stolen away, while the feeding was still going on, and Uya was busy with the marrow of a bone. Afterwards he had wandered about as if looking for her. And now she crouched among the alders, wondering mightily what Uya might be doing with the[66] flint and the bone. And Ugh-lomi was not to be seen.

Eudena had hidden herself among the alders because she was scared of Uya. She was still a girl, her eyes bright and her smile nice to see. He had given her a piece of liver, a man’s portion, which was a great treat for a girl; but as she took it, the other woman with the necklace shot her an evil look, and Ugh-lomi had made a noise in his throat. At that, Uya had stared at him intently, and Ugh-lomi's expression had fallen. Then Uya had looked at her. She was frightened and had sneaked away while the feeding was still happening, and Uya was busy with the marrow of a bone. Later, he had wandered around as if searching for her. Now, she crouched among the alders, deeply wondering what Uya was doing with the[66] flint and the bone. And Ugh-lomi was nowhere to be seen.

Presently a squirrel came leaping through the alders, and she lay so quiet the little man was within six feet of her before he saw her. Whereupon he dashed up a stem in a hurry and began to chatter and scold her. "What are you doing here," he asked, "away from the other men beasts?" "Peace," said Eudena, but he only chattered more, and then she began to break off the little black cones to throw at him. He dodged and defied her, and she grew excited and rose up to throw better, and then she saw Uya coming down the knoll. He had seen the movement of her pale arm amidst the thicket—he was very keen-eyed.

Right now, a squirrel came jumping through the alders, and she stayed so still that the little man was only six feet away before he noticed her. Then he rushed up a stem quickly and started to chatter and scold her. "What are you doing here," he asked, "away from the other creatures?" "Leave me alone," said Eudena, but he just chattered more, and then she started breaking off the small black cones to throw at him. He dodged and challenged her, which made her more excited, so she stood up to throw better, and then she noticed Uya coming down the knoll. He had seen her pale arm moving through the thicket—he was very sharp-eyed.

At that she forgot the squirrel and set off through the alders and reeds as fast as she could go. She did not care where she went so long as she escaped Uya. She splashed nearly knee-deep through a swampy place, and saw in front of her a slope of ferns—growing more slender and green as they passed up out of the light into the shade of the young chestnuts. She was soon amidst the trees—she was very fleet of foot, and she ran on and on until the forest was old and the vales great, and the vines about their stems where the light came[67] were thick as young trees, and the ropes of ivy stout and tight. On she went, and she doubled and doubled again, and then at last lay down amidst some ferns in a hollow place near a thicket, and listened with her heart beating in her ears.

At that, she forgot about the squirrel and took off through the alders and reeds as fast as she could. She didn’t care where she was headed, as long as she could get away from Uya. She splashed through a swampy area that was nearly knee-deep and saw in front of her a slope of ferns—getting thinner and greener as they reached up from the light into the shade of the young chestnut trees. She was soon among the trees—very quick on her feet—and she kept running until the forest became ancient and the valleys wider, with thick vines around their trunks where the light filtered through, as sturdy as young trees, and the ropes of ivy strong and tight. She kept going, twisting and turning, until finally, she lay down in a hollow among some ferns near a thicket and listened, her heart pounding in her ears.

She heard footsteps presently rustling among the dead leaves, far off, and they died away and everything was still again, except the scandalising of the midges—for the evening was drawing on—and the incessant whisper of the leaves. She laughed silently to think the cunning Uya should go by her. She was not frightened. Sometimes, playing with the other girls and lads, she had fled into the wood, though never so far as this. It was pleasant to be hidden and alone.

She heard footsteps rustling among the dead leaves in the distance, and then they faded away, leaving everything still again, except for the buzzing of the midges, as evening approached, and the constant whisper of the leaves. She quietly laughed at the thought of the sneaky Uya passing by her. She wasn't scared. Sometimes, while playing with the other girls and boys, she had run into the woods, though never this deep. It felt nice to be hidden and alone.

She lay a long time there, glad of her escape, and then she sat up listening.

She stayed there for a long time, happy about her escape, and then she sat up and listened.

It was a rapid pattering growing louder and coming towards her, and in a little while she could hear grunting noises and the snapping of twigs. It was a drove of lean grisly wild swine. She turned about her, for a boar is an ill fellow to pass too closely, on account of the sideway slash of his tusks, and she made off slantingly through the trees. But the patter came nearer, they were not feeding as they[68] wandered, but going fast—or else they would not overtake her—and she caught the limb of a tree, swung on to it, and ran up the stem with something of the agility of a monkey.

It was a quick pattering that got louder and came closer to her, and soon she could hear grunting noises and twigs snapping. It was a group of thin, scary wild pigs. She looked around because a boar isn't safe to be near due to the dangerous swing of its tusks, and she moved off diagonally through the trees. But the noise got closer; they weren't just foraging, they were moving fast—or else they wouldn’t catch up to her—and she grabbed onto a tree branch, swung onto it, and climbed up the trunk with a bit of agility like a monkey.

Down below the sharp bristling backs of the swine were already passing when she looked. And she knew the short, sharp grunts they made meant fear. What were they afraid of? A man? They were in a great hurry for just a man.

Down below, the sharp, prickly backs of the pigs were already moving past when she looked. And she knew the short, sharp grunts they made signified fear. What were they afraid of? A man? They were in such a rush over just a man.

And then, so suddenly it made her grip on the branch tighten involuntarily, a fawn started in the brake and rushed after the swine. Something else went by, low and grey, with a long body; she did not know what it was, indeed she saw it only momentarily through the interstices of the young leaves; and then there came a pause.

And then, so suddenly that it made her grip on the branch tighten without thinking, a fawn jumped out of the underbrush and darted after the wild boar. Something else passed by, low and gray, with a long body; she didn’t really know what it was, in fact, she only caught a glimpse of it through the gaps in the young leaves; and then there was a pause.

She remained stiff and expectant, as rigid almost as though she was a part of the tree she clung to, peering down.

She stayed tense and waiting, almost as rigid as if she was part of the tree she was holding onto, looking down.

Then, far away among the trees, clear for a moment, then hidden, then visible knee-deep in ferns, then gone again, ran a man. She knew it was young Ugh-lomi by the fair colour of his hair, and there was red upon his face. Somehow his frantic flight and that scarlet mark made her feel sick. And then nearer, running[69] heavily and breathing hard, came another man. At first she could not see, and then she saw, foreshortened and clear to her, Uya, running with great strides and his eyes staring. He was not going after Ugh-lomi. His face was white. It was Uya—afraid! He passed, and was still loud hearing, when something else, something large and with grizzled fur, swinging along with soft swift strides, came rushing in pursuit of him.

Then, far away among the trees, clear for a moment, then hidden, then visible knee-deep in ferns, then gone again, ran a man. She recognized it was young Ugh-lomi by the light color of his hair, and there was blood on his face. Somehow his desperate escape and that red mark made her feel nauseous. Then, closer, running heavily and breathing hard, came another man. At first, she couldn’t see clearly, and then she saw, foreshortened and clear to her, Uya, running with long strides and his eyes wide open. He wasn’t chasing Ugh-lomi. His face was pale. It was Uya—afraid! He passed by, still loud in her ears, when suddenly something else, something large with grayish fur, came rushing after him with soft, swift strides.

Eudena suddenly became rigid, ceased to breathe, her clutch convulsive, and her eyes starting.

Eudena suddenly went stiff, stopped breathing, her grip tightening, and her eyes wide open.

She had never seen the thing before, she did not even see him clearly now, but she knew at once it was the Terror of the Woodshade. His name was a legend, the children would frighten one another, frighten even themselves with his name, and run screaming to the squatting-place. No man had ever killed any of his kind. Even the mighty mammoth feared his anger. It was the grizzly bear, the lord of the world as the world went then.

She had never seen it before, and she didn’t even see him clearly now, but she instantly recognized it as the Terror of the Woodshade. His name was legendary; kids would scare each other, and even themselves, just by mentioning his name, and would run screaming to the safe spot. No one had ever managed to kill one of his kind. Even the mighty mammoth was afraid of his wrath. He was the grizzly bear, the ruler of the world as it existed back then.

As he ran he made a continuous growling grumble. "Men in my very lair! Fighting and blood. At the very mouth of my lair. Men, men, men. Fighting and blood." For he was the lord of the wood and of the caves.[70]

As he ran, he kept making a low growling sound. "People in my own den! Fighting and bloodshed. Right at the entrance of my lair. Humans, humans, humans. Fighting and blood." For he was the master of the woods and the caves.[70]

Long after he had passed she remained, a girl of stone, staring down through the branches. All her power of action had gone from her. She gripped by instinct with hands and knees and feet. It was some time before she could think, and then only one thing was clear in her mind, that the Terror was between her and the tribe—that it would be impossible to descend.

Long after he was gone, she stayed there, a girl of stone, looking down through the branches. All her ability to act had left her. She instinctively held on with her hands, knees, and feet. It took her a while to begin thinking, and then only one thing was clear in her mind: the Terror was between her and the tribe—that it would be impossible to climb down.

Presently when her fear was a little abated she clambered into a more comfortable position, where a great branch forked. The trees rose about her, so that she could see nothing of Brother Fire, who is black by day. Birds began to stir, and things that had gone into hiding for fear of her movements crept out....

Presently, when her fear had eased a bit, she climbed into a more comfortable spot where a large branch split. The trees surrounded her, blocking her view of Brother Fire, who is black during the day. Birds started to move around, and the things that had hidden away due to her movements slowly came out....

After a time the taller branches flamed out at the touch of the sunset. High overhead the rooks, who were wiser than men, went cawing home to their squatting-places among the elms. Looking down, things were clearer and darker. Eudena thought of going back to the squatting-place; she let herself down some way, and then the fear of the Terror of the Woodshade came again. While she hesitated a rabbit squealed dismally, and she dared not descend farther.

After a while, the taller branches burst into flames with the sunset. High above, the rooks, who were smarter than humans, cawed as they headed home to their resting spots among the elms. Looking down, everything seemed clearer yet darker. Eudena considered going back to the resting place; she lowered herself a bit, but then the fear of the Terror of the Woodshade returned. As she hesitated, a rabbit let out a mournful squeal, and she didn’t dare go down any further.

The shadows gathered, and the deeps of the forest began stirring. Eudena went up the tree[71] again to be nearer the light. Down below the shadows came out of their hiding-places and walked abroad. Overhead the blue deepened. A dreadful stillness came, and then the leaves began whispering.

The shadows creeped in, and the depths of the forest started to move. Eudena climbed the tree[71] again to be closer to the light. Down below, the shadows emerged from their hiding spots and started to roam. Above, the blue sky became darker. An eerie silence settled in, and then the leaves began to whisper.

Eudena shivered and thought of Brother Fire.

Eudena shivered and thought about Brother Fire.

The shadows now were gathering in the trees, they sat on the branches and watched her. Branches and leaves were turned to ominous, quiet black shapes that would spring on her if she stirred. Then the white owl, flitting silently, came ghostly through the shades. Darker grew the world and darker, until the leaves and twigs against the sky were black, and the ground was hidden.

The shadows were now collecting in the trees, sitting on the branches and watching her. The branches and leaves had become eerie, quiet black shapes that would pounce on her if she moved. Then the white owl, flying silently, appeared like a ghost through the darkness. The world grew darker and darker, until the leaves and twigs against the sky were black, and the ground was obscured.

She remained there all night, an age-long vigil, straining her ears for the things that went on below in the darkness, and keeping motionless lest some stealthy beast should discover her. Man in those days was never alone in the dark, save for such rare accidents as this. Age after age he had learnt the lesson of its terror—a lesson we poor children of his have nowadays painfully to unlearn. Eudena, though in age a woman, was in heart like a little child. She kept as still, poor little animal, as a hare before it is started.[72]

She stayed there all night, a long watch, straining to hear what was happening below in the darkness and remaining completely still in case a stealthy creature discovered her. In those days, people were never alone in the dark, except for rare situations like this. For ages, they had learned the lesson of its terror—a lesson we, the younger generations, now have to painfully unlearn. Eudena, though she was a woman in age, was like a little child at heart. She stayed as still as a frightened hare before it bolts.[72]

The stars gathered and watched her—her one grain of comfort. In one bright one she fancied there was something like Ugh-lomi. Then she fancied it was Ugh-lomi. And near him, red and duller, was Uya, and as the night passed Ugh-lomi fled before him up the sky.

The stars gathered and watched her—her one source of comfort. In one bright star, she imagined there was something like Ugh-lomi. Then she thought it actually was Ugh-lomi. And near him, red and dimmer, was Uya, and as the night went on, Ugh-lomi fled before him up the sky.

She tried to see Brother Fire, who guarded the squatting-place from beasts, but he was not in sight. And far away she heard the mammoths trumpeting as they went down to the drinking-place, and once some huge bulk with heavy paces hurried along, making a noise like a calf, but what it was she could not see. But she thought from the voice it was Yaaa the rhinoceros, who stabs with his nose, goes always alone, and rages without cause.

She tried to spot Brother Fire, who kept watch over the camping area from predators, but he wasn't visible. In the distance, she heard the mammoths trumpeting as they headed to the watering hole, and once something massive with heavy footsteps rushed by, making a sound like a calf, but she couldn't see what it was. From the sound, she guessed it was Yaaa the rhinoceros, who charges with his horn, always roams alone, and gets angry without reason.

At last the little stars began to hide, and then the larger ones. It was like all the animals vanishing before the Terror. The Sun was coming, lord of the sky, as the grizzly was lord of the forest. Eudena wondered what would happen if one star stayed behind. And then the sky paled to the dawn.

At last the little stars started to fade away, followed by the bigger ones. It felt like all the animals disappearing in the face of the Terror. The Sun was rising, master of the sky, just like the grizzly was king of the forest. Eudena wondered what would happen if just one star remained. And then the sky lightened with the dawn.

When the daylight came the fear of lurking things passed, and she could descend. She was stiff, but not so stiff as you would have been, dear young lady (by virtue of your upbringing), and as she had not been trained to eat at[73] least once in three hours, but instead had often fasted three days, she did not feel uncomfortably hungry. She crept down the tree very cautiously, and went her way stealthily through the wood, and not a squirrel sprang or deer started but the terror of the grizzly bear froze her marrow.

When daylight arrived, the fear of hidden dangers faded, and she was able to come down. She was stiff, but not as stiff as you would have been, dear young lady (thanks to your upbringing), and since she hadn’t been taught to eat at[73] least once every three hours, but instead had often gone three days without food, she didn’t feel overly hungry. She climbed down the tree very carefully and moved quietly through the woods, and not a squirrel jumped or deer startled without the fear of the grizzly bear chilling her to the bone.

Her desire was now to find her people again. Her dread of Uya the Cunning was consumed by a greater dread of loneliness. But she had lost her direction. She had run heedlessly overnight, and she could not tell whether the squatting-place was sunward or where it lay. Ever and again she stopped and listened, and at last, very far away, she heard a measured chinking. It was so faint even in the morning stillness that she could tell it must be far away. But she knew the sound was that of a man sharpening a flint.

Her desire now was to find her people again. Her fear of Uya the Cunning was overshadowed by an even greater fear of loneliness. But she had lost her way. She had run carelessly overnight, and she couldn't tell whether the place she was looking for was in the direction of the sun or where it was located. Time and again, she stopped and listened, and finally, very far off, she heard a rhythmic chinking. It was so faint even in the morning stillness that she knew it had to be far away. But she recognized the sound as that of a man sharpening a flint.

Presently the trees began to thin out, and then came a regiment of nettles barring the way. She turned aside, and then she came to a fallen tree that she knew, with a noise of bees about it. And so presently she was in sight of the knoll, very far off, and the river under it, and the children and the hippopotami just as they had been yesterday, and the thin spire of smoke swaying in the morning breeze. Far[74] away by the river was the cluster of alders where she had hidden. And at the sight of that the fear of Uya returned, and she crept into a thicket of bracken, out of which a rabbit scuttled, and lay awhile to watch the squatting-place.

Right now, the trees started to space out, and then she encountered a patch of nettles blocking her path. She turned away and soon came across a fallen tree she recognized, buzzing with bees around it. Soon, she could see the knoll far off in the distance, the river flowing beneath it, and the kids and the hippos just like they had been yesterday, with a thin wisp of smoke dancing in the morning breeze. Far away by the river was the group of alders where she had hidden. Seeing that brought back her fear of Uya, so she sneaked into a thicket of ferns, sending a rabbit scurrying away, and lay there for a while to keep an eye on the place where she sat.

The men were mostly out of sight, saving Wau, the flint-chopper; and at that she felt safer. They were away hunting food, no doubt. Some of the women, too, were down in the stream, stooping intent, seeking mussels, crayfish, and water-snails, and at the sight of their occupation Eudena felt hungry. She rose, and ran through the fern, designing to join them. As she went she heard a voice among the bracken calling softly. She stopped. Then suddenly she heard a rustle behind her, and turning, saw Ugh-lomi rising out of the fern. There were streaks of brown blood and dirt on his face, and his eyes were fierce, and the white stone of Uya, the white Fire Stone, that none but Uya dared to touch, was in his hand. In a stride he was beside her, and gripped her arm. He swung her about, and thrust her before him towards the woods. "Uya," he said, and waved his arms about. She heard a cry, looked back, and saw all the women standing up, and two wading out of the stream. Then came a nearer[75] howling, and the old woman with the beard, who watched the fire on the knoll, was waving her arms, and Wau, the man who had been chipping the flint, was getting to his feet. The little children too were hurrying and shouting.

The men were mostly out of sight, except for Wau, the flint-chopper; and because of that, she felt safer. They were likely out hunting for food. Some of the women were also down by the stream, bent over and focused, looking for mussels, crayfish, and water snails, and seeing what they were doing made Eudena feel hungry. She got up and ran through the ferns, planning to join them. As she moved, she heard a voice in the bracken calling softly. She stopped. Then suddenly, she heard a rustle behind her, and turning around, she saw Ugh-lomi coming out of the ferns. There were streaks of brown blood and dirt on his face, his eyes were fierce, and he held the white stone of Uya, the white Fire Stone, that only Uya dared to touch. In one stride, he was beside her, gripping her arm. He turned her around and pushed her in front of him toward the woods. "Uya," he said, waving his arms around. She heard a cry, looked back, and saw all the women standing up, with two wading out of the stream. Then came a closer howl, and the old woman with the beard, who watched the fire on the knoll, was waving her arms, and Wau, the man who had been chipping the flint, was getting to his feet. The little children were also hurrying and shouting.

"Come!" said Ugh-lomi, and dragged her by the arm.

"Come on!" said Ugh-lomi, pulling her by the arm.

She still did not understand.

She still didn't understand.

"Uya has called the death word," said Ugh-lomi, and she glanced back at the screaming curve of figures, and understood.

"Uya has unleashed the word of death," said Ugh-lomi, and she turned back to the chaotic crowd of figures, and realized.

Wau and all the women and children were coming towards them, a scattered array of buff shock-headed figures, howling, leaping, and crying. Over the knoll two youths hurried. Down among the ferns to the right came a man, heading them off from the wood. Ugh-lomi left her arm, and the two began running side by side, leaping the bracken and stepping clear and wide. Eudena, knowing her fleetness and the fleetness of Ugh-lomi, laughed aloud at the unequal chase. They were an exceptionally straight-limbed couple for those days.

Wau and all the women and kids were coming towards them, a scattered group of wild, disheveled figures, shouting, jumping, and crying. Over the hill, two young men rushed forward. Down among the ferns to the right, a man approached, blocking their path to the woods. Ugh-lomi released her grip, and the two started running side by side, leaping over the bracken and moving wide and clear. Eudena, aware of her own speed and Ugh-lomi's, laughed out loud at the uneven chase. They were an unusually tall and athletic pair for their time.

They soon cleared the open, and drew near the wood of chestnut-trees again—neither afraid now because neither was alone. They slackened their pace, already not excessive. And suddenly Eudena cried and swerved aside,[76] pointing, and looking up through the tree-stems. Ugh-lomi saw the feet and legs of men running towards him. Eudena was already running off at a tangent. And as he too turned to follow her they heard the voice of Uya coming through the trees, and roaring out his rage at them.

They quickly crossed the open area and approached the chestnut grove again—no longer scared since they weren't alone. They slowed down, already at an easy pace. Suddenly, Eudena shouted and veered off to the side, pointing and looking up through the tree trunks. Ugh-lomi saw men's feet and legs running toward him. Eudena was already sprinting off in a different direction. As he turned to follow her, they heard Uya's voice echoing through the trees, angrily shouting at them.

Then terror came in their hearts, not the terror that numbs, but the terror that makes one silent and swift. They were cut off now on two sides. They were in a sort of corner of pursuit. On the right hand, and near by them, came the men swift and heavy, with bearded Uya, antler in hand, leading them; and on the left, scattered as one scatters corn, yellow dashes among the fern and grass, ran Wau and the women; and even the little children from the shallow had joined the chase. The two parties converged upon them. Off they went, with Eudena ahead.

Then fear filled their hearts, not the kind that paralyzes, but the kind that makes you quiet and quick. They were now trapped on two sides. They were in a kind of corner, being pursued. To their right, close by, came the men, fast and heavy, with bearded Uya, holding an antler, leading them; and to their left, scattered like kernels of corn, yellow flashes among the ferns and grass, ran Wau and the women; even the little children from the shallow had joined the chase. The two groups were drawing closer to them. Away they went, with Eudena in front.

They knew there was no mercy for them. There was no hunting so sweet to these ancient men as the hunting of men. Once the fierce passion of the chase was lit, the feeble beginnings of humanity in them were thrown to the winds. And Uya in the night had marked Ugh-lomi with the death word. Ugh-lomi was the day's quarry, the appointed feast.[77]

They realized there was no mercy for them. There was no hunt as exhilarating for these ancient men as the hunt of other men. Once the intense thrill of the chase was ignited, the fragile remnants of humanity within them were cast aside. And Uya, in the night, had marked Ugh-lomi with the word of death. Ugh-lomi was the target of the day, the chosen feast.[77]

They ran straight—it was their only chance—taking whatever ground came in the way—a spread of stinging nettles, an open glade, a clump of grass out of which a hyæna fled snarling. Then woods again, long stretches of shady leaf-mould and moss under the green trunks. Then a stiff slope, tree-clad, and long vistas of trees, a glade, a succulent green area of black mud, a wide open space again, and then a clump of lacerating brambles, with beast tracks through it. Behind them the chase trailed out and scattered, with Uya ever at their heels. Eudena kept the first place, running light and with her breath easy, for Ugh-lomi carried the Fire Stone in his hand.

They ran straight ahead—it was their only chance—taking on whatever obstacles came their way—a patch of stinging nettles, an open clearing, a bunch of grass from which a hyena darted out, snarling. Then woods again, long stretches of shaded leaf litter and moss beneath the green trunks. Then a steep slope, covered in trees, and long views of more trees, a clearing, a lush green patch of black mud, another wide open space, and then a tangle of sharp brambles, with animal tracks running through it. Behind them, the pursuit broke up and scattered, with Uya always on their tails. Eudena stayed in the lead, running lightly and breathing easily, because Ugh-lomi was carrying the Fire Stone in his hand.

It told on his pace—not at first, but after a time. His footsteps behind her suddenly grew remote. Glancing over her shoulder as they crossed another open space, Eudena saw that Ugh-lomi was many yards behind her, and Uya close upon him, with antler already raised in the air to strike him down. Wau and the others were but just emerging from the shadow of the woods.

It affected his pace—not at first, but eventually. His footsteps behind her suddenly felt distant. Glancing over her shoulder as they crossed another open area, Eudena saw that Ugh-lomi was several yards behind her, with Uya right behind him, already raising his antler to strike him down. Wau and the others were just emerging from the shadows of the woods.

Seeing Ugh-lomi in peril, Eudena ran sideways, looking back, threw up her arms and cried aloud, just as the antler flew. And young Ugh-lomi, expecting this and understanding[78] her cry, ducked his head, so that the missile merely struck his scalp lightly, making but a trivial wound, and flew over him. He turned forthwith, the quartzite Fire Stone in both hands, and hurled it straight at Uya's body as he ran loose from the throw. Uya shouted, but could not dodge it. It took him under the ribs, heavy and flat, and he reeled and went down without a cry. Ugh-lomi caught up the antler—one tine of it was tipped with his own blood—and came running on again with a red trickle just coming out of his hair.

Seeing Ugh-lomi in danger, Eudena ran to the side, glancing back, threw up her arms, and shouted just as the antler flew. Young Ugh-lomi, anticipating this and understanding her cry, ducked his head, so the missile only grazed his scalp, causing a minor wound, and passed over him. He immediately turned, gripping the quartzite Fire Stone with both hands, and threw it straight at Uya's body as he ran away from the throw. Uya yelled but couldn’t avoid it. The stone struck him under the ribs, heavy and flat, and he staggered and fell without a sound. Ugh-lomi grabbed the antler—one tine stained with his own blood—and continued running with a red trickle starting to flow from his hair.

Uya rolled over twice, and lay a moment before he got up, and then he did not run fast. The colour of his face was changed. Wau overtook him, and then others, and he coughed and laboured in his breath. But he kept on.

Uya rolled over twice and lay there for a moment before getting up, and then he didn’t run very fast. The color of his face had changed. Wau caught up with him, followed by others, and he coughed and struggled to breathe. But he kept going.

At last the two fugitives gained the bank of the river, where the stream ran deep and narrow, and they still had fifty yards in hand of Wau, the foremost pursuer, the man who made the smiting-stones. He carried one, a large flint, the shape of an oyster and double the size, chipped to a chisel edge, in either hand.

At last, the two escapees reached the riverbank, where the water flowed deep and narrow, and they still had a fifty-yard lead on Wau, the closest pursuer, the guy who made the smiting stones. He held one in each hand, a large flint shaped like an oyster and twice its size, sharpened to a chisel edge.

They sprang down the steep bank into the stream, rushed through the water, swam the deep current in two or three strokes, and came out wading again, dripping and refreshed, to[79] clamber up the farther bank. It was undermined, and with willows growing thickly therefrom, so that it needed clambering. And while Eudena was still among the silvery branches and Ugh-lomi still in the water—for the antler had encumbered him—Wau came up against the sky on the opposite bank, and the smiting-stone, thrown cunningly, took the side of Eudena's knee. She struggled to the top and fell.

They jumped down the steep bank into the stream, raced through the water, swam across the deep current in two or three strokes, and came out wading again, dripping and refreshed, to[79] scramble up the other bank. It was eroded, with willows growing thickly from it, making it a challenge to climb. And while Eudena was still among the silvery branches and Ugh-lomi was still in the water—because the antler was weighing him down—Wau appeared against the sky on the opposite bank, and the smiting-stone, thrown skillfully, hit the side of Eudena's knee. She struggled to the top and fell.

They heard the pursuers shout to one another, and Ugh-lomi climbing to her and moving jerkily to mar Wau's aim, felt the second smiting-stone graze his ear, and heard the water splash below him.

They heard the hunters shouting to each other, and Ugh-lomi, climbing up to her and moving awkwardly to disrupt Wau's aim, felt the second throwing stone brush against his ear and heard the water splash below him.

Then it was Ugh-lomi, the stripling, proved himself to have come to man's estate. For running on, he found Eudena fell behind, limping, and at that he turned, and crying savagely and with a face terrible with sudden wrath and trickling blood, ran swiftly past her back to the bank, whirling the antler round his head. And Eudena kept on, running stoutly still, though she must needs limp at every step, and the pain was already sharp.

Then Ugh-lomi, the young man, showed that he had grown into adulthood. As he ran ahead, he noticed Eudena falling behind, limping. In that moment, he turned, shouting angrily with a face twisted in sudden rage and blood dripping down, and rushed back to the bank, swinging the antler around his head. Eudena kept going, still running bravely, though she had to limp with every step, and the pain was already intense.

So that Wau, rising over the edge and clutching the straight willow branches, saw Ugh-lomi towering over him, gigantic against[80] the blue; saw his whole body swing round, and the grip of his hands upon the antler. The edge of the antler came sweeping through the air, and he saw no more. The water under the osiers whirled and eddied and went crimson six feet down the stream. Uya following stopped knee-high across the stream, and the man who was swimming turned about.

So Wau, rising over the edge and grabbing the straight willow branches, saw Ugh-lomi towering above him, massive against[80] the blue sky; saw his entire body swing around, and the grip of his hands on the antler. The edge of the antler swept through the air, and then he saw no more. The water beneath the osiers swirled and eddied, turning crimson six feet down the stream. Uya, following, stopped knee-deep across the stream, and the man who was swimming turned around.

The other men who trailed after—they were none of them very mighty men (for Uya was more cunning than strong, brooking no sturdy rivals)—slackened momentarily at the sight of Ugh-lomi standing there above the willows, bloody and terrible, between them and the halting girl, with the huge antler waving in his hand. It seemed as though he had gone into the water a youth, and come out of it a man full grown.

The other men who followed behind weren't very strong (because Uya was more clever than powerful, not tolerating any tough competition)—they hesitated for a moment at the sight of Ugh-lomi standing there above the willows, bloodied and fearsome, between them and the halted girl, holding the huge antler in his hand. It felt like he had entered the water as a youth and emerged as a fully grown man.

He knew what there was behind him. A broad stretch of grass, and then a thicket, and in that Eudena could hide. That was clear in his mind, though his thinking powers were too feeble to see what should happen thereafter. Uya stood knee-deep, undecided and unarmed. His heavy mouth hung open, showing his canine teeth, and he panted heavily. His side was flushed and bruised under the hair. The other man beside him carried a sharpened stick. The[81] rest of the hunters came up one by one to the top of the bank, hairy, long-armed men clutching flints and sticks. Two ran off along the bank down stream, and then clambered to the water, where Wau had come to the surface struggling weakly. Before they could reach him he went under again. Two others threatened Ugh-lomi from the bank.

He knew what was behind him. A wide stretch of grass, then a thicket where Eudena could hide. That was clear in his mind, though his thinking was too weak to figure out what would happen next. Uya stood knee-deep, unsure and unarmed. His heavy mouth hung open, revealing his canine teeth, and he panted heavily. His side was flushed and bruised beneath the fur. The other man next to him carried a sharpened stick. The[81] rest of the hunters arrived one by one at the top of the bank, hairy, long-armed men gripping flints and sticks. Two ran off down the bank, downstream, then climbed to the water where Wau had surfaced, struggling weakly. Before they could reach him, he went under again. Two others threatened Ugh-lomi from the bank.

He answered back, shouts, vague insults, gestures. Then Uya, who had been hesitating, roared with rage, and whirling his fists plunged into the water. His followers splashed after him.

He shouted back, throwing vague insults and gestures. Then Uya, who had been uncertain, erupted with anger and, swinging his fists, jumped into the water. His followers splashed in after him.

Ugh-lomi glanced over his shoulder and found Eudena already vanished into the thicket. He would perhaps have waited for Uya, but Uya preferred to spar in the water below him until the others were beside him. Human tactics in those days, in all serious fighting, were the tactics of the pack. Prey that turned at bay they gathered around and rushed. Ugh-lomi felt the rush coming, and hurling the antler at Uya, turned about and fled.

Ugh-lomi looked back and saw that Eudena had already disappeared into the bushes. He might have waited for Uya, but Uya chose to practice in the water below him until the others joined him. Back then, human strategies in serious combat were similar to those of a pack. When prey turned to face them, they would surround it and charge. Ugh-lomi sensed the charge approaching, so he threw the antler at Uya and turned to run.

When he halted to look back from the shadow of the thicket, he found only three of his pursuers had followed him across the river, and they were going back again. Uya, with a bleeding mouth, was on the farther side of the[82] stream again, but lower down, and holding his hand to his side. The others were in the river dragging something to shore. For a time at least the chase was intermitted.

When he paused to look back from the cover of the thicket, he saw that only three of his pursuers had crossed the river after him, and they were turning back. Uya, with a bleeding mouth, was on the other side of the[82] stream again, but further downstream, and holding his side. The others were in the river pulling something to the shore. For now, at least, the chase had stopped.

Ugh-lomi stood watching for a space, and snarled at the sight of Uya. Then he turned and plunged into the thicket.

Ugh-lomi stood watching for a moment, and snarled at the sight of Uya. Then he turned and plunged into the bushes.

In a minute, Eudena came hastening to join him, and they went on hand in hand. He dimly perceived the pain she suffered from the cut and bruised knee, and chose the easier ways. But they went on all that day, mile after mile, through wood and thicket, until at last they came to the chalkland, open grass with rare woods of beech, and the birch growing near water, and they saw the Wealden mountains nearer, and groups of horses grazing together. They went circumspectly, keeping always near thicket and cover, for this was a strange region—even its ways were strange. Steadily the ground rose, until the chestnut forests spread wide and blue below them, and the Thames marshes shone silvery, high and far. They saw no men, for in those days men were still only just come into this part of the world, and were moving but slowly along the river-ways. Towards evening they came on the river again, but now it ran in a gorge, between high cliffs of[83] white chalk that sometimes overhung it. Down the cliffs was a scrub of birches and there were many birds there. And high up the cliff was a little shelf by a tree, whereon they clambered to pass the night.

In a minute, Eudena hurried to join him, and they walked hand in hand. He could tell she was in pain from her cut and bruised knee, so he took the easier paths. They traveled all day, mile after mile, through woods and brush, until they finally reached the chalkland, an open grassy area with sparse beech trees and birches growing near water. They could see the Wealden mountains getting closer, with groups of horses grazing together. They moved carefully, staying close to the thickets and cover because this area was unfamiliar—even the pathways were odd. The ground kept rising until the chestnut forests spread wide and blue below them, and the Thames marshes shimmered silvery in the distance. They saw no people since, back then, humans were just beginning to arrive in this part of the world and were moving slowly along the rivers. As evening approached, they came across the river again, but now it flowed through a gorge, between high cliffs of white chalk that sometimes loomed over it. Down the cliffs, there was a thicket of birches and many birds. High up on the cliff, there was a small ledge by a tree, which they climbed to spend the night.

They had had scarcely any food; it was not the time of year for berries, and they had no time to go aside to snare or waylay. They tramped in a hungry weary silence, gnawing at twigs and leaves. But over the surface of the cliffs were a multitude of snails, and in a bush were the freshly laid eggs of a little bird, and then Ugh-lomi threw at and killed a squirrel in a beech-tree, so that at last they fed well. Ugh-lomi watched during the night, his chin on his knees; and he heard young foxes crying hard by, and the noise of mammoths down the gorge, and the hyænas yelling and laughing far away. It was chilly, but they dared not light a fire. Whenever he dozed, his spirit went abroad, and straightway met with the spirit of Uya, and they fought. And always Ugh-lomi was paralysed so that he could not smite nor run, and then he would awake suddenly. Eudena, too, dreamt evil things of Uya, so that they both awoke with the fear of him in their hearts, and by the light of the dawn they saw a[84] woolly rhinoceros go blundering down the valley.

They had hardly eaten anything; it wasn’t the season for berries, and they didn’t have time to set traps or ambush anything. They walked in hungry, tired silence, chewing on twigs and leaves. But a ton of snails covered the cliffs, and in a bush were the freshly laid eggs of a small bird. Then Ugh-lomi threw a rock and killed a squirrel in a beech tree, so they finally had a good meal. Ugh-lomi kept watch through the night, resting his chin on his knees. He heard young foxes crying nearby, the sounds of mammoths in the gorge, and the hyenas howling and laughing in the distance. It was chilly, but they were afraid to start a fire. Whenever he dozed off, his spirit would venture out and immediately encounter Uya’s spirit, and they would fight. Ugh-lomi always felt paralyzed, unable to strike or run, and he would wake up suddenly. Eudena also had bad dreams about Uya, so they both woke up with fear in their hearts, and by dawn, they saw a[84] woolly rhinoceros stumbling down the valley.

During the day they caressed one another and were glad of the sunshine, and Eudena's leg was so stiff she sat on the ledge all day. Ugh-lomi found great flints sticking out of the cliff face, greater than any he had seen, and he dragged some to the ledge and began chipping, so as to be armed against Uya when he came again. And at one he laughed heartily, and Eudena laughed, and they threw it about in derision. It had a hole in it. They stuck their fingers through it, it was very funny indeed. Then they peeped at one another through it. Afterwards, Ugh-lomi got himself a stick, and thrusting by chance at this foolish flint, the stick went in and stuck there. He had rammed it in too tightly to withdraw it. That was still stranger—scarcely funny, terrible almost, and for a time Ugh-lomi did not greatly care to touch the thing. It was as if the flint had bit and held with its teeth. But then he got familiar with the odd combination. He swung it about, and perceived that the stick with the heavy stone on the end struck a better blow than anything he knew. He went to and fro swinging it, and striking with it; but later he tired of it and threw it aside. In the afternoon[85] he went up over the brow of the white cliff, and lay watching by a rabbit-warren until the rabbits came out to play. There were no men thereabouts, and the rabbits were heedless. He threw a smiting-stone he had made and got a kill.

During the day, they touched each other affectionately and enjoyed the sunshine, while Eudena had to sit on the ledge because her leg was so stiff. Ugh-lomi found huge flints sticking out of the cliff face, larger than any he had seen before, and he dragged some to the ledge to start chipping away at them to prepare himself for when Uya returned. At one point, he laughed heartily, and Eudena joined in, and they tossed the flint around mockingly. It had a hole in it, and they stuck their fingers through it, finding it very amusing. Then, they looked at each other through the hole. Later, Ugh-lomi picked up a stick, and by chance, when he poked at the silly flint, the stick went in and got stuck. He had pushed it in too tightly to pull it out. That felt even stranger—almost terrifying, and for a while, Ugh-lomi didn't want to touch it. It was like the flint had bitten him and held on with its teeth. But eventually, he got used to the unusual setup. He swung it around and realized that the stick with the heavy stone on the end hit harder than anything he was familiar with. He moved back and forth, swinging and striking with it; but later, he grew tired of it and tossed it aside. In the afternoon[85], he climbed over the top of the white cliff and lay watching by a rabbit warren until the rabbits came out to play. There were no other people around, and the rabbits were oblivious to him. He threw a stone he had made for striking and managed to catch one.

That night they made a fire from flint sparks and bracken fronds, and talked and caressed by it. And in their sleep Uya's spirit came again, and suddenly, while Ugh-lomi was trying to fight vainly, the foolish flint on the stick came into his hand, and he struck Uya with it, and behold! it killed him. But afterwards came other dreams of Uya—for spirits take a lot of killing, and he had to be killed again. Then after that the stone would not keep on the stick. He awoke tired and rather gloomy, and was sulky all the forenoon, in spite of Eudena's kindliness, and instead of hunting he sat chipping a sharp edge to the singular flint, and looking strangely at her. Then he bound the perforated flint on to the stick with strips of rabbit skin. And afterwards he walked up and down the ledge, striking with it, and muttering to himself, and thinking of Uya. It felt very fine and heavy in the hand.

That night, they made a fire using flint sparks and bracken leaves, talking and getting close by the warmth. In their sleep, Uya's spirit appeared again, and suddenly, while Ugh-lomi was trying to fight back unsuccessfully, the foolish flint on the stick ended up in his hand, and he hit Uya with it, and surprisingly, it killed him. But soon after, Uya came back in other dreams—spirits need a lot of killing, and he had to be killed again. After that, the stone wouldn’t stay on the stick. He woke up feeling tired and kind of down, and he was sullen all morning, despite Eudena’s kindness. Instead of hunting, he sat chipping a sharp edge onto the unusual flint, giving her strange looks. Then he attached the perforated flint to the stick using strips of rabbit skin. After that, he paced back and forth on the ledge, striking with it, mumbling to himself, and thinking about Uya. It felt really nice and heavy in his hand.

Several days, more than there was any counting in those days, five days, it may be, or[86] six, did Ugh-lomi and Eudena stay on that shelf in the gorge of the river, and they lost all fear of men, and their fire burnt redly of a night. And they were very merry together; there was food every day, sweet water, and no enemies. Eudena's knee was well in a couple of days, for those ancient savages had quick-healing flesh. Indeed, they were very happy.

Several days went by, more than anyone could count back then—maybe five or six. Ugh-lomi and Eudena stayed on that ledge in the river gorge, completely losing their fear of men, and their fire glowed brightly at night. They were really happy together; they had food every day, fresh water, and no enemies. Eudena's knee healed in just a couple of days because those ancient savages had fast-healing bodies. Honestly, they were very happy.

On one of those days Ugh-lomi dropped a chunk of flint over the cliff. He saw it fall, and go bounding across the river bank into the river, and after laughing and thinking it over a little he tried another. This smashed a bush of hazel in the most interesting way. They spent all the morning dropping stones from the ledge, and in the afternoon they discovered this new and interesting pastime was also possible from the cliffbrow. The next day they had forgotten this delight. Or at least, it seemed they had forgotten.

On one of those days, Ugh-lomi dropped a piece of flint over the cliff. He watched it fall, bounce across the riverbank, and land in the river. After laughing and thinking it through a bit, he tried again. This time, it smashed into a hazel bush in the most fascinating way. They spent the entire morning dropping stones from the ledge, and in the afternoon, they found out this new and exciting activity was also possible from the cliff edge. The next day, they seemed to have forgotten this fun. Or at least, it looked like they had forgotten.

But Uya came in dreams to spoil the paradise. Three nights he came fighting Ugh-lomi. In the morning after these dreams Ugh-lomi would walk up and down, threatening him and swinging the axe, and at last came the night after Ugh-lomi brained the otter, and they had feasted. Uya went too far. Ugh-lomi awoke, scowling under his heavy brows, and he took his axe, and extending his hand towards Eudena[87] he bade her wait for him upon the ledge. Then he clambered down the white declivity, glanced up once from the foot of it and flourished his axe, and without looking back again went striding along the river bank until the overhanging cliff at the bend hid him.

But Uya came in dreams to ruin the paradise. Three nights he fought Ugh-lomi in his dreams. The morning after these dreams, Ugh-lomi would walk back and forth, threatening him and swinging the axe. Finally came the night after Ugh-lomi killed the otter, and they had feasted. Uya went too far. Ugh-lomi woke up, scowling under his heavy brows, took his axe, and extended his hand toward Eudena[87], telling her to wait for him on the ledge. Then he climbed down the white slope, glanced up once from the bottom, waved his axe, and without looking back again, strode along the riverbank until the overhanging cliff at the bend concealed him.

Two days and nights did Eudena sit alone by the fire on the ledge waiting, and in the night the beasts howled over the cliffs and down the valley, and on the cliff over against her the hunched hyænas prowled black against the sky. But no evil thing came near her save fear. Once, far away, she heard the roaring of a lion, following the horses as they came northward over the grass lands with the spring. All that time she waited—the waiting that is pain.

Two days and nights Eudena sat alone by the fire on the ledge, waiting, and at night the beasts howled over the cliffs and down the valley, while on the cliff across from her, the hunched hyenas prowled dark against the sky. But no evil thing approached her except for fear. Once, from far away, she heard the roaring of a lion, following the horses as they came northward over the grasslands in spring. All that time she waited—the kind of waiting that feels like pain.

And the third day Ugh-lomi came back, up the river. The plumes of a raven were in his hair. The first axe was red-stained, and had long dark hairs upon it, and he carried the necklace that had marked the favourite of Uya in his hand. He walked in the soft places, giving no heed to his trail. Save a raw cut below his jaw there was not a wound upon him. "Uya!" cried Ugh-lomi exultant, and Eudena saw it was well. He put the necklace on Eudena, and they ate and drank together. And after eating he began to rehearse the whole[88] story from the beginning, when Uya had cast his eyes on Eudena, and Uya and Ugh-lomi, fighting in the forest, had been chased by the bear, eking out his scanty words with abundant pantomime, springing to his feet and whirling the stone axe round when it came to the fighting. The last fight was a mighty one, stamping and shouting, and once a blow at the fire that sent a torrent of sparks up into the night. And Eudena sat red in the light of the fire, gloating on him, her face flushed and her eyes shining, and the necklace Uya had made about her neck. It was a splendid time, and the stars that look down on us looked down on her, our ancestor—who has been dead now these fifty thousand years.

And on the third day, Ugh-lomi returned up the river. He had raven feathers in his hair. The first axe was stained red with blood and had long dark hairs on it, and he carried the necklace that had marked Uya's favorite in his hand. He walked through the soft ground, not caring about the trail he left. Other than a raw cut below his jaw, he wasn’t injured. “Uya!” Ugh-lomi shouted triumphantly, and Eudena saw that it was a good thing. He put the necklace on Eudena, and they shared food and drink together. After eating, he started telling the whole story from the beginning, when Uya first noticed Eudena, and how Uya and Ugh-lomi had been chased by a bear while fighting in the forest, illustrating his words with lots of gestures, jumping up and swinging the stone axe whenever it came to the fighting part. The final battle was intense, with stomping and shouting, and at one point, a blow hit the fire, sending a shower of sparks into the night. Eudena sat glowing in the firelight, admiring him, her face flushed and her eyes bright, wearing the necklace made by Uya around her neck. It was a glorious time, and the stars that looked down on us also looked down on her, our ancestor—who has been gone for fifty thousand years now.

II—THE CAVE BEAR

In the days when Eudena and Ugh-lomi fled from the people of Uya towards the fir-clad mountains of the Weald, across the forests of sweet chestnut and the grass-clad chalkland, and hid themselves at last in the gorge of the river between the chalk cliffs, men were few and their squatting-places far between. The nearest men to them were those of the tribe, a full day's journey down the river, and up the mountains there were none. Man was indeed a[89] newcomer to this part of the world in that ancient time, coming slowly along the rivers, generation after generation, from one squatting-place to another, from the south-westward. And the animals that held the land, the hippopotamus and rhinoceros of the river valleys, the horses of the grass plains, the deer and swine of the woods, the grey apes in the branches, the cattle of the uplands, feared him but little—let alone the mammoths in the mountains and the elephants that came through the land in the summer-time out of the south. For why should they fear him, with but the rough, chipped flints that he had not learnt to haft and which he threw but ill, and the poor spear of sharpened wood, as all the weapons he had against hoof and horn, tooth and claw?

In the days when Eudena and Ugh-lomi escaped from the people of Uya towards the fir-covered mountains of the Weald, crossing through the forests of sweet chestnut and the grass-covered chalkland, they eventually hid in the gorge of the river between the chalk cliffs. There were very few people around, and their living spots were spread far apart. The closest men were from their tribe, a full day's journey down the river, and there were none up in the mountains. Humans were indeed newcomers to this area in that ancient time, moving slowly along the rivers, generation after generation, from one living spot to another, coming from the southwest. The animals that inhabited the land—the hippopotamus and rhinoceros of the river valleys, the horses of the grasslands, the deer and pigs of the woods, the gray apes in the trees, and the cattle of the uplands—feared him little. The mammoths in the mountains and the elephants migrating from the south in the summer didn't fear him either. Why would they fear him when he had only rough, chipped stones that he hadn’t learned to attach properly, which he threw clumsily, and a simple wooden spear as his only weapons against hooves, horns, teeth, and claws?

Andoo, the huge cave bear, who lived in the cave up the gorge, had never even seen a man in all his wise and respectable life, until midway through one night, as he was prowling down the gorge along the cliff edge, he saw the glare of Eudena's fire upon the ledge, and Eudena red and shining, and Ugh-lomi, with a gigantic shadow mocking him upon the white cliff, going to and fro, shaking his mane of hair, and waving the axe of stone—the first axe of stone—while he chanted of the killing of[90] Uya. The cave bear was far up the gorge, and he saw the thing slanting-ways and far off. He was so surprised he stood quite still upon the edge, sniffing the novel odour of burning bracken, and wondering whether the dawn was coming up in the wrong place.

Andoo, the massive cave bear, who lived in the cave up the gorge, had never seen a man in all his wise and respectable life, until one night, as he was prowling down the gorge along the cliff edge, he saw the glow of Eudena's fire on the ledge, and Eudena glowing red and bright, and Ugh-lomi, with his giant shadow flickering on the white cliff, moving back and forth, shaking his mane of hair, and swinging the stone axe—the very first stone axe—while he sang about the killing of[90] Uya. The cave bear was far up the gorge, and he saw the scene from a slant and far away. He was so surprised that he stood completely still on the edge, sniffing the unfamiliar smell of burning bracken, and wondering if dawn was coming up in the wrong place.

He was the lord of the rocks and caves, was the cave bear, as his slighter brother, the grizzly, was lord of the thick woods below, and as the dappled lion—the lion of those days was dappled—was lord of the thorn-thickets, reed-beds, and open plains. He was the greatest of all meat-eaters; he knew no fear, none preyed on him, and none gave him battle; only the rhinoceros was beyond his strength. Even the mammoth shunned his country. This invasion perplexed him. He noticed these new beasts were shaped like monkeys, and sparsely hairy like young pigs. "Monkey and young pig," said the cave bear. "It might not be so bad. But that red thing that jumps, and the black thing jumping with it yonder! Never in my life have I seen such things before!"

He was the king of the rocks and caves, the cave bear, while his smaller brother, the grizzly, ruled over the thick woods below, and the spotted lion—the lion of that time was spotted—was in charge of the thorny bushes, reed beds, and open plains. He was the greatest of all carnivores; he felt no fear, no one hunted him, and no one challenged him; only the rhinoceros was stronger than him. Even the mammoth avoided his territory. This invasion confused him. He noticed these new creatures looked like monkeys and were sparsely hairy like young pigs. "Monkey and young pig," said the cave bear. "It might not be so bad. But that red thing that jumps, and the black thing jumping with it over there! I’ve never seen anything like that in my life!"

He came slowly along the brow of the cliff towards them, stopping thrice to sniff and peer, and the reek of the fire grew stronger. A couple of hyænas also were so intent upon the thing below that Andoo, coming soft and easy,[91] was close upon them before they knew of him or he of them. They started guiltily and went lurching off. Coming round in a wheel, a hundred yards off, they began yelling and calling him names to revenge themselves for the start they had had. "Ya-ha!" they cried. "Who can't grub his own burrow? Who eats roots like a pig?... Ya-ha!" for even in those days the hyæna's manners were just as offensive as they are now.

He walked slowly along the edge of the cliff toward them, stopping three times to sniff the air and look around, and the smell of the fire got stronger. A couple of hyenas were so focused on what was happening below that Andoo, moving quietly and easily,[91] got close to them before they noticed him or he noticed them. They jumped in surprise and stumbled away. Turning around a hundred yards away, they started yelling and insulting him to get back at him for scaring them. "Ya-ha!" they shouted. "Who can't dig his own burrow? Who eats roots like a pig?... Ya-ha!" even back then, hyenas were just as rude as they are now.

"Who answers the hyæna?" growled Andoo, peering through the midnight dimness at them, and then going to look at the cliff edge.

"Who answers the hyena?" growled Andoo, peering through the darkness at them and then going to look at the cliff edge.

There was Ugh-lomi still telling his story, and the fire getting low, and the scent of the burning hot and strong.

There was Ugh-lomi still sharing his story, and the fire was fading, with the smell of it strong and burning hot.

Andoo stood on the edge of the chalk cliff for some time, shifting his vast weight from foot to foot, and swaying his head to and fro, with his mouth open, his ears erect and twitching, and the nostrils of his big, black muzzle sniffing. He was very curious, was the cave bear, more curious than any of the bears that live now, and the flickering fire and the incomprehensible movements of the man, let alone the intrusion into his indisputable province, stirred him with a sense of strange new happenings. He had been after red deer fawn that[92] night, for the cave bear was a miscellaneous hunter, but this quite turned him from that enterprise.

Andoo stood at the edge of the chalk cliff for a while, shifting his massive weight from one foot to the other, swaying his head back and forth with his mouth open, his ears perked up and twitching, and the nostrils of his large, black muzzle sniffing. He was very curious, the cave bear was, more curious than any of the bears that exist today, and the flickering fire along with the confusing movements of the man, not to mention the intrusion into his undeniable territory, stirred him with a sense of strange new events. He had been after a red deer fawn that[92] night, since the cave bear was an opportunistic hunter, but this completely diverted him from that pursuit.

"Ya-ha!" yelled the hyænas behind. "Ya-ha-ha!"

"Yay!" yelled the hyenas behind. "Yay-ha-ha!"

Peering through the starlight, Andoo saw there were now three or four going to and fro against the grey hillside. "They will hang about me now all the night ... until I kill," said Andoo. "Filth of the world!" And mainly to annoy them, he resolved to watch the red flicker in the gorge until the dawn came to drive the hyæna scum home. And after a time they vanished, and he heard their voices, like a party of Cockney beanfeasters, away in the beechwoods. Then they came slinking near again. Andoo yawned and went on along the cliff, and they followed. Then he stopped and went back.

Peering through the starlight, Andoo saw there were now three or four moving back and forth against the grey hillside. "They’ll stick around me all night... until I kill," said Andoo. "Bunch of losers!" To annoy them, he decided to keep an eye on the red flicker in the gorge until dawn chased the hyena trash home. After a while, they disappeared, and he heard their voices, like a group of Cockney partygoers, in the beechwoods. Then they crept closer again. Andoo yawned and continued along the cliff, with them trailing him. Then he stopped and turned back.

It was a splendid night, beset with shining constellations, the same stars, but not the same constellations we know, for since those days all the stars have had time to move into new places. Far away across the open space beyond where the heavy-shouldered, lean-bodied hyænas blundered and howled, was a beechwood, and the mountain slopes rose beyond, a dim mystery, until their snow-capped summits[93] came out white and cold and clear, touched by the first rays of the yet unseen moon. It was a vast silence, save when the yell of the hyænas flung a vanishing discordance across its peace, or when from down the hills the trumpeting of the new-come elephants came faintly on the faint breeze. And below now, the red flicker had dwindled and was steady, and shone a deeper red, and Ugh-lomi had finished his story and was preparing to sleep, and Eudena sat and listened to the strange voices of unknown beasts, and watched the dark eastern sky growing deeply luminous at the advent of the moon. Down below, the river talked to itself, and things unseen went to and fro.

It was a beautiful night, filled with shining stars. They were the same stars, but not the same constellations we recognize, because since those days, all the stars have shifted into new positions. Far away across the open space, where the heavy-shouldered, lean-bodied hyenas stumbled and howled, there was a beechwood, and the mountain slopes rose beyond it, a dim mystery, until their snow-capped peaks[93] emerged white, cold, and clear, touched by the first rays of the yet unseen moon. It was a vast silence, except when the hyenas' cries disrupted its peace or when the distant trumpeting of newly arrived elephants echoed faintly on the soft breeze. Below, the red flicker had faded into a steady, deeper red. Ugh-lomi had finished his story and was getting ready to sleep, while Eudena sat listening to the strange sounds of unfamiliar animals and watched the dark eastern sky illuminate as the moon began to rise. Down by the river, the water murmured to itself, and unseen things moved to and fro.

After a time the bear went away, but in an hour he was back again. Then, as if struck by a thought, he turned, and went up the gorge....

After a while, the bear left, but an hour later he returned. Then, as if hit by an idea, he turned and went up the gorge....

The night passed, and Ugh-lomi slept on. The waning moon rose and lit the gaunt white cliff overhead with a light that was pale and vague. The gorge remained in a deeper shadow and seemed all the darker. Then by imperceptible degrees, the day came stealing in the wake of the moonlight. Eudena's eyes wandered to the cliff brow overhead once, and then again. Each time the line was sharp and clear[94] against the sky, and yet she had a dim perception of something lurking there. The red of the fire grew deeper and deeper, grey scales spread upon it, its vertical column of smoke became more and more visible, and up and down the gorge things that had been unseen grew clear in a colourless illumination. She may have dozed.

The night passed, and Ugh-lomi kept sleeping. The fading moon rose and illuminated the stark white cliff above with a light that was faint and indistinct. The gorge stayed in deeper shadow and seemed even darker. Then, little by little, daylight began to creep in after the moonlight. Eudena glanced up at the cliff edge overhead once, and then again. Each time, the outline was sharp and clear against the sky, yet she sensed something ominous hiding there. The red of the fire intensified, grey scales spread across it, its vertical column of smoke became more distinct, and in the gorge, things that had been hidden became visible in a colorless light. She might have dozed off.

Suddenly she started up from her squatting position, erect and alert, scrutinising the cliff up and down.

Suddenly, she jumped up from her squatting position, standing tall and alert, examining the cliff from top to bottom.

She made the faintest sound, and Ugh-lomi too, light-sleeping like an animal, was instantly awake. He caught up his axe and came noiselessly to her side.

She made the softest sound, and Ugh-lomi, light-sleeping like an animal, was immediately awake. He grabbed his axe and quietly moved to her side.

The light was still dim, the world now all in black and dark grey, and one sickly star still lingered overhead. The ledge they were on was a little grassy space, six feet wide, perhaps, and twenty feet long, sloping outwardly, and with a handful of St. John's wort growing near the edge. Below it the soft, white rock fell away in a steep slope of nearly fifty feet to the thick bush of hazel that fringed the river. Down the river this slope increased, until some way off a thin grass held its own right up to the crest of the cliff. Overhead, forty or fifty feet of rock bulged into the great masses characteristic of[95] chalk, but at the end of the ledge a gully, a precipitous groove of discoloured rock, slashed the face of the cliff, and gave a footing to a scrubby growth, by which Eudena and Ugh-lomi went up and down.

The light was still weak, the world now entirely in black and dark gray, and one sickly star remained overhead. The ledge they were on was a small grassy area, about six feet wide and twenty feet long, sloping outward, with a few St. John's wort plants growing near the edge. Below, the soft, white rock dropped steeply for nearly fifty feet to the thick hazel bushes lining the river. Down the river, this slope got steeper until a patch of thin grass extended right up to the cliff’s edge. Above them, forty or fifty feet of rock jutted out in the large formations typical of [95] chalk, but at the end of the ledge, a gully—a steep groove of discolored rock—cut into the cliff face, providing a path for a scrubby growth that Eudena and Ugh-lomi used to climb up and down.

They stood as noiseless as startled deer, with every sense expectant. For a minute they heard nothing, and then came a faint rattling of dust down the gully, and the creaking of twigs.

They stood as quiet as startled deer, each of them alert. For a minute, they heard nothing, and then a soft rustling of dust rolled down the gully, followed by the creaking of twigs.

Ugh-lomi gripped his axe, and went to the edge of the ledge, for the bulge of the chalk overhead had hidden the upper part of the gully. And forthwith, with a sudden contraction of the heart, he saw the cave bear half-way down from the brow, and making a gingerly backward step with his flat hind-foot. His hind-quarters were towards Ugh-lomi, and he clawed at the rocks and bushes so that he seemed flattened against the cliff. He looked none the less for that. From his shining snout to his stumpy tail he was a lion and a half, the length of two tall men. He looked over his shoulder, and his huge mouth was open with the exertion of holding up his great carcase, and his tongue lay out....

Ugh-lomi gripped his axe and went to the edge of the ledge because the bulge of the chalk above had hidden the upper part of the gully. Then, with a sudden tightening in his chest, he saw the cave bear halfway down from the top, cautiously taking a step back with his flat hind foot. His backside was facing Ugh-lomi, and he was clawing at the rocks and bushes, making him appear flattened against the cliff. Still, he looked impressive. From his gleaming snout to his stumpy tail, he was one and a half lions long, the length of two tall men. He glanced over his shoulder, his huge mouth open from the effort of holding up his massive body, and his tongue was hanging out...

He got his footing, and came down slowly, a yard nearer.[96]

He steadied himself and slowly descended, coming a yard closer.[96]

"Bear," said Ugh-lomi, looking round with his face white.

"Bear," said Ugh-lomi, looking around with his face pale.

But Eudena, with terror in her eyes, was pointing down the cliff.

But Eudena, with fear in her eyes, was pointing down the cliff.

Ugh-lomi's mouth fell open. For down below, with her big fore-feet against the rock, stood another big brown-grey bulk—the she-bear. She was not so big as Andoo, but she was big enough for all that.

Ugh-lomi's mouth dropped open. Because down below, with her large front paws against the rock, stood another big brown-grey shape—the she-bear. She wasn't as big as Andoo, but she was still big enough.

Then suddenly Ugh-lomi gave a cry, and catching up a handful of the litter of ferns that lay scattered on the ledge, he thrust it into the pallid ash of the fire. "Brother Fire!" he cried, "Brother Fire!" And Eudena, starting into activity, did likewise. "Brother Fire! Help, help! Brother Fire!"

Then suddenly Ugh-lomi shouted, and grabbing a handful of the ferns scattered on the ledge, he threw it into the pale ash of the fire. "Brother Fire!" he shouted, "Brother Fire!" And Eudena, springing into action, did the same. "Brother Fire! Help, help! Brother Fire!"

Brother Fire was still red in his heart, but he turned to grey as they scattered him. "Brother Fire!" they screamed. But he whispered and passed, and there was nothing but ashes. Then Ugh-lomi danced with anger and struck the ashes with his fist. But Eudena began to hammer the firestone against a flint. And the eyes of each were turning ever and again towards the gully by which Andoo was climbing down. Brother Fire!

Brother Fire was still full of passion, but he turned to grey as they dispersed him. "Brother Fire!" they shouted. But he whispered and faded away, leaving nothing but ashes. Then Ugh-lomi, filled with rage, struck the ashes with his fist. But Eudena started banging the firestone against a flint. And each of them kept glancing toward the gully where Andoo was climbing down. Brother Fire!

Suddenly the huge furry hind-quarters of the bear came into view, beneath the bulge of[97] the chalk that had hidden him. He was still clambering gingerly down the nearly vertical surface. His head was yet out of sight, but they could hear him talking to himself. "Pig and monkey," said the cave bear. "It ought to be good."

Suddenly, the large furry back end of the bear came into view, beneath the bulge of[97] the chalk that had been hiding him. He was still carefully climbing down the almost vertical surface. His head was still out of sight, but they could hear him talking to himself. "Pig and monkey," said the cave bear. "It should be good."

Eudena struck a spark and blew at it; it twinkled brighter and then—went out. At that she cast down flint and firestone and stared blankly. Then she sprang to her feet and scrambled a yard or so up the cliff above the ledge. How she hung on even for a moment I do not know, for the chalk was vertical and without grip for a monkey. In a couple of seconds she had slid back to the ledge again with bleeding hands.

Eudena struck a spark and blew on it; it glowed brighter and then—went out. Frustrated, she dropped the flint and firestone and stared blankly. Then she jumped to her feet and scrambled a few feet up the cliff above the ledge. I don’t know how she held on even for a moment, because the chalk was steep and offered no grip, even for a monkey. In just a couple of seconds, she had slid back down to the ledge again with her hands bleeding.

Ugh-lomi was making frantic rushes about the ledge—now he would go to the edge, now to the gully. He did not know what to do, he could not think. The she-bear looked smaller than her mate—much. If they rushed down on her together, one might live. "Ugh?" said the cave bear, and Ugh-lomi turned again and saw his little eyes peering under the bulge of the chalk.

Ugh-lomi was frantically pacing the ledge—now he rushed to the edge, then to the gully. He didn’t know what to do; he couldn’t think. The she-bear looked much smaller than her mate. If they charged at her together, one of them might survive. "Ugh?" said the cave bear, and Ugh-lomi turned once more to see his small eyes peering out from under the bulge of the chalk.

Eudena, cowering at the end of the ledge, began to scream like a gripped rabbit.

Eudena, huddled at the edge of the ledge, started to scream like a terrified rabbit.

At that a sort of madness came upon Ugh-lomi.[98] With a mighty cry, he caught up his axe and ran towards Andoo. The monster gave a grunt of surprise. In a moment Ugh-lomi was clinging to a bush right underneath the bear, and in another he was hanging to its back half buried in fur, with one fist clutched in the hair under its jaw. The bear was too astonished at this fantastic attack to do more than cling passive. And then the axe, the first of all axes, rang on its skull.

At that moment, a kind of madness overtook Ugh-lomi.[98] With a loud shout, he grabbed his axe and dashed toward Andoo. The monster grunted in surprise. In an instant, Ugh-lomi was holding onto a bush right beneath the bear, and moments later, he was clinging to its back, half-submerged in its fur, with one fist tangled in the hair under its jaw. The bear was so shocked by this wild attack that it could do nothing but remain passive. And then the axe, the first of all axes, struck its skull with a resounding clang.

The bear's head twisted from side to side, and he began a petulant scolding growl. The axe bit within an inch of the left eye, and the hot blood blinded that side. At that the brute roared with surprise and anger, and his teeth gnashed six inches from Ugh-lomi's face. Then the axe, clubbed close, came down heavily on the corner of the jaw.

The bear's head turned back and forth, and he let out an annoyed growl. The axe struck just an inch from his left eye, and the hot blood blinded that side. In response, the beast roared in surprise and fury, his teeth grinding just six inches from Ugh-lomi's face. Then, the axe, gripped tightly, came down forcefully on the corner of the jaw.

The next blow blinded the right side and called forth a roar, this time of pain. Eudena saw the huge, flat feet slipping and sliding, and suddenly the bear gave a clumsy leap sideways, as if for the ledge. Then everything vanished, and the hazels smashed, and a roar of pain and a tumult of shouts and growls came up from far below.

The next hit blinded the right side and unleashed a roar, this time of pain. Eudena saw the huge, flat feet slipping and sliding, and suddenly the bear made a clumsy sideways leap, as if aiming for the ledge. Then everything disappeared, the hazels shattered, and a roar of pain along with a mix of shouts and growls rose up from far below.

Eudena screamed and ran to the edge and peered over. For a moment, man and bears[99] were a heap together, Ugh-lomi uppermost; and then he had sprung clear and was scaling the gully again, with the bears rolling and striking at one another among the hazels. But he had left his axe below, and three knob-ended streaks of carmine were shooting down his thigh. "Up!" he cried, and in a moment Eudena was leading the way to the top of the cliff.

Eudena screamed and ran to the edge, looking over. For a moment, the man and the bears[99] were in a tangled mess, with Ugh-lomi on top; then he jumped free and started climbing the gully again, while the bears tumbled and struck at each other among the hazels. But he had left his axe below, and three streaks of red were running down his thigh. "Up!" he shouted, and in an instant, Eudena was leading the way to the top of the cliff.

In half a minute they were at the crest, their hearts pumping noisily, with Andoo and his wife far and safe below them. Andoo was sitting on his haunches, both paws at work, trying with quick exasperated movements to wipe the blindness out of his eyes, and the she-bear stood on all-fours a little way off, ruffled in appearance and growling angrily. Ugh-lomi flung himself flat on the grass, and lay panting and bleeding with his face on his arms.

In thirty seconds, they reached the top, their hearts racing, while Andoo and his wife remained far below them, safe and sound. Andoo was crouched down, both paws busy, trying in frustrated quick motions to clear his vision, while the she-bear stood a few feet away, looking disheveled and growling angrily. Ugh-lomi collapsed onto the grass, lying there panting and bleeding with his face on his arms.

For a second Eudena regarded the bears, then she came and sat beside him, looking at him....

For a moment, Eudena looked at the bears, then she came over and sat next to him, staring at him...

Presently she put forth her hand timidly and touched him, and made the guttural sound that was his name. He turned over and raised himself on his arm. His face was pale, like the face of one who is afraid. He looked at her steadfastly for a moment, and then suddenly he laughed. "Waugh!" he said exultantly.[100]

Currently, she reached out her hand shyly and touched him, making the deep sound that was his name. He rolled over and propped himself up on his arm. His face was pale, like someone who is scared. He looked at her intently for a moment, and then suddenly he laughed. "Waugh!" he said with joy.[100]

"Waugh!" said she—a simple but expressive conversation.

"Waugh!" she said—a simple yet expressive conversation.

