This is a modern-English version of Punch or the London Charivari, Vol. 147, July 8, 1914, originally written by Various.
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PUNCH,
OR THE LONDON CHARIVARI.
VOLUME 147
July 8, 1914
CHARIVARIA.
Lord Brassey is said to be annoyed at the way in which his recent adventure at Kiel was exaggerated. He landed, it seems, on the mole of the Kaiser Dockyard, not noticing a warning to trespassers—and certain of our newspapers proceeded at once to make a mountain out of the mole.
Lord Brassey is reportedly frustrated with how much his recent experience at Kiel has been blown out of proportion. He apparently stepped onto the mole of the Kaiser Dockyard without seeing a warning for trespassers—and some of our newspapers immediately turned a minor incident into a major scandal.
Mr. Roosevelt's American physician, Dr. Alexander Lambert, has confirmed the advice of his European physicians that the ex-President must have four months' rest and must keep out of politics absolutely for that period; and it is said that President Wilson is also of the opinion that the distinguished invalid owes it to his country to keep quiet for a time.
Mr. Roosevelt’s American doctor, Dr. Alex Lambert, has confirmed the recommendation from his European doctors that the Former president needs four months of rest and must stay completely away from politics during that time. It's also said that President Wilson believes the notable patient owes it to his country to remain silent for a while.
At the farewell banquet to Lord Gladstone members of the Labour Unions surrounded the hotel and booed loudly with a view to making the speeches inaudible. As the first serious attempt to protect diners from an orgy of oratory this incident deserves recording.
At the farewell banquet for Lord Gladstone, members of the Labour Unions surrounded the hotel and booed loudly to drown out the speeches. This was the first serious attempt to shield diners from an overwhelming amount of speeches, so this incident is worth noting.
There appear to have been some amusing misfits in the distribution of prizes at the recent Midnight Ball. For example a young lady of pronounced sobriety, according to The Daily Chronicle, secured a case of whisky and went about asking if she could get it changed for perfume. Whisky is, of course, essentially a man's perfume.
There seem to have been some funny mix-ups in the prize distribution at the recent Midnight Ball. For instance, a young woman known for her seriousness, according to The Daily Chronicle, won a case of whiskey and went around asking if she could swap it for perfume. Whiskey is, of course, basically a man’s fragrance.
There are One Woman Shows as well as One Man Shows in these days. An invitation to be present at a certain function in connection with a certain charitable institution announces:—
There are One Woman Shows as well as One Man Shows these days. An invitation to attend a specific event related to a particular charitable organization announces:—
"Athletic Sports and Distribution of Prizes by Lady —— ——."
"Athletic Competitions and Prize Distribution by Woman —— ——."
Some surprise is being expressed in non-legal circles that the actress who lost the case which she brought against Sandow, Limited, for depicting her as wearing one of their corsets, did not apply for stays of execution.
Some people are surprised in non-legal circles that the actress who lost her case against Sandow, Ltd. for depicting her in one of their corsets didn't apply for a stay of execution.
Quite a number of our picture galleries are now closed, and it has been suggested that, with the idea of reconciling the public to this state of affairs, there shall be displayed conspicuously at the entrance to the buildings the reminder, "Ars est celare artem."
Quite a few of our art galleries are now closed, and it's been suggested that, to help the public accept this situation, we should prominently display at the entrance to the buildings the reminder, "Ars est celare artem."
The Gentlewoman, by the way, which is publishing a series of articles entitled "Woman's Work at the 1914 Academy," omits to show us photos of Mr. Sargent's and Mr. Clausen's paintings after certain women had worked upon them.
The Gentlewoman, by the way, is publishing a series of articles called "Women's Work at the 1914 Academy," but it fails to show us photos of Mr. Sargent's and Mr. Clausen's paintings after certain women had worked on them.
The Admiralty dismisses as "a silly rumour" the report that one of our new first-class destroyers is to be named The Suffragette.
The Admiralty brushes off the claim that one of our new first-class destroyers will be named The Suffragette as "a silly rumor."
In Mr. Stephen Phillips' play, The Sin of David, we are to see Cavaliers and Roundheads. This will be a welcome change, for in most of the theatres nowadays one sees a preponderance of Deadheads.
In Mr. Stephen Phillips play, The Sin of David, we will see Cavaliers and Roundheads. This will be a refreshing change, as most theaters today are filled with Deadheads.
Once upon a time Red Indians used to kidnap Whites. Last week, Mrs. W. Bowman Cutter, a wealthy widow of seventy, living at Boston, Massachusetts, eloped with her 21-year-old Red-skin chauffeur.
Once upon a time, Native Americans would abduct white people. Last week, Mrs. W. Bowman Cutter, a wealthy 70-year-old widow living in Boston, Massachusetts, ran away with her 21-year-old Native American chauffeur.
A memorial to a prize-fighter who was beaten by Tom Sayers was unveiled at Nottingham last week. Should this idea of doing honour to defeated British heroes spread to those of to-day our sculptors should have a busy time.
A memorial for a prize-fighter who was defeated by Tom Sayers was revealed in Nottingham last week. If this trend of honoring fallen British heroes continues today, our sculptors will have their hands full.
A visitor to Scarborough nearly lost his motor-car in the sands at Filey last week: it sank up to the bonnet and was washed by the sea before it was hauled to safety by four horses. Neptune is said to have been not a little annoyed at the car's escape, as he realises that his old chariot drawn by sea-horses is now sadly démodé.
A visitor to Scarborough almost lost his car in the sands at Filey last week: it got stuck up to the hood and was washed by the sea before being pulled to safety by four horses. Neptune is said to have been quite annoyed at the car's escape, as he realizes that his old chariot drawn by sea-horses is now sadly outdated.
A new organisation, called "The League of Wayfarers," has been formed. Its members apparently consist of "child policemen," who undertake to protect wild flowers. How it is going to be done we do not quite understand. Presumably, small boys will hide behind, say, dandelions, and emit a loud roar when anyone tries to pluck the tender plant.
A new organization called "The League of Wayfarers" has been created. Its members seem to be "child policemen" who are committed to protecting wildflowers. We're not entirely sure how this is going to work. Presumably, young boys will hide behind things like dandelions and shout loudly if anyone tries to pick this delicate plant.

A MESSAGE FROM THE SEA.
Romantic Tripper. "Tell me, have you ever picked up any bottles on the beach?"
Romantic Tripper. "Tell me, have you ever collected any bottles on the beach??"
Boatman. "Werry often, Miss!"
Boatman. "Very often, Miss!"
Romantic Tripper. "And have you found anything in them?"
Romantic Tripper. "So, have you found anything in them??"
Boatman. "Not a blessed drop, Miss!"
Boatman. "Not a single drop, Miss!"
The intrepid photographer again! The Illustrated London News advertises:—
The fearless photographer is back! The Illustrated London News advertises:—
GENERAL BOOTH AND
MRS. BRAMWELL BOOTH
Lions Taken at a Distance of 5 Yards
.
When The Yorkshire Post and The Hull Daily Mail differ, who shall decide between them? The Hull Daily Mail asserts positively that A. Papazonglon won the long jump at the Bridlington Grammar School sports and that C. Papazonglon was second in the 100 yards and High Jump. Its contemporary, however, unhesitatingly awards these positions to C. Papazonglou, C. Papazonga and G. Papazaglou respectively. But it gives the "Victor Ludorum" cup to a new competitor, C. Papazouglou, and again differs from The Hull Daily Mail, which knows for a fact that it was won by C. Ppazonglon. Whom shall we believe?
When The Yorkshire Post and The Hull Daily Mail disagree, who gets to decide between them? The Hull Daily Mail confidently claims that A. Papazonglon won the long jump at the Bridlington Grammar School sports, and that C. Papazonglon came in second in the 100 yards and High Jump. However, its rival confidently gives those spots to C. Papazonglou, C. Papazonga, and G. Papazaglou respectively. But it awards the "Victor Ludorum" cup to a new competitor, C. Papazouglou, differing again from The Hull Daily Mail, which insists it was won by C. Ppazonglon. Who are we supposed to believe?
"Asquith Denies Militant Plea.
"Asquith Rejects Militant Request.
Receives Working Women but Won't Introduce Bill."—New York Evening Sun.
Meets with Working Women but Will Not Propose Legislation."—New York Evening Sun.
We are left with the uneasy impression that William is a snob.
We can't shake the feeling that William is a snob.
"On a divan the motion for rejection was carried by 178 to 136."—Daily Chronicle.
"On a sofa, the motion to reject was approved by 178 to 136."—Daily Chronicle.
Our politicians are right to take it easy this hot weather.
Our politicians are correct to relax in this hot weather.
A PATRIOT UNDER FIRE.
Philip, I note with unaffected awe
Philip, I observe with genuine amazement
How, with the glass at 90 in the cool,
How, with the glass at 90 in the cool,
You still obey inflexibly the law
You still strictly follow the law.
That governs manners of the British school;
That governs the behavior of the British school;
How, in a climate where the sweltering air
How, in an environment where the scorching heat
Seems to be wafted from a kitchen copper,
Seems to be coming from a kitchen pot,
You still refuse to lay aside your wear
You still refuse to set aside your fatigue
Of sable (proper).
Of black (proper).
The Civil Service which you so adorn
The Civil Service that you enhance
Would lose its prestige, visibly grown slack,
Would lose its prestige, visibly become slack,
And all its lofty pledges be forsworn
And all its grand promises be broken
Were you to deviate from your boots of black;
Were you to stray from your black boots;
Were you to shed that coat of sombre dye,
Were you to take off that dark coat,
That ebon brain-box (imitation beaver)
That black brain box (fake beaver)
Whose torrid aspect strikes the passer-by
Whose intense appearance catches the attention of anyone passing by.
With tertian fever.
With recurring fever.
As something far beyond me I respect
As something much greater than myself, I have respect for it.
The virtue, equal to the stiffest crux,
The quality, just as strong as the toughest challenge,
Which thus forbids your costume to deflect
Which therefore prevents your outfit from diverting
Into the primrose path of straw and ducks;
Into the easy path of straw and ducks;
I praise that fine regard for red-hot tape
I appreciate that strong attention to red tape
Which calmly and without an eyelid's flutter
Which calmly and without a blink
Suffers the maddening noon to melt your nape
Suffers the irritating noon to warm your neck
As it were butter.
Like it was butter.
"His clothes are not the man," I freely own,
"His clothes don't define the man," I openly admit,
Yet often they express the stuff they hide,
Yet they often reveal what they keep hidden,
As yours, I like to fancy, take their tone
As yours, I like to imagine, take their tone
From stern, ascetic qualities inside;
From strict, austere qualities inside;
Just as the soldier's heavy marching-gear
Just as the soldier's heavy marching gear
Conceals a heart of high determination,
Conceals a heart filled with strong determination,
Too big, in any temperature, to fear
Too large, regardless of the temperature, to be afraid.
Nervous prostration.
Nervous breakdown.
I cite the warrior's case who goes through fire;
I mention the warrior who goes through fire;
For you, no less a patriot, face your risk
For you, a true patriot, confront your risk.
When in your country's service you perspire
When you're working for your country, you sweat.
In blacks that snort at Phœbus' flaming disc;
In blacks that snort at Phoebus' blazing sun;
So, till a medal (justly made of jet)
So, until a medal (rightly made of jet)
Records your grit and pluck for all to know 'em,
Records your determination and courage for all to see.
I on your chest with safety-pins will set
I will set safety pins on your chest
This inky poem.
This dark poem.
"THE PURPLE LIE."
"Arabella," I said, examining the fuzzy part of her which projected above the dome of the coffee-pot, "I perceive that you mope. That being so, I am glad to be able to tell you that I have been presented with two tickets for The Purple Lie to-morrow evening."
"Arabella," I said, looking at the soft part of her that stuck up above the coffee pot, "I can see that you seem down. If that's the case, I'm happy to let you know that I've got two tickets for The Purple Lie tomorrow evening."
"Sorry," she replied, "but it's off."
"Sorry," she said, "but it's canceled."
"Off!" I exclaimed indignantly, "when the box-office is being besieged all day by a howling mob, and armoured commissionaires are constantly being put into commission to defend it. Off!"
"Get lost!" I said angrily, "when the ticket booth is being swarmed all day by a screaming crowd, and security guards are constantly called in to protect it. Get lost!"
"What I mean to say is," said Arabella, "that we're dining with the Messington-Smiths to-morrow evening."
"What I mean is," said Arabella, "that we're having dinner with the Messington-Smiths tomorrow evening."
I bowed my head above the marmalade and wept. "Arabella," I groaned, looking up at last, "what have we done that these people should continue to supply us with food? We do not love them, and they do not love us. The woman is a bromide. Her husband is even worse. He is a phenacetin. I shall fall asleep in the middle of the asparagus and butter myself badly. Think, moreover, of the distance to Morpheus Avenue. Remember that I have been palpitating to see The Purple Lie for weeks."
I lowered my head over the marmalade and cried. "Arabella," I groaned, finally looking up, "what have we done to deserve these people continuing to feed us? We don’t care about them, and they don’t care about us. The woman is so boring. Her husband is even worse. He’s just dull. I’m going to doze off in the middle of the asparagus and end up making a mess. Plus, think about how far it is to Morpheus Avenue. Remember, I’ve been dying to see The Purple Lie for weeks."
"So have I," said Arabella. "It's sickening, but I am afraid we must pass those tickets on."
"So have I," said Arabella. "It's disgusting, but I'm afraid we have to pass those tickets on."
I happened that day to be lunching with my friend Charles. "The last thing in the world I want to do," I said to him, "is to oblige you in any way, but I chance to have—ahem!—purchased two stalls for The Purple Lie which I cannot make use of. I had forgotten that I am dining with some very important and—er—influential people to-morrow night. When a man moves as I do amid a constant whirl of gilt-edged engagements——"
I happened to be having lunch with my friend Charles that day. "The last thing I want to do," I said to him, "is to do you any favors, but I happen to have—uh—bought two tickets for The Purple Lie that I can't use. I completely forgot that I'm having dinner with some very important and—uh—powerful people tomorrow night. When you have a schedule like mine, filled with fancy engagements——"
"Ass!" said Charles, and pocketed the tickets.
"Ass!" Charles said, putting the tickets in his pocket.
On the following morning I perceived a large crinkly frown at the opposite end of the breakfast table, and, rightly divining that Arabella was behind it, asked her what the trouble was.
On the next morning, I noticed a big crinkled frown at the other end of the breakfast table and, correctly guessing that Arabella was the cause, asked her what was wrong.
"It's the Messington-Smiths," she complained. "They can't have us to dinner after all. It seems that Mrs. Messington-Smith has a bad sore throat."
"It's the Messington-Smiths," she complained. "They can't have us over for dinner after all. It looks like Mrs. Messington-Smith has a really bad sore throat."
"Any throat would be sore," I replied, "that had Mrs. Messington-Smith talking through it. I wonder whether Charles is using those tickets."
"Anyone's throat would be sore," I replied, "after listening to Mrs. Messington-Smith talk. I wonder if Charles is actually using those tickets."
"You might ring up and see."
"You could give them a call and check."
To step lightly to the telephone, ask for Charles's number, get the wrong one, ask again, find that he had gone to his office, ring him up there and get through to him, was the work of scarcely fifteen minutes. "Charles," I said, "are you using those two stalls of mine to-day?"
To quickly walk over to the phone, ask for Charles's number, get the wrong one, ask again, find out he was at his office, call him there, and actually reach him took hardly fifteen minutes. "Charles," I said, "are you using those two stalls of mine today?"
"Awfully sorry," he replied, "but I can't go myself. I gave them away yesterday evening."
"Really sorry," he replied, "but I can't go myself. I gave them away last night."
"Wurzel!" I said. "Who to?"
"Wurzel!" I said. "Who’s that?"
"To whom," he corrected gently. "To a dull man I met in the City named Messington-Smith."
"To whom," he corrected lightly. "To a boring guy I met in the City named Messington-Smith."
"Named what?" I shrieked.
"Named what?" I yelled.
"Messington-Smith. M for Mpret, E for Eiderdown——"
"Messington-Smith. M for Mpret, E for Eiderdown——"
"Where does he live?"
"Where does he live now?"
"21, Morpheus Avenue."
"21 Morpheus Ave."
For a moment the room seemed to spin round me. I put down the transmitter and pressed my hand to my forehead. Then in a shaking voice I continued—"Of all the double-barrelled, unmitigated, blue-faced——"
For a moment, the room felt like it was spinning around me. I set down the transmitter and pressed my hand to my forehead. Then, in a shaky voice, I continued—"Of all the double-barreled, outrageous, blue-faced——"
"What number, please?" sang a sweet soprano voice. I rang off, and went to break the news to Arabella.
"What number, please?" sang a sweet soprano voice. I hung up and went to tell Arabella the news.
She was silent for a few moments, and then asked me suddenly, "Whereabouts in the stalls were those seats of ours?"
She was quiet for a moment, then suddenly asked me, "Where were our seats in the stalls?"
"Almost in the middle of the third row," I replied mournfully.
"Almost in the middle of the third row," I replied sadly.
Arabella said no more, but with a rather disdainful smile on her face walked firmly to her little escritoire, sat down, wrote a note, and addressed it to Mrs. Messington-Smith.
Arabella said nothing more, but with a somewhat contemptuous smile on her face, confidently walked over to her small writing desk, sat down, wrote a note, and addressed it to Mrs. Messington-Smith.
"What have you said?" I asked, as she stamped her letter with a rather vicious jab on King George's left eye.
"What did you say?" I asked, as she stamped her letter with a pretty sharp jab at King George's left eye.
"Just that I am sorry about her old sore throat," she replied. "And then I went on, that wasn't it funny by the same post we had been given two stalls for The Purple Lie to-night in a very good place in the middle of the third row? She will get the letter by lunch-time," she added pensively, "and it will be so nice for her to know that we shall be sitting almost next to them."
"Yeah, I'm really sorry about her old sore throat," she replied. "And then I went on, wasn't it funny that we got two tickets for The Purple Lie tonight in a great spot right in the middle of the third row? She'll get the letter by lunchtime," she added thoughtfully, "and it'll be so nice for her to know that we’ll be sitting almost right next to them."
"But we aren't going to The Purple Lie at all," I protested.
"But we aren't going to The Purple Lie at all," I insisted.
"No," she said, "and as a matter of fact I don't suppose the Messington-Smiths are either—now."
"No," she said, "and actually, I don't think the Messington-Smiths are either—anymore."
I left Arabella smiling triumphantly through her tears, but when I returned in the evening the breakfast-time frown had reappeared with even crinklier ramifications.
I left Arabella smiling proudly through her tears, but when I came back in the evening, the frown she had at breakfast had come back with even more noticeable lines.
"Why," I asked, "are you looking like a tube map?"
"Why," I asked, "do you look like a subway map?"
"Mrs. Messington-Smith," she answered with a slight catch in her voice, "has just been telephoning."
"Mrs. Messington-Smith," she replied, her voice slightly shaky, "just called."
"I thought the receiver looked a bit played out," I said. "What does she want with us now?"
"I thought the receiver seemed a bit worn out," I said. "What does she want with us now?"
"Well, she has got a sore throat after all. You could tell that from her voice. And she isn't going to The Purple Lie either. She never even meant to."
"Well, she does have a sore throat after all. You could tell that from her voice. And she isn't going to The Purple Lie either. She never even planned to."
"But the tickets," I gasped.
"But the tickets," I said.
"She and her husband quite forgot about them till to-day," said Arabella. "And now they have given them away to some friends. But they weren't given away at all till this afternoon, and——"
"She and her husband totally forgot about them until today," said Arabella. "And now they've given them to some friends. But they weren't actually given away until this afternoon, and——"
She broke off and gave a lachrymose little sniff.
She stopped and gave a teary little sniff.
"And what?"
"And what’s the point?"
"And she knew, of course, that we're disengaged to-night, and when she got my letter she was just going to send them round to us."
"And she knew, of course, that we're off tonight, and when she got my letter, she was just going to send them over to us."

