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Volume. I.—No. 23. | Published by HARPER & BROTHERS, New York. | Price: 4 Cents. |
Tuesday, April 6, 1880. | Copyright, 1880, by HarperCollins. | $1.50 per Year, in Advance. |
A RABBIT DAY.
BY W. O. STODDARD.
"Jim," said Charley, "has that dog of yours gone crazy?"
"Jim," Charley said, "has your dog gone crazy?"
"Old Nap? No. Why? What's the matter with him?"
"Old Nap? No. Why? What's wrong with him?"
"Just look at the way he's diving in and out among the trees. He'll run full split right against one first thing he knows."
"Just look at how he's weaving in and out among the trees. He's going to run full speed right into one before he realizes it."
"No, he won't. He's after rabbits. We're 'most to the swamp now, and Nap knows what we've come for as well as we do."
"No, he won't. He's after rabbits. We're almost to the swamp now, and Nap knows what we're here for just as well as we do."
There was no mistake but what he was a wonderfully busy dog just then. It looked as if he was trying to be all around, everywhere, at the same time; and every few moments he would give expression to his excitement in a short sharp yelp.
There was no doubt he was a super busy dog right then. It seemed like he was trying to be everywhere at once, and every few moments, he would express his excitement with a quick, sharp yelp.
"He means to tell us he'll stir one out in a minute," said Jim. "It's a prime rabbit day."
"He’s saying he’ll get one out in a minute," Jim said. "It’s a perfect day for rabbit hunting."
"Are there more rabbits some days than there are others?"
"Are there more rabbits on some days than on others?"
"Easier to get 'em. You see, there came a thaw, and the old snow got settled down, and a good hard crust froze on top of it; then there was a little snow last night, and the rabbits'll leave their tracks in that when they come out for a run on the crust. Old Nap knows. See him; he'll have one out in a minute."
"Easier to catch them. You see, there was a thaw, and the old snow settled down, and a hard crust froze on top of it; then there was a little snow last night, and the rabbits will leave their tracks in that when they come out for a run on the crust. Old Nap knows. Look at him; he’ll have one out in a minute."
"Is this the swamp?" asked Charley.
"Is this the swamp?" Charley asked.
"All that level ahead of us. In spring, and in summer too, unless it's a dry season, there's water everywhere among the trees and bushes; but it's frozen hard now."
"All that stretches out in front of us. In spring, and in summer too, unless it's a dry season, there's water all around among the trees and bushes; but it's frozen solid right now."
"What is there beyond?"
"What's out there?"
"Nothing but mountains, 'way back into the Adirondacks. We'd better load up, Charley."
"Just mountains, way back in the Adirondacks. We should get everything ready, Charley."
"Why, are not the guns loaded?"
"Why aren't the guns loaded?"
"No. Father never lets a loaded gun come into the house. Aunt Sally won't either. Shall I load your gun for you?"
"No. Dad never allows a loaded gun in the house. Aunt Sally doesn't either. Should I load your gun for you?"
"Load my gun! Well, I guess not. As if I couldn't load my own gun!"
"Load my gun! Well, I guess not. As if I can't load my own gun!"
Charley set himself to work at once, for the movements of old Nap were getting more and more eager and rapid, and there was no telling what might happen.
Charley got to work right away, because old Nap was becoming more and more restless and quick, and it was hard to predict what might happen.
But Charley had never loaded a gun before in all his life. Still, it was a very simple piece of business, and he knew all about it. He had read of it and heard it talked of ever so many times, and there was Jim loading his own gun within ten feet, just as if he meant to show how it should be done. He could imitate Jim, at all events; and so he thought he did, to the smallest item; and he hurried to get through as quickly, for it would not do to be beaten by a country boy. And then, too, there was[Pg 298] old Napoleon Bonaparte—that is to say Nap—beginning to yelp like mad.
But Charley had never loaded a gun before in his life. Still, it was a pretty straightforward task, and he was familiar with it. He had read about it and heard it discussed countless times, and there was Jim loading his own gun just ten feet away, almost as if he wanted to demonstrate how it should be done. He figured he could imitate Jim, at least; and so he thought he did, down to the last detail. He rushed to finish as quickly as possible because he couldn’t let a country boy outdo him. Plus, there was[Pg 298] old Napoleon Bonaparte—also known as Nap—starting to bark like crazy.
They were just on the edge of the swamp, and it was, as Jim said, "a great place for rabbits."
They were right on the edge of the swamp, and it was, as Jim put it, "a perfect spot for rabbits."
"He's after one! There he comes!"
"He's chasing one! Here he comes!"
"Where? Where? I see him! Oh, what a big one!"
"Where? Where? I see him! Oh, what a big one!"
Bang!
Bang!
Charley had been gazing, open-mouthed, at the rapid leaps of that frightened white rabbit, and wondering if he would ever sit down long enough to be shot at, with that dog less than half a dozen rods behind him.
Charley had been watching, mouth agape, at the quick jumps of that scared white rabbit, and thinking about whether it would ever stop long enough to get shot at, with that dog less than six rods behind it.
He was in a tremendous hurry, that rabbit, and he would hardly have "taken a seat" if one had been offered him; but he was down now, for Jim had not only fired at him—he had hit him.
He was in a huge rush, that rabbit, and he definitely wouldn’t have "taken a seat" if someone had offered it to him; but he was down now, because Jim had not only shot at him—he had actually hit him.
"One for me. I meant to let you have the first shot. Never mind; you take the next one. Keep your eyes out. He may be along before I'm loaded."
"One for me. I meant to give you the first chance. No worries; you can take the next one. Stay alert. He might show up before I'm ready."
Old Nap's interest in a rabbit seemed to cease the moment it was killed, for he was now ranging the bushes at quite a distance.
Old Nap lost interest in the rabbit as soon as it was killed, because he was now moving through the bushes far away.
"Here comes one. Quick, Charley! He's stopped to listen for the dog."
"Here comes one. Quick, Charley! He’s stopped to hear the dog."
So he had, like a very unwise rabbit, and was perking up his long ears within quite easy range of Charley's gun as he levelled it.
So he had, like a very foolish rabbit, and was perked up with his long ears within easy range of Charley's gun as he aimed it.
"Cock it! cock it!" shouted Jim. "Cock your gun!"
"Cock it! Cock it!" shouted Jim. "Cock your gun!"
"Oh, I forgot that."
"Oh, I totally forgot."
But he knew how; and when he once more lifted his gun, and pulled the triggers, one after the other, they came down handsomely.
But he knew how; and when he lifted his gun again and pulled the triggers, one after the other, they fell nicely.
"Only snapped your caps?" said Jim. "I never knew that gun to miss fire before. He's gone."
"Did you just snap your caps?" Jim said. "I’ve never seen that gun misfire before. He’s gone."
The rabbit had taken a hint from the bursting of the caps, and was now running a race with Napoleon Bonaparte across the swamp.
The rabbit had caught on from the popping of the caps and was now racing Napoleon Bonaparte across the swamp.
Charley looked at his weapon very gravely, and put on another pair of caps, remarking, "I never had a gun miss fire like that with me before."
Charley looked at his gun seriously and put on another set of caps, saying, "I've never had a gun misfire like that before."
Jim's own gun was ready again in short order, but there was a queer questioning look stealing into his face, and he said,
Jim's gun was ready again quickly, but there was a strange questioning look on his face, and he said,
"Take mine, Charley; I'll look into that business."
"Take mine, Charley; I'll check into that."
Charley traded guns, and stood anxiously watching for another rabbit, while Jim "looked into" both barrels of the offending piece, and tried them with the ramrod.
Charley dealt in firearms and nervously watched for another rabbit, while Jim "checked" both barrels of the troublesome gun and tested them with the ramrod.
"Got enough in 'em; no mistake about that. Guess I'd better draw the charges."
"Got enough in them; no doubt about that. I guess I should pull the charges."
There was a corkscrew on the end of the ramrod for that sort of thing, and in a moment more Jim had a wad out of each barrel.
There was a corkscrew at the end of the ramrod for that kind of thing, and in just a moment, Jim had removed a wad from each barrel.
"Hullo! Powder? I declare! Why, Charley, you've put your ammunition in wrong end first. You might have cracked caps on that thing all day. Your shot's all at the bottom."
"Hellooo! Powder? I can’t believe it! Charley, you've loaded your ammo the wrong way. You could have been firing caps all day with that thing. Your shot's all at the bottom."
"Is that so? Well, you see, I never used that kind of a gun before, and—"
"Is that so? Well, you see, I've never used that type of gun before, and—"
"Here comes Nap! Big rabbit. There's a chance for you. Take him on the run."
"Here comes Nap! Big rabbit. You have a chance. Go after him."
He tried. That is, he raised Jim's gun, and blazed away with one barrel, but all the harm he did that rabbit was to knock down a whole bunch of bright red mountain-ash berries from a branch twenty feet above him.
He tried. That is, he lifted Jim's gun and fired one shot, but all the damage he did to that rabbit was knocking a bunch of bright red mountain-ash berries off a branch twenty feet above him.
"Quick, Charley! Your other barrel. He's turning on Nap, around those sumac bushes."
"Quick, Charley! Grab your other barrel. He's heading towards Nap, around those sumac bushes."
Charley had held his gun a little loosely, and it had given him a smart kick in consequence; but he saw what Jim meant, and his reputation as a sportsman was at stake. He knew, too, that Jim was trying his best not to laugh, and he was determined to get that rabbit.
Charley had gripped his gun a bit too loosely, and it caused him a sharp kick as a result; but he understood what Jim was getting at, and his reputation as a sportsman was on the line. He also realized that Jim was doing his best not to laugh, and he was set on catching that rabbit.
"Bow-ow-ow-wow!"
"Bark bark bark!"
Rabbit and dog seemed somehow to come within range of that gun at the same instant, just as it went off. It was a grand good thing for old Nap that his master's city cousin aimed so high, and that the gun kicked again. As it was, the astonished dog was now making the snow fly in a whirl, as he dashed around in it after the tip of his tail, where one of the little leaden pellets had struck him.
Rabbit and dog somehow seemed to get in the line of fire just as the gun went off. It was really lucky for old Nap that his owner's city cousin aimed so high, and that the gun had a strong recoil. As it turned out, the surprised dog was now kicking up snow everywhere as he dashed around trying to catch the tip of his tail, where one of the small lead pellets had hit him.
That was only for a moment, however, and then he came gravely marching across the crust, and looked up in the faces of the boys, one after the other, as much as if he was asking, "Which of you was green enough to take me for a rabbit?"
That was just for a moment, though, and then he walked seriously across the ground, looking up at the boys' faces one by one, as if he was asking, "Which of you was foolish enough to mistake me for a rabbit?"
He had not been very badly hurt, except, perhaps, in his sense of justice; but now Charley suddenly gave a shout, and sprang forward.
He hadn't been seriously hurt, maybe just a little in his sense of justice; but then Charley suddenly shouted and jumped forward.
"I hit him! I hit him!"
"I hit him! I hit him!"
"Fact," said Jim; "so you did. Come here, Nap. Poor fellow! How's your old tail now?"
"Really," said Jim; "you did. Come here, Nap. You poor thing! How's your old tail now?"
Charley was back in a twinkling with his own rabbit and the one Jim had killed, but there was a wide difference between them. There was shot enough in the latter to have killed half a dozen, while all the mark they could find on Charley's game was one little spot at the roots of his ears.
Charley quickly returned with his own rabbit and the one Jim had shot, but there was a big difference between them. There was enough shot in Jim's rabbit to have killed six of them, while the only mark they could find on Charley's rabbit was a small spot at the base of its ears.
"So much for making the shot scatter. If I hadn't put in a double load of shot, you'd have lost 'em both."
"So much for making the shot spread. If I hadn't loaded it up with double the shot, you would have lost both of them."
"There wasn't but one," said Charley.
"There was only one," said Charley.
"I mean that rabbit and old Napoleon Bonaparte. Come on now. Your gun's all right. Let's try the other side of the swamp."
"I’m talking about that rabbit and the old Napoleon Bonaparte. Come on. Your gun is fine. Let’s check out the other side of the swamp."
He pointed out a rabbit, sitting among some bushes, on the way, and Charley's gun went off finely, now that the powder had been put in first.
He pointed out a rabbit sitting in some bushes along the way, and Charley's gun fired perfectly now that the powder had been loaded first.
"Don't you ever shoot them when they're sitting still, Jim?"
"Don't you ever take a shot at them when they're just sitting there, Jim?"
"No; and you won't when you're used to it. There's one coming for me. I'll take him as he goes by."
"No; and you won’t when you get used to it. There’s one coming for me. I’ll take him as he goes by."
Nap was entirely safe this time. Indeed, he seemed inclined all the rest of that morning to do his rabbit-hunting at a somewhat unsociable distance from his friends.
Nap was totally safe this time. In fact, he appeared to prefer spending the rest of that morning doing his rabbit-hunting a bit away from his friends.
There were plenty of rabbits in the swamp, and the boys were more than a little proud of their success, especially Charley; but when the time came for going home, it was curious how ready they both were to go. So was Napoleon Bonaparte. Truth to tell, it had been hard work, and the boys declared the rabbit a remarkably heavy beast, for his size, by the time they reached home with their game.
There were a lot of rabbits in the swamp, and the boys were pretty proud of their success, especially Charley. But when it was time to go home, it was funny how eager they both were to leave. So was Napoleon Bonaparte. To be honest, it had been tough work, and by the time they got home with their catch, the boys said the rabbit was surprisingly heavy for its size.
THE AWAKENING.
BY M. M.
Down all the rugged mountain-slopes,
Through all the mossy dells,
There comes a gentle purling sound,
Like peals of fairy bells.
A tinkling, rippling, gurgling song
Is borne on every breeze;
Mysterious whispers seem to stir
The grim old forest trees.
The tiny grasses wave their hands
And gayly nod their heads
To lazy buds, still half asleep
In cozy winter beds.
And now the riotous sunbeams come;
They draw the curtains wide;
Nor leave untouched the smallest nook
Where sleepy buds may hide.
"Awake! awake!" the whole Earth cries:
"King Winter's reign is past;
His crown he yields to his fairest child,
And Spring is Queen at last."
[Pg 299]
Down all the steep mountain slopes,
Through all the mossy valleys,
There's a soft bubbling sound,
Like chimes from fairy bells.
A soft, flowing, bubbly tune
Floats on every breeze;
Mysterious whispers appear to awaken
The old forest trees.
The little grasses wave their blades.
And happily nod their heads
To lazy buds, still half awake
In cozy winter blankets.
And now the bright sunbeams come in;
They open the curtains wide;
And don't leave a single spot untouched.
Where sleepy buds could hide.
"Wake up! Wake up!" the entire Earth calls:
"King Winter's reign is over;"
He gives his crown to his fairest child,
"And Spring is finally the Queen."
[Pg 299]
SALT AND ITS VALUE.
All our young readers know the value of that familiar and useful substance, salt, which enters so largely into our daily wants, and is so essential to our existence. Formerly prisoners in Holland were kept from the use of salt; but this deprivation produced such terrible diseases that this practice was abolished. The Mexicans, in old times, in cases of rebellion, deprived entire provinces of this indispensable commodity, and thus left innocent and guilty alike to rot to death.
All our young readers know the importance of that familiar and useful substance, salt, which plays a major role in our everyday needs and is essential for our survival. In the past, prisoners in Holland were denied salt, but this led to such terrible illnesses that the practice was stopped. The Mexicans, in ancient times, would cut off entire provinces from this vital resource during rebellions, leaving both the innocent and the guilty to suffer and perish.
This mineral is frequently mentioned in the Bible. The sacrifices of the Jews were all seasoned with salt, and we read of a covenant of salt. Salt was procured by the Hebrews from the hills of salt which lie about the southern extremity of the Dead Sea, and from the waters of that sea, which overflow the banks yearly, and leave a deposit of salt both abundant and good.
This mineral is often referenced in the Bible. The Jewish sacrifices were all seasoned with salt, and we read about a covenant of salt. The Hebrews obtained salt from the salt hills near the southern end of the Dead Sea, as well as from the waters of that sea, which overflow its banks every year, leaving behind a plentiful and high-quality salt deposit.
Among ancient nations salt was a symbol of friendship and fidelity, as it is at present among the Arabs and other Oriental people. In some Eastern countries, if a guest has tasted salt with his host, he is safe from all enemies, even although the person receiving the salt may have committed an injury against his entertainer himself.
Among ancient cultures, salt represented friendship and loyalty, just like it does today among Arabs and other Eastern communities. In some Eastern countries, if a guest shares salt with their host, they are protected from all enemies, even if the person who shared the salt has wronged the host.
Among the common people all over Scotland, a new house, or one which a new tenant was about to enter, was always sprinkled with salt by way of inducing "good luck." Another custom of a curious nature once prevailed in England and other countries in reference to salt. Men of rank formerly dined at the same table with their dependents and servants. The master of the house and his relations sat at the upper end, where the floor was a little raised. The persons of greatest consequence sat next, and all along down the sides, toward the bottom of the table, the servants were placed according to their situations. At a certain part of the table was placed a large salt vat, which divided the superior from the inferior classes. Sitting above the salt was the mark of a gentleman or man of good connections, while to sit beneath it showed a humble station in society.