Then Ugh-lomi came and knelt beside her, and on hands and knees peered over the brow and examined the gorge. His breath was steady now, and the blood on his leg had ceased to flow, though the scratches the she-bear had made were open and wide. He squatted up and sat staring at the footmarks of the great bear as they came to the gully—they were as wide as his head and twice as long. Then he jumped up and went along the cliff face until the ledge was visible. Here he sat down for some time thinking, while Eudena watched him. Presently she saw the bears had gone.

Then Ugh-lomi came and knelt beside her, and on his hands and knees looked over the edge to check out the gorge. His breathing was steady now, and the blood on his leg had stopped flowing, although the scratches from the she-bear were deep and open. He squatted and stared at the bear's footprints as they approached the gully—they were as wide as his head and twice as long. Then he got up and moved along the cliff face until he could see the ledge. He sat there for a while, lost in thought, while Eudena watched him. Soon, she noticed that the bears had left.

At last Ugh-lomi rose, as one whose mind is made up. He returned towards the gully, Eudena keeping close by him, and together they clambered to the ledge. They took the firestone and a flint, and then Ugh-lomi went down to the foot of the cliff very cautiously, and found his axe. They returned to the cliff as quietly as they could, and set off at a brisk walk. The ledge was a home no longer, with such callers in the neighbourhood. Ugh-lomi carried the axe and Eudena the firestone. So simple was a Palæolithic removal.

At last, Ugh-lomi stood up, as if he had made up his mind. He headed back toward the gully, with Eudena close by his side. Together, they climbed up to the ledge. They grabbed the firestone and a flint, and then Ugh-lomi carefully made his way down to the bottom of the cliff, where he found his axe. They returned to the cliff as quietly as they could and started walking briskly. The ledge was no longer a home with such visitors nearby. Ugh-lomi carried the axe while Eudena held the firestone. This was how straightforward a Paleolithic move could be.

They went up-stream, although it might lead[101] to the very lair of the cave bear, because there was no other way to go. Down the stream was the tribe, and had not Ugh-lomi killed Uya and Wau? By the stream they had to keep—because of drinking.

They headed upstream, even though it might take them right to the cave bear's den, since there was no other option. Downstream was the tribe, and hadn’t Ugh-lomi killed Uya and Wau? They had to stay by the stream—because they needed to drink.

So they marched through beech trees, with the gorge deepening until the river flowed, a frothing rapid, five hundred feet below them. Of all the changeful things in this world of change, the courses of rivers in deep valleys change least. It was the river Wey, the river we know to-day, and they marched over the very spots where nowadays stand little Guildford and Godalming—the first human beings to come into the land. Once a grey ape chattered and vanished, and all along the cliff edge, vast and even, ran the spoor of the great cave bear.

So they walked through beech trees, with the gorge getting deeper until the river rushed by, a frothy rapid, five hundred feet below them. Of all the ever-changing things in this world, the paths of rivers in deep valleys change the least. It was the river Wey, the river we know today, and they marched over the exact places where little Guildford and Godalming stand now—the first humans to set foot in the land. Once, a gray ape chattered and disappeared, and all along the cliff's edge, vast and smooth, lay the tracks of the great cave bear.

And then the spoor of the bear fell away from the cliff, showing, Ugh-lomi thought, that he came from some place to the left, and keeping to the cliff's edge, they presently came to an end. They found themselves looking down on a great semi-circular space caused by the collapse of the cliff. It had smashed right across the gorge, banking the up-stream water back in a pool which overflowed in a rapid. The slip had happened long ago. It was grassed[102] over, but the face of the cliffs that stood about the semicircle was still almost fresh-looking and white as on the day when the rock must have broken and slid down. Starkly exposed and black under the foot of these cliffs were the mouths of several caves. And as they stood there, looking at the space, and disinclined to skirt it, because they thought the bears' lair lay somewhere on the left in the direction they must needs take, they saw suddenly first one bear and then two coming up the grass slope to the right and going across the amphitheatre towards the caves. Andoo was first; he dropped a little on his fore-foot and his mien was despondent, and the she-bear came shuffling behind.

And then the bear tracks disappeared from the cliff, which made Ugh-lomi think that it had come from somewhere on the left. They followed the edge of the cliff until it ended. They found themselves looking down at a large semi-circular area caused by the cliff collapsing. It had crashed right across the gorge, creating a pool of water that overflowed into a rapid. The slip had happened a long time ago. It was covered in grass[102], but the cliffs surrounding the semicircle still looked almost freshly white, as if the rock had only recently broken and slid down. The entrances to several caves were starkly exposed and black at the base of these cliffs. As they stood there, contemplating, they were reluctant to go around the area because they thought the bears' den was somewhere off to the left in the direction they needed to take. Suddenly, they spotted one bear, then two, coming up the grassy slope to the right and moving across the amphitheater toward the caves. Andoo was the first; he lowered a bit on his forefoot, looking downcast, and the she-bear shuffled behind him.

Eudena and Ugh-lomi stepped back from the cliff until they could just see the bears over the verge. Then Ugh-lomi stopped. Eudena pulled his arm, but he turned with a forbidding gesture, and her hand dropped. Ugh-lomi stood watching the bears, with his axe in his hand, until they had vanished into the cave. He growled softly, and shook the axe at the she-bear's receding quarters. Then to Eudena's terror, instead of creeping off with her, he lay flat down and crawled forward into such a position that he could just see the cave. It was bears—and[103] he did it as calmly as if it had been rabbits he was watching!

Eudena and Ugh-lomi moved back from the cliff until they could just see the bears over the edge. Then Ugh-lomi stopped. Eudena tugged at his arm, but he turned with a serious gesture, causing her hand to drop. Ugh-lomi stood there, watching the bears with his axe in hand, until they disappeared into the cave. He growled softly and shook the axe at the she-bear's retreating backside. Then, to Eudena's shock, instead of quietly leaving with her, he lay down flat and crawled forward to a spot where he could just see the cave. It was bears—and[103] he did it as calmly as if he were watching rabbits!

He lay still, like a barked log, sun-dappled, in the shadow of the trees. He was thinking. And Eudena had learnt, even when a little girl, that when Ugh-lomi became still like that, jaw-bone on fist, novel things presently began to happen.

He lay still, like a stripped log, dappled by sunlight, in the shade of the trees. He was deep in thought. And Eudena had learned, even as a little girl, that when Ugh-lomi became that still, resting his jaw on his fist, new things started to happen.

It was an hour before the thinking was over; it was noon when the two little savages had found their way to the cliff brow that overhung the bears' cave. And all the long afternoon they fought desperately with a great boulder of chalk; trundling it, with nothing but their unaided sturdy muscles, from the gully where it had hung like a loose tooth, towards the cliff top. It was full two yards about, it stood as high as Eudena's waist, it was obtuse-angled and toothed with flints. And when the sun set it was poised, three inches from the edge, above the cave of the great cave bear.

It was an hour before they finished thinking; it was noon when the two little wild children made their way to the cliff's edge that hung over the bears' cave. And the whole long afternoon they struggled fiercely with a huge boulder of chalk, rolling it, using only their strong muscles, from the gully where it had been like a loose tooth, toward the cliff top. It was about two yards around, stood as high as Eudena's waist, and was jagged and uneven with flints. And when the sun set, it was balanced, three inches from the edge, above the cave of the giant cave bear.

In the cave conversation languished during that afternoon. The she-bear snoozed sulkily in her corner—for she was fond of pig and monkey—and Andoo was busy licking the side of his paw and smearing his face to cool the smart and inflammation of his wounds. Afterwards he went and sat just within the mouth[104] of the cave, blinking out at the afternoon sun with his uninjured eye, and thinking.

In the cave, conversation faded during that afternoon. The she-bear sulked and dozed in her corner because she liked the pig and monkey. Andoo was occupied licking his paw and rubbing his face to soothe the sting and irritation of his wounds. After that, he went and sat just at the entrance[104] of the cave, blinking at the afternoon sun with his uninjured eye and lost in thought.

"I never was so startled in my life," he said at last. "They are the most extraordinary beasts. Attacking me!"

"I’ve never been so shocked in my life," he finally said. "They’re the most amazing creatures. Attacking me!"

"I don't like them," said the she-bear, out of the darkness behind.

"I don't like them," said the female bear, from the darkness behind.

"A feebler sort of beast I never saw. I can't think what the world is coming to. Scraggy, weedy legs.... Wonder how they keep warm in winter?"

"A weaker kind of animal I never saw. I can't believe what the world is coming to. Scraggly, skinny legs.... I wonder how they stay warm in winter?"

"Very likely they don't," said the she-bear.

"Probably they don’t," said the she-bear.

"I suppose it's a sort of monkey gone wrong."

"I guess it's like a monkey that went haywire."

"It's a change," said the she-bear.

"It's a change," said the female bear.

A pause.

A break.

"The advantage he had was merely accidental," said Andoo. "These things will happen at times."

"The advantage he had was just a coincidence," said Andoo. "These things do happen sometimes."

"I can't understand why you let go," said the she-bear.

"I can't understand why you let go," said the she-bear.

That matter had been discussed before, and settled. So Andoo, being a bear of experience, remained silent for a space. Then he resumed upon a different aspect of the matter. "He has a sort of claw—a long claw that he seemed to have first on one paw and then on the other. Just one claw. They're very odd things. The[105] bright thing, too, they seemed to have—like that glare that comes in the sky in daytime—only it jumps about—it's really worth seeing. It's a thing with a root, too—like grass when it is windy."

That topic had come up before and was resolved. So Andoo, being experienced, stayed quiet for a moment. Then he shifted to a different part of the discussion. "He has this peculiar claw—a long claw that seems to switch from one paw to the other. Just one claw. They're really strange things. The[105] bright thing they had too—it’s like that glare in the daytime sky—but it moves around—definitely worth a look. It’s something with roots as well—like grass swaying in the wind."

"Does it bite?" asked the she-bear. "If it bites it can't be a plant."

"Does it bite?" asked the female bear. "If it bites, it can't be a plant."

"No——I don't know," said Andoo. "But it's curious, anyhow."

"No—I don’t know," said Andoo. "But it’s interesting, anyway."

"I wonder if they are good eating?" said the she-bear.

"I wonder if they are good to eat?" said the she-bear.

"They look it," said Andoo, with appetite—for the cave bear, like the polar bear, was an incurable carnivore—no roots or honey for him.

"They look it," said Andoo, eagerly—because the cave bear, like the polar bear, was a relentless carnivore—no roots or honey for him.

The two bears fell into a meditation for a space. Then Andoo resumed his simple attentions to his eye. The sunlight up the green slope before the cave mouth grew warmer in tone and warmer, until it was a ruddy amber.

The two bears fell into a brief meditation. Then Andoo went back to caring for his eye. The sunlight on the green slope in front of the cave entrance became warmer in color and more intense, until it was a deep amber.

"Curious sort of thing—day," said the cave bear. "Lot too much of it, I think. Quite unsuitable for hunting. Dazzles me always. I can't smell nearly so well by day."

"Strange thing about daytime," said the cave bear. "There’s way too much of it, I think. Totally not right for hunting. It always blinds me. I can't smell nearly as well during the day."

The she-bear did not answer, but there came a measured crunching sound out of the darkness. She had turned up a bone. Andoo yawned. "Well," he said. He strolled to the[106] cave mouth and stood with his head projecting, surveying the amphitheatre. He found he had to turn his head completely round to see objects on his right-hand side. No doubt that eye would be all right to-morrow.

The she-bear didn’t respond, but there was a distinct crunching noise coming from the darkness. She had uncovered a bone. Andoo yawned. "Well," he said. He walked over to the[106] cave entrance and stood with his head stretched out, looking over the amphitheater. He realized he had to turn his head all the way around to see things on his right side. No doubt that eye would be fine tomorrow.

He yawned again. There was a tap overhead, and a big mass of chalk flew out from the cliff face, dropped a yard in front of his nose, and starred into a dozen unequal fragments. It startled him extremely.

He yawned again. There was a tap above him, and a large chunk of chalk broke off from the cliff, fell a yard in front of his face, and shattered into a dozen uneven pieces. It startled him a lot.

When he had recovered a little from his shock, he went and sniffed curiously at the representative pieces of the fallen projectile. They had a distinctive flavour, oddly reminiscent of the two drab animals of the ledge. He sat up and pawed the larger lump, and walked round it several times, trying to find a man about it somewhere....

When he had calmed down a bit from his shock, he went over and curiously sniffed at the notable pieces of the fallen projectile. They had a unique scent, strangely similar to the two dull animals on the ledge. He sat up and pawed at the bigger chunk, walking around it several times, trying to see if there was a person involved somehow...

When night had come he went off down the river gorge to see if he could cut off either of the ledge's occupants. The ledge was empty, there were no signs of the red thing, but as he was rather hungry he did not loiter long that night, but pushed on to pick up a red deer fawn. He forgot about the drab animals. He found a fawn, but the doe was close by and made an ugly fight for her young. Andoo had to leave the fawn, but as her blood was up she[107] stuck to the attack, and at last he got in a blow of his paw on her nose, and so got hold of her. More meat but less delicacy, and the she-bear, following, had her share. The next afternoon, curiously enough, the very fellow of the first white rock fell, and smashed precisely according to precedent.

When night fell, he headed down the river gorge to see if he could catch one of the creatures on the ledge. The ledge was empty, and there were no signs of the red thing, but since he was pretty hungry, he didn’t stick around for long that night. He moved on to find a red deer fawn instead. He forgot all about the dull animals. He found a fawn, but the doe was nearby and fiercely protected her young. Andoo had to abandon the fawn, but with her adrenaline pumping, she kept attacking, and eventually, he managed to land a blow on her nose, which gave him the upper hand. More meat but less tenderness, and the she-bear, following him, got her share too. The next afternoon, interestingly enough, the exact same white rock fell and broke exactly as it had before.

The aim of the third, that fell the night after, however, was better. It hit Andoo's unspeculative skull with a crack that echoed up the cliff, and the white fragments went dancing to all the points of the compass. The she-bear coming after him and sniffing curiously at him, found him lying in an odd sort of attitude, with his head wet and all out of shape. She was a young she-bear, and inexperienced, and having sniffed about him for some time and licked him a little, and so forth, she decided to leave him until the odd mood had passed, and went on her hunting alone.

The goal of the third one, which fell the night after, was much better. It hit Andoo's clueless head with a crack that echoed up the cliff, and the white pieces went scattering in all directions. The she-bear, following behind and curiously sniffing at him, found him lying in a strange position, with his head wet and misshapen. She was a young, inexperienced she-bear, and after sniffing around him for a while and giving him a little lick, she decided to leave him until he snapped out of it and went off to hunt by herself.

She looked up the fawn of the red doe they had killed two nights ago, and found it. But it was lonely hunting without Andoo, and she returned caveward before dawn. The sky was grey and overcast, the trees up the gorge were black and unfamiliar, and into her ursine mind came a dim sense of strange and dreary happenings. She lifted up her voice and called[108] Andoo by name. The sides of the gorge re-echoed her.

She looked up the fawn of the red doe they had killed two nights ago and found it. But it felt lonely hunting without Andoo, so she returned to the cave before dawn. The sky was grey and overcast, the trees in the gorge were black and unfamiliar, and a vague sense of strange and dreary events filled her mind. She raised her voice and called Andoo by name. The sides of the gorge echoed her.

As she approached the caves she saw in the half light, and heard a couple of jackals scuttle off, and immediately after a hyæna howled and a dozen clumsy bulks went lumbering up the slope, and stopped and yelled derision. "Lord of the rocks and caves—ya-ha!" came down the wind. The dismal feeling in the she-bear's mind became suddenly acute. She shuffled across the amphitheatre.

As she got closer to the caves she saw in the dim light, she heard some jackals scurry away, and right after that a hyena howled and a dozen awkward shapes lumbered up the slope, stopping to yell mockingly. "Lord of the rocks and caves—ya-ha!" drifted down with the wind. The gloomy feeling in the she-bear's mind became suddenly intense. She shuffled across the amphitheater.

"Ya-ha!" said the hyænas, retreating. "Ya-ha!"

"Yeah!" said the hyenas, backing away. "Yeah!"

The cave bear was not lying quite in the same attitude, because the hyænas had been busy, and in one place his ribs showed white. Dotted over the turf about him lay the smashed fragments of the three great lumps of chalk. And the air was full of the scent of death.

The cave bear wasn't lying in the same position because the hyenas had been at work, and in one spot, his ribs were exposed. Scattered around him on the grass were the broken pieces of the three large lumps of chalk. The air was filled with the smell of death.

The she-bear stopped dead. Even now, that the great and wonderful Andoo was killed was beyond her believing. Then she heard far overhead a sound, a queer sound, a little like the shout of a hyæna but fuller and lower in pitch. She looked up, her little dawn-blinded eyes seeing little, her nostrils quivering. And there, on the cliff edge, far above her against the bright pink of dawn, were two little shaggy[109] round dark things, the heads of Eudena and Ugh-lomi, as they shouted derision at her. But though she could not see them very distinctly she could hear, and dimly she began to apprehend. A novel feeling as of imminent strange evils came into her heart.

The she-bear froze. Even now, it was hard for her to believe that the great and wonderful Andoo was dead. Then she heard a sound far above, an odd sound, somewhat like a hyena's call but deeper and lower in tone. She looked up, her little eyes blinded by the dawn seeing little, her nostrils flaring. And there, on the edge of the cliff, high above her against the bright pink of dawn, were two small, shaggy dark shapes, the heads of Eudena and Ugh-lomi, as they shouted mockingly at her. Even though she couldn't see them clearly, she could hear, and faintly she began to understand. A new feeling, like an approaching strange danger, filled her heart.

She began to examine the smashed fragments of chalk that lay about Andoo. For a space she stood still, looking about her and making a low continuous sound that was almost a moan. Then she went back incredulously to Andoo to make one last effort to rouse him.

She started to look at the broken pieces of chalk scattered around Andoo. For a moment, she stood still, glancing around her and making a low, steady sound that was almost a moan. Then she went back to Andoo, still in disbelief, to make one last attempt to wake him up.

III—THE FIRST HORSEMAN

In the days before Ugh-lomi there was little trouble between the horses and men. They lived apart—the men in the river swamps and thickets, the horses on the wide grassy uplands between the chestnuts and the pines. Sometimes a pony would come straying into the clogging marshes to make a flint-hacked meal, and sometimes the tribe would find one, the kill of a lion, and drive off the jackals, and feast heartily while the sun was high. These horses of the old time were clumsy at the fetlock and dun-coloured, with a rough tail and big head. They came every spring-time north-westward into the country, after the swallows and before[110] the hippopotami, as the grass on the wide downland stretches grew long. They came only in small bodies thus far, each herd, a stallion and two or three mares and a foal or so, having its own stretch of country, and they went again when the chestnut-trees were yellow and the wolves came down the Wealden mountains.

In the time before Ugh-lomi, there was little conflict between horses and humans. They stayed separate—the people in the river swamps and thickets, the horses in the expansive grassy hills between the chestnut and pine trees. Occasionally, a pony would wander into the muddy marshes for a flint-hacked meal, and sometimes the tribe would discover one, a lion's kill, and chase off the jackals to feast while the sun was high. These ancient horses were awkward at the fetlock and dun-colored, with a rough tail and large head. Every spring, they migrated north-westward into the region, following the swallows and arriving before[110] the hippos, as the grass on the vast open pastures grew tall. They arrived in small groups, each consisting of a stallion, two or three mares, and a foal or two, claiming their own territory, and left again when the chestnut trees turned yellow and the wolves descended from the Wealden mountains.

It was their custom to graze right out in the open, going into cover only in the heat of the day. They avoided the long stretches of thorn and beechwood, preferring an isolated group of trees void of ambuscade, so that it was hard to come upon them. They were never fighters; their heels and teeth were for one another, but in the clear country, once they were started, no living thing came near them, though perhaps the elephant might have done so had he felt the need. And in those days man seemed a harmless thing enough. No whisper of prophetic intelligence told the species of the terrible slavery that was to come, of the whip and spur and bearing-rein, the clumsy load and the slippery street, the insufficient food, and the knacker's yard, that was to replace the wide grass-land and the freedom of the earth.

It was their habit to graze right out in the open, seeking shelter only during the hottest part of the day. They steered clear of the long stretches of thorns and beech trees, opting instead for a secluded cluster of trees that had no ambush spots, making it difficult to find them. They never fought; their heels and teeth were only for each other, but in the open country, once they got going, nothing living got near them, though the elephant might have approached if he felt the need. Back then, humans seemed pretty harmless. No sign of future knowledge hinted to them about the terrible bondage ahead, with whips and spurs, heavy loads and slippery streets, inadequate food, and the knacker’s yard, which would replace the expansive grasslands and their freedom.

Down in the Wey marshes Ugh-lomi and Eudena had never seen the horses closely, but[111] now they saw them every day as the two of them raided out from their lair on the ledge in the gorge, raiding together in search of food. They had returned to the ledge after the killing of Andoo; for of the she-bear they were not afraid. The she-bear had become afraid of them, and when she winded them she went aside. The two went together everywhere; for since they had left the tribe Eudena was not so much Ugh-lomi's woman as his mate; she learnt to hunt even—as much, that is, as any woman could. She was indeed a marvellous woman. He would lie for hours watching a beast, or planning catches in that shock head of his, and she would stay beside him, with her bright eyes upon him, offering no irritating suggestions—as still as any man. A wonderful woman!

Down in the Wey marshes, Ugh-lomi and Eudena had never seen the horses up close, but[111] now they saw them every day as they both ventured out from their spot on the ledge in the gorge, searching for food together. They had gone back to the ledge after killing Andoo; they weren't afraid of the she-bear. The she-bear had come to fear them, and when she caught their scent, she would move away. The two went everywhere together; since leaving the tribe, Eudena was not just Ugh-lomi's woman, but his partner; she even learned to hunt—as much as any woman could. She was truly an amazing woman. He would lie for hours watching an animal or brainstorming traps in that wild head of his, and she would stay right beside him, her bright eyes on him, offering no annoying suggestions—still as any man. A remarkable woman!

At the top of the cliff was an open grassy lawn and then beechwoods, and going through the beechwoods one came to the edge of the rolling grassy expanse, and in sight of the horses. Here, on the edge of the wood and bracken, were the rabbit-burrows, and here among the fronds Eudena and Ugh-lomi would lie with their throwing-stones ready, until the little people came out to nibble and play in the sunset. And while Eudena would sit, a[112] silent figure of watchfulness, regarding the burrows, Ugh-lomi's eyes were ever away across the greensward at those wonderful grazing strangers.

At the top of the cliff was an open grassy area, followed by beech trees. Walking through the beech woods led to the edge of the rolling grassy expanse and the sight of the horses. Here, at the border of the woods and ferns, were the rabbit burrows, and among the fronds, Eudena and Ugh-lomi would lie with their throwing stones ready, waiting for the little people to come out and nibble and play in the sunset. While Eudena remained a silent figure of watchfulness, keeping an eye on the burrows, Ugh-lomi's gaze was always focused across the greensward at those amazing grazing strangers.

In a dim way he appreciated their grace and their supple nimbleness. As the sun declined in the evening-time, and the heat of the day passed, they would become active, would start chasing one another, neighing, dodging, shaking their manes, coming round in great curves, sometimes so close that the pounding of the turf sounded like hurried thunder. It looked so fine that Ugh-lomi wanted to join in badly. And sometimes one would roll over on the turf, kicking four hoofs heavenward, which seemed formidable and was certainly much less alluring.

In a vague way, he admired their grace and their agile nimbleness. As the sun set in the evening and the day's heat faded, they would become lively, starting to chase each other, neighing, dodging, shaking their manes, making wide turns, sometimes so close that the thudding of the ground sounded like rushing thunder. It looked so beautiful that Ugh-lomi really wanted to join in. And sometimes one would roll over on the ground, kicking all four hooves up in the air, which seemed impressive but was definitely a lot less appealing.

Dim imaginings ran through Ugh-lomi's mind as he watched—by virtue of which two rabbits lived the longer. And sleeping, his brains were clearer and bolder—for that was the way in those days. He came near the horses, he dreamt, and fought, smiting-stone against hoof, but then the horses changed to men, or, at least, to men with horses' heads, and he awoke in a cold sweat of terror.

Dim thoughts floated through Ugh-lomi's mind as he watched—this is what allowed two rabbits to live longer. While he slept, his mind became clearer and more confident—such was the nature of things back then. He approached the horses in his dreams, fighting and striking stone against hoof, but then the horses transformed into men, or at least men with horse heads, and he woke up in a cold sweat of fear.

Yet the next day in the morning, as the horses were grazing, one of the mares whinnied,[113] and they saw Ugh-lomi coming up the wind. They all stopped their eating and watched him. Ugh-lomi was not coming towards them, but strolling obliquely across the open, looking at anything in the world but horses. He had stuck three fern-fronds into the mat of his hair, giving him a remarkable appearance, and he walked very slowly. "What's up now?" said the Master Horse, who was capable, but inexperienced.

Yet the next morning, while the horses were grazing, one of the mares whinnied,[113] and they saw Ugh-lomi approaching from the wind. They all stopped eating and watched him. Ugh-lomi wasn’t heading directly towards them; he was walking casually across the open land, looking at everything except the horses. He had stuck three fern fronds into his hair, giving him a striking look, and he walked very slowly. "What’s going on now?" asked the Master Horse, who was capable but inexperienced.

"It looks more like the first half of an animal than anything else in the world," he said. "Fore-legs and no hind."

"It looks more like the front half of an animal than anything else in the world," he said. "Front legs and no back."

"It's only one of those pink monkey things," said the Eldest Mare. "They're a sort of river monkey. They're quite common on the plains."

"It's just one of those pink monkey things," said the Eldest Mare. "They're a type of river monkey. They're pretty common on the plains."

Ugh-lomi continued his oblique advance. The Eldest Mare was struck with the want of motive in his proceedings.

Ugh-lomi kept moving forward at an angle. The Eldest Mare felt puzzled by the lack of reason behind his actions.

"Fool!" said the Eldest Mare, in a quick conclusive way she had. She resumed her grazing. The Master Horse and the Second Mare followed suit.

"Fool!" said the Eldest Mare, in the quick, decisive manner she always had. She went back to grazing. The Master Horse and the Second Mare did the same.

"Look! he's nearer," said the Foal with a stripe.

"Look! He's getting closer," said the Foal with a stripe.

One of the younger foals made uneasy movements. Ugh-lomi squatted down, and sat regarding[114] the horses fixedly. In a little while he was satisfied that they meant neither flight nor hostilities. He began to consider his next procedure. He did not feel anxious to kill, but he had his axe with him, and the spirit of sport was upon him. How would one kill one of these creatures?—these great beautiful creatures!

One of the younger foals shifted nervously. Ugh-lomi squatted down and stared at the horses intently. After a short while, he was convinced they had no intention of running away or becoming aggressive. He began to think about what he would do next. He didn’t feel the urge to kill, but he had his axe with him, and he felt a sense of adventure. How would he go about killing one of these magnificent animals?

Eudena, watching him with a fearful admiration from the cover of the bracken, saw him presently go on all fours, and so proceed again. But the horses preferred him a biped to a quadruped, and the Master Horse threw up his head and gave the word to move. Ugh-lomi thought they were off for good, but after a minute's gallop they came round in a wide curve, and stood winding him. Then, as a rise in the ground hid him, they tailed out, the Master Horse leading, and approached him spirally.

Eudena, watching him with a mix of fear and admiration from behind the ferns, noticed him drop to all fours and continue on that way. However, the horses preferred him as a person rather than an animal, and the Master Horse raised his head and signaled to move. Ugh-lomi thought they were leaving for good, but after a brief run, they made a wide turn and circled around him. Then, as a rise in the land obscured him, they fanned out, with the Master Horse in front, and approached him in a spiral formation.

He was as ignorant of the possibilities of a horse as they were of his. And at this stage it would seem he funked. He knew this kind of stalking would make red deer or buffalo charge, if it were persisted in. At any rate Eudena saw him jump up and come walking towards her with the fern plumes held in his hand.[115]

He was just as clueless about what a horse could do as they were about his abilities. At this point, it seemed like he got nervous. He understood that this kind of stalking would make red deer or buffalo charge if he kept it up. Anyway, Eudena saw him jump up and come walking toward her with the fern plumes in his hand.[115]

She stood up, and he grinned to show that the whole thing was an immense lark, and that what he had done was just what he had planned to do from the very beginning. So that incident ended. But he was very thoughtful all that day.

She got up, and he smiled to show that the whole thing was a big joke, and that what he had done was exactly what he had intended from the start. So that incident came to a close. But he was very pensive all day.

The next day this foolish drab creature with the leonine mane, instead of going about the grazing or hunting he was made for, was prowling round the horses again. The Eldest Mare was all for silent contempt. "I suppose he wants to learn something from us," she said, and "Let him." The next day he was at it again. The Master Horse decided he meant absolutely nothing. But as a matter of fact, Ugh-lomi, the first of men to feel that curious spell of the horse that binds us even to this day, meant a great deal. He admired them unreservedly. There was a rudiment of the snob in him, I am afraid, and he wanted to be near these beautifully-curved animals. Then there were vague conceptions of a kill. If only they would let him come near them! But they drew the line, he found, at fifty yards. If he came nearer than that they moved off—with dignity. I suppose it was the way he had blinded Andoo that made him think of leaping on the back of one of them. But though Eudena after a time[116] came out in the open too, and they did some unobtrusive stalking, things stopped there.

The next day, this silly, dull creature with the lion-like mane, instead of doing what he was meant to do—grazing or hunting—was wandering around the horses again. The Eldest Mare was all about silent disdain. "I guess he wants to learn something from us," she said, and "Let him." The next day he was at it again. The Master Horse decided he was completely meaningless. But in reality, Ugh-lomi, the first man to experience that strange connection with horses that still binds us today, meant a lot. He admired them wholeheartedly. There was a hint of snobbery in him, I’m afraid, and he wanted to be close to these beautifully shaped animals. Then there were vague thoughts of a hunt. If only they would let him come closer! But he discovered that they drew the line at fifty yards. If he got any closer, they would move away—with dignity. I guess it was because he had blinded Andoo that he thought of jumping onto the back of one. But even though Eudena eventually[116] came out in the open too, and they did some subtle stalking, that was as far as it went.

Then one memorable day a new idea came to Ugh-lomi. The horse looks down and level, but he does not look up. No animals look up—they have too much common-sense. It was only that fantastic creature, man, could waste his wits skyward. Ugh-lomi made no philosophical deductions, but he perceived the thing was so. So he spent a weary day in a beech that stood in the open, while Eudena stalked. Usually the horses went into the shade in the heat of the afternoon, but that day the sky was overcast, and they would not, in spite of Eudena's solicitude.

Then one memorable day, a new idea came to Ugh-lomi. The horse looks straight ahead, but it doesn’t look up. No animals look up—they’re too sensible for that. Only that strange creature, man, could waste his thoughts on the sky. Ugh-lomi didn’t make any deep philosophical conclusions, but he realized that was the case. So, he spent a long day by a beech tree that stood in the open, while Eudena kept watch. Normally, the horses would seek shade during the hot afternoon, but that day the sky was cloudy, and they wouldn’t do so, despite Eudena's concern.

It was two days after that that Ugh-lomi had his desire. The day was blazing hot, and the multiplying flies asserted themselves. The horses stopped grazing before midday, and came into the shadow below him, and stood in couples nose to tail, flapping.

It was two days later that Ugh-lomi got what he wanted. The day was scorching, and the swarming flies were everywhere. The horses stopped grazing before noon and came into the shade below him, standing in pairs, nose to tail, swatting at flies.

The Master Horse, by virtue of his heels, came closest to the tree. And suddenly there was a rustle and a creak, a thud.... Then a sharp chipped flint bit him on the cheek. The Master Horse stumbled, came on one knee, rose to his feet, and was off like the wind. The air was full of the whirl of limbs, the prance[117] of hoofs, and snorts of alarm. Ugh-lomi was pitched a foot in the air, came down again, up again, his stomach was hit violently, and then his knees got a grip of something between them. He found himself clutching with knees, feet, and hands, careering violently with extraordinary oscillation through the air—his axe gone heaven knows whither. "Hold tight," said Mother Instinct, and he did.

The Master Horse, thanks to his heels, got closest to the tree. Suddenly, there was a rustle and a creak, a thud… Then a sharp piece of flint hit him on the cheek. The Master Horse stumbled, dropped to one knee, got back up, and took off like the wind. The air was filled with the chaos of limbs, the prancing of hooves, and snorts of alarm. Ugh-lomi was thrown a foot in the air, landed, jumped up again, his stomach hit hard, and then his knees found something to grip. He realized he was holding on with his knees, feet, and hands, wildly tumbling through the air—his axe gone who knows where. "Hold tight," said Mother Instinct, and he did.

He was aware of a lot of coarse hair in his face, some of it between his teeth, and of green turf streaming past in front of his eyes. He saw the shoulder of the Master Horse, vast and sleek, with the muscles flowing swiftly under the skin. He perceived that his arms were round the neck, and that the violent jerkings he experienced had a sort of rhythm.

He felt a lot of rough hair in his face, some stuck between his teeth, and green grass rushing past his eyes. He saw the huge, shiny shoulder of the Master Horse, with muscles moving smoothly under the skin. He noticed that his arms were wrapped around the neck, and that the strong jolts he felt had a kind of rhythm.

Then he was in the midst of a wild rush of tree-stems, and then there were fronds of bracken about, and then more open turf. Then a stream of pebbles rushing past, little pebbles flying sideways athwart the stream from the blow of the swift hoofs. Ugh-lomi began to feel frightfully sick and giddy, but he was not the stuff to leave go simply because he was uncomfortable.

Then he found himself surrounded by a chaotic tangle of tree trunks, with fronds of bracken around him, and then more open grassland. A stream of pebbles rushed by, tiny stones flying sideways across the water from the impact of the swift hooves. Ugh-lomi started to feel terribly dizzy and nauseous, but he wasn’t the type to give up just because he was uncomfortable.

He dared not leave his grip, but he tried to make himself more comfortable. He released[118] his hug on the neck, gripping the mane instead. He slipped his knees forward, and pushing back, came into a sitting position where the quarters broaden. It was nervous work, but he managed it, and at last he was fairly seated astride, breathless indeed, and uncertain, but with that frightful pounding of his body at any rate relieved.

He didn't want to let go, but he tried to get more comfortable. He loosened his hold on the neck and grabbed the mane instead. He slid his knees forward and pushed back, getting into a sitting position where there was more room. It was a jittery move, but he pulled it off and finally sat astride, definitely breathless and unsure, but at least relieved from that terrifying pounding in his body.

Slowly the fragments of Ugh-lomi's mind got into order again. The pace seemed to him terrific, but a kind of exultation was beginning to oust his first frantic terror. The air rushed by, sweet and wonderful, the rhythm of the hoofs changed and broke up and returned into itself again. They were on turf now, a wide glade—the beech-trees a hundred yards away on either side, and a succulent band of green starred with pink blossom and shot with silver water here and there, meandered down the middle. Far off was a glimpse of blue valley—far away. The exultation grew. It was man's first taste of pace.

Slowly, Ugh-lomi's mind began to clear. The speed felt overwhelming to him, but a sense of exhilaration was starting to replace his initial panic. The air rushed past, fresh and amazing, as the rhythm of the hooves changed, broke apart, and came back together again. They were now on grass, in a wide clearing—the beech trees standing a hundred yards apart on either side, while a lush band of green dotted with pink blossoms and glimmering with silver water meandered down the center. In the distance, he caught a glimpse of a blue valley—far away. The exhilaration intensified. It was humanity's first taste of speed.

Then came a wide space dappled with flying fallow deer scattering this way and that, and then a couple of jackals, mistaking Ugh-lomi for a lion, came hurrying after him. And when they saw it was not a lion they still came on out of curiosity. On galloped the horse, with[119] his one idea of escape, and after him the jackals, with pricked ears and quickly-barked remarks. "Which kills which?" said the first jackal. "It's the horse being killed," said the second. They gave the howl of following, and the horse answered to it as a horse answers nowadays to the spur.

Then there was a large area scattered with flying fallow deer running in all directions, and a couple of jackals, mistaking Ugh-lomi for a lion, rushed after him. When they realized he wasn't a lion, they continued to follow out of curiosity. The horse galloped on, focused solely on escaping, and the jackals followed with perked ears and quick remarks. "Who's going to kill who?" asked the first jackal. "It's the horse that's going to get killed," replied the second. They howled in excitement, and the horse responded just like it does today when spurred on.

On they rushed, a little tornado through the quiet day, putting up startled birds, sending a dozen unexpected things darting to cover, raising a myriad of indignant dung-flies, smashing little blossoms, flowering complacently, back into their parental turf. Trees again, and then splash, splash across a torrent; then a hare shot out of a tuft of grass under the very hoofs of the Master Horse, and the jackals left them incontinently. So presently they broke into the open again, a wide expanse of turfy hillside—the very grassy downs that fall northward nowadays from the Epsom Stand.

On they rushed, like a little tornado through the quiet day, startling birds, sending a bunch of unexpected creatures darting for cover, raising a swarm of angry flies, and smashing little blossoms that were blooming happily back into their natural space. More trees, and then splash, splash across a rush of water; then a hare burst out from a patch of grass right under the Master Horse's hooves, and the jackals quickly fled. Soon enough, they emerged into the open again, a wide stretch of grassy hillside—the exact grassy downs that slope northward today from the Epsom Stand.

The first hot bolt of the Master Horse was long since over. He was falling into a measured trot, and Ugh-lomi, albeit bruised exceedingly and quite uncertain of the future, was in a state of glorious enjoyment. And now came a new development. The pace broke again, the Master Horse came round on a short curve, and stopped dead....[120]

The initial burst of the Master Horse's energy was long gone. He was settling into a steady trot, and Ugh-lomi, despite being quite battered and unsure about what lay ahead, felt a sense of pure joy. Then a new twist unfolded. The rhythm changed again, the Master Horse made a sharp turn, and abruptly came to a halt....[120]

Ugh-lomi became alert. He wished he had a flint, but the throwing-flint he had carried in a thong about his waist was—like the axe—heaven knows where. The Master Horse turned his head, and Ugh-lomi became aware of an eye and teeth. He whipped his leg into a position of security, and hit at the cheek with his fist. Then the head went down somewhere out of existence apparently, and the back he was sitting on flew up into a dome. Ugh-lomi became a thing of instinct again—strictly prehensile; he held by knees and feet, and his head seemed sliding towards the turf. His fingers were twisted into the shock of mane, and the rough hair of the horse saved him. The gradient he was on lowered again, and then—"Whup!" said Ugh-lomi astonished, and the slant was the other way up. But Ugh-lomi was a thousand generations nearer the primordial than man: no monkey could have held on better. And the lion had been training the horse for countless generations against the tactics of rolling and rearing back. But he kicked like a master, and buck-jumped rather neatly. In five minutes Ugh-lomi lived a lifetime. If he came off the horse would kill him, he felt assured.

Ugh-lomi became alert. He wished he had a flint, but the throwing-flint he used to carry in a thong around his waist was—like the axe—nowhere to be found. The Master Horse turned its head, and Ugh-lomi noticed an eye and teeth. He quickly positioned his leg for safety and punched the horse's cheek with his fist. Then the horse's head seemed to disappear, and the back he was sitting on shot up like a dome. Ugh-lomi reverted to pure instinct—he held on tightly with his knees and feet, and his head seemed to be sliding toward the ground. His fingers were tangled in the thick mane, and the horse's rough hair kept him from falling. The incline beneath him dropped again, and then—"Whup!" Ugh-lomi exclaimed in surprise, as the slope shifted the other way. But Ugh-lomi was a thousand generations closer to the origins of life than humans: no monkey could have held on better. The lion had been training the horse for countless generations to counter rolling and rearing back. But the horse kicked like a pro and bucked quite skillfully. In just five minutes, Ugh-lomi experienced a lifetime worth of drama. He felt certain that if he fell off, the horse would kill him.

Then the Master Horse decided to stick to[121] his old tactics again, and suddenly went off at a gallop. He headed down the slope, taking the steep places at a rush, swerving neither to the right nor to the left, and, as they rode down, the wide expanse of valley sank out of sight behind the approaching skirmishers of oak and hawthorn. They skirted a sudden hollow with the pool of a spring, rank weeds and silver bushes. The ground grew softer and the grass taller, and on the right-hand side and the left came scattered bushes of May—still splashed with belated blossom. Presently the bushes thickened until they lashed the passing rider, and little flashes and gouts of blood came out on horse and man. Then the way opened again.

Then the Master Horse decided to go back to his old tactics and suddenly took off at a gallop. He raced down the slope, charging through the steep spots without swerving right or left, and as they rode down, the vast valley disappeared behind the approaching skirmishers of oak and hawthorn. They passed by a sudden hollow with a spring’s pool, thick weeds, and silver bushes. The ground became softer and the grass taller, with scattered bushes of May on both sides, still scattered with late blossoms. Soon the bushes thickened, whipping the passing rider, and small splashes of blood appeared on both horse and rider. Then the path opened up again.

And then came a wonderful adventure. A sudden squeal of unreasonable anger rose amidst the bushes, the squeal of some creature bitterly wronged. And crashing after them appeared a big, grey-blue shape. It was Yaaa the big-horned rhinoceros, in one of those fits of fury of his, charging full tilt, after the manner of his kind. He had been startled at his feeding, and someone, it did not matter who, was to be ripped and trampled therefore. He was bearing down on them from the left, with his wicked little eye red, his great horn down and[122] his tail like a jury-mast behind him. For a minute Ugh-lomi was minded to slip off and dodge, and then behold! the staccato of the hoofs grew swifter, and the rhinoceros and his stumpy hurrying little legs seemed to slide out at the back corner of Ugh-lomi's eye. In two minutes they were through the bushes of May, and out in the open, going fast. For a space he could hear the ponderous paces in pursuit receding behind him, and then it was just as if Yaaa had not lost his temper, as if Yaaa had never existed.

And then came an amazing adventure. A sudden scream of unreasonable anger erupted from the bushes, the sound of some creature feeling deeply wronged. And crashing after them appeared a large, grey-blue shape. It was Yaaa, the big-horned rhinoceros, in one of his furious fits, charging full speed, just like his kind does. He had been startled while eating, and someone—anyone—was going to pay for it. He was coming at them from the left, with his wicked little eye shining red, his massive horn lowered, and his tail flying behind him like a jury-mast. For a moment, Ugh-lomi considered slipping away and dodging, but then, suddenly, the pounding of the hooves got faster, and the rhinoceros, with his stubby legs, seemed to vanish out of the corner of Ugh-lomi's eye. In just two minutes, they burst through the bushes of May and out into the open, racing quickly. For a brief moment, he could hear the heavy footsteps pursuing him fading away, and then it was as if Yaaa hadn’t lost his temper at all, as if Yaaa had never existed.

The pace never faltered, on they rode and on.

The pace never slowed, they kept riding on and on.

Ugh-lomi was now all exultation. To exult in those days was to insult. "Ya-ha! big nose!" he said, trying to crane back and see some remote speck of a pursuer. "Why don't you carry your smiting-stone in your fist?" he ended with a frantic whoop.

Ugh-lomi was now completely thrilled. Back then, being thrilled was a way to taunt. "Hey! big nose!" he shouted, trying to lean back and catch a glimpse of some distant pursuer. "Why don’t you just carry your heavy stone in your hand?" he finished with an excited yell.

But that whoop was unfortunate, for coming close to the ear of the horse, and being quite unexpected, it startled the stallion extremely. He shied violently. Ugh-lomi suddenly found himself uncomfortable again. He was hanging on to the horse, he found, by one arm and one knee.

But that shout was unfortunate because it came so close to the horse's ear, and being completely unexpected, it startled the stallion a lot. He jumped violently. Ugh-lomi suddenly felt uncomfortable again. He realized he was hanging onto the horse with one arm and one knee.

The rest of the ride was honourable but unpleasant.[123] The view was chiefly of blue sky, and that was combined with the most unpleasant physical sensations. Finally, a bush of thorn lashed him and he let go.

The rest of the ride was decent but uncomfortable.[123] The view was mostly just blue sky, which mixed with some really unpleasant physical feelings. Eventually, a thorn bush hit him, and he let go.

He hit the ground with his cheek and shoulder, and then, after a complicated and extraordinarily rapid movement, hit it again with the end of his backbone. He saw splashes and sparks of light and colour. The ground seemed bouncing about just like the horse had done. Then he found he was sitting on turf, six yards beyond the bush. In front of him was a space of grass, growing greener and greener, and a number of human beings in the distance, and the horse was going round at a smart gallop quite a long way off to the right.

He fell hard, landing on his cheek and shoulder, and then, after a quick and complicated move, landed again on the end of his spine. He saw flashes and sparks of light and color. The ground seemed to be springing up just like the horse had. Then he realized he was sitting on grass, six yards beyond the bush. In front of him was a patch of grass, getting greener and greener, and a bunch of people in the distance, while the horse was galloping swiftly quite a ways off to the right.

The human beings were on the opposite side of the river, some still in the water, but they were all running away as hard as they could go. The advent of a monster that took to pieces was not the sort of novelty they cared for. For quite a minute Ugh-lomi sat regarding them in a purely spectacular spirit. The bend of the river, the knoll among the reeds and royal ferns, the thin streams of smoke going up to Heaven, were all perfectly familiar to him. It was the squatting-place of the Sons of Uya, of Uya from whom he had fled with[124] Eudena, and whom he had waylaid in the chestnut woods and killed with the First Axe.

The people were on the other side of the river, some still in the water, but they were all running away as fast as they could. The arrival of a monster that fell apart was not the kind of surprise they wanted. For almost a minute, Ugh-lomi watched them with pure curiosity. The curve of the river, the hill among the reeds and ferns, and the wisps of smoke rising to the sky were all completely familiar to him. It was the resting place of the Sons of Uya, the Uya he had escaped from with Eudena, and whom he had ambushed in the chestnut woods and killed with the First Axe.

He rose to his feet, still dazed from his fall, and as he did so the scattering fugitives turned and regarded him. Some pointed to the receding horse and chattered. He walked slowly towards them, staring. He forgot the horse, he forgot his own bruises, in the growing interest of this encounter. There were fewer of them than there had been—he supposed the others must have hid—the heap of fern for the night fire was not so high. By the flint heaps should have sat Wau—but then he remembered he had killed Wau. Suddenly brought back to this familiar scene, the gorge and the bears and Eudena seemed things remote, things dreamt of.

He got to his feet, still a bit dizzy from his fall, and as he did, the fleeing people turned and looked at him. Some pointed to the disappearing horse and started talking. He walked slowly towards them, staring. He forgot about the horse, he forgot about his own injuries, caught up in the growing interest of this encounter. There were fewer of them than there had been—he figured the others must have hidden—the pile of ferns for the night fire was not as high. By the piles of flint should have been Wau—but then he remembered he had killed Wau. Suddenly brought back to this familiar scene, the gorge, the bears, and Eudena seemed distant, like things he had only dreamed of.

He stopped at the bank and stood regarding the tribe. His mathematical abilities were of the slightest, but it was certain there were fewer. The men might be away, but there were fewer women and children. He gave the shout of home-coming. His quarrel had been with Uya and Wau—not with the others. "Children of Uya!" he cried. They answered with his name, a little fearfully because of the strange way he had come.

He stopped at the bank and looked at the tribe. His math skills were minimal, but it was clear that there were fewer of them. The men might be away, but there were fewer women and children too. He called out to announce his return. His conflict had been with Uya and Wau—not with the others. "Children of Uya!" he shouted. They responded with his name, a bit nervously because of the unusual way he had arrived.

For a space they spoke together. Then an[125] old woman lifted a shrill voice and answered him. "Our Lord is a Lion."

For a moment they spoke together. Then an[125] old woman raised her voice sharply and replied to him, "Our Lord is a Lion."

Ugh-lomi did not understand that saying. They answered him again several together, "Uya comes again. He comes as a Lion. Our Lord is a Lion. He comes at night. He slays whom he will. But none other may slay us, Ugh-lomi, none other may slay us."

Ugh-lomi didn’t get that saying. They replied to him together again, “Uya is coming back. He’s coming as a Lion. Our Lord is a Lion. He comes at night. He takes down whoever he wants. But no one else can take us down, Ugh-lomi, no one else can take us down.”

Still Ugh-lomi did not understand.

Still Ugh-lomi didn't understand.

"Our Lord is a Lion. He speaks no more to men."

"Our Lord is a Lion. He no longer speaks to people."

Ugh-lomi stood regarding them. He had had dreams—he knew that though he had killed Uya, Uya still existed. And now they told him Uya was a Lion.

Ugh-lomi stood looking at them. He had dreams—he knew that even though he had killed Uya, Uya still existed. And now they were telling him Uya was a Lion.

The shrivelled old woman, the mistress of the fire-minders, suddenly turned and spoke softly to those next to her. She was a very old woman indeed, she had been the first of Uya's wives, and he had let her live beyond the age to which it is seemly a woman should be permitted to live. She had been cunning from the first, cunning to please Uya and to get food. And now she was great in counsel. She spoke softly, and Ugh-lomi watched her shrivelled form across the river with a curious distaste. Then she called aloud, "Come over to us, Ugh-lomi."[126]

The withered old woman, the leader of the fire-minders, suddenly turned and spoke softly to those beside her. She was very old, having been the first of Uya's wives, and he had allowed her to live beyond what is typically considered appropriate for a woman. She had always been clever, figuring out how to please Uya and get food. Now, she was respected for her advice. She spoke gently, and Ugh-lomi watched her frail figure across the river with a sense of discomfort. Then she called out, "Come over to us, Ugh-lomi."[126]

A girl suddenly lifted up her voice. "Come over to us, Ugh-lomi," she said. And they all began crying, "Come over to us, Ugh-lomi."

A girl suddenly raised her voice. "Come over to us, Ugh-lomi," she said. And they all started shouting, "Come over to us, Ugh-lomi."

It was strange how their manner changed after the old woman called.

It was odd how their behavior shifted after the old woman called.

He stood quite still watching them all. It was pleasant to be called, and the girl who had called first was a pretty one. But she made him think of Eudena.

He stood still, watching them all. It felt nice to be called, and the girl who called out first was pretty. But she reminded him of Eudena.

"Come over to us, Ugh-lomi," they cried, and the voice of the shrivelled old woman rose above them all. At the sound of her voice his hesitation returned.

"Come over to us, Ugh-lomi," they shouted, and the voice of the frail old woman rose above everyone else. Hearing her voice made him hesitate again.

He stood on the river bank, Ugh-lomi—Ugh the Thinker—with his thoughts slowly taking shape. Presently one and then another paused to see what he would do. He was minded to go back, he was minded not to. Suddenly his fear or his caution got the upper hand. Without answering them he turned, and walked back towards the distant thorn-trees, the way he had come. Forthwith the whole tribe started crying to him again very eagerly. He hesitated and turned, then he went on, then he turned again, and then once again, regarding them with troubled eyes as they called. The last time he took two paces back, before his fear stopped him. They saw him stop once[127] more, and suddenly shake his head and vanish among the hawthorn-trees.

He stood on the riverbank, Ugh-lomi—Ugh the Thinker—while his thoughts gradually took shape. One by one, the others paused to see what he would decide. He was tempted to go back, but at the same time, he hesitated. Suddenly, his fear or caution took control. Without responding to them, he turned and walked back toward the distant thorn trees, retracing his steps. Immediately, the entire tribe started calling out to him again with great urgency. He hesitated and turned back, then started walking again, only to turn around once more, looking at them with worried eyes as they called to him. The last time, he took two steps back before his fear held him in place. They saw him stop yet again and suddenly shake his head before disappearing among the hawthorn trees.

Then all the women and children lifted up their voices together, and called to him in one last vain effort.

Then all the women and children raised their voices together and called out to him in one final, pointless attempt.

Far down the river the reeds were stirring in the breeze, where, convenient for his new sort of feeding, the old lion, who had taken to man-eating, had made his lair.

Far down the river, the reeds were rustling in the breeze, where the old lion, who had started to eat humans, had made his home, which was perfect for his new way of hunting.

The old woman turned her face that way, and pointed to the hawthorn thickets. "Uya," she screamed, "there goes thine enemy! There goes thine enemy, Uya! Why do you devour us nightly? We have tried to snare him! There goes thine enemy, Uya!"

The old woman turned her face that way, and pointed to the hawthorn thickets. "Uya," she screamed, "there's your enemy! There goes your enemy, Uya! Why do you attack us every night? We’ve tried to catch him! There goes your enemy, Uya!"

But the lion who preyed upon the tribe was taking his siesta. The cry went unheard. That day he had dined on one of the plumper girls, and his mood was a comfortable placidity. He really did not understand that he was Uya or that Ugh-lomi was his enemy.

But the lion that hunted the tribe was taking a nap. The cry went unnoticed. That day he had feasted on one of the fuller girls, and he felt pleasantly relaxed. He really didn't realize that he was Uya or that Ugh-lomi was his enemy.

So it was that Ugh-lomi rode the horse, and heard first of Uya the lion, who had taken the place of Uya the Master, and was eating up the tribe. And as he hurried back to the gorge his mind was no longer full of the horse, but of the thought that Uya was still alive, to slay or be slain. Over and over again he saw the[128] shrunken band of women and children crying that Uya was a lion. Uya was a lion!

So it was that Ugh-lomi rode the horse and first heard about Uya the lion, who had taken the place of Uya the Master and was devouring the tribe. As he rushed back to the gorge, his thoughts were no longer filled with the horse but with the fact that Uya was still alive, ready to kill or be killed. Again and again, he saw the[128] small group of women and children crying that Uya was a lion. Uya was a lion!

And presently, fearing the twilight might come upon him, Ugh-lomi began running.

And soon, worried that night would catch up to him, Ugh-lomi started running.

IV—UYA THE LION

The old lion was in luck. The tribe had a certain pride in their ruler, but that was all the satisfaction they got out of it. He came the very night that Ugh-lomi killed Uya the Cunning, and so it was they named him Uya. It was the old woman, the fire-minder, who first named him Uya. A shower had lowered the fires to a glow, and made the night dark. And as they conversed together, and peered at one another in the darkness, and wondered fearfully what Uya would do to them in their dreams now that he was dead, they heard the mounting reverberations of the lion's roar close at hand. Then everything was still.

The old lion was lucky. The tribe took pride in their ruler, but that was all the satisfaction they got from it. He showed up the very night Ugh-lomi killed Uya the Cunning, and that’s how they named him Uya. It was the old woman, the fire-minder, who first called him Uya. A rain shower had dimmed the fires to a glow and made the night darker. As they talked to each other, looking at one another in the dark, and anxiously wondered what Uya would do to them in their dreams now that he was dead, they heard the deep rumble of the lion's roar nearby. Then everything was silent.

They held their breath, so that almost the only sounds were the patter of the rain and the hiss of the raindrops in the ashes. And then, after an interminable time, a crash, and a shriek of fear, and a growling. They sprang to their feet, shouting, screaming, running this way and that, but brands would not burn, and in a minute the victim was being dragged away[129] through the ferns. It was Irk, the brother of Wau.

They held their breath, so the only sounds were the patter of the rain and the hiss of the raindrops in the ashes. Then, after what felt like forever, there was a crash, a scream of fear, and a growl. They jumped to their feet, shouting and screaming, running in all directions, but the brands wouldn’t catch fire, and within a minute, the victim was being dragged away[129] through the ferns. It was Irk, Wau’s brother.

So the lion came.

So, the lion arrived.

The ferns were still wet from the rain the next night, and he came and took Click with the red hair. That sufficed for two nights. And then in the dark between the moons he came three nights, night after night, and that though they had good fires. He was an old lion with stumpy teeth, but very silent and very cool; he knew of fires before; these were not the first of mankind that had ministered to his old age. The third night he came between the outer fire and the inner, and he leapt the flint heap, and pulled down Irm the son of Irk, who had seemed like to be the leader. That was a dreadful night, because they lit great flares of fern and ran screaming, and the lion missed his hold of Irm. By the glare of the fire they saw Irm struggle up, and run a little way towards them, and then the lion in two bounds had him down again. That was the last of Irm.

The ferns were still wet from the rain the next night, and he came and took Click with the red hair. That lasted for two nights. Then in the dark between the moons, he came three nights in a row, even though they had good fires. He was an old lion with stubby teeth, but very quiet and very calm; he knew about fires before; these weren’t the first humans who had taken care of his old age. On the third night, he came between the outer fire and the inner one, leaped over the flint heap, and captured Irm, the son of Irk, who had seemed like he would be the leader. It was a terrifying night because they lit huge torches made of ferns and ran screaming, and the lion missed his grip on Irm. By the light of the fire, they saw Irm struggle up, run a little way toward them, and then the lion took him down again in two jumps. That was the last of Irm.

So fear came, and all the delight of spring passed out of their lives. Already there were five gone out of the tribe, and four nights added three more to the number. Food-seeking became spiritless, none knew who might go[130] next, and all day the women toiled, even the favourite women, gathering litter and sticks for the night fires. And the hunters hunted ill: in the warm spring-time hunger came again as though it was still winter. The tribe might have moved, had they had a leader, but they had no leader, and none knew where to go that the lion could not follow them. So the old lion waxed fat and thanked heaven for the kindly race of men. Two of the children and a youth died while the moon was still new, and then it was the shrivelled old fire-minder first bethought herself in a dream of Eudena and Ugh-lomi, and of the way Uya had been slain. She had lived in fear of Uya all her days, and now she lived in fear of the lion. That Ugh-lomi could kill Uya for good—Ugh-lomi whom she had seen born—was impossible. It was Uya still seeking his enemy!

So fear arrived, and all the joy of spring vanished from their lives. Five members of the tribe were already gone, and four nights brought three more to the count. Finding food became lifeless; no one knew who might disappear next, and all day the women worked hard, even the favorites, gathering debris and sticks for the evening fires. The hunters weren't having any luck: in the warm springtime, hunger returned as if it were still winter. The tribe could have moved if they had a leader, but they had none, and no one knew where to go where the lion couldn't track them. So the old lion grew fat and thanked heaven for the benevolent race of humans. Two of the children and a young man died while the moon was still new, and then the shriveled old fire-tender first remembered in a dream Eudena and Ugh-lomi, and how Uya had been killed. She had lived in fear of Uya all her life, and now she feared the lion. That Ugh-lomi could kill Uya for good—Ugh-lomi whom she had seen born—seemed impossible. It was Uya still searching for his enemy!

And then came the strange return of Ugh-lomi, a wonderful animal seen galloping far across the river, that suddenly changed into two animals, a horse and a man. Following this portent, the vision of Ugh-lomi on the farther bank of the river.... Yes, it was all plain to her. Uya was punishing them, because they had not hunted down Ugh-lomi and Eudena.[131]

And then came the odd return of Ugh-lomi, a magnificent creature seen galloping far across the river, which suddenly transformed into two beings, a horse and a man. After this sign, the image of Ugh-lomi on the opposite bank of the river... Yes, it all made sense to her. Uya was punishing them because they hadn't tracked down Ugh-lomi and Eudena.[131]

The men came straggling back to the chances of the night while the sun was still golden in the sky. They were received with the story of Ugh-lomi. She went across the river with them and showed them his spoor hesitating on the farther bank. Siss the Tracker knew the feet for Ugh-lomi's. "Uya needs Ugh-lomi," cried the old woman, standing on the left of the bend, a gesticulating figure of flaring bronze in the sunset. Her cries were strange sounds, flitting to and fro on the borderland of speech, but this was the sense they carried: "The lion needs Eudena. He comes night after night seeking Eudena and Ugh-lomi. When he cannot find Eudena and Ugh-lomi, he grows angry and he kills. Hunt Eudena and Ugh-lomi, Eudena whom he pursued, and Ugh-lomi for whom he gave the death-word! Hunt Eudena and Ugh-lomi!"

The men came back slowly as night fell, while the sun was still shining. They were greeted with the tale of Ugh-lomi. She crossed the river with them and pointed out his tracks hesitating on the far bank. Siss the Tracker recognized the tracks as Ugh-lomi's. "Uya needs Ugh-lomi," shouted the old woman, standing at the bend, a striking figure of glowing bronze in the sunset. Her cries were unusual sounds, flitting around the edge of speech, but this was the message they conveyed: "The lion needs Eudena. He comes night after night looking for Eudena and Ugh-lomi. When he can't find Eudena and Ugh-lomi, he gets angry and kills. Hunt Eudena and Ugh-lomi, Eudena whom he chases, and Ugh-lomi for whom he has spoken the death-word! Hunt Eudena and Ugh-lomi!"

She turned to the distant reed-bed, as sometimes she had turned to Uya in his life. "Is it not so, my lord?" she cried. And, as if in answer, the tall reeds bowed before a breath of wind.

She turned to the far-off reed bed, just like she had turned to Uya during his life. "Isn't that right, my lord?" she shouted. And, as if in response, the tall reeds swayed before a gust of wind.

Far into the twilight the sound of hacking was heard from the squatting-places. It was the men sharpening their ashen spears against the hunting of the morrow. And in the night,[132] early before the moon rose, the lion came and took the girl of Siss the Tracker.

Far into the evening, the sound of chopping could be heard from the places where people were sitting. It was the men sharpening their gray spears for tomorrow's hunt. And in the night,[132] just before the moon rose, the lion came and took Siss the Tracker's girl.

In the morning before the sun had risen, Siss the Tracker, and the lad Wau-Hau, who now chipped flints, and One Eye, and Bo, and the Snail-eater, the two red-haired men, and Cat's-skin and Snake, all the men that were left alive of the Sons of Uya, taking their ash spears and their smiting-stones, and with throwing-stones in the beast-paw bags, started forth upon the trail of Ugh-lomi through the hawthorn thickets where Yaaa the Rhinoceros and his brothers were feeding, and up the bare downland towards the beechwoods.

In the early morning, before the sun came up, Siss the Tracker, along with the boy Wau-Hau, who was carving flints, and One Eye, Bo, the Snail-eater, the two red-haired guys, Cat's-skin, and Snake—everyone who was still alive from the Sons of Uya—grabbed their ash spears, smiting stones, and throwing stones packed in beast-paw bags. They set out on the trail of Ugh-lomi, moving through the hawthorn thickets where Yaaa the Rhinoceros and his brothers were grazing, and up the bare hills toward the beechwoods.

That night the fires burnt high and fierce, as the waxing moon set, and the lion left the crouching women and children in peace.

That night, the fires burned brightly and fiercely as the waxing moon set, and the lion left the crouching women and children in peace.

And the next day, while the sun was still high, the hunters returned—all save One Eye, who lay dead with a smashed skull at the foot of the ledge. (When Ugh-lomi came back that evening from stalking the horses, he found the vultures already busy over him.) And with them the hunters brought Eudena bruised and wounded, but alive. That had been the strange order of the shrivelled old woman, that she was to be brought alive—"She is no kill for us. She is for Uya the Lion." Her hands were[133] tied with thongs, as though she had been a man, and she came weary and drooping—her hair over her eyes and matted with blood. They walked about her, and ever and again the Snail-eater, whose name she had given, would laugh and strike her with his ashen spear. And after he had struck her with his spear, he would look over his shoulder like one who had done an over-bold deed. The others, too, looked over their shoulders ever and again, and all were in a hurry save Eudena. When the old woman saw them coming, she cried aloud with joy.

And the next day, while the sun was still high, the hunters returned—all except One Eye, who lay dead with a crushed skull at the foot of the ledge. (When Ugh-lomi came back that evening from tracking the horses, he found the vultures already feasting on him.) Along with them, the hunters brought Eudena, bruised and battered but alive. That had been the strange order of the shriveled old woman: she was to be brought back alive—"She is not prey for us. She is for Uya the Lion." Her hands were tied with strips of leather, as if she were a man, and she came in exhausted and sagging—her hair over her eyes and matted with blood. They circled around her, and now and then the Snail-eater, the name she had given him, would laugh and hit her with his ashen spear. After striking her, he would glance over his shoulder like someone who had committed a bold act. The others also kept looking back occasionally, and everyone was in a hurry except for Eudena. When the old woman saw them approaching, she cried out in joy.

They made Eudena cross the river with her hands tied, although the current was strong and when she slipped the old woman screamed, first with joy and then for fear she might be drowned. And when they had dragged Eudena to shore, she could not stand for a time, albeit they beat her sore. So they let her sit with her feet touching the water, and her eyes staring before her, and her face set, whatever they might do or say. All the tribe came down to the squatting-place, even curly little Haha, who as yet could scarcely toddle, and stood staring at Eudena and the old woman, as now we should stare at some strange wounded beast and its captor.[134]

They made Eudena cross the river with her hands tied, even though the current was strong. When she slipped, the old woman screamed—first out of joy and then out of fear that she might drown. Once they dragged Eudena to shore, she couldn’t stand for a while, even though they had beaten her badly. So they let her sit with her feet in the water, her eyes staring blankly ahead, and her face expressionless, no matter what they did or said. The whole tribe gathered at the squatting place, even little Haha, who could barely walk, standing there and staring at Eudena and the old woman, just like we might stare at some strange wounded animal and its captor.[134]

The old woman tore off the necklace of Uya that was about Eudena's neck, and put it on herself—she had been the first to wear it. Then she tore at Eudena's hair, and took a spear from Siss and beat her with all her might. And when she had vented the warmth of her heart on the girl she looked closely into her face. Eudena's eyes were closed and her features were set, and she lay so still that for a moment the old woman feared she was dead. And then her nostrils quivered. At that the old woman slapped her face and laughed and gave the spear to Siss again, and went a little way off from her and began to talk and jeer at her after her manner.

The old woman ripped the necklace from around Eudena's neck and put it on herself—she had been the first to wear it. Then she yanked at Eudena's hair, grabbed a spear from Siss, and hit her with all her strength. After she had released her anger on the girl, she examined her face closely. Eudena's eyes were shut, her features were rigid, and she lay so still that for a moment the old woman feared she was dead. Then her nostrils quivered. Seeing that, the old woman slapped her face, laughed, handed the spear back to Siss, moved a short distance away, and started to mock her in her usual way.

The old woman had more words than any in the tribe. And her talk was a terrible thing to hear. Sometimes she screamed and moaned incoherently, and sometimes the shape of her guttural cries was the mere phantom of thoughts. But she conveyed to Eudena, nevertheless, much of the things that were yet to come, of the Lion and of the torment he would do her. "And Ugh-lomi! Ha, ha! Ugh-lomi is slain?"

The old woman had more words than anyone in the tribe. And listening to her was awful. Sometimes she would scream and moan in a way that didn’t make sense, and other times the sounds she made were just shadows of thoughts. Still, she managed to share with Eudena many of the things that were yet to come, about the Lion and the suffering he would bring her. "And Ugh-lomi! Ha, ha! Ugh-lomi is dead?"

And suddenly Eudena's eyes opened and she sat up again, and her look met the old woman's fair and level. "No," she said slowly, like one[135] trying to remember, "I did not see my Ugh-lomi slain. I did not see my Ugh-lomi slain."

And suddenly, Eudena's eyes opened and she sat up again, her gaze meeting the old woman’s steady and clear. "No," she said slowly, as if trying to remember, "I didn’t see my Ugh-lomi killed. I didn’t see my Ugh-lomi killed."

"Tell her," cried the old woman. "Tell her—he that killed him. Tell her how Ugh-lomi was slain."

"Tell her," the old woman shouted. "Tell her—he who killed him. Tell her how Ugh-lomi was killed."

She looked, and all the women and children there looked, from man to man.

She looked, and all the women and children there looked from one man to another.

None answered her. They stood shame-faced.

