THE CONFESSIONS
OF ARSÈNE LUPIN

"Lupin," I said, "tell me something about yourself."[1]

"Why, what would you have me tell you? Everybody knows my life!" replied Lupin, who lay drowsing on the sofa in my study.

"Nobody knows it!" I protested. "People know from your letters in the newspapers that you were mixed up in this case, that you started that case. But the part which you played in it all, the plain facts of the story, the upshot of the mystery: these are things of which they know nothing."

"Pooh! A heap of uninteresting twaddle!"

"What! Your present of fifty thousand francs to Nicolas Dugrival's wife! Do you call that uninteresting? And what about the way in which you solved the puzzle of the three pictures?"[2]

Lupin laughed:

"Yes, that was a queer puzzle, certainly. I can suggest a title for you if you like: what do you say to The Sign of the Shadow?"

"And your successes in society and with the fair sex?" I continued. "The dashing Arsène's love-affairs!... And the clue to your good actions? Those chapters in your life to which you have so often alluded under the names of The Wedding-ring, Shadowed by Death, and so on!... Why delay these confidences and confessions, my dear Lupin?... Come, do what I ask you!..."

It was at the time when Lupin, though already famous, had not yet fought his biggest battles; the time that preceded the great adventures of The Hollow Needle and 813. He had not yet dreamt of annexing the accumulated treasures of the French Royal House[A] nor of changing the map of Europe under the Kaiser's nose[B]: he contented himself with milder surprises and humbler profits, making his daily effort, doing evil from day to day and doing a little good as well, naturally and for the love of the thing, like a whimsical and compassionate Don Quixote.

He was silent; and I insisted:

"Lupin, I wish you would!"[3]

To my astonishment, he replied:

"Take a sheet of paper, old fellow, and a pencil."

I obeyed with alacrity, delighted at the thought that he at last meant to dictate to me some of those pages which he knows how to clothe with such vigour and fancy, pages which I, unfortunately, am obliged to spoil with tedious explanations and boring developments.

"Are you ready?" he asked.

"Quite."

"Write down, 20, 1, 11, 5, 14, 15."

"What?"

"Write it down, I tell you."

He was now sitting up, with his eyes turned to the open window and his fingers rolling a Turkish cigarette. He continued:

"Write down, 21, 14, 14, 5...."

He stopped. Then he went on:

"3, 5, 19, 19 ..."

And, after a pause:

"5, 18, 25 ..."

Was he mad? I looked at him hard and, presently, I saw that his eyes were no longer listless, as they had been a little before, but keen and attentive and that they seemed to be watching, somewhere, in space, a sight that apparently captivated them.[4]

Meanwhile, he dictated, with intervals between each number:

"18, 9, 19, 11, 19 ..."

There was hardly anything to be seen through the window but a patch of blue sky on the right and the front of the building opposite, an old private house, whose shutters were closed as usual. There was nothing particular about all this, no detail that struck me as new among those which I had had before my eyes for years....

"1, 2...."

And suddenly I understood ... or rather I thought I understood, for how could I admit that Lupin, a man so essentially level-headed under his mask of frivolity, could waste his time upon such childish nonsense? What he was counting was the intermittent flashes of a ray of sunlight playing on the dingy front of the opposite house, at the height of the second floor!

"15, 22 ..." said Lupin.

The flash disappeared for a few seconds and then struck the house again, successively, at regular intervals, and disappeared once more.

I had instinctively counted the flashes and I said, aloud:

"5...."

"Caught the idea? I congratulate you!" he replied, sarcastically.[5]

He went to the window and leant out, as though to discover the exact direction followed by the ray of light. Then he came and lay on the sofa again, saying:

"It's your turn now. Count away!"

The fellow seemed so positive that I did as he told me. Besides, I could not help confessing that there was something rather curious about the ordered frequency of those gleams on the front of the house opposite, those appearances and disappearances, turn and turn about, like so many flash signals.

They obviously came from a house on our side of the street, for the sun was entering my windows slantwise. It was as though some one were alternately opening and shutting a casement, or, more likely, amusing himself by making sunlight flashes with a pocket-mirror.

"It's a child having a game!" I cried, after a moment or two, feeling a little irritated by the trivial occupation that had been thrust upon me.

"Never mind, go on!"

And I counted away.... And I put down rows of figures.... And the sun continued to play in front of me, with mathematical precision.

"Well?" said Lupin, after a longer pause than usual.

"Why, it seems finished.... There has been nothing for some minutes...."[6]

We waited and, as no more light flashed through space, I said, jestingly:

"My idea is that we have been wasting our time. A few figures on paper: a poor result!"

Lupin, without stirring from his sofa, rejoined:

"Oblige me, old chap, by putting in the place of each of those numbers the corresponding letter of the alphabet. Count A as 1, B as 2 and so on. Do you follow me?"

"But it's idiotic!"

"Absolutely idiotic, but we do such a lot of idiotic things in this life.... One more or less, you know!..."

I sat down to this silly work and wrote out the first letters:

I broke off in surprise:

"Words!" I exclaimed. "Two English words meaning...."

"Go on, old chap."

And I went on and the next letters formed two more words, which I separated as they appeared. And, to my great amazement, a complete English sentence lay before my eyes.

"Done?" asked Lupin, after a time.

"Done!... By the way, there are mistakes in the spelling...."[7]

"Never mind those and read it out, please.... Read slowly."

Thereupon I read out the following unfinished communication, which I will set down as it appeared on the paper in front of me:

I began to laugh:

"And there you are! Fiat lux! We're simply dazed with light! But, after all, Lupin, confess that this advice, dribbled out by a kitchen-maid, doesn't help you much!"

Lupin rose, without breaking his contemptuous silence, and took the sheet of paper.

I remembered soon after that, at this moment, I happened to look at the clock. It was eighteen minutes past five.

Lupin was standing with the paper in his hand; and I was able at my ease to watch, on his youthful features, that extraordinary mobility of expression which baffles all observers and constitutes his great strength and his chief safeguard. By what signs can one hope to identify a face which changes at pleasure, even without the help of make-up, and whose every transient expression seems to be the final, definite expression?... By what signs? There was one which I knew well,[8] an invariable sign: Two little crossed wrinkles that marked his forehead whenever he made a powerful effort of concentration. And I saw it at that moment, saw the tiny tell-tale cross, plainly and deeply scored.

He put down the sheet of paper and muttered:

"Child's play!"

The clock struck half-past five.

"What!" I cried. "Have you succeeded?... In twelve minutes?..."

He took a few steps up and down the room, lit a cigarette and said:

"You might ring up Baron Repstein, if you don't mind, and tell him I shall be with him at ten o'clock this evening."

"Baron Repstein?" I asked. "The husband of the famous baroness?"

"Yes."

"Are you serious?"

"Quite serious."

Feeling absolutely at a loss, but incapable of resisting him, I opened the telephone-directory and unhooked the receiver. But, at that moment, Lupin stopped me with a peremptory gesture and said, with his eyes on the paper, which he had taken up again:

"No, don't say anything.... It's no use letting him know.... There's something more[9] urgent ... a queer thing that puzzles me.... Why on earth wasn't the last sentence finished? Why is the sentence...."

He snatched up his hat and stick:

"Let's be off. If I'm not mistaken, this is a business that requires immediate solution; and I don't believe I am mistaken."

He put his arm through mine, as we went down the stairs, and said:

"I know what everybody knows. Baron Repstein, the company-promoter and racing-man, whose colt Etna won the Derby and the Grand Prix this year, has been victimized by his wife. The wife, who was well known for her fair hair, her dress and her extravagance, ran away a fortnight ago, taking with her a sum of three million francs, stolen from her husband, and quite a collection of diamonds, pearls and jewellery which the Princesse de Berny had placed in her hands and which she was supposed to buy. For two weeks the police have been pursuing the baroness across France and the continent: an easy job, as she scatters gold and jewels wherever she goes. They think they have her every moment. Two days ago, our champion detective, the egregious Ganimard, arrested a visitor at a big hotel in Belgium, a woman against whom the most positive evidence seemed to be heaped up. On enquiry, the lady turned out[10] to be a notorious chorus-girl called Nelly Darbal. As for the baroness, she has vanished. The baron, on his side, has offered a reward of two hundred thousand francs to whosoever finds his wife. The money is in the hands of a solicitor. Moreover, he has sold his racing-stud, his house on the Boulevard Haussmann and his country-seat of Roquencourt in one lump, so that he may indemnify the Princesse de Berny for her loss."

"And the proceeds of the sale," I added, "are to be paid over at once. The papers say that the princess will have her money to-morrow. Only, frankly, I fail to see the connection between this story, which you have told very well, and the puzzling sentence...."

Lupin did not condescend to reply.

We had been walking down the street in which I live and had passed some four or five houses, when he stepped off the pavement and began to examine a block of flats, not of the latest construction, which looked as if it contained a large number of tenants:

"According to my calculations," he said, "this is where the signals came from, probably from that open window."

"On the third floor?"

"Yes."

He went to the portress and asked her:[11]

"Does one of your tenants happen to be acquainted with Baron Repstein?"

"Why, of course!" replied the woman. "We have M. Lavernoux here, such a nice gentleman; he is the baron's secretary and agent. I look after his flat."

"And can we see him?"

"See him?... The poor gentleman is very ill."

"Ill?"

"He's been ill a fortnight ... ever since the trouble with the baroness.... He came home the next day with a temperature and took to his bed."

"But he gets up, surely?"

"Ah, that I can't say!"

"How do you mean, you can't say?"

"No, his doctor won't let any one into his room. He took my key from me."

"Who did?"

"The doctor. He comes and sees to his wants, two or three times a day. He left the house only twenty minutes ago ... an old gentleman with a grey beard and spectacles.... Walks quite bent.... But where are you going sir?"

"I'm going up, show me the way," said Lupin, with his foot on the stairs. "It's the third floor, isn't it, on the left?"

"But I mustn't!" moaned the portress, run[12]ning after him. "Besides, I haven't the key ... the doctor...."

They climbed the three flights, one behind the other. On the landing, Lupin took a tool from his pocket and, disregarding the woman's protests, inserted it in the lock. The door yielded almost immediately. We went in.

At the back of a small dark room we saw a streak of light filtering through a door that had been left ajar. Lupin ran across the room and, on reaching the threshold, gave a cry:

"Too late! Oh, hang it all!"

The portress fell on her knees, as though fainting.

I entered the bedroom, in my turn, and saw a man lying half-dressed on the carpet, with his legs drawn up under him, his arms contorted and his face quite white, an emaciated, fleshless face, with the eyes still staring in terror and the mouth twisted into a hideous grin.

"He's dead," said Lupin, after a rapid examination.

"But why?" I exclaimed. "There's not a trace of blood!"

"Yes, yes, there is," replied Lupin, pointing to two or three drops that showed on the chest, through the open shirt. "Look, they must have taken him by the throat with one hand and pricked him to the heart with the other. I say, 'pricked,' because really the wound can't be seen. It suggests a hole made by a very long needle."

He looked on the floor, all round the corpse. There[13] was nothing to attract his attention, except a little pocket-mirror, the little mirror with which M. Lavernoux had amused himself by making the sunbeams dance through space.

But, suddenly, as the portress was breaking into lamentations and calling for help, Lupin flung himself on her and shook her:

"Stop that!... Listen to me ... you can call out later.... Listen to me and answer me. It is most important. M. Lavernoux had a friend living in this street, had he not? On the same side, to the right? An intimate friend?"

"Yes."

"A friend whom he used to meet at the café in the evening and with whom he exchanged the illustrated papers?"

"Yes."

"Was the friend an Englishman?"

"Yes."

"What's his name?"

"Mr. Hargrove."

"Where does he live?"

"At No. 92 in this street."

"One word more: had that old doctor been attending him long?"[14]

"No. I did not know him. He came on the evening when M. Lavernoux was taken ill."

Without another word, Lupin dragged me away once more, ran down the stairs and, once in the street, turned to the right, which took us past my flat again. Four doors further, he stopped at No. 92, a small, low-storied house, of which the ground-floor was occupied by the proprietor of a dram-shop, who stood smoking in his doorway, next to the entrance-passage. Lupin asked if Mr. Hargrove was at home.

"Mr. Hargrove went out about half-an-hour ago," said the publican. "He seemed very much excited and took a taxi-cab, a thing he doesn't often do."

"And you don't know...."

"Where he was going? Well, there's no secret about it He shouted it loud enough! 'Prefecture of Police' is what he said to the driver...."

Lupin was himself just hailing a taxi, when he changed his mind; and I heard him mutter:

"What's the good? He's got too much start of us...."

He asked if any one called after Mr. Hargrove had gone.

"Yes, an old gentleman with a grey beard and spectacles. He went up to Mr. Hargrove's, rang the bell, and went away again."[15]

"I am much obliged," said Lupin, touching his hat.

He walked away slowly without speaking to me, wearing a thoughtful air. There was no doubt that the problem struck him as very difficult, and that he saw none too clearly in the darkness through which he seemed to be moving with such certainty.

He himself, for that matter, confessed to me:

"These are cases that require much more intuition than reflection. But this one, I may tell you, is well worth taking pains about."

We had now reached the boulevards. Lupin entered a public reading-room and spent a long time consulting the last fortnight's newspapers. Now and again, he mumbled:

"Yes ... yes ... of course ... it's only a guess, but it explains everything.... Well, a guess that answers every question is not far from being the truth...."

It was now dark. We dined at a little restaurant and I noticed that Lupin's face became gradually more animated. His gestures were more decided. He recovered his spirits, his liveliness. When we left, during the walk which he made me take along the Boulevard Haussmann, towards Baron Repstein's house, he was the real Lupin of the great occasions, the Lupin who had made up his mind to go in and win.[16]

We slackened our pace just short of the Rue de Courcelles. Baron Repstein lived on the left-hand side, between this street and the Faubourg Saint-Honoré, in a three-storied private house of which we could see the front, decorated with columns and caryatides.

"Stop!" said Lupin, suddenly.

"What is it?"

"Another proof to confirm my supposition...."

"What proof? I see nothing."

"I do.... That's enough...."

He turned up the collar of his coat, lowered the brim of his soft hat and said:

"By Jove, it'll be a stiff fight! Go to bed, my friend. I'll tell you about my expedition to-morrow ... if it doesn't cost me my life."

"What are you talking about?"

"Oh, I know what I'm saying! I'm risking a lot. First of all, getting arrested, which isn't much. Next, getting killed, which is worse. But...." He gripped my shoulder. "But there's a third thing I'm risking, which is getting hold of two millions.... And, once I possess a capital of two millions, I'll show people what I can do! Good-night, old chap, and, if you never see me again...." He spouted Musset's lines:

I walked away. Three minutes later—I am[17] continuing the narrative as he told it to me next day—three minutes later, Lupin rang at the door of the Hôtel Repstein.

"Is monsieur le baron at home?"

"Yes," replied the butler, examining the intruder with an air of surprise, "but monsieur le baron does not see people as late as this."

"Does monsieur le baron know of the murder of M. Lavernoux, his land-agent?"

"Certainly."

"Well, please tell monsieur le baron that I have come about the murder and that there is not a moment to lose."

A voice called from above:

"Show the gentleman up, Antoine."

In obedience to this peremptory order, the butler led the way to the first floor. In an open doorway stood a gentleman whom Lupin recognized from his photograph in the papers as Baron Repstein, husband of the famous baroness and owner of Etna, the horse of the year.

He was an exceedingly tall, square-shouldered man. His clean-shaven face wore a pleasant, almost smiling expression, which was not affected by the sadness of his eyes. He was dressed in a well-cut morning-coat, with a tan waistcoat and a dark[18] tie fastened with a pearl pin, the value of which struck Lupin as considerable.

He took Lupin into his study, a large, three-windowed room, lined with book-cases, sets of pigeonholes, an American desk and a safe. And he at once asked, with ill-concealed eagerness:

"Do you know anything?"

"Yes, monsieur le baron."

"About the murder of that poor Lavernoux?"

"Yes, monsieur le baron, and about madame le baronne also."

"Do you really mean it? Quick, I entreat you...."

He pushed forward a chair. Lupin sat down and began:

"Monsieur le baron, the circumstances are very serious. I will be brief."

"Yes, do, please."

"Well, monsieur le baron, in a few words, it amounts to this: five or six hours ago, Lavernoux, who, for the last fortnight, had been kept in a sort of enforced confinement by his doctor, Lavernoux—how shall I put it?—telegraphed certain revelations by means of signals which were partly taken down by me and which put me on the track of this case. He himself was surprised in the act of making this communication and was murdered."

"But by whom? By whom?"[19]

"By his doctor."

"Who is this doctor?"

"I don't know. But one of M. Lavernoux's friends, an Englishman called Hargrove, the friend, in fact, with whom he was communicating, is bound to know and is also bound to know the exact and complete meaning of the communication, because, without waiting for the end, he jumped into a motor-cab and drove to the Prefecture of Police."

"Why? Why?... And what is the result of that step?"

"The result, monsieur le baron, is that your house is surrounded. There are twelve detectives under your windows. The moment the sun rises, they will enter in the name of the law and arrest the criminal."

"Then is Lavernoux's murderer concealed in my house? Who is he? One of the servants? But no, for you were speaking of a doctor!..."

"I would remark, monsieur le baron, that when this Mr. Hargrove went to the police to tell them of the revelations made by his friend Lavernoux, he was not aware that his friend Lavernoux was going to be murdered. The step taken by Mr Hargrove had to do with something else...."

"With what?"

"With the disappearance of madame la baronne,[20] of which he knew the secret, thanks to the communication made by Lavernoux."

"What! They know at last! They have found the baroness! Where is she? And the jewels? And the money she robbed me of?"

Baron Repstein was talking in a great state of excitement. He rose and, almost shouting at Lupin, cried:

"Finish your story, sir! I can't endure this suspense!"

Lupin continued, in a slow and hesitating voice:

"The fact is ... you see ... it is rather difficult to explain ... for you and I are looking at the thing from a totally different point of view."

"I don't understand."

"And yet you ought to understand, monsieur le baron.... We begin by saying—I am quoting the newspapers—by saying, do we not, that Baroness Repstein knew all the secrets of your business and that she was able to open not only that safe over there, but also the one at the Crédit Lyonnais in which you kept your securities locked up?"

"Yes."

"Well, one evening, a fortnight ago, while you were at your club, Baroness Repstein, who, unknown to yourself, had converted all those securities into cash, left this house with a travelling-bag, containing your money and all the Princesse de Berny's jewels?"[21]

"Yes."

"And, since then, she has not been seen?"

"No."

"Well, there is an excellent reason why she has not been seen."

"What reason?"

"This, that Baroness Repstein has been murdered...."

"Murdered!... The baroness!... But you're mad!"

"Murdered ... and probably that same evening."

"I tell you again, you are mad! How can the baroness have been murdered, when the police are following her tracks, so to speak, step by step?"

"They are following the tracks of another woman."

"What woman?"

"The murderer's accomplice."

"And who is the murderer?"

"The same man who, for the last fortnight, knowing that Lavernoux, through the situation which he occupied in this house, had discovered the truth, kept him imprisoned, forced him to silence, threatened him, terrorized him; the same man who, finding Lavernoux in the act of communicating with a friend, made away with him in cold blood by stabbing him to the heart."[22]

"The doctor, therefore?"

"Yes."

"But who is this doctor? Who is this malevolent genius, this infernal being who appears and disappears, who slays in the dark and whom nobody suspects?"

"Can't you guess?"

"No."

"And do you want to know?"

"Do I want to know?... Why, speak, man, speak!... You know where he is hiding?"

"Yes."

"In this house?"

"Yes."

"And it is he whom the police are after?"

"Yes."

"And I know him?"

"Yes."

"Who is it?"

"You!"

"I!..."

Lupin had not been more than ten minutes with the baron; and the duel was commencing. The accusation was hurled, definitely, violently, implacably.

Lupin repeated:

"You yourself, got up in a false beard and a pair of spectacles, bent in two, like an old man.[23] In short, you, Baron Repstein; and it is you for a very good reason, of which nobody has thought, which is that, if it was not you who contrived the whole plot, the case becomes inexplicable. Whereas, taking you as the criminal, you as murdering the baroness in order to get rid of her and run through those millions with another woman, you as murdering Lavernoux, your agent, in order to suppress an unimpeachable witness, oh, then the whole case is explained! Well, is it pretty clear? And are not you yourself convinced?"

The baron, who, throughout this conversation, had stood bending over his visitor, waiting for each of his words with feverish avidity, now drew himself up and looked at Lupin as though he undoubtedly had to do with a madman. When Lupin had finished speaking, the baron stepped back two or three paces, seemed on the point of uttering words which he ended by not saying, and then, without taking his eyes from his strange visitor, went to the fireplace and rang the bell.

Lupin did not make a movement. He waited smiling.

The butler entered. His master said:

"You can go to bed, Antoine. I will let this gentleman out."

"Shall I put out the lights, sir?"

"Leave a light in the hall."[24]

Antoine left the room and the baron, after taking a revolver from his desk, at once came back to Lupin, put the weapon in his pocket and said, very calmly:

"You must excuse this little precaution, sir. I am obliged to take it in case you should be mad, though that does not seem likely. No, you are not mad. But you have come here with an object which I fail to grasp; and you have sprung upon me an accusation of so astounding a character that I am curious to know the reason. I have experienced so much disappointment and undergone so much suffering that an outrage of this kind leaves me indifferent. Continue, please."

His voice shook with emotion and his sad eyes seemed moist with tears.

Lupin shuddered. Had he made a mistake? Was the surmise which his intuition had suggested to him and which was based upon a frail groundwork of slight facts, was this surmise wrong?

His attention was caught by a detail: through the opening in the baron's waistcoat he saw the point of the pin fixed in the tie and was thus able to realize the unusual length of the pin. Moreover, the gold stem was triangular and formed a sort of miniature dagger, very thin and very delicate, yet formidable in an expert hand.

And Lupin had no doubt but that the pin attached[25] to that magnificent pearl was the weapon which had pierced the heart of the unfortunate M. Lavernoux.

