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MYTH, RITUAL, AND RELIGION
Volume One
By Andrew Lang
CONTENTS
PREFACE TO NEW IMPRESSION.
PREFACE TO NEW EDITION.
MYTH, RITUAL, AND RELIGION CHAPTER I. SYSTEMS OF MYTHOLOGY
CHAPTER II. NEW SYSTEM PROPOSED
CHAPTER III. THE MENTAL CONDITION OF SAVAGES—CONFUSION WITH NATURE—TOTEMISM
CHAPTER IV. THE MENTAL CONDITION OF SAVAGES—MAGIC—METAMORPHOSIS—METAPHYSIC—PSYCHOLOGY
CHAPTER V. NATURE MYTHS
CHAPTER VI. NON-ARYAN MYTHS OF THE ORIGIN OF THE WORLD AND OF MAN
CHAPTER VII. INDO-ARYAN MYTHS—SOURCES OF EVIDENCE
CHAPTER VIII. INDIAN MYTHS OF THE ORIGIN OF THE WORLD AND OF MAN
CHAPTER IX. GREEK MYTHS OF THE ORIGIN OF THE WORLD AND MAN
CHAPTER X. GREEK COSMOGONIC MYTHS
CHAPTER XI. SAVAGE DIVINE MYTHS
CONTENTS
__A_TAG_PLACEHOLDER_0__
__A_TAG_PLACEHOLDER_1__
__A_TAG_PLACEHOLDER_2__ __A_TAG_PLACEHOLDER_3__ MYTHOLOGY SYSTEMS
__A_TAG_PLACEHOLDER_4__ NEW SYSTEM SUGGESTED
__A_TAG_PLACEHOLDER_5__ THE MENTAL STATE OF PRIMITIVE PEOPLES—DISORDER IN NATURE—TOTEMISM
__A_TAG_PLACEHOLDER_6__ THE MENTAL STATE OF PRIMITIVE PEOPLES—MAGIC—TRANSFORMATION—PHILOSOPHY—PSYCHOLOGY
__A_TAG_PLACEHOLDER_7__ NATURE MYTHS
__A_TAG_PLACEHOLDER_8__ NON-ARYAN MYTHS ABOUT THE ORIGIN OF THE WORLD AND OF HUMANS
__A_TAG_PLACEHOLDER_9__ INDO-ARYAN MYTHS—SOURCES OF EVIDENCE
__A_TAG_PLACEHOLDER_10__ INDIAN MYTHS ABOUT THE ORIGIN OF THE WORLD AND OF HUMANS
__A_TAG_PLACEHOLDER_11__ GREEK MYTHS ABOUT THE ORIGIN OF THE WORLD AND HUMANS
__A_TAG_PLACEHOLDER_12__ GREEK COSMOGONIC MYTHS
__A_TAG_PLACEHOLDER_13__ PRIMITIVE DIVINE MYTHS
DETAILED CONTENTS
PREFACE TO NEW IMPRESSION.
PREFACE TO NEW EDITION.
CHAPTER I.—SYSTEMS OF MYTHOLOGY.
Definitions of religion—Contradictory evidence—"Belief in
spiritual beings"—Objection to Mr. Tylor's definition—Definition
as regards this argument—Problem: the contradiction between
religion and myth—Two human moods—Examples—Case of Greece—
Ancient mythologists—Criticism by Eusebius—Modern mythological
systems—Mr. Max Muller—Mannhardt.
CHAPTER II.—NEW SYSTEM PROPOSED.
Chapter I. recapitulated—Proposal of a new method: Science of
comparative or historical study of man—Anticipated in part by
Eusebius, Fontenelle, De Brosses, Spencer (of C. C. C., Cambridge),
and Mannhardt—Science of Tylor—Object of inquiry: to find
condition of human intellect in which marvels of myth are parts of
practical everyday belief—This is the savage state—Savages
described—The wild element of myth a survival from the savage
state—Advantages of this method—Partly accounts for wide
DIFFUSION as well as ORIGIN of myths—Connected with general
theory of evolution—Puzzling example of myth of the water-
swallower—Professor Tiele's criticism of the method—
Objections to method, and answer to these—See Appendix B.
CHAPTER III.—THE MENTAL CONDITION OF SAVAGES—CONFUSION WITH
NATURE—TOTEMISM.
The mental condition of savages the basis of the irrational element
in myth—Characteristics of that condition: (1) Confusion of all
things in an equality of presumed animation and intelligence;
(2) Belief in sorcery; (3) Spiritualism; (4) Curiosity; (5) Easy
credulity and mental indolence—The curiosity is satisfied, thanks
to the credulity, by myths in answer to all inquiries—Evidence for
this—Mr. Tylor's opinion—Mr. Im Thurn—Jesuit missionaries'
Relations—Examples of confusion between men, plants, beasts and
other natural objects—Reports of travellers—Evidence from
institution of totemism—Definition of totemism—Totemism in
Australia, Africa, America, the Oceanic Islands, India, North Asia—
Conclusions: Totemism being found so widely distributed, is a proof
of the existence of that savage mental condition in which no line
is drawn between men and the other things in the world. This
confusion is one of the characteristics of myth in all races.
CHAPTER IV.—THE MENTAL CONDITION OF SAVAGES—MAGIC—
METAMORPHOSIS—METAPHYSIC—PSYCHOLOGY.
Claims of sorcerers—Savage scientific speculation—Theory of
causation—Credulity, except as to new religious ideas—"Post hoc,
ergo propter hoc"—Fundamental ideas of magic—Examples:
incantations, ghosts, spirits—Evidence of rank and other
institutions in proof of confusions of mind exhibited in magical
beliefs.
CHAPTER V.—NATURE MYTHS.
Savage fancy, curiosity and credulity illustrated in nature myths—
In these all phenomena are explained by belief in the general
animation of everything, combined with belief in metamorphosis—Sun
myths, Asian, Australian, African, Melanesian, Indian, Californian,
Brazilian, Maori, Samoan—Moon myths, Australian, Muysca, Mexican,
Zulu, Macassar, Greenland, Piute, Malay—Thunder myths—Greek and
Aryan sun and moon myths—Star myths—Myths, savage and civilised,
of animals, accounting for their marks and habits—Examples of
custom of claiming blood kinship with lower animals—Myths of
various plants and trees—Myths of stones, and of metamorphosis
into stones, Greek, Australian and American—The whole natural
philosophy of savages expressed in myths, and survives in folk-lore
and classical poetry; and legends of metamorphosis.
CHAPTER VI.—NON-ARYAN MYTHS OF THE ORIGIN OF THE WORLD AND OF MAN.
Confusions of myth—Various origins of man and of things—Myths of
Australia, Andaman Islands, Bushmen, Ovaherero, Namaquas, Zulus,
Hurons, Iroquois, Diggers, Navajoes, Winnebagoes, Chaldaeans,
Thlinkeets, Pacific Islanders, Maoris, Aztecs, Peruvians—
Similarity of ideas pervading all those peoples in various
conditions of society and culture.
CHAPTER VII.—INDO-ARYAN MYTHS—SOURCES OF EVIDENCE.
Authorities—Vedas—Brahmanas—Social condition of Vedic India—
Arts—Ranks—War—Vedic fetishism—Ancestor worship—Date of Rig-
Veda Hymns doubtful—Obscurity of the Hymns—Difficulty of
interpreting the real character of Veda—Not primitive but
sacerdotal—The moral purity not innocence but refinement.
CHAPTER VIII.—INDIAN MYTHS OF THE ORIGIN OF THE WORLD AND OF MAN.
Comparison of Vedic and savage myths—The metaphysical Vedic
account of the beginning of things—Opposite and savage fable of
world made out of fragments of a man—Discussion of this hymn—
Absurdities of Brahmanas—Prajapati, a Vedic Unkulunkulu or Qat—
Evolutionary myths—Marriage of heaven and earth—Myths of Puranas,
their savage parallels—Most savage myths are repeated in Brahmanas.
CHAPTER IX.—GREEK MYTHS OF THE ORIGIN OF THE WORLD AND MAN.
The Greeks practically civilised when we first meet them in Homer—
Their mythology, however, is full of repulsive features—The
hypothesis that many of these are savage survivals—Are there other
examples of such survival in Greek life and institutions?—Greek
opinion was constant that the race had been savage—Illustrations
of savage survival from Greek law of homicide, from magic,
religion, human sacrifice, religious art, traces of totemism, and
from the mysteries—Conclusion: that savage survival may also be
expected in Greek myths.
CHAPTER X.—GREEK COSMOGONIC MYTHS.
Nature of the evidence—Traditions of origin of the world and man—
Homeric, Hesiodic and Orphic myths—Later evidence of historians,
dramatists, commentators—The Homeric story comparatively pure—The
story in Hesiod, and its savage analogues—The explanations of the
myth of Cronus, modern and ancient—The Orphic cosmogony—Phanes
and Prajapati—Greek myths of the origin of man—Their savage
analogues.
CHAPTER XI.—SAVAGE DIVINE MYTHS.
The origin of a belief in GOD beyond the ken of history and of
speculation—Sketch of conjectural theories—Two elements in all
beliefs, whether of backward or civilised races—The Mythical and
the Religious—These may be coeval, or either may be older than the
other—Difficulty of study—The current anthropological theory—
Stated objections to the theory—Gods and spirits—Suggestion that
savage religion is borrowed from Europeans—Reply to Mr. Tylor's
arguments on this head—The morality of savages.
PREFACE TO NEW IMPRESSION.
PREFACE TO NEW EDITION.
CHAPTER I.—SYSTEMS OF MYTHOLOGY.
Definitions of religion—Conflicting evidence—"Belief in
spiritual beings"—Critique of Mr. Tylor's definition—Definition
related to this argument—Issue: the contradiction between
religion and myth—Two human emotions—Examples—Case of Greece—
Ancient mythologists—Criticism by Eusebius—Modern mythological
systems—Mr. Max Muller—Mannhardt.
CHAPTER II.—NEW SYSTEM PROPOSED.
Summary of Chapter I—Proposal of a new method: Science of
comparative or historical study of humanity—Mentioned by
Eusebius, Fontenelle, De Brosses, Spencer (of C. C. C., Cambridge),
and Mannhardt—Science of Tylor—Goal of inquiry: to find
the state of human intellect where myths are part of everyday belief—This represents the primitive state—Primitive people
described—The raw aspect of myth a remnant from the primitive
state—Benefits of this method—Partly explains the broad
DIFFUSION and ORIGIN of myths—Related to the general
theory of evolution—Intriguing example of the myth of the water-
swallower—Professor Tiele's critique of the method—
Objections to the method, and responses to these—See Appendix B.
CHAPTER III.—THE MENTAL CONDITION OF PRIMITIVE PEOPLE—CONFUSION WITH
NATURE—TOTEMISM.
The mental condition of primitive people underpins the irrational aspect
of myth—Characteristics of that condition: (1) Confusion of all
things in presumed equal animation and intelligence;
(2) Belief in magic; (3) Spiritualism; (4) Curiosity; (5) Easy
gullibility and mental laziness—Their curiosity is satisfied, thanks
to gullibility, by myths answering all inquiries—Evidence for
this—Mr. Tylor's view—Mr. Im Thurn—Jesuit missionaries'
Accounts—Examples of confusion between humans, plants, animals, and
other natural objects—Reports from travelers—Evidence from
the practice of totemism—Definition of totemism—Totemism in
Australia, Africa, America, the Oceanic Islands, India, North Asia—
Conclusions: The widespread existence of totemism supports
the idea of the primitive mental state where no line is drawn between humans and other entities in the world. This
confusion is a key characteristic of myth across all cultures.
CHAPTER IV.—THE MENTAL CONDITION OF PRIMITIVE PEOPLE—MAGIC—
METAMORPHOSIS—METAPHYSICS—PSYCHOLOGY.
Claims of magicians—Primitive scientific speculation—Theory of
causation—Gullibility, aside from new religious ideas—"Post hoc,
ergo propter hoc"—Core ideas of magic—Examples:
incantations, ghosts, spirits—Evidence of social ranks and other
institutions supporting the confusion of thoughts displayed in magical
beliefs.
CHAPTER V.—NATURE MYTHS.
Primitive imagination, curiosity, and gullibility illustrated in nature myths—
In these, all phenomena are explained by the belief in the general
animation of everything, combined with belief in transformation—Sun
myths from Asia, Australia, Africa, Melanesia, India, California,
Brazil, Maori, Samoan—Moon myths, Australian, Muysca, Mexican,
Zulu, Macassar, Greenland, Piute, Malay—Thunder myths—Greek and
Aryan sun and moon myths—Star myths—Myths, both primitive and civilized,
about animals, explaining their markings and behaviors—Examples of
the practice of claiming blood connections with lower animals—Myths of
various plants and trees—Myths of stones, and of transformation
into stones, from Greek, Australian, and American sources—The entire natural
philosophy of primitive people expressed in myths, and continued in folklore
and classical poetry; and legends of transformation.
CHAPTER VI.—NON-ARYAN MYTHS OF THE ORIGIN OF THE WORLD AND OF MAN.
Confusions in myth—Various stories of humanity and of things—Myths from
Australia, Andaman Islands, Bushmen, Ovaherero, Namaquas, Zulus,
Hurons, Iroquois, Diggers, Navajoes, Winnebagoes, Chaldeans,
Thlinkeets, Pacific Islanders, Maoris, Aztecs, Peruvians—
Similar themes found among all those peoples in different
social and cultural contexts.
CHAPTER VII.—INDO-ARYAN MYTHS—SOURCES OF EVIDENCE.
Authorities—Vedas—Brahmanas—Social context of Vedic India—
Arts—Social classes—War—Vedic fetishism—Ancestor worship—Date of Rig-
Veda Hymns unclear—Obscurity of the Hymns—Challenges in
interpreting the true nature of the Veda—Not primitive but
religious—The moral purity is not about innocence but refinement.
CHAPTER VIII.—INDIAN MYTHS OF THE ORIGIN OF THE WORLD AND OF MAN.
Comparison of Vedic and primitive myths—The metaphysical Vedic
explanation of the beginnings—Contrasting primitive tale of
the world being made from fragments of a man—Discussion of this hymn—
Nonsensical elements in Brahmanas—Prajapati, a Vedic Unkulunkulu or Qat—
Evolutionary myths—Marriage of heaven and earth—Myths from the Puranas,
and their primitive counterparts—Most primitive myths are repeated in Brahmanas.
CHAPTER IX.—GREEK MYTHS OF THE ORIGIN OF THE WORLD AND MAN.
The Greeks were practically civilized when we first meet them in Homer—
Their mythology, however, contains many disturbing elements—The
theory that many of these are primitive remnants—Are there other
instances of such remnants in Greek life and institutions?—Greek
belief was consistently that the race had been primitive—Examples
of primitive remnants in Greek law regarding homicide, magic,
religion, human sacrifice, religious art, traces of totemism, and
from the mysteries—Conclusion: that primitive remnants may also be
found in Greek myths.
CHAPTER X.—GREEK COSMOGONIC MYTHS.
Nature of the evidence—Traditions about the origins of the world and humanity—
Homeric, Hesiodic, and Orphic myths—Later testimonies from historians,
dramatists, commentators—The Homeric narrative is relatively pure—The
account in Hesiod, and its primitive parallels—The interpretations of the
myth of Cronus, both modern and ancient—The Orphic creation story—Phanes
and Prajapati—Greek myths of the origin of humanity—Their primitive
counterparts.
CHAPTER XI.—PRIMITIVE DIVINE MYTHS.
The origin of belief in GOD is beyond the reach of history and
speculation—Overview of hypothetical theories—Two elements present in all
beliefs, whether from primitive or civilized societies—The Mythical and
the Religious—These may exist simultaneously, or either may precede the
other—Challenges in studying this—The prevailing anthropological theory—
Addressed objections to the theory—Gods and spirits—Impression that
primitive religion is derived from Europeans—Response to Mr. Tylor's
arguments on this subject—The morality of primitive people.
PREFACE TO NEW IMPRESSION.
When this book first appeared (1886), the philological school of interpretation of religion and myth, being then still powerful in England, was criticised and opposed by the author. In Science, as on the Turkish throne of old, "Amurath to Amurath succeeds"; the philological theories of religion and myth have now yielded to anthropological methods. The centre of the anthropological position was the "ghost theory" of Mr. Herbert Spencer, the "Animistic" theory of Mr. E. R. Tylor, according to whom the propitiation of ancestral and other spirits leads to polytheism, and thence to monotheism. In the second edition (1901) of this work the author argued that the belief in a "relatively supreme being," anthropomorphic was as old as, and might be even older, than animistic religion. This theory he exhibited at greater length, and with a larger collection of evidence, in his Making of Religion.
When this book first came out (1886), the philological approach to interpreting religion and myth was still influential in England, but the author criticized and opposed it. In Science, like the old Turkish throne, "Amurath to Amurath succeeds"; the philological theories of religion and myth have now given way to anthropological methods. The core of the anthropological perspective was the "ghost theory" by Mr. Herbert Spencer and the "Animistic" theory by Mr. E. R. Tylor, who argued that honoring ancestral and other spirits leads to polytheism, and then to monotheism. In the second edition (1901) of this work, the author posited that the belief in a "relatively supreme being," who is anthropomorphic, is as ancient as, and might even predate, animistic religion. He elaborated on this theory in greater detail and with more evidence in his book, Making of Religion.
Since 1901, a great deal of fresh testimony as to what Mr. Howitt styles the "All Father" in savage and barbaric religions has accrued. As regards this being in Africa, the reader may consult the volumes of the New Series of the Journal of the Anthropological Institute, which are full of African evidence, not, as yet, discussed, to my knowledge, by any writer on the History of Religion. As late as Man, for July, 1906, No. 66, Mr. Parkinson published interesting Yoruba legends about Oleron, the maker and father of men, and Oro, the Master of the Bull Roarer.
Since 1901, a lot of new evidence about what Mr. Howitt calls the "All Father" in primitive and tribal religions has come to light. Regarding this being in Africa, the reader can check the volumes of the New Series of the Journal of the Anthropological Institute, which are packed with African data that, to my knowledge, hasn't been discussed by any scholars on the History of Religion. As recently as the July 1906 issue of Man, No. 66, Mr. Parkinson published fascinating Yoruba legends about Oleron, the creator and father of humans, and Oro, the Master of the Bull Roarer.
From Australia, we have Mr. Howitt's account of the All Father in his Native Tribes of South-East Australia, with the account of the All Father of the Central Australian tribe, the Kaitish, in North Central Tribes of Australia, by Messrs. Spencer and Gillen (1904), also The Euahlayi Tribe, by Mrs. Langley Parker (1906). These masterly books are indispensable to all students of the subject, while, in Messrs. Spencer and Gillen's work cited, and in their earlier Native Tribes of Central Australia, we are introduced to savages who offer an elaborate animistic theory, and are said to show no traces of the All Father belief.
From Australia, we have Mr. Howitt's account of the All Father in his Native Tribes of South-East Australia, along with the account of the All Father from the Central Australian tribe, the Kaitish, in North Central Tribes of Australia, by Messrs. Spencer and Gillen (1904), and also The Euahlayi Tribe, by Mrs. Langley Parker (1906). These excellent books are essential for anyone studying the topic. In Messrs. Spencer and Gillen's cited work and their earlier Native Tribes of Central Australia, we are introduced to people who present a complex animistic theory and are said to show no signs of belief in the All Father.
The books of Messrs. Spencer and Gillen also present much evidence as to a previously unknown form of totemism, in which the totem is not hereditary, and does not regulate marriage. This prevails among the Arunta "nation," and the Kaitish tribe. In the opinion of Mr. Spencer (Report Australian Association for Advancement of Science, 1904) and of Mr. J. G. Frazer (Fortnightly Review, September, 1905), this is the earliest surviving form of totemism, and Mr. Frazer suggests an animistic origin for the institution. I have criticised these views in The Secret of the Totem (1905), and proposed a different solution of the problem. (See also "Primitive and Advanced Totemism" in Journal of the Anthropological Institute, July, 1906.) In the works mentioned will be found references to other sources of information as to these questions, which are still sub judice. Mrs. Bates, who has been studying the hitherto almost unknown tribes of Western Australia, promises a book on their beliefs and institutions, and Mr. N. W. Thomas is engaged on a volume on Australian institutions. In this place the author can only direct attention to these novel sources, and to the promised third edition of Mr. Frazer's The Golden Bough.
The books by Spencer and Gillen provide a lot of evidence for a previously unknown type of totemism, where the totem isn't inherited and doesn't determine marriage. This type is seen among the Arunta "nation" and the Kaitish tribe. According to Mr. Spencer (Report Australian Association for Advancement of Science, 1904) and Mr. J. G. Frazer (Fortnightly Review, September, 1905), this is the earliest surviving form of totemism, with Mr. Frazer suggesting it has an animistic origin. I’ve critiqued these views in The Secret of the Totem (1905), offering a different solution to the problem. (See also "Primitive and Advanced Totemism" in Journal of the Anthropological Institute, July, 1906.) The mentioned works include references to other sources regarding these issues, which are still under review. Mrs. Bates, who has been researching the previously nearly unknown tribes of Western Australia, plans to publish a book about their beliefs and institutions, while Mr. N. W. Thomas is working on a volume about Australian institutions. Here, the author can only point out these new sources, along with the anticipated third edition of Mr. Frazer's The Golden Bough.
A. L.
A. L.
PREFACE TO NEW EDITION.
The original edition of Myth, Ritual and Religion, published in 1887, has long been out of print. In revising the book I have brought it into line with the ideas expressed in the second part of my Making of Religion (1898) and have excised certain passages which, as the book first appeared, were inconsistent with its main thesis. In some cases the original passages are retained in notes, to show the nature of the development of the author's opinions. A fragment or two of controversy has been deleted, and chapters xi. and xii., on the religion of the lowest races, have been entirely rewritten, on the strength of more recent or earlier information lately acquired. The gist of the book as it stands now and as it originally stood is contained in the following lines from the preface of 1887: "While the attempt is made to show that the wilder features of myth survive from, or were borrowed from, or were imitated from the ideas of people in the savage condition of thought, the existence—even among savages—of comparatively pure, if inarticulate, religious beliefs is insisted on throughout". To that opinion I adhere, and I trust that it is now expressed with more consistency than in the first edition. I have seen reason, more and more, to doubt the validity of the "ghost theory," or animistic hypothesis, as explanatory of the whole fabric of religion; and I present arguments against Mr. Tylor's contention that the higher conceptions of savage faith are borrowed from missionaries.(1) It is very possible, however, that Mr. Tylor has arguments more powerful than those contained in his paper of 1892. For our information is not yet adequate to a scientific theory of the Origin of Religion, and probably never will be. Behind the races whom we must regard as "nearest the beginning" are their unknown ancestors from a dateless past, men as human as ourselves, but men concerning whose psychical, mental and moral condition we can only form conjectures. Among them religion arose, in circumstances of which we are necessarily ignorant. Thus I only venture on a surmise as to the germ of a faith in a Maker (if I am not to say "Creator") and Judge of men. But, as to whether the higher religious belief, or the lower mythical stories came first, we are at least certain that the Christian conception of God, given pure, was presently entangled, by the popular fancy of Europe, in new Marchen about the Deity, the Madonna, her Son, and the Apostles. Here, beyond possibility of denial, pure belief came first, fanciful legend was attached after. I am inclined to surmise that this has always been the case, and, in the pages on the legend of Zeus, I show the processes of degeneration, of mythical accretions on a faith in a Heaven-God, in action. That "the feeling of religious devotion" attests "high faculties" in early man (such as are often denied to men who "cannot count up to seven"), and that "the same high mental faculties... would infallibly lead him, as long as his reasoning powers remained poorly developed, to various strange superstitions and customs," was the belief of Mr. Darwin.(2) That is also my view, and I note that the lowest savages are not yet guilty of the very worst practices, "sacrifice of human beings to a blood-loving God," and ordeals by poison and fire, to which Mr. Darwin alludes. "The improvement of our science" has freed us from misdeeds which are unknown to the Andamanese or the Australians. Thus there was, as regards these points in morals, degeneracy from savagery as society advanced, and I believe that there was also degeneration in religion. To say this is not to hint at a theory of supernatural revelation to the earliest men, a theory which I must, in limine disclaim.
The original edition of Myth, Ritual and Religion, published in 1887, has long been out of print. In revising the book, I’ve aligned it with the ideas I expressed in the second part of my Making of Religion (1898) and have removed certain passages that were inconsistent with its main thesis when the book first came out. In some cases, the original passages are included in notes to illustrate how my views have developed. I’ve cut out some controversial fragments, and chapters xi. and xii., focusing on the religion of the lowest races, have been completely rewritten based on more recent or newly acquired information. The essence of the book as it stands now and as it originally stood is captured in the following lines from the 1887 preface: "While the attempt is made to show that the wilder features of myth survive from, or were borrowed from, or were imitated from the ideas of people in a primitive state of thought, the existence—even among primitives—of relatively pure, if inarticulate, religious beliefs is emphasized throughout." I still hold this view, and I hope it’s now expressed more consistently than in the first edition. I’ve increasingly doubted the validity of the "ghost theory," or animistic hypothesis, as an explanation for the entire structure of religion; and I present arguments against Mr. Tylor’s claim that the higher ideas of primitive faith come from missionaries. However, it’s possible that Mr. Tylor has stronger arguments than those in his 1892 paper. Our understanding isn’t yet sufficient for a scientific theory of the Origin of Religion, and likely never will be. Behind the races we consider "closest to the beginning" are their unknown ancestors from a time long ago, people as human as we are, but we can only speculate about their psychological, mental, and moral state. Among them, religion emerged in circumstances of which we are necessarily unaware. So, I only speculate about the origins of belief in a Maker (if I may not say "Creator") and Judge of humanity. However, regarding whether the higher religious belief or the lower mythical stories came first, we can at least be sure that the pure Christian conception of God, when given plainly, became entangled, through popular imagination in Europe, with new legends about the Deity, the Madonna, her Son, and the Apostles. Here, without a doubt, pure belief came first, and fanciful legend was attached later. I tend to believe this has always been the case, and in the sections on the legend of Zeus, I demonstrate the processes of degeneration and the mythical additions to faith in a Heavenly God. Mr. Darwin believed that "the feeling of religious devotion" indicates "high faculties" in early humans (which are often denied to those who "cannot count up to seven"), and that "the same high mental faculties... would inevitably lead him, as long as his reasoning abilities remained underdeveloped, to various strange superstitions and customs." I share that view, and I’ve noted that the lowest primitive societies are not yet guilty of the worst practices, like "sacrificing humans to a blood-thirsty God," or ordeals by poison and fire that Mr. Darwin refers to. "The improvement of our science" has liberated us from wrongdoings that are unknown to the Andamanese or Australians. Thus, concerning these moral points, there was a decline from savagery as society progressed, and I believe there was also a decline in religion. Saying this doesn’t suggest a theory of supernatural revelation to the earliest humans, a theory I must categorically reject.
(1) Tylor, "Limits of Savage Religion." Journal of the Anthropological Institute, vol. xxi.
(1) Tylor, "Limits of Savage Religion." Journal of the Anthropological Institute, vol. 21.
(2) Descent of Man, p. 68, 1871.
(2) Descent of Man, p. 68, 1871.
In vol. ii. p. 19 occurs a reference, in a note, to Mr. Hartland's criticism of my ideas about Australian gods as set forth in the Making of Religion. Mr. Hartland, who kindly read the chapters on Australian religion in this book, does not consider that my note on p. 19 meets the point of his argument. As to the Australians, I mean no more than that, AMONG endless low myths, some of them possess a belief in a "maker of everything," a primal being, still in existence, watching conduct, punishing breaches of his laws, and, in some cases, rewarding the good in a future life. Of course these are the germs of a sympathetic religion, even if the being thus regarded is mixed up with immoral or humorous contradictory myths. My position is not harmed by such myths, which occur in all old religions, and, in the middle ages, new myths were attached to the sacred figures of Christianity in poetry and popular tales.
In vol. ii. p. 19, there's a note referencing Mr. Hartland's critique of my views on Australian gods as discussed in The Making of Religion. Mr. Hartland, who generously reviewed the chapters on Australian religion in this book, believes my note on p. 19 doesn't address his argument adequately. Regarding the Australians, I only mean to suggest that, among countless low myths, some hold a belief in a "maker of everything," a primal being that still exists, observing behavior, punishing violations of his laws, and, in some cases, rewarding the good in an afterlife. Clearly, these beliefs are the foundation of a compassionate religion, even if the being is intertwined with immoral or humorous contradictory myths. My argument remains intact despite such myths, which appear in all ancient religions, and in the Middle Ages, new myths were associated with the sacred figures of Christianity in poetry and popular stories.
Thus, if there is nothing "sacred" in a religion because wild or wicked fables about the gods also occur, there is nothing "sacred" in almost any religion on earth.
Thus, if there is nothing "sacred" in a religion because there are wild or wicked stories about the gods, then there is nothing "sacred" in almost any religion on earth.
Mr. Hartland's point, however, seems to be that, in the Making of Religion, I had selected certain Australian beliefs as especially "sacred" and to be distinguished from others, because they are inculcated at the religious Mysteries of some tribes. His aim, then, is to discover low, wild, immoral myths, inculcated at the Mysteries, and thus to destroy my line drawn between religion on one hand and myth or mere folk-lore on the other. Thus there is a being named Daramulun, of whose rites, among the Coast Murring, I condensed the account of Mr. Howitt.(1) From a statement by Mr. Greenway(2) Mr. Hartland learned that Daramulun's name is said to mean "leg on one side" or "lame". He, therefore, with fine humour, speaks of Daramulun as "a creator with a game leg," though when "Baiame" is derived by two excellent linguists, Mr. Ridley and Mr. Greenway, from Kamilaroi baia, "to make," Mr. Hartland is by no means so sure of the sense of the name. It happens to be inconvenient to him! Let the names mean what they may, Mr. Hartland finds, in an obiter dictum of Mr. Howitt (before he was initiated), that Daramulun is said to have "died," and that his spirit is now aloft. Who says so, and where, we are not informed,(3) and the question is important.
Mr. Hartland's point seems to be that in the Making of Religion, I chose certain Australian beliefs as particularly "sacred" and set them apart from others because they are taught at the religious Mysteries of some tribes. His goal is to find lower, wild, immoral myths presented at the Mysteries, aiming to blur the line between religion and myth or simple folklore. For example, there is a figure named Daramulun, of whose rites among the Coast Murring, I summarized Mr. Howitt's account.(1) From a statement by Mr. Greenway(2), Mr. Hartland learned that Daramulun's name is said to mean "leg on one side" or "lame." He humorously refers to Daramulun as "a creator with a game leg," but when "Baiame" is traced by two competent linguists, Mr. Ridley and Mr. Greenway, back to Kamilaroi baia meaning "to make," Mr. Hartland is not nearly as confident about the meaning of that name. It seems inconvenient for him! Regardless of what the names mean, Mr. Hartland finds in a passing remark from Mr. Howitt (before his initiation) that Daramulun is said to have "died" and that his spirit is now up above. Who claims this, and where it comes from, remains unclear,(3) and that question is significant.
(1) J. A. I., xiii. pp. 440-459.
(1) J. A. I., xiii. pp. 440-459.
(2) Ibid., xxi. p. 294.
Ibid., xxi, p. 294.
(3) Ibid., xiii. p. 194.
Ibid., xiii. p. 194.
For the Wiraijuri, IN THEIR MYSTERIES, tell a myth of cannibal conduct of Daramulun's, and of deceit and failure of knowledge in Baiame.(1) Of this I was unaware, or neglected it, for I explicitly said that I followed Mr. Howitt's account, where no such matter is mentioned. Mr. Howitt, in fact, described the Mysteries of the Coast Murring, while the narrator of the low myths, Mr. Matthews, described those of a remote tribe, the Wiraijuri, with whom Daramulun is not the chief, but a subordinate person. How Mr. Matthews' friends can at once hold that Daramulun was "destroyed" by Baiame (their chief deity), and also that Daramulun's voice is heard at their rites, I don't know.(2) Nor do I know why Mr. Hartland takes the myth of a tribe where Daramulun is "the evil spirit who rules the night,"(3) and introduces it as an argument against the belief of a distant tribe, where, by Mr. Howitt's account, Daramulun is not an evil spirit, but "the master" of all, whose abode is above the sky, and to whom are attributed powers of omnipotence and omnipresence, or, at any rate, the power "to do anything and to go anywhere.... To his direct ordinances are attributed the social and moral laws of the community."(4) This is not "an evil spirit"! When Mr. Hartland goes for scandals to a remote tribe of a different creed that he may discredit the creed of the Coast Murring, he might as well attribute to the Free Kirk "the errors of Rome". But Mr. Hartland does it!(5) Being "cunning of fence" he may reply that I also spoke loosely of Wiraijuri and Coast Murring as, indifferently, Daramulunites. I did, and I was wrong, and my critic ought not to accept but to expose my error. The Wiraijuri Daramulun, who was annihilated, yet who is "an evil spirit that rules the night," is not the Murring guardian and founder of recognised ethics.
For the Wiraijuri, IN THEIR MYSTERIES, there’s a myth about the cannibal behavior of Daramulun and the deception and lack of knowledge surrounding Baiame.(1) I wasn’t aware of this, or I overlooked it, because I specifically mentioned that I was following Mr. Howitt's account, which doesn't mention such topics. In fact, Mr. Howitt described the Mysteries of the Coast Murring, while the low myths were narrated by Mr. Matthews, who described those of a distant tribe, the Wiraijuri, where Daramulun is not the chief but a lesser figure. I don’t understand how Mr. Matthews' friends can believe that Daramulun was "destroyed" by Baiame (their main deity) and at the same time claim that Daramulun's voice is heard in their rituals.(2) I also don’t know why Mr. Hartland uses the myth from a tribe where Daramulun is "the evil spirit who rules the night,"(3) as evidence against the beliefs of a distant tribe, where according to Mr. Howitt, Daramulun is not seen as an evil spirit but "the master" of everything, whose home is above the sky, and to whom omnipotent and omnipresent powers are attributed, or at least the ability "to do anything and to go anywhere.... To his direct commands are attributed the social and moral laws of the community."(4) This is not "an evil spirit"! When Mr. Hartland seeks out scandals from a distant tribe of a different belief system to undermine the belief of the Coast Murring, he might as well blame the Free Kirk for "the errors of Rome." But Mr. Hartland does just that!(5) Being "cunning of fence," he may respond that I also loosely referred to Wiraijuri and Coast Murring as, interchangeably, Daramulunites. I did, and I was wrong, and my critic should not simply accept but expose my mistake. The Wiraijuri Daramulun, who was destroyed yet is "an evil spirit that rules the night," is not the Murring guardian and founder of recognized ethics.
(1) J. A. I., xxv. p. 297.
(1) J. A. I., xxv. p. 297.
(2) Ibid., May, 1895, p. 419.
(2) Ibid., May, 1895, p. 419.
(3) Ibid.
Ibid.
(4) Ibid., xiii. pp. 458, 459.
(4) Ibid., xiii. pp. 458, 459.
(5) Folk-Lore, ix., No. iv., p. 299.
(5) Folk-Lore, ix., No. iv., p. 299.
But, in the Wiraijuri mysteries, the master, Baiame, deceives the women as to the Mysteries! Shocking to US, but to deceive the women as to these arcana, is, to the Australian mind in general, necessary for the safety of the world. Moreover, we have heard of a lying spirit sent to deceive prophets in a much higher creed. Finally, in a myth of the Mystery of the Wiraijuri, Baiame is not omniscient. Indeed, even civilised races cannot keep on the level of these religious conceptions, and not to keep on that level is—mythology. Apollo, in the hymn to Hermes, sung on a sacred occasion, needs to ask an old vine-dresser for intelligence. Hyperion "sees all and hears all," but needs to be informed, by his daughters, of the slaughter of his kine. The Lord, in the Book of Job, has to ask Satan, "Whence comest thou?" Now for the sake of dramatic effect, now from pure inability to live on the level of his highest thought, man mythologises and anthropomorphises, in Greece or Israel, as in Australia.
But in the Wiraijuri mysteries, the master, Baiame, tricks the women about the Mysteries! It's shocking to us, but deceiving the women about these secrets is, in the Australian mindset, essential for the world's safety. Furthermore, we’ve heard of a deceptive spirit sent to mislead prophets in a much more elevated belief system. Lastly, in a myth of the Wiraijuri Mystery, Baiame is not all-knowing. In fact, even civilized nations struggle to maintain these religious ideas, and not being able to do so leads to mythology. Apollo, in the hymn to Hermes sung at a sacred event, needs to ask an old vine-dresser for information. Hyperion "sees all and hears all," yet needs to be informed by his daughters about the slaughter of his cattle. The Lord, in the Book of Job, has to ask Satan, "Where have you come from?" For the sake of dramatic effect, or simply due to a struggle to operate on the level of his highest thoughts, man mythologizes and anthropomorphizes in Greece or Israel, just as in Australia.
It does not follow that there is "nothing sacred" in his religion. Mr. Hartland offers me a case in point. In Mrs. Langloh Parker's Australian Legendary Tales (pp. 11, 94), are myths of low adventures of Baiame. In her More Australian Legendary Tales (pp. 84-99), is a very poetical and charming aspect of the Baiame belief. Mr. Hartland says that I will "seek to put" the first set of stories out of court, as "a kind of joke with no sacredness about it". Not I, but the Noongahburrah tribe themselves make this essential distinction. Mrs. Langloh Parker says:(1) "The former series" (with the low Baiame myths) "were all such legends as are told to the black picaninnies; among the present are some they would not be allowed to hear, touching as they do on sacred things, taboo to the young". The blacks draw the line which I am said to seek to draw.
It doesn’t mean that there’s “nothing sacred” in his religion. Mr. Hartland gives me a clear example. In Mrs. Langloh Parker's *Australian Legendary Tales* (pp. 11, 94), there are myths featuring low adventures of Baiame. In her *More Australian Legendary Tales* (pp. 84-99), there’s a more poetic and charming side to the Baiame belief. Mr. Hartland suggests that I will "try to dismiss" the first set of stories as "a sort of joke with no sacredness to it." Not me, but the Noongahburrah tribe itself makes this important distinction. Mrs. Langloh Parker explains: (1) "The former series" (with the low Baiame myths) "were all legends that are told to the black children; among the current ones are some they wouldn’t be allowed to hear, as they deal with sacred things, which are taboo for the young." The Indigenous people draw the line that I am said to want to draw.
(1) More Legendary Tales, p. xv.
(1) More Legendary Tales, p. xv.
In yet another case(1) grotesque hunting adventures of Baiame are told in the mysteries, and illustrated by the sacred temporary representations in raised earth. I did not know it; I merely followed Mr. Howitt. But I do not doubt it. My reply is, that there was "something sacred" in Greek mysteries, something purifying, ennobling, consoling. For this Lobeck has collected (and disparaged) the evidence of Pindar, Sophocles, Cicero and many others, while even Aristophanes, as Prof. Campbell remarks, says: "We only have bright sun and cheerful life who have been initiated and lived piously in regard to strangers and to private citizens".(2) Security and peace of mind, in this world and for the next, were, we know not how, borne into the hearts of Pindar and Sophocles in the Mysteries. Yet, if we may at all trust the Fathers, there were scenes of debauchery, as at the Mysteries of the Fijians (Nanga) there was buffoonery ("to amuse the boys," Mr. Howitt says of some Australian rites), the story of Baubo is only one example, and, in other mysteries than the Eleusinian, we know of mummeries in which an absurd tale of Zeus is related in connection with an oak log. Yet surely there was "something sacred" in the faith of Zeus! Let us judge the Australians as we judge Greeks. The precepts as to "speaking the straightforward truth," as to unselfishness, avoidance of quarrels, of wrongs to "unprotected women," of unnatural vices, are certainly communicated in the Mysteries of some tribes, with, in another, knowledge of the name and nature of "Our Father," Munganngaur. That a Totemistic dance, or medicine-dance of Emu hunting, is also displayed(3) at certain Mysteries of a given tribe, and that Baiame is spoken of as the hero of this ballet, no more deprives the Australian moral and religious teaching (at the Mysteries) of sacred value, than the stupid indecency whereby Baubo made Demeter laugh destroys the sacredness of the Eleusinia, on which Pindar, Sophocles and Cicero eloquently dwell. If the Australian mystae, at the most solemn moment of their lives, are shown a dull or dirty divine ballet d'action, what did Sophocles see, after taking a swim with his pig? Many things far from edifying, yet the sacred element of religious hope and faith was also represented. So it is in Australia.
In another instance, the bizarre hunting escapades of Baiame are recounted in the mysteries and depicted through temporary sacred representations made from raised earth. I wasn't aware of this; I just followed Mr. Howitt. But I believe it to be true. My response is that there was “something sacred” in Greek mysteries, something that purified, elevated, and comforted. Lobeck gathered (and dismissed) evidence from Pindar, Sophocles, Cicero, and many others, while even Aristophanes, as Professor Campbell notes, says: "Only those who have been initiated and lived piously towards both strangers and private citizens enjoy bright sunshine and cheerful lives." Security and peace of mind, in this life and the next, were somehow brought into the hearts of Pindar and Sophocles through the Mysteries. However, if we can believe the Fathers at all, there were scenes of indulgence, similar to the Fijian Mysteries (Nanga), which included jesting ("to entertain the boys," Mr. Howitt mentions regarding some Australian rites). The story of Baubo is just one example, and in other mysteries aside from the Eleusinian ones, we hear of silly performances connected with an absurd story about Zeus and an oak log. Yet there was surely “something sacred” in the faith of Zeus! Let’s judge the Australians like we judge the Greeks. The teachings about "speaking the straightforward truth," being selfless, avoiding conflicts, wrongs to "vulnerable women," and unnatural vices are definitely conveyed in the Mysteries of certain tribes, along with knowledge of “Our Father,” Munganngaur, in another. That a totemic dance or medicine dance related to Emu hunting is also performed at specific Mysteries of a particular tribe, with Baiame celebrated as the hero of this dance, doesn’t diminish the moral and religious teachings from Australian Mysteries of their sacred value any more than the silly indecency of Baubo making Demeter laugh undermines the sanctity of Eleusinia, which Pindar, Sophocles, and Cicero eloquently discuss. If the Australian initiates, at their most significant moment, are shown a dull or crude divine performance, what did Sophocles witness after swimming with his pig? Many things that were far from uplifting, yet the sacred element of religious hope and faith was still represented. The same applies in Australia.
(1) J. A. I., xxiv. p. 416.
(1) J. A. I., xxiv. p. 416.
(2) Religion in Greek Literature, p. 259. It is to be regretted that the learned professor gives no references. The Greek Mysteries are treated later in this volume.
(2) Religion in Greek Literature, p. 259. It's a shame that the knowledgeable professor doesn't provide any references. The Greek Mysteries are discussed later in this volume.
(3) See A picture of Australia, 1829, p. 264.
(3) See A Picture of Australia, 1829, p. 264.
These studies ought to be comparative, otherwise they are worthless. As Mr. Hartland calls Daramulun "an eternal Creator with a game leg" who "died," he may call Zeus an "eternal father, who swallowed his wife, lay with his mother and sister, made love as a swan, and died, nay, was buried, in Crete". I do not think that Mr. Hartland would call Zeus "a ghost-god" (my own phrase), or think that he was scoring a point against me, if I spoke of the sacred and ethical characteristics of the Zeus adored by Eumaeus in the Odyssey. He would not be so humorous about Zeus, nor fall into an ignoratio elenchi. For my point never was that any Australian tribe had a pure theistic conception unsoiled and unobliterated by myth and buffoonery. My argument was that AMONG their ideas is that of a superhuman being, unceasing (if I may not say eternal), a maker (if I may not say a Creator), a guardian of certain by no means despicable ethics, which I never proclaimed as supernormally inspired! It is no reply to me to say that, in or out of Mysteries, low fables about that being are told, and buffooneries are enacted. For, though I say that certain high ideas are taught in Mysteries, I do not think I say that in Mysteries no low myths are told.
These studies should be comparative; otherwise, they’re pointless. As Mr. Hartland refers to Daramulun as "an eternal Creator with a game leg" who "died," he could just as well call Zeus "an eternal father who swallowed his wife, slept with his mother and sister, made love as a swan, and died—no, was buried—in Crete." I doubt Mr. Hartland would label Zeus a "ghost-god" (my own term) or think he was making a valid point against me if I mentioned the sacred and ethical traits of Zeus as admired by Eumaeus in the Odyssey. He wouldn’t find Zeus amusing, nor would he confuse the issue. My argument was never that any Australian tribe had a completely pure theistic view that was untouched by myths and foolishness. What I was claiming is that among their beliefs is the idea of a superhuman being, unending (if I can’t say eternal), a maker (if I can’t say a Creator), and a guardian of certain important ethics, which I never claimed were of supernatural origin! It doesn’t respond to my point to say that low tales about that being are told, and foolish acts are performed, either in or out of Mysteries. For while I assert that certain high ideas are taught in Mysteries, I don’t claim that there are no low myths told in Mysteries.
I take this opportunity, as the earliest, to apologise for an error in my Making of Religion concerning a passage in the Primitive Culture of my friend Mr. E. B. Tylor. Mr. Tylor quoted(1) a passage from Captain John Smith's History of Virginia, as given in Pinkerton, xiii. pp. 13-39, 1632. In this passage no mention occurs of a Virginian deity named Ahone but "Okee," another and more truculent god, is named. I observed that, if Mr. Tylor had used Strachey's Historie of Travaile (1612), he would have found "a slightly varying copy" of Smith's text of 1632, with Ahone as superior to Okee. I added in a note (p. 253): "There is a description of Virginia, by W. Strachey, including Smith's remarks published in 1612. Strachey interwove some of this work with his own MS. in the British Museum." Here, as presently will be shown, I erred, in company with Strachey's editor of 1849, and with the writer on Strachey in the Dictionary of National Biography. What Mr. Tylor quoted from an edition of Smith in 1632 had already appeared, in 1612, in a book (Map of Virginia, with a description of the Countrey) described on the title-page as "written by Captain Smith," though, in my opinion, Smith may have had a collaborator. There is no evidence whatever that Strachey had anything to do with this book of 1612, in which there is no mention of Ahone. Mr. Arber dates Strachey's own MS. (in which Ahone occurs) as of 1610-1615.(2) I myself, for reasons presently to be alleged, date the MS. mainly in 1611-1612. If Mr. Arber and I are right, Strachey must have had access to Smith's MS. before it was published in 1612, and we shall see how he used it. My point here is that Strachey mentioned Ahone (in MS.) before Smith's book of 1612 was published. This could not be gathered from the dedication to Bacon prefixed to Strachey's MS., for that dedication cannot be earlier that 1618.(3) I now ask leave to discuss the evidence for an early pre-Christian belief in a primal Creator, held by the Indian tribes from Plymouth, in New England, to Roanoke Island, off Southern Virginia.
I want to take this opportunity to apologize for a mistake in my Making of Religion related to a passage in the Primitive Culture by my friend Mr. E. B. Tylor. Mr. Tylor referenced a passage from Captain John Smith's History of Virginia, found in Pinkerton, xiii. pp. 13-39, 1632. In this passage, there’s no mention of a Virginian deity named Ahone; instead, “Okee,” another and more aggressive god, is mentioned. I noted that if Mr. Tylor had referred to Strachey's Historie of Travaile (1612), he would have found a “slightly varying copy” of Smith's 1632 text, where Ahone is regarded as superior to Okee. I added in a note (p. 253): “There is a description of Virginia by W. Strachey, including Smith's remarks published in 1612. Strachey incorporated some of this work with his own manuscript in the British Museum.” Here, as will soon be shown, I made an error alongside Strachey's 1849 editor and the writer on Strachey in the Dictionary of National Biography. What Mr. Tylor quoted from a 1632 edition of Smith had already appeared in 1612 in a book called Map of Virginia, with a description of the Countrey, labeled on the title page as “written by Captain Smith,” although I believe Smith may have had a co-author. There’s no evidence at all that Strachey was involved with this 1612 book, which doesn’t mention Ahone. Mr. Arber dates Strachey's own manuscript (where Ahone is mentioned) to 1610-1615. I date the manuscript primarily to 1611-1612 for reasons that I will explain. If Mr. Arber and I are correct, Strachey must have had access to Smith's manuscript before it was published in 1612, and we’ll see how he used it. My main point is that Strachey mentioned Ahone (in manuscript) before the publication of Smith's book in 1612. This couldn’t be concluded from the dedication to Bacon included in Strachey's manuscript, as that dedication cannot be earlier than 1618. I now ask for permission to discuss the evidence of an early pre-Christian belief in a primal Creator held by the Indian tribes from Plymouth in New England to Roanoke Island off Southern Virginia.
(1) Prim. Cult. ii. p. 342.
(1) Prim. Cult. ii. p. 342.
(2) Arber's Smith, p. cxxxiii.
Arber's Smith, p. 133.
(3) Hakluyt Society, Strachey, 1849, pp. xxi., xxii.
(3) Hakluyt Society, Strachey, 1849, pp. xxi., xxii.
THE GOD AHONE.
THE GOD AHONE.
An insertion by a manifest plagiary into the work of a detected liar is not, usually, good evidence. Yet this is all the evidence, it may be urged, which we have for the existence of a belief, in early Virginia, as to a good Creator, named Ahone. The matter stands thus: In 1607-1609 the famed Captain John Smith endured and achieved in Virginia sufferings and adventures. In 1608 he sent to the Council at home a MS. map and description of the colony. In 1609 he returned to England (October). In May, 1610, William Strachey, gent., arrived in Virginia, where he was "secretary of state" to Lord De la Warr. In 1612 Strachey and Smith were both in England. In that year Barnes of Oxford published A Map of Virginia, with a description, etc., "written by Captain Smith," according to the title-page. There was annexed a compilation from various sources, edited by "W. S.," that is, NOT William Strachey, but Dr. William Symonds. In the same year, 1612, or in 1611, William Strachey wrote his Historie of Travaile into Virginia Britannia, at least as far as page 124 of the Hakluyt edition of 1849.(1)
An insertion by a known plagiarist into the work of a discovered liar is generally not strong evidence. However, this could be the only evidence we have for the existence of a belief in early Virginia about a good Creator named Ahone. Here's the situation: Between 1607 and 1609, the well-known Captain John Smith faced and accomplished many hardships and adventures in Virginia. In 1608, he sent a manuscript map and description of the colony to the Council back home. In October 1609, he returned to England. By May 1610, William Strachey arrived in Virginia, where he served as the "secretary of state" to Lord De la Warr. In 1612, both Strachey and Smith were back in England. That year, Barnes of Oxford published A Map of Virginia, with a description, which was "written by Captain Smith," according to the title page. There was an additional compilation from various sources, edited by "W. S.," which refers not to William Strachey but to Dr. William Symonds. In the same year, 1612, or possibly in 1611, William Strachey wrote his Historie of Travaile into Virginia Britannia, at least up to page 124 of the Hakluyt edition from 1849.(1)
(1) For proof see p. 24. third line from foot of page, where 1612 is indicated. Again, see p. 98, line 5, where "last year" is dated as "1610, about Christmas," which would put Strachey's work at this point as actually of 1611; prior, that is, to Smith's publication. Again, p. 124, "this last year, myself being at the Falls" (of the James River), "I found in an Indian house certain clawes... which I brought away and into England".
(1) For proof, see p. 24, third line from the bottom of the page, where 1612 is mentioned. Also, check p. 98, line 5, where "last year" is noted as "1610, around Christmas," which would indicate that Strachey's work at this time was actually from 1611; that is, before Smith's publication. Additionally, on p. 124, it states, "this last year, while I was at the Falls" (of the James River), "I found in an Indian house certain claws... which I took back with me to England."
If Strachey, who went out with Lord De la Warr as secretary in 1610, returned with him (as is likely), he sailed for England on 28th March, 1611. In that case, he was in England in 1611, and the passages cited leave it dubious whether he wrote his book in 1611, 1612, or in both years.(1)
If Strachey, who accompanied Lord De la Warr as secretary in 1610, returned with him (which is likely), he sailed back to England on March 28, 1611. In that case, he was in England in 1611, and the referenced passages make it unclear whether he wrote his book in 1611, 1612, or in both years.(1)
(1) Mr. Arber dates the MS. "1610-1615," and attributes to Strachey Laws for Virginia, 1612.
(1) Mr. Arber dates the manuscript "1610-1615" and attributes Strachey's Laws for Virginia to 1612.
Strachey embodies in his work considerable pieces of Smith's Map of Virginia and Description, written in 1608, and published in 1612. He continually deserts Smith, however, adding more recent information, reflections and references to the ancient classics, with allusions to his own travels in the Levant. His glossary is much more extensive than Smith's, and he inserts a native song of triumph over the English in the original.(1) Now, when Strachey comes to the religion of the natives(2) he gives eighteen pages (much of it verbiage) to five of Smith's.(3) What Smith (1612) says of their chief god I quote, setting Strachey's version (1611-1612) beside it.
Strachey incorporates significant sections of Smith's Map of Virginia and Description, written in 1608 and published in 1612. However, he frequently moves away from Smith, adding more up-to-date information, his own thoughts, and references to ancient classics, along with mentions of his travels in the Levant. His glossary is much more comprehensive than Smith's, and he includes a native song of victory over the English in its original form.(1) When Strachey tackles the religion of the natives(2), he dedicates eighteen pages (much of which is fluff) to just five of Smith's.(3) I quote what Smith (1612) says about their chief god, placing Strachey's version (1611-1612) next to it.
(1) Strachey, pp. 79-80. He may have got the song from Kemps or Machumps, friendly natives.
(1) Strachey, pp. 79-80. He might have gotten the song from Kemps or Machumps, friendly locals.
(2) Pp. 82-100.
(2) Pages 82-100.
(3) Arber, pp. 74-79.
(3) Arber, pp. 74-79.
SMITH (Published, 1612).
SMITH (Published, 1612).
But their chiefe God they worship is the Diuell. Him they call Oke, and serue him more of feare than loue. They say they have conference with him, and fashion themselues as near to his shape as they can imagine. In their Temples, they have his image euile favouredly carved, and then painted, and adorned with chaines, copper, and beades; and covered with a skin, in such manner as the deformity may well suit with such a God. By him is commonly the sepulcher of their Kings.
But their main God they worship is the Devil. They call him Oke, and they serve him more out of fear than love. They say they communicate with him and try to shape themselves in his image as closely as they can imagine. In their temples, they have his image poorly carved, then painted, and decorated with chains, copper, and beads; covered with a skin, in a way that matches the ugliness of such a God. Next to him is usually the tomb of their Kings.
STRACHEY (Written, 1611-12).
STRACHEY (Written, 1611-12).
But their chief god they worship is no other, indeed, then the divell, whome they make presentments of, and shadow under the forme of an idoll, which they entitle Okeus, and whome they worship as the Romans did their hurtful god Vejovis, more for feare of harme then for hope of any good; they saie they have conference with him, and fashion themselves in their disguisments as neere to his shape as they can imagyn. In every territory of a weroance is a temple and a priest, peradventure two or thrie; yet happie doth that weroance accompt himself who can detayne with him a Quiyough-quisock, of the best, grave, lucky, well instructed in their misteryes, and beloved of their god; and such a one is noe lesse honoured then was Dianae's priest at Ephesus, for whome they have their more private temples, with oratories and chauneells therein, according as is the dignity and reverence of the Quiyough-quisock, which the weroance wilbe at charge to build upon purpose, sometyme twenty foote broad and a hundred in length, fashioned arbour wyse after their buylding, having comonly the dore opening into the east, and at the west end a spence or chauncell from the body of the temple, with hollow wyndings and pillers, whereon stand divers black imagies, fashioned to the shoulders, with their faces looking down the church, and where within their weroances, upon a kind of biere of reedes, lye buryed; and under them, apart, in a vault low in the ground (as a more secrett thing), vailed with a matt, sitts their Okeus, an image ill-favouredly carved, all black dressed, with chaynes of perle, the presentment and figure of that god (say the priests unto the laity, and who religiously believe what the priests saie) which doth them all the harme they suffer, be yt in their bodies or goods, within doores or abroad; and true yt is many of them are divers tymes (especyally offendors) shrewdly scratched as they walke alone in the woods, yt may well be by the subtyle spirit, the malitious enemy to mankind, whome, therefore, to pacefie and worke to doe them good (at least no harme) the priests tell them they must do these and these sacrifices unto (them) of these and these things, and thus and thus often, by which meanes not only their owne children, but straungers, are sometimes sacrificed unto him: whilst the great god (the priests tell them) who governes all the world, and makes the sun to shine, creating the moone and stars his companyons, great powers, and which dwell with him, and by whose virtues and influences the under earth is tempered, and brings forth her fruiets according to her seasons, they calling Ahone; the good and peaceable god requires no such dutyes, nor needes be sacrificed unto, for he intendeth all good unto them, and will doe noe harme, only the displeased Okeus, looking into all men's accions, and examining the same according to the severe scale of justice, punisheth them with sicknesse, beats them, and strikes their ripe corn with blastings, stormes, and thunder clapps, stirrs up warre, and makes their women falce unto them. Such is the misery and thraldome under which Sathan hath bound these wretched miscreants.
But the main god they worship is none other than the devil, whom they represent in the form of an idol they call Okeus. They worship him like the Romans did their harmful god Vejovis, more out of fear of harm than for any hope of good. They say they have conversations with him and try to dress up to resemble him as closely as they can imagine. In every tribe led by a weroance, there is a temple and a priest, sometimes two or three. A weroance considers himself fortunate if he can keep a Quiyough-quisock by his side, someone who is the best, wise, lucky, well-trained in their mysteries, and favored by their god. Such a person is no less honored than Diana's priest in Ephesus, for whom they build private temples with altars and chapels according to the status and reverence of the Quiyough-quisock, which the weroance will specifically fund, sometimes twenty feet wide and a hundred feet long, designed like an arbor according to their building style, typically with the door opening to the east and at the west end a storeroom or chapel separate from the main temple, with winding paths and pillars. There stand various black images, shaped to the shoulders, with their faces looking down the church, and inside their weroances lie buried on a kind of bier made of reeds; and below them, apart, in a low vault in the ground (as a more secret thing), covered with a mat, sits their Okeus, a poorly carved, all-black image adorned with pearl chains, which represents and embodies the god (as the priests tell the people, who religiously believe what the priests say) that causes all the harm they suffer, whether in their bodies or possessions, indoors or outdoors. It's true that many of them have been badly scratched while walking alone in the woods, likely by the sly spirit, the malicious enemy of mankind. To appease him and hopefully bring them good (or at least no harm), the priests tell them they must make these and those sacrifices of these and those things, and do so frequently, which means that sometimes both their own children and outsiders are sacrificed to him. Meanwhile, the great god (the priests say), who governs the whole world and makes the sun shine, creating the moon and stars as his companions, great powers that dwell with him, and by whose virtues and influences the earth is balanced, producing its fruits according to the seasons, they call Ahone. The good and peaceful god requires no such duties and does not need sacrifices, for he intends only good for them and will do no harm. Only the displeased Okeus, observing all people's actions and judging them according to a strict scale of justice, punishes them with sickness, strikes them, and afflicts their ripe crops with blights, storms, and thunder, incites war, and causes their women to be unfaithful to them. Such is the misery and bondage under which Satan has bound these unfortunate souls.
I began by calling Strachey a plagiary. The reader will now observe that he gives far more than he takes. For example, his account of the temples is much more full than that of Smith, and he adds to Smith's version the character and being of Ahone, as what "the priests tell them". I submit, therefore, that Strachey's additions, if valid for temples, are not discredited for Ahone, merely because they are inserted in the framework of Smith. As far as I understand the matter, Smith's Map of Virginia (1612) is an amended copy, with additions, by Smith or another writer of that description, which he sent home to the Council of Virginia, in November, 1608.(1) To the book of 1612 was added a portion of "Relations" by different hands, edited by W. S., namely, Dr. Symonds. Strachey's editor, in 1849, regarded W. S. as Strachey, and supposed that Strachey was the real author of Smith's Map of Virginia, so that, in his Historie of Travaile, Strachey merely took back his own. He did not take back his own; he made use of Smith's MS., not yet published, if Mr. Arber and I rightly date Strachey's MS. at 1610-15, or 1611-12. Why Strachey acted thus it is possible to conjecture. As a scholar well acquainted with Virginia, and as Secretary for the Colony, he would have access to Smith's MS. of 1608 among the papers of the Council, before its publication. Smith professes himself "no scholer".(2) On the other hand, Strachey likes to show off his Latin and Greek. He has a curious, if inaccurate, knowledge of esoteric Greek and Roman religious antiquities, and in writing of religion aims at a comparative method. Strachey, however, took the trouble to copy bits of Smith into his own larger work, which he never gave to the printers.
I started by calling Strachey a plagiarist. The reader will now notice that he offers much more than he takes. For instance, his description of the temples is far more detailed than Smith’s, and he adds to Smith's account the character and essence of Ahone, as what "the priests tell them." Therefore, I argue that Strachey's additions, if valid for the temples, should not be dismissed for Ahone, just because they are included in Smith's framework. As far as I understand, Smith's Map of Virginia (1612) is an updated version, with additions, by Smith or another writer of that kind, which he sent home to the Council of Virginia in November 1608.(1) To the 1612 book, a portion of "Relations" by various contributors was added, edited by W. S., namely, Dr. Symonds. Strachey's editor in 1849 thought W. S. was Strachey and assumed Strachey was the true author of Smith's Map of Virginia, so that, in his Historie of Travaile, Strachey was merely reclaiming his work. He did not reclaim his work; he used Smith’s unpublished manuscript, if Mr. Arber and I are correct in dating Strachey's manuscript to 1610-15 or 1611-12. It's possible to speculate why Strachey acted this way. As a scholar familiar with Virginia and as Secretary for the Colony, he would have had access to Smith's 1608 manuscript among the Council's papers before its publication. Smith claims he is "no scholar".(2) In contrast, Strachey enjoys showing off his Latin and Greek. He possesses a curious, though inaccurate, knowledge of obscure Greek and Roman religious antiquities, and when discussing religion, he aims for a comparative approach. However, Strachey went through the effort to copy parts of Smith into his own larger work, which he never sent to the printers.
(1) Arber, p. 444.
Arber, p. 444.
(2) Arber, p. 442.
Arber, p. 442.
Now as to Ahone. It suits my argument to suppose that Strachey's account is no less genuine than his description of the temples (illustrated by a picture by John White, who had been in Virginia in 1589), and the account of the Great Hare of American mythology.(1) This view of a Virginian Creator, "our chief god" "who takes upon him this shape of a hare," was got, says Strachey, "last year, 1610," from a brother of the Potomac King, by a boy named Spilman, who says that Smith "sold" him to Powhattan.(2) In his own brief narrative Spelman (or Spilman) says nothing about the Cosmogonic Legend of the Great Hare. The story came up when Captain Argoll was telling Powhattan's brother the account of creation in Genesis (1610).
Now, about Ahone. It supports my argument to think that Strachey's account is just as authentic as his description of the temples (shown in a painting by John White, who was in Virginia in 1589) and the account of the Great Hare from American mythology.(1) This perspective of a Virginian Creator, "our chief god" "who takes on the form of a hare," was obtained, according to Strachey, "last year, 1610," from a brother of the Potomac King, by a boy named Spilman, who claims that Smith "sold" him to Powhatan.(2) In his own brief account, Spelman (or Spilman) doesn’t mention the Cosmogonic Legend of the Great Hare. The story came up when Captain Argoll was recounting the creation story from Genesis to Powhatan's brother (1610).
(1) Strachey, p. 98-100.
Strachey, pp. 98-100.
(2) "Spilman's Narrative," Arber, cx.-cxiv.
"Spilman's Narrative," Arber, pp. cx.-cxiv.
Now Strachey's Great Hare is accepted by mythologists, while Ahone is regarded with suspicion. Ahone does not happen to suit anthropological ideas, the Hare suits them rather better. Moreover, and more important, there is abundant corroborative evidence for Oke and for the Hare, Michabo, who, says Dr. Brinton, "was originally the highest divinity recognised by them, powerful and beneficent beyond all others, maker of the heavens and the world," just like Ahone, in fact. And Dr. Brinton instructs us that Michabo originally meant not Great Hare, but "the spirit of light".(1) Thus, originally, the Red Men adored "The Spirit of Light, maker of the heavens and the world". Strachey claims no more than this for Ahone. Now, of course, Dr. Brinton may be right. But I have already expressed my extreme distrust of the philological processes by which he extracts "The Great Light; spirit of light," from Michabo, "beyond a doubt!" In my poor opinion, whatever claims Michabo may have as an unique creator of earth and heaven—"God is Light,"—he owes his mythical aspect as a Hare to something other than an unconscious pun. In any case, according to Dr. Brinton, Michabo, regarded as a creator, is equivalent to Strachey's Ahone. This amount of corroboration, valeat quantum, I may claim, from the Potomac Indians, for the belief in Ahone on the James River. Dr. Brinton is notoriously not a believer in American "monotheism".(2)
Now Strachey's Great Hare is accepted by mythologists, while Ahone is viewed with skepticism. Ahone doesn't really fit anthropological theories; the Hare fits them much better. Moreover, and more importantly, there's plenty of supporting evidence for Oke and the Hare, Michabo, who, as Dr. Brinton states, "was originally the highest deity recognized by them, powerful and more beneficial than all others, creator of the heavens and the world," just like Ahone, actually. Dr. Brinton tells us that Michabo originally meant not Great Hare, but "the spirit of light." Thus, initially, the Native Americans worshipped "The Spirit of Light, creator of the heavens and the world." Strachey claims no more than this for Ahone. Now, of course, Dr. Brinton could be correct. But I have already shared my deep skepticism regarding the linguistic methods he uses to derive "The Great Light; spirit of light," from Michabo, "beyond a doubt!" In my humble opinion, whatever claims Michabo might have as a unique creator of earth and heaven—"God is Light,"—he owes his mythical portrayal as a Hare to something other than an unconscious play on words. In any case, according to Dr. Brinton, Michabo, viewed as a creator, is equivalent to Strachey's Ahone. This level of corroboration, valeat quantum, I can claim from the Potomac Indians for the belief in Ahone along the James River. Dr. Brinton is famously not a supporter of American "monotheism."
(1) Myths of the New World, p. 178.
(1) Myths of the New World, p. 178.
(2) Myths of the New World, p. 53.
(2) Myths of the New World, p. 53.
The opponents of the authenticity of Ahone, however, will certainly argue: "For Oke, or Oki, as a redoubted being or spirit, or general name for such personages, we have plentiful evidence, corroborating that of Smith. But what evidence as to Ahone corroborates that of Strachey?" I must confess that I have no explicit corroborative evidence for Ahone, but then I have no accessible library of early books on Virginia. Now it is clear that if I found and produced evidence for Ahone as late as 1625, I would be met at once with the retort that, between 1610 and 1625, Christian ideas had contaminated the native beliefs. Thus if I find Ahone, or a deity of like attributes, after a very early date, he is of no use for my purpose. Nor do I much expect to find him. But do we find Winslow's Massachusetts God, Kiehtan, named AFTER 1622 ("I only ask for information"), and if we don't, does that prevent Mr. Tylor from citing Kiehtan, with apparent reliance on the evidence?(1)
The critics of Ahone's authenticity will definitely argue: "For Oke, or Oki, as a respected being or spirit, or a general name for such figures, we have plenty of evidence supporting Smith's claims. But what evidence supports Strachey regarding Ahone?" I have to admit that I don’t have any direct evidence for Ahone, but I also don’t have an accessible library of early books on Virginia. It’s clear that if I were to find and present evidence for Ahone from as late as 1625, I would immediately face the argument that between 1610 and 1625, Christian ideas had tainted the native beliefs. So, if I identify Ahone, or a deity with similar attributes, after a very early date, it wouldn't help my case. And I don’t really expect to find him. But do we find Winslow's Massachusetts God, Kiehtan, mentioned AFTER 1622 ("I only ask for information"), and if we don’t, does that stop Mr. Tylor from citing Kiehtan, seemingly based on the evidence?(1)
(1) Primitive Culture, ii. p. 342.
(1) Primitive Culture, ii. p. 342.
Again, Ahone, though primal and creative, is, by Strachey's account, a sleeping partner. He has no sacrifice, and no temple or idol is recorded. Therefore the belief in Ahone could only be discovered as a result of inquiry, whereas figures of Oke or Okeus, and his services, were common and conspicuous.(1) As to Oke, I cannot quite understand Mr. Tylor's attitude. Summarising Lafitau, a late writer of 1724, Mr. Tylor writes: "The whole class of spirits or demons, known to the Caribs by the name of cemi, in Algonkin as manitu, in Huron as oki, Lafitau now spells with capital letters, and converts them each into a supreme being".(2) Yet in Primitive Culture, ii., 342, 1891, Mr. Tylor had cited Smith's Okee (with a capital letter) as the "chief god" of the Virginians in 1612. How can Lafitau be said to have elevated oki into Oki, and so to have made a god out of "a class of spirits or demons," in 1724, when Mr. Tylor had already cited Smith's Okee, with a capital letter and as a "chief god," in 1612? Smith, rebuked for the same by Mr. Tylor, had even identified Okee with the devil. Lafitau certainly did not begin this erroneous view of Oki as a "chief god" among the Virginians. If I cannot to-day produce corroboration for a god named Ahone, I can at least show that, from the north of New England to the south of Virginia, there is early evidence, cited by Mr. Tylor, for a belief in a primal creative being, closely analogous to Ahone. And this evidence, I think, distinctly proves that such a being as Ahone was within the capacity of the Indians in these latitudes. Mr. Tylor must have thought in 1891 that the natives were competent to a belief in a supreme deity, for he said, "Another famous native American name for the supreme deity is Oki".(3) In the essay of 1892, however, Oki does not appear to exist as a god's name till 1724. We may now, for earlier evidence, turn to Master Thomas Heriot, "that learned mathematician" "who spoke the Indian language," and was with the company which abandoned Virginia on 18th June, 1586. They ranged 130 miles north and 130 miles north-west of Roanoke Island, which brings them into the neighbourhood of Smith's and Strachey's country. Heriot writes as to the native creeds: "They believe that there are many gods which they call Mantoac, but of different sorts and degrees. Also that there is one chiefe God that hath beene from all eternitie, who, as they say, when he purposed first to make the world, made first other gods of a principall order, to be as instruments to be used in the Creation and Government to follow, and after the Sunne, Moone and Starres as pettie gods, and the instruments of the other order more principall.... They thinke that all the gods are of humane shape," and represent them by anthropomorphic idols. An idol, or image, "Kewasa" (the plural is "Kewasowok"), is placed in the temples, "where they worship, pray and make many offerings". Good souls go to be happy with the gods, the bad burn in Popogusso, a great pit, "where the sun sets". The evidence for this theory of a future life, as usual, is that of men who died and revived again, a story found in a score of widely separated regions, down to our day, when the death, revival and revelation occurred to the founder of the Arapahoe new religion of the Ghost Dance. The belief "works for righteousness". "The common sort... have great care to avoyde torment after death, and to enjoy blesse," also they have "great respect to their Governors".
Again, Ahone, though primal and creative, is, according to Strachey, a passive participant. There are no sacrifices, and no temple or idol is noted. Therefore, belief in Ahone could only be uncovered through inquiry, while figures like Oke or Okeus and their services were widely known and obvious. As for Oke, I’m not entirely clear on Mr. Tylor's views. Summarizing Lafitau, a later writer from 1724, Mr. Tylor states: "The whole class of spirits or demons known to the Caribs as cemi, in Algonkin as manitu, and in Huron as oki, Lafitau now spells with capital letters and turns them into a supreme being." Yet in Primitive Culture, ii., 342, 1891, Mr. Tylor had referred to Smith's Okee (with a capital letter) as the "chief god" of the Virginians in 1612. How can Lafitau be said to have elevated oki into Oki, thereby making a god out of "a class of spirits or demons," in 1724, when Mr. Tylor had already referred to Smith's Okee, with a capital letter and as a "chief god," in 1612? Smith, criticized for the same by Mr. Tylor, had even equated Okee with the devil. Lafitau certainly did not initiate this incorrect interpretation of Oki as a "chief god" among the Virginians. Even if I can't present proof today for a god named Ahone, I can at least show that from northern New England to southern Virginia, there’s early evidence, cited by Mr. Tylor, for a belief in a primal creative being, closely related to Ahone. And this evidence, I believe, clearly indicates that a being like Ahone was conceivable to the Indians in these areas. Mr. Tylor must have thought in 1891 that the natives were capable of believing in a supreme deity, since he mentioned, "Another famous native American name for the supreme deity is Oki." In the essay of 1892, however, Oki seems to not exist as a god's name until 1724. For earlier evidence, we can turn to Master Thomas Heriot, "that learned mathematician" "who spoke the Indian language," and was part of the group that left Virginia on June 18, 1586. They traveled 130 miles north and 130 miles northwest of Roanoke Island, which brings them into the vicinity of Smith's and Strachey's area. Heriot writes about the native beliefs: "They believe that there are many gods which they call Mantoac, but of different kinds and ranks. Also, there is one chief God who has been there since all eternity, who, as they say, when he first intended to create the world, first made other gods of a principal order to be used as instruments in the Creation and Government that followed, and then made the Sun, Moon, and Stars as lesser gods, and the more principal instruments.... They think all the gods are in human form," and they depict them through anthropomorphic idols. An idol, or image, "Kewasa" (the plural is "Kewasowok"), is placed in the temples, "where they worship, pray, and make many offerings." Good souls go on to be happy with the gods, while the bad burn in Popogusso, a deep pit where "the sun sets." The evidence for this belief in an afterlife, as usual, comes from people who died and then revived, a story found in many far-off regions, up to our time, when the death, revival, and revelation happened to the founder of the Arapahoe new religion of the Ghost Dance. The belief "works for righteousness." "The common folk... are very concerned to avoid torment after death and to attain happiness," and they also show "great respect to their leaders."
(1) Okee's image, as early as 1607, was borne into battle against Smith, who captured the god (Arber, p. 393). Ahone was not thus en evidence.
(1) Okee's image, as early as 1607, was brought into battle against Smith, who captured the god (Arber, p. 393). Ahone was not present in this context.
(2) Journal of Anthrop. Inst., Feb., 1892, pp. 285, 286.
(2) Journal of Anthropological Institute, February 1892, pages 285, 286.
(3) Prim. Cult,, ii. p. 342.
(3) Prim. Cult,, ii. p. 342.
This belief in a chief god "from all eternitie" (that is, of unexplained origin), may not be convenient to some speculators, but it exactly corroborates Strachey's account of Ahone as creator with subordinates. The evidence is of 1586 (twenty-six years before Strachey), and, like Strachey, Heriot attributes the whole scheme of belief to "the priestes". "This is the sum of their religion, which I learned by having speciall familiaritie with some of their priests."(1) I see no escape from the conclusion that the Virginians believed as Heriot says they did, except the device of alleging that they promptly borrowed some of Heriot's ideas and maintained that these ideas had ever been their own. Heriot certainly did not recognise the identity. "Through conversing with us they were brought into great doubts of their owne (religion), and no small admiration of ours; of which many desired to learne more than we had the meanes for want of utterance in their language to expresse." So Heriot could not be subtle in the native tongue. Heriot did what he could to convert them: "I did my best to make His immortall glory knowne". His efforts were chiefly successful by virtue of the savage admiration of our guns, mathematical instruments, and so forth. These sources of an awakened interest in Christianity would vanish with the total destruction and discomfiture of the colony, unless a few captives, later massacred, taught our religion to the natives.(2)
This belief in a main god "from all eternity" (meaning of unknown origin) might not be easy for some theorists to accept, but it perfectly supports Strachey’s description of Ahone as the creator with others beneath him. The evidence dates back to 1586 (twenty-six years before Strachey), and, like Strachey, Heriot attributes the entire belief system to "the priests." "This is the essence of their religion, which I learned by being particularly familiar with some of their priests."(1) I see no way to avoid the conclusion that the Virginians believed as Heriot indicated, except to claim that they quickly borrowed some of Heriot’s ideas and insisted that these ideas had always been theirs. Heriot clearly did not recognize the similarity. "Through conversing with us, they became very doubtful of their own (religion) and quite impressed by ours; many wanted to learn more than we had the means to express due to the limitations of their language." So, Heriot couldn’t be subtle in their native tongue. Heriot did everything he could to convert them: "I did my best to make His immortal glory known." His efforts were mainly successful because of their fierce admiration for our guns, mathematical instruments, and so on. These sources of newfound interest in Christianity would disappear with the complete destruction and downfall of the colony, unless a few captives, who were later massacred, taught our religion to the natives.(2)
(1) According to Strachey, Heriot could speak the native language.
(1) Strachey stated that Heriot could speak the local language.
(2) Heriot's Narrative, pp. 37-39. Quaritch, London, 1893.
(2) Heriot's Narrative, pp. 37-39. Quaritch, London, 1893.
I shall cite another early example of a New England deity akin to Ahone, with a deputy, a friend of sorcerers, like Okee. This account is in Smith's General History of New England, 1606-1624. We sent out a colony in 1607; "they all returned in the yeere 1608," esteeming the country "a cold, barren, mountainous rocky desart". I am apt to believe that they did not plant the fructifying seeds of grace among the natives in 1607-1608. But the missionary efforts of French traders may, of course, have been blessed; nor can I deny that a yellow-haired man, whose corpse was found in 1620 with some objects of iron, may have converted the natives to such beliefs as they possessed. We are told, however, that these tenets were of ancestral antiquity. I cite E. Winslow, as edited by Smith (1623-24):—
I’ll mention another early example of a New England deity similar to Ahone, with a servant who is a friend of sorcerers, like Okee. This information comes from Smith's General History of New England, 1606-1624. We established a colony in 1607, but "they all returned in the year 1608," finding the land "a cold, barren, mountainous rocky desert." I think it’s likely they didn’t plant the seeds of grace among the natives in 1607-1608. However, the missionary work of French traders might have been fruitful; I can't rule out the possibility that a yellow-haired man, whose body was discovered in 1620 alongside some iron objects, may have introduced the natives to whatever beliefs they had. Still, it’s said these beliefs were rooted in ancient ancestry. I reference E. Winslow, as edited by Smith (1623-24):—
"Those where in this Plantation (New Plymouth) say Kiehtan(1) made all the other Gods: also one man and one woman, and with them all mankinde, but how they became so dispersed they know not. They say that at first there was no king but Kiehtan, that dwelleth far westerly above the heavens, whither all good men go when they die, and have plentie of all things. The bad go thither also and knock at the door, but ('the door is shut') he bids them go wander in endless want and misery, for they shall not stay there. They never saw Kiehtan,(2) but they hold it a great charge and dutie that one race teach another; and to him they make feasts and cry and sing for plenty and victory, or anything that is good.
"Those living in this Plantation (New Plymouth) say that Kiehtan made all the other gods, as well as one man and one woman, and from them all humankind. They don’t know how they became so spread out. They believe that at first there was no king but Kiehtan, who lives far to the west above the heavens, where all good people go when they die and have plenty of everything. The bad also go there and knock at the door, but when the door is shut, he tells them to wander in endless want and misery because they cannot stay there. They have never seen Kiehtan, but they believe it is a great responsibility and duty for one race to teach another. To him, they prepare feasts and cry and sing for plenty and victory, or anything else that is good."
(1) In 1873 Mr. Tylor regarded Dr. Brinton's etymology of Kiehtan as = Kittanitowit = "Great Living Spirit," as "plausible". In his edition of 1891 he omits this etymology. Personally I entirely distrust the philological theories of the original sense of old divine names as a general rule.
(1) In 1873, Mr. Tylor thought Dr. Brinton's explanation of Kiehtan as Kittanitowit = "Great Living Spirit" was "plausible." However, in his 1891 edition, he left out this explanation. Personally, I have little faith in the linguistic theories about the original meanings of ancient divine names as a general rule.
(2) "They never saw Kiehtan." So, about 1854, "The common answer of intelligent black fellows on the Barwon when asked if they know Baiame... is this: 'Kamil zaia zummi Baiame, zaia winuzgulda'; 'I have not seen Baiame, I have heard or perceived him'. If asked who made the sky, the earth, the animals and man, they always answer 'Baiame'." Daramulun, according to the same authority in Lang's Queensland, was the familiar of sorcerers, and appeared as a serpent. This answers, as I show, to Hobamock the subordinate power to Kiehtan in New England and to Okee, the familiar of sorcerers in Virginia. (Ridley, J. A. I., 1872, p. 277.)
(2) "They never saw Kiehtan." So, around 1854, "The typical response from the knowledgeable black individuals along the Barwon when asked if they know Baiame... is this: 'Kamil zaia zummi Baiame, zaia winuzgulda'; 'I have not seen Baiame, I have heard or sensed him'. When they are asked who created the sky, the earth, the animals, and humans, they always reply 'Baiame'." Daramulun, according to the same source in Lang's Queensland, was associated with sorcerers and appeared as a serpent. This corresponds, as I demonstrate, to Hobamock, the subordinate being to Kiehtan in New England, and to Okee, the companion of sorcerers in Virginia. (Ridley, J. A. I., 1872, p. 277.)
"They have another Power they call Hobamock, which we conceive the Devill, and upon him they call to cure their wounds and diseases; when they are curable he persuades them he sent them, because they have displeased him; but, if they be mortal, then he saith, 'Kiehtan sent them'; which makes them never call on him in their sickness. They say this Hobamock appears to them sometimes like a man, a deer, or an eagle, but most commonly like a snake; not to all but to their Powahs to cure diseases, and Undeses... and these are such as conjure in Virginia, and cause the people to do what they list." Winslow (or rather Smith editing Winslow here), had already said, "They believe, as do the Virginians, of many divine powers, yet of one above all the rest, as the Southern Virginians call their chief god Kewassa (an error), and that we now inhabit Oke.... The Massachusetts call their great god Kiehtan."(1)
"They have another power they call Hobamock, which we consider to be the Devil, and they call on him to heal their wounds and illnesses; when the sickness is treatable, he convinces them it’s because they’ve upset him; but if it’s fatal, then he says, 'Kiehtan sent them,' which means they never invoke him when they're ill. They say this Hobamock sometimes appears to them as a man, a deer, or an eagle, but mostly like a snake; not to everyone, but to their Powahs to heal diseases, and Undeses... And these are similar to those who practice conjuring in Virginia, causing the people to do as they please." Winslow (or rather Smith editing Winslow here) had already stated, "They believe, like the Virginians, in many divine powers, but one is above all, as the Southern Virginians call their main god Kewassa (which is incorrect), and that we now inhabit Oke... The Massachusetts call their great god Kiehtan."(1)
(1) Arber, pp. 767, 768.
Arber, pp. 767, 768.
Here, then, in Heriot (1586), Strachey (1611-12) and Winslow (1622), we find fairly harmonious accounts of a polydaemonism with a chief, primal, creative being above and behind it; a being unnamed, and Ahone and Kiehtan.
Here, then, in Heriot (1586), Strachey (1611-12), and Winslow (1622), we find fairly consistent descriptions of a polydaemonism with a primary, fundamental, creative being above and behind it; a being that is unnamed, along with Ahone and Kiehtan.
Is all this invention? Or was all this derived from Europeans before 1586, and, if so, from what Europeans? Mr. Tylor, in 1873, wrote, "After due allowance made for misrendering of savage answers, and importation of white men's thoughts, it can hardly be judged that a divine being, whose characteristics are often so unlike what European intercourse would have suggested, and who is heard of by such early explorers among such distant tribes, could be a deity of foreign origin". NOW, he "can HARDLY be ALTOGETHER a deity of foreign origin".(1) I agree with Mr. Tylor's earlier statement. In my opinion Ahone—Okeus, Kiehtan—Hobamock, correspond, the first pair to the usually unseen Australian Baiame (a crystal or hypnotic vision of Baiame scarcely counts), while the second pair, Okeus and Hobamock, answer to the Australian familiars of sorcerers, Koin and Brewin; the American "Powers" being those of peoples on a higher level of culture. Like Tharramulun where Baiame is supreme, Hobamock appears as a snake (Asclepius).
Is all this invention? Or was everything taken from Europeans before 1586, and if so, from which Europeans? Mr. Tylor wrote in 1873, "After accounting for bad translations of savage responses and the influence of white men's ideas, it’s hard to conclude that a divine being, whose traits are often so different from what European interaction would suggest, and who is mentioned by early explorers among such distant tribes, could be a god of foreign origin." NOW, he "can HARDLY be ALTOGETHER a god of foreign origin."(1) I agree with Mr. Tylor's earlier statement. In my view, Ahone—Okeus, Kiehtan—Hobamock correspond, with the first pair relating to the often unseen Australian Baiame (a crystal or hypnotic vision of Baiame hardly counts), while the second pair, Okeus and Hobamock, corresponds to the Australian companions of sorcerers, Koin and Brewin; the American "Powers" being those of cultures that are more advanced. Just like Tharramulun, where Baiame is supreme, Hobamock takes the form of a snake (Asclepius).
(1) Prim. Cult., ii. 340, 1873, 1892.
(1) Prim. Cult., ii. 340, 1873, 1892.
For all these reasons I am inclined to accept Strachey's Ahone as a veritable element in Virginian belief. Without temple or service, such a being was not conspicuous, like Okee and other gods which had idols and sacrifices.
For all these reasons, I’m inclined to accept Strachey's Ahone as a genuine part of Virginian belief. Without a temple or service, this being wasn't as noticeable, like Okee and other gods who had idols and sacrifices.
As far as I see, Strachey has no theory to serve by inventing Ahone. He asks how any races "if descended from the people of the first creation, should maintain so general and gross a defection from the true knowledge of God". He is reduced to suppose that, as descendants of Ham, they inherit "the ignorance of true godliness." (p. 45). The children of Shem and Japheth alone "retained, until the coming of the Messias, the only knowledge of the eternal and never-changing Trinity". The Virginians, on the other hand, fell heir to the ignorance, and "fearful and superstitious instinct of nature" of Ham (p. 40). Ahone, therefore, is not invented by Strachey to bolster up a theory (held by Strachey), of an inherited revelation, or of a sensus numinis which could not go wrong. Unless a proof be given that Strachey had a theory, or any other purpose, to serve by inventing Ahone, I cannot at present come into the opinion that he gratuitously fabled, though he may have unconsciously exaggerated.
As far as I can tell, Strachey doesn’t have a theory that justifies creating Ahone. He questions how any races "if descended from the people of the first creation, should maintain so general and gross a defection from the true knowledge of God." He concludes that, as descendants of Ham, they inherit "the ignorance of true godliness." (p. 45). Only the children of Shem and Japheth "retained, until the coming of the Messias, the only knowledge of the eternal and never-changing Trinity." The Virginians, on the other hand, inherited the ignorance and "fearful and superstitious instinct of nature" from Ham (p. 40). Therefore, Ahone is not created by Strachey to support a theory (held by Strachey) about inherited revelation or a sensus numinis that couldn't be wrong. Unless there's evidence that Strachey had a theory or any other motive for creating Ahone, I can't currently accept the view that he made up a story for no reason, though he might have unconsciously exaggerated.
What were Strachey's sources? He was for nine months, if not more, in the colony: he had travelled at least 115 miles up the James River, he occasionally suggests modifications of Smith's map, he refers to Smith's adventures, and his glossary is very much larger than Smith's; its accuracy I leave to American linguists. Such a witness, despite his admitted use of Smith's text (if it is really all by Smith throughout) is not to be despised, and he is not despised in America.(1) Strachey, it is true, had not, like Smith, been captured by Indians and either treated with perfect kindness and consideration (as Smith reported at the time), or tied to a tree and threatened with arrows, and laid out to have his head knocked in with a stone; as he alleged sixteen years later! Strachey, not being captured, did not owe his release (1) to the magnanimity of Powhattan, (2) to his own ingenious lies, (3) to the intercession of Pocahontas, as Smith, and his friends for him, at various dates inconsistently declared. Smith certainly saw more of the natives at home: Strachey brought a more studious mind to what he could learn of their customs and ideas; and is not a convicted braggart. I conjecture that one of Strachey's sources was a native named Kemps. Smith had seized Kemps and Kinsock in 1609. Unknown authorities (Powell? and Todkill?) represent these two savages as "the most exact villaines in the country".(2) They were made to labour in fetters, then were set at liberty, but "little desired it".(3) Some "souldiers" ran away to the liberated Kemps, who brought them back to Smith.(4) Why Kemps and his friend are called "two of the most exact villains in the country" does not appear. Kemps died "of the surveye" (scurvey, probably) at Jamestown, in 1610-11. He was much made of by Lord De la Warr, "could speak a pretty deal of our English, and came orderly to church every day to prayers". He gave Strachey the names of Powhattan's wives, and told him, truly or not, that Pocahontas was married, about 1610, to an Indian named Kocoum.(5) I offer the guess that Kemps and Machumps, who came and went from Pocahontas, and recited an Indian prayer which Strachey neglected to copy out, may have been among Strachey's authorities. I shall, of course, be told that Kemps picked up Ahone at church. This did not strike Strachey as being the fact; he had no opinion of the creed in which Ahone was a factor, "the misery and thraldome under which Sathan has bound these wretched miscreants". According to Strachey, the priests, far from borrowing any part of our faith, "feare and tremble lest the knowledge of God, and of our Saviour Jesus Christ be taught in these parts".
What were Strachey's sources? He spent at least nine months, if not longer, in the colony; he traveled at least 115 miles up the James River, occasionally suggesting changes to Smith's map, referencing Smith's adventures, and providing a glossary that is much more extensive than Smith's. I leave the accuracy of that glossary to American linguists. Such a witness, despite his acknowledged use of Smith's text (if it truly is all from Smith), shouldn’t be dismissed, and he is not dismissed in America. Strachey, it’s true, hadn’t been captured by Indians like Smith, who claimed he was either treated with kindness and consideration (as he said at the time) or tied to a tree, threatened with arrows, and laid out for a stone to the head; this was something he alleged sixteen years later! Strachey, not being captured, didn’t owe his freedom (1) to the generosity of Powhatan, (2) to his own clever lies, or (3) to Pocahontas’s intercession, as Smith and his friends inconsistently claimed at various times. Smith certainly interacted more with the natives at home: Strachey approached what he could learn from their customs and ideas with a more scholarly mindset, and he is not a proven boastful liar. I suspect that one of Strachey's sources was a native named Kemps. Smith had captured Kemps and Kinsock in 1609. Unnamed sources (Powell? and Todkill?) described these two as "the most exact villains in the country." They were forced to work in chains, then freed, but "little desired it." Some "soldiers" fled to the released Kemps, who brought them back to Smith. The reason Kemps and his friend were called "two of the most exact villains in the country" isn’t clear. Kemps died of "the surveye" (most likely scurvy) at Jamestown, in 1610-11. Lord De la Warr took a liking to him; he "could speak quite a bit of our English and came to church every day for prayers." He provided Strachey with the names of Powhatan's wives and told him, whether true or not, that Pocahontas was married around 1610 to an Indian named Kocoum. I guess that Kemps and Machumps, who visited Pocahontas and recited an Indian prayer that Strachey failed to copy, may have been among Strachey's sources. Of course, I will be told that Kemps met Ahone at church. Strachey didn’t see it that way; he had little regard for the faith that included Ahone, thinking it was "the misery and bondage under which Satan has bound these wretched miscreants." According to Strachey, the priests, far from adopting any part of our faith, "fear and tremble lest the knowledge of God and of our Savior Jesus Christ be taught in these parts."
(1) Arber, cxvii. Strachey mentions that (before his arrival in Virginia) Pocahontas turned cart-wheels, naked, in Jamestown, being then under twelve, and not yet wearing the apron. Smith says she was ten in 1608, but does not mention the cart-wheels. Later, he found it convenient to put her age at twelve or thirteen in 1608. Most American scholars, such as Mr. Adams, entirely distrust the romantic later narratives of Smith.
(1) Arber, cxvii. Strachey notes that (before he got to Virginia) Pocahontas did cartwheels, naked, in Jamestown, being younger than twelve, and not yet in an apron. Smith claims she was ten in 1608, but doesn’t mention the cartwheels. Later on, he conveniently revised her age to twelve or thirteen in 1608. Most American scholars, like Mr. Adams, completely distrust the romanticized later stories told by Smith.
(2) The Proeeedings, etc., by W. S. Arber, p. 151.
(2) The Proceedings, etc., by W. S. Arber, p. 151.
(3) Ibid., p. 155.
Ibid., p. 155.
(4) Ibid., p. 157.
Ibid., p. 157.
(5) Strachey, pp. 54, 55.
(5) Strachey, pp. 54, 55.
Strachey is therefore for putting down the priests, and, like Smith (indeed here borrowing from Smith), accuses them of sacrificing children. To Smith's statement that such a rite was worked at Quiyough-cohanock, Strachey adds that Sir George Percy (who was with Smith) "was at, and observed" a similar mystery at Kecoughtan. It is plain that the rite was not a sacrifice, but a Bora, or initiation, and the parallel of the Spartan flogging of boys, with the retreat of the boys and their instructors, is very close, and, of course, unnoted by classical scholars except Mr. Frazer. Strachey ends with the critical remark that we shall not know all the certainty of the religion and mysteries till we can capture some of the priests, or Quiyough-quisocks.
Strachey is therefore in favor of discrediting the priests and, like Smith (actually drawing from Smith here), accuses them of child sacrifice. In addition to Smith's claim that such a ritual took place at Quiyough-cohanock, Strachey mentions that Sir George Percy (who was with Smith) "was at, and observed" a similar ceremony at Kecoughtan. It's clear that the ritual was not a sacrifice but a Bora, or initiation, and the comparison to the Spartan practice of flogging boys, along with the retreat of the boys and their instructors, is very similar, although, of course, classical scholars have overlooked this except for Mr. Frazer. Strachey concludes with the important point that we won't fully understand the religion and mysteries until we can capture some of the priests, or Quiyough-quisocks.
Students who have access to a good library of Americana may do more to elucidate Ahone. I regard him as in a line with Kiehtan and the God spoken of by Heriot, and do not believe (1) that Strachey lied; (2) that natives deceived Strachey; (3) that Ahone was borrowed from "the God of Captain Smith".
Students who have access to a good library of Americana may do more to clarify Ahone. I see him as similar to Kiehtan and the God mentioned by Heriot, and I do not believe (1) that Strachey lied; (2) that natives deceived Strachey; (3) that Ahone was taken from "the God of Captain Smith."
MYTH, RITUAL, AND RELIGION.
CHAPTER I. SYSTEMS OF MYTHOLOGY.
Definitions of religion—Contradictory evidence—"Belief in spiritual beings"—Objection to Mr. Tylor's definition—Definition as regards this argument—Problem: the contradiction between religion and myth—Two human moods—Examples—Case of Greece—Ancient mythologists—Criticism by Eusebius—Modern mythological systems—Mr. Max Muller—Mannhardt.
Definitions of religion—Conflicting evidence—"Belief in spiritual beings"—Critique of Mr. Tylor's definition—Definition concerning this argument—Issue: the conflict between religion and myth—Two human emotions—Examples—Case of Greece—Ancient mythologists—Criticism by Eusebius—Contemporary mythological systems—Mr. Max Muller—Mannhardt.
The word "Religion" may be, and has been, employed in many different senses, and with a perplexing width of significance. No attempt to define the word is likely to be quite satisfactory, but almost any definition may serve the purpose of an argument, if the writer who employs it states his meaning frankly and adheres to it steadily. An example of the confusions which may arise from the use of the term "religion" is familiar to students. Dr. J. D. Lang wrote concerning the native races of Australia: "They have nothing whatever of the character of religion, or of religious observances, to distinguish them from the beasts that perish". Yet in the same book Dr. Lang published evidence assigning to the natives belief in "Turramullun, the chief of demons, who is the author of disease, mischief and wisdom".(1) The belief in a superhuman author of "disease, mischief and wisdom" is certainly a religious belief not conspicuously held by "the beasts"; yet all religion was denied to the Australians by the very author who prints (in however erroneous a style) an account of part of their creed. This writer merely inherited the old missionary habit of speaking about the god of a non-Christian people as a "demon" or an "evil spirit".
The term "Religion" can be, and has been, used in many different ways and with a confusing range of meanings. Any attempt to define it is unlikely to be completely satisfying, but almost any definition can work for an argument if the writer makes their meaning clear and sticks to it. An example of the confusion that can arise from using the term "religion" is well known to students. Dr. J. D. Lang wrote about the indigenous peoples of Australia: "They have nothing at all that resembles religion or religious practices, setting them apart from the animals." Yet in the same book, Dr. Lang included evidence that the natives believed in "Turramullun, the chief of demons, who causes disease, mischief, and wisdom." The belief in a supernatural being who is responsible for "disease, mischief, and wisdom" is definitely a religious belief not typically found among "the beasts"; still, the Australians were denied any religion by the very author who presents (albeit in a questionable manner) part of their belief system. This writer simply inherited the old missionary tendency to refer to the god of a non-Christian culture as a "demon" or an "evil spirit."
(1) See Primitive Culture, second edition, i. 419.
(1) See Primitive Culture, second edition, p. 419.
Dr. Lang's negative opinion was contradicted in testimony published by himself, an appendix by the Rev. Mr. Ridley, containing evidence of the belief in Baiame. "Those who have learned that 'God' is the name by which we speak of the Creator, say that Baiame is God."(1)
Dr. Lang's negative opinion was contradicted in testimony published by him, an appendix by Rev. Mr. Ridley, which included evidence of the belief in Baiame. "Those who have learned that 'God' is the name we use for the Creator say that Baiame is God."(1)
(1) Lang's Queensland, p. 445, 1861.
(1) Lang's Queensland, p. 445, 1861.
As "a minimum definition of religion," Mr. Tylor has suggested "the belief in spiritual beings". Against this it may be urged that, while we have no definite certainty that any race of men is destitute of belief in spiritual beings, yet certain moral and creative deities of low races do not seem to be envisaged as "spiritual" at all. They are regarded as EXISTENCES, as BEINGS, unconditioned by Time, Space, or Death, and nobody appears to have put the purely metaphysical question, "Are these beings spiritual or material?"(1) Now, if a race were discovered which believed in such beings, yet had no faith in spirits, that race could not be called irreligious, as it would have to be called in Mr. Tylor's "minimum definition". Almost certainly, no race in this stage of belief in nothing but unconditioned but not expressly spiritual beings is extant. Yet such a belief may conceivably have existed before men had developed the theory of spirits at all, and such a belief, in creative and moral unconditioned beings, not alleged to be spiritual, could not be excluded from a definition of religion.(2)
As a "basic definition of religion," Mr. Tylor suggested "the belief in spiritual beings." However, it can be argued that while we don’t have definite evidence that any group of people lacks belief in spiritual beings, certain moral and creative deities in less advanced societies don't seem to be viewed as "spiritual" at all. They are seen as EXISTENCES, as BEINGS, unaffected by Time, Space, or Death, and no one appears to have asked the purely philosophical question, "Are these beings spiritual or material?" If a group were found that believed in such beings but had no faith in spirits, that group couldn't be considered irreligious, contrary to Mr. Tylor's "basic definition." It's highly unlikely that any group currently exists that believes only in unconditioned but not explicitly spiritual beings. Yet, such a belief may have existed before humans even developed the idea of spirits, and a belief in creative and moral unconditioned beings, not claimed to be spiritual, should not be excluded from a definition of religion.
(1) See The Making of Religion, pp. 201-210.
(1) See The Making of Religion, pp. 201-210.
(2) "The history of the Jews, nay, the history of our own mind, proves to demonstration that the thought of God is a far easier thought, and a far earlier, than that of a spirit." Father Tyrrell, S. J., The Month, October, 1898. As to the Jews, the question is debated. As to our own infancy, we are certainly taught about God before we are likely to be capable of the metaphysical notion of spirit. But we can scarcely reason from children in Christian houses to the infancy of the race.
(2) "The history of the Jews, and indeed the history of our own thinking, clearly shows that the idea of God is much easier and comes much earlier than the idea of a spirit." Father Tyrrell, S. J., The Month, October, 1898. Regarding the Jews, this is a topic of discussion. Concerning our own childhood, we certainly learn about God before we are likely to grasp the complex idea of a spirit. However, we can hardly draw conclusions about children in Christian households and apply that to the early stages of humanity.
For these reasons we propose (merely for the purpose of the present work) to define religion as the belief in a primal being, a Maker, undying, usually moral, without denying that the belief in spiritual beings, even if immoral, may be styled religious. Our definition is expressly framed for the purpose of the argument, because that argument endeavours to bring into view the essential conflict between religion and myth. We intend to show that this conflict between the religious and the mythical conception is present, not only (where it has been universally recognised) in the faiths of the ancient civilised peoples, as in Greece, Rome, India and Egypt, but also in the ideas of the lowest known savages.
For these reasons, we propose (just for the purpose of this work) to define religion as the belief in a supreme being, a Creator, eternal, typically moral, while acknowledging that the belief in spiritual beings, even if they are immoral, can still be considered religious. Our definition is specifically crafted for this argument because we aim to highlight the fundamental clash between religion and myth. We want to demonstrate that this conflict between religious and mythical perspectives exists not only in the faiths of ancient civilizations like Greece, Rome, India, and Egypt (where it has been widely recognized) but also in the beliefs of the most basic known tribes.
It may, of course, be argued that the belief in Creator is itself a myth. However that may be, the attitude of awe, and of moral obedience, in face of such a supposed being, is religious in the sense of the Christian religion, whereas the fabrication of fanciful, humorous, and wildly irrational fables about that being, or others, is essentially mythical in the ordinary significance of that word, though not absent from popular Christianity.
It could be argued that believing in a Creator is a myth. Regardless, feeling awe and moral responsibility toward such a being is religious in the context of Christianity, while creating fanciful, humorous, and completely irrational stories about that being or others is purely mythical in the everyday sense of the word, even if it's present in popular Christianity.
Now, the whole crux and puzzle of mythology is, "Why, having attained (in whatever way) to a belief in an undying guardian, 'Master of Life,' did mankind set to work to evolve a chronique scandaleuse about HIM? And why is that chronique the elaborately absurd set of legends which we find in all mythologies?"
Now, the main issue and mystery of mythology is, "Why, after believing (in any way) in an everlasting guardian, 'Master of Life,' did humanity start to create a scandalous story about HIM? And why is that story the intricately ridiculous collection of legends that we see in all mythologies?"
In answering, or trying to answer, these questions, we cannot go behind the beliefs of the races now most immersed in savage ignorance. About the psychology of races yet more undeveloped we can have no historical knowledge. Among the lowest known tribes we usually find, just as in ancient Greece, the belief in a deathless "Father," "Master," "Maker," and also the crowd of humorous, obscene, fanciful myths which are in flagrant contradiction with the religious character of that belief. That belief is what we call rational, and even elevated. The myths, on the other hand, are what we call irrational and debasing. We regard low savages as very irrational and debased characters, consequently the nature of their myths does not surprise us. Their religious conception, however, of a "Father" or "Master of Life" seems out of keeping with the nature of the savage mind as we understand it. Still, there the religious conception actually is, and it seems to follow that we do not wholly understand the savage mind, or its unknown antecedents. In any case, there the facts are, as shall be demonstrated. However the ancestors of Australians, or Andamanese, or Hurons arrived at their highest religious conception, they decidedly possess it.(1) The development of their mythical conceptions is accounted for by those qualities of their minds which we do understand, and shall illustrate at length. For the present, we can only say that the religious conception uprises from the human intellect in one mood, that of earnest contemplation and submission: while the mythical ideas uprise from another mood, that of playful and erratic fancy. These two moods are conspicuous even in Christianity. The former, that of earnest and submissive contemplation, declares itself in prayers, hymns, and "the dim religious light" of cathedrals. The second mood, that of playful and erratic fancy, is conspicuous in the buffoonery of Miracle Plays, in Marchen, these burlesque popular tales about our Lord and the Apostles, and in the hideous and grotesque sculptures on sacred edifices. The two moods are present, and in conflict, through the whole religious history of the human race. They stand as near each other, and as far apart, as Love and Lust.
In trying to answer these questions, we can't look past the beliefs of the races that are still deeply steeped in ignorance. We have no historical knowledge about the psychology of even less developed races. Among the lowest-known tribes, we usually find, just like in ancient Greece, a belief in a deathless "Father," "Master," or "Maker," alongside a plethora of humorous, obscene, and fanciful myths that directly contradict the religious nature of that belief. That belief is what we consider rational, or even elevated. The myths, on the other hand, are what we think of as irrational and degrading. We view low savages as very irrational and debased, so the nature of their myths doesn't shock us. However, their religious concept of a "Father" or "Master of Life" seems out of place with what we understand of the savage mind. Still, that religious concept exists, which suggests we don't fully grasp the savage mind or its unknown origins. In any case, the facts are there, as will be shown. However their ancestors, whether Australians, Andamanese, or Hurons, reached their highest religious concept, they clearly possess it. The development of their mythical ideas can be explained by the aspects of their minds that we do understand and will illustrate in detail. For now, we can only say that the religious concept arises from one state of the human intellect, which is earnest contemplation and submission, while mythical ideas come from a different state, that of playful and erratic imagination. These two states are evident even in Christianity. The first one, earnest and submissive contemplation, is expressed in prayers, hymns, and "the dim religious light" of cathedrals. The second state, playful and erratic imagination, is evident in the humor of Miracle Plays, in Marchen, which are these burlesque folk tales about our Lord and the Apostles, and in the grotesque and bizarre sculptures on sacred buildings. Both states are present, and in conflict, throughout the entire religious history of humanity. They're as close together and as far apart as Love and Lust.
(1) The hypothesis that the conception was borrowed from European creeds will be discussed later. See, too, "Are Savage Gods borrowed from Missionaries?" Nineteenth Century, January, 1899.
(1) The theory that the idea was taken from European beliefs will be discussed later. Also, check out "Are Savage Gods borrowed from Missionaries?" Nineteenth Century, January, 1899.
It will later be shown that even some of the most backward savages make a perhaps half-conscious distinction between their mythology and their religion. As to the former, they are communicative; as to the latter, they jealously guard their secret in sacred mysteries. It is improbable that reflective "black fellows" have been morally shocked by the flagrant contradictions between their religious conceptions and their mythical stories of the divine beings. But human thought could not come into explicit clearness of consciousness without producing the sense of shock and surprise at these contradictions between the Religion and the Myth of the same god. Of this we proceed to give examples.
It will later be shown that even some of the most primitive tribes make a somewhat half-aware distinction between their mythology and their religion. Regarding mythology, they are open; concerning religion, they carefully guard their secrets in sacred mysteries. It’s unlikely that thoughtful "black folks" have been morally disturbed by the obvious contradictions between their religious beliefs and their mythical tales of divine beings. However, human thought couldn’t achieve clear consciousness without experiencing shock and surprise at these contradictions between the religion and the myth of the same god. We will proceed to provide examples of this.
In Greece, as early as the sixth century B. C., we are all familiar with Xenophanes' poem(1) complaining that the gods were credited with the worst crimes of mortals—in fact, with abominations only known in the orgies of Nero and Elagabalus. We hear Pindar refusing to repeat the tale which told him the blessed were cannibals.(2) In India we read the pious Brahmanic attempts to expound decently the myths which made Indra the slayer of a Brahman; the sinner, that is, of the unpardonable sin. In Egypt, too, we study the priestly or philosophic systems by which the clergy strove to strip the burden of absurdity and sacrilege from their own deities. From all these efforts of civilised and pious believers to explain away the stories about their own gods we may infer one fact—the most important to the student of mythology—the fact that myths were not evolved in times of clear civilised thought. It is when Greece is just beginning to free her thought from the bondage of too concrete language, when she is striving to coin abstract terms, that her philosophers and poets first find the myths of Greece a stumbling-block.
In Greece, as early as the sixth century B.C., we all know about Xenophanes' poem(1) that complains how the gods were associated with the worst crimes of humans—actually, with horrors only seen in the orgies of Nero and Elagabalus. We hear Pindar refusing to repeat a story that claimed the blessed were cannibals.(2) In India, we come across the devout Brahmanic efforts to reasonably interpret the myths that depicted Indra as the slayer of a Brahman; the sinner, in other words, guilty of the unpardonable sin. In Egypt, we also examine the priestly or philosophical systems through which the clergy aimed to alleviate the absurdity and sacrilege of their own deities. From all these attempts by civilized and devout believers to rationalize the stories about their gods, we can draw one key conclusion—the most significant for anyone studying mythology—the realization that myths did not develop during times of clear, rational thought. It is when Greece is just beginning to free its thinking from overly concrete language, when it is trying to create abstract terms, that its philosophers and poets first see Greek myths as a hindrance.
(1) Ritter and Preller, Hist. Philos., Gothae, 1869, p. 82.
(1) Ritter and Preller, Hist. Philos., Gotha, 1869, p. 82.
(2) Olympic Odes, i., Myers's translation: "To me it is impossible to call one of the blessed gods a cannibal.... Meet it is for a man that concerning the gods he speak honourably, for the reproach is less. Of thee, son of Tantalus, I will speak contrariwise to them who have gone before me." In avoiding the story of the cannibal god, however, Pindar tells a tale even more offensive to our morality.
(2) Olympic Odes, i., Myers's translation: "To me, it's impossible to call any of the blessed gods a cannibal.... It's fitting for a man to speak honorably about the gods, as that's less of a disgrace. About you, son of Tantalus, I will speak differently from those who have come before me." However, in steering clear of the story of the cannibal god, Pindar tells a tale that's even more shocking to our values.
All early attempts at an interpretation of mythology are so many efforts to explain the myths on some principle which shall seem not unreasonable to men living at the time of the explanation. Therefore the pious remonstrances and the forced constructions of early thinkers like Xenophanes, of poets like Pindar, of all ancient Homeric scholars and Pagan apologists, from Theagenes of Rhegium (525 B. C.), the early Homeric commentator, to Porphyry, almost the last of the heathen philosophers, are so many proofs that to Greece, as soon as she had a reflective literature, the myths of Greece seemed impious and IRRATIONAL. The essays of the native commentators on the Veda, in the same way, are endeavours to put into myths felt to be irrational and impious a meaning which does not offend either piety or reason. We may therefore conclude that it was not men in an early stage of philosophic thought (as philosophy is now understood)—not men like Empedocles and Heraclitus, nor reasonably devout men like Eumaeus, the pious swineherd of the Odyssey—who evolved the blasphemous myths of Greece, of Egypt and of India. We must look elsewhere for an explanation. We must try to discover some actual and demonstrable and widely prevalent condition of the human mind, in which tales that even to remote and rudimentary civilisations appeared irrational and unnatural would seem natural and rational. To discover this intellectual condition has been the aim of all mythologists who did not believe that myth is a divine tradition depraved by human weakness, or a distorted version of historical events.
All early attempts to interpret mythology are efforts to explain the myths based on principles that would seem reasonable to people at the time. Thus, the respectful objections and forced interpretations of early thinkers like Xenophanes, poets like Pindar, and ancient Homeric scholars and Pagan defenders, from Theagenes of Rhegium (525 B.C.), an early commentator on Homer, to Porphyry, nearly the last of the pagan philosophers, show that to Greece, once she developed reflective literature, the myths seemed disrespectful and irrational. The essays of native commentators on the Veda similarly aim to assign meanings to myths seen as irrational and disrespectful that do not offend either faith or reason. Therefore, we can conclude that it wasn’t people in an early stage of philosophical thought (as we understand philosophy today)—not individuals like Empedocles and Heraclitus, nor reasonably devout people like Eumaeus, the pious swineherd of the Odyssey—who created the blasphemous myths of Greece, Egypt, and India. We must search elsewhere for an explanation. We need to uncover some actual, demonstrable, and widely shared state of the human mind where stories that even remote and primitive civilizations found irrational and unnatural would seem natural and rational. Discovering this intellectual state has been the goal of all mythologists who do not believe that myths are a divine tradition corrupted by human weakness or a distorted version of historical events.
Before going further, it is desirable to set forth what our aim is, and to what extent we are seeking an interpretation of mythology. It is not our purpose to explain every detail of every ancient legend, either as a distorted historical fact or as the result of this or that confusion of thought caused by forgetfulness of the meanings of language, or in any other way; nay, we must constantly protest against the excursions of too venturesome ingenuity. Myth is so ancient, so complex, so full of elements, that it is vain labour to seek a cause for every phenomenon. We are chiefly occupied with the quest for an historical condition of the human intellect to which the element in myths, regarded by us as irrational, shall seem rational enough. If we can prove that such a state of mind widely exists among men, and has existed, that state of mind may be provisionally considered as the fount and ORIGIN of the myths which have always perplexed men in a reasonable modern mental condition. Again, if it can be shown that this mental stage was one through which all civilised races have passed, the universality of the mythopoeic mental condition will to some extent explain the universal DIFFUSION of the stories.
Before we go further, it's important to clarify what our goal is and how we’re approaching the interpretation of mythology. We don’t intend to explain every detail of every ancient legend, whether as a twisted historical fact or because of confusion over meanings of language, or for any other reason; in fact, we must continually warn against the risks of overly creative interpretations. Myths are so old, so intricate, and so full of different elements that it's pointless to try to find a cause for every phenomenon. Our primary focus is on discovering a historical context of human thought in which the elements of myths, which we see as irrational, would actually seem rational. If we can demonstrate that such a mindset widely exists among people, both now and in the past, we can tentatively consider that mindset as the source of the myths that have long puzzled those of us with a more rational modern mindset. Furthermore, if we can show that this mental stage was one that all civilized cultures have gone through, the widespread nature of this myth-producing mentality will help explain the global spread of these stories.
Now, in all mythologies, whether savage or civilised, and in all religions where myths intrude, there exist two factors—the factor which we now regard as rational, and that which we moderns regard as irrational. The former element needs little explanation; the latter has demanded explanation ever since human thought became comparatively instructed and abstract.
Now, in all mythologies, whether primitive or advanced, and in all religions where myths play a role, there are two components—the component we now see as rational, and the one we moderns see as irrational. The first element needs little explanation; the second has required clarification ever since human thought became relatively educated and abstract.
To take an example; even in the myths of savages there is much that still seems rational and transparent. If savages tell us that some wise being taught them all the simple arts of life, the use of fire, of the bow and arrow, the barbing of hooks, and so forth, we understand them at once. Nothing can be more natural than that man should believe in an original inventor of the arts, and should tell tales about the imaginary discoverers if the real heroes be forgotten. So far all is plain sailing. But when the savage goes on to say that he who taught the use of fire or who gave the first marriage laws was a rabbit or a crow, or a dog, or a beaver, or a spider, then we are at once face to face with the element in myths which seems to us IRRATIONAL. Again, among civilised peoples we read of the pure all-seeing Varuna in the Vedas, to whom sin is an offence. We read of Indra, the Lord of Thunder, borne in his chariot, the giver of victory, the giver of wealth to the pious; here once more all seems natural and plain. The notion of a deity who guides the whirlwind and directs the storm, a god of battles, a god who blesses righteousness, is familiar to us and intelligible; but when we read how Indra drank himself drunk and committed adulteries with Asura women, and got himself born from the same womb as a bull, and changed himself into a quail or a ram, and suffered from the most abject physical terror, and so forth, then we are among myths no longer readily intelligible; here, we feel, are IRRATIONAL stories, of which the original ideas, in their natural sense, can hardly have been conceived by men in a pure and rational early civilisation. Again, in the religions of even the lowest races, such myths as these are in contradiction with the ethical elements of the faith.
For example, even in the myths of primitive people, there’s a lot that still seems logical and clear. When these communities tell us that a wise being taught them basic life skills, like how to use fire, how to make a bow and arrow, and how to create fishing hooks, we get it right away. It's completely natural for people to believe in an original inventor of these skills and to share stories about imaginary creators when the real heroes are forgotten. Up to this point, everything is straightforward. But when the primitive person claims that the one who taught them to use fire or who established the first marriage laws was a rabbit, or a crow, or a dog, or a beaver, or a spider, we quickly encounter the part of these myths that seems IRRATIONAL to us. Additionally, among advanced societies, we read about the all-seeing Varuna in the Vedas, who views sin as an offense. We read about Indra, the Lord of Thunder, riding in his chariot, granting victory and wealth to the righteous; once again, everything seems natural and clear. The concept of a deity who controls the storm and leads battles, a god who rewards virtue, is familiar and understandable to us. However, when we learn that Indra got drunk, had affairs with Asura women, was born from the same mother as a bull, transformed into a quail or a ram, and experienced extreme physical fear, we find ourselves in the realm of myths that are no longer easily understandable; here, we sense there are IRRATIONAL tales, which can hardly have been conceived by people in a pure and rational early society. Furthermore, in the beliefs of even the most basic cultures, such myths contradict the ethical aspects of their faith.
If we look at Greek religious tradition, we observe the coexistence of the RATIONAL and the apparently IRRATIONAL elements. The RATIONAL myths are those which represent the gods as beautiful and wise beings. The Artemis of the Odyssey "taking her pastime in the chase of boars and swift deer, while with her the wild wood-nymphs disport them, and high over them all she rears her brow, and is easily to be known where all are fair,"(1) is a perfectly RATIONAL mythic representation of a divine being. We feel, even now, that the conception of a "queen and goddess, chaste and fair," the abbess, as Paul de Saint-Victor calls her, of the woodlands, is a beautiful and natural fancy, which requires no explanation. On the other hand, the Artemis of Arcadia, who is confused with the nymph Callisto, who, again, is said to have become a she-bear, and later a star; and the Brauronian Artemis, whose maiden ministers danced a bear-dance,(2) are goddesses whose legend seems unnatural, and needs to be made intelligible. Or, again, there is nothing not explicable and natural in the conception of the Olympian Zeus as represented by the great chryselephantine statue of Zeus at Olympia, or in the Homeric conception of Zeus as a god who "turns everywhere his shining eyes, and beholds all things, and protects the righteous, and deals good or evil fortune to men." But the Zeus whose grave was shown in Crete, or the Zeus who played Demeter an obscene trick by the aid of a ram, or the Zeus who, in the shape of a swan, became the father of Castor and Pollux, or the Zeus who deceived Hera by means of a feigned marriage with an inanimate object, or the Zeus who was afraid of Attes, or the Zeus who made love to women in the shape of an ant or a cuckoo, is a being whose myth is felt to be unnatural and bewildering.(3) It is this IRRATIONAL and unnatural element, as Mr. Max Muller says, "the silly, senseless, and savage element," that makes mythology the puzzle which men have so long found it. For, observe, Greek myth does not represent merely a humorous play of fancy, dealing with things religiously sacred as if by way of relief from the strained reverential contemplation of the majesty of Zeus. Many stories of Greek mythology are such as could not cross, for the first time, the mind of a civilised Xenophanes or Theagenes, even in a dream. THIS was the real puzzle.
If we look at Greek religious tradition, we see the coexistence of RATIONAL and seemingly IRRATIONAL elements. The RATIONAL myths portray the gods as beautiful and wise beings. The Artemis from the Odyssey, "taking her pastime in the chase of boars and swift deer, while with her the wild wood-nymphs enjoy themselves, and high above them all she raises her brow, and is easily recognized where all are fair," (1) is a perfectly RATIONAL mythic depiction of a divine being. We feel, even now, that the idea of a "queen and goddess, chaste and fair," as Paul de Saint-Victor describes her, is a lovely and natural concept that doesn’t need an explanation. On the other hand, the Artemis of Arcadia, who is mixed up with the nymph Callisto, who is said to have turned into a she-bear and later a star; and the Brauronian Artemis, whose maiden followers performed a bear dance, (2) are goddesses whose legends seem unnatural and need clarification. Additionally, there’s nothing unexplainable or unnatural about the Olympian Zeus as represented by the magnificent chryselephantine statue of Zeus at Olympia, or in the Homeric view of Zeus as a god who "turns everywhere his shining eyes, and sees all things, and protects the righteous, and brings good or bad fortune to men." But the Zeus whose grave was shown in Crete, or the Zeus who played an obscene trick on Demeter with the help of a ram, or the Zeus who, in the form of a swan, became the father of Castor and Pollux, or the Zeus who tricked Hera with a fake marriage to an inanimate object, or the Zeus who was scared of Attes, or the Zeus who seduced women as an ant or a cuckoo, is a being whose myth feels unnatural and confusing. (3) It is this IRRATIONAL and unnatural aspect, as Mr. Max Muller puts it, "the silly, senseless, and savage element," that makes mythology the enigma it has long been. For, notice, Greek myth doesn't just represent a humorous play of imagination, dealing with things religiously sacred as a way to relieve the intense reverence for the majesty of Zeus. Many stories in Greek mythology are such that a civilized Xenophanes or Theagenes wouldn’t even be able to dream of them. THIS was the real puzzle.
(1) Odyssey, vi. 102.
Odyssey, Book 6, Verse 102.
(2) (Greek word omitted); compare Harpokration on this word.
(2) (Greek word omitted); see Harpokration on this word.
(3) These are the features in myth which provoke, for example, the wonder of Emeric-David. "The lizard, the wolf, the dog, the ass, the frog, and all the other brutes so common on religious monuments everywhere, do they not all imply a THOUGHT which we must divine?" He concludes that these animals, plants, and monsters of myths are so many "enigmas" and "symbols" veiling some deep, sacred idea, allegories of some esoteric religious creed. Jupiter, Paris, 1832, p. lxxvii.
(3) These are the elements in myth that spark the curiosity of Emeric-David. "The lizard, the wolf, the dog, the donkey, the frog, and all the other animals found on religious monuments everywhere, don’t they all suggest a THOUGHT that we need to uncover?" He concludes that these animals, plants, and monsters of myths represent numerous "enigmas" and "symbols" hiding some profound, sacred idea, serving as allegories of some hidden religious belief. Jupiter, Paris, 1832, p. lxxvii.
We have offered examples—Savage, Indian, and Greek—of that element in mythology which, as all civilised races have felt, demands explanation.
We have provided examples—Savage, Indian, and Greek—of that aspect in mythology which, as all civilized societies have recognized, needs clarification.
To be still more explicit, we may draw up a brief list of the chief problems in the legendary stories attached to the old religions of the world—the problems which it is our special purpose to notice. First we have, in the myths of all races, the most grotesque conceptions of the character of gods when mythically envisaged. Beings who, in religion, leave little to be desired, and are spoken of as holy, immortal, omniscient, and kindly, are, in myth, represented as fashioned in the likeness not only of man, but of the beasts; as subject to death, as ignorant and impious.
To be even clearer, we can create a short list of the main issues found in the legendary stories connected to the ancient religions of the world—issues that we specifically aim to address. First, in the myths of all cultures, we encounter the most absurd ideas about the nature of gods when viewed through a mythological lens. Beings who, in religion, seem perfect and are described as holy, immortal, all-knowing, and benevolent, are portrayed in mythology as being shaped not only like humans but also like animals; they are subject to death and depicted as ignorant and wicked.