None answered her. They stood there, embarrassed.

"Tell her," said the old woman. The men looked at one another.

"Tell her," said the old woman. The men glanced at each other.

Eudena's face suddenly lit.

Eudena's face suddenly lit up.

"Tell her," she said. "Tell her, mighty men! Tell her the killing of Ugh-lomi."

"Tell her," she said. "Tell her, strong warriors! Tell her about the death of Ugh-lomi."

The old woman rose and struck her sharply across her mouth.

The old woman stood up and slapped her hard across the mouth.

"We could not find Ugh-lomi," said Siss the Tracker, slowly. "Who hunts two, kills none."

"We couldn't find Ugh-lomi," said Siss the Tracker, slowly. "Who hunts two, kills none."

Then Eudena's heart leapt, but she kept her face hard. It was as well, for the old woman looked at her sharply, with murder in her eyes.

Then Eudena’s heart raced, but she maintained a tough expression. It was smart to do so, because the old woman stared at her intensely, with a deadly look in her eyes.

Then the old woman turned her tongue upon the men because they had feared to go on after Ugh-lomi. She dreaded no one now Uya was slain. She scolded them as one scolds children. And they scowled at her, and began to accuse one another. Until suddenly Siss the Tracker raised his voice and bade her hold her peace.[136]

Then the old woman snapped at the men because they were too afraid to follow Ugh-lomi. She wasn't scared of anyone now that Uya was dead. She scolded them like you would scold children. They glared at her and started blaming each other. Then, out of nowhere, Siss the Tracker raised his voice and told her to be quiet.[136]

And so when the sun was setting they took Eudena and went—though their hearts sank within them—along the trail the old lion had made in the reeds. All the men went together. At one place was a group of alders, and here they hastily bound Eudena where the lion might find her when he came abroad in the twilight, and having done so they hurried back until they were near the squatting-place. Then they stopped. Siss stopped first and looked back again at the alders. They could see her head even from the squatting-place, a little black shock under the limb of the larger tree. That was as well.

And so, as the sun was setting, they took Eudena and walked—though their hearts were heavy—along the trail that the old lion had made in the reeds. All the men walked together. At one spot, they found a group of alders, and there they quickly tied up Eudena so the lion could find her when he came out at twilight. Once they did that, they hurried back until they were close to the place where they were sitting. Then they stopped. Siss was the first to stop and looked back at the alders. From the place where they were sitting, they could see her head, a little black shape beneath the limb of the larger tree. That was fine.

All the women and children stood watching upon the crest of the mound. And the old woman stood and screamed for the lion to take her whom he sought, and counselled him on the torments he might do her.

All the women and children stood watching from the top of the hill. The old woman screamed for the lion to take the one he was after and advised him on the suffering he could inflict on her.

Eudena was very weary now, stunned by beatings and fatigue and sorrow, and only the fear of the thing that was still to come upheld her. The sun was broad and blood-red between the stems of the distant chestnuts, and the west was all on fire; the evening breeze had died to a warm tranquillity. The air was full of midge swarms, the fish in the river hard by would leap at times, and now and again a cockchafer[137] would drone through the air. Out of the corner of her eye Eudena could see a part of the squatting-knoll, and little figures standing and staring at her. And—a very little sound but very clear—she could hear the beating of the firestone. Dark and near to her and still was the reed-fringed thicket of the lair.

Eudena was exhausted now, overwhelmed by beatings, fatigue, and sorrow, and only the fear of what was still to come kept her going. The sun was big and blood-red between the trunks of the distant chestnuts, and the west was ablaze; the evening breeze had calmed to a warm stillness. The air buzzed with swarms of midges, the fish in the nearby river would occasionally jump, and now and then a cockchafer[137] would buzz through the air. From the corner of her eye, Eudena could see part of the squatting knoll and little figures standing and staring at her. And—a very faint sound, but very distinct—she could hear the beating of the firestone. Dark and close to her, the reed-fringed thicket of the lair lay still.

Presently the firestone ceased. She looked for the sun and found he had gone, and overhead and growing brighter was the waxing moon. She looked towards the thicket of the lair, seeking shapes in the reeds, and then suddenly she began to wriggle and wriggle, weeping and calling upon Ugh-lomi.

Currently, the fire had gone out. She searched for the sun and realized it was gone, and above her, the moon was getting brighter. She gazed towards the thicket of the lair, trying to make out shapes in the reeds, and then suddenly she started to squirm and squirm, crying and calling out to Ugh-lomi.

But Ugh-lomi was far away. When they saw her head moving with her struggles, they shouted together on the knoll, and she desisted and was still. And then came the bats, and the star that was like Ugh-lomi crept out of its blue hiding-place in the west. She called to it, but softly, because she feared the lion. And all through the coming of the twilight the thicket was still.

But Ugh-lomi was far away. When they saw her head moving as she struggled, they shouted together from the hill, and she stopped and became still. Then came the bats, and the star that resembled Ugh-lomi emerged from its blue hiding place in the west. She called to it, but softly, because she was afraid of the lion. And throughout the arrival of twilight, the thicket remained quiet.

So the dark crept upon Eudena, and the moon grew bright, and the shadows of things that had fled up the hillside and vanished with the evening came back to them short and black. And the dark shapes in the thicket of reeds and[138] alders where the lion lay, gathered, and a faint stir began there. But nothing came out therefrom all through the gathering of the darkness.

So the darkness came over Eudena, the moon became bright, and the shadows of things that had moved up the hillside and disappeared with the evening returned, short and black. The dark shapes in the thicket of reeds and[138]alders where the lion lay gathered, and a slight movement began there. But nothing emerged from it throughout the deepening darkness.

She looked at the squatting-place and saw the fires glowing smoky-red, and the men and women going to and fro. The other way, over the river, a white mist was rising. Then far away came the whimpering of young foxes and the yell of a hyæna.

She looked at the area where people were gathered and saw the fires glowing with a smoky red light, and the men and women moving back and forth. In the opposite direction, over the river, a white mist was rising. Then, from far away, she heard the whimpering of young foxes and the yell of a hyena.

There were long gaps of aching waiting. After a long time some animal splashed in the water, and seemed to cross the river at the ford beyond the lair, but what animal it was she could not see. From the distant drinking-pools she could hear the sound of splashing, and the noise of elephants—so still was the night.

There were long stretches of painful waiting. After a while, an animal splashed in the water and seemed to cross the river at the shallow part beyond the den, but she couldn’t tell what it was. From the far-off watering holes, she could hear the splashing and the sound of elephants—such was the stillness of the night.

The earth was now a colourless arrangement of white reflections and impenetrable shadows, under the blue sky. The silvery moon was already spotted with the filigree crests of the chestnut woods, and over the shadowy eastward hills the stars were multiplying. The knoll fires were bright red now, and black figures stood waiting against them. They were waiting for a scream.... Surely it would be soon.

The earth was now a lifeless mix of white reflections and dark shadows under the blue sky. The silvery moon was already dotted with the intricate outlines of the chestnut woods, and over the dark hills to the east, the stars were multiplying. The fires on the knolls were bright red now, and black figures stood waiting against them. They were waiting for a scream... Surely it would come soon.

The night suddenly seemed full of movement. She held her breath. Things were passing—one,[139] two, three—subtly sneaking shadows.... Jackals.

The night suddenly felt alive with activity. She held her breath. Things were moving—one,[139] two, three—silently creeping shadows.... Jackals.

Then a long waiting again.

Then a long wait again.

Then, asserting itself as real at once over all the sounds her mind had imagined, came a stir in the thicket, then a vigorous movement. There was a snap. The reeds crashed heavily, once, twice, thrice, and then everything was still save a measured swishing. She heard a low tremulous growl, and then everything was still again. The stillness lengthened—would it never end? She held her breath; she bit her lips to stop screaming. Then something scuttled through the undergrowth. Her scream was involuntary. She did not hear the answering yell from the mound.

Then, suddenly feeling real over all the sounds her mind had created, there was a rustle in the bushes, followed by a strong movement. There was a snap. The reeds crashed down heavily, once, twice, three times, and then everything went quiet except for a rhythmic swishing. She heard a low, shaky growl, and then it was silent again. The quiet stretched on—would it ever stop? She held her breath; she bit her lips to stop from screaming. Then something rushed through the underbrush. Her scream came out without her meaning it to. She didn't hear the responding shout from the mound.

Immediately the thicket woke up to vigorous movement again. She saw the grass stems waving in the light of the setting moon, the alders swaying. She struggled violently—her last struggle. But nothing came towards her. A dozen monsters seemed rushing about in that little place for a couple of minutes, and then again came silence. The moon sank behind the distant chestnuts and the night was dark.

Immediately, the thicket came alive with vigorous movement again. She saw the grass stems swaying in the light of the setting moon, the alders moving back and forth. She fought fiercely—her last struggle. But nothing approached her. A dozen monsters seemed to be rushing around in that small space for a minute or two, and then silence returned. The moon sank behind the distant chestnuts, and the night turned dark.

Then an odd sound, a sobbing panting, that grew faster and fainter. Yet another silence,[140] and then dim sounds and the grunting of some animal.

Then a strange sound, a sobbing breath, that grew quicker and softer. Another silence,[140] and then faint sounds and the grunting of some animal.

Everything was still again. Far away eastwards an elephant trumpeted, and from the woods came a snarling and yelping that died away.

Everything was quiet again. In the distance to the east, an elephant trumpeted, and from the woods came a growling and barking that faded away.

In the long interval the moon shone out again, between the stems of the trees on the ridge, sending two great bars of light and a bar of darkness across the reedy waste. Then came a steady rustling, a splash, and the reeds swayed wider and wider apart. And at last they broke open, cleft from root to crest.... The end had come.

In the long stretch of time, the moon shone through the gaps between the tree trunks on the ridge, casting two long beams of light and a band of darkness over the marshy area. Then there was a consistent rustling, a splash, and the reeds began to part wider and wider. Finally, they split open, severed from root to tip... The end had come.

She looked to see the thing that had come out of the reeds. For a moment it seemed certainly the great head and jaw she expected, and then it dwindled and changed. It was a dark low thing, that remained silent, but it was not the lion. It became still—everything became still. She peered. It was like some gigantic frog, two limbs and a slanting body. Its head moved about searching the shadows....

She looked to see what had emerged from the reeds. For a moment, it definitely appeared to be the large head and jaw she was expecting, but then it shrank and transformed. It was a dark, low creature that stayed quiet, but it wasn't the lion. It became still—everything became still. She squinted. It looked like some giant frog, with two limbs and a slanted body. Its head moved around, searching through the shadows...

A rustle, and it moved clumsily, with a sort of hopping. And as it moved it gave a low groan.[141]

A rustle, and it moved awkwardly, like it was hopping. And as it moved, it let out a low groan.[141]

The blood rushing through her veins was suddenly joy. "Ugh-lomi!" she whispered.

The blood rushing through her veins was suddenly pure joy. "Ugh-lomi!" she whispered.

The thing stopped. "Eudena," he answered softly with pain in his voice, and peering into the alders.

The thing stopped. "Eudena," he replied softly, his voice filled with pain, as he looked into the alders.

He moved again, and came out of the shadow beyond the reeds into the moonlight. All his body was covered with dark smears. She saw he was dragging his legs, and that he gripped his axe, the first axe, in one hand. In another moment he had struggled into the position of all fours, and had staggered over to her. "The lion," he said in a strange mingling of exultation and anguish. "Wau!—I have slain a lion. With my own hand. Even as I slew the great bear." He moved to emphasise his words, and suddenly broke off with a faint cry. For a space he did not move.

He shifted again, stepping out of the shadow behind the reeds and into the moonlight. His body was covered in dark smudges. She noticed he was dragging his legs and gripping his axe, the first axe, in one hand. Moments later, he managed to get onto all fours and staggered over to her. "The lion," he said, his voice a mix of excitement and pain. "Wow! I’ve killed a lion. With my own hands. Just like I did with the great bear." He moved to emphasize his words and suddenly stopped with a weak cry. For a moment, he was still.

"Let me free," whispered Eudena....

"Let me go," whispered Eudena....

He answered her no words but pulled himself up from his crawling attitude by means of the alder stem, and hacked at her thongs with the sharp edge of his axe. She heard him sob at each blow. He cut away the thongs about her chest and arms, and then his hand dropped. His chest struck against her shoulder and he slipped down beside her and lay still.

He didn't say anything but lifted himself up from his crawling position using the alder stem, and started cutting at her bindings with the sharp edge of his axe. She could hear him cry with every blow. He cut the bindings around her chest and arms, and then his hand fell. His chest hit her shoulder and he slid down beside her and lay still.

But the rest of her release was easy. Very[142] hastily she freed herself. She made one step from the tree, and her head was spinning. Her last conscious movement was towards him. She reeled, and dropped. Her hand fell upon his thigh. It was soft and wet, and gave way under her pressure; he cried out at her touch, and writhed and lay still again.

But the rest of her escape was simple. Very[142] quickly, she freed herself. She took a step away from the tree, and her head started to spin. Her last clear action was towards him. She stumbled and collapsed. Her hand landed on his thigh. It felt soft and wet and sank under her touch; he cried out at her contact, squirmed, and then lay still again.

Presently a dark dog-like shape came very softly through the reeds. Then stopped dead and stood sniffing, hesitated, and at last turned and slunk back into the shadows.

Currently, a dark, dog-like figure crept quietly through the reeds. It then stopped abruptly, stood there sniffing, hesitated, and finally turned to slip back into the shadows.

Long was the time they remained there motionless, with the light of the setting moon shining on their limbs. Very slowly, as slowly as the setting of the moon, did the shadow of the reeds towards the mound flow over them. Presently their legs were hidden, and Ugh-lomi was but a bust of silver. The shadow crept to his neck, crept over his face, and so at last the darkness of the night swallowed them up.

Long they stayed there still, with the light of the setting moon shining on their limbs. Very slowly, as slowly as the moon sets, the shadow of the reeds flowed over them toward the mound. Soon their legs were hidden, and Ugh-lomi was just a silver silhouette. The shadow crept up to his neck, over his face, and finally, the darkness of the night engulfed them.

The shadow became full of instinctive stirrings. There was a patter of feet, and a faint snarling—the sound of a blow.

The shadow was filled with instinctive movements. There was a sound of feet and a faint growl—the noise of a hit.


There was little sleep that night for the women and children at the squatting-place until they heard Eudena scream. But the men[143] were weary and sat dozing. When Eudena screamed they felt assured of their safety, and hurried to get the nearest places to the fires. The old woman laughed at the scream, and laughed again because Si, the little friend of Eudena, whimpered. Directly the dawn came they were all alert and looking towards the alders. They could see that Eudena had been taken. They could not help feeling glad to think that Uya was appeased. But across the minds of the men the thought of Ugh-lomi fell like a shadow. They could understand revenge, for the world was old in revenge, but they did not think of rescue. Suddenly a hyæna fled out of the thicket, and came galloping across the reed space. His muzzle and paws were dark-stained. At that sight all the men shouted and clutched at throwing-stones and ran towards him, for no animal is so pitiful a coward as the hyæna by day. All men hated the hyæna because he preyed on children, and would come and bite when one was sleeping on the edge of the squatting-place. And Cat's-skin, throwing fair and straight, hit the brute shrewdly on the flank, whereat the whole tribe yelled with delight.

There was barely any sleep that night for the women and kids at the campsite until they heard Eudena scream. But the men were tired and dozed off. When Eudena screamed, they felt secure and hurried to the nearest fires. The old woman laughed at the scream and laughed again because Si, Eudena's little friend, whined. As soon as dawn broke, they were all alert, looking toward the alders. They could see that Eudena had been taken. They couldn't help feeling relieved to think that Uya was satisfied. But the thought of Ugh-lomi cast a shadow over the men. They understood revenge; the world was familiar with it, but they didn't think about rescue. Suddenly, a hyena burst out of the thicket and raced across the reeds. Its muzzle and paws were stained dark. At that sight, all the men shouted, grabbed stones, and ran towards it because no animal is as pitifully cowardly as the hyena during the day. All the men hated the hyena for preying on children and for coming to bite when someone was sleeping near the camp. And Cat's-skin, throwing accurately, hit the creature hard on the flank, causing the whole tribe to cheer with excitement.

At the noise they made there came a flapping of wings from the lair of the lion, and three[144] white-headed vultures rose slowly and circled and came to rest amidst the branches of an alder, overlooking the lair. "Our lord is abroad," said the old woman, pointing. "The vultures have their share of Eudena." For a space they remained there, and then first one and then another dropped back into the thicket.

At the noise they made, wings flapped from the lion's den, and three[144] white-headed vultures slowly took to the air, circling before landing on the branches of an alder tree, overlooking the den. "Our lord is out," the old woman said, pointing. "The vultures will have their part of Eudena." They stayed there for a bit, and then one by one, they dropped back into the thicket.

Then over the eastern woods, and touching the whole world to life and colour, poured, with the exaltation of a trumpet blast, the light of the rising sun. At the sight of him the children shouted together, and clapped their hands and began to race off towards the water. Only little Si lagged behind and looked wonderingly at the alders where she had seen the head of Eudena overnight.

Then over the eastern woods, and bringing the whole world to life and color, the light of the rising sun poured in, like the excitement of a trumpet blast. Seeing it, the children shouted together, clapped their hands, and started to race off toward the water. Only little Si fell behind and looked in wonder at the alders where she had seen Eudena's head the night before.

But Uya, the old lion, was not abroad, but at home, and he lay very still, and a little on one side. He was not in his lair, but a little way from it in a place of trampled grass. Under one eye was a little wound, the feeble little bite of the first axe. But all the ground beneath his chest was ruddy brown with a vivid streak, and in his chest was a little hole that had been made by Ugh-lomi's stabbing-spear. Along his side and at his neck the vultures had marked their claims. For so Ugh-lomi had slain him, lying stricken under his paw and[145] thrusting haphazard at his chest. He had driven the spear in with all his strength and stabbed the giant to the heart. So it was the reign of the lion, of the second incarnation of Uya the Master, came to an end.

But Uya, the old lion, was not out and about; he was at home, lying very still and slightly on one side. He wasn't in his den but a little ways off in a patch of trampled grass. Under one eye was a small wound, the weak little bite from the first axe. But all the ground beneath his chest was stained a deep brown with a bright streak, and there was a small hole in his chest made by Ugh-lomi's stabbing spear. Vultures had claimed their spots along his side and neck. Ugh-lomi had killed him while he lay injured under his paw, randomly thrusting at his chest. He had driven the spear in with all his strength and stabbed the giant to the heart. Thus, the reign of the lion, the second incarnation of Uya the Master, came to an end.

From the knoll the bustle of preparation grew, the hacking of spears and throwing-stones. None spake the name of Ugh-lomi for fear that it might bring him. The men were going to keep together, close together, in the hunting for a day or so. And their hunting was to be Ugh-lomi, lest instead he should come a-hunting them.

From the hill, the noise of getting ready increased, with the sounds of spears being shaped and stones being thrown. No one said Ugh-lomi's name out loud, worried it might summon him. The men planned to stick together, staying close during the hunt for a day or so. Their target was Ugh-lomi, so that he wouldn't come hunting them instead.

But Ugh-lomi was lying very still and silent, outside the lion's lair, and Eudena squatted beside him, with the ash spear, all smeared with lion's blood, gripped in her hand.

But Ugh-lomi was lying very still and silent, outside the lion's den, and Eudena crouched beside him, holding the ash spear, all smeared with lion's blood, tightly in her hand.

V—THE FIGHT IN THE LION'S THICKET

Ugh-lomi lay still, his back against an alder, and his thigh was a red mass terrible to see. No civilised man could have lived who had been so sorely wounded, but Eudena got him thorns to close his wounds, and squatted beside him day and night, smiting the flies from him with a fan of reeds by day, and in the night threatening the hyænas with the first axe in her hand; and in a little while he[146] began to heal. It was high summer, and there was no rain. Little food they had during the first two days his wounds were open. In the low place where they hid were no roots nor little beasts, and the stream, with its water-snails and fish, was in the open a hundred yards away. She could not go abroad by day for fear of the tribe, her brothers and sisters, nor by night for fear of the beasts, both on his account and hers. So they shared the lion with the vultures. But there was a trickle of water near by, and Eudena brought him plenty in her hands.

Ugh, that sucks. lay quietly, his back against an alder, and his thigh was a terrible red mass. No civilized person could have survived such severe wounds, but Eudena found thorns to close his injuries and sat by him day and night, swatting the flies away with a fan of reeds during the day, and at night, threatening the hyenas with her axe in hand. Soon, he[146] started to heal. It was the height of summer, and there was no rain. They had very little food during the first two days when his wounds were open. In the low place where they hid, there were no roots or small animals, and the stream with its water snails and fish was a hundred yards away in the open. She couldn't go out during the day because of the tribe—her brothers and sisters—or at night because of the wild animals, both for his sake and her own. So they shared the lion with the vultures. But there was a trickle of water nearby, and Eudena brought him plenty in her hands.

Where Ugh-lomi lay was well hidden from the tribe by a thicket of alders, and all fenced about with bulrushes and tall reeds. The dead lion he had killed lay near his old lair on a place of trampled reeds fifty yards away, in sight through the reed-stems, and the vultures fought each other for the choicest pieces and kept the jackals off him. Very soon a cloud of flies that looked like bees hung over him, and Ugh-lomi could hear their humming. And when Ugh-lomi's flesh was already healing—and it was not many days before that began—only a few bones of the lion remained scattered and shining white.

Where Ugh-lomi lay was well hidden from the tribe by a thicket of alders, surrounded by bulrushes and tall reeds. The dead lion he had killed was near his old lair on a patch of trampled reeds fifty yards away, visible through the reed-stems, and the vultures fought for the best pieces while keeping the jackals away. Soon, a cloud of flies that looked like bees hovered over him, and Ugh-lomi could hear their buzzing. And when Ugh-lomi's wounds were already healing—and it wasn't many days before that began—only a few bones of the lion remained scattered and shining white.

For the most part Ugh-lomi sat still during[147] the day, looking before him at nothing, sometimes he would mutter of the horses and bears and lions, and sometimes he would beat the ground with the first axe and say the names of the tribe—he seemed to have no fear of bringing the tribe—for hours together. But chiefly he slept, dreaming little because of his loss of blood and the slightness of his food. During the short summer night both kept awake. All the while the darkness lasted things moved about them, things they never saw by day. For some nights the hyænas did not come, and then one moonless night near a dozen came and fought for what was left of the lion. The night was a tumult of growling, and Ugh-lomi and Eudena could hear the bones snap in their teeth. But they knew the hyæna dare not attack any creature alive and awake, and so they were not greatly afraid.

For the most part, Ugh-lomi sat still during[147] the day, staring at nothing in front of him. Sometimes he would mumble about horses, bears, and lions, and occasionally he would hit the ground with the first axe, mentioning the names of the tribe—he seemed to have no fear of summoning the tribe— for hours on end. But mostly, he slept, dreaming little because of his blood loss and lack of food. During the short summer nights, both of them stayed awake. Throughout the darkness, things moved around them, things they never saw during the day. Some nights, the hyenas didn’t show up, and then on one moonless night, nearly a dozen came and fought over the remains of the lion. The night was a chaos of growling, and Ugh-lomi and Eudena could hear the bones crunching in their teeth. But they knew the hyenas wouldn’t dare attack any creature that was alive and awake, so they weren’t too afraid.

Of a daytime Eudena would go along the narrow path the old lion had made in the reeds until she was beyond the bend, and then she would creep into the thicket and watch the tribe. She would lie close by the alders where they had bound her to offer her up to the lion, and thence she could see them on the knoll by the fire, small and clear, as she had seen them that night. But she told Ugh-lomi little of[148] what she saw, because she feared to bring them by their names. For so they believed in those days, that naming called.

During the day, Eudena would walk along the narrow path the old lion had created in the reeds until she reached the bend. Then she would sneak into the thicket and watch the tribe. She would lie close to the alders where they had tied her to sacrifice her to the lion, and from there she could see them on the hill by the fire, small and clear, just like she had seen them that night. But she told Ugh-lomi little about what she observed, because she was afraid to invoke them by name. Back then, they believed that naming called.

She saw the men prepare stabbing-spears and throwing-stones on the morning after Ugh-lomi had slain the lion, and go out to hunt him, leaving the women and children on the knoll. Little they knew how near he was as they tracked off in single file towards the hills, with Siss the Tracker leading them. And she watched the women and children, after the men had gone, gathering fern-fronds and twigs for the night fire, and the boys and girls running and playing together. But the very old woman made her feel afraid. Towards noon, when most of the others were down at the stream by the bend, she came and stood on the hither side of the knoll, a gnarled brown figure, and gesticulated so that Eudena could scarce believe she was not seen. Eudena lay like a hare in its form, with shining eyes fixed on the bent witch away there, and presently she dimly understood it was the lion the old woman was worshipping—the lion Ugh-lomi had slain.

She saw the men get ready with spears and stones the morning after Ugh-lomi had killed the lion, and head out to hunt him, leaving the women and children on the hill. Little did they know how close he was as they set off in a single line towards the hills, with Siss the Tracker leading them. She watched the women and children, after the men had left, collecting ferns and sticks for the night fire, while the boys and girls ran and played together. But the very old woman made her feel uneasy. Around noon, when most of the others were down at the stream by the bend, she came and stood on this side of the hill, a twisted brown figure, and gestured in a way that made Eudena hardly believe she wasn’t noticed. Eudena lay like a hare in its form, with shining eyes locked on the bent witch over there, and soon she vaguely realized that the old woman was worshipping the lion—the lion Ugh-lomi had killed.

And the next day the hunters came back weary, carrying a fawn, and Eudena watched the feast enviously. And then came a strange thing. She saw—distinctly she heard—the old[149] woman shrieking and gesticulating and pointing towards her. She was afraid, and crept like a snake out of sight again. But presently curiosity overcame her and she was back at her spying-place, and as she peered her heart stopped, for there were all the men, with their weapons in their hands, walking together towards her from the knoll.

And the next day the hunters came back tired, carrying a fawn, and Eudena watched the feast with envy. Then something strange happened. She clearly heard the old woman screaming and waving her arms, pointing towards her. She felt scared and slinked out of sight again. But soon curiosity got the better of her, and she returned to her hiding spot. As she looked out, her heart stopped, because all the men, weapons in hand, were walking together towards her from the hill.

She dared not move lest her movement should be seen, but she pressed herself close to the ground. The sun was low and the golden light was in the faces of the men. She saw they carried a piece of rich red meat thrust through by an ashen stake. Presently they stopped. "Go on!" screamed the old woman. Cat's-skin grumbled, and they came on, searching the thicket with sun-dazzled eyes. "Here!" said Siss. And they took the ashen stake with the meat upon it and thrust it into the ground. "Uya!" cried Siss, "behold thy portion. And Ugh-lomi we have slain. Of a truth we have slain Ugh-lomi. This day we slew Ugh-lomi, and to-morrow we will bring his body to you." And the others repeated the words.

She didn’t dare move, afraid that any motion would be noticed, so she pressed herself close to the ground. The sun was setting, casting a golden light on the men’s faces. She noticed they were carrying a piece of rich red meat skewered by a gray stake. After a moment, they stopped. "Keep going!" yelled the old woman. Cat's-skin complained, but they continued, scanning the thicket with sun-blinded eyes. "Over here!" called Siss. They took the gray stake with the meat on it and planted it in the ground. "Uya!" shouted Siss, "look at your share. And we have killed Ugh-lomi. Truly, we have killed Ugh-lomi. Today we took down Ugh-lomi, and tomorrow we’ll bring his body to you." The others echoed her words.

They looked at each other and behind them, and partly turned and began going back. At first they walked half turned to the thicket, then facing the mound they walked faster[150] looking over their shoulders, then faster; soon they ran, it was a race at last, until they were near the knoll. Then Siss who was hindmost was first to slacken his pace.

They glanced at each other and behind them, then partially turned and started to head back. Initially, they walked with their bodies half turned toward the thicket, but as they faced the mound, they picked up the pace[150], looking over their shoulders, and then they sped up even more; soon they were running, it finally turned into a race, until they got close to the knoll. Then Siss, who had been trailing, was the first to slow down.

The sunset passed and the twilight came, the fires glowed red against the hazy blue of the distant chestnut-trees, and the voices over the mound were merry. Eudena lay scarcely stirring, looking from the mound to the meat and then to the mound. She was hungry, but she was afraid. At last she crept back to Ugh-lomi.

The sunset faded and twilight set in, the fires flickered red against the hazy blue of the distant chestnut trees, and the voices over the mound were cheerful. Eudena lay still, glancing from the mound to the food and then back to the mound. She was hungry, but she felt scared. Finally, she crawled back to Ugh-lomi.

He looked round at the little rustle of her approach. His face was in shadow. "Have you got me some food?" he said.

He turned to the sound of her coming. His face was in shadow. "Do you have any food for me?" he asked.

She said she could find nothing, but that she would seek further, and went back along the lion's path until she could see the mound again, but she could not bring herself to take the meat; she had the brute's instinct of a snare. She felt very miserable.

She said she couldn’t find anything, but that she would keep looking, and went back along the lion's path until she could see the mound again, but she couldn’t bring herself to take the meat; she had the instinct of a trap. She felt really miserable.

She crept back at last towards Ugh-lomi and heard him stirring and moaning. She turned back to the mound again; then she saw something in the darkness near the stake, and peering distinguished a jackal. In a flash she was brave and angry; she sprang up, cried out, and ran towards the offering. She stumbled and[151] fell, and heard the growling of the jackal going off.

She finally sneaked back toward Ugh-lomi and heard him moving and moaning. She turned back to the mound again; then she noticed something in the darkness near the stake, and peering in, she recognized a jackal. In an instant, she felt brave and angry; she jumped up, shouted, and ran toward the offering. She tripped and[151] fell, and heard the jackal growling as it ran away.

When she arose only the ashen stake lay on the ground, the meat was gone. So she went back, to fast through the night with Ugh-lomi; and Ugh-lomi was angry with her, because she had no food for him; but she told him nothing of the things she had seen.

When she got up, only the gray stake was left on the ground; the meat was gone. So she went back to fast through the night with Ugh-lomi, who was upset with her because she had no food for him. But she said nothing about what she had seen.

Two days passed and they were near starving, when the tribe slew a horse. Then came the same ceremony, and a haunch was left on the ashen stake; but this time Eudena did not hesitate.

Two days went by and they were almost starving when the tribe killed a horse. Then the same ceremony happened, and a haunch was left on the ashen stake; but this time Eudena didn't hesitate.

By acting and words she made Ugh-lomi understand, but he ate most of the food before he understood; and then as her meaning passed to him he grew merry with his food. "I am Uya," he said; "I am the Lion. I am the Great Cave Bear, I who was only Ugh-lomi. I am Wau the Cunning. It is well that they should feed me, for presently I will kill them all."

By actions and words, she made Ugh-lomi understand, but he ate most of the food before he got it; and then as her message sank in, he became cheerful with his meal. "I am Uya," he declared; "I am the Lion. I am the Great Cave Bear, I who was just Ugh-lomi. I am Wau the Cunning. It’s good that they are feeding me, because soon I will kill them all."

Then Eudena's heart was light, and she laughed with him; and afterwards she ate what he had left of the horseflesh with gladness.

Then Eudena felt carefree, and she laughed with him; afterwards, she happily ate what he had left of the horseflesh.

After that it was he had a dream, and the next day he made Eudena bring him the lion's teeth and claws—so much of them as she could find—and hack him a club of alder. And he put[152] the teeth and claws very cunningly into the wood so that the points were outward. Very long it took him, and he blunted two of the teeth hammering them in, and was very angry and threw the thing away; but afterwards he dragged himself to where he had thrown it and finished it—a club of a new sort set with teeth. That day there was more meat for them both, an offering to the lion from the tribe.

After that, he had a dream, and the next day he made Eudena bring him the lion's teeth and claws—whatever she could find—and chop him a club from an alder tree. He skillfully embedded the teeth and claws into the wood so that the points were facing out. It took him a long time, and he blunted two of the teeth while hammering them in. Frustrated, he threw the club away; but later, he dragged himself back to where he had discarded it and finished it—a new kind of club equipped with teeth. That day, there was more meat for both of them, a gift to the lion from the tribe.

It was one day—more than a hand's fingers of days, more than anyone had skill to count—after Ugh-lomi had made the club, that Eudena while he was asleep was lying in the thicket watching the squatting-place. There had been no meat for three days. And the old woman came and worshipped after her manner. Now while she worshipped, Eudena's little friend Si and another, the child of the first girl Siss had loved, came over the knoll and stood regarding her skinny figure, and presently they began to mock her. Eudena found this entertaining, but suddenly the old woman turned on them quickly and saw them. For a moment she stood and they stood motionless, and then with a shriek of rage, she rushed towards them, and all three disappeared over the crest of the knoll.

It was one day—more than a handful of days, more than anyone could count—that Ugh-lomi had made the club, when Eudena, while he was asleep, was lying in the thicket watching the squatting place. There had been no meat for three days. The old woman came and worshiped in her usual way. As she worshiped, Eudena's little friend Si and another child, the one Siss had loved, came over the hill and stood looking at her thin figure, and soon they started to make fun of her. Eudena found this amusing, but suddenly the old woman quickly turned and saw them. For a moment they all stood frozen, and then with a scream of anger, she charged towards them, and all three disappeared over the top of the hill.

Presently the children reappeared among the ferns beyond the shoulder of the hill. Little Si[153] ran first, for she was an active girl, and the other child ran squealing with the old woman close upon her. And over the knoll came Siss with a bone in his hand, and Bo and Cat's-skin obsequiously behind him, each holding a piece of food, and they laughed aloud and shouted to see the old woman so angry. And with a shriek the child was caught and the old woman set to work slapping and the child screaming, and it was very good after-dinner fun for them. Little Si ran on a little way and stopped at last between fear and curiosity.

Right now, the kids popped back into view among the ferns on the other side of the hill. Little Si ran ahead because she was an energetic girl, and the other child was running and squealing with the old woman right behind her. Then Siss came over the hill with a bone in his hand, and Bo and Cat's-skin followed closely behind him, each holding a piece of food. They laughed and shouted when they saw the old woman so mad. With a loud scream, the child got caught, and the old woman started slapping her while the child screamed, which turned into a fun time for them after dinner. Little Si ran a bit further and finally stopped, caught between fear and curiosity.

And suddenly came the mother of the child, with hair streaming, panting, and with a stone in her hand, and the old woman turned about like a wild cat. She was the equal of any woman, was the chief of the fire-minders, in spite of her years; but before she could do anything Siss shouted to her and the clamour rose loud. Other shock heads came into sight. It seemed the whole tribe was at home and feasting. But the old woman dared not go on wreaking herself on the child Siss befriended.

And suddenly the child's mother showed up, with her hair flying, out of breath, and holding a rock. The old woman spun around like a wild cat. She was as capable as any woman, the leader of the fire-keepers, despite her age; but before she could act, Siss yelled at her, and the chaos grew loud. Other wild-haired figures appeared. It looked like the whole tribe was home and celebrating. But the old woman didn't dare continue taking her anger out on the child Siss had befriended.

Everyone made noises and called names—even little Si. Abruptly the old woman let go of the child she had caught and made a swift run at Si for Si had no friends; and Si, realising her danger when it was almost upon her,[154] made off headlong, with a faint cry of terror, not heeding whither she ran, straight to the lair of the lion. She swerved aside into the reeds presently, realising now whither she went.

Everyone was making noise and calling names—even little Si. Suddenly, the old woman released the child she had caught and quickly ran at Si since Si had no friends. Si, realizing she was in danger as it was almost upon her,[154] took off in a panic, letting out a faint cry of terror, not paying attention to where she was running, heading straight for the lion's den. She quickly darted into the reeds, now aware of where she was going.

But the old woman was a wonderful old woman, as active as she was spiteful, and she caught Si by the streaming hair within thirty yards of Eudena. All the tribe now was running down the knoll and shouting and laughing ready to see the fun.

But the old woman was an amazing old woman, as lively as she was mean, and she grabbed Si by his flowing hair within thirty yards of Eudena. The whole tribe was now racing down the hill, shouting and laughing, eager to see the fun.

Then something stirred in Eudena; something that had never stirred in her before; and, thinking all of little Si and nothing of her fear, she sprang up from her ambush and ran swiftly forward. The old woman did not see her, for she was busy beating little Si's face with her hand, beating with all her heart, and suddenly something hard and heavy struck her cheek. She went reeling, and saw Eudena with flaming eyes and cheeks between her and little Si. She shrieked with astonishment and terror, and little Si, not understanding, set off towards the gaping tribe. They were quite close now, for the sight of Eudena had driven their fading fear of the lion out of their heads.

Then something awakened in Eudena; something that had never awakened in her before; and, thinking only of little Si and not of her fear, she jumped up from her hiding spot and ran quickly forward. The old woman didn’t see her, because she was busy hitting little Si's face with her hand, hitting with all her might, and suddenly something hard and heavy hit her cheek. She stumbled back and saw Eudena with fiery eyes and flushed cheeks standing between her and little Si. She screamed in shock and fear, and little Si, not understanding, headed towards the stunned crowd. They were quite close now, as the sight of Eudena had pushed their fading fear of the lion out of their minds.

In a moment Eudena had turned from the cowering old woman and overtaken Si. "Si!"[155] she cried, "Si!" She caught the child up in her arms as it stopped, pressed the nail-lined face to hers, and turned about to run towards her lair, the lair of the old lion. The old woman stood waist-high in the reeds, and screamed foul things and inarticulate rage, but did not dare to intercept her; and at the bend of the path Eudena looked back and saw all the men of the tribe crying to one another and Siss coming at a trot along the lion's trail.

In an instant, Eudena turned away from the cowering old woman and sprinted after Si. "Si!"[155] she shouted, "Si!" She scooped the child into her arms as it paused, pressed its scratchy face against hers, and pivoted to dash back to her den, the den of the old lion. The old woman stood waist-deep in the reeds, screaming horrible things in a fit of rage, but she didn’t dare block her path; and at the bend of the trail, Eudena glanced back and saw all the men of the tribe calling out to each other while Siss approached at a trot along the lion's path.

She ran straight along the narrow way through the reeds to the shady place where Ugh-lomi sat with his healing thigh, just awakened by the shouting and rubbing his eyes. She came to him, a woman, with little Si in her arms. Her heart throbbed in her throat. "Ugh-lomi!" she cried, "Ugh-lomi, the tribe comes!"

She ran directly down the narrow path through the reeds to the shaded spot where Ugh-lomi was sitting with his injured thigh, just waking up from the shouting and rubbing his eyes. She approached him, a woman with little Si in her arms. Her heart raced in her throat. "Ugh-lomi!" she shouted, "Ugh-lomi, the tribe is coming!"

Ugh-lomi sat staring in stupid astonishment at her and Si.

Ugh-lomi sat there, staring in dumbfounded disbelief at her and Si.

She pointed with Si in one arm. She sought among her feeble store of words to explain. She could hear the men calling. Apparently they had stopped outside. She put down Si and caught up the new club with the lion's teeth, and put it into Ugh-lomi's hand, and ran three yards and picked up the first axe.

She pointed with Si in one arm. She searched through her limited vocabulary to explain. She could hear the men calling. It seemed they had stopped outside. She set Si down, grabbed the new club with the lion's teeth, handed it to Ugh-lomi, ran a few steps, and picked up the first axe.

"Ah!" said Ugh-lomi, waving the new club,[156] and suddenly he perceived the occasion and, rolling over, began to struggle to his feet.

"Ah!" said Ugh-lomi, waving the new club,[156] and suddenly he realized what was happening and, rolling over, started to struggle to get up.

He stood but clumsily. He supported himself by one hand against the tree, and just touched the ground gingerly with the toe of his wounded leg. In the other hand he gripped the new club. He looked at his healing thigh; and suddenly the reeds began whispering, and ceased and whispered again, and coming cautiously along the track, bending down and holding his fire-hardened stabbing-stick of ash in his hand, appeared Siss. He stopped dead, and his eyes met Ugh-lomi's.

He stood up awkwardly. He leaned against the tree with one hand and carefully touched the ground with the toe of his injured leg. In his other hand, he held the new club tightly. He glanced at his healing thigh; then suddenly the reeds started whispering, stopped, and whispered again. As he moved slowly along the path, bending down and holding his fire-hardened stabbing stick made of ash, Siss appeared. He froze, and his eyes met Ugh-lomi's.

Ugh-lomi forgot he had a wounded leg. He stood firmly on both feet. Something trickled. He glanced down and saw a little gout of blood had oozed out along the edge of the healing wound. He rubbed his hand there to give him the grip of his club, and fixed his eyes again on Siss.

Ugh-lomi forgot about his injured leg. He stood firmly on both feet. Something trickled. He looked down and saw a small trickle of blood had seeped out along the edge of the healing wound. He rubbed his hand there to get a better grip on his club and focused his gaze back on Siss.

"Wau!" he cried, and sprang forward, and Siss, still stooping and watchful, drove his stabbing-stick up very quickly in an ugly thrust. It ripped Ugh-lomi's guarding arm and the club came down in a counter that Siss was never to understand. He fell, as an ox falls to the pole-axe, at Ugh-lomi's feet.

"Wow!" he yelled, and rushed forward, and Siss, still bent down and alert, quickly jabbed his stabbing-stick in a vicious thrust. It tore into Ugh-lomi's guarding arm, and the club came down in a way that Siss would never comprehend. He fell, like an ox to the pole-axe, at Ugh-lomi's feet.

To Bo it seemed the strangest thing. He[157] had a comforting sense of tall reeds on either side, and an impregnable rampart, Siss, between him and any danger. Snail-eater was close behind and there was no danger there. He was prepared to shove behind and send Siss to death or victory. That was his place as second man. He saw the butt of the spear Siss carried leap away from him, and suddenly a dull whack and the broad back fell away forward, and he looked Ugh-lomi in the face over his prostrate leader. It felt to Bo as if his heart had fallen down a well. He had a throwing-stone in one hand and an ashen stabbing-stick in the other. He did not live to the end of his momentary hesitation which to use.

To Bo, it felt like the strangest thing. He[157] had a reassuring sense of tall reeds on either side and a solid barrier, Siss, between him and any danger. Snail-eater was right behind him, so there was no threat there. He was ready to push forward and send Siss to death or victory. That was his role as the second man. He saw the butt of the spear Siss carried spring away from him, and suddenly there was a dull thud as Siss's broad back fell forward, and he looked Ugh-lomi in the face over his fallen leader. Bo felt as if his heart had dropped down a well. He held a throwing stone in one hand and an ashen stabbing stick in the other. He didn’t last through his brief moment of hesitation about which one to use.

Snail-eater was a readier man, and besides Bo did not fall forward as Siss had done, but gave at his knees and hips, crumpling up with the toothed club upon his head. The Snail-eater drove his spear forward swift and straight, and took Ugh-lomi in the muscle of the shoulder, and then he drove him hard with the smiting-stone in his other hand, shouting out as he did so. The new club swished ineffectually through the reeds. Eudena saw Ugh-lomi come staggering back from the narrow path into the open space, tripping over Siss and with a foot of ashen stake sticking out of him[158] over his arm. And then the Snail-eater, whose name she had given, had his final injury from her, as his exultant face came out of the reeds after his spear. For she swung the first axe swift and high, and hit him fair and square on the temple; and down he went on Siss at prostrate Ugh-lomi's feet.

Snail-eater was quicker on his feet, and unlike Bo, who fell forward like Siss, he buckled at his knees and hips, collapsing under the blow from the club on his head. The Snail-eater thrust his spear forward fast and straight, hitting Ugh-lomi in the shoulder muscle, then struck him hard with the heavy stone in his other hand, shouting as he did. The new club swung uselessly through the reeds. Eudena watched as Ugh-lomi staggered back from the narrow path into the open area, tripping over Siss with a piece of a stake sticking out of him over his arm. And then the Snail-eater, the name she had given him, suffered his final injury from her as his triumphant face emerged from the reeds after his spear. She swung the first axe quickly and high, striking him solidly on the temple; down he went, landing on Siss at the feet of prostrate Ugh-lomi.[158]

But before Ugh-lomi could get up, the two red-haired men were tumbling out of the reeds, spears and smiting-stones ready, and Snake hard behind them. One she struck on the neck, but not to fell him, and he blundered aside and spoilt his brother's blow at Ugh-lomi's head. In a moment Ugh-lomi dropped his club and had his assailant by the waist, and had pitched him sideways sprawling. He snatched at his club again and recovered it. The man Eudena had hit stabbed at her with his spear as he stumbled from her blow, and involuntarily she gave ground to avoid him. He hesitated between her and Ugh-lomi, half turned, gave a vague cry at finding Ugh-lomi so near, and in a moment Ugh-lomi had him by the throat, and the club had its third victim. As he went down Ugh-lomi shouted—no words, but an exultant cry.

But before Ugh-lomi could get up, the two red-haired men came charging out of the reeds, ready with their spears and stones, followed closely by Snake. One of them was struck on the neck, but it didn’t take him down, and he stumbled aside, messing up his brother's attack on Ugh-lomi. In an instant, Ugh-lomi dropped his club, grabbed the attacker around the waist, and threw him sideways, causing him to sprawl out. He quickly reached for his club again and got it back. The man Eudena had hit lunged at her with his spear as he staggered from her blow, and she instinctively stepped back to avoid him. He hesitated between her and Ugh-lomi, half-turned, let out a vague shout upon realizing Ugh-lomi was so close, and in a moment Ugh-lomi had him by the throat, and the club claimed its third victim. As he fell, Ugh-lomi yelled—no words, just a triumphant cry.

The other red-haired man was six feet from her with his back to her, and a darker red[159] streaking his head. He was struggling to his feet. She had an irrational impulse to stop his rising. She flung the axe at him, missed, saw his face in profile, and he had swerved beyond little Si, and was running through the reeds. She had a transitory vision of Snake standing in the throat of the path, half turned away from her, and then she saw his back. She saw the club whirling through the air, and the shock head of Ugh-lomi, with blood in the hair and blood upon the shoulder, vanishing below the reeds in pursuit. Then she heard Snake scream like a woman.

The other red-haired man was six feet away from her, facing away, with a darker red streak in his hair. He was struggling to get up. She felt an irrational urge to stop him from rising. She threw the axe at him, missed, caught a glimpse of his profile, and he swerved past little Si, running through the reeds. She briefly saw Snake standing in the middle of the path, partly turned away from her, and then she saw his back. She noticed the club spinning through the air and the impact on Ugh-lomi's head, blood in his hair and on his shoulder, disappearing below the reeds as he chased after. Then she heard Snake scream like a woman.

She ran past Si to where the handle of the axe stuck out of a clump of fern, and turning, found herself panting and alone with three motionless bodies. The air was full of shouts and screams. For a space she was sick and giddy, and then it came into her head that Ugh-lomi was being killed along the reed-path, and with an inarticulate cry she leapt over the body of Bo and hurried after him. Snake's feet lay across the path, and his head was among the reeds. She followed the path until it bent round and opened out by the alders, and thence she saw all that was left of the tribe in the open, scattering like dead leaves before a gale, and[160] going back over the knoll. Ugh-lomi was hard upon Cat's-skin.

She ran past Si to where the axe was stuck in a clump of ferns, and turning around, she found herself breathless and alone with three still bodies. The air was filled with shouts and screams. For a moment, she felt nauseous and dizzy, and then it hit her that Ugh-lomi was in danger along the reed path. With a desperate cry, she jumped over Bo's body and rushed after him. Snake's feet were sprawled across the path, and his head was buried among the reeds. She followed the path until it curved and opened up near the alders, and from there, she saw what was left of the tribe in the open, scattering like dead leaves in a storm, and going back over the hill. Ugh-lomi was right behind Cat's-skin.

But Cat's-skin was fleet of foot and got away, and so did young Wau-Hau when Ugh-lomi turned upon him, and Ugh-lomi pursued Wau-Hau far beyond the knoll before he desisted. He had the rage of battle on him now, and the wood thrust through his shoulder stung him like a spur. When she saw he was in no danger she stopped running and stood panting, watching the distant active figures run up and vanish one by one over the knoll. In a little time she was alone again. Everything had happened very swiftly. The smoke of Brother Fire rose straight and steady from the squatting-place, just as it had done ten minutes ago, when the old woman had stood yonder worshipping the lion.

But Cat's-skin was quick on her feet and managed to escape, and so did young Wau-Hau when Ugh-lomi turned on him. Ugh-lomi chased Wau-Hau far beyond the hill before he finally stopped. He was filled with the fury of battle now, and the wood splinter that pierced his shoulder hurt him like a jolt. When she saw he wasn't in any danger, she stopped running and stood, out of breath, watching the distant figures dash up and disappear one by one over the hill. Soon enough, she was alone again. Everything had happened so fast. The smoke from Brother Fire rose straight and steady from the campfire, just like it had ten minutes ago, when the old woman had been there worshipping the lion.

And after a long time, as it seemed, Ugh-lomi reappeared over the knoll, and came back to Eudena, triumphant and breathing heavily. She stood, her hair about her eyes and hot-faced, with the blood-stained axe in her hand, at the place where the tribe had offered her as a sacrifice to the lion. "Wau!" cried Ugh-lomi at the sight of her, his face alight with the fellowship of battle, and he waved his new club, red now and hairy; and at the sight of his[161] glowing face her tense pose relaxed somewhat, and she stood sobbing and rejoicing.

And after what felt like a long time, Ugh-lomi came back over the hill, returning to Eudena, triumphant and out of breath. She stood there, her hair in her eyes and her face flushed, holding the blood-stained axe at the spot where the tribe had offered her as a sacrifice to the lion. "Wow!" shouted Ugh-lomi when he saw her, his face shining with the thrill of battle, and he waved his new club, now red and hairy; seeing his glowing face made her tense stance soften somewhat, and she stood there, sobbing and celebrating.

Ugh-lomi had a queer unaccountable pang at the sight of her tears; but he only shouted "Wau!" the louder and shook the axe east and west. He called manfully to her to follow him and turned back, striding, with the club swinging in his hand, towards the squatting-place, as if he had never left the tribe; and she ceased her weeping and followed quickly as a woman should.

Ugh-lomi felt a strange, unexplainable twinge when he saw her tears; but he just shouted "Wau!" even louder and swung the axe back and forth. He called out confidently for her to follow him and turned back, striding with the club in his hand, toward the squatting place, as if he had never left the tribe. She stopped crying and quickly followed, as any woman should.

So Ugh-lomi and Eudena came back to the squatting-place from which they had fled many days before from the face of Uya; and by the squatting-place lay a deer half eaten, just as there had been before Ugh-lomi was man or Eudena woman. So Ugh-lomi sat down to eat, and Eudena beside him like a man, and the rest of the tribe watched them from safe hiding-places. And after a time one of the elder girls came back timorously, carrying little Si in her arms, and Eudena called to them by name, and offered them food. But the elder girl was afraid and would not come, though Si struggled to come to Eudena. Afterwards, when Ugh-lomi had eaten, he sat dozing, and at last he slept, and slowly the others came out of the hiding-places and drew near. And when[162] Ugh-lomi woke, save that there were no men to be seen, it seemed as though he had never left the tribe.

So Ugh-lomi and Eudena returned to the place where they had hidden from Uya many days earlier; and by that place lay a half-eaten deer, just like there had been before Ugh-lomi became a man and Eudena became a woman. Ugh-lomi sat down to eat, with Eudena beside him like a man, while the rest of the tribe watched from their hiding spots. After a while, one of the older girls nervously came back, carrying little Si in her arms, and Eudena called out to them by name, offering them food. But the older girl was scared and wouldn’t come, even though Si struggled to reach Eudena. Later, when Ugh-lomi finished eating, he dozed off and eventually fell asleep, and slowly the others came out of their hiding spots and moved closer. When Ugh-lomi woke up, it felt like he had never left the tribe, except for the fact that there were no men to be seen.

Now, there is a thing strange but true: that all through this fight Ugh-lomi forgot that he was lame, and was not lame, and after he had rested behold! he was a lame man; and he remained a lame man to the end of his days.

Now, here's something strange but true: throughout this fight, Ugh-lomi forgot that he was lame, and was not lame, and after he had rested, look! he was a lame man; and he stayed a lame man until the end of his days.

Cat's-skin and the second red-haired man and Wau-Hau, who chipped flints cunningly, as his father had done before him, fled from the face of Ugh-lomi, and none knew where they hid. But two days after they came and squatted a good way off from the knoll among the bracken under the chestnuts and watched. Ugh-lomi's rage had gone, he moved to go against them and did not, and at sundown they went away. That day, too, they found the old woman among the ferns, where Ugh-lomi had blundered upon her when he had pursued Wau-Hau. She was dead and more ugly than ever, but whole. The jackals and vultures had tried her and left her;—she was ever a wonderful old woman.

Cat's-skin and the second red-haired man, along with Wau-Hau, who skillfully chipped flints just like his father, fled from Ugh-lomi, and no one knew where they were hiding. But two days later, they came back and settled a bit away from the knoll among the ferns under the chestnuts to watch. Ugh-lomi's anger had faded; he considered going after them but changed his mind, and by sundown, they left. That same day, they found the old woman among the ferns, the one Ugh-lomi had stumbled upon while chasing Wau-Hau. She was dead and somehow even uglier, but intact. The jackals and vultures had picked at her but left her alone; she had always been an extraordinary old woman.

The next day the three men came again and squatted nearer, and Wau-Hau had two rabbits to hold up, and the red-haired man a wood-pigeon,[163] and Ugh-lomi stood before the women and mocked them.

The next day, the three men returned and sat down closer, and Wau-Hau held up two rabbits, while the red-haired man had a wood pigeon, [163] and Ugh-lomi stood in front of the women and made fun of them.

The next day they sat again nearer—without stones or sticks, and with the same offerings, and Cat's-skin had a trout. It was rare men caught fish in those days, but Cat's-skin would stand silently in the water for hours and catch them with his hand. And the fourth day Ugh-lomi suffered these three to come to the squatting-place in peace, with the food they had with them. Ugh-lomi ate the trout. Thereafter for many moons Ugh-lomi was master and had his will in peace. And on the fulness of time he was killed and eaten even as Uya had been slain.

The next day, they sat closer again—without stones or sticks, and with the same offerings, and Cat's-skin had a trout. It was unusual for men to catch fish back then, but Cat's-skin would stand silently in the water for hours and catch them with his hand. On the fourth day, Ugh-lomi allowed these three to come to the squatting place in peace, bringing the food they had with them. Ugh-lomi ate the trout. After that, for many moons, Ugh-lomi was in charge and got his way in peace. But in due time, he was killed and eaten just like Uya had been slain.


A Story of the Days to Come

A STORY OF THE DAYS TO COME

I—THE CURE FOR LOVE

The excellent Mr. Morris was an Englishman, and he lived in the days of Queen Victoria the Good. He was a prosperous and very sensible man; he read the Times and went to church, and as he grew towards middle age an expression of quiet contented contempt for all who were not as himself settled on his face. He was one of those people who do everything that is right and proper and sensible with inevitable regularity. He always wore just the right and proper clothes, steering the narrow way between the smart and the shabby, always subscribed to the right charities, just the judicious compromise between ostentation and meanness, and never failed to have his hair cut to exactly the proper length.

The distinguished Mr. Morris was an Englishman, living during the reign of Queen Victoria the Good. He was a successful and very sensible man; he read the Times and attended church, and as he approached middle age, a look of quiet, contented disdain for everyone who wasn't like him settled on his face. He was one of those people who consistently do everything that is right, proper, and sensible with predictable regularity. He always dressed in just the right way, finding the perfect balance between stylish and shabby, always donated to the right charities, striking a careful balance between extravagance and stinginess, and never skipped having his hair cut to the exact proper length.

Everything that it was right and proper for a man in his position to possess, he possessed;[168] and everything that it was not right and proper for a man in his position to possess, he did not possess.

Everything that was appropriate for a man in his position to have, he had;[168] and everything that wasn’t appropriate for a man in his position to have, he didn’t have.

And among other right and proper possessions, this Mr. Morris had a wife and children. They were the right sort of wife, and the right sort and number of children, of course; nothing imaginative or highty-flighty about any of them, so far as Mr. Morris could see; they wore perfectly correct clothing, neither smart nor hygienic nor faddy in any way, but just sensible; and they lived in a nice sensible house in the later Victorian sham Queen Anne style of architecture, with sham half-timbering of chocolate-painted plaster in the gables, Lincrusta Walton sham carved oak panels, a terrace of terra cotta to imitate stone, and cathedral glass in the front door. His boys went to good solid schools, and were put to respectable professions; his girls, in spite of a fantastic protest or so, were all married to suitable, steady, oldish young men with good prospects. And when it was a fit and proper thing for him to do so, Mr. Morris died. His tomb was of marble, and, without any art nonsense or laudatory inscription, quietly imposing—such being the fashion of his time.

And besides other suitable possessions, Mr. Morris had a wife and kids. They were exactly the type of wife and the right number of kids, of course; nothing extravagant or overly dramatic about any of them, as far as Mr. Morris could see; they wore perfectly acceptable clothing, neither trendy nor overly fashionable in any way, just practical; and they lived in a nice, practical house in the later Victorian faux Queen Anne style of architecture, with fake half-timbering of chocolate-painted plaster in the gables, Lincrusta Walton fake carved oak panels, a terrace of terra cotta to look like stone, and stained glass in the front door. His sons went to decent schools and were trained for respectable careers; his daughters, despite a bit of a dramatic protest here and there, were all married to suitable, steady, somewhat older young men with good prospects. And when the time came for him to do so, Mr. Morris passed away. His tomb was made of marble and, without any artistic fuss or flattering inscription, simply striking—such was the style of his time.

He underwent various changes according to[169] the accepted custom in these cases, and long before this story begins his bones even had become dust, and were scattered to the four quarters of heaven. And his sons and his grandsons and his great-grandsons and his great-great-grandsons, they too were dust and ashes, and were scattered likewise. It was a thing he could not have imagined, that a day would come when even his great-great-grandsons would be scattered to the four winds of heaven. If any one had suggested it to him he would have resented it. He was one of those worthy people who take no interest in the future of mankind at all. He had grave doubts, indeed, if there was any future for mankind after he was dead.

He went through various changes according to[169] the accepted customs of the time, and long before this story starts, his bones had turned to dust and were spread to the four corners of the earth. His sons, grandsons, great-grandsons, and great-great-grandsons were also dust and ashes, scattered in the same way. He could never have imagined that a day would come when even his great-great-grandsons would be blown away by the winds. If anyone had suggested it to him, he would have been offended. He was one of those people who didn’t care about the future of mankind at all. He seriously doubted if there was any future for humanity after he was gone.

It seemed quite impossible and quite uninteresting to imagine anything happening after he was dead. Yet the thing was so, and when even his great-great-grandson was dead and decayed and forgotten, when the sham half-timbered house had gone the way of all shams, and the Times was extinct, and the silk hat a ridiculous antiquity, and the modestly imposing stone that had been sacred to Mr. Morris had been burnt to make lime for mortar, and all that Mr. Morris had found real and important was sere and dead, the world was still going on, and people were still going about it, just as heedless and[170] impatient of the Future, or, indeed, of anything but their own selves and property, as Mr. Morris had been.

It seemed completely impossible and pretty uninteresting to think about anything happening after he was gone. But that was the reality. Even when his great-great-grandson was also dead, decayed, and forgotten, when the fake half-timbered house had fallen apart like everything else, and the Times was no more, and the silk hat was just a silly relic, and the modest stone that had once been dedicated to Mr. Morris was turned to lime for mortar, and everything Mr. Morris had considered real and significant lay withered and gone, the world continued on. People went about their lives, just as careless and impatient for the future, or anything outside their own selves and possessions, as Mr. Morris had been.

And, strange to tell, and much as Mr. Morris would have been angered if any one had foreshadowed it to him, all over the world there were scattered a multitude of people, filled with the breath of life, in whose veins the blood of Mr. Morris flowed. Just as some day the life which is gathered now in the reader of this very story may also be scattered far and wide about this world, and mingled with a thousand alien strains, beyond all thought and tracing.

And, oddly enough, as much as Mr. Morris would have been upset if someone had predicted it to him, there were countless people all over the world, full of life, in whose veins Mr. Morris's blood flowed. Just as one day the life that exists now in the reader of this very story may also be spread far and wide throughout this world, mixed with a thousand different backgrounds, beyond anyone’s imagination and ability to trace.

And among the descendants of this Mr. Morris was one almost as sensible and clear-headed as his ancestor. He had just the same stout, short frame as that ancient man of the nineteenth century, from whom his name of Morris—he spelt it Mwres—came; he had the same half-contemptuous expression of face. He was a prosperous person, too, as times went, and he disliked the "new-fangled," and bothers about the future and the lower classes, just as much as the ancestral Morris had done. He did not read the Times: indeed, he did not know there ever had been a Times—that institution had foundered somewhere in the intervening gulf of years; but the phonograph machine, that talked[171] to him as he made his toilet of a morning, might have been the voice of a reincarnated Blowitz when it dealt with the world's affairs. This phonographic machine was the size and shape of a Dutch clock, and down the front of it were electric barometric indicators, and an electric clock and calendar, and automatic engagement reminders, and where the clock would have been was the mouth of a trumpet. When it had news the trumpet gobbled like a turkey, "Galloop, galloop," and then brayed out its message as, let us say, a trumpet might bray. It would tell Mwres in full, rich, throaty tones about the overnight accidents to the omnibus flying-machines that plied around the world, the latest arrivals at the fashionable resorts in Tibet, and of all the great monopolist company meetings of the day before, while he was dressing. If Mwres did not like hearing what it said, he had only to touch a stud, and it would choke a little and talk about something else.

And among the descendants of this Mr. Morris was one who was almost as sensible and clear-headed as his ancestor. He had the same stout, short build as that man from the nineteenth century, from whom he got his name Morris—he spelled it Mwres. He had the same half-contemptuous look on his face. He was doing well for himself, as far as times went, and he disliked the "new-fangled" things and worries about the future and lower classes, just like the original Morris did. He didn’t read the Times: in fact, he didn’t even know there had ever been a Times—that publication had disappeared somewhere in the years that passed; but the phonograph machine that spoke to him while he got ready in the morning might as well have been the voice of a reincarnated Blowitz when it talked about the world's affairs. This phonographic machine was the size and shape of a Dutch clock, and on the front were electric barometric indicators, an electric clock and calendar, automatic engagement reminders, and where the clock would have been was the mouth of a trumpet. When it had news, the trumpet would gobble like a turkey, "Galloop, galloop," and then blast out its message as a trumpet might. It would tell Mwres, in full, rich, deep tones, about the overnight accidents involving the flying bus machines that traveled around the world, the latest arrivals at the trendy resorts in Tibet, and all the major monopolist company meetings from the day before while he was getting dressed. If Mwres didn’t like what he was hearing, he just had to touch a button, and it would sputter for a moment and switch topics.

Of course his toilet differed very much from that of his ancestor. It is doubtful which would have been the more shocked and pained to find himself in the clothing of the other. Mwres would certainly have sooner gone forth to the world stark naked than in the silk hat, frock[172] coat, grey trousers and watch-chain that had filled Mr. Morris with sombre self-respect in the past. For Mwres there was no shaving to do: a skilful operator had long ago removed every hair-root from his face. His legs he encased in pleasant pink and amber garments of an air-tight material, which with the help of an ingenious little pump he distended so as to suggest enormous muscles. Above this he also wore pneumatic garments beneath an amber silk tunic, so that he was clothed in air and admirably protected against sudden extremes of heat or cold. Over this he flung a scarlet cloak with its edge fantastically curved. On his head, which had been skilfully deprived of every scrap of hair, he adjusted a pleasant little cap of bright scarlet, held on by suction and inflated with hydrogen, and curiously like the comb of a cock. So his toilet was complete; and, conscious of being soberly and becomingly attired, he was ready to face his fellow-beings with a tranquil eye.

Of course, his outfit was very different from that of his ancestor. It’s hard to say which one would have been more shocked and pained to find themselves in the other's clothing. Mwres would definitely have preferred to go out into the world completely naked than wear the black hat, formal coat, gray pants, and watch chain that had made Mr. Morris feel seriously respectable in the past. For Mwres, there was no shaving involved: a skilled professional had long ago removed every hair follicle from his face. He covered his legs with snug pink and amber garments made of airtight material, which he inflated with a clever little pump to create the appearance of huge muscles. Above this, he wore air-filled clothing underneath an amber silk tunic, ensuring he was dressed in air and well-protected against sudden changes in temperature. Over this, he draped a scarlet cloak with a whimsically curved edge. On his head, which had been expertly groomed to have no hair at all, he wore a cute little bright red cap held on by suction and inflated with hydrogen, resembling the comb of a rooster. With his outfit complete, and feeling appropriately and stylishly dressed, he was ready to face his fellow beings with calm confidence.

This Mwres—the civility of "Mr." had vanished ages ago—was one of the officials under the Wind Vane and Waterfall Trust, the great company that owned every wind wheel and waterfall in the world, and which pumped all the water and supplied all the electric energy[173] that people in these latter days required. He lived in a vast hotel near that part of London called Seventh Way, and had very large and comfortable apartments on the seventeenth floor. Households and family life had long since disappeared with the progressive refinement of manners; and indeed the steady rise in rents and land values, the disappearance of domestic servants, the elaboration of cookery, had rendered the separate domicile of Victorian times impossible, even had any one desired such a savage seclusion. When his toilet was completed he went towards one of the two doors of his apartment—there were doors at opposite ends, each marked with a huge arrow pointing one one way and one the other—touched a stud to open it, and emerged on a wide passage, the centre of which bore chairs and was moving at a steady pace to the left. On some of these chairs were seated gaily-dressed men and women. He nodded to an acquaintance—it was not in those days etiquette to talk before breakfast—and seated himself on one of these chairs, and in a few seconds he had been carried to the doors of a lift, by which he descended to the great and splendid hall in which his breakfast would be automatically served.

This Mwres—the polite title “Mr.” had faded away long ago—was one of the officials under the Wind Vane and Waterfall Trust, the massive company that owned every wind turbine and waterfall in the world, and which supplied all the water and electric energy[173] that people needed these days. He lived in a large hotel near an area of London known as Seventh Way, and had spacious and comfortable apartments on the seventeenth floor. Family life had vanished long ago due to the increasing sophistication of social manners; in fact, the constant rise in rents and property values, the decline of domestic help, and the complexity of cooking had made the separate homes of Victorian times impractical, even if anyone had wanted such a primitive isolation. Once he finished getting ready, he moved toward one of the two doors of his apartment—each door was at opposite ends and marked with a large arrow pointing in different directions—pressed a button to open it, and stepped into a wide corridor, the center of which had chairs that were moving steadily to the left. Some of these chairs had brightly dressed men and women sitting on them. He nodded to a familiar face—it wasn’t customary to speak before breakfast in those days—and took a seat on one of these chairs, and within a few seconds, he was transported to the doors of a lift, from which he descended to the grand and magnificent hall where his breakfast would be automatically served.