He muttered:

"You're jolly clever, monsieur le baron!"

The other, maintaining a rather scornful gravity, kept silence, as though he did not understand and as though waiting for the explanation to which he felt himself entitled. And, in spite of everything, this impassive attitude worried Arsène Lupin. Nevertheless, his conviction was so profound and, besides, he had staked so much on the adventure that he repeated:

"Yes, jolly clever, for it is evident that the baroness only obeyed your orders in realizing your securities and also in borrowing the princess's jewels on the pretence of buying them. And it is evident that the person who walked out of your house with a bag was not your wife, but an accomplice, that chorus-girl probably, and that it is your chorus-girl who is deliberately allowing herself to be chased across the continent by our worthy Ganimard. And I look upon the trick as marvellous. What does the woman risk, seeing that it is the baroness who is being looked for? And how could they look for any other woman than the baroness, seeing that you have promised a reward of two hundred thousand francs to the person who finds the baroness?... Oh, that[26] two hundred thousand francs lodged with a solicitor: what a stroke of genius! It has dazzled the police! It has thrown dust in the eyes of the most clear-sighted! A gentleman who lodges two hundred thousand francs with a solicitor is a gentleman who speaks the truth.... So they go on hunting the baroness! And they leave you quietly to settle your affairs, to sell your stud and your two houses to the highest bidder and to prepare your flight! Heavens, what a joke!"

The baron did not wince. He walked up to Lupin and asked, without abandoning his imperturbable coolness:

"Who are you?"

Lupin burst out laughing.

"What can it matter who I am? Take it that I am an emissary of fate, looming out of the darkness for your destruction!"

He sprang from his chair, seized the baron by the shoulder and jerked out:

"Yes, for your destruction, my bold baron! Listen to me! Your wife's three millions, almost all the princess's jewels, the money you received to-day from the sale of your stud and your real estate: it's all there, in your pocket, or in that safe. Your flight is prepared. Look, I can see the leather of your portmanteau behind that hanging. The papers on your desk are in order.[27] This very night, you would have done a guy. This very night, disguised beyond recognition, after taking all your precautions, you would have joined your chorus-girl, the creature for whose sake you have committed murder, that same Nelly Darbal, no doubt, whom Ganimard arrested in Belgium. But for one sudden, unforeseen obstacle: the police, the twelve detectives who, thanks to Lavernoux's revelations, have been posted under your windows. They've cooked your goose, old chap!... Well, I'll save you. A word through the telephone; and, by three or four o'clock in the morning, twenty of my friends will have removed the obstacle, polished off the twelve detectives, and you and I will slip away quietly. My conditions? Almost nothing; a trifle to you: we share the millions and the jewels. Is it a bargain?"

He was leaning over the baron, thundering at him with irresistible energy. The baron whispered:

"I'm beginning to understand. It's blackmail...."

"Blackmail or not, call it what you please, my boy, but you've got to go through with it and do as I say. And don't imagine that I shall give way at the last moment. Don't say to yourself, 'Here's a gentleman whom the fear of the police will cause to think twice. If I run a big risk in[28] refusing, he also will be risking the handcuffs, the cells and the rest of it, seeing that we are both being hunted down like wild beasts.' That would be a mistake, monsieur le baron. I can always get out of it. It's a question of yourself, of yourself alone.... Your money or your life, my lord! Share and share alike ... if not, the scaffold! Is it a bargain?"

A quick movement. The baron released himself, grasped his revolver and fired.

But Lupin was prepared for the attack, the more so as the baron's face had lost its assurance and gradually, under the slow impulse of rage and fear, acquired an expression of almost bestial ferocity that heralded the rebellion so long kept under control.

He fired twice. Lupin first flung himself to one side and then dived at the baron's knees, seized him by both legs and brought him to the ground. The baron freed himself with an effort. The two enemies rolled over in each other's grip; and a stubborn, crafty, brutal, savage struggle followed.

Suddenly, Lupin felt a pain at his chest:

"You villain!" he yelled. "That's your Lavernoux trick; the tie-pin!"

Stiffening his muscles with a desperate effort, he overpowered the baron and clutched him by the throat victorious at last and omnipotent.[29]

"You ass!" he cried. "If you hadn't shown your cards, I might have thrown up the game! You have such a look of the honest man about you! But what a biceps, my lord!... I thought for a moment.... But it's all over, now!... Come, my friend, hand us the pin and look cheerful.... No, that's what I call pulling a face.... I'm holding you too tight, perhaps? My lord's at his last gasp?... Come, be good!... That's it, just a wee bit of string round the wrists; do you allow me?... Why, you and I are agreeing like two brothers! It's touching!... At heart, you know, I'm rather fond of you.... And now, my bonnie lad, mind yourself! And a thousand apologies!..."

Half raising himself, with all his strength he caught the other a terrible blow in the pit of the stomach. The baron gave a gurgle and lay stunned and unconscious.

"That comes of having a deficient sense of logic, my friend," said Lupin. "I offered you half your money. Now I'll give you none at all ... provided I know where to find any of it. For that's the main thing. Where has the beggar hidden his dust? In the safe? By George, it'll be a tough job! Luckily, I have all the night before me...."

He began to feel in the baron's pockets, came upon a bunch of keys, first made sure that the[30] portmanteau behind the curtain held no papers or jewels, and then went to the safe.

But, at that moment, he stopped short: he heard a noise somewhere. The servants? Impossible. Their attics were on the top floor. He listened. The noise came from below. And, suddenly, he understood: the detectives, who had heard the two shots, were banging at the front door, as was their duty, without waiting for daybreak. Then an electric bell rang, which Lupin recognized as that in the hall:

"By Jupiter!" he said. "Pretty work! Here are these jokers coming ... and just as we were about to gather the fruits of our laborious efforts! Tut, tut, Lupin, keep cool! What's expected of you? To open a safe, of which you don't know the secret, in thirty seconds. That's a mere trifle to lose your head about! Come, all you have to do is to discover the secret! How many letters are there in the word? Four?"

He went on thinking, while talking and listening to the noise outside. He double-locked the door of the outer room and then came back to the safe:

"Four ciphers.... Four letters ... four letters.... Who can lend me a hand?... Who can give me just a tiny hint?... Who? Why, Lavernoux, of course! That good Lavernoux, seeing that he took the trouble to indulge in optical[31] telegraphy at the risk of his life.... Lord, what a fool I am!... Why, of course, why, of course, that's it!... By Jove, this is too exciting!... Lupin, you must count ten and suppress that distracted beating of your heart. If not, it means bad work."

He counted ten and, now quite calm, knelt in front of the safe. He turned the four knobs with careful attention. Next, he examined the bunch of keys, selected one of them, then another, and attempted, in vain, to insert them in the lock:

"There's luck in odd numbers," he muttered, trying a third key. "Victory! This is the right one! Open Sesame, good old Sesame, open!"

The lock turned. The door moved on its hinges. Lupin pulled it to him, after taking out the bunch of keys:

"The millions are ours," he said. "Baron, I forgive you!"

And then he gave a single bound backward, hiccoughing with fright. His legs staggered beneath him. The keys jingled together in his fevered hand with a sinister sound. And, for twenty, for thirty seconds, despite the din that was being raised and the electric bells that kept ringing through the house, he stood there, wild-eyed, gazing at the most horrible, the most abominable sight: a woman's body, half-dressed, bent in two in the[32] safe, crammed in, like an over-large parcel ... and fair hair hanging down ... and blood ... clots of blood ... and livid flesh, blue in places, decomposing, flaccid.

"The baroness!" he gasped. "The baroness!... Oh, the monster!..."

He roused himself from his torpor, suddenly, to spit in the murderer's face and pound him with his heels:

"Take that, you wretch!... Take that, you villain!... And, with it, the scaffold, the bran-basket!..."

Meanwhile, shouts came from the upper floors in reply to the detectives' ringing. Lupin heard footsteps scurrying down the stairs. It was time to think of beating a retreat.

In reality, this did not trouble him greatly. During his conversation with the baron, the enemy's extraordinary coolness had given him the feeling that there must be a private outlet. Besides, how could the baron have begun the fight, if he were not sure of escaping the police?

Lupin went into the next room. It looked out on the garden. At the moment when the detectives were entering the house, he flung his legs over the balcony and let himself down by a rain-pipe. He walked round the building. On the opposite side was a wall lined with shrubs. He slipped in[33] between the shrubs and the wall and at once found a little door which he easily opened with one of the keys on the bunch. All that remained for him to do was to walk across a yard and pass through the empty rooms of a lodge; and in a few moments he found himself in the Rue du Faubourg Saint-Honoré. Of course—and this he had reckoned on—the police had not provided for this secret outlet.

"Well, what do you think of Baron Repstein?" cried Lupin, after giving me all the details of that tragic night. "What a dirty scoundrel! And how it teaches one to distrust appearances! I swear to you, the fellow looked a thoroughly honest man!"

"But what about the millions?" I asked. "The princess's jewels?"

"They were in the safe. I remember seeing the parcel."

"Well?"

"They are there still."

"Impossible!"

"They are, upon my word! I might tell you that I was afraid of the detectives, or else plead a sudden attack of delicacy. But the truth is simpler ... and more prosaic: the smell was too awful!..."[34]

"What?"

"Yes, my dear fellow, the smell that came from that safe ... from that coffin.... No, I couldn't do it ... my head swam.... Another second and I should have been ill.... Isn't it silly?... Look, this is all I got from my expedition: the tie-pin.... The bed-rock value of the pearl is thirty thousand francs.... But all the same, I feel jolly well annoyed. What a sell!"

"One more question," I said. "The word that opened the safe!"

"Well?"

"How did you guess it?"

"Oh, quite easily! In fact, I am surprised that I didn't think of it sooner."

"Well, tell me."

"It was contained in the revelations telegraphed by that poor Lavernoux."

"What?"

"Just think, my dear chap, the mistakes in spelling...."

"The mistakes in spelling?"

"Why, of course! They were deliberate. Surely, you don't imagine that the agent, the private secretary of the baron—who was a company-promoter, mind you, and a racing-man—did not know English better than to spell 'necessery' with an 'e,' 'atack' with one 't,' 'ennemy'[35] with two 'n's' and 'prudance' with an 'a'! The thing struck me at once. I put the four letters together and got 'Etna,' the name of the famous horse."

"And was that one word enough?"

"Of course! It was enough to start with, to put me on the scent of the Repstein case, of which all the papers were full, and, next, to make me guess that it was the key-word of the safe, because, on the one hand, Lavernoux knew the gruesome contents of the safe and, on the other, he was denouncing the baron. And it was in the same way that I was led to suppose that Lavernoux had a friend in the street, that they both frequented the same café, that they amused themselves by working out the problems and cryptograms in the illustrated papers and that they had contrived a way of exchanging telegrams from window to window."

"That makes it all quite simple!" I exclaimed.

"Very simple. And the incident once more shows that, in the discovery of crimes, there is something much more valuable than the examination of facts, than observations, deductions, inferences and all that stuff and nonsense. What I mean is, as I said before, intuition ... intuition and intelligence.... And Arsène Lupin, without boasting, is deficient in neither one nor the other!..."

Yvonne d'Origny kissed her son and told him to[36] be good:

"You know your grandmother d'Origny is not very fond of children. Now that she has sent for you to come and see her, you must show her what a sensible little boy you are." And, turning to the governess, "Don't forget, Fräulein, to bring him home immediately after dinner.... Is monsieur still in the house?"

"Yes, madame, monsieur le comte is in his study."

As soon as she was alone, Yvonne d'Origny walked to the window to catch a glimpse of her son as he left the house. He was out in the street in a moment, raised his head and blew her a kiss, as was his custom every day. Then the governess took his hand with, as Yvonne remarked to her surprise, a movement of unusual violence. Yvonne leant further out of the window and, when the boy reached the corner of the boulevard, she[37] suddenly saw a man step out of a motor-car and go up to him. The man, in whom she recognized Bernard, her husband's confidential servant, took the child by the arm, made both him and the governess get into the car, and ordered the chauffeur to drive off.

The whole incident did not take ten seconds.

Yvonne, in her trepidation, ran to her bedroom, seized a wrap and went to the door. The door was locked; and there was no key in the lock.

She hurried back to the boudoir. The door of the boudoir also was locked.

Then, suddenly, the image of her husband appeared before her, that gloomy face which no smile ever lit up, those pitiless eyes in which, for years, she had felt so much hatred and malice.

"It's he ... it's he!" she said to herself. "He has taken the child.... Oh, it's horrible!"

She beat against the door with her fists, with her feet, then flew to the mantelpiece and pressed the bell fiercely.

The shrill sound rang through the house from top to bottom. The servants would be sure to come. Perhaps a crowd would gather in the street. And, impelled by a sort of despairing hope, she kept her finger on the button.

A key turned in the lock.... The door was flung wide open. The count appeared on the[38] threshold of the boudoir. And the expression of his face was so terrible that Yvonne began to tremble.

He entered the room. Five or six steps separated him from her. With a supreme effort, she tried to stir, but all movement was impossible; and, when she attempted to speak, she could only flutter her lips and emit incoherent sounds. She felt herself lost. The thought of death unhinged her. Her knees gave way beneath her and she sank into a huddled heap, with a moan.

The count rushed at her and seized her by the throat:

"Hold your tongue ... don't call out!" he said, in a low voice. "That will be best for you!..."

Seeing that she was not attempting to defend herself, he loosened his hold of her and took from his pocket some strips of canvas ready rolled and of different lengths. In a few minutes, Yvonne was lying on a sofa, with her wrists and ankles bound and her arms fastened close to her body.

It was now dark in the boudoir. The count switched on the electric light and went to a little writing-desk where Yvonne was accustomed to keep her letters. Not succeeding in opening it, he picked the lock with a bent wire, emptied the drawers and collected all the contents into a bundle, which he carried off in a cardboard file:[39]

"Waste of time, eh?" he grinned. "Nothing but bills and letters of no importance.... No proof against you.... Tah! I'll keep my son for all that; and I swear before Heaven that I will not let him go!"

As he was leaving the room, he was joined, near the door, by his man Bernard. The two stopped and talked, in a low voice; but Yvonne heard these words spoken by the servant:

"I have had an answer from the working jeweller. He says he holds himself at my disposal."

And the count replied:

"The thing is put off until twelve o'clock midday, to-morrow. My mother has just telephoned to say that she could not come before."

Then Yvonne heard the key turn in the lock and the sound of steps going down to the ground-floor, where her husband's study was.

She long lay inert, her brain reeling with vague, swift ideas that burnt her in passing, like flames. She remembered her husband's infamous behaviour, his humiliating conduct to her, his threats, his plans for a divorce; and she gradually came to understand that she was the victim of a regular conspiracy, that the servants had been sent away until the following evening by their master's orders, that the governess had carried off her son by the count's instructions and with Bernard's assistance,[40] that her son would not come back and that she would never see him again.

"My son!" she cried. "My son!..."

Exasperated by her grief, she stiffened herself, with every nerve, with every muscle tense, to make a violent effort. And she was astonished to find that her right hand, which the count had fastened too hurriedly, still retained a certain freedom.

Then a mad hope invaded her; and, slowly, patiently, she began the work of self-deliverance.

It was long in the doing. She needed a deal of time to widen the knot sufficiently and a deal of time afterward, when the hand was released, to undo those other bonds which tied her arms to her body and those which fastened her ankles.

Still, the thought of her son sustained her; and the last shackle fell as the clock struck eight. She was free!

She was no sooner on her feet than she flew to the window and flung back the latch, with the intention of calling the first passer-by. At that moment a policeman came walking along the pavement. She leant out. But the brisk evening air, striking her face, calmed her. She thought of the scandal, of the judicial investigation, of the cross-examination, of her son. O Heaven! What could she do to get him back? How could she escape? The count might appear at the least[41] sound. And who knew but that, in a moment of fury ...?

She shivered from head to foot, seized with a sudden terror. The horror of death mingled, in her poor brain, with the thought of her son; and she stammered, with a choking throat:

"Help!... Help!..."

She stopped and said to herself, several times over, in a low voice, "Help!... Help!..." as though the word awakened an idea, a memory within her, and as though the hope of assistance no longer seemed to her impossible. For some minutes she remained absorbed in deep meditation, broken by fears and starts. Then, with an almost mechanical series of movements, she put out her arm to a little set of shelves hanging over the writing-desk, took down four books, one after the other, turned the pages with a distraught air, replaced them and ended by finding, between the pages of the fifth, a visiting-card on which her eyes spelt the name:

followed by an address written in pencil:

And her memory conjured up the strange thing which that man had said to her, a few years before,[42] in that same house, on a day when she was at home to her friends:

"If ever a danger threatens you, if you need help, do not hesitate; post this card, which you see me put into this book; and, whatever the hour, whatever the obstacles, I will come."

With what a curious air he had spoken these words and how well he had conveyed the impression of certainty, of strength, of unlimited power, of indomitable daring!

Abruptly, unconsciously, acting under the impulse of an irresistible determination, the consequences of which she refused to anticipate, Yvonne, with the same automatic gestures, took a pneumatic-delivery envelope, slipped in the card, sealed it, directed it to "Horace Velmont, Cercle de la Rue Royale" and went to the open window. The policeman was walking up and down outside. She flung out the envelope, trusting to fate. Perhaps it would be picked up, treated as a lost letter and posted.

She had hardly completed this act when she realized its absurdity. It was mad to suppose that the message would reach the address and madder still to hope that the man to whom she was sending could come to her assistance, "whatever the hour, whatever the obstacles."

A reaction followed which was all the greater inasmuch as the effort had been swift and violent.[43] Yvonne staggered, leant against a chair and, losing all energy, let herself fall.

The hours passed by, the dreary hours of winter evenings when nothing but the sound of carriages interrupts the silence of the street. The clock struck, pitilessly. In the half-sleep that numbed her limbs, Yvonne counted the strokes. She also heard certain noises, on different floors of the house, which told her that her husband had dined, that he was going up to his room, that he was going down again to his study. But all this seemed very shadowy to her; and her torpor was such that she did not even think of lying down on the sofa, in case he should come in....

The twelve strokes of midnight.... Then half-past twelve ... then one.... Yvonne thought of nothing, awaiting the events which were preparing and against which rebellion was useless. She pictured her son and herself as one pictures those beings who have suffered much and who suffer no more and who take each other in their loving arms. But a nightmare shattered this dream. For now those two beings were to be torn asunder; and she had the awful feeling, in her delirium, that she was crying and choking....

She leapt from her seat. The key had turned in the lock. The count was coming, attracted by her cries. Yvonne glanced round for a weapon with[44] which to defend herself. But the door was pushed back quickly and, astounded, as though the sight that presented itself before her eyes seemed to her the most inexplicable prodigy, she stammered:

"You!... You!..."

A man was walking up to her, in dress-clothes, with his opera-hat and cape under his arm, and this man, young, slender and elegant, she had recognized as Horace Velmont.

"You!" she repeated.

He said, with a bow:

"I beg your pardon, madame, but I did not receive your letter until very late."

"Is it possible? Is it possible that this is you ... that you were able to ...?"

He seemed greatly surprised:

"Did I not promise to come in answer to your call?"

"Yes ... but ..."

"Well, here I am," he said, with a smile.

He examined the strips of canvas from which Yvonne had succeeded in freeing herself and nodded his head, while continuing his inspection:

"So those are the means employed? The Comte d'Origny, I presume?... I also saw that he locked you in.... But then the pneumatic letter?... Ah, through the window!... How careless of you not to close it!"[45]

He pushed both sides to. Yvonne took fright:

"Suppose they hear!"

"There is no one in the house. I have been over it."

"Still ..."

"Your husband went out ten minutes ago."

"Where is he?"

"With his mother, the Comtesse d'Origny."

"How do you know?"

"Oh, it's very simple! He was rung up by telephone and I awaited the result at the corner of this street and the boulevard. As I expected, the count came out hurriedly, followed by his man. I at once entered, with the aid of special keys."

He told this in the most natural way, just as one tells a meaningless anecdote in a drawing-room. But Yvonne, suddenly seized with fresh alarm, asked:

"Then it's not true?... His mother is not ill?... In that case, my husband will be coming back...."

"Certainly, the count will see that a trick has been played on him and in three quarters of an hour at the latest...."

"Let us go.... I don't want him to find me here.... I must go to my son...."

"One moment...."[46]

"One moment!... But don't you know that they have taken him from me?... That they are hurting him, perhaps?..."

With set face and feverish gestures, she tried to push Velmont back. He, with great gentleness, compelled her to sit down and, leaning over her in a respectful attitude, said, in a serious voice:

"Listen, madame, and let us not waste time, when every minute is valuable. First of all, remember this: we met four times, six years ago.... And, on the fourth occasion, when I was speaking to you, in the drawing-room of this house, with too much—what shall I say?—with too much feeling, you gave me to understand that my visits were no longer welcome. Since that day I have not seen you. And, nevertheless, in spite of all, your faith in me was such that you kept the card which I put between the pages of that book and, six years later, you send for me and none other. That faith in me I ask you to continue. You must obey me blindly. Just as I surmounted every obstacle to come to you, so I will save you, whatever the position may be."

Horace Velmont's calmness, his masterful voice, with the friendly intonation, gradually quieted the countess. Though still very weak, she gained a fresh sense of ease and security in that man's presence.[47]

"Have no fear," he went on. "The Comtesse d'Origny lives at the other end of the Bois de Vincennes. Allowing that your husband finds a motor-cab, it is impossible for him to be back before a quarter-past three. Well, it is twenty-five to three now. I swear to take you away at three o'clock exactly and to take you to your son. But I will not go before I know everything."

"What am I to do?" she asked.

"Answer me and very plainly. We have twenty minutes. It is enough. But it is not too much."

"Ask me what you want to know."

"Do you think that the count had any ... any murderous intentions?"

"No."

"Then it concerns your son?"

"Yes."