Among the common people all over Scotland, whenever a new house was built or a new tenant was about to move in, it was customary to sprinkle salt everywhere to bring "good luck." Another interesting custom once existed in England and other countries regarding salt. In the past, people of high status would dine at the same table as their dependents and servants. The head of the household and their family would sit at the top end, where the floor was slightly elevated. The most important guests would sit next to them, and down the sides leading to the end of the table, the servants would be seated based on their ranks. A large salt container would be placed at a certain spot on the table, effectively dividing the upper class from the lower class. Sitting above the salt indicated that someone was a gentleman or had a good social standing, while sitting beneath it signified a lower status in society.
Salt is found in greater or less quantities in almost every substance on earth, but the waters of the sea appear to have been its first great magazine. It is found there dissolved in certain proportions, and two purposes are thus served, namely, the preservation of that vast body of waters, which otherwise, from the innumerable objects of animal and vegetable life within it, would become an insupportable mass of corruption, and the supplying of a large proportion of the salt we require in our food, and for other purposes. The quantity of salt contained in the sea (according to the best authorities) amounts to four hundred thousand billion cubic feet, which, if piled up, would form a mass one hundred and forty miles long, as many broad, and as many high, or, otherwise disposed, would cover the whole of Europe, islands, seas, and all, to the height of the summit of Mont Blanc, which is about sixteen thousand feet in height.
Salt is found in varying amounts in almost every substance on Earth, but the oceans seem to be its original major source. It’s dissolved there in specific proportions, serving two main purposes: first, it helps preserve that massive body of water, which would otherwise become a terrible mess of decay due to the countless living organisms in it, and second, it provides a significant amount of the salt we need for our food and other uses. The amount of salt in the sea (according to the best sources) is estimated to be four hundred thousand billion cubic feet, which, if stacked up, would create a mass that’s one hundred and forty miles long, as wide, and as high, or if arranged differently, could cover all of Europe, including its islands and seas, to the height of Mont Blanc, which is about sixteen thousand feet tall.
If salt, however, were only to be obtained from the sea, the people who live on immense continents would have great difficulty in supplying themselves with it; and here you see how kindly Providence watches over the comfort of human creatures, for nature has provided that the sea, on leaving those continents, all of which were once overspread with it, should deposit vast quantities of salt, sufficient to provide for the necessities of the inhabitants of those parts. In some places the salt is exposed on the surface of the ground in a glittering crust several inches thick; in others, thicker layers have been covered over with other substances, so that salt now requires to be dug for like coal or any other mineral. Salt is found in this last shape in almost every part of the world; though in the vast empire of China it is so scarce that it is smuggled into that country in large quantities.
If salt could only be obtained from the sea, people living on large continents would really struggle to get enough of it; and here you can see how kindly Providence looks after the comfort of humanity, because nature has arranged for the sea, after leaving those continents, which were all once covered by it, to deposit huge amounts of salt, enough to meet the needs of the people in those areas. In some places, salt is found right on the surface of the ground in a shining crust several inches thick; in others, thicker layers are covered by other materials, so now salt needs to be mined like coal or any other mineral. Salt is found in this mined form almost everywhere in the world; however, in the vast empire of China, it's so rare that it's smuggled into the country in large amounts.
A SUN-DIAL.

Our young friends would, we doubt not, like to know how to make a sun-dial that will give the time very accurately. Common sun-dials depend on the shadow of a post, which is thick and heavy, and affords only a very rough idea of the time. But the one we are going to tell them about will show the time as precisely as a clock. And it is quite easy to make. It has, in the first place, a face set up slanting on a pedestal. The proper slant answers to the latitude of the place. At and near New York it should be about forty-one degrees from the perpendicular, or a little more than half upright. The face is divided into hour spaces, just like the face of a clock, but the whole circle is not used. A semicircle is all that the sun can traverse, except in the long days of summer. The fourth part of a circle is about all that can be used in ordinary windows. It will answer for the hours between nine o'clock and three. It is divided into six equal parts for the hour spaces, and each of these is subdivided for the minutes. If the radius of the circle be one foot, the minute spaces will be about one-sixteenth of an inch, or about the same as on the face of a watch. The dividing is easily done with a pair of compasses, a ruler, and a sharp lead-pencil.
Our young friends would surely want to know how to make a sun dial that tells time very accurately. Regular sun dials rely on the shadow of a post, which is bulky and provides only a rough estimate of the time. But the one we’re going to explain will show the time as precisely as a clock. Plus, it's pretty easy to make. First, it has a face set at an angle on a pedestal. The right angle corresponds to the latitude of the location. For New York and nearby areas, it should be about forty-one degrees from vertical, or a little more than halfway upright. The face is divided into hour sections, just like a clock face, but the whole circle isn't used. A semicircle is all the sun can cover, except during the long summer days. A quarter of a circle is mostly what can be used in typical windows. It will work for the hours between nine and three. It's divided into six equal parts for the hour segments, and each of these is further divided for the minutes. If the radius of the circle is one foot, the minute sections will be about one-sixteenth of an inch, or about the same as the markings on a watch. You can do the dividing easily with a pair of compasses, a ruler, and a sharp pencil.
Now we will explain the indicator. It is made of three pieces—a base and two uprights. The base is fifteen inches long, three wide, and three-quarters of an inch thick. The uprights are of the same thickness, and about seven inches high. They are morticed into the base, and have the shape shown in the picture. A hole half an inch in diameter is bored through the upright at A, and another at B. Over each of these holes pieces of tin are tacked, with a little hole in the centre about as large as a pin's head. When the sun-dial is placed in position, the sun shines through these holes, and makes a little bright circle on the other upright. The upper hole, A, is for summer, when the sun is high, and the lower one, B, for winter. The indicator is pivoted by a large screw to the centre, C, of the face, so that it can be turned round like the hand of a clock. At the upper end of the indicator a little pointer is fastened directly over the scale of hours and minutes. A needle, or a pin with the head cut off, makes a good pointer.
Now we will explain the indicator. It consists of three parts—a base and two uprights. The base is fifteen inches long, three inches wide, and three-quarters of an inch thick. The uprights are the same thickness and about seven inches tall. They are fitted into the base and have the shape shown in the picture. A hole half an inch in diameter is drilled through the upright at A, and another at B. Over each of these holes, pieces of tin are attached, with a small hole in the center about the size of a pin's head. When the sundial is positioned, sunlight shines through these holes and creates a little bright circle on the other upright. The upper hole, A, is for summer, when the sun is high, and the lower one, B, is for winter. The indicator is attached by a large screw to the center, C, of the face, allowing it to rotate like the hand of a clock. A small pointer is attached at the top end of the indicator directly over the hour and minute scale. A needle or a pin with the head removed works well as a pointer.
After the sun-dial is made, the next thing is to set it in its proper position, which is so that when the pointer is at XII. it will also be directed exactly south, while the lower end of the indicator is to the north. Then, at noon by sun time, the sun will make its little bright circle exactly in the middle of the lower upright. A line should be drawn up and down to show the middle; then this line will cut the sun circle equally in two. To find out the time[Pg 300] before and after noon, the indicator is moved so that the sun circle will fall on the same middle line, and the pointer will show the time. This sun time differs somewhat from clock time. The difference for every day in the year is given by the almanacs, and very exactly by the Nautical Almanac. This difference being added or subtracted, makes known the true clock time. Thus, for the 1st of March, clock time is twelve minutes faster than sun time. Hence noon by the sun-dial is just that much later than noon by the clock. Any of our readers who have a little mechanical skill can make a sun-dial, on the plan described, that, when put in proper position, will be more reliable than the best of clocks, and that will be found a convenient means of setting them right. But don't despise the clocks; for very likely you will have to resort to one in order to get the sun-dial in position; and then, too, remember that the sun does not shine all the while, but is very fond of hiding behind clouds.
After making the sundial, the next step is to position it correctly so that when the gnomon is at XII, it points directly south, with the lower end facing north. At noon by solar time, the sun will create a bright circle right in the center of the lower upright. You should draw a vertical line to indicate the middle; this line will bisect the sun's circle evenly. To determine the time[Pg 300] before and after noon, adjust the gnomon so that the sun's circle aligns with the middle line, and the gnomon will indicate the correct time. This solar time is slightly different from clock time. The difference for each day of the year is outlined in almanacs, and is specified very accurately in the Nautical Almanac. By adding or subtracting this difference, you can find the accurate clock time. For example, on March 1st, clock time is twelve minutes ahead of solar time. Therefore, noon according to the sundial is later than noon by the clock by that same amount. Anyone with a bit of mechanical ability can build a sundial using the described method, and once it’s set up properly, it will be more accurate than the finest clocks and can help adjust them. But don't underestimate clocks; you'll likely need one to position the sundial correctly, and also keep in mind that the sun doesn’t always shine and often likes to hide behind clouds.
[Begun in No. 19 of Harper's Young Readers, March 9.]
ACROSS THE OCEAN; OR, A BOY'S FIRST VOYAGE.
A True Story.
BY J. O. DAVIDSON.
Chapter 5.
FRANK AND THE CAPTAIN.
Austin was still the centre of an admiring group, when a deep voice made itself heard from behind.
Austin was still the center of an admiring group when a deep voice was heard from behind.
"Say, mates, ye'd better let the lad git on some dry duds, 'stead o' fussin' over him that way; why, he's as wet as the lee scuppers."
"Hey, guys, you should let the kid get into some dry clothes instead of fussing over him like that; he's as wet as the deck."
Frank recognized old Herrick, the quartermaster, who had roused him from his nap on the coil of rope the first night of the voyage.
Frank recognized old Herrick, the quartermaster, who had woken him up from his nap on the coil of rope the first night of the trip.
"Come, youngster," pursued the old man, "hurry up and git a dry shirt on. What d'ye look so queer for?—hain't ye got nary one?"
"Come on, kid," the old man urged, "hurry up and put on a dry shirt. Why do you look so strange? Don’t you have one at all?"
Frank explained that his bag and bundle had "disappeared somehow," before they had been two days at sea.
Frank explained that his bag and bundle had "somehow disappeared" before they had even been two days at sea.
"Stolen, I reckon," growled a sailor; "but 'twarn't nobody on the fo'c'stle as done it, anyhow. It's been some o' them blessed firemen—thievin' wharf-rats every one!"
"Stolen, I guess," growled a sailor; "but it wasn’t anyone on the forecastle who did it, anyway. It's been some of those damn firemen—crooked dock workers every one!"
"Ay, they're the boys for hookin' things," added another. "Last v'y'ge I made, there was a fireman we called Sandy, as I'd seen hangin' around my sea-chest jist afore I missed suthin'. So I fixed a fish-hook to the lock, and nex' day Mr. Sandy had a precious sore finger somehow; and from that day for'ard we never called him nothing but 'Sandy Hook'. [A loud laugh from the rest applauded the joke.] But I'll lend the younker a shirt, willin'."
"Yeah, they're the guys who steal stuff," another added. "On my last voyage, there was a fireman we called Sandy, and I saw him hanging around my sea chest right before I noticed something was missing. So, I hooked a fish hook to the lock, and the next day Mr. Sandy had a really sore finger for some reason; from then on, we only called him 'Sandy Hook'. [The rest burst out laughing at the joke.] But I'll happily lend the kid a shirt."
"And I."
"And me."
"And I."
"And I."
"Well, look'ee here, boys," said old Herrick, "let's give him poor Allen's chest and kit. He'll never need it more, poor fellow, and I've heerd him say he'd nary relation ashore. Seems to me Frank's the one as ought to have it: what say ye all?"
"Well, take a look here, guys," said old Herrick, "let's give him poor Allen's chest and kit. He'll never need it more, poor guy, and I've heard him say he has no relatives on land. It seems to me Frank's the one who should have it: what do you all think?"
All agreed, and the drowned man's chest was pulled out and rummaged. Out came caps, jackets, trousers, shirts, sea-boots. Out came three or four letters and a photograph, which were laid aside to be handed over to the purser; and lastly, out came a small, well-thumbed Bible of old-fashioned look, which Herrick (after eying it thoughtfully for a moment) put into his own pocket.
All agreed, and the drowned man's chest was pulled out and searched. Out came caps, jackets, pants, shirts, sea boots. Out came three or four letters and a photograph, which were set aside to be handed over to the purser; and finally, out came a small, well-worn Bible that looked old-fashioned, which Herrick (after looking at it thoughtfully for a moment) placed into his own pocket.
"Whew! who'd ha' thought Allen kep' a Bible?"
"Whew! Who would have thought Allen kept a Bible?"
"I have seen him spellin' in it, though, once and again; but he always shet it up when anybody cum nigh him."
"I have seen him spelling in it, though, once in a while; but he always shut it up when anyone came near him."
"Well, well, 'twarn't it as brought him his ill luck, anyhow. Now, young un, let's see how the duds fit you."
"Well, well, it wasn't that that brought him his bad luck, anyway. Now, kid, let’s see how the clothes fit you."
But, as might have been expected, everything was "miles too big," and bagged about him in such a way as to make one of the men remark, with a grin, that "if he carried so much loose canvas, he'd founder in the first squall."
But, as could be expected, everything was "way too big," and hung around him in such a way that one of the guys commented, with a grin, that "if he carried that much loose canvas, he'd sink in the first storm."
"We must take in a reef or two, then, that's all," said Herrick. "Bear a hand, my boy, and we'll soon turn you out ship-shape."
"We just need to take in a reef or two, that's all," said Herrick. "Give me a hand, kid, and we’ll have you looking shipshape in no time."

To work went the two amateur tailors, while Frank seized the chance of taking a good look at his new friend. The old tar was certainly well worth looking at. Tall, broad-shouldered, active, with his brown hard face framed in iron-gray hair and beard—a pleasant twinkle in the keen blue eyes that looked out from beneath his bushy brows, and a kindly smile flickering over his rugged features ever and anon, like sunshine upon a bare moor—he looked the very model of one of those sturdy old sea-dogs who held their own against England's stoutest "hearts of oak" in the old days of '76.[Pg 301]
The two amateur tailors got to work while Frank took the opportunity to study his new friend. The old sailor was definitely worth a good look. Tall and broad-shouldered, he was active, with a weathered brown face framed by iron-gray hair and a beard—his keen blue eyes sparkled from under bushy brows, and a friendly smile occasionally crossed his rugged features, like sunlight on a barren moor—he looked just like one of those tough old sea dogs who stood their ground against England's bravest "hearts of oak" back in the days of '76.[Pg 301]
As he worked on, making stitches which, though they would have horrified a fashionable tailor, were at least strong and durable, he began to pour forth a series of yarns, a tithe of which would "set up" any novelist for life. Fights with West-Indian pirates; hair-breadth escapes from polar icebergs; picturesque cruises among the Spice Islands; weary days and nights in a calm off the African coast, on short allowance of water, with the burning sun melting the very pitch out of the seams—were "reeled off" in unbroken succession, while Frank listened open-mouthed, and more than once forgot his tailoring altogether.
As he continued working, making stitches that would have shocked a trendy tailor, but at least were strong and durable, he started sharing a series of wild stories, a fraction of which could make any novelist wealthy for life. Battles with Caribbean pirates; narrow escapes from icy polar waters; scenic voyages around the Spice Islands; exhausting days and nights in a calm off the African coast, with a meager water supply and the blazing sun melting the very pitch out of the seams—these stories came out one after the other, while Frank listened with wide eyes, often forgetting all about his tailoring.
But the stroke of a bell overhead broke in upon the talk.
But the sound of a bell ringing overhead interrupted the conversation.
"My watch on deck," said the old man, springing up as nimbly as a boy. "Now, lad, slip on them togs agin. Ay, now you look all a-taunto."
"My watch on deck," said the old man, jumping up as quickly as a young boy. "Now, kid, put those clothes back on. Yep, now you look all set."
Frank was indeed improved. His shore clothes, which, with grease, coal-dust, tar, salt-water, and the rents made by the fight with Monkey, were (as the boatswain said) "not fit for a 'spectable scarecrow to wear of a Sunday," were exchanged for a blue flannel shirt and a pair of trim white canvas trousers. A neat black silk handkerchief was knotted around his neck, and his battered "stiff-rim" replaced by a jaunty sailor cap.
Frank was definitely looking better. His work clothes, which were covered in grease, coal dust, tar, salt water, and had holes from his fight with Monkey—were, as the boatswain said, "not fit for a respectable scarecrow to wear on a Sunday"—were traded for a blue flannel shirt and a pair of smart white canvas trousers. A tidy black silk handkerchief was tied around his neck, and his worn-out “stiff-rim” hat was swapped for a stylish sailor cap.
"Hello, youngster! the cap'n wants yer," shouted a sailor, as Frank appeared on deck.
"Hey there, kid! The captain wants you," shouted a sailor as Frank stepped onto the deck.
"You're in luck, my boy," said Herrick. "Keep a stiff upper lip, but don't speak unless you're spoken to, and then say as little as you can."
"You're lucky, kid," said Herrick. "Stay strong, but don't talk unless someone talks to you, and then say as little as possible."
