FANTÔMAS

Bibliographical Note

This Dover edition, first published in 2006, is an unabridged republication of the
work first published by Brentano's Publishers Inc., New York, in 1915.

International Standard Book Number: 0-486-44971-8

Manufactured in the United States of America
Dover Publications, Inc., 31 East 2nd Street, Mineola, N.Y. 11501

[Pg iii]

[Pg iv]

[1]

"Fantômas."

"What did you say?"

"I said: Fantômas."

"And what does that mean?"

"Nothing.... Everything!"

"But what is it?"

"Nobody.... And yet, yes, it is somebody!"

"And what does the somebody do?"

"Spreads terror!"

Dinner was just over, and the company were moving into the drawing-room.

Hurrying to the fireplace, the Marquise de Langrune took a large log from a basket and flung it on to the glowing embers on the hearth; the log crackled and shed a brilliant light over the whole room; the guests of the Marquise instinctively drew near to the fire.

During the ten consecutive months she spent every year at her château of Beaulieu, on the outskirts of Corrèze, that picturesque district bounded by the Dordogne, it had been the immemorial custom of the Marquise de Langrune to entertain a few of her personal friends in the neighbourhood to dinner every Wednesday, thereby obtaining a little pleasant relief from her loneliness and keeping up some contact with the world.

On this particular winter evening the good lady's guests included several habitués: President Bonnet, a retired magistrate who had withdrawn to his small property at Saint-Jaury, in the[2] suburbs of Brives, and the Abbé Sicot, who was the parish priest. A more occasional friend was also there, the Baronne de Vibray, a young and wealthy widow, a typical woman of the world who spent the greater part of her life either in motoring, or in the most exclusive drawing-rooms of Paris, or at the most fashionable watering-places. But when the Baronne de Vibray put herself out to grass, as she racily phrased it, and spent a few weeks at Querelles, her estate close to the château of Beaulieu, nothing pleased her better than to take her place again in the delightful company of the Marquise de Langrune and her friends.

Finally, youth was represented by Charles Rambert, who had arrived at the château a couple of days before, a charming lad of about eighteen who was treated with warm affection by the Marquise and by Thérèse Auvernois, the granddaughter of the Marquise, with whom since her parents' death she had lived as a daughter.

The odd and even mysterious words spoken by President Bonnet as they were leaving the table, and the personality of this Fantômas about which he had said nothing definite in spite of all the questions put to him, had excited the curiosity of the company, and while Thérèse Auvernois was gracefully dispensing the coffee to her grandmother's guests the questions were renewed with greater insistence. Crowding round the fire, for the evening was very cold, Mme. de Langrune's friends showered fresh questions upon the old magistrate, who secretly enjoyed the interest he had inspired. He cast a solemn eye upon the circle of his audience and prolonged his silence, the more to capture their attention. At length he began to speak.

"Statistics tell us, ladies, that of all the deaths that are registered every day quite a third are due to crime. You are no doubt aware that the police discover about half of the crimes that are committed, and that barely half meet with the penalty of justice. This explains how it is that so many mysteries are never cleared up, and why there are so many mistakes and inconsistencies in judicial investigations."

"What is the conclusion you wish to draw?" the Marquise de Langrune enquired with interest.[3]

"This," the magistrate proceeded: "although many crimes pass unsuspected it is none the less obvious that they have been committed; now while some of them are due to ordinary criminals, others are the work of enigmatical beings who are difficult to trace and too clever or intelligent to let themselves be caught. History is full of stories of such mysterious characters, the Iron Mask, for instance, and Cagliostro. In every age there have been bands of dangerous creatures, led by such men as Cartouche and Vidocq and Rocambole. Now why should we suppose that in our time no one exists who emulates the deeds of those mighty criminals?"

The Abbé Sicot raised a gentle voice from the depths of a comfortable arm-chair wherein he was peacefully digesting his dinner.

"The police do their work better in our time than ever they did before."

"That is perfectly true," the president admitted, "but their work is also more difficult than ever it was before. Criminals who operate in the grand manner have all sorts of things at their disposal nowadays. Science has done much for modern progress, but unfortunately it can be of invaluable assistance to criminals at times; the hosts of evil have the telegraph and the motor-car at their disposal just as authority has, and some day they will make use of the aeroplane."

Young Charles Rambert had been listening to the president's dissertation with the utmost interest and now broke in, with a voice that quivered slightly.

"You were talking about Fantômas just now, sir——"

The president cast a cryptic look at the lad and did not reply directly to him.

"That is what I am coming to, for, of course, you have understood me, ladies. In these days we have been distressed by a steady access of criminality, and among the assets we shall henceforth have to count a mysterious and most dangerous creature, to whom the baffled authorities and public rumour generally have for some time now given the name of Fantômas. It is impossible to say exactly or to know precisely who[4] Fantômas is. He often assumes the form and personality of some definite and even well-known individual; sometimes he assumes the forms of two human beings at one and the same time. Sometimes he works alone, sometimes with accomplices; sometimes he can be identified as such and such a person, but no one has ever yet arrived at knowing Fantômas himself. That he is a living person is certain and undeniable, yet he is impossible to catch or to identify. He is nowhere and everywhere at once, his shadow hovers above the strangest mysteries, and his traces are found near the most inexplicable crimes, and yet——"

"You are frightening us!" exclaimed the Baronne de Vibray with a little forced laugh that did not ring true, and the Marquise de Langrune, who for the past few minutes had been uneasy at the idea of the children listening to the conversation, cast about in her mind for an occupation more suited to their age. The interruption gave her an opportunity, and she turned to Charles Rambert and Thérèse.

"You must find it very dull here with all of us grown-up people, dears, so run away now. Thérèse," she added with a smile to her granddaughter who had risen obediently, "there is a splendid new puzzle in the library; you ought to try it with Charles."

The young fellow realised that he must comply with the desire of the Marquise, although the conversation interested him intensely; but he was too well bred to betray his thoughts, and the next moment he was in the adjoining room, sitting opposite the girl, and deep in the intricacies of the latest fashionable game.

The Baronne de Vibray brought the conversation back to the subject of Fantômas.

"What connection is there, President, between this uncanny creature and the disappearance of Lord Beltham, of which we were talking at dinner?"

"I should certainly have agreed with you and thought there was none," the old magistrate replied, "if Lord Beltham's disappearance had been unattended by any mysterious circumstance. But there is one point that deserves your attention: the newspa[5]per from which I read an extract just now, La Capitale, draws attention to it and regards it as being important. It is said that when Lady Beltham began to be uneasy about her husband's absence, on the morning of the day following his disappearance, she remembered noticing just as he was going out that he was reading a particular letter, the peculiar, square shape of which surprised her. She had also noticed that the handwriting of the letter was very heavy and black. Now, she found the letter in question upon her husband's desk, but the whole of the writing had disappeared, and it was only the most minute examination that resulted in the discovery of a few almost imperceptible stains which proved that it really was the identical document that had been in her husband's hands. Lady Beltham would not have thought very much about it, if it had not occurred to the editor of La Capitale to interview detective Juve about it, the famous Inspector of the Criminal Investigation Department, you know, who has brought so many notorious criminals to justice. Now M. Juve manifested the greatest excitement over the discovery and the nature of this document; and he did not attempt to hide from his interviewer his belief that the strange nature of this unusual epistle was proof of the intervention of Fantômas. You very likely know that Juve has made it his special business to follow up Fantômas; he has sworn that he will take him, and he is after him body and soul. Let us hope he will succeed! But it is no good pretending that Juve's job is not as difficult a one as can be imagined.

"However, it is a fair inference that when Juve spoke as he did to the representative of La Capitale, he did not think he was going too far when he declared that a crime lay behind the disappearance of Lord Beltham, and that perhaps the crime must be laid at Fantômas' door; and we can only hope that at some not distant date, justice will not only throw full light upon this mysterious affair, but also rid us for ever of this terrifying criminal!"

President Bonnet had convinced his audience completely, and his closing words cast a chill upon them all.

The Marquise de Langrune deemed it time to create a diversion.[6]

"Who are these people, Lord and Lady Beltham?" she enquired.

"Oh, my dear!" the Baronne de Vibray answered, "it is perfectly obvious that you lead the life of a hermit in this remote country home of yours, and that echoes from the world of Paris do not reach you often! Lord and Lady Beltham are among the best known and most popular people in society. He was formerly attached to the English Embassy, but left Paris to fight in the Transvaal, and his wife went with him and showed magnificent courage and compassion in charge of the ambulance and hospital work. They then went back to London, and a couple of years ago they settled once more in Paris. They lived, and still live, in the boulevard Inkermann at Neuilly-sur-Seine, in a delightful house where they entertain a great deal. I have often been one of Lady Beltham's guests; she is a most fascinating woman, distinguished, tall, fair, and endowed with the charm that is peculiar to the women of the North. I am very distressed at the trouble that is hanging over her."

"Well," said the Marquise de Langrune conclusively, "I mean to believe that the gloomy prognostications of our friend the president will not be justified by the event."

"Amen!" murmured the Abbé mechanically, roused from his gentle slumber by the closing words of the Marquise.

The clock chimed ten, and her duties as hostess did not make the Marquise forgetful of her duties as grandmother.

"Thérèse," she called, "it is your bed-time. It is very late, darling."

The child obediently left her game, said good night to the Baronne de Vibray and President Bonnet, and last of all to the old priest, who gave her a paternal embrace.

"Shall I see you at the seven o'clock mass, Thérèse?" he asked.

The child turned to the Marquise.

"Will you let me accompany Charles to the station to-morrow morning? I will go to the eight o'clock mass on my way back."

The Marquise looked at Charles Rambert.[7]

"Your father really is coming by the train that reaches Verrières at 6.55?" and when he assented she hesitated a moment before replying to Thérèse. "I think, dear, it would be better to let our young friend go alone to meet his father."

But Charles Rambert put in his plea.

"Oh, I am sure my father would be delighted to see Thérèse with me when he gets out of the train."

"Very well, then," the kind old lady said; "arrange it as you please. But, Thérèse, before you go upstairs, tell our good steward, Dollon, to give orders for the carriage to be ready by six o'clock. It is a long way to the station."

Thérèse promised, and the two young people left the drawing-room.

"A pretty couple," remarked the Baronne de Vibray, adding with a characteristic touch of malice, "you mean to make a match between them some day, Marquise?"

The old lady threw up her hands protesting.

"What an idea! Why, Thérèse is not fifteen yet."

"Who is this Charles Rambert?" the Abbé asked. "I just caught sight of him the day before yesterday with Dollon, and I puzzled my brains wondering who he could be."

"I am not surprised," the Marquise laughed, "not surprised that you did not succeed in finding out, for you do not know him. But you may perhaps have heard me mention a M. Etienne Rambert, an old friend of mine, with whom I had many a dance in the long ago. I had lost sight of him completely until about two years ago, when I met him at a charity function in Paris. The poor man has had a rather chequered life; twenty years ago he married a woman who was perfectly charming, but who is, I believe, very ill with a distressing malady: I am not even sure that she is not insane. Quite lately Etienne Rambert has been compelled to send her to an asylum."

"That does not tell us how his son comes to be your guest," President Bonnet urged.

"It is very simple: Etienne Rambert is an energetic man who is always moving about. Although he is quite sixty he still occupies himself with some rubber plantations he possesses in[8] Colombia, and he often goes to America: he thinks no more of the voyage than we do of a trip to Paris. Well, just recently young Charles Rambert was leaving the pension in Hamburg where he had been living in order to perfect his German; I knew from his father's letters that Mme. Rambert was about to be put away, and that Etienne Rambert was obliged to be absent, so I offered to receive Charles here until his father should return to Paris. Charles came the day before yesterday, and that is the whole story."

"And M. Etienne Rambert joins him here to-morrow?" said the Abbé.

"That is so——"

The Marquise de Langrune would have given other information about her young friend had he not come into the room just then. He was an attractive lad with refined and distinguished features, clear, intelligent eyes, and graceful figure. The other guests were silent, and Charles Rambert approached them with the slight awkwardness of youth. He went up to President Bonnet and plucked up sudden courage.

"And what then, sir?" he asked in a low tone.

"I don't understand, my boy," said the magistrate.

"Oh!" said Charles Rambert, "have you finished talking about Fantômas? It was so amusing!"

"For my part," the president answered dryly, "I do not find these stories about criminals 'amusing.'"

But the lad did not detect the shade of reproach in the words.

"But still it is very odd, very extraordinary that such mysterious characters as Fantômas can exist nowadays. Is it really possible that a single man can commit such a number of crimes, and that any human being can escape discovery, as they say Fantômas can, and be able to foil the cleverest devices of the police? I think it is——"

The president's manner grew steadily more chilly as the boy's curiosity waxed more enthusiastic, and he interrupted curtly.

"I fail to understand your attitude, young man. You appear to be hypnotised, fascinated. You speak of Fantômas as if he were[9] something interesting. It is out of place, to put it mildly," and he turned to the Abbé Sicot. "There, sir, that is the result of this modern education and the state of mind produced in the younger generation by the newspaper press and even by literature. Criminals are given haloes and proclaimed from the housetops. It is astounding!"

But Charles Rambert was not the least impressed.

"But it is life, sir; it is history, it is the real thing!" he insisted. "Why, you yourself, in just a few words, have thrown an atmosphere round this Fantômas which makes him absolutely fascinating! I would give anything to have known Vidocq and Cartouche and Rocambole, and to have seen them at close quarters. Those were men!"

President Bonnet contemplated the young man in astonishment; his eyes flashed lightning at him and he burst out:

"You are mad, boy, absolutely mad! Vidocq—Rocambole! You mix up legend and history, bracket murderers with detectives, and make no distinction between right and wrong! You would not hesitate to set the heroes of crime and the heroes of law and order on one and the same pedestal!"

"You have said the word, sir," Charles Rambert exclaimed: "they all are heroes. But, better still, Fantômas——"

The lad's outburst was so vehement and spontaneous and sincere, that it provoked unanimous indignation among his hearers. Even the indulgent Marquise de Langrune ceased to smile. Charles Rambert perceived that he had gone too far, and stopped abruptly.

"I beg your pardon, sir," he murmured. "I spoke without thinking; please forgive me."

He raised his eyes and looked at President Bonnet, blushing to the tips of his ears and looking so abashed that the magistrate, who was a kind-hearted man at bottom, tried to reassure him.

"Your imagination is much too lively, young man, much too lively. But you will grow out of that. Come, come: that's all right; lads of your age do talk without knowledge."

It was very late now, and a few minutes after this incident the guests of the Marquise de Langrune took their departure.[10]

Charles Rambert accompanied the Marquise to the door of her own private rooms, and was about to bid her a respectful good night before going on to his bedroom, which adjoined hers, when she asked him to follow her.

"Come in and get the book I promised you, Charles. It should be on my writing-table." She glanced at that piece of furniture as she entered the room, and went on, "Or in it, perhaps; I may have locked it away."

"I don't want to give you any trouble," he protested, but the Marquise insisted.

"Put your light down on that table," she said. "Besides, I have got to open my desk, for I must look at the lottery tickets I gave to Thérèse a few weeks ago." She pushed back the roll top of her Empire desk and looked up at the young fellow. "It would be a piece of good luck if my little Thérèse won the first prize, eh, Charles? A million francs! That would be worth winning?"

"Rather!" said Charles Rambert with a smile.

The Marquise found the book she was searching for and gave it to the lad with one hand while with the other she smoothed out several variegated papers.

"These are my tickets," she said, and then broke off. "How stupid of me! I have not kept the number of the winning ticket that was advertised in La Capitale."

Charles Rambert immediately offered to go downstairs again to fetch the newspaper, but the Marquise would not let him.

"It is no good, my dear boy; it is not there now. You know—or rather you don't know—that the Abbé takes away all the week's newspapers every Wednesday night in order to read all the political articles." The old lady turned away from her writing-table, which she left wide open, conducted the young man to the door, and held out a friendly hand. "It is to-morrow morning already!" she said. "So now good night, dear Charles!"

In his own room, with the lights extinguished and the curtains closed, Charles Rambert lay wide awake, a prey to strange excitement. He turned and tossed in his bed nervously. In vain did he try to banish from his mind the words spoken during the evening by President Bonnet. In imagination Charles Rambert[11] saw all manner of sinister and dramatic scenes, crimes and murders: hugely interested, intensely curious, craving for knowledge, he was ever trying to concoct plots and unravel mysteries. If for an instant he dozed off, the image of Fantômas took shape in his mind, but never twice the same: sometimes he saw a colossal figure with bestial face and muscular shoulders; sometimes a wan, thin creature, with strange and piercing eyes; sometimes a vague form, a phantom—Fantômas!

Charles Rambert slept, and woke, and dozed again. In the silence of the night he thought he heard creakings and heavy sounds. Then suddenly he felt a breath pass over his face—and again nothing! And suddenly again strange sounds were buzzing in his ears.

Bathed in cold sweat Charles Rambert started and sat upright in bed, every muscle tense, listening with all his ears. Was he dreaming, or had he really waked up? He did not know. And still, still he had a consciousness of Fantômas—of mystery—of Fantômas!

Charles Rambert heard the clock strike four.

[12]

As his cab turned by the end of the Pont Royal towards the Gare d'Orsay, M. Etienne Rambert looked at his watch and found, as he had anticipated, that he had a good quarter of an hour before the train that he intended to take was due to start. He called a porter, and gave him the heavy valise and the bundle of rugs that formed the whole of his hand baggage.

"Where is the office for forwarding luggage, my man?" he enquired.

The porter led him through the famous panelled hall of the Gare d'Orsay, and M. Etienne Rambert satisfied himself that his trunks had been properly registered for Verrières, the station at which he had to alight for the château of Beaulieu.

Still attended by the porter, who had conceived a respectful admiration for him in consequence of the authoritative tone in which he demanded information from the various railway servants, and who scented a probable munificent tip, M. Etienne Rambert proceeded to the booking-office and took a first-class ticket. He spent a few minutes more at the book-stall where he selected an imposing collection of illustrated papers, and then, his final preparations completed, he turned once more to the porter.

"The Luchon train," he said; "where is it?" and as the man only made a vague gesture and growled something wholly indistinct, he added: "Lead the way, and I will follow."

It was now just half-past eight, and the station showed all the animation inseparable from the departure of main-line trains. M. Etienne Rambert hurried onwards, and reaching the plat[13]form from which all the lines begin, was stayed by the porter who was laden with his baggage.

"You want the express, sir?"

"No, the slow train, my man."

The porter showed some surprise, but made no remark.

"Do you like the front or the back of the train?"

"The back by choice."

"First-class, isn't it?"

"Yes, first-class."

The porter, who had stopped a moment, picked up the heavy valise again.

"Then there isn't any choice. There are only two first-class carriages on the slow train, and they are both in the middle."

"They are corridor carriages, I suppose?" said Etienne Rambert.

"Yes, sir; there are hardly any others on the main-line trains, especially first-class."

In the ever-increasing crowd Etienne Rambert had some difficulty in following the porter. The Gare d'Orsay has little or none of the attractiveness of the other stations, which cannot fail to have a certain fascination for any imaginative person, who thinks of the mystery attaching to all those iron rails reaching out into the distance of countries unknown to him. It is less noisy than the others also, for between Austerlitz and Orsay the traction is entirely electric. And further, there is no clearly defined separation between the main and the suburban lines.

On the right of the platform was the train which was to take Etienne Rambert beyond Brives to Verrières, the slow train to Luchon; and on the left of the same platform was another train for Juvisy and all the small stations in the suburbs of Paris.

Very few people were making for the train to Luchon; but a large crowd was pressing into the suburban train.

The porter who was piloting M. Etienne Rambert, set the baggage he was carrying down on the footboard of a first-class carriage.

"There is no one for the slow train yet, sir; if you like to get in first you can choose your own compartment."[14]

M. Etienne Rambert acted on the suggestion, but he had hardly set foot in the corridor before the guard, also scenting a generous tip, came to offer his services.

"It really is the 8.50 you want, sir?" was his first enquiry. "You are sure you are not making a mistake?"

"No," Etienne Rambert replied. "Why?"

"A great many first-class passengers do make a mistake," the man explained, "and confuse the 8.50 with the 8.45 express."

As he spoke the guard took the baggage from the porter who had remained on the platform, and the porter, after being generously remunerated for his trouble by M. Rambert, hurried away to look for other travellers.

"The 8.45 is the express, isn't it?" M. Rambert enquired.

"Yes," the guard answered; "it runs right through without stopping at all the small stations as this train does. It goes in front of this one and gets to Luchon three hours earlier. There it is on the side there," and he pointed through the window in the door on the far side to another train on the next rails, in which a number of travellers were already taking their seats. "If you prefer to go by that one, sir," he went on, "there is still time for you to change; you are entitled to take your choice since you have a first-class ticket."

But Etienne Rambert, after a moment's consideration, declined the suggestion.

"No: I would rather go by the slow train. If I take the express I should have to get out at Brives, and then I should be twelve or thirteen miles from Saint-Jaury, which is my destination; whereas the slow train stops at Verrières, where, by the way, I have already telegraphed to say I shall arrive to-morrow morning."

He walked a little way along the corridor, assuring himself that the various compartments were still quite empty, and then turned to the guard.

"Look here, my man," he said, "I am awfully tired, and I mean to get some sleep to-night; consequently I should like to be alone. Now where shall I be most quiet and undisturbed?"

The man understood. M. Etienne Rambert's enquiry about[15] the place where he would be most quiet, was an implicit promise of a handsome tip if nobody did disturb him.

"If you like to settle yourself here, sir," the man answered, "you can draw down the blinds at once, and I dare say I shall be able to find room for any other passengers somewhere else."

"Good," said M. Rambert, moving towards the compartment indicated. "I will smoke a cigar until the train starts, and immediately afterwards I will settle down to sleep. By the way, my man, since you seem so obliging, I wish you would undertake to call me to-morrow morning in time for me to get out at Verrières. I am desperately sleepy and I am quite capable of not waking up."

The guard touched his cap.

"You can be perfectly easy, sir, and sleep without the least anxiety. I won't fail."

"Very well."

When his baggage had been stowed away, and his rugs spread out to make the seat more comfortable still, M. Etienne Rambert repeated his appeal, for he was an old traveller and knew that it does not do to rely too much upon the promises of chance attendants.

"I can rely upon you, can't I? I may sleep as sound as I like, and you will wake me at Verrières?" And the more to assure himself that the guard would execute his orders he slipped a franc into his hand.

When he was left alone, M. Rambert continued his preparations for the night. He carefully drew down the blinds over the door and over the windows of the compartment that gave on to the corridor, and also lowered the shade over the electric light, and then, in order to enjoy the last puffs at his cigar in peace, he opened the window over the other door and leant his elbows on it, watching the final preparations being made by the travellers by the express on the other line.

The departure of a train is always a picturesque sight, and M. Rambert leant forward inquisitively to note how the passengers had installed themselves in the two compartments which he could see from his coign of vantage.[16]

There were not many people in the train. As a matter of fact the Brives and Luchon line is not much used at this time of year. If the number of passengers in the express were any criterion Etienne Rambert might reasonably expect that he would be the only one in the slow train. But there was not much time for observations and reflections of this kind. On the platform for the express, which he got a glimpse of through the compartments, people were hurrying up their farewells. The passengers had got into their carriages, and the friends who had come to see them off were standing alone upon the platform. There was the sound of safety locks being fastened by porters, and the noise of trollies being wheeled along bearing articles for sale.

"Pillows! Rugs! Sweets! Papers!"

Then came the whistle of the guard, the shriller scream from the electric engine, and then, slowly at first but steadily, more rapidly as the engine got up speed, the express moved along the platform and plunged into the tunnel on the way to Austerlitz.

Meanwhile the guard of the slow train was doing wonders. Shamelessly resolved to assure perfect quiet to "his" passenger, he managed, without unduly compromising himself but yet without leaving any doubt about it in any mind, to insinuate discreetly that M. Rambert's carriage was reserved, so that that gentleman might count upon an entirely undisturbed night.

A few minutes after the express had gone, the slow train drew out in its turn, and disappeared into the darkness of the underground tunnel.

At the château of Beaulieu young Charles Rambert was just finishing dressing when a gentle tap sounded on the door of his room.

"It is a quarter to five, Charles. Get up at once!"

"I am awake already, Thérèse," Charles Rambert answered with some pride. "I shall be ready in two minutes."

"What? up already?" the girl exclaimed from the other side of the door. "Marvellous! I congratulate you. I'm ready too; I will wait for you in the dining-room. Come down as soon as you are dressed."[17]

"All right!" the young man answered.

He wasted no time over his toilette, the more so because it was none too warm in his room, for at this early hour it was still quite dark; and then taking his light in one hand he opened his door carefully so as to make no noise, tip-toed along the landing, and went down the staircase to join Thérèse in the dining-room. The girl was an accomplished housekeeper already, and while waiting for the young fellow she had got a scratch meal together.

"Let us have breakfast quickly," she suggested; "it isn't snowing this morning, and if you like we might walk to the station. We have plenty of time, and it will do us good to have a walk."

"It will warm us up anyhow," Charles Rambert replied; he was only half-awake, but he sat beside Thérèse, and did justice to the preparations she had made.

"Do you know that it is very wonderful of you to get up so punctually?" Mme. de Langrune's granddaughter remarked. "How did you manage it? Last night you were afraid you would sleep on as usual."

"It was not much trouble for me to wake up," Charles Rambert answered. "I hardly closed an eye all night."

"But I promised to come and knock at your door myself, so you might have slept without any anxiety."

"That's so, but to tell you the truth, Thérèse, I was regularly upset and excited by the thought of papa arriving this morning."

They had both finished breakfast, and Thérèse got up.

"Shall we start?" she asked.

"Yes."

Thérèse opened the hall door, and the two young people went down the flight of steps leading to the garden. The girl had thrown a big cloak over her shoulders, and she inhaled the pure morning air with keen delight.

"I love going out in the early morning," she declared.

"Well, I don't like it at all," Charles Rambert confessed with characteristic candour. "Good Lord, how cold it is! And it is still pitch dark!"

"Surely you are not going to be frightened?" said Thérèse teasingly.[18]

Charles Rambert made an irritable movement of vexation and surprise.

"Frightened? What do you take me for, Thérèse? If I don't like going out in the early morning it's really only because it is cold."

She laughed at him while they were crossing the lawn towards the out-buildings, through which she meant to get out on to the high road. As they passed the stables they came across a groom who was leisurely getting an old brougham out of the coach-house.

"Don't hurry, Jean," Thérèse called out as she greeted him. "We are going to walk to the station, and the only important thing is that you should be there to bring us back."

The man touched his cap and the two young people passed through the park gate and found themselves upon the high road.

It was still very dark, with just a wan reflection in the distance of the sky vaguely outlining some cloud-shapes to the eastward to give some promise of the day. There was no sound to break the silence of the fields, and as they walked briskly along Charles and Thérèse could hear their footsteps ringing on the hard surface of the frozen ground.

"It must please you awfully to be going to meet your father," said Mme. de Langrune's granddaughter half questioningly. "It is a long time since you have seen him, isn't it?"

"Three years," Charles Rambert answered, "and then just for a few minutes. He is coming home from America now, and before that he travelled in Spain for a long time."

"He was travelling the whole time you were a child, wasn't he?"

"Yes, always: either in Colombia, looking after his rubber plantations there, or in Spain, where he has a good deal of property too. When he was in Paris he used to come to the school and ask for me, and I saw him in the parlour—for a quarter of an hour."

"And your mother?"

"Oh, mamma was different. You know, Thérèse, I spent all[19] the childhood that I can remember at the school. I liked the masters and had good chums, and was very happy there, and if the truth must be told I looked forward with anything but pleasure to the holidays, when I had to go to my parents' house. I always felt a stranger with them; my real home was the school-room, where I had my desk and all my own interests. And then, you know, when one is little one doesn't understand things much; I didn't feel having hardly any family, very much."

"But you loved your mother very much?"

Thérèse asked the question quite anxiously, and it was patent that she would have thought it dreadful if her companion had not had a real affection for his mother.

"Oh, yes, I loved her," Charles Rambert answered; "but I hardly knew her either." And as Thérèse showed her surprise he went on, telling her something of the secret of his lonely childhood. "You see, Thérèse, now that I am a man I guess lots of things that I could not have had even a suspicion of then. My father and mother did not get on well together. They were what you call an ill-assorted couple. They were both very good, but their characters did not harmonise. When I was little I always saw mamma silent and sad, and papa active and on the go, and bright and talking at the top of his voice. I half believe he frightened mamma! And then my father was constantly away, whereas mamma hardly ever went out. When a servant took me to the house on Thursdays, I was taken up to say good morning to her, and I invariably found her lying on a sofa in her room, with the blinds down and almost dark. She just touched me with her lips and asked me one or two questions, and then I was taken away again because I tired her."

"Was she ill, then?"

"Mamma always has been ill. I suppose you know, Thérèse, that three months ago—stay, it was just when I had taken my degree and went to Germany—she was sent to an asylum? I believe my father had wanted her to agree to undergo careful treatment of the kind long before, but she would not."

Thérèse was silent for a few minutes.

"You have not been very happy," she said presently.[20]

"Oh, it was only after I grew up that I felt unhappy. When I was a little chap I never thought of how sad it is to have no real father or mother. The last four or five years it has hurt me, but when he came to see me once at school, papa told me he would take me with him as soon as I had taken my degree and grown up. Last October, after my examination, he wrote and told me to be patient a little longer, and that he was hurrying on with the winding up of his business and coming back to France. That gave me a hope which has brightened these last few months, and will also make you understand why I am so pleased this morning at my fathers coming. It seems to me that a new life is going to begin."

Day was breaking now: a dirty December day, with the light filtering through heavy grey clouds that drifted along the ground, hid the horizon, clung to the low hills, and then suddenly dispersed in long wisps driven by a keen breeze, that got up in gusts, and drove clouds of dust along the hard frozen ground.

"I have not been very happy either," said Thérèse, "for I lost my father when I was tiny: I don't even remember him; and mamma must be dead as well."

The ambiguous turning of the child's phrase caught Charles Rambert's interested attention.

"What does that mean, Thérèse? Don't you know if your mother is dead?"

"Yes, oh yes; grandmamma says so. But whenever I ask for particulars grandmamma always changes the subject. I will echo what you said just now: when you are little you don't know anything and are not surprised at anything. For a long time I took no notice of her sudden reticence, but now I sometimes wonder if something is not being kept back from me—whether it is really true that mamma is no more in this world."

Talking like this Thérèse and Charles had walked at a good pace, and now they came to the few houses built around Verrières station. One by one, bedroom windows and doors were being opened; peasants were making their way to the sheds to lead their cattle to the pastures.[21]

"We are very early," Thérèse remarked, pointing to the station clock in the distance. "Your father's train is due at 6.55, and it is only 6.40 now; we still have a quarter of an hour to wait, and more, if the train is not punctual!"

They went into the little station and Charles Rambert, thankful for some shelter from the cold, stamped his feet, making a sudden uproar in the empty waiting-room. A porter appeared.

"Who the deuce is kicking up all this row?" he began angrily, and then seeing Thérèse, broke off short. "Ah, Mademoiselle Thérèse," he said with the familiar yet perfectly respectful cordiality that marks country folk, "up already? Have you come to meet somebody, or are you going away?"