"He is taking him away, I suppose, because he wants to divorce you and marry another woman, a former friend of yours, whom you have turned out of your house. Is that it? Oh, I entreat you, answer me frankly! These are facts of public notoriety; and your hesitation, your scruples, must all cease, now that the matter concerns your son. So your husband wished to marry another woman?

"Yes."

"The woman has no money. Your husband,[48] on his side, has gambled away all his property and has no means beyond the allowance which he receives from his mother, the Comtesse d'Origny, and the income of a large fortune which your son inherited from two of your uncles. It is this fortune which your husband covets and which he would appropriate more easily if the child were placed in his hands. There is only one way: divorce. Am I right?"

"Yes."

"And what has prevented him until now is your refusal?"

"Yes, mine and that of my mother-in-law, whose religious feelings are opposed to divorce. The Comtesse d'Origny would only yield in case ..."

"In case ...?"

"In case they could prove me guilty of shameful conduct."

Velmont shrugged his shoulders:

"Therefore he is powerless to do anything against you or against your son. Both from the legal point of view and from that of his own interests, he stumbles against an obstacle which is the most insurmountable of all: the virtue of an honest woman. And yet, in spite of everything, he suddenly shows fight."

"What do you mean?"

"I mean that, if a man like the count, after so[49] many hesitations and in the face of so many difficulties, risks so doubtful an adventure, it must be because he thinks he has command of weapons ..."

"What weapons?"

"I don't know. But they exist ... or else he would not have begun by taking away your son."

Yvonne gave way to her despair:

"Oh, this is horrible!... How do I know what he may have done, what he may have invented?"

"Try and think.... Recall your memories.... Tell me, in this desk which he has broken open, was there any sort of letter which he could possibly turn against you?"

"No ... only bills and addresses...."

"And, in the words he used to you, in his threats, is there nothing that allows you to guess?"

"Nothing."

"Still ... still," Velmont insisted, "there must be something." And he continued, "Has the count a particularly intimate friend ... in whom he confides?"

"No."

"Did anybody come to see him yesterday?"

"No, nobody."

"Was he alone when he bound you and locked you in?"

"At that moment, yes."

"But afterward?"[50]

"His man, Bernard, joined him near the door and I heard them talking about a working jeweller...."

"Is that all?"

"And about something that was to happen the next day, that is, to-day, at twelve o'clock, because the Comtesse d'Origny could not come earlier."

Velmont reflected:

"Has that conversation any meaning that throws a light upon your husband's plans?"

"I don't see any."

"Where are your jewels?"

"My husband has sold them all."

"You have nothing at all left?"

"No."

"Not even a ring?"

"No," she said, showing her hands, "none except this."

"Which is your wedding-ring?"

"Which is my ... wedding—..."

She stopped, nonplussed. Velmont saw her flush as she stammered:

"Could it be possible?... But no ... no ... he doesn't know...."

Velmont at once pressed her with questions and Yvonne stood silent, motionless, anxious-faced. At last, she replied, in a low voice:

"This is not my wedding-ring. One day, long[51] ago, it dropped from the mantelpiece in my bedroom, where I had put it a minute before and, hunt for it as I might, I could not find it again. So I ordered another, without saying anything about it ... and this is the one, on my hand...."

"Did the real ring bear the date of your wedding?"

"Yes ... the 23rd of October."

"And the second?"

"This one has no date."

He perceived a slight hesitation in her and a confusion which, in point of fact, she did not try to conceal.

"I implore you," he exclaimed, "don't hide anything from me.... You see how far we have gone in a few minutes, with a little logic and calmness.... Let us go on, I ask you as a favour."

"Are you sure," she said, "that it is necessary?"

"I am sure that the least detail is of importance and that we are nearly attaining our object. But we must hurry. This is a crucial moment."

"I have nothing to conceal," she said, proudly raising her head. "It was the most wretched and the most dangerous period of my life. While suffering humiliation at home, outside I was surrounded with attentions, with temptations, with pitfalls, like any woman who is seen to be neglected by her husband. Then I remembered: before my marriage, a man had been in love with me. I had[52] guessed his unspoken love; and he has died since. I had the name of that man engraved inside the ring; and I wore it as a talisman. There was no love in me, because I was the wife of another. But, in my secret heart, there was a memory, a sad dream, something sweet and gentle that protected me...."

She had spoken slowly, without embarrassment, and Velmont did not doubt for a second that she was telling the absolute truth. He kept silent; and she, becoming anxious again, asked:

"Do you suppose ... that my husband ...?"

He took her hand and, while examining the plain gold ring, said:

"The puzzle lies here. Your husband, I don't know how, knows of the substitution of one ring for the other. His mother will be here at twelve o'clock. In the presence of witnesses, he will compel you to take off your ring; and, in this way, he will obtain the approval of his mother and, at the same time, will be able to obtain his divorce, because he will have the proof for which he was seeking."

"I am lost!" she moaned. "I am lost!"

"On the contrary, you are saved! Give me that ring ... and presently he will find another there, another which I will send you, to reach you before twelve, and which will bear the date of the 23rd of October. So...."

He suddenly broke off. While he was speaking,[53] Yvonne's hand had turned ice-cold in his; and, raising his eyes, he saw that the young woman was pale, terribly pale:

"What's the matter? I beseech you ..."

She yielded to a fit of mad despair:

"This is the matter, that I am lost!... This is the matter, that I can't get the ring off! It has grown too small for me!... Do you understand?... It made no difference and I did not give it a thought.... But to-day ... this proof ... this accusation.... Oh, what torture!... Look ... it forms part of my finger ... it has grown into my flesh ... and I can't ... I can't...."

She pulled at the ring, vainly, with all her might, at the risk of injuring herself. But the flesh swelled up around the ring; and the ring did not budge.

"Oh!" she cried, seized with an idea that terrified her. "I remember ... the other night ... a nightmare I had.... It seemed to me that some one entered my room and caught hold of my hand.... And I could not wake up.... It was he! It was he! He had put me to sleep, I was sure of it ... and he was looking at the ring.... And presently he will pull it off before his mother's eyes.... Ah, I understand everything: that working jeweller!... He will cut it from my hand to-morrow.... You see, you see.... I am lost!..."[54]

She hid her face in her hands and began to weep. But, amid the silence, the clock struck once ... and twice ... and yet once more. And Yvonne drew herself up with a jerk:

"There he is!" she cried. "He is coming!... It is three o'clock!... Let us go!..."

She grabbed at her cloak and ran to the door ... Velmont barred the way and, in a masterful tone:

"You shall not go!"

"My son.... I want to see him, to take him back...."

"You don't even know where he is!"

"I want to go."

"You shall not go!... It would be madness...."

He took her by the wrists. She tried to release herself; and Velmont had to employ a little force to overcome her resistance. In the end, he succeeded in getting her back to the sofa, then in laying her at full length and, at once, without heeding her lamentations, he took the canvas strips and fastened her wrists and ankles:

"Yes," he said, "It would be madness! Who would have set you free? Who would have opened that door for you? An accomplice? What an argument against you and what a pretty use your husband would make of it with his mother!... And, besides, what's the good? To run away[55] means accepting divorce ... and what might that not lead to?... You must stay here...."

She sobbed:

"I'm frightened.... I'm frightened ... this ring burns me.... Break it.... Take it away.... Don't let him find it!"

"And if it is not found on your finger, who will have broken it? Again an accomplice.... No, you must face the music ... and face it boldly, for I answer for everything.... Believe me ... I answer for everything.... If I have to tackle the Comtesse d'Origny bodily and thus delay the interview.... If I had to come myself before noon ... it is the real wedding-ring that shall be taken from your finger—that I swear!—and your son shall be restored to you."

Swayed and subdued, Yvonne instinctively held out her hands to the bonds. When he stood up, she was bound as she had been before.

He looked round the room to make sure that no trace of his visit remained. Then he stooped over the countess again and whispered:

"Think of your son and, whatever happens, fear nothing.... I am watching over you."

She heard him open and shut the door of the boudoir and, a few minutes later, the hall-door.

At half-past three, a motor-cab drew up. The door downstairs was slammed again; and, almost[56] immediately after, Yvonne saw her husband hurry in, with a furious look in his eyes. He ran up to her, felt to see if she was still fastened and, snatching her hand, examined the ring. Yvonne fainted....

She could not tell, when she woke, how long she had slept. But the broad light of day was filling the boudoir; and she perceived, at the first movement which she made, that her bonds were cut. Then she turned her head and saw her husband standing beside her, looking at her:

"My son ... my son ..." she moaned. "I want my son...."

He replied, in a voice of which she felt the jeering insolence:

"Our son is in a safe place. And, for the moment, it's a question not of him, but of you. We are face to face with each other, probably for the last time, and the explanation between us will be a very serious one. I must warn you that it will take place before my mother. Have you any objection?"

Yvonne tried to hide her agitation and answered:

"None at all."

"Can I send for her?"

"Yes. Leave me, in the meantime. I shall be ready when she comes."

"My mother is here."[57]

"Your mother is here?" cried Yvonne, in dismay, remembering Horace Velmont's promise.

"What is there to astonish you in that?"

"And is it now ... is it at once that you want to ...?

"Yes."

"Why?... Why not this evening?... Why not to-morrow?"

"To-day and now," declared the count. "A rather curious incident happened in the course of last night, an incident which I cannot account for and which decided me to hasten the explanation. Don't you want something to eat first?"

"No ... no...."

"Then I will go and fetch my mother."

He turned to Yvonne's bedroom. Yvonne glanced at the clock. It marked twenty-five minutes to eleven!

"Ah!" she said, with a shiver of fright.

Twenty-five minutes to eleven! Horace Velmont would not save her and nobody in the world and nothing in the world would save her, for there was no miracle that could place the wedding-ring upon her finger.

The count, returning with the Comtesse d'Origny, asked her to sit down. She was a tall, lank, angular woman, who had always displayed a hostile feeling to Yvonne. She did not even bid her daughter-in-[58]law good-morning, showing that her mind was made up as regards the accusation:

"I don't think," she said, "that we need speak at length. In two words, my son maintains...."

"I don't maintain, mother," said the count, "I declare. I declare on my oath that, three months ago, during the holidays, the upholsterer, when laying the carpet in this room and the boudoir, found the wedding-ring which I gave my wife lying in a crack in the floor. Here is the ring. The date of the 23rd of October is engraved inside."

"Then," said the countess, "the ring which your wife carries...."

"That is another ring, which she ordered in exchange for the real one. Acting on my instructions, Bernard, my man, after long searching, ended by discovering in the outskirts of Paris, where he now lives, the little jeweller to whom she went. This man remembers perfectly and is willing to bear witness that his customer did not tell him to engrave a date, but a name. He has forgotten the name, but the man who used to work with him in his shop may be able to remember it. This working jeweller has been informed by letter that I required his services and he replied yesterday, placing himself at my disposal. Bernard went to fetch him at nine o'clock this morning. They are both waiting in my study."[59]

He turned to his wife:

"Will you give me that ring of your own free will?"

"You know," she said, "from the other night, that it won't come off my finger."

"In that case, can I have the man up? He has the necessary implements with him."

"Yes," she said, in a voice faint as a whisper.

She was resigned. She conjured up the future as in a vision: the scandal, the decree of divorce pronounced against herself, the custody of the child awarded to the father; and she accepted this, thinking that she would carry off her son, that she would go with him to the ends of the earth and that the two of them would live alone together and happy....

Her mother-in-law said:

"You have been very thoughtless, Yvonne."

Yvonne was on the point of confessing to her and asking for her protection. But what was the good? How could the Comtesse d'Origny possibly believe her innocent? She made no reply.

Besides, the count at once returned, followed by his servant and by a man carrying a bag of tools under his arm.

And the count said to the man:

"You know what you have to do?"

"Yes," said the workman. "It's to cut a ring[60] that's grown too small.... That's easily done.... A touch of the nippers...."

"And then you will see," said the count, "if the inscription inside the ring was the one you engraved."

Yvonne looked at the clock. It was ten minutes to eleven. She seemed to hear, somewhere in the house, a sound of voices raised in argument; and, in spite of herself, she felt a thrill of hope. Perhaps Velmont has succeeded.... But the sound was renewed; and she perceived that it was produced by some costermongers passing under her window and moving farther on.

It was all over. Horace Velmont had been unable to assist her. And she understood that, to recover her child, she must rely upon her own strength, for the promises of others are vain.

She made a movement of recoil. She had felt the workman's heavy hand on her hand; and that hateful touch revolted her.

The man apologized, awkwardly. The count said to his wife:

"You must make up your mind, you know."

Then she put out her slim and trembling hand to the workman, who took it, turned it over and rested it on the table, with the palm upward. Yvonne felt the cold steel. She longed to die, then and there; and, at once attracted by that[61] idea of death, she thought of the poisons which she would buy and which would send her to sleep almost without her knowing it.

The operation did not take long. Inserted on the slant, the little steel pliers pushed back the flesh, made room for themselves and bit the ring. A strong effort ... and the ring broke. The two ends had only to be separated to remove the ring from the finger. The workman did so.

The count exclaimed, in triumph:

"At last! Now we shall see!... The proof is there! And we are all witnesses...."

He snatched up the ring and looked at the inscription. A cry of amazement escaped him. The ring bore the date of his marriage to Yvonne: "23rd of October"!...

We were sitting on the terrace at Monte Carlo. Lupin finished his story, lit a cigarette and calmly puffed the smoke into the blue air.

I said:

"Well?"

"Well what?"

"Why, the end of the story...."

"The end of the story? But what other end could there be?"

"Come ... you're joking ..."

"Not at all. Isn't that enough for you? The[62] countess is saved. The count, not possessing the least proof against her, is compelled by his mother to forego the divorce and to give up the child. That is all. Since then, he has left his wife, who is living happily with her son, a fine lad of sixteen."

"Yes ... yes ... but the way in which the countess was saved?"

Lupin burst out laughing:

"My dear old chap"—Lupin sometimes condescends to address me in this affectionate manner—"my dear old chap, you may be rather smart at relating my exploits, but, by Jove, you do want to have the i's dotted for you! I assure you, the countess did not ask for explanations!"

"Very likely. But there's no pride about me," I added, laughing. "Dot those i's for me, will you?"

He took out a five-franc piece and closed his hand over it.

"What's in my hand?"

"A five-franc piece."

He opened his hand. The five-franc piece was gone.

"You see how easy it is! A working jeweller, with his nippers, cuts a ring with a date engraved upon it: 23rd of October. It's a simple little trick of sleight-of-hand, one of many which I have[63] in my bag. By Jove, I didn't spend six months with Dickson, the conjurer,[C] for nothing!"

"But then ...?"

"Out with it!"

"The working jeweller?"

"Was Horace Velmont! Was good old Lupin! Leaving the countess at three o'clock in the morning, I employed the few remaining minutes before the husband's return to have a look round his study. On the table I found the letter from the working jeweller. The letter gave me the address. A bribe of a few louis enabled me to take the workman's place; and I arrived with a wedding-ring ready cut and engraved. Hocus-pocus! Pass!... The count couldn't make head or tail of it."

"Splendid!" I cried. And I added, a little chaffingly, in my turn, "But don't you think that you were humbugged a bit yourself, on this occasion?"

"Oh! And by whom, pray?"

"By the countess?"

"In what way?"

"Hang it all, that name engraved as a talisman!... The mysterious Adonis who loved her and suffered for her sake!... All that story [64]seems very unlikely; and I wonder whether, Lupin though you be, you did not just drop upon a pretty love-story, absolutely genuine and ... none too innocent."

Lupin looked at me out of the corner of his eye:

"No," he said.

"How do you know?"

"If the countess made a misstatement in telling me that she knew that man before her marriage—and that he was dead—and if she really did love him in her secret heart, I, at least, have a positive proof that it was an ideal love and that he did not suspect it."

"And where is the proof?"

"It is inscribed inside the ring which I myself broke on the countess's finger ... and which I carry on me. Here it is. You can read the name she had engraved on it."

He handed me the ring. I read:

"Horace Velmont."

There was a moment of silence between Lupin and myself; and, noticing it, I also observed on his face a certain emotion, a tinge of melancholy.

I resumed:

"What made you tell me this story ... to which you have often alluded in my presence?"

"What made me ...?"

He drew my attention to a woman, still ex[65]ceedingly handsome, who was passing on a young man's arm. She saw Lupin and bowed.

"It's she," he whispered. "She and her son."

"Then she recognized you?"

"She always recognizes me, whatever my disguise."

"But since the burglary at the Château de Thibermesnil,[D] the police have identified the two names of Arsène Lupin and Horace Velmont."

"Yes."

"Therefore she knows who you are."

"Yes."

"And she bows to you?" I exclaimed, in spite of myself.

He caught me by the arm and, fiercely:

"Do you think that I am Lupin to her? Do you think that I am a burglar in her eyes, a rogue, a cheat?... Why, I might be the lowest of miscreants, I might be a murderer even ... and still she would bow to me!"

"Why? Because she loved you once?"

"Rot! That would be an additional reason, on the contrary, why she should now despise me."

"What then?"

"I am the man who gave her back her son!"

"I received your telegram and here I am," said[66] a gentleman with a grey moustache, who entered my study, dressed in a dark-brown frock-coat and a wide-brimmed hat, with a red ribbon in his buttonhole. "What's the matter?"

Had I not been expecting Arsène Lupin, I should certainly never have recognized him in the person of this old half-pay officer:

"What's the matter?" I echoed. "Oh, nothing much: a rather curious coincidence, that's all. And, as I know that you would just as soon clear up a mystery as plan one...."

"Well?"

"You seem in a great hurry!"

"I am ... unless the mystery in question is worth putting myself out for. So let us get to the point."

"Very well. Just begin by casting your eye on this little picture, which I picked up, a week or two ago, in a grimy old shop on the other side of[67] the river. I bought it for the sake of its Empire frame, with the palm-leaf ornaments on the mouldings ... for the painting is execrable."

"Execrable, as you say," said Lupin, after he had examined it, "but the subject itself is rather nice. That corner of an old courtyard, with its rotunda of Greek columns, its sun-dial and its fish-pond and that ruined well with the Renascence roof and those stone steps and stone benches: all very picturesque."

"And genuine," I added. "The picture, good or bad, has never been taken out of its Empire frame. Besides, it is dated.... There, in the left-hand bottom corner: those red figures, 15. 4. 2, which obviously stand for 15 April, 1802."

"I dare say ... I dare say.... But you were speaking of a coincidence and, so far, I fail to see...."

I went to a corner of my study, took a telescope, fixed it on its stand and pointed it, through the open window, at the open window of a little room facing my flat, on the other side of the street. And I asked Lupin to look through it.

He stooped forward. The slanting rays of the morning sun lit up the room opposite, revealing a set of mahogany furniture, all very simple, a large bed and a child's bed hung with cretonne curtains.[68]

"Ah!" cried Lupin, suddenly. "The same picture!"

"Exactly the same!" I said. "And the date: do you see the date, in red? 15. 4. 2."

"Yes, I see.... And who lives in that room?"

"A lady ... or, rather, a workwoman, for she has to work for her living ... needlework, hardly enough to keep herself and her child."

"What is her name?"

"Louise d'Ernemont.... From what I hear, she is the great-granddaughter of a farmer-general who was guillotined during the Terror."

"Yes, on the same day as André Chénier," said Lupin. "According to the memoirs of the time, this d'Ernemont was supposed to be a very rich man." He raised his head and said, "It's an interesting story.... Why did you wait before telling me?"

"Because this is the 15th of April."

"Well?"

"Well, I discovered yesterday—I heard them talking about it in the porter's box—that the 15th of April plays an important part in the life of Louise d'Ernemont."

"Nonsense!"

"Contrary to her usual habits, this woman who works every day of her life, who keeps her two rooms tidy, who cooks the lunch which her little[69] girl eats when she comes home from the parish school ... this woman, on the 15th of April, goes out with the child at ten o'clock in the morning and does not return until nightfall. And this has happened for years and in all weathers. You must admit that there is something queer about this date which I find on an old picture, which is inscribed on another, similar picture and which controls the annual movements of the descendant of d'Ernemont the farmer-general."

"Yes, it's curious ... you're quite right," said Lupin, slowly. "And don't you know where she goes to?"

"Nobody knows. She does not confide in a soul. As a matter of fact, she talks very little."

"Are you sure of your information?"

"Absolutely. And the best proof of its accuracy is that here she comes."

A door had opened at the back of the room opposite, admitting a little girl of seven or eight, who came and looked out of the window. A lady appeared behind her, tall, good-looking still and wearing a sad and gentle air. Both of them were ready and dressed, in clothes which were simple in themselves, but which pointed to a love of neatness and a certain elegance on the part of the mother.

"You see," I whispered, "they are going out."[70]

And presently the mother took the child by the hand and they left the room together.

Lupin caught up his hat:

"Are you coming?"

My curiosity was too great for me to raise the least objection. I went downstairs with Lupin.

As we stepped into the street, we saw my neighbour enter a baker's shop. She bought two rolls and placed them in a little basket which her daughter was carrying and which seemed already to contain some other provisions. Then they went in the direction of the outer boulevards and followed them as far as the Place de l'Étoile, where they turned down the Avenue Kléber to walk toward Passy.

Lupin strolled silently along, evidently obsessed by a train of thought which I was glad to have provoked. From time to time, he uttered a sentence which showed me the thread of his reflections; and I was able to see that the riddle remained as much a mystery to him as to myself.

Louise d'Ernemont, meanwhile, had branched off to the left, along the Rue Raynouard, a quiet old street in which Franklin and Balzac once lived, one of those streets which, lined with old-fashioned houses and walled gardens, give you the impression of being in a country-town. The Seine flows at the foot of the slope which the street[71] crowns; and a number of lanes run down to the river.

My neighbour took one of these narrow, winding, deserted lanes. The first building, on the right, was a house the front of which faced the Rue Raynouard. Next came a moss-grown wall, of a height above the ordinary, supported by buttresses and bristling with broken glass.

Half-way along the wall was a low, arched door. Louise d'Ernemont stopped in front of this door and opened it with a key which seemed to us enormous. Mother and child entered and closed the door.