Most pre-Christian religions had their "zoomorphic" or partially zoomorphic idols, gods in the shape of the lower animals, or with the heads and necks of the lower animals. In the same way all mythologies represent the gods as fond of appearing in animal forms. Under these disguises they conduct many amours, even with the daughters of men, and Greek houses were proud of their descent from Zeus in the shape of an eagle or ant, a serpent or a swan; while Cronus and the Vedic Tvashtri and Poseidon made love as horses, and Apollo as a dog. Not less wild are the legends about the births of gods from the thigh, or the head, or feet, or armpits of some parent; while tales describing and pictures representing unspeakable divine obscenities were frequent in the mythology and in the temples of Greece. Once more, the gods were said to possess and exercise the power of turning men and women into birds, beasts, fishes, trees, and stones, so that there was scarcely a familiar natural object in the Greek world which had not once (according to legend) been a man or a woman. The myths of the origin of the world and man, again, were in the last degree childish and disgusting. The Bushmen and Australians have, perhaps, no story of the origin of species quite so barbarous in style as the anecdotes about Phanes and Prajapati which are preserved in the Orphic hymns and in the Brahmanas. The conduct of the earlier dynasties of classical gods towards each other was as notoriously cruel and loathsome as their behaviour towards mortals was tricksy and capricious. The classical gods, with all their immortal might, are, by a mythical contradiction of the religious conception, regarded as capable of fear and pain, and are led into scrapes as ludicrous as those of Brer Wolf or Brer Terrapin in the tales of the Negroes of the Southern States of America. The stars, again, in mythology, are mixed up with beasts, planets and men in the same embroglio of fantastic opinion. The dead and the living, men, beasts and gods, trees and stars, and rivers, and sun, and moon, dance through the region of myths in a burlesque ballet of Priapus, where everything may be anything, where nature has no laws and imagination no limits.
Most pre-Christian religions featured "zoomorphic" or partially zoomorphic idols, depicting gods in the form of lower animals or with the heads and necks of these creatures. Similarly, all mythologies portray the gods as enjoying the ability to take on animal forms. In these disguises, they engage in many affairs, even with human women, and Greek families often boasted of their lineage from Zeus in the guise of an eagle or ant, a serpent or a swan. Meanwhile, Cronus, the Vedic Tvashtri, and Poseidon took on equine forms to seduce, while Apollo transformed into a dog. There are also wild legends about gods being born from various parts of their parents' bodies, like thighs, heads, feet, or armpits, and stories and images depicting indecent divine acts were common in Greek mythology and temples. Furthermore, the gods were believed to have the power to transform men and women into birds, beasts, fish, trees, and stones, resulting in hardly any familiar natural object in the Greek world that hadn’t once been a person, according to legend. The myths explaining the beginnings of the world and humanity are, frankly, childish and disgusting. The Bushmen and Australians probably don't tell stories about the origin of species that are as barbaric as the tales of Phanes and Prajapati found in the Orphic hymns and the Brahmanas. The behavior of the earlier classical gods toward each other was notoriously cruel and vile, just as their interactions with mortals were deceptive and whimsical. The classical gods, despite their immortal power, are, in a twist of religious thought, seen as capable of fear and pain, often getting into ridiculous predicaments similar to those of Brer Wolf or Brer Terrapin in the stories of African Americans from the Southern States. Additionally, in mythology, the stars are intertwined with beasts, planets, and people in a chaotic blend of fanciful beliefs. The dead and the living, men, beasts and gods, trees, stars, rivers, the sun, and the moon engage in a comical ballet of Priapus, where everything can be anything, and nature obeys no laws while imagination knows no bounds.
Such are the irrational characteristics of myths, classic or Indian, European or American, African or Asiatic, Australian or Maori. Such is one element we find all the world over among civilised and savage people, quod semper, quod ubique, quod ab omnibus. It is no wonder that pious and reflective men have, in so many ages and in so many ways, tried to account to themselves for their possession of beliefs closely connected with religion which yet seemed ruinous to religion and morality.
Such are the irrational traits of myths, whether they come from classic or Indian, European or American, African or Asian, Australian or Maori sources. This is one aspect we see everywhere among both civilized and primitive societies, as always, in all places, and by everyone. It's not surprising that devout and thoughtful people have, throughout the ages and in various ways, sought to understand why they hold beliefs that are deeply tied to religion but also seem detrimental to religion and morality.
The explanations which men have given of their own sacred stories, the apologies for their own gods which they have been constrained to offer to themselves, were the earliest babblings of a science of mythology. That science was, in its dim beginnings, intended to satisfy a moral need. Man found that his gods, when mythically envisaged, were not made in his own moral image at its best, but in the image sometimes of the beasts, sometimes of his own moral nature at its very worst: in the likeness of robbers, wizards, sorcerers, and adulterers. Now, it is impossible here to examine minutely all systems of mythological interpretation. Every key has been tried in this difficult lock; every cause of confusion has been taken up and tested, deemed adequate, and finally rejected or assigned a subordinate place. Probably the first attempts to shake off the burden of religious horror at mythical impiety were made by way of silent omission. Thus most of the foulest myths of early India are absent, and presumably were left out, in the Rig-Veda. "The religious sentiment of the hymns, already so elevated, has discarded most of the tales which offended it, but has not succeeded in discarding them all."(1) Just as the poets of the Rig-Veda prefer to avoid the more offensive traditions about Indra and Tvashtri, so Homer succeeds in avoiding the more grotesque and puerile tales about his own gods.(2) The period of actual apology comes later. Pindar declines, as we have seen, to accuse a god of cannibalism. The Satapatha Brahmana invents a new story about the slaying of Visvarupa. Not Indra, but Trita, says the Brahmana apologetically, slew the three-headed son of Tvashtri. "Indra assuredly was free from that sin, for he is a god," says the Indian apologist.(3) Yet sins which to us appear far more monstrous than the peccadillo of killing a three-headed Brahman are attributed freely to Indra.
The explanations that people have provided for their own sacred stories, the justifications for their own gods that they felt compelled to offer themselves, were the earliest signs of a science of mythology. This science, in its early stages, was meant to meet a moral need. People realized that their gods, when imagined in myths, were not created in the best version of their own moral image but often reflected beasts or the worst aspects of their own nature: resembling thieves, sorcerers, and adulterers. It’s impossible to closely examine every system of mythological interpretation here. Every approach has been tried on this complex puzzle; every source of confusion has been explored, considered sufficient, and ultimately dismissed or placed in a secondary role. Likely, the first efforts to shake off the burden of religious horror at mythical wrongdoing were made by quietly ignoring certain narratives. Thus, many of the most objectionable myths from early India are absent from the Rig-Veda. "The spiritual sentiment of the hymns, already so high, has discarded most of the stories that offended it, but has not succeeded in discarding them all." Just like the poets of the Rig-Veda choose to steer clear of the more disturbing stories about Indra and Tvashtri, Homer manages to avoid the more bizarre and childish tales about his own gods. The actual effort of justification comes later. Pindar, as we’ve seen, refuses to accuse a god of cannibalism. The Satapatha Brahmana creates a new narrative about the killing of Visvarupa. It states that it was not Indra, but Trita, who apologetically killed the three-headed son of Tvashtri. "Indra certainly did not commit that sin, for he is a god," claims the Indian apologist. Yet, sins that seem far worse to us than the slight offense of killing a three-headed Brahman are readily attributed to Indra.
(1) Les Religions de l'Inde, Barth, p. 14. See also postea, "Indian Myths".
(1) Religions of India, Barth, p. 14. See also later, "Indian Myths".
(2) The reasons for Homer's reticence are probably different in different passages. Perhaps in some cases he had heard a purer version of myth than what reached Hesiod; perhaps he sometimes purposely (like Pindar) purified a myth; usually he must have selected, in conformity with the noble humanity and purity of his taste, the tales that best conformed to his ideal. He makes his deities reluctant to drag out in dispute old scandals of their early unheroic adventures, some of which, however, he gives, as the kicking of Hephaestus out of heaven, and the imprisonment of Ares in a vessel of bronze. Compare Professor Jebb's Homer, p. 83: "whatever the instinct of the great artist has tolerated, at least it has purged these things away." that is, divine amours in bestial form.
(2) The reasons for Homer's reluctance likely vary across different passages. In some cases, he might have heard a clearer version of the myth than what reached Hesiod; in other instances, he may have intentionally refined a myth, similar to Pindar. Generally, he appears to have chosen stories that aligned with the noble humanity and purity of his taste, selecting the ones that best matched his ideals. He often portrays his gods as hesitant to delve into old scandals from their non-heroic pasts, although he does include some, like the time Hephaestus was kicked out of heaven and Ares was trapped in a bronze vessel. See Professor Jebb's Homer, p. 83: "whatever the instinct of the great artist has tolerated, at least it has purged these things away," referring to divine romances in a grotesque form.
(3) Satapatha Brahmana, Oxford, 1882, vol. i. p. 47.
(3) Satapatha Brahmana, Oxford, 1882, vol. i. p. 47.
While poets could but omit a blasphemous tale or sketch an apology in passing, it became the business of philosophers and of antiquarian writers deliberately to "whitewash" the gods of popular religion. Systematic explanations of the sacred stories, whether as preserved in poetry or as told by priests, had to be provided. India had her etymological and her legendary school of mythology.(1) Thus, while the hymn SEEMED to tell how the Maruts were gods, "born together with the spotted deer," the etymological interpreters explained that the word for deer only meant the many-coloured lines of clouds.(2) In the armoury of apologetics etymology has been the most serviceable weapon. It is easy to see that by aid of etymology the most repulsive legend may be compelled to yield a pure or harmless sense, and may be explained as an innocent blunder, caused by mere verbal misunderstanding. Brahmans, Greeks, and Germans have equally found comfort in this hypothesis. In the Cratylus of Plato, Socrates speaks of the notion of explaining myths by etymological guesses at the meaning of divine names as "a philosophy which came to him all in an instant". Thus we find Socrates shocked by the irreverence which styled Zeus the son of Cronus, "who is a proverb for stupidity". But on examining philologically the name Kronos, Socrates decides that it must really mean Koros, "not in the sense of a youth, but signifying the pure and garnished mind". Therefore, when people first called Zeus the son of Cronus, they meant nothing irreverent, but only that Zeus is the child of the pure mind or pure reason. Not only is this etymological system most pious and consolatory, but it is, as Socrates adds, of universal application. "For now I bethink me of a very new and ingenious notion,... that we may put in and pull out letters at pleasure, and alter the accents."(3)
While poets might leave out a blasphemous story or casually offer an apology, it was the job of philosophers and ancient writers to intentionally "clean up" the gods of popular religion. They needed to provide systematic explanations of the sacred tales, whether they were preserved in poetry or recounted by priests. India had its schools of etymology and legendary mythology. So, while the hymn SEEMED to indicate that the Maruts were gods "born alongside the spotted deer," etymologists explained that the word for deer actually referred to the many-colored lines of clouds. In the toolkit of apologetics, etymology has proven to be the most useful tool. It's clear that through etymology, even the most disturbing legend can be interpreted in a pure or harmless way, and might be seen as an innocent mistake caused by a simple misunderstanding. Brahmans, Greeks, and Germans have all found reassurance in this idea. In Plato's Cratylus, Socrates mentions the idea of explaining myths through etymological guesses about the meaning of divine names as "a philosophy that came to him all at once." Thus, Socrates is startled by the irreverence that refers to Zeus as the son of Cronus, "who is a proverb for stupidity." But after analyzing the name Kronos, Socrates concludes that it must actually mean Koros, "not in the sense of a youth, but signifying a pure and clear mind." Therefore, when people first called Zeus the son of Cronus, they intended nothing irreverent, but simply meant that Zeus is the child of pure thought or pure reason. This etymological approach is not only very pious and comforting, but as Socrates points out, it can be applied universally. "For now I remember a very new and clever idea,... that we can add and remove letters at will and change the accents."
(1) Rig-Veda Sanhita. Max Muller, p. 59.
(1) Rig-Veda Sanhita. Max Muller, p. 59.
(2) Postea, "Indian Divine Myths".
(2) Later, "Indian Divine Myths".
(3) Jowett's Plato, vol. i. pp. 632, 670.
(3) Jowett's Plato, vol. i. pp. 632, 670.
Socrates, of course, speaks more than half in irony, but there is a certain truth in his account of etymological analysis and its dependence on individual tastes and preconceived theory.
Socrates, of course, speaks mostly in sarcasm, but there is some truth in his explanation of etymological analysis and how it relies on personal preferences and existing beliefs.
The ancient classical schools of mythological interpretation, though unscientific and unsuccessful, are not without interest. We find philosophers and grammarians looking, just as we ourselves are looking, for some condition of the human intellect out of which the absurd element in myths might conceivably have sprung. Very naturally the philosophers supposed that the human beings in whose brain and speech myths had their origin must have been philosophers like themselves—intelligent, educated persons. But such persons, they argued, could never have meant to tell stories about the gods so full of nonsense and blasphemy.
The ancient classical schools of mythological interpretation, while unscientific and unsuccessful, are still intriguing. We see philosophers and grammarians searching, just like we are, for some aspect of the human mind that could explain where the absurd elements in myths might have originated. Naturally, these philosophers believed that the people who created these myths must have been intellectuals like themselves—smart, educated individuals. However, they argued that such people could never have intended to share stories about the gods that were so filled with nonsense and disrespect.
Therefore the nonsense and blasphemy must originally have had some harmless, or even praiseworthy, sense. What could that sense have been? This question each ancient mythologist answered in accordance with his own taste and prejudices, and above all, and like all other and later speculators, in harmony with the general tendency of his own studies. If he lived when physical speculation was coming into fashion, as in the age of Empedocles, he thought that the Homeric poems must contain a veiled account of physical philosophy. This was the opinion of Theagenes of Rhegium, who wrote at a period when a crude physicism was disengaging itself from the earlier religious and mythical cosmogonic systems of Greece. Theagenes was shocked by the Homeric description of the battle in which the gods fought as allies of the Achaeans and Trojans. He therefore explained away the affair as a veiled account of the strife of the elements. Such "strife" was familiar to readers of the physical speculations of Empedocles and of Heraclitus, who blamed Homer for his prayer against Strife.(1)
Therefore, the nonsense and blasphemy must have originally had some harmless or even commendable meaning. What could that meaning have been? Each ancient mythologist answered this question based on their own tastes and biases, and, like all later thinkers, in line with the general direction of their own studies. If they lived during a time when physical speculation was gaining popularity, like in the age of Empedocles, they believed that the Homeric poems contained a hidden account of physical philosophy. This was the view of Theagenes of Rhegium, who wrote at a time when a basic form of naturalism was separating itself from the earlier religious and mythical creation stories of Greece. Theagenes was disturbed by the Homeric portrayal of the gods fighting as allies of the Achaeans and Trojans, so he reinterpreted the event as a hidden account of the conflict between the elements. This "conflict" was familiar to readers of the physical theories of Empedocles and Heraclitus, who criticized Homer for his prayer against Strife.(1)
(1) Is. et Osir., 48.
Is. et Osir., 48.
It did not occur to Theagenes to ask whether any evidence existed to show that the pre-Homeric Greeks were Empedoclean or Heraclitean philosophers. He readily proved to himself that Apollo, Helios, and Hephaestus were allegorical representations, like what such philosophers would feign,—of fire, that Hera was air, Poseidon water, Artemis the moon, and the rest he disposed of in the same fashion.(1)
It didn't cross Theagenes' mind to ask if there was any evidence to prove that the pre-Homeric Greeks were influenced by Empedocles or Heraclitus. He easily convinced himself that Apollo, Helios, and Hephaestus were symbolic representations, similar to what those philosophers would pretend—representing fire, while Hera represented air, Poseidon represented water, Artemis represented the moon, and he categorized the others in the same way. (1)
(1) Scholia on Iliad, xx. 67. Dindorf (1877), vol. iv. p. 231. "This manner of apologetics is as old as Theagenes of Rhegium. Homer offers theological doctrine in the guise of physical allegory."
(1) Scholia on Iliad, xx. 67. Dindorf (1877), vol. iv. p. 231. "This style of apologetics dates back to Theagenes of Rhegium. Homer presents theological ideas wrapped in physical allegory."
Metrodorus, again, turned not only the gods, but the Homeric heroes into "elemental combinations and physical agencies"; for there is nothing new in the mythological philosophy recently popular, which saw the sun, and the cloud, and the wind in Achilles, Athene, and Hermes.(1)
Metrodorus, once more, transformed not just the gods but also the Homeric heroes into "elemental combinations and physical forces"; because there's nothing original in the mythological philosophy that has recently gained traction, which perceived the sun, the cloud, and the wind as Achilles, Athena, and Hermes.(1)
(1) Grote, Hist, of Greece, ed. 1869, i. p. 404.
(1) Grote, Hist. of Greece, ed. 1869, vol. 1, p. 404.
In the Bacchae (291-297), Euripides puts another of the mythological systems of his own time into the mouth of Cadmus, the Theban king, who advances a philological explanation of the story that Dionysus was sewn up in the thigh of Zeus. The most famous of the later theories was that of Euhemerus (316 B.C.). In a kind of philosophical romance, Euhemerus declared that he had sailed to some No-man's-land, Panchaea, where he found the verity about mythical times engraved on pillars of bronze. This truth he published in the Sacra Historia, where he rationalised the fables, averring that the gods had been men, and that the myths were exaggerated and distorted records of facts. (See Eusebius, Praep. E., ii 55.) The Abbe Banier (La Mythologie expliquee par l'Histoire, Paris, 1738, vol. ii. p. 218) attempts the defence of Euhemerus, whom most of the ancients regarded as an atheist. There was an element of truth in his romantic hypothesis.(1)
In the Bacchae (291-297), Euripides expresses a mythological perspective through Cadmus, the king of Thebes, who offers a linguistic interpretation of the tale that Dionysus was sewn into Zeus's thigh. One of the most notable later theories came from Euhemerus (316 B.C.). In a sort of philosophical story, Euhemerus claimed he had traveled to a remote land, Panchaea, where he discovered the truth about mythical times inscribed on bronze pillars. He shared this truth in the Sacra Historia, where he rationalized the myths, asserting that the gods were once men, and that the myths were exaggerated and distorted accounts of real events. (See Eusebius, Praep. E., ii 55.) The Abbe Banier (La Mythologie expliquee par l'Histoire, Paris, 1738, vol. ii. p. 218) defends Euhemerus, who was seen as an atheist by most ancient thinkers. There was a kernel of truth in his romantic theory.(1)
(1) See Block, Euhemere et sa Doctrine, Mons, 1876.
(1) See Block, Euhemere and His Doctrine, Mons, 1876.
Sometimes the old stories were said to conceal a moral, sometimes a physical, sometimes a mystical or Neo-platonic sort of meaning. As every apologist interpreted the legends in his own fashion, the interpretations usually disagreed and killed each other. Just as one modern mythologist sees the wind in Aeetes and the dawn in Medea, while another of the same school believes, on equally good evidence, that both Aeetes and Medea are the moon, so writers like Porphyry (270 A. D.) and Plutarch (60 A. D.) made the ancient deities types of their own favourite doctrines, whatever these might happen to be.
Sometimes the old stories were thought to hide a moral lesson, sometimes a physical interpretation, and other times a mystical or Neoplatonic meaning. Each apologist had their own way of interpreting the legends, leading to disagreements that often contradicted each other. Just as one modern mythologist sees the wind represented by Aeetes and the dawn by Medea, another from the same perspective believes, based on equally valid evidence, that both Aeetes and Medea symbolize the moon, writers like Porphyry (270 A.D.) and Plutarch (60 A.D.) turned the ancient gods into representations of their favorite beliefs, whatever those may have been.
When Christianity became powerful, the Christian writers naturally attacked heathen religion where it was most vulnerable, on the side of the myths, and of the mysteries which were dramatic representations of the myths. "Pretty gods you worship," said the Fathers, in effect, "homicides, adulterers, bulls, bears, mice, ants, and what not." The heathen apologists for the old religion were thus driven in the early ages of Christianity to various methods of explaining away the myths of their discredited religion.
When Christianity gained power, Christian writers naturally criticized pagan religion where it was weakest, focusing on the myths and the mysteries that dramatically illustrated those myths. "Nice gods you worship," the Fathers essentially said, "murderers, cheaters, bulls, bears, mice, ants, and so on." As a result, early defenders of the old religion were pushed to find different ways to rationalize the myths of their discredited beliefs during the early days of Christianity.
The early Christian writers very easily, and with considerable argumentative power, disposed of the apologies for the myths advanced by Porphyry and Plutarch. Thus Eusebius in the Praeparatio Evangelica first attacks the Egyptian interpretations of their own bestial or semi-bestial gods. He shows that the various interpretations destroy each other, and goes on to point out that Greek myth is in essence only a veneered and varnished version of the faith of Egypt. He ridicules, with a good deal of humour, the old theories which resolved so many mythical heroes into the sun; he shows that while one system is contented to regard Zeus as mere fire and air, another system recognises in him the higher reason, while Heracles, Dionysus, Apollo, and Asclepius, father and child, are all indifferently the sun.
The early Christian writers effectively and convincingly countered the arguments for the myths presented by Porphyry and Plutarch. Eusebius, in the Praeparatio Evangelica, first challenges the Egyptian interpretations of their own beastly or semi-beastly gods. He demonstrates that the different interpretations contradict each other and goes on to argue that Greek myth is essentially just a polished version of Egyptian belief. He humorously mocks the old theories that turned many mythical heroes into representations of the sun; he points out that while one interpretation sees Zeus as merely fire and air, another sees him as the higher reason, while Heracles, Dionysus, Apollo, and Asclepius, father and son, are all just symbols of the sun.
Granting that the myth-makers were only constructing physical allegories, why did they wrap them up, asks Eusebius, in what WE consider abominable fictions? In what state were the people who could not look at the pure processes of Nature without being reminded of the most hideous and unnatural offences? Once more: "The physical interpreters do not even agree in their physical interpretations". All these are equally facile, equally plausible, and equally incapable of proof. Again, Eusebius argues, the interpreters take for granted in the makers of the myths an amount of physical knowledge which they certainly did not possess. For example, if Leto were only another name for Hera, the character of Zeus would be cleared as far as his amour with Leto is concerned. Now, the ancient believers in the "physical phenomena theory" of myths made out that Hera, the wife of Zeus, was really the same person under another name as Leto, his mistress. "For Hera is the earth" (they said at other times that Hera was the air), "and Leto is the night; but night is only the shadow of the earth, and therefore Leto is only the shadow of Hera." It was easy, however, to prove that this scientific view of night as the shadow of earth was not likely to be known to myth-makers, who regarded "swift Night" as an actual person. Plutarch, too, had an abstruse theory to explain the legend about the dummy wife,—a log of oak-wood, which Zeus pretended to marry when at variance with Hera.(1)
Assuming that the myth-makers were just creating physical symbols, Eusebius asks why they wrapped them in what we think of as disgusting fictions. What kind of people couldn't look at the simple processes of nature without being reminded of the most horrifying and unnatural offenses? Once again, he points out, "The physical interpreters don’t even agree on their physical interpretations." All these interpretations are equally easy, equally believable, and equally unprovable. Eusebius also argues that the interpreters assume the myth-makers had a level of physical knowledge that they clearly did not have. For instance, if Leto was just another name for Hera, then Zeus's character would be cleared with respect to his affair with Leto. However, the ancient supporters of the "physical phenomena theory" of myths claimed that Hera, Zeus's wife, was really the same person known as Leto, his mistress. "For Hera is the earth," they sometimes said that "Hera was the air," "and Leto is the night; but night is just the shadow of the earth, so Leto is merely the shadow of Hera." It was easy, however, to show that this scientific view of night as the shadow of the earth was unlikely to be known to myth-makers, who viewed "swift Night" as a real person. Plutarch also had a complicated theory to explain the story of the fake wife—a log of oak-wood that Zeus pretended to marry when he was at odds with Hera.(1)
(1) Pausanias, ix. 31.
Pausanias, ix. 31.
This quarrel, he said, was merely the confusion and strife of elements. Zeus was heat, Hera was cold (she had already been explained as earth and air), the dummy wife of oak-wood was a tree that emerged after a flood, and so forth. Of course, there was no evidence that mythopoeic men held Plutarchian theories of heat and cold and the conflict of the elements; besides, as Eusebius pointed out, Hera had already been defined once as an allegory of wedded life, and once as the earth, and again as the air, and it was rather too late to assert that she was also the cold and watery element in the world. As for his own explanation of the myths, Eusebius holds that they descend from a period when men in their lawless barbarism knew no better than to tell such tales. "Ancient folk, in the exceeding savagery of their lives, made no account of God, the universal Creator (here Eusebius is probably wrong)... but betook them to all manner of abominations. For the laws of decent existence were not yet established, nor was any settled and peaceful state ordained among men, but only a loose and savage fashion of wandering life, while, as beasts irrational, they cared for no more than to fill their bellies, being in a manner without God in the world." Growing a little more civilised, men, according to Eusebius, sought after something divine, which they found in the heavenly bodies. Later, they fell to worshipping living persons, especially "medicine men" and conjurors, and continued to worship them even after their decease, so that Greek temples are really tombs of the dead.(1) Finally, the civilised ancients, with a conservative reluctance to abandon their old myths (Greek text omitted), invented for them moral or physical explanations, like those of Plutarch and others, earlier and later.(2)
This argument, he said, was just the confusion and conflict of elements. Zeus represented heat, Hera represented cold (she had already been described as earth and air), the dummy wife made of oak was a tree that appeared after a flood, and so on. Obviously, there’s no proof that myth-making people held Plutarchian ideas about heat and cold and the struggle of the elements; besides, as Eusebius pointed out, Hera had already been defined once as a symbol of married life, once as the earth, and again as the air, and it was rather too late to claim that she was also the cold and watery element in the world. Regarding his own interpretation of the myths, Eusebius argues that they come from a time when people, in their wild barbarism, knew no better than to tell such stories. "Ancient people, in the extreme savagery of their lives, paid no attention to God, the universal Creator (here Eusebius is probably mistaken)... but turned to all kinds of abominations. For the laws of decent living had not yet been established, nor had any stable and peaceful society been ordained among people, but only a loose and savage way of wandering through life, while, like mindless beasts, they cared for nothing more than to satisfy their hunger, being almost without God in the world." As men became slightly more civilized, according to Eusebius, they sought something divine, which they found in the heavenly bodies. Later, they began worshipping living individuals, especially "medicine men" and conjurers, and continued to worship them even after they died, so that Greek temples are actually tombs of the dead.(1) Finally, the civilized ancients, with a hesitant reluctance to let go of their old myths (Greek text omitted), created moral or physical explanations for them, like those of Plutarch and others, both earlier and later.(2)
(1) Praep. E., ii. 5.
(1) Praep. E., ii. 5.
(2) Ibid., 6,19.
Ibid., 6,19.
As Eusebius, like Clemens of Alexandria, Arnobius, and the other early Christian disputants, had no prejudice in favour of Hellenic mythology, and no sentimental reason for wishing to suppose that the origin of its impurities was pure, he found his way almost to the theory of the irrational element in mythology which we propose to offer.
As Eusebius, like Clement of Alexandria, Arnobius, and other early Christian debaters, held no bias towards Greek mythology and had no emotional reason to believe that its impurities had a pure origin, he nearly arrived at the theory of the irrational aspect of mythology that we intend to present.
Even to sketch the history of mythological hypothesis in modern times would require a book to itself. It must suffice here to indicate the various lines which speculation as to mythology has pursued.
Even outlining the history of mythological theories in modern times would need a book on its own. It’s enough for now to point out the different directions that speculation about mythology has taken.
All interpretations of myth have been formed in accordance with the ideas prevalent in the time of the interpreters. The early Greek physicists thought that mythopoeic men had been physicists. Aristotle hints that they were (like himself) political philosophers.(1) Neo-platonists sought in the myths for Neo-platonism; most Christians (unlike Eusebius) either sided with Euhemerus, or found in myth the inventions of devils, or a tarnished and distorted memory of the Biblical revelation.
All interpretations of myth have been shaped by the ideas popular during the interpreters' time. The early Greek physicists believed that those who created myths were physicists. Aristotle suggests that they were (like him) political philosophers. Neo-Platonists looked in the myths for Neo-Platonism; most Christians (unlike Eusebius) either supported Euhemerus, or saw myths as the creations of demons, or as a tarnished and distorted memory of the Biblical revelation.
(1) Met., xi. 8,19.
(1) Met., xi. 8, 19.
This was the theory, for example, of good old Jacob Bryant, who saw everywhere memories of the Noachian deluge and proofs of the correctness of Old Testament ethnology.(1)
This was the theory, for instance, of good old Jacob Bryant, who saw everywhere memories of the Noah's flood and evidence supporting the accuracy of Old Testament ethnology.(1)
(1) Bryant, A New System, wherein an Attempt is made to Divest Tradition of Fable, 1774.
(1) Bryant, A New System, where an effort is made to strip tradition of myth, 1774.
Much the same attempt to find the Biblical truth at the bottom of savage and ancient fable has been recently made by the late M. Lenormant, a Catholic scholar.(1)
Much the same effort to uncover the Biblical truth behind primitive and ancient myths has recently been made by the late M. Lenormant, a Catholic scholar.(1)
(1) Les Origines de l'Histoire d'apres le Bible, 1880-1884.
(1) The Origins of History According to the Bible, 1880-1884.
In the beginning of the present century Germany turned her attention to mythology. As usual, men's ideas were biassed by the general nature of their opinions. In a pious kind of spirit, Friedrich Creuzer sought to find SYMBOLS of some pure, early, and Oriental theosophy in the myths and mysteries of Greece. Certainly the Greeks of the philosophical period explained their own myths as symbols of higher things, but the explanation was an after-thought.(1) The great Lobeck, in his Aglaophamus (1829), brought back common sense, and made it the guide of his vast, his unequalled learning. In a gentler and more genial spirit, C. Otfried Muller laid the foundation of a truly scientific and historical mythology.(2) Neither of these writers had, like Alfred Maury,(3) much knowledge of the myths and faiths of the lower races, but they often seem on the point of anticipating the ethnological method.
In the early 2000s, Germany started focusing on mythology. As usual, people's ideas were influenced by their overall beliefs. In a somewhat pious manner, Friedrich Creuzer aimed to uncover SYMBOLS of some pure, ancient, and Eastern philosophy in the myths and mysteries of Greece. It's true that the Greeks of the philosophical era interpreted their own myths as symbols of deeper meanings, but that interpretation came later. The great Lobeck, in his Aglaophamus (1829), brought back common sense and used it as the foundation for his immense, unmatched knowledge. With a kinder and more positive approach, C. Otfried Muller laid the groundwork for a truly scientific and historical study of mythology. Neither of these writers had much familiarity with the myths and beliefs of lower races, like Alfred Maury, but they often seemed on the verge of anticipating the ethnological method.
(1) Creuzer, Symbolik und Mythologie, 2d edit., Leipzig, 1836-43.
(1) Creuzer, Symbolism and Mythology, 2nd ed., Leipzig, 1836-43.
(2) Introduction to a Scientific System of Mythology, English trans., London, 1844.
(2) Introduction to a Scientific System of Mythology, English trans., London, 1844.
(3) Histoire des Religions de la Grece Antique, Paris, 1857.
(3) History of Ancient Greek Religions, Paris, 1857.
When philological science in our own century came to maturity, in philology, as of old in physics and later in symbols, was sought the key of myths. While physical allegory, religious and esoteric symbolism, verbal confusion, historical legend, and an original divine tradition, perverted in ages of darkness, have been the most popular keys in other ages, the scientific nineteenth century has had a philological key of its own. The methods of Kuhn, Breal, Max Muller, and generally the philological method, cannot be examined here at full length.(1) Briefly speaking, the modern philological method is intended for a scientific application of the old etymological interpretations. Cadmus in the Bacchae of Euripides, Socrates in the Cratylus of Plato, dismiss unpalatable myths as the results of verbal confusion. People had originally said something quite sensible—so the hypothesis runs—but when their descendants forgot the meaning of their remarks, a new and absurd meaning followed from a series of unconscious puns.(2) This view was supported in ancient times by purely conjectural and impossible etymologies. Thus the myth that Dionysus was sewn up in the THIGH of Zeus (Greek text omitted) was explained by Euripides as the result of a confusion of words. People had originally said that Zeus gave a pledge (Greek text omitted) to Hera. The modern philological school relies for explanations of untoward and other myths on similar confusions. Thus Daphne is said to have been originally not a girl of romance, but the dawn (Sanskirt, dahana: ahana) pursued by the rising sun. But as the original Aryan sense of Dahana or Ahana was lost, and as Daphne came to mean the laurel—the wood which burns easily—the fable arose that the tree had been a girl called Daphne.(3)
When philological science reached maturity in our century, it became the key to understanding myths, similar to how physics and symbols were approached in the past. While physical allegory, religious and esoteric symbolism, verbal confusion, historical legends, and a divine tradition distorted over dark ages were popular keys in other times, the scientific nineteenth century developed its own philological key. The methods of Kuhn, Breal, Max Muller, and the general philological approach can’t be fully explored here.(1) In short, the modern philological method aims to scientifically apply old etymological interpretations. Cadmus in the Bacchae of Euripides and Socrates in the Cratylus of Plato dismissed unpleasant myths as results of verbal confusion. The hypothesis suggests that people originally made sensible statements, but when their descendants forgot the meanings, new and absurd interpretations emerged from a series of unconscious puns.(2) This idea was backed in ancient times by purely speculative and implausible etymologies. For example, the myth of Dionysus being sewn into Zeus's THIGH (Greek text omitted) was explained by Euripides as stemming from a verbal mix-up. People had originally said that Zeus made a promise (Greek text omitted) to Hera. The modern philological school relies on similar confusions to explain odd myths and others. For instance, Daphne is said to have originally been not a romantic heroine, but the dawn (Sanskrit, dahana: ahana) chased by the rising sun. As the original Aryan meaning of Dahana or Ahana faded, and Daphne came to be known as the laurel—the wood that burns easily—a legend developed that the tree had once been a girl named Daphne.(3)
(1) See Mythology in Encyclop. Brit. and in La Mythologie (A. L.), Paris, 1886, where Mr. Max Muller's system is criticised. See also Custom and Myth and Modern Mythology.
(1) See Mythology in Encyclop. Brit. and in La Mythologie (A. L.), Paris, 1886, where Mr. Max Muller's system is criticized. See also Custom and Myth and Modern Mythology.
(2) That a considerable number of myths, chiefly myths of place names, arise from popular etymologies is certain: what is objected to is the vast proportion given to this element in myths.
(2) It's clear that many myths, especially those about place names, come from popular etymologies; what is questioned is the large emphasis placed on this aspect in myths.
(3) Max Muller, Nineteenth Century, December, 1885; "Solar Myths," January, 1886; Myths and Mythologists (A. L). Whitney, Mannhardt, Bergaigne, and others dispute the etymology. Or. and Ling. Studies, 1874, p. 160; Mannhardt, Antike Wald und Feld Kultus (Berlin, 1877), p. xx.; Bergaigne, La Religion Vedique, iii. 293; nor does Curtius like it much, Principles of Greek Etymology, English trans., ii. 92, 93; Modern Mythology (A. L.), 1897.
(3) Max Muller, Nineteenth Century, December 1885; "Solar Myths," January 1886; Myths and Mythologists (A. L). Whitney, Mannhardt, Bergaigne, and others argue over the origin of the word. Or. and Ling. Studies, 1874, p. 160; Mannhardt, Antike Wald und Feld Kultus (Berlin, 1877), p. xx.; Bergaigne, La Religion Vedique, iii. 293; Curtius isn't a big fan of it either, Principles of Greek Etymology, English trans., ii. 92, 93; Modern Mythology (A. L.), 1897.
This system chiefly rests on comparison between the Sanskrit names in the Rig-Veda and the mythic names in Greek, German, Slavonic, and other Aryan legends. The attempt is made to prove that, in the common speech of the undivided Aryan race, many words for splendid or glowing natural phenomena existed, and that natural processes were described in a figurative style. As the various Aryan families separated, the sense of the old words and names became dim, the nomina developed into numina, the names into gods, the descriptions of elemental processes into myths. As this system has already been criticised by us elsewhere with minute attention, a reference to these reviews must suffice in this place. Briefly, it may be stated that the various masters of the school—Kuhn, Max Muller, Roth, Schwartz, and the rest—rarely agree where agreement is essential, that is, in the philological foundations of their building. They differ in very many of the etymological analyses of mythical names. They also differ in the interpretations they put on the names, Kuhn almost invariably seeing fire, storm, cloud, or lightning where Mr. Max Muller sees the chaste Dawn. Thus Mannhardt, after having been a disciple, is obliged to say that comparative Indo-Germanic mythology has not borne the fruit expected, and that "the CERTAIN gains of the system reduce themselves to the scantiest list of parallels, such as Dyaus = Zeus = Tius, Parjanya = Perkunas, Bhaga = Bog, Varuna = Uranos" (a position much disputed), etc. Mannhardt adds his belief that a number of other "equations"—such as Sarameya = Hermeias, Saranyus = Demeter Erinnys, Kentauros = Gandharva, and many others—will not stand criticism, and he fears that these ingenious guesses will prove mere jeux d'esprit rather than actual facts.(1) Many examples of the precarious and contradictory character of the results of philological mythology, many instances of "dubious etymologies," false logic, leaps at foregone conclusions, and attempts to make what is peculiarly Indian in thought into matter of universal application, will meet us in the chapters on Indian and Greek divine legends.(2) "The method in its practical working shows a fundamental lack of the historical sense," says Mannhardt. Examples are torn from their contexts, he observes; historical evolution is neglected; passages of the Veda, themselves totally obscure, are dragged forward to account for obscure Greek mythical phenomena. Such are the accusations brought by the regretted Mannhardt against the school to which he originally belonged, and which was popular and all-powerful even in the maturity of his own more clear-sighted genius. Proofs of the correctness of his criticism will be offered abundantly in the course of this work. It will become evident that, great as are the acquisitions of Philology, her least certain discoveries have been too hastily applied in alien "matter," that is, in the region of myth. Not that philology is wholly without place or part in the investigation of myth, when there is agreement among philologists as to the meaning of a divine name. In that case a certain amount of light is thrown on the legend of the bearer of the name, and on its origin and first home, Aryan, Greek, Semitic, or the like. But how rare is agreement among philologists!
This system mainly relies on comparing the Sanskrit names in the Rig-Veda with the mythic names found in Greek, German, Slavonic, and other Aryan legends. The aim is to demonstrate that, in the shared language of the undivided Aryan race, many terms existed for magnificent or radiant natural phenomena, and that natural processes were described in a figurative manner. As the different Aryan groups split apart, the meanings of the old words and names faded, transforming names into deities and descriptions of elemental events into myths. This system has already been critiqued by us elsewhere in detail, so a reference to those reviews will suffice here. In short, it can be stated that the main figures of the school—Kuhn, Max Muller, Roth, Schwartz, and others—rarely reach agreement where it is most necessary, especially regarding the philological foundations of their theory. They significantly differ in many of their etymological analyses of mythical names and in the interpretations they offer. Kuhn almost always interprets things like fire, storm, cloud, or lightning, while Mr. Max Muller perceives the pure Dawn. Consequently, Mannhardt, who was once a follower, feels compelled to say that comparative Indo-Germanic mythology has not produced the expected results, and that "the CERTAIN gains of the system shrink to a meager list of parallels, such as Dyaus = Zeus = Tius, Parjanya = Perkunas, Bhaga = Bog, Varuna = Uranos" (a position that is heavily disputed), among others. Mannhardt also expresses his belief that a number of other "equations"—like Sarameya = Hermeias, Saranyus = Demeter Erinnys, Kentauros = Gandharva, and many more—won’t hold up under scrutiny, and he worries that these clever guesses will turn out to be mere playful ideas rather than actual facts. Many examples of the uncertain and contradictory nature of philological mythology, along with instances of "dubious etymologies," flawed logic, leaps to conclusions, and efforts to apply distinctly Indian thought universally, will appear in the chapters on Indian and Greek divine legends. "The method, in practice, shows a fundamental lack of historical sense," Mannhardt states. He notes that examples are taken out of context; historical development is ignored; passages from the Veda, which are themselves completely unclear, are used to explain obscure Greek mythical phenomena. Such are the criticisms made by the late Mannhardt against the school to which he originally belonged, and which was dominant even in the peak of his own more discerning intelligence. Evidence supporting his criticism will be provided abundantly throughout this work. It will become clear that while philology has made significant advancements, its least certain findings have often been hastily applied to unrelated areas, such as myth. However, this doesn’t mean philology has no role in the study of myth when there is consensus among philologists regarding a divine name's meaning. In such cases, some clarity is shed on the legend associated with the name and its origin—whether Aryan, Greek, Semitic, or the like. But how rare is consensus among philologists!
(1) Baum und Feld Kultus, p. xvii. Kuhn's "epoch-making" book is Die Herabkunft des Feuers, Berlin, 1859. By way of example of the disputes as to the original meaning of a name like Prometheus, compare Memoires de la Societe de Linguistique de Paris, t. iv. p. 336.
(1) Baum und Feld Kultus, p. xvii. Kuhn's "groundbreaking" book is Die Herabkunft des Feuers, Berlin, 1859. For an example of the debates about the original meaning of a name like Prometheus, see Memoires de la Societe de Linguistique de Paris, t. iv. p. 336.
(2) See especially Mannhardt's note on Kuhn's theories of Poseidon and Hermes, B. u. F. K., pp. xviii., xix., note 1.
(2) Check out Mannhardt's note on Kuhn's theories about Poseidon and Hermes, B. u. F. K., pp. xviii., xix., note 1.
"The philological method," says Professor Tiele,(1) "is inadequate and misleading, when it is a question of discovering the ORIGIN of a myth, or the physical explanation of the oldest myths, or of accounting for the rude and obscene element in the divine legends of civilised races. But these are not the only problems of mythology. There is, for example, the question of the GENEALOGICAL relations of myths, where we have to determine whether the myths of peoples whose speech is of the same family are special modifications of a mythology once common to the race whence these peoples have sprung. The philological method alone can answer here." But this will seem a very limited province when we find that almost all races, however remote and unconnected in speech, have practically much the same myths.
"The philological method," says Professor Tiele,(1) "is insufficient and misleading when it comes to uncovering the ORIGIN of a myth, the physical explanation of the oldest myths, or explaining the crude and obscene elements in the divine legends of civilized cultures. However, these are not the only questions in mythology. For instance, there's the issue of the GENEALOGICAL relationships between myths, where we need to determine whether the myths of peoples who speak languages from the same family are just special variations of a mythology that was once common to the race from which these peoples originated. The philological method alone can provide answers in this case." But this will appear to be a very narrow scope when we realize that nearly all cultures, regardless of how distant and unrelated their languages may be, share very similar myths.
(1) Rev. de l'Hist. des Rel., xii. 3, 260, Nov., Dec., 1885.
(1) Rev. de l'Hist. des Rel., xii. 3, 260, Nov., Dec., 1885.
CHAPTER II. NEW SYSTEM PROPOSED.
Chap. I. recapitulated—Proposal of a new method: Science of comparative or historical study of man—Anticipated in part by Eusebius, Fontenelle, De Brosses, Spencer (of C. C. C., Cambridge), and Mannhardt—Science of Tylor—Object of inquiry: to find condition of human intellect in which marvels of myth are parts of practical everyday belief—This is the savage state—Savages described—The wild element of myth a survival from the savage state—Advantages of this method—Partly accounts for wide DIFFUSION as well as ORIGIN of myths—Connected with general theory of evolution—Puzzling example of myth of the water-swallower—Professor Tiele's criticism of the method—Objections to method, and answer to these—See Appendix B.
Chap. I. summarized—Proposal for a new approach: The science of comparative or historical study of humanity—Partially anticipated by Eusebius, Fontenelle, De Brosses, Spencer (of C. C. C., Cambridge), and Mannhardt—Science of Tylor—Purpose of investigation: to uncover the state of the human mind where the wonders of myth are integrated into everyday practical belief—This is the primitive state—Description of primitive societies—The wild aspect of myth is a remnant from this primitive state—Benefits of this approach—Partially explains the widespread DIFFUSION and ORIGIN of myths—Linked to the broader theory of evolution—Intriguing example of the myth of the water-swallower—Professor Tiele's critique of the approach—Counterarguments to objections and responses to these—See Appendix B.
The past systems of mythological interpretation have been briefly sketched. It has been shown that the practical need for a reconciliation between RELIGION and MORALITY on one side, and the MYTHS about the gods on the other, produced the hypotheses of Theagenes and Metrodorus, of Socrates and Euemerus, of Aristotle and Plutarch. It has been shown that in each case the reconcilers argued on the basis of their own ideas and of the philosophies of their time. The early physicist thought that myth concealed a physical philosophy; the early etymologist saw in it a confusion of language; the early political speculator supposed that myth was an invention of legislators; the literary Euhemerus found the secret of myths in the course of an imaginary voyage to a fabled island. Then came the moment of the Christian attacks, and Pagan philosophers, touched with Oriental pantheism, recognised in myths certain pantheistic symbols and a cryptic revelation of their own Neo-platonism. When the gods were dead and their altars fallen, then antiquaries brought their curiosity to the problem of explaining myth. Christians recognised in it a depraved version of the Jewish sacred writings, and found the ark on every mountain-top of Greece. The critical nineteenth century brought in, with Otfried Muller and Lobeck, a closer analysis; and finally, in the sudden rise of comparative philology, it chanced that philologists annexed the domain of myths. Each of these systems had its own amount of truth, but each certainly failed to unravel the whole web of tradition and of foolish faith.
The past ways of interpreting myths have been briefly outlined. It has been shown that the practical need to reconcile RELIGION and MORALITY on one side, and the MYTHS about the gods on the other, led to theories proposed by Theagenes, Metrodorus, Socrates, Euemerus, Aristotle, and Plutarch. Each time, these thinkers based their arguments on their own ideas and the philosophies of their era. The early physicist believed that myths hid a physical philosophy; the early etymologist thought it involved a confusion of language; the early political theorist assumed myths were invented by lawmakers; and the literary Euhemerus discovered the meaning of myths during an imaginary journey to a legendary island. Then came the era of Christian critiques, and Pagan philosophers, influenced by Eastern pantheism, recognized certain pantheistic symbols and a hidden revelation of their own Neo-platonism within myths. When the gods were no longer worshipped and their altars fell, antiquarians became curious about explaining myths. Christians saw it as a corrupted version of Jewish sacred texts, imagining the ark on every mountain in Greece. The critical analysis of the nineteenth century, with figures like Otfried Muller and Lobeck, brought more detailed scrutiny; ultimately, with the rise of comparative philology, philologists took on the study of myths. Each of these systems contained some truth, but all failed to completely untangle the complex web of tradition and misguided belief.
Meantime a new science has come into existence, the science which studies man in the sum of all his works and thoughts, as evolved through the whole process of his development. This science, Comparative Anthropology, examines the development of law out of custom; the development of weapons from the stick or stone to the latest repeating rifle; the development of society from the horde to the nation. It is a study which does not despise the most backward nor degraded tribe, nor neglect the most civilised, and it frequently finds in Australians or Nootkas the germ of ideas and institutions which Greeks or Romans brought to perfection, or retained, little altered from their early rudeness, in the midst of civilisation.
Meanwhile, a new science has emerged, one that studies humans in all their actions and thoughts as they have developed over time. This science, Comparative Anthropology, looks at how laws arise from customs; how tools evolved from sticks or stones to the latest repeating rifles; and how societies progressed from tribes to nations. It is a field of study that values both the most primitive and impoverished communities and the most advanced, often discovering in Australians or Nootkas the foundational ideas and systems that Greeks or Romans perfected or kept, only slightly changed from their original simplicity, even amidst civilization.
It is inevitable that this science should also try its hand on mythology. Our purpose is to employ the anthropological method—the study of the evolution of ideas, from the savage to the barbarous, and thence to the civilised stage—in the province of myth, ritual, and religion. It has been shown that the light of this method had dawned on Eusebius in his polemic with the heathen apologists. Spencer, the head of Corpus, Cambridge (1630-93), had really no other scheme in his mind in his erudite work on Hebrew Ritual.(1) Spencer was a student of man's religions generally, and he came to the conclusion that Hebrew ritual was but an expurgated, and, so to speak, divinely "licensed" adaptation of heathen customs at large. We do but follow his guidance on less perilous ground when we seek for the original forms of classical rite and myth in the parallel usages and legends of the most backward races.
It’s unavoidable that this science should also explore mythology. Our goal is to use the anthropological method—the study of the development of ideas, from primitive to barbaric, and then to the civilized stage—in the realm of myth, ritual, and religion. It has been demonstrated that this method first became clear to Eusebius in his debates with the pagan defenders. Spencer, the head of Corpus, Cambridge (1630-93), really only had this approach in mind in his scholarly work on Hebrew Ritual.(1) Spencer studied human religions in general and concluded that Hebrew ritual was just a cleansed, and you could say, divinely "approved" adaptation of various pagan customs. We simply follow his lead on safer ground when we look for the original forms of classical rites and myths in the similar practices and stories of the most primitive cultures.
(1) De Legibus Hebraeorum Ritualibus, Tubingae, 1782.
(1) On the Ritual Laws of the Hebrews, Tübingen, 1782.
Fontenelle in the last century, stated, with all the clearness of the French intellect, the system which is partially worked out in this essay—the system which explains the irrational element in myth as inherited from savagery. Fontenelle's paper (Sur l'Origine des Fables) is brief, sensible, and witty, and requires little but copious evidence to make it adequate. But he merely threw out the idea, and left it to be neglected.(1)
Fontenelle in the last century clearly laid out the system that is partly elaborated in this essay—the system that explains the irrational part of myth as stemming from primitive cultures. Fontenelle's paper (Sur l'Origine des Fables) is short, sensible, and clever, and it needs little more than abundant evidence to be complete. However, he only proposed the idea and left it to be overlooked. (1)
(1) See Appendix A., Fontenelle's Origine des Fables.
(1) See Appendix A, Fontenelle's Origin of Fables.
Among other founders of the anthropological or historical school of mythology, De Brosses should not be forgotten. In his Dieux Fetiches (1760) he follows the path which Eusebius indicated—the path of Spencer and Fontenelle—now the beaten road of Tylor and M'Lennan and Mannhardt.
Among other founders of the anthropological or historical school of mythology, De Brosses should not be overlooked. In his Dieux Fetiches (1760), he follows the path that Eusebius pointed out—the path of Spencer and Fontenelle—which is now the well-trodden path of Tylor, M'Lennan, and Mannhardt.
In anthropology, in the science of Waitz, Tylor, and M'Lennan, in the examination of man's faith in the light of his social, legal, and historical conditions generally, we find, with Mannhardt, some of the keys of myth. This science "makes it manifest that the different stages through which humanity has passed in its intellectual evolution have still their living representatives among various existing races. The study of these lower races is an invaluable instrument for the interpretation of the survivals from earlier stages, which we meet in the full civilisation of cultivated peoples, but whose origins were in the remotest fetichism and savagery."(1)
In anthropology, particularly in the work of Waitz, Tylor, and M'Lennan, when we look at human belief systems in relation to social, legal, and historical contexts, we can discover, along with Mannhardt, some keys to understanding myths. This field of study "reveals that the different stages humanity has gone through in its intellectual development still have living representatives among various existing cultures. The study of these lesser-developed cultures is an invaluable tool for interpreting the remnants from earlier stages that we find in the fully developed civilizations of more advanced societies, which have origins in the earliest forms of fetishism and savagery."(1)
(1) Mannhardt op. cit. p. xxiii.
(1) Mannhardt op. cit. p. xxiii.
It is by following this road, and by the aid of anthropology and of human history, that we propose to seek for a demonstrably actual condition of the human intellect, whereof the puzzling qualities of myth would be the natural and inevitable fruit. In all the earlier theories which we have sketched, inquirers took it for granted that the myth-makers were men with philosophic and moral ideas like their own—ideas which, from some reason of religion or state, they expressed in bizarre terms of allegory. We shall attempt, on the other hand, to prove that the human mind has passed through a condition quite unlike that of civilised men—a condition in which things seemed natural and rational that now appear unnatural and devoid of reason, and in which, therefore, if myths were evolved, they would, if they survived into civilisation, be such as civilised men find strange and perplexing.
By following this path, and with the help of anthropology and human history, we aim to explore a clearly defined condition of the human mind, where the puzzling aspects of myth would naturally and inevitably arise. In all the earlier theories we've outlined, researchers assumed that the myth-makers were people with philosophical and moral ideas similar to theirs—ideas that, for some religious or political reason, they expressed in strange allegorical terms. We will, however, try to show that the human mind has gone through a state quite different from that of civilized people—a state in which things seemed natural and reasonable that now appear strange and irrational, and in which, therefore, if myths were created, they would, if they continued into civilization, be perceived as odd and confusing by civilized people.
Our first question will be, Is there a stage of human society and of the human intellect in which facts that appear to us to be monstrous and irrational—facts corresponding to the wilder incidents of myth—are accepted as ordinary occurrences of everyday life? In the region of romantic rather than of mythical invention we know that there is such a state. Mr. Lane, in his preface to the Arabian Nights, says that the Arabs have an advantage over us as story-tellers. They can introduce such incidents as the change of a man into a horse, or of a woman into a dog, or the intervention of an Afreet without any more scruple than our own novelists feel in describing a duel or the concealment of a will. Among the Arabs the agencies of magic and of spirits are regarded as at least as probable and common as duels and concealments of wills seem to be thought by European novelists. It is obvious that we need look no farther for the explanation of the supernatural events in Arab romances. Now, let us apply this system to mythology. It is admitted that Greeks, Romans, Aryans of India in the age of the Sanskrit commentators, and Egyptians of the Ptolemaic and earlier ages, were as much puzzled as we are by the mythical adventures of their gods. But is there any known stage of the human intellect in which similar adventures, and the metamorphoses of men into animals, trees, stars, and all else that puzzles us in the civilised mythologies, are regarded as possible incidents of daily human life? Our answer is, that everything in the civilised mythologies which we regard as irrational seems only part of the accepted and natural order of things to contemporary savages, and in the past seemed equally rational and natural to savages concerning whom we have historical information.(1) Our theory is, therefore, that the savage and senseless element in mythology is, for the most part, a legacy from the fancy of ancestors of the civilised races who were once in an intellectual state not higher, but probably lower, than that of Australians, Bush-men, Red Indians, the lower races of South America, and other worse than barbaric peoples. As the ancestors of the Greeks, Aryans of India, Egyptians and others advanced in civilisation, their religious thought was shocked and surprised by myths (originally dating from the period of savagery, and natural in that period, though even then often in contradiction to morals and religion) which were preserved down to the time of Pausanias by local priesthoods, or which were stereotyped in the ancient poems of Hesiod and Homer, or in the Brahmanas and Vedas of India, or were retained in the popular religion of Egypt. This theory recommended itself to Lobeck. "We may believe that ancient and early tribes framed gods like unto themselves in action and in experience, and that the allegorical softening down of myths is the explanation added later by descendants who had attained to purer ideas of divinity, yet dared not reject the religion of their ancestors."(2) The senseless element in the myths would, by this theory, be for the most part a "survival"; and the age and condition of human thought whence it survived would be one in which our most ordinary ideas about the nature of things and the limits of possibility did not yet exist, when all things were conceived of in quite other fashion; the age, that is, of savagery.
Our first question will be, is there a point in human society and intellect where facts that seem monstrous and irrational to us—facts akin to the wilder stories of myths—are accepted as normal parts of everyday life? In the realm of romantic rather than mythical storytelling, we know this state exists. Mr. Lane, in his preface to the Arabian Nights, claims that the Arabs have an advantage over us as storytellers. They can include incidents like a man transforming into a horse, or a woman into a dog, or the appearance of a genie, without more hesitation than our novelists feel when describing a duel or hiding a will. Among the Arabs, magic and spirits are seen as at least as likely and commonplace as duels and hidden wills are thought to be by European novelists. It’s clear we need look no further for an explanation of the supernatural events in Arab tales. Now, let’s apply this system to mythology. It's acknowledged that the Greeks, Romans, Aryans of India in the time of the Sanskrit commentators, and Egyptians of the Ptolemaic and earlier eras were just as confused as we are by the mythical adventures of their gods. But is there any known phase of human thought where similar adventures, and the transformation of people into animals, trees, stars, and all else that mystifies us in civilized mythologies, are seen as possible daily occurrences? Our answer is that everything in civilized mythologies that we find irrational seems just part of the accepted and natural order to contemporary primitive peoples, and historically seemed equally rational and natural to the savages we have records of. Our theory, therefore, is that the irrational and nonsensical element in mythology is mostly a leftover from the imagination of the ancestors of civilized races who were once in an intellectual state that was not higher, but likely lower, than that of Australians, Bushmen, Native Americans, the lesser races of South America, and other even more primitive peoples. As the ancestors of the Greeks, Indians, Egyptians, and others progressed in civilization, their religious beliefs were shocked and surprised by myths (originally from the savage period, and natural in that time, though often contradictory to morals and religion even then) that were preserved up until Pausanias' time by local priests or that were fixed in the ancient poems of Hesiod and Homer, or in the Brahmanas and Vedas of India, or kept in the popular religion of Egypt. This theory was suggested by Lobeck. "We may believe that ancient tribes created gods in their own image, reflecting their actions and experiences, and that the allegorical softening of myths is the explanation added later by descendants who developed purer notions of divinity but were reluctant to discard the religion of their ancestors." The nonsensical aspect of the myths, according to this theory, would mostly be a "survival"; and the age and condition of human thought from which it survived would be one where our usual ideas about the nature of things and the limits of possibility didn’t yet exist, when everything was understood in a very different way; that is, in the age of savagery.
(1) We have been asked to DEFINE a savage. He cannot be defined in an epigram, but by way of choice of a type:—
(1) We've been asked to DEFINE a savage. You can't sum him up in a snappy phrase, but rather through the selection of a type:—
1. In material equipment the perfect savage is he who employs tools of stone and wood, not of metal; who is nomadic rather than settled; who is acquainted (if at all) only with the rudest forms of the arts of potting, weaving, fire-making, etc.; and who derives more of his food from the chase and from wild roots and plants than from any kind of agriculture or from the flesh of domesticated animals.
1. In terms of material tools, the ideal primitive person is someone who uses stone and wood tools instead of metal; who is more of a wanderer than someone who stays in one place; who knows (if at all) only the most basic skills in pottery, weaving, fire-making, etc.; and who gets most of their food from hunting and wild roots and plants rather than from farming or domesticated animals.
2. In psychology the savage is he who (extending unconsciously to the universe his own implicit consciousness of personality) regards all natural objects as animated and intelligent beings, and, drawing no hard and fast line between himself and the things in the world, is readily persuaded that men may be metamorphosed into plants, beasts and stars; that winds and clouds, sun and dawn, are persons with human passions and parts; and that the lower animals especially may be creatures more powerful than himself, and, in a sense, divine and creative.
2. In psychology, the savage is someone who, without realizing it, projects his own sense of self onto the universe, viewing all natural objects as living, thinking beings. He doesn’t draw a clear boundary between himself and the things around him, easily believing that people can turn into plants, animals, and stars; that winds and clouds, the sun and dawn, have human-like emotions and roles; and that lower animals can be more powerful than he is, possessing a sort of divine and creative essence.
3. In religion the savage is he who (while often, in certain moods, conscious of a far higher moral faith) believes also in ancestral ghosts or spirits of woods and wells that were never ancestral; prays frequently by dint of magic; and sometimes adores inanimate objects, or even appeals to the beasts as supernatural protectors.
3. In religion, the savage is someone who (while often aware, at times, of a much greater moral belief) also believes in ancestral ghosts or spirits of trees and water that are not truly ancestral; prays often through magic; and occasionally worships inanimate objects or even looks to animals as supernatural protectors.
4. In society the savage is he who (as a rule) bases his laws on the well-defined lines of totemism—that is, claims descent from or other close relation to natural objects, and derives from the sacredness of those objects the sanction of his marriage prohibitions and blood-feuds, while he makes skill in magic a claim to distinguished rank.
4. In society, the savage is usually someone who bases their laws on clear lines of totemism—that is, they claim descent from or have a close relationship with natural objects, and they derive the authority for their marriage prohibitions and blood feuds from the sacredness of those objects, while claiming a distinguished status through skill in magic.
Such, for our purpose, is the savage, and we propose to explain the more "senseless" factors in civilised mythology as "survivals" of these ideas and customs preserved by conservatism and local tradition, or, less probably, borrowed from races which were, or had been, savage.
Such, for our purposes, is the savage, and we intend to explain the more "senseless" elements in civilized mythology as "survivals" of these ideas and customs that have been preserved through conservatism and local tradition, or, less likely, borrowed from races that were, or had been, savage.
(2) Aglaoph., i. 153. Had Lobeck gone a step farther and examined the mental condition of veteres et priscae gentes, this book would have been, superfluous. Nor did he know that the purer ideas were also existing among certain low savages.
(2) Aglaoph., i. 153. If Lobeck had looked a bit deeper and explored the mindset of older and ancient peoples, this book would have been unnecessary. He also didn't realize that more refined ideas existed among some simple tribes.
It is universally admitted that "survivals" of this kind do account for many anomalies in our institutions, in law, politics, society, even in dress and manners. If isolated fragments of earlier ages abide in these, it is still more probable that other fragments will survive in anything so closely connected as is mythology with the conservative religious sentiment and tradition. Our object, then, is to prove that the "silly, savage, and irrational" element in the myths of civilised peoples is, as a rule, either a survival from the period of savagery, or has been borrowed from savage neighbours by a cultivated people, or, lastly, is an imitation by later poets of old savage data.(1) For example, to explain the constellations as metamorphosed men, animals, or other objects of terrestrial life is the habit of savages,(2)—a natural habit among people who regard all things as on one level of personal life and intelligence. When the stars, among civilised Greeks or Aryans of India, are also popularly regarded as transformed and transfigured men, animals and the like, this belief may be either a survival from the age when the ancestors of Greeks and Indians were in the intellectual condition of the Australian Murri; or the star-name and star-myth may have been borrowed from savages, or from cultivated peoples once savage or apt to copy savages; or, as in the case of the Coma Berenices, a poet of a late age may have invented a new artificial myth on the old lines of savage fancy.
It’s widely accepted that "survivals" like these explain many oddities in our institutions, laws, politics, society, and even in our clothing and manners. If remnants from earlier times exist in these areas, it’s even more likely that additional remnants will appear in something as closely linked to tradition as mythology is to religious beliefs. Our goal, then, is to demonstrate that the "silly, primitive, and irrational" aspects found in the myths of civilized people are often either a leftover from a savage period, borrowed from neighboring primitive cultures by more developed societies, or a recreation by later poets based on ancient savage ideas. For instance, explaining constellations as transformed people, animals, or other earthly objects is typical among primitive cultures—it's a natural tendency among people who view everything on the same level of life and intelligence. When stars are similarly thought of as changed beings by civilized Greeks or Aryans in India, this belief could either be an echo from when their ancestors were in a similar intellectual state as the Australian Murri; or it could be an idea taken from primitive cultures, or from sophisticated societies that were once primitive or likely to mimic primitive ways; or, as seen with Coma Berenices, a later poet might have created a new artificial myth based on old primitive imagination.
(1) We may be asked why do savages entertain the irrational ideas which survive in myth? One might as well ask why they eat each other, or use stones instead of metal. Their intellectual powers are not fully developed, and hasty analogy from their own unreasoned consciousness is their chief guide. Myth, in Mr. Darwin's phrase, is one of the "miserable and indirect consequences of our highest faculties". Descent of Man, p. 69.
(1) We might wonder why primitive people hold onto the irrational beliefs found in myths. One could just as easily ask why they resort to cannibalism or choose stones over metal. Their mental capabilities aren't fully developed, and they often rely on flawed comparisons from their own unexamined thoughts. Myth, as Mr. Darwin put it, is one of the "miserable and indirect consequences of our highest faculties." Descent of Man, p. 69.
(2) See Custom and Myth, "Star-Myths".
(2) See Custom and Myth, "Star-Myths".
This method of interpreting a certain element in mythology is, we must repeat, no new thing, though, to judge from the protests of several mythologists, it is new to many inquirers. We have seen that Eusebius threw out proposals in this direction; that Spencer, De Brosses, and Fontenelle unconsciously followed him; and we have quoted from Lobeck a statement of a similar opinion. The whole matter has been stated as clearly as possible by Mr. B. B. Tylor:—
This way of interpreting a certain aspect of mythology isn't new, although, judging by the reactions of several mythologists, it seems new to many researchers. We've noted that Eusebius suggested ideas along these lines; that Spencer, De Brosses, and Fontenelle unintentionally followed him; and we've cited Lobeck expressing a similar view. Mr. B. B. Tylor has articulated the entire issue as clearly as possible:—
"Savages have been for untold ages, and still are, living in the myth-making stage of the human mind. It was through sheer ignorance and neglect of this direct knowledge how and by what manner of men myths are really made that their simple philosophy has come to be buried under masses of commentator's rubbish..."(1) Mr. Tylor goes on thus (and his words contain the gist of our argument): "The general thesis maintained is that myth arose in the savage condition prevalent in remote ages among the whole human race; that it remains comparatively unchanged among the rude modern tribes who have departed least from these primitive conditions, while higher and later civilisations, partly by retaining its actual principles, and partly by carrying on its inherited results in the form of ancestral tradition, continued it not merely in toleration, but in honour".(2) Elsewhere Mr. Tylor points out that by this method of interpretation we may study myths in various stages of evolution, from the rude guess of the savage at an explanation of natural phenomena, through the systems of the higher barbarisms, or lower civilisations (as in ancient Mexico), and the sacerdotage of India, till myth reaches its most human form in Greece. Yet even in Greek myth the beast is not wholly cast out, and Hellas by no means "let the ape and tiger die". That Mr. Tylor does not exclude the Aryan race from his general theory is plain enough.(3) "What is the Aryan conception of the Thunder-god but a poetic elaboration of thoughts inherited from the savage stage through which the primitive Aryans had passed?"(4)
"Savages have existed for countless ages, and they still do, living in the myth-making stage of the human mind. It was through sheer ignorance and neglect of the direct knowledge about how and by what means myths are truly created that their simple philosophy has become buried under piles of commentary..."(1) Mr. Tylor continues (and his words capture the essence of our argument): "The main idea is that myth originated in the savage condition common to all of humanity in ancient times; it remains relatively unchanged among the modern tribal groups that have deviated the least from these primitive conditions, while more advanced civilizations, partly by preserving its core principles and partly by continuing its inherited outcomes in the form of ancestral traditions, have not only tolerated it but honored it."(2) In other writings, Mr. Tylor notes that through this method of interpretation we can examine myths in various stages of evolution, from the crude guesses of the savages trying to explain natural phenomena, through the systems of higher barbarism or lower civilizations (like ancient Mexico), and the priesthood of India, until myth reaches its most human form in Greece. Yet even in Greek mythology, the beast is not completely banished, and Hellas certainly did not "let the ape and tiger disappear." That Mr. Tylor does not exclude the Aryan race from his general theory is quite clear.(3) "What is the Aryan idea of the Thunder-god but a poetic development of thoughts passed down from the savage stage that the primitive Aryans went through?"(4)
(1) Primitive Culture, 2nd edit., i. p. 283.
(1) Primitive Culture, 2nd ed., vol. 1, p. 283.
(2) Op. cit., p. 275.
Op. cit., p. 275.
(3) Primitive Culture, 2nd edit., ii. 265.
(3) Primitive Culture, 2nd ed., ii. 265.
(4) Pretty much the same view seems to be taken by Mr. Max Muller (Nineteenth Century, January, 1882) when he calls Tsui Goab (whom the Hottentots believe to be a defunct conjuror) "a Hottentot Indra or Zeus".
(4) It seems Mr. Max Muller shares a similar perspective (Nineteenth Century, January, 1882) when he refers to Tsui Goab (whom the Hottentots think of as a dead magician) as "a Hottentot Indra or Zeus."
The advantages of our hypothesis (if its legitimacy be admitted) are obvious. In the first place, we have to deal with an actual demonstrable condition of the human intellect. The existence of the savage state in all its various degrees, and of the common intellectual habits and conditions which are shared by the backward peoples, and again the survival of many of these in civilisation, are indubitable facts. We are not obliged to fall back upon some fanciful and unsupported theory of what "primitive man" did, and said, and thought. Nay, more; we escape all the fallacies connected with the terms "primitive man". We are not compelled (as will be shown later)(1) to prove that the first men of all were like modern savages, nor that savages represent primitive man. It may be that the lowest extant savages are the nearest of existing peoples to the type of the first human beings. But on this point it is unnecessary for us to dogmatise. If we can show that, whether men began their career as savages or not, they have at least passed through the savage status or have borrowed the ideas of races in the savage status, that is all we need. We escape from all the snares of theories (incapable of historical proof) about the really primeval and original condition of the human family.
The benefits of our hypothesis (assuming its validity is accepted) are clear. First, we are addressing a real, demonstrable aspect of human intellect. The presence of the savage state in all its different forms, along with the common intellectual habits and conditions shared by less developed societies, and the survival of many of these in civilization, are undeniable facts. We don't have to rely on any unrealistic or unproven theories about what "primitive man" did, said, or thought. Furthermore, we avoid all the misconceptions tied to the term "primitive man." We won't be forced (as will be shown later)(1) to argue that all early humans were like modern savages, nor that savages truly represent primitive man. It might be that the most basic existing savages are the closest to the original human type. But we don't need to make strong claims about that. If we can demonstrate that, regardless of whether men started off as savages or not, they have at least gone through a savage phase or borrowed ideas from those in a savage state, that is sufficient. We sidestep all the traps of theories (which cannot be historically verified) concerning the original and fundamental condition of the human family.
(1) Appendix B.
Appendix B.
Once more, our theory naturally attaches itself to the general system of Evolution. We are enabled to examine mythology as a thing of gradual development and of slow and manifold modifications, corresponding in some degree to the various changes in the general progress of society. Thus we shall watch the barbaric conditions of thought which produce barbaric myths, while these in their turn are retained, or perhaps purified, or perhaps explained away, by more advanced civilisations. Further, we shall be able to detect the survival of the savage ideas with least modification, and the persistence of the savage myths with least change, among the classes of a civilised population which have shared least in the general advance. These classes are, first, the rustic peoples, dwelling far from cities and schools, on heaths or by the sea; second, the conservative local priesthoods, who retain the more crude and ancient myths of the local gods and heroes after these have been modified or rejected by the purer sense of philosophers and national poets. Thus much of ancient myth is a woven warp and woof of three threads: the savage donnee, the civilised and poetic modification of the savage donnee, the version of the original fable which survives in popular tales and in the "sacred chapters" of local priesthoods. A critical study of these three stages in myth is in accordance with the recognised practice of science. Indeed, the whole system is only an application to this particular province, mythology, of the method by which the development either of organisms or of human institutions is traced. As the anomalies and apparently useless and accidental features in the human or in other animal organisms may be explained as stunted or rudimentary survivals of organs useful in a previous stage of life, so the anomalous and irrational myths of civilised races may be explained as survivals of stories which, in an earlier state of thought and knowledge, seemed natural enough. The persistence of the myths is accounted for by the well-known conservatism of the religious sentiment—a conservatism noticed even by Eusebius. "In later days, when they became ashamed of the religious beliefs of their ancestors, they invented private and respectful interpretations, each to suit himself. For no one dared to shake the ancestral beliefs, as they honoured at a very high rate the sacredness and antiquity of old associations, and of the teaching they had received in childhood."(1)
Once again, our theory naturally connects to the overall system of Evolution. We can examine mythology as something that develops gradually, undergoing slow and varied changes that somewhat reflect the different shifts in society's overall progress. We'll observe the primitive thought processes that generate primitive myths, which in turn might be preserved, refined, or explained away by more advanced civilizations. Additionally, we can identify the remnants of primitive ideas with minimal changes, and the persistence of primitive myths with little alteration, among social groups in a civilized society that have experienced the least advancement. These groups include, first, rural communities living far from cities and schools, in heathlands or by the sea; and second, conservative local priesthoods that hold on to the more crude and ancient myths of local gods and heroes, even after these have been altered or rejected by the clearer insights of philosophers and national poets. Therefore, a significant portion of ancient myth comprises a woven fabric of three threads: the primitive raw material, the civilized and poetic adaptations of that raw material, and the version of the original tale that endures in popular stories and in the "sacred texts" of local priesthoods. A critical examination of these three stages in mythology aligns with established scientific practices. In fact, the entire system is essentially an application of the method used to trace the development of organisms or human institutions within this specific area of study, mythology. Just as the odd and seemingly useless features found in humans or other animals can be understood as stunted or rudimentary remnants of once-useful organs from earlier life stages, so too can the odd and irrational myths of civilized societies be explained as remnants of stories that once seemed completely natural in a prior context of thought and knowledge. The enduring nature of these myths is due to the well-known conservatism of religious sentiment—an aspect even noted by Eusebius. "In later times, when they felt embarrassed by the religious beliefs of their ancestors, they created personal and respectful interpretations, each tailored to their own views. For no one dared to challenge the ancestral beliefs, as they held the sacredness and ancient nature of old traditions, and the teachings they had received in childhood, in very high regard."(1)
(1) Praep. E., ii. 6, 19.
(1) Praep. E., ii. 6, 19.
Thus the method which we propose to employ is in harmony both with modern scientific procedure and with the views of a clear-sighted Father of the Church. Consequently no system could well be less "heretical" and "unorthodox".
Thus the method we plan to use aligns with both modern scientific practices and the perspectives of an insightful Church Father. Therefore, no system could be less "heretical" and "unorthodox."
The last advantage of our hypothesis which need here be mentioned is that it helps to explain the DIFFUSION no less than the ORIGIN of the wild and crazy element in myth. We seek for the origin of the savage factor of myth in one aspect of the intellectual condition of savages. We say "in one aspect" expressly; to guard against the suggestion that the savage intellect has no aspect but this, and no saner ideas than those of myth. The DIFFUSION of stories practically identical in every quarter of the globe may be (provisionally) regarded as the result of the prevalence in every quarter, at one time or another, of similar mental habits and ideas. This explanation must not be pressed too hard nor too far. If we find all over the world a belief that men can change themselves and their neighbours into beasts, that belief will account for the appearance of metamorphosis in myth. If we find a belief that inanimate objects are really much on a level with man, the opinion will account for incidents of myth such as that in which the wooden figure-head of the Argo speaks with a human voice. Again, a widespread belief in the separability of the soul or the life from the body will account for the incident in nursery tales and myths of the "giant who had no heart in his body," but kept his heart and life elsewhere. An ancient identity of mental status and the working of similar mental forces at the attempt to explain the same phenomena will account, without any theory of borrowing, or transmission of myth, or of original unity of race, for the world-wide diffusion of many mythical conceptions.
The last benefit of our theory that should be mentioned is that it helps explain both the DIFFUSION and the ORIGIN of the wild and crazy elements in myth. We look for the origin of the savage aspect of myth in one part of the intellectual state of savages. We say "in one part" deliberately, to avoid the implication that the savage intellect has only this aspect and no more rational ideas than those found in myth. The DIFFUSION of stories that are almost identical around the world can be (at least temporarily) viewed as a result of similar mental habits and ideas being common in different regions at various times. This explanation shouldn’t be pushed too hard or too far. If we discover a common belief everywhere that people can transform themselves and others into animals, this belief can explain the occurrences of metamorphosis in myth. If we see a belief that inanimate objects are actually quite similar to humans, this view can explain events in myth, like when the wooden figurehead of the Argo speaks with a human voice. Similarly, a widespread belief in the separation of the soul or life from the body can clarify the tale in nursery stories and myths about the "giant who had no heart in his body" but kept his heart and life elsewhere. The ancient similarities in mental states and the function of similar mental forces when trying to explain the same phenomena can account, without any theories of borrowing or transmission of myths, or the original unity of race, for the global spread of many mythical concepts.
But this theory of the original similarity of the savage mind everywhere and in all races will scarcely account for the world-wide distribution of long and intricate mythical PLOTS, of consecutive series of adroitly interwoven situations. In presence of these long romances, found among so many widely severed peoples, conjecture is, at present, almost idle. We do not know, in many instances, whether such stories were independently developed, or carried from a common centre, or borrowed by one race from another, and so handed on round the world.
But this theory that the original savage mind is similar everywhere and among all races hardly explains the global spread of complex and detailed mythical plots, with consecutive series of skillfully intertwined situations. When faced with these long stories found among so many vastly different cultures, speculation is currently nearly useless. In many cases, we don’t know whether these tales were developed independently, spread from a common source, or borrowed by one race from another and then shared worldwide.
This chapter may conclude with an example of a tale whose DIFFUSION may be explained in divers ways, though its ORIGIN seems undoubtedly savage. If we turn to the Algonkins, a stock of Red Indians, we come on a popular tradition which really does give pause to the mythologist. Could this story, he asks himself, have been separately invented in widely different places, or could the Iroquois have borrowed from the Australian blacks or the Andaman Islanders? It is a common thing in most mythologies to find everything of value to man—fire, sun, water—in the keeping of some hostile power. The fire, or the sun, or the water is then stolen, or in other ways rescued from the enemy and restored to humanity. The Huron story (as far as water is concerned) is told by Father Paul Le Jeune, a Jesuit missionary, who lived among the Hurons about 1636. The myth begins with the usual opposition between two brothers, the Cain and Abel of savage legend. One of the brothers, named Ioskeha, slew the other, and became the father of mankind (as known to the Red Indians) and the guardian of the Iroquois. The earth was at first arid and sterile, but Ioskeha destroyed the gigantic frog which had swallowed all the waters, and guided the torrents into smooth streams and lakes.(1)
This chapter wraps up with an example of a story that can be explained in various ways, even though its origins seem definitely primitive. If we look at the Algonquins, a group of Indigenous people, we find a widely known tradition that really makes mythologists think. Could this story have been independently created in very different places, or could the Iroquois have taken ideas from the Australian Aboriginals or the Andaman Islanders? In many mythologies, we often see that everything valuable to humans—like fire, the sun, and water—is controlled by some hostile force. The fire, sun, or water is then stolen or rescued from the adversary and returned to humanity. The Huron tale about water is recounted by Father Paul Le Jeune, a Jesuit missionary who lived with the Hurons around 1636. The myth starts with the familiar conflict between two brothers, the Cain and Abel of primitive folklore. One brother, named Ioskeha, killed the other and became the father of mankind (as known to the Indigenous peoples) and the protector of the Iroquois. Initially, the earth was dry and barren, but Ioskeha killed the enormous frog that had swallowed all the waters and directed the torrents into gentle streams and lakes.(1)
(1) Relations de la Nouvelle France, 1636, p. 103 (Paris, Cramoisy, 1637).
(1) Accounts of New France, 1636, p. 103 (Paris, Cramoisy, 1637).
Now where, outside of North America, do we find this frog who swallowed all the water? We find him in Australia.
Now, where outside of North America can we find this frog that swallowed all the water? We find it in Australia.
"The aborigines of Lake Tyers," remarks Mr. Brough Smyth, "say that at one time there was no water anywhere on the face of the earth. All the waters were contained in the body of a huge frog, and men and women could get none of them. A council was held, and... it was agreed that the frog should be made to laugh, when the waters would run out of his mouth, and there would be plenty in all parts."
"The Indigenous people of Lake Tyers," says Mr. Brough Smyth, "believe that there was once no water anywhere on earth. All the water was held inside a giant frog, and people couldn't get any of it. A meeting was called, and... it was decided that they would make the frog laugh, so the water would pour out of its mouth, making it available everywhere."
To make a long story short, all the animals played the jester before the gigantic solemn frog, who sat as grave as Louis XV. "I do not like buffoons who don't make me laugh," said that majestical monarch. At last the eel danced on the tip of his tail, and the gravity of the prodigious Batrachian gave way. He laughed till he literally split his sides, and the imprisoned waters came with a rush. Indeed, many persons were drowned, though this is not the only Australian version of the Deluge.
To sum it up, all the animals entertained the huge serious frog, who sat as solemnly as Louis XV. "I don't like jokers who don't make me laugh," said that royal figure. Finally, the eel danced on the tip of its tail, and the seriousness of the giant frog broke. He laughed so hard that he almost burst, and the water rushed out. In fact, many people drowned, though this isn’t the only Australian version of the Flood.
The Andaman Islanders dwell at a very considerable distance from Australia and from the Iroquois, and, in the present condition of the natives of Australia and Andaman, neither could possibly visit the other. The frog in the Andaman version is called a toad, and he came to swallow the waters in the following way: One day a woodpecker was eating honey high up in the boughs of a tree. Far below, the toad was a witness of the feast, and asked for some honey. "Well, come up here, and you shall have some," said the woodpecker. "But how am I to climb?" "Take hold of that creeper, and I will draw you up," said the woodpecker; but all the while he was bent on a practical joke. So the toad got into a bucket he happened to possess, and fastened the bucket to the creeper. "Now, pull!" Then the woodpecker raised the toad slowly to the level of the bough where the honey was, and presently let him down with a run, not only disappointing the poor toad, but shaking him severely. The toad went away in a rage and looked about him for revenge. A happy thought occurred to him, and he drank up all the water of the rivers and lakes. Birds and beasts were perishing, woodpeckers among them, of thirst. The toad, overjoyed at his success, wished to add insult to the injury, and, very thoughtlessly, began to dance in an irritating manner at his foes. But then the stolen waters gushed out of his mouth in full volume, and the drought soon ended. One of the most curious points in this myth is the origin of the quarrel between the woodpecker and the toad. The same beginning—the tale of an insult put on an animal by hauling up and letting him down with a run—occurs in an African Marchen.(1)
The Andaman Islanders live quite far from Australia and the Iroquois, and given the current state of the natives in both places, they couldn’t visit each other even if they wanted to. In the Andaman version, the frog is called a toad, and he came to swallow up the waters in the following way: One day, a woodpecker was eating honey high up in the branches of a tree. Far below, the toad saw the feast and asked for some honey. "Well, come up here, and you can have some," said the woodpecker. "But how am I supposed to climb?" "Grab that vine, and I'll pull you up," the woodpecker said, all the while planning a practical joke. So, the toad got into a bucket he had and tied it to the vine. "Now, pull!" Then the woodpecker slowly lifted the toad up to the branch where the honey was, and then suddenly let him down, not only disappointing the poor toad but also shaking him up quite a bit. The toad left in a rage, looking for revenge. An idea struck him, and he drank up all the water from the rivers and lakes. Birds and animals, including woodpeckers, were dying of thirst. The toad, thrilled at his success, wanted to add insult to injury and thoughtlessly began to dance mockingly at his enemies. But then the stolen waters burst forth from his mouth in a huge rush, and the drought ended quickly. One of the most interesting aspects of this myth is the origin of the conflict between the woodpecker and the toad. The same story—a tale of an insult inflicted on an animal by pulling him up and letting him down suddenly—appears in an African folktale.(1)
(1) Brough Smyth, Aborigines of Victoria, i. 429, 430; Brinton, American Hero Myths, i. 55. Cf. also Relations de la Nouvelle France, 1636, 1640, 1671; (Sagard, Hist. du Canada, 1636, p. 451;) Journal Anthrop. Inst., 1881.
(1) Brough Smyth, Aborigines of Victoria, i. 429, 430; Brinton, American Hero Myths, i. 55. See also Relations de la Nouvelle France, 1636, 1640, 1671; (Sagard, Hist. du Canada, 1636, p. 451;) Journal Anthrop. Inst., 1881.
Now this strangely diffused story of the slaying of the frog which had swallowed all the water seems to be a savage myth of which the more heroic conflict of Indra with Vrittra (the dragon which had swallowed all the waters) is an epic and sublimer version.(1) "The heavenly water, which Vrittra withholds from the world, is usually the prize of the contest."
Now this oddly spread tale about the killing of the frog that gulped down all the water appears to be a brutal myth, while the more heroic battle of Indra against Vrittra (the dragon that had consumed all the waters) is a grander and loftier version. (1) "The heavenly water, which Vrittra keeps from the world, is typically the goal of the struggle."
(1) Ludwig, Der Rig-Veda, iii. p. 337. See postea, "Divine Myths of India".
(1) Ludwig, The Rig-Veda, iii. p. 337. See later, "Divine Myths of India".
The serpent of Vedic myth is, perhaps, rather the robber-guardian than the swallower of the waters, but Indra is still, like the Iroquois Ioskeha, "he who wounds the full one".(1) This example of the wide distribution of a myth shows how the question of diffusion, though connected with, is yet distinct from that of origin. The advantage of our method will prove to be, that it discovers an historical and demonstrable state of mind as the origin of the wild element in myth. Again, the wide prevalence in the earliest times of this mental condition will, to a certain extent, explain the DISTRIBUTION of myth. Room must be left, of course, for processes of borrowing and transmission, but how Andamanese, Australians and Hurons could borrow from each other is an unsolved problem.
The serpent in Vedic mythology is probably more of a thief-guardian than a devourer of the waters, but Indra is still, like the Iroquois Ioskeha, "the one who wounds the full one." This example of how widely a myth is spread demonstrates that the question of diffusion, while related, is different from that of origin. The benefit of our approach is that it uncovers a historical and verifiable mindset that serves as the source of the wild element in mythology. Additionally, the widespread presence of this mental condition in ancient times will help explain the distribution of myths to some extent. Naturally, we must also consider processes of borrowing and transmission, but it's still an unresolved question of how the Andamanese, Australians, and Hurons could have borrowed from one another.
(1) Gubernatis, Zoological Myth. ii. 395, note 2. "When Indra kills the serpent he opens the torrent of the waters" (p. 393). See also Aitareya Brahmana, translated by Haug, ii. 483.
(1) Gubernatis, Zoological Myth. ii. 395, note 2. "When Indra kills the serpent, he unleashes the floodwaters" (p. 393). See also Aitareya Brahmana, translated by Haug, ii. 483.
Finally, our hypothesis is not involved in dubious theories of race. To us, myths appear to be affected (in their origins) much less by the race than by the stage of culture attained by the people who cherish them. A fight for the waters between a monstrous dragon like Vrittra and a heroic god like Indra is a nobler affair than a quarrel for the waters between a woodpecker and a toad. But the improvement and transfiguration, so to speak, of a myth at bottom the same is due to the superior culture, not to the peculiar race, of the Vedic poets, except so far as culture itself depends on race. How far the purer culture was attained to by the original superiority of the Aryan over the Andaman breed, it is not necessary for our purpose to inquire. Thus, on the whole, we may claim for our system a certain demonstrable character, which helps to simplify the problems of mythology, and to remove them from the realm of fanciful guesses and conflicting etymological conjectures into that of sober science. That these pretensions are not unacknowledged even by mythologists trained in other schools is proved by the remarks of Dr. Tiele.(1)
Finally, our hypothesis is not tied to questionable racial theories. To us, myths seem to be influenced (in their origins) much more by the cultural level of the people who value them than by race. A battle for water between a huge dragon like Vrittra and a heroic god like Indra is a far more significant event than a dispute over water between a woodpecker and a toad. However, the enhancement and transformation, so to speak, of a fundamentally similar myth is due to the advanced culture of the Vedic poets, not their specific race, except to the extent that culture itself is influenced by race. We do not need to investigate how much of the purer culture was achieved due to the inherent superiority of the Aryans over the Andaman people for our purposes. Thus, overall, we can assert that our system has a certain demonstrable quality, which aids in simplifying the problems of mythology and moves them away from whimsical guesses and conflicting etymological theories into the domain of solid science. The fact that these claims are recognized even by mythologists trained in different schools is evidenced by Dr. Tiele's remarks.(1)
(1) Rev. de l'Hist. des Rel., "Le Mythe de Cronos," January, 1886. Dr. Tiele is not, it must be noted, a thorough adherent of our theory. See Modern Mythology: "The Question of Allies".
(1) Rev. de l'Hist. des Rel., "The Myth of Cronos," January, 1886. Dr. Tiele is not, it should be noted, a complete supporter of our theory. See Modern Mythology: "The Question of Allies".
Dr. Tiele writes: "If I were obliged to choose between this method" (the system here advocated) "and that of comparative philology, it is the former that I would adopt without the slightest hesitation. This method alone enables us to explain the fact, which has so often provoked amazement, that people so refined as the Greeks,... or so rude, but morally pure, as the Germans,... managed to attribute to their gods all manner of cowardly, cruel and disorderly conduct. This method alone explains the why and wherefore of all those strange metamorphoses of gods into beasts and plants, and even stones, which scandalised philosophers, and which the witty Ovid played on for the diversion of his contemporaries. In short, this method teaches us to recognise in all those strange stories the survivals of a barbaric age, long passed away, but enduring to later times in the form of religious traditions, of all traditions the most persistent.... Finally, this method alone enables us to explain the origin of myths, because it endeavours to study them in their rudest and most primitive shape, thus allowing their true significance to be much more clearly apparent than it can be in the myths (so often touched, retouched, augmented and humanised) which are current among races arrived at a certain degree of culture."
Dr. Tiele writes: "If I had to pick between this method" (the system I'm advocating) "and that of comparative philology, I would choose the former without a moment's hesitation. This method alone helps us understand the surprising fact that people as sophisticated as the Greeks,... or as rough but morally upright as the Germans,... could attribute all sorts of cowardly, cruel, and disorderly behaviors to their gods. This method also explains the reasons behind those bizarre transformations of gods into animals and plants, and even stones, which shocked philosophers, and which the clever Ovid played on for the entertainment of his contemporaries. In short, this method teaches us to see in all those strange stories the remnants of a barbaric age, long gone, but still surviving in the form of religious traditions, the most lasting of all traditions.... Finally, this method alone lets us explain the origin of myths, because it seeks to study them in their simplest and most primitive forms, thus making their true meaning much clearer than it is in the myths (often modified, embellished, and humanized) that are prevalent among societies that have reached a certain level of culture."
The method is to this extent applauded by a most competent authority, and it has been warmly accepted by a distinguished French school of students, represented by M. Gaidoz. But it is obvious that the method rests on a double hypothesis: first, that satisfactory evidence as to the mental conditions of the lower and backward races is obtainable; second, that the civilised races (however they began) either passed through the savage state of thought and practice, or borrowed very freely from people in that condition. These hypotheses have been attacked by opponents; the trustworthiness of our evidence, especially, has been assailed. By way of facilitating the course of the exposition and of lessening the disturbing element of controversy, a reply to the objections and a defence of the evidence has been relegated to an Appendix.(1) Meanwhile we go on to examine the peculiar characteristics of the mental condition of savages and of peoples in the lower and upper barbarisms.
The method is praised by a highly qualified authority and has been enthusiastically embraced by a prominent French group of scholars, represented by M. Gaidoz. However, it's clear that the method is based on two key assumptions: first, that reliable evidence about the mental states of lower and less advanced races can be obtained; second, that civilized races (no matter their origins) either went through a primitive stage of thought and behavior or borrowed extensively from people in that state. These assumptions have been challenged by critics; especially the reliability of our evidence has faced scrutiny. To make the discussion smoother and reduce the distractions caused by controversy, a response to the criticisms and a defense of the evidence has been moved to an Appendix.(1) In the meantime, we will continue to explore the unique traits of the mental states of both savages and peoples in lower and higher stages of barbarism.
(1) Appendix B.
Appendix B.
CHAPTER III. THE MENTAL CONDITION OF SAVAGES—CONFUSION WITH
NATURE—TOTEMISM.
NATURE—TOTEMISM.
The mental condition of savages the basis of the irrational element in myth—Characteristics of that condition: (1) Confusion of all things in an equality of presumed animation and intelligence; (2) Belief in sorcery; (3) Spiritualism; (4) Curiosity; (5) Easy credulity and mental indolence—The curiosity is satisfied, thanks to the credulity, by myths in answer to all inquiries—Evidence for this—Mr. Tylor's opinion—Mr. Im Thurn—Jesuit missionaries' Relations—Examples of confusion between men, plants, beasts and other natural objects—Reports of travellers—Evidence from institution of totemism—Definition of totemism—Totemism in Australia, Africa, America, the Oceanic Islands, India, North Asia—Conclusions: Totemism being found so widely distributed, is a proof of the existence of that savage mental condition in which no line is drawn between men and the other things in the world. This confusion is one of the characteristics of myth in all races.
The mental state of primitive people is the foundation of the irrational aspect of myths—Here are the traits of that state: (1) Confusion among all things with a belief in equal animation and intelligence; (2) Faith in magic; (3) Spiritual beliefs; (4) Curiosity; (5) A tendency to easily believe and a lack of mental effort—Their curiosity is addressed, thanks to their gullibility, through myths that respond to all their questions—Evidence for this—Mr. Tylor's insights—Mr. Im Thurn—Reports from Jesuit missionaries—Examples of confusion between humans, plants, animals, and other natural entities—Travelers' accounts—Evidence from the practice of totemism—Definition of totemism—Instances of totemism in Australia, Africa, America, the Oceanic Islands, India, and Northern Asia—Conclusion: The widespread occurrence of totemism indicates the presence of that primitive mental state where no distinction is made between humans and other entities in the world. This confusion is a common feature of myths across all cultures.
We set out to discover a stage of human intellectual development which would necessarily produce the essential elements of myth. We think we have found that stage in the condition of savagery. We now proceed to array the evidence for the mental processes of savages. We intend to demonstrate the existence in practical savage life of the ideas which most surprise us when we find them in civilised sacred legends.
We aimed to find a phase of human intellectual development that would naturally create the key components of myth. We believe we’ve identified that phase in the state of savagery. Now, we’re going to present the evidence for the thought processes of savages. Our goal is to show that the ideas which often astonish us in civilized sacred legends actually exist in the everyday lives of savages.
For the purposes of this inquiry, it is enough to select a few special peculiarities of savage thought.
For this investigation, it's sufficient to highlight a few unique aspects of primitive thinking.
1. First we have that nebulous and confused frame of mind to which all things, animate or inanimate, human, animal, vegetable, or inorganic, seem on the same level of life, passion and reason. The savage, at all events when myth-making, draws no hard and fast line between himself and the things in the world. He regards himself as literally akin to animals and plants and heavenly bodies; he attributes sex and procreative powers even to stones and rocks, and he assigns human speech and human feelings to sun and moon and stars and wind, no less than to beasts, birds and fishes.(1)
1. First, we have that vague and confused mindset where everything, whether alive or not, human, animal, plant, or mineral, seems to be on the same level of existence, emotion, and logic. When creating myths, a primitive person doesn't draw a strict line between themselves and the things around them. They see themselves as literally related to animals, plants, and celestial bodies; they give gender and reproductive traits even to stones and rocks, and they attribute human language and feelings to the sun, moon, stars, and wind, just as they do with beasts, birds, and fish. (1)
(1) "So fasst auch das Alterthum ihren Unterschied von den Menschen ganz anders als die spatere Zeit."—Grimm, quoted by Liebrecht, Zur Volkskunde, p. 17.
(1) "So the ancients understood their differences from humans in a completely different way than later times."—Grimm, quoted by Liebrecht, Zur Volkskunde, p. 17.
2. The second point to note in savage opinion is the belief in magic and sorcery. The world and all the things in it being vaguely conceived of as sensible and rational, obey the commands of certain members of the tribe, chiefs, jugglers, conjurors, or what you will. Rocks open at their order, rivers dry up, animals are their servants and hold converse with them. These magicians cause or heal diseases, and can command even the weather, bringing rain or thunder or sunshine at their will.(1) There are few supernatural attributes of "cloud-compelling Zeus" or of Apollo that are not freely assigned to the tribal conjuror. By virtue, doubtless, of the community of nature between man and the things in the world, the conjuror (like Zeus or Indra) can assume at will the shape of any animal, or can metamorphose his neighbours or enemies into animal forms.
2. The second point to note in primitive belief is the idea of magic and sorcery. The world and everything in it are seen as reasonable and manageable, responding to the commands of certain tribe members, like chiefs, jugglers, conjurers, or whatever you prefer to call them. Rocks open at their command, rivers dry up, and animals serve them and communicate with them. These magicians can cause or heal illnesses and even control the weather, bringing rain, thunder, or sunshine whenever they want. There are few supernatural abilities of "cloud-compelling Zeus" or Apollo that aren't attributed to the tribal conjurer. Due to the shared essence between humans and the things around them, the conjurer (like Zeus or Indra) can take on the shape of any animal at will or transform their neighbors or enemies into animal forms.
(1) See Roth in North-West Central Queensland Aborigines, chapter xii., 1897.
(1) See Roth in North-West Central Queensland Aborigines, chapter 12, 1897.
3. Another peculiarity of savage belief naturally connects itself with that which has just been described. The savage has very strong ideas about the persistent existence of the souls of the dead. They retain much of their old nature, but are often more malignant after death than they had been during life. They are frequently at the beck and call of the conjuror, whom they aid with their advice and with their magical power. By virtue of the close connection already spoken of between man and the animals, the souls of the dead are not rarely supposed to migrate into the bodies of beasts, or to revert to the condition of that species of creatures with which each tribe supposes itself to be related by ties of kinship or friendship. With the usual inconsistency of mythical belief, the souls of the dead are spoken of, at other times, as if they inhabited a spiritual world, sometimes a paradise of flowers, sometimes a gloomy place, which mortal men may visit, but whence no one can escape who has tasted of the food of the ghosts.
3. Another unique aspect of primitive belief is closely related to what has just been mentioned. The primitive person has strong ideas about the ongoing existence of the souls of the dead. These souls keep a lot of their old characteristics but are often more malevolent after death than they were in life. They are often under the control of the shaman, who uses their advice and magical powers to assist them. Because of the strong connection already discussed between humans and animals, it's not uncommon for the souls of the dead to be believed to enter the bodies of animals or to revert to the form of creatures that each tribe feels a kinship with. Reflecting the usual inconsistencies of mythical beliefs, the souls of the dead are sometimes described as if they live in a spiritual realm, occasionally a paradise filled with flowers, and other times a dark place that living people can visit but from which no one can escape once they have consumed the food of the spirits.
4. In connection with spirits a far-reaching savage philosophy prevails. It is not unusual to assign a ghost to all objects, animate or inanimate, and the spirit or strength of a man is frequently regarded as something separable, capable of being located in an external object, or something with a definite locality in the body. A man's strength and spirit may reside in his kidney fat, in his heart, in a lock of his hair, or may even be stored by him in some separate receptacle. Very frequently a man is held capable of detaching his soul from his body, and letting it roam about on his business, sometimes in the form of a bird or other animal.
4. A wide-ranging, primitive philosophy exists regarding spirits. It’s common to assign a ghost to all kinds of objects, both living and non-living, and a person's spirit or strength is often seen as something that can be separated, found in an external object, or located somewhere specific in the body. A person's strength and spirit could be thought to reside in their kidney fat, heart, a lock of their hair, or even stored in a separate container. Very often, a person is believed to be able to detach their soul from their body and let it wander around to do their bidding, sometimes taking the form of a bird or other animal.
5. Many minor savage beliefs might be named, such as the common faith in friendly or protecting animals, and the notion that "natural deaths" (as we call them) are always UNNATURAL, that death is always caused by some hostile spirit or conjuror. From this opinion comes the myth that man is naturally not subject to death: that death was somehow introduced into the world by a mistake or misdeed is a corollary. (See "Myths of the Origin of Death" in Modern Mythology.)
5. Many minor savage beliefs could be mentioned, like the common idea that certain animals are friendly or protective, and the belief that "natural deaths" (as we refer to them) are always UNNATURAL, meaning that death is always caused by some hostile spirit or sorcerer. From this belief arises the myth that humans are naturally not meant to die: that death was somehow brought into the world by an error or wrongdoing is an additional point. (See "Myths of the Origin of Death" in Modern Mythology.)
6. One more mental peculiarity of the savage mind remains to be considered in this brief summary. The savage, like the civilised man, is curious. The first faint impulses of the scientific spirit are at work in his brain; he is anxious to give himself an account of the world in which he finds himself. But he is not more curious than he is, on occasion, credulous. His intellect is eager to ask questions, as is the habit of children, but his intellect is also lazy, and he is content with the first answer that comes to hand. "Ils s'arretent aux premieres notions qu'ils en ont," says Pere Hierome Lalemant.(1) "Nothing," says Schoolcraft, "is too capacious (sic) for Indian belief."(2) The replies to his questions he receives from tradition or (when a new problem arises) evolves an answer for himself in the shape of STORIES. Just as Socrates, in the Platonic dialogues, recalls or invents a myth in the despair of reason, so the savage has a story for answer to almost every question that he can ask himself. These stories are in a sense scientific, because they attempt a solution of the riddles of the world. They are in a sense religious, because there is usually a supernatural power, a deus ex machina, of some sort to cut the knot of the problem. Such stories, then, are the science, and to a certain extent the religious tradition, of savages.(3)
6. There’s one more mental trait of the primitive mind to consider in this brief summary. The primitive person, like a modern individual, is curious. The early stirrings of scientific thought are at work in their mind; they want to understand the world around them. However, they are not only curious but also sometimes gullible. Their intellect is eager to ask questions, similar to children, but it can also be lazy, accepting the first answer that comes up. "They settle on the first ideas they have," says Père Hierome Lalemant.(1) "Nothing," Schoolcraft notes, "is too incredible for Indian belief."(2) The answers to their questions usually come from tradition or, when faced with a new problem, they create an answer for themselves in the form of STORIES. Just like Socrates, in the Platonic dialogues, recalls or invents a myth out of despair when reasoning fails, the primitive person has a story for almost every question they might ponder. These stories are scientific in a way because they try to solve the mysteries of the world. They are also religious in nature since there is typically a supernatural force, a deus ex machina, that resolves the problem. Therefore, these stories represent the science and to some extent the religious tradition of primitive people.(3)
(1) Relations de la Nouvelle France, 1648, p. 70.
(1) Relations of New France, 1648, p. 70.
(2) Algic Researches, i. 41.
(2) Algic Researches, vol. 1, p. 41.
(3) "The Indians (Algonkins) conveyed instruction—moral, mechanical and religious—through traditionary fictions and tales."—Schoolcraft, Algic Researches, i. 12.
(3) "The Native Americans (Algonkins) passed on lessons—moral, practical, and spiritual—through traditional stories and tales."—Schoolcraft, Algic Researches, i. 12.
Now these tales are necessarily cast in the mould of the savage ideas of which a sketch has been given. The changes of the heavenly bodies, the processes of day and night, the existence of the stars, the invention of the arts, the origin of the world (as far as known to the savage), of the tribe, of the various animals and plants, the origin of death itself, the origin of the perplexing traditional tribal customs, are all accounted for in stories. At the same time, an actual divine Maker is sometimes postulated. The stories, again, are fashioned in accordance with the beliefs already named: the belief in human connection with and kinship with beasts and plants; the belief in magic; the belief in the perpetual possibility of metamorphosis or "shape shifting"; the belief in the permanence and power of the ghosts of the dead; the belief in the personal and animated character of all the things in the world, and so forth.
Now, these stories are shaped by the primitive ideas we've outlined. They explain the movements of celestial bodies, the cycles of day and night, the presence of stars, the development of skills, the origins of the world (as understood by primitive people), the tribe, various animals and plants, the beginning of death itself, and the confusing traditional customs of the tribe, all through storytelling. At times, a divine Creator is also suggested. These stories are crafted based on the beliefs mentioned earlier: the belief in human connections and kinship with animals and plants, the belief in magic, the belief in the constant potential for transformation or "shape-shifting," the belief in the enduring presence and power of the spirits of the deceased, and the belief in the personal and lively nature of everything in the world, and so on.
No more need be said to explain the wild and (as it seems to us moderns) the irrational character of savage myth. It is a jungle of foolish fancies, a walpurgis nacht of gods and beasts and men and stars and ghosts, all moving madly on a level of common personality and animation, and all changing shapes at random, as partners are changed in some fantastic witches' revel. Such is savage mythology, and how could it be otherwise when we consider the elements of thought and belief out of which it is mainly composed? We shall see that part of the mythology of the Greeks or the Aryans of India is but a similar walpurgis nacht, in which an incestuous or amorous god may become a beast, and the object of his pursuit, once a woman, may also become a beast, and then shift shapes to a tree or a bird or a star. But in the civilised races the genius of the people tends to suppress, exclude and refine away the wild element, which, however, is never wholly eliminated. The Erinyes soon stop the mouth of the horse of Achilles when he begins, like the horse in Grimm's Goose Girl, to hold a sustained conversation.(1) But the ancient, cruel, and grotesque savage element, nearly overcome by Homer and greatly reduced by the Vedic poets, breaks out again in Hesiod, in temple legends and Brahmanic glosses, and finally proves so strong that it can only be subdued by Christianity, or rather by that break between the educated classes and the traditional past of religion which has resulted from Christianity. Even so, myth lingers in the folk-lore of the non-progressive classes of Europe, and, as in Roumania, invades religion.
No more needs to be said to explain the wild and, as it seems to us today, irrational nature of primitive myth. It's a chaotic mix of silly ideas, a frenzied spectacle of gods, animals, people, stars, and ghosts, all moving around in a shared personality and energy, changing forms at random, like dancing partners in some fantastical witches' celebration. This is what primitive mythology looks like, and how could it be any different when we consider the thoughts and beliefs that make it up? We will see that part of the mythology of the Greeks or the Aryans of India is just a similar chaotic mix, where an incestuous or love-struck god can turn into a beast, and the person he is chasing, once a woman, can also become a beast and then change into a tree, bird, or star. But in civilized societies, people's natural tendencies tend to suppress, exclude, and refine the wild element, which, however, is never completely eliminated. The Furies soon silence the mouth of Achilles’ horse when it starts, like the horse in Grimm's "Goose Girl," to hold a coherent conversation.(1) Yet the ancient, harsh, and bizarre savage element, nearly subdued by Homer and significantly reduced by the Vedic poets, resurfaces in Hesiod, in temple legends, and in Brahmanic glosses, ultimately proving so strong that it can only be suppressed by Christianity, or more accurately, by the divide between educated classes and the traditional past of religion that has come from Christianity. Even so, myth persists in the folklore of the non-progressive classes of Europe and, as seen in Romania, intrudes into religion.
(1) Iliad, xix. 418.
Iliad, book 19, line 418.
We have now to demonstrate the existence in the savage intellect of the various ideas and habits which we have described, and out of which mythology springs. First, we have to show that "a nebulous and confused state of mind, to which all things, animate or inanimate, human, animal, vegetable or inorganic, seem on the same level of life, passion and reason," does really exist.(1) The existence of this condition of the intellect will be demonstrated first on the evidence of the statements of civilised observers, next on the evidence of the savage institutions in which it is embodied.
We now need to show that the primitive mind has the various ideas and habits we've described, which are the foundation of mythology. First, we must demonstrate that "a vague and confused state of mind, where all things—living or nonliving, human, animal, plant, or mineral—seem to have the same level of life, emotion, and reasoning," truly exists.(1) The existence of this condition in the mind will be proven first through the observations of civilized people and then through the evidence from primitive institutions that embody it.
(1) Creuzer and Guigniaut, vol. i. p. 111.
(1) Creuzer and Guigniaut, vol. i. p. 111.
The opinion of Mr. Tylor is naturally of great value, as it is formed on as wide an acquaintance with the views of the lower races as any inquirers can hope to possess. Mr. Tylor observes: "We have to inform ourselves of the savage man's idea, which is very different from the civilised man's, of the nature of the lower animals.... The sense of an absolute psychical distinction between man and beast, so prevalent in the civilised world, is hardly to be found among the lower races."(1) The universal attribution of "souls" to all things—the theory known as "Animism"—is another proof that the savage draws no hard and fast line between man and the other things in the world. The notion of the Italian country-people, that cruelty to an animal does not matter because it is not a "Christian," has no parallel in the philosophy of the savage, to whom all objects seem to have souls, just as men have. Mr. Im Thurn found the absence of any sense of a difference between man and nature a characteristic of his native companions in Guiana. "The very phrase, 'Men and other animals,' or even, as it is often expressed, 'Men and animals,' based as it is on the superiority which civilised man feels over other animals, expresses a dichotomy which is in no way recognised by the Indian.... It is therefore most important to realise how comparatively small really is the difference between men in a state of savagery and other animals, and how completely even such difference as exists escapes the notice of savage men... It is not, therefore, too much to say that, according to the view of the Indians, other animals differ from men only in bodily form and in their various degrees of strength; in spirit they do not differ at all."(2) The Indian's notion of the life of plants and stones is on the same level of unreason, as we moderns reckon reason. He believes in the spirits of rocks and stones, undeterred by the absence of motion in these objects. "Not only many rocks, but also many waterfalls, streams, and indeed material objects of every sort, are supposed each to consist of a body and a spirit, as does man."(3) It is not our business to ask here how men came by the belief in universal animation. That belief is gradually withdrawn, distinctions are gradually introduced, as civilisation and knowledge advance. It is enough for us if the failure to draw a hard and fast line between man and beasts, stones and plants, be practically universal among savages, and if it gradually disappears before the fuller knowledge of civilisation. The report which Mr. Im Thurn brings from the Indians of Guiana is confirmed by what Schoolcraft says of the Algonkin races of the northern part of the continent. "The belief of the narrators and listeners in every wild and improbable thing told helps wonderfully in the original stories, in joining all parts together. The Indian believes that the whole visible and invisible creation is animated.... To make the matter worse, these tribes believe that animals of the lowest as well as highest class in the chain of creation are alike endowed with reasoning powers and faculties. As a natural conclusion they endow birds, beasts and all other animals with souls."(4) As an example of the ease with which the savage recognises consciousness and voluntary motion even in stones, may be cited Kohl's account of the beliefs of the Objibeways.(5) Nearly every Indian has discovered, he says, an object in which he places special confidence, and to which he sacrifices more zealously than to the Great Spirit. The "hope" of Otamigan (a companion of the traveller) was a rock, which once advanced to meet him, swayed, bowed and went back again. Another Indian revered a Canadian larch, "because he once heard a very remarkable rustling in its branches". It thus appears that while the savage has a general kind of sense that inanimate things are animated, he is a good deal impressed by their conduct when he thinks that they actually display their animation. In the same way a devout modern spiritualist probably regards with more reverence a table which he has seen dancing and heard rapping than a table at which he has only dined. Another general statement of failure to draw the line between men and the irrational creation is found in the old Jesuit missionary Le Jeune's Relations de la Nouvelle France.(6) "Les sauvages se persuadent que non seulement les hommes et les autres animaux, mais aussi que toutes les autres choses sont animees." Again: "Ils tiennent les poissons raisonnables, comme aussi les cerfs". In the Solomon Islands, Mr. Romilly sailed with an old chief who used violent language to the waves when they threatened to dash over the boat, and "old Takki's exhortations were successful".(7) Waitz(8) discovers the same attitude towards the animals among the negroes. Man, in their opinion, is by no means a separate sort of person on the summit of nature and high above the beasts; these he rather regards as dark and enigmatic beings, whose life is full of mystery, and which he therefore considers now as his inferiors, now as his superiors. A collection of evidence as to the savage failure to discriminate between human and non-human, animate and inanimate, has been brought together by Sir John Lubbock.(9)
The views of Mr. Tylor are obviously very valuable since they are based on a broad understanding of the perspectives of lower races that few researchers can claim to have. Mr. Tylor notes: "We need to understand the savage man’s concept, which is very different from that of the civilized man, regarding the nature of lower animals.... The idea of an absolute psychological distinction between humans and beasts, so common in the civilized world, is hardly found among lower races."(1) The universal belief in "souls" for all things—the theory known as "Animism"—further shows that the savage does not see a strict separation between humans and other things in the world. The view of the Italian rural people, who believe that harming an animal is insignificant because it is not "Christian," has no equivalent in the philosophy of the savage, for whom all objects seem to have souls just like humans do. Mr. Im Thurn observed that his native companions in Guiana exhibited a lack of recognition of any difference between humans and nature. "The very phrase, 'Men and other animals,' or even, as it is often expressed, 'Men and animals,' which is based on the superiority that civilized man feels over other animals, reflects a division that the Indian does not acknowledge.... It is therefore crucial to understand how relatively minor the difference is between humans in a state of savagery and other animals, and how completely such differences go unnoticed by savage men... It is not too much to assert that, from the Indian perspective, other animals differ from humans only in their physical forms and various strengths; in spirit, they are the same."(2) The Indian's belief in the life of plants and stones operates on a level of irrationality according to modern standards of reason. He believes in the spirits of rocks and stones, undeterred by their lack of movement. "Not only many rocks, but also many waterfalls, streams, and indeed material objects of every kind, are believed to each possess a body and a spirit, just like humans."(3) It’s not our role to question how humans came to believe in universal animation. That belief is gradually fading, and distinctions are slowly emerging as civilization and knowledge progress. It suffices to note that the lack of a clear boundary between humans and animals, rocks and plants, is nearly universal among savages, and that it fades as civilization brings greater knowledge. The observations made by Mr. Im Thurn regarding the Indians of Guiana are supported by what Schoolcraft reports about the Algonkin races in the northern part of the continent. "The belief of both narrators and listeners in every wild and unlikely tale greatly aids the original stories, connecting all the pieces together. The Indian believes that the whole visible and invisible creation is animated.... To complicate matters, these tribes also believe that animals from the lowest to the highest ranks in the chain of creation are alike endowed with reasoning abilities and faculties. Consequently, they attribute souls to birds, beasts, and all other animals."(4) As an illustration of how easily the savage recognizes consciousness and voluntary movement even in stones, we can refer to Kohl's account of the Objibeways.(5) Nearly every Indian, he notes, has found an object that he places special trust in and sacrifices to more fervently than to the Great Spirit. The "hope" of Otamigan (a companion of the traveler) was a rock that once moved to meet him, swayed, bowed, and then retreated. Another Indian worshiped a Canadian larch "because he once heard a remarkable rustling in its branches." Thus, it appears that while the savage generally perceives inanimate things as animated, he is quite impressed by their behavior when he believes they exhibit this animation. In a similar way, a devout modern spiritualist likely holds greater reverence for a table he has seen dance and heard rap than for one he has merely dined at. Another general statement about the inability to distinguish between humans and the irrational world is found in the old Jesuit missionary Le Jeune’s Relations de la Nouvelle France.(6) "Savages are convinced that not only humans and other animals, but also all other things are animated." Again: "They consider fish to be reasonable, as well as deer." In the Solomon Islands, Mr. Romilly sailed with an old chief who shouted at the waves when they threatened to crash over the boat, and "old Takki’s words had an effect."(7) Waitz(8) finds the same attitude towards animals among the negroes. They do not view humans as a distinct kind on top of nature and far above beasts; rather, they see them as dark and mysterious beings whose lives are filled with enigmas, sometimes viewing them as inferior, other times as superior. Sir John Lubbock has compiled a collection of evidence showcasing the savage failure to differentiate between human and non-human, animate and inanimate.(9)
(1) Primitive Culture, i. 167-169.
Primitive Culture, vol. 1, pp. 167-169.
(2) Among the Indians of Guiana (1883), p. 350.
(2) Among the Indians of Guiana (1883), p. 350.
(3) Op. Cit., 355.
Op. Cit., 355.
(4) Schoolcraft, Algic Researches, i. 41.
(4) Schoolcraft, Algic Researches, i. 41.
(5) Kohl, Wanderings Round Lake Superior, pp. 58, 59; Muller, Amerikan Urrelig., pp. 62-67.
(5) Kohl, Wanderings Round Lake Superior, pp. 58, 59; Muller, Amerikan Urrelig., pp. 62-67.
(6) 1636, p. 109.
(6) 1636, p. 109.
(7) Western Pacific, p. 84.
(7) Western Pacific, p. 84.
(8) Anthropologie der Natur-Volker, ii. 177.
(8) Anthropology of Natural Peoples, ii. 177.
(9) Origin of Civilisation, p. 33. A number of examples of this mental attitude among the Bushmen will be found in chap. v., postea.
(9) Origin of Civilization, p. 33. You will find several examples of this mindset among the Bushmen in chap. v., later on.
To a race accustomed like ourselves to arrange and classify, to people familiar from childhood and its games with "vegetable, animal and mineral," a condition of mind in which no such distinctions are drawn, any more than they are drawn in Greek or Brahmanic myths, must naturally seem like what Mr. Max Muller calls "temporary insanity". The imagination of the savage has been defined by Mr. Tylor as "midway between the conditions of a healthy, prosaic, modern citizen, and of a raving fanatic, or of a patient in a fever-ward". If any relics of such imagination survive in civilised mythology, they will very closely resemble the productions of a once universal "temporary insanity". Let it be granted, then, that "to the lower tribes of man, sun and stars, trees and rivers, winds and clouds, become personal, animate creatures, leading lives conformed to human or animal analogies, and performing their special functions in the universe with the aid of limbs like beasts, or of artificial instruments like men; or that what men's eyes behold is but the instrument to be used or the material to be shaped, while behind it there stands some prodigious but yet half-human creature, who grasps it with his hands or blows it with his breath. The basis on which such ideas as these are built is not to be narrowed down to poetic fancy and transformed metaphor. They rest upon a broad philosophy of nature; early and crude, indeed, but thoughtful, consistent, and quite really and seriously meant."(1)
To a society like ours that likes to organize and categorize, where people have grown up playing games involving "plants, animals, and minerals," a mindset that doesn't draw such distinctions—just like in Greek or Hindu myths—must naturally seem like what Mr. Max Muller refers to as "temporary insanity." Mr. Tylor described the imagination of primitive people as being "somewhere between that of a rational, everyday modern person and a wild fanatic, or a patient in a fever ward." If any remnants of such imagination persist in civilized mythology, they will closely resemble what we consider "temporary insanity." Let's agree that "to more primitive tribes, the sun and stars, trees and rivers, winds and clouds, take on personal, living qualities, leading lives similar to humans or animals and performing their specific roles in the universe with limbs like beasts or tools like humans; or that what people see is merely the instrument to be used or the material to be shaped, while behind it stands some extraordinary yet somewhat human figure that manipulates it with its hands or breath. The foundation for these ideas isn't just poetic imagination or altered metaphor. They are based on a broader philosophy of nature; early and crude, yes, but thoughtful, consistent, and genuinely intended."(1)
(1) Primtive Culture, i. 285.
Primitive Culture, i. 285.
For the sake of illustration, some minor examples must next be given of this confusion between man and other things in the world, which will presently be illustrated by the testimony of a powerful and long diffused set of institutions.
For the sake of clarity, a few minor examples need to be provided next to show this mix-up between humans and other things in the world, which will soon be demonstrated by the evidence of a strong and widely established group of institutions.
The Christian Quiches of Guatemala believe that each of them has a beast as his friend and protector, just as in the Highlands "the dog is the friend of the Maclaines". When the Finns, in their epic poem the Kalewala, have killed a bear, they implore the animal to forgive them. "Oh, Ot-so," chant the singers, "be not angry that we come near thee. The bear, the honey-footed bear, was born in lands between sun and moon, and he died, not by men's hands, but of his own will."(1) The Red Men of North America(2) have a tradition showing how it is that the bear does not die, but, like Herodotus with the sacred stories of the Egyptian priests, Mr. Schoolcraft "cannot induce himself to write it out".(3) It is a most curious fact that the natives of Australia tell a similar tale of THEIR "native bear". "He did not die" when attacked by men.(4) In parts of Australia it is a great offence to skin the native bear, just as on a part of the west coast of Ireland, where seals are superstitiously regarded, the people cannot be bribed to skin them. In New Caledonia, when a child tries to kill a lizard, the men warn him to "beware of killing his own ancestor".(5) The Zulus spare to destroy a certain species of serpents, believed to be the spirits of kinsmen, as the great snake which appeared when Aeneas did sacrifice was held to be the ghost of Anchises. Mexican women(6) believed that children born during an eclipse turn into mice. In Australia the natives believe that the wild dog has the power of speech; whoever listens to him is petrified; and a certain spot is shown where "the wild dog spoke and turned the men into stone";(7) and the blacks run for their lives as soon as the dog begins to speak. What it said was "Bones".
The Christian Quiches of Guatemala believe that each of them has a beast as a friend and protector, just like in the Highlands where "the dog is the friend of the Maclaines." When the Finns, in their epic poem the Kalevala, have killed a bear, they ask the animal to forgive them. "Oh, Ot-so," chant the singers, "don’t be angry that we come near you. The bear, the honey-footed bear, was born in lands between sun and moon, and he died, not by human hands, but of his own will." The Native American tribes have a tradition that tells how the bear does not truly die, but, similar to Herodotus with the sacred stories of the Egyptian priests, Mr. Schoolcraft "cannot bring himself to write it out." It's quite interesting that the natives of Australia tell a similar story about THEIR "native bear." "He did not die" when attacked by people. In some parts of Australia, it's considered a serious offense to skin the native bear, just like in a part of the west coast of Ireland, where seals are regarded with superstition, and people cannot be persuaded to skin them. In New Caledonia, when a child tries to kill a lizard, the men warn him to "be careful not to kill his own ancestor." The Zulus refrain from destroying a certain species of snakes, thought to be the spirits of relatives, just as the great snake that appeared when Aeneas made his sacrifice was believed to be the ghost of Anchises. Mexican women believed that children born during an eclipse would turn into mice. In Australia, the natives think that the wild dog can talk; anyone who hears him is petrified, and a certain spot is marked where "the wild dog spoke and turned the men into stone"; and the locals run for their lives as soon as the dog starts to talk. What it said was "Bones."
(1) Kalewala, in La Finlande, Leouzon Le Duc (1845), vol. ii. p. 100; cf. also the Introduction.
(1) Kalewala, in Finland, Leouzon Le Duc (1845), vol. ii. p. 100; cf. also the Introduction.
(2) Schoolcraft, v. 420.
(2) Schoolcraft, v. 420.
(3) See similar ceremonies propitiatory of the bear in Jewett's Adventures among the Nootkas, Edinburgh, 1824.
(3) See similar ceremonies to appease the bear in Jewett's Adventures among the Nootkas, Edinburgh, 1824.
(4) Brough Smyth, i. 449.
(4) Brough Smyth, p. 449.
(5) J. J. Atkinson's MS.
J. J. Atkinson's manuscript.
(6) Sahagun, ii. viii. 250; Bancroft, iii. 111. Compare stories of women who give birth to animals in Melusine, 1886, August-November. The Batavians believe that women, when delivered of a child, are frequently delivered at the same time of a young crocodile as a twin. Hawkesworth's Voyages, iii. 756. Liebrecht, Zur Volkskunde, p. 17 et seq.
(6) Sahagun, ii. viii. 250; Bancroft, iii. 111. Compare stories of women who give birth to animals in Melusine, 1886, August-November. The Batavians believe that women, when giving birth to a child, often also give birth to a young crocodile as a twin. Hawkesworth's Voyages, iii. 756. Liebrecht, Zur Volkskunde, p. 17 et seq.
(7) Brough Smyth, Aborigines of Victoria, i. 497.
(7) Brough Smyth, Aborigines of Victoria, vol. 1, p. 497.