As he spoke, the porter turned a curious eye upon Charles Rambert, whose arrival had caused quite a sensation two days before in this little spot, where with but few exceptions none but people belonging to the neighbourhood ever came by train.

"No, I am not going away," Thérèse replied. "I have accompanied M. Rambert, who has come to meet his father."

"Ah-ha, to meet your papa, sir: is he coming from far?"

"From Paris," Charles Rambert answered. "Is the train signalled yet?"

The man drew out a watch like a turnip, and looked at the time.

"It won't be here for quite another twenty minutes. The work on the tunnel makes it necessary to be careful, and it's always late now. But you will hear when the bell rings: that will be when the train is coming over the level-crossing; it will run into the station three minutes after that. Well, Mademoiselle, I must get on with my work," and the man left them.

Thérèse turned to Charles Rambert.

"Shall we go on to the platform? Then we shall see the train come in."

So they left the waiting-room and began to walk up and down the whole length of the platform. Thérèse watched the jerky movements of the hands of the clock, and smiled at her companion.[22]

"Five minutes more, and your father will be here! Four minutes more! Ah! There it is!" and she pointed to a slope in the distance where a slight trail of smoke rose white against the blue of the sky, now clear of cloud. "Can't you see it? That is the steam from the engine coming out of the tunnel."

Ere she finished speaking the quivering whir of the bell echoed through the empty station.

"Ah!" said Charles Rambert: "at last!"

The two porters who, with the stationmaster, constituted the entire railway staff at Verrières, came bustling along the platform, and while the bell continued its monotonous whirring ring, pulled forward trucks in readiness for any possible luggage. Puffing portentously, the engine slackened speed, and the heavy train slowed down and finally stopped, bringing a noisy atmosphere of life into the station of Verrières that but a moment ago was so still.

The first-class carriages had stopped immediately in front of Charles and Thérèse, and on the footboard Etienne Rambert stood, a tall, elderly man of distinguished appearance, proud bearing and energetic attitude, with extraordinarily keen eyes and an unusually high and intelligent forehead. Seeing Thérèse and Charles he seized his baggage and in a twinkling had sprung on to the platform. He dropped his valise, tossed his bundle of rugs on to a seat, and gripped Charles by the two shoulders.

"My boy!" he exclaimed; "my dear boy!"

Although he had hitherto shown so little affection for his child, it was obvious that the man was making a great effort to restrain his emotion, and was really moved when he now saw him again as a grown young man.

Nor, on his part, did Charles Rambert remain unmoved. As if the sudden grip of this almost stranger, who yet was his father, had awakened a world of memories within him, he turned very pale and his voice faltered as he replied:

"Papa! Dear papa! I am so glad to see you!"

Thérèse had drawn tactfully aside. M. Rambert still held his son by the shoulders and stepped back a pace, the better to consider him.[23]

"Why, you are a man! How you have altered, my boy! You are just what I hoped you would be: tall and strong! Ah, you are my son all right! And you are quite well, hey? Yet you look tired."

"I did not sleep well," Charles explained with a smile. "I was afraid I should not wake up."

Turning his head, M. Rambert saw Thérèse and held out his hand.

"How do you do, my little Thérèse?" he exclaimed. "You have altered too since I saw you last. I left a little chit of a child, and now I behold a grown-up young lady. Well! I must be off at once to pay my respects to my dear old friend, your grandmother. All well at the château, eh?"

Thérèse shook hands warmly with M. Rambert and thanked him prettily.

"Grandmamma is very well; she told me to tell you to excuse her if she did not come to meet you, but her doctor says she must not get up very early."

"Of course your grandmamma is excused, my dear. Besides, I have to thank her for her kindness to Charles, and for the hospitality she is going to extend to me for a few days."

Meanwhile the train had gone on again, and now a porter came up to M. Rambert.

"Will you take your luggage with you, sir?"

Recalled to material things, Etienne Rambert contemplated his trunk which the porters had taken out of the luggage van.

"Good Lord!" he began, but Thérèse interrupted him.

"Grandmamma said she would send for your heavy luggage during the morning, and that you could take your valise and any small parcels with us in the brougham."

"What's that? Your grandmamma has taken the trouble to send her carriage?"

"It's a long way to Beaulieu, you know," Thérèse replied. "Ask Charles if it isn't. We came on foot and the walk would be too tiring for you after a whole night in the train."

The three had reached the station yard, and Thérèse stopped in surprise.

"Why, how's that?" she exclaimed; "the carriage is not here.[24] And yet Jean was beginning to get it ready when we left the château."

M. Etienne Rambert was resting one hand on his son's shoulder, and contemplating him with an affectionate, all-embracing survey every now and then. He smiled at Thérèse.

"He may have been delayed, dear. I tell you what we will do. Since your grandmamma is going to send for my luggage there is no need for me to take my valise; we can leave everything in the cloak-room and start for the château on foot; if my memory serves me right—and it is a very good memory—there is only one road, so we shall meet Jean and can get into the carriage on the way."

A few minutes later all three set out on the road to Beaulieu. M. Rambert walked between the two young people; he had gallantly offered his arm to Thérèse, who was not a little proud of the attention, which proved to her mind that she was now regarded as a grown-up young lady. On the other side of his father Charles made answer to the incessant questions put to him.

M. Etienne Rambert enjoyed the walk in the quiet morning through the peaceful country-side. With a tender half-melancholy he recognised every turn in the road, every bit of scenery.

"Just fancy my coming back here at sixty years of age, with a great son of eighteen!" he said with a laugh. "And I remember as if it were yesterday the good times I have had at the château of Beaulieu. Mme. de Langrune and I will have plenty of memories to talk over. Gad! it must be quite forty years since I came this way, and yet I remember every bit of it. Say, Thérèse, isn't it the fact that we shall see the front of the château directly we have passed this little copse?"

"Quite true," the girl answered with a laugh. "You know the country very well, sir."

"Yes," said Etienne Rambert; "when one gets to my age, little Thérèse, one always does remember the happy days of one's youth; one remembers recent events much less distinctly. Most likely that means, my dear, that the human heart declines to grow old and refuses to preserve any but pictures of childhood."

For a few minutes M. Rambert remained silent, as if ab[25]sorbed in somewhat melancholy reflections. But he soon recovered himself and shook off the tender sadness evoked in his mind by memories of the past.

"Why, the park enclosure has been altered," he exclaimed. "Here is a wall which used not to be here: there was only a hedge."

Thérèse laughed.

"I never knew the hedge," she said. "I have always seen the wall."

"Must we go on to the main gate?" M. Rambert asked, "or has your grandmamma had another gate made?"

"We are going in by the out-buildings," the girl answered; "then we shall hear why Jean did not come to meet us." She opened a little door half-hidden among the moss and ivy that clothed the wall surrounding the park, and making M. Rambert and Charles pass in before her, cried: "But Jean has gone with the brougham, for the horses are not in the stable. How was it we did not meet him?" Then she laughed. "Poor Jean! He is so muddle-headed! I would not mind betting he went to meet us at Saint-Jaury, as he does every morning to bring me home from church."

The little company, Etienne Rambert, Thérèse and Charles, were now approaching the château. Passing beneath Mme. de Langrune's windows Thérèse called merrily up to them.

"Here we are, grandmamma!"

There was no reply.

But at the window of an adjoining room appeared the figure of the steward, Dollon, making a gesture, as if asking for silence.

Thérèse, in advance of her guests, had proceeded but a few yards when Mme. de Langrune's old servant rushed down the stone flight of steps in front of the château, towards M. Rambert.

Dollon seemed distraught. Usually so respectful and so deferential in manner, he now seized M. Rambert by the arm, and imperiously waving Thérèse and Charles away, drew him aside.

"It is awful, sir," he exclaimed: "horrible: a fearful thing has happened. We have just found Mme. la Marquise dead—murdered—in her room!"

[26]

M. de Presles, the examining magistrate in charge of the Court at Brives, had just arrived at the château of Beaulieu, having been notified of the tragedy by the police sergeant stationed at Saint-Jaury. The magistrate was a young, fashionable, and rather aristocratic man of the world, whose grievance it was to be tied down to work that was mechanical rather than intellectual. He was essentially modern in his ideas, and his chief ambition was to get away as quickly as possible from the small provincial town to which he had been exiled by the changes and chances of promotion; he was sick of Brives, and now it occurred to him that a crime like this present one would give him an opportunity of displaying his gifts of intuition and deduction, prove his quality, and so might enable him to get another appointment. After Dollon had received him at the château, the magistrate had first of all made enquiry as to who was in the house at the time. From the information given him he was satisfied that it was unnecessary to subject either Thérèse or Charles Rambert to immediate examination, both of the young people being much too upset to be able to reply to serious questions, and both having been taken away to the house of the Baronne de Vibray. It was, also, clear that M. Rambert senior, who had only arrived after the crime, could not furnish any interesting information.

"Tell me exactly how you discovered the crime, M. Dollon," he said as, pale and trembling, the steward accompanied him along the corridor to the scene of the murder.[27]

"I went this morning as usual, sir," the steward replied, "to say good morning to Mme. de Langrune and receive her orders for the day. I knocked at her door as I always did, but got no answer. I knocked louder, but still there was no answer. I don't know why I opened the door instead of going away; perhaps I had some kind of presentiment. Oh, I shall never forget the shock I had when I saw my poor dear mistress lying dead at the foot of her bed, steeped in blood, and with such a horrible gash in her throat that for a moment I thought her head was severed from the trunk."

The police sergeant corroborated the steward's story.

"The murder certainly was committed with peculiarly horrible violence, sir," he remarked. "The body shows that the victim was struck with the utmost fury. The murderer must have gone mad over the corpse from sheer lust of blood. The wounds are shocking."

"Knife wounds?" M. de Presles asked.

"I don't know," said the sergeant uncertainly. "Your worship can form your own opinion."

The magistrate followed the steward into the room where Dollon had taken care that nothing was touched.

In its furniture and general arrangement Mme. de Langrune's room corresponded with the character of the old lady. It was large, and quietly furnished with old presses, arm-chairs, chairs and old-fashioned tables. It was evident that she had had no liking for modern fashions, but had preferred to have her own room stamped with the rather severe, yet very comfortable character of former days.

The whole of one side of the room was filled by the Marquise's bed. It was large, and raised upon a kind of dais covered with a carpet of subdued tones. At the foot of the bed, on the right, was a large window, fastened half open despite the keen cold, no doubt for hygienic reasons. In the middle of the room was a round mahogany table with a few small articles upon it, a blotting-pad, books and so on. In one corner a large crucifix was suspended from the wall with a prie-Dieu in front of it, the velvet of which had been worn white by the old lady's knees.[28] Finally, a little further away, was a small escritoire, half open now, with its drawers gaping and papers scattered on the floor.

There were only two ways of ingress into the room: one by the door through which the magistrate had entered, which opened on to the main corridor on the first floor, and the other by a door communicating with the Marquise's dressing-room; this dressing-room was lighted by a large window, which was shut.

The magistrate was shocked by the spectacle presented by the corpse of the Marquise. It was lying on its back on the floor, with the arms extended; the head was towards the bed, the feet towards the window. The body was almost naked. A gash ran almost right across the throat, leaving the bones exposed. Torrents of blood had saturated the victim's clothes, and on the carpet round the body a wide stain was still slowly spreading wider.

M. de Presles stooped over the dead woman.

"What an appalling wound!" he muttered. "The medical evidence will explain what weapon it was made with; but no doctor is required to point out the violence of the blow or the fury of the murderer." He turned to the old steward who, at sight of his mistress, could hardly restrain his tears. "Nothing has been moved in the room, eh?"

"Nothing, sir."

The magistrate pointed to the escritoire with its open drawers.

"That has not been touched?"

"No, sir."

"I suppose that is where Mme. de Langrune kept her valuables?"

The steward shook his head.

"The Marquise could not have had any large sum of money in the house: a few hundred francs perhaps for daily expenses, but certainly no more."

"So you do not think robbery was the motive of the crime?"

The steward shrugged his shoulders.

"The murderer may have thought that Mme. de Langrune had money here, sir. But anyhow he must have been disturbed,[29] because he did not take away the rings the Marquise had laid upon the dressing-table before she got into bed."

The magistrate walked slowly round the room.

"This window was open?" he asked.

"The Marquise always left it like that; she liked all the fresh air she could get."

"Might not the murderer have got in that way?"

The steward shook his head.

"It is most unlikely, sir. See: the windows are fitted outside with a kind of grating pointing outwards and downwards, and I think that would prevent anyone from climbing in."

M. de Presles saw that this was so. Continuing his investigation, he satisfied himself that there was nothing about the furniture in that room, or in the dressing-room, to show that the murderer had been through them, except the disorder on and about the little escritoire. At last he came to the door which opened on to the corridor.

"Ah!" he exclaimed: "this is interesting!" and with a finger he pointed to the inner bolt on the door, the screws of which were wrenched half out, showing that an attempt had been made to force the door. "Did Mme. de Langrune bolt her door every night?" he asked.

"Yes, always," Dollon answered. "She was very nervous, and if I was the first to come to bid her good morning I always heard her unfasten that bolt when I knocked."

M. de Presles made no reply. He made one more tour of the room, minutely considering the situation of each single article.

"M. Dollon, will you kindly take me where I can have the use of a table and inkstand, and anything else I may need to get on with my preliminary enquiry?"

"Your clerk is waiting for you in the library, sir," the steward replied. "He has everything ready for you there."

"Very well. If it is convenient to you we will join him now."

M. de Presles followed Dollon down to the library on the ground floor, where his enterprising clerk had already estab[30]lished himself. The magistrate took his seat behind a large table and called to the police sergeant.

"I shall ask you to be present during my enquiry, sergeant. The first investigations will devolve upon you, so it will be well for you to hear all the details the witnesses can furnish me with. I suppose you have taken no steps as yet?"

"Beg pardon, sir: I have sent my men out in all directions, with orders to interrogate all tramps and to detain any who do not give a satisfactory account of their time last night."

"Good! By the way, while I think of it, have you sent off the telegram I gave you when I arrived—the telegram to the police head-quarters in Paris, asking for a detective to be sent down?"

"I took it to the telegraph office myself, sir."

His mind made easy on this score, the young magistrate turned to Dollon.

"Will you please take a seat, sir?" he said and, disregarding the disapproving looks of his clerk, who had a particular predilection for all the long circumlocutions and red tape of the law, he pretermitted the usual questions as to name and age and occupation of the witnesses, and began his enquiry by questioning the old steward. "What is the exact plan of the château?" was his first enquiry.

"You know it now, sir, almost as well as I do. The passage from the front door leads to the main staircase, which we went up just now, to the first floor where the bedroom of the Marquise is situated. The first floor contains a series of rooms separated by a corridor. On the right is Mlle. Thérèse's room, and then come guest-chambers which are not occupied now. On the left is the bedroom of the Marquise, followed by her dressing-room on the same side, and after that there is another dressing-room and then the bedroom occupied by M. Charles Rambert."

"Good. And the floor above: how is that arranged?"

"The second floor is exactly like the first floor, sir, except that there are only servants' rooms there. They are smaller, and there are more of them."

"What servants sleep in the house?"

"As a general rule, sir, the two maid-servants, Marie the[31] housemaid and Louise the cook, and also Hervé the butler; but Hervé did not sleep in the château last night. He had asked the mistress's permission to go into the village, and she had given it to him on condition that he did not come back that night."

"What do you mean?" enquired the magistrate, rather surprised.

"The Marquise was rather nervous, sir, and did not like the idea of anyone being able to get into the house at night; so she was always careful to double-lock the front door and the kitchen door herself every night. She went round all the rooms too every night, and made sure that all the iron shutters were properly fastened, and that it was impossible for anyone to get into the house. When Hervé goes out in the evenings he either sleeps in the village and does not return till the following morning, which is what he did to-day, or else he asks the coachman to leave the yard door unlocked, and sleeps in a room above the stables which as a rule is not occupied."

"That is where the other servants sleep, I suppose?"

"Yes, sir. The gardeners, the coachman, and the keepers all live in the out-buildings. With regard to myself, I have a small cottage a little farther away in the park."

M. de Presles sat silent for a few moments, thinking deeply. The only sound in the room was the irritating squeak of the clerk's quill pen, as he industriously wrote down all the steward's replies. At last M. de Presles looked up.

"So, on the night of the crime the only persons sleeping in the château were Mme. de Langrune, her granddaughter Mlle. Thérèse, M. Charles Rambert and the two maids. Is that so?"

"Yes, sir."

"Then it does not seem likely that the crime was committed by anyone living in the château?"

"That is so, sir:—and yet I do not believe that anybody got into the château; only two people had a key of the front door—the Marquise and myself. When I got to the house this morning I found the door open, because Mlle. Thérèse went out early with M. Charles Rambert to meet M. Rambert, senior, at the station, and she opened the door with the keys that the[32] Marquise had given into her care the night before; but she told me herself that when she started to meet the train at five o'clock the door was shut. Mlle. Thérèse had put her keys under her pillow, and my bunch had never left my possession."

"Is it not possible," the magistrate suggested, "that someone may have got in during the day, hidden himself, and have committed the crime when night came? Remember, M. Dollon, the bolt inside Mme. de Langrune's bedroom door has been wrenched away: that means that the murderer made his entrance by that door, and made it by force."

But the steward shook his head.

"No, sir, nobody could have secreted himself in the château during the day; people are always coming to the kitchen, so the back door is under constant supervision; and all yesterday afternoon there were gardeners at work on the lawn in front of the main entrance; if any stranger had presented himself there he would certainly have been seen; and finally, Mme. de Langrune had given orders, which I always attended to myself, to keep the door locked through which one gets down to the cellars. So the murderer could not have hidden in the basement, and where else could he have hidden? Not in the rooms on the ground floor: there was company to dinner last night, and all the rooms were used more or less; the Marquise, or some one of the guests, would certainly have discovered him. So he would have had to be upstairs, either on the first or second floor: that is most unlikely: it would have been very risky; besides, the big house-dog is fastened up at the foot of the staircase during the day, and he would not have let any stranger pass him: either the dog must have known the man, or at all events some meat must have been thrown to him; but there are no traces to show that anything of the sort was done."

The magistrate was much perplexed.

"Then the crime is inexplicable, M. Dollon. You have just told me yourself that there was no one in the château but Mme. de Langrune, the two young people Thérèse and Charles, and the two maids: it certainly is not any one of those who can be the guilty person, for the way in which the crime was committed,[33] and the force of the blows dealt, show that the criminal was a man—a professional murderer in fact. Consequently the guilty person must have got in from outside. Come now, have you no suspicions at all?"

The steward raised his arms and let them fall in utter dejection.

"No," he replied at last, "I do not suspect anybody! I cannot suspect anybody! But, sir, as far as I am concerned, I feel certain that although the murderer was not one of those who occupied the château last night he nevertheless did not come in from outside. It was not possible! The doors were locked and the shutters were fastened."

"Nevertheless," M. de Presles remarked, "inasmuch as someone has committed a murder, it must necessarily be the fact, either that that someone was hidden inside the château when Mme. de Langrune herself locked the front door, or else that he got in during the night. Do you not see yourself, M. Dollon, that one or other of these two hypotheses must be correct?"

The steward hesitated.

"It is a mystery, sir," he declared at last. "I swear to you, sir, that nobody could have got in, and yet it is perfectly clear also that neither M. Charles nor Mlle. Thérèse, nor yet either of the two maids, Marie and Louise, is the murderer."

M. de Presles sat wrapped in thought for a few minutes and then desired the old steward to fetch the two women servants.

"Come back, yourself," he added, as the old man went away; "I may require further particulars from you."

Dollon left the room, and Gigou, the clerk, leant forward towards the magistrate: tact was not the most shining of M. Gigou's qualities.

"When your enquiry is finished, sir—presently—we shall have to pay a visit to the Mayor of Saint-Jaury. That is in accordance with the usual procedure. And then he cannot do less than invite us to stay to dinner!"

[34]

The next day but one after the crime, on the Friday, Louise the cook, who was still terribly upset by the dreadful death of the good mistress in whose service she had been for fifteen years, came down to her kitchen early. It was scarcely daybreak, and the good woman was obliged to light a lamp to see by. With her mind anywhere but on her work, she was mechanically getting breakfast for the servants and for the visitors to the château, when a sharp knock on the back door made her jump. She went to open it, and uttered a little scream as she saw the cocked hats of gendarmes silhouetted against the wan light of the early morning.

Between the gendarmes were two miserable-looking specimens of humanity. Louise had only opened the door a few inches when the sergeant, who had known her for many years, took a step forward and gave her a military salute.

"I must ask your hospitality for us and for these two fellows whom we have taken up to-night, prowling about the neighbourhood," he said.

The dismayed Louise broke in.

"Good heavens, sergeant, are you bringing thieves here? Where do you expect me to put them? Surely there's enough trouble in the house as it is!"

The gendarme, Morand, smiled with the disillusioned air of a man who knows very well what trouble is, and the sergeant replied:

"Put them? Why, in your kitchen, of course," and as the servant made a sign of refusal, he added: "I am sorry, but you must;[35] besides, there's nothing for you to be afraid of; the men are handcuffed, and we shall not leave them. We are going to wait here for the magistrate who will examine them."

The gendarmes had pushed their wretched captives in before them, two tramps of the shadiest appearance.

Louise, who had gone mechanically to raise the lid of a kettle beginning to boil over, looked round at his last words.

"The magistrate?" she said: "M. de Presles? Why, he is here now—in the library."

"No?" exclaimed the sergeant, jumping up from the kitchen chair on which he had seated himself.

"He is, I tell you," the old woman insisted; "and the little man who generally goes about with him is here too."

"You mean M. Gigou, his clerk?"

"Very likely," muttered Louise.

"I leave the prisoners with you, Morand," said the sergeant curtly; "don't let them out of your sight. I am going to the magistrate. I have no doubt he will wish to interrogate these fellows at once."

The gendarme came to attention and saluted.

"Trust me, sergeant!"

It looked as if Morand's job was going to be an easy one; the two tramps, huddled up in a corner of the kitchen opposite the stove, showed no disposition to make their escape. The two were utterly different in appearance. One was a tall, strongly built man, with thick hair crowned by a little jockey cap, and was enveloped in a kind of overcoat which might have been black once but which was now of a greenish hue, the result of the inclemency of the weather; he gnawed his heavy moustache in silence and turned sombre, uneasy looks on all, including his companion in misfortune. He wore hobnailed shoes and carried a stout cudgel. He was more like a piece of the human wreckage one sees in the street corners of great cities than a genuine tramp. Instead of a collar, there was a variegated handkerchief round his neck. His name, he had told the sergeant, was François Paul.

The other man, who had been discovered at the back of a farm just as he was about to crawl inside a stack, was a typical[36] country tramp. An old soft felt hat was crammed down on his head, and a shock of rebellious red and grey hair curled up all round it, while a hairy beard entirely concealed all the features of his face. All that could be seen of it was a pair of sparkling eyes incessantly moving in every possible direction. This second man contemplated with interest the place into which the police had conducted him. On his back he bore a heavy sort of wallet in which he stowed articles of the most varied description. Whereas his companion maintained a rigid silence, this man never stopped talking. Nudging his neighbour every now and then he whispered:

"Say, where do you come from? You're not from these parts, are you? I've never seen you before have I? Everybody round here knows me: Bouzille—my name's Bouzille," and turning to the gendarme he said: "Isn't it true, M'sieu Morand, that you and I are old acquaintances? This is the fourth or fifth time you've pinched me, isn't it?"

Bouzille's companion vouchsafed him a glance.

"So it's a habit of yours, is it?" he said in the same low tone; "you often get nabbed?"

"As to 'often,'" the garrulous fellow replied, "that depends on what you mean by the word. In winter time it's not bad business to go back to clink, because of the rotten weather; in the summer one would rather go easy, and then, too, in the summer there isn't so much crime; you can find all you want on the road; country people aren't so particular in the summer, while in the winter it's quite another thing; so they have done me down to-night for mother Chiquard's rabbit, I expect."

The gendarme, who had been listening with no great attention, chimed in.

"So it was you who stole the rabbit, was it, Bouzille?"

"What's the good of your asking me that, M'sieu Morand?" protested Bouzille. "I suppose you would have left me alone if you hadn't been sure of it?"

Bouzille's companion bent his head and whispered very low:

"There has been something worse than that: the job with the lady of this house."[37]

"Oh, that!" said Bouzille with a gesture of complete indifference. But he did not proceed. The sergeant came back to the kitchen and said sternly:

"François Paul, forward: the examining magistrate will hear you now."

The man summoned stepped towards the sergeant, and quietly submitted to being taken by the arm, for his hands were fastened. Bouzille winked knowingly at the gendarme, now his sole remaining confidant, and remarked with satisfaction:

"Good luck! We are getting on to-day! Not too much 'remanded' about it," and as the gendarme, severely keeping his proper distance, made no reply, the incorrigible chatterbox went on merrily: "As a matter of fact it suits me just as well to be committed for trial, since the government give you your board and lodging, and especially since there's a really beautiful prison at Brives now." He leaned familiarly against the gendarme's shoulder. "Ah, M'sieu Morand, you didn't know it—you weren't old enough—why, it was before you joined the force—but the lock-up used to be in an old building just behind the Law Courts: dirty! I should think it was dirty! And damp! Why once, when I did three months there, from January to April, I came out so ill with the rheumatics that I had to go back into the infirmary for another fortnight! Gad!" he went on after a moment's pause during which he snuffed the air around him, "something smells jolly good here!" He unceremoniously addressed the cook who was busy at her work: "Mightn't there perhaps be a bit of a blow out for me, Mme. Louise?" and as she turned round with a somewhat scandalised expression he continued: "you needn't be frightened, lady, you know me very well. Many a time I've come and asked you for any old thing, and you've always given me something. M'sieu Dollon, too: whenever he has an old pair of shoes that are worn out, well, those are mine; and a crust of bread is what nobody ever refuses."

The cook hesitated, touched by the recollections evoked by the poor tramp; she looked at the gendarme for a sign of encouragement. Morand shrugged his shoulders and turned a patronising gaze on Bouzille.[38]

"Give him something, if you like, Mme. Louise. After all, he is well known. And for my own part I don't believe he could have done it."

The tramp interrupted him.

"Ah, M'sieu Morand, if it's a matter of picking up trifles here and there, a wandering rabbit, perhaps, or a fowl that's tired of being lonely, I don't say no; but as for anything else—thank'ee kindly, lady."

Louise had handed Bouzille a huge chunk of bread which he immediately interned in the depths of his enormous bag.

"What do you suppose that other chap can have to tell Mr. Paul Pry? He did not look like a regular! Now when I get before the gentlemen in black, I don't want to contradict them, and so I always say, 'Yes, my lord,' and they are perfectly satisfied; sometimes they laugh and the president of the court says, 'Stand up, Bouzille,' and then he gives me a fortnight, or twenty-one days, or a month, as the case may be."

The sergeant came back, alone, and addressed the gendarme.

"The other man has been discharged," he said. "As for Bouzille, M. de Presles does not think there is any need to interrogate him."

"Am I to be punted out then?" enquired the tramp with some dismay, as he looked uneasily towards the window, against the glass of which rain was lashing.

The sergeant could not restrain a smile.

"Well, no, Bouzille," he said kindly, "we must take you to the lock-up; there's the little matter of the rabbit to be cleared up, you know. Come now, quick march! Take him to Saint-Jaury, Morand!"

The sergeant went back to the library to hold himself at the magistrate's disposal; through the torrential downpour of rain Bouzille and the gendarme wended their way to the village; and left alone in her kitchen, Louise put out her lamp, for despite the shocking weather it was getting lighter now, and communed with herself.

"I've a kind of idea that they would have done better to keep that other man. He was a villainous-looking fellow!"[39]

The sad, depressing day had passed without any notable incident.

Charles Rambert and his father had spent the afternoon with Thérèse and the Baronne de Vibray continuously addressing large black-edged envelopes to the relations and friends of the Marquise de Langrune, whose funeral had been fixed for the next day but one.

A hasty dinner had been served at which the Baronne de Vibray was present. Her grief was distressing to witness. Somewhat futile to outward seeming, this woman had a very kind and tender heart; as a matter of course she had constituted herself the protector and comforter of Thérèse, and she had spent the whole of the previous day with the child at Brives, ransacking the local shops to procure her mourning.

Thérèse was terribly shocked by the dreadful death of her grandmother whom she adored, but she displayed unexpected strength of character and controlled her grief so that she might be able to look after the guests whom she was now entertaining for the first time as mistress of the house. The Baronne de Vibray had failed in her attempt to persuade Thérèse to come with her to Querelles to sleep. Thérèse was determined in her refusal to leave the château and what she termed her "post of duty."

"Marie will stay with me," she assured the kind Baronne, "and I promise you I shall have sufficient courage to go to sleep to-night."

So her friend got into her car alone at nine o'clock and went back to her own house, and Thérèse went up at once to bed with Marie, the faithful servant who, like Louise the cook, had been with her ever since she was born.

After having read all the newspapers, with their minute and often inaccurate account of the tragedy at Beaulieu—for everyone in the château had been besieged the previous day by reporters and representatives of various press agencies—M. Etienne Rambert said to his son simply, but with a marked gravity:[40]

"Let us go upstairs, my son: it is time."

At the door of his room Charles deferentially offered his cheek to his father, but M. Etienne Rambert seemed to hesitate; then, as if taking a sudden resolution, he entered his son's room instead of going on to his own. Charles kept silence and refrained from asking any questions, for he had noticed how lost in sad thought his father had seemed to be since the day before.

Charles Rambert was very tired. He began to undress at once. He had taken off his coat and waistcoat, and was turning towards a looking-glass to undo his tie, when his father came up to him; with an abrupt movement M. Etienne Rambert put both his hands on his son's shoulders and looked him straight in the eyes. Then in a stifled but peremptory tone he said:

"Now confess, unhappy boy! Confess to your father!"

Charles went ghastly white.

"What?" he muttered.

Etienne Rambert kept his eyes fixed upon him.

"It was you who committed the murder!"

The ringing denial that the young man tried to utter was strangled in his throat; he threw out his arms and groped with his hands as if to find something to support him in his faintness; then he pulled himself together.

"Committed the murder? I? You accuse me of having killed the Marquise? It is infamous, hateful, awful!"

"Alas, yes!"

"No, no! Good God, no!"

"Yes!" Etienne Rambert insisted.

The two men faced each other, panting. Charles controlled the emotion which was sweeping over him once more, and looking steadily at his father, said in tones of bitter reproach:

"And it is actually my own father who says that—who suspects me!"

Tears filled the young fellow's eyes and sobs choked him; he grew whiter still, and seemed so near collapse that his father had to support him to a chair, where he remained for several minutes utterly prostrated.

M. Rambert paced up and down the room a few times, then[41] took another chair and sat down in front of his son. Passing a hand across his brow as if to sweep away the horrible nightmare that was haunting him, he spoke again.

"Come now, my boy, my poor boy, let us talk it over quietly. I do not know how it was, but yesterday morning when I saw you at the station I had a presentiment of something: you were haggard, and tired, and your eyes were drawn——"

"I told you before," Charles answered tonelessly "that I had had a bad night: I was over-excited and did not sleep: I was awake the whole night."