"In any case," said Lupin, "she has nothing to conceal, for she has not looked round once...."

He had hardly finished his sentence when we heard the sound of footsteps behind us. It was two old beggars, a man and a woman, tattered, dirty, squalid, covered in rags. They passed us without paying the least attention to our presence. The man took from his wallet a key similar to my neighbour's and put it into the lock. The door closed behind them.

And, suddenly, at the top of the lane, came the noise of a motor-car stopping.... Lupin dragged me fifty yards lower down, to a corner in which we were able to hide. And we saw coming down the lane, carrying a little dog under her arm, a young[72] and very much over-dressed woman, wearing a quantity of jewellery, a young woman whose eyes were too dark, her lips too red, her hair too fair. In front of the door, the same performance, with the same key.... The lady and the dog disappeared from view.

"This promises to be most amusing," said Lupin, chuckling. "What earthly connection can there be between those different people?"

There hove in sight successively two elderly ladies, lean and rather poverty-stricken in appearance, very much alike, evidently sisters; a footman in livery; an infantry corporal; a fat gentleman in a soiled and patched jacket-suit; and, lastly, a workman's family, father, mother, and four children, all six of them pale and sickly, looking like people who never eat their fill. And each of the newcomers carried a basket or string-bag filled with provisions.

"It's a picnic!" I cried.

"It grows more and more surprising," said Lupin, "and I sha'n't be satisfied till I know what is happening behind that wall."

To climb it was out of the question. We also saw that it finished, at the lower as well as at the upper end, at a house none of whose windows overlooked the enclosure which the wall contained.

During the next hour, no one else came along.[73] We vainly cast about for a stratagem; and Lupin, whose fertile brain had exhausted every possible expedient, was about to go in search of a ladder, when, suddenly, the little door opened and one of the workman's children came out.

The boy ran up the lane to the Rue Raynouard. A few minutes later he returned, carrying two bottles of water, which he set down on the pavement to take the big key from his pocket.

By that time Lupin had left me and was strolling slowly along the wall. When the child, after entering the enclosure, pushed back the door Lupin sprang forward and stuck the point of his knife into the staple of the lock. The bolt failed to catch; and it became an easy matter to push the door ajar.

"That's done the trick!" said Lupin.

He cautiously put his hand through the doorway and then, to my great surprise, entered boldly. But, on following his example, I saw that, ten yards behind the wall, a clump of laurels formed a sort of curtain which allowed us to come up unobserved.

Lupin took his stand right in the middle of the clump. I joined him and, like him, pushed aside the branches of one of the shrubs. And the sight which presented itself to my eyes was so unexpected that I was unable to suppress an[74] exclamation, while Lupin, on his side, muttered, between his teeth:

"By Jupiter! This is a funny job!"

We saw before us, within the confined space that lay between the two windowless houses, the identical scene represented in the old picture which I had bought at a second-hand dealer's!

The identical scene! At the back, against the opposite wall, the same Greek rotunda displayed its slender columns. In the middle, the same stone benches topped a circle of four steps that ran down to a fish-pond with moss-grown flags. On the left, the same well raised its wrought-iron roof; and, close at hand, the same sun-dial showed its slanting gnomon and its marble face.

The identical scene! And what added to the strangeness of the sight was the memory, obsessing Lupin and myself, of that date of the 15th of April, inscribed in a corner of the picture, and the thought that this very day was the 15th of April and that sixteen or seventeen people, so different in age, condition and manners, had chosen the 15th of April to come together in this forgotten corner of Paris!

All of them, at the moment when we caught sight of them, were sitting in separate groups on the benches and steps; and all were eating. Not very far from my neighbour and her daughter, the[75] workman's family and the beggar couple were sharing their provisions; while the footman, the gentleman in the soiled suit, the infantry corporal and the two lean sisters were making a common stock of their sliced ham, their tins of sardines and their gruyère cheese.

The lady with the little dog alone, who had brought no food with her, sat apart from the others, who made a show of turning their backs upon her. But Louise d'Ernemont offered her a sandwich, whereupon her example was followed by the two sisters; and the corporal at once began to make himself as agreeable to the young person as he could.

It was now half-past one. The beggar-man took out his pipe, as did the fat gentleman; and, when they found that one had no tobacco and the other no matches, their needs soon brought them together. The men went and smoked by the rotunda and the women joined them. For that matter, all these people seemed to know one another quite well.

They were at some distance from where we were standing, so that we could not hear what they said. However, we gradually perceived that the conversation was becoming animated. The young person with the dog, in particular, who by this time appeared to be in great request, indulged in[76] much voluble talk, accompanying her words with many gestures, which set the little dog barking furiously.

But, suddenly, there was an outcry, promptly followed by shouts of rage; and one and all, men and women alike, rushed in disorder toward the well. One of the workman's brats was at that moment coming out of it, fastened by his belt to the hook at the end of the rope; and the three other urchins were drawing him up by turning the handle. More active than the rest, the corporal flung himself upon him; and forthwith the footman and the fat gentleman seized hold of him also, while the beggars and the lean sisters came to blows with the workman and his family.

In a few seconds the little boy had not a stitch left on him beyond his shirt. The footman, who had taken possession of the rest of the clothes, ran away, pursued by the corporal, who snatched away the boy's breeches, which were next torn from the corporal by one of the lean sisters.

"They are mad!" I muttered, feeling absolutely at sea.

"Not at all, not at all," said Lupin.

"What! Do you mean to say that you can make head or tail of what is going on?"

He did not reply. The young lady with the little dog, tucking her pet under her arm, had[77] started running after the child in the shirt, who uttered loud yells. The two of them raced round the laurel-clump in which we stood hidden; and the brat flung himself into his mother's arms.

At long last, Louise d'Ernemont, who had played a conciliatory part from the beginning, succeeded in allaying the tumult. Everybody sat down again; but there was a reaction in all those exasperated people and they remained motionless and silent, as though worn out with their exertions.

And time went by. Losing patience and beginning to feel the pangs of hunger, I went to the Rue Raynouard to fetch something to eat, which we divided while watching the actors in the incomprehensible comedy that was being performed before our eyes. They hardly stirred. Each minute that passed seemed to load them with increasing melancholy; and they sank into attitudes of discouragement, bent their backs more and more and sat absorbed in their meditations.

The afternoon wore on in this way, under a grey sky that shed a dreary light over the enclosure.

"Are they going to spend the night here?" I asked, in a bored voice.

But, at five o'clock or so, the fat gentleman in the soiled jacket-suit took out his watch. The others did the same and all, watch in hand, seemed to be anxiously awaiting an event of no little[78] importance to themselves. The event did not take place, for, in fifteen or twenty minutes, the fat gentleman gave a gesture of despair, stood up and put on his hat.

Then lamentations broke forth. The two lean sisters and the workman's wife fell upon their knees and made the sign of the cross. The lady with the little dog and the beggar-woman kissed each other and sobbed; and we saw Louise d'Ernemont pressing her daughter sadly to her.

"Let's go," said Lupin.

"You think it's over?"

"Yes; and we have only just time to make ourselves scarce."

We went out unmolested. At the top of the lane, Lupin turned to the left and, leaving me outside, entered the first house in the Rue Raynouard, the one that backed on to the enclosure.

After talking for a few seconds to the porter, he joined me and we stopped a passing taxi-cab:

"No. 34 Rue de Turin," he said to the driver.

The ground-floor of No. 34 was occupied by a notary's office; and we were shown in, almost without waiting, to Maître Valandier, a smiling, pleasant-spoken man of a certain age.

Lupin introduced himself by the name of Captain Jeanniot, retired from the army. He said that he wanted to build a house to his own liking and[79] that some one had suggested to him a plot of ground situated near the Rue Raynouard.

"But that plot is not for sale," said Maître Valandier.

"Oh, I was told...."

"You have been misinformed, I fear."

The lawyer rose, went to a cupboard and returned with a picture which he showed us. I was petrified. It was the same picture which I had bought, the same picture that hung in Louise d'Ernemont's room.

"This is a painting," he said, "of the plot of ground to which you refer. It is known as the Clos d'Ernemont."

"Precisely."

"Well, this close," continued the notary, "once formed part of a large garden belonging to d'Ernemont, the farmer-general, who was executed during the Terror. All that could be sold has been sold, piecemeal, by the heirs. But this last plot has remained and will remain in their joint possession ... unless...."

The notary began to laugh.

"Unless what?" asked Lupin.

"Well, it's quite a romance, a rather curious romance, in fact. I often amuse myself by looking through the voluminous documents of the case."

"Would it be indiscreet, if I asked ...?"[80]

"Not at all, not at all," declared Maître Valandier, who seemed delighted, on the contrary, to have found a listener for his story. And, without waiting to be pressed, he began: "At the outbreak of the Revolution, Louis Agrippa d'Ernemont, on the pretence of joining his wife, who was staying at Geneva with their daughter Pauline, shut up his mansion in the Faubourg Saint-Germain, dismissed his servants and, with his son Charles, came and took up his abode in his pleasure-house at Passy, where he was known to nobody except an old and devoted serving-woman. He remained there in hiding for three years and he had every reason to hope that his retreat would not be discovered, when, one day, after luncheon, as he was having a nap, the old servant burst into his room. She had seen, at the end of the street, a patrol of armed men who seemed to be making for the house. Louis d'Ernemont got ready quickly and, at the moment when the men were knocking at the front door, disappeared through the door that led to the garden, shouting to his son, in a scared voice, to keep them talking, if only for five minutes. He may have intended to escape and found the outlets through the garden watched. In any case, he returned in six or seven minutes, replied very calmly to the questions put to him and raised no difficulty about accompanying the men. His son[81] Charles, although only eighteen years of age, was arrested also."

"When did this happen?" asked Lupin.

"It happened on the 26th day of Germinal, Year II, that is to say, on the...."

Maître Valandier stopped, with his eyes fixed on a calendar that hung on the wall, and exclaimed:

"Why, it was on this very day! This is the 15th of April, the anniversary of the farmer-general's arrest."

"What an odd coincidence!" said Lupin. "And considering the period at which it took place, the arrest, no doubt, had serious consequences?"

"Oh, most serious!" said the notary, laughing. "Three months later, at the beginning of Thermidor, the farmer-general mounted the scaffold. His son Charles was forgotten in prison and their property was confiscated."

"The property was immense, I suppose?" said Lupin.

"Well, there you are! That's just where the thing becomes complicated. The property, which was, in fact, immense, could never be traced. It was discovered that the Faubourg Saint-Germain mansion had been sold, before the Revolution, to an Englishman, together with all the country-seats and estates and all the jewels, securities and collections belonging to the farmer-general. The Convention[82] instituted minute inquiries, as did the Directory afterward. But the inquiries led to no result."

"There remained, at any rate, the Passy house," said Lupin.

"The house at Passy was bought, for a mere song, by a delegate of the Commune, the very man who had arrested d'Ernemont, one Citizen Broquet. Citizen Broquet shut himself up in the house, barricaded the doors, fortified the walls and, when Charles d'Ernemont was at last set free and appeared outside, received him by firing a musket at him. Charles instituted one law-suit after another, lost them all and then proceeded to offer large sums of money. But Citizen Broquet proved intractable. He had bought the house and he stuck to the house; and he would have stuck to it until his death, if Charles had not obtained the support of Bonaparte. Citizen Broquet cleared out on the 12th of February, 1803; but Charles d'Ernemont's joy was so great and his brain, no doubt, had been so violently unhinged by all that he had gone through, that, on reaching the threshold of the house of which he had at last recovered the ownership, even before opening the door he began to dance and sing in the street. He had gone clean off his head."

"By Jove!" said Lupin. "And what became of him?"[83]

"His mother and his sister Pauline, who had ended by marrying a cousin of the same name at Geneva, were both dead. The old servant-woman took care of him and they lived together in the Passy house. Years passed without any notable event; but, suddenly, in 1812, an unexpected incident happened. The old servant made a series of strange revelations on her death-bed, in the presence of two witnesses whom she sent for. She declared that the farmer-general had carried to his house at Passy a number of bags filled with gold and silver and that those bags had disappeared a few days before the arrest. According to earlier confidences made by Charles d'Ernemont, who had them from his father, the treasures were hidden in the garden, between the rotunda, the sun-dial and the well. In proof of her statement, she produced three pictures, or rather, for they were not yet framed, three canvases, which the farmer-general had painted during his captivity and which he had succeeded in conveying to her, with instructions to hand them to his wife, his son and his daughter. Tempted by the lure of wealth, Charles and the old servant had kept silence. Then came the law-suits, the recovery of the house, Charles's madness, the servant's own useless searches; and the treasures were still there."

"And they are there now," chuckled Lupin.[84]

"And they will be there always," exclaimed Maître Valandier. "Unless ... unless Citizen Broquet, who no doubt smelt a rat, succeeded in ferreting them out. But this is an unlikely supposition, for Citizen Broquet died in extreme poverty."

"So then ...?"

"So then everybody began to hunt. The children of Pauline, the sister, hastened from Geneva. It was discovered that Charles had been secretly married and that he had sons. All these heirs set to work."

"But Charles himself?"

"Charles lived in the most absolute retirement. He did not leave his room."

"Never?"

"Well, that is the most extraordinary, the most astounding part of the story. Once a year, Charles d'Ernemont, impelled by a sort of subconscious will-power, came downstairs, took the exact road which his father had taken, walked across the garden and sat down either on the steps of the rotunda, which you see here, in the picture, or on the kerb of the well. At twenty-seven minutes past five, he rose and went indoors again; and until his death, which occurred in 1820, he never once failed to perform this incomprehensible pilgrimage. Well, the day on which this happened[85] was invariably the 15th of April, the anniversary of the arrest."

Maître Valandier was no longer smiling and himself seemed impressed by the amazing story which he was telling us.

"And, since Charles's death?" asked Lupin, after a moment's reflection.

"Since that time," replied the lawyer, with a certain solemnity of manner, "for nearly a hundred years, the heirs of Charles and Pauline d'Ernemont have kept up the pilgrimage of the 15th of April. During the first few years they made the most thorough excavations. Every inch of the garden was searched, every clod of ground dug up. All this is now over. They take hardly any pains. All they do is, from time to time, for no particular reason, to turn over a stone or explore the well. For the most part, they are content to sit down on the steps of the rotunda, like the poor madman; and, like him, they wait. And that, you see, is the sad part of their destiny. In those hundred years, all these people who have succeeded one another, from father to son, have lost—what shall I say?—the energy of life. They have no courage left, no initiative. They wait. They wait for the 15th of April; and, when the 15th of April comes, they wait for a miracle to take place. Poverty has ended by overtaking every one of[86] them. My predecessors and I have sold first the house, in order to build another which yields a better rent, followed by bits of the garden and further bits. But, as to that corner over there," pointing to the picture, "they would rather die than sell it. On this they are all agreed: Louise d'Ernemont, who is the direct heiress of Pauline, as well as the beggars, the workman, the footman, the circus-rider and so on, who represent the unfortunate Charles."

There was a fresh pause; and Lupin asked:

"What is your own opinion, Maître Valandier?"

"My private opinion is that there's nothing in it. What credit can we give to the statements of an old servant enfeebled by age? What importance can we attach to the crotchets of a madman? Besides, if the farmer-general had realized his fortune, don't you think that that fortune would have been found? One could manage to hide a paper, a document, in a confined space like that, but not treasures."

"Still, the pictures?..."

"Yes, of course. But, after all, are they a sufficient proof?"

Lupin bent over the copy which the solicitor had taken from the cupboard and, after examining it at length, said:

"You spoke of three pictures."[87]

"Yes, the one which you see was handed to my predecessor by the heirs of Charles. Louise d'Ernemont possesses another. As for the third, no one knows what became of it."

Lupin looked at me and continued:

"And do they all bear the same date?"

"Yes, the date inscribed by Charles d'Ernemont when he had them framed, not long before his death.... The same date, that is to say the 15th of April, Year II, according to the revolutionary calendar, as the arrest took place in April, 1794."

"Oh, yes, of course," said Lupin. "The figure 2 means...."

He thought for a few moments and resumed:

"One more question, if I may. Did no one ever come forward to solve the problem?"

Maître Valandier threw up his arms:

"Goodness gracious me!" he cried. "Why, it was the plague of the office! One of my predecessors, Maître Turbon, was summoned to Passy no fewer than eighteen times, between 1820 and 1843, by the groups of heirs, whom fortune-tellers, clairvoyants, visionaries, impostors of all sorts had promised that they would discover the farmer-general's treasures. At last, we laid down a rule: any outsider applying to institute a search was to begin by depositing a certain sum."

"What sum?"[88]

"A thousand francs."

"And did this have the effect of frightening them off?"

"No. Four years ago, an Hungarian hypnotist tried the experiment and made me waste a whole day. After that, we fixed the deposit at five thousand francs. In case of success, a third of the treasure goes to the finder. In case of failure, the deposit is forfeited to the heirs. Since then, I have been left in peace."

"Here are your five thousand francs."

The lawyer gave a start:

"Eh? What do you say?"

"I say," repeated Lupin, taking five bank-notes from his pocket and calmly spreading them on the table, "I say that here is the deposit of five thousand francs. Please give me a receipt and invite all the d'Ernemont heirs to meet me at Passy on the 15th of April next year."

The notary could not believe his senses. I myself, although Lupin had accustomed me to these surprises, was utterly taken back.

"Are you serious?" asked Maître Valandier.

"Perfectly serious."

"But, you know, I told you my opinion. All these improbable stories rest upon no evidence of any kind."

"I don't agree with you," said Lupin.[89]

The notary gave him the look which we give to a person who is not quite right in his head. Then, accepting the situation, he took his pen and drew up a contract on stamped paper, acknowledging the payment of the deposit by Captain Jeanniot and promising him a third of such moneys as he should discover:

"If you change your mind," he added, "you might let me know a week before the time comes. I shall not inform the d'Ernemont family until the last moment, so as not to give those poor people too long a spell of hope."

"You can inform them this very day, Maître Valandier. It will make them spend a happier year."

We said good-bye. Outside, in the street, I cried:

"So you have hit upon something?"

"I?" replied Lupin. "Not a bit of it! And that's just what amuses me."

"But they have been searching for a hundred years!"

"It is not so much a matter of searching as of thinking. Now I have three hundred and sixty-five days to think in. It is a great deal more than I want; and I am afraid that I shall forget all about the business, interesting though it may be. Oblige me by reminding me, will you?"

I reminded him of it several times during the[90] following months, though he never seemed to attach much importance to the matter. Then came a long period during which I had no opportunity of seeing him. It was the period, as I afterward learnt, of his visit to Armenia and of the terrible struggle on which he embarked against Abdul the Damned, a struggle which ended in the tyrant's downfall.

I used to write to him, however, at the address which he gave me and I was thus able to send him certain particulars which I had succeeded in gathering, here and there, about my neighbour Louise d'Ernemont, such as the love which she had conceived, a few years earlier, for a very rich young man, who still loved her, but who had been compelled by his family to throw her over; the young widow's despair, and the plucky life which she led with her little daughter.

Lupin replied to none of my letters. I did not know whether they reached him; and, meantime, the date was drawing near and I could not help wondering whether his numerous undertakings would not prevent him from keeping the appointment which he himself had fixed.

As a matter of fact, the morning of the 15th of April arrived and Lupin was not with me by the time I had finished lunch. It was a quarter-past twelve. I left my flat and took a cab to Passy.[91]

I had no sooner entered the lane than I saw the workman's four brats standing outside the door in the wall. Maître Valandier, informed by them of my arrival, hastened in my direction:

"Well?" he cried. "Where's Captain Jeanniot?"

"Hasn't he come?"

"No; and I can assure you that everybody is very impatient to see him."

The different groups began to crowd round the lawyer; and I noticed that all those faces which I recognized had thrown off the gloomy and despondent expression which they wore a year ago.

"They are full of hope," said Maître Valandier, "and it is my fault. But what could I do? Your friend made such an impression upon me that I spoke to these good people with a confidence ... which I cannot say I feel. However, he seems a queer sort of fellow, this Captain Jeanniot of yours...."

He asked me many questions and I gave him a number of more or less fanciful details about the captain, to which the heirs listened, nodding their heads in appreciation of my remarks.

"Of course, the truth was bound to be discovered sooner or later," said the fat gentleman, in a tone of conviction.

The infantry corporal, dazzled by the captain's rank, did not entertain a doubt in his mind.[92]

The lady with the little dog wanted to know if Captain Jeanniot was young.

But Louise d'Ernemont said:

"And suppose he does not come?"

"We shall still have the five thousand francs to divide," said the beggar-man.

For all that, Louise d'Ernemont's words had damped their enthusiasm. Their faces began to look sullen and I felt an atmosphere as of anguish weighing upon us.

At half-past one, the two lean sisters felt faint and sat down. Then the fat gentleman in the soiled suit suddenly rounded on the notary:

"It's you, Maître Valandier, who are to blame.... You ought to have brought the captain here by main force.... He's a humbug, that's quite clear."

He gave me a savage look, and the footman, in his turn, flung muttered curses at me.

I confess that their reproaches seemed to me well-founded and that Lupin's absence annoyed me greatly:

"He won't come now," I whispered to the lawyer.

And I was thinking of beating a retreat, when the eldest of the brats appeared at the door, yelling:

"There's some one coming!... A motor-cycle!..."[93]

A motor was throbbing on the other side of the wall. A man on a motor-bicycle came tearing down the lane at the risk of breaking his neck. Suddenly, he put on his brakes, outside the door, and sprang from his machine.

Under the layer of dust which covered him from head to foot, we could see that his navy-blue reefer-suit, his carefully creased trousers, his black felt hat and patent-leather boots were not the clothes in which a man usually goes cycling.

"But that's not Captain Jeanniot!" shouted the notary, who failed to recognize him.

"Yes, it is," said Lupin, shaking hands with us. "I'm Captain Jeanniot right enough ... only I've shaved off my moustache.... Besides, Maître Valandier, here's your receipt."