It was a very different meal from a Victorian[174] breakfast. The rude masses of bread needing to be carved and smeared over with animal fat before they could be made palatable, the still recognisable fragments of recently killed animals, hideously charred and hacked, the eggs torn ruthlessly from beneath some protesting hen,—such things as these, though they constituted the ordinary fare of Victorian times, would have awakened only horror and disgust in the refined minds of the people of these latter days. Instead were pastes and cakes of agreeable and variegated design, without any suggestion in colour or form of the unfortunate animals from which their substance and juices were derived. They appeared on little dishes sliding out upon a rail from a little box at one side of the table. The surface of the table, to judge by touch and eye, would have appeared to a nineteenth-century person to be covered with fine white damask, but this was really an oxidised metallic surface, and could be cleaned instantly after a meal. There were hundreds of such little tables in the hall, and at most of them were other latter-day citizens singly or in groups. And as Mwres seated himself before his elegant repast, the invisible orchestra, which had been resting during an interval, resumed and filled the air with music.[175]

It was a very different meal from a Victorian breakfast. The coarse loaves of bread needed to be sliced and spread with fat before they could be enjoyed, the recognizable parts of freshly killed animals, hideously burned and chopped, the eggs ripped cruelly from beneath some protesting hen—such things, though they were typical of Victorian times, would have only sparked horror and disgust in the refined minds of people today. Instead, there were pastes and cakes of pleasant and colorful designs, with no hint in color or shape of the unfortunate animals from which their substance and juices came. They arrived on small dishes sliding out from a little box on one side of the table. The table's surface, to touch and sight, would have seemed to a nineteenth-century person to be covered with fine white damask, but it was actually an oxidized metallic surface that could be cleaned instantly after a meal. There were hundreds of such little tables in the hall, and at most of them were other modern citizens, either alone or in groups. And as Mwres sat down before his elegant meal, the invisible orchestra, which had been resting during an intermission, resumed and filled the air with music.

But Mwres did not display any great interest either in his breakfast or the music; his eye wandered incessantly about the hall, as though he expected a belated guest. At last he rose eagerly and waved his hand, and simultaneously across the hall appeared a tall dark figure in a costume of yellow and olive green. As this person, walking amidst the tables with measured steps, drew near, the pallid earnestness of his face and the unusual intensity of his eyes became apparent. Mwres reseated himself and pointed to a chair beside him.

But Mwres didn't seem very interested in his breakfast or the music; his gaze kept drifting around the hall, as if he was waiting for someone who was late. Finally, he got up eagerly and waved his hand, and at the same time, a tall dark figure in a yellow and olive green outfit appeared across the hall. As this person walked confidently between the tables, his pale serious face and the unusual intensity of his eyes became clear. Mwres sat back down and gestured to a chair next to him.

"I feared you would never come," he said. In spite of the intervening space of time, the English language was still almost exactly the same as it had been in England under Victoria the Good. The invention of the phonograph and suchlike means of recording sound, and the gradual replacement of books by such contrivances, had not only saved the human eyesight from decay, but had also by the establishment of a sure standard arrested the process of change in accent that had hitherto been so inevitable.

"I was afraid you wouldn't show up," he said. Even with all the time that had passed, English was still pretty much the same as it had been in England during the reign of Queen Victoria. The invention of the phonograph and similar devices for recording sound, along with the slow replacement of books by these technologies, not only protected people's eyesight from deterioration but also, by creating a reliable standard, halted the inevitable changes in accent that had previously occurred.

"I was delayed by an interesting case," said the man in green and yellow. "A prominent politician—ahem!—suffering from overwork."[176] He glanced at the breakfast and seated himself. "I have been awake for forty hours."

"I got held up by an interesting case," said the man in green and yellow. "A well-known politician—uh—burned out from overwork."[176] He looked at the breakfast and took a seat. "I've been awake for forty hours."

"Eh dear!" said Mwres: "fancy that! You hypnotists have your work to do."

"Wow!" said Mwres. "Can you believe that? You hypnotists really have your work cut out for you."

The hypnotist helped himself to some attractive amber-coloured jelly. "I happen to be a good deal in request," he said modestly.

The hypnotist served himself some appealing amber jelly. "I'm in pretty high demand," he said modestly.

"Heaven knows what we should do without you."

"Heaven knows what we would do without you."

"Oh! we're not so indispensable as all that," said the hypnotist, ruminating the flavour of the jelly. "The world did very well without us for some thousands of years. Two hundred years ago even—not one! In practice, that is. Physicians by the thousand, of course—frightfully clumsy brutes for the most part, and following one another like sheep—but doctors of the mind, except a few empirical flounderers there were none."

"Oh! We're not as essential as all that," said the hypnotist, savoring the taste of the jelly. "The world got along just fine without us for thousands of years. Even two hundred years ago—there wasn't a single one! In practice, that is. There were thousands of physicians, of course—mostly pretty clumsy and just following each other like sheep—but doctors of the mind? Aside from a few who were just stumbling around, there were none."

He concentrated his mind on the jelly.

He focused his thoughts on the jelly.

"But were people so sane—?" began Mwres.

"But were people really that sane—?" began Mwres.

The hypnotist shook his head. "It didn't matter then if they were a bit silly or faddy. Life was so easy-going then. No competition worth speaking of—no pressure. A human being had to be very lopsided before anything happened. Then, you know, they clapped 'em away in what they called a lunatic asylum."[177]

The hypnotist shook his head. "It didn't matter if they were a little silly or trendy. Life was so laid-back back then. There wasn't any real competition—no pressure. A person had to be really unbalanced before anything happened. Then, you know, they sent them off to what they called a mental institution."[177]

"I know," said Mwres. "In these confounded historical romances that every one is listening to, they always rescue a beautiful girl from an asylum or something of the sort. I don't know if you attend to that rubbish."

"I know," said Mwres. "In these annoying historical romances that everyone is listening to, they always save some beautiful girl from a mental institution or something like that. I don't know if you pay attention to that nonsense."

"I must confess I do," said the hypnotist. "It carries one out of oneself to hear of those quaint, adventurous, half-civilised days of the nineteenth century, when men were stout and women simple. I like a good swaggering story before all things. Curious times they were, with their smutty railways and puffing old iron trains, their rum little houses and their horse vehicles. I suppose you don't read books?"

"I have to admit I do," said the hypnotist. "It's fascinating to hear about those quirky, adventurous, kind of uncivilized days of the nineteenth century when men were tough and women were straightforward. I love a good, bold story above all else. They were strange times, with their dirty railways and steaming old trains, their odd little houses, and their horse-drawn vehicles. I guess you don’t read books?"

"Dear, no!" said Mwres, "I went to a modern school and we had none of that old-fashioned nonsense. Phonographs are good enough for me."

"Come on, no!" Mwres said, "I went to a modern school, and we didn’t deal with any of that outdated nonsense. Phonographs are just fine for me."

"Of course," said the hypnotist, "of course"; and surveyed the table for his next choice. "You know," he said, helping himself to a dark blue confection that promised well, "in those days our business was scarcely thought of. I daresay if any one had told them that in two hundred years' time a class of men would be entirely occupied in impressing things upon the memory, effacing unpleasant ideas, controlling and overcoming instinctive but undesirable impulses,[178] and so forth, by means of hypnotism, they would have refused to believe the thing possible. Few people knew that an order made during a mesmeric trance, even an order to forget or an order to desire, could be given so as to be obeyed after the trance was over. Yet there were men alive then who could have told them the thing was as absolutely certain to come about as—well, the transit of Venus."

"Of course," said the hypnotist, "of course"; and he looked over the table for his next pick. "You know," he said, grabbing a dark blue candy that looked promising, "back then, our profession was hardly recognized. I’d bet if anyone had told them that in two hundred years, a group of people would be fully dedicated to helping others memorize things, erase unpleasant thoughts, and control instinctive but unwanted impulses, [178] through hypnosis, they would have laughed it off as impossible. Very few knew that an instruction given during a hypnotic state— even an order to forget or an order to want—could be delivered in such a way that it would be followed through after the trance ended. Yet there were people back then who could have assured them it was as certain to happen as—well, the transit of Venus."

"They knew of hypnotism, then?"

"Were they aware of hypnotism?"

"Oh, dear, yes! They used it—for painless dentistry and things like that! This blue stuff is confoundedly good: what is it?"

"Oh, wow, yes! They used it—for painless dentistry and stuff like that! This blue stuff is incredibly good: what is it?"

"Haven't the faintest idea," said Mwres, "but I admit it's very good. Take some more."

"Haven't a clue," said Mwres, "but I have to say it’s really good. Have some more."

The hypnotist repeated his praises, and there was an appreciative pause.

The hypnotist praised him again, and there was a moment of appreciation.

"Speaking of these historical romances," said Mwres, with an attempt at an easy, off-hand manner, "brings me—ah—to the matter I—ah—had in mind when I asked you—when I expressed a wish to see you." He paused and took a deep breath.

"Talking about these historical romances," Mwres said, trying to seem casual, "brings me—ah—to the topic I—ah—had in mind when I asked to see you." He paused and took a deep breath.

The hypnotist turned an attentive eye upon him, and continued eating.

The hypnotist focused his attention on him and kept eating.

"The fact is," said Mwres, "I have a—in fact a—daughter. Well, you know I have given her—ah—every educational advantage.[179] Lectures—not a solitary lecturer of ability in the world but she has had a telephone direct, dancing, deportment, conversation, philosophy, art criticism ..." He indicated catholic culture by a gesture of his hand. "I had intended her to marry a very good friend of mine—Bindon of the Lighting Commission—plain little man, you know, and a bit unpleasant in some of his ways, but an excellent fellow really—an excellent fellow."

"The truth is," Mwres said, "I have a—actually a—daughter. Well, you know I’ve provided her—uh—every educational opportunity.[179] Lectures—not a single qualified lecturer out there that she hasn't had on the phone directly, plus dancing, etiquette, conversation, philosophy, art criticism ..." He waved his hand to indicate broad knowledge. "I had planned for her to marry a very good friend of mine—Bindon from the Lighting Commission—a plain little guy, you know, and kind of difficult in some ways, but a really good person—truly a good person."

"Yes," said the hypnotist, "go on. How old is she?"

"Yeah," said the hypnotist, "go on. How old is she?"

"Eighteen."

"Eighteen."

"A dangerous age. Well?"

"A risky time. Well?"

"Well: it seems that she has been indulging in these historical romances—excessively. Excessively. Even to the neglect of her philosophy. Filled her mind with unutterable nonsense about soldiers who fight—what is it?—Etruscans?"

"Well, it looks like she has been really getting into these historical romances—way too much. Way too much. Even to the point where she's ignoring her philosophy. She's filled her head with ridiculous stories about soldiers who fight—what is it?—Etruscans?"

"Egyptians."

"Egyptians."

"Egyptians—very probably. Hack about with swords and revolvers and things—bloodshed galore—horrible!—and about young men on torpedo catchers who blow up—Spaniards, I fancy—and all sorts of irregular adventurers. And she has got it into her head that she must marry for Love, and that poor little Bindon—"[180]

"Egyptians—most likely. Fighting with swords and guns—lots of bloodshed—terrible!—and young men on torpedo boats who get blown up—Spaniards, I think—and all kinds of reckless adventurers. And she believes that she has to marry for love, and that poor little Bindon—"[180]

"I've met similar cases," said the hypnotist. "Who is the other young man?"

"I've come across similar situations," said the hypnotist. "Who is the other young guy?"

Mwres maintained an appearance of resigned calm. "You may well ask," he said. "He is"—and his voice sank with shame—"a mere attendant upon the stage on which the flying-machines from Paris alight. He has—as they say in the romances—good looks. He is quite young and very eccentric. Affects the antique—he can read and write! So can she. And instead of communicating by telephone, like sensible people, they write and deliver—what is it?"

Mwres kept a calm demeanor, though he seemed resigned. "You might wonder," he said. "He is"—his voice trailed off with embarrassment—"just an attendant at the spot where the flying machines from Paris land. He has—like they say in stories—good looks. He’s pretty young and quite quirky. He has a taste for the old-fashioned—he can read and write! So can she. And instead of using the phone like normal people, they choose to write and deliver—what’s the word?"

"Notes?"

"Any notes?"

"No—not notes.... Ah—poems."

"No—not notes... Ah—poems."

The hypnotist raised his eyebrows. "How did she meet him?"

The hypnotist lifted his eyebrows. "How did she meet him?"

"Tripped coming down from the flying-machine from Paris—and fell into his arms. The mischief was done in a moment!"

"Tripped coming down from the airplane from Paris—and fell into his arms. The mischief was done in an instant!"

"Yes?"

"Yeah?"

"Well—that's all. Things must be stopped. That is what I want to consult you about. What must be done? What can be done? Of course I'm not a hypnotist; my knowledge is limited. But you—?"

"Well—that's it. Things need to come to a stop. That's what I want to talk to you about. What needs to be done? What can be done? I'm not a hypnotist, of course; my knowledge has its limits. But you—?"

"Hypnotism is not magic," said the man in green, putting both arms on the table.[181]

"Hypnotism isn't magic," said the man in green, resting both arms on the table.[181]

"Oh, precisely! But still—!"

"Oh, exactly! But still—!"

"People cannot be hypnotised without their consent. If she is able to stand out against marrying Bindon, she will probably stand out against being hypnotised. But if once she can be hypnotised—even by somebody else—the thing is done."

"People can't be hypnotized without their consent. If she can resist marrying Bindon, she will likely resist being hypnotized. But if she can be hypnotized—even by someone else—then it's done."

"You can—?"

"Can you—?"

"Oh, certainly! Once we get her amenable, then we can suggest that she must marry Bindon—that that is her fate; or that the young man is repulsive, and that when she sees him she will be giddy and faint, or any little thing of that sort. Or if we can get her into a sufficiently profound trance we can suggest that she should forget him altogether—"

"Oh, absolutely! Once we have her on board, we can suggest that she has to marry Bindon—that it’s her destiny; or that the guy is off-putting, and that when she sees him, she'll feel dizzy and pass out, or something along those lines. Or if we can put her into a deep enough trance, we can suggest that she should forget him completely—"

"Precisely."

"Exactly."

"But the problem is to get her hypnotised. Of course no sort of proposal or suggestion must come from you—because no doubt she already distrusts you in the matter."

"But the challenge is getting her hypnotized. Of course, no kind of proposal or suggestion should come from you—because she probably already distrusts you about this."

The hypnotist leant his head upon his arm and thought.

The hypnotist rested his head on his arm and thought.

"It's hard a man cannot dispose of his own daughter," said Mwres irrelevantly.

"It's tough that a man can't decide what happens with his own daughter," Mwres said, irrelevant to the conversation.

"You must give me the name and address of the young lady," said the hypnotist, "and any[182] information bearing upon the matter. And, by the bye, is there any money in the affair?"

"You need to give me the name and address of the young lady," said the hypnotist, "along with any[182] information related to the matter. Oh, and by the way, is there any money involved?"

Mwres hesitated.

Mwres paused.

"There's a sum—in fact, a considerable sum—invested in the Patent Road Company. From her mother. That's what makes the thing so exasperating."

"There's a significant amount of money invested in the Patent Road Company. From her mother. That's what makes the situation so frustrating."

"Exactly," said the hypnotist. And he proceeded to cross-examine Mwres on the entire affair.

"Exactly," said the hypnotist. Then he started to question Mwres about the whole situation.

It was a lengthy interview.

It was a long interview.

And meanwhile "Elizebeθ Mwres," as she spelt her name, or "Elizabeth Morris" as a nineteenth-century person would have put it, was sitting in a quiet waiting-place beneath the great stage upon which the flying-machine from Paris descended. And beside her sat her slender, handsome lover reading her the poem he had written that morning while on duty upon the stage. When he had finished they sat for a time in silence; and then, as if for their special entertainment, the great machine that had come flying through the air from America that morning rushed down out of the sky.

And meanwhile, "Elizebeθ Mwres," as she spelled her name, or "Elizabeth Morris," as a nineteenth-century person would have said, was sitting in a quiet waiting area beneath the big stage where the flying machine from Paris had landed. Beside her sat her slender, handsome boyfriend, reading her the poem he had written that morning while on duty on the stage. When he finished, they sat in silence for a while; then, as if just for their entertainment, the huge machine that had flown through the air from America that morning came rushing down from the sky.

At first it was a little oblong, faint and blue amidst the distant fleecy clouds; and then it grew swiftly large and white, and larger and whiter, until they could see the separate tiers of[183] sails, each hundreds of feet wide, and the lank body they supported, and at last even the swinging seats of the passengers in a dotted row. Although it was falling it seemed to them to be rushing up the sky, and over the roof-spaces of the city below its shadow leapt towards them. They heard the whistling rush of the air about it and its yelling siren, shrill and swelling, to warn those who were on its landing-stage of its arrival. And abruptly the note fell down a couple of octaves, and it had passed, and the sky was clear and void, and she could turn her sweet eyes again to Denton at her side.

At first, it was a small, faint, blue shape among the distant fluffy clouds; then it quickly grew larger and whiter, until they could see the separate layers of[183] sails, each hundreds of feet wide, and the long body they held up, and finally even the swinging seats of the passengers in a dotted line. Even though it was descending, it felt like it was racing up into the sky, and its shadow leapt across the rooftops of the city below. They heard the whistling rush of the air around it and its loud siren, sharp and growing, to warn those on the landing stage of its approach. Then, suddenly, the sound dropped a couple of octaves, and it was gone, leaving the sky clear and empty, allowing her to turn her sweet gaze back to Denton beside her.

Their silence ended; and Denton, speaking in a little language of broken English that was, they fancied, their private possession—though lovers have used such little languages since the world began—told her how they too would leap into the air one morning out of all the obstacles and difficulties about them, and fly to a sunlit city of delight he knew of in Japan, half-way about the world.

Their silence was over, and Denton, speaking in a kind of broken English that they thought was just for them—though lovers have been using these little languages since the dawn of time—told her how they would also jump into the air one morning, breaking free from all the obstacles and difficulties around them, and fly to a sunlit city of joy he knew of in Japan, halfway around the world.

She loved the dream, but she feared the leap; and she put him off with "Some day, dearest one, some day," to all his pleading that it might be soon; and at last came a shrilling of whistles, and it was time for him to go back to his duties on the stage. They parted—as lovers have[184] been wont to part for thousands of years. She walked down a passage to a lift, and so came to one of the streets of that latter-day London, all glazed in with glass from the weather, and with incessant moving platforms that went to all parts of the city. And by one of these she returned to her apartments in the Hotel for Women where she lived, the apartments that were in telephonic communication with all the best lecturers in the world. But the sunlight of the flying stage was in her heart, and the wisdom of all the best lecturers in the world seemed folly in that light.

She loved the dream, but she was afraid to take the leap; she kept telling him, "Someday, my dear, someday," in response to all his pleas for it to be soon. Eventually, the sharp sound of whistles signaled that it was time for him to return to his duties on stage. They parted—like lovers have done for thousands of years. She walked down a corridor to an elevator, which took her to one of the streets of modern London, covered in glass from the weather, with constantly moving walkways that connected to every part of the city. She took one of these to head back to her apartment at the Women’s Hotel where she lived, the apartments linked by phone to all the best speakers in the world. But the excitement of the flying stage was in her heart, and the knowledge from those speakers felt trivial in that light.

She spent the middle part of the day in the gymnasium, and took her midday meal with two other girls and their common chaperone—for it was still the custom to have a chaperone in the case of motherless girls of the more prosperous classes. The chaperone had a visitor that day, a man in green and yellow, with a white face and vivid eyes, who talked amazingly. Among other things, he fell to praising a new historical romance that one of the great popular story-tellers of the day had just put forth. It was, of course, about the spacious times of Queen Victoria; and the author, among other pleasing novelties, made a little argument before each section of the story, in[185] imitation of the chapter headings of the old-fashioned books: as for example, "How the Cabmen of Pimlico stopped the Victoria Omnibuses, and of the Great Fight in Palace Yard," and "How the Piccadilly Policeman was slain in the midst of his Duty." The man in green and yellow praised this innovation. "These pithy sentences," he said, "are admirable. They show at a glance those headlong, tumultuous times, when men and animals jostled in the filthy streets, and death might wait for one at every corner. Life was life then! How great the world must have seemed then! How marvellous! They were still parts of the world absolutely unexplored. Nowadays we have almost abolished wonder, we lead lives so trim and orderly that courage, endurance, faith, all the noble virtues seem fading from mankind."

She spent the middle of the day at the gym and had lunch with two other girls and their shared chaperone—since it was still customary to have a chaperone for motherless girls from well-off families. The chaperone had a visitor that day, a man in green and yellow, with a pale face and bright eyes, who was incredibly talkative. Among other things, he started praising a new historical romance written by one of the popular storytellers of the time. It was, of course, set in the grand era of Queen Victoria; and the author, along with other interesting features, included a little argument before each section of the story, like the old-fashioned book chapter headings: for example, "How the Cabmen of Pimlico Stopped the Victoria Omnibuses, and the Great Fight in Palace Yard," and "How the Piccadilly Policeman Was Slain in the Midst of His Duty." The man in green and yellow admired this innovation. "These concise sentences," he said, "are fantastic. They capture at a glance those chaotic, wild times when people and animals crowded the dirty streets, and death could be lurking around any corner. Life was really alive back then! How amazing the world must have seemed! How incredible! There were still parts of the world that were completely unexplored. Nowadays, we’ve almost eliminated wonder; we lead such neat and orderly lives that courage, endurance, faith—all those noble virtues seem to be disappearing from humanity."

And so on, taking the girls' thoughts with him, until the life they led, life in the vast and intricate London of the twenty-second century, a life interspersed with soaring excursions to every part of the globe, seemed to them a monotonous misery compared with the dædal past.

And so on, taking the girls' thoughts with him, until the life they led, life in the vast and complex London of the twenty-second century, a life filled with exciting trips to every part of the world, seemed to them a boring misery compared to the intricate past.

At first Elizabeth did not join in the conversation, but after a time the subject became so interesting that she made a few shy interpolations. But he scarcely seemed to notice her as[186] he talked. He went on to describe a new method of entertaining people. They were hypnotised, and then suggestions were made to them so skilfully that they seemed to be living in ancient times again. They played out a little romance in the past as vivid as reality, and when at last they awakened they remembered all they had been through as though it were a real thing.

At first, Elizabeth didn’t join in the conversation, but after a while, the topic became so interesting that she made a few shy comments. But he barely seemed to notice her as[186] he spoke. He continued to describe a new way of entertaining people. They were hypnotized, and then suggestions were made to them so skillfully that they seemed to be living in ancient times again. They acted out a little romance from the past that felt as real as reality, and when they finally woke up, they remembered everything they experienced as if it were real.

"It is a thing we have sought to do for years and years," said the hypnotist. "It is practically an artificial dream. And we know the way at last. Think of all it opens out to us—the enrichment of our experience, the recovery of adventure, the refuge it offers from this sordid, competitive life in which we live! Think!"

"It’s something we’ve been trying to achieve for years," said the hypnotist. "It’s basically an artificial dream. And we finally know how to do it. Think about all it could lead to for us—the enhancement of our experience, the return of adventure, the escape it provides from this grim, competitive life we’re living! Just think!"

"And you can do that!" said the chaperone eagerly.

"And you can do that!" said the chaperone excitedly.

"The thing is possible at last," the hypnotist said. "You may order a dream as you wish."

"The thing is finally possible," the hypnotist said. "You can order a dream however you like."

The chaperone was the first to be hypnotised, and the dream, she said, was wonderful, when she came to again.

The chaperone was the first to be hypnotized, and when she came to, she said the dream was amazing.

The other two girls, encouraged by her enthusiasm, also placed themselves in the hands of the hypnotist and had plunges into the romantic past. No one suggested that Elizabeth[187] should try this novel entertainment; it was at her own request at last that she was taken into that land of dreams where there is neither any freedom of choice nor will....

The other two girls, inspired by her excitement, also allowed the hypnotist to take them on dives into the romantic past. No one proposed that Elizabeth[187] should try this new experience; it was only at her own request that she was taken into that dreamland where there is neither freedom of choice nor will....

And so the mischief was done.

And so the trouble was caused.

One day, when Denton went down to that quiet seat beneath the flying stage, Elizabeth was not in her wonted place. He was disappointed, and a little angry. The next day she did not come, and the next also. He was afraid. To hide his fear from himself, he set to work to write sonnets for her when she should come again....

One day, when Denton went down to that quiet spot beneath the flying stage, Elizabeth wasn't in her usual place. He felt disappointed and a bit angry. The next day she didn't show up, and neither did she the following day. He felt anxious. To distract himself from his worry, he started writing sonnets for her when she would return...

For three days he fought against his dread by such distraction, and then the truth was before him clear and cold, and would not be denied. She might be ill, she might be dead; but he would not believe that he had been betrayed. There followed a week of misery. And then he knew she was the only thing on earth worth having, and that he must seek her, however hopeless the search, until she was found once more.

For three days, he battled his fear through distractions, and then the truth stood before him, clear and cold, undeniable. She might be sick, she might be gone; but he refused to believe he had been betrayed. This led to a week of misery. Then he realized she was the only thing in the world worth having, and that he had to find her, no matter how hopeless the search seemed, until she was found again.

He had some small private means of his own, and so he threw over his appointment on the flying stage, and set himself to find this girl who had become at last all the world to him. He did not know where she lived, and little of[188] her circumstances; for it had been part of the delight of her girlish romance that he should know nothing of her, nothing of the difference of their station. The ways of the city opened before him east and west, north and south. Even in Victorian days London was a maze, that little London with its poor four millions of people; but the London he explored, the London of the twenty-second century, was a London of thirty million souls. At first he was energetic and headlong, taking time neither to eat nor sleep. He sought for weeks and months, he went through every imaginable phase of fatigue and despair, over-excitement and anger. Long after hope was dead, by the sheer inertia of his desire he still went to and fro, peering into faces and looking this way and that, in the incessant ways and lifts and passages of that interminable hive of men.

He had a bit of money of his own, so he quit his job at the flying stage and set out to find the girl who had become his entire world. He didn’t know where she lived or much about her situation; part of the thrill of their young romance was that he knew nothing about her life, nor the differences in their social status. The city’s streets stretched out before him, east and west, north and south. Even in Victorian times, London was a maze, that little London with its poor four million people; but the London he explored, in the twenty-second century, was a city of thirty million souls. At first, he was full of energy and determination, skipping meals and sleep. He searched for weeks and months, experiencing every kind of fatigue and despair, over-excitement and anger. Long after hope had faded, compelled by his deep desire, he continued to wander, scanning faces and looking around in the endless streets, elevators, and passageways of that never-ending hive of humanity.

At last chance was kind to him, and he saw her.

At last, fortune smiled upon him, and he spotted her.

It was in a time of festivity. He was hungry; he had paid the inclusive fee and had gone into one of the gigantic dining-places of the city; he was pushing his way among the tables and scrutinising by mere force of habit every group he passed.

It was a festive time. He was hungry; he had paid the all-inclusive fee and had entered one of the huge dining spots in the city; he was making his way through the tables and, out of habit, checking out every group he passed.

He stood still, robbed of all power of motion,[189] his eyes wide, his lips apart. Elizabeth sat scarcely twenty yards away from him, looking straight at him. Her eyes were as hard to him, as hard and expressionless and void of recognition, as the eyes of a statue.

He stood frozen, completely unable to move, [189] his eyes wide and his lips parted. Elizabeth sat barely twenty yards away, staring directly at him. Her eyes were as cold to him, as cold and blank and devoid of recognition, as the eyes of a statue.

She looked at him for a moment, and then her gaze passed beyond him.

She looked at him for a moment, then her gaze drifted past him.

Had he had only her eyes to judge by he might have doubted if it was indeed Elizabeth, but he knew her by the gesture of her hand, by the grace of a wanton little curl that floated over her ear as she moved her head. Something was said to her, and she turned smiling tolerantly to the man beside her, a little man in foolish raiment knobbed and spiked like some odd reptile with pneumatic horns—the Bindon of her father's choice.

Had he only her eyes to go by, he might have questioned whether it was really Elizabeth, but he recognized her by the way she moved her hand, by the charming little curl that danced over her ear as she turned her head. Someone said something to her, and she turned, smiling tolerantly at the man next to her, a short man in silly clothing, covered in knobs and spikes like some strange reptile with inflatable horns—the Bindon her father had chosen.

For a moment Denton stood white and wild-eyed; then came a terrible faintness, and he sat before one of the little tables. He sat down with his back to her, and for a time he did not dare to look at her again. When at last he did, she and Bindon and two other people were standing up to go. The others were her father and her chaperone.

For a moment, Denton stood there, pale and wide-eyed; then a wave of dizziness hit him, and he sank into one of the small chairs. He turned his back to her and for a while, he couldn't bring himself to look at her again. When he finally did, she, Bindon, and two other people were getting ready to leave. The others were her father and her chaperone.

He sat as if incapable of action until the four figures were remote and small, and then he rose up possessed with the one idea of pursuit. For[190] a space he feared he had lost them, and then he came upon Elizabeth and her chaperone again in one of the streets of moving platforms that intersected the city. Bindon and Mwres had disappeared.

He sat there, seemingly frozen, until the four figures became distant and tiny, and then he stood up, driven by the single thought of chasing them down. For a moment, he worried he had lost track of them, but then he spotted Elizabeth and her chaperone again on one of the moving walkways that crisscrossed the city. Bindon and Mwres were nowhere to be found.

He could not control himself to patience. He felt he must speak to her forthwith, or die. He pushed forward to where they were seated, and sat down beside them. His white face was convulsed with half-hysterical excitement.

He couldn't hold back his impatience. He felt he had to talk to her right away, or he would explode. He moved closer to where they were sitting and sat down next to them. His pale face was twisted with a mix of excitement and anxiety.

He laid his hand on her wrist. "Elizabeth?" he said.

He placed his hand on her wrist. "Elizabeth?" he asked.

She turned in unfeigned astonishment. Nothing but the fear of a strange man showed in her face.

She turned in genuine surprise. Only the fear of an unfamiliar man showed on her face.

"Elizabeth," he cried, and his voice was strange to him: "dearest—you know me?"

"Elizabeth," he called out, his voice unfamiliar to him: "dearest—you know me?"

Elizabeth's face showed nothing but alarm and perplexity. She drew herself away from him. The chaperone, a little grey-headed woman with mobile features, leant forward to intervene. Her resolute bright eyes examined Denton. "What do you say?" she asked.

Elizabeth's face was filled with nothing but shock and confusion. She pulled away from him. The chaperone, a slightly gray-haired woman with expressive features, leaned in to step in. Her determined, bright eyes assessed Denton. "What do you say?" she asked.

"This young lady," said Denton,—"she knows me."

"This young woman," said Denton, "she knows me."

"Do you know him, dear?"

"Do you know him, hon?"

"No," said Elizabeth in a strange voice, and with a hand to her forehead, speaking almost[191] as one who repeats a lesson. "No, I do not know him. I know—I do not know him."

"No," Elizabeth said in a weird tone, placing her hand on her forehead and speaking almost [191] like someone reciting a lesson. "No, I don't know him. I know—I don't know him."

"But—but ... Not know me! It is I—Denton. Denton! To whom you used to talk. Don't you remember the flying stages? The little seat in the open air? The verses—"

"But—but ... You don't know me! It's me—Denton. Denton! The one you used to talk to. Don't you remember the flying stages? The little seat in the open air? The verses—"

"No," cried Elizabeth,—"no. I do not know him. I do not know him. There is something.... But I don't know. All I know is that I do not know him." Her face was a face of infinite distress.

"No," Elizabeth exclaimed, "no. I don't know him. I don't know him. There's something.... But I can't quite place it. All I know is that I don't know him." Her face showed deep distress.

The sharp eyes of the chaperone flitted to and fro from the girl to the man. "You see?" she said, with the faint shadow of a smile. "She does not know you."

The chaperone’s sharp eyes darted back and forth between the girl and the man. "You see?" she said, with a slight hint of a smile. "She doesn’t know you."

"I do not know you," said Elizabeth. "Of that I am sure."

"I don't know you," Elizabeth said. "I'm certain of that."

"But, dear—the songs—the little verses—"

"But, dear—the songs—the short verses—"

"She does not know you," said the chaperone. "You must not.... You have made a mistake. You must not go on talking to us after that. You must not annoy us on the public ways."

"She doesn't know you," said the chaperone. "You can't... You made a mistake. You shouldn't keep talking to us after that. Don't bother us in public."

"But—" said Denton, and for a moment his miserably haggard face appealed against fate.

"But—" said Denton, and for a moment his worn-out face seemed to push back against his fate.

"You must not persist, young man," protested the chaperone.

"You shouldn't keep going, young man," the chaperone protested.

"Elizabeth!" he cried.[192]

"Liz!" he cried.[192]

Her face was the face of one who is tormented. "I do not know you," she cried, hand to brow. "Oh, I do not know you!"

Her face was that of someone who is suffering. "I don't know you," she exclaimed, her hand to her forehead. "Oh, I don't know you!"

For an instant Denton sat stunned. Then he stood up and groaned aloud.

For a moment, Denton sat there in shock. Then he got up and groaned loudly.

He made a strange gesture of appeal towards the remote glass roof of the public way, then turned and went plunging recklessly from one moving platform to another, and vanished amidst the swarms of people going to and fro thereon. The chaperone's eyes followed him, and then she looked at the curious faces about her.

He made a weird gesture of appeal towards the distant glass roof of the street, then turned and recklessly jumped from one moving platform to another, disappearing among the crowds of people moving back and forth. The chaperone watched him, and then she glanced at the curious faces around her.

"Dear," asked Elizabeth, clasping her hand, and too deeply moved to heed observation, "who was that man? Who was that man?"

"Dear," asked Elizabeth, holding her hand tightly, too emotionally affected to notice anyone around, "who was that guy? Who was that guy?"

The chaperone raised her eyebrows. She spoke in a clear, audible voice. "Some half-witted creature. I have never set eyes on him before."

The chaperone raised her eyebrows. She spoke in a clear, loud voice. "Some clueless idiot. I've never seen him before."

"Never?"

"Never?"

"Never, dear. Do not trouble your mind about a thing like this."

"Never, my dear. Don't worry your mind about something like this."


And soon after this the celebrated hypnotist who dressed in green and yellow had another client. The young man paced his consulting-room, pale and disordered. "I want to forget," he cried. "I must forget."[193]

And not long after, the famous hypnotist dressed in green and yellow had another client. The young man walked back and forth in his office, looking pale and disheveled. "I want to forget," he exclaimed. "I have to forget."[193]

The hypnotist watched him with quiet eyes, studied his face and clothes and bearing. "To forget anything—pleasure or pain—is to be, by so much—less. However, you know your own concern. My fee is high."

The hypnotist observed him with calm eyes, examining his face, clothes, and demeanor. "Forgetting anything—whether it's pleasure or pain—means you're, in some way, less. But you understand your own priorities. My fee is steep."

"If only I can forget—"

"If only I could forget—"

"That's easy enough with you. You wish it. I've done much harder things. Quite recently. I hardly expected to do it: the thing was done against the will of the hypnotised person. A love affair too—like yours. A girl. So rest assured."

"That's simple for you. You just want it. I've tackled much tougher situations. Just recently, in fact. I didn't think I could pull it off: it was done against the will of the person who was hypnotized. A love story too—just like yours. A girl. So you can be sure of that."

The young man came and sat beside the hypnotist. His manner was a forced calm. He looked into the hypnotist's eyes. "I will tell you. Of course you will want to know what it is. There was a girl. Her name was Elizabeth Mwres. Well ..."

The young man sat down next to the hypnotist. He was trying to appear calm, but it felt forced. He looked into the hypnotist's eyes. "I’ll tell you. I know you’re curious about it. There was a girl. Her name was Elizabeth Mwres. Well..."

He stopped. He had seen the instant surprise on the hypnotist's face. In that instant he knew. He stood up. He seemed to dominate the seated figure by his side. He gripped the shoulder of green and gold. For a time he could not find words.

He stopped. He had seen the quick surprise on the hypnotist's face. In that moment, he knew. He stood up. He seemed to overshadow the seated figure next to him. He grabbed the shoulder dressed in green and gold. For a moment, he couldn't find the words.

"Give her me back!" he said at last. "Give her me back!"

"Give her back to me!" he said at last. "Give her back to me!"

"What do you mean?" gasped the hypnotist.

"What do you mean?" the hypnotist gasped.

"Give her me back."[194]

"Give her back to me."[194]

"Give whom?"

"Give it to whom?"

"Elizabeth Mwres—the girl—"

"Elizabeth Mwres—the girl—"

The hypnotist tried to free himself; he rose to his feet. Denton's grip tightened.

The hypnotist tried to break free; he got to his feet. Denton's grip tightened.

"Let go!" cried the hypnotist, thrusting an arm against Denton's chest.

"Let go!" shouted the hypnotist, pushing an arm against Denton's chest.

In a moment the two men were locked in a clumsy wrestle. Neither had the slightest training—for athleticism, except for exhibition and to afford opportunity for betting, had faded out of the earth—but Denton was not only the younger but the stronger of the two. They swayed across the room, and then the hypnotist had gone down under his antagonist. They fell together....

In an instant, the two men were caught in an awkward struggle. Neither of them had any training—sports were just for show and to create chances for betting, and had practically disappeared from the scene—but Denton was not only younger but also the stronger of the two. They swayed across the room, and soon the hypnotist was on the floor beneath his opponent. They crashed to the ground together....

Denton leaped to his feet, dismayed at his own fury; but the hypnotist lay still, and suddenly from a little white mark where his forehead had struck a stool shot a hurrying band of red. For a space Denton stood over him irresolute, trembling.

Denton jumped to his feet, shocked by his own anger; but the hypnotist remained motionless, and suddenly a rush of red spread from a small white mark on his forehead where it had hit a stool. For a moment, Denton stood over him, uncertain and shaking.

A fear of the consequences entered his gently nurtured mind. He turned towards the door. "No," he said aloud, and came back to the middle of the room. Overcoming the instinctive repugnance of one who had seen no act of violence in all his life before, he knelt down beside his antagonist and felt his heart. Then he[195] peered at the wound. He rose quietly and looked about him. He began to see more of the situation.

A fear of the outcomes filled his gently nurtured mind. He turned toward the door. "No," he said out loud, and stepped back into the middle of the room. Pushing aside the instinctive disgust of someone who had never witnessed violence before, he knelt beside his opponent and checked for a heartbeat. Then he[195] looked closely at the wound. He quietly stood up and scanned the room. He started to understand the situation better.

When presently the hypnotist recovered his senses, his head ached severely, his back was against Denton's knees and Denton was sponging his face.

When the hypnotist came to his senses, his head throbbed painfully, his back was resting against Denton's knees, and Denton was wiping his face with a sponge.

The hypnotist did not speak. But presently he indicated by a gesture that in his opinion he had been sponged enough. "Let me get up," he said.

The hypnotist didn’t say a word. But soon he gestured that he thought he had been pressed enough. “Let me get up,” he said.

"Not yet," said Denton.

"Not yet," Denton replied.

"You have assaulted me, you scoundrel!"

"You've attacked me, you unscrupulous person!"

"We are alone," said Denton, "and the door is secure."

"We're alone," Denton said, "and the door is locked."

There was an interval of thought.

There was a pause for thought.

"Unless I sponge," said Denton, "your forehead will develop a tremendous bruise."

"Unless I use a sponge," said Denton, "your forehead is going to get a huge bruise."

"You can go on sponging," said the hypnotist sulkily.

"You can keep mooching," the hypnotist said sulkily.

There was another pause.

There was another break.

"We might be in the Stone Age," said the hypnotist. "Violence! Struggle!"

"We might as well be in the Stone Age," said the hypnotist. "Violence! Struggle!"

"In the Stone Age no man dared to come between man and woman," said Denton.

"In the Stone Age, no man would dare to come between a man and a woman," said Denton.

The hypnotist thought again.

The hypnotist reconsidered.

"What are you going to do?" he asked.

"What are you going to do?" he asked.

"While you were insensible I found the girl's[196] address on your tablets. I did not know it before. I telephoned. She will be here soon. Then—"

"While you were unconscious, I found the girl's[196] address on your tablets. I didn't know it before. I called her. She'll be here soon. Then—"

"She will bring her chaperone."

"She'll bring her chaperone."

"That is all right."

"That's okay."

"But what—? I don't see. What do you mean to do?"

"But what—? I don't get it. What are you planning to do?"

"I looked about for a weapon also. It is an astonishing thing how few weapons there are nowadays. If you consider that in the Stone Age men owned scarcely anything but weapons. I hit at last upon this lamp. I have wrenched off the wires and things, and I hold it so." He extended it over the hypnotist's shoulders. "With that I can quite easily smash your skull. I will—unless you do as I tell you."

"I looked around for a weapon too. It’s amazing how few weapons there are these days. If you think about it, back in the Stone Age, men hardly had anything but weapons. Finally, I came across this lamp. I’ve ripped off the wires and stuff, and I’m holding it like this." He held it up over the hypnotist's shoulders. "With this, I can easily smash your skull. I will—unless you do what I say."

"Violence is no remedy," said the hypnotist, quoting from the "Modern Man's Book of Moral Maxims."

"Violence is not a solution," said the hypnotist, quoting from the "Modern Man's Book of Moral Maxims."

"It's an undesirable disease," said Denton.

"It's an unwanted illness," Denton said.

"Well?"

"What's up?"

"You will tell that chaperone you are going to order the girl to marry that knobby little brute with the red hair and ferrety eyes. I believe that's how things stand?"

"You'll tell that chaperone you're going to make the girl marry that awkward little guy with the red hair and beady eyes. I think that's the situation, right?"

"Yes—that's how things stand."

"Yes— that's the situation."

"And, pretending to do that, you will restore her memory of me."[197]

"And by pretending to do that, you'll bring back her memory of me."[197]

"It's unprofessional."

"It's unprofessional."

"Look here! If I cannot have that girl I would rather die than not. I don't propose to respect your little fancies. If anything goes wrong you shall not live five minutes. This is a rude makeshift of a weapon, and it may quite conceivably be painful to kill you. But I will. It is unusual, I know, nowadays to do things like this—mainly because there is so little in life that is worth being violent about."

"Listen up! If I can't have that girl, I'd rather die than live without her. I'm not going to respect your little preferences. If anything goes wrong, you won't be alive for more than five minutes. This weapon is a crude substitute, and it might actually hurt to kill you. But I will. I know it's uncommon these days to act like this—mostly because there's so little in life worth getting violent over."

"The chaperone will see you directly she comes—"

"The chaperone will see you as soon as she arrives—"

"I shall stand in that recess. Behind you."

"I'll stand in that nook. Behind you."

The hypnotist thought. "You are a determined young man," he said, "and only half civilised. I have tried to do my duty to my client, but in this affair you seem likely to get your own way...."

The hypnotist thought. "You're a determined young man," he said, "and only half civilized. I've tried to do my duty to my client, but in this situation, you seem likely to get your way...."

"You mean to deal straightly."

"You mean to be honest."

"I'm not going to risk having my brains scattered in a petty affair like this."

"I'm not going to risk getting my brains blown out over something as trivial as this."

"And afterwards?"

"And then what?"

"There is nothing a hypnotist or doctor hates so much as a scandal. I at least am no savage. I am annoyed.... But in a day or so I shall bear no malice...."

"There’s nothing a hypnotist or doctor loathes more than a scandal. At least I’m not a savage. It bothers me... But in a day or so, I’ll hold no grudge..."

"Thank you. And now that we understand[198] each other, there is no necessity to keep you sitting any longer on the floor."

"Thank you. And now that we understand each other[198], there's no need to keep you sitting on the floor any longer."

II—THE VACANT COUNTRY

The world, they say, changed more between the year 1800 and the year 1900 than it had done in the previous five hundred years. That century, the nineteenth century, was the dawn of a new epoch in the history of mankind—the epoch of the great cities, the end of the old order of country life.

The world, it's said, changed more between 1800 and 1900 than it had in the previous five hundred years. That century, the nineteenth century, marked the beginning of a new era in human history—the era of the great cities and the decline of traditional rural life.

In the beginning of the nineteenth century the majority of mankind still lived upon the countryside, as their way of life had been for countless generations. All over the world they dwelt in little towns and villages then, and engaged either directly in agriculture, or in occupations that were of service to the agriculturist. They travelled rarely, and dwelt close to their work, because swift means of transit had not yet come. The few who travelled went either on foot, or in slow sailing-ships, or by means of jogging horses incapable of more than sixty miles a day. Think of it!—sixty miles a day. Here and there, in those sluggish times, a town grew a little larger than its neighbours, as a port or as a centre of government; but all the towns in the world with more than a hundred[199] thousand inhabitants could be counted on a man's fingers. So it was in the beginning of the nineteenth century. By the end, the invention of railways, telegraphs, steamships, and complex agricultural machinery, had changed all these things: changed them beyond all hope of return. The vast shops, the varied pleasures, the countless conveniences of the larger towns were suddenly possible, and no sooner existed than they were brought into competition with the homely resources of the rural centres. Mankind were drawn to the cities by an overwhelming attraction. The demand for labour fell with the increase of machinery, the local markets were entirely superseded, and there was a rapid growth of the larger centres at the expense of the open country.

At the start of the nineteenth century, most people still lived in rural areas, just as they had for countless generations. Around the world, they inhabited small towns and villages, working either in agriculture or in jobs that supported farmers. Travel was uncommon, and people lived close to their work because fast transportation didn’t exist yet. Those who did travel either walked, used slow sailing ships, or rode horses that could barely manage more than sixty miles a day. Imagine that!—sixty miles a day. Occasionally, a town would grow slightly larger than its neighbors, usually as a port or a government center; however, all the towns in the world with over a hundred[199] thousand residents could be counted on one hand. That was the situation at the beginning of the nineteenth century. But by the end, innovations like railways, telegraphs, steamships, and advanced agricultural machinery transformed everything—irreversibly. Large stores, diverse entertainments, and countless conveniences in bigger cities became suddenly available, and before long, they were competing with the simple amenities of rural areas. People flocked to the cities, drawn by a powerful allure. The demand for labor fell as machines became more prevalent, local markets disappeared entirely, and the larger urban centers grew quickly, often at the expense of the countryside.

The flow of population townward was the constant preoccupation of Victorian writers. In Great Britain and New England, in India and China, the same thing was remarked: everywhere a few swollen towns were visibly replacing the ancient order. That this was an inevitable result of improved means of travel and transport—that, given swift means of transit, these things must be—was realised by few; and the most puerile schemes were devised to overcome[200] the mysterious magnetism of the urban centres, and keep the people on the land.

The movement of people towards towns was a constant concern for Victorian writers. In Great Britain and New England, as well as in India and China, the same observation was made: a few overcrowded towns were visibly replacing the traditional way of life. Few realized that this was an unavoidable consequence of better travel and transportation options—that with faster means of transit, these changes were bound to happen. Instead, the most simplistic plans were created to combat the mysterious pull of the urban centers and keep people living in rural areas.[200]

Yet the developments of the nineteenth century were only the dawning of the new order. The first great cities of the new time were horribly inconvenient, darkened by smoky fogs, insanitary and noisy; but the discovery of new methods of building, new methods of heating, changed all this. Between 1900 and 2000 the march of change was still more rapid; and between 2000 and 2100 the continually accelerated progress of human invention made the reign of Victoria the Good seem at last an almost incredible vision of idyllic tranquil days.

Yet the developments of the nineteenth century were just the beginning of a new era. The first major cities of this new age were incredibly inconvenient, shrouded in smoky fog, unsanitary, and noisy; however, the discovery of new building techniques and heating methods changed all that. Between 1900 and 2000, change accelerated even more; and between 2000 and 2100, the rapid advancement of human invention made the reign of Victoria the Good seem, in hindsight, like an almost unbelievable vision of peaceful and tranquil days.

The introduction of railways was only the first step in that development of those means of locomotion which finally revolutionised human life. By the year 2000 railways and roads had vanished together. The railways, robbed of their rails, had become weedy ridges and ditches upon the face of the world; the old roads, strange barbaric tracks of flint and soil, hammered by hand or rolled by rough iron rollers, strewn with miscellaneous filth, and cut by iron hoofs and wheels into ruts and puddles often many inches deep, had been replaced by patent tracks made of a substance called Eadhamite. This Eadhamite—it was named after its[201] patentee—ranks with the invention of printing and steam as one of the epoch-making discoveries of the world's history.

The introduction of railways was just the first step in the evolution of transportation that ultimately changed human life forever. By the year 2000, railways and roads had disappeared entirely. The railways, stripped of their tracks, had turned into overgrown ridges and ditches across the landscape; the old roads, primitive paths of flint and dirt, shaped by hand or compressed by heavy iron rollers, littered with various debris, and worn down by iron hooves and wheels into deep ruts and puddles, were replaced by patented tracks made of a material called Eadhamite. This Eadhamite—named after its[201]patentee—stands alongside the invention of printing and steam as one of the groundbreaking discoveries in history.

When Eadham discovered the substance, he probably thought of it as a mere cheap substitute for india rubber; it cost a few shillings a ton. But you can never tell all an invention will do. It was the genius of a man named Warming that pointed to the possibility of using it, not only for the tires of wheels, but as a road substance, and who organised the enormous network of public ways that speedily covered the world.

When Eadham found the material, he likely viewed it as just a cheap alternative to rubber; it was only a few shillings per ton. But you can never predict everything an invention will accomplish. It was the brilliance of a man named Warming that recognized the potential to use it not just for wheel tires, but also as a road material, and he organized the massive network of public roads that quickly spread across the globe.

These public ways were made with longitudinal divisions. On the outer on either side went foot cyclists and conveyances travelling at a less speed than twenty-five miles an hour; in the middle, motors capable of speed up to a hundred; and the inner, Warming (in the face of enormous ridicule) reserved for vehicles travelling at speeds of a hundred miles an hour and upward.

These roads were designed with long divisions. On the outer sides, there were pedestrians, cyclists, and vehicles moving at speeds under twenty-five miles per hour; in the center, motor vehicles capable of reaching speeds up to a hundred; and on the inner lane, Warming (despite facing a lot of mockery) was reserved for vehicles traveling at speeds of a hundred miles an hour and higher.

For ten years his inner ways were vacant. Before he died they were the most crowded of all, and vast light frameworks with wheels of twenty and thirty feet in diameter, hurled along them at paces that year after year rose steadily towards two hundred miles an hour. And by[202] the time this revolution was accomplished, a parallel revolution had transformed the ever-growing cities. Before the development of practical science the fogs and filth of Victorian times vanished. Electric heating replaced fires (in 2013 the lighting of a fire that did not absolutely consume its own smoke was made an indictable nuisance), and all the city ways, all public squares and places, were covered in with a recently invented glass-like substance. The roofing of London became practically continuous. Certain short-sighted and foolish legislation against tall buildings was abolished, and London, from a squat expanse of petty houses—feebly archaic in design—rose steadily towards the sky. To the municipal responsibility for water, light, and drainage, was added another, and that was ventilation.

For ten years, his inner world was empty. By the time he died, it was filled with activity, featuring large, light frameworks with wheels up to thirty feet in diameter, speeding along at increasing rates that eventually reached two hundred miles per hour. And by[202] the time this transformation happened, a similar change had taken place in the ever-expanding cities. Before practical science took hold, the smog and grime of the Victorian era disappeared. Electric heating took the place of traditional fires (in 2013, lighting a fire that didn't fully burn its smoke was made a punishable offense), and all city streets, public squares, and areas were covered with a newly created glass-like material. The rooftops of London became nearly continuous. Short-sighted and foolish laws against tall buildings were repealed, and London evolved from a flat landscape of small, outdated homes into towering structures that reached for the sky. In addition to the city's responsibility for water, light, and drainage, ventilation was added to the list.

But to tell of all the changes in human convenience that these two hundred years brought about, to tell of the long foreseen invention of flying, to describe how life in households was steadily supplanted by life in interminable hotels, how at last even those who were still concerned in agricultural work came to live in the towns and to go to and fro to their work every day, to describe how at last in all England only four towns remained, each with many[203] millions of people, and how there were left no inhabited houses in all the countryside: to tell all this would take us far from our story of Denton and his Elizabeth. They had been separated and reunited, and still they could not marry. For Denton—it was his only fault—had no money. Neither had Elizabeth until she was twenty-one, and as yet she was only eighteen. At twenty-one all the property of her mother would come to her, for that was the custom of the time. She did not know that it was possible to anticipate her fortune, and Denton was far too delicate a lover to suggest such a thing. So things stuck hopelessly between them. Elizabeth said that she was very unhappy, and that nobody understood her but Denton, and that when she was away from him she was wretched; and Denton said that his heart longed for her day and night. And they met as often as they could to enjoy the discussion of their sorrows.

But to talk about all the changes in human convenience that these two hundred years brought about, to discuss the long-anticipated invention of flying, to describe how life in homes was gradually replaced by life in endless hotels, how eventually even those still involved in farming moved to the towns and commuted to work every day, to explain how in all of England only four towns remained, each with millions of people, and how there were no inhabited houses left in the countryside: telling all this would take us far from the story of Denton and his Elizabeth. They had been separated and reunited, yet they still couldn’t marry. For Denton—it was his only flaw—had no money. Elizabeth didn’t have any either until she turned twenty-one, and she was only eighteen at the moment. When she turned twenty-one, all her mother’s property would come to her, as was customary at the time. She didn’t know that it was possible to access her fortune early, and Denton was far too shy to suggest such a thing. So their situation remained hopelessly stuck. Elizabeth said she was very unhappy, and that nobody understood her but Denton, and that when she was away from him she felt miserable; and Denton said his heart ached for her day and night. They met as often as they could to share in discussing their sorrows.

They met one day at their little seat upon the flying stage. The precise site of this meeting was where in Victorian times the road from Wimbledon came out upon the common. They were, however, five hundred feet above that point. Their seat looked far over London. To convey the appearance of it all to a nineteenth-century[204] reader would have been difficult. One would have had to tell him to think of the Crystal Palace, of the newly built "mammoth" hotels—as those little affairs were called—of the larger railway stations of his time, and to imagine such buildings enlarged to vast proportions and run together and continuous over the whole metropolitan area. If then he was told that this continuous roof-space bore a huge forest of rotating wind-wheels, he would have begun very dimly to appreciate what to these young people was the commonest sight in their lives.

They met one day at their little spot on the flying stage. The exact location of this meeting was where, during Victorian times, the road from Wimbledon emerged onto the common. However, they were five hundred feet above that point. Their seat overlooked all of London. Describing it all to a nineteenth-century [204] reader would have been a challenge. One would have had to suggest they imagine the Crystal Palace, the newly constructed "mammoth" hotels—as those small buildings were called—and the larger railway stations of that time, and picture those structures enlarged to massive proportions, seamlessly connected across the entire metropolitan area. If they were then told that this continuous roofscape was filled with a large forest of rotating wind turbines, they would have started to grasp what was, for these young people, the most ordinary sight in their lives.

To their eyes it had something of the quality of a prison, and they were talking, as they had talked a hundred times before, of how they might escape from it and be at last happy together: escape from it, that is, before the appointed three years were at an end. It was, they both agreed, not only impossible but almost wicked, to wait three years. "Before that," said Denton—and the notes of his voice told of a splendid chest—"we might both be dead!"

To them, it felt a bit like a prison, and they were discussing, just like they had a hundred times before, how they could break free and finally be happy together: escape from it, that is, before the three years were up. They both agreed it was not only impossible but almost wrong to wait three years. "Before that," Denton said—and his voice carried a strong note—"we might both be dead!"

Their vigorous young hands had to grip at this, and then Elizabeth had a still more poignant thought that brought the tears from her[205] wholesome eyes and down her healthy cheeks. "One of us," she said, "one of us might be—"

Their strong young hands had to hold onto this, and then Elizabeth had an even more touching thought that brought tears from her[205] bright eyes and down her healthy cheeks. "One of us," she said, "one of us might be—"

She choked; she could not say the word that is so terrible to the young and happy.

She choked; she couldn't say the word that is so awful to the young and carefree.

Yet to marry and be very poor in the cities of that time was—for any one who had lived pleasantly—a very dreadful thing. In the old agricultural days that had drawn to an end in the eighteenth century there had been a pretty proverb of love in a cottage; and indeed in those days the poor of the countryside had dwelt in flower-covered, diamond-windowed cottages of thatch and plaster, with the sweet air and earth about them, amidst tangled hedges and the song of birds, and with the ever-changing sky overhead. But all this had changed (the change was already beginning in the nineteenth century), and a new sort of life was opening for the poor—in the lower quarters of the city.

Yet to be unmarried and very poor in the cities at that time was—if you had lived comfortably—a terrible situation. In the old agricultural days, which came to an end in the eighteenth century, there was a nice saying about love in a cottage; and indeed, back then, the poor in the countryside lived in charming, flower-covered cottages with diamond windows, thatched roofs, and plaster walls, surrounded by sweet air and earth, amidst tangled hedges and the songs of birds, with the ever-changing sky above them. But all of this had changed (the change was already starting in the nineteenth century), and a new kind of life was beginning for the poor—in the lower parts of the city.

In the nineteenth century the lower quarters were still beneath the sky; they were areas of land on clay or other unsuitable soil, liable to floods or exposed to the smoke of more fortunate districts, insufficiently supplied with water, and as insanitary as the great fear of infectious diseases felt by the wealthier classes permitted. In the twenty-second century, however, the[206] growth of the city storey above storey, and the coalescence of buildings, had led to a different arrangement. The prosperous people lived in a vast series of sumptuous hotels in the upper storeys and halls of the city fabric; the industrial population dwelt beneath in the tremendous ground-floor and basement, so to speak, of the place.

In the nineteenth century, the lower neighborhoods were still open to the sky; they were areas of land on clay or other unsuitable soil, prone to flooding or exposed to the smoke from more affluent areas, with poor access to water and as unsanitary as the great fear of infectious diseases allowed among the wealthy. In the twenty-second century, however, the[206] growth of the city, stacking stories above stories, and the merging of buildings, created a different setup. Wealthy individuals resided in a vast series of luxurious hotels in the upper levels and halls of the city structure, while the working-class population lived below, in what could be described as the massive ground floor and basement of the location.

In the refinement of life and manners these lower classes differed little from their ancestors, the East-enders of Queen Victoria's time; but they had developed a distinct dialect of their own. In these under ways they lived and died, rarely ascending to the surface except when work took them there. Since for most of them this was the sort of life to which they had been born, they found no great misery in such circumstances; but for people like Denton and Elizabeth, such a plunge would have seemed more terrible than death.

In the improvement of life and social behavior, these lower classes didn't differ much from their ancestors, the East-enders of Queen Victoria's era; however, they had developed their own unique dialect. They lived and died in these underground ways, rarely coming to the surface except when they had to work. For most of them, this was the kind of life they'd been born into, so they didn't find much misery in their situation; but for people like Denton and Elizabeth, such a fall would have felt more horrifying than death.

"And yet what else is there?" asked Elizabeth.

"And yet, what else is there?" asked Elizabeth.

Denton professed not to know. Apart from his own feeling of delicacy, he was not sure how Elizabeth would like the idea of borrowing on the strength of her expectations.

Denton claimed he didn’t know. Besides his own sense of hesitation, he wasn't sure how Elizabeth would feel about the idea of borrowing against her future expectations.

The passage from London to Paris even, said Elizabeth, was beyond their means; and in[207] Paris, as in any other city in the world, life would be just as costly and impossible as in London.

The trip from London to Paris, even, said Elizabeth, was out of their budget; and in[207] Paris, just like in any other city in the world, life would be just as expensive and unmanageable as in London.

Well might Denton cry aloud: "If only we had lived in those days, dearest! If only we had lived in the past!" For to their eyes even nineteenth-century Whitechapel was seen through a mist of romance.

Well might Denton yell: "If only we had lived back then, my love! If only we had been around in the past!" Because to them, even nineteenth-century Whitechapel was viewed through a haze of romance.

"Is there nothing?" cried Elizabeth, suddenly weeping. "Must we really wait for those three long years? Fancy three years—six-and-thirty months!" The human capacity for patience had not grown with the ages.

"Is there nothing?" cried Elizabeth, suddenly in tears. "Do we really have to wait for three long years? Can you imagine three years—six-and-thirty months!" Our ability to be patient hasn’t improved over time.

Then suddenly Denton was moved to speak of something that had already flickered across his mind. He had hit upon it at last. It seemed to him so wild a suggestion that he made it only half seriously. But to put a thing into words has ever a way of making it seem more real and possible than it seemed before. And so it was with him.

Then suddenly, Denton felt compelled to talk about something that had already crossed his mind. He had finally hit upon it. It seemed so far-fetched that he only said it half in jest. But expressing an idea often makes it feel more real and attainable than it did before. And that’s how it was for him.

"Suppose," he said, "we went into the country?"

"How about," he said, "we head out to the countryside?"

She looked at him to see if he was serious in proposing such an adventure.

She looked at him to see if he was serious about proposing such an adventure.

"The country?"

"The nation?"

"Yes—beyond there. Beyond the hills."[208]

"Yes—over there. Beyond the hills."[208]

"How could we live?" she said. "Where could we live?"

"How can we live?" she asked. "Where can we live?"

"It is not impossible," he said. "People used to live in the country."

"It’s not impossible," he said. "People used to live in the countryside."

"But then there were houses."

"But then there were homes."

"There are the ruins of villages and towns now. On the clay lands they are gone, of course. But they are still left on the grazing land, because it does not pay the Food Company to remove them. I know that—for certain. Besides, one sees them from the flying machines, you know. Well, we might shelter in some one of these, and repair it with our hands. Do you know, the thing is not so wild as it seems. Some of the men who go out every day to look after the crops and herds might be paid to bring us food...."

"There are ruins of villages and towns now. On the clay land, they’re obviously gone. But they still exist on the grazing land because it’s not worth the Food Company’s money to remove them. I know that for sure. Plus, you can see them from the flying machines, you know. Well, we could take shelter in one of these and fix it up ourselves. You know, it’s not as crazy as it sounds. Some of the men who head out every day to check on the crops and herds might be paid to bring us food..."

She stood in front of him. "How strange it would be if one really could...."

She stood in front of him. "How weird it would be if someone actually could...."

"Why not?"

"Why not?"

"But no one dares."

"But no one risks it."

"That is no reason."

"That's not a reason."

"It would be—oh! it would be so romantic and strange. If only it were possible."

"It would be—oh! it would be so romantic and odd. If only it could happen."

"Why not possible?"

"Why isn't that possible?"

"There are so many things. Think of all the things we have, things that we should miss."

"There are so many things. Think about all the stuff we have, things that we should appreciate."

"Should we miss them? After all, the life[209] we lead is very unreal—very artificial." He began to expand his idea, and as he warmed to his exposition the fantastic quality of his first proposal faded away.

"Should we miss them? After all, the life[209] we live is pretty unreal—very artificial." He started to elaborate on his idea, and as he got more into his explanation, the fantastical aspect of his initial suggestion began to fade.

She thought. "But I have heard of prowlers—escaped criminals."

She thought, "But I've heard of prowlers—escaped criminals."

He nodded. He hesitated over his answer because he thought it sounded boyish. He blushed. "I could get some one I know to make me a sword."

He nodded. He paused before answering because he thought it sounded childish. He blushed. "I could ask someone I know to make me a sword."

She looked at him with enthusiasm growing in her eyes. She had heard of swords, had seen one in a museum; she thought of those ancient days when men wore them as a common thing. His suggestion seemed an impossible dream to her, and perhaps for that reason she was eager for more detail. And inventing for the most part as he went along, he told her, how they might live in the country as the old-world people had done. With every detail her interest grew, for she was one of those girls for whom romance and adventure have a fascination.

She looked at him with excitement shining in her eyes. She had heard of swords and had seen one in a museum; she thought about those ancient times when men wore them as a normal part of life. His suggestion felt like an impossible dream to her, and maybe that's why she wanted to hear more. As he made up most of the story on the spot, he told her how they could live in the countryside like people did back in the day. With every detail, her interest deepened because she was one of those girls who found romance and adventure incredibly captivating.

His suggestion seemed, I say, an impossible dream to her on that day, but the next day they talked about it again, and it was strangely less impossible.

His suggestion seemed like an impossible dream to her on that day, but the next day they talked about it again, and it felt oddly less impossible.

"At first we should take food," said Denton. "We could carry food for ten or twelve days."[210] It was an age of compact artificial nourishment, and such a provision had none of the unwieldy suggestion it would have had in the nineteenth century.

"First, we should grab some food," Denton said. "We could pack enough for ten or twelve days."[210] It was a time of compact artificial nutrition, and preparing such supplies wasn’t the cumbersome task it would have been in the nineteenth century.

"But—until our house," she asked—"until it was ready, where should we sleep?"

"But—until our house," she asked—"until it’s ready, where should we sleep?"

"It is summer."

"It's summer."

"But ... What do you mean?"

"But ... What do you mean?"

"There was a time when there were no houses in the world; when all mankind slept always in the open air."

"There was a time when there were no houses in the world; when all of humanity always slept outside."

"But for us! The emptiness! No walls—no ceiling!"

"But for us! The emptiness! No walls—no ceiling!"

"Dear," he said, "in London you have many beautiful ceilings. Artists paint them and stud them with lights. But I have seen a ceiling more beautiful than any in London...."

"Dear," he said, "in London, you have a lot of beautiful ceilings. Artists paint them and add lights to them. But I have seen a ceiling that's more beautiful than any in London...."

"But where?"

"But where at?"

"It is the ceiling under which we two would be alone...."

"It is the ceiling where we two would be alone...."

"You mean...?"

"What do you mean...?"

"Dear," he said, "it is something the world has forgotten. It is Heaven and all the host of stars."

"Dear," he said, "it's something the world has forgotten. It's Heaven and all the stars."

Each time they talked the thing seemed more possible and more desirable to them. In a week or so it was quite possible. Another week, and it was the inevitable thing they had to do. A[211] great enthusiasm for the country seized hold of them and possessed them. The sordid tumult of the town, they said, overwhelmed them. They marvelled that this simple way out of their troubles had never come upon them before.

Each time they talked, it felt more possible and more appealing to them. In about a week, it seemed entirely feasible. Another week later, it became something they had to do. A[211] strong enthusiasm for the countryside took over and consumed them. They claimed that the messy chaos of the city overwhelmed them. They were amazed that this straightforward solution to their problems hadn't occurred to them before.

One morning near Midsummer-day, there was a new minor official upon the flying stage, and Denton's place was to know him no more.

One morning around Midsummer, there was a new minor official on the flying stage, and Denton’s position was about to disappear.

Our two young people had secretly married, and were going forth manfully out of the city in which they and their ancestors before them had lived all their days. She wore a new dress of white cut in an old-fashioned pattern, and he had a bundle of provisions strapped athwart his back, and in his hand he carried—rather shame-facedly it is true, and under his purple cloak—an implement of archaic form, a cross-hilted thing of tempered steel.

Our two young lovers had secretly tied the knot and were bravely leaving the city where they and their families had lived their entire lives. She wore a new white dress in a vintage style, and he had a bundle of supplies strapped across his back. In his hand, he carried—somewhat shyly, it's true, and hidden beneath his purple cloak—a weapon of old design, a cross-hilted piece made of tempered steel.

Imagine that going forth! In their days the sprawling suburbs of Victorian times with their vile roads, petty houses, foolish little gardens of shrub and geranium, and all their futile, pretentious privacies, had disappeared: the towering buildings of the new age, the mechanical ways, the electric and water mains, all came to an end together, like a wall, like a cliff, near four hundred feet in height, abrupt and sheer.[212] All about the city spread the carrot, swede, and turnip fields of the Food Company, vegetables that were the basis of a thousand varied foods, and weeds and hedgerow tangles had been utterly extirpated. The incessant expense of weeding that went on year after year in the petty, wasteful and barbaric farming of the ancient days, the Food Company had economised for ever more by a campaign of extermination. Here and there, however, neat rows of bramble standards and apple trees with whitewashed stems, intersected the fields, and at places groups of gigantic teazles reared their favoured spikes. Here and there huge agricultural machines hunched under waterproof covers. The mingled waters of the Wey and Mole and Wandle ran in rectangular channels; and wherever a gentle elevation of the ground permitted a fountain of deodorised sewage distributed its benefits athwart the land and made a rainbow of the sunlight.