BEATEN ON POINTS.
L.C.C. Tram. "HARD LINES ON ME!"
L.C.C. Trolley. "TOUGH TIMES FOR ME!"
Motor-'Bus. "YES, IT'S ALWAYS HARD LINES WITH YOU, MY BOY. THAT'S WHAT'S THE MATTER; YOU CAN'T SIDE-STEP."
Motorbus. "YES, IT'S ALWAYS TOUGH WITH YOU, KID. THAT'S THE PROBLEM; YOU CAN'T AVOID IT."

"Who's the little man holding his racket that funny way?"
"Who’s the little guy holding his racket like that?"
"Oh, that's Mr. Binks. He takes the plate round in church, you know."
Oh, that's Mr. Binks. He collects the offering at church, you know.
Commercial Candour.
From a testimonial:—
From a testimonial:—
"I have had this cover on the rear wheel of my 3½ h.p. Humber Motor Cycle and have ridden same 7,000 miles, six of these without a puncture."—Advt. in "Motor Cycle."
"I've had this cover on the back wheel of my 3½ h.p. Humber Motorcycle and have ridden it for 7,000 miles, six of those without a flat."—Advt. in "Motor Cycle."
When we tell you that the mystic letters mean "married couple," you will share our horror.
When we tell you that the mystical letters mean "married couple," you'll feel our shock.
WOMAN AT THE FIGHT.
In ancient unsophisticated days
In ancient, simpler times
Women were valued for their cloistered ways.
Women were appreciated for their reserved lifestyles.
And won at Rome encouragement from man
And gained encouragement from people in Rome.
Only because they stayed at home and span;
Only because they stayed home and spun;
While Pericles in Attic Greek expressed
While Pericles in Attic Greek stated
The view that those least talked about were best.
The belief that the people who were least talked about were the best.
There were exceptions, but the normal Greek
There were exceptions, but the usual Greek
Regarded Sappho as a dangerous freak,
Considered Sappho a risky oddball,
And Clytemnestra for three thousand years
And Clytemnestra for 3,000 years
Was pelted with unmitigated sneers,
Was bombarded with outright sneers,
Till Richard Strauss and Hofmannsthal combined
Until Richard Strauss and Hofmannsthal collaborated
To prove that she was very much maligned.
To show that she was unfairly criticized.
But now at last these cloistered days are o'er
But now at last these quiet days are over.
And woman, breaking down her prison door,
And woman, breaking down her prison door,
Is free to take the middle of the floor.
Is free to take the center of the floor.
No more for her indomitable soul
No more for her unyielding spirit
The meekly ministering angel rôle;
The humble ministering angel role;
No more the darner of her husband's socks,
No longer the one who mends her husband's socks,
She takes delight in watching champions box,
She loves watching boxing champions,
Finds respite from the carking cares that vex us
Finds relief from the annoying worries that trouble us
In cheering blows that reach the solar plexus,
In cheering strikes that hit the solar plexus,
Joins in the loud and patriotic shout
Joins in the loud and patriotic shout
While beaten Bell is being counted out,
While beaten Bell is being counted out,
And—joy that makes all other joys seem nil—
And—joy that makes every other joy seem insignificant—
Writes her impressions for The Daily Thrill.
Writes her thoughts for The Daily Thrill.
ONCE UPON A TIME.
Once upon a time there was a beautiful singer named Miss Iris Bewlay. Every now and then she gave a recital, and it was always crowded. She was chosen to sing "God save the King" at bazaars and Primrose League meetings; her rendering of "Home, Sweet Home" moistened every eye. Hostesses wishing to be really in the swim engaged her to sing during after-dinner conversation for enormous fees.
Once upon a time, there was a beautiful singer named Miss Iris Bewlay. Every now and then, she held a recital, and it was always packed. She was picked to sing "God Save the King" at bazaars and Primrose League meetings; her performance of "Home, Sweet Home" brought tears to everyone's eyes. Hostesses wanting to be in the know hired her to sing during after-dinner conversations for huge fees.
When Miss Iris Bewlay was approaching the forties and adding every day to her wealth, another Miss Bewlay—not Iris, but Gladys, and no relation whatever—was gradually improving her gift of song with a well-known teacher, for it was Miss Gladys Bewlay's intention, with her parents' strong approval, to become a professional. She had not, it is true, her illustrious namesake's commanding presence or powerful register, but her voice was sweet and refined and she might easily have a future.
When Miss Iris Bewlay was nearing her forties and increasing her wealth every day, another Miss Bewlay—not Iris but Gladys, and not related at all—was steadily honing her singing skills with a well-known teacher. It was Miss Gladys Bewlay's goal, with her parents' full support, to become a professional singer. Admittedly, she didn't have her famous namesake's strong presence or powerful range, but her voice was sweet and refined, and she could very well have a bright future ahead.
It happened that a susceptible music-loving American staying in London for a short time was taken by some English friends to a concert at which Miss Iris Bewlay was singing, and he fell at once a victim to her tones. Never before had he heard a voice which so thrilled and moved him. He returned to his hotel enraptured, and awoke with but one desire and that was to hear Miss Bewlay again.
It just so happened that a sensitive, music-loving American visiting London for a short time was taken by some English friends to a concert where Miss Iris Bewlay was singing, and he immediately became captivated by her voice. He had never before heard a voice that thrilled and moved him like hers. He returned to his hotel in bliss, waking up with just one desire: to hear Miss Bewlay again.
"Say, where is a Miss Bewlay singing to-night?" he asked the hotel porter.
"Excuse me, do you know where Miss Bewlay is singing tonight?" he asked the hotel porter.
The porter searched all the concert announcements, but found no mention of the great name. In the end he advised a visit to one of the ticket libraries, and off the enthusiast hurried.
The porter went through all the concert announcements but didn't find any mention of the famous name. In the end, he suggested checking out one of the ticket libraries, and the excited fan rushed off.
Now it happened that this very evening was the one chosen for the début, before a number of invited friends, of Miss Gladys Bewlay, and one of the guests chanced to be at the ticket library at the moment the susceptible American entered and fired his question at the clerk.
Now it just so happened that this evening was the one chosen for the debut of Miss Gladys Bewlay, in front of a group of invited friends, and one of the guests happened to be at the ticket library when the impressionable American walked in and asked his question to the clerk.
"Say, can you tell me where Miss Bewlay is singing to-night?" he said.
"Hey, can you tell me where Miss Bewlay is performing tonight?" he asked.
The clerk having no information, the susceptible American was turning away when the guest of the other Bewlay family ventured to address him with the information that Miss Bewlay was singing that evening at a private gathering at one of the halls.
The clerk had no information, and the easily influenced American was about to leave when the guest from the other Bewlay family spoke up to let him know that Miss Bewlay was singing that evening at a private event in one of the halls.
"Couldn't I get in?" the American asked.
"Can’t I get in?" the American asked.
"It's private," said the lady. "It's only for the friends of the family."
"It's private," the lady said. "It's only for family friends."
"Let me take down the address, anyway," said he, and took it down.
"Let me write down the address, anyway," he said, and he did.
That evening, just before Miss Gladys Bewlay's first song, a visiting card was handed to one of her brothers, with the statement that a gentleman desired the pleasure of a moment's interview on a matter of great importance.
That evening, just before Miss Gladys Bewlay's first song, a visiting card was given to one of her brothers, stating that a gentleman wanted to have a brief chat about something very important.
"See here," said the gentleman, and it was none other than the susceptible American, "I'm just crazy about Miss Bewlay's singing. They tell me she's here to-night. Now I know it's a strange thing to ask, but I want to know if you can't just let me lean against a pillar somewhere at the back while she's singing, and then I'll go right away. It's my last chance for some time, you see. I go back to America to-morrow."
"Listen," said the gentleman, and it was none other than the impressionable American, "I’m really into Miss Bewlay’s singing. I’ve heard she’s performing tonight. I know it’s a weird request, but could you let me lean against a pillar in the back while she’s singing? I promise I’ll leave right after. It’s my last chance for a while, you see. I’m heading back to America tomorrow."
The brother, not a little impressed by his sister's magnetism, all unsuspected in a débutante, and imagining the American to have heard her at a lesson, said he saw no reason why this little scheme should not be carried out; and so the American entered and took up an obscure position; and in a short while Miss Bewlay ascended the platform and began to sing.
The brother, quite impressed by his sister's charm, which was unexpected in a débutante, and thinking the American might have heard her during a lesson, said he saw no reason why this little plan couldn't go ahead; so the American walked in and took up a low-key spot; and soon after, Miss Bewlay stepped onto the platform and started to sing.
When she had finished the American approached one of the guests and begged to be told the name of the singer.
When she was done, the American walked up to one of the guests and asked to be told the name of the singer.
"Miss Bewlay," said the guest. "It's her first appearance to-night."
"Miss Bewlay," said the guest. "It’s her first appearance tonight."
"Miss Bewlay," gasped the American. "Then there are two of them. You say this is her first appearance?"
"Miss Bewlay," the American exclaimed. "So there are two of them. You said this is her first appearance?"
"Yes."
Yes.
"Then she's very young?"
"Is she really that young?"
"Only about twenty."
"Only around twenty."
The American returned to his corner, and the second song began.
The American went back to his corner, and the second song started.
Whatever disappointment his ears may have suffered it would have been obvious to close observers that his eyes were contented enough. They rested on the fair young singer with delight and admiration, and when she had finished there was no applause like the susceptible American's.
Whatever disappointment he might have felt, it was clear to anyone paying close attention that his eyes were quite happy. They were fixed on the beautiful young singer with joy and admiration, and when she finished, there was no applause like that of the easily moved American.
When Miss Bewlay's brother had gradually worked his way to the back of the room, he found the American in an ecstasy.
When Miss Bewlay's brother finally made his way to the back of the room, he found the American in a state of bliss.
"She's great," he said. "Say, would it be too much to ask you to introduce me?"
"She's awesome," he said. "Hey, would it be too much to ask you to introduce me?"
"Not at all," said the brother, who was as pleased at his sister's success as though it were his own.
"Not at all," said the brother, who was just as thrilled about his sister's success as if it were his own.
The American did not return to his own country the next day, nor for many days after; and when he did he was engaged to Miss Gladys Bewlay.
The American didn't go back to his country the next day, or for many days after that; and when he finally did return, he was engaged to Miss Gladys Bewlay.
Isn't that a pretty fairy story? and almost every word of it is true.
Isn't that a beautiful fairy tale? And nearly every word of it is true.

"My dear friend! What’s wrong? The sea is like a duck pond!
"I Know, Old Boy—but I've Taken Six—different—remedies."
"I get it, dude—but I've tried six different solutions.."
A SEASIDE "SONG SCENA."
Yesterday I celebrated the beginning of my holidays by patronising The Melodities on the beach. The Melodities are a band of entertainers who draw enormous salaries for giving a couple of performances daily in a kind of luxurious open-air theatre.
Yesterday I kicked off my vacation by visiting The Melodities on the beach. The Melodities are a group of entertainers who earn big bucks for putting on a few shows each day in a fancy outdoor theater.
"Ladies and Gentlemen," announced the Manager soon after I had taken my seat, "our first item will be a Song Scena entitled The Moon, by Bertie Weston, assisted by six members of the company." A quiver of expectation ran through the crowded audience.
"Ladies and Gentlemen," the Manager announced shortly after I sat down, "our first performance will be a Song Scena titled The Moon, by Bertie Weston, featuring six members of the company." A wave of anticipation passed through the packed audience.
Bertie Weston, wearing a uniform resembling (I imagine) that of a Patagonian Vice-Admiral, advanced mincingly to the footlights, and the six others, similarly attired, ranged themselves in a row behind him. Behind these again dropped a back-cloth representing a stone balustrade, blue hills and fleecy clouds.
Bertie Weston, dressed in a uniform that looked like (I guess) that of a Patagonian Vice-Admiral, stepped delicately to the front of the stage, and the six others, similarly dressed, lined up in a row behind him. Behind them, a backdrop appeared, depicting a stone railing, blue mountains, and fluffy clouds.
There was a burst of warm applause, in response to which Bertie politely bowed his thanks. Without further preliminary he commenced—
There was a wave of warm applause, to which Bertie graciously bowed in thanks. Without any further delay, he began—
The crescent moon on high
The crescent moon above
Is shining in the sky.
Is shining in the sky.
Here the six turned up their faces and gazed pensively at the heavens (it was still broad daylight, by the way), at the same time resting their chins on[Pg 27] their right hands and their right elbows on their left hands.
Here the six lifted their faces and stared thoughtfully at the sky (it was still bright outside, by the way), while resting their chins on[Pg 27] their right hands and their right elbows on their left hands.
The sun is gone,
The sun has set,
The stars are wan,
The stars are dim,
Oh come, my love, we'll wander, you and I.
Oh come on, my love, let's wander, you and I.
Here the six ceased to regard the sky, split into pairs and by pantomimic gesture invited one another to wander.
Here, the six stopped looking at the sky, split into pairs, and through pantomime gestures invited each other to explore.
Across the hills we'll go,
Over the hills we'll go,
While birds sing soft and low.
While birds sing softly and quietly.
The singer paused for an instant, while the six, now formed into a semicircle, hummed together softly a suggestion of distant nightingales. Not an imitation—that would be too banal—but a suggestion. In point of fact I thought I detected the air of "The Little Grey Home in the West."
The singer paused for a moment while the six, now arranged in a semicircle, softly hummed a hint of distant nightingales. It wasn't an imitation—that would be too ordinary—but rather a suggestion. In fact, I thought I could make out the melody of "The Little Grey Home in the West."
While the silver moon adorns the summer sky.
While the silver moon brightens the summer sky.
After a brief pause, brightened by what are vulgarly termed twiddly bits on the piano, the soloist sang the chorus, softly and appealing, with a sort of treacly intonation:—
After a short break, highlighted by what people casually call twiddly bits on the piano, the soloist sang the chorus gently and engagingly, with a somewhat syrupy tone:—
Moon, moon, moon,
Moon, moon, moon,
We'll come soon, soon,
We'll be there soon.
Across the hills while all the world is dreaming.
Across the hills while everyone is dreaming.
Moon, moon, moon,
Moon, moon, moon,
I'd like to swoon, swoon,
I'd like to swoon.
The heads of the six drooped listlessly and their hands fell languidly to their sides; their eyes closed.
The six heads drooped tiredly, and their hands fell weakly to their sides; their eyes shut.
When I see your white rays beaming, gleaming, streaming.
When I see your white rays shining, sparkling, flowing.
The six awoke briskly and commenced to glide around the stage, describing circles, figures of eight, and other more intricate patterns, while Bertie swayed his body rhythmically from side to side, his arms and hands outstretched and palms turned downwards. In this formation they all repeated the chorus together.
The six woke up quickly and started gliding around the stage, making circles, figure-eights, and other more complex patterns, while Bertie swayed his body rhythmically from side to side, with his arms and hands stretched out and palms facing down. In this formation, they all sang the chorus together.
Bertie now cleared his throat and started on the second verse without delay. The six stood sideways, their hands in their trousers pockets and their faces turned to the audience.
Bertie cleared his throat and jumped right into the second verse. The six stood to the side, hands in their pockets and facing the audience.
Oh, moon of dainty grace,
Oh, graceful moon,
Shine on my loved one's face.
Shine on my loved one's face.
The footlights were suddenly switched off and each of the six produced a small electric torch and illuminated his neighbour's features. The effect was startling. Presently the footlights reappeared as abruptly as they had vanished and the torches were extinguished.
The stage lights were suddenly turned off, and each of the six pulled out a small flashlight, lighting up their neighbor's face. The effect was surprising. Soon, the stage lights came back on just as quickly as they had gone out, and the flashlights were turned off.
Upon the hill
On the hill
The night is still.
The night is quiet.
Again there was a short pause, during which the six breathed lightly through their teeth, producing a faint and long-drawn sh-sh-sh-sh-sh-sh.
Again there was a short pause, during which the six breathed softly through their teeth, making a faint and prolonged sh-sh-sh-sh-sh-sh.
Oh come, my love, together let us haste.
Oh come, my love, let's hurry together.
The six ceased sh-sh-ing and gracefully invited one another to haste.
The six stopped shushing and politely encouraged each other to hurry.
Away, away, we'll roam
Let's wander far and wide.
To seek our fairy home,
To find our dream home,
While the silver moon illuminates the place.
While the silver moon lights up the area.
The six placed both hands on their breasts and stood with bowed heads, motionless except for a continuous and rhythmic bending of the knees, while Bertie sang the chorus softly, lingeringly. Then, stretching out their arms, they swayed their bodies from side to side as their leader had previously done, while Bertie himself drifted in and out between them, and all rendered the chorus for the second time.
The six put their hands on their chests and stood with their heads down, completely still except for a steady, rhythmic bending of their knees, while Bertie softly and slowly sang the chorus. Then, extending their arms, they swayed from side to side like their leader had done before, while Bertie moved in and out among them, and they all sang the chorus again for the second time.
Moon, moon, moon,
Moon, moon, moon,
We'll come soon, soon.
We'll be there soon.
Across the hills while all the world is dreaming.
Across the hills while everyone is dreaming.
Moon, moon, moon,
Moon, moon, moon
I want to swoon, swoon,
I want to swoon.
When I see your white rays beaming, gleaming, streaming.
When I see your white rays shining, glimmering, flowing.
There was a moment's emotional silence, broken by a thunder of rapturous applause. The Song Scena, all too short, was finished.
There was a brief emotional silence, shattered by a loud wave of enthusiastic applause. The Song Scena, way too short, had come to an end.
Anxious not to risk spoiling the impression, I arose and left hastily before the next turn.
Anxious not to ruin the impression, I quickly got up and left before the next turn.