These are minor examples of a form of opinion which is so strong that it is actually the chief constituent in savage society. That society, whether in Ashantee or Australia, in North America or South Africa, or North Asia or India, or among the wilder tribes of ancient Peru, is based on an institution generally called "totemism". This very extraordinary institution, whatever its origin, cannot have arisen except among men capable of conceiving kinship and all human relationships as existing between themselves and all animate and inanimate things. It is the rule, and not the exception, that savage societies are founded upon this belief. The political and social conduct of the backward races is regulated in such matters as blood-feud and marriage by theories of the actual kindred and connection by descent, or by old friendship, which men have in common with beasts, plants, the sun and moon, the stars, and even the wind and the rain. Now, in whatever way this belief in such relations to beasts and plants may have arisen, it undoubtedly testifies to a condition of mind in which no hard and fast line was drawn between man and animate and inanimate nature. The discovery of the wide distribution of the social arrangements based on this belief is entirely due to Mr. J. F. M'Lennan, the author of Primitive Marriage. Mr. M'Lennan's essays ("The Worship of Plants and Animals," "Totems and Totemism") were published in the Fortnightly Review, 1869-71. Any follower in the footsteps of Mr. M'Lennan has it in his power to add a little evidence to that originally set forth, and perhaps to sift the somewhat uncritical authorities adduced.(1)
These are small examples of a type of opinion that is so strong it actually forms the core of primitive societies. Whether in Ashantee or Australia, North America or South Africa, North Asia or India, or among the more untamed tribes of ancient Peru, this society is based on an institution generally referred to as "totemism." This remarkable institution, regardless of its origins, could only have arisen among people capable of understanding kinship and all human relationships as existing between themselves and all living and non-living things. It is more common than not that primitive societies are founded on this belief. The political and social behaviors of these marginalized groups are regulated in matters like blood feuds and marriage by concepts of actual kinship and connections through descent, or through old friendships shared with animals, plants, the sun and moon, the stars, and even the wind and rain. Regardless of how this belief in connections with animals and plants may have originated, it clearly reflects a mindset where there was no rigid separation between humans and the natural world, both living and non-living. The recognition of the widespread social structures grounded in this belief is largely credited to Mr. J. F. M'Lennan, the author of Primitive Marriage. Mr. M'Lennan's essays ("The Worship of Plants and Animals," "Totems and Totemism") were published in the Fortnightly Review from 1869 to 1871. Any scholar following Mr. M'Lennan's lead has the opportunity to contribute additional evidence to what was first presented and perhaps to critically evaluate the somewhat unexamined sources cited.
(1) See also Mr. Frazer's Totemism, and Golden Bough, with chapter on Totemism in Modern Mythology.
(1) Check out Mr. Frazer's Totemism and Golden Bough, which includes a chapter on Totemism in Modern Mythology.
The name "Totemism" or "Totamism" was first applied at the end of the last century by Long(1) to the Red Indian custom which acknowledges human kinship with animals. This institution had already been recognised among the Iroquois by Lafitau,(2) and by other observers. As to the word "totem," Mr. Max Muller(3) quotes an opinion that the interpreters, missionaries, Government inspectors, and others who apply the name totem to the Indian "family mark" must have been ignorant of the Indian languages, for there is in them no such word as totem. The right word, it appears, is otem; but as "totemism" has the advantage of possessing the ground, we prefer to say "totemism" rather than "otemism". The facts are the same, whatever name we give them. As Mr. Muller says himself,(4) "every warrior has his crest, which is called his totem";(5) and he goes on to describe a totem of an Indian who died about 1793. We may now return to the consideration of "otemism" or totemism. We approach it rather as a fact in the science of mythology than as a stage in the evolution of the modern family system. For us totemism is interesting because it proves the existence of that savage mental attitude which assumes kindred and alliance between man and the things in the world. As will afterwards be seen, totemism has also left its mark on the mythologies of the civilised races. We shall examine the institution first as it is found in Australia, because the Australian form of totemism shows in the highest known degree the savage habit of confusing in a community of kinship men, stars, plants, beasts, the heavenly bodies, and the forces of Nature. When this has once been elucidated, a shorter notice of other totemistic races will serve our purpose.
The term "Totemism" or "Totamism" was first used at the end of the last century by Long(1) to describe the Native American tradition that recognizes human connections to animals. This concept had already been noted among the Iroquois by Lafitau,(2) as well as by other observers. Regarding the word "totem," Mr. Max Muller(3) suggests that those who use the term to refer to the Indian "family mark" — including interpreters, missionaries, and government inspectors — likely didn't understand the Indian languages, as there is no such word as totem in those languages. The correct term appears to be otem; however, since "totemism" has gained acceptance, we choose to use "totemism" rather than "otemism." The underlying facts remain the same regardless of the term we apply. As Mr. Muller notes,(4) "every warrior has his crest, which is called his totem";(5) he also describes a totem of an Indian who died around 1793. We can now shift back to discussing "otemism" or totemism. We approach it more as a phenomenon in the study of mythology rather than as a phase in the development of the modern family structure. To us, totemism is fascinating because it demonstrates the primitive mindset that sees kinship and connection between humans and the world around them. As will be seen later, totemism has also influenced the mythologies of civilized societies. We will first explore the institution as it exists in Australia, since the Australian version of totemism illustrates the savage tendency to conflate humans, stars, plants, animals, celestial bodies, and natural forces within a kinship community to the greatest extent known. Once this is clarified, a brief overview of other totemistic cultures will fulfill our needs.
(1) Voyages and Travels, 1791.
Voyages and Travels, 1791.
(2) Moeurs des Sauvages (1724), p. 461.
(2) Moeurs des Sauvages (1724), p. 461.
(3) Academy, December 15, 1883.
Academy, December 15, 1883.
(4) Selected Essays (1881), ii. 376.
(4) Selected Essays (1881), ii. 376.
(5) Compare Mr. Max Muller's Contributions to the Science of Mythology.
(5) Compare Mr. Max Muller's contributions to the study of mythology.
The society of the Murri or black fellows of Australia is divided into local tribes, each of which possesses, or used to possess, and hunt over a considerable tract of country. These local tribes are united by contiguity, and by common local interests, but not necessarily by blood kinship. For example, the Port Mackay tribe, the Mount Gambier tribe, the Ballarat tribe, all take their names from their district. In the same way we might speak of the people of Strathclyde or of Northumbria in early English history. Now, all these local tribes contain an indefinite number of stocks of kindred, of men believing themselves to be related by the ties of blood and common descent. That descent the groups agree in tracing, not from some real or idealised human parent, but from some animal, plant, or other natural object, as the kangaroo, the emu, the iguana, the pelican, and so forth. Persons of the pelican stock in the north of Queensland regard themselves as relations of people of the same stock in the most southern parts of Australia. The creature from which each tribe claims descent is called "of the same flesh," while persons of another stock are "fresh flesh". A native may not marry a woman of "his own flesh"; it is only a woman of "fresh" or "strange" flesh he may marry. A man may not eat an animal of "his own flesh"; he may only eat "strange flesh". Only under great stress of need will an Australian eat the animal which is the flesh-and-blood cousin and protector of his stock.(1) (These rules of marriage and blood, however, do not apply among the Arunta of Central Australia, whose Totems (if Totems they should be called) have been developed on very different lines.(2)) Clearer evidence of the confusion between man and beast, of the claiming of kin between man and beast, could hardly be.
The society of the Murri, or black fellows, of Australia is divided into local tribes, each of which used to possess and hunt over a significant area of land. These local tribes are connected by geographical proximity and shared local interests, but not necessarily by blood relations. For instance, the Port Mackay tribe, the Mount Gambier tribe, and the Ballarat tribe all take their names from their regions. Similarly, we could refer to the people of Strathclyde or Northumbria in early English history. Each of these local tribes includes numerous family groups of people who believe they are related by blood and shared descent. However, these groups trace their descent not from any real or idealized human ancestor but from an animal, plant, or other natural entity, like the kangaroo, emu, iguana, pelican, and so on. Individuals from the pelican family in northern Queensland see themselves as relatives of those from the same family in the southern parts of Australia. The creature from which each tribe claims descent is referred to as "of the same flesh," while those from different families are considered "fresh flesh." A native cannot marry a woman of "his own flesh"; he can only marry a woman of "fresh" or "strange" flesh. A man also cannot eat an animal of "his own flesh"; he can only eat "strange flesh." An Australian will rarely eat the animal that is a flesh-and-blood cousin and protector of his family. (1) (These marriage and kinship rules, however, do not apply among the Arunta of Central Australia, whose totems (if they can be called that) have developed in very different ways. (2)) There is hardly clearer evidence of the confusion between humans and animals and the claims of kinship between them.
(1) Dawson, Aborigines, pp. 26, 27; Howitt and Fison, Kamilaroi and Kurnai, p. 169.
(1) Dawson, Aborigines, pp. 26, 27; Howitt and Fison, Kamilaroi and Kurnai, p. 169.
(2) Spencer and Gillen, Native Tribes of Central Australia.
(2) Spencer and Gillen, Native Tribes of Central Australia.
But the Australian philosophy of the intercommunion of Nature goes still farther than this. Besides the local divisions and the kindred stocks which trace their descent from animals, there exist among many Australian tribes divisions of a kind still unexplained. For example, every man of the Mount Gambier local tribe is by birth either a Kumite or a Kroki. This classification applies to the whole of the sensible universe. Thus smoke and honeysuckle trees belong to the division Kumite, and are akin to the fishhawk stock of men. On the other hand, the kangaroo, summer, autumn, the wind and the shevak tree belong to the division Kroki, and are akin to the black cockatoo stock of men. Any human member of the Kroki division has thus for his brothers the sun, the wind, the kangaroo, and the rest; while any man of the Kumite division and the crow surname is the brother of the rain, the thunder, and the winter. This extraordinary belief is not a mere idle fancy—it influences conduct. "A man does not kill or use as food any of the animals of the same subdivision (Kroki or Kumite) with himself, excepting when hunger compels, and then they express sorrow for having to eat their wingong (friends) or tumanang (their flesh). When using the last word they touch their breasts, to indicate the close relationship, meaning almost a portion of themselves. To illustrate: One day one of the blacks killed a crow. Three or four days afterwards a Boortwa (a man of the crow surname and stock), named Larry, died. He had been ailing for some days, but the killing of his wingong (totem) hastened his death."(1) Commenting on this statement, Mr. Fison observes: "The South Australian savage looks upon the universe as the Great Tribe, to one of whose divisions he himself belongs; and all things, animate and inanimate, which belong to his class are parts of the body corporate whereof he himself is part". This account of the Australian beliefs and customs is borne out, to a certain extent, by the evidence of Sir George Grey,(2) and of the late Mr. Gideon Scott Lang.(3) These two writers take no account of the singular "dichotomous" divisions, as of Kumite and Kroki, but they draw attention to the groups of kindred which derive their surnames from animals, plants, and the like. "The origin of these family names," says Sir George Grey, "is attributed by the natives to different causes.... One origin frequently assigned by the natives is, that they were derived from some vegetable or animal being very common in the district which the family inhabited." We have seen from the evidence of Messrs. Fison and Howitt that a more common native explanation is based on kinship with the vegetable or plant which bestows the family surname. Sir George Gray mentions that the families use their plant or animal as a crest or kobong (totem), and he adds that natives never willingly kill animals of their kobong, holding that some one of that species is their nearest friend. The consequences of eating forbidden animals vary considerably. Sometimes the Boyl-yas (that is, ghosts) avenge the crime. Thus when Sir George Grey ate some mussels (which, after all, are not the crest of the Greys), a storm followed, and one of his black fellow improvised this stave:—
But the Australian philosophy of the interconnectedness of Nature goes even further than this. In addition to the local divisions and related groups that trace their lineage from animals, many Australian tribes have classifications that are still not fully understood. For instance, every man of the Mount Gambier local tribe is born either a Kumite or a Kroki. This classification applies to the entire observable universe. For example, smoke and honeysuckle trees belong to the Kumite division and are related to the fishhawk lineage of men. Conversely, the kangaroo, summer, autumn, the wind, and the shevak tree belong to the Kroki division and are related to the black cockatoo lineage of men. Any member of the Kroki division thus considers the sun, the wind, the kangaroo, and others as brothers; whereas a man from the Kumite division with the crow surname sees the rain, thunder, and winter as his brothers. This extraordinary belief is not just a fanciful idea—it influences behavior. "A man does not kill or eat any of the animals from the same subdivision (Kroki or Kumite) as himself unless forced by hunger, and even then they express sadness for having to eat their wingong (friends) or tumanang (their flesh). When using the latter term, they touch their chests, indicating a close relationship, suggesting almost a part of themselves. For example, one day, one of the Aboriginal people killed a crow. Three or four days later, a Boortwa (a man of the crow surname and lineage), named Larry, died. He had been unwell for a few days, but killing his wingong (totem) sped up his death." Commenting on this, Mr. Fison notes: "The South Australian native views the universe as the Great Tribe, to one of whose divisions he himself belongs; and all things, both living and non-living, that belong to his class are parts of the body corporate of which he is a part." This description of Australian beliefs and customs is supported to some extent by the accounts of Sir George Grey and the late Mr. Gideon Scott Lang. These two authors don’t specifically mention the unique "dichotomous" divisions like Kumite and Kroki, but they highlight groups of kin that derive their surnames from animals, plants, and the like. "The origin of these family names,” says Sir George Grey, “is attributed by the natives to various causes.... One common explanation offered by the natives is that they came from a vegetable or animal that is very prevalent in the area where the family lives." We’ve seen from the insights of Messrs. Fison and Howitt that a more typical native explanation relates to kinship with the plant or animal that provides the family surname. Sir George Grey notes that families use their plant or animal as a crest or kobong (totem), and adds that natives never willingly kill animals of their kobong, believing that a member of that species is their closest friend. The repercussions of eating forbidden animals vary significantly. Sometimes the Boyl-yas (that is, ghosts) take revenge for the act. For instance, when Sir George Grey ate some mussels (which, after all, aren't the crest of the Greys), a storm followed, and one of his Aboriginal companions improvised this verse:—
Oh, wherefore did he eat the mussels? Now the Boyl-yas storms and thunders make; Oh, wherefore would he eat the mussels?
Oh, why did he eat the mussels? Now the Boyl-yas storms and thunders roar; Oh, why would he eat the mussels?
(1) Kamilaroi and Kurnai, p. 169.
(1) Kamilaroi and Kurnai, p. 169.
(2) Travels, ii. 225.
(2) Travels, vol. 2, p. 225.
(3) Lang, Lecture on Natives of Australia, p. 10.
(3) Lang, Lecture on Natives of Australia, p. 10.
There are two points in the arrangements of these stocks of kindred named from plants and animals which we shall find to possess a high importance. No member of any such kindred may marry a woman of the same name and descended from the same object.(1) Thus no man of the Emu stock may marry an Emu woman; no Blacksnake may marry a Blacksnake woman, and so forth. This point is very strongly put by Mr. Dawson, who has had much experience of the blacks. "So strictly are the laws of marriage carried out, that, should any sign of courtship or affection be observed between those 'of one flesh,' the brothers or male relatives of the woman beat her severely." If the incestuous pair (though not in the least related according to our ideas) run away together, they are "half-killed"; and if the woman dies in consequence of her punishment, her partner in iniquity is beaten again. No "eric" or blood-fine of any kind is paid for her death, which carries no blood-feud. "Her punishment is legal."(2) This account fully corroborates that of Sir George Grey.(3)
There are two important points regarding the organization of these family groups, named after plants and animals. No member of any such group can marry a woman with the same name who is descended from the same source. For instance, no man from the Emu group can marry an Emu woman; no Blacksnake can marry a Blacksnake woman, and so on. Mr. Dawson, who has extensive experience with Indigenous Australians, emphasizes this rule strongly. "The laws of marriage are enforced so strictly that if any sign of courtship or affection is seen between those considered 'of one flesh,' the woman's brothers or male relatives will punish her severely." If the incestuous couple (even though they aren't seen as related by our standards) runs away together, they are "half-killed," and if the woman dies as a result of her punishment, her partner is also beaten again. No "eric" or blood-fine is paid for her death, which does not carry a blood feud. "Her punishment is legal." This account aligns with that of Sir George Grey.
(1) Taplin, The Nerrinyeri. p. 2. "Every tribe, regarded by them as a family, has its ngaitge, or tutelary genius or tribal symbol, in the shape of some bird, beast, fish, reptile, insect, or substance. Between individuals of the same tribe no marriage can take place." Among the Narrinyeri kindred is reckoned (p. 10) on the father's side. See also (p. 46) ngaitge = Samoan aitu. "No man or woman will kill their ngaitge," except with precautions, for food.
(1) Taplin, The Nerrinyeri. p. 2. "Every tribe, seen by them as a family, has its ngaitge, or protective spirit or tribal symbol, represented by some bird, animal, fish, reptile, insect, or material. No one within the same tribe can marry." Among the Narrinyeri, kinship is counted (p. 10) through the father's line. See also (p. 46) ngaitge = Samoan aitu. "No man or woman will kill their ngaitge," except with precautions for food.
(2) Op. cit., p. 28.
Op. cit., p. 28.
(3) Ibid., ii. 220.
Ibid., ii. 220.
Our conclusion is that the belief in "one flesh" (a kinship shared with the animals) must be a thoroughly binding idea, as the notion is sanctioned by capital punishment.
Our conclusion is that the belief in "one flesh" (a kinship shared with the animals) must be a completely binding idea, as this notion is enforced by capital punishment.
Another important feature in Australian totemism strengthens our position. The idea of the animal kinship must be an ancient one in the race, because the family surname, Emu, Bandicoot, or what not, and the crest, kobong, or protecting and kindred animal, are inherited through the mother's side in the majority of stocks. This custom, therefore, belongs to that early period of human society in which the woman is the permanent and recognised factor in the family while male parentage is uncertain.(1) One other feature of Australian totemism must be mentioned before we leave the subject. There is some evidence that in certain tribes the wingong or totem of each man is indicated by a tattooed representation of it upon his flesh. The natives are very licentious, but men would shrink from an amour with a woman who neither belonged to their own district nor spoke their language, but who, in spite of that, was of their totem. To avoid mistakes, it seems that some tribes mark the totem on the flesh with incised lines.(2) The natives frequently design figures of some kind on the trees growing near the graves of deceased warriors. Some observers have fancied that in these designs they recognised the totem of the dead men; but on this subject evidence is by no means clear. We shall see that this primitive sort of heraldry, this carving or painting of hereditary blazons, is common among the Red Men of America.(3)
Another important aspect of Australian totemism supports our argument. The concept of animal kinship must be an ancient one among these people, as family names like Emu, Bandicoot, or others, along with crests, such as kobong or a protective and related animal, are typically passed down through the mother's line in most groups. This tradition points to an early stage of human society where women are a permanent and acknowledged part of the family, while male parentage is uncertain. One more aspect of Australian totemism should be noted before we move on. There’s some evidence that in certain tribes, each man's wingong or totem is marked by a tattoo representing it on his body. Although the natives are quite open about their relationships, men would avoid romantic involvement with a woman who is not from their own area or who doesn't speak their language, despite sharing the same totem. To prevent confusion, it appears that some tribes mark their totem on their skin with incised lines. The natives often create designs on the trees near the graves of deceased warriors. Some observers believe they can recognize the totem of the deceased in these designs, but the evidence is not very clear on this matter. We will see that this primitive form of heraldry, this carving or painting of inherited symbols, is also common among the Native Americans.
(1) Cf. Bachofen, Das Mutterrecht; M'Lennan, Primitive Marriage, passim; Encycl. Brit. s. v. Family.
(1) See Bachofen, The Mother Right; M'Lennan, Primitive Marriage, various parts; Encycl. Brit. under Family.
(2) Fison, op. cit., p. 66.
(2) Fison, op. cit., p. 66.
(3) Among other recent sources see Howitt in "Organisation of Australian Tribes" (Transactions of Royal Society of Victoria, 1889), and Spencer and Gillen, Natives of Central Australia. In Central Australia there is a marked difference in the form of Totemism.
(3) Among other recent sources, see Howitt in "Organisation of Australian Tribes" (Transactions of Royal Society of Victoria, 1889), and Spencer and Gillen, Natives of Central Australia. In Central Australia, there is a distinct difference in the form of Totemism.
Though a large amount of evidence might be added to that already put forward, we may now sum up the inferences to be drawn from the study of totemism in Australia. It has been shown (1) that the natives think themselves actually akin to animals, plants, the sun, and the wind, and things in general; (2) that those ideas influence their conduct, and even regulate their social arrangements, because (3) men and women of the kinship of the same animal or plant may not intermarry, while men are obliged to defend, and in case of murder to avenge, persons of the stock of the family or plant from which they themselves derive their family name. Thus, on the evidence of institutions, it is plain that the Australians are (or before the influence of the Europeans became prevalent were) in a state of mind which draws no hard and fast line between man and the things in the world. If, therefore, we find that in Australian myth, men, gods, beasts, and things all shift shapes incessantly, and figure in a coroboree dance of confusion, there will be nothing to astonish us in the discovery. The myths of men in the Australian intellectual condition, of men who hold long conversations with the little "native bear," and ask him for oracles, will naturally and inevitably be grotesque and confused.(1)
Although a lot of evidence could be added to what has already been presented, we can now summarize the conclusions drawn from the study of totemism in Australia. It has been shown that (1) the indigenous people see themselves as connected to animals, plants, the sun, the wind, and other elements of nature; (2) these beliefs influence their behavior and even shape their social structures; because (3) individuals associated with the same animal or plant cannot marry each other, and men are required to protect and, in the event of a murder, seek revenge for individuals from their family lineage or the plant that represents their family name. Thus, based on these societal practices, it's clear that Australians are (or were, before European influence became widespread) in a mindset that does not separate humans from the other elements of the world. Therefore, if we find that in Australian myths, humans, gods, animals, and objects continually change forms and participate in a chaotic dance, it shouldn't surprise us. The myths of people in the Australian intellectual tradition, who engage in lengthy conversations with the small "native bear" and seek its prophecies, will naturally and inevitably be strange and disordered.
(1) Brough Smyth, i. 447, on MS. authority of W. Thomas.
(1) Brough Smyth, i. 447, based on the manuscript authority of W. Thomas.
It is "a far cry" from Australia to the West Coast of Africa, and it is scarcely to be supposed that the Australians have borrowed ideas and institutions from Ashantee, or that the people of Ashantee have derived their conceptions of the universe from the Murri of Australia. We find, however, on the West African Coast, just as we do in Australia, that there exist large local divisions of the natives. These divisions are spoken of by Mr. Bowditch (who visited the country on a mission in 1817) as nations, and they are much more populous and powerful (as the people are more civilised) than the local tribes of Australia. Yet, just as among the local tribes of Australia, the nations of the West African Coast are divided into stocks of kindred, each STOCK having its representatives in each NATION. Thus an Ashantee or a Fantee may belong to the same stock of kindred as a member of the Assin or Akini nation. When an Ashantee of the Annona stock of kindred meets a Warsaw man of the same stock they salute and acknowledge each other as brothers. In the same way a Ballarat man of the Kangaroo stock in Australia recognises a relative in a Mount Gambier man who is also a Kangaroo. Now, with one exception, all the names of the twelve stocks of West African kindreds, or at least all of them which Mr. Bowditch could get the native interpreters to translate, are derived from animals, plants and other natural objects, just as in Australia.(1) Thus Quonna is a buffalo, Abrootoo is a cornstalk, Abbradi a plantain. Other names are, in English, the parrot, the wild cat, red earth, panther and dog. Thus all the natives of this part of Africa are parrots, dogs, buffaloes, panthers, and so forth, just as the Australians are emus, iguanas, black cockatoos, kangaroos, and the rest. It is remarkable that there is an Incra stock, or clan of ants, in Ashantee, just as there was a race of Myrmidons, believed to be descended from or otherwise connected with ants, in ancient Greece. Though Bowditch's account of these West African family divisions is brief, the arrangement tallies closely with that of Australia. It is no great stretch of imagination to infer that the African tribes do, or once did, believe themselves to be of the kindred of the animals whose names they bear.(2) It is more or less confirmatory of this hypothesis that no family is permitted to use as food the animal from which it derives its name. We have seen that a similar rule prevails, as far as hunger and scarcity of victuals permit it to be obeyed, among the natives of Australia. The Intchwa stock in Ashantee and Fantee is particularly unlucky, because its members may not eat the dog, "much relished by native epicures, and therefore a serious privation". Equally to be pitied were the ancient Egyptians, who, if they belonged to the district of the sheep, might not eat mutton, which their neighbours, the Lycopolitae, devoured at pleasure. These restrictions appear to be connected with the almost universal dislike of cannibals to eat persons of their own kindred except as a pious duty. This law of the game in cannibalism has not yet been thoroughly examined, though we often hear of wars waged expressly for the purpose of securing food (human meat), while some South American tribes actually bred from captive women by way of securing constant supplies of permitted flesh.(3) When we find stocks, then, which derive their names from animals and decline to eat these animals, we may at least SUSPECT that they once claimed kinship with the name-giving beasts. The refusal to eat them raises a presumption of such faith. Old Bosman(4) had noticed the same practices. "One eats no mutton, another no goat's flesh, another no beef, swine's flesh, wild fowl, cocks with white feathers, and they say their ancestors did so from the beginning of the world."
It’s a long way from Australia to the West Coast of Africa, and it’s hard to believe that the Australians have borrowed ideas and institutions from Ashantee, or that the people of Ashantee have taken their views of the universe from the Murri of Australia. However, just like in Australia, we find that there are large local divisions among the natives on the West African Coast. Mr. Bowditch (who visited the country on a mission in 1817) refers to these divisions as nations, and they are much more populated and powerful (since the people are more civilized) than the local tribes of Australia. Yet, similar to the local tribes in Australia, the nations on the West African Coast are split into kin groups, each group having its representatives in each nation. So, an Ashantee or a Fantee might belong to the same kin group as a member of the Assin or Akini nation. When an Ashantee from the Annona kin meets a Warsaw man from the same kin, they greet and acknowledge each other as brothers. Similarly, a Ballarat man from the Kangaroo kin in Australia recognizes a relative in a Mount Gambier man who is also a Kangaroo. Except for one case, all the names of the twelve kin groups in West Africa, or at least all the ones Mr. Bowditch could get native interpreters to translate, are derived from animals, plants, and other natural objects, just like in Australia. For example, Quonna means buffalo, Abrootoo is a cornstalk, and Abbradi is a plantain. Other names in English include parrot, wildcat, red earth, panther, and dog. So, all the natives in this part of Africa are named after parrots, dogs, buffaloes, panthers, and so on, just as Australians are named after emus, iguanas, black cockatoos, kangaroos, and others. It's interesting that there’s an Incra kin, or clan of ants, in Ashantee, similar to the Myrmidons, who were believed to be descended from or related to ants in ancient Greece. Although Bowditch's account of these West African family divisions is brief, it closely matches the structure found in Australia. It doesn't take much imagination to suggest that African tribes do, or once did, consider themselves related to the animals they are named after. This idea is somewhat supported by the fact that no family is allowed to eat the animal from which it derives its name. We’ve seen that a similar rule exists among the natives of Australia, as far as hunger and food scarcity allow. The Intchwa kin in Ashantee and Fantee is particularly unfortunate because its members cannot eat dogs, which are "greatly enjoyed by native foodies, and therefore a significant deprivation." The ancient Egyptians also faced similar issues; if they belonged to the sheep district, they couldn't eat mutton, while their neighbors, the Lycopolitae, feasted on it freely. These restrictions seem connected to the almost universal aversion cannibals have to eating their own kin, except as a sacred duty. This rule of cannibalism hasn’t been thoroughly examined yet, even though we often hear about wars fought specifically to secure food (human flesh), while some South American tribes actually bred from captive women to ensure a constant supply of acceptable meat. When we observe kin groups that take their names from animals and refuse to eat them, we can at least suspect that they once claimed kinship with those name-giving creatures. Their refusal to consume them suggests a belief in such kinship. Old Bosman noted similar practices: "One does not eat mutton, another does not eat goat’s meat, another does not eat beef, pork, wild fowl, cocks with white feathers, and they say their ancestors did so from the beginning of the world."
(1) The evidence of native interpreters may be viewed with suspicion. It is improbable, however, that in 1817 the interpreters were acquainted with the totemistic theory of mythologists, and deliberately mistranslated the names of the stocks, so as to make them harmonise with Indian, Australian, and Red Indian totem kindreds. This, indeed, is an example where the criterion of "recurrence" or "coincidence" seems to be valuable. Bowditch's Mission to Ashantee (1873), p. 181.
(1) The reliability of native interpreters can be questioned. However, it's unlikely that in 1817 the interpreters were familiar with the totemistic theory used by mythologists and intentionally misinterpreted the names of the groups to align with Indian, Australian, and Native American totem kinships. This is actually a case where the idea of "recurrence" or "coincidence" appears to be useful. Bowditch's Mission to Ashantee (1873), p. 181.
(2) This view, however, does not prevail among the totemistic tribes of British Columbia, for example.
(2) This perspective, however, isn't shared by the totemistic tribes in British Columbia, for instance.
(3) Cieza de Leon (Hakluyt Society), p. 50. This amazing tale is supported by the statement that kinship went by the female side (p. 49); the father was thus not of the kin of his child by the alien woman. Cieza was with Validillo in 1538.
(3) Cieza de Leon (Hakluyt Society), p. 50. This incredible story is backed by the claim that lineage was traced through the female line (p. 49); therefore, the father was not considered part of his child's family if the mother was from a different group. Cieza was with Validillo in 1538.
(4) In Pinkerton, xvi. 400.
In Pinkerton, 16. 400.
While in the case of the Ashantee tribes, we can only infer the existence of a belief in kinship with the animals from the presence of the other features of fully developed totemism (especially from the refusal to eat the name-giving animal), we have direct evidence for the opinion in another part of Africa, among the Bechuanas.(1) Casalis, who passed twenty-three years as a missionary in South Africa, thus describes the institution: "While the united communities usually bear the name of their chief or of the district which they inhabit" (local tribes, as in Australia), "each stock (tribu) derives its title from an animal or a vegetable. All the Bechuanas are subdivided thus into Bakuenas (crocodile-men), Batlapis (men of the fish), Banarer (of the buffalo), Banukus (porcupines), Bamoraras (wild vines), and so forth. The Bakuenas call the crocodile their father, sing about him in their feasts, swear by him, and mark the ears of their cattle with an incision which resembles the open jaws of the creature." This custom of marking the cattle with the crest, as it were, of the stock, takes among some races the shape of deforming themselves, so as the more to resemble the animal from which they claim descent. "The chief of the family which holds the chief rank in the stock is called 'The Great Man of the Crocodile'. Precisely in the same way the Duchess of Sutherland is styled in Gaelic 'The Great Lady of the Cat,'" though totemism is probably not the origin of this title.
While in the case of the Ashantee tribes, we can only suggest that they believe they have a connection to animals based on the other signs of fully developed totemism (especially their refusal to eat the animal that gives their group its name), we have direct evidence of this belief in another part of Africa, among the Bechuanas.(1) Casalis, who spent twenty-three years as a missionary in South Africa, describes the system like this: "While the united communities usually take the name of their chief or the area they live in" (like local tribes in Australia), "each group (tribe) gets its name from an animal or a plant. All the Bechuanas are divided this way into Bakuenas (crocodile people), Batlapis (people of the fish), Banarer (of the buffalo), Banukus (porcupines), Bamoraras (wild vines), and so on. The Bakuenas refer to the crocodile as their father, sing songs about him during their celebrations, swear oaths in his name, and mark their cattle's ears with an incision that looks like the open jaws of the animal." This practice of marking cattle with the crest of their tribe sometimes leads certain groups to physically alter themselves to look more like the animal they claim descent from. "The chief of the family that holds the top position in the tribe is called 'The Great Man of the Crocodile.' Similarly, the Duchess of Sutherland is referred to in Gaelic as 'The Great Lady of the Cat,'" though totemism is likely not the source of this title.
(1) E. Casalis, Les Bassoutos, 1859.
(1) E. Casalis, The Basutos, 1859.
Casalis proceeds: "No one would dare to eat the flesh or wear the skin of the animal whose name he bears. If the animal be dangerous—the lion, for example—people only kill him after offering every apology and asking his pardon. Purification must follow such a sacrifice." Casalis was much struck with the resemblance between these practices and the similar customs of North American races. Livingstone's account(1) on the whole corroborates that of Casalis, though he says the Batau (tribe of the lion) no longer exists. "They use the word bina 'to dance,' in reference to the custom of thus naming themselves, so that when you wish to ascertain what tribe they belong to, you say, 'What do you dance?' It would seem as if this had been part of the worship of old." The mythological and religious knowledge of the Bushmen is still imparted in dances; and when a man is ignorant of some myth he will say, "I do not dance that dance," meaning that he does not belong to the guild which preserves that particular "sacred chapter".(2)
Casalis goes on: "No one would dare to eat the flesh or wear the skin of the animal whose name they bear. If the animal is dangerous—like the lion, for example—people only kill it after offering all the necessary apologies and asking for its forgiveness. Purification must follow such a sacrifice." Casalis was very struck by the similarity between these practices and the similar customs of North American tribes. Livingstone's account(1) generally supports Casalis's observations, although he mentions that the Batau (the tribe of the lion) no longer exists. "They use the word bina 'to dance' in connection with the tradition of naming themselves, so when you want to find out what tribe they belong to, you ask, 'What do you dance?' It seems as if this was part of ancient worship." The mythological and religious knowledge of the Bushmen is still passed down through dances; and when a man is unaware of a certain myth, he will say, "I do not dance that dance," meaning he does not belong to the group that preserves that particular "sacred chapter".(2)
(1) Missionary Travels (1857), p. 13.
(1) Missionary Travels (1857), p. 13.
(2) Orpen, Cape Monthly Magazine, 1872.
(2) Orpen, Cape Monthly Magazine, 1872.
Casalis noticed the similarity between South African and Red Indian opinion about kinship with vegetables and beasts. The difficulty in treating the Red Indian belief is chiefly found in the abundance of the evidence. Perhaps the first person who ever used the word "totemism," or, as he spells it, "totamism," was (as we said) Mr. Long, an interpreter among the Chippeways, who published his Voyages in 1791. Long was not wholly ignorant of the languages, as it was his business to speak them, and he was an adopted Indian. The ceremony of adoption was painful, beginning with a feast of dog's flesh, followed by a Turkish bath and a prolonged process of tattooing.(1) According to Long,(2) "The totam, they conceive, assumes the form of some beast or other, and therefore they never kill, hurt, or eat the animal whose form they think this totam bears". One man was filled with religious apprehensions, and gave himself up to the gloomy belief of Bunyan and Cowper, that he had committed the unpardonable sin, because he dreamed he had killed his totem, a bear.(3) This is only one example, like the refusal of the Osages to kill the beavers, with which they count cousins,(4) that the Red Man's belief is an actual creed, and does influence his conduct.
Casalis noticed the similarities between South African and Native American views on their connections to plants and animals. The challenge in discussing Native American beliefs mainly comes from the sheer volume of evidence available. The first person known to use the term "totemism," or, as he spelled it, "totamism," was Mr. Long, an interpreter among the Chippewa, who published his travels in 1791. Long wasn’t entirely unfamiliar with the languages since it was his job to speak them, and he was an adopted member of the tribe. The adoption ceremony was intense, starting with a feast of dog meat, followed by a Turkish bath and an extensive tattooing process. According to Long, "The totam, they believe, takes on the form of some animal, and as a result, they never kill, harm, or eat the animal they believe their totam represents." One man was consumed by spiritual anxiety, succumbing to the bleak belief of Bunyan and Cowper that he had committed the unforgivable sin because he dreamed he had killed his totem, a bear. This is just one example, like the Osages' refusal to kill the beavers, which they consider relatives, that illustrates how deeply ingrained these beliefs are in Native American culture and how they influence behavior.
(1) Long, pp. 46-49.
Long, pp. 46-49.
(2) Ibid., p. 86.
Ibid., p. 86.
(3) Ibid., p. 87.
Ibid., p. 87.
(4) Schoolcraft, i. 319.
(4) Schoolcraft, p. 319.
As in Australia, the belief in common kin with beasts is most clearly proved by the construction of Red Indian society. The "totemistic" stage of thought and manners prevails. Thus Charlevoix says,(1) "Plusieurs nations ont chacune trois familles ou tribus principales, AUSSI ANCIENNES, A CE QU'IL PAROIT, QUE LEUR ORIGINE. Chaque tribu porte le nom d'un animal, et la nation entiere a aussi le sien, dont elle prend le nom, et dont la figure est sa marque, ou, se l'on veut, ses armoiries, on ne signe point autrement les traites qu'en traceant ces figures." Among the animal totems Charlevoix notices porcupine, bear, wolf and turtle. The armoiries, the totemistic heraldry of the peoples of Virginia, greatly interested a heraldic ancestor of Gibbon the historian,(2) who settled in the colony. According to Schoolcraft,(3) the totem or family badge, of a dead warrior is drawn in a reverse position on his grave-post. In the same way the leopards of England are drawn reversed on the shield of an English king opposite the mention of his death in old monkish chronicles. As a general rule,(4) persons bearing the same totem in America cannot intermarry. "The union must be between various totems." Moreover, as in the case of the Australians, "the descent of the chief is in the female line". We thus find among the Red Men precisely the same totemistic regulations as among the Aborigines of Australia. Like the Australians, the Red Men "never" (perhaps we should read "hardly ever") eat their totems. Totemists, in short, spare the beasts that are their own kith and kin. To avoid multiplying details which all corroborate each other, it may suffice to refer to Schoolcraft for totemism among the Iowas(5) and the Pueblos;(6) for the Iroquois, to Lafitau, a missionary of the early part of the eighteenth century. Lafitau was perhaps the first writer who ever explained certain features in Greek and other ancient myths and practices as survivals from totemism. The Chimera, a composite creature, lion, goat and serpent, might represent, Lafitau thought, a league of three totem tribes, just as wolf, bear and turtle represented the Iroquois League.
As in Australia, the belief in common ancestry with animals is most clearly demonstrated by the structure of Native American society. The "totemistic" way of thinking and behavior is prevalent. Charlevoix notes, "Several nations each have three main families or tribes, AS ANCIENT AS THEIR ORIGIN APPEARS TO BE. Each tribe is named after an animal, and the entire nation has its name as well, which is also its symbol or, if you prefer, its coat of arms; treaties are only signed by drawing these symbols." Among the animal totems, Charlevoix mentions porcupine, bear, wolf, and turtle. The totemic heraldry of the people in Virginia greatly fascinated an ancestor of Gibbon the historian, who settled in the colony. According to Schoolcraft, the totem or family emblem of a deceased warrior is displayed in a reversed position on his grave post. Similarly, the leopards of England are drawn in reverse on the shield of an English king next to the mention of his death in ancient monkish chronicles. Generally, individuals with the same totem in America cannot marry each other. "The union must be between different totems." Furthermore, like the Australians, "the lineage of the chief is traced through the female line." Thus, we see the same totemistic rules among the Native Americans as among the Aboriginal Australians. Like the Australians, Native Americans "never" (or perhaps we should say "hardly ever") eat their totems. Totemists, in short, spare the animals that are their own relatives. To avoid overwhelming details that all support each other, it may be enough to refer to Schoolcraft for information on totemism among the Iowas and the Pueblos; for the Iroquois, to Lafitau, a missionary from the early eighteenth century. Lafitau was possibly the first writer to explain certain aspects of Greek and other ancient myths and practices as remnants of totemism. The Chimera, a composite creature made up of a lion, goat, and serpent, might represent, according to Lafitau, a coalition of three totem tribes, just as wolf, bear, and turtle represented the Iroquois League.
(1) Histoire de la France-Nouvelle, iii. 266.
(1) History of New France, iii. 266.
(2) Introductio ad Latinam Blasoniam, by John Gibbon, Blue Mantle, London, 1682. "The dancers, were painted some party per pale, gul and sab, some party per fesse of the same colours;" whence Gibbon concluded "that heraldry was ingrafted naturally into the sense of the humane race".
(2) Introductio ad Latinam Blasoniam, by John Gibbon, Blue Mantle, London, 1682. "The dancers were painted in various ways, some divided vertically with red and black, others divided horizontally in the same colors;" from this, Gibbon concluded "that heraldry was naturally part of human understanding."
(3) Vol. i. p. 356.
(3) Vol. 1, p. 356.
(4) Schoolcraft, v. 73.
(4) Schoolcraft, vol. 73.
(5) Ibid., iii. 268.
Ibid., iii. 268.
(6) Ibid., iv. 86.
Ibid., pp. 86.
The martyred Pere Rasles, again, writing in 1723,(1) says that one stock of the Outaonaks claims descent from a hare ("the great hare was a man of prodigious size"), while another stock derive their lineage from the carp, and a third descends from a bear; yet they do not scruple, after certain expiatory rites, to eat bear's flesh. Other North American examples are the Kutchin, who have always possessed the system of totems.(2)
The martyred Pere Rasles, again, writing in 1723,(1) mentions that one group of the Outaonaks claims to descend from a hare ("the great hare was a man of incredible size"), while another group traces their lineage from the carp, and a third comes from a bear; yet they don't hesitate, after performing certain purification rituals, to eat bear meat. Other examples in North America include the Kutchin, who have always had a system of totems.(2)
(1) Kip's Jesuits in America i. 33.
(1) Kip's Jesuits in America i. 33.
(2) Dall's Alaska, pp. 196-198.
Dall's Alaska, pp. 196-198.
It is to be noticed, as a peculiarity of Red Indian totemism which we have not observed (though it may exist) in Africa, that certain stocks claim relations with the sun. Thus Pere Le Petit, writing from New Orleans in 1730, mentions the Sun, or great chief of the Natchez Indians.(1) The totem of the privileged class among the Natchez was the sun, and in all myths the sun is regarded as a living being, who can have children, who may be beaten, who bleeds when cut, and is simply on the same footing as men and everything else in the world. Precisely similar evidence comes from South America. In this case our best authority is almost beyond suspicion. He knew the native languages well, being himself a half-caste. He was learned in the European learning of his time; and as a son of the Incas, he had access to all surviving Peruvian stores of knowledge, and could collect without difficulty the testimonies of his countrymen. It will be seen(2) that Don Garcilasso de la Vega could estimate evidence, and ridiculed the rough methods and fallacious guesses of Spanish inquirers. Garcilasso de la Vega was born about 1540, being the son of an Inca princess and of a Spanish conqueror. His book, Commentarias Reales,(3) was expressly intended to rectify the errors of such Spanish writers as Acosta. In his account of Peruvian religion, Garcilasso distinguishes between the beliefs of the tribes previous to the rise of the Inca empire and the sun-worship of the Incas. But it is plain, from Garcilasso's own account and from other evidence, that under the Incas the older faiths and fetichisms survived, in subordination to sun-worship, just as Pagan superstitions survived in custom and folk-lore after the official recognition of Christianity. Sun-worship, in Peru, and the belief in a Supreme Creator there, seem even, like Catholicism in Mexico, China and elsewhere, to have made a kind of compromise with the lower beliefs, and to have been content to allow a certain amount of bowing down in the temples of the elder faiths. According, then, to Garcilasso's account of Peruvian totemism, "An Indian was not looked upon as honourable unless he was descended from a fountain, river,(4) or lake, or even from the sea, OR FROM A WILD ANIMAL, such as a bear, lion, tiger, eagle, or the bird they call cuntur (condor), or some other bird of prey ".(5) A certain amount of worship was connected with this belief in kinship with beasts and natural objects. Men offered up to their totems "what they usually saw them eat".(6) On the seacoasts "they worshipped sardines, skates, dog-fish, and, for want of larger gods, crabs.... There was not an animal, how vile and filthy soever, that they did not worship as a god," including "lizards, toads and frogs." Garcilasso (who says they ate the fish they worshipped) gives his own theory of the origin of totemism. In the beginning men had only sought for badges whereby to discriminate one human stock from another. "The one desired to have a god different from the other.... They only thought of making one different from another." When the Inca emperors began to civilise the totemistic stocks, they pointed out that their own father, the sun, possessed "splendour and beauty" as contrasted with "the ugliness and filth of the frogs and other vermin they looked upon as gods".(7) Garcilasso, of course, does not use the North American word totem (or ote or otem) for the family badge which represented the family ancestors. He calls these things, as a general rule, pacarissa. The sun was the pacarissa of the Incas, as it was of the chief of the Natchez. The pacarissa of other stocks was the lion, bear, frog, or what not. Garcilasso accounts for the belief accorded to the Incas, when they claimed actual descent from the sun, by observing(8) that "there were tribes among their subjects who professed similar fabulous descents, though they did not comprehend how to select ancestors so well as the Incas, but adored animals and other low and earthly objects". As to the fact of the Peruvian worship of beasts, if more evidence is wanted, it is given, among others, by Cieza de Leon,(9) who contrasts the adoration of the Roman gods with that offered in Peru to brutes. "In the important temple of Pacha-camac (the spiritual deity of Peru) they worshipped a she-fox or vixen and an emerald." The devil also "appeared to them and spoke in the form of a tiger, very fierce". Other examples of totemism in South America may be studied in the tribes on the Amazon.(10) Mr. Wallace found the Pineapple stock, the Mosquitoes, Woodpeckers, Herons, and other totem kindreds. A curious example of similar ideas is discovered among the Bonis of Guiana. These people were originally West Coast Africans imported as slaves, who have won their freedom with the sword. While they retain a rough belief in Gadou (God) and Didibi (the devil), they are divided into totem stocks with animal names. The red ape, turtle and cayman are among the chief totems.(11)
It’s worth noting a unique aspect of Native American totemism that we haven't seen (though it could exist) in Africa: certain groups claim ties to the sun. For instance, Pere Le Petit, writing from New Orleans in 1730, mentions the Sun, or the great chief of the Natchez Indians.(1) The totem for the privileged class among the Natchez was the sun, and in all myths, the sun is seen as a living being who can have children, can be harmed, bleeds when cut, and stands on equal ground with humans and everything else in the world. We find similar evidence from South America. In this case, our best source is virtually beyond doubt. He was fluent in the native languages, being a mixed-race individual himself. He was knowledgeable in the European scholarship of his time; and as a descendant of the Incas, he had access to all the surviving Peruvian knowledge and could easily gather testimonies from his countrymen. It will be noted(2) that Don Garcilasso de la Vega could assess evidence well and mocked the crude methods and incorrect assumptions of Spanish researchers. Garcilasso de la Vega, born around 1540 to an Inca princess and a Spanish conqueror, wrote the book Commentarias Reales,(3) which was specifically meant to correct the misconceptions of Spanish writers like Acosta. In his account of Peruvian religion, Garcilasso distinguishes between the beliefs of tribes before the rise of the Inca empire and the sun worship of the Incas. However, it is clear from Garcilasso's own accounts and other evidence that under the Incas, older faiths and animistic beliefs persisted, subordinate to sun worship, much like Pagan superstitions lingered in customs and folklore after Christianity was officially recognized. It seems that sun worship in Peru, along with the belief in a Supreme Creator, may have formed a compromise with earlier beliefs, allowing some elements of traditional practices to coexist in the temples of older faiths. According to Garcilasso's account of Peruvian totemism, "An Indian was not regarded as honorable unless he was descended from a spring, river,(4) or lake, or even from the sea, OR FROM A WILD ANIMAL, like a bear, lion, tiger, eagle, or the bird known as the cuntur (condor), or some other bird of prey."(5) A certain level of worship was associated with this belief in kinship with animals and natural objects. People offered to their totems "what they usually saw them eat."(6) Along the coasts, "they worshipped sardines, skates, dog-fish, and, lacking larger gods, crabs.... There was no animal, no matter how vile and disgusting, that they did not worship as a god," including "lizards, toads, and frogs." Garcilasso (who mentions they ate the fish they worshipped) shares his theory on the origin of totemism. At first, people sought symbols to distinguish one group from another. "One wanted to have a god different from the other.... They only aimed to make one different from the other." When the Inca emperors began to civilize the totemistic groups, they highlighted that their own father, the sun, had "splendor and beauty" compared to "the ugliness and filth of frogs and other vermin that they considered as gods."(7) Garcilasso does not use the North American term totem (or ote or otem) for the family symbol representing family ancestors; he generally calls these symbols pacarissa. The sun was the pacarissa of the Incas, just as it was for the chief of the Natchez. Other groups had the lion, bear, frog, or other symbols as their pacarissa. Garcilasso explains the belief enjoyed by the Incas when they claimed direct descent from the sun by noting(8) that "there were tribes among their subjects that claimed similar mythical descents, although they did not understand how to select ancestors as well as the Incas, instead adoring animals and other lowly earthly objects." If further evidence regarding the Peruvian worship of animals is needed, it is provided, among others, by Cieza de Leon,(9) who contrasts the reverence given to Roman gods with that offered in Peru to beasts. "In the notable temple of Pacha-camac (the spiritual deity of Peru), they worshipped a female fox or vixen and an emerald." The devil also "appeared to them and spoke in the form of a fierce tiger." More examples of totemism can be studied in the tribes along the Amazon.(10) Mr. Wallace found varieties like Pineapple stock, Mosquitoes, Woodpeckers, Herons, and other totemic groups. A fascinating example of similar beliefs is found among the Bonis of Guiana. These people, originally from West Coast Africa, were brought in as slaves and secured their freedom through fights. While they maintain a rough belief in Gadou (God) and Didibi (the devil), they are divided into totemic groups with animal names. Among the primary totems are the red ape, turtle, and cayman.(11)
(1) Kip, ii. 288.
Kip, vol. 2, p. 288.
(2) Appendix B.
Appendix B.
(3) See translation in Hakluyt Society's Collection.
(3) See the translation in the Hakluyt Society's Collection.
(4) Like many Greek heroes. Odyssey, iii. 489. "Orsilochus, the child begotten of Alpheus."
(4) Like many Greek heroes. Odyssey, iii. 489. "Orsilochus, the son of Alpheus."
(5) Comm. Real., i. 75.
(5) Comm. Real., i. 75.
(6) Ibid., 53.
Ibid., 53.
(7) Ibid., 102.
Ibid., 102.
(8) Ibid., 83.
Ibid., 83.
(9) Cieza de Leon (Hakluyt Society), p. 183.
(9) Cieza de Leon (Hakluyt Society), p. 183.
(10) Acuna, p. 103; Wallace, Travels on Amazon (1853), pp. 481-506.
(10) Acuna, p. 103; Wallace, Travels on Amazon (1853), pp. 481-506.
(11) Crevaux, Voyages dans l'Amerique du Sud, p. 59.
(11) Crevaux, Travels in South America, p. 59.
After this hasty examination of the confused belief in kinship with animals and other natural objects which underlies institutions in Australia, West and South Africa, North and South America, we may glance at similar notions among the non-Aryan races of India. In Dalton's Ethnology of Bengal,(1) he tells us that the Garo clans are divided into maharis or motherhoods. Children belong to the mahari of the mother, just as (in general) they derive their stock name and totem from the mother's side in Australia and among the North American Indians. No man may marry (as among the Red Indians and Australians) a woman belonging to his own stock, motherhood or mahari. So far the maharis of Bengal exactly correspond to the totem kindred. But do the Maharis also take their names from plants and animals, and so forth? We know that the Killis, similar communities among the Bengal Hos and Mundos, do this.(2) "The Mundaris, like the Oraons, adopt as their tribal distinction the name of some animal, and the flesh of that animal is tabooed to them as food; for example, the eel, the tortoise." This is exactly the state of things in Ashanti. Dalton mentions also(3) a princely family in Nagpur which claims descent from "a great hooded snake". Among the Oraons he found(4) tribes which might not eat young mice (considered a dainty) or tortoises, and a stock which might not eat the oil of the tree which was their totem, nor even sit in its shade. "The family or tribal names" (within which they may not marry) "are usually those of animals or plants, and when this is the case, the flesh of some part of the animal or the fruit of the tree is tabooed to the tribe called after it."
After this quick look at the confusing belief in being related to animals and other natural things that underpins institutions in Australia, West and South Africa, as well as North and South America, we can take a moment to consider similar ideas among non-Aryan races in India. In Dalton's Ethnology of Bengal,(1) he explains that the Garo clans are divided into maharis or motherhoods. Children belong to their mother's mahari, just like (generally) they get their family name and totem from their mother's side in Australia and among the North American Indians. No man can marry (as is the case with the Red Indians and Australians) a woman from his own stock, motherhood, or mahari. So far, the maharis of Bengal correspond perfectly to the totem kindred. But do the Maharis also get their names from plants and animals, and so on? We know that the Killis, similar communities among the Bengal Hos and Mundos, do this.(2) "The Mundaris, like the Oraons, choose a name based on an animal as their tribal identity, and they are not allowed to eat that animal; for example, the eel, the tortoise." This is exactly what happens in Ashanti. Dalton also mentions(3) a royal family in Nagpur that claims to descend from "a great hooded snake." Among the Oraons, he found(4) tribes that couldn't eat young mice (considered a delicacy) or tortoises, and a group that couldn't consume the oil from the tree that was their totem, nor even sit in its shade. "The family or tribal names" (within which they cannot marry) "are usually animal or plant names, and when that is the case, consuming some part of the animal or the fruit of the tree is forbidden to the tribe named after it."
(1) Dalton, p. 63.
Dalton, p. 63.
(2) Ibid., p. 189.
Ibid., p. 189.
(3) Ibid., p. 166.
Ibid., p. 166.
(4) Ibid., p. 254.
Ibid., p. 254.
An excellent sketch of totemism in India is given by Mr. H. H. Risley of the Bengal Civil Service:—(1)
An excellent overview of totemism in India is provided by Mr. H. H. Risley of the Bengal Civil Service:—(1)
(1) The Asiatic Quarterly, No. 3, Essay on "Primitive Marriage in Bengal."
(1) The Asiatic Quarterly, No. 3, Essay on "Primitive Marriage in Bengal."
"At the bottom of the social system, as understood by the average Hindu, stands a large body of non-Aryan castes and tribes, each of which is broken up into a number of what may be called totemistic exogamous septs. Each sept bears the name of an animal, a tree, a plant, or of some material object, natural or artificial, which the members of that sept are prohibited from killing, eating, cutting, burning, carrying, using, etc."(1)
"At the bottom of the social system, as understood by the average Hindu, is a large group of non-Aryan castes and tribes, each of which is divided into several totem-like exogamous septs. Each sept is named after an animal, a tree, a plant, or some other natural or artificial object, which members of that sept are forbidden to kill, eat, cut, burn, carry, use, etc."(1)
(1) Here we may note that the origin of exogamy itself is merely part of a strict totemistic prohibition. A man may not "use" an object within the totem kin, nor a woman of the kin. Compare the Greek idiom (Greek text omitted).
(1) Here we can observe that the origin of exogamy is simply a part of a strict totemistic rule. A man cannot "use" an object from the totem kin, nor can a woman from the kin. Compare the Greek idiom (Greek text omitted).
Mr. Risley finds that both Kolarians, as the Sonthals, and Dravidians, as the Oraons, are in this state of totemism, like the Hos and Mundas. It is most instructive to learn that, as one of these tribes rises in the social scale, it sloughs off its totem, and, abandoning the common name derived from bird, beast, or plant, adopts that of an eponymous ancestor. A tendency in this direction has been observed by Messrs. Fison and Howitt even in Australia. The Mahilis, Koras and Kurmis, who profess to be members of the Hindu community, still retain the totemistic organisation, with names derived from birds, beasts and plants. Even the Jagannathi Kumhars of Orissa, taking rank immediately below the writer-caste, have the totems tiger, snake, weasel, cow, frog, sparrow and tortoise. The sub-castes of the Khatlya Kumhars explain away their totem-names "as names of certain saints, who, being present at Daksha's Horse-sacrifice, transformed themselves into animals to escape the wrath of Siva," like the gods of Egypt when they fled in bestial form from the wrath of Set.
Mr. Risley observes that both the Kolarians, like the Sonthals, and the Dravidians, like the Oraons, are in a state of totemism, similar to the Hos and Mundas. It's quite interesting to note that when one of these tribes progresses socially, it sheds its totem and, moving away from the common names based on animals or plants, adopts the name of an ancestor. Messrs. Fison and Howitt have even noticed this trend in Australia. The Mahilis, Koras, and Kurmis, who claim membership in the Hindu community, still maintain their totemistic structure, with names linked to birds, animals, and plants. Even the Jagannathi Kumhars of Orissa, ranked just below the writer-caste, have totems such as tiger, snake, weasel, cow, frog, sparrow, and tortoise. The sub-castes of the Khatlya Kumhars justify their totem-names as being names of certain saints who, while attending Daksha's Horse-sacrifice, transformed into animals to escape the anger of Siva, similar to the gods of Egypt who took on animal forms to flee from the wrath of Set.
Among the non-Aryan tribes the marriage law has the totemistic sanction. No man may marry a woman of his totem kin. When the totem-name is changed for an eponym, the non-Aryan, rising in the social scale, is practically in the same position as the Brahmans, "divided into exogamous sections (gotras), the members of which profess to be descended from the mythical rishi or inspired saint whose name the gotra bears". There is thus nothing to bar the conjecture that the exogamous gotras of the whole Brahmans were once a form of totem-kindred, which (like aspiring non-Aryan stocks at the present day) dropped the totem-name and renamed the septs from some eponymous hero, medicine-man, or Rishi.
Among non-Aryan tribes, marriage laws have a totemistic basis. No man can marry a woman from his totem kin. When the totem-name is replaced with an eponym, the non-Aryan, moving up the social ladder, is essentially in the same situation as the Brahmans, who are "divided into exogamous sections (gotras), with members who claim descent from the mythical rishi or inspired saint after whom the gotra is named." Therefore, it’s reasonable to speculate that the exogamous gotras of the entire Brahman community once represented a form of totem kinship, which (like ambitious non-Aryan groups today) dropped the totem-name and renamed their clans after some eponymous hero, medicine-man, or Rishi.
Constant repetition of the same set of facts becomes irksome, and yet is made necessary by the legitimate demand for trustworthy and abundant evidence. As the reader must already have reflected, this living mythical belief in the common confused equality of men, gods, plants, beasts, rivers, and what not, which still regulates savage society,(1) is one of the most prominent features in mythology. Porphyry remarked and exactly described it among the Egyptians—"common and akin to men and gods they believed the beasts to be."(2) The belief in such equality is alien to modern civilisation. We have shown that it is common and fundamental in savagery. For instance, in the Pacific, we might quote Turner,(3) and for Melanesia, Codrington,(4) while for New Zealand we have Taylor.(5) For the Jakuts, along the banks of the Lena in Northern Asia, we have the evidence of Strahlenberg, who writes: "Each tribe of these people look upon some particular creature as sacred, e.g., a swan, goose, raven, etc., and such is not eaten by that tribe" though the others may eat it.(6) As the majority of our witnesses were quite unaware that the facts they described were common among races of whom many of them had never even heard, their evidence may surely be accepted as valid, especially as the beliefs testified to express themselves in marriage laws, in the blood-feud, in abstinence from food, on pillars over graves, in rude heraldry, and in other obvious and palpable shapes. If we have not made out, by the evidence of institutions, that a confused credulity concerning the equality and kinship of man and the objects in nature is actually a ruling belief among savages, and even higher races, from the Lena to the Amazon, from the Gold Coast to Queensland, we may despair of ever convincing an opponent. The survival of the same beliefs and institutions among civilised races, Aryan and others, will later be demonstrated.(7) If we find that the mythology of civilised races here agrees with the actual practical belief of savages, and if we also find that civilised races retain survivals of the institutions in which the belief is expressed by savages, then we may surely infer that the activity of beasts in the myths of Greece springs from the same sources as the similar activity of beasts in the myths of Iroquois or Kaffirs. That is to say, part of the irrational element in Greek myth will be shown to be derived (whether by inheritance or borrowing) from an ascertained condition of savage fancy.
Constantly repeating the same facts can be tedious, yet it's necessary due to the genuine need for reliable and plentiful evidence. As you may have already thought, the belief in the confusing equality among men, gods, plants, animals, rivers, and everything else, which still influences primitive societies,(1) is one of the most notable aspects of mythology. Porphyry pointed out and accurately described this view among the Egyptians—"they believed that beasts were common and akin to men and gods.”(2) This belief in equality is foreign to modern civilization. We've shown that it's common and fundamental among primitive cultures. For example, in the Pacific, we can reference Turner,(3) for Melanesia, Codrington,(4) and for New Zealand, we have Taylor.(5) Among the Yakuts along the Lena River in Northern Asia, Strahlenberg provides evidence, stating: "Each tribe of these people regards a particular creature as sacred, such as a swan, goose, raven, etc., and that creature is not eaten by that tribe," though others may eat it.(6) Since most of our witnesses were unaware that the facts they described were common among races many of them had never heard of, their evidence can certainly be considered valid, especially since the beliefs they referenced show up in marriage laws, blood feuds, food taboos, grave markers, crude heraldry, and other clear and tangible forms. If we haven't demonstrated, through institutional evidence, that a confused belief in the equality and kinship between humans and nature is indeed a dominant belief among primitive peoples, and even higher races, stretching from the Lena to the Amazon, and from the Gold Coast to Queensland, we might as well give up on convincing any doubters. The ongoing presence of these beliefs and institutions among civilized races, Aryan and others, will be shown later.(7) If we find that the mythology of civilized races aligns with the actual belief systems of primitive peoples, and if we also discover that civilized races retain remnants of the institutions expressing these beliefs, we can confidently infer that the activities of animals in Greek myths originate from the same roots as those in the myths of the Iroquois or Kaffirs. In other words, part of the irrational aspect of Greek mythology will be demonstrated to come from (whether through inheritance or borrowing) a recognizable state of primitive imagination.
(1) See some very curious and disgusting examples of this confusion in Liebrecht's Zur Volkskunde, pp. 395, 396 (Heilbronn, 1879).
(1) Check out some really strange and gross examples of this mix-up in Liebrecht's Zur Volkskunde, pp. 395, 396 (Heilbronn, 1879).
(2) De Abst., ii. 26.
(2) De Abst., ii. 26.
(3) Nineteen Years in Polynesia, p. 238, and Samoa by the same author. Complete totemism is not asserted here, and is denied for Melanesia.
(3) Nineteen Years in Polynesia, p. 238, and Samoa by the same author. Complete totemism is not claimed here and is denied for Melanesia.
(4) Journ. Anthrop. Inst., "Religious Practices in Melanesia".
(4) Journ. Anthrop. Inst., "Religious Practices in Melanesia".
(5) New Zealand, "Animal Intermarriage with Men".
(5) New Zealand, "Animal Intermarriage with Humans".
(6) Description of Asia (1783), p. 383.
(6) Description of Asia (1783), p. 383.
(7) Professor Robertson Smith, Kinship in Arabia, attempts to show that totemism existed in the Semitic races. The topic must be left to Orientalists.
(7) Professor Robertson Smith, Kinship in Arabia, tries to demonstrate that totemism was present in the Semitic peoples. This matter should be left to the experts in Oriental studies.
CHAPTER IV. THE MENTAL CONDITION OF
SAVAGES—MAGIC—METAMORPHOSIS—METAPHYSIC—PSYCHOLOGY.
SAVAGES—MAGIC—TRANSFORMATION—METAPHYSICS—PSYCHOLOGY.
Claims of sorcerers—Savage scientific speculation—Theory of causation—Credulity, except as to new religious ideas—"Post hoc, ergo propter hoc"—Fundamental ideas of magic—Examples: incantations, ghosts, spirits—Evidence of rank and other institutions in proof of confusions of mind exhibited in magical beliefs.
Claims of sorcerers—Wild scientific guesses—Theory of cause and effect—Belief, except when it comes to new religious concepts—"Post hoc, ergo propter hoc"—Basic ideas of magic—Examples: spells, ghosts, spirits—Proof of social hierarchy and other institutions showing the confusion of thought seen in magical beliefs.
"I mean eftsoons to have a fling at magicians for their abominable lies and monstrous vanities."—PLINY, ap. Phil. Holland.
"I actually plan to take a shot at magicians for their terrible lies and outrageous vanities."—PLINY, ap. Phil. Holland.
"Quoy de ceux qui naturellement se changent en loups, en juments, et puis encores en hommes?"—MONTAIGNE, Apologie pour Raymond de Sebonde.
"About those who naturally transform into wolves, into mares, and then once again into men?"—MONTAIGNE, Apologie pour Raymond de Sebonde.
The second feature in the savage intellectual condition which we promised to investigate was the belief in magic and sorcery. The world and all the things in it being conceived of vaguely as sensible and rational, are supposed to obey the commands of certain members of each tribe, such as chiefs, jugglers, or conjurors. These conjurors, like Zeus or Indra, can affect the weather, work miracles, assume what shapes, animal, vegetable, or inorganic, they please, and can metamorphose other persons into similar shapes. It has already been shown that savage man has regarded all THINGS as PERSONS much on a level with himself. It has now to be shown WHAT KIND OF PERSON HE CONCEIVES HIMSELF TO BE. He does not look on men as civilised races regard them, that is, as beings with strict limitations. On the other hand, he thinks of certain members of his tribe as exempt from most of the limitations, and capable of working every miracle that tradition has ever attributed to prophets or gods. Nor are such miraculous powers, such practical omnipotence, supposed by savages to be at all rare among themselves. Though highly valued, miraculous attainments are not believed to be unusual. This must be kept steadily in mind. When myth-making man regards the sky or sun or wind as a person, he does not mean merely a person with the limitations recognised by modern races. He means a person with the miraculous powers of the medicine-man. The sky, sun, wind or other elemental personage can converse with the dead, and can turn himself and his neighbours into animals, stones and trees.
The second feature of the primitive intellectual state that we promised to explore is the belief in magic and sorcery. The world and everything in it are vaguely viewed as sensible and rational, and it's thought that they follow the commands of certain members of each tribe, like chiefs, magicians, or conjurers. These conjurers, like Zeus or Indra, can influence the weather, perform miracles, take on any forms they wish—be it animal, plant, or mineral—and change others into similar forms. It has already been established that primitive people see all THINGS as PERSONS, much like themselves. Now, we need to show WHAT KIND OF PERSON THEY THINK THEY ARE. They don’t view humans as civilized societies do, meaning beings with strict limitations. Instead, they see certain members of their tribe as free from most limitations, capable of performing every miracle that tradition has ever assigned to prophets or gods. Moreover, these miraculous abilities, this practical omnipotence, are not thought to be rare among themselves. Although these extraordinary skills are highly valued, they are not believed to be uncommon. This point must be kept firmly in mind. When myth-making individuals view the sky, sun, or wind as a person, they do not refer to a person limited in the way modern societies recognize. They mean a person endowed with the miraculous powers of the medicine man. The sky, sun, wind, or other elemental figures can communicate with the dead and can transform themselves and others into animals, stones, and trees.
To understand these functions and their exercise, it is necessary to examine what may be called savage science, savage metaphysics, and the savage theory of the state of the dead. The medicine-man's supernatural claims are rooted in the general savage view of the world, of what is possible, and of what (if anything) is impossible. The savage, even more than the civilised man, may be described as a creature "moving about in worlds not realised". He feels, no less than civilised man, the need of making the world intelligible, and he is active in his search for causes and effects. There is much "speculation in these eyes that he doth glare withal". This is a statement which has been denied by some persons who have lived with savages. Thus Mr. Bates, in his Naturalist on the Amazon,(1) writes: "Their want of curiosity is extreme.... Vicente (an Indian companion) did not know the cause of thunder and lightning. I asked him who made the sun, the stars, the trees. He didn't know, and had never heard the subject mentioned in his tribe." But Mr. Bates admits that even Vicente had a theory of the configuration of the world. "The necessity of a theory of the earth and water had been felt, and a theory had been suggested." Again, Mr. Bates says about a certain Brazilian tribe, "Their sluggish minds seem unable to conceive or feel the want of a theory of the soul"; and he thinks the cause of this indolence is the lack "of a written language or a leisured class". Now savages, as a rule, are all in the "leisured class," all sportsmen. Mr. Herbert Spencer, too, has expressed scepticism about the curiosity attributed to savages. The point is important, because, in our view, the medicine-man's powers are rooted in the savage theory of things, and if the savage is too sluggish to invent or half consciously evolve a theory of things, our hypothesis is baseless. Again, we expect to find in savage myths the answer given by savages to their own questions. But this view is impossible if savages do not ask themselves, and never have asked themselves, any questions at all about the world. On this topic Mr. Spencer writes: "Along with absence of surprise there naturally goes absence of intelligent curiosity".(2) Yet Mr. Spencer admits that, according to some witnesses, "the Dyaks have an insatiable curiosity," the Samoans "are usually very inquisitive," and "the Tahitians are remarkably curious and inquisitive". Nothing is more common than to find travellers complaining that savages, in their ardently inquiring curiosity, will not leave the European for a moment to his own undisturbed devices. Mr. Spencer's savages, who showed no curiosity, displayed this impassiveness when Europeans were trying to make them exhibit signs of surprise. Impassivity is a point of honour with many uncivilised races, and we cannot infer that a savage has no curiosity because he does not excite himself over a mirror, or when his European visitors try to swagger with their mechanical appliances. Mr. Herbert Spencer founds, on the statements of Mr. Bates already quoted, a notion that "the savage, lacking ability to think and the accompanying desire to know, is without tendency to speculate". He backs Mr. Bates's experience with Mungo Park's failure to "draw" the negroes about the causes of day and night. They had never indulged a conjecture nor formed an hypothesis on the matter. Yet Park avers that "the belief in one God is entire and universal among them". This he "pronounces without the smallest shadow of doubt". As to "primitive man," according to Mr. Spencer, "the need for explanations about surrounding appearances does not occur to him". We have disclaimed all knowledge about "primitive man," but it is easy to show that Mr. Spencer grounds his belief in the lack of speculation among savages on a frail foundation of evidence.
To understand these functions and how they're carried out, we need to look at what might be called primitive science, primitive metaphysics, and the primitive beliefs about the afterlife. The medicine-man's supernatural claims are deeply rooted in the general primitive view of the world, what’s possible, and what’s impossible, if anything. The primitive person, even more than the civilized individual, can be described as someone "navigating through unrealized worlds." They, just like civilized people, feel the urge to make sense of the world, and they're actively searching for causes and effects. There’s a lot of "speculation in the depths of their gaze." Some who have lived among primatives have denied this statement. For example, Mr. Bates, in his *Naturalist on the Amazon*, writes: "Their lack of curiosity is extreme.... Vicente (an Indian companion) did not know why thunder and lightning happen. I asked him who created the sun, the stars, and the trees. He didn't know and had never heard anyone discuss it in his tribe." But Mr. Bates acknowledges that even Vicente had a theory about how the world was arranged. "The necessity of a theory about the earth and water was felt, and a theory was proposed." In reference to a specific Brazilian tribe, Mr. Bates also notes, "Their slow minds seem unable to conceive or feel the need for a theory of the soul"; he believes this laziness stems from the absence "of a written language or a leisure class." Now, as a general rule, primitive people belong to the "leisure class," all being hunters and gatherers. Mr. Herbert Spencer has also expressed doubt about the curiosity attributed to primitive people. This point is crucial because, in our view, the medicine-man's powers are based on primitive theories, and if these individuals are too sluggish to create or even semi-consciously develop a theory of the world, then our hypothesis is without basis. Furthermore, we anticipate finding in primitive myths the answers that these people give to their own questions. However, this idea becomes impossible if primitives don’t ask themselves, and have never asked, any questions about the world at all. Regarding this subject, Mr. Spencer notes: "With the absence of surprise comes naturally the absence of intelligent curiosity." Yet, Mr. Spencer concedes that, according to some accounts, "the Dyaks have an insatiable curiosity," the Samoans "are usually very inquisitive," and "the Tahitians are notably curious and inquisitive." It's common for travelers to complain that primitives, with their intense curiosity, won’t leave Europeans alone for even a moment. Mr. Spencer’s primitives, who supposedly have no curiosity, displayed this lack of reaction when Europeans attempted to provoke them into showing surprise. Impassivity is a point of pride for many uncivilized groups, and we can't conclude that a primitive person lacks curiosity just because they don't show excitement over a mirror or when European visitors try to impress them with their mechanical devices. Mr. Herbert Spencer bases his idea, relying on Mr. Bates’s previously mentioned observations, that "the primitive, lacking the ability to think and the desire to know, does not have a tendency to speculate." He supports Mr. Bates’s experiences with Mungo Park’s inability to lead the Africans he encountered to discuss the causes of day and night. They had never entertained a conjecture or formed a hypothesis on the subject. Yet Park asserts that "belief in one God is complete and universal among them." He "states this without the slightest doubt." Regarding "primitive man," according to Mr. Spencer, "the need for explanations about surrounding phenomena does not occur to him." We have claimed no knowledge about "primitive man," but it’s easy to demonstrate that Mr. Spencer’s belief in the absence of speculation among primitives rests on weak evidence.
(1) Vol. ii. p. 162.
Vol. 2, p. 162.
(2) Sociology, p. 98.
Sociology, p. 98.
Mr. Spencer has admitted speculation, or at least curiosity, among New Caledonians, New Guinea people, Dyaks, Samoans and Tahitians. Even where he denies its existence, as among the Amazon tribes mentioned by Mr. Bates, we happen to be able to show that Mr. Bates was misinformed. Another traveller, the American geologist, Professor Hartt of Cornell University, lived long among the tribes of the Amazon. But Professor Hartt did not, like Mr. Bates, find them at all destitute of theories of things—theories expressed in myths, and testifying to the intellectual activity and curiosity which demands an answer to its questions. Professor Hartt, when he first became acquainted with the Indians of the Amazon, knew that they were well supplied with myths, and he set to work to collect them. But he found that neither by coaxing nor by offers of money could he persuade an Indian to relate a myth. Only by accident, "while wearily paddling up the Paranamirim of the Ituki," did he hear the steersman telling stories to the oarsmen to keep them awake. Professor Hartt furtively noted down the tale, and he found that by "setting the ball rolling," and narrating a story himself, he could make the natives throw off reserve and add to his stock of tales. "After one has obtained his first myth, and has learned to recite it accurately and spiritedly, the rest is easy." The tales published by Professor Hartt are chiefly animal stories, like those current in Africa and among the Red Indians, and Hartt even believed that many of the legends had been imported by Negroes. But as the majority of the Negro myths, like those of the Australians, give a "reason why" for the existence of some phenomenon or other, the argument against early man's curiosity and vivacity of intellect is rather injured, even if the Amazonian myths were imported from Africa. Mr. Spencer based his disbelief in the intellectual curiosity of the Amazonian tribes and of Negroes on the reports of Mr. Bates and of Mungo Park. But it turns out that both Negroes and Amazonians have stories which do satisfy an unscientific curiosity, and it is even held that the Negroes lent the Amazonians these very stories.(1) The Kamschadals, according to Steller, "give themselves a reason why for everything, according to their own lively fancy, and do not leave the smallest matter uncriticised".(2) As far, then, as Mr. Spencer's objections apply to existing savages, we may consider them overweighed by the evidence, and we may believe in a naive savage curiosity about the world and desire for explanations of the causes of things. Mr. Tylor's opinion corroborates our own: "Man's craving to know the causes at work in each event he witnesses, the reasons why each state of things he surveys is such as it is and no other, is no product of high civilisation, but a characteristic of his race down to its lowest stages. Among rude savages it is already an intellectual appetite, whose satisfaction claims many of the moments not engrossed by war or sport, food or sleep. Even in the Botocudo or the Australian, scientific speculation has its germ in actual experience."(3) It will be shown later that the food of the savage intellectual appetite is offered and consumed in the shape of explanatory myths.
Mr. Spencer has acknowledged the curiosity, or at least speculation, among the people of New Caledonia, New Guinea, the Dyaks, Samoans, and Tahitians. Even when he denies its existence, like in the case of the Amazon tribes referenced by Mr. Bates, we can demonstrate that Mr. Bates was misinformed. Another traveler, American geologist Professor Hartt from Cornell University, spent significant time among the Amazon tribes. However, unlike Mr. Bates, Professor Hartt found them to be quite rich in theories about their world—these theories expressed through myths, showing their intellectual engagement and curiosity that seeks answers. When Professor Hartt first met the Amazon Indians, he was aware of their rich mythological tradition and set out to collect their stories. Yet, he discovered that neither by persuading them nor by offering money could he convince an Indian to share a myth. Only by chance, "while wearily paddling up the Paranamirim of the Ituki," did he overhear the steersman telling stories to keep the oarsmen awake. Professor Hartt discreetly noted the tale, and he realized that by sharing a story himself, he could encourage the natives to open up and contribute to his collection. "Once you've gotten your first myth and learned to tell it accurately and with energy, the rest is easy." The stories published by Professor Hartt are mostly animal tales, similar to those found in Africa and among Native Americans, and Hartt even suspected that many of the legends were brought by Black people. However, since most of the Black myths, like those from Australians, provide a "reason why" for various phenomena, the argument against early human curiosity and intellectual vibrancy is somewhat weakened, even if the Amazonian myths were borrowed from Africa. Mr. Spencer's disbelief in the intellectual curiosity of the Amazonian tribes and Black individuals is based on the reports of Mr. Bates and Mungo Park. Yet, it appears that both Black people and Amazonians have stories that satisfy a non-scientific curiosity, and it's even suggested that Black individuals shared these stories with the Amazonians. The Kamschadals, as noted by Steller, "give themselves a reason why for everything, based on their own lively imagination, and do not leave even the smallest details unexamined." Therefore, with respect to Mr. Spencer's objections regarding existing Indigenous peoples, we may consider them outweighed by the evidence, and we can believe in a natural Indigenous curiosity about the world and a desire for explanations. Mr. Tylor's view supports our own: "Human beings have a deep desire to understand the causes behind every event they witness and the reasons why things are as they are, rather than any other way. This is not a trait of advanced civilization, but a characteristic of our species even at its most primitive stages. Among basic societies, it already exists as an intellectual hunger, claiming many moments that aren't occupied by war, recreation, food, or sleep. Even in the Botocudo or the Australian, the seeds of scientific speculation come from real experiences." It will be shown later that the nourishment for the savage intellectual appetite is presented and consumed in the form of explanatory myths.
(1) See Amazonian Tortoise-Myth., pp. 5, 37, 40; and compare Mr. Harris's Preface to Nights with Uncle Remus.
(1) See Amazonian Tortoise-Myth, pp. 5, 37, 40; and compare Mr. Harris's Preface to Nights with Uncle Remus.
(2) Steller, p. 267. Cf. Farrer's Primitive Manners, p. 274.
(2) Steller, p. 267. See also Farrer's Primitive Manners, p. 274.
(3) Primitive Culture, i. 369.
(3) Primitive Culture, vol. 1, p. 369.
But we must now observe that the "actual experience," properly so called, of the savage is so limited and so coloured by misconception and superstition, that his knowledge of the world varies very much from the conceptions of civilised races. He seeks an explanation, a theory of things, based on his experience. But his knowledge of physical causes and of natural laws is exceedingly scanty, and he is driven to fall back upon what we may call metaphysical, or, in many cases "supernatural" explanations. The narrower the range of man's knowledge of physical causes, the wider is the field which he has to fill up with hypothetical causes of a metaphysical or "supernatural" character. These "supernatural" causes themselves the savage believes to be matters of experience. It is to his mind a matter of experience that all nature is personal and animated; that men may change shapes with beasts; that incantations and supernatural beings can cause sunshine and storm.
But we must now note that the "actual experience," in the strict sense, of the primitive person is so limited and influenced by misconceptions and superstitions that their understanding of the world differs greatly from that of civilized societies. They look for explanations and theories based on their experiences. However, their knowledge of physical causes and natural laws is very minimal, leading them to rely on what we might describe as metaphysical or, in many cases, "supernatural" explanations. The smaller the range of a person's knowledge about physical causes, the larger the space they need to fill with hypothetical causes that are metaphysical or "supernatural." The primitive person believes that these "supernatural" causes are also based on experience. In their view, it's a matter of experience that all of nature is personal and alive, that humans can transform into animals, and that spells and supernatural beings can create sunshine and storms.
A good example of this is given in Charlevoix's work on French Canada.(1) Charlevoix was a Jesuit father and missionary among the Hurons and other tribes of North America. He thus describes the philosophy of the Red Men: "The Hurons attribute the most ordinary effects to supernatural causes".(2) In the same page the good father himself attributes the welcome arrival of rainy weather and the cure of certain savage patients to the prayers of Pere Brebeuf and to the exhibition of the sacraments. Charlevoix had considerably extended the field in which natural effects are known to be produced by natural causes. He was much more scientifically minded than his savage flock, and was quite aware that an ordinary clock with a pendulum cannot bring bad luck to a whole tribe, and that a weather-cock is not a magical machine for securing unpleasant weather. The Hurons, however, knowing less of natural causes and nothing of modern machinery, were as convinced that his clock was ruining the luck of the tribe and his weather-cock spoiling the weather, as Father Charlevoix could be of the truth of his own inferences. One or two other anecdotes in the good father's history and letters help to explain the difference between the philosophies of wild and of Christian men. The Pere Brebeuf was once summoned at the instigation of a Huron wizard or "medicine-man" before a council of the tribe. His judges told the father that nothing had gone right since he appeared among them. To this Brebeuf replied by "drawing the attention of the savages to the absurdity of their principles". He admitted(3) the premise that nothing had turned out well in the tribe since his arrival. "But the reason," said he, "plainly is that God is angry with your hardness of heart." No sooner had the good father thus demonstrated the absurdity of savage principles of reasoning, than the malignant Huron wizard fell down dead at his feet! This event naturally added to the confusion of the savages.
A good example of this is given in Charlevoix's work on French Canada.(1) Charlevoix was a Jesuit priest and missionary among the Hurons and other tribes of North America. He describes the philosophy of the Native Americans: "The Hurons attribute the most ordinary effects to supernatural causes."(2) On the same page, the good father himself links the welcome arrival of rainy weather and the healing of certain Native patients to the prayers of Père Brebeuf and the administration of the sacraments. Charlevoix had significantly broadened the scope in which natural effects are understood as caused by natural reasons. He was much more scientifically minded than his Native flock and was quite aware that an ordinary pendulum clock cannot bring bad luck to an entire tribe and that a weather vane is not a magical device to ensure bad weather. The Hurons, however, knowing less about natural causes and nothing about modern machinery, were just as convinced that his clock was ruining the tribe's luck and that his weather vane was ruining the weather as Father Charlevoix was about the validity of his own conclusions. A couple of other stories in the good father’s history and letters help clarify the difference between the philosophies of Native and Christian people. Père Brebeuf was once summoned, prompted by a Huron wizard or "medicine-man," to a council of the tribe. His judges told the priest that nothing had gone right since he arrived. To this, Brebeuf responded by pointing out the absurdity of their beliefs. He acknowledged(3) their claim that nothing had gone well in the tribe since his arrival. "But the reason," he said, "is clearly that God is angry with your hardness of heart." No sooner had the good father demonstrated the absurdity of Native reasoning than the malicious Huron wizard collapsed dead at his feet! This incident naturally added to the confusion among the Native people.
(1) Histoire de la France-Nouvelle.
History of New France.
(2) Vol. i. p. 191.
(2) Vol. 1, p. 191.
(3) Vol. i. p. 192.
(3) Vol. 1, p. 192.
Coincidences of this sort have a great effect on savage minds. Catlin, the friend of the Mandan tribe, mentions a chief who consolidated his power by aid of a little arsenic, bought from the whites. The chief used to prophesy the sudden death of his opponents, which always occurred at the time indicated. The natural results of the administration of arsenic were attributed by the barbarous people to supernatural powers in the possession of the chief.(1) Thus the philosophy of savages seeks causas cognoscere rerum, like the philosophy of civilised men, but it flies hastily to a hypothesis of "supernatural" causes which are only guessed at, and are incapable of demonstration. This frame of mind prevails still in civilised countries, as the Bishop of Nantes showed when, in 1846, he attributed the floods of the Loire to "the excesses of the press and the general disregard of Sunday". That "supernatural" causes exist and may operate, it is not at all our intention to deny. But the habit of looking everywhere for such causes, and of assuming their interference at will, is the main characteristic of savage speculation. The peculiarity of the savage is that he thinks human agents can work supernaturally, whereas even the Bishop reserved his supernatural explanations for the Deity. On this belief in man's power to affect events beyond the limits of natural possibility is based the whole theory of MAGIC, the whole power of sorcerers. That theory, again, finds incessant expression in myth, and therefore deserves our attention.
Coincidences like this have a huge impact on primitive minds. Catlin, a friend of the Mandan tribe, mentions a chief who strengthened his power with a bit of arsenic he got from white traders. This chief used to predict the sudden deaths of his rivals, which always happened at the exact times he stated. The natural effects of arsenic poisoning were interpreted by these people as supernatural powers possessed by the chief. Thus, the primitive philosophy seeks to understand the causes of things, similar to the philosophy of civilized people, but it quickly jumps to a hypothesis of "supernatural" causes that are only guessed at and can't be proven. This mindset still exists in civilized countries, as shown by the Bishop of Nantes when, in 1846, he blamed the floods of the Loire on "the excesses of the press and the general disregard of Sunday." While we don't deny that "supernatural" causes can exist and might act, the tendency to look for such causes everywhere and to assume their interference at will is the main trait of primitive thinking. The unique aspect of primitive people is their belief that humans can act supernaturally, while even the Bishop kept his supernatural explanations reserved for God. This belief in human ability to influence events beyond natural limits underpins the entire theory of MAGIC and the power of sorcerers. This theory, in turn, constantly manifests in myths, which is why it merits our attention.
(1) Catlin, Letters, ii. 117.
Catlin, Letters, vol. 2, p. 117.
The theory requires for its existence an almost boundless credulity. This credulity appears to Europeans to prevail in full force among savages. Bosman is amazed by the African belief that a spider created the world. Moffat is astonished at the South African notion that the sea was accidentally created by a girl. Charlevoix says, "Les sauvages sont d'une facilite a croire ce qu'on leur dit, que les plus facheuse experiences n'ont jamais pu guerir".(1) But it is a curious fact that while savages are, as a rule, so credulous, they often laugh at the religious doctrines taught them by missionaries. Elsewhere they recognise certain essential doctrines as familiar forms of old. Dr. Moffat remarks, "To speak of the Creation, the Fall and the Resurrection, seemed more fabulous, extravagant and ludicrous to them than their own vain stories of lions and hyaenas." Again, "The Gospel appeared too preposterous for the most foolish to believe".(2) While the Zulus declared that they used to accept their own myths without inquiry,(3) it was a Zulu who suggested to Bishop Colenso his doubts about the historical character of the Noachian Deluge. Hearne(4) knew a Red Man, Matorabhee, who, "though a perfect bigot with regard to the arts and tricks of the jugglers, could yet by no means be impressed with a belief of any part of OUR religion". Lieutenant Haggard, R.N., tells the writer that during an eclipse at Lamoo he ridiculed the native notion of driving away a beast which devours the moon, and explained the real cause of the phenomenon. But his native friend protested that "he could not be expected to believe such a story". Yet other savages aver an old agreement with the belief in a moral Creator.
The theory relies on an almost limitless gullibility. This gullibility seems to be very strong among so-called primitive people, according to Europeans. Bosman is shocked by the African belief that a spider created the world. Moffat is surprised by the South African idea that the sea was accidentally made by a girl. Charlevoix states, "Les sauvages sont d'une facilite a croire ce qu'on leur dit, que les plus facheuse experiences n'ont jamais pu guerir".(1) However, it's interesting that while these tribes are usually so gullible, they often mock the religious beliefs taught to them by missionaries. In other cases, they recognize some core beliefs as familiar ideas from the past. Dr. Moffat observes, "To speak of the Creation, the Fall and the Resurrection seemed more fabulous, extravagant, and ridiculous to them than their own ridiculous stories of lions and hyenas." He also notes, "The Gospel appeared too absurd for even the most foolish to believe."(2) Although the Zulus said they used to accept their own myths without question,(3) it was a Zulu who raised doubts to Bishop Colenso about the historicity of the Noachian Deluge. Hearne(4) knew a Native American, Matorabhee, who, "although a complete bigot when it came to the skills and tricks of the jugglers, could not be convinced to believe any part of OUR religion." Lieutenant Haggard, R.N., shared with the writer that during an eclipse at Lamoo, he ridiculed the local belief about a creature that eats the moon and instead explained the actual cause of the phenomenon. But his local friend replied that "he couldn’t be expected to believe such a story." Still, other tribes insist on an old agreement with the belief in a moral Creator.
(1) Vol. ii. p. 378.
Vol. 2, p. 378.
(2) Missionary Labours, p. 245.
(2) Missionary Work, p. 245.
(3) Callaway, Religion of Amazulus, i. 35.
(3) Callaway, Religion of Amazulus, p. 35.
(4) Journey among the Indians, 1795, p. 350.
(4) Journey among the Indians, 1795, p. 350.
We have already seen sufficient examples of credulity in savage doctrines about the equal relations of men and beasts, stars, clouds and plants. The same readiness of belief, which would be surprising in a Christian child, has been found to regulate the rudimentary political organisations of grey barbarians. Add to this credulity a philosophy which takes resemblance, or contiguity in space, or nearness in time as a sufficient reason for predicating the relations of cause and effect, and we have the basis of savage physical science. Yet the metaphysical theories of savages, as expressed in Maori, Polynesian, and Zuni hymns, often amaze us by their wealth of abstract ideas. Coincidence elsewhere stands for cause.
We've already seen enough examples of gullibility in primitive beliefs about the equal relationships between humans and animals, stars, clouds, and plants. The same level of belief, which would be surprising in a Christian child, has been found to guide the basic political structures of ancient tribes. Adding to this gullibility is a philosophy that considers similarity, closeness in space, or proximity in time as valid reasons for assuming cause and effect relationships, forming the foundation of primitive physical science. However, the metaphysical ideas of these tribes, as shown in Maori, Polynesian, and Zuni songs, often astonish us with their depth of abstract thought. Coincidence in other contexts represents cause.
Post hoc, ergo propter hoc, is the motto of the savage philosophy of causation. The untutored reasoner speculates on the principles of the Egyptian clergy, as described by Herodotus.(1) "The Egyptians have discovered more omens and prodigies than any other men; for when aught prodigious occurs, they keep good watch, and write down what follows; and then, if anything like the prodigy be repeated, they expect the same events to follow as before." This way of looking at things is the very essence of superstition.
Post hoc, ergo propter hoc, is the slogan of the primitive approach to understanding causation. The uneducated thinker speculates on the ideas of the Egyptian priests, as described by Herodotus.(1) "The Egyptians have discovered more omens and wonders than anyone else; whenever something extraordinary happens, they pay close attention and record what happens next; and then, if something similar occurs again, they expect the same results to follow as before." This way of thinking is the very definition of superstition.
(1) II. p. 82.
II. p. 82.
Savages, as a rule, are not even so scientific as the Egyptians. When an untoward event occurs, they look for its cause among all the less familiar circumstances of the last few days, and select the determining cause very much at random. Thus the arrival of the French missionaries among the Hurons was coincident with certain unfortunate events; therefore it was argued that the advent of the missionaries was the cause of the misfortune. When the Bechuanas suffered from drought, they attributed the lack of rain to the arrival of Dr. Moffat, and especially to his beard, his church bell, and a bag of salt in his possession. Here there was not even the pretence of analogy between cause and effect. Some savages might have argued (it is quite in their style), that as salt causes thirst, a bag of salt causes drought; but no such case could be made out against Dr. Moffat's bell and beard. To give an example from the beliefs of English peasants. When a cottage was buried by a little avalanche in 1772, the accident was attributed to the carelessness of the cottagers, who had allowed a light to be taken out of their dwelling in Christmas-tide.(1) We see the same confusion between antecedence and consequence in time on one side, and cause and effect on the other, when the Red Indians aver that birds actually bring winds and storms or fair weather. They take literally the sense of the Rhodian swallow-song:—
Savages, as a rule, are not even as scientific as the Egyptians. When an unexpected event happens, they search for its cause among the less familiar circumstances of the previous days and randomly choose what they think is the determining cause. For example, when the French missionaries arrived among the Hurons, this coincided with some unfortunate events, so they concluded that the missionaries caused the misfortunes. Similarly, when the Bechuanas faced drought, they blamed the rain shortage on Dr. Moffat's arrival, particularly his beard, his church bell, and a bag of salt he had. In this case, there wasn't even a pretense of a relationship between cause and effect. Some savages might have argued (which is typical for them) that since salt causes thirst, a bag of salt causes drought; but they couldn't make a similar case for Dr. Moffat's bell and beard. To illustrate with an example from English peasant beliefs, when a cottage was buried by a small avalanche in 1772, they blamed the accident on the carelessness of the cottagers, who had let a light be taken out of their home during Christmas. We see the same confusion between what happens first and what follows, and between cause and effect, when the Native Americans claim that birds actually bring winds and storms or fair weather. They take literally the meaning of the Rhodian swallow-song:—
The swallow hath come, Bringing fair hours, Bringing fair seasons, On black back and white breast.(2)
The swallow has arrived, Bringing beautiful days, Bringing lovely seasons, With its dark back and white belly.(2)
(1) Shropshire Folk-Lore, by Miss Burne, iii. 401.
(1) Shropshire Folk-Lore, by Miss Burne, iii. 401.
(2) Brinton, Myths of New World, p. 107.
(2) Brinton, Myths of New World, p. 107.
Again, in the Pacific the people of one island always attribute hurricanes to the machinations of the people of the nearest island to windward. The wind comes from them; therefore (as their medicine-men can notoriously influence the weather), they must have sent the wind. This unneighbourly act is a casus belli, and through the whole of a group of islands the banner of war, like the flag of freedom in Byron, flies against the wind. The chief principle, then, of savage science is that antecedence and consequence in time are the same as effect and cause.(1) Again, savage science holds that LIKE AFFECTS LIKE, that you can injure a man, for example, by injuring his effigy. On these principles the savage explains the world to himself, and on these principles he tries to subdue to himself the world. Now the putting of these principles into practice is simply the exercise of art magic, an art to which nothing seems impossible. The belief that his Shamans or medicine-men practise this art is universal among savages. It seriously affects their conduct, and is reflected in their myths.
Again, in the Pacific, people from one island always blame hurricanes on the actions of the people from the nearest island upwind. The wind comes from them; therefore (since their shamans can supposedly influence the weather), they must have sent the wind. This unfriendly act can be a reason for war, and throughout the entire group of islands, the banner of conflict, like Byron's flag of freedom, flies against the wind. The main idea, then, of primitive science is that earlier events and later events are seen as the same as cause and effect. Moreover, primitive science believes that LIKE AFFECTS LIKE, meaning you can harm someone by harming their effigy, for instance. Based on these beliefs, the primitive person explains the world to themselves and tries to control the world. Putting these beliefs into practice is simply a form of magical art, which seems to make anything possible. The belief that their shamans or medicine men practice this art is widespread among primitive communities. It deeply affects their behavior and is reflected in their myths.
(1) See account of Zuni metaphysics in chapter on American Divine Myths.
(1) Check the section on Zuni metaphysics in the chapter about American Divine Myths.
The one general rule which governs all magical reasoning is, that casual connection in thought is equivalent to causative connection in fact. Like suggests like to human thought by association of ideas; wherefore like influences like, or produces analogous effects in practice. Any object once in a man's possession, especially his hair or his nails, is supposed to be capable of being used against him by a sorcerer. The part suggests the whole. A lock of a man's hair was part of the man; to destroy the hair is to destroy its former owner. Again, whatever event follows another in time suggests it, and may have been caused by it. Accompanying these ideas is the belief that nature is peopled by invisible spiritual powers, over which magicians and sorcerers possess influence. The magic of the lower races chiefly turns on these two beliefs. First, "man having come to associate in thought those things which he found by experience to be connected in fact, proceeded erroneously to invert their action, and to conclude that association in thought must involve similar connection in reality. He thus attempted to discover, to foretell, and to cause events, by means of processes which we now see to have only an ideal significance."(1) Secondly, man endeavoured to make disembodied spirits of the dead, or any other spirits, obedient to his will. Savage philosophy presumes that the beliefs are correct, and that their practical application is successful. Examples of the first of the two chief magical ideas are as common in unscientific modern times or among unscientific modern people as in the savage world.
The main rule that governs all magical thinking is that connections made in thought are seen as connections in reality. Similar things suggest similar things to human thought through the association of ideas; that's why similar things influence each other or produce comparable effects in practice. Any object that a person has, especially their hair or nails, is believed to be usable against them by a sorcerer. A part suggests the whole. A lock of a person’s hair is part of that person; to destroy the hair is to harm its former owner. Additionally, whatever event happens after another in time suggests a connection and may have been caused by it. Alongside these ideas is the belief that nature is filled with invisible spiritual powers that magicians and sorcerers can influence. The magic of less advanced cultures mainly revolves around these two beliefs. First, "as people began to link things in their minds that they found to be connected in reality, they mistakenly inverted this relationship and concluded that a connection in thought must imply a similar connection in the real world. They thus tried to discover, predict, and cause events using methods that we now see only hold ideal significance."(1) Secondly, people tried to make disembodied spirits of the dead or other spirits obey their wishes. Primitive philosophy assumes these beliefs are accurate and that their practical use is effective. Examples of the first of these two main magical ideas are just as common in scientifically uneducated modern times or among scientifically uneducated modern people as they are in primitive societies.
(1) Primitive Culture, i. 14.
Primitive Culture, vol. 1, p. 14.
The physicians of the age of Charles II. were wont to give their patients "mummy powder," that is, pulverised mummy. They argued that the mummy had lasted for a very long time, and that the patients ought to do so likewise. Pliny imagined that diamonds must be found in company with gold, because these are the most perfect substances in the world, and like should draw to like. Aurum potabile, or drinkable gold, was a favourite medical nostrum of the Middle Ages, because gold, being perfect, should produce perfect health. Among savages the belief that like is caused by like is exemplified in very many practices. The New Caledonians, when they wish their yam plots to be fertile, bury in them with mystic ceremonies certain stones which are naturally shaped like yams. The Melanesians have reduced this kind of magic to a system. Among them certain stones have a magical efficacy, which is determined in each case by the shape of the stone. "A stone in the shape of a pig, of a bread-fruit, of a yam, was a most valuable find. No garden was planted without the stones which were to increase the crop."(1) Stones with a rude resemblance to beasts bring the Zuni luck in the chase.
The doctors in the time of Charles II often gave their patients "mummy powder," which is pulverized mummy. They believed that since the mummy had lasted so long, the patients should as well. Pliny thought that diamonds must be found alongside gold because these are the most perfect substances in the world, and like attracts like. Aurum potabile, or drinkable gold, was a popular medical remedy in the Middle Ages because gold, being perfect, should lead to perfect health. Among primitive societies, the idea that like produces like is shown in many practices. The New Caledonians, when they want their yam fields to be fertile, bury certain stones shaped like yams in them during mystical ceremonies. The Melanesians have even systematized this kind of magic. For them, certain stones have magical powers determined by their shape. "A stone shaped like a pig, breadfruit, or yam was a highly valued find. No garden was planted without the stones that were meant to boost the crop."(1) Stones that vaguely resemble animals bring luck to the Zuni in hunting.
(1) Rev. R. H. Codrington, Journ. Anth. Inst., February, 1881.
(1) Rev. R. H. Codrington, Journ. Anth. Inst., February, 1881.
The spiritual theory in some places is mixed up with the "like to like" theory, and the magical stones are found where the spirits have been heard twittering and whistling. "A large stone lying with a number of small ones under it, like a sow among her sucklings, was good for a childless woman."(1) It is the savage belief that stones reproduce their species, a belief consonant with the general theory of universal animation and personality. The ancient belief that diamonds gendered diamonds is a survival from these ideas. "A stone with little disks upon it was good to bring in money; any fanciful interpretation of a mark was enough to give a character to the stone and its associated Vui" or spirit in Melanesia. In Scotland, stones shaped like various parts of the human body are expected to cure the diseases with which these members may be afflicted. "These stones were called by the names of the limbs which they represented, as 'eye-stone,' 'head-stone'." The patient washed the affected part of the body, and rubbed it well with the stone corresponding.(2)
The spiritual theory in some cultures is mixed with the "like attracts like" idea, and magical stones are found in places where spirits have been heard chirping and whistling. "A large stone resting with a number of small ones underneath it, like a mother pig with her piglets, was beneficial for a woman without children."(1) There’s a primitive belief that stones reproduce, which aligns with the broader idea of universal life and personality. The ancient belief that diamonds produce other diamonds is a remnant of these thoughts. "A stone with little disks on it was considered good for bringing in money; any imaginative interpretation of a mark could give the stone and its associated spirit a specific character in Melanesia." In Scotland, stones shaped like different parts of the human body are thought to cure the illnesses affecting those body parts. "These stones were named after the limbs they represented, such as 'eye-stone' and 'head-stone'." The patient would wash the affected area of their body and then rub it well with the corresponding stone.(2)
(1) Codrington, Journ. Anth. Soc., x. iii. 276.
(1) Codrington, Journ. Anth. Soc., x. iii. 276.
(2) Gregor, Folk-Lore of North-East Counties, p. 40.
(2) Gregor, Folk-Lore of North-East Counties, p. 40.
To return from European peasant-magic to that of savages, we find that when the Bushmen want wet weather they light fires, believing that the black smoke clouds will attract black rain clouds; while the Zulus sacrifice black cattle to attract black clouds of rain.(1) Though this magic has its origin in savage ignorance, it survives into civilisation. Thus the sacrifices of the Vedic age were imitations of the natural phenomena which the priests desired to produce.(2) "C'etait un moyen de faire tombre la pluie en realisant, par les representations terrestres des eaux du nuage et de l'eclair, les conditions dans lesquelles celui-ci determine dans le ciel l'epanchement de celles-la." A good example of magical science is afforded by the medical practice of the Dacotahs of North America.(3) When any one is ill, an image of his disease, a boil or what not, is carved in wood. This little image is then placed in a bowl of water and shot at with a gun. The image of the disease being destroyed, the disease itself is expected to disappear. Compare the magic of the Philistines, who made golden images of the sores which plagued them and stowed them away in the ark.(4) The custom of making a wax statuette of an enemy, and piercing it with pins or melting it before the fire, so that the detested person might waste as his semblance melted, was common in mediaeval Europe, was known to Plato, and is practised by Negroes. Some Australians take some of the hair of an enemy, mix it with grease and the feathers of the eagle, and burn it in the fire. This is "bar" or black magic. The boarding under the chair of a magistrate in Barbadoes was lifted not long ago, and the ground beneath was found covered with wax images of litigants stuck full of pins.
To shift from European peasant magic to that of indigenous groups, we see that when the Bushmen want rain, they light fires, believing that the black smoke will attract dark rain clouds; meanwhile, the Zulus sacrifice black cattle to summon rain. Although this magic stems from primitive ignorance, it persists into modern civilization. For example, the sacrifices of the Vedic age were imitations of natural phenomena that the priests aimed to influence. "It was a way to bring rain by recreating, through earthly representations of cloud waters and lightning, the conditions that lead to their release in the sky." A prime example of this kind of magical thinking is found in the medical practices of the Dacotahs in North America. When someone is sick, an image of their illness, like a boil or another ailment, is carved in wood. This small figure is then placed in a bowl of water and shot at with a gun. The belief is that when the image of the disease is destroyed, so too will the actual illness vanish. This is similar to the magic practiced by the Philistines, who made golden figures of their sores and stored them in the ark. The practice of creating a wax figure of an enemy and stabbing it with pins or melting it in fire, hoping the actual person suffers as the figure does, was common in medieval Europe, was known to Plato, and is still practiced by some African cultures. Certain Australians collect hair from an enemy, mix it with grease and eagle feathers, and burn it in the fire. This is called "black magic." Recently, when the boarding under the chair of a magistrate in Barbados was lifted, the ground underneath was found covered in wax figures of litigants, all stuck with pins.
(1) Callaway, i. 92.
Callaway, p. 92.
(2) Bergaigne, Religion Vedique, i. 126-138, i., vii., viii.
(2) Bergaigne, Vedic Religion, i. 126-138, i., vii., viii.
(3) Schoolcraft, iv. 491.
(3) Schoolcraft, vol. 491.
(4) 1 Samuel vi. 4, 5.
(4) 1 Samuel 6:4, 5.
The war-magic of the Dacotahs works in a similar manner. Before a party starts on the war-trail, the chief, with various ceremonies, takes his club and stands before his tent. An old witch bowls hoops at him; each hoop represents an enemy, and for each he strikes a foeman is expected to fall. A bowl of sweetened water is also set out to entice the spirits of the enemy.(1) The war-magic of the Aryans in India does not differ much in character from that of the Dacotahs. "If any one wishes his army to be victorious, he should go beyond the battle-line, cut a stalk of grass at the top and end, and throw it against the hostile army with the words, Prasahe kas trapasyati?—O Prasaha, who sees thee? If one who has such knowledge cuts a stalk of grass and throws the parts at the hostile army, it becomes split and dissolved, just as a daughter-in-law becomes abashed and faints when seeing her father-in-law,"—an allusion, apparently, to the widespread tabu which makes fathers-in-law, daughters-in-law, sons-in-law, and mothers-in-law avoid each other.(2)
The war magic of the Dacotahs works in a similar way. Before a group heads out on the war path, the chief performs various ceremonies, takes his club, and stands in front of his tent. An old witch rolls hoops at him; each hoop symbolizes an enemy, and for each foe he strikes, it's believed that an enemy will fall. A bowl of sweetened water is also placed out to lure the spirits of the enemy.(1) The war magic of the Aryans in India is quite similar to that of the Dacotahs. "If someone wants their army to be victorious, they should go beyond the battle line, cut a blade of grass at both the top and the bottom, and throw it at the opposing army while saying, Prasahe kas trapasyati?—O Prasaha, who sees you? If someone with this knowledge cuts a blade of grass and throws the pieces at the enemy army, it splits and dissolves, just like a daughter-in-law becomes embarrassed and faints when seeing her father-in-law,"—a reference to the widespread taboo that causes fathers-in-law, daughters-in-law, sons-in-law, and mothers-in-law to avoid each other.(2)
(1) Schoolcraft, iv. 496.
Schoolcraft, vol. 4, p. 496.
(2) Aitareya Brahmana, iii. 22.
Aitareya Brahmana, III. 22.
The hunt-dances of the Red Indians and Australians are arranged like their war-magic. Effigies of the bears, deer, or kangaroos are made, or some of the hunters imitate the motions of these animals. The rest of the dancers pretend to spear them, and it is hoped that this will ensure success among the real bears and kangaroos.
The hunt-dances of the Native Americans and Australians are set up like their war rituals. They create effigies of bears, deer, or kangaroos, or some of the hunters mimic the movements of these animals. The other dancers act as if they are spearing them, and they hope this will bring success when they actually hunt bears and kangaroos.
Here is a singular piece of magic in which Europeans and Australian blacks agree. Boris Godunoff made his servants swear never to injure him by casting spells with the dust on which his feet or his carriage wheels had left traces.(1) Mr. Howitt finds the same magic among the Kurnai.(2) "Seeing a Tatungolung very lame, I asked him what was the matter. He said, 'Some fellow has put BOTTLE in my foot'. I found he was probably suffering from acute rheumatism. He explained that some enemy must have found his foot-track and have buried in it a piece of broken bottle. The magic influence, he believed, caused it to enter his foot." On another occasion a native told Mr. Howitt that he had seen black fellows putting poison in his foot-tracks. Bosman mentions a similar practice among the people of Guinea. In Scottish folk-lore a screw nail is fixed into the footprint of the person who is to be injured.
Here’s a unique type of magic that both Europeans and Aboriginal Australians agree on. Boris Godunoff had his servants swear never to harm him by using spells with the dust where his feet or carriage wheels had left marks.(1) Mr. Howitt discovered the same kind of magic among the Kurnai.(2) "When I saw a Tatungolung who was very lame, I asked him what was wrong. He said, 'Some guy has put BOTTLE in my foot.' I realized he was likely suffering from acute rheumatism. He explained that some enemy must have found his footprint and buried a piece of broken glass in it. He believed the magical influence caused it to get into his foot." On a different occasion, a local told Mr. Howitt that he had seen other Black people putting poison in his foot-tracks. Bosman mentions a similar practice among the people of Guinea. In Scottish folklore, a screw nail is driven into the footprint of the person who is intended to be harmed.
(1) Rambaud's History of Russia, English trans., i. 351.
(1) Rambaud's History of Russia, English translation, vol. 1, p. 351.
(2) Kamilaroi and Kurnai, p. 250.
(2) Kamilaroi and Kurnai, p. 250.
Just as these magical efforts to influence like by like work their way into Vedic and other religions, so they are introduced into the religion of the savage. His prayers are addresses to some sort of superior being, but the efficacy of the prayer is often eked out by a little magic, unless indeed we prefer to suppose that the words of the supplication are interpreted by gesture-speech. Sproat writes: "Set words and gestures are used according to the thing desired. For instance, in praying for salmon, the native rubs the backs of his hands, looks upwards, and mutters the words, 'Many salmon, many salmon'. If he wishes for deer, he carefully rubs both eyes; or, if it is geese, he rubs the back of his shoulder, uttering always in a sing-song way the accustomed formula.... All these practices in praying no doubt have a meaning. We may see a steady hand is needed in throwing the salmon-spear, and clear eyesight in finding deer in the forest."(1)
Just like these magical attempts to influence similar to similar, they find their way into Vedic and other religions, and they are also present in the beliefs of indigenous peoples. Their prayers are directed to some kind of higher power, but the effectiveness of the prayer is often enhanced by a bit of magic, unless we assume that the words of the prayer are complemented by gestures. Sproat writes: "Set words and gestures are used based on what is being wished for. For example, when praying for salmon, the person rubs the backs of their hands, looks up, and murmurs the words, 'Many salmon, many salmon.' If they want deer, they carefully rub both eyes; or, if they are asking for geese, they rub the back of their shoulder, always reciting the usual chant in a sing-song manner... All these practices in prayer clearly hold significance. We can see that a steady hand is required when throwing the salmon spear, and sharp eyesight is crucial for spotting deer in the woods."(1)
(1) Savage Life, p. 208.
Savage Life, p. 208.
In addition to these forms of symbolical magic (which might be multiplied to any extent), we find among savages the belief in the power of songs of INCANTATION. This is a feature of magic which specially deserves our attention. In myths, and still more in marchen or household tales, we shall constantly find that the most miraculous effects are caused when the hero pronounces a few lines of rhyme. In Rome, as we have all read in the Latin Delectus, it was thought that incantations could draw down the moon. In the Odyssey the kinsfolk of Odysseus sing "a song of healing" over the wound which was dealt him by the boar's tusk. Jeanne d'Arc, wounded at Orleans, refused a similar remedy. Sophocles speaks of the folly of muttering incantations over wounds that need the surgeon's knife. The song that salved wounds occurs in the Kalewala, the epic poem of the Finns. In many of Grimm's marchen, miracles are wrought by the repetition of snatches of rhyme. This belief is derived from the savage state of fancy. According to Kohl,(1) "Every sorrowful or joyful emotion that opens the Indian's mouth is at once wrapped up in the garb of a wabanonagamowin (chanson magicale). If you ask one of them to sing you a simple innocent hymn in praise of Nature, a spring or jovial hunting stave, he never gives you anything but a form of incantation, with which he says you will be able to call to you all the birds from the sky, and all the foxes and wolves from their caves and burrows."(2) The giant's daughter in the Scotch marchen, Nicht, Nought, Nothing, is thus enabled to call to her aid "all the birds of the sky". In the same way, if you ask an Indian for a love-song, he will say that a philtre is really much more efficacious. The savage, in short, is extremely practical. His arts, music and drawing, exist not pour l'art, but for a definite purpose, as methods of getting something that the artist wants. The young lover whom Kohl knew, like the lover of Bombyca in Theocritus, believed in having an image of himself and an image of the beloved. Into the heart of the female image he thrust magic powders, and he said that this was common, lovers adding songs, "partly elegiac, partly malicious, and almost criminal forms of incantation".(3)
In addition to these forms of symbolic magic (which could be expanded infinitely), we see among primitive cultures the belief in the power of incantation songs. This aspect of magic particularly deserves our attention. In myths, and especially in fairy tales or household stories, we frequently find that miraculous effects occur when the hero recites a few lines of rhyme. In Rome, as we all learned in the Latin Delectus, it was believed that incantations could summon the moon. In the Odyssey, Odysseus' family sings "a song of healing" over the wound he received from a boar's tusk. Jeanne d'Arc, injured at Orleans, rejected a similar treatment. Sophocles comments on the foolishness of murmuring incantations over wounds that require a surgeon's skill. The healing song appears in the Kalewala, the epic poem of the Finns. In many of Grimm's fairy tales, miracles are performed through the repetition of small rhymes. This belief originates from the primitive state of imagination. According to Kohl,(1) "Every sorrowful or joyful emotion that prompts the Indian to speak is immediately expressed in the form of a wabanonagamowin (magical song). If you ask one of them to sing you a simple, innocent hymn in praise of Nature, a cheerful hunting tune, he will always offer you some form of incantation, which he claims will summon all the birds from the sky and all the foxes and wolves from their dens and burrows."(2) The giant's daughter in the Scottish fairy tale, Nicht, Nought, Nothing, is thus able to call upon "all the birds of the sky." Similarly, if you ask an Indian for a love song, he will insist that a love potion is actually much more effective. In short, the primitive person is extremely practical. His arts, music, and drawing are not for art's sake, but for a specific purpose, as ways of achieving something the artist desires. The young lover whom Kohl knew, like the lover of Bombyca in Theocritus, believed in having a figurine of himself and a figurine of his beloved. He would put magic powders into the heart of the female figurine, claiming that this was common, with lovers adding songs, "partly elegiac, partly malicious, and almost criminal forms of incantation."(3)
(1) Page 395.
Page 395.
(2) Cf. Comparetti's Traditional Poetry of the Finns.
(2) See Comparetti's Traditional Poetry of the Finns.
(3) Kitchi gami, pp. 395, 397.
(3) Kitchi gami, pp. 395, 397.
Among the Indo-Aryans the masaminik or incantations of the Red Man are known as mantras.(1) These are usually texts from the Veda, and are chanted over the sick and in other circumstances where magic is believed to be efficacious. Among the New Zealanders the incantations are called karakias, and are employed in actual life. There is a special karakia to raise the wind. In Maori myths the hero is very handy with his karakia. Rocks split before him, as before girls who use incantations in Kaffir and Bushman tales. He assumes the shape of any animal at will, or flies in the air, all by virtue of the karakia or incantation.(2)
Among the Indo-Aryans, the masaminik or incantations of the Red Man are known as mantras.(1) These are usually texts from the Veda and are chanted over the sick and in other situations where magic is believed to be effective. Among the New Zealanders, the incantations are called karakias and are used in everyday life. There is a specific karakia to summon the wind. In Maori myths, the hero is quite skilled with his karakia. Rocks split before him, just like they do for girls who use incantations in Kaffir and Bushman stories. He can transform into any animal at will or fly through the air, all thanks to the karakia or incantation.(2)
(1) Muir, Sanskrit Texts, v. 441, "Incantations from the Atharva Veda".
(1) Muir, Sanskrit Texts, v. 441, "Spells from the Atharva Veda".
(2) Taylor's New Zealand; Theal's Kaffir Folk-Lore, South-African Folk-Lore Journal, passim; Shortland's Traditions of the New Zealanders, pp. 130-135.
(2) Taylor's New Zealand; Theal's Kaffir Folklore, South African Folklore Journal, various pages; Shortland's Traditions of the New Zealanders, pp. 130-135.
Without multiplying examples in the savage belief that miracles can be wrought by virtue of physical CORRESPONDANCES, by like acting on like, by the part affecting the whole, and so forth, we may go on to the magical results produced by the aid of spirits. These may be either spirits of the dead or spiritual essences that never animated mortal men. Savage magic or science rests partly on the belief that the world is peopled by a "choir invisible," or rather by a choir only occasionally visible to certain gifted people, sorcerers and diviners. An enormous amount of evidence to prove the existence of these tenets has been collected by Mr. Tylor, and is accessible to all in the chapters on "Animism" in his Primitive Culture. It is not our business here to account for the universality of the belief in spirits. Mr. Tylor, following Lucretius and Homer, derives the belief from the reasonings of early men on the phenomena of dreams, fainting, shadows, visions caused by narcotics, hallucinations, and other facts which suggest the hypothesis of a separable life apart from the bodily organism. It would scarcely be fair not to add that the kind of "facts" investigated by the Psychical Society—such "facts" as the appearance of men at the moment of death in places remote from the scene of their decease, with such real or delusive experiences as the noises and visions in haunted houses—are familiar to savages. Without discussing these obscure matters, it may be said that they influence the thoughts even of some scientifically trained and civilised men. It is natural, therefore, that they should strongly sway the credulous imagination of backward races, in which they originate or confirm the belief that life can exist and manifest itself after the death of the body.(1)
Without going into many examples in the misguided belief that miracles can happen through physical connections, by similar acting on similar, and the part affecting the whole, we can move on to the magical effects achieved with the help of spirits. These can be either spirits of the deceased or spiritual essences that have never inhabited human beings. Primitive magic or science is partly based on the belief that the world is filled with an "invisible choir," or rather a choir that is only occasionally visible to certain gifted individuals, like sorcerers and diviners. A significant amount of evidence supporting these beliefs has been gathered by Mr. Tylor and is available to everyone in the chapters on "Animism" in his Primitive Culture. It's not our task here to explain why the belief in spirits is so widespread. Mr. Tylor, following Lucretius and Homer, traces this belief back to the thoughts of early humans on phenomena like dreams, fainting, shadows, visions triggered by drugs, hallucinations, and other factors that suggest the idea of a separate existence beyond the physical body. It would hardly be fair to not mention that the types of "facts" examined by the Psychical Society—such as people appearing at the moment of death in places far from where they passed away, along with the real or illusory experiences of noises and visions in haunted houses—are familiar to primitive cultures. Without delving into these complex issues, it can be said that they affect the thinking of even some scientifically educated and civilized people. It's only natural that they would greatly influence the gullible imaginations of less developed cultures, where they either give rise to or reinforce the belief that life can continue and manifest after the body dies.
(1) See the author's Making of Religion, 1898.
(1) Check out the author's Making of Religion, 1898.
Some examples of savage "ghost-stories," precisely analogous to the "facts" of the Psychical Society's investigations, may be adduced. The first is curious because it offers among the Kanekas an example of a belief current in Breton folk-lore. The story is vouched for by Mr. J. J. Atkinson, late of Noumea, New Caledonia. Mr. Atkinson, we have reason to believe, was unacquainted with the Breton parallel. To him one day a Kaneka of his acquaintance paid a visit, and seemed loth to go away. He took leave, returned, and took leave again, till Mr. Atkinson asked him the reason of his behaviour. He then explained that he was about to die, and would never see his English friend again. As he seemed in perfect health, Mr. Atkinson rallied him on his hypochondria; but the poor fellow replied that his fate was sealed. He had lately met in the wood one whom he took for the Kaneka girl of his heart; but he became aware too late that she was no mortal woman, but a wood-spirit in the guise of the beloved. The result would be his death within three days, and, as a matter of fact, he died. This is the groundwork of the old Breton ballad of Le Sieur Nan, who dies after his intrigue with the forest spectre.(1) A tale more like a common modern ghost-story is vouched for by Mr. C. J. Du Ve, in Australia. In the year 1860, a Maneroo black fellow died in the service of Mr. Du Ve. "The day before he died, having been ill some time, he said that in the night his father, his father's friend, and a female spirit he could not recognise, had come to him and said that he would die next day, and that they would wait for him. Mr. Du Ye adds that, though previously the Christian belief had been explained to this man, it had entirely faded, and that he had gone back to the belief of his childhood." Mr. Fison, who prints this tale in his Kamilaroi and Kurnai,(2) adds, "I could give many similar instances which have come within my own knowledge among the Fijians, and, strange to say, the dying man in all these cases kept his appointment with the ghosts to the very day".
Some examples of raw "ghost stories," closely resembling the "facts" from the Psychical Society's investigations, can be presented. The first one is interesting because it highlights a belief common in Breton folklore among the Kanekas. The story is confirmed by Mr. J. J. Atkinson, who was formerly in Noumea, New Caledonia. We have reason to believe Mr. Atkinson was unaware of the Breton parallel. One day, a Kaneka he knew came to visit and seemed reluctant to leave. He said goodbye, came back, and said goodbye again until Mr. Atkinson asked him why he was acting that way. The Kaneka explained that he was about to die and would never see his English friend again. Since he appeared perfectly healthy, Mr. Atkinson joked about his hypochondria, but the poor guy insisted that his fate was sealed. He had recently encountered what he thought was the Kaneka girl he loved in the woods, but he realized too late that she was not a mortal woman, but a wood spirit disguised as his beloved. The consequence would be his death within three days, and, indeed, he died. This is the basis for the old Breton ballad of Le Sieur Nan, who dies after his affair with the forest specter.(1) A story that resembles a typical modern ghost story is verified by Mr. C. J. Du Ve, in Australia. In 1860, a Maneroo black man died while working for Mr. Du Ve. "The day before he died, having been ill for some time, he said that during the night his father, his father's friend, and a female spirit he didn't recognize came to him and told him he would die the next day, and that they would wait for him." Mr. Du Ve adds that, although the Christian belief had been explained to this man before, it had completely faded, and he returned to the beliefs of his childhood. Mr. Fison, who shares this story in his Kamilaroi and Kurnai,(2) adds, "I could give many similar examples from my own experience among the Fijians, and, strangely enough, the dying man in all these cases kept his appointment with the ghosts to the very day."
(1) It may, of course, be conjectured that the French introduced this belief into New Caledonia.
(1) It can be speculated that the French brought this belief to New Caledonia.
(2) Page 247.
Page 247.
In the Cruise of the Beagle is a parallel anecdote of a Fuegian, Jimmy Button, and his father's ghost.
In the Cruise of the Beagle, there's a similar story about a Fuegian named Jimmy Button and the ghost of his father.
Without entering into a discussion of ghosts, it is plain that the kind of evidence, whatever its value may be, which convinces many educated Europeans of the existence of "veridical" apparitions has also played its part in the philosophy of uncivilised races. On this belief in apparitions, then, is based the power of the savage sorcerers and necromants, of the men who converse with the dead and are aided by disembodied spirits. These men have greatly influenced the beginnings of mythology. Among certain Australian tribes the necromants are called Birraark.(1) "The Kurnai tell me," says Mr. Howitt, "that a Birraark was supposed to be initiated by the 'Mrarts (ghosts) when they met him wandering in the bush.... It was from the ghosts that he obtained replies to questions concerning events passing at a distance or yet to happen, which might be of interest or moment to his tribe." Mr. Howitt prints an account of a spiritual seance in the bush.(2) "The fires were let go down. The Birraark uttered a cry 'coo-ee' at intervals. At length a distant reply was heard, and shortly afterwards the sound as of persons jumping on the ground in succession. A voice was then heard in the gloom asking in a strange intonation, 'What is wanted?' Questions were put by the Birraark and replies given. At the termination of the seance, the spirit-voice said, 'We are going'. Finally, the Birraark was found in the top of an almost inaccessible tree, apparently asleep."(3) There was one Birraark at least to every clan. The Kurnai gave the name of "Brewin" (a powerful evil spirit) to a Birraark who was once carried away for several days by the Mrarts or spirits.(4) It is a belief with the Australians, as, according to Bosman, it was with the people of the Gold Coast, that a very powerful wizard lives far inland, and the Negroes held that to this warlock the spirits of the dead went to be judged according to the merit of their actions in life. Here we have a doctrine answering to the Greek belief in "the wizard Minos," Aeacus, and Rhadamanthus, and to the Egyptian idea of Osiris as judge of the departed.(5) The pretensions of the sorcerer to converse with the dead are attested by Mr. Brough Smyth.(6) "A sorcerer lying on his stomach spoke to the deceased, and the other sitting by his side received the precious messages which the dead man told." As a natural result of these beliefs, the Australian necromant has great power in the tribe. Mr. Howitt mentions a case in which a group of kindred, ceasing to use their old totemistic surname, called themselves the children of a famous dead Birraark, who thus became an eponymous hero, like Ion among the Ionians.(7) Among the Scotch Highlanders the position and practice of the seer were very like those of the Birraark. "A person," says Scott,(8) "was wrapped up in the skin of a newly slain bullock and deposited beside a waterfall or at the bottom of a precipice, or in some other strange, wild and unusual situation, where the scenery around him suggested nothing but objects of horror. In this situation he revolved in his mind the question proposed and whatever was impressed on him by his exalted imagination PASSED FOR THE INSPIRATION OF THE DISEMBODIED SPIRITS who haunt these desolate recesses." A number of examples are given in Martin's Description of the Western Islands.(9) In the Century magazine (July, 1882) is a very full report of Thlinkeet medicine-men and metamorphoses.