Imagine moving forward! In those days, the sprawling suburbs of the Victorian era, with their awful roads, small houses, silly little gardens filled with shrubs and geraniums, and all their pointless, showy attempts at privacy, had vanished: the towering buildings of the new age, the mechanical methods, the electric and water lines, all ended together, like a wall, like a cliff, nearly four hundred feet high, sudden and steep.[212] All around the city spread the carrot, swede, and turnip fields of the Food Company, vegetables that formed the base of a thousand different foods, and weeds and tangled hedgerows had been completely wiped out. The constant cost of weeding that went on year after year in the petty, wasteful, and primitive farming of the old days had been forever reduced by a campaign of eradication from the Food Company. Here and there, though, neat rows of bramble standards and apple trees with whitewashed trunks cut through the fields, and at spots, groups of gigantic teazles stood tall with their favored spikes. Occasionally, massive agricultural machines loomed under waterproof covers. The combined waters of the Wey, Mole, and Wandle flowed in rectangular channels; and wherever the ground gently rose, a fountain of deodorized sewage spread its benefits across the land, creating a rainbow in the sunlight.

By a great archway in that enormous city wall emerged the Eadhamite road to Portsmouth, swarming in the morning sunshine with an enormous traffic bearing the blue-clad servants of the Food Company to their toil. A rushing traffic, beside which they seemed two scarce-moving dots. Along the outer tracks[213] hummed and rattled the tardy little old-fashioned motors of such as had duties within twenty miles or so of the city; the inner ways were filled with vaster mechanisms—swift monocycles bearing a score of men, lank multicycles, quadricycles sagging with heavy loads, empty gigantic produce carts that would come back again filled before the sun was setting, all with throbbing engines and noiseless wheels and a perpetual wild melody of horns and gongs.

By a big archway in that huge city wall, the Eadhamite road to Portsmouth appeared, bustling in the morning sunshine with a massive flow of traffic carrying the blue-uniformed workers of the Food Company to their jobs. It was a fast-moving stream, making them look like two barely moving dots. Along the outer tracks[213], the slow little old-fashioned cars hummed and rattled, used by those who had responsibilities within about twenty miles of the city; the inner routes were packed with larger vehicles—fast monocycles carrying a group of men, skinny multicycles, quadricycles weighed down with heavy loads, and empty gigantic produce carts that would return full before sunset, all with powerful engines and silent wheels, creating a constant lively symphony of horns and gongs.

Along the very verge of the outermost way our young people went in silence, newly wed and oddly shy of one another's company. Many were the things shouted to them as they tramped along, for in 2100 a foot-passenger on an English road was almost as strange a sight as a motor car would have been in 1800. But they went on with steadfast eyes into the country, paying no heed to such cries.

Along the edge of the main road, our young couple walked in silence, recently married and awkward around each other. They heard many shouts directed at them as they walked, because in 2100, a pedestrian on an English road was nearly as unusual as a car would have been in 1800. But they kept moving forward with determined expressions into the countryside, ignoring the comments.

Before them in the south rose the Downs, blue at first, and as they came nearer changing to green, surmounted by the row of gigantic wind-wheels that supplemented the wind-wheels upon the roof-spaces of the city, and broken and restless with the long morning shadows of those whirling vanes. By midday they had come so near that they could see here[214] and there little patches of pallid dots—the sheep the Meat Department of the Food Company owned. In another hour they had passed the clay and the root crops and the single fence that hedged them in, and the prohibition against trespass no longer held: the levelled roadway plunged into a cutting with all its traffic, and they could leave it and walk over the greensward and up the open hillside.

Before them in the south were the Downs, initially blue, but as they got closer, it turned green, topped by a row of huge wind turbines that added to the wind turbines on the city rooftops, disrupted and animated by the long morning shadows of those spinning blades. By midday, they had approached so closely that they could see here and there small patches of pale dots—the sheep owned by the Meat Department of the Food Company. In another hour, they had passed the clay and root crops and the single fence enclosing them, and the no-trespassing rule no longer applied: the smooth road dove into a cutting with all its traffic, and they could leave it behind to walk across the grassy area and up the open hillside.

Never had these children of the latter days been together in such a lonely place.

Never before had these children of modern times been together in such a desolate place.

They were both very hungry and footsore—for walking was a rare exercise—and presently they sat down on the weedless, close-cropped grass, and looked back for the first time at the city from which they had come, shining wide and splendid in the blue haze of the valley of the Thames. Elizabeth was a little afraid of the unenclosed sheep away up the slope—she had never been near big unrestrained animals before—but Denton reassured her. And overhead a white-winged bird circled in the blue.

They were both really hungry and their feet hurt—walking wasn’t something they did often—and soon they sat down on the clean, short grass and looked back at the city they had come from, shining beautifully in the blue haze of the Thames valley. Elizabeth was a bit scared of the sheep roaming freely up the slope—she had never been close to big, uncontrolled animals before—but Denton calmed her down. Above them, a white-winged bird circled in the blue sky.

They talked but little until they had eaten, and then their tongues were loosened. He spoke of the happiness that was now certainly theirs, of the folly of not breaking sooner out of that magnificent prison of latter-day life, of the old romantic days that had passed from the[215] world for ever. And then he became boastful. He took up the sword that lay on the ground beside him, and she took it from his hand and ran a tremulous finger along the blade.

They didn't say much until after they had eaten, and then they opened up. He talked about the happiness that was definitely theirs now, about how silly it was not to have escaped earlier from that amazing prison of modern life, and about the old romantic days that were gone from the[215] world forever. Then he got a bit boastful. He picked up the sword that was lying on the ground next to him, and she took it from his hand and ran a trembling finger along the blade.

"And you could," she said, "you—could raise this and strike a man?"

"And you could," she said, "you—could raise this and hit a guy?"

"Why not? If there were need."

"Why not? If there was a need."

"But," she said, "it seems so horrible. It would slash.... There would be"—her voice sank,—"blood."

"But," she said, "it sounds so awful. It would cut.... There would be"—her voice trailed off,—"blood."

"In the old romances you have read often enough ..."

"In the old romances you’ve read often enough ..."

"Oh, I know: in those—yes. But that is different. One knows it is not blood, but just a sort of red ink.... And you—killing!"

"Oh, I get it: in those—yes. But that's different. You know it’s not blood, just a kind of red ink.... And you—killing!"

She looked at him doubtfully, and then handed him back the sword.

She looked at him with uncertainty and then gave him back the sword.

After they had rested and eaten, they rose up and went on their way towards the hills. They passed quite close to a huge flock of sheep, who stared and bleated at their unaccustomed figures. She had never seen sheep before, and she shivered to think such gentle things must needs be slain for food. A sheep-dog barked from a distance, and then a shepherd appeared amidst the supports of the wind-wheels, and came down towards them.[216]

After they rested and ate, they got up and continued their journey toward the hills. They walked right by a large flock of sheep, who stared and bleated at their unfamiliar shapes. She had never seen sheep before and shivered at the thought that such gentle creatures had to be killed for food. A sheepdog barked from afar, and then a shepherd appeared among the windmill supports and came down toward them.[216]

When he drew near he called out asking whither they were going.

When he got closer, he called out asking where they were going.

Denton hesitated, and told him briefly that they sought some ruined house among the Downs, in which they might live together. He tried to speak in an off-hand manner, as though it was a usual thing to do. The man stared incredulously.

Denton paused and quickly explained that they were looking for some old house in the Downs where they could live together. He tried to sound casual, like it was a normal thing to do. The man looked at him in disbelief.

"Have you done anything?" he asked.

"Have you done anything?" he asked.

"Nothing," said Denton. "Only we don't want to live in a city any longer. Why should we live in cities?"

"Nothing," Denton said. "We just don't want to live in a city anymore. Why should we live in cities?"

The shepherd stared more incredulously than ever. "You can't live here," he said.

The shepherd looked more shocked than ever. "You can't stay here," he said.

"We mean to try."

"We intend to try."

The shepherd stared from one to the other. "You'll go back to-morrow," he said. "It looks pleasant enough in the sunlight.... Are you sure you've done nothing? We shepherds are not such great friends of the police."

The shepherd looked from one to the other. "You'll head back tomorrow," he said. "It seems nice enough in the sunlight.... Are you sure you haven't done anything? We shepherds aren't exactly great friends with the police."

Denton looked at him steadfastly. "No," he said. "But we are too poor to live in the city, and we can't bear the thought of wearing clothes of blue canvas and doing drudgery. We are going to live a simple life here, like the people of old."

Denton looked at him firmly. "No," he said. "But we're too broke to live in the city, and we can't stand the idea of wearing blue canvas clothes and doing hard labor. We're going to live a simple life here, just like people used to."

The shepherd was a bearded man with a[217] thoughtful face. He glanced at Elizabeth's fragile beauty.

The shepherd was a bearded man with a[217] thoughtful face. He looked at Elizabeth's delicate beauty.

"They had simple minds," he said.

"They had simple minds," he said.

"So have we," said Denton.

"Us too," said Denton.

The shepherd smiled.

The shepherd grinned.

"If you go along here," he said, "along the crest beneath the wind-wheels, you will see a heap of mounds and ruins on your right-hand side. That was once a town called Epsom. There are no houses there, and the bricks have been used for a sheep pen. Go on, and another heap on the edge of the root-land is Leatherhead; and then the hill turns away along the border of a valley, and there are woods of beech. Keep along the crest. You will come to quite wild places. In some parts, in spite of all the weeding that is done, ferns and bluebells and other such useless plants are growing still. And through it all underneath the wind-wheels runs a straight lane paved with stones, a roadway of the Romans two thousand years old. Go to the right of that, down into the valley and follow it along by the banks of the river. You come presently to a street of houses, many with the roofs still sound upon them. There you may find shelter."

"If you go this way," he said, "along the ridge under the windmills, you’ll see a pile of mounds and ruins on your right. That used to be a town called Epsom. There are no houses left, and the bricks have been repurposed for a sheep pen. Keep going, and you'll find another pile on the edge of the farmland, which is Leatherhead; then the hill curves away along the edge of a valley, where there are beech woods. Stay on the ridge. You'll come across some pretty wild areas. In some spots, despite all the clearing that’s done, ferns and bluebells and other such unwanted plants are still growing. And weaving through it all beneath the windmills is a straight path made of stones, a road from the Romans that’s two thousand years old. Head to the right of that, down into the valley, and follow it along the riverbank. You'll soon arrive at a street of houses, many with intact roofs. There you might find shelter."

They thanked him.

They appreciated him.

"But it's a quiet place. There is no light[218] after dark there, and I have heard tell of robbers. It is lonely. Nothing happens there. The phonographs of the story-tellers, the kinematograph entertainments, the news machines—none of them are to be found there. If you are hungry there is no food, if you are ill no doctor ..." He stopped.

"But it's a quiet place. There's no light[218] after dark, and I've heard about robbers. It's lonely. Nothing happens there. The storytellers' phonographs, the movie shows, the news machines—none of them are there. If you’re hungry, there’s no food; if you’re sick, there’s no doctor..." He stopped.

"We shall try it," said Denton, moving to go on. Then a thought struck him, and he made an agreement with the shepherd, and learnt where they might find him, to buy and bring them anything of which they stood in need, out of the city.

"We'll give it a shot," said Denton, starting to move on. Then he had a thought and struck a deal with the shepherd, finding out where they could catch up with him to buy and bring back anything they needed from the city.

And in the evening they came to the deserted village, with its houses that seemed so small and odd to them: they found it golden in the glory of the sunset, and desolate and still. They went from one deserted house to another, marvelling at their quaint simplicity, and debating which they should choose. And at last, in a sunlit corner of a room that had lost its outer wall, they came upon a wild flower, a little flower of blue that the weeders of the Food Company had overlooked.

And in the evening, they arrived at the abandoned village, with its houses that looked so small and strange to them: they found it glowing in the sunset's golden light, deserted and quiet. They wandered from one empty house to another, amazed by their charming simplicity and discussing which one they should pick. Finally, in a sunlit corner of a room that no longer had an outer wall, they discovered a wildflower, a little blue flower that the workers from the Food Company had missed.

That house they decided upon; but they did not remain in it long that night, because they were resolved to feast upon nature. And moreover the houses became very gaunt and shadowy[219] after the sunlight had faded out of the sky. So after they had rested a little time they went to the crest of the hill again to see with their own eyes the silence of heaven set with stars, about which the old poets had had so many things to tell. It was a wonderful sight, and Denton talked like the stars, and when they went down the hill at last the sky was pale with dawn. They slept but little, and in the morning when they woke a thrush was singing in a tree.

They chose that house, but they didn’t stay there long that night because they wanted to enjoy nature. Plus, the houses looked very eerie and shadowy[219] after the sunlight disappeared from the sky. So, after resting for a bit, they climbed to the top of the hill again to see the quiet night sky filled with stars, which the old poets had so much to say about. It was a breathtaking view, and Denton spoke as if he were one of the stars. When they finally went down the hill, the sky was lightening with dawn. They didn’t sleep much, and in the morning when they woke up, a thrush was singing in a tree.

So these young people of the twenty-second century began their exile. That morning they were very busy exploring the resources of this new home in which they were going to live the simple life. They did not explore very fast or very far, because they went everywhere hand-in-hand; but they found the beginnings of some furniture. Beyond the village was a store of winter fodder for the sheep of the Food Company, and Denton dragged great armfuls to the house to make a bed; and in several of the houses were old fungus-eaten chairs and tables—rough, barbaric, clumsy furniture, it seemed to them, and made of wood. They repeated many of the things they had said on the previous day, and towards evening they found another flower, a harebell. In the late afternoon some Company shepherds went down the[220] river valley riding on a big multicycle; but they hid from them, because their presence, Elizabeth said, seemed to spoil the romance of this old-world place altogether.

So these young people of the twenty-second century started their exile. That morning, they were busy exploring the resources of their new home where they were going to live a simple life. They didn’t explore very quickly or very far because they went everywhere hand-in-hand, but they found some furniture. Beyond the village, there was a store of winter fodder for the sheep of the Food Company, and Denton dragged big armfuls to the house to make a bed. In several of the houses, they found old, fungus-eaten chairs and tables—rough, primitive, clumsy furniture made of wood, it seemed to them. They repeated many of the things they had said the day before, and by evening, they discovered another flower, a harebell. In the late afternoon, some Company shepherds rode down the river valley on a large multicycle, but they hid from them because, as Elizabeth said, their presence seemed to ruin the romance of this old-world place completely.

In this fashion they lived a week. For all that week the days were cloudless, and the nights nights of starry glory, that were invaded each a little more by a crescent moon.

In this way, they lived for a week. Throughout that week, the days were clear, and the nights were filled with starry beauty, each one gradually invaded a bit more by a crescent moon.

Yet something of the first splendour of their coming faded—faded imperceptibly day after day; Denton's eloquence became fitful, and lacked fresh topics of inspiration; the fatigue of their long march from London told in a certain stiffness of the limbs, and each suffered from a slight unaccountable cold. Moreover, Denton became aware of unoccupied time. In one place among the carelessly heaped lumber of the old times he found a rust-eaten spade, and with this he made a fitful attack on the razed and grass-grown garden—though he had nothing to plant or sow. He returned to Elizabeth with a sweat-streaming face, after half an hour of such work.

Yet something of the initial glory of their arrival faded—faded subtly day by day; Denton's enthusiasm became sporadic, and he struggled to find new topics to inspire him; the exhaustion from their long trek from London showed in a certain stiffness in their limbs, and each dealt with a slight, inexplicable chill. Furthermore, Denton started to notice the empty stretches of time. In one spot among the haphazardly piled remnants of the past, he found a rusty old spade, and with it, he made a sporadic attempt at the overgrown garden—despite not having anything to plant or sow. He returned to Elizabeth with his face streaming with sweat, after half an hour of such work.

"There were giants in those days," he said, not understanding what wont and training will do. And their walk that day led them along the hills until they could see the city shimmering[221] far away in the valley. "I wonder how things are going on there," he said.

"There were giants back then," he said, not realizing what habit and practice can accomplish. Their trek that day took them over the hills until they caught sight of the city sparkling[221] far away in the valley. "I wonder how things are going over there," he said.

And then came a change in the weather. "Come out and see the clouds," she cried; and behold! they were a sombre purple in the north and east, streaming up to ragged edges at the zenith. And as they went up the hill these hurrying streamers blotted out the sunset. Suddenly the wind set the beech-trees swaying and whispering, and Elizabeth shivered. And then far away the lightning flashed, flashed like a sword that is drawn suddenly, and the distant thunder marched about the sky, and even as they stood astonished, pattering upon them came the first headlong raindrops of the storm. In an instant the last streak of sunset was hidden by a falling curtain of hail, and the lightning flashed again, and the voice of the thunder roared louder, and all about them the world scowled dark and strange.

And then the weather changed. "Come out and see the clouds," she called; and suddenly! they were a deep purple in the north and east, flowing up to jagged edges at the top. As they moved up the hill, these rushing clouds blocked out the sunset. Suddenly, the wind made the beech trees sway and whisper, and Elizabeth shivered. Then, far away, lightning flashed, like a sword drawn unexpectedly, and the distant thunder rumbled across the sky. Just as they stood there in shock, the first heavy raindrops of the storm began to fall. In an instant, the last hint of sunset was covered by a curtain of hail, and the lightning flashed again, the thunder growled louder, and all around them the world looked dark and strange.

Seizing hands, these children of the city ran down the hill to their home, in infinite astonishment. And ere they reached it, Elizabeth was weeping with dismay, and the darkling ground about them was white and brittle and active with the pelting hail.

Grabbing each other's hands, these city kids ran down the hill to their home, filled with endless wonder. And before they got there, Elizabeth was crying in distress, while the dark ground around them was white, fragile, and buzzing with the falling hail.

Then began a strange and terrible night for them. For the first time in their civilised lives[222] they were in absolute darkness; they were wet and cold and shivering, all about them hissed the hail, and through the long neglected ceilings of the derelict home came noisy spouts of water and formed pools and rivulets on the creaking floors. As the gusts of the storm struck the worn-out building, it groaned and shuddered, and now a mass of plaster from the wall would slide and smash, and now some loosened tile would rattle down the roof and crash into the empty greenhouse below. Elizabeth shuddered, and was still; Denton wrapped his gay and flimsy city cloak about her, and so they crouched in the darkness. And ever the thunder broke louder and nearer, and ever more lurid flashed the lightning, jerking into a momentary gaunt clearness the steaming, dripping room in which they sheltered.

Then a strange and terrible night began for them. For the first time in their civilized lives[222], they found themselves in complete darkness; they were wet, cold, and shivering. All around them, the hail hissed, while noisy streams of water poured through the long-neglected ceilings of the abandoned house, forming pools and rivulets on the creaking floors. As gusts of the storm hit the worn-out building, it groaned and shuddered; chunks of plaster would slide and crash down, and loose tiles would rattle off the roof and smash into the empty greenhouse below. Elizabeth shivered and stood still, while Denton wrapped his bright and flimsy city cloak around her, and together they crouched in the darkness. Meanwhile, the thunder grew louder and closer, and the lightning flashed more vividly, momentarily illuminating the steaming, dripping room where they took shelter.

Never before had they been in the open air save when the sun was shining. All their time had been spent in the warm and airy ways and halls and rooms of the latter-day city. It was to them that night as if they were in some other world, some disordered chaos of stress and tumult, and almost beyond hoping that they should ever see the city ways again.

Never before had they been outside except when the sun was shining. All their time had been spent in the warm and airy streets, halls, and rooms of the modern city. To them, night felt like being in another world, a disordered chaos of stress and turmoil, and it seemed almost impossible that they would ever see the city streets again.

The storm seemed to last interminably, until at last they dozed between the thunderclaps,[223] and then very swiftly it fell and ceased. And as the last patter of the rain died away they heard an unfamiliar sound.

The storm felt like it would never end, until finally, they drifted off to sleep between the thunderclaps,[223] and then it suddenly stopped. As the last drops of rain faded away, they heard a strange sound.

"What is that?" cried Elizabeth.

"What’s that?" cried Elizabeth.

It came again. It was the barking of dogs. It drove down the desert lane and passed; and through the window, whitening the wall before them and throwing upon it the shadow of the window-frame and of a tree in black silhouette, shone the light of the waxing moon....

It came again. It was the barking of dogs. It moved down the desert road and faded away; and through the window, illuminating the wall in front of them and casting the shadows of the window frame and a tree in dark silhouette, the light of the rising moon shone....

Just as the pale dawn was drawing the things about them into sight, the fitful barking of dogs came near again, and stopped. They listened. After a pause they heard the quick pattering of feet seeking round the house, and short, half-smothered barks. Then again everything was still.

Just as the pale dawn was bringing everything around them into view, the sporadic barking of dogs came close again and then stopped. They listened. After a moment, they heard the quick patter of feet searching around the house, along with short, muffled barks. Then everything went quiet again.

"Ssh!" whispered Elizabeth, and pointed to the door of their room.

"Ssh!" whispered Elizabeth, pointing to the door of their room.

Denton went half-way towards the door, and stood listening. He came back with a face of affected unconcern. "They must be the sheep-dogs of the Food Company," he said. "They will do us no harm."

Denton walked halfway to the door and paused to listen. He returned with a look of feigned indifference. "They must be the sheepdogs of the Food Company," he said. "They won't hurt us."

He sat down again beside her. "What a night it has been!" he said, to hide how keenly he was listening.[224]

He sat down next to her again. "What a night it's been!" he said, trying to mask how intently he was listening.[224]

"I don't like dogs," answered Elizabeth, after a long silence.

"I don't like dogs," Elizabeth replied, after a long pause.

"Dogs never hurt any one," said Denton. "In the old days—in the nineteenth century—everybody had a dog."

"Dogs never hurt anyone," Denton said. "Back in the day—in the nineteenth century—everyone had a dog."

"There was a romance I heard once. A dog killed a man."

"There was a story I heard once. A dog killed a man."

"Not this sort of dog," said Denton confidently. "Some of those romances—are exaggerated."

"Not this kind of dog," Denton said confidently. "Some of those romances are over the top."

Suddenly a half bark and a pattering up the staircase; the sound of panting. Denton sprang to his feet and drew the sword out of the damp straw upon which they had been lying. Then in the doorway appeared a gaunt sheep-dog, and halted there. Behind it stared another. For an instant man and brute faced each other, hesitating.

Suddenly, there was a half bark and the sound of paws running up the staircase; the sound of panting. Denton jumped to his feet and pulled the sword out of the damp straw where they had been lying. Then, in the doorway appeared a skinny sheepdog, and it stopped there. Behind it, another one stared. For a moment, man and beast faced each other, both hesitating.

Then Denton, being ignorant of dogs, made a sharp step forward. "Go away," he said, with a clumsy motion of his sword.

Then Denton, not knowing much about dogs, took a quick step forward. "Go away," he said, awkwardly waving his sword.

The dog started and growled. Denton stopped sharply. "Good dog!" he said.

The dog jumped and growled. Denton halted suddenly. "Good dog!" he said.

The growling jerked into a bark.

The growl turned into a bark.

"Good dog!" said Denton. The second dog growled and barked. A third out of sight down the staircase took up the barking also. Outside[225] others gave tongue—a large number it seemed to Denton.

"Good dog!" Denton said. The second dog growled and barked. A third dog, out of sight down the stairs, joined in the barking as well. Outside[225] others started barking too—a lot of them, it seemed to Denton.

"This is annoying," said Denton, without taking his eye off the brutes before him. "Of course the shepherds won't come out of the city for hours yet. Naturally these dogs don't quite make us out."

"This is really annoying," said Denton, keeping his gaze on the beasts in front of him. "Of course the shepherds won't come out of the city for hours. Naturally, these dogs don't completely understand us."

"I can't hear," shouted Elizabeth. She stood up and came to him.

"I can't hear," shouted Elizabeth. She stood up and walked over to him.

Denton tried again, but the barking still drowned his voice. The sound had a curious effect upon his blood. Odd disused emotions began to stir; his face changed as he shouted. He tried again; the barking seemed to mock him, and one dog danced a pace forward, bristling. Suddenly he turned, and uttering certain words in the dialect of the underways, words incomprehensible to Elizabeth, he made for the dogs. There was a sudden cessation of the barking, a growl and a snapping. Elizabeth saw the snarling head of the foremost dog, its white teeth and retracted ears, and the flash of the thrust blade. The brute leapt into the air and was flung back.

Denton tried again, but the barking still drowned out his voice. The sound stirred something strange in his blood. Odd, long-buried emotions started to surface; his face changed as he shouted. He tried again; the barking seemed to mock him, and one dog took a step forward, bristling. Suddenly, he turned and shouted some words in the underways dialect, words that Elizabeth couldn’t understand, and he moved towards the dogs. The barking suddenly stopped, replaced by a growl and a snap. Elizabeth saw the snarling head of the closest dog, its white teeth bared and ears back, and the flash of a blade. The beast jumped into the air and was thrown back.

Then Denton, with a shout, was driving the dogs before him. The sword flashed above his head with a sudden new freedom of gesture, and then he vanished down the staircase. She[226] made six steps to follow him, and on the landing there was blood. She stopped, and hearing the tumult of dogs and Denton's shouts pass out of the house, ran to the window.

Then Denton, shouting, was herding the dogs in front of him. The sword glinted above his head with a sudden burst of freedom, and then he disappeared down the staircase. She[226] took six steps to follow him, and on the landing, there was blood. She paused, and hearing the chaos of the dogs and Denton's shouts move away from the house, ran to the window.

Nine wolfish sheep-dogs were scattering, one writhed before the porch; and Denton, tasting that strange delight of combat that slumbers still in the blood of even the most civilised man, was shouting and running across the garden space. And then she saw something that for a moment he did not see. The dogs circled round this way and that, and came again. They had him in the open.

Nine fierce sheepdogs were scattering, one writhing before the porch; and Denton, feeling that strange thrill of a fight that still lies dormant in the blood of even the most civilized person, was shouting and running across the garden. Then she saw something that for a moment he didn’t notice. The dogs circled around this way and that, and came back again. They had him out in the open.

In an instant she divined the situation. She would have called to him. For a moment she felt sick and helpless, and then, obeying a strange impulse, she gathered up her white skirt and ran downstairs. In the hall was the rusting spade. That was it! She seized it and ran out.

In a flash, she understood what was happening. She almost called out to him. For a moment, she felt nauseous and powerless, but then, driven by a strange urge, she picked up her white skirt and dashed downstairs. In the hallway was the rusty spade. That was it! She grabbed it and ran outside.

She came none too soon. One dog rolled before him, well-nigh slashed in half; but a second had him by the thigh, a third gripped his collar behind, and a fourth had the blade of the sword between its teeth, tasting its own blood. He parried the leap of a fifth with his left arm.

She arrived just in time. One dog was sprawled out in front of him, almost cut in half; but a second one had him by the thigh, a third was gripping his collar from behind, and a fourth had the edge of the sword in its teeth, tasting its own blood. He blocked the jump of a fifth dog with his left arm.

It might have been the first century instead of the twenty-second, so far as she was concerned. All the gentleness of her eighteen years[227] of city life vanished before this primordial need. The spade smote hard and sure, and cleft a dog's skull. Another, crouching for a spring, yelped with dismay at this unexpected antagonist, and rushed aside. Two wasted precious moments on the binding of a feminine skirt.

It could have been the first century instead of the twenty-second, as far as she was concerned. All the gentleness of her eighteen years[227] of city life disappeared in the face of this primal need. The spade struck hard and accurately, splitting a dog's skull. Another dog, crouching to pounce, yelped in shock at this unexpected foe and quickly moved aside. Two wasted precious moments adjusting a woman's skirt.

The collar of Denton's cloak tore and parted as he staggered back; and that dog too felt the spade, and ceased to trouble him. He sheathed his sword in the brute at his thigh.

The collar of Denton's cloak ripped apart as he stumbled back; and that dog also felt the shovel and stopped bothering him. He sheathed his sword in the animal at his side.

"To the wall!" cried Elizabeth; and in three seconds the fight was at an end, and our young people stood side by side, while a remnant of five dogs, with ears and tails of disaster, fled shamefully from the stricken field.

"To the wall!" shouted Elizabeth; and in three seconds the fight was over, and our young people stood side by side, while a few remaining dogs, with ears and tails down, quickly ran away from the defeated area.

For a moment they stood panting and victorious, and then Elizabeth, dropping her spade, covered her face, and sank to the ground in a paroxysm of weeping. Denton looked about him, thrust the point of his sword into the ground so that it was at hand, and stooped to comfort her.

For a moment, they stood out of breath and triumphant, and then Elizabeth, dropping her shovel, covered her face and collapsed to the ground in a fit of tears. Denton looked around, stuck the tip of his sword into the ground so it was within reach, and bent down to comfort her.


At last their more tumultuous emotions subsided, and they could talk again. She leant upon the wall, and he sat upon it so that he could keep an eye open for any returning dogs. Two, at any rate, were up on the hillside and keeping up a vexatious barking.[228]

At last, their more intense emotions settled down, and they could talk again. She leaned against the wall, and he sat on it so he could watch for any returning dogs. Two of them, at least, were up on the hillside and barking annoyingly.[228]

She was tear-stained, but not very wretched now, because for half an hour he had been repeating that she was brave and had saved his life. But a new fear was growing in her mind.

She was tear-streaked, but not feeling too miserable now, because for half an hour he had been telling her that she was brave and had saved his life. But a new anxiety was building in her mind.

"They are the dogs of the Food Company," she said. "There will be trouble."

"They're the dogs of the Food Company," she said. "There’s going to be trouble."

"I am afraid so. Very likely they will prosecute us for trespass."

"I’m afraid so. They will probably charge us with trespassing."

A pause.

A break.

"In the old times," he said, "this sort of thing happened day after day."

"In the past," he said, "this kind of thing happened every day."

"Last night!" she said. "I could not live through another such night."

"Last night!" she said. "I couldn't handle another night like that."

He looked at her. Her face was pale for want of sleep, and drawn and haggard. He came to a sudden resolution. "We must go back," he said.

He looked at her. Her face was pale from lack of sleep, and drawn and worn. He made a quick decision. "We have to go back," he said.

She looked at the dead dogs, and shivered. "We cannot stay here," she said.

She looked at the dead dogs and shivered. "We can't stay here," she said.

"We must go back," he repeated, glancing over his shoulder to see if the enemy kept their distance. "We have been happy for a time.... But the world is too civilised. Ours is the age of cities. More of this will kill us."

"We need to go back," he said again, looking over his shoulder to check if the enemy was still far away. "We've been happy for a while.... But the world is too civilized. We're living in the age of cities. More of this will be our downfall."

"But what are we to do? How can we live there?"

"But what are we supposed to do? How can we live there?"

Denton hesitated. His heel kicked against the wall on which he sat. "It's a thing I haven't[229] mentioned before," he said, and coughed; "but ..."

Denton hesitated. His heel kicked against the wall he was sitting on. "It's something I haven't[229] mentioned before," he said, and coughed; "but ..."

"Yes?"

"Yeah?"

"You could raise money on your expectations," he said.

"You could make money based on your expectations," he said.

"Could I?" she said eagerly.

"Can I?" she said eagerly.

"Of course you could. What a child you are!"

"Of course you can. What a kid you are!"

She stood up, and her face was bright. "Why did you not tell me before?" she asked. "And all this time we have been here!"

She got up, her face shining. "Why didn’t you tell me earlier?" she asked. "And we’ve been here all this time!"

He looked at her for a moment, and smiled. Then the smile vanished. "I thought it ought to come from you," he said. "I didn't like to ask for your money. And besides—at first I thought this would be rather fine."

He looked at her for a moment and smiled. Then the smile disappeared. "I thought it should come from you," he said. "I didn't want to ask for your money. Plus—at first, I thought this would be pretty great."

There was a pause.

There was a break.

"It has been fine," he said; and glanced once more over his shoulder. "Until all this began."

"It has been good," he said, glancing over his shoulder again. "Until all this started."

"Yes," she said, "those first days. The first three days."

"Yeah," she said, "those initial days. The first three days."

They looked for a space into one another's faces, and then Denton slid down from the wall and took her hand.

They searched for a connection in each other's faces, and then Denton stepped down from the wall and took her hand.

"To each generation," he said, "the life of its time. I see it all plainly now. In the city—that is the life to which we were born. To live in any[230] other fashion ... Coming here was a dream, and this—is the awakening."

"To every generation," he said, "comes the life of its time. I see it all clearly now. In the city—that's the life we were born into. Living any other way... Coming here was a dream, and this—is the moment of awakening."

"It was a pleasant dream," she said,—"in the beginning."

"It was a nice dream," she said, — "at first."

For a long space neither spoke.

For a long time, neither of them said anything.

"If we would reach the city before the shepherds come here, we must start," said Denton. "We must get our food out of the house and eat as we go."

"If we're going to get to the city before the shepherds arrive, we need to leave," Denton said. "We should grab our food from the house and eat it on the way."

Denton glanced about him again, and, giving the dead dogs a wide berth, they walked across the garden space and into the house together. They found the wallet with their food, and descended the blood-stained stairs again. In the hall Elizabeth stopped. "One minute," she said. "There is something here."

Denton looked around again, and, avoiding the dead dogs, they walked across the garden and into the house together. They found the wallet with their food and went down the blood-stained stairs once more. In the hallway, Elizabeth paused. "Hold on," she said. "There's something here."

She led the way into the room in which that one little blue flower was blooming. She stooped to it, she touched it with her hand.

She walked into the room where that tiny blue flower was blooming. She bent down to it and touched it with her hand.

"I want it," she said; and then, "I cannot take it...."

"I want it," she said; and then, "I can't take it...."

Impulsively she stooped and kissed its petals.

Impulsively, she bent down and kissed its petals.

Then silently, side by side, they went across the empty garden-space into the old high road, and set their faces resolutely towards the distant city—towards the complex mechanical city of those latter days, the city that had swallowed up mankind.

Then silently, side by side, they walked across the empty garden area onto the old main road, and set their sights firmly on the distant city—on the intricate, mechanical city of those later times, the city that had consumed humanity.

III—THE WAYS OF THE CITY

Prominent if not paramount among world-changing inventions in the history of man is that series of contrivances in locomotion that began with the railway and ended for a century or more with the motor and the patent road. That these contrivances, together with the device of limited liability joint stock companies and the supersession of agricultural labourers by skilled men with ingenious machinery, would necessarily concentrate mankind in cities of unparallelled magnitude and work an entire revolution in human life, became, after the event, a thing so obvious that it is a matter of astonishment it was not more clearly anticipated. Yet that any steps should be taken to anticipate the miseries such a revolution might entail does not appear even to have been suggested; and the idea that the moral prohibitions and sanctions, the privileges and concessions, the conception of property and responsibility, of comfort and beauty, that had rendered the mainly agricultural states of the past prosperous and happy, would fail in the rising torrent of novel opportunities and novel stimulations, never seems to have entered the nineteenth-century mind. That a citizen, kindly and fair in[232] his ordinary life, could as a shareholder become almost murderously greedy; that commercial methods that were reasonable and honourable on the old-fashioned countryside, should on an enlarged scale be deadly and overwhelming; that ancient charity was modern pauperisation, and ancient employment modern sweating; that, in fact, a revision and enlargement of the duties and rights of man had become urgently necessary, were things it could not entertain, nourished as it was on an archaic system of education and profoundly retrospective and legal in all its habits of thought. It was known that the accumulation of men in cities involved unprecedented dangers of pestilence; there was an energetic development of sanitation; but that the diseases of gambling and usury, of luxury and tyranny should become endemic, and produce horrible consequences was beyond the scope of nineteenth-century thought. And so, as if it were some inorganic process, practically unhindered by the creative will of man, the growth of the swarming unhappy cities that mark the twenty-first century accomplished itself.

Major if not the most important among world-changing inventions in human history is the series of transportation developments that started with the railway and continued for a century or more with the automobile and paved roads. That these innovations, along with the concept of limited liability joint stock companies and the replacement of agricultural workers by skilled laborers using advanced machinery, would inevitably lead to the concentration of people in cities of unparalleled size and bring about a complete revolution in human life, became, in hindsight, so obvious that it is surprising it wasn’t more clearly foreseen. Yet it seems that no actions were taken to anticipate the hardships such a revolution might bring; the notion that the moral rules and laws, the privileges and benefits, the understanding of property and responsibility, of comfort and beauty, which had made the largely agricultural societies of the past prosperous and content, would falter in the rising wave of new opportunities and challenges, never seemed to occur to people in the nineteenth century. That a person, kind and just in their everyday life, could become almost greedily ruthless as a shareholder; that business practices that were reasonable and honorable in the old-fashioned countryside could, on a larger scale, become harmful and overwhelming; that ancient charity had turned into modern impoverishment, and traditional employment into modern exploitation; that, in fact, a reevaluation and expansion of human rights and responsibilities had become urgently needed, were ideas it couldn’t entertain, shaped as it was by an outdated system of education and deeply rooted in a retrospective and legal way of thinking. It was recognized that the gathering of people in cities posed unprecedented risks of disease; there was a vigorous improvement in sanitation; but the idea that the problems of gambling and usury, of luxury and oppression could become widespread and lead to terrible consequences was beyond the comprehension of nineteenth-century thinkers. And so, as if it were some inorganic process, practically unaffected by human will, the emergence of the overcrowded, struggling cities that characterize the twenty-first century unfolded.

The new society was divided into three main classes. At the summit slumbered the property owner, enormously rich by accident rather than[233] design, potent save for the will and aim, the last avatar of Hamlet in the world. Below was the enormous multitude of workers employed by the gigantic companies that monopolised control; and between these two the dwindling middle class, officials of innumerable sorts, foremen, managers, the medical, legal, artistic, and scholastic classes, and the minor rich, a middle class whose members led a life of insecure luxury and precarious speculation amidst the movements of the great managers.

The new society was divided into three main classes. At the top was the property owner, extremely wealthy due to luck rather than planning, powerful only by will and ambition, the last avatar of Hamlet in the world. Below was the vast number of workers employed by the giant companies that had taken over control; and between these two was the shrinking middle class, consisting of various officials, foremen, managers, the medical, legal, artistic, and educational professions, and the minor wealthy, a middle class whose members lived a life of uncertain luxury and risky speculation amidst the movements of the big managers.

Already the love story and the marrying of two persons of this middle class have been told: how they overcame the obstacles between them, and how they tried the simple old-fashioned way of living on the countryside and came back speedily enough into the city of London. Denton had no means, so Elizabeth borrowed money on the securities that her father Mwres held in trust for her until she was one-and-twenty.

Already the love story and the marriage of two middle-class people have been told: how they overcame the obstacles between them, and how they tried the simple, old-fashioned lifestyle in the countryside, only to quickly return to the city of London. Denton had no money, so Elizabeth borrowed funds against the securities that her father Mwres held in trust for her until she turned twenty-one.

The rate of interest she paid was of course high, because of the uncertainty of her security, and the arithmetic of lovers is often sketchy and optimistic. Yet they had very glorious times after that return. They determined they would not go to a Pleasure city nor waste their days rushing through the air from one part of the[234] world to the other, for in spite of one disillusionment, their tastes were still old-fashioned. They furnished their little room with quaint old Victorian furniture, and found a shop on the forty-second floor in Seventh Way where printed books of the old sort were still to be bought. It was their pet affectation to read print instead of hearing phonographs. And when presently there came a sweet little girl, to unite them further if it were possible, Elizabeth would not send it to a creche, as the custom was, but insisted on nursing it at home. The rent of their apartments was raised on account of this singular proceeding, but that they did not mind. It only meant borrowing a little more.

The interest rate she paid was, of course, high because her security was uncertain, and the math of love is often pretty sketchy and overly optimistic. Still, they had some amazing times after they returned. They decided they wouldn’t go to a resort city or waste their days flying around from one part of the[234] world to another, because despite one disappointment, they still had old-fashioned tastes. They decorated their small room with charming old Victorian furniture and found a shop on the forty-second floor of Seventh Way where they could still buy printed books. They took pride in reading print instead of listening to phonographs. And when a sweet little girl came along to bring them even closer, Elizabeth refused to send her to a creche, as was the usual practice, and insisted on nursing her at home. The rent for their apartment went up because of this unusual choice, but they didn’t mind. It just meant borrowing a little more.

Presently Elizabeth was of age, and Denton had a business interview with her father that was not agreeable. An exceedingly disagreeable interview with their money-lender followed, from which he brought home a white face. On his return Elizabeth had to tell him of a new and marvellous intonation of "Goo" that their daughter had devised, but Denton was inattentive. In the midst, just as she was at the cream of her description, he interrupted. "How much money do you think we have left, now that everything is settled?"[235]

Right now, Elizabeth was of age, and Denton had a meeting with her dad that didn’t go well. An extremely unpleasant meeting with their money-lender followed, which left him looking pale. When he got home, Elizabeth excitedly had to tell him about a new and amazing way their daughter said "Goo," but Denton wasn’t really paying attention. In the middle of her description, just as she was getting to the most exciting part, he interrupted. "How much money do you think we have left now that everything is settled?"[235]

She stared and stopped her appreciative swaying of the Goo genius that had accompanied her description.

She stared and halted her delighted swaying of the Goo genius that had come along with her description.

"You don't mean...?"

"You can't be serious...?"

"Yes," he answered. "Ever so much. We have been wild. It's the interest. Or something. And the shares you had, slumped. Your father did not mind. Said it was not his business, after what had happened. He's going to marry again.... Well—we have scarcely a thousand left!"

"Yes," he replied. "So much. We've been reckless. It's the interest. Or something like that. And the shares you had dropped. Your dad didn't care. He said it wasn't his problem, after everything that happened. He's going to get remarried... Well—we hardly have a thousand left!"

"Only a thousand?"

"Just a thousand?"

"Only a thousand."

"Just a thousand."

And Elizabeth sat down. For a moment she regarded him with a white face, then her eyes went about the quaint, old-fashioned room, with its middle Victorian furniture and genuine oleographs, and rested at last on the little lump of humanity within her arms.

And Elizabeth sat down. For a moment, she looked at him with a pale face, then her eyes scanned the charming, old-fashioned room, with its mid-Victorian furniture and authentic oleographs, and finally settled on the small bundle of life in her arms.

Denton glanced at her and stood downcast. Then he swung round on his heel and walked up and down very rapidly.

Denton looked at her and felt down. Then he turned on his heel and paced back and forth quickly.

"I must get something to do," he broke out presently. "I am an idle scoundrel. I ought to have thought of this before. I have been a selfish fool. I wanted to be with you all day...."

"I need to find something to do," he said after a moment. "I'm a lazy jerk. I should have thought of this earlier. I've been a selfish idiot. I just wanted to be with you all day...."

He stopped, looking at her white face. Suddenly[236] he came and kissed her and the little face that nestled against her breast.

He paused, gazing at her pale face. Suddenly[236] he approached and kissed her and the small face that rested against her chest.

"It's all right, dear," he said, standing over her; "you won't be lonely now—now Dings is beginning to talk to you. And I can soon get something to do, you know. Soon.... Easily.... It's only a shock at first. But it will come all right. It's sure to come right. I will go out again as soon as I have rested, and find what can be done. For the present it's hard to think of anything...."

"It's okay, sweetheart," he said, standing over her. "You won’t feel lonely now—Dings is starting to talk to you. And I can find something to do soon, you know. Soon.... Easily.... It’s just a shock at first. But it will all work out. It’s bound to work out. I’ll go out again as soon as I’ve rested and see what can be done. Right now, it’s hard to think of anything...."

"It would be hard to leave these rooms," said Elizabeth; "but——"

"It would be tough to leave these rooms," said Elizabeth; "but——"

"There won't be any need of that—trust me."

"There’s no need for that—trust me."

"They are expensive."

"They're pricey."

Denton waved that aside. He began talking of the work he could do. He was not very explicit what it would be; but he was quite sure that there was something to keep them comfortably in the happy middle class, whose way of life was the only one they knew.

Denton brushed that off. He started discussing the work he could take on. He wasn't very clear about what it would be, but he was confident there was something that would keep them comfortably in the happy middle class, which was the only way of life they knew.

"There are three-and-thirty million people in London," he said: "some of them must have need of me."

"There are thirty-three million people in London," he said: "some of them must need me."

"Some must."

"Some must."

"The trouble is ... Well—Bindon, that brown little old man your father wanted[237] you to marry. He's an important person.... I can't go back to my flying-stage work, because he is now a Commissioner of the Flying Stage Clerks."

"The problem is ... Well—Bindon, that little old man your father wanted you to marry. He's kind of a big deal.... I can't return to my flying-stage job since he’s now a Commissioner of the Flying Stage Clerks."

"I didn't know that," said Elizabeth.

"I didn't know that," Elizabeth said.

"He was made that in the last few weeks ... or things would be easy enough, for they liked me on the flying stage. But there's dozens of other things to be done—dozens. Don't you worry, dear. I'll rest a little while, and then we'll dine, and then I'll start on my rounds. I know lots of people—lots."

"He became that way in the last few weeks... or things would have been simple enough because they liked me on the flying stage. But there are a ton of other things to take care of—so many. Don't worry, dear. I'll take a little break, and then we'll have dinner, and after that, I’ll get started on my rounds. I know a lot of people—so many."

So they rested, and then they went to the public dining-room and dined, and then he started on his search for employment. But they soon realised that in the matter of one convenience the world was just as badly off as it had ever been, and that was a nice, secure, honourable, remunerative employment, leaving ample leisure for the private life, and demanding no special ability, no violent exertion nor risk, and no sacrifice of any sort for its attainment. He evolved a number of brilliant projects, and spent many days hurrying from one part of the enormous city to another in search of influential friends; and all his influential friends were glad to see him, and very sanguine until it came to definite proposals, and then they became[238] guarded and vague. He would part with them coldly, and think over their behaviour, and get irritated on his way back, and stop at some telephone office and spend money on an animated but unprofitable quarrel. And as the days passed, he got so worried and irritated that even to seem kind and careless before Elizabeth cost him an effort—as she, being a loving woman, perceived very clearly.

So they took a break, then headed to the public dining room for dinner, and after that, he began his job search. But they quickly realized that when it came to one particular convenience, the world was just as difficult as it had always been: a nice, secure, honorable job that paid well, allowed plenty of free time for personal life, required no special skills, no intense effort or risk, and no sacrifice to achieve. He came up with several brilliant plans and spent many days rushing around the huge city looking for influential friends; all his influential friends were happy to see him and optimistic until it got to actual proposals, at which point they became guarded and vague. He would leave them feeling cold, reflect on their behavior, and get irritated on his way back, stopping at some phone office to spend money on a heated but unproductive argument. As the days went by, he became so stressed and annoyed that even pretending to be kind and carefree around Elizabeth took effort—something she, being a loving woman, noticed right away.

After an extremely complex preface one day, she helped him out with a painful suggestion. He had expected her to weep and give way to despair when it came to selling all their joyfully bought early Victorian treasures, their quaint objects of art, their antimacassars, bead mats, repp curtains, veneered furniture, gold-framed steel engravings and pencil drawings, wax flowers under shades, stuffed birds, and all sorts of choice old things; but it was she who made the proposal. The sacrifice seemed to fill her with pleasure, and so did the idea of shifting to apartments ten or twelve floors lower in another hotel. "So long as Dings is with us, nothing matters," she said. "It's all experience." So he kissed her, said she was braver than when she fought the sheep-dogs, called her Boadicea, and abstained very carefully from reminding her that they would have to pay a considerably[239] higher rent on account of the little voice with which Dings greeted the perpetual uproar of the city.

After a really complicated preface one day, she suggested something painful to him. He thought she would cry and give in to hopelessness about selling all their joyfully collected early Victorian treasures, their quirky art pieces, antimacassars, bead mats, repp curtains, veneered furniture, gold-framed steel engravings and pencil drawings, wax flowers under shades, stuffed birds, and all sorts of special old items; but it was her who made the suggestion. The sacrifice seemed to make her happy, and so did the idea of moving to apartments ten or twelve floors lower in another hotel. "As long as Dings is with us, nothing matters," she said. "It's all experience." So he kissed her, told her she was braver than when she faced the sheepdogs, called her Boadicea, and carefully avoided reminding her that they would have to pay a considerably [239] higher rent because of the little voice with which Dings dealt with the constant noise of the city.

His idea had been to get Elizabeth out of the way when it came to selling the absurd furniture about which their affections were twined and tangled; but when it came to the sale it was Elizabeth who haggled with the dealer while Denton went about the running ways of the city, white and sick with sorrow and the fear of what was still to come. When they moved into their sparsely furnished pink-and-white apartments in a cheap hotel, there came an outbreak of furious energy on his part, and then nearly a week of lethargy during which he sulked at home. Through those days Elizabeth shone like a star, and at the end Denton's misery found a vent in tears. And then he went out into the city ways again, and—to his utter amazement—found some work to do.

His plan had been to keep Elizabeth out of the way when it came to selling the ridiculous furniture that was tied to their feelings; but during the sale, it was Elizabeth who negotiated with the dealer while Denton wandered through the city, pale and sick with sadness and the anxiety of what was still ahead. When they moved into their sparsely furnished pink-and-white hotel room, he suddenly burst with energy, but then fell into nearly a week of lethargy, sulking at home. During those days, Elizabeth shone like a star, and by the end, Denton's misery overflowed in tears. After that, he ventured back out into the city and—much to his surprise—found some work to do.

His standard of employment had fallen steadily until at last it had reached the lowest level of independent workers. At first he had aspired to some high official position in the great Flying or Wind Vane or Water Companies, or to an appointment on one of the General Intelligence Organisations that had replaced newspapers, or to some professional partnership, but[240] those were the dreams of the beginning. From that he had passed to speculation, and three hundred gold "lions" out of Elizabeth's thousand had vanished one evening in the share market. Now he was glad his good looks secured him a trial in the position of salesman to the Suzannah Hat Syndicate, a Syndicate, dealing in ladies' caps, hair decorations, and hats—for though the city was completely covered in, ladies still wore extremely elaborate and beautiful hats at the theatres and places of public worship.

His job prospects had steadily declined until he ended up at the bottom tier of independent workers. At first, he aimed for a prestigious role in a major Flying, Wind Vane, or Water Company, or a position in one of the General Intelligence Organizations that had taken the place of newspapers, or a partnership in a professional firm, but[240] those were just the dreams he had at the start. After that, he moved on to speculation, and three hundred gold "lions" from Elizabeth's thousand had disappeared one evening in the stock market. Now, he was just relieved that his good looks got him a shot at being a salesman for the Suzannah Hat Syndicate, which dealt in ladies' caps, hair accessories, and hats—because even though the city was completely covered over, women still wore very elaborate and beautiful hats at the theaters and places of worship.

It would have been amusing if one could have confronted a Regent Street shopkeeper of the nineteenth century with the development of his establishment in which Denton's duties lay. Nineteenth Way was still sometimes called Regent Street, but it was now a street of moving platforms and nearly eight hundred feet wide. The middle space was immovable and gave access by staircases descending into subterranean ways to the houses on either side. Right and left were an ascending series of continuous platforms each of which travelled about five miles an hour faster than the one internal to it, so that one could step from platform to platform until one reached the swiftest outer way and so go about the city. The establishment of[241] the Suzannah Hat Syndicate projected a vast façade upon the outer way, sending out overhead at either end an overlapping series of huge white glass screens, on which gigantic animated pictures of the faces of well-known beautiful living women wearing novelties in hats were thrown. A dense crowd was always collected in the stationary central way watching a vast kinematograph which displayed the changing fashion. The whole front of the building was in perpetual chromatic change, and all down the façade—four hundred feet it measured—and all across the street of moving ways, laced and winked and glittered in a thousand varieties of colour and lettering the inscription—

It would be funny to see a 19th-century Regent Street shopkeeper react to how his store had evolved, especially considering Denton’s responsibilities there. Nineteenth Way was still sometimes referred to as Regent Street, but now it was a bustling street about eight hundred feet wide filled with moving platforms. The middle section was fixed and provided access via staircases that led down into underground pathways connecting the houses on both sides. To the right and left were continuous platforms that ascended, each one moving about five miles per hour faster than the one next to it, allowing people to hop from platform to platform until they reached the fastest outer lane to navigate the city. The Suzannah Hat Syndicate’s building had a massive façade facing the outer lane, featuring a series of overlapping huge white glass screens at both ends, showcasing giant animated images of well-known beautiful women modeling the latest hat trends. There was always a big crowd gathered in the stationary central section, watching a large moving picture display of changing fashions. The entire front of the building was constantly shifting in color, and the façade—which spanned four hundred feet—along with the street of moving platforms, sparkled and shimmered in countless colors and lettering, displaying the inscription—

Suzanna! 'ets! Suzanna! 'ets!

A broadside of gigantic phonographs drowned all conversation in the moving way and roared "hats" at the passer-by, while far down the street and up, other batteries counselled the public to "walk down for Suzannah," and queried, "Why don't you buy the girl a hat?"

A barrage of huge phonographs drowned out all conversation in the busy street and shouted "hats" at people passing by, while further down the street and up, other speakers encouraged the public to "walk down for Suzannah," and asked, "Why don't you buy the girl a hat?"

For the benefit of those who chanced to be deaf—and deafness was not uncommon in the London of that age, inscriptions of all sizes were thrown from the roof above upon the[242] moving platforms themselves, and on one's hand or on the bald head of the man before one, or on a lady's shoulders, or in a sudden jet of flame before one's feet, the moving finger wrote in unanticipated letters of fire "'ets r chip t'de," or simply "'ets." And spite of all these efforts so high was the pitch at which the city lived, so trained became one's eyes and ears to ignore all sorts of advertisement, that many a citizen had passed that place thousands of times and was still unaware of the existence of the Suzannah Hat Syndicate.

For the benefit of those who happened to be deaf—and deafness was pretty common in London back then—inscriptions of all sizes were thrown from the roof above onto the [242] moving platforms themselves, on one’s hand, on the bald head of the man in front, on a lady’s shoulders, or in a sudden blaze right at one’s feet, the moving finger wrote in unexpected letters of fire "'ets r chip t'de," or just "'ets." And despite all these efforts, the city's intensity was so high, and people’s eyes and ears became so trained to ignore all kinds of advertising, that many citizens had passed that spot thousands of times and were still unaware of the Suzannah Hat Syndicate’s existence.

To enter the building one descended the staircase in the middle way and walked through a public passage in which pretty girls promenaded, girls who were willing to wear a ticketed hat for a small fee. The entrance chamber was a large hall in which wax heads fashionably adorned rotated gracefully upon pedestals, and from this one passed through a cash office to an interminable series of little rooms, each room with its salesman, its three or four hats and pins, its mirrors, its kinematographs, telephones and hat slides in communication with the central depôt, its comfortable lounge and tempting refreshments. A salesman in such an apartment did Denton now become. It was his business to attend to any of the incessant stream[243] of ladies who chose to stop with him, to behave as winningly as possible, to offer refreshment, to converse on any topic the possible customer chose, and to guide the conversation dexterously but not insistently towards hats. He was to suggest trying on various types of hat and to show by his manner and bearing, but without any coarse flattery, the enhanced impression made by the hats he wished to sell. He had several mirrors, adapted by various subtleties of curvature and tint to different types of face and complexion, and much depended on the proper use of these.

To enter the building, you would go down the staircase in the center and walk through a public passage where attractive girls strolled by, girls who were happy to wear a ticketed hat for a small fee. The entrance hall was a spacious area filled with wax heads stylishly displayed on pedestals, and from there you passed through a cash office into an endless series of small rooms, each with its own salesperson, three or four hats and pins, mirrors, film projectors, telephones, and hat slides connected to the main depot, along with a comfortable lounge and tempting snacks. It was in such a room that Denton now found himself as a salesperson. His job was to take care of the constant stream of ladies who chose to stop by, to be as charming as possible, to offer refreshments, to chat about any topic the potential customer liked, and to skillfully but gently steer the conversation toward hats. He was to suggest trying on different types of hats and to demonstrate, through his demeanor and attitude, without being overly flattering, the improved impression created by the hats he wanted to sell. He had several mirrors, designed with subtle curves and colors tailored to various face shapes and complexions, and much depended on using these properly.

Denton flung himself at these curious and not very congenial duties with a good will and energy that would have amazed him a year before; but all to no purpose. The Senior Manageress, who had selected him for appointment and conferred various small marks of favour upon him, suddenly changed in her manner, declared for no assignable cause that he was stupid, and dismissed him at the end of six weeks of salesmanship. So Denton had to resume his ineffectual search for employment.

Denton threw himself into these strange and not very enjoyable tasks with a willingness and energy that would have surprised him a year earlier; but it was all in vain. The Senior Manageress, who had chosen him for the job and showed him various small favors, suddenly changed her attitude, claimed without reason that he was stupid, and let him go after just six weeks of trying to sell. So Denton had to go back to his unsuccessful job hunt.

This second search did not last very long. Their money was at the ebb. To eke it out a little longer they resolved to part with their darling Dings, and took that small person to[244] one of the public creches that abounded in the city. That was the common use of the time. The industrial emancipation of women, the correlated disorganisation of the secluded "home," had rendered creches a necessity for all but very rich and exceptionally-minded people. Therein children encountered hygienic and educational advantages impossible without such organisation. Creches were of all classes and types of luxury, down to those of the Labour Company, where children were taken on credit, to be redeemed in labour as they grew up.

This second search didn't last very long. Their money was running low. To stretch it out a little longer, they decided to give up their beloved Dings and took that little one to [244] one of the public creches that were common in the city. That was the standard practice of the time. The industrial freedom of women and the resulting breakdown of the traditional "home" had made creches essential for everyone except the very wealthy and those with unconventional views. In these places, children experienced hygienic and educational benefits that would be impossible without such arrangements. Creches came in all classes and types of luxury, including those run by the Labour Company, where children were taken on credit to be paid back in labor as they grew up.

But both Denton and Elizabeth being, as I have explained, strange old-fashioned young people, full of nineteenth-century ideas, hated these convenient creches exceedingly and at last took their little daughter to one with extreme reluctance. They were received by a motherly person in a uniform who was very brisk and prompt in her manner until Elizabeth wept at the mention of parting from her child. The motherly person, after a brief astonishment at this unusual emotion, changed suddenly into a creature of hope and comfort, and so won Elizabeth's gratitude for life. They were conducted into a vast room presided over by several nurses and with hundreds of two-year-old girls grouped about the toy-covered floor. This[245] was the Two-year-old Room. Two nurses came forward, and Elizabeth watched their bearing towards Dings with jealous eyes. They were kind—it was clear they felt kind, and yet ...

But both Denton and Elizabeth, as I mentioned, were oddly old-fashioned young people, full of nineteenth-century ideas, and they really disliked these convenient creches. Eventually, they took their little daughter there, but only after a lot of hesitation. They were greeted by a motherly woman in a uniform who was very energetic and efficient, until Elizabeth started crying at the thought of leaving her child. The woman, after being taken aback by this unusual display of emotion, quickly transformed into a figure of hope and comfort, earning Elizabeth's gratitude for life. They were led into a large room supervised by several nurses, filled with hundreds of two-year-old girls scattered around on the toy-covered floor. This[245] was the Two-year-old Room. Two nurses approached, and Elizabeth watched how they interacted with Dings with jealous eyes. They were kind—it was obvious they cared, and yet ...

Presently it was time to go. By that time Dings was happily established in a corner, sitting on the floor with her arms filled, and herself, indeed, for the most part hidden by an unaccustomed wealth of toys. She seemed careless of all human relationships as her parents receded.

Presently, it was time to leave. By then, Dings was comfortably settled in a corner, sitting on the floor with her arms full of toys, mostly hidden by an unusual abundance of them. She appeared indifferent to all human connections as her parents faded away.

They were forbidden to upset her by saying good-bye.

They weren't allowed to upset her by saying goodbye.

At the door Elizabeth glanced back for the last time, and behold! Dings had dropped her new wealth and was standing with a dubious face. Suddenly Elizabeth gasped, and the motherly nurse pushed her forward and closed the door.

At the door, Elizabeth looked back one last time, and wow! Dings had dropped her new wealth and was standing there with a confused expression. Suddenly, Elizabeth gasped, and the caring nurse gave her a little push forward and closed the door.

"You can come again soon, dear," she said, with unexpected tenderness in her eyes. For a moment Elizabeth stared at her with a blank face. "You can come again soon," repeated the nurse. Then with a swift transition Elizabeth was weeping in the nurse's arms. So it was that Denton's heart was won also.

"You can visit again soon, dear," she said, with a surprising warmth in her eyes. For a moment, Elizabeth looked at her with a blank expression. "You can visit again soon," the nurse repeated. Then, in an instant, Elizabeth was crying in the nurse's arms. That was how Denton's heart was won too.

And three weeks after our young people were absolutely penniless, and only one way lay open.[246] They must go to the Labour Company. So soon as the rent was a week overdue their few remaining possessions were seized, and with scant courtesy they were shown the way out of the hotel. Elizabeth walked along the passage towards the staircase that ascended to the motionless middle way, too dulled by misery to think. Denton stopped behind to finish a stinging and unsatisfactory argument with the hotel porter, and then came hurrying after her, flushed and hot. He slackened his pace as he overtook her, and together they ascended to the middle way in silence. There they found two seats vacant and sat down.

And three weeks after our young people were completely broke, there was only one option left.[246] They had to go to the Labour Company. As soon as the rent was a week late, their few remaining belongings were taken, and with little courtesy, they were shown the way out of the hotel. Elizabeth walked down the corridor towards the staircase that led to the still middle level, too numbed by despair to think. Denton stayed behind to finish a heated and unsatisfactory argument with the hotel porter, then hurried after her, flushed and overheated. He slowed down as he caught up with her, and together they climbed to the middle level in silence. There, they found two empty seats and sat down.

"We need not go there—yet?" said Elizabeth.

"We don't need to go there—yet?" said Elizabeth.

"No—not till we are hungry," said Denton.

"No—not until we're hungry," said Denton.

They said no more.

They said no more.

Elizabeth's eyes sought a resting-place and found none. To the right roared the eastward ways, to the left the ways in the opposite direction, swarming with people. Backwards and forwards along a cable overhead rushed a string of gesticulating men, dressed like clowns, each marked on back and chest with one gigantic letter, so that altogether they spelt out:

Elizabeth's eyes searched for a place to settle but found none. To her right, the busy eastward roads roared, and to her left, the streets were filled with people heading the opposite way. Back and forth along an overhead cable rushed a line of animated men, dressed like clowns, each with a giant letter on their back and chest, so that together they spelled out:

"Purkinje's Digestive Pills."

[247]An anæmic little woman in horrible coarse blue canvas pointed a little girl to one of this string of hurrying advertisements.

[247]A frail little woman in rough blue canvas pointed a little girl to one of the many rushing advertisements.

"Look!" said the anæmic woman: "there's yer father."

"Look!" said the pale woman. "There's your dad."

"Which?" said the little girl.

"Which?" asked the little girl.

"'Im wiv his nose coloured red," said the anæmic woman.

"'I'm with his nose colored red," said the anemic woman.

The little girl began to cry, and Elizabeth could have cried too.

The little girl started to cry, and Elizabeth could have cried as well.

"Ain't 'e kickin' 'is legs!—just!" said the anæmic woman in blue, trying to make things bright again. "Looky—now!"

"Aren't they kicking their legs!—just!" said the anemic woman in blue, trying to brighten things up again. "Look—now!"

On the façade to the right a huge intensely bright disc of weird colour span incessantly, and letters of fire that came and went spelt out—

On the façade to the right, a huge, intensely bright disc of strange color spun continuously, and letters of fire appeared and vanished, spelling out—

"Does this make you Giddy?"

Then a pause, followed by

Then a pause, followed by

"Take a Purkinje's Digestive Pill."

A vast and desolating braying began. "If you love Swagger Literature, put your telephone on to Bruggles, the Greatest Author of all Time. The Greatest Thinker of all Time. Teaches you Morals up to your Scalp! The very image of Socrates, except the back of his head, which is[248] like Shakspeare. He has six toes, dresses in red, and never cleans his teeth. Hear Him!"

A loud and annoying braying started. "If you love Swagger Literature, call Bruggles, the Greatest Author of All Time. The Greatest Thinker of All Time. He teaches you morals that go straight to your head! The very image of Socrates, except the back of his head, which is[248] like Shakespeare. He has six toes, wears red, and never brushes his teeth. Listen to Him!"

Denton's voice became audible in a gap in the uproar. "I never ought to have married you," he was saying. "I have wasted your money, ruined you, brought you to misery. I am a scoundrel.... Oh, this accursed world!"

Denton's voice broke through the noise. "I never should have married you," he said. "I've wasted your money, messed up your life, and brought you misery. I'm a terrible person... Oh, this damned world!"

She tried to speak, and for some moments could not. She grasped his hand. "No," she said at last.

She tried to speak but couldn't for a moment. She held his hand. "No," she finally said.

A half-formed desire suddenly became determination. She stood up. "Will you come?"

A vague wish suddenly turned into resolve. She got to her feet. "Are you coming?"

He rose also. "We need not go there yet."

He got up too. "We don't need to go there just yet."

"Not that. But I want you to come to the flying stages—where we met. You know? The little seat."

"Not that. But I want you to come to the flying stages—where we met. You know? The small seat."

He hesitated. "Can you?" he said, doubtfully.

He hesitated. "Can you?" he said, uncertainly.

"Must," she answered.

"Definitely," she responded.

He hesitated still for a moment, then moved to obey her will.

He paused for a moment, then went to do what she wanted.

And so it was they spent their last half-day of freedom out under the open air in the little seat under the flying stages where they had been wont to meet five short years ago. There she told him, what she could not tell him in the tumultuous public ways, that she did not repent even now of their marriage—that whatever[249] discomfort and misery life still had for them, she was content with the things that had been. The weather was kind to them, the seat was sunlit and warm, and overhead the shining aëroplanes went and came.

And so, they spent their last half-day of freedom outdoors in the little seat under the flying stages where they used to meet five short years ago. There, she told him what she couldn’t say in the noisy public spaces—that she didn’t regret their marriage, even now—that no matter what discomfort and misery life still had in store for them, she was happy with what had happened. The weather was nice, the seat was sunny and warm, and overhead the shining airplanes came and went.

At last towards sunsetting their time was at an end, and they made their vows to one another and clasped hands, and then rose up and went back into the ways of the city, a shabby-looking, heavy-hearted pair, tired and hungry. Soon they came to one of the pale blue signs that marked a Labour Company Bureau. For a space they stood in the middle way regarding this and at last descended, and entered the waiting-room.

At last, as the sun was setting, their time was up. They exchanged vows and held hands, then stood up and made their way back into the streets of the city, looking worn out and downcast, tired and hungry. Soon, they came across one of the pale blue signs that indicated a Labor Company Bureau. They paused for a moment to look at it, and eventually descended and entered the waiting room.

The Labour Company had originally been a charitable organisation; its aim was to supply food, shelter, and work to all comers. This it was bound to do by the conditions of its incorporation, and it was also bound to supply food and shelter and medical attendance to all incapable of work who chose to demand its aid. In exchange these incapables paid labour notes, which they had to redeem upon recovery. They signed these labour notes with thumb-marks, which were photographed and indexed in such a way that this world-wide Labour Company could identify any one of its two or three hundred[250] million clients at the cost of an hour's inquiry. The day's labour was defined as two spells in a treadmill used in generating electrical force, or its equivalent, and its due performance could be enforced by law. In practice the Labour Company found it advisable to add to its statutory obligations of food and shelter a few pence a day as an inducement to effort; and its enterprise had not only abolished pauperisation altogether, but supplied practically all but the very highest and most responsible labour throughout the world. Nearly a third of the population of the world were its serfs and debtors from the cradle to the grave.