On entering the captain's room Frank found the latter busied in "pricking out" the ship's course on the chart, and was thus able to survey him at leisure. Captain Gray's plain black suit and standing collar, his grayish-brown hair, close-cut whiskers, and mild expression, made him look more like a preacher than like one who had led a forlorn hope over the ruins of Fort Sumter, and had captured, single-handed, the ringleader of a dangerous mutiny in the West Indies. This mutiny, however, had occurred aboard another vessel, for nothing of the sort had ever been heard of on his own. The crew "froze to him" in all he did or said; and any "sea-lawyer" who tried to breed a disturbance soon found the Arizona too hot for him.
Upon entering the captain's room, Frank found him focused on marking the ship's course on the chart, allowing Frank to observe him closely. Captain Gray, dressed in a plain black suit and a standing collar, with his grayish-brown hair, neatly trimmed whiskers, and gentle demeanor, resembled a preacher more than someone who had led a desperate charge at Fort Sumter and had taken down the leader of a dangerous mutiny in the West Indies all by himself. However, this mutiny had happened on a different ship, as nothing like that had ever been reported on his own. The crew deeply respected him in everything he did or said, and any "sea-lawyer" who tried to stir up trouble quickly found the Arizona to be too unwelcoming for them.
"Talk 'bout the officers as ye like," was the constant saying on the forecastle, "but nary word agin the old 'deacon.'"
"Say what you want about the officers," was the constant saying on the forecastle, "but don't say a word against the old 'deacon.'"
For, strange to say, Captain Gray was a deacon when ashore, and not a few of his best hands were members of the old white church at home in Nantucket.
For, oddly enough, Captain Gray was a deacon when on land, and several of his top crew members were part of the old white church back in Nantucket.

His room was like himself—simple, but perfectly orderly. A neat bed, with snow-white coverlet and pillow; a little cupboard beside it, containing a pitcher and wash-basin; a Bible in a neat wooden rack on a small table; a rifle, cutlass, and two revolvers, all bright and clean, hanging on the wall above it; a cabinet of books, mostly works of travel and navigation; several chairs, on one of which lay the captain's coat and cap; and a curtain along the wall, above which appeared various articles of clothing hung on pegs.
His room was just like him—simple, but completely organized. A tidy bed, with a crisp white cover and pillow; a small cupboard next to it, holding a pitcher and washbasin; a Bible in a neat wooden rack on a little table; a rifle, cutlass, and two revolvers, all shiny and clean, hanging on the wall above it; a bookshelf filled mostly with travel and navigation books; several chairs, one of which had the captain's coat and cap draped over it; and a curtain along the wall, above which hung various articles of clothing on pegs.
Presently the captain looked up, and after "figuring" a moment on a slip of paper, touched a bell. Instantly a panel flew open, and a hoarse voice shouted, "Ay, ay, sir!"
Right now, the captain looked up, and after "thinking" for a moment on a piece of paper, rang a bell. Immediately, a panel opened, and a rough voice called out, "Aye, aye, sir!"
"How's her head now, quartermaster?"
"How's her head now, QM?"
"S.E. by S., sir."
"Southeast by South, sir."
"All right; keep her so."
"Okay; keep her that way."
"Ay, ay, sir;" and the panel closed again.
"Ay, ay, sir;" and the panel closed once more.
Then, for the first time, the captain appeared to become aware of Frank's presence, and bending forward, fixed upon him a look that seemed to read his very soul. It was a proverb with the crew of the Arizona that "no rogue could ever face the old man's eye;" and although he was never known to utter an oath or unseemly word, his very glance had more effect than any amount of bluster and bullying.
Then, for the first time, the captain seemed to notice Frank's presence and leaned forward, giving him a look that felt like it could see into his very soul. The crew of the Arizona had a saying that "no crook could ever stand up to the old man's gaze;" and even though he never swore or said anything inappropriate, his mere glance had more impact than any amount of yelling or intimidation.
"So you're the boy who oiled the outboard bearing to-day? I hear you've been fighting with Monkey. We won't say any more about that now, but don't let it happen again. Can you read and write?"
"So you're the kid who greased the outboard bearing today? I hear you've been getting into it with Monkey. We won't get into that right now, but don't let it happen again. Can you read and write?"
"Yes, sir."
"Yes, sir."
"Is this your handwriting on the ship's articles, and in the store-room account-book?"
"Is this your handwriting on the ship's documents and in the inventory log?"
"Yes, sir."
"Yes, sir."
"Have you studied arithmetic? Well, then, work me out this example."
"Have you studied math? Great, then solve this problem for me."
Austin obeyed.
Austin complied.
"Right," said the captain, glancing at the result. "After this, Mr. Hurst [the chief engineer] will put you in the place of the oiler who was lost this morning. The fifty dollars reward is in the purser's hands, where I advise you to leave it till you really need it. You may go now. Good-night."
"Alright," said the captain, looking at the result. "After this, Mr. Hurst [the chief engineer] will assign you to the position of the oiler who was lost this morning. The fifty-dollar reward is with the purser, and I recommend you leave it there until you actually need it. You can go now. Good night."
"What! couldn't they make ye nothin' better'n a kettle-iler?" growled old Herrick, on hearing the result of the interview; for, like a true sailor of the old school, he abominated everything connected with "that 'ere new-fangled steam." "A sailor's what you're cut out for, and a sailor's what every man ought to be as can. Howsomdever, there's no fear but you'll git on well enough with the old man; for he's a good feller, if ever there was one. We shipped together for our first v'y'ge, him and me, when we were no bigger'n you are; and if we ever part comp'ny agin, 'twon't be my fault, anyhow."
"What! Couldn't they make you something better than a kettle-iler?" grumbled old Herrick upon hearing the results of the meeting; because, like a true old-school sailor, he hated everything related to "that new-fangled steam." "A sailor's what you're meant to be, and a sailor's what every man who can ought to be. Anyway, there's no doubt you'll get along fine with the old man; he's a good guy, if there ever was one. We shipped together on our first voyage, him and me, when we were no bigger than you are; and if we ever part ways again, it won't be my fault, that's for sure."
[to be continued.]
HOUSEHOLD PETS.
An amusing story is told of a modern puss which sailed across the seas. A Polynesian missionary took a cat with him to the island of Raratonga, but Puss, not liking her new abode, fled to the mountains. One of the new converts, a priest who had destroyed his idol, was one night, sleeping on his mat, when his wife, who sat watching beside him, was terribly alarmed by the sight of two small fires gleaming in the doorway, and by the sound of a plaintive and mysterious voice. Her blood curdling with fear, she awoke her husband, with wifely reproaches on his folly in having burned his god, who was now come to be avenged on them.
An entertaining story is told about a modern cat that sailed across the seas. A Polynesian missionary brought a cat with him to the island of Raratonga, but the cat, unhappy in her new home, ran away to the mountains. One night, a newly converted priest, who had smashed his idol, was sleeping on his mat when his wife, who was sitting beside him, became extremely frightened by the sight of two small fires glowing in the doorway and by the sound of a sad and mysterious voice. Terrified, she woke her husband, scolding him for his foolishness in destroying his god, who had now come to take revenge on them.
The husband, opening his eyes, saw the same glaring lamps, heard the same dismal sound, and, in an agony of fright, began to recite the alphabet, by way of an incantation against the powers of darkness. The cat on hearing the loud voices felt as much alarm as she had caused, and fled in the darkness, leaving the worthy pair much relieved.
The husband, opening his eyes, saw the same glaring lamps, heard the same dismal sound, and, in a panic of fear, began to recite the alphabet as a spell against the forces of darkness. The cat, hearing the loud voices, felt as much alarm as she had caused and ran off into the darkness, leaving the couple feeling much relieved.
A short while afterward Puss took up her quarters in a retired temple, where her "mews" struck terror into the breasts of the priest and worshippers who came with offerings to the gods. They fled in all directions, shouting, "A monster from the deep! a monster from the deep!" to return with a large body of their companions in full war array, with spears, clubs, and shields, and faces blackened with charcoal. The cat, however, was too nimble for them, and escaped through the midst of their ranks, sending these brave warriors flying in every direction.
A little while later, Puss settled into a secluded temple, where her "mews" frightened the priest and worshippers who came to make offerings to the gods. They scattered in all directions, shouting, "A monster from the deep! A monster from the deep!" only to come back with a large group of their friends fully armed, carrying spears, clubs, and shields, their faces painted with charcoal. However, the cat was too quick for them and slipped right through their ranks, making these brave warriors scatter in every direction.
That night, however, Puss, tired of her lonely life, foolishly entered a native hut, and creeping beneath the coverlet under which the whole family were lying, fell asleep. Her purring awoke the owner of the hut, who procured the help of some other models of valor, and with their assistance murdered poor Pussy in her tranquil and confiding slumbers.
That night, however, Puss, fed up with her lonely life, stupidly wandered into a native hut and slipped under the blanket where the whole family was sleeping, then fell asleep. Her purring woke up the owner of the hut, who got some other brave friends to help him, and with their assistance, they killed poor Pussy while she peacefully slept, trusting them.
But cats, though thus at first misunderstood, were afterward welcomed in Raratonga, which was devastated with a plague of rats. The missionaries imported a cargo consisting of pigs, cocoa-nuts, and cats.
But cats, although initially misunderstood, were later welcomed in Raratonga, which was overrun by a rat plague. The missionaries brought in a shipment of pigs, coconuts, and cats.
A youthful clerk who was once appointed to make out an invoice of shipments on a Mississippi steamer, was perplexed by the item of "Four boxes of tom-cats." On inquiry, the mystery was solved. "Why," said the indignant sutler, "that means four boxes of tomato catsup. Don't you understand abbreviations?"
A young clerk who was once assigned to create an invoice for shipments on a Mississippi steamer was confused by the item "Four boxes of tom-cats." When he asked about it, the mystery was explained. "That means four boxes of tomato ketchup. Don't you know abbreviations?"
An amusing reason is given for cats washing their faces after a meal. A cat caught a sparrow, and was about to devour it, but the sparrow said,
An entertaining reason is provided for why cats clean their faces after a meal. A cat caught a sparrow and was about to eat it, but the sparrow said,
"No gentleman eats till he has first washed his face."
"No gentleman eats until he has washed his face first."
The cat, struck with this remark, set the sparrow down, and began to wash his face, on which the sparrow flew away. This vexed Pussy extremely, and he said,
The cat, surprised by this comment, put the sparrow down and started to wash his face, which allowed the sparrow to fly away. This really upset Pussy, and he said,
"As long as I live I will eat first, and wash my face afterward."
"As long as I live, I’ll eat first and wash my face afterward."
Which all cats do even to this day.
Which all cats do even today.
Here is another cat and sparrow fable:
Here’s another fable about a cat and a sparrow:
"I wonder," said a sparrow, "what the eagles are about, that they don't fly away with the cats? And now I think of it, a civil question can not give offense." So the sparrow finished her breakfast, went to the eagle, and said: "May it please your Majesty, I see you and your race fly away with the birds and the lambs, that do no harm. But there is not a creature so malignant as a cat; she prowls about our nests, eats up our young, and bites off our own heads. She feeds so daintily that she must be herself good eating. Why do you not feed upon a cat?"
"I wonder," said a sparrow, "what the eagles are doing that they don't fly away with the cats? And now that I think about it, a polite question shouldn’t cause any offense." So the sparrow finished her breakfast, approached the eagle, and said: "If it pleases your Majesty, I see you and your kind flying off with birds and lambs that mean no harm. But there’s no creature as wicked as a cat; it lurks around our nests, eats our young, and even bites off our heads. She eats so daintily that she must be tasty herself. Why don’t you feed on a cat?"
"Ah!" said the eagle, "there is sense in your question. I had a worm here this morning, asking me why I did not breakfast upon sparrows. Do I see a morsel of worm's skin on your beak, my child?"
"Ah!" said the eagle, "there's sense in your question. I had a worm here this morning, asking me why I didn't eat sparrows for breakfast. Do I see a piece of worm's skin on your beak, my child?"
The sparrow cleaned his bill upon his bosom, and said, "I should like to see the worm that made that complaint."
The sparrow cleaned his beak on his chest and said, "I’d like to see the worm that made that complaint."
"Come forward, worm," the eagle said. But when the worm appeared, the sparrow snapped him up and ate him, after which he went on with his argument against the cats.
"Come forward, worm," the eagle said. But when the worm showed up, the sparrow quickly grabbed him and ate him, after which he continued his argument against the cats.
HOW HE BROUGHT HIS ENGINE DOWN.
BY CHARLES BARNARD.
It was one of the most difficult parts of the whole line. A range of high hills lay directly north and; south, and the railroad ran nearly east and west; that is, the stations on each side of the range of hills lay east and west, but to cross the range the road wound about in the most complicated and curious fashion. At the summit of the range, where the line crossed, there was a water tank, and a cross-over switch, and a house for the line-man. This place was eight miles from the station, on the east side, as the crow flies; by rail it was seventeen miles, a steady up grade all the way. All the west-bound trains had to have help in getting over this seventeen-mile grade, and for this service there were several pushing-engines kept there to go behind the trains, and help them up the grade. When the top of the grade was reached, the trains went on, for there were no passengers to be taken or left there. The line-man's house was the only house within five miles, and all the rugged hills round about were covered with deep woods. The pushing-engines that came up the grade usually stopped for a moment or two for water, took the cross-over switch, and ran back on the down track without using steam, as it was down grade all the way. Of course all east-bound trains, both freight and passenger, came down without help, and, in fact, without using steam, except to get a good start at the top.
It was one of the toughest sections of the entire route. A range of high hills lay directly to the north and south, while the railroad ran almost east and west; that is, the stations on either side of the hill range were positioned east and west. However, to cross the hills, the road twisted and turned in the most complicated and interesting way. At the peak where the line crossed, there was a water tank, a cross-over switch, and a house for the line worker. This location was eight miles from the station on the east side in a straight line; by rail, it was seventeen miles, constantly uphill the entire way. All westbound trains needed assistance to get over this seventeen-mile incline, so there were several push engines stationed there to push the trains up the grade. Once the top of the grade was reached, the trains continued on, as there were no passengers to pick up or drop off there. The line worker's house was the only building within five miles, and all the rugged hills around were filled with deep woods. The push engines that reached the top usually paused for a minute or two to take on water, switched tracks, and ran back down without using steam, as it was downhill the whole way. Naturally, all eastbound trains, both freight and passenger, came down without help and, in fact, without using steam, except to get a good start at the top.
One day a long freight train moving west came to the foot of the grade, and took on an extra engine to help it up the hill. This extra engine stood on a siding, and when the freight had passed, it drew out on the main line, and took its place behind the train. It was not coupled to the train, as its duty was merely to push behind. There were about thirty-five cars in the train, chiefly empty grain cars going west, and with a "caboose" behind. There were half a dozen brakemen and the conductor scattered along the train on top of the cars. All these points you must remember, to understand what happened soon after.
One day, a long freight train heading west reached the base of a hill and added an extra engine to help it climb. This extra engine was standing on a side track, and once the freight train passed, it moved onto the main line and took its position behind the train. It wasn't connected to the train since its job was just to push from the back. The train had about thirty-five cars, mostly empty grain cars going west, with a "caboose" at the end. There were a few brakemen and the conductor spread out along the train on top of the cars. Remember these details to comprehend what happened shortly after.
The line for the seventeen miles up the grade is very crooked, with several high embankments and very sharp turns. Not a nice bit of road for a fast run with a heavy train. Nearly all the distance is through thick woods, so that the brave engineer's deeds were not seen by any one save the few men who were on the train, and in the greatest peril.
The line for the seventeen miles up the slope is really winding, with several steep embankments and sharp turns. It’s not a great stretch of road for a fast run with a heavy train. Most of the distance goes through thick woods, so the brave actions of the engineer were only witnessed by the few men on the train, who were in serious danger.
The two engines and long line of cars crept slowly up the grade, and without accident, till almost at the top. The forward engine reached the top, and kept straight on; there was no need to stop; and when the train fairly passed the summit, and began to descend the grade on the western side of the hills, the pushing-engine merely stopped, and was left behind. Just then something very singular happened. The engineer reversed his engine, and started to run back to the cross-over switch that was just below. He intended to take the down track, and return to the station, seventeen miles below. The station-master was at the switch, and had already opened it. Suddenly the fireman gave a cry, and the engineer looked out his forward window to see what had happened. The train was still in sight up the line, but it was moving down instead of up. It had broken apart. A coupling had given way, and some of the cars were rolling down the grade right on to his engine. He could see the men on top waving their hands for him to get out of the way.[Pg 303] The freight-cars had broken loose, and were running away. The men on top could not stop them.
The two engines and long line of cars moved slowly up the incline without any issue until they were nearly at the top. The front engine made it to the summit and continued on without stopping; there was no need to pause. When the train finally passed the peak and began to go down the slope on the western side of the hills, the pushing engine simply halted and was left behind. At that moment, something very strange occurred. The engineer reversed his engine and headed back to the crossover switch below. He planned to take the downward track and head back to the station, which was seventeen miles away. The station master was at the switch and had already opened it. Suddenly, the fireman shouted, and the engineer leaned out his front window to see what was going on. The train was still visible further up the line, but it was moving down instead of up. It had come apart. A coupling had snapped, and some of the cars were rolling down the hill straight towards his engine. He could see the men on top waving their hands for him to get out of the way. [Pg 303] The freight cars had broken loose and were racing away. The men on top couldn’t stop them.