She. "Herbert, I can't find my bathing-dress anywhere!"
She. "Herbert, I can't find my swimsuit at all!"
He. "See if you've got it on."
He. "Make sure it's turned on."
"Young M'Pherson, the Blackford jumper, is anxious to fix up a match for a long jump with anybody in Scotland. A week ago he did 5½ ft., but he asserts he can beat this hollow if called upon."
"Young M'Pherson, the Blackford jumper, is eager to arrange a long jump competition with anyone in Scotland. A week ago, he jumped 5½ ft., but he asserts he can easily exceed that if given the opportunity."
If M'Pherson will say just how young he is, we will find a suitable nephew to take him on. Tommy (aged eight) did 6 ft. 1 in. yesterday, but asserts that he slipped.
If M'Pherson will say exactly how young he is, we'll find a suitable nephew to take him on. Tommy (who's eight) measured 6 ft. 1 in. yesterday, but claims he slipped.
A MIDSUMMER MADNESS.
The girl who shared Herbert's meringue at dinner (a brittle one, which exploded just as he was getting into it) was kind and tactful.
The girl who shared Herbert's meringue at dinner (a crunchy one, which fell apart just as he was getting into it) was nice and considerate.
"It doesn't matter a bit," she said, removing fragments of shell from her lap; and, to put him at his ease again, went on, "Are you interested in little problems at all?"
"It doesn't matter at all," she said, brushing bits of shell off her lap; and, to help him relax again, she continued, "Are you into little problems at all?"
Herbert, who would have been interested even in a photograph album just then, emerged from his apologies and swore that he was.
Herbert, who would have been interested in even a photo album at that moment, snapped out of his apologies and insisted that he was.
"We're all worrying about one which Father saw in a paper. I do wish you could solve it for us. It goes like this." And she proceeded to explain it. Herbert decided that the small piece of meringue still in her hair was not worth mentioning and listened to her with interest.
"We're all concerned about one that Dad saw in a newspaper. I really wish you could figure it out for us. It goes like this." And she started to explain it. Herbert concluded that the tiny bit of meringue still in her hair wasn't worth bringing up and listened to her with interest.
On the next morning I happened to drop in at Herbert's office.... And that, in short, is how I was mixed up in the business.
On the next morning, I happened to stop by Herbert's office.... And that, in short, is how I got involved in the situation.
"Look here," said Herbert, "you used to be mathematical; here's something for you."
"Hey," Herbert said, "you used to be good at math; check this out."
"Let the dead past bury its dead," I implored. "I am now quite respectable."
"Let the past stay in the past," I urged. "I’m now pretty respectable."
"It goes like this," he said, ignoring my appeal.
"It goes like this," he said, brushing off my request.
He then gave me the problem, which I hand on to you.
He then gave me the problem, which I'm passing on to you.
"A subaltern riding at the rear of a column of soldiers trotted up to the captain in front and challenged him to a game of billiards for half-a-crown a side, the loser to pay for the table. Having lost, he played another hundred, double or quits, and then rode back, the column by this time having travelled twice its own length, and a distance equal to the distance it would have travelled if it had been going in the other direction. What was the captain's name?"
"A subordinate riding at the back of a line of soldiers trotted up to the captain at the front and challenged him to a game of billiards for half a crown a side, with the loser paying for the table. After losing, he played another hundred, double or nothing, and then rode back, the column by this time having traveled twice its own length and a distance equal to what it would have covered if it had been heading the other way. What was the captain's name?"
Perhaps I have not got it quite right, for I have had an eventful week since then; or perhaps Herbert didn't get it quite right; or perhaps the girl with the meringue in her hair didn't get it quite right; but anyhow, that was the idea of it.
Perhaps I haven't got it exactly right, because I’ve had a busy week since then; or maybe Herbert didn’t get it quite right; or maybe the girl with the meringue in her hair didn’t get it quite right; but anyway, that was the gist of it.
"And the answer," said Herbert, "ought to be 'four cows,' but I keep on making it 'eight and tuppence.' Just have a shot at it, there's a good fellow. I promised the girl, you know."
"And the answer," said Herbert, "should be 'four cows,' but I keep saying 'eight and two pence.' Just give it a try, come on. I promised the girl, you know."
I sat down, worked it out hastily on the back of an envelope, and made it a yard and a half.
I sat down, quickly figured it out on the back of an envelope, and came up with a yard and a half.
"No," said Herbert; "I know it's 'four cows,' but I can't get it."
"No," Herbert said. "I know it's 'four cows,' but I just can't get it."
"Sorry," I said, "how stupid of me; I left out the table-money."
"Sorry," I said, "how dumb of me; I forgot the money for the table."
I did it hastily again and made it three minutes twenty-five seconds.
I did it quickly again and finished it in three minutes and twenty-five seconds.
"It is difficult, isn't it?" said Herbert. "I thought, as you used to be mathematical and as I'd promised the girl——"
"It is difficult, isn't it?" said Herbert. "I thought, since you were good at math and since I promised the girl——"
"Wait a moment," I said, still busy with my envelope. "I forgot the subaltern. Ah, that's right. The answer is a hundred and twenty-five men.... No, that's wrong—I never doubled the half-crown. Er—oh, look here, Herbert, I'm rather busy this morning. I'll send it to you."
"Hold on a second," I said, still working on my envelope. "I forgot about the subaltern. Oh, that's right. The answer is a hundred and twenty-five men.... No, wait—that's wrong. I never doubled the half-crown. Uh—oh, look, Herbert, I’m kind of swamped this morning. I’ll send it to you."
"Right," said Herbert. "I know I can depend on you, because you're mathematical." And he opened the door for me.
"Right," said Herbert. "I know I can count on you because you're good at math." And he opened the door for me.
I had meant to do a very important piece of work that day, but I couldn't get my mind off Herbert's wretched problem. Happening to see Carey at tea-time, I mentioned it to him.
I had planned to do a really important task that day, but I couldn't stop thinking about Herbert's miserable situation. When I happened to see Carey during tea time, I brought it up to him.
"Ah," said Carey profoundly. "H'm. Have you tried it with an 'x'?"
"Ah," said Carey thoughtfully. "Hmm. Have you tried it with an 'x'?"
"Of course."
"Sure thing."
"Yes, it looks as though it wants a bit of an 'x' somewhere. You stick to it with an 'x' and you ought to do it. Let 'x' be the subaltern—that's the way. I say, I didn't know you were interested in problems."
"Yeah, it seems like it needs an 'x' somewhere. You add an 'x' and that should work. Let 'x' represent the subaltern—that’s the approach. By the way, I didn’t realize you were into solving problems."
"Well——"
"Okay——"
"Because I've got rather a tricky chess problem here I can't do." He produced his pocket chess-board. "White mates in four moves."
"Because I've got a pretty tricky chess problem here that I can't solve." He took out his pocket chessboard. "White can checkmate in four moves."
I looked at it carelessly. Black had only left himself with a Pawn and a King, while White had seen to it that he had a Queen and a couple of Knights about. Now, I know very little about chess, but I do understand the theory of chess problems.
I glanced at it without paying much attention. Black had only a Pawn and a King left, while White had made sure to have a Queen and a couple of Knights around. Now, I don't know much about chess, but I do get the general idea of chess problems.
"Have you tried letting the Queen be taken by Black's pawn, then sacrificing the Knights, and finally mating him with the King alone?"
"Have you tried letting Black's pawn capture the Queen, then sacrificing the Knights, and finally checkmating him with just the King?"
"Yes," said Carey.
"Yep," said Carey.
Then I was baffled. If one can't solve a chess problem by starting off with the most unlikely-looking thing on the board, one can't solve it at all. However, I copied down the position and said I'd glance at it.... At eleven that night I rose from my glance, decided that Herbert's problem was the more immediately pressing, and took it to bed with me.
Then I was confused. If you can't solve a chess problem by beginning with the most unexpected piece on the board, then you can't solve it at all. Still, I noted down the position and said I'd take a look at it later.... At eleven that night, I finished my quick look, decided that Herbert's problem was more urgent, and took it to bed with me.
I was lunching with William next day, and I told him about the subaltern. He dashed at it lightheartedly and made the answer seventeen.
I had lunch with William the next day, and I told him about the subaltern. He jumped right in playfully and came up with the answer of seventeen.
"Seventeen what?" I said.
"Seventeen what?" I asked.
"Well, whatever we're talking about. I think you'll find it's seventeen all right. But look here, my son, here's a golf problem for you. A. is playing B. At the fifth hole A. falls off the tee into a pond——"
"Well, whatever we’re discussing. I think you’ll find it's seventeen for sure. But listen, my son, here’s a golf puzzle for you. A is playing B. At the fifth hole, A falls off the tee into a pond——"
I forget how it went on.
I don't remember how it continued.
When I got home to dinner, after a hard day with the subaltern, I found a letter from Norah waiting for me.
When I got home for dinner after a tough day with the junior officer, I found a letter from Norah waiting for me.
"I hear from Mr. Carey," she wrote, "that you're keen on problems. Here's one I have cut out of our local paper. Do have a shot at it. The answer ought to be eight miles an hour."
"I heard from Mr. Carey," she wrote, "that you're really into problems. Here's one I found in our local paper. Give it a try. The answer should be eight miles per hour."
Luckily, however, she forgot to enclose the problem. For by this time, what with Herbert's subaltern, Carey's pawn, and a cistern left me by an uncle who was dining with us that night, I had more than enough to distract me.
Luckily, though, she forgot to include the problem. By this time, what with Herbert's subordinate, Carey's pawn, and a cistern left to me by an uncle who was having dinner with us that night, I had more than enough to keep me distracted.
And so the business has gone on. The news that I am preparing a collection of interesting and tricky problems for a new Encylopædia has got about among my friends. Everybody who writes to me tells me of a relation of his who has been shearing sheep or rowing against the stream or dealing himself four aces. People who come to tea borrow a box of wooden matches and beg me to remove one match and leave a perfect square. I am asked to do absurd things with pennies....
And so the business has continued. The news that I’m putting together a collection of interesting and tricky problems for a new Encyclopædia has spread among my friends. Everyone who writes to me tells me about a relative who has been shearing sheep, rowing upstream, or dealing himself four aces. People who come over for tea borrow a box of wooden matches and ask me to take out one match and leave a perfect square. I’m asked to do ridiculous things with pennies...
Meanwhile Herbert has forgotten both the problem and the girl. Three evenings later he shared his Hollandaise sauce with somebody in yellow (as luck would have it) and she changed the subject by wondering if he read Dickens. He is now going manfully through Bleak House—a chapter a night—and when he came to visit me to-day he asked me if I had ever heard of the man.
Meanwhile, Herbert has forgotten both the problem and the girl. Three evenings later, he shared his Hollandaise sauce with someone in yellow (as luck would have it), and she changed the subject by asking if he read Dickens. He is now bravely making his way through Bleak House—a chapter a night—and when he visited me today, he asked if I had ever heard of the guy.
However I was not angry with him, for I had just made it come to "three cows." It is a cow short, but it is nearer than I have ever been before, and I think I shall leave it at that. Indeed, both the doctor and the nurse say that I had better leave it at that.
However, I wasn't mad at him, because I had just brought it down to "three cows." It's one cow short, but it's closer than I've ever been before, and I think I'll just stick with that. In fact, both the doctor and the nurse say it's best if I leave it at that.
A SEASONABLE BEVERAGE.
Great charm hath tea—some fragrant blend;
Great charm has tea—some fragrant blend;
Sipped with a fair and festive friend;
Sipped with a cheerful and fun friend;
And even milk hath flavour, too,
And even milk has flavor, too,
When sun-kissed milkmaids hand it you.
When sun-kissed milkmaids give it to you.
Beer, in a large resounding can,
Beer, in a big, loud can,
Befits a coarser type of man,
Befits a rougher kind of man,
While some rejoice in spirit pure,
While some celebrate with a pure spirit,
And others in a faked liqueur.
And others in a fake liquor.
But none of these, nor any wine,
But none of these, nor any wine,
Hath present claim to praise of mine,
Has a present claim to my praise,
Hath e'er produced the gasp and thrill
Hath e'er produced the gasp and thrill
Of that incomparable swill
Of that terrible swill
When first, from care and toil set free,
When I was first freed from worry and hard work,
I plunge into the summer sea
I dive into the summer sea
And bring a mouthful back with me.
And bring a mouthful back with me.

THE ANNUAL PROBLEM.
Showing how helpfully the hoardings distinguish between the characteristic features of various localities.
Demonstrating how effectively the billboards highlight the unique characteristics of different areas.

A LONG-FELT WANT.
The Society for the Prevention of Cruelty To Motor-Cycles.
The Society for the Prevention of Cruelty to Motorcycles.
POLITICS AT THE ZOO.
Lord Robert Cecil's comparison of the occupants of the Treasury Bench to the monkeys at the Zoo has caused considerable excitement in Regent's Park, and one of Mr. Punch's representatives, assisted by an interpreter, has taken the opportunity to sound some of the principal inmates on the subject.
Lord Robert Cecil's comparison of the people sitting on the Treasury Bench to the monkeys at the Zoo has sparked quite a lot of excitement in Regent's Park, and one of Mr. Punch's representatives, with the help of an interpreter, has seized the chance to ask some of the main occupants about it.
In the Simian section a certain amount of regret was expressed that Lord Robert had not been more explicit in his comparison. Did he refer to chimpanzees, baboons, gorillas or other species? But when all allowance was made for this lack of precision the general impression was one of satisfaction that a leading politician should have frankly admitted that monkeys possessed qualities which entitled their human possessors to high office and handsome salaries. It was felt that this admission marked a great advance on all previous concessions to the claims of the Simian community, and pointed irresistibly to the ultimate grant—already long overdue—of Monkey Franchise throughout the Empire.
In the Simian section, some people expressed regret that Lord Robert hadn't been clearer in his comparison. Did he mean chimpanzees, baboons, gorillas, or other types? However, despite this lack of clarity, the overall feeling was one of satisfaction that a prominent politician had openly acknowledged that monkeys had traits that justified their human owners holding high positions and earning good salaries. It was believed that this acknowledgment represented a significant step forward compared to past acknowledgments of the Simian community's claims, and it pointed strongly toward the inevitable granting—long overdue—of Monkey Franchise throughout the Empire.
Baboons, it was well known, were already employed as railway porters in Cape Colony, and chimpanzees had of late years appeared with great success at some of the leading music-halls. In view of these facts the further delay of the suffrage could no longer be justified. At present we were confronted with the gross anomaly that a tailor, who was admitted to be only the ninth part of a man, was given a vote, while the monkey, man's ancestor, was denied even the fraction which was all that a tailor deserved.
Baboons were already being used as railway porters in Cape Colony, and chimpanzees had recently enjoyed great success at some of the top music halls. Given these facts, any further delay in granting suffrage could no longer be justified. Right now, we were faced with the glaring inconsistency that a tailor, who was acknowledged to be only one-ninth of a man, was allowed to vote, while the monkey, a relative of humans, was denied even the small fraction that a tailor deserved.
These views however were not shared by other genera domiciled at the Zoological Gardens. One of the oldest lions observed in a strepitous bass that it was a great relief to him that his race had not been degraded by any such comparisons. He had some respect for hunters, but as for politicians he would not be seen dead with them at a pig fair. Asked whether he had read Mr. Ramsay MacDonald's account of his lion-hunting exploits, in The Daily Chronicle, he professed ignorance and even indifference. Speaking as an aristocrat he thought that a Labour leader was not worthy to twist his tail. As for the conduct of Mr. Bernard Shaw in bringing lions on the stage, he thought it little short of an outrage for an anæmic vegetarian to take liberties with the king of the carnivora.
These views, however, were not shared by other genera living at the Zoological Gardens. One of the oldest lions growled in a deep voice that he was relieved his species hadn’t been degraded by such comparisons. He had some respect for hunters, but as for politicians, he wouldn’t be caught dead with them at a pig fair. When asked if he had read Mr. Ramsay MacDonald's account of his lion-hunting adventures in The Daily Chronicle, he claimed ignorance and even indifference. Speaking as an aristocrat, he believed a Labour leader wasn’t worthy enough to twist his tail. Regarding Mr. George Bernard Shaw bringing lions on stage, he thought it was almost an outrage for a weak vegetarian to take liberties with the king of the carnivores.
Considerable resentment was shown in the Ursine encampment at Mr. Lloyd George's somewhat disparaging reference to the bear's hug. (It will be remembered that he compared with it the attitude of the Tories in respect of the Finance Bill.) The Chancellor of the Exchequer evidently regarded it as an insincere caress, whereas it was a perfectly honest expression of hostility. This attack was all the more unjust and undeserved since the bear was a most hardworking and underpaid member of the community. When a politician reached the top of the poll he got £400 a year. When a bear did the same he only got a penny bun.
There was a lot of anger in the Ursine camp over Mr. Lloyd George’s somewhat insulting comment about the bear's hug. (He compared it to the Tories' stance on the Finance Bill.) The Chancellor of the Treasury clearly viewed it as a fake gesture of affection, while it was actually a genuine show of resentment. This criticism was even more unfair and undeserved because the bear was a very hard-working and underpaid member of the community. When a politician topped the polls, he earned £400 a year. When a bear did the same, he only got a penny bun.
A conversation with a leading representative of the colony of Penguins revealed the interesting fact that they were incapable of appreciating our Parliamentary procedure owing to their hereditary inability to sit down.
A chat with a top representative from the Penguin colony revealed the intriguing fact that they couldn't understand our Parliamentary procedures because they were genetically unable to sit down.
THE PRIMA DONNA.
Good gentlemen, good gentlemen, we crave your kind attention!
Good gentlemen, good gentlemen, we kindly ask for your attention!
Here's Summer, at your service (till you bid the lady stop);
Here's Summer, at your service (until you tell her to stop);
Good gentlemen, she's songs for you—'tis time to drop dissension;
Good gentlemen, she has songs for you—it's time to put aside conflict;
'Tis time to cut the cackle and to close awhile the shop;
It's time to stop the chatter and close the shop for a bit;
For stags shall be in Badenoch, and Kent hath twined the hop.
For deer will roam in Badenoch, and Kent has woven the hop.
Yes, songs for every son o' you, and all have silver linings!
Yes, songs for every one of you, and they all have bright sides!
Good gentlemen, good gentlemen, it's close, your London air;
Good gentlemen, good gentlemen, it's nearly here, your London air;
If I'm mixing up the proverbs, 'tis because my roads run shining
If I'm mixing up the proverbs, it's because my paths are bright.
Through the fret of far-off pine-woods, and I'm wishful to be there;
Through the worry of distant pine forests, and I'm longing to be there;
Or at hand among the hop-poles when the vines are trailing fair.
Or nearby among the hop poles when the vines are growing nicely.
Good gentlemen, the prologue! Here's a programme most attractive:
Good gentlemen, the introduction! Here's a very appealing program:
She's songs for everyone o' you—oh, rare the tunes and rich!
She's got songs for all of you—oh, the tunes are so unique and vibrant!
Here's hackneyed Devon Harbours (but the pollock's biting active);
Here's the overused Devon Harbours (but the pollock are definitely biting);
Here's Evening (rise in Hampshire); here's The Roller on the Pitch;
Here's Evening (rising in Hampshire); here's The Roller on the Pitch;
And music in the lot o' them—it doesn't matter which.
And music in all of them—it doesn't matter which.
We've long White Roads o' Brittany and pretty Wayside Posies,
We've long White Roads of Brittany and pretty Wayside Posies,
Blue Bays (beneath the undercliff—the white sails crawling by);
Blue Bays (under the cliff—the white sails drifting by);
We've Rabbits in a Hedgerow (how the bustling Clumber noses);
We've Rabbits in a Hedgerow (how the busy Clumber sniffs around);
We've Grouse Across the Valley (crashing crumpled from the sky);
We've Grouse Across the Valley (crashing crumpled from the sky);
And magic's in each note of her—it doesn't matter why.
And there’s magic in every note of her—it doesn’t matter why.
Here's Salmon Songs and Shrimping Songs, according to your pocket;
Here's Salmon Songs and Shrimping Songs, based on what you can carry;
Here's Hopping (with a lurcher—twice as useful as a gun
Here's Hopping (with a lurcher—twice as useful as a gun)
For the fat young August pheasants that'll never live to rocket);
For the fat young August pheasants that will never live to soar;
Here's a jolly Song o' Golf Balls; here's the tune of Cubs that Run;
Here's a cheerful Song o' Golf Balls; here's the melody of Cubs that Run;
We've something for each Jack o' you, for every mother's son.
We've got something for each of you, for every mother's child.
Good gentlemen, good gentlemen, we crave your kind permission!
Good gentlemen, good gentlemen, we seek your kind permission!
Here's Summer, at your service, and she'd sing you on your ways
Here's Summer, at your service, and she'll sing you on your way.
The marching songs of morning and the Road that fits the Vision,
The morning's marching songs and the path that aligns with the Vision,
The mellow songs of twilight and the gold September haze;
The soft songs of dusk and the golden September haze;
God rest you all, good gentlemen, and send you pleasant days.
God bless you all, good gentlemen, and wish you happy days.
The trend of wearing costumes is starting to creep into everyday social life.