Without discussing ghosts, it's clear that the evidence, regardless of its value, that convinces many educated Europeans about the existence of "true" apparitions has also influenced the beliefs of uncivilized societies. The power of savage sorcerers and necromancers, who claim to communicate with the dead and are supported by disembodied spirits, relies on this belief in apparitions. These individuals have significantly shaped the early stages of mythology. Among some Australian tribes, the necromancers are called Birraark.(1) “The Kurnai tell me,” says Mr. Howitt, “that a Birraark was believed to be initiated by the 'Mrarts (ghosts) when they encountered him wandering in the bush.... It was from the ghosts that he received answers to questions about events occurring far away or yet to happen, which might be of interest or importance to his tribe.” Mr. Howitt provides an account of a spiritual séance in the bush.(2) “The fires were allowed to die down. The Birraark called out 'coo-ee' at intervals. Eventually, a distant reply was heard, followed shortly by the sound of people jumping on the ground in succession. A voice was then heard in the darkness asking in a strange tone, 'What is wanted?' The Birraark asked questions and received answers. At the end of the séance, the spirit-voice said, 'We are leaving.' Finally, the Birraark was found at the top of an almost unreachable tree, apparently asleep.”(3) There was at least one Birraark for every clan. The Kurnai referred to a Birraark who was once taken away for several days by the Mrarts or spirits as "Brewin" (a powerful evil spirit).(4) Australians believe, just as the people of the Gold Coast did according to Bosman, that a very powerful wizard lives deep inland, and the Negroes believed that the spirits of the dead went to this warlock for judgment based on their actions in life. This mirrors the Greek belief in "the wizard Minos," Aeacus, and Rhadamanthus, as well as the Egyptian idea of Osiris as the judge of the dead.(5) The claims of the sorcerer to communicate with the dead are supported by Mr. Brough Smyth.(6) “A sorcerer lying on his stomach spoke to the deceased, while another sitting beside him received the precious messages the dead man conveyed.” Naturally, because of these beliefs, the Australian necromancer holds significant power within the tribe. Mr. Howitt mentions a case where a group of relatives stopped using their traditional totemic surname and instead called themselves the descendants of a famous dead Birraark, who thus became an eponymous hero, similar to Ion among the Ionians.(7) Among the Scottish Highlanders, the role and practices of the seer resembled those of the Birraark. “A person,” says Scott,(8) “was wrapped in the skin of a recently killed bull and placed beside a waterfall or at the base of a cliff, or in some other strange, wild, and unusual setting, where the surrounding scenery suggested nothing but terror-inducing objects. In this state, he pondered the question posed, and whatever impressions he received from his heightened imagination were considered the inspiration of the DISINCARNATE SPIRITS that haunt those desolate areas.” Several examples are provided in Martin's Description of the Western Islands.(9) A comprehensive report on Thlinkeet medicine-men and transformations appeared in the Century magazine (July 1882).
(1) Kamilaroi and Kurnai, p. 253.
(1) Kamilaroi and Kurnai, p. 253.
(2) Page 254.
Page 254.
(3) In the Jesuit Relations (1637), p. 51, we read that the Red Indian sorcerer or Jossakeed was credited with power to vanish suddenly away out of sight of the men standing around him. Of him, as of Homeric gods, it might be said, "Who has power to see him come or go against his will?"
(3) In the Jesuit Relations (1637), p. 51, we read that the Native American sorcerer or Jossakeed was believed to have the ability to disappear suddenly from the sight of those standing around him. It could be said of him, like the Homeric gods, "Who has the power to see him come or go against his will?"
(4) Here, in the first edition, occurred the following passage: "The conception of Brewin is about as near as the Kurnai get to the idea of a God; their conferring of his name on a powerful sorcerer is therefore a point of importance and interest". Mr. Howitt's later knowledge demonstrates an error here.
(4) In this first edition, the following passage appears: "The idea of Brewin is as close as the Kurnai come to the concept of a God; naming it after a powerful sorcerer is significant and noteworthy." Mr. Howitt's later insights reveal a mistake here.
(5) Bosman in Pinkerton, xvi. p. 401.
(5) Bosman in Pinkerton, xvi. p. 401.
(6) Aborigines of Australia, i. 197.
Indigenous Australians, i. 197.
(7) In Victoria, after dark the wizard goes up to the clouds and brings down a good spirit. Dawkins, p. 57. For eponymous medicine-men see Kamilaroi and Kurnai, p. 231.
(7) In Victoria, after dark, the wizard goes up to the clouds and brings down a good spirit. Dawkins, p. 57. For medicine men with the same name, see Kamilaroi and Kurnai, p. 231.
(8) Lady of the Lake, note 1 to Canto iv.
(8) Lady of the Lake, note 1 to Canto iv.
(9) P. 112.
(9) P. 112.
The sorcerer among the Zulus is, apparently, of a naturally hysterical and nervous constitution. "He hears the spirits who speak by whistlings speaking to him."(1) Whistling is also the language of the ghosts in New Caledonia, where Mr. Atkinson informs us that he has occasionally put an able-bodied Kaneka to ignominious flight by whistling softly in the dusk. The ghosts in Homer make a similar sound, "and even as bats flit gibbering in the secret place of a wondrous cavern,... even so the souls gibbered as they fared together" (Odyssey, xxiv. 5). "The familiar spirits make him" (that Zulu sorcerer) "acquainted with what is about to happen, and then he divines for the people." As the Birraarks learn songs and dance-music from the Mrarts, so the Zulu Inyanga or diviners learn magical couplets from the Itongo or spirits.(2)
The sorcerer among the Zulus is, it seems, naturally hysterical and anxious. "He hears the spirits speaking to him through whistling."(1) Whistling is also the language of the ghosts in New Caledonia, where Mr. Atkinson tells us that he has sometimes sent a strong Kaneka running in shame by whistling softly in the dusk. The ghosts in Homer make a similar sound, "and just as bats flutter and chatter in the hidden depths of a marvelous cave,... so the souls chattered as they traveled together" (Odyssey, xxiv. 5). "The familiar spirits make him" (that Zulu sorcerer) "aware of what’s about to happen, and then he predicts for the people." Just as the Birraarks learn songs and dance tunes from the Mrarts, the Zulu Inyanga or diviners learn magical couplets from the Itongo or spirits.(2)
(1) Callaway, Religious System of the Amazules, p. 265.
(1) Callaway, Religious System of the Amazules, p. 265.
(2) On all this, see "Possession" in The Making of Religion.
(2) For more on this, see "Possession" in The Making of Religion.
The evidence of institutions confirms the reports about savage belief in magic. The political power of the diviners is very great, as may be observed from the fact that a hereditary chief needs their consecration to make him a chief de jure.(1) In fact, the qualities of the diviner are those which give his sacred authority to the chief. When he has obtained from the diviners all their medicines and information as to the mode of using the isitundu (a magical vessel), it is said that he often orders them to be killed. Now, the chief is so far a medicine-man that he is lord of the air. "The heaven is the chief's," say the Zulus; and when he calls out his men, "though the heaven is clear, it becomes clouded by the great wind that arises". Other Zulus explain this as the mere hyperbole of adulation. "The word of the chief gives confidence to his troops; they say, 'We are going; the chief has already seen all that will happen in his vessel'. Such then are chiefs; they use a vessel for divination."(2) The makers of rain are known in Zululand as "heaven-herds" or "sky-herds," who herd the heaven that it may not break out and do its will on the property of the people. These men are, in fact, (Greek text omitted), "cloud-gatherers," like the Homeric Zeus, the lord of the heavens. Their name of "herds of the heavens" has a Vedic sound. "The herd that herds the lightning," say the Zulus, "does the same as the herder of the cattle; he does as he does by whistling; he says, 'Tshu-i-i-i. Depart and go yonder. Do not come here.'" Here let it be observed that the Zulus conceive of the thunder-clouds and lightning as actual creatures, capable of being herded like sheep. There is no metaphor or allegory about the matter,(3) and no forgetfulness of the original meaning of words. The cloud-herd is just like the cowherd, except that not every man, but only sorcerers, and they who have eaten the "lightning-bird" (a bird shot near the place where lightning has struck the earth), can herd the clouds of heaven. The same ideas prevail among the Bushmen, where the rainmaker is asked "to milk a nice gentle female rain"; the rain-clouds are her hair. Among the Bushmen Rain is a person. Among the Red Indians no metaphor seems to be intended when it is said that "it is always birds who make the wind, except that of the east". The Dacotahs once killed a thunder-bird(4) behind Little Crow's village on the Missouri. It had a face like a man with a nose like an eagle's bill.(5)
The evidence from institutions supports the claims about a fierce belief in magic. The political power of diviners is significant, as shown by the fact that a hereditary chief needs their blessing to be officially recognized as a chief. In fact, the diviner's qualities are what give the chief his sacred authority. Once the chief has gathered all the medicines and advice from the diviners about how to use the isitundu (a magical vessel), it's said he often orders their deaths. The chief acts as a medicine-man to some extent, as he is considered the master of the skies. "The heavens belong to the chief," say the Zulus; when he calls for his men, "even if the sky is clear, it clouds over with the powerful wind that rises." Other Zulus interpret this as mere exaggeration, saying, "The chief's word gives confidence to his troops; they believe, 'We are going; the chief has already seen everything that will happen in his vessel.' This is what chiefs are like; they use a vessel for divination." The rainmakers in Zululand are referred to as "heaven-herds" or "sky-herds," who manage the skies to prevent them from unleashing their fury on the people's property. These men are, in fact, "cloud-gatherers," similar to the Homeric Zeus, the ruler of the heavens. Their title "herds of the heavens" has a sound reminiscent of Vedic traditions. "The herd that herds the lightning," the Zulus say, "does the same as the cattle herder; he does it by whistling, saying, 'Tshu-i-i-i. Go away over there. Don’t come here.'" It's important to note that the Zulus view thunder-clouds and lightning as actual entities that can be herded like sheep. There’s no metaphor or allegory here, and they don't forget the original meaning of words. The cloud-herder is just like the cowherd, except that only sorcerers and those who have eaten the "lightning-bird" (a bird shot near where lightning struck) can manage the clouds of heaven. Similar beliefs exist among the Bushmen, where the rainmaker is asked "to milk a nice gentle female rain"; the rain-clouds are seen as her hair. To the Bushmen, Rain is a person. Among the Native Americans, there's no metaphor intended when it's stated that "it is always birds who create the wind, except for the one from the east." The Dacotahs once killed a thunder-bird behind Little Crow's village on the Missouri, and it had a face like a man with a nose resembling an eagle's beak.
(1) Callaway, p. 340.
Callaway, p. 340.
(2) Callaway, Religions System of the Amazules, p. 343.
(2) Callaway, Religions System of the Amazules, p. 343.
(3) Ibid., p. 385.
Ibid., p. 385.
(4) Schoolcraft, iii. 486.
(4) Schoolcraft, vol. iii, p. 486.
(5) Compare Callaway, p. 119.
(5) See Callaway, p. 119.
The political and social powers which come into the hands of the sorcerers are manifest, even in the case of the Australians. Tribes and individuals can attempt few enterprises without the aid of the man who listens to the ghosts. Only he can foretell the future, and, in the case of the natural death of a member of the tribe, can direct the vengeance of the survivors against the hostile magician who has committed a murder by "bar" or magic. Among the Zulus we have seen that sorcery gives the sanction to the power of the chief. "The winds and weather are at the command" of Bosman's "great fetisher". Inland from the Gold Coast,(1) the king of Loango, according to the Abbe Proyart, "has credit to make rain fall on earth". Similar beliefs, with like political results, will be found to follow from the superstition of magic among the Red Indians of North America. The difficulty of writing about sorcerers among the Red Indians is caused by the abundance of the evidence. Charlevoix and the other early Jesuit missionaries found that the jongleurs, as Charlevoix calls the Jossakeeds or medicine-men, were their chief opponents. As among the Scotch Highlanders, the Australians and the Zulus, the Red Indian jongleur is visited by the spirits. He covers a hut with the skin of the animal which he commonly wears, retires thither, and there converses with the bodiless beings.(2) The good missionary like Mr. Moffat in Africa, was convinced that the exercises of the Jossakeeds were verily supernatural. "Ces seducteurs ont un veritable commerce avec le pere du mensonge."(3) This was denied by earlier and wiser Jesuit missionaries. Their political power was naturally great. In time of war "ils avancent et retardent les marches comme il leur plait". In our own century it was a medicine-man, Ten Squa Ta Way, who by his magical processes and superstitious rites stirred up a formidable war against the United States.(4) According to Mr. Pond,(5) the native name of the Dacotah medicine-men, "Wakan," signifies "men supernaturally gifted". Medicine-men are believed to be "wakanised" by mystic intercourse with supernatural beings. The business of the wakanised man is to discern future events, to lead and direct parties on the war-trail, "to raise the storm or calm the tempest, to converse with the lightning or thunder as with familiar friends".(6) The wakanised man, like the Australian Birraark and the Zulu diviner, "dictates chants and prayers". In battle "every Dacotah warrior looks to the Wakan man as almost his only resource". Belief in Wakan men is, Mr. Pond says, universal among the Dacotahs, except where Christianity has undermined it. "Their influence is deeply felt by every individual of the tribe, and controls all their affairs." The Wakan man's functions are absorbed by the general or war-chief of the tribe, and in Schoolcraft (iv. 495), Captain Eastman prints copies of native scrolls showing the war-chief at work as a wizard. "The war-chief who leads the party to war is always one of these medicine-men." In another passage the medicine-men are described as "having a voice in the sale of land". It must be observed that the Jossakeed, or medicine-man, pure and simple, exercises a power which is not in itself hereditary. Chieftainship, when associated with inheritance of property, is hereditary; and when the chief, as among the Zulus, absorbs supernatural power, then the same man becomes diviner and chief, and is a person of great and sacred influence. The liveliest account of the performances of the Maori "tohunga" or sorcerer is to be found in Old New Zealand,(7) by the Pakeha Maori, an English gentleman who had lived with the natives like one of themselves. The tohunga, says this author,(8) presided over "all those services and customs which had something approaching to a religious character. They also pretended to power by means of certain familiar spirits, to foretell future events, and even in some cases to control them.... The spirit 'entered into' them, and, on being questioned, gave a response in a sort of half whistling, half-articulate voice, supposed to be the proper language of spirits." In New South Wales, Mrs. Langlot Parker has witnessed a similar exhibition. The "spirits" told the truth in this case. The Pakeha Maori was present in a darkened village-hall when the spirit of a young man, a great friend of his own, was called up by a tohunga. "Suddenly, without the slightest warning, a voice came out of the darkness.... The voice all through, it is to be remembered, was not the voice of the tohunga, but a strange melancholy sound, like the sound of a wind blowing into a hollow vessel. 'It is well with me; my place is a good place.' The spirit gave an answer to a question which proved to be correct, and then 'Farewell,' cried the spirit FROM DEEP BENEATH THE GROUND. 'Farewell,' again, FROM HIGH IN AIR. 'Farewell,' once more came moaning through the distant darkness of the night." As chiefs in New Zealand no less than tohungas can exercise the mystical and magical power of tabu, that is, of imparting to any object or person an inviolable character, and can prevent or remit the mysterious punishment for infringement of tabu, it appears probable that in New Zealand, as well as among the Zulus and Red Indians, chiefs have a tendency to absorb the sacred character and powers of the tohungas. This is natural enough, for a tohunga, if he plays his cards well, is sure to acquire property and hereditary wealth, which, in combination with magical influence, are the necessary qualifications for the office of the chieftain.
The political and social power held by sorcerers is clear, even among Australians. Tribes and individuals struggle to undertake many endeavors without the help of the person who communicates with spirits. Only they can predict the future, and in the event of a natural death within the tribe, they can guide the vengeance of the living against the malevolent magician who has caused a death through "bar" or magic. Among the Zulus, we see that sorcery supports the authority of the chief. "The winds and weather are at the command" of Bosman's "great fetisher." Inland from the Gold Coast,(1) the king of Loango, as noted by Abbe Proyart, "has the power to make rain fall." Similar beliefs, with comparable political consequences, arise from the superstition of magic among the Native Americans of North America. The challenge in discussing sorcerers among the Native Americans comes from the wealth of evidence. Early Jesuit missionaries, like Charlevoix, discovered that the jongleurs, whom Charlevoix refers to as Jossakeeds or medicine men, were their main adversaries. Just as with the Scottish Highlanders, Australians, and Zulus, the Native American jongleur is visited by spirits. They cover a hut with the skin of an animal they usually wear, retire inside, and converse with the disembodied beings.(2) Well-meaning missionaries, like Mr. Moffat in Africa, believed the practices of the Jossakeeds were genuinely supernatural. "These seducers truly have dealings with the father of lies."(3) Earlier and wiser Jesuit missionaries disagreed with this. Their political power was obviously significant. In times of war, "they advance and delay the movements as they wish." In our own century, a medicine man, Ten Squa Ta Way, incited a significant war against the United States through his magical practices and superstitious rituals.(4) According to Mr. Pond,(5) the native name for the Dacotah medicine men, "Wakan," means "men supernaturally gifted." Medicine men are believed to be "wakanised" through mystical interactions with supernatural beings. The role of the wakanised person is to predict future events, lead and direct parties on the warpath, "to raise the storm or calm the tempest, to converse with the lightning or thunder as with familiar friends."(6) The wakanised individual, similar to the Australian Birraark and the Zulu diviner, "dictates chants and prayers." In battle, "every Dacotah warrior looks to the Wakan man as almost his only resource." Belief in Wakan men is, according to Mr. Pond, widespread among the Dacotahs, except where Christianity has weakened it. "Their influence is deeply felt by every individual in the tribe and controls all their affairs." The Wakan man's roles are taken on by the general or war chief of the tribe, and in Schoolcraft (iv. 495), Captain Eastman provides copies of native scrolls showing the war chief at work as a wizard. "The war chief who leads the party to war is always one of these medicine men." In another section, medicine men are described as "having a say in the sale of land." It should be noted that the Jossakeed, or medicine man, strictly speaking, wields power that is not inherently hereditary. Chieftainship, when linked with inheritance of property, is hereditary; and when the chief, as among the Zulus, assumes supernatural power, that same individual becomes both diviner and chief, possessing significant and sacred influence. The most vivid descriptions of the rituals performed by the Maori "tohunga" or sorcerer can be found in Old New Zealand,(7) by the Pakeha Maori, an English gentleman who lived among the natives. The tohunga, according to this author,(8) presided over "all those services and customs that had a somewhat religious character. They also claimed power through familiar spirits to predict future events and even, in some instances, to control them.... The spirit 'entered into' them, and when asked questions, responded with a sort of half-whistling, half-articulate voice, thought to be the appropriate language of spirits." In New South Wales, Mrs. Langlot Parker observed a similar display. The "spirits" spoke truthfully in this instance. The Pakeha Maori was present in a dimly lit village hall when the spirit of a young man—a close friend of his—was summoned by a tohunga. "Suddenly, without any warning, a voice emerged from the darkness.... The voice, it should be noted, was not that of the tohunga but a strange, mournful sound, like wind blowing into a hollow container. 'I am well; my place is a good place.' The spirit answered a question correctly and then cried, 'Farewell,' FROM DEEP BENEATH THE GROUND. 'Farewell,' again, FROM HIGH IN AIR. 'Farewell,' once more echoed through the distant night." Since chiefs in New Zealand, like tohungas, can wield the mystical and magical power of tabu—imparting an inviolable status to any object or person and preventing or releasing the mysterious punishment for breaking tabu—it seems likely that in New Zealand, as well as among the Zulus and Native Americans, chiefs tend to absorb the sacred character and powers of the tohungas. This is quite natural, for a tohunga, if they navigate things skillfully, is sure to gain property and inherit wealth, which, together with magical influence, are essential qualifications for the role of chief.
(1) Pinkerton, xvi. 401.
Pinkerton, 16. 401.
(2) Charlevoix, i. 105. See "Savage Spiritualism" in Cock Lane and Common Sense.
(2) Charlevoix, i. 105. See "Savage Spiritualism" in Cock Lane and Common Sense.
(3) Ibid., iii. 362.
Ibid., iii. 362.
(4) Catlin, ii. 17.
(4) Catlin, vol. 2, p. 17.
(5) In Schoolcraft, iv. 402.
In Schoolcraft, iv. 402.
(6) Pond, in Schoolcraft, iv. 647.
(6) Pond, in Schoolcraft, IV. 647.
(7) Auckland, 1863.
(7) Auckland, 1863.
(8) Page 148.
(8) Page 148.
Here is the place to mention a fact which, though at first sight it may appear to have only a social interest, yet bears on the development of mythology. Property and rank seem to have been essential to each other in the making of social rank, and where one is absent among contemporary savages, there we do not find the other. As an example of this, we might take the case of two peoples who, like the Homeric Ethiopians, are the outermost of men, and dwell far apart at the ends of the world. The Eskimos and the Fuegians, at the extreme north and south of the American continent, agree in having little or no private property and no chiefs. Yet magic is providing a kind of basis of rank. The bleak plains of ice and rock are, like Attica, "the mother of men without master or lord". Among the "house-mates" of the smaller settlements there is no head-man, and in the larger gatherings Dr. Rink says that "still less than among the house-mates was any one belonging to such a place to be considered a chief". The songs and stories of the Eskimo contain the praises of men who have risen up and killed any usurper who tried to be a ruler over his "place-mates". No one could possibly establish any authority on the basis of property, because "superfluous property, implements, etc., rarely existed". If there are three boats in one household, one of the boats is "borrowed" by the community, and reverts to the general fund. If we look at the account of the Fuegians described in Admiral Fitzroy's cruise, we find a similar absence of rank produced by similar causes. "The perfect equality among the individuals composing the tribes must for a long time retard their civilisation.... At present even a piece of cloth is torn in shreds and distributed, and no one individual becomes richer than another. On the other hand, it is difficult to understand how a chief can arise till there is property of some sort by which he might manifest and still increase his authority." In the same book, however, we get a glimpse of one means by which authority can be exercised. "The doctor-wizard of each party has much influence over his companions." Among the Eskimos this element in the growth of authority also exists. A class of wizards called Angakut have power to cause fine weather, and, by the gift of second-sight and magical practices, can detect crimes, so that they necessarily become a kind of civil magistrates. These Angekkok or Angakut have familiar spirits called Torngak, a word connected with the name of their chief spiritual being, Torngarsak. The Torngak is commonly the ghost of a deceased parent of the sorcerer. "These men," says Egede, "are held in great honour and esteem among this stupid and ignorant nation, insomuch that nobody dare ever refuse the strictest obedience when they command him in the name of Torngarsak." The importance and actual existence of belief in magic has thus been attested by the evidence of institutions, even among Australians, Fuegians and Eskimos.
Here is the place to mention a fact that, while it may initially seem to only have social significance, actually relates to the development of mythology. Property and social status appear to be essential to each other in establishing social hierarchy, and where one is absent among contemporary indigenous peoples, the other is usually missing as well. For instance, we can look at two groups who, like the Homeric Ethiopians, are located at the farthest ends of the earth. The Eskimos and the Fuegians, situated at the extreme north and south of the American continent, both show little or no private property and lack chiefs. Still, magic serves as a sort of basis for ranking. The cold plains of ice and rock are, like Attica, "the mother of men without master or lord." Among the "house-mates" of smaller settlements, there is no head-man, and in larger gatherings, Dr. Rink states that "even less than among the house-mates was anyone considered a chief." The songs and stories of the Eskimos celebrate individuals who have risen up and killed any usurper attempting to rule over his "place-mates." No one could establish authority based on property, as "superfluous property, implements, etc., rarely existed." If a household has three boats, one of the boats is "borrowed" by the community and returns to the common pool. In the accounts of the Fuegians described in Admiral Fitzroy's cruise, we see a similar lack of hierarchy caused by similar factors. "The perfect equality among the individuals in the tribes must for a long time delay their civilization.... At present, even a piece of cloth is ripped into shreds and distributed, so no one individual becomes richer than another. On the other hand, it’s hard to see how a chief could emerge until some form of property exists that would allow them to assert and enhance their authority." However, in the same book, we catch a glimpse of how authority can be exerted. "The doctor-wizard of each group has a lot of influence over his companions." Among the Eskimos, this factor in the rise of authority also exists. A class of wizards called Angakut have the power to create good weather and, through second sight and magical practices, can uncover crimes, which makes them a kind of civil magistrate. These Angekkok or Angakut have familiar spirits known as Torngak, a term linked to their chief spiritual being, Torngarsak. The Torngak is typically the ghost of a deceased parent of the sorcerer. "These men," says Egede, "are held in great honor and respect among this ignorant nation, to the extent that no one ever dares to refuse strict obedience when they command in the name of Torngarsak." The significance and reality of belief in magic have thus been confirmed through institutional evidence, even among Australians, Fuegians, and Eskimos.
It is now necessary to pass from examples of tribes who have superstitious respect for certain individuals, but who have no property and no chiefs, to peoples who exhibit the phenomenon of superstitious reverence attached to wealthy rulers or to judges. To take the example of Ireland, as described in the Senchus Mor, we learn that the chiefs, just like the Angakut of the Eskimos, had "power to make fair or foul weather" in the literal sense of the words.(1) In Africa, in the same way, as Bosman, the old traveller, says, "As to what difference there is between one negro and another, the richest man is the most honoured," yet the most honoured man has the same magical power as the poor Angakuts of the Eskimos.
It’s now important to move from examples of tribes that hold superstitious respect for certain individuals, but who lack property and leaders, to societies that show this kind of reverence towards wealthy rulers or judges. For instance, in Ireland, as described in the Senchus Mor, we learn that the chiefs, similar to the Angakut of the Eskimos, had the “power to make fair or foul weather” in a literal sense. In Africa, as the old traveler Bosman points out, “As for the difference between one black person and another, the richest man is the most honored,” yet the most honored person possesses the same magical power as the poor Angakuts of the Eskimos.
(1) Early History of Institutions, p. 195.
(1) Early History of Institutions, p. 195.
"In the Solomon Islands," says Dr. Codrington, "there is nothing to prevent a common man from becoming a chief, if he can show that he has the mana (supernatural power) for it."(1)
"In the Solomon Islands," Dr. Codrington says, "there’s nothing stopping an ordinary person from becoming a chief, as long as they can demonstrate that they have the mana (supernatural power) for it."(1)
(1) Journ. Anth. Inst., x. iii. 287, 300, 309.
(1) Journ. Anth. Inst., x. iii. 287, 300, 309.
Though it is anticipating a later stage of this inquiry, we must here observe that the sacredness, and even the magical virtues of barbarous chiefs seem to have descended to the early leaders of European races. The children of Odin and of Zeus were "sacred kings". The Homeric chiefs, like those of the Zulus and the Red Men, and of the early Irish and Swedes, exercised an influence over the physical universe. Homer(1) speaks of "a blameless king, one that fears the gods, and reigns among many men and mighty, and the black earth bears wheat and barley, and the sheep bring forth and fail not, and the sea gives store of fish, and all out of his good sovereignty".
Though we are looking forward to a later stage of this inquiry, we must note here that the sacredness and even the magical qualities of tribal chiefs seem to have carried over to the early leaders of European cultures. The descendants of Odin and Zeus were "sacred kings." The Homeric leaders, like those of the Zulus, the Native Americans, and the early Irish and Swedes, held sway over the physical world. Homer(1) describes "a noble king, one who fears the gods, and reigns over many people and powerful figures, and the fertile earth produces wheat and barley, and the sheep thrive and reproduce, and the sea offers plenty of fish, all due to his good governance."
(1) Od., xix. 109.
Od., xix. 109.
The attributes usually assigned by barbarous peoples to their medicine-men have not yet been exhausted. We have found that they can foresee and declare the future; that they control the weather and the sensible world; that they can converse with, visit and employ about their own business the souls of the dead. It would be easy to show at even greater length that the medicine-man has everywhere the power of metamorphosis. He can assume the shapes of all beasts, birds, fishes, insects and inorganic matters, and he can subdue other people to the same enchantment. This belief obviously rests on the lack of recognised distinction between man and the rest of the world, which we have so frequently insisted on as a characteristic of savage and barbarous thought. Examples of accredited metamorphosis are so common everywhere, and so well known, that it would be waste of space to give a long account of them. In Primitive Culture(1) a cloud of witnesses to the belief in human tigers, hyaenas, leopards and wolves is collected.(2) Mr. Lane(3) found metamorphosis by wizards as accredited a working belief at Cairo as it is among Abipones, Eskimo, or the people of Ashangoland. In various parts of Scotland there is a tale of a witch who was shot at when in the guise of a hare. In this shape she was wounded, and the same wound was found on her when she resumed her human appearance. Lafitau, early in the last century, found precisely the same tale, except that the wizards took the form of birds, not of hares, among the Red Indians. The birds were wounded by the magical arrows of an old medicine-man, Shonnoh Koui Eretsi, and these bolts were found in the bodies of the human culprits. In Japan, as we learn from several stories in Mr. Mitford's Tales of Old Japan, people chiefly metamorphose themselves into foxes and badgers. The sorcerers of Honduras(4) "possess the power of transforming men into wild beasts, and were much feared accordingly". Among the Cakchiquels, a cultivated people of Guatemala, the very name of the clergy, haleb, was derived from their power of assuming animal shapes, which they took on as easily as the Homeric gods.(5) Regnard, the French dramatist, who travelled among the Lapps at the end of the seventeenth century (1681), says: "They believe witches can turn men into cats;" and again, "Under the figures of swans, crows, falcons and geese, they call up tempests and destroy ships".(6) Among the Bushmen "sorcerers assume the forms of beasts and jackals".(7) Dobrizhoffer (1717-91), a missionary in Paraguay, found that "sorcerers arrogate to themselves the power of transforming themselves into tigers".(8) He was present when the Abipones believed that a conversion of this sort was actually taking place: "Alas," cried the people, "his whole body is beginning to be covered with tiger-spots; his nails are growing". Near Loanda, Livingstone found that a "chief may metamorphose himself into a lion, kill any one he choses, and then resume his proper form".(9) Among the Barotse and Balonda, "while persons are still alive they may enter into lions and alligators".(10) Among the Mayas of Central America "sorcerers could transform themselves into dogs, pigs and other animals; their glance was death to a victim".(11) The Thlinkeets think that their Shamans can metamorphose themselves into animals at pleasure; and a very old raven was pointed out to Mr. C. E. S. Wood as an incarnation of the soul of a Shaman.(12) Sir A. C. Lyall finds a similar belief in flourishing existence in India. The European superstition of the were-wolf is too well known to need description. Perhaps the most curious legend is that told by Giraldus Cambrensis about a man and his wife metamorphosed into wolves by an abbot. They retained human speech, made exemplary professions of Christian faith, and sent for priests when they found their last hours approaching. In an old Norman ballad a girl is transformed into a white doe, and hunted and slain by her brother's hounds. The "aboriginal" peoples of India retain similar convictions. Among the Hos,(13) an old sorcerer called Pusa was known to turn himself habitually into a tiger, and to eat his neighbour's goats, and even their wives. Examples of the power of sorcerers to turn, as with the Gorgon's head, their enemies into stone, are peculiarly common in America.(14) Hearne found that the Indians believed they descended from a dog, who could turn himself into a handsome young man.(15)
The traits usually attributed to shamans by primitive societies are far from being fully explored. We've discovered that they can predict the future and control the weather and the physical world. They’re also said to communicate with, visit, and use the spirits of the deceased for their own purposes. It's easy to elaborate even further on how the shaman can transform into different forms. They can take on the shapes of all kinds of animals, birds, fish, insects, and even inanimate objects, and they can make others do the same through enchantment. This belief clearly stems from the absence of a recognized distinction between humans and the rest of the world, a point we've often highlighted as typical of primitive thought. There are so many well-known examples of accepted transformations that it's unnecessary to provide an extensive list. In Primitive Culture(1), there’s a wealth of evidence supporting the belief in human tigers, hyenas, leopards, and wolves.(2) Mr. Lane(3) found that the belief in transformation by wizards was as established in Cairo as it is among the Abipones, Eskimos, or the people of Ashangoland. In various regions of Scotland, there’s a story of a witch who was shot while disguised as a hare. She was wounded in that form, and the same injury was found on her when she returned to her human shape. Lafitau, early in the last century, reported a similar story among the Indigenous peoples of North America, where the wizards transformed into birds rather than hares. These birds were injured by the magical arrows of an old shaman, Shonnoh Koui Eretsi, and those arrows were later discovered in the bodies of the guilty humans. In Japan, several tales in Mr. Mitford's Tales of Old Japan depict people mainly transforming into foxes and badgers. The sorcerers in Honduras(4) "have the power to turn people into wild beasts, which makes them greatly feared." Among the Cakchiquels, a sophisticated culture in Guatemala, the name for their clergy, haleb, comes from their ability to take on animal forms, much like the gods in Homer’s epics.(5) Regnard, a French playwright who traveled among the Lapps in the late 17th century (1681), noted that "they believe witches can turn men into cats," and again stated, "In the forms of swans, crows, falcons, and geese, they summon storms and destroy ships."(6) Among the Bushmen, "sorcerers take on the forms of beasts and jackals."(7) Dobrizhoffer (1717-91), a missionary in Paraguay, found that "sorcerers claim the power to transform into tigers."(8) He witnessed the Abipones believe a transformation was actually happening: "Alas," the people cried, "his whole body is starting to be covered in tiger spots; his nails are growing." Near Loanda, Livingstone encountered a situation where a "chief can transform into a lion, kill anyone he chooses, and then return to his normal form."(9) Among the Barotse and Balonda, "people can enter into lions and alligators while they are still alive."(10) In Central America, Mayan sorcerers "could change into dogs, pigs, and other animals; their gaze was fatal to a victim."(11) The Thlinkeets believe their Shamans can shift into animals at will, and a very old raven was shown to Mr. C. E. S. Wood as the reincarnation of a Shaman's soul.(12) Sir A. C. Lyall finds a similar strong belief in India. The European legend of werewolves is too well-known to need explanation. Perhaps the most intriguing tale is from Giraldus Cambrensis about a man and his wife who were turned into wolves by an abbot. They maintained the ability to speak human language, made devout professions of Christian faith, and summoned priests when they sensed their end was near. In an ancient Norman ballad, a girl is transformed into a white doe and hunted down by her brother’s hounds. "Aboriginal" groups in India have similar beliefs. Among the Hos,(13) an old sorcerer named Pusa was known to regularly transform into a tiger to prey on his neighbors' goats, and even their wives. Instances of sorcerers turning their enemies into stone, similar to the Gorgon's head, are quite common in America.(14) Hearne found that the Indigenous peoples believed they derived from a dog that could change into a handsome young man.(15)
(1) Vol. i. pp. 309-315.
Vol. 1, pp. 309-315.
(2) See also M'Lennan on Lykanthropy in Encyclopedia Britannica.
(2) See also M'Lennan on Lycanthropy in Encyclopedia Britannica.
(3) Arabian Nights, i. 51.
(3) Arabian Nights, vol. 1, p. 51.
(4) Bancroft, Races of Pacific Coast, i. 740.
(4) Bancroft, Races of the Pacific Coast, p. 740.
(5) Brinton, Annals of the Cakchiquels, p. 46.
(5) Brinton, Annals of the Cakchiquels, p. 46.
(6) Pinkerton, i. 471.
(6) Pinkerton, i. 471.
(7) Bleek, Brief Account of Bushman Folk-Lore, pp. 15, 40.
(7) Bleek, Brief Account of Bushman Folk-Lore, pp. 15, 40.
(8) English translation of Dobrizhoffer's Abipones, i. 163.
(8) English translation of Dobrizhoffer's Abipones, i. 163.
(9) Missionary Travels, p. 615.
(9) Missionary Travels, p. 615.
(10) Livingstone, p. 642.
(10) Livingstone, p. 642.
(11) Bancroft, ii.
Bancroft, vol. 2.
(12) Century Magazine, July, 1882.
Century Magazine, July 1882.
(13) Dalton's Ethnology of Bengal, p. 200.
(13) Dalton's Ethnology of Bengal, p. 200.
(14) Dorman, pp. 130, 134; Report of Ethnological Bureau, Washington, 1880-81.
(14) Dorman, pp. 130, 134; Report of Ethnological Bureau, Washington, 1880-81.
(15) A Journey, etc., p. 342.
(15) A Journey, etc., p. 342.
Let us recapitulate the powers attributed all over the world, by the lower people, to medicine-men. The medicine-man has all miracles at his command. He rules the sky, he flies into the air, he becomes visible or invisible at will, he can take or confer any form at pleasure, and resume his human shape. He can control spirits, can converse with the dead, and can descend to their abodes.
Let’s summarize the abilities that people around the world associate with medicine men. The medicine man has all miracles at his fingertips. He controls the skies, flies through the air, appears and disappears at will, can take any form he wants, and return to his human shape. He can control spirits, talk to the dead, and descend to their realms.
When we begin to examine the gods of MYTHOLOGY, savage or civilised, as distinct from deities contemplated, in devotion, as moral and creative guardians of ethics, we shall find that, with the general, though not invariable addition of immortality, they possess the very same accomplishments as the medicine-man, peay, tohunga, jossakeed, birraark, or whatever name for sorcerer we may choose. Among the Greeks, Zeus, mythically envisaged, enjoys in heaven all the attributes of the medicine-man; among the Iroquois, as Pere le Jeune, the old Jesuit missionary, observed,(1) the medicine-man enjoys on earth all the attributes of Zeus. Briefly, the miraculous and supernatural endowments of the gods of MYTH, whether these gods be zoomorphic or anthropomorphic, are exactly the magical properties with which the medicine-man is credited by his tribe. It does not at all follow, as Euemerus and Mr. Herbert Spencer might argue, that the god was once a real living medicine-man. But myth-making man confers on the deities of myth the magical powers which he claims for himself.
When we start to look at the gods of MYTHOLOGY, whether savage or civilized, as separate from the deities we worship as moral and creative guardians of ethics, we'll see that, with the general but not always certain addition of immortality, they have the same skills as the medicine-man, peay, tohunga, jossakeed, birraark, or whatever name we use for a sorcerer. Among the Greeks, Zeus, as envisioned in mythology, has all the qualities of the medicine-man in heaven; among the Iroquois, as noted by Pere le Jeune, the old Jesuit missionary, the medicine-man possesses all the characteristics of Zeus on earth. In short, the miraculous and supernatural abilities of the gods of MYTH, whether they are animal-shaped or human-shaped, are exactly the magical powers attributed to the medicine-man by his tribe. It doesn’t necessarily follow, as Euemerus and Mr. Herbert Spencer might suggest, that the god was once a real living medicine-man. However, the myth-making person grants the deities of myth the magical powers that he believes he possesses himself.
(1) Relations (1636), p. 114.
Relations (1636), p. 114.
CHAPTER V. NATURE MYTHS.
Savage fancy, curiosity and credulity illustrated in nature myths—In these all phenomena are explained by belief in the general animation of everything, combined with belief in metamorphosis—Sun myths, Asian, Australian, African, Melanesian, Indian, Californian, Brazilian, Maori, Samoan—Moon myths, Australian, Muysca, Mexican, Zulu, Macassar, Greenland, Piute, Malay—Thunder myths—Greek and Aryan sun and moon myths—Star myths—Myths, savage and civilised, of animals, accounting for their marks and habits—Examples of custom of claiming blood kinship with lower animals—Myths of various plants and trees—Myths of stones, and of metamorphosis into stones, Greek, Australian and American—The whole natural philosophy of savages expressed in myths, and survives in folk-lore and classical poetry; and legends of metamorphosis.
Savage imagination, curiosity, and gullibility showcased in nature myths—In these, all phenomena are explained by the belief that everything has a spirit, combined with the belief in transformation—Sun myths, from Asia, Australia, Africa, Melanesia, India, California, Brazil, Maori, and Samoan cultures—Moon myths, from Australia, Muysca, Mexico, Zulu, Macassar, Greenland, Piute, and Malay cultures—Thunder myths—Greek and Aryan myths about the sun and moon—Star myths—Myths, both primitive and civilized, about animals, explaining their traits and behaviors—Examples of the practice of claiming a kinship with lower animals—Myths surrounding various plants and trees—Myths about stones and their transformation into stones, from Greek, Australian, and American tales—The entire natural philosophy of primitive people expressed in myths, which continues to exist in folklore and classical poetry; along with legends of transformation.
The intellectual condition of savages which has been presented and established by the evidence both of observers and of institutions, may now be studied in savage myths. These myths, indeed, would of themselves demonstrate that the ideas which the lower races entertain about the world correspond with our statement. If any one were to ask himself, from what mental conditions do the following savage stories arise? he would naturally answer that the minds which conceived the tales were curious, indolent, credulous of magic and witchcraft, capable of drawing no line between things and persons, capable of crediting all things with human passions and resolutions. But, as myths analogous to those of savages, when found among civilised peoples, have been ascribed to a psychological condition produced by a disease of language acting after civilisation had made considerable advances, we cannot take the savage myths as proof of what savages think, believe and practice in the course of daily life. To do so would be, perhaps, to argue in a circle. We must therefore study the myths of the undeveloped races in themselves.
The intellectual state of primitive people, as shown by both observers and institutions, can now be examined through their myths. These myths actually demonstrate that the ideas held by less developed races about the world align with our observations. If someone were to consider where these primitive stories come from, they would likely conclude that the minds that created them were curious, lazy, gullible about magic and witchcraft, unable to differentiate between objects and people, and prone to attributing human feelings and intentions to everything. However, since similar myths found among more developed cultures have been linked to a psychological condition caused by language issues that arose after significant advancements in civilization, we can't use primitive myths as definitive evidence of what these people think, believe, and do in their everyday lives. Relying on them for that would be somewhat circular reasoning. Therefore, we should analyze the myths of less advanced societies on their own merits.
These myths form a composite whole, so complex and so nebulous that it is hard indeed to array them in classes and categories. For example, if we look at myths concerning the origin of various phenomena, we find that some introduce the action of gods or extra-natural beings, while others rest on a rude theory of capricious evolution; others, again, invoke the aid of the magic of mortals, and most regard the great natural forces, the heavenly bodies, and the animals, as so many personal characters capable of voluntarily modifying themselves or of being modified by the most trivial accidents. Some sort of arrangement, however, must be attempted, only the student is to understand that the lines are never drawn with definite fixity, that any category may glide into any other category of myth.
These myths create a complex and vague whole, making it difficult to classify them into specific groups. For instance, when we examine myths about the origin of different phenomena, we see that some involve the actions of gods or supernatural beings, while others are based on a rough theory of random evolution; still others call upon the magic of humans, and most treat major natural forces, celestial bodies, and animals as personal entities that can change on their own or be changed by the slightest events. Some kind of organization must be attempted, but students should understand that the boundaries are never clearly defined, and any category can easily blend into another myth category.
We shall begin by considering some nature myths—myths, that is to say, which explain the facts of the visible universe. These range from tales about heaven, day, night, the sun and the stars, to tales accounting for the red breast of the ousel, the habits of the quail, the spots and stripes of wild beasts, the formation of rocks and stones, the foliage of trees, the shapes of plants. In a sense these myths are the science of savages; in a sense they are their sacred history; in a sense they are their fiction and romance. Beginning with the sun, we find, as Mr. Tylor says, that "in early philosophy throughout the world the sun and moon are alive, and, as it were, human in their nature".(1) The mass of these solar myths is so enormous that only a few examples can be given, chosen almost at random out of the heap. The sun is regarded as a personal being, capable not only of being affected by charms and incantations, but of being trapped and beaten, of appearing on earth, of taking a wife of the daughters of men. Garcilasso de la Vega has a story of an Inca prince, a speculative thinker, who was puzzled by the sun-worship of his ancestors. If the sun be thus all-powerful, the Inca inquired, why is he plainly subject to laws? why does he go his daily round, instead of wandering at large up and down the fields of heaven? The prince concluded that there was a will superior to the sun's will, and he raised a temple to the Unknown Power. Now the phenomena which put the Inca on the path of monotheistic religion, a path already traditional, according to Garcilasso, have also struck the fancy of savages. Why, they ask, does the sun run his course like a tamed beast? A reply suited to a mind which holds that all things are personal is given in myths. Some one caught and tamed the sun by physical force or by art magic.
We’ll start by looking at some myths about nature—myths that explain the facts of the visible universe. These range from stories about the sky, day, night, the sun, and the stars, to explanations for the red breast of the robin, the habits of quails, the spots and stripes on wild animals, the formation of rocks and stones, the leaves on trees, and the shapes of plants. In a way, these myths are the science of primitive cultures; they also serve as their sacred history; and in another way, they are their fiction and romance. Starting with the sun, we find, as Mr. Tylor says, that "in early philosophy throughout the world the sun and moon are alive, and, as it were, human in their nature."(1) The sheer volume of these solar myths is so vast that only a handful of examples can be provided, selected almost at random from the collection. The sun is seen as a personal being, capable of being influenced by charms and spells, as well as being captured and beaten, appearing on Earth, and even taking a human wife. Garcilasso de la Vega tells a story about an Inca prince, a thoughtful individual, who was perplexed by his ancestors' sun-worship. If the sun is so powerful, the Inca wondered, why is it clearly bound by laws? Why does it follow its daily path instead of roaming freely across the sky? The prince concluded that there is a will greater than the sun's, and he built a temple to the Unknown Power. The phenomena that led the Inca toward monotheism, a path already well-established, according to Garcilasso, have also intrigued primitive people. They ask, why does the sun follow its course like a subdued creature? Myths provide a suitable answer for a mind that believes everything is personal: someone caught and tamed the sun through physical strength or magical art.
(1) Primitive Culture, i. 288.
Primitive Culture, vol. 1, p. 288.
In Australia the myth says that there was a time when the sun did not set. "It was at all times day, and the blacks grew weary." Norralie considered and decided that the sun should disappear at intervals. He addressed the sun in an incantation (couched like the Finnish Kalewala in the metre of Longfellow's Hiawatha); and the incantation is thus interpreted: "Sun, sun, burn your wood, burn your internal substance, and go down". The sun therefore now burns out his fuel in a day, and goes below for fresh firewood.(1)
In Australia, there's a myth that says there was a time when the sun never set. "It was always daytime, and the Indigenous people became tired." Norralie thought about this and decided that the sun should take breaks. He spoke to the sun in a chant (similar in style to the Finnish Kalevala and the meter of Longfellow's Hiawatha); the chant is interpreted as: "Sun, sun, burn your wood, burn your inner substance, and go down." So now, the sun burns through its fuel in a day and goes below for fresh firewood. (1)
(1) Brough Smyth, Aborigines of Victoria, i. 430.
(1) Brough Smyth, Aborigines of Victoria, i. 430.
In New Zealand the taming of the sun is attributed to the great hero Maui, the Prometheus of the Maoris. He set snares to catch the sun, but in vain, for the sun's rays bit them through. According to another account, while Norralie wished to hasten the sun's setting, Maui wanted to delay it, for the sun used to speed through the heavens at a racing pace. Maui therefore snared the sun, and beat him so unmercifully that he has been lame ever since, and travels slowly, giving longer days. "The sun, when beaten, cried out and revealed his second great name, Taura-mis-te-ra."(1) It will be remembered that Indra, in his abject terror when he fled after the slaying of Vrittra, also revealed his mystic name. In North America the same story of the trapping and laming of the sun is told, and attributed to a hero named Tcha-ka-betch. In Samoa the sun had a child by a Samoan woman. He trapped the sun with a rope made of a vine and extorted presents. Another Samoan lassoed the sun and made him promise to move more slowly.(2) These Samoan and Australian fancies are nearly as dignified as the tale in the Aitareya Brahmana. The gods, afraid "that the sun would fall out of heaven, pulled him up and tied him with five ropes". These ropes are recognised as verses in the ritual, but probably the ritual is later than the ropes. In Mexico we find that the sun himself (like the stars in most myths) was once a human or pre-human devotee, Nanahuatzin, who leapt into a fire to propitiate the gods.(3) Translated to heaven as the sun, Nanahuatzin burned so very fiercely that he threatened to reduce the world to a cinder. Arrows were therefore shot at him, and this punishment had as happy an effect as the beatings administered by Maui and Tcha-ka-betch. Among the Bushmen of South Africa the sun was once a man, from whose armpit a limited amount of light was radiated round his hut. Some children threw him up into the sky, and there he stuck, and there he shines.(4) In the Homeric hymn to Helios, as Mr. Max Muller observes, "the poet looks on Helios as a half god, almost a hero, who had once lived on earth," which is precisely the view of the Bushmen.(5) Among the Aztecs the sun is said to have been attacked by a hunter and grievously wounded by his arrows.(6) The Gallinomeros, in Central California, seem at least to know that the sun is material and impersonal. They say that when all was dark in the beginning, the animals were constantly jostling each other. After a painful encounter, the hawk and the coyote collected two balls of inflammable substance; the hawk (Indra was occasionally a hawk) flew up with them into heaven, and lighted them with sparks from a flint. There they gave light as sun and moon. This is an exception to the general rule that the heavenly bodies are regarded as persons. The Melanesian tale of the bringing of night is a curious contrast to the Mexican, Maori, Australian and American Indian stories which we have quoted. In Melanesia, as in Australia, the days were long, indeed endless, and people grew tired; but instead of sending the sun down below by an incantation when night would follow in course of nature, the Melanesian hero went to Night (conceived of as a person) and begged his assistance. Night (Qong) received Qat (the hero) kindly, darkened his eyes, gave him sleep, and, in twelve hours or so, crept up from the horizon and sent the sun crawling to the west.(7) In the same spirit Paracelsus is said to have attributed night, not to the absence of the sun, but to the apparition of certain stars which radiate darkness. It is extraordinary that a myth like the Melanesian should occur in Brazil. There was endless day till some one married a girl whose father "the great serpent," was the owner of night. The father sent night bottled up in a gourd. The gourd was not to be uncorked till the messengers reached the bride, but they, in their curiosity, opened the gourd, and let night out prematurely.(8)
In New Zealand, the taming of the sun is credited to the great hero Maui, the Prometheus of the Maoris. He tried to snare the sun but failed, as the sun's rays burned through the traps. In another version, while Norralie wanted to speed up the sun's setting, Maui aimed to slow it down because the sun raced across the sky. So, Maui caught the sun and beat him so badly that ever since, he has been lame and travels slowly, creating longer days. "When beaten, the sun cried out and revealed his second great name, Taura-mis-te-ra." It’s worth noting that Indra, in his sheer terror after killing Vrittra, also revealed his secret name. In North America, there's a similar story about trapping and injuring the sun, attributed to a hero named Tcha-ka-betch. In Samoa, the sun had a child with a Samoan woman. He trapped the sun with a vine rope and demanded gifts. Another Samoan caught the sun and made him promise to move more slowly. These Samoan and Australian stories are almost as grand as the account in the Aitareya Brahmana, where the gods, worried that the sun would fall from the sky, pulled him up and tied him with five ropes. These ropes are recognized as verses in the ritual, but likely the ritual came after the ropes. In Mexico, the sun, like the stars in most myths, was once a human or pre-human devotee named Nanahuatzin, who jumped into a fire to appease the gods. Transformed into the sun in the sky, Nanahuatzin burned so brightly that he threatened to scorch the world. Therefore, arrows were shot at him, and this punishment had a similar effect as the beatings from Maui and Tcha-ka-betch. Among the Bushmen of South Africa, the sun was once a man from whom only a small amount of light radiated from his armpit around his hut. Some children threw him up into the sky, where he got stuck and shined brightly. In the Homeric hymn to Helios, as Mr. Max Muller notes, "the poet sees Helios as a half god, almost a hero, who had once lived on earth," which aligns with the Bushmen's perspective. The Aztecs say that the sun was attacked by a hunter and seriously wounded by his arrows. The Gallinomeros in Central California seem aware that the sun is material and impersonal. They recount that when everything was dark at the start, the animals were constantly bumping into each other. After a rough encounter, the hawk and the coyote gathered two balls of flammable material; the hawk (who sometimes took the form of Indra) flew up to the sky with them and ignited them with sparks from a flint. There, they became the sun and moon. This is an exception to the general idea that celestial bodies are seen as people. The Melanesian tale about the creation of night contrasts with the Mexican, Maori, Australian, and American Indian stories we've mentioned. In Melanesia, as in Australia, the days were long and seemingly endless, and people grew weary; instead of sending the sun below through a spell when night would naturally follow, the Melanesian hero went to Night (thought of as a person) and asked for help. Night (Qong) welcomed Qat (the hero) kindly, darkened his eyes, gave him sleep, and after about twelve hours, crept up from the horizon and sent the sun crawling to the west. In a similar vein, Paracelsus is said to have attributed night not to the absence of the sun, but to the rise of certain stars that emit darkness. It’s remarkable that a myth like the Melanesian one appears in Brazil. There was endless daylight until someone married a girl whose father, "the great serpent," was the keeper of night. The father sent night bottled in a gourd. The gourd wasn’t to be opened until the messengers reached the bride, but out of curiosity, they opened it and released night prematurely.
(1) Taylor, New Zealand, p. 131.
(1) Taylor, New Zealand, p. 131.
(2) Turner, Samoa, p. 20.
(2) Turner, Samoa, p. 20.
(3) Sahagun, French trans., vii. ii.
(3) Sahagun, French trans., vii. ii.
(4) Bleck, Hottentot Fables, p. 67; Bushman Folk-Lore, pp. 9, 11.
(4) Bleck, Hottentot Fables, p. 67; Bushman Folk-Lore, pp. 9, 11.
(5) Compare a Californian solar myth: Bancroft, iii. pp. 85, 86.
(5) Compare a California solar myth: Bancroft, iii. pp. 85, 86.
(6) Bancroft, iii. 73, quoting Burgoa, i. 128, 196.
(6) Bancroft, iii. 73, quoting Burgoa, i. 128, 196.
(7) Codrington, Journ. Anthrop. Inst., February, 1881.
(7) Codrington, Journ. Anthrop. Inst., February, 1881.
(8) Contes Indiens du Bresil, pp. 1-9, by Couto de Magalhaes. Rio de Janeiro, 1883. M. Henri Gaidoz kindly presented the author with this work.
(8) Indian Tales from Brazil, pp. 1-9, by Couto de Magalhaes. Rio de Janeiro, 1883. M. Henri Gaidoz generously gifted the author this work.
The myths which have been reported deal mainly with the sun as a person who shines, and at fixed intervals disappears. His relations with the moon are much more complicated, and are the subject of endless stories, all explaining in a romantic fashion why the moon waxes and wanes, whence come her spots, why she is eclipsed, all starting from the premise that sun and moon are persons with human parts and passions. Sometimes the moon is a man, sometimes a woman and the sex of the sun varies according to the fancy of the narrators. Different tribes of the same race, as among the Australians, have different views of the sex of moon and sun. Among the aborigines of Victoria, the moon, like the sun among the Bushmen, was a black fellow before he went up into the sky. After an unusually savage career, he was killed with a stone hatchet by the wives of the eagle, and now he shines in the heavens.(1) Another myth explanatory of the moon's phases was found by Mr. Meyer in 1846 among the natives of Encounter Bay. According to them the moon is a woman, and a bad woman to boot. She lives a life of dissipation among men, which makes her consumptive, and she wastes away till they drive her from their company. While she is in retreat, she lives on nourishing roots, becomes quite plump, resumes her gay career, and again wastes away. The same tribe, strangely enough, think that the sun also is a woman. Every night she descends among the dead, who stand in double lines to greet her and let her pass. She has a lover among the dead, who has presented her with a red kangaroo skin, and in this she appears at her rising. Such is the view of rosy-fingered Dawn entertained by the blacks of Encounter Bay. In South America, among the Muyscas of Bogota, the moon, Huythaca, is the malevolent wife of the child of the sun; she was a woman before her husband banished her to the fields of space.(2) The moon is a man among the Khasias of the Himalaya, and he was guilty of the unpardonable offence of admiring his mother-in-law. As a general rule, the mother-in-law is not even to be spoken to by the savage son-in-law. The lady threw ashes in his face to discourage his passion, hence the moon's spots. The waning of the moon suggested the most beautiful and best known of savage myths, that in which the moon sends a beast to tell mortals that, though they die like her, like her they shall be born again.(3) Because the spots in the moon were thought to resemble a hare they were accounted for in Mexico by the hypothesis that a god smote the moon in the face with a rabbit;(4) in Zululand and Thibet by a fancied translation of a good or bad hare to the moon.
The myths that have been shared mostly revolve around the sun as a being who shines brightly and periodically disappears. His relationship with the moon is far more complex and is the focus of countless stories, all passionately explaining why the moon waxes and wanes, where her spots come from, and why she experiences eclipses, all based on the idea that the sun and moon are people with human traits and emotions. Sometimes the moon is depicted as a man and other times as a woman, while the sun's gender shifts depending on the storyteller. Different tribes within the same culture, like the Australians, have varying beliefs about the moon and sun's genders. Among the Aboriginal people of Victoria, the moon was seen as a black man before he ascended into the sky. After a particularly brutal life, he was killed with a stone axe by the eagle's wives, and now he shines in the sky. Another story about the moon's phases was noted by Mr. Meyer in 1846 among the natives of Encounter Bay. They believe the moon is a woman, and not a good one at that. She leads a reckless life among men, which makes her weak and causes her to fade away until they chase her off. While she's in hiding, she survives on nutritious roots, gains weight, returns to her lively ways, and then begins to waste away again. Strangely, this tribe also believes that the sun is a woman. Every night she descends to the realm of the dead, where they stand in two lines to welcome her and allow her to pass. She has a lover among the dead who has gifted her a red kangaroo skin, and in this, she presents herself upon rising. This is how the black people of Encounter Bay view the dawn. In South America, among the Muyscas of Bogota, the moon, Huythaca, is the spiteful wife of the sun’s child; she was a woman until her husband sent her away to the fields of space. The moon is seen as a man among the Khasias of the Himalayas, who committed the unforgivable act of admiring his mother-in-law. Typically, a son-in-law is not even supposed to speak to his mother-in-law. The woman threw ashes in his face to discourage his feelings, explaining the moon's spots. The moon's waning inspired one of the most beautiful and well-known myths among primitive cultures, where the moon sends a creature to inform humans that, although they die like her, they too will be reborn. In Mexico, the spots on the moon were thought to resemble a hare, attributed to the story that a god struck the moon’s face with a rabbit; in Zululand and Tibet, it was explained by a belief that a hare, either good or bad, was transported to the moon.
(1) Brough Smyth, Aborigines of Victoria, i. 432.
(1) Brough Smyth, Aborigines of Victoria, i. 432.
(2) Tylor, Primitive Culture, i. 353.
(2) Tylor, Primitive Culture, 1. 353.
(3) Bleek, Reynard in South Africa, pp. 69-74.
(3) Bleek, Reynard in South Africa, pp. 69-74.
(4) Sahagun, viii. 2.
(4) Sahagun, viii. 2.
The Eskimos have a peculiar myth to account for the moon's spots. Sun and moon were human brother and sister. In the darkness the moon once attempted the virtue of the sun. She smeared his face over with ashes, that she might detect him when a light was brought. She did discover who her assailant had been, fled to the sky, and became the sun. The moon still pursues her, and his face is still blackened with the marks of ashes.(1) Gervaise(2) says that in Macassar the moon was held to be with child by the sun, and that when he pursued her and wished to beat her, she was delivered of the earth. They are now reconciled. About the alternate appearance of sun and moon a beautifully complete and adequate tale is told by the Piute Indians of California. No more adequate and scientific explanation could possibly be offered, granting the hypothesis that sun and moon are human persons and savage persons. The myth is printed as it was taken down by Mr. De Quille from the lips of Tooroop Eenah (Desert Father), a chief of the Piutes, and published in a San Francisco newspaper.
The Eskimos have an interesting myth to explain the spots on the moon. The sun and moon were human siblings. One time, the moon tried to test the sun's virtue. She covered his face with ashes so she could identify him when light was brought in. She found out who had attacked her, fled to the sky, and became the sun. The moon still chases her, and his face remains marked with ashes. Gervaise says that in Macassar, the moon was believed to be pregnant with the sun's child, and that when he chased her and tried to hit her, she gave birth to the earth. They are now on good terms. The Piute Indians of California tell a beautifully complete story about the alternating appearances of the sun and moon. There couldn't be a more fitting or scientific explanation, assuming that the sun and moon are human beings and primitive people. The myth was recorded by Mr. De Quille from the words of Tooroop Eenah (Desert Father), a chief of the Piutes, and published in a San Francisco newspaper.
(1) Crantz's History of Greenland, i. 212.
(1) Crantz's History of Greenland, p. 212.
(2) Royaume de Macacar, 1688.
Kingdom of Macacar, 1688.
"The sun is the father and ruler of the heavens. He is the big chief. The moon is his wife and the stars are their children. The sun eats his children whenever he can catch them. They flee before him, and are all the time afraid when he is passing through the heavens. When he (their father) appears in the morning, you see all the stars, his children, fly out of sight—go away back into the blue of the above—and they do not wake to be seen again until he, their father, is about going to his bed.
"The sun is the father and ruler of the sky. He is the big boss. The moon is his partner, and the stars are their kids. The sun captures his children whenever he can. They run away from him and are always scared when he moves across the sky. When he (their father) shows up in the morning, you can see all the stars, his kids, disappear from view—they retreat back into the blue above—and they don’t come out again until he, their father, is about to go to bed."
"Down deep under the ground—deep, deep, under all the ground—is a great hole. At night, when he has passed over the world, looked down on everything and finished his work, he, the sun, goes into his hole, and he crawls and creeps along it till he comes to his bed in the middle part of the earth. So then he, the sun, sleeps there in his bed all night.
"Way down under the ground—way, way down beneath everything—is a big hole. At night, after he has traveled across the world, looked down at everything, and finished his work, he, the sun, goes into his hole and crawls along it until he reaches his bed in the center of the earth. Then he, the sun, sleeps there in his bed all night."
"This hole is so little, and he, the sun, is so big, that he cannot turn round in it; and so he must, when he has had all his sleep, pass on through, and in the morning we see him come out in the east. When he, the sun, has so come out, he begins to hunt up through the sky to catch and eat any that he can of the stars, his children, for if he does not so catch and eat he cannot live. He, the sun, is not all seen. The shape of him is like a snake or a lizard. It is not his head that we can see, but his belly, filled up with the stars that times and times he has swallowed.
"This hole is so small, and he, the sun, is so large, that he can't turn around in it; so when he's finished sleeping, he has to pass through, and in the morning we see him rise in the east. Once he has emerged, he starts hunting in the sky to catch and consume as many of the stars, his children, as he can, because if he doesn't catch and eat them, he can't survive. The sun isn't fully visible. His shape is like a snake or a lizard. We can't see his head, only his belly, filled with the stars that time after time he has swallowed."
"The moon is the mother of the heavens and is the wife of the sun. She, the moon, goes into the same hole as her husband to sleep her naps. But always she has great fear of the sun, her husband, and when he comes through the hole to the nobee (tent) deep in the ground to sleep, she gets out and comes away if he be cross.
"The moon is the mother of the sky and the wife of the sun. She, the moon, goes into the same space as her husband to take her naps. But she is always afraid of the sun, her husband, and when he comes through the space to the tent deep in the ground to rest, she leaves and moves away if he is in a bad mood."
"She, the moon, has great love for her children, the stars, and is happy to travel among them in the above; and they, her children, feel safe, and sing and dance as she passes along. But the mother, she cannot help that some of her children must be swallowed by the father every month. It is ordered that way by the Pah-ah (Great Spirit), who lives above the place of all.
"She, the moon, loves her children, the stars, and enjoys traveling among them up above; and they, her children, feel safe, singing and dancing as she passes by. But the mother can’t stop that some of her children must be swallowed by the father every month. It’s meant to be that way by the Pah-ah (Great Spirit), who resides above all things."
"Every month that father, the sun, does swallow some of the stars, his children, and then that mother, the moon, feels sorrow. She must mourn; so she must put the black on her face for to mourn the dead. You see the Piute women put black on their faces when a child is gone. But the dark will wear away from the face of that mother, the moon, a little and a little every day, and after a time again we see all bright the face of her. But soon more of her children are gone, and again she must put on her face the pitch and the black."
"Every month, Father Sun swallows some of the stars, his children, and then Mother Moon feels sad. She has to mourn; so she puts on black to grieve the lost. You can see the Piute women apply black on their faces when a child passes away. But the darkness will fade from Mother Moon's face little by little each day, and eventually, we see her bright face again. But soon, more of her children are gone, and once again, she has to cover her face with pitch and black."
Here all the phenomena are accounted for, and the explanation is as advanced as the Egyptian doctrine of the hole under the earth where the sun goes when he passes from our view. And still the Great Spirit is over all: Religion comes athwart Myth.
Here, everything is explained, and the reasoning is as developed as the ancient Egyptian belief in the hole under the earth where the sun goes when it's out of sight. Yet, the Great Spirit is above all: Religion intersects with Myth.
Mr. Tylor quotes(1) a nature myth about sun, moon and stars which remarkably corresponds to the speculation of the Piutes. The Mintira of the Malayan Peninsula say that both sun and moon are women. The stars are the moon's children; once the sun had as many. They each agreed (like the women of Jerusalem in the famine), to eat their own children; but the sun swallowed her whole family, while the moon concealed hers. When the sun saw this she was exceedingly angry, and pursued the moon to kill her. Occasionally she gets a bite out of the moon, and that is an eclipse. The Hos of North-East India tell the same tale, but say that the sun cleft the moon in twain for her treachery, and that she continues to be cut in two and grow again every month. With these sun and moon legends sometimes coexists the RELIGIOUS belief in a Creator of these and of all things.
Mr. Tylor quotes a nature myth about the sun, moon, and stars that closely aligns with the beliefs of the Piutes. The Mintira of the Malayan Peninsula say that both the sun and moon are women. The stars are the moon's children; the sun once had just as many. They each agreed (like the women of Jerusalem during the famine) to eat their own children, but the sun swallowed her whole family while the moon hid hers. When the sun saw this, she was incredibly angry and chased the moon to kill her. Sometimes she takes a bite out of the moon, which causes an eclipse. The Hos of North-East India tell a similar story, but they say the sun split the moon in two for her betrayal, and she continues to be split and grow back every month. Along with these sun and moon legends, there is often a religious belief in a Creator of these and all things.
(1) Primitive Culture, i. 356.
Primitive Culture, vol. 1, p. 356.
In harmony with the general hypothesis that all objects in nature are personal, and human or bestial, in real shape, and in passion and habits, are the myths which account for eclipses. These have so frequently been published and commented on(1) that a long statement would be tedious and superfluous. To the savage mind, and even to the Chinese and the peasants of some European countries, the need of an explanation is satisfied by the myth that an evil beast is devouring the sun or the moon. The people even try by firing off guns, shrieking, and clashing cymbals, to frighten the beast (wolf, pig, dragon, or what not) from his prey. What the hungry monster in the sky is doing when he is not biting the sun or moon we are not informed. Probably he herds with the big bird whose wings, among the Dacotahs of America and the Zulus of Africa, make thunder; or he may associate with the dragons, serpents, cows and other aerial cattle which supply the rain, and show themselves in the waterspout. Chinese, Greenland, Hindoo, Finnish, Lithunian and Moorish examples of the myth about the moon-devouring beasts are vouched for by Grimm.(2) A Mongolian legend has it that the gods wished to punish the maleficent Arakho for his misdeeds, but Arakho hid so cleverly that their limited omnipotence could not find him. The sun, when asked to turn spy, gave an evasive answer. The moon told the truth. Arakho was punished, and ever since he chases sun and moon. When he nearly catches either of them, there is an eclipse, and the people try to drive him off by making a hideous uproar with musical and other instruments.(3) Captain Beeckman in 1704 was in Borneo, when the natives declared that the devil "was eating the moon".
In line with the overall idea that all things in nature are personal, whether human or animal, in their true form, and in their emotions and habits, there are myths that explain eclipses. These myths have been shared and discussed so often that a long explanation would be boring and unnecessary. For many indigenous people, and even for some Chinese and European peasants, the need for an explanation is met by the story that a wicked beast is devouring the sun or the moon. People even try to scare the beast (wolf, pig, dragon, or whatever it might be) from its meal by shooting guns, yelling, and banging cymbals. We aren't told what the hungry monster in the sky does when it's not nibbling on the sun or moon. It's likely that it hangs out with the big bird whose wings, according to the Dacotahs of America and the Zulus of Africa, create thunder; or it may hang out with the dragons, serpents, cows, and other airborne creatures that bring rain and appear in waterspouts. Myths from Chinese, Greenlandic, Hindu, Finnish, Lithuanian, and Moorish cultures about beasts that consume the moon are supported by Grimm. A Mongolian legend says that the gods wanted to punish the evil Arakho for his wrongdoings, but Arakho hid so cleverly that their limited power couldn't find him. When asked to be a spy, the sun gave a vague response, while the moon told the truth. Arakho was punished, and ever since, he chases the sun and moon. When he nearly catches either, an eclipse occurs, and people try to drive him away by making loud noises with musical instruments and other things. In 1704, Captain Beeckman was in Borneo when the locals claimed that the devil "was eating the moon."
(1) Tylor, Primitive Culture, vol. i.; Lefebure, Les Yeux d'Horus.
(1) Tylor, Primitive Culture, vol. i.; Lefebure, The Eyes of Horus.
(2) Teutonic Mythology, English trans., ii. 706.
(2) Teutonic Mythology, English trans., ii. 706.
(3) Moon-Lore by Rev. T. Harley, p. 167.
(3) Moon-Lore by Rev. T. Harley, p. 167.
Dr. Brinton in his Myths and Myth-Makers gives examples from Peruvians, Tupis, Creeks, Iroquois and Algonkins. It would be easy, and is perhaps superfluous, to go on multiplying proofs of the belief that sun and moon are, or have been, persons. In the Hervey Isles these two luminaries are thought to have been made out of the body of a child cut in twain by his parents. The blood escaped from the half which is the moon, hence her pallor.(1) This tale is an exception to the general rule, but reminds us of the many myths which represent the things in the world as having been made out of a mutilated man, like the Vedic Purusha. It is hardly necessary, except by way of record, to point out that the Greek myths of sun and moon, like the myths of savages, start from the conception of the solar and lunar bodies as persons with parts and passions, human loves and human sorrows. As in the Mongolian myth of Arakho, the sun "sees all and hears all," and, less honourable than the Mongolian sun, he plays the spy for Hephaestus on the loves of Ares and Aphrodite. He has mistresses and human children, such as Circe and Aeetes.(2)
Dr. Brinton in his Myths and Myth-Makers gives examples from Peruvians, Tupis, Creeks, Iroquois, and Algonquins. It would be easy, and maybe unnecessary, to keep adding evidence of the belief that the sun and moon are, or have been, people. In the Hervey Islands, these two celestial bodies are thought to have been created from the body of a child cut in half by their parents. The blood from the half that became the moon is what gives her that pale appearance.(1) This story is an exception to the general pattern, but it reminds us of many myths that depict worldly things as having been created from a mutilated man, like the Vedic Purusha. It's hardly necessary, except for the sake of documentation, to note that the Greek myths of the sun and moon, like the myths from primitive cultures, begin with the idea of these celestial bodies as beings with emotions and human-like traits, experiencing love and sorrow. In the Mongolian myth of Arakho, the sun "sees all and hears all," and, less honorable than the Mongolian sun, he spies for Hephaestus on the affairs between Ares and Aphrodite. He has lovers and human children, like Circe and Aeetes.(2)
(1) Gill, Myths and Songs, p. 45.
(1) Gill, Myths and Songs, p. 45.
(2) See chapter on Greek Divine Myths.
(2) See chapter on Greek Divine Myths.
The sun is all-seeing and all-penetrating. In a Greek song of to-day a mother sends a message to an absent daughter by the sun; it is but an unconscious repetition of the request of the dying Ajax that the heavenly body will tell his fate to his old father and his sorrowing spouse.(1)
The sun sees everything and reaches everywhere. In a modern Greek song, a mother sends a message to her daughter who isn't there through the sun; it's just an unintentional echo of Ajax's dying wish for the sun to share his fate with his elderly father and grieving wife.(1)
(1) Sophocles, Ajax, 846.
(1) Sophocles, Ajax, 846.
Selene, the moon, like Helios, the sun, was a person, and amorous. Beloved by Zeus, she gave birth to Pandia, and Pan gained her affection by the simple rustic gift of a fleece.(1) The Australian Dawn, with her present of a red kangaroo skin, was not more lightly won than the chaste Selene. Her affection for Endymion is well known, and her cold white glance shines through the crevices of his mountain grave, hewn in a rocky wall, like the tombs of Phrygia.(2) She is the sister of the sun in Hesiod, the daughter (by his sister) of Hyperion in the Homeric hymns to Helios.
Selene, the moon, just like Helios, the sun, was a person and easily fell in love. She was cherished by Zeus and gave birth to Pandia. Pan won her affection simply by gifting her a fleece. The Australian Dawn, who presented a red kangaroo skin, was not won over any easier than the pure Selene. Her love for Endymion is well-known, and her cold white gaze shines through the cracks of his mountain grave, carved into a rocky wall, similar to the tombs of Phrygia. She is the sister of the sun in Hesiod and the daughter (through his sister) of Hyperion in the Homeric hymns to Helios.
(1) Virgil, Georgics, iii. 391.
Virgil, Georgics, Book 3, line 391.
(2) Preller, Griech. Myth., i. 163.
(2) Preller, Greek Myth., i. 163.
In Greece the aspects of sun and moon take the most ideal human forms, and show themselves in the most gracious myths. But, after all, these retain in their anthropomorphism the marks of the earliest fancy, the fancy of Eskimos and Australians. It seems to be commonly thought that the existence of solar myths is denied by anthropologists. This is a vulgar error. There is an enormous mass of solar myths, but they are not caused by "a disease of language," and—all myths are not solar!
In Greece, the sun and moon take on the most perfect human forms and are illustrated in beautiful myths. However, these still carry the characteristics of the earliest imagination, similar to that of Eskimos and Australians. Many people believe that anthropologists deny the existence of solar myths, but that is a common misconception. There are a huge number of solar myths, but they aren’t the result of "a disease of language," and not all myths are solar!
There is no occasion to dwell long on myths of the same character in which the stars are accounted for as transformed human adventurers. It has often been shown that this opinion is practically of world-wide distribution.(1) We find it in Australia, Persia, Greece, among the Bushmen, in North and South America, among the Eskimos, in ancient Egypt, in New Zealand, in ancient India—briefly, wherever we look. The Sanskrit forms of these myths have been said to arise from confusion as to the meaning of words. But is it credible that, in all languages, however different, the same kind of unconscious puns should have led to the same mistaken beliefs? As the savage, barbarous and Greek star-myths (such as that of Callisto, first changed into a bear and then into a constellation) are familiar to most readers, a few examples of Sanskrit star-stories are offered here from the Satapatha Brahmana.(2) Fires are not, according to the Brahmana ritual, to be lighted under the stars called Krittikas, the Pleiades. The reason is that the stars were the wives of the bears (Riksha), for the group known in Brahmanic times as the Rishis (sages) were originally called the Rikshas (bears). But the wives of the bears were excluded from the society of their husbands, for the bears rise in the north and their wives in the east. Therefore the worshipper should not set up his fires under the Pleiades, lest he should thereby be separated from the company of his wife. The Brahmanas(3) also tell us that Prajapati had an unholy passion for his daughter, who was in the form of a doe. The gods made Rudra fire an arrow at Prajapati to punish him; he was wounded, and leaped into the sky, where he became one constellation and his daughter another, and the arrow a third group of stars. In general, according to the Brahmanas, "the stars are the lights of virtuous men who go to the heavenly world".(4)
There’s no need to spend much time on myths that describe the stars as transformed human adventurers. It’s been shown that this belief is actually widespread. We encounter it in Australia, Persia, Greece, among the Bushmen, in North and South America, among the Eskimos, in ancient Egypt, in New Zealand, and in ancient India—essentially everywhere we look. The Sanskrit variations of these myths have been said to come from misunderstandings of word meanings. But is it really believable that in all languages, no matter how different, the same kind of unintentional puns could have led to similar misconceptions? Since most readers are familiar with the savage, barbaric, and Greek star myths (like that of Callisto, who was first turned into a bear and then into a constellation), here are a few examples of Sanskrit star stories from the Satapatha Brahmana. According to Brahmana ritual, fires shouldn't be lit under the stars known as Krittikas, or the Pleiades. The reason is that these stars were the wives of the bears (Riksha); the group referred to in Brahmanic times as the Rishis (sages) was originally called the Rikshas (bears). However, the wives of the bears were excluded from their husbands' society, since the bears rise in the north and their wives in the east. Therefore, the worshiper should not light his fires under the Pleiades, so he doesn't end up separated from his wife. The Brahmanas also tell us that Prajapati had an inappropriate desire for his daughter, who appeared as a doe. The gods made Rudra shoot an arrow at Prajapati to punish him; he was hit and jumped into the sky, where he became one constellation and his daughter another, and the arrow became a third group of stars. In general, according to the Brahmanas, "the stars are the lights of virtuous men who go to the heavenly world."
(1) Custom and Myth, "Star-Myths"; Primitive Culture, i. 288, 291; J. G. Muller, Amerikanischen Urreligionen, pp. 52, 53.
(1) Custom and Myth, "Star-Myths"; Primitive Culture, i. 288, 291; J. G. Muller, American Indigenous Religions, pp. 52, 53.
(2) Sacred Books of the East, i. 283-286.
(2) Sacred Books of the East, i. 283-286.
(3) Aitareya Bramana, iii. 33.
Aitareya Brahmana, iii. 33.
(4) Satapatha Brahmana, vi. 5, 4, 8. For Greek examples, Hesiod, Ovid, and the Catasterismoi, attributed to Eratosthenes, are useful authorities. Probably many of the tales in Eratosthenes are late fictions consciously moulded on traditional data.
(4) Satapatha Brahmana, vi. 5, 4, 8. For Greek examples, Hesiod, Ovid, and the Catasterismoi, attributed to Eratosthenes, are useful references. Many of the stories in Eratosthenes are likely later inventions deliberately shaped by traditional material.
Passing from savage myths explanatory of the nature of celestial bodies to myths accounting for the formation and colour and habits of beasts, birds and fishes, we find ourselves, as an old Jesuit missionary says, in the midst of a barbarous version of Ovid's Metamorphoses. It has been shown that the possibility of interchange of form between man and beast is part of the working belief of everyday existence among the lower peoples. They regard all things as on one level, or, to use an old political phrase, they "level up" everything to equality with the human status. Thus Mr. Im Thurn, a very good observer, found that to the Indians of Guiana "all objects, animate or inaminate, seem exactly of the same nature, except that they differ by the accident of bodily form". Clearly to grasp this entirely natural conception of primitive man, the civilised student must make a great effort to forget for a time all that science has taught him of the differences between the objects which fill the world.(1) "To the ear of the savage, animals certainly seem to talk." "As far as the Indians of Guiana are concerned, I do not believe that they distinguish such beings as sun and moon, or such other natural phenomena as winds and storms, from men and other animals, from plants and other inanimate objects, or from any other objects whatsoever." Bancroft says about North American myths, "Beasts and birds and fishes fetch and carry, talk and act, in a way that leaves even Aesop's heroes quite in the shade".(2)
Moving from primitive myths that explain the nature of celestial bodies to those that explain the formation, color, and habits of animals, birds, and fish, we find ourselves, as an old Jesuit missionary put it, in a rough version of Ovid's Metamorphoses. It's been shown that the idea of shape-shifting between humans and animals is part of the everyday beliefs of many indigenous peoples. They see everything as equal, or to use an older political term, they "level up" everything to the same status as humans. For instance, Mr. Im Thurn, a keen observer, discovered that the people of Guiana believe "all objects, whether alive or not, seem to have the same nature, except that they differ only by their physical form." To truly understand this completely natural view of primitive people, the modern scholar has to make a real effort to set aside everything that science has taught them about the distinctions between the things that populate our world. "To a primitive person, it certainly seems like animals can talk." "As for the people of Guiana, I don't think they make a distinction between things like the sun and moon or natural phenomena like winds and storms, and men, animals, plants, or any other objects." Bancroft remarks about North American myths, "Animals, birds, and fish fetch, carry, talk, and act in ways that make even Aesop's characters seem dull."
(1) Journ. Anthrop. Inst., xi. 366-369. A very large and rich collection of testimonies as to metamorphosis will be found in J. G. Muller's Amerikanischen Urreligionen, p. 62 et seq.; while, for European superstitions, Bodin on La Demonomanie des Sorciers, Lyon, 1598, may be consulted.
(1) Journ. Anthrop. Inst., xi. 366-369. A huge and valuable collection of accounts about transformation can be found in J. G. Muller's Amerikanischen Urreligionen, p. 62 et seq.; for European superstitions, you can check Bodin's La Demonomanie des Sorciers, Lyon, 1598.
(2) Vol. iii. p. 127.
(2) Vol. 3, p. 127.
The savage tendency is to see in inanimate things animals, and in animals disguised men. M. Reville quotes in his Religions des Peuples Non-Civilise's, i. 64, the story of some Negroes, who, the first time they were shown a cornemuse, took the instrument for a beast, the two holes for its eyes. The Highlander who looted a watch at Prestonpans, and observing, "She's teed," sold it cheap when it ran down, was in the same psychological condition. A queer bit of savage science is displayed on a black stone tobacco-pipe from the Pacific Coast.(1) The savage artist has carved the pipe in the likeness of a steamer, as a steamer is conceived by him. "Unable to account for the motive power, he imagines the paddle to be linked round the tongue of a coiled serpent, fastened to the tail of the vessel," and so he represents it on the black stone pipe. Nay, a savage's belief that beasts are on his own level is so literal, that he actually makes blood-covenants with the lower animals, as he does with men, mingling his gore with theirs, or smearing both together on a stone;(2) while to bury dead animals with sacred rites is as usual among the Bedouins and Malagasies to-day as in ancient Egypt or Attica. In the same way the Ainos of Japan, who regard the bear as a kinsman, sacrifice a bear once a year. But, to propitiate the animal and his connections, they appoint him a "mother," an Aino girl, who looks after his comforts, and behaves in a way as maternal as possible. The bear is now a kinsman, (Greek text omitted), and cannot avenge himself within the kin. This, at least, seems to be the humour of it. In Lagarde's Reliquiae Juris Ecclesiastici Antiquissimae a similar Syrian covenant of kinship with insects is described. About 700 A. D., when a Syrian garden was infested by caterpillars, the maidens were assembled, and one caterpillar was caught. Then one of the virgins was "made its mother," and the creature was buried with due lamentations. The "mother" was then brought to the spot where the pests were, her companions bewailed her, and the caterpillars perished like their chosen kinsman, but without extorting revenge.(3) Revenge was out of their reach. They had been brought within the kin of their foes, and there were no Erinnyes, "avengers of kindred blood," to help them. People in this condition of belief naturally tell hundreds of tales, in which men, stones, trees, beasts, shift shapes, and in which the modifications of animal forms are caused by accident, or by human agency, or by magic, or by metamorphosis. Such tales survive in our modern folk-lore. To make our meaning clear, we may give the European nursery-myth of the origin of the donkey's long ears, and, among other illustrations, the Australian myth of the origin of the black and white plumage of the pelican. Mr. Ralston has published the Russian version of the myth of the donkey's ears. The Spanish form, which is identical with the Russian, is given by Fernan Caballero in La Gaviota.
The primitive instinct is to view inanimate objects as animals, and animals as disguised humans. M. Reville mentions in his *Religions des Peuples Non-Civilise's*, i. 64, a story about some African people who, when they first saw a bagpipe, mistook it for a creature, thinking the two holes were its eyes. The Highlander who stole a watch at Prestonpans and remarked, "She’s wound," sold it for cheap when it stopped working, was in a similar mental state. A curious aspect of primitive understanding is shown on a black stone tobacco pipe from the Pacific Coast. The primitive artist carved the pipe to resemble a steamboat as he imagined it. "Unable to explain the source of its power, he envisions the paddle connected to the tongue of a coiled serpent, tied to the back of the boat," which is how he depicts it on the black stone pipe. Moreover, a primitive person’s belief that animals are on the same level as himself is so literal that he enters into blood covenants with lesser creatures, just as he does with humans, mixing his blood with theirs, or smearing both on a stone; while burying dead animals with ceremonial rites is as common among the Bedouins and Malagasies today as it was in ancient Egypt or Attica. Similarly, the Ainos of Japan, who see bears as relatives, sacrifice one bear annually. However, to appease the animal and its kin, they designate an Aino girl as its “mother,” who cares for the bear and acts as maternal as possible. The bear is now a family member and cannot seek revenge within the family. This seems to be the essence of the belief. In Lagarde’s *Reliquiae Juris Ecclesiastici Antiquissimae*, a similar Syrian kinship agreement with insects is noted. Around 700 A.D., when a Syrian garden was overrun by caterpillars, the young women were gathered, and one caterpillar was captured. Then, one of the maidens was made its “mother,” and the creature was buried with appropriate mourning. The “mother” was brought to the area infested with pests, her friends mourned her, and the caterpillars perished like their chosen kin, though they could not seek revenge. Revenge was beyond their grasp. They had been drawn into the kinship of their enemies, and there were no Erinnyes, "avengers of kin," to assist them. People holding such beliefs naturally tell countless stories where humans, stones, trees, and animals change forms, and where changes in animal shapes occur due to chance, human actions, magic, or transformation. Such stories persist in our modern folklore. To clarify our point, we can mention the European nursery myth explaining the donkey's long ears and, among other examples, the Australian myth about the origin of the pelican's black and white plumage. Mr. Ralston has published the Russian version of the donkey's ears myth. The Spanish version, identical to the Russian, is presented by Fernan Caballero in *La Gaviota*.
(1) Magazine of Art, January, 1883.
(1) Magazine of Art, January, 1883.
(2) "Malagasy Folk-Tales," Folk-Lore Journal, October, 1883.
(2) "Malagasy Folk-Tales," Folk-Lore Journal, October, 1883.
(3) We are indebted to Professor Robertson Smith for this example, and to Miss Bird's Journal, pp. 90, 97, for the Aino parallel.
(3) We owe thanks to Professor Robertson Smith for this example, and to Miss Bird's Journal, pages 90 and 97, for the Aino parallel.
"Listen! do you know why your ears are so big?" (the story is told to a stupid little boy with big ears). "When Father Adam found himself in Paradise with the animals, he gave each its name; those of THY species, my child, he named 'donkeys'. One day, not long after, he called the beasts together, and asked each to tell him its name. They all answered right except the animals of THY sort, and they had forgotten their name! Then Father Adam was very angry, and, taking that forgetful donkey by the ears, he pulled them out, screaming 'You are called DONKEY!' And the donkey's ears have been long ever since." This, to a child, is a credible explanation. So, perhaps, is another survival of this form of science—the Scotch explanation of the black marks on the haddock; they were impressed by St. Peter's finger and thumb when he took the piece of money for Caesar's tax out of the fish's mouth.
"Listen! Do you know why your ears are so big?" (the story is told to a silly little boy with big ears). "When Father Adam found himself in Paradise with the animals, he named each one; the members of YOUR species, my child, he called 'donkeys'. One day, not long after, he gathered the animals together and asked each to tell him its name. They all answered correctly except for those of YOUR kind, who had forgotten their name! Then Father Adam got really angry, and, taking that forgetful donkey by the ears, he pulled them out, shouting 'You are called DONKEY!' And the donkey's ears have been long ever since." This, to a child, is a believable explanation. So, perhaps, is another version of this kind of science—the Scottish explanation of the black marks on the haddock; they were made by St. Peter's finger and thumb when he took the coin for Caesar's tax out of the fish's mouth.
Turning from folk-lore to savage beliefs, we learn that from one end of Africa to another the honey-bird, schneter, is said to be an old woman whose son was lost, and who pursued him till she was turned into a bird, which still shrieks his name, "Schneter, Schneter".(1) In the same way the manners of most of the birds known to the Greeks were accounted for by the myth that they had been men and women. Zeus, for example, turned Ceyx and Halcyon into sea-fowls because they were too proud in their married happiness.(2) To these myths of the origin of various animals we shall return, but we must not forget the black and white Australian pelican. Why is the pelican parti-coloured?(3) For this reason: After the Flood (the origin of which is variously explained by the Murri), the pelican (who had been a black fellow) made a canoe, and went about like a kind of Noah, trying to save the drowning. In the course of his benevolent mission he fell in love with a woman, but she and her friends played him a trick and escaped from him. The pelican at once prepared to go on the war-path. The first thing to do was to daub himself white, as is the custom of the blacks before a battle. They think the white pipe-clay strikes terror and inspires respect among the enemy. But when the pelican was only half pipe-clayed, another pelican came past, and, "not knowing what such a queer black and white thing was, struck the first pelican with his beak and killed him. Before that pelicans were all black; now they are black and white. That is the reason."(4)
Turning from folklore to primitive beliefs, we learn that from one end of Africa to the other, the honey-bird, schneter, is said to be an old woman whose son was lost. She chased him until she was transformed into a bird, which still calls out his name, "Schneter, Schneter."(1) Similarly, the behaviors of most birds known to the Greeks were explained by myths that they used to be men and women. For example, Zeus turned Ceyx and Halcyon into sea birds because they were too proud of their married happiness.(2) We will return to these myths about the origins of various animals, but we can't forget the black and white Australian pelican. Why is the pelican two-tone?(3) Here's why: After the Flood (the origin of which is explained differently by the Murri), the pelican (who had been a black man) made a canoe and went around like a kind of Noah, trying to save those who were drowning. During his noble quest, he fell in love with a woman, but she and her friends played a trick on him and got away. The pelican immediately decided to go to war. The first thing he did was to paint himself white, as is the tradition among black people before a battle. They believe the white pipe-clay inspires fear and commands respect from the enemy. But when the pelican was only half-painted white, another pelican flew by, and "not knowing what such a strange black and white thing was, struck the first pelican with his beak and killed him. Before that, pelicans were all black. Now they are black and white. That's the reason."(4)
(1) Barth, iii. 358.
Barth, vol. 3, p. 358.
(2) Apollodorus, i. 7 (13, 12).
(2) Apollodorus, i. 7 (13, 12).
(3) Sahagun, viii. 2, accounts for colours of eagle and tiger. A number of races explain the habits and marks of animals as the result of a curse or blessing of a god or hero. The Hottentots, the Huarochiri of Peru, the New Zealanders (Shortland, Traditions, p. 57), are among the peoples which use this myth.
(3) Sahagun, viii. 2, talks about the colors of eagles and tigers. Several cultures explain the behaviors and patterns of animals as the result of a curse or blessing from a god or hero. The Hottentots, the Huarochiri of Peru, and the New Zealanders (Shortland, Traditions, p. 57) are among the groups that share this myth.
(4) Brough Symth, Aborigines of Australia, i. 477, 478.
(4) Brough Symth, Aborigines of Australia, i. 477, 478.
"That is the reason." Therewith native philosopy is satisfied, and does not examine in Mr. Darwin's laborious manner the slow evolution of the colour of the pelican's plumage. The mythological stories about animals are rather difficult to treat, because they are so much mixed up with the topic of totemism. Here we only examine myths which account by means of a legend for certain peculiarities in the habits, cries, or colours and shapes of animals. The Ojibbeways told Kohl they had a story for every creature, accounting for its ways and appearance. Among the Greeks, as among Australians and Bushmen, we find that nearly every notable bird or beast had its tradition. The nightingale and the swallow have a story of the most savage description, a story reported by Apollodorus, though Homer(1) refers to another, and, as usual, to a gentler and more refined form of the myth. Here is the version of Apollodorus. "Pandion" (an early king of Athens) "married Zeuxippe, his mother's sister, by whom he had two daughters, Procne and Philomela, and two sons, Erechtheus and Butes. A war broke out with Labdas about some debatable land, and Erechtheus invited the alliance of Tereus of Thrace, the son of Ares. Having brought the war, with the aid of Tereus, to a happy end, he gave him his daughter Procne to wife. By Procne, Tereus had a son, Itys, and thereafter fell in love with Philomela, whom he seduced, pretending that Procne was dead, whereas he had really concealed her somewhere in his lands. Thereon he married Philomela, and cut out her tongue. But she wove into a robe characters that told the whole story, and by means of these acquainted Procne with her sufferings. Thereon Procne found her sister, and slew Itys, her own son, whose body she cooked, and served up to Tereus in a banquet. Thereafter Procne and her sister fled together, and Tereus seized an axe and followed after them. They were overtaken at Daulia in Phocis, and prayed to the gods that they might be turned into birds. So Procne became the nightingale, and Philomela the swallow, while Tereus was changed into a hoopoe."(2) Pausanias has a different legend; Procne and Philomela died of excessive grief.
"That's the reason." Native philosophy is satisfied with this explanation and does not analyze in Mr. Darwin's detailed way the slow evolution of the pelican's feathers. The mythological stories about animals are quite challenging to address because they are closely linked to the topic of totemism. Here, we only look at myths that use legends to explain certain traits in the behaviors, calls, or colors and shapes of animals. The Ojibbeways told Kohl they had a story for every creature, explaining its mannerisms and appearance. Among the Greeks, like the Australians and Bushmen, almost every notable bird or beast has its own tradition. The nightingale and the swallow have a brutal story, as reported by Apollodorus, although Homer(1) mentions another, usually a gentler and more refined version of the myth. Here’s Apollodorus's version: "Pandion" (an early king of Athens) "married Zeuxippe, his mother's sister, and they had two daughters, Procne and Philomela, and two sons, Erechtheus and Butes. A war broke out with Labdas over some disputed land, and Erechtheus sought the help of Tereus of Thrace, the son of Ares. After successfully ending the war with Tereus's assistance, he gave him his daughter Procne as his wife. With Procne, Tereus had a son, Itys, and then became infatuated with Philomela, whom he seduced while pretending that Procne was dead, although he had actually hidden her somewhere in his territory. He then married Philomela and cut out her tongue. However, she wove a robe with characters that told the entire story, which she used to inform Procne of her plight. In response, Procne found her sister, killed Itys, her own son, cooked his body, and served it to Tereus during a banquet. Afterwards, Procne and her sister fled together, and Tereus grabbed an axe and pursued them. They were caught at Daulia in Phocis and prayed to the gods to turn them into birds. Thus, Procne became the nightingale, and Philomela became the swallow, while Tereus was transformed into a hoopoe."(2) Pausanias offers a different legend; Procne and Philomela died from overwhelming grief.
(1) Odyssey, xix. 523.
Odyssey, 19.523.
(2) A Red Indian nightingale-myth is alluded to by J. G. Muller, Amerik. Urrel., p. 175. Some one was turned into a nightingale by the sun, and still wails for a lost lover.
(2) J. G. Muller references a Red Indian nightingale myth in Amerik. Urrel., p. 175. Someone was transformed into a nightingale by the sun and still mourns for a lost lover.
These ancient men and women metamorphosed into birds were HONOURED AS ANCESTORS by the Athenians.(1) Thus the unceasing musical wail of the nightingale and the shrill cry of the swallow were explained by a Greek story. The birds were lamenting their old human sorrow, as the honey-bird in Africa still repeats the name of her lost son.
These ancient men and women transformed into birds were HONOURED AS ANCESTORS by the Athenians.(1) So, the constant musical cry of the nightingale and the sharp call of the swallow were explained by a Greek tale. The birds were mourning their past human grief, just like the honey-bird in Africa still calls out the name of her lost son.
(1) Pausanias, i. v. Pausanias thinks such things no longer occur.
(1) Pausanias, i. v. Pausanias believes that such things do not happen anymore.
Why does the red-robin live near the dwellings of men, a bold and friendly bird? The Chippeway Indians say he was once a young brave whose father set him a task too cruel for his strength, and made him starve too long when he reached man's estate. He turned into a robin, and said to his father, "I shall always be the friend of man, and keep near their dwellings. I could not gratify your pride as a warrior, but I will cheer you by my songs."(1) The converse of this legend is the Greek myth of the hawk. Why is the hawk so hated by birds? Hierax was a benevolent person who succoured a race hated by Poseidon. The god therefore changed him into a hawk, and made him as much detested by birds, and as fatal to them, as he had been beloved by and gentle to men.(2) The Hervey Islanders explain the peculiarities of several fishes by the share they took in the adventures of Ina, who stamped, for example, on the sole, and so flattened him for ever.(3) In Greece the dolphins were, according to the Homeric hymn to Dionysus, metamorphosed pirates who had insulted the god. But because the dolphin found the hidden sea-goddess whom Poseidon loved, the dolphin, too, was raised by the grateful sea-god to the stars.(4) The vulture and the heron, according to Boeo (said to have been a priestess in Delphi and the author of a Greek treatise on the traditions about birds), were once a man named Aigupios (vulture) and his mother, Boulis. They sinned inadvertently, like Oedipus and Jocasta; wherefore Boulis, becoming aware of the guilt, was about to put out the eyes of her son and slay herself. Then they were changed, Boulis into the heron, "which tears out and feeds on the eyes of snakes, birds and fishes, and Aigupios into the vulture which bears his name". This story, of which the more repulsive details are suppressed, is much less pleasing and more savage than the Hervey Islanders' myth of the origin of pigs. Maaru was an old blind man who lived with his son Kationgia. There came a year of famine, and Kationgia had great difficulty in finding food for himself and his father. He gave the blind old man puddings of banana roots and fishes, while he lived himself on sea-slugs and shellfish, like the people of Terra del Fuego. But blind old Maaru suspected his son of giving him the worst share and keeping what was best for himself. At last he discovered that Kationgia was really being starved; he felt his body, and found that he was a mere living skeleton. The two wept together, and the father made a feast of some cocoa-nuts and bread-fruit, which he had reserved against the last extremity. When all was finished, he said he had eaten his last meal and was about to die. He ordered his son to cover him with leaves and grass, and return to the spot in four days. If worms were crawling about, he was to throw leaves and grass over them and come back four days later. Kationgia did as he was instructed, and, on his second visit to the grave, found the whole mass of leaves in commotion. A brood of pigs, black, white and speckled, had sprung up from the soil; famine was a thing of the past, and Kationgia became a great chief in the island.(5)
Why does the red robin live close to people, a bold and friendly bird? The Chippeway Indians say he was once a young brave whose father gave him a task that was too cruel for his strength and made him starve for too long when he became a man. He turned into a robin and told his father, "I will always be a friend to humans and stay near their homes. I couldn't satisfy your pride as a warrior, but I will bring you joy with my songs."(1) The opposite of this legend is the Greek myth about the hawk. Why is the hawk hated by other birds? Hierax was a kind person who helped a race despised by Poseidon. Because of this, the god transformed him into a hawk, making him as hated by birds and as deadly to them as he had been loved by and gentle to humans.(2) The Hervey Islanders explain the unique traits of various fish based on their involvement in the adventures of Ina, who, for instance, stepped on the sole and flattened it forever.(3) In Greece, dolphins were, according to the Homeric hymn to Dionysus, transformed pirates who had offended the god. But since the dolphin found the hidden sea goddess whom Poseidon adored, the grateful sea god raised the dolphin to the stars.(4) The vulture and the heron, according to Boeo (believed to be a priestess at Delphi and the author of a Greek treatise on bird traditions), were once a man named Aigupios (vulture) and his mother, Boulis. They sinned unintentionally, like Oedipus and Jocasta; so Boulis, realizing their guilt, was about to blind her son and kill herself. Then they were transformed, Boulis into the heron, "which rips out and feeds on the eyes of snakes, birds, and fish, and Aigupios into the vulture which bears his name." This tale, with its more disturbing details omitted, is much less pleasant and more brutal than the Hervey Islanders' myth about the origin of pigs. Maaru was an old blind man who lived with his son Kationgia. One year, famine struck, and Kationgia struggled to find food for himself and his father. He fed the blind old man banana root puddings and fish, while he survived on sea slugs and shellfish, like the people of Terra del Fuego. But blind old Maaru suspected his son was giving him the worst food and keeping the best for himself. Eventually, he discovered that Kationgia was truly starving; he felt his body and realized he was just a living skeleton. They both cried together, and the father prepared a feast from some coconuts and breadfruit he had saved for desperate times. When they finished, he said it was his last meal and that he was about to die. He instructed his son to cover him with leaves and grass and return in four days. If worms were crawling around, he was to throw leaves and grass over them and come back again in four days. Kationgia followed his father's instructions, and on his second visit to the grave, he found all the leaves in motion. A litter of pigs, black, white, and speckled, had emerged from the ground; famine was no longer a problem, and Kationgia became a great chief on the island.(5)
(1) Schoolcraft, ii. 229, 230.
Schoolcraft, vol. 2, pp. 229, 230.
(1) Boeo, quoted by Antoninus Liberalis.
(1) Boeo, quoted by Antoninus Liberalis.
(3) Gill, South Sea Myths, pp. 88-95.
(3) Gill, South Sea Myths, pp. 88-95.
(4) Artemidorus in his Love Elegies, quoted by the Pseud-Eratosthenes.
(4) Artemidorus in his Love Elegies, quoted by the Pseud-Eratosthenes.
(5) Gill, Myths and Songs from South Pacific, pp. 135-138.
(5) Gill, Myths and Songs from South Pacific, pp. 135-138.
"The owl was a baker's daughter" is the fragment of Christian mythology preserved by Ophelia. The baker's daughter behaved rudely to our Lord, and was changed into the bird that looks not on the sun. The Greeks had a similar legend of feminine impiety by which they mythically explained the origin of the owl, the bat and the eagle-owl. Minyas of Orchomenos had three daughters, Leucippe, Arsippe and Alcathoe, most industrious women, who declined to join the wild mysteries of Dionysus. The god took the shape of a maiden, and tried to win them to his worship. They refused, and he assumed the form of a bull, a lion, and a leopard as easily as the chiefs of the Abipones become tigers, or as the chiefs among the African Barotse and Balonda metamorphose themselves into lions and alligators.(1) The daughters of Minyas, in alarm, drew lots to determine which of them should sacrifice a victim to the god. Leucippe drew the lot and offered up her own son. They then rushed to join the sacred rites of Dionysus, when Hermes transformed them into the bat, the owl and the eagle-owl, and these three hide from the light of the sun.(2)
"The owl was the baker's daughter" is a piece of Christian mythology preserved by Ophelia. The baker's daughter acted rudely towards our Lord and was turned into the bird that doesn't look at the sun. The Greeks had a similar story about a woman's disrespect, which they used to explain the origin of the owl, the bat, and the eagle-owl. Minyas of Orchomenos had three daughters, Leucippe, Arsippe, and Alcathoe, who were very hardworking but refused to participate in the wild rituals of Dionysus. The god took on the form of a maiden and tried to entice them to worship him. When they refused, he transformed into a bull, a lion, and a leopard, just as the chiefs of the Abipones become tigers, or the leaders among the African Barotse and Balonda turn into lions and alligators. The daughters of Minyas, frightened, drew lots to decide who would make a sacrifice to the god. Leucippe drew the short straw and sacrificed her own son. They then rushed to partake in the sacred rites of Dionysus, at which point Hermes transformed them into the bat, the owl, and the eagle-owl, and these three avoid the light of the sun.
(1) Livingstone, Missionary Travels, pp. 615, 642.
(1) Livingstone, Missionary Travels, pp. 615, 642.
(2) Nicander, quoted by Antoninus Liberalis.
(2) Nicander, as mentioned by Antoninus Liberalis.
A few examples of Bushman and Australian myths explanatory of the colours and habits of animals will probably suffice to establish the resemblance between savage and Hellenic legends of this character. The Bushman myth about the origin of the eland (a large antelope) is not printed in full by Dr. Bleek, but he observes that it "gives an account of the reasons for the colours of the gemsbok, hartebeest, eland, quagga and springbok".(1) Speculative Bushmen seem to have been puzzled to account for the wildness of the eland. It would be much more convenient if the eland were tame and could be easily captured. They explain its wildness by saying that the eland was "spoiled" before Cagn, the creator, or rather maker of most things, had quite finished it. Cagn's relations came and hunted the first eland too soon, after which all other elands grew wild. Cagn then said, "Go and hunt them and try to kill one; that is now your work, for it was you who spoilt them".(2) The Bushmen have another myth explanatory of the white patches on the breasts of crows in their country. Some men tarried long at their hunting, and their wives sent out crows in search of their husbands. Round each crow's neck was hung a piece of fat to serve as food on the journey. Hence the crows have white patches on breast and neck.
A few examples of Bushman and Australian myths that explain the colors and behaviors of animals will likely be enough to show the similarities between primitive and Greek legends of this kind. The Bushman myth about how the eland (a large antelope) came to be isn't fully recorded by Dr. Bleek, but he notes that it "explains the reasons for the colors of the gemsbok, hartebeest, eland, quagga, and springbok." (1) Curious Bushmen seemed confused about why the eland is so wild. It would be much easier if the eland were domesticated and could be easily caught. They explain its wildness by saying that the eland was "spoiled" before Cagn, the creator, or rather the maker of most things, had finished creating it. Cagn's relatives came and hunted the first eland too soon, which caused all the other elands to become wild. Cagn then said, "Go and hunt them and try to kill one; that will be your task, for it was you who ruined them." (2) The Bushmen have another myth that explains the white patches on the breasts of crows in their area. Some men took a long time hunting, and their wives sent out crows to search for their husbands. Each crow had a piece of fat hung around its neck to serve as food on the journey. That's why the crows have white patches on their breast and neck.
(1) Brief Account of Bushmen Folk-Lore, p. 7.
(1) Short Overview of Bushmen Folklore, p. 7.
(2) Cape Monthly Magazine, July, 1874.
(2) Cape Monthly Magazine, July, 1874.
In Australia the origins of nearly all animals appear to be explained in myths, of which a fair collection is printed in Mr. Brough Symth's Aborigines of Victoria.(1) Still better examples occur in Mrs. Langloh Parker's Australian Legends. Why is the crane so thin? Once he was a man named Kar-ween, the second man fashioned out of clay by Pund-jel, a singular creative being, whose chequered career is traced elsewhere in our chapter on "Savage Myths of the Origin of the World and of Man". Kar-ween and Pund-jel had a quarrel about the wives of the former, whom Pund-jel was inclined to admire. The crafty Kar-ween gave a dance (jugargiull, corobboree), at which the creator Pund-jel was disporting himself gaily (like the Great Panjandrum), when Kar-ween pinned him with a spear. Pund-jel threw another which took Kar-ween in the knee-joint, so that he could not walk, but soon pined away and became a mere skeleton. "Thereupon Pund-jel made Kar-ween a crane," and that is why the crane has such attenuated legs. The Kortume, Munkari and Waingilhe, now birds, were once men. The two latter behaved unkindly to their friend Kortume, who shot them out of his hut in a storm of rain, singing at the same time an incantation. The three then turned into birds, and when the Kortume sings it is a token that rain may be expected.
In Australia, the origins of almost all animals seem to be explained in myths, with a good collection published in Mr. Brough Smyth's *Aborigines of Victoria*. Even better examples can be found in Mrs. Langloh Parker's *Australian Legends*. Why is the crane so thin? Once, he was a man named Kar-ween, the second man shaped from clay by Pund-jel, a unique creative being, whose varied story is detailed in our chapter on "Savage Myths of the Origin of the World and of Man". Kar-ween and Pund-jel had a disagreement about Kar-ween's wives, whom Pund-jel admired. The cunning Kar-ween organized a dance (jugargiull, corroboree), where Pund-jel was joyfully participating, similar to the Great Panjandrum, when Kar-ween struck him with a spear. Pund-jel threw another spear, hitting Kar-ween in the knee, preventing him from walking, and he soon withered away to become just a skeleton. "Then Pund-jel turned Kar-ween into a crane," which is why cranes have such long legs. The Kortume, Munkari, and Waingilhe, now birds, were once men. The latter two treated their friend Kortume poorly, leading him to shoot them out of his hut during a rainstorm while singing an incantation. The three transformed into birds, and when Kortume sings, it signals that rain is on the way.
(1) Vol. i. p. 426 et seq.
(1) Vol. i. p. 426 and following.
Let us now compare with these Australian myths of the origin of certain species of birds the Greek story of the origin of frogs, as told by Menecrates and Nicander.(1) The frogs were herdsmen metamorphosed by Leto, the mother of Apollo. But, by way of showing how closely akin are the fancies of Greeks and Australian black fellows, we shall tell the legend without the proper names, which gave it a fictitious dignity.
Let’s now compare these Australian myths about the origins of certain bird species with the Greek story of how frogs came to be, as told by Menecrates and Nicander.(1) The frogs were once herdsmen who were transformed by Leto, the mother of Apollo. To illustrate the similarities between the fantasies of the Greeks and the Aboriginal Australians, we’ll share the legend without the specific names that gave it a sense of grandeur.
(1) Antoninus Liberalis, xxxv.
Antoninus Liberalis, 35.
THE ORIGIN OF FROGS.
THE ORIGIN OF FROGS.
"A woman bore two children, and sought for a water-spring wherein to bathe them. She found a well, but herdsmen drove her away from it that their cattle might drink. Then some wolves met her and led her to a river, of which she drank, and in its waters she bathed her children. Then she went back to the well where the herdsmen were now bathing, and she turned them all into frogs. She struck their backs and shoulders with a rough stone and drove them into the waters, and ever since that day frogs live in marshes and beside rivers."
A woman had two children and looked for a spring where she could bathe them. She found a well, but herdsmen chased her away so their cattle could drink. Then some wolves came across her and led her to a river, where she drank and bathed her children. Afterwards, she returned to the well, where the herdsmen were now bathing, and turned them all into frogs. She hit their backs and shoulders with a rough stone and pushed them into the water, and ever since that day, frogs have lived in marshes and by rivers.
A volume might be filled with such examples of the kindred fancies of Greeks and savages. Enough has probably been said to illustrate our point, which is that Greek myths of this character were inherited from the period of savagery, when ideas of metamorphosis and of the kinship of men and beasts were real practical beliefs. Events conceived to be common in real life were introduced into myths, and these myths were savage science, and were intended to account for the Origin of Species. But when once this train of imagination has been fired, it burns on both in literature and in the legends of the peasantry. Every one who writes a Christmas tale for children now employs the machinery of metamorphosis, and in European folk-lore, as Fontenelle remarked, stories persist which are precisely similar in kind to the minor myths of savages.
A book could be filled with examples of the similar ideas shared by Greeks and primitive people. We've probably said enough to make our point, which is that these kinds of Greek myths were passed down from a time of savagery, when the ideas of transformation and the connection between humans and animals were genuine beliefs. Events thought to be common in real life were woven into these myths, which served as a primitive form of science meant to explain the Origin of Species. Once this imaginative spark is ignited, it continues to flourish in both literature and the stories of common folk. Nowadays, anyone writing a Christmas story for kids uses transformation as a key element, and in European folklore, as Fontenelle noted, stories still exist that are very similar to the minor myths of primitive cultures.
Reasoning in this wise, the Mundas of Bengal thus account for peculiarities of certain animals. Sing Bonga, the chief god, cast certain people out of heaven; they fell to earth, found iron ore, and began smelting it. The black smoke displeased Sing Bonga, who sent two king crows and an owl to bid people cease to pollute the atmosphere. But the iron smelters spoiled these birds' tails, and blackened the previously white crow, scorched its beak red, and flattened its head. Sing Bonga burned man, and turned woman into hills and waterspouts.(1)
Reasoning this way, the Mundas of Bengal explain the unique traits of certain animals. Sing Bonga, the main god, expelled certain people from heaven; they fell to earth, discovered iron ore, and started smelting it. The black smoke annoyed Sing Bonga, who sent two king crows and an owl to tell people to stop polluting the air. But the iron smelters ruined these birds' tails, turned the previously white crow black, scorched its beak red, and flattened its head. Sing Bonga punished man and transformed woman into hills and waterspouts.(1)
(1) Dalton, pp. 186, 187.
Dalton, pp. 186, 187.
Examples of this class of myth in Indo-Aryan literature are not hard to find. Why is dawn red? Why are donkeys slow? Why have mules no young ones? Mules have no foals because they were severely burned when Agni (fire) drove them in a chariot race. Dawn is red, not because (as in Australia) she wears a red kangaroo cloak, but because she competed in this race with red cows for her coursers. Donkeys are slow because they never recovered from their exertions in the same race, when the Asvins called on their asses and landed themselves the winners.(1) And cows are accommodated with horns for a reason no less probable and satisfactory.(2)
Examples of this type of myth in Indo-Aryan literature are easy to find. Why is dawn red? Why are donkeys slow? Why don't mules have young ones? Mules don't have foals because they were badly burned when Agni (the god of fire) raced them in a chariot competition. Dawn is red, not because (like in Australia) she wears a red kangaroo cloak, but because she raced against red cows for her horses. Donkeys are slow because they never recovered from their efforts in that same race when the Asvins called on their asses and ended up winning. And cows have horns for a reason that's just as probable and satisfying.
(1) Aitareya Brahmana, ii. 272, iv. 9.
(1) Aitareya Brahmana, ii. 272, iv. 9.
(2) iv. 17.
(2) iv. 17.
Though in the legends of the less developed peoples men and women are more frequently metamorphosed into birds and beasts than into stones and plants, yet such changes of form are by no means unknown. To the north-east of Western Point there lies a range of hills, inhabited, according to the natives of Victoria, by a creature whose body is made of stone, and weapons make no wound in so sturdy a constitution. The blacks refuse to visit the range haunted by the mythic stone beast. "Some black fellows were once camped at the lakes near Shaving Point. They were cooking their fish when a native dog came up. They did not give him anything to eat. He became cross and said, 'You black fellows have lots of fish, but you give me none'. So he changed them all into a big rock. This is quite true, for the big rock is there to this day, and I have seen it with my own eyes."(1) Another native, Toolabar, says that the women of the fishing party cried out yacka torn, "very good". A dog replied yacka torn, and they were all changed into rocks. This very man, Toolabar, once heard a dog begin to talk, whereupon he and his father fled. Had they waited they would have become stones. "We should have been like it, wallung," that is, stones.
Though in the legends of less developed peoples, men and women are more often transformed into birds and animals than into stones and plants, such changes in form are not unheard of. To the northeast of Western Point, there's a range of hills that, according to the locals of Victoria, is home to a creature whose body is made of stone, and weapons do not harm its strong structure. The locals avoid the area haunted by this mythical stone beast. "Some locals were once camping at the lakes near Shaving Point. They were cooking their fish when a native dog approached. They didn't give him anything to eat. He got angry and said, 'You guys have plenty of fish, but you won’t share with me.' So he turned them all into a big rock. This is absolutely true because the big rock is still there today, and I've seen it with my own eyes."(1) Another local, Toolabar, mentions that the women of the fishing group shouted yacka torn, "very good." A dog responded with yacka torn, and they all turned into rocks. This same man, Toolabar, once heard a dog start talking, and he and his father ran away. If they had waited, they would have turned into stones. "We would have ended up like it, wallung," meaning, stones.
(1) Native narrator, ap. Brough Smyth, i. 479.
(1) Native narrator, according to Brough Smyth, p. 479.
Among the North American Indians any stone which has a resemblance to the human or animal figure is explained as an example of metamorphosis. Three stones among the Aricaras were a girl, her lover and her dog, who fled from home because the course of true love did not run smooth, and who were petrified. Certain stones near Chinook Point were sea-giants who swallowed a man. His brother, by aid of fire, dried up the bay and released the man, still alive, from the body of the giant. Then the giants were turned into rocks.(1) The rising sun in Popol Vuh (if the evidence of Popol Vuh, the Quichua sacred book, is to be accepted) changed into stone the lion, serpent and tiger gods. The Standing Rock on the Upper Missouri is adored by the Indians, and decorated with coloured ribbons and skins of animals. This stone was a woman, who, like Niobe, became literally petrified with grief when her husband took a second wife. Another stone-woman in a cave on the banks of the Kickapoo was wont to kill people who came near her, and is even now approached with great respect. The Oneidas and Dacotahs claim descent from stones to which they ascribe animation.(2) Montesinos speaks of a sacred stone which was removed from a mountain by one of the Incas. A parrot flew out of it and lodged in another stone, which the natives still worship.(3) The Breton myth about one of the great stone circles (the stones were peasants who danced on a Sunday) is a well-known example of this kind of myth surviving in folk-lore. There is a kind of stone Actaeon(4) near Little Muniton Creek, "resembling the bust of a man whose head is decorated with the horns of a stag".(5) A crowd of myths of metamorphosis into stone will be found among the Iroquois legends in Report of Bureau of Ethnology, 1880-81. If men may become stones, on the other hand, in Samoa (as in the Greek myth of Deucalion), stones may become men.(6) Gods, too, especially when these gods happen to be cuttlefish, might be petrified. They were chased in Samoa by an Upolu hero, who caught them in a great net and killed them. "They were changed into stones, and now stand up in a rocky part of the lagoon on the north side of Upolu."(7) Mauke, the first man, came out of a stone. In short,(8) men and stones and beasts and gods and thunder have interchangeable forms. In Mangaia(9) the god Ra was tossed up into the sky by Maui and became pumice-stone. Many samples of this petrified deity are found in Mangaia. In Melanesia matters are so mixed that it is not easy to decide whether a worshipful stone is the dwelling of a dead man's soul or is of spiritual merit in itself, or whether "the stone is the spirit's outward part or organ". The Vui, or spirit, has much the same relations with snakes, owls and sharks.(10) Qasavara, the mythical opponent of Qat, the Melanesian Prometheus, "fell dead from heaven" (like Ra in Mangia), and was turned into a stone, on which sacrifices are made by those who desire strength in fighting.
Among North American Indigenous peoples, any stone that resembles a human or animal figure is seen as a case of transformation. Three stones among the Aricaras represent a girl, her lover, and her dog, who ran away because their love faced obstacles and were turned to stone. Certain stones near Chinook Point are said to be sea giants who swallowed a man. His brother used fire to dry up the bay and freed the man, who was still alive, from the giant's body. Then the giants became rocks. According to the Popol Vuh (if we accept the evidence of the Quichua sacred book), the rising sun turned the lion, serpent, and tiger gods into stone. Standing Rock on the Upper Missouri is revered by the Indigenous people, adorned with colorful ribbons and animal skins. This stone was a woman who, like Niobe, was literally turned to stone from grief when her husband took a second wife. Another stone-woman, located in a cave by the Kickapoo, used to kill anyone who approached her, and she is still approached with great respect. The Oneidas and Dacotahs believe they are descended from stones that they think are alive. Montesinos mentions a sacred stone that was taken from a mountain by one of the Incas. A parrot flew out of it and settled in another stone that the locals still worship. The Breton myth about one of the famous stone circles (where the stones were peasants dancing on a Sunday) is a well-known example of this type of myth persisting in folklore. There is a stone resembling Actaeon near Little Muniton Creek, "appearing like the bust of a man whose head is adorned with the antlers of a stag." Many myths about transformation into stone can be found in the Iroquois legends reported by the Bureau of Ethnology in 1880-81. If men can become stones, in Samoa (similar to the Greek myth of Deucalion), stones can also become men. Gods, especially when they are cuttlefish, might also be turned to stone. In Samoa, an Upolu hero chased them, caught them in a large net, and killed them. "They were turned into stones and now stand in a rocky area of the lagoon on the north side of Upolu." Mauke, the first man, emerged from a stone. In summary, men, stones, animals, gods, and thunder can all change forms. In Mangaia, the god Ra was thrown into the sky by Maui and became pumice stone. Many pieces of this petrified deity can be found in Mangaia. In Melanesia, things are so intertwined that it's hard to determine whether a revered stone is the home of a dead person's soul, has spiritual value itself, or if "the stone is the spirit's outer form or organ." The Vui, or spirit, has similar connections with snakes, owls, and sharks. Qasavara, the mythical rival of Qat, the Melanesian Prometheus, "fell dead from heaven" (like Ra in Mangaia) and was turned into stone, on which sacrifices are made by those seeking strength in battle.
(1) See authorities ap. Dorman, Primitive Superstitions, pp. 130-138.
(1) See sources in Dorman, Primitive Superstitions, pp. 130-138.
(2) Dorman, p. 133.
Dorman, p. 133.
(3) Many examples are collected by J. G. Muller, Amerikanischen Urreligionen, pp. 97, 110, 125, especially when the stones have a likeness to human form, p. 17a. "Im der That werden auch einige in Steine, oder in Thiere and Pflanzen verwandelt." Cf. p. 220. Instances (from Balboa) of men turned into stone by wizards, p. 309.
(3) Many examples are gathered by J. G. Muller, Amerikanischen Urreligionen, pp. 97, 110, 125, especially when the stones resemble human forms, p. 17a. "In fact, some are also transformed into stones, animals, or plants." Cf. p. 220. Examples (from Balboa) of men being turned into stone by wizards, p. 309.
(4) Preller thinks that Actaeon, devoured by his hounds after being changed into a stag, is a symbol of the vernal year. Palaephatus (De Fab. Narrat.) holds that the story is a moral fable.
(4) Preller believes that Actaeon, eaten by his hunting dogs after being transformed into a stag, represents the spring season. Palaephatus (De Fab. Narrat.) argues that the tale is a moral lesson.
(5) Dorman, p. 137.
(5) Dorman, p. 137.
(6) Turner's Samoa, p. 299.
Turner's Samoa, p. 299.
(7) Samoa, p. 31.
(7) Samoa, p. 31.
(8) Op. cit., p. 34.
Op. cit., p. 34.
(9) Gill, Myths and Songs, p. 60.
(9) Gill, Myths and Songs, p. 60.
(10) Codrington, Journ. Anthrop. Inst., February, 1881.
(10) Codrington, Journ. Anthrop. Inst., February, 1881.