"By Jove, yes!" his father rapped out: "I can believe that! But if you were not asleep, how do you account for your not hearing anything?"

"Thérèse did not hear anything either," said Charles after a moment's reflection.

"Thérèse's room was a long way off," M. Rambert replied, "while there was only a thin wall between yours and that of the Marquise. You must have heard: you did hear! More than that——, oh, my boy, my unhappy boy!"

Charles was twisting and untwisting his hands, and great drops of cold perspiration beaded his brow.

"You are the only single person who thinks I committed such an awful crime!" he said, half questioningly.

"The only one?" Etienne Rambert muttered. "Perhaps! As yet! But you ought to know that you made a very bad impression indeed upon the friends of the Marquise during the evening before the crime, when President Bonnet was reading the particulars of a murder that had been committed in Paris by—somebody: I forget whom."

"Good heavens!" Charles exclaimed in indignation, "I did not say anything wrong. Do you mean to say that just because I am interested in stories of great criminals like Rocambole and Fantômas——"

"You created a deplorable impression," his father repeated.

"So they suspect me too, do they?" Charles enquired. "But you can't make accusations like that," he said, warming up: "you've got to have facts, and proofs." He looked at his father for[42] the sympathy and encouragement of affection. "Listen, papa, I know you will believe me when I swear that I am innocent; but do you think other people——"

M. Etienne Rambert sat with his head between his hands, wrapped in thought; there was a short silence before the unhappy father replied:

"Unfortunately there is evidence against you," he said at last; "and damning evidence, too!" he added with a glance at his son that seemed to pulverise him. "Terrible evidence! Consider, Charles: the magistrates have decided, as a result of their investigations, that no one got into the château on the fatal night; you were the only man who slept there; and none but a man could possibly have committed such a horrible crime, such a monstrous piece of butchery!"

"Someone might have got in from outside," the unhappy lad urged, as if trying to escape from the network in which he was being entangled.

"No one did," Etienne Rambert insisted; "besides, how could you prove it?"

Charles was silent. He stood in the middle of the room, with trembling legs and haggard eyes, seemingly stupefied and incapable of coherent thought, vacantly watching his father. With bent head and shoulders bowed as though beneath a too-heavy load, Etienne Rambert moved towards the dressing-room attached to the bedroom.

"Come here," he said in an almost inaudible voice; "follow me."

He went into the dressing-room, and picking up the towels that were heaped anyhow on the lower rail of the washstand, he selected a very crumpled one and held it out in front of his son.

"Look at that!" he said in a low, curt tone.

And on the towel, thus held in the light, Charles Rambert saw red stains of blood. The lad started, and was about to burst into some protestation, but Etienne Rambert imperiously checked him.

"Do you still deny it? Unhappy, wretched boy, there is the convincing, irrefutable evidence of your guilt! These stains of[43] blood proclaim it. Something always is overlooked! How are you to explain the presence of this blood-stained linen in your room? Can you still deny that it is proof positive of your guilt?"

"But I do deny it, I do deny it! I don't understand! I know nothing about it!" and once more Charles Rambert collapsed into the arm-chair; the unhappy lad was nothing but a human wreck, with no strength to argue or even utter a word.

His father's eyes rested on him, filled with infinite affection and profoundest pity.

"My poor, poor boy!" the unhappy Etienne Rambert murmured, and added, as if speaking only to himself: "I wonder if you are not entirely responsible—if there are circumstances to plead for you!"

"Do you still accuse me, papa? Do you really believe I am the murderer?"

Etienne Rambert shook his head hopelessly.

"Oh, I wish, I wish," he exclaimed, "that for the honour of our name, and for the sake of those who love us, I could prove you had congenital, hereditary tendencies that made you not responsible! Why could not I have watched over your upbringing? Why has fate decreed that I should only see my son three times at most in eighteen years, and come home to find him—a criminal? Oh, if science could but establish the fact that the child of a tainted mother——"

"Tainted?" Charles exclaimed; "what do you mean?"

"Tainted with a terrible and mysterious disease," Etienne Rambert went on: "a disease before which we are powerless and unarmed—insanity!"

"What?" cried Charles, growing momentarily more distressed and bewildered; "what is that, papa? Are my wits going? My mother insane?" And then he added hopelessly: "My God! You must be right! Often and often I have been amazed by her strange, puzzling looks and behaviour! But I—I have all my proper senses: I know what I am doing!"

"Was it, perhaps, some appalling hallucination," Etienne Rambert suggested: "some moment of irresponsibility?"

But Charles saw what he meant and cut him short.[44]

"No, no, papa! I am not mad! I am not mad! I am not mad!"

In his intense excitement the young fellow never thought of moderating the tone of his voice, but shouted out what was in his mind, shouted it into the silence of the night, heedless of all but this terrible discussion he was having with the father whom he loved. Nor did Etienne Rambert lower his voice: his son's impassioned protest wrung the retort from him:

"Then, Charles, if you are right, your crime is beyond forgiveness! Murderer! Murderer!"

The two men stopped short as a slight sound in the passage caught their attention. A silence fell upon them that they could not break, and they stood dumbfounded, nervous and overwrought.

The door of the room opened very slowly, and a white form appeared against the darkness of the corridor outside.

Robed in a long night-dress, Thérèse stood there, with hair dishevelled, bloodless lips, and eyes dilated with horror; the child was shaking from head to foot; as if every movement hurt her, she painfully raised her arm and pointed to Charles.

"Thérèse!" Etienne Rambert muttered: "Thérèse, you were outside?"

The child's lips moved: she seemed to be making a more than human effort, and a whisper escaped her lips:

"Yes——"

But she could say no more: her eyes rolled, her whole frame tottered, and then, without sign or cry, she fell rigid and unconscious to the floor.

[45]

Twelve or thirteen miles from Souillac the main line from Brives to Cahors, which flanks the slope, describes a rather sharp curve. The journey is a particularly picturesque one, and travellers who make it during the daytime have much that is interesting and agreeable to see; but while they are admiring the country, which marks the transition from the severe region of the Limousin to the more laughing landscapes on the confines of the Midi, the train suddenly plunges into a tunnel which runs for half a mile and more through the heart of the mountain slope. Leaving the tunnel, the line continues along the slope, then gradually descends towards Souillac. Two or three miles from that little station, which is a junction, the line runs alongside the highroad to Salignac, skirts for a brief distance the Corrèze, one of the largest tributaries on the right bank of the Dordogne, and then plunges into the heart of Lot.

Torrential winter rains had seriously affected the railway embankment, particularly near the mouth of the tunnel; a succession of heavy storms in the early part of December had so greatly weakened the ballast that the chief engineers of the Company had been hastily summoned to the scene of the mischief. The experts decided that very important repairs were required close to the Souillac end of the tunnel. It was necessary to put in a complete system of drainage, with underground pipes through which the water that came down from the mountain could escape between the ballast and the side of the rock and so pass underneath the permanent way. The sleepers, too, had been loosened by the bad weather, and some of them had[46] perished so much that the chairs were no longer fast, a matter which was all the more serious because the line described a very sharp curve at that precise spot.

Gangs of first-class navvies had been hurriedly requisitioned, but in spite of the fact that an exceptional rate of wages was paid, a local strike had broken out and for some days all work was stopped. Gradually, however, moderate counsels prevailed and for over a week now, nearly all the men had taken up their tools again. Nevertheless, for a month past, these various circumstances had resulted in all the trains running between Brives and Cahors, being regularly half an hour late. Further, in view of the dangerous state of the line, all engine drivers coming from Brives had received orders to stop their trains two hundred yards from the end of the tunnel, and all drivers coming from Cahors to stop their trains five hundred yards before the entrance to the tunnel, so that should a train appear while any work was going on which rendered it dangerous to pass, it could wait until the work was completed. The order was also issued with the primary object of preventing the workers on the line from being taken by surprise.

Day was just breaking this grey December morning, when the gang of navvies set to work under a foreman, fixing on the down line the new sleepers which had been brought up the day before. Suddenly a shrill whistle was heard, and in the gaping black mouth of the tunnel the light of two lamps became visible; a train bound for Cahors had stopped in accordance with orders, and was calling for permission to pass.

The foreman ranged his men on either side of the down line and walked to a small cabin erected at the mouth of the tunnel, where he pulled the hand-signal so as to show the green light, thereby authorising the train to proceed on its way.

There was a second short, sharp whistle; heavy puffs escaped from the engine, and belching forth a dense volume of black smoke it slowly emerged from the tunnel, followed by a long train of carriages, the windows of which were frosted all over by the cold temperature outside.[47]

A man approached the cabin allotted to the plate-layer in charge of that section of the line in which the tunnel was included.

"I suppose this is the train due at Verrières at 6.55?" he said carelessly.

"Yes," the plate-layer answered, "but it's late, for the clock down there in the valley struck seven several minutes ago."

The train had gone by: the three red lamps fastened at the end of it were already lost in the morning mist.

The man who spoke to the plate-layer was no other than François Paul, the tramp who had been discharged by the magistrate installed at the château of Beaulieu, at precisely the same time the day before, after a brief examination. In spite of the deep wrinkle furrowed in his brow the man seemed to make an effort to appear friendly and to want to carry on the conversation.

"There aren't many people in this morning train," he remarked, "specially in the first-class carriages."

The plate-layer appeared in no wise unwilling to postpone for a few moments his tiring and chilly underground patrol; he put down his pick before answering.

"Well, that's not surprising, is it? People who are rich enough to travel first-class always come by the express which gets to Brives at 2.50 a.m."

"I see," said François Paul; "that's reasonable: and more practical for travellers to Brives or Cahors. But what about the people who want to get out at Gourdon, or Souillac, or Verrières, or any of the small stations where the express doesn't stop?"

"I don't know," said the plate-layer; "but I suppose they have to get out at Brives or Cahors and drive, or else travel by the day trains, which are fast to Brives and slow afterwards."

François Paul did not press the matter. He lit a pipe and breathed upon his benumbed fingers.

"Hard times, these, and no mistake!"

The plate-layer seemed sorry for him.

"I don't suppose you're an independent gentleman, but why don't you try to get taken on here?" he suggested. "They want hands here."[48]

"Oh, do they?"

"That's the fact; this is the foreman coming along now: would you like me to speak to him for you?"

"No hurry," replied François Paul. "'Course, I'm not saying no, but I should like to see what sort of work it is they're doing here: it might not suit me; I shall still have time to get a couple of words with him," and with his eyes on the ground the tramp slowly walked along the embankment away from the plate-layer.

The foreman met and passed him, and came up to the plate-layer at the mouth of the tunnel.

"Well, Michu, how goes it with you? Still got the old complaint?"

"Middling, boss," the worthy fellow answered: "just keeping up, you know. And how's yourself? And the work? When shall you finish? I don't know if you know it, but these trains stopping regularly in my section give me an extra lot of work."

"How's that?" the foreman enquired in surprise.

"The engine drivers take advantage of the stop to empty their ash-pans, and they leave a great heap of mess there in my tunnel, which I'm obliged to clear away. In the ordinary way they dump it somewhere else: where, I don't know, but not in my tunnel, and that's all I care about."

The foreman laughed.

"You're a good 'un, Michu! If I were you I would ask the Company to give me another man or two."

"And do you suppose the Company would?" Michu retorted. "By the way, that poor devil who is going along there, shivering with cold and hunger, was grumbling to me just now, and I advised him to ask you to take him on. What do you think he said? Why, that he would have a look at the work first, and off he went."

"It's a fact, Michu, that it's mighty difficult to come across people who mean business nowadays. It's quite true that I want more hands. But if that chap doesn't ask me to engage him in another minute, I'll kick him out. The embankment is not public property, and I don't trust these rascals who are for ever coming and going among the workmen to see what mischief they can[49] make. I'll go and cast an eye over the bolts and things, for there are all sorts of vagrants about the neighbourhood just now."

"And criminals, too," said old Michu. "I suppose you have heard of the murder up at the château of Beaulieu?"

"Rather! My men are talking of nothing else. But you are right, Michu, I will get a closer look at all strangers, and at your friend in particular."

The foreman stopped abruptly; he had been examining the foot of the embankment, and was standing quite still, watching. The plate-layer followed his glance, and also stood fixed. After a few moments' silence the two men looked at each other and smiled. In the half-light of the valley they had seen the outline of a gendarme; he was on foot and appeared to be looking for somebody, while making no attempt to remain unseen himself.

"Good!" whispered Michu; "that's sergeant Doucet: I know him by his stripes. They say the murder was not committed by anyone belonging to this part of the country; everybody was fond of the Marquise de Langrune."

"Look! Look!" the foreman broke in, pointing to the gendarme who was slowly climbing up the embankment. "It looks as if the sergeant were making for the gentleman who was looking for work just now and hoped he would not find it. The sergeant's got a word for him, eh, what?"

"That might be," said Michu after a moment's further watching. "That chap has a villainous, ugly face. One can tell from the way he's dressed that he don't belong to our parts."

The two men waited with utmost interest to see what was going to happen.

Sergeant Doucet reached the top of the embankment at last and hurried past the navvies, who stopped their work to stare inquisitively after the representative of authority. Fifty yards beyond them, François Paul, wrapped in thought, was walking slowly down towards the station of Verrières. Hearing the sound of steps behind him, he turned. When he saw the sergeant he frowned. He glanced rapidly about him and saw that while he was alone with the gendarme, so that no one could overhear what they said, however loudly they might speak, they were yet[50] in such a position that every sign and movement they made would be perfectly visible to whoever might watch them. And as the gendarme paused a few paces from him and—remarkable fact—seemed to be on the point of bringing his hand to his cap in salute, the mysterious tramp rapped out:

"I thought I said no one was to disturb me, sergeant?"

The sergeant took a pace forward.

"I beg your pardon, Inspector, but I have important news for you."

For this François Paul, whom the sergeant thus respectfully addressed as Inspector, was no other than an officer of the secret police who had been sent down to Beaulieu the day before from head-quarters in Paris.

He was no ordinary officer. As if M. Havard had had an idea that the Langrune affair would prove to be puzzling and complicated, he had singled out the very best of his detectives, the most expert inspector of them all—Juve. It was Juve who for the last forty-eight hours had been prowling about the château of Beaulieu disguised as a tramp, and had had himself arrested with Bouzille that he might prosecute his own investigations without raising the slightest suspicion as to his real identity.

Juve made a face expressive of his vexation at the over-deferential attitude of the sergeant.

"Do pay attention!" he said low. "We are being watched. If I must go back with you, pretend to arrest me. Slip the handcuffs on me!"

"I beg your pardon, Inspector: I don't like to," the gendarme answered.

For all reply, Juve turned his back on him.

"Look here," he said, "I will take a step or two forward as if I meant to run away; then you must put your hand on my shoulder roughly, and I will stumble; when I do, slip the bracelets on."

From the mouth of the tunnel the plate-layer, the foreman and the navvies all followed with their eyes the unintelligible conversation passing between the gendarme and the tramp a hundred yards away. Suddenly they saw the man try to get off[51] and the sergeant seize him almost simultaneously. A few minutes later the individual, with his hands linked together in front of him, was obediently descending the steep slope of the embankment, by the gendarme's side, and then the two men disappeared behind a clump of trees.

"I understand why that chap was not very keen on getting taken on here," said the foreman. "His conscience was none too easy!"

As they walked briskly in the direction of Beaulieu Juve asked the sergeant:

"What has happened at the château, then?"

"They know who the murderer is, Inspector," the sergeant answered. "Little Mlle. Thérèse——"

[52]

Hurrying back towards the château with the sergeant, Juve ran into M. de Presles outside the park gate. The magistrate had just arrived from Brives in a motor-car which he had commandeered for his personal use during the last few days.

"Well," said Juve in his quiet, measured tones, "have you heard the news?" And as the magistrate looked at him in surprise he went on: "I gather from your expression that you have not. Well, sir, if you will kindly fill up a warrant we will arrest M. Charles Rambert."

Juve briefly repeated to the magistrate what the sergeant had reported to him, and the sergeant added a few further details. The three men had now reached the foot of the steps before the house and were about to go up when the door of the château was opened and Dollon appeared. He hurried towards them, with unkempt hair and haggard face, and excitedly exclaimed:

"Didn't you meet the Ramberts? Where are they? Where are they?"

The magistrate, who was bewildered by what Juve had told him, was trying to form a coherent idea of the whole sequence of events, but the detective realised the situation at once, and turned to the sergeant.

"The bird has flown," he said. The sergeant threw up his hands in dismay.

Inside the hall Juve and M. de Presles ordered Dollon to give them an exact account of the discovery made by Thérèse in the course of the previous night.[53]

"Well, gentlemen," said the old fellow, who was greatly upset by the discovery of the murderer of the Marquise de Langrune, "when I got to the château early this morning I found the two old servants, Marie and Louise, entirely occupied attending to the young mistress. Marie slept in an adjoining room to hers last night, and was awakened about five o'clock by the poor child's inarticulate cries. Mlle. Thérèse was bathed in perspiration; her face was all drawn and there were dark rings under her eyes; she was sleeping badly and evidently having a dreadful nightmare. She half woke up several times and muttered some unintelligible words to Marie, who thought that it was the result of over-excitement. But about six o'clock, just as I arrived, Mlle. Thérèse really woke up, and bursting into a fit of sobbing and crying, repeated the names of her grandmother and the Ramberts and the Baronne de Vibray. She kept on saying, 'The murderer! the murderer!' and making all sorts of signs of terror, but we were not able to get from her a clear statement of what it was all about. I felt her pulse and found she was very feverish, and Louise prepared a cooling drink, which she persuaded her to take. In about twenty minutes—it was then nearly half-past six—Mlle. Thérèse quietened down, and managed to tell us what she had heard during the night, and the dreadful interview and conversation between M. Rambert and his son which she had seen and overheard."

"What did you do then?" enquired M. de Presles.

"I was dreadfully upset myself, sir, and I sent Jean, the coachman, to Saint-Jaury to fetch the doctor and also to let Sergeant Doucet know. Sergeant Doucet got here first; I told him all I knew, and then I went upstairs with the doctor to see Mlle. Thérèse."

The magistrate turned to the police-sergeant and questioned him.

"Directly M. Dollon told me his story," the sergeant replied, "I thought it my duty to report to M. Juve, who I knew was not far from the château, on his way to Verrières: M. Juve told me last night that he meant to explore that part in the early morning. I left Morand on duty at the entrance to the château, with orders to prevent either of the Ramberts from leaving."[54]

"And Morand did not see them going away?" the magistrate asked.

Juve had already divined what had happened, and replied for the sergeant.

"Morand did not see them go out for the obvious reason that they had left long before—in the middle of the night, directly after their altercation: in a word, before Mlle. Thérèse woke up." He turned to the sergeant. "What has been done since then?"

"Nothing, Inspector."

"Well, sergeant," said Juve. "I imagine his worship will order you to send out your men at once after the runaways." As a matter of courtesy he glanced at the magistrate as if asking for his approval, but he only did so out of politeness, for he took it for granted.

"Of course!" said the magistrate; "please do so at once." The sergeant turned on his heel and left the hall.

"Where is Mlle. Thérèse?" M. de Presles asked Dollon, who was standing nervously apart.

"She is sleeping quietly just now, sir," said the steward, coming forward. "The doctor is with her, and would rather she were not disturbed, if you have no objection."

"Very well," said the magistrate. "Leave us, please," and Dollon also went away.

Juve and M. de Presles looked at one another. The magistrate was the first to break the silence.

"So it is finished?" he remarked. "So this Charles Rambert is the culprit?"

Juve shook his head.

"Charles Rambert? Well, he ought to be the culprit."

"Why that reservation?" enquired the magistrate.

"I say 'ought to be,' for all the circumstances point to that conclusion, and yet in my bones I don't believe he is."

"Surely the presumptions of his guilt, his pseudo-confession, or at least his silence in face of his father's formal accusation, may make us sure he is," said M. de Presles.

"There are some presumptions in favour of his innocence too," Juve replied, but with a slight hesitation.[55]

The magistrate pressed his point.

"Your investigations formally demonstrated the fact that the crime was committed by some person who was inside the house."

"Possibly," said Juve, "but not certainly. The probabilities do not allow us to assert it as a fact."

"Explain yourself."

"Not so fast, sir," Juve replied, and getting up he added: "There is nothing for us to do here, sir; shall we go up to the room Charles Rambert occupied?"

M. de Presles followed the detective, and the two men went into the room, which was as plainly furnished as that of any young girl. The magistrate installed himself comfortably in an easy chair and lighted a cigar, while Juve walked up and down, scrutinising everything with quick, sharp glances, and began to talk:

"I said 'not so fast' just now, sir, and I will tell you why: in my opinion there are two preliminary points in this affair which it is important to clear up: the nature of the crime, and the motive which can have actuated the criminal. Let us take up these two points, and first of all ask ourselves how the murder of the Marquise de Langrune ought to be 'classified' in the technical sense. The first conclusion which must be impressed upon the mind of any observant person who has visited the scene of the crime and examined the corpse of the victim is, that this murder must be placed in the category of crapulous crimes. The murderer seems to have left the implicit mark of his character upon his victim; the very violence of the blows dealt shows that he is a man of the lower orders, a typical criminal, a professional."

"What do you deduce that from?" M. de Presles enquired.

"Simply from the nature of the wound. You saw it, as I did. Mme. de Langrune's throat was almost entirely severed by the blade of some cutting instrument. The breadth and depth of the wound absolutely prove that it was not made with one stroke; the murderer must have gone amok and dealt several blows—have gone on striking even when death had finished his work, or at least was quite inevitable; that shows clearly that the mur[56]derer belongs to a class of individuals who feel no repugnance for their horrid work, but who kill without horror, and even without excitement. Again, the nature of the wound shows that the murderer is a strong man; you no doubt know that weak men with feeble muscles strike 'deep' by choice, that is to say with a pointed weapon and aiming at a vital organ, whereas powerful murderers have a predilection for blows dealt 'superficially,' and for broad, ghastly wounds. Besides, that is only following a natural law; a weak man finesses with death, tries to make sure of it at some precise point, penetrating the heart or severing an artery; a brutal man does not care where he hits, but trusts to his own brute strength to achieve his purpose.

"We have next to determine the sort of weapon with which the murder was committed. We have not got it, at any rate up to the present; I have given orders for the drains to be emptied, and the pond to be dragged and the shrubberies to be searched, but, whether our search is crowned with success or not, I am convinced that the instrument was a knife, one of those common knives with a catch lock that apaches always carry. If the murderer had had a weapon whose point was its principal danger, he would have stabbed, and stabbed to the heart, instead of cutting; but he used the edge, the part of a knife that is most habitually used, and he actually cut. When the first wound was made he did not strike anywhere else, but continued working away at the wound and enlarging it. It is a point of capital importance that this murder was committed with a knife, not with a dagger or stiletto, and therefore this is a crapulous crime."

"And what conclusion do you draw from the fact that the crime is a crapulous one?" the magistrate proceeded to enquire.

"Merely that it cannot have been committed by Charles Rambert," Juve answered very gravely. "He is a young man who has been well brought up, he comes of very good stock, and his age makes it most improbable that he can be a professional criminal."

"Obviously, obviously!" murmured the magistrate, not a little embarrassed by the keen logic of the detective.[57]

"And now let us consider the motive or motives of the crime," Juve continued. "Why did the man commit this murder?"

"Doubtless for purposes of robbery," said the magistrate.

"What did he want to steal?" Juve retorted. "As a matter of fact, Mme. de Langrune's diamond rings and watch and purse were all found on her table, in full view of everybody; in the drawers that had been broken open I found other jewels, over twenty pounds in gold and silver, and three bank-notes in a card-case. What is your view, sir, of a crapulous robber who sees valuables like that within his reach, and who does not take them?"

"It is certainly surprising," the magistrate admitted.

"Very surprising; and goes to show that although the crime in itself is a common, sordid one, the criminal may have had higher, or at any rate different, aspirations from those which would lead an ordinary ruffian to commit murder for the sake of robbery. The age and social position and personality of Mme. de Langrune make it very unlikely that she had enemies, or was the object of vengeance, and therefore if she was got rid of, it was very likely that she might be robbed—but robbed of what? Was there something more important than money or jewels to be got? I frankly admit that although I put the question I am at a loss how to answer it."

"Obviously," murmured the magistrate again, still more puzzled by all these logical deductions.

Juve proceeded with the development of his ideas.

"And now suppose we are face to face with a crime committed without any motive, as a result of some morbid impulse, a by no means uncommon occurrence, monomania or temporary insanity?

"In that case, although, in consequence of the crapulous nature of the crime, I had previously dismissed the very serious presumption of guilt attaching to young Rambert, I should be inclined to reconsider my opinion and think it possible that he might be the culprit. We know very little about the young fellow from the physiological point of view; in fact we don't know him at all; but it seems that his family is not altogether normal, and I understand that his mother's mental condition is precarious. If[58] for a moment we regard Charles Rambert as a hysterical subject, we can associate him with the murder of the Marquise de Langrune without thereby destroying our case that the crime is a crapulous one, for a man of only medium physical strength, when suffering from an attack of mental alienation, has his muscular power increased at least tenfold during his paroxysms. Under such influence as that Charles Rambert might have committed murder with all the fierce brutality of a giant!

"But I shall soon be in possession of absolutely accurate knowledge as to the muscular strength of the murderer," Juve proceeded. "Quite lately M. Bertillon invented a marvellous dynamometer which enables us not only to ascertain what kind of lever has been used to force a lock or a piece of furniture, but also to determine the exact strength of the individual who used the tools. I have taken samples of the wood from the broken drawer, and I shall soon have exact information."

"That will be immensely important," M. de Presles agreed. "Even if it does away with our present certainty of Charles Rambert's guilt, we shall be able to find out whether the murder was committed by any other occupant of the house—still assuming that it was committed by some member of the household."

"With regard to that," said Juve, "we can proceed with our method of deduction and eliminate from our field of observation everybody who has a good alibi or other defence; it will be so much ground cleared. For my own part I find it impossible to suspect the two old maidservants, Louise and Marie; the tramps whom we have detained and subsequently released are too simple-minded, elementary people to have been capable of devising the minute precautions which demonstrate the subtle cleverness of the man who murdered the Marquise. Then there is Dollon; but I imagine you will agree with me in thinking that his alibi removes him from suspicion—more especially as the medical evidence proves that the murder was committed during the night, between two and three o'clock."

"Only M. Etienne Rambert is left," the magistrate put in, "and about nine o'clock that evening he left the d'Orsay station[59] in the slow train which reaches Verrières at 6.55 a.m. He spent the whole night in the train, for he certainly arrived by that one. He could not have a better alibi."

"Not possibly," Juve replied. "So we need only trouble ourselves with Charles Rambert," and warming up to the subject the detective proceeded to pile up a crushing indictment against the young man. "The crime was committed so quietly that not the faintest sound was heard; therefore the murderer was in the house; he went to the Marquise's room and announced his arrival by a cautious tap on the door; the Marquise then opened the door to him, and was not surprised to see him, for she knew him quite well; he went into her room with her and——"

"Oh, come, come!" M. de Presles broke in; "you are romancing now, M. Juve; you forget that the bedroom door was forced, the best proof of that being the bolt, which was found wrenched away and hanging literally at the end of the screws."

"I was expecting you to say that, sir," said Juve with a smile. "But before I reply I should like to show you something rather quaint." He led the way across the passage and went into the bedroom of the Marquise, where order had now been restored; the dead body had been removed to the library, which was transformed into a chapelle ardente, and two nuns were watching over it there. "Have a good look at this bolt," he said to M. de Presles. "Is there anything unusual about it?"

"No," said the magistrate.

"Yes, there is," said Juve; "the slide-bolt is out, as when the bolt is fastened, but the socket into which the slide-bolt slips to fasten the door to the wall is intact. If the bolt really had been forced, the socket would have been wrenched away too." Juve next asked M. de Presles to look closely at the screws that were wrenched halfway out of the door. "Do you see anything on those?"

The magistrate pointed to their heads.

"There are tiny scratches on them," he said, rather hesitatingly, for in his inmost heart he knew the detective's real superiority over himself, "and from those I must infer that the screws have not been wrenched out by the pressure exerted on the bolt, but really unscrewed, and therefore——"[60]

"And therefore," Juve broke in, "this is a mere blind, from which we may certainly draw the conclusion that the murderer wished to make us believe that the door was forced, whereas in reality it was opened to him by the Marquise. Therefore the murderer was personally known to her!"

"The murderer was personally known to her," he repeated. "Now I should like to remind you of young Charles Rambert's equivocal behaviour in the course of the evening that preceded the crime. It struck President Bonnet and shocked the priest. I also recall his hereditary antecedents, his mothers insanity, and finally——" Juve broke off abruptly and unceremoniously dragged the magistrate out of the room and into Charles Rambert's bedroom. He hurried into the dressing-room adjoining, went down on his knees on the floor, and laid a finger on the middle of the oil-cloth that was laid over the boards. "What do you see there, sir?" he demanded.

The magistrate adjusted his eyeglass and, looking at the place indicated by the detective, saw a little black stain; he wetted his finger, rubbed it on the spot, and then, holding up his hand, observed that the tip of his finger was stained red.

"It is blood," he muttered.

"Yes, blood," said Juve, "and I gather from this that the story of the blood-stained towel which M. Rambert senior found among his son's things, and the sight of which so greatly impressed Mlle. Thérèse, was not an invention on that young lady's part, but really existed; and it forms the most damning evidence possible against the young man. He obviously washed his hands after the crime in the water from the tap over this wash-hand basin here, but one drop of blood falling on the towel and dripping on to the floor has been enough to give him away."

The magistrate nodded.

"It is conclusive," he said. "You have just proved to demonstration, M. Juve, that Charles Rambert is the guilty party. It is beyond argument. It is conclusive—conclusive!"

There were a couple of seconds of silence, and then Juve suddenly said "No!"

"No!" he repeated; "it is quite true that we can adduce per[61]fectly logical arguments to show that the murder was committed by some member of the household and that, therefore, Charles Rambert is the only possible culprit; but we can adduce equally logical arguments to show that the crime was committed by some person who got in from outside: there is nothing to prove that he did not walk into the house through the front door."

"The door was locked," said the magistrate.

"That's nothing," said Juve with a laugh. "Don't forget that there isn't such a thing as a real safety lock nowadays—since all locks can be opened with an outside key. If I had found one of the good old-fashioned catch locks on the door, such as they used to make years ago, I should have said to you: nobody got in, because the only way to get through a door fastened with one of those locks is to break the door down. But here we have a lock that can be opened with a key. Now the key does not exist of which one cannot get an impression, and there is not such a thing as an impression from which one cannot manufacture a false key. The murderer could easily have got into the house with a duplicate key."

The magistrate raised a further objection.

"If the murderer had got in from outside he would inevitably have left some traces round about the château, but there aren't any."

"Yes there are," Juve retorted. "First of all there is this piece of an ordnance map which I found yesterday between the château and the embankment." He took it from his pocket as he spoke. "It is an odd coincidence that this scrap shows the neighbourhood of the château of Beaulieu."