Our dear old friend, the foreign spy (cunningly disguised as a golfer), visits our youngest suburb one Saturday afternoon in quest of further evidence of our lethargy, general decadence and falling birth-rate. He gets a shock and at once telegraphs to his commander-in-chief urging that the conquest of the British Isles be undertaken before the present generation is many years older.
Our old friend, the foreign spy (slyly pretending to be a golfer), visits our newest suburb one Saturday afternoon looking for more evidence of our laziness, overall decline, and falling birth rate. He’s in for a surprise and quickly sends a message to his commander-in-chief, urging that the takeover of the British Isles happen before this generation gets much older.
THE INTRUSIONS OF THE CINEMA.
[Jones, secretary to the South Sea Islanders' Regeneration Society, who is suffering from nerves, is recommended a very remote sea-coast retreat for his summer holiday. With his wife and family he tries it. The manager of a certain cinema company likewise chooses this particular spot for his company to rehearse their powerful new drama, "Down among the Dead Men."]
[Jones, the secretary for the South Sea Islanders' Regeneration Society, who is feeling anxious, is advised to spend his summer vacation at a quiet seaside retreat. He brings along his wife and family to try it out. Meanwhile, the manager of a cinema company also selects this same location for his team to practice their intense new drama, "Down among the Dead Men."]


Surf-rider. "I'm almost sure this isn't a bit the way it's done in those illustrated papers!"
Surf-rider. "I'm pretty sure this isn't exactly how they do it in those illustrated magazines!"

The Captain. "The bloomin' vice-president's forgot the stumps. Young Bill 'ere better be the wicket—'e wants to play and 'e's too little to bat agin swift bowlin'!"
The Captain. "The darn vice president forgot the stumps. Young Bill here better be the wicket—he wants to play and he's too small to bat against fast bowling!"

Native (having seen his rival tipped by guileless visitor). "'E's swindled yer, sir. I'm the oldest inhabitant—ninety-four come Sunday three weeks. 'e's only a youngster of eighty-two."
Native (having seen his rival tricked by a naive visitor). ""He's scammed you, sir. I'm the oldest resident—turning ninety-four in three weeks on Sunday. He's just a kid at eighty-two."."
A FULL JOY-DAY.
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Smith, who always wears the native costume when fishing in the highlands (his great-grand-aunt's step-father having been a McGregor) finds the midges somewhat troublesome. A little ingenuity however overcomes the difficulty.
Smith, who always wears traditional clothing when fishing in the highlands (his great-grand-aunt's step-father was a McGregor), finds the midges somewhat bothersome. However, with a little creativity, he manages to solve the issue.
THE "SPASMO" CANOELET.
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THE EMANCIPATION OF THE EAST.
The Grand Vizier, a master of polygamy, regrets the vogue of the cinema as an educative force.
The Grand Vizier, an expert in polygamy, laments that cinema has become a tool for education.
![]() Toughen your feet for beach walking. | ![]() Get your lungs used to marine scents. |
![]() Get ready to face the challenges of Neptune | ![]() Strengthen the interior for a boarding house diet. |
MR. PUNCH'S HOLIDAY FILM.
[Having had the good fortune to pick up for a mere song (or, to be more accurate, for a few notes) several thousand miles of discarded cinema films from a bankrupt company, Mr. Punch is gumming the best bits together and presenting them during the holiday season on the piers of many of our fashionable watering-places, such as Bayswater, Hackney Marshes and Ponder's End. The films comprise the well-known "Baresark Basil, the Pride of the Ranch" (two miles long), "The Foiler Foiled" (one mile, three furlongs, two rods, poles or perches), "The Blood-stained Vest" (fragment—eighteen inches), "A Maniac's Revenge" (5,000 feet), "The Life of the Common Mosquito" (six legs), and so forth. An accomplished writer has been chosen to weave a connected story round the selected parts of the films, and his scenario of Mr. Punch's great picture play, when finally gummed together, is given below. The illustrations depict a few representative incidents in the story—taken from the sketch-book of an artist who was present when the films were first being prepared.]
[Having been lucky enough to acquire several thousand miles of discarded movie films from a bankrupt company for almost nothing (or, to be more precise, for a small amount of money), Mr. Punch is putting together the best scenes and showcasing them during the holiday season at various trendy locations like Bayswater, Hackney Marshes, and Ponder's End. The films include the popular "Baresark Basil, the Pride of the Ranch" (two miles long), "The Foiler Foiled" (one mile, three furlongs, two rods, poles, or perches), "The Blood-stained Vest" (fragment—eighteen inches), "A Maniac's Revenge" (5,000 feet), "The Life of the Common Mosquito" (six legs), and more. A talented writer has been chosen to create a cohesive story from the selected film segments, and his script for Mr. Punch's grand picture play, when finally edited together, is provided below. The illustrations show a few key moments in the story—taken from the sketchbook of an artist who was there when the films were first being prepared.]
Twenty-five years before our film opens, Andrew Bellingham, a young man just about to enter his father's business, was spending a holiday in a little fishing village in Cornwall. The daughter of the sheep-farmer with whom he lodged was a girl of singular beauty, and Andrew's youthful blood was quickly stirred to admiration. Carried away by his passion for her, he—
Twenty-five years before our film begins, Andrew Bellingham, a young man about to join his father's business, was vacationing in a small fishing village in Cornwall. The daughter of the sheep farmer he was staying with was an exceptionally beautiful girl, and Andrew's youthful feelings were quickly ignited with admiration. Overwhelmed by his passion for her, he—
[Manager of Punch Film Company. Just a reminder that Mr. Redford has to pass this before it can be produced.]
[Manager of Punch Film Company. Just a reminder that Mr. Redford needs to give his approval before we can move forward with production.]
—he married her—
—he married her—
[Manager. Oh, I beg pardon.]
[Manager. Sorry about that.]
—and for some weeks they lived happily together. One day he informed Jessie that he would have to go back to his work in London, and that it might be a year or more before he could acknowledge her openly as his wife to his rich and proud parents. Jessie was prostrated with grief; and late that afternoon her hat and fringe-net were discovered by the edge of the waters. Realising at once that she must have drowned herself in her distress, Andrew took an affecting farewell of her father and the sheep, and returned to London. A year later he married a distant cousin, and soon rose to a condition of prosperity. At the time our film begins to unwind, he was respected by everybody in the City, a widower, and the father of a beautiful girl of eighteen, called Hyacinth.
—and for several weeks they lived happily together. One day, he told Jessie that he would need to return to his job in London and that it might be a year or more before he could openly acknowledge her as his wife to his wealthy and proud parents. Jessie was overwhelmed with grief; later that afternoon, her hat and fringe-net were found at the water's edge. Realizing immediately that she must have drowned herself in her despair, Andrew said a heartfelt goodbye to her father and the sheep, then went back to London. A year later, he married a distant cousin and quickly became successful. By the time our story begins, he was well-respected by everyone in the City, a widower, and the father of a beautiful eighteen-year-old girl named Hyacinth.
[Manager. Now we're off. What do we start with?]
[Manager. We're all set. What should we start with?]
On the sunny side of Fenchurch Street—
On the sunny side of Fenchurch Street—
[Manager. Ah, then I suppose we'd better keep back the Rescue from the Alligator and the Plunge down Niagara in a Barrel.]
[Manager. Well, I suppose we should postpone the Alligator Rescue and the Niagara Barrel Plunge.]
—Andrew Bellingham was dozing in his office. Suddenly he awoke to find a strange man standing over him.
—Andrew Bellingham was napping in his office. Suddenly, he woke up to see a strange man standing over him.
"Who are you?" asked Mr. Bellingham. "What do you want?"
"Who are you?" Mr. Bellingham asked. "What do you want?"
"My name is Jasper," was the answer, "and I have some information to give you." He bent down and hissed, "Your first wife is still alive!"
"My name is Jasper," was the answer, "and I have some information to share with you." He leaned in and whispered, "Your first wife is still alive!"
Andrew started up in obvious horror. "My daughter," he gasped, "my little Hyacinth! She must never know."
Andrew jumped up in obvious shock. "My daughter," he gasped, "my little Hyacinth! She can never find out."
"Listen. Your wife is in Spain—
"Listen. Your wife is in Spain—
[Manager. Don't waste her time. Do it somewhere with sharks.
Author. It's okay, she's actually gone.]
—and she will not trouble you. Give me a thousand pounds, and you shall have these;" and he held out a packet containing the marriage certificate, a photograph of Jessie's father dipping a sheep, a receipted bill for a pair of white gloves, size 9½, two letters signed "Your own loving little Andy Pandy," and a peppermint with "Jess" on it in pink. "Once these are locked up in your safe, no one need never know that you were married in Cornwall twenty-five years ago."
—and she won't bother you. Give me a thousand pounds, and you can have these;" and he held out a packet containing the marriage certificate, a photo of Jessie's father shearing a sheep, a receipt for a pair of white gloves, size 9½, two letters signed "Your own loving little Andy Pandy," and a peppermint with "Jess" written in pink. "Once these are locked up in your safe, no one will ever know that you got married in Cornwall twenty-five years ago."
Without a moment's hesitation Mr. Bellingham took a handful of bank-notes from his pocket-book, and the exchange was made. At all costs he must preserve his little Hyacinth from shame. Now she need never know. With a forced smile he bowed Jasper out, placed the packet in his safe and returned to his desk.
Without a second thought, Mr. Bellingham pulled a handful of banknotes from his wallet, and the deal was done. At all costs, he had to protect his little Hyacinth from embarrassment. Now she wouldn’t have to find out. With a strained smile, he ushered Jasper out, put the packet in his safe, and went back to his desk.
But his mysterious visitor was not done with yet. As soon as the door had closed behind him Jasper re-entered softly, drugged Andrew hastily, and took possession again of the compromising documents. By the time Mr. Bellingham had regained his senses the thief was away. A hue-and-cry was raised, police whistles were blown, and Richard Harrington, Mr. Bellingham's private secretary, was smartly arrested.
But his mysterious visitor wasn't finished yet. As soon as the door closed behind him, Jasper quietly slipped back in, drugged Andrew quickly, and took back the compromising documents. By the time Mr. Bellingham came to his senses, the thief was long gone. A commotion broke out, police whistles were blown, and Richard Harrington, Mr. Bellingham's private secretary, was swiftly arrested.
At the trial things looked black against[Pg 49] Richard. He was poor and he was in love with Hyacinth; the chain of evidence was complete. In spite of his impassioned protest from the dock, in spite of Hyacinth's dramatic swoon in front of the solicitors' table, the judge with great solemnity passed sentence of twenty years' penal servitude. A loud "Hear, hear" from the gallery rang through the court, and, looking up, Mr. Bellingham caught the sardonic eye of the mysterious Jasper.
At the trial, things looked really bad for[Pg 49] Richard. He was broke and in love with Hyacinth; the evidence against him was solid. Despite his passionate pleas from the dock and Hyacinth's dramatic fainting at the solicitors' table, the judge solemnly sentenced him to twenty years of hard labor. A loud "Hear, hear" from the gallery echoed through the courtroom, and, looking up, Mr. Bellingham caught the cynical gaze of the mysterious Jasper.
Richard had been in prison a month before the opportunity for his escape occurred. For a month he had been hewing stone in Portland, black despair at his heart. Then, like lightning, he saw his chance and took it. The warders were off guard for a moment. Hastily lifting his pickaxe——
Richard had been in prison for a month before the chance to escape came. For that month, he had been breaking stone in Portland, feeling deep despair. Then, like a flash, he spotted his opportunity and seized it. The guards were distracted for a moment. Quickly lifting his pickaxe——
[Manager. Sorry, but it's a spade in the only prison film we've got.]
[Manager. Sorry, but it’s a straightforward situation in the only prison movie we have.]
Hastily borrowing a spade from a comrade who was digging potatoes, he struck several of his gaolers down, and, dodging the shots of others who hurried to the scene, he climbed the prison wall and dashed for freedom.
Hastily borrowing a shovel from a colleague who was digging potatoes, he took down several of his guards and, dodging the gunfire from others rushing to the scene, he climbed the prison wall and ran for freedom.
Reaching Weymouth at nightfall, he made his way to the house which Hyacinth had taken in order to be near him, and, suitably disguised, travelled up to London with her in the powerful motor which she had kept ready. "At last, my love, we are together," he murmured as they neared Wimbledon. But he had spoken a moment too soon. An aeroplane swooped down upon them, and Hyacinth was snatched from his arms and disappeared with her captors into the clouds.
Reaching Weymouth at night, he headed to the house that Hyacinth rented to be close to him, and, disguised appropriately, traveled to London with her in the powerful car she had prepared. “Finally, my love, we’re together,” he whispered as they approached Wimbledon. But he had spoken a moment too soon. An airplane swooped down on them, and Hyacinth was taken from his arms and vanished with her captors into the clouds.
Richard's first act on arriving in London was to go to Mr. Bellingham's house. Andrew was out, but a note lying on his study carpet, "Meet me at the Old Windmill to-night," gave him a clue. On receipt of this note Andrew had gone to the rendezvous, and it was no surprise to him when Jasper stepped out and offered to sell him a packet containing a marriage certificate, a photograph of an old gentleman dipping a sheep, a peppermint lozenge with "Jess" on it, and various other documents for a thousand pounds.
Richard's first move when he got to London was to head over to Mr. Bellingham's house. Andrew wasn't home, but a note on the carpet in his study read, "Meet me at the Old Windmill tonight," which gave him a lead. When Andrew received this note, he went to the rendezvous, and it didn't shock him when Jasper appeared and offered to sell him a packet that included a marriage certificate, a photo of an old man dipping a sheep, a peppermint lozenge with "Jess" written on it, and several other documents for a thousand pounds.
"You villain," cried Andrew, "even at the trial I suspected you," and he rushed at him fiercely.
"You villain," shouted Andrew, "I even suspected you during the trial," and he lunged at him angrily.
A desperate struggle ensued. Breaking free for a moment from the vice-like grip of the other, Jasper leapt with the spring of a panther at one of the sails of the windmill as it came round, and was whirled upwards; with the spring of another panther, Andrew leapt on to the next sail and was whirled after him. At that moment the wind dropped, and the combatants were suspended in mid-air.
A frantic struggle broke out. For a moment, Jasper broke free from the other’s tight grip and jumped onto one of the windmill sails as it rotated, getting lifted upwards. With the agility of a cat, Andrew jumped onto the next sail and was pulled up with him. Just then, the wind stopped, leaving them hanging in mid-air.
It was upon this terrible scene that Richard arrived. Already a crowd was collecting; and, though at present it did not seem greatly alarmed, feeling convinced that it was only assisting at another cinematograph rehearsal, its suspicions might at any moment be aroused. With a shout, he dashed into the mill. Seeing him coming Jasper dropped his revolver and slid down the sail into the window. In a moment he reappeared at the door of the mill with Hyacinth under his arm. "Stop him!" cried Richard from underneath a sack of flour. It was no good. Jasper had leapt with his fair burden upon the back of his mustang and was gone....
It was in the midst of this terrible scene that Richard arrived. A crowd was already gathering; and, while they didn’t seem overly alarmed at the moment, thinking it was just another film rehearsal, their suspicions could be raised at any time. With a shout, he rushed into the mill. Seeing him approach, Jasper dropped his gun and slid down the sail into the window. In an instant, he reappeared at the mill door with Hyacinth under his arm. "Stop him!" Richard shouted from beneath a sack of flour. It was pointless. Jasper had jumped onto his mustang with Hyacinth and was gone...
The usual pursuit followed.
The usual pursuit continued.
It was the gala night at the Royal Circus. Ricardo Harringtoni, the wonderful new acrobat of whom everybody was talking, stood high above the crowd on his platform. His marvellous performance on the swinging horizontal bar was about to begin. Richard Harrington (for it was he) was troubled. Since he had entered on his new profession—as a disguise from the police who were still searching for him—he had had a vague suspicion that the lion-tamer was dogging him. Who was the lion-tamer? Could it be Jasper?
It was gala night at the Royal Circus. Ricardo Harringtoni, the amazing new acrobat everyone was buzzing about, stood high above the crowd on his platform. His incredible performance on the swinging horizontal bar was about to start. Richard Harrington (that was him) felt uneasy. Ever since he started this new gig—as a way to hide from the police who were still looking for him—he had a nagging feeling that the lion-tamer was following him. Who was the lion-tamer? Could it be Jasper?
At that moment the band struck up and Richard leapt lightly on to the swinging bar. With a movement full of grace he let go of the bar and swung on to the opposite platform. And then, even as he was in mid-air, he realized what was happening.
At that moment, the band started playing and Richard jumped onto the swinging bar with ease. With a graceful motion, he released the bar and swung onto the opposite platform. And then, even while he was mid-air, he understood what was going on.
Jasper had let the lion loose!
Jasper had set the lion free!
It was waiting for him.
It was waiting for him.
With a gasping cry Ricardo Harrington fainted.
With a gasp, Ricardo Harrington passed out.
When he recovered consciousness, Richard found himself on the S.S. Boracic, which was forging her way through the—-
When he regained consciousness, Richard found himself on the S.S. Boracic, which was making its way through the—-
[Manager.—Somewhere where there are sharks.]
[Manager.—A place with sharks.]
—the Indian Ocean. Mr. Bellingham was bathing his forehead with cooling drinks.
—the Indian Ocean. Mr. Bellingham was refreshing his forehead with cool beverages.
"Forgive me, my boy," said Mr. Bellingham, "for[Pg 50] the wrong I did you. It was Jasper who stole the compromising documents. He refuses to give them back unless I let him marry Hyacinth. What can I do?"
"Forgive me, my boy," Mr. Bellingham said, "for[Pg 50] the wrong I did to you. It was Jasper who took the compromising documents. He won't give them back unless I let him marry Hyacinth. What can I do?"
"Where is she?" asked Richard.
"Where is she?" Richard asked.
"Hidden away no one knows where. Find her, get back the documents for me, and she is yours."
"She's hiding somewhere no one knows. Find her, retrieve the documents for me, and she'll be yours."
At that moment a terrible cry rang through the ship; "Man overboard!" Pushing over Mr. Bellingham and running on deck, Richard saw that a woman and her baby were battling for life in the shark-infested waters. In an instant he had plunged in and rescued them. As they were dragged together up the ship's side he heard her murmur, "Is little Jasper safe?"
At that moment, a terrible cry echoed through the ship: "Man overboard!" Shoving Mr. Bellingham aside and rushing on deck, Richard saw a woman and her baby fighting for their lives in the shark-infested waters. Without hesitation, he jumped in and saved them. As they were pulled up the side of the ship, he heard her whisper, "Is little Jasper safe?"
"Jasper?" cried Richard.
"Jasper?" shouted Richard.
"Yes, called after his daddy."
"Yeah, named after his dad."
"Where is daddy now?" asked Richard hoarsely.
"Where's dad now?" Richard asked hoarsely.
"In America."
"In the U.S."
"Can't you see the likeness?" whispered Richard to Mr. Bellingham. "It must be. The villain is married to another. But now I will pursue him and get back the papers." And he left the boat at the next port and boarded one for America.
"Can't you see the resemblance?" Richard whispered to Mr. Bellingham. "It has to be. The villain is married to someone else. But now I'm going to track him down and retrieve the papers." Then he got off the boat at the next port and boarded one heading to America.
The search through North and South America for Jasper was protracted. Accompanied sometimes by a band of cowboys, sometimes by a tribe of Indians, Richard scoured the continent; for his enemy. There were hours when he would rest awhile and amuse himself by watching the antics of the common mosquito. [Manager. Good!] or he would lie at full length and gaze at a bud bursting into flower [Manager. Excellent!]. Then he would leap on to his steed and pursue the trail relentlessly once more.
The search for Jasper across North and South America took a long time. Sometimes accompanied by a group of cowboys, other times by a tribe of Native Americans, Richard combed the continent for his enemy. There were times when he would take a break and entertain himself by watching the antics of a common mosquito. [Manager. Good!] Or he would lie down and watch a bud blooming into a flower [Manager. Excellent!]. Then he would jump back on his horse and continue the chase with determination.
One night he was dozing by his camp-fire, when he was awakened roughly by strong arms around his neck and Jasper's hot breath in his ear.
One night, he was dozing by his campfire when he was suddenly jolted awake by strong arms around his neck and Jasper's warm breath in his ear.
"At last!" cried Jasper, and, knocking Richard heavily on the head with a boot, he picked up his unconscious enemy and carried him to a tributary of the Amazon noted for its alligators. Once there he tied him to a post in mid-stream and rode hastily off to the nearest town, where he spent the evening witnessing the first half of The Merchant of Venice. [Manager. Splendid!] But in the morning a surprise awaited him. As he was proceeding along the top of a lonely cliff he was confronted suddenly by the enemy whom he had thought to kill.
"Finally!" shouted Jasper, and, hitting Richard hard on the head with a boot, he picked up his unconscious foe and took him to a branch of the Amazon known for its alligators. Once there, he tied him to a post in the middle of the stream and quickly rode off to the closest town, where he spent the evening watching the first half of The Merchant of Venice. [Manager. Awesome!] But in the morning, a surprise was waiting for him. As he was walking along the edge of a lonely cliff, he was suddenly faced with the enemy he thought he had killed.
"Richard!" he cried, "escaped again!"
"Richard!" he shouted, "escaped again!"
"Now, Jasper, I have you."
"Now, Jasper, I've got you."
With a triumphant cry they rushed at each other; a terrible contest ensued; and then Jasper, with one blow of his palm, hurled his adversary over the precipice.
With a victorious shout, they charged at each other; a fierce battle broke out; and then Jasper, with a single strike of his hand, sent his opponent flying over the cliff.
How many times the two made an end of each other after this the films will show. Sometimes Jasper sealed Richard in a barrel and pushed him over Niagara; sometimes Richard tied Jasper to a stake, and set light to him; sometimes they would both fall out of a balloon together. But the day of reckoning was at hand.
How many times the two finished each other off after this the films will show. Sometimes Jasper locked Richard in a barrel and rolled him over Niagara; sometimes Richard tied Jasper to a stake and set him on fire; sometimes they would both fall out of a balloon together. But the day of reckoning was coming.
[Manager. We've only got the Burning House and the 1913 Derby left.
[Manager. We only have the Burning House and the 1913 Derby remaining.
Author. Right.]
Author. Got it.]
It is the evening of the 3rd of June. A cry rends the air suddenly, whistles are blowing, there is a rattling of horses' hoofs. "Fire! Fire!" Richard, who was passing Soho Square at the time, heard the cry and dashed into the burning house. In a room full of smoke he perceived a cowering woman. Hyacinth! To pick her up was the work of a moment, but how shall he save her? Stay! The telegraph wire! His training at the Royal Circus stood him in good stead. Treading lightly on the swaying wire he carried Hyacinth across to the house opposite.
It’s the evening of June 3rd. Suddenly, a scream cuts through the air, whistles are blowing, and the sound of horse hooves clatter all around. “Fire! Fire!” Richard, who was passing by Soho Square at the moment, heard the shout and rushed into the burning building. In a smoke-filled room, he spotted a terrified woman. Hyacinth! Picking her up was quick, but how would he get her out safely? Wait! The telegraph wire! His training at the Royal Circus was about to pay off. Carefully balancing on the swaying wire, he carried Hyacinth across to the house across the street.
"At last, my love," he breathed.
"Finally, my love," he said.
"But the papers," she cried. "You must get them, or father will not let you marry me."
"But the papers," she exclaimed. "You have to get them, or dad won't let you marry me."
Once more he treads the rocking wire; once more he re-crosses, with the papers on his back. Then the house behind him crumbles to the ground, with the wicked Jasper in its ruins.
Once again, he walks the swaying wire; once again, he crosses over, with the papers on his back. Then the house behind him collapses to the ground, with the evil Jasper in its wreckage.
"Excellent," said Mr. Bellingham at dinner that evening. "Not only are the papers here, but a full confession by Jasper. My first wife was drowned all the time; he stole the documents from her father. Richard, my boy, when the Home Secretary knows everything he will give you a free pardon. And then you can marry my daughter."
"Great," said Mr. Bellingham at dinner that evening. "Not only are the papers here, but there's also a full confession from Jasper. My first wife was drowned all the time; he took the documents from her father. Richard, my boy, when the Home Secretary knows everything, he'll give you a full pardon. And then you can marry my daughter."
At these words Hyacinth and Richard were locked in a close embrace. On the next day they all went to the Derby together.
At these words, Hyacinth and Richard embraced tightly. The next day, they all went to the Derby together.