Without delaying longer among savage myths of metamorphosis into stones, it may be briefly shown that the Greeks retained this with all the other vagaries of early fancy. Every one remembers the use which Perseus made of the Gorgon's head, and the stones on the coast of Seriphus, which, like the stones near Western Point in Victoria, had once been men, the enemies of the hero. "Also he slew the Gorgon," sings Pindar, "and bare home her head, with serpent tresses decked, to the island folk a stony death." Observe Pindar's explanatory remark: "I ween there is no marvel impossible if gods have wrought thereto". In the same pious spirit a Turk in an isle of the Levant once told Mr. Newton a story of how a man hunted a stag, and the stag spoke to him. "The stag spoke?" said Mr. Newton. "Yes, by Allah's will," replied the Turk. Like Pindar, he was repeating an incident quite natural to the minds of Australians, or Bushmen, or Samoans, or Red Men, but, like the religious Pindar, he felt that the affair was rather marvellous, and accounted for it by the exercise of omnipotent power.(1) The Greek example of Niobe and her children may best be quoted in Mr. Bridges' translation from the Iliad:—
Without dwelling longer on primitive myths about turning into stone, it can be briefly pointed out that the Greeks held onto this concept along with other fanciful ideas from the past. Everyone remembers how Perseus used the Gorgon’s head, and the stones on the coast of Seriphus, which, like the stones near Western Point in Victoria, were once men—Perseus's enemies. "He also killed the Gorgon," sings Pindar, "and brought back her head, adorned with serpent hair, to the islanders for a stony death." Note Pindar's explanatory comment: "I believe nothing is impossible if the gods have done it." In a similar spirit, a Turk on an island in the Levant once shared with Mr. Newton a story about a man who hunted a stag, and the stag spoke to him. "The stag spoke?" Mr. Newton asked. "Yes, by Allah's will," replied the Turk. Like Pindar, he was recounting an event that seemed quite normal to the people of Australia, Bushmen, Samoans, or Native Americans, but, like devout Pindar, he felt the incident was rather extraordinary and attributed it to divine power. (1) The Greek tale of Niobe and her children can best be quoted in Mr. Bridges' translation from the Iliad:—
And somewhere now, among lone mountain rocks On Sipylus, where couch the nymphs at night Who dance all day by Achelous' stream, The once proud mother lies, herself a rook, And in cold breast broods o'er the goddess' wrong. —Prometheus the fire-bringer.(2)
And somewhere now, among solitary mountain rocks On Sipylus, where the nymphs rest at night Who dance all day by the Achelous river, The once proud mother lies, herself a crow, And in her cold heart broods over the goddess' wrong. —Prometheus the fire-bringer.(2)
In the Iliad it is added that Cronion made the people into stones. The attitude of the later Greek mind towards these myths may be observed in a fragment of Philemon, the comic poet. "Never, by the gods, have I believed, nor will believe, that Niobe the stone was once a woman. Nay, by reason of her calamities she became speechless, and so, from her silence, was called a stone."(3)
In the Iliad, it’s said that Cronion turned the people into stones. The later Greek perspective on these myths can be seen in a fragment from Philemon, the comic poet. "I swear by the gods, I have never believed, nor will I believe, that Niobe the stone was ever a woman. No, because of her tragedies, she became silent, and from her silence, she was called a stone."(3)
(1) Pindar, Pyth. x., Myers's translation.
(1) Pindar, Pyth. x., translated by Myers.
(2) xxiv. 611.
(2) xxiv. 611.
(3) The Scholiast on Iliad, xxiv. 6, 7.
(3) The Scholiast on Iliad, xxiv. 6, 7.
There is another famous petrification in the Iliad. When the prodigy of the snake and the sparrows had appeared to the assembled Achaeans at Aulis, Zeus displayed a great marvel, and changed into a stone the serpent which swallowed the young of the sparrow. Changes into stone, though less common than changes into fishes, birds and beasts, were thus obviously not too strange for the credulity of Greek mythology, which could also believe that a stone became the mother of Agdestis by Zeus.
There is another well-known case of petrification in the Iliad. When the amazing sight of the snake and the sparrows appeared to the gathered Achaeans at Aulis, Zeus showed a great wonder and turned into stone the serpent that swallowed the sparrow's young. Changes into stone, while less common than transformations into fish, birds, and beasts, were clearly not too unusual for the belief system of Greek mythology, which could also accept that a stone became the mother of Agdestis by Zeus.
As to interchange of shape between men and women and PLANTS, our information, so far as the lower races are concerned, is less copious. It has already been shown that the totems of many stocks in all parts of the world are plants, and this belief in connection with a plant by itself demonstrates that the confused belief in all things being on one level has thus introduced vegetables into the dominion of myth. As far as possessing souls is concerned, Mr. Tylor has proved that plants are as well equipped as men or beasts or minerals.(1) In India the doctrine of transmigration widely and clearly recognises the idea of trees or smaller plants being animated by human souls. In the well-known ancient Egyptian story of "The Two Brothers,"(2) the life of the younger is practically merged in that of the acacia tree where he has hidden his heart; and when he becomes a bull and is sacrificed, his spiritual part passes into a pair of Persea trees. The Yarucaris of Bolivia say that a girl once bewailed in the forest her loverless estate. She happened to notice a beautiful tree, which she adorned with ornaments as well as she might. The tree assumed the shape of a handsome young man—
As for the interchange of form between men, women, and plants, our knowledge, especially concerning the lower races, is less extensive. It has already been demonstrated that the totems of many groups around the world are plants, and this belief in connection with a plant illustrates that the muddled belief in all things being equal has consequently brought plants into the realm of myth. In terms of possessing souls, Mr. Tylor has shown that plants are just as capable as humans, animals, or minerals. In India, the belief in reincarnation widely acknowledges the idea that trees or smaller plants can be inhabited by human souls. In the famous ancient Egyptian tale of "The Two Brothers," the life of the younger brother is almost entirely intertwined with that of the acacia tree where he has hidden his heart; and when he transforms into a bull and is sacrificed, his spirit moves into a pair of Persea trees. The Yarucaris people of Bolivia tell of a girl who once mourned her lack of a lover in the forest. She noticed a beautiful tree, which she decorated as best as she could. The tree then took on the form of a handsome young man—
She did not find him so remiss, But, lightly issuing through, He did repay her kiss for kiss, With usury thereto.(3)
She didn’t think he was negligent, But, casually stepping out, He returned her kiss for kiss, With extra on top.
J. G. Muller, who quotes this tale from Andree, says it has "many analogies with the tales of metamorphosis of human beings into trees among the ancients, as reported by Ovid". The worship of plants and trees is a well-known feature in religion, and probably implies (at least in many cases) a recognition of personality. In Samoa, metamorphosis into vegetables is not uncommon. For example, the king of Fiji was a cannibal, and (very naturally) "the people were melting away under him". The brothers Toa and Pale, wishing to escape the royal oven, adopted various changes of shape. They knew that straight timber was being sought for to make a canoe for the king, so Pale, when he assumed a vegetable form, became a crooked stick overgrown with creepers, but Toa "preferred standing erect as a handsome straight tree". Poor Toa was therefore cut down by the king's shipwrights, though, thanks to his brother's magic wiles, they did not make a canoe out of him after all.(4) In Samoa the trees are so far human that they not only go to war with each other, but actually embark in canoes to seek out distant enemies.(5) The Ottawa Indians account for the origin of maize by a myth in which a wizard fought with and conquered a little man who had a little crown of feathers. From his ashes arose the maize with its crown of leaves and heavy ears of corn.(6)
J. G. Muller, who references this story from Andree, notes that it has "many similarities with the stories of people transforming into trees in ancient times, as reported by Ovid." The reverence for plants and trees is a well-known aspect of religion and likely suggests (at least in many instances) an acknowledgment of personhood. In Samoa, transformations into plants are quite common. For instance, the king of Fiji was a cannibal, and (understandably) "the people were disappearing under him." The brothers Toa and Pale, wanting to avoid being cooked in the royal oven, took on different shapes. They realized that straight wood was being sought to make a canoe for the king, so when Pale transformed into a plant, he became a twisted stick covered in vines, while Toa "preferred to stand tall like a beautiful straight tree." Unfortunately, Toa was cut down by the king's shipwrights, but thanks to his brother's magical tricks, they didn’t end up making a canoe out of him after all. In Samoa, the trees are so human-like that they not only go to war with each other but also actually sail in canoes to confront distant enemies. The Ottawa Indians explain the origin of maize through a myth where a wizard fought and defeated a small man who wore a tiny feather crown. From his ashes, maize with its crown of leaves and heavy ears of corn emerged.
(1) Primitive Culture, i. 145; examples of Society Islanders, Dyaks, Karens, Buddhists.
(1) Primitive Culture, i. 145; examples from the Society Islanders, Dyaks, Karens, Buddhists.
(2) Maspero, Contes Egyptiens, p. 25.
(2) Maspero, Egyptian Tales, p. 25.
(3) J. G. Muller, Amerik. Urrel., p. 264.
(3) J. G. Muller, Amer. Urrel., p. 264.
(4) Turner's Samoa, p. 219.
Turner's Samoa, p. 219.
(5) Ibid.. p. 213.
Ibid. p. 213.
(6) Amerik. Urrel., p. 60.
(6) Amer. Urrel., p. 60.
In Mangaia the myth of the origin of the cocoa-nut tree is a series of transformation scenes, in which the persons shift shapes with the alacrity of medicine-men. Ina used to bathe in a pool where an eel became quite familiar with her. At last the fish took courage and made his declaration. He was Tuna, the chief of all eels. "Be mine," he cried, and Ina was his. For some mystical reason he was obliged to leave her, but (like the White Cat in the fairy tale) he requested her to cut off his eel's head and bury it. Regretfully but firmly did Ina comply with his request, and from the buried eel's head sprang two cocoa trees, one from each half of the brain of Tuna. As a proof of this be it remarked, that when the nut is husked we always find on it "the two eyes and mouth of the lover of Ina".(1) All over the world, from ancient Egypt to the wigwams of the Algonkins, plants and other matters are said to have sprung from a dismembered god or hero, while men are said to have sprung from plants.(2) We may therefore perhaps look on it as a proved point that the general savage habit of "levelling up" prevails even in their view of the vegetable world, and has left traces (as we have seen) in their myths.
In Mangaia, the myth about the origin of the coconut tree involves a series of transformation scenes, where characters shift shapes like skilled medicine-men. Ina used to bathe in a pool where an eel became quite familiar with her. Eventually, the eel gathered the courage to express his feelings. He was Tuna, the chief of all eels. "Be mine," he declared, and Ina became his. However, for some mystical reason, he had to leave her, but (like the White Cat in the fairy tale) he asked her to cut off his eel's head and bury it. Reluctantly but resolutely, Ina fulfilled his request, and from the buried eel's head, two cocoa trees grew, one from each half of Tuna's brain. To prove this, it’s noted that when the nut is husked, we always find "the two eyes and mouth of Ina's lover." All over the world, from ancient Egypt to the wigwams of the Algonkins, plants and other things are said to have originated from a dismembered god or hero, while humans are believed to have come from plants. We can therefore view it as a confirmed point that the general primitive tendency to "level up" exists even in their understanding of the plant world, leaving traces (as we’ve seen) in their myths.
(1) Gill, Myths and Songs, p. 79.
(1) Gill, Myths and Songs, p. 79.
(2) Myths of the Beginning of Things.
(2) Myths about the Origins of Everything.
Turning now to the mythology of Greece, we see that the same rule holds good. Metamorphosis into plants and flowers is extremely common; the instances of Daphne, Myrrha, Hyacinth, Narcissus and the sisters of Phaethon at once occur to the memory.
Turning now to Greek mythology, we see that the same principle applies. Transformation into plants and flowers is very common; the examples of Daphne, Myrrha, Hyacinth, Narcissus, and the sisters of Phaethon immediately come to mind.
Most of those myths in which everything in Nature becomes personal and human, while all persons may become anything in Nature, we explain, then, as survivals or imitations of tales conceived when men were in the savage intellectual condition. In that stage, as we demonstrated, no line is drawn between things animate and inanimate, dumb or "articulate speaking," organic or inorganic, personal or impersonal. Such a mental stage, again, is reflected in the nature-myths, many of which are merely "aetiological,"—assign a cause, that is, for phenomena, and satisfy an indolent and credulous curiosity.
Most of those myths where everything in nature feels personal and human, and where people can become anything in nature, we explain as remnants or imitations of stories created when humans were in a primitive intellectual state. At that time, as we showed, there was no distinction between living and non-living things, silent or "talking," organic or inorganic, personal or impersonal. This mindset is also reflected in nature myths, many of which are simply "aetiological," meaning they provide an explanation for phenomena and cater to a lazy and gullible curiosity.
We may be asked again, "But how did this intellectual condition come to exist?" To answer that is no part of our business; for us it is enough to trace myth, or a certain element in myth, to a demonstrable and actual stage of thought. But this stage, which is constantly found to survive in the minds of children, is thus explained or described by Hume in his Essay on Natural Religion: "There is an universal tendency in mankind to conceive all beings like themselves, and to transfer to every object those qualities... of which they are intimately conscious".(1) Now they believe themselves to be conscious of magical and supernatural powers, which they do not, of course, possess. These powers of effecting metamorphosis, of "shape-shifting," of flying, of becoming invisible at will, of conversing with the dead, of miraculously healing the sick, savages pass on to their gods (as will be shown in a later chapter), and the gods of myth survive and retain the miraculous gifts after their worshippers (become more reasonable) have quite forgotten that they themselves once claimed similar endowments. So far, then, it has been shown that savage fancy, wherever studied, is wild; that savage curiosity is keen; that savage credulity is practically boundless. These considerations explain the existence of savage myths of sun, stars, beasts, plants and stones; similar myths fill Greek legend and the Sanskrit Brahmanes. We conclude that, in Greek and Sanskrit, the myths are relics (whether borrowed or inherited) of the savage mental STATUS.
We might be asked again, "But how did this intellectual condition come to be?" To answer that isn't our focus; for us, it's enough to trace myth, or a certain element in myth, to a clear and actual stage of thought. This stage, which is often found in the minds of children, is explained or described by Hume in his Essay on Natural Religion: "There is a universal tendency in mankind to conceive all beings like themselves and to transfer to every object those qualities... of which they are intimately conscious." Now, they believe they are aware of magical and supernatural powers that they don’t actually possess. These abilities, like changing form, shape-shifting, flying, becoming invisible at will, talking to the dead, and miraculously healing the sick, are passed on to their gods (as will be shown in a later chapter), and the gods of myth continue to have miraculous powers even after their worshippers (become more rational) forget that they once claimed similar gifts. So far, it has been demonstrated that wild imagination exists in savages, that their curiosity is sharp, and that their gullibility is nearly limitless. These points help explain the existence of savage myths about the sun, stars, animals, plants, and stones; similar myths can be found in Greek legend and the Sanskrit Brahmanes. We conclude that, in Greek and Sanskrit, the myths are remnants (whether borrowed or inherited) of the savage mental STATUS.
(1) See Appendix B.
See Appendix B.
CHAPTER VI. NON-ARYAN MYTHS OF THE ORIGIN OF THE WORLD AND OF MAN.
Confusions of myth—Various origins of man and of things—Myths of Australia, Andaman Islands, Bushmen, Ovaherero, Namaquas, Zulus, Hurons, Iroquois, Diggers, Navajoes, Winnebagoes, Chaldaeans, Thlinkeets, Pacific Islanders, Maoris, Aztecs, Peruvians—Similarity of ideas pervading all those peoples in various conditions of society and culture.
Confusions of myth—Different origins of humanity and things—Myths from Australia, the Andaman Islands, Bushmen, Ovaherero, Namaquas, Zulus, Hurons, Iroquois, Diggers, Navajo, Winnebago, Chaldeans, Thlinkeets, Pacific Islanders, Maoris, Aztecs, Peruvians—Similar ideas that run through all these people in different social and cultural conditions.
The difficulties of classification which beset the study of mythology have already been described. Nowhere are they more perplexing than when we try to classify what may be styled Cosmogonic Myths. The very word cosmogonic implies the pre-existence of the idea of a cosmos, an orderly universe, and this was exactly the last idea that could enter the mind of the myth-makers. There is no such thing as orderliness in their mythical conceptions, and no such thing as an universe. The natural question, "Who made the world, or how did the things in the world come to be?" is the question which is answered by cosmogonic myths. But it is answered piecemeal. To a Christian child the reply is given, "God made all things". We have known this reply discussed by some little girls of six (a Scotch minister's daughters, and naturally metaphysical), one of whom solved all difficulties by the impromptu myth, "God first made a little place to stand on, and then he made the rest". But savages and the myth-makers, whose stories survive into the civilised religions, could adhere firmly to no such account as this. Here occurs in the first edition of this book the following passage: "They (savages) have not, and had not, the conception of God as we understand what we mean by the word. They have, and had at most, only the small-change of the idea God,"—here the belief in a moral being who watches conduct; here again the hypothesis of a pre-human race of magnified, non-natural medicine-men, or of extra-natural beings with human and magical attributes, but often wearing the fur, and fins, and feathers of the lower animals. Mingled with these faiths (whether earlier, later, or coeval in origin with these) are the dread and love of ancestral ghosts, often transmuting themselves into worship of an imaginary and ideal first parent of the tribe, who once more is often a beast or a bird. Here is nothing like the notion of an omnipotent, invisible, spiritual being, the creator of our religion; here is only la monnaie of the conception."
The challenges of classifying mythology have already been discussed. They're especially confusing when we try to categorize what we can call Cosmogonic Myths. The term cosmogonic suggests that there’s a prior concept of a cosmos, an orderly universe, but this was the last idea that would come to the minds of myth-makers. In their myths, there’s no sense of order and no concept of a universe. The natural question, "Who created the world, or how did everything come to be?" is what cosmogonic myths attempt to answer, but they do so in bits and pieces. For a Christian child, the answer is simply, "God made all things." I’ve seen this answer debated by some little girls around six years old (the daughters of a Scottish minister, who were naturally philosophical), one of whom resolved all questions with her own myth: "God first made a little place to stand on, and then he made the rest." However, primitive people and the myth-makers whose stories have influenced organized religions couldn’t stick to an explanation like that. In the first edition of this book, there's a passage that reads: "They (primitives) do not and did not have a conception of God as we understand the term. They have, at most, only a simplified version of the idea of God," which includes a belief in a moral entity that observes behavior, or the idea of a pre-human race of exaggerated medicine men or supernatural beings with human and magical traits, often represented with the fur, fins, and feathers of lower animals. Mixed in with these beliefs (whether older, younger, or developed simultaneously) are the fear and love of ancestral spirits, which often transform into the worship of an imagined ideal first parent of the tribe, who is frequently depicted as an animal or bird. This is nothing like the concept of an all-powerful, invisible, spiritual being, the creator of our religion; it’s just a simplified version of the idea.
It ought to have occurred to the author that he was here traversing the main theory of his own book, which is that RELIGION is one thing, myth quite another thing. That many low races of savages entertain, in hours of RELIGIOUS thought, an elevated conception of a moral and undying Maker of Things, and Master of Life, a Father in Heaven, has already been stated, and knowledge of the facts has been considerably increased since this work first appeared (1887). But the MYTHICAL conceptions described in the last paragraph coexist with the religious conception in the faiths of very low savages, such as the Australians and Andamanese, just as the same contradictory coexistence is notorious in ancient Greece, India, Egypt and Anahuac. In a sense, certain low savages HAVE the "conception of God, as we understand what we mean by the word". But that sense, when savages come to spinning fables about origins, is apt to be overlaid and perplexed by the frivolity of their mythical fancy.
It should have occurred to the author that he was discussing the core theory of his own book, which is that RELIGION is one thing, and myth is something else entirely. It's already been mentioned that many less advanced communities have, in moments of RELIGIOUS reflection, a profound idea of a moral and eternal Creator, a Master of Life, a Father in Heaven. Since this work was first published in 1887, our understanding of these facts has significantly expanded. However, the MYTHICAL beliefs described in the previous paragraph exist alongside the religious belief in the faiths of very primitive groups, like the Australians and Andamanese, just as this conflicting coexistence is well-known in ancient Greece, India, Egypt, and Anahuac. In some ways, certain primitive groups DO have a "conception of God, as we understand the term." But that understanding, when these groups start creating stories about origins, often gets tangled and confused by the playfulness of their mythical imaginations.
With such shifting, grotesque and inadequate fables, the cosmogonic myths of the world are necessarily bewildered and perplexed. We have already seen in the chapter on "Nature Myths" that many things, sun, moon, the stars, "that have another birth," and various animals and plants, are accounted for on the hypothesis that they are later than the appearance of man—that they originally WERE men. To the European mind it seems natural to rank myths of the gods before myths of the making or the evolution of the world, because our religion, like that of the more philosophic Greeks, makes the deity the fount of all existences, causa causans, "what unmoved moves," the beginning and the end. But the myth-makers, deserting any such ideas they may possess, find it necessary, like the child of whom we spoke, to postulate a PLACE for the divine energy to work from, and that place is the earth or the heavens. Then, again, heaven and earth are themselves often regarded in the usual mythical way, as animated, as persons with parts and passions, and finally, among advancing races, as gods. Into this medley of incongruous and inconsistent conceptions we must introduce what order we may, always remembering that the order is not native to the subject, but is brought in for the purpose of study.
With these strange, distorted, and incomplete tales, the creation myths of the world become understandably confusing and complicated. We already discussed in the chapter on "Nature Myths" that many things—like the sun, moon, stars, and various animals and plants—are explained by the idea that they came after humans and that they were originally humans themselves. For Europeans, it seems natural to prioritize myths about gods over those about the creation or evolution of the world, because our belief systems, similar to those of the more philosophical Greeks, view the deity as the source of all existence, the cause of all causes, "what unmoved moves," the beginning and the end. However, the myth-makers, moving away from any such concepts they might have, feel the need, like the child we mentioned, to establish a SPACE for divine energy to operate from, and that space is either the earth or the heavens. Additionally, heaven and earth are often viewed in the typical mythical way as alive, as beings with emotions and desires, and eventually, among more developed societies, as gods. Within this mix of conflicting and inconsistent ideas, we must impose some order, always keeping in mind that this order is not inherent to the topic but is introduced for the sake of analysis.
The origin of the world and of man is naturally a problem which has excited the curiosity of the least developed minds. Every savage race has its own myths on this subject, most of them bearing the marks of the childish and crude imagination, whose character we have investigated, and all varying in amount of what may be called philosophical thought.
The origin of the world and humanity is obviously a question that has sparked the interest of even the least advanced minds. Every primitive culture has its own myths about this topic, many showing the signs of a childish and simplistic imagination, which we have examined, and all differing in their level of what could be considered philosophical thought.
All the cosmogonic myths, as distinct from religious belief in a Creator, waver between the theory of construction, or rather of reconstruction, and the theory of evolution, very rudely conceived. The earth, as a rule, is mythically averred to have grown out of some original matter, perhaps an animal, perhaps an egg which floated on the waters, perhaps a handful of mud from below the waters. But this conception does not exclude the idea that many of the things in the world, minerals, plants and what not, are fragments of the frame of a semi-supernatural and gigantic being, human or bestial, belonging to a race which preceded the advent of man.(1) Such were the Titans, demi-gods, Nurrumbunguttias in Australia. Various members of this race are found active in myths of the creation, or rather the construction, of man and of the world. Among the lowest races it is to be noted that mythical animals of supernatural power often take the place of beings like the Finnish Wainamoinen, the Greek Prometheus, the Zulu Unkulunkulu, the Red Indian Manabozho, himself usually a great hare.
All the creation myths, as separate from the religious belief in a Creator, fluctuate between the idea of construction, or rather reconstruction, and the theory of evolution, which is very simply imagined. The earth is typically believed to have emerged from some original substance, whether it was an animal, an egg floating on the waters, or a handful of mud from beneath the waters. However, this idea doesn't rule out the notion that many things in the world, like minerals and plants, are remnants of the body of a semi-supernatural and massive being, either human or animal, from a race that existed before humanity. Such were the Titans, demi-gods, and Nurrumbunguttias in Australia. Various members of this race appear in myths about the creation, or more accurately, the construction, of humanity and the world. Among the most primitive cultures, it's noteworthy that mythical animals with supernatural powers often replace beings like the Finnish Wainamoinen, the Greek Prometheus, the Zulu Unkulunkulu, and the Native American Manabozho, who is usually depicted as a great hare.
(1) Macrobius, Saturnal., i. xx.
Macrobius, Saturnal., i. 20.
The ages before the development or creation of man are filled up, in the myths, with the loves and wars of supernatural people. The appearance of man is explained in three or four contradictory ways, each of which is represented in the various myths of most mythologies. Often man is fashioned out of clay, or stone, or other materials, by a Maker of all things, sometimes half-human or bestial, but also half-divine. Sometimes the first man rises out of the earth, and is himself confused with the Creator, a theory perhaps illustrated by the Zulu myth of Unkulunkulu, "The Old, Old One". Sometimes man arrives ready made, with most of the animals, from his former home in a hole in the ground, and he furnishes the world for himself with stars, sun, moon and everything else he needs. Again, there are many myths which declare that man was evolved out of one or other of the lower animals. This myth is usually employed by tribesmen to explain the origin of their own peculiar stock of kindred. Once more, man is taken to be the fruit of some tree or plant, or not to have emerged ready-made, but to have grown out of the ground like a plant or a tree. In some countries, as among the Bechuanas, the Boeotians, and the Peruvians, the spot where men first came out on earth is known to be some neighbouring marsh or cave. Lastly, man is occasionally represented as having been framed out of a piece of the body of the Creator, or made by some demiurgic potter out of clay. All these legends are told by savages, with no sense of their inconsistency. There is no single orthodoxy on the matter, and we shall see that all these theories coexist pell-mell among the mythological traditions of civilised races. In almost every mythology, too, the whole theory of the origin of man is crossed by the tradition of a Deluge, or some other great destruction, followed by revival or reconstruction of the species, a tale by no means necessarily of Biblical origin.
The times before the creation of humans are filled, in myths, with the loves and battles of supernatural beings. The appearance of humans is described in three or four contradictory ways, each represented in the various myths of most cultures. Often, humans are created from clay, stone, or other materials by a Maker of all things, sometimes depicted as half-human or beastly, but also half-divine. Sometimes the first human emerges from the earth and is himself confused with the Creator, a theory possibly illustrated by the Zulu myth of Unkulunkulu, "The Old, Old One." Other times, humans arrive fully formed, along with most animals, from a former home in a hole in the ground, creating the world around them with stars, the sun, the moon, and everything else they need. Again, many myths claim that humans evolved from one or another lower animal. This myth is often used by tribes to explain the origin of their unique lineage. Additionally, humans are sometimes thought to be the result of some tree or plant, or to have grown out of the ground like a plant or tree. In some regions, like among the Bechuanas, Boeotians, and Peruvians, the location where humans first appeared on earth is said to be some nearby marsh or cave. Lastly, humans are occasionally described as having been made from a part of the Creator’s body, or formed by some artisan-like Creator out of clay. All these legends are told by those with little regard for their contradictions. There is no single accepted view on the matter, and we will see that all these theories exist side by side in the mythological traditions of civilized societies. In almost every mythology, the entire concept of human origin is intertwined with the tradition of a Deluge or some other major destruction, followed by renewal or rebuilding of the species, a story that is by no means solely of Biblical origin.
In examining savage myths of the origin of man and of the world, we shall begin by considering those current among the most backward peoples, where no hereditary or endowed priesthood has elaborated and improved the popular beliefs. The natives of Australia furnish us with myths of a purely popular type, the property, not of professional priests and poets, but of all the old men and full-grown warriors of the country. Here, as everywhere else, the student must be on his guard against accepting myths which are disguised forms of missionary teaching.(1)
In looking at primitive myths about the origins of humanity and the world, we will start by exploring those common among the least advanced societies, where no hereditary or privileged priesthood has refined the popular beliefs. The Aboriginal people of Australia provide us with myths that are strictly of a popular nature, belonging not to professional priests or poets but to the elder men and adult warriors of the community. Here, as in all cases, the researcher must be cautious about accepting myths that are merely disguised forms of missionary teachings.(1)
(1) Taplin, The Narrinyeri. "He must also beware of supposing that the Australians believe in a creator in our sense, because the Narrinyeri, for example, say that Nurundere 'made everything'. Nurundere is but an idealised wizard and hunter, with a rival of his species." This occurs in the first edition, but "making all things" is one idea, wizardry is another.
(1) Taplin, The Narrinyeri. "He should also be careful not to assume that Australians believe in a creator the way we do, because the Narrinyeri, for instance, say that Nurundere 'made everything'. Nurundere is just an idealized wizard and hunter, alongside a rival of his kind." This appears in the first edition, but "making all things" is one concept, while wizardry is another.
In Southern Australia we learn that the Boonoorong, an Australian coast tribe, ascribe the creation of things to a being named Bun-jel or Pund-jel. He figures as the chief of an earlier supernatural class of existence, with human relationships; thus he "has a wife, WHOSE FACE HE HAS NEVER SEEN," brothers, a son, and so on. Now this name Bun-jel means "eagle-hawk," and the eagle-hawk is a totem among certain stocks. Thus, when we hear that Eagle-hawk is the maker of men and things we are reminded of the Bushman creator, Cagn, who now receives prayers of considerable beauty and pathos, but who is (in some theories) identified with kaggen, the mantis insect, a creative grasshopper, and the chief figure in Bushman mythology.(1) Bun-jel or Pund-jel also figures in Australian belief, neither as the creator nor as the eagle-hawk, but "as an old man who lives at the sources of the Yarra river, where he possesses great multitudes of cattle".(2) The term Bun-jel is also used, much like our "Mr.," to denote the older men of the Kurnai and Briakolung, some of whom have magical powers. One of them, Krawra, or "West Wind," can cause the wind to blow so violently as to prevent the natives from climbing trees; this man has semi-divine attributes. From these facts it appears that this Australian creator, in myth, partakes of the character of the totem or worshipful beast, and of that of the wizard or medicine-man. He carried a large knife, and, when he made the earth, he went up and down slicing it into creeks and valleys. The aborigines of the northern parts of Victoria seem to believe in Pund-jel in what may perhaps be his most primitive mythical shape, that of an eagle.(3) This eagle and a crow created everything, and separated the Murray blacks into their two main divisions, which derive their names from the crow and the eagle. The Melbourne blacks seem to make Pund-jel more anthropomorphic. Men are his (Greek text omitted) figures kneaded of clay, as Aristophanes says in the Birds. Pund-jel made two clay images of men, and danced round them. "He made their hair—one had straight, one curly hair—of bark. He danced round them. He lay on them, and breathed his breath into their mouths, noses and navels, and danced round them. Then they arose full-grown young men." Some blacks seeing a brickmaker at work on a bridge over the Yarra exclaimed, "Like 'em that Pund-jel make 'em Koolin". But other blacks prefer to believe that, as Pindar puts the Phrygian legend, the sun saw men growing like trees.
In Southern Australia, we learn that the Boonoorong, a coastal Aboriginal tribe, attribute the creation of things to a being named Bun-jel or Pund-jel. He is seen as the leader of an earlier supernatural realm, with human connections; he "has a wife, WHOSE FACE HE HAS NEVER SEEN," brothers, a son, and so on. The name Bun-jel means "eagle-hawk," and the eagle-hawk is a spiritual symbol for certain groups. So, when we hear that Eagle-hawk is the creator of humans and everything else, we think of the Bushman creator, Cagn, who is prayed to in beautiful and emotional ways, but who is (in some theories) identified with Kaggen, the mantis insect, a creative grasshopper, and the main figure in Bushman mythology.(1) Bun-jel or Pund-jel also appears in Australian beliefs, not as the creator or the eagle-hawk, but "as an old man who lives at the sources of the Yarra River, where he possesses great many cattle."(2) The term Bun-jel is also used, much like our "Mr.," to refer to older men of the Kurnai and Briakolung, some of whom have magical abilities. One of them, Krawra, or "West Wind," can make the wind blow so fiercely that it prevents the locals from climbing trees; this man has semi-divine qualities. From these details, it seems that this Australian creator, in myth, embodies characteristics of the totem or revered animal, as well as that of the shaman or medicine person. He carried a large knife, and when he created the earth, he moved around slicing it into creeks and valleys. The Aboriginal people in northern Victoria believe in Pund-jel in what may be his most basic mythical form, that of an eagle.(3) This eagle and a crow created everything, and divided the Murray blacks into their two main groups, which are named after the crow and the eagle. The Melbourne blacks appear to view Pund-jel as more anthropomorphic. Men are his (Greek text omitted) figures shaped from clay, as Aristophanes says in the Birds. Pund-jel crafted two clay figures of men and danced around them. "He made their hair—one had straight hair, the other curly hair—using bark. He danced around them. He lay on them, and breathed his breath into their mouths, noses, and navels, and danced around them. Then they arose as fully grown young men." Some locals, watching a brickmaker at work on a bridge over the Yarra, exclaimed, "Like 'em that Pund-jel make 'em Koolin." But other locals prefer to believe that, as Pindar puts the Phrygian legend, the sun saw men growing like trees.
(1) Bleek, Brief Account of Bushman Mythology, p. 6; Cape Monthly Magazine, July, 1874, pp. 1-13; Kamilaroi and Kurnai, pp. 210, 324.
(1) Bleek, Brief Account of Bushman Mythology, p. 6; Cape Monthly Magazine, July 1874, pp. 1-13; Kamilaroi and Kurnai, pp. 210, 324.
(2) Kamilaroi and Kurnai, p. 210.
(2) Kamilaroi and Kurnai, p. 210.
(3) Brough Smyth, Natives of Victoria, vol. i. p. 423.
(3) Brough Smyth, Natives of Victoria, vol. i. p. 423.
The first man was formed out of the gum of a wattle-tree, and came out of the knot of a wattle-tree. He then entered into a young woman (though he was the first man) and was born.(1) The Encounter Bay people have another myth, which might have been attributed by Dean Swift to the Yahoos, so foul an origin does it allot to mankind.
The first man was created from the resin of a wattle tree and emerged from a knot in the wattle tree. He then joined with a young woman (even though he was the first man) and was born.(1) The Encounter Bay people have a different myth, which might have been assigned by Dean Swift to the Yahoos, as it gives such a disgusting origin to humanity.
(1) Meyer, Aborigines of Encounter Bay. See, later, "Gods of the Lowest Races".
(1) Meyer, Aborigines of Encounter Bay. See, later, "Gods of the Lowest Races".
Australian myths of creation are by no means exclusive of a hypothesis of evolution. Thus the Dieyrie, whose notions Mr. Gason has recorded, hold a very mixed view. They aver that "the good spirit" Moora-Moora made a number of small black lizards, liked them, and promised them dominion. He divided their feet into toes and fingers, gave them noses and lips, and set them upright. Down they fell, and Moora-Moora cut off their tails. Then they walked erect and were men.(1) The conclusion of the adventures of one Australian creator is melancholy. He has ceased to dwell among mortals whom he watches and inspires. The Jay possessed many bags full of wind; he opened them, and Pund-jel was carried up by the blast into the heavens. But this event did not occur before Pund-jel had taught men and women the essential arts of life. He had shown the former how to spear kangaroos, he still exists and inspires poets. From the cosmogonic myths of Australia (the character of some of which is in contradiction with the higher religious belief of the people to be later described) we may turn, without reaching a race of much higher civilisation, to the dwellers in the Andaman Islands and their opinions about the origin of things.
Australian creation myths definitely include ideas about evolution. For example, the Dieyrie people, as recorded by Mr. Gason, have a rather mixed perspective. They say that "the good spirit" Moora-Moora created several small black lizards, liked them, and promised them power. He divided their feet into toes and fingers, gave them noses and lips, and made them stand up straight. But they fell over, so Moora-Moora cut off their tails. After that, they walked upright and became men. The story of one Australian creator ends sadly. He no longer lives among people, but he watches over them and inspires them. The Jay had many bags full of wind; when he opened them, Pund-jel was lifted up into the sky by the gust. This happened only after Pund-jel taught men and women essential life skills. He showed men how to spear kangaroos, and he still exists, inspiring poets. We can move from these Australian creation myths, some of which contradict the later religious beliefs of the people, to the inhabitants of the Andaman Islands and their views on the origin of things.
(1) Gason's Dieyries, ap. Native Tribes of South Australia, p. 20.
(1) Gason's Dieyries, in Native Tribes of South Australia, p. 20.
The Andaman Islands, in the Bay of Bengal, are remote from any shores, and are protected from foreign influences by dangerous coral reefs, and by the reputed ferocity and cannibalism of the natives. These are Negritos, and are commonly spoken of as most abject savages. They are not, however, without distinctions of rank; they are clean, modest, moral after marriage, and most strict in the observance of prohibited degrees. Unlike the Australians, they use bows and arrows, but are said to be incapable of striking a light, and, at all events, find the process so difficult that, like the Australians and the farmer in the Odyssey,(1) they are compelled "to hoard the seeds of fire". Their mythology contains explanations of the origin of men and animals, and of their own customs and language.
The Andaman Islands, located in the Bay of Bengal, are isolated from any coastlines and are shielded from outside influences by treacherous coral reefs, as well as the rumored fierceness and cannibalism of the local people. These inhabitants are Negritos, often labeled as extreme savages. However, they do have social hierarchies; they are clean, modest, moral after marriage, and very strict about respecting prohibited relationships. Unlike Australians, they use bows and arrows, but they are said to struggle with making fire, so like Australians and the farmer in the Odyssey,(1) they are forced "to hoard the seeds of fire." Their mythology explains the origins of humans and animals, along with their own customs and language.
(1) Odyssey, v. 490.
Odyssey, v. 490.
The Andamanese, long spoken of as "godless," owe much to Mr. Man, an English official, who has made a most careful study of their beliefs.(1) So extraordinary is the contradiction between the relative purity and morality of the RELIGION and the savagery of the myths of the Andamanese, that, in the first edition of this work, I insisted that the "spiritual god" of the faith must have been "borrowed from the same quarter as the stone house" in which he is mythically said to live. But later and wider study, and fresh information from various quarters, have convinced me that the relative purity of Andamanese religion, with its ethical sanction of conduct, may well be, and probably is, a natural unborrowed development. It is easy for MYTH to borrow the notion of a stone house from our recent settlement at Port Blair. But it would not be easy for RELIGION to borrow many new ideas from an alien creed, in a very few years, while the noted ferocity of the islanders towards strangers, and the inaccessibility of their abode, makes earlier borrowing, on a large scale at least, highly improbable. The Andamanese god, Puluga, is "like fire" but invisible, unborn and immortal, knowing and punishing or rewarding, men's deeds, even "the thoughts of their hearts". But when once mythical fancy plays round him, and stories are told about him, he is credited with a wife who is an eel or a shrimp, just as Zeus made love as an ant or a cuckoo. Puluga was the maker of men; no particular myth as to how he made them is given. They tried to kill him, after the deluge (of which a grotesque myth is told), but he replied that he was "as hard as wood". His legend is in the usual mythical contradiction with the higher elements in his religion.
The Andamanese, often described as "godless," owe a lot to Mr. Man, an English official, who has carefully studied their beliefs. The contrast between the relative purity and morality of their religion and the barbaric nature of their myths is so striking that, in the first edition of this work, I argued that the "spiritual god" of their faith must have been "borrowed from the same place as the stone house" where he is said to live in myth. However, further research and new information have led me to believe that the relative purity of Andamanese religion, which includes an ethical approach to conduct, may very well be an independent development and not borrowed. It's easy for MYTH to take the idea of a stone house from our recent settlement at Port Blair, but it's unlikely for RELIGION to adopt many new concepts from an outside faith in just a few years, especially considering the notorious hostility of the islanders towards outsiders and the isolation of their home, which makes widespread borrowing unlikely. The Andamanese god, Puluga, is "like fire" but unseen, never born and immortal, aware of and either punishing or rewarding human actions, even "the thoughts of their hearts." Yet, once mythology starts to add stories about him, he is given a wife who is either an eel or a shrimp, much like Zeus transformed into an ant or a cuckoo. Puluga is said to have created humans; however, there's no specific myth explaining how he did this. After the flood (about which there's a bizarre myth), the Andamanese tried to kill him, but he asserted, "I am as hard as wood." His legend is filled with the typical mythical contradictions found in the more advanced aspects of his religion.
(1) Journ. Anthrop. Soc., vol. xii. p. 157 et seq.
(1) Journ. Anthrop. Soc., vol. xii. p. 157 et seq.
Leaving the Andaman islanders, but still studying races in the lowest degree of civilisation, we come to the Bushmen of South Africa. This very curious and interesting people, far inferior in material equipment to the Hottentots, is sometimes regarded as a branch of that race.(1) The Hottentots call themselves "Khoi-khoi," the Bushmen they style "Sa". The poor Sa lead the life of pariahs, and are hated and chased by all other natives of South Africa. They are hunters and diggers for roots, while the Hottentots, perhaps their kinsmen, are cattle-breeders.(2) Being so ill-nourished, the Bushmen are very small, but sturdy. They dwell in, or rather wander through, countries which have been touched by some ancient civilisation, as is proved by the mysterious mines and roads of Mashonaland. It is singular that the Bushmen possess a tradition according to which they could once "make stone things that flew over rivers". They have remarkable artistic powers, and their drawings of men and animals on the walls of caves are often not inferior to the designs on early Greek vases.(3)
Leaving the Andaman islanders but still studying peoples at the lowest level of civilization, we now turn to the Bushmen of South Africa. This fascinating and intriguing group, significantly less equipped materially than the Hottentots, is sometimes considered a branch of that race. The Hottentots refer to themselves as "Khoi-khoi," while they call the Bushmen "Sa." The unfortunate Sa live as outcasts and are despised and hunted by all other native groups in South Africa. They are hunters and gatherers, while the Hottentots, possibly their relatives, are cattle herders. Due to poor nutrition, the Bushmen are quite small but resilient. They inhabit, or more accurately, roam through areas that have been influenced by some ancient civilization, as evidenced by the mysterious mines and roads of Mashonaland. Interestingly, the Bushmen have a legend that they once could "create stone things that flew over rivers." They possess remarkable artistic talent, and their paintings of people and animals on cave walls often rival the designs found on early Greek vases.
(1) See "Divine Myths of the Lower Races".
(1) See "Divine Myths of the Lower Races".
(2) Hahu, Tsuni Goam, p. 4. See other accounts in Waitz, Anthropologie, ii. 328.
(2) Hahu, Tsuni Goam, p. 4. See other accounts in Waitz, Anthropology, ii. 328.
(3) Custom and Myth, where illustrations of Bushman art are given, pp. 290-295.
(3) Custom and Myth, which includes examples of Bushman art, pp. 290-295.
Thus we must regard the Bushmen as possibly degenerated from a higher status, though there is nothing (except perhaps the tradition about bridge-making) to show that it was more exalted than that of their more prosperous neighbours, the Hottentots. The myths of the Bushmen, however, are almost on the lowest known level. A very good and authentic example of Bushman cosmogonic myth was given to Mr. Orpen, chief magistrate of St. John's territory, by Qing, King Nqusha's huntsman. Qing "had never seen a white man, but in fighting," till he became acquainted with Mr. Orpen.(1) The chief force in Bushmen myth is by Dr. Bleek identified with the mantis, a sort of large grasshopper. Though he seems at least as "chimerical a beast" as the Aryan creative boar, the "mighty big hare" of the Algonkins, the large spider who made the world in the opinion of the Gold Coast people, or the eagle of the Australians, yet the insect (if insect he be), like the others, has achieved moral qualities and is addressed in prayer. In his religious aspect he is nothing less than a grasshopper. He is called Cagn. "Cagn made all things and we pray to him," said Qing. "Coti is the wife of Cagn." Qing did not know where they came from; "perhaps with the men who brought the sun". The fact is, Qing "did not dance that dance," that is, was not one of the Bushmen initiated into the more esoteric mysteries of Cagn. Till we, too, are initiated, we can know very little of Cagn in his religious aspect. Among the Bushmen, as among the Greeks, there is "no religious mystery without dancing". Qing was not very consistent. He said Cagn gave orders and caused all things to appear and to be made, sun, moon, stars, wind, mountains, animals, and this, of course, is a lofty theory of creation. Elsewhere myth avers that Cagn did not so much create as manufacture the objects in nature. In his early day "the snakes were also men". Cagn struck snakes with his staff and turned them into men, as Zeus, in the Aeginetan myth, did with ants. He also turned offending men into baboons. In Bushman myth, little as we really know of it, we see the usual opposition of fable and faith, a kind creator in religion is apparently a magician in myth.
Thus, we should consider the Bushmen as possibly having declined from a higher state, though there isn’t much evidence (maybe just the tale about building bridges) to indicate that their previous status was better than that of their more prosperous neighbors, the Hottentots. However, the myths of the Bushmen are almost at the lowest known level. A very good and authentic example of Bushman creation myth was provided to Mr. Orpen, the chief magistrate of St. John's territory, by Qing, King Nqusha's huntsman. Qing "had never seen a white man, except in battle," until he met Mr. Orpen. The main figure in Bushmen mythology is identified by Dr. Bleek as the mantis, a type of large grasshopper. Although it seems at least as "fantastical as the Aryan creative boar, the 'mighty big hare' of the Algonkin, the large spider who created the world in the view of the Gold Coast people, or the eagle of the Australians," the insect (if it is indeed an insect), like the others, has attained moral qualities and is addressed in prayer. In his religious context, he is nothing less than a grasshopper. He is called Cagn. "Cagn made all things and we pray to him," said Qing. "Coti is the wife of Cagn." Qing didn't know where they came from; "perhaps with the men who brought the sun." The fact is, Qing "did not dance that dance," meaning he was not one of the Bushmen initiated into the more secret mysteries of Cagn. Until we are also initiated, we can understand very little of Cagn in his religious significance. Among the Bushmen, as among the Greeks, there is "no religious mystery without dancing." Qing was not very consistent. He said Cagn gave orders and made all things appear and be created: sun, moon, stars, wind, mountains, animals, and this, of course, is a grand theory of creation. In another version, the myth claims that Cagn did not so much create as manufacture the objects in nature. In his early days, "the snakes were also men." Cagn struck snakes with his staff and turned them into men, just as Zeus did with ants in the Aeginetan myth. He also changed offending men into baboons. In Bushman mythology, as little as we truly know about it, we see the usual conflict of fable and faith; a kind creator in religion appears to be a magician in myth.
(1) Cape Monthly Magazine, July, 1874.
(1) Cape Monthly Magazine, July 1874.
Neighbours of the Bushmen, but more fortunate in their wealth of sheep and cattle, are the Ovaherero. The myths of the Ovaherero, a tribe dwelling in a part of Hereraland "which had not yet been under the influence of civilisation and Christianity," have been studied by the Rev. H. Reiderbecke, missionary at Otyozondyupa. The Ovaherero, he says, have a kind of tree Ygdrasil, a tree out of which men are born, and this plays a great part in their myth of creation. The tree, which still exists, though at a great age, is called the Omumborombonga tree. Out of it came, in the beginning, the first man and woman. Oxen stepped forth from it too, but baboons, as Caliban says of the stars, "came otherwise," and sheep and goats sprang from a flat rock. Black people are so coloured, according to the Ovaherero, because when the first parents emerged from the tree and slew an ox, the ancestress of the blacks appropriated the black liver of the victim. The Ovakuru Meyuru or "OLD ONES in heaven," once let the skies down with a run, but drew them up again (as the gods of the Satapatha Brahmana drew the sun) when most of mankind had been drowned.(1) The remnant pacified the OLD ONES (as Odysseus did the spirits of the dead) by the sacrifice of a BLACK ewe, a practice still used to appease ghosts by the Ovaherero. The neighbouring Omnambo ascribe the creation of man to Kalunga, who came out of the earth, and made the first three sheep.(2)
Neighbors of the Bushmen, but luckier in their abundance of sheep and cattle, are the Ovaherero. The Ovaherero's myths, a group living in a part of Hereraland "that had not yet been influenced by civilization and Christianity," have been examined by Rev. H. Reiderbecke, a missionary at Otyozondyupa. According to him, the Ovaherero have a kind of tree called Ygdrasil, from which humans are born, and it plays a significant role in their creation myth. This tree, still standing despite its age, is known as the Omumborombonga tree. From it came, in the beginning, the first man and woman. Oxen also emerged from it, but baboons, as Caliban mentions about the stars, "came differently," and sheep and goats sprang from a flat rock. The Ovaherero believe that black people are so colored because when the first parents came out of the tree and killed an ox, the ancestor of black people took the black liver of the animal. The Ovakuru Meyuru or "OLD ONES in heaven," once lowered the skies suddenly but then pulled them back up (like the gods of the Satapatha Brahmana drew the sun) when most of humanity had drowned. The survivors appeased the OLD ONES (just as Odysseus did with the spirits of the dead) by sacrificing a BLACK ewe, a practice still used by the Ovaherero to honor ghosts. The neighboring Omnambo believe that Kalunga, who emerged from the earth, created the first three sheep.
(1) An example of a Deluge myth in Africa, where M. Lenormant found none.
(1) An example of a flood myth in Africa, where M. Lenormant found none.
(2) South African Folk-Lore Journal, ii. pt. v. p. 95.
(2) South African Folk-Lore Journal, vol. ii, part v, page 95.
Among the Namaquas, an African people on the same level of nomadic culture as the Ovaherero, a divine or heroic early being called Heitsi Eibib had a good deal to do with the origin of things. If he did not exactly make the animals, he impressed on them their characters, and their habits (like those of the serpent in Genesis) are said to have been conferred by a curse, the curse of Heitsi Eibib. A precisely similar notion was found by Avila among the Indians of Huarochiri, whose divine culture-hero imposed, by a curse or a blessing, their character and habits on the beasts.(1) The lion used to live in a nest up a tree till Heitsi Eibib cursed him and bade him walk on the ground. He also cursed the hare, "and the hare ran away, and is still running".(2) The name of the first man is given as Eichaknanabiseb (with a multitude of "clicks"), and he is said to have met all the animals on a flat rock, and played a game with them for copper beads. The rainbow was made by Gaunab, who is generally a malevolent being, of whom more hereafter.
Among the Namaquas, an African people who have a nomadic culture similar to the Ovaherero, a divine or heroic figure from the past named Heitsi Eibib played a significant role in the origin of things. While he didn't exactly create the animals, he assigned them their traits, and their behaviors (like that of the serpent in Genesis) are said to have resulted from a curse, the curse of Heitsi Eibib. A similar idea was found by Avila among the Indians of Huarochiri, where their divine culture-hero imposed, through a curse or a blessing, the characteristics and habits on the animals. The lion used to live in a nest up in a tree until Heitsi Eibib cursed him and told him to walk on the ground. He also cursed the hare, "and the hare ran away, and is still running." The name of the first man is given as Eichaknanabiseb (with many "clicks"), and he is said to have met all the animals on a flat rock and played a game with them for copper beads. The rainbow was created by Gaunab, who is generally considered a malevolent being, about whom more will be discussed later.
(1) Fables of Yncas (Hakluyt Society), p. 127.
(1) Fables of Yncas (Hakluyt Society), p. 127.
(2) Tsuni Goam, pp. 66, 67.
(2) Tsuni Goam, pp. 66, 67.
Leaving these African races, which, whatever their relative degrees of culture, are physically somewhat contemptible, we reach their northern neighbours, the Zulus. They are among the finest, and certainly among the least religious, of the undeveloped peoples. Their faith is mainly in magic and ghosts, but there are traces of a fading and loftier belief.
Leaving behind these African groups, which, regardless of their levels of culture, are somewhat physically inferior, we arrive at their northern neighbors, the Zulus. They are among the most impressive, and definitely among the least religious, of the indigenous peoples. Their belief primarily lies in magic and spirits, but there are remnants of a once greater faith.
The social and political condition of the Zulu is well understood. They are a pastoral, but not a nomadic people, possessing large kraals or towns. They practise agriculture, and they had, till quite recently, a centralised government and a large army, somewhat on the German system. They appear to have no regular class of priests, and supernatural power is owned by the chiefs and the king, and by diviners and sorcerers, who conduct the sacrifices. Their myths are the more interesting because, whether from their natural scepticism, which confuted Bishop Colenso in his orthodox days, or from acquaintance with European ideas, they have begun to doubt the truth of their own traditions.(1) The Zulu theory of the origin of man and of the world commences with the feats of Unkulunkulu, "the old, old one," who, in some legends, was the first man, "and broke off in the beginning". Like Manabozho among the Indians of North America, and like Wainamoinen among the Finns, Unkulunkulu imparted to men a knowledge of the arts, of marriage, and so forth. His exploits in this direction, however, must be considered in another part of this work. Men in general "came out of a bed of reeds".(2) But there is much confusion about this bed of reeds, named "Uthlanga". The younger people ask where the bed of reeds was; the old men do not know, and neither did their fathers know. But they stick to it that "that bed of reeds still exists". Educated Zulus appear somewhat inclined to take the expression in an allegorical sense, and to understand the reeds either as a kind of protoplasm or as a creator who was mortal. "He exists no longer. As my grandfather no longer exists, he too no longer exists; he died." Chiefs who wish to claim high descent trace their pedigree to Uthlanga, as the Homeric kings traced theirs to Zeus. The myths given by Dr. Callaway are very contradictory.
The social and political situation of the Zulu is well understood. They are primarily a pastoral but not nomadic people, with large kraals or towns. They practice agriculture and, until recently, had a centralized government and a large army, somewhat like the German system. They don't seem to have a regular class of priests, and supernatural power is held by the chiefs and the king, along with diviners and sorcerers who perform the sacrifices. Their myths are particularly interesting because, whether due to their natural skepticism, which challenged Bishop Colenso in his orthodox days, or their exposure to European ideas, they have started to question the validity of their own traditions. The Zulu belief about the origin of man and the world starts with the actions of Unkulunkulu, "the old, old one," who, in some legends, was the first man and "broke off in the beginning." Similar to Manabozho among the Native Americans and Wainamoinen among the Finns, Unkulunkulu taught people about the arts, marriage, and more. However, his achievements in this area will be discussed later in this work. Generally, people "came out of a bed of reeds." But there's a lot of confusion about this bed of reeds, called "Uthlanga." Young people ask where the bed of reeds was; the old men don’t know, nor did their fathers. They insist that "that bed of reeds still exists." Educated Zulus seem somewhat inclined to interpret the phrase allegorically, seeing the reeds either as a kind of protoplasm or as a mortal creator. "He no longer exists. Just like my grandfather no longer exists, he also no longer exists; he died." Chiefs who want to claim noble lineage trace their ancestry back to Uthlanga, just as the Homeric kings traced theirs to Zeus. The myths provided by Dr. Callaway are quite contradictory.
(1) These legends have been carefully collected and published by Bishop Callaway (Trubner & Co., 1868).
(1) These legends have been thoughtfully gathered and published by Bishop Callaway (Trubner & Co., 1868).
(2) Callaway, p. 9.
Callaway, p. 9.
In addition to the legend that men came out of a bed of reeds, other and perhaps even more puerile stories are current. "Some men say that they were belched up by a cow;" others "that Unkulunkulu split them out of a stone,"(1) which recalls the legend of Pyrrha and Deucalion. The myth about the cow is still applied to great chiefs. "He was not born; he was belched up by a cow." The myth of the stone origin corresponds to the Homeric saying about men "born from the stone or the oak of the old tale".(2)
In addition to the story that humans emerged from a bed of reeds, there are other, perhaps even more ridiculous tales. "Some people say they were spit out by a cow;" others claim "Unkulunkulu created them from a stone," which is reminiscent of the legend of Pyrrha and Deucalion. The cow story is still used to refer to great chiefs. "He wasn't born; he was spit out by a cow." The story about the stone origin parallels the Homeric saying about people "born from the stone or the oak of the old tale."
(1) Without anticipating a later chapter, the resemblances of these to Greek myths, as arrayed by M. Bouche Leclercq (De Origine Generis Humani), is very striking.
(1) Without looking ahead to a later chapter, the similarities between these and Greek myths, as presented by M. Bouche Leclercq (De Origine Generis Humani), are quite striking.
(2) Odyssey, xix. 103.
Odyssey, Book 19, Line 103.
In addition to the theory of the natal bed of reeds, the Zulus, like the Navajoes of New Mexico, and the Bushmen, believe in the subterranean origin of man. There was a succession of emigrations from below of different tribes of men, each having its own Unkulunkulu. All accounts agree that Unkulunkulu is not worshipped, and he does not seem to be identified with "the lord who plays in heaven"—a kind of fading Zeus—when there is thunder. Unkulunkulu is not worshipped, though ancestral spirits are worshipped, because he lived so long ago that no one can now trace his pedigree to the being who is at once the first man and the creator. His "honour-giving name is lost in the lapse of years, and the family rites have become obsolete."(1)
In addition to the idea of the birthplace among the reeds, the Zulus, like the Navajo in New Mexico and the Bushmen, believe in the underground origin of humanity. There were waves of migrations from below by different tribes, each with its own Unkulunkulu. All accounts agree that Unkulunkulu is not worshipped, and he doesn’t seem to be associated with "the lord who plays in heaven"—a sort of fading Zeus—when there is thunder. Unkulunkulu is not worshipped, even though ancestral spirits are honored, because he lived so long ago that no one can trace his lineage to the being who is both the first man and the creator. His "honorific name is lost in the passage of time, and the family rituals have become outdated."(1)
(1) See Zulu religion in The Making of Religion, pp. 225-229, where it is argued that ghost worship has superseded a higher faith, of which traces are discernible.
(1) See Zulu religion in The Making of Religion, pp. 225-229, where it is argued that ghost worship has taken the place of a higher faith, of which traces can still be seen.
The native races of the North American continent (concerning whose civilisation more will be said in the account of their divine myths) occupy every stage of culture, from the truly bestial condition in which some of the Digger Indians at present exist, living on insects and unacquainted even with the use of the bow, to the civilisation which the Spaniards destroyed among the Aztecs.
The native people of North America (more will be discussed regarding their civilization and divine myths) are found at every level of culture, ranging from the truly primitive state of some Digger Indians today, who survive on insects and don't even know how to use a bow, to the advanced civilization that the Spaniards wiped out among the Aztecs.
The original facts about religion in America are much disputed, and will be more appropriately treated later. It is now very usual for anthropologists to say, like Mr. Dorman, "no approach to monotheismn had been made before the discovery of America by Europeans, and the Great Spirit mentioned in these (their) books is an introduction by Christianity".(1) "This view will not bear examination," says Mr. Tylor, and we shall later demonstrate the accuracy of his remark.(2) But at present we are concerned, not with what Indian religion had to say about her Gods, but with what Indian myth had to tell about the beginnings of things.
The original facts about religion in America are highly debated and will be addressed more appropriately later. It's common for anthropologists to claim, like Mr. Dorman, that "no approach to monotheism had been made before Europeans discovered America, and the Great Spirit mentioned in their books is introduced by Christianity."(1) "This view won't hold up under scrutiny," says Mr. Tylor, and we will demonstrate the accuracy of his statement later.(2) However, right now we are focused not on what Indian religion says about its gods, but on what Indian mythology tells us about the origins of things.
(1) Origin of Primitive Superstitions, p. 15.
(1) Origin of Primitive Superstitions, p. 15.
(2) Primitive Culture, 1873, ii. p. 340.
(2) Primitive Culture, 1873, ii. p. 340.
The Hurons, for example (to choose a people in a state of middle barbarism), start in myth from the usual conception of a powerful non-natural race of men dwelling in the heavens, whence they descended, and colonised, not to say constructed, the earth. In the Relation de la Nouvelle France, written by Pere Paul le Jeune, of the Company of Jesus, in 1636, there is a very full account of Huron opinion, which, with some changes of names, exists among the other branches of the Algonkin family of Indians.
The Hurons, for instance (choosing a group in a state of intermediate savagery), begin their mythology with the typical idea of a powerful, non-human race of beings living in the sky, from which they descended and settled, not to mention created, the earth. In the Relation de la Nouvelle France, written by Pere Paul le Jeune of the Jesuit order in 1636, there is a comprehensive account of Huron beliefs, which, with some name changes, is also found among other branches of the Algonkin family of Indigenous people.
They recognise as the founder of their kindred a woman named Ataentsic, who, like Hephaestus in the Iliad, was banished from the sky. In the upper world there are woods and plains, as on earth. Ataentsic fell down a hole when she was hunting a bear, or she cut down a heaven-tree, and fell with the fall of this Huron Ygdrasil, or she was seduced by an adventurer from the under world, and was tossed out of heaven for her fault. However it chanced, she dropped on the back of the turtle in the midst of the waters. He consulted the other aquatic animals, and one of them, generally said to have been the musk-rat, fished(1) up some soil and fashioned the earth.(2) Here Ataentsic gave birth to twins, Ioskeha and Tawiscara. These represent the usual dualism of myth; they answer to Osiris and Set, to Ormuzd and Ahriman, and were bitter enemies. According to one form of the myth, the woman of the sky had twins, and what occurred may be quoted from Dr. Brinton. "Even before birth one of them betrayed his restless and evil nature by refusing to be born in the usual manner, but insisting on breaking through his parent's side or arm-pit. He did so, but it cost his mother her life. Her body was buried, and from it sprang the various vegetable productions," pumpkins, maize, beans, and so forth.(3)
They acknowledge a woman named Ataentsic as the founder of their lineage, who, like Hephaestus in the Iliad, was exiled from the sky. In the upper world, there are forests and fields, just like on Earth. Ataentsic either fell down a hole while hunting a bear, cut down a tree from heaven and fell with it, or was seduced by a stranger from the underworld and was thrown out of heaven for her mistake. No matter how it happened, she landed on the back of a turtle in the midst of the waters. The turtle consulted the other aquatic animals, and one of them, commonly said to be the musk-rat, scooped up some soil and created the earth. Here, Ataentsic gave birth to twins, Ioskeha and Tawiscara. They symbolize the usual dualism found in myths; they correspond to Osiris and Set, Ormuzd and Ahriman, and were fierce enemies. According to one version of the myth, the woman from the sky had twins, and what happened may be quoted from Dr. Brinton: "Even before birth, one of them showed his restless and evil nature by refusing to be born the usual way and insisted on breaking through his mother's side or armpit. He did so, but it cost his mother her life. Her body was buried, and from it grew various plants," like pumpkins, maize, beans, and so forth.
(1) Relations, 1633. In this myth one Messon, the Great Hare, is the beginner of our race. He married a daughter of the Musk-rat.
(1) Relations, 1633. In this myth, a character named Messon, the Great Hare, is the originator of our race. He married the daughter of the Musk-rat.
(2) Here we first meet in this investigation a very widely distributed myth. The myths already examined have taken the origin of earth for granted. The Hurons account for its origin; a speck of earth was fished out of the waters and grew. In M. H. de Charencey's tract Une Legende Cosmogonique (Havre, 1884) this legend is traced. M. de Charencey distinguishes (1) a continental version; (2) an insular version; (3) a mixed and Hindoo version. Among continental variants he gives a Vogul version (Revue de Philologie et d'Ethnographie, Paris, 1874, i. 10). Numi Tarom (a god who cooks fish in heaven) hangs a male and female above the abyss of waters in a silver cradle. He gives them, later, just earth enough to build a house on. Their son, in the guise of a squirrel, climbs to Numi Tarom, and receives from him a duck-skin and a goose-skin. Clad in these, like Yehl in his raven-skin or Odin in his hawk-skin, he enjoys the powers of the animals, dives and brings up three handfuls of mud, which grow into our earth. Elempi makes men out of clay and snow. The American version M. de Charencey gives from Nicholas Perrot (Mem. sur les Moers, etc., Paris, 1864, i. 3). Perrot was a traveller of the seventeenth century. The Great Hare takes a hand in the making of earth out of fished-up soil. After giving other North American variants, and comparing the animals that, after three attempts, fish up earth to the dove and raven of Noah, M. de Charencey reaches the Bulgarians. God made Satan, in the skin of a diver, fish up earth out of Lake Tiberias. Three doves fish up earth, in the beginning, in the Galician popular legend (Chodzko, Contes des Paysans Slaves, p. 374). In the INSULAR version, as in New Zealand, the island is usually fished up with a hook by a heroic angler (Japan, Tonga, Tahiti, New Zealand). The Hindoo version, in which the boar plays the part of musk-rat, or duck, or diver, will be given in "Indian Cosmogonic Myths".
(2) Here we first encounter a widely shared myth in this investigation. The myths we've already discussed have assumed the earth's origin. The Hurons explain its creation by saying a small piece of land was pulled from the waters and began to grow. This legend is detailed in M. H. de Charencey's work "Une Légende Cosmogonique" (Havre, 1884). M. de Charencey identifies (1) a continental version; (2) an island version; (3) a mixed and Hindu version. Among the continental versions, he cites a Vogul version (Revue de Philologie et d'Ethnographie, Paris, 1874, i. 10). Numi Tarom (a god who cooks fish in heaven) places a male and female over the abyss of waters in a silver cradle. Later, he provides just enough land for them to build a house. Their son, taking the form of a squirrel, climbs up to Numi Tarom and receives a duck skin and a goose skin. Dressed in these, like Yehl in his raven skin or Odin in his hawk skin, he gains the abilities of the animals, dives, and retrieves three handfuls of mud, which eventually forms our earth. Elempi creates humans from clay and snow. The American version that M. de Charencey presents is from Nicholas Perrot (Mem. sur les Moers, etc., Paris, 1864, i. 3). Perrot was a 17th-century explorer. The Great Hare contributes to making the earth from the soil that was fished out. After providing other North American variants and comparing the animals that, after three attempts, pull up earth to Noah's dove and raven, M. de Charencey discusses the Bulgarians. God creates Satan, disguised as a diver, to fish up earth from Lake Tiberias. In the Galician folk legend, three doves retrieve earth at the beginning (Chodzko, Contes des Paysans Slaves, p. 374). In the island version, like in New Zealand, the island is typically fished up by a heroic angler (Japan, Tonga, Tahiti, New Zealand). The Hindu version, where the boar takes on the role of a musk-rat, duck, or diver, will be discussed in "Indian Cosmogonic Myths."
(3) Brinton, American Hero-Myths, p. 54. Nicholas Perrot and various Jesuit Relations are the original authorities. See "Divine Myths of America". Mr. Leland, in his Algonkin Tales, prints the same story, with the names altered to Glooskap and Malsumis, from oral tradition. Compare Schoolcraft, v. 155, and i. 317, and the versions of PP. Charlevoix and Lafitau. In Charlevoix the good and bad brothers are Manabozho and Chokanipok or Chakekanapok, and out of the bones and entrails of the latter many plants and animals were fashioned, just as, according to a Greek myth preserved by Clemens Alexandrinus, parsley and pomegranates arose from the blood and scattered members of Dionysus Zagreus. The tale of Tawiscara's violent birth is told of Set in Egypt, and of Indra in the Veda, as will be shown later. This is a very common fable, and, as Mr. Whitley Stokes tells me, it recurs in old Irish legends of the birth of our Lord, Myth, as usual, invading religion, even Christian religion.
(3) Brinton, American Hero-Myths, p. 54. Nicholas Perrot and various Jesuit Relations are the original sources. See "Divine Myths of America." Mr. Leland, in his Algonkin Tales, shares the same story, with the names changed to Glooskap and Malsumis, based on oral tradition. Compare Schoolcraft, v. 155, and i. 317, and the versions from PP. Charlevoix and Lafitau. In Charlevoix, the good and bad brothers are Manabozho and Chokanipok or Chakekanapok, and from the bones and organs of the latter, many plants and animals were created, similar to how, according to a Greek myth recorded by Clemens Alexandrinus, parsley and pomegranates came from the blood and scattered remains of Dionysus Zagreus. The story of Tawiscara's violent birth is also found in the tale of Set in Egypt and in Indra in the Veda, as will be explained later. This is a very common fable, and, as Mr. Whitley Stokes informs me, it appears in old Irish legends of the birth of our Lord, with myth, as usual, intertwining with religion, even Christian religion.
According to another version of the origin of things, the maker of them was one Michabous, or Michabo, the Great Hare. His birthplace was shown at an island called Michilimakinak, like the birthplace of Apollo at Delos. The Great Hare made the earth, and, as will afterwards appear, was the inventor of the arts of life. On the whole, the Iroquois and Algonkin myths agree in finding the origin of life in an upper world beyond the sky. The earth was either fished up (as by Brahma when he dived in the shape of a boar) by some beast which descended to the bottom of the waters, or grew out of the tortoise on whose back Ataentsic fell. The first dwellers in the world were either beasts like Manabozho or Michabo, the Great Hare, or the primeval wolves of the Uinkarets,(1) or the creative musk-rat, or were more anthropomorphic heroes, such as Ioskeha and Tawiscara. As for the things in the world, some were made, some evolved, some are transformed parts of an early non-natural man or animal. There is a tendency to identify Ataentsic, the sky-woman, with the moon, and in the Two Great Brethren, hostile as they are, to recognise moon and sun.(2)
According to another version of how everything began, the creator was Michabous, or Michabo, the Great Hare. His birthplace is said to be an island called Michilimakinak, similar to Apollo's birthplace on Delos. The Great Hare created the earth and, as will be explained later, invented the arts of living. Generally, both the Iroquois and Algonquin myths agree that life started in a higher realm beyond the sky. The earth was either fished out, like when Brahma dived in the form of a boar, by some animal that went to the bottom of the waters, or it emerged from the tortoise on which Ataentsic fell. The first beings on earth were either animals like Manabozho or Michabo, the Great Hare, or the original wolves of the Uinkarets, or even the creative musk-rat, or more human-like heroes such as Ioskeha and Tawiscara. As for the things in the world, some were created, some evolved, and some are transformed parts of an early non-human man or animal. There’s a tendency to associate Ataentsic, the sky-woman, with the moon, and in the Two Great Brethren, despite their conflict, to recognize the moon and the sun.
(1) Powell, Bureau of Ethnology, i. 44.
(1) Powell, Bureau of Ethnology, p. 44.
(2) Dr. Brinton has endeavoured to demonstrate by arguments drawn from etymology that Michabos, Messou, Missibizi or Manabozho, the Great Hare, is originally a personification of Dawn (Myths of the New World, p. 178). I have examined his arguments in the Nineteenth Century, January, 1886, which may be consulted, and in Melusine, January, 1887. The hare appears to be one out of the countless primeval beast-culture heroes. A curious piece of magic in a tradition of the Dene Hareskins may seem to aid Dr. Brinton's theory: "Pendant la nuit il entra, jeta au feu une tete de lievre blanc et aussitot le jour se fit".—Petitot, Traditions Indiennes, p. 173. But I take it that the sacrifice of a white hare's head makes light magically, as sacrifice of black beasts and columns of black smoke make rainclouds.
(2) Dr. Brinton has tried to show through etymological arguments that Michabos, Messou, Missibizi, or Manabozho, the Great Hare, originally symbolizes Dawn (Myths of the New World, p. 178). I have discussed his arguments in the Nineteenth Century, January 1886, which you can check out, and in Melusine, January 1887. The hare seems to be one of the many ancient beast-culture heroes. An interesting magical element in a tradition of the Dene Hareskins might support Dr. Brinton's theory: "During the night he entered, threw a white hare's head into the fire, and immediately daylight appeared."—Petitot, Traditions Indiennes, p. 173. However, I believe that the offering of a white hare's head magically brings forth light, just as sacrificing black animals and columns of black smoke can create rainclouds.
Some of the degraded Digger Indians of California have the following myth of the origin of species. In this legend, it will be noticed, a species of evolution takes the place of a theory of creation. The story was told to Mr. Adam Johnston, who "drew" the narrator by communicating to a chief the Biblical narrative of the creation.(1) The chief said it was a strange story, and one that he had never heard when he lived at the Mission of St. John under the care of a Padre. According to this chief (he ruled over the Po-to-yan-te tribe or Coyotes), the first Indians were coyotes. When one of their number died, his body became full of little animals or spirits. They took various shapes, as of deer, antelopes, and so forth; but as some exhibited a tendency to fly off to the moon, the Po-to-yan-tes now usually bury the bodies of their dead, to prevent the extinction of species. Then the Indians began to assume the shape of man, but it was a slow transformation. At first they walked on all fours, then they would begin to develop an isolated human feature, one finger, one toe, one eye, like the ascidian, our first parent in the view of modern science. Then they doubled their organs, got into the habit of sitting up, and wore away their tails, which they unaffectedly regret, "as they consider the tail quite an ornament". Ideas of the immortality of the soul are said to be confined to the old women of the tribe, and, in short, according to this version, the Digger Indians occupy the modern scientific position.
Some of the degraded Digger Indians of California have the following myth of the origin of species. In this legend, you'll notice that a type of evolution replaces a theory of creation. The story was shared with Mr. Adam Johnston, who "drew" the narrative out of a chief by telling him the Biblical account of creation. The chief said it was a strange story and one he had never heard while living at the Mission of St. John under a Padre's care. According to this chief (he led the Po-to-yan-te tribe or Coyotes), the first Indians were coyotes. When one of them died, his body filled with little animals or spirits. They took on various shapes, like deer, antelope, and so on; but since some had a tendency to fly off to the moon, the Po-to-yan-tes usually bury their dead to prevent the extinction of species. Then the Indians began to transform into humans, but it was a slow process. At first, they walked on all fours; then they started to develop isolated human features, like one finger, one toe, one eye, similar to the ascidian, which modern science considers our first ancestor. Eventually, they duplicated their organs, got used to sitting up, and lost their tails, which they genuinely miss, "as they consider the tail quite an ornament." Ideas about the immortality of the soul are said to be limited to the older women in the tribe, and in summary, according to this version, the Digger Indians hold a modern scientific perspective.
(1) Schoolcraft, vol. v.
Schoolcraft, vol. 5.
The Winnebagoes, who communicated their myths to Mr. Fletcher,(1) are suspected of having been influenced by the Biblical narrative. They say that the Great Spirit woke up as from a dream, and found himself sitting in a chair. As he was all alone, he took a piece of his body and a piece of earth, and made a man. He next made a woman, steadied the earth by placing beasts beneath it at the corners, and created plants and animals. Other men he made out of bears. "He created the white man to make tools for the poor Indians"—a very pleasing example of a teleological hypothesis and of the doctrine of final causes as understood by the Winnebagoes. The Chaldean myth of the making of man is recalled by the legend that the Great Spirit cut out a piece of himself for the purpose; the Chaldean wisdom coincides, too, with the philosophical acumen of the Po-to-yan-te or Coyote tribe of Digger Indians. Though the Chaldean theory is only connected with that of the Red Men by its savagery, we may briefly state it in this place.
The Winnebagoes, who shared their myths with Mr. Fletcher,(1) are thought to have been influenced by the Biblical story. They say that the Great Spirit woke up as if from a dream and found himself sitting in a chair. Since he was all alone, he took a piece of his body and a piece of earth and created a man. Then he made a woman, stabilized the earth by placing animals underneath it at the corners, and created plants and animals. He made other men from bears. "He created the white man to make tools for the poor Indians"—a compelling example of a teleological hypothesis and the idea of final causes as understood by the Winnebagoes. The Chaldean myth of man's creation is echoed in the legend that the Great Spirit cut out a piece of himself for the task; the Chaldean wisdom also aligns with the philosophical insights of the Po-to-yan-te or Coyote tribe of Digger Indians. Although the Chaldean theory is only related to that of the Red Men by its primitive nature, we can briefly mention it here.
(1) Ibid., iv. 228.
Ibid., p. 228.
According to Berosus, as reported by Alexander Polyhistor, the universe was originally (as before Manabozho's time) water and mud. Herein all manner of mixed monsters, with human heads, goat's horns, four legs, and tails, bred confusedly. In place of the Iroquois Ataentsic, a woman called Omoroca presided over the mud and the menagerie. She, too, like Ataentsic, is sometimes recognised as the moon. Affairs being in this state, Bel-Maruduk arrived and cut Omoroca in two (Chokanipok destroyed Ataentsic), and out of Omoroca Bel made the world and the things in it. We have already seen that in savage myth many things are fashioned out of a dead member of the extra-natural race. Lastly, Bel cut his own head off, and with the blood the gods mixed clay and made men. The Chaldeans inherited very savage fancies.(1)
According to Berosus, as reported by Alexander Polyhistor, the universe was originally just water and mud, long before Manabozho's time. In this chaos, all sorts of mixed creatures, with human heads, goat horns, four legs, and tails, were born. Instead of the Iroquois Ataentsic, a woman named Omoroca ruled over the mud and the menagerie. Like Ataentsic, she is sometimes identified as the moon. While things were in this state, Bel-Maruduk arrived and split Omoroca in two (just as Chokanipok destroyed Ataentsic), and from Omoroca, Bel created the world and everything in it. We've already noted that in primitive myths, many things are made from a dead part of a supernatural being. Finally, Bel cut off his own head, and with the blood, the gods mixed clay and created humans. The Chaldeans inherited some very primitive ideas.(1)
(1) Cf. Syncellus, p. 29; Euseb., Chronic. Armen., ed. Mai, p. 10; Lenormant, Origines de l'Histoire, i. 506.
(1) Cf. Syncellus, p. 29; Euseb., Chronic. Armen., ed. Mai, p. 10; Lenormant, Origines de l'Histoire, i. 506.
One ought, perhaps, to apologise to the Chaldeans for inserting their myths among the fables of the least cultivated peoples; but it will scarcely be maintained that the Oriental myths differ in character from the Digger Indian and Iroquois explanations of the origin of things. The Ahts of Vancouver Island, whom Mr. Sproat knew intimately, and of whose ideas he gives a cautious account (for he was well aware of the limits of his knowledge), tell a story of the usual character.(1) They believe in a member of the extra-natural race, named Quawteaht, of whom we shall hear more in his heroic character. As a demiurge "he is undoubtedly represented as the general framer, I do not say creator, of all things, though some special things are excepted. He made the earth and water, the trees and rocks, and all the animals. Some say that Quawteaht made the sun and moon, but the majority of the Indians believe that he had nothing to do with their formation, and that they are deities superior to himself, though now distant and less active. He gave names to everything; among the rest, to all the Indian houses which then existed, although inhabited only by birds and animals. Quawteaht went away before the apparent change of the birds and beasts into Indians, which took place in the following manner:—
One might want to apologize to the Chaldeans for including their myths among the stories of less developed cultures; however, it’s hard to argue that the Eastern myths are fundamentally different from the explanations of creation provided by the Digger Indians and Iroquois. The Ahts of Vancouver Island, who Mr. Sproat knew well and whose beliefs he described with caution (as he understood the limits of his knowledge), share a typical story. They believe in a supernatural being named Quawteaht, who we will learn more about in his heroic role. As a demiurge, he is undoubtedly seen as the overall creator, though I wouldn’t use the term “creator” for everything, as some specific things are exceptions. He created the earth, water, trees, rocks, and all animals. Some say Quawteaht made the sun and moon, but most Indians believe he had nothing to do with their creation and that those celestial bodies are deities greater than he, though currently distant and less active. He named everything, including all the Indian houses that existed at the time, which were only occupied by birds and animals. Quawteaht disappeared before the transformation of birds and beasts into Indians occurred in the following way:—
"The birds and beasts of old had the spirits of the Indians dwelling in them, and occupied the various coast villages, as the Ahts do at present. One day a canoe manned by two Indians from an unknown country approached the shore. As they coasted along, at each house at which they landed, the deer, bear, elk, and other brute inhabitants fled to the mountains, and the geese and other birds flew to the woods and rivers. But in this flight, the Indians, who had hitherto been contained in the bodies of the various creatures, were left behind, and from that time they took possession of the deserted dwellings and assumed the condition in which we now see them."
"The birds and animals of the past had the spirits of the Indians living in them and occupied the different coastal villages, just like the Ahts do today. One day, a canoe rowed by two Indians from an unknown land approached the shore. As they traveled along the coast, at each house where they stopped, the deer, bear, elk, and other animals fled to the mountains, and the geese and other birds flew to the woods and rivers. However, in this panic, the Indians, who had been trapped in the bodies of these creatures, were left behind. From that moment on, they took over the vacant homes and took on the form we see them in now."
(1) Sproat, Scenes and Studies of Savage Life, pp. 210, 211.
(1) Sproat, Scenes and Studies of Savage Life, pp. 210, 211.
Crossing the northern continent of America to the west, we are in the domains of various animal culture-heroes, ancestors and teachers of the human race and the makers, to some extent, of the things in the world. As the eastern tribes have their Great Hare, so the western tribes have their wolf hero and progenitor, or their coyote, or their raven, or their dog. It is possible, and even certain in some cases, that the animal which was the dominant totem of a race became heir to any cosmogonic legends that were floating about.
Crossing the northern part of America to the west, we enter the territories of various animal culture-heroes, ancestors, and teachers of humanity, as well as the creators of many things in the world. Just as the eastern tribes have their Great Hare, the western tribes have their wolf hero and ancestor, or their coyote, or their raven, or their dog. In some cases, it's likely—and even certain—that the animal that served as the main totem for a tribe inherited any creation myths that were circulating.
The country of the Papagos, on the eastern side of the Gulf of California, is the southern boundary of the province of the coyote or prairie wolf. The realm of his influence as a kind of Prometheus, or even as a demiurge, extends very far northwards. In the myth related by Con Quien, the chief of the central Papagos,(1) the coyote acts the part of the fish in the Sanskrit legend of the flood, while Montezuma undertakes the role of Manu. This Montezuma was formed, like the Adams of so many races, out of potter's clay in the hands of the Great Spirit. In all this legend it seems plain enough that the name of Montezuma is imported from Mexico, and has been arbitrarily given to the hero of the Papagos. According to Mr. Powers, whose manuscript notes Mr. Bancroft quotes (iii. 87), all the natives of California believe that their first ancestors were created directly from the earth of their present dwelling-places, and in very many cases these ancestors were coyotes.
The Papagos people, located on the eastern side of the Gulf of California, mark the southern edge of the region inhabited by the coyote or prairie wolf. The coyote's influence, like a sort of Prometheus or even a demiurge, stretches far to the north. In the myth told by Con Quien, the chief of the central Papagos,(1) the coyote takes on the role of the fish in the Sanskrit flood legend, while Montezuma plays the part of Manu. This Montezuma was formed, like the Adam of many cultures, from potter's clay crafted by the Great Spirit. From this legend, it seems clear that the name Montezuma is borrowed from Mexico and has been arbitrarily assigned to the Papagos hero. According to Mr. Powers, whose notes are quoted by Mr. Bancroft (iii. 87), all California natives believe their first ancestors were created directly from the soil of the places they now live, and often these ancestors were coyotes.
(1) Davidson, Indian Affairs Report, 1865, p. 131; Bancroft, iii. 75.
(1) Davidson, Indian Affairs Report, 1865, p. 131; Bancroft, iii. 75.
The Pimas, a race who live near the Papagos on the eastern coast of the Gulf of California, say that the earth was made by a being named Earth-prophet. At first it appeared like a spider's web, reminding one of the West African legend that a great spider created the world. Man was made by the Earth-prophet out of clay kneaded with sweat. A mysterious eagle and a deluge play a great part in the later mythical adventures of war and the world, as known to the Pimas.(1)
The Pimas, a group living close to the Papagos on the eastern coast of the Gulf of California, believe that the earth was created by a being called Earth-prophet. Initially, it looked like a spider's web, similar to the West African story about a giant spider creating the world. People were formed by the Earth-prophet from clay mixed with sweat. A mysterious eagle and a great flood are significant in the later mythical stories of war and the world, as told by the Pimas.(1)
(1) Communicated to Mr. Bancroft by Mr. Stout of the Pima Agency.
(1) Shared with Mr. Bancroft by Mr. Stout from the Pima Agency.
In Oregon the coyote appears as a somewhat tentative demiurge, and the men of his creation, like the beings first formed by Prajapati in the Sanskrit myth, needed to be reviewed, corrected and considerably augmented. The Chinooks of Oregon believe in the usual race of magnified non-natural men, who preceded humanity.
In Oregon, the coyote shows up as a somewhat uncertain creator figure, and the men he made, similar to the beings initially created by Prajapati in the Sanskrit myth, needed to be reviewed, fixed, and greatly enhanced. The Chinooks of Oregon believe in the typical race of exaggerated supernatural beings who existed before humanity.
These semi-divine people were called Ulhaipa by the Chinooks, and Sehuiab by the Lummies. But the coyote was the maker of men. As the first of Nature's journeymen, he made men rather badly, with closed eyes and motionless feet. A kind being, named Ikanam, touched up the coyote's crude essays with a sharp stone, opening the eyes of men, and giving their hands and feet the powers of movement. He also acted as a "culture-hero," introducing the first arts. (1)
These semi-divine beings were called Ulhaipa by the Chinooks and Sehuiab by the Lummies. But the coyote was the creator of humans. As the first craftsman of Nature, he made people rather poorly, with closed eyes and stiff feet. A kind individual named Ikanam refined the coyote's rough creations with a sharp stone, opening the eyes of humans and giving their hands and feet the ability to move. He also served as a "culture hero," introducing the first forms of art. (1)
(1) (Frauchere's Narrative, 258; Gibb's Chinook Vocabulary; Parker's exploring Tour, i. 139;) Bancroft, iii. 96.
(1) (Frauchere's Narrative, 258; Gibb's Chinook Vocabulary; Parker's exploring Tour, i. 139;) Bancroft, iii. 96.
Moving up the West Pacific coast we reach British Columbia, where the coyote is not supposed to have been so active as our old friend the musk-rat in the great work of the creation. According to the Tacullies, nothing existed in the beginning but water and a musk-rat. As the animal sought his food at the bottom of the water, his mouth was frequently filled with mud. This he spat out, and so gradually formed by alluvial deposit an island. This island was small at first, like earth in the Sanskrit myth in the Satapatha Brahmana, but gradually increased in bulk. The Tacullies have no new light to throw on the origin of man.(1)
Moving up the West Pacific coast, we arrive in British Columbia, where the coyote isn't believed to have played as significant a role in creation as our old friend the musk-rat. According to the Tacullies, in the beginning, there was only water and a musk-rat. As the animal searched for food at the bottom of the water, it often ended up with mud in its mouth. It would spit this out, gradually forming an island through alluvial deposits. This island was small at first, similar to the earth in the Sanskrit myth found in the Satapatha Brahmana, but it gradually grew larger. The Tacullies don't offer any new insights into the origin of man.(1)
(1) Bancroft, iii. 98; Harmon's Journey, pp. 302, 303.
(1) Bancroft, iii. 98; Harmon's Journey, pp. 302, 303.
The Thlinkeets, who are neighbours of the Tacullies on the north, incline to give crow or raven the chief role in the task of creation, just as some Australians allot the same part to the eagle-hawk, and the Yakuts to a hawk, a crow and a teal-duck. We shall hear much of Yehl later, as one of the mythical heroes of the introduction of civilisation. North of the Thlinkeets, a bird and a dog take the creative duties, the Aleuts and Koniagas being descended from a dog. Among the more northern Tinnehs, the dog who was the progenitor of the race had the power of assuming the shape of a handsome young man. He supplied the protoplasm of the Tinnehs, as Purusha did that of the Aryan world, out of his own body. A giant tore him to pieces, as the gods tore Purusha, and out of the fragments thrown into the rivers came fish, the fragments tossed into the air took life as birds, and so forth.(1) This recalls the Australian myth of the origin of fish and the Ananzi stories of the origin of whips.(2)
The Thlinkeets, who live next to the Tacullies to the north, tend to see the crow or raven as the main figure in the creation story, similar to how some Australians assign that role to the eagle-hawk, and the Yakuts to a hawk, a crow, and a teal-duck. We'll hear more about Yehl later as one of the legendary heroes who brought civilization. North of the Thlinkeets, a bird and a dog are responsible for creation, with the Aleuts and Koniagas tracing their descent from a dog. Among the more northern Tinnehs, the dog who was the ancestor of their people could transform into a handsome young man. He provided the essential material for the Tinnehs, just like Purusha did for the Aryan world, using his own body. A giant tore him apart, just as the gods tore Purusha, and from the pieces thrown into the rivers came fish, while the fragments tossed into the air became birds, and so on. This is reminiscent of the Australian myth of how fish originated and the Ananzi tales about the creation of whips.
(1) Hearne, pp. 342, 343; Bancroft, iii. 106.
(1) Hearne, pp. 342, 343; Bancroft, iii. 106.
(2) See "Divine Myths of Lower Races". M. Cosquin, in Contes de Lorraine, vol. i. p. 58, gives the Ananzi story.
(2) See "Divine Myths of Lower Races". M. Cosquin, in Contes de Lorraine, vol. i. p. 58, shares the Ananzi story.
Between the cosmogonic myths of the barbarous or savage American tribes and those of the great cultivated American peoples, Aztecs, Peruvians and Quiches, place should be found for the legends of certain races in the South Pacific. Of these, the most important are the Maoris or natives of New Zealand, the Mangaians and the Samoans. Beyond the usual and world-wide correspondences of myth, the divine tales of the various South Sea isles display resemblances so many and essential that they must be supposed to spring from a common and probably not very distant centre. As it is practically impossible to separate Maori myths of the making of things from Maori myths of the gods and their origin, we must pass over here the metaphysical hymns and stories of the original divine beings, Rangi and Papa, Heaven and Earth, and of their cruel but necessary divorce by their children, who then became the usual Titanic race which constructs and "airs" the world for the reception of man.(1) Among these beings, more fully described in our chapter on the gods of the lower races, is Tiki, with his wife Marikoriko, twilight. Tane (male) is another of the primordial race, children of earth and heaven, and between him and Tiki lies the credit of having made or begotten humanity. Tane adorned the body of his father, heaven (Rangi), by sticking stars all over it, as disks of pearl-shells are stuck all over images. He was the parent of trees and birds, but some trees are original and divine beings. The first woman was not born, but formed out of the sun and the echo, a pretty myth. Man was made by Tiki, who took red clay, and kneaded it with his own blood, or with the red water of swamps. The habits of animals, some of which are gods, while others are descended from gods, follow from their conduct at the moment when heaven and earth were violently divorced. New Zealand itself, or at least one of the isles, was a huge fish caught by Maui (of whom more hereafter). Just as Pund-jel, in Australia, cut out the gullies and vales with his knife, so the mountains and dells of New Zealand were produced by the knives of Maui's brothers when they crimped his big fish.(2) Quite apart from those childish ideas are the astonishing metaphysical hymns about the first stirrings of light in darkness, of "becoming" and "being," which remind us of Hegel and Heraclitus, or of the most purely speculative ideas in the Rig-Veda.(3) Scarcely less metaphysical are the myths of Mangaia, of which Mr. Gill(4) gives an elaborate account.
Between the creation myths of the primitive American tribes and those of the advanced civilizations like the Aztecs, Peruvians, and Quiches, we should include the legends of some races in the South Pacific. The most significant among these are the Maoris, the natives of New Zealand, the Mangaians, and the Samoans. Beyond the usual similarities found in myths worldwide, the divine stories of the various South Sea islands show so many crucial similarities that we can assume they come from a common and likely nearby source. It's nearly impossible to separate Maori myths about creation from those about the gods and their origins, so we'll skip over the metaphysical hymns and tales of the original divine beings, Rangi and Papa, Heaven and Earth, and their harsh but necessary separation by their children, who then became the familiar Titan-like beings responsible for shaping and preparing the world for humanity. Among these beings, detailed in our chapter on the gods of the lower races, is Tiki and his wife Marikoriko, who represents twilight. Tane is another member of this primordial race, the offspring of Earth and Heaven, and he, along with Tiki, is credited with creating humanity. Tane embellished the body of his father, Heaven (Rangi), by placing stars all over it, just as pearl-shell disks are placed on statues. He was the creator of trees and birds, but some trees are original and divine beings. The first woman wasn’t born but was created from the sun and the echo, a lovely myth. Man was fashioned by Tiki, who used red clay, kneading it with his own blood or the reddish water from swamps. The behaviors of animals, some of which are gods or descended from gods, stem from their actions at the moment when Heaven and Earth were violently separated. New Zealand, or at least one of its islands, was a giant fish caught by Maui (more on him later). Just as Pund-jel in Australia carved out the valleys and ravines with his knife, the mountains and valleys of New Zealand were formed by the knives of Maui's brothers when they altered his giant fish. Separate from these simpler ideas are the remarkable metaphysical hymns discussing the first rays of light in darkness, of "becoming" and "being," reminiscent of Hegel and Heraclitus, or the most speculative concepts in the Rig-Veda. Almost equally metaphysical are the myths of Mangaia, which Mr. Gill provides a detailed account of.
(1) See "Divine Myths of Lower Races".
(1) See "Divine Myths of Lower Races".
(2) Taylor, New Zealand, pp. 115-121; Bastian, Heilige Sage der Polynesier, pp. 36-50; Shortland, Traditions of New Zealanders.
(2) Taylor, New Zealand, pp. 115-121; Bastian, Sacred Legends of the Polynesians, pp. 36-50; Shortland, Traditions of New Zealanders.
(3) See chapter on "Divine Myths of the Lower Races," and on "Indian Cosmogonic Myths"
(3) See the chapter on "Divine Myths of the Lower Races" and "Indian Cosmogonic Myths"
(4) Myths and Songs from the South Pacific, pp. 1-22.
(4) Myths and Songs from the South Pacific, pp. 1-22.
The Mangaian ideas of the world are complex, and of an early scientific sort. The universe is like the hollow of a vast cocoa-nut shell, divided into many imaginary circles like those of mediaeval speculation. There is a demon at the stem, as it were, of the cocoa-nut, and, where the edges of the imaginary shell nearly meet, dwells a woman demon, whose name means "the very beginning". In this system we observe efforts at metaphysics and physical speculation. But it is very characteristic of rude thought that such extremely abstract conceptions as "the very beginning" are represented as possessing life and human form. The woman at the bottom of the shell was anxious for progeny, and therefore plucked a bit out of her own right side, as Eve was made out of the rib of Adam. This piece of flesh became Vatea, the father of gods and men. Vatea (like Oannes in the Chaldean legend) was half man, half fish. "The Very Beginning" begat other children in the same manner, and some of these became departmental gods of ocean, noon-day, and so forth. Curiously enough, the Mangaians seem to be sticklers for primogeniture. Vatea, as the first-born son, originally had his domain next above that of his mother. But she was pained by the thought that his younger brothers each took a higher place than his; so she pushed his land up, and it is now next below the solid crust on which mortals live in Mangaia. Vatea married a woman from one of the under worlds named Papa, and their children had the regular human form. One child was born either from Papa's head, like Athene from the head of Zeus, or from her armpit, like Dionysus from the thigh of Zeus. Another child may be said, in the language of dog-breeders, to have "thrown back," for he wears the form of a white or black lizard. In the Mangaian system the sky is a solid vault of blue stone. In the beginning of things the sky (like Ouranos in Greece and Rangi in New Zealand) pressed hard on earth, and the god Ru was obliged to thrust the two asunder, or rather he was engaged in this task when Maui tossed both Ru and the sky so high up that they never came down again. Ru is now the Atlas of Mangaia, "the sky-supporting Ru".(1) His lower limbs fell to earth, and became pumice-stone. In these Mangaian myths we discern resemblances to New Zealand fictions, as is natural, and the tearing of the body of "the Very Beginning" has numerous counterparts in European, American and Indian fable. But on the whole, the Mangaian myths are more remarkable for their semi-scientific philosophy than for their coincidences with the fancies of other early peoples.
The Mangaian concepts of the world are intricate and have an early scientific quality. The universe resembles the inside of a massive coconut shell, divided into many imaginary circles similar to those in medieval thought. There’s a demon at the base of the coconut, and where the edges of the imaginary shell nearly meet, lives a female demon, whose name translates to "the very beginning." In this belief system, we can see attempts at metaphysics and physical speculation. However, it’s typical of primitive thinking that such highly abstract ideas as "the very beginning" are depicted as having life and human form. The woman at the bottom of the shell desperately wanted offspring, so she took a piece from her own right side, just as Eve was created from Adam's rib. This piece of flesh turned into Vatea, the father of gods and men. Vatea (similar to Oannes in the Chaldean myth) was part man and part fish. "The Very Beginning" had other children in the same way, and some of these became gods of specific domains like the ocean and noon. Interestingly, the Mangaians appear to emphasize the importance of birth order. Vatea, being the firstborn son, originally had his territory just above that of his mother. However, she was troubled by the idea that his younger brothers held higher positions than he did, so she elevated his land, and it now sits just below the solid surface where mortals live in Mangaia. Vatea married a woman from one of the underworlds named Papa, and their children had typical human forms. One child was born either from Papa’s head, similar to Athena from Zeus's head, or from her armpit, like Dionysus from Zeus's thigh. Another child can be said, in breeder's terms, to have "thrown back," as he takes the shape of a white or black lizard. In Mangaian beliefs, the sky is a solid dome of blue stone. At the beginning of time, the sky (like Ouranos in Greece and Rangi in New Zealand) pressed down on the earth, and the god Ru had to push them apart, or rather, he was in the process of doing this when Maui tossed both Ru and the sky so high that they never came down again. Ru is now the Atlas of Mangaia, "the sky-supporting Ru." His lower limbs fell to earth and became pumice stone. In these Mangaian myths, we can see similarities to New Zealand tales, which is natural, and the tearing apart of "the Very Beginning" has multiple equivalents in European, American, and Indian folklore. Overall, the Mangaian myths are more noteworthy for their semi-scientific philosophy than for their parallels with the stories of other early cultures.
(1) Gill, p. 59.
Gill, p. 59.
The Samoans, like the Maoris and Greeks, hold that heaven at first fell down and lay upon earth.(1) The arrowroot and another plant pushed up heaven, and "the heaven-pushing place" is still known and pointed out. Others say the god Ti-iti-i pushed up heaven, and his feet made holes six feet deep in the rocks during this exertion. The other Samoan myths chiefly explain the origin of fire, and the causes of the characteristic forms and habits of animals and plants. The Samoans, too, possess a semi-mythical, metaphysical cosmogony, starting from NOTHING, but rapidly becoming the history of rocks, clouds, hills, dew and various animals, who intermarried, and to whom the royal family of Samoa trace their origin through twenty-three generations. So personal are Samoan abstract conceptions, that "SPACE had a long-legged stool," on to which a head fell, and grew into a companion for Space. Yet another myth says that the god Tangaloa existed in space, and made heaven and earth, and sent down his daughter, a snipe. Man he made out of the mussel-fish. So confused are the doctrines of the Samoans.(2)
The Samoans, like the Maoris and Greeks, believe that heaven originally fell down and rested on earth.(1) The arrowroot and another plant pushed heaven back up, and "the heaven-pushing place" is still known and pointed out today. Others say the god Ti-iti-i lifted up heaven, leaving six-foot-deep holes in the rocks from his effort. The other Samoan myths mainly explain the origins of fire and the reasons behind the unique traits and behaviors of animals and plants. Additionally, the Samoans have a semi-mythical, metaphysical creation story that begins with NOTHING but quickly evolves into a narrative about rocks, clouds, hills, dew, and various animals that intermarried, from which the royal family of Samoa traces its lineage through twenty-three generations. The Samoan views on abstract concepts are so personal that "SPACE had a long-legged stool," onto which a head fell and became a companion for Space. Another myth states that the god Tangaloa existed in space, created heaven and earth, and sent down his daughter, a snipe. The beliefs of the Samoans are quite complex.(2)
(1) Turner's Samoa, p. 198.
Turner's Samoa, p. 198.
(2) Turner's Samoa, pp. 1-9.
Turner's Samoa, pp. 1-9.
Perhaps the cosmogonic myths of the less cultivated races have now been stated in sufficient number. As an example of the ideas which prevailed in an American race of higher culture, we may take the Quiche legend as given in the Popol Vuh, a post-Christian collection of the sacred myths of the nation, written down after the Spanish conquest, and published in French by the Abbe Brasseur de Bourbourg.(1)
Perhaps the creation myths of less developed cultures have now been presented in sufficient quantity. As an example of the ideas that existed in a more advanced American culture, we can consider the Quiche legend found in the Popol Vuh, a post-Christian collection of the sacred myths of the nation, recorded after the Spanish conquest and published in French by Abbe Brasseur de Bourbourg.(1)
(1) See Popol Vuh in Mr. Max Muller's Chips from a German Workshop, with a discussion of its authenticity. In his Annals of the Cakchiquels, a nation bordering on the Quiches, Dr. Brinton expresses his belief in the genuine character of the text. Compare Bancroft, iii. p. 45. The ancient and original Popol Vuh, the native book in native characters, disappeared during the Spanish conquest.
(1) See Popol Vuh in Mr. Max Muller's Chips from a German Workshop, which includes a discussion of its authenticity. In his Annals of the Cakchiquels, a nation adjacent to the Quiches, Dr. Brinton shares his belief in the text's genuine nature. Compare Bancroft, iii. p. 45. The ancient and original Popol Vuh, the native book in its original characters, was lost during the Spanish conquest.
The Quiches, like their neighbours the Cakchiquels, were a highly civilised race, possessing well-built towns, roads and the arts of life, and were great agriculturists. Maize, the staple of food among these advanced Americans, was almost as great a god as Soma among the Indo-Aryans. The Quiches were acquainted with a kind of picture-writing, and possessed records in which myth glided into history. The Popol Vuh, or book of the people, gives itself out as a post-Columbian copy of these traditions, and may doubtless contain European ideas. As we see in the Commentarias Reales of the half-blood Inca Garcilasso de la Vega, the conquered people were anxious to prove that their beliefs were by no means so irrational and so "devilish" as to Spanish critics they appeared. According to the Popol Vuh, there was in the beginning nothing but water and the feathered serpent, one of their chief divine beings; but there also existed somehow, "they that gave life". Their names mean "shooter of blow-pipe at coyote," "at opossum," and so forth. They said "Earth," and there WAS earth, and plants growing thereon. Animals followed, and the Givers of life said "Speak our names," but the animals could only cluck and croak. Then said the Givers, "Inasmuch as ye cannot praise us, ye shall be killed and eaten". They then made men out of clay; these men were weak and watery, and by water they were destroyed. Next they made men of wood and women of the pith of trees. These puppets married and gave in marriage, and peopled earth with wooden mannikins. This unsatisfactory race was destroyed by a rain of resin and by the wild beasts. The survivors developed into apes. Next came a period occupied by the wildest feats of the magnified non-natural race and of animals. The record is like the description of a supernatural pantomime—the nightmare of a god. The Titans upset hills, are turned into stone, and behave like Heitsi Eibib in the Namaqua myths.
The Quiches, like their neighbors the Cakchiquels, were a highly civilized people, with well-built towns, roads, and the skills of everyday life, and they were skilled farmers. Corn, the staple food for these advanced Americans, was almost as revered as Soma was among the Indo-Aryans. The Quiches had a form of picture writing and kept records where myth blended into history. The Popol Vuh, or book of the people, is presented as a post-Columbian version of these traditions and likely includes European ideas. As seen in the Commentarias Reales by the mixed-race Inca Garcilasso de la Vega, the conquered people wanted to show that their beliefs were not as irrational and "devilish" as they seemed to Spanish critics. According to the Popol Vuh, at the beginning, there was nothing but water and the feathered serpent, one of their main deities; but there also existed some beings called "they that gave life." Their names mean "shooter of blow-pipe at coyote," "at opossum," and so on. They spoke "Earth," and there WAS earth, along with plants growing on it. Animals appeared next, and the Givers of Life said, "Speak our names," but the animals could only cluck and croak. The Givers then declared, "Since you cannot praise us, you shall be killed and eaten." They then created humans from clay; these humans were weak and watery, and they were destroyed by water. Then they made humans from wood and women from tree pith. These creatures married and had children, filling the earth with wooden figures. This unsatisfactory race was wiped out by a rain of resin and wild beasts. The survivors turned into apes. Next came a time filled with the wildest antics of this exaggerated unnatural race and the animals. The account reads like a description of a supernatural pantomime—the nightmare of a god. The Titans toppled hills, turned to stone, and acted like Heitsi Eibib in the Namaqua myths.
Last of all, men were made of yellow and white maize, and these gave more satisfaction, but their sight was contracted. These, however, survived, and became the parents of the present stock of humanity.
Last of all, men were made from yellow and white corn, and these were more satisfying, but their vision was limited. However, these survived and became the ancestors of today's human race.
Here we have the conceptions of creation and of evolution combined. Men are MADE, but only the fittest survive; the rest are either destroyed or permitted to develop into lower species. A similar mixture of the same ideas will be found in one of the Brahmanas among the Aryans of India. It is to be observed that the Quiche myths, as recorded in Popol Vuh, contain not only traces of belief in a creative word and power, but many hymns of a lofty and beautifully devotional character.
Here, we have the ideas of creation and evolution working together. People are CREATED, but only the strongest survive; the rest either perish or evolve into lesser types. A similar blend of these concepts appears in one of the Brahmanas among the Aryans of India. It's worth noting that the Quiche myths, as documented in the Popol Vuh, show not only hints of a belief in a creative word and power but also many hymns that are both uplifting and beautifully devotional.
"Hail! O Creator, O Former! Thou that hearest and understandest us, abandon us not, forsake us not! O God, thou that art in heaven and on the earth, O Heart of Heaven, O Heart of Earth, give us descendants and posterity as long as the light endures."
"Hail! O Creator, O Former! You who hear and understand us, do not abandon us, do not forsake us! O God, you who are in heaven and on earth, O Heart of Heaven, O Heart of Earth, grant us descendants and a legacy as long as the light lasts."
This is an example of the prayers of the men made out of maize, made especially that they might "call on the name" of the god or gods. Whether we are to attribute this and similar passages to Christian influence (for Popol Vuh, as we have it, is but an attempt to collect the fragments of the lost book that remained in men's minds after the conquest), or whether the purer portions of the myth be due to untaught native reflection and piety, it is not possible to determine. It is improbable that the ideas of a hostile race would be introduced into religious hymns by their victims. Here, as elsewhere in the sacred legends of civilised peoples, various strata of mythical and religious thought coexist.
This is an example of the prayers of the men made from maize, created specifically so they could "call on the name" of the god or gods. It's unclear whether we should attribute this and similar passages to Christian influence (since the Popol Vuh, as we have it, is just an effort to gather the remnants of the lost book that survived in people's minds after the conquest) or if the purer parts of the myth come from uneducated native reflection and devotion. It's unlikely that the ideas of a hostile race would be found in the religious hymns of their victims. Here, as in other sacred legends of advanced societies, different layers of mythical and religious thought exist together.
No American people reached such a pitch of civilisation as the Aztecs of Anahuac, whose capital was the city of Mexico. It is needless here to repeat the story of their grandeur and their fall. Obscure as their history, previous to the Spanish invasion, may be, it is certain that they possessed a highly organised society, fortified towns, established colleges or priesthoods, magnificent temples, an elaborate calendar, great wealth in the precious metals, the art of picture-writing in considerable perfection, and a despotic central government. The higher classes in a society like this could not but develop speculative systems, and it is alleged that shortly before the reign of Montezuma attempts had been made to introduce a pure monotheistic religion. But the ritual of the Aztecs remained an example of the utmost barbarity. Never was a more cruel faith, not even in Carthage. Nowhere did temples reek with such pools of human blood; nowhere else, not in Dahomey and Ashanti, were human sacrifice, cannibalism and torture so essential to the cult that secured the favour of the gods. In these dark fanes—reeking with gore, peopled by monstrous shapes of idols bird-headed or beast-headed, and adorned with the hideous carvings in which we still see the priest, under the mask of some less ravenous forest beast, tormenting the victim—in these abominable temples the Castilian conquerors might well believe that they saw the dwellings of devils.
No American society reached the level of civilization as the Aztecs of Anahuac, whose capital was Mexico City. There's no need to recount their greatness and downfall here. Although much of their history before the Spanish invasion is unclear, it is evident that they had a highly organized society, fortified cities, established schools or priesthoods, magnificent temples, a detailed calendar, significant wealth in precious metals, an advanced form of picture-writing, and a strong central government. In a society like this, the upper classes inevitably developed speculative ideas, and it’s said that not long before Montezuma's reign, there were efforts to introduce a pure monotheistic religion. However, the Aztec rituals remained extremely barbaric. Never was there a faith as cruel, not even in Carthage. Nowhere did temples swim in such pools of human blood; nowhere else, not even in Dahomey and Ashanti, were human sacrifice, cannibalism, and torture so integral to the worship that sought to gain the favor of the gods. In these dark temples—soaked in gore, filled with monstrous idol shapes with bird or beast heads, and decorated with horrifying carvings depicting priests, disguised as less bloodthirsty forest creatures, tormenting victims— the Spanish conquerors could understandably believe they were witnessing the abodes of demons.
Yet Mexican religion had its moral and beautiful aspect, and the gods, or certain of the gods, required from their worshippers not only bloody hands, but clean hearts.
Yet Mexican religion had its moral and beautiful side, and the gods, or some of the gods, demanded from their worshippers not just bloody hands, but also pure hearts.
To the gods we return later. The myths of the origin of things may be studied without a knowledge of the whole Aztec Pantheon. Our authorities, though numerous, lack complete originality and are occasionally confused. We have first the Aztec monuments and hieroglyphic scrolls, for the most part undeciphered. These merely attest the hideous and cruel character of the deities. Next we have the reports of early missionaries, like Sahagun and Mendieta, of conquerors, like Bernal Diaz, and of noble half-breeds, such as Ixtlilxochitl.(1)
To the gods we'll return later. You can study the myths about the origins of things without knowing the whole Aztec Pantheon. Our sources, though many, don't have complete originality and can sometimes be confusing. First, we have the Aztec monuments and hieroglyphic scrolls, which for the most part aren't deciphered. These mostly show the terrible and cruel nature of the deities. Next, we have the accounts of early missionaries, like Sahagun and Mendieta, conquerors like Bernal Diaz, and noble mestizos, such as Ixtlilxochitl.(1)
(1) Bancroft's Native Races of Pacific Coast of North America, vol. iii., contains an account of the sources, and, with Sahagun and Acosta, is mainly followed here. See also J. G. Muller, Ur. Amerik. Rel., p. 507. See chapter on the "Divine Myths of Mexico".
(1) Bancroft's Native Races of the Pacific Coast of North America, vol. iii., contains information on the sources and, along with Sahagun and Acosta, is mainly referenced here. Also, see J. G. Muller, Ur. Amerik. Rel., p. 507. Check the chapter on the "Divine Myths of Mexico."
There are two elements in Mexican, as in Quiche, and Indo-Aryan, and Maori, and even Andaman cosmogonic myth. We find the purer religion and the really philosophic speculation concurrent with such crude and childish stories as usually satisfy the intellectual demands of Ahts, Cahrocs and Bushmen; but of the purer and more speculative opinions we know little. Many of the noble, learned and priestly classes of Aztecs perished at the conquest. The survivors were more or less converted to Catholicism, and in their writings probably put the best face possible on the native religion. Like the Spanish clergy, their instructors, they were inclined to explain away their national gods by a system of euhemerism, by taking it for granted that the gods and culture-heroes had originally been ordinary men, worshipped after their decease. This is almost invariably the view adopted by Sahagun. Side by side with the confessions, as it were, of the clergy and cultivated classes coexisted the popular beliefs, the myths of the people, partaking of the nature of folk-lore, but not rejected by the priesthood.
There are two elements in Mexican, just like in Quiche, Indo-Aryan, Maori, and even Andaman creation myths. We see a purer form of religion and genuine philosophical thought existing alongside the basic and naive stories that typically satisfy the intellectual needs of Ahts, Cahrocs, and Bushmen; however, we know little about the more refined and speculative beliefs. Many of the noble, educated, and priestly classes of the Aztecs were lost during the conquest. The survivors were largely converted to Catholicism, and in their writings, they likely presented their native religion in the best light possible. Similar to the Spanish clergy, their teachers, they tended to rationalize their national gods through a system of euhemerism, assuming that the gods and culture heroes had once been ordinary people who were worshipped after they died. This perspective is almost always the one taken by Sahagun. Alongside the confessions of the clergy and educated classes existed the popular beliefs, the myths of the people, which had a folk-lore quality but were not dismissed by the priesthood.
Both strata of belief are represented in the surviving cosmogonic myths of the Aztecs. Probably we may reckon in the first or learned and speculative class of tales the account of a series of constructions and reconstructions of the world. This idea is not peculiar to the higher mythologies, the notion of a deluge and recreation or renewal of things is almost universal, and even among the untutored Australians there are memories of a flood and of an age of ruinous winds. But the theory of definite epochs, calculated in accordance with the Mexican calendar, of epochs in which things were made and re-made, answers closely to the Indo-Aryan conception of successive kalpas, and can only have been developed after the method of reckoning time had been carried to some perfection. "When heaven and earth were fashioned, they had already been four times created and destroyed," say the fragments of what is called the Chimalpopoca manuscript. Probably this theory of a series of kalpas is only one of the devices by which the human mind has tried to cheat itself into the belief that it can conceive a beginning of things. The earth stands on an elephant, the elephant on a tortoise, and it is going too far to ask what the tortoise stands on. In the same way the world's beginning seems to become more intelligible or less puzzling when it is thrown back into a series of beginnings and endings. This method also was in harmony with those vague ideas of evolution and of the survival of the fittest which we have detected in myth. The various tentative human races of the Popol Vuh degenerated or were destroyed because they did not fulfil the purposes for which they were made. In Brahmanic myth we shall see that type after type was condemned and perished because it was inadequate, or inadequately equipped—because it did not harmonise with its environment.(1) For these series of experimental creations and inefficient evolutions vast spaces of time were required, according to the Aztec and Indo-Aryan philosophies. It is not impossible that actual floods and great convulsions of nature may have been remembered in tradition, and may have lent colour and form to these somewhat philosophic myths of origins. From such sources probably comes the Mexican hypothesis of a water-age (ending in a deluge), an earth-age (ending in an earthquake), a wind-age (ending in hurricanes), and the present dispensation, to be destroyed by fire.
Both levels of belief are found in the surviving creation myths of the Aztecs. We can likely categorize the first type, which is more scholarly and theoretical, as the account of a series of world constructions and reconstructions. This idea isn't unique to advanced mythologies; the concept of a flood and the recreation or revitalization of the world is nearly universal. Even among the uneducated Australians, there are stories of a flood and a time of destructive winds. However, the theory of specific periods, calculated based on the Mexican calendar, in which things were created and recreated, closely aligns with the Indo-Aryan idea of successive kalpas and can only have developed after the method of measuring time was refined. "When heaven and earth were created, they had already been formed and destroyed four times," say the fragments of what is known as the Chimalpopoca manuscript. This theory of a series of kalpas might just be a way for the human mind to trick itself into believing it can grasp a beginning to everything. The earth rests on an elephant, the elephant on a tortoise, and it's too much to ask what the tortoise stands on. Similarly, the beginning of the world seems clearer or less confusing when it's viewed as a series of beginnings and endings. This approach also aligns with those vague notions of evolution and survival of the fittest that we've noticed in myths. The various experimental human races in the Popol Vuh declined or were destroyed because they didn't meet the purposes for which they were created. In Brahmanic myth, we'll see that one type after another was judged inadequate and perished because it didn't fit well with its environment. For these series of experimental creations and ineffective evolutions, long stretches of time were necessary, according to both Aztec and Indo-Aryan philosophies. It's possible that actual floods and major natural upheavals were remembered in tradition and may have influenced these somewhat philosophical myths of origins. This likely explains the Mexican idea of a water-age (ending in a flood), an earth-age (ending in an earthquake), a wind-age (ending in hurricanes), and the current age, which will end in fire.
(1) As an example of a dim evolutionary idea, note the myths of the various ages as reported by Mendieta, according to which there were five earlier ages "or suns" of bad quality, so that the contemporary human beings were unable to live on the fruits of the earth.
(1) For example, consider the outdated evolutionary concept noted by Mendieta, which claims there were five previous ages "or suns" that were of low quality, making it impossible for people at that time to live off the earth's fruits.
The less philosophic and more popular Aztec legend of the commencement of the world is mainly remarkable for the importance given in it to objects of stone. For some reason, stones play a much greater part in American than in other mythologies. An emerald was worshipped in the temple of Pachacamac, who was, according to Garcilasso, the supreme and spiritual deity of the Incas. The creation legend of the Cakchiquels of Guatemala(1) makes much of a mysterious, primeval and animated obsidian stone. In the Iroquois myths(2) stones are the leading characters. Nor did Aztec myth escape this influence.
The less philosophical and more popular Aztec legend about the beginning of the world is mostly notable for the significance placed on stone objects. For some reason, stones play a much bigger role in American mythologies than in others. An emerald was worshipped in the temple of Pachacamac, who was, according to Garcilasso, the supreme and spiritual god of the Incas. The creation story of the Cakchiquels from Guatemala(1) emphasizes a mysterious, ancient, and animated obsidian stone. In the Iroquois myths(2), stones are the main characters. The Aztec myth was also influenced by this.
(1) Brinton, Annals of the Cakchiquels.
(1) Brinton, Annals of the Cakchiquels.
(2) Erminie Smith, Bureau of Ethnol. Report, ii.
(2) Erminie Smith, Bureau of Ethnol. Report, ii.
There was a god in heaven named Citlalatonac, and a goddess, Citlalicue. When we speak of "heaven" we must probably think of some such world of ordinary terrestrial nature above the sky as that from which Ataentsic fell in the Huron story. The goddess gave birth to a flint-knife, and flung the flint down to earth. This abnormal birth partly answers to that of the youngest of the Adityas, the rejected abortion in the Veda, and to the similar birth and rejection of Maui in New Zealand. From the fallen flint-knife sprang our old friends the magnified non-natural beings with human characteristics, "the gods," to the number of 1600. The gods sent up the hawk (who in India and Australia generally comes to the front on these occasions), and asked their mother, or rather grandmother, to help them to make men, to be their servants. Citlalicue rather jeered at her unconsidered offspring. She advised them to go to the lord of the homes of the departed, Mictlanteuctli, and borrow a bone or some ashes of the dead who are with him. We must never ask for consistency from myths. This statement implies that men had already been in existence, though they were not yet created. Perhaps they had perished in one of the four great destructions. With difficulty and danger the gods stole a bone from Hades, placed it in a bowl, and smeared it with their own blood, as in Chaldea and elsewhere. Finally, a boy and a girl were born out of the bowl. From this pair sprang men, and certain of the gods, jumping into a furnace, became sun and moon. To the sun they then, in Aztec fashion, sacrificed themselves, and there, one might think, was an end of them. But they afterwards appeared in wondrous fashions to their worshippers, and ordained the ritual of religion. According to another legend, man and woman (as in African myths) struggled out of a hole in the ground.(1)
There was a god in heaven named Citlalatonac, and a goddess named Citlalicue. When we talk about "heaven," we should probably think of a world similar to our terrestrial nature above the sky, like the one from which Ataentsic fell in the Huron story. The goddess gave birth to a flint knife and threw the flint down to Earth. This unusual birth somewhat resembles that of the youngest of the Adityas, the rejected abortion in the Veda, and the similar birth and rejection of Maui in New Zealand. From the fallen flint knife came our familiar non-natural beings with human traits, "the gods," numbering 1,600. The gods sent up the hawk (who typically takes the lead in these situations in India and Australia) and asked their mother, or more accurately, their grandmother, for help in creating humans to serve them. Citlalicue rather mocked her unthoughtful offspring. She suggested they go to the ruler of the underworld, Mictlanteuctli, and borrow a bone or some ashes from the dead who were with him. We should never expect consistency in myths. This suggests that humans had already existed, even though they weren't created yet. Perhaps they were lost in one of the four great destructions. With great difficulty and danger, the gods stole a bone from Hades, placed it in a bowl, and smeared it with their own blood, similar to rituals in Chaldea and elsewhere. Eventually, a boy and a girl were born from the bowl. From this pair came humanity, and some of the gods jumped into a furnace, becoming the sun and moon. Then, in Aztec fashion, they sacrificed themselves to the sun, seemingly ending their story. But they later appeared in miraculous forms to their worshippers and established the rituals of religion. According to another legend, man and woman (as in African myths) struggled out of a hole in the ground.
(1) Authorities: Ixtlil.; Kingsborough, ix. pp. 205, 206; Sahagun, Hist. Gen., i. 3, vii. 2; J. G. Muller, p. 510, where Muller compares the Delphic conception of ages of the world; Bancroft, iii. pp. 60, 65.
(1) Authorities: Ixtlil.; Kingsborough, ix. pp. 205, 206; Sahagun, Hist. Gen., i. 3, vii. 2; J. G. Muller, p. 510, where Muller compares the Delphic view of the ages of the world; Bancroft, iii. pp. 60, 65.
The myths of the peoples under the empire of the Incas in Peru are extremely interesting, because almost all mythical formations are found existing together, while we have historical evidence as to the order and manner of their development. The Peru of the Incas covered the modern state of the same name, and included Ecuador, with parts of Chili and Bolivia. M. Reville calculates that the empire was about 2500 miles in length, four times as long as France, and that its breadth was from 250 to 500 miles. The country, contained three different climatic regions, and was peopled by races of many different degrees of culture, all more or less subject to the dominion of the Children of the Sun. The three regions were the dry strip along the coast, the fertile and cultivated land about the spurs of the Cordilleras, and the inland mountain regions, inhabited by the wildest races. Near Cuzco, the Inca capital, was the Lake of Titicaca, the Mediterranean, as it were, of Peru, for on the shores of this inland sea was developed the chief civilisation of the new world.
The myths of the people under the Inca Empire in Peru are really fascinating because almost all mythical elements exist together, and we have historical evidence showing how they developed over time. The Inca Empire covered what is now the modern state of Peru and included parts of Ecuador, Chile, and Bolivia. M. Reville estimates the empire was about 2,500 miles long, which is four times the length of France, and its width ranged from 250 to 500 miles. The region had three distinct climatic areas, and it was populated by various races with different cultural levels, all somewhat under the control of the Children of the Sun. The three regions were the dry coastal strip, the fertile and cultivated land around the foothills of the Andes, and the inland mountain areas, which were home to the wildest groups. Near Cuzco, the Inca capital, was Lake Titicaca, which could be considered the Mediterranean of Peru, as the main civilization of the New World developed along its shores.
As to the institutions, myths and religion of the empire, we have copious if contradictory information. There are the narratives of the Spanish conquerors, especially of Pizarro's chaplain, Valverde, an ignorant bigoted fanatic. Then we have somewhat later travellers and missionaries, of whom Cieza de Leon (his book was published thirty years after the conquest, in 1553) is one of the most trustworthy. The "Royal Commentaries" of Garcilasso de la Vega, son of an Inca lady and a Spanish conqueror, have often already been quoted. The critical spirit and sound sense of Garcilasso are in remarkable contrast to the stupid orthodoxy of the Spaniards, but some allowance must be made for his fervent Peruvian patriotism. He had heard the Inca traditions repeated in boyhood, and very early in life collected all the information which his mother and maternal uncle had to give him, or which could be extracted from the quipus (the records of knotted cord), and from the commemorative pictures of his ancestors. Garcilasso had access, moreover, to the "torn papers" of Blas Valera, an early Spanish missionary of unusual sense and acuteness. Christoval de Moluna is also an excellent authority, and much may be learned from the volume of Rites and Laws of the Yncas.(1)
As for the institutions, myths, and religion of the empire, we have plenty of information, even if it's sometimes contradictory. There are accounts from the Spanish conquerors, especially Pizarro's chaplain, Valverde, who was an ignorant bigoted fanatic. Then we have later travelers and missionaries, among whom Cieza de León (his book was published thirty years after the conquest, in 1553) is one of the most reliable sources. The "Royal Commentaries" of Garcilasso de la Vega, the son of an Inca woman and a Spanish conqueror, have often been cited. Garcilasso's critical thinking and common sense stand in stark contrast to the foolish orthodoxy of the Spaniards, though we should consider his passionate Peruvian nationalism. He heard Inca traditions as a child and collected all the information he could from his mother and maternal uncle, as well as from the quipus (the records made from knotted cords) and the commemorative images of his ancestors. Furthermore, Garcilasso had access to the "torn papers" of Blas Valera, an early Spanish missionary known for his unusual insight and sharpness. Christoval de Moluna is also a valuable authority, and there is much to learn from the volume of Rites and Laws of the Yncas.(1)
(1) A more complete list of authorities, including the garrulous Acosta, is published by M. Reville in his Hibbert Lectures, pp. 136, 137. Garcilasso, Cieza de Leon, Christoval de Moluna, Acosta and the Rites and Laws have all been translated by Mr. Clements Markham, and are published, with the editor's learned and ingenious notes, in the collection of the Hakluyt Society. Care must be taken to discriminate between what is reported about the Indians of the various provinces, who were in very different grades of culture, and what is told about the Incas themselves.
(1) A more comprehensive list of sources, including the talkative Acosta, is provided by M. Reville in his Hibbert Lectures, pp. 136, 137. Garcilasso, Cieza de Leon, Christoval de Moluna, Acosta, and the Rites and Laws have all been translated by Mr. Clements Markham and published, along with the editor's insightful and clever notes, in the collection from the Hakluyt Society. It's important to distinguish between the information reported about the Indians from various provinces, who had very different levels of culture, and what is specifically about the Incas themselves.