The Labour Company had originally been a charitable organization; its goal was to provide food, shelter, and jobs to anyone in need. It was required to do this by the terms of its charter, and it was also obligated to provide food, shelter, and medical care to anyone unable to work who asked for help. In return, these individuals paid labor notes, which they had to redeem when they recovered. They signed these labor notes with thumbprints, which were photographed and organized in such a way that this global Labour Company could identify any one of its two or three hundred million clients with just an hour's inquiry. A day's labor was defined as two sessions on a treadmill used to generate electricity, or its equivalent, and it could be enforced by law. In practice, the Labour Company found it wise to add a few cents a day as motivation for effort beyond its legal obligations for food and shelter; and its initiative had not only eliminated poverty but also provided almost all but the highest and most demanding jobs worldwide. Nearly a third of the global population were its serfs and debtors from birth to death.

In this practical, unsentimental way the problem of the unemployed had been most satisfactorily met and overcome. No one starved in the public ways, and no rags, no costume less sanitary and sufficient than the Labour Company's hygienic but inelegant blue canvas, pained the eye throughout the whole world. It was the constant theme of the phonographic newspapers how much the world had progressed since nineteenth-century days, when the bodies of those killed by the vehicular traffic or dead of starvation, were, they alleged, a common feature in all the busier streets.

In this practical and straightforward way, the issue of unemployment had been effectively addressed and resolved. No one was left to starve in public, and there were no rags or clothing that was less sanitary and suitable than the Labour Company's hygienic but unappealing blue canvas, which spared the eyes everywhere. It was a frequent topic in the phonographic newspapers about how much the world had advanced since the nineteenth century, when, it was claimed, the bodies of people killed by traffic or dying of hunger were a common sight in all the busiest streets.

Denton and Elizabeth sat apart in the waiting-room[251] until their turn came. Most of the others collected there seemed limp and taciturn, but three or four young people gaudily dressed made up for the quietude of their companions. They were life clients of the Company, born in the Company's creche and destined to die in its hospital, and they had been out for a spree with some shillings or so of extra pay. They talked vociferously in a later development of the Cockney dialect, manifestly very proud of themselves.

Denton and Elizabeth sat separately in the waiting room[251] until their turn came. Most of the others there seemed tired and quiet, but three or four young people in flashy clothes made up for the silence of their companions. They were lifelong clients of the Company, born in the Company’s creche and destined to die in its hospital, and they had gone out to have some fun with a few extra shillings they earned. They talked loudly in an updated version of the Cockney dialect, clearly very proud of themselves.

Elizabeth's eyes went from these to the less assertive figures. One seemed exceptionally pitiful to her. It was a woman of perhaps forty-five, with gold-stained hair and a painted face, down which abundant tears had trickled; she had a pinched nose, hungry eyes, lean hands and shoulders, and her dusty worn-out finery told the story of her life. Another was a grey-bearded old man in the costume of a bishop of one of the high episcopal sects—for religion was now also a business, and had its ups and downs. And beside him a sickly, dissipated-looking boy of perhaps two-and-twenty glared at Fate.

Elizabeth's gaze shifted from these individuals to the less forceful figures. One caught her attention especially; it was a woman around forty-five, with gold-streaked hair and a heavily made-up face, from which tears had streamed down. She had a pinched nose, hungry eyes, and thin hands and shoulders, and her dusty, tattered finery told the story of her struggles. Next to her stood a gray-bearded old man dressed as a bishop from one of the high episcopal denominations—because religion had become a business too, with its highs and lows. Beside him was a frail-looking young man, around twenty-two, who glared defiantly at Fate.

Presently Elizabeth and then Denton interviewed the manageress—for the Company preferred women in this capacity—and found she[252] possessed an energetic face, a contemptuous manner, and a particularly unpleasant voice. They were given various checks, including one to certify that they need not have their heads cropped; and when they had given their thumb-marks, learnt the number corresponding thereunto, and exchanged their shabby middle-class clothes for duly numbered blue canvas suits, they repaired to the huge plain dining-room for their first meal under these new conditions. Afterwards they were to return to her for instructions about their work.

Currently, Elizabeth and Denton interviewed the manager—since the Company preferred women in this role—and found she[252] had an energetic face, a scornful attitude, and a particularly unpleasant voice. They received various checks, including one confirming they didn't have to shave their heads; and after giving their thumbprints, learning the corresponding number, and swapping their worn middle-class clothes for numbered blue canvas suits, they headed to the large, simple dining room for their first meal under these new circumstances. Afterwards, they were to go back to her for instructions about their work.

When they had made the exchange of their clothing Elizabeth did not seem able to look at Denton at first; but he looked at her, and saw with astonishment that even in blue canvas she was still beautiful. And then their soup and bread came sliding on its little rail down the long table towards them and stopped with a jerk, and he forgot the matter. For they had had no proper meal for three days.

When they switched their clothes, Elizabeth couldn't seem to look at Denton at first; but he looked at her and was amazed to see that even in blue canvas, she was still beautiful. Then their soup and bread came sliding down the little rail along the long table towards them and stopped suddenly, and he forgot about everything else. They hadn't had a proper meal in three days.

After they had dined they rested for a time. Neither talked—there was nothing to say; and presently they got up and went back to the manageress to learn what they had to do.

After they had eaten, they relaxed for a while. Neither of them spoke—there was nothing to say; and soon they got up and returned to the manager to find out what they needed to do.

The manageress referred to a tablet. "Y'r rooms won't be here; it'll be in the Highbury Ward, Ninety-seventh Way, number two thousand[253] and seventeen. Better make a note of it on y'r card. You, nought nought nought, type seven, sixty-four, b.c.d., gamma forty-one, female; you 'ave to go to the Metal-beating Company and try that for a day—fourpence bonus if ye're satisfactory; and you, nought seven one, type four, seven hundred and nine, g.f.b., pi five and ninety, male; you 'ave to go to the Photographic Company on Eighty-first Way, and learn something or other—I don't know—thrippence. 'Ere's y'r cards. That's all. Next! What? Didn't catch it all? Lor! So suppose I must go over it all again. Why don't you listen? Keerless, unprovident people! One'd think these things didn't matter."

The manager showed a tablet. "Your rooms won’t be here; they’ll be in the Highbury Ward, Ninety-seventh Way, number two thousand[253] and seventeen. You should jot it down on your card. You, zero zero zero, type seven, sixty-four, b.c.d., gamma forty-one, female; you need to go to the Metal-beating Company and try that for a day—fourpence bonus if you do well; and you, zero seven one, type four, seven hundred and nine, g.f.b., pi five and ninety, male; you need to go to the Photographic Company on Eighty-first Way, and learn something or other—I don’t know—three pence. Here are your cards. That’s it. Next! What? Didn’t catch all of that? Goodness! I guess I’ll have to go over it again. Why don’t you pay attention? Careless, unthinking people! One would think these things didn’t matter."

Their ways to their work lay together for a time. And now they found they could talk. Curiously enough, the worst of their depression seemed over now that they had actually donned the blue. Denton could talk with interest even of the work that lay before them. "Whatever it is," he said, "it can't be so hateful as that hat shop. And after we have paid for Dings, we shall still have a whole penny a day between us even now. Afterwards—we may improve,—get more money."

Their path to work lined up for a while. And now they realized they could chat. Interestingly, the worst of their sadness seemed to lift now that they had actually put on the blue. Denton could even discuss the tasks ahead with some enthusiasm. "Whatever it is," he said, "it can't be as terrible as that hat shop. And after we pay for Dings, we'll still have a whole penny a day to share even now. Later—we might improve—make more money."

Elizabeth was less inclined to speech. "I[254] wonder why work should seem so hateful," she said.

Elizabeth was less inclined to talk. "I[254] wonder why work should feel so awful," she said.

"It's odd," said Denton. "I suppose it wouldn't be if it were not the thought of being ordered about.... I hope we shall have decent managers."

"It’s strange," said Denton. "I guess it wouldn’t be if I didn’t have the feeling of being told what to do.... I really hope we get some good managers."

Elizabeth did not answer. She was not thinking of that. She was tracing out some thoughts of her own.

Elizabeth didn’t respond. She wasn’t thinking about that. She was lost in her own thoughts.

"Of course," she said presently, "we have been using up work all our lives. It's only fair—"

"Of course," she said after a moment, "we've been using up work all our lives. It's only fair—"

She stopped. It was too intricate.

She stopped. It was too complicated.

"We paid for it," said Denton, for at that time he had not troubled himself about these complicated things.

"We paid for it," Denton said, because at that moment he hadn't bothered himself with these complicated matters.

"We did nothing—and yet we paid for it. That's what I cannot understand."

"We did nothing—and yet we paid for it. That's what I can't understand."

"Perhaps we are paying," said Elizabeth presently—for her theology was old-fashioned and simple.

"Maybe we're paying," Elizabeth said at that moment—her beliefs were traditional and straightforward.

Presently it was time for them to part, and each went to the appointed work. Denton's was to mind a complicated hydraulic press that seemed almost an intelligent thing. This press worked by the sea-water that was destined finally to flush the city drains—for the world had long since abandoned the folly of pouring[255] drinkable water into its sewers. This water was brought close to the eastward edge of the city by a huge canal, and then raised by an enormous battery of pumps into reservoirs at a level of four hundred feet above the sea, from which it spread by a billion arterial branches over the city. Thence it poured down, cleansing, sluicing, working machinery of all sorts, through an infinite variety of capillary channels into the great drains, the cloacae maximae, and so carried the sewage out to the agricultural areas that surrounded London on every side.

Right now, it was time for them to go their separate ways, and each headed to their assigned tasks. Denton’s job was to oversee a complex hydraulic press that almost seemed alive. This press operated using seawater that was ultimately meant to flush the city’s drains—since the world had long ago stopped the ridiculous practice of sending drinkable water into sewers. This seawater was brought close to the eastern edge of the city by a massive canal, then pumped up by a huge array of pumps into reservoirs located four hundred feet above sea level, from which it distributed through billions of arterial branches across the city. From there, it flowed down, cleaning, washing, and powering all sorts of machinery, through a vast array of tiny channels into the major drains, the cloacae maximae, and thus carried the sewage out to the farmland that surrounded London on all sides.

The press was employed in one of the processes of the photographic manufacture, but the nature of the process it did not concern Denton to understand. The most salient fact to his mind was that it had to be conducted in ruby light, and as a consequence the room in which he worked was lit by one coloured globe that poured a lurid and painful illumination about the room. In the darkest corner stood the press whose servant Denton had now become: it was a huge, dim, glittering thing with a projecting hood that had a remote resemblance to a bowed head, and, squatting like some metal Buddha in this weird light that ministered to its needs, it seemed to Denton in certain moods almost as if this must needs be the obscure idol to which[256] humanity in some strange aberration had offered up his life. His duties had a varied monotony. Such items as the following will convey an idea of the service of the press. The thing worked with a busy clicking so long as things went well; but if the paste that came pouring through a feeder from another room and which it was perpetually compressing into thin plates, changed in quality the rhythm of its click altered and Denton hastened to make certain adjustments. The slightest delay involved a waste of paste and the docking of one or more of his daily pence. If the supply of paste waned—there were hand processes of a peculiar sort involved in its preparation, and sometimes the workers had convulsions which deranged their output—Denton had to throw the press out of gear. In the painful vigilance a multitude of such trivial attentions entailed, painful because of the incessant effort its absence of natural interest required, Denton had now to pass one-third of his days. Save for an occasional visit from the manager, a kindly but singularly foul-mouthed man, Denton passed his working hours in solitude.

The press was used in one of the steps of photographic production, but Denton didn't feel the need to understand the specifics of the process. The most important thing to him was that it had to be done in ruby light, which meant the room he worked in was lit by a single colored bulb that cast a harsh and uncomfortable glow around the space. In the darkest corner stood the press, which he had become a servant to: it was a massive, dim, shiny machine with a hood that vaguely resembled a bowed head, and looking like some metallic Buddha in this strange light that catered to its needs, it sometimes made Denton feel as if it was an obscure idol to which humanity, in a strange twist, had offered up its life. His work had a varied monotony. Items like the following will give you an idea of the press's operations. The machine would click busily as long as everything was running smoothly; but if the paste—coming through a feeder from another room and constantly being compressed into thin plates—changed quality, the rhythm of its clicking would shift, prompting Denton to quickly make adjustments. Any delay meant wasted paste and a reduction in his daily pay. If the supply of paste ran low—thanks to a peculiar hand process involved in making it, and occasional disruptions in output due to workers having convulsions—Denton would have to shut the press down. In the painful vigilance required by all these little tasks, painful because of the relentless effort needed to engage with something that lacked any natural interest, Denton had to spend a third of his days. Aside from an occasional visit from the manager, a kind but particularly foul-mouthed man, Denton spent his working hours alone.

Elizabeth's work was of a more social sort. There was a fashion for covering the private apartments of the very wealthy with metal[257] plates beautifully embossed with repeated patterns. The taste of the time demanded, however, that the repetition of the patterns should not be exact—not mechanical, but "natural"—and it was found that the most pleasing arrangement of pattern irregularity was obtained by employing women of refinement and natural taste to punch out the patterns with small dies. So many square feet of plates was exacted from Elizabeth as a minimum, and for whatever square feet she did in excess she received a small payment. The room, like most rooms of women workers, was under a manageress: men had been found by the Labour Company not only less exacting but extremely liable to excuse favoured ladies from a proper share of their duties. The manageress was a not unkindly, taciturn person, with the hardened remains of beauty of the brunette type; and the other women workers, who of course hated her, associated her name scandalously with one of the metal-work directors in order to explain her position.

Elizabeth's work was more social in nature. There was a trend of decorating the private spaces of the wealthy with metal[257] plates that were beautifully embossed with intricate patterns. However, the taste of the time demanded that the patterns didn't repeat exactly—not mechanically, but in a "natural" way—and it was found that the most pleasing arrangement of irregular patterns was achieved by employing women with refinement and a good eye for design to punch out the patterns using small dies. Elizabeth was required to produce a minimum number of square feet of plates, and for any additional square feet she created, she received a small payment. The room, like most spaces where women worked, was managed by a manageress: men had been found by the Labour Company not only to be less demanding but also quite prone to excuse favored women from doing their fair share of work. The manageress was a somewhat unkind, quiet person, with the faded remnants of brunette beauty; and the other women workers, who naturally disliked her, scandalously linked her name with one of the metal-work directors to justify her position.

Only two or three of Elizabeth's fellow-workers were born labour serfs; plain, morose girls, but most of them corresponded to what the nineteenth century would have called a "reduced" gentlewoman. But the ideal of what[258] constituted a gentlewoman had altered: the faint, faded, negative virtue, the modulated voice and restrained gesture of the old-fashioned gentlewoman had vanished from the earth. Most of her companions showed in discoloured hair, ruined complexions, and the texture of their reminiscent conversations, the vanished glories of a conquering youth. All of these artistic workers were much older than Elizabeth, and two openly expressed their surprise that any one so young and pleasant should come to share their toil. But Elizabeth did not trouble them with her old-world moral conceptions.

Only two or three of Elizabeth's co-workers were born into servitude; they were plain, gloomy girls, but most of them fit what people in the nineteenth century would have called a "reduced" gentlewoman. However, the idea of what[258] defined a gentlewoman had changed: the faint, faded, passive virtues, the soft voice and controlled gestures of the traditional gentlewoman had disappeared. Most of her companions showed signs of their past beauty in their dull hair, damaged skin, and the way they reminisced about their youthful glory. All of these artistic workers were much older than Elizabeth, and two of them openly expressed their surprise that someone so young and cheerful would come to join them in their work. But Elizabeth didn’t burden them with her old-fashioned moral views.

They were permitted, and even encouraged to converse with each other, for the directors very properly judged that anything that conduced to variations of mood made for pleasing fluctuations in their patterning; and Elizabeth was almost forced to hear the stories of these lives with which her own interwove: garbled and distorted they were by vanity indeed and yet comprehensible enough. And soon she began to appreciate the small spites and cliques, the little misunderstandings and alliances that enmeshed about her. One woman was excessively garrulous and descriptive about a wonderful son of hers; another had cultivated a[259] foolish coarseness of speech, that she seemed to regard as the wittiest expression of originality conceivable; a third mused for ever on dress, and whispered to Elizabeth how she saved her pence day after day, and would presently have a glorious day of freedom, wearing ... and then followed hours of description; two others sat always together, and called one another pet names, until one day some little thing happened, and they sat apart, blind and deaf as it seemed to one another's being. And always from them all came an incessant tap, tap, tap, tap, and the manageress listened always to the rhythm to mark if one fell away. Tap, tap, tap, tap: so their days passed, so their lives must pass. Elizabeth sat among them, kindly and quiet, grey-hearted, marvelling at Fate: tap, tap, tap; tap, tap, tap; tap, tap, tap.

They were allowed, and even encouraged, to chat with each other because the directors rightly believed that anything that changed their mood led to enjoyable variations in their behavior. Elizabeth felt almost compelled to listen to the stories of these lives that intertwined with her own: they were twisted and distorted by vanity but still understandable enough. Soon, she began to notice the minor grudges and cliques, the small miscommunications and friendships that surrounded her. One woman talked excessively and in great detail about her amazing son; another affected a kind of crude speech that she considered the height of originality; a third constantly pondered over fashion and whispered to Elizabeth about how she saved her pennies every day, promising a glorious day of freedom when she would wear... and then went on for hours describing it. Two others always sat together, calling each other cute names, until one day something trivial happened, and they sat apart, appearing blind and deaf to each other. And from all of them, there was an endless tap, tap, tap, tap, and the manager listened to the rhythm to see if anyone stopped. Tap, tap, tap, tap: that's how their days went by, and that's how their lives would go. Elizabeth sat among them, kind and quiet, with a heavy heart, marveling at Fate: tap, tap, tap; tap, tap, tap; tap, tap, tap.

So there came to Denton and Elizabeth a long succession of laborious days, that hardened their hands, wove strange threads of some new and sterner substance into the soft prettiness of their lives, and drew grave lines and shadows on their faces. The bright, convenient ways of the former life had receded to an inaccessible distance; slowly they learnt the lesson of the underworld—sombre and laborious, vast and pregnant. There were many little[260] things happened: things that would be tedious and miserable to tell, things that were bitter and grievous to bear—indignities, tyrannies, such as must ever season the bread of the poor in cities; and one thing that was not little, but seemed like the utter blackening of life to them, which was that the child they had given life to sickened and died. But that story, that ancient, perpetually recurring story, has been told so often, has been told so beautifully, that there is no need to tell it over again here. There was the same sharp fear, the same long anxiety, the deferred inevitable blow, and the black silence. It has always been the same; it will always be the same. It is one of the things that must be.

So, Denton and Elizabeth faced a long string of hard days that toughened their hands, wove strange threads of some new and harsher fabric into the soft beauty of their lives, and etched serious lines and shadows on their faces. The bright, easy ways of their former life had faded into an unreachable distance; they gradually learned the lessons of the underworld—dark and labor-intensive, vast and heavy with meaning. Many small things happened: tedious and miserable events, bitter and painful experiences—insults, oppressive situations, the kind that always flavor the bread of the poor in cities; and one thing that was not small, but felt like the complete darkness of life to them, was that the child they had brought into the world fell ill and passed away. But that story, that ancient, ever-repeating tale, has been told so often, has been told so beautifully, that there's no need to recount it here. There was the same sharp fear, the same long anxiety, the looming blow that was inevitable, and the deep silence that followed. It has always been this way; it will always be this way. It is one of those unavoidable realities.

And it was Elizabeth who was the first to speak, after an aching, dull interspace of days: not, indeed, of the foolish little name that was a name no longer, but of the darkness that brooded over her soul. They had come through the shrieking, tumultuous ways of the city together; the clamour of trade, of yelling competitive religions, of political appeal, had beat upon deaf ears; the glare of focussed lights, of dancing letters, and fiery advertisements, had fallen upon the set, miserable faces unheeded. They took their dinner in the dining-hall at a[261] place apart. "I want," said Elizabeth clumsily, "to go out to the flying stages—to that seat. Here, one can say nothing...."

And it was Elizabeth who spoke first after a long, painful stretch of days: not about the silly little name that didn’t mean anything anymore, but about the darkness that hung over her soul. They had navigated the loud, chaotic streets of the city together; the noise of commerce, the shouting of competing religions, and the political rallies had fallen on deaf ears; the bright lights, flashing signs, and fiery advertisements had shone on their drawn, miserable faces without being noticed. They had their dinner in the dining hall at a[261] place apart. "I want," Elizabeth said awkwardly, "to go out to the flying stages—to that seat. Here, you can’t say anything...."

Denton looked at her. "It will be night," he said.

Denton looked at her. "It'll be night," he said.

"I have asked,—it is a fine night." She stopped.

"I’ve asked—it’s a nice night." She paused.

He perceived she could find no words to explain herself. Suddenly he understood that she wished to see the stars once more, the stars they had watched together from the open downland in that wild honeymoon of theirs five years ago. Something caught at his throat. He looked away from her.

He realized she couldn't find the words to express herself. Suddenly, he understood that she wanted to see the stars again, the stars they had watched together from the open fields during their wild honeymoon five years ago. Something clenched at his throat. He looked away from her.

"There will be plenty of time to go," he said, in a matter-of-fact tone.

"There will be plenty of time to go," he said, in a straightforward tone.

And at last they came out to their little seat on the flying stage, and sat there for a long time in silence. The little seat was in shadow, but the zenith was pale blue with the effulgence of the stage overhead, and all the city spread below them, squares and circles and patches of brilliance caught in a mesh-work of light. The little stars seemed very faint and small: near as they had been to the old-world watcher, they had become now infinitely remote. Yet one could see them in the darkened patches amidst the glare, and especially in the northward sky,[262] the ancient constellations gliding steadfast and patient about the pole.

And finally, they stepped out onto their small seat on the flying stage, sitting there in silence for a long time. The little seat was in the shade, but the sky above was a pale blue lit up by the stage lights, and all of the city lay below them, with squares, circles, and patches of brightness caught in a web of light. The tiny stars looked very faint and small; even though they had been close to the old-world observer, they now felt incredibly distant. Yet, one could still see them in the dark areas amidst the bright lights, especially in the northern sky, where the ancient constellations glided steadily and patiently around the pole.[262]

Long our two people sat in silence, and at last Elizabeth sighed.

Long our two people sat in silence, and finally, Elizabeth sighed.

"If I understood," she said, "if I could understand. When one is down there the city seems everything—the noise, the hurry, the voices—you must live, you must scramble. Here—it is nothing; a thing that passes. One can think in peace."

"If I got it," she said, "if I could really get it. When you’re down there, the city seems like everything—the noise, the rush, the voices—you have to survive, you have to push through. Here—it’s nothing; just something that goes by. One can think clearly."

"Yes," said Denton. "How flimsy it all is! From here more than half of it is swallowed by the night.... It will pass."

"Yeah," said Denton. "It's all so fragile! From here, more than half of it is consumed by the night... It'll pass."

"We shall pass first," said Elizabeth.

"We'll go first," Elizabeth said.

"I know," said Denton. "If life were not a moment, the whole of history would seem like the happening of a day.... Yes—we shall pass. And the city will pass, and all the things that are to come. Man and the Overman and wonders unspeakable. And yet ..."

"I know," said Denton. "If life weren't just a moment, all of history would feel like it happened in a single day.... Yes—we will move on. And the city will fade, along with everything that's yet to come. Man and the Overman and unimaginable wonders. And yet ..."

He paused, and then began afresh. "I know what you feel. At least I fancy.... Down there one thinks of one's work, one's little vexations and pleasures, one's eating and drinking and ease and pain. One lives, and one must die. Down there and everyday—our sorrow seemed the end of life....

He stopped for a moment and then started again. "I understand what you're feeling. At least I think I do... Down there, you think about your work, your small annoyances and joys, your eating and drinking, your comfort and discomfort. You live, and you have to die. Down there, in everyday life—our sorrow felt like the end of everything..."

"Up here it is different. For instance, down[263] there it would seem impossible almost to go on living if one were horribly disfigured, horribly crippled, disgraced. Up here—under these stars—none of those things would matter. They don't matter.... They are a part of something. One seems just to touch that something—under the stars...."

"Up here, things are different. For example, down[263] there, it would seem almost impossible to keep living if someone were terribly disfigured, severely disabled, or disgraced. But up here—under these stars—none of that matters. It doesn't matter.... They’re all part of something bigger. It feels like you just reach out and touch that something—under the stars...."

He stopped. The vague, impalpable things in his mind, cloudy emotions half shaped towards ideas, vanished before the rough grasp of words. "It is hard to express," he said lamely.

He stopped. The unclear, intangible thoughts in his mind, blurry feelings only partially formed into ideas, disappeared under the harsh grip of words. "It’s hard to express," he said awkwardly.

They sat through a long stillness.

They sat in a long silence.

"It is well to come here," he said at last. "We stop—our minds are very finite. After all we are just poor animals rising out of the brute, each with a mind, the poor beginning of a mind. We are so stupid. So much hurts. And yet ...

"It’s good to be here," he finally said. "We pause—our minds are really limited. After all, we’re just simple creatures emerging from the beast, each with a mind, just the start of a mind. We’re so foolish. So much causes us pain. And yet ...

"I know, I know—and some day we shall see.

"I know, I know—and someday we will see."

"All this frightful stress, all this discord will resolve to harmony, and we shall know it. Nothing is but it makes for that. Nothing. All the failures—every little thing makes for that harmony. Everything is necessary to it, we shall find. We shall find. Nothing, not even the most dreadful thing, could be left out.[264] Not even the most trivial. Every tap of your hammer on the brass, every moment of work, my idleness even ... Dear one! every movement of our poor little one ... All these things go on for ever. And the faint impalpable things. We, sitting here together.—Everything ...

"All this terrible stress, all this conflict will turn into harmony, and we will understand it. Nothing exists that doesn't lead to that. Nothing. All the failures—every little thing contributes to that harmony. Everything is necessary for it, we will discover. We will discover. Nothing, not even the worst thing, could be excluded.[264] Not even the most insignificant. Every tap of your hammer on the brass, every moment of work, even my idleness ... Dear one! every movement of our little one ... All these things go on forever. And the subtle, intangible things. We, sitting here together.—Everything ...

"The passion that joined us, and what has come since. It is not passion now. More than anything else it is sorrow. Dear ..."

"The passion that brought us together, and what has happened since. It's no longer passion. More than anything else, it's sadness. Dear ..."

He could say no more, could follow his thoughts no further.

He couldn’t say anything more, and he couldn’t think any further.

Elizabeth made no answer—she was very still; but presently her hand sought his and found it.

Elizabeth didn’t say anything—she was very still; but soon her hand reached for his and found it.

IV—UNDERNEATH

Under the stars one may reach upward and touch resignation, whatever the evil thing may be, but in the heat and stress of the day's work we lapse again, come disgust and anger and intolerable moods. How little is all our magnanimity—an accident! a phase! The very Saints of old had first to flee the world. And Denton and his Elizabeth could not flee their world, no longer were there open roads to unclaimed lands where men might live freely—however hardly—and keep their souls in peace. The city had swallowed up mankind.[265]

Under the stars, you can reach up and touch acceptance, no matter what the challenging thing is, but in the heat and pressure of daily life, we fall back into disgust, anger, and unbearable moods. Our generosity means so little—it’s just a coincidence! A phase! Even the ancient Saints had to escape the world first. And Denton and Elizabeth couldn’t escape their world; there were no longer open roads to unclaimed lands where people could live freely—no matter how difficult—and keep their souls at peace. The city had consumed humanity.[265]

For a time these two Labour Serfs were kept at their original occupations, she at her brass stamping and Denton at his press; and then came a move for him that brought with it fresh and still bitterer experiences of life in the underways of the great city. He was transferred to the care of a rather more elaborate press in the central factory of the London Tile Trust.

For a while, these two laborers were kept in their original jobs, she working with brass stamping and Denton at his press; then came a change for him that brought even harsher experiences of life in the depths of the big city. He was moved to operate a more sophisticated press at the central factory of the London Tile Trust.

In this new situation he had to work in a long vaulted room with a number of other men, for the most part born Labour Serfs. He came to this intercourse reluctantly. His upbringing had been refined, and, until his ill fortune had brought him to that costume, he had never spoken in his life, except by way of command or some immediate necessity, to the white-faced wearers of the blue canvas. Now at last came contact; he had to work beside them, share their tools, eat with them. To both Elizabeth and himself this seemed a further degradation.

In this new situation, he had to work in a long, vaulted room with several other men, most of whom were born as laborers. He approached this interaction hesitantly. His upbringing had been refined, and before his misfortune brought him to this position, he had never spoken to the pale-faced wearers of the blue canvas except to give commands or for immediate needs. Now, he finally had to engage with them; he had to work alongside them, share their tools, and eat with them. For both Elizabeth and himself, this felt like another step down.

His taste would have seemed extreme to a man of the nineteenth century. But slowly and inevitably in the intervening years a gulf had opened between the wearers of the blue canvas and the classes above, a difference not simply of circumstances and habits of life, but of habits of thought—even of language. The underways had developed a dialect of their[266] own: above, too, had arisen a dialect, a code of thought, a language of "culture," which aimed by a sedulous search after fresh distinction to widen perpetually the space between itself and "vulgarity." The bond of a common faith, moreover, no longer held the race together. The last years of the nineteenth century were distinguished by the rapid development among the prosperous idle of esoteric perversions of the popular religion: glosses and interpretations that reduced the broad teachings of the carpenter of Nazareth to the exquisite narrowness of their lives. And, spite of their inclination towards the ancient fashion of living, neither Elizabeth nor Denton had been sufficiently original to escape the suggestion of their surroundings. In matters of common behaviour they had followed the ways of their class, and so when they fell at last to be Labour Serfs it seemed to them almost as though they were falling among offensive inferior animals; they felt as a nineteenth-century duke and duchess might have felt who were forced to take rooms in the Jago.

His taste would have seemed extreme to someone from the nineteenth century. But over the years, a gap had formed between the people in blue canvas clothing and those above them, a difference not just in circumstances and lifestyles, but in ways of thinking—even in language. The lower classes had developed their own dialect; similarly, a language of "culture" had emerged among the upper classes, aimed at constantly widening the gap between itself and "vulgarity." The shared faith that once united people no longer held them together. The late nineteenth century was marked by the rapid rise among the wealthy and idle of twisted interpretations of mainstream religion: insights that reduced the broad teachings of the carpenter from Nazareth to the intricate limitations of their lives. And despite their tendency to cling to old ways, neither Elizabeth nor Denton had been unique enough to escape the influence of their environment. In terms of common behavior, they had conformed to their class's norms, so when they eventually found themselves as Labor Serfs, it felt to them almost like mingling with repulsive inferior creatures; they felt much like a nineteenth-century duke and duchess might feel if forced to rent a room in the Jago.

Their natural impulse was to maintain a "distance." But Denton's first idea of a dignified isolation from his new surroundings was soon rudely dispelled. He had imagined that[267] his fall to the position of a Labour Serf was the end of his lesson, that when their little daughter had died he had plumbed the deeps of life; but indeed these things were only the beginning. Life demands something more from us than acquiescence. And now in a roomful of machine minders he was to learn a wider lesson, to make the acquaintance of another factor in life, a factor as elemental as the loss of things dear to us, more elemental even than toil.

Their natural instinct was to keep a "distance." But Denton's initial idea of a dignified detachment from his new surroundings was soon shattered. He thought that his fall to the role of a Labor Serf marked the end of his lessons, that after their little daughter had died, he had hit rock bottom; but in reality, these experiences were only the beginning. Life demands more from us than just acceptance. And now, in a room full of machine operators, he was about to learn a broader lesson—becoming aware of another aspect of life, an aspect as fundamental as losing what is precious to us, even more fundamental than hard work.

His quiet discouragement of conversation was an immediate cause of offence—was interpreted, rightly enough I fear, as disdain. His ignorance of the vulgar dialect, a thing upon which he had hitherto prided himself, suddenly took upon itself a new aspect. He failed to perceive at once that his reception of the coarse and stupid but genially intended remarks that greeted his appearance must have stung the makers of these advances like blows in their faces. "Don't understand," he said rather coldly, and at hazard, "No, thank you."

His quiet discouragement of conversation immediately offended people—it was interpreted, quite rightly I’m afraid, as disdain. His ignorance of the common dialect, something he had always prided himself on, suddenly looked different. He didn’t immediately realize that his reaction to the crude and foolish but friendly remarks aimed at him must have hit those who made them like blows to the face. "I don’t understand," he said rather coldly and randomly, "No, thank you."

The man who had addressed him stared, scowled, and turned away.

The man who had spoken to him glanced, frowned, and walked away.

A second, who also failed at Denton's unaccustomed ear, took the trouble to repeat his remark, and Denton discovered he was being offered the use of an oil can. He expressed polite[268] thanks, and this second man embarked upon a penetrating conversation. Denton, he remarked, had been a swell, and he wanted to know how he had come to wear the blue. He clearly expected an interesting record of vice and extravagance. Had Denton ever been at a Pleasure City? Denton was speedily to discover how the existence of these wonderful places of delight permeated and defiled the thought and honour of these unwilling, hopeless workers of the underworld.

A second guy, who also struggled to hear Denton, made an effort to repeat his comment, and Denton realized he was being offered an oil can. He politely thanked him and this second guy started a deep conversation. He mentioned that Denton had been someone important and wanted to know how he ended up in a uniform. He clearly expected an intriguing story full of bad behavior and lavishness. Had Denton ever been to a Pleasure City? Denton was quickly going to find out how the existence of these amazing places of enjoyment affected and corrupted the minds and integrity of these unwilling, hopeless workers from the underworld.

His aristocratic temperament resented these questions. He answered "No" curtly. The man persisted with a still more personal question, and this time it was Denton who turned away.

His aristocratic temperament was irritated by these questions. He replied "No" sharply. The man continued with an even more personal question, and this time it was Denton who looked away.

"Gorblimey!" said his interlocutor, much astonished.

"Gosh!" said his conversation partner, quite amazed.

It presently forced itself upon Denton's mind that this remarkable conversation was being repeated in indignant tones to more sympathetic hearers, and that it gave rise to astonishment and ironical laughter. They looked at Denton with manifestly enhanced interest. A curious perception of isolation dawned upon him. He tried to think of his press and its unfamiliar peculiarities....

It suddenly struck Denton that this incredible conversation was being recounted in angry tones to more understanding listeners, leading to surprise and sarcastic laughter. They were looking at Denton with noticeably increased curiosity. A strange sense of isolation began to grow within him. He attempted to focus on his press and its strange quirks....

The machines kept everybody pretty busy[269] during the first spell, and then came a recess. It was only an interval for refreshment, too brief for any one to go out to a Labour Company dining-room. Denton followed his fellow-workers into a short gallery, in which were a number of bins of refuse from the presses.

The machines kept everyone pretty busy[269] during the first stretch, and then there was a break. It was just a quick break for refreshments, too short for anyone to go out to a Labour Company dining room. Denton followed his coworkers into a small hallway, where there were several bins of waste from the presses.

Each man produced a packet of food. Denton had no packet. The manager, a careless young man who held his position by influence, had omitted to warn Denton that it was necessary to apply for this provision. He stood apart, feeling hungry. The others drew together in a group and talked in undertones, glancing at him ever and again. He became uneasy. His appearance of disregard cost him an increasing effort. He tried to think of the levers of his new press.

Each man brought a packet of food. Denton didn’t have one. The manager, a laid-back young man who kept his job through connections, forgot to let Denton know that he needed to request this supply. He stood off to the side, feeling hungry. The others gathered in a group, speaking quietly, glancing at him from time to time. He felt uneasy. Maintaining his indifferent look was becoming harder. He tried to focus on the levers of his new press.

Presently one, a man shorter but much broader and stouter than Denton, came forward to him. Denton turned to him as unconcernedly as possible. "Here!" said the delegate—as Denton judged him to be—extending a cube of bread in a not too clean hand. He had a swart, broad-nosed face, and his mouth hung down towards one corner.

Right now, a man who was shorter but much wider and sturdier than Denton stepped up to him. Denton turned to him as casually as he could. "Here!" said the delegate—Denton figured that's what he was—holding out a piece of bread in a not-so-clean hand. He had a dark, broad-nosed face, and his mouth drooped down toward one corner.

Denton felt doubtful for the instant whether this was meant for civility or insult. His impulse was to decline. "No, thanks," he said;[270] and, at the man's change of expression, "I'm not hungry."

Denton felt unsure for a moment whether this was meant as a polite gesture or an insult. He instinctively wanted to say no. "No, thanks," he replied;[270] and seeing the man's shifted expression, he added, "I'm not hungry."

There came a laugh from the group behind. "Told you so," said the man who had offered Denton the loan of an oil can. "He's top side, he is. You ain't good enough for 'im."

There was laughter from the group behind. "I told you so," said the man who had lent Denton the oil can. "He's on top, he is. You're not good enough for him."

The swart face grew a shade darker.

The dark face became a little darker.

"Here," said its owner, still extending the bread, and speaking in a lower tone; "you got to eat this. See?"

"Here," said its owner, still holding out the bread and speaking more quietly, "you need to eat this. Got it?"

Denton looked into the threatening face before him, and odd little currents of energy seemed to be running through his limbs and body.

Denton stared at the intimidating face in front of him, and strange little bursts of energy felt like they were coursing through his limbs and body.

"I don't want it," he said, trying a pleasant smile that twitched and failed.

"I don't want it," he said, forcing a friendly smile that wavered and fell flat.

The thickset man advanced his face, and the bread became a physical threat in his hand. Denton's mind rushed together to the one problem of his antagonist's eyes.

The stocky man leaned forward, and the bread in his hand felt like a physical threat. Denton's mind focused on the single issue of his opponent's eyes.

"Eat it," said the swart man.

"Eat it," said the dark-skinned man.

There came a pause, and then they both moved quickly. The cube of bread described a complicated path, a curve that would have ended in Denton's face; and then his fist hit the wrist of the hand that gripped it, and it flew upward, and out of the conflict—its part played.[271]

There was a brief silence, and then they both reacted fast. The piece of bread took a complicated route, arcing toward Denton's face; then his fist struck the wrist of the hand holding it, sending it flying upward and out of the mess—its role finished.[271]

He stepped back quickly, fists clenched and arms tense. The hot, dark countenance receded, became an alert hostility, watching its chance. Denton for one instant felt confident, and strangely buoyant and serene. His heart beat quickly. He felt his body alive, and glowing to the tips.

He quickly stepped back, fists clenched and arms tense. The intense, dark expression faded, turning into a watchful hostility, looking for its moment. For a brief moment, Denton felt confident, oddly uplifted, and calm. His heart raced. He felt his body alive and buzzing at every part.

"Scrap, boys!" shouted some one, and then the dark figure had leapt forward, ducked back and sideways, and come in again. Denton struck out, and was hit. One of his eyes seemed to him to be demolished, and he felt a soft lip under his fist just before he was hit again—this time under the chin. A huge fan of fiery needles shot open. He had a momentary persuasion that his head was knocked to pieces, and then something hit his head and back from behind, and the fight became an uninteresting, an impersonal thing.

"Scrap, boys!" someone shouted, and then the dark figure lunged forward, ducked back and to the side, and then came in again. Denton swung a punch but ended up getting hit. One of his eyes felt totally wrecked, and he sensed a soft lip under his fist right before he took another hit—this time under the chin. A massive burst of fiery needles exploded in his vision. For a brief moment, he felt like his head was shattering, and then something struck the back of his head, and the fight turned into a bland, impersonal experience.

He was aware that time—seconds or minutes—had passed, abstract, uneventful time. He was lying with his head in a heap of ashes, and something wet and warm ran swiftly into his neck. The first shock broke up into discrete sensations. All his head throbbed; his eye and his chin throbbed exceedingly, and the taste of blood was in his mouth.[272]

He realized that time—whether it was seconds or minutes—had gone by, empty and uneventful time. He was lying with his head in a pile of ashes, and something wet and warm quickly ran down into his neck. The initial shock broke into distinct sensations. His entire head was throbbing; his eye and chin throbbed intensely, and he could taste blood in his mouth.[272]

"He's all right," said a voice. "He's opening his eyes."

"He's okay," said a voice. "He's opening his eyes."

"Serve him——well right," said a second.

"Serve him—sounds great," said another.

His mates were standing about him. He made an effort and sat up. He put his hand to the back of his head, and his hair was wet and full of cinders. A laugh greeted the gesture. His eye was partially closed. He perceived what had happened. His momentary anticipation of a final victory had vanished.

His friends were gathered around him. He pushed himself up and sat up. He touched the back of his head, and his hair was wet and full of ashes. Laughter followed his move. One of his eyes was half-closed. He realized what had happened. His brief hope for a final win had faded away.

"Looks surprised," said some one.

"Looks surprised," someone said.

"'Ave any more?" said a wit; and then, imitating Denton's refined accent.

"'Got any more?" said a clever guy; and then, mimicking Denton's posh accent.

"No, thank you."

"No, thanks."

Denton perceived the swart man with a blood-stained handkerchief before his face, and somewhat in the background.

Denton saw the dark-skinned man with a blood-stained handkerchief covering his face, slightly in the background.

"Where's that bit of bread he's got to eat?" said a little ferret-faced creature; and sought with his foot in the ashes of the adjacent bin.

"Where's that piece of bread he needs to eat?" said a small, ferret-faced creature as he searched with his foot in the ashes of the nearby bin.

Denton had a moment of internal debate. He knew the code of honour requires a man to pursue a fight he has begun to the bitter end; but this was his first taste of the bitterness. He was resolved to rise again, but he felt no passionate impulse. It occurred to him—and the thought was no very violent spur—that he was perhaps[273] after all a coward. For a moment his will was heavy, a lump of lead.

Denton had a moment of internal debate. He knew that the code of honor required a man to see a fight he started through to the bitter end, but this was his first experience of that bitterness. He was determined to get back up, but he didn’t feel any passionate drive. It occurred to him—and the thought wasn’t particularly intense—that he might actually be a coward. For a moment, his will felt heavy, like a lump of lead.

"'Ere it is," said the little ferret-faced man, and stooped to pick up a cindery cube. He looked at Denton, then at the others.

"'Here it is," said the little ferret-faced man, and bent down to pick up a cindery cube. He glanced at Denton, then at the others.

Slowly, unwillingly, Denton stood up.

Denton stood up slowly, reluctantly.

A dirty-faced albino extended a hand to the ferret-faced man. "Gimme that toke," he said. He advanced threateningly, bread in hand, to Denton. "So you ain't 'ad your bellyful yet," he said. "Eh?"

A dirty-faced albino reached out to the ferret-faced man. "Give me that hit," he said. He stepped up menacingly, bread in hand, toward Denton. "So you haven't had enough yet," he said. "Right?"

Now it was coming. "No, I haven't," said Denton, with a catching of the breath, and resolved to try this brute behind the ear before he himself got stunned again. He knew he would be stunned again. He was astonished how ill he had judged himself beforehand. A few ridiculous lunges, and down he would go again. He watched the albino's eyes. The albino was grinning confidently, like a man who plans an agreeable trick. A sudden perception of impending indignities stung Denton.

Now it was happening. "No, I haven't," Denton said, taking a breath, and he decided to try hitting this brute behind the ear before he got knocked out again. He knew he was going to get knocked out again. He was amazed at how poorly he had assessed himself earlier. Just a few silly lunges, and he would be down again. He kept an eye on the albino's gaze. The albino was grinning confidently, like someone who has a clever trick up their sleeve. A sudden realization of the humiliation he was about to face hit Denton hard.

"You leave 'im alone, Jim," said the swart man suddenly over the blood-stained rag. "He ain't done nothing to you."

"You leave him alone, Jim," the dark man suddenly said over the blood-stained rag. "He hasn't done anything to you."

The albino's grin vanished. He stopped. He looked from one to the other. It seemed to Denton that the swart man demanded the[274] privilege of his destruction. The albino would have been better.

The albino's smile disappeared. He froze. He glanced from one person to the other. To Denton, it looked like the dark-skinned man was insisting on the[274] right to bring about his destruction. The albino would have been a better choice.

"You leave 'im alone," said the swart man. "See? 'E's 'ad 'is licks."

"You leave him alone," said the dark-skinned man. "See? He's had his share of beatings."

A clattering bell lifted up its voice and solved the situation. The albino hesitated. "Lucky for you," he said, adding a foul metaphor, and turned with the others towards the press-room again. "Wait for the end of the spell, mate," said the albino over his shoulder—an afterthought. The swart man waited for the albino to precede him. Denton realised that he had a reprieve.

A ringing bell chimed and resolved the situation. The albino hesitated. "You're lucky," he said, adding a crude metaphor, and turned back with the others toward the press room. "Wait for the end of the spell, buddy," the albino called back—an afterthought. The dark-skinned man waited for the albino to go ahead of him. Denton realized he had been given a reprieve.

The men passed towards an open door. Denton became aware of his duties, and hurried to join the tail of the queue. At the doorway of the vaulted gallery of presses a yellow-uniformed labour policeman stood ticking a card. He had ignored the swart man's hæmorrhage.

The men moved toward an open door. Denton realized his responsibilities and quickly joined the end of the line. At the entrance to the vaulted gallery of presses, a labor policeman in a yellow uniform stood checking off a card. He had overlooked the dark-skinned man’s bleeding.

"Hurry up there!" he said to Denton.

"Hurry up!" he said to Denton.

"Hello!" he said, at the sight of his facial disarray. "Who's been hitting you?"

"Hey!" he said, seeing his messed-up face. "Who’s been hitting you?"

"That's my affair," said Denton.

"That's my business," said Denton.

"Not if it spiles your work, it ain't," said the man in yellow. "You mind that."

"Not if it ruins your work, it won't," said the man in yellow. "Keep that in mind."

Denton made no answer. He was a rough—a labourer. He wore the blue canvas. The[275] laws of assault and battery, he knew, were not for the likes of him. He went to his press.

Denton didn’t reply. He was a tough guy—a laborer. He wore blue overalls. The[275] laws about assault and battery, he understood, weren’t meant for someone like him. He headed to his press.

He could feel the skin of his brow and chin and head lifting themselves to noble bruises, felt the throb and pain of each aspiring contusion. His nervous system slid down to lethargy; at each movement in his press adjustment he felt he lifted a weight. And as for his honour—that too throbbed and puffed. How did he stand? What precisely had happened in the last ten minutes? What would happen next? He knew that here was enormous matter for thought, and he could not think save in disordered snatches.

He could feel the skin on his forehead, chin, and head tightening into painful bruises, sensing the throb and ache of each rising contusion. His nervous system slumped into fatigue; with every adjustment he made, it felt like he was lifting a heavy weight. And as for his honor—that too ached and swelled. How was he standing? What exactly had happened in the last ten minutes? What would come next? He realized there was a lot to think about, but he could only process it in scattered fragments.

His mood was a sort of stagnant astonishment. All his conceptions were overthrown. He had regarded his security from physical violence as inherent, as one of the conditions of life. So, indeed, it had been while he wore his middle-class costume, had his middle-class property to serve for his defence. But who would interfere among Labour roughs fighting together? And indeed in those days no man would. In the Underworld there was no law between man and man; the law and machinery of the state had become for them something that held men down, fended them off from much desirable property and pleasure, and that[276] was all. Violence, that ocean in which the brutes live for ever, and from which a thousand dykes and contrivances have won our hazardous civilised life, had flowed in again upon the sinking underways and submerged them. The fist ruled. Denton had come right down at last to the elemental—fist and trick and the stubborn heart and fellowship—even as it was in the beginning.

His mood was a kind of stagnant shock. All his beliefs were shattered. He had thought his protection from physical violence was a given, one of the conditions of life. Well, it had been while he wore his middle-class clothes and had middle-class assets to defend him. But who would step in during a brawl among rough workers? And honestly, back then, no one would. In the Underworld, there was no law between people; the law and the state's machinery had become to them just something that held them down, keeping them away from a lot of desirable property and pleasure, and that[276] was all. Violence, that ocean where brutes live forever, and from which countless barriers and devices have carved out our risky civilized life, had surged back in, flooding the hidden depths and drowning them. The fist ruled. Denton had finally come down to the basic elements—fist and trick and the stubborn heart and camaraderie—just like it was in the beginning.

The rhythm of his machine changed, and his thoughts were interrupted.

The rhythm of his machine changed, and his thoughts were interrupted.

Presently he could think again. Strange how quickly things had happened! He bore these men who had thrashed him no very vivid ill-will. He was bruised and enlightened. He saw with absolute fairness now the reasonableness of his unpopularity. He had behaved like a fool. Disdain, seclusion, are the privilege of the strong. The fallen aristocrat still clinging to his pointless distinction is surely the most pitiful creature of pretence in all this clamant universe. Good heavens! what was there for him to despise in these men?

Right now, he could think clearly again. It was strange how fast everything had changed! He didn't really harbor any strong resentment towards the guys who had beaten him up. He felt bruised but also enlightened. He now saw the fairness in why he was unpopular. He had acted like a fool. Disdain and isolation are the privileges of the strong. The fallen aristocrat who still holds onto his meaningless status is surely the most pathetic pretender in this noisy universe. Good grief! What was there for him to look down on in these guys?

What a pity he had not appreciated all this better five hours ago!

What a shame he didn't appreciate all of this better five hours ago!

What would happen at the end of the spell? He could not tell. He could not imagine. He could not imagine the thoughts of these men.[277] He was sensible only of their hostility and utter want of sympathy. Vague possibilities of shame and violence chased one another across his mind. Could he devise some weapon? He recalled his assault upon the hypnotist, but there were no detachable lamps here. He could see nothing that he could catch up in his defence.

What would happen when the spell ended? He had no idea. He couldn’t even picture it. He couldn’t understand what these men were thinking.[277] All he felt was their hostility and complete lack of sympathy. Vague thoughts of shame and violence raced through his mind. Could he come up with some kind of weapon? He remembered his attack on the hypnotist, but there were no lamps he could take apart here. He couldn’t see anything he could grab for his defense.

For a space he thought of a headlong bolt for the security of the public ways directly the spell was over. Apart from the trivial consideration of his self-respect, he perceived that this would be only a foolish postponement and aggravation of his trouble. He perceived the ferret-faced man and the albino talking together with their eyes towards him. Presently they were talking to the swart man, who stood with his broad back studiously towards Denton.

For a moment, he imagined making a sudden move to secure the public paths right after the spell ended. Besides the minor issue of his own pride, he realized that this would just be a silly delay and would only make his problems worse. He noticed the weasel-faced man and the albino chatting while watching him. Soon, they were speaking to the dark-skinned man, who stood with his broad back deliberately turned to Denton.

At last came the end of the second spell. The lender of oil cans stopped his press sharply and turned round, wiping his mouth with the back of his hand. His eyes had the quiet expectation of one who seats himself in a theatre.

At last, the second spell was over. The person lending the oil cans abruptly stopped his press and turned around, wiping his mouth with the back of his hand. His eyes held the calm anticipation of someone settling into a theater seat.

Now was the crisis, and all the little nerves of Denton's being seemed leaping and dancing. He had decided to show fight if any fresh indignity was offered him. He stopped his press and turned. With an enormous affectation of[278] ease he walked down the vault and entered the passage of the ash pits, only to discover he had left his jacket—which he had taken off because of the heat of the vault—beside his press. He walked back. He met the albino eye to eye.

Now was the crisis, and every little nerve in Denton's body felt like it was jumping and dancing. He had decided to stand up for himself if any new insult was thrown his way. He stopped his press and turned. With an exaggerated air of[278] confidence, he strolled down the vault and entered the ash pit passage, only to realize he had left his jacket— which he had taken off because of the heat in the vault—next to his press. He walked back. He encountered the albino eye to eye.

He heard the ferret-faced man in expostulation. "'E reely ought, eat it," said the ferret-faced man. "'E did reely."

He heard the weasel-faced man arguing. "He really should, eat it," said the weasel-faced man. "He really did."

"No—you leave 'im alone," said the swart man.

"No—you leave him alone," said the dark-skinned man.

Apparently nothing further was to happen to him that day. He passed out to the passage and staircase that led up to the moving platforms of the city.

Apparently nothing more was going to happen to him that day. He stepped out into the hallway and climbed the stairs that led up to the city's moving platforms.

He emerged on the livid brilliance and streaming movement of the public street. He became acutely aware of his disfigured face, and felt his swelling bruises with a limp, investigatory hand. He went up to the swiftest platform, and seated himself on a Labour Company bench.

He appeared on the bright, chaotic public street. He became painfully aware of his disfigured face and felt his swollen bruises with a weak, exploring hand. He went to the fastest platform and sat down on a Labour Company bench.

He lapsed into a pensive torpor. The immediate dangers and stresses of his position he saw with a sort of static clearness. What would they do to-morrow? He could not tell. What would Elizabeth think of his brutalisation? He could not tell. He was exhausted. He was aroused presently by a hand upon his arm.[279]

He fell into a thoughtful daze. He viewed the immediate dangers and stresses of his situation with a kind of unchanging clarity. What would happen tomorrow? He had no idea. What would Elizabeth think of his harshness? He couldn’t say. He was worn out. He was eventually brought back to reality by a hand on his arm.[279]

He looked up, and saw the swart man seated beside him. He started. Surely he was safe from violence in the public way!

He looked up and saw the dark-skinned man sitting next to him. He jumped back. Surely, he was safe from violence in a public place!

The swart man's face retained no traces of his share in the fight; his expression was free from hostility—seemed almost deferential. "'Scuse me," he said, with a total absence of truculence. Denton realised that no assault was intended. He stared, awaiting the next development.

The dark-skinned man's face showed no signs of his involvement in the fight; his expression was free of hostility and almost seemed respectful. "'Excuse me," he said, with no hint of aggression. Denton realized that no attack was meant. He stared, waiting for the next development.

It was evident the next sentence was premeditated. "Whad—I—was—going—to say—was this," said the swart man, and sought through a silence for further words.

It was clear that the next sentence was planned out. "What I was going to say was this," said the dark-skinned man, pausing to find more words.

"Whad—I—was—going—to say—was this," he repeated.

"Whad— I— was— going— to say— was this," he repeated.

Finally he abandoned that gambit. "You're aw right," he cried, laying a grimy hand on Denton's grimy sleeve. "You're aw right. You're a ge'man. Sorry—very sorry. Wanted to tell you that."

Finally he gave up on that tactic. "You're right," he said, putting a dirty hand on Denton's dirty sleeve. "You're right. You're a gentleman. Sorry—really sorry. Just wanted to let you know that."

Denton realised that there must exist motives beyond a mere impulse to abominable proceedings in the man. He meditated, and swallowed an unworthy pride.

Denton realized that there had to be reasons beyond just an impulse for terrible actions in the man. He thought it over and swallowed his undeserved pride.

"I did not mean to be offensive to you," he said, "in refusing that bit of bread."

"I didn't mean to offend you," he said, "by refusing that piece of bread."

"Meant it friendly," said the swart man, recalling[280] the scene; "but—in front of that blarsted Whitey and his snigger—Well—I 'ad to scrap."

"Meant it friendly," said the dark-skinned man, remembering the scene; "but—in front of that damn Whitey and his smirk—Well—I had to fight."

"Yes," said Denton with sudden fervour: "I was a fool."

"Yeah," Denton said suddenly, full of emotion. "I was an idiot."

"Ah!" said the swart man, with great satisfaction. "That's aw right. Shake!"

"Ah!" said the dark-skinned man, with great satisfaction. "That's all right. Shake!"

And Denton shook.

And Denton trembled.

The moving platform was rushing by the establishment of a face moulder, and its lower front was a huge display of mirror, designed to stimulate the thirst for more symmetrical features. Denton caught the reflection of himself and his new friend, enormously twisted and broadened. His own face was puffed, one-sided, and blood-stained; a grin of idiotic and insincere amiability distorted its latitude. A wisp of hair occluded one eye. The trick of the mirror presented the swart man as a gross expansion of lip and nostril. They were linked by shaking hands. Then abruptly this vision passed—to return to memory in the anæmic meditations of a waking dawn.

The moving platform rushed past a face moulder, and its lower front was a large mirror meant to encourage the desire for more symmetrical features. Denton caught a glimpse of himself and his new friend, both looking exaggerated and distorted. His own face was swollen, lopsided, and stained with blood; a foolish and fake grin twisted its proportions. A stray hair covered one eye. The mirror made the dark-skinned man appear as a gross exaggeration of his lips and nostrils. They were connected by a handshake. Then, suddenly, this image faded away—only to resurface in the weak reflections of his thoughts at dawn.

As he shook, the swart man made some muddled remark, to the effect that he had always known he could get on with a gentleman if one came his way. He prolonged the shaking until Denton, under the influence of the mirror,[281] withdrew his hand. The swart man became pensive, spat impressively on the platform, and resumed his theme.

As he was shaking hands, the dark-skinned man said something confused, suggesting that he always knew he could get along with a gentleman if one crossed his path. He held on to the handshake until Denton, influenced by his reflection in the mirror,[281] pulled his hand back. The dark-skinned man became thoughtful, spat dramatically on the platform, and continued with his topic.

"Whad I was going to say was this," he said; was gravelled, and shook his head at his foot.

"Here’s what I wanted to say," he said; feeling confused, he shook his head at his foot.

Denton became curious. "Go on," he said, attentive.

Denton got curious. "Continue," he said, focused.

The swart man took the plunge. He grasped Denton's arm, became intimate in his attitude. "'Scuse me," he said. "Fact is, you done know 'ow to scrap. Done know 'ow to. Why—you done know 'ow to begin. You'll get killed if you don't mind. 'Ouldin' your 'ands—There!"

The dark-skinned man took a risk. He grabbed Denton's arm and got close. "Excuse me," he said. "The truth is, you really know how to fight. You know how to. Why—you really know how to get started. You'll get hurt if you're not careful. Keep your hands up—There!"

He reinforced his statement by objurgation, watching the effect of each oath with a wary eye.

He backed up his statement with harsh criticism, watching the impact of each swear word with a careful eye.

"F'r instance. You're tall. Long arms. You get a longer reach than any one in the brasted vault. Gobblimey, but I thought I'd got a Tough on. 'Stead of which ... 'Scuse me. I wouldn't have 'it you if I'd known. It's like fighting sacks. 'Tisn' right. Y'r arms seemed 'ung on 'ooks. Reg'lar—'ung on 'ooks. There!"

"For example, you're tall. You have long arms. You have a longer reach than anyone in the entire vault. Wow, I thought I had an advantage. Instead of that... excuse me, I wouldn't have hit you if I'd known. It's like fighting with bags. It’s just not right. Your arms seemed like they were hanging on hooks. Just hanging on hooks. There!"

Denton stared, and then surprised and hurt his battered chin by a sudden laugh. Bitter tears came into his eyes.

Denton stared, and then, feeling surprised and hurt, he let out a sudden laugh that left his battered chin aching. Bitter tears filled his eyes.

"Go on," he said.[282]

"Go ahead," he said.[282]

The swart man reverted to his formula. He was good enough to say he liked the look of Denton, thought he had stood up "amazing plucky. On'y pluck ain't no good—ain't no brasted good—if you don't 'old your 'ands.

The dark-skinned man went back to his formula. He was kind enough to say he liked how Denton looked, thought he had been "incredibly brave. But just having courage doesn't mean a thing—doesn't mean anything at all—if you don't keep your hands steady.

"Whad I was going to say was this," he said. "Lemme show you 'ow to scrap. Jest lemme. You're ig'nant, you ain't no class; but you might be a very decent scrapper—very decent. Shown. That's what I meant to say."

"Anyway, what I was going to say was this," he said. "Let me show you how to scrap. Just let me. You're ignorant, you don't have any class; but you could be a really good scrapper—really good. That's what I meant to say."

Denton hesitated. "But—" he said, "I can't give you anything—"

Denton paused. "But—" he said, "I can't give you anything—"

"That's the ge'man all over," said the swart man. "Who arst you to?"

"That's the guy all over," said the dark-skinned man. "Who asked you to?"

"But your time?"

"But what about your time?"

"If you don't get learnt scrapping you'll get killed,—don't you make no bones of that."

"If you don't learn how to scrap, you'll get hurt—don't doubt that."

Denton thought. "I don't know," he said.

Denton thought, "I don't know," he said.

He looked at the face beside him, and all its native coarseness shouted at him. He felt a quick revulsion from his transient friendliness. It seemed to him incredible that it should be necessary for him to be indebted to such a creature.

He looked at the face next to him, and all its natural roughness yelled at him. He felt a sudden disgust toward his momentary friendliness. It seemed unbelievable to him that he should have to owe something to such a being.

"The chaps are always scrapping," said the swart man. "Always. And, of course—if one gets waxy and 'its you vital ..."[283]

"The guys are always fighting," said the dark-skinned man. "Always. And, of course—if one gets angry and hits you hard..."[283]

"By God!" cried Denton; "I wish one would."

"By God!" shouted Denton; "I wish someone would."

"Of course, if you feel like that—"

"Of course, if you feel that way—"

"You don't understand."

"You don't get it."

"P'raps I don't," said the swart man; and lapsed into a fuming silence.

"P'raps I don't," said the dark-skinned man, and fell into an angry silence.

When he spoke again his voice was less friendly, and he prodded Denton by way of address. "Look see!" he said: "are you going to let me show you 'ow to scrap?"

When he spoke again, his tone was less friendly, and he nudged Denton to get his attention. "Hey, listen!" he said, "Are you going to let me show you how to fight?"

"It's tremendously kind of you," said Denton; "but—"

"It's really nice of you," said Denton; "but—"

There was a pause. The swart man rose and bent over Denton.

There was a pause. The dark-skinned man stood up and leaned over Denton.

"Too much ge'man," he said—"eh? I got a red face.... By gosh! you are—you are a brasted fool!"

"Too much gambling," he said—"right? I got a red face.... Wow! you are—you are a total fool!"

He turned away, and instantly Denton realised the truth of this remark.

He turned away, and immediately Denton understood the truth of this statement.

The swart man descended with dignity to a cross way, and Denton, after a momentary impulse to pursuit, remained on the platform. For a time the things that had happened filled his mind. In one day his graceful system of resignation had been shattered beyond hope. Brute force, the final, the fundamental, had thrust its face through all his explanations and glosses and consolations and grinned enigmatically.[284] Though he was hungry and tired, he did not go on directly to the Labour Hotel, where he would meet Elizabeth. He found he was beginning to think, he wanted very greatly to think; and so, wrapped in a monstrous cloud of meditation, he went the circuit of the city on his moving platform twice. You figure him, tearing through the glaring, thunder-voiced city at a pace of fifty miles an hour, the city upon the planet that spins along its chartless path through space many thousands of miles an hour, funking most terribly, and trying to understand why the heart and will in him should suffer and keep alive.

The dark-skinned man walked confidently to a crossroads, and Denton, after a brief urge to chase after him, stayed on the platform. For a while, everything that had happened occupied his thoughts. In just one day, his carefully crafted sense of acceptance had been shattered beyond repair. Raw power, the ultimate truth, had broken through all his justifications, distractions, and reassurances and grinned mysteriously. [284] Even though he was hungry and exhausted, he didn’t head straight to the Labour Hotel to meet Elizabeth. He realized he was starting to think, and he really wanted to think; so, lost in deep contemplation, he rode around the city on his moving platform twice. Picture him racing through the bright, noisy city at fifty miles per hour, while the earth spins along its unpredictable course through space at thousands of miles an hour, feeling intense fear, and trying to understand why his heart and will remained pained yet alive.

When at last he came to Elizabeth, she was white and anxious. He might have noted she was in trouble, had it not been for his own preoccupation. He feared most that she would desire to know every detail of his indignities, that she would be sympathetic or indignant. He saw her eyebrows rise at the sight of him.

When he finally reached Elizabeth, she looked pale and worried. He might have realized she was in distress, if he hadn’t been so wrapped up in his own thoughts. He was most afraid that she would want to hear every detail of his humiliations, that she would feel sorry for him or be outraged. He noticed her eyebrows lift when she saw him.

"I've had rough handling," he said, and gasped. "It's too fresh—too hot. I don't want to talk about it." He sat down with an unavoidable air of sullenness.

"I've been through a lot," he said, gasping. "It’s too raw—too intense. I don’t want to discuss it." He sat down with a clear sense of bitterness.

She stared at him in astonishment, and as she read something of the significant hieroglyphic of his battered face, her lips whitened.[285] Her hand—it was thinner now than in the days of their prosperity, and her first finger was a little altered by the metal punching she did—clenched convulsively. "This horrible world!" she said, and said no more.

She looked at him in shock, and as she read the meaning behind the marks on his worn face, her lips turned pale.[285] Her hand—thinner now than during their better days, and her index finger slightly misshapen from the metal work she did—tightened into a fist. "This terrible world!" she said, and said nothing more.

In these latter days they had become a very silent couple; they said scarcely a word to each other that night, but each followed a private train of thought. In the small hours, as Elizabeth lay awake, Denton started up beside her suddenly—he had been lying as still as a dead man.

In recent times, they had turned into a very quiet couple; they hardly exchanged a word that night, each lost in their own thoughts. In the early hours, as Elizabeth lay awake, Denton suddenly sat up beside her—he had been lying as still as a corpse.

"I cannot stand it!" cried Denton. "I will not stand it!"

"I can't take it anymore!" shouted Denton. "I won't take it!"

She saw him dimly, sitting up; saw his arm lunge as if in a furious blow at the enshrouding night. Then for a space he was still.

She vaguely saw him sitting up; saw his arm swing out like he was about to strike the enveloping night. Then he was still for a moment.

"It is too much—it is more than one can bear!"

"It’s too much—it's more than anyone can handle!"

She could say nothing. To her, also, it seemed that this was as far as one could go. She waited through a long stillness. She could see that Denton sat with his arms about his knees, his chin almost touching them.

She couldn't say anything. To her, it felt like this was as far as one could go. She waited through a long silence. She could see that Denton was sitting with his arms around his knees, his chin almost touching them.

Then he laughed.

Then he laughed.

"No," he said at last, "I'm going to stand it. That's the peculiar thing. There isn't a grain of suicide in us—not a grain. I suppose[286] all the people with a turn that way have gone. We're going through with it—to the end."

"No," he finally said, "I'm going to put up with it. That's the strange thing. There's not a hint of wanting to end it all in us—not even a little. I guess[286] all the people who feel that way are gone. We're going to see this through—to the very end."

Elizabeth thought grayly, and realised that this also was true.

Elizabeth thought with a sense of gloom and realized that this was true as well.

"We're going through with it. To think of all who have gone through with it: all the generations—endless—endless. Little beasts that snapped and snarled, snapping and snarling, snapping and snarling, generation after generation."

"We're going to do this. Just think about everyone who has done this before: all the generations—endless—endless. Little creatures that snapped and snarled, snapping and snarling, snapping and snarling, generation after generation."

His monotone, ended abruptly, resumed after a vast interval.

His monotone cut off suddenly, then started again after a long pause.

"There were ninety thousand years of stone age. A Denton somewhere in all those years. Apostolic succession. The grace of going through. Let me see! Ninety—nine hundred—three nines, twenty-seven—three thousand generations of men!—men more or less. And each fought, and was bruised, and shamed, and somehow held his own—going through with it—passing it on.... And thousands more to come perhaps—thousands!