He caught one of the workman's children by the arm and said:

"Run to the cab-rank and fetch a taxi to the corner of the Rue Raynouard. Look sharp! I have an urgent appointment to keep at two o'clock, or a quarter-past at the latest."

There was a murmur of protest. Captain Jeanniot took out his watch:

"Well! It's only twelve minutes to two! I have a good quarter of an hour before me. But, by Jingo, how tired I feel! And how hungry into the bargain!"[94]

The corporal thrust his ammunition-bread into Lupin's hand; and he munched away at it as he sat down and said:

"You must forgive me. I was in the Marseilles express, which left the rails between Dijon and Laroche. There were twelve people killed and any number injured, whom I had to help. Then I found this motor-cycle in the luggage-van.... Maître Valandier, you must be good enough to restore it to the owner. You will find the label fastened to the handle-bar. Ah, you're back, my boy! Is the taxi there? At the corner of the Rue Raynouard? Capital!"

He looked at his watch again:

"Hullo! No time to lose!"

I stared at him with eager curiosity. But how great must the excitement of the d'Ernemont heirs have been! True, they had not the same faith in Captain Jeanniot that I had in Lupin. Nevertheless, their faces were pale and drawn. Captain Jeanniot turned slowly to the left and walked up to the sun-dial. The pedestal represented the figure of a man with a powerful torso, who bore on his shoulders a marble slab the surface of which had been so much worn by time that we could hardly distinguish the engraved lines that marked the hours. Above the slab, a Cupid, with outspread wings, held an arrow that served as a gnomon.[95]

The captain stood leaning forward for a minute, with attentive eyes.

Then he said:

"Somebody lend me a knife, please."

A clock in the neighbourhood struck two. At that exact moment, the shadow of the arrow was thrown upon the sunlit dial along the line of a crack in the marble which divided the slab very nearly in half.

The captain took the knife handed to him. And with the point, very gently, he began to scratch the mixture of earth and moss that filled the narrow cleft.

Almost immediately, at a couple of inches from the edge, he stopped, as though his knife had encountered an obstacle, inserted his thumb and forefinger and withdrew a small object which he rubbed between the palms of his hands and gave to the lawyer:

"Here, Maître Valandier. Something to go on with."

It was an enormous diamond, the size of a hazelnut and beautifully cut.

The captain resumed his work. The next moment, a fresh stop. A second diamond, magnificent and brilliant as the first, appeared in sight.

And then came a third and a fourth.

In a minute's time, following the crack from[96] one edge to the other and certainly without digging deeper than half an inch, the captain had taken out eighteen diamonds of the same size.

During this minute, there was not a cry, not a movement around the sun-dial. The heirs seemed paralyzed with a sort of stupor. Then the fat gentleman muttered:

"Geminy!"

And the corporal moaned:

"Oh, captain!... Oh, captain!..."

The two sisters fell in a dead faint. The lady with the little dog dropped on her knees and prayed, while the footman, staggering like a drunken man, held his head in his two hands, and Louise d'Ernemont wept.

When calm was restored and all became eager to thank Captain Jeanniot, they saw that he was gone.

Some years passed before I had an opportunity of talking to Lupin about this business. He was in a confidential vein and answered:

"The business of the eighteen diamonds? By Jove, when I think that three or four generations of my fellow-men had been hunting for the solution! And the eighteen diamonds were there all the time, under a little mud and dust!"

"But how did you guess?..."

"I did not guess. I reflected. I doubt if I need[97] even have reflected. I was struck, from the beginning, by the fact that the whole circumstance was governed by one primary question: the question of time. When Charles d'Ernemont was still in possession of his wits, he wrote a date upon the three pictures. Later, in the gloom in which he was struggling, a faint glimmer of intelligence led him every year to the centre of the old garden; and the same faint glimmer led him away from it every year at the same moment, that is to say, at twenty-seven minutes past five. Something must have acted on the disordered machinery of his brain in this way. What was the superior force that controlled the poor madman's movements? Obviously, the instinctive notion of time represented by the sun-dial in the farmer-general's pictures. It was the annual revolution of the earth around the sun that brought Charles d'Ernemont back to the garden at a fixed date. And it was the earth's daily revolution upon its own axis that took him from it at a fixed hour, that is to say, at the hour, most likely, when the sun, concealed by objects different from those of to-day, ceased to light the Passy garden. Now of all this the sun-dial was the symbol. And that is why I at once knew where to look."

"But how did you settle the hour at which to begin looking?"[98]

"Simply by the pictures. A man living at that time, such as Charles d'Ernemont, would have written either 26 Germinal, Year II, or else 15 April, 1794, but not 15 April, Year II. I was astounded that no one had thought of that."

"Then the figure 2 stood for two o'clock?"

"Evidently. And what must have happened was this: the farmer-general began by turning his fortune into solid gold and silver money. Then, by way of additional precaution, with this gold and silver he bought eighteen wonderful diamonds. When he was surprised by the arrival of the patrol, he fled into his garden. Which was the best place to hide the diamonds? Chance caused his eyes to light upon the sun-dial. It was two o'clock. The shadow of the arrow was then falling along the crack in the marble. He obeyed this sign of the shadow, rammed his eighteen diamonds into the dust and calmly went back and surrendered to the soldiers."

"But the shadow of the arrow coincides with the crack in the marble every day of the year and not only on the 15th of April."

"You forget, my dear chap, that we are dealing with a lunatic and that he remembered only this date of the 15th of April."

"Very well; but you, once you had solved the riddle, could easily have made your way into the enclosure and taken the diamonds."[99]

"Quite true; and I should not have hesitated, if I had had to do with people of another description. But I really felt sorry for those poor wretches. And then you know the sort of idiot that Lupin is. The idea of appearing suddenly as a benevolent genius and amazing his kind would be enough to make him commit any sort of folly."

"Tah!" I cried. "The folly was not so great as all that. Six magnificent diamonds! How delighted the d'Ernemont heirs must have been to fulfil their part of the contract!"

Lupin looked at me and burst into uncontrollable laughter:

"So you haven't heard? Oh, what a joke! The delight of the d'Ernemont heirs!.... Why, my dear fellow, on the next day, that worthy Captain Jeanniot had so many mortal enemies! On the very next day, the two lean sisters and the fat gentleman organized an opposition. A contract? Not worth the paper it was written on, because, as could easily be proved, there was no such person as Captain Jeanniot. Where did that adventurer spring from? Just let him sue them and they'd soon show him what was what!"

"Louise d'Ernemont too?"

"No, Louise d'Ernemont protested against that piece of rascality. But what could she do against so many? Besides, now that she was rich, she got[100] back her young man. I haven't heard of her since."

"So ...?"

"So, my dear fellow, I was caught in a trap, with not a leg to stand on, and I had to compromise and accept one modest diamond as my share, the smallest and the least handsome of the lot. That comes of doing one's best to help people!"

And Lupin grumbled between his teeth:

"Oh, gratitude!... All humbug!... Where should we honest men be if we had not our conscience and the satisfaction of duty performed to reward us?"

When the race was over, a crowd of people, streaming[101] toward the exit from the grand stand, pushed against Nicolas Dugrival. He brought his hand smartly to the inside pocket of his jacket.

"What's the matter?" asked his wife.

"I still feel nervous ... with that money on me! I'm afraid of some nasty accident."

She muttered:

"And I can't understand you. How can you think of carrying such a sum about with you? Every farthing we possess! Lord knows, it cost us trouble enough to earn!"

"Pooh!" he said. "No one would guess that it is here, in my pocket-book."

"Yes, yes," she grumbled. "That young man-servant whom we discharged last week knew all about it, didn't he, Gabriel?"

"Yes, aunt," said a youth standing beside her.

Nicolas Dugrival, his wife and his nephew Gabriel were well-known figures at the race-meetings, where[102] the regular frequenters saw them almost every day: Dugrival, a big, fat, red-faced man, who looked as if he knew how to enjoy life; his wife, also built on heavy lines, with a coarse, vulgar face, and always dressed in a plum-coloured silk much the worse for wear; the nephew, quite young, slender, with pale features, dark eyes and fair and rather curly hair.

As a rule, the couple remained seated throughout the afternoon. It was Gabriel who betted for his uncle, watching the horses in the paddock, picking up tips to right and left among the jockeys and stable-lads, running backward and forward between the stands and the pari-mutuel.

Luck had favoured them that day, for, three times, Dugrival's neighbours saw the young man come back and hand him money.

The fifth race was just finishing. Dugrival lit a cigar. At that moment, a gentleman in a tight-fitting brown suit, with a face ending in a peaked grey beard, came up to him and asked, in a confidential whisper:

"Does this happen to belong to you, sir?"

And he displayed a gold watch and chain.

Dugrival gave a start:

"Why, yes ... it's mine.... Look, here are my initials, N. G.: Nicolas Dugrival!"

And he at once, with a movement of terror, clapped[103] his hand to his jacket-pocket. The note-case was still there.

"Ah," he said, greatly relieved, "that's a piece of luck!... But, all the same, how on earth was it done?... Do you know the scoundrel?"

"Yes, we've got him locked up. Pray come with me and we'll soon look into the matter."

"Whom have I the honour ...?"

"M. Delangle, detective-inspector. I have sent to let M. Marquenne, the magistrate, know."

Nicolas Dugrival went out with the inspector; and the two of them started for the commissary's office, some distance behind the grand stand. They were within fifty yards of it, when the inspector was accosted by a man who said to him, hurriedly:

"The fellow with the watch has blabbed; we are on the tracks of a whole gang. M. Marquenne wants you to wait for him at the pari-mutuel and to keep a look-out near the fourth booth."

There was a crowd outside the betting-booths and Inspector Delangle muttered:

"It's an absurd arrangement.... Whom am I to look out for?... That's just like M. Marquenne!..."

He pushed aside a group of people who were crowding too close upon him:

"By Jove, one has to use one's elbows here and[104] keep a tight hold on one's purse. That's the way you got your watch pinched, M. Dugrival!"

"I can't understand...."

"Oh, if you knew how those gentry go to work! One never guesses what they're up to next. One of them treads on your foot, another gives you a poke in the eye with his stick and the third picks your pocket before you know where you are.... I've been had that way myself." He stopped and then continued, angrily. "But, bother it, what's the use of hanging about here! What a mob! It's unbearable!... Ah, there's M. Marquenne making signs to us!... One moment, please ... and be sure and wait for me here."

He shouldered his way through the crowd. Nicolas Dugrival followed him for a moment with his eyes. Once the inspector was out of sight, he stood a little to one side, to avoid being hustled.

A few minutes passed. The sixth race was about to start, when Dugrival saw his wife and nephew looking for him. He explained to them that Inspector Delangle was arranging matters with the magistrate.

"Have you your money still?" asked his wife.

"Why, of course I have!" he replied. "The inspector and I took good care, I assure you, not to let the crowd jostle us."[105]

He felt his jacket, gave a stifled cry, thrust his hand into his pocket and began to stammer inarticulate syllables, while Mme. Dugrival gasped, in dismay:

"What is it? What's the matter?"

"Stolen!" he moaned. "The pocket-book ... the fifty notes!..."

"It's not true!" she screamed. "It's not true!"

"Yes, the inspector ... a common sharper ... he's the man...."

She uttered absolute yells:

"Thief! Thief! Stop thief!... My husband's been robbed!... Fifty thousand francs!... We are ruined!... Thief! Thief ..."

In a moment they were surrounded by policemen and taken to the commissary's office. Dugrival went like a lamb, absolutely bewildered. His wife continued to shriek at the top of her voice, piling up explanations, railing against the inspector:

"Have him looked for!... Have him found!... A brown suit.... A pointed beard.... Oh, the villain, to think what he's robbed us of!... Fifty thousand francs!... Why ... why, Dugrival, what are you doing?"

With one bound, she flung herself upon her husband. Too late! He had pressed the barrel[106] of a revolver against his temple. A shot rang out. Dugrival fell. He was dead.

The reader cannot have forgotten the commotion made by the newspapers in connection with this case, nor how they jumped at the opportunity once more to accuse the police of carelessness and blundering. Was it conceivable that a pick-pocket could play the part of an inspector like that, in broad daylight and in a public place, and rob a respectable man with impunity?

Nicolas Dugrival's widow kept the controversy alive, thanks to her jeremiads and to the interviews which she granted on every hand. A reporter had secured a snapshot of her in front of her husband's body, holding up her hand and swearing to revenge his death. Her nephew Gabriel was standing beside her, with hatred pictured in his face. He, too, it appeared, in a few words uttered in a whisper, but in a tone of fierce determination, had taken an oath to pursue and catch the murderer.

The accounts described the humble apartment which they occupied at the Batignolles; and, as they had been robbed of all their means, a sporting-paper opened a subscription on their behalf.

As for the mysterious Delangle, he remained undiscovered. Two men were arrested, but had to be released forthwith. The police took up a[107] number of clues, which were at once abandoned; more than one name was mentioned; and, lastly, they accused Arsène Lupin, an action which provoked the famous burglar's celebrated cable, dispatched from New York six days after the incident:

True enough, on the day after the publication of the cable, a stranger rang at Mme. Dugrival's door and handed her an envelope. The envelope contained fifty thousand-franc notes.

This theatrical stroke was not at all calculated to allay the universal comment. But an event soon occurred which provided any amount of additional excitement. Two days later, the people living in the same house as Mme. Dugrival and her nephew were awakened, at four o'clock in the morning, by horrible cries and shrill calls for help. They rushed to the flat. The porter succeeded in opening the door. By the light of a lantern carried by one of the neighbours, he found Gabriel stretched at full-length in his bedroom, with his wrists and ankles bound and a gag forced into his[108] mouth, while, in the next room, Mme. Dugrival lay with her life's blood ebbing away through a great gash in her breast.

She whispered:

"The money.... I've been robbed.... All the notes gone...."

And she fainted away.

What had happened? Gabriel said—and, as soon as she was able to speak, Mme. Dugrival completed her nephew's story—that he was startled from his sleep by finding himself attacked by two men, one of whom gagged him, while the other fastened him down. He was unable to see the men in the dark, but he heard the noise of the struggle between them and his aunt. It was a terrible struggle, Mme. Dugrival declared. The ruffians, who obviously knew their way about, guided by some intuition, made straight for the little cupboard containing the money and, in spite of her resistance and outcries, laid hands upon the bundle of bank-notes. As they left, one of them, whom she had bitten in the arm, stabbed her with a knife, whereupon the men had both fled.

"Which way?" she was asked.

"Through the door of my bedroom and afterward, I suppose, through the hall-door."

"Impossible! The porter would have noticed them."[109]

For the whole mystery lay in this: how had the ruffians entered the house and how did they manage to leave it? There was no outlet open to them. Was it one of the tenants? A careful inquiry proved the absurdity of such a supposition.

What then?

Chief-inspector Ganimard, who was placed in special charge of the case, confessed that he had never known anything more bewildering:

"It's very like Lupin," he said, "and yet it's not Lupin.... No, there's more in it than meets the eye, something very doubtful and suspicious.... Besides, if it were Lupin, why should he take back the fifty thousand francs which he sent? There's another question that puzzles me: what is the connection between the second robbery and the first, the one on the race-course? The whole thing is incomprehensible and I have a sort of feeling—which is very rare with me—that it is no use hunting. For my part, I give it up."

The examining-magistrate threw himself into the case with heart and soul. The reporters united their efforts with those of the police. A famous English sleuth-hound crossed the Channel. A wealthy American, whose head had been turned by detective-stories, offered a big reward to whosoever should supply the first information leading to the discovery of the truth. Six weeks later,[110] no one was any the wiser. The public adopted Ganimard's view; and the examining-magistrate himself grew tired of struggling in a darkness which only became denser as time went on.

And life continued as usual with Dugrival's widow. Nursed by her nephew, she soon recovered from her wound. In the mornings, Gabriel settled her in an easy-chair at the dining-room window, did the rooms and then went out marketing. He cooked their lunch without even accepting the proffered assistance of the porter's wife.

Worried by the police investigations and especially by the requests for interviews, the aunt and nephew refused to see anybody. Not even the portress, whose chatter disturbed and wearied Mme. Dugrival, was admitted. She fell back upon Gabriel, whom she accosted each time that he passed her room:

"Take care, M. Gabriel, you're both of you being spied upon. There are men watching you. Why, only last night, my husband caught a fellow staring up at your windows."

"Nonsense!" said Gabriel. "It's all right. That's the police, protecting us."

One afternoon, at about four o'clock, there was a violent altercation between two costermongers at the bottom of the street. The porter's wife at once left her room to listen to the invectives which the adversaries were hurling at each other's heads.[111] Her back was no sooner turned than a man, young, of medium height and dressed in a grey suit of irreproachable cut, slipped into the house and ran up the staircase.

When he came to the third floor, he rang the bell. Receiving no answer, he rang again. At the third summons, the door opened.

"Mme. Dugrival?" he asked, taking off his hat.

"Mme. Dugrival is still an invalid and unable to see any one," said Gabriel, who stood in the hall.

"It's most important that I should speak to her."

"I am her nephew and perhaps I could take her a message...."

"Very well," said the man. "Please tell Mme. Dugrival that an accident has supplied me with valuable information concerning the robbery from which she has suffered and that I should like to go over the flat and ascertain certain particulars for myself. I am accustomed to this sort of inquiry; and my call is sure to be of use to her."

Gabriel examined the visitor for a moment, reflected and said:

"In that case, I suppose my aunt will consent ... Pray come in."

He opened the door of the dining-room and stepped back to allow the other to pass. The stranger walked to the threshold, but, at the moment when he was[112] crossing it, Gabriel raised his arm and, with a swift movement, struck him with a dagger over the right shoulder.

A burst of laughter rang through the room:

"Got him!" cried Mme. Dugrival, darting up from her chair. "Well done, Gabriel! But, I say, you haven't killed the scoundrel, have you?"

"I don't think so, aunt. It's a small blade and I didn't strike him too hard."

The man was staggering, with his hands stretched in front of him and his face deathly pale.

"You fool!" sneered the widow. "So you've fallen into the trap ... and a good job too! We've been looking out for you a long time. Come, my fine fellow, down with you! You don't care about it, do you? But you can't help yourself, you see. That's right: one knee on the ground, before the missus ... now the other knee.... How well we've been brought up!... Crash, there we go on the floor! Lord, if my poor Dugrival could only see him like that!... And now, Gabriel, to work!"

She went to her bedroom and opened one of the doors of a hanging wardrobe filled with dresses. Pulling these aside, she pushed open another door which formed the back of the wardrobe and led to a room in the next house:

"Help me carry him, Gabriel. And you'll nurse[113] him as well as you can, won't you? For the present, he's worth his weight in gold to us, the artist!..."

The hours succeeded one another. Days passed.

One morning, the wounded man regained a moment's consciousness. He raised his eyelids and looked around him.

He was lying in a room larger than that in which he had been stabbed, a room sparsely furnished, with thick curtains hanging before the windows from top to bottom. There was light enough, however, to enable him to see young Gabriel Dugrival seated on a chair beside him and watching him.

"Ah, it's you, youngster!" he murmured. "I congratulate you, my lad. You have a sure and pretty touch with the dagger."

And he fell asleep again.

That day and the following days, he woke up several times and, each time, he saw the stripling's pale face, his thin lips and his dark eyes, with the hard look in them:

"You frighten me," he said. "If you have sworn to do for me, don't stand on ceremony. But cheer up, for goodness' sake. The thought of death has always struck me as the most humorous thing in the world. Whereas, with you, old chap, it simply becomes lugubrious. I prefer to go to sleep. Good-night!"[114]

Still, Gabriel, in obedience to Mme. Dugrival's orders, continued to nurse him with the utmost care and attention. The patient was almost free from fever and was beginning to take beef-tea and milk. He gained a little strength and jested:

"When will the convalescent be allowed his first drive? Is the bath-chair there? Why, cheer up, stupid! You look like a weeping-willow contemplating a crime. Come, just one little smile for daddy!"

One day, on waking, he had a very unpleasant feeling of constraint. After a few efforts, he perceived that, during his sleep, his legs, chest and arms had been fastened to the bedstead with thin wire strands that cut into his flesh at the least movements.

"Ah," he said to his keeper, "this time it's the great performance! The chicken's going to be bled. Are you operating, Angel Gabriel? If so, see that your razor's nice and clean, old chap! The antiseptic treatment, if you please!"

But he was interrupted by the sound of a key grating in the lock. The door opposite opened and Mme. Dugrival appeared.

She approached slowly, took a chair and, producing a revolver from her pocket, cocked it and laid it on the table by the bedside.

"Brrrrr!" said the prisoner. "We might be[115] at the Ambigu!... Fourth act: the Traitor's Doom. And the fair sex to do the deed.... The hand of the Graces.... What an honour!... Mme. Dugrival, I rely on you not to disfigure me."

"Hold your tongue, Lupin."

"Ah, so you know?... By Jove, how clever we are!"

"Hold your tongue, Lupin."

There was a solemn note in her voice that impressed the captive and compelled him to silence. He watched his two gaolers in turns. The bloated features and red complexion of Mme. Dugrival formed a striking contrast with her nephew's refined face; but they both wore the same air of implacable resolve.

The widow leant forward and said:

"Are you prepared to answer my questions?"

"Why not?"

"Then listen to me. How did you know that Dugrival carried all his money in his pocket?"

"Servants' gossip...."

"A young man-servant whom we had in our employ: was that it?"

"Yes."

"And did you steal Dugrival's watch in order to give it back to him and inspire him with confidence?"

"Yes."[116]

She suppressed a movement of fury:

"You fool! You fool!... What! You rob my man, you drive him to kill himself and, instead of making tracks to the uttermost ends of the earth and hiding yourself, you go on playing Lupin in the heart of Paris!... Did you forget that I swore, on my dead husband's head, to find his murderer?"

"That's what staggers me," said Lupin. "How did you come to suspect me?"

"How? Why, you gave yourself away!"

"I did?..."

"Of course.... The fifty thousand francs...."

"Well, what about it? A present...."