The political and religious condition of the Peruvian empire is very clearly conceived and stated by Garcilasso. Without making due allowance for that mysterious earlier civilisation, older than the Incas, whose cyclopean buildings are the wonder of travellers, Garcilasso attributes the introduction of civilisation to his own ancestors. Allowing for what is confessedly mythical in his narrative, it must be admitted that he has a firm grasp of what the actual history must have been. He recognises a period of savagery before the Incas, a condition of the rudest barbarism, which still existed on the fringes and mountain recesses of the empire. The religion of that period was mere magic and totemism. From all manner of natural objects, but chiefly from beasts and birds, the various savage stocks of Peru claimed descent, and they revered and offered sacrifice to their totemic ancestors.(1) Garcilasso adds, what is almost incredible, that the Indians tamely permitted themselves to be eaten by their totems, when these were carnivorous animals. They did this with the less reluctance as they were cannibals, and accustomed to breed children for the purposes of the cuisine from captive women taken in war.(2) Among the huacas or idols, totems, fetishes and other adorable objects of the Indians, worshipped before and retained after the introduction of the Inca sun-totem and solar cult, Garcilasso names trees, hills, rocks, caves, fountains, emeralds, pieces of jasper, tigers, lions, bears, foxes, monkeys, condors, owls, lizards, toads, frogs, sheep, maize, the sea, "for want of larger gods, crabs" and bats. The bat was also the totem of the Zotzil, the chief family of the Cakchiquels of Guatemala, and the most high god of the Cakchiquels was worshipped in the shape of a bat. We are reminded of religion as it exists in Samoa. The explanation of Blas Valera was that in each totem (pacarissa) the Indians adored the devil.
The political and religious situation in the Peruvian empire is clearly outlined by Garcilasso. Without considering the mysterious earlier civilization that predates the Incas, known for its impressive cyclopean structures that amaze travelers, Garcilasso credits the rise of civilization to his own ancestors. Even acknowledging the mythical elements in his story, it's clear he has a solid understanding of what actual history must have been like. He identifies a savage period before the Incas, a time of extreme barbarism that lingered on the outskirts and in the mountain recesses of the empire. The religion of that time was focused on magic and totemism. Various savage groups in Peru claimed descent from different natural objects, mainly animals and birds, and they worshipped and sacrificed to their totemic ancestors. Garcilasso astonishingly notes that the Indians submissively allowed themselves to be eaten by their totems when those were carnivorous creatures. They were less reluctant to do this since they were cannibals, used to breeding children for the purpose of cuisine from captive women taken in war. Among the huacas or idols, totems, fetishes, and other revered objects of the Indians—worshipped before and after the rise of the Inca sun-totem and solar cult—Garcilasso lists trees, hills, rocks, caves, springs, emeralds, pieces of jasper, tigers, lions, bears, foxes, monkeys, condors, owls, lizards, toads, frogs, sheep, maize, the sea, "for lack of larger gods, crabs," and bats. The bat was also the totem of the Zotzil, the leading family of the Cakchiquels of Guatemala, and their highest god was worshipped in the form of a bat. This reminds us of religion as it is practiced in Samoa. Blas Valera explained that in each totem (pacarissa), the Indians were actually worshipping the devil.
(1) Com. Real., vol. i., chap. ix., x. xi. pp. 47-53.
(1) Com. Real., vol. i., chap. ix., x. xi. pp. 47-53.
(2) Cieza de Leon, xii., xv., xix., xxi., xxiii., xxvi., xxviii., xxxii. Cieza is speaking of people in the valley of Cauca, in New Granada.
(2) Cieza de Leon, xii., xv., xix., xxi., xxiii., xxvi., xxviii., xxxii. Cieza is talking about people in the Cauca valley, in New Granada.
Athwart this early religion of totems and fetishes came, in Garcilasso's narrative, the purer religion of the Incas, with what he regards as a philosophic development of a belief in a Supreme Being. According to him, the Inca sun-worship was really a totemism of a loftier character. The Incas "knew how to choose gods better than the Indians". Garcilasso's theory is that the earlier totems were selected chiefly as distinguishing marks by the various stocks, though, of course, this does not explain why the animals or other objects of each family were worshipped or were regarded as ancestors, and the blood-connections of the men who adored them. The Incas, disdaining crabs, lizards, bats and even serpents and lions, "chose" the sun. Then, just like the other totemic tribes, they feigned to be of the blood and lineage of the sun.
Across this early religion of totems and fetishes, Garcilasso's narrative introduces the more refined religion of the Incas, which he sees as a philosophical evolution of the belief in a Supreme Being. He argues that Inca sun-worship was, in fact, a more elevated form of totemism. The Incas "knew how to choose gods better than the Indians." Garcilasso suggests that the earlier totems were mainly picked as symbols by different groups, though this doesn't explain why specific animals or objects were worshiped or regarded as ancestors, nor the blood ties of those who revered them. The Incas, turning away from crabs, lizards, bats, and even serpents and lions, "chose" the sun. Then, just like the other totemic tribes, they pretended to be of the sun's blood and lineage.
This fable is, in brief, the Inca myth of the origin of civilisation and of man, or at least of their breed of men. As M. Reville well remarks, it is obvious that the Inca claim is an adaptation of the local myth of Lake Titicaca, the inland sea of Peru. According to that myth, the Children of the Sun, the ancestors of the Incas, came out of the earth (as in Greek and African legends) at Lake Titicaca, or reached its shores after wandering from the hole or cave whence they first emerged. The myth, as adapted by the Incas, takes for granted the previous existence of mankind, and, in some of its forms, the Inca period is preceded by the deluge.
This fable is, in short, the Inca myth about the origin of civilization and humanity, or at least their version of it. As M. Reville points out, it’s clear that the Inca story is an adaptation of the local myth of Lake Titicaca, Peru’s inland sea. According to that myth, the Children of the Sun, who are the ancestors of the Incas, emerged from the earth (similar to Greek and African legends) at Lake Titicaca, or arrived at its shores after wandering from the hole or cave where they first appeared. The myth, as adapted by the Incas, assumes that humanity existed before this and, in some versions, suggests that the Inca era was preceded by a great flood.
Of the Peruvian myth concerning the origin of things, the following account is given by a Spanish priest, Christoval de Moluna, in a report to the Bishop of Cuzco in 1570.(1) The story was collected from the lips of ancient Peruvians and old native priests, who again drew their information in part from the painted records reserved in the temple of the sun near Cuzco. The legend begins with a deluge myth; a cataclysm ended a period of human existence. All mankind perished except a man and woman, who floated in a box to a distance of several hundred miles from Cuzco. There the creator commanded them to settle, and there, like Pund-jel in Australia, he made clay images of men of all races, attired in their national dress, and then animated them. They were all fashioned and painted as correct models, and were provided with their national songs and with seed-corn. They then were put into the earth, and emerged all over the world at the proper places, some (as in Africa and Greece) coming out of fountains, some out of trees, some out of caves. For this reason they made huacas (worshipful objects or fetishes) of the trees, caves and fountains. Some of the earliest men were changed into stones, others into falcons, condors and other creatures which we know were totems in Peru. Probably this myth of metamorphosis was invented to account for the reverence paid to totems or pacarissas as the Peruvians called them. In Tiahuanaco, where the creation, or rather manufacture of men took place, the creator turned many sinners into stones. The sun was made in the shape of a man, and, as he soared into heaven, he called out in a friendly fashion to Manco Ccapac, the Ideal first Inca, "Look upon me as thy father, and worship me as thy father". In these fables the creator is called Pachyachachi, "Teacher of the world". According to Christoval, the creator and his sons were "eternal and unchangeable". Among the Canaris men descend from the survivor of the deluge, and a beautiful bird with the face of a woman, a siren in fact, but known better to ornithologists as a macaw. "The chief cause," says the good Christoval, "of these fables was ignorance of God."
Of the Peruvian myth about the origin of things, the following account is provided by a Spanish priest, Christoval de Moluna, in a report to the Bishop of Cuzco in 1570.(1) The story was gathered from ancient Peruvians and old native priests, who in turn got their information partly from the painted records kept in the temple of the sun near Cuzco. The legend starts with a flood myth; a catastrophe wiped out a period of human existence. All humanity perished except for one man and one woman, who floated in a box for several hundred miles away from Cuzco. There, the creator commanded them to settle, and similar to Pund-jel in Australia, he created clay images of men from all races dressed in their traditional attire and then gave them life. They were all made and painted as accurate models, equipped with their cultural songs and seed corn. They were then placed into the earth, emerging all over the world in the right locations, some (like in Africa and Greece) coming out of fountains, some from trees, and others from caves. For this reason, they made huacas (sacred objects or symbols) out of the trees, caves, and fountains. Some of the earliest men were transformed into stones, while others became falcons, condors, and other creatures that were totems in Peru. This myth of transformation was likely created to explain the reverence given to totems, or pacarissas as the Peruvians called them. In Tiahuanaco, where the creation, or rather the making of men occurred, the creator turned many sinners into stones. The sun was shaped like a man, and as it rose into heaven, it called out kindly to Manco Ccapac, the Ideal first Inca, "Regard me as your father and worship me as your father." In these tales, the creator is known as Pachyachachi, "Teacher of the world." According to Christoval, the creator and his sons were "eternal and unchangeable." Among the Canaris, people are said to descend from the survivor of the flood, along with a beautiful bird with the face of a woman, actually a siren, but better known to ornithologists as a macaw. "The main reason," says the good Christoval, "for these fables was ignorance of God."
(1) Rites and Laws of the Yncas, p. 4, Hakluyt Society, 1873.
(1) Rites and Laws of the Incas, p. 4, Hakluyt Society, 1873.
The story, as told by Cieza de Leon, runs thus:(1) A white man of great stature (in fact, "a magnified non-natural man") came into the world, and gave life to beasts and human beings. His name was Ticiviracocha, and he was called the Father of the Sun.(2) There are likenesses of him in the temple, and he was regarded as a moral teacher. It was owing apparently to this benevolent being that four mysterious brothers and sisters emerged from a cave—Children of the Sun, fathers of the Incas, teachers of savage men. Their own conduct, however, was not exemplary, and they shut up in a hole in the earth the brother of whom they were jealous. This incident is even more common in the marchen or household tales than in the regular tribal or national myths of the world.(3) The buried brother emerged again with wings, and "without doubt he must have been some devil," says honest Cieza de Leon. This brother was Manco Ccapac, the heroic ancestor of the Incas, and he turned his jealous brethren into stones. The whole tale is in the spirit illustrated by the wilder romances of the Popol Vuh.
The story, as told by Cieza de Leon, goes like this: (1) A tall white man (essentially, "a larger-than-life man") appeared in the world and gave life to animals and humans. His name was Ticiviracocha, and he was known as the Father of the Sun. (2) There are images of him in the temple, and he was seen as a moral teacher. It seems that it was because of this benevolent figure that four mysterious siblings came out of a cave—Children of the Sun, founders of the Incas, and guides for primitive people. However, their behavior wasn't great, and they imprisoned their jealous brother in a hole in the ground. This story is actually more common in folk tales than in the typical myths from tribes or nations around the world. (3) The buried brother came out again with wings, and "without a doubt, he must have been some devil," says honest Cieza de Leon. This brother was Manco Ccapac, the legendary ancestor of the Incas, and he turned his jealous siblings into stones. The entire tale reflects the spirit shown in the more adventurous stories of the Popol Vuh.
(1) Second Part of the Chronicles of Peru, p 5.
(1) Second Part of the Chronicles of Peru, p 5.
(2) See Making of Religion, pp. 265-270. Name and God are much disputed.
(2) See Making of Religion, pp. 265-270. The name and God are heavily debated.
(3) The story of Joseph and the marchen of Jean de l'Ours are well-known examples.
(3) The story of Joseph and the tale of Jean de l'Ours are well-known examples.
Garcilasso gives three forms of this myth. According to "the old Inca," his maternal uncle, it was the sun which sent down two of his children, giving them a golden staff, which would sink into the ground at the place where they were to rest from wandering. It sank at Lake Titicaca. About the current myths Garcilasso says generally that they were "more like dreams" than straightforward stories; but, as he adds, the Greeks and Romans also "invented fables worthy to be laughed at, and in greater number than the Indians. The stories of one age of heathenism may be compared with those of the other, and in many points they will be found to agree." This critical position of Garcilasso's will be proved correct when we reach the myths of Greeks and Indo-Aryans. The myth as narrated north-east of Cuzco speaks of the four brothers and four sisters who came out of caves, and the caves in Inca times were panelled with gold and silver.
Garcilasso presents three versions of this myth. According to "the old Inca," his maternal uncle, the sun sent down two of his children, giving them a golden staff that would sink into the ground at the spot where they were meant to rest from their wanderings. It sank at Lake Titicaca. Regarding the current myths, Garcilasso generally states that they were "more like dreams" than straightforward stories; however, he adds that the Greeks and Romans also "invented fables worthy to be laughed at, and in greater numbers than the Indians." The stories from one era of paganism can be compared with those from another, and in many aspects, they will be found to agree. This critical perspective of Garcilasso's will be validated when we look at the myths of the Greeks and Indo-Aryans. The myth told northeast of Cuzco describes four brothers and four sisters who emerged from caves, and during Inca times, those caves were lined with gold and silver.
Athwart all these lower myths, survivals from the savage stage, comes what Garcilasso regards as the philosophical Inca belief in Pachacamac. This deity, to Garcilasso's mind, was purely spiritual: he had no image and dwelt in no temple; in fact, he is that very God whom the Spanish missionaries proclaimed. This view, though the fact has been doubted, was very probably held by the Amautas, or philosophical class in Peru.(1) Cieza de Leon says "the name of this devil, Pachacamac, means creator of the world". Garcilasso urges that Pachacamac was the animus mundi; that he did not "make the world," as Pund-jel and other savage demiurges made it, but that he was to the universe what the soul is to the body.
Against all these lower myths, which are remnants from a primitive stage, comes what Garcilasso sees as the philosophical Inca belief in Pachacamac. To Garcilasso, this deity was purely spiritual: he had no image and didn't reside in a temple; in fact, he is the very God that the Spanish missionaries talked about. This perspective, although contested, was likely held by the Amautas, or the philosophical class in Peru. Cieza de Leon states that "the name of this devil, Pachacamac, means creator of the world." Garcilasso argues that Pachacamac was the animus mundi; he did not "create the world," like Pund-jel and other primitive demiurges did, but he was to the universe what the soul is to the body.
(1) Com. Real., vol. i. p. 106.
(1) Com. Real., vol. i. p. 106.
Here we find ourselves, if among myths at all, among the myths of metaphysics—rational myths; that is, myths corresponding to our present stage of thought, and therefore intelligible to us. Pachacamac "made the sun, and lightning, and thunder, and of these the sun was worshipped by the Incas". Garcilasso denies that the moon was worshipped. The reflections of the sceptical or monotheistic Inca, who declared that the sun, far from being a free agent, "seems like a thing held to its task," are reported by Garcilasso, and appear to prove that solar worship was giving way, in the minds of educated Peruvians, a hundred years before the arrival of Pizarro and Valverde with his missal.(1)
Here we are, if we're dealing with myths at all, in the realm of metaphysical myths—rational myths, that is, myths that match our current way of thinking and are therefore understandable to us. Pachacamac "created the sun, and lightning, and thunder, and among these, the sun was worshipped by the Incas." Garcilasso claims that the moon was not worshipped. The thoughts of the skeptical or monotheistic Inca, who stated that the sun, rather than being an independent force, "seems like a thing held to its task," are noted by Garcilasso and seem to show that solar worship was declining in the minds of educated Peruvians a hundred years before Pizarro and Valverde showed up with his missal.(1)
(1) Garcilasso, viii. 8, quoting Blas Valera.
(1) Garcilasso, viii. 8, quoting Blas Valera.
From this summary it appears that the higher Peruvian religion had wrested to its service, and to the dynastic purposes of the Incas, a native myth of the familiar class, in which men come ready made out of holes in the ground. But in Peru we do not find nearly such abundance of other savage origin myths as will be proved to exist in the legends of Greeks and Indo-Aryans. The reason probably is that Peru left no native literature; the missionaries disdained stories of "devils," and Garcilasso's common sense and patriotism were alike revolted by the incidents of stories "more like dreams" than truthful records. He therefore was silent about them. In Greece and India, on the other hand, the native religious literature preserved myths of the making of man out of clay, of his birth from trees and stones, of the fashioning of things out of the fragments of mutilated gods and Titans, of the cosmic egg, of the rending and wounding of a personal heaven and a personal earth, of the fishing up from the waters of a tiny earth which grew greater, of the development of men out of beasts, with a dozen other such notions as are familiar to contemporary Bushmen, Australians, Digger Indians, and Cahrocs. But in Greece and India these ideas coexist with myths and religious beliefs as purely spiritual and metaphysical as the belief in the Pachacamac of Garcilasso and the Amautas of Peru.
From this summary, it seems that the higher Peruvian religion used a native myth for its own purposes and the dynastic goals of the Incas—specifically, a familiar story where people emerge fully formed from holes in the ground. However, in Peru, we don't see nearly as many other origin myths as we find in the legends of the Greeks and Indo-Aryans. The likely reason is that Peru left no native written records; missionaries ignored stories of "devils," and Garcilasso found the events of these tales—"more like dreams" than truthful accounts—unacceptable. So, he chose not to mention them. In contrast, Greece and India maintained a wealth of native religious literature that included myths about humans made from clay, born from trees and stones, created from the remnants of mutilated gods and Titans, the cosmic egg, the tearing apart of a personal heaven and earth, and the emergence of a small earth from water that grew larger, as well as the evolution of humans from animals—all concepts familiar to today's Bushmen, Australians, Digger Indians, and Cahrocs. But in Greece and India, these ideas exist alongside spiritual and metaphysical myths and beliefs, similar to the belief in Pachacamac from Garcilasso and the Amautas of Peru.
CHAPTER VII. INDO-ARYAN MYTHS—SOURCES OF EVIDENCE.
Authorities—Vedas—Brahmanas—Social condition of Vedic India—Arts—Ranks—War—Vedic fetishism—Ancestor worship—Date of Rig-Veda Hymns doubtful—Obscurity of the Hymns—Difficulty of interpreting the real character of Veda—Not primitive but sacerdotal—The moral purity not innocence but refinement.
Authorities—Vedas—Brahmanas—Social conditions of Vedic India—Arts—Classes—War—Vedic superstition—Ancestor worship—The date of the Rig-Veda hymns is uncertain—The hymns' ambiguity—Challenges in interpreting the true nature of the Vedas—Not primitive but priestly—Moral purity is not about innocence but about refinement.
Before examining the myths of the Aryans of India, it is necessary to have a clear notion of the nature of the evidence from which we derive our knowledge of the subject. That evidence is found in a large and incongruous mass of literary documents, the heritage of the Indian people. In this mass are extremely ancient texts (the Rig-Veda, and the Atharva-Veda), expository comments of a date so much later that the original meaning of the older documents was sometimes lost (the Brahmanas), and poems and legendary collections of a period later still, a period when the whole character of religious thought had sensibly altered. In this literature there is indeed a certain continuity; the names of several gods of the earliest time are preserved in the legends of the latest. But the influences of many centuries of change, of contending philosophies, of periods of national growth and advance, and of national decadence and decay, have been at work on the mythology of India. Here we have myths that were perhaps originally popular tales, and are probably old; here again, we have later legends that certainly were conceived in the narrow minds of a pedantic and ceremonious priesthood. It is not possible, of course, to analyse in this place all the myths of all the periods; we must be content to point out some which seem to be typical examples of the working of the human intellect in its earlier or its later childhood, in its distant hours of barbaric beginnings, or in the senility of its sacerdotage.
Before looking into the myths of the Aryans of India, it's important to have a clear understanding of the evidence that shapes our knowledge on the topic. This evidence comes from a diverse collection of literary documents that belong to the Indian people. Within this collection are very old texts (the Rig-Veda and the Atharva-Veda), explanatory writings that are much later and sometimes lost the original meaning of the older texts (the Brahmanas), as well as poems and legendary collections from an even later period, when the whole nature of religious thought had noticeably changed. There is a certain continuity in this literature; the names of several gods from the earliest times are preserved in the legends of the later ones. However, the influences of many centuries of change, conflicting philosophies, times of national growth and progress, as well as periods of decline and decay, have affected the mythology of India. Here we find myths that may have originally been popular stories and are likely old; and then there are later legends that were undoubtedly created in the narrow minds of a pedantic and ceremonial priesthood. It’s impossible, of course, to analyze all the myths from every period here; we can only point out some that appear to be typical examples of human intellect in its early or later stages, during its distant, barbaric origins, or in the decline of its priestly class.
The documents which contain Indian mythology may be divided, broadly speaking, into four classes. First, and most ancient in date of composition, are the collections of hymns known as the Vedas. Next, and (as far as date of collection goes) far less ancient, are the expository texts called the Brahmanas. Later still, come other manuals of devotion and of sacred learning, called Sutras and Upanishads; and last are the epic poems (Itihasas), and the books of legends called Puranas. We are chiefly concerned here with the Vedas and Brahmanas. A gulf of time, a period of social and literary change, separates the Brahmanas from the Vedas. But the epics and Puranas differ perhaps even still more from the Brahmanas, on account of vast religious changes which brought new gods into the Indian Olympus, or elevated to the highest place old gods formerly of low degree. From the composition of the first Vedic hymn to the compilation of the latest Purana, religious and mythopoeic fancy was never at rest.
The documents that contain Indian mythology can be broadly categorized into four types. First, the earliest ones are the collections of hymns known as the Vedas. Next, and much newer in terms of compilation, are the explanatory texts called the Brahmanas. Following those are the additional manuals for devotion and sacred knowledge, known as Sutras and Upanishads; and lastly, the epic poems (Itihasas) and the books of legends called Puranas. Our main focus here is on the Vedas and Brahmanas. A significant span of time, marked by social and literary transformation, separates the Brahmanas from the Vedas. However, the epics and Puranas may differ even more from the Brahmanas due to extensive religious developments that introduced new gods into the Indian pantheon or elevated older, lesser-known gods to prominence. From the creation of the first Vedic hymn to the compilation of the latest Purana, religious and mythological creativity was always active.
Various motives induced various poets to assign, on various occasions the highest powers to this or the other god. The most antique legends were probably omitted or softened by some early Vedic bard (Rishi) of noble genius, or again impure myths were brought from the obscurity of oral circulation and foisted into literature by some poet less divinely inspired. Old deities were half-forgotten, and forgotten deities were resuscitated. Sages shook off superstitious bonds, priests forged new fetters on ancient patterns for themselves and their flocks. Philosophy explained away the more degrading myths; myths as degrading were suggested to dark and servile hearts by unscientific etymologies. Over the whole mass of ancient mythology the new mythology of a debased Brahmanic ritualism grew like some luxurious and baneful parasite. It is enough for our purpose if we can show that even in the purest and most antique mythology of India the element of traditional savagery survived and played its part, and that the irrational legends of the Vedas and Brahmanas can often be explained as relics of savage philosophy or faith, or as novelties planned on the ancient savage model, whether borrowed or native to the race.
Different motivations led various poets to attribute supreme powers to specific gods on different occasions. The oldest legends were likely omitted or softened by some early Vedic bard (Rishi) of exceptional talent, while some less inspired poets pulled impure myths from obscurity and included them in literature. Old gods were partially forgotten, and lost deities were revived. Sages broke free from superstitions, while priests created new restrictions for themselves and their followers based on ancient traditions. Philosophy clarified some of the more degrading myths; those degrading myths were fueled in naive and submissive minds by unscientific word origins. Over the entire body of ancient mythology, a new mythology peppered with corrupted Brahmanic rituals took root like a harmful parasite. It's sufficient for our purpose to show that even in the purest and oldest mythology of India, traces of traditional savagery persisted and played a role, and that the irrational stories in the Vedas and Brahmanas can often be understood as remnants of primitive philosophy or faith, or as innovations modeled after ancient savage ways, whether borrowed or indigenous to the culture.
The oldest documents of Indian mythology are the Vedas, usually reckoned as four in number. The oldest, again, of the four, is the Sanhita ("collection") of the Rig-Veda. It is a purely lyrical assortment of the songs "which the Hindus brought with them from their ancient homes on the banks of the Indus". In the manuscripts, the hymns are classified according to the families of poets to whom they are ascribed. Though composed on the banks of the Indus by sacred bards, the hymns were compiled and arranged in India proper. At what date the oldest hymns of which this collection is made up were first chanted it is impossible to say with even approximate certainty. Opinions differ, or have differed, between 2400 B.C. and 1400 B.C. as the period when the earliest sacred lyrics of the Veda may first have been listened by gods and men. In addition to the Rig-Veda we have the Sanhita of the Sama-Veda, "an anthology taken from the Rik-Samhita, comprising those of its verses which were intended to be chanted at the ceremonies of the soma sacrifice".(1) It is conjectured that the hymns of the Sama-Veda were borrowed from the Rig-Veda before the latter had been edited and stereotyped into its present form. Next comes the Yajur-Veda, "which contains the formulas for the entire sacrificial ceremonial, and indeed forms its proper foundations," the other Vedas being devoted to the soma sacrifice.(2) The Yajur-Veda has two divisions, known as the Black and the White Yajur, which have common matter, but differ in arrangement. The Black Yajur-Veda is also called the Taittirya, and it is described as "a motley undigested jumble of different pieces".(3) Last comes Atharva-Veda, not always regarded as a Veda properly speaking. It derives its name from an old semi-mythical priestly family, the Atharvans, and is full of magical formulae, imprecations, folk-lore and spells. There are good reasons for thinking this late as a collection, however early may be the magical ideas expressed in its contents.(4)
The oldest records of Indian mythology are the Vedas, which are typically considered to be four in total. The oldest of these is the Sanhita ("collection") of the Rig-Veda. It's a purely lyrical collection of the songs "that the Hindus brought with them from their ancient homes along the Indus River." In the manuscripts, the hymns are organized according to the families of poets who composed them. Although these hymns were created along the Indus River by sacred bards, they were compiled and arranged in what is now India. It's impossible to pinpoint the exact time when the earliest hymns in this collection were first chanted. Opinions vary between 2400 B.C. and 1400 B.C. for when the earliest sacred lyrics of the Veda may have been heard by gods and humans. Besides the Rig-Veda, we also have the Sanhita of the Sama-Veda, "an anthology derived from the Rik-Samhita, consisting of those verses intended to be chanted during the soma sacrifice ceremonies." It is believed that the hymns of the Sama-Veda were borrowed from the Rig-Veda before the latter was edited and formed into its current version. Next is the Yajur-Veda, "which contains the formulas for the entire sacrificial ceremony and essentially forms its foundational basis," with the other Vedas focusing on the soma sacrifice. The Yajur-Veda has two parts, referred to as the Black and the White Yajur, which share similar content but differ in their arrangement. The Black Yajur-Veda is also known as the Taittirya and is described as "a chaotic, undigested mixture of various texts." Finally, there's the Atharva-Veda, which isn't always considered a Veda in the strict sense. It gets its name from an ancient semi-mythical priestly lineage, the Atharvans, and is filled with magical formulas, curses, folklore, and spells. There are strong reasons to regard this as a later collection, despite the ancient nature of the magical ideas contained within it.
(1) Weber, History of Indian Literature, Eng. transl., p. 63.
(1) Weber, History of Indian Literature, English translation, p. 63.
(2) Ibid., p. 86.
Ibid., p. 86.
(3) Ibid, p. 87. The name Taittirya is derived from a partridge, or from a Rishi named Partridge in Sanskrit. There is a story that the pupils of a sage were turned into partridges, to pick up sacred texts.
(3) Ibid, p. 87. The name Taittirya comes from a partridge, or from a sage named Partridge in Sanskrit. There's a story that the students of a sage were transformed into partridges to collect sacred texts.
(4) Barth (Les Religions de l'Inde, p. 6) thinks that the existence of such a collection as the Atharva-Veda is implied, perhaps, in a text of the Rig-Veda, x. 90, 9.
(4) Barth (Les Religions de l'Inde, p. 6) believes that the existence of a collection like the Atharva-Veda is suggested, possibly, in a text from the Rig-Veda, x. 90, 9.
Between the Vedas, or, at all events, between the oldest of the Vedas, and the compilation of the Brahmanas, these "canonised explanations of a canonised text,"(1) it is probable that some centuries and many social changes intervened.(2)
Between the Vedas, or at least the oldest of the Vedas, and the compilation of the Brahmanas, these “official explanations of an official text,” it’s likely that centuries and numerous social changes took place.
(1) Whitney, Oriental and Linguistic studies, First Series, p. 4.
(1) Whitney, Oriental and Linguistic Studies, First Series, p. 4.
(2) Max Muller, Biographical Essays, p. 20. "The prose portions presuppose the hymns, and, to judge from the utter inability of the authors of the Brahmanas to understand the antiquated language of the hymns, these Brahmanas must be ascribed to a much later period than that which gave birth to the hymns."
(2) Max Muller, Biographical Essays, p. 20. "The prose parts assume the hymns, and judging by the complete inability of the authors of the Brahmanas to understand the outdated language of the hymns, these Brahmanas must come from a much later time than when the hymns were created."
If we would criticise the documents for Indian mythology in a scientific manner, it is now necessary that we should try to discover, as far as possible, the social and religious condition of the people among whom the Vedas took shape. Were they in any sense "primitive," or were they civilised? Was their religion in its obscure beginnings or was it already a special and peculiar development, the fruit of many ages of thought? Now it is an unfortunate thing that scholars have constantly, and as it were involuntarily, drifted into the error of regarding the Vedas as if they were "primitive," as if they exhibited to us the "germs" and "genesis" of religion and mythology, as if they contained the simple though strange utterances of PRIMITIVE thought.(1) Thus Mr. Whitney declares, in his Oriental and Linguistic Studies, "that the Vedas exhibit to us the very earliest germs of the Hindu culture". Mr. Max Muller avers that "no country can be compared to India as offering opportunities for a real study of the genesis and growth of religion".(2) Yet the same scholar observes that "even the earliest specimens of Vedic poetry belong to the modern history of the race, and that the early period of the historical growth of religion had passed away before the Rishis (bards) could have worshipped their Devas or bright beings with sacred hymns and invocations". Though this is manifestly true, the sacred hymns and invocations of the Rishis are constantly used as testimony bearing on the beginning of the historical growth of religion. Nay, more; these remains of "the modern history of the race" are supposed to exhibit mythology in the process of making, as if the race had possessed no mythology before it reached a comparatively modern period, the Vedic age. In the same spirit, Dr. Muir, the learned editor of Sanskrit Texts, speaks in one place as if the Vedic hymns "illustrated the natural workings of the human mind in the period of its infancy".(3) A brief examination of the social and political and religious condition of man, as described by the poets of the Vedas, will prove that his infancy had long been left behind him when the first Vedic hymns were chanted.
If we want to critique the documents of Indian mythology scientifically, we need to try to understand, as much as we can, the social and religious conditions of the people during the formation of the Vedas. Were they in any way "primitive," or were they civilized? Was their religion in its early stages, or had it already evolved into a unique and distinct form, shaped by many ages of thought? Unfortunately, scholars have often and, it seems, unintentionally fallen into the mistake of viewing the Vedas as "primitive," as if they showcase the "seeds" and "origins" of religion and mythology, containing the simple yet peculiar expressions of PRIMITIVE thought. Thus, Mr. Whitney claims in his Oriental and Linguistic Studies that "the Vedas show us the very earliest seeds of Hindu culture." Mr. Max Muller asserts that "no country can compare to India in providing opportunities for a true study of the origins and development of religion." Yet, this same scholar notes that "even the earliest examples of Vedic poetry belong to the modern history of the race, and that the early period of the historical development of religion had already passed before the Rishis (bards) could worship their Devas or bright beings with sacred hymns and invocations." Although this is clearly true, the sacred hymns and invocations of the Rishis are frequently cited as evidence of the beginning of the historical development of religion. Moreover, these remnants of "the modern history of the race" are thought to show mythology being formed, as if the race had no mythology before it reached the relatively modern period of the Vedic age. In a similar vein, Dr. Muir, the knowledgeable editor of Sanskrit Texts, suggests at one point that the Vedic hymns "illustrate the natural workings of the human mind during its infancy." A brief examination of the social, political, and religious conditions of humanity, as described by the poets of the Vedas, will demonstrate that their infancy had long passed by the time the first Vedic hymns were composed.
(1) Ibid., Rig-Veda Sanhita, p. vii.
Ibid., Rig-Veda Samhita, p. vii.
(2) Hibbert Lectures, p. 131.
Hibbert Lectures, p. 131.
(3) Nothing can prove more absolutely and more briefly the late character of Vedic faith than the fact that the faith had already to be defended against the attacks of sceptics. The impious denied the existence of Indra because he was invisible. Rig-Veda, ii. 12, 5; viii. 89, 3; v. 30, 1-2; vi. 27, 3. Bergaigne, ii. 167. "Es gibt keinen Indra, so hat der eine und der ander gesagt" (Ludwig's version).
(3) Nothing illustrates the recent nature of Vedic faith more clearly and concisely than the fact that this faith already had to be defended against skeptics. The irreverent denied the existence of Indra because he couldn't be seen. Rig-Veda, ii. 12, 5; viii. 89, 3; v. 30, 1-2; vi. 27, 3. Bergaigne, ii. 167. "There is no Indra, so one has said and another has said" (Ludwig's version).
As Barth observes, the very ideas which permeate the Veda, the idea of the mystic efficacy of sacrifice, of brahma, prove that the poems are profoundly sacerdotal; and this should have given pause to the writers who have persisted in representing the hymns as the work of primitive shepherds praising their gods as they feed their flocks.(1) In the Vedic age the ranks of society are already at least as clearly defined as in Homeric Greece. "We men," says a poet of the Rig-Veda,(2) "have all our different imaginations and designs. The carpenter seeks something that is broken, the doctor a patient, the priest some one who will offer libations.... The artisan continually seeks after a man with plenty of gold.... I am a poet, my father is a doctor, and my mother is a grinder of corn." Chariots and the art of the chariot-builder are as frequently spoken of as in the Iliad. Spears, swords, axes and coats of mail were in common use. The art of boat-building or of ship-building was well known. Kine and horses, sheep and dogs, had long been domesticated. The bow was a favourite weapon, and warriors fought in chariots, like the Homeric Greeks and the Egyptians. Weaving was commonly practised. The people probably lived, as a rule, in village settlements, but cities or fortified places were by no means unknown.(3) As for political society, "kings are frequently mentioned in the hymns," and "it was regarded as eminently beneficial for a king to entertain a family priest," on whom he was expected to confer thousands of kine, lovely slaves and lumps of gold. In the family polygamy existed, probably as the exception. There is reason to suppose that the brother-in-law was permitted, if not expected, to "raise up seed" to his dead brother, as among the Hebrews.(4) As to literature, the very structure of the hymns proves that it was elaborate and consciously artistic. M. Barth writes: "It would be a great mistake to speak of the primitive naivete of the Vedic poetry and religion".(5) Both the poetry and the religion, on the other hand, display in the highest degree the mark of the sacerdotal spirit. The myths, though originally derived from nature-worship, in an infinite majority of cases only reflect natural phenomena through a veil of ritualistic corruptions.(6) The rigid division of castes is seldom recognised in the Rig-Veda. We seem to see caste in the making.(7) The Rishis and priests of the princely families were on their way to becoming the all-powerful Brahmans. The kings and princes were on their way to becoming the caste of Kshatriyas or warriors. The mass of the people was soon to sink into the caste of Vaisyas and broken men. Non-Aryan aborigines and others were possibly developing into the caste of Sudras. Thus the spirit of division and of ceremonialism had still some of its conquests to achieve. But the extraordinary attention given and the immense importance assigned to the details of sacrifice, and the supernatural efficacy constantly attributed to a sort of magical asceticism (tapas, austere fervour), prove that the worst and most foolish elements of later Indian society and thought were in the Vedic age already in powerful existence.
As Barth points out, the concepts that run through the Veda, including the mystical power of sacrifice and brahma, show that the poems have a deeply religious nature; this should have made writers rethink their portrayal of the hymns as mere creations of simple shepherds praising their gods while tending to their flocks.(1) During the Vedic era, social classes were already as clearly defined as in Homeric Greece. "We men," says a poet from the Rig-Veda,(2) "each have our own visions and goals. The carpenter looks for something broken, the doctor seeks a patient, the priest is on the lookout for someone to make offerings.... The artisan always searches for someone with plenty of gold.... I am a poet, my father is a doctor, and my mother mills grain." Chariots and the skills of chariot makers are mentioned as often as in the Iliad. Spears, swords, axes, and armor were widely used. The skills of boat and ship building were well established. Cows, horses, sheep, and dogs had long been domesticated. The bow was a favored weapon, and warriors fought in chariots, similar to the Homeric Greeks and the Egyptians. Weaving was a common practice. The people likely lived mostly in village settlements, though cities and fortified areas were not uncommon.(3) Regarding political society, "kings are often mentioned in the hymns," and "it was considered highly beneficial for a king to have a family priest," to whom he was expected to give thousands of cows, beautiful slaves, and gold. In families, polygamy likely existed, though probably as an exception. It seems that a brother-in-law was allowed, if not expected, to "raise offspring" for his deceased brother, similar to customs among the Hebrews.(4) As for literature, the structure of the hymns indicates that it was complex and intentionally crafted. M. Barth states: "It would be a great mistake to speak of the primitive simplicity of Vedic poetry and religion."(5) In fact, both the poetry and religion show a strong sacerdotal spirit. The myths, while originally based on nature-worship, often reflect natural phenomena through ritualistic distortions.(6) The rigid caste system is rarely recognized in the Rig-Veda. We can observe caste starting to take shape.(7) The Rishis and priests from royal families were becoming the powerful Brahmans. The kings and princes were on their way to forming the Kshatriya or warrior caste. The majority of the population were soon to sink into the Vaisya caste and the downtrodden. Non-Aryan indigenous people and others may have been evolving into the Sudra caste. Thus, the spirit of division and ceremonialism still had conquests to accomplish. However, the remarkable focus given to the details of sacrifice and the supernatural power consistently associated with a type of magical asceticism (tapas, intense rigor) demonstrate that the more foolish and harmful aspects of later Indian society and thought were already strong in the Vedic age.
(1) Les Religions de l'Inde, p. 27.
(1) The Religions of India, p. 27.
(2) ix. 112.
(2) ix. 112.
(3) Ludwig, Rig-Veda, iii. 203. The burgs were fortified with wooden palisades, capable of being destroyed by fire. "Cities" may be too magnificent a word for what perhaps were more like pahs. But compare Kaegi, The Rig-Veda, note 42, Engl. transl. Kaegi's book (translated by Dr. Arrowsmith, Boston, U.S., 1886) is probably the best short manual of the subject.
(3) Ludwig, Rig-Veda, iii. 203. The settlements were protected by wooden fences that could easily be burned down. "Cities" might be too grand a term for what were likely more like small villages. But see Kaegi, The Rig-Veda, note 42. Kaegi's book (translated by Dr. Arrowsmith, Boston, U.S., 1886) is probably the best short guide on the topic.
(4) Deut. xxv. 5; Matt. xxii. 24.
(4) Deut. 25:5; Matt. 22:24.
(5) Revue de l'Histoire des Religions, i. 245.
(5) Review of the History of Religions, vol. 1, p. 245.
(6) Ludwig, iii. 262.
(6) Ludwig, vol. 3, p. 262.
(7) On this subject see Muir, i. 192, with the remarks of Haug. "From all we know, the real origin of caste seems to go back to a time anterior to the composition of the Vedic hymns, though its development into a regular system with insurmountable barriers can be referred only to the later period of the Vedic times." Roth approaches the subject from the word brahm, that is, prayer with a mystical efficacy, as his starting-point. From brahm, prayer, came brahma, he who pronounces the prayers and performs the rite. This celebrant developed into a priest, whom to entertain brought blessings on kings. This domestic chaplaincy (conferring peculiar and even supernatural benefits) became hereditary in families, and these, united by common interests, exalted themselves into the Brahman caste. But in the Vedic age gifts of prayer and poetry alone marked out the purohitas, or men put forward to mediate between gods and mortals. Compare Ludwig, iii. 221.
(7) On this subject, see Muir, i. 192, along with Haug's comments. "From everything we know, the true origin of caste seems to trace back to a time before the creation of the Vedic hymns, although its evolution into a structured system with rigid barriers can only be linked to the later period of the Vedic age." Roth approaches the topic starting from the term brahm, which means prayer with a mystical power. From brahm, prayer, came brahma, the one who says the prayers and conducts the rituals. This celebrant evolved into a priest, and entertaining him brought blessings upon kings. This domestic role (which provided unique and even supernatural advantages) became hereditary in families, and these families, united by shared interests, elevated themselves into the Brahman caste. However, in the Vedic period, it was gifts of prayer and poetry alone that distinguished the purohitas, or individuals chosen to act as intermediaries between gods and humans. Compare Ludwig, iii. 221.
Thus it is self-evident that the society in which the Vedic poets lived was so far from being PRIMITIVE that it was even superior to the higher barbarisms (such as that of the Scythians of Herodotus and Germans of Tacitus), and might be regarded as safely arrived at the threshold of civilisation. Society possessed kings, though they may have been kings of small communities, like those who warred with Joshua or fought under the walls of Thebes or Troy. Poets were better paid than they seem to have been at the courts of Homer or are at the present time. For the tribal festivals special priests were appointed, "who distinguished themselves by their comprehensive knowledge of the requisite rites and by their learning, and amongst whom a sort of rivalry is gradually developed, according as one tribe or another is supposed to have more or less prospered by its sacrifices".(1) In the family marriage is sacred, and traces of polyandry and of the levirate, surviving as late as the epic poems, were regarded as things that need to be explained away. Perhaps the most barbaric feature in Vedic society, the most singular relic of a distant past, is the survival, even in a modified and symbolic form, of human sacrifice.(2)
It's clear that the society in which the Vedic poets lived was far from PRIMITIVE; in fact, it was even more advanced than some higher forms of barbarism (like those of the Scythians described by Herodotus and the Germans talked about by Tacitus), and could be seen as having reached the brink of civilization. Society had kings, even if they ruled over small communities, similar to those who fought with Joshua or battled at the walls of Thebes or Troy. Poets were compensated better than they seemed to have been in the courts of Homer or are today. Special priests were appointed for tribal festivals, "who stood out due to their extensive knowledge of the necessary rites and their learning, and among whom a sort of rivalry gradually developed, depending on which tribe was thought to have prospered more or less from its sacrifices."(1) In families, marriage was considered sacred, and indications of polyandry and the levirate, surviving well into the epic poems, were viewed as issues that needed to be justified. Perhaps the most barbaric aspect of Vedic society, the most unique remnant of a distant past, is the persistence, even in a modified and symbolic way, of human sacrifice.(2)
(1) Weber, p. 37.
Weber, p. 37.
(2) Wilson, Rig-Veda, i. p. 59-63; Muir, i. ii.; Wilson, Rig-Veda i. p. xxiv., ii. 8 (ii. 90); Aitareya Brahmana, Haug's version, vol. ii. pp. 462, 469.
(2) Wilson, Rig-Veda, i. p. 59-63; Muir, i. ii.; Wilson, Rig-Veda i. p. xxiv., ii. 8 (ii. 90); Aitareya Brahmana, Haug's version, vol. ii. pp. 462, 469.
As to the religious condition of the Vedic Aryans, we must steadily remember that in the Vedas we have the views of the Rishis only, that is, of sacred poets on their way to becoming a sacred caste. Necessarily they no more represent the POPULAR creeds than the psalmists and prophets, with their lofty monotheistic morality, represent the popular creeds of Israel. The faith of the Rishis, as will be shown later, like that of the psalmists, has a noble moral aspect. Yet certain elements of this higher creed are already found in the faiths of the lowest savages. The Rishis probably did not actually INVENT them. Consciousness of sin, of imperfection in the sight of divine beings, has been developed (as it has even in Australia) and is often confessed. But on the whole the religion of the Rishis is practical—it might almost be said, is magical. They desire temporal blessings, rain, sunshine, long life, power, wealth in flocks and herds. The whole purpose of the sacrifices which occupy so much of their time and thought is to obtain these good things. The sacrifice and the sacrificer come between gods and men. On the man's side is faith, munificence, a compelling force of prayer and of intentness of will. The sacrifice invigorates the gods to do the will of the sacrificer; it is supposed to be mystically celebrated in heaven as well as on earth—the gods are always sacrificing. Often (as when rain is wanted) the sacrifice imitates the end which it is desirable to gain.(1) In all these matters a minute ritual is already observed. The mystic word brahma, in the sense of hymn or prayer of a compelling and magical efficacy, has already come into use. The brahma answers almost to the Maori karakia or incantation and charm. "This brahma of Visvamitra protects the tribe of Bharata." "Atri with the fourth prayer discovered the sun concealed by unholy darkness."(2) The complicated ritual, in which prayer and sacrifice were supposed to exert a constraining influence on the supernatural powers, already existed, Haug thinks, in the time of the chief Rishis or hymnists of the Rig-Veda.(3)
Regarding the religious state of the Vedic Aryans, we need to keep in mind that the Vedas only represent the views of the Rishis, who were sacred poets on their path to becoming a sacred caste. They don’t reflect the popular beliefs any more than the psalmists and prophets, with their high moral standards of monotheism, reflect the common beliefs of Israel. The faith of the Rishis has a noble moral aspect, similar to that of the psalmists, as will be shown later. However, some elements of this higher belief already exist in the faiths of the simplest tribes. The Rishis likely didn’t actually create these ideas. The awareness of sin and feeling of imperfection in front of divine beings has developed (as it has even in Australia) and is often confessed. Overall, the religion of the Rishis is practical—it could almost be described as magical. They seek temporal blessings like rain, sunshine, long life, power, and wealth in livestock. The reason for the sacrifices, which take up so much of their time and thought, is to obtain these good things. The sacrifice and the person making it act as intermediaries between gods and humans. On the human side, there's faith, generosity, and an intense will expressed in prayer. The sacrifice energizes the gods to fulfill the wishes of the sacrificer; it’s intended to be celebrated mystically in both heaven and on earth—the gods are always sacrificing. Often, as in the case of needing rain, the sacrifice mimics the desired outcome. In all these matters, a detailed ritual is already being practiced. The mystical term brahma, used to mean a hymn or prayer with compelling and magical power, has already been adopted. The brahma is similar to the Maori karakia or incantation and charm. "This brahma of Visvamitra protects the tribe of Bharata." "Atri with the fourth prayer discovered the sun hidden by unholy darkness." The complex ritual, where prayer and sacrifice were believed to influence supernatural forces, already existed, according to Haug, in the time of the chief Rishis or hymnists of the Rig-Veda.
(1) Compare "The Prayers of Savages" in J. A. Farrer's Primitive Manners, and Ludwig, iii. 262-296, and see Bergaigne, La Religion Vedique, vol. i. p. 121.
(1) Compare "The Prayers of Savages" in J. A. Farrer's Primitive Manners, and Ludwig, iii. 262-296, and see Bergaigne, La Religion Vedique, vol. i. p. 121.
(2) See texts in Muir, i. 242.
(2) See texts in Muir, i. 242.
(3) Preface to translation of Aitareya Brahmana, p. 36.
(3) Preface to translation of Aitareya Brahmana, p. 36.
In many respects the nature of the idea of the divine, as entertained by the Rishis of the Rig-Veda, is still matter for discussion. In the chapter on Vedic gods such particulars as can be ascertained will be given. Roughly speaking, the religion is mainly, though not wholly, a cult of departmental gods, originally, in certain cases, forces of Nature, but endowed with moral earnestness. As to fetishism in the Vedas the opinions of the learned are divided. M. Bergaigne(1) looks on the whole ritual as, practically, an organised fetishism, employed to influence gods of a far higher and purer character. Mr. Max Muller remarks, "that stones, bones, shells, herbs and all the other so-called fetishes, are simply absent in the old hymns, though they appear in more modern hymns, particularly those of the Atharva-Veda. When artificial objects are mentioned and celebrated in the Rig-Veda, they are only such as might be praised even by Wordsworth or Tennyson—chariots, bows, quivers, axes, drums, sacrificial vessels and similar objects. They never assume any individual character; they are simply mentioned as useful or precious, it may be as sacred."(2)
In many ways, the concept of the divine as understood by the Rishis of the Rig-Veda is still up for debate. In the chapter about Vedic gods, we will provide any details that can be confirmed. Generally speaking, the religion is mainly, but not entirely, a worship of specific gods, originally linked to certain natural forces, but given a sense of moral seriousness. Regarding fetishism in the Vedas, scholars have differing opinions. M. Bergaigne views the overall ritual as basically an organized form of fetishism aimed at influencing gods that are far greater and purer. Mr. Max Muller points out that "stones, bones, shells, herbs, and all the other so-called fetishes are simply absent in the old hymns, although they appear in more modern hymns, especially those of the Atharva-Veda. When artificial objects are mentioned and celebrated in the Rig-Veda, they are only those that could be praised by Wordsworth or Tennyson—like chariots, bows, quivers, axes, drums, sacrificial vessels, and similar items. They never take on any individual significance; they are simply noted as useful or valuable, and sometimes as sacred."
(1) La Religion Vedique, vol. i. p. 123. "Le culte est assimilable dans une certaine mesure aux incantations, aux pratiques magiques."
(1) Vedic Religion, vol. i. p. 123. "The worship is somewhat comparable to incantations and magical practices."
(2) Hibbert Lectures, p. 198.
Hibbert Lectures, p. 198.
When the existence of fetish "herbs" is denied by Mr. Max Muller, he does not, of course, forget Soma, that divine juice. It is also to be noted that in modern India, as Mr. Max Muller himself observes, Sir Alfred Lyall finds that "the husbandman prays to his plough and the fisher to his net," these objects being, at present, fetishes. In opposition to Mr. Max Muller, Barth avers that the same kind of fetishism which flourishes to-day flourishes in the Rig-Veda. "Mountains, rivers, springs, trees, herbs are invoked as so many powers. The beasts which live with man—the horse, the cow, the dog, the bird and the animals which imperil his existence—receive a cult of praise and prayer. Among the instruments of ritual, some objects are more than things consecrated—they are divinities; and the war-chariot, the weapons of defence and offence, the plough, are the objects not only of benedictions but of prayers."(1) These absolute contradictions on matters of fact add, of course, to the difficulty of understanding the early Indo-Aryan religion. One authority says that the Vedic people were fetish-worshippers; another authority denies it.
When Mr. Max Muller denies the existence of fetish "herbs," he certainly doesn't overlook Soma, that divine juice. It's also worth mentioning that in modern India, as Mr. Max Muller himself notes, Sir Alfred Lyall finds that "the farmer prays to his plow and the fisherman to his net," with these items currently being considered fetishes. In contrast to Mr. Max Muller, Barth argues that the same type of fetishism that exists today was also present in the Rig-Veda. "Mountains, rivers, springs, trees, herbs are called upon as various powers. The animals that live alongside humans—the horse, the cow, the dog, the bird, and those that threaten his survival—receive praise and prayers. Among the ritual tools, some objects are more than just consecrated items—they are deities; and the war chariot, the weapons for defense and offense, and the plow are not only blessed but are also the focus of prayers."(1) These conflicting statements on factual matters certainly complicate the understanding of early Indo-Aryan religion. One expert claims that the Vedic people were fetish worshippers; another expert disputes it.
(1) Barth, Les Religions de l'Inde, p. 7, with the Vedic texts.
(1) Barth, The Religions of India, p. 7, with the Vedic texts.
Were the Rishis ancestor-worshippers? Barth has no doubt whatever that they were. In the pitris or fathers he recognises ancestral spirits, now "companions of the gods, and gods themselves. At their head appear the earliest celebrants of the sacrifice, Atharvan, the Angiras, the Kavis (the pitris, par excellence) equals of the greatest gods, spirits who, BY DINT OF SACRIFICE, drew forth the world from chaos, gave birth to the sun and lighted the stars,"—cosmical feats which, as we have seen, are sometimes attributed by the lower races to their idealised mythic ancestors, the "old, old ones" of Australians and Ovahereroes.
Were the Rishis worshippers of their ancestors? Barth is completely convinced that they were. In the pitris, or fathers, he sees ancestral spirits who are now "companions of the gods, and gods themselves." Leading them are the earliest performers of sacrifice: Atharvan, the Angiras, and the Kavis (the ultimate pitris), who are equal to the greatest gods—spirits who, THROUGH SACRIFICE, brought the world out of chaos, gave birth to the sun, and lit the stars—cosmic achievements that, as we've noted, are sometimes credited by lower races to their idealized mythical ancestors, the "old, old ones" of the Australians and Ovahereroes.
A few examples of invocations of the ancestral spirits may not be out of place.(1) "May the Fathers protect me in my invocation of the gods." Here is a curious case, especially when we remember how the wolf, in the North American myth, scattered the stars like spangles over the sky: "The fathers have adorned the sky with stars".(2)
A few examples of invoking ancestral spirits might be appropriate. (1) "May the Ancestors protect me as I call upon the gods." This is an interesting case, especially when we recall how the wolf, in North American mythology, scattered the stars like glitter across the sky: "The ancestors have decorated the sky with stars." (2)
(1) Rig-Veda, vi. 52,4.
Rig-Veda, vi. 52,4.
(2) Ibid., x. 68, xi.
Ibid., x. 68, xi.
Mr. Whitney (Oriental and Linguistic Studies, First Series, p. 59) gives examples of the ceremony of feeding the Aryan ghosts. "The fathers are supposed to assemble, upon due invocation, about the altar of him who would pay them homage, to seat themselves upon the straw or matting spread for each of the guests invited, and to partake of the offerings set before them." The food seems chiefly to consist of rice, sesame and honey.
Mr. Whitney (Oriental and Linguistic Studies, First Series, p. 59) provides examples of the ceremony for feeding the Aryan spirits. "The fathers are believed to gather, upon proper invocation, around the altar of the one who wishes to honor them, to settle themselves on the straw or matting laid out for each of the invited guests, and to enjoy the offerings placed in front of them." The food mainly includes rice, sesame, and honey.
Important as is the element of ancestor-worship in the evolution of religion, Mr. Max Muller, in his Hibbert Lectures, merely remarks that thoughts and feelings about the dead "supplied some of the earliest and most important elements of religion"; but how these earliest elements affect his system does not appear. On a general view, then, the religion of the Vedic poets contained a vast number of elements in solution—elements such as meet us in every quarter of the globe. The belief in ancestral ghosts, the adoration of fetishes, the devotion to a moral ideal, contemplated in the persons of various deities, some of whom at least have been, and partly remain, personal natural forces, are all mingled, and all are drifting towards a kind of pantheism, in which, while everything is divine, and gods are reckoned by millions, the worshipper has glimpses of one single divine essence. The ritual, as we have seen, is more or less magical in character. The general elements of the beliefs are found, in various proportions, everywhere; the pantheistic mysticism is almost peculiar to India. It is, perhaps, needless to repeat that a faith so very composite, and already so strongly differentiated, cannot possibly be "primitive," and that the beliefs and practices of a race so highly organised in society and so well equipped in material civilisation as the Vedic Aryans cannot possibly be "near the beginning". Far from expecting to find in the Veda the primitive myths of the Aryans, we must remember that myth had already, when these hymns were sung, become obnoxious to the religious sentiment. "Thus," writes Barth, "the authors of the hymns have expurgated, or at least left in the shade, a vast number of legends older than their time; such, for example, as the identity of soma with the moon, as the account of the divine families, of the parricide of Indra, and a long list might be made of the reticences of the Veda.... It would be difficult to extract from the hymns a chapter on the loves of the gods. The goddesses are veiled, the adventures of the gods are scarcely touched on in passing.... We must allow for the moral delicacy of the singers, and for their dislike of speaking too precisely about the gods. Sometimes it seems as if their chief object was to avoid plain speaking.... But often there is nothing save jargon and indolence of mind in this voluntary obscurity, for already in the Veda the Indian intellect is deeply smitten with its inveterate malady of affecting mystery the more, the more it has nothing to conceal; the mania for scattering symbols which symbolise no reality, and for sporting with riddles which it is not worth while to divine."(1) Barth, however, also recognises amidst these confusions, "the inquietude of a heart deeply stirred, which seeks truth and redemption in prayer". Such is the natural judgment of the clear French intellect on the wilfully obscure, tormented and evasive intellect of India.
Important as ancestor-worship is in the development of religion, Mr. Max Muller, in his Hibbert Lectures, simply notes that thoughts and feelings about the dead "supplied some of the earliest and most important elements of religion"; however, he doesn’t explain how these early elements impact his system. Overall, the religion of the Vedic poets included a wide range of elements found in various parts of the world. The belief in ancestral spirits, the worship of fetishes, and the commitment to a moral ideal represented by different deities—some of whom were, and partly still are, personifications of natural forces—are all intertwined and moving toward a form of pantheism. In this belief system, everything is divine, with gods numbering in the millions, and worshippers get glimpses of a single divine essence. The rituals, as we’ve discussed, are more or less magical in nature. The common elements of these beliefs can be found worldwide in different mixtures, while the pantheistic mysticism is almost unique to India. It may be unnecessary to stress that a faith so intricate and already so distinctly developed cannot be considered "primitive," and that the beliefs and practices of a society as sophisticated and materially advanced as the Vedic Aryans cannot possibly be "near the beginning." Instead of expecting to find the primitive myths of the Aryans in the Veda, we must keep in mind that, by the time these hymns were sung, myths had already become distasteful to religious sentiment. "Thus," writes Barth, "the authors of the hymns have removed, or at least downplayed, a large number of legends older than their time; for example, the idea of soma as the moon, the stories of divine families, the parricide of Indra, and many more could be listed among the omissions in the Veda.... It would be challenging to find in the hymns a section on the romances of the gods. The goddesses are obscured, and the deeds of the gods are barely mentioned.... We must consider the moral sensitivity of the singers and their reluctance to speak too directly about the gods. Sometimes it almost seems as if their main goal was to avoid straightforwardness.... But often, this intentional obscurity is nothing but a mix of jargon and mental laziness, for even in the Veda, the Indian intellect is already deeply afflicted by its chronic tendency to create mystery, especially when there is nothing to hide; the obsession with scattering symbols that represent no reality, and with playing games with riddles that aren’t worth solving."(1) Barth, however, also observes amidst this confusion, "the restlessness of a heart deeply stirred, which seeks truth and redemption in prayer." Such is the natural perspective of the clear French intellect regarding the deliberately obscure, troubled, and evasive intellect of India.
(1) Les Religions de l'Inde, p. 21.
(1) The Religions of India, p. 21.
It would be interesting were it possible to illuminate the criticism of Vedic religion by ascertaining which hymns in the Rig-Veda are the most ancient, and which are later. Could we do this, we might draw inferences as to the comparative antiquity of the religious ideas in the poems. But no such discrimination of relative antiquity seems to be within the reach of critics. M. Bergaigne thinks it impossible at present to determine the relative age of the hymns by any philological test. The ideas expressed are not more easily arrayed in order of date. We might think that the poems which contain most ceremonial allusions were the latest. But Mr. Max Muller says that "even the earliest hymns have sentiments worthy of the most advanced ceremonialists".(1)
It would be interesting if we could identify which hymns in the Rig-Veda are the oldest and which are more recent. If we could do this, we might infer the relative age of the religious ideas in the poems. However, it seems that critics are unable to make such distinctions regarding relative age. M. Bergaigne believes that it's currently impossible to determine the relative age of the hymns using any philological method. The ideas expressed in them aren't any easier to sort by date. We might assume that the poems with the most ceremonial references are the newest. But Mr. Max Muller points out that "even the earliest hymns have sentiments worthy of the most advanced ceremonialists."(1)
(1) History of Sanskrit Literature, p. 556.
(1) History of Sanskrit Literature, p. 556.
The first and oldest source of our knowledge of Indo-Aryan myths is the Rig-Veda, whose nature and character have been described. The second source is the Atharva-Veda with the Brahmanas. The peculiarity of the Atharva is its collection of magical incantations spells and fragments of folklore. These are often, doubtless, of the highest antiquity. Sorcery and the arts of medicine-men are earlier in the course of evolution than priesthood. We meet them everywhere among races who have not developed the institution of an order of priests serving national gods. As a collection, the Atharva-Veda is later than the Rig-Veda, but we need not therefore conclude that the IDEAS of the Atharva are "a later development of the more primitive ideas of the Rig-Veda". Magic is quod semper, quod ubique, quod ab omnibus; the ideas of the Atharva-Veda are everywhere; the peculiar notions of the Rig-Veda are the special property of an advanced and highly differentiated people. Even in the present collected shape, M. Barth thinks that many hymns of the Atharva are not much later than those of the Rig-Veda. Mr. Whitney, admitting the lateness of the Atharva as a collection, says, "This would not necessarily imply that the main body of the Atharva hymns were not already in existence when the compilation of the Rig-Veda took place".(1) The Atharva refers to some poets of the Rig (as certain hymnists in the Rig also do) as earlier men. If in the Rig (as Weber says) "there breathes a lively natural feeling, a warm love of nature, while in the Atharva, on the contrary, there predominates an anxious apprehension of evil spirits and their magical powers," it by no means follows that this apprehension is of later origin than the lively feeling for Nature. Rather the reverse. There appears to be no doubt(2) that the style and language of the Atharva are later than those of the Rig. Roth, who recognises the change, in language and style, yet considers the Atharva "part of the old literature".(3) He concludes that the Atharva contains many pieces which, "both by their style and ideas, are shown to be contemporary with the older hymns of the Rig-Veda". In religion, according to Muir,(4) the Atharva shows progress in the direction of monotheism in its celebration of Brahman, but it also introduces serpent-worship.
The first and oldest source of our knowledge of Indo-Aryan myths is the Rig-Veda, which has been described in terms of its nature and character. The second source is the Atharva-Veda along with the Brahmanas. What makes the Atharva unique is its collection of magical spells and bits of folklore, which are often very ancient. Sorcery and the practices of medicine men evolved before the establishment of priesthoods. We find them among cultures that haven't developed a system of priests serving national gods. As a collection, the Atharva-Veda came after the Rig-Veda, but that doesn’t mean the ideas in the Atharva are just a later version of the more primitive ideas in the Rig-Veda. Magic is universal and timeless; the concepts in the Atharva-Veda are found everywhere, while the distinct ideas of the Rig-Veda belong to a more advanced and complex society. Even in its current collected form, M. Barth believes that many hymns of the Atharva aren’t much newer than those of the Rig-Veda. Mr. Whitney acknowledges the later compilation of the Atharva but states, "This would not necessarily imply that the main body of the Atharva hymns were not already in existence when the compilation of the Rig-Veda took place." The Atharva mentions some poets from the Rig (as certain hymnists in the Rig do) as earlier individuals. If, as Weber suggests, "the Rig breathes a lively natural feeling and a warm love of nature, while the Atharva, on the other hand, shows an anxious fear of evil spirits and their magical powers," it doesn’t follow that this fear came later than the lively connection to nature; in fact, it's likely the opposite. There is little doubt that the style and language of the Atharva are more recent than those of the Rig. Roth recognizes these changes in language and style but still considers the Atharva to be "part of the old literature." He concludes that the Atharva contains many pieces that, "both by their style and ideas, are shown to be contemporary with the older hymns of the Rig-Veda." In religion, according to Muir, the Atharva indicates progress towards monotheism in its praise of Brahman, but it also introduces serpent worship.
(1) Journal of the American Oriental Society. iv. 253.
(1) Journal of the American Oriental Society. iv. 253.
(2) Muir, ii. 446.
Muir, vol. 2, p. 446.
(3) Ibid., ii. 448.
Ibid., ii. 448.
(4) Ibid., ii. 451.
Ibid., II. 451.
As to the Atharva, then, we are free to suppose, if we like, that the dark magic, the evil spirits, the incantations, are old parts of Indian, as of all other popular beliefs, though they come later into literature than the poetry about Ushas and the morality of Varuna. The same remarks apply to our third source of information, the Brahmanas. These are indubitably comments on the sacred texts very much more modern in form than the texts themselves. But it does not follow, and this is most important for our purpose, that the myths in the Brahmanas are all later than the Vedic myths or corruptions of the Veda. Muir remarks,(1) "The Rig-Veda, though the oldest collection, does not necessarily contain everything that is of the greatest age in Indian thought or tradition. We know, for example, that certain legends, bearing the impress of the highest antiquity, such as that of the deluge, appear first in the Brahmanas." We are especially interested in this criticism, because most of the myths which we profess to explain as survivals of savagery are narrated in the Brahmanas. If these are necessarily late corruptions of Vedic ideas, because the collection of the Brahmanas is far more modern than that of the Veda, our argument is instantly disproved. But if ideas of an earlier stratum of thought than the Vedic stratum may appear in a later collection, as ideas of an earlier stratum of thought than the Homeric appear in poetry and prose far later than Homer, then our contention is legitimate. It will be shown in effect that a number of myths of the Brahmanas correspond in character and incident with the myths of savages, such as Cahrocs and Ahts. Our explanation is, that these tales partly survived, in the minds perhaps of conservative local priesthoods, from the savage stage of thought, or were borrowed from aborigines in that stage, or were moulded in more recent times on surviving examples of that wild early fancy.
As for the Atharva, we can suppose, if we want to, that the dark magic, evil spirits, and incantations are old aspects of Indian, as well as other popular beliefs, even though they appear later in literature than the poetry about Ushas and the morality of Varuna. The same points apply to our third source of information, the Brahmanas. These are undoubtedly comments on the sacred texts that are much more modern in form than the texts themselves. However, it doesn't mean, and this is crucial for our purpose, that the myths in the Brahmanas are all later than the Vedic myths or distortions of the Veda. Muir notes, "The Rig-Veda, though the oldest collection, does not necessarily contain everything that is of the greatest age in Indian thought or tradition. We know, for example, that certain legends, showing the mark of the highest antiquity, such as the deluge, first appear in the Brahmanas." We are particularly interested in this criticism because most of the myths that we seek to explain as remnants of savagery are recounted in the Brahmanas. If these are necessarily late distortions of Vedic ideas because the Brahmanas collection is much more modern than that of the Veda, our argument is immediately disproven. But if ideas from an earlier layer of thought than the Vedic layer can show up in a later collection, just as ideas from an earlier layer than the Homeric can appear in poetry and prose much later than Homer, then our claim is valid. It will be demonstrated that several myths of the Brahmanas match in character and incidents with the myths of savages, like the Cahrocs and Ahts. Our explanation is that these tales partly survived in the minds of conservative local priesthoods from the savage stage of thought, or were borrowed from indigenous people in that stage, or were shaped in more recent times based on surviving examples of that wild early imagination.
(1) Muir, iv. 450.
Muir, vol. 4, p. 450.
In the age of the Brahmanas the people have spread southwards from the basin of the Indus to that of the Ganges. The old sacred texts have begun to be scarcely comprehensible. The priesthood has become much more strictly defined and more rigorously constituted. Absurd as it may seem, the Vedic metres, like the Gayatri, have been personified, and appear as active heroines of stories presumably older than this personification. The Asuras have descended from the rank of gods to that of the heavenly opposition to Indra's government; they are now a kind of fiends, and the Brahmanas are occupied with long stories about the war in heaven, itself a very ancient conception. Varuna becomes cruel on occasion, and hostile. Prajapati becomes the great mythical hero, and inherits the wildest myths of the savage heroic beasts and birds.
In the time of the Brahmanas, people moved south from the Indus River valley to the Ganges River valley. The ancient sacred texts have started to become hard to understand. The priesthood has become more clearly defined and more strictly organized. As strange as it might sound, the Vedic meters, like the Gayatri, have been personified and appear as active heroines in tales that are presumably older than this personification. The Asuras have fallen from their position as gods to become the heavenly opposition to Indra's rule; they are now seen as a sort of demons, and the Brahmanas focus on lengthy stories about the battles in heaven, which is a very ancient idea. Varuna can occasionally be cruel and hostile. Prajapati emerges as the great mythical hero, inheriting the wildest legends of fierce heroic beasts and birds.
The priests are now Brahmans, a hereditary divine caste, who possess all the vast and puerile knowledge of ritual and sacrificial minutiae. As life in the opera is a series of songs, so life in the Brahmanas is a sequence of sacrifices. Sacrifice makes the sun rise and set, and the rivers run this way or that.
The priests are now Brahmans, a hereditary divine caste, who hold all the extensive and trivial knowledge of rituals and sacrifice details. Just as life in the opera consists of a series of songs, life in the Brahmanas is a series of sacrifices. Sacrifice causes the sun to rise and set, and the rivers to flow this way or that.
The study of Indian myth is obstructed, as has been shown, by the difficulty of determining the relative dates of the various legends, but there are a myriad of other obstacles to the study of Indian mythology. A poet of the Vedas says, "The chanters of hymns go about enveloped in mist, and unsatisfied with idle talk".(1) The ancient hymns are still "enveloped in mist," owing to the difficulty of their language and the variety of modern renderings and interpretations. The heretics of Vedic religion, the opponents of the orthodox commentators in ages comparatively recent, used to complain that the Vedas were simply nonsense, and their authors "knaves and buffoons". There are moments when the modern student of Vedic myths is inclined to echo this petulant complaint. For example, it is difficult enough to find in the Rig-Veda anything like a categoric account of the gods, and a description of their personal appearance. But in Rig-Veda, viii. 29, 1, we read of one god, "a youth, brown, now hostile, now friendly; a golden lustre invests him". Who is this youth? "Soma as the moon," according to the commentators. M. Langlois thinks the sun is meant. Dr. Aufrecht thinks the troop of Maruts (spirits of the storm), to whom, he remarks, the epithet "dark-brown, tawny" is as applicable as it is to their master, Rudra. This is rather confusing, and a mythological inquirer would like to know for certain whether he is reading about the sun or soma, the moon, or the winds.
The study of Indian mythology is complicated, as has been shown, by the challenge of figuring out the relative ages of the various legends, but there are many other hurdles to studying Indian mythology. A poet from the Vedas says, "The chanters of hymns go about shrouded in mist, and are unsatisfied with small talk." The ancient hymns remain "shrouded in mist" due to the complexity of their language and the range of modern interpretations. Critics of Vedic religion, who opposed orthodox commentators in relatively recent times, used to argue that the Vedas were just nonsense, and their authors were "tricksters and fools." At times, modern students of Vedic myths might feel tempted to share this frustrated view. For example, it’s already challenging to find anything in the Rig-Veda that gives a clear description of the gods or their appearances. However, in Rig-Veda, viii. 29, 1, we read about one god, "a youth, brown, sometimes hostile, sometimes friendly; a golden light surrounds him." Who is this youth? "Soma as the moon," according to the commentators. M. Langlois believes it refers to the sun. Dr. Aufrecht thinks it’s the troop of Maruts (spirits of the storm), who, he notes, could be described as "dark-brown, tawny," much like their leader, Rudra. This is pretty confusing, and someone studying mythology would definitely want to know if they're reading about the sun, soma, the moon, or the winds.
(1) Rig-Veda, x. 82, 7, but compare Bergaigne, op. cit., iii. 72, "enveloppes de nuees et de murmures".
(1) Rig-Veda, x. 82, 7, but see Bergaigne, op. cit., iii. 72, "clouds and whispers".
To take another example; we open Mr. Max Muller's translation of the Rig-Veda at random, say at page 49. In the second verse of the hymn to the Maruts, Mr. Muller translates, "They who were born together, self-luminous, with the spotted deer (the clouds), the spears, the daggers, the glittering ornaments. I hear their whips almost close by, as they crack them in their hands; they gain splendour on their way." Now Wilson translates this passage, "Who, borne by spotted deer, were born self-luminous, with weapons, war-cries and decorations. I hear the cracking of their whips in their hands, wonderfully inspiring courage in the fight." Benfey has, "Who with stags and spears, and with thunder and lightning, self-luminous, were born. Hard by rings the crack of their whip as it sounds in their hands; bright fare they down in storm." Langlois translates, "Just born are they, self-luminous. Mark ye their arms, their decorations, their car drawn by deer? Hear ye their clamour? Listen! 'tis the noise of the whip they hold in their hands, the sound that stirs up courage in the battle." This is an ordinary example of the diversities of Vedic translation. It is sufficiently puzzling, nor is the matter made more transparent by the variety of opinion as to the meaning of the "deer" along with which the Maruts are said (by some of the translators) to have been born. This is just the sort of passage on which a controversy affecting the whole nature of Vedic mythological ideas might be raised. According to a text in the Yajur Veda, gods, and men, and beasts, and other matters were created from various portions of the frame of a divine being named Prajapati.(1) The god Agni, Brahmans and the goat were born from the mouth of Prajapati. From his breast and arms came the god Indra (sometimes spoken of as a ram), the sheep, and of men the Rajanya. Cows and gods called Visvadevas were born together from his middle. Are we to understand the words "they who were born together with the spotted deer" to refer to a myth of this kind—a myth representing the Maruts and deer as having been born at the same birth, as Agni came with the goat, and Indra with the sheep? This is just the point on which the Indian commentators were divided.(2) Sayana, the old commentator, says, "The legendary school takes them for deer with white spots; the etymological school, for the many-coloured lines of clouds". The modern legendary (or anthropological) and etymological (or philological) students of mythology are often as much at variance in their attempts to interpret the traditions of India.
To take another example, let’s pick a random page from Mr. Max Muller's translation of the Rig-Veda, like page 49. In the second verse of the hymn to the Maruts, Mr. Muller translates it as, "They who were born together, self-luminous, with the spotted deer (the clouds), the spears, the daggers, the glittering ornaments. I hear their whips almost close by, as they crack them in their hands; they gain splendor on their way." Now Wilson translates this passage as, "Who, borne by spotted deer, were born self-luminous, with weapons, war-cries, and decorations. I hear the cracking of their whips in their hands, wonderfully inspiring courage in the fight." Benfey has, "Who with stags and spears, and with thunder and lightning, self-luminous, were born. Hard by rings the crack of their whip as it sounds in their hands; bright fare they down in storm." Langlois translates, "Just born are they, self-luminous. Mark ye their arms, their decorations, their car drawn by deer? Hear ye their clamour? Listen! 'tis the noise of the whip they hold in their hands, the sound that stirs up courage in the battle." This is a typical example of the differences in Vedic translation. It is sufficiently puzzling, and the variety of interpretations regarding the meaning of "deer," with which the Maruts are said (by some translators) to have been born, doesn’t clarify things further. This is exactly the type of passage that could spark a debate about the very essence of Vedic mythological ideas. According to a text in the Yajur Veda, gods, men, beasts, and other entities were created from various parts of a divine being named Prajapati.(1) The god Agni, Brahmans, and the goat were born from the mouth of Prajapati. From his chest and arms came the god Indra (sometimes referred to as a ram), the sheep, and from men, the Rajanya. Cows and gods called Visvadevas were born together from his middle. Should we understand the phrase "they who were born together with the spotted deer" to be referencing a myth like this—a myth that depicts the Maruts and deer as sharing the same origin, similar to how Agni came with the goat, and Indra with the sheep? This is precisely the issue on which the Indian commentators disagreed.(2) Sayana, the ancient commentator, states, "The legendary school views them as deer with white spots; the etymological school sees them as the many-colored lines of clouds." Modern legendary (or anthropological) and etymological (or philological) scholars of mythology often find themselves at odds in their efforts to interpret the traditions of India.
(1) Muir, Sanskrit Texts, 2nd edit., i. 16.
(1) Muir, Sanskrit Texts, 2nd ed., i. 16.
(2) Max Muller, Rig-Veda Sanhita, trans., vol. i. p. 59.
(2) Max Muller, Rig-Veda Sanhita, trans., vol. i. p. 59.
Another famous, and almost comic, example of the difficulty of Vedic interpretation is well known. In Rig-Veda, x. 16, 4, there is a funeral hymn. Agni, the fire-god, is supplicated either to roast a goat or to warm the soul of the dead and convey it to paradise. Whether the soul is to be thus comforted or the goat is to be grilled, is a question that has mightily puzzled Vedic doctors.(1) Professor Muller and M. Langlois are all for "the immortal soul", the goat has advocates, or had advocates, in Aufrecht, Ludwig and Roth. More important difficulties of interpretation are illustrated by the attitude of M. Bergaigne in La Religion Vedique, and his controversy with the great German lexicographers. The study of mythology at one time made the Vedas its starting-point. But perhaps it would be wise to begin from something more intelligible, something less perplexed by difficulties of language and diversities of interpretation.
Another well-known and almost humorous example of the challenges of interpreting the Vedas is found in the Rig-Veda, x. 16, 4, which contains a funeral hymn. In this verse, Agni, the fire-god, is called upon either to roast a goat or to warm the soul of the deceased and carry it to paradise. The question of whether the soul is to be comforted this way or the goat is to be grilled has deeply puzzled Vedic scholars. Professor Muller and M. Langlois support the idea of "the immortal soul," while there were advocates for the goat, including Aufrecht, Ludwig, and Roth. More significant interpretive challenges are shown by M. Bergaigne in La Religion Vedique and his debates with prominent German lexicographers. At one time, mythology studies often used the Vedas as a foundation. However, it might be more sensible to start with something clearer, something less complicated by linguistic challenges and differing interpretations.
(1) Muir, v. 217.
Muir, v. 217.
In attempting to criticise the various Aryan myths, we shall be guided, on the whole, by the character of the myths themselves. Pure and elevated conceptions we shall be inclined to assign to a pure and elevated condition of thought (though such conceptions do, recognisably, occur in the lowest known religious strata), and we shall make no difficulty about believing that Rishis and singers capable of noble conceptions existed in an age very remote in time, in a society which had many of the features of a lofty and simple civilisation. But we shall not, therefore, assume that the hymns of these Rishis are in any sense "primitive," or throw much light on the infancy of the human mind, or on the "origin" of religious and heroic myths. Impure, childish and barbaric conceptions, on the other hand, we shall be inclined to attribute to an impure, childish, and barbaric condition of thought; and we shall again make no difficulty about believing that ideas originally conceived when that stage of thought was general have been retained and handed down to a far later period. This view of the possible, or rather probable, antiquity of many of the myths preserved in the Brahmanas is strengthened, if it needed strengthening, by the opinion of Dr. Weber.(1) "We must indeed assume generally with regard to many of those legends (in the Brahmanas of the Rig-Veda) that they had already gained a rounded independent shape in tradition before they were incorporated into the Brahmanas; and of this we have frequent evidence in the DISTINCTLY ARCHAIC CHARACTER OF THEIR LANGUAGE, compared with that of the rest of the text."
In critiquing the various Aryan myths, we’ll generally follow the nature of the myths themselves. We’re likely to associate pure and elevated ideas with a pure and elevated thought process (even though such ideas can also be found in the most basic levels of known religious beliefs), and we won’t hesitate to believe that Rishis and poets capable of noble ideas existed in a very ancient time, in a society that possessed many features of a high and simple civilization. However, we won’t assume that the hymns of these Rishis are in any way "primitive," or that they shed much light on the beginnings of the human mind, or on the "origin" of religious and heroic myths. On the other hand, we’re inclined to link impure, childish, and barbaric ideas to an impure, childish, and barbaric thought process; and we again won’t hesitate to believe that ideas initially conceived during that stage of thought have been preserved and passed down to a much later time. This perspective on the likely, if not certain, age of many of the myths found in the Brahmanas is supported, if it needs any support, by Dr. Weber’s opinion. "We must indeed generally assume regarding many of those legends (in the Brahmanas of the Rig-Veda) that they had already taken on a complete independent form in tradition before they were incorporated into the Brahmanas; and we have frequent evidence of this in the DISTINCTLY ARCHAIC CHARACTER OF THEIR LANGUAGE, compared with that of the rest of the text."
(1) History of Indian Literature, English trans., p. 47.
(1) History of Indian Literature, English trans., p. 47.
We have now briefly stated the nature and probable relative antiquity of the evidence which is at the disposal of Vedic mythologists. The chief lesson we would enforce is the necessity of suspending the judgment when the Vedas are represented as examples of primitive and comparatively pure and simple natural religion. They are not primitive; they are highly differentiated, highly complex, extremely enigmatic expressions of fairly advanced and very peculiar religious thought. They are not morally so very pure as has been maintained, and their purity, such as it is, seems the result of conscious reticence and wary selection rather than of primeval innocence. Yet the bards or editors have by no means wholly excluded very ancient myths of a thoroughly savage character. These will be chiefly exposed in the chapter on "Indo-Aryan Myths of the Beginnings of Things," which follows.
We have now briefly summarized the nature and likely age of the evidence available to Vedic mythologists. The main point we want to emphasize is the need to withhold judgment when the Vedas are presented as examples of primitive and relatively pure natural religion. They are not primitive; instead, they are highly nuanced, complex, and deeply enigmatic expressions of quite advanced and unique religious thought. They are not as morally pure as has been claimed, and whatever purity exists seems more like a result of careful restraint and selective presentation rather than genuine innocence. However, the bards or editors have not completely excluded very ancient myths with a distinctly savage character. These will primarily be discussed in the chapter on "Indo-Aryan Myths of the Beginnings of Things," which follows.
CHAPTER VIII. INDIAN MYTHS OF THE ORIGIN OF THE WORLD AND OF MAN.
Comparison of Vedic and savage myths—The metaphysical Vedic account of the beginning of things—Opposite and savage fable of world made out of fragments of a man—Discussion of this hymn—Absurdities of Brahmanas—Prajapati, a Vedic Unkulunkulu or Qat—Evolutionary myths—Marriage of heaven and earth—Myths of Puranas, their savage parallels—Most savage myths are repeated in Brahmanas.
Comparison of Vedic and primitive myths—The metaphysical Vedic explanation of the origin of things—Contrasting and primitive tale of the world created from pieces of a man—Discussion of this hymn—Inconsistencies in Brahmanas—Prajapati, a Vedic Unkulunkulu or Qat—Evolutionary myths—Union of heaven and earth—Myths of Puranas and their primitive counterparts—Most primitive myths are echoed in Brahmanas.
In discussing the savage myths of the origin of the world and of man, we observed that they were as inconsistent as they were fanciful. Among the fancies embodied in the myths was noted the theory that the world, or various parts of it, had been formed out of the body of some huge non-natural being, a god, or giant, or a member of some ancient mysterious race. We also noted the myths of the original union of heaven and earth, and their violent separation as displayed in the tales of Greeks and Maoris, to which may be added the Acagchemem nation in California.(1) Another feature of savage cosmogonies, illustrated especially in some early Slavonic myths, in Australian legends, and in the faith of the American races, was the creation of the world, or the recovery of a drowned world by animals, as the raven, the dove and the coyote. The hatching of all things out of an egg was another rude conception, chiefly noted among the Finns. The Indian form occurs in the Satapatha Brahmana.(2) The preservation of the human race in the Deluge, or the creation of the race after the Deluge, was yet another detail of savage mythology; and for many of these fancies we seemed to find a satisfactory origin in the exceedingly credulous and confused state of savage philosophy and savage imagination.
In discussing the wild myths about the origins of the world and humanity, we noted that they were as inconsistent as they were imaginative. One of the ideas found in these myths was that the world, or parts of it, was made from the body of a huge supernatural being, a god, or a giant, or from some ancient mysterious race. We also observed the myths about the original union of heaven and earth and their violent separation, as seen in the stories of the Greeks and the Maoris, along with the Acagchemem nation in California.(1) Another aspect of primitive creation stories, especially illustrated in some early Slavic myths, Australian legends, and beliefs of Native American tribes, was the notion of the world being created or a lost world being recovered by animals like the raven, dove, and coyote. The idea that everything hatched from an egg was another primitive belief, mainly noted among the Finns. The Indian version appears in the Satapatha Brahmana.(2) The survival of the human race during the Flood, or the creation of humans after the Flood, was yet another detail of primitive mythology; and for many of these ideas, we found a plausible origin in the remarkably gullible and muddled state of primitive philosophy and imagination.
(1) Bancroft, v. 162.
Bancroft, v. 162.
(2) Sacred Books of the East, i. 216.
(2) Sacred Books of the East, i. 216.
The question now to be asked is, do the traditions of the Aryans of India supply us with myths so closely resembling the myths of Nootkas, Maoris and Australians that we may provisionally explain them as stories originally due to the invention of savages? This question may be answered in the affirmative. The Vedas, the Epics and the Puranas contain a large store of various cosmogonic traditions as inconsistent as the parallel myths of savages. We have an Aryan Ilmarinen, Tvashtri, who, like the Finnish smith, forged "the iron vault of hollow heaven" and the ball of earth.(1) Again, the earth is said to have sprung, as in some Mangaian fables, "from a being called Uttanapad".(2) Again, Brahmanaspati, "blew the gods forth like a blacksmith," and the gods had a hand in the making of things. In contrast with these childish pieces of anthropomorphism, we have the famous and sublime speculations of an often-quoted hymn.(3) It is thus that the poet dreams of the days before being and non-being began:—
The question now to consider is whether the traditions of the Aryans in India provide us with myths that closely resemble those of the Nootkas, Maoris, and Australians, to the extent that we can tentatively attribute them to the creativity of primitive peoples. This question can be answered affirmatively. The Vedas, the Epics, and the Puranas hold a vast collection of various cosmogonic traditions that are as inconsistent as the similar myths of primitive cultures. We have an Aryan Ilmarinen, Tvashtri, who, like the Finnish blacksmith, forged "the iron vault of hollow heaven" and the ball of earth.(1) Additionally, the earth is said to have emerged, similar to some Mangaian fables, "from a being called Uttanapad."(2) Furthermore, Brahmanaspati "blew the gods forth like a blacksmith," with the gods playing a role in the creation of all things. In contrast to these naive examples of anthropomorphism, we encounter the famous and profound speculations of a frequently quoted hymn.(3) Thus, the poet imagines the days before being and non-being began:—
(1) Muir, v. 354.
Muir, v. 354.
(2) Rig-Veda, x. 72, 4.
Rigveda, 10.72.4.
(3) Ibid., x. 126.
Ibid., p. 126.
"There was then neither non-entity nor entity; there was no atmosphere nor sky above. What enveloped (all)?... Was it water, the profound abyss? Death was not then, nor immortality: there was no distinction of day or night. That One breathed calmly, self-supported; then was nothing different from it, or above it. In the beginning darkness existed, enveloped in darkness. All this was undistinguishable water. That One which lay void and wrapped in nothingness was developed by the power of fervour. Desire first arose in It, which was the primal germ of mind (and which) sages, searching with their intellect, have discovered to be the bond which connects entity with non-entity. The ray (or cord) which stretched across these (worlds), was it below or was it above? There were there impregnating powers and mighty forces, a self-supporting principle beneath and energy aloft. Who knows? who here can declare whence has sprung, whence this creation? The gods are subsequent to the development of this (universe); who then knows whence it arose? From what this creation arose, and whether (any one) made it or not, he who in the highest heaven is its ruler, he verily knows, or (even) he does not know."(1)
"There was neither nothing nor something; there was no atmosphere or sky above. What surrounded everything? Was it water, the deep void? There was no death or immortality; no distinction between day and night. That One breathed easily, self-sufficient; there was nothing different from it or above it. In the beginning, there was darkness, wrapped in darkness. Everything was indistinguishable water. That One, which lay empty and engulfed in nothingness, was brought to life by the force of passion. Desire first emerged within It, which was the first seed of thought and is what wise thinkers have found to be the link between existence and non-existence. The connection that spanned across these realms—was it below or above? There were powerful forces and energies, a self-sustaining principle below and energy above. Who knows? Who among us can say where this creation came from? The gods came after this universe developed; who truly knows where it originated? From what this creation emerged, and whether anyone created it or not, the one who rules from the highest heaven truly knows, or maybe even he does not know."
(1) Muir, Sanskrit Texts, 2nd edit., v. 357.
(1) Muir, Sanskrit Texts, 2nd ed., v. 357.
Here there is a Vedic hymn of the origin of things, from a book, it is true, supposed to be late, which is almost, if not absolutely, free from mythological ideas. The "self-supporting principle beneath and energy aloft" may refer, as Dr. Muir suggests, to the father, heaven above, and the mother, earth beneath. The "bond between entity and non-entity" is sought in a favourite idea of the Indian philosophers, that of tapas or "fervour". The other speculations remind us, though they are much more restrained and temperate in character, of the metaphysical chants of the New Zealand priests, of the Zunis, of Popol Vuh, and so on. These belong to very early culture.
Here is a Vedic hymn about the origin of things from a book that is thought to be somewhat late, which is nearly, if not completely, free of mythological concepts. The "self-sustaining principle below and energy above" might refer, as Dr. Muir suggests, to the father, or heaven above, and the mother, or earth below. The "connection between being and non-being" is linked to a favorite concept of Indian philosophers, that of tapas or "fervor." The other ideas, while more restrained and moderate, remind us of the metaphysical chants of New Zealand priests, the Zunis, the Popol Vuh, and similar works. These belong to a very early culture.
What is the relative age of this hymn? If it could be proved to be the oldest in the Veda, it would demonstrate no more than this, that in time exceedingly remote the Aryans of India possessed a philosopher, perhaps a school of philosophers, who applied the minds to abstract speculations on the origin of things. It could not prove that mythological speculations had not preceded the attempts of a purer philosophy. But the date cannot be ascertained. Mr. Max Muller cannot go farther than the suggestion that the hymn is an expression of the perennis quaedam philosophia of Leibnitz. We are also warned that a hymn is not necessarily modern because it is philosophical.(1) Certainly that is true; the Zunis, Maoris, and Mangaians exhibit amazing powers of abstract thought. We are not concerned to show that this hymn is late; but it seems almost superfluous to remark that ideas like those which it contains can scarcely be accepted as expressing man's earliest theory of the origin of all things. We turn from such ideas to those which the Aryans of India have in common with black men and red men, with far-off Finns and Scandinavians, Chaldaeans, Haidahs, Cherokees, Murri and Maori, Mangaians and Egyptians.
What is the relative age of this hymn? If it could be shown to be the oldest in the Veda, it would only show that the ancient Aryans of India had a philosopher, or maybe a group of philosophers, who thought deeply about abstract ideas on the origin of things. It wouldn’t prove that mythical ideas didn’t come before the attempts at a clearer philosophy. But we can’t determine the date. Mr. Max Muller can only suggest that the hymn reflects a certain perennial philosophy of Leibnitz. We are also reminded that a hymn isn’t necessarily modern just because it is philosophical. That is certainly true; the Zunis, Maoris, and Mangaians show remarkable capabilities for abstract thought. We’re not trying to show that this hymn is late; however, it almost seems unnecessary to point out that ideas like those in it can hardly be seen as representing humanity's earliest theory of the origin of everything. We shift our focus from such ideas to those shared by the Aryans of India with black and red people, and with distant Finns and Scandinavians, Chaldaeans, Haidahs, Cherokees, Murri, Maori, Mangaians, and Egyptians.
(1) History of Sanskrit Literature, p. 568.
(1) History of Sanskrit Literature, p. 568.
The next Vedic account of creation which we propose to consider is as remote as possible in character from the sublime philosophic poem. In the Purusha Sukta, the ninetieth hymn of the tenth book of the Rig-Veda Sanhita, we have a description of the creation of all things out of the severed limbs of a magnified non-natural man, Purusha. This conception is of course that which occurs in the Norse myths of the rent body of Ymir. Borr's sons took the body of the Giant Ymir and of his flesh formed the earth, of his blood seas and waters, of his bones mountains, of his teeth rocks and stones, of his hair all manner of plants, of his skull the firmament, of his brains the clouds, and so forth. In Chaldean story, Bel cuts in twain the magnified non-natural woman Omorca, and converts the halves of her body into heaven and earth. Among the Iroquois in North America, Chokanipok was the giant whose limbs, bones and blood furnished the raw material of many natural objects; while in Mangaia portions of Ru, in Egypt of Set and Osiris, in Greece of Dionysus Zagreus were used in creating various things, such as stones, plants and metals. The same ideas precisely are found in the ninetieth hymn of the tenth book of the Rig-Veda. Yet it is a singular thing that, in all the discussions as to the antiquity and significance of this hymn which have come under our notice, there has not been one single reference made to parallel legends among Aryan or non-Aryan peoples. In accordance with the general principles which guide us in this work, we are inclined to regard any ideas which are at once rude in character and widely distributed, both among civilised and uncivilised races, as extremely old, whatever may be the age of the literary form in which they are presented. But the current of learned opinions as to the date of the Purusha Sukta, the Vedic hymn about the sacrifice of Purusha and the creation of the world out of fragments of his body, runs in the opposite direction. The hymn is not regarded as very ancient by most Sanskrit scholars. We shall now quote the hymn, which contains the data on which any theory as to its age must be founded:—(1)
The next Vedic creation story we're going to explore is quite different from the grand philosophical poem. In the Purusha Sukta, the ninetieth hymn of the tenth book of the Rig-Veda Sanhita, we see a description of everything being created from the severed limbs of a giant, supernatural man named Purusha. This idea is similar to the Norse myths about the dismembered body of Ymir. Borr's sons took the giant Ymir's body and crafted the earth from his flesh, the seas and waters from his blood, mountains from his bones, rocks and stones from his teeth, plants from his hair, the sky from his skull, clouds from his brains, and so on. In the Chaldean story, Bel cuts the supernatural woman Omorca in half and makes heaven and earth from her body. Among the Iroquois in North America, there was a giant named Chokanipok whose limbs, bones, and blood provided the materials for many natural objects. In Mangaia, parts of Ru were utilized; in Egypt, Set and Osiris; and in Greece, pieces of Dionysus Zagreus were used to create various things, including stones, plants, and metals. The same ideas are found in the ninetieth hymn of the tenth book of the Rig-Veda. However, it’s curious that in all the discussions about the age and significance of this hymn that we've encountered, there hasn’t been a single reference to similar legends among Aryan or non-Aryan peoples. Based on our general principles in this work, we tend to see ideas that are both primitive and widely spread among both civilized and uncivilized societies as being extremely ancient, regardless of the age of the literary form they appear in. But scholarly opinions on the dating of the Purusha Sukta, which talks about the sacrifice of Purusha and the creation of the world from his body parts, lean in the opposite direction. Most Sanskrit scholars do not consider the hymn to be very old. We will now quote the hymn, which provides the basis for any theories regarding its age:—(1)
(1) Rig-Veda, x. 90; Muir, Sanskrit Texts, 2nd edit., i. 9.
(1) Rig-Veda, x. 90; Muir, Sanskrit Texts, 2nd ed., i. 9.
"Purusha has a thousand heads, a thousand eyes, a thousand feet. On every side enveloping the earth, he overpassed (it) by a space of ten fingers. Purusha himself is this whole (universe), whatever is and whatever shall be.... When the gods performed a sacrifice with Purusha as the oblation, the spring was its butter, the summer its fuel, and the autumn its (accompanying) offering. This victim, Purusha, born in the beginning, they immolated on the sacrificial grass. With him the gods, the Sadhyas, and the Rishis sacrificed. From that universal sacrifice were provided curds and butter. It formed those aerial (creatures) and animals both wild and tame. From that universal sacrifice sprang the Ric and Saman verses, the metres and Yajush. From it sprang horses, and all animals with two rows of teeth; kine sprang from it; from it goats and sheep. When (the gods) divided Purusha, into how many parts did they cut him up? What was his mouth? What arms (had he)? What (two objects) are said (to have been) his thighs and feet? The Brahman was his mouth; the Rajanya was made his arms; the being (called) the Vaisya, he was his thighs; the Sudra sprang from his feet. The moon sprang from his soul (Mahas), the sun from his eye, Indra and Agni from his mouth, and Yaiyu from his breath. From his navel arose the air, from his head the sky, from his feet the earth, from his ear the (four) quarters; in this manner (the gods) formed the world. When the gods, performing sacrifice, bound Purusha as a victim, there were seven sticks (stuck up) for it (around the fire), and thrice seven pieces of fuel were made. With sacrifice the gods performed the sacrifice. These were the earliest rites. These great powers have sought the sky, where are the former Sadhyas, gods."
"Purusha has a thousand heads, a thousand eyes, and a thousand feet. Surrounding the earth completely, he extended beyond it by a span of ten fingers. Purusha himself encompasses this entire universe, everything that exists and everything that is yet to come…. When the gods conducted a sacrifice with Purusha as the offering, spring was its butter, summer its fuel, and autumn its accompanying gift. This victim, Purusha, who was born at the beginning, was sacrificed on the sacred grass. Along with him, the gods, the Sadhyas, and the Rishis participated in the sacrifice. From that universal sacrifice, curds and butter were created. It produced both airborne creatures and wild as well as domestic animals. From that universal sacrifice arose the Rig and Saman verses, the metres, and Yajush. Horses and all animals with two rows of teeth came from it; cows emerged from it, and from it came goats and sheep. How many parts did the gods cut Purusha into? What was his mouth? What arms did he have? What are said to be his thighs and feet? The Brahman was his mouth; the Rajanya became his arms; the being known as the Vaisya represented his thighs; the Sudra originated from his feet. The moon came from his soul (Mahas), the sun from his eye, Indra and Agni from his mouth, and Yaiyu from his breath. From his navel arose the air, from his head came the sky, from his feet the earth, and from his ear the four quarters; in this way, the gods shaped the world. When the gods, performing the sacrifice, bound Purusha as a victim, seven sticks were set up around the fire, and thirty-one pieces of fuel were prepared. With the sacrifice, the gods conducted the ritual. These were the earliest rites. These great powers have sought the sky, where the ancient Sadhyas and gods reside."
The myth here stated is plain enough in its essential facts. The gods performed a sacrifice with a gigantic anthropomorphic being (Purusha = Man) as the victim. Sacrifice is not found, as a rule, in the religious of the most backward races of all; it is, relatively, an innovation, as shall be shown later. His head, like the head of Ymir, formed the sky, his eye the sun, animals sprang from his body. The four castes are connected with, and it appears to be implied that they sprang from, his mouth, arms, thighs and feet. It is obvious that this last part of the myth is subsequent to the formation of castes. This is one of the chief arguments for the late date of the hymn, as castes are not distinctly recognised elsewhere in the Rig-Veda. Mr. Max Muller(1) believes the hymn to be "modern both in its character and in its diction," and this opinion he supports by philological arguments. Dr. Muir(2) says that the hymn "has every character of modernness both in its diction and ideas". Dr Haug, on the other hand,(3) in a paper read in 1871, admits that the present form of the hymn is not older than the greater part of the hymns of the tenth book, and than those of the Atharva Veda; but he adds, "The ideas which the hymn contains are certainly of a primeval antiquity.... In fact, the hymn is found in the Yajur-Veda among the formulas connected with human sacrifices, which were formerly practised in India." We have expressly declined to speak about "primeval antiquity," as we have scarcely any evidence as to the myths and mental condition for example, even of palaeolithic man; but we may so far agree with Dr. Haug as to affirm that the fundamental idea of the Purusha Sukta, namely, the creation of the world or portions of the world out of the fragments of a fabulous anthropomorphic being is common to Chaldeans, Iroquois, Egyptians, Greeks, Tinnehs, Mangaians and Aryan Indians. This is presumptive proof of the antiquity of the ideas which Dr. Muir and Mr. Max Muller think relatively modern. The savage and brutal character of the invention needs no demonstration. Among very low savages, for example, the Tinnehs of British North America, not a man, not a god, but a DOG, is torn up, and the fragments are made into animals.(4) On the Paloure River a beaver suffers in the manner of Purusha. We may, for these reasons, regard the chief idea of the myth as extremely ancient—infinitely more ancient than the diction of the hymn.
The myth presented here is straightforward in its key elements. The gods made a sacrifice using a massive human-like being (Purusha = Man) as the offering. Sacrifice is generally not found among the most primitive cultures; it is relatively new, as will be explained later. His head, like that of Ymir, became the sky, his eye the sun, and animals emerged from his body. The four social classes are linked to, and it seems suggested that they originated from, his mouth, arms, thighs, and feet. It’s clear that this last part of the myth came after the formation of social classes. This is one of the main arguments for dating the hymn later, as social classes are not distinctly recognized elsewhere in the Rig-Veda. Mr. Max Muller(1) thinks the hymn is "modern in both its character and language," supporting this view with linguistic arguments. Dr. Muir(2) states that the hymn "exhibits every aspect of modernity in its language and ideas." On the other hand, Dr. Haug(3), in a paper presented in 1871, acknowledges that the current version of the hymn is not older than most hymns from the tenth book and those from the Atharva Veda; however, he notes, "The ideas in the hymn are certainly very ancient... In fact, the hymn appears in the Yajur-Veda among the formulas associated with human sacrifices, which were once common in India." We have purposely avoided discussing "primeval antiquity," as there is barely any evidence regarding the myths and mental states even of Paleolithic humans; nevertheless, we can agree with Dr. Haug that the core idea of the Purusha Sukta, which is the creation of the world or parts of it from the remains of a legendary human-like being, is shared among the Chaldeans, Iroquois, Egyptians, Greeks, Tinnehs, Mangaians, and Aryan Indians. This suggests that the ideas which Dr. Muir and Mr. Max Muller consider relatively modern are actually quite old. The savage and brutal nature of the creation needs no further explanation. Among very primitive tribes, such as the Tinnehs of British North America, instead of a man or a god, it is a DOG that is dismembered, and the pieces are turned into animals.(4) In the Paloure River region, a beaver undergoes a similar fate to Purusha. For these reasons, we can view the main idea of the myth as extremely ancient—much older than the language of the hymn.
(1) Ancient Sanskrit Literature, 570.
Ancient Sanskrit Literature, 570.
(2) Sanskrit Texts, 2nd edit., i. 12.
(2) Sanskrit Texts, 2nd ed., i. 12.
(3) Sanskrit Text, 2nd edit., ii. 463.
(3) Sanskrit Text, 2nd ed., ii. 463.
(4) Hearne's Journey, pp. 342-343.
(4) Hearne's Journey, pp. 342-343.
As to the mention of the castes, supposed to be a comparatively modern institution, that is not an essential part of the legend. When the idea of creation out of a living being was once received it was easy to extend the conception to any institution, of which the origin was forgotten. The Teutonic race had a myth which explained the origin of the classes eorl, ceorl and thrall (earl, churl and slave). A South American people, to explain the different ranks in society, hit on the very myth of Plato, the legend of golden, silver and copper races, from which the ranks of society have descended. The Vedic poet, in our opinion, merely extended to the institution of caste a myth which had already explained the origin of the sun, the firmament, animals, and so forth, on the usual lines of savage thought. The Purusha Sukta is the type of many other Indian myths of creation, of which the following(1) one is extremely noteworthy. "Prajapati desired to propagate. He formed the Trivrit (stoma) from his mouth. After it were produced the deity Agni, the metre Gayatri,... of men the Brahman, of beasts the goat;... from his breast, and from his arms he formed the Panchadasa (stoma). After it were created the God Indra, the Trishtubh metre,... of men the Rajanya, of beasts the sheep. Hence they are vigorous, because they were created from vigour. From his middle he formed the Saptadasa (stoma). After it were created the gods called the Yisvadevas, the Jagati metre,... of men the Vaisya, of beasts kine. Hence they are to be eaten, because they were created from the receptacle of food." The form in which we receive this myth is obviously later than the institution of caste and the technical names for metres. Yet surely any statement that kine "are to be eaten" must be older than the universal prohibition to eat that sacred animal the cow. Possibly we might argue that when this theory of creation was first promulgated, goats and sheep were forbidden food.(2)
As for the mention of castes, which is thought to be a relatively modern concept, it isn't a crucial element of the legend. Once the idea of creation from a living being was accepted, it was straightforward to apply that idea to any institution whose origins were forgotten. The Teutonic people had a myth that explained the origins of the classes eorl, ceorl, and thrall (earl, churl, and slave). A South American culture, to explain the different societal ranks, came up with the very myth of Plato about the golden, silver, and copper races from which societal ranks have descended. The Vedic poet, in our view, simply applied a myth that had already explained the origins of the sun, the sky, animals, and so on, following the typical patterns of primitive thought, to the caste system. The Purusha Sukta serves as an example of many other Indian creation myths, of which the following one is particularly noteworthy. "Prajapati wanted to reproduce. He formed the Trivrit (stoma) from his mouth. From it were produced the deity Agni, the Gayatri metre,... of men the Brahman, of animals the goat;... from his chest, and from his arms he created the Panchadasa (stoma). From it came the God Indra, the Trishtubh metre,... of men the Rajanya, of animals the sheep. Therefore, they are strong because they were created from strength. From his middle he formed the Saptadasa (stoma). From it arose the gods called the Yisvadevas, the Jagati metre,... of men the Vaisya, of animals cows. Hence they are meant to be eaten because they were created from the source of food." The version of this myth that we have is clearly from a time after the establishment of the caste system and the specific terms for metres. However, any claim that cows "are meant to be eaten" must surely predate the general taboo against eating the sacred cow. Perhaps we could argue that when this creation theory was first introduced, goats and sheep were considered forbidden food.
(1) Taittirya Sanhita, or Yajur-Veda, vii. i. 1-4; Muir, 2nd edit., i. 15.
(1) Taittirya Sanhita, or Yajur-Veda, vii. i. 1-4; Muir, 2nd edit., i. 15.
(2) Mr. M'Lennan has drawn some singular inferences from this passage, connecting, as it does, certain gods and certain classes of men with certain animals, in a manner somewhat suggestive of totemism (Fornightly Review), February, 1870.
(2) Mr. M'Lennan has made some unusual conclusions based on this passage, linking certain gods and specific groups of people with particular animals in a way that is somewhat reminiscent of totemism (Fornightly Review), February, 1870.
Turning from the Vedas to the Brahmanas, we find a curiously savage myth of the origin of species.(1) According to this passage of the Brahmana, "this universe was formerly soul only, in the form of Purusha". He caused himself to fall asunder into two parts. Thence arose a husband and a wife. "He cohabited with her; from them men were born. She reflected, 'How does he, after having produced me from himself, cohabit with me? Ah, let me disappear.' She became a cow, and the other a bull, and he cohabited with her. From them kine were produced." After a series of similar metamorphoses of the female into all animal shapes, and a similar series of pursuits by the male in appropriate form, "in this manner pairs of all sorts of creatures down to ants were created". This myth is a parallel to the various Greek legends about the amours in bestial form of Zeus, Nemesis, Cronus, Demeter and other gods and goddesses. In the Brahmanas this myth is an explanation of the origin of species, and such an explanation as could scarcely have occurred to a civilised mind. In other myths in the Brahmanas, Prajapati creates men from his body, or rather the fluid of his body becomes a tortoise, the tortoise becomes a man (purusha), with similar examples of speculation.(2)
Turning from the Vedas to the Brahmanas, we come across a strangely brutal myth about the origin of species.(1) According to this Brahmana passage, "this universe was once just soul, in the form of Purusha." He caused himself to break into two parts. From that, a husband and a wife emerged. "He lived with her; from them, men were born. She thought, 'How can he, having created me from himself, live with me? Oh, I want to disappear.' She turned into a cow, and he became a bull, and he lived with her. From them, cows were produced." After a series of similar transformations of the female into various animal forms, and a similar series of pursuits by the male in fitting form, "this way, pairs of all kinds of creatures down to ants were created." This myth parallels various Greek legends about the animal form affairs of Zeus, Nemesis, Cronus, Demeter, and other gods and goddesses. In the Brahmanas, this myth serves as an explanation for the origin of species, one that would hardly come to the mind of a civilized person. In other myths in the Brahmanas, Prajapati creates men from his body, or more specifically, the fluid of his body becomes a tortoise, and the tortoise becomes a man (purusha), with similar examples of speculation.(2)
(1) Satapatha Brahmana, xiv. 4, 2; Muir, 2nd edit., i. 25.
(1) Satapatha Brahmana, xiv. 4, 2; Muir, 2nd ed., i. 25.
(2) Similar tales are found among the Khonds.
(2) Similar stories can be found among the Khonds.
Among all these Brahmana myths of the part taken by Prajapati in the creation or evoking of things, the question arises who WAS Prajapati? His role is that of the great Hare in American myth; he is a kind of demiurge, and his name means "The Master of Things Created," like the Australian Biamban, "Master," and the American title of the chief Manitou, "Master of Life",(1) Dr. Muir remarks that, as the Vedic mind advances from mere divine beings who "reside and operate in fire" (Agni), "dwell and shine in the sun" (Surya), or "in the atmosphere" (Indra), towards a conception of deity, "the farther step would be taken of speaking of the deity under such new names as Visvakarman and Prajapati". These are "appellatives which do not designate any limited functions connected with any single department of Nature, but the more general and abstract notions of divine power operating in the production and government of the universe". Now the interesting point is that round this new and abstract NAME gravitate the most savage and crudest myths, exactly the myths we meet among Hottentots and Nootkas. For example, among the Hottentots it is Heitsi Eibib, among the Huarochiri Indians it is Uiracocha, who confers, by curse or blessing, on the animals their proper attributes and characteristics.(2) In the Satapatha Brahmana it is Prajapati who takes this part, that falls to rude culture-heroes of Hottentots and Huarochiris.(3) How Prajapati made experiments in a kind of state-aided evolution, so to speak, or evolution superintended and assisted from above, will presently be set forth.
Among all these Brahmana myths about Prajapati’s role in creation or bringing things to life, the question arises: who IS Prajapati? He is similar to the great Hare in American myth; he acts as a kind of demiurge, and his name means "The Master of Things Created," like the Australian Biamban, "Master," and the American title for the chief Manitou, "Master of Life." Dr. Muir notes that as the Vedic understanding evolves from simple divine beings who "reside and operate in fire" (Agni), "dwell and shine in the sun" (Surya), or "in the atmosphere" (Indra), it moves towards a concept of deity. "The next step would be to refer to the deity using new names like Visvakarman and Prajapati." These names represent "terms that do not define limited functions tied to any single aspect of Nature but instead convey broader and more abstract concepts of divine power involved in the creation and governance of the universe." What’s interesting is that around this new and abstract NAME revolve some of the most brutal and primitive myths, just like those we find among the Hottentots and Nootkas. For instance, among the Hottentots, it is Heitsi Eibib, and among the Huarochiri Indians, it is Uiracocha, who gives animals their specific traits and characteristics through curse or blessing. In the Satapatha Brahmana, it is Prajapati who takes on this role, which falls to the rough culture heroes of the Hottentots and Huarochiris. The way Prajapati conducted experiments in a sort of state-supported evolution, so to speak, or evolution managed and assisted from above, will soon be explained.
(1) Bergaigne, iii. 40.
Bergaigne, vol. 3, p. 40.
(2) Avila, Fables of the Yncas, p. 127.
(2) Avila, Fables of the Yncas, p. 127.
(3) English translation, ii. 361.
(3) English translation, ii. 361.
In the Puranas creation is a process renewed after each kalpa, or vast mundane period. Brahma awakes from his slumber, and finds the world a waste of water. Then, just as in the American myths of the coyote, and the Slavonic myths of the devil and the doves, a boar or a fish or a tortoise fishes up the world out of the waters. That boar, fish, tortoise, or what not, is Brahma or Vishnu. This savage conception of the beginnings of creation in the act of a tortoise, fish, or boar is not first found in the Puranas, as Mr. Muir points out, but is indicated in the Black Yajur Veda and in the Satapatha Brahmana.(1) In the Satapatha Brahmana, xiv. 1, 2, 11, we discover the idea, so common in savage myths—for example, in that of the Navajoes—that the earth was at first very small, a mere patch, and grew bigger after the animal fished it up. "Formerly this earth was only so large, of the size of a span. A boar called Emusha raised her up." Here the boar makes no pretence of being the incarnation of a god, but is a mere boar sans phrase, like the creative coyote of the Papogas and Chinooks, or the musk-rat of the Tacullies. This is a good example of the development of myths. Savages begin, as we saw, by mythically regarding various animals, spiders, grasshoppers, ravens, eagles, cockatoos, as the creators or recoverers of the world. As civilisation advances, those animals still perform their beneficent functions, but are looked on as gods in disguise. In time the animals are often dropped altogether, though they hold their place with great tenacity in the cosmogonic traditions of the Aryans in India. When we find the Satapatha Brahmana alleging(2) "that all creatures are descended from a tortoise," we seem to be among the rude Indians of the Pacific Coast. But when the tortoise is identified with Aditya, and when Adityas prove to be solar deities, sons of Aditi, and when Aditi is recognised by Mr. Muller as the Dawn, we see that the Aryan mind has not been idle, but has added a good deal to the savage idea of the descent of men and beasts from a tortoise.(3)
In the Puranas, creation is a process that happens again after each kalpa, or huge period of time. Brahma wakes up from his sleep and finds the world just a vast ocean. Then, like in American myths about the coyote and Slavic myths about the devil and the doves, a boar, fish, or tortoise brings up the world from the waters. That boar, fish, tortoise, or whatever it is, represents Brahma or Vishnu. This primitive idea of creation beginning with a tortoise, fish, or boar isn’t just found in the Puranas, as Mr. Muir points out; it is also mentioned in the Black Yajur Veda and in the Satapatha Brahmana.(1) In the Satapatha Brahmana, xiv. 1, 2, 11, we see a concept common in primitive myths—for instance, among the Navajo—that the earth was initially very small, just a tiny patch, and grew larger after an animal fetched it up. "At first this earth was only so large, the size of a span. A boar named Emusha lifted it up." Here, the boar does not claim to be the incarnation of a god but is simply a boar, much like the creative coyote of the Papogas and Chinooks, or the musk-rat of the Tacullies. This illustrates how myths develop. Primitive cultures start off by mythically viewing various animals, spiders, grasshoppers, ravens, eagles, and cockatoos as creators or restorers of the world. As civilization advances, those animals still play their helpful roles but are regarded as gods in disguise. Eventually, the animals are often left out completely, although they remain significant in the cosmogonic traditions of the Aryans in India. When we find the Satapatha Brahmana stating(2) "that all creatures are descended from a tortoise," we seem to be among the primitive Indians of the Pacific Coast. But when the tortoise is identified with Aditya, and when Adityas are shown to be solar deities, sons of Aditi, and Aditi is recognized by Mr. Muller as the Dawn, we see that the Aryan mind has been active, adding a great deal to the primitive idea of humans and animals descending from a tortoise.(3)
(1) Muir, 2nd edit., vol. i. p. 52.
(1) Muir, 2nd ed., vol. i. p. 52.
(2) Muir, 2nd edit., vol. i. p. 54.
(2) Muir, 2nd ed., vol. 1, p. 54.
(3) See Ternaux Compans' Nouvelles Annales des Voyages, lxxxvi. p. 5. For Mexican traditions, "Mexican and Australian Hurricane World's End," Bancroft, v. 64.
(3) See Ternaux Compans' Nouvelles Annales des Voyages, lxxxvi. p. 5. For Mexican traditions, "Mexican and Australian Hurricane World's End," Bancroft, v. 64.
Another feature of savage myths of creation we found to be the introduction of a crude theory of evolution. We saw that among the Potoyante tribe of the Digger Indians, and among certain Australian tribes, men and beasts were supposed to have been slowly evolved and improved out of the forms first of reptiles and then of quadrupeds. In the mythologies of the more civilised South American races, the idea of the survival of the fittest was otherwise expressed. The gods made several attempts at creation, and each set of created beings proving in one way or other unsuited to its environment, was permitted to die out or degenerated into apes, and was succeeded by a set better adapted for survival.(1) In much the same way the Satapatha Brahmana(2) represents mammals as the last result of a series of creative experiments. "Prajapati created living beings, which perished for want of food. Birds and serpents perished thus. Prajapati reflected, 'How is it that my creatures perish after having been formed?' He perceived this: 'They perish from want of food'. In his own presence he caused milk to be supplied to breasts. He created living beings, which, resorting to the breasts, were thus preserved. These are the creatures which did not perish."
Another aspect of primitive creation myths we observed was the introduction of a basic theory of evolution. We noted that among the Potoyante tribe of the Digger Indians and certain Australian tribes, it was believed that humans and animals slowly evolved and improved from reptiles and then from four-legged animals. In the mythologies of more advanced South American cultures, the concept of survival of the fittest was expressed differently. The gods made several attempts at creation, and whenever a set of created beings turned out to be unsuitable for their environment, they were allowed to die out or devolved into apes, being replaced by sets better suited for survival.(1) Similarly, the Satapatha Brahmana(2) depicts mammals as the final outcome of a series of creative experiments. "Prajapati created living beings, which perished for lack of food. Birds and serpents died this way. Prajapati reflected, ‘Why do my creatures die after being formed?’ He realized: ‘They perish from a lack of food.’ In his presence, he made milk available to be supplied to breasts. He created living beings, which, going to the breasts, were thus preserved. These are the creatures that did not perish."
(1) This myth is found in Popol Vuh. A Chinook myth of the same sort, Bancroft, v. 95.
(1) This myth is found in Popol Vuh. A Chinook myth of the same kind, Bancroft, v. 95.
(2) ii. 5, 11; Muir, 2nd edit., i. 70.
(2) ii. 5, 11; Muir, 2nd edit., i. 70.
The common myth which derives the world from a great egg—the myth perhaps most familiar in its Finnish shape—is found in the Satapatha Brahmana.(1) "In the beginning this universe was waters, nothing but waters. The waters desired: 'How can we be reproduced?' So saying, they toiled, they performed austerity. While they were performing austerity, a golden egg came into existence. It then became a year.... From it in a year a man came into existence, who was Prajapati.... He conceived progeny in himself; with his mouth he created the gods." According to another text,(2) "Prajapati took the form of a tortoise". The tortoise is the same as Aditya.(3)
The common myth that the world comes from a great egg—perhaps most well-known in its Finnish version—can also be found in the Satapatha Brahmana.(1) "In the beginning, this universe was just water, nothing but water. The waters wondered: 'How can we create more of ourselves?' While contemplating this, they worked hard and practiced austerity. As they were doing this, a golden egg appeared. This then turned into a year... From it, in a year, a man was born, who was Prajapati.... He held the potential for offspring within himself; with his mouth, he created the gods." According to another text,(2) "Prajapati took the form of a tortoise." The tortoise is the same as Aditya.(3)
(1) xi. 1, 6, 1; Muir, Journal of Royal Asiatic Society, 1863.
(1) xi. 1, 6, 1; Muir, Journal of Royal Asiatic Society, 1863.
(2) Satapatha Brahmana, vii. 4, 3, 5.
(2) Satapatha Brahmana, vii. 4, 3, 5.
(3) Aitareya Brahmana, iii. 34 (11, 219), a very discreditable origin of species.
(3) Aitareya Brahmana, iii. 34 (11, 219), a highly questionable origin of species.
It is now time to examine the Aryan shape of the widely spread myth about the marriage of heaven and earth, and the fortunes of their children. We have already seen that in New Zealand heaven and earth were regarded as real persons, of bodily parts and passions, united in a secular embrace. We shall apply the same explanation to the Greek myth of Gaea and of the mutilation of Cronus. In India, Dyaus (heaven) answers to the Greek Uranus and the Maori Rangi, while Prithivi (earth) is the Greek Gaea, the Maori Papa. In the Veda, heaven and earth are constantly styled "parents";(1) but this we might regard as a mere metaphorical expression, still common in poetry. A passage of the Aitareya Brahmana, however, retains the old conception, in which there was nothing metaphorical at all.(2) These two worlds, heaven and earth, were once joined. Subsequently they were separated (according to one account, by Indra, who thus plays the part of Cronus and of Tane Mahuta). "Heaven and earth," says Dr. Muir, "are regarded as the parents not only of men, but of the gods also, as appears from the various texts where they are designated by the epithet Devapatre, 'having gods for their children'." By men in an early stage of thought this myth was accepted along with others in which heaven and earth were regarded as objects created by one of their own children, as by Indra,(3) who "stretched them out like a hide," who, like Atlas, "sustains and upholds them"(4) or, again, Tvashtri, the divine smith, wrought them by his craft; or, once more, heaven and earth sprung from the head and feet of Purusha. In short, if any one wished to give an example of that recklessness of orthodoxy or consistency which is the mark of early myth, he could find no better example than the Indian legends of the origin of things. Perhaps there is not one of the myths current among the lower races which has not its counterpart in the Indian Brahmanas. It has been enough for us to give a selection of examples.
It’s now time to look at the Aryan version of the widespread myth about the marriage of heaven and earth and the fates of their children. We have already noted that in New Zealand, heaven and earth were seen as real beings, with physical bodies and emotions, united in a worldly embrace. We'll apply the same interpretation to the Greek myth of Gaea and the mutilation of Cronus. In India, Dyaus (heaven) corresponds to the Greek Uranus and the Maori Rangi, while Prithivi (earth) aligns with the Greek Gaea and the Maori Papa. In the Veda, heaven and earth are frequently referred to as "parents";(1) but we might consider this a metaphorical expression, still common in poetry. However, a passage from the Aitareya Brahmana preserves the old idea, in which there is nothing metaphorical at all.(2) These two worlds, heaven and earth, were once united. Later, they were separated (according to one account, by Indra, who thus takes on the role of both Cronus and Tane Mahuta). "Heaven and earth," says Dr. Muir, "are seen as the parents not only of humans, but also of the gods, as shown in various texts where they are described by the title Devapatre, 'having gods for their children'." Early thinkers accepted this myth alongside others in which heaven and earth were viewed as creations of one of their own children, like Indra,(3) who "stretched them out like a hide," who, like Atlas, "supports and upholds them"(4) or, again, Tvashtri, the divine craftsman, who shaped them with his skill; or, once more, heaven and earth emerged from the head and feet of Purusha. In short, if anyone wanted to provide an example of the disregard for orthodoxy or consistency that characterizes early myth, they could find no better example than the Indian legends of the origin of things. Perhaps there isn't a single myth among lower races that doesn't have its equivalent in the Indian Brahmanas. It has been sufficient for us to offer a selection of examples.
(1) Muir, v. 22.
Muir, v. 22.
(2) iv. 27; Haug, ii. 308.
(2) iv. 27; Haug, ii. 308.
(3) Rig-Veda, viii. 6, 5.
(3) Rig-Veda, VIII. 6, 5.
(4) Ibid., iii. 32, 8.
Ibid., p. 32, 8.
CHAPTER IX. GREEK MYTHS OF THE ORIGIN OF THE WORLD AND MAN.
The Greeks practically civilised when we first meet them in Homer—Their mythology, however, is full of repulsive features—The hypothesis that many of these are savage survivals—Are there other examples of such survival in Greek life and institutions?—Greek opinion was constant that the race had been savage—Illustrations of savage survival from Greek law of homicide, from magic, religion, human sacrifice, religious art, traces of totemism, and from the mysteries—Conclusion: that savage survival may also be expected in Greek myths.
The Greeks were nearly civilized when we first encounter them in Homer. However, their mythology is filled with disturbing elements. There's a theory that many of these are remnants of a more primitive society. Are there other instances of such remnants in Greek life and institutions? Greek beliefs consistently suggested that the race was once savage. Examples of these savage remnants can be found in Greek homicide laws, magic, religion, human sacrifice, religious art, traces of totemism, and in the mysteries. In conclusion, it can be expected that remnants of savagery may also appear in Greek myths.