"That doesn't prove anything," said the magistrate. "To find a piece of a map of our district in our district is the most natural thing possible. Now if you were to discover the rest of this map in anybody's possession, then——"

"You may rest assured that I shall try to do so with the least possible delay," said Juve gently. "But this is not the only argument I have to support my theory. This morning, when I was walking near the embankment, I found some very suspicious footprints. It is true there are any number of footprints near the[62] end of the Verrières tunnel, where the navvies are at work. But at the other end of the tunnel, where there is no occasion for anyone to pass by, I found that the earth of the embankment, which was crisp with the frost, had been disturbed, showing that someone had clambered up the embankment; the tips of his shoes had been driven into the earth, and I could see distinctly where his feet had been placed; but unfortunately the soil there is so dry that the footprints were too faint for me to hope to be able to identify the maker of them. But the fact remains that someone did climb up the embankment, someone who was making for the railway."

The magistrate did not seem to be impressed by Juve's discovery.

"And pray what conclusion do you think ought to be drawn from that?" he enquired.

Juve sat down in an easy chair, threw back his head and closed his eyes as if he were about to indulge in a long soliloquy, and began to express his thoughts aloud.

"Suppose we were to combine the two hypotheses into one; to wit, that the murderer was in the château prior to the accomplishment of the crime and left the château directly it was accomplished. What should you say, sir, of a criminal completing his deed, then hurrying over the couple of miles that separate Beaulieu from the railway, and catching a passing train, and on his way climbing the embankment at the spot where I found the footprints I mentioned."

"I should say," the magistrate replied, "that you can't jump into a moving train as you can into a passing tram, and further, that at night none but express trains run between Brives and Cahors."

"All right," said Juve: "I will merely point out that owing to the work on the line at present, all trains have stopped at the beginning of the tunnel for the last two months. If the murderer had planned to escape in that way he might very well have been aware of this regular stoppage."

The magistrates confidence was a little shaken by these new deductions on the part of the detective, but he submitted yet another objection.[63]

"We have not found any traces round about the château."

"Strictly speaking, no, we have not," Juve admitted; "but it is clear that if the murderer walked on the grass, and he probably did so, he walked on it during the night, that is to say, before the morning dew. Now everybody knows that when the dew rises in the early morning, grass that has been bent down by any passing man or animal, stands up again in its original position, thereby destroying all traces; so if the murderer did walk on the lawn when he was getting away, nobody could tell that he had done so. Nevertheless, on the lawn in front of the window of the room where the murder was committed I have observed, not exactly footprints, but signs that the earth has been disturbed at that spot. I imagine that if I were to jump out of a first floor window on to the soft surface of a lawn, and wanted to efface the marks of my boots, I should smooth the earth and the grass around them in just the same way that the little piece of lawn I speak of seems to have been smoothed."

"I should like to have a look at that," said M. de Presles.

"Well, there's no difficulty about it," Juve replied. "Come along."

The two men hurried down the staircase and out of the house. When they reached the patch of grass which the inspector said had been "made up," they crouched down and scrutinised it closely. Just by the side of the grass, even overhanging it a little, a large rhubarb plant outspread its thick, dentelated leaves almost parallel with the soil. Juve happened to glance casually at the nearest leaf, and uttered an exclamation of surprise and gratification.

"Gad, here's something interesting!" and he drew the magistrate's attention to some little pilules of earth with which the plant was peppered.

"What is that?" enquired M. de Presles.

"Earth," said Juve, who had swept the top of the leaf with the palm of his hand; "ordinary earth, like the rest ten inches below, on the grass."

"Well, what about it?" said the puzzled magistrate.

"Well," said Juve with a smile, "I imagine that ordinary earth,[64] or any kind of earth, has no power to move of its own volition, much less to jump up ten inches into the air and settle on the top of a leaf, even a rhubarb leaf! So I conclude that since this earth did not get here by itself it was brought here. How? That is very simple! Somebody has jumped on to the grass there, M. de Presles; he has removed the marks of his feet by smoothing the earth with his hands; the earth soiled his hands, and he rubbed one against the other quite mechanically; the earth which was on his hands fell off in little balls on to the rhubarb leaf, and remained there for us to discover. And so it is certain—this is one proof more—that even if the murderer did not get in from outside, he did at any rate take to flight after he had committed the crime."

"So it can't be Charles Rambert after all," said the magistrate.

"It 'ought to be' Charles Rambert!" was Juve's baffling reply.

The magistrate waxed irritable.

"My dear sir, your everlasting contradictions end by being rather absurd! You have hardly finished building up one laborious theory before you start knocking it down again. I fail to understand you."

Juve smiled at M. de Presles' sudden irritability, but quickly became grave again.

"I am anxious not to be led away by any preconceived opinion. I put the hypothesis that so and so is guilty, and examine all the arguments in support of that theory; then I submit that the crime was committed by somebody else, and proceed in the same way. My method certainly has the objection that it confronts every argument with a diametrically opposite one, but we are not concerned with establishing any one case in preference to another—it is the truth, and nothing else, that we have to discover."

"And that is tantamount to saying that in spite of the overwhelming circumstantial evidence, and in spite of the fact that he has run away, Charles Rambert is innocent?"

"Charles Rambert is the culprit, sir," Juve replied brightly. "If he were not, whom else could we possibly suspect?"

The detective's placidity and his perpetual self-contradictions[65] exasperated M. de Presles. He held his tongue, and was silently revolving the case in his mind when Juve made yet one more suggestion.

"There is one final hypothesis which I feel obliged to put before you. Do you realise, sir, that this is a typical Fantômas crime?"

M. de Presles shrugged his shoulders as the detective pronounced this half-mythical name.

"Upon my word, M. Juve, I should never have expected you to invoke Fantômas! Why, Fantômas is the too obvious subterfuge, the cheapest device for investing a case with mock honours. Between you and me, you know perfectly well that Fantômas is merely a legal fiction—a lawyers' joke. Fantômas has no existence in fact!"

Juve stopped in his stride. He paused a moment before replying; then spoke in a restrained voice, but with an emphasis on his words that always marked him when he spoke in all seriousness.

"You are wrong to laugh, sir; very wrong. You are a magistrate and I am only a humble detective inspector, but you have three or four years' experience, perhaps less, while I have fifteen years' work behind me. I know that Fantômas does exist, and I do anything but laugh when I suspect his intervention in a case."

M. de Presles could hardly conceal his surprise, and Juve went on:

"No one has ever said of me, sir, that I was a coward. I have looked death in the eyes; I have often hunted and arrested criminals who would not have had the least hesitation in doing away with me. There are whole gangs of rascals who have vowed my death. All manner of horrible revenges threaten me to-day. For all that I have the most complete indifference! But when people talk to me of Fantômas, when I fancy that I can detect the intervention of that genius of crime in any case, then, M. de Presles, I am in a funk! I tell you frankly I am in a funk. I am frightened, because Fantômas is a being against whom it is idle to use ordinary weapons; because he has been able to hide his identity and elude all pursuit for years; because his daring is[66] boundless and his power unmeasurable; because he is everywhere and nowhere at once and, if he has had a hand in this affair, I am not even sure that he is not listening to me now! And finally, M. de Presles, because every one whom I have known to attack Fantômas, my friends, my colleagues, my superior officers, have one and all, one and all, sir, been beaten in the fight! Fantômas does exist, I know, but who is he? A man can brave a danger he can measure, but he trembles when confronted with a peril he suspects but cannot see."

"But this Fantômas is not a devil," the magistrate broke in testily; "he is a man like you and me!"

"You are right, sir, in saying he is a man; but I repeat, the man is a genius! I don't know whether he works alone or whether he is the head of a gang of criminals; I know nothing of his life; I know nothing of his object. In no single case yet has it been possible to determine the exact part he has taken. He seems to possess the extraordinary gift of being able to slay and leave no trace. You don't see him; you divine his presence: you don't hear him; you have a presentiment of him. If Fantômas is mixed up in this present affair, I don't know if we ever shall succeed in clearing it up!"

M. de Presles was impressed in spite of himself by the detective's earnestness.

"But I suppose you are not recommending me to drop the enquiry, are you, Juve?"

The detective forced a laugh that did not ring quite true.

"Come, come, sir," he answered, "I told you just now that I was frightened, but I never said I was a coward. You may be quite sure I shall do my duty, to the very end. When I first began—and that was not yesterday, nor yet the day before—to realise the importance and the power of this Fantômas, I took an oath, sir, that some day I would discover his identity and effect his arrest! Fantômas is an enemy of society, you say? I prefer to regard him first and foremost as my own personal enemy! I have declared war on him, and I am ready to lose my skin in the war if necessary, but by God I'll have his!"

Juve ceased. M. de Presles also was silent. But the magistrate[67] was still sceptical, despite the detective's strange utterance, and presently he could not refrain from making a gentle protest and appeal.

"Do please bring in a verdict against someone, M. Juve, for really I would rather believe that your Fantômas is—a creation of the imagination!"

Juve shrugged his shoulders, seemed to be arriving at a mighty decision, and began:

"You are quite right, sir, to require me to draw some definite conclusion, even if you are not right in denying the existence of Fantômas. So I make the assertion that the murderer is——"

The sound of hurrying steps behind them made both men turn round. A postman, hot and perspiring, was hurrying to the château; he had a telegram in his hand.

"Does either of you gentlemen know M. Juve?" he asked.

"My name is Juve," said the detective, and he took the telegram and tore the envelope open. He glanced through it and then handed it to the magistrate.

"Please read that, sir," he said.

The telegram was from the Criminal Investigation Department, and ran as follows:

[68]

"Does M. Gurn live here, please?"

Mme. Doulenques, the concierge at No. 147 rue Lévert, looked at the enquirer and saw a tall, dark man with a heavy moustache, wearing a soft hat and a tightly buttoned overcoat, the collar of which was turned up to his ears.

"M. Gurn is away, sir," she answered; "he has been away for some little time."

"I know," said the stranger, "but still I want to go up to his rooms if you will kindly go with me."

"You want——" the concierge began in surprise and doubt. "Oh, I know; of course you are the man from the what's-its-name company, come for his luggage? Wait a bit; what is the name of that company? Something funny—an English name, I fancy."

The woman left the door, which she had been holding just ajar, and went to the back of her lodge; she looked through the pigeon-holes where she kept the tenants' letters ready sorted, and picked out a soiled printed circular addressed to M. Gurn. She was busy putting on her spectacles when the stranger drew near and from over her shoulder got a glimpse of the name for which she was looking. He drew back again noiselessly, and said quietly:

"I have come from the South Steamship Company."

"Yes, that's it," said the concierge, laboriously spelling out the words: "the South—what you said. I can never pronounce those names. Rue d'Hauteville, isn't it?"[69]

"That's it," replied the man in the soft hat in pleasant, measured tones.

"Well, it's very plain that you don't bustle much in your place," the concierge remarked. "I've been expecting you to come for M. Gurn's things for nearly three weeks; he told me you would come a few days after he had gone. However, that's your business."

Mme. Doulenques cast a mechanical glance through the window that looked on to the street, and then surveyed the stranger from top to toe; he seemed to be much too well dressed to be a mere porter.

"But you haven't got any handcart or truck," she exclaimed. "You're not thinking of carrying the trunks on your shoulder, are you? Why, there are at least three or four of them—and heavy!"

The stranger paused before answering, as though he found it necessary to weigh each word.

"As a matter of fact I merely wanted to get an idea of the size of the luggage," he said quietly. "Will you show me the things?"

"If I must, I must," said the concierge with a heavy sigh. "Come up with me: it's the fifth floor," and as she climbed the stairs she grumbled: "It's a pity you didn't come when I was doing my work: I shouldn't have had to climb a hundred stairs a second time then; it counts up at the end of the day, and I'm not so young as I was."

The stranger followed her up the stairs, murmuring monosyllabic sympathy, and regulating his pace by hers. Arrived at the fifth floor, the concierge drew a key from her pocket and opened the door of the flat.

It was a small modest place, but quite prettily decorated. The door on the landing opened into a tiny sort of anteroom, from which one passed into a front room furnished with little but a round table and a few arm-chairs. Beyond this was a bedroom, almost filled by the large bed, which was the first thing one saw on entering, and on the right there was yet another room, probably a little office. Both the first room, which was a kind of general living room, and the bedroom had wide windows overlooking gardens as far as one could see. An advantage of the flat[70] was that it had nothing opposite, so that the occupant could move about with the windows open if he liked, and yet have nothing to fear from the inquisitiveness of neighbours.

The rooms had been shut up for several days, since the tenant had gone away indeed, and there was a stuffy smell about them, mingled with a strong smell of chemicals.

"I must air the place," the concierge muttered, "or else M. Gurn won't be pleased when he comes back. He always says he is too hot and can't breathe in Paris."

"So he does not live here regularly?" said the stranger, scanning the place curiously as he spoke.

"Oh, no, sir," the concierge answered. "M. Gurn is a kind of commercial traveller and is often away, sometimes for a month or six weeks together," and the gossiping woman was beginning a long and incoherent story when the stranger interrupted her, pointing to a silver-framed photograph of a young woman he had noticed on the mantelpiece.

"Is that Mme. Gurn?"

"M. Gurn is a bachelor," Mme. Doulenques replied. "I can't fancy him married, with his roaming kind of life."

"Just a little friend of his, eh?" said the man in the soft hat, with a wink and a meaning smile.

"Oh, no," said the concierge, shaking her head. "That photograph is not a bit like her."

"So you know her, then?"

"I do and I don't. That's to say, when M. Gurn is in Paris, he often has visits from a lady in the afternoon: a very fashionable lady, I can tell you, not the sort that one often sees in this quarter. Why, the woman who comes is a society lady, I am sure: she always has her veil down and passes by my lodge ever so fast, and never has any conversation with me; free with her money, too: it's very seldom she does not give me something when she comes."

The stranger seemed to find the concierge's communications very interesting, but they did not interrupt his mental inventory of the room.

"In other words, your tenant does not keep too sharp an eye on his money?" he suggested.[71]

"No, indeed: the rent is always paid in advance, and sometimes M. Gurn even pays two terms in advance because he says he never can tell if his business won't be keeping him away when the rent falls due."

Just then a deep voice called up the staircase:

"Concierge: M. Gurn: have you any one of that name in the house?"

"Come up to the fifth floor," the concierge called back to the man. "I am in his rooms now," and she went back into the flat. "Here's somebody else for M. Gurn," she exclaimed.

"Does he have many visitors?" the stranger enquired.

"Hardly any, sir: that's why I'm so surprised."

Two men appeared; their blue blouses and metal-peaked caps proclaimed them to be porters. The concierge turned to the man in the soft hat.

"I suppose these are your men, come to fetch the trunks?"

The stranger made a slight grimace, seemed to hesitate and finally made up his mind to remain silent.

Rather surprised to see that the three men did not seem to be acquainted with each other, the concierge was about to ask what it meant, when one of the porters addressed her curtly:

"We've come from the South Steamship Company for four boxes from M. Gurn's place. Are those the ones?" and taking no notice of the visitor in the room, the man pointed to two large trunks and two small boxes which were placed in a corner of the room.

"But aren't you three all together?" enquired Mme. Doulenques, visibly uneasy.

The stranger still remained silent, but the first porter replied at once.

"No; we have nothing to do with the gentleman. Get on to it, mate! We've no time to waste!"

Anticipating their action, the concierge got instinctively between the porters and the luggage: so too did the man in the soft hat.

"Pardon," said he politely but peremptorily. "Please take nothing away."[72]

One of the porters drew a crumpled and dirty memorandum book from his pocket and turned over the pages, wetting his thumb every time. He looked at it attentively and then spoke.

"There's no mistake: this is where we were told to come," and again he signed to his mate. "Let's get on with it!"

The concierge was puzzled. She looked first at the mysterious stranger, who was as quiet and silent as ever, and then at the porters, who were beginning to be irritated by these incomprehensible complications.

Mme. Doulenques' mistrust waxed greater, and she sincerely regretted being alone on the fifth floor with these strangers, for the other occupants of this floor had gone off to their daily work long ago. Suddenly she escaped from the room, and called shrilly down the stairs:

"Madame Aurore! Madame Aurore!"

The man in the soft hat rushed after her, seized her gently but firmly by the arm, and led her back into the room.

"I beg you, madame, make no noise: do not call out!" he said in a low tone. "Everything will be all right. I only ask you not to create a disturbance."

But the concierge was thoroughly alarmed by the really odd behaviour of all these men, and again screamed at the top of her voice:

"Help! Police!"

The first porter was exasperated.

"It's unfortunate to be taken for thieves," he said with a shrug of his shoulders. "Look here, Auguste, just run down to the corner of the street and bring back a gendarme. The gentleman can explain to the concierge in his presence, and then we shall be at liberty to get on with our job."

Auguste hastened to obey, and several tense moments passed, during which not a single word was exchanged between the three people who were left together.

Then heavy steps were heard, and Auguste reappeared with a gendarme. The latter came swaggering into the room with a would-be majestic air, and solemnly and pompously enquired:

"Now then, what's all this about?"[73]

At sight of the officer every countenance cleared. The concierge ceased to tremble; the porter lost his air of suspicion. Both were beginning to explain to the representative of authority, when the man in the soft hat waved them aside, stepped up to the guardian of the peace and looking him straight in the eyes, said:

"Criminal Investigation Department! Inspector Juve!"

The gendarme, who was quite unprepared for this announcement, stepped back a pace and raised his eyes towards the man who addressed him: then suddenly raised his hand to his képi and came to attention.

"Beg pardon, Inspector, I didn't recognise you! M. Juve! And you have been in this division a long time too!" He turned angrily to the foremost porter. "Step forward, please, and let's have no nonsense!"

Juve, who had thus disclosed his identity as a detective, smiled, seeing that the gendarme assumed that the South Steamship Company's porter was a thief.

"That's all right," he said. "Leave the man alone. He's done no harm."

"Then who am I to arrest?" the puzzled gendarme asked.

The concierge broke in to explain: she had been much impressed by the style and title of the stranger.

"If the gentleman had told me where he came from I would certainly never have allowed anyone to go for a gendarme."

Inspector Juve smiled.

"If I had told you who I was just now, madame, when you were, quite naturally, so upset, you would not have believed me. You would have continued to call out. Now, I am particularly anxious to avoid any scandal or noise at the present moment. I rely on your discretion." He turned to the two porters, who were dumb with amazement and could make nothing of the affair. "As for you, my good fellows, I must ask you to leave your other work and go back at once to your office in the rue d'Hauteville and tell your manager—what is his name?"

"M. Wooland," one of the men replied.

"Good: tell M. Wooland that I want to see him here at the ear[74]liest possible moment; and tell him to bring with him all the papers he has that refer to M. Gurn. And not a word to anyone about all this, please, especially in this neighbourhood. Take my message to your manager, and that's all."

The porters had left hurriedly for the rue d'Hauteville and a quarter of an hour went by. The detective had requested the concierge to ask the Madame Aurore to whom she had previously appealed so loudly for help, to take her place temporarily in the lodge. Juve kept Mme. Doulenques upstairs with him partly to get information from her, and partly to prevent her from gossiping downstairs.

While he was opening drawers and ransacking furniture, and plunging his hand into presses and cupboards, Juve asked the concierge to describe this tenant of hers, M. Gurn, in whom he appeared to be so deeply interested.

"He is a rather fair man," the concierge told him, "medium height, stout build, and clean shaven like an Englishman; there is nothing particular about him: he is like lots of other people."

This very vague description was hardly satisfactory. The detective told the policeman to unscrew the lock on a locked trunk, and gave him a small screw-driver which he had found in the kitchen. Then he turned again to Mme. Doulenques who was standing stiffly against the wall, severely silent.

"You told me that M. Gurn had a lady friend. When used he to see her?"

"Pretty often, when he was in Paris; and always in the afternoon. Sometimes they were together till six or seven o'clock, and once or twice the lady did not come down before half-past seven."

"Used they to leave the house together?"

"No, sir."

"Did the lady ever stay the night here?"

"Never, sir."

"Yes: evidently a married woman," murmured the detective as if speaking to himself.[75]

Mme. Doulenques made a vague gesture to show her ignorance on the point.

"I can't tell you anything about that, sir."

"Very well," said the detective; "kindly pass me that coat behind you."

The concierge obediently took down a coat from a hook and handed it to Juve who searched it quickly, looked it all over and then found a label sewn on the inside of the collar: it bore the one word Pretoria.

"Good!" said he, in an undertone; "I thought as much."

Then he looked at the buttons; these were stamped on the under side with the name Smith.

The gendarme understood what the detective was about, and he too examined the clothes in the first trunk which he had just opened.

"There is nothing to show where these things came from, sir," he remarked. "The name of the maker is not on them."

"That's all right," said Juve. "Open the other trunk."

While the gendarme was busy forcing this second lock Juve went for a moment into the kitchen and came back holding a rather heavy copper mallet with an iron handle, which he had found there. He was looking at this mallet with some curiosity, balancing and weighing it in his hands, when a sudden exclamation of fright from the gendarme drew his eyes to the trunk, the lid of which had just been thrown back. Juve did not lose all his professional impassivity, but even he leaped forward like a flash, swept the gendarme to one side, and dropped on his knees beside the open box. A horrid spectacle met his eyes. For the trunk contained a corpse!

The moment Mme. Doulenques caught sight of the ghastly thing, she fell back into a chair half fainting, and there she remained, unable to move, with her body hunched forward, and haggard eyes fixed upon the corpse, of which she caught occasional glimpses as the movements of Juve and the gendarme every now and then left the shocking thing within the trunk exposed to her view.

Yet there was nothing especially gruesome or repellent about[76] the corpse. It was the body of a man of about fifty years of age, with a pronounced brick-red complexion, and a lofty brow, the height of which was increased by premature baldness. Long, fair moustaches drooped from the upper lip almost to the top of the chest. The unfortunate creature was doubled up in the trunk, with knees bent and head forced down by the weight of the lid. The body was dressed with a certain fastidiousness, and it was obviously that of a man of fashion and distinction; there was no wound to be seen. The calm, quiet face suggested that the victim had been taken by surprise while in the full vigour of life and killed suddenly, and had not been subjected to the anguish of a fight for life or to any slow agony.

Juve half turned to the concierge.

"When did you see M. Gurn last? Exactly, please: it is important."

Mme. Doulenques babbled something unintelligible and then, as the detective pressed her, made an effort to collect her scattered wits.

"Three weeks ago at least, sir: yes, three weeks exactly; no one has been here since, I will swear."

Juve made a sign to the gendarme, who understood, and felt the body carefully.

"Quite stiff, and hard, sir," he said; "yet there is no smell from it. Perhaps the cold——"

Juve shook his head.

"Even severe cold could not preserve a body in that condition for three weeks, and it's not cold now, but there is this:" and he showed his subordinate a small yellowish stain just at the opening of the collar, close to the Adam's apple, which, in spite of the comparative thinness of the body, was very much developed.

Juve took the corpse under the arm-pits and raised it gently, wishing to examine it closely, but anxious, also, not to alter its position. On the nape of the neck was a large stain of blood, like a black wen and as big as a five-shilling piece, just above the last vertebra of the spinal column.

"That's the explanation," the detective murmured, and carefully replacing the body he continued his investigation. With[77] quick, clever hands he searched the coat pockets and found the watch in its proper place. Another pocket was full of money, chiefly small change, with a few louis. But Juve looked in vain for the pocket-book which the man had doubtless been in the habit of carrying about with him: the pocket-book probably containing some means of identification.

The inspector merely grunted, got up, began pacing the room, and questioned the concierge.

"Did M. Gurn have a motor-car?"

"No, sir," she replied, looking surprised. "Why do you ask?"

"Oh, for no particular reason," said the inspector with affected indifference, but at the same time he was contemplating a large nickel pump that lay on a what-not, a syringe holding perhaps half a pint, like those that chauffeurs use. He looked at it steadfastly for several minutes. His next question was addressed to the gendarme who was still on his knees by the trunk.

"We have found one yellow stain on the neck; you will very likely find some more. Have a look at the wrists and the calves of the legs and the stomach. But do it carefully, so as not to disturb the body." While the gendarme began to obey his chief's order, carefully undoing the clothing on the corpse, Juve looked at the concierge again.

"Who did the work of this flat?"

"I did, sir."

Juve pointed to the velvet curtain that screened the door between the little anteroom and the room in which they were.

"How did you come to leave that curtain unhooked at the top, without putting it to rights?"

Mme. Doulenques looked at it.

"It's the first time I've seen it like that," she said apologetically; "the curtain could not have been unhooked when I did the room last without my noticing it. Anyhow, it hasn't been like that long. I ought to say that as M. Gurn was seldom here I didn't do the place out thoroughly very often."

"When did you do it out last?"

"Quite a month ago."[78]

"That is to say M. Gurn went away a week after you last cleaned the place up?"

"Yes, sir."

Juve changed the subject, and pointed to the corpse.

"Tell me, madame, did you know that person?"

The concierge fought down her nervousness and for the first time looked at the unfortunate victim with a steady gaze.

"I have never seen him before," she said, with a little shudder.

"And so, when that gentleman came up here, you did not notice him?" said the inspector gently.

"No, I did not notice him," she declared, and then went on as if answering some question which occurred to her own mind. "And I wonder I didn't, for people very seldom enquired for M. Gurn; of course when the lady was with him M. Gurn was not at home to anybody. This—this dead man must have come straight up himself."

Juve nodded, and was about to continue his questioning when the bell rang.

"Open the door," said Juve to the concierge, and he followed her to the entrance of the flat, partly fearing to find some intruder there, partly hoping to see some unexpected person whose arrival might throw a little light upon the situation.

At the opened door Juve saw a young man of about twenty-five, an obvious Englishman with clear eyes and close-cropped hair. With an accent that further made his British origin unmistakable, the visitor introduced himself:

"I am Mr. Wooland, manager of the Paris branch of the South Steamship Company. It seems that I am wanted at M. Gurn's flat on the fifth floor of this house, by desire of the police."

Juve came forward.

"I am much obliged to you for putting yourself to this inconvenience, sir: allow me to introduce myself: M. Juve, an Inspector from the Criminal Investigation Department. Please come in."

Solemn and impassive, Mr. Wooland entered the room; a side glance suddenly showed him the open trunk and the dead body, but not a muscle of his face moved. Mr. Wooland came of a good[79] stock, and had all that admirable self-possession which is the strength of the powerful Anglo-Saxon race. He looked at the inspector in somewhat haughty silence, waiting for him to begin.

"Will you kindly let me know, sir, the instructions your firm had with regard to the forwarding of the baggage which you sent for to this flat of M. Gurn's this morning?"

"Four days ago, Inspector," said the young man, "on the 14th of December to be precise, the London mail brought us a letter in which Lord Beltham, who had been a client of ours for several years, instructed us to collect, on the 17th of December, that is, to-day, four articles marked H. W. K., 1, 2, 3 and 4, from M. Gurn's apartments, 147 rue Lévert. He informed us that the concierge had orders to allow us to take them away."

"To what address were you to despatch them?"

"Our client instructed us to forward the trunks by the first steamer to Johannesburg, where he would send for them; we were to send two invoices with the goods as usual; the third invoice was to be sent to London, Box 63, Charing Cross Post Office."

Juve made a note of Box 63, Charing Cross in his pocket-book.

"Addressed to what name or initials?"

"Simply Beltham."

"Good. There are no other documents relating to the matter?"

"No, I have nothing else," said Mr. Wooland.

The young fellow relapsed into his usual impassive silence. Juve watched him for a minute or two and then said:

"You must have heard the various rumours current in Paris three weeks ago, sir, about Lord Beltham. He was a very well-known personage in society. Suddenly he disappeared; his wife left nothing undone to give the matter the widest publicity. Were you not rather surprised when you received a letter from Lord Beltham four days ago?"

Mr. Wooland was not disconcerted by the rather embarrassing question.

"Of course I had heard of Lord Beltham's disappearance, but it was not for me to form any official opinion about it. I am a[80] business man, sir, not a detective. Lord Beltham might have disappeared voluntarily or the reverse: I was not asked to say which. When I got his letter I simply decided to carry out the orders it contained. I should do the same again in similar circumstances."

"Are you satisfied that the order was sent by Lord Beltham?"

"I have already told you, sir, that Lord Beltham had been a client of ours for several years; we have had many similar dealings with him. This last order which we received from him appeared to be entirely above suspicion: identical in form and in terms with the previous letters we had had from him." He took a letter out of his pocket-book, and handed it to Juve. "Here is the order, sir; if you think proper you can compare it with similar documents filed in our office in the rue d'Hauteville"; and as Juve was silent, Mr. Wooland, with the utmost dignity, enquired: "Is there any further occasion for me to remain here?"

"Thank you, sir, no," Juve replied. Mr. Wooland made an almost imperceptible bow and was on the point of withdrawing when the detective stayed him once more. "M. Wooland, did you know Lord Beltham?"

"No, sir: Lord Beltham always sent us his orders by letter; once or twice he has spoken to us over the telephone, but he never came to our office, and I have never been to his house."

"Thank you very much," said Juve, and with a bow Mr. Wooland withdrew.

With meticulous care Juve replaced every article which he had moved during his investigations. He carefully shut the lid of the trunk, thus hiding the unhappy corpse from the curious eyes of the gendarme and the still terrified Mme. Doulenques. Then he leisurely buttoned his overcoat and spoke to the gendarme.

"Stay here until I send a man to relieve you; I am going to your superintendent now." At the door he called the concierge. "Will you kindly go down before me, madame? Return to your lodge, and please do not say a word about what has happened to anyone whatever."

"You can trust me, sir," the worthy creature murmured, and[81] Juve walked slowly away from the house with head bowed in thought.

There could be no doubt about it: the body in the trunk was that of Lord Beltham! Juve knew the Englishman quite well. But who was the murderer?

"Everything points to Gurn," Juve thought, "and yet would an ordinary murderer have dared to commit such a crime as this? Am I letting my imagination run away with me again? I don't know: but it seems to me that about this murder, committed in the very middle of Paris, in a crowded house where yet nobody heard or suspected anything, there is an audacity, a certainty of impunity, and above all a multiplicity of precautions, that are typical of the Fantômas manner!" He clenched his fists and an evil smile curled his lips as he repeated, like a threat, the name of that terrible and most mysterious criminal, of whose hellish influence he seemed to be conscious yet once again. "Fantômas! Fantômas! Did Fantômas really commit this murder? And if he did, shall I ever succeed in throwing light upon this new mystery, and learning the secret of that tragic room?"

[82]

While Juve was devoting his marvellous skill and incomparable daring to the elucidation of the new case with which the Criminal Investigation Department had entrusted him in Paris, things were marching at Beaulieu, where the whole machinery of the law was being set in motion for the discovery and arrest of Charles Rambert.

With a mighty clatter and racket Bouzille came down the slope and stopped before old mother Chiquard's cottage. He arrived in his own equipage, and an extraordinary one it was!