A MASTERPIECE IN THE MAKING.
Lord Lansdowne (Art Dealer, to Mr. Asquith). "YES, I QUITE SEE YOUR IDEA—A FIGURE OF PEACE; BUT, SINCE YOU INVITE SUGGESTIONS FROM ME, I SHOULD SAY THAT THE ADDITION OF A FEW RECOGNISABLE SYMBOLS, SUCH AS A PAIR OF WINGS, OR A DOVE, OR AN OLIVE-BRANCH, MIGHT HELP TO MAKE IT CORRESPOND MORE CLEARLY WITH MY PUBLIC'S NOTION OF THE GODDESS IN QUESTION."
Lord Lansdowne (Art Dealer, to Mr. Asquith). "YES, I UNDERSTAND YOUR IDEA—A REPRESENTATION OF PEACE; BUT, SINCE YOU'RE OPEN TO SUGGESTIONS FROM ME, I WOULD SUGGEST THAT ADDING A FEW RECOGNIZABLE SYMBOLS, LIKE A PAIR OF WINGS, A DOVE, OR AN OLIVE BRANCH, MIGHT HELP IT ALIGN MORE CLEARLY WITH MY AUDIENCE'S UNDERSTANDING OF THE GODDESS WE'RE DISCUSSING."
ESSENCE OF PARLIAMENT.
House of Commons, Monday, June 29.—Curious how the Labour Party, who the other day, joining hands with the Conservatives, nearly threw the Government out, lead the way in sartorial fashion. Since Don't Keir Hardie, home from the storied East, presented himself in a reach-me-down suit of white drill such as is worn aboard ship in the Red Sea, nothing has created such sensation as the dropping in this afternoon of Mr. Hodge, arrayed in a summer suit. It was not, as some might have expected, the simple garment of the elder branch of his honourable family. No. It was not a smock such as Frank Lockwood pictured Bobby Spencer wearing when he made his historic declaration, "I am not an agricultural labourer." Hodge (Gorton Div., Lancs., Lab.), as The Times' parliamentary report has it, burst upon the attention of a crowded House at Question-time got up in wondrous garment, white in the foundation of colour, but relieved from the crude hardness of Don't Keir Hardie's suit by what suggested dexterous process of patting and lightly smearing with a mustard-spoon. A Trilby hat crowned and accentuated this creation.
House of Commons, Monday, June 29.—It's interesting how the Labour Party, which just recently joined forces with the Conservatives to nearly toss the Government out, is now setting the trend in fashion. Since Don’t be like Keir Hardie returned from the legendary East wearing a hand-me-down white drill suit like the ones worn on ships in the Red Sea, nothing has caused quite as much buzz as Mr. Hodge showing up this afternoon in a summer suit. It wasn’t, as some might have expected, the plain outfit from the elder branch of his respectable family. No. It wasn’t a smock like the one Frank Lockwood depicted Bobby Spencer wearing when he infamously claimed, "I am not an agricultural laborer." Hodge (Gorton Div., Lancs., Lab.), as The Times' parliamentary report puts it, made an entrance in front of a packed House during Question time, dressed in a striking outfit that was predominantly white but softened from the stiff severity of Don't Keir Hardie’s suit by what appeared to be a clever technique of patting and lightly smearing with a mustard spoon. A Trilby hat topped off and highlighted this creation.
As the vision crossed the Bar Members sat silent, gazing upon it with lips slightly parted. Similarly, upon a peak in Darien, stout Cortez stared at the Pacific.
As the vision passed by, the Bar Members sat quietly, watching it with their lips slightly parted. In the same way, atop a peak in Darien, strong Cortez looked out at the Pacific.
Silence was broken by a burst of hearty cheering, in which the keen ear detected a slightly discordant note. Whilst Members were frankly disposed to applaud the boldness of what I believe purveyors of new models of female dress call the "confection," whilst they were lost in admiration of its effect, there was a feeling of disappointment that they had not thought of it themselves, and been the first to enter the field.
Silence was shattered by a wave of enthusiastic cheering, where a sharp ear could catch a slightly off note. While the Members were eager to applaud the boldness of what I believe those who sell new styles of women’s fashion call the "confection," and were captivated by its impact, there was also a sense of disappointment that they hadn't come up with the idea themselves and been the first to jump into the arena.
Thanks to the genius of Frank Lockwood a former House was able to realise the figure presented by the present. Earl Spencer, whilst still with us in the Commons, skipping along in the purity of a Monday morning smock, carrying in his right hand a garlanded pitchfork. What the present House, jaded with a succession of Budgets and the persistence of the Ulster question, would like to see is the entrance of those twin brethren, Lord Castlereagh and Earl Winterton, walking arm-in-arm, arrayed in garb approaching as nearly as possible that which, thanks to Mr. Hodge, this afternoon illuminated the Legislative Chamber.
Thanks to the brilliance of Frank Lockwood, a former House member was able to envision the figure brought to life by the present. Earl Spencer, while still in the Commons, gliding along in the freshness of a Monday morning outfit, holding a decorated pitchfork in his right hand. What the current House, worn out from a series of Budgets and the ongoing Ulster issue, would love to see is the entrance of those two brothers, Lord Castlereagh and Earl Winterton, walking side by side, dressed in outfits as close as possible to what, thanks to Mr. Hodge, lit up the Legislative Chamber this afternoon.
Business done.—Chancellor of Exchequer announced third edition of Budget. "Before the end of the week," said Sark, "I expect we shall meet him running up and down the Terrace with hand to widely-opened mouth shouting "Extry Speshul!"
Business done.—Chancellor of the Exchequer announced the third edition of the Budget. "Before the end of the week," said Sark Island, "I expect we'll see him running up and down the Terrace with his mouth wide open shouting, 'Extra Special!'"
Tuesday.—Amery began to think he had escaped consequences of his little mistake. Nearly a week has sped since he called attention to indiscretion of Captain Bellingham, aide-de-camp to the Lord-Lieutenant, who, reviewing small body of Nationalist volunteers, enjoined them to stand fast by cause of Home Rule. From answer of Chief Secretary it appeared that Member for South Birmingham had been forestalled by Lord Aberdeen, who had called upon the Captain for explanation and received suitable apology for the error.
Tuesday.—Amery started to think he had gotten away with the consequences of his little mistake. Nearly a week had passed since he pointed out the indiscretion of Captain Bellingham, aide-de-camp to the Lord-Lieutenant, who, while reviewing a small group of Nationalist volunteers, urged them to remain committed to the cause of Home Rule. From the response of the Chief Secretary, it seemed that the Member for South Birmingham had been preempted by Lord Aberdeen, who had asked the Captain for an explanation and received a proper apology for the mistake.
Irish Members quick to see opening innocently made for them. Having long regarded with resentment Lord Londonderry's active patronage of movements of Ulster volunteers, have sedulously sought opportunity of bringing it under notice of House. Amery obligingly provided it. Unexpected delay in seizing it was due to search for particulars now presented in form of question addressed to Premier, citing with dates and places six separate occasions when the aide-de-camp to the King had, by his presence and counsel, sanctioned reviews of Ulster volunteers, "whose avowed object," as the question put it, "is, in event of enactment of Home Rule Bill, to resist by armed force the authority of the Crown and Parliament, and to make the administration of the law impossible." What Mr. Devlin, with studied politeness, was anxious to know was "whether there is any special reason why in this matter the Marquis of Londonderry should be treated differently from Captain Bellingham?"
Irish Members quickly saw an opportunity that had come up for them. Having long held resentment towards Lord Derry's active support of the Ulster volunteer movements, they diligently sought a chance to bring it to the attention of the House. Amery kindly provided that chance. The unexpected delay in addressing it was due to the search for details now presented in the form of a question directed to the Prime Minister, listing with dates and locations six separate occasions when the aide-de-camp to the King had, through his presence and advice, endorsed reviews of Ulster volunteers, "whose stated purpose," as the question highlighted, "is, in the event that the Home Rule Bill is enacted, to resist by armed force the authority of the Crown and Parliament, and to render the enforcement of the law impossible." What Mr. Devlin, with deliberate politeness, wanted to know was "whether there is any special reason why the Marquis of Derry should be treated differently from Captain Bellingham?"
Premier not to be drawn into the controversy. Duties of aide-de-camp to the King, unlike those of aide-de-camp to Lord-Lieutenant, are, he said, of entirely honorary character. In such circumstances he did not think it worth while to take notice of the matter.
Prime Minister chose not to get involved in the controversy. The responsibilities of an aide-de-camp to the King, as opposed to those of an aide-de-camp to the Lord-Lt., are, he stated, purely honorary. Given these circumstances, he believed it was not worth addressing the issue.