"There were ninety thousand years of the Stone Age. A Denton somewhere in all those years. Apostolic succession. The grace of enduring. Let me see! Ninety—nine hundred—three nines, twenty-seven—three thousand generations of men!—men more or less. And each one fought, got hurt, felt shame, and somehow managed to get through it—carrying on—passing it along.... And maybe thousands more to come—thousands!"

"Passing it on. I wonder if they will thank us."

"Passing it on. I wonder if they'll thank us."

His voice assumed an argumentative note. "If one could find something definite ... If one could say, 'This is why—this is why it goes on....'"[287]

His voice took on a combative tone. "If only there was something clear... If we could point to it and say, 'This is the reason—this is why it continues...'"[287]

He became still, and Elizabeth's eyes slowly separated him from the darkness until at last she could see how he sat with his head resting on his hand. A sense of the enormous remoteness of their minds came to her; that dim suggestion of another being seemed to her a figure of their mutual understanding. What could he be thinking now? What might he not say next? Another age seemed to elapse before he sighed and whispered: "No. I don't understand it. No!" Then a long interval, and he repeated this. But the second time it had the tone almost of a solution.

He became still, and Elizabeth's eyes gradually pulled him from the darkness until she could finally see him sitting there with his head resting on his hand. A feeling of the vast distance between their minds washed over her; that faint hint of another being felt like a symbol of their shared understanding. What could he be thinking right now? What might he not say next? It felt like an eternity before he sighed and whispered, "No. I don’t get it. No!" Then there was a long pause, and he repeated it. But the second time, it almost sounded like a resolution.

She became aware that he was preparing to lie down. She marked his movements, perceived with astonishment how he adjusted his pillow with a careful regard to comfort. He lay down with a sigh of contentment almost. His passion had passed. He lay still, and presently his breathing became regular and deep.

She noticed that he was getting ready to lie down. She watched his movements, amazed at how he adjusted his pillow for comfort. He lay down with a sigh of contentment. His passion had faded. He lay still, and soon his breathing became regular and deep.

But Elizabeth remained with eyes wide open in the darkness, until the clamour of a bell and the sudden brilliance of the electric light warned them that the Labour Company had need of them for yet another day.

But Elizabeth lay there with her eyes wide open in the dark until the loud ringing of a bell and the sudden brightness of the electric light signaled that the Labor Company needed them for another day.

That day came a scuffle with the albino Whitey and the little ferret-faced man. Blunt, the swart artist in scrapping, having first let[288] Denton grasp the bearing of his lesson, intervened, not without a certain quality of patronage. "Drop 'is 'air, Whitey, and let the man be," said his gross voice through a shower of indignities. "Can't you see 'e don't know 'ow to scrap?" And Denton, lying shamefully in the dust, realised that he must accept that course of instruction after all.

That day, there was a fight between the albino Whitey and the little ferret-faced man. Blunt, the tough artist in brawling, having first made sure Denton understood the situation, stepped in, not without a hint of condescension. "Let go of his hair, Whitey, and leave the guy alone," his gruff voice said amidst a barrage of insults. "Can't you see he doesn’t know how to fight?" Lying shamefully in the dust, Denton realized that he had to accept that lesson after all.

He made his apology straight and clean. He scrambled up and walked to Blunt. "I was a fool, and you are right," he said. "If it isn't too late ..."

He made his apology direct and clear. He jumped up and walked over to Blunt. "I was an idiot, and you were right," he said. "If it's not too late..."

That night, after the second spell, Denton went with Blunt to certain waste and slime-soaked vaults under the Port of London, to learn the first beginnings of the high art of scrapping as it had been perfected in the great world of the underways: how to hit or kick a man so as to hurt him excruciatingly or make him violently sick, how to hit or kick "vital," how to use glass in one's garments as a club and to spread red ruin with various domestic implements, how to anticipate and demolish your adversary's intentions in other directions; all the pleasant devices, in fact, that had grown up among the disinherited of the great cities of the twentieth and twenty-first centuries, were spread out by a gifted exponent for Denton's[289] learning. Blunt's bashfulness fell from him as the instruction proceeded, and he developed a certain expert dignity, a quality of fatherly consideration. He treated Denton with the utmost consideration, only "flicking him up a bit" now and then, to keep the interest hot, and roaring with laughter at a happy fluke of Denton's that covered his mouth with blood.

That night, after the second spell, Denton went with Blunt to some abandoned, slimy vaults beneath the Port of London to learn the basics of the art of scrapping as it had been refined in the underground world: how to hit or kick someone to inflict severe pain or make them violently ill, how to target vital areas, how to incorporate glass into clothing as a weapon, and to unleash chaos with various household items, how to anticipate and foil your opponent's moves in other ways; all the clever tricks that had emerged among the marginalized in the major cities of the twentieth and twenty-first centuries were laid out for Denton's learning by a skilled instructor. Blunt's shyness faded as the lesson went on, and he gained a certain expert poise, a touch of fatherly care. He treated Denton with the utmost respect, only "flicking him up a bit" now and then to keep things exciting, laughing heartily at a lucky hit from Denton that left his mouth covered in blood.

"I'm always keerless of my mouth," said Blunt, admitting a weakness. "Always. It don't seem to matter, like, just getting bashed in the mouth—not if your chin's all right. Tastin' blood does me good. Always. But I better not 'it you again."

"I'm always careless about what I say," Blunt admitted, acknowledging a weakness. "Always. It doesn't seem to matter, you know, just getting hit in the mouth—not if your chin's fine. Tasting blood feels good to me. Always. But I better not hit you again."

Denton went home, to fall asleep exhausted and wake in the small hours with aching limbs and all his bruises tingling. Was it worth while that he should go on living? He listened to Elizabeth's breathing, and remembering that he must have awaked her the previous night, he lay very still. He was sick with infinite disgust at the new conditions of his life. He hated it all, hated even the genial savage who had protected him so generously. The monstrous fraud of civilisation glared stark before his eyes; he saw it as a vast lunatic growth, producing a deepening torrent of savagery below, and above ever more flimsy gentility and silly[290] wastefulness. He could see no redeeming reason, no touch of honour, either in the life he had led or in this life to which he had fallen. Civilisation presented itself as some catastrophic product as little concerned with men—save as victims—as a cyclone or a planetary collision. He, and therefore all mankind, seemed living utterly in vain. His mind sought some strange expedients of escape, if not for himself then at least for Elizabeth. But he meant them for himself. What if he hunted up Mwres and told him of their disaster? It came to him as an astonishing thing how utterly Mwres and Bindon had passed out of his range. Where were they? What were they doing? From that he passed to thoughts of utter dishonour. And finally, not arising in any way out of this mental tumult, but ending it as dawn ends the night, came the clear and obvious conclusion of the night before: the conviction that he had to go through with things; that, apart from any remoter view and quite sufficient for all his thought and energy, he had to stand up and fight among his fellows and quit himself like a man.

Denton went home, fell asleep feeling exhausted, and woke up in the early hours with aching limbs and all his bruises tingling. Was it worth it to keep living? He listened to Elizabeth’s breathing, and remembering that he must have woken her the previous night, he lay very still. He felt sick with deep disgust at the new conditions of his life. He hated it all, even the friendly savage who had protected him so generously. The monstrous fraud of civilization stood stark before him; he saw it as a vast, insane growth, creating a deepening torrent of savagery below, and above, ever more flimsy gentility and silly wastefulness. He could see no redeeming reason, no hint of honor, in the life he had led or in this life he had fallen into. Civilization seemed like some catastrophic product that cared little for men—except as victims—like a cyclone or a planetary collision. He, and all mankind, seemed to be living utterly in vain. His mind searched for some strange way to escape, if not for himself, then at least for Elizabeth. But he meant it for himself. What if he tracked down Mwres and told him about their disaster? It struck him as astonishing how completely Mwres and Bindon had slipped out of his life. Where were they? What were they doing? That thought led him to reflections of utter dishonor. And then, not as a result of this mental chaos, but as dawn ends the night, came the clear and obvious conclusion from the night before: the realization that he had to move forward; that, aside from any broader concerns and enough for all his thought and energy, he had to stand up and fight among his peers and prove himself like a man.

The second night's instruction was perhaps less dreadful than the first; and the third was even endurable, for Blunt dealt out some praise.[291] The fourth day Denton chanced upon the fact that the ferret-faced man was a coward. There passed a fortnight of smouldering days and feverish instruction at night; Blunt, with many blasphemies, testified that never had he met so apt a pupil; and all night long Denton dreamt of kicks and counters and gouges and cunning tricks. For all that time no further outrages were attempted, for fear of Blunt; and then came the second crisis. Blunt did not come one day—afterwards he admitted his deliberate intention—and through the tedious morning Whitey awaited the interval between the spells with an ostentatious impatience. He knew nothing of the scrapping lessons, and he spent the time in telling Denton and the vault generally of certain disagreeable proceedings he had in mind.

The second night's lesson was maybe less awful than the first, and the third was even bearable because Blunt gave some compliments.[291] On the fourth day, Denton discovered that the weaselly guy was actually a coward. Two weeks went by filled with hot, uncomfortable days and intense instruction at night; Blunt, swearing a lot, claimed he had never met such a talented student; and all night long Denton dreamed of kicks, counters, gouges, and clever tricks. During that time, no further attacks were made, out of fear of Blunt; then came the second crisis. One day, Blunt didn't show up—he later admitted it was on purpose—and during the long morning, Whitey waited impatiently for the time between the sessions. He knew nothing about the fighting lessons and spent the time telling Denton and everyone else in the vault about some unpleasant plans he had in mind.

Whitey was not popular, and the vault disgorged to see him haze the new man with only a languid interest. But matters changed when Whitey's attempt to open the proceedings by kicking Denton in the face was met by an excellently executed duck, catch and throw, that completed the flight of Whitey's foot in its orbit and brought Whitey's head into the ash-heap that had once received Denton's. Whitey arose a shade whiter, and now blasphemously bent[292] upon vital injuries. There were indecisive passages, foiled enterprises that deepened Whitey's evidently growing perplexity; and then things developed into a grouping of Denton uppermost with Whitey's throat in his hand, his knee on Whitey's chest, and a tearful Whitey with a black face, protruding tongue and broken finger endeavouring to explain the misunderstanding by means of hoarse sounds. Moreover, it was evident that among the bystanders there had never been a more popular person than Denton.

Whitey wasn't well-liked, and the crowd watched with only mild interest as he picked on the new guy. But things changed when Whitey tried to start things off by kicking Denton in the face, only to have Denton expertly dodge, catch Whitey's foot, and throw him to the ground. Whitey landed in a heap, where Denton had been just a moment before. He got up looking a bit paler and now was furiously focused on inflicting serious injuries. There were some awkward moments and failed attempts that only confused Whitey more as things escalated to a point where Denton had Whitey by the throat, his knee on Whitey's chest, while a tearful Whitey—who now had a blackened face, a sticking-out tongue, and a broken finger—struggled to explain the mix-up with raspy sounds. It was clear that among the onlookers, Denton had never been more popular.

Denton, with proper precaution, released his antagonist and stood up. His blood seemed changed to some sort of fluid fire, his limbs felt light and supernaturally strong. The idea that he was a martyr in the civilisation machine had vanished from his mind. He was a man in a world of men.

Denton, taking the right precautions, let go of his opponent and stood up. His blood felt like a kind of liquid fire, and his limbs felt light and almost superhumanly strong. The thought that he was a martyr in the system of civilization had disappeared from his mind. He was a man in a world of men.

The little ferret-faced man was the first in the competition to pat him on the back. The lender of oil cans was a radiant sun of genial congratulation.... It seemed incredible to Denton that he had ever thought of despair.

The small, ferret-faced man was the first in the competition to give him a pat on the back. The guy who lent out oil cans was a bright source of cheerful congratulations... It felt unbelievable to Denton that he had ever considered feeling hopeless.

Denton was convinced that not only had he to go through with things, but that he could. He sat on the canvas pallet expounding this new aspect to Elizabeth. One side of his face[293] was bruised. She had not recently fought, she had not been patted on the back, there were no hot bruises upon her face, only a pallor and a new line or so about the mouth. She was taking the woman's share. She looked steadfastly at Denton in his new mood of prophecy. "I feel that there is something," he was saying, "something that goes on, a Being of Life in which we live and move and have our being, something that began fifty—a hundred million years ago, perhaps, that goes on—on: growing, spreading, to things beyond us—things that will justify us all.... That will explain and justify my fighting—these bruises, and all the pain of it. It's the chisel—yes, the chisel of the Maker. If only I could make you feel as I feel, if I could make you! You will, dear, I know you will."

Denton was sure that he not only had to follow through with things, but that he could. He sat on the canvas pallet explaining this new perspective to Elizabeth. One side of his face[293] was bruised. She hadn't recently fought; she hadn't been patted on the back, and there were no fresh bruises on her face, just a pale complexion and a new line or two around her mouth. She was bearing the weight of her role. She looked steadily at Denton in his new prophetic mood. "I feel that there’s something," he was saying, "something ongoing, a Life Force in which we live and move and exist, something that started fifty—maybe a hundred million years ago, and keeps going on: growing, spreading, reaching beyond us—things that will make sense of it all.... That will clarify and justify my struggles—these bruises and all the pain that comes with it. It’s the chisel—yes, the chisel of the Creator. If only I could make you feel as I feel, if I could make you! You will, darling, I know you will."

"No," she said in a low voice. "No, I shall not."

"No," she said quietly. "No, I won't."

"So I might have thought—"

"So I might've thought—"

She shook her head. "No," she said, "I have thought as well. What you say—doesn't convince me."

She shook her head. "No," she said, "I've thought about it too. What you're saying—doesn't convince me."

She looked at his face resolutely. "I hate it," she said, and caught at her breath. "You do not understand, you do not think. There was a time when you said things and I believed them.[294] I am growing wiser. You are a man, you can fight, force your way. You do not mind bruises. You can be coarse and ugly, and still a man. Yes—it makes you. It makes you. You are right. Only a woman is not like that. We are different. We have let ourselves get civilised too soon. This underworld is not for us."

She looked at his face with determination. "I hate it," she said, catching her breath. "You don't understand, you don't think. There was a time when you said things and I believed them.[294] I'm becoming wiser. You're a man; you can fight and push your way through. You don’t care about getting hurt. You can be rough and ugly and still be a man. Yes—it shapes you. It shapes you. You’re right. But a woman isn’t like that. We’re different. We’ve allowed ourselves to be civilized too soon. This dark world isn’t for us."

She paused and began again.

She took a break and started over.

"I hate it! I hate this horrible canvas! I hate it more than—more than the worst that can happen. It hurts my fingers to touch it. It is horrible to the skin. And the women I work with day after day! I lie awake at nights and think how I may be growing like them...."

"I can't stand it! I can't stand this awful canvas! I hate it more than—more than anything terrible that could happen. It hurts my fingers to touch it. It feels terrible against my skin. And the women I work with day after day! I lie awake at night, thinking about how I might be turning into one of them...."

She stopped. "I am growing like them," she cried passionately.

She stopped. "I am growing like them," she exclaimed passionately.

Denton stared at her distress. "But—" he said and stopped.

Denton looked at her pain. "But—" he said and paused.

"You don't understand. What have I? What have I to save me? You can fight. Fighting is man's work. But women—women are different.... I have thought it all out, I have done nothing but think night and day. Look at the colour of my face! I cannot go on. I cannot endure this life.... I cannot endure it."

"You don't get it. What do I have? What do I have to save me? You can fight. Fighting is what men do. But women—women are different.... I've thought it all out, I've done nothing but think day and night. Look at my face! I can't keep going. I can't stand this life.... I can't take it."

She stopped. She hesitated.

She paused. She hesitated.

"You do not know all," she said abruptly,[295] and for an instant her lips had a bitter smile. "I have been asked to leave you."

"You don't know everything," she said suddenly,[295] and for a moment, her lips curled into a bitter smile. "I've been told to leave you."

"Leave me!"

"Go away!"

She made no answer save an affirmative movement of the head.

She didn't respond verbally, just nodded in agreement.

Denton stood up sharply. They stared at one another through a long silence.

Denton stood up suddenly. They looked at each other in a long silence.

Suddenly she turned herself about, and flung face downward upon their canvas bed. She did not sob, she made no sound. She lay still upon her face. After a vast, distressful void her shoulders heaved and she began to weep silently.

Suddenly, she turned around and flung herself face down on their canvas bed. She didn't sob; she made no sound. She lay still on her face. After a long, painful silence, her shoulders shook, and she started to cry quietly.

"Elizabeth!" he whispered—"Elizabeth!"

"Elizabeth!" he whispered—"Elizabeth!"

Very softly he sat down beside her, bent down, put his arm across her in a doubtful caress, seeking vainly for some clue to this intolerable situation.

Very gently, he sat down next to her, leaned in, and draped his arm over her in an uncertain embrace, searching in vain for some hint to understand this unbearable situation.

"Elizabeth," he whispered in her ear.

"Elizabeth," he whispered in her ear.

She thrust him from her with her hand. "I cannot bear a child to be a slave!" and broke out into loud and bitter weeping.

She pushed him away with her hand. "I can't bear to have a child be a slave!" and burst into loud, bitter tears.

Denton's face changed—became blank dismay. Presently he slipped from the bed and stood on his feet. All the complacency had vanished from his face, had given place to impotent rage. He began to rave and curse at the intolerable forces which pressed upon him,[296] at all the accidents and hot desires and heedlessness that mock the life of man. His little voice rose in that little room, and he shook his fist, this animalcule of the earth, at all that environed him about, at the millions about him, at his past and future and all the insensate vastness of the overwhelming city.

Denton's expression changed—turned into blank shock. Soon, he got out of bed and stood on his feet. The confidence he once had disappeared from his face, replaced by helpless anger. He started to scream and curse at the unbearable forces that were closing in on him,[296] at all the accidents and strong desires and careless actions that mock human life. His small voice filled that tiny room as he shook his fist, this tiny creature of the earth, at everything around him, at the millions surrounding him, at his past and future, and at the mindless vastness of the overwhelming city.

V—BINDON INTERVENES

In Bindon's younger days he had dabbled in speculation and made three brilliant flukes. For the rest of his life he had the wisdom to let gambling alone, and the conceit to believe himself a very clever man. A certain desire for influence and reputation interested him in the business intrigues of the giant city in which his flukes were made. He became at last one of the most influential shareholders in the company that owned the London flying stages to which the aëroplanes came from all parts of the world. This much for his public activities. In his private life he was a man of pleasure. And this is the story of his heart.

In Bindon's younger days, he had tried his luck in investing and had three lucky breaks. For the rest of his life, he wisely decided to steer clear of gambling while arrogantly believing he was quite clever. He had a certain desire for power and status that drew him into the business dealings of the huge city where he made his lucky breaks. Eventually, he became one of the most influential shareholders in the company that owned the London flying stages, which received aëroplanes from all over the world. That’s the extent of his public endeavors. In his personal life, he was a pleasure-seeker. And this is the story of his heart.

But before proceeding to such depths, one must devote a little time to the exterior of this person. Its physical basis was slender, and short, and dark; and the face, which was fine-featured and assisted by pigments, varied from[297] an insecure self-complacency to an intelligent uneasiness. His face and head had been depilated, according to the cleanly and hygienic fashion of the time, so that the colour and contour of his hair varied with his costume. This he was constantly changing.

But before diving deeper, it's important to spend some time on this person's appearance. They had a slender, short, and dark build, and their finely featured face, enhanced with makeup, shifted from a somewhat unsure self-satisfaction to a thoughtful apprehension. Their face and head were shaved, in keeping with the clean and hygienic style of the era, which meant that the color and shape of their hair changed with their outfit. They were always switching things up.

At times he would distend himself with pneumatic vestments in the rococo vein. From among the billowy developments of this style, and beneath a translucent and illuminated headdress, his eye watched jealously for the respect of the less fashionable world. At other times he emphasised his elegant slenderness in close-fitting garments of black satin. For effects of dignity he would assume broad pneumatic shoulders, from which hung a robe of carefully arranged folds of China silk, and a classical Bindon in pink tights was also a transient phenomenon in the eternal pageant of Destiny. In the days when he hoped to marry Elizabeth, he sought to impress and charm her, and at the same time to take off something of his burthen of forty years, by wearing the last fancy of the contemporary buck, a costume of elastic material with distensible warts and horns, changing in colour as he walked, by an ingenious arrangement of versatile chromatophores. And no doubt, if Elizabeth's affection had not been[298] already engaged by the worthless Denton, and if her tastes had not had that odd bias for old-fashioned ways, this extremely chic conception would have ravished her. Bindon had consulted Elizabeth's father before presenting himself in this garb—he was one of those men who always invite criticism of their costume—and Mwres had pronounced him all that the heart of woman could desire. But the affair of the hypnotist proved that his knowledge of the heart of woman was incomplete.

Sometimes he would puff himself up in flashy, over-the-top outfits. Amid the dramatic flair of this style, and beneath a bright, eye-catching headpiece, he kept a watchful eye for the approval of the less fashionable crowd. Other times, he showcased his elegant slimness in tight black satin clothes. For moments of dignity, he would adopt broad padded shoulders, draped with a robe made of carefully arranged China silk folds, while a classic Bindon in pink tights would also make occasional appearances in the ongoing show of Fate. During the days he hoped to marry Elizabeth, he tried to impress and charm her, while also shedding some of his 40-year burden, by wearing the latest trend of the modern gentleman—a costume made of stretchy material adorned with puffs and horns, changing colors as he walked thanks to a clever setup of flexible color-changing cells. And no doubt, if Elizabeth's affections hadn't already been claimed by the worthless Denton, and if she didn't have that strange attraction to old-fashioned styles, this extremely chic look would have dazzled her. Bindon had talked to Elizabeth's father before showing up in this outfit—he was the kind of guy who always welcomed feedback about his clothes—and Mwres declared him to be everything a woman could desire. But the incident with the hypnotist proved that his understanding of a woman's heart was not complete.

Bindon's idea of marrying had been formed some little time before Mwres threw Elizabeth's budding womanhood in his way. It was one of Bindon's most cherished secrets that he had a considerable capacity for a pure and simple life of a grossly sentimental type. The thought imparted a sort of pathetic seriousness to the offensive and quite inconsequent and unmeaning excesses, which he was pleased to regard as dashing wickedness, and which a number of good people also were so unwise as to treat in that desirable manner. As a consequence of these excesses, and perhaps by reason also of an inherited tendency to early decay, his liver became seriously affected, and he suffered increasing inconvenience when travelling by aëroplane. It was during his convalescence from a[299] protracted bilious attack that it occurred to him that in spite of all the terrible fascinations of Vice, if he found a beautiful, gentle, good young woman of a not too violently intellectual type to devote her life to him, he might yet be saved to Goodness, and even rear a spirited family in his likeness to solace his declining years. But like so many experienced men of the world, he doubted if there were any good women. Of such as he had heard tell he was outwardly sceptical and privately much afraid.

Bindon's idea of getting married had been formed some time before Mwres introduced Elizabeth's emerging womanhood into his life. He kept it a secret that he had a strong desire for a pure, simple life filled with intense sentimentalism. This thought gave a kind of sad seriousness to the reckless behaviors he saw as excitingly wicked, which some naive people also foolishly admired. As a result of these behaviors, and possibly due to a hereditary tendency toward early decline, his liver became seriously affected, and he experienced increasing discomfort when traveling by airplane. It was during his recovery from a[299] prolonged bout of illness that he realized that despite all the alluring temptations of wrongdoing, if he could find a beautiful, gentle, and kind young woman who wasn’t too intensely intellectual to dedicate her life to him, he might still be saved and even raise a spirited family in his image to ease his later years. But like many worldly-wise men, he doubted whether there were any genuinely good women. Of those he had heard about, he was openly skeptical and secretly quite afraid.

When the aspiring Mwres effected his introduction to Elizabeth, it seemed to him that his good fortune was complete. He fell in love with her at once. Of course, he had always been falling in love since he was sixteen, in accordance with the extremely varied recipes to be found in the accumulated literature of many centuries. But this was different. This was real love. It seemed to him to call forth all the lurking goodness in his nature. He felt that for her sake he could give up a way of life that had already produced the gravest lesions on his liver and nervous system. His imagination presented him with idyllic pictures of the life of the reformed rake. He would never be sentimental with her, or silly; but always a little cynical and bitter, as became the past. Yet he[300] was sure she would have an intuition of his real greatness and goodness. And in due course he would confess things to her, pour his version of what he regarded as his wickedness—showing what a complex of Goethe, and Benvenuto Cellini, and Shelley, and all those other chaps he really was—into her shocked, very beautiful, and no doubt sympathetic ear. And preparatory to these things he wooed her with infinite subtlety and respect. And the reserve with which Elizabeth treated him seemed nothing more nor less than an exquisite modesty touched and enhanced by an equally exquisite lack of ideas.

When the eager Mwres introduced himself to Elizabeth, he felt as if his luck had reached its peak. He fell for her instantly. Of course, he'd always been falling in love since he turned sixteen, influenced by the countless guides on romance accumulated over centuries. But this was different. This was real love. It seemed to bring out all the hidden goodness in him. He felt that for her, he could abandon a lifestyle that had already caused serious damage to his liver and nerves. His imagination painted idyllic scenes of the life of a reformed rogue. He wouldn't be sentimental or silly with her; instead, he would maintain a slightly cynical and bitter edge, fitting for his past. Yet, he was confident she would sense his true greatness and goodness. Eventually, he planned to share his deepest secrets, revealing his version of what he considered his wickedness—showing her the complex mix of influences from Goethe, Benvenuto Cellini, Shelley, and others that defined him—into her shocked, stunning, and undoubtedly sympathetic ears. To prepare for this, he pursued her with endless subtlety and respect. The way Elizabeth responded to him seemed nothing more than a beautiful modesty, accentuated by an equally beautiful lack of ideas.

Bindon knew nothing of her wandering affections, nor of the attempt made by Mwres to utilise hypnotism as a corrective to this digression of her heart; he conceived he was on the best of terms with Elizabeth, and had made her quite successfully various significant presents of jewellery and the more virtuous cosmetics, when her elopement with Denton threw the world out of gear for him. His first aspect of the matter was rage begotten of wounded vanity, and as Mwres was the most convenient person, he vented the first brunt of it upon him.

Bindon had no idea about her wandering feelings, nor did he know about Mwres's attempt to use hypnotism to fix her heart's distraction. He thought he was getting along great with Elizabeth and had successfully given her meaningful gifts of jewelry and some classy makeup when her running away with Denton turned his world upside down. His initial reaction was pure rage fueled by hurt pride, and since Mwres was the easiest target, he took it out on him.

He went immediately and insulted the desolate father grossly, and then spent an active and[301] determined day going to and fro about the city and interviewing people in a consistent and partly-successful attempt to ruin that matrimonial speculator. The effectual nature of these activities gave him a temporary exhilaration, and he went to the dining-place he had frequented in his wicked days in a devil-may-care frame of mind, and dined altogether too amply and cheerfully with two other golden youths in their early forties. He threw up the game; no woman was worth being good for, and he astonished even himself by the strain of witty cynicism he developed. One of the other desperate blades, warmed with wine, made a facetious allusion to his disappointment, but at the time this did not seem unpleasant.

He immediately insulted the devastated father and then spent a busy and determined day going around the city and interviewing people in a consistent and somewhat successful effort to ruin that marriage schemer. The effectiveness of these activities gave him a temporary rush, and he went to the restaurant he used to visit during his reckless days with a carefree attitude, dining way too much and happily with two other wealthy guys in their early forties. He gave up the game; no woman was worth being decent for, and he even surprised himself with the witty cynicism he came up with. One of the other reckless friends, fueled by wine, made a joking remark about his disappointment, but at the time, it didn’t bother him.

The next morning found his liver and temper inflamed. He kicked his phonographic-news machine to pieces, dismissed his valet, and resolved that he would perpetrate a terrible revenge upon Elizabeth. Or Denton. Or somebody. But anyhow, it was to be a terrible revenge; and the friend who had made fun at him should no longer see him in the light of a foolish girl's victim. He knew something of the little property that was due to her, and that this would be the only support of the young couple until Mwres should relent. If Mwres[302] did not relent, and if unpropitious things should happen to the affair in which Elizabeth's expectations lay, they would come upon evil times and be sufficiently amenable to temptation of a sinister sort. Bindon's imagination, abandoning its beautiful idealism altogether, expanded the idea of temptation of a sinister sort. He figured himself as the implacable, the intricate and powerful man of wealth pursuing this maiden who had scorned him. And suddenly her image came upon his mind vivid and dominant, and for the first time in his life Bindon realised something of the real power of passion.

The next morning found him feeling angry and frustrated. He smashed his record player, fired his valet, and decided he was going to take terrible revenge on Elizabeth. Or Denton. Or someone. But either way, it was going to be a terrible revenge; the friend who had mocked him wouldn’t see him as the victim of a foolish girl anymore. He knew a bit about the small inheritance that was due to her, which would be the only support for the young couple until Mwres decided to help. If Mwres didn't come around, and if bad things happened to Elizabeth's hopes, they would face tough times and be open to tempting but dangerous choices. Bindon's imagination, abandoning its idealism completely, focused on this idea of dark temptation. He pictured himself as the relentless, clever, and powerful wealthy man pursuing the woman who had turned him down. And suddenly her image filled his mind, clear and overwhelming, and for the first time in his life, Bindon truly understood the real power of passion.

His imagination stood aside like a respectful footman who has done his work in ushering in the emotion.

His imagination stepped aside like a courteous usher who has done his job in bringing forth the emotion.

"My God!" cried Bindon: "I will have her! If I have to kill myself to get her! And that other fellow—!"

"My God!" shouted Bindon. "I will have her! Even if it means I have to kill myself to get her! And that other guy—!"

After an interview with his medical man and a penance for his overnight excesses in the form of bitter drugs, a mitigated but absolutely resolute Bindon sought out Mwres. Mwres he found properly smashed, and impoverished and humble, in a mood of frantic self-preservation, ready to sell himself body and soul, much more any interest in a disobedient daughter, to recover[303] his lost position in the world. In the reasonable discussion that followed, it was agreed that these misguided young people should be left to sink into distress, or possibly even assisted towards that improving discipline by Bindon's financial influence.

After talking to his doctor and dealing with the effects of his wild night by taking some harsh medication, a softened but completely determined Bindon went to find Mwres. He discovered Mwres completely wasted, broke, and desperate, in a frantic state of self-preservation, ready to do anything to regain his place in the world, with no regard for his rebellious daughter. In the reasonable conversation that ensued, they agreed that these misguided young people should be allowed to hit rock bottom or, perhaps, even be pushed toward that hard lesson through Bindon's financial support.

"And then?" said Mwres.

"And then?" Mwres asked.

"They will come to the Labour Company," said Bindon. "They will wear the blue canvas."

"They're going to join the Labour Company," Bindon said. "They'll be wearing the blue canvas."

"And then?"

"And what happens next?"

"She will divorce him," he said, and sat for a moment intent upon that prospect. For in those days the austere limitations of divorce of Victorian times were extraordinarily relaxed, and a couple might separate on a hundred different scores.

"She's going to divorce him," he said, pausing for a moment to think about it. Back then, the strict rules around divorce from Victorian times had loosened quite a bit, and a couple could split for all kinds of reasons.

Then suddenly Bindon astonished himself and Mwres by jumping to his feet. "She shall divorce him!" he cried. "I will have it so—I will work it so. By God! it shall be so. He shall be disgraced, so that she must. He shall be smashed and pulverised."

Then suddenly, Bindon surprised himself and Mwres by jumping to his feet. "She will divorce him!" he shouted. "I'm going to make it happen—I will make it happen. I swear! It will be done. He will be disgraced, so she has no choice. He will be crushed and destroyed."

The idea of smashing and pulverising inflamed him further. He began a Jovian pacing up and down the little office. "I will have her," he cried. "I will have her! Heaven and Hell shall not save her from me!" His passion[304] evaporated in its expression, and left him at the end simply histrionic. He struck an attitude and ignored with heroic determination a sharp twinge of pain about the diaphragm. And Mwres sat with his pneumatic cap deflated and himself very visibly impressed.

The thought of smashing and crushing only fired him up more. He started pacing back and forth in the small office. "I'll have her," he shouted. "I will have her! Neither Heaven nor Hell will keep her from me!" His passion faded into mere theatrics, leaving him at the end simply dramatic. He struck a pose and resolutely ignored a sudden sharp pain in his side. Meanwhile, Mwres sat there with his deflated cap, clearly impressed.

And so, with a fair persistency, Bindon sat himself to the work of being Elizabeth's malignant providence, using with ingenious dexterity every particle of advantage wealth in those days gave a man over his fellow-creatures. A resort to the consolations of religion hindered these operations not at all. He would go and talk with an interesting, experienced and sympathetic Father of the Huysmanite sect of the Isis cult, about all the irrational little proceedings he was pleased to regard as his heaven-dismaying wickedness, and the interesting, experienced and sympathetic Father representing Heaven dismayed, would with a pleasing affectation of horror, suggest simple and easy penances, and recommend a monastic foundation that was airy, cool, hygienic, and not vulgarised, for viscerally disordered penitent sinners of the refined and wealthy type. And after these excursions, Bindon would come back to London quite active and passionate again. He would machinate with really considerable[305] energy, and repair to a certain gallery high above the street of moving ways, from which he could view the entrance to the barrack of the Labour Company in the ward which sheltered Denton and Elizabeth. And at last one day he saw Elizabeth go in, and thereby his passion was renewed.

And so, with a strong determination, Bindon dedicated himself to the task of being Elizabeth's malicious protector, cleverly using every advantage that wealth provided over others at that time. His spiritual pursuits didn’t interfere with this at all. He would go and chat with an interesting, experienced, and sympathetic Father of the Huysmanite sect of the Isis cult about all the irrational little things he considered his soul-destroying sins. The interested, experienced, and sympathetic Father, representing Heaven in dismay, would with a dramatic feigned horror suggest simple and easy penances and recommend a monastic retreat that was airy, cool, hygienic, and not crass for the refined and wealthy sinners with personal issues. After these visits, Bindon would return to London feeling quite energized and passionate once more. He would scheme with considerable energy and head to a gallery high above the busy street, from which he could see the entrance to the barracks of the Labour Company in the area where Denton and Elizabeth lived. Finally, one day he saw Elizabeth enter, and his passion was reignited.

So in the fullness of time the complicated devices of Bindon ripened, and he could go to Mwres and tell him that the young people were near despair.

So eventually, Bindon's complex plans came to fruition, and he was able to go to Mwres and tell him that the young people were almost in despair.

"It's time for you," he said, "to let your parental affections have play. She's been in blue canvas some months, and they've been cooped together in one of those Labour dens, and the little girl is dead. She knows now what his manhood is worth to her, by way of protection, poor girl. She'll see things now in a clearer light. You go to her—I don't want to appear in this affair yet—and point out to her how necessary it is that she should get a divorce from him...."

"It's time for you," he said, "to let your parental feelings show. She's been stuck in a blue canvas for months, and they've been trapped together in one of those labor camps, and the little girl is dead. She understands now how much his manhood means to her in terms of protection, poor thing. She'll see things more clearly now. You go to her—I don't want to be involved in this just yet—and explain to her how important it is for her to get a divorce from him...."

"She's obstinate," said Mwres doubtfully.

"She's stubborn," Mwres said doubtfully.

"Spirit!" said Bindon. "She's a wonderful girl—a wonderful girl!"

"Spirit!" Bindon exclaimed. "She's an amazing girl—an amazing girl!"

"She'll refuse."

"She'll say no."

"Of course she will. But leave it open to her. Leave it open to her. And some day—in[306] that stuffy den, in that irksome, toilsome life they can't help it—they'll have a quarrel. And then—"

"Of course she will. But leave it open for her. Leave it open for her. And someday—in[306] that cramped den, in that annoying, exhausting life they can't escape—they'll have a fight. And then—"

Mwres meditated over the matter, and did as he was told.

Mwres thought about it and did what he was told.

Then Bindon, as he had arranged with his spiritual adviser, went into retreat. The retreat of the Huysmanite sect was a beautiful place, with the sweetest air in London, lit by natural sunlight, and with restful quadrangles of real grass open to the sky, where at the same time the penitent man of pleasure might enjoy all the pleasures of loafing and all the satisfaction of distinguished austerity. And, save for participation in the simple and wholesome dietary of the place and in certain magnificent chants, Bindon spent all his time in meditation upon the theme of Elizabeth, and the extreme purification his soul had undergone since he first saw her, and whether he would be able to get a dispensation to marry her from the experienced and sympathetic Father in spite of the approaching "sin" of her divorce; and then ... Bindon would lean against a pillar of the quadrangle and lapse into reveries on the superiority of virtuous love to any other form of indulgence. A curious feeling in his back and chest that was trying to attract his attention,[307] a disposition to be hot or shiver, a general sense of ill-health and cutaneous discomfort he did his best to ignore. All that of course belonged to the old life that he was shaking off.

Then Bindon, as he had planned with his spiritual advisor, went into retreat. The retreat of the Huysmanite sect was a beautiful place, with the freshest air in London, lit by natural sunlight, and with peaceful courtyards of real grass open to the sky, where the pleasure-seeking man could enjoy all the leisure of lounging and all the satisfaction of refined austerity. And, aside from participating in the simple and healthy meals of the place and in some impressive chants, Bindon spent all his time reflecting on Elizabeth, and the intense purification his soul had gone through since he first saw her, and whether he would be able to get permission to marry her from the wise and understanding Father despite the impending "sin" of her divorce; and then ... Bindon would lean against a pillar of the courtyard and drift into daydreams about the superiority of virtuous love over any other form of indulgence. A strange sensation in his back and chest that seemed to be trying to get his attention, a tendency to feel hot or shiver, a general sense of unwellness and skin discomfort he did his best to ignore. All that, of course, belonged to the old life he was leaving behind.

When he came out of retreat he went at once to Mwres to ask for news of Elizabeth. Mwres was clearly under the impression that he was an exemplary father, profoundly touched about the heart by his child's unhappiness. "She was pale," he said, greatly moved; "She was pale. When I asked her to come away and leave him—and be happy—she put her head down upon the table"—Mwres sniffed—"and cried."

When he finished his retreat, he immediately went to Mwres to ask for updates about Elizabeth. Mwres clearly thought he was a model father, deeply affected by his child's sadness. "She looked pale," he said, really emotional; "She looked pale. When I asked her to leave him—and be happy—she put her head down on the table"—Mwres sniffed—"and cried."

His agitation was so great that he could say no more.

His anxiety was so intense that he couldn't say anything more.

"Ah!" said Bindon, respecting this manly grief. "Oh!" said Bindon quite suddenly, with his hand to his side.

"Ah!" said Bindon, acknowledging this strong grief. "Oh!" said Bindon all of a sudden, clutching his side.

Mwres looked up sharply out of the pit of his sorrows, startled. "What's the matter?" he asked, visibly concerned.

Mwres looked up suddenly from his deep sadness, surprised. "What's wrong?" he asked, clearly worried.

"A most violent pain. Excuse me! You were telling me about Elizabeth."

"A really intense pain. Sorry! You were saying something about Elizabeth."

And Mwres, after a decent solicitude for Bindon's pain, proceeded with his report. It was even unexpectedly hopeful. Elizabeth, in her first emotion at discovering that her father had[308] not absolutely deserted her, had been frank with him about her sorrows and disgusts.

And Mwres, after showing some genuine concern for Bindon’s pain, continued with his report. It was surprisingly optimistic. Elizabeth, in her initial reaction to realizing that her father had[308] not completely abandoned her, opened up to him about her struggles and frustrations.

"Yes," said Bindon, magnificently, "I shall have her yet." And then that novel pain twitched him for the second time.

"Yes," said Bindon dramatically, "I will have her yet." And then that unfamiliar pain hit him for the second time.

For these lower pains the priest was comparatively ineffectual, inclining rather to regard the body and them as mental illusions amenable to contemplation; so Bindon took it to a man of a class he loathed, a medical man of extraordinary repute and incivility. "We must go all over you," said the medical man, and did so with the most disgusting frankness. "Did you ever bring any children into the world?" asked this gross materialist among other impertinent questions.

For these minor pains, the priest was relatively ineffective, tending to view the body and those pains as mental illusions that could be resolved through contemplation. So, Bindon took it to someone from a class he despised, a highly regarded yet rude doctor. "We need to examine you thoroughly," said the doctor, doing so with the most appalling honesty. "Have you ever given birth to any children?" this crude materialist asked, among other intrusive questions.

"Not that I know of," said Bindon, too amazed to stand upon his dignity.

"Not that I know of," said Bindon, too shocked to maintain his composure.

"Ah!" said the medical man, and proceeded with his punching and sounding. Medical science in those days was just reaching the beginnings of precision. "You'd better go right away," said the medical man, "and make the Euthanasia. The sooner the better."

"Ah!" said the doctor, and continued with his tests and examinations. Medical science at that time was just starting to become precise. "You should go right away," said the doctor, "and proceed with the Euthanasia. The sooner, the better."

Bindon gasped. He had been trying not to understand the technical explanations and anticipations in which the medical man had indulged.[309]

Bindon gasped. He had been trying not to understand the technical explanations and predictions that the doctor had gone into.[309]

"I say!" he said. "But do you mean to say ... Your science ..."

"I can't believe it!" he exclaimed. "Are you really saying ... Your science ..."

"Nothing," said the medical man. "A few opiates. The thing is your own doing, you know, to a certain extent."

"Nothing," said the doctor. "Just a few painkillers. The truth is, you’ve contributed to this situation yourself, to some degree."

"I was sorely tempted in my youth."

"I was really tempted when I was young."

"It's not that so much. But you come of a bad stock. Even if you'd have taken precautions you'd have had bad times to wind up with. The mistake was getting born. The indiscretions of the parents. And you've shirked exercise, and so forth."

"It's not that big of a deal. But you come from a bad background. Even if you had taken precautions, you would still have ended up in a tough situation. The real mistake was being born. It's the parents' mistakes. And you've avoided exercising and things like that."

"I had no one to advise me."

"I had no one to turn to for advice."

"Medical men are always willing."

"Doctors are always willing."

"I was a spirited young fellow."

"I was an energetic young guy."

"We won't argue; the mischief's done now. You've lived. We can't start you again. You ought never to have started at all. Frankly—the Euthanasia!"

"We won't argue; the damage is done now. You've lived. We can't reset you. You probably should have never started in the first place. Honestly—the Euthanasia!"

Bindon hated him in silence for a space. Every word of this brutal expert jarred upon his refinements. He was so gross, so impermeable to all the subtler issues of being. But it is no good picking a quarrel with a doctor. "My religious beliefs," he said, "I don't approve of suicide."

Bindon silently hated him for a while. Every word from this brutal expert rubbed him the wrong way. He was so coarse, so oblivious to the more delicate aspects of existence. But there's no point in starting an argument with a doctor. "As for my religious beliefs," he said, "I don't approve of suicide."

"You've been doing it all your life."[310]

"You've been doing it your entire life."[310]

"Well, anyhow, I've come to take a serious view of life now."

"Well, anyway, I've started to take a serious perspective on life now."

"You're bound to, if you go on living. You'll hurt. But for practical purposes it's late. However, if you mean to do that—perhaps I'd better mix you a little something. You'll hurt a great deal. These little twinges ..."

"You're going to, if you keep living. You'll feel pain. But honestly, it's too late for that. Still, if that’s what you want to do—maybe I should mix you a little something. You'll feel a lot of pain. These little twinges ..."

"Twinges!"

"Twinges!"

"Mere preliminary notices."

"Just preliminary notices."

"How long can I go on? I mean, before I hurt—really."

"How much longer can I keep going? I mean, before I really get hurt."

"You'll get it hot soon. Perhaps three days."

"You'll have it hot soon. Maybe in three days."

Bindon tried to argue for an extension of time, and in the midst of his pleading gasped, put his hand to his side. Suddenly the extraordinary pathos of his life came to him clear and vivid. "It's hard," he said. "It's infernally hard! I've been no man's enemy but my own. I've always treated everybody quite fairly."

Bindon tried to argue for an extension of time, and while he was pleading, he gasped and placed his hand on his side. Suddenly, the extraordinary sadness of his life hit him clearly and vividly. "It's hard," he said. "It's incredibly hard! I've been no one's enemy but my own. I've always treated everyone fairly."

The medical man stared at him without any sympathy for some seconds. He was reflecting how excellent it was that there were no more Bindons to carry on that line of pathos. He felt quite optimistic. Then he turned to his telephone and ordered up a prescription from the Central Pharmacy.[311]

The doctor looked at him without any pity for a few seconds. He was thinking about how great it was that there were no more Bindons to continue that tragic story. He felt pretty optimistic. Then he turned to his phone and requested a prescription from the Central Pharmacy.[311]

He was interrupted by a voice behind him. "By God!" cried Bindon; "I'll have her yet."

He was interrupted by a voice behind him. "By God!" shouted Bindon; "I'll get her eventually."

The physician stared over his shoulder at Bindon's expression, and then altered the prescription.

The doctor glanced back at Bindon's face and then changed the prescription.

So soon as this painful interview was over, Bindon gave way to rage. He settled that the medical man was not only an unsympathetic brute and wanting in the first beginnings of a gentleman, but also highly incompetent; and he went off to four other practitioners in succession, with a view to the establishment of this intuition. But to guard against surprises he kept that little prescription in his pocket. With each he began by expressing his grave doubts of the first doctor's intelligence, honesty and professional knowledge, and then stated his symptoms, suppressing only a few more material facts in each case. These were always subsequently elicited by the doctor. In spite of the welcome depreciation of another practitioner, none of these eminent specialists would give Bindon any hope of eluding the anguish and helplessness that loomed now close upon him. To the last of them he unburthened his mind of an accumulated disgust with medical science. "After centuries and centuries," he exclaimed hotly; "and you can do nothing—except[312] admit your helplessness. I say, 'save me'—and what do you do?"

As soon as this painful meeting was over, Bindon erupted in anger. He decided that the doctor was not only an unsympathetic jerk and lacking in basic decency but also completely incompetent. He went to four other doctors one after the other to prove his point. But to prepare for any surprises, he kept that little prescription in his pocket. With each doctor, he started by expressing his serious doubts about the first doctor's intelligence, honesty, and medical expertise, and then he shared his symptoms, leaving out only a few key details each time. Those details were always brought out by the doctor later. Despite the comforting criticism of another practitioner, none of these respected specialists could give Bindon any hope of escaping the pain and helplessness that was now painfully close to him. To the last doctor, he vented his accumulated frustration with medical science. "After centuries and centuries," he exclaimed passionately; "and you can do nothing—except[312] admit your helplessness. I say, 'save me'—and what do you do?"

"No doubt it's hard on you," said the doctor. "But you should have taken precautions."

"No doubt it's tough on you," said the doctor. "But you should have taken precautions."

"How was I to know?"

"How was I supposed to know?"

"It wasn't our place to run after you," said the medical man, picking a thread of cotton from his purple sleeve. "Why should we save you in particular? You see—from one point of view—people with imaginations and passions like yours have to go—they have to go."

"It wasn't our job to chase after you," said the doctor, pulling a piece of cotton from his purple sleeve. "Why should we save you specifically? You see—looking at it from one perspective—people with imaginations and passions like yours have to go—they have to go."

"Go?"

"Let's go?"

"Die out. It's an eddy."

"Fade away. It's a swirl."

He was a young man with a serene face. He smiled at Bindon. "We get on with research, you know; we give advice when people have the sense to ask for it. And we bide our time."

He was a young man with a calm face. He smiled at Bindon. "We continue with our research, you know; we give advice when people have the sense to ask for it. And we wait for our moment."

"Bide your time?"

"Wait it out?"

"We hardly know enough yet to take over the management, you know."

"We still don't know enough to take over the management, you know."

"The management?"

"Management?"

"You needn't be anxious. Science is young yet. It's got to keep on growing for a few generations. We know enough now to know we don't know enough yet.... But the time is coming, all the same. You won't see the time. But, between ourselves, you rich men and party bosses, with your natural play of the[313] passions and patriotism and religion and so forth, have made rather a mess of things; haven't you? These Underways! And all that sort of thing. Some of us have a sort of fancy that in time we may know enough to take over a little more than the ventilation and drains. Knowledge keeps on piling up, you know. It keeps on growing. And there's not the slightest hurry for a generation or so. Some day—some day, men will live in a different way." He looked at Bindon and meditated. "There'll be a lot of dying out before that day can come."

"You don't need to worry. Science is still new. It has to keep evolving for a few more generations. We know enough now to realize we still have a lot to learn... But that time is coming. You probably won't be around to see it. But, just between us, you wealthy folks and political leaders, with your usual mix of emotions and patriotism and religion and all that, have really messed things up, haven't you? These Underways! And everything related to them. Some of us think that eventually, we might know enough to handle a bit more than just the ventilation and plumbing. Knowledge keeps accumulating, you know. It keeps growing. And there's no rush for another generation or so. Someday—someday, people will live in a different way." He glanced at Bindon and pondered. "There will be a lot of dying off before that day arrives."

Bindon attempted to point out to this young man how silly and irrelevant such talk was to a sick man like himself, how impertinent and uncivil it was to him, an older man occupying a position in the official world of extraordinary power and influence. He insisted that a doctor was paid to cure people—he laid great stress on "paid"—and had no business to glance even for a moment at "those other questions." "But we do," said the young man, insisting upon facts, and Bindon lost his temper.

Bindon tried to explain to this young man how ridiculous and pointless such a conversation was for someone like him who was sick, and how rude and disrespectful it was to him as an older man in a powerful official position. He emphasized that a doctor is supposed to heal people—he stressed the word "paid"—and shouldn’t even think about "those other questions." "But we do," the young man replied, sticking to the facts, and Bindon lost his cool.

His indignation carried him home. That these incompetent impostors, who were unable to save the life of a really influential man like himself, should dream of some day robbing the legitimate property owners of social control, of[314] inflicting one knew not what tyranny upon the world. Curse science! He fumed over the intolerable prospect for some time, and then the pain returned, and he recalled the made-up prescription of the first doctor, still happily in his pocket. He took a dose forthwith.

His outrage drove him home. That these incompetent frauds, who couldn't save a powerful person like him, would think about one day stealing social control from the rightful property owners, inflicting who knows what kind of tyranny on the world. Damn science! He stewed over the unbearable thought for a while, and then the pain came back, reminding him of the fake prescription from the first doctor, still happily tucked in his pocket. He took a dose right away.

It calmed and soothed him greatly, and he could sit down in his most comfortable chair beside his library (of phonographic records), and think over the altered aspect of affairs. His indignation passed, his anger and his passion crumbled under the subtle attack of that prescription, pathos became his sole ruler. He stared about him, at his magnificent and voluptuously appointed apartment, at his statuary and discreetly veiled pictures, and all the evidences of a cultivated and elegant wickedness; he touched a stud and the sad pipings of Tristan's shepherd filled the air. His eye wandered from one object to another. They were costly and gross and florid—but they were his. They presented in concrete form his ideals, his conceptions of beauty and desire, his idea of all that is precious in life. And now—he must leave it all like a common man. He was, he felt, a slender and delicate flame, burning out. So must all life flame up and pass, he thought. His eyes filled with tears.[315]

It really calmed and comforted him, and he could settle into his favorite chair next to his collection of records, thinking about how things had changed. His outrage faded, his anger and passion dissipated under the gentle influence of that remedy, and sadness became his only guide. He looked around at his beautifully decorated apartment, at his sculptures and subtly covered artwork, and all the signs of a refined and elegant indulgence; he pressed a button and the mournful melodies of Tristan's shepherd filled the room. His gaze drifted from one item to another. They were expensive, gaudy, and extravagant—but they were his. They embodied his ideals, his notions of beauty and desire, and what he cherished most in life. And now—he had to leave it all behind like an ordinary person. He felt like a fragile flame, slowly being extinguished. He wondered if all life burns bright and then fades away. Tears filled his eyes.[315]

Then it came into his head that he was alone. Nobody cared for him, nobody needed him! at any moment he might begin to hurt vividly. He might even howl. Nobody would mind. According to all the doctors he would have excellent reason for howling in a day or so. It recalled what his spiritual adviser had said of the decline of faith and fidelity, the degeneration of the age. He beheld himself as a pathetic proof of this; he, the subtle, able, important, voluptuous, cynical, complex Bindon, possibly howling, and not one faithful simple creature in all the world to howl in sympathy. Not one faithful simple soul was there—no shepherd to pipe to him! Had all such faithful simple creatures vanished from this harsh and urgent earth? He wondered whether the horrid vulgar crowd that perpetually went about the city could possibly know what he thought of them. If they did he felt sure some would try to earn a better opinion. Surely the world went from bad to worse. It was becoming impossible for Bindons. Perhaps some day ... He was quite sure that the one thing he had needed in life was sympathy. For a time he regretted that he left no sonnets—no enigmatical pictures or something of that sort behind him to carry[316] on his being until at last the sympathetic mind should come....

Then it hit him that he was alone. Nobody cared about him, nobody needed him! At any moment, he might start to feel intense pain. He might even howl. Nobody would care. According to all the doctors, he would have every reason to howl in a day or so. It reminded him of what his spiritual adviser had said about the decline of faith and loyalty, the degeneration of the times. He saw himself as a sad example of this; he, the clever, capable, significant, indulgent, cynical, complex Bindon, possibly howling, and not a single loyal, simple person in the world to howl in sympathy. Not one loyal, uncomplicated soul was there—no shepherd to play for him! Had all those loyal, simple people vanished from this harsh and demanding world? He wondered if the awful, rude crowd constantly roaming the city could possibly know what he thought of them. If they did, he was sure that some would try to improve his opinion of them. Surely, the world was getting worse. It was becoming impossible for people like Bindon. Maybe someday... He was certain that the one thing he really needed in life was sympathy. For a while, he regretted that he left no sonnets—no mysterious pictures or anything like that behind him to carry[316] on his existence until the sympathetic mind finally arrived....

It seemed incredible to him that this that came was extinction. Yet his sympathetic spiritual guide was in this matter annoyingly figurative and vague. Curse science! It had undermined all faith—all hope. To go out, to vanish from theatre and street, from office and dining-place, from the dear eyes of womankind. And not to be missed! On the whole to leave the world happier!

It seemed unbelievable to him that what was coming was extinction. Yet his empathetic spiritual guide was annoyingly abstract and unclear about it. Damn science! It had destroyed all faith—all hope. To leave, to disappear from the stage and the streets, from the office and restaurants, from the beloved gazes of women. And not to be missed! Overall, to leave the world better off!

He reflected that he had never worn his heart upon his sleeve. Had he after all been too unsympathetic? Few people could suspect how subtly profound he really was beneath the mask of that cynical gaiety of his. They would not understand the loss they had suffered. Elizabeth, for example, had not suspected....

He thought about how he had never worn his heart on his sleeve. Was he maybe too unsympathetic? Few people could guess how deeply profound he really was under that mask of his cynical cheerfulness. They wouldn’t understand the loss they had experienced. Elizabeth, for instance, had no clue....

He had reserved that. His thoughts having come to Elizabeth gravitated about her for some time. How little Elizabeth understood him!

He had set that aside. His thoughts about Elizabeth had been circling around her for a while. How little Elizabeth understood him!

That thought became intolerable. Before all other things he must set that right. He realised that there was still something for him to do in life, his struggle against Elizabeth was even yet not over. He could never overcome her now,[317] as he had hoped and prayed. But he might still impress her!

That thought became unbearable. Above all else, he had to fix that. He realized there was still something for him to achieve in life; his fight against Elizabeth wasn't over yet. He could never beat her now, as he had hoped and prayed. But he might still make an impression on her![317]

From that idea he expanded. He might impress her profoundly—he might impress her so that she should for evermore regret her treatment of him. The thing that she must realise before everything else was his magnanimity. His magnanimity! Yes! he had loved her with amazing greatness of heart. He had not seen it so clearly before—but of course he was going to leave her all his property. He saw it instantly, as a thing determined and inevitable. She would think how good he was, how spaciously generous; surrounded by all that makes life tolerable from his hand, she would recall with infinite regret her scorn and coldness. And when she sought expression for that regret, she would find that occasion gone forever, she should be met by a locked door, by a disdainful stillness, by a white dead face. He closed his eyes and remained for a space imagining himself that white dead face.

From that idea, he expanded. He might impress her deeply—he might impress her so much that she would forever regret how she treated him. The first thing she needed to realize was his generosity. His generosity! Yes! He had loved her with an incredible big heart. He hadn’t seen it clearly before—but of course, he was going to leave her all his property. He saw it immediately, as if it was decided and unavoidable. She would think about how good he was, how generously giving; surrounded by everything that makes life bearable from him, she would remember with endless regret her disdain and coldness. And when she tried to express that regret, she would find that opportunity gone forever; she would be faced with a locked door, with a scornful silence, with a lifeless pale face. He closed his eyes and spent some time imagining that lifeless pale face.

From that he passed to other aspects of the matter, but his determination was assured. He meditated elaborately before he took action, for the drug he had taken inclined him to a lethargic and dignified melancholy. In certain respects he modified details. If he left all[318] his property to Elizabeth it would include the voluptuously appointed room he occupied, and for many reasons he did not care to leave that to her. On the other hand, it had to be left to some one. In his clogged condition this worried him extremely.

From there, he moved on to other aspects of the situation, but he was firm in his decision. He thought carefully before taking action, as the drug he had taken made him feel sluggish and melancholic. In some ways, he changed the details. If he left all his property to Elizabeth, it would include the lavishly furnished room he was staying in, and for many reasons, he didn’t want to leave that to her. On the other hand, it had to go to someone. In his impaired state, this stressed him out a lot.

In the end he decided to leave it to the sympathetic exponent of the fashionable religious cult, whose conversation had been so pleasing in the past. "He will understand," said Bindon with a sentimental sigh. "He knows what Evil means—he understands something of the Stupendous Fascination of the Sphinx of Sin. Yes—he will understand." By that phrase it was that Bindon was pleased to dignify certain unhealthy and undignified departures from sane conduct to which a misguided vanity and an ill-controlled curiosity had led him. He sat for a space thinking how very Hellenic and Italian and Neronic, and all those things, he had been. Even now—might one not try a sonnet? A penetrating voice to echo down the ages, sensuous, sinister, and sad. For a space he forgot Elizabeth. In the course of half an hour he spoilt three phonographic coils, got a headache, took a second dose to calm himself, and reverted to magnanimity and his former design.

In the end, he chose to turn to the sympathetic advocate of the trendy religious movement, whose conversations had been so enjoyable in the past. "He will get it," Bindon said with a dramatic sigh. "He knows what Evil is—he understands a bit about the Incredible Allure of the Sphinx of Sin. Yeah—he will get it." It was with that phrase that Bindon was pleased to legitimize certain unhealthy and undignified departures from rational behavior to which a misguided vanity and a poorly controlled curiosity had led him. He sat for a while, reflecting on how very Hellenic and Italian and Neronic, and all those things, he had been. Even now—shouldn’t he try a sonnet? A powerful voice to resonate through the ages, sensual, dark, and melancholic. For a while, he forgot about Elizabeth. In the span of half an hour, he ruined three phonograph discs, developed a headache, took a second dose to relax, and reverted to nobility and his original intention.

At last he faced the unpalatable problem of[319] Denton. It needed all his newborn magnanimity before he could swallow the thought of Denton; but at last this greatly misunderstood man, assisted by his sedative and the near approach of death, effected even that. If he was at all exclusive about Denton, if he should display the slightest distrust, if he attempted any specific exclusion of that young man, she might—misunderstand. Yes—she should have her Denton still. His magnanimity must go even to that. He tried to think only of Elizabeth in the matter.

At last, he confronted the uncomfortable issue of[319] Denton. It took all his newfound generosity for him to accept the idea of Denton; but eventually, this greatly misunderstood man, aided by his calming medication and the looming presence of death, managed to do just that. If he had any exclusivity regarding Denton, if he showed the slightest hint of distrust, if he tried to specifically exclude that young man, she might—misunderstand. Yes—she should have her Denton still. His generosity had to extend even to that. He tried to focus solely on Elizabeth in the situation.

He rose with a sigh, and limped across to the telephonic apparatus that communicated with his solicitor. In ten minutes a will duly attested and with its proper thumb-mark signature lay in the solicitor's office three miles away. And then for a space Bindon sat very still.

He got up with a sigh and limped over to the phone that connected him to his lawyer. In ten minutes, a properly signed will with the right thumbprint was in the lawyer's office three miles away. Then, for a while, Bindon sat completely still.

Suddenly he started out of a vague reverie and pressed an investigatory hand to his side.

Suddenly, he snapped out of a vague daydream and pressed a curious hand to his side.

Then he jumped eagerly to his feet and rushed to the telephone. The Euthanasia Company had rarely been called by a client in a greater hurry.

Then he quickly jumped to his feet and rushed to the phone. The Euthanasia Company had rarely received a call from a client in such a hurry.

So it came at last that Denton and his Elizabeth, against all hope, returned unseparated from the labour servitude to which they had fallen. Elizabeth came out from her cramped[320] subterranean den of metal-beaters and all the sordid circumstances of blue canvas, as one comes out of a nightmare. Back towards the sunlight their fortune took them; once the bequest was known to them, the bare thought of another day's hammering became intolerable. They went up long lifts and stairs to levels that they had not seen since the days of their disaster. At first she was full of this sensation of escape; even to think of the underways was intolerable; only after many months could she begin to recall with sympathy the faded women who were still below there, murmuring scandals and reminiscences and folly, and tapping away their lives.

So finally, Denton and Elizabeth, against all odds, returned together from the hard labor they had endured. Elizabeth emerged from her cramped[320] underground space filled with metalworkers and all the grim surroundings of blue canvas, like someone coming out of a nightmare. Their luck led them back towards the sunlight; once they learned about the inheritance, just the thought of another day of hammering felt unbearable. They climbed long elevators and stairs to levels they hadn't seen since their downfall. At first, she was overwhelmed by the feeling of escape; even thinking about the underworld was too much to handle. Only after several months could she start to empathize with the exhausted women who were still down there, gossiping about scandals and reminiscing while wasting their lives away.

Her choice of the apartments they presently took expressed the vehemence of her release. They were rooms upon the very verge of the city; they had a roof space and a balcony upon the city wall, wide open to the sun and wind, the country and the sky.

Her choice of the apartments they currently chose reflected her intense sense of liberation. They were rooms right on the edge of the city; they featured a roof space and a balcony on the city wall, fully exposed to the sun and wind, the countryside, and the sky.

And in that balcony comes the last scene in this story. It was a summer sunsetting, and the hills of Surrey were very blue and clear. Denton leant upon the balcony regarding them, and Elizabeth sat by his side. Very wide and spacious was the view, for their balcony hung five hundred feet above the ancient level of the[321] ground. The oblongs of the Food Company, broken here and there by the ruins—grotesque little holes and sheds—of the ancient suburbs, and intersected by shining streams of sewage, passed at last into a remote diapering at the foot of the distant hills. There once had been the squatting-place of the children of Uya. On those further slopes gaunt machines of unknown import worked slackly at the end of their spell, and the hill crest was set with stagnant wind vanes. Along the great south road the Labour Company's field workers in huge wheeled mechanical vehicles, were hurrying back to their meals, their last spell finished. And through the air a dozen little private aëroplanes sailed down towards the city. Familiar scene as it was to the eyes of Denton and Elizabeth, it would have filled the minds of their ancestors with incredulous amazement. Denton's thoughts fluttered towards the future in a vain attempt at what that scene might be in another two hundred years, and, recoiling, turned towards the past.

And on that balcony happens the final scene of this story. It was a summer sunset, and the hills of Surrey were bright blue and clear. Denton leaned on the balcony, watching them, while Elizabeth sat by his side. The view was broad and expansive, as their balcony was five hundred feet above the old level of the[321] ground. The rectangles of the Food Company, dotted here and there with the ruins—quirky little holes and sheds—of the old suburbs, and crossed by shining streams of sewage, eventually faded into a distant pattern at the base of the far-off hills. There used to be the home of Uya's children. On those distant slopes, ragged machines of unclear purpose worked lazily at the end of their shift, and the hilltops were dotted with stagnant wind vanes. Along the busy south road, the Labour Company's field workers in large wheeled machines hurried back to their meals, having just finished their last shift. And through the air, a dozen little private airplanes glided down toward the city. Although this scene was familiar to Denton and Elizabeth, it would have left their ancestors in utter disbelief. Denton's thoughts flitted toward the future, trying in vain to imagine what that scene might look like in another two hundred years, and, recoiling, turned back to the past.

He shared something of the growing knowledge of the time; he could picture the quaint smoke-grimed Victorian city with its narrow little roads of beaten earth, its wide common-land, ill-organised, ill-built suburbs, and irregular[322] enclosures; the old countryside of the Stuart times, with its little villages and its petty London; the England of the monasteries, the far older England of the Roman dominion, and then before that a wild country with here and there the huts of some warring tribe. These huts must have come and gone and come again through a space of years that made the Roman camp and villa seem but yesterday; and before those years, before even the huts, there had been men in the valley. Even then—so recent had it all been when one judged it by the standards of geological time—this valley had been here; and those hills yonder, higher, perhaps, and snow-tipped, had still been yonder hills, and the Thames had flowed down from the Cotswolds to the sea. But the men had been but the shapes of men, creatures of darkness and ignorance, victims of beasts and floods, storms and pestilence and incessant hunger. They had held a precarious foothold amidst bears and lions and all the monstrous violence of the past. Already some at least of these enemies were overcome....

He had a sense of the expanding knowledge of his time; he could imagine the charming, smoky Victorian city with its narrow dirt roads, its spacious common land, poorly planned and poorly built suburbs, and irregular enclosures; the old countryside from the Stuart era, with its small villages and minor London; the England of monasteries, the even older England from the Roman Empire, and before that, a wild land dotted with the huts of some warring tribe. These huts must have appeared and disappeared over the years that made the Roman camp and villa seem like just yesterday; and even before those years, before the huts, people had lived in the valley. Even then—so recent had it all been when viewed through the lens of geological time—this valley had existed; and those hills over there, perhaps taller and snow-capped, had still been those hills, and the Thames had flowed down from the Cotswolds to the sea. But the people had been mere shadows of humans, beings of darkness and ignorance, preyed upon by beasts and plagued by floods, storms, pestilence, and never-ending hunger. They had precariously survived among bears and lions and the brutal forces of the past. Already, at least some of these enemies had been conquered...

For a time Denton pursued the thoughts of this spacious vision, trying in obedience to his instinct to find his place and proportion in the scheme.[323]

For a while, Denton followed the ideas of this grand vision, trying, out of a sense of instinct, to figure out his role and significance in the plan.[323]

"It has been chance," he said, "it has been luck. We have come through. It happens we have come through. Not by any strength of our own....

"It was by chance," he said, "it was luck. We made it through. It just so happens we made it through. Not by any strength of our own....

"And yet ... No. I don't know."

"And yet ... No. I have no idea."

He was silent for a long time before he spoke again.

He was quiet for a long time before he spoke again.

"After all—there is a long time yet. There have scarcely been men for twenty thousand years—and there has been life for twenty millions. And what are generations? What are generations? It is enormous, and we are so little. Yet we know—we feel. We are not dumb atoms, we are part of it—part of it—to the limits of our strength and will. Even to die is part of it. Whether we die or live, we are in the making....

"After all, there’s still a long time ahead. There have barely been humans for twenty thousand years, and life has existed for twenty million. And what are generations? What are generations? It’s vast, and we are so small. Yet we know—we feel. We aren’t just lifeless atoms; we are part of it—all of it—to the fullest extent of our strength and will. Even dying is part of it. Whether we live or die, we are all part of the bigger picture..."