Bouzille was mounted upon a tricycle of prehistoric design, with two large wheels behind and a small steering wheel in front, and a rusty handle-bar from which all the plating was worn off. The solid rubber tyres which once had adorned the machine had worn out long ago, and were now replaced by twine twisted round the felloes of the wheels; this was for ever fraying away and the wheels were fringed with a veritable lace-work of string. Bouzille must have picked up this impossible machine for an old song at some local market, unless perhaps some charitable person gave it to him simply to get rid of it. He styled this tricycle his "engine," and it was by no means the whole of his equipage. Attached to the tricycle by a stout rope was a kind of wicker perambulator on four wheels, which he called his "sleeping-car," because he stored away in it all the bits of rag he picked up on his journeys, and also his very primitive bedding and the little piece of waterproof canvas under which he often slept in the open air. Behind the sleeping-car was a[83] third vehicle, the restaurant-car, consisting of an old soap box mounted on four solid wooden wheels, which were fastened to the axles by huge conical bolts; in this he kept his provisions; lumps of bread and fat, bottles and vegetables, all mixed up in agreeable confusion. Bouzille made quite long journeys in this train of his, and was well known throughout the south-west of France. Often did the astonished population see him bent over his tricycle, with his pack on his back, pedalling with extraordinary rapidity down the hills, while the carriages behind him bumped and jumped over the inequalities in the surface of the road until it seemed impossible that they could retain their equilibrium.

Old mother Chiquard had recognised the cause of the racket. The healthy life of the country had kept the old woman strong and active in spite of the eighty-three years that had passed over her head, and now she came to her door, armed with a broom, and hailed the tramp in angry, threatening tones.

"So it's you, is it, you thief, you robber of the poor! It's shocking, the way you spend your time in evil doing! What do you want now, pray?"

Slowly and sheepishly and with head bowed, Bouzille approached mother Chiquard, nervously looking out for a whack over the head with the broom the old lady held.

"Don't be cross," he pleaded when he could get in a word; "I want to come to an arrangement with you, mother Chiquard, if it can be done."

"That's all according," said the old woman, eyeing the tramp with great mistrust; "I haven't much faith in arrangements with you: rascals like you always manage to do honest folk."

Mother Chiquard turned back into her cottage; it was no weather for her to stop out of doors, for a strong north wind was blowing, and that was bad for her rheumatism. Bouzille deliberately followed her inside and closed the door carefully behind him. Without ceremony he walked up to the hearth, where a scanty wood fire was burning, and put down his pack so as to be able to rub his hands more freely.

"Miserable weather, mother Chiquard!"[84]

The obstinate old lady stuck to her one idea.

"If it isn't miserable to steal my rabbit, this is the finest weather that ever I saw!"

"You make a lot of fuss about a trifle," the tramp protested, "especially since you will be a lot the better by the arrangement I'm going to suggest."

The notion calmed mother Chiquard a little, and she sat down on a form, while Bouzille took a seat upon the table.

"What do you mean?" the old woman enquired.

"Well," said Bouzille, "I suppose your rabbit would have fetched a couple of shillings in the market; I've brought you two fowls that are worth quite eighteen-pence each, and if you will give me some dinner at twelve o'clock I will put in a good morning's work for you."

Mother Chiquard looked at the clock upon the wall; it was eight o'clock. The tramp's proposal represented four hours' work, which was not to be despised; but before striking the bargain she insisted on seeing the fowls. These were extracted from the pack; tied together by the feet, and half suffocated, the unfortunate creatures were not much to look at, but they would be cheap, which was worth considering.

"Where did you get these fowls?" mother Chiquard asked, more as a matter of form than anything else, for she was pretty sure they had not been honestly come by.

Bouzille put his finger to his lip.

"Hush!" he murmured gently; "that's a secret between me and the poultry. Well, is it a go?" and he held out his hand to the old lady.

She hesitated a moment and then made up her mind.

"It's a go," she said, putting her horny fingers into the man's hard palm. "You shall chop me some wood first, and then go down to the river for the rushes I have put in to soak; they must be well swollen by this time."

Bouzille was glad to have made it up with mother Chiquard, and pleased at the prospect of a good dinner at midday; he opened the cottage door, and leisurely arranged a few logs within range of the axe with which he was going to split them;[85] mother Chiquard began to throw down some grain to the skinny and famished fowls that fluttered round her.

"I thought you were in prison, Bouzille," she said, "over stealing my rabbit, and also over that affair at the château of Beaulieu."

"Oh, those are two quite different stories," Bouzille replied. "You mustn't mix them up together on any account. As for the château job, every tramp in the district has been run in: I was copped by M'sieu Morand the morning after the murder; he took me into the kitchen of the château and Mme. Louise gave me something to eat. There was another chap there with me, a man named François Paul who doesn't belong to these parts; between you and me, I thought he was an evil-looking customer who might easily have been the murderer, but it doesn't do to say that sort of thing, and I'm glad I held my tongue because they let him go. I heard no more about it, and five days later I went back to Brives to attend the funeral of the Marquise de Langrune. That was a ceremony if you like! The church all lighted up, and all the nobility from the neighbourhood present. I didn't lose my time, for I knew all the gentlemen and ladies and took the best part of sixteen shillings, and the blind beggar who sits on the steps of the church called me all the names he could put his tongue to!"

The tramp's story interested mother Chiquard mightily, but her former idea still dominated her mind.

"So they didn't punish you for stealing my rabbit?"

"Well, they did and they didn't," said Bouzille, scratching his head. "M'sieu Morand, who is an old friend of mine, took me to the lock-up at Saint-Jaury, and I was to have gone next morning to the court at Brives, where I know the sentence for stealing domestic animals is three weeks. That would have suited me all right just now, for the prison at Brives is quite new and very comfortable, but that same night Sergeant Doucet shoved another man into the clink with, me at Saint-Jaury, a raving lunatic who started smashing everything up, and tried to tear my eyes out. Naturally, I gave him as good as I got, and the infernal row we made brought in the sergeant. I told him the chap wanted to[86] throttle me, and he was nonplussed, for he couldn't do anything with the man, who was fairly mad, and couldn't leave me alone there with him. So at last the sergeant took me to one side and told me to hook it and not let him see me again. So there it is."

While he was chattering like this Bouzille had finished the job set him by mother Chiquard, who meanwhile had peeled some potatoes and poured the soup on the bread. He wiped his brow, and seeing the brimming pot, gave a meaning wink and licked his tongue.

"I'll make the fire up, mother Chiquard; I'm getting jolly hungry."

"So you ought to be, at half-past eleven," the old woman replied. "Yes, we'll have dinner, and you can get the rushes out afterwards."

Mother Chiquard was the proud free-holder of a little cottage that was separated from the bank of the Dordogne by the high road between Martel and Montvalent. Round the cottage she had a small orchard, and opposite, through a gap in the trees, was a view of the yellow waters of the Dordogne and the chain of hills that stood up on the far side of the river. Living here summer and winter, with her rabbits and her fowls, mother Chiquard earned a little money by making baskets; but she was crippled with rheumatism, and was miserable every time she had to go down to the river to pull out the bundles of rushes that she put there to soak; the work meant not merely an hour's paddling in mud up to the knees, but also a fortnight's acute agony and at least a shilling for medicine. So whoever wanted to make a friend of the old woman only had to volunteer to get the rushes out for her.

As he ate, Bouzille told mother Chiquard of his plans for the coming spring.

"Yes," he said, "since I'm not doing any time this winter I'm going to undertake a long journey." He stopped munching for a second and paused for greater effect. "I am going to Paris, mother Chiquard!" Then, seeing that the old lady was utterly dumbfounded by the announcement, he leant his elbows on the table and looked at her over his empty plate. "I've always had[87] one great desire—to see the Eiffel Tower: that idea has been running in my head for the last fifteen years. Well, now I'm going to gratify the wish. I hear you can get a room in Paris for twopence-halfpenny a night, and I can manage that."

"How long will it take you to get there?" enquired the old woman, immensely impressed by Bouzille's venturesome plan.

"That depends," said the tramp. "I must allow quite three months with my train. Of course if I got run in on the way for stealing, or as a rogue and vagabond, I couldn't say how long it would take."

The meal was over, and the old woman was quietly washing up her few plates and dishes, when Bouzille, who had gone down to the river to fetch the rushes, suddenly called shrilly to mother Chiquard.

"Mother Chiquard! Mother Chiquard! Come and look! Just fancy, I've earned twenty-five francs!"

The summons was so urgent, and the news so amazing, that the old lady left her house and hurried across the road to the river bank. She saw the tramp up to his waist in the water, trying, with a long stick, to drag out of the current a large object which was not identifiable at a first glance. To all her enquiries Bouzille answered with the same delighted cry, "I have earned twenty-five francs," too intent on bringing his fishing job to a successful issue even to turn round. A few minutes later he emerged dripping from the water, towing a large bundle to the safety of the bank. Mother Chiquard drew nearer, greatly interested, and then recoiled with a shriek of horror.

Bouzille had fished out a corpse!

It was a ghastly sight: the body of a very young man, almost a boy, with long, slender limbs; the face was so horribly swollen and torn as to be shapeless. One leg was almost entirely torn from the trunk. Through rents in the clothing strips of flesh were trailing, blue and discoloured by their long immersion in the water. On the shoulders and back of the neck were bruises and stains of blood. Bouzille, who was quite unaffected by the ghastliness of the object and still kept up his gay chant "I have fished up a body, I've earned twenty-five francs," observed that[88] there were large splinters of wood, rotten from long immersion, sticking in some of the wounds. He stood up and addressed mother Chiquard who, white as a sheet, was watching him in silence.

"I see what it is: he must have got caught in some mill wheel: that's what has cut him up like that."

Mother Chiquard shook her head uneasily.

"Suppose it was a murder! That would be an ugly business!"

"It's no good my looking at him any more," said Bouzille. "I don't recognise him; he's not from the country."

"That's sure," the old woman agreed. "He's dressed like a gentleman."

The two looked at each other in silence. Bouzille was not nearly so complacent as he had been a few minutes before. The reward of twenty-five francs prompted him to go at once to inform the police; the idea of a crime, suggested by the worthy woman, disturbed him greatly, and all the more because he thought it was well founded. Another murder in the neighbourhood would certainly vex the authorities, and put the police in a bad temper. Bouzille knew from experience that the first thing people do after a tragedy is to arrest all the tramps, and that if the police are at all crotchety they always contrive to get the tramps sentenced for something else. He had had a momentary inclination to establish his winter quarters in prison, but since then he had formed the plan of going to Paris, and liberty appealed to him more. He reached a sudden decision.

"I'll punt him back into the water!"

But mother Chiquard stayed him, just as he was putting his idea into execution.

"You mustn't: suppose somebody has seen us already? It would land us in no end of trouble!"

Half an hour later, convinced that it was his melancholy duty, Bouzille left two-thirds of his train in mother Chiquard's custody, got astride his prehistoric tricycle and slowly pedalled off towards Saint-Jaury.

New Year's Day is a melancholy and a tedious one for every[89]body whose public or private relations do not make it an exceptionally interesting one. There is the alteration in the date, for one thing, which is provocative of thought, and there is the enforced idleness for another, coming upon energetic folk like a temporary paralysis and leaving them nothing but meditation wherewith to employ themselves.

Juve, comfortably installed in his own private study, was realising this just as evening was falling on this first of January. He was a confirmed bachelor, and for several years had lived in a little flat on the fifth floor of an old house in the rue Bonaparte. He had not gone out to-day, but though he was resting he was not idle. For a whole month past he had been wholly engrossed in his attempt to solve the mystery surrounding the two cases on which he was engaged, the Beltham case, and the Langrune case, and his mind was leisurely revolving round them now as he sat in his warm room before a blazing wood fire, and watched the blue smoke curl up in rings towards the ceiling. The two cases were very dissimilar, and yet his detective instinct persuaded him that although they differed in details their conception and execution emanated not only from one single brain but also from one hand. He was convinced that he was dealing with a mysterious and dangerous individual, and that while he himself was out in the open he was fighting a concealed and invisible adversary; he strove to give form and substance to the adversary, and the name of Fantômas came into his mind. Fantômas! What might Fantômas be doing now, and, if he had a real existence, as the detective most firmly believed, how was he spending New Year's Day?

A sharp ring at the bell startled him from his chair, and not giving his man-servant time to answer it, he went himself to the door and took from a messenger a telegram which he hastily tore open and read:

"Have found in the Dordogne drowned body of young man, face unrecognisable, from description possibly Charles Rambert. Please consider situation and wire course you will take."

The telegram had been handed in at Brives and was signed by M. de Presles.[90]

"Something fresh at last," the detective muttered. "Drowned in the Dordogne, and face unrecognisable! I wonder if it really is Charles Rambert?"

Since M. Etienne Rambert and his son had disappeared so unaccountably, the detective naturally had formulated mentally several hypotheses, but he had arrived at no conclusion which really satisfied his judgment. But though their flight had not surprised him greatly, he had been rather surprised that the police had not been able to find any trace of them, for rightly or wrongly Juve credited them with a good deal of cleverness and power. So it was by no means unreasonable to accept the death of the fugitives as explanation of the failure of the police to find them. However, this was a fresh development of the case, and he was about to draft a reply to M. de Presles when once more the bell rang sharply.

This time Juve did not move, but listened while his man spoke to the visitor. It was an absolute rule of Juve's never to receive visitors at his flat. If anyone wanted to see him on business, he was to be found almost every day in his office at head-quarters about eleven in the morning; to a few people he was willing to give appointments at a quiet and discreet little café in the boulevard Saint-Michel; but he invited no one to his own rooms except one or two of his own relations from the country, and even they had to be provided with a password before they could obtain admission. So now, to all the entreaties of the caller, Juve's servant stolidly replied with the assurance that his master would see no one; yet the visitor's insistence was so great that at last the servant was prevailed upon to bring in his card, albeit with some fear as to the consequences for himself. But to his extreme relief and surprise, Juve, when he had read the name engraved upon the card, said sharply:

"Bring him in here at once!"

And in another couple of seconds M. Etienne Rambert was in the room!

The old gentleman who had fled so mysteriously a few days before, taking with him the son over whom so dread a charge was hanging, bowed deferentially to the detective, with the piti[91]ful mien of one who is crushed beneath the burden of misfortune. His features were drawn, his face bore the stamp of deepest grief, and in his hand he held an evening paper, which in his agitation he had crumpled almost into a ball.

"Tell me, sir, if it is true," he said in low trembling tones. "I have just read that."

Juve pointed to a chair, took the paper mechanically, and smoothing it out, read, below a large head-line, "Is this a sequel to the Beaulieu Crime?" a story similar to that he had just gathered from M. de Presles' telegram.

Juve contemplated M. Etienne Rambert in silence for a few minutes, and then, without replying directly to his visitor's first question, asked him a question in that quiet voice of his, the wonderful indifferent tonelessness of which concealed the least clue to his inmost thoughts.

"Why do you come to me, sir?"

"To find out, sir," the old man answered.

"To find out what?"

"If that poor drowned corpse is—my son's: is my poor Charles!"

"It is rather you who can tell me, sir," said Juve, impassive as ever.

There was a pause. Despite his emotion, M. Rambert seemed to be thinking deeply. Suddenly he appeared to make an important decision, and raising his eyes to the detective he spoke very slowly:

"Have pity, sir, on a broken-hearted father. Listen to me: I have a dreadful confession to make!"

Juve drew his chair close to M. Etienne Rambert.

"I am listening," he said gently, and M. Etienne Rambert began his "dreadful confession."

[92]

Society had mustered in force at the Cahors Law Courts, where the Assizes were about to be held. Hooting motor-cars and antiquated coaches drawn by pursy horses were arriving every minute, bringing gentry from the great houses in the neighbourhood, squireens and well-to-do country people, prosperous farmers and jolly wine-growers, all of them determined not to miss "the trial" that was causing such immense excitement because the principal figure in it was well known as a friend of one of the oldest families in those parts; and because he was not merely a witness, nor even the victim, but actually the defendant in the case, although he had been admitted to bail in the interval by order of the court.

Compared with those of large towns, this court room at Cahors was small, but it was filled by a considerable and most select crowd. Quiet greetings and low-toned conversation were freely exchanged, but there was an air of melancholy about every person present, and it was obvious that they were drawn there by no mere curiosity or desire for horrid details, but by legitimate interest in the development of great drama.

One of the leading heroines in the case was pointed out with particular sympathy.

"That's Thérèse Auvernois, over there in the first row! The President of the Court gave her that seat; the officer who took the card of admission over to Querelles told me so."

"That's where Mme. de Vibray lives, isn't it?"

"Yes: she is sitting next to Thérèse now: that pretty woman in grey. Since Mme. de Langrune's death she has kept the child[93] with her, thinking, very rightly, that it would be too painful for her to be at Beaulieu. The family council have appointed President Bonnet temporary guardian of Thérèse. He is that tall, thin man over there, talking to the steward, Dollon."

The Baronne de Vibray turned affectionately to Thérèse, who was looking dreadfully pale in her long mourning veil.

"Are you sure this won't tire you too much, dear? Shall we go outside for a little while?"

"Oh, no, please do not worry about me," Thérèse replied. "Indeed I shall be all right."

President Bonnet sat by the two ladies. He had been engaged solemnly exchanging bows with everyone in the court room whom he considered it flattering to himself to know; now he took part in the conversation, and displayed his special knowledge by explaining the constitution of the court and pointing out where the clerk sat, and where the public prosecutor sat, and where the jury sat, all at great length and much to the interest of the people near him: with, however, one exception; a man dressed entirely in black, with his head half buried in the huge collar of a travelling ulster, and dark glasses over his eyes, appeared to be vastly bored by the old magistrate's disquisition. Juve—for it was he—knew too much about legal procedure to require explanations from President Bonnet.

Suddenly a thrill ran through the room and conversation stopped abruptly. M. Etienne Rambert had just walked down the gangway in the court to the seat reserved for him, just in front of the witness box and close to a kind of rostrum in which Maître Dareuil, an old member of the Cahors Bar, immediately took his place. M. Etienne Rambert was very pale, but it was obvious that he was by no means overwhelmed by the fatality overhanging him. He was, indeed, a fine figure as he took his seat and mechanically passed his hand through his long white curls, flinging them back and raising his head almost as if in defiance of the inquisitive crowd that was gazing at him.

Almost immediately after he had taken his seat a door was thrown open and the jury filed in, and then a black-gowned usher came forward and shrilly called for silence.[94]

"Stand up, gentlemen! Hats off, please! Gentlemen, the Court!"

With solemn, measured steps, and heads bent as if absorbed in profoundest meditation, the judges slowly proceeded to their seats. The president formally declared the court open, whereupon the clerk rose immediately to read the indictment.

The Clerk of the Court at Cahors was a most excellent man, but modesty was his distinguishing characteristic and his chief desire appeared to be to shun responsibility, figure as little prominently as possible, and even escape observation altogether. Assizes were not often held at Cahors, and he had had few occasions to read an indictment as tragic as this present one, with the result that he lacked confidence now. He read in a toneless, monotonous voice, so nervously and softly that nobody in the body of the court could hear a word he said, and even the jury were obliged to lean their elbows on the desk before them and make an ear trumpet of their hands to find out what it was all about.

Etienne Rambert, however, was only a few feet from the clerk; he did not miss a word, and it was evident from his nervous movements every now and then that some passages in the indictment hit him very hard indeed, and even lessened his general confidence.

When the clerk had finished Etienne Rambert sat still, with his forehead resting in his hands, as if crushed by the weight of the memories the indictment had evoked. Then the sharp, thin voice of the President of the Court snapped the chain of his thoughts.

"Stand up, sir!"

And pale as death Etienne Rambert rose and folded his arms across his breast. In firm, yet somehow muffled tones, he answered the preliminary formal questions. His name was Hervé Paul Etienne Rambert; his age, fifty-nine; his occupation, a merchant, owning and working rubber plantations in South America. Then followed the formal enquiry whether he had heard and understood the indictment which had just been read.

"I followed it all, sir," he replied, with a little gesture expres[95]sive of his sense of the gravity of the facts detailed and the weight of the evidence adduced, which won general sympathy for him. "I followed it all, but I protest against some of the allegations, and I protest with my whole energy against the suggestion that I have failed in my duty as a man of honour and as a father!"

The President of the Court checked him irritably.

"Excuse me, I do not intend to permit you to extend the pleadings indefinitely. I shall examine you on the various points of the indictment, and you may protest as much as you please." The unfeeling rudeness provoked no comment from the defendant, and the President proceeded. "Well, you have heard the indictment. It charges you first with having aided and abetted the escape of your son, whom an enquiry held in another place had implicated in the murder of the Marquise de Langrune; and it charges you secondly with having killed your son, whose body has been recovered from the Dordogne, in order that you might escape the penalty of public obloquy."

At this brutal statement of the case Etienne Rambert made a proud gesture of indignation.

"Sir," he exclaimed, "there are different ways of putting things. I do not deny the purport of the indictment, but I object to the summary of it that you present. No one has ever dared to contend that I killed my son in order to escape public obloquy, as you have just insinuated. I am entirely indifferent to the worlds opinion. What the indictment is intended to allege, the only thing it can allege, is that I wrought justice upon a criminal who ought to have filled me with horror but whom, nevertheless, I ought not to have handed over to the public executioner."

This time it was the judge's turn to be astonished. He was so accustomed to the cheap triumphs that judges look to win in court that he had expected to make mincemeat of this poor, broken old man whom the law had delivered to his tender mercy. But he discovered that the old man had fine courage and replied with spirit to his malevolent remarks.

"We will discuss your right to take the law into your own hands presently," he said, "but that is not the question now:[96] there are other points which it would be well for you to explain to the jury. Why, in the first place, did you obstinately decline to speak to the examining magistrate?"

"I had no answer to make to the examining magistrate," Etienne Rambert answered slowly, as if he were weighing his words, "because in my opinion he had no questions to put to me! I do not admit that I am charged with anything contrary to the Code, or that any such charge can be formulated against me. The indictment charges me with having killed my son because I believed him to be guilty of the murder of Mme. de Langrune and would not hand him over to the gallows. I have never confessed to that murder, sir, and nothing will ever make me do so. And that is why I would not reply to the examining magistrate, because I would not admit that there was anything before the court concerning myself: because, since the dreadful tragedy in my private life was exposed to public opinion, I desired that I should be judged by public opinion, which, sir, is not represented by you who are a professional judge, but by the jury here who will shortly say whether I am really a criminal wretch: by the jury, many of whom are fathers themselves and, when they think of their own sons, will wonder what appalling visions must have passed through my mind when I was forced to believe that my boy, my own son, had committed a cowardly murder! What sort of tragedy will they think that must have been for a man like me, with sixty years of honour and of honourable life behind him?"

The outburst ended on a sob, and the whole court was moved with sympathy, women wiping their eyes, men coughing, and even the jury striving hard to conceal the emotion that stirred them.

The judge glared round the court, and after a pause addressed the defendant again with sarcastic phrases.

"So that is why you stood mute during the enquiry, was it, sir? Odd! very odd! I admire the interpretation you place upon your duty as an honourable man. It is—quaint!"

Etienne Rambert interrupted the sneering speech.

"I am quite sure, sir, that there are plenty of people here who will understand and endorse what I did."[97]

The declaration was so pointedly personal that the judge took it up.

"And I am quite sure that people of principle will understand me when I have shown them your conduct as it really was. You have a predilection for heroics; it will not be without interest to bring things to the point. Your attitude throughout this affair has been this:—it is not for me to anticipate the issue of the enquiry which will be held some day into the murder of Mme. de Langrune, but I must recall the fact that the moment you believed your son was the murderer, the moment you discovered the blood-stained towel which furnished the circumstantial evidence of his guilt, you—the man of honour, mind you,—never thought of handing over the culprit to the police who were actually in the precincts of the château, but only thought of securing his escape, and helping him to get away! You even accompanied him in his flight, and so became in a sense his accomplice. I suppose you do not deny that?"

Etienne Rambert shook with emotion and answered in ringing tones.

"If you are of opinion, sir, that that was an act of complicity on my part, I will not only not deny it, I will proclaim it from the housetops! I became the accomplice of a murderer by inducing him to run away, did I? You forget, sir, that at the moment when I first believed my son was the culprit—I was not his accomplice then, I suppose?—there was a bond between him and me already that I could not possibly break: he was my son! Sir, the duty of a father—and I attach the very loftiest meaning to the word 'duty'—can never entail his giving up his son!"

A fresh murmur of sympathy through the court annoyed the judge, who shrugged his shoulders.

"Let us leave empty rhetoric alone," he said. "You have plenty of fine phrases with which to defend your action; that, indeed, is your concern, as the jury will doubtless appreciate; but I think it will be more advantageous to clear up the facts a little—not more advantageous to you, perhaps, but that is what I am here to do. So will you please tell me whether your son confessed to having murdered Mme. de Langrune, either during that night[98] when you persuaded him to run away, or afterwards? Yes or no, please."

"I can't answer, sir. My son was mad! I will not believe my son was a criminal! There was absolutely no motive to prompt him to the deed, and his mother is in an asylum! That is the whole explanation of the crime! If he committed murder, it was in a fit of temporary insanity! He is dead; I refuse to cover his memory with the stain of infamy!"

"In other words, according to you Charles Rambert did confess, but you don't want to say so."

"I do not say he did confess."

"You leave it to be inferred."

Etienne Rambert made no reply, and the judge passed on to another point.

"What exactly did you do after you left the château?"

"What anyone does, I suppose, when he runs away. We wandered miserably about, going through fields and woods, I accusing him and he defending himself. We avoided the villages, scarcely venturing even in the early morning to go and buy food, and walked quickly, wishing to get as far away as possible. We spent the most frightful time it is possible to conceive."

"How long was all this?"

"I was with my son for four days, sir."

"So it was on the fourth day that you killed him?"

"Have pity, sir! I did not kill my son. It was a murderer that I had with me, a murderer for whom the police were hunting and for whom the guillotine was waiting!"

"A murderer, if you prefer it so," said the judge, entirely heedless of the unhappy man's protests. "But you had no right to assume the functions of executioner. Come, you admit you did kill him?"

"I do not admit it."

"Do you deny that you killed him?"

"I did what my duty told me to do!"

"Still the same story!" said the judge, angrily drumming his fingers on the desk. "You refuse to answer. But even in your own interests you must have the courage to adopt some definite the[99]ory. Well, would you have been glad if your son had taken his own life?"

"May I entreat you to remember that my son is dead!" Etienne Rambert said once more. "I can only remember the one fact that he was my son. I can't say that I desired his death. I don't even know now if he was guilty. Whatever horror I may feel for a crime, I can only remember now that Charles was not in his right mind, and that he was the son of my loins!"

Again a tremor of emotion passed through the court, and again the judge made an angry gesture ordering silence.

"So you decline to answer any of the principal points of the indictment? The jury will no doubt appreciate the reason. Well, can you let us know any of the advice you gave your son? If you did not desire him to take his own life, and if you had no intention of killing him, what did you want?"

"Oblivion," said Etienne Rambert, more calmly this time. "It was not for me to give my son up, and I could only desire for him oblivion, and if that was impossible, then death. I implored him to think of the life that was before him, and the future of shame, and I urged him to disappear for ever."

"Ah, you admit you did recommend him to commit suicide?"

"I mean I wanted him to go abroad."

The president feigned to be occupied with his notes, purposely giving time for the importance of the last admission he had wrung from Etienne Rambert to sink into the minds of the jury. Then, without raising his head, he asked abruptly:

"You were very surprised to hear of his death?"

"No," said Rambert dully.

"How did you part from each other?"

"The last night we slept out of doors, under a stack; we were both worn out and heart-sick; I prayed God of His mercy to have pity on us. It was by the bank of the Dordogne. Next morning when I woke up I was alone. He—my son—had disappeared. I know no more."

The judge quelled the emotion in the court by a threatening glance, and sprang a question on the defendant which was like a trap to catch him lying.[100]

"If at that time you knew no more, how was it that a few days later you called on Inspector Juve and asked him at once what was known about the dead body of your son? The body had only been recovered within the previous hour or two, and had not been absolutely identified; the newspapers, at any rate, only suggested the identity, with the utmost reserve. But you, sir, had no doubt on the subject! You knew that the corpse was that of your son! Why? How?"

It was one of the strongest points that could be made in support of the theory that Etienne Rambert had murdered his son, and the defendant immediately saw the difficulty he would have in giving an adequate answer without compromising himself. He turned to the jury, as though he had more hope in them than in the court.

"Gentlemen," he cried, "this is torture! I can bear no more! I cannot answer any more. You know quite enough to form your judgment of me! Form it now! Say if I failed in my duty as a man of honour and a father! I, at least, can answer no more questions!" and he sank back in his place like a beaten man, crushed by the distress evoked by all these painful memories.

The judge nodded to the jury with the grim complacency of a man who has run down his game.

"This refusal to answer my questions is in itself tantamount to a confession," he said acidly. "Well, we will proceed to call the witnesses. I should like to say that the most interesting witness would undoubtedly be Bouzille, the tramp who recovered the body of Charles Rambert; but unfortunately that individual has no fixed abode and it has not been possible to serve him with a subpœna."

A number of witnesses succeeded one another in the box, without, however, throwing any fresh light upon the matter; they were peasants who had met the two Ramberts when they were flying from the château, village bakers who had sold them bread, and lockkeepers who had seen, but been unable to recover, the floating corpse. The people in the court began to weary of the proceedings, the more so as it was confidently rumoured that Etienne Rambert had proudly declined to call any[101] witnesses on his behalf, and even to allow his counsel to make any rhetorical appeal to the jury. It might be imprudent, but there was something fine in his defiance.

There was, however, one more thrill of interest for the public. The judge had explained that he deemed it unnecessary to call the detective Juve, inasmuch as all the information he had to give was already detailed in the long indictment, but as Mme. de Langrune's granddaughter was present in court, he would exercise his discretion and request her to answer one or two questions. And, much taken aback by this unexpected publicity, Thérèse Auvernois followed the usher to the witness-box.

"Mademoiselle Thérèse Auvernois, I need hardly ask if you recognise M. Rambert: but do you identify him as the person whose conversation with young Charles Rambert you overheard on that fatal night at the château of Beaulieu?"

"Yes, sir, that is M. Etienne Rambert," she replied in low tones, and with a long and tender look of pity at the defendant.

"Will you please tell us anything you know that has any bearing upon the charge brought against the defendant, the charge of having killed his son?"

Thérèse made a visible effort to restrain her distress.

"I can only say one thing, sir: that M. Rambert was talking to his son in tones of such terrible distress that I knew his heart was broken by the tragedy. I have heard so much from my dear grandmother about M. Etienne Rambert that I can only remember that she always declared him to be a man of the very highest principle, and I can only tell him here how dreadfully sorry I am for him, and that everybody pities him as much as I do."

The judge had expected that Thérèse would be a witness hostile to the defendant, whereas anything she was going to say would obviously be much to his advantage. He cut her short.

"That is enough, mademoiselle. Thank you," and while Thérèse was going back to her seat, wiping away the tears that would come to her eyes despite her bravest efforts to keep her self-control in the presence of so many strangers, the judge announced that there were no other witnesses to be heard, and called upon the Public Prosecutor to address the court.[102]

That personage rose at once and made a harangue that was eloquent enough, no doubt, but introduced no new features into the case. He relied upon his law rather than his facts: rapidly recapitulated the defendant's contradictions and pitifully weak arguments, if arguments they could be called: claimed that the facts had been proved despite the defendant's steady refusal to answer questions: and insisted on the point that the defendant had no right whatever to take the law into his own hands, and either kill his son or aid and abet in his flight. He concluded by asking for a verdict of guilty, and a sentence of penal servitude for life.