Where would it end? Where would the cars go? Would they ever reach the bottom of the long grade without jumping the rails at some sharp curve, only to plunge into the woods down some lofty embankment? No time to think about that. The thing to do was to get out of the way, and prevent the runaway train from dashing into the engine. He whistled to the station-master to close the switch, and give him the clear line. He must run away from the runaway train. He put on steam, and started down the grade. The station-master seemed to understand what had happened, and promptly closed the switch. Faster and faster rolled the cars, and the engine shot ahead to keep out of the way.
Where would it stop? Where would the cars go? Would they ever make it down the long slope without derailing at some sharp curve, only to crash into the woods down a high embankment? No time to think about that. The priority was to get out of the way and stop the runaway train from crashing into the engine. He signaled to the station-master to close the switch and clear the line. He needed to outrun the runaway train. He cranked up the steam and started down the slope. The station-master seemed to get what was going on and quickly closed the switch. The cars rolled faster and faster, and the engine sped ahead to avoid the danger.
Now for a race for life and death. If he kept ahead, he was safe—safe from collision, but not from running off the line at the terrible curves below. On and on the engine flew, down and down through the woods, till the trees seemed to whirl past in a dizzy dance. Faster and faster came the train gaining speed at every rail. How the woods roared with the rush of the runaway cars, and the engine flying on before! The cars swayed from side to side, and the men on top sat down, as if calmly waiting their dreadful fate. They swept round a curve, and the engineer had a chance to look back up the line, and saw to his dismay that there were more cars behind. A second and shorter train was fast following the first. The train had evidently broken into three parts, and two of the parts, one of eighteen cars, and one of nine cars, were tearing down the grade at forty miles an hour. It was a killing pace, and growing worse every second. It was sure death to all to keep it up much longer. Something must be done to save engine, men, and cars.
Now it was a race for survival. If he stayed ahead, he was safe—safe from crashing, but not from going off the track in the dangerous curves ahead. The engine roared on, plunging down through the woods, where the trees seemed to blur by in a dizzying rush. Faster and faster, the train picked up speed with every rail. The woods echoed with the sound of the speeding cars and the engine racing forward! The cars rocked side to side, and the men on top sat down, as if they were calmly waiting for their terrible fate. They rounded a curve, and the engineer had a moment to look back up the track, only to see with dread that more cars were trailing behind. A second and shorter train was quickly following the first. The train had clearly split into three sections, and two of the parts, one with eighteen cars and another with nine cars, were hurtling down the slope at forty miles an hour. It was a deadly pace, getting worse every second. Continuing like this for much longer would be certain death for everyone on board. Something had to be done to save the engine, the crew, and the cars.
The engine was using steam, and kept ahead of the cars; but it could not do so much longer. What if he let them gain on him, and then time the speed till they collided? It was a desperate experiment, but he would try it. Slowly and very carefully he took off the steam, and ran slower. In a moment he had the speeds just alike. Then he made the pace of the engine a little less, and a little less, while the roaring and swaying train came nearer and nearer. Both were still flying down the grade at a fearful pace. The men on the cars watched the engine sharply. They saw what the engineer meant to do. If he succeeded, he would save their lives—provided he could let the cars strike the engine, could hitch on, and then pull ahead before the train behind smashed into them from the rear. On and on flew train and engine. Slowly they drew nearer, and at last they bumped with a gentle jar. The fireman was on the pilot all ready to couple on. He dropped the pin in the coupling, and the men on the car gave a ringing cheer that was heard above the roar of the train; and the engineer opened the throttle wide, and away they dashed down the grade, just in time to escape the train behind.
The engine was using steam and stayed ahead of the cars, but it couldn't keep it up for much longer. What if he let them catch up and then timed the speed until they collided? It was a risky move, but he was going to try it. Slowly and carefully, he released the steam and slowed down. In a moment, he had them moving at the same speed. Then he decreased the engine's pace a little more and more while the roaring and swaying train got closer. Both were racing downhill at a terrifying speed. The men on the cars watched the engine closely. They saw what the engineer planned to do. If he succeeded, he would save their lives—if he could let the cars hit the engine, couple up, and then pull ahead before the train behind crashed into them from the rear. On and on the train and engine sped. Gradually, they drew closer, and finally, they bumped with a gentle jolt. The fireman was on the pilot, ready to couple up. He dropped the pin in the coupling, and the men on the car let out a ringing cheer that was heard above the roar of the train; the engineer opened the throttle wide, and they took off down the grade, just in time to avoid the train behind.
The men wanted to climb down on the engine to shake hands with the engineer, but he motioned them back. The danger was not over. One of the men stood on top of the caboose, with his back to the engine and his arms extended. One of the others held him up, for the cars swayed frightfully in the terrible pace they were going. He watched the train following behind, and with his hands made motions to the engineer to run slower and slower, till, with a crash, the two parts of the train came together. This feat was not so successful as the first, as the engineer could not see the rear cars. The engine was reversed, and the brakes put on, and they came to a stop—not a wheel off the metals, and not a man hurt. Two of the cars badly smashed, but that was all. What had threatened to be a fearful disaster, with a loss of men, engine, and cars, was only a slight splintering of two cars that the carpenters could repair in a day. They had a general shaking of hands alone there in the woods over the engineer's splendid feat; and for months it was told to listening men in every flag station and freight-house along the line how the brave and cool engineer brought his engine down the seventeen-mile grade.
The men wanted to climb down onto the engine to shake hands with the engineer, but he gestured for them to stay back. The danger wasn’t over. One of the men stood on top of the caboose, facing away from the engine with his arms outstretched. Another man held him steady as the cars swayed dangerously at the fast pace they were moving. He observed the train following closely behind and signaled to the engineer to slow down more and more, until, with a loud crash, the two parts of the train collided. This attempt wasn't as successful as the first since the engineer couldn't see the rear cars. The engine was reversed, the brakes were applied, and they came to a stop—not a wheel off the tracks and no one injured. Two of the cars were badly damaged, but that was it. What had threatened to be a major disaster, potentially involving lost lives, the engine, and the cars, turned out to be just a minor splintering of two cars that the carpenters could fix in a day. They all exchanged handshakes right there in the woods to celebrate the engineer's amazing skill; and for months, it was recounted to eager listeners at every flag station and freight house along the line how the brave and composed engineer managed to navigate his engine down the seventeen-mile slope.
AN OFFICER'S DOG.
BY BOB THORNBURGH.
Fort Omaha, Nebraska, March 2, 1880.
Fort Omaha, Nebraska, March 2, 1880.
I am eight years old, and I have a Gordon setter—liver and white—just as old as I am. His name is Paul. He was born in Tennessee, and given to my papa as a puppy, and soon learned to be a good retriever, to carry newspapers and bundles, and to bring papa's slippers to him.
I’m eight years old, and I have a liver and white Gordon setter who is just as old as I am. His name is Paul. He was born in Tennessee and given to my dad as a puppy. He quickly learned to be a good retriever, to carry newspapers and packages, and to bring my dad his slippers.
When I was old enough to crawl, he would watch to see that I did not get hurt, and if I got too near a flight of steps, he would stand between me and them, and pull my dress to get me away. If I went to crawl under him, he would lie down, and over him, he would stand up, and so guarded me safe till my nurse came, and she often found me asleep with my head on Paul's back, who kept still till I waked up.
When I was old enough to crawl, he would keep an eye on me to make sure I didn’t get hurt. If I got too close to a set of stairs, he would stand between me and them, pulling my dress to get me to move away. If I tried to crawl under him, he would lie down, and if I went to crawl over him, he would stand up, keeping me safe until my nurse arrived. She often found me asleep with my head on Paul’s back, who would stay still until I woke up.
At Fort Foote, Maryland, Paul became an excellent hunter, and was out with my papa nearly every day, bringing home plenty of quail and other game. He was a happy dog, taking great interest in garrison life, always attending retreat and tattoo with the officer of the day, and even going the rounds with him on his tour of inspection after midnight. No weather was too bad for Paul, who knew every note of the bugle, and was always on hand at the proper "call."
At Fort Foote, Maryland, Paul became a great hunter and went out with my dad almost every day, bringing home lots of quail and other game. He was a happy dog, really engaged in life at the garrison, always showing up for retreat and tattoo with the officer of the day, and even accompanying him on his midnight inspection rounds. No weather was too rough for Paul, who knew every bugle call and was always ready at the right time.
When we went to Fort Brown, Texas, Paul staid behind for cooler weather; then he was sent around by sea from New York. He landed at Point Isabel, and came over by rail to Brownsville, where my papa met him early one morning. Paul barked a welcome at once, and was wild with joy when papa released him from the box in which he had travelled, and let him run after him out to our quarters. I was still asleep, but Paul knew I must be near, so he ran all over the house till he found my bed, when he jumped in, and lay down beside me; it woke me up, and we had a fine meeting, after six months' separation.
When we went to Fort Brown, Texas, Paul stayed behind for cooler weather; then he was sent by sea from New York. He landed at Point Isabel and took the train to Brownsville, where my dad met him early one morning. Paul barked a welcome right away and was ecstatic when Dad let him out of the box he had traveled in and allowed him to run after him to our quarters. I was still asleep, but Paul knew I must be nearby, so he ran all over the house until he found my bed, then he jumped in and lay down beside me; it woke me up, and we had a great reunion after six months apart.
When I went out to ride on my Mexican pony—General Robertson—with our boy Florentio, then Paul, and then Billy (my goat), we made quite a procession. Paul always looked so dignified, and never noticed one of Billy's tricks, who pranced along, butting him in the funniest way, and trying to attract his attention.
When I went out to ride my Mexican pony—General Robertson—with our boy Florentio, then Paul, and then Billy (my goat), we made quite a spectacle. Paul always looked so serious and never noticed any of Billy's antics, who trotted alongside, playfully butting him in the funniest way, trying to get his attention.
Poor Paul's misfortunes began in Texas, where a large black dog bit him through the shoulder, causing a lameness that has never left him, and making him hate all black dogs.
Poor Paul's misfortunes started in Texas, where a big black dog bit him on the shoulder, leaving him with a permanent limp and a deep-seated hatred for all black dogs.
After I went North, Paul went with my papa all over Texas, from one fort to another, and always rode in his ambulance, which he would leave for no one but him. At one of the upper posts he once followed a deserter—who had fed him—and to avoid suspicion, the man put Paul down a deep hole, and left him. After searching some time, my papa at last found him; but he was almost starved, as he had had nothing to eat for several days.
After I went North, Paul traveled all over Texas with my dad, moving from one fort to another, and he always rode in his ambulance, which he would only allow himself to use. At one of the northern posts, he once tracked down a deserter—who had fed him—and to keep from being noticed, the man put Paul down a deep hole and left him there. After searching for a while, my dad finally found him, but he was nearly starving because he hadn’t eaten anything for several days.
Paul next went with us to Omaha, where he suffered from the great change of climate, and was too lame for much hunting. He was very jealous of our two other dogs, Tom and Bill, and would not let them come near my sister, brother, or me.
Paul then went with us to Omaha, where he struggled with the drastic change in climate and was too sore for much hunting. He was very protective of our other two dogs, Tom and Bill, and wouldn't allow them to get close to my sister, brother, or me.
Then we went to Fort Steele, Wyoming, where he hunted a little, and played with me a great deal. The high and dry air did him good. He was very fond of my little brother George—our "Centennial baby," whose birthday was the 22d of February. When George and I got the scarlet fever, Paul would visit both our rooms, and look so sorry for us. After Georgie "fell asleep," Paul would trot off every day, alone, to the cemetery, and lie down by his "resting-place" awhile, then get up and walk home again, his mind satisfied.
Then we went to Fort Steele, Wyoming, where he did a bit of hunting and spent a lot of time playing with me. The high, dry air was good for him. He really liked my little brother George—our "Centennial baby," whose birthday was on February 22nd. When George and I got scarlet fever, Paul would visit our rooms and look so sorry for us. After Georgie "fell asleep," Paul would go to the cemetery every day by himself, lie down next to his "resting place" for a while, then get up and walk home again, feeling at peace.
Paul has always been an "officer's dog," and never visited the barracks at any post, and will not follow soldiers, except the one who feeds him. He dislikes citizens, and any stranger not in uniform arouses his suspicions at once, and he watches him closely till satisfied he is a friend of ours; but did he wear uniform, it would be all right at first.
Paul has always been an "officer's dog," never stepping foot in the barracks of any post, and he only follows the soldier who feeds him. He has a strong dislike for civilians, and any stranger not in uniform immediately raises his suspicions; he keeps a close watch on them until he's convinced they're a friend of ours. However, if they were wearing a uniform, he would accept them right away.
Paul is now at Fort Omaha on the "retired list," and valued for "the good he has done." He is getting as fat as a seal, and has the gout—my sister says the go-out. But he's a good old fellow. My grandpa takes Harper's Young People for me, and I like it so much I thought I would like to tell you about my dog.[Pg 304]
Paul is now at Fort Omaha on the "retired list" and is appreciated for "the good he has done." He's getting as plump as a seal and has gout—my sister calls it the go-out. But he's a good old guy. My grandpa subscribes to Harper's Kids for me, and I like it so much that I thought I would share about my dog.[Pg 304]
THE HOBBY-HORSE REGIMENT.
When the Thirty Years' War was finally brought to a termination by the treaty of peace of Westphalia, which was concluded at Nuremberg in 1560, the authorities of that place ordered in commemoration public rejoicings of various kinds—banquets, balls, fire-works, etc. But among all these public diversions, none was more distinguished for singularity and originality, and perhaps childish simplicity, than the procession of lads and boys on sticks or hobby-horses. Thus mounted, they rode, regularly divided into companies, through the streets, and halted before the hotel of the Red Horse, where was staying the Imperial Commissioner, Duc D'Amali.
When the Thirty Years' War finally ended with the Peace Treaty of Westphalia, which was signed in Nuremberg in 1560, the local authorities planned public celebrations of various kinds—feasts, dances, fireworks, etc. But among all these celebrations, none was more unique and original, and maybe a bit childish, than the procession of boys on sticks or hobby-horses. Dressed up, they rode, organized into groups, through the streets and stopped in front of the Red Horse Hotel, where the Imperial Commissioner, Duc D'Amali, was staying.
The Duke was so pleased with the novel cavalcade that he requested a repetition of the same procession at an early day of the following week, which they performed in much larger numbers. On arriving before his hotel, the Duke distributed amongst them small square silver medals which he had in the interval caused to be struck. The coin represented on the obverse a boy on a hobby-horse with whip in hand, and the year 1560 was inscribed in the centre, while the reverse represented the double eagle and armorial bearings of Austria, with the inscription, "Vivat Ferdinandus III., Rom. Imp. vivat!"
The Duke was so impressed with the new parade that he asked for the same procession to happen again early the following week, which they did with a much larger turnout. When they arrived in front of his hotel, the Duke handed out small square silver medals that he had made in the meantime. The front of the coin showed a boy on a hobby horse holding a whip, with the year 1560 inscribed in the center, while the back displayed the double eagle and the coat of arms of Austria, along with the inscription, "Long live Ferdinand III, Holy Roman Emperor!"
THE LITTLE SWISS MAN.
There was once a little Swiss man who had a mind and will of his own. He was one inch high, and carved out of wood by the busy people of Brienz, in the long cold winter season. Perhaps the bit of wood out of which he was cut was unusually hard, and even knotted; but certainly he had more character than his companions, the pretty birds perched on boxes, the deer and chamois supporting vases, and all the trinkets made in that town, where the wooden houses with projecting roofs, and balconies filled with flowers, on the border of Lake Brienz, are precisely like the tiny toy mansions in shop windows.
There was once a tiny Swiss man who had his own thoughts and determination. He stood an inch tall and was carved from wood by the hardworking people of Brienz during the long, cold winter. Maybe the piece of wood he was made from was especially tough and even gnarled; but he definitely had more personality than his surroundings, including the cute birds sitting on boxes, the deer and chamois holding up vases, and all the trinkets produced in that town, where the wooden houses with overhanging roofs and balconies filled with flowers, on the edge of Lake Brienz, look just like the small toy houses in store displays.
When he was finished, the little Swiss man was very proud of himself. He wore gaiters, a jacket, a broad straw hat—all[Pg 305] in wood—and carried a creel on his back, as if just about to climb a mountain, laden with butter, cheese, or wine.
When he was done, the little Swiss man felt really proud of himself. He had on gaiters, a jacket, and a wide straw hat—all[Pg 305] made of wood—and carried a creel on his back, like he was about to hike up a mountain, loaded with butter, cheese, or wine.
The contents of the workshop were scattered like a handful of leaves in the wind. The chamois were sent to Paris and London, the little birds on the boxes journeyed as far as Russia and America, with the luggage of travellers.
The workshop's contents were spread out like leaves blowing in the wind. The chamois were sent to Paris and London, while the little birds on the boxes traveled all the way to Russia and America, along with the luggage of travelers.
"I am sure to be much admired wherever I go," said the little Swiss man, with a smile, which was none the less conceited because it was a wooden one.
"I’m sure I’ll be admired wherever I go," said the little Swiss man, with a smile that was still conceited, even if it looked wooden.
Soon he found himself in the window of a shop at Geneva, and he was not immediately bought, to his own surprise. However, he was in very good company, although he took upon himself to look down on his companions, and he only an inch high!