"Yes, a present which you gave cabled instructions to have sent to me, so as to make believe that you were in America on the day of the races. A present, indeed! What humbug! The fact is, you didn't like to think of the poor fellow whom you had murdered. So you restored the money to the widow, publicly, of course, because you love playing to the gallery and ranting and posing, like the mountebank that you are. That was all very nicely thought out. Only, my fine fellow, you ought not to have sent me the selfsame notes that were stolen from Dugrival! Yes, you silly fool, the selfsame notes and no others! We knew the numbers, Dugrival and I did. And you were stupid enough[117] to send the bundle to me. Now do you understand your folly?"

Lupin began to laugh:

"It was a pretty blunder, I confess. I'm not responsible; I gave different orders. But, all the same I can't blame any one except myself."

"Ah, so you admit it! You signed your theft and you signed your ruin at the same time. There was nothing left to be done but to find you. Find you? No, better than that. Sensible people don't find Lupin: they make him come to them! That was a masterly notion. It belongs to my young nephew, who loathes you as much as I do, if possible, and who knows you thoroughly, through reading all the books that have been written about you. He knows your prying nature, your need to be always plotting, your mania for hunting in the dark and unravelling what others have failed to unravel. He also knows that sort of sham kindness of yours, the drivelling sentimentality that makes you shed crocodile tears over the people you victimize; And he planned the whole farce! He invented the story of the two burglars, the second theft of fifty thousand francs! Oh, I swear to you, before Heaven, that the stab which I gave myself with my own hands never hurt me! And I swear to you, before Heaven, that we spent a glorious time waiting for you, the boy and I, peeping out at your confederates[118] who prowled under our windows, taking their bearings! And there was no mistake about it: you were bound to come! Seeing that you had restored the Widow Dugrival's fifty thousand francs, it was out of the question that you should allow the Widow Dugrival to be robbed of her fifty thousand francs! You were bound to come, attracted by the scent of the mystery. You were bound to come, for swagger, out of vanity! And you come!"

The widow gave a strident laugh:

"Well played, wasn't it? The Lupin of Lupins, the master of masters, inaccessible and invisible, caught in a trap by a woman and a boy!... Here he is in flesh and bone ... here he is with hands and feet tied, no more dangerous than a sparrow ... here is he ... here he is!..."

She shook with joy and began to pace the room, throwing sidelong glances at the bed, like a wild beast that does not for a moment take its eyes from its victim. And never had Lupin beheld greater hatred and savagery in any human being.

"Enough of this prattle," she said.

Suddenly restraining herself, she stalked back to him and, in a quite different tone, in a hollow voice, laying stress on every syllable:

"Thanks to the papers in your pocket, Lupin, I have made good use of the last twelve days. I know all your affairs, all your schemes, all your[119] assumed names, all the organization of your band, all the lodgings which you possess in Paris and elsewhere. I have even visited one of them, the most secret, the one where you hide your papers, your ledgers and the whole story of your financial operations. The result of my investigations is very satisfactory. Here are four cheques, taken from four cheque-books and corresponding with four accounts which you keep at four different banks under four different names. I have filled in each of them for ten thousand francs. A larger figure would have been too risky. And, now, sign."

"By Jove!" said Lupin, sarcastically. "This is blackmail, my worthy Mme. Dugrival."

"That takes your breath away, what?"

"It takes my breath away, as you say."

"And you find an adversary who is a match for you?"

"The adversary is far beyond me. So the trap—let us call it infernal—the infernal trap into which I have fallen was laid not merely by a widow thirsting for revenge, but also by a first-rate business woman anxious to increase her capital?"

"Just so."

"My congratulations. And, while I think of it, used M. Dugrival perhaps to ...?"

"You have hit it, Lupin. After all, why conceal the fact? It will relieve your conscience. Yes,[120] Lupin, Dugrival used to work on the same lines as yourself. Oh, not on the same scale!... We were modest people: a louis here, a louis there ... a purse or two which we trained Gabriel to pick up at the races.... And, in this way, we had made our little pile ... just enough to buy a small place in the country."

"I prefer it that way," said Lupin.

"That's all right! I'm only telling you, so that you may know that I am not a beginner and that you have nothing to hope for. A rescue? No. The room in which we now are communicates with my bedroom. It has a private outlet of which nobody knows. It was Dugrival's special apartment. He used to see his friends here. He kept his implements and tools here, his disguises ... his telephone even, as you perceive. So there's no hope, you see. Your accomplices have given up looking for you here. I have sent them off on another track. Your goose is cooked. Do you begin to realize the position?"

"Yes."

"Then sign the cheques."

"And, when I have signed them, shall I be free?"

"I must cash them first."

"And after that?"

"After that, on my soul, as I hope to be saved, you will be free."[121]

"I don't trust you."

"Have you any choice?"

"That's true. Hand me the cheques."

She unfastened Lupin's right hand, gave him a pen and said:

"Don't forget that the four cheques require four different signatures and that the handwriting has to be altered in each case."

"Never fear."

He signed the cheques.

"Gabriel," said the widow, "it is ten o'clock. If I am not back by twelve, it will mean that this scoundrel has played me one of his tricks. At twelve o'clock, blow out his brains. I am leaving you the revolver with which your uncle shot himself. There are five bullets left out of the six. That will be ample."

She left the room, humming a tune as she went.

Lupin mumbled:

"I wouldn't give twopence for my life."

He shut his eyes for an instant and then, suddenly, said to Gabriel:

"How much?"

And, when the other did not appear to understand, he grew irritated:

"I mean what I say. How much? Answer me, can't you? We drive the same trade, you and I. I steal, thou stealest, we steal. So we ought[122] to come to terms: that's what we are here for. Well? Is it a bargain? Shall we clear out together. I will give you a post in my gang, an easy, well-paid post. How much do you want for yourself? Ten thousand? Twenty thousand? Fix your own price; don't be shy. There's plenty to be had for the asking."

An angry shiver passed through his frame as he saw the impassive face of his keeper:

"Oh, the beggar won't even answer! Why, you can't have been so fond of old Dugrival as all that! Listen to me: if you consent to release me...."

But he interrupted himself. The young man's eyes wore the cruel expression which he knew so well. What was the use of trying to move him?

"Hang it all!" he snarled. "I'm not going to croak here, like a dog! Oh, if I could only...."

Stiffening all his muscles, he tried to burst his bonds, making a violent effort that drew a cry of pain from him; and he fell back upon his bed, exhausted.

"Well, well," he muttered, after a moment, "it's as the widow said: my goose is cooked. Nothing to be done. De profundis, Lupin."

A quarter of an hour passed, half an hour....

Gabriel, moving closer to Lupin, saw that his eyes were shut and that his breath came evenly, like that of a man sleeping. But Lupin said:[123]

"Don't imagine that I'm asleep, youngster. No, people don't sleep at a moment like this. Only I am consoling myself. Needs must, eh?... And then I am thinking of what is to come after.... Exactly. I have a little theory of my own about that. You wouldn't think it, to look at me, but I believe in metempsychosis, in the transmigration of souls. It would take too long to explain, however.... I say, boy ... suppose we shook hands before we part? You won't? Then good-bye. Good health and a long life to you, Gabriel!..."

He closed his eyelids and did not stir again before Mme. Dugrival's return.

The widow entered with a lively step, at a few minutes before twelve. She seemed greatly excited:

"I have the money," she said to her nephew. "Run away. I'll join you in the motor down below."

"But...."

"I don't want your help to finish him off. I can do that alone. Still, if you feel like seeing the sort of a face a rogue can pull.... Pass me the weapon."

Gabriel handed her the revolver and the widow continued:

"Have you burnt our papers?"

"Yes."

"Then to work. And, as soon as he's done for,[124] be off. The shots may bring the neighbours. They must find both the flats empty."

She went up to the bed:

"Are you ready, Lupin?"

"Ready's not the word: I'm burning with impatience."

"Have you any request to make of me?"

"None."

"Then...."

"One word, though."

"What is it?"

"If I meet Dugrival in the next world, what message am I to give him from you?"

She shrugged her shoulders and put the barrel of the revolver to Lupin's temple.

"That's it," he said, "and be sure your hand doesn't shake, my dear lady. It won't hurt you, I swear. Are you ready? At the word of command, eh? One ... two ... three...."

The widow pulled the trigger. A shot rang out.

"Is this death?" said Lupin. "That's funny! I should have thought it was something much more different from life!"

There was a second shot. Gabriel snatched the weapon from his aunt's hands and examined it:

"Ah," he exclaimed, "the bullets have been removed!... There are only the percussion-caps left!..."[125]

His aunt and he stood motionless, for a moment, and confused:

"Impossible!" she blurted out. "Who could have done it?... An inspector?... The examining-magistrate?..."

She stopped and, in a low voice:

"Hark.... I hear a noise...."

They listened and the widow went into the hall. She returned, furious, exasperated by her failure and by the scare which she had received:

"There's nobody there.... It must have been the neighbours going out.... We have plenty of time.... Ah, Lupin, you were beginning to make merry!... The knife, Gabriel."

"It's in my room."

"Go and fetch it."

Gabriel hurried away. The widow stamped with rage:

"I've sworn to do it!... You've got to suffer, my fine fellow!... I swore to Dugrival that I would do it and I have repeated my oath every morning and evening since.... I have taken it on my knees, yes, on my knees, before Heaven that listens to me! It's my duty and my right to revenge my dead husband!... By the way, Lupin, you don't look quite as merry as you did!... Lord, one would almost think you were afraid!... He's afraid! He's afraid! I can see[126] it in his eyes!... Come along, Gabriel, my boy!... Look at his eyes!... Look at his lips!... He's trembling!... Give me the knife, so that I may dig it into his heart while he's shivering.... Oh, you coward!... Quick, quick, Gabriel, the knife!..."

"I can't find it anywhere," said the young man, running back in dismay. "It has gone from my room! I can't make it out!"

"Never mind!" cried the Widow Dugrival, half demented. "All the better! I will do the business myself."

She seized Lupin by the throat, clutched him with her ten fingers, digging her nails into his flesh, and began to squeeze with all her might. Lupin uttered a hoarse rattle and gave himself up for lost.

Suddenly, there was a crash at the window. One of the panes was smashed to pieces.

"What's that? What is it?" stammered the widow, drawing herself erect, in alarm.

Gabriel, who had turned even paler than usual, murmured:

"I don't know.... I can't think...."

"Who can have done it?" said the widow.

She dared not move, waiting for what would come next. And one thing above all terrified her, the fact that there was no missile on the floor around[127] them, although the pane of glass, as was clearly visible, had given way before the crash of a heavy and fairly large object, a stone, probably.

After a while, she looked under the bed, under the chest of drawers:

"Nothing," she said.

"No," said her nephew, who was also looking. And, resuming her seat, she said:

"I feel frightened ... my arms fail me ... you finish him off...."

Gabriel confessed:

"I'm frightened also."

"Still ... still," she stammered, "it's got to be done.... I swore it...."

Making one last effort, she returned to Lupin and gasped his neck with her stiff fingers. But Lupin, who was watching her pallid face, received a very clear sensation that she would not have the courage to kill him. To her he was becoming something sacred, invulnerable. A mysterious power was protecting him against every attack, a power which had already saved him three times by inexplicable means and which would find other means to protect him against the wiles of death.

She said to him, in a hoarse voice:

"How you must be laughing at me!"

"Not at all, upon my word. I should feel frightened myself, in your place."[128]

"Nonsense, you scum of the earth! You imagine that you will be rescued ... that your friends are waiting outside? It's out of the question, my fine fellow."

"I know. It's not they defending me ... nobody's defending me...."

"Well, then?..."

"Well, all the same, there's something strange at the bottom of it, something fantastic and miraculous that makes your flesh creep, my fine lady."

"You villain!... You'll be laughing on the other side of your mouth before long."

"I doubt it."

"You wait and see."

She reflected once more and said to her nephew:

"What would you do?"

"Fasten his arm again and let's be off," he replied.

A hideous suggestion! It meant condemning Lupin to the most horrible of all deaths, death by starvation.

"No," said the widow. "He might still find a means of escape. I know something better than that."

She took down the receiver of the telephone, waited and asked:

"Number 82248, please."[129]

And, after a second or two:

"Hullo!... Is that the Criminal Investigation Department?... Is Chief-inspector Ganimard there?... In twenty minutes, you say?... I'm sorry!... However!... When he comes, give him this message from Mme. Dugrival.... Yes, Mme. Nicolas Dugrival.... Ask him to come to my flat. Tell him to open the looking-glass door of my wardrobe; and, when he has done so, he will see that the wardrobe hides an outlet which makes my bedroom communicate with two other rooms. In one of these, he will find a man bound hand and foot. It is the thief, Dugrival's murderer.... You don't believe me?... Tell M. Ganimard; he'll believe me right enough.... Oh, I was almost forgetting to give you the man's name: Arsène Lupin!"

And, without another word, she replaced the receiver.

"There, Lupin, that's done. After all, I would just as soon have my revenge this way. How I shall hold my sides when I read the reports of the Lupin trial!... Are you coming, Gabriel?"

"Yes, aunt."

"Good-bye, Lupin. You and I sha'n't see each other again, I expect, for we are going abroad. But I promise to send you some sweets while you're in prison."[130]

"Chocolates, mother! We'll eat them together!"

"Good-bye."

"Au revoir."

The widow went out with her nephew, leaving Lupin fastened down to the bed.

He at once moved his free arm and tried to release himself; but he realized, at the first attempt, that he would never have the strength to break the wire strands that bound him. Exhausted with fever and pain, what could he do in the twenty minutes or so that were left to him before Ganimard's arrival?

Nor did he count upon his friends. True, he had been thrice saved from death; but this was evidently due to an astounding series of accidents and not to any interference on the part of his allies. Otherwise they would not have contented themselves with these extraordinary manifestations, but would have rescued him for good and all.

No, he must abandon all hope. Ganimard was coming. Ganimard would find him there. It was inevitable. There was no getting away from the fact.

And the prospect of what was coming irritated him singularly. He already heard his old enemy's gibes ringing in his ears. He foresaw the roars of laughter with which the incredible news would[131] be greeted on the morrow. To be arrested in action, so to speak, on the battlefield, by an imposing detachment of adversaries, was one thing: but to be arrested, or rather picked up, scraped up, gathered up, in such condition, was really too silly. And Lupin, who had so often scoffed at others, felt all the ridicule that was falling to his share in this ending of the Dugrival business, all the bathos of allowing himself to be caught in the widow's infernal trap and finally of being "served up" to the police like a dish of game, roasted to a turn and nicely seasoned.

"Blow the widow!" he growled. "I had rather she had cut my throat and done with it."

He pricked up his ears. Some one was moving in the next room. Ganimard! No. Great as his eagerness would be, he could not be there yet. Besides, Ganimard would not have acted like that, would not have opened the door as gently as that other person was doing. What other person? Lupin remembered the three miraculous interventions to which he owed his life. Was it possible that there was really somebody who had protected him against the widow, and that that somebody was now attempting to rescue him? But, if so, who?

Unseen by Lupin, the stranger stooped behind the bed. Lupin heard the sound of the pliers attacking[132] the wire strands and releasing him little by little. First his chest was freed, then his arms, then his legs.

And a voice said to him:

"You must get up and dress."

Feeling very weak, he half-raised himself in bed at the moment when the stranger rose from her stooping posture.

"Who are you?" he whispered. "Who are you?"

And a great surprise over came him.

By his side stood a woman, a woman dressed in black, with a lace shawl over her head, covering part of her face. And the woman, as far as he could judge, was young and of a graceful and slender stature.

"Who are you?" he repeated.

"You must come now," said the woman. "There's no time to lose."

"Can I?" asked Lupin, making a desperate effort. "I doubt if I have the strength."

"Drink this."

She poured some milk into a cup; and, as she handed it to him, her lace opened, leaving the face uncovered.

"You!" he stammered. "It's you!... It's you who ... it was you who were...."

He stared in amazement at this woman whose[133] features presented so striking a resemblance to Gabriel's, whose delicate, regular face had the same pallor, whose mouth wore the same hard and forbidding expression. No sister could have borne so great a likeness to her brother. There was not a doubt possible: it was the identical person. And, without believing for a moment that Gabriel had concealed himself in a woman's clothes, Lupin, on the contrary, received the distinct impression that it was a woman standing beside him and that the stripling who had pursued him with his hatred and struck him with the dagger was in very deed a woman. In order to follow their trade with greater ease, the Dugrival pair had accustomed her to disguise herself as a boy.

"You ... you ...!" he repeated. "Who would have suspected ...?"

She emptied the contents of a phial into the cup:

"Drink this cordial," she said.

He hesitated, thinking of poison.

She added:

"It was I who saved you."

"Of course, of course," he said. "It was you who removed the bullets from the revolver?"

"Yes."

"And you who hid the knife?"

"Here it is, in my pocket."[134]

"And you who smashed the window-pane while your aunt was throttling me?"

"Yes, it was I, with the paper-weight on the table: I threw it into the street."

"But why? Why?" he asked, in utter amazement.

"Drink the cordial."

"Didn't you want me to die? But then why did you stab me to begin with?"

"Drink the cordial."

He emptied the cup at a draught, without quite knowing the reason of his sudden confidence.

"Dress yourself ... quickly," she commanded, retiring to the window.

He obeyed and she came back to him, for he had dropped into a chair, exhausted.

"We must go now, we must, we have only just time.... Collect your strength."

She bent forward a little, so that he might lean on her shoulder, and turned toward the door and the staircase.

And Lupin walked as one walks in a dream, one of those queer dreams in which the most inconsequent things occur, a dream that was the happy sequel of the terrible nightmare in which he had lived for the past fortnight.

A thought struck him, however. He began to laugh:[135]

"Poor Ganimard! Upon my word, the fellow has no luck, I would give twopence to see him coming to arrest me."

After descending the staircase with the aid of his companion, who supported him with incredible vigour, he found himself in the street, opposite a motor-car into which she helped him to mount.

"Right away," she said to the driver.

Lupin, dazed by the open air and the speed at which they were travelling, hardly took stock of the drive and of the incidents on the road. He recovered all his consciousness when he found himself at home in one of the flats which he occupied, looked after by his servant, to whom the girl gave a few rapid instructions.

"You can go," he said to the man.

But, when the girl turned to go as well, he held her back by a fold of her dress.

"No ... no ... you must first explain.... Why did you save me? Did you return unknown to your aunt? But why did you save me? Was it from pity?"

She did not answer. With her figure drawn up and her head flung back a little, she retained her hard and impenetrable air. Nevertheless, he thought he noticed that the lines of her mouth showed not so much cruelty as bitterness. Her eyes, her beautiful dark eyes, revealed melancholy. And Lupin,[136] without as yet understanding, received a vague intuition of what was passing within her. He seized her hand. She pushed him away, with a start of revolt in which he felt hatred, almost repulsion. And, when he insisted, she cried:

"Let me be, will you?... Let me be!... Can't you see that I detest you?"

They looked at each other for a moment, Lupin disconcerted, she quivering and full of uneasiness, her pale face all flushed with unwonted colour.

He said to her, gently:

"If you detested me, you should have let me die.... It was simple enough.... Why didn't you?"

"Why?... Why?... How do I know?..."

Her face contracted. With a sudden movement, she hid it in her two hands; and he saw tears trickle between her fingers.

Greatly touched, he thought of addressing her in fond words, such as one would use to a little girl whom one wished to console, and of giving her good advice and saving her, in his turn, and snatching her from the bad life which she was leading, perhaps against her better nature.

But such words would have sounded ridiculous, coming from his lips, and he did not know what to say, now that he understood the whole story and was able to picture the young woman sitting beside[137] his sick-bed, nursing the man whom she had wounded, admiring his pluck and gaiety, becoming attached to him, falling in love with him and thrice over, probably in spite of herself, under a sort of instinctive impulse, amid fits of spite and rage, saving him from death.

And all this was so strange, so unforeseen; Lupin was so much unmanned by his astonishment, that, this time, he did not try to retain her when she made for the door, backward, without taking her eyes from him.

She lowered her head, smiled for an instant and disappeared.

He rang the bell, quickly:

"Follow that woman," he said to his man. "Or no, stay where you are.... After all, it is better so...."

He sat brooding for a while, possessed by the girl's image. Then he revolved in his mind all that curious, stirring and tragic adventure, in which he had been so very near succumbing; and, taking a hand-glass from the table, he gazed for a long time and with a certain self-complacency at his features, which illness and pain had not succeeded in impairing to any great extent:

"Good looks count for something, after all!" he muttered.

On leaving his house one morning, at his usual[138] early hour for going to the Law Courts, Chief-inspector Ganimard noticed the curious behaviour of an individual who was walking along the Rue Pergolèse in front of him. Shabbily dressed and wearing a straw hat, though the day was the first of December, the man stooped at every thirty or forty yards to fasten his boot-lace, or pick up his stick, or for some other reason. And, each time, he took a little piece of orange-peel from his pocket and laid it stealthily on the kerb of the pavement. It was probably a mere display of eccentricity, a childish amusement to which no one else would have paid attention; but Ganimard was one of those shrewd observers who are indifferent to nothing that strikes their eyes and who are never satisfied until they know the secret cause of things. He therefore began to follow the man.

Now, at the moment when the fellow was turning to the right, into the Avenue de la Grande-Armée,[139] the inspector caught him exchanging signals with a boy of twelve or thirteen, who was walking along the houses on the left-hand side. Twenty yards farther, the man stooped and turned up the bottom of his trousers legs. A bit of orange-peel marked the place. At the same moment, the boy stopped and, with a piece of chalk, drew a white cross, surrounded by a circle, on the wall of the house next to him.

The two continued on their way. A minute later, a fresh halt. The strange individual picked up a pin and dropped a piece of orange-peel; and the boy at once made a second cross on the wall and again drew a white circle round it.

"By Jove!" thought the chief-inspector, with a grunt of satisfaction. "This is rather promising.... What on earth can those two merchants be plotting?"