"As time goes on—perhaps—men will be wiser.... Wiser....

"As time goes on—maybe—people will be smarter.... Smarter...."

"Will they ever understand?"

"Will they ever get it?"

He became silent again. Elizabeth said nothing to these things, but she regarded his dreaming face with infinite affection. Her mind was not very active that evening. A great contentment possessed her. After a time she laid a gentle hand on his beside her. He fondled it softly, still looking out upon the spacious gold-woven[324] view. So they sat as the sun went down. Until presently Elizabeth shivered.

He fell silent again. Elizabeth didn’t say anything about it, but she looked at his dreamy face with endless affection. Her thoughts weren’t very lively that evening. A deep sense of contentment filled her. After a while, she gently placed her hand on his beside her. He held it softly, still gazing out at the vast golden view[324]. They sat like that as the sun set. Soon, Elizabeth shivered.

Denton recalled himself abruptly from these spacious issues of his leisure, and went in to fetch her a shawl.

Denton quickly pulled himself away from his relaxed thoughts and went inside to get her a shawl.


The Man Who Could Work Miracles

THE MAN WHO COULD WORK MIRACLES
A PANTOUM IN PROSE

It is doubtful whether the gift was innate. For my own part, I think it came to him suddenly. Indeed, until he was thirty he was a sceptic, and did not believe in miraculous powers. And here, since it is the most convenient place, I must mention that he was a little man, and had eyes of a hot brown, very erect red hair, a moustache with ends that he twisted up, and freckles. His name was George McWhirter Fotheringay—not the sort of name by any means to lead to any expectation of miracles—and he was clerk at Gomshott's. He was greatly addicted to assertive argument. It was while he was asserting the impossibility of miracles that he had his first intimation of his extraordinary powers. This particular argument was being held in the bar of the Long Dragon, and Toddy Beamish was conducting the opposition by a monotonous but effective "So you say,"[328] that drove Mr. Fotheringay to the very limit of his patience.

It is questionable whether the gift was something he was born with. For my part, I think it hit him all of a sudden. In fact, until he turned thirty, he was a skeptic who didn’t believe in miraculous abilities. And since this is the best time to mention it, I should note that he was a short guy, had intense brown eyes, very straight red hair, a mustache with curled tips, and freckles. His name was George McWhirter Fotheringay—not exactly a name that suggests miraculous things—and he worked as a clerk at Gomshott’s. He had a strong tendency to argue assertively. It was while he was insisting on the impossibility of miracles that he first realized his extraordinary powers. This particular debate was taking place in the bar of the Long Dragon, with Toddy Beamish opposing him using a monotonous yet effective "So you say,"[328] which pushed Mr. Fotheringay to the brink of his patience.

There were present, besides these two, a very dusty cyclist, landlord Cox, and Miss Maybridge, the perfectly respectable and rather portly barmaid of the Dragon. Miss Maybridge was standing with her back to Mr. Fotheringay, washing glasses; the others were watching him, more or less amused by the present ineffectiveness of the assertive method. Goaded by the Torres Vedras tactics of Mr. Beamish, Mr. Fotheringay determined to make an unusual rhetorical effort. "Looky here, Mr. Beamish," said Mr. Fotheringay. "Let us clearly understand what a miracle is. It's something contrariwise to the course of nature done by power of Will, something what couldn't happen without being specially willed."

Along with the two of them, there was a very dusty cyclist, landlord Cox, and Miss Maybridge, the perfectly respectable and somewhat plump barmaid of the Dragon. Miss Maybridge was standing with her back to Mr. Fotheringay, washing glasses; the others were watching him, somewhat amused by the current ineffectiveness of his assertive approach. Pushed on by Mr. Beamish's tactics, Mr. Fotheringay decided to make an unusual rhetorical effort. "Listen up, Mr. Beamish," said Mr. Fotheringay. "Let’s be clear about what a miracle is. It's something contrary to the natural order, done by the power of Will, something that wouldn't happen without it being specially willed."

"So you say," said Mr. Beamish, repulsing him.

"So you say," Mr. Beamish replied, pushing him away.

Mr. Fotheringay appealed to the cyclist, who had hitherto been a silent auditor, and received his assent—given with a hesitating cough and a glance at Mr. Beamish. The landlord would express no opinion, and Mr. Fotheringay, returning to Mr. Beamish, received the unexpected concession of a qualified assent to his definition of a miracle.[329]

Mr. Fotheringay turned to the cyclist, who had been quietly listening until now, and got his agreement—given with a hesitant cough and a look at Mr. Beamish. The landlord didn't share any thoughts, and Mr. Fotheringay, turning back to Mr. Beamish, got an unexpected partial approval of his definition of a miracle.[329]

"For instance," said Mr. Fotheringay, greatly encouraged. "Here would be a miracle. That lamp, in the natural course of nature, couldn't burn like that upsy-down, could it, Beamish?"

"For example," Mr. Fotheringay said, feeling very encouraged. "This would be a miracle. That lamp, in the normal course of nature, couldn't burn like that upside down, could it, Beamish?"

"You say it couldn't," said Beamish.

"You say it can't," said Beamish.

"And you?" said Fotheringay. "You don't mean to say—eh?"

"And you?" Fotheringay said. "You don't mean to say—right?"

"No," said Beamish reluctantly. "No, it couldn't."

"No," Beamish said hesitantly. "No, it couldn't."

"Very well," said Mr. Fotheringay. "Then here comes someone, as it might be me, along here, and stands as it might be here, and says to that lamp, as I might do, collecting all my will—Turn upsy-down without breaking, and go on burning steady, and—Hullo!"

"Alright," said Mr. Fotheringay. "So here comes someone, maybe me, standing right here, and says to that lamp, like I would, gathering all my focus—Turn upside down without breaking, and keep burning steadily, and—Whoa!"

It was enough to make anyone say "Hullo!" The impossible, the incredible, was visible to them all. The lamp hung inverted in the air, burning quietly with its flame pointing down. It was as solid, as indisputable as ever a lamp was, the prosaic common lamp of the Long Dragon bar.

It was enough to make anyone say "Hello!" The impossible, the incredible, was right in front of them. The lamp hung upside down in the air, burning quietly with its flame pointing down. It was as solid and undeniable as any lamp could be, the ordinary common lamp of the Long Dragon bar.

Mr. Fotheringay stood with an extended forefinger and the knitted brows of one anticipating a catastrophic smash. The cyclist, who was sitting next the lamp, ducked and jumped across the bar. Everybody jumped, more or[330] less. Miss Maybridge turned and screamed. For nearly three seconds the lamp remained still. A faint cry of mental distress came from Mr. Fotheringay. "I can't keep it up," he said, "any longer." He staggered back, and the inverted lamp suddenly flared, fell against the corner of the bar, bounced aside, smashed upon the floor, and went out.

Mr. Fotheringay stood with his finger pointed and brows knitted, looking like he was bracing for a disaster. The cyclist, who was sitting next to the lamp, ducked and jumped across the bar. Everyone reacted, more or less. Miss Maybridge turned and screamed. For almost three seconds, the lamp stayed still. A soft cry of distress came from Mr. Fotheringay. "I can't hold it up," he said, "any longer." He staggered back, and the upside-down lamp suddenly flared, fell against the corner of the bar, bounced aside, shattered on the floor, and went out.

It was lucky it had a metal receiver, or the whole place would have been in a blaze. Mr. Cox was the first to speak, and his remark, shorn of needless excrescences, was to the effect that Fotheringay was a fool. Fotheringay was beyond disputing even so fundamental a proposition as that! He was astonished beyond measure at the thing that had occurred. The subsequent conversation threw absolutely no light on the matter so far as Fotheringay was concerned; the general opinion not only followed Mr. Cox very closely but very vehemently. Everyone accused Fotheringay of a silly trick, and presented him to himself as a foolish destroyer of comfort and security. His mind was in a tornado of perplexity, he was himself inclined to agree with them, and he made a remarkably ineffectual opposition to the proposal of his departure.

It was a good thing it had a metal receiver, or the whole place would’ve gone up in flames. Mr. Cox was the first to speak, and his comment, stripped of unnecessary fluff, was that Fotheringay was an idiot. Fotheringay couldn’t even dispute that basic fact! He was utterly shocked by what had happened. The conversation that followed didn’t clarify anything for Fotheringay; everyone not only echoed Mr. Cox’s thoughts but did so with great intensity. They all blamed Fotheringay for a stupid stunt and portrayed him as a foolish destroyer of comfort and security. His mind was spinning with confusion, and he even felt inclined to agree with them, making a weak attempt to oppose the suggestion that he leave.

He went home flushed and heated, coat-collar[331] crumpled, eyes smarting and ears red. He watched each of the ten street lamps nervously as he passed it. It was only when he found himself alone in his little bed-room in Church Row that he was able to grapple seriously with his memories of the occurrence, and ask, "What on earth happened?"

He went home feeling hot and flustered, his coat collar crumpled, his eyes stinging, and his ears red. He anxiously watched each of the ten street lamps as he walked past them. It was only when he was alone in his small bedroom on Church Row that he could seriously confront his memories of what happened and ask, "What on earth just occurred?"

He had removed his coat and boots, and was sitting on the bed with his hands in his pockets repeating the text of his defence for the seventeenth time, "I didn't want the confounded thing to upset," when it occurred to him that at the precise moment he had said the commanding words he had inadvertently willed the thing he said, and that when he had seen the lamp in the air he had felt that it depended on him to maintain it there without being clear how this was to be done. He had not a particularly complex mind, or he might have stuck for a time at that "inadvertently willed," embracing, as it does, the abstrusest problems of voluntary action; but as it was, the idea came to him with a quite acceptable haziness. And from that, following, as I must admit, no clear logical path, he came to the test of experiment.

He had taken off his coat and boots and was sitting on the bed with his hands in his pockets, repeating his defense for the seventeenth time, "I didn't want the damn thing to break," when it struck him that at that exact moment he said the decisive words, he had accidentally caused the thing to happen, and that when he saw the lamp floating in the air, he felt it was up to him to keep it there without really knowing how to do it. His mind wasn't particularly complicated, or he might have stopped for a moment at that "accidentally caused," which touches on the most difficult questions of voluntary action; but as it was, the idea came to him with a kind of acceptable vagueness. And from there, following, I must admit, no clear logical path, he reached the point of testing the experiment.

He pointed resolutely to his candle and collected his mind, though he felt he did a foolish thing. "Be raised up," he said. But in a second[332] that feeling vanished. The candle was raised, hung in the air one giddy moment, and as Mr. Fotheringay gasped, fell with a smash on his toilet-table, leaving him in darkness save for the expiring glow of its wick.

He pointed firmly at his candle and focused his thoughts, even though he felt like he was being silly. "Rise up," he said. But in an instant[332] that feeling disappeared. The candle lifted, hovered in the air for a dizzy moment, and as Mr. Fotheringay gasped, it dropped with a crash on his vanity, leaving him in darkness except for the fading light of its wick.

For a time Mr. Fotheringay sat in the darkness, perfectly still. "It did happen, after all," he said. "And 'ow I'm to explain it I don't know." He sighed heavily, and began feeling in his pockets for a match. He could find none, and he rose and groped about the toilet-table. "I wish I had a match," he said. He resorted to his coat, and there was none there, and then it dawned upon him that miracles were possible even with matches. He extended a hand and scowled at it in the dark. "Let there be a match in that hand," he said. He felt some light object fall across his palm, and his fingers closed upon a match.

For a while, Mr. Fotheringay sat in the darkness, completely still. "It really happened, after all," he said. "And I have no idea how I'm supposed to explain it." He sighed heavily and started searching his pockets for a match. He couldn't find any, so he stood up and felt around the dresser. "I wish I had a match," he said. He checked his coat, but there was none there, and then it struck him that miracles might happen, even with matches. He reached out his hand and scowled at it in the dark. "Let there be a match in that hand," he said. He felt a small object fall into his palm, and his fingers closed around a match.

After several ineffectual attempts to light this, he discovered it was a safety-match. He threw it down, and then it occurred to him that he might have willed it lit. He did, and perceived it burning in the midst of his toilet-table mat. He caught it up hastily, and it went out. His perception of possibilities enlarged, and he felt for and replaced the candle in its candlestick. "Here! you be lit," said Mr. Fotheringay,[333] and forthwith the candle was flaring, and he saw a little black hole in the toilet-cover, with a wisp of smoke rising from it. For a time he stared from this to the little flame and back, and then looked up and met his own gaze in the looking glass. By this help he communed with himself in silence for a time.

After several unsuccessful tries to light this, he found out it was a safety match. He tossed it aside, and then it hit him that he might have made it light up. He did, and saw it burning in the middle of his vanity mat. He grabbed it quickly, but it went out. His awareness of possibilities expanded, and he felt around and put the candle back in its holder. "Here! you light up," said Mr. Fotheringay,[333] and suddenly the candle flared up, revealing a little black hole in the vanity cover, with a wisp of smoke rising from it. For a moment, he stared from the hole to the little flame and back, and then looked up to meet his own gaze in the mirror. With this, he silently reflected for a while.

"How about miracles now?" said Mr. Fotheringay at last, addressing his reflection.

"How about miracles now?" Mr. Fotheringay finally said, speaking to his reflection.

The subsequent meditations of Mr. Fotheringay were of a severe but confused description. So far, he could see it was a case of pure willing with him. The nature of his experiences so far disinclined him for any further experiments, at least until he had reconsidered them. But he lifted a sheet of paper, and turned a glass of water pink and then green, and he created a snail, which he miraculously annihilated, and got himself a miraculous new tooth-brush. Somewhen in the small hours he had reached the fact that his will-power must be of a particularly rare and pungent quality, a fact of which he had certainly had inklings before, but no certain assurance. The scare and perplexity of his first discovery was now qualified by pride in this evidence of singularity and by vague intimations of advantage. He became aware that the church clock was striking one, and as it did[334] not occur to him that his daily duties at Gomshott's might be miraculously dispensed with, he resumed undressing, in order to get to bed without further delay. As he struggled to get his shirt over his head, he was struck with a brilliant idea. "Let me be in bed," he said, and found himself so. "Undressed," he stipulated; and, finding the sheets cold, added hastily, "and in my nightshirt—no, in a nice soft woollen nightshirt. Ah!" he said with immense enjoyment. "And now let me be comfortably asleep...."

The following thoughts of Mr. Fotheringay were intense but muddled. He realized it was a matter of pure will for him. His previous experiences made him hesitant to try anything else, at least until he had thought them over. But he picked up a piece of paper, turned a glass of water pink and then green, created a snail which he then miraculously wiped out, and got himself a miraculous new toothbrush. At some point in the early hours, he figured out that his willpower was of a particularly unique and strong quality—something he had sensed before but never confirmed. The fear and confusion from his first discovery were now mixed with pride in this evidence of uniqueness and vague hints of potential benefits. He realized the church clock was striking one, and since it didn’t cross his mind that his daily tasks at Gomshott’s might be mysteriously canceled, he went back to undressing so he could get to bed without any more delays. As he wrestled to pull his shirt over his head, he had a brilliant idea. “Let me be in bed,” he said, and found himself there. “Undressed,” he insisted; and when he felt the cold sheets, he quickly added, “and in my nightshirt—no, in a nice soft wool nightshirt. Ah!” he exclaimed with great satisfaction. “And now let me be comfortably asleep....”

He awoke at his usual hour and was pensive all through breakfast-time, wondering whether his overnight experience might not be a particularly vivid dream. At length his mind turned again to cautious experiments. For instance, he had three eggs for breakfast; two his landlady had supplied, good, but shoppy, and one was a delicious fresh goose-egg, laid, cooked, and served by his extraordinary will. He hurried off to Gomshott's in a state of profound but carefully concealed excitement, and only remembered the shell of the third egg when his landlady spoke of it that night. All day he could do no work because of this astonishingly new self-knowledge, but this caused him no inconvenience,[335] because he made up for it miraculously in his last ten minutes.

He woke up at his usual time and was deep in thought throughout breakfast, wondering if his experience from the night before was just a really vivid dream. Eventually, he started thinking about cautious experiments again. For example, he had three eggs for breakfast; two that his landlady provided, which were good but average, and one was a delicious fresh goose egg, laid, cooked, and served by his incredible will. He rushed off to Gomshott's feeling a mix of excitement that he carefully hid, only remembering the shell of the third egg when his landlady mentioned it that night. He couldn't get any work done all day because of this surprisingly new self-awareness, but it didn’t bother him, since he made up for it in a miraculous way during the last ten minutes. [335]

As the day wore on his state of mind passed from wonder to elation, albeit the circumstances of his dismissal from the Long Dragon were still disagreeable to recall, and a garbled account of the matter that had reached his colleagues led to some badinage. It was evident he must be careful how he lifted frangible articles, but in other ways his gift promised more and more as he turned it over in his mind. He intended among other things to increase his personal property by unostentatious acts of creation. He called into existence a pair of very splendid diamond studs, and hastily annihilated them again as young Gomshott came across the counting-house to his desk. He was afraid young Gomshott might wonder how he had come by them. He saw quite clearly the gift required caution and watchfulness in its exercise, but so far as he could judge the difficulties attending its mastery would be no greater than those he had already faced in the study of cycling. It was that analogy, perhaps, quite as much as the feeling that he would be unwelcome in the Long Dragon, that drove him out after supper into the lane beyond the gas-works, to rehearse a few miracles in private.[336]

As the day went on, his mood shifted from wonder to excitement, even though thinking about how he was let go from the Long Dragon was still unpleasant. A mixed-up version of what happened had reached his colleagues, which led to some jokes at his expense. It was clear he needed to be careful when handling fragile items, but in other respects, his talent seemed to promise even more as he thought about it. He planned, among other things, to build his personal wealth through discreet acts of creation. He conjured a pair of really impressive diamond studs but quickly got rid of them when young Gomshott walked over to his desk. He was worried that Gomshott might question how he had obtained them. He realized that managing his talent required caution and awareness, but he thought the challenges of mastering it would be no greater than those he had encountered while learning to ride a bike. It was that comparison, perhaps, along with the sense that he wouldn't be welcome at the Long Dragon, that led him to step out after dinner into the lane beyond the gas works to practice a few tricks in private.[336]

There was possibly a certain want of originality in his attempts, for apart from his will-power Mr. Fotheringay was not a very exceptional man. The miracle of Moses' rod came to his mind, but the night was dark and unfavourable to the proper control of large miraculous snakes. Then he recollected the story of "Tannhäuser" that he had read on the back of the Philharmonic programme. That seemed to him singularly attractive and harmless. He stuck his walking-stick—a very nice Poona-Penang lawyer—into the turf that edged the footpath, and commanded the dry wood to blossom. The air was immediately full of the scent of roses, and by means of a match he saw for himself that this beautiful miracle was indeed accomplished. His satisfaction was ended by advancing footsteps. Afraid of a premature discovery of his powers, he addressed the blossoming stick hastily: "Go back." What he meant was "Change back;" but of course he was confused. The stick receded at a considerable velocity, and incontinently came a cry of anger and a bad word from the approaching person. "Who are you throwing brambles at, you fool?" cried a voice. "That got me on the shin."

There was probably a lack of originality in his efforts, because aside from his determination, Mr. Fotheringay was not an especially remarkable guy. The miracle of Moses' rod popped into his head, but the night was dark and not ideal for managing large miraculous snakes. Then he remembered the story of "Tannhäuser" that he had read on the back of the Philharmonic program. That seemed really appealing and harmless. He stuck his walking stick—a really nice Poona-Penang lawyer—into the grass that lined the path and commanded the dry wood to bloom. Suddenly, the air was filled with the scent of roses, and with a match, he confirmed that this beautiful miracle had indeed happened. His satisfaction was cut short by the sound of approaching footsteps. Worried about someone discovering his powers too soon, he quickly told the blossoming stick: "Go back." What he meant was "Change back," but he was clearly flustered. The stick quickly retreated, and instantly there was an angry shout and a curse from the approaching person. "Who are you throwing brambles at, you fool?" yelled a voice. "That got me on the shin."

"I'm sorry, old chap," said Mr. Fotheringay, and then realising the awkward nature of the[337] explanation, caught nervously at his moustache. He saw Winch, one of the three Immering constables, advancing.

"I'm sorry, man," said Mr. Fotheringay, and then realizing how awkward the[337] explanation was, he nervously fiddled with his mustache. He saw Winch, one of the three Immering constables, coming toward him.

"What d'yer mean by it?" asked the constable. "Hullo! It's you, is it? The gent that broke the lamp at the Long Dragon!"

"What do you mean by that?" asked the constable. "Hey! It's you, isn't it? The guy who broke the lamp at the Long Dragon!"

"I don't mean anything by it," said Mr. Fotheringay. "Nothing at all."

"I don't mean anything by it," Mr. Fotheringay said. "Nothing at all."

"What d'yer do it for then?"

"What do you do it for then?"

"Oh, bother!" said Mr. Fotheringay.

"Oh, bother!" said Mr. Fotheringay.

"Bother indeed! D'yer know that stick hurt? What d'yer do it for, eh?"

"Bother indeed! Do you know that stick hurt? What did you do that for, huh?"

For the moment Mr. Fotheringay could not think what he had done it for. His silence seemed to irritate Mr. Winch. "You've been assaulting the police, young man, this time. That's what you done."

For now, Mr. Fotheringay couldn't remember why he had done it. His silence seemed to annoy Mr. Winch. "You've been attacking the police, young man, this time. That's what you did."

"Look here, Mr. Winch," said Mr. Fotheringay, annoyed and confused, "I'm very sorry. The fact is——"

"Listen up, Mr. Winch," Mr. Fotheringay said, feeling annoyed and confused, "I really apologize. The thing is——"

"Well?"

"What's up?"

He could think of no way but the truth. "I was working a miracle." He tried to speak in an off-hand way, but try as he would he couldn't.

He couldn't think of any way other than the truth. "I was performing a miracle." He attempted to sound casual, but no matter how hard he tried, he just couldn't.

"Working a——! 'Ere, don't you talk rot. Working a miracle, indeed! Miracle! Well, that's downright funny! Why, you's the chap[338] that don't believe in miracles.... Fact is, this is another of your silly conjuring tricks—that's what this is. Now, I tell you——"

"Working a——! Hey, don’t talk nonsense. Working a miracle, really! Miracle! Well, that's just hilarious! You’re the guy[338] who doesn't believe in miracles... The truth is, this is just another one of your dumb tricks—that’s what this is. Now, I’m telling you——"

But Mr. Fotheringay never heard what Mr. Winch was going to tell him. He realised he had given himself away, flung his valuable secret to all the winds of heaven. A violent gust of irritation swept him to action. He turned on the constable swiftly and fiercely. "Here," he said, "I've had enough of this, I have! I'll show you a silly conjuring trick, I will! Go to Hades! Go, now!"

But Mr. Fotheringay never heard what Mr. Winch was about to say. He realized he had exposed himself, letting his valuable secret out for everyone to see. A wave of irritation pushed him into action. He abruptly turned to the constable, full of anger. "Listen," he said, "I've had it with this! I'll show you a ridiculous magic trick! Get lost! Go, now!"

He was alone!

He was all alone!

Mr. Fotheringay performed no more miracles that night, nor did he trouble to see what had become of his flowering stick. He returned to the town, scared and very quiet, and went to his bed-room. "Lord!" he said, "it's a powerful gift—an extremely powerful gift. I didn't hardly mean as much as that. Not really.... I wonder what Hades is like!"

Mr. Fotheringay didn't perform any more miracles that night, nor did he bother to check what happened to his flowering stick. He went back to town, scared and very quiet, and headed to his bedroom. "Wow!" he said, "it's a powerful gift—an incredibly powerful gift. I didn't mean for it to be that much. Not really... I wonder what Hades is like!"

He sat on the bed taking off his boots. Struck by a happy thought he transferred the constable to San Francisco, and without any more interference with normal causation went soberly to bed. In the night he dreamt of the anger of Winch.

He sat on the bed, taking off his boots. Suddenly hit by a happy thought, he transferred the constable to San Francisco, and without any more interruptions to normal events, he went to bed calmly. During the night, he dreamed of Winch's anger.

The next day Mr. Fotheringay heard two[339] interesting items of news. Someone had planted a most beautiful climbing rose against the elder Mr. Gomshott's private house in the Lullaborough Road, and the river as far as Rawling's Mill was to be dragged for Constable Winch.

The next day Mr. Fotheringay heard two[339] interesting bits of news. Someone had planted a gorgeous climbing rose against the elder Mr. Gomshott's private house on Lullaborough Road, and the river up to Rawling's Mill was going to be dragged for Constable Winch.

Mr. Fotheringay was abstracted and thoughtful all that day, and performed no miracles except certain provisions for Winch, and the miracle of completing his day's work with punctual perfection in spite of all the bee-swarm of thoughts that hummed through his mind. And the extraordinary abstraction and meekness of his manner was remarked by several people, and made a matter for jesting. For the most part he was thinking of Winch.

Mr. Fotheringay was deep in thought all day and didn’t perform any miracles, except for a few arrangements for Winch, and the miracle of finishing his work on time despite the swarm of thoughts buzzing in his mind. His unusual distraction and calm demeanor caught the attention of several people, becoming a source of jokes. Mostly, he was thinking about Winch.

On Sunday evening he went to chapel, and oddly enough, Mr. Maydig, who took a certain interest in occult matters, preached about "things that are not lawful." Mr. Fotheringay was not a regular chapel goer, but the system of assertive scepticism, to which I have already alluded, was now very much shaken. The tenor of the sermon threw an entirely new light on these novel gifts, and he suddenly decided to consult Mr. Maydig immediately after the service. So soon as that was determined, he[340] found himself wondering why he had not done so before.

On Sunday evening, he went to church, and interestingly, Mr. Maydig, who had a particular interest in mysterious subjects, preached about "things that are not lawful." Mr. Fotheringay wasn’t a regular churchgoer, but the system of assertive skepticism I mentioned earlier was now very much shaken. The tone of the sermon cast an entirely new perspective on these unusual abilities, and he suddenly decided to consult Mr. Maydig right after the service. As soon as he made that decision, he[340] found himself wondering why he hadn’t done it sooner.

Mr. Maydig, a lean, excitable man with quite remarkably long wrists and neck, was gratified at a request for a private conversation from a young man whose carelessness in religious matters was a subject for general remark in the town. After a few necessary delays, he conducted him to the study of the Manse, which was contiguous to the chapel, seated him comfortably, and, standing in front of a cheerful fire—his legs threw a Rhodian arch of shadow on the opposite wall—requested Mr. Fotheringay to state his business.

Mr. Maydig, a slim, energetic man with notably long wrists and neck, was pleased when a young man known for his carelessness in religious matters asked to have a private conversation with him—something that everyone in town seemed to talk about. After a few unavoidable delays, he led the young man to the study of the Manse, which was next to the chapel. He made sure he was seated comfortably and, standing in front of a warm fire—his legs casting a shadow shaped like a Rhodian arch on the wall opposite—asked Mr. Fotheringay to share what was on his mind.

At first Mr. Fotheringay was a little abashed, and found some difficulty in opening the matter. "You will scarcely believe me, Mr. Maydig, I am afraid"—and so forth for some time. He tried a question at last, and asked Mr. Maydig his opinion of miracles.

At first, Mr. Fotheringay was a bit embarrassed and had some trouble bringing up the subject. "You probably won't believe me, Mr. Maydig, I'm afraid"—and he went on like that for a while. Finally, he asked Mr. Maydig what he thought about miracles.

Mr. Maydig was still saying "Well" in an extremely judicial tone, when Mr. Fotheringay interrupted again: "You don't believe, I suppose, that some common sort of person—like myself, for instance—as it might be sitting here now, might have some sort of twist inside him that made him able to do things by his will."[341]

Mr. Maydig was still saying "Well" in a very authoritative tone when Mr. Fotheringay interrupted again: "You don’t really think that some ordinary person—like me, for example—sitting here right now, could have some kind of twist inside him that lets him do things with just his will?"[341]

"It's possible," said Mr. Maydig. "Something of the sort, perhaps, is possible."

"It's possible," Mr. Maydig said. "Something like that could be possible."

"If I might make free with something here, I think I might show you by a sort of experiment," said Mr. Fotheringay. "Now, take that tobacco-jar on the table, for instance. What I want to know is whether what I am going to do with it is a miracle or not. Just half a minute, Mr. Maydig, please."

"If I may be candid for a moment, I think I can demonstrate something through a kind of experiment," said Mr. Fotheringay. "Now, take that tobacco jar on the table, for example. What I'd like to find out is whether what I'm about to do with it is a miracle or not. Just give me half a minute, Mr. Maydig, please."

He knitted his brows, pointed to the tobacco-jar and said: "Be a bowl of vi'lets."

He frowned, pointed to the tobacco jar, and said, "Be a bowl of violets."

The tobacco-jar did as it was ordered.

The tobacco jar did what it was told.

Mr. Maydig started violently at the change, and stood looking from the thaumaturgist to the bowl of flowers. He said nothing. Presently he ventured to lean over the table and smell the violets; they were fresh-picked and very fine ones. Then he stared at Mr. Fotheringay again.

Mr. Maydig jumped at the sudden change and looked from the magician to the bowl of flowers. He didn’t say anything. After a moment, he leaned over the table to smell the violets; they were freshly picked and really nice. Then he stared at Mr. Fotheringay again.

"How did you do that?" he asked.

"How did you do that?" he asked.

Mr. Fotheringay pulled his moustache. "Just told it—and there you are. Is that a miracle, or is it black art, or what is it? And what do you think's the matter with me? That's what I want to ask."

Mr. Fotheringay tugged at his mustache. "I just said it—and there you go. Is that a miracle, or is it witchcraft, or what is it? And what do you think is wrong with me? That's what I want to know."

"It's a most extraordinary occurrence."

"It's an extraordinary occurrence."

"And this day last week I knew no more that I could do things like that than you did. It[342] came quite sudden. It's something odd about my will, I suppose, and that's as far as I can see."

"And this time last week, I had no idea I could do things like that, just like you didn’t. It came on pretty suddenly. There’s something strange about my will, I guess, and that’s all I can tell."

"Is that—the only thing. Could you do other things besides that?"

"Is that—the only thing? Can you do other things besides that?"

"Lord, yes!" said Mr. Fotheringay. "Just anything." He thought, and suddenly recalled a conjuring entertainment he had seen. "Here!" He pointed. "Change into a bowl of fish—no, not that—change into a glass bowl full of water with goldfish swimming in it. That's better! You see that, Mr. Maydig?"

"Absolutely!" said Mr. Fotheringay. "Just anything." He thought for a moment and suddenly remembered a magic show he had seen. "Here!" He pointed. "Transform into a glass bowl filled with water and goldfish swimming in it. That's better! Do you see that, Mr. Maydig?"

"It's astonishing. It's incredible. You are either a most extraordinary ... But no——"

"It's amazing. It's unbelievable. You are either an incredible ... But no——"

"I could change it into anything," said Mr. Fotheringay. "Just anything. Here! be a pigeon, will you?"

"I can transform it into anything," said Mr. Fotheringay. "Literally anything. Here! Be a pigeon, okay?"

In another moment a blue pigeon was fluttering round the room and making Mr. Maydig duck every time it came near him. "Stop there, will you," said Mr. Fotheringay; and the pigeon hung motionless in the air. "I could change it back to a bowl of flowers," he said, and after replacing the pigeon on the table worked that miracle. "I expect you will want your pipe in a bit," he said, and restored the tobacco-jar.[343]

In a moment, a blue pigeon was flapping around the room, making Mr. Maydig duck every time it got close to him. "Stay still, will you," said Mr. Fotheringay; and the pigeon froze in mid-air. "I could turn it back into a bowl of flowers," he said, and after setting the pigeon on the table, he pulled off that trick. "I assume you'll want your pipe soon," he said, and brought back the tobacco jar.[343]

Mr. Maydig had followed all these later changes in a sort of ejaculatory silence. He stared at Mr. Fotheringay and, in a very gingerly manner, picked up the tobacco-jar, examined it, replaced it on the table. "Well!" was the only expression of his feelings.

Mr. Maydig had watched all these recent changes in a kind of stunned silence. He looked at Mr. Fotheringay and, very cautiously, picked up the tobacco jar, examined it, and then put it back on the table. "Well!" was the only way he expressed his feelings.

"Now, after that it's easier to explain what I came about," said Mr. Fotheringay; and proceeded to a lengthy and involved narrative of his strange experiences, beginning with the affair of the lamp in the Long Dragon and complicated by persistent allusions to Winch. As he went on, the transient pride Mr. Maydig's consternation had caused passed away; he became the very ordinary Mr. Fotheringay of everyday intercourse again. Mr. Maydig listened intently, the tobacco-jar in his hand, and his bearing changed also with the course of the narrative. Presently, while Mr. Fotheringay was dealing with the miracle of the third egg, the minister interrupted with a fluttering extended hand—

"Now, after that, it's easier to explain what I came here for," Mr. Fotheringay said, and he started a long and complicated story about his strange experiences, starting with the incident with the lamp at the Long Dragon and filled with constant references to Winch. As he continued, the brief pride he felt from Mr. Maydig's shock faded away; he transformed back into the very ordinary Mr. Fotheringay of everyday life. Mr. Maydig listened closely, holding a tobacco jar in his hand, and his demeanor also changed as the story went on. Soon, while Mr. Fotheringay was talking about the miracle of the third egg, the minister interrupted with a flustered outstretched hand—

"It is possible," he said. "It is credible. It is amazing, of course, but it reconciles a number of amazing difficulties. The power to work miracles is a gift—a peculiar quality like genius or second sight—hitherto it has come very rarely and to exceptional people. But in this[344] case ... I have always wondered at the miracles of Mahomet, and at Yogi's miracles, and the miracles of Madame Blavatsky. But, of course! Yes, it is simply a gift! It carries out so beautifully the arguments of that great thinker"—Mr. Maydig's voice sank—"his Grace the Duke of Argyll. Here we plumb some profounder law—deeper than the ordinary laws of nature. Yes—yes. Go on. Go on!"

"It’s possible," he said. "It’s believable. It’s incredible, of course, but it resolves several astonishing challenges. The ability to perform miracles is a gift—a unique trait like genius or intuition—so far, it’s been rare and has appeared only in extraordinary individuals. But in this[344] case… I’ve always been fascinated by the miracles of Muhammad, and the miracles of Yogi, and the miracles of Madame Blavatsky. But, of course! Yes, it’s just a gift! It beautifully supports the ideas of that great thinker"—Mr. Maydig’s voice dropped—"his Grace the Duke of Argyll. Here we’re tapping into some deeper law—more profound than the usual laws of nature. Yes—yes. Keep going. Keep going!"

Mr. Fotheringay proceeded to tell of his misadventure with Winch, and Mr. Maydig, no longer overawed or scared, began to jerk his limbs about and interject astonishment. "It's this what troubled me most," proceeded Mr. Fotheringay; "it's this I'm most mijitly in want of advice for; of course he's at San Francisco—wherever San Francisco may be—but of course it's awkward for both of us, as you'll see, Mr. Maydig. I don't see how he can understand what has happened, and I daresay he's scared and exasperated something tremendous, and trying to get at me. I daresay he keeps on starting off to come here. I send him back, by a miracle, every few hours, when I think of it. And of course, that's a thing he won't be able to understand, and it's bound to annoy him; and, of course, if he takes[345] a ticket every time it will cost him a lot of money. I done the best I could for him, but of course it's difficult for him to put himself in my place. I thought afterwards that his clothes might have got scorched, you know—if Hades is all it's supposed to be—before I shifted him. In that case I suppose they'd have locked him up in San Francisco. Of course I willed him a new suit of clothes on him directly I thought of it. But, you see, I'm already in a deuce of a tangle——"

Mr. Fotheringay went on to share his strange encounter with Winch, and Mr. Maydig, no longer intimidated or frightened, started moving his arms around and expressing his disbelief. "This is what troubles me the most," Mr. Fotheringay continued; "this is what I really need advice on; of course he's in San Francisco—wherever that is—but naturally, it's awkward for both of us, as you'll see, Mr. Maydig. I don’t understand how he can grasp what’s happened, and I imagine he's panicking and incredibly frustrated, trying to figure things out. I bet he keeps trying to come here. I manage to send him back, by some miracle, every few hours when I remember. And, of course, that's something he won’t be able to make sense of, and it’s sure to irritate him; and if he buys a ticket every time, it will cost him a fortune. I did the best I could for him, but obviously, it’s hard for him to see things from my perspective. I later thought that his clothes might have gotten damaged, you know—if Hell is really as bad as they say—before I got him out of there. In that case, I imagine they would have locked him up in San Francisco. I immediately wished him a new suit as soon as I thought of it. But, you see, I’m already in a huge mess——"

Mr. Maydig looked serious. "I see you are in a tangle. Yes, it's a difficult position. How you are to end it ..." He became diffuse and inconclusive.

Mr. Maydig looked serious. "I see you're in a bind. Yeah, it's a tough spot. How you're going to resolve it..." He became vague and uncertain.

"However, we'll leave Winch for a little and discuss the larger question. I don't think this is a case of the black art or anything of the sort. I don't think there is any taint of criminality about it at all, Mr. Fotheringay—none whatever, unless you are suppressing material facts. No, it's miracles—pure miracles—miracles, if I may say so, of the very highest class."

"However, let's set aside Winch for a moment and talk about the bigger issue. I don't think this is some sort of dark magic or anything like that. I see no evidence of criminal activity here at all, Mr. Fotheringay—absolutely none, unless you’re hiding important information. No, it’s miracles—absolutely miracles—miracles, if I can put it that way, of the highest order."

He began to pace the hearthrug and gesticulate, while Mr. Fotheringay sat with his arm on the table and his head on his arm, looking worried. "I don't see how I'm to manage about Winch," he said.[346]

He started to walk back and forth on the rug, using hand gestures, while Mr. Fotheringay sat with his arm on the table and his head resting on his arm, looking anxious. "I don’t know how I’m supposed to handle Winch," he said.[346]

"A gift of working miracles—apparently a very powerful gift," said Mr. Maydig, "will find a way about Winch—never fear. My dear Sir, you are a most important man—a man of the most astonishing possibilities. As evidence, for example! And in other ways, the things you may do...."

"A gift for doing miracles—clearly a very strong gift," said Mr. Maydig, "will find a way around Winch—don’t worry. My dear Sir, you are a very important person—a person with the most amazing possibilities. For instance, as proof! And in other ways, the things you could achieve...."

"Yes, I've thought of a thing or two," said Mr. Fotheringay. "But—some of the things came a bit twisty. You saw that fish at first? Wrong sort of bowl and wrong sort of fish. And I thought I'd ask someone."

"Yeah, I've thought of a thing or two," said Mr. Fotheringay. "But—some of the things got a bit mixed up. Remember that fish you saw at first? Wrong type of bowl and wrong type of fish. So I figured I’d ask someone."

"A proper course," said Mr. Maydig, "a very proper course—altogether the proper course." He stopped and looked at Mr. Fotheringay. "It's practically an unlimited gift. Let us test your powers, for instance. If they really are ... If they really are all they seem to be."

"A suitable path," said Mr. Maydig, "a really suitable path—completely the right path." He paused and stared at Mr. Fotheringay. "It's essentially an unlimited gift. Let’s put your abilities to the test, for example. If they truly are... If they really are everything they claim to be."

And so, incredible as it may seem, in the study of the little house behind the Congregational Chapel, on the evening of Sunday, Nov. 10, 1896, Mr. Fotheringay, egged on and inspired by Mr. Maydig, began to work miracles. The reader's attention is specially and definitely called to the date. He will object, probably has already objected, that certain points in this story are improbable, that if any things of the sort already described had indeed occurred,[347] they would have been in all the papers a year ago. The details immediately following he will find particularly hard to accept, because among other things they involve the conclusion that he or she, the reader in question, must have been killed in a violent and unprecedented manner more than a year ago. Now a miracle is nothing if not improbable, and as a matter of fact the reader was killed in a violent and unprecedented manner a year ago. In the subsequent course of this story that will become perfectly clear and credible, as every right-minded and reasonable reader will admit. But this is not the place for the end of the story, being but little beyond the hither side of the middle. And at first the miracles worked by Mr. Fotheringay were timid little miracles—little things with the cups and parlour fitments, as feeble as the miracles of Theosophists, and, feeble as they were, they were received with awe by his collaborator. He would have preferred to settle the Winch business out of hand, but Mr. Maydig would not let him. But after they had worked a dozen of these domestic trivialities, their sense of power grew, their imagination began to show signs of stimulation, and their ambition enlarged. Their first larger enterprise was due to hunger and the negligence of Mrs.[348] Minchin, Mr. Maydig's housekeeper. The meal to which the minister conducted Mr. Fotheringay was certainly ill-laid and uninviting as refreshment for two industrious miracle-workers; but they were seated, and Mr. Maydig was descanting in sorrow rather than in anger upon his housekeeper's shortcomings, before it occurred to Mr. Fotheringay that an opportunity lay before him. "Don't you think, Mr. Maydig," he said, "if it isn't a liberty, I——"

And so, as unbelievable as it may sound, in the study of the small house behind the Congregational Chapel, on the evening of Sunday, November 10, 1896, Mr. Fotheringay, encouraged and inspired by Mr. Maydig, began to perform miracles. The reader's attention is specifically drawn to the date. They might object, and probably have already objected, that certain aspects of this story are unlikely, and that if the events described had actually happened, they would have been in all the newspapers a year ago. The details that follow will be particularly hard to accept, because among other things they imply that he or she, the reader in question, must have died in a violent and unprecedented way more than a year ago. Now, a miracle is inherently improbable, and in fact, the reader *was* killed in a violent and unprecedented manner a year ago. As the story progresses, this will become perfectly clear and believable, as any rational reader will acknowledge. But this isn't the place for the conclusion, as it is only just beyond the beginning. Initially, the miracles performed by Mr. Fotheringay were modest—small things with cups and furniture, as weak as the feats of Theosophists, and although they were weak, they were met with awe by his partner. He would have preferred to settle the Winch issue immediately, but Mr. Maydig wouldn't allow it. However, after they had completed a dozen of these mundane tasks, their sense of power grew, their imagination started to come alive, and their ambition expanded. Their first significant endeavor was triggered by hunger and the carelessness of Mrs. Minchin, Mr. Maydig's housekeeper. The meal the minister presented to Mr. Fotheringay was certainly poorly arranged and unappetizing as a refreshment for two hardworking miracle-makers; but they were seated, and Mr. Maydig was lamenting more in sorrow than in anger about his housekeeper's shortcomings before Mr. Fotheringay realized an opportunity was in front of him. "Don't you think, Mr. Maydig," he said, "if it's not overstepping, *I*—"

"My dear Mr. Fotheringay! Of course! No—I didn't think."

"My dear Mr. Fotheringay! Of course! No—I didn't think."

Mr. Fotheringay waved his hand. "What shall we have?" he said, in a large, inclusive spirit, and, at Mr. Maydig's order, revised the supper very thoroughly. "As for me," he said, eyeing Mr. Maydig's selection, "I am always particularly fond of a tankard of stout and a nice Welsh rarebit, and I'll order that. I ain't much given to Burgundy," and forthwith stout and Welsh rarebit promptly appeared at his command. They sat long at their supper, talking like equals, as Mr. Fotheringay presently perceived, with a glow of surprise and gratification, of all the miracles they would presently do. "And, by the bye, Mr. Maydig," said Mr. Fotheringay, "I might perhaps be able to help you—in a domestic way."[349]

Mr. Fotheringay waved his hand. "What should we have?" he said, in a friendly, inclusive tone, and, at Mr. Maydig's request, went over the dinner menu carefully. "As for me," he said, eyeing Mr. Maydig's choices, "I’ve always really liked a pint of stout and a good Welsh rarebit, so I’ll order that. I’m not really into Burgundy," and right away stout and Welsh rarebit appeared at his command. They enjoyed their dinner for a while, chatting like equals, which Mr. Fotheringay noticed with a sense of surprise and satisfaction, discussing all the amazing things they were about to accomplish. "And, by the way, Mr. Maydig," said Mr. Fotheringay, "I could maybe help you out—in a personal way."[349]

"Don't quite follow," said Mr. Maydig pouring out a glass of miraculous old Burgundy.

"Don't really get it," said Mr. Maydig, pouring a glass of remarkable old Burgundy.

Mr. Fotheringay helped himself to a second Welsh rarebit out of vacancy, and took a mouthful. "I was thinking," he said, "I might be able (chum, chum) to work (chum, chum) a miracle with Mrs. Minchin (chum, chum)—make her a better woman."

Mr. Fotheringay helped himself to a second Welsh rarebit out of emptiness and took a bite. "I was thinking," he said, "I might be able (chum, chum) to work (chum, chum) a miracle with Mrs. Minchin (chum, chum)—make her a better person."

Mr. Maydig put down the glass and looked doubtful. "She's—— She strongly objects to interference, you know, Mr. Fotheringay. And—as a matter of fact—it's well past eleven and she's probably in bed and asleep. Do you think, on the whole——"

Mr. Maydig set the glass down and looked uncertain. "She—she really doesn't like interference, you know, Mr. Fotheringay. And, actually, it's well past eleven and she's probably in bed and asleep. Do you think, overall—"

Mr. Fotheringay considered these objections. "I don't see that it shouldn't be done in her sleep."

Mr. Fotheringay thought about these objections. "I don't see why it can't be done while she's asleep."

For a time Mr. Maydig opposed the idea, and then he yielded. Mr. Fotheringay issued his orders, and a little less at their ease, perhaps, the two gentlemen proceeded with their repast. Mr. Maydig was enlarging on the changes he might expect in his housekeeper next day, with an optimism that seemed even to Mr. Fotheringay's supper senses a little forced and hectic, when a series of confused noises from upstairs began. Their eyes exchanged interrogations,[350] and Mr. Maydig left the room hastily. Mr. Fotheringay heard him calling up to his housekeeper and then his footsteps going softly up to her.

For a while, Mr. Maydig resisted the idea, but then he gave in. Mr. Fotheringay issued his orders, and feeling a bit less comfortable, the two gentlemen continued with their meal. Mr. Maydig was talking about the changes he expected from his housekeeper the next day, with an optimism that seemed a bit forced and frantic, even to Mr. Fotheringay's supper senses, when a series of confusing noises from upstairs started. They exchanged questioning glances,[350] and Mr. Maydig quickly left the room. Mr. Fotheringay heard him calling up to his housekeeper and then heard his footsteps softly going upstairs to her.

In a minute or so the minister returned, his step light, his face radiant. "Wonderful!" he said, "and touching! Most touching!"

In a minute or so, the minister came back, his step light and his face glowing. "Amazing!" he said, "and so moving! Truly moving!"

He began pacing the hearthrug. "A repentance—a most touching repentance—through the crack of the door. Poor woman! A most wonderful change! She had got up. She must have got up at once. She had got up out of her sleep to smash a private bottle of brandy in her box. And to confess it too!... But this gives us—it opens—a most amazing vista of possibilities. If we can work this miraculous change in her ..."

He started pacing the rug in front of the fireplace. "A heartfelt apology—a really moving one—through the crack in the door. Poor woman! What a remarkable change! She’s gotten up. She must have gotten up right away. She got up out of her sleep to break a hidden bottle of brandy in her stash. And to admit it too!... But this gives us—opens up—a stunning range of possibilities. If we can achieve this miraculous change in her ..."

"The thing's unlimited seemingly," said Mr. Fotheringay. "And about Mr. Winch—"

"The thing seems unlimited," said Mr. Fotheringay. "And about Mr. Winch—"

"Altogether unlimited." And from the hearthrug Mr. Maydig, waving the Winch difficulty aside, unfolded a series of wonderful proposals—proposals he invented as he went along.

"Completely unlimited." And from the hearth rug, Mr. Maydig, brushing off the Winch issue, laid out a series of amazing ideas—ideas he came up with on the spot.

Now what those proposals were does not concern the essentials of this story. Suffice it that they were designed in a spirit of infinite benevolence, the sort of benevolence that used to be[351] called post-prandial. Suffice it, too, that the problem of Winch remained unsolved. Nor is it necessary to describe how far that series got to its fulfilment. There were astonishing changes. The small hours found Mr. Maydig and Mr. Fotheringay careering across the chilly market-square under the still moon, in a sort of ecstasy of thaumaturgy, Mr. Maydig all flap and gesture, Mr. Fotheringay short and bristling, and no longer abashed at his greatness. They had reformed every drunkard in the Parliamentary division, changed all the beer and alcohol to water (Mr. Maydig had overruled Mr. Fotheringay on this point); they had, further, greatly improved the railway communication of the place, drained Flinder's swamp, improved the soil of One Tree Hill, and cured the Vicar's wart. And they were going to see what could be done with the injured pier at South Bridge. "The place," gasped Mr. Maydig, "won't be the same place to-morrow. How surprised and thankful everyone will be!" And just at that moment the church clock struck three.

Now, what those proposals were isn’t important to the main story. It's enough to say that they were made with a spirit of endless kindness, the kind of kindness that used to be called post-meal. It’s also enough to note that the problem of Winch remained unresolved. There’s no need to detail how far that series progressed toward its completion. There were incredible changes. Late at night, Mr. Maydig and Mr. Fotheringay were racing through the chilly market square under the still moon, caught up in a kind of magical excitement, with Mr. Maydig flailing and gesturing, and Mr. Fotheringay looking short and bristling, no longer shy about his newfound significance. They had transformed every drunk in the Parliamentary division, turned all the beer and alcohol into water (Mr. Maydig had insisted on this); they had also greatly improved the railway connections in the area, drained Flinder's swamp, enriched the soil of One Tree Hill, and removed the Vicar's wart. They were planning to see what could be done about the damaged pier at South Bridge. "Tomorrow," gasped Mr. Maydig, "this place will be completely different. Everyone will be so surprised and grateful!" And just then, the church clock struck three.

"I say," said Mr. Fotheringay, "that's three o'clock! I must be getting back. I've got to be at business by eight. And besides, Mrs. Wimms—"[352]

"I say," said Mr. Fotheringay, "it's three o'clock! I need to get back. I have to be at work by eight. And also, Mrs. Wimms—"[352]

"We're only beginning," said Mr. Maydig, full of the sweetness of unlimited power. "We're only beginning. Think of all the good we're doing. When people wake—"

"We're just getting started," said Mr. Maydig, full of the thrill of unlimited power. "We're just getting started. Think of all the good we're doing. When people wake—"

"But—," said Mr. Fotheringay.

"But—," said Mr. Fotheringay.

Mr. Maydig gripped his arm suddenly. His eyes were bright and wild. "My dear chap," he said, "there's no hurry. Look"—he pointed to the moon at the zenith—"Joshua!"

Mr. Maydig suddenly grabbed his arm. His eyes were bright and frenzied. "My dear friend," he said, "there's no rush. Look"—he pointed to the moon at its highest point—"Joshua!"

"Joshua?" said Mr. Fotheringay.

"Joshua?" Mr. Fotheringay asked.

"Joshua," said Mr. Maydig. "Why not? Stop it."

"Joshua," Mr. Maydig said. "Why not? Cut it out."

Mr. Fotheringay looked at the moon.

Mr. Fotheringay stared at the moon.

"That's a bit tall," he said after a pause.

"That's a little high," he said after a pause.

"Why not?" said Mr. Maydig. "Of course it doesn't stop. You stop the rotation of the earth, you know. Time stops. It isn't as if we were doing harm."

"Why not?" said Mr. Maydig. "Of course it doesn't stop. You stop the rotation of the earth, you know. Time stops. It's not like we're doing any harm."

"H'm!" said Mr. Fotheringay. "Well." He sighed. "I'll try. Here—"

"Hmm!" said Mr. Fotheringay. "Alright." He sighed. "I'll give it a shot. Here—"

He buttoned up his jacket and addressed himself to the habitable globe, with as good an assumption of confidence as lay in his power. "Jest stop rotating, will you," said Mr. Fotheringay.

He buttoned up his jacket and turned to the Earth, trying to project as much confidence as he could. "Just stop spinning, will you," said Mr. Fotheringay.

Incontinently he was flying head over heels through the air at the rate of dozens of miles a minute. In spite of the innumerable circles he[353] was describing per second, he thought; for thought is wonderful—sometimes as sluggish as flowing pitch, sometimes as instantaneous as light. He thought in a second, and willed. "Let me come down safe and sound. Whatever else happens, let me down safe and sound."

In no time, he was tumbling through the air at dozens of miles a minute. Despite the countless circles he[353] was making every second, he still managed to think; because thought is amazing—sometimes it moves as slowly as thick syrup, and other times it’s as quick as lightning. In a heartbeat, he thought and wished, "Just let me land safely. No matter what else happens, just let me land safely."

He willed it only just in time, for his clothes, heated by his rapid flight through the air, were already beginning to singe. He came down with a forcible, but by no means injurious bump in what appeared to be a mound of fresh-turned earth. A large mass of metal and masonry, extraordinarily like the clock-tower in the middle of the market-square, hit the earth near him, ricochetted over him, and flew into stonework, bricks, and masonry, like a bursting bomb. A hurtling cow hit one of the larger blocks and smashed like an egg. There was a crash that made all the most violent crashes of his past life seem like the sound of falling dust, and this was followed by a descending series of lesser crashes. A vast wind roared throughout earth and heaven, so that he could scarcely lift his head to look. For a while he was too breathless and astonished even to see where he was or what had happened. And his first movement was to feel his head[354] and reassure himself that his streaming hair was still his own.

He managed it just in time, as his clothes, heated from his fast flight through the air, were already starting to burn. He landed with a hard thud, but fortunately, it was not injurious, landing in what seemed to be a mound of freshly turned earth. A large chunk of metal and stone, strikingly similar to the clock tower in the center of the market square, crashed to the ground near him, bouncing over him and smashing into stone, bricks, and debris, like a detonated bomb. A flying cow collided with one of the bigger blocks and shattered like an egg. There was a crash that made all the loudest crashes from his past feel like the sound of falling dust, followed by a series of smaller crashes. A powerful wind roared through both earth and sky, making it hard for him to lift his head to look around. For a moment, he was too breathless and shocked to see where he was or what had happened. His first instinct was to feel his head[354] and reassure himself that his flowing hair was still there.

"Lord!" gasped Mr. Fotheringay, scarce able to speak for the gale, "I've had a squeak! What's gone wrong? Storms and thunder. And only a minute ago a fine night. It's Maydig set me on to this sort of thing. What a wind! If I go on fooling in this way I'm bound to have a thundering accident!...

"Wow!" gasped Mr. Fotheringay, barely able to speak over the wind, "I've had a close call! What’s going on? Storms and thunder. Just a minute ago it was a nice night. It’s Maydig who got me into this kind of mess. What a wind! If I keep messing around like this, I’m definitely going to have a huge accident!...

"Where's Maydig?

"Where's Maydig?"

"What a confounded mess everything's in!"

"What a complete mess everything is in!"

He looked about him so far as his flapping jacket would permit. The appearance of things was really extremely strange. "The sky's all right anyhow," said Mr. Fotheringay. "And that's about all that is all right. And even there it looks like a terrific gale coming up. But there's the moon overhead. Just as it was just now. Bright as midday. But as for the rest—Where's the village? Where's—where's anything? And what on earth set this wind a-blowing? I didn't order no wind."

He looked around as much as his flapping jacket would allow. Everything seemed really odd. "At least the sky's fine," Mr. Fotheringay said. "And that's about the only thing that is. Even there, it looks like a big storm is rolling in. But there's the moon above. Just like it was a moment ago. Bright as noon. But as for everything else—Where's the village? Where's—where's anything? And what on earth started this wind? I didn't ask for any wind."

Mr. Fotheringay struggled to get to his feet in vain, and after one failure, remained on all fours, holding on. He surveyed the moonlit world to leeward, with the tails of his jacket streaming over his head. "There's something[355] seriously wrong," said Mr. Fotheringay. "And what it is—goodness knows."

Mr. Fotheringay tried to stand up but couldn't, so after failing once, he stayed on his hands and knees, holding on. He looked out at the moonlit world to the side, with the ends of his jacket flying over his head. "Something is seriously wrong," said Mr. Fotheringay. "And I have no idea what it is."

Far and wide nothing was visible in the white glare through the haze of dust that drove before a screaming gale but tumbled masses of earth and heaps of inchoate ruins, no trees, no houses, no familiar shapes, only a wilderness of disorder vanishing at last into the darkness beneath the whirling columns and streamers, the lightnings and thunderings of a swiftly rising storm. Near him in the livid glare was something that might once have been an elm-tree, a smashed mass of splinters, shivered from boughs to base, and further a twisted mass of iron girders—only too evidently the viaduct—rose out of the piled confusion.

Far and wide, nothing was visible in the bright glare through the dust haze whipped up by a howling wind, just chaotic piles of earth and scattered debris, no trees, no houses, no familiar shapes, only a desolate landscape fading into the darkness beneath the swirling columns and streamers, the flashes of lightning and booming thunder of a quickly approaching storm. Close by, in the harsh light, was something that might have once been an elm tree—now just a broken mass of splinters, shattered from top to bottom—and further along, a twisted jumble of iron girders—clearly the viaduct—stood out from the chaotic wreckage.

You see, when Mr. Fotheringay had arrested the rotation of the solid globe, he had made no stipulation concerning the trifling movables upon its surface. And the earth spins so fast that the surface at its equator is travelling at rather more than a thousand miles an hour, and in these latitudes at more than half that pace. So that the village, and Mr. Maydig, and Mr. Fotheringay, and everybody and everything had been jerked violently forward at about nine miles per second—that is to say, much more violently than if they had been fired out of a[356] cannon. And every human being, every living creature, every house, and every tree—all the world as we know it—had been so jerked and smashed and utterly destroyed. That was all.

You see, when Mr. Fotheringay stopped the rotation of the solid globe, he didn't set any rules about the little things on its surface. The Earth spins so fast that the surface at the equator is moving at over a thousand miles an hour, and in these areas, it's at more than half that speed. So, the village, Mr. Maydig, Mr. Fotheringay, and everyone and everything else had been violently thrown forward at about nine miles per second—much more intensely than if they had been shot out of a[356] cannon. And every person, every living creature, every house, and every tree—all of the world as we know it—had been jerked and smashed and completely destroyed. That was it.

These things Mr. Fotheringay did not, of course, fully appreciate. But he perceived that his miracle had miscarried, and with that a great disgust of miracles came upon him. He was in darkness now, for the clouds had swept together and blotted out his momentary glimpse of the moon, and the air was full of fitful struggling tortured wraiths of hail. A great roaring of wind and waters filled earth and sky, and, peering under his hand through the dust and sleet to windward, he saw by the play of the lightnings a vast wall of water pouring towards him.

These things Mr. Fotheringay didn't fully understand, of course. But he realized that his miracle had failed, and with that came a strong dislike for miracles. He was now in darkness, as the clouds had gathered and blocked his brief view of the moon, and the air was filled with the chaotic, tortured spirits of hail. A loud roar of wind and water engulfed both earth and sky, and, squinting through the dust and sleet into the wind, he saw in the flashes of lightning a massive wall of water rushing toward him.

"Maydig!" screamed Mr. Fotheringay's feeble voice amid the elemental uproar. "Here!—Maydig!

"Maydig!" yelled Mr. Fotheringay's weak voice over the chaotic noise. "Here!—Maydig!

"Stop!" cried Mr. Fotheringay to the advancing water. "Oh, for goodness' sake, stop!

"Stop!" shouted Mr. Fotheringay at the approaching water. "Oh, for goodness' sake, stop!

"Just a moment," said Mr. Fotheringay to the lightnings and thunder. "Stop jest a moment while I collect my thoughts.... And now what shall I do?" he said. "What shall I do? Lord! I wish Maydig was about.[357]

"Hang on a sec," said Mr. Fotheringay to the lightning and thunder. "Give me a moment to gather my thoughts.... So what should I do now?" he said. "What should I do? Man! I wish Maydig was here.[357]

"I know," said Mr. Fotheringay. "And for goodness' sake let's have it right this time."

"I know," said Mr. Fotheringay. "And for goodness' sake, let's get it right this time."

He remained on all fours, leaning against the wind, very intent to have everything right.

He stayed on all fours, bracing against the wind, focused on getting everything just right.

"Ah!" he said. "Let nothing what I'm going to order happen until I say 'Off!'.... Lord! I wish I'd thought of that before!"

"Ah!" he said. "Don’t let anything I’m about to ask happen until I say 'Off!'.... Man! I wish I had thought of that earlier!"

He lifted his little voice against the whirlwind, shouting louder and louder in the vain desire to hear himself speak. "Now then!—here goes! Mind about that what I said just now. In the first place, when all I've got to say is done, let me lose my miraculous power, let my will become just like anybody else's will, and all these dangerous miracles be stopped. I don't like them. I'd rather I didn't work 'em. Ever so much. That's the first thing. And the second is—let me be back just before the miracles begin; let everything be just as it was before that blessed lamp turned up. It's a big job, but it's the last. Have you got it? No more miracles, everything as it was—me back in the Long Dragon just before I drank my half-pint. That's it! Yes."

He raised his small voice against the wind, shouting louder and louder in the futile hope of hearing himself speak. "Alright then! Here goes! Remember what I said just now. First of all, once I finish what I have to say, let me lose my miraculous powers, let my will become like everyone else's, and stop all these dangerous miracles. I really don't like them. I’d prefer not to use them at all. A lot more. That’s the first thing. And the second is—let me be back right before the miracles start; let everything be just as it was before that amazing lamp appeared. It’s a big task, but it’s the last one. Got it? No more miracles, everything just as it was—me back in the Long Dragon just before I had my half-pint. That’s it! Yes."

He dug his fingers into the mould, closed his eyes, and said "Off!"

He plunged his fingers into the mold, shut his eyes, and said, "Go!"

Everything became perfectly still. He perceived that he was standing erect.[358]

Everything became completely still. He realized that he was standing upright.[358]

"So you say," said a voice.

"So you say," said a voice.

He opened his eyes. He was in the bar of the Long Dragon, arguing about miracles with Toddy Beamish. He had a vague sense of some great thing forgotten that instantaneously passed. You see that, except for the loss of his miraculous powers, everything was back as it had been, his mind and memory therefore were now just as they had been at the time when this story began. So that he knew absolutely nothing of all that is told here, knows nothing of all that is told here to this day. And among other things, of course, he still did not believe in miracles.

He opened his eyes. He was in the bar of the Long Dragon, arguing about miracles with Toddy Beamish. He had a vague feeling of some important thing he had forgotten that suddenly slipped away. You see, except for losing his miraculous powers, everything was just as it had been; his mind and memory were now exactly as they were when this story began. So, he knew absolutely nothing of what’s been told here, knows nothing of what’s been told here to this day. And among other things, of course, he still didn’t believe in miracles.

"I tell you that miracles, properly speaking, can't possibly happen," he said, "whatever you like to hold. And I'm prepared to prove it up to the hilt."

"I’m telling you that miracles, strictly speaking, can’t actually happen," he said, "no matter what you believe. And I’m ready to prove it thoroughly."

"That's what you think," said Toddy Beamish, and "Prove it if you can."

"That's what you think," said Toddy Beamish, "and 'Prove it if you can.'"

"Looky here, Mr. Beamish," said Mr. Fotheringay. "Let us clearly understand what a miracle is. It's something contrariwise to the course of nature done by power of Will...."

"Hey, Mr. Beamish," said Mr. Fotheringay. "Let’s make sure we understand what a miracle really is. It’s something that goes against the natural order, done by the power of Will...."

THE END

THE END

Printed by Ballantyne, Hanson & Co.
Edinburgh & London

Printed by Ballantyne, Hanson & Co.
Edinburgh & London


When the
Sleeper Wakes

A Story of the Days to Come. By H. G. Wells, Author of "The War of the Worlds," &c.

A Story of the Future. By H. G. Wells, Author of "The War of the Worlds" and more.

"When the Sleeper Wakes," by far the longest story Mr. Wells has yet given us, presents a spacious picture of the development of our civilisation during the next two hundred years. The sleeper is a typical liberal-minded man of means of the nineteenth century, and he awakens from a cataleptic trance in the year 2100, to discover that by an ironic combination of circumstances he has become the central figure of an enormous political convulsion. His attempt to rise to the responsibilities of his position, his struggle for power—inspired by an enthusiastic girl—with the great political organiser Ostrog, give the great structural lines of the story.

"When the Sleeper Wakes," by far the longest story Mr. Wells has written, offers a broad view of the development of our civilization over the next two hundred years. The sleeper is a typical liberal-minded wealthy man from the nineteenth century, and he wakes up from a cataleptic trance in the year 2100, only to find that, due to an ironic twist of fate, he has become the central figure in a massive political upheaval. His efforts to rise to the challenges of his position and his power struggle—motivated by an enthusiastic girl—against the great political organizer Ostrog outline the main framework of the story.

"He fell to sleep a fanatical democrat—a socialist: he woke a tyrant; he died fighting with the people against the tyranny he had unconsciously fashioned while he slept. Surely a theme of magnificent possibilities—a theme more fertile in romance even than the central idea of 'The War of the Worlds.' The discovery of such material is in itself no mean triumph."—Bookman.

"He went to sleep a passionate democrat—a socialist: he woke up a tyrant; he died fighting alongside the people against the oppression he had unknowingly created while he slept. Surely a theme with incredible possibilities—a theme even richer in romance than the central idea of 'The War of the Worlds.' The discovery of such material is an impressive achievement in itself."—Bookman.

"One of the cleverest books ever written."—Birmingham Post.

"One of the smartest books ever written."—Birmingham Post.

"Mr. Wells sustains his reputation as the leading novelist of the unknown in his latest effort of imagination, 'When the Sleeper Wakes.'"—The World.

"Mr. Wells maintains his status as the top novelist of the unknown in his latest imaginative work, 'When the Sleeper Wakes.'"—The World.

"There is more than the triumph of extravagant fancy in Mr. Wells's book; its undertones are well worth attention too."—The World.

"There's more to Mr. Wells's book than just the success of wild imagination; its deeper meanings are also worth considering."—The World.

"Mr. Wells beats Jules Verne on his own ground."—Daily News.

"Mr. Wells outshines Jules Verne in his own territory."—Daily News.

"An enthralling effort of imagination, vivid and bizarre as a powerful nightmare."—The Guardian.

"A captivating display of creativity, intense and strange like a vivid nightmare."—The Guardian.

"This is undoubtedly a most remarkable book, a tour de force of the intellect and imagination."—The Queen.

"This is definitely an amazing book, a tour de force of intellect and imagination."—The Queen.

Harper & Brothers, 45 Albemarle Street
London, W.

Harper & Brothers, 45 Albemarle Street London, W.


Successful Short Stories
By Thomas Hardy
A Group of Noble Dames.Price 6s.
Life's Little Ironies.Price 6s.
Wessex Tales.Price 6s.
By Mary E. Wilkins
A New England Nun.Price 6s.
Silence.Price 6s.
By Mrs. Francis Blundell
In a North Country Village.
Illustrated by Frank Felloes.Price 6s.
By E. F. Benson
Six Common Things.Price 3s. 6d.
By Barry Pain
In a Canadian Canoe.Price 3s. 6d.
By Eden Phillpotts
Down Dartmoor Way.Price 6s.
By Annie Trumbull Slosson
Seven Dreamers.Price 6s.
By Margaret Deland
Old Chester Tales.
Illustrated by Howard Pyle.Price 6s.

Harper & Brothers, 45 Albemarle Street
London, W.

Harper & Brothers, 45 Albemarle Street
London, W.




        
        
    
Download ePUB

If you like this ebook, consider a donation!