To him succeeded counsel for the defendant, whose speech was brevity itself. He declined to make any appeal ad misericordiam, but simply asked the jury to decide whether the defendant had not acted as any high-principled father would act when he discovered that his son had committed a crime during a fit of insanity. He asked only for an impartial decision on the facts, from men of high principle, and he sat down conscious of having focussed the issue on the proper point and secured the sympathy of the public.

The judges withdrew to their room, the jury retired to consider their verdict, and Etienne Rambert was removed between two warders. Juve had not stirred during the whole trial, or displayed the least sign of approval or disapproval at any of the questions and answers exchanged. He sat now unobtrusively listening to the conversation that passed near him, relative to the issue of the case.

President Bonnet opined that Etienne Rambert had blundered in refusing to put up any defence: he had shown contempt of court, which was always unwise, and the court would show him no mercy. Dollon was of another opinion: according to him Etienne Rambert was a sport of fate, deserving pity rather than severity, and the court would be very lenient. Another man declared that Etienne Rambert had been in an impasse: however fondly he loved his son he could not but hope that he might commit suicide: if a friend committed an offence against the laws of honour, the only thing to do was to put a pis[103]tol into his hand. And so on: the only point on which all were unanimous was their sympathy with the defendant.

But a bell rang sharply; grave and impassive, the jury returned, the judges filed once more into their seats, Etienne Rambert was led back into court by the warders. In tense silence the foreman of the jury spoke:

"In the presence of God and of man, and upon my honour and my conscience I declare that the answer of the jury is 'no' to all the questions put, and that is the answer of them all."

It was acquittal!

There was no applause, but yet it seemed as if the words that set the defendant free had relieved every bosom of an overwhelming dread; the air seemed easier to breathe; and there was no one there but seemed physically better and also happier, for hearing a verdict which gave sanction for the general pity they had felt for the unhappy defendant, a man of honour and a most unhappy father!

By their verdict the jury had implicitly applauded and commiserated Etienne Rambert; but he still sat in the dock, broken and prostrated by terrible distress, sobbing unreservedly and making no effort to restrain his immeasurable grief.

[104]

Four months had passed since Etienne Rambert had been acquitted at the Cahors Assizes, and the world was beginning to forget the Beaulieu tragedy as it had already almost forgotten the mysterious murder of Lord Beltham. Juve alone did not allow his daily occupation to put the two cases out of his mind. True, he had ceased to make any direct enquiries, and gave no sign that he still had any interest in those crimes; but the detective knew very well that in both of them he had to contend with no ordinary murderer and he was content to remain in the shadow, waiting and watching, in seeming inactivity, for some slip which should betray the person or persons who had perpetrated two of the most puzzling murders that he had ever had to deal with.

It was the end of June, and Paris was beginning to empty. But the spring had been late and cold that year, and although it was within a couple of days of July society had lingered on in the capital; luxuriously appointed carriages still swept along the Champs Elysées when the audiences poured out of theatres and concert rooms, and fashionably attired people still thronged the broad pavements and gathered before the brilliantly lighted cafés on the Rond-Point; even at that late hour the Champs Elysées were as animated as in the busiest hours of the day.

At the Royal Palace Hotel the greatest animation prevailed. The entire staff was hurrying about the vast entrance halls and the palatial rooms on the ground floor; for it was the hour when the guests of the Royal Palace Hotel were returning from their evening's amusements, and the spacious vestibules of the im[105]mense hotel were crowded with men in evening dress, young fellows in dinner jackets, and women in low-cut gowns.

A young and fashionable woman got out of a perfectly appointed victoria, and M. Louis, the manager of the staff, came forward and bowed low, as he only did to clients of the very highest distinction. The lady responded with a gracious smile, and the manager called a servant.

"The lift for Mme. la Princesse Sonia Danidoff," and the next moment the beautiful vision, who had created quite a sensation merely in passing through the hall, had disappeared within the lift and was borne up to her apartments.

Princess Sonia was one of the most important clients that the Royal Palace Hotel possessed. She belonged to one of the greatest families in the world, being, by her marriage with Prince Danidoff, cousin to the Emperor of Russia and, so, connected with many royal personages. Still barely thirty years of age, she was not pretty but remarkably lovely, with wonderful blue eyes which formed a strange and most bewitching contrast to the heavy masses of black hair that framed her face. A woman of immense wealth, and typically a woman of the world, the Princess spent six months of the year in Paris, where she was a well-known and much-liked figure in the most exclusive circles; she was clever and cultivated, a first-rate musician, and her reputation was spotless, although it was very seldom that she was accompanied by her husband, whose duties as Grand Chamberlain to the Tsar kept him almost continuously in Russia. When in Paris she occupied a suite of four rooms on the third floor of the Royal Palace Hotel, a suite identical in plan and in luxury with that reserved for sovereigns who came there incognito.

The Princess passed through her drawing-room, a vast, round room, with a superb view over the Arc de Triomphe, and went into her bedroom where she switched on the electric light.

"Nadine," she called, in her grave, melodious voice, and a young girl, almost a child, sprang from a low divan hidden in a corner. "Nadine, take off my cloak and unfasten my hair. Then you can leave me: it is late, and I am tired."[106]

The little maid obeyed, helped her mistress to put on a silken dressing gown, and loosened the masses of her hair. The Princess passed a hand across her brow, as if to brush away a headache.

"Before you go, get a bath ready for me; I think that would rest me."

Ten minutes later Nadine crept back like a shadow, and found the Princess standing dreamily on the balcony, inhaling deep breaths of the pure night air. The child kissed the tips of her mistress's fingers. "Your bath is quite ready," she said, and then withdrew.

A few more minutes passed, and Princess Sonia, half undressed, was just going into her dressing-room when suddenly she turned and went back to the middle of the bedroom which she had been on the point of leaving.

"Nadine," she called, "are you still there?" No answer came. "I must have been dreaming," the Princess murmured, "but I thought I heard someone moving about."

Sonia Danidoff was not unduly nervous, but like most people who live much alone and in large hotels, she was wont to be careful, and wished to make sure that no suspicious person had made his way into her rooms. She made a rapid survey of her bedroom, glanced into the brilliantly lighted drawing-room, and then moved to her bed and saw that the electric bell board, which enabled her to summon any of her own or of the hotel's servants, was in perfect order. Then, satisfied, she went into her dressing-room, quickly slipped off the rest of her clothes, and plunged into the perfumed water in her bath.

She thrilled with pleasure as her limbs, so tired after a long evening, relaxed in the warm water. On a table close to the bath she had placed a volume of old Muscovite folk tales, and she was glancing through these by the shaded light from a lamp above her, when a fresh sound made her start. She sat up quickly in the water and looked around her. There was nothing there. Then a little shiver shook her and she sank down again in the warm bath with a laugh at her own nervousness. And she was just beginning to read once more, when suddenly a strange voice, with a ring[107] of malice in it, sounded in her ear. Someone was looking over her shoulder, and reading aloud the words she had just begun!

Before Sonia Danidoff had time to utter a cry or make a movement, a strong hand was over her lips, and another gripped her wrist, preventing her from reaching the button of the electric bell that was fixed among the taps. The Princess was almost fainting. She was expecting some horrible shock, expecting to feel some horrible weapon that would take her life, when the pressure on her lips and the grip upon her wrist gradually relaxed; and at the same moment, the mysterious individual who had thus taken her by surprise, moved round the bath and stood in front of her.

He was a man of about forty years of age, and extremely well dressed. A perfectly cut dinner jacket proved that the strange visitor was no unclean dweller in the Paris slums: no apache such as the Princess had read terrifying descriptions of in luridly illustrated newspapers. The hands which had held her motionless, and which now restored her liberty of movement to her, were white and well manicured and adorned with a few plain rings. The man's face was a distinguished one, and he wore a very fine black beard; slight baldness added to the height of a forehead naturally large. But what struck the Princess most, although she had little heart to observe the man very closely, was the abnormal size of his head and the number of wrinkles that ran right across his temples, following the line of the eyebrows.

In silence and with trembling lips Sonia Danidoff made an instinctive effort again to reach the electric bell, but with a quick movement the man caught her shoulder and prevented her from doing so. There was a cryptic smile upon the stranger's lips, and with a furious blush Sonia Danidoff dived back again into the milky water in the bath.

The man still stood in perfect silence, and at length the Princess mastered her emotion and spoke to him.

"Who are you? What do you want? Go at once or I will call for help."

"Above all things, do not call out, or you are a dead woman!" said the stranger harshly. Then he gave a little ironical shrug of[108] his shoulders. "As for ringing—that would not be easy: you would have to leave the water to do so! And, besides, I object."

"If it is money, or rings you want," said the Princess between clenched teeth, "take them! But go!"

The Princess had laid several rings and bracelets on the table by her side, and the man glanced at them now, but without paying much attention to what the Princess said.

"Those trinkets are not bad," he said, "but your signet ring is much finer," and he calmly took the Princess's hand in his and examined the ring that she had kept on her third finger. "Don't be frightened," he added as he felt her hand trembling. "Let us have a chat, if you don't mind! There is nothing especially tempting about jewels apart from their personality," he said after a little pause, "apart, I mean, from the person who habitually wears them. But the bracelet on a wrist, or the necklace round a neck, or the ring upon a finger is another matter!"

Princess Sonia was as pale as death and utterly at a loss to understand what this extraordinary visitor was driving at. She held up her ring finger, and made a frightened little apology.

"I cannot take this ring off: it fits too tight."

The man laughed grimly.

"That does not matter in the least, Princess. Anyone who wanted to get a ring like that could do it quite simply." He felt negligently in his waistcoat pocket and produced a miniature razor, which he opened. He flashed the blade before the terrified eyes of the Princess. "With a sharp blade like this a skilful man could cut off the finger that had such a splendid jewel on it, in a couple of seconds," and then, seeing that the Princess, in fresh panic, was on the very point of screaming, quick as a flash he laid the palm of his hand over her lips, while still speaking in gentle tones to her. "Please do not be so terrified; I suppose you take me for some common hotel thief, or highway robber, but, Princess, can you really believe that I am anything of the kind?"

The man's tone was so earnest, and there was so deferent a look in his eyes, that the Princess recovered some of her courage.

"But I do not know who you are," she said half questioningly.[109]

"So much the better," the man replied; "there is still time to make one another's acquaintance. I know who you are, and that is the main thing. You do not know me, Princess? Well, I assure you that on very many an occasion I have mingled with the blessed company of your adorers!"

The Princess's anger rose steadily with her courage.

"Sir," she said, "I do not know if you are joking, or if you are talking seriously, but your behaviour is extraordinary, hateful, abominable——"

"It is merely original, Princess, and it pleases me to reflect that if I had been content to be presented to you in the ordinary way, in one or other of the many drawing-rooms we both frequent, you would certainly have taken much less notice of me than you have taken to-night; from the persistence of your gaze I can see that from this day onwards, not a single feature of my face will be unfamiliar to you, and I am convinced that, whatever happens, you will remember it for a very long time."

Princess Sonia tried to force a smile. She had recovered her self-possession, and was wondering what kind of man she had to deal with. If she was still not quite persuaded that this was not a vulgar thief, and if she had but little faith in his professions of admiration of herself, she was considerably exercised by the idea that she was alone with a lunatic. The man seemed to read her thoughts for he, too, smiled a little.

"I am glad to see, Princess, that you have a little more confidence now: we shall be able to arrange things ever so much better. You are certainly much more calm, much less uneasy now. Oh, yes, you are!" he added, checking her protest. "Why, it is quite five minutes since you last tried to ring for help. We are getting on. Besides, I somehow can't picture the Princess Sonia Danidoff, wife of the Grand Chamberlain and cousin of His Majesty the Emperor of All the Russias, allowing herself to be surprised alone with a man whom she did not know. If she were to ring, and someone came, how would the Princess account for the gentleman to whom she had accorded an audience in the most delightful, but certainly the most private of all her apartments?"[110]

"But tell me," pleaded the unhappy woman, "how did you get in here?"

"That is not the question," the stranger replied. "The problem actually before us is, how am I to get out? For, of course, Princess, I shall not be so indelicate as to prolong my visit unduly, too happy only if you will permit me to repeat it on some other evening soon." He turned his head, and plunging his hand into the bath in the most natural manner possible, took out the thermometer which was floating on the perfumed water. "Thirty degrees, centigrade, Princess! Your bath is getting cold: you must get out!"

In her blank astonishment Princess Sonia did not know whether to laugh or cry. Was she alone with a monster who, after having played with her as a cat plays with a mouse, would suddenly turn and kill her? Or was this merely some irresponsible lunatic, whom chance alone had enabled to get into her rooms? Whatever the fact might be, the man's last words had made her aware that her bath really was getting cold. A shiver shook her whole frame, and yet——

"Oh, go, please go!" she implored him.

He shook his head, an ironical smile in his eyes.

"For pity's sake," she entreated him again, "have mercy on a woman—a good woman!"

The man appeared to be considering.

"It is very embarrassing," he murmured, "and yet we must decide upon something soon, for I am most anxious you should not take a chill. Oh, it is very simple, Princess: of course you know the arrangement of everything here so well that you could find your dressing-gown at once, by merely feeling your way? We will put out the light, and then you will be able to get out of the bath in the dark without the least fear." He was on the very point of turning off the switch of the lamp, when he stopped abruptly and came back to the bath. "I was forgetting that exasperating bell," he said. "A movement is so very easily made: suppose you were to ring, by mere inadvertence, and regret it afterwards?" Putting his idea into action, the man made a quick cut with his razor and severed the two electric wires several feet above the[111] ground. "That is excellent," he said. "By the way, I don't know where these other two wires go that run along the wall, but it is best to be on the safe side. Suppose there were another bell?" He lifted his razor once more and was trying to sever the electric wires when the steel blade cut the insulator and an alarming flash of light resulted. The man leaped into the air, and dropped his razor. "Good Lord!" he growled, "I suppose that will make you happy, madame: I have burnt my hand most horribly! These must be wires for the light! But no matter: I have still got one sound hand, and that will be enough for me to secure the darkness that you want. And anyhow, you can press the button of your bell as much as you like: it won't ring. So I am sure of a few more minutes in your company."

Sudden darkness fell upon the room. Sonia Danidoff hesitated for a moment and then half rose in the bath. All her pride as a great lady was in revolt. If she must defend her honour and her life, she was ready to do so, and despair would give her strength; but in any event she would be better out of the water, and on her feet, prepared. The darkness was complete, both in the bathroom and in the adjacent bedroom, and the silence was absolute. Standing up in the bath, Sonia Danidoff swept her arms round in a circle to feel for any obstacle. Her touch met nothing. She drew out one foot, and then the other, sprang towards the chair on which she had left her dressing-gown, slipped into it with feverish haste, slid her feet into her slippers, stood motionless for just a second and then, with sudden decision, moved to the switch by the door and turned on the light.

The man had gone from the bathroom, but taking two steps towards her bedroom Sonia Danidoff saw him smiling at her from the far end of that room.

"Sir," she said, "this—pleasantry—has lasted long enough. You must go. You shall, you shall!"

"Shall?" the stranger echoed. "That is a word that is not often used to me. But you are forgiven for not knowing that, Princess. I forgot for the moment that I have not been presented to you. But what is in your mind now?"

Between them was a little escritoire, on the top of which was[112] lying the tiny inlaid revolver that Sonia Danidoff always carried when she went out at night. Could she but get that into her hands it would be a potent argument to induce this stranger to obey her. The Princess also knew that in the drawer of that escritoire which she could actually see half open, she had placed, only a few minutes before going in to her bath, a pocket-book filled with bank-notes for a hundred and twenty thousand francs, money she had withdrawn from the strong-room of the hotel that very morning in order to meet some bills next day. She looked at the drawer and wondered if the pocket-book was still there, or if this mysterious admirer of hers was only a vulgar hotel thief after all. The man had followed her eyes to the revolver.

"That is an unusual knick-knack to find in a lady's room, Princess," and he sprang in front of her as she was taking a step towards the escritoire, and took possession of the revolver. "Do not be alarmed," he added, noticing her little gesture of terror. "I would not do you an injury for anything in the world. I shall be delighted to give this back to you in a minute, but first let me render it harmless." He deftly slipped the six cartridges out of the barrel and then handed the now useless weapon to the Princess with a gallant little bow. "Do not laugh at my excess of caution: but accidents happen so easily!"

It was in vain that the Princess tried to get near her escritoire to ascertain if the drawer had been tampered with: the man kept between her and it all the time, still smiling, still polite, but watching every movement that she made. Suddenly he took his watch from his pocket.

"Two o'clock! Already! Princess, you will be vexed with me for having abused your hospitality to such an extent. I must go!" He appeared not to notice the sigh of relief that broke from her, but went on in a melodramatic tone. "I shall take my departure, not through the window like a lover, nor up the chimney like a thief, nor yet through a secret door behind the arras like a brigand of romance, but like a gentleman who has come to pay his tribute of homage and respect to the most enchanting woman in the world—through the door!" He made a movement as if to go,[113] and came back. "And what do you think of doing now, Princess? Perhaps you will be angry with me? Possibly some unpleasant discovery, made after my departure, will raise some animosity in your breast against me? You might even ring, directly my back is turned, and alarm the staff, merely to embarrass me in my exit, and without paying any attention to the subsequent possible scandal. That is a complicated arrangement of bells and telephones beside your bed! It would be a pity to spoil such a pretty thing, and besides, I hate doing unnecessary damage!" The Princess's eyes turned once more to the drawer: it was practically certain that her money was not there now! But the man broke in again upon her thoughts. "What can I be thinking of? Just fancy my not having presented myself to you even yet! But as a matter of fact I do not want to tell you my name out loud: it is a romantic one, utterly out of keeping with the typically modern environment in which we are now. Ah, if we were only on the steep side of some mountain with the moon like a great lamp above us, or by the shore of some wild ocean, there would be some fascination in the proclamation of my identity in the silence of the night, or in the midst of lightning and thunder as the hurricane swept the seas! But here—in a third-floor suite of the Royal Palace Hotel, surrounded by telephones and electric light, and standing by a window overlooking the Champs Elysées—it would be a positive anachronism!" He took a card out of his pocket and drew near the little escritoire. "Allow me, Princess, to slip my card into this drawer, left open on purpose, it would seem," and while the Princess uttered an exclamation she could not repress, he suited the action to the word. "And now, Princess," he went on, compelling her to retreat before him right to the door of the anteroom opening on to the corridor, "you are too well bred, I am sure, not to wish to conduct your visitor to the door of your suite." His tone altered abruptly, and in a deep imperious voice that made the Princess quake he ordered her: "And now, not a word, not a cry, not a movement until I am outside, or I will kill you!"

Clenching her fists, and summoning all her strength to prevent herself from swooning, Sonia Danidoff led the man to the ante[114]room door. Slowly she unlocked the door and held it open, and the man stepped quietly through. The next second he was gone!

Leaping back into her bedroom Sonia Danidoff set every bell a-ringing; with great presence of mind she telephoned down to the hall porter: "Don't let anybody go out! I have been robbed!" and she pressed hard upon the special button that set the great alarm bell clanging. Footsteps and voices resounded in the corridor: the Princess knew that help was coming and ran to open her door. The night watchman, and the manager of the third floor came running up and waiters appeared in numbers at the end of the corridor.

"Stop him! Stop him!" the Princess shouted. "He has only just gone out: a man in a dinner jacket, with a great black beard!"

A lad came hurrying out of the lift.

"Where are you going? What is the matter?" enquired the hall porter, whose lodge was at the far end of the hall, next to the courtyard of the hotel, the door into which he had just closed.

"I don't know," he answered. "There is a thief in the hotel! They are calling from the other side."

"It's not in your set, then? By the way, what floor are you on?"

"The second."

"All right," said the hall porter, "it's the third floor that they are calling from. Go up and see what is wrong."

The lad turned on his heel, and disregarding the notice forbidding servants to use the passenger lift, hurried back into it and upstairs again. He was a stoutly built fellow, with a smooth face and red hair. On the third floor he stopped, immediately opposite Sonia Danidoff's suite. The Princess was standing at her door, taking no notice of the watchman Muller's efforts to soothe her excitement, and mechanically twisting between her fingers the blank visiting card which her strange visitor had left in place of her pocket-book and the hundred and twenty thousand francs. There was no name whatever on the card.

"Well," said Muller, to the red-headed lad, "where do you come from?"[115]

"I'm the new man on the second floor," the fellow answered. "The hall porter sent me up to find out what was the matter."

"Matter!" said Muller. "Somebody has robbed the Princess. Here, send someone for the police at once."

"I'll run, sir," and as the lift, instead of being sent down, had carelessly been sent up to the top floor, the young fellow ran down the staircase at full speed.

Through the telephone, Muller was just ordering the hall porter to send for the police, when the second-floor servant rushed up and caught him by the arm, dragging him away from the instrument.

"Open the door for the Lord's sake! I'm off to the police station," and the hall porter made haste to facilitate his departure.

On the top floor cries of astonishment re-echoed. The servants had been alarmed by the uproar and, surprised to see the lift stop and nobody get out of it, they opened the door and found a heap of clothing, a false beard, and a wig. Two housemaids and a valet gazed in amazement at these extraordinary properties, and never thought of informing the manager, M. Louis. Meantime, however, that gentleman had hurried through the mazes of the hotel, and had just reached the third floor when he was stopped by the Baronne Van den Rosen, one of the hotel's oldest patronesses.

"M. Louis!" she exclaimed, bursting into sobs. "I have just been robbed of my diamond necklace. I left it in a jewel-case on my table before going down to dinner. When I heard the noise just now, I got up and looked through my jewel-case, and the necklace is not there."

M. Louis was too dazed to reply. Muller ran up to him.

"Princess Sonia Danidoff's pocket-book has been stolen," he announced; "but I have had the hotel doors shut and we shall be sure to catch the thief."

The Princess came near to explain matters, but at that moment the servants came down from upstairs, bringing with them the make-up articles which they had found in the lift. They laid[116] these on the ground without a word and M. Louis was staring at them when Muller had a sudden inspiration.

"M. Louis, what is the new man on the second floor like?"

Just at that instant a servant appeared at the end of the corridor, a middle-aged man with white whiskers and a bald head.

"There he is, coming towards us," M. Louis replied. "His name is Arnold."

"Good God!" cried Muller; "and the red-headed fellow: the carroty chap?" M. Louis shook his head, not understanding, and Muller tore himself away and rushed down to the hall porter. "Has he gone out? Has anyone gone out?"

"No one," said the porter, "except, of course, the servant from the second floor, whom you sent for the police."

"The carroty chap?" Muller enquired.

"Yes, the carroty chap."

Princess Sonia Danidoff lay back in an easy chair, receiving the anxious attentions of Nadine, her Circassian maid. M. Louis was holding salts to her nostrils. The Princess still held in her hands the card left by the mysterious stranger who had just robbed her so cleverly of a hundred and twenty thousand francs. As she slowly came to herself the Princess gazed at the card as if fascinated, and this time her haggard eyes grew wide with astonishment. For upon the card, which hitherto had appeared immaculately white, marks and letters were gradually becoming visible, and the Princess read:

"Fan—tô—mas!"

[117]

M. Fuselier was standing in his office in the law courts at Paris, meditatively smoothing the nap of his silk hat. His mind was busy with the enquiries he had been prosecuting during the day, and although he had no reason to be dissatisfied with his day's work he had no clear idea as to what his next steps ought to be.

Three discreet taps on the door broke in upon his thoughts.

"Come in," he said, and then stepped forward with a hearty welcome as he recognised his visitor. "Juve, by all that is wonderful! What good wind has blown you here? I haven't seen you for ages. Busy?"

"Frightfully."

"Well, it's a fact that there's no dearth of sensational crime just now. The calendar is terribly heavy."

Juve had ensconced himself in a huge easy chair in a corner of the room.

"Yes," he said, "you are quite right. But unfortunately the calendar won't be a brilliant one for the police. There may be lots of cases, but there are not lots that they have worked out to a finish."

"You've got nothing to grumble at," M. Fuselier smiled. "You have been in enough cases lately that were worked out to a finish. Your reputation isn't in any danger of diminishing."

"I don't know what you mean," Juve said deprecatingly. "If you refer to the Beltham and Langrune cases, you must admit that your congratulations are not deserved. I have achieved no definite result in either of those affairs."[118]

M. Fuselier also dropped into a comfortable chair. He lighted a cigarette.

"You have found out nothing fresh about that mysterious murder of Lord Beltham?"

"Nothing. I'm done. It is an insoluble mystery to me."

"You seem to be very sorry for yourself, but really you needn't be, Juve. You cleared up the Beltham case, and you solved the Langrune case, although you try to make out you didn't. And allow me to inform you, those two successes count, my friend."

"You are very kind, but you are rather misinformed. Unfortunately I have not cleared up the Beltham case at all."

"You found the missing peer."

"Well, yes, but——"

"That was an amazing achievement. By the way, Juve, what led you to go to the rue Lévert to search Gurn's trunks?"

"That was very simple. You remember what an excitement there was when Lord Beltham disappeared? Well, when I was called in I saw at once that all ideas of accident or suicide might be dismissed, and that consequently the disappearance was due to crime. Once convinced of that, I very naturally suspected every single person who had ever had relations with Lord Beltham, for there was no single individual for me to suspect. Then I found out that the ex-Ambassador had been in continuous association with an Englishman named Gurn whom he had known in the South African war, and who led a very queer sort of life. That of course took me to Gurn's place, if for nothing else than to pick up information. And—well, that's all about it. It was just by going to Gurn's place to pump him, rather than anything else, that I found the noble lord's remains locked away in the trunk."

"Your modesty is delightful, Juve," said M. Fuselier with an approving nod. "You present things as if they were all matters of course, whereas really you are proving your extraordinary instinct. If you had arrived only twenty-four hours later the corpse would have been packed off to the Transvaal, and only the Lord knows if after that the extraordinary mystery ever would have been cleared up."[119]

"Luck," Juve protested: "pure luck!"

"And were your other remarkable discoveries luck too?" enquired M. Fuselier with a smile. "There was your discovery that sulphate of zinc had been injected into the body to prevent it from smelling offensively."

"That was only a matter of using my eyes," Juve protested.

"All right," said the magistrate, "we will admit that you did not display any remarkable acumen in the Beltham case, if you would rather have it so. That does not alter the fact that you have solved the Langrune case."

"Solved it!"

M. Fuselier flicked the ash off his cigarette, and leant forward towards the detective.

"Of course you know that I know you were at the Cahors Assizes, Juve? What was your impression of the whole affair—of the verdict, and of Etienne Rambert's guilt or innocence?"

Juve got up and began to walk up and down the room, followed by the magistrate's eyes. He seemed to be hesitating as to whether he would answer at all, but finally he stopped abruptly and faced his friend.

"If I were talking to anybody but you, M. Fuselier, I would either not answer at all, or I would give an answer that was no answer! But as it is——, well, in my opinion, the Langrune case is only just beginning, and nothing certain is known at all."

"According to that, Charles Rambert is innocent?"

"I don't say that."

"What then? I suppose you don't think the father was the murderer?"

"The hypothesis is not absurd! But there! What is the real truth of the whole affair? That is what I am wondering all the time. That murder is never out of my head; it interests me more and more every day. Oh, yes, I've got lots of ideas, but they are all utterly vague and improbable: sometimes my imagination seems to be running away with me."

He stopped, and M. Fuselier wagged a mocking finger at him.

"Juve," he said, "I charge you formally with attempting to implicate Fantômas in the murder of the Marquise de Langrune!"[120]

The detective replied in the same tone of raillery.

"Guilty, my lord!"

"Good lord, man!" the magistrate exclaimed, "Fantômas is a perfect obsession with you," and as Juve acquiesced with a laugh the magistrate dropped his bantering tone. "Shall I tell you something, Juve? I too am beginning to have an obsession for that fantastic miscreant! And what I want to know is why you have not come to me before to ask me about that sensational robbery at the Royal Palace Hotel?"

"The robbery from Princess Sonia Danidoff?"

"Yes: the Fantômas robbery!"

"Fantômas, eh?" Juve protested. "That remains to be seen."

"Why, man," M. Fuselier retorted, "you have heard that detail about the card the man left, haven't you?—the visiting card that was blank when the Princess found it, and on which the name of Fantômas afterwards became visible?"

"There's no Fantômas about that, in my opinion."

"Why not?"

"Well, it isn't one of Fantômas' little ways to leave clear traces behind him. One might as well picture him committing robbery or murder in a cap with a neat little band round it: 'Fantômas and Co.' He might even add 'Discretion and Dispatch!' No, it's most unlikely."

"You don't think Fantômas capable of throwing down his glove to the police in the shape of some such material proof of his identity?"

"I always base my arguments on the balance of probabilities," Juve replied. "What emerges from this Royal Palace story is that some common hotel thief conceived the ingenious idea of casting suspicion on Fantômas: it was just a trick to mislead the police: at least, that is my opinion."

But M. Fuselier declined to be convinced.

"No, you are wrong, Juve: it was no common hotel thief who stole Mme. Van den Rosen's necklace and Princess Sonia's hundred and twenty thousand francs; the prize was big enough to appeal to Fantômas: and the amazing audacity of the crime is suggestive too. Just think what coolness the man must have had[121] to be able to paralyse the Princess's power of resistance when she tried to call for help: and also to get clear away in spite of the hosts of servants in the hotel and all the precautions taken!"

"Tell me all about the robbery, M. Fuselier," said Juve.

The magistrate sat down at his desk and took up the notes he had made in the course of his official enquiry that day. He told Juve everything he had been able to elicit.

"The most amazing thing to me," he said in conclusion, "is the way the fellow, when he had once got out of Princess Sonia's room, contrived to get into the lift, shed his evening dress, get into livery, and make his first attempt to escape. When the hall porter stopped him he did not lose his head, but got into the lift again, sent that flying up to the top of the hotel with the clothes that would have betrayed him, calmly presented himself before Muller, the night watchman, and contrived to be told to go for the police, ran down the stairs again, and took advantage of the night watchman's telephoning to the hall porter to get the latter to open the door for him, and so marched off as easily as you please. A man who kept his nerve like that and could make such amazing use of every circumstance, who was so quick and daring, and who was capable of carrying through such a difficult comedy in the middle of the general uproar, richly deserves to be taken for Fantômas!"

Juve sat in deep consideration of the whole story.

"That isn't what interests me most," he said at last. "His escape from the hotel might have been effected by any clever thief. What I think more remarkable is the means he took to prevent the Princess from screaming when he was just leaving her rooms: that really was masterly. Instead of trying to get her as far away as possible and shut her up in her bedroom, to take her with him to the very door opening on to the corridor, where the faintest cry might have involved the worst possible consequences, and to be sure that the terror he had inspired would prevent her from uttering that cry, to be able to assume that the victim was so overwrought that she would make no effort at all and could do nothing—that is really very good indeed: quite admirable psychology! Fine work!"[122]

"So you see there are some unusual features in the case," said M. Fuselier complacently: "this, for instance: why do you suppose the fellow stayed such a long time with the Princess and went through all that comedy business in the bathroom? Don't forget that she came in late, and it is extremely probable that he might have finished his job before she returned."

Juve passed his hand through his hair, a characteristic trick when his mind was working.

"I can imagine only one answer to that question, M. Fuselier. But you have inspected the scene of the crime: tell me first, where do you think the rascal was hidden?"