Lord Morley. "Thanks, I won't trouble you; I still have a crust left."
Lord Morley. "Thanks, I won't bother you; I still have some food left."
["The noble marquis seemed to regard the Government as a shipwrecked mariner—I presume a pirate. If I am a pirate he is the last man to whom I should think of applying for aid, unless the distress was dire indeed."
["The noble marquis seemed to see the Government as a shipwrecked sailor—I assume a pirate. If I'm a pirate, he's the last person I’d consider asking for help, unless the situation was really desperate."]
Lord Morley.]
Lord Morley.
Effect of the reply designedly chilling; object of question attained by publicly submitting it. Amery "wishes he hadn't spoke."
Effect of the reply intentionally cold; goal of the question achieved by publicly asking it. Amery "wishes he hadn't spoken."
The Premier's imperturbability stood him in even greater stead at later proceedings. On going into Committee of Supply, Hope of Sheffield moved reduction of his salary on account of alleged failure to take necessary steps to maintain high standard of single-minded disinterestedness in public service. Though nominally concerned with the Premier and the public service Hope told a flattering tale which was a thinly veiled attack on that meek personage the Chancellor of the Exchequer.
The Premier's calmness served him well in later discussions. When they entered the Committee of Supply, Hope from Sheffield proposed a cut in his salary because of an alleged failure to uphold a high standard of selfless dedication in public service. While it seemed to directly concern the Leader and public service, Hope spun a flattering story that was really a thinly disguised attack on that mild-mannered figure, the Chancellor of the Treasury.
Archer-Shee, who followed, was less circuitous in his retrograde march on old Marconi quarters. Soon had Committee in state of uproar vainly combated by those champions of order, Winterton, Arthur Markham and Swift MacNeill. Winterton, whilst constitutionally forceful, was irresistibly irrelevant. Member for Pontefract venturing to offer an observation, Winterton shouted, "Order, pigeons!"
Archer-Shee, who came next, was less indirect in his backward approach to the old Marconi quarters. Soon, he had the Committee in an uproar, which was futilely countered by the champions of order, Winterton, Arthur Markham, and Swift MacNeill. Winterton, while naturally assertive, was completely off-topic. When the Member for Pontefract tried to make a point, Winterton shouted, "Order, pigeons!"
Of course there were no pigeons about. An active mind, quick to seize a point, had harked back to Dick Turpin Booth's ride to Yorkshire in a race with carrier pigeons.
Of course, there were no pigeons around. A sharp mind, quick to grasp a point, had remembered Dick Turpin's Booth ride to Yorkshire in a race against carrier pigeons.
Markham denounced Archer-Shee for delivering "a low attack that could not be answered." Accusation summarised by other Members with yell of "Coward!"
Markham condemned Archer-Shee for making "a cheap shot that couldn’t be countered." The accusation was echoed by other members with shouts of "Coward!"
As for Swift MacNeill, Archer-Shee presuming to rise simultaneously with one of his many upgettings, he turned upon him and roared, "Sit down, Sir!" Gallant Major so terrified that he incontinently fell back in his seat.
As for Swift MacNeill, when Archer-Shee dared to stand up at the same time during one of his many outbursts, he turned to him and shouted, "Sit down, Sir!" The brave Major was so frightened that he immediately fell back into his seat.
To general discussion Members from various quarters of House contributed the observations, "Dirty lies!" "Coward!" "Caddish!" "Unspeakably low!" "Shut up!" Only for coolness, courage and prompt decision of Whitley in the Chair discreditable scene would have worthily taken its place among others that smirch pages of Parliamentary record. Having occupied two hours of time assumed to be valuable it died out from sheer exhaustion. On division what was avowedly vote of censure on Premier negatived by majority of 152.
To the general discussion, members from various parts of the House shouted out comments like, "Dirty lies!" "Coward!" "Caddish!" "Unspeakably low!" "Shut up!" Only due to Whitley's calmness, bravery, and quick decision while in the Chair could this disgraceful scene be seen as anything other than another embarrassing moment in the history of Parliamentary records. After taking up two hours of what was supposed to be valuable time, it eventually fizzled out from sheer exhaustion. In the vote, what was clearly a censure against the Prime Minister was rejected by a majority of 152.
Business done.—Summer storm in Committee of Supply.
Business completed.—Summer storm in the Committee of Supply.
House of Lords, Thursday.—Second night of debate on Amending Bill to modify a measure not yet enacted. House crowded, evidently weighed down by a sense of direct responsibility at grave crisis. Le brave Willoughby de Broke has no patience with attitude of noble lords on Front Opposition Bench. Is congenitally prone to take a short way with dissenters. Came to the fore five years ago, when what Haldane called Lloyd George's first great Budget (eclipsed by his second) fell like a bomb in the Parliamentary arena. Whilst elder peers were disposed to temporise in view of constitutional difficulty, Willoughby had only three words to say—"Throw it out!"—Milner adding a fearless remark about the consequences whose emphasis has been excelled only by Mrs. Patrick Campbell in Pygmalion. So the Budget was shattered on the rock of the House of Lords, and in swift reprisal with it went the supremacy of that ancient institution.
House of Lords, Thursday.—Second night of debate on the Amending Bill to change a measure that hasn’t been passed yet. The House is packed, clearly burdened by a sense of responsibility during this serious crisis. Le brave Willoughby de Broke has no patience for the attitude of the noble lords on the Front Opposition Bench. He has a tendency to take a blunt approach with dissenters. He emerged five years ago when what Haldane referred to as Lloyd George’s first major Budget (overshadowed by his second) dropped like a bomb in Parliament. While older peers were inclined to hesitate due to constitutional difficulties, Willoughby had just three words to say—"Throw it out!"—with Milner adding a bold comment about the consequences, which was only outdone by Mrs. Patrick Campbell in Pygmalion. Thus, the Budget was shattered against the House of Lords, and in rapid retaliation, the supremacy of that ancient institution was also lost.
Less effectual in his resistance to the Parliament Act which promptly followed, De Broke is insistent upon treating the Amending Bill as the Budget of 1909 was treated. Has moved its rejection and, in spite of Halsbury, threatens to go to a division.
Less effective in opposing the Parliament Act that followed quickly, Broke is adamant about treating the Amending Bill the same way the Budget of 1909 was handled. He has proposed its rejection and, despite Halsbury, is threatening to push for a vote.
Meanwhile Lansdowne, in weighty speech worthy great occasion, announces intention of voting for Second Reading of Bill, with intent to amend it in Committee. Originally planned that division should be taken to-night. So many peers have something to say that it is postponed till Monday.
Meanwhile Lansdowne, in a serious speech fitting for the occasion, announces his intention to vote for the Second Reading of the Bill, with plans to make amendments in Committee. It was originally planned for the division to take place tonight. However, since so many peers wish to speak, it is postponed until Monday.
Business done.—Debate on Amending (Home Rule) Bill continued.
Business completed.—Discussion on the Amending (Home Rule) Bill continued.

THE "FRESH AIR FUND": AN APPRECIATION.
"There, now, ain't that a treat, Billy? There ain't no country in the world I like so much as England."
"Wow, what a nice surprise, Billy! There's no country in the world I love more than England."
THE NEW PROFESSIONAL HUMILITY.
["I have always held a decided opinion that the less people trouble themselves about literature the better for them."—M. Pierre Loti (vide "Daily Chronicle.")]
["I've always thought that the less people stress about literature, the better they'll be."—M. Pierre Loti (see "Daily Chronicle.")]
Sir Thomas Lipton. How can a tea-drinking people hope to lift the Cup? Tannin is a poison fatal to the true sportsman.
Sir Thomas Lipton . How can a tea-drinking nation expect to win the Cup? Tannin is a toxic substance that can be harmful to a true athlete.
The Chancellor of the Exchequer. The interest taken in politics diverts attention from everything that really matters.
The Chancellor of the Treasury. The interest in politics takes focus away from what truly matters.
The Poet Laureate. Poetry is not only a drug on the market, it is a drug that narcotises and debilitates all true manhood.
The Poet Laureate. Poetry isn't just something you can buy; it's a substance that numbs and weakens genuine masculinity.
Mr. Eustace H. Miles. Vegetarianism is fit only for pigs. The noble king of the forest is a meat-eater.
Mr. Eustace H. Miles. Vegetarianism is only suitable for pigs. The majestic king of the forest is a meat-eater.
Lord Roberts. The military bias is the only obstacle to peace.
Lord Roberts. The military mindset is the only barrier to peace.
Mme. Clara Butt. The human voice was given us for fish-hawking and encouraging football-players, not for singing.
Mme. Clara Butt. We were given the human voice for shouting at fishmongers and cheering on football players, not for singing.
Sir H. Beerbohm Tree. I cannot think why anyone goes to the theatre. It bores me horribly.
Sir H. Beerbohm Tree. I can't understand why anyone would go to the theater. It really bores me.
Mr. H. G. Wells. The past alone possesses interest for intelligent men.
Mr. H.G. Wells. The past is the only thing that interests intelligent people.
Mr. G. K. Chesterton. Orthodoxy, it has been said, is my doxy; heterodoxy is other people's doxy; but paradoxy is the devil's doxy.
Mr. G.K. Chesterton. Orthodoxy is my belief; heterodoxy is what others believe; but paradoxy is the devil's belief.
Sir E. Elgar. Music? How can any serious man fiddle while Home is burning?
Sir E. Elgar. Music? How can any serious person play around while the country is in crisis?
Sir E. J. Poynter. The Royal Academy is crushing the life out of English Art. The country's only hope is in Cubism.
Sir E.J. Poynter. The Royal Academy is stifling English Art. The only hope for the country lies in Cubism.
Signor Marinetti. Your Royal Academy is the true Temple of Art. I never cross its threshold without first removing my sandals.
Mr. Marinetti. Your Royal Academy is the true Temple of Art. I never step inside without taking off my shoes first.
A Record Cast.
"Mr. A. Owen caught a 3 lb. 15 oz. chub at Abingdon, close to Henley."

Why should not persevering Peter of the push-bike adopt, when travelling, the same supercilious attitude as languid Lionel of the touring-car de luxe.
Why shouldn’t determined Peter on the bike have the same confident attitude while traveling as relaxed Lionel in the luxury car?
THE JESTING OF JANE.
I like a good practical joke; as the garland adorning
I enjoy a good practical joke; like the garland decorating
The hair of a maiden it shines, as the balm that is shed
The maiden's hair shines like the oil that is poured.
On the brain of a wandering minstrel; it comes without warning,
On the mind of a wandering minstrel; it arrives suddenly,
Transmuting to gold an existence that once was as lead.
Turning a life that used to be like lead into one of gold.
It glads, it rejoices the soul; recollecting it after
It makes me happy, it lifts my spirits; remembering it after
One well-nigh explodes; but I say there are seasons for laughter,
One nearly explodes; but I say there are times for laughter,
And, like other great men, I am not at my best in the morning
And, like other great people, I’m not at my best in the morning.
When just out of bed.
When just getting out of bed.
So it was that last week, when the pitiless glare of Apollo
So it was that last week, when the harsh light of Apollo
Was toasting the lawn till it looked like a segment of mat,
Was drying out the lawn until it appeared like a patch of carpet,
When I came to my breakfast at length from a lingering wallow
When I finally got to my breakfast after lounging around for a while
In a bath that professed to be cold—as I moodily sat
In a bath that claimed to be cold—as I sulkily sat
And observed how the heat on the pavements was momently doubling,
And noticed how the heat on the pavement was constantly increasing,
And hated the coffee for looking so brown and so bubbling,
And hated the coffee for looking so brown and so bubbly,
And hated my paper, which seemed to expect me to follow
And I hated my paper, which seemed to expect me to follow
A prize-fight (my hat!)—
A prize fight (my hat!)—
When I heard a great noise as though heaven was breaking asunder,
When I heard a loud noise like heaven was tearing apart,
And "Thanks be to glory," said I, "for this merciful dole;
And "Thanks be to glory," I said, "for this generous gift;
The rain! the beneficent rain! Will it lighten, I wonder?
The rain! The wonderful rain! I wonder if it will let up?
I need not pack up, after all, for my cruise to the Pole;"
I don't need to pack after all for my cruise to the Pole.
And my spirits revived and my appetite seemed to awaken,
And my mood lifted and my appetite started to come back,
And I said so to Jane as she brought in the kidneys and bacon;
And I told Jane this as she brought in the kidneys and bacon;
I was vexed when she answered me pertly, "Why, that isn't thunder;
I was annoyed when she replied sassy, "Oh, that's not thunder;
We're taking in coal!"
"We're receiving coal!"
I say there are limits. The girl may be decent and sunny,
I say there are limits. The girl might be nice and cheerful,
Industrious, sober and what not; I don't care a bit;
Industrious, serious, and all that; I couldn't care less;
But she hasn't a right on a day such as that to be funny,
But she doesn't have the right to be funny on a day like that,
With the glass at 120, confound her, the chit!
With the glass at 120, confuse her, the brat!
I refuse to submit to the whimsical wheeze of a servant
I refuse to bow down to the silly demands of a servant.
Just because Araminta's away and the weather is fervent,
Just because Araminta's gone and the weather is hot,
So I said to her, "Wench, do you fancy you're taking my money
So I said to her, "Girl, do you think you're getting my money?
For work or for wit?
For work or for fun?
"What are parlourmaids coming to now with their insolent banter?
"What have parlourmaids come to these days with their disrespectful teasing?"
Command those uproarious ruffians to hop it, to trek
Command those noisy troublemakers to get lost, to trek
And fetch me a siphon or two and the whisky decanter;
And get me a couple of siphons and the whiskey decanter;
Your notions of humour have left me exhausted and weak;
Your ideas about humor have left me tired and weak;
Take the breakfast away; disappointment has vanquished my hunger,
Take the breakfast away; disappointment has defeated my appetite,
And afterwards go out at once to the nearest fishmonger
And then go out right away to the closest fish market.
And order two cart-loads of icebergs. Obey me instanter,
And order two cartloads of icebergs. Do it immediately,
Or leave in a week."
Or leave in a week.
"Although weighing over 13 tons, Glendinning declares that an
aircraft built from his designs could sail round the world without the
slightest danger of calamity."—Glasgow Herald."Even though it weighs more than 13 tons, Glendinning asserts that an
aircraft designed by him could fly around the world without any
risk of disaster."—Glasgow Herald.
Subject for Silly Season—Should Stout Men Boast?
Subject for Silly Season—Should Stout Men Boast?
RUBBING IT IN.
[The following article appears to have been intended for a popular Halfpenny Daily, but as it has been sent to us we feel entitled to print it.]
[This article appears to have been intended for a popular Halfpenny Daily, but since it has been sent to us, we think it's appropriate to publish it.]
TERRIFIC STRUGGLE.
Mr. Gorman Crawl's efforts to avoid defeat in his match with me in the semi-finals of the Dartmoor and West Dorset Championship was, I think, the finest exhibition of Lawn Tennis that has been seen for many a long day, and I congratulate those who were so fortunate as to witness the game. In the second set particularly, Mr. Crawl's play exhibited a consistent accuracy combined with activity of resource and hard hitting which, so far as I am aware, has rarely been equalled in the history of the pastime. He frequently returned drives down the side lines and cross volleys which I have always regarded as untakable, putting me in the position of having to repeat those strokes several times before I could make the ace. Even in the third set, Mr. Crawl certainly did not lose heart, as many might have done; in fact he gained vigour to such an extent that his play in the last games became not merely impetuous, but frenzied. Had I not possessed an iron nerve, Mr. Gorman Crawl might have snatched a game or two; and I feel sorry for my opponent when I recall that he only made five points in the set, one of which was due to a net cord stroke, and another to my accidentally treading on a ball. The final scores, as set forth in the "Stop Press" columns of one of the evening papers, were as follows:—
Mr. Gorman Crawl's efforts to avoid losing in our semi-final match at the Dartmoor and West Dorset Championship were, in my opinion, the best display of Lawn Tennis that has been seen in a long time, and I congratulate those who were lucky enough to watch the game. In the second set especially, Mr. Crawl's play showed remarkable accuracy along with quick thinking and powerful shots that, as far as I know, have rarely been matched in the sport's history. He often returned drives down the sidelines and cross volleys that I had always thought were unreturnable, forcing me to repeat those shots several times before I could score an ace. Even in the third set, Mr. Crawl did not lose his spirit, as many might have; in fact, he became so energized that his play in the last games turned not just aggressive, but almost wild. If I hadn't had such strong nerves, Mr. Gorman Crawl might have taken a game or two from me; and I feel bad for my opponent when I remember that he only scored five points in that set, one of which was thanks to a net cord shot, and another because I accidentally stepped on a ball. The final scores, as listed in the "Stop Press" sections of one of the evening papers, were as follows:—
and if the reader reverses the statement he will know the correct result. Mr. Gorman Crawl, after an exhibition which stultifies previous conceptions of what is possible in the way of offensive and defensive tactics, and which refutes once and for all the leading contentions in Mr. Wail's monumental work on the game, was beaten by me in three love sets.
and if the reader flips the statement, he will get the right result. Mr. Gorman Crawl, after a performance that completely changes previous ideas about what can be done in offensive and defensive tactics, and which definitively disproves the main arguments in Mr. Wail's groundbreaking book on the game, was beaten by me in three straight sets.
The game opened by my serving a double fault. I then found that I was using my Thursday's racket instead of Tuesday's. After a brief recess, during which, as I am informed, Mr. Gorman Crawl took in his belt one hole, the game proceeded. I served to my opponent's back hand, but, contrary to all rules laid down by Mr. Wail, he unexpectedly returned the ball to my back hand. The result was that I failed to reach it. It then occurred to me that I ought to make sure I had no gravel in my shoes. I did this without leaving the court. When I had replaced my footwear and was preparing to serve again, I saw that Mr. Gorman Crawl was lying on the ground, apparently asleep. He started up, however, on the score being called a second time, and the game proceeded.
The game started with me serving a double fault. I then realized I was using my Thursday racket instead of Tuesday's. After a short break, during which I was informed that Mr. Gorman Crawl adjusted his belt by one hole, the game continued. I served to my opponent's backhand, but, breaking all the rules set by Mr. Wail, he surprisingly returned the ball to my backhand. As a result, I couldn't reach it. Then it struck me that I should check for gravel in my shoes. I did this without leaving the court. Once I put my shoes back on and was ready to serve again, I noticed Mr. Gorman Crawl lying on the ground, seemingly asleep. However, he jumped up when the score was called a second time, and the game went on.
Noticing that my opponent was standing a long way back, I now made a display of hitting the ball hard and then dropped it just over the net. Mr. Crawl did not notice what was happening till too late, and I not only took the ace but had the satisfaction of noticing that my opponent was breathing hard after his fruitless effort to reach the ball. I had, so to speak, drawn first blood. I repeated the ruse with my next service. Mr. Crawl, being now on the alert, reached the ball, but was unable to stop himself, and charged into the net, and the score was called "thirty all." A third time I brought off a drop serve; the ball was returned and I then tossed it with an undercut stroke to the base line. Mr. Crawl ran back, but the ball bounding high and with a strong break he lost sight of it, and after some intricate manœuvres, in which he had the advantage of advice from the crowd, it eventually fell on his head, and I scored the ace. I had now only to make one point to reach the game, and I effected this by a high-kicking service that left my opponent petrified.
Noticing that my opponent was standing far back, I decided to show off by hitting the ball hard and then lightly dropping it just over the net. Mr. Crawl didn’t realize what was happening until it was too late, and not only did I score an ace, but I also enjoyed seeing him breathing heavily after his failed attempt to reach the ball. I had, so to speak, drawn first blood. I pulled the same trick with my next serve. Mr. Crawl, now alert, managed to reach the ball but couldn’t stop himself and crashed into the net, making the score "thirty all." A third time, I executed a drop serve; the ball was returned and then I tossed it with an undercut stroke towards the baseline. Mr. Crawl ran back, but the ball bounced high and curved sharply, and he lost sight of it. After some complicated moves, with the crowd cheering him on, it finally landed on his head, and I scored the ace. Now, I just needed one more point to win the game, which I achieved with a high-kicking serve that left my opponent frozen in place.
During the set Mr. Crawl gradually got into his game, and, thanks to a strong instinct of self-preservation, he succeeded in returning, when up at the net, many of my drives at his chest and head which I had thought were sure of their mark. His play in the last rally, when the score stood at "5 games to 0 and 40 love" in my favour, called forth loud applause, and I had to do all I knew to prevent him winning an ace which might have resulted in his eventually capturing the game.
During the set, Mr. Crawl slowly found his rhythm, and, thanks to a strong instinct for self-preservation, he managed to return many of my shots aimed at his chest and head when he was at the net—shots I thought were definitely going to score. His play in the last rally, when the score was "5 games to 0 and 40 love" in my favor, drew loud applause, and I had to do everything I could to stop him from winning an ace that could have let him win the game.
At this point an incident occurred which has been variously reported. The facts are that, before embarking on the second set, Mr. Gorman Crawl petitioned the referee that I should be required to remove my tie. The tie referred to is my well-known tennis tie. It is a Mascot, as I associate all my successes on the court during the past four years with this tie. It is a large scarlet bow with vivid green and white spots the size of halfpenny pieces, arranged astigmatically. Mr. Crawl said the cravat held his eye and put him off his game, and complained that there were so many spots in front of him that he did not know which was the ball. I am glad to be able to add the testimony of such a first string man as Mr. Gorman Crawl to the merits of the "Lowly Patent Tennis Tie" (Registered No. 273125/1911, price 2s. 9d., of all Gunsmiths and Sports Outfitters). I explained to the referee that the tie was a well-known patent and that, if he ruled it out and disqualified the tie, a promising industry would be irretrievably ruined. The referee naturally declined to take such a responsibility and ordered the game to proceed, and we took our places on the course. When, however, I faced Mr. Crawl I found that he had pulled down the sleeve of his shirt over his hand and buttoned it round the handle of his racket. The effect was most disconcerting, for the racket appeared to be part of his body—as if, in fact, he had two elbow joints, and the face of the bat was the palm of his hand. Moreover it was impossible to anticipate the direction of his shots. When forty love had been scored against me I appealed to the referee. The result of that interview was that M. Gorman Crawl courteously unbuttoned his sleeve, and I with equal courtesy removed my tie. The episode was greeted with loud applause, and for my part I felt amply repaid for the sacrifice I had made by the gain in popularity.
At this point, something happened that has been reported in different ways. The facts are that, before starting the second set, Mr. Gorman Crawl asked the referee to make me take off my tie. The tie in question is my famous tennis tie. It’s a Mascot, as I connect all my successes on the court over the past four years with it. It’s a large scarlet bow with bright green and white spots the size of halfpenny coins, arranged irregularly. Mr. Crawl said the tie caught his eye and distracted him from his game, complaining that there were so many spots in front of him that he couldn’t tell which was the ball. I'm glad to add Mr. Gorman Crawl’s endorsement to the benefits of the "Lowly Patent Tennis Tie" (Registered No. 273125/1911, price 2s. 9d., available at all Gunsmiths and Sports Outfitters). I explained to the referee that the tie was a well-known patent and that disallowing it would irreparably damage a promising industry. The referee naturally didn’t want to take on such a responsibility and ordered the game to continue, so we took our places on the court. However, when I faced Mr. Crawl, I noticed he had pulled the sleeve of his shirt down over his hand and buttoned it around the handle of his racket. This was really distracting, as the racket looked like part of his body—like he had two elbow joints and the face of the bat was the palm of his hand. It also made it impossible to predict where his shots would go. After falling behind forty-love, I appealed to the referee. The outcome of that conversation was that Mr. Gorman Crawl politely unbuttoned his sleeve, and I equally politely took off my tie. The situation was met with loud applause, and for my part, I felt totally rewarded for the sacrifice I had made by gaining popularity.
I have already referred to the strenuous character of Mr. Gorman Crawl's efforts in this set. The following is the rally for the third ace in the fifth game, given in the notation invented by Mr. Wail, though not yet generally adopted. The diagram will be found in the third volume of Mr. Wail's book, How to be always right.
I have already mentioned how intense Mr. Gorman Crawl's efforts are in this set. Below is the rally for the third ace in the fifth game, presented in the notation created by Mr. Wail, which hasn't been widely accepted yet. You can find the diagram in the third volume of Mr. Wail's book, How to be always right.
Crawl. | Unimportant. |
1. RS to SL2. | 1. BR1 to LK5. |
2. LP3 to RT4. | 2. KL to LK4. |
3. PK4 to LK5. (Ch.) | 4. K × R. |
5. P × K. | 5. B × P. |
6. Resigns. |
At the conclusion of the match I shook hands with Mr. Gorman Crawl across the net before he could leave the court, and loudly congratulated him on his brilliant struggle. I now have to meet Mr. "U. R. Beete" in the final round, and if successful my match for the Championship with Mr. "Y. R. U. Sadd" will be played, weather permitting, on Tuesday at 3 o'clock, and should be well worth seeing.
At the end of the match, I shook hands with Mr. Gorman Crawl across the net before he could leave the court and loudly congratulated him on his impressive effort. I now have to face Mr. "U. R. Beete" in the final round, and if I win, my championship match against Mr. "Y. R. U. Sadd" will take place, weather permitting, on Tuesday at 3 o'clock, and it should be worth watching.
Notes.
Mr. Gasp has exchanged the cheese scoop, which is identified with the championship of South Rutlandshire, for a fish-slice.
Mr. Gasp has traded the cheese scoop, which represents the championship of South Rutlandshire, for a fish slice.
Mr. Bloshclick, who lately won the[Pg 57] South-West Devon Singles Championship at Sidmouth, is not a native of Antananarivo, as has been stated, but is, we are informed, of Zulu origin.
Mr. Bloshclick, who recently won the[Pg 57] South-West Devon Singles Championship at Sidmouth, is not originally from Antananarivo, as has been claimed, but is, according to our sources, of Zulu descent.
We regret to report that Mr. Wail met with an unfortunate accident at Broadstairs ten days ago. As a spectator at the annual Lawn Tennis Tournament he was demonstrating to a group of experts the methods which Mr. Wilding ought properly to employ in making his lifting forehand drive, when he struck himself a violent blow on the head, partly severing the right ear. This is the second time Mr. Wail has met with the accident, but we are glad to hear that he is making a satisfactory recovery.
We’re sorry to inform you that Mr. Wail had an unfortunate accident at Broadstairs ten days ago. While watching the annual Lawn Tennis Tournament, he was showing a group of experts how Mr. Wilding should properly execute his lifting forehand drive when he accidentally hit himself hard on the head, partially severing his right ear. This is the second time Mr. Wail has experienced this kind of accident, but we’re happy to report that he is recovering well.