The Greeks, when we first make their acquaintance in the Homeric poems, were a cultivated people, dwelling, under the government of royal families, in small city states. This social condition they must have attained by 1000 B.C., and probably much earlier. They had already a long settled past behind them, and had no recollection of any national migration from the "cradle of the Aryan race". On the other hand, many tribes thought themselves earth-born from the soil of the place where they were settled. The Maori traditions prove that memories of a national migration may persist for several hundred years among men ignorant of writing. Greek legend, among a far more civilised race, only spoke of occasional foreign settlers from Sidon, Lydia, or Egypt. The Homeric Greeks were well acquainted with almost all the arts of life, though it is not absolutely certain that they could write, and certainly they were not addicted to reading. In war they fought from chariots, like the Egyptians and Assyrians; they were bold seafarers, being accustomed to harry the shores even of Egypt, and they had large commercial dealings with the people of Tyre and Sidon. In the matter of religion they were comparatively free and unrestrained. Their deities, though, in myth, capricious in character, might be regarded in many ways as "making for righteousness". They protected the stranger and the suppliant; they sanctioned the oath, they frowned on the use of poisoned arrows; marriage and domestic life were guarded by their good-will; they dispensed good and evil fortune, to be accepted with humility and resignation among mortals.
The Greeks, when we first meet them in the Homeric poems, were a cultured people living under the rule of royal families in small city-states. They must have reached this social condition by 1000 B.C., and likely much earlier. They had a long, established history behind them and had no recollection of any national migration from the "cradle of the Aryan race." On the other hand, many tribes believed they were earth-born from the land where they settled. Maori traditions show that memories of a national migration can last for several hundred years among people who lack writing. Greek legends, from a much more civilized culture, only mentioned occasional foreign settlers from Sidon, Lydia, or Egypt. The Homeric Greeks were familiar with nearly all the skills needed for daily life, though it's not entirely certain they could write, and they certainly weren't into reading. In warfare, they fought from chariots, like the Egyptians and Assyrians; they were daring sailors, often raiding the shores of Egypt, and they had extensive trade with the people of Tyre and Sidon. When it came to religion, they were relatively free and unrestrained. Their gods, while capricious in myths, could be seen as "favoring righteousness" in many respects. They protected strangers and supplicants; they endorsed oaths, frowned upon the use of poisoned arrows; marriage and family life were safeguarded by their goodwill; they controlled fortune—good or bad—which mortals were expected to accept with humility and resignation.
The patriarchal head of each family performed the sacrifices for his household, the king for the state, the ruler of Mycenae, Agamemnon, for the whole Achaean host encamped before the walls of Troy. At the same time, prophets, like Calchas, possessed considerable influence, due partly to an hereditary gift of second-sight, as in the case of Theoclymenus,(1) partly to acquired professional skill in observing omens, partly to the direct inspiration of the gods. The oracle at Delphi, or, as it is called by Homer, Pytho, was already famous, and religion recognised, in various degrees, all the gods familiar to the later cult of Hellas. In a people so advanced, so much in contact with foreign races and foreign ideas, and so wonderfully gifted by nature with keen intellect and perfect taste, it is natural to expect, if anywhere, a mythology almost free from repulsive elements, and almost purged of all that we regard as survivals from the condition of savagery. But while Greek mythology is richer far than any other in beautiful legend, and is thronged with lovely and majestic forms of gods and goddesses, nymphs and oreads ideally fair, none the less a very large proportion of its legends is practically on a level with the myths of Maoris, Thlinkeets, Cahrocs and Bushmen.
The male head of each family made sacrifices for his household, the king for the state, and Agamemnon, the ruler of Mycenae, for the entire Achaean army gathered outside the walls of Troy. At the same time, prophets like Calchas held significant influence, partly due to an inherited gift of foresight, like Theoclymenus, partly from developed professional skills in interpreting omens, and partly due to direct inspiration from the gods. The oracle at Delphi, or Pytho as Homer calls it, was already well-known, and religion acknowledged, to varying degrees, all the gods familiar to the later worship in Greece. In a society that advanced, so connected with foreign cultures and ideas, and so naturally endowed with sharp intellect and refined taste, it's reasonable to expect a mythology that is almost free from unpleasant elements and largely cleansed of what we consider remnants of a savage past. However, while Greek mythology is richer in beautiful stories than any other, filled with lovely and majestic gods and goddesses, nymphs and idealized oreads, a significant portion of its legends is still comparable to the myths of the Maoris, Thlinkeets, Cahrocs, and Bushmen.
(1) Odyssey, xx. 354.
Odyssey, xx. 354.
This is the part of Greek mythology which has at all times excited most curiosity, and has been made the subject of many systems of interpretation. The Greeks themselves, from almost the earliest historical ages, were deeply concerned either to veil or explain away the blasphemous horrors of their own "sacred chapters," poetic traditions and temple legends. We endeavour to account for these as relics of an age of barbarism lying very far behind the time of Homer—an age when the ancestors of the Greeks either borrowed, or more probably developed for themselves, the kind of myths by which savage peoples endeavour to explain the nature and origin of the world and all phenomena.
This part of Greek mythology has always sparked curiosity and has been the focus of many interpretations. The Greeks themselves, from nearly the earliest historical times, were deeply interested in either hiding or rationalizing the shocking horrors found in their own "sacred chapters," poetic traditions, and temple legends. We try to explain these as remnants from a barbaric age that predates Homer's time—an era when the ancestors of the Greeks either borrowed or, more likely, created their own myths to explain the nature and origins of the world and all its phenomena.
The correctness of this explanation, resting as it does on the belief that the Greeks were at one time in the savage status, might be demonstrated from the fact that not only myths, but Greek life in general, and especially Greek ritual, teemed with surviving examples of institutions and of manners which are found everywhere among the most backward and barbarous races. It is not as if only the myths of Greece retained this rudeness, or as if the Greeks supposed themselves to have been always civilised. The whole of Greek life yields relics of savagery when the surface is excavated ever so slightly. Moreover, that the Greeks, as soon as they came to reflect on these matters at all, believed themselves to have emerged from a condition of savagery is undeniable. The poets are entirely at one on this subject with Moschion, a writer of the school of Euripides. "The time hath been, yea, it HATH been," he says, "when men lived like the beasts, dwelling in mountain caves, and clefts unvisited of the sun.... Then they broke not the soil with ploughs nor by aid of iron, but the weaker man was slain to make the supper of the stronger," and so on.(1) This view of the savage origin of mankind was also held by Aristotle:(2) "It is probable that the first men, whether they were produced by the earth (earth-born) or survived from some deluge, were on a level of ignorance and darkness".(3) This opinion, consciously held and stated by philosophers and poets, reveals itself also in the universal popular Greek traditions that men were originally ignorant of fire, agriculture, metallurgy and all the other arts and conveniences of life, till they were instructed by ideal culture-heroes, like Prometheus, members of a race divine or half divine. A still more curious Athenian tradition (preserved by Varro) maintained, not only that marriage was originally unknown, but that, as among Australians and some Red Indians, the family name, descended through the mother, and kinship was reckoned on the female side before the time of Cecrops.(4)
The accuracy of this explanation, based on the belief that the Greeks were once in a primitive state, can be shown by the fact that not just their myths, but Greek life overall—especially their rituals—was full of surviving examples of practices and customs found among the most underdeveloped and savage societies. It's not just that Greece's myths showed this roughness, nor that the Greeks believed they had always been civilized. The entirety of Greek life reveals traces of savagery with just a slight investigation. Moreover, the Greeks, as soon as they started to think about these issues, believed they had moved past a savage state. The poets agree on this with Moschion, a writer in the style of Euripides. "There was a time, indeed, it HAS been," he says, "when men lived like beasts, dwelling in mountain caves and in sunless crevices.... They didn’t cultivate the land with plows or iron tools, but the weaker man was killed to serve as dinner for the stronger," and so on. This view of humanity's savage beginnings was also supported by Aristotle: "It is likely that the first men, whether they came from the earth or survived a flood, were in a state of ignorance and darkness." This belief, consciously acknowledged by philosophers and poets, is also evident in popular Greek traditions that men were originally unaware of fire, farming, metalworking, and all other practical skills and comforts until taught by ideal culture-heroes like Prometheus, members of a divine or semi-divine race. An even more interesting tradition from Athens (preserved by Varro) claimed that not only was marriage originally unknown, but, similar to certain Australian and Native American communities, lineage was traced through the mother, and family names were derived from the female line before the time of Cecrops.
(1) Moschion; cf. Preller, Ausgewahlte Aufsatze, p. 206.
(1) Moschion; see Preller, Selected Essays, p. 206.
(2) Politics, ii. 8-21; Plato, Laws, 667-680.
(2) Politics, ii. 8-21; Plato, Laws, 667-680.
(3) Compare Horace, Satires, i. 3, 99; Lucretius, v. 923.
(3) Compare Horace, Satires, i. 3, 99; Lucretius, v. 923.
(4) Suidas, s.v. "Prometheus"; Augustine, De Civitate Dei, xviii. 9.
(4) Suidas, s.v. "Prometheus"; Augustine, The City of God, xviii. 9.
While Greek opinion, both popular and philosophical, admitted, or rather asserted, that savagery lay in the background of the historical prospect, Greek institutions retained a thousand birth-marks of savagery. It is manifest and undeniable that the Greek criminal law, as far as it effected murder, sprang directly from the old savage blood-feud.(1) The Athenian law was a civilised modification of the savage rule that the kindred of a slain man take up his blood-feud. Where homicide was committed WITHIN the circle of blood relationship, as by Orestes, Greek religion provided the Erinnyes to punish an offence which had, as it were, no human avenger. The precautions taken by murderers to lay the ghost of the slain man were much like those in favour among the Australians. The Greek cut off the extremities of his victim, the tips of the hands and feet, and disposed them neatly beneath the arm-pits of the slain man.(2) In the same spirit, and for the same purpose, the Australian black cuts off the thumbs of his dead enemy, that the ghost too may be mutilated and prevented from throwing at him with a ghostly spear. We learn also from Apollonius Rhodius and his scholiast that Greek murderers used thrice to suck in and spit out the gore of their victims, perhaps with some idea of thereby partaking of their blood, and so, by becoming members of their kin, putting it beyond the power of the ghosts to avenge themselves. Similar ideas inspire the worldwide savage custom of making an artificial "blood brotherhood" by mingling the blood of the contracting parties. As to the ceremonies of cleansing from blood-guiltiness among the Greeks, we may conjecture that these too had their primitive side; for Orestes, in the Eumenides, maintains that he has been purified of his mother's slaughter by sufficient blood of swine. But this point will be illustrated presently, when we touch on the mysteries.
While Greek opinion, both common and philosophical, recognized, or rather claimed, that savagery was part of their historical background, Greek institutions still showed many signs of this savagery. It is clear and undeniable that Greek criminal law, particularly regarding murder, originated directly from the ancient savage blood-feud. The Athenian law was a civilized twist on the savage rule that the relatives of a murdered person would take up a blood feud. In cases where homicide occurred within the family, like with Orestes, Greek religion provided the Erinnyes to punish an act that, in a sense, had no human avenger. The measures taken by murderers to appease the spirit of the murdered person were quite similar to those practiced among the Australians. The Greek would cut off the extremities of his victim, the tips of the hands and feet, and neatly place them under the arms of the slain. Similarly, the Australian tribesman cuts off the thumbs of his dead enemy to ensure that the ghost is also mutilated, preventing it from attacking him with a ghostly spear. We also learn from Apollonius Rhodius and his commentaries that Greek murderers would suck in and spit out their victims’ blood three times, perhaps with the idea that by doing so they would share in the victim’s blood, thus becoming part of their family and making it impossible for the spirits to seek revenge. Similar thoughts are behind the global custom of creating an artificial "blood brotherhood" by mixing the blood of the parties involved. Regarding the ceremonies of cleansing from blood guilt among the Greeks, we might speculate that these too had their primitive elements; for Orestes, in the Eumenides, claims he has been purified of his mother’s murder by a sufficient amount of pig's blood. This point will be further illustrated shortly when we discuss the mysteries.
(1) Duncker, History of Greece, Engl. transl., vol. ii. p. 129.
(1) Duncker, History of Greece, Engl. transl., vol. ii. p. 129.
(2) See "Arm-pitting in Ancient Greece," in the American Journal of Philology, October, 1885, where a discussion of the familiar texts in Aeschylus and Apollonius Rhodius will be found.
(2) See "Arm-pitting in Ancient Greece," in the American Journal of Philology, October, 1885, where you can find a discussion of the well-known texts in Aeschylus and Apollonius Rhodius.
Ritual and myth, as might be expected, retained vast masses of savage rites and superstitious habits and customs. To be "in all things too superstitious," too full of deisidaimonia, was even in St. Paul's time the characteristic of the Athenians. Now superstition, or deisidaimonia, is defined by Theophrastus,(1) as "cowardice in regard to the supernatural" ((Greek text omitted)). This "cowardice" has in all ages and countries secured the permanence of ritual and religious traditions. Men have always argued, like one of the persons in M. Renan's play, Le Pretre de Nemi, that "l'ordre du monde depend de l'ordre des rites qu'on observe". The familiar endurable sequence of the seasons of spring, and seed-sowing, and harvest depend upon the due performance of immemorial religious acts. "In the mystic deposits," says Dinarchus, "lies the safety of the city."(2) What the "mystic deposits" were nobody knows for certain, but they must have been of very archaic sanctity, and occur among the Arunta and the Pawnees.
Rituals and myths, as you'd expect, preserved a lot of primitive rites and superstitious habits and customs. Being "too superstitious" or overly concerned with the supernatural was a defining trait of the Athenians even in St. Paul's time. Now, superstition, or deisidaimonia, is defined by Theophrastus as "fear of the supernatural." This "fear" has always helped keep rituals and religious traditions alive throughout history and across cultures. People have always claimed, like one of the characters in M. Renan's play, Le Pretre de Nemi, that "the order of the world depends on the order of the rites we observe." The reliable cycle of the seasons, like spring, planting, and harvest, relies on the proper completion of ancient religious rituals. "In the mystic deposits," Dinarchus says, "lies the safety of the city." What the "mystic deposits" were is uncertain, but they must have held significant ancient importance and can be found among the Arunta and the Pawnees.
(1) Characters.
(1) Characters.
(2) Ap. Hermann, Lehrbuch, p. 41; Aglaophamus, 965.
(2) Ap. Hermann, textbook, p. 41; Aglaophamus, 965.
Ritual is preserved because it preserves LUCK. Not only among the Romans and the Brahmans, with their endless minute ritual actions, but among such lower races as the Kanekas of New Caledonia, the efficacy of religious functions is destroyed by the slightest accidental infraction of established rules.(1) The same timid conservatism presides over myth, and in each locality the mystery-plays, with their accompanying narratives, preserved inviolate the early forms of legend. Myth and ritual do not admit of being argued about. "C'etait le rite etabli. Ce n'etait pas plus absurde qu'autre chose," says the conservative in M. Renan's piece, defending the mode of appointment of
Ritual is maintained because it brings LUCK. This is true not just among the Romans and Brahmans, who have countless detailed rituals, but also among groups like the Kanekas of New Caledonia; the effectiveness of religious practices can be ruined by even the smallest accidental violation of established rules. The same cautious conservatism governs myth, and in every place, the mystery plays, along with their related stories, keep the original forms of legend intact. Myth and ritual are not open to debate. "It was the established rite. It was no more absurd than anything else," says the conservative in M. Renan's piece, defending the method of appointment of
The priest who slew the slayer, And shall himself be slain.
The priest who killed the killer, And will himself be killed.
(1) Thus the watchers of the dead in New Caledonia are fed by the sorcerer with a mess at the end of a very long spoon, and should the food miss the mouth, all the ceremonies have to be repeated. This detail is from Mr. J. J. Atkinson.
(1) So, in New Caledonia, the guardians of the dead are fed by the sorcerer using a mess at the end of a really long spoon, and if the food doesn’t make it into their mouths, all the ceremonies have to be done again. This detail is from Mr. J. J. Atkinson.
Now, if the rites and myths preserved by the timorousness of this same "cowardice towards the supernatural" were originally evolved in the stage of savagery, savage they would remain, as it is impious and dangerous to reform them till the religion which they serve perishes with them. These relics in Greek ritual and faith are very commonly explained as due to Oriental influences, as things borrowed from the dark and bloody superstitions of Asia. But this attempt to save the native Greek character for "blitheness" and humanity must not be pushed too far.(1) It must be remembered that the cruder and wilder sacrifices and legends of Greece were strictly LOCAL; that they were attached to these ancient temples, old altars, barbarous xoana, or wooden idols, and rough fetish stones, in which Pausanias found the most ancient relics of Hellenic theology. This is a proof of their antiquity and a presumption in favour of their freedom from foreign influence. Most of these things were survivals from that dimly remembered prehistoric age in which the Greeks, not yet gathered into city states, lived in villages or kraals, or pueblos, as we should translate (Greek text omitted), if we were speaking of African or American tribes. In that stage the early Greeks must have lacked both the civic and the national or Panhellenic sentiment; their political unit was the clan, which, again, answered in part to the totem kindred of America, or Africa, or Australia.(2) In this stagnant condition they could not have made acquaintance with the many creeds of Semitic and other alien peoples on the shores of the Levant.(3) It was later, when Greece had developed the city life of the heroic age, that her adventurous sons came into close contact with Egypt and Phoenicia.
Now, if the rituals and myths preserved by the fear of this same "cowardice towards the supernatural" were originally developed during a primitive stage, they would remain primitive, as it is both wrong and risky to change them until the religion that they support disappears with them. These remnants in Greek rituals and beliefs are often explained as the result of Eastern influences, borrowed from the dark and violent superstitions of Asia. However, this effort to preserve the native Greek identity for "cheerfulness" and humanity should not be taken too far. It’s important to remember that the rougher and wilder sacrifices and legends of Greece were very much LOCAL; they were tied to ancient temples, old altars, barbaric xoana, or wooden idols, and primitive fetish stones, in which Pausanias found the earliest remnants of Hellenic theology. This serves as evidence of their age and suggests their independence from foreign influence. Most of these elements were remnants from that vaguely remembered prehistoric time when the Greeks, not yet organized into city-states, lived in villages or settlements, as we would say if we were discussing tribes in Africa or America. At that stage, early Greeks likely lacked both civic and national, or Panhellenic, sentiment; their political unit was the clan, which partly aligns with the totem kinship of America, Africa, or Australia. In this stagnant situation, they wouldn't have encountered the various beliefs of Semitic and other foreign peoples along the coasts of the Levant. It was only later, when Greece had developed the city life of the heroic age, that her adventurous sons came into close contact with Egypt and Phoenicia.
(1) Claus, De Antiq. Form. Dianae, 6,7,16.
(1) Claus, De Antiq. Form. Dianae, 6,7,16.
(2) As C. O. Muller judiciously remarks: "The scenes of nine-tenths of the Greek myths are laid in PARTICULAR DISTRICTS OF GREECE, and they speak of the primeval inhabitants, of the lineage and adventures of native heroes. They manifest an accurate acquaintance with individual localities, which, at a time when Greece was neither explored by antiquaries, nor did geographical handbooks exist, could be possessed only by the inhabitants of these localities." Muller gives, as examples, myths of bears more or less divine. Scientific Mythology, pp. 14, 15.
(2) As C. O. Muller wisely points out: "Most of the Greek myths take place in specific regions of Greece, and they tell stories about the original people, the ancestry, and the adventures of local heroes. They show a detailed knowledge of specific places, which, at a time when Greece had not yet been examined by historians, and geographical guides did not exist, could only be known by the people living in those areas." Muller provides examples of myths about bears, both divine and otherwise. Scientific Mythology, pp. 14, 15.
(3) Compare Claus, De Dianae Antiquissima Natura, p. 3.
(3) See Claus, De Dianae Antiquissima Natura, p. 3.
In the colonising time, still later—perhaps from 900 B.C. downwards—the Greeks, settled on sites whence they had expelled Sidonians or Sicanians, very naturally continued, with modifications, the worship of such gods as they found already in possession. Like the Romans, the Greeks easily recognised their own deities in the analogous members of foreign polytheistic systems. Thus we can allow for alien elements in such gods and goddesses as Zeus Asterios, as Aphrodite of Cyprus or Eryx, or the many-breasted Ephesian Artemis, whose monstrous form had its exact analogue among the Aztecs in that many-breasted goddess of the maguey plant whence beer was made. To discern and disengage the borrowed factors in the Hellenic Olympus by analysis of divine names is a task to which comparative philology may lawfully devote herself; but we cannot so readily explain by presumed borrowing from without the rude xoana of the ancient local temples, the wild myths of the local legends, the sacra which were the exclusive property of old-world families, Butadae or Eumolpidae. These are clearly survivals from a stage of Greek culture earlier than the city state, earlier than the heroic age of the roving Greek Vikings, and far earlier than the Greek colonies. They belong to that conservative and immobile period when the tribe or clan, settled in its scattered kraals, lived a life of agriculture, hunting and cattle-breeding, engaged in no larger or more adventurous wars than border feuds about women or cattle. Such wars were on a humbler scale than even Nestor's old fights with the Epeians; such adventures did not bring the tribe into contact with alien religions. If Sidonian merchantmen chanced to establish a factory near a tribe in this condition, their religion was not likely to make many proselytes.
During the colonization period, particularly from 900 B.C. onward, the Greeks, who had settled on lands from which they had driven out Sidonians or Sicanians, naturally continued to worship the gods they found already being revered there, albeit with some modifications. Just like the Romans, the Greeks easily identified their own deities in the comparable gods of foreign polytheistic cultures. This allows for foreign influences in gods and goddesses like Zeus Asterios, Aphrodite of Cyprus or Eryx, and the many-breasted Ephesian Artemis, whose similar representation was found among the Aztecs in the many-breasted goddess of the maguey plant, from which beer was produced. Analyzing the divine names to identify the borrowed elements in the Hellenic Olympus is a task that comparative philology can legitimately undertake; however, explaining the early xoana from the ancient local temples, the wild myths from local legends, and the sacred traditions exclusive to ancient families like the Butadae or Eumolpidae is not as straightforward. These clearly represent remnants from a phase of Greek culture that predates the city-state, predates the heroic age of the adventurous Greek Vikings, and is far older than the Greek colonies. They belong to that conservative and settled period when tribes or clans lived in dispersed settlements, practicing agriculture, hunting, and cattle-rearing, engaging in no larger or more daring conflicts than minor skirmishes over women or livestock. Such conflicts were on a smaller scale than even Nestor's old battles with the Epeians; these adventures did not expose the tribes to foreign religions. If Sidonian traders happened to set up a trading post near such a tribe, their religion was unlikely to gain many followers.
These reasons for believing that most of the wilder element in Greek ritual and myth was native may be briefly recapitulated, as they are often overlooked. The more strange and savage features meet us in LOCAL tales and practices, often in remote upland temples and chapels. There they had survived from the society of the VILLAGE status, before villages were gathered into CITIES, before Greeks had taken to a roving life, or made much acquaintance with distant and maritime peoples.
These reasons for believing that many of the wilder aspects of Greek rituals and myths were native can be briefly summarized, as they are often overlooked. The more unusual and savage features appear in local stories and practices, often found in isolated mountain temples and chapels. There, they have survived from the time of village society, before villages were formed into cities, before Greeks became nomadic or had significant interactions with distant maritime cultures.
For these historical reasons, it may be assumed that the LOCAL religious antiquities of Greece, especially in upland districts like Arcadia and Elis, are as old, and as purely national, as free from foreign influences as any Greek institutions can be. In these rites and myths of true folk-lore and Volksleben, developed before Hellas won its way to the pure Hellenic stage, before Egypt and Phoenicia were familiar, should be found that common rude element which Greeks share with the other races of the world, and which was, to some extent, purged away by the genius of Homer and Pindar, pii vates et Phaebo digna locuti.
For these historical reasons, we can assume that the local religious traditions of Greece, especially in rural areas like Arcadia and Elis, are as old and as authentically national, free from foreign influences, as any Greek institutions can be. In these rituals and myths of genuine folklore and everyday life, developed before Greece reached its fully Hellenic phase and before Egypt and Phoenicia became well-known, we should find that shared primitive element that Greeks have in common with other cultures around the world, which was somewhat refined by the genius of Homer and Pindar, pious poets worthy of Apollo.
In proof of this local conservatism, some passages collected by K. F. Hermann in his Lehrbuch der Griechischen Antiquitaten(1) may be cited. Thus Isocrates writes,(2) "This was all their care, neither to destroy any of the ancestral rites, nor to add aught beyond what was ordained". Clemens Alexandrinus reports that certain Thessalians worshipped storks, "IN ACCORDANCE WITH USE AND WONT".(3) Plato lays down the very "law of least change" which has been described. "Whether the legislator is establishing a new state or restoring an old and decayed one, in respect of gods and temples,... if he be a man of sense, he will MAKE NO CHANGE IN ANYTHING which the oracle of Delphi, or Dodona, or Ammon has sanctioned, in whatever manner." In this very passage Plato(4) speaks of rites "derived from Tyrrhenia or Cyprus" as falling within the later period of the Greek Wanderjahre. On the high religious value of things antique, Porphyry wrote in a late age, and when the new religion of Christ was victorious, "Comparing the new sacred images with the old, we see that the old are more simply fashioned, yet are held divine, but the new, admired for their elaborate execution, have less persuasion of divinity,"—a remark anticipated by Pausanias, "The statues Daedalus wrought are quainter to the outward view, yet there shows forth in them somewhat supernatural".(5) So Athenaeus(6) reports of a visitor to the shrine of Leto in Delos, that he expected the ancient statue of the mother of Apollo to be something remarkable, but, unlike the pious Porphyry, burst out laughing when he found it a shapeless wooden idol. These idols were dressed out, fed and adorned as if they had life.(7) It is natural that myths dating from an age when Greek gods resembled Polynesian idols should be as rude as Polynesian myths. The tenacity of LOCAL myth is demonstrated by Pausanias, who declares that even in the highly civilised Attica the Demes retained legends different from those of the central city—the legends, probably, which were current before the villages were "Synoecised" into Athens.(8)
In support of this local conservatism, some excerpts collected by K. F. Hermann in his "Textbook of Greek Antiquities" can be cited. Isocrates writes, "This was all their concern, to neither destroy any of the ancestral rituals nor to add anything beyond what was ordained." Clemens Alexandrinus reports that certain Thessalians worshipped storks, "ACCORDING TO CUSTOM." Plato establishes the very "law of least change" that has been described. "Whether the legislator is setting up a new state or restoring an old and decayed one in terms of gods and temples,... if he has any sense, he will MAKE NO CHANGE IN ANYTHING that the oracle of Delphi, or Dodona, or Ammon has approved in any way." In this very passage, Plato mentions rituals "derived from Tyrrhenia or Cyprus" as belonging to the later period of the Greek Wanderjahre. Regarding the high religious value of ancient things, Porphyry wrote in a later age when the new religion of Christ was gaining ground, "Comparing the new sacred images with the old, we see that the old are more simply crafted, yet are considered divine, while the new, admired for their intricate designs, carry less sense of divinity,"—a point that Pausanias had already made, "The statues Daedalus created are more quaint in appearance, yet they exhibit something supernatural." So, Athenaeus reports about a visitor to the shrine of Leto in Delos, who expected the ancient statue of Apollo's mother to be something extraordinary but, unlike the devout Porphyry, burst into laughter when he discovered it was a formless wooden idol. These idols were dressed, fed, and adorned as if they were alive. It makes sense that myths from a time when Greek gods looked like Polynesian idols would be as crude as Polynesian myths. The persistence of LOCAL myth is shown by Pausanias, who states that even in the highly civilized Attica, the Demes held onto legends that were different from those of the central city—legends that likely existed before the villages were "Synoecised" into Athens.
(1) Zweiter Theil, 1858.
Second Part, 1858.
(2) Areop., 30.
Areop., 30.
(3) Clem. Alex., Oxford, 1715, i. 34.
(3) Clem. Alex., Oxford, 1715, i. 34.
(4) Laws, v. 738.
(4) Laws, v. 738.
(5) De. Abst., ii. 18; Paus., ii. 4, 5.
(5) De. Abst., ii. 18; Paus., ii. 4, 5.
(6) xiv. 2.
(6) xiv. 2.
(7) Hermann, op. cit., p. 94, note 10.
(7) Hermann, cited earlier, p. 94, note 10.
(8) Pausanias, i. 14, 6.
(8) Pausanias, i. 14, 6.
It appears, then, that Greek ritual necessarily preserves matter of the highest antiquity, and that the oldest rites and myths will probably be found, not in the Panhellenic temples, like that in Olympia, not in the NATIONAL poets, like Homer and Sophocles, but in the LOCAL fanes of early tribal gods, and in the LOCAL mysteries, and the myths which came late, if they came at all, into literary circulation. This opinion is strengthened and illustrated by that invaluable guide-book of the artistic and religious pilgrim written in the second century after our era by Pausanias. If we follow him, we shall find that many of the ceremonies, stories and idols which he regarded as oldest are analogous to the idols and myths of the contemporary backward races. Let us then, for the sake of illustrating the local and savage survivals in Greek religion, accompany Pausanias in his tour through Hellas.
It seems that Greek rituals necessarily preserve elements from ancient times, and the oldest rites and myths will likely be found not in the Panhellenic temples, like the one in Olympia, nor in the national poets, like Homer and Sophocles, but in the local shrines of early tribal gods and in the local mysteries. The myths that emerged later, if they appeared at all, only circulated in literature much later. This viewpoint is supported and illustrated by the invaluable travel guide for artistic and religious pilgrims written in the second century AD by Pausanias. If we follow his lead, we will discover that many of the ceremonies, stories, and idols he considered the oldest are similar to the idols and myths of contemporary less-developed cultures. So, to illustrate the local and primitive aspects that survived in Greek religion, let’s join Pausanias on his journey through Greece.
In Christian countries, especially in modern times, the contents of one church are very like the furniture of another church; the functions in one resemble those in all, though on the Continent some shrines still retain relics and customs of the period when local saints had their peculiar rites. But it was a very different thing in Greece. The pilgrim who arrived at a temple never could guess what oddity or horror in the way of statues, sacrifices, or stories might be prepared for his edification. In the first place, there were HUMAN SACRIFICES. These are not familiar to low savages, if known to them at all. Probably they were first offered to barbaric royal ghosts, and thence transferred to gods. In the town of Salamis, in Cyprus, about the date of Hadrian, the devout might have found the priest slaying a human victim to Zeus,—an interesting custom, instituted, according to Lactantius, by Teucer, and continued till the age of the Roman Empire.(1)
In Christian countries, especially nowadays, the setup of one church is quite similar to that of another; the rituals in one are alike in all, though in some places on the Continent, certain shrines still have relics and traditions from when local saints had unique practices. However, it was a completely different situation in Greece. A pilgrim arriving at a temple could never predict what strange or horrifying sights—like statues, sacrifices, or myths—awaited him. For starters, there were HUMAN SACRIFICES. These aren't typical for less advanced groups, if they are known to them at all. They were probably first made to appease the spirits of ancient kings, and eventually, this practice was transferred to the gods. In the town of Salamis, in Cyprus, around the time of Hadrian, worshippers might have witnessed a priest sacrificing a human to Zeus—an intriguing tradition, established, according to Lactantius, by Teucer, and carried on until the Roman Empire era. (1)
(1) Euseb., Praep. Ev., iv. 17, mentions, among peoples practising human sacrifices, Rhodes, Salamis, Heliopolis, Chios, Tenedos, Lacedaemon, Arcadia and Athens; and, among gods thus honoured, Hera, Athene, Cronus, Ares, Dionysus, Zeus and Apollo. For Dionysus the Cannibal, Plutarch, Themist., 13; Porphyr., Abst., ii. 55. For the sacrifice to Zeus Laphystius, see Grote, i. c. vi., and his array of authorities, especially Herodotus, vii. 197. Clemens Alexandrinus (i. 36) mentions the Messenians, to Zeus; the Taurians, to Artemis, the folk of Pella, to Peleus and Chiron; the Cretans, to Zeus; the Lesbians, to Dionysus. Geusius de Victimis Humanis (1699) may be consulted.
(1) Euseb., Praep. Ev., iv. 17, mentions, among cultures that practiced human sacrifices, Rhodes, Salamis, Heliopolis, Chios, Tenedos, Lacedaemon, Arcadia, and Athens; and, among the gods honored in this way, Hera, Athena, Cronus, Ares, Dionysus, Zeus, and Apollo. For Dionysus the Cannibal, see Plutarch, Themist., 13; Porphyr., Abst., ii. 55. For the sacrifice to Zeus Laphystius, refer to Grote, i. c. vi., and his list of authorities, especially Herodotus, vii. 197. Clement of Alexandria (i. 36) mentions the Messenians in relation to Zeus; the Taurians in relation to Artemis; the people of Pella in relation to Peleus and Chiron; the Cretans in relation to Zeus; and the Lesbians in relation to Dionysus. Geusius de Victimis Humanis (1699) may be consulted.
At Alos in Achaia Phthiotis, the stranger MIGHT have seen an extraordinary spectacle, though we admit that the odds would have been highly against his chance of witnessing the following events. As the stranger approaches the town-hall, he observes an elderly and most respectable citizen strolling in the same direction. The citizen is so lost in thought that apparently he does not notice where he is going. Behind him comes a crowd of excited but silent people, who watch him with intense interest. The citizen reaches the steps of the town-hall, while the excitement of his friends behind increases visibly. Without thinking, the elderly person enters the building. With a wild and un-Aryan howl, the other people of Alos are down on him, pinion him, wreathe him with flowery garlands, and, lead him to the temple of Zeus Laphystius, or "The Glutton," where he is solemnly sacrificed on the altar. This was the custom of the good Greeks of Alos whenever a descendant of the house of Athamas entered the Prytaneion. Of course the family were very careful, as a rule, to keep at a safe distance from the forbidden place. "What a sacrifice for Greeks!" as the author of the Minos(1) says in that dialogue which is incorrectly attributed to Plato. "He cannot get out except to be sacrificed," says Herodotus, speaking of the unlucky descendant of Athamas. The custom appears to have existed as late as the time of the scholiast on Apollonius Rhodius.(2)
At Alos in Achaia Phthiotis, the stranger might have witnessed an extraordinary scene, although we acknowledge the chances of him seeing the following events were quite slim. As he approaches the town hall, he notices an elderly and highly respected citizen walking in the same direction. The citizen is so lost in thought that he seems unaware of where he’s headed. Behind him, a crowd of excited but silent onlookers follows, watching him with intense curiosity. The citizen reaches the steps of the town hall, while the excitement among his companions visibly grows. Without a second thought, the elderly man enters the building. With a wild and fervent cry, the people of Alos descend upon him, restrain him, adorn him with floral garlands, and lead him to the temple of Zeus Laphystius, or "The Glutton," where he is solemnly sacrificed on the altar. This was the tradition of the good people of Alos whenever a descendant of the house of Athamas entered the Prytaneion. Of course, the family usually took great care to stay far away from this forbidden place. "What a sacrifice for Greeks!" as the author of the Minos(1) states in that dialogue wrongly attributed to Plato. "He can't leave except to be sacrificed," says Herodotus, referring to the unfortunate descendant of Athamas. This custom seems to have continued as late as the time of the scholiast on Apollonius Rhodius.(2)
(1) 315, c.; Plato, Laws, vi. 782, c.
(1) 315, c.; Plato, Laws, vi. 782, c.
(2) Argonautica, vii. 197.
Argonautica, Book 7, Verse 197.
Even in the second century, when Pausanias visited Arcadia, he found what seem to have been human sacrifices to Zeus. The passage is so very strange and romantic that we quote a part of it.(1) "The Lycaean hill hath other marvels to show, and chiefly this: thereon there is a grove of Zeus Lycaeus, wherein may men in nowise enter; but if any transgresses the law and goes within, he must die within the space of one year. This tale, moreover, they tell, namely, that whatsoever man or beast cometh within the grove casts no shadow, and the hunter pursues not the deer into that wood, but, waiting till the beast comes forth again, sees that it has left its shadow behind. And on the highest crest of the whole mountain there is a mound of heaped-up earth, the altar of Zeus Lycaeus, and the more part of Peloponnesus can be seen from that place. And before the altar stand two pillars facing the rising sun, and thereon golden eagles of yet more ancient workmanship. And on this altar they sacrifice to Zeus in a manner that may not be spoken, and little liking had I to make much search into this matter. BUT LET IT BE AS IT IS, AND AS IT HATH BEEN FROM THE BEGINNING." The words "as it hath been from the beginning" are ominous and significant, for the traditional myths of Arcadia tell of the human sacrifices of Lycaon, and of men who, tasting the meat of a mixed sacrifice, put human flesh between their lips unawares.(2) This aspect of Greek religion, then, is almost on a level with the mysterious cannibal horrors of "Voodoo," as practised by the secret societies of negroes in Hayti. But concerning these things, as Pausanias might say, it is little pleasure to inquire.
Even in the second century, when Pausanias visited Arcadia, he discovered what seemed to be human sacrifices to Zeus. The passage is so strange and enchanting that we’ll quote part of it.(1) "The Lycaean hill has other wonders to show, and mainly this: there is a grove of Zeus Lycaeus, where no one is allowed to enter; but if anyone breaks the law and goes inside, they will die within a year. Furthermore, the locals say that anyone or any animal that enters the grove casts no shadow, and hunters don’t chase the deer into that woods. Instead, they wait for the animal to come back out and see that it left its shadow behind. On the highest peak of the whole mountain, there’s a mound of earth, the altar of Zeus Lycaeus, and most of the Peloponnesus can be seen from there. In front of the altar stand two pillars facing the rising sun, adorned with golden eagles from even earlier times. They perform sacrifices to Zeus on this altar in a way that can't be described, and I wasn’t keen on digging deeper into this matter. BUT LET IT BE AS IT IS, AND AS IT HAS BEEN FROM THE BEGINNING." The phrase "as it has been from the beginning" is foreboding and meaningful because the traditional myths of Arcadia recount the human sacrifices of Lycaon and of people who unknowingly taste human flesh along with a mixed sacrifice.(2) This aspect of Greek religion, therefore, is almost on par with the mysterious cannibalistic horrors of "Voodoo," as practiced by the secret societies of people in Haiti. But about these matters, as Pausanias might say, it’s not much fun to investigate.
(1) Pausanias, viii. 2.
Pausanias, VIII. 2.
(2) Plato, Rep., viii. 565, d. This rite occurs in some African coronation ceremonies.
(2) Plato, Rep., viii. 565, d. This ritual happens in certain African coronation ceremonies.
Even where men were not sacrificed to the gods, the tourist among the temples would learn that these bloody rites had once been customary, and ceremonies existed by way of commutation. This is precisely what we find in Vedic religion, in which the empty form of sacrificing a man was gone through, and the origin of the world was traced to the fragments of a god sacrificed by gods.(1) In Sparta was an altar of Artemis Orthia, and a wooden image of great rudeness and antiquity—so rude indeed, that Pausanias, though accustomed to Greek fetish-stones, thought it must be of barbaric origin. The story was that certain people of different towns, when sacrificing at the altar, were seized with frenzy and slew each other. The oracle commanded that the altar should be sprinkled with human blood. Men were therefore chosen by lot to be sacrificed till Lycurgus commuted the offering, and sprinkled the altar with the blood of boys who were flogged before the goddess. The priestess holds the statue of the goddess during the flogging, and if any of the boys are but lightly scourged, the image becomes too heavy for her to bear.
Even when people weren't sacrificed to the gods, a visitor exploring the temples would discover that these bloody rituals were once common, and there were ceremonies to replace them. This is exactly what we find in Vedic religion, where the mere act of pretending to sacrifice a person was performed, and the creation of the world was traced back to the pieces of a god killed by other gods.(1) In Sparta, there was an altar dedicated to Artemis Orthia and a wooden statue that was very crude and ancient—so crude, in fact, that Pausanias, who was used to Greek idol stones, thought it must have come from a barbaric culture. The story went that people from different towns, when making sacrifices at the altar, would become frenzied and kill each other. The oracle instructed that the altar should be sprinkled with human blood. Men were then chosen by lot to be sacrificed until Lycurgus changed the offering and had the altar sprinkled with the blood of boys who were flogged before the goddess. The priestess holds the statue of the goddess during the flogging, and if any of the boys are only lightly whipped, the statue becomes too heavy for her to hold.
(1) The Purusha Sukhta, in Rig-Veda, x. 90.
(1) The Purusha Sukta, in Rig-Veda, x. 90.
The Ionians near Anthea had a temple of Artemis Triclaria, and to her it had been customary to sacrifice yearly a youth and maiden of transcendent beauty. In Pausanias's time the human sacrifice was commuted. He himself beheld the strange spectacle of living beasts and birds being driven into the fire to Artemis Laphria, a Calydonian goddess, and he had seen bears rush back among the ministrants; but there was no record that any one had ever been hurt by these wild beasts.(1) The bear was a beast closely connected with Artemis, and there is some reason to suppose that the goddess had herself been a she-bear or succeeded to the cult of a she-bear in the morning of time.(2)
The Ionians near Anthea had a temple dedicated to Artemis Triclaria, where it was customary to sacrifice a beautiful young man and woman each year. By Pausanias's time, the human sacrifice had been replaced. He witnessed the strange sight of live animals and birds being driven into the fire for Artemis Laphria, a goddess from Calydon, and he had seen bears rush back among the attendants; however, there was no record of anyone ever being harmed by these wild animals. The bear was closely associated with Artemis, and there is some evidence to suggest that the goddess herself may have originally been a she-bear or inherited the worship of a she-bear in ancient times.
(1) Paus., vii. 18, 19.
Paus., vii. 18, 19.
(2) See "Artemis", postea.
See "Artemis", later.
It may be believed that where symbolic human sacrifices are offered, that is, where some other victim is slain or a dummy of a man is destroyed, and where legend maintains that the sacrifice was once human, there men and women were originally the victims. Greek ritual and Greek myth were full of such tales and such commutations.(1) In Rome, as is well known, effigies of men called Argives were sacrificed.(2) As an example of a beast-victim given in commutation, Pausanias mentions(3) the case of the folk of Potniae, who were compelled once a year to offer to Dionysus a boy, in the bloom of youth. But the sacrifice was commuted for a goat.
It’s believed that in places where symbolic human sacrifices are made—meaning where a victim is killed or a dummy of a person is destroyed—and where legends suggest that the sacrifice was once human, real men and women were originally the victims. Greek rituals and myths were full of these stories and substitutions. In Rome, it’s well known that effigies of men called Argives were sacrificed. For example, Pausanias mentions the people of Potniae, who were required to offer a boy in the prime of youth to Dionysus once a year. However, the sacrifice was replaced with a goat.
(1) See Hermann, Alterthumer., ii. 159-161, for abundant examples.
(1) Check Hermann, Alterthumer., ii. 159-161, for plenty of examples.
(2) Plutarch, Quest. Rom. 32.
Plutarch, Quest. Rom. 32.
(3) ix. 8, 1.
(3) ix. 8, 1.
These commutations are familiar all over the world. Even in Mexico, where human sacrifices and ritual cannibalism were daily events, Quetzalcoatl was credited with commuting human sacrifices for blood drawn from the bodies of the religious. In this one matter even the most conservative creeds and the faiths most opposed to change sometimes say with Tartuffe:—
These easements are known worldwide. Even in Mexico, where human sacrifices and ritual cannibalism were common occurrences, Quetzalcoatl was said to have replaced human sacrifices with blood taken from the bodies of the religious. In this regard, even the most traditional beliefs and those faiths most resistant to change occasionally echo Tartuffe:—
Le ciel defend, de vrai, certains contentements, Mais on trouve avec lui des accommodements.
The sky forbids, truly, certain pleasures, But with it, we find ways to compromise.
Though the fact has been denied (doubtless without reflection), the fact remains that the Greeks offered human sacrifices. Now what does this imply? Must it be taken as a survival from barbarism, as one of the proofs that the Greeks had passed through the barbaric status?
Though the fact has been denied (probably without much thought), the fact remains that the Greeks offered human sacrifices. So what does this mean? Should it be seen as a leftover from barbarism, as one of the signs that the Greeks had gone through a barbaric phase?
The answer is less obvious than might be supposed. Sacrifice has two origins. First, there are HONORIFIC sacrifices, in which the ghost or god (or divine beast, if a divine beast be worshipped) is offered the food he is believed to prefer. This does not occur among the lowest savages. To carnivorous totems, Garcilasso says, the Indians of Peru offered themselves. The feeding of sacred mice in the temples of Apollo Smintheus is well known. Secondly, there are expiatory or PIACULAR sacrifices, in which the worshipper, as it were, fines himself in a child, an ox, or something else that he treasures. The latter kind of sacrifice (most common in cases of crime done or suspected within the circle of kindred) is not necessarily barbaric, except in its cruelty. An example is the Attic Thargelia, in which two human scape-goats annually bore "the sins of the congregation," and were flogged, driven to the sea with figs tied round their necks, and burned.(1)
The answer is less straightforward than one might think. Sacrifice has two main origins. First, there are HONORIFIC sacrifices, where the ghost or god (or divine beast, if one is worshipped) is given food that is thought to be their favorite. This does not happen among the most primitive cultures. For carnivorous totems, Garcilasso mentions that the Indians of Peru offered themselves. The practice of feeding sacred mice in the temples of Apollo Smintheus is well-known. Secondly, there are expiatory or PIACULAR sacrifices, where the worshipper effectively fines themselves by offering a child, an ox, or something else they cherish. This type of sacrifice (most common in cases of crimes committed or suspected within one’s family) isn't necessarily barbaric, except for its brutality. An example is the Attic Thargelia, during which two human scapegoats annually took on "the sins of the congregation," were whipped, driven into the sea with figs tied around their necks, and burned.(1)
(1) Compare the Marseilles human sacrifice, Petron., 141; and for the Thargelia, Tsetzes, Chiliads, v. 736; Hellad. in Photius, p. 1590 f. and Harpoc. s. v.
(1) Compare the Marseilles human sacrifice, Petron., 141; and for the Thargelia, Tsetzes, Chiliads, v. 736; Hellad. in Photius, p. 1590 f. and Harpoc. s. v.
The institution of human sacrifice, then, whether the offering be regarded as food, or as a gift to the god of what is dearest to man (as in the case of Jephtha's daughter), or whether the victim be supposed to carry on his head the sins of the people, does not necessarily date from the period of savagery. Indeed, sacrifice flourishes most, not among savages, but among advancing barbarians. It would probably be impossible to find any examples of human sacrifices of an expiatory or piacular character, any sacrifices at all, among Australians, or Andamanese, or Fuegians. The notion of presenting food to the supernatural powers, whether ghosts or gods, is relatively rare among savages.(1) The terrible Aztec banquets of which the gods were partakers are the most noted examples of human sacrifices with a purely cannibal origin. Now there is good reason to guess that human sacrifices with no other origin than cannibalism survived even in ancient Greece. "It may be conjectured," writes Professor Robertson Smith,(2) "that the human sacrifices offered to the Wolf Zeus (Lycaeus) in Arcadia were originally cannibal feasts of a Wolf tribe. The first participants in the rite were, according to later legend, changed into wolves; and in later times(3) at least one fragment of the human flesh was placed among the sacrificial portions derived from other victims, and the man who ate it was believed to become a were-wolf."(4) It is the almost universal rule with cannibals not to eat members of their own stock, just as they do not eat their own totem. Thus, as Professor Robertson Smith says, when the human victim is a captive or other foreigner, the human sacrifice may be regarded as a survival of cannibalism. Where, on the other hand, the victim is a fellow tribesman, the sacrifice is expiatory or piacular.
The practice of human sacrifice, whether viewed as food or as a tribute to the god of what is most cherished by humans (like in the case of Jephtha's daughter), or whether the victim is believed to bear the people's sins, doesn’t necessarily originate from a savage period. In fact, sacrifice is more prevalent not among savages, but among developing barbarians. It’s likely impossible to find examples of human sacrifices that are intended for atonement among groups like the Australians, Andamanese, or Fuegians. The idea of offering food to supernatural beings, whether they're ghosts or gods, is relatively uncommon among savages. The notorious Aztec feasts, where the gods were participants, are the most recognized instances of human sacrifices with purely cannibal roots. There’s strong reason to suspect that human sacrifices with no origin other than cannibalism persisted even in ancient Greece. "It may be conjectured," notes Professor Robertson Smith, "that the human sacrifices offered to the Wolf Zeus (Lycaeus) in Arcadia were originally cannibal feasts of a Wolf tribe. According to later legends, the first participants in the ritual were transformed into wolves; and in later times, at least one piece of human flesh was included among the sacrificial offerings from other victims, and the person who consumed it was thought to become a werewolf." It’s almost a universal rule among cannibals not to eat members of their own group, just as they don’t eat their own totem. Therefore, as Professor Robertson Smith explains, when the human victim is a captive or an outsider, the sacrifice can be seen as a remnant of cannibalism. Conversely, when the victim is a member of the same tribe, the sacrifice is considered expiatory or piacular.
(1) Jevons, Introduction to the Science of Religion, pp. 161, 199.
(1) Jevons, Introduction to the Science of Religion, pp. 161, 199.
(2) Encyc. Brit., s. v. "Sacrifice".
(2) Encyc. Brit., s. v. "Sacrifice".
(3) Plato, Rep., viii. 565, D.
(3) Plato, Rep., viii. 565, D.
(4) Paus., viii. 2.
(4) Paus., VIII. 2.
Among Greek cannibal gods we cannot fail to reckon the so-called "Cannibal Dionysus," and probably the Zeus of Orchomenos, Zeus Laphystius, who is explained by Suidas as "the Glutton Zeus". The cognate verb ((Greek text omitted)) means "to eat with mangling and rending," "to devour gluttonously". By Zeus Laphystius, then, men's flesh was gorged in this distressing fashion.
Among Greek cannibal gods, we must consider the so-called "Cannibal Dionysus," and likely the Zeus of Orchomenos, Zeus Laphystius, who is described by Suidas as "the Glutton Zeus." The related verb ((Greek text omitted)) means "to eat with mangling and tearing," "to devour greedily." By Zeus Laphystius, then, human flesh was consumed in this disturbing manner.
The evidence of human sacrifice (especially when it seems not piacular, but a relic of cannibalism) raises a presumption that Greeks had once been barbarians. The presumption is confirmed by the evidence of early Greek religious art.
The evidence of human sacrifice (especially when it appears to be not just for atonement, but a remnant of cannibalism) suggests that the Greeks were once barbarians. This suggestion is supported by the evidence of early Greek religious art.
When his curiosity about human sacrifices was satisfied, the pilgrim in Greece might turn his attention to the statues and other representations of the gods. He would find that the modern statues by famous artists were beautiful anthropomorphic works in marble or in gold and ivory. It is true that the faces of the ancient gilded Dionysi at Corinth were smudged all over with cinnabar, like fetish-stones in India or Africa.(1) As a rule, however, the statues of historic times were beautiful representations of kindly and gracious beings. The older works were stiff and rigid images, with the lips screwed into an unmeaning smile. Older yet were the bronze gods, made before the art of soldering was invented, and formed of beaten plates joined by small nails. Still more ancient were the wooden images, which probably bore but a slight resemblance to the human frame, and which were often mere "stocks".(2) Perhaps once a year were shown the very early gods, the Demeter with the horse's head, the Artemis with the fish's tails, the cuckoo Hera, whose image was of pear-wood, the Zeus with three eyes, the Hermes, made after the fashion of the pictures on the walls of sacred caves among the Bushmen. But the oldest gods of all, says Pausanias repeatedly, were rude stones in the temple or the temple precinct. In Achaean Pharae he found some thirty squared stones, named each after a god. "Among all the Greeks in the oldest times rude stones were worshipped in place of statues." The superstitious man in Theophrastus's Characters used to anoint the sacred stones with oil. The stone which Cronus swallowed in mistake for Zeus was honoured at Delphi, and kept warm with wool wrappings. There was another sacred stone among the Troezenians, and the Megarians worshipped as Apollo a stone cut roughly into a pyramidal form. The Argives had a big stone called Zeus Kappotas. The Thespians worshipped a stone which they called Eros; "their oldest idol is a rude stone".(3) It is well known that the original fetish-stone has been found in situ below the feet of the statue of Apollo in Delos. On this showing, then, the religion of very early Greeks in Greece was not unlike that of modern Negroes. The artistic evolution of the gods, a remarkably rapid one after a certain point, could be traced in every temple. It began with the rude stone, and rose to the wooden idol, in which, as we have seen, Pausanias and Porphyry found such sanctity. Next it reached the hammered bronze image, passed through the archaic marbles, and culminated in the finer marbles and the chryselephantine statues of Zeus and Athena. But none of the ancient sacred objects lost their sacredness. The oldest were always the holiest idols; the oldest of all were stumps and stones, like savage fetish-stones.
Once the pilgrim's curiosity about human sacrifices was satisfied, he would shift his focus to the statues and other depictions of the gods in Greece. He would discover that modern statues created by well-known artists were beautiful anthropomorphic pieces made from marble, gold, and ivory. It's true that the faces of the ancient gilded Dionysus in Corinth were covered in cinnabar, similar to fetish stones in India or Africa. However, the statues from historical times were generally lovely representations of kind-hearted and gracious beings. The older works appeared stiff and rigid, with expressions fixed in a meaningless smile. Even older were the bronze gods, crafted before soldering was invented, consisting of beaten plates held together with small nails. Before that, there were wooden images that likely bore little resemblance to the human form and often looked like mere "logs." Occasionally, the very early gods were displayed, like Demeter with a horse’s head, Artemis with fish tails, cuckoo Hera, whose image was made from pear wood, Zeus with three eyes, and Hermes, designed like the images on the walls of sacred caves among the Bushmen. But, according to Pausanias, the oldest gods were simply rough stones in the temple or its precinct. In Achaean Pharae, he found around thirty squared stones, each named after a god. "Among all the Greeks in ancient times, rough stones were worshipped instead of statues." The superstitious character in Theophrastus's writings would anoint sacred stones with oil. The stone that Cronus swallowed, mistaking it for Zeus, was revered at Delphi and kept warm with wool wraps. There was another sacred stone among the Troezenians, and the Megarians worshipped a stone roughly shaped like a pyramid as Apollo. The Argives had a large stone named Zeus Kappotas. The Thespians honored a stone called Eros; "their oldest idol is a rough stone." It is well known that the original fetish-stone was found beneath the feet of the statue of Apollo in Delos. This suggests that the religion of the early Greeks in Greece was somewhat similar to that of modern African tribes. The artistic evolution of the gods, which progressed rapidly after a certain point, can be observed in every temple. It started with the rough stone and advanced to the wooden idol, which, as noted by Pausanias and Porphyry, was considered highly sacred. Next, it moved to the hammered bronze image, passed through archaic marble, and culminated in the finer marbles and chryselephantine statues of Zeus and Athena. Yet, none of the ancient sacred objects lost their sanctity. The oldest were always the holiest idols; and the very oldest of all were stumps and stones, resembling primitive fetish stones.
(1) Pausanias, ii. 2.
Pausanias, 2.2.
(2) Clemens Alex., Protrept. (Oxford, 1715). p. 41.
(2) Clemens Alex., Protrept. (Oxford, 1715). p. 41.
(3) Gill, Myths of South Pacific, p. 60. Compare a god, which proved to be merely pumice-stone, and was regarded as the god of winds and waves, having been drifted to Puka-Puka. Offerings of food were made to it during hurricanes.
(3) Gill, Myths of South Pacific, p. 60. Compare a god that turned out to be just pumice stone, viewed as the god of winds and waves, carried to Puka-Puka. People made food offerings to it during hurricanes.
Another argument in favour of the general thesis that savagery left deep marks on Greek life in general, and on myth in particular, may be derived from survivals of totemism in ritual and legend. The following instances need not necessarily be accepted, but it may be admitted that they are precisely the traces which totemism would leave had it once existed, and then waned away on the advance of civilisation.(1)
Another argument supporting the idea that primitive practices significantly influenced Greek life in general, and mythology specifically, can be seen in the remnants of totemism in rituals and legends. The following examples don't have to be universally accepted, but they may be recognized as exactly the kinds of marks totemism would leave if it had once existed and then faded away with the rise of civilization.(1)
(1) The argument to be derived from the character of the Greek (Greek text omitted) as a modified form of the totem-kindred is too long and complex to be put forward here. It is stated in Custom and Myth, "The history of the Family," in M'Lennan's Studies in Early history, and is assumed, if not proved, in Ancient Society by the late Mr. Lewis Morgan.
(1) The argument that comes from the character of the Greek (Greek text omitted) as a modified version of the totem-kindred is too lengthy and complicated to present here. It is discussed in Custom and Myth, "The history of the Family," in M'Lennan's Studies in Early History, and is assumed, if not proven, in Ancient Society by the late Mr. Lewis Morgan.
That Greeks in certain districts regarded with religious reverence certain plants and animals is beyond dispute. That some stocks even traced their lineage to beasts will be shown in the chapter on Greek Divine Myths, and the presumption is that these creatures, though explained as incarnations and disguises of various gods, were once totems sans phrase, as will be inferred from various examples. Clemens Alexandrinus, again, after describing the animal-worship of the Egyptians, mentions cases of zoolatry in Greece.(1) The Thessalians revered storks, the Thebans weasels, and the myth ran that the weasel had in some way aided Alcmena when in labour with Heracles. In another form of the myth the weasel was the foster-mother of the hero.(2) Other Thessalians, the Myrmidons, claimed descent from the ant and revered ants. The religious respect paid to mice in the temple of Apollo Smintheus, in the Troad, Rhodes, Gela, Lesbos and Crete is well known, and a local tribe were alluded to as Mice by an oracle. The god himself, like the Japanese harvest-god, was represented in art with a mouse at his foot, and mice, as has been said, were fed at his shrine.(3) The Syrians, says Clemens Alexandrinus, worship doves and fishes, as the Elians worship Zeus.(4) The people of Delphi adored the wolf,(5) and the Samians the sheep. The Athenians had a hero whom they worshipped in the shape of a wolf.(6) A remarkable testimony is that of the scholiast on Apollonius Rhodius, ii. 124. "The wolf," he says, "was a beast held in honour by the Athenians, and whosoever slays a wolf collects what is needful for its burial." The burial of sacred animals in Egypt is familiar. An Arab tribe mourns over and solemnly buries all dead gazelles.(7) Nay, flies were adored with the sacrifice of an ox near the temple of Apollo in Leucas.(8) Pausanias (iii. 22) mentions certain colonists who were guided by a hare to a site where the animal hid in a myrtle-bush. They therefore adore the myrtle, (Greek text omitted). In the same way a Carian stock, the Ioxidae, revered the asparagus.(9) A remarkable example of descent mythically claimed from one of the lower animals is noted by Otfried Muller.(10) Speaking of the swan of Apollo, he says, "That deity was worshipped, according to the testimony of the Iliad, in the Trojan island of Tenedos. There, too, was Tennes honoured as the (Greek text omitted) of the island. Now his father was called Cycnus (the swan) in an oft-told and romantic legend.(11)... The swan, therefore, as father to the chief hero on the Apolline island, stands in distinct relation to the god, who is made to come forward still more prominently from the fact that Apollo himself is also called father of Tennes. I think we can scarcely fail to recognise a mythus which was local at Tenedos.... The fact, too, of calling the swan, instead of Apollo, the father of a hero, demands altogether a simplicity and boldness of fancy which are far more ancient than the poems of Homer."
It's clear that Greeks in some regions held certain plants and animals in religious reverence. It will be demonstrated in the chapter on Greek Divine Myths that some lineages even traced back to animals, and it's likely that these creatures, described as embodiments and disguises of various gods, were originally totems, as can be inferred from various examples. Clemens Alexandrinus mentions instances of animal worship in Greece after detailing the Egyptians' animal veneration. The Thessalians revered storks, and the Thebans held weasels in high regard; there was a myth that a weasel somehow assisted Alcmena during her labor with Heracles. In another version of the myth, the weasel was the foster mother of the hero. Other Thessalians, the Myrmidons, claimed descent from ants and honored them. The religious reverence paid to mice at the temple of Apollo Smintheus, found in the Troad, Rhodes, Gela, Lesbos, and Crete is well-documented, and a local tribe was referred to as Mice by an oracle. The god himself, similar to the Japanese harvest deity, was depicted in art with a mouse at his feet, and, as previously mentioned, mice were fed at his shrine. According to Clemens Alexandrinus, the Syrians worship doves and fish, just as the Elians worship Zeus. The people of Delphi revered the wolf, while the Samians honored sheep. The Athenians had a hero they worshipped in the form of a wolf. A notable reference comes from the scholiast on Apollonius Rhodius, ii. 124. He states, "The wolf was an animal revered by the Athenians, and anyone who kills a wolf is responsible for its burial." The burial of sacred animals in Egypt is well-known. An Arab tribe mourns and solemnly buries all deceased gazelles. Even flies were venerated with the sacrifice of an ox near the temple of Apollo in Leucas. Pausanias (iii. 22) recounts a group of colonists who were led by a hare to a site where the animal hid in a myrtle-bush, and as a result, they honored the myrtle. Similarly, a Carian group, the Ioxidae, revered asparagus. Otfried Muller notes a striking example of a lineage mythologically claimed from a lesser animal. Discussing Apollo's swan, he mentions, "This deity was worshipped, according to the Iliad, on the Trojan island of Tenedos. There, Tennes was also honored as the (Greek text omitted) of the island. His father was known as Cycnus (the swan) in a well-known and romantic tale." Therefore, the swan, as the father of the chief hero on the Apolline island, has a distinct relationship with the god, especially since Apollo himself is referred to as Tennes's father. It seems clear that we are looking at a myth that originated locally in Tenedos. Additionally, the notion of calling the swan, rather than Apollo, the father of a hero shows a simplicity and bold creativity that likely predates Homer's poems.
(1) Op. cit., i. 34.
Op. cit., p. 34.
(2) Scholiast on Iliad, xix. 119.
(2) Scholiast on Iliad, xix. 119.
(3) Aelian, H. A., xii. 5; Strabo, xiii. 604. Compare "Apollo and the Mouse, Custom and Myth, pp. 103-120.
(3) Aelian, H. A., xii. 5; Strabo, xiii. 604. Compare "Apollo and the Mouse, Custom and Myth, pp. 103-120.
(4) Lucian, De Dea Syria.
(4) Lucian, On the Goddess of Syria.
(5) Aelian, H. A., xii. 40.
Aelian, H. A., 12.40.
(6) Harpocration, (Greek text omitted). Compare an address to the wolf-hero, "who delights in the flight and tears of men," in Aristophanes, Vespae, 389.
(6) Harpocration, (Greek text omitted). Compare an address to the wolf-hero, "who enjoys the escape and suffering of men," in Aristophanes, Vespae, 389.
(7) Robertson Smith, Kinship in Early Arabia, pp. 195-204.
(7) Robertson Smith, Kinship in Early Arabia, pp. 195-204.
(8) Aelian, xi. 8.
(8) Aelian, xi. 8.
(9) Plutarch, Theseus, 14.
(9) Plutarch, Theseus, 14.
(10) Proleg., Engl. trans., p. 204.
(10) Proleg., Engl. trans., p. 204.
(11) (Canne on Conon, 28.)
(11) (Canne on Conon, 28.)
Had Muller known that this "simplicity and boldness of fancy" exist to-day, for example, among the Swan tribe of Australia, he would probably have recognised in Cycnus a survival from totemism. The fancy survives again in Virgil's Cupavo, "with swan's plumes rising from his crest, the mark of his father's form".(1) Descent was claimed, not only from a swan Apollo, but from a dog Apollo.
Had Muller known that this "simplicity and boldness of imagination" exists today, for example, among the Swan tribe of Australia, he would probably have recognized in Cycnus a remnant of totemism. The imagination also appears in Virgil's Cupavo, "with swan's feathers rising from his crest, the mark of his father's form."(1) Descent was claimed, not only from a swan Apollo but also from a dog Apollo.
(1) Aeneid, x. 187.
Aeneid, x. 187.
In connection with the same set of ideas, it is pointed out that several (Greek text omitted), or stocks, had eponymous heroes, in whose names the names of the ancestral beast apparently survived. In Attica the Crioeis have their hero (Crio, "Ram"), the Butadae have Butas ("Bullman"), the Aegidae have Aegeus ("Goat"), and the Cynadae, Cynus ("Dog"). Lycus, according to Harpocration (s. v.) has his statue in the shape of a wolf in the Lyceum. "The general facts that certain animals might not be sacrificed to certain gods" (at Athens the Aegidae introduced Athena, to whom no goat might be offered on the Acropolis, while she herself wore the goat skin, aegis), "while, on the other hand, each deity demanded particular victims, explained by the ancients themselves in certain cases to be hostile animals, find their natural explanation" in totemism.(1) Mr. Evelyn Abbott points out, however, that the names Aegeus, Aegae, Aegina, and others, may be connected with the goat only by an old volks-etymologie, as on coins of Aegina in Achaea. The real meaning of the words may be different. Compare (Greek text omitted), the sea-shore. Mr. J. G. Frazer does not, at present, regard totemism as proved in the case of Greece.(2)
In relation to the same ideas, it's noted that several (Greek text omitted), or clans, had heroes who gave their names to them, in which the names of the ancestor animals seem to have persisted. In Attica, the Crioeis have their hero Crio ("Ram"), the Butadae have Butas ("Bullman"), the Aegidae have Aegeus ("Goat"), and the Cynadae have Cynus ("Dog"). Lycus, according to Harpocration (s. v.), has a statue shaped like a wolf in the Lyceum. "The general facts that certain animals might not be sacrificed to certain gods" (in Athens, the Aegidae introduced Athena, to whom no goat could be offered on the Acropolis, while she herself wore the goat skin, aegis), "while, on the other hand, each deity demanded specific offerings, which the ancients sometimes explained as hostile animals, find their natural explanation" in totemism.(1) However, Mr. Evelyn Abbott points out that the names Aegeus, Aegae, Aegina, and others may be linked to the goat only through an old folk etymology, as seen on coins from Aegina in Achaea. The actual meaning of the words might be different. Compare (Greek text omitted), the sea-shore. Mr. J. G. Frazer currently does not consider totemism as proven in the context of Greece.(2)
(1) Some apparent survivals of totemism in ritual will be found in the chapter on Greek gods, especially Zeus, Dionysus, and Apollo.
(1) You can find some clear remnants of totemism in rituals in the chapter about Greek gods, particularly Zeus, Dionysus, and Apollo.
(2) See his Golden Bough, an alternative explanation of these animals in connection with "The Corn Spirit".
(2) Check out his Golden Bough, a different take on these animals in relation to "The Corn Spirit."
As final examples of survivals from the age of barbarism in the religion of Greece, certain features in the Mysteries may be noted. Plutarch speaks of "the eating of raw flesh, and tearing to pieces of victims, as also fastings and beatings of the breast, and again in many places abusive language at the sacrifices, and other mad doings". The mysteries of Demeter, as will appear when her legend is criticised, contained one element all unlike these "mad doings"; and the evidence of Sophocles, Pindar, Plutarch and others demonstrate that religious consolations were somehow conveyed in the Eleusinia. But Greece had many other local mysteries, and in several of these it is undeniable the Greeks acted much as contemporary Australians, Zunis and Negroes act in their secret initiations which, however, also inculcate moral ideas of considerable excellence. Important as these analogies are, they appear to have escaped the notice of most mythologists. M. Alfred Maury, however, in Les Religions de la Grece, published in 1857, offers several instances of hidden rites, common to Hellas and to barbarism.
As final examples of remnants from the age of barbarism in the religion of Greece, certain features in the Mysteries can be highlighted. Plutarch mentions "the eating of raw flesh, tearing apart of victims, fasting, beating one’s breast, and in many places, using abusive language during sacrifices, along with other wild behaviors." The mysteries of Demeter, as will be evident when her legend is examined, included one element very different from these "wild behaviors"; and the works of Sophocles, Pindar, Plutarch, and others show that religious comfort was somehow provided in the Eleusinia. However, Greece had many other local mysteries, and in several of these, it is undeniable that the Greeks acted much like contemporary Australians, Zunis, and Black people do in their secret initiations, which also teach moral principles of significant value. Although these comparisons are important, they seem to have gone unnoticed by most mythologists. M. Alfred Maury, however, in Les Religions de la Grece, published in 1857, presents several examples of hidden rites common to Greece and barbarism.
There seem in the mysteries of savage races to be two chief purposes. There is the intention of giving to the initiated a certain sacred character, which puts them in close relation with gods or demons, and there is the introduction of the young to complete or advancing manhood, and to full participation in the savage Church with its ethical ideas. The latter ceremonies correspond, in short, to confirmation, and they are usually of a severe character, being meant to test by fasting (as Plutarch says) and by torture (as in the familiar Spartan rite) the courage and constancy of the young braves. The Greek mysteries best known to us are the Thesmophoria and the Eleusinia. In the former the rites (as will appear later) partook of the nature of savage "medicine" or magic, and were mainly intended to secure fertility in husbandry and in the family. In the Eleusinia the purpose was the purification of the initiated, secured by ablutions and by standing on the "ram's-skin of Zeus," and after purifications the mystae engaged in sacred dances, and were permitted to view a miracle play representing the sorrows and consolations of Demeter. There was a higher element, necessarily obscure in nature. The chief features in the whole were purifications, dancing, sacrifice and the representation of the miracle play. It would be tedious to offer an exhaustive account of savage rites analogous to these mysteries of Hellas. Let it suffice to display the points where Greek found itself in harmony with Australian, and American, and African practice. These points are: (1) mystic dances; (2) the use of a little instrument, called turndun in Australia, whereby a roaring noise is made, and the profane are warned off; (3) the habit of daubing persons about to be initiated with clay or anything else that is sordid, and of washing this off; apparently by way of showing that old guilt is removed and a new life entered upon; (4) the performances with serpents may be noticed, while the "mad doings" and "howlings" mentioned by Plutarch are familiar to every reader of travels in uncivilised countries; (5) ethical instruction is communicated.
There seem to be two main purposes in the rituals of primitive cultures. One aims to give those initiated a special sacred status, connecting them closely with gods or demons, while the other introduces young people to full adulthood and active participation in the tribal community's ethical beliefs. The latter ceremonies are similar to confirmation and typically have a rigorous nature, designed to test the bravery and resilience of young warriors through fasting (as Plutarch mentions) and hardship (like the well-known Spartan ritual). The Greek mysteries most familiar to us are the Thesmophoria and the Eleusinia. In the Thesmophoria (as will be discussed later), the rites involved elements of primitive "medicine" or magic, primarily intended to ensure fertility in agriculture and family. The Eleusinia aimed at purifying the initiates, achieved through washing and standing on the "ram's-skin of Zeus." After purification, the initiates participated in sacred dances and were allowed to witness a dramatic performance depicting the grief and comfort of Demeter. There was a deeper aspect, inherently obscure. The main components of the entire process included purification, dancing, sacrifice, and the performance of the dramatic play. It would be tedious to provide a detailed account of primitive rituals similar to these Greek mysteries. It’s enough to highlight where Greek practices align with those of Australian, American, and African cultures. These points include: (1) mystic dances; (2) the use of a small instrument called a turndun in Australia, which produces a loud noise to keep outsiders away; (3) the practice of smearing individuals about to be initiated with clay or something similarly dirty and then washing it off, symbolizing the removal of past guilt and the beginning of a new life; (4) the rituals involving snakes, and the "mad actions" and "howlings" noted by Plutarch, which are common in travel accounts of uncivilized regions; (5) ethical teachings are imparted.
First, as to the mystic dances, Lucian observes:(1) "You cannot find a single ancient mystery in which there is not dancing.... This much all men know, that most people say of the revealers of the mysteries that they 'dance them out'" ((Greek text omitted)). Clemens of Alexandria uses the same term when speaking of his own "appalling revelations".(2) So closely connected are mysteries with dancing among savages, that when Mr. Orpen asked Qing, the Bushman hunter, about some doctrines in which Qing was not initiated, he said: "Only the initiated men of that dance know these things". To "dance" this or that means to be acquainted with this or that myth, which is represented in a dance or ballet d'action(3) ((Greek text omitted)). So widely distributed is the practice, that Acosta, in an interesting passage, mentions it as familiar to the people of Peru before and after the Spanish conquest. The text is a valuable instance of survival in religion. When they were converted to Christianity the Peruvians detected the analogy between our sacrament and their mysteries, and they kept up as much as possible of the old rite in the new ritual. Just as the mystae of Eleusis practised chastity, abstaining from certain food, and above all from beans, before the great Pagan sacrament, so did the Indians. "To prepare themselves all the people fasted two days, during which they did neyther company with their wives, nor eate any meate with salt or garlicke, nor drink any chic.... And although the Indians now forbeare to sacrifice beasts or other things publikely, which cannot be hidden from the Spaniardes, yet doe they still use many ceremonies that have their beginnings from these feasts and auntient superstitions, for at this day do they covertly make their feast of Ytu at the daunces of the feast of the Sacrament. Another feast falleth almost at the same time, whereas the Christians observe the solempnitie of the holy Sacrament, which DOTH RESEMBLE IT IN SOME SORT, AS IN DAUNCING, SINGING AND REPRESENTATIONS."(4) The holy "daunces" at Seville are under Papal disapproval, but are to be kept up, it is said, till the peculiar dresses used in them are worn out. Acosta's Indians also had "garments which served only for this feast". It is superfluous to multiply examples of the dancing, which is an invariable feature of savage as of Greek mysteries.
First, regarding the mystic dances, Lucian notes: (1) "You can't find a single ancient mystery without dancing.... Everyone knows that most people say the revealers of the mysteries 'dance them out'" ((Greek text omitted)). Clemens of Alexandria uses the same term when talking about his own "appalling revelations". (2) The connection between mysteries and dancing among tribal cultures is so strong that when Mr. Orpen asked Qing, the Bushman hunter, about some beliefs he wasn’t initiated into, Qing replied: "Only the initiated men of that dance know these things." To "dance" this or that means to be familiar with this or that myth, which is represented in a dance or performance. (3) ((Greek text omitted)). This practice is so widespread that Acosta mentions it was known among the people of Peru before and after the Spanish conquest. The text is a valuable example of survival in religion. When the Peruvians converted to Christianity, they noticed the similarities between our sacrament and their mysteries, and they preserved as much as possible of the old rite within the new ritual. Just like the mystae of Eleusis practiced chastity, abstaining from certain foods, especially beans, before the great Pagan sacrament, the Indians did the same. "To prepare themselves, all the people fasted for two days, during which they neither had relations with their wives nor ate any food with salt or garlic, nor drank any chicha.... And although the Indians now refrain from publicly sacrificing animals or other things, which cannot be hidden from the Spaniards, they still engage in many ceremonies that have their roots in these feasts and ancient superstitions, for to this day they secretly hold their feast of Ytu during the dances of the feast of the Sacrament. Another feast occurs almost at the same time, while Christians observe the solemnity of the holy Sacrament, which resembles it in some ways, such as in dancing, singing, and representations." (4) The holy "dances" in Seville are under Papal disapproval, but it is said they will continue until the unique costumes used in them wear out. Acosta's Indians also had "garments that were only for this feast." It's unnecessary to provide more examples of dancing, which is an essential aspect of both savage and Greek mysteries.
(1) (Greek text omitted), chap. xv. 277.
(1) (Greek text omitted), chap. xv. 277.
(2) Ap. Euseb., Praep. Ev., ii, 3, 6.
(2) Ap. Euseb., Praep. Ev., ii, 3, 6.
(3) Cape Monthly Magazine, July, 1874.
(3) Cape Monthly Magazine, July, 1874.
(4) Acosta, Historie of the Indies, book v. chap. xxviii. London, 1604.
(4) Acosta, History of the Indies, book 5, chapter 28. London, 1604.
2. The Greek and savage use of the turndun, or bribbun of Australia in the mysteries is familiar to students. This fish-shaped flat board of wood is tied to a string, and whirled round, so as to cause a peculiar muffled roar. Lobeck quotes from the old scholia on Clemens Alexandrinus, published by Bastius in annotations on St. Gregory, the following Greek description of the turndun, the "bull-roarer" of English country lads, the Gaelic srannam:(1) (Greek text omitted)". "The conus was a little slab of wood, tied to a string, and whirled round in the mysteries to make a whirring noise. As the mystic uses of the turndun in Australia, New Zealand, New Mexico and Zululand have elsewhere been described at some length (Custom and Myth, pp. 28-44), it may be enough to refer the reader to the passage. Mr. Taylor has since found the instrument used in religious mysteries in West Africa, so it has now been tracked almost round the world. That an instrument so rude should be employed by Greek and Australians on mystic occasions is in itself a remarkable coincidence. Unfortunately, Lobeck, who published the Greek description of the turndun (Aglaophamus, 700), was unacquainted with the modern ethnological evidence.
2. The Greek and indigenous use of the turndun, or bribbun from Australia in the mysteries is familiar to scholars. This fish-shaped flat board made of wood is attached to a string and spun around, creating a unique muffled roar. Lobeck cites an old commentary on Clemens Alexandrinus, published by Bastius in notes on St. Gregory, providing the following Greek description of the turndun, the "bull-roarer" of English country boys, the Gaelic srannam: (1) (Greek text omitted). "The conus was a small wooden slab, tied to a string, and spun in the mysteries to produce a whirring sound. As the sacred uses of the turndun in Australia, New Zealand, New Mexico, and Zululand have been described in detail elsewhere (Custom and Myth, pp. 28-44), it may suffice to direct the reader to that passage. Mr. Taylor has since discovered the instrument being used in religious rituals in West Africa, so it has now been traced almost around the globe. The fact that such a simple instrument is used by both Greeks and Australians during mystical occasions is itself a noteworthy coincidence. Unfortunately, Lobeck, who published the Greek description of the turndun (Aglaophamus, 700), was unaware of modern ethnological evidence.
(1) Pronounced strantham. For this information I am indebted to my friend Mr. M'Allister, schoolmaster at St. Mary's Loch.
(1) Pronounced strantham. I got this information from my friend Mr. M'Allister, the schoolmaster at St. Mary's Loch.
3. The custom of plastering the initiated over with clay or filth was common in Greek as in barbaric mysteries. Greek examples may be given first. Demosthenes accuses Aeschines of helping his mother in certain mystic rites, aiding her, especially, by bedaubing the initiate with clay and bran.(1) Harpocration explains the term used ((Greek text omitted)) thus: "Daubing the clay and bran on the initiate, to explain which they say that the Titans when they attacked Dionysus daubed themselves over with chalk, but afterwards, for ritual purposes, clay was used". It may be urged with some force that the mother of Aeschines introduced foreign, novel and possibly savage rites. But Sophocles, in a fragment of his lost play, the Captives, uses the term in the same ritual sense—
3. The practice of covering initiates with clay or dirt was common in both Greek and barbaric rituals. First, let's look at Greek examples. Demosthenes accuses Aeschines of assisting his mother in certain mystical ceremonies, particularly by smearing the initiate with clay and bran.(1) Harpocration explains the term used ((Greek text omitted)) like this: "Smearing the clay and bran on the initiate, to clarify, they say that the Titans, when they attacked Dionysus, covered themselves in chalk, but later, for ritual reasons, clay was used." It could be argued strongly that Aeschines' mother introduced foreign, new, and possibly savage practices. However, Sophocles, in a fragment from his lost play, the Captives, uses the term in the same ritual context—
(Greek text omitted).
(Greek text omitted).
(1) De Corona, 313.
De Corona, 313.
The idea clearly was that by cleansing away the filth plastered over the body was symbolised the pure and free condition of the initiate. He might now cry in the mystic chant—
The idea was that by washing away the dirt covering the body, it symbolized the pure and free state of the initiate. He could now chant in the mystical song—
(Greek text omitted). Worse have I fled, better have I found.
(Greek text omitted). I have escaped worse things, and found something better.
That this was the significance of the daubing with clay in Greek mysteries and the subsequent cleansing seems quite certain. We are led straight to this conclusion by similar rites, in which the purpose of mystically cleansing was openly put forward. Thus Plutarch, in his essay on superstition, represents the guilty man who would be purified actually rolling in clay, confessing his misdeeds, and then sitting at home purified by the cleansing process ((Greek text omitted)).(1) In another rite, the cleansing of blood-guiltiness, a similar process was practised. Orestes, after killing his mother, complains that the Eumenides do not cease to persecute him, though he has been "purified by blood of swine".(2) Apollonius says that the red hand of the murderer was dipped in the blood of swine and then washed.(3) Athenaeus describes a similar unpleasant ceremony.(4) The blood of whelps was apparently used also, men being first daubed with it and then washed clean.(5) The word (Greek text omitted) is again the appropriate ritual term. Such rites Plutarch calls (Greek text omitted), "filthy purifications".(6) If daubing with dirt is known to have been a feature of Greek mysteries, it meets us everywhere among savages. In O-Kee-Pa, that curiously minute account of the Mandan mysteries, Catlin writes that a portion of the frame of the initiate was "covered with clay, which the operator took from a wooden bowl, and with his hand plastered unsparingly over". The fifty young men waiting for initiation "were naked and entirely covered with clay of various colours".(7) The custom is mentioned by Captain John Smith in Virginia. Mr. Winwood Reade found it in Africa, where, as among the Mandans and Spartans, cruel torture and flogging accompanied the initiation of young men.(8) In Australia the evidence for daubing the initiate is very abundant.(9) In New Mexico, the Zunis stole Mr. Cushing's black paint, as considering it even better than clay for religious daubing.(10)
The significance of covering with clay in Greek mysteries and the following purification is quite clear. We come to this conclusion through similar rituals, where the purpose of mystical cleansing is explicitly stated. For instance, Plutarch, in his essay on superstition, describes a guilty person who seeks purification by actually rolling in clay, confessing his wrongdoings, and then returning home feeling cleansed after the process ((Greek text omitted)).(1) In another purification ritual for blood guilt, a similar method was used. Orestes, after killing his mother, laments that the Furies continue to torment him, even though he has been "purified by the blood of swine".(2) Apollonius notes that the murderer’s red hand was dipped in blood from a swine and then washed off.(3) Athenaeus recounts a similar, unpleasant ceremony.(4) It seems they also used the blood of pups, where men were first smeared with it and then cleaned up afterward.(5) The term (Greek text omitted) fits this ritual perfectly. Plutarch refers to these rites as (Greek text omitted), "filthy purifications".(6) If smearing with dirt was a part of Greek mysteries, we see it everywhere among indigenous peoples. In O-Kee-Pa, a detailed account of the Mandan mysteries, Catlin describes that part of the initiate's body was "covered with clay, which the initiate took from a wooden bowl and smeared on generously." The fifty young men waiting to be initiated "were naked and completely covered with clay of various colors".(7) This custom is also noted by Captain John Smith in Virginia. Mr. Winwood Reade discovered it in Africa, where, like among the Mandans and Spartans, brutal torture and flogging were part of the initiation process for young men.(8) In Australia, there’s considerable evidence of the initiates being covered in clay.(9) In New Mexico, the Zunis even took Mr. Cushing’s black paint, believing it was better than clay for religious smearing.(10)
(1) So Hermann, op. cit., 133.
(1) So Hermann, op. cit., 133.
(2) Eumenides, 273.
Eumenides, 273.
(3) Argonautica, iv. 693.
(3) Argonautica, Book 4, Line 693.
(4) ix. 78. Hermann, from whom the latter passages are borrowed, also quotes the evidence of a vase published by Feuerbach, Lehrbuch, p. 131, with other authorities.
(4) ix. 78. Hermann, from whom the latter passages are taken, also cites the evidence of a vase published by Feuerbach, Lehrbuch, p. 131, along with other sources.
(5) Plutarch, Quaest. Rom., 68.
(5) Plutarch, Questions on Rome, 68.
(6) De Superstitione, chap. xii.
(6) Of Superstition, chap. xii.
(7) O-Kee-Pa, London, 1867, p. 21.
(7) O-Kee-Pa, London, 1867, p. 21.
(8) Savage Africa, case of Mongilomba; Pausanias, iii. 15.
(8) Wild Africa, example of Mongilomba; Pausanias, iii. 15.
(9) Brough Smyth, i. 60.
(9) Brough Smyth, p. 60.
(10) Custma and Myth, p. 40.
(10) Custma and Myth, p. 40.
4. Another savage rite, the use of serpents in Greek mysteries, is attested by Clemens Alexandrinus and by Demosthenes (loc. cit.). Clemens says the snakes were caressed in representations of the loves of Zeus in serpentine form. The great savage example is that of "the snake-dance of the Moquis," who handle rattle-snakes in the mysteries without being harmed.(1) The dance is partly totemistic, partly meant, like the Thesmophoria, to secure the fertility of the lands of the Moquis of Arizonas. The turndum or (Greek text omitted) is employed. Masks are worn, as in the rites of Demeter Cidiria in Arcadia.(2)
4. Another brutal ritual, the use of snakes in Greek mystery traditions, is mentioned by Clemens Alexandrinus and Demosthenes (loc. cit.). Clemens states that the snakes were gently handled in depictions of Zeus's love in snake form. A notable wild example is "the snake dance of the Moquis," who handle rattlesnakes in their rituals without being hurt. (1) The dance is partly totemic and partly aimed at ensuring the fertility of the Moquis lands in Arizona, similar to the Thesmophoria. The turndum or (Greek text omitted) is used. Masks are worn, just like in the rituals dedicated to Demeter Cidiria in Arcadia. (2)
(1) The Snake-Dance of the Moquis. By Captain John G. Bourke, London, 1884.
(1) The Snake-Dance of the Moquis. By Captain John G. Bourke, London, 1884.
(2) Pausanias, viii. 16.
Pausanias, viii. 16.
5. This last point of contact between certain Greek and certain savage mysteries is highly important. The argument of Lobeck, in his celebrated work Aglaophamus, is that the Mysteries were of no great moment in religion. Had he known the evidence as to savage initiations, he would have been confirmed in his opinion, for many of the singular Greek rites are clearly survivals from savagery. But was there no more truly religious survival? Pindar is a very ancient witness that things of divine import were revealed. "Happy is he who having seen these things goes under the hollow earth. He knows the end of life, and the god-given beginning."(1) Sophocles "chimes in," as Lobeck says, declaring that the initiate alone LIVE in Hades, while other souls endure all evils. Crinagoras avers that even in life the initiate live secure, and in death are the happier. Isagoras declares that about the end of life and all eternity they have sweet hopes.
5. This last connection between certain Greek and some primitive mysteries is very significant. Lobeck, in his well-known work Aglaophamus, argues that the Mysteries weren't very important in religion. If he had been aware of the evidence regarding primitive initiations, it would have strengthened his argument, since many of the unique Greek rituals clearly stem from primitive practices. But wasn't there a more genuinely religious tradition? Pindar is an ancient source that indicates significant divine revelations occurred. "Blessed is he who, having seen these truths, goes beneath the earth. He understands the end of life and the divinely ordained beginning."(1) Sophocles adds to this, as Lobeck puts it, claiming that only the initiated truly LIVE in Hades, while other souls suffer all sorts of misfortunes. Crinagoras asserts that even in life, the initiated are safe, and in death, they are happier. Isagoras states that regarding the end of life and all eternity, they hold sweet hopes.
(1) Fragm., cxvi., 128 H. p. 265.
(1) Fragm., cxvi., 128 H. p. 265.
Splendida testimonia, cries Lobeck. He tries to minimise the evidence, remarking that Isocrates promises the very same rewards to all who live justly and righteously. But why not, if to live justly and righteously was part of the teaching of the mysteries of Eleusis? Cicero's evidence, almost a translation of the Greek passages already cited, Lobeck dismisses as purely rhetorical.(1) Lobeck's method is rather cavalier. Pindar and Sophocles meant something of great significance.
Splendid evidence, cries Lobeck. He tries to downplay the proof, pointing out that Isocrates offers the same rewards to anyone who lives justly and righteously. But why not, if living justly and righteously was part of the teachings of the Eleusinian mysteries? Lobeck dismisses Cicero's evidence, which is almost a direct translation of the previously cited Greek passages, as merely rhetorical.(1) Lobeck's approach is somewhat casual. Pindar and Sophocles conveyed something of great importance.
(1) De Legibus ii. 14; Aglaophamus, pp. 69-74.
(1) De Legibus ii. 14; Aglaophamus, pp. 69-74.
Now we have acknowledged savage survivals of ugly rites in the Greek mysteries. But it is only fair to remember that, in certain of the few savage mysteries of which we know the secret, righteousness of life and a knowledge of good are inculcated. This is the case in Australia, and in Central Africa, where to be "uninitiated" is equivalent to being selfish.(1) Thus it seems not improbable that consolatory doctrines were expounded in the Eleusinia, and that this kind of sermon or exhortation was no less a survival from savagery than the daubing with clay, and the (Greek text omitted), and other wild rites.
Now we’ve recognized the rough remnants of ugly rituals in the Greek mysteries. However, it’s important to remember that in some of the few savage mysteries where we know the details, a good way of living and an understanding of what is right are taught. This is true in Australia and Central Africa, where being "uninitiated" means being selfish.(1) So, it seems likely that comforting beliefs were shared in the Eleusinia, and that this type of teaching or encouragement was just as much a remnant of savagery as the painting with clay, the (Greek text omitted), and other wild rituals.
(1) Making of Religion, pp. 193-197, 235.
(1) Making of Religion, pp. 193-197, 235.
We have now attempted to establish that in Greek law and ritual many savage customs and usages did undeniably survive. We have seen that both philosophical and popular opinion in Greece believed in a past age of savagery. In law, in religion, in religious art, in custom, in human sacrifice, in relics of totemism, and in the mysteries, we have seen that the Greeks retained plenty of the usages now found among the remotest and most backward races. We have urged against the suggestion of borrowing from Egypt or Asia that these survivals are constantly found in local and tribal religion and rituals, and that consequently they probably date from that remote prehistoric past when the Greeks lived in village settlements. It may still doubtless be urged that all these things are Pelasgic, and were the customs of a race settled in Hellas before the arrival of the Homeric Achaeans, and Dorians, and Argives, who, on this hypothesis, adopted and kept up the old savage Pelasgian ways and superstitions. It is impossible to prove or disprove this belief, nor does it affect our argument. We allege that all Greek life below the surface was rich in institutions now found among the most barbaric peoples. These institutions, whether borrowed or inherited, would still be part of the legacy left by savages to cultivated peoples. As this legacy is so large in custom and ritual, it is not unfair to argue that portions of it will also be found in myths. It is now time to discuss Greek myths of the origin of things, and decide whether they are or are not analogous in ideas to the myths which spring from the wild and ignorant fancy of Australians, Cahrocs, Nootkas and Bushmen.
We have now tried to show that many brutal customs and practices really did persist in Greek law and rituals. We've seen that both philosophical and popular opinion in Greece believed in a time of savagery in the past. In law, religion, religious art, customs, human sacrifices, remnants of totemism, and the mysteries, we've noted that the Greeks kept a lot of the practices still found among the most remote and backward societies. We've argued against the idea that these customs were borrowed from Egypt or Asia, pointing out that these remnants are consistently found in local and tribal religions and rituals, suggesting they likely date back to that distant prehistoric time when the Greeks lived in village communities. It could still be claimed that all these practices are Pelasgic and were the customs of a race that settled in Hellas before the arrival of the Homeric Achaeans, Dorians, and Argives, who, according to this theory, adopted and maintained the old brutal Pelasgian ways and superstitions. It is impossible to prove or disprove this belief, and it doesn't change our argument. We claim that all Greek life underneath the surface was full of institutions now seen among the most barbaric peoples. These institutions, whether borrowed or inherited, would still be part of the legacy left by savages to civilized people. Since this legacy is so extensive in customs and rituals, it's fair to argue that parts of it will also appear in myths. It’s now time to discuss Greek myths about the origin of things and determine whether they are or aren't similar in ideas to the myths that come from the wild and uninformed imaginations of Australians, Cahrocs, Nootkas, and Bushmen.
CHAPTER X. GREEK COSMOGONIC MYTHS.
Nature of the evidence—Traditions of origin of the world and man—Homeric, Hesiodic and Orphic myths—Later evidence of historians, dramatists, commentators—The Homeric story comparatively pure—The story in Hesiod, and its savage analogues—The explanations of the myth of Cronus, modern and ancient—The Orphic cosmogony—Phanes and Prajapati—Greek myths of the origin of man—Their savage analogues.
Nature of the evidence—Traditions about the origin of the world and humanity—Homeric, Hesiodic, and Orphic myths—Later accounts from historians, playwrights, and commentators—The Homeric narrative is relatively untainted—The narrative in Hesiod and its primitive counterparts—Interpretations of the myth of Cronus, both modern and ancient—The Orphic creation story—Phanes and Prajapati—Greek myths about the origin of humanity—Their primitive counterparts.
The authorities for Greek cosmogonic myth are extremely various in date, character and value. The most ancient texts are the Iliad and the poems attributed to Hesiod. The Iliad, whatever its date, whatever the place of its composition, was intended to please a noble class of warriors. The Hesiodic poems, at least the Theogony, have clearly a didactic aim, and the intention of presenting a systematic and orderly account of the divine genealogies. To neither would we willingly attribute a date much later than the ninth century of our era, but the question of the dates of all the epic and Hesiodic poems, and even of their various parts, is greatly disputed among scholars. Yet it is nowhere denied that, however late the present form of some of the poems may be, they contain ideas of extreme antiquity. Although the Homeric poems are usually considered, on the whole, more ancient than those attributed to Hesiod,(1) it is a fact worth remembering that the notions of the origin of things in Hesiod are much more savage and (as we hold) much more archaic than the opinions of Homer.
The sources for Greek creation myths vary greatly in their age, nature, and significance. The oldest texts are the Iliad and the poems attributed to Hesiod. The Iliad, regardless of when or where it was written, was meant to appeal to a noble class of warriors. The poems by Hesiod, especially the Theogony, clearly have a teaching purpose, aiming to provide a systematic and organized account of the divine family trees. We would hesitate to assign a date much later than the ninth century of our era to either, but scholars fiercely debate the dating of all epic and Hesiodic poems, and even their different sections. However, it is universally acknowledged that, no matter how late the current form of some of these poems may be, they contain ideas that are extremely ancient. Although the Homeric poems are generally regarded as older than those attributed to Hesiod,(1) it’s important to note that the concepts of creation in Hesiod are much rougher and, as we believe, far more primitive than those in Homer.
(1) Grote assigns his Theogony to circ. 750 A.D. The Thegony was taught to boys in Greece, much as the Church Catechism and Bible are taught in England; Aeschines in Ctesiph., 135, p. 73. Libanius, 400 years after Christ (i. 502-509, iv. 874).
(1) Grote dates his Theogony to around 750 A.D. The Theogony was taught to boys in Greece in a similar way that the Church Catechism and Bible are taught in England; Aeschines in Ctesiph., 135, p. 73. Libanius, 400 years after Christ (i. 502-509, iv. 874).
While Hesiod offers a complete theogony or genealogy of deities and heroes, Homer gives no more than hints and allusions to the stormy past of the gods. It is clear, however, that his conception of that past differed considerably from the traditions of Hesiod. However we explain it, the Homeric mythology (though itself repugnant to the philosophers from Xenophanes downwards) is much more mild, pure and humane than the mythology either of Hesiod or of our other Greek authorities. Some may imagine that Homer retains a clearer and less corrupted memory than Hesiod possessed of an original and authentic "divine tradition". Others may find in Homer's comparative purity a proof of the later date of his epics in their present form, or may even proclaim that Homer was a kind of Cervantes, who wished to laugh the gods away. There is no conceivable or inconceivable theory about Homer that has not its advocates. For ourselves, we hold that the divine genius of Homer, though working in an age distant rather than "early," selected instinctively the purer mythical materials, and burned away the coarser dross of antique legend, leaving little but the gold which is comparatively refined.
While Hesiod provides a complete creation story or family tree of gods and heroes, Homer only offers hints and references to the troubled history of the gods. However, it's clear that his view of that history is quite different from Hesiod's traditions. Regardless of how one interprets it, Homeric mythology (though it has been largely rejected by philosophers from Xenophanes onward) is much gentler, cleaner, and more humane than the mythology of Hesiod or other Greek sources. Some might think that Homer has a clearer and less distorted memory of an original, authentic "divine tradition" compared to Hesiod. Others might see Homer's relative purity as evidence that his epics were finalized later or even argue that Homer was somewhat like Cervantes, aiming to mock the gods. There’s no theory about Homer, no matter how far-fetched, that doesn't have its supporters. Personally, we believe that the divine genius of Homer, although functioning in a later rather than an "early" age, instinctively chose the purer mythical elements and burned away the coarser remnants of ancient legends, leaving primarily the refined essence.
We must remember that it does not follow that any mythical ideas are later than the age of Homer because we first meet them in poems of a later date. We have already seen that though the Brahmanas are much later in date of compilation than the Veda, yet a tradition which we first find in the Brahmanas may be older than the time at which the Veda was compiled. In the same way, as Mr. Max Muller observes, "we know that certain ideas which we find in later writers do not occur in Homer. But it does not follow at all that such ideas are all of later growth or possess a secondary character. One myth may have belonged to one tribe; one god may have had his chief worship in one locality; and our becoming acquainted with these through a later poet does not in the least prove their later origin."(1)
We need to remember that just because we encounter certain mythical ideas in poems from a later time doesn't mean they originated after Homer's era. We've already noted that even though the Brahmanas were compiled much later than the Veda, a tradition we discover in the Brahmanas could actually be older than when the Veda was put together. Similarly, as Mr. Max Muller points out, "we know that some ideas found in later writers don’t appear in Homer. But that certainly doesn’t mean that all such ideas are newer or secondary. One myth might belong to one tribe; one god might be primarily worshiped in one area; and just because we learn about them through a later poet doesn’t prove they came from a later time."(1)
(1) Hibbert Lectures, pp. 130, 131.
(1) Hibbert Lectures, pp. 130, 131.
After Homer and Hesiod, our most ancient authorities for Greek cosmogonic myths are probably the so-called Orphic fragments. Concerning the dates and the manner of growth of these poems volumes of erudition have been compiled. As Homer is silent about Orpheus (in spite of the position which the mythical Thracian bard acquired as the inventor of letters and magic and the father of the mysteries), it has been usual to regard the Orphic ideas as of late introduction. We may agree with Grote and Lobeck that these ideas and the ascetic "Orphic mode of life" first acquired importance in Greece about the time of Epimenides, or, roughly speaking, between 620 and 500 B.C.(1) That age certainly witnessed a curious growth of superstitious fears and of mystic ceremonies intended to mitigate spiritual terrors. Greece was becoming more intimately acquainted with Egypt and with Asia, and was comparing her own religion with the beliefs and rites of other peoples. The times and the minds of men were being prepared for the clear philosophies that soon "on Argive heights divinely sang". Just as, when the old world was about to accept Christianity, a deluge of Oriental and barbaric superstitions swept across men's minds, so immediately before the dawn of Greek philosophy there came an irruption of mysticism and of spiritual fears. We may suppose that the Orphic poems were collected, edited and probably interpolated, in this dark hour of Greece. "To me," says Lobeck, "it appears that the verses may be referred to the age of Onomacritus, an age curious in the writings of ancient poets, and attracted by the allurements of mystic religions." The style of the surviving fragments is sufficiently pure and epic; the strange unheard of myths are unlike those which the Alexandrian poets drew from fountains long lost.(2) But how much in the Orphic myths is imported from Asia or Egypt, how much is the invention of literary forgers like Onomacritus, how much should be regarded as the first guesses of the physical poet-philosophers, and how much is truly ancient popular legend recast in literary form, it is impossible with certainty to determine.
After Homer and Hesiod, the oldest sources for Greek creation myths are likely the so-called Orphic fragments. There are extensive discussions on the dates and development of these texts. Since Homer doesn't mention Orpheus—despite the fact that this mythical Thracian bard is considered the inventor of writing and magic, as well as the father of the mysteries—it's common to see the Orphic ideas as a later addition. We can agree with Grote and Lobeck that these ideas and the ascetic "Orphic way of life" gained significance in Greece around the time of Epimenides, roughly between 620 and 500 B.C. That period certainly saw a notable rise in superstitious fears and mystical rituals meant to ease spiritual anxieties. Greece was increasingly engaging with Egypt and Asia, comparing its own beliefs with those of other cultures. The context and thought processes of people were preparing them for the clear philosophies that would soon "sing divinely on Argive heights." Just as, when the old world was on the brink of embracing Christianity, a flood of Eastern and barbaric superstitions overwhelmed people's minds, so too did a wave of mysticism and spiritual fears precede the rise of Greek philosophy. We might assume that the Orphic poems were collected, edited, and likely altered during this turbulent time in Greece. "To me," says Lobeck, "it seems these verses can be traced back to the era of Onomacritus, a period curious about the writings of ancient poets and drawn to the enticing aspects of mystical religions." The style of the surviving fragments is fairly pure and epic; the strange, unique myths differ from those that Alexandrian poets sourced from long-lost traditions. However, it's impossible to determine with certainty how much of the Orphic myths was borrowed from Asia or Egypt, how much was created by literary forgers like Onomacritus, how much should be seen as the early thoughts of the poet-philosophers, and how much is genuinely ancient folklore reshaped into literary form.
(1) Lobeck, Aglaophamus, i. 317; Grote, iii. 86.
(1) Lobeck, Aglaophamus, i. 317; Grote, iii. 86.
(2) Aglaophamus, i. 611.
(2) Aglaophamus, i. 611.
We must not regard a myth as necessarily late or necessarily foreign because we first meet it in an "Orphic composition". If the myth be one of the sort which encounter us in every quarter, nay, in every obscure nook of the globe, we may plausibly regard it as ancient. If it bear the distinct marks of being a Neo-platonic pastiche, we may reject it without hesitation. On the whole, however, our Orphic authorities can never be quoted with much satisfaction. The later sources of evidence for Greek myths are not of great use to the student of cosmogonic legend, though invaluable when we come to treat of the established dynasty of gods, the heroes and the "culture-heroes". For these the authorities are the whole range of Greek literature, poets, dramatists, philosophers, critics, historians and travellers. We have also the notes and comments of the scholiasts or commentators on the poets and dramatists. Sometimes these annotators only darken counsel by their guesses. Sometimes perhaps, especially in the scholia on the Iliad and Odyssey, they furnish us with a precious myth or popular marchen not otherwise recorded. The regular professional mythographi, again, of whom Apollodorus (150 B.C.) is the type, compiled manuals explanatory of the myths which were alluded to by the poets. The scholiasts and mythographi often retain myths from lost poems and lost plays. Finally, from the travellers and historians we occasionally glean examples of the tales ("holy chapters," as Mr. Grote calls them) which were narrated by priests and temple officials to the pilgrims who visited the sacred shrines.
We shouldn't consider a myth to be necessarily recent or foreign just because we first encounter it in an "Orphic composition." If the myth shows up in various places, even in some remote corners of the world, we can reasonably assume it's ancient. If it clearly looks like a Neo-Platonic remix, we can discard it without hesitation. However, overall, we can never rely on our Orphic sources with much confidence. The later evidence for Greek myths isn’t very helpful for anyone studying creation legends, though it’s invaluable when discussing the established pantheon of gods, heroes, and "culture-heroes." For these, we can draw from the entire spectrum of Greek literature, including poets, playwrights, philosophers, critics, historians, and travelers. We also have the notes and comments from scholii or commentators on the poets and dramatists. Sometimes these annotators only complicate things with their guesses. Other times, especially in the scholia on the Iliad and Odyssey, they provide us with valuable myths or folk tales that we wouldn’t find elsewhere. The professional mythographers, of whom Apollodorus (150 B.C.) is a prime example, compiled guides explaining the myths referenced by the poets. The scholii and mythographers often preserve myths from lost poems and plays. Lastly, from travelers and historians, we occasionally gather examples of the stories ("holy chapters," as Mr. Grote calls them) that were told by priests and temple officials to pilgrims visiting sacred sites.
These "chapters" are almost invariably puerile, savage and obscene. They bear the stamp of extreme antiquity, because they never, as a rule, passed through the purifying medium of literature. There were many myths too crude and archaic for the purposes of poetry and of the drama. These were handed down from local priest to local priest, with the inviolability of sacred and immutable tradition. We have already given a reason for assigning a high antiquity to the local temple myths. Just as Greeks lived in villages before they gathered into towns, so their gods were gods of villages or tribes before they were national deities. The local myths are those of the archaic village state of "culture," more ancient, more savage, than literary narrative. Very frequently the local legends were subjected to the process of allegorical interpretation, as men became alive to the monstrosity of their unsophisticated meaning. Often they proved too savage for our authorities, who merely remark, "Concerning this a certain holy chapter is told," but decline to record the legend. In the same way missionaries, with mistaken delicacy, often refuse to repeat some savage legend with which they are acquainted.
These "chapters" are almost always childish, brutal, and inappropriate. They have an extremely old feel because they typically never went through the refining process of literature. Many myths were too raw and outdated for poetry and drama. These were passed down from one local priest to another, treated with the respect of sacred and unchanging tradition. We have already explained why we attribute great age to local temple myths. Just as the Greeks lived in small communities before forming larger towns, their gods were initially the deities of villages or tribes before becoming national figures. The local myths reflect the primitive state of village "culture," older and more primitive than literary storytelling. Often, these local legends were analyzed allegorically as people became aware of the shocking nature of their simple meanings. Frequently, they were too brutal for our authorities, who simply noted, "There is a certain holy chapter about this," but chose not to recount the legend. Similarly, missionaries, with misguided sensitivity, often refuse to share some brutal legend they know.
The latest sort of testimony as to Greek myths must be sought in the writings of the heathen apologists or learned Pagan defenders of Paganism in the first centuries during Christianity, and in the works of their opponents, the fathers of the Church. Though the fathers certainly do not understate the abominations of Paganism, and though the heathen apologists make free use of allegorical (and impossible) interpretations, the evidence of both is often useful and important. The testimony of ancient art, vases, statues, pictures and the descriptions of these where they no longer survive, are also of service and interest.
The most recent evidence about Greek myths should be found in the writings of pagan apologists or learned defenders of paganism from the early centuries of Christianity, as well as in the works of their opponents, the Church Fathers. While the Church Fathers certainly do not downplay the atrocities of paganism, and the pagan apologists frequently use allegorical (and unrealistic) interpretations, the insights from both groups can be valuable and significant. The evidence from ancient art, including vases, statues, and paintings, along with descriptions of those that no longer exist, is also helpful and interesting.
After this brief examination of the sources of our knowledge of Greek myth, we may approach the Homeric legends of the origin of things and the world's beginning. In Homer these matters are only referred to incidentally. He more than once calls Oceanus (that is, the fabled stream which flows all round the world, here regarded as a PERSON) "the origin of the gods," "the origin of all things".(1) That Ocean is considered a person, and that he is not an allegory for water or the aqueous element, appears from the speech of Hera to Aphrodite: "I am going to visit the limits of the bountiful earth, and Oceanus, father of the gods, and mother Tethys, who reared me duly and nurtured me in their halls, when far-seeing Zeus imprisoned Cronus beneath the earth and the unvintaged sea".(2) Homer does not appear to know Uranus as the father of Cronus, and thus the myth of the mutilation of Uranus necessarily does not occur in Homer. Cronus, the head of the dynasty which preceded that of Zeus, is described(3) as the son of Rhea, but nothing is said of his father. The passage contains the account which Poseidon himself chose to give of the war in heaven: "Three brethren are we, and sons of Cronus whom Rhea bare—Zeus and myself, and Hades is the third, the ruler of the folk in the underworld. And in three lots were all things divided, and each drew a domain of his own." Here Zeus is the ELDEST son of Cronus. Though lots are drawn at hazard for the property of the father (which we know to have been customary in Homer's time), yet throughout the Iliad Zeus constantly claims the respect and obedience due to him by right of primogeniture.(4) We shall see that Hesiod adopts exactly the opposite view. Zeus is the YOUNGEST child of Cronus. His supremacy is an example of jungsten recht, the wide-spread custom which makes the youngest child the heir in chief.(5) But how did the sons of Cronus come to have his property in their hands to divide? By right of successful rebellion, when "Zeus imprisoned Cronus beneath the earth and the unvintaged sea". With Cronus in his imprisonment are the Titans. That is all that Homer cares to tell about the absolute beginning of things and the first dynasty of rulers of Olympus. His interest is all in the actual reigning family, that of the Cronidae, nor is he fond of reporting their youthful excesses.
After this brief look at the sources of our knowledge of Greek mythology, we can dive into the Homeric legends about how everything began and the world's origins. In Homer, these topics are only mentioned briefly. He often refers to Oceanus (the mythical stream that flows around the world, personified here) as "the origin of the gods" and "the origin of all things." It’s clear that Ocean is treated as a person, rather than just a representation of water, from Hera’s speech to Aphrodite: "I’m going to visit the edges of the rich earth, and Oceanus, father of the gods, along with mother Tethys, who raised me well and cared for me in their home, when far-seeing Zeus locked Cronus away beneath the earth and the ageless sea." Homer doesn’t seem to recognize Uranus as Cronus’s father, so the myth of Uranus' mutilation isn’t present in Homer. He describes Cronus, the head of the dynasty before Zeus, as the son of Rhea, but doesn’t mention his father. The passage includes the account Poseidon chose to share about the war in heaven: "We are three siblings, sons of Cronus whom Rhea bore—Zeus and me, and Hades is the third, the ruler of the people in the underworld. Everything was divided into three lots, and each of us took our own domain." Here, Zeus is the OLDEST son of Cronus. Even though lots are drawn randomly for their father's possessions (which we know was a common practice in Homer's time), throughout the Iliad, Zeus constantly demands the respect and obedience that comes with being the firstborn. We’ll see that Hesiod presents the exact opposite view: Zeus is the YOUNGEST child of Cronus. His dominance exemplifies the principle of "jungsten recht," the widespread custom that makes the youngest child the primary heir. But how did Cronus’s sons come to possess his property to divide? It was through a successful rebellion, when "Zeus imprisoned Cronus beneath the earth and the ageless sea." Along with Cronus in his imprisonment are the Titans. That’s all Homer cares to say about the absolute beginning of things and the first dynasty of rulers of Olympus. His focus is entirely on the current ruling family, the Cronidae, and he isn’t interested in recounting their youthful indiscretions.
(1) Iliad, xiv. 201, 302, 246.
(1) Iliad, xiv. 201, 302, 246.
(2) In reading what Homer and Hesiod report about these matters, we must remember that all the forces and phenomena are conceived of by them as PERSONS. In this regard the archaic and savage view of all things as personal and human is preserved. "I maintain," says Grote, "moreover, fully the character of these great divine agents as persons, which is the light in which they presented themselves to the Homeric or Hesiodic audience. Uranus, Nyx, Hypnos and Oneiros (heaven, night, sleep and dream) are persons just as much as Zeus or Apollo. To resolve them into mere allegories is unsafe and unprofitable. We then depart from the point of view of the original hearers without acquiring any consistent or philosophical point of view of our own." This holds good though portions of the Hesiodic genealogies are distinctly poetic allegories cast in the mould or the ancient personal theory of things.
(2) When we read what Homer and Hesiod say about these topics, we have to remember that they view all forces and phenomena as PERSONS. In this way, the ancient and primitive idea of everything as personal and human remains intact. "I maintain," says Grote, "that the essence of these great divine beings as persons is exactly how they presented themselves to the audience of Homer or Hesiod. Uranus, Nyx, Hypnos, and Oneiros (heaven, night, sleep, and dream) are just as much persons as Zeus or Apollo. Reducing them to mere allegories is both risky and unhelpful. We then move away from how the original listeners understood them, without gaining a consistent or philosophical perspective of our own." This is still true, even though some parts of Hesiod's genealogies are clearly poetic allegories shaped by the old personal theory of things.
(3) Iliad, xv. 187.
(3) Iliad, xv. 187.
(4) The custom by which sons drew lots for equal shares of their dead father's property is described in Odyssey, xiv. 199-212. Here Odysseus, giving a false account of himself, says that he was a Cretan, a bastard, and that his half-brothers, born in wedlock, drew lots for their father's inheritance, and did not admit him to the drawing, but gave him a small portion apart.
(4) The tradition where sons drew lots for equal shares of their deceased father's property is mentioned in Odyssey, xiv. 199-212. In this passage, Odysseus, while pretending to be someone else, claims he was a Cretan, an illegitimate child, and that his half-brothers, who were legitimate, drew lots for their father's inheritance. They excluded him from the drawing and only gave him a small share separately.
(5) See Elton, Origins of English History, pp. 185-207.
(5) See Elton, *Origins of English History*, pp. 185-207.
We now turn from Homer's incidental allusions to the ample and systematic narrative of Hesiod. As Mr. Grote says, "Men habitually took their information respecting their theogonic antiquities from the Hesiodic poems." Hesiod was accepted as an authority both by the pious Pausanias in the second century of our era—who protested against any attempt to alter stories about the gods—and by moral reformers like Plato and Xenophanes, who were revolted by the ancient legends,(1) and, indeed, denied their truth. Yet, though Hesiod represents Greek orthodoxy, we have observed that Homer (whose epics are probably still more ancient) steadily ignores the more barbarous portions of Hesiod's narrative. Thus the question arises: Are the stories of Hesiod's invention, and later than Homer, or does Homer's genius half-unconsciously purify materials like those which Hesiod presents in the crudest form? Mr. Grote says: "How far these stories are the invention of Hesiod himself it is impossible to determine. They bring us down to a cast of fancy more coarse and indelicate than the Homeric, and more nearly resemble some of the holy chapters ((Greek text omitted)) of the more recent mysteries, such, for example, as the tale of Dionysus Zagreus. There is evidence in the Theogony itself that the author was acquainted with local legends current both at Krete and at Delphi, for he mentions both the mountain-cave in Krete wherein the newly-born Zeus was hidden, and the stone near the Delphian temple—the identical stone which Kronos had swallowed—placed by Zeus himself as a sign and marvel to mortal men. Both these monuments, which the poet expressly refers to, and had probably seen, imply a whole train of accessory and explanatory local legends, current probably among the priests of Krete and Delphi."
We now shift from Homer’s casual references to the detailed and organized narrative of Hesiod. As Mr. Grote points out, "People typically gathered their information about their divine origins from the works of Hesiod." Hesiod was regarded as an authority by the devout Pausanias in the second century, who opposed any attempts to change stories about the gods, and by moral reformers like Plato and Xenophanes, who were disturbed by the old legends and even denied their truth. However, while Hesiod reflects Greek tradition, we've noted that Homer (whose epics are likely even older) consistently overlooks the more primitive aspects of Hesiod's narrative. This leads to the question: Are the stories from Hesiod original and later than Homer, or does Homer’s genius unintentionally refine the material that Hesiod presents in its rawest form? Mr. Grote states: "It’s impossible to ascertain how much of these stories was invented by Hesiod himself. They present a level of imagination that is coarser and less refined than Homer’s, and they closely resemble some of the sacred chapters ((Greek text omitted)) from the more recent mysteries, such as the story of Dionysus Zagreus. The Theogony itself contains evidence that the author was familiar with local legends known in both Crete and Delphi, as he mentions the mountain cave in Crete where the newborn Zeus was hidden and the stone near the Delphian temple—the very stone that Kronos had swallowed—placed by Zeus as a sign and wonder for humankind. Both of these landmarks, which the poet specifically alludes to and likely saw, suggest a whole range of related and explanatory local legends that were probably known among the priests of Crete and Delphi."
(1) Timaeeus, 41; Republic, 377.
Timaeus, 41; Republic, 377.
All these circumstances appear to be good evidence of the great antiquity of the legends recorded by Hesiod. In the first place, arguing merely a priori, it is extremely improbable that in the brief interval between the date of the comparatively pure and noble mythology of the Iliad and the much ruder Theogony of Hesiod men INVENTED stories like the mutilation of Uranus, and the swallowing of his offspring by Cronus. The former legend is almost exactly parallel, as has already been shown, to the myth of Papa and Rangi in New Zealand. The later has its parallels among the savage Bushmen and Australians. It is highly improbable that men in an age so civilised as that of Homer invented myths as hideous as those of the lowest savages. But if we take these myths to be, not new inventions, but the sacred stories of local priesthoods, their antiquity is probably incalculable. The sacred stories, as we know from Pausanias, Herodotus and from all the writers who touch on the subject of the mysteries, were myths communicated by the priests to the initiated. Plato speaks of such myths in the Republic, 378: "If there is an absolute necessity for their mention, a very few might hear them in a mystery, and then let them sacrifice, not a common pig, but some huge and unprocurable victim; this would have the effect of very greatly diminishing the number of the hearers". This is an amusing example of a plan for veiling the horrors of myth. The pig was the animal usually offered to Demeter, the goddess of the Eleusinian mysteries. Plato proposes to substitute some "unprocurable" beast, perhaps a giraffe or an elephant.
All these circumstances seem to provide strong evidence for the ancient origins of the legends recorded by Hesiod. First of all, it’s extremely unlikely that in the short time between the relatively pure and noble mythology of the Iliad and the much cruder Theogony of Hesiod, people invented stories like Uranus's mutilation and Cronus swallowing his children. The first legend closely parallels the myth of Papa and Rangi in New Zealand, while the latter has similarities among the primitive Bushmen and Australians. It's very unlikely that people in an age as advanced as Homer's invented myths as horrific as those of the most primitive cultures. However, if we consider these myths not as new creations but as sacred stories from local priesthoods, their antiquity could be immeasurable. We know from Pausanias, Herodotus, and other writers who discuss the mysteries that these stories were myths shared by priests with those who were initiated. Plato mentions such myths in the Republic, 378: "If it's absolutely necessary to mention them, only a very few should hear them in a mystery, and then let them sacrifice not a common pig, but some huge and hard-to-find victim; this would greatly reduce the number of listeners." This is a humorous example of a strategy to hide the terrifying aspects of the myth. The pig was the animal usually sacrificed to Demeter, the goddess of the Eleusinian mysteries. Plato suggests substituting some "hard-to-find" animal, perhaps a giraffe or an elephant.
To Hesiod, then, we must turn for what is the earliest complete literary form of the Greek cosmogonic myth. Hesiod begins, like the New Zealanders, with "the august race of gods, by earth and wide heaven begotten".(1) So the New Zealanders, as we have seen, say, "The heaven which is above us, and the earth which is beneath us, are the progenitors of men and the origin of all things". Hesiod(2) somewhat differs from this view by making Chaos absolutely first of all things, followed by "wide-bosomed Earth," Tartarus and Eros (love). Chaos unaided produced Erebus and Night; the children of Night and Erebus are Aether and Day. Earth produced Heaven, who then became her own lover, and to Heaven she bore Oceanus, and the Titans, Coeeus and Crius, Hyperion and Iapetus, Thea and Rhea, Themis, Mnemosyne, Phoebe, Tethys, "and youngest after these was born Cronus of crooked counsel, the most dreadful of her children, who ever detested his puissant sire," Heaven. There were other sons of Earth and Heaven peculiarly hateful to their father,(3) and these Uranus used to hide from the light in a hollow of Gaea. Both they and Gaea resented this treatment, and the Titans, like "the children of Heaven and Earth," in the New Zealand poem, "sought to discern the difference between light and darkness". Gaea (unlike Earth in the New Zealand myth, for there she is purely passive), conspired with her children, produced iron, and asked her sons to avenge their wrongs.(4) Fear fell upon all of them save Cronus, who (like Tane Mahuta in the Maori poem) determined to end the embraces of Earth and Heaven. But while the New Zealand, like the Indo-Aryan myth,(5) conceives of Earth and Heaven as two beings who have never previously been sundered at all, Hesiod makes Heaven amorously approach his spouse from a distance. This was the moment for Cronus,(6) who stretched out his hand armed with the sickle of iron, and mutilated Uranus. As in so many savage myths, the blood of the wounded god fallen on the ground produced strange creatures, nymphs of the ash-tree, giants and furies. As in the Maori myth, one of the children of Heaven stood apart and did not consent to the deed. This was Oceanus in Greece,(7) and in New Zealand it was Tawhiri Matea, the wind, "who arose and followed his father, Heaven, and remained with him in the open spaces of the sky". Uranus now predicted(8) that there would come a day of vengeance for the evil deed of Cronus, and so ends the dynasty of Uranus.
To Hesiod, we must look for the earliest complete literary version of the Greek creation myth. Hesiod starts, like the New Zealanders, with "the esteemed race of gods, born of Earth and the vast sky." So, as we’ve seen, the New Zealanders say, "The sky above us and the earth below us are the ancestors of humans and the source of everything." Hesiod somewhat diverges from this perspective by stating that Chaos was the absolute beginning of everything, followed by "wide-bosomed Earth," Tartarus, and Eros (love). Chaos alone created Erebus and Night; the offspring of Night and Erebus are Aether and Day. Earth gave birth to Heaven, who then became her lover, and with Heaven, she had Oceanus and the Titans: Coeus and Crius, Hyperion and Iapetus, Thea and Rhea, Themis, Mnemosyne, Phoebe, Tethys, "and the youngest of these was Cronus, the devious one, the most terrifying of her children, who always loathed his powerful father, Heaven." There were other sons of Earth and Heaven who were particularly detestable to their father, and Uranus used to hide them from the light in a cave of Gaea. Both they and Gaea resented this treatment, and the Titans, like "the children of Heaven and Earth" in the New Zealand poem, "sought to understand the difference between light and darkness." Gaea (unlike Earth in the New Zealand myth, where she is entirely passive) conspired with her children, created iron, and urged her sons to take revenge for their wrongs. Fear fell upon all of them except Cronus, who (like Tane Mahuta in the Maori poem) resolved to end the union of Earth and Heaven. However, while the New Zealand and Indo-Aryan myths view Earth and Heaven as two beings who have never been separated, Hesiod depicts Heaven lovingly approaching his wife from a distance. This was the moment for Cronus, who reached out with an iron sickle and castrated Uranus. As in many primal myths, the blood of the injured god spilled onto the ground, creating strange beings: nymphs of the ash tree, giants, and furies. In the Maori myth, one of Heaven's children stood apart and did not agree to the act. This was Oceanus in Greece, and in New Zealand, it was Tawhiri Matea, the wind, "who arose and followed his father, Heaven, and stayed with him in the open sky." Uranus then foretold that a day of retribution would come for Cronus's wicked deed, marking the end of Uranus's dynasty.
(1) Theog., 45.
Theog., 45.
(2) Ibid., 116.
Ibid., 116.
(3) Ibid., 155.
Ibid., 155.
(4) Ibid., 166.
Ibid., 166.
(5) Muir, v. 23, quoting Aitareya Brahmana, iv. 27: "These two worlds were once joined; subsequently they separated".
(5) Muir, v. 23, quoting Aitareya Brahmana, iv. 27: "These two worlds were once connected; later they drifted apart."
(6) Theog., 175-185.
(6) Theog., 175-185.
(7) Apollod., i, 15.
(7) Apollodorus, i, 15.
(8) Theog., 209.
(8) Theog., 209.
This story was one of the great stumbling-blocks of orthodox Greece. It was the tale that Plato said should be told, if at all, only to a few in a mystery, after the sacrifice of some rare and scarcely obtainable animal. Even among the Maoris, the conduct of the children who severed their father and mother is regarded as a singular instance of iniquity, and is told to children as a moral warning, an example to be condemned. In Greece, on the other hand, unless we are to take the Euthyphro as wholly ironical, some of the pious justified their conduct by the example of Zeus. Euthyphro quotes this example when he is about to prosecute his own father, for which act, he says, "Men are angry with ME; so inconsistently do they talk when I am concerned and when the gods are concerned".(1) But in Greek THE TALE HAS NO MEANING. It has been allegorised in various ways, and Lafitau fancied that it was a distorted form of the Biblical account of the origin of sin. In Maori the legend is perfectly intelligible. Heaven and earth were conceived of (like everything else), as beings with human parts and passions, linked in an endless embrace which crushed and darkened their children. It became necessary to separate them, and this feat was achieved not without pain. "Then wailed the Heaven, and exclaimed the Earth, 'Wherefore this murder? Why this great sin? Why separate us?' But what cared Tane? Upwards he sent one and downwards the other. He cruelly severed the sinews which united Heaven and Earth."(2) The Greek myth too, contemplated earth and heaven as beings corporeally united, and heaven as a malignant power that concealed his children in darkness.