"Oh, I can answer that definitely. The Princess's suite of rooms ends in the bathroom, you know, and the chief things there are the famous bath, some cupboards, and a shower bath: the shower bath is one of those large model Norchers with lateral as well as vertical sprays, and a waterproof curtain hanging from rings at the top right down to the tub at the bottom. There were footmarks on the enamel of the tub, so it is clear that the thief hid there, behind the curtain, until the Princess got into her bath."

"And I suppose the shower bath is in the corner of the room near the window?" Juve went on. "And the window was partly open, or had been until the maid went in to prepare her mistress's bath? It's quite interesting! The man had just succeeded in stealing the necklace from Mme. Van den Rosen, whose rooms are next to Princess Sonia's: for some reason or other he had not been able to escape through the corridor, and so he naturally made up his mind to get into the Princess's suite, which he did by the simple process of stepping over the railing on the balcony and walking in through the open window of the dressing-room."

"And then Nadine came in, and he had to hide?"

"No, no!" said Juve, "you are getting on too fast. If that had been so, there would have been no need for all the bath business; besides, the Princess was robbed, too, you know. That was not just chance, it was planned; and so if the thief hid in the shower bath he did so on purpose to wait for the Princess."[123]

"But he did not want her!" Fuselier retorted: "very much the reverse. If he was in the room before anybody else, all he had to do was, take the pocket-book and go!"

"Not a bit of it!" said Juve. "This robbery took place at the end of the month, when the Princess would have big monthly bills to meet, as the thief must have known. He must have found out that she had withdrawn her portfolio and money from the custody of the hotel. But he must have been ignorant of where she had placed the portfolio; and he waited for her to ask her—and she told him!"

"That's a pretty tall yarn!" M. Fuselier protested. "What on earth do you base it all upon? The Princess would never have shown the man the drawer where the money was taken from!"

"Yes, she did!" said Juve. "Look here: this is what happened: the fellow wanted to steal this pocket-book, and did not know where it was. He hid in the shower bath and waited, either for the Princess to go to bed or take a bath, either of which would place her at his mercy. When the lady was in the bath he appeared, threatened her, until she was terrified, and then bucked her up a bit again and hit on the dodge of putting out the electric light—not out of respect for her wounded feelings, but simply in order to get a chance to search through her clothes and make sure that the pocket-book was not there. I am convinced that if he had found it then he would have bolted at once. But he didn't find it. So he went to the end of the next room and waited for the Princess to come to him there, which is precisely what she did. He did not know where the money was, so he watched every movement of her eyes and saw them go automatically towards the drawer and stay there; then he slipped his card into the drawer, abstracted the pocket-book, and took his leave, driving his impudence and skill to the length of making her see him to the door!"

"Upon my word, Juve, you are a wonder," M. Fuselier said admiringly. "I've spent the entire day cross-examining everybody in the hotel, and came to no definite conclusion; and you, who have not seen anything or anybody connected with it, sit in that chair and in five minutes clear up the entire mystery. What a[124] pity you won't believe that Fantômas had a finger in this pie! What a pity you won't take up the search!"

Juve paid no heed to the compliments to his skill. He took out his watch and looked at the time.

"I must go," he said; "it's quite time I was at my own work. Well, we may not have been wasting our time, M. Fuselier. I admit I had not paid much attention to the Royal Palace Hotel robbery. You have really interested me in it. I won't make any promises, but I think I shall very likely come again in a day or two for another talk with you about the case. It really interests me now. And when once I'm quit of one or two pressing jobs, I don't say I shan't ask leave to go thoroughly into it with you."

[125]

The staff of the Royal Palace Hotel were just finishing dinner, and the greatest animation prevailed in the vast white-tiled servants' hall. The tone of the conversation varied at different tables, for the servants jealously observed a strict order of precedence among themselves, but the present topic was the same at all, the recent sensational robbery from Mme. Van den Rosen and the Princess Sonia Danidoff. At one table, smaller than the rest, a party of upper servants sat, under-managers or heads of departments: M. Louis was here, the general manager, M. Muller the superintendent of the second floor, M. Ludovic chief valet, M. Maurice head footman, M. Naud chief cashier, and last but not least Mlle. Jeanne the young lady cashier whose special duty it was to take charge of all the moneys and valuables deposited in the custody of the hotel by guests who wished to relieve themselves of the responsibility of keeping these in their own rooms. This small and select company was increased to-night by the addition of M. Henri Verbier, a man of about forty years of age, who had left the branch hotel at Cairo belonging to the same Company to join the staff at the Royal Palace Hotel in Paris.

"I am afraid, M. Verbier, you will form a very bad opinion of our establishment," said M. Muller to him. "It is really a pity that you should have left the Cairo branch and come here just when these robberies have put the Royal Palace under a cloud."

Henri Verbier smiled.

"You need not be afraid of my attaching too much importance to that," he said. "I've been in hotel life for fifteen years now, in[126] one capacity or another, and, as you may suppose, I've known similar cases before, so they don't surprise me much. But one thing does surprise me, M. Muller, and that is that no clue has yet been found. I suppose the Board have done everything that can be done to trace the culprit? The reputation of the hotel is at stake."

"I should think they have looked for him!" said M. Louis, with a pathetic shrug of his shoulders. "Why, they even upbraided me for having had the door opened for the thief! Luckily I had a good friend in Muller, who admitted that he had been completely imposed upon and that he had given the order for the fellow, whom he supposed to be the second-floor waiter, to be allowed to go out. I knew nothing about it."

"And how was I to guess that the man was an impostor?" Muller protested.

"All the same," Henri Verbier retorted, "it is uncommonly annoying for everybody when things like that happen."

"So long as one has not committed any breach of orders, and so can't be made a scapegoat of, one mustn't grumble," M. Muller said. "Louis and I did exactly what our duty required and no one can say anything to us. The magistrate acknowledged that a week ago."

"He does not suspect anybody?" Henri Verbier asked.

"No: nobody," Muller answered.

M. Louis smiled.

"Yes, he did suspect somebody, Verbier," he said, "and that was your charming neighbour Mlle. Jeanne there."

Verbier turned towards the young cashier.

"What? The magistrate tried to make out that you were implicated in it?"

The girl had only spoken a few words during the whole of dinner, although Henri Verbier had made several gallant attempts to draw her into the general conversation. Now she laughingly protested.

"M. Louis only says that to tease me."

But M. Louis stuck to his guns.

"Not a bit of it, Mademoiselle Jeanne: I said it because it is[127] the truth. The magistrate was on to you: I tell you he was! Why, M. Verbier, he cross-examined her for more than half an hour after the general confrontation, while he finished with Muller and me in less than ten minutes."

"Gad, M. Louis, a magistrate is a man, isn't he?" said Henri Verbier gallantly. "The magistrate may have enjoyed talking to Mlle. Jeanne more than he did to you, if I may suggest it without seeming rude."

There was a general laugh at this sally on the part of the new superintendent, and then M. Louis continued:

"Well, if he wanted to make up to her he went a funny way to work, for he made her angry."

"Did he really?" said Henri Verbier, turning again to the girl. "Why did the magistrate cross-examine you so much?"

The young cashier shrugged her shoulders.

"We have thrashed it out so often, M. Verbier! But I will tell you the whole story: during the morning of the day when the robbery was committed I had returned to Princess Sonia Danidoff the pocket-book containing a hundred and twenty thousand francs which she had given into my custody a few days before; I could not refuse to give it to her when she asked for it, could I? How was I to know that it would be stolen from her the same evening? Customers deposit their valuables with me and I hand them a receipt: they give me back the receipt when they demand their valuables, and all I have to do is comply with their request, without asking questions. Isn't that so?"

"But that was not what puzzled the magistrate I suppose," said Henri Verbier. "You are the custodian of all valuables, and you only complied strictly with your orders."

"Yes," M. Muller broke in, "but Mlle. Jeanne has only told you part of the story. Just fancy: only a few minutes before the robbery Mme. Van den Rosen had asked Mlle. Jeanne to take charge of her diamond necklace, and Mlle. Jeanne had refused!"

"That really was bad luck for you," said Henri Verbier to the girl with a laugh, "and I quite understand that the magistrate thought it rather odd."

"They are unkind!" she protested. "From the way they put it,[128] M. Verbier, you really might think that I refused to take charge of Mme. Van den Rosen's jewellery in order to make things easy for the thief, which is as much as to say that I was his accomplice."

"That is precisely what the magistrate did think," M. Louis interpolated.

The girl took no notice of the interruption, but went on with her explanation to Henri Verbier.

"What happened was this: the rule is that I am at the disposal of customers, to take charge of deposits or to return them to the owners, until nine p.m., and until nine p.m. only. After that, my time is up, and all I have to do is lock my safe and go: I am free until nine o'clock next morning. You know that it does not do to take liberties in a position like mine. So when, on the day of the robbery, Mme. Van den Rosen came with her diamond necklace at half-past nine, I was perfectly within my rights in refusing to accept the deposit."

"That's right enough," said M. Muller, who, having finished his dessert, was now sipping coffee into which he had tipped sugar until it was as thick as syrup: "but you were disobliging, my dear young lady, and that was what struck the magistrate; for really it would not have been much trouble to register the new deposit and take charge of Mme. Van den Rosen's necklace for her."

"No, it wouldn't," the girl replied; "but when there is a rule it seems to me that it ought to be obeyed. My time is up at nine o'clock, and I am forbidden to accept any deposits after nine o'clock: and that's why I refused that lady's. I was perfectly right; and I should do the same again, if the same thing happened."

Henri Verbier was manifestly anxious to conciliate the young cashier. He expressed his approval of her conduct now.

"I quite agree with you, it never does to put interpretations upon orders. It was your duty to close your safe at nine o'clock, and you did close it then, and no one can say anything to you. But, joking apart, what did the magistrate want?"

The girl shrugged her shoulders with a gesture of indifference.[129]

"You see I was right just now: M. Louis is only trying to tease me by saying that the magistrate cross-examined me severely. As a matter of fact I was simply asked what I have just told you, and when I gave all this explanation, no fault at all was found with me." As she spoke, Mlle. Jeanne folded her napkin carefully, pushed back her chair and shook hands with her two neighbours at table. "Good night," she said. "I am going up to bed."

Mlle. Jeanne had hardly left the room before Henri Verbier also rose from the table and prepared to follow her example.

M. Louis gave M. Muller a friendly dig in his comfortable paunch.

"A pound to a penny," he said, "that friend Verbier means to make up to Mlle. Jeanne. Well, I wish him luck! But that young lady is not very easy to tame!"

"You didn't succeed," M. Muller replied unkindly, "but it doesn't follow that nobody else will!"

M. Louis was not deceived: Henri Verbier evidently did think his neighbour at table a very charming young woman.

Mlle. Jeanne had hardly reached her room on the fifth floor of the hotel, and flung open her window to gaze over the magnificent panorama spread out below her and inhale the still night air, when a gentle tap fell upon the door and, complying with her summons to come in, Henri Verbier entered the room.

"My room is next to yours," he said, "and as I saw you were standing dreaming at your window I thought perhaps you would condescend to smoke an Egyptian cigarette. I have brought some back from Cairo: it is very mild tobacco—real ladies' tobacco."

The girl laughed and took a dainty cigarette from the case that Henri Verbier offered her.

"It's very kind of you to think of me," she said. "I don't make a habit of smoking, but I let myself be tempted sometimes."

"If I have been kind, you can show your gratitude very easily," Henri Verbier replied: "by allowing me to stay here a few minutes and smoke a cigarette with you."

"By all means," said Mlle. Jeanne. "I love to spend a little time[130] at my window at night, to get the air before going to bed. You will prevent me from getting tired of my own company, and can tell me all about Cairo."

"I'm afraid I know very little about Cairo," Henri Verbier replied; "you see I spent almost the whole of my time in the hotel. But as you seem so kind and so friendly disposed I wish you would tell me things."

"But I am a very ignorant young woman."

"You are a woman, and that's enough. Listen: I am a new-comer here, and I am quite aware that my arrival, and my position, will make me some enemies. Now, whom ought I to be on my guard against? Who is there, among the staff, of whom I ought to be careful as doubtful associates? I ask with all the more concern because I will tell you frankly that I had no personal introduction to the Board: I have not got the same chance that you have."

"How do you know I had any introduction?" the girl enquired.

"Gad, I'm sure of it," Henri Verbier answered: he was leaning his elbows on the window-sill and gradually drawing closer to the young cashier. "I don't suppose that an important position like the one you hold, requiring absolute integrity and competence, is given without fullest investigation. Your work is not tiring, but that does not mean it would be entrusted to anybody."

"You are quite right, M. Verbier: I did have an introduction to the Board: and I had first-rate testimonials too."

"Have you been in business long? Two years—three years?"

"Yes," Mlle. Jeanne replied, purposely refraining from being explicit.

"I only asked because I fancy I have seen you before somewhere. I recognise your eyes!" Henri Verbier smiled, and looked meaningly at the girl. "Mlle. Jeanne, on summer nights like this, when you are looking at a lovely view like this, don't you have a funny sort of feeling?"

"No. What do you mean?"

"Oh, I don't know. But you see, I'm a sentimental chap unfortunately, and I really suffer a lot from always living in lonely[131] isolation, without any affection: there are times when I feel as if love were an absolute necessity."

The cashier looked at him ironically.

"That's all foolishness. Love is only stupid, and ought to be guarded against as the worst possible mistake. Love always means misery for working people like us."

"It is you who are foolish," Henri Verbier protested gently, "or else you are mischievous. No: love is not stupid for working people like us; on the contrary, it is the only means we have of attaining perfect happiness. Lovers are rich!"

"In wealth that lets them die of hunger," she scoffed.

"No, no," he answered: "no. Look here: all to-day you and I have been working hard, earning our living; well, suppose you were not laughing at me but we were really lovers, would not this be the time to enjoy the living we have earned?" and as the girl did not reply, Henri Verbier, who like an experienced wooer had been drawing closer to her all the time, until now his shoulder was touching hers, took her hand. "Would not this be sweet?" he said. "I should take your little fingers into mine—like this; I should look at them so tenderly, and raise them to my lips——"

But the girl wrested herself away.

"Let me go! I won't have it! Do you understand?" And then, to mitigate the sharpness of her rebuke, and also to change the conversation, she said: "It is beginning to turn cold. I will put a cloak over my shoulders," and she moved away from the window to unhook a cloak from a peg on the wall.

Henri Verbier watched her without moving.

"How unkind you are!" he said reproachfully, disregarding the angry gleam in her eyes. "Can it really be wrong to enjoy a kiss, on a lovely night like this? If you are cold, Mademoiselle Jeanne, there is a better way of getting warm than by putting a wrap over one's shoulders: and that is by resting in someone else's arms."

He put out his arms as he spoke, ready to catch the girl as she came across the room, and was on the very point of taking her into his arms as he had suggested, when she broke from his grasp with a sudden turn and, furious with rage, dealt him a[132] tremendous blow right on the temple. With a stifled groan, Henri Verbier dropped unconscious to the floor.

Mlle. Jeanne stared at him for a moment, as if dumbfounded. Then with quite amazing rapidity the young cashier sprang to the window and hurriedly closed it. She took down her hat from a hook on the wall, and put it on with a single gesture, opened a drawer and took out a little bag, and then, after listening for a minute to make sure that there was nobody in the passage outside her room, she opened her door, went out, rapidly turned the key behind her and ran down the stairs.

Two minutes later Mlle. Jeanne smilingly passed the porter on duty and wished him good night.

"Bye-bye," she said. "I'm going out to get a little fresh air!"

Slowly, as if emerging from some extraordinary dream, Henri Verbier began to recover from his brief unconsciousness: he could not understand at first what had happened to him, why he was lying on the floor, why his head ached so much, or why his blood-shot eyes saw everything through a mist. He gradually struggled into a sitting posture and looked around the room.

"Nobody here!" he muttered. Then as if the sound of his own voice had brought him back to life, he got up and hurried to the door and shook it furiously. "Locked!" he growled angrily. "And I can call till I'm black in the face! No one has come upstairs yet. I'm trapped!" He turned towards the window, with some idea of calling for help, but as he passed the mirror over the mantelpiece he caught sight of his own reflection and saw the bruise on his forehead, with a tiny stream of blood beginning to trickle from a cut in the skin. He went close to the glass and looked at himself in dismay. "Juve though I am," he murmured, "I've let myself be knocked out by a woman!" And then Juve, for Juve it was, cleverly disguised, uttered a sudden oath, clenching his fists and grinding his teeth in rage. "Confound it all, I'll take my oath that blow was never dealt by any woman!"

[133]

M. Etienne Rambert was in the smoking-room of the house which he had purchased a few months previously in the Place Pereire, rue Eugène-Flachat, smoking and chatting with his old friend Barbey, who also was his banker. The two had been discussing investments, and the wealthy merchant had displayed considerable indifference to the banker's recommendation of various gilt-edged securities.

"To tell you the truth, my dear fellow," he said at length, "these things interest me very little; I've got used to big enterprises—am almost what you would call a plunger. Of course you know that nothing is so risky as the development of rubber plantations. No doubt the industry has prospered amazingly since the boom in motor-cars began, but you must remember that I went into it when no one could possibly foresee the immense market that the new means of locomotion would open for our produce. That's enough to prove to you that I'm no coward when it's a question of risking money." The banker nodded: his friend certainly did display a quite extraordinary energy and will-power for a man of his age. "As a matter of fact," M. Rambert went on, "any business of which I am not actually a director, interests me only slightly. You know I am not boasting when I say that my fortune is large enough to justify me in incurring a certain amount of financial risk without having to fear any serious modification of my social position if the ventures should happen to turn out ill. I've got the sporting instinct."

"It's a fine one," M. Barbey said with some enthusiasm. "And I don't mind telling you that if I were not your banker, and so[134] had a certain responsibility in your case, I should not hesitate to put a scheme before you that has been running in my head for a year or two now."

"A scheme of your own, Barbey?" said M. Rambert. "How is it you have never told me about it? I should have thought we were close enough friends for that."

The hint of reproach in the words pricked the banker, and also encouraged him to proceed.

"It's rather a delicate matter, and you will understand my hesitation when I tell you—for I'll burn my boats now—that it isn't any ordinary speculation, such as I am in the habit of recommending to my customers. It is a speculation in which I am interested personally: in short, I want to increase the capital of my Bank, and convert my House into a really large concern."

"Oh-ho!" said M. Etienne Rambert, half to himself. "Well, you are quite right, Barbey. But if you want to suggest that I shall help to finance it, you had better put all the cards on the table and let me know exactly what the position is; I need not say that if nothing comes of it, I shall regard any information you give me as absolutely confidential."

The two men plunged into the subject, and for a good half-hour discussed it in all its bearings, making endless calculations and contemplating all contingencies. At last M. Rambert threw down his pen and looked up.

"I'm accustomed to the American method of hustle, Barbey. In principle I like your proposition quite well; but I won't be one of your financial partners; if the thing goes through I'll be the only one, or not one at all. I know what is in your mind," he went on with a smile, as he noticed the banker's surprise; "you know what my fortune is, or rather you think you do, and you are wondering where I shall get the million sterling, or thereabouts, that you want. Well, make your mind easy about that; if I talk like this, it's because I've got it." The banker's bow was very deferent, and M. Rambert continued: "Yes, the last year or two have been good, even very good, for me. I've made some lucky speculations and my capital has further been increased by some lotteries which have turned out right quite lately. Well!" he[135] broke off with a sigh, "I suppose one can't always be unlucky in everything, though money can't cure, or even touch, the wounds in one's heart."

The banker made no answer: he shrank from waking, by untimely words, the sad memories which were hardly dormant yet in the old man's mind. But M. Rambert soon reverted to his business tone.

"I'm quite disposed to be interested in a financial venture like yours, Barbey. But you must understand that you will have a good deal more than a sleeping partner in me. Will that suit you? I should not ask you to abdicate your authority, but I tell you frankly I should follow all the operations of your house very closely indeed."

"There shall be no secrets from you, my dear friend, my dear partner, if I may call you that," said M. Barbey, rising: "quite the contrary!"

The banker looked towards the mantelpiece, as if expecting to see a clock there; M. Rambert understood the instinctive action and drew out his watch.

"Twenty minutes to eleven, Barbey: late hours for you. So off with you." He cut short the banker's half-hearted apologies for not prolonging the evening. "I am turning you out quite unceremoniously, my dear chap, and besides, as you know, I'm not lonely to-night as I generally am. I have a young and very charming companion, for whom I have the greatest possible affection, and I am going to join her."

M. Etienne Rambert conducted his friend to the hall door, heard the sound of his motor-car die away in the distance, and then walked across the hall and, instead of going back to the smoking-room, turned into the adjoining drawing-room. He paused for a moment in the doorway, tenderly contemplating the charming spectacle that met his eyes.

The shaded light from an electric lamp fell upon the bent head, oval face and delicate features of Thérèse Auvernois, who was intent upon a book. The girl was emerging from childhood into young womanhood now, and sorrow had heightened her natural distinction by giving her a stamp of gravity that was new.[136] Her figure showed slight and supple, delicate and graceful, and her long, tapered fingers turned over the pages of the book with slow and regular movement. Thérèse looked round towards Etienne Rambert when she heard him coming in, and laying down her book she came forward to meet him, moving with a very graceful, easy carriage.

"I am sure I am keeping you up most dreadfully late, dear M. Rambert," she said apologetically, "but what am I to do? I must wait for the Baronne de Vibray, and the dear thing is so often late!"

The tragedy at the château of Beaulieu had had one effect in knitting all the friends of the Marquise de Langrune in closer bonds of friendship. Prior to that event Etienne Rambert had scarcely known the Baronne de Vibray; now the two were intimate friends. The Baronne had not desisted from her first generous effort until she had persuaded the family council to appoint her guardian of the orphaned Thérèse Auvernois. At first she had installed the child at Querelles, and remained there with her, leading the quietest possible life, partly out of respect for Thérèse's grief, and partly because she herself was also much upset by the distressing tragedy. She had even enjoyed the rest, and her new interest in playing mother, or rather elder sister, to Thérèse. But as the weeks went by and time accomplished its healing work, Paris called to the Baronne once more, and yielding to the solicitations of her many friends she brought her new ward to the capital and settled in a little flat in the rue Boissy-d'Anglais. At first she protested that she would go out nowhere, or at most pay only absolutely necessary visits, but by degrees she accepted first one and then many invitations, though always deploring the necessity of leaving Thérèse for several hours at a time.

Happily there was always Etienne Rambert, who was also staying in Paris just now. It had gradually become the custom of the Baronne de Vibray, when she was dining out, to entrust Thérèse to Etienne Rambert's care, and the young girl and the old man got on together perfectly. Their hearts had met across the awful chasm that fate had tried to cut between them.

To Thérèse's last words now Etienne Rambert replied:[137]

"You need not apologise for staying late, dear; you know how glad I am to see you. I wish the house were yours."

The girl glanced round the room that had grown so familiar to her, and with a sudden rush of feeling slipped her arm around the old man's neck and laid her fair head on his shoulder.

"I should so love to stay here with you, M. Rambert!"

The old man looked oddly at her for a moment, repressing the words that he might perhaps have wished to say, and then gently released himself from her affectionate clasp and led her to a sofa, on which he sat down by her side.

"That is one of the things that we must not allow ourselves to think about, my dear," he said. "I should have rejoiced to receive you in my home, and your presence, and the brightness of your dear fair face would have given a charm to my lonely fireside; but unfortunately those are vain dreams. We have to reckon with the world, and the world would not approve of a young girl like you living in the home of a lonely man."

"Why not?" Thérèse enquired in surprise. "Why, you might be my father."

Etienne Rambert winced at the word.

"Ah!" he said, "you must not forget, Thérèse, that I am not your father, but—his: the father of him who——" but Thérèse's soft hand laid upon his lips prevented him from finishing what he would have said.

To change the conversation Thérèse feigned concern about her own future.

"When we left Querelles," she said, "President Bonnet told me that you would tell me something about my affairs. I gather that my fortune is not a very brilliant one."

It was indeed the fact that after the murder of the Marquise the unpleasant discovery had been made that her fortune was by no means so considerable as had generally been supposed. The estate was mortgaged, and President Bonnet and Etienne Rambert had had long and anxious debates as to whether it might not be well for Thérèse to renounce her inheritance to Beaulieu, so doubtful did it seem whether the assets would exceed the liabilities.[138]

Etienne Rambert made a vague, but significant gesture when he heard the girl raise the point now, but Thérèse had all the carelessness of youth.

"Oh, I shall not be down-hearted," she exclaimed. "My poor grannie always gave me an example of energy and hard work; I've got plenty of pluck, and I will work too. Suppose I turn governess?"

M. Rambert looked at her thoughtfully.

"My dear child, I know how brave and earnest you are, and that gives me confidence. I have thought about your future a great deal already. Some day, of course, some nice and wealthy young fellow will come along and marry you—— Oh, yes, he will: you'll see. But in the meantime it will be necessary for you to have some occupation. I am wondering whether it will not be necessary to let, or even to sell Beaulieu. And, on the other hand, you can't always stay with the Baronne de Vibray."

"No, I realise that," said Thérèse, who, with the native tact that was one of her best qualities, had quickly seen that it would not be long before she would become a difficulty in the way of the independence of the kind Baronne. "That is what troubles me most."

"Your birth and your upbringing have been such that you would certainly suffer much in taking up the difficult and delicate, and sometimes painful, position of governess in a family; and, without wishing to be offensive, I must remind you that you need to have studied very hard to be a governess nowadays, and I am not aware that you are exactly a blue-stocking. But I have an idea, and this is it: for a great many years now I have been on the very friendliest terms with a lady who belongs to the very best English society: Lady Beltham; you may perhaps have heard me speak of her." Thérèse opened wide eyes of astonishment, and Rambert went on: "A few months ago Lady Beltham lost her husband in strange circumstances, and since then she has been good enough to give me more of her confidence than previously. She is immensely rich, and very charitable, and I have frequently been asked by her to look after some of her many financial interests. Now I have often noticed that she has[139] with her several young English ladies who live with her, not as companions, but, shall I say, secretaries? Do you understand the difference? She treats them like friends or relatives, and they all belong to the very best social class, some of them indeed being daughters of English peers. If Lady Beltham, to whom I could speak about it, would admit you into her little company, I am sure you would be in a most delightful milieu, and Lady Beltham, whom, I know, you would please, would almost certainly interest herself in your future. She knows what unhappiness is as well as you do, my dear," he added, bending fondly over the girl, "and she would understand you."

"Dear M. Rambert!" murmured Thérèse, much moved: "do that; speak to Lady Beltham about me; I should be so glad!"

Thérèse did not finish all she would have said. A loud ring at the front door bell broke in upon her words, and Etienne Rambert rose and walked across the room.

"That must be the good Baronne de Vibray come for you," he said.

[140]

After she had so roughly disposed of the enterprising Henri Verbier, whose most unseemly advances had so greatly scandalised her, Mlle. Jeanne took to her heels, directly she was out of sight of the Royal Palace Hotel, and ran like one possessed. She stood for a moment in the brilliantly lighted, traffic-crowded Avenue Wagram, shaking with excitement and with palpitating heart, and then mechanically hailed a passing cab and told the driver to take her towards the Bois. There she gave another heedless order to go to the boulevard Saint-Denis, but as the cab approached the place de l'Etoile she realised that she was once more near the Royal Palace Hotel, and stopping the driver by the tram lines she dismissed him and got into a tram that was going to the station of Auteuil. It was just half-past eleven when she reached the station.

"When is the next train for Saint-Lazaire?" she asked.

She learned that one was starting almost at once, and hurriedly taking a second-class ticket she jumped into a ladies' carriage and went as far as Courcelles. There she alighted, went out of the station, looked around her for a minute or two to get her bearings, and then walked slowly towards the rue Eugène-Flachat. She hesitated a second, and then walked firmly towards a particular house, and rang the bell.

"A lady to see you, sir," the footman said to M. Rambert.

"Bring her in here at once," said M. Rambert, supposing that the man had kept the Baronne de Vibray waiting in the anteroom.

The drawing-room door was opened a little way, and someone[141] came in and stepped quickly into the shadow by the door. Thérèse, who had risen to hurry towards the visitor, stopped short when she perceived that it was a stranger and not her guardian. Noticing her action, M. Etienne Rambert turned and looked at the person who had entered.

It was a lady.

"To what am I indebted——" he began with a bow; and then, having approached the visitor, he broke off short. "Good heavens——!"

The bell rang a second time, and on this occasion the Baronne de Vibray hurried into the room, a radiant incarnation of gaiety.

"I am most dreadfully late!" she exclaimed, and was hurrying towards M. Etienne Rambert with outstretched hands, full of some amusing story she had to tell him, when she too caught sight of the strange lady standing stiffly in the corner of the room, with downcast eyes.

Etienne Rambert repressed his first emotion, smiled to the Baronne, and then went towards the mysterious lady.

"Madame," he said, not a muscle of his face moving, "may I trouble you to come into my study?"

"Who is that lady, M. Rambert?" said Thérèse when presently M. Rambert came back into the drawing-room. "And how white you are!"

M. Rambert forced a smile.

"I am rather tired, dear. I have had a great deal to do these last few days."

The Baronne de Vibray was full of instant apologies.

"It is all my fault," she exclaimed. "I am dreadfully sorry to have kept you up so late," and in a few minutes more the Baronne's car was speeding towards the rue Boissy-d'Anglais.

M. Rambert hurried back to his study, shut and locked the door behind him, and almost sprang towards the unknown lady, his fists clenched, his eyes starting out of his head.

"Charles!" he exclaimed.

"Papa!" the girl replied, and sank upon a sofa.[142]

There was silence. Etienne Rambert seemed utterly dumbfounded.

"I won't, I won't remain disguised as a woman any longer. I've done with it. I cannot bear it!" the strange creature murmured.

"You must!" said Rambert harshly, imperiously. "I insist!"

The pseudo Mlle. Jeanne slowly took off the heavy wig that concealed her real features, and tore away the corsage that compressed her bosom, revealing the strong and muscular frame of a young man.

"No, I will not," replied the strange individual, to whom M. Rambert had not hesitated to give the name of Charles. "I would rather anything else happened."

"You have got to expiate," Etienne Rambert said with the same harshness.

"The expiation is too great," the young fellow answered. "The torture is unendurable."

"Charles," said M. Rambert very gravely, "do you forget that legally, civilly, you are dead?"

"I would a thousand times rather be really dead!" the unhappy lad exclaimed.

"Alas!" his father murmured, speaking very fast, "I thought your mind was more unhinged than it really is. I saved your life, regardless of all risk, because I thought you were insane, and now I know you are a criminal! Oh, yes, I know things, I know your life!"

"Father," said Charles Rambert with so stern and determined an expression that Etienne Rambert felt a moment's fear. "I want to know first of all how you managed to save my life and make out that I was dead. Was that just chance, or was it planned deliberately?"

Confronted with this new firmness of his son's, Etienne Rambert dropped his peremptory tone; his shoulders drooped in distress.