Tramp (suddenly appearing at riverside camping party). "Beg yer pardon, Guv'nor, but could yer lend me a bathin' suit?"
Tramp (suddenly appearing at riverside camping party). "Excuse me, sir, but could you please lend me a swimsuit?"
"Cigarette Makers (Female), round and flat."—Advt. in "Daily Chronicle."
"Cigarette Makers (Female), round and flat."—Ad in "Daily Chronicle."
Who makes round cigarettes (or flat) should herself be round (or flat) respectively.
Who makes round cigarettes (or flat ones) should be round (or flat) herself, respectively.
"Wanted.—Anything old to do with the Church or Church Services; preference given to examples with dates or inscriptions."
"Wanted.—Any vintage items related to the Church or Church Services; preference given to items that have dates or engravings."
We were just going to offer our Vicar, but he has no inscription on him.
We were just about to offer our Vicar, but he doesn’t have any inscription on him.
PLATITUDES: THE NEW GAME.
It is based on "Bromides" and any one can play it. The least educated has a chance of winning and an Oxford degree is no bar to success—quite the reverse, in fact; indeed I have known dons....
It is based on "Bromides," and anyone can play it. Even the least educated have a chance of winning, and having an Oxford degree doesn’t prevent success—in fact, it’s quite the opposite; I’ve even known professors...
This is how it is played. Two people are seated in easy-chairs, for it has been found that you cannot be too comfortable for this game; any discomfort is apt to excite the mind, to disturb the grey matter, to interfere with that complete repose which is so essential a feature of the contest. These two are the players. They indulge in small talk and the smaller talker wins. The object of each player is to make such inanely conventional remarks that his opponent is reduced to silence. For example you are sitting next to a bishop, and it falls to you to start the conversation. Of course you don't say anything like "How sad about this Kikuyu business." No, you open like this. "Are you fond of dancing?" you say. The bishop will reply coldly, "It is many years since I danced." You sigh and murmur, "Ah! the dear old days!" I cannot imagine what his lordship will say next.
This is how it’s played. Two people sit in comfy chairs because it’s been found that you can’t be too comfortable for this game; any discomfort can get your mind racing, mess with your thoughts, and disrupt the total relaxation that’s crucial for the game. These two are the players. They engage in small talk, and the one with the most trivial conversation wins. Each player aims to make such annoyingly conventional comments that their opponent falls silent. For instance, you’re sitting next to a bishop, and it’s your turn to start the conversation. Naturally, you wouldn’t say anything like, “Isn’t it sad about this Kikuyu situation?” Instead, you start with, “Do you enjoy dancing?” The bishop will respond coldly, “It’s been many years since I danced.” You sigh and say, “Ah! The good old days!” I honestly can’t imagine what his lordship will say next.
Of course the conversation in Platitudes must be connected and coherent. There is no use repeating "Wollah wollah, gollah gollah, Asquith must go, We want eight," or things of that sort. And you must not make mere blank statements like "The number of cigars annually imported into the U.S.A. is 26,714,811," unless they can be introduced deftly into the conversation.
Of course, the conversation in Platitudes needs to be connected and make sense. There's no point in just repeating "Wollah wollah, gollah gollah, Asquith must go, We want eight," or things like that. And you shouldn't just throw out random statements like "The number of cigars imported into the U.S.A. each year is 26,714,811," unless you can smoothly weave them into the conversation.
You must imagine yourself paying a call in a London drawing-room, and you must say nothing that would not be possible and indeed suitable in that milieu. To attempt to arouse any interest or show any intelligence is wrong, but then neither must you betray any sign of actual imbecility. Anything that approaches gibbering cannot be too strongly condemned.
You need to picture yourself visiting a London living room, and you shouldn't say anything that's out of place or inappropriate for that setting. Trying to spark any interest or demonstrate intelligence is a mistake, but you also shouldn't show any signs of actual foolishness. Anything that resembles babbling should be strongly discouraged.
The players speak in turn and quotations are not allowed (at least not from living writers). The question as to whose talk is the smaller of the two is so much a matter of taste that the game can only be decided by an umpire or by the votes of the spectators. But[Pg 58] there is seldom much doubt. It is not uncommon for one of the players to break down and become almost hysterical, and few can hold out long against one of the champions. Some people allow facial expression and general demeanour to count, but this I do not recommend. It gives some an unfair advantage, and I have known it lead to unpleasantness.
The players take turns speaking, and quotes are not allowed (at least not from living authors). Determining whose talk is better is really a matter of personal preference, so the winner can only be decided by an umpire or by the audience's votes. But[Pg 58] there's usually little uncertainty. It’s not unusual for one of the players to break down and become almost hysterical, and few can withstand the pressure from one of the champions. Some people let facial expressions and overall demeanor influence their decisions, but I don’t recommend that. It can give some an unfair edge, and I’ve seen it lead to awkward situations.
Perhaps a short sample will give a better idea of the game than any description. I take one from a little tournament in which I competed a few days ago. I was highly commended, but it was thought I displayed a little too much intelligence. This is one of the pleasing features of Platitudes; when one loses, things like that are somehow said, as they are never said, for instance, at Bridge. From this specimen the beginner will learn the right style and method. Only by study of the best models and by constant practice can he attain anything like proficiency.
Perhaps a short sample will give a better idea of the game than any description. I’m taking one from a little tournament I played in a few days ago. I received a lot of praise, but some thought I showed a bit too much cleverness. This is one of the nice things about Platitudes; when someone loses, comments like that are made, which are never said, for example, at Bridge. From this example, the beginner will learn the right style and method. Only by studying the best models and practicing consistently can they achieve any level of proficiency.
He. What a world we live in, do we not? (This is a very common opening.)
He. What a world we live in, right? (This is a very common opening.)
She. Yes, to be sure. Dear, dear!
She. Yes, definitely. Oh my, oh my!
He. The age is so complex, so full of rush and hurry. Everyone is running after money, are they not?
He. This age is so complicated, so full of hustle and bustle. Everyone is chasing after money, right?
She. They are not. I mean they are.
She. They aren't. I mean, they are.
He (heaving a sigh). How sad it is!
He (sighing). How sad!
She (in a tone of gentle correction). It is deplorable. Did you read Mr. Goldstein's speech the other day? I thought it so sweet! He said that the possession of wealth entailed great responsibilities.
She (in a tone of gentle correction). It’s really unfortunate. Did you see Mr. Goldstein's speech the other day? I thought it was lovely! He said that having money comes with serious responsibilities.
He. How like him! (After a pause) And how true! Yes, things are in a bad way.
He. How much like him! (After a pause) And it’s so true! Yeah, things are really messed up.
She. How one deplores these strikes.
She. How one hates these strikes.
He (sternly). They ought to be shot.
He (sternly). They should be shot.
She. Too dreadful. I think it is so terrible when quite nice people are positively inconvenienced. It makes one think of the French Revolution.
She. It's just awful. I find it terrible when really decent people are genuinely inconvenienced. It reminds me of the French Revolution.
He. Ah! Yes, the French Revolution. Well, well, the good old days are gone.
He. Ah! Yes, the French Revolution. Well, the good old days are behind us now.
She. Yes, they have quite gone.
She. Yes, they have definitely left.
He (sighing heavily). Dear, dear, dear, dear! May I have some tea-cake?
He (sighing heavily). Oh dear! Can I have some tea cake?
She. Oh do! but I'm afraid they're cold.
She. Oh, please do! But I'm worried they're cold.
He. I like them cold. I think they are so much cooler then.
He. I prefer them cold. I think they feel way cooler that way.
She. They are a shade less warm.
She. They are a bit less warm.
[There was a short interval here when the supporters of each party gathered round and gave advice and encouragement. The lady seemed as fresh as a fiddle, but the man was very exhausted and had to have a spirituous stimulant. After a quarter-of-an-hour's interval the game was resumed.]
[i>There was a brief break when the supporters of each side came together to offer advice and encouragement. The woman looked vibrant, but the man was really worn out and needed a drink. After a fifteen-minute break, the game continued.]
She. Look at the fashionable ladies and their dogs! The sums they lavish on them!
She. Check out the stylish women and their dogs! The amounts they spend on them!
He. Oh, it's disgraceful. The Government ought to do something.
He. Oh, that's shameful. The government should take action.
She. I call it wicked.
She. I call it awesome.
He (much struck with this). You are quite right.
He (clearly impressed by this). You're absolutely right.
She. But mind you, I'm fond of animals myself.
She. But just so you know, I really like animals too.
He. Oh, so am I. I dote on dogs. You know, I call the horse a noble animal—that's what I call the horse.
He. Oh, me too. I adore dogs. You know, I think of the horse as a noble animal—that’s what I think of the horse.
She (after a pause). I call the camel the ship of the desert.
She (after a pause). I refer to the camel as the ship of the desert.
He. Ah, very witty, very clever. I see you have a sense of humour. "Ship of the desert"—that's good.
He. Ah, very funny, very clever. I see you've got a sense of humor. "Ship of the desert"—that's great.
She. Yes, I don't know what I should have done without my sense of humour.
She. Yes, I don't know what I would have done without my sense of humor.
He (sharply). No more do I.
Not anymore.
She (confidentially). You know, I think dogs should be treated as dogs. They should be kept in their proper places. I like them best in the country, you know. Don't you?
She (confidentially). You know, I think dogs should be treated like dogs. They should be kept in their right spots. I like them best in the countryside, you know. Don't you?
He. Yes. I think the country is the place for all animals. One sees so many there—at least in some places.
He. Yeah. I think the countryside is the best place for all animals. You see so many there—at least in some areas.
She. I am so fond of the country. It is so restful. The old oaks and the buttercups and the village rector and the dear cows. I don't know what we should do without them.
She. I really love the countryside. It's so peaceful. The old oak trees, the buttercups, the village priest, and the sweet cows. I don't know what we'd do without them.
He. That's what I say. Where would England be without the country?
He. That's what I say. Where would England be without the countryside?
She. Ah, yes. "Far from the madding crowd," as the poet says.
She. Ah, yes. "Away from the noisy crowd," as the poet puts it.
He. Yes. What a great poet Milton is, to be sure.
He. Yes. What an amazing poet Milton is, for sure.
She. Oh, delightful! And don't you like Miss Wheeler Wilcox?
She. Oh, that's wonderful! And don't you like Miss Wheeler Wilcox?
He. Of course—ripping, yes, of course. Her poems of pleasure—her poems of passion, her—well, in fact, all her poems.
He. Absolutely—intense, yes, definitely. Her poems about joy—her poems about desire, her—well, really, all of her poems.
She. Quite.
Her. Totally.
At this point the man broke down altogether and began to gibber. But he recovered in time to see the prize unanimously voted to the lady. This consisted of a volume of Mr. —— but perhaps I had better not mention names; it might be liable to misconstruction. I hope I have said enough to show what a fascinating and delightful game it is. No appliances are required (as with dominoes), except one's own nimble brain; and I think Platitudes will soon sweep the country. Signs are not wanting that Clumps and Dumb Crambo are already becoming back numbers in the best circles.
At this point, the man completely lost it and started to mumble. But he managed to pull himself together just in time to see the prize unanimously awarded to the lady. It was a book by Mr. ——, but I probably shouldn’t mention names; it could be misinterpreted. I hope I’ve said enough to illustrate what a fascinating and enjoyable game it is. No special equipment is needed (like with dominoes), just your quick thinking; and I believe Platitudes will soon take the country by storm. There are already signs that Clumps and Dumb Crambo are becoming outdated in the best circles.
"The military dirigible Koerting made the wound in the leg of Baron de Rothschild. It was found to have flattened itself against the bone."—Egyptian Mail.
"The military airship Koerting injured Baron de Rothschild’s leg, which was found to be pressed against the bone."—Egyptian Mail.
"The Koerting; so it is," said the Baron, when shown the X-ray photograph of his calf.
"The Koerting; so it is," said the Baron when he was shown the X-ray picture of his calf.
TOURS IN FACT AND FANCY.
Tell me not of Western Islands
Tell me not of Western Islands
Or some bonnie loch or ben
Or some beautiful lake or mountain
Of those hustled haunts, the Highlands;
Of those busy places, the Highlands;
I'm not going there again.
I'm not going back there.
Cease from cackling so cocksurely
Stop bragging so confidently
Of some heavenly woodland dell
In a heavenly forest glade
Where the pipes of Pan blow purely;
Where Pan's pipes sound clear;
I have sampled these as well.
I've tried these too.
Do not harp upon your hollow
Do not dwell on your emptiness
Tales of Somewhere-by-the-Sea
Stories of Somewhere-by-the-Sea
Patronised by Ph. Apollo;
Patronized by Ph. Apollo;
'Tisn't good enough for me.
It's not good enough for me.
No, nor urge me, friend, to hasten
No, nor push me, friend, to hurry
To your "cloudless alien climes,"
To your "cloudless alien skies,"
Hungering for my Fleece like Jason—
Hungering for my Fleece like Jason—
I've been fleeced there many times.
I've been ripped off there many times.
No, not one of your romances
No, not one of your love stories.
Can, I say, provide a lure;
Can I say, provide an attraction;
Not one spot on earth's expanses
Not a single place on earth's surfaces
For my ailment find a cure.
For my illness, find a remedy.
Others may enjoy each jolly day
Others may enjoy every cheerful day.
Somewhere with their hard-earned pelf;
Somewhere with their hard-earned cash;
But, for me, I want a holiday
But for me, I want a vacation.
From my super-silly self.
From my quirky self.
The Nut.
"My father was a clergyman in a college community; and that explains my home in a nutshell."
"My dad was a pastor in a college town, which pretty much sums up my upbringing."
It doesn't. The father should have been a vegetarian in a Garden City community.
It doesn't. The dad should have been a vegetarian in a Garden City community.
"Captain Roald Amundsen has qualified for his pilot's certificate at the military camp near Christiania. An officer of the Flying Corps first took him for a preliminary flight round the course, showing him what tests were required. Suddenly the elevator broke and the aeroplane fell nose downwards to the ground 40 feet below. Captain Amundsen escaped unhurt."—South Wales Echo.
"Captain Roald Amundsen has received his pilot's license at the military camp near Christiania. An officer from the Flying Corps first took him on a practice flight around the course, showing him the necessary tests. Suddenly, the elevator malfunctioned, and the airplane dropped nose-first to the ground, 40 feet below. Captain Amundsen emerged unscathed."—South Wales Echo.
So he got through the first test all right.
So he passed the first test without any issues.
"SMALL SURREY SCORE.
Surrey should have been at home, where Hayes and Hitch would have found an excellent third in Old Sol, who shone at his best.
Surrey should have been at home, where Hayes and Hitched would have found an excellent third in Old Sol, who excelled at his best.
"Clacton.—A Lady would be glad to hear of anyone wishing to Join House-Party from August 14th to September 10th. Minute from sea and ten golf links."—Advt. in "Times."
"Clacton.—A woman is looking to connect with anyone interested in joining a house party from August 14th to September 10th. It's just a minute away from the beach and ten golf courses."—Advt. in "Times."
Personally we find that, at our usual rate of divot-removing, five golf-links will last us a month. Ten is an unnecessary extravagance.
Personally, we think that at our usual rate of fixing divots, five golf courses will last us a month. Ten is just over the top.