The two "merchants" went down the Avenue Friedland and the Rue du Faubourg-Saint-Honoré, but nothing occurred that was worthy of special mention. The double performance was repeated at almost regular intervals and, so to speak, mechanically. Nevertheless, it was obvious, on the one hand, that the man with the orange-peel did not do his part of the business until after he had picked out with a glance the house that was to be marked and, on the other hand, that the boy did[140] not mark that particular house until after he had observed his companion's signal. It was certain, therefore, that there was an agreement between the two; and the proceedings presented no small interest in the chief-inspector's eyes.

At the Place Beauveau the man hesitated. Then, apparently making up his mind, he twice turned up and twice turned down the bottom of his trousers legs. Hereupon, the boy sat down on the kerb, opposite the sentry who was mounting guard outside the Ministry of the Interior, and marked the flagstone with two little crosses contained within two circles. The same ceremony was gone through a little further on, when they reached the Elysée. Only, on the pavement where the President's sentry was marching up and down, there were three signs instead of two.

"Hang it all!" muttered Ganimard, pale with excitement and thinking, in spite of himself, of his inveterate enemy, Lupin, whose name came to his mind whenever a mysterious circumstance presented itself. "Hang it all, what does it mean?"

He was nearly collaring and questioning the two "merchants." But he was too clever to commit so gross a blunder. The man with the orange-peel had now lit a cigarette; and the boy, also placing a cigarette-end between his lips, had[141] gone up to him, apparently with the object of asking for a light.

They exchanged a few words. Quick as thought, the boy handed his companion an object which looked—at least, so the inspector believed—like a revolver. They both bent over this object; and the man, standing with his face to the wall, put his hand six times in his pocket and made a movement as though he were loading a weapon.

As soon as this was done, they walked briskly to the Rue de Surène; and the inspector, who followed them as closely as he was able to do without attracting their attention, saw them enter the gateway of an old house of which all the shutters were closed, with the exception of those on the third or top floor.

He hurried in after them. At the end of the carriage-entrance he saw a large courtyard, with a house-painter's sign at the back and a staircase on the left.

He went up the stairs and, as soon as he reached the first floor, ran still faster, because he heard, right up at the top, a din as of a free-fight.

When he came to the last landing he found the door open. He entered, listened for a second, caught the sound of a struggle, rushed to the room from which the sound appeared to proceed and remained standing on the threshold, very much[142] out of breath and greatly surprised to see the man of the orange-peel and the boy banging the floor with chairs.

At that moment a third person walked out of an adjoining room. It was a young man of twenty-eight or thirty, wearing a pair of short whiskers in addition to his moustache, spectacles, and a smoking-jacket with an astrakhan collar and looking like a foreigner, a Russian.

"Good morning, Ganimard," he said. And turning to the two companions, "Thank you, my friends, and all my congratulations on the successful result. Here's the reward I promised you."

He gave them a hundred-franc note, pushed them outside and shut both doors.

"I am sorry, old chap," he said to Ganimard. "I wanted to talk to you ... wanted to talk to you badly."

He offered him his hand and, seeing that the inspector remained flabbergasted and that his face was still distorted with anger, he exclaimed:

"Why, you don't seem to understand!... And yet it's clear enough.... I wanted to see you particularly.... So what could I do?" And, pretending to reply to an objection, "No, no, old chap," he continued. "You're quite wrong. If I had written or telephoned, you would not have [143]come ... or else you would have come with a regiment. Now I wanted to see you all alone; and I thought the best thing was to send those two decent fellows to meet you, with orders to scatter bits of orange-peel and draw crosses and circles, in short, to mark out your road to this place.... Why, you look quite bewildered! What is it? Perhaps you don't recognize me? Lupin.... Arsène Lupin.... Ransack your memory.... Doesn't the name remind you of anything?"

"You dirty scoundrel!" Ganimard snarled between his teeth.

Lupin seemed greatly distressed and, in an affectionate voice:

"Are you vexed? Yes, I can see it in your eyes.... The Dugrival business, I suppose? I ought to have waited for you to come and take me in charge?... There now, the thought never occurred to me! I promise you, next time...."

"You scum of the earth!" growled Ganimard.

"And I thinking I was giving you a treat! Upon my word, I did. I said to myself, 'That dear old Ganimard! We haven't met for an age. He'll simply rush at me when he sees me!'"

Ganimard, who had not yet stirred a limb, seemed to be waking from his stupor. He looked around him, looked at Lupin, visibly asked himself whether he would not do well to rush at him in[144] reality and then, controlling himself, took hold of a chair and settled himself in it, as though he had suddenly made up his mind to listen to his enemy:

"Speak," he said. "And don't waste my time with any nonsense. I'm in a hurry."

"That's it," said Lupin, "let's talk. You can't imagine a quieter place than this. It's an old manor-house, which once stood in the open country, and it belongs to the Duc de Rochelaure. The duke, who has never lived in it, lets this floor to me and the outhouses to a painter and decorator. I always keep up a few establishments of this kind: it's a sound, practical plan. Here, in spite of my looking like a Russian nobleman, I am M. Daubreuil, an ex-cabinet-minister.... You understand, I had to select a rather overstocked profession, so as not to attract attention...."

"Do you think I care a hang about all this?" said Ganimard, interrupting him.

"Quite right, I'm wasting words and you're in a hurry. Forgive me. I sha'n't be long now.... Five minutes, that's all.... I'll start at once.... Have a cigar? No? Very well, no more will I."

He sat down also, drummed his fingers on the table, while thinking, and began in this fashion:

"On the 17th of October, 1599, on a warm and[145] sunny autumn day ... Do you follow me?... But, now that I come to think of it, is it really necessary to go back to the reign of Henry IV, and tell you all about the building of the Pont-Neuf? No, I don't suppose you are very well up in French history; and I should only end by muddling you. Suffice it, then, for you to know that, last night, at one o'clock in the morning, a boatman passing under the last arch of the Pont-Neuf aforesaid, along the left bank of the river, heard something drop into the front part of his barge. The thing had been flung from the bridge and its evident destination was the bottom of the Seine. The bargee's dog rushed forward, barking, and, when the man reached the end of his craft, he saw the animal worrying a piece of newspaper that had served to wrap up a number of objects. He took from the dog such of the contents as had not fallen into the water, went to his cabin and examined them carefully. The result struck him as interesting; and, as the man is connected with one of my friends, he sent to let me know. This morning I was waked up and placed in possession of the facts and of the objects which the man had collected. Here they are."

He pointed to them, spread out on a table. There were, first of all, the torn pieces of a newspaper. Next came a large cut-glass inkstand, with a long[146] piece of string fastened to the lid. There was a bit of broken glass and a sort of flexible cardboard, reduced to shreds. Lastly, there was a piece of bright scarlet silk, ending in a tassel of the same material and colour.

"You see our exhibits, friend of my youth," said Lupin. "No doubt, the problem would be more easily solved if we had the other objects which went overboard owing to the stupidity of the dog. But it seems to me, all the same, that we ought to be able to manage, with a little reflection and intelligence. And those are just your great qualities. How does the business strike you?"

Ganimard did not move a muscle. He was willing to stand Lupin's chaff, but his dignity commanded him not to speak a single word in answer nor even to give a nod or shake of the head that might have been taken to express approval or or criticism.

"I see that we are entirely of one mind," continued Lupin, without appearing to remark the chief-inspector's silence. "And I can sum up the matter briefly, as told us by these exhibits. Yesterday evening, between nine and twelve o'clock, a showily dressed young woman was wounded with a knife and then caught round the throat and choked to death by a well-dressed gentleman, wearing a single eyeglass and interested in racing, with whom[147] the aforesaid showily dressed young lady had been eating three meringues and a coffee éclair."

Lupin lit a cigarette and, taking Ganimard by the sleeve:

"Aha, that's up against you, chief-inspector! You thought that, in the domain of police deductions, such feats as those were prohibited to outsiders! Wrong, sir! Lupin juggles with inferences and deductions for all the world like a detective in a novel. My proofs are dazzling and absolutely simple."

And, pointing to the objects one by one, as he demonstrated his statement, he resumed:

"I said, after nine o'clock yesterday evening. This scrap of newspaper bears yesterday's date, with the words, 'Evening edition.' Also, you will see here, pasted to the paper, a bit of one of those yellow wrappers in which the subscribers' copies are sent out. These copies are always delivered by the nine o'clock post. Therefore, it was after nine o'clock. I said, a well-dressed man. Please observe that this tiny piece of glass has the round hole of a single eyeglass at one of the edges and that the single eyeglass is an essentially aristocratic article of wear. This well-dressed man walked into a pastry-cook's shop. Here is the very thin cardboard, shaped like a box, and still showing a little of the cream of the meringues and éclairs[148] which were packed in it in the usual way. Having got his parcel, the gentleman with the eyeglass joined a young person whose eccentricity in the matter of dress is pretty clearly indicated by this bright-red silk scarf. Having joined her, for some reason as yet unknown he first stabbed her with a knife and then strangled her with the help of this same scarf. Take your magnifying glass, chief-inspector, and you will see, on the silk, stains of a darker red which are, here, the marks of a knife wiped on the scarf and, there, the marks of a hand, covered with blood, clutching the material. Having committed the murder, his next business is to leave no trace behind him. So he takes from his pocket, first, the newspaper to which he subscribes—a racing-paper, as you will see by glancing at the contents of this scrap; and you will have no difficulty in discovering the title—and, secondly, a cord, which, on inspection, turns out to be a length of whip-cord. These two details prove—do they not?—that our man is interested in racing and that he himself rides. Next, he picks up the fragments of his eyeglass, the cord of which has been broken in the struggle. He takes a pair of scissors—observe the hacking of the scissors—and cuts off the stained part of the scarf, leaving the other end, no doubt, in his victim's clenched hands. He makes a ball of the confectioner's cardboard[149] box. He also puts in certain things that would have betrayed him, such as the knife, which must have slipped into the Seine. He wraps everything in the newspaper, ties it with the cord and fastens this cut-glass inkstand to it, as a make-weight. Then he makes himself scarce. A little later, the parcel falls into the waterman's barge. And there you are. Oof, it's hot work!... What do you say to the story?"

He looked at Ganimard to see what impression his speech had produced on the inspector. Ganimard did not depart from his attitude of silence.

Lupin began to laugh:

"As a matter of fact, you're annoyed and surprised. But you're suspicious as well: 'Why should that confounded Lupin hand the business over to me,' say you, 'instead of keeping it for himself, hunting down the murderer and rifling his pockets, if there was a robbery?' The question is quite logical, of course. But—there is a 'but'—I have no time, you see. I am full up with work at the present moment: a burglary in London, another at Lausanne, an exchange of children at Marseilles, to say nothing of having to save a young girl who is at this moment shadowed by death. That's always the way: it never rains but it pours. So I said to myself, 'Suppose I handed the business over to my dear old Ganimard? Now that it is[150] half-solved for him, he is quite capable of succeeding. And what a service I shall be doing him! How magnificently he will be able to distinguish himself!' No sooner said than done. At eight o'clock in the morning, I sent the joker with the orange-peel to meet you. You swallowed the bait; and you were here by nine, all on edge and eager for the fray."

Lupin rose from his chair. He went over to the inspector and, with his eyes in Ganimard's, said:

"That's all. You now know the whole story. Presently, you will know the victim: some ballet-dancer, probably, some singer at a music-hall. On the other hand, the chances are that the criminal lives near the Pont-Neuf, most likely on the left bank. Lastly, here are all the exhibits. I make you a present of them. Set to work. I shall only keep this end of the scarf. If ever you want to piece the scarf together, bring me the other end, the one which the police will find round the victim's neck. Bring it me in four weeks from now to the day, that is to say, on the 29th of December, at ten o'clock in the morning. You can be sure of finding me here. And don't be afraid: this is all perfectly serious, friend of my youth; I swear it is. No humbug, honour bright. You can go straight ahead. Oh, by the way, when you[151] arrest the fellow with the eyeglass, be a bit careful: he is left-handed! Good-bye, old dear, and good luck to you!"

Lupin spun round on his heel, went to the door, opened it and disappeared before Ganimard had even thought of taking a decision. The inspector rushed after him, but at once found that the handle of the door, by some trick of mechanism which he did not know, refused to turn. It took him ten minutes to unscrew the lock and ten minutes more to unscrew the lock of the hall-door. By the time that he had scrambled down the three flights of stairs, Ganimard had given up all hope of catching Arsène Lupin.

Besides, he was not thinking of it. Lupin inspired him with a queer, complex feeling, made up of fear, hatred, involuntary admiration and also the vague instinct that he, Ganimard, in spite of all his efforts, in spite of the persistency of his endeavours, would never get the better of this particular adversary. He pursued him from a sense of duty and pride, but with the continual dread of being taken in by that formidable hoaxer and scouted and fooled in the face of a public that was always only too willing to laugh at the chief-inspector's mishaps.

This business of the red scarf, in particular, struck him as most suspicious. It was interesting,[152] certainly, in more ways than one, but so very improbable! And Lupin's explanation, apparently so logical, would never stand the test of a severe examination!

"No," said Ganimard, "this is all swank: a parcel of suppositions and guesswork based upon nothing at all. I'm not to be caught with chaff."

When he reached the headquarters of police, at 36 Quai des Orfèvres, he had quite made up his mind to treat the incident as though it had never happened.

He went up to the Criminal Investigation Department. Here, one of his fellow-inspectors said:

"Seen the chief?"

"No."

"He was asking for you just now."

"Oh, was he?"

"Yes, you had better go after him."

"Where?"

"To the Rue de Berne ... there was a murder there last night."

"Oh! Who's the victim?"

"I don't know exactly ... a music-hall singer, I believe."

Ganimard simply muttered:

"By Jove!"

Twenty minutes later he stepped out of the[153] underground railway-station and made for the Rue de Berne.

The victim, who was known in the theatrical world by her stage-name of Jenny Saphir, occupied a small flat on the second floor of one of the houses. A policeman took the chief-inspector upstairs and showed him the way, through two sitting-rooms, to a bedroom, where he found the magistrates in charge of the inquiry, together with the divisional surgeon and M. Dudouis, the head of the detective-service.

Ganimard started at the first glance which he gave into the room. He saw, lying on a sofa, the corpse of a young woman whose hands clutched a strip of red silk! One of the shoulders, which appeared above the low-cut bodice, bore the marks of two wounds surrounded with clotted blood. The distorted and almost blackened features still bore an expression of frenzied terror.

The divisional surgeon, who had just finished his examination, said:

"My first conclusions are very clear. The victim was twice stabbed with a dagger and afterward strangled. The immediate cause of death was asphyxia."

"By Jove!" thought Ganimard again, remembering Lupin's words and the picture which he had drawn of the crime.[154]

The examining-magistrate objected:

"But the neck shows no discoloration."

"She may have been strangled with a napkin or a handkerchief," said the doctor.

"Most probably," said the chief detective, "with this silk scarf, which the victim was wearing and a piece of which remains, as though she had clung to it with her two hands to protect herself."

"But why does only that piece remain?" asked the magistrate. "What has become of the other?"

"The other may have been stained with blood and carried off by the murderer. You can plainly distinguish the hurried slashing of the scissors."

"By Jove!" said Ganimard, between his teeth, for the third time. "That brute of a Lupin saw everything without seeing a thing!"

"And what about the motive of the murder?" asked the magistrate. "The locks have been forced, the cupboards turned upside down. Have you anything to tell me, M. Dudouis?"

The chief of the detective-service replied:

"I can at least suggest a supposition, derived from the statements made by the servant. The victim, who enjoyed a greater reputation on account of her looks than through her talent as a singer, went to Russia, two years ago, and brought back with her a magnificent sapphire, which she appears to have[155] received from some person of importance at the court. Since then, she went by the name of Jenny Saphir and seems generally to have been very proud of that present, although, for prudence sake, she never wore it. I daresay that we shall not be far out if we presume the theft of the sapphire to have been the cause of the crime."

"But did the maid know where the stone was?"

"No, nobody did. And the disorder of the room would tend to prove that the murderer did not know either."

"We will question the maid," said the examining-magistrate.

M. Dudouis took the chief-inspector aside and said:

"You're looking very old-fashioned, Ganimard. What's the matter? Do you suspect anything?"

"Nothing at all, chief."

"That's a pity. We could do with a bit of showy work in the department. This is one of a number of crimes, all of the same class, of which we have failed to discover the perpetrator. This time we want the criminal ... and quickly!"

"A difficult job, chief."

"It's got to be done. Listen to me, Ganimard. According to what the maid says, Jenny Saphir led a very regular life. For a month past she was in the habit of frequently receiving visits, on her return[156] from the music-hall, that is to say, at about half-past ten, from a man who would stay until midnight or so. 'He's a society man,' Jenny Saphir used to say, 'and he wants to marry me.' This society man took every precaution to avoid being seen, such as turning up his coat-collar and lowering the brim of his hat when he passed the porter's box. And Jenny Saphir always made a point of sending away her maid, even before he came. This is the man whom we have to find."

"Has he left no traces?"

"None at all. It is obvious that we have to deal with a very clever scoundrel, who prepared his crime beforehand and committed it with every possible chance of escaping unpunished. His arrest would be a great feather in our cap. I rely on you, Ganimard."

"Ah, you rely on me, chief?" replied the inspector. "Well, we shall see ... we shall see.... I don't say no.... Only...."

He seemed in a very nervous condition, and his agitation struck M. Dudouis.

"Only," continued Ganimard, "only I swear ... do you hear, chief? I swear...."

"What do you swear?"

"Nothing.... We shall see, chief ... we shall see...."

Ganimard did not finish his sentence until he was[157] outside, alone. And he finished it aloud, stamping his foot, in a tone of the most violent anger:

"Only, I swear to Heaven that the arrest shall be effected by my own means, without my employing a single one of the clues with which that villain has supplied me. Ah, no! Ah, no!..."

Railing against Lupin, furious at being mixed up in this business and resolved, nevertheless, to get to the bottom of it, he wandered aimlessly about the streets. His brain was seething with irritation; and he tried to adjust his ideas a little and to discover, among the chaotic facts, some trifling detail, unperceived by all, unsuspected by Lupin himself, that might lead him to success.

He lunched hurriedly at a bar, resumed his stroll and suddenly stopped, petrified, astounded and confused. He was walking under the gateway of the very house in the Rue de Surène to which Lupin had enticed him a few hours earlier! A force stronger than his own will was drawing him there once more. The solution of the problem lay there. There and there alone were all the elements of the truth. Do and say what he would, Lupin's assertions were so precise, his calculations so accurate, that, worried to the innermost recesses of his being by so prodigious a display of perspicacity, he could not do other than take up the work at the point where his enemy had left it.[158]

Abandoning all further resistance, he climbed the three flights of stairs. The door of the flat was open. No one had touched the exhibits. He put them in his pocket and walked away.

From that moment, he reasoned and acted, so to speak, mechanically, under the influence of the master whom he could not choose but obey.

Admitting that the unknown person whom he was seeking lived in the neighbourhood of the Pont-Neuf, it became necessary to discover, somewhere between that bridge and the Rue de Berne, the first-class confectioner's shop, open in the evenings, at which the cakes were bought. This did not take long to find. A pastry-cook near the Gare Saint-Lazare showed him some little cardboard boxes, identical in material and shape with the one in Ganimard's possession. Moreover, one of the shop-girls remembered having served, on the previous evening, a gentleman whose face was almost concealed in the collar of his fur coat, but whose eyeglass she had happened to notice.

"That's one clue checked," thought the inspector. "Our man wears an eyeglass."

He next collected the pieces of the racing-paper and showed them to a newsvendor, who easily recognized the Turf Illustré. Ganimard at once went to the offices of the Turf and asked to see the list of subscribers. Going through the list, he jotted[159] down the names and addresses of all those who lived anywhere near the Pont-Neuf and principally—because Lupin had said so—those on the left bank of the river.

He then went back to the Criminal Investigation Department, took half a dozen men and packed them off with the necessary instructions.

At seven o'clock in the evening, the last of these men returned and brought good news with him. A certain M. Prévailles, a subscriber to the Turf, occupied an entresol flat on the Quai des Augustins. On the previous evening, he left his place, wearing a fur coat, took his letters and his paper, the Turf Illustré, from the porter's wife, walked away and returned home at midnight. This M. Prévailles wore a single eyeglass. He was a regular race-goer and himself owned several hacks which he either rode himself or jobbed out.

The inquiry had taken so short a time and the results obtained were so exactly in accordance with Lupin's predictions that Ganimard felt quite overcome on hearing the detective's report. Once more he was measuring the prodigious extent of the resources at Lupin's disposal. Never in the course of his life—and Ganimard was already well-advanced in years—had he come across such perspicacity, such a quick and far-seeing mind.

He went in search of M. Dudouis.[160]

"Everything's ready, chief. Have you a warrant?"

"Eh?"

"I said, everything is ready for the arrest, chief."

"You know the name of Jenny Saphir's murderer?"

"Yes."

"But how? Explain yourself."

Ganimard had a sort of scruple of conscience, blushed a little and nevertheless replied:

"An accident, chief. The murderer threw everything that was likely to compromise him into the Seine. Part of the parcel was picked up and handed to me."

"By whom?"

"A boatman who refused to give his name, for fear of getting into trouble. But I had all the clues I wanted. It was not so difficult as I expected."

And the inspector described how he had gone to work.

"And you call that an accident!" cried M. Dudouis. "And you say that it was not difficult! Why, it's one of your finest performances! Finish it yourself, Ganimard, and be prudent."

Ganimard was eager to get the business done. He went to the Quai des Augustins with his men and distributed them around the house. He questioned[161] the portress, who said that her tenant took his meals out of doors, but made a point of looking in after dinner.

A little before nine o'clock, in fact, leaning out of her window, she warned Ganimard, who at once gave a low whistle. A gentleman in a tall hat and a fur coat was coming along the pavement beside the Seine. He crossed the road and walked up to the house.

Ganimard stepped forward:

"M. Prévailles, I believe?"

"Yes, but who are you?"

"I have a commission to...."

He had not time to finish his sentence. At the sight of the men appearing out of the shadow, Prévailles quickly retreated to the wall and faced his adversaries, with his back to the door of a shop on the ground-floor, the shutters of which were closed.