Soon he found himself in the window of a shop in Geneva, and to his surprise, he wasn't immediately sold. However, he was in great company, even though he looked down on his companions, and he was only an inch tall!
The shop was located on the Rue du Rhone, but the small window where the toys were exposed opened on the rear. The river Rhone, of a beautiful color, as pure as ice, quitting the Lake Leman above, swept down under the bridges past this window, dividing the city of Geneva. Had the little Swiss man possessed any eyes except for his own importance, he would have found the view from his shelf interesting. On the right the Isle Rousseau was visible, where the ducks and swans live; opposite, a foot-bridge crossed the rushing Rhone; and below were the tall old houses of the island, with plants in the windows, terminating in a clock tower. Along the river margin the Geneva washer-women toiled all day, not like those of America, scrubbing at a steaming wash-tub, but under long sheds which appeared to float on the surface of the stream, and dipping their linen in the flowing water.
The shop was on Rue du Rhône, but the small window showcasing the toys faced the back. The Rhône River, with its stunning color and clarity like ice, flowed down from Lake Léman and passed beneath the bridges by this window, splitting the city of Geneva in two. If the little Swiss man had been able to see beyond his own ego, he would have found the view from his perch fascinating. To the right, you could see Isle Rousseau, home to ducks and swans; across from that, a footbridge crossed the rushing Rhône; and below were the tall, old buildings of the island, with plants in the windows, ending at a clock tower. Along the riverbank, the Geneva washerwomen worked all day, not like those in America who scrub at steaming wash tubs, but under long sheds that seemed to float on the water, dipping their linens in the flowing current.
The little Swiss man could not understand why he was not bought immediately. To be sure, the next shop displayed sparkling heaps of crystal, veined agate, and onyx, yet he found himself better than all. Children paused before the pane, and laughed with delight, pointing out different objects. Our hero took all this admiration to himself as his due. On the same shelf was a goose, wearing top-boots, the Ulster of a tourist, a bag fastened over his shoulder with a strap, and an eyeglass. Here were to be found also a fat little[Pg 306] boy in India rubber, from Nuremberg; a beautiful pasteboard theatre, with a lady of blue paper advancing from a side scene; tiny Swiss houses in boxes; two rope-dancers hanging over their cord; balls and tops. The shelf below held the most tempting dishes, representing cakes and dessert, in china, ever placed on the table of a doll-house; wax babies rocking in cradles; tiny lamps; sewing-machines; miniature goats and cows.
The little Swiss man couldn’t understand why no one bought him right away. Sure, the next shop had sparkling piles of crystal, veined agate, and onyx, but he thought he was better than all of that. Kids stopped in front of the window, laughing with joy as they pointed out different items. Our hero took all this attention as his rightful due. On the same shelf was a goose wearing top boots, a tourist's Ulster, a bag slung over its shoulder with a strap, and an eyeglass. Also on display was a chubby little boy made of rubber from Nuremberg; a beautiful cardboard theater, with a blue paper lady stepping out from a side scene; tiny Swiss houses in boxes; two rope-dancers hanging over their cord; balls and tops. The shelf below had the most tempting dishes, depicting cakes and desserts in china, that had ever been on a dollhouse table; wax babies rocking in cradles; tiny lamps; sewing machines; and miniature goats and cows.
The little Swiss man observed especially a large bear of Berne, wearing a cotton night-cap with a red tassel, and a white shirt collar, who carried a hand-organ, and a good St. Bernard dog, with the flask suspended about his throat, ready to help the poor wanderers lost in the snow. Beyond was an interesting company of monkeys on a music-box, some playing harps, others scraping violins in obedience to the head monkey, who stood in the attitude of a leader of the orchestra, wearing a black coat with long tails. The vain little Swiss man fancied the passers-by paused only to admire him.
The little Swiss man especially noticed a large bear from Bern, wearing a cotton nightcap with a red tassel and a white shirt collar, who was carrying a hand-cranked organ, along with a good St. Bernard dog that had a flask hanging around its neck, ready to assist poor wanderers lost in the snow. In the background, there was an entertaining group of monkeys on a music box, some playing harps and others scraping violins, all following the lead of the head monkey, who stood proudly like an orchestra conductor, dressed in a long-tailed black coat. The vain little Swiss man believed that passersby only stopped to admire him.
Night came, and the master of the shop closed the door, placed shutters before the show-cases, and seated himself at his desk. The little window in the rear was still uncovered, and revealed the light on the desk where the master wrote. He heard the scratching of his pen on the paper, and the patter of rain-drops outside, for the night was stormy. There was another sound in the shop, softer than fall of the rain, and finer than chirp of a cricket, or humming sound of a mosquito: the toys in the window were talking together.
Night fell, and the shop owner closed the door, put up the shutters in front of the display cases, and sat down at his desk. The small window at the back was still uncovered, letting in light that illuminated the desk where the owner was writing. He could hear the scratching of his pen on the paper and the sound of raindrops falling outside, as the night was stormy. There was another sound in the shop, softer than the rain, and more delicate than the chirp of a cricket or the humming of a mosquito: the toys in the window were conversing with each other.
"I have been here for a month, and everybody says I am too dear at five francs," said the goose in top-boots.
"I've been here for a month, and everyone says I'm too expensive at five francs," said the goose in top boots.
"How could you expect to sell, when I am in the same window?" growled the bear.
"How do you expect to sell anything when I’m in the same window?" the bear grumbled.
"What do you say?" cackled the goose, indignantly.
"What do you say?" cackled the goose, offended.
"He is only a bear," said one of the rope-dancers, cutting a caper.
"He’s just a bear," said one of the tightrope walkers, doing a trick.
"Do you know who I am?" retorted the bear, with dignity. "I am the Bear of Berne. You will find me on the shield of the city, and kept in a pit by the citizens to this day."
"Do you know who I am?" the bear replied proudly. "I am the Bear of Berne. You'll see me on the city’s coat of arms, and the citizens still keep me in a pit to this day."
"What is the use of boasting?" interposed the St. Bernard dog, pettishly. "The bears of Berne live in idleness; they walk about in a pit all day, or stand on their hind-legs begging for nuts. A St. Bernard dog is better employed, I should hope. We save the travellers in the snow who lose their way on the great St. Bernard mountain. If you wish to see the dog Barry, who saved fifteen lives, look for him in the Berne Museum, stuffed, and kept in a glass case.
"What’s the point of boasting?" interrupted the St. Bernard dog, irritated. "The bears in Berne just lounge around; they stroll in a pit all day or stand on their hind legs begging for snacks. I would hope a St. Bernard dog has more important work to do. We rescue travelers lost in the snow on the great St. Bernard mountain. If you want to see Barry, the dog who saved fifteen lives, find him in the Berne Museum, preserved and displayed in a glass case."
The bear was very cross at this reply. He pulled his cotton night-cap over his right eye, which gave him a very savage appearance, and turned the handle of his organ as if his life depended on it.
The bear was really angry at this response. He pulled his cotton nightcap down over his right eye, which made him look pretty fierce, and he cranked the handle of his organ like his life depended on it.
"I am not Swiss; I am a German," said the Nuremberg fat boy, puffing out his India rubber cheeks.
"I’m not Swiss; I’m German," said the chubby kid from Nuremberg, puffing out his rubbery cheeks.
"Hear him!" cried the lady made of blue paper, on the stage of the little theatre—"hear the rubber boy boast of being a German, when there are French toys about!"
"Hear him!" shouted the lady made of blue paper, on the stage of the little theater—"hear the rubber boy brag about being German when there are French toys around!"
At this all the little babies made of pink wax, in the cradles, laughed; and even the goats shook their heads, because they came from the Savoy side of Lake Geneva, which made them very French in their feelings.
At this, all the little babies made of pink wax in the cradles laughed; and even the goats shook their heads, since they came from the Savoy side of Lake Geneva, which made them feel very French.
"If somebody would wind us up, we would play," said the monkeys.
"If someone would get us started, we would play," said the monkeys.
The little Swiss man listened.
The Swiss guy listened.
"I shall not stay in the shop window a month," he said.
"I won't stay in the shop window for a month," he said.
His neighbors looked at each other in surprise. On the wall was placed a card, and on it was grouped a bunch of flowers like white velvet.
His neighbors exchanged surprised glances. On the wall hung a card, and next to it was a cluster of flowers that looked like white velvet.
"See, we are above the rest of you; we are the Edelweiss," said these flowers. "We grow high up on the mountains, and as we can only bloom in such a pure air, a poet has compared us with Gratitude."
"Look, we're better than the rest of you; we're the Edelweiss," said these flowers. "We grow high up in the mountains, and since we can only bloom in such pure air, a poet has likened us to Gratitude."
At this moment something happened. A boy pressed his face against the pane, and stared at the toys. Crack!—a stone hit the glass, and the boy ran away. The wind and the rain swooped in together, upsetting the theatre, and knocking the dolls about. The master hastened to close the shutter.
At that moment, something happened. A boy pressed his face against the glass and stared at the toys. Crack!—a stone hit the window, and the boy ran off. The wind and rain came rushing in together, disturbing the scene and knocking the dolls around. The master quickly went to close the shutter.
The little Swiss man had fallen outside.
The small Swiss man had fallen outside.
In the morning a porter passing by kicked the tiny bit of wood toward the parapet, and the next comer sent it spinning into the river.
In the morning, a porter walking by kicked the small piece of wood toward the edge, and the next person sent it flying into the river.
"Pride goes before a fall," said the St.Bernard dog.
"Pride comes before a fall," said the St. Bernard dog.
"Why did he feel so superior to the rest of us?" inquired the goose.
"Why did he feel so much better than the rest of us?" asked the goose.
"It was all in the grain of the wood," said the leading monkey.
"It was all in the grain of the wood," said the main monkey.
Below Geneva the Rhone joins the Arve, and the two rivers remain distinct for a long while—the Rhone like a green ribbon, and the Arve whitened by glacier torrents. Here a poor boy was fishing. What he caught was the little Swiss man, bobbing along on the stream, and he took this prize to the stone cottage, his home.
Below Geneva, the Rhone meets the Arve, and for a long stretch, the two rivers stay separate—the Rhone flows like a green ribbon, while the Arve is whitened by glacial runoff. Here, a poor boy was fishing. What he caught was a little Swiss man, floating along in the current, and he brought this prize back to his stone cottage, his home.
"I am glad to be out of the water," thought our wooden hero. "All the same, I wish I was back in the shop window. Ah! I did not know gratitude, as the Edelweiss said."
"I’m so relieved to be out of the water," thought our wooden hero. "Still, I wish I were back in the shop window. Ah! I didn't realize what gratitude was, as the Edelweiss mentioned."
THE CANARY'S MUSIC LESSON.
"Now teach me your song, Canary," said Maud with the roguish eyes,
"And when father comes home with mother, I'll give them such a surprise;
They'll think I am you, Canary, and wonder what set you free,
And nearly die a-laughing, when they find it is only me.
Teach me your song, Canary; I'll whistle it if I can;
Now open your throat, dear Tiptoe, and sing like a little man."
Tiptoe, the pretty fellow, cocked up his bright black eye,
As if to say, "Little mistress, it will do you no harm to try."
Then taking some slight refreshments, and polishing off his bill,
Broke into a rapture of singing that ended off with a trill;
And Maud, with her head bent forward, sat listening to his lay,
And fast as he sang, she whistled, till gathered the twilight gray.
Then she crept down to the parlor as quietly as a mouse:
The maids were in the kitchen, and no one else in the house.
And when the key in the doorway the dear little mischief heard,
She whistled away so sweetly, they thought it was surely the bird.
Hither and thither she flitted, behind the sofa and chairs;
Her mother cried, "Mercy, Edward! the bird! Is the cat down stairs?"
Wildly they stared around them, till, "It's me, it is me, papa!"
Said Maud, from her corner springing. Ah, then what a loud "Ha! ha!"
Rang through the room. Her father, convulsed, on the sofa sat.
Gravely appeared among them their sober old pussy cat.
Maud merrily laughed and shouted, "A cunning old cat like you—
To think you should mistake me for a little canary too!"
"Now teach me your song, Canary," Maud said with a playful glint in her eyes,
"And when Dad gets home with Mom, I'll give them a big surprise;
They'll think I'm you, Canary, and wonder what got you released,
"And they'll almost die laughing when they realize it’s just me."
Teach me your song, Canary; I'll try to whistle it if I can;
"Now open your mouth, dear Tiptoe, and sing like a little man."
Tiptoe, the handsome guy, lifted his bright black eye,
As if to say, "Hey, little lady, it won't hurt to give it a shot."
After having a snack and cleaning his beak,
He broke into a happy song that finished with a flourish;
Maud sat with her head leaning forward, listening to his tune,
And as quickly as he sang, she whistled, until dusk arrived too soon.
Then she quietly tiptoed to the living room like a mouse:
The maids were in the kitchen, and there was no one else in the house.
And when the key turned in the door, the little trickster heard,
She whistled so sweetly that they thought it was just a bird.
She moved around quickly, slipping behind the sofa and chairs;
Her mother yelled, "Mercy, Edward! The bird! Is the cat downstairs?"
They looked around in confusion until someone said, "It's me, it’s me, Dad!"
Maud exclaimed, jumping up from her corner. Oh, then what a loud "Ha! ha!"
Laughter filled the room. Her father, laughing loudly, sat on the sofa.
Seriously, their old cat came over, looking quite somber.
Maud laughed joyfully and shouted, "A smart old cat like you—
"Can you believe you would confuse me for a little canary as well?"
MODEL YACHT-BUILDING.
A SLOOP-YACHT.
The boat here described is a model of a sloop-yacht of about fifteen tons measurement, forty-four feet long, and fifteen feet beam; the model, on a scale of half an inch to the foot, being consequently twenty-two inches long, on the water-line, and seven and a half inches wide. The wood should be a block of clear dry pine, twenty-five inches long, seven and a half inches wide, and five inches thick, the sides being first planed square; then on one of the five-inch sides lines are drawn two inches apart across the block; the water-line (W L, Fig. 2) is drawn two inches and thirteen-sixteenths from the top at the end selected for the bow, and two inches and five-sixteenths[Pg 307] at the stern; the stern-post (s t) is laid off, and the outer line of the stern (t f); and finally the curved lines a f and a v are drawn, completing what is called the sheer plan.
The boat described here is a model of a sloop-yacht weighing about fifteen tons, measuring forty-four feet long and fifteen feet wide. The model, scaled to half an inch per foot, is therefore twenty-two inches long at the waterline and seven and a half inches wide. The wood should be a clear, dry pine block, twenty-five inches long, seven and a half inches wide, and five inches thick, with the sides planed square first. Then, on one of the five-inch sides, lines are drawn two inches apart across the block. The waterline (W L, Fig. 2) is marked two inches and thirteen-sixteenths from the top at the end chosen for the bow, and two inches and five-sixteenths[Pg 307] at the stern; the stern-post (s t) is measured out, and the outer line of the stern (t f); finally, the curved lines a f and a v are drawn, completing what is known as the sheer plan.
In copying from the drawings it must be kept in mind that they are exactly one-fourth the full size, so that any distance taken from them with the dividers must be laid off four times on the block.
In copying from the drawings, it's important to remember that they are exactly one-fourth the actual size, so any distance measured with the dividers must be scaled up four times on the block.
To copy the curved lines, their distance from some line, as A B or W L, is measured on each of the two-inch lines, by which a number of points on the curve are found, and a line drawn as nearly as possible through all of them by means of a flexible ruler, held in place by pins.
To replicate the curved lines, the distance from a reference line, like A B or W L, is measured on each of the two-inch lines, which helps find several points on the curve. A line is then drawn as closely as possible through all of these points using a flexible ruler, secured in place by pins.
The block must now be cut away to the outline a f t s v, after which lines two inches apart are drawn on the top, the line A B drawn entirely around the block in the centre of the top, bottom, and ends, and Fig. 1 drawn on top, both halves being of course the same.
The block must now be cut away to the outline a f t s v. After that, lines two inches apart are drawn on the top, with the line A B drawn all the way around the block in the center of the top, bottom, and ends, and Fig. 1 drawn on top, both halves being, of course, the same.
The block is next cut to the line a b c d, Fig. 1, the widest part being, not on deck, but along the line c d, as there is some "tumble home" from b to the stern.
The block is then cut along the line a b c d, Fig. 1, with the widest part not on the deck but along the line c d, since there is some "tumble home" from b to the stern.
The outline of the deck is a b e f, the stern being a segment of a circle of five inches radius.
The shape of the deck is a b e f, with the back end being a part of a circle that has a five-inch radius.
A piece of thin board must be cut of the shape of Fig. 5 (which is half size), which is the widest part of the boat, and is fourteen inches from the bow, and by using it for a guide, both sides may be cut out exactly alike.
A thin piece of board needs to be cut to the shape shown in Fig. 5 (which is half size), marking the widest part of the boat, and is fourteen inches from the bow. Using it as a guide, both sides can be cut out to match exactly.
The stem piece, half an inch thick, and the stern-post, five-sixteenths of an inch, are sawed out, and tacked in place temporarily, and a wooden keel of the shape shown in Fig. 4 (marked "Lead Keel"), half an inch thick, tapering to five-sixteenths where it joins the stern-post, is fitted in between them.