"Can one anticipate things like that?" he said. "When we parted, my heart bled to think that you, my son, must fall into the hands of justice, and that your feet must tread the path that led to the scaffold or, at least, to the galleys; I wondered how I[143] could save you; then chance, chance, mark you, brought that poor drowned body in my way: I saw the fortunate coincidence of a faint resemblance, and resolved to pass it off for you; I got those woman's clothes which you exchanged for yours, buried the dead man's clothes and put yours on the corpse. Do you know, Charles, that I have suffered too? Do you know what agony and torture I, as a man of honour, have endured? Have you not heard the story of my appearance at the Assizes and of my humiliation in court?"

"You did all that!" Charles Rambert murmured. "Strange chance, indeed!" Then his tone changed and he sobbed. "Oh, my poor father, what an awful fatality it all is!" Suddenly he sprang to his feet. "But I committed no crime, papa! I never killed the Marquise de Langrune! Oh, do believe me! Why, you have just this minute said that you know I am not mad!"

Etienne Rambert looked at his son with distress.

"Not mad, my poor boy? Yet perhaps you were mad—then?" Then he stopped abruptly. "Don't let us go over all that again! I forbid it absolutely." He leaned back on his writing-table, folded his arms and asked sternly: "Have you come here only to tell me that?"

The curt question seemed to affect the lad strangely. All his former audacity dropped from him. Nervously he stammered:

"I can't remain a woman any longer!"

"Why not?" snapped Etienne Rambert.

"I can't."

The two men looked at each other in silence, as if trying to read one another's thoughts. Then Etienne Rambert seemed to see the inner meaning of the words his son had just said.

"I see!" he answered slowly. "I understand.... The Royal Palace Hotel, where Mlle. Jeanne held a trusted post, has just been the scene of a daring robbery. Obviously, if anyone could prove that Charles Rambert and the new cashier were one and the same person——"

But the young fellow understood the insinuation and burst out:

"I did not commit that robbery!"

"You did!" Etienne Rambert insisted: "you did. I read the[144] newspaper accounts of the robbery, read them with all the agony that only a father like me with a son like you could feel. The detectives and the magistrates were at a loss to find the key to the mystery, but I saw clearly and at once what the solution of the mystery was. And I knew and understood because I knew it was—you!"

"I did not commit the robbery," Charles Rambert shouted. "Do you mean to begin all your horrible insinuations again, as you did at Beaulieu?" he demanded in almost threatening tones. "What evil spirit obsesses you? Why will you insist that your unhappy son is a criminal? I had nothing to do with those robberies at the hotel; I swear I had not, father!"

M. Rambert shrugged his shoulders and clasped his hands.

"What have I done," he muttered, "to have so heavy a cross laid on me?" He turned again to his son. "Your defence is childish. What is the use of mere denials? Words don't mean anything without proofs to support them." The lad was silent, seeming to think it useless to attempt to convince a father who appeared so certain of his guilt, and also crushed by the thought of all that had happened at the hotel. His father betrayed some uneasiness at a new thought that had come into his mind. "I told you not to come to me again except as a last resource, when punishment was actually overtaking you, or when you had proved your innocence: why are you here now? Has something happened that I do not know about? What has happened? What else have you done? Speak!"

Charles Rambert answered in a toneless voice, as if hypnotised:

"There has been a detective in the hotel for the last few days. He called himself Henri Verbier, and was disguised, but I knew him, for I had seen him too lately, and in circumstances too deeply impressed upon my mind for me to be able to forget him, although I only saw him then for a few minutes."

"What do you mean?" said the elder man uneasily.

"I mean that Juve was at the Royal Palace Hotel."

"Juve?" exclaimed Etienne Rambert. "And then—go on!"

"Juve, disguised as Henri Verbier, subjected me to a kind of[145] examination, and I don't know what conclusion he came to. Then, this evening, barely two hours ago, he came up to my room and had a long talk, and while he was trying to get some information from me about a matter that I know nothing about—for I swear, papa, that I had nothing whatever to do with the robbery—he came up to me and took hold of me as a man does when he wants to make up to a woman. And I lost my head! I felt that in another minute all would be up with me—that he would establish my identity, which he perhaps suspected already—and I thought of all you had done to save my life by representing that I was dead, and——"

Charles paused for breath. His father's fists were clenched and his face contracted.

"Go on!" he said, "go on, but speak lower!"

"As Juve came close," Charles went on, "I dealt him a terrific blow on the forehead, and he fell like a stone. And I got away!"

"Is he dead?" Etienne Rambert whispered.

"I don't know."

For ten minutes Charles Rambert remained alone in the study, where his father had left him, thinking deeply. Then the door opened and Etienne Rambert came back carrying a bundle of clothes.

"There you are," he said to his son: "here are some man's clothes. Put them on, and go!"

The young man hastily took off his woman's garments and dressed himself in silence, while his father walked up and down the room, plunged in deepest thought. Twice he asked: "Are you quite sure it was Juve?" and twice his son replied "Quite sure." And once again Etienne Rambert asked, in tones that betrayed his keen anxiety: "Did you kill him?" and Charles Rambert shrugged his shoulders and replied: "I told you before, I do not know."

And now Charles Rambert stood upon the threshold of the house, about to leave his father without a word of farewell or parting embrace. M. Etienne Rambert stayed him, holding out a pocket-book, filled full with bank-notes.

"There: take that," he said, "and go!"

[146]

When Dr. Biron built his famous private asylum in the very heart of Passy, intended, according to his prospectus, to provide a retreat for people suffering from nervous breakdown or from overwork or over-excitement, and to offer hospital treatment to the insane, in order to secure a kind of official sanction for his institution, he took the wise precaution to proclaim from the housetops that he would enlist the services of ex-medical officers of the hospitals. The idea was a shrewd and a successful one, and his establishment throve.

Perret and Sembadel were having breakfast, and also were grumbling.

"I shouldn't curse the meanness of the management quite so much if they didn't put us on to all the jobs," said Sembadel. "Hang it all, man, we are both qualified, and when we undertook to assist Dr. Biron we did so, I presume, in order to top off our theoretical training with some practical clinical experience."

"Who's stopping you?" Perret enquired.

"How can we find the time, when besides all our actual work with the patients, we have to do all this administrative work, writing to people to say how the patients are, and all that? That ought to be done by clerks, not by us."

"Isn't one job as good as another?" Perret retorted. "Besides, we are the only people who know how the patients really are, so it's common sense that we should have to write to their friends."

"They might let us have a secretary, anyhow," Sembadel growled.[147]

Perret saw that his friend was in a bad temper, so did not try to carry on the argument.

"Say," he said, "you ought to make a special note of that case of No. 25, for your thesis. She was in your ward for about six months, wasn't she?"

"No. 25?" said Sembadel. "Yes, I know: a woman named Rambert; age about forty; hallucination that people are persecuting her; anæmic, with alternate crises of excitement and melancholia, punctuated by fits of passion; treatment: rest, nourishment, anodynes."

"You evidently remember the case distinctly."

"She interested me; she has marvellous eyes. Well, what about her?"

"Why, when she was moved into my pavilion the diagnosis was bad and the prognosis very bad: she was supposed to be incurable. Just go and see her now: her brain is restored: she's a new woman." He came to the table and picked up some notepaper. "I wrote to her husband a day or two ago and told him he might expect to hear that his wife had recovered, but I imagine my letter miscarried, for I've had no answer. I have a good mind to write to him again and ask for permission to send her to the convalescent home. The mischief of it is that this Etienne Rambert may want to remove her altogether, and that would mean one paying patient less, which would put our worthy director in a bad temper for a month."

He turned to his correspondence, and for some minutes the silence in the room was only broken by the scratching of pens on paper. Then an attendant came in, bringing a quantity of letters. Perret picked them up and began to sort them out.

"None for you," he said to Sembadel. "Not one of those little mauve envelopes which you look for every day and which decide what your temper will be. I must look out for storms."

"Shan't even have time to grouse to-day," Sembadel growled again. "You forget that Swelding pays us an official visit to-day."

"The Danish professor? Is it this morning that he is coming?"

"So it seems."

"Who is the fellow?"[148]

"Just one of those foreign savants who haven't succeeded in becoming famous at home and so go abroad to worry other people under a pretext of investigations. That's why he wants to come here. Wrote some beastly little pamphlet on the ideontology of the hyper-imaginative. Never heard of it myself."

The conversation dropped, and presently the two men went off to their wards to see their patients, and warn the attendants to have everything in apple-pie order for the official inspection.

Meantime, in the great drawing-room, elaborate courtesies were being exchanged between Dr. Biron and Professor Swelding.

Dr. Biron was a man of about forty, with a high-coloured face and an active, vigorous frame. He gesticulated freely and spoke in an unctuous, fawning tone.

"I am delighted at the great compliment you pay me by coming here, sir," he said. "When I started this institution five years ago I certainly did not dare to hope that it would so soon win sufficient reputation to entitle it to the honour of inspection by men so eminent in the scientific world as yourself."

The professor listened with a courteous smile but evinced no hurry in replying.

Professor Swelding was certainly a remarkable figure. He might have been sixty, but he bore very lightly the weight of the years that laid their snows upon his thick and curly but startlingly white hair. It was this hair that attracted attention first; it was of extraordinary thickness and was joined on to a heavy moustache and a long and massive beard. He was like a man who might have taken a vow never to cut his hair. It covered his ears and grew low upon his forehead, so that hardly a vestige of the face could be seen, while, further, all the expression of the eyes was concealed behind large blue spectacles. The professor was enveloped in a heavy cloak, in spite of the bright sunshine; evidently he was one of those men from the cold North who do not know what real warmth is and have no idea of what it means to be too thickly clothed. He spoke French correctly, but with a slight accent and a slow enunciation that betrayed a foreign origin.[149]

"I was really anxious, sir, to observe for myself the measures you have taken which have set your institution in the forefront of establishments of the kind," he replied. "I have read with the very greatest interest your various communications to the transactions of learned societies. It is a great advantage for a practitioner like myself to be able to profit by the experience of a savant of your high standing."

A few further compliments were exchanged and then Dr. Biron suggested a visit to the various wards, and led his guest out into the grounds of the institution.

If Dr. Biron did not possess that theoretical knowledge of insanity which has made French alienists famous throughout the world, he was certainly a first-rate organiser. His sanatorium was a model one. It was situated in one of the wealthiest, quietest and airiest quarters of Paris, and stood in a vast enclosure behind high walls; within this enclosure a number of small pavilions were built, all attractive in design, and communicating by broad flights of steps with a beautiful garden studded with trees and shrubs, but further subdivided into a series of little gardens separated from one another by white latticed palings.

"You see, Professor, I rely entirely on the isolation principle. A single block would have involved a deleterious collocation of various types of insanity, so I built this series of small pavilions, where my patients can be segregated according to their type of alienation. The system has great therapeutic advantages, and I am sure it is the explanation of my high percentage of cures."

Professor Swelding nodded approval.

"We apply the system of segregation in Denmark," he said, "but we have never carried it so far as to divide the general grounds. I see that each of your pavilions has its own private garden."

"I regard that as indispensable," Dr. Biron declared. He led his visitor to one of the little gardens, where a man of about fifty was walking about between two attendants. "This man is a megalomaniac," he said: "he believes that he is the Almighty."

"What is your treatment here?" Professor Swelding enquired. "I am aware that the books prescribe isolation, but that is not sufficient by itself."[150]

"I nurse the brain by nursing the body," Dr. Biron replied. "I build up my patient's system by careful attention to hygiene, diet, and rest, and I pretend to ignore his mental alienation. There is always a spark of sound sense in a diseased brain. This man imagines he is the Almighty, but when he is hungry he has to ask for something to eat, and then we pretend to wonder why he has any need to eat if he is the Almighty; he has to concoct some explanation, and very gradually his reasoning power is restored. A man ceases to be insane the moment he begins to comprehend that he is insane."

The Professor followed the doctor, casting curious eyes at the various patients who were walking in their gardens.

"Have you many cures?"

"That is a difficult question to answer," said Dr. Biron. "The statistics are so very different in the different categories of insanity."

"Of course," said Professor Swelding; "but take some particular type of dementia, say, hallucination of persecution. What percentage of cures can you show there?"

"Twenty per cent absolute recoveries, and forty per cent definite improvements," the doctor replied promptly, and as the Professor evinced unmistakable astonishment at so high a percentage, Dr. Biron took him familiarly by the arm and drew him along. "I will show you a patient who actually is to be sent home in a day or two. I believe that she is completely cured, or on the very point of being completely cured."

A woman of about forty was sitting in one of the gardens by the side of an attendant, quietly sewing. Dr. Biron paused to draw his visitor's particular attention to her.

"That lady belongs to one of the best of our great merchant families. She is Mme. Alice Rambert, wife of Etienne Rambert, the rubber merchant. She has been under my care for nearly ten months. When she came here she was in the last stage of debility and anæmia and suffered from the most characteristic hallucination of all: she thought that assassins were all round her. I have built up her physical system, and now I have cured her mind. At the present moment that lady is not mad at all, in the proper sense of the term."[151]

"She never shows any symptoms of reverting to her morbid condition?" Professor Swelding enquired with interest.

"Never."

"And would not, even if violently upset?"

"I do not think so."

"May I talk to her?"

"Certainly," and Dr. Biron led the visitor towards the seat on which the patient was sitting. "Madame Rambert," he said, "may I present Professor Swelding to you? He has heard that you are here and would like to pay his respects."

Mme. Rambert put down her needlework and rose and looked at the Danish professor.

"I am delighted to make the gentleman's acquaintance," she said, "but I should like to know how he was aware of my existence, my dear doctor."

"I regret that I cannot claim to know you, madame," said Professor Swelding, replying for Dr. Biron, "but I know that in addressing you I shall be speaking to the inmate of this institution who will testify most warmly to the scientific skill and the devotion of Dr. Biron."

"At all events," Mme. Rambert replied coldly, "he carries his kindness to the extent of wishing his patients never to be dull, since he brings unexpected visitors to see them."

The phrase was an implicit reproach of Dr. Biron's too ready inclination to exhibit his patients as so many rare and curious wild animals, and it stung him all the more because he was convinced that Mme. Rambert was perfectly sane. He pretended not to hear what she said, giving some order to the attendant, Berthe, who was standing respectfully by.

"I understand, madame," Professor Swelding replied gently. "You object to my visit as an intrusion?"

Mme. Rambert had picked up her work and already was sewing again, but suddenly she sprang up, so abruptly that the professor recoiled, and exclaimed sharply:

"Who called me? Who called me? Who——"

The Professor was attempting to speak when the patient interrupted him.[152]

"Oh!" she cried, "Alice! Alice! His voice—his voice! Go away! You frighten me! Who spoke? Go away! Oh, help! help!" and she fled screaming towards the far end of the garden, with the attendant and Dr. Biron running after her. With all the cleverness of the insane she managed to elude them, and continued to scream. "Oh, I recognised him! Do go away, I implore you! Go! Murder! Murder!"

The attendant tried to reassure the doctor.

"Don't be frightened, sir. She is not dangerous. I expect the visit from that gentleman has upset her."

The poor demented creature had taken refuge behind a clump of shrubs, and was standing there with eyes dilated with anguish fixed on the Professor and hand pointing to him, trembling in every limb.

"Fantômas!" she cried: "Fantômas! There—I know him! Oh, help!"

The scene was horribly distressing, and Dr. Biron put an end to it by ordering the attendant to take Mme. Rambert to her room and induce her to rest, and to send at once for M. Perret. Then he turned to Professor Swelding.

"I am greatly distressed by this incident, Professor. It proves that the cure of this poor creature is by no means so assured as I had believed. But there are other cases which will not shake your faith in my judgment like this, I hope. Shall we go on?"

Professor Swelding tried to comfort the doctor.

"The brain is a pathetically frail thing," he said. "You could not have a more striking case to prove it: that poor lady, whom you believed to be cured, suddenly having a typical crisis of her form of insanity provoked by—what? Neither you nor I look particularly like assassins, do we?" And he followed Dr. Biron, who was much discomfited, to be shown other matters of interest.

"Better now, madame? Are you going to be good?"

Mme. Rambert was reclining on a sofa in her room, watching her attendant, Berthe, moving about and tidying up the slight[153] disorder caused by her recent ministrations. The patient made a little gesture of despair.

"Poor Berthe!" she said. "If you only knew how unhappy I am, and how sorry for having given way to that panic just now!"

"Oh, that was nothing," said the attendant. "The doctor won't attach any importance to that."

"Yes, he will," said the patient with a weary smile. "I think he will attach importance to it, and in any case it will delay my discharge from this place."

"Not a bit of it, madame. Why, you know they have written to your home to say you are cured?"

Mme. Rambert did not reply for a minute or two. Then she said:

"Tell me, Berthe, what do you understand by the word 'cured'?"

The attendant was rather nonplussed.

"Why, it means that you are better: that you are quite well."

Her patient smiled bitterly.

"It is true that my health is better now, and that my stay here has done me good. But that is not what I was talking about. What is your opinion about my madness?"

"You mustn't think about that," the attendant remonstrated. "You are no more mad than I am."

"Oh, I know the worst symptom of madness is to declare you are not mad," Mme. Rambert answered sadly; "so I will be careful not to say it, Berthe. But, apart from this last panic, the reason for which I cannot tell you, have you ever known me do, or heard me say, anything that was utterly devoid of reason, in all the time that I have been in your charge?"

Struck by the remark, the attendant, in spite of herself, was obliged to confess:

"No, I never have—that is——"

"That is," Mme. Rambert finished for her, "I have sometimes protested to you that I was the victim of an abominable persecution, and that there was a tragic mystery in my life: in short, that if I was shut up here, it was because someone wanted me[154] to be shut up. Come now, Berthe, has it never occurred to you that perhaps I was telling the truth?"

The attendant had been shaken for a minute by the calm self-possession of her patient; now she resumed her professional manner.

"Don't worry any more, Mme. Rambert, for you know as well as I do that Dr. Biron acknowledges that you are cured now. You are going to leave the place and resume your ordinary life."

"Ah, Berthe," said Mme. Rambert, twisting and untwisting her hands, "if you only knew! Why, if I leave this sanatorium, or rather if the doctor sends me back to my family, I shall certainly be put in some other sanatorium before two days are past! No, it isn't merely an idea that I have got into my head," she went on as the attendant protested. "Listen: during the whole ten months that I have been here, I have never once protested that I was not insane. I was quite glad to be in this place! For I felt safe here. But now I am not sure of that. I must go, but I must not go merely to return to my husband! I must be free, free to go to those who will help me to escape from the horrible trap in which I have spent the last few years of my life!"

Mme. Rambert's earnest tone convinced the attendant in spite of her own instinct.

"Yes?" she said enquiringly.

"I suppose you know that I am rich, Berthe?" Mme. Rambert went on. "I have always been generous to you, and higher fees are paid for me here than are paid for any other patient. Would you like to make sure of your future for ever, and quite easily? I have heard you talk about getting married. Shall I give you a dot? You might lose your situation here, but if you trust me I will make it up to you a hundredfold, if you will help me to escape from this place! And it cannot be too soon! I have not a minute to lose!"

Berthe tried to get away from her patient, but Mme. Rambert held her back, almost by force.

"Tell me your price," she said. "How much do you want? A thousand pounds? Two thousand pounds?" and as the attendant, bewildered by the mere suggestion of such fabulous sums, was[155] silent, Mme. Rambert slipped a diamond ring off her finger and held it out to the young woman. "Take that as proof of my sincerity," she said. "If anybody asks me about it I will say that I have lost it. And from now, Berthe, begin to prepare a way for me to escape! The very night that I am free I swear you shall be a rich woman!"

Berthe got up, swaying, hardly knowing if she was awake or dreaming.

"A rich woman!" she murmured. "A rich woman!" and over the girl's face there suddenly crept a horrible expression of cupidity and desire.

[156]

"Boulevard Rochechouart," said Berthe, the young asylum nurse, to the conductor as she sprang into the tram just as it was starting.

It was a September afternoon, one of the last fine days of the now fast-dying summer, and the girl had just got her fortnightly leave for forty-eight hours. She had gone off duty at noon, and now had until noon on the next day but one to resume her own personality and shake off the anxieties that beset all those who are charged with the constant care of the insane, the most distressing kind of patients that exists. As a general rule Berthe spent her fortnightly holidays with her old grand-parents in their cottage outside Paris, but on this occasion she had elected to remain in the city, influenced thereto by the long conversation she had had with the patient confided to her particular care, No. 25, Mme. Rambert. Since that first talk with her, on the day of Professor Swelding's visit to the asylum, she had had others, and Berthe had now elaborated a plan to enable the supposed lunatic to escape, and had decided to spend her short holiday in bringing the plan to a point.

At the boulevard Rochechouart Berthe got out of the tram, looked around to get her bearings in the somewhat unfamiliar neighbourhood, and then turned into the rue Clignancourt and stood on the left-hand side of the street, looking at the shops. The third one was a wine shop, only the first of many in the street.

Berthe pushed the door of this establishment a little way open and looked at the rather rowdy company gathered round[157] the zinc counter, all with flushed faces and all talking loudly. She did not venture inside, but in a clear voice asked, "Is M. Geoffroy here?" No definite answer was forthcoming, but the men turned round, hearing her enquiry, and seeing her pretty figure began to nudge one another and jest and laugh coarsely. "Come in, missy," said one of them, but already Berthe had quickly closed the door and lightly gone on her way.

A few yards further on there was another bar, and into this, also, Berthe peeped and once more asked, "Is M. Geoffroy here?" adding by way of further explanation, "Hogshead Geoffroy, I mean." This time a roar of laughter followed, and the girl fled, flushed with indignation.

Yet she did not desist from her strange search, and at last, at the sixth shop, her question was answered by a deep bass voice from the far end of a smoke-clouded den. "Hogshead Geoffroy? Here!" and heaving a sigh of relief Berthe went inside the shop.

When you want to see M. "Hogshead" Geoffroy, your procedure is simplicity itself. As he has no known address, all you have to do is to start at the bottom of the rue Clignancourt on the left-hand side, look into every wineshop, and ask, in tones loud enough to be heard above the clatter of conversation, whether Hogshead Geoffroy is there, and it will be mighty bad luck if, at one or other of the bars, you do not hear the answer, "Hogshead Geoffroy? Here," followed immediately by that gentleman's order to the patronne: "Half a pint, please: the gentleman will pay!" It is a safe order; the patronne knows from past experience that she can serve the half-pint without anxiety: Hogshead Geoffroy rapidly drains it, and then holds out a huge and hairy hand to the visitor and enquires, "Well, what is it?"

If, as often happens, the Hogshead finds himself confronted by a stranger, he feels no surprise; he knows his own popularity, and is a modest soul, so he calls his visitor by his Christian name at once, taps him amicably on the shoulder, and calls him "old boy," and invites him to stand a drink. The Hogshead is an artist in his line; he hires himself out to public halls to announce in his powerful voice, reinforced by a trumpet, the various items on[158] the programme or the results of performances achieved. He also harangues the crowd on behalf of showmen, or hurls threats at too excited demonstrators at public demonstrations. Between whiles he rolls hogsheads down into cellars, or bottles wine, and even drinks it when he is among friends who have money to pay withal.

At sight of Berthe, Hogshead Geoffroy so far departed from custom as not to give an order to the patronne at the bar; instead, he rose and went towards the girl and unceremoniously embraced her.

"Ah-ha, little sister, there you are! Why, I was just that moment thinking of you!" He drew her to the back of the shop, towards a bunch of sturdy, square-shouldered fellows drinking there, to whom he introduced her. "Now then, mates, try to behave yourselves; I'm bringing a charming young lady to see you, my sister Berthe, little Bob—Bobinette, as we called her when we lived with the old folks." The girl blushed, a little uneasy at finding herself in such a mixed company, but Hogshead Geoffroy put every one at ease; he put his great hand under Berthe's chin and tilted her head back. "Don't you think she is pretty, this little sister of mine? She's the very spit of her brother!" There was a general roar of laughter. The contrast between the two figures was so great that it seemed impossible there could be any relationship between them: the graceful, slender, tiny Parisienne looking tinier still beside the huge colossus of a man six feet high, with the chest of a bull and the shoulders of an athlete. "We don't seem to be built on quite the same lines," M. Geoffroy admitted, "but all the same there is a family likeness!"

The men made room for the girl, and after she had yielded to the general insistence and accepted a glass of white wine, Geoffroy bent forward and spoke in a lower tone.

"Well, what do you want with me?"

"I want to talk to you about something which will interest you, I'm sure," Berthe answered.

"Anything to be got out of it?" was the giant's next enquiry.[159]

Berthe smiled.

"I expect so, or I wouldn't have troubled you."

"Whenever there's any money to be picked up the Hogshead's always on," he replied: "especially just now when things aren't any too bright, though I may tell you I think there's going to be an alteration in that respect."

"Have you got a situation?" Berthe asked in some surprise.

Hogshead Geoffroy laid a finger on his lip.

"It's still a secret," he said, "but there's no harm in talking it over, for everybody here knows all about it," and at interminable length, and with many a pause for libations, he explained that he was a candidate for an appointment as Market Porter. He had been cramming for a fortnight past, in order to emerge triumphantly from the examination to which candidates were always subjected, and that very morning he had sat in the Hôtel de Ville wrestling with nothing less than a problem in arithmetic. In proof, he produced from his pocket a crumpled, greasy and wine-stained sheet of paper scrawled all over with childish writing and figures, and showed it to his sister, immensely proud of the effect he was producing on her. "A problem," he repeated. "See here: two taps fill a tank at the rate of twenty litres a minute, and a third tap empties it at the rate of fifteen hundred litres an hour. How long will it take for the tank to get full?"

A friend of Geoffroy's broke in: it was Mealy Benoît, his most formidable competitor for the appointment.

"And how long will it take for you to get full?" he asked with a great laugh.

Hogshead Geoffroy banged his fist on the table.

"This is a serious conversation," he said, and turned again to his sister, who wanted to know if he had succeeded in finding the answer to the problem. "Maybe," he replied. "I worked by rule of thumb, for, as you know, arithmetic and all those devil's funniments aren't in my line. To sit for an hour, writing at a table in the great hall of the Hôtel de Ville—not much! It made me sweat more than carrying four hundredweight!"

But the company was preparing to make a move. Time was[160] getting on, and at six o'clock the second part of the examination, the physical test, was to be held in the Fish Market. Mealy Benoît had paid his score already, and Hogshead Geoffroy's deferent escort of friends was getting restless. Berthe won fresh favour in her brother's eyes by paying for their refreshments with a ten franc piece and leaving the change to be placed to his credit, and then with him she left the wineshop.

The annual competition for an appointment as Market Porter is held at the end of September. It is a great event. There are generally many candidates, but only two or three, and sometimes less, of the best are picked. The posts are few and good, for the number of porters is limited. The examination is in two parts: one purely intellectual, consisting of some simple problem and a little dictation, the other physical, in which the candidates have to carry a sack of meal weighing three hundredweight a distance of two hundred yards in the shortest time.

At six o'clock punctually the market women were all in their places along the pavement by their respective stalls. The hall was decorated with flags; the salesmen and regular shopmen were provided with chairs, and their assistants were behind them, with the sweepers and criers; at the back stood three or four rows of the general public, all eager to witness the impressive display.

The two-hundred-yard course was carefully cleared, every obstacle having been scrupulously swept off the asphalte, especially pieces of orange-peel, lettuce leaves and bits of rotten vegetable matter, which might have caused a competitor to slip when trying to break the record for carrying the sack. A high official of the Hôtel de Ville and three of the senior Market Porters formed the jury, and there were also two officials of the Cyclists' Union, expert in the use of stop watches, armed with tested chronometers and deputed to take the exact time of each performance.

The crowd of onlookers was as odd, and eclectic, and keen, as can possibly be imagined. Berthe, who knew that false modesty is quite out of place in popular gatherings, mingled freely in the[161] general conversation. Among other picturesque types she had noticed one particularly extraordinary individual who, although he was in the last row of all, overtopped the rest by quite half of his body, being perched on an antiquated tricycle, which provoked the hilarity of the mob.

"What ho, Bouzille!" somebody called out, for the man was a well-known and popular figure, and everybody knew his name. "Is that Methuselah's tricycle that you have pinched?" and to some of the sallies the fellow replied with a smile that was almost lost in his matted beard, and to others with a jest uttered in the purest dialect of Auvergne.

Someone spoke softly in Berthe's ear and she turned and saw a sturdy fellow of about twenty-five, wearing a blue blouse, a red handkerchief round his neck, and a drover's cap; he was a well-built, powerful man, and in spite of his humble dress, had an intelligent face and an almost distinguished manner. Berthe responded amiably, and a few commonplace remarks were exchanged between the two.

"In case you care to know, my name's Julot," said the man.

And Berthe replied frankly, but without otherwise compromising herself.

"And I am Bob, or Bobinette, whichever you like. I am Hogshead Geoffroy's sister," she added with a little touch of pride.

A murmur ran round the crowd. Mealy Benoît was going through his trial. The great fellow came along with rapid, rhythmical step, with supple limbs and chest hunched forward. Surely balanced on his broad shoulders and the nape of his neck was an enormous sack of meal, accurately weighed to scale three hundredweight. Without the least hesitation or slackening of pace, he covered the two hundred yards, reaching the goal perfectly fresh and fit; he stood for a moment or two in front of the judges, displaying the mighty muscles of his naked chest, over which the perspiration was running, and evincing genuine delight in not freeing himself from his heavy burden at the earliest possible moment. The applause was enthusiastic and immediate, but silence quickly fell again and all eyes turned towards the starting-post. It was Hogshead Geoffroy's turn.[162]

The giant was really a splendid sight. Instead of walking as his rival had done, he began to step like a gymnast, and the crowd yelled their delight. It seemed that he must beat his rival's time easily, but all at once the great sack on his shoulders was seen to shake, and Geoffroy almost stopped, uttering a heavy groan before he got going again. The crowd looked on in surprise: where he had just set his feet there was a wet mark upon the asphalte: Geoffroy had slipped on a piece of orange-peel. But he managed to restore the equilibrium of the sack, and, taught caution by the risk he had just run, he finished the course with measured steps.

Two hours later the result of the competition was announced. Hogshead Geoffroy and Mealy Benoît were bracketed equal, having taken exactly the same time to cover the course; upon the result of the written examination would depend the final issue, and the matter was all the more important because this year there was but one vacancy for a Market Porter.

Berthe, or Bobinette, was vehemently discussing with her neighbours the mishap that had befallen Geoffroy during his trial. A man dressed in a shabby black overcoat buttoned up to the chin, and wearing a kind of jockey cap on his greasy hair, was watching her intently, seeming to agree with all she said while really interested in something else. Berthe, who was very intent upon the matter in hand, did not notice this individual's manner; it was Julot, her faithful squire for the last two hours, who got her away.

"Come," he said, taking her by the sleeve, "you know your brother is waiting for you," and as she yielded to his insistence he whispered in her ear, "That chap's a dirty-looking rascal: I don't think much of him!"

"He certainly is uncommonly ugly," the girl admitted, and then like the trained nurse that she was, she added, "and did you notice his complexion? The man must be ill: he is absolutely green!"

[163]

"Pay for a drink, and I'll listen to you," said Hogshead Geoffroy to his sister.

After numerous visits to the many bars and drinking saloons that surround the markets, they had finally gone for a late supper into the Saint-Anthony's Pig, the most popular tavern in the neighbourhood, Geoffroy having reconciled himself to waiting for the result of the examination, which would not be announced until the following day.