Polite little boy (suffering from repletion). "Oh, please Miss, don't ask me to have any more; I can't say no."
Polite little boy (suffering from being too full). "Oh, please miss, don't make me eat anymore; I just can't say no.."
OUR BOOKING-OFFICE.
I think I should have detected what was the primary Trouble with A Lad of Kent (Macmillan) if Mr. Herbert Harrison had given me any opportunity of studying Lord Haresfield at closer quarters. Upon the material vouchsafed it was impossible to spot in him the villain of the piece; I was only allowed to meet him at two brief interviews, throughout which he was consistently courteous and kind, with nothing of the murderer about him. There was, in this connection, not only suppressio veri, but even some suggestio falsi; at any rate I still have great difficulty in believing that a man so obviously intelligent and diplomatic could have initiated schemes so unnecessarily elaborate and entirely incompetent for the mere removal of an unknown and fatherless village youth. I make these observations only as in duty bound; for myself, I didn't care twopence who was trying to get rid of Phillip, or why. Provided they didn't succeed, I was content to leave them at it and enjoy the fascinating picture of life in a sea-coast village in the good old days when everybody was busy either in preventing or assisting the "free trade"; when a press-gang might come along at any moment and steal a man or two without so much as by your leave, and, generally speaking, things moved. Mr. Harrison has a delightful style, a perfect sympathy with the times of which he writes, and no small gift of characterization. Frankly, I don't believe he attaches any more importance to his plot than I do, for he is quite content to leave it to itself for several chapters on end.
I think I should have figured out what the main issue was with A Lad of Kent (Macmillan) if Mr. Herbert Harrison had given me a chance to study Lord Haresfield more closely. Based on the material provided, it was impossible to see him as the villain; I only had two brief meetings with him, during which he was always courteous and kind, without any trace of a murderer. In this regard, there was not only suppressio veri, but even some suggestio falsi; at any rate, I still find it hard to believe that a man so clearly intelligent and diplomatic could have come up with such unnecessarily complex and utterly incompetent plans just to get rid of an unknown, fatherless village boy. I mention this only because I feel obligated; personally, I didn’t care a bit about who was trying to get rid of Phillip, or why. As long as they didn’t succeed, I was happy to let them carry on and enjoy the intriguing picture of life in a seaside village back in the good old days when everyone was busy either trying to prevent or assist with the "free trade"; when a press-gang could show up at any moment and snatch a man or two without even asking, and, generally speaking, things were lively. Mr. Harrison has a charming style, a perfect understanding of the time he writes about, and a real talent for characterization. Honestly, I don’t think he puts any more emphasis on the plot than I do, because he's perfectly fine letting it be for several chapters at a time.
The Double House (Stanley Paul) began attractively with a retired Indian colonel who had a mysterious sorrow and wished to betake himself to some quiet English hamlet "where echoes from his past might never penetrate." Of course this could hardly be called wise of the Colonel; the slightest knowledge of quiet English neighbourhoods in fiction or the drama might have assured him that towards the end of Act I somebody was simply bound to turn up who knew all. However, he rented one half of a divided old manor house, and, even when informed that the other half was inhabited by a widow of quiet habits, he apparently did not share my own instant certainty that there were coincidences ahead. As a matter of fact E. Everett-Green, the author, had so arranged matters that this lady was the sister-in-law of a wicked murderer, for whose crime the gallant Colonel had himself been tried. So much for his past; but as a matter of fact that of the lady was ever so much more sinister. She had, it appeared, married a gentleman called Paul Enderby, only to learn after the ceremony that her husband had a twin-brother Saul, who must have been the twinniest twin that ever breathed, since at no moment could any living soul tell the two apart. I won't harrow you with details, but the confusion was such that, even after the unlamented decease of Paul, poor bewildered Mrs. Enderby was by no means sure that she wasn't only a bereaved sister-in-law. Her sad plight reminded me of nothing so much as that of the lady in Engaged who entreated to have three questions answered: "Am I a widow, and if so how came I to be a widow, and whose widow came I to be?" The great difference between the two cases is that this of Mrs. Enderby is meant to be taken with solemnity—a task that I regret to add was too heavy for me. I am only sorry that so charming a title as The Double House has been so sadly wasted.
The Double House (Stanley Paul) started off interestingly with a retired Indian colonel who carried a mysterious sadness and wanted to move to a quiet English village "where echoes from his past might never reach." Clearly, this couldn't be seen as a wise decision for the Colonel; with any understanding of quiet English neighborhoods in fiction or drama, he should have known that by the end of Act I, someone was bound to show up who knew everything. Nonetheless, he rented one half of a divided old manor house, and even when he found out that the other half was occupied by a widow with a quiet lifestyle, he didn't seem to share my immediate feeling that coincidences were coming. In reality, E. Everett-Green, the author, had set things up so that this lady was the sister-in-law of a wicked murderer for whose crime the brave Colonel had been tried himself. That’s his past; but actually, her past was even darker. It turned out that she had married a man named Paul Enderby, only to discover after the wedding that her husband had a twin brother Saul, who must have been the identical twin of all time, since no one could ever tell the two apart. I won’t distress you with the details, but the mix-up was so confusing that, even after the unfortunate death of Paul, the poor, confused Mrs. Enderby wasn’t sure if she was just a grieving sister-in-law. Her unfortunate situation reminded me of the lady in Engaged who begged to have three questions answered: "Am I a widow, and if so how did I become a widow, and whose widow am I?" The major difference between the two cases is that Mrs. Enderby's situation is meant to be taken seriously—a task that I regret to say was too much for me. I'm just upset that such a charming title as The Double House has been so sadly wasted.
If a wicked male novelist had dared to write Jacynth[Pg 60] (Constable) I tremble to imagine the things that certain fair critics would have said about him. But since a woman is the creator, and one, moreover, with the well-won reputation of Miss Stella Callaghan, what is there to say? After all she must know. As a portrait of futility, Jacynth is the most mercilessly realistic thing that I have met for some time. Pretty, brainless, egotistical, utterly unable ever to understand even the least of the men who loved her—this was Jacynth. The picture is so unsparing that (though I am not calling the book a masterpiece or free from dull moments) the very completeness of the dreadful thing fascinates you unwillingly. Jacynth was the typical product of a seaside town, where she was adored by two men—a young squire and a famous novelist. I was just a little bored by her beginnings, especially when she sprained her ankle—a gambit I had imagined démodé even with the most provincial of heroines. However, Jacynth married the novelist, and after the honeymoon settled down to a steady course of fatuousness and general interference with his work which presently reduced the poor man to exasperation, and finally constrained him to pack her off on a prolonged visit to the seaside home of her maidenhood. After that Jacynth went from worse to worst; too preposterous a fool even to be greatly moved when she brought tragedy into the lives of those who came under her malign influence. I will not follow her vicissitudes in detail. Throughout the book the most sinister thing in her story was to me the fact that a woman had written it. Moreover I have a lurking suspicion that the portrait is no imaginary one. Perhaps this is a high tribute to Miss Callaghan's skill; it certainly is meant to be a compliment to her courage.
If a male novelist had dared to write Jacynth[Pg 60] (Police officer) I can only imagine the things some critics would have said about him. But since a woman created it—one with the well-earned reputation of Miss Stella Callaghan—what can be said? After all, she must know. As a portrayal of futility, Jacynth is the most brutally realistic thing I've encountered in a while. Pretty, thoughtless, self-absorbed, and completely incapable of understanding even the slightest bit about the men who loved her—this was Jacynth. The portrayal is so relentless that (though I’m not calling the book a masterpiece or free from dull moments) the sheer completeness of the awful thing draws you in against your will. Jacynth was a typical product of a seaside town, adored by two men—a young squire and a famous novelist. I found her beginnings a bit tedious, especially when she sprained her ankle—a setup I thought was démodé even for the most provincial heroines. However, Jacynth married the novelist, and after the honeymoon, she settled into a routine of silliness and constant meddling in his work, which soon drove the poor man to frustration and ultimately forced him to send her off for an extended visit to her childhood home by the sea. After that, Jacynth went from bad to worse; she was such a ridiculous fool that she wasn't even significantly affected when she brought tragedy to the lives of those caught in her toxic influence. I won’t detail her ups and downs. Throughout the book, the most disturbing aspect of her story was, to me, the fact that a woman had written it. Moreover, I have a nagging suspicion that the portrait is not fictional. Perhaps this is a high compliment to Miss Callaghan's talent; it’s certainly intended as a nod to her bravery.
I've often longed to come upon
I've often wished to come across
Some giant spoor and dog the track till
Some giant footprints and a dog follow the trail until
I ran to earth a mastodon,
I found a mammoth.
A dinosaur, a pterodactyl;
A dinosaur and a pterodactyl;
But I supposed my natal date—
But I thought my birth date—
However distantly I view it—
No matter how far I see it—
Was several thousand years too late
Was several thousand years too late
To give me any chance to do it.
To give me a chance to do it.
And yet Sir Arthur Conan Doyle
And yet Sir Arthur Conan Doyle
Has found a man who's penetrated
Has found a man who's gotten through
Through bush and swamp on virgin soil
Through brush and swamp on untouched ground
And seen the things I've indicated,
And seen the things I've mentioned,
Creatures with names that clog your pen—
Creatures with names that jam your pen—
Dimorphodon and plesiosaurus—
Dimorphodon and plesiosaur—
And carried home a specimen
And brought home a sample
To silence any doubting chorus.
To silence any doubters.
(Smith, Elder do it cheap) in diction
(Smith, Elder do it cheap) in language
So circumstantial that its hold
So dependent that its grip
Is more than that of common fiction;
Is more than that of ordinary fiction;
If you can run the story through,
If you can get the story done,
By aid of portraits when you need it,
By using portraits when you need them,
And not be half convinced it's true,
And not be half convinced that it’s true,
You simply don't deserve to read it.
You just don't deserve to read it.
[A] New Edition, with illustrations.
__A_TAG_PLACEHOLDER_0__ New Edition, with images.
There is nothing wrong with Mr. Eden Phillpotts' latest collection of short stories, The Judge's Chair (Murray), but there is something vigorously to protest against upon the wrapper that covers them. For there I found an uncompromising statement to the effect that these stories "bring to a conclusion the author's Dartmoor work," and no sooner had I read it than my heart sank into my heels. Solemnly I plead with him to reconsider this decision, for if he does not his innumerable admirers will be deprived of something almost as annual and quite as enjoyable as Christmas. If he wants a holiday let him have one by all means, though personally I was not pleased when he left Dartmoor for Italy. But let it be only a holiday, a break in his real business. As for the book, I advise everyone who can appreciate dry humour and quaint philosophy to sit behind The Judge's Chair. "The Two Farmers" is in its way a masterpiece, grim and very real, and there is not the ghost of a sign in the whole collection that Mr. Phillpotts has written of Dartmoor until he is tired of it or it of him. He has made a niche for himself in that old temple of Nature, and we must all try to persuade him to stay there.
There’s nothing wrong with Mr. Eden Phillpotts latest collection of short stories, The Judge's Chair (Murray), but there’s something strongly worth protesting about the wrapper that covers them. There, I found an adamant statement saying these stories "bring to a conclusion the author's Dartmoor work," and as soon as I read it, my heart sank. I sincerely urge him to reconsider this decision because if he doesn't, his countless fans will miss out on something almost as reliable and just as enjoyable as Christmas. If he wants to take a break, he should go ahead, although I wasn’t thrilled when he left Dartmoor for Italy. But let it just be a break, not a permanent change from his main focus. As for the book, I recommend that anyone who appreciates dry humor and unique philosophy read The Judge's Chair. "The Two Farmers" is a masterpiece in its own right, dark and very genuine, and there’s no sign in the whole collection that Mr. Phillpotts is tired of writing about Dartmoor or that Dartmoor is tired of him. He has carved a niche for himself in that ancient realm of Nature, and we should all do our best to convince him to stay there.
I have been reading a book, written by the Rev. H. S. Pelham, and published by Macmillan, which is at least twenty times as absorbing and moving as any novel. It is called The Training of a Working Boy. I daresay you may have met with other volumes on something like the same theme before, and may suppose you know all about camps and evening schools and blind-alley employment and the rest of it. But I am pretty well sure that you have read nothing more practical and human on the questions of boydom. It is, indeed, the humanity, sympathetic and more than half humorous, of Mr. Pelham's attitude that gives his book its appeal and incidentally, I fancy, explains his success with the object of it. His little volume is a plea for personal rather than pecuniary help, and is directed more especially to Midlanders, since its chief concern is with the boy population of Birmingham. I can only wish for it the largest possible number of readers in the shires and elsewhere, since to read it is inevitably to be moved to active sympathy.
I’ve been reading a book by Rev. H.S. Pelham, published by Macmillan, and it’s at least twenty times more gripping and emotional than any novel. It’s called The Training of a Working Boy. You might have come across other books on similar topics before, and you might think you know all about camps, evening schools, dead-end jobs, and all that. But I’m pretty sure you haven’t read anything as practical and relatable on the issues facing boys. It’s really Mr. Pelham's humanity—sympathetic and often humorous—that makes his book so appealing and explains its success with its intended audience. His little book advocates for personal help over financial aid and is especially aimed at people from the Midlands, focusing primarily on the boy population of Birmingham. I can only hope it reaches as many readers as possible in the counties and beyond, because reading it will surely inspire active sympathy.

This picture illustrates the deadly struggle which goes on daily between rival seaside resorts. It represents a party of hirelings in the pay of Wobblethorpe-on-Sea engaged in running up the rainfall of Little Blinkington.
This image displays the intense competition that takes place daily between rival beach resorts. It shows a team of workers employed by Wobblethorpe-on-Sea who are actively working to raise the rainfall in Little Blinkington.
"The selection of a player for the leading rôle, that of Pallas Athene, the beautiful goddess of Greek mythology, was successfully accomplished when Miss Genevieve Clark, the pretty and vivacious daughter of Speaker Clark, consented to take the part. Those who know Miss Clark and Greek mythology will realise at once that there will be a natural affinity between the player and the character."
"The decision on the main performer for the role of Pallas Athene, the stunning goddess from Greek mythology, was practically finalized when Miss Genevieve Clark, the charming and vibrant daughter of Speaker Clark, agreed to play the part. Anyone who knows Miss Clark and Greek mythology will quickly see the inherent link between the actress and the character."
We never actually met Pallas Athene, but have always heard of her as being neither very pretty nor vivacious.
We never actually met Pallas Athene, but we've always heard she isn't very pretty or lively.
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