The stem piece, half an inch thick, and the stern-post, five-sixteenths of an inch, are cut out and temporarily secured in place, with a wooden keel shaped as shown in Fig. 4 (marked "Lead Keel"), half an inch thick, tapering to five-sixteenths where it connects to the stern-post, fitted in between them.
The shaping of the hull may now be completed, using a gouge, spokeshave, and rasp, keeping the midship section for a guide, and running the curved surfaces smoothly and evenly into the sides of the keel, stern, and stem, the latter tapering to five-sixteenths of an inch forward.
The hull shaping can now be finished using a gouge, spokeshave, and rasp. Use the midship section as a guide and ensure the curved surfaces transition smoothly and evenly to the sides of the keel, stern, and stem, which should narrow to five-sixteenths of an inch at the front.
The hole for the rudder-stock is next bored, one-fourth of an inch in diameter, and burned out with a moderately hot iron to five-sixteenths of an inch; then, should the stock swell when wet, it will not stick in the charred wood, but will still turn freely.
The hole for the rudder stock is then bored out to a quarter inch in diameter and burned out with a moderately hot iron to five-sixteenths of an inch; this way, if the stock swells when wet, it won't get stuck in the charred wood, but will still move freely.
The keel, stem, and stern are removed, to avoid injury to them, and the line l m n o p, Fig. 1, is drawn, after which the wood inside is cut away with a large gouge or carving tool, until it is one-fourth of an inch thick, care being taken to have it all an even thickness, and not to cut through at any point, and also to leave the wood solid around the rudder-hole.
The keel, stem, and stern are taken off to prevent damage to them, and the line l m n o p, Fig. 1, is drawn. Then, the wood inside is carved out using a large gouge or carving tool until it's a quarter of an inch thick. Care must be taken to ensure it's all an even thickness, not to cut through anywhere, and to keep the wood solid around the rudder hole.
After the hollowing out is completed, a rabbet one-eighth of an inch wide and deep is cut to receive the deck, its outer line being g h i k, Fig. 1. Then a light deck beam is set in amidships, the mast step put in, and the inside of the hull and the bottom of the deck painted. The deck is of pine, one-eighth of an inch thick, and after being cut out should have lines scratched in with the compasses three-eighths of an inch from each edge to represent the water-ways, and parallel lines one-fourth of an inch apart scratched in to represent the joints of the deck plank.
After the hollowing out is done, a rabbet that's one-eighth of an inch wide and deep is cut to fit the deck, aligning its outer edge with g h i k, Fig. 1. Then, a light deck beam is placed in the center, the mast step is installed, and the inside of the hull and the bottom of the deck are painted. The deck is made of pine, one-eighth of an inch thick, and once it’s cut out, lines should be marked with compasses three-eighths of an inch from each edge to signify the water-ways, and parallel lines one-fourth of an inch apart should be scratched in to indicate the joints of the deck plank.
Now the deck is laid and tacked down, and the joints painted, and calked if needed, the stem and stern-post replaced permanently, and the bowsprit screwed to the deck and stem.
Now the deck is installed and secured, the joints are painted and sealed if necessary, the stem and stern-post are permanently replaced, and the bowsprit is attached to the deck and stem with screws.
The length of the bowsprit is eight and a half inches from the point a, Fig. 4, to the outer end, three-sixteenths of an inch in diameter, and three inches from a to the inner end, where it is framed into the bitts, the inner end being half an inch square.
The bowsprit measures eight and a half inches from point a, Fig. 4, to the outer end, which has a diameter of three-sixteenths of an inch. It measures three inches from a to the inner end, where it connects to the bitts, and the inner end is half an inch square.
A piece (x, Fig. 4) is next fitted on deck at the stern, forming the after portion of the bulwarks, which on the sides are one-eighth of an inch thick, flaring out at the bow, where they are nailed to the bowsprit, and tumbling in aft, where they are nailed to the piece x, a strip one-eighth of an inch thick (shown in Fig. 5) being first tacked to the deck, and the bulwarks nailed against it. Small brads should be used in nailing.
A piece (x, Fig. 4) is then attached to the deck at the back, creating the rear part of the bulwarks, which are one-eighth of an inch thick on the sides. They flare out at the front, where they are nailed to the bowsprit, and slope inward towards the back, where they are nailed to piece x. A strip that is one-eighth of an inch thick (shown in Fig. 5) should be tacked to the deck first, and then the bulwarks are nailed against it. Use small brads for the nailing.
The rail is of walnut or mahogany, one-fourth by three-thirty-secondths of an inch, nailed on top of the bulwarks, and running out on the bowsprit to a point (Fig. 3).
The rail is made of walnut or mahogany, measuring one-fourth by three thirty-seconds of an inch, nailed on top of the bulwarks, and extending out on the bowsprit to a point (Fig. 3).

For a sailing model a leaden keel of about two pounds is needed, a mould being made in plaster of Paris from the wooden pattern, and the melted lead poured in, after which it is smoothed with a plane. It is put on temporarily, and the boat, when rigged, put in the water; then enough may be planed off to make her trim properly, and the keel put on permanently.
For a sailing model, you need a lead keel weighing about two pounds. First, create a mold in plaster of Paris using a wooden pattern, then pour in the melted lead and smooth it out with a plane. The keel is attached temporarily, and once the boat is rigged and placed in the water, you can plane off enough to ensure it sits properly in the water before securing the keel permanently.
The mast is twenty-one inches from deck, where it is half an inch in diameter, to cap, where it is a quarter of an inch square, and the topmast is eleven inches long, projecting eight inches above the lower mast.
The mast is twenty-one inches from the deck, where it is half an inch in diameter, to the cap, where it is a quarter of an inch square, and the topmast is eleven inches long, extending eight inches above the lower mast.
The boom is twenty-two inches long, fitted to the mast by wire staples; and the gaff, fourteen inches long, has two jaws embracing the mast.
The boom is twenty-two inches long, attached to the mast with wire staples; and the gaff, fourteen inches long, has two jaws that wrap around the mast.
All spars are of yellow pine; the rigging is of fishing-line; and the blocks, five-sixteenths of an inch long, and the dead-eyes, one-fourth of an inch in diameter, are cut out of any hard wood. The lower one of each pair of dead-eyes has a wire looped around it, the other end being turned up, and driven into the boat's side, as in Fig. 5.
All spars are made of yellow pine; the rigging is made from fishing line; and the blocks, five-sixteenths of an inch long, and the dead-eyes, one-fourth of an inch in diameter, are cut from any hardwood. The lower one of each pair of dead-eyes has a wire looped around it, with the other end turned up and driven into the side of the boat, as shown in Fig. 5.
The upper end of each shroud has a loop spliced in, which goes over the mast-head, and a dead-eye is spliced into the lower end.
The top of each shroud has a loop spliced in, which goes over the masthead, and a dead-eye is spliced into the bottom end.
The forestay has a loop at the top, and runs through the bowsprit, forming a bobstay.
The forestay has a loop at the top and goes through the bowsprit, creating a bobstay.
Davits are placed on each bow for the anchor, and two on each side for the boats, and a capstan stands just forward of the mast.
Davits are positioned on each bow for the anchor, with two on each side for the boats, and a capstan is located just in front of the mast.
The sky-lights and companion way are of mahogany, and with the decks, spars, and rail, are varnished, the rest of the hull being painted black, white, or green, and that portion below the water-line being varnished, and dusted over with bronze powder, and when perfectly dry, varnished again, giving the appearance of metal sheathing.
The skylights and companionway are made of mahogany, and along with the decks, spars, and rails, they're varnished. The rest of the hull is painted black, white, or green, with the part below the waterline varnished and sprinkled with bronze powder. Once it's completely dry, it's varnished again, creating a look similar to metal sheathing.
The sails are of muslin or lawn, and are laced to the boom and gaff and to curtain-rings on the mast, or for the jibs the common "eye" used for dresses makes a capital jib hank, and will slip readily up and down the forestay.
The sails are made of muslin or lawn, and are tied to the boom and gaff and to curtain rings on the mast. For the jibs, the common "eye" used for dresses works great as a jib hank and can easily slide up and down the forestay.
The drawings show all the remaining details, and by following them carefully a handsome and able boat may be built.[Pg 308]
The drawings provide all the necessary details, and by following them closely, a beautiful and capable boat can be constructed.[Pg 308]

THE WHITE RABBITS AND THE TAR BABY.
BY AGNES CARR.

Ten little white rabbits once lived on the edge of a wood, in a snug little hole at the foot of a tall tree; and they were as happy as ten rabbits could be, for every day a good little girl, who lived just back of the wood, brought them their breakfast of white rolls and brown gingerbread; and near by there was a beautiful stream of clear, sweet water, where they went to drink, and which sang a merry tune to them as it went rippling along.
Ten little white rabbits once lived on the edge of a forest, in a cozy little burrow at the base of a tall tree; and they were as happy as ten rabbits could be because every day a nice little girl, who lived just behind the woods, brought them their breakfast of white rolls and brown gingerbread; and nearby there was a lovely stream of clear, fresh water, where they went to drink, and which sang a cheerful tune to them as it flowed along.
But one morning when the little rabbits went for their water, they found the brook full of sticks and stones, and the water so muddy they could not drink it at all.
But one morning when the little rabbits went to get their water, they found the stream clogged with sticks and stones, and the water was so muddy that they couldn't drink it at all.
"Who has done this?" asked Frisky, the oldest and wisest of the rabbits.
"Who did this?" asked Frisky, the oldest and wisest of the rabbits.
"It was old Reynard the fox," said the brook; "and I am so choked up I can not sing."
"It was old Reynard the fox," said the brook; "and I'm so blocked up I can't sing."
So the little rabbits set to work to clear away the dirt and rubbish, and did it so well that before long the brook began its gay song again, and the water was clear enough for them to drink.
So the little rabbits got to work cleaning up the dirt and trash, and they did it so well that before long the brook started its cheerful song again, and the water was clear enough for them to drink.
Next day, however, the stream was filled up again, and they had all the work to do over, until their little paws ached. So when, on the third morning, they found the water as muddy as ever, they all sat down on the bank and cried.
Next day, though, the stream was blocked up again, and they had to redo all the work until their little paws hurt. So when, on the third morning, they found the water just as muddy as before, they all sat down on the bank and cried.
At last Frisky jumped up and said, "It is no use to cry over muddy water; but we must do something to punish this old rascal of a fox, and make him leave our brook alone."
At last, Frisky jumped up and said, "There's no point in crying over muddy water; we need to do something to punish that old rascal of a fox and make him stay away from our brook."
"But what can we do?" asked his brothers and sisters.
"But what can we do?" asked his siblings.
"Come with me, and I will show you."
"Come with me, and I'll show you."
So the little rabbits followed Frisky to a pile of tar and pitch that some men had left; and out of it they made a black tar baby, which they set up on a rock close by the edge of the brook, with a piece of gingerbread in its mouth; and when night came, and the moon shone bright, they all hid behind a tree to see what would happen.
So the little rabbits followed Frisky to a pile of tar and pitch that some guys had left behind; and out of it they made a black tar baby, which they placed on a rock near the edge of the brook, with a piece of gingerbread in its mouth; and when night fell, and the moon shone bright, they all hid behind a tree to see what would happen.
Pretty soon the old fox smelled the gingerbread, and spied the baby on the rock.
Pretty soon, the old fox caught the scent of the gingerbread and noticed the baby on the rock.
Then he came up close and said, "Little girl, little girl, give me a piece of your gingerbread, or I'll box your ears."
Then he came up close and said, "Hey there, little girl, give me a piece of your gingerbread, or I'll give you a smack."
The baby did not answer, so the old fox climbed up on the rock, and boxed her on the ear; and his paw stuck so fast he could not pull it away again.
The baby didn't respond, so the old fox jumped up on the rock and slapped her on the ear; and his paw got stuck so tightly that he couldn't pull it away.
Then he said, "Little girl, little girl, give me a piece of your gingerbread, or I'll box you on the other ear."
Then he said, "Hey, little girl, give me a piece of your gingerbread, or I'll smack you on the other side of your head."
The baby did not say a word, so he boxed her on the other ear, and his other paw stuck fast.
The baby didn’t say a word, so he slapped her on the other ear, and his other paw got stuck.
Then he said, "Little girl, little girl, give me a piece of your gingerbread, or I'll bite off your nose." Still the baby would not answer, so the fox bit at her nose; and his teeth stuck tight in the pitch, and he was almost choked with the tar.
Then he said, "Hey there, little girl, give me a piece of your gingerbread, or I'll bite off your nose." Still, the baby wouldn't respond, so the fox took a bite at her nose; and his teeth got stuck in the pitch, and he was almost choked by the tar.
The little rabbits then all came out and danced around the wicked old fox, saying, "Now you can't choke the pretty brook, for your own mouth is choked with tar!"
The little rabbits then all came out and danced around the wicked old fox, saying, "Now you can't choke the pretty brook, because your own mouth is stuffed with tar!"
At last Frisky asked, "Now what shall we do with him?"
At last, Frisky asked, "So what should we do with him now?"
"Leave him to starve," said one. "Set fire to his tail," said another. And they all proposed something, except Snowflake, the youngest and prettiest of the family, who said nothing until Frisky turned to her and asked, "And what would you do?"
"Let him starve," said one. "Burn his tail," said another. And they all suggested something, except Snowflake, the youngest and prettiest of the family, who said nothing until Frisky turned to her and asked, "So what would you do?"
"I should let him go," replied Snowflake, "if he would promise not to trouble the water again."
"I should let him go," replied Snowflake, "if he promises not to disturb the water again."
"Snowflake is right," said Frisky; "he has been punished enough. We will let him go."
"Snowflake is right," Frisky said. "He's already been punished enough. Let's let him go."
So they first loosened his mouth, and rubbed his teeth with butter to take off the tar, and when he had said three times, "Hope my tail may drop off if I ever hurt you or the brook again," they set his paws free, and he scampered off, and hid himself in his den in the wood.
So they first loosened his mouth and rubbed his teeth with butter to remove the tar. After he said three times, "I hope my tail falls off if I ever hurt you or the brook again," they released his paws, and he ran off and hid in his den in the woods.
And the little rabbits lived happy forever after.[Pg 310]
And the little rabbits lived happily ever after.[Pg 310]
Buffalo, New York.
Buffalo, NY.
I am a teacher in one of the public schools of this city. I take Harper's Young People to school with me, and my pupils enjoy it very much.
I’m a teacher in one of the public schools in this city. I bring Harper's Kids to school with me, and my students really enjoy it.
I have the oldest children in the building, and they can understand all of the pieces. I read them the articles as a reward for good behavior and well-learned lessons, and let them copy and work out the puzzles.
I have the oldest kids in the building, and they can understand all of the content. I read them the articles as a reward for good behavior and lessons well learned, and I let them copy and solve the puzzles.
It would please you to see how anxiously they wait for each new issue, and how happy they are when it comes. We are reading the touching story of "Biddy O'Dolan" now, and I hope it will lead them to think more about these unfortunate children, and try to do what they can to make the life of some one a little happier. Permit me to congratulate you on the success your paper has achieved both here and abroad.
It would make you happy to see how eagerly they wait for each new issue and how excited they are when it arrives. We're currently reading the moving story of "Biddy O'Dolan," and I hope it inspires them to think more about these unfortunate children and do whatever they can to make someone’s life a little happier. Let me congratulate you on the success your paper has achieved both here and overseas.
A Teacher.
A Teacher
Pinal City, Arizona Territory.
Pinal City, Arizona
I am a little girl ten years old. I live in Arizona, where the great silver mines are, and where the cactus grows forty feet high. There were only three white families in this place when we came, three years ago. The place was called Picket Post then, because soldiers were stationed here. I have several pets. Nuisance is my pet deer. She is almost two years old, and is as tame as my cat. She wears a red collar, so hunters will not kill her. Bub is my pet donkey. I love my Arizona pets very much, but not so much as my dear pet grandma, whom we left in Chicago. When papa strikes it rich, we are going home to her.
I’m a little girl, ten years old. I live in Arizona, home to the big silver mines and where the cactus can grow as tall as forty feet. When we arrived here three years ago, there were only three white families in the area. It was called Picket Post back then because soldiers were stationed here. I have several pets. Nuisance is my pet deer; she’s almost two years old and as friendly as my cat. She wears a red collar so hunters won’t shoot her. Bub is my pet donkey. I love my Arizona pets a lot, but not as much as my dear grandma, whom we left in Chicago. When Dad strikes it rich, we’re going back home to her.
Pearl R. Brown.
Pearl R. Brown.
Philadelphia, Pennsylvania.
Philly, PA.
I have had a great many different kinds of pets, but two that amused me the most were Charley, a snow-white rabbit, and Jet, a black kitten. The two were good friends, and played together, and ate out of the same dish. One day bunny stole a large red rose, and came running into the house with it in his mouth, and Jet at his heels. The deep red of the rose, the snowy rabbit, and black Jet made a picture pretty enough to paint. After a while bunny became very troublesome, and ate the paper off the dining-room wall as high as he could reach. Then he was sent away, and Jet seemed lonely for days. Soon after he disappeared, and my pets since have been birds and dogs, but none were brighter and prettier than Jet and Charley.
I’ve had a lot of different pets, but the two that brought me the most joy were Charley, a snow-white rabbit, and Jet, a black kitten. They were great friends, played together, and shared the same food bowl. One day, Charley took a big red rose and ran into the house with it in his mouth, with Jet chasing after him. The bright red of the rose, the white rabbit, and the black kitten made a scene beautiful enough to paint. After a while, Charley became quite a handful and chewed the wallpaper in the dining room as high as he could reach. So, he had to be sent away, and Jet seemed lonely for days. Soon after, he disappeared, and my pets since then have been birds and dogs, but none have been as bright and beautiful as Jet and Charley.
Aggie R. H.
Aggie R. H.
Philadelphia, Pennsylvania.
Philadelphia, PA.
The alligator I told you about [Post-office No. 19] was finally found in a dark corner of the cellar. It only lived two days after we found it.
The alligator I mentioned [Post-office No. 19] was finally discovered in a dark corner of the basement. It only lived two days after we found it.
Puss.
Puss.
Ishpeming, Michigan.
Ishpeming, Michigan.
In a late number of Young People, Edwin A. H. wrote about his cabinet of curiosities, and inquired if any other readers had one. I would like to tell him that my brother and I each has a small one.
In a recent issue of Youth, Edwin A. H. wrote about his cabinet of curiosities and asked if any other readers had one. I want to let him know that my brother and I each have a small one.
F. B. Myers.
F. B. Myers.
New York City.
NYC.
In answer to L. H. N.'s question in Young People No. 20, I would say that the whale is dead.
In response to L. H. N.'s question in Youth No. 20, I would say that the whale is dead.
John R. Blake.
John R. Blake.
Cambridge, Massachusetts.
Cambridge, MA
In Young People No. 18 there was a letter from Nellie R. asking what to do for her parrot. In Holden's book on birds I found if you feed your bird with too rich food, it causes a skin disease and an itching sensation which the bird tries to relieve by pulling out its feathers. The only remedy is to feed it on raw or boiled carrots, or well-roasted pea-nuts.
In Youth No. 18, there was a letter from Nellie R. asking what to do for her parrot. In Holden's book on birds, I found that feeding your bird too rich food can cause a skin disease and an itching sensation that the bird tries to relieve by pulling out its feathers. The only solution is to feed it raw or boiled carrots, or well-roasted peanuts.
Lydia R. F.
Lydia R. F.
New York City.
New York City.
I would like to have you tell E. L. M., of Washington, that the reason the mouse she used to feed is wild now is because mice are very shy, and when they can get their supper without going in danger, they will not take any foolish risk. Before E. L. M. fed the little fellow, I suppose he was almost starved, and did not think anything about getting hurt.
I want you to let E. L. M. in Washington know that the reason the mouse she used to feed is now wild is that mice are really shy. When they can get their meal without putting themselves in danger, they won’t take unnecessary risks. Before E. L. M. fed that little guy, I guess he was nearly starving and didn’t think about getting hurt at all.
Mabel H. B.
Mabel H. B.
Enterprise, Mississippi.
Enterprise, MS.
I read Young People every week, and I like it very much. I am now reading "Biddy O'Dolan." We have not had any snow and ice here this winter, so we can not make snow images and skate, like our little friends in the North. But we find other ways to amuse ourselves. Our flowers are blooming very pretty. I wish I could give you one of our fresh bouquets.
I read Youth every week, and I really enjoy it. Right now, I'm reading "Biddy O'Dolan." We haven't had any snow or ice here this winter, so we can't make snowmen or skate like our little friends up North. But we find other ways to have fun. Our flowers are blooming beautifully. I wish I could give you one of our fresh bouquets.
Addie Chambers.
Addie Chambers.
Old Westbury, Long Island.
Old Westbury, Long Island
This morning I made cake from Puss Hunter's recipe in Young People No. 19. Mamma measured the things; but I made it all myself, and it was lovely. I hope some other little girl will try it. I baked it in two saucers. One cake we ate, and the other I cut in two, and sent a piece to each of my grandmothers. I have a little brother Sam. He is six years old, and the dearest little fellow in the world. He and I have a nice dog. He is a pointer, and his name is Perie. He is very handsome, but he is very naughty to cats. He chases and kills them, so we can not have a kitty. I have six dolls—three are French, and three are wax.
This morning I made a cake using Puss Hunter's recipe from Youth No. 19. Mom measured the ingredients, but I did all the mixing and baking myself, and it turned out great. I hope some other little girl will give it a try. I baked it in two saucers. We ate one cake, and I cut the other one in half and sent a piece to each of my grandmothers. I have a little brother named Sam. He's six years old and the sweetest little guy in the world. He and I have a nice dog. He’s a pointer, and his name is Perie. He’s really good-looking, but he’s very bad with cats. He chases and kills them, so we can’t have a kitten. I have six dolls—three are French, and three are wax.
Nellie T. Willets (8 years).
Nellie T. Willets (8 yrs).
Fort Preble, Portland, Maine.
Fort Preble, Portland, Maine.
I thought you might be interested to hear about some Indians who were confined in the old Spanish fort at St. Augustine, Florida, when I was there. They were sent from the West, as disturbers of the friendly relations between us and their tribes. When they first came they looked very wild and savage, with their red blankets, and long black hair, of which the men were very proud: but when they went away their hair was short; they wore shoes and collars and neck-ties, and the United States uniform. They behaved so well that they were allowed to post their own sentinels, were drilled by the officer in charge of them, and made a very respectable company. Many of them learned to read and write, and a large number are now at school in Pennsylvania.
I thought you might be interested in hearing about some Native Americans who were held in the old Spanish fort at St. Augustine, Florida, when I was there. They had been sent from the West for causing trouble in the friendly relations between us and their tribes. When they first arrived, they looked very wild and fierce, with their red blankets and long black hair, which the men took great pride in. However, when they left, their hair was short; they were wearing shoes, collars, neckties, and the United States uniform. They behaved so well that they were allowed to assign their own guards, were trained by the officer in charge, and formed a very respectable company. Many of them learned to read and write, and a large number are now attending school in Pennsylvania.
Campbell Hamilton.
Campbell Hamilton.
Groesbeck, Ohio.
Groesbeck, Ohio.
My cousin Harry and I found some pepper-and-salt (or erigenia, as my big sister calls it) on the east side of a hill in our woods on the 28th of February. We also found spring-beauties and pepper-root in bud. I never found wild flowers so early before. Last year we found the first on the 11th of March.
My cousin Harry and I found some pepper-and-salt (or erigenia, as my older sister calls it) on the east side of a hill in our woods on February 28th. We also discovered spring beauties and pepper root starting to bud. I’ve never found wildflowers this early before. Last year, we found the first ones on March 11th.
Hazie Poole.
Hazie Poole
Gallipolis, Ohio.
Gallipolis, OH.
I am seven and a half years old, and I go to school. I had a canary named Sweet. It died, and I buried it under the kitchen window. I take Young People, and like the Post-office best of all. My cousin Lizzie made me a fire-fly out of pasteboard, and it flies nicely.
I’m seven and a half years old, and I go to school. I had a canary named Sweet. It died, and I buried it under the kitchen window. I take Young Adults, and I like the Post-office best of all. My cousin Lizzie made me a firefly out of cardboard, and it flies really well.
Herbert H. Henking.
Herbert H. Henking.
Topeka, Kansas.
Topeka, Kansas.
I am a subscriber to Young People. I think it is a very nice paper. I have a little pet antelope, and we feed it out of a bottle.
I subscribe to Youth. I think it's a really great magazine. I have a pet antelope, and we feed it with a bottle.
Henry Blakesley.
Henry Blakesley.
Philadelphia, Pennsylvania.
Philadelphia, PA.
When I was four years old we had a young mule. The day it was born my brother and I were going to see a little friend who lived near us. I asked mamma if the mule could not go too, because it looked very anxious to go. After that we always called it the anxious mule.
When I was four years old, we had a young mule. The day it was born, my brother and I were heading to visit a little friend who lived nearby. I asked Mom if the mule could come along too, because it seemed really eager to go. After that, we always called it the anxious mule.
Walter H. C. (9 years).
Walter H. C. (9 years).
Eldred, New York, March 10.
Eldred, NY, March 10.
The picture of a little girl pulling the Chinaman's pigtail, and asking if it would ring, amused us very much, for it reminded us of something that happened to my little brother. He went with papa and mamma to the Centennial Exhibition. At first he was very shy of the life-size groups dressed in the costumes of different countries; but when he found they were not alive, he would go and examine them very closely. When he visited the Chinese Department, a gentleman stood there in full Chinese costume. The little fellow ran up and touched his dress, thinking he was a figure like the others, and was frightened almost to death when the supposed figure stooped down and patted his cheek. Willow "pussies" were here two weeks ago.
The picture of a little girl tugging on the Chinaman's pigtail and asking if it would ring really entertained us because it reminded us of something that happened to my little brother. He went with Mom and Dad to the Centennial Exhibition. At first, he was really shy around the life-size groups dressed in the costumes from different countries, but once he realized they weren't real, he would go and look at them closely. When he got to the Chinese Department, there was a man dressed in full Chinese attire. The little guy ran up and touched his outfit, thinking he was just another figure, and was nearly scared to death when the supposed statue bent down and patted his cheek. Willow "pussies" were here two weeks ago.
Elizabeth E. Beck (10 years).
Elizabeth E. Beck (10 years old).
St. Louis, Missouri.
St. Louis, MO.
I like Young People very much. My father is a clergyman, and he says it is a good paper for boys and girls. I like to make "Wiggles." I made a big pig from No. 9, but it was very crooked, and looked like a calf. When I get to be a man, I will learn to print newspapers, and I will put in lots of "Wiggles." I like the new story, "Across the Ocean," very much.
I really like Youth. My dad is a clergyman, and he says it's a great publication for kids. I enjoy making "Wiggles." I created a big pig from No. 9, but it turned out really crooked and looked more like a calf. When I grow up, I want to learn how to print newspapers, and I'll include lots of "Wiggles." I really enjoy the new story, "Across the Ocean."
Theo. F. John.
Theo F. John
Hastings, Minnesota.
Hastings, MN.
In our school we use Harper's Young People for a reader, and we all like it so much. We had a lesson to-day about "Tracking a buried River." On Saturday before Washington's Birthday our teacher let us have a school party. He bought candy and oranges for us, and the boys and girls brought pies and cake. Some of the teachers from the other schools came, and we set a table, and made tea.
In our school, we use Harper's Young Readers as our reading material, and we all really enjoy it. Today we had a lesson about "Tracking a Buried River." On the Saturday before Washington's Birthday, our teacher organized a school party for us. He bought candy and oranges, and the boys and girls brought pies and cakes. Some teachers from other schools joined us, and we set up a table and made tea.
Lucy A. T.
Lucy A. T.
Xenia, Ohio, March. 8, 1880.
Xenia, Ohio, March 8, 1880.
I have been to a sugar camp, and I saw how maple sugar is made. When I did not want to stay in the camp, I ran over the hills, and I went with the boys on the sled to gather sap, and I found some pretty moss and flowers. When they made sugar, one of the boys made me a little wooden ladle to eat it with.
I’ve been to a sugar camp and saw how they make maple sugar. When I didn’t want to stay at the camp, I ran over the hills and joined the boys on the sled to collect sap, and I found some beautiful moss and flowers. When they made the sugar, one of the boys made me a little wooden ladle to eat it with.
Jessa Hooven.
Jessa Hooven.
Fort Concho, Texas.
Fort Concho, Texas
I wish that every boy and girl would read Harper's Young People, for I like it very much. I like the puzzle part best of all. I have read Bertie Brown's letter. I live at an army post too, but there are no Indians here. We have prairie-dogs, all kinds of cactus, and mesquite-trees. I have seen some big tarantulas, too. I go to the post school every day. We have good times out here. I am a little over ten years old.
I hope that every boy and girl reads Harper's Kids, because I really enjoy it. I like the puzzle section the most. I’ve read Bertie Brown's letter. I live at a military post too, but there aren’t any Indians here. We have prairie dogs, all sorts of cacti, and mesquite trees. I’ve also seen some big tarantulas. I go to the post school every day. We have a lot of fun out here. I’m just over ten years old.
Arthur W. Dunbar.
Arthur W. Dunbar.
New York City.
NYC.
I would like to inquire if the pupils of a big school, of which I am one, each send a short story, essay, poem, or a drawing to Young People, if the one the editors think the best would be published, with the name of the author.
I’d like to ask if the students of a large school, of which I’m one, each send a short story, essay, poem, or drawing to Youth, would the one the editors consider the best be published, along with the author's name?
B.
B.
We will publish such contributions, giving full name and address of author. But before being sent, the stories, poems, essays, and drawings must be submitted to your teacher, and only those forwarded to us which the teacher considers the best. We will ourselves make the final decision. The copy must be neatly written, and on one side of the paper only.
We will publish these contributions, providing the full name and address of the author. However, before sending them, the stories, poems, essays, and drawings must be submitted to your teacher, and only those that the teacher considers the best will be forwarded to us. We will make the final decision ourselves. The submission should be neatly written and printed on one side of the paper only.
Arthur M. M.—There will be a table of contents published at the end of every volume of Young People.
Arthur M. M.—There will be a table of contents published at the end of each volume of Youth.
Harry S.—An answer to your question would occupy too much space in this department. It will, however, be made the subject of a separate article in some future number of Young People.
Harry S.—Answering your question would take up too much space here. However, it will be covered in a separate article in an upcoming issue of Youth.
J. U. B.—Any taxidermist will give you the desired information.
J.U.B.—Any taxidermist can provide you with the information you need.
Jessie S.—The great Greenland whale which is found in the Northern Ocean has a throat so small that it can not swallow anything larger than a herring. Its principal food consists of a small marine mollusk, about an inch and a half long. It catches its dinner by rushing through the water with its immense jaws wide open. When its mouth is full, it ejects the water, while the whalebone fringe with which it is provided catches all the little sea-creatures, which serve as food for the monster. The sperm-whale has a much larger throat, and is said to be able to swallow a man.
Jessie S.—The giant Greenland whale found in the Northern Ocean has such a small throat that it can't swallow anything bigger than a herring. Its main diet consists of a small marine mollusk about an inch and a half long. It catches its meals by speeding through the water with its enormous jaws wide open. Once its mouth is full, it pushes out the water while the whalebone fringe inside catches all the tiny sea creatures that serve as food for the giant. The sperm whale has a much larger throat and is said to be able to swallow a person.
Charles H. B.—There are so many kinds of worms, snakes, and other little creatures which may be the architects of the holes you have noticed, that you had better dig open some of the little dwellings, and see what you can find. Dig very carefully, and send word to Young People's Post-office if you discover anything curious.
Charles H. B.—There are many different kinds of worms, snakes, and other small creatures that could be responsible for the holes you've seen, so it might be a good idea to gently dig into some of those little homes and see what you uncover. Dig carefully, and let the Youth's Post-office know if you find anything interesting.
Birdie S.—Thanks for your very kind notice, but your pretty puzzle is so complimentary to ourselves that we can not print it.
Birdie S.—Thanks for your thoughtful message, but your lovely puzzle is so flattering to us that we can’t publish it.
Emmet M. L.—The American, your amateur paper, is very neatly printed, and well made up.
Emmet M. L.—The American, your hobbyist magazine, is printed very neatly and put together well.
Marie L.—The extra number of brakes on Mount Washington steam-engines is to increase the safety of the descent.
Marie L.—The additional brakes on Mount Washington steam engines are there to enhance the safety of the descent.
Sallie Floyd reports Japan quinces in bloom at Carthage, Missouri, on March 7; Nellie Sands, of Lawrence, Kansas, writes that robins and redbirds have lived all winter in the evergreens in her garden; "Henry," of Philadelphia, says the dandelions have been in bloom almost all the time; and Lillie Cassiday writes that it snowed hard on March 14 and 18 in Winterset, Iowa—the only snow of the winter in that locality.
Sallie Floyd reports that Japanese quinces are blooming in Carthage, Missouri, on March 7; Nellie Sands, from Lawrence, Kansas, writes that robins and cardinals have stayed throughout the winter in the evergreens in her garden; "Henry," from Philadelphia, mentions that dandelions have been blooming almost continuously; and Lillie Cassiday notes that it snowed heavily on March 14 and 18 in Winterset, Iowa—the only snowfall of the winter in that area.
Lizzie S. S.—You can make an Æolian harp of a box of thin pine. The box should be the length of your window, about five inches broad, and three deep. Put a row of hitch pins at one end, and tuning pins at the other, and two narrow bridges of hard wood about two inches within the pins, over which to stretch the strings. Eight strings will make a good harp. They should be of catgut, and if you tune them in unison, the sound will be sweeter than if they are tuned in thirds or fifths. The tension should be rather slack. The ends of the box[Pg 311] should be raised about an inch above the strings to support a thin pine board upon which the window rests. The draught of air passes over the strings stretched midway between the upper board and the sound-board, which should have two round holes cut in it. The harp will sound sweeter if placed in a window which is struck obliquely by the wind.
Lizzie S. S.—You can make an Aeolian harp from a thin pine box. The box should be the length of your window, about five inches wide, and three inches deep. Attach a row of hitch pins at one end and tuning pins at the other, along with two narrow bridges of hard wood about two inches in from the pins, over which to stretch the strings. Eight strings work well for the harp. They should be made of catgut, and if you tune them to the same pitch, the sound will be sweeter than if tuned in thirds or fifths. The tension should be fairly loose. The ends of the box[Pg 311] should be raised about an inch above the strings to hold up a thin pine board on which the window rests. The airflow goes over the strings that are stretched halfway between the upper board and the soundboard, which should have two round holes cut into it. The harp will sound better if it’s placed in a window where the wind hits it at an angle.
Charlie Cubbery, Lizzie Brown, Blanche T. S., Grace Roberts, Lizzie Falconer, and M. M. Coleman write pretty stories of gold-fish, canaries, turtles, goats, and other pets, which we sincerely regret we have no room to print.
Charlie Cubbery, Lizzie Brown, Blanche T. S., Grace Roberts, Lizzie Falconer, and M. M. Coleman write charming stories about goldfish, canaries, turtles, goats, and other pets, which we truly regret we don’t have space to publish.
PUZZLES FROM YOUNG CONTRIBUTORS.
No. 1.
ENIGMA.
My first is in swine, but not in cow.
My second is in quarrel, but not in row.
My third is in rip, but not in tear.
My fourth is in pretty, but not in fair.
My fifth is in herb, but not in root.
My sixth is in inch, but not in foot.
My seventh is in rake, but not in hoe.
My eighth is in yes, but not in no.
My whole is a precious stone.
Katie.
My first letter is in pig, but not in cow.
My second is in argument, but not in battle.
My third is in rip, but not in tear.
My fourth letter is in "lovely," but not in "fair."
My fifth letter is in plant, but not in root.
My sixth letter is in inch, but not in foot.
My seventh letter is in "rake," but not in "hoe."
My eighth letter is in yes, but not in no.
My entire being is a precious gem.
Katie.
No. 2.
WORD SQUARE.
First, not any. Second, a part of a stove. Third, necessity. Fourth, extremities.
First, not any. Second, a part of a stove. Third, necessity. Fourth, extremities.
Louisa.
Louisa.
No. 3.
DIAMOND PUZZLE.
A consonant. A pronoun. A dwelling. Utility. A vowel.
A consonant. A pronoun. A place to live. Function. A vowel.
Reginald F.
Reginald F.
No. 4.
DOUBLE ACROSTIC.
Cunning. Something always found on board of ships. An article used in soap-making. A girl's name. Something good to eat. A number. The name of a large river. Answer—Capitals of two of the United States.
Cunning. Something you always find on ships. An ingredient used in making soap. A girl's name. Something tasty. A number. The name of a big river. Answer—Capitals of two of the United States.
Johnny R. G.
Johnny R. G.
No. 5.
NUMERICAL CHARADE.
I am composed of 19 letters.
My 9, 7, 3, 5, 10 is an animal.
My 19, 15, 16 is a problem.
My 2, 4, 6 is to strike.
My 16, 4, 1, 10 are small animals.
My 8, 7, 6 is an article of kitchen furniture.
My 14, 18, 16, 17, 10, 11 is used in building.
My 12, 13, 6 is a small bed.
My whole is the name of an eminent navigator.
George B.
I have 19 messages.
My 9, 7, 3, 5, 10 represents an animal.
My 19, 15, 16 signifies a problem.
My 2, 4, 6 means to hit.
My 16, 4, 1, 10 are small animals.
My 8, 7, 6 is a piece of kitchen furniture.
My 14, 18, 16, 17, 10, 11 is a tool used in construction.
My 12, 13, 6 refers to a small bed.
My full name is that of a well-known navigator.
George B.
No. 6.
WORD SQUARE.
First, parts of the fingers. Second, a girl's name. Third, the name of a line of ocean steamers. Fourth, deceivers. Fifth, understanding.
First, finger parts. Second, a girl's name. Third, the name of an ocean liner company. Fourth, tricksters. Fifth, insight.
Harry Van A.
Harry Van A.
ANSWERS TO PUZZLES IN NO. 20.
No. 1.
Rio do la Plata.
Rio de la Plata.
No. 2.
C | or | D |
O | do | R |
W | h | Y |
P | lai | D |
E | mbrac | E |
R | ai | N |
Cowper, Dryden.
Cowper, Dryden.
No. 3.
Orion.
Orion constellation.
No. 4.
F | A | L | L | |||
S | E | A | T | |||
T | R | I | M | |||
K | E | E | P |
No. 5.
S | T | E | P |
T | I | D | E |
E | D | I | T |
P | E | T | S |
No. 6.
A | ||||
A | P | E | ||
A | P | P | L | E |
E | L | I | ||
E |
A Personation, on page 264—Charles the First of England.
A Personation, on page 264—Charles I of England.
Favors are acknowledged from A. A. Gilmore, Jun., Bessie Comstock, J. A. Bokee, Roscoe C., Thad and Jennie V., Pearl L. M., Willie MacMahan, Richard Graham, H. B. N., M. H. Tod., Grace Putnam, Bessie T., L. A. Barry, William B. B., Louis Pomeroy, H. S. T., Mary L. B., Barton Scales, C. D. H., Willie Everett, Bertie Wheeler, S. M. Nelson, Nick O. D., Clara Commons, Maggie Zane, Mary Maxey, Edith Cragg, Abbie Parkhurst, Arthur Ellis, James Penner, Fannie Hartwell, Ada Hathaway, Arthur Jones, Beatrice Gower, Jessie Evans, Vince Applegate, Sallie Walton, H. A. Forster, G. C. Leiber, Beecher Stephens, L. C. M., Fred Anderson, Jessie Kelsey.
Favors are acknowledged from A. A. Gilmore, Jr., Bessie Comstock, J. A. Bokee, Roscoe C., Thad and Jennie V., Pearl L. M., Willie MacMahan, Richard Graham, H. B. N., M. H. Tod., Grace Putnam, Bessie T., L. A. Barry, William B. B., Louis Pomeroy, H. S. T., Mary L. B., Barton Scales, C. D. H., Willie Everett, Bertie Wheeler, S. M. Nelson, Nick O. D., Clara Commons, Maggie Zane, Mary Maxey, Edith Cragg, Abbie Parkhurst, Arthur Ellis, James Penner, Fannie Hartwell, Ada Hathaway, Arthur Jones, Beatrice Gower, Jessie Evans, Vince Applegate, Sallie Walton, H. A. Forster, G. C. Leiber, Beecher Stephens, L. C. M., Fred Anderson, Jessie Kelsey.
Correct answers to puzzles are received from Herbert Parmenter, C. H. Gilson, H. and B., Lulu Pearce, Mary Nesmith, A. L. Bliss, A. H. Bechtold, C. F. Langton, "Blind Floretta," Aggie R. H., Charlie A. P., Louise Gates, "Jupiter," Isabel and Marion Copeland, Johnny Glen, May S., John Blake, Fannie and Belle M., Gertrude H., Stella and Harry M., James Smith, E. S. Robinson, F. B., Jennie S., Effie Talboys, C. Frank H., "Sleepy Dick," Willie Kurtz, Helen Mackay, Florence MacCulley, George Duncan, Fannie MacCulley, Edward Keeler, John G. M., John MacClintock, Stella, William Lewis, Mary Liddy, Mary Randal, Mabel Hatfield, Marguerite Bucknall, G. C., Charlie Rosenberg.
Correct answers to puzzles are provided by Herbert Parmenter, C. H. Gilson, H. and B., Lulu Pearce, Mary Nesmith, A. L. Bliss, A. H. Bechtold, C. F. Langton, "Blind Floretta," Aggie R. H., Charlie A. P., Louise Gates, "Jupiter," Isabel and Marion Copeland, Johnny Glen, May S., John Blake, Fannie and Belle M., Gertrude H., Stella and Harry M., James Smith, E. S. Robinson, F. B., Jennie S., Effie Talboys, C. Frank H., "Sleepy Dick," Willie Kurtz, Helen Mackay, Florence MacCulley, George Duncan, Fannie MacCulley, Edward Keeler, John G. M., John MacClintock, Stella, William Lewis, Mary Liddy, Mary Randal, Mabel Hatfield, Marguerite Bucknall, G. C., Charlie Rosenberg.
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The best compilation of songs for the children that we have ever seen.—New Bedford Mercury.
The best collection of songs for kids that we've ever come across.—New Bedford Mercury.
This is a large collection of songs for the nursery, for childhood, for boys and for girls, and sacred songs for all. The range of subjects is a wide one, and the book is handsomely illustrated.—Philadelphia Ledger.
This is a huge collection of nursery songs for kids, for boys and girls, and religious songs for everyone. The topics covered are quite diverse, and the book is beautifully illustrated.—Philadelphia Ledger.
It contains some of the most beautiful thoughts for children that ever found vent in poesy, and beautiful "pictures to match."—Chicago Evening Journal.
It has some of the most beautiful ideas for kids that have ever been expressed in poetry, along with stunning "pictures to match."—Chicago Evening Journal.
An excellent anthology of juvenile poetry, covering the whole range of English and American literature.—Independent, N. Y.
An outstanding collection of children's poetry that spans the entire spectrum of English and American literature.—Independent, N. Y.
Songs for the nursery, songs for childhood, for girlhood, boyhood, and sacred songs—the whole melody of childhood and youth bound in one cover. Full of lovely pictures; sweet mother and baby faces; charming bits of scenery, and the dear old Bible story-telling pictures.—Churchman, N. Y.
Songs for the nursery, songs for childhood, for girls, boys, and sacred songs—the entire melody of childhood and youth collected in one book. Filled with beautiful illustrations; sweet mother-and-baby portraits; delightful scenes, and the beloved old Bible story pictures.—Churchman, N. Y.
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With Sixty-one Illustrations by W. Harvey.
With 61 illustrations by W. Harvey.
The Children's Picture-Book of Quadrupeds and other Mammalia.
With Sixty-one Illustrations by W. Harvey.
With 61 illustrations by W. Harvey.
Published by HARPER & BROTHERS, New York.
☞ Sent by mail, postage prepaid, to any part of the United States, on receipt of the price.
Old Books for Young Readers.
Arabian Nights' Entertainments.
The Thousand and One Nights; or, The Arabian Nights' Entertainments. Translated and Arranged for Family Reading, with Explanatory Notes, by E. W. Lane. 600 Illustrations by Harvey. 2 vols., 12mo, Cloth, $3.50.
The Thousand and One Nights; or, The Arabian Nights' Entertainments. Translated and Arranged for Family Reading, with Explanatory Notes, by E.W. Lane. 600 Illustrations by Harvey. 2 vols., 12mo, Cloth, $3.50.
Robinson Crusoe.
The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner. By Daniel Defoe. With a Biographical Account of Defoe. Illustrated by Adams. Complete Edition. 12mo, Cloth, $1.50.
The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner. By Daniel Defoe. With a Biographical Account of Defoe. Illustrated by Adams. Complete Edition. 12mo, Cloth, $1.50.
The Swiss Family Robinson.
The Swiss Family Robinson; or, Adventures of a Father and Mother and Four Sons on a Desert Island. Illustrated. 2 vols., 18mo, Cloth, $1.50.
The Swiss Family Robinson; or, Adventures of a Father and Mother and Four Sons on a Desert Island. Illustrated. 2 volumes, 18mo, Cloth, $1.50.
The Swiss Family Robinson—Continued: being a Sequel to the Foregoing. 2 vols., 18mo; Cloth, $1.50.
The Swiss Family Robinson—Continued: a Sequel to the Foregoing. 2 vols., 18mo; Cloth, $1.50.
Sandford and Merton.
The History of Sandford and Merton. By Thomas Day. 18mo, Half Bound, 75 cents.
The History of Sandford and Merton. By Thomas Day. 18mo, Half Bound, $0.75.
Published by HARPER & BROTHERS, New York.
☞ Sent by mail, postage prepaid, to any part of the United States, on receipt of the price.

THE BOSSY PUZZLE.
Re-arrange this picture so as to get a rustic group out of it. It is left to your own ingenuity to find out of what the group consists.
Rearrange this picture to create a rustic group from it. It's up to your creativity to figure out what the group consists of.
HOW TO MAKE INDIANS AND MICE.
BY BESSIE GUYTON.
Figs and raisins seem very queer things to make an Indian of; but with a bit of wire, two figs, a handful of raisins, a few feathers, a dash of red and blue paint, a piece of red flannel, and two beads, a very savage old fellow can be produced.
Figs and raisins might seem like strange items to turn someone into an Indian, but with a little wire, two figs, a handful of raisins, a few feathers, a splash of red and blue paint, a piece of red flannel, and two beads, you can create a pretty fierce-looking character.
Take a piece of fine wire fourteen or fifteen inches long, and draw it through a round, plump fig, pushing the fig to the middle; bend the wire together, and slip one large raisin on the double wire, close to the fig: now we have the head and neck. Spread the wires, and put through a fig larger than the head, for the body; fill both wires with raisins, for the legs, turning up the length of one for the feet; pass a piece of wire three or four inches long through the upper part of the body fig, and string both ends with raisins, which makes the arms, with a turn on the ends for the hands. Stick a few feathers around the head (a duster can be robbed for the purpose), set black or white beads for eyes (peas or beans have a very startling effect when large eyes are required). Make use of your paint-box for mouth, nose, brows, war-paint, etc., according to taste, pin a square of bright flannel about the shoulders, and you have an alarmingly startling likeness of a Pi-ute chief. A boy handy with his penknife can add a wooden tomahawk.
Take a piece of fine wire about fourteen or fifteen inches long and thread it through a round, plump fig, pushing the fig to the center. Bend the wire together and slide one large raisin onto the double wire, close to the fig; now we have the head and neck. Spread the wires apart and thread a fig that’s larger than the head onto them for the body. Fill both wires with raisins to make the legs, turning up one end for the feet. Pass a piece of wire three or four inches long through the upper part of the body fig and string both ends with raisins to create the arms, twisting the ends for the hands. Attach a few feathers around the head (you can borrow them from a duster), set black or white beads for eyes (large peas or beans can look really dramatic for big eyes). Use your paint set to add details like the mouth, nose, eyebrows, war paint, etc., based on your preference. Pin a square of bright flannel around the shoulders, and you’ll have a surprisingly accurate likeness of a Pi-ute chief. A boy who's good with a penknife can add a wooden tomahawk.
Apple seeds can be converted into the "cutest little mice imaginable by following these directions:
Apple seeds can be turned into the "cutest little mice you can imagine" by following these instructions:
With a fine needle draw black sewing silk through the pointed end of a good fat apple seed, and clip it short enough to appear a proper length for ears; then with a sharp penknife shave a narrow strip from the under or flat side of the seed, and turn it out at the other end for the tail. Now pass the needle through a white card, and through the seed near the tail, and again through the card, and draw down snugly to the card; repeat the same at the ear end, and the little chap stands on all fours, a very realistic mouse. Two or three tiny muslin bags, filled with cotton, marked, "The malt that lay in the house that Jack built," and sewed on one corner of the card, with half a dozen or so of these miniature pests headed toward it, furnish a very unique trifle, the making of which will give an hour's pleasure.
With a fine needle, thread black sewing silk through the pointed end of a good, plump apple seed, and cut it short enough to look like a proper ear; then use a sharp knife to shave a narrow strip from the flat side of the seed and turn it out at the other end for the tail. Now, pass the needle through a white card, then through the seed near the tail, and back through the card, tightening it down against the card; do the same at the ear end, and the little guy stands on all fours, looking like a very realistic mouse. Two or three tiny muslin bags filled with cotton, labeled "The malt that lay in the house that Jack built," sewn onto one corner of the card, with half a dozen or so of these miniature pests heading toward it, make for a very unique little toy, and creating it will give you an hour of pleasure.
ANSWER TO THE PUZZLE OF THE TRAMP TRANSFORMED.
The Tramp Puzzle given in Young People No. 20 is solved as follows: The dotted line A B indicates the cut you are to make with the scissors. The brim of the man's hat, his pipe, and his nose will fit into the spaces C, D, and E. The other piece off the hat represents the sea-cow. The few lines marked F represent the reflection of the sea-cow in the water.
The Tramp Puzzle in Young Adults No. 20 is solved like this: The dotted line A B shows where you should cut with the scissors. The brim of the man's hat, his pipe, and his nose will fit into the spaces C, D, and E. The other piece of the hat represents the sea-cow. The few lines marked F indicate the reflection of the sea-cow in the water.

Tricking Bruin.—The Laps and Finns have an idea that when they kill an animal it has the power of haunting them if it condescends to take that advantage. When therefore they have slain a bear, they surround the body and utter loud lamentations; expressive of the deepest regret. Presently one of them asks, in pitying tones, "Who killed thee, poor creature? Who destroyed thy beautiful life?" Another of the party replies on behalf of the bear, "It was the wicked Swede who lives across the mountain!" And there is a chorus of "What a cruel deed! What a dreadful crime!"
Tricking Bruin.—The Laps and Finns believe that when they kill an animal, it has the ability to haunt them if it decides to take that route. So when they have killed a bear, they gather around the body and express loud cries of sorrow, showing deep regret. Soon one of them asks, in sympathetic tones, "Who killed you, poor creature? Who took your beautiful life?" Another member of the group responds on behalf of the bear, "It was the wicked Swede who lives across the mountain!" And there is a chorus of "What a cruel act! What a terrible crime!"

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