This story was one of the major challenges for traditional Greece. It was the tale that Plato said should only be shared, if at all, with a select few in a secretive manner, after sacrificing some rare and difficult-to-find animal. Even among the Maoris, the actions of the children who severed their father and mother are seen as a unique example of wrongdoing and are told to kids as a moral lesson, an example to be condemned. In contrast, in Greece, unless we consider the Euthyphro to be entirely ironic, some of the religious individuals justified their actions by referencing Zeus. Euthyphro cites this example when he is about to take legal action against his own father, claiming, "Men are angry with ME; so inconsistently do they talk when I am involved and when the gods are involved." But in Greek, THE TALE HAS NO MEANING. It has been interpreted in various ways, and Lafitau believed it was a distorted version of the Biblical story about the origin of sin. In Maori, the legend is completely understandable. Heaven and earth were viewed (like everything else) as beings with human qualities and emotions, entwined in an endless embrace that suffocated and darkened their children. It became necessary to separate them, and this was accomplished not without suffering. "Then the Heaven wailed, and the Earth exclaimed, 'Why this murder? Why this great sin? Why separate us?' But what did Tane care? Upwards he sent one and downwards the other. He cruelly severed the connections that united Heaven and Earth." The Greek myth also considered earth and heaven as physically united beings, with heaven portrayed as a malevolent power that kept his children hidden in darkness.
(1) Euthyphro, 6.
Euthyphro, 6.
(2) Taylor, New Zealand, 119.
Taylor, NZ, 119.
But while the conception of heaven and earth as parents of living things remains perfectly intelligible in one sense, the vivid personification which regarded them as creatures with human parts and passions had ceased to be intelligible in Greece before the times of the earliest philosophers. The old physical conception of the pair became a metaphor, and the account of their rending asunder by their children lost all significance, and seemed to be an abominable and unintelligible myth. When examined in the light of the New Zealand story, and of the fact that early peoples do regard all phenomena as human beings, with physical attributes like those of men, the legend of Cronus, and Uranus, and Gaea ceases to be a mystery. It is, at bottom, a savage explanation (as in the Samoan story) of the separation of earth and heaven, an explanation which could only have occurred to people in a state of mind which civilisation has forgotten.
But while the idea of heaven and earth as the parents of living things is still understandable in one way, the vivid personification that depicted them as beings with human traits and emotions had become unclear in Greece before the earliest philosophers emerged. The old physical view of the pair turned into a metaphor, and the story of their being torn apart by their children lost all meaning, sounding like a disgusting and incomprehensible myth. When viewed through the lens of the New Zealand story and the fact that early cultures often see all phenomena as human-like beings with physical characteristics similar to humans, the legends of Cronus, Uranus, and Gaea stop being a mystery. At its core, it’s a primitive explanation (like in the Samoan story) of how earth and heaven separated, a notion that could only have come from people whose mindset civilization has since forgotten.
The next generation of Hesiodic gods (if gods we are to call the members of this race of non-natural men) was not more fortunate than the first in its family relations.
The next generation of Hesiodic gods (if we can still call the members of this non-natural human race gods) fared no better than the first in terms of family relationships.
Cronus wedded his sister, Rhea, and begat Demeter, Hera, Hades, Poseidon, and the youngest, Zeus. "And mighty Cronus swallowed down each of them, each that came to their mother's knees from her holy womb, with this intent that none other of the proud sons of heaven should hold his kingly sway among the immortals. Heaven and Earth had warned him that he too should fall through his children. Wherefore he kept no vain watch, but spied and swallowed down each of his offspring, while grief immitigable took possession of Rhea."(1) Rhea, being about to become the mother of Zeus, took counsel with Uranus and Gaea. By their advice she went to Crete, where Zeus was born, and, in place of the child, she presented to Cronus a huge stone swathed in swaddling bands. This he swallowed, and was easy in his mind. Zeus grew up, and by some means, suggested by Gaea, compelled Zeus to disgorge all his offspring. "And he vomited out the stone first, as he had swallowed it last."(2) The swallowed children emerged alive, and Zeus fixed the stone at Pytho (Delphi), where Pausanias(3) had the privilege of seeing it, and where, as it did not tempt the cupidity of barbarous invaders, it probably still exists. It was not a large stone, Pausanias says, and the Delphians used to pour oil over it, as Jacob did(4) to the stone at Bethel, and on feast-days they covered it with wraps of wool. The custom of smearing fetish-stones (which Theophrastus mentions as one of the practices of the superstitious man) is clearly a survival from the savage stage of religion. As a rule, however, among savages, fetish-stones are daubed with red paint (like the face of the wooden ancient Dionysi in Greece, and of Tsui Goab among the Hottentots), not smeared with oil.(5)
Cronus married his sister, Rhea, and had Demeter, Hera, Hades, Poseidon, and the youngest, Zeus. "And powerful Cronus swallowed each of them, each one that came to their mother's knees from her sacred womb, intending that none of the proud sons of heaven should rule among the immortals. Heaven and Earth had warned him that he too would be overthrown by his children. So he didn't keep a foolish watch but instead secretly swallowed each of his offspring, while immense grief consumed Rhea."(1) Rhea, about to give birth to Zeus, sought advice from Uranus and Gaea. Acting on their suggestion, she went to Crete, where Zeus was born, and instead of the child, she gave Cronus a huge stone wrapped in swaddling clothes. He swallowed it and felt at ease. Zeus grew up, and by some means, advised by Gaea, forced Cronus to regurgitate all his children. "And he vomited out the stone first, as he had swallowed it last."(2) The swallowed children re-emerged alive, and Zeus set the stone at Pytho (Delphi), where Pausanias(3) was able to see it, and where, since it didn't attract the greed of barbaric invaders, it likely still exists. It wasn't a large stone, Pausanias notes, and the Delphians would pour oil over it, just like Jacob did(4) to the stone at Bethel, and on feast days they would cover it with woolen wraps. The tradition of coating fetish-stones (which Theophrastus points out as one of the habits of the superstitious) is clearly a remnant from an earlier stage of religion. However, typically among primitive people, fetish-stones are painted red (similar to how the ancient wooden Dionysi in Greece and Tsui Goab among the Hottentots are treated), not smeared with oil.(5)
(1) Theog., 460, 465.
Theog., 460, 465.
(2) Theog., 498.
(2) Theog., 498.
(3) x. 245.
(3) x. 245.
(4) Gen. xxviii. 18.
(4) Gen. 28:18.
(5) Pausanias, ii. 2, 5. "Churinga" in Australia are greased with the natural moisture of the palm of the hand, and rubbed with red ochre.—Spencer and Gillen. They are "sacred things," but not exactly fetishes.
(5) Pausanias, ii. 2, 5. "Churinga" in Australia are coated with the natural moisture of the palm and rubbed with red ochre.—Spencer and Gillen. They are "sacred objects," but not exactly fetishes.
The myth of the swallowing and disgorging of his own children by Cronus was another of the stumbling-blocks of Greek orthodoxy. The common explanation, that Time ((Greek text omitted)) does swallow his children, the days, is not quite satisfactory. Time brings never the past back again, as Cronus did. Besides, the myth of the swallowing is not confined to Cronus. Modern philology has given, as usual, different analyses of the meaning of the name of the god. Hermann, with Preller, derives it from (Greek text omitted), to fulfil. The harvest-month, says Preller, was named Cronion in Greece, and Cronia was the title of the harvest-festival. The sickle of Cronus is thus brought into connection with the sickle of the harvester.(1)
The myth of Cronus swallowing and regurgitating his own children is another challenge for Greek orthodoxy. The common explanation—that Time ((Greek text omitted)) swallows his children, the days—isn't fully convincing. Time never brings the past back, unlike Cronus did. Moreover, the myth of swallowing isn’t exclusive to Cronus. Modern linguistics has offered various interpretations of the god's name. Hermann, along with Preller, traces it to (Greek text omitted), meaning to fulfill. Preller notes that the harvest month was called Cronion in Greece, and Cronia was the name of the harvest festival. Thus, Cronus's sickle is linked to the sickle of the harvester.(1)
(1) Preller, Gr. Myth., i. 44; Hartung, ii. 48; Porphyry, Abst., ii. 54. Welcker will not hear of this etymology, Gr. gott., i. 145, note 9.
(1) Preller, Gr. Myth., i. 44; Hartung, ii. 48; Porphyry, Abst., ii. 54. Welcker dismisses this etymology, Gr. gott., i. 145, note 9.
The second myth, in which Cronus swallows his children, has numerous parallels in savage legend. Bushmen tell of Kwai Hemm, the devourer, who swallows that great god, the mantis insect, and disgorges him alive with all the other persons and animals whom he has engulphed in the course of a long and voracious career.(1) The moon in Australia, while he lived on earth, was very greedy, and swallowed the eagle-god, whom he had to disgorge. Mr. Im Thurn found similar tales among the Indians of Guiana. The swallowing and disgorging of Heracles by the monster that was to slay Hesione is well known. Scotch peasants tell of the same feats, but localise the myth on the banks of the Ken in Galloway. Basutos, Eskimos, Zulus and European fairy tales all possess this incident, the swallowing of many persons by a being from whose maw they return alive and in good case.
The second myth, where Cronus swallows his children, has many parallels in primitive legends. Bushmen speak of Kwai Hemm, the devourer, who swallows the great god, the mantis insect, and then spits him out alive along with all the other people and animals he has consumed during his long and hungry existence.(1) In Australia, the moon, while on earth, was very greedy and swallowed the eagle-god, whom he had to spit out. Mr. Im Thurn found similar stories among the Indians of Guiana. The swallowing and regurgitating of Heracles by the monster meant to kill Hesione is well known. Scottish peasants share the same tales but set the myth along the banks of the Ken in Galloway. Basutos, Eskimos, Zulus, and European fairy tales all include this incident, where a being swallows many people, who then return alive and well.
(1) Bleek, Bushman Folk-lore, pp. 6, 8.
(1) Bleek, Bushman Folklore, pp. 6, 8.
A mythical conception which prevails from Greenland to South Africa, from Delphi to the Solomon Islands, from Brittany to the shores of Lake Superior, must have some foundation in the common elements of human nature.(1) Now it seems highly probable that this curious idea may have been originally invented in an attempt to explain natural phenomena by a nature-myth. It has already been shown (chapter v.) that eclipses are interpreted, even by the peasantry of advanced races, as the swallowing of the moon by a beast or a monster. The Piutes account for the disappearance of the stars in the daytime by the hypothesis that the "sun swallows his children". In the Melanesian myth, dawn is cut out of the body of night by Qat, armed with a knife of red obsidian. Here are examples(2) of transparent nature-myths in which this idea occurs for obvious explanatory purposes, and in accordance with the laws of the savage imagination. Thus the conception of the swallowing and disgorging being may very well have arisen out of a nature-myth. But why is the notion attached to the legend of Cronus?
A mythical idea that exists from Greenland to South Africa, from Delphi to the Solomon Islands, and from Brittany to the shores of Lake Superior must have some basis in the shared aspects of human nature. Now, it seems quite likely that this interesting concept was originally created to explain natural events through a nature-myth. It's already been shown (chapter v.) that eclipses are interpreted, even by the rural communities in advanced cultures, as the moon being swallowed by a beast or monster. The Piutes explain the stars’ disappearance during the day with the idea that the "sun swallows his children." In the Melanesian myth, dawn is carved out of the body of night by Qat, using a knife made of red obsidian. Here are examples of clear nature-myths where this idea is used for obvious explanation and in line with the ways of the primitive mind. Thus, the idea of a being that swallows and regurgitates could very well have come from a nature-myth. But why is this concept linked to the legend of Cronus?
(1) The myth of Cronus and the swallowed children and the stone is transferred to Gargantua. See Sebillot, Gargantua dans les Traditions Populaires. But it is impossible to be certain that this is not an example of direct borrowing by Madame De Cerny in her Saint Suliac, p. 69.
(1) The story of Cronus, who swallowed his children and a stone, is passed on to Gargantua. See Sebillot, Gargantua dans les Traditions Populaires. However, it's uncertain whether this is a case of Madame De Cerny directly copying it in her Saint Suliac, p. 69.
(2) Compare Tylor, Prim. Cult., i. 338.
(2) Compare Tylor, Prim. Cult., i. 338.
That is precisely the question about which mythologists differ, as has been shown, and perhaps it is better to offer no explanation. However stories arise—and this story probably arose from a nature-myth—it is certain that they wander about the world, that they change masters, and thus a legend which is told of a princess with an impossible name in Zululand is told of the mother of Charlemagne in France. The tale of the swallowing may have been attributed to Cronus, as a great truculent deity, though it has no particular elemental signification in connection with his legend.
That’s exactly the question where mythologists disagree, as has been shown, and maybe it’s best not to explain it at all. However these stories come about—and this story probably originated from a nature myth—it’s clear that they travel around the world, switch storytellers, and so a legend that features a princess with an unpronounceable name in Zululand is also told about the mother of Charlemagne in France. The story of the swallowing might have been linked to Cronus, as a powerful and fierce god, even though it doesn’t really have any special elemental meaning related to his legend.
This peculiarly savage trick of swallowing each other became an inherited habit in the family of Cronus. When Zeus reached years of discretion, he married Metis, and this lady, according to the scholiast on Hesiod, had the power of transforming herself into any shape she pleased. When she was about to be a mother, Zeus induced her to assume the shape of a fly and instantly swallowed her.(1) In behaving thus, Zeus acted on the advice of Uranus and Gaea. It was feared that Metis would produce a child more powerful than his father. Zeus avoided this peril by swallowing his wife, and himself gave birth to Athene. The notion of swallowing a hostile person, who has been changed by magic into a conveniently small bulk, is very common. It occurs in the story of Taliesin.(2) Caridwen, in the shape of a hen, swallows Gwion Bach, in the form of a grain of wheat. In the same manner the princess in the Arabian Nights swallowed the Geni. Here then we have in the Hesiodic myth an old marchen pressed into the service of the higher mythology. The apprehension which Zeus (like Herod and King Arthur) always felt lest an unborn child should overthrow him, was also familiar to Indra; but, instead of swallowing the mother and concealing her in his own body, like Zeus, Indra entered the mother's body, and himself was born instead of the dreaded child.(3) A cow on this occasion was born along with Indra. This adventure of the (Greek text omitted) or swallowing of Metis was explained by the late Platonists as a Platonic allegory. Probably the people who originated the tale were not Platonists, any more than Pandarus was all Aristotelian.
This oddly brutal trick of swallowing each other became a family tradition in Cronus's line. When Zeus grew up, he married Metis, who, according to a scholar on Hesiod, had the ability to transform into any shape she wanted. When she was about to have a child, Zeus convinced her to turn into a fly and immediately swallowed her. In doing this, Zeus was following the advice of Uranus and Gaea. There was a concern that Metis might have a child even more powerful than his father. To avoid this risk, Zeus swallowed his wife and ended up giving birth to Athena. The idea of swallowing an enemy who has been magically transformed into a conveniently small form is quite common. It appears in the story of Taliesin, where Ceridwen, as a hen, swallows Gwion Bach, who had turned into a grain of wheat. Similarly, in the Arabian Nights, a princess swallows the Genie. So, in this Hesiodic myth, we see an old folktale repurposed for higher mythology. The fear that Zeus (like Herod and King Arthur) felt about an unborn child potentially overthrowing him was also known to Indra. Instead of swallowing the mother and hiding her inside himself like Zeus did, Indra entered the mother's body and was born in place of the feared child. A cow was also born alongside Indra during this event. This act of swallowing Metis was later interpreted by the late Platonists as a Platonic allegory. However, it's likely that the original storytellers were not Platonists, just as Pandarus wasn't purely Aristotelian.
(1) Hesiod, Theogonia, 886. See Scholiast and note in Aglaophamus, i. 613. Compare Puss in Boots and the Ogre.
(1) Hesiod, Theogony, 886. See Scholiast and note in Aglaophamus, i. 613. Compare Puss in Boots and the Ogre.
(2) Mabinogion, p. 473.
Mabinogion, p. 473.
(3) Black Yajur Veda, quoted by Sayana.
(3) Black Yajur Veda, cited by Sayana.
After Homer and Hesiod, the oldest literary authorities for Greek cosmogonic myths are the poems attributed to Orpheus. About their probable date, as has been said, little is known. They have reached us only in fragments, but seem to contain the first guesses of a philosophy not yet disengaged from mythical conditions. The poet preserves, indeed, some extremely rude touches of early imagination, while at the same time one of the noblest and boldest expressions of pantheistic thought is attributed to him. From the same source are drawn ideas as pure as those of the philosophical Vedic hymn,(1) and as wild as those of the Vedic Purusha Sukta, or legend of the fashioning of the world out of the mangled limbs of Purusha. The authors of the Orphic cosmogony appear to have begun with some remarks on Time ((Greek text omitted)). "Time was when as yet this world was not."(2) Time, regarded in the mythical fashion as a person, generated Chaos and Aether. The Orphic poet styles Chaos (Greek text omitted), "the monstrous gulph," or "gap". This term curiously reminds one of Ginnunga-gap in the Scandinavian cosmogonic legends. "Ginnunga-gap was light as windless air," and therein the blast of heat met the cold rime, whence Ymir was generated, the Purusha of Northern fable.(3) These ideas correspond well with the Orphic conception of primitive space.(4)
After Homer and Hesiod, the earliest literary sources for Greek creation myths are the poems attributed to Orpheus. Little is known about when they were likely written. They exist only in fragments but seem to include the initial ideas of a philosophy that hasn't completely separated from myth. The poet does indeed retain some very crude elements of early imagination, while at the same time, one of the most noble and daring expressions of pantheistic thought is associated with him. From the same origin come ideas as pure as those in the philosophical Vedic hymn, and as wild as those in the Vedic Purusha Sukta, which tells the story of the world being created from the torn limbs of Purusha. The authors of the Orphic creation story seem to start with some comments on Time. "Time was when this world did not yet exist." Time, seen in a mythical way as a person, brought forth Chaos and Aether. The Orphic poet refers to Chaos as "the monstrous gulf" or "gap." This term interestingly echoes Ginnunga-gap in the Scandinavian creation myths. "Ginnunga-gap was light as still air," and there, the warmth met the cold mist, from which Ymir was born, the Purusha of Northern legend. These ideas align well with the Orphic view of the original space.
(1) Rig-Veda, x. 90.
Rig Veda, x. 90.
(2) Lobeck, Aglaophamus, i. 470. See also the quotations from Proclus.
(2) Lobeck, Aglaophamus, i. 470. See also the quotes from Proclus.
(3) Gylfi's Mocking.
Gylfi's Mocking.
(4) Aglaophamus, p. 473.
(4) Aglaophamus, p. 473.
In process of time Chaos produced an egg, shining and silver white. It is absurd to inquire, according to Lobeck, whether the poet borrowed this widely spread notion of a cosmic egg from Phoenicia, Babylon, Egypt (where the goose-god Seb laid the egg), or whether the Orphic singer originated so obvious an idea. Quaerere ludicrum est. The conception may have been borrowed, but manifestly it is one of the earliest hypotheses that occur to the rude imagination. We have now three primitive generations, time, chaos, the egg, and in the fourth generation the egg gave birth to Phanes, the great hero of the Orphic cosmogony.(1) The earliest and rudest thinkers were puzzled, as many savage cosmogonic myths have demonstrated, to account for the origin of life. The myths frequently hit on the theory of a hermaphroditic being, both male and female, who produces another being out of himself. Prajapati in the Indian stories, and Hrimthursar in Scandinavian legend—"one of his feet got a son on the other"—with Lox in the Algonquin tale are examples of these double-sexed personages. In the Orphic poem, Phanes is both male and female. This Phanes held within him "the seed of all the gods,"(2) and his name is confused with the names of Metis and Ericapaeus in a kind of trinity. All this part of the Orphic doctrine is greatly obscured by the allegorical and theosophistic interpretations of the late Platonists long after our era, who, as usual, insisted on finding their own trinitarian ideas, commenta frigidissima, concealed under the mythical narrative.(3)
Over time, Chaos created a shining silver-white egg. According to Lobeck, it's pointless to ask whether the poet took this widely held idea of a cosmic egg from Phoenicia, Babylon, or Egypt (where the goose-god Seb laid the egg), or if the Orphic poet came up with such an obvious concept himself. It's a ridiculous question. This idea might have been borrowed, but clearly, it's one of the earliest theories that comes to the primitive imagination. We now have three basic generations: time, chaos, and the egg, and in the fourth generation, the egg gave rise to Phanes, the great hero of the Orphic creation story. The earliest and most primitive thinkers were puzzled, as many savage creation myths show, trying to explain the origin of life. These myths often hit upon the theory of a hermaphroditic being, both male and female, who creates another being from themselves. Prajapati in Indian tales and Hrimthursar in Scandinavian legend—"one of his feet got a son on the other"—along with Lox in the Algonquin story are examples of these dual-gendered figures. In the Orphic poem, Phanes is both male and female. This Phanes contained "the seed of all the gods," and his name overlaps with Metis and Ericapaeus in a sort of trinity. This part of Orphic doctrine is greatly obscured by the allegorical and theosophical interpretations of the later Platonists, long after our era, who typically insisted on projecting their own trinitarian ideas, weak commentaries, hidden within the mythical narrative.
(1) Clemens Alexan., p. 672.
Clemens Alexan, p. 672.
(2) Damascius, ap. Lobeck, i. 481.
(2) Damascius, in Lobeck, i. 481.
(3) Aglaoph., i. 483.
(3) Aglaoph., i. 483.
Another description by Hieronymus of the first being, the Orphic Phanes, "as a serpent with bull's and lion's heads, with a human face in the middle and wings on the shoulders," is sufficiently rude and senseless. But these physical attributes could easily be explained away as types of anything the Platonist pleased.(1) The Orphic Phanes, too, was almost as many-headed as a giant in a fairy tale, or as Purusha in the Rig-Veda. He had a ram's head, a bull's head, a snake's head and a lion's head, and glanced around with four eyes, presumably human.(2) This remarkable being was also provided with golden wings. The nature of the physical arrangements by which Phanes became capable of originating life in the world is described in a style so savage and crude that the reader must be referred to Suidas for the original text.(3) The tale is worthy of the Swift-like fancy of the Australian Narrinyeri.
Another description by Hieronymus of the first being, the Orphic Phanes, "as a serpent with bull's and lion's heads, with a human face in the middle and wings on the shoulders," is quite rough and nonsensical. However, these physical traits could easily be interpreted in any way the Platonist wanted. The Orphic Phanes was almost as many-headed as a giant in a fairy tale or as Purusha in the Rig-Veda. He had a ram's head, a bull's head, a snake's head, and a lion's head, and looked around with four eyes, presumably human. This extraordinary being also had golden wings. The nature of the physical arrangements that allowed Phanes to create life in the world is described in such a brutal and crude way that the reader must refer to Suidas for the original text. The tale is reminiscent of the imaginative style of the Australian Narrinyeri.
(1) Damascius, 381, ap. Lobeck, i. 484.
(1) Damascius, 381, in Lobeck, i. 484.
(2) Hermias in Phaedr. ap. Lobeck, i. 493.
(2) Hermias in Phaedr. ap. Lobeck, i. 493.
(3) Suidas s. v. Phanes.
Suidas on Phanes.
Nothing can be easier or more delusive than to explain all this wild part of the Orphic cosmogony as an allegorical veil of any modern ideas we choose to select. But why the "allegory" should closely imitate the rough guesses of uncivilised peoples, Ahts, Diggers, Zunis, Cahrocs, it is less easy to explain. We can readily imagine African or American tribes who were accustomed to revere bulls, rams, snakes, and so forth, ascribing the heads of all their various animal patrons to the deity of their confederation. We can easily see how such races as practise the savage rites of puberty should attribute to the first being the special organs of Phanes. But on the Neo-Platonic hypothesis that Orpheus was a seer of Neo-Platonic opinions, we do not see why he should have veiled his ideas under so savage an allegory. This part of the Orphic speculation is left in judicious silence by some modern commentators, such as M. Darmesteter in Les Cosmogonies Aryennes.(1) Indeed, if we choose to regard Apollonius Rhodius, an Alexandrine poet writing in a highly civilised age, as the representative of Orphicism, it is easy to mask and pass by the more stern and characteristic fortresses of the Orphic divine. The theriomorphic Phanes is a much less "Aryan" and agreeable object than the glorious golden-winged Eros, the love-god of Apollonius Rhodius and Aristophanes.(2)
Nothing can be easier or more misleading than to interpret this chaotic part of the Orphic creation story as an allegorical representation of any modern ideas we choose. But it’s harder to explain why the "allegory" closely mirrors the rough notions of uncivilized people like the Ahts, Diggers, Zunis, and Cahrocs. We can easily picture African or American tribes who revered bulls, rams, snakes, and so on, assigning the heads of their various animal gods to the deity of their alliance. We can also see how cultures that practice primitive rites of passage might attribute the characteristics of Phanes to the first being. However, under the Neo-Platonic idea that Orpheus was a visionary of Neo-Platonic thoughts, it’s unclear why he would wrap his concepts in such a primitive allegory. Some modern commentators, like M. Darmesteter in Les Cosmogonies Aryennes.(1), choose to remain silent about this aspect of Orphic thought. In fact, if we consider Apollonius Rhodius, an Alexandrian poet from a highly civilized era, as a representative of Orphicism, it’s easy to overlook and skip the more serious and distinctive elements of the Orphic divine. The animal-headed Phanes is much less "Aryan" and appealing than the magnificent golden-winged Eros, the love-god of Apollonius Rhodius and Aristophanes.(2)
(1) Essais Orientaux, p. 166.
Essays on the East, p. 166.
(2) Argonautica, 1-12; Aves, 693.
(2) Argonautica, 1-12; Aves, 693.
On the whole, the Orphic fragments appear to contain survivals of savage myths of the origin of things blended with purer speculations. The savage ideas are finally explained by late philosophers as allegorical veils and vestments of philosophy; but the interpretation is arbitrary, and varies with the taste and fancy of each interpreter. Meanwhile the coincidence of the wilder elements with the speculations native to races in the lowest grades of civilisation is undeniable. This opinion is confirmed by the Greek myths of the origin of Man. These, too, coincide with the various absurd conjectures of savages.
Overall, the Orphic fragments seem to hold onto some primitive myths about the origins of things, mixed with more refined ideas. Later philosophers often explain the primitive concepts as allegorical representations of philosophy, but these interpretations are subjective and depend on the preferences of each interpreter. At the same time, it's clear that the more chaotic elements align with the thoughts found in societies at the lowest levels of civilization. This view is supported by Greek myths about the origins of humanity, which also align with the strange ideas of primitive cultures.
In studying the various Greek local legends of the origin of Man, we encounter the difficulty of separating them from the myths of heroes, which it will be more convenient to treat separately. This difficulty we have already met in our treatment of savage traditions of the beginnings of the race. Thus we saw that among the Melanesians, Qat, and among the Ahts, Quawteaht, were heroic persons, who made men and most other things. But it was desirable to keep their performances of this sort separate from their other feats, their introduction of fire, for example, and of various arts. In the same way it will be well, in reviewing Greek legends, to keep Prometheus' share in the making of men apart from the other stories of his exploits as a benefactor of the men whom he made. In Hesiod, Prometheus is the son of the Titan Iapetus, and perhaps his chief exploit is to play upon Zeus a trick of which we find the parallel in various savage myths. It seems, however, from Ovid(1) and other texts, that Hesiod somewhere spoke of Prometheus as having made men out of clay, like Pund-jel in the Australian, Qat in the Melanesian and Tiki in the Maori myths. The same story is preserved in Servius's commentary on Virgil.(2) A different legend is preserved in the Etymologicum Magnum (voc. Ikonion). According to this story, after the deluge of Deucalion, "Zeus bade Prometheus and Athene make images of men out of clay, and the winds blew into them the breath of life". In confirmation of this legend, Pausanias was shown in Phocis certain stones of the colour of clay, and "smelling very like human flesh"; and these, according to the Phocians, were "the remains of the clay from which the whole human race was fashioned by Prometheus".(3)
In studying the various Greek local legends about the origin of Man, we run into the challenge of distinguishing them from the myths of heroes, which it would be easier to address separately. We've already faced this challenge when looking at primitive traditions about the beginnings of humanity. For instance, we found that among the Melanesians, Qat, and among the Ahts, Quawteaht, were heroic figures who created men and most other things. However, it’s important to keep their creations separate from their other achievements, like introducing fire and various skills. Similarly, when reviewing Greek legends, it's best to separate Prometheus’ role in creating men from the other stories of his acts as a benefactor to those men. In Hesiod's works, Prometheus is the son of the Titan Iapetus, and perhaps his most notable act is tricking Zeus, a tale we find mirrored in various primitive myths. However, it seems that, according to Ovid and other sources, Hesiod mentioned Prometheus creating men from clay, just like Pund-jel in Australian mythology, Qat in Melanesian mythology, and Tiki in Maori myths. This same story is found in Servius’s commentary on Virgil. Another legend exists in the Etymologicum Magnum (voc. Ikonion). In this account, after Deucalion's flood, "Zeus told Prometheus and Athene to make images of men from clay, and the winds breathed life into them." To support this legend, Pausanias was shown in Phocis certain stones that were clay-colored and "smelled very much like human flesh"; the locals believed these were "the remains of the clay from which Prometheus fashioned the entire human race."
(1) Ovid. Metam. i. 82.
Ovid's Metamorphoses 1.82.
(2) Eclogue, vi. 42.
(2) Eclogue, vi. 42.
(3) Pausanias, x. 4, 3.
(3) Pausanias, x. 4, 3.
Aristophanes, too, in the Birds (686) talks of men as (Greek text omitted), figures kneaded of clay. Thus there are sufficient traces in Greek tradition of the savage myth that man was made of clay by some superior being, like Pund-jel in the quaint Australian story.
Aristophanes, in the Birds (686), also describes men as figures shaped from clay. There are enough signs in Greek tradition of the primitive myth that a higher power created humans from clay, similar to Pund-jel in the intriguing Australian tale.
We saw that among various rude races other theories of the origin of man were current. Men were thought to have come out of a hole in the ground or a bed of reeds, and sometimes the very scene of their first appearance was still known and pointed out to the curious. This myth was current among races who regarded themselves as the only people whose origin needed explanation. Other stories represented man as the fruit of a tree, or the child of a rock or stone, or as the descendant of one of the lower animals. Examples of these opinions in Greek legend are now to be given. In the first place, we have a fragment of Pindar, in which the poet enumerates several of the centres from which different Greek tribes believed men to have sprung. "Hard it is to find out whether Alalkomeneus, first of men, arose on the marsh of Cephissus, or whether the Curetes of Ida first, a stock divine, arose, or if it was the Phrygian Corybantes that the sun earliest saw—men like trees walking;" and Pindar mentions Egyptian and Libyan legends of the same description.(1) The Thebans and the Arcadians held themselves to be "earth-born". "The black earth bore Pelasgus on the high wooded hills," says an ancient line of Asius. The Dryopians were an example of a race of men born from ash-trees. The myth of gens virum truncis et duro robore nata, "born of tree-trunk and the heart of oak," had passed into a proverb even in Homer's time.(2) Lucian mentions(3) the Athenian myth "that men grew like cabbages out of the earth". As to Greek myths of the descent of families from animals, these will be examined in the discussion of the legend of Zeus.
We found that among different primitive cultures, other theories about the origin of humans were popular. People believed they emerged from a hole in the ground or a patch of reeds, and sometimes the exact spot where they first appeared was still recognized and shown to those curious. This myth was common among cultures that saw themselves as the only ones needing to explain their beginnings. Other stories described humans as the fruit of a tree, the child of a rock or stone, or descendants of lower animals. Some examples of these beliefs can be found in Greek legends. First, there’s a fragment from Pindar, where the poet lists several places from which different Greek tribes thought humans originated: "It's hard to figure out whether Alalkomeneus, the first man, came from the marsh of Cephissus, or if the Curetes of Ida, a divine lineage, came first, or if perhaps it was the Phrygian Corybantes that the sun first saw—men like walking trees;" Pindar also refers to similar Egyptian and Libyan legends. The Thebans and the Arcadians believed they were "born from the earth." "The black earth bore Pelasgus on the high wooded hills," says an ancient line from Asius. The Dryopians were a race of people said to have been born from ash-trees. The myth of gens virum truncis et duro robore nata, "born of tree-trunk and the heart of oak," had become a saying even in Homer's time. Lucian mentions the Athenian myth "that men grew like cabbages out of the earth." Regarding Greek myths about families descending from animals, these will be discussed in the context of the legend of Zeus.
(1) Preller, Aus. Auf., p. 158.
(1) Preller, Aus. Auf., p. 158.
(2) Virgil Aen., viii. 315; Odyssey, xix. 163; Iliad, ii. xxii. 120; Juvenal, vi. 11. Cf. also Bouche Leclerq, De Origine Generis Humani.
(2) Virgil Aeneid, viii. 315; Odyssey, xix. 163; Iliad, ii. xxii. 120; Juvenal, vi. 11. See also Bouche Leclercq, On the Origin of the Human Race.
(3) Philops. iii.
Philippians 3.
CHAPTER XI. SAVAGE DIVINE MYTHS.
The origin of a belief in GOD beyond the ken of history and of speculation—Sketch of conjectural theories—Two elements in all beliefs, whether of backward or civilised races—The Mythical and the Religious—These may be coeval, or either may be older than the other—Difficulty of study—The current anthropological theory—Stated objections to the theory—Gods and spirits—Suggestion that savage religion is borrowed from Europeans—Reply to Mr. Tylor's arguments on this head—The morality of savages.
The origin of a belief in God that goes beyond historical understanding and speculation—an outline of hypothetical theories—Two elements in all belief systems, whether from primitive or more developed cultures—the Mythical and the Religious—These may have arisen at the same time, or one may be older than the other—Challenges in studying this—The prevailing anthropological theory—Outlined counterarguments to the theory—Gods and spirits—The idea that primitive religions were influenced by Europeans—A response to Mr. Tylor's arguments on this matter—The morality of primitive peoples.
"The question of the origin of a belief in Deity does not come within the scope of a strictly historical inquiry. No man can watch the idea of GOD in the making or in the beginning. We are acquainted with no race whose beginning does not lie far back in the unpenetrated past. Even on the hypothesis that the natives of Australia, for example, were discovered in a state of culture more backward than that of other known races, yet the institutions and ideas of the Australians must have required for their development an incalculable series of centuries. The notions of man about the Deity, man's religious sentiments and his mythical narratives, must be taken as we find them. There have been, and are, many theories as to the origin of the conception of a supernatural being or beings, concerned with the fortunes of mankind, and once active in the making of the earth and its inhabitants. There is the hypothesis of an original divine tradition, darkened by the smoke of foolish mortal fancies. There is the hypothesis of an innate and intuitive sensus numinis. There is the opinion that the notion of Deity was introduced to man by the very nature of his knowledge and perceptions, which compel him in all things to recognise a finite and an infinite. There is the hypothesis that gods were originally ghosts, the magnified shapes of ancestral spectres. There is the doctrine that man, seeking in his early speculations for the causes of things, and conscious of his own powers as an active cause, projected his own shadow on the mists of the unknown, and peopled the void with figures of magnified non-natural men, his own parents and protectors, and the makers of many of the things in the world.
The question of where the belief in a deity comes from isn't something we can answer with a strict historical approach. No one can observe the idea of God being created or starting out. We don't know of any culture whose beginnings aren't lost in the distant past. Even if we consider that the natives of Australia, for example, were found in a less advanced cultural state than other known groups, the institutions and beliefs of the Australians must have taken an unimaginable number of centuries to develop. Our understanding of the divine, people's religious feelings, and their mythical stories must be accepted as they are. There have been and still are many theories about how the idea of a supernatural being or beings, who are involved in human affairs and played a role in shaping the earth and its inhabitants, originated. One theory suggests an original divine tradition that has been clouded by silly human ideas. Another suggests an innate and intuitive sense of the divine. Some believe the concept of God arose from humans' understanding of knowledge and perceptions, which push them to recognize both finite and infinite aspects of existence. Another theory is that gods started out as ghosts, the exaggerated forms of ancestral spirits. Some argue that, in their early thoughts about the causes of things, people, aware of their own abilities as causes, projected their own characteristics onto the unknown and filled the emptiness with larger-than-life images of extraordinary beings, including their own ancestors and guardians, as well as creators of many things in the world.
"Since the actual truth cannot be determined by observation and experiment, the question as to the first germs of the divine conception must here be left unanswered. But it is possible to disengage and examine apart the two chief elements in the earliest as in the latest ideas of Godhead. Among the lowest and most backward, as among the most advanced races, there coexist the MYTHICAL and the RELIGIOUS elements in belief. The rational factor (or what approves itself to us as the rational factor) is visible in religion; the irrational is prominent in myth. The Australian, the Bushman, the Solomon Islander, in hours of danger and necessity 'yearns after the gods,' and has present in his heart the idea of a father and friend. This is the religious element. The same man, when he comes to indulge his fancy for fiction, will degrade this spiritual friend and father to the level of the beasts, and will make him the hero of comic or repulsive adventures. This is the mythical or irrational element. Religion, in its moral aspect, always traces back to the belief in a power that is benign and works for righteousness. Myth, even in Homer or the Rig-Veda, perpetually falls back on the old stock of absurd and immoral divine adventures.(1)
"Since the actual truth can't be determined through observation and experimentation, the question about the origins of the divine idea remains unanswered. However, it is possible to separate and examine the two main elements present in both the earliest and most recent concepts of divinity. Among the most primitive and the most advanced cultures, the MYTHICAL and the RELIGIOUS elements coexist in belief. The rational aspect (or what we perceive as the rational aspect) is apparent in religion; the irrational is prominent in myth. The Australian, the Bushman, the Solomon Islander, in times of danger and need, 'longs for the gods' and holds in his heart the concept of a father and friend. This is the religious element. The same person, when he indulges in his imagination for fiction, will reduce this spiritual friend and father to the status of beasts and will make him the star of ridiculous or grotesque adventures. This is the mythical or irrational element. Religion, in its moral dimension, always goes back to the belief in a power that is kind and supports righteousness. Myth, even in Homer or the Rig-Veda, continually relies on the old stock of absurd and immoral divine adventures.(1)
(1) M. Knappert here, in a note to the Dutch translation, denies the lowest mythical element to the Hebrews, as their documents have reached us.
(1) M. Knappert here, in a note to the Dutch translation, denies the lowest mythical element to the Hebrews, as their documents have come down to us.
"It would be rash, in the present state of knowledge, to pronounce that the germ of the serious Homeric sense of the justice and power of the Divinity is earlier or later than the germ of the Homeric stories of gods disguised as animals, or imprisoned by mortals, or kicked out of Olympus. The rational and irrational aspects of mythology and religion may be of coeval antiquity for all that is certainly known, or either of them, in the dark backward of mortal experience, may have preceded the other. There is probably no religion nor mythology which does not offer both aspects to the student. But it is the part of advancing civilisation to adorn and purify the rational element, and to subordinate and supersede the irrational element, as far as religious conservatism, ritual and priestly dogma will permit."
"It would be unwise, given what we currently know, to state that the core idea of the serious Homeric understanding of the justice and power of the Divine appeared before or after the stories of gods disguising themselves as animals, being imprisoned by mortals, or being thrown out of Olympus. The logical and illogical parts of mythology and religion might have originated at the same time, or either could have come first in the complex history of human experience. There’s likely no religion or mythology that doesn't present both sides for study. However, as civilization advances, it's our role to enrich and refine the rational aspect while minimizing and ultimately replacing the irrational aspect, as much as religious traditions, rituals, and priestly doctrines allow."
Such were the general remarks with which this chapter opened in the original edition of the present work. But reading, reflection and certain additions to the author's knowledge of facts, have made it seem advisable to state, more fully and forcibly than before, that, in his opinion, not only the puzzling element of myth, but the purer element of a religious belief sanctioning morality is derived by civilised people from a remote past of savagery. It is also necessary to draw attention to a singular religious phenomena, a break, or "fault," as geologists call it, in the religious strata. While the most backward savages, in certain cases, present the conception of a Being who sanctions ethics, and while that conception recurs at a given stage of civilisation, it appears to fade, or even to disappear in some conditions of barbarism. Among some barbaric peoples, such as the Zulus, and the Red Indians of French Canada when first observed, as among some Polynesians and some tribes of Western and Central Africa little trace of a supreme being is found, except a name, and that name is even occasionally a matter of ridicule. The highest religious conception has been reached, and is generally known, yet the Being conceived of as creative is utterly neglected, while ghosts, or minor gods, are served and adored. To this religious phenomenon (if correctly observed) we must attempt to assign a cause. For this purpose it is necessary to state again what may be called the current or popular anthropological theory of the evolution of Gods.
These were the general comments that opened this chapter in the original edition of this work. However, through reading, reflection, and some new insights into the facts, it now seems appropriate to more clearly and forcefully express that, in the author's view, the confusing aspect of myth, as well as the more straightforward aspect of a religious belief that endorses morality, comes from a distant history of savagery in civilized people. It's also important to highlight a unique religious phenomenon, a break, or "fault," as geologists might refer to it, in the layers of religious belief. While some of the most primitive societies sometimes show the idea of a Being that supports ethics, and this idea reappears at certain stages of civilization, it seems to diminish or even vanish under some forms of barbarism. Among certain barbaric groups, like the Zulus and the Indigenous peoples of French Canada when first encountered, as well as some Polynesians and tribes in Western and Central Africa, there's little evidence of a supreme being, aside from a name that may even be laughed at. The highest religious understanding has been attained and is widely recognized, but the Being thought of as the creator is completely overlooked, while spirits or minor gods are worshipped and revered. We need to try to determine a cause for this religious phenomenon (if accurately observed). Therefore, it is essential to reiterate what can be referred to as the current or popular anthropological theory regarding the evolution of Gods.
That theory takes varying shapes. In the philosophy of Mr. Herbert Spencer we find a pure Euhemerism. Gods are but ghosts of dead men, raised to a higher and finally to the highest power. In the somewhat analogous but not identical system of Mr. Tylor, man first attains to the idea of spirit by reflection on various physical, psychological and psychical experiences, such as sleep, dreams, trances, shadows, hallucinations, breath and death, and he gradually extends the conception of soul or ghost till all nature is peopled with spirits. Of these spirits one is finally promoted to supremacy, where the conception of a supreme being occurs. In the lowest faiths there is said, on this theory, to be no connection, or very little connection, between religion and morality. To supply a religious sanction of morals is the work of advancing thought.(1)
That theory takes different forms. In Mr. Herbert Spencer's philosophy, we see a straightforward Euhemerism. Gods are simply the spirits of deceased individuals, elevated to a higher, ultimately the highest, power. In the somewhat similar but not identical theory of Mr. Tylor, people first come to the idea of spirit through reflecting on different physical, psychological, and psychic experiences like sleep, dreams, trances, shadows, hallucinations, breath, and death. They gradually expand the concept of soul or ghost until everything in nature is filled with spirits. Eventually, one of these spirits rises to become the highest being, leading to the idea of a supreme being. According to this theory, in the most basic belief systems, there’s said to be little or no connection between religion and morality. Providing a religious basis for morals is the task of progressing thought.(1)
(1) Prim. Cult., ii. 381. Huxley's Science and Hebrew Tradition, pp. 346,372.
(1) Prim. Cult., ii. 381. Huxley's Science and Hebrew Tradition, pp. 346,372.
This current hypothesis is, confessedly, "animistic," in Mr. Tylor's phrase, or, in Mr. Spencer's terminology, it is "the ghost theory". The human soul, says Mr. Tylor, has been the model on which all man's ideas of spiritual beings, from "the tiniest elf" to "the heavenly Creator and ruler of the world, the Great Spirit," have been framed.(1) Thus it has been necessary for Mr. Tylor and for Mr. Spencer to discover first an origin of man's idea of his own soul, and that supposed origin in psychological, physical and psychical experiences is no doubt adequate. By reflection on these facts, probably, the idea of spirit was reached, though the psychical experiences enumerated by Mr. Tylor may contain points as yet unexplained by Materialism. From these sources are derived all really "animistic" gods, all that from the first partake of the nature of hungry ghosts, placated by sacrifices of food, though in certain cases that hunger may have been transferred, we surmise, by worshippers to gods not ORIGINALLY animistic.
This current hypothesis is, admittedly, "animistic," as Mr. Tylor puts it, or in Mr. Spencer's terms, it’s "the ghost theory." Mr. Tylor states that the human soul has served as the template for all human concepts of spiritual beings, from "the tiniest elf" to "the heavenly Creator and ruler of the world, the Great Spirit."(1) Therefore, it has been essential for both Mr. Tylor and Mr. Spencer to first find an origin for humanity's idea of its own soul, and that presumed origin in psychological, physical, and psychical experiences is likely sufficient. By reflecting on these facts, it's probable that the concept of spirit emerged, even though the psychical experiences listed by Mr. Tylor may include aspects that Materialism hasn't fully explained. From these origins come all genuinely "animistic" gods, all of whom originally share the traits of hungry ghosts, appeased by food sacrifices, although in some cases, that hunger may have been transferred by worshippers to gods that were not originally animistic.
(1) Prim. Cult., ii. 109
(1) Prim. Cult., vol. 2, p. 109
In answer to this theory of an animistic or ghostly origin of all gods, it must first be observed that all gods are not necessarily, it would seem, of animistic origin. Among certain of the lowest savages, although they believe in ghosts, the animistic conception, the spiritual idea, is not attached to the relatively supreme being of their faith. He is merely a powerful BEING, unborn, and not subject to death. The purely metaphysical question "was he a ghost?" does not seem always to have been asked. Consequently there is no logical reason why man's idea of a Maker should not be prior to man's idea that there are such things as souls, ghosts and spirits. Therefore the animistic theory is not necessary as material for the "god-idea". We cannot, of course, prove that the "god-idea" was historically prior to the "ghost-idea," for we know no savages who have a god and yet are ignorant of ghosts. But we can show that the idea of God may exist, in germ, without explicitly involving the idea of spirit. Thus gods MAY be prior in evolution to ghosts, and therefore the animistic theory of the origin of gods in ghosts need not necessarily be accepted.
In response to the theory that all gods come from an animistic or ghostly origin, it should first be noted that not all gods seem to have an animistic background. Among some of the most primitive societies, while they do believe in ghosts, the animistic idea or spiritual concept isn’t usually linked to the supreme being of their belief system. This being is simply a powerful ENTITY, timeless, and not subject to death. The purely philosophical question of "was he a ghost?" doesn’t always seem to come up. As a result, there's no logical reason to think that the human concept of a Creator should come after the belief in souls, ghosts, and spirits. Therefore, the animistic theory isn’t necessary as a basis for the "god-idea." We can't definitively prove that the "god-idea" came before the "ghost-idea," since we don't have records of any societies that worship a god while being unaware of ghosts. However, we can demonstrate that the idea of God can exist, in a basic form, without directly involving the concept of spirit. Thus, gods might evolve before ghosts, which means the animistic theory that gods originate from ghosts doesn’t have to be accepted.
In the first place, the original evolution of a god out of a ghost need not be conceded, because in perhaps all known savage theological philosophy the God, the Maker and Master, is regarded as a being who existed before death entered the world. Everywhere, practically speaking, death is looked on as a comparatively late intruder. He came not only after God was active, but after men and beasts had populated the world. Scores of myths accounting for this invasion of death have been collected all over the world.(1) Thus the relatively supreme being, or beings, of religion are looked on as prior to Death, therefore, not as ghosts. They are sometimes expressly distinguished as "original gods" from other gods who are secondary, being souls of chiefs. Thus all Tongan gods are Atua, but all Atua are not "original gods".(2) The word Atua, according to Mr. White, is "A-tu-a". "A" was the name given to the author of the universe, and signifies: "Am the unlimited in power," "The Conception," "the Leader," "the Beyond All". "Tua" means "Beyond that which is most distant," "Behind all matter," and "Behind every action". Clearly these conceptions are not more mythical (indeed A does not seem to occur in the myths), nor are they more involved in ghosts, than the unknown absolute of Mr. Herbert Spencer. Yet the word Atua denotes gods who are recognised as ghosts of chiefs, no less than it denotes the supreme existence.(3) These ideas are the metaphysical theology of a race considerably above the lowest level. They lend no assistance to a theory that A was, or was evolved out of, a human ghost, and he is not found in Maori MYTHOLOGY as far as our knowledge goes. But, among the lowest known savages, the Australians, we read that "the Creator was a gigantic black, once on earth, now among the stars". This is in Gippsland; the deities of the Fuegians and the Blackfoot Indians are also Beings, anthropomorphic, unborn and undying, like Mangarrah, the creative being of the Larrakeah tribe in Australia. "A very good man called Mangarrah lives in the sky.... He made everything" (blacks excepted). He never dies.(4) The Melanesian Vui "never were men," were "something different," and "were NOT ghosts". It is as a Being, not as a Spirit, that the Kurnai deity Munganngaur (Our Father) is described.(5) In short, though Europeans often speak of these divine beings of low savages as "spirits," it does not appear that the natives themselves advance here the metaphysical idea of spirit. These gods are just BEINGS, anthropomorphic, or (in myth and fable), very often bestial, "theriomorphic".(6) It is manifest that a divine being envisaged thus need not have been evolved out of the theory of spirits or ghosts, and may even have been prior to the rise of the belief in ghosts.
In the first place, the original evolution of a god from a ghost doesn’t have to be accepted because, in almost all known primitive theological beliefs, the God, the Creator and Ruler, is seen as a being who existed before death came into the world. Essentially everywhere, death is considered a relatively late arrival. It came not only after God was active but also after humans and animals populated the earth. Numerous myths explaining this arrival of death have been gathered from around the globe. Thus, the relatively supreme being or beings of religion are viewed as existing before death, and therefore, not as ghosts. They are sometimes specifically referred to as "original gods," distinguishing them from other gods who are considered secondary, being the souls of chiefs. So, all Tongan gods are Atua, but not all Atua are "original gods." According to Mr. White, the word Atua is "A-tu-a." "A" refers to the creator of the universe and signifies: "I am the unlimited in power," "The Conception," "the Leader," "the Beyond All." "Tua" means "beyond what is most distant," "behind all matter," and "behind every action." Clearly, these concepts are not more mythical (indeed, A doesn’t seem to appear in the myths), nor are they more connected to ghosts than Mr. Herbert Spencer's idea of the unknown absolute. Yet, the word Atua indicates gods that are recognized as ghosts of chiefs, just as much as it indicates the supreme being. These ideas represent the metaphysical theology of a people well above the lowest level of civilization. They don’t support the theory that A was, or evolved from, a human ghost, and he is not found in Maori mythology as far as we know. However, among the lowest known savages, the Australians, it’s noted that "the Creator was a gigantic black, once on earth, now among the stars." This is in Gippsland; the deities of the Fuegians and the Blackfoot Indians are also beings, anthropomorphic, unborn, and undying, like Mangarrah, the creative being of the Larrakeah tribe in Australia. "A very good man named Mangarrah lives in the sky.... He made everything" (except for blacks). He never dies. The Melanesian Vui "never were men," were "something different," and "were NOT ghosts." The Kurnai deity Munganngaur (Our Father) is described as a being, not a spirit. In short, while Europeans often refer to these divine beings of primitive peoples as "spirits," it doesn’t seem that the natives themselves put forth a metaphysical idea of spirit. These gods are simply BEINGS, anthropomorphic, or (in myth and fable) often depicted as bestial or "theriomorphic." It is clear that a divine being understood in this way doesn’t need to have evolved from the concept of spirits or ghosts and may have even existed before the belief in ghosts emerged.
(1) See Modern Mythology, "Myths of Origin of Death".
(1) See Modern Mythology, "Myths of the Origin of Death".
(2) Mariner, ii. 127.
Mariner, vol. II, p. 127.
(3) White, Ancient History of the Maoris, vol. i. p. 4; other views in Gill's Myths of the Pacific. I am not committed to Mr. White's opinion.
(3) White, Ancient History of the Maoris, vol. i. p. 4; other perspectives in Gill's Myths of the Pacific. I do not fully support Mr. White's view.
(4) Journal Anthrop. Inst., Nov., 1894, p. 191.
(4) Journal Anthrop. Inst., Nov., 1894, p. 191.
(5) Ibid., 1886, p. 313.
Ibid., 1886, p. 313.
(6) See Making of Religion, pp. 201-210, for a more copious statement.
(6) See Making of Religion, pp. 201-210, for a more detailed explanation.
Again, these powerful, or omnipotent divine beings are looked on as guardians of morality, punishers of sin, rewarders of righteousness, both in this world and in a future life, in places where ghosts, though believed in, ARE NOT WORSHIPPED, NOR IN RECEIPT OF SACRIFICE, and where, great grandfathers being forgotten, ancestral ghosts can scarcely swell into gods. This occurs among Andamanese, Fuegians and Australians, therefore, among non-ghost-worshipping races, ghosts cannot have developed into deities who are not even necessarily spirits. These gods, again, do not receive sacrifice, and thus lack the note of descent from hungry food-craving ghosts. In Australia, indeed, while ghosts are not known to receive any offerings, "the recent custom of providing food for it"—the dead body of a friend—"is derided by the intelligent old aborigines as 'white fellow's gammon'".(1)
Once again, these powerful or all-powerful divine beings are seen as guardians of morality, punishing wrongdoing and rewarding good behavior, both in this life and the next. In places where ghosts are believed in but not worshipped or given sacrifices, and where ancestors are largely forgotten, ancestral spirits hardly ever become gods. This is true among the Andamanese, Fuegians, and Australians; therefore, in cultures that don't worship ghosts, these spirits cannot evolve into deities, who may not even be considered spirits at all. Furthermore, these gods do not receive sacrifices, so they do not have ties to ghosts who crave food. In Australia, in fact, while ghosts are not known to receive offerings, "the recent custom of providing food for it"—the deceased body of a friend—"is mocked by the wise old aborigines as 'white fellow's gammon'."(1)
(1) Dawson, Australian Aborigines, p. 51, 1881.
(1) Dawson, Australian Aborigines, p. 51, 1881.
The Australians possess no chiefs like "Vich Ian Vohr or Chingachgook" whose ghosts might be said to swell into supreme moral deities. "Headmen" they have, leaders of various degrees of authority, but no Vich Ian Vohr, no semi-sacred representative of the tribe.(1) Nor are the ghosts of the Headmen known to receive any particular posthumous attention or worship. Thus it really seems impossible to show proof that Australian gods grew out of Australian ghosts, a subject to which we shall return.
The Australians don't have chiefs like "Vich Ian Vohr or Chingachgook" whose spirits could be seen as supreme moral beings. They do have "Headmen," who are leaders with different levels of authority, but there's no Vich Ian Vohr, no semi-sacred figure representing the tribe. The spirits of the Headmen also don't seem to receive any special attention or worship after death. So, it really seems difficult to provide evidence that Australian gods evolved from Australian spirits, a topic we will revisit.
(1) Howitt, Organisation of Australian Tribes, pp. 101-113. "Transactions of Royal Society of Victoria," 1889.
(1) Howitt, Organization of Australian Tribes, pp. 101-113. "Transactions of Royal Society of Victoria," 1889.
Some supporters of the current theory therefore fall back on the hypothesis that the Australians are sadly degenerate.(1) Chiefs, it is argued, or kings, they once had, and the gods are surviving ghosts of these wholly forgotten potentates. To this we reply that we know not the very faintest trace of Australian degeneration. Sir John Lubbock and Mr. Tylor have correctly argued that the soil of Australia has not yet yielded so much as a fragment of native pottery, nor any trace of native metal work, not a vestige of stone buildings occurs, nor of any work beyond the present native level of culture, unless we reckon weirs for fish-catching. "The Australian boomerang," writes Mr. Tylor, "has been claimed as derived from some hypothetical high culture, whereas the transition-stages through which it is connected with the club are to be observed in its own country, while no civilised race possesses the weapon."(2)
Some supporters of the current theory therefore revert to the idea that Australians are unfortunately degenerate. It’s argued that they once had chiefs or kings, and that the gods are lingering remnants of these completely forgotten rulers. In response, we say that we do not see even the faintest sign of Australian degeneration. Sir John Lubbock and Mr. Tylor have rightly pointed out that Australia's soil hasn't produced even a piece of native pottery, nor any sign of native metalwork; there are no remains of stone buildings or anything beyond the current level of native culture, unless we count weirs for catching fish. "The Australian boomerang," Mr. Tylor writes, "has been claimed as derived from some supposed advanced culture, while the transitional stages connecting it to the club can be found in its own country, and no civilized race has this weapon."
(1) See Prof. Menzie's History of Religion, pp. 16, 17, where a singular inconsistency has escaped the author.
(1) See Prof. Menzie's History of Religion, pp. 16, 17, where a unique inconsistency has gone unnoticed by the author.
(2) Prim. Cult., i. 57, 67.
(2) Prim. Cult., i. 57, 67.
Therefore the Australian, with his boomerang, represents no degeneration but advance on his ancestors, who had not yet developed the boomerang out of the club. If the excessively complex nature of Australian rules of prohibited degrees be appealed to as proof of degeneration from the stage in which they were evolved, we reply that civilisation everywhere tends not to complicate but to simplify such rules, as it also notoriously simplifies the forms of language.
Therefore, the Australian, with his boomerang, represents progress over his ancestors, who hadn't yet developed the boomerang from the club. If the overly complex nature of Australian rules of prohibited degrees is used as evidence of decline from the stage in which they were created, we respond that civilization everywhere tends to simplify such rules, just as it notably simplifies the forms of language.
The Australian people, when discovered, were only emerging from palaeolithic culture, while the neighbouring Tasmanians were frankly palaeolithic.(1) Far from degenerating, the Australians show advance when they supersede their beast or other totem by an eponymous human hero.(2) The eponymous hero, however, changed with each generation, so that no one name was fixed as that of tribal father, later perhaps to become a tribal god. We find several tribes in which the children now follow the FATHER'S class, and thus paternal kin takes the place of the usual early savage method of reckoning kinship by the mother's side, elsewhere prevalent in Australia. In one of these tribes, dwelling between the Glenelg and Mount Napier, headmanship is hereditary, but nothing is said of any worship of the ghosts of chiefs. All this social improvement denotes advance on the usual Australian standard.(3) Of degeneration (except when produced recently by European vices and diseases) I know no trace in Australia. Their highest religious conceptions, therefore, are not to be disposed of as survivals of a religion of the ghosts of such chiefs as the Australians are not shown ever to have recognised. The "God idea" in Australia, or among the Andamanese, must have some other source than the Ghost-Theory. This is all the more obvious because not only are ghosts not worshipped by the Australians, but also the divine beings who are alleged to form links between the ghost and the moral god are absent. There are no departmental gods, as of war, peace, the chase, love, and so forth. Sun, sky and earth are equally unworshipped. There is nothing in religion between a Being, on one hand (with a son or sons), and vague mischievous spirits, boilyas or mrarts, and ghosts (who are not worshipped), on the other hand. The friends of the idea that the God is an ancient evolution from the ghost of such a chief as is not proved to have existed, must apparently believe that the intermediate stages in religious evolution, departmental gods, nature gods and gods of polytheism in general once existed in Australia, and have all been swept away in a deluge of degeneration. That deluge left in religion a moral, potently active Father and Judge. Now that conception is considerably above the obsolescent belief in an otiose god which is usually found among barbaric races of the type from which the Australians are said to have degenerated. There is no proof of degeneracy, and, if degeneration has occurred, why has it left just the kind of deity who, in the higher barbaric culture, is not commonly found? Clearly this attempt to explain the highest aspect of Australian religion by an undemonstrated degeneration is an effort of despair.
The Australian people, when first discovered, were just starting to move beyond prehistoric culture, while the nearby Tasmanians were still entirely in that phase. Instead of declining, the Australians show development when they replace their animal or other totem with a legendary human hero. However, this hero changes with each generation, meaning no single name was established as that of the tribal father, which might eventually evolve into a tribal god. We find several tribes where children now inherit their FATHER's class, shifting from the traditional method of tracking kinship through the mother, which is common in other parts of Australia. In one of these tribes, located between the Glenelg and Mount Napier, leadership is inherited, but there’s no mention of any worship of the spirits of past chiefs. All this social progress indicates an advance over the usual Australian standard. I have not seen any evidence of decline in Australia, except for some recent impacts caused by European vices and diseases. Therefore, their highest religious concepts should not be dismissed as leftovers from a religion based on the spirits of chiefs that Australians don’t seem to have ever acknowledged. The “God idea” in Australia, or among the Andamanese, must come from a different origin than the Ghost-Theory. This is even clearer because not only do Australians not worship ghosts, but also the divine beings that are supposed to connect the ghost and the moral god are absent. There are no specific gods for things like war, peace, hunting, or love. The sun, sky, and earth are also not worshipped. In their religion, there is nothing between a Being (with a son or sons) and vague mischievous spirits, boilyas or mrarts, and ghosts (which are not worshipped). Supporters of the idea that God evolved from the ghost of a chief that hasn’t been proven to have existed must believe that the intermediate stages in religious evolution—specific gods, nature gods, and general polytheism—once existed in Australia and have all been wiped out by a wave of degeneration. That wave left behind a moral, actively powerful Father and Judge. This idea is considerably above the fading belief in a non-active god typically found among barbaric cultures from which Australians are said to have degenerated. There is no proof of degeneration, and if it has happened, why has it only left behind a type of deity not commonly found in higher barbaric cultures? Clearly, this attempt to explain the highest aspect of Australian religion through an unproven degeneration is a desperate effort.
(1) Tylor, preface to Ling Roth's Aborigines of Tasmania, pp. v.-viii.
(1) Tylor, preface to Ling Roth's Aborigines of Tasmania, pp. v.-viii.
(2) Kamilaroi and Kurnai, p. 231.
(2) Kamilaroi and Kurnai, p. 231.
(3) Kamilaroi and Kurnai, pp. 277, 278.
(3) Kamilaroi and Kurnai, pp. 277, 278.
While the current theory thus appears to break down over the deities of certain Australian tribes and of other low savages to be more particularly described later, it is not more successful in dealing with what we have called the "fault" or break in the religious strata of higher races. The nature of that "fault" may thus be described: While the deities of several low savage peoples are religiously regarded as guardians and judges of conduct both in this life and in the next, among higher barbarians they are often little, or not at all, interested in conduct. Again, while among Australians, and Andamanese, and Fuegians, there is hardly a verifiable trace, if any trace there be, of sacrifice to any divine being, among barbarians the gods beneath the very highest are in receipt even of human sacrifice. Even among barbarians the highest deity is very rarely worshipped with sacrifice. Through various degrees he is found to lose all claim on worship, and even to become a mere name, and finally a jest and a mockery. Meanwhile ancestral ghosts, and gods framed on the same lines as ghosts, receive sacrifice of food and of human victims. Once more, the high gods of low savages are not localised, not confined to any temple or region. But the gods of higher barbarians (the gods beneath the highest), are localised in this way, as occasionally even the highest god also is.
While the current theory seems to falter when it comes to the deities of certain Australian tribes and other primitive societies that will be discussed later, it doesn't do any better in addressing what we refer to as the "fault" or break in the religious beliefs of more advanced cultures. The nature of that "fault" can be described as follows: While the deities of several primitive cultures are seen as guardians and judges of behavior in both this life and the next, in more advanced tribes, these deities often show little to no interest in human conduct. Additionally, while among Australians, Andamanese, and Fuegians, there is hardly any evidence, if any at all, of offerings made to divine beings, among higher tribes, the gods below the very top tier are sometimes offered even human sacrifices. Even among these higher tribes, the supreme deity is rarely worshipped with sacrifice. Through various stages, this deity tends to lose all claim to worship, eventually becoming just a name, and finally a joke or mockery. In contrast, ancestral spirits and gods created in a similar fashion to ghosts receive offerings of food and human sacrifices. Furthermore, the high gods of primitive cultures are not tied to any specific location, temple, or region. However, the gods of more advanced tribes (those below the highest) are often associated with specific locations, much like the highest god sometimes is.
All this shows that, among advancing barbarians, the gods, if they started from the estate of gods among savages on the lowest level, become demoralised, limited, conditioned, relegated to an otiose condition, and finally deposed, till progressive civilisation, as in Greece, reinstates or invents purer and more philosophic conceptions, without being able to abolish popular and priestly myth and ritual.
All of this shows that, among rising barbarians, the gods, if they begin from the status of gods among the most primitive people, become corrupt, restricted, conditioned, reduced to a useless state, and eventually overthrown, until advanced civilization, like in Greece, restores or creates clearer and more philosophical ideas, while not being able to eliminate common myths and rituals upheld by priests.
Here, then, is a flaw or break in the strata of religion. What was the cause of this flaw? We answer, the evolution, through ghosts, of "animistic" gods who retained the hunger and selfishness of these ancestral spirits whom the lowest savages are not known to worship.
Here’s a gap in the layers of religion. What caused this gap? We say it’s the evolution, through ghosts, of "animistic" gods who kept the hunger and selfishness of these ancestral spirits that the most primitive tribes don’t seem to worship.
The moral divine beings of these lowest races, beings (when religiously regarded) unconditioned, in need of no gift that man can give, are not to be won by offerings of food and blood. Of such offerings ghosts, and gods modelled on ghosts, are notoriously in need. Strengthened and propitiated by blood and sacrifice (not offered to the gods of low savages), the animistic deities will become partisans of their adorers, and will either pay no regard to the morals of their worshippers, or will be easily bribed to forgive sins. Here then is, ethically speaking, a flaw in the strata of religion, a flaw found in the creeds of ghost-worshipping barbarians, but not of non-ghost-worshipping savages. A crowd of venal, easy-going, serviceable deities has now been evolved out of ghosts, and Animism is on its way to supplant or overlay a rude early form of theism. Granting the facts, we fail to see how they are explained by the current theory which makes the highest god the latest in evolution from a ghost. That theory wrecks itself again on the circumstance that, whereas the tribal or national highest divine being, as latest in evolution, ought to be the most potent, he is, in fact, among barbaric races, usually the most disregarded. A new idea, of course, is not necessarily a powerful or fashionable idea. It may be regarded as a "fad," or a heresy, or a low form of dissent. But, when universally known to and accepted by a tribe or people, then it must be deemed likely to possess great influence. But that is not the case; and among barbaric tribes the most advanced conception of deity is the least regarded, the most obsolete.
The moral divine beings of these lower races, when viewed through a religious lens, are unconditioned and don’t require gifts from humans. They can’t be won over by offerings of food and blood. Such offerings are typically needed by ghosts and gods modeled after them. Blood and sacrifices (not given to the gods of primitive societies) strengthen and appease animistic deities, turning them into allies of their worshippers, who may ignore their morals or can be easily convinced to forgive wrongdoing. Ethically speaking, this reveals a flaw in the layers of religion, a flaw found in the beliefs of ghost-worshipping cultures, but not in those that don’t worship ghosts. A multitude of corrupt, easy-going, and accommodating deities has emerged from ghosts, and Animism is starting to replace or build upon an early form of theism. Accepting this, we find it hard to reconcile with the current theory that posits the highest god as the most recent evolution from a ghost. This theory contradicts the fact that, in tribal or national contexts, the highest deity, supposed to be the most powerful as the latest evolution, is often the least acknowledged among barbaric races. A new idea isn’t necessarily a strong or trendy one; it might be seen as a "fad," a heresy, or a minor form of dissent. However, when an idea is widely recognized and accepted by a tribe or people, it’s likely to have significant influence. Yet, this isn’t the case; among barbaric tribes, the most advanced idea of a deity is often the least valued and most outdated.
An excellent instance of the difference between the theory here advocated, and that generally held by anthropologists, may be found in Mr. Abercromby's valuable work, Pre-and Proto-Historic Finns, i. 150-154. The gods, and other early ideas, says Mr. Abercromby, "could in no sense be considered as supernatural". We shall give examples of gods among the races "nearest the beginning," whose attributes of power and knowledge can not, by us at least, be considered other than "supernatural". "The gods" (in this hypothesis) "were so human that they could be forced to act in accordance with the wishes of their worshippers, and could likewise be punished." These ideas, to an Australian black, or an Andamanese, would seem dangerously blasphemous. These older gods "resided chiefly in trees, wells, rivers and animals". But many gods of our lowest known savages live "beyond the sky". Mr. Abercromby supposes the sky god to be of later evolution, and to be worshipped after man had exhausted "the helpers that seemed nearest at hand... in the trees and waters at his very door". Now the Australian black has not a door, nor has he gods of any service to him in the "trees and waters," though sprites may lurk in such places for mischief. But in Mr. Abercromby's view, some men turned at last to the sky-god, "who in time would gain a large circle of worshippers". He would come to be thought omnipotent, omniscient, the Creator. This notion, says Mr. Abercromby, "must, if this view is correct, be of late origin". But the view is not correct. The far-seeing powerful Maker beyond the sky is found among the very backward races who have not developed helpers nearer man, dwelling round what would be his door, if door he was civilised enough to possess. Such near neighbouring gods, of human needs, capable of being bullied, or propitiated by sacrifice, are found in races higher than the lowest, who, for their easily procurable aid, have allowed the Maker to sink into an otiose god, or a mere name. Mr. Abercromby unconsciously proves our case by quoting the example of a Samoyede. This man knew a Sky-god, Num; that conception was familiar to him. He also knew a familiar spirit. On Mr. Abercromby's theory he should have resorted for help to the Sky-god, not to the sprite. But he did the reverse: he said, "I cannot approach Num, he is too far away; if I could reach him I should not beseech thee (the familiar spirit), but should go myself; but I cannot". For this precise reason, people who have developed the belief in accessible affable spirits go to them, with a spell to constrain, or a gift to bribe, and neglect, in some cases almost forget, their Maker. But He is worshipped by low savages, who do not propitiate ghosts and who have no gods in wells and trees, close at hand. It seems an obvious inference that the greater God is the earlier evolved.
A great example of the difference between the theory presented here and the commonly accepted views of anthropologists can be found in Mr. Abercromby's valuable work, Pre-and Proto-Historic Finns, i. 150-154. Mr. Abercromby states that the gods and other early concepts “could in no sense be considered as supernatural.” We will provide examples of gods among the races “nearest the beginning,” whose powers and knowledge cannot be seen as anything but “supernatural” from our perspective. “The gods” (in this idea) “were so human that they could be made to act according to the wishes of their worshippers and could also be punished.” To an Australian Aboriginal or an Andamanese, these ideas would seem dangerously blasphemous. These ancient gods “mostly resided in trees, wells, rivers, and animals.” However, many gods among our most basic known societies exist “beyond the sky.” Mr. Abercromby theorizes that the sky god developed later and was worshipped after humans had exhausted “the helpers that seemed nearest at hand... in the trees and waters at his very door.” The Australian Aboriginal does not have a door, nor does he have gods that are useful to him in the “trees and waters,” even though mischievous spirits might be found in such places. According to Mr. Abercromby, some people eventually turned to the sky god, “who in time would gain a large circle of worshippers.” This god would come to be regarded as omnipotent, omniscient, the Creator. Mr. Abercromby claims this idea “must, if this view is correct, be of late origin.” But the view is not correct. The powerful Creator beyond the sky is present among very primitive races who have not developed helpers closer to home, around what would be his door, if he were civilized enough to have one. Such nearby gods, who cater to human needs and are capable of being pressured or appeased through sacrifice, are found among societies that are more advanced than the most basic, which, for the sake of easily accessible help, allow the Creator to become an inactive god or just a name. Mr. Abercromby unknowingly supports our case by citing the example of a Samoyede. This person was familiar with a Sky-god, Num; that idea was known to him. He also recognized a familiar spirit. According to Mr. Abercromby's theory, he should have sought help from the Sky-god, not the spirit. But he did the opposite: he said, “I cannot approach Num, he is too far away; if I could reach him, I wouldn’t ask you (the familiar spirit), but would go myself; but I cannot.” For this exact reason, people who have embraced the belief in approachable, friendly spirits turn to them, using spells to compel or gifts to persuade, and often neglect or almost forget their Creator. However, He is worshipped by primitive societies that do not appease ghosts and do not have gods in wells and trees nearby. It seems clear that the greater God is the earlier evolution.
These are among the difficulties of the current anthropological theory. There is, however, a solution by which the weakness of the divine conception, its neglected, disused aspect among barbaric races, might be explained by anthropologists, without regarding it as an obsolescent form of a very early idea. This solution is therefore in common use. It is applied to the deity revealed in the ancient mysteries of the Australians, and it is employed in American and African instances.
These are some of the challenges of current anthropological theory. However, there is a solution that explains the weaknesses in the concept of the divine, as well as its overlooked and unused aspects among primitive cultures, without seeing it as an outdated version of an early idea. This solution is commonly used. It applies to the deity revealed in the ancient mysteries of the Australians, and it is also used in examples from America and Africa.
The custom is to say that the highest divine being of American or African native peoples has been borrowed from Europeans, and is, especially, a savage refraction from the God of missionaries. If this can be proved, the shadowy, practically powerless "Master of Life" of certain barbaric peoples, will have degenerated from the Christian conception, because of that conception he will be only a faint unsuccessful refraction. He has been introduced by Europeans, it is argued, but is not in harmony with his new environment, and so is "half-remembered and half forgot".
The common belief is that the highest divine being of Native American or African indigenous peoples has been borrowed from Europeans, and is, in particular, a distorted reflection of the God worshipped by missionaries. If this can be proven, the elusive, practically powerless "Master of Life" of certain tribal groups will have deteriorated from the Christian idea, becoming merely a weak and unsuccessful imitation. It's argued that he was introduced by Europeans, but doesn’t fit well with his new surroundings, resulting in him being "half-remembered and half forgotten."
The hypothesis of borrowing admits of only one answer, but that answer should be conclusive. If we can discover, say in North America, a single instance in which the supreme being occurs, while yet he cannot possibly be accounted for by any traceable or verifiable foreign influence, then the burden of proof, in other cases, falls on the opponent. When he urges that other North American supreme beings were borrowed, we can reply that our crucial example shows that this need not be the fact. To prove that it is the fact, in his instances, is then his business. It is obvious that for information on this subject we must go to the reports of the earliest travellers who knew the Red Indians well. We must try to get at gods behind any known missionary efforts. Mr. Tylor offers us the testimony of Heriot, about 1586, that the natives of Virginia believed in many gods, also in one chief god, "who first made other principal gods, and then the sun, moon and stars as petty gods".(1) Whence could the natives of Virginia have borrowed this notion of a Creator before 1586? If it is replied, in the usual way, that they developed him upwards out of sun, moon and star gods, other principal gods, and finally reached the idea of the Creator, we answer that the idea of the Maker is found where these alleged intermediate stages are NOT found, as in Australia. In Virginia then, as in Victoria, a Creator may have been evolved in some other way than that of gradual ascent from ghosts, and may have been, as in Australia and elsewhere, prior to verifiable ghost-worship. Again, in Virginia at our first settlement, the native priests strenuously resisted the introduction of Christianity. They were content with their deity, Ahone, "the great God who governs all the world, and makes the sun to shine, creating the moon and stars his companions.... The good and peaceable God... needs not to be sacrificed unto, for he intendeth all good unto them." This good Creator, without sacrifice, among a settled agricultural barbaric race sacrificing to other gods and ghosts, manifestly cannot be borrowed from the newly arrived religion of Christianity, which his priests, according to the observer, vigorously resisted. Ahone had a subordinate deity, magisterial in functions, "looking into all men's actions" and punishing the same, when evil. To THIS god sacrifices WERE made, and if his name, Okeus, is derived from Oki = "spirit," he was, of course, an animistic ghost-evolved deity. Anthropological writers, by an oversight, have dwelt on Oki, but have not mentioned Ahone.(2) Manifestly it is not possible to insist that these Virginian high deities were borrowed, without saying whence and when they were borrowed by a barbaric race which was, at the same time, rejecting Christian teaching.
The idea of borrowing can only have one conclusion, but that conclusion should be definitive. If we can find, for instance in North America, even one example where a supreme being exists that can’t be explained by any known foreign influence, then the responsibility to prove the opposite falls on the challenger. When he argues that other North American supreme beings were borrowed, we can point to our key example showing that doesn't have to be true. It's then his job to prove that it is true for his cases. Clearly, to understand this issue, we need to refer to the reports of the earliest travelers who were well-acquainted with the Native Americans. We need to look for gods beyond any recognized missionary activities. Mr. Tylor cites Heriot's account from around 1586, indicating that the natives of Virginia believed in many gods, but also recognized one main god who "first made other principal gods, then the sun, moon, and stars as lesser gods."(1) Where could the natives of Virginia have gotten this idea of a Creator before 1586? If it's suggested, as is commonly done, that they evolved this concept from sun, moon, and star gods through other principal deities, reaching the concept of a Creator last, we counter that the idea of a Maker exists where these supposed intermediate stages do NOT appear, like in Australia. In Virginia, as in Victoria, a Creator may have emerged in a different way than through gradual development from spirits and might have existed, just like in Australia and elsewhere, prior to verifiable ghost-worship. Moreover, when the Europeans first settled in Virginia, the native priests strongly opposed the introduction of Christianity. They were satisfied with their god, Ahone, "the great God who governs all the world and causes the sun to shine, creating the moon and stars as his companions.... The good and peaceful God... requires no sacrifices, for he wishes all good for them." This benevolent Creator, who needed no sacrifice, existing among an agrarian society sacrificing to other gods and spirits, clearly could not have been borrowed from the newly arrived Christian religion, which his priests, according to observers, firmly resisted. Ahone had a subordinate deity with significant responsibilities, "watching over everyone's actions" and punishing the wrongdoings. Sacrifices WERE made to THIS god, and if his name, Okeus, comes from Oki = "spirit," he was, of course, a deity evolved from animistic beliefs. Anthropological writers, due to an oversight, have focused on Oki but have not mentioned Ahone.(2) Clearly, it isn’t possible to assert that these Virginian high deities were borrowed without explaining where and when they were borrowed by a primitive race that was simultaneously rejecting Christian teachings.
(1) Prim. Cult., ii. 341.
Prim. Cult., ii. 341.
(2) History of Travaile into Virginia, by William Strachey, 1612.
(2) History of Travel to Virginia, by William Strachey, 1612.
Mr. Tylor writes, with his habitual perspicacity: "It is the widespread belief in the Great Spirit, whatever his precise nature and origin, that has long and deservedly drawn the attention of European thinkers to the native religions of the North American tribes". Now while, in recent times, Christian ideas may undeniably have crystallised round "the Great Spirit," it has come to be thought "that THE WHOLE DOCTRINE of the Great Spirit was borrowed by the savages from missionaries and colonists. But this view will not bear examination," says Mr. Tylor.(1)
Mr. Tylor writes, with his usual insight: "It's the widespread belief in the Great Spirit, regardless of his exact nature and origin, that has consistently attracted the attention of European thinkers to the native religions of North American tribes." While it's true that Christian ideas may have recently formed around "the Great Spirit," there is a perception that "THE ENTIRE DOCTRINE of the Great Spirit was taken by the indigenous people from missionaries and colonists. However, this perspective will not hold up under scrutiny," says Mr. Tylor.(1)
(1) Prim. Cult, ii. pp. 339, 340 (1873). For some reason, Mr. Tylor modifies this passage in 1891.
(1) Prim. Cult, ii. pp. 339, 340 (1873). For some reason, Mr. Tylor changes this passage in 1891.
Mr. Tylor proceeds to prove this by examples from Greenland, and the Algonkins. He instances the Massachusett God, Kiehtan, who created the other gods, and receives the just into heaven. This was recorded in 1622, but the belief, says Winslow, our authority, goes back into the unknown past. "They never saw Kiehtan, but THEY HOLD IT A GREAT CHARGE AND DUTY THAT ONE AGE TEACH ANOTHER." How could a deity thus rooted in a traditional past be borrowed from recent English settlers?
Mr. Tylor goes on to support this with examples from Greenland and the Algonkins. He mentions the Massachusett God, Kiehtan, who created the other gods and welcomes the righteous into heaven. This was noted in 1622, but as Winslow, our source, states, the belief dates back to a time long before that. "They never saw Kiehtan, but THEY CONSIDER IT A GREAT RESPONSIBILITY AND DUTY THAT ONE GENERATION TEACH ANOTHER." How could a deity so deeply rooted in a traditional past be taken from recent English settlers?
In these cases the hypothesis of borrowing breaks down, and still more does it break down over the Algonkin deity Atahocan.
In these cases, the idea of borrowing fails, and it fails even more when it comes to the Algonkin deity Atahocan.
Father Le Jeune, S.J., went first among the Algonkins, a missionary pioneer, in 1633, and suffered unspeakable things in his courageous endeavour to win souls in a most recalcitrant flock. He writes (1633): "As this savage has given me occasion to speak of their god, I will remark that it is a great error to think that the savages have no knowledge of any deity. I was surprised to hear this in France. I do not know their secrets, but, from the little which I am about to tell, it will be seen that they have such knowledge.
Father Le Jeune, S.J., was the first among the Algonkin people, a pioneering missionary, in 1633, and he endured unimaginable hardships in his brave effort to save souls in a very unyielding community. He writes (1633): "Since this native has given me an opportunity to talk about their god, I want to point out that it's a significant mistake to believe that native peoples have no awareness of any deity. I was taken aback to hear this in France. I don't know their secrets, but from the little I am about to share, it will be clear that they do have such knowledge."
"They say that one exists whom they call Atahocan, who made the whole. Speaking of God in a wigwam one day, they asked me 'what is God?' I told them that it was He who made all things, Heaven and Earth. They then began to cry out to each other, 'Atahocan! Atahocan! it is Atahocan!'"
"They say there’s someone called Atahocan who created everything. One day, while talking about God in a wigwam, they asked me, 'What is God?' I told them it was the one who made everything, Heaven and Earth. They then started shouting to each other, 'Atahocan! Atahocan! It’s Atahocan!'"
There could be no better evidence that Atahocan was NOT (as is often said) "borrowed from the Jesuits". The Jesuits had only just arrived.
There couldn't be clearer proof that Atahocan was NOT (as often claimed) "borrowed from the Jesuits." The Jesuits had just arrived.
Later (1634) Le Jeune interrogated an old man and a partly Europeanised sorcerer. They replied that nothing was certain; that Atahocan was only spoken of as "of a thing so remote," that assurance was impossible. "In fact, their word Nitatohokan means, 'I fable, I tell an old story'."
Later (1634) Le Jeune questioned an old man and a partially Europeanized sorcerer. They responded that nothing was certain; that Atahocan was only referred to as "something so distant," making any certainty impossible. "In fact, their word Nitatohokan means, 'I tell a tale, I recite an old story'."
Thus Atahocan, though at once recognised as identical with the Creator of the missionary, was so far from being the latest thing in religious evolution that he had passed into a proverb for the ancient and the fabulous. This, of course, is inconsistent with RECENT borrowing. He was neglected for Khichikouai, spirits which inspire seers, and are of some practical use, receiving rewards in offerings of grease, says Le Jeune.(1)
Thus Atahocan, although immediately recognized as the same as the Creator of the missionary, was far from being the newest idea in religious development; he had become a saying for the ancient and the legendary. This, of course, contradicts RECENT borrowing. He was overshadowed by Khichikouai, spirits that inspire visionaries and serve some practical purpose, receiving offerings of grease as rewards, according to Le Jeune.(1)
(1) Relations, 1633, 1634.
Relations, 1633, 1634.
The obsolescent Atahocan seems to have had no moral activity. But, in America, this indolence of God is not universal. Mr. Parkman indeed writes: "In the primitive Indian's conception of a God, the idea of moral good has no part".(1) But this is definitely contradicted by Heriot, Strachey, Winslow, already cited, and by Pere Le Jeune. The good attributes of Kiehtan and Ahone were not borrowed from Christianity, were matter of Indian belief before the English arrived. Mr. Parkman writes: "The moment the Indians began to contemplate the object of his faith, and sought to clothe it with attributes, it became finite, and commonly ridiculous". It did so, as usual, in MYTHOLOGY, but not in RELIGION. There is nothing ridiculous in what is known of Ahone and Kiehtan. If they had a mythology, and if we knew the myths, doubtless they would be ridiculous enough. The savage mind, turned from belief and awe into the spinning of yarns, instantly yields to humorous fancy. As we know, mediaeval popular Christianity, in imagery, marchen or tales, and art, copiously illustrates the same mental phenomenon. Saints, God, our Lord, and the Virgin, all play ludicrous and immoral parts in Christian folk-tales. This is Mythology, and here is, beyond all cavil, a late corruption of Religion. Here, where we know the history of a creed, Religion is early, and these myths are late. Other examples of American divine ideas might be given, such as the extraordinary hymns in which the Zunis address the Eternal, Ahonawilona. But as the Zuni religion has only been studied in recent years, the hymns would be dismissed as "borrowed," though there is nothing Catholic or Christian about them. We have preferred to select examples where borrowing from Christianity is out of the question. The current anthropological theory is thus confronted with American examples of ideas of the divine which cannot have been borrowed, while, if the gods are said to have been evolved out of ghosts, we reply that, in some cases, they receive no sacrifice, sacrifice being usually a note of ghostly descent. Again, similar gods, as we show, exist where ghosts of chiefs are not worshipped, and as far as evidence goes never were worshipped, because there is no evidence of the existence at any time of such chiefs. The American highest gods may then be equally free from the taint of ghostly descent.
The outdated Atahocan seems to lack any moral function. However, in America, this inaction of God isn’t the norm. Mr. Parkman writes, "In the primitive Indian's view of God, the concept of moral good plays no role." But this is clearly challenged by Heriot, Strachey, Winslow, and Pere Le Jeune, as mentioned earlier. The good qualities of Kiehtan and Ahone weren’t taken from Christianity; they were part of Indian beliefs before the English arrived. Mr. Parkman states, "The moment the Indians began to think about what they believed in and tried to give it attributes, it became limited and often silly." This typically happens in MYTHOLOGY, but not in RELIGION. There’s nothing absurd about what we know of Ahone and Kiehtan. If they had a mythology, and if we understood the myths, they might indeed be quite ridiculous. The primitive mind, shifting from belief and reverence to storytelling, quickly gives in to humorous imagination. As we know, medieval popular Christianity illustrates this same mental phenomenon in its imagery, fairy tales, and art. Saints, God, our Lord, and the Virgin often portray comical and immoral roles in Christian folk-tales. This is Mythology, and without a doubt, it represents a late distortion of Religion. Where we understand the history of a belief system, Religion is early, and these myths come later. Other examples of American divine concepts could be provided, like the remarkable hymns the Zunis use to address the Eternal, Ahonawilona. But since Zuni religion has only been studied in recent years, these hymns might be dismissed as "borrowed," even though they are not Catholic or Christian in nature. We have chosen examples where borrowing from Christianity is out of the question. The current anthropological theory faces American examples of divine ideas that couldn’t have been borrowed, while if it’s claimed that the gods evolved from ghosts, we respond that, in some instances, they don’t receive sacrifices, which typically indicate ghostly origins. Moreover, similar gods, as we demonstrate, exist where the spirits of chiefs are not worshipped, and there’s no evidence that they ever were, since there's no proof of such chiefs existing at any time. Therefore, the highest American gods may be entirely free from the stigma of ghostly lineage.
(1) Parkman, The Jesuits in North America. p. lxxviii.
(1) Parkman, The Jesuits in North America. p. 78.
There is another more or less moral North American deity whose evolution is rather questionable. Pere Brebeuf (1636), speaking of the Hurons, says that "they have recourse to Heaven in almost all their necessities,... and I may say that it is, in fact, God whom they blindly adore, for they imagine that there is an Oki, that is, a demon, in heaven, who regulates the seasons, bridles the winds and the waves of the sea, and helps them in every need. They dread his wrath, and appeal to him as witness to the inviolability of their faith, when they make a promise or treaty of peace with enemies. 'Heaven hear us to-day' is their form of adjuration."(1)
There is another somewhat moral North American deity whose development is pretty unclear. Pere Brebeuf (1636), talking about the Hurons, says that "they turn to Heaven in almost all their needs,... and I can say that it is, in fact, God whom they blindly worship, because they believe that there is an Oki, which is a demon, in heaven who controls the seasons, calms the winds and the waves of the sea, and assists them in every need. They fear his anger and call on him as a witness to the seriousness of their faith when they make a promise or a peace treaty with their enemies. 'Heaven hear us today' is their way of making a vow."(1)
(1) Relations, 1636, pp. 106, 107.
(1) Relations, 1636, pp. 106, 107.
A spiritual being, whose home is heaven, who rides on the winds, whose wrath is dreaded, who sanctions the oath, is only called "a demon" by the prejudice of the worthy father who, at the same time, admits that the savages have a conception of God—and that God, so conceived, is this demon!
A spiritual being, living in heaven, riding the winds, feared for its anger, and overseeing oaths, is only labeled "a demon" due to the bias of a respectable father who also acknowledges that the so-called savages have an idea of God—and that God, as they see it, is this demon!
The debatable question is, was the "demon," or the actual expanse of sky, first in evolution? That cannot precisely be settled, but in the analogous Chinese case of China we find heaven (Tien) and "Shang-ti, the personal ruling Deity," corresponding to the Huron "demon". Shang-ti, the personal deity, occurs most in the oldest, pre-Confucian sacred documents, and, so far, appears to be the earlier conception. The "demon" in Huron faith may also be earlier than the religious regard paid to his home, the sky.(1) The unborrowed antiquity of a belief in a divine being, creative and sometimes moral, in North America, is thus demonstrated. So far I had written when I accidentally fell in with Mr. Tylor's essay on "The Limits of Savage Religion".(2) In that essay, rather to my surprise, Mr. Tylor argues for the borrowing of "The Great Spirit," "The Great Manitou," from the Jesuits. Now, as to the phrase, "Great Spirit," the Jesuits doubtless caused its promulgation, and, where their teaching penetrated, shreds of their doctrine may have adhered to the Indian conception of that divine being. But Mr. Tylor in his essay does not allude to the early evidence, his own, for Oki, Atahocan, Kiehtan, and Torngursak, all undeniably prior to Jesuit influence, and found where Jesuits, later, did not go. As Mr. Tylor offers no reason for disregarding evidence in 1892 which he had republished in a new edition of Primitive Culture in 1891, it is impossible to argue against him in this place. He went on, in the essay cited (1892) to contend that the Australian god of the Kamilaroi of Victoria, Baiame, is, in name and attributes, of missionary introduction. Happily this hypothesis can be refuted, as we show in the following chapter on Australian gods.
The debatable question is whether the "demon," or the actual sky, came first in evolution. That’s not something we can settle for sure, but if we look at the similar situation in China, we see that heaven (Tien) and "Shang-ti, the personal ruling Deity," correspond to the Huron "demon." Shang-ti, the personal deity, appears most often in the oldest, pre-Confucian sacred texts, and, so far, seems to be the earlier idea. The "demon" in Huron belief might also be older than the religious significance assigned to his domain, the sky. (1) This shows the ancient belief in a divine being, both creative and sometimes moral, in North America. I was writing this when I unexpectedly came across Mr. Tylor's essay on "The Limits of Savage Religion." (2) In that essay, somewhat surprisingly, Mr. Tylor argues that the concept of "The Great Spirit" and "The Great Manitou" was borrowed from the Jesuits. Regarding the term "Great Spirit," the Jesuits likely helped spread it, and where their teachings reached, bits of their doctrine may have influenced the Native American view of that divine being. However, Mr. Tylor doesn't mention the early evidence he has for Oki, Atahocan, Kiehtan, and Torngursak, which clearly predates Jesuit influence and is found in areas that Jesuits later didn’t reach. Since Mr. Tylor provides no justification for ignoring evidence from 1892 that he had previously republished in a new edition of Primitive Culture in 1891, it's hard to argue against him here. He went on in the referenced essay (1892) to assert that the Australian god of the Kamilaroi in Victoria, Baiame, in both name and characteristics, was introduced by missionaries. Fortunately, this theory can be disproven, as we demonstrate in the following chapter on Australian gods.
(1) See Tylor, Prim. Cult., ii. 362, and Making of Religion, p. 318; also Menzies, History of Religion, pp. 108,109, and Dr. Legge's Chinese Classics, in Sacred Books of the East, vols. iii., xxvii., xxviii.
(1) See Tylor, Prim. Cult., ii. 362, and Making of Religion, p. 318; also Menzies, History of Religion, pp. 108, 109, and Dr. Legge's Chinese Classics, in Sacred Books of the East, vols. iii., xxvii., xxviii.
(2) Journ. of Anthrop. Inst., vol. xxi., 1892.
(2) Journ. of Anthrop. Inst., vol. 21, 1892.
It would be easy enough to meet the hypothesis of borrowing in the case of the many African tribes who possess something approaching to a rude monotheistic conception. Among these are the Dinkas of the Upper Nile, with their neighbours, whose creed Russegger compares to that of modern Deists in Europe. The Dinka god, Dendid, is omnipotent, but so benevolent that he is not addressed in prayer, nor propitiated by sacrifice. Compare the supreme being of the Caribs, beneficent, otiose, unadored.(1) A similar deity, veiled in the instruction of the as yet unpenetrated Mysteries, exists among the Yao of Central Africa.(2) Of the negro race, Waitz says, "even if we do not call them monotheists, we may still think of them as standing on the boundary of monotheism despite their innumerable rude superstitions".(3) The Tshi speaking people of the Gold Coast have their unworshipped Nyankupon, a now otiose unadored being, with a magisterial deputy, worshipped with many sacrifices. The case is almost an exact parallel to that of Ahone and Oki in America. THESE were not borrowed, and the author has argued at length against Major Ellis's theory of the borrowing from Christians of Nyankupon.(4)
It would be quite simple to support the idea of borrowing in the case of the many African tribes that have something resembling a basic monotheistic belief. Among these are the Dinkas of the Upper Nile and their neighbors, whose belief system Russegger compares to that of modern Deists in Europe. The Dinka god, Dendid, is all-powerful but so benevolent that he isn't addressed in prayer or appeased by sacrifice. Compare this with the supreme being of the Caribs, who is kind, indifferent, and not worshipped. A similar deity, hidden within the still-unknown Mysteries, exists among the Yao of Central Africa. Regarding the African people, Waitz says, "even if we do not call them monotheists, we may still think of them as standing on the boundary of monotheism despite their countless simple superstitions." The Tshi-speaking people of the Gold Coast have their unacknowledged Nyankupon, an now indifferent and unloved figure, alongside a powerful deputy who is worshipped with many sacrifices. This situation is almost an exact parallel to that of Ahone and Oki in America. THESE were not borrowed, and the author has thoroughly argued against Major Ellis's theory that Nyankupon was borrowed from Christians.
(1) Rochefort, Les Isles Antilles, p. 415. Tylor, ii. 337.
(1) Rochefort, The Antilles, p. 415. Tylor, ii. 337.
(2) Macdonald, Africana, 1, 71, 72, 130, 279-301. Scott, Dictionary of the Manganja Language, Making of Religion, pp. 230-238. A contradictory view in Spencer, Ecclesiastical Institutions, p. 681.
(2) Macdonald, Africana, 1, 71, 72, 130, 279-301. Scott, Dictionary of the Manganja Language, Making of Religion, pp. 230-238. A contradictory view in Spencer, Ecclesiastical Institutions, p. 681.
(3) Anthropologie, ii. 167.
(3) Anthropologie, vol. 2, p. 167.
(4) Making of Religion, pp. 243-250.
(4) Making of Religion, pp. 243-250.
To conclude this chapter, the study of savage and barbaric religions seems to yield the following facts:—
To wrap up this chapter, the exploration of primitive and barbaric religions appears to produce the following insights:—
1. Low savages. No regular chiefs. Great beings, not in receipt of sacrifice, sanctioning morality. Ghosts are not worshipped, though believed in. Polytheism, departmental gods and gods of heaven, earth, sky and so forth, have not been developed or are not found.
1. Primitive people. No established leaders. Powerful beings, not receiving sacrifices, supporting moral values. Ghosts are believed in but not worshipped. Polytheism and specialized gods, as well as gods of the sky, earth, and so on, have not evolved or are not present.
2. Barbaric races. Aristocratic or monarchic. Ghosts are worshipped and receive sacrifice. Polytheistic gods are in renown and receive sacrifice. There is usually a supreme Maker who is, in some cases, moral, in others otiose. In only one or two known cases (as in that of the Polynesian Taaroa) is he in receipt of sacrifice.
2. Barbaric races. Aristocratic or monarchical. Ghosts are worshipped and receive sacrifices. Polytheistic gods are well-known and also receive sacrifices. There is usually a supreme Creator who is, in some cases, moral, and in others, indifferent. In only one or two known cases (like the Polynesian Taaroa) does he receive sacrifices.
3. Barbaric races. (Zulus, monarchic with Unkulunkulu; some Algonquins (feebly aristocratic) with Atahocan). Religion is mainly ancestor worship or vague spirit worship; ghosts are propitiated with food. There are traces of an original divine being whose name is becoming obsolescent and a matter of jest.
3. Barbaric races. (Zulus, ruled by a king with Unkulunkulu; some Algonquins (weakly aristocratic) with Atahocan). Their religion focuses mainly on ancestor worship or abstract spirit worship; they honor ghosts with food. There are signs of an original divine being whose name is fading away and becoming a joke.
4. Early civilisations. Monarchic or aristocratic. (Greece, Egypt, India, Peru, Mexico.) Polytheism. One god tends to be supreme. Religiously regarded, gods are moral; in myth are the reverse. Gods are in receipt of sacrifice. Heavenly society is modelled on that of men, monarchic or aristocratic. Philosophic thought tends towards belief in one pure god, who may be named Zeus, in Greece.
4. Early civilizations. Monarchical or aristocratic. (Greece, Egypt, India, Peru, Mexico.) Polytheism. One god is generally considered supreme. In a religious context, gods are moral; in myths, they are the opposite. Gods receive sacrifices. The heavenly society is modeled after that of humans, whether monarchical or aristocratic. Philosophical thought leans towards the belief in one pure god, who may be referred to as Zeus in Greece.
5. The religion of Israel. Probably a revival and purification of the old conception of a moral, beneficent creator, whose creed had been involved in sacrifice and anthropomorphic myth.
5. The religion of Israel. Likely a revival and refinement of the ancient idea of a moral, benevolent creator, whose beliefs were intertwined with sacrifice and human-like myths.
In all the stages thus roughly sketched, myths of the lowest sort prevail, except in the records of the last stage, where the documents have been edited by earnest monotheists.
In all the stages outlined, the simplest myths dominate, except in the records of the final stage, where the documents have been revised by sincere monotheists.
If this theory be approximately correct, man's earliest religious ideas may very well have consisted, in a sense, of dependence on a supreme moral being who, when attempts were made by savages to describe the modus of his working, became involved in the fancies of mythology. How this belief in such a being arose we have no evidence to prove. We make no hint at a sensus numinis, or direct revelation.
If this theory is roughly correct, humanity's earliest religious ideas may have been based on dependence on a supreme moral being who, when early humans tried to explain how this being operated, got wrapped up in mythological stories. We have no evidence to show how this belief in such a being came about. We're not suggesting a divine sense or direct revelation.
While offering no hypothesis of the origin of belief in a moral creator we may present a suggestion. Mr. Darwin says about early man: "The same high mental faculties which first led man to believe in unseen spiritual agencies, then in fetichism, polytheism and ultimately monotheism, would infallibly lead him, so long as his reasoning powers remained poorly developed, to various strange superstitions and customs".(1) Now, accepting Mr. Darwin's theory that early man had "high mental faculties," the conception of a Maker of things does not seem beyond his grasp. Man himself made plenty of things, and could probably conceive of a being who made the world and the objects in it. "Certainly there must be some Being who made all these things. He must be very good too," said an Eskimo to a missionary.(2) The goodness is inferred by the Eskimo from his own contentment with "the things which are made".(3)
While we don't have a theory about how belief in a moral creator started, we can offer a thought. Mr. Darwin notes about early humans: "The same advanced mental abilities that first led humans to believe in unseen spiritual forces, then in fetishism, polytheism, and eventually monotheism, would undoubtedly lead them, as long as their reasoning skills were still underdeveloped, to various unusual superstitions and practices." Now, if we accept Mr. Darwin's idea that early humans had "advanced mental abilities," the idea of a Maker of all things doesn't seem out of reach. Humans themselves created many things and could likely imagine a being who made the world and everything in it. "Surely there must be some Being who created all these things. He must be very good too," said an Eskimo to a missionary. The Eskimo infers this goodness from his own satisfaction with "the things that are made."
(1) Darwin, Descent of Man, i. p. 66.
(1) Darwin, Descent of Man, i. p. 66.
(2) Cranz, i. 199.
(2) Cranz, i. 199.
(3) Romans, i. 19.
(3) Romans 1:19
Another example of barbaric man "seeking after God" may be adduced.
Another example of a savage man "searching for God" can be provided.
What the Greenlander said is corroborated by what a Kaffir said. Kaffir religion is mainly animistic, ancestral spirits receive food and sacrifice—there is but an evanescent tradition of a "Lord in Heaven". Thus a very respectable Kaffir said to M. Arbrousset, "your tidings (Christianity) are what I want; and I was seeking before I knew you.... I asked myself sorrowful questions. 'Who has touched the stars with his hands?... Who makes the waters flow?... Who can have given earth the wisdom and power to produce corn?' Then I buried my face in my hands."
What the Greenlander said is backed up by what a Kaffir said. Kaffir religion mainly revolves around animism; ancestral spirits receive food and sacrifices—there's only a fleeting tradition of a "Lord in Heaven." So, a very respectable Kaffir told M. Arbrousset, "Your news (Christianity) is what I want, and I was searching for it before I even knew you.... I asked myself painful questions. 'Who has touched the stars with his hands?... Who makes the waters flow?... Who could have given the earth the wisdom and power to produce corn?' Then I buried my face in my hands."
"This," says Sir John Lubbock, "was, however, an exceptional case. As a general rule savages do not set themselves to think out such questions."(1)
"This," says Sir John Lubbock, "was, however, an exceptional case. As a general rule, primitive people do not take the time to think through such questions."(1)
(1) Origin of Civilisation, p. 201.
(1) Origin of Civilization, p. 201.
As a common fact, if savages never ask the question, at all events, somehow, they have the answer ready made. "Mangarrah, or Baiame, Puluga, or Dendid, or Ahone, or Ahonawilona, or Atahocan, or Taaroa, or Tui Laga, was the maker." Therefore savages who know that leave the question alone, or add mythical accretions. But their ancestors must have asked the question, like the "very respectable Kaffir" before they answered it.
As a common fact, if primitive people never ask the question, they somehow have the answer prepared. “Mangarrah, or Baiame, Puluga, or Dendid, or Ahone, or Ahonawilona, or Atahocan, or Taaroa, or Tui Laga was the creator.” So, these people who are aware of that ignore the question or add mythical details. However, their ancestors must have asked the question, just like the “very respectable Kaffir,” before they found an answer.
Having reached the idea of a Creator, it was not difficult to add that he was "good," or beneficent, and was deathless.
Having come to the idea of a Creator, it was easy to add that he was "good" or kind, and was immortal.
A notion of a good powerful Maker, not subject to death because necessarily prior to Death (who only invaded the world late), seems easier of attainment than the notion of Spirit which, ex hypothesi, demands much delicate psychological study and hard thought. The idea of a Good Maker, once reached, becomes, perhaps, the germ of future theism, but, as Mr. Darwin says, the human mind was "infallibly led to various strange superstitions". As St. Paul says, in perfect agreement with Mr. Darwin on this point, "they became vain in their imaginations, and their foolish heart was darkened".
A concept of a good, powerful Creator who isn't subject to death because He must exist before Death (which only entered the world later) seems easier to grasp than the concept of Spirit, which, by definition, requires a lot of careful psychological exploration and deep thinking. Once we reach the idea of a Good Creator, it may become, in a way, the foundation for future theism. But, as Mr. Darwin points out, the human mind was "infallibly led to various strange superstitions." As St. Paul also notes, aligning perfectly with Mr. Darwin, "they became vain in their imaginations, and their foolish heart was darkened."
Among other imaginations (right or wrong) was the belief in spirits, with all that followed in the way of instituting sacrifices, even of human beings, and of dropping morality, about which the ghost of a deceased medicine-man was not likely to be much interested. The supposed nearness to man, and the venal and partial character of worshipped gods and ghost-gods, would inevitably win for them more service and attention than would be paid to a Maker remote, unbought and impartial. Hence the conception of such a Being would tend to obsolescence, as we see that it does, and would be most obscured where ghosts were most propitiated, as among the Zulus. Later philosophy would attach the spiritual conception to the revived or newly discovered idea of the supreme God.
Among various beliefs (correct or incorrect) was the idea of spirits, which involved making sacrifices, even human ones, and abandoning morals—something that a deceased medicine-man's ghost likely wouldn’t care much about. The perceived closeness of man, along with the corrupt and biased nature of the gods and ghost-gods people worshipped, would naturally draw more service and attention than would be given to a Maker who is distant, unpurchasable, and fair. As a result, the idea of such a Being would likely fade away, as we see it does, and would be largely obscured in cultures where ghosts were most appeased, like among the Zulus. Later philosophical thoughts would connect the spiritual concept to the revived or newly recognized idea of a supreme God.
In all this speculation there is nothing mystical; no supernatural or supernormal interference is postulated. Supernormal experiences may have helped to originate or support the belief in spirits, that, however, is another question. But this hypothesis of the origin of belief in a good unceasing Maker of things is, of course, confessedly a conjecture, for which historical evidence cannot be given, in the nature of the case. All our attempts to discover origins far behind history must be conjectural. Their value must be estimated by the extent to which this or that hypothesis colligates the facts. Now our hypothesis does colligate the facts. It shows how belief in a moral supreme being might arise before ghosts were worshipped, and it accounts for the flaw in the religious strata, for the mythical accretions, for the otiose Creator in the background of many barbaric religions, and for the almost universal absence of sacrifice to the God relatively supreme. He was, from his earliest conception, in no need of gifts from men.
In all this speculation, there’s nothing mystical; no supernatural or extraordinary interference is assumed. Unusual experiences may have contributed to the belief in spirits, but that’s a different issue. However, this idea about the origin of the belief in a good and eternal Creator of things is, of course, just a guess, for which historical evidence can’t be provided, due to the nature of the subject. All our attempts to trace origins far back in history must be speculative. Their value should be assessed by how well this or that hypothesis connects the facts. Now, our hypothesis does connect the facts. It illustrates how the belief in a moral supreme being might have developed before the worship of ghosts began, and it explains the inconsistencies in religious beliefs, the mythical additions, the unnecessary Creator lurking in the background of many primitive religions, and the nearly universal lack of sacrifices to the relatively supreme God. He was, from the very beginning, seen as not needing gifts from humans.
On this matter of otiose supreme gods, Professor Menzies writes, "It is very common to find in savage beliefs a vague far-off god, who is at the back of all the others, takes little part in the management of things, and receives little worship. But it is impossible to judge what that being was at an earlier time; he may have been a nature god, or a spirit who has by degrees grown faint, and come to occupy this position."
On the topic of unnecessary supreme gods, Professor Menzies writes, "It’s quite common to see in primitive beliefs a distant god, who is behind all the others, plays a minimal role in overseeing things, and gets very little worship. But it’s hard to determine what that being was like in the past; he might have been a nature god or a spirit who has gradually faded and ended up in this position."
Now the position which he occupies is usually, if not universally, that of the Creator. He could not arrive at this rank by "becoming faint," nor could "a nature-god" be the Maker of Nature. The only way by which we can discover "what that being was at an earlier time" is to see what he IS at an earlier time, that is to say, what the conception of him is, among men in an earlier state of culture. Among them, as we show, he is very much more near, potent and moral, than among races more advanced in social evolution and material culture. We can form no opinion as to the nature of such "vague, far-off gods, at the back of all the others," till we collect and compare examples, and endeavour to ascertain what points they have in common, and in what points they differ from each other. It then becomes plain that they are least far away, and most potent, where there is least ghostly and polytheistic competition, that is, among the most backward races. The more animism the less theism, is the general rule. Manifestly the current hypothesis—that all religion is animistic in origin—does not account for these facts, and is obliged to fly to an undemonstrated theory of degradation, or to an undemonstrated theory of borrowing. That our theory is inconsistent with the general doctrine of evolution we cannot admit, if we are allowed to agree with Mr. Darwin's statement about the high mental faculties which first led man to sympathetic, and then to wild beliefs. We do not pretend to be more Darwinian than Mr. Darwin, who compares "these miserable and indirect results of our higher faculties" to "the occasional mistakes of the instincts of the lower animals".
Now the role he plays is usually, if not always, that of the Creator. He didn’t achieve this status by “becoming weak,” nor could “a nature-god” be the Maker of Nature. The only way we can figure out “what that being was like in the past” is by looking at what he IS in the past, meaning how people viewed him at an earlier stage of culture. As we show, among them, he is much closer, more powerful, and more moral than among societies that are more advanced in social evolution and material culture. We can’t make any judgments about the nature of such “vague, distant gods, behind all the others,” until we gather and compare examples and try to find out what they have in common and where they differ. It becomes clear that they are least distant and most powerful where there is the least ghostly and polytheistic competition, that is, among the most primitive societies. The general rule is that the more animism there is, the less theism there is. Clearly, the current idea—that all religion originates from animism—doesn’t explain these facts and has to resort to an unproven theory of decline or an unproven theory of borrowing. We cannot accept that our theory contradicts the overall doctrine of evolution if we agree with Mr. Darwin's statement about the advanced mental faculties that led humans to sympathetic and then to irrational beliefs. We do not claim to be more Darwinian than Mr. Darwin, who compares “these miserable and indirect results of our higher faculties” to “the occasional mistakes of the instincts of lower animals.”
The opinion here maintained, namely, that a germ of pure belief may be detected amidst the confusion of low savage faith, and that in a still earlier stage it may have been less overlaid with fable, is in direct contradiction to current theories. It is also in contradiction with the opinions entertained by myself before I made an independent examination of the evidence. Like others, I was inclined to regard reports of a moral Creator, who observes conduct, and judges it even in the next life, as rumours due either to Christian influence, or to mistake. I well know, however, and could, and did, discount the sources of error. I was on my guard against the twin fallacies of describing all savage religion as "devil worship," and of expecting to find a primitive "divine tradition". I was also on my guard against the modern bias derived from the "ghost-theory," and Mr. Spencer's works, and I kept an eye on opportunities of "borrowing".(1) I had, in fact, classified all known idola in the first edition of this work, such as the fallacy of leading questions and the chance of deliberate deception. I sought the earliest evidence, prior to any missionary teaching, and the evidence of what the first missionaries found, in the way of belief, on their arrival. I preferred the testimony of the best educated observers, and of those most familiar with native languages. I sought for evidence in native hymns (Maori, Zuni, Dinka, Red Indian) and in native ceremonial and mystery, as these sources were least likely to be contaminated.
The opinion I hold, that a core of genuine belief can be found among the chaos of primitive superstitions, and that in an earlier stage it might have been less buried under myths, directly contradicts current theories. It also goes against my own views before I took an independent look at the evidence. Like many others, I tended to see reports of a moral Creator who observes behavior and judges it even after death as either Christian influence or misunderstanding. However, I knew well, and I could, and did, account for the sources of error. I was careful not to fall into the traps of describing all primitive religions as "devil worship," or expecting to find a basic "divine tradition." I was also cautious of the modern bias stemming from the "ghost-theory" and Mr. Spencer's writings, and I kept an eye out for chances to "borrow." In fact, I had classified all known biases in the first edition of this work, such as the fallacy of leading questions and the possibility of intentional deception. I sought the earliest evidence before any missionary influence, and the beliefs that the first missionaries encountered upon arrival. I preferred the insights of the best-educated observers and those most familiar with local languages. I looked for evidence in native hymns (Maori, Zuni, Dinka, Native American) and in native ceremonies and mysteries, as these sources were less likely to be contaminated.
(1) Making of Religion, p. 187.
(1) Making of Religion, p. 187.
On the other side, I found a vast body of testimony that savages had no religion at all. But that testimony, en masse, was refuted by Roskoff, and also, in places, by Tylor. When three witnesses were brought to swear that they saw the Irishman commit a crime, he offered to bring a dozen witnesses who did NOT see him. Negative evidence of squatters, sailors and colonists, who did NOT see any religion among this or that race, is not worth much against evidence of trained observers and linguists who DID find what the others missed, and who found more the more they knew the tribe in question. Again, like others, I thought savages incapable of such relatively pure ideas as I now believe some of them to possess. But I could not resist the evidence, and I abandoned my a priori notions. The evidence forcibly attests gradations in the central belief. It is found in various shades, from relative potency down to a vanishing trace, and it is found in significant proportion to the prevalence of animistic ideas, being weakest where they are most developed, strongest where they are least developed. There must be a reason for these phenomena, and that reason, as it seems to me, is the overlaying and supersession of a rudely Theistic by an animistic creed. That one cause would explain, and does colligate, all the facts.
On the other hand, I discovered a lot of evidence suggesting that indigenous people had no religion at all. However, that evidence, in totality, was countered by Roskoff and partially by Tylor. When three witnesses were presented to testify that they saw the Irishman commit a crime, he offered a dozen witnesses who would say he didn’t. Negative testimony from squatters, sailors, and colonists who didn’t see any religion among specific races doesn’t hold much weight against the accounts of trained observers and linguists who did find what others overlooked, discovering even more as they learned about the tribe in question. Like others, I believed that indigenous people were incapable of such relatively pure ideas as I now think some actually possess. But I couldn’t ignore the evidence, and I let go of my preconceived notions. The evidence strongly indicates gradations in the central belief. It appears in various degrees, from relatively strong down to barely noticeable, and it correlates significantly with the prevalence of animistic ideas, being weakest where those ideas are most developed and strongest where they are least developed. There must be an explanation for these phenomena, and that explanation, in my view, is the replacement of a crude Theistic belief with an animistic one. This single cause would clarify and connect all the facts.
There remains a point on which misconception proves to be possible. It will be shown, contrary to the current hypothesis, that the religion of the lowest races, in its highest form, sanctions morality. That morality, again, in certain instances, demands unselfishness. Of course we are not claiming for that doctrine any supernatural origin. Religion, if it sanctions ethics at all, will sanction those which the conscience accepts, and those ethics, in one way or other, must have been evolved. That the "cosmical" law is "the weakest must go to the wall" is generally conceded. Man, however, is found trying to reverse the law, by equal and friendly dealing (at least within what is vaguely called "the tribe"). His religion, as in Australia, will be shown to insist on this unselfishness. How did he evolve his ethics?
There is still a point where misunderstandings can arise. It will be demonstrated, against the current belief, that the religion of the most primitive societies, at its highest level, supports morality. This morality, in certain situations, requires selflessness. Of course, we aren’t arguing that this doctrine comes from a supernatural source. If religion does endorse ethics, it will support those that the conscience recognizes, and those ethics must have developed in some way. It is generally accepted that the "cosmical" law states "the weakest must go to the wall." However, humans are seen attempting to overturn that law through fair and friendly treatment (at least within what is loosely referred to as "the tribe"). His religion, like in Australia, will be shown to demand this selflessness. How did he develop his ethics?
"Be it little or be it much they get," says Dampier about the Australians in 1688, "every one has his part, as well the young and tender as the old and feeble, who are not able to get abroad as the strong and lusty." This conduct reverses the cosmical process, and notoriously civilised society, Christian society, does not act on these principles. Neither do the savages, who knock the old and feeble on the head, or deliberately leave them to starve, act on these principles, sanctioned by Australian religion, but (according to Mr. Dawson) NOT carried out in Australian practice. "When old people become infirm... it is lawful and customary to kill them."(1)
"Whether they have a little or a lot," Dampier says about the Australians in 1688, "everyone plays their part, including the young and frail as well as the old and weak, who can't go out like the strong and healthy." This behavior flips the natural order, and a supposedly civilized society, a Christian society, doesn’t operate on these principles. Similarly, the savages, who kill the old and weak or intentionally let them starve, don’t follow these principles, which are accepted by Australian beliefs but (according to Mr. Dawson) are NOT reflected in Australian practices. "When old people become infirm... it is lawful and customary to kill them."(1)
(1) Australian Aborigines, p. 62.
Australian Aborigines, p. 62.
As to the point of unselfishness, evolutionists are apt to account for it by common interest. A tribe in which the strongest monopolise what is best will not survive so well as an unselfish tribe in the struggle for existence. But precisely the opposite is true, aristocracy marks the more successful barbaric races, and an aristocratic slave-holding tribe could have swept Australia as the Zulus swept South Africa. That aristocracy and acquisition of separate property are steps in advance on communistic savagery all history declares. Therefore a tribe which in Australia developed private property, and reduced its neighbours to slavery, would have been better fitted to survive than such a tribe as Dampier describes.
As for the idea of selflessness, evolutionists tend to explain it through shared interests. A tribe where the strongest take all the best resources won’t survive as well as a selfless tribe in the fight for survival. However, the opposite is actually true; aristocracy marks the more successful barbaric societies, and an aristocratic tribe that owned slaves could have easily conquered Australia like the Zulus did in South Africa. History shows that both aristocracy and the accumulation of private property are advancements over communal savagery. So, a tribe in Australia that developed private property and enslaved its neighbors would have been better equipped to survive than the tribe Dampier describes.
This is so evident that probably, or possibly, the Dampier state of society was not developed in obedience to a recognised tribal interest, but in obedience to an affectionate instinct. "Ils s'entr' aiment les une les autres," says Brebeuf of the Hurons.(1) "I never heard the women complain of being left out of feasts, or that the men ate the best portions... every one does his business sweetly, peaceably, without dispute. You never see disputes, quarrels, hatred, or reproach among them." Brebeuf then tells how a young Indian stranger, in a time of want, stole the best part of a moose. "They did not rage or curse, they only bantered him, and yet to take our meat was almost to take our lives." Brebeuf wanted to lecture the lad; his Indian host bade him hold his peace, and the stranger was given hospitality, with his wife and children. "They are very generous, and make it a point not to attach themselves to the goods of this world." "Their greatest reproach is 'that man wants everything, he is greedy'. They support, with never a murmur, widows, orphans and old men, yet they kill hopeless or troublesome invalids, and their whole conduct to Europeans was the reverse of their domestic behaviour."
This is so clear that probably, or possibly, the Dampier society didn’t develop out of a recognized tribal interest, but rather from a caring instinct. "They love each other," says Brebeuf about the Hurons.(1) "I never heard the women complain about being left out of feasts, or that the men took the best portions... everyone goes about their tasks cheerfully, peacefully, without argument. You never see disputes, fights, hatred, or blame among them." Brebeuf then shares how a young Indian stranger, in a time of need, stole the best part of a moose. "They didn’t rage or curse; they just teased him, and yet taking our meat was almost like taking our lives." Brebeuf wanted to lecture the young man; his Indian host advised him to stay silent, and the stranger was offered hospitality, along with his wife and children. "They are very generous and make it a point not to cling to material possessions." "Their biggest complaint is 'that man wants everything, he is greedy.' They support widows, orphans, and elderly men without a word of complaint, yet they do kill hopeless or troublesome invalids, and their entire behavior towards Europeans was the opposite of how they acted at home."
(1) Relations, 1634, p. 29.
Relations, 1634, p. 29.
Another example of savage unselfish ethics may be found in Mr. Mann's account of the Andaman Islanders, a nomad race, very low in culture. "It is a noteworthy trait, and one which deserves high commendation, that every care and consideration are paid by all classes to the very young, the weak, the aged, and the helpless, and these being made special objects of interest and attention, invariably fare better in regard to the comforts and necessaries of daily life than any of the otherwise more fortunate members of the community."(1)
Another example of brutal selflessness can be found in Mr. Mann's account of the Andaman Islanders, a nomadic group with a very low level of culture. "It is a remarkable quality, and one that deserves great praise, that everyone in all classes pays attention and care to the very young, the weak, the elderly, and the helpless. These individuals, being special focuses of interest and care, consistently have better access to the comforts and necessities of daily life than other members of the community who are otherwise more fortunate."(1)
(1) J. A. I., xii. p. 93.
(1) J. A. I., xii. p. 93.
Mr. Huxley, in his celebrated Romanes Lecture on "Evolution and Morality," laid stress on man's contravention of the cosmic law, "the weakest must go to the wall". He did not explain the evolution of man's opposition to this law. The ordinary evolutionist hypothesis, that the tribe would prosper most whose members were least self-seeking, is contradicted by all history. The overbearing, "grabbing," aristocratic, individualistic, unscrupulous races beat the others out of the field. Mr. Huxley, indeed, alleged that the "influence of the cosmic process in the evolution of society is the greater the more rudimentary its civilisation. Social progress means a checking of the cosmic process at every step and the substitution for it of another, which may be called the ethical process.... As civilisation has advanced, so has the extent of this interference increased...."(1) But where, in Europe, is the interference so marked as among the Andamanese? We have still to face the problem of the generosity of low savages.
Mr. Huxley, in his famous Romanes Lecture on "Evolution and Morality," emphasized how humans go against the cosmic law, "the weakest must go to the wall." He didn’t explain how humans developed this opposition to the law. The common evolutionary theory suggests that the tribe with the least self-serving members would thrive, but history contradicts this. The dominating, "grabbing," aristocratic, individualistic, and unscrupulous races have outcompeted others. Mr. Huxley indeed claimed that the "influence of the cosmic process in the evolution of society is greater the more primitive its civilization. Social progress means hindering the cosmic process at every turn and replacing it with another, which can be called the ethical process.... As civilization has advanced, so has the degree of this interference increased...."(1) But where in Europe is this interference as pronounced as it is among the Andamanese? We still need to address the issue of the generosity of primitive savages.
(1) Ethics of Evolution, pp. 81-84.
(1) Ethics of Evolution, pp. 81-84.
It is conceivable that the higher ethics of low savages rather reflect their emotional instincts than arise from tribal legislation which is supposed to enable a "tribe" to prosper in the struggle for existence. As Brebeuf and Dampier, among others, prove, savages often set a good example to Christians, and their ethics are, in certain cases, as among the Andamanese and Fuegians, and, probably among the Yao, sanctioned by their religion. But, as Mr. Tylor says, "the better savage social life seems but in unstable equilibrium, liable to be easily upset by a touch of distress, temptation, or violence".(1) Still, religion does its best, in certain cases, to lend equilibrium; though all the world over, religion often fails in practice.
It’s possible that the higher morals of primitive societies are more about their emotional instincts rather than coming from tribal laws designed to help a "tribe" survive in the struggle for existence. As Brebeuf and Dampier, among others, have shown, these societies often set a good example for Christians, and their values are, in some instances, like those of the Andamanese and Fuegians, and likely among the Yao, backed by their beliefs. However, as Mr. Tylor notes, "the better savage social life seems but in unstable equilibrium, liable to be easily upset by a touch of distress, temptation, or violence."(1) Still, religion does its best to provide stability in certain cases, even though it often falls short in practice around the world.
(1) Prim. Cult., i. 51.
Prim. Cult., i. 51.
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