"Stand back!" he cried. "I don't know you!"

His right hand brandished a heavy stick, while his left was slipped behind him and seemed to be trying to open the door.

Ganimard had an impression that the man might escape through this way and through some secret outlet:

"None of this nonsense," he said, moving closer to him. "You're caught.... You had better come quietly."[162]

But, just as he was laying hold of Prévailles' stick, Ganimard remembered the warning which Lupin gave him: Prévailles was left-handed; and it was his revolver for which he was feeling behind his back.

The inspector ducked his head. He had noticed the man's sudden movement. Two reports rang out. No one was hit.

A second later, Prévailles received a blow under the chin from the butt-end of a revolver, which brought him down where he stood. He was entered at the Dépôt soon after nine o'clock.

Ganimard enjoyed a great reputation even at that time. But this capture, so quickly effected, by such very simple means, and at once made public by the police, won him a sudden celebrity. Prévailles was forthwith saddled with all the murders that had remained unpunished; and the newspapers vied with one another in extolling Ganimard's prowess.

The case was conducted briskly at the start. It was first of all ascertained that Prévailles, whose real name was Thomas Derocq, had already been in trouble. Moreover, the search instituted in his rooms, while not supplying any fresh proofs, at least led to the discovery of a ball of whip-cord similar to the cord used for doing up the parcel and[163] also to the discovery of daggers which would have produced a wound similar to the wounds on the victim.

But, on the eighth day, everything was changed. Until then Prévailles had refused to reply to the questions put to him; but now, assisted by his counsel, he pleaded a circumstantial alibi and maintained that he was at the Folies-Bergère on the night of the murder.

As a matter of fact, the pockets of his dinner-jacket contained the counterfoil of a stall-ticket and a programme of the performance, both bearing the date of that evening.

"An alibi prepared in advance," objected the examining-magistrate.

"Prove it," said Prévailles.

The prisoner was confronted with the witnesses for the prosecution. The young lady from the confectioner's "thought she knew" the gentleman with the eyeglass. The hall-porter in the Rue de Berne "thought he knew" the gentleman who used to come to see Jenny Saphir. But nobody dared to make a more definite statement.

The examination, therefore, led to nothing of a precise character, provided no solid basis whereon to found a serious accusation.

The judge sent for Ganimard and told him of his difficulty.[164]

"I can't possibly persist, at this rate. There is no evidence to support the charge."

"But surely you are convinced in your own mind, monsieur le juge d'instruction! Prévailles would never have resisted his arrest unless he was guilty."

"He says that he thought he was being assaulted. He also says that he never set eyes on Jenny Saphir; and, as a matter of fact, we can find no one to contradict his assertion. Then again, admitting that the sapphire has been stolen, we have not been able to find it at his flat."

"Nor anywhere else," suggested Ganimard.

"Quite true, but that is no evidence against him. I'll tell you what we shall want, M. Ganimard, and that very soon: the other end of this red scarf."

"The other end?"

"Yes, for it is obvious that, if the murderer took it away with him, the reason was that the stuff is stained with the marks of the blood on his fingers."

Ganimard made no reply. For several days he had felt that the whole business was tending to this conclusion. There was no other proof possible. Given the silk scarf—and in no other circumstances—Prévailles' guilt was certain. Now Ganimard's position required that Prévailles' guilt should be[165] established. He was responsible for the arrest, it had cast a glamour around him, he had been praised to the skies as the most formidable adversary of criminals; and he would look absolutely ridiculous if Prévailles were released.

Unfortunately, the one and only indispensable proof was in Lupin's pocket. How was he to get hold of it?

Ganimard cast about, exhausted himself with fresh investigations, went over the inquiry from start to finish, spent sleepless nights in turning over the mystery of the Rue de Berne, studied the records of Prévailles' life, sent ten men hunting after the invisible sapphire. Everything was useless.

On the 28th of December, the examining-magistrate stopped him in one of the passages of the Law Courts:

"Well, M. Ganimard, any news?"

"No, monsieur le juge d'instruction."

"Then I shall dismiss the case."

"Wait one day longer."

"What's the use? We want the other end of the scarf; have you got it?"

"I shall have it to-morrow."

"To-morrow!"

"Yes, but please lend me the piece in your possession."

"What if I do?"[166]

"If you do, I promise to let you have the whole scarf complete."

"Very well, that's understood."

Ganimard followed the examining-magistrate to his room and came out with the piece of silk:

"Hang it all!" he growled. "Yes, I will go and fetch the proof and I shall have it too ... always presuming that Master Lupin has the courage to keep the appointment."

In point of fact, he did not doubt for a moment that Master Lupin would have this courage, and that was just what exasperated him. Why had Lupin insisted on this meeting? What was his object, in the circumstances?

Anxious, furious and full of hatred, he resolved to take every precaution necessary not only to prevent his falling into a trap himself, but to make his enemy fall into one, now that the opportunity offered. And, on the next day, which was the 29th of December, the date fixed by Lupin, after spending the night in studying the old manor-house in the Rue de Surène and convincing himself that there was no other outlet than the front door, he warned his men that he was going on a dangerous expedition and arrived with them on the field of battle.

He posted them in a café and gave them formal instructions: if he showed himself at one of the[167] third-floor windows, or if he failed to return within an hour, the detectives were to enter the house and arrest any one who tried to leave it.

The chief-inspector made sure that his revolver was in working order and that he could take it from his pocket easily. Then he went upstairs.

He was surprised to find things as he had left them, the doors open and the locks broken. After ascertaining that the windows of the principal room looked out on the street, he visited the three other rooms that made up the flat. There was no one there.

"Master Lupin was afraid," he muttered, not without a certain satisfaction.

"Don't be silly," said a voice behind him.

Turning round, he saw an old workman, wearing a house-painter's long smock, standing in the doorway.

"You needn't bother your head," said the man. "It's I, Lupin. I have been working in the painter's shop since early morning. This is when we knock off for breakfast. So I came upstairs."

He looked at Ganimard with a quizzing smile and cried:

"'Pon my word, this is a gorgeous moment I owe you, old chap! I wouldn't sell it for ten years of your life; and yet you know how I love you! What do you think of it, artist? Wasn't[168] it well thought out and well foreseen? Foreseen from alpha to omega? Did I understand the business? Did I penetrate the mystery of the scarf? I'm not saying that there were no holes in my argument, no links missing in the chain.... But what a masterpiece of intelligence! Ganimard, what a reconstruction of events! What an intuition of everything that had taken place and of everything that was going to take place, from the discovery of the crime to your arrival here in search of a proof! What really marvellous divination! Have you the scarf?"

"Yes, half of it. Have you the other?"

"Here it is. Let's compare."

They spread the two pieces of silk on the table. The cuts made by the scissors corresponded exactly. Moreover, the colours were identical.

"But I presume," said Lupin, "that this was not the only thing you came for. What you are interested in seeing is the marks of the blood. Come with me, Ganimard: it's rather dark in here."

They moved into the next room, which, though it overlooked the courtyard, was lighter; and Lupin held his piece of silk against the window-pane:

"Look," he said, making room for Ganimard.

The inspector gave a start of delight. The marks of the five fingers and the print of the palm were[169] distinctly visible. The evidence was undeniable. The murderer had seized the stuff in his bloodstained hand, in the same hand that had stabbed Jenny Saphir, and tied the scarf round her neck.

"And it is the print of a left hand," observed Lupin. "Hence my warning, which had nothing miraculous about it, you see. For, though I admit, friend of my youth, that you may look upon me as a superior intelligence, I won't have you treat me as a wizard."

Ganimard had quickly pocketed the piece of silk. Lupin nodded his head in approval:

"Quite right, old boy, it's for you. I'm so glad you're glad! And, you see, there was no trap about all this ... only the wish to oblige ... a service between friends, between pals.... And also, I confess, a little curiosity.... Yes, I wanted to examine this other piece of silk, the one the police had.... Don't be afraid: I'll give it back to you.... Just a second...."

Lupin, with a careless movement, played with the tassel at the end of this half of the scarf, while Ganimard listened to him in spite of himself:

"How ingenious these little bits of women's work are! Did you notice one detail in the maid's evidence? Jenny Saphir was very handy with her needle and used to make all her own hats and frocks. It is obvious that she made this[170] scarf herself.... Besides, I noticed that from the first. I am naturally curious, as I have already told you, and I made a thorough examination of the piece of silk which you have just put in your pocket. Inside the tassel, I found a little sacred medal, which the poor girl had stitched into it to bring her luck. Touching, isn't it, Ganimard? A little medal of Our Lady of Good Succour."

The inspector felt greatly puzzled and did not take his eyes off the other. And Lupin continued:

"Then I said to myself, 'How interesting it would be to explore the other half of the scarf, the one which the police will find round the victim's neck!' For this other half, which I hold in my hands at last, is finished off in the same way ... so I shall be able to see if it has a hiding-place too and what's inside it.... But look, my friend, isn't it cleverly made? And so simple! All you have to do is to take a skein of red cord and braid it round a wooden cup, leaving a little recess, a little empty space in the middle, very small, of course, but large enough to hold a medal of a saint ... or anything.... A precious stone, for instance.... Such as a sapphire...."

At that moment he finished pushing back the silk cord and, from the hollow of a cup he took between his thumb and forefinger a wonderful blue stone, perfect in respect of size and purity.[171]

"Ha! What did I tell you, friend of my youth?"

He raised his head. The inspector had turned livid and was staring wild-eyed, as though fascinated by the stone that sparkled before him. He at last realized the whole plot:

"You dirty scoundrel!" he muttered, repeating the insults which he had used at the first interview. "You scum of the earth!"

The two men were standing one against the other.

"Give me back that," said the inspector.

Lupin held out the piece of silk.

"And the sapphire," said Ganimard, in a peremptory tone.

"Don't be silly."

"Give it back, or...."

"Or what, you idiot!" cried Lupin. "Look here, do you think I put you on to this soft thing for nothing?"

"Give it back!"

"You haven't noticed what I've been about, that's plain! What! For four weeks I've kept you on the move like a deer; and you want to ...! Come, Ganimard, old chap, pull yourself together!... Don't you see that you've been playing the good dog for four weeks on end?... Fetch it, Rover!... There's a nice blue pebble over there, which master can't get at. Hunt it, Ganimard,[172] fetch it ... bring it to master.... Ah, he's his master's own good little dog!... Sit up! Beg!... Does'ms want a bit of sugar, then?..."

Ganimard, containing the anger that seethed within him, thought only of one thing, summoning his detectives. And, as the room in which he now was looked out on the courtyard, he tried gradually to work his way round to the communicating door. He would then run to the window and break one of the panes.

"All the same," continued Lupin, "what a pack of dunderheads you and the rest must be! You've had the silk all this time and not one of you ever thought of feeling it, not one of you ever asked himself the reason why the poor girl hung on to her scarf. Not one of you! You just acted at haphazard, without reflecting, without foreseeing anything...."

The inspector had attained his object. Taking advantage of a second when Lupin had turned away from him, he suddenly wheeled round and grasped the door-handle. But an oath escaped him: the handle did not budge.

Lupin burst into a fit of laughing:

"Not even that! You did not even foresee that! You lay a trap for me and you won't admit that I may perhaps smell the thing out beforehand.... And you allow yourself to be brought[173] into this room without asking whether I am not bringing you here for a particular reason and without remembering that the locks are fitted with a special mechanism. Come now, speaking frankly, what do you think of it yourself?"

"What do I think of it?" roared Ganimard, beside himself with rage.

He had drawn his revolver and was pointing it straight at Lupin's face.

"Hands up!" he cried. "That's what I think of it!"

Lupin placed himself in front of him and shrugged his shoulders:

"Sold again!" he said.

"Hands up, I say, once more!"

"And sold again, say I. Your deadly weapon won't go off."

"What?"

"Old Catherine, your housekeeper, is in my service. She damped the charges this morning while you were having your breakfast coffee."

Ganimard made a furious gesture, pocketed the revolver and rushed at Lupin.

"Well?" said Lupin, stopping him short with a well-aimed kick on the shin.

Their clothes were almost touching. They exchanged defiant glances, the glances of two adversaries who mean to come to blows. Nevertheless,[174] there was no fight. The recollection of the earlier struggles made any present struggle useless. And Ganimard, who remembered all his past failures, his vain attacks, Lupin's crushing reprisals, did not lift a limb. There was nothing to be done. He felt it. Lupin had forces at his command against which any individual force simply broke to pieces. So what was the good?

"I agree," said Lupin, in a friendly voice, as though answering Ganimard's unspoken thought, "you would do better to let things be as they are. Besides, friend of my youth, think of all that this incident has brought you: fame, the certainty of quick promotion and, thanks to that, the prospect of a happy and comfortable old age! Surely, you don't want the discovery of the sapphire and the head of poor Arsène Lupin in addition! It wouldn't be fair. To say nothing of the fact that poor Arsène Lupin saved your life.... Yes, sir! Who warned you, at this very spot, that Prévailles was left-handed?... And is this the way you thank me? It's not pretty of you, Ganimard. Upon my word, you make me blush for you!"

While chattering, Lupin had gone through the same performance as Ganimard and was now near the door. Ganimard saw that his foe was about to escape him. Forgetting all prudence, he tried to block his way and received a tremendous butt[175] in the stomach, which sent him rolling to the opposite wall.

Lupin dexterously touched a spring, turned the handle, opened the door and slipped away, roaring with laughter as he went.

Twenty minutes later, when Ganimard at last succeeded in joining his men, one of them said to him:

"A house-painter left the house, as his mates were coming back from breakfast, and put a letter in my hand. 'Give that to your governor,' he said. 'Which governor?' I asked; but he was gone. I suppose it's meant for you."

"Let's have it."

Ganimard opened the letter. It was hurriedly scribbled in pencil and contained these words:

After he had been round the walls of the property,[177] Arsène Lupin returned to the spot from which he started. It was perfectly clear to him that there was no breach in the walls; and the only way of entering the extensive grounds of the Château de Maupertuis was through a little low door, firmly bolted on the inside, or through the principal gate, which was overlooked by the lodge.

"Very well," he said. "We must employ heroic methods."

Pushing his way into the copsewood where he had hidden his motor-bicycle, he unwound a length of twine from under the saddle and went to a place which he had noticed in the course of his exploration. At this place, which was situated far from the road, on the edge of a wood, a number of large trees, standing inside the park, overlapped the wall.

Lupin fastened a stone to the end of the string, threw it up and caught a thick branch, which he[178] drew down to him and bestraddled. The branch, in recovering its position, raised him from the ground. He climbed over the wall, slipped down the tree, and sprang lightly on the grass.

It was winter; and, through the leafless boughs, across the undulating lawns, he could see the little Château de Maupertuis in the distance. Fearing lest he should be perceived, he concealed himself behind a clump of fir-trees. From there, with the aid of a field-glass, he studied the dark and melancholy front of the manor-house. All the windows were closed and, as it were, barricaded with solid shutters. The house might easily have been uninhabited.

"By Jove!" muttered Lupin. "It's not the liveliest of residences. I shall certainly not come here to end my days!"

But the clock struck three; one of the doors on the ground-floor opened; and the figure of a woman appeared, a very slender figure wrapped in a brown cloak.

The woman walked up and down for a few minutes and was at once surrounded by birds, to which she scattered crumbs of bread. Then she went down the stone steps that led to the middle lawn and skirted it, taking the path on the right.

With his field-glass, Lupin could distinctly see her coming in his direction. She was tall, fair-[179]haired, graceful in appearance, and seemed to be quite a young girl. She walked with a sprightly step, looking at the pale December sun and amusing herself by breaking the little dead twigs on the shrubs along the road.

She had gone nearly two thirds of the distance that separated her from Lupin when there came a furious sound of barking and a huge dog, a colossal Danish boarhound, sprang from a neighbouring kennel and stood erect at the end of the chain by which it was fastened.

The girl moved a little to one side, without paying further attention to what was doubtless a daily incident. The dog grew angrier than ever, standing on its legs and dragging at its collar, at the risk of strangling itself.

Thirty or forty steps farther, yielding probably to an impulse of impatience, the girl turned round and made a gesture with her hand. The great Dane gave a start of rage, retreated to the back of its kennel and rushed out again, this time unfettered. The girl uttered a cry of mad terror. The dog was covering the space between them, trailing its broken chain behind it.

She began to run, to run with all her might, and screamed out desperately for help. But the dog came up with her in a few bounds.

She fell, at once exhausted, giving herself up for[180] lost. The animal was already upon her, almost touching her.

At that exact moment a shot rang out. The dog turned a complete somersault, recovered its feet, tore the ground and then lay down, giving a number of hoarse, breathless howls, which ended in a dull moan and an indistinct gurgling. And that was all.

"Dead," said Lupin, who had hastened up at once, prepared, if necessary, to fire his revolver a second time.

The girl had risen and stood pale, still staggering. She looked in great surprise at this man whom she did not know and who had saved her life; and she whispered:

"Thank you.... I have had a great fright.... You were in the nick of time.... I thank you, monsieur."

Lupin took off his hat:

"Allow me to introduce myself, mademoiselle.... My name is Paul Daubreuil.... But before entering into any explanations, I must ask for one moment...."

He stooped over the dog's dead body and examined the chain at the part where the brute's effort had snapped it:

"That's it," he said, between his teeth. "It's just as I suspected. By Jupiter, things are moving rapidly!... I ought to have come earlier."[181]

Returning to the girl's side, he said to her, speaking very quickly:

"Mademoiselle, we have not a minute to lose. My presence in these grounds is quite irregular. I do not wish to be surprised here; and this for reasons that concern yourself alone. Do you think that the report can have been heard at the house?"

The girl seemed already to have recovered from her emotion; and she replied, with a calmness that revealed all her pluck:

"I don't think so."

"Is your father in the house to-day?"

"My father is ill and has been in bed for months. Besides, his room looks out on the other front."

"And the servants?"

"Their quarters and the kitchen are also on the other side. No one ever comes to this part. I walk here myself, but nobody else does."

"It is probable, therefore, that I have not been seen either, especially as the trees hide us?"

"It is most probable."

"Then I can speak to you freely?"

"Certainly, but I don't understand...."

"You will, presently. Permit me to be brief. The point is this: four days ago, Mlle. Jeanne Darcieux...."

"That is my name," she said, smiling.

"Mlle. Jeanne Darcieux," continued Lupin, "wrote[182] a letter to one of her friends, called Marceline, who lives at Versailles...."

"How do you know all that?" asked the girl, in astonishment. "I tore up the letter before I had finished it."

"And you flung the pieces on the edge of the road that runs from the house to Vendôme."

"That's true.... I had gone out walking...."

"The pieces were picked up and they came into my hands next day."

"Then ... you must have read them," said Jeanne Darcieux, betraying a certain annoyance by her manner.

"Yes, I committed that indiscretion; and I do not regret it, because I can save you."

"Save me? From what?"

"From death."

Lupin spoke this little sentence in a very distinct voice. The girl gave a shudder. Then she said:

"I am not threatened with death."

"Yes, you are, mademoiselle. At the end of October, you were reading on a bench on the terrace where you were accustomed to sit at the same hour every day, when a block of stone fell from the cornice above your head and you were within a few inches of being crushed."

"An accident...."

"One fine evening in November, you were walking[183] in the kitchen-garden, by moonlight. A shot was fired, The bullet whizzed past your ear."

"At least, I thought so."

"Lastly, less than a week ago, the little wooden bridge that crosses the river in the park, two yards from the waterfall, gave way while you were on it. You were just able, by a miracle, to catch hold of the root of a tree."

Jeanne Darcieux tried to smile.

"Very well. But, as I wrote to Marceline, these are only a series of coincidences, of accidents...."

"No, mademoiselle, no. One accident of this sort is allowable.... So are two ... and even then!... But we have no right to suppose that the chapter of accidents, repeating the same act three times in such different and extraordinary circumstances, is a mere amusing coincidence. That is why I thought that I might presume to come to your assistance. And, as my intervention can be of no use unless it remains secret, I did not hesitate to make my way in here ... without walking through the gate. I came in the nick of time, as you said. Your enemy was attacking you once more."

"What!... Do you think?... No, it is impossible.... I refuse to believe...."

Lupin picked up the chain and, showing it to her:[184]

"Look at the last link. There is no question but that it has been filed. Otherwise, so powerful a chain as this would never have yielded. Besides, you can see the mark of the file here."

Jeanne turned pale and her pretty features were distorted with terror:

"But who can bear me such a grudge?" she gasped. "It is terrible.... I have never done any one harm.... And yet you are certainly right.... Worse still...."

She finished her sentence in a lower voice:

"Worse still, I am wondering whether the same danger does not threaten my father."

"Has he been attacked also?"

"No, for he never stirs from his room. But his is such a mysterious illness!... He has no strength ... he cannot walk at all.... In addition to that, he is subject to fits of suffocation, as though his heart stopped beating.... Oh, what an awful thing!"

Lupin realized all the authority which he was able to assert at such a moment, and he said:

"Have no fear, mademoiselle. If you obey me blindly, I shall be sure to succeed."

"Yes ... yes ... I am quite willing ... but all this is so terrible...."

"Trust me, I beg of you. And please listen to me, I shall want a few particulars."[185]

He rapped out a number of questions, which Jeanne Darcieux answered hurriedly:

"That animal was never let loose, was he?"

"Never."

"Who used to feed him?"

"The lodge-keeper. He brought him his food every evening."

"Consequently, he could go near him without being bitten?"

"Yes; and he only, for the dog was very savage."

"You don't suspect the man?"

"Oh, no!... Baptiste?... Never!"

"And you can't think of anybody?"

"No. Our servants are quite devoted to us. They are very fond of me."

"You have no friends staying in the house?"

"No."

"No brother?"

"No."

"Then your father is your only protector?"

"Yes; and I have told you the condition he is in."

"Have you told him of the different attempts?"

"Yes; and it was wrong of me to do so. Our doctor, old Dr. Guéroult, forbade me to cause him the least excitement."

"Your mother?